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The Record Changer
The only record exchange in the world
Gcrdon GulHckson, editor, publisher; Don Wilson, circulation nanager: Don Anderson, staff artist. Published every north
at FAIRFAX, VIRGINIA, and copyright 1M3 by Gordon Gulliclson. fine dollar, U.S. money (twelve Issues) a year.
A Style and a Memory
Everybody agrees
that the outlook
for jazz is gloomy.
That is, everybody
except the swing
boys . To prove
their point, these
people use a strange
argument. Progress
they say, is inev-
itable, and jazz
as played today is
necessarily and fatally superior to the
jazz of the early twenties. Such stupid
reasoning can be dismissed without fur-
ther comment. But the unalterable fact
remains that jazz music has gone through
a series of radical evolutions. On one
expected it to remain static: but its
evolution could have taken very different
forms from the ones it took. What those
forms could have been is a nice subject
to dream about. And dreaming is a dan-
gerous kind of waste of time these days.
Which brings me to my point: The fra-
ternity of jazz lovers is composed main-
ly of sentimental dreamers whose imagi-
nation confines itself to the narrow
paths of their ivory towers.
They are more or less unanimous in
their ambition to reform jazz. Their
platform has one essential basis: Only
by returning to New Orleans music can
jazz again become a living artform. This
beautiful ideal has often been expressed.
One of the very best among jazz writers,
Gene Williams, said it in these terms:
"...the real jazz is the stuff which
came out of New Orleans, flavored with
ragtime and rooted in the blues ;.. .this
music is as valid today as it ever was,
and... the best hope for jazz is to re-
discover those roots." (Jazz Information
Vol. II, No. 16). No one with sincere
interest in jazz can fail to share this
hope. I also, in one of those sentimen-
tal moods, have written to the same
effect. But nobody so far has been able
to show how these roots could be redis-
covered. I suspect nobody ever will.
For a very simple reason: In tackling
this problem, many extra-musical factors
must be taken into consideration. As
soon as they are, the hopelessness and
the futility of the whole enterprise be-
come sadly evident.
Mo art can survive without an audience.
New Orleans music has lost its audience.
In more obscure and hermetic arts, the
importance of an audience is perhaps
less great. But it must always Ve re-
membered that jazz is popular rtusic.
When one form of jazz loses its appeal
to the people, it dies out. That is
precisely what happened to New Orleans
music .
In New Orleans until the 1920' s jazz
was the popular music of the day. It
struck the fancy of the crowds. It
nlayed its part in the life of the citv.
It had definite social functions. Jazz
musicians made a good living. But cer-
tain events, social and political, famil-
iar to everyone, separated the New Or-
leans musicians from their audience, and
the musicians began their endless migra-
tions all around the country. Slowly New
Orleans lost its importance as a city of
jazz, and in the last decade not one
significant musician has come from there.
(Whether any significant musician at all
has emerged in the last decade is anoth-
er question.) Of course New Orleans
music remained, — a style and a memory.
It was, and is, still played; only by
old-timers. But only the very great and
the most uncompromising have been able
to keep their identity and to stick to
the roots. Even Louis gave up, a long
time ago. Furthermore, those who, in
spite of everything, have clung to the
old style, who have refused to compromise
with the newer trends, live or have
lived in a permanent state of half-star-
varion (Johnny and Baby Dodds, Ladnier,
Bechet, etc.). Which is tragic, but re-
vealing. Few will deny that this evo-
lution of popular music in America has
been unfortunate, and that the popular
music of today ie infinitely less inter-
esting and less vital, than the popular
music of New Orleans. But the all-im-
portant problem, now, is to inquire
whether there is any possibility for a
return to New Orleans music, after such
an evolution has taken place, completely
transforming in its course the taste of
the public and the mentality of the mu-
sician.
It is easy to enumerate the forces
that have destroyed good jazz: Commer-
cialism, Tin Pan Alley, and so on. In
other words, money. It is more difficult
to point out the exact time when the
break with New Orleans music was made.
Much more decisive than Ted Lewis and
Paul Whiteman's symphonic jazz in the
new orientation of Jazz were certain
great jazz musicians who decided there
should be some changes made. Perhaps
the death-blow to New Orleans music took
place when Louis and Hines got together
and started Jiving. Jive was a conta-
gious and malignant microbe; swing was
here.
New Orleans music means nothing to
the young musician of today, whether
negro or white. If he is forced to lis-
APR 12 1943
2.
ten to it, he finds it archaic or corny
or comical. The very notion that he
should ever play in that style seems
utterly preposterous to him. When jazz
first began to drift away from the New
Orleans style, the problem was very dif-
ferent. Then, most of the musicians
realized that New Orleans music was the
real jazz, even if they played commer-
cialized swing in order to make more
money. Now, the obstacles betv/een New
Orleans music and the jazz musician are
much greater; in fact, they are so great
it is impossible to imagine how those
obstacles could be destroyed. It is no
more a purely economic question, but one
of musical expression. The changes in
the style of interpretation have been so
deep and so categorical that there is
absolutely nothing in common between the
values of New Orleans music and the
values in which today's young musician
believes. That music is totally alien
to him.
The only important exception to this
is the Lu Watters band, which conscious-
ly tried to recapture the spirit of New.
Orleans, and succeeded to an amazing de-
gree. One is almost tempted to say that
this exception proves the rule, because
it is difficult to imagine a more un-
usual group than the admirable musicians
who played in the Watters band. They are
all collectors who played not to make a
living but for their ovm pleasure. Their
music has been incomprehensible if not
funny to the swing fan and the swing
musician. The Watters band had its fol-
lowers, composed obviously of collectors
who liked New Orleans music. But the
Goodman fan or the Eldridge fan looks
down with scorn on such music. It goes
without saying that attempts similar to
that of Watters are highly to be en-
£OU£a^e^^M^Jj^j^De^^IjDw^^^^on^^can
safely predict that such attempts will
become more and more rare. A certain
instrumental technique is necessary for
the performance of New Orleans music, and
that technique is being forgotton and
being replaced by other techniques. For
instance, certain strict methods had to
be learned for the playing of a New Or-
leans trombone or a New Orleans clarinet.
They are unknown to the musician of to-
day. How can anyone expect of him to
rediscover the roots of New Orleans
music, when his musical sensitivity is
different from that music and his style
is opposed to it?
It would be wise for those among jazz
critics and jazz lovers who are wishful
thinkers to meditate upon the relations
between music or any other art and the
society in which it flourishes. New Or-
leans in 1910 was a different world from
Harlem in 1943. To hope that it could
be possible to impose upon the Harlem
of today the music of the New Orleans of
1910 is to ignore history. Duke Elling-
ton is popular in Harlem because the
young negro of today recognizes certain
aspects of himself in Ellington's music,
just as the music of Bunk -Johnson or
King Oliver meant something very definite
tp the young negro of New Orleans in
1910.
It does not follow that the real jazz
is dead. Swing is just one phase in the
evolution of popular American music. It
is possible that in the future that mu-
sic will adopt certain forms which will
be as rich and as satisfying as New Or-
leans music. But there will be no redis-
covery of New Orleans music. It is im-
possible to resurrect it. Musically
speaking, history does not repeat itself.
Advertisers whose addresses are not shown elsewhere
JOHN S. ABERCROMB IE, 1520 N.W. 3 1 ST AVENUE,
Miami, Florida.
Frank ADAMS, 1519 Clintcn,
Muskegon, Michigan,
edith dart, 3026 dakota street,
Oakland, Cal.fornia.
franco 1 s 0esparte, 40 west 74th street ,
New York C i ty.
jack ERV IN!, 172 Brewster Road,
SCARSDALE, NEW YORK.
Ed Thomas GLEESON, Y2c, USN, 328 Eldridge Avenue,
Mill Valley, California
william r. griffith, 2535 channing way,
Berkeley, California
sol grit7, 3038 holland avenue,
Bronx, Mew York,
thurman i mary grove, 4709 frankf0rd avenue ,
Baltimore, Maryland.,
wallace t. herrell, jr., r.f.d. no, 14, box 157,
Richmond, Virginia.
ROBERT HERZFELDER, 245 WEST I07TH STREET,
NEW YORK C 1 TY.
Frederick v. hill, 2402 Dana street,
BERKELEY, CALIFORNIA.
ELL 1 6 HORNE, 2231 Green Street,
San Francisco. California.
Harry HOUGHTON, 3011 Laurel Avenue,
Cheverly Hills, Marylakd.
Dick JONES, 1015 E. 6th Street,
Long Beach. California.
Mele LIQUOR I, 867 N. 6th Street, 3rd Floor apt.
Phi ladelphi a , Pennsylvania.
John MORRISON, 204 SOUTH KELLOGG ,
Ames, Iowa.
Kenneth QUA IFE, 1218 3rd Street,
AMES. IOWA.
Max RAAB,, Rutgers prep,
New Brunswick, new jersey.
B. E. RIDDLE, 2132 Mt. Royal Terrace,
BALT I MORE , MARYLAND.
William A. ROBS INS, 121 Brite Avenue,
SCA RSDALE « NEW YORK.
Fred SHERWOOD, 738 N. Nelson Street, apt. f5,
Arlington. Virginia,
r. E. STEARNS, 14 Gardner Street,
Worcester, Massachusetts.
John STEINER, #608, 9 south Clinton Street,
Chicago, Illinois.
Elizabeth whi TAKER, Box 134,
Greenville, Michigan.
wilson 1* uull ickson, i 100 25th street,
washington, 0. c.
LES ZACHEIS, 1622 D AVE. , N.E.,
- Cedar Rapids, iowa
WANTS AND ITEMS FOR DISPOSITION
Francis John Walcott
2402 Dana Street, Berkeley, California
For sale or trade
LOUIS ARMSTRONG
RED NICHOLS
Keepin' out of Mischief now/Lawd you
CO
2646
N
NOBODY KNOWS/SMILES
BR 4790 G
Sweet savannah sue/that rhythm man
OK
8717
G
Who/Carolina in the morning
BR 4925 G
Cabin in the pines/i've got the world on
BB
6910
E
K ING OLIVER
Memories of youAou're lucky to me
OK
41468
N
DlPPERMOUTH 8LUES
GE 5132 F
home/All of me
V0
3125
N
SWEET LOVIN' MAN
OK 4906 G
ROCKIN' CHAIR/l AIN'T GOT NOBODY
OK
8756
E
ST. JAMES INFIRMARY
BB 5466 N
1 SURRENDER DEAr/WALKIN' MY BABY BACK
OK
41497
N
ORIGINAL WOLVERINES
CONFESSIN'/lF 1 COULD BE WITH YOU
vo
3059
N
ROYAL GARDEN BLUES
BR 4000 V
COUNT 8AS IE
JACK PETTIS
NOBODY KNOWS/SONG OF THE ISLANDS
vo
5169
V
DOIN* THE NEW LOW DOWN
VI 21 159 G
JACK BLAND
RED HEADS
WHO STOLE THE LOCK/SOMEBODY STOLE GABRIEL ME
12513
N
CORRINE CORR 1 Na/BUG-A-600
ME 12495 V
TAR TAIinwAV
LMD LALLUWAY
MUGGSY 'SPANIER
SWEET JENNIE LEE
PE
15366
G
Hesitating blues
DE 4271 N
CHICAGO RHYTHM KINGS
TEXAS BLUES DESTROYERS (BUBBER
Ml LEY)
I'VE FOUND A NEW BABY/THERE 'LL BE SOME
HRS
7-8
E
Lenox avenue shuffle
VO 14913 V
EDDIE CONDON
FRANK TESCHEMAKER-CFI 1 AR ROYS
The eel/home cooking
Br
6746
N
Jazz me slues/barrell house stomp
UHCA 61-62 N
The eel/Home cooking (2cd masters)
Co
35680
N
JOE VENUTI
0 IX IE DA 1 S 1 ECS
Little girl/tempo oi mooernage
CO 2488 E
BUGLE CALL RAG
Ro
839
G
Tap room blues
DE 625 E
TOMMY DORSEY CLAMBAKE SEVEN
FATS WALLER
BY CAB 1 N OF 0REAMS
VI
25620
V
Minor drag
BB 10185 N
A TISKET A TASKET
V 1
25899
G
PAUL 1H ITEMAK
IN MY MEDITATIONS
V 1
25625
E
OUT OF TOWN GAL
CO 1505 V
DUKE ELLINGTON
Wanted
BUGLE CALL RAG/DINAH
VI
22938
G
LOUIS ARMSTRONG
REGINALD FORSYTHE
YOU MADE ME LOVE YOu/lRISH BLACK BOTTOM OK 8447
DODGING A DIVORCEE
CO
3012
E
WILD MAN BLUES/GULLY LOW BLUES
OK 8474
BUD FREEMAN
MELANCHOLY BLUES
ANY
Sail fish/Satanjc blues
DE
2781
N
ONCE IN A SHILe/STRUTTIN' WITH SOME BARBECLE OK 8566
THE EEl/CHINA BOY
BB
10286
N
COW COW DAVENPORT
BENNY GOODMAN
ATLANTA RAG
CH 50033
SH 1 RT TA 1 L STOMP /BLUE
Br
3975
Ft
JOHNNY DODDS
Basin street blues/Beale street blues
v"
7645
N
OH DADDY
PARA 12471
1
25846
G
LOVELESS LOVE
Para 12483
RORRV HArtfTTT
DUODT nh^L 1 1
WEARY BLUES
Vo 15632
DO IN' THE NEW LOW DOWN
VO
4565
E
ALEX HILL
That da-oa strain
VO
4142
E
TACK HEAD blues
Vo 1270
FLETCHER HENDERSON
KANSAS C 1 TY FRANK
Shanghai shuffle (louis)
vo
14935
G
Jelly roll stomp
BR 7062
Dinah
VO
15204
G
CRIPPLE CLARENCE LOFTON
Hop OFF
Br
41 19
E
Strut that thing
VO 02951
EARL HINES
BROWN SKIN GALS
ME 61 166
SOLID MAMA
vo
4143
G
JELLY ROLL MORTON
ART HODES
JMano solos) Ge,
Para, Silv, vo
ROSS TAVERN BOOGIE
SA
12007
N
NEW ORLEANS BOOTBLACKS
HOTSY TOTSY GANG
Flat footAad 00q
CO 14337
March of the hoodlums/harvey
Br
4559
G
MIXEO SALAO/ICAN'T SAY
Co 14465
DO IN' THE NEW LOW DOWn/DIGGA 01GGA DO
Br
4014
G
KING OLIVER
TED LEWIS
SNAKE RAG/4HIGH SOCIETY
OK 4933
Farewell blues/wabash blues(sub-surface
JAZZIN' BABIES BLUES
OK 4975
CRACK
CO
2029
E
ROOM RENT BLUES/l AIN'T GONNA TELL N0600Y OK 8148
WINGY MANNONE
WORKING MAN'S 6LUES/R 1 VERS 1 DE BLUES
OK 40034
nickel in the slot
OK
4|573
V
SWEET BABY DOLL/XlABEL'S DREAM
OK 8235
RAY McK INLEY
SOUTHERN STOMPS
Para 12088
New Orleans parade
DE
1019
E
MABEL'S OREAm/R 1 VERS 1 DE BLUES
ANY
F 1 NGERWAVE
DE
1020
N
ORIGINAL TUXEDO JAZZ BAND
RED MCKENZIE
BLACK RAG
OK 8198
Sweet lorra i ne
VA
520
N
REO ONION JAZZ 8ABIES
1 CRIEO for you
VA
589
N
Cake walkin' babies
GE 5627
MCKENZ IE-CONDON CHICAGOANS
LIL 'S HOT SHOTS
nobody's sweetheart/l 1 ZA UHCA
1 1-12
t:
DROP THAT SACK
VO 1037
MOUNO C 1 TY BLUE BLOWERS
CLARA SMITH
hello lola/One hour
BB
10037
E
SHIPWRECK BLUES
CO 14077
JIM UUNDY
CLARENCE WILLIAMS BLUE FIVE
1 surrender oear/ain't misbehavin'
VA
598
N
CAKE WALKIN' BABIES
OK 40321
PLATTERTUDES
(*tj £uyene WillUmi
When Gordon Gull-
,ickson asked me to
write a regular coll-
ectors column for
the Record Changer,
I declined, — large-
ly because a "coll-
ector" who is sep-
arated from his phon-
ograph, records, and
reference books isn't
very well qualified
for such a job. A few more-or-less new
itetis have turned up recently, however,
which may not have been reported else-
where. It probably won't hurt to men-
tion them in print.
Cow Cow Davenport's piano solo of
Chimes Blues was issued on Paramount
12800 ( coupled with Slow Drag) and
Champion 50033 (coupled with Atlanta
Rag) . Now it appears on a third label,
G-ennett 6838, coupled with Strutting
The Blues. The Paramount and Champion
masters of Chimes are different, and I
believe the Gennett is identical with
one or the other; only direct compari-
son would show which. To complete the
roll of labels, it should be added that
Slow Drag was also reissued by Elusive
Eli Oberstein on Varsity, and that Bill
Love once reported (J.I. 1:19) a copy
of Struttin' the Blues and Atlanta Rag
on Supertone. The Struttin' side is
particularly interesting because it
isn't listed in Discography, and hap-
pens to be pretty good piano. The
Gennett is dated 1929, has no master
numbers, and gives the artist's name
as Charlie Davenport.
Speaking of different masters: one
of the oddities of collecting is the
way original-label collectors and mas-
ter-number researchers are often lump-
ed together as equally idiotic members
of the lunatic fringe. By now it should
be fairly clear that the label fancier
is simply a collector whose criteria
are not exclusively musical. His in-
terest in externals may be irrelevant,
but it isn't necessarily despicable.
Master numbers, however, are an en-
tirely different question. Judicious-
ly handled, master-number investiga-
tion can throw a good deal of light on
the historical, and ultimately the mu-
sical, factors of record sessions. And
the comparison of variant masters, an
occupation usually scorned by the jam
session cognoscenti, is often revarded
by deeper enjoyment and understanding
of jazz.
An example which haunts me is the
extremely rare //l master of Trixie
Smith's Railroad Blues (Paramount 12262),
which I heard for the first time when
g^^Ju^cjll^jjl^jga^^^^foi^me^^i
Pittsburgh a few months ago. The
no need to apologize for the #2 i
ter (used for the J.I. reissue, mer>
because it was the only new copy avai.
able); it's one of the most beautifu
of the Armstrong accompaniments. Num-
ber one, however, has a cornet solo so
wonderfully conceived that it surpasses
even Louie's marvelous playing on the
commoner master. But the fact that
one master may surpass the other is
incidental to the more general case of
two or more different variations of
the same record. If we still believe
that in jazz the performance is more
important thein the "tune", we ought to
show a good deal more interest in mas-
ter variations, and respect for them,
than most collectors do.
Mr. Gullickson, the Record Changer
himself, reports finding a Jelly Roll
Morton accompaniment to singer Billie
Young. It's Victor 23339 and the
titles are when They Get Lovin' They's
Gone / You Done Played Out BluesT
Jelly' s name is on the label, and
there's a little fine piano and a lot
of pretty good singing.
Alfred Lion (now in the Army) and
Frank Wolfe, who were the most active
members of Blue Note Records, have two
new Cripple Clarence Lofton items, one
almost certain and the other a bit
doubtful. On Jockey Blues (Gennett
6337) b.y Sammy Brown, the pianist is
almost unquestionably Lofton (to my
ears and to those of the collection's
owners), and the singing too sounds
like Clarence's characteristic style.
"Sammy Brown"is obviously a pseudonym;
the coupling has a different singer
and accompaniment , though the same name.
The second Lion-Wolfe Lofton item,
which seems to me less easy to identi-
fy positively, is On The Wall / Py The
Moon and Stars (Paramount l"3~008, mas-
ters L419 and L420 ) by Louise Johnson.
Neither of these two finds is as im-
pressive as the Cripple Clarence discs
on Solo Art, Vocalion, Melotone and
Decca; but both are worth picking up
if anyone runs across them.
Subscribe
to the
Record
Changer !
WANTED
12 3 4
IRVING AARCIISON
PARDON MY SOUTHERN ACCENT/ATE
AN CO
2946
.50
LlQU
MY SCANDINAVIAN GIRL
VI
7
.50
LIQU
HENRY ALLEN
ROAM 1 N '
VI
23006
2.00
ADAM
LOUIS ARMSTRONG
SV.'EET LITTLE PAPA (EX)
OK.
8397
3 50
A
Lonesome blues {ex)
OK
8396
3 50
AdT'
Sunset cafe stomp (ex)
OK
8423
3 50
ADAM
|p| Sh BLACK BOTTCM (ex)
OK
6447
3 50
Ada"
Gully low blues (ex)
OK
8474
ADAM
WILLIE THE WEEPER (Ex)
OK
8482
3,50
ADAM
MELANCKOLLY BLUES (N)
OK OP. voc
3.50
ADAM
SUGAR FOOT STRUT (N)
OK
8609
3.50
ADAM
POTATO HEAD BLUES
( Any
GRIF
ORY'S CREOLE TROMBONE
Co
35838
GRI F
(ANY, EXCEPT ORCHESTRA)
HILL
POTATO HEAD BLUES
UHCA
59-60
1.65
Mo RR
WHEN YOUR LOVER HAS GONE
OK
41498
1 .50
JONE
GUS ARNHE IM ORCHESTRA
SUZANNE
VI
24235
1.25
LlQU
ATLANTA MERRYMAKERS
BLACK STOMP (EX)
MAO
1935
1 .50
ADAM
LOV IE AUSTIN
Rampart st. slues
PA RA
12300
1 .75
Adam
Too sweet for words
Para
12313
2.25
AOAM
Jackass blues (ex)
Para
12361
4.00
Adam
Galliom stomp
Para
12380
4.00
Adam
Merry makers twine
Para
12391
4.00
ADAM
BEALE STREET WASHBOARD
BAND
40 AND TIGHT ( N )
VO
1403
4.50
ADAM
SIDNEY BECHET
Maple leaf rag
BB
761 4
2.00
MORR
BIX BEICERBECKE
JAZZ ME BLUES
(ANY)
GRIF
BEN BERN IE
DRUMMER'S DAY
OK
4943
SHER
J IMMY BERTRAND
STRUGGLING (n)
VO
1035
1.50
ADAM
47th St. stomp (n)
VO
IC60
1 .50
ADAM
1 !M GO IN' HUNTIN'
VC
1099
5.00
ADAM
BLUES STAMPEDE
V 0
1 100
5.00
ADAM
1 'M GO 1 N HUNTI N
vo
1099
5.00
Horn
1 SABELLA
Vo
7
Horn
Strug gl in' /Little bits
VO
1035
3.00
Stea
BARNEY BIGARO
DRUMMER'S DELIGHT
OK
3985
SHE R
JIMMY BLYTHE
MESSIN' AROUNO
Para
12376
5.00
ADAM
WEARY WAY BLUES
vo
1 135
3.00
Adam
HAVE MERCY
Vo
1 136
3.50
ADAM
MY 6ABY
vo
1 180
3.00
ADAM
APE MAN/YOUR FOLKS
Para
12428
3.50
STEA
ORIENTAL MAN/MY BABY
vo
i ieo
3.50
Stea
BOHUNKUS BLUES
Para
12368
3.50
Stea
PERRY BRADFORD
Lucy long/i ain't gonna play
NO VO
15165
1.50
HERZ
CHICAGO RHYTHMKINGS
(EITHER TITLE ON SIGNATURE)
SIC
ROBB
1
1
9
0
A
4
CHICAGO FOCTWARMERS
BALL IN' THE JACK
OK
8533
3.50
Adam
My EASY
OK
8548
3.50
Adam
Lady love (ex)
OK
8613
3.50
Adam
CHICAGO RHYTHM KINGS
I'VE FOUND A NEW BABy/CkaNGES (N) UHCA 7-8
2,50
MORR
1 'VE FOUND A NEW BABY/CHANGES
UHCA 7-8
1.50
JONE
JUNIE COBB I GRAINS OF CORN
SMOKESHOP DRAG/BOOT THAT THING
Vo
1259
4.00
Horn
BOOT THAT THING/SMOKEHOUSE DRAG
VO
1269
3.00
STEA
EDD 1 E CONDON
Eel/ Homecookin'
\ ANY
ROBB
B 1 NG CROSBY
Gay love
v*
ABER
Gay faree
E
2536
ABER
Cabin in the cotton
R
6329
ABER
STREET OF DREAMS ( NEW )
BR
6464
Glee
Learn to croon (new)
Br
6594
Glee
1 'VE GOT TO PASS YOU HOUSE (NEW,
BR
66 10
Glee
Just one more chance (new)
BR
6 1 20
Glee
1 FOUND YOU/SNUGGLED ON VCUR
BR
6248
1 .25
LlQU
my'woman7^01" L°NG *"LL 'T LflST
BR
6259
1 .25
LlQU
BR
1.25
LlQU
VCU ' RE BEAUT I FUL TO NIGHT MY DEAP
647"
1.25
LlQU
Linger a little longer/got the
BR
6491
1.25
LlQU
WHAT DO 1 CARE IT'S HOME
BR
6515
1 .25
LlQU
SHADOW WALTZ
Bp
6599
1 .25
L 1 QU
Little dutch mill
Br
6794
1.25
Ll QU
MY HONEY'S LOVING ARMS
BR
6525
1.25 LlQU
TQV.PTA T 1 On/WE 'LL MAKE HAY
Br
6695
1.25
LlQU
GEMS FROM WHITE'S SCANOALS
BR
20102
2.00
LlQU
Face the music medley
Br
20106
2.00
L IQU
LAV.'D YOU MADE THE NIGHT TC LONG
Br
20109
2.00
Ll QU
DIXIELAND JUG BLOWERS
House pent pag
VI
20420
3.00
HORN
WEARY BLUES/N. 0. STOMP
VO
15632
10.00
STEA
Bull fiddle blues
( Any
STEA
BLUE CLARINET STOMP
(any
STEA
JOHNNY DODDS
RA 1 LROAD BOOMER
OK
45417
ADAM
I'LL BE THINKING OF YOU
OK
45560
Adam
AFTER YOU'VE(BOTH MSTRS N)
VO
OR BR
2.50
Adam
WlLDMAN (BOTH MASTERS )
Br
3567
4.00
Adam
Oh,lizzie (m)
BR
3585
2.00
ACAM
NEW ORLEANS STOMP (V)
VO
15632 30.00 AoiM
Oh daddy
PARA
12471
5.00
Adam
LOVELE.SS LOVE
para
12483
5.00
Adam
PENCIL PAPA (V)
VI
38038
2.50
Adam
(Any re-issued on Bluebird)
BB
Dart
ivildman blues/melancholy
Wildman blues/melancholy
BR
3567
GR 1 F
BR
3567
HILL
WEAPY BLUES (E TO N)
Vo
15632
RlDO
DORSEY BROTHERS ORCHESTRA
LET'S DO IT/SPELL OF THE BLUES
OK
41 181
ABER
SPELL OF THE BLUEs/LET'S DO IT
OK
41 ISI
Glee
MY KINDA LOVE
OK
41 188
Glee
MY K 1 NOA LOVE
OK
41 188
1.75
LlQU
SPELL OF THE BLUES/LET'S DO IT
OK
41228
1.75
LlQU
DUKE ELL 1 NG TON
TRUMBONE BLUES
(Any Col. OK, voc)
(ANY)
grit
Grit
WILL EZELL (SOLOS)
BUCKET OF BLOOD
Para
12773
5.00
Horn
HOT SPOT STUFF
Para
12914
Horn
L 1 ONEL HAMPTON
Shoe shiners drag
VI
2601 1
1.65
MORR
BUZZING AROUND WITH THE BEE
VI
25575
1.50
MORR
COLEMAN HAWKINS
WHEN DAY IS DONE
BB
10693
.85
MORR
HONEYSUCKLE ROSE/'CRAZY RHYTHM
Vl
26219
1.00
MORR
12 3 4
1 2
TACK HEAD BLUES
ART HOPES
ROSS TAVERN ECOGIE
I PAHA TROUBADOURS
ROSE OF MANDALAY CO
MERLlNE JOHNSON (yas VAS girl)
(any) —
PETE JOHNSON
LET
Vo 1270 5.00 Horn
SA 12007 2,00 Mo rr
1694 1.25 L|qu
' EM JUMP
RICHARD M.
SA i2005 2.00 MORR
JONES
Hot AND READY
BABY 0' MINE
KANSAS CITY FRANK MELROSE
PAZ 2 THE JUG
GENE KRUPA
PARA
OK
12705 3.00 Horn
8390 3.00 HORN
R. t VI ., BB.)
TOMMY LADNIER
Really
the BLUES
SAM LAN IN
GE 5565 5.00 HORN
BB 10089 .85 Horr
Susianka/i '« CRAZY over YOU
Susianna/i'm crazy OVER YOU
LEADBELLY
PlGMEAT PAPA
LIU'S HOT SHOTS
Drop that sack (m)
LOU I S I ANA RHYTHM KINGS
OK 41228
OK 41228
AEER
1.75 LlQU
Last cent (V)
that da^da strain
WINGY MANNONE
EX
LIMEHOUSE BLUES
JOE MARSALA
ME GC455 HORN
ME 13326 HORN
ME 13327 HORN
VO 1037 5.00 ADAM
VO 15815 12.50 ADAH
HRS . — 4.00 ADAM
BB 10432 .65 Mo RR
WOLVERINE BLUES/JAZZ ME BLUES V
REV. McGEE AND CONGREGATION
NOTHING TO DO IN HELL B
BABYLON IS FALLING DOWN B
MCKENZ IE-CONDON CHICAGOANS
5345
526 (
China boy
nobody's sweetheart
GLENN MILLER
(any brunswicks)
blues serenaoe/moonlight on gan,
Pes 0' my heart/ i 'm sittin on.
Rhapsody in blue
MISSISSIPPI JOOK BAND
sk i ppy wh i ppy
Dangerous woman
miff mole
OK, UHCA
OK, UHCA
CO 3051
De 1 342
(Any)
HORN
Horn
Gri f
Gri f
Sher
SHER
SHER
Sher
My gal sal (ex)
Crazy rhythm (ex)
that's a plenty ( ex )
JELLY-ROLL MORION
sidewalk blues (n)
someday sweetheart (n)
Pretty lil (n)
Tank town bump (N)
Try me out
fussy mabel (n)
looking for a bluebird
Fickle fay creep
Mint julep
Jersey joe/Sweet feter
Mississippi Mildred
Load of coal
(Any Jelly-roll Morton)
gam3lin jack
jersey joe
ME 61 165 2.50 HORN
ME 61271 2.5C HORN
OK 40932 2.00 ADAM
OK 41098 2.00 ADAM
OK 42232 2.00 ADAM
V I 2C252 1 .25 Adam
VI 20405 I .00 Adam
Vl 38028 2.25 ADAM
Vi 38075 2.25 Adam
VI 381 13 2,25 ADAM
VI 36125 2.25 ADAM
VI 23004 2.25 ADAM
VI 23019 3.25 ADAM
V 23334 7.50 ADAM
Vl 23402 8.50 ADAM
V I 23424 10.00 ADAM
VI 23429 10.00 ADAM
VI 23307 HORN
V I 23402 HORN
( jelly-^.oll morton continued
Prof, hot stuff vi
Primrose stomp Vi
London blues Rialto
Beale street elues BB
Steamboat stomp BB
High society bb
Balling the jack bb
mr. jelly lord bb
king porter stomp (e to n ) auto
new orleans bootblacks
(any)
23429 —
23424 -
535 -
10252 I,
8372 I
10434 .
10450
10258 I
617 -
HORl
HORN
— Horn
00 Mo rr
00 morr
85 MORR
es MORR
25 MORR
RlDD
ANY
CO
3.00 Adam
14337 5.00 STEA
3076
5105
Rl DD
R I DD
FLAT FOOT/MAD DOG
NEW ORLEANS RHYTHM KINGS
milenberg Joys (new) Ge
Tin roof blues (new; b master) Ge
NEW ORLEANS WANDERERS
Gate mouth/Perd ido
FRANK IE NEWTON
(Any)
RED NICHOLS
Sweet Georgia brown
rockin* Chair
(Any featuring g, Miller or krupa)
Chinatown/On the alamo
sh1ek of araby
J I MM IE NOQNE
APEX BLUES VO 1207 flROV
A MONDAY DATE VO 1229 GROV
RED NORVO
UHCA 15-16 I .90 MORR
BR 4944 I .50 GROV
BR 6013 1.25 GROV
BR 4363 HOUG
BR 4885 HOUG
THE N I GHT I S BLUE
KING OLIVER
Co 3026 1.50 Jone
(any on ok) (v) ok
new drlfans stomp/chattanooga st. co
( any king. Oliver Jazz Band) —
d i fpehmouth blues uhca
Canal street elues UHCA
ROOM RENT BLUES OK
RIVERSIDE ELUES OK
Mabel's dream OK
jazzin' babies blues ok
Budoy's habits/tears ok
PRY'S SUNSHINE 0RCHE5TRA
ORY'S OREOLE TROMBONE ( NEW )
T I MY PARHAM
(Any victor, ex condition) vi
RAMPART STREET WASHBOARD BAND
(Any on Oriole or Perfect) —
BROADWAY RA5TUS
WHOOPEE STOMP PARA
LUIS RUSSELL
(amy mew Ok) ok
Case on down (ex) vo
BECHET— SPANIER BIG FOUR
(Any CN HRS) HRS
' PEE WEE RUSSELL
84 TC 4 10
13003 2.50
77-78 1.75
67-68 1.50
81 48 10.00
40034 6.00
8235 10.00
4975 8.00
40000 6.00
Adam
HERz
hill
MORR
Morr
Stea
STEA
STEA
STEA
STEA
(ANY ON HRS)
CHARLIE SEGAR
BOOG IE WOOG I E
OMER 5IME0N (SOLOS)
Smokehouse blues
DUDE SKILES
MY GIRL (N)
PINETCP 5MITH
PlNETOP'S BOOGIE WOOG I E
MU6GSY SPAN IER
sister kate/d i pfermouth
jazz band ball/Livery stable
(Any) Ridd
Vi 1.50 Adam
5.00 Adam
12764 5.00 HORN
$2 TO J3 ADAM
1579 3.00 AOAM
ROBB
ROBB
3836 I . 10 GROV
7109 4.00 Horn
516 2.00 ADAM
I 13 1.50 MORR
ROBB
ROBB
APR l2
/anted I
VICTORIA SPIVEY
K I ND A MAN (N)
JOE SULLIVAN
12 3 4
VO 03366 I.
2.
IN HILL BLUES (new) CO OR UHCA
1TTLE ROCK GETAWAY/jUST STROLL. DE 600 ~
ERSKINE TATE
3T0MP OFF, LET'S GO / STATIC STRUT VO 15372 I
JASPER TAYLOR
Stomp time blues
stomp time blues
FRANK TESCHMACHER
Jazz me blues/Barrel house(n)
FRANK IE TRUMBAUER
three bli no m i ce
riverboat shuffle
Mississippi mud
Ostrich walk
riverboat shuffle
VENUTI-LANG
Para |2409 4
Para 12409 6
MORR
HOUG
AOAM
HORN
UHCA 61-62 2.50 Mo RR
OK 40903 -
OK, UHCA -
OK 40979 I
UHCA 29-30 I
OK 40822 2,
BEALE STREET BLUES
FAREWELL BLUES
PAUL WHITEMAN
UHCA
UHCA
108
IC6
GR I F
GRI F
LlQU
MORR
JONE
MORR
MORR
night at the biltmore
Oh miss hannah/china boy
you brought new kino of love
after you've gone
it was the dawn of love
what price lyrics ( rhythm boys)
coquette
0 miss hannah;
supposin'
waiting at the end of the road
Great day
After you've gone
CLARENCE WILLIAMS
Texas moanep blues
Papa oe da da
Livin' high/Just wait
Cake walk in ' bab i es
ALBERT WYNN
THAT CREOLE BAND
SHE 'S CRY I N ' FOR ME
ANY ART 1ST OR RECORDING GROUP
(SEND LIST IF EX. OR NEW ) UHCA $1.50 TO S3 AOAU
VI
39000
aber
CO
1945
Aber
Co
2171
aber
CO
2098
Aber
VI
21453
Glfe
VI
24349
Glee
CO
1755
Glee
CO
1945
Glee
Co
1862
1.25
LlQU
CO
1974
1.25
LlQU
CO
2023
1.25
LlQU
CO
2098
1.25
LlQU
OK
8171
5.00
stea
OK
8245
6.00
STEA
OK
8272
5.00
STEA
OK
40321
6.00
STEA
OK
8350
3.00
STEA
VO
1252
3.00
STEA
WANTED
Texas bands
I AM LOOKING FOR THE FOLLOWING BANDS OF TEXAS ORIGIN
ANY AND ALL TITLES IN GOOD CONDITION
AT REASONABLE PRICES.
don albert vocal ion
troy floyd okeh
boots and his buddies bluebird
herman waldman brunswick (maybe others
mack rogers blueb i ro
fred gardner's texas university
troubadors okeh
Jake trussell,jr., route 2, box 38, Kingsville, Texas
Attention
GOODMAN COLLECTORS
For auction, — an item of particular rarity
Benny Goodman's Orchestra, Don't Be That Way, on spec!
Victor demonstration label, brown and buff color. I
Excellent condition. Minimum bid:-- $2.50.
Closing date for bids:— April 15, 1943.
les Zacheis, 1622 D Ave., N.E., Cedar Rapids, Iowa.
* Orleans Recollec
In approaching
and passing the
city of New Or-
leans, the Missi-
sippi River makes
a series of ma-
jestic curves, whil e
flowing in a south -
easterly direction.
A large portion
of the city is contained in one of
these great curves, which somewhat re-
sembles a broad letter (J, a part of
which forms the crescent that accounts
for the designation"The Crescent City".
As it finishes the letter U the Missi-
sippi swings to the right and turns to-
ward the Gulf of Mexico. At about the
point where the river makes this right
turn is the foot of Elysian Fields
Avenue, a thoroughfare in downtown New
Orleans, broad enough to carry several
railroad and trolley car tracks in the
center with a wide roadway on each
side. Not many blocks from the river
was a small railroad station, the ter-
minal stop of a little railroad that
connected two points well known in the
history of jazz music, --New Orleans
and Milneburg.
I was told that in the years follow-
ing the Civil War, Milneburg was a pop-
ular resort for fashionable New Orleans
folks, but as the years passed it lost
its appeal to the elite and became a
gathering place for the hoi polloi.
While I lived in New Orleans it was a
great place for boisterous picnics and
social club outings.
Elysian Fields Avenue runs almost
due north and south, and the little
railroad followed the same direction
straight to Milneburg, to which the
trains ran frequently on Saturdays,
Sundays and holidays. The engines on
these trains were small coal burning
affairs, which seemed to run just fast
enough to keep the wooden coaches al-
ways in a shower of cinders. Persons
wearing white clothes h3d to be care-
ful, there being no screens in the car
windows. Louisville and Nashville
Railroad trains also ran out Elysian
Fields Avenue for about twenty blocks,
and then turned east on their way to
the Gulf Coast, while the Milneberg
6
trains continued straight ahead. At
the point where the L. & N. trains
branched off stood Stern's Ammoniated
Raw Bone Super Phosphate and Potash
Works; when the wind was right the
passengers on the trains somehow got
the idea that they were not riding
past rose gardens. The five mile trip
to Milneburg did not take long, and
soon the little place could be seen
ahead-, with blue patches of Lake Pon-
chartrain showing through the large
trees growing along the shore.
I don't recall any railroad station
at Milneburg; after pausing briefly at
the shore, the little train continued
■straight out the railroad pier which
ran some distance out over the lake.
The final stop was at the end of the
pier, where connections were made with
the "New Camilia", the little steamer
which ran across the lake. The "New
Camilia" was said to be very old, and
the story was that it had been chris-
tened the "Camilia" when it was built,
but when it got old they gave it a
heavy coat of white paint and called
it the "New Camilia". The painting
was repeated each year, and rumor had
it that if the many coats of paint
were scraped through, it would be found
that the wooden hull had rotted away
and the thick shell of white paint was
all that kept the boat afloat.
Milneburg was located both on the
shore of Lake Ponchartrain and out
over the lake itself. On the shore
were picnic groves, and a dance hall
or two; out over the lake were built, a
large number of camps, cabins and pa-
vilions, which were reached by narrow
wooden walks running at right angles
from the railroad pier. These struc-
tures and the walks running to them
were built several feet above the level
of the lake, and were supported by
wooden piles driven into the bottom of
the lake; many of the camps had little
stairways running down into the water
for the convenience of those who want-
ed to swim. Out at the end of the
pier was a more substantial structure,
Moreau's Restaurant, where a very tasty
sea food dinner could be had. A plank
walk or promenade extended the length
of the pier, along which were placed a
few wooden park benches. There was no
shade along most of the pier, and the
benches furnished pretty hot seats un-
til late in the afternoon when- the sun
got low. The camps and cabins could
be rented for almost any length of time,-
by the day, week-end or longer. Social
clubs and other groups would bring food,
drink and music. As the evening drew
on, there could be heard music coming
from all d irections, and when the music
of two groups didn't clash, the strains
from a hot cornet or trombone floating
across the water . had a very pleasing
effect. The hottest jaze came from
the dance halls at the edge of the
lake. The one I remember was Quarella's
Pavilion, where many of the New Or-
leans jazz pioneers played at one time
or another. It had the reputation of
being a pretty rough dance hall.
My trips to Milneburg were solitary
ventures to while away an idle after-
noon. To ride out to the end of the
pier, passing the old lighthouse that
stood about halfway out, for a meal at
Moreau's; to saunter along the pier,
or sit on a bench and read, while
enjoying the music in the distance;
these were enough to fill out the af-
ternoon. As night came on I was sat-
isfied to get on the little train and
rattle back into town, where there were
always plenty of interesting things to
see, and always enough music for any
taste. And I usually had some impor-
tant loafing and listening to do.
SEND ALL MAIL TO OUR NEW ADDRESS:
The JQecotd &hanye*9
7ait^ax, l/itginia .
9.
^-FOR DISPOSITION-
1 2 3 4 5 6
first four letters of collector's name.[
For address, see page 3.
Method of disposition: "sal",
for sale at price i no i cateo ;
"TRA", FOR TRADE J "AUCft, AT
AUCTION, CLOSING DATE FORBIDS.
APRIL 15, 1943; ** T— A f FOR
TRADE OR AUCTION; "T
SALE OR TRADE ; "STA"
TRADE OR AUCTION.
condition of record ! n— new ;
e-excellent;v-very good;
G-good; F-fair; P-pi
2 j Catalog number of
\ | Label of record-
1 2
ALABAMA WASHBOARD STOMPERS
1586 - sal .65 Grit
1 WANT A LITTLE GIRL/YOU'RE VO
HENRY ALLEN
BIFFLY BLS/lT SHOULD 8E YOU VI 38073 E TPA 1.00 GRIT
Make a country bird fly wildvi 38107 N tra I. 00 Grit
ALL STAR TRIO
ACHOLIC BLUES/JERRY Vl E T— A 1.00 WHIT
ARCADIAN 5EREMADERS
The coed /Just a bit bad OK 40503 N t-a 3.00 Horn
LOUIS ARMSTRONG
(10 late OK I- Bluebirds) OK k BB ex-N sal .50 Grit
I surrender dear/walking my OK 41497 V sal .95 Grit
Indian cradle song/Exactly. OK 41423 V sal .85 grit
Sleepy time/Glad when you'reOK 41504 V sal .75 Grit
TIGER RAG/DINAH OK 8800 V SAL .85 GRIT
memories of you/You're luck.Vo 3180 N sal .85 Grit
IN THE MARKET FOR YOu/LITTLEVO 3301 V SAL .75 GRIT
CONFESSIN1 (WARD ON TWO SIDES)
BLUE RHYTHM BOYS
BLUE
OK
41448
G+TRA
1 .00
Grit
Shine(waro on two sioes)red OK
41486
V+TRA
1 .00
GRIT
Them there eyes/Little Joe"
OK
41501
N TRA
I..00
Grit
Gonna gitcha/don't forget.
OK
8343
E SAL
5.00
herz
COME BACK SWEET/GEORGIA GR.
OK
8318
E SAL
3.00
HERZ
Gut BUCKET BLUES/YES. I'M IN. OK
8261
P SAL
1 .00
HERZ
Exactly like you
OK
41423
V T-S
.75
JONE
AFTER YOU'VE GONE
VO
3643
N T-S
.75
JONE
MUGGLES
VO
3194
V T-S
.90
JONE
BLACK AND BLUE
VO
3115
F+T-S
.35
JONE
WAY OOWN YONDER IN N. 0.
BB
10703
N T-A
RAAB
Potato head blues
CK
8503
N STA
Rido
F i rewords/west end blues
OK
8597
E TRA
ROBB
BLUE TURNING GRAY
OK
4678
E SAL
3.00
Zach
GUS ARNHE IMfvoCAL REFRA
N BY B 1 NG CR0S8Y)
1 'M GONNA GET Y0u/H0 HUM
VI
22691
N AUC
1 .50
WILS
Am
buster bailey
I BLUE
MILDRED BAILEY
VA 8333 V T-
DE 18108 N
HONEYSUCKLE ROSE
DEAR OLO MOTI-ER DIXIE
/(FORBIDDEN LOVE;*. King) VI 24137 N AUC .50 WILS
WALTER BARNES t ROYAL CREOL I ANS
Buffalo rhythm/Third rail Br 7072 E tra I.OOGriT
BIX 8EIDERBECKE
Deep down south
I 'LL be a friend
BUNNY BERIGAN
I CAN'T GET STARTED VI 36208 N T-S GRI F
IN A MIST VI 26123 E+TRA ROBB
VI 25370 E TRA GROV
VI 23008 E SAL 2.00 ZACH
VI 36208 N T-S
VI 26123 E+TRA
BER1RANDS WASHBOARD WIZARDS
BLUE RHYTHM/BLUE FLAME
MOAN I N *
JIMMY BLYTHE (ACC.
IDLE HOUR SPECIAL
VO 1060 G SAL I .50 ZACH
BR
E SAL ,
N SAL I,
G AUC
F AUC
N T-A 4,
N T-A 5,
6143
BR 6156
Stewart )
i hever call my man's name para 12240
Mr. Freddie bl/Mecca flat Para 12224
BUCKTOWN FIVE
hot mittens clax 40353
Really a pain/steaoy roll Ge 5419
joe bushkin (solos)
SERENADE IN THIROs/l CAN'T COM 532
BLANCHE CALLOWAY
growling oan/i got what
Last dollar/Concentratin
without that gal/l looks
CAB CALLOWAY
Ghost of a chance/Come on OK 5687
Minnie the moocher/St. Louis vo 4753
casa loma orchestra
Buji/wild Goose chase Br 6588
CELESTIN original tuxedo orch
Give me some more/|'m satis. Co 14200
CHOCOLATE DANDIES
SIX or seven times/That 's. OK 8728
CONNIE'S INN ORCHESTRA
SUGAR FOOT STOMP/LOW DOWN CR 3 1 94 V TRA
COOKIE'S G I NGERSNAPS
OK 8390 E+STA
eo Grit
50 Qua i
STEI
Stei
00 HORN
00 Horn
VI
22866
1!
AUC
.50
WILS
VI
22862
N
AUC
.50
WILS
VI
22733
N
AUC
.50
WILS
N AUC —
N AUC -
E TRA
N T-A 3
V SAL
DESP
DESP
,.85 ERVI
,00 HORN
,95 Grit
,85 Grit
— riod
MESSIN* AROUND
PUTNEY DANDRIDGE
CHASING SHADOWS VO 2982 E SAL 1.00 QUA I
DIXIELAND JUG BLOWERS
HOUSE RENT RAG/DON ' T GIVE ALV I 20420 N AUC 2.00 WILS
HEN party blues/Ski p, skat Vi 20649 N auc Wils
CARPET ALLEY/BOOOLE-AM VI 20480 N AUC WILS
DIXIE STOMPERS
(7 DIFFERENT ONES ON HARMONY) V+ SAL .55 GRIT
SNAG IT HA 535 G T-S HILL
DORSEY BROTHERS
congratulati ons( span i er )
Open fireplace (nugqsy)
ROY ELDR I CGE
HECKLER'S HOP/THAT THING
DUKE ELLINGTON
Mood indigo/Black man is.
the mooche
there's a lull in my life
solid old man
the blues with a feelin'
saturday night function
baby when you ain't there
shoe shine boy
it don't mean a thing
Harlem speaks
Diga do(Mills bros) rare
Freeze and melt
Jive stomp
Sweet. jazz 0 ' m i ne
blue again
the mystery song
East St. Louis
kissin' my baby
do i n 1 the voom-voom
i was made to love you
the river and me
i met my waterloo
alabamy home
my old flame
chatterbox
the mooche
Subtle lament
Com
0566
7476
E SAL
V T-S
.95 GRIT
.85 JONE
VO 3577 V TRA
VI
22587
V
SAL
.80
Grit
VI
24486
V
T-S
hill
MA
1 17
E
T-S
1 .00
JONE
BR
8380
N
T-S
1 .25
JONE
VO
3229
E
T-S
1.25
JONE
vo
3012
E
T-S
1.25
JONE
BR
8241
N
T-S
1.25
JONE
BR
7710
E
T— S
1.25
JONE
BR
6265
S
T-S
1 .00
JONE
BR
6646
V
T-S
1.25
JONE
BR
6519
N
T-S
1.50
JONE
Co
1813
E
T— S
1.50
JONE
BR
6638
V
T-S
1.25
JONE
VI
38143
G
T-S
.50
JONE
VI
22603
V
T-S
.75
JONE
BB
6614
N
T-S
.75
JONE
BB
6430
E
T-S
.75
JONE
BR
7627
N
T-S
.75
JONE
Co
35208
N
T-S
.75
JONE
VI
38130
E
T-S
1.00
JONE
VI
22614
V
T-S
1.00
JONE
Vl
24719
N
T-S
1.00
JONE
Ma
137
V
T-S
1.00
JONE
VI
24651
E
T-S
1 .00
JONE
BR
8029
E
T-S
1.00
JONE
VI
24486
E
T-S
1.00
JONE
Br
8344
V
T-S
1 .00
JONE
10,
1 2 3 4
(DUKE ELLINGTON, CONTINUED)
5 6
1 2 3 4 5 6
ROCKIN' IN RHYTHM
Br
6038
N
T-S
1.50
JONE
BUNDLE OF BLUES
Co
35836
N
T-A
Raab
L 1 GHTN 1 M '
CO
35835
N
T-A
Raab
Merry go round
CO
35837
N
T-A
Raab
ELLINGTON IA
SAILBOAT IN MOONLIGHT
VA
586
N
T-S
.75
JONE
FOOLIN' MYSELF
VA
576
N
T-S
.75
JONE
Jazz a la carte
VA
655
N
T-S
1 .00
JONE
1 CAN'T BELIEVE THAT
VA
555
N
T-S
1.00
JONE
SOLACE
VA
564
N
T-S
1.00
JONE
BUD FREEMAN
THE EEL
BB
10386
N
T-S
Raab
GENE GIFFORO (beriGAn)
NOTH IN' BUT THE BLUES
BB
10704
N
T-S
hill
JEAN GOLDKETTE
IOOLI 2ING
VI
20270
V
T-S
hill
GONNA MEET MY SWEETIE NOW
VI
20675
E
T-S
.60
robb
IN THE EVENING/WHERE THE
VI
19308
V
T-A
1 .00
Whit
SORRY AND BLUES
Vl
19962
G
T-A
1 .00
WH 1 T
KENTUCKY LULLABY
VI
20257
V
T-A
1 .00
Whit
hush-a-bye/|ooli z ing
VI
20270
V
T-A
1.00
WHIT
1 'M LOOK 1 NG FOR A
VI
20466
N
T— A
1.00
WHIT
Lane in spain
VI
20491
G
T-A
1 .00
WH 1 T
My OHIO home/here comes
VI
21 166
V
T-A
1.00
WH 1 T
Painting the clouds with
VI
22027
V
T-A
1 .00
Whit
COVER ME UP/MY PRETTY GIRL
VI
20588
N
AUC
.50
WILS
BENNY GOODMAN
Star dust/Star D.(t.Dorsey)
VI
25320
N
TRA
Ervi
GOOFUS FIVE
Clap hands/here comes charl
OK
40500
E
T-A
1.00
WHIT
HEEBIE JEEBIES/TUCK IN
OK
E
T-A
1 .00
WHIT
Crazy quilt/Saoie green
OK
E
T-A
1 .00
WHIT
B0B8Y HACKETT
AT THE JAZZ BAND BALL VO 404-7 E
HALFWAY HOUSE ORCHESTRA
WHEN I <U BLUE CO* 1263 V
MAL HALLETT
Whose who are you/lonesome OK 40578 E
EARL HARLAN (Redman)
T-S
T-S
GOT THE SOUTH IN MY SOUL
HARLEM HOT SHOTS
BLACK It TAN FANTAZY/SUGAR
MONK HAZEL
ME 12417 E AUC
PE 15481 E SAL
Grip
HILL
.00 Whit
Stei
.65 Grit
ICEAS/GIT WIT IT
FLETCHER HENDERSON
Swamp bl/Off to buffalo
talk of town/macasaki
YOU CAN DEPENO ON ME/jIMTOW.Vl 25379 E
STOCKHOLM STOMP/HAVE IT REA.VO 15522 G+
NEW KING PORTER STOMP
SUGAR FOOT STOMP
WRAPPlH' IT UP
WILD PARTY
SWAMP BLUES
MANDA
Variety stomp(orig. master) Vi 20944 N
HORACE HENDERSON
I'LL ALWAYS BE IN LOVE WITH OK 5953 N
BR 4182 N T-A 3.00 HORN
PARA 12486 V
CO 2825 V
OK 41565 N
VA 8052 V
DE 157 G
De 342 G
para 12486 f
Co 228 N
SAL ,
SAL ,
SAL ,
TRA ,
TRA
T-A —
T-A —
T-A —
SAL I ,
SAL 4,
SAL 2.
G I NGER belle/Do RE M I
J. C. HIGGINBOTHAM
BUGLE CALL RAG
Hi ggi nbotham blues
EARL HINES
R0SETTA
ART HOPES
Tin roof/Diga diga doo
CLAUDE HOPKINS
WASHINGTON SQUABBLE
OK 5978 N T-A
CO 36008 N
CO 3601 I N
CO 35878 N T-
6R 6750 N STA
85 Grit
,95 Grit
,90 GRIT
95 Grit
95 Grit
RAAB
— Raab
— Raab
,50 Zach
,00 Zach
,50 ZACH
HERR
HERR
Raab
Raab
Raab
ROBB
Rioo I
8ILLIE HOLIDAY
you're too lovely to last vo
i 'm all for you/i hear music vo
Falling in love again/ghost Vo
FRISKY FOOT JACKSON t THUMPERS
Goodtime mama/Maxwell st. Ch 40043 N t-a 3.00 horn
JAZZ PILOTS
That's my girl/Onions
How could red riding hood
Thanks for the buggy ride
CHARLIE JOHNSON
4834 N T-A
5609 N T-A
5831 N T-A
OK 40688 E T-A I
OK 40719 E T-A I
OK 40569 E T-A I
HERR
HERR
HERR
,00 WHIT
,00 Whit
,00 whit
Walk that thing
don't you leave me here
JAMES P. JOHNSON
Bleeding hearted blues
JAMES(STUMP)JOHNSQN
Switcher's blues
LONNIE JOHNSON
TO DO THIS YOU GOTTA KNOW
I SHAM JONES
THREE-THIRTY BLUES
BB 10248 N T-A
VI 20653 E SAL
VI 19123 E SAL
(VOCAL A piano)
QRS 7049 V SAL
OK 40695 E T-A
BR 3204 N T-S •
Raab
.00 ZACH
.00 Zach
.00 GRIT
.00 whit
Gri f
RICHARD M. JONES
TROUBLE In(ACC. LAVlZZO) PARA
12206
F
AUC
.25
STEI
29Th 1 Dearborn/Spanish sha OK
8260
F
AUC
.25
Stei
New Orleans Shags/wonderful OK
8290
F
AUC
.25
stei
SCAGMORE GREEN/DUSTY BOTTOM OK
8431
F
AUC
.25
Stei
Ain't she(acc. L.D.Christian) OK
8475
G
AUC
.50
Stei
HAL KEMP
WHEN MY DREAMS/To BE IN BR 4388 E T-S
KENTUCKY SERENAOERS
SHAKE IT AND BREAK IT/AUNT, RE 9134 E SAL
JOHN KIRBY
Impromptu/Little brown jug Vo 5570 N t-a
SAM LAN IN
MY NEW YORK/ALL MY LIFE OK 40937 F SAL
TED LEWIS
BLUES/TIGER RAG CO 770 H TRA
S Ml M-ME— SHA— WOBBLE ME 13379 E T-S
AUNT HAGAr, 's BLUES CO 3169 N T-S
TIRED OF ME/THAT R1GA-LIGA CO 3329 N T-S
NICK LUCAS
My best girl/Dreamer of dr.
JIKMIE LUNCEFORD
YOU SET ME ON FIRe/SHOEM. VO 47 1 2 N T-A
WHAT IS THIS THING CALLED VO 4875 N T-A
WIMGY MANNONE
COTTAGE BY THE MOON BB 6536 E T-S
SHE'S CRYING FOR ME/jUST OK 41569 E SAL
(10 DIFFERENT BB'S & VO ' S ) V TO E SAL
A GOOD MAN IS HARD TO FIND BB 6537 V T-S
JOE MARSALA
REUNION IN HARLEM (|2 INCh)GNL 3001 N TRA
MCKINNEY'S COTTCN PICKERS
Ervi
.60 Grit
HERR
.50 HERZ
Ervi
I .00 JONE
1.00 JONE
I .00 SHER
BR 2768 G T-S I .00 SHER
HERR
HERR
MILENBERG JOYS
PEGGY
GEE, AIN'T I GOOD TO YOU
MEZZROW-LAONIER
ROYAL GARDEM/I F YOU SEE
RAY MILLER
Weary blues
mills blue rhythm band
Let's have a jubilee ~"
MILLS BROTHERS
Love less love/ch i natown
MILLS MERRY MAKERS
MOAN I H ' LOW BA
VI 2 161 I V
BB 10706 N
BB 10249 E
BB IC087 E+TRA ROBB
BR 3677 N T-6 GRIF
CO 2963 N T-A RAAB
— WHIT
70 Grit
Br 6305 G T-A
For Disposition m^mmm
1 2 3 4 5 6
WARREN MILLS
Gems from "blackbirds of i 928" (featuring Duke
Ellington)/st.Louis BLUES VI 35962 N AUC 1.50 WILS
MIFF MOLE
Darktcwn stputters/hot time
OK
40784
V
SAL
.85 GRIT
JELLY— ROLL MORTON
Black bottom stomp
VI
20221
V
T-S
.85
JONE
CANNON BALL BLUES
BB
10254
N
T-A
RAAB
BURNING THE ICEBERG
VI
38075
F
SAL
1 .50
Zach
BENNIE MOTEM
SOUTH
VI
38021
V
T-S
hill
South Street blues
OK
8255
F+T-A
Raab
Baby dear
OK
8213
V
T-A
Rumba negro-stcmp
VI
23037
N
AUC
• 50
W 1 LS
MOUND CITY BLUE BLOWERS
One hour/Hello lola
VI
38087
E
SAL
1 .00
Grit
tailspin blues/never had a
VI
38100
N
SAL
1 ,00
Grit
MUSKAT RAMBLE/HIGH SOCIETY
DE
1274
E
TRA
San/Red hot
BR
2602
G
T-A
Wh 1 T
ARKANSAW BLUES 'BLUE BLUES
BR
2581
G
T-A
Wh 1 T
DAVE NELSON (OLIVER'S 6AN0)
when day is done/I ain't gotVi
22639
N
AUC
1.00
WILS
RED NICHOLS
Can't we be friends/Wait fo
BR
4510
V
SAL
.80
Gr it
KEEP A SONG( VOCAL BY TEA)
BR
6068
E
SAL
.95
GR 1 T
GET HAPPY/SOMEBODY TO LOVE
Br
4591
E
SAL
.60
Grit
BUDDY'S HABITS/BONEYARD SH.
Br
3477
V
TRA
1 .00
Grit
Alabama stomp/hurricane
Br
3550
V
TRA
1 .00
Grit
MEAN DOG BLUES/CORNFEO
BR
3597
V
TRA
1 .00
Grit
R 1 VERBOAT SHUFFLE/ECCENTRI C
BR
3627
E
TRA
1 .00
Grit
FEELIN' NO PAIN
Br
3626
G+T-S
.60
JONE
WASHBOARD BLUES
BR
3407
V
T-S
.75
JONE
IDa/FEELIN1 NO PAIN
BR
3626
E
SAL
1.50
Hera
ON REVIVAL DAY
BR
6026
N
STA
Ridd
Sugar/Make my cot
VI
21056
G
T-A
1.00
WHIT
NEW Y0RKERS/| MAY BE WRONG
BR
4500
V
T-A
1 .00
WHIT
J 1 MM IE NOONE
Oh sister,, a in't that hot
VO
1215
G
T-A
3.00
HORN
KING •Oti VER
FAREWELL BLUES
BR
3741
G
T-S
HILL
Buddy's habit/Tears
OK
40000
G
T-A
8.00
HORN
RED ONION JAZZ BABIES
CAKE WALK 1 N ' BAB 1 ES
GE
5627
E
T-A
10.00
HORN
ORIGINAL INDIANA FIVE
Pensacola/haro to get
OK
40599
E
T-A
1.00 Whit
ORIGINAL MEMPHIS FIVE
Sad news blues
Ba
1254
G
T-A
Raab
PRY'S SUNSHINE ORCHESTRA (ACC.RUTH Lee)
THAT SWEET SOMETHING SUNS
3002
G
T-A
2.50
HORN
TINY PARHAM
BLACK CAT MOAN/WASHBOARD Wl
BB
6570
V
AUC
STE 1
HEAO HUNTER'S DREAm/CUCKOO
VI
21553
G
AUC
STEI
BLUE MOON BLUES/DOIN' THE
VI
23027
V
AUC
Stei
Stuttering blues/Jogo rhyth
VI
38009
V
AUC
STEI
BLUE ISLAND/SUBWAY SOBS
VI
38041
G
AUC
STEI
BLUE MELOCY/THAT KINO OG
Vl
38047
G
AUC
STEI
Cathedral blues/d i xi eland
VI
381 1 1
E+AUC
Stei
BEN POLLACK
SWEET AND HOT/l 'VE GOT $5
RE
10273
N
SAL
.70
Gri t
TRUE BLUE LOU
VI
22089
V
T-S
.55
RC6B
MEMPHIS BLUES/WA 1 T 1 N ' FOR
VI
21 184
N
AUC
1 .25
WILS
LOUIS PRIMA
Sing sing sing
Br
7628
N
SAL
1 .00
Quai
L 1 V 1 N ' IN A GREAT B 1 G WAY
Br
7419
N
8AL
1 .00
Qua i
DICK ROBERTSON ( PEE— WEE
Brunies'
A LITTLE WHITE LIGHTHOUSE
DE
1585
E
T-3
Gri f
EB3-TIDE DE 1407 E T-S HILL
LAURA RUCKER (ACC.CASCICN Simpson)
LITTLE JOE Pat,a 13075 G+T-A HORN
1 2 3 4 5 6
SAVOY BEARCATS
STAMPEOE/'HOT NOTES VI 20460 E SAL 1.00 GRIT
LLOYD SCOTT
HAPPY hour/symphonic scron. Vl 20495 N AUC .75 WILS
SEORIC i HIS HONEY BEARS
The joint is jumpin'
ve
4576
E
T-S
Grif
OUT U OLN 1 1«
VI
22010
N
AUC
W 1 LS
WABASH BLUES GO 1 N ' BACK TO
V 1
2 1 864
fi
Wl LS
Smiles/Give it To me right
'
23032
JJ
Waterloo/a good man is haro
WILS
BOYO SENTER-ED LANG
New St. Louis blues red
OK
40755
E
SAL
.es Grit
ART IE SHAW
COMIN' ON
BB
7772
E
T-S
Grif
ALL THE THINGS YOU ARE
BB
10492
N
T-S
Grif
WHAT IS THERE TO SAY
VI
2743 2
M
T— S
Gfl 1 F
NOW WE KNOW
VI
26642
N
T-S
Gri f
AM 1 in love/Pardon us
BR
7942
E
AUC
Sweet lorrai ne/streamline
VO
4598
E
5T£ J
IT AIN'T RIGHT/S.SEA ISLAND
VO
4637
N
WHEN THE QUA IL/DR.Lt V 1NG.ST0
VI
27289
G
AUC
.35 Stei
IT HAD TO BE YOu/lF 1 HAD
Vl
27536
E
AUC
.40 Stei
JUST KlDDIN'AROUND/'MOTHERL.
VI
27806
E
AUC
.40 STEI
WILLIE (the lion) SMITH
Get acquainted with yoursel
•DE
1380
V
T— S
Grif
smith-bechet
Tropical mood
VA
8360
N
T-A
RAAB
Magic isle
VA
8399
N
T-A
Raab
SNOOKS AND THE MEMPHIS
- AV7LERS
DIP your brush/let a little
VI
22720
N
AUC
.35 wils
MUGGSY SPAN 1 ER
SOMEDAY SWEETHEART
BE
IC384
N
T-A
RAAB
BLACK ANC BLUE/DINAH
BB
IC682
N
T-A
R08B
LEW STONE
NAGASAKI /Don 't change
DE
496
N
T-A
HERR
FRANK IE TRUflaA'UER
SING IN' THE BLUES
OK
40772
V
T-S
1 .35 JONE
UNIVERSITY SIX (chip
; NOT IN grooves)
Camel walk(n'chols)
HA
36
N
T-A
RAAB
VARSITY SEVEN
How long bluest Turner)
VAR 8173
V
T-A
Raab
JOE VENUTI
I *m only human/Out of
OK
41451
N
T-S
1.00 K'HIT
FATS WALLER ACC. S. MARTIN
SUGAR BLUES/ACH 1 N 1 HEARTED
01
8041
F
AUC
.25 STEI
Last go rounc/mama's got
OK
8045
F
AUC
.25 STEI
THOMAS WALLER
SLOPPY WATER BLUES
VI
20492
V
T-S
1.00 JONE
Smashing tki rds
VI
25338
N
T-S
1.00 JONE
You fit into the picture
VI
24863
N
SAL
1.00 QUAt
WHAT'S THE REASON
VI
25027
N
SAL
1 .00 QUA 1
Sweet an"o slow
V 1
25063
';
SAL
1 .00 Quai
YOU 'RE THE PI CTURE
VI
25075
N
SAL
i .00 Quai
TRUCK! N'
VI
251 16
N
SAL
1 .00 QUAI
YOU'RE SO DARN CHARMING
VI
25120
N
SAL
r.OQ Quai
YOU STAYED AWAY TOO LONG
VI
25222
N
SAL
1.00 QUAI
BARBO GREEN
VI
25281
N
SAL
1 .00 QUAI
BIG CHIEF DE SOTA
VI
25342
N
SAL
1.00 Quai
CRYING MOOO
VI
25551
N
SAL
I .00 Quai
Latch on
VI
25471
E
SAL
1 .00 Quai
LOUNGIN* AT THE WALDORF
VI
25430
E
SAL
1 .00 Quai
GOT A NEW LEASE OF LOVE
VI
25571
V
SAL
I .on ouai
PAUL WH 1 TEMAN
0l' man river/Wake believe
VI
21218
E
T-S
1.00 Ervi
LOUISE
Co
1771
G
T-S
Grif
MY MELANCHOLY BABY
CO
sooce
V
T-S
HILL
WAY DOWN YONDER IN N.C.
VI
19030
N
T-S
1 .00 SHER
Smile/away down south in
VI
21228
N
AUC
.75 WILS
2 3 4 5 6
(PAUL WHITEMAN, CONTINUED)
WHEN(N.SHILKRET,REV.) VI 21338 N AUC .35 WILS
ol' man river/Make believe Vi 2 i 2 1 8 N auc .50 wils
Cixie dawn/Louisiana VI 21438 N auc I. 00 Wils
PAUL WHITEMAN'S RHYTHM BOYS
What price lyrics/From mon. vi 21302 N auc I. 00 Wils
WHOOPEE MAKERS (ELLINGTON)
Flaming youth/voom voom Do 4428 V auc Quai
CLARENCE WILLIAMS
Everybody L0VE6 my baby/Of. OK 8181 F sal 1.50 Herz
CHICKEN WILSON t SKEETER HINTON
D. C. rag/Myrtle Ave. stomp QRS 705
(SARLAND WILSON (solos)
SAL
Grit
THE WAY I FEEL TODAY
BRE 01784 N SAL 1.75 ZACH
AUCTION OF EXTRAORDINARY RECORDS
Wilson & Gullickson
"WE BUY, SELL ANYTHING"
OUR NEW ADDRESS: FAIRFAX, VIRGINIA.
each record is new
Closing date for bids: April 15, 1943
AMOS AND ANDY
the Presidential election, Parts i i 2 vi
GENE AL'TRY
Gangster's warning/i wonder if he's singing Vi
high steppin' mama blues/she wouldn't do it vl
she's a low down mamma/don't do me that way vl
EDO IE CANTOR
MAK I N * WHOOPEE/HUNGRY WOMEN V I
MAURICE CHEVALIER
VI
VI
IT'S A HA8IT OF MINE/ON TOP OF THE WORLD
(ENGLAND)
njghti ngales/dawn in an old world garden
(actually recorded in Beatrice Harrison's
garden, oxted , england )
BOB FOWLER ( STEAM CIRCUS ORGAN 1
Danube waves/over the waves(waltzes) Vi
BLIND LEMON JEFFERSON'S BIRTHDAY RECORD
Low Down Mojo Blues/piney woods money mama para
(lemon colored label, complete with
picture of blind lemon jefferson j
CHARLES A. LINDBERGH
ACTUAL MOMENTS IN THE RECEPTION TO COLONEL
CHARLES A. LINDBERGH AT WASH I NGTON,D .C . VI
RINGLING BROTHERS AND BARNUM i BAILEY'S
Entry of the gladi atorsC i rcus echoes Vi
Colossus of Columbia/Pageantry Vi
PAUL ROBESON
ROCKIM' CHAIR/RIVER STAY 'WAY FROM MY DOOR VI
CHARLES (CH IC) SALE
THE SUBSTITUTE PARSON, PARTS I & 2 Vl
CARL SANDBURG
NEGRO SPIRITUALSTHE BOLL WEEVIL Vl
ERNEST THOMPSON SETON
The hunting wolves/The death of the old lion
(Wild animal calls) Co
SOUSA'S BAND
23725
23589
23617
21831
22007
20968
23524
2650
20747
BAND
22438
22474
HANDS ACROSS THE SEATME ROYAL WELSH FUSILIERS Vl
DEL STAIGERS
NAPOL l/CARNI VAL OF VENICE VI
UNIVERSITY OF TEXAS LONG HORN BAND
EYES OF TEXAS/TEXAS TAPS Vl
PAUL WHITEMAN
My heart stood sti ll/Together (|2 inch) VI
22889
22103
20135
3131
22940
22191
21455
35883
"Wants are not always satisfied, nor
dispositions disposed of, through advertising in one
Issue; collectors should refer back to preceding
Issues and write to advertisers in those issues. I
suggest that readers not be backward about writing
letters regarding wants and dispositions of last
month or the month before." James L. Walters.
Reply to
Eugene Williams
ku William 0.
Mr. Eugene Williams of Jazz Infor-
mation .has written a piece about me
that demands an immediate and positive
answer. This will be, I hope, a sat-
isfactory reply to his piece in the
Feb. 15 Record- Changer.
I will get the most unpleasant part
of this piece out of the way first. I
am in the uncomfortable position of
having to admit being guilty of poor
judgement in reporting the identity of
the trumpet player on Preston Jackson's
Paramount 124-11. In the 7th issue of
JAZZ, which is due out any day now as
I write this, I admitted the possibil-
ity of that trumpet player being Shir-
ley Clay but did not concede the
point. After further consideration
based on careful study of all the a-
vailable records featuring Clay and
Keppard, I now think the trumpet play-
er on the Paramount 124-11 is Clay,
assuming that it is Clay on the Okeh
records by Richard M. Jones. I have
no reason to doubt that Clay played on
the Jones' Okehs.
I regret that my enthusiasm for what
appeared to be a discovery of immense
importance caused me to print a hasty
and insufficiently considered opinion
about the record in question. At this
point I think it well to point out
that contrary to Mr. Williams supposi-
tion I had no intention of contradict-
ing previously ^published information.
At the time George Beall's article
discussing the Preston Jackson records
was published, I did not have either
of his Paramount records in my posses-
sion. When I subsequently acquired
Paramount 12411 I had forgotten about
Beall's article. When I found the
Challenge version of "Trombone Man",
played it and discovered the master to
be adjacent to Keppard's "Stock Yards
Strut" I thought I had found a third
side from the famous Keppard recording
session. I had by this time forgotten
that I already had a version of "Trom-
bone Man" on another label. Subsequent
comparisons of "Trombone Man" with
"Stock Yards Strut" served to convince
me that although personnels were slight-
ly different and the trumpet styles
were not absolutely identical, "Trom-
bone Man" was an authentic Keppard item,
the adjacency of the master numbers
13.
being the deciding factor in my judge-
ment. Alderson Fry and Clifton Cuth-
bert will testify to my complete aston-
ishment at finding in my own collection
the Paramount version of the side. It
is to be regretted that this revelation
did not prompt me to make a further in-
vestigation including correspondence
with other collectors, but it was al-
ready too late to get the column in
before the deadline.
I have made the above admissions and
statements in recognition of my respon-
sibility as a critic and writer to the
collectors who read my column. I con-
cur with Mr. Williams as regards the
responsibility of columnists and admit
to having committed a flagrant viola-
tion of my own rule about being care-
ful in supplying personnel data. In
the future I will endeavor to exercise
more care in my reports.
By exercising more care in my re-
ports, I do not mean to infer that I
will not voice my own opinions as to
personnels. I intend to state my own
opinions with or without qualifying
reservations when I have decided after
careful consideration and investigation
that I am right. I say this in confi-
dence that my ear for jazz is sound
and reliable. This should not be con-
strued as a reply to Mr. Williams'
comparison of his ear with mine. I am
not familiar with the merits of Mr.
Williams' ear but after reading his
article, I will suggest that his tongue
might be sharper than his ear.
It seems that Mr. Williams is in
arms over my pronouncement that the
Keppard Paramount indisputably has
Podds on clarinet. This is understand-
able as this time it is he who is out
on a limb, having printed on the label
of the Keppard reissue O'Bryant's name
as clarinet player. I submit that my
carefully considered opinion is that it
is not 0' Bryant but Dodds on the Kep-
pard disc and that my opinion is far
from unsupported. Several prominent
collectors, critics and writers side
with me in this matter and moreover,
Mr. Williams was aware of all this be-
fore he reissued the Keppard disc. Mr.
Williams' theory that 0 'Bryant played
on the Keppard disc does not stand up
very well against a comparison of O'-
Bryant's work with Dodds' of a similar
period and on the same Paramount labeL
It is no secret that 0 'Bryant imitated
Podds, probably to the best of his
ability. That is obvious upon playing
of several Paramount records under O'-
Bryant's name. But if after playing
several O'Bryant Paramount records, one
plays any one of five or six Paramount
records featuring Dodds, he will note an
unmistakeable difference and the com-
parison is not very flattering to O'-
Bryant. I feel safe in saying that if
there is such a thing as second-class
Dodds (and I am not at all convinced
there is) it is still better than the
very best O'Bryant. As to Mr. Williams
statement that Jaspar Taylor furnished
the only authentic source of informa-
tion as to personell on the item in
question, I must point out that the
record shows musicians' memories to be
a variable factor, having been in many
cases completely in error. Looking
over the label of the J.I. Keppard re-
issue, I do not see any mention of a
tentative personnel, subject to correc-
tion. I submit that Mr. Williams has
been guilty of an error of the same
kind for which he has so severely in-
dicted me, and that his error is of
more consequence than mine.
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Ellington in 1943
»lfij 'Tom Willis ton
To say anything in evaluation of
Duke Ellington at this time may seem
redundant in the extreme, in view of
the fact that more praise and tribute
have been heaped on him this year in
magazine and press than in any previa
ous year. For the first time he has
won several magazine polls and has
given a concert in Carnegie Hall.
However, to record collectors and
others with a real and lasting interest
in jazz, public acclaim is not the sole
measure of merit. On the contrary, far
too often the winning of the Down Beat
or Metronome poll has signalled the
decline of a musician or group. Pub-
lic acclaim has been commercial acclaim
and our popular music magazines have
followed rather than given guidance to
the public. In the instance of Elling-
ton, I believe a pleasant exception to
the rule is being made, — belated to be
sure, but still highly deserved.
I have had many arguments on the
place of Ellington in jazz, and I do
not intend to argue that issue here; I
am merely contending that if he ever
"had it" he still "lias it". There is
a tendency among jazz enthusiasts to
fall away from publically acclaimed
bands, and I am asking you, who have
liked Ellington thru the years, not to
take it for granted that the crowd is
wrong as usual and that Ellington must
be slipping. Give the band another
hearing.
I recently listened to Ellington
three times under widely different cir-
cumstances,— Carnegie Hall, a college
formal, and a big public dance. Bear-
ing in mind the stock phrases of his
detractors, I attempted to evaluate
Ellington's music with as much objec-
tivity as a 17-year follower could
muster. The phrases "orchestral so-
phistication, ease and finesse", "too
formal", "instrumental experimentation"
"folk music grown up", "canned impro-
visation" are uttered in somber tone
by critics like doctors consulting
over a very sick patient. I found much
truth in what they have said, but the
patient still seems to be in good
health.
1 found "orchestral sophistication,
ease and finesse" just as one would
expect to find it in a group of good
musicians who had collaborated .con-
stantly over a period of fifteen years.
I didn't find that distracting, — rath-
er the contrary.
"Too formal?" At Carnegie Hall the
pall that falls over jazz musicians in
those austere surroundings and stiff ens
up their work was evident that night.
Black, Brown and Eeige, the 45-minute
concert pi,ece was formal in style, but
in spite of setting out on the well
nigh impossible task of telling the
history of the Negro in 45 minutes of
jazz in 3 symphonic movements, good
Ellington jazz kept popping up through
out the thing. I do hope they take
eight or ten of those tunes out and
play them individually. I believe that
Carnegie Hall concerts and symphonic
jazz happen becausewe haven't yet made
jazz musicians feel that their music
is an art form that need not borrow or
copy.
As for "instrumental experimenta-
tion", it had an important role in the
birth of jazz; why decry it now unless
we feel that all has been said and
done .
I have never been able to understand
the "folk music grown up" controversy.
The crux of that question seems to me
to be: what folks are you talking
about? After all Duke Ellington and
Lead Belly aren't giving expression
to the same folks.
"Canned improvisation?" That the
Ellington men improvise one solo on a
tune and from then on it is more or
less fixed and always sounds the same,
is a fairly frequent criticism. By
and large, this is true, but if it is
a good solo and you like it the first
time, what makes it less admirable
when repeated? Isn't your favorite
Louie solo on wax good through hun-
dreds of playings? Isn't the Picou
chorus of High Society still good
after twenty years of repetition by a
half dozen different clarinets? If
Hodge3 improvises a few or even one
good solo on 200 compositions is he
less inspired than some dead giant of
jazz who left four choruses of Shim-
me-Sha-Wabble on the Champion label?
After hearing the Duke under the
adverse circumstances of Carnegie Hall,
the subdued atmosphere of a formal
dance where the more commercial tunes
were requested, and a jamboree where
he cut loose, I think I can say that
Ellington in'43 is still producing the
best jazz of any big band in the land.
You may miss Cootie, but Rex and Tricky
Sam have done an amazing job of filling
that gap. I am sure that Bigard's loss
is far more noticeable. The faithful
imitations of his solos by Haughton with
his entirely different tone only serves
to remind you that Barney is not there.
Ben Webster, now fully integrated into
the band, gives me a new kick and helps
to make up for the losses. Rockln' in
Rhythm, It's Glory, and St. Louis Blues
as played at the public dance were as
bie a kick as they were 10 years ago.
Let me commend to you Duke Ellington
of 1943. Listen again and closely. See
if you can't string along with the
crowd. As Lincoln said "You can't fool
all the people all of the time". Who
knows, — this may mark the awakening of
the people in general to good jazz.
JAZZ
THE MAGAZINE DEVOTED EXCLUSIVELY TO AMERICA'S MUSIC
Feature articles by Amer ica's leading critics
News
Record and book reviews
Rare and .unpublished photos of the great jazz
mus icians in act ion
Col lectors' column*
Many other features too numerous to mention
NOW PUBLISHED THE 25th OF EVERY MONTH
Glossy paper (9 inches by 12 Inches)
25 cents per copy; $2.75 per year
AVA ILABLE FOR A LIMITED TIME:
Back volumes 1, 2, 3, 4 25 cents per copy
Special Duke Ellington issue,
volumes 5 and 6 50 cents per copy
JAZZ
P. O. Box 147
Forest Hills Station
New York City, N. Y.
"Special re-issues available to subscr ibers of JAZZ
The Record Changer
The only record exchange in the world
GcrtoriGulllclscri, editor ,pii>UshBr; Dan W13san, 'circulation mraeer: Dan Anderson, staff artist. Published every mWh
at EUHPSX, VTFDINIA, and copyright 1913 by Gordon Gulliclsan. One dollar, U.S. raiey (twelve issuas) a year .
REAL AND FAKE
In the days which
I now seem so remote,
before Pearl Harbor
| and before gas-ra-
tioning,my brother,
I Ahmet, and I drove
one summer all over
the United States,
(with the main pur-
[pose of learning more
I about this country,
Ibut also with the
I strong desire to hear
good jazz wherever that was possible.
It was a wonderful trip, and we heard
quite a lot of jazz, both good and bad.
For instance, in San Francisco, we
heard the Lu Watters- band at the Dawn
Club, which was an experience I shall
never forget . The veteran New Orleans
trombonist Santo Pecora was playing in
Will Osborne's band in a swanky hotel
across the street and dropped in for a
few minutes between sets; his comments
were quite as enthusiastic as ours.
Only those who were lucky enough to
hear the Terba Buena Band in person
can fully realize the greatness of
that orchestra. For four hours we
heard music of such high quality that
at the end we were in a state of ec-
stasy. "Only the real jazz tunes were
played, with however one mysterious
exception: the band attempted a ren-
dition of a popular "Ellington composi-
tion (I think it was Flamingo), and
performed with such lack of interest
and conviction that everyone present
pretended not to hear what was being
played or went to the bar for a drink.
This was the only concession to com-
mercialism throughout the whole even-
ing. All the rest of the music was
exciting and inspiring, and such an
austere critic as Bill Colburn assured
us we were not hearing the band in ex-
ceptional form: they played like that
every week. Tunes that I had never
hoped to hear from living musicians,
and which unfortunately are unknown to
the great majority of present day musicians,
were beautifully performed. After tne
dance was over several of us proceeded
to Lu's house, where Lu played us Oli-
ver and Morton records until the early
hours of the morning, "filch, when you
think of it, was obviously the only way
to climax a memorable evening.
In Hollywood we were fortunate to
hear Meade Lux Lewis again. It was a
great surprise to find Lux in Holly-
wood,—he had clayed for us in Washing-
ton just a few weeks before. Lux im-
mediately liked the West Const, and his
good mood, his wild snort-shirts and
his passion for fishing all clearly
indicated he was going to be there for
a long time. One afternoon in Elliott
Paul's house he played better than I
have ever heard him. Paul had a Ham-
mond organ, and an old upright with
mandolin attachment which had the most
beautiful tone you can Imagine. Lux
was just having a good time fooling
around with both instruments. He had
never played on a Hammond before, but
you would have thought from the way he
sounded that he had invented that
curious instrument. Within a few mi-
nutes he knew all there was to know
about it, and was using all itsweird
devices with great subtlety. ' Jt was,
however on the upright that he played
us some real music. T£e- percussive
tonality of the mandolin attachment
gave unusual emphasis to his fast
pieces; his"Honky Tonk Train"that aft-
ernoon was tremendous. Dave Stuart
asked him whether he could remember
the first tune he learned in Chicago
when he started playing piano. Lux
thought for a while, then said he did
remember the tune, but could not re-
call its title. And then he played it,
and it was "The Pearls", almost note
by note! Since, Lux has included "The
Pearls" in his repertoire.
From the jazz viewpoint, our next
important stop was in Houston, Texas.
At long last we were going to hear the
fabulous Peck Kelley. We arrived in
Houston in the evening and immediately
inquired about the whereabouts of the
legendary piano man. While my brother
and I were discussing the means of
finding out where Mr. Kelley was play-
ing, the owner of the tourist cabins
where we had stopped, overheard us. So
he asked: "Did you say Peck Kelley?"
"Yes, do you know where he's playing?"
"Sure. Everyone knows Peck Kelley
around here. He's at the Pice Hotel."
He gave us the proper directions for
the Rice Hotel, and in our naivete we
thought it was a dive of the worst
orde'r. After all, who hadn't heard
the famous boogie-woogie classic which
begins with:
"Down in a little honky-tonk in Tessa
There's a guy who plays the best
piano by far."
So we proceeded to the Rice Hotel.
Imagine our surprise wnen we were re-
ceived by a laquais, looking very grave
In an eighteenth-century costume. I
have never seen a more extravagantly
luxurious hotel than the Rice in Hous-
ton, Texas, which was the last place
where I expected to find such stunning
grandeur. We found ourselves surround-
ed by a few black ties and lots of
2
white ties and tails and lots of Texas
beauties with revealing evening dresses.
We had travelled over 400 miles that
day and I'm afraid we were showing
every mile of it. We felt extremely
conspicuous, in our modest travelling
suits. But we bravely made our way
into the dancing room and timidly sat
at a little table by the door. And.
than we heard Peck Kelley and his band.
■First, the band. Although we were too
disgusted, after a few minutes, to ex-
amine the band carefully, I think it
had three reeds, one trumpet, one ac-
cordion, one violin, plus the rhythm
section with Mr. Kelley at the piano
and the usual horrible vocalist. Be-
ing especially tolerant that night we
were ready to forgive Mr. Kelley for
his band. After all, we thought, he
had to play commercial nausea in order
to keep his job in such a hotel. Any-
way, we had not come to hear the band.
We just wanted to dig the man about
whom Pee Wee and Teagarden had been
raving for years. And we heard him.
The more we heard him, the more our
astonishment grew. How can I describe
his style? To say
Teddy Wilson would
The closest I could
Duchin. There was
the whole evening,
that he plays like
be to flatter him.
come to was Eddie
at no time, during
the minutest indi-
favorable to the
But a great jazz
where he plays,
brief intervals,
cation that Peck Kelley had any feel-
ing for jazz. His solos were totally
uninspired, empty, crassly commercial.
Of course, the surroundings were not
creation of good jazz,
musician, no matter
can show, if only at
that he has a certain
undeniable talent. It is my sincere
opinion that Peck Kelley not only does
not play jazz any more, but that he
never did play it. Anyone who has
heard him will realize with painful
certainty that he never could have
played any Jazz. For instance, a few
years ago in New York I used to hear a
trumpet player called Dick Donahue who
was well-known in Chicago in the late
twenties and early thirties. Donahue's
breath was gone, his lips were bad, his
tone was so weak you could hardly hear
him, and yet you knew he had played
jazz once. Peck Kelley, although .in
the best of health, was playing undes-
cribably awful music. During an inter-
mission we introduced ourselves to
Kelley and explained to him that we
had come a long way to hear him, that
he had a great reputation all over the
country, that several musicians had
3poken to us about him,would he. please
play a little Jazz for us? Kelley is
an extremely nice' man, simple and po-
lite, and as modest as he is untalent-
ed. He said he could not play much
jazz in such a place, but: "I'll play
a rea] boogie for you, boys." We
asked him why he never came to New
York, as he was so well-known there.
He said he was married, had a family
to look after, was very happy in Texas,
and felt no urge to go anywhere. I am
sure he meant all that. But I also
believe that he realizes a mysterious
hoax has made him an unknown great of
jazz, and he has no interest to de-
flate that myth. Which would inevit-
ably happen if he ever went to New
York. We had decided to leave at the
intermission but stayed on after his
promise to play something for us. Just
before beginning to play, he looked at
us with an expression meaning: "This
is going to be i/t, boys". And then it
came. A smoothly arranged version of
"Beat Me, Daddy". Kelley sounded like
someone who was trying to imitate
Freddie Slack and was succeeding only
partially. It was that bad. Before
the number was over, we left, finding
our way through the sumptous corridors
of the Bice Hotel, compared to which
the Ritz in Paris or the Savoy in Lon-
don are like cheap rooming houses.
Enough talk has been wasted on Peck
Kelley all these years. From now on
let's hear more about piano players
who are rarely if ever mentioned and
who have something to say, — like Floyd
Bean or Art Hodes or George Zack.
And then, New Orleans! For a whole
day, we walked up and down the historic
streets. To us, it was like an open-
-air museum. For information about who
was playing where, we had been advised
to contact Monk Hazel. After some un-
forgettable food we went to Pete Her-
man's Club where Monk was playing. We
found him to be one of the most intel-
ligent, kind and friendly musicians we
had ever met. The band at Pete Her-
man's was under the nominal leadership
of Lloyd Dantlin (guitar), but T'onk
seemed to be taking charge of things.
Roy Zimmerman on piano was pretty good
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3
in an un-New-orleans sort of way; Bill
Bourgeois played nice clarinet, and
there was a strange rhythm- section in
which both the drummer and the bass
player doubled on cornet. George Hart-
man played average bass and a pretty
but anemic, driveless and dull cornet.
But Monk Hazel is a wonderful musician.
Not only is he a perfectly relaxed and
steady drummer, but he is also one of
the very best white cornetists I have
ever heard. He plays pure white Dixie-
land with a beautiful swing ( in the
literal sense). (Of course when he is
playing cornet there are no drums be-
hind him.) He obtains a very unusual
and marvellous sonority by using an
old piece of hat over the bell of his
horn; on tunes like"Panama"and "That's
a Plenty" his drive and intensity are
admirable. He can also play real
blues, which is the sign of a great
musician. It is a shame the cornet
playing of Monk Hazel has never been
recorded. Harry Lim recorded all these
musicians, but for various reasons Monk
decided not to play on the records so
that George Hartman played cornet. Lim
has not yet issued these records, but
they cannot be very interesting with-
out Monk.
He told us he felt he could make
really good sides, using men like Harry
Shields on clarinet and Julien Laine
on trombone (who according to Monk is
the greatest white trombonist). Let
us hope Monk will soon be given the
opportunity to show how good he is. We
had long conversations with him all
through the night ;he has an exception-
ally good memory and told many stories
about the old days and about Emmett
Hardy. Hardy on h'is deathbed gave his
cornet to Monk and that made Monk de-
cide to learn how to play it. "Before,"
he says, "I was just a drummer." We
asked Monk whether there was any other
band worth hearing, as we were spend-
ing just that night in New Orleans. He
told us Kid Rena was playing a few
blocks away; then he said; "In a night
club down the street there is a clari-
net player you might like. His name
is Raymond Burke. Speak to him, and
tell him you like Johnny Dodds. Then
he will play really well."
Kid Rena was lost in a big, Lunce-
fordish jumD band, but the few solos
he took snowed he had been a great
musician once. He was, however, visi-
bly unhappy in that band; the music
became quickly unbearable, and we left
to hear Raymond Burke. We found him
in an odd-looking place with a long
bar and a few women sitting around it,
and an adjoining room where the band
stand was. Here there were four or
five customers. We told Burke that
Monk Hazel had sent us and we liked
Johnny Dodds. That sqemed to make him
happy; at once we' were friends. He
tried to get the band together. A few
of its members had disappeared, but
still they started to play. Burke at
first played very softly, facing the
wall. After a few Dixieland tunes the
band attacked a slow blues. Burke
gradually turned towards us and really
got going. That blues must have last-
ed at least- a half -hour. The other
musicians left the bandstand one by
one and soon only Burke was left, ac-
companied by drums and piano. All I
can say is that Raymond Burke took
chorus after chorus of the most extra-
ordinarily poignant blues. Here was a
musician, virtually unknown, who is
surely one of the important white
clarinetists in the history of jazz.
Before the band had been assembled
we somehow began a discussion on trum-
pet players with a scholarly-looking
person sitting at the next table. The
issue was simple: he was maintaining
Bix was greater than Louis and I was
disputing that opinion. Suddenly he
said "This is what I mean", grabbed
someoneS horn and started illustrating
his points with some very commendable
trumpet-playing: He really had me
beat. Afterwards I asked Burke who
that character was. "Oh, just an ama-
teur," he replied.
In the afternoon, while we were
walking by the waterf rom;, we engaged
in -conversation with an old Negro, who
turned out to be a great jazz lover.
He had never heard Bolden, but he re-
membered Bunk, Oliver, "Kid Punch"- and
others. "What about Louis?" we asked.
"Louis? Why Louis is still playing.
You can probably hear him tonight, if
you want to." We told him that as far
as we knew Louis Armstrong was not in
New Orleans at that time. "What do
you mean, Louis Armstrong? When you
talk about Louis in New Orleans, every-
one thinks you mean Big Eye Louis Nel-
son! "
We were amazed to find out how pop-
ular "Kid Punch", as they call him,
was with every musician we spoke to in
New Orleans. His name was always pro-
nounced in the same breath with Oliver
and Armstrong (few had actually heard
Bunk); to several, he was greater than
Armstrong; to some, the greatest of
them all. I recently heard in Art Hodes
house an acetate Punch Miller made in
1938. His playing has lost little if
anything in the last decade.
I should like to end these reminis-
cences with a tribute to a great musi-
cian I had the privilege of hearing a
few months ago in Hollywood. Kid Ory
is still the best trombone player in
the world. He worked with Barney Bi-
gard's short-lived band at the Capri.
They would play lots of commercials,
and lots of fancy stuff for Barney,
but every now and then the tune would
be "High Society" or "Savoy Blues" or
"t'uskat Ramble" and you would hear the
most glorious, the most perfect trom-
bone imaginable. Barney also sounded
very good on the old tunes. The rest
of the band was horrible, with a loud
drummer and a jivy trumpeter. But we
went to hear that band again and again,
because in it was playing one of the
few remaining great artists jazz music
has produced.
Advertisers whose addresses
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Newark, New Jersey.
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WASHINGTON, 0. C.
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Hartford, Connecticut.
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CAmp Gruber, Oklahoma.
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BERKELEY, CALIFORNIA.
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new York c ity.
WIT: Ray WHITNEY, 30 GORDON STREET,
FRAM INGHAM, MASSACHUSETTS.
WHKR : Elizabeth WH 1 TAKER, Box 134,
Greenville, Michigan.
WHTG i Albert whiting, 413 Cedar street,
new bedford, massachusetts,
m. n. winton, 2501 ivy drive,
Oakland, California.
Francis WOLFE, 1133 first avenue,
NEW YORK C I TY .
phil young, jr., I Cabot street,
MILTON, MASSACHUSETTS.
JULIE ANN MAHER ASKS: "IS THERE ANY POSSIBLE
TO BUY OR TRADE FOR SOLO ART RECORDS?"
Wallace T. Herrelljr.
K. F. TJ. MO. 14, BOX 157
RICHMOND. VIRGINIA
THE FOLLOWING RECORDS ARE FOR TRADE OR AUCTTON.
ALL RECOROS FOR DISPOSITION ARE NEW. I AM INTERESTED
IN ANY REAL JAZZ, ORIGINALS AND REISSUES, IN AOOITION
TO THE ITEMS SHOWN IN THE WANT LIST AT THE BOTTOM OF
THIS COLUMN.
For Trade or Auction
ENRY ALIEN
A SHERIDAN
I NO I ANA/A SHERIDAN SQUARE
BERT AMBROSE
Exactly like you
LOUIS ARMSTRONG
Swing you cats/Snowball
Will IE BRYANT
Steak and potatoes/Li za
COUNT BASiE
Listen my ch i ldren/smarty
BENNY CARTER
PLYMOUTH ROCK/MELANCHOLY LULLABY
SHUFFLEBUO shuffle/more THAN YOU KNOW
CAB CALLOWAY
Ratamacue/Ad-de-dey
TOMMY DORSFY
ALLA EN EL RANCHO GRANDE/SHOOT THE SHERBERT
DORSEY BROTHFRS
basin street blues/by heck
on a sunday afternoon
benny goodman
Remember/Blue sk i es
dear old southland
you're a heavenly thing/restless
Remember/Blue skies
GRANT & W 1 1 SON
BLUE MONDAY ON SUGAR HILL/UNCLE JOE
EDGAR HAYES
CARA VAN/EDGAR STEPS OUT
COI EMAN HAWKINS
SERENADE TO A SLEEPING BEAUTY
FLETCHER HENDERSON
Knock knock who's there/Until today
blue rhythm/Sugar foot stomp
jack jenney
After i say I 'm sorry/i 'll get by
meade "lux" lewis
Celeste slues/Mr. Freddie blues
WILLS BLUE RHYTHM BAND
RIDE RE0 R I DE /CONGO CARAVAN
BEN POLLACK
BOOGIE WOOGIE
ABR IAN ROLL I N I (trio)
Isle of Capri
WILLIE (THE LIONl SMITH
MO RN I NG A I R/PASS IONETTE
FATS WALLER
the spider and the fly
i 'll never smile again
wait and see/Squeeze me
teddy wilson
jumpin' for joy/the man i love
OK 6357
BB 6818
BB 10225
VI 25160
DE 1379
VO 4984
VO 5508
VO 4700
VI 26370
BB 10680
BB 10458
VI 25021
VI 25860
DE 7500
DE 1 338
OK 6347
VO 5494
DE 3831
OK 6119
DE 1517
OK 5979
DE 2269
BB 10205
BB I0B4I
B8 10405
Wanted
LIL ARMSTRONG
OR LEAVE ME ALONE
DUKE ELLINGTON
jazz lips
Double check stomp
Saratoga swing
in the shade of the old apple tree
johnny hodges
things ain't what they used to be
tommy ladnier
weary blues
PAUL MARES
RE I NCA RNAT I ON
JELLY ROLL MORTON
DEEP CREEK BLUES
BLUE 8L000 SLUES
CANNON BALL BLUES
MUGGSY SPAN IER
ECCENTRIC
LONESOME ROAD
WASHBOARD RHYTHM KINGS
TIGER RAG
SLOPPY DRUNK BLUES
DE
1092
B8
6396
BB
6450
BB
10245
CO
36195
BB
1 1447
BB
10086
CO
35686
BB
5333
BB
BB
82pl
10254
BB
10417
BB
10766
BB
6084
BB
8164
/-W ANTED
3 [
Price offered for record
2 [CATALOG NUMBER OF RECORD
] [LABEL OF RECOPO
HENRY ALLEN
Singing pretty songs
(any victor, VG condition)
DANNY ALT ICR
My gal sal
albert ammons
Monday struggle/Bass coin' crazy
Boogie woogie/mecca flat blues SA
LOUIS ARMSTRONG
SUNSET CAFE STOMP OK
IRISH BLACK BOTTOM OK
DROPPIN SHUCK 6 OK
(ANY HOT FIVE OR SEVEN, VG) AN
Weary blues/That's when OK
( HOT 5'S AND 7*S ON OK OR VO ) —
St. James Infirmary OK
Georgia grind/Come back sweet papa Ok
I'm not rough/Got no blues OK
KING OF THE ZULUS/LONESOME BLUES OK
ALLIGATOR crawl (new only) OK
ALLIGATOR CRAWL
IRISH BLACK BOTTOM//OU
(many ACCOMPANIMENTS ON OK
IRISH BLACK 80TT0M/Y0U
(ANY HOT FIVE OF HOT SEVEN)
FRANK AUBURN-CHET LEIGHTON
Vl 23338 1.50 Dalt
VI Dend
vo 15740 3.00 Dalt
SA 12000
SA 12001 .
VANB
KEND
8453 cole
8447 COLE
8357 COLE
4.00 OEND
8519 HURN
HURN
8657 WHKR
8318 Hint
855 I w l NT
8396 W I NT
8482 Camp
ok or vo stur
OK 8447 8.00 STEA
OK J3-6 Alex
OK 8447 Alex
GRIFI
(any
(ANY
(R., Dl ., VE.,
LOVIE AUSTIN
CL.
12300 series, paramount)
MILDRED BAILEY
I '0 love to take orders
CHARLIE BARNET
Surreal i sm
RAY 8ARR0W
WALKING BLUES (Ex)
VIOLA BARTLET
SUNDAY MORNING BLUES (Ex)
MORNING BLUES
COUNT BAS1E
VO 3056 I .00 WENZ
VAR 633 1.00 MAHE
Para 12803 6.00 OEND
PARA 12369 2.00 Oeno
down for double
goin' to chicago/9520 special
feed i n ' the bean
i want a little girl/lt's torture
Louisiana/Easy does it
Basie booqie/let me see
lester leaps in
BAYSTATE BROADCASTERS
St. James Infirmary
BECHET'S FEETWARMERS
OK
OK 5773
CO 35448
OK 6330
MAHE
I.+ YOUN
.85 YOUN
.85 YOUN
.85 YOUN
.85 YOUN
OK 51 18 1.50 HASS
MAPLE LEAF/SWEETIE DEAR
BB 76|4
1 .50 Stro
BALLIN' THE JA Ck/G RANOMA 'S BALL
OK
8533
VanB
SHAG/l 'VE FOUND A' NEW BABY
BB 10022
1 .00 STRO
Orental man/Vy BABY
OK
8548
VanB
BIX BE IDERBECKE
BROWN BOTTOM BESs/lADY LOVE
OK
8613
VANB
DEEP DOWN SOUTH
VI 23018
1.00 DURO
My qirl/Sweep 'em up
OK
8792
VANB
MARG 1 E
PARL R2833
1 .50 DURO
BALLIN' THE JACK
OK
8533
4.00 DENO
GOOSE PIMPLES
OK 8544
GRI F
MY BABY
OK
8548 4.00 DEND
THOU SWELL
ANY
GR 1 F
Lady love (ex)
OK
8613
4.00 DENO
SINCE MY BEST GAL TURNED ME DOWN
ANY
GR 1 F
(any exc. "brush stomp")
OK
2.50 STUB
BEN'S BAD BOYS
EDDIE CONDON
YELLOW DOG BLUES/1»ANG WANG BLUES
VI 21971
KEND
MAKIN' FRIENDS
ANY
WHKR
GLADYS BENTLEY
THE COTTON PICKERS
Gorilla man
OK
MAHE
hot heels/some of these days
CA
9207
KEN0
BUNNY- BER IGAN
IDA COX
Blues/i *m comin Virginia (new)
0 i x i eland shjffle
DE 181 16
8R 7858
KEND
2.00 HASS
Southern woman's blues
Lonesome blues
Para
Papa
12298
12307
Dend
DENO
(continued next column)
DON'T BLAME ME
Para
12381
OENO
(bunny ber i gam,
Swing mr Charlie
Blue lou
Mahogany hall stomp
s0bb1n' blues
down stream
CHU BERRY
1 NO I ANA
Ghost of a chance
l i mehouse blues
(ANY CHU BERRY VA. RECORDS )
JIMMY BERTRAND
Ll TTLE BITS ( EX )
IDLE HOUR SPECIAL (ex)
I *M GOIN' HUNT I N ' (Ex)
Easy come
(any)
blues stampede
(any)
Blues stampede
(any)
BLUE JAY BOYS
continued)
12 3 4
VO 3179 2.00 HASS
BR 7832 1.50 HASS
VI 25622 1.50 HASS
VI 261 16 Grif
vi 2581 1 grif
VAR
OK
(any)
JAMES BLYTHE
RAT/SWEET PAPA
(any with johnny doods) —
(any) _
i 'm goin' hunting vc
(ANY)
(any solo; any band group, any label)
perry bradford
Lucy long vo
the broadway bandits
YOU'RE THE TOp/alL THRU THE
BROADWAY BROAOCASTERS
587 1.50 Dalt
MAHE
587 2.00 HASS
HASS
1035 2.50 Dend
1060 2.50 DENO
1099 6.00 DEND
1 100 6.00 Dend
HURN
1 100 Camp
STUR
1 100 Alex
Grif
VO I 181 7.50 VANB
VO I 135 4.00 OENO
vo 1 136 4.00 Dend
Vo I 180 4.00 DENO
Para 12376 6.50 Dend
— HURN
Vo 1099 Camp
Stub
■ *3-8 Alex
ite RZ MR I 733 10.00 KEND
IF I
YOU
She's funny that way
henry brown
(Any with no vocal, Ex. cond.;
BUTTERBEANS AND SUSIE
he li kes 1 t slow
h0a6y carm ichael
Bessie couldn't help it
ROY CARROLL/LLOYD KEATING
(ANY HAR., Dl., VE., OR CL.
benny carter '
Synthetic love
Shoot the works
Savoy stampede/Scandal
Hight hop/ok for baby
charleston chasers
9057
9023 ■
KEND
KEND
Para or 8R 5.00 Dend
Basin street blues
CHICAGO FOOTWARMERS
vo 2870 2.00 Dalt
VO 2898 2.00 Dalt
OK 5112 .75 STRO
De 3294 . 75 STRO
CO 2415 2.00 Dalt
1
2
3
4
WILTON CRAWLEY
BIG TIME
VI
23292
2.00
DALT
WHAT 1 NEED
VI
381 16
2.00
Dalt
FUTURISTIC
VI
38136
2.00
DALT
IRON DADDY BLUES
OK
MAHE
PUTNEY DANOR IOGE
SHINE
VO
3024
2.00
Dalt
BING CROSBY
WHEN THE BLUE "OF THE NIGHT
Br
6226
Ridl
STREET OF DREAMS
8r
6464
Rl DL
1 'M PLAYING Wl TH Fl RE
Br
6480
R 1 DL
WHAT DO 1 CARE
Br
6515
Ridl
LITTLE DUTCH MILL
any
R IDL
Paraoi se
Br
6285
Ridl
LOVE YOU FUNNY THING
Br
6268
Ridl
COW COW DAVENPORT
(any solo)
Hurn
NEW COW COW BLUES
Para
12452
2.50
Stea
CHARLES DELA1INEY
HOT D 1 SCOGRAPHY (1938)
5.00
HURN
D 1 X IE JAZZ BAND
DIXIE DRAG
JE
5446
Kend
DIXIELAND THUMPERS
WEARY VIAY BLUES
Para
12525
10.00
DEND
SOCK THAT THING/ ORIENTAL MAN
Paha
12594 10.00
DEND
Sock that thing/Oriental man
Para
12594
3.00
Stur
JOHNNY DODDS
Sweet Lorraine
VI
38038
2.00
Dalt
Wildman
Br
3567
5.00
DEND
AFTER YOU 'VE GONE
(any)
3.50
DEND
Oh lizzie (new)
BR
3585
3.00
OEND
Joe Turner blues (new)
BR
3997
4.50
DEND
Weary blues
VO
15632 30.00
DEND
OH DADDY
para
12471
7.50
DEND
LOVELESS LOVE
Para
12483
7.50
DEND
MY LITTLE ISA8EL
BB
10241
HURN
INDIGO STOMP/SLUE PIANO
BB
10238
HURN
BUCKTOWN STOMP/BLUE
BB
8549
HUHN
WEARY CITY/BULL FIDDLE BLUES
BB
10239
HURN
(ANY EARLY RECORD WITH DODDS)
HURN
WEARY BLUES
vo
15632
Camp
TOO tight/goober DANCE
Any
STUR
GOOBER DANCE/TOO TIGHT
VI
23396
2.50
STEA
Weary blues
vo
15632
8.00
Alex
(any solo on Paramount)
Para
6.00
Alex
(any)
GRI F
D'ORSAY ORCH-PHIL HUGHES
(ANY HAR., Dl., VE., CL.)
F RY
EDO IE OUCH IN
Medley
Co
18001
Cham
I'VE TOLD EV'RY LITTLE STAR
BR
6425
Cham
OUT OF THE DARKNESS
BR
6431
CHAM
DUKE ELLINGTON
Creole love call(mstr.#2)
VI
2.00
MtTC
E.St. Louis toodle-oo(mstr.#I )
VI
2.00
Ml TC
1 CAN'T GIVE YOU (MSTR.J«|)
VI
2.00
MITC
Flaming youth (MSTR.jfl)
V 1
2.00
Ml TC
HIGH LIFE (MSTR.#2)
VI
2.U0
MITC
SWEET JAZZ 0'MINE(MSTR.jf2)
VI
2.00
MITC
ring dem bells(mstr.#3)
V 1
2.00
MITC
Old man blues (mstr.#2)
V 1
2.00
Ml T€
Jig walk/alabama bound
GE
100.00
Ml TC
THREE LI TTLE WORDS
PAE
R883
15.00
MITC
Slippery horn/Drop me off at har
BR
6527
1.75
YOUN
Lightnin'/Jazz cocktail
Br
6404
1 .75
YOUN
East St. Louis/Birmingham break
Vo
1064
4.00
YOUN
Take the "a" train
V 1
27380
1 .00
YOUN
Just a settin' and a rockin'
VI
27587
1.00
YOUN
REMINISCING IN TEMPO, PTS.III ft
IV CO
361 15
1 .00
STUR
Improvisations in Ellingtonia, 1-4 HRS
r.75
STUR
WILL EZELL
(any with no vocal)
Para
5.00
DEND
(any solos or accompaniments)
Walt
TROY FLOYD
SHADOWLANO blues, pts. 14 11
OK
8571
2.50
YOUN
Dreamland blues, Pts. 1 ft II
OK
8719
2.50
YOUN
i
2
3
4
REGINALD FORSYTHE
DODGING A DIVORCEE/LULLABY
CO
3012
—
Kend
FRANKIE FRANKO'S LOUISIAMIANS
SOMEBODY STOLE MY GAL
HE
12009
3.50
Stea
BLIND LEROY GARNET
CHAIN 'EM DOWN
3ARA
12876
6.50
DEND
BENNY GOODMAN
JAZZ HOLIDAY
VO
— — -
MAHE
1 'M HERE
CO
MAHE
GOOD ENOUGH TO KEEP
CO
MAHE
TAPPIN* THE BAR RELL
CO
2856
1.50
DURO
RIFFIN1 THE SCOTCH
Co
2867
1 .50 DURO
Love me or leave me
CD
2871
1.50
DURO
Emali NE
Co
2907
1 .50
DURO
Junk man
CO
2892
1 .50
DURO
RIFFIN' THE SCOTCH/KEEP ON D0IN'
Co
2867
KEND
Love me or leave me /why couldn't
Co
2871
KEND
Junk man/0l' pappy
CO
2892
Kend
Junk man/Ol * pappy
CoE
C8730
Kend
Like a bolt/i*m iOO^ for you
Co
2988
Kend
HOUSE HOP/SING ME A SWING SONG
VI
25340
KEND
POP CORN MAN/OOO0H BOOM
V 1
25808
8.00
KEND
1 WANNA BE AROUND/WHAT HAVE YOU
Me
12138
Kend
Little joe/i looks like love
ME
12149
KEND
Room i4ii/Jungle blues(B.G.'S ooys)BrF 500201 —
KEND
Jazz holiday/wolverine bl. ( " )
VO
15656 20.00
KEND
That's a plenty/clarinetitis(new)
Me
12073
KEND
JERSEY BOUNCE
Co
36588
1 .00
Cham
Clarinet ala king(ist master)
OK
6544
2.00 CHAM
Sweet georgie brown/opus ^(quartet)vi
26091
1 .00
Breakfast feud/Found a new(seven)
Co
36039
75
STRO
WHEN YOUR LIPS/NOT WORTH TEARS
Me
12023
RY
Falling in love/if you haven't
Me
12079
RY
Can we live/when lover has gone
ME
12 120
House Hop /S ing me a swing song
VI
25340
Fry
Pop corn man/oooh Boom
VI
25808
Fry
NOT THAT 1 CARE
Co
2542
R IDL
TAPPIN' THE BARREL
Co
2856
Ridl
R 1 FF 1 N * THE SCOT CH
CO
2867
R 1 DL
LOVE ME OR LEAVE ME
Co
2871
EMALI NE
CO
2907
Ridl
Junk man
Ro
2802
Ridl
1 AIN'T LAZY
Co
2923
RlOL
Breakfast ball
Co
2927
Ridl
Take my word
Co
2947
R 1 DL
NITWIT SERENADE
co
2958
Ridl
Blue moon
CO
3003
Ridl
Cokey
CO
301 1
Ridl
Clouds
CO
3015
RIDL
1 WAS LUCKY
Co
3018
RlOL
SOORAH FOR LOVE
VI
2501 1
Ridl
YOU 'RE HEAVENLY
VI
25021
Ridl
Texas tea party (new)
CO
3 167
1.50
JACD
GOODY AND HIS GOODT IMERS
Stardust Pe 15084 or
Pat
36903
KEND
NOW I'M IN LOVE PE 15105 OR
Pat
36924
KEND
COOT GRANT-KID WILSON
COME ON COOT, DO THAT THING
Any
VANB
SLEEPY HALL ORCHESTRA
SLEEPY TIME GAL
VO
1 .00
Dalt
LIONEL HAMPTON
Sweethearts on parade
V 1
MAHE
ALEX HILL
(any)
VO
2.00
Dalt
STOMPIN* *EM DOWN
VO
1270
HURN
EARL HINES
HONEYSUCKLE ROSE(TRIO)
VO
1 .50
Dalt
JOHNNY HODGES
JITTERBUG'S LULLABY(NEW)
VO
4309
1 .00
JACO
rent party blues (new)
VO
5100
1 .00
JACO
BILLIE HOLIDAY
Gloomy Sunday
OK
646|
Whkr
HOTSY TOTSY GANG
Star oust
Br
4587
F RY
J
2
A
t
PETE JOHMSOf-J
SA
12005
STRO
JONES-SM 1 TH 1 NC .
Shoe shine swing
344
OALT
Laoy be good
vo
3459
I'oo
D ICK JURGEfIS
Night and dav
KANSAS CITY FRANK MELROSE
PASS THE JUG
BR
JELLY POLL STOMP
5585
COLE
Jelly roll stomp
Br
7062
5.00
OEND
BR
OR GE
Camp
Pass the jug/Jelly boll stomp
BR
7062
Walt
pass the jug/jelly poll stomp
3E
5585
10.00
ALEX
KENTUCKY GRASSHOPPERS
Sweet li za
BA
6358
KEND
It's tight like that/4 or 5 times
BA
6295
—
KEND
JOHN K IRBY
ROYAL GARDEN BLUES
OK
OR VO
MAHE
KNICKERBOCKERS
(ANY COLUMBIA 2300 AND UP)
CO
—
FRY
GENE KRUPA
(ANY GENE KRUPA RECORDS EITHER VI
OR
SB
Hass
TOMMY LADNIER
Weary blues/ja-da
BB
10086
1.00
Stro
GEORGE E. LEE ORCHESTRA
PASEO STRUT
7132
2 00
*
OA T
ALT
LEVEE SERENAOERS
Jelly jelly lord
BR
1 1 54
Camp
LIL'S HOT SHOTS
Georgia bo bo
(A
my)
Cole
Georgi a bo so
VO
1037
Camp
LITTLE BROTHER MONTGOMERY
NO SPECIAL RIDER BLUES
3ARA
13006
7.50
Deno
Frisco hi*ball blues
Me
Dend
CRIPPLE CLARENCE LOFTON
BROWN SKIN HALS
ME
61 166
hurn
WALT
LOUISIANA RHYTHM KINGS
QaiiimI tut mf>v Wn 1 RP7P
DALLIN IHl JhLK UU l_JC£0
OR HRS 15
BaLLIN' THE JACK
vo
15828
(any ON VOCALION
vo
(any with Pee Wee Russell)
.00
LEX
LOUISVILLE RHYTHM KINGS
Shout hallelujah/'Cause i 'm home
PAF
22305
KEND
JIMMY LYTELL
OLD FOLKS SHUFFLE
PE
14749
OALT
CONEY 1 SLAND
PE
14765
i "oo
pat
36741
1 00
OALT
inr UflPQAI A
JUL MHKoKLH
WOLVERINE BLUES
Var
565
2.00
OALT
REV. McGEE CONGREGATION
(any preaching records)
BB
WALT
RED MCKENZ IE
Dream sweetheart
CO
MAH
McKINNEY'S COTTON PICKERS
Rocky roao
VI
MAHE
MEMPHIS FIVE
F 1 reworks
vo
MAHE
MEMPHIS NIGHT HAWKS
(any on vocalion)
VO
3.00
ALEX
GLENN MILLER
humoresque/sold American
vo
4449
GERO
i got rhythm/Sleepy time gal
VO
5051
Gero
SOLO HOP/lN A LITTLE SPANISH TOWN
CO
35881
Gero
To you
BB
10276
Gero
RIDE RED RIDE
OK
61 19
Gero
BY THE WATERS OF MlNNETONKA
BB
7870
gero
Glen island special
BB
10388
Gero
ROMANCE RUNS IN THE FAMILY
BB
10145
Gero
COMMUNITY SWING
BR
gero
(CONTINUEO NEXT COLUMN )
8
1
1
2
3
4
(GLENN MILLER, CONTINUED)
PEG 0' MY HEART
de
1342
—
Gero
ANYTIME, ANYDAY, ANYWHERE
de
1284
—
Gero
Moonlight bay
De
1239
—
Gero
The chestnut" tree
BB
10201
—
Gero
The lamp is low
BB
10290
—
Gero
OUT OF SPACE
BB
10438
Gero
Sweet potato piper
BB
10605
—
Gero
G 1 VE A LI TTLE WHI STLE
BB
10580
—
Gero
1 BEG YOUR PARDON
BB
10561
gero
This changing world
BB
10526
Gero
Y/ho's SORRY now
BB
10486
Gero
STARLIGHT HOUR
BB
10553
Stairway to the stars
BB
10276
Gero
(all Glenn miller records on Brunswick)
Gero
IRVING MILLS HOTSY TOTSY GANG
Railroad man/Crazy about my gal
BR
4838
—
Keno
Harvey/^arch of the hoodlums
BR
4559
—
KEND
Deep harlem/strut Miss lizzie
BR
4983
—
KEND
WHAT A NIGHT/l WONDER WHAT MY GAL
BR
4998
KEND
Since you went away
Br
4122
KEND
1 COULDN'T IF 1 WANTED TO
BR
41 12
KENO
MILLS MERRY MAKERS
Farewell blues ( 149955)
VE
7121
KEND
Farewell blues Har.,Di .,Cl., i
VE
7121
Fry
MILLS MUSICAL CLOWNS
WlPIN' THE PAN 1 USED PE 1 5 1 55 OR
Pat
36974
KENO
BILL MONROE
(VARIOUS RECORDS BY BILL MONROE )
Gero
LEE MORSE
SHY LITTLE VIOLETS GROW
CO
MAHE
JELLY ROLL MORTON
BEALE STREET BLUES
(ANY LABEL) —
Cole
Deep creek
BB
Cole
JERSEY JOE
B8
cole
TURTLE TWIST
BB
COLE
MISSISSIPPI MILDRED
BB
Cole
BIG FA T HAM
Para
12050
cole
LONDON BLUES
OK
8105
Cole
(ANY SOLOS ON GE. ,S 1 LVERTON, OR PARA )
Cole
BILLY GOAT STOMP
VI
20772
Cole
LOOKING FOR A BLUEBIRD
VI
23004
3.00
Dend
FICKLE FAY CREEP
VI
23019
3.50
Dend
Mint julep
Vl
23334
10.00
Dend
Deep creek ( new)
VI
38055
2.25
Dend
Tank town bump (new)
VI
38075
2.25
DENO
Pretty lil (new)
Vl
38078
2.00
Dend
COURTHOUSE BUMP
VI
38093
2.00
Deno
TRY ME OUT
Vl
381 13
2.50
Dend
Fussy Mabel (new)
VI
38125
2.25 Deno
Little Lawrence (new)
VI
38135
2.25
Dend
LITTLE DIXIE HOME
VI
38601
2.50
Dend
BILLYGOAT stomp
Vl
20772
hurn
(any solos)
hurn
(any except recent BB)
Hurn
the pearls/king porter
vo
1020
Camp
Oeep creek/red hot pepper
Vl
38055
Camp
Grandpa's spells/Cannon Rall
VI
OR BB
Camp
The pearls/beale street(new only)
VI
20948
Camp
Wild man blues
BB
10256
2.00
STEA
Someday sweetheart
VI
20405
2.50
STEA
(any solos, except reissues)
WALT
(any solos on gennett. Autograph)
6.00
ALEX
(any)
Grif
BENNY MOTEN
MOTEN SWING/TOBY
Vl
23384
2.00
YOUN
NE» ORLEANS BOOTBLACKS
(any)
CO
3.50
Deno
Flat foot/Mad dog
Co
14337
Hurn
1 CAN'T SAY/tolXEO SALAD
CO
14465
Hurn
FLAT FOOT/IJAO 000
Co
14337
Camp
MIXED SALAD/CAN'T SAY
CO
14465
Camp
(ANY)
Co
2.50
STUR
MIXED SALAO/l CAN'T SAY
CO
14465
Halt
12 3 4
12 3 4
NEW ORLEANS RAMBLERS
i'm one ofgod's children
That's the kind of man for me
I'M ONE of god's children
That's the kind of man for me
NEW ORLEANS RHYTHM KINGS
Clarinet marmalaoe/mr. Jelly lord
ME 12133
ME 12130
ME 12133
ME 12130 ■
KEND
KEND
Fry
Fry
(any with Rappolo)
(any)
NEW ORLEANS WANOERliRS
(any)
Papa dip/too tight
Papa dip/too tight
RED NICHOLS
GE
CO
CO
CO
5220 2.50 Cole
HURN
Grif
3.50 OEND
735 HURN
735 Walt
Sweet sue
JIMMY NOONE
APEX BLUES/SWEET LORRAINE
RED NORVO
REMEMBER
KING OLIVER
BR 6256 2.00 OALT
BR 7896 I .00 DALT
MABEL'S 0REAM
OK
6235
Cole
HlQH SOCIETY
HRS
12
Cole
RIVERSIDE BLUES
OK
40034
Cole
Chimes blues
BE
5135
Cole
JAZZIN* BABIES BLUES
OK
4975
cole
KROOKED BLUES
GE
5274
Cole
JUST GONE
GE
5133 5.00
Dend
1 'M GOIN' AWAY JUST TO
GE
5134 5.00
Dend
K ROOKED SLUES
GE
5274 8.00
Dend
SNAKE RAG/HIGH SOCIETY
OK
4933 6.00
Roge
SHIMES SLUES/FROQGIE MORN
GE
5135 3. 50
ROGE
SNAKE RAG
GE
5184 3.50
Roge
K ROOKED BLUES/ALLI GATOR HOP
GE
5274 4.00
Roge
buddy's habits/Tears
OK
40000 4.00
ROGE
WORKING MAN BL/Rl VERS IDE SLUES
OK
40034 4.50
Roge
SNAKE RAG/HIGH SOCIETY
OK
4933
Camp
ROOM RENT BLUES
OK
8148
Camp
BUDDY'S HABIT/TEARS
OK
40000
Camp
Sweet baby doll
OK
8235
Camp
(either paramount)
Para
Camp
(any OK, GE, PARA, Col)
(any)
Walt
GR l F
ory's creole trombone
walter page
Devil blues/squabbl i n '
tiny parham's 40 f i ve
jim jackson' kansas city blues
jack pettis
broadway stomp
bag 0' blues
a bag 0* blues
stew pletcher
Will I never know
BEN POLLACK
ROLL I N ' DOWN THE RIVER
Sweet I hot/got five dollars
SONNY PORTER
HOW LONG BLUES
THE -RADIOL I TES
I OON'T KNOW WHY/LOVE LETTERS
I OON'T KNOW WHY/LOVE LETTERS
(ANY COLUMBIA 2300 AND Up)
RED I MIFF'S STOMPERS
HURRICANE
JON REDMAN
Chant of the weed
RED ON I ON JAZZ BA8IES
Cake walki ng babi es
adrian roll i n i
MORO 3009
COLE
VO 1463 3.00 YOUN
PARA 12586 3.50 STEA
VO 15761 K END
OK 414-10 KEND
OK 41410 Fry
BB 6344 .75 WENZ
RE 10057 KEND
ANY FRY
CO 2540 KEND
CO 2540 Fry
Co Fry
ED
MA HE
HONEYSUCKLE rose
(continued next column)
(any) .75 WHTG
ge 5627 cole
VI 25208 2.00 DALT
(ADRIAN ROLL INI, CONTINUED)
HAPPY AS THE DAY IS LONG
GOT THE JITTERS
S ITT IN' ON A LOG/l RAISED MY HAT
HARRY ROSENTHAL
SAY WHEn/NHEN LOVE COMES
Hunkadola/according to moon
Let me sing/Heart is open book
RUSS t DUNN
TOO MANY TEARS
PEEWEE RUSSELL TRIO
I 'VE FOUND A NEW BABY/EVERY
BEN SELVIN
(ANY COLUMBIA 2300 AND Up)
ARTIE SHAW
Japanese sandman
SLIM t HOT SHOTS
THAT *
A PLENTY
BESSIE SMITH
(ALMOST ANY FROM 14075 UP)(Ex)
ST. Louis blues/Reckless blues
jabbo smith
Sleepy time blues
Sau sha stomp
Decatur st. tutti
Tanguay blues
KATE SMITH
Moon song
MUGGSY SPAN IER
ECCENTR IC
RIVERBOAT SHUFFLE
VICTORIA SPIVEY
FUNNY FEATHER'S BLUES
STATE STREET RAMBLERS
WEARY WAY SLUES
PRISCILLA STEWART
Delta bottom blues (ex)
JOE SULLIVAN
Lady be good/I can't GIVE
Low down dirty shame/Sol i tuoe
ERSKINE TATE
STOMP OFF, LET'S GO
JASPER TAYLOR
STOMP TIME BLUES
STOMP TIME BLUES
JACK TEAGAROEN
you're simply oelish
memphis blues
St. james Infirmary
Junk man
Stars fell on Alabama
TEN FRESHMEN
Freshman hop
freshman hop
HOC I EL THOMAS
2962
3016
3019 •
7058 3,
7065 3,
7078 3,
7101 3,
BB 10384
BB 10532
MAHE
MAHE
KEND
Fry
Fry
Fry
Ma he
Stro
Fry
.00 WENZ
.00 DALT
Dend
WINT
.00 STEA
00 STEA
00 STEA
00 STEA
WHIT
HURN
HURN
6232 7,
5454 7.
50 Dend
50 Dend
Para 12240 2.00 Dend
OK 5496 I
OK 5531 I.
(any ) 8
PARA 12409 10,
Para 12409 3,
PE 15361 —
ANY —
Any —
BR 7652 —
Br 5993 —
Pat 37054 OR PE 15235
WASHERWOMAN BLUES
SUNSHINE BABY
LONESOME HOURS (EX.)
FRANK TRUMBAOfR
i 'm an old cow ha no
Japanese sandman
love nest
no one else can take your place
SIPPIE WALLACE
(any)
OK 8289 —
OK 8326 —
OK 8297 -
BR 7687 I,
Parl R2I76 I,
Parl ? I ,
Parl R 420 I,
CO STRO
00 Stro
00 DEND
00 STUR
KEND
WHKR
— - WHKR
RlDL
— RIOL
MAHE
KEND
— Camp
— Camp
— Camp
00 WENZ
50 DuRO
50 DURO
50 DURO
WESLEY WALLACE
m (exI
FATS VJALLER
R I D I N ' BUT WALK IN
PARA 12958 7.50 OEND
VI 381 19 .75 WHTG
9
Wanted
12 3 4
jack »h i they/jerry fenyiyck
(any har., di., ve., cl.)
whoopee bakers
MOANIN1 LOW (Any pseudonym)Ca
Milwaukee walk " Ca
blue little you " ca
Icky blues(8478) n Any
THE SORORITY STOMP/tllRTY 00g(3766) ANY
Four or 5 times(206I )(Any pseudonym)Any
9235
9203
9041
IT'S TIGHT LIKE THAT ( 2062
BUGLE CALL RAG (EX.)
CLARENCE WILLIAMS
OF ALL THE WRONGS (Ex)
Old fashioneo love (ex)
Cake walkin' babies (VG-)
(any with Armstrong)
(any with Armstrong)
COOTIE WILLIAMS
OlGA DIGA D0O
west end blues
blues i n my c0n0i tion
Blue "reverie (new)
JABBO WILLIAMS
PRATT CITY BLUES (ex)
JOHNNY WILLIAMS
LITTLE OLD LADY
TEDDY WILSON
I NEVER KNEW
WOLVERINES
(any)
ALBERT WYNH
Any
• KEND
■ KEND
• KEND
• KEND
• KEND
■ KEND
• KEND
■ STUR
VAR •
OK
OK
3814
13141
594
MAHE
MAHE
MAHE
I .00 JACO
7.50 Oend
I .00 WEN2
WHKR
PARKAWAY STOMP
JACK WYNN
LOVED ONE ME
(ANY ARTIST OR RECORDING GROUP)
AND SO GOODBYE —
WHY CAN THIS NIGHT GO ON —
WHEN TOMORROW COMES —
1 GOT T J PASS YOUR HOUSE —
99 out of 100
Collectors are OK
3ut there's one in every hundred who is careless
and/or 01shonest.
Next month's Record Changer will describe five
jazz jerks who have victimized the advertisers and
readers of this publication.
During the past four years ] have found record
trading to be a gentlemen^s game , to-be distinguished
from say, horse trading,
Myself, — l h^ve never encountered the least bit
of 0upl i c i ty in sell i ng , buy i ng, or trad i ng rec-
ords by mail or express.
however, in recent months several of the recoro
Changer's advertisers have complaineo of a variety
of abuses (perpetrated on them by other readers)
ranging from pathological correspondence to outright
defrauding of the mails.
The June Record Changer will shed a little light
on these odu characters.
Remember, of course, that 99 out of |00 record
collectors are ok.
Remember, also, when trading with an unknown
collector, to insist that your records be sent by
express, and that the sender specify on the express
i nvoi ce:
EXAMINATION ALLOWED
THIS WILL ENABLE YOU TO EXAMINE YOUR SHIPMENT BE-
FORE YOU GIVE WITH THE GOLD,
IT )S SIMPLER TO SHIP BY EXPRESS THAN BY PARCEL
POST. ALL YOU HAVE TO DO IS CALL THE "PICK-UPB DE-
PARTMENT OF THE EXPRESS OFFICE. THE MAN WILL 00
T«E REST.
10
New Orleans Recollections
COPYRIGHT 1943
I started work
on my first job in
Nev; Orleans on La-
bor day, 1904, hav-
ing arrived in town
from the Gulf (Toast
the night before.
On that Monday morn-
ing in September I
| made my way to the
office of the Nev;
| Orleans Acid & Fer-
tilizer Company in
the Kibernia Eank Building, where I was
told to take it easy until JVfr. Pickens,
the plant superintendent, arrived to
show me the way over to the factory in
Gretna, where I was to be bookkeeper.
I do not remember at what time Mr. Pick-
ens arrived, but before we left for
the factory, the sounds of lively music
came floating up from Carondelet Street,
and the office force flocked to the
open windows. Looking down from the
tenth floor of the Hibernia Bank Build-
ing, I heard and saw my first Nev: Or-
leans band, — In fact, several bands. It
was the Negro Labor Day Parade that was
passing, and the bands kept the union
members stepping along in proper fash-
ion. Parades were a New Orleans spe-
cialty, and the bands were always equal
to the occasion. Although the rank
and file of the members were marching,
we could see that the colored labor
leaders were riding in carriages whose
drivers were white, which brought forth
a rather caustic comment from the sten-
ographer. I was told that the routes
of march for the negro and white par-
ades were carefully mapped out so they
would not meet, thus avoiding the pos-
sibility of unpleasant incidents.
When Mr. Pickens had finished his
city office business, we started for
Gretna . Taking the Jackson Avenue
street car, we were soon at the ferry,
which ran between the foot of Jackson
Avenue and Gretna, located directly
across on the opposite shore. The
river was fairly low at that season,
and after passing through the ferry
house, we walked down the long ramp to
the pontoon against which the boat
docked. In the spring the flood waters
from the north came down in such volume
that the river was full to the tops of
the levees. At such y.nies the rising
water carried the pontoon up higher and
higher, until it was necessary to walk
up the ramp to the pontoon instead of
aown. When the river was at flood
stage the boats were riding several
feet above the street level, and until
one got used to it, it seemed strange
to stand in the street and look at the
boats so much higher up. I think it
was in 1907 that the water rose above
the levee top, and several feet of sand
bags had to be piled on the levee to
hold back the water. At that time
water was flowing across the ferry
house floor, and passengers Jiad to walk
on planks placed on crates and boxes
to get back and forth. The folks did-
n't seen to worry much about the high
water, but of course the levees were
watched closely; on the opposite hank
men used to patrol the levees to guard
against natural breaks, and to see that
no breaks were made purposely to re-
lieve the strain on the Mew Orleans
side.
The fertilizer plant office was
about three blocks from the ferry land-
ing in Gretna, which was a pretty good
industrial town of about 5000 inhabi-
tants at that time. There were large
mills along the water front as well as
elsewhere in the torn. It was the
parish seat of Jefferson Parish, often
referred to as "The Free State of Jef-
ferson", the political power that ran
the parish being firmly entranched.
Such things as drinking and gambling
were viewed with a tolerant eye, and I
believe life in that locality proceed-
ed with a minimum of restraints. It
was not, however, a "wide open town",
and I always found it a pleasant and
friendly place.
It was in Gretna that I heard my
first "blues", — fragmentary bits that
the office boy, Hylas, would sing about
the place. Very few were anything like
complete, — I never asked him where he
heard them, or tried to trace to see
if there was anything more than he
sang; I just took it for granted that
they were unfinished bits bandied
about in Gretna. Here are a few of
the choicer bits:
Take this pork chon to your pa,
Take this sausage to your ma,
Mama * s got a baby^named "Tee Nah Nah .
Why don't you be like me,
Why don't you be like me,
Drink good whisky boy, let the
* * * cocaine be.
I was born in the country, raised in
town
I'm a backbone breaker from away down.
* * *
She's a good doin' baby.
But she's got low down ways.
(Jelly Roll Morton recorded Mama's Got
a Baby for General Records on their
Tavern Tunes label No. 1710A, singing
some verses I never heard before. Why
Don't You Be Like Me also found Tts
way into a folksong (?) .
Diagonally across the corner from
the fertilizer plant office was the
office of the Chicasaw Cooperage Com-
pany. Their office man was R. Emmet
Kennedy, one of the most talanted men
I ever met, being a poet and author,
as well as a gifted musician. Always
interested in negro music, Mr. Kennedy
began collecting tneir songs when about
thirteen years old. He was author of
several books, among which two .Mellows
and More Mellows contain many negro
folk sings and spirituals. Emmet ar-
ranged the first complete blues song I
ever heard, Honey Baby. About 1906 he
gave a concert in Algiers (West New
Orleans), which 1 had the pleasure of
attending. During the concert Mr.
Kennedy played several of his composi-
tions and arrangements; he played Honey
Baby and his niece sang it. I presume
most of the Record Changer's readers
will remember the wordy battle between
Jelly Roll and W.C. Handy in Down Beat
a few years ago as to the origin of
the blues. It seems that Handy per-
mitted himself to be introduced over
the air by "Believe It or Not", as the
originator of the blues, jazz and
stomps, which naturally peeved Jelly
Roll. As Handy' s first blues, The
Memphis Blues or Mister Crump was not
published until 1912, T was prompted
to write to Mr. Kennedy and ask him
when he arranged Honey Baby. He re-
plied to my letter from New York,
where he had lived for many years, and
he had the following to say about the
song I heard about 1906: "Regarding
Honey Baby, included in ray book Mellows,
I feel certain that it goes back far-
ther than 1905. I had known it a long
time before I arranged it for the
piano..." So, from my personal know-
ledge, blues were known and played
around. New Orleans at least six years
before the first blues number was pub-
lished by Handy.
What will probably interest the
Changer's readers most is the fact that
R. Emmet Kennedy was the uncle of Emmet
Hardy, the fine young New Orleans
trumpet player who died over twenty
years ago, and whose genius is begin-
ning to be almost legendary, and prom-
ises to become more so. There is no
doubt that Hardy, who played qn river
boats over twenty years ago, would
have an opportunity to spread his repu-
tation over a great deal of territory,
and would make many contacts. With
such musical background and surround-
ings, as Hardy had, along with an evi-
dent natural ability, it would be
strange if he didn't become great in
his line. I don't remember that I ever
saw Emmet Hardy; he must have been a
small boy when I was going to Gretna.
R. Emmet Kennedy died on November
21, 1941. I felt a genuine personal
loss when I read of his death. After
writing him in 1938, I had renewed my
acquaintance with him, and we had been
talking over the possibilities of put-
ting out some of his compositions along
with pertinent and authentic historical
matter. It's too bad it couldn't have
been done, as Mr. Kennedy was a sin-
cere and straightforward gentleman
whose work was done for the pleasure
it gave him, and who insisted that all
of his facts be straight.
HOW TO FIGURE THE COST 0P
A "SPECIAL" AD
The cost of special ads, such as those
appearing on page 17, are baaed not on the
number of records advertised, but on the num-
ber of lines required for the ad .
The cost per line is lOtf.
'For example, the following records require
five lines : jelly ROLL MORTON
The Pearls
Grandpa's spells
MOUND CITY BLUE BLOWERS
One hour
The cost of including these three records
in a special ad would be 50<r.
The rate of lOtf per line applys to any ad-
vertising outside the classified WANT and PCR
DISPOSITION sections.
Special Project
No.1623
WHAT RECORD COLLECTING NEEDS
IS A 3000 BOOK OH RARE RECORD
VALUES.
Establishing values for rare
hot records would be a diffi-
cult, but not i.p0s8i ble task.
it is not a one-man job. a
reliable catalog on hot record
values can ie coup i led only
throuqh the collaboration of
three or more responsible ex-
perts on record collecting.
in an effort to find several
men who uiqht be equal to such
an assignment, we sent to fifty
collectors of our acquaintance
the following circular letter t
APRIL I, 1943.
TOI MSSR8. • • • •
FROM 1 THE RECORD CHANGER
SUBJECTI AN IMAGINARY AUCTION
WE ARE LISTING BELOW 61 FA-
MILIAR Okek records.
Assume that they are at auc-
tion, and that you want each
recoro, and that you are b i d—
ding against the above col-
lectors, set down opposite
each record an imaginary bid
on that record, which you be-
lieve will just barely top
the next highest bid, even
though you have never heard
the record...
Fifteen collectors responded
to our request. the differ-
ences between high bids and low
bids on every record varied
FROM |5.00 TO 150.00.
however, three collectors sub-
mitted bids which took nearly
all the records on this imagin-
ary auction list. moreover, the
bidding between the8e three
collectors was remarkably close,
their bids are shown in the
tabulation at the right.
All three of these collectors
are old-timers and are known to
record traders all over the
world. if ever a book is writ-
ten on rare record values, the8e
three gentlemen should do it.
"A"
"B"
•C"
3055
BECHET
FAREWELL BL./GULF CCAST BLUES
1 .CO
2.00
1.00
4495
J.P.JOHNSON
CAROLINA 6H0UT/KEEP OFF THE GFU6S
4.00
2,40
4,00
4738
0RI0.DIX.JAZ2 BAND
TODDLIN1 BL./SOHE OF THESE DAYS
2.50
1 ,80
3.50
4757
8ALLER
MUSCLE SHOAL BL/b 1 RM 1 NGHAU BL.
4„00
2. 10
1 .00
4641
ORIG.DIX.JAZZ BAND
Tiger rag/barn yard slues
2,50
1,90
6.00
4906
KING OLIVER
SOSBIN' BL./SWEET LOVING MAN
5.00
5,50
3.00
4918
KING OLIVER
DIPPER UOUTW/^HERE 0 10 YOU STAY
5. CO
10.50
10.00
4925
BECHET
Kansas city man/wild cat blues
4.00
2.60
3.00
4933
KINO OL 1 VER
snake rag/high society rag
15.00
20.50
15.00
4937
J.P.JOHNSON
TODDLIN'/sCOUTIN1 AROUND
4.00
2. 10
4.00
4966
BECHET
achin'kearted/tain't nobody'sbk
2.50
2. 10
1.00
4975
KING OLIVER
JAZZIN' BABIES 3 LUES
5.00
10.50
10.00
4993
BECHET
Oh daddy bl./Old fashioned love
2,50
6.00
7.00
8043
WALLER
Tain't ncbody'6 biz/you got ev.
1 .00
1 ,60
1 .00
8045
WALLER
mama's got the bl./last go round
1 .00
1 .60
1 .00
8096
BECHET TRIO
down on the levee/lonesome woman
3.00
2* 10
2,00
8100
MO TEN
Elephant's wobble/drawdad blues
1.00
1 .40
1 ,00
8105
J. R. MORTON
LONDON BLUES
4.00
9.00
12,00
8|48
K ING OLIVER
ROOM RENT BL./l AIN'T GONNA TELL
25.00
26,00
20.00
8 163
OLIVER, B. BEANS & S.
CONSTRUCTION SANG
1 .50
2, 10
1 .00
8171
8EGHET/C. WILLIAMS
NEW ORLEANS WQF SCOP BLUES
5.00
15.50
10,00
8173
V.LISTON, ARMSTRONG
YOU'VE GOT THE RIGHT KEY BUT.
8.00
7.50
2,00
8181
C.WMS, ARMSTRONG
EVERYBODY LOVES/ALL THE WRONGS
4.00
5,50
1 .00
8182
OLIVER., B. BEANS & S.
KISS ME SWEET
1 .00
2. 10
1 .50
8184
MO TEN
TULSA BLUES/GOOFY DUST
1 .00
1 .40
1 .00
8185
MARG. JOHNSON, C.WMS.
PAPA, MAMA'S ALL ALONE/CHANGEABLE
10.00
15.50
7.00
8187
V.LISTON, ARMSTRONS
EARLY IN THE MORNING
8.00
7.50
8,00
8193
MARG. JOHNS, ARMSTRONG
DONE MADE A FOOl/wHO'LL CHOP
2.00
2.60
i ,00
8194
MO TEN
SOUTH/VINE ST. BLUES
1 .00
1 ,40
1 .00
8198
ORIG. TUXEDO ORCH.
BLACK RAG/CARELESS LOVE
2.50
5,00
7,00
8205
S.WALLACE, OLIVER
MORNING DOVE EL/EVERY DOtt HAS
1 .50
2. 10
2,00
8212
C.WMS, ARMSTRONG
Baby 1 can't use/trouble every*.
3.00
4. 10
3.00
82 13
MO TEN
Baby dear/as l like it
1 .00
1 .40
1 ,00
8215
C.WMS, ARMSTRONG
Papa de da da/{ori«.tux., rev.)
8.00
10.50
6,00
8227
HERSAL THOMAS
suit case blues/hersal blues
4.00
4.50
10. CO
8235
KING OLIVER
SWEFT BABY DOLL/MABEL'S DREAM
20.00
25.50
50.00
8242
MOTEN
1 8TH ST. BL. /THINGS SEEM SO BL.
1 .00
1 ,40
1 .00
8245
C.WMS, ARMSTRONG
SANTA CLAUS BLUES
8.00
7.50
10.00
8254
C.WMS, ARMSTRONG
SQUEEZE ME/SANTA CLAUS BLUES
8.00
8.50
6,00
8255
MOTEN
SHE'S SWEETER THAN SUGAfi/ SO. ST.
1 .00
1 .^O
1 .00
8257
CHARLES CREATH
GRANDPA'S SPELL
2.00
3.00
3.50
8258
H.THOMAS, ARMSTRONG
ADAM & EVE/PUT IT WHERE 1 CAN
6.00
10.50
10,00
8261
ARMSTRONG
YES, 1 'M IN THE BARREL/GUT BUCICT
6.00
5.50
3,00
8267
C.WMS, ARMSTRONG
GET IT FIXED/SHAKE THAT THING
2.50
1 .^0
5.00
8272
C.WMS, ARMSTRONG
JUST WAIT TILL YOU SEE/LIVING HI
(2.00
10.50
5.00
8273
C.HILL, ARMSTRONG
KIDMAN BLUES/LOW LAND BLUES
1 2,00
10,50
10.00
8277
MOTEN
GATER ST. RAG/ SISTER HONKY TONK
1 .00
1 .40
1 .CO
8279
B.CALLOWAY, ARMSTRONG
LAZY WOMAN'S BL/LONESOME LOVESICK
50.00
10.50
25.00
82e9
H.THOMAS, ARMSTRONG
WASHWOMAN BLUES/GAMBLER 'S DREAM
10.00
1 0,50
10.00
8297
H.THOMAS, ARMSTRONG
LONESOME HOURS/DEEP WATER BLUES
10.00
8,50
1 0,00
8299
ARMSTRONG
y
ORIENTAL STRUT/YOU'RE NEXT
10.00
7.50
10.00
8300
ARMSTRONG
HEEBIE JEEBIES/MUSKRAT RAMBLE
4.00
3.50
1.00
8301
S. WALLACE, ARMS TRONQ
A JEALOUS WOMAN LIKE ME A MAN
10.00
8.50
3.00
8312
C.HILL, ARMSTRONG
GEORGIA MAN/TROUBLE IN MIND
4.00
5.50
1.00
8313
BABY MACK, ARMSTRONG
YOU'VE GOT TO/BHAT KIND 0 'MAN
60,00
58.00
50.00
8318
ARMSTRONG
COME BACK SWEET PAPA
6.00
7.50
5.00
8320
ARMSTRONG
MY HEART
10.00
7.50
5.00
8326
ARMSTRONG
SUNSHINE BABY/l *VE STOPPED MY
20.00
12.50
7.00
8328
S.WALLACE, ARMSTRONG
SPECIAL DELIVERY Bl/i,ACK OF OIA.
8*00
9.50
5.00
8339
C.HILL. ARMSTRONG
LONESOME ALL ALONE AND BLUE
20.00
15.50
5.00
Use blank to advertise records in the Changer
Cut on dotted line
For rates turn page
12
DEADLINE -- 15th OF THIS MONTH
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CO
G.R. Osgood, Jr,
7 WEST 52N0 STREET,
NEB YORK C I TV, N.Y.
For Trade or Auction (write for my wants)
LOU IS ARMSTRONG 1 SOUTHERN SERENACERS HA 4 E, HENDER-
SON Co 228 V, CO 35668 E, Co 292 G, CO 383 V, OK
41498 G(oig), VO 3337 N, VO 3643 E, BB 5280 E, BB
5086 E, BB 5363 E, BB 5408 E, BB 6501 E, BB 7787 E,
BB 10236 E, BB 6771 E, BB 10255 E, BB 10703 E, B8
10237 E, BB 6910 E, DE 3825 E, De 3825 E, DE 3283
t/V, Oe 1822 E, DE 1653 E, DE 3105 E, De 2615 E,
DE 12.16 E, DE 1842 G/V, De 2230 E, DE 2729 E, DE
866 E, DE 4140 E, De 2405 E, De 1560 E, DE 824 E,
DE 2538 E, DE 698 G/F, DE 1347 E, DE 4327 E , DE
622 E, DE 1049 V, DE 3700 V, DE 1661 E, De 3204- E,
DE 3756 E, DE 1245 E, DE 3 180 E,
HENRY ALLEN I VO 3097 G, ME 13322 E, BA 33129 V. ME
13304 E, PE 15802 E, BB 10702 E, BB 10235 E.
BIX BE I DERBECKE t HRS t N, HRS 23 E, HRS 25 E, Vo
3149 E, UHCA 29-30 E, BR 8242 V.
BLUE JAY BOYS: De 7224 G , De 7225 V, DE 7240 V.
SHARKEY BONANNO: VO 3353 E, VO 3400 E, VO 3410 E,
Vo 3380 E.
DUKE ELL INGTONl H OF W 1045 E , H OF W 1046 V, Ca
9064 G, CA 8188 V, CA 9025 E, HA 577 E, BR 4952 V,
BR 824 E, BR 4238 G, Br 7989 E, CO 35837 E, BR 3487
V, BR 6467 G, BR 6432 Q, BR 6987 F, OK 8720 G, OK
8602 G, VI 38143 F, VI 27221 E, V| 22586 G, VI
38065 V, VI 38058 V, VI 38089 V, VI 38115 V, Vj
23022 V, VI 23041 V, Co 35682 E, VI 22587 V, VI
22614 V.
GEORGIA WASHBOARD STOMPERSl DE 7002 N, DE 7014 E, De
7095 G, DE 7006 V.
FLETCHER HENDERSON: ME 12216 G/F, Co 654 V, Co 2513V
Co 2565 V, VO 3322 E, VO 3360 V, VAR 8042 E/N, Var
6016 E/N, HA 88 G, HA 451 V, Ha 636 V, DE 18254 N,
DE 18253 N, VE 1197 V, Ha 70 V, REGAL 9680 V,
PATHE 036027 E, VO 14892 -G, VO 3323 E, BB 10247 E.
EARL HINESi BB 7040 E, B8 6744 E, Vl 38043 E, Vl
38048, Co 35877 N, B8 10555 E, Co 35876 N, HRS I I N,
HRS 20 N, HRS 19 N.
C.C.LOFTONi ME 61166 N, SA 12003 N, VO 02951 E.
HINSY MANNONEl BB 10331 E, VO 3158 E, BB 6411 V,
BB 6816 V, HRS 13 E, HRS 3 E, CO 35685 E.
JIMMY McPARTLANDl DE 18441 E, DE 18043 E, DE 3522 E,
HRS 1004 E.
N.O. RHYTHM KINGS I DE 401 G, DE 162 E, De 464 E, DE
229 E, DE 161 E.
JIMMIE NOONEl DE I584"V, DE 1621 E, De 18440 N, VO
2907 V, VO 2888 V.
TINY PARHAMl VI 38047 G, VI 381 I I V, Vl 38076 V,
BB 6570 E, VI 23027 E, VI 38000 N(£" crack), VI
38082 V.
BEN POLLACK I Vl 21437 V, BROADWAY 1409 V (^" crack),
DE 1546 V, Vl 22158 V,
LOUIS PRIMA I BR 7628 V, BR 7335 E, BR 7596 V.
FATS WALLER! VI 25618 E+, VO 3016 V, VI 22108 V, BB
10264 E+, BB 10098 E, VI 38613 N, VI 2333 1 N, VI
38110 E, BB 10262 E, VI 25565 E, BB 10185 E, VI
21358 V, VI 21202 V, VI 20776 E, BB 10369 E, VI
25536 E, VI 25563 E, VI 25315 V, Vl 25296 V, Vl
24826 E, VI 25196 V, Vl 25388 V.
CLARENCE WILLIAMS I VO 2778 E , VO 2689 V, BR 3664 V,
VO 2736 t, VO 2654 V, VO 2676 .V, OK 8440 G, Vo
03350 E. Vn 2991 V. VO 2616 E. VOt 2909 V.
^Vo 2991 V. VO 2616 E. VO 29Q9 V
:ace Auction
ANDY lOVl '.BB 6858 E, BB 6940 E, BB7075 E, BB 6893 E.
LeROY CRm & SCRAPPER BLACKWELL 1 BB 7970 V, Vo I549E,
Ro 70756 E(l/8" CR.), VaRS 6028 E, VaRS 6049 E, VO
02969 V/E, VO 02741 E, VO 02791 E, VO 03296 E, ME
70265 E.
ROSETTA CRAWFORD: De 7584 E(j. P. JOHNSON), De 7567 E.
BESSIE JACKSON : ME 12774V, ME 131 16 E(dig), HE
60463 E.
L ITTLE BROTHER: BB 6072 v/G, BB 7277 E, BB 6766 E,
BB 6825 V (i"CR.), BB 6658 V, BB 6140 E, BB 6916
V/E, BB 7178 E.
MISSISSIPPI JOOK BAND: ME 61165 E, ME 61271 E.
JAY MCSHANN; DE 8595~N, OE 8607 N, DE 8635 N, DE
8623 N, DE 8583(S0L0) N.
TOMMY McLENNON: BB 8704 E, BB 8725 E, BB 8499 V/E,
BB 8545 E, BB 8373 V.
JOE PULLEM (orch, Roa Cooper, Andy boy): BB 6314 E,
BB 5844 »/E, BR 6185 v(crack), B1 6093 V.
WALTER ROLANO : ME 13310 E/V, ME 13428 V, ME 51166 E,
ME 350912 V/E, PE 0321 V/E, PE 0265 V/E.
SPECKLED RED: BB 8012 V, BB 81 13 E.
VICTORIA SPIVEY (LEE COLLINS?): Vo 03366 E VO 03405 E.
WALTER WASHINGTON (ANDY BOV): BB 6917 E.
'ASH I NGTON (andy BOV);
Special I
ECHET: BB 10022 E.
ssuea
SIDNEY BECHE
MEADE LUX LEWIS: BB 10175 E.
PAUL MARES: Co 35686 E.
MEZ MEZZROwI Vl 25636 V, BB 10251 E, BB 10250 E,
BB 10085 E, BB 10087 E, BB 10086 E, BB 10089 E.
JELLY ROLL MORTON: BB 10429 E, BB 10434 E, 8BI0442E.
MEL POWELL: COMMODORE 543 E.
PEE WEE RUSSELL : HRS 1002 N.
MUGGSY SPAN IER : BB 10719 E, BB 10384 E, BB 10506 E,
BB 10682 E, BB 10518 E, BB 10766 E, BB 10532 E.
VENUT I— LANG : BB 10280 V.
Advertising Rates
RECORDS WANTED 5^ ESCH, OR 25 FOR |l .00
Records for sale, trade or auction 10^ each, or 25 for $2.00
Records for sale or trade, valued at tl.00 or less. 5^ each
full page ads (72 lines hi-gh, 100 spaces wide). . . $9.00
Half page ads 5,00
special auctions, sales, want lists and
combination want and disposition lists i0£ per line
Subscription Rate $1.00 per year
The Record Changer
FAIRFAX, VA
13
Preston Flower
53 IC Harper avenue,
Chicago, Illinois,
For trade
LOUIS ARMSTRONG
mahogany hall/black beauty (ellington)
bunny ber igan's boys
Can't get started/rhythm
WILLIE BRYANT
v i per 's moan/it's over
The shei k/Rigamarole
KING CARTER
MOAN I N*/BLUE RHYTHM
BENNY CARTER
i've two lips/swing in blues
condon's chicagoans
Sugar/China boy
nobody's sweetheart/ll za
CHICAGO RHYTHM KINGS
FOUND A NEW BABY/THERE'LL BE SOME
DORSEY BROTHERS
WHY DID IT HAVE TO BE/WOLF WOBBLE( VENUT I
DUKE ELLINGTON
Ring oem bells/Three little words
limehouse blues/echoes of
Bugle call rag/Dinah
JEAN GOLDKETTE
MY PRETTY GIRl/CLEMENTINE
BENNY GOODMAN
BASIN STREET/BEALE STREET
Help yourself/not that I care
Goodbye/Sandman
coleman hawkins
Heartbreak blues/Ol' man river{ Henderson
FLETCHER HENDERSON
CHRISTOPHER COLUMBUS/BLUE LOU
RIFFIN'/GRAND TERRACE RHYTHM
JIM TOWN/YOU CAN DEPEND ON ME
TEDDY H ILL
PASSIONETTe/UPTOWN RHAPSODY
PAE
R57I
BR
7949
VI
24858
V 1
25038
Co
2504
vo
3279
UHCA
9fcl0
UHC A
1 11 1 2
UHCA
748
Co
2589
25076
VI
22743
VI
22938
VI
25283
BR
7645
Co
2542
VI
25215
PaE
RI766
vo
321 1
Vl
25339
VI
25379
vo
3294
Wanted
LOUIS ARMSTRONG
WILD MAN BLUES
STRUTTIN* WITH SOME BARBECUE
SAVOY BLUES
I'M A D I NO DONG DADDY
BLUE RHYTHM BOYS
HEAT WAVES
BENNY CARTER
LONESOME NIGHTS/BLUE LOU
DUKE ELLINGTON
RING DEM BELLs(mASTER #3)
MERRY-GO-ROUND
BENNY GOODMAN'S BOYS
JUNGLE BLUES
FLETCHER HENDERSON
SOMEBODY LOVES ME
RED NICHOLS FIVE PENNIES
SH IMME-SHA-WABBLE/THE SHEIK
ON REVIVAL DAY
DON REDMAN
SONG OF THE WEEDS
LUIS RUSSELL
EASE ON DOWN/SARATOGE DRAG
FRANKIE TRUMBAUER
MISSISSIPPI MUD
VENUT I 's BLUE FIVE
JIG SAW PUZZLE BLUES
CH ICK WEBB
SOFT AND SWEET/HEEBIE JEEBIES
OK OR VO
OK 8566
VO 3217
OK 41422
ANY LABEL
ANY LABEL
VI 22528
COE OR CoF
BRF 500201
CO 2329
EITHER BR
El THER BR
BR OR BRF
Any label
Any label
Any label
Vo 1607
14
J.I. In Exile
tif euye/te wilt Urns
Last month in this
column (and a punch
in the lunch to Mr.
C-ullickson for the
title he dreamed
up I ) , a record of
Jockey Blues by"Sam-
my Brown" iGennett
6337) was described
as an almost cer-
tain Cripple Clar-
ence Lofton find,
and credited to Al-
fred Lion and Frank Wolfe of Blue Note.
Now — as if to prove my point that
collectors' columns shouldn't be writ-
ten without reference books at hand —
I find that George Blaine, the Holly-
wood race-disc specialist, reported*
the same record in Tel. II, No". 1 of
Jazz Information. Blaine added that
the same side also appears on Champion
15436. He did not identify "Brown" as
Cripple Clarence, but mentioned the
similarity in style.
***
In the last issue of the Record
Changer. William C. Love replied to my
"Conscientious Objection" with some
remarks which, unfortunately, require
an answer. Prolonged controversy would
be ridiculous, and a personal quarrel
is just what I hoped to avoid; but Mr.
Love's counter-accusation must be met.
My article — which criticized Mr.
Love's methods in announcing a spurious
Keppard discovery — "demands an immed-
iate and positive answer", he begins;
and proceeds to apologize fully for
the Keppard boner. With this first
part of his reply, which is not a re-
buttal but a confession, I have no
quarrel. But Mr. Love goes on, in a
face-saving manoeuver, to accuse me of
an "error of the same kind" as the one
he now admits, but "of more consequence".
The issue is the identity of the
clarinetist on Keppard' s Stock Yards
Strut and Salty Dog. First, let's com-
pare Mr. Lome's two statements on the
subject:
1) "The Keppard disc indisputably has
Dodds. "
"I submit that my carefully con-
sidered opinion is that it is
not 0' Bryant but Dodds on the
Keppard disc, and that my opin-
ion is far from unsupported."
first quotation is from Mr.
column in Jazz magazine, the
second from his "Reply". He will not,
I hope, represent that they are equi-
valent expressions of the same thought.
For the first is evidently absurd in
the light of the second, which makes
it plain that a dispute does exist.
The second statement is a reasonable
and properly qualified opinion, which
may be disagreed with but hardly con-
demned. It's too bad that Mr. Love
doesn't always express himself with
2)
The
Love ' s
such commendable restraint and clarity.
I am guilty of a worse error than
Mr. Love's, it seems, in identifying
the clarinetist, on the labels of the
J.I. Keppard reissue, as Jimmy O'Bry-
ant. Mr. Love even suggests that this
time it is I who is out on a limb. But
isn't it obvious that there is no room,
on a record label, for extended discus-
sions of its personnel? When the Kep-
pard reissue was released, a full dis-
cussion of the line-up appeared in the
proper place — the collectors' column
of Jazz Information.
This discussion, .which seems to
have escaped Mr. Love's wandering at-
tention, appeared on pp. 84-85 of J.I.
for November, 1941. It did not say
that the clarinet was "indisputably"
0' Bryant. It mentioned both Dodds and
0' Bryant, with the concluding state-
ment :
Since O'Bryant was an effective Dodds
imitator, and also because Jasper
Taylor" (drummer on the date, who said
after hearing the record that the
clarinet was most probably O'Bryant)
"was fairly wure or his memory, we
used 0 'Bryant's name on the label.
This personnel will stand until fur-
ther evidence is obtained."
In other words, J. I. stated in
print that the label personnel of the
Keppard was tentative and subject to
correction. Is that Mr. Love's idea of
how to go out on a limb? I don't con-
sider it a point of honor for myself
of for J.I. to maintain that the clar-
inetist must be O'Bryant, since I have
never been convinced of it ( or said I
was ) . I do think as I wrote in my
casa loma orchestra
i never knew/indiana
Blue jazz/don't tell a soul
after tonight/One little word
mighty river/Why can't i find
Trouble in paradise/The river's takin1
The moment i looked/husic from across
sweet madness/kle for you forever
good bye love/and so good-bye
Shadows of love/you have taken my heaf
( i inch hair
That's love/Lullaby in blue
Carolina/hundred years from today
Spellbouno/Oon't let it happen again
nocturne/narc I ecus
Panama/linger awhile
RUSS COLUMBO
Just fr I etjos/you 're my everything
JESS STACY t HIS ALL STARS
Melancholy mood/what's new
Br 6337
BR 635S
BR 6397
BR 6402
CARE BR 6602
THE SEA BR 6628
BR 6660
BR 6666
T
crack) Br 6738
BR 6764
BR 6775
BR 6910
BR 7321
BR 7325
VI 22909
Vars 8064
Trades will be considered for the above records, but
in proposing a trade, also submit a cash bid so that
you may still get the item or items you want if the
records you offer in trade are not wanteo by ME. I AM
INTERESTED in new records only of the follow I NQ types:-
early New Orleans jazz by Oliver, Keppard, dodds, Mor-
ton, Armstrong, NORK, and early piano solos and spec-
ialities. E.U.
"Objection", that it's "probably, or
at least possibly," O'Bryant. And I'm
quite sure that Mr. Love can't convict
me of an error "of the same kind" as
his ridiculous Keppard find, since
J.I.'s identification was and is ten-
tative.
This argument I now consider closed.
If Mr. Love chooses to remain confident
in the "soundness and reliability" of
his ear for jazz, even after mistaking
the Preston Jackson Trombone Man for a
third Keppard side, that is his privi-
lege. Of course no one has an infal-
lible ear. The point of my objection,
and one which the incident has surely
proved, is that cautious and rational
methods are essential in studying rec-
ord personnels. Having demonstrated
his own fallibility, Mr. Love ought to
be more careful in the future.
Edw.
Mullener
10-45 TOTTEN STREET ,
CLOSING 0ATE MAY 15,
beechhurst, long islan0> n. v,
1943. All records are new.
Auction
Josephine Mayer
418 east 1slay street
Santa Barbara, California
Auction
LOUIS ARMSTRONG
body and soul/ring dem bells
skip the gutter/knee drops
Put 'em down blues/potato head blues
bix be i derbecke
Somebody stole my gal/Rhythm king
DUKE ELLINGTON
down our alley blues/deler 1 um
Jubilee stomp/Take it easy
benny goodman
tiger rag/whispering (quartet)
China boy/oh lady be good (trio)
FLETCHER HENDERSON
T N t/Carolina stomp
JUNGLE BAND
Admiration/Maori
JAS. JOHNSON
Snitchers blues/The duck yas yas
LOUISIANA RHYTHM KINGS
Lady be qood/i have to have you
NEW ORLEANS JAZZ BAND
Ja Da Medley/He's had no lovi n '
NEW ORLEANS RHYTHM KINGS
Clarinet marmalaoe/mr. jelly lord
Tin roof blues/That's a plenty
Marguerite/milenberg Joys-
wolverine BLUES/V/EARY BLUES
red nichols
Chinatown my china town/on the alamo
Just a crazy song/you rascal you
KING OLIVER
DlPPERMOUTH BLUES/l/fEATHER BIRD RAG
CHARLEY PATTON
RUNNING W ILD/RATTLE6NAKE BLUES
FRANK IE TRUMBAUER
Riverboat shuffle/Ostrich walk
FATS WALLER (PIANO SOLOS )
Love me or leave me/i 've got a feeling
PAUL WHITEMAN (bix)
China soy
OK 41468 V
OK 4i 157 V
OK 8503 E
Co 1076 E
OK 41013 V
VI 25481 E
VI 25333 E
Co 509 V
BR 4776 V
QRS 3 14 G
BR 6829 M
GE 4508 V
GE 5220 V
GE 5105 V
GE 5217 G
GE 5102 V
BR 6825 N
BR 6133 E
GE 5153 V
Para I2924E+
OK 40822 N
VI 22092 E
CO 1 945 V
NOTICEl I HAVE HUNDREDS OF RECORDS LIKE THOSE ABOVE.
I WILL -EXCHANGE FOR HERBERT L. CLARKE CORNET SOLOS,
ARTHUR PRYOR TROMBONE 60L0S, ANO OTHER BRASSES, SUCH
AS WALTER B. ROGERS, BOHUMIR KRYL, JULES LEVY, LEO
ZIMMERMAN, YAROSLAV ClMERA, SlMONE MANTIA, SEND FOR
MY CLEAR SIMPLE WANT LIST. J.H.
15
/-FOR DISPOSITION
FIRST FOUR LETTERS OF COLLECTOR'S NAME.
FOR ADDRESS, SEE PAGE .5.
PRICE IF FOR SALE; VALUE IF FOR
TPADE; MINIMUM BID IF FOR AUCTION.
Method of disposition: "sal",
for sale at price indicated;
"tra*, for trade; "auc", at
auction, closing date forbids,
may |5, 1943; "t— a, for
traoe or auction; *t-s" for
sale or trade; "sta" for sale
trade or auction.
condition of record :n-new ;
E-excellent;V-very
G-gqod; F-fair; P-pi
[ Catalog number of
| Label of record
ALABAMA RED PEPPERS
The drag
HENRY ALLEN
YOu/would you
biffly blues
Make a country bird fly wili
IT SHOULD be you
Feeling drowsy/Swing
I adore you/let's put our
YOU'RE NOT* THE KIND/CHLOE
K.K. BOOGIE (3 copies)
sugar hill function
Rosetta/Chloe
Why don't you practice what
Funny feathers blues
Red sails in the sunset
On treasure island
ALLEN-HAWKINS
MY GALVESTON GAL
ALL STAR BAND (METROf
6
The blues/blue lou
LOUIS ARMSTRONG
i'll be glad when you're dec
monday date
Shine/i ain't got nobody
hotter than that/not rough
Georgia grind
weary blues/that's when
St. Louis blues/Basin St.
chi cago breakoown
weather bird/monday date
Oriental strut/You're next
Cornet chop suey/my heart,
Copenhagen/words
how come you do me LIKE YOU
why coulon't it be me
arary/see you in my dreams
King of the zulus
i *m not rough
strutt i n ' with some barbaq
Beau koo jack/mahogany
Tiger rag/Dinah
Song of the Islands
ro one else but you
S.O.L. Blues /squeeze me
Save it pretty mama
Knockin' a juq^Zjh ST. RAG
monday date/weatherbird
Chicago breakdown/don't jivi
muggles/west end blues
tlte like this/heah me
mississippi basjn/^obo
Cabin in the pines
sittin* in the dark
(continued next column)
1
2
3
4
5
6
Ca
8130
E
T-A
OEND
VO
3244
£
TRA.
1 .00
HURN
VI
38073
Q
T-S
1 .00
Dend
V!
38107
G
T-S
1 .00
Dend
BB
10235
N
T-S
1 .25
Dend
BB
10702
N
T-S
1 .25
Dend
VO
3422
E
AUC
1 .25
KEND
VO
3262
E
AUC
1 .50
KEND
OK
6281
N
SAL
JACO
Vt
38140
N
TRA
1 .00
Rl DL
CO
35954
N
AUC
Ml ER
PE
15933
G
SAL
GAYL
Vl
38C88
G
SAL
Gayl
VO
3097
N
SAL
Gayl
VO
3098
N
SAl
GAYL
Me
12842
G
T-S
1 .00
Ridl
OME
VI
26 1 44 G
T-S
1.50
Dend
OK
41504
V
T-A
DURO
OK
8609
G
T-A
Duro
VO
3102
N
T-S
1.50
Cole
VO
3237
N
T-S
2.00
Cole
OK
8318
G+TRA
WOLF
OK
8319
G+TRA
Wolf
lONQ
9124
G
T-S
Wolf
CO
36376
N
T-A
Raab
CO
36155
N
T-A
Raab
CO
36155
N
T-A
Raab
Co
36154
N
T-A
Raab
VO
14926
V
TRA
Dend
Re
U
T-A
Dend
Re
9770
T-A
DCND
RE
9775
V
T-A
DEND
OK
8396
p
T-S
.85
Dend
OK
8551
G
T-S
Dend
OK
8566
V
T-A
Dend
OK
8680
E
T-A
Dend
VO
3009
N
T-A
Dend
VO
3026
E
T-S
Dend
VO
3085
E
T-S
.95
Dend
CO
35661
N
T-A
Dend
CO
35662
N
T-A
Dend
CO
35663
N
T-A
Dend
CO
36375
N
T-A
Dend
• CO
36376
N
T-A
Dend
CO
36377
N
T-A
Dend
CO
36378
N
T-A
DEND
BB
6^1
N
T-S
1 .00
Dend
BB
6910
H
T-S
1 .00
Dend
BB
7506
N
T-S
.85
Dend
1 2 3 4
(LOUIS ARMSTRONG, CONTINUED}
5 6
THAT'S MY HOME
BB
10236
N T-S
.85 Dend
SLEEPY TIME DOWN SOUTH
BB
10773
N T-S
.85 Dend
BEAU KOO JACK(4 COPIES)
CO
35879
N SAL
1.50 JACO
WILLIE THE WEEPEh/aLLI GATOR
rjK
8482
G+TRA
WALT
Savoy blues/Hotter than
OK
8535
F+TRA
Walt
WILLIE THE WEEPER/ALL 1 GATOR-
OK
8482
V TRA
STEA
BLACK K tan/wildman
PAE
3492
V TRA
STEA
TIGHT LIKE THIS./HEAH ME
OK
8649
G TRA
STEA
St. James infirmary
OK
8657
G TRA
STEA
(any in hot five set)
Co
N TRA
STUR
NEW TIGER RAG/LOVE, YOU FUN
CO
2631
N AUC
MIEfi
Blue turning grey
OK
4678
F+SAL
Gayl
1 GOT RHYTHM
Co
2590
G SAL
Gayl
ST. LOU IS BLUES
VO
3008
G SAL
Gayl
SQUEEZE ME/TWO DEUCES
OK
8641
F SAL
Gayl
Fi reworks/West end blues
OK
41078
F+SAL
Gayl
1 'M A Dl NG DONG DADDY
OK
41442
G SAL
Gayl
KEYHOLE BLUES/MELANCHOLY BL
OK
8496
G+TRA
Alex
ARMSTRONG ACCOMPANIMENTS
V.LISTON-EARLY IN THE MORNING OK 8 1 87 V T-A
M. JONES— ANYBODY HERE WANT TO CO 14063 V T-A
CHIPPIE HILL-GA.MAn/TROUBLE ME 61270 E SAL
BESSIE SM I TH— CARELESS LOVE BL CO 14083 E T-A
GEORG IE AULO
VARS 3212 K T-S .85 DENO
2.00 Camp
2.00 Camp
I .00 Camp
I .50 Camp
Sweet sue
J.C. ASTORIA HOT EIGHT
ASTORIA STRUT /DUET STOMP
BB
8168
N
T-S
1.50
DEND
TIP EASY BLUES/DAMP WEATHER BB
10952
N
T-S
1.50
OEND
LOVIE AUSTIN
TOO SWEET FOR WORDS (OODDS)PARA
12313
F
T-A
Dend
FROG TONGUE STOMP (DOOOs)
Para
12361
F
T-A
Dend
BUSTER BAILEY
APRIL IN PARIS'SHOULD
VARS
8337
N
T— S
1.00
DEND
BLUE ROOM/AM 1 BLUE
ELITE
X-7-N
N
T-S
.75
Dend
MILDRED BAILEY
TOO LATE/HOME
VI
22874
E
T-S
.75
OENO
MORE THAN YOU KNOW
vo
3378
E
T— S
.95
DENO
ROCKIN* CHAIr/LIL' JOE
Vo
3553
N
T-A
Dend
SOMEDAY SWEETHEART
OK
3057
N
SAL
Jaco
BILLY BANKS
BUGLE CALL/SPIDER CRAWL
PE
15615
E
T-A
2.00
Camp
COUNT BASIE
ROCK— A— BYE BASIE
VO
4747
N
T-S
1.00
DENO
TAX 1 WAR DANCE
vo
4748
N
T-S
1.00
OEND
MISS THING, PARTS 1^11
VO
4860
N
T-S
1.50
Dend
(2TH ST. RAG/JUMP FOR ME
vo
4886
::
T-S
I.CO
Dend
HOW LONG BL/SUB DEB BLUES
Vo
5010
N
T-S
1.50
Dend
Clap hands/Here comes charlievo
5085
N
T-S
I.CO
OEND
SONG OF THE ISLANDS
vo
5169
N
T-S
1 .00
DEND
BEALE STREET WASHBOARO BAND
40 AND TIGHT/PIGGLY WICGLY
T-A
88 10022 N T-S
BB 10472 N T-S
VI 26640 N T-S
0 1403
JOSEPH INE BEATTY (Acc. BY R.O.J.B.)
Everybody loves my baby 'Texas ge 5594 E T-*
SIDNEY 8ECHET
Shag/| FOUND A NEW BABY
LAY YOUR RACKET
WILD MAN BLUES 'SHAKE IT
BIX BE I DERBECKE
IN A MIST VO 3150 E T-S
Sorry/Since my best girl vo 3149 n t-s
rhythm kl ng 'somebody stole mybr 8242 n t-s
I'll be a friend/Don't mino Vi 23008 G+T-s
Davenport blues/f iogety feet HRS 22 N t-a
T000LIN' BLUES/SENSATION HRS 23 N T-A
royal garden/goose pimples OK 8544 G T-*
royal garden'goose pimples
Louisiana/Thou swell
0l ' man river/*a OA DA
Sweet sue/do reason in C
IN A MIST
Sorry/Since my best girl
(continued next page)
CO 35664 N T-S
Co 35665 N T-S
Co 35666 N T-S
CO 35667 N T-S
VO 3150 N T-A
VO 3149 N T-*
1.50 OENO
I .CO DEND
1.50 Dend
I .00 WENZ
1.00 COLE
1.50 COLE
I .50 DEND
Dend
Dend
OEND
1.50 OENO
.95 Dend
1.50 Deno
.95 DENO
1.00 Riol
I .00 RIOL
1 2 3 4 5 6
1 2 3 4 5 6
(BIX BEIDERBECKE, CONTINUED)
DAVENPORt/TOOOLI N ' BLUES
GE
5654
G+T-A
2.50
Camp
DEEP DOWN SOUTH
VI
23018
E
T-A
1,00
Camp
Three blind mice(Chicago Looper
s)
MASTERS fl t, #2 HRS
N
T-A
1.50
Camp
Thou swell/got a feeling Parl
R2355
N
TRA
Fry
bunny berigan
First time 1 saw you
VI
25593
N
T-S
95
Frank ie i. johnny/ma qoose
VI
256 1 6
E
T-S
END
Caravan/Study in brown
Vl
N
T-S
"-7c
1 CAN'T GET STARTED (|0")
VI
25728
N
T-S
Dend
1 CAN'T GET STARTED (|Z")
VI
36208
NT T-A
_J
Dend
SOPHISTICATED SW 1 NCi
VI
258 1 1
N
T-S
1 .50
Deno
Hack oust/wearing
VI
25872
N
T-S
1 .50
Dend
Sobbin' blues
Vl
26 1 1 6
N
T-S
I ,75
DEND
Black bottom/Trees
Vl
26 1 38
N
T-S
1 65
Deno
Jazz me blues/changes
Vl
26244
N
T-S
1 .75
Dend
AIN'T SHE SWEET/AY AY AY
VI
26753
N
T-S
.95
Oend
Navy blues(feat.with Hal Kemp )bb
4676
N
T-A
Dend
I got it bad Elite
5006
N
T-S
.50
DEND
Button, button
VI
26077
N
TRA
1 .00
R 1 DL
Can't help lovin 'dat man
Vl
26152
N
TRA
1 .00
R 1 DL
Swing, MR. Charlie/it's been
VO
3179
V
AUC
MIER
why talk about love/sweet
VI
25667
E
AUC
M 1 ER
Shadow waltz/Remember my
vo
15891
E
T-S
Grif
Sweetheart darlin/Pettin' in
vo
15887
E
T-S
Grif
barney bigard
Stompy jones/caravan
VO
3809
N
T-S
1 .50
Dend
Frolic sam/Clouds in my heartvo
38 1 3 N T-s
.50
Dend
Minuet in blues/Goin' easy
vo
5378
N
T-S
1.35
Dend
Early morning/lost in 2 flats vo
5422
N
T-S
1.35
Dend
honey hush/Another dream
vo
5663
N
T-S
1.35
Dend
Honey hush/another dream
vo
5663
N
SAL
Jaco
JACK BLAND RHYTHMAKERS
Shine on your shoes/
PE
15689
E
T-A
1 .50 Camp
WHO stole the lock
Me
12514
N
T-A
1.50
Camp
RUBE BLOOM
Soliloquy/Spring fever
HA
164
N
TRA
VanB
On revival day/wah wah gal
CO
2218
N
TRA
Fry
BLUE GRASS FOOTWARMERS
SENOR 1 TA MINE (c. WILLIAMS)
HA
206
G
T-A
Raab
BLUE JAY BOYS (blvthe
WITH DODDS)
TACK IT OOWN/ENO. STOMP
De
7224
e
T-S
.95
Dend
Pleasure mad/Some do
de
7225
V
T-S
.95
Oend
My baby/Brown skin mama
oe
7240
V
T-S
.95
Dend
JIMMY BLYTHE (acc p. Stewart)
True blues Para
12205
G
T-S
.85
DENO
CONNIE BOSWELL
Say it isn't so/where
BR
6393
G
AUC
MIER
Seein* is believin'/Chasinq
BR
7445
N
AUC
MIER
BROADWAY BELLHOPS
Rainbow of love(waltz)
Dl
2508
V+T-A
1 .00
STUR
Cradle in Car. /ain't no land
Ha
504
N
TRA
FRY
BROAOWAY BROADCASTERS
DO SOMETHING
Ca
9158
V
T-A
Dend
WILLIE BRYANT
CHIMES AT MEETING/THROWIN'
Vl
24847 G
TRA
Stei
BUCKTOWN FIVE
Buddy's habits/Chicago blues
GE
5418
V
AUC
2.50 COLE
steady roll blues/really a
GE
5419
V
T-S
3.00
COLE
Steady roll/Really a pain
GE
5419
E
T-A
2.00
Camp
Hott mittens
GE
5518
E
T-A
2.00
Camp
hoagy carmichael
Rock in chair Vl 38139 V t-a Duro
rockin' chair/Georgia Vi 25495 N t-a Dend
BENNY CARTER
Synthetic love/Ev'boy shufflevo 2870 G t-s i .00 Dend
Swingin' the blues vo 3279 E T-s 1.35 Dend
Melancholy lullaby vo 4984 N T-s .95 Deno
Savoy stampede vo 5112 N T-s .85 Dend
RIFF ROMP/FAVOB OF A FOOL VO 5294 N T-S .85 OEND
(continued next column)
(benny carter, continued)
Sleep/slow freight
Vo
5399
N
T— S
.65
Dend
now hi gh the moon
VO
5420
N
T— s
.85
Oend
AMONG MY SOUVENIRS
VO
5458
N
T-S
95
Deno
TILL WE MEET AGAIN
VO
5507
N
T-S
.85
Joe Turner blues/Beale st.
VO
6001
N
T— S
.95
Dend
CELLER BOYS
Wailing blues/Tryin' HRS
3
N
TRA
STRO
CHARLESTON CHASERS
WASN'T IT NICE
CO
2219
N
TRA
1 .00
R 1 DL
Melancholy baby/Mississippi
Co
1335
G
AUC
MIER
Wabash blues/Davenport blues
Co
909
V-FT-S
Grif
CROSBY. BOSWELL, MILLS 1
ROS
.T.DORSEY, ETC.(
2")
Gems of G.White Scandals ij.2
BR
20 102
N
T— S
Grif
CHICAGO FOOTWARMERS
BALLIN' THE JACK(DOODS)
OK
8533
V
AUC
1.75
Cole
Ballin' jack/Grandma's ball
OK
8533
V
TRA
Fry
CHOCOLATE DANDIES
4 OR 5 T IMEs/PADUCAH
OK
8627
G
T-S
Grif
LILLIE DELK CHRISTIAN
Last night/real sweet(louis)
OK
8607
E
TRA
fry
BUDDY CLARK
From another world(P.wee,etc)Var
8230
N
T-A
Raab
SAM COLLINS
YELLOW 00G BLUES/LOV IN 'LADY a.GE
6146
E
TRA
Wint
EDDIE CONDON
The eel/Home cooking
BR
6743
N
T-A
Curo
The eel/Home cooking
BR
6743
N
T-A
2.00 Cole
THE EEL/HOME COOKING
BR
6743
N
TRA
WOLF
DOC COOK t 14 DOCTORS
Hum and strum
Co
1430
E
TRA
4.00
R 1 DL
COOKIE'S G 1 NGERSNAPS
Love found you(rev.sims,cr. )
OK
40675
N
TRA
ALEX
ALIX COMBELLE
IF 1 HAD YOU/WHEN YOU'RE SM
SW
17
N
TRA
STUR
COOK'S DREAMLAND ORCHESTRA
MOANFUL MAN/LONELY LITTLE
GE
5373
V
TRA
WOLF
DOC COOK & 14 DOCTORS
ALLIGATOR CRAWL/BRAINSTORM
CO
1298
N
T-S
Grif
COTTON PICKERS
SISTER KATE
BR
2338
G
T-A
Raab
BACK 0' TOWN BLUES
BR
2486
G
T-A
Raab
STATE ST. BLUES
BR
2292
G
T-A
Raab
Rampart st, blues/k.C. kitty
BR
4325
V
T— S
1.75
Dend
Sweet Ida joy
BR
4404
V
T-S
1.35
DEND
COW COW DAVENPORT
Cow cow blues/state, st. Jive
Vo
1 198
N
TRA
OLF
IDA COX (with hi gg i nbotham)
fore day creep/Hard times
VO
5298
N
T-s
1.35
DEND
BING CROSBY
Here lies love
BR
6406
V+TRA
HURN
Where the blue of the night
BR
6226
V
TRA
HURN
HERE Ll ES LOVE
BR
6406
V
TRA
1.00
RlOL
OUT OF NOWHERE
BR
6090
E
TRA
1.00
R 1 DL
1 *M THRU WITH LOVE
BR
6140
E
TRA
1.00
R 1 DL
WERE YOU SINCERE
Br
6120
V
TRA
1.00
R IDL
IF YOU SHOULD EVER/OUT OF NO
Br
6090
G
T-S
Grif
CARROLL D ICKERSON
Black maria/MISsouri so G
BR
81258
N
TRA
WOLF
BLACK MARIA/MISSOURI SQ
BR
3990
V
T-A
Deno
DIXIE DAISIES
BUGLE CALL RAG( 1 EA .MCPARTLAND RO
839
E
T-A
1.50
Camp
DIXIE STOMPERS
HI-DIDDLE-OIODLE
HA
Q
T-A
Raab
DIXIE WASHBOARD BAND
BY OWN BLUES
CO
14141
V
TRA
1.50
HURN
Cushion foot stomp
Co
14239
E
t-A
Dend
JOHNNY DODDS
AFTER YOU'VE GONE
BR
3568
G
T-A
Ouro
BULL FIDDLE BLUES
Vl
21552
N
TRA
WOLF
(CONTINUED NEXT PAGE )
For Disposition ■■hhhih
1 2 3 4 5 6
(JOHNNY doods, continued)
Blue piano stomp
VI
21554
N
TRA
WOLF
JOE TURNER BLUES
Br
3997
V
T-A
OEND
Pencil papa /Sweet lorraine
Vl
38038
N
TRA
DEND
COME ON AND STOMp/AFTER
vo
1 148
G
TRA
WALT
AFTER YOU'VE GONE/STOMP
BR
3568
V
TRA
— • — Fry
DORSEY BROTHERS
JUDY
BR
6938
E
T-A
Oend
TOMMY OORSEY (ACC. BY EDDIE LANG)
Tiger rag/right here for you OK 41178 G+t-a Dend
TOMMY OORSEY 'CLAMBAKE 7(feaT.YANK Lawson)
RANCH0 GRANDE
VI
26370
N
T-s
1 .00
Dend
EDDIE OUCHIN
(many VICTORS)
VI
N-E T-8 —
Cham
JOHNNY DUNN
HALLELUJAH BLUES
Co
3839
R
T-A
Raab
ROY ELDRIDGE
THAT THINK/HECKLER'S HOP
OK
N
T-A
high society Elite
5039
N
T— S
.75
Dend
After you've gone
OK
3458
N
SAL
1 .00
CASA LOMA
Olo grey bonnet/Alexander 's
OK
41476
E
T-S
1 .50
Dend
BLACK JAZZ/MANIAC'S BALL
BR
6242
V
AUC
Ml ER
Kiss by kiss/one of us was
Br
6256
N
AUC
MlER
Happy-go-lucky you/all of a
Br
6318
N
AUC
M 1 ER
mighty river/why CAN'T 1
Br
6402
N
AUC
Ml ER
Blue prelude/Oance of the lamBr
6513
G
A
MlER
1 NEVER HAD A CHANCe/LONG
Br
6927
E
AUC
MlER
MOON GLOW/YOU AIN'T BEEN LIV
Br
6937
V
AUC
MlER
How can you face me
Br
6983
V
°
MlER
Linger awhile/Panama
BR
7325
N
UC
MlER
SAN SUE STRUT/CORR INE
Br
7427
N
MlER
China girl/Avalon
Br
7532
V
AUC
MlER
Royal garden blues/San sue
CO
2884
V
AUC
Ml ER
IT'S THE TALK OF THE TOWN
VO
4713
N
AUC
MlER
LOVE IS THE THING/THAT'S
Vo
4822
N
AUC
MlER
NAGASAKl/P.S. 1 LOVE YOU
DC
200
E
AUC
MlER
ZIGGY elman
(any bluebird)
BB
N
T— S
.95
Dend
JIM EUROPE
Clarinet marmalade Pathe
02028 N
T— A
Raab
LEMUEL FOWLER (PIANO
solo)
Satisfied blues/Blues mixture cc
3959
N
TRA
Cole
BUD FREEMAN
The buzzard/Ti llie 's ©own townPa
R22I0
N
1 • 75
Cole
As long as 1 live/Sunday
de
2849
N
Raab
friars soc iety orchestra
Farewell blues/Oriental
GE
4966
Q
SAL
Gayl
BLIND LEROY GARNETT
Chain 'em down/Louis. Gl. para
12879
N
Wolf
JEAN GOLDKETTE
In my merry oldsmobile Spec
.VI
E-
WOLF
Dinah/After isay
Vl
19947
E
TRA
HURN
idolizing/hushaby
VI
20270
V
T-S
1.00
HURN
IDOLI ZING/HUSHABY
VI
20270
V
T-S
Grif
DUKE ELLINGTON
rockin in rhythm (la. Rhythm 'rs)me
12445
V
T-A
Duro
ring oem bells/Three little
VI
25076
E
TRA
Stei
RENT PARTY BL(|0 B.BERRIES)
JE
5849
G
TRA
WOLF
The sergeant was shy
CO
35214
N
T-A
Raab
Sol iloqwy/Black and tan
BR
3526
E
T-A
Dend
AWFUL SAD/LOUISIANA
BR
41 10
F
T-S
.55
Dend
Sophisticated lady/St. w.
BR
6600
N
T-S
1.50
Dend
Swing low/Oucky wucky
BR
6432
G
T-S
1.35
Dend
BUNDLE OF BL./GET NEW 8R.
BR
6607
E
T-S
1.50
Dend
jive stomp/I'm satisfied
BR
6638
E
T-S
1.50
Dend
Harlem speaks/Shade of old
Bn
6646
V
T-S
1.50
Oend
Mood indigo/Black 1, tan
BR
6682
G
T-S
1 .00
Dend
Cotton club/Wall st. wail
BR
6813
G
T-S
.95
Dend
MOONQLOw/SOLI TUDE
Br
6987 E
T-S
1.50
Dend
SHOWBOAT SHUFFLE/SENTIMENTAL
Br
7461
N
T-S
1.50
Dend
Accent on youth/truckin
BR
7514
N
T-S
1.35
dend
(continued, next column)
18
i
2
3
4
5 6
(OUKE ELLINGTON, CONTINUED)
NO GREATER LOVE/LOVE 15
BR
7625
E
T-S
1.65 Oend
KISSIN' MY BABY/LOVE IS LIKE
BR
7627
E
T-S
1.50 Dend
Echoes of harlem/Clarinet l/wbr
7650
E
T-S
1.65 DEND
Sao night in harlew/Shoe shinBr
7710
N
T-S
1.50 DEND
UPTOWN DOWNBEAT/lN A JAM
BR
7734
N
T-S
1 .50 DEND
CHATTERBOx/DUSK IN DESERT
BR
8029
N
T-S
1 .50 Dend
BLACK BUTTERFLY/HARMONY IN
BR
8044
N
T-S
1.50 DENO
STEPPING INTO SWING SOCIETY
BR
8063
V
T-S
.95 Dend
LOST IN MEDITATION/BLUE NOTE
BR
8083
N
T-S
1.50 "Oend
SCROUNTCH/YOU HERE IN MY
Br
8093
E
T-S
1.50 Dend
Bragg i n ' in brass
Br
8099
N
T-S
1.50 DEND
Pyramid/sugar walks
BR
8168
N
T-S
1 .50 Dend
Olwah's IN A JAM
BR
8169
N
T-S
1.50 Dend
ROSE OF THE RlO GRANDE
BR
8186
N
T-S
1 .50 Oend
WATERMELON MAN
BR
8200
N
T-S
I .50 Dend
Lambeth walk/Prelude
BR
8204
N
T-S
1 .50 DEND
Exposition swing
BR
B2I3
V
T-S
.95 Dend
Hip chic/Blues serenade
Br
8221
E
T-S
1.50 Dend
PLEASE FORGIVE/PROLOGUE BIT
BR
8256
N
T-S
1 .50 Dend
Battle of swing/Jazz
BR
8293
N
T-S
1 .50 Dend
SLAP HAPPY/BLUE LIGHT
BR
8297
N
T-S
i .50 Dend
BOY MEETS HORN/OOOJI
BR
8306
E
T-S
i.50 Dend
SOLID OLD MAN
BR
8380
N
T-S
1 .50 Dend
COTTON CLUB STOMP
Br
8405
N
T-S
1.50 Deno
Way low/you can count
BR
841 1
N
T-S
i .50 Deno
Beggar's blues/Sat. nite
Co
2833
G
T-S
1.50 Dend
Stormy weather/soph isticateo
Co
35322
N
T-S
.95 Dend
Jubilee stomp/country gal
co
35776
N
T-S
1.50 Dend
Rhythm man/Miss, moan
CO
36157
N
T-S
.95 Dend
Stack o'lee blues
Dl
2601
G
T— S
1.35 Dend
New low down/diga do
OK
8602
V
T—S
2.25 Dend
MISTY MORN 1 N *
OK
8662
G
T-S
.95 Dend
COCKTA ILS FOR TWO
VI
24617
V
T-S
1 .50 OEND
1 MET MY WATERLOO
Vl
24622
E
T-S
2.50 Dend
Saturday night function
VI
24674
N
T-S
1 .50 Deno
Creole love call/b Jfc T
VI
24681
N
T-S
i .50 Dend
E.S.l. Toodle-oo/Rug cutter
Ma
101
N
T-S
i .50 Dend
Lull in my life/Swell of
MA
1 17
N
T-S
1 .50 Deno
Lady who couldn't be kissed
Ma
124
N
T-S
1 .50 Deno
Caravan/azure
Ma
131
N
T—S
i .85 Dend
Alabamy home/all God's
Ma
137
N
T-S
i .50 Deno
Anything but love
BB
6280
N
T-S
1.50 Dend
Old man blues
BB
6450
N
T—S
i .50 Dend
Hyde park/a i n't misbehavin
De
323
N
T—S
.95 Oend
Harlem speaks/Chicago
De
800
N
T—S
.95 Oend
Flaming youth/doin* voom
VI
38035
E
AUC
3.00 KEND
Take the "A" train
VI
27380
N
SAL
1.00 JAC0
The flaming sword
VI
26796
N
SAL
1.25 JACO
Five o'clock whistle
VI
26748
N
SAL
1 .00 JACO
Blue goose {3 copies)
VI
26677
N
SAL
1.00 JACO
Portrait of Bert Williams
VI
26644
N
SAL
1.25 JACO
Concerto for cootie
VI
26598
N
SAL
1.25 JACO
You, you oarlin1
VI
26537
N
SAL
.85 JacO
Creole love call
VI
24861
N
SAL
I.CO JACO
Sol itude (2 copi es)
VI
24755
N
SAL
1 .00 JACO
Ebony rhapsody
VI
24674
N
SAL
1.00 JACO
Cocktails for two
Vl
24617
N
SAL
1.00 JACO
STOMPY JONES
Vl
24521
N
SAL
1.00 JACO
80Y MEETS HORN
CO
36123
N
SAL
1 .00 JACO
Grievin' (2 copies)
Co
35310
N
SAL
1.00 JACO
Misty mornin'
CO
35955
N
SAL
1.00 JACO
Mystery song
VI
22800 E
TRA
1.00 Rioi
Shout 'em aunt tillie
Vl
23041
V
TRA
1.00 RlDL
My gal is good for nothing
VI
38130
E
TRA
1.00 RlDL
R 1 NG DEM BELLS
VI
22528
E
TRA
1 .00 RlDL
Harlem river quiver
VI
21284
G
TRA
STEA
M. indigo /Sol itude, etc. (solos) Co
36312
N
TRA
STUR
80Y MEETS HORN
CD
36123
N
TRA
STUR
COTTON CLUB STOMp/fALL ST.
Br
4887
N
T-A
1.50 Camp
Porgy/Can't give(E. Waters \ca)BR
6758
N
T-A
1.50 Camp
HOT AND BOTHERED/AlOOCHE
OK
8623
E
T-A
1.50 Camp
Black a tan fantasy/^ockin' chair
(Pseu. Earl Jackson)
ME
12092
N
T-A
1.50 Camp
(continued next page)
1 2 3 4 5 6
1 2 3 4 5 6
(DUKE ELLINGTON, CONTINUED)
Cocktails for two/Live tLO\iE
VI
24617
N
AUC
MlER
MY OLD FLAME/TROUBLED WATERS
V 1
24651
N
AUC
Ml ER
Solitude/Delta serenade
V 1
24755
N
AUC
M 1 ER
HARLEM SPEAKs/lN THE SHAOE OF
Co
36195
N
AUC
Ml ER
WHAT GOOD AM 1 WITHOUT YOU
V 1
22586
N
SAL
GAYL
THE RIVER AND ME
VI
22614 E
SAL
Gayl
Memories of you
VI
23017
N
SAL
Gayl
Caravan/azure
Ma
131
V
T-S
Grif
BENNY GOODMAN
WANT TO BE HAPPY
bb
10760
N
T-A
Raab
String of pearls (McGarrity)
OK
6590
N
T-S
.95
DEND
Breakfast ball
CO
2927 E
T-A
DEND
NIGHT WINo/CLOUDS
CO
3015
V
T-A
Dend
DOWN HOME RAG
Co
3033
E
T-A
Oend
King porter/Sometimes
VI
25090
N
T-S
1 .75 DEND
Goodbye/sandman
VI
25215
N
T-S
1.50
Deno
STOMPIN' AT THE SAVOY
V 1
25247
N
T-S
1 .50
DeND
Basin st. blues
Vl
25258
N
T-S
1.50
Dend
Christopher Columbus
VI
25279
V
T-S
.95 DEND
1 KNOW THAT YOU KNOw/l HOUR
VI
25290
N
T-S
1.50
Dend
Walk, jenny , walk/remember
VI
25329
E
T-S
1.50
Dend
HOUSE HOp/ANYTHING FOR YOU
V 1
25350
N
T-S
1 .50
Dend
Sentimental mood
Vl
25351
N
T-S
.95
Dend
DOWN SOUTH CAMP MEET 1 N '
VI
25387
E
T-S
1 .50
Dend
BUGLE CALL RAG
VI
25467
G
T-S
.95 Dend
Swing low, sweet chariot
Vl
25492
N
T-S
1.50
Dend
ROSETTa/| WANT TO BE HAPPY
V 1
25510
G
T-S
.95
Dend
CAMEL HOP/LOCH LOMOND
Vl
25717
E
T-S
1.50
Dend
Roll 'em
VI
25627
N
T-S
1 .50
Dend
MELANCHOLLY BABy/WRAPPI N '
V 1
25880
N
T-S
1.50
Dend
MARGI e
Vl
26060 E
T-S
1.50
Dend
Bumblebee stomp/C i r ib i r ibi n
V 1
26087
N
T-S
1.50
Dend
1 MUST HAVE THAT MAN( QUART.)
Vl
26090
N
T-S
.95
Dend
SWEET GA ■ BROWN (QUARTET)
Vl
26091
M
T-S
1 .58
Dend
Farewell blues
V
26095
E
T-S
1 .50
Dend
Topsy/Smoke house
VI
26107
E
T-S
1 ,50
Dend
Louise/hao to be you
26125
V
T-S
.95
Dend
WH 1 SPER 1 NG
v'
1
26130
N
T-S
1.50
Dend
UNDEC 1 OED
26134
N
T-S
1.50
Dend
That's a plenty
12073
V+T-A
Dend
SUGARFOOT STOMP
Vl
25678
N
SAL
1.50
RlDL
roll em
Vl
25627
N
SAL
1.50
RlDL
GOOD BYE
V 1
25215
N
SAL
1.50
RlDL
YOU TURNED THE TABLES
VI
25391
E
TRA
1 .00
R IDL
RlFFIN' AT THE RlTZ
V 1
25445
N
SAL
1.50
R IDL
BLUe/SH 1 RTTA 1 L STOMP
Br
3975
E
T-A
1.50
STUR
Found a new baby/s'time in
VI
25355
N
T-A
1 .00
STUR
RlFFIN' AT RlTz/ALEXANDER'S
25445
V
AUC
M 1 ER
YOU CAN TELL/NEVER SHOULD
1
25500
E
AUC
MlER
Sm 1 LEs/L 1 ZA ( QUARTET )
VI
25660
N
AUC
MlER
BEI MIR BIST DU SCHON( QUART.)
25751
N
AUC
MlER
YOU'RE LOVELY/WHAT HAVE YOU
V 1
26053
V
AUC
MlER
MAKE BELIEVE/BLUE ROOM
Vl
26088
N
AUC
M 1 ER
1 GOTTA RIGHT(B.G. ALL STARS
)co
3168
E
TRA
FRY
uLLN GHAY
Heat wave
6679
E+TRA
1 .00
RlDL
LOVE me/ 1 NFATUA T 1 ON
b"
6791
E
TRA
1 .00
RlDL
BOBBY HACKETT
Bugle call rag
Vo
5375
E
T-S
1.00
WENZ
SlNGIN' THE BLUES
5493
N
TRA
1 .00
RlDL
HAHLLM HAMr A 1 o
Lake providence blues
E
7182
F
T-S
1 .00
HURN
LIONEL HAMPTON
Singin' the blues/Dinah
V 1
26557
E
AUC
Ml ER
HARLEM HOT SHOTS
Mv GALVESTON GAL/CAN THIS BE
BB
5253
E
AUC
2.00
KEND
HARLEM TRIO
Buddy water blues
OK
40220
G
T-S
1 .00
HURN
COLEMAN HAWK INS
BODY AND SOUL
BB
10523
N
SAL
1.50
JACO
1 WANNA GO BACK TO HARLEM
DEE
6502
N
T-A
1 .50
Camp
A STRANGE FACT/SMILES
DEE
6445
N
T-A
1.50
Camp
Lamentati On/DeVOTI CN
DEE
6597
N
T-A
1 .50
Camp
Hands across the table
DEE
42050
N
T-A
1.50
Camp
CLIFFORD HAYES
Barefoot stomp/bye bye blues
VI
2 1489 N
TRA
VanB
Blue trombone st/cleff club
V|,
3801 1
G
T-S
1 .00 WHTG
FLETCHER HENDERSON
STOCKHOLM STOMP
BR
3460
E
T-A
DURO
OH, IT LOOKS LIKE RAIN
VI
22786
V
T-A
DURO
Radio rhythm( Savannah Syncop)8r
6 1 76
a
T-A
DURO
BYE AND BFE/PLAY ME SLOW
CO
292
G
TRA
STE1
GO 'LONG MULE/MANDA
Co
228
E
T-S
1.75 COLE
CLARINET MARMALAOE/HOT MUST.
VO
1065
G
T-S
.75 COLE
Sugar foot stomp (louie)
CO
395
F
T-S
HURN
Gulf coast blues/Mionight
CO
3951
E
T-S
HURN
Manda/go 'long mule
co
228
V
T-S
3.00 STUR
Jimtown blues/You can depend
VI
25379
E+T-S
STUR
SWANEE BUTTERFLY
Do
3475
N
T-A
1 .50 Camp
Shanghai shuffle/naughty man
Vo
14935
E
T-A
1 .50 Camp
Manda/Go long mule
CO
228 E
T-A
1 .50 Camp
SUD BUSTIN' BLUES
BR
2592
E
SAL
Gayl
Malinda's wedding day
Vl
22775
G
SAL
Gayl
OH, 1 T LOOKS LIKE RA 1 N
VI
22786
N
SAL
Gayl
Nagasaki
vo
3322
G
SAL
Gayl
DlCTY BLUES/DO DOODLE OOM
CO
3995 E
T-S
GRIF
Chris & His gang/All god's
VO
3641
E
T-S
Grif
EARL HINES
Lightly "& politely/deep fores BB
10727
E
T-S
Grif
HOT AIR MEN
Harlem madness
CO
2012
N
SAL
1 .00 Mahe
RED HOT CHICAGo/OiNNIN'&CHAT
Co
2175
V*T-S
— — Gr 1 F
HOTSY TOTSY GANG
Some fun
BR
4498
V
SAL
.50 mahe
High and dry
BR
V
SAL
.75 Mahe
1 COULDN'T IF 1 WANTED TO
Br
41 12
N
T— S
Grif
HUQSON-DELANGE
BUGLE CALL RAG
MA
132
E
TRA
1 .00 RlDL
SPIKE HUGHES
MUSIC AT MIDNIGHT/MUSIC AT. DEE
3836
N
T-A
1 .50 Camp
EARL JACKSON
ROCKIN' CHAIR/BLACK It TAN
ME
12093
V
TRA
1.00 RlDL
ROOKIN' CHAIR/BLACK it TAN
ME
12093
N
TRA
Fry
JAM SESSION AT VICTOR
HONEYSUCKLE ROSE/THE BLUES
VI
25559
N
T— A
DURO
EDITH JOHNSON (IKE ROOGERS)
Nickles w. of Liver bl. Para
12823
N
TRA
WOLF
JAMES P. JOHNSON
Bleeding hearted/you can't
VI
19123
V
TRA
STRO
bleeding hearted blues
VI
19123
E
T-A
1 .00 Camp
CRYING FOR CAROL INES/WHAT IS
Br
4712
N
T-A
1 .00 C AMP
WEEPING BL./WORR. AND LONES.
CO
3950
N
TRA
— . — Alex
JAMES (STUMP} JOHNSON
THE SNITCHERS/THE OUCK YAS
}RS
R7049
G
AUC
4,00 Cole
LONNIE JOHNSON'S FOOTWARMERS
HARLEM TWIST
OK
8638
G
T-A
DURO
LONESOME JAIL Bl/WHEN 1 WAS
OK
8390
G
T-S
GRIF
RICHARD M. JONES
JAZZIN* BABIES BLUES
GE
5174
V
TRA
WOLF
ART KAHN
SOBBIN' BLUES
CO
16
G
T-S
1 00 HURN
KENTUCKY GRASSHOPPERS
MAKIN' FRIENDS
BA
6360
V
T-A
1 .00 RlDL
ANDY KIRK
Froggy bottom/Corky stomp
Br
4893
N
TRA
Fry
LADO'S BLACK ACES
AUNT HAGERS CH i ldren/6hake it Ge
4762
G
T-S
2.50 COLE
ED LANG (ACC. NORMAN
CLARK)
SLEEPY TIME GAL
vo
15142
E
T-S
HURN
LAN 1 N ' S RED HEADS
FIVE FOOT TWO/I 'M GONNA
CO
483
E
TRA
1,00 HURN
TED LEWIS
SOBB 1 n/YELLOW DOG BLUES
VO
1059
E
T-A
DURO
1 'LL SEE YOU IN CUBA/THE MOONCO
2927
F
SAL
.35 WHTG
DEE'S KNEES/LOVIN' SAM
CO
3730
F
SAL
.35 WHTG
New st. louis blues
CO
697
V
T-S
HURN
(CONTINUED NEXT PAGE)
2029 V T—
2029 N T-
4HB For Disposition bbbbbi
12 3 4
(teo lew i s, continued)
Wabash blues/Farewell blues Co
Waba sm blues/farewell blues Co
CLARENCE LOFTON
| DON'T KNOW/PINETOP'S SA 12009 N TRA
LOIIISIAMA rhythm KINQS
Karavan
SWANEE
LUMBERJACKS
4908 E T-A
4845 V t-a
5 6
.25 STUR
.00 Camp
Duro
DURO
Ca
9030 V TRA I
9030 E TRA —
whoopee stomp
Whoopee stomp
j i mm i e lunceford
Jazznocracy/chillen GET UP VI 24522 N AUC
LUNCEFORD 'S 6H ICKASAWS
IN DAT MORN I N ' Vt 38 1 4 1 N T-A
WINGY MANONE (BRUNIES, ETC.)
Stop the war 8B 1 1 107 N t-a
SEND ME/WALKIN* THE STREETS BR 6940 N TRA
MCKENZ IE-CONDON
00 R iol
FRY
Nobody 's sweetheart/Liza
RAY MCKINLEY
NEW ORLEANS PARADE
CO 35952 N TRA
OE 1019 N T-s
MIER
.00 RlOL
RAAB
WINT
STUR
MCKINNEY'S COTTON PICKERS
Four or five times
MEZZ MEZZROW
Vl 21583 E TRA .65 Mahe
BB 10090 N T-s 1.00 HORN
CO 35881 N T-A 1.00 STUR
Everybody loves my baby
GLENN MILLER
Solo hop/Spanish town
RAY MILLER (spanier)
That's a plenty/anory g Br 81257 N tra
That's a plenty/Angry Br 4224 N T-s
MILLS BLUE RHYTHM BAND
BIO JOHN'S SPECIAL CO 3162 E SAL
TALAHASSEE Br 7534 V TRA
Let's have a jubilee Co 6923 V tra
Yes yes I /Broken dreams of you Co 3111 N t-s
mills ten blackberries
VE 7088 V TRA
OK 40984 G T-A
OK 41232 E T-A
WOLF
QRIF
.75 Mahe
.65 Mahe
.65 Mahe
GRIF
Stea
Duro
Duro
Double check stomp
MIFF MOLE
new twister
That *s a plenty,
TOOTS MONDELLO (eLMAn!
SWEET LORRAINE VA 81 10 N T-A RAAB
SAM MORGANS JAZZ BAND
OVER IN THE GLORY LAND/SING CO 14539 V TRA WINT
JELLY ROLL MORTON
SHE SHINERS ORAG/BOOGABOO BB 7725 E TRA STEI
Wolverine blues/Mr. Jelly Lomvi 21064 g tra Stei
King porter stomp/Don't leav Ge 4005 N t-s 1.25 Cole
DOCTOR JAZZ/MEUPHIS SHAKE Vl 20415 V T-S .75 COLE
wolverine blues/Mr. jelly lor Vi 21064 N tra wolf
SHREVEPORT/SHOE SHINER'S VI 21658 N TRA WOLF
JUNGLE BLUES VI 21345 N TRA WOLF
WOLVERINE BLUES/MR JELLY LOR Vl 2 1064 V TRA HuRN
MOURNFUL SERENADE BB 851 5 N TRA 1.00 HuRN
OIL WELL VI 23351 N TRA DEND
STEAMBOAT STOMp/S .H .BLUES BB 8372 N TRA STUR
DR.JAZZ/(MEMPHIS STOMP BY DIXIELAND
JUG BLOWERS 1 DODDS t REV. ) VI 20415 G TRA FRY
33th ST. blues/Mamami ta Para 12216 E tra Alex
CURTIS MOSBY 8, DIXIELAND BLUE BLOWERS
Blue blowers blues/Hardee st Co 1442 N t-s Grif
BENNY MOTEN
Mary lee/Sweetheart
OF YEST V 1
381 14 G
T-s
.75 WHTO
That to do blues
V 1
22793 E
TRA
1 .00 HURN
MOTEN STOMP
V 1
20955 G
TRA
1 .00 HURN
HOT WATER BLUES
BB
7938 N
TRA
.75 HURN
K.C .shuffle/yazoo
Vl
20485 E
TRA
1.00 HURN
NEW ORLEANS
SLUE FIVE
KINO OF THE ZULUS( T .MORR 1 S RD<)V|
20316 E
AUC
Ml ER
20
NEW ORLEANS BOOTBLACKS,
fiat foot/Mad dug Co 14337 G tra Alex
1 2 3 4 5 6
NEW ORLEANS LUCKY SEVEN
GOOSE PIMPLES OK 8544 G T-A
GOOSE PIMPLES/ROYHL GARDEN OK 8544 V T-A
NEW ORLEANS OWLS
Eccentric Co 943 G t-a
NEW ORLEANS RHYTHM KINGS
3523 N T-s
5105 G TRA
Duro
.00 Camp
.00 HURN
— Fry
Tin roof blues Oe
Tin roof blues/a plenty Ge
new orleans wanderers
Gate mouth/perd i do street Co
RED NICHOLS
corrine c0rrina
Sugar/Make my cot when the
Fan i t
SUGAR
R 1 VERBOAT shuffle
Feelin' no pajn
China boy
Hour of parting/King kong
wail of the winds/davenport
ida/feelin' no pain
JIMMY NOONE
I'M OOIN' WHAT/HE'S A GOOO VO
INKA DINKA DOO/L I KE ME A LIT VO
RED NORVO
HOLE IN THE WALL ' BR 6562 N T-A 1.50 CAMP
0 'BRYANT'S WASHBOARD BAND
SKOOOLUM BLUES/M IDNITE STRUT PA 12260 G T-S 1.75 COLE
Charleston fever/Everybody Para 12312 G T-s 1.75 Cole
KING OLIVER
BR
6058
V
T-A
Duro
■vi
21056
G
T-S
.75
whtg
BR
6160
V
SAL
.60
Mahe
VI
21056
E
SAL
.60
Mahe
BR
3627
N
TRA
STEA
BR
3626
V
TRA
STEA
BR
6335
E
T-A
1 .00
Camp
BB
10190
N
AUC
MIER
BB
10408
N
AUC
MIER
BR
3626
G+T-S
GRIF
1436 N TRA
2619 V+T-S
VANB
• Grif
Dean man blues vo
1059
E
T-A
Duro
Sugar foot stomp vo
1033
N
T-A
6.00
Riol
STRUGGLE BUGGY VI
23001
N
TRA
1.00
RlDL
Di ppermouth( rev. Henderson) Br
8223
N
T-A
1.50
Camp
Slow and steady/watching the Br
4469
N
T-A
1.50
Camp
four or five/Got everything Br
4028
G
TRA
Fry
JAZZIN' BABY.BL(CHIP TO 3RDGf) OK
4975
V
TRA
Alex
ORIGINAL DIXIELAND JAZZ BAND
dixie jass band one step vi 19255 G+t-a •
L I very stable/Original dix. vi 18255 V t-a
jazz band ball Vi 18457 v t-s
Clarinet marmalade Vi 18513 E t-s
Sensation/Bluin' the blues Vi 18483 v t-s
Bow wow blues vi 18850 v t-s
TOODLIN'BLUES/SOME OF DAYS OK 4738 E T-A
Tiger rag/Barnyard blues OK 4841 V t-a
OR IG INAL MEMPHIS FIVE
RED HOT MAMMA/IT AIN'T CO
155 V T-s
21559 V+T-A
JACK PETTIS
SPANISH DREAM /NEW LOW DOWN
PINEWOOD TOM i, CLARENCE WILLIAMS
MILK COW BLUES/BLACK GAL ME 13328 V T-S
LOUIS PRIMA
PENNIES FROM HEAVEn/WHAT WILL VO 3376 E T-S
BEN POLLACK
WAH-WAH GIRL (TEA, GOODMAN) RE 10055 E T-A
QUINTET OF THE HOT CLUB OF FRANCE
THE SHIEK(ALIX COMBELLE) ROYALE 1807 N T-A
MA RAINEY
DREAM BLUES.'LOST & WANDER I NG PARA 12098 V T-S
SEE SEE/JEALOUS HEART. ( LOU I s)PaRA 12252 E TRA
Night time blues/Four day Para 12303 H tra
Dead drunk blues/Misery bl Para 12508 N tra
RED AND MIFF 'S STOPPERS
Davenport blues
don redman
SHUFFLE YOUR FEEt/DOIN' T
THE RHYTHMAKERS
Spider crawl/^uqle call
MEAN OLD BEDBUG Bl/| '0 DO
yes suh/yellow dog blues
OhJPETER/WHO STOLE THE LO
ADRAIN ROLL I N I
Deno
.85 DEND
.95 DEND
.95 DEND
.95 Deno
I .50 Camp
I .50 Camp
Grif
I .00 STUR
.50 Whtg
Grif
.50 STUR
RAAB
Cole
■ Fry
• Fry
Vl 20778 E TRA
BR 6520 N T-S
UHCA
109
N
TRA
STRO
ME
12457
e
T-A
1.50 Cam*
ME
12481
E
T-A
1.50 Camp
CO
35841
N
AUC
MIER
PE 15855 E TRA I .00 RlDL
1 2 3 4 5 6
1 2 3 4 5 6
LUIS RUSSELL
VI 22793 E
Me 13366 N
I .00 Hurn
Hurn
.00 CAMP
C«ll of the freaks/it's tite ok 8656 N t-s 2.00 cole
SWEET MUMTAZ/29TH i DEARBORN VO 1010 G T-S 2.00 COLE
you rascal you
Primitive/blue heaven
SAVANNAH SYICOPATORS
MELANCHOLY 8ABy/AfTER YOU'VE BR 7124 E T-A
ELMER SCHOEBEL
Prince of wails/Copenhagen BRF 81000 N t-a 1.50 Camp
BOYD SENTER
COPENHAGEN/BEALE ST. BLUES Vl 22303 N TRA VANB
ARTIE SHAW
IT AIN'T RIGHT/SOUTH SEA ISL.VO 4637 N AUC MlER
SIOUX C I TY SIX
Flock of blues/i 'm glao
NOBLE SISSLE
WHAT YA 00 TO ME
SIX MEN A NO A G IR
GE 5569 E T-A 5.00 CAMP
BR 61 I I N SAL I .00 Mahe
ZONKY (MARY LOU WMs) VA 8190 N T-A RAAB
BESSIE SMITH
do your outy/l 'm down in the ok 8945 e tra wolf
downhearted blues co 3844 f tra hurn
oh daddy blues co 3888 f tra hurn
Jazzbo brown/Squeeze me Co |4|33 g tra Walt
do your duty/down in theduws ok 8945 n t-a 2.00 camp
Fry
St. Louis blues (louis)
clara smith
nobody knows the way
st ruggl i n ' woman's blues
JABBO SMITH
Jazz battle
PINE TOP SMITH
BIG BOY THEY CAN'T DO THAT
STUFF SMITH
'TAIN'
Co 14064 N TRA
CO 14058 G T-A
Co 14240 V TRA
RAAB
HURN
BR 4244 V T-S 1.50 STUR
VO 1256 N T-A 3.00 Camp
Vo 3200 N T-S Grif
NO USE/1 DON'T WANT
TRIXIE SMITH (with Louis)
Railroad bl.(#i )/jazz Craz^#2)p«ra 12262 E tra
HARRY SNODGRASS (piano solos)
Blue evening blues Br 2852 V T-s
SOUTHERN SERENAOERS
I miss my Swiss (louis) ha 4 E tra
CHARLIE SPAND
Hastings street para 12863 N tra
MUGGSY SPAN IER
blui n ' the blues
lonesome roao/manoy
Black and blue/Dinah
Fry
Wolf
BB 10719 N SAL 1.25 JACO
BB 10766 V+TRA STUR
BB 10682 N TRA STUR
SPECKLED RED (rufus Perryman)
THE DIRTY OOZEN(PIANO SOLO) BR 7116 F AUC .40 COLE
The dirty dozen(piano solo) Br 71 16 V tra wolf
SPECKLED RED BLUEs/LONESOME BR 7164 E T-A 1.50 CAMP
SPIKES SEVEN PODS OF PEPPER
ORY'S CREOLE TROMBONE NORO 3009 G TRA STEA
JESS STACY
IN THE DARK/WORLO IS WAITING PaE 2233 N T-A 1,50 CAMP
LEW STONE'S STONECRACKERS
MISSOURI SCRAMBLER DEE F7824 N T-S 1.50 WENZ
JOE SULLIVAN (piano solo)
GIN mill blues/Honeysuckle UHCA 32 E t-s Cole
Onyx bringdown
Onyx- Bringdown(Buck,rev.)
TENNESSEE TOOTERS
Everybody loves my/Jacksonv
FRANK IE TRUMBAUER
TRUMSOLOGy/NO REASON IN C
Futuristic rhythm
Mississippi mud
i 'm coming virginia
CRYING all day
Louise
Clarinet marmalade/Singin'
r i verboat shuffle/ostrich
2925 N TRA WOLF
2925 E T-A 1.00 Camp
VO 14985 V TRA
T-A
OK 40871
OK 41209 G T-A
OK 40979 V T-A
OK 40843 V T-A
OK 40966 V T-A
OK 41231 G T-A
OK 40772 G T-S
UHCA 30 E TRA
DURO
DURO
• DURO
DURO
DURO
DURO
.75 COLE
2.00 Hurn
(CONTINUED NEXT COLUMN)
( FRANK I E TRUMBAUER, CONTINUEO)
Li la/Our bungalow
slngin' the blues (red)
Three blind mice/Drazy kat
Good man is/crying all day
The love nest
How am I to know/love ain't
Get happy/deep harlem
8ASS DRUM Dan/C I NDERELLA 'S
Emaline/Long about midnight
IN A MIST
ANNOUNCER'S BLUEs/FLIGHT OF
SINGIN'Bl/CLAR.MAR. (BIX) RE80K 40772 E TRA
Mississippi mud/There'll come ok 40979 V tra
Hurn
Hurn
OK 41919 F+TRA
OK 40772 G tra
OK 40903 gkt-a 1.50 Camp
OK 40966 E T-A 2.00 Camp
PaE 2645 N t-a 1.50 Camp
OK 41301 N AUC MlER
OK 41431 N AUC MlER
Co 2897 N AUG M I ER
BR 6788 N AUC MlER
BR 6997 N AUC MlER
br 7629 n auc m i er
Fry
Alex
SOPHIE TUCKER
Ain't got nobody(mole's moles)0K 40837 G t-a Raab
SUGAR UNDERWOOD
Davis st. blues/dew drop alley Vi 21538 N tra 1
JOE VENUTI
OK 41 144 V T-S 2.00 Hurn
Sensation/blue room
fats waller accompaniment
Mama's losing/ain't got no. Ge
FATS WALLER
Sugar/hogmaw stomp
stompin' the blues/messin'
washingtonians
DOWN IN YOUR ALLEY BLUES
WEBB JUNGLE BAND
Dog bottom/Jungle mama
PAUL WHITEMAN
MONDAY ON/M I SSI SSI PP I ( BING)
CLARENCE Wl LL IAMS
EVERYBODY LOVES MY BABY
3307 E TRA
21525 N TRA
20655 N TRA
Alex
VANB
VANB
Co 1076 N TRA
BR 4450 N TRA
VI 21274 G TRA
OK 81 Bl F+TRA
Too late/now(acc.sara MARTIN)0K 8154 V T-S 1.00
PAPA DE-OA-DA OK 82 1 5 V TRA
Papa-dE-oa-da(rev,ORIQ.Tux.) OK 8215 E TRA
8254 E TRA
Hurn
WALT
Alex
Alex
5690 N SAL 1.00 JACO
6370 N SAL JACO
Santa claus bl/squeeze me
cootie williams
Give it up ok
west end blues(2 copies) ok
fess williams
Sweet savannah sue/ain't Mis.tfi 38085 E auc Mier
TEDDY WILSON
Old fashioned love/Stardust Co 35771 N t-s I .00 Hurn
(Columbia Album, C-93) Co E sal 1.75 Cham
COQUETTE/HOUR OF PARTING BN 7943 N AUC 3.00 KEND
YOU CAN'T STOP ME FROM/BtG APBR 7954 N AUC MlER
IF I HAD YOU/YOU BROUGHT A BR 7960 N AUC MlER
MOMENTS LIKE THIs/l CAN'T BR 8112 N AUC MlER
Sugar/More than you know Br 8319 N auc MlER
DUKE WILSON t 10 8LACKBEBR IES(henderson )
Oh mo'nah/how'm I DOIN' BA 32440 E T-S 1.00 COLE
WINN'S DALLAS DANDIES
After you've gone/Wild man Me 12027 N tra Fry
WOLVERINES
Crazy quilt/you 're Br
Prince of wails/when s/y sugar Ge
jimmy yancey
YANCEY'S BUGLE CALl(sOLO)
3332 N T-A 2.00 RlOL
5620 V TRA WINT
VI 27238 N TRA 1.50 HURN
"I have found from experience that discs are not
safe unless packed in a BOX at least 2 inches thick.
Sending them between a few cardboard f i 1 lers tied
or held together with guimed paper just won't do,
regardless of the fact that they might be marked
FRAGILE and insured— evidently parcels marked FRAGILE
still get rough handling. It's a shame to have
collectors' items broken in shipping regardless of
whether the value can be recovered or not— the discs
are still broken and replacement sometimes isn't so
easy these days." James Gaylard, St. Petersburg,
21
■ANTS AND ITEMS FOR DISPOSITION
Francis John Walcott
2402 Dana Street, Berkeley, California
For sale or trade
Ro
553
G
RO
552
VG
ME
13323
E
Me
13 145
N
OK
8631
E
VA
668
n
vo
3353
E
Co
1260
E
HRS
1 6
N
OK
8650
F
VI
21305
VG
ME
1 3 1 70
E
VO
3287
G
VO
3291
G
VO
3409
E
VO
3006
N
HA
1 53
GE
3291
G
BR
4238
E
Bn
4345
E
VI
20273
E
VI
25316
VG-E
PE
1 6085
N
ME
13323
N
OK
8312
G
BB
6S99
N
SIG
102
N
VI
38068
N
VI
38122
N
VI
38070
VG
V 1
38C59
N
V 1
19123
VG
CO
A3950
6
OK
8512
N
OK
8282
E
VO
15728
VG
PE
60008
N
ME
60808
E
VI
2161 1
VG-E
BB
6320
E
CO
3087
N
OK
41445
N
ALABAMA RED PEPPERS
The drag
Red head slues
RED ALLEP
Who's honey are you
house in Harlem for sale
LOUIS ARMSTRONG
SKI P THE GUTTER
BUSTER BAILEY
AFTERNOON 1 N AFRI CA
SHARKEY BONANO
MUDHOLE BLUES
CHARLESTON CHASERS
SUGAR FOOT STRUT
CHOCOLATE DANDIES
KRAZY KAPERS
L ILL IE DELK CHRISTIAN (louis)
SWEETHEARTS ON PA
COON— SANDERS
OE
sluefoot
bing crosby
the last round— up inch crack )
putney dahdridge
Mary had a little lamb
here comes your pappy
That foolish feeling
Cheek to cheek
dix ie stompers
black horse stomp
duke ellington
if you can't hold that man
Tiger rag
Rent party blues
JEAi: GOLDKETTE
Sunday
benny goodman
the glory of love
harlel hot shots ( w i ngy )
love is just around the corner
The blues have got me
BERTHA "CHIPPIE'' HILL (LOUIS)
Trouble in mind
TEDDY HILL
My marie
ART HOPES
Tin roof blues
paul howard
The ramble
quality shout
Overnight blues
charlie johnson
hot bones and rice
james p. johnson
Bleeding hearted blues
worried and lonesome blues
lonnie johnson
st. lou is cyclone blues
very lonesome blues
louisiana rhythm kings
that's a plenty
DICK MCDONOUGH
DEAR OLD SOUTHLAND
ON THE BEACH AT BALI-BALI
MCK I MNEY COTTON PICKERS
SHIMME-SHA-WABBLE
MEZZ MEZZROW
melody from the sky
mills blue rhythm bi
ide Red ride
MIFF l,:OLE
SH I MME— SHA-WABBLE
be;;nie moteh
Kansas city shutfle
moten stomp
Elephant wobble
MOUND CITY BLUE BLOWERS
GE0RG I a on my m I no
FRAr;K IE HEV.'TQN
PLEASE DON'T TALK ABOUT ME WHEN I'M
JIMMY NOOHE
SHINE
KING OLIVER
Canal street blues
Alligator hop
Di PPERMOUTH
TINY PARHA^
STOMPIN' ON DOWN
DON REDMAN
VI 20485 G-VG
VI 20955 G
OK 8100 F
OK 41515 VG
GONEVA 518 E
VO 2888 VG
GE 5133 G
GE 5274 F-G
HRS 4 N
NAGASAKI BR 6429 E
Ain't I the lucky one Br 6401 VG
ARTHUR SCHUTT
IF I'M DREAMING OK 41346 E
BOYD SENTER (EDDIE LANG)
Bluin' the blues OK 40777 G
Prickly heat OK 41 163 G
Sigh and cry blues vo 3031 n
BESSIE SMITH
Backwater blues Co 14195 F
FRAI.KlE TRUMBAUER
I hope Gabriel likes my music(warp) Br 7613 vg
Mayor of alabam* Br 7663 E
FATS WALLER
LET'S BREAK THE GOOD NEWS VI 25830 VG
SPREAOIN' RHYTHM AROUND Vl 252l| VG
LET'S SING AGAIN VI 25348 VG
DINAH VI 25471 VG
CHRISTOPHER COLUMBUS Vl 25295 E
PAUL WHITEMAN
I'M IN SEVENTH HEAVEN CO 1877 E
YOU TOOK ADVANTAGE OF ME Vl 21398 N
Old man river vi 2 12 1 s n
Wanted
LOUIS AJMSTW0NI3
OK 8357, OK 8436, OK 8447, OK 8496.
JIMMY BERTRAND
ANY J
CHICAGO FOOTSAR'ERS
Vo 15632
Vl 21554
(any)
JOHNNY DODDS
(any ON PARAMOUNT)
weary blues
Blue clarinet stomp
ALEX HILL
Stcmpin' em down vo 1270
KANSAS C ITY FRANK
JELLY ROLL STOMP BR OR GE
CRIPPLE CLARENCE LOFTON
(ANY)
jelly roll morton
(piano solos except v i ctor,blueb i ro, general )
(any band records on ok and par amount )
new orleans bootblacks
(any)
king oliver
(Any on gennett in excellent or new condition)
southern stomps para 12088
riverside blues para or clax
OK 4933, OK 4975, OK 8148, OK 8235
RED ONIOM JAZZ BABIES
(any)
CLARENCE WILLIAMS BLUE FIVE
> h "I, J'-!-.-, " . j 5272. ^y. 4C32I
The Record Changer
The only record exchange in the world
Goritrn CulLirkscn , ed i tor ,ni>1 ishcr; LonV.ilson, circulation manner;
month at Fairfax, Virginia, and copyrieht 194j by Gordon Gu'1 iclfctn.
..derson staff artist. Published every
r"ar lUc]ve ISS"PSI P w\
New Orleans Recollections
The last place I heard
Tony Jackson play in New
Orleans was in a cafe at
the uptown river corner of
Bienville and Franklin
Streets . I can 't reca 1 1
the name of the place or
who xan it, although Jelly
Roll Morton mentioned the
name during our talks
about the old times, when
he was in Washington a
few years ago. The cafe was not an elaborate
place, being just a good sized barroom with a back
room adjoining on the Franklin Street side. The
entrance was at the corner, and the bar was across
the room from and facing Franklin Street; the
little platform where the dilapidated upright
piano stood was against the partition which separ-
ated the back room from the barroom. Between the
platform and the door leading into the back room
stood a small table and a couple of chairs, and
it was there that I used to sit and listen to Tony.
One night when he was playing and si ging along in
that inimitable style of his, Tony rambled into a
real hot rag number; he made the old piano rock, and
when he had finished I asked him the name of the
piece. "That's one that I composed myself," he
replied. "Why don't you have it published?" I asked.
Tony gave a disgusted snort, and said "Shucks, if
I take a piece of music to one of the music stores
here, they offer me $5.00 for it; I'd tear it up
before I let them have it for that." Looking back
at that moment, I can see that opportunity was
knocking at my door, but I didn't hear it; I can
also see that the music stores in New Orleans
didn't make the most of their opportunities either.
All of which prompts me to think that a few remin-
iscences about the places that sold sheet music in
New Orleans nearly forty years ago might be a
little interesting.
The music department in the D. H. Holmes Com-
pany's department store was presided over by Bob
Hoffman, a very pleasant and sociable man who could
play the piano in first class style. He was a very
good demonstrator, and thoroughly familiar with
popular music of all kinds, vocal and instrumental.
He used to sit at the piano in a chair rather than
on a stool or bench, aqd he played along in a smooth
and relaxed style. There was a peculiarity in his
manner of playing a good deal of the time, in that
he used to hit the keys with the flat under part of
his fingers rather than with the tips. He was well
known as a local composer and his Dixie Queen was
a very popular number.
At the Hakenjos Piano Manufacturing Company the
sheet music counter was in charge of Miss Annie
Brown, a very fine young lady whose attractive ap-
pearance and pleasant personality brought many cus-
tomers to the store. At that time the window of
the store contained a display that would interest
most of the jazz historians. It was a picture jn
a g i Ided frame about eighteen by twenty-four inches, -
an enlarged photograph of STALEBREAD CHARLEY AND
HIS SPAZM BAND. Since that pioneer outfit was
supposed to have started out about 1895, that pic-
ture would be a real relic today. I don't believe
I ever heard them, but there used to be similar
groups that showed up frequently to entertain on
the streets. The floor man at Hakenjos' was Al
Verges, a good piano player and composer. Al had
three brothers, also musical: Leon who played violin;
Louie who played drums at the Orpheum Theatre(suc-
ceeded by Paul Detroit, I believe, now in Hollywood);
and Joe, a little younger, playing fine jazz piano
a little later. Joe composed a number that would
have made the hit parade in New Orleans had there
been one in 1916, --Don't Leave Me Daddy. There was
also at Hakenjos' a fine piano player by the name of
Levy. Miss Brown asked him to play over a brand new
rag for me one d*y, one just received, The Water-
melon Trust. Levy carried it over to a display
piano on the floor and played one of the best rags I
ever bought, and believe me he slapped it off. "You
must have practiced that plenty," I said to him.
"Not at all," he replied, "It's the first time I
ever saw it . "
At the Cable Company, the man I remember was Fred
C. Schmitt, also a good piano player and salesman,
ff my memory serves me, Fred had a slight limp and
wore a left shoe that was built up somewhat on the
heel. Like the others, he was a composer, and put
out a number called Happy Sammy, a rag march that
was very popular about the old town. A few years
later he worked for the Hart Piano Company, and sold
me an upright Kimball piano that is still in the
family. One day at the Cable Company a few years
later, as I was entering the store, I passed R.
Emmet Kennedy, whom I mentioned in last month's
Changer, who was just leaving the store. "There's a
fine man and a fine musician," I said to the young
lady at the music counter. "Yes," she replied, "and
a fine customer, too. He just bought $40.00 worth
of sheet mus ic . "
Henry Kranage was in charge of the sheet music
department at Grunewald's. Henry had an assistant
who demonstrated the music, and I don't know if he
was a player or not, but he had a wide knowledge of
music of all kinds, vocal, instrumental .popular or
classical. One day about 1908, my friend, Jack
Yuille came to me and asked me if I knew of a piece
of music the name of which he had written on a slip
of paper. "Yes," I told him, "we used to sing that
at home when I was a kid." Then I asked him why he
wanted to know about it. He told me that his sister
in France had written him saying that the bands in
Paris were playing it and that it was the rage oer
there, but nobody was able to get copies of the
sheet music, and she had written him to see if he
could buy a copy for her. He and ! went all over
town trying to find the number. Most of the clerks
didn't know the song at all, but Kranage remembered
it, and said he would try to get a copy, although
he thought it probably would be out of print. A
few weeks later he notified me that he had received
a copy of the old song, and Jack and I went over to
Grunewald's to get it. Oh, yes, the name: The Band
Played on, or Casey would waltz with the strawberry
NESUHt ERTEGUN, GRADUATE STUDENT
BLUES AND CANNOT WRITE ANYTHING F
JULY PECO^o Ch.wjger.
American University, Washington, D. C., is suffering an acute attack of final-exam
us this month. However, we are expecting another or his splendid articles for the
blond. Today you can't buy a song book or folio of
gay 90's songs that doesn't contain that song.
The Music Shop was operated by John J. Puderer , a
good friend of mine, who I'm certain opened the
place because he loved music. He was a good singer
of popular songs, and wrote the lyrics of some num-
bers in the early OCO's, the one attaining the most
popularity being My Red Carnat ion , for which
Laurence Pico wrote the music, he b-eing a very good
piano player. Late in 1909 or early in (910 Puderer
invited me to a little gathering to meet Pico, who
had been away for some time. During the course of
the evening, Pico was invited to play the piano, but
he begged off, saying "I haven't played the piano
lately; I have been taking up that new instrument,
the saxaphone." And he took his saxaphone out of
its case and gave us a number. Puderer 's wife was a
good musician, having been in charge of the music
counter at the Cable Company before I became ac-
quainted with them. John died some years ago, but I
noticed in a directory in the Library of Congress
that his son was listed as a musician. He should
have talent as he comes from a very musical family.
Howard Winburn was in charge of sheet music at
Philip Werlein's. I never became very well ac-
quainted with him. He played the piano, and was also
a composer, one of his numbers being The Minute Man,
a very good 6/8 march, which was published by a
Northern publisher. I don't believe he was a New
Orleans native. One of the incidents that I remem-
ber about Wer le i n 's ha ppened in a later year. As I
was walking on Canal Street one day in 1917, I
chanced to run into my pal, Claiborne Trainor, who
grabbed me and said "Come with me, there's a new
phonograph record just received at Werlein's and
I want you to hear it." So we dashed into Werlein's
and they played the record for us, — The Livery Stab! e
Blues by the Original Dixieland Jazz Band. Here was
New Orleans' own offspring cone back to it on a rec-
ord, and the Musical March of Time swept on.
Advertisers
whose addresses are not shown elsewhere
armor albert armor, box 666,
Corcoran, California.
Broo: J.N.Brooks, 727 Carlyle Place,
Indianapolis, Indiana.
Buro: HENRY S. 8URD, 19685 Revere Street
DETROIT, MICHIGAN.
CHAM! JACK CHAMBERLAIN,
HtNSOALE, NEW YORK.
B.Cli Bill Clark, 353 E. Anoover Drive,
Burbank , California
clar! e. pay50n clark, jr., 25 homer street,
rochester, new york
dart! edith dart, 3026 dakota street,
oaklano, California.
DEnoi S.B.Dendrino, 984 Pine Street, Muskegon, Michigan;
Send for my trade A want lists, I have several
HUNORED RECORDS OF PRE-1930 JAZZ FOR TRAOE, IN-
CLUDING ALL THE FOLLOWING ARTISTS (ORIGINAL LABELS )
ALLEN, ARMSTRONG, BECHET, CELLAR BOYS', CHICAGO
RHYTHM KINGS, ELL1NGTC", EZELL, HENDERSON, LOUISIANA
RHYTHM KINGS, JELLY ROLL MORTON, N.D.R.K., OLIVER,
RUSSELL, TRUMBAUER, WILLIAMS, WOLVERINES, most OF
THEM IN NEW CONO|T?ON. MV WANTS ARE MOSTLY COMMOh
ITEMS.
Hass: Dale Hassell, P.O. Box 601,
Marion, Virginia
Jacoj Irving L. Jacobs, 155-01 90th Avenue, Apr. 4-s,
Jamaica, New York
Hurn: John hurn, 1000 Sutter Street, San Francisco, Calif
my wants are tn the may record changer,
jobe! robert a. jobe, 8433 n. enoicott avenue,
portland, oregon,
levi! lou levi, 8 r i ogecrest west,
scarsoale. New York,
llqu! mele llquori, 867 n. 6th street, 3rd floor,
Phi laoelphi a, Pennsylvania.
Macki John Mack, 3037 so. Orake Avenue,
Chicago, Illinois
melt: Sam Meltzer, 737 Fox street,
Bronx , new York
Pric: Charlie Price, Box 1386,
Danville, Virginia
raabi Max Raab, Rutgers Prep,
new BRUNSWICK, new jersey.
Rioo: Beale E. Riddle, 2 1 32 ( t. Royal terrace,
BALTIMORE, NARYLANO.
ROBB ! WILLIAM A. ROB 13 1 NS, 121 BRITE AVENUE,
SCARSD ALE, NEW YORK
Roge: 1st sgt. Art Rogers, Eng. sig. school Room 700A,
Lexington avenut, new York City
Schr: Ken Schram, 104 tygert Street,
RlPON WISCONSIN.
Sime: Anthony Simeone, 2060 E. Allegheny avenue,
Philadelphia, Pennsylvania,
stac robert y, stair, c/o magnolia pet. , box 1138,
chaoron, nebraska,
steit john steiner, #608, 9 south clinton,
chicago, illinois.
VanBi John F. Van Bergen, Co. C, 35ist Infantry,
Camp Gruber, Oklahoma.
wate: E . T .Waters, Jr., i 145 Center Drive, Hampton Park,
St. Louis, Missouri
wint! m.n.winton, 2501 i vy drive,
Oakland, California,
wolf: Francis Wolfe, i i 33 First Avenue,
new York C i ty.
On the day the printer delivers
the Record Changer it is mailed to
West Coast collectors; two days later
it is sent to the Midwest, Southern,
and New England States; and on the
following day it goes to the remain-
der of its subscribers.
In spite of the fact that the pub-
lication is always mailed on or be-
fore, the first of the month, collect-
ors in all parts of the country re-
ceive it on the 2nd or 3rd one month
and as late as the I5th the next
month.
For such irregularity we pass the
buck to your local post office, which
frequently gets behind in its work
these days.
Please do not send us stamps for
mailing your copy of the Record Chang-
er by air mail or special delivery.
When we do this many of our advertis-
ers receive inquiries to their ads a
week or so before they themselves re-
ceive the circular.
THANK YOU
WANTED
12 3 4
IRVING AARONSON
(those with rhythm boys, Crosby, etc.)
ARCADIAN SERENADERS
San sue strut OK 4G378 -
LOUIS ARMSTRONG
Oroppin' shucks/Who's it OK 6357 -
BIS FAT MA AND SKINNY PA OK 6379 -
BIG FAT MA/SWEET LITTLE PA PA OK 8379 -
SUNSET CAFE STOMP OK 6423 -
IRISH BLACK BOTTOM UK 6447 -
IRISH BLACK BOTTOM/YOU MADE ME LOVE YOU OK 8447 •
11LD WAN BLUES OK 8474 .
W ILL IE THE WEEPER OK 8462 -
Wearv blues/That's when I'll come sack OK 8519-
STRUTTIN' WITH SOME BARBECUE OK 8566 -
I CAN'T GIVE YOU ANYTHlNU BUT LOVE OK 8669
HOTTER THAN THAT VO OR OK -
KEYHOLE SLUES/MELANCHOLY VO OR OK -
I SURRENDER DEAR •
KING OF THE ZULUS/LONESOME BLUES ANY
GUS ARNHEIM
Suzanne VI 24235 ■
GENE AUTRY
Rheumatism blues Me I30S8 •
THE CRIME I DION'T DO BU -
ADRIAN'S RAMBLERS
KEEP ON D01N*/gET G01N' BR 6786 •
SlTTIfl' 0(1 A LOG ME 12855 ■
LOVIE AUSTIN
(ANY 12300 SERIES, PARAMOUNT J PARA •
COUNT BASIE
LESTER LEAP'S IN OK 5116
BUNKY EJtR I CAM
Blue lou
Dixieland shuffle
Makocany hall stomp
■ Dart
- II NT
Dart
- HINT
■ DART
■ dart
- f int
- melt
- MELT
- II NT
• Dart
- 1INT
• Dart
- Dart
- Pric
- Hint
JoeE
JOEE
ARvO
ARMO
IN
1ST
BR 7632
BR 7858
VI 25622
Vt 26123
| CRIED FOR YOU
I CAN'T GET STARTED
SHARKEY BONA NO
old fashioned swing/big boy blue
mud hole blues/swing in swing out
Mr. Brown goes to town/When you're sw
blowing off steam aash it clean
i'm satisfied with my gal/high society
BIX BE I DERBECKE
I'LL BE A FFIENO (WASTER fZ', NEW OTILY )
JIMMY liERTRAND
(any)
(any)
FRAKK D LAC K
RHAPSOOY IN BLUE
BLUE RHYTHM BAND.
TALLAHASSEE
JIMMY BLYTHE
(any bano OR SOLO )
VO 3450 -
VO 3353 •
VO 3400 ■
VO 3410 ■
CO 35678 ■
WOLF
3.00 HASS
2,00 HASS
2.50 HAS&
I .75 HASS
HASS
Pr:ic
PR I C
Clar
■ Clar
■ Clar
■ CLAP
• Clar
2300S 5,00 sen
- DART
• iOLF
VO OR PA&A
(ANY GROUP UNDER DIRECTION OF BLY THE : VO , PE , PARA )
CONNIE BOSWELL
I'LL NEVER SAY "NEVER AGAIN" BR ?
BOSWELL SISTERS
LULLABY OF BROAOWAY BR ?
(ANY RECORDS) — ■
V. 13RADLEY S RHYTHMAKERS
STAR OUST CH 40038
BROADWAY BELL HOPS
CRADLE IN CAROLINE ( VELVETONE LABEL OMLv) 1504,
RAINBOW OF LOVE (VELVETONE LABEL OMLyI VE 1508
SIME
■ Wate
Dart
- WOLF
Si ME
SlME
,12.00 Sciin
7,50 SCHR
BROA'.JAY RASTUS
Whoopee stomp
WILLIAM JENNINGS BRYAN
OUCKTOWN FIVE
(any)
HOAGY CARMICHAEL
stardust
Star dust
Dance medley (33 i/3 RPi:}
LOST IN A CROWD
STAR OUST
LE ROY CARR
(ANY VOCAL I ON)
CASA L(MA
White jazz
Daroanella, etc (33 l/3) RPM)
Georgia on my mind
CHICAGO HOT FIVE
STAR DUST
CHICAGO FOOTWARMERS
My baby/Oriental man
Brown bottom bess/Laoy love
CHICACO RHYTHM f I NGS
I'VE FOUND A NEW BABy/C HANGES
NEW BABY
COQUETTE
CHOCOLATE DANDIES
Loveless love
Star oust
BILL COLEMAN
Rose room
RUSS COLUMSO
( AriY RECCRDS)
EDDIE CONDON
The eel/home cookin*
DOC COOK
WILLIE THE WEEPER
BIHG CR0S5Y
Blue of the night (new only)
Can't we talk it over (new only)
Starlight
My woman
Shadows on the window ("A" master)
let's try again ("b" f.'aster )
Please (new only)
Street of oreams (new only)
YOU'RE BEAUTIFUL TONIGHT (new)
LINGER A LI TTLE LONGEH
TEYPTAT i on [new only)
gems from white's scandals
Face the music medley
lawd you made the n i te too long
Gay love Harmony, Velvetone,or
(almost any recording)
(aky rare or unusual labels )
CCTTON PICKERS
Copenhagen/Sweet sixteen
COW COW DAVENPORT
ATLANTA RAG
COW COW BOOGIE
DETROITERS
Star dust
DE VALERA
Teprence mac Sweeney
JOHNNY DODDS
Wl LD MAN BLUES
WlLDMAN BLUES
NEW ORLEANS STOMp/WEARY BLUES
DORSE Y BROTHERS
Let's do n
TOMMY OORSEY
On treasure island
Alone
Tl-EHE'6 A SMALL HOTEL
{CONTINUED HEXT PACEl
VI 5538 •
VI 5539 ■
JOBE
JOBE
GE 631 I 5.00 SCHR
GE 631 I 7.00 SlME
I L— 1 6009 SlME
VI 24194 SlME
VI 24484 SlME
6092 Si ME
-16023 3.00 SlME
PRIC
OK 6546
OK 6613
VO 1610 ■
OK 8668 -
WOLF
WOLF
■ Wate
SlME
Sw 9 2.50 MaCK
PRIC
BR 6743 Clap
c.o 1070 Wate
BR 6226
RR 6240
BR 6259
BR 6266
BR 6276
BR 632C
BR 6394
BR 6464
BR 6477
BR 6491
BR 6695
BR 20102
BR 20106
BR 20IC9
Clarion
SlME
3.00 SlME
LICU
L1QU
4.00 SlME
4.00 SlME
4.0C 31 VE
3.00 SlME
3.00 SlME
LlOU
3.00 Sine
Li qu
LlQU
LlQU
6.00 Sl»E
PRIC
SlUE
BR T
Ch 50033
Br 3567 ■
BR 3567 -
VO 15632 -
VI 25144
VI 25151
Vi 25363
• Dart
- PRIC
■ Si ME
- JOBE
■ MELT
■ OAnT
■ Dart
i.50 Wate
1.50 Wate
1.50 WATE
(continued from preceed i ng page)
Old curiosity shop
cocktails for two
Heaven can wait
FRED ELIZALDE
Tiger rag/Dixie
Arkansas blues/Sugar step
da'tktok'k strutters' ball/somebody
Nobody's sweetheart/Singapore I
duke Ellington
The creeper
flaming youth
Saratoga swing/it's glory
jueilfe st0mp/60t everything
Trombone slues
V. I mo/not 4 Botk/crtc-ie love CALL VI
East st.louis toodle-oo (33 l/3 RPM) vi
E.S.L.TODDLE-CO/LOT F|rJG£RS/8 & T Vl
JlJDILEE STOMP
Washington woeuLE/f-KGwiv berhies
Black beauty/jubilee stomp
C.ST.LoL I S/GOT EVenYTHING PUT YOU
Rude Interlude/Dallas doings'
Creole Rhapsody, Pts i & i i
take the A traid
SEGER ELLIS
MY LOVE FOR YOU/LONESOME OLD TOWN E
FRED FEIBEL
Star oust
GEORGIA STRUTTERS
Original black bottom dance
Georcia grind
GENE CIFFORD
Nothin' but the blues
Jean goldkette
IN MY MERRY OLOSUOBILE
JUST A GIRO'S EYE VIEW (MEW ONLY)
BENNY GOODMAN
Tappin' THE BARRELL
RlFFlN1 THE SCOTCH
Junk man
Emal i ne
boy meets horn
Jazz holiday
After you've gone
Sweet sue
fHISPERIMG
Tea for two
AVALOfl
MlR BIST OU XHON
pi ck a rib
Sugar
s 1 ng si ng si ng
GOODY 4 GOOD TIMERS
STAR OUST PATHE OR PE 1 5C
COLEMAN HAWKINS
JUDY
Aval on H
Tiger ras
Jamaica shout
Body awq> soul
FLETCHER HENDERSON
Star dust Broad*
Star dust (new only)
WOODY HERMAN
Bishop blues
J.C.HIGINBOTTOM
HIGGINBOTHAM BLUES
ALEX HILL
South bound
CHIPPIE HILL
Mess kat ie mess
loves10k blues
R ICHARD HIMBER
Recording of themes
12 3 4
26140 1.50 Wat e
26145 1,50 HATE
26154 1.50 WATE
02331 PLENTY ARMO
02332 " ARMO
02333 " ARMO
I2CI " ARMO
12 3 4
1077 -
8874 -
IC245 ■
10244 -
14514 -
-I5O0G •
-16007 •
.-16007 ■
ISIS9 •
21284 .
21580 ■
21703 ■
24431
36049 ■
■ MELT
• MELT
■ ROGE
• ROCE.
■ MELT
ROGE
■ SlME
- Rose
- ROGE
■ RCGE
ROGE
■ ROGE
■ ROGE
• ROGE
Dart
Dart
SPEC . CLAR
20268 1,50 SCHF.
2856 2,
2e67 2,
2892 2,
2907 3,
i 8306 -
15656 -
251 15 -
25473 -
25481 -
25529 -
25644 -
25751 -
26166 -
26740 -
25699 ■
.50 HASS
50 HASS
50 HASS
00 HASS
Wa TE
MELT
— Mate
WATE
WATE
WATE
WATE
WATE
WATE
WATE
— pric
SlME
■ ARMO
88388 3.00 Mack
535513 6.00 MACK
41566 WATE
Pric
1441 •
3093 ■
8772
1465 •
8437 ■
8453
SlME
SlME
• Pric
• WATE
BROO
WOLF
■ WOLF
I PANA TROUBADOR.es
ROSE OF MANDALAY
I 'LL GET BY/ROSE OF
JOSEPH JEFFERSON
SCENE IN THE MOUNTAINS
RIP MEETS MEEN I t
JAMES P. JOHNSON
(ANY PIANO SOLOS )
PETE JOHNSON
B 0 BLUES
JONES-SMITH, Inc.
Shoe shine boy
Duet stomp/astori a strut
KANSAS CITY FRANK
Jelly roll stomp
Pass the jug/ jelly— roll stomp
JUNGLE KINGS
FRIARS P01NT/UARKT0WN STRUTTERS
KING EDWARD THE 8tn
A001CATION SPEECH (ANY LABEL)
TOMMY LADNIER
JA-OA/REALLY THE BLUES
EDDIE LANG
PICK1N'
SAM LAN IN
SUSI ANNA
SOS 1 ANNA
BRIAN LAWRANCE
ST. LOUIS BLUES
TED LEWIS
(MANY BETWEEN 1700 AND 2900)
LIL'S HOT SHOTS
DROP THAT SACK
OROP THAT SACK
VINCENT LOPEZ
KOLA
LOUISIANA RHYTHM KINGS
PRETTY BABY
THE LAST CENT/BASIN ST. BLUES
LAST CENT
THAT DA OA STRAIN
JIMMY LUNCEFORD
(any record)
WINGY MANN ONE
/MANY TITLES. ALL LABELS)
REV. McGEE t COKGRECAT I I
Nothing to no in hell
Babylon is falling oown
(almost any record)
Kalamazoo
RAY MILLER
WHO WOULON'T BE JEALOUS OF YOU
MILLS BROTHERS
Bugle call rag
Jungle fever
st, louis bluf5
oeo, white scandals medley
Ok AMERICA
Dirt o t sh i n ' da i sy
(some titles)
MILLS BLUE RHYTHM BAND
Deep harlem
railroad man
BORAH MINEV ITCH
RHAPSODY IN BLUE
JELLY ROLL MORTON
KING PORTER
WOLVERINE BLUER
PERFECT RAG
JUNGLE BLUES/WlLO MAN BLUES
MR. Jelly lord
HYENA STOMP
(ANY EXCEPT TUNES REISSUED)
1694
1694
3.50 SlME
10.00 LlQU
1468 •
1469 ■
JOBE
JOBE
12006
3441
I 7062 •
OR GE -
10086 -
6254
OK
DEE
41228
41228
ROBB
BROO
2.00 Mack
2.oo scim
■ WATE
Dart
rods
■ JOBE
■ ROBB
- WATE
4.00 SlME
LlQU
JOBE
CLAR
1037 •
1037 •
Dart
■ Melt
5345 ■
5266
8R 4131
BR 6357 •
BR 6785 •
PE I 3057 •
BR 20102
3R 201 12
PE •
ME •
Dart
Dart
Pr i c
•PRIC
• PR] C
JOBE
JOBE
JOBE
JOBE
JOBE
BR 4983 3.00 SlME
BR 4838 3.00 SlME
Vo 1020 Melt
GE 5289 MELT
OE 5486 OR RIL 4041 MELT
BB 10256 ULAR
PARA 20332 MELT
VI 20772 MELT
VI-CE-PAfiA — DART
1
1
2
3
4
12 3
4
MOUND CITY BLUE BLOWERS
STAR DUST
Tailspin blues/nevep had a reason tc
Be
10209
CLAR
(ANY RARE OR UNUSUAL LABELS 1
SlME
DA~KTQW!j STRUTTERS BALL
OK
4| 526
Brog
REX STEWART
nCW UK L t m H d OUUIIjLALKo
(any!
VO OR OK
JAC0
Dart
JOE SULLIVAN
HCIil noi CI DUVTUM 1/ 1 uro
Ntn UKLtANS KnY 1 HM K 1 Nu5
6 1 MM ILL BLUEs/HOUEYSUCKLE ROSE
UHCA 31—32
CLAR
*EAR^ BLUES
QE
5102
MELT
Ul I 1 1 1 A kl u t~\\u tun TACT
WILLI AM nUWAKU I Ar 1
1 HAT DA—DA STRAIfv
GE
5 106
Melt
7
JOBE
SOBBIf-. BLUES
GE
5219
Melt
7
1
JOBE
OLDEN LEAF STRUT
OK
40327
WOLF
?
V, 5558
JOBE
HEW ORLEANS WANRFRFR S
ERSK 1 NE TATE
[ ANY )
—
Dart
Static strut
VO 15372
MELT
RED NICHOIS
Stomp off., let's go
VO 15372
(any records )
—
Prig
"Stomp off/Static strut
Any
■ INT
U UKTAPil o UAihtJUAhU bAND
JACK TEAGARDEN
Drunk man s strut
Para
1 2246
DART
Junk man
BR 7yb^
Afi*0
KING OLIVER
STARS FELL ON ALABAMA
?R 69-3
■EST END BLUES
vo
1 1 89
Melt
TEN BLACKBERRIES
OK
8 1 48
Melt
St. janes infirmary
PE 15272
3R00
Mabel 1 s dream
Para
20292
MELT
HOC 1 EL THOMAS
R 1 VERS 1 OE BLUES
Melt
WASHWOMAN BLUES
OK 82 80 — —
■OLF
BUDDY'S HABITS
ok
40000
MELT
L 1 STEN to MA
OK 8346
■OLF
Buddy 's has i ts/Tears
OK
40000
Dart
FRANKIE TRUMBAUER
D 1 PPER MOUTH SLUES
OK.HP.S
Clap
R 1 VERBOAT SHUFFLE
UHCA 29—30
Broo
HIGH SOCIETY RAG
OK,HRS
Clap
SlNGIN' THE BLUES (BLACK LABEL ONLY)
OK 40772 5.00
SChP
LOUIS PRIMA
Ostrich walk (black l-pel only)
CK 40822 5«00
SCHR
Bright eyes
BR
7376
Kate
Truvbolcgy (reo label only)
OK 40871 5*00
SCHR
Star dust (new only)
SlME
balt i more/Humpty oumpty
OK 40926 ■
CLAR
(Any between 7400 and 7700^
JACK PURVIS
BR
Mississippi mud/There'll come a time
borneo/My pet
OK 40979
OK 41039 — —
CLAR
CLAR
CLAR
Poor richaro/Down Georgia way
OK
8782
Armo
(Any other okeh's with Bix; new)
OK — —
Clar
COPYIN' LOUIE
OK
41404
—
melt
JOE VENUTI i arouos
QUINTETTE, HOT CLUB OF FRANCE
RAGGIN' THE SCALE
Co 22782
Armo
(any h.m.v. & swing labels)
—
Si me
Jig saw puzzle olues
Aruo
MA RAINEY
RUNNI N ' RAGGED
UK 1 JO 1 OtV-J
CHR
Southern blues 'new or ex.)
PARA
12083
■olf
Apple qlossoms
OK 41361 - —
Armo
Seeking blues
Para
12352
Wolf
FATS WALLER
Jealousy blues
Papa
12364
■olf
GLADYSE
V I 38554
SlME
Gone daooy blues
Para
12526
Wolf
WfcSLEY WALLACE
New bo-«eavil blues
Para
12603
wolf
NO. 29
Para 12958
■olf
Traveling blues
Para
12706
WOLF
WEST BROTHERS TR 1 0
SLEEP TALKING BLUES
Para
12760
Wolf
Star dust
BB 5836
SlME
LOG CABP BLUES
Para
12804
WOLF
WARLOP & REINHARDT
DJANGO RE INHARDT
tea for two
3 00
SW 1 .00
MACK
St. louis slues
s«
35
2.50
Mack
D A 1 1 1 Villi 1 TCIil U
rAUL Wn 1 1 tMAN
improvisation
HMV
BS537 4'.C0
Mack
China boy/Oh miss hannah
CO 1945
Clar
PEE WEE RUSSELL
_0V BLE
HMV 35509 8.00
SlME
D 1 N AH
HRS
1000
Broo
After you've gone (new only)
CO 2098 4,00
SlME
(any)
HPS
1.50
Lev i
Livin' in the sunlight (new)
Co 2 1 7 1 3 . 50
SlME
DON REDMAN
CONCERTC 1 N F
CO 7171 5,00
SCHR
CHANT OF THE WEED
PRI C
Billow weep for me(33 1/3 RPM)
V | L 160 1 7 3.00
SlME
WILL ROGERS
Concerto 'n f ^ SI0ES'
Co 50 1 39 1 1 —
SlME
(new copy only)
VI
45347
JCBE
Co 50 1 40 5.0C
SCHR
ADRIAN SCHUBERT
■HEN DAY IS' done
Rl C
STAR DUST
BR
3191
Si ue
1 *M COMING VIRGINIA
PRIC
SIOUX CITY SIX
CLARENCE WILLIAMS
Flock o' blues/ i 'm glad
.OE
5569
CLAR
Santa claus blues
OK f
■OLF
BESSIE SMITH
COOTIE WILLIAMS
On revival day/Moan mourners
Co
14538
■OLF
(ANY)
VO OR OK
AGO
Shipwreck blues
CO
14662
■olf
WOLVERINES
CLARA SMITH
HE, SHE, OR ME
VO 15784 5,00
Shipwreck blues
CO
14007
■OLF
HOW COME YOU DO UE
VO- 15623 5,00
SCHR
PINE TOP SMITH
ANY ARTIST OR RECORDING GROUP
6IG BOY THEY CAN'T DO THAT
STUFF SMITH
MELT
(MANY TITLES, UHCA 4 HRSJ
UHCA OR HRS
ROBB
BESSIE COULDN'T HELP IT
PRIC
PRIC
1 fBF A MUGGIN'
vo
3169
joee
Chu sroRv
(Imitating them songsj
1 DON'T WANT TO MAKE HISTORY
Vo
3200
JOB!
PRIC
Old joe's hittin' the jug
vo
3270
J0BE
TRANSCR 1 PT IONS
Bye. BYE BABY
vo
3300
JOBE
(ANY 9ING CROSBY! STAR OUST! NAME BA
JDS; MOVIE TRAIL'S
Si UE
HERE COMES THE MAN
vo
3314
J0BE
SOUND FILMS
Mv BLUE HEAVEN
V*
8081
Jobs
(BlNG CROSBY i NAME SANDS)
sine
SONG FELLOWS
(any ON perfect)
Pe
Siue
(ALL RECORDS BY THIS GROUP)
PE
Ll ou
I RECORD ENTIRE PROGRAMS OFF THE A|R
at Reasonable rates.
SOUTH & 1RAPPELLY
CNLY REGULATION STUDIO BROADCAST CL*
BS BASE RECORDS USEO.
OONCERTO IN D MINOR
Si
18
3.00
MACK
RORIS ROSE , 2ii Cast i^th streft, new York city.
1
J.I. In Exile
A complete discography
of Louis Armstrong is being
prepared by this writer, with
the help of William Russell,
George Avakian and several
other collectors. We hope
to make this, as nearly as
possible, a complete and
def i n i t ive list of all the
Armstrong records from 1923
to 1 943 , so that at most a
few minor corrections will
be required. All known dates
of rc rd i ng , personnels, second masters and re-
issues are to be included in the discography, which
will probably be published in booklet form.
A number of points not previously known to most
collectors have already been included in our first
draft of the discography. This advance announce-
ment is made so that any one in the possession of
information which might be overlooked or unknown to
us, may help us make our first edition as nearly
complete as possible. Please address the writer
at 126 MacDougal Street, New York City.
# is- e
Bunk Johnson, living embodiment of the New Or-
leans tradition, is now in San Francisco, where he
has appeared at jazz concerts in the Museum of
Modern Art under the supervision of Bill Colburn and
Rudi Blesh, He hopes to be able to form a small New
Orleans band and make a living in music again.
Let's hope that happens, for Bunk assuredly de-
serves the break and his band would be a fine ear-
ful for all of us. I've always refrained from
throwing the word "great" around in connection with
music or musicians; which will perhaps give my
opinion more emphasis when I say that Bunk Johnson
is a very great musician.
The proof of that, as well as of the lasting vi-
tality of the New Orleans formula, is in the records
of Bunks' s band, made in N. 0. a year ago, which
Dave Stuart issued on his Jazz Man label. Again I
have no hesitation in saying that such records as
Moose March are at least equal to the greatest jazz
records of the twenties.
At the same time that Bunk recorded the six band
sides now available on Jazz Man records, he made
three talking sides on which we can hear this his-
toric figure tell, in his own words, a little of
his story. These sides were also issued by Jazz
Man, but in a limited edition which is going to be
very rare. I intend to publish in this space, dur-
ing the next few months, a transcript of these rec-
ords. Absolute accuracy can not be guaranteed, but
the transcript has been made as close as possible to
Bunk's actual words. The writer, who is responsi-
ble for any faults the transcript may have, was
present in Grunewald's recording booth when the
records were made .
* ft . ft
BUNK JOHNSON'S TALKING RECORDS
Side A (Jazz ¥ an Limited Edition No. 1):
'Bunk , tell us: where did you team to ploy
cornet? '
'Where did I learn to play cornet? I learned to
play cornet when I were tendin New Orleans Univer-
sflry. I learned to play cornet under Professor
Coochie Wallace's instruction. He was our teacher
at New Orleans Universary , and also our organ ist in
chapel. And he's the man that taught me cornet, and
learned we music. And I taken lessons with him from
the age of six years old until I finished New Or-
leans Universary . 7 come out of New Orleans Univer-
sary in 1894 , and I was fit for orchestra.
'I went with Adam 0 1 ivier' s band, my first band--
played with them just a short while, and I had the
opportunity of hearin King Bolden' s band, at Lincoln
Park. And I got crazy to play with Potden, and
Bolden played my style of music, that I liked. I
liked to read, but I rather played that head music
better -- more jazz to it. I liked to read, and I
could read good -- good reader — but Bolden played
mighty much by ear. And made up his own tunes; but
everything that he played, I could whistle, I could
play. And I jumped 0 1 iv ier' s band and went with
Bolden. That was in 1895.
'I was crazy to play blues. Bolden were playing
blues of all kin.'-s, so when I got with Bolden, we
helped to make more blues. Blues that we made a
record of too -- Pallet on the Floor, Make Me a
Pallet on the Floor -- that was played in 1894 by
King Bolden.*
'And quadril les , I was crazy to play quadril les.
This quadrille, the first eight bars of what the
bands are usin today, Tiger Rag, that's King Pol-
den's first eight bars, we would play to get your
partner ready For quadrille. And in later 'years,
twas taken and turned into Tiger Rag by mus ici ans
that could read. Had Bolden knew music, probfy
Bolden would have made Tiger Rag; so we played the
beginn in of Tiger Rag before we had any Dix ie / and
Jazz Band. The Dix ie land Jazz Band is the one
that taken Tiger Rag, the first eight bars, and
turned it into the dance number what we dancin
today we call Ti ger Rag.
'And in later years, Bolden lost his mind.
Frank Dusen taken polden's band and he turned it
into the Eagle Pand. And he played with Bolden
just a few engagements before he lost his mind --
he had Willy Cornish was his first trombone player.
Him and Cornish fell out, and he got with Dusen , ■ and
taken Dtisen, and he lost his mind shortly after
that -- and Dusen taken the band in charge. Ano
I atso played with Dusen - -Frankie Dusen' s Eagle
Band -- and we played in a good many sections;
cross Canal Street, but most of the playin were
uptown, playin for the High Art CJub, we played
for the San Jacinto Club, we played for the Bed
Cross Club, we played at Josephine and Willow, Cole's
Lawn, we played at Lincoln Park, old Johnson Park,
also the Love and Charity Hall, Number 12 Mall,
and good mnny halls that we played when I were
work in in bands cross Canal Street -- in the
Superior Pand, and I played with Dusen and I a/so
played with the Alg-iers Pacific Brass Band.'
. ie reference is to a
of Pallet on the Fl oor
te in June 194Z.
unissued recording
9t the Jazz Man- J .1 .
BORIS ROSE
211 E. I5th Street, new York City
The following records are studio "dubbings" and not
originals. 7hey are all in new condition and are for
SALE FOR Si .25 EACH
For sale
louis armstrong
wiloman / gully low
King of the zulus/ Lonesome
johnny dodds
Wild man / Melancholy
Clarinet wobble / San
CHICAGO FlOTMARMERS
Brown bottom bess / Lady love
jelly roll morton
Fat meat / Sweetheart of mine
hew l rle ans bootblacks
flat foot / mao dog
i can't say / mlxeo salad
king oliver
Camp meeting / London cafe blues
WOLVERINES
SENSATION / LA^Y DADDY
OK 8474
OK 8396
polk 9035
BR 3574
OK 9613
VO 1019
CO 14337
Co 14465
CO 14003
CE 554?
WALLACE J. FRY
1117 ROSS AVENUE, W I LK I NSBURG, PENNSYLVANIA
SAM MELTZER
737 Fox Street, Bronx, new York
FOR TRADE
EARL H INES (DEPI-e)
Southland/somet imes
louis armstrong
oriental stujt/you're next
real sweetheart (christian)
i miss my swiss (southern serenaders,
st. louis blues (8exxie smith)
See see blues (Rainey)
ma rainey georgia band
Misery blues/Dead drunk blues
Night time blues/Fore day
winn's dallas dandies
wild man (2c) /after you've (24}
jelly roll morton/jug blowers (dodos)'
Dr. jazz/memphis shake
johnny pood's stoppers
Stomp/After you've gone (24)
kinq Oliver
Four or five/Got everything
Dead man (45 )/Sweetheart (43)
Construction gang (8B & susie)
JELLY RCLL MORTON
The pearls /beale street blues
P I ME TOP Sti. I TH
Big boy/Nobody knows
cow cow davenport
That'll get i t/Gonna tell
be mci ie goodman
tap p i n '/son— 1 n— law
Gotta right/glad
new orleans rhythm kings
Tin roof blues/Plenty
RED NICHOLS FIVE PENNIES
Ch i natown/Alamo
FRANK IE TRUMBAUER
Clarinet marmalaoe/simgin' blues
BROADWAY BELLHOPS
Cradle in carol i ne/di x i eland
BE IDERBECKE/HOIE
Thou swell/i 've got
WILL EZELL
HEJFER QUST/Ba R RELHOU5E
GE 20021 V
OK 8299 E
OK 8607 E
ha 4 n
CO 14064 N
PARA 12252 E
para 12508 n
Para 12303 N
ME 12027 N
Vi 20415 G
BR 3568 V
8R 4028 G
VO 1059 E
flK 8163 V
VI 20948 V
VO 1256 E
vo 1408 N
CO 2856 N
Co 3168 E
GE 5105 G
BR 4363 N
OK 40772 E
Ha 504 N
PARL R2355 N
Para 12753 E
WANTED
LOUISIANA RHYTHM KINGS
8ALLIN' THE JACK
HARRY ROSENTHAL
Say when/When love
Hunkadola/Acchrding to
Let me sing/My heart is
bei'ny goodman
Love me or leave me/poor
when your lips/he's not
Falling in lo e/if you
Can we live/When your lover
jersey Bounce
??
junk man/ol ' pappy
mills kerry makers
Farewell blues
jack pettis
Bag o'
blues
HAL KEMP
(ANY ON BRUNSWICK 3000-4000)
GLENN MILLER
SOLO HOP/SPAN I SH TOWN
BLUES SERENADe/GANGEG
SEN SELVIN
ThF KNICKERBOCKERS
RADIOL I TES
ROY CARROLL
FRANK AUflUR N
JACK WH I T ME Y
JERRY FEHWYCK
D'CRSAY ORCHESTRA
Co 2982
CO 3016
Co 3019
Co 2871
Me 12023
ME 12079
ME 12120
CO 36568
Vo 15705
CoE CB730
VE 7121
Co 35881
Co 3051
any columbia 2o0o & up
any columbia 2000 & up
any columbia 2000 s. up
any harmony, etc*
any harmony, etc.
Any Harmony, etc.
Any Harmony,
Any Harmony,
ANY
ETC.
etc.
ETC.
CHICAGO F00TWARMER5
BROWN BOTTOM BESS
JOHNNY DODOS
COME ON AND STCMP STOMP
8LYTHE 'S OWLS
WEARY WAY BLUES
KANSAS CITY FRANK
PASS THE JUG
WYNN'S CREOLE BAND
Parkway stomp
dixieland thumpers
weary way blues
will ezell
he1ffer oust
bucket of blood
benny carter
{any english voc. or hmv)
cow cow davenport
texas shout
Beale st. drag
harry dial's bllsicians
funny fumble
JIMMY BLYTHE
Chicago stomp
JlMMIE'S BLUES
I 'M GO IN' HUNTING
MECCA FLAT BLUES
OK 8613
BR 3681
VO I 135
BR 7062
VO 1220
Para 12525
Para 12635
Para 12773
VO 1291
VO 02792
Para 12207
PARA 12300
FOR TRADE
GARLAND WILSON
The way I FEEL (blues; piano solo)
duke ellington
harlem speaks
joe sullivan
Little rock getaway
r. a. f. dance orchestra
8lue lou (chisholm)
don redman
How CAN I
victor o'voloe
Pagan fantasy
HARLAN LATTIMORE
CHANT OF THE WEEDS
BEI'NY GOODMAN QUARTET
AYALON
LITTLE BROTHER
Crescent city blues
OICKY WELLS
Hangin' around a 80U00N
COODY I. HIS GOODT IMERS
DlGA-DIGA 000 (TEA, GOODMAN, WCPARTLAND)
CECIL SCOTT
SPRINGFIELD STCMP
FIVE BIRMINGHAM BABIES
INDIGO SLUES
CELLAR BOYS
BARREL HOUSE STOUP/WA I L I NO BLUES
(i" MOON SHIPJ SLIGHT CRACK. BUT BOTH
EFFECT PLAYING)
BRE CI 784 N
DEE M438 N
PARL 2006 N
DEE 8262 N
BrE 01969 N
BRE 02545 N
PARL 2134 N
VI 25644 N
BB IC953 N
VI 26617 G
PE 15063 E
VI 381 17 E
PE 145.30 E
Vo 1503 E
DEFECTS DO HOT
( I ALSO
OLD RECORD CATALOGUES
AND "RHYTHM ON RECORD* )
Auction
DON GUNNISON,
FRAI KL INV ILLE, NEW YORK
RED
MIFF'S STOMPERS
HURRICANE / BOTTOM STOM»
ALABAMA STOMP / STAMPEDE
THE CH I C AGO LOOPERS
THT-EE BLIND MICE / CLORINDA
THE RED HEADS
A GOOD WAN IS HARD TO FIND
Eo 51878 E
Eo 51854 E
PE 14910 V
PE 14882 G
nouu Dugilable
In response to public demand, Jazz Informa-
tion's Limited Edition No. 3 has been re-
pressed and made available to those who were
unable to obtain copies of the first edition.
The new pressings are distributed exclusively
by the Commodore Music Shop, 136" East 42nd
Street, New York City. Price $1.05; packing
and shipping extra.
(what others think of the record changer)
'The Record Changer is a wonderful publication,
not only for the record lists which give it its
name, but also, --even more, --for the critical
articles in each issue... In order to secure a
copy of each of Don Anderson's cover drawings
which I admire and desire tremendously, I am
willing to duplicate my subscription, so that
I might not have to destroy the terrific arti-
cles by Nesuhi Ertegun on the reverse sides.'
Jim Burns, Air Force Band, Gunter Field, Ala.
Wit The Record Changer-
„ „ ^r^EbHtthe Record
Chancer W^NlTf The Record Chancer ffi^ffi
m*& The Record Changer £ The Rec-
ord Changer gfcjKlf Jt?£ The Record Changer.
An Apology
It is regrettable that when a group of individ-
uals are brought together for the purpose of ex-
changing their respective goods, some simple fellow
will emerge from time to time who, handicapped from
birth by a deficiency of intellect and frustrated
throughout his life in honest dealings, finally
grasps deviously for an undeserved portion of his
assoc iates ' good s .
In record trading, as in any other endeavor, you
are bound to run across, sooner or later, someone
who will attempt to do you in. I say, however,
that there are less shady characters in record
collecting than in any other field of proportionate
d imens ion.
Among the five hundred readers of the Record
Changer, I believe that there are no more than four
or five reprehensible characters. Theoretically,
you could complete, successfully, four hundred and
ninety five transactions before coming upon any
irregularity whatever.
Ken Schram, of R i pon.Wi scons i n , has probably made
more than 495 swaps, but some time ago was obliged
to send us the following letter.
'On December 5, 1942, J received a letter from -a
certain John mega, who gave his address as 202 W.
40th St., New York City. He offered to trade me
six or seven discs for six of mine. I accepted the
that effr-* ' '
.. ,ne. i accepteg trie
trade and wrote him to that effect, also shipped
the records via prepaid express. I heard nothing
from him for several weeks, bvt even then, I was
not suspicious as I have never had anything but
fair dealings with record collectors all over .the
count ry . H owever , on December 25th I wrote him a
card asking him to advise me when I could expect
shipment for his end of the deaf. About a week
later this card came back endorsed NO SUCH PARTY
AT ADDRESS GIVEN. He had evidently accepted my
records at this address and then refused all othef
correspondence . I lost some beaut i fu 1 records .
We have found that there is no such person as
John Mega at the above address. We do know the
person who signed for the records, and we think we
know the person who engineered this deal. Event-
tually we hope to administer to this craven charac-
ter a severe correct i on . The moral to which this
sad story points is: WHEN TRADING WITH SOMEONE
YOU DON'T KNOW, SEND YOUR RECORDS C.O.D.
An unwholesome, but less vicious, type of sub-
normal behavior may be drawn from a portion of the
following letter received by William C. Love of
Nashville, Tennessee
[
address, and then apparently just laughs and laughs.
A letter identical with the one above was received
by C. H. Mitchell and probably by others. Check
your files and see if you can find a similar ex-
ample of handwriting.
A mental club-foot, taking the name of "Bill
Moselli" and giving as his address "366 E 61st St.,
New York City," writes to one of our advertisers:
2/23/43
Dear Mr. Clark,
Saw your ad in Record
Changer. Can offer you the four HRS
records you want, that is HRS 4, 17,
1000, 1001... all in new condition for
Brunswick 4224. If this is acceptable,
would appreciate a prosipt response or
rcfancfcE the receipt of the records, and
then I'll send your 4 records
Mr. Clark sent a letter of acceptance and shipped
the Brunswick 4224 mentioned above. Both letter and
package were returned two weeks later marked "re-
fused" . This same "Bill Mosel 1 i " wrote to bot K Mr
Love and Mr. Mitchell.
It is possible that "Jack Schwartz", "John
Mega", and "Bill Moselli" are different names tak-
en by the same person. There is considerable sim-
ilarity in the handwriting over each of the
three names. In the following illustration of
each hand, observe that the capital letters "M"
are ident ical ,
(written by "Jack Schwartz" j~^J y
Sincerely
Smjth fat* Cr> K£M*A
Ere.- Nen) , bUJdn
This joker who calls himself "Jack Schwartz" offers
to Mr. Love some records of exceptional rarity (which
probably he has never even heard), gives a false
John Megrt
20i West 40th St.
Hew York. N.Y. •
although in other cases they are written
d if f erent 1 y :
(written by "jack Schwartz,*)/ f^ll-*
(written by "Bill moselli "J*""^^/^^^^
However, it does not take a handwriting
expert to detect a remarkable similarity
of penmanship in the following exhibits'
(written ev "BILL uoseli ■ " 1 i
(written py "Jack Schwartz");
(written by "Bill MOSELLI )i
(written by "jack Schwartz"):
The only example we have of "John Megan,s hand-
writing is that shown above, in his signature. But
it is my opinion that "Mega", "Moselli", and
"Schwartz" are different names for the same thing.
Some superficial characteristics of this hand-
writing are :
| , The lower-case letters "k" and "w" are
always written as they appear above in
the word "know" .
2. The lower-case letter "e" is frequently
written as it appears in the word "Trade"
but more often as it appears in the word
"let".
3. The cap i tal -1 etter "T" is usually written
as it appears in the various exhibits.
Do not look for any of these characteristics in
any letters you receive subsequently. However, if
those of you who keep correspondence files will
scan through your old letters for an example of
handwriting similar to that on the preceeding
page, it is likely that the true identity of this
carpet-bagger may be more firmly established.
The letters written by this clinker to Mssrs.
Love, Mitchell, and Clark may be excused as prac-
tical, but wierd, jokes, since no one lost any
records. BUT,— Mr. Kenneth Schram has been duped
of six valuable records, partly because he adver-
tised in this publication.
THE RECORD CHANCER OFFERS A REWARD OF $10.00
FOR INFORMATION LEADING TO A SUCCESSFUL PROSECU-
TION OF 'JOHN MEGA' FOR USING THE MAILS TO DEFRAUD.
Those of you who may wish to raise this reward
have only to send us your pledge for any amount.
Kenneth Schram has suggested that when making
a trade with an unknown collector, an equal value
be set on both shipments and that the records be
sent C.O.D. This would obviate the possibility
of the shipper's being completely trimmed by an
unprincipled consignee.
I would go as far as to say that, when trad-
ing with acquaintance or stranger, all records
bought, sold or traded s hoi Id be sent C.O.D., by
express, — the "brief of information" carrying the
instruction: EXAMINATION ALLOWED.
Accordingly, if the record is broken in tran-
sit, or if the consignee is not satisfied with its
condition, he may refuse the shipment and the col-
lection may not be made.
However, if the consignee pays the C.O.D. on an
EXAMINATION ALLOWED shipment and then discovers
subsequently that the record has been broken or
misrepresented the shipper is under no obligation
to make any refund to the consignee.
If the sender ships the record by express and
does not specify EXAMINATION ALLOWED on the brief
of information, or if he sends the record by par-
cel post (insured or not) he accepts the entire
responsibility of delivering the goods in its
stated condition.
If a C.O.D. insured parcel post shipment is
damaged in transit it is the responsibility of the
shipper to make an immediate refund to the con-
signee and to collect the damages as best he can
from the Post Office Department. Likewise with
an express shipment which the consignee has not
been instructed to examine before paying C.O.D.
A SATISFACTORY METHOD
OF PACKING RECORDS
Obtain a corrugated paper box three to four
inches deep at any record store. Crumple several
newspaper sheets into the bottom of the box. On
top of this, pack the record or records between
two corrugated squares. Fill the remainder of the
box with crumpled newspaper to make everything
snug. Seal the box with plenty of tape or tie
with a strong cord. .
828383828888838888
828382888383838883
88 82828282 82 83 83 83 82<
828282 8282 82'83838388<
SPECIAL
J. O'BYRNE DeWITT
FIFTY-ONE WARREN STREET
ROXBURY MASS.
AUCTION
AUCTION CLOSES JUNE |5th, 1943.
SIOUX C ITY SIX
I 'w glad / Flock o' blues
GE 5569 NE'A
MEW ORLEANS RHYTHM KINGS
WOLVERINE BLUES/WEARY BLUES
Ge 5102 Fair
JELLY ROLL MORTON
Jelly roll bluer/big foot ham
Ge 5552 VG
(4-" HAIR! INE CRACK 1
RED ONION JAZZ BABIES
Early every morn/nobody knows
GE 5626 Exc
PINE TOP SMITH
PINE TCP BLUES. 'PINE TOP'S BOX-iiE WOOGIE
VO 1245 NEW
HOUND HEAD HENRY
ROOj-ER CROV/IN* BLUEn/HOUND HEAD BLUES
V0 I20S New
OUKE ELL INGTON
DOIN' THE FROG / Red HOT BANO
VO 1 153 VG
CLARENCE WILL IAMS 'BLUE 5
Everybody loves my basy/
Of all the wromgs you done to me
OK 8181 VG
ClAREMCE WILlIAMS'BLUE 5
I'M A LITTLE BLACKBIRD
MANDY, wake up your mind
OK 40260 VG
FRANK IE TRUMBAUER
kraiy kat / Three blind Micr
OK 40903 EXC
CLINTON D. MIERAS
113 ABBOTT AVENUE, OCEAN GROVE, NEW JERSEY
Wanted
(B|NG CROSBY, CONTI NUEO )
OK
41403
What do I care
BR
nK
Sm OKE R ] NGS
BR
K
Someone stole Sabriel's horn
6533
PNY
Learn to croon
BR
PNY
Shaoow waltz
R
36046
Blue prelude
Ode
36047
just an echo in the VALLEY
6454
36079
BENNY GO flOW A N
A
And when your lips
ME
12023
A
7 6
R 1
OVERNl GHt/l 1 NOA
12024
CONQ
26^5
That's a plenty
"E
Fall i ng in love
12079
12491
ME
12100
ME
12494
WH NUT0°^RIO°OVER HAS GONE
HEN YOU RE LOVER HA
IJE
12 120
12632
12 1 30
BR
6 1 90
iT f\ OKS
1TTLE JOE/ T LOOKS
ME
BR
Pardon me, pretty
'"208
6886
1 DON T KNOW WHY
CO
'2540
BR
7652
NOT THAT 1 CARE
CO
2542
HA
A HUNDRED YEARS FROM TOOAY
Co
2853
ETC*
ALSO
Tappin THE BARREL
Co
2856
KEEP ON DOIN' WHAT
286"?
Love me or leave me
Co
287 1
VI
24484
JUNK MAN/OL 1 PAPPY
CO
2892
EMA L 1 NE/G E0 RG 1 A
Co
2907
41 181
CO
2914
1 AIN'T LAZY / AS LONG
MOON GLOW / BREAKFAST
CO
Z927
Take my WORD
Co
2947
CO
2001
1 'M 1 00^ FOR YOU
CO
2988
CO
1851
Blue moon
CO
3003
BR
6145
Music hall rag
... CO-
301 1
BR
6226
Clouds/night wind
CO
3015
BR
6240
Down home rag
CO
3033
BR
6276
AIN'T CHA GLA0
Co
3168
BR
6351
Basin st. blues
CO
2415
BR
6414
IPANA TROUBADOURS
BR
6472
ROSE OF MANDALAY/l 'LL GET SY
CO
1694
BR
6477
SAM LAN IN
BR
6480
SUSI ANNA
OK
41228
BR
6491
MODERNISTS
Solituoe/i 'm gettin'
CA5A LOf/A ORCHESTRA
China girl/San sue {new only)
Exactly li ke you
On the sunny side of the street
Put on your old gray bonnet
Love is a dreamer
Sweeping the clouds away
romance
?
Exactly like you/On the sunny side
When the little red roses
Alexander's ragtime band
casa loma stomp
h| gh soci ety / si ng
Clarinet marmalade / In the shade
casa loma stomp
When it's sleepy time (new only)
white jazz (new only)
Dallas blues ( new only)
casa loma stomp
casa loma stomp
Any Casa Lomas on Harmony, Oriole, perf
foreign labels.
HOAGY carm ichael
Star dust
DORSEY BROTHERS
Let's do it / Spell of the blues
BLUE RIBBON BOYS
Star oust
b i ng crosby (new condition only)
Can't we be friends
I kiss your hand
at your command
Where the blue of the night
DINAH
Shi ne
Love me tonight
Brother, can you
You're getting to
you're beautiful
I 'M playing with fire
LINGER A LITTLE
(BING CROSBY CON
UED NEXT COLUMN)
VM C . LD V E
: Ellington Ge 3291 N
HINES QRS 7039 N
OLIVER Para 12088 E
WILLIAMS OK 4032 1 G
WADE VO 1236 N
Dixie Rhythm Kings Br 7H5 N
WYNN OK 8350 N
Schoebel BR 4652 N
Doods BR 3567 E
AUSTIN Para 12283 N
BLYTHE Para 12346,12428
ALTIER VO 15740
Armstrong BrF 500490,500492
franco me 12009
HiNES QRS 7037
JUNGLE KINGS PARA 12654
KEPPARO Para 12399
LEWIS Para 12896, 13064
JELLY ROLL VI 23402,23429
Oliver Para 20292
Pierce para 12616,12619
rucker Para 13075
Trixie Smith Para 12262
WYNN VO 1220, 1252
Oooos Para 12494
ADE FOR OR BUY ANY OF MY WANTS.
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half page ads 5.00.
special auctions, sales, want lists,
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Subscription Rate $1.00 per year
The Record Changer
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Cut on dotted line
DEADLINE 15th OF THIS MONTH
PRICE
OFFERED
CATALOG
NUMBER
LABEL
TITLES (30 TYPEWRITER SPACES AVAILABLE)
RECORDING GROUP
DEADLINE 15th OF THIS MONTH
U 8°iT
I
o
<
-*>.
o
CO
ffll-4
o a:
O Ul
o z
in
CM
a
tr
O
o
u
cr
I—
2
r
FOR DISPOSITION
Method of disposition: "sal
for sale at price indicated
tra . for trade; "auc" , at
auction, closing date for
jijme" 15/ 1943; "t-a, for
trade or auction; "t-s" for
sale or traoe; "sta" for 5ale
trade or auction.
| Catalog riurVbLR of
| L»PEL Of RECORD
ALABAMA RED PEPPERS
R| VERB OAT SHUFFLE
FLETCHER ALLEN
Swinging in iarig
HFHRY ALLEN
Swi ng out
ALLEK-HAWK I NS
SHADOWS ON THE BWANEE/SW i NG I f I '
ALL STAR ORCHESTRA
ADD A LITTLE WIGGLE/OH 9ABY \J | 21423 N T-
LOUIS ARMSTRONG
Sweet hearts on parade Co
rockin' chair/sweetheartg on par co
after you've gone/smi l i ng co
Lonesome road/Song- 'OF the islands vo
Lawd, you made the night too long Vo
two deuces/squeeze me ok
ain't misbehave/black and blue ok
RUBE BLOOM
Soliloquy/Spring tever
BLUE RHYTHM BAND
DANCING DOGS/BRCWfv SUGAR
Moan i n ' (rev. Chick Webs)
Tallahassee/Once to every
JLYTHE'S BLUE BOYS
jimmie blues/fat meat
Brown skin ma-va/Oriental man
PLEASURE ttAD/ENDURAt,CE STOMP
CAB CALLCWAY
A BEE GEZINDT
CASA LOWA
Mighty river/Somebody etc
infatuation/Lo»e me
mam ac's ball/black jazz
1 2 3 4
CO 3044 N T-A
BR 6156 G AUC
BR 7534 K T-A
PARA 12304 G+TRA
CH 40023 G+AUC
CH 40025 E T-S
5 6
.50 B.GL
Mack
.50 B.GL
Mack
»OLF
I .50 e.CL
BURD
6402 G AUC
6791 F+AUC
E AUC
.50 B.CL
.30 B.CL
1.00 B.CL
CELESTIN'S CH I G [MAL TUXEDO JAZZ
2739 F-f-T-A .60 LEV
■ MACK
2688 V T-A VamB
2668 V+T-A LEVI
2727 E+AUC 1.00 B.CL
3026 f.i-a Levi
31 Cl N tra Kelt
8641 N AUC STA I
S7i4 3 T-A — LEVI
Exactly like you/Indian cradle so OK 41423 E t-a
i'm a ding dong oaddy/ln the mark
if | could 3e with you/confess i n
Sleepy time/Ipll be glad
LIL ARMSTRONG
6TW St./ My secret
GUS ARNHEIrt
Little th i ngs/Tuem there eyes
OK 41442 V T-A
OK 41448 E T-A
OK 41504 G+T-S
- Vane
1 1 NT
• VamB
VI 22580 V AUC .75 B.CL
I CAN'T GET STARTED( l2" )
H086Y BRAG
3, 6, AND 9/»E CAN SELL THAT
Bir TRAM £ LA NO
WR I NG I N ' & TW I ST I N '
Papa 13004 PJ tra wolf
Par R2532 N TRA SCMR
CO 1539 V T-S
CO 1891 E T-S
« Co 1925 E T-A
Co 14301 E AUC
DEE 6867 K TRA -
OK 8728 E AUC
De 18255 V TRA -
CO 36009 N TRA •
daddy/sweetheart T.K.O
CHARLESTON CHASERS
Farewell bluesly gal sal
aln't miseehavin'/moanin* low
Reo hair it freckles/Lovable c.
CHICASAW SYMCOPATORS
Chickasaw stompAl rag
CHISHOLM JAZZ FIVE
ARCHER ST, DRAG
CHOCOLATE DANDIES
SIX OR SEVEN TIMES
BLUE INTERLUDE
GOT ANOTHER SWEETIE
LILLIE DELK CHRISTIAN
LAST NIGHT/YOU'RE A OK 8607 l>
COBB and his CORN EATERS
TRANSATLANTIC STOI/p/BARRELL HOUSE Vl 38023 9
JUHIE C. COBB
ONCE OR TWICE VO 1449 N.
RUSS COLUMDO
(many on victor) vi N
EDDIE CONDON
HOME COOK I II'
TENNESSEE TWILIGHT (#2 MASTER
COOKIE'S GINGERSNAPS
MESSIN* AROUND
COTTON PICTOTS
Co 14396 Q AJC .50 B.CL
HURN
I .25 CLAR
VANB
- STA I
MELT
• STAI
RAAB
RAAB
: Stai
1.00 B.CL
Mack
SIME
BR 6743 N TRA ■
Co 36000 N TRA •
MELT
■ RAAB
LITTLE THINGS (BING CROSBY)
VI 22580 E TRA
HurR
PRINCE OF WAILS/JIM TOWN BLUES
BR
2766
E
T-A
MACK
THANKS TO YOU/ONE MORE TIME
VI 22700 O+Al'C
.50
B.CL
ST. LOUIS BLUES/RAILROAD BLUES
Ca
9048
r
T-A
VANB
MILDRED BAILEY
BING CROcBY
rockin' chair/Georgia
BB 6445 N TRA
RAAB
Where the olue of the night meets Br
6226
V
T-A
LEVI
COI/HT OAS IE
GOOD NITE S WEE THE A nT/TOO LATE
Br
6203
V
T-A
LEVI
H £ j/Oiggin' for dex
OK 6365 E TRA
RAAB
SHADOW WALTZ/TEf.'PTATION
Me
13136
E
TRA
HURN
broadway/Ji tters
OK 6095 E TRA
RAAB
( MANY ON BRUNS, Vl, CO, CONO.)
TRA
SlME
SUNNY BERIGAN
PUTNEY DANDRIDGE
D.I_X 1 EL AND SHUFFLEAET'S 00 IT
BR 7858 V AUC
.50
B.CL
IT'S THE GYPSY IN ME/iHEN A LADY VO
3315
N
T-S
Vint
JAZZ ME ELUEs/THERE 'LL BE SOME
V 1 26244 M T-S
• BURD
DIXIE DAISIES
JAZZ ME BLUES/THERE'LL BE SOME
VI 26244 V T-A
VANB
BUGLE CALL RAG
Ro
3562
E
TRA
Dart
THE PRISONER'S SONG/l CAN'T GET
Vl 36208 N T-S
1.75
CLAR
BUGLE CALL RAG CA
OR RO
G
TRA
Si me
BIG TOWN JAZZERS
COW COW DAVENPORT
BLUER THAN YOU VAN
DYKE 71701 V TRA
SCHR
Chimin* the blues/State
VO
1253
N
TRA
IOLF
SIDNEY BECHET
DIXIE FOUR
(FEATURING RED ALLEN, HlGGY)
VI 27386 N T-A
ROBB
KENTUCKY STOMP
Para
12661
N
TRA
MELT
BECHET-WILLIE SMITH
DIXIELAND JUG BLOWERS
(MANY ON VAHS | Ty )
VARS N T-A
SI ME
FLORIDA BLUES/LOUI SV| LLE STOMP
VI
20403
E
AUC
1.00 B.CL
BIX BEIDERBECKE
DIXIE STOMPfcKS
jazz me blues/ At the jazz band ba OK 3042 li T-S
1.75
CLAR
H'-OICDLE-OIDDLE
HA
179
V
TRA
JOBE
Rhythm; king
BR 3242 N TRA
VEL-
SNAG IT/A IN 'T SHE SWEET
HA
353
V
T-A
HURN
LONELY MELODY/Y.ISSISSPPI MUD
VI 21214 V T-S
1.25
CLAR
JOHNNY DODDS
Coquette/dolly dimples
VI 21301 N T-s
1 .50
CLAR
9UCKT0WN STOMP
BB
8549
N
TRA
MELT
Louisiana
VI 21430 E T-s
1.50
CLAR
WEARY CITY
BB
10239
N
TRA
MELT
Sweet sue/for no reason at all
Co 35667 ',i T-s
1.50
CLAR
BUCKTCWN STOMP
VI
38004
N
TRA^
RlDD
melancholy baby ( 12" J
CO 50068 E T-s
4.00
Clar
DORSEY BROTHERS
OL' MAN RIVER
OK 4lCe8 V TRA
SCHR
FlCCETY/BLUE ROOM
Br
6722
N
TRA
RAAB
Bunny berigak
JOHNNY DUNN
Dunn's cornet blues
DUKE ELLINGTON
raisin' THE rent
stack 0 ' lee clues
(continued next pace)
BRE 02076 N TRA
HA 6014 V TRA
• Melt
• MELT
FOR DISPOSITION
1 2 3 4 5 6
UED FROM PRECZEP
Dyk
PE 1431 I
1775
COHM
502
V I 1 9947
VI 20270
2853
2856
285o
2927
2958
OLUMN )
XCVE III 6W I NOT I ME BR 9200
RING DEM BELLS Vl 22528
D01N' THE VOOM VOUm/FLA^IMS YOUTH Vl 38035
SAURDAY NITE FUNCTIOij/HIGH LIFE Vl 38036
BRUNSWICK ALBUM
WILL EZELL
Hot spot stuff/Freakish Para 12914
FIVE BIRMINGHAM "BABIES
hard hearted hannah
FIVE HOT CHOCOLATES
A'-ARAf.'A SHUFFLE VAI
BUO FREEMAN
1 GOT RHYTKM/BEAT TO THE SOCKS
LEM FOWLER
PIG FOOT SHUFFLE
Salt v om
JEAN GOLDKETTE
DINAb/AFTEP I SAV I'M SOFiRY
J COL I ZING/HUSH A BYE
I'H LOOK illG CVER A FOUR LEAF CLOVERVl 20466
MERRY OLOSWOBILE ( VERY RARE) Vl SPEC.
NAI liONELLA
CONFESS I N'/BUGLE CAL". RAG PA F5C9
BENNY GOODMAN
E. WATERS ACC. | 00 YEARS FROM TODAYCO
TAPPIN' THE BARRLL/KOTHER'S SON-I NCO
TAPPIN' THE BARRELAoun MOTHER'S CO
breakfast ball/moonglow co
Nit wit serenaoe/Bugle call rag Co
texas tea party co
Texas tea party Co
Clarinet a la king ok
Bugle call rag/Oixi eland qand Br
99 out of 100/mlne yesterday me
little joe/looks like love ye
SOL I TUOE/SENT I MENTAL (MODERN I STS ) ME
Restless/heavenly thing
goody goooy/lt's been so long
goody goooy/lt's been so long
stompin' at the sav0y/8reak i n ' ii
star dust
remember/walk jennie walk
foolish things/sentimental mood
Pick yourself up/Oown south camp
R i ff i n '/Alexander ' s ragtime band
bob white/Minnie Moocher w.D.
VlENI, VIENl/HANOFUL OF KEYS
mama that moon/you took the words vl 25720
i 0*clock jump/don't be that way vl 25792
one o'clock jump vi 25792
oooh boom/alwavs & always
Please be kind/Ti-pi-tin
That feeling/Lullaby in rhythm
8ig john/flat foot floogie
wrappin' it up/melancholy baby
Date with dream/Could you pass
Blue room/Make believe
I never knew/sweet sue
's wonderful/must have that man
Blues/blue lou {all stars)
Basin ST./BEALE smcharl.chas.
SONNY GREER
Beggars' blues/Saturday might
BOBBY HACKETT
After I say i 'm sorry
LIONEL HAMPTON
Mood that I'm mi/Affair
6uzzin1 around with the bee
Everybody loves my baby
Sweethearts oh parade
SlNGIN' THE 8LUES/t)lflAH
Flying home/Save i t
Till tom special/Shades
house of morgan/without you
HANUY ORCHESTRA
Farewell dlucs/Culf coast blues
E tra ■
V T-S •
JOBE
— hurt.
LEVI
V T-A —
N T-S 3.'
N T-S -
V TRA -
N T-S
V TPA -
F TRA -
E T-S
E T-S
N T-S
SCHR
- Burd
CO 3167
CO 3167
OK ^.544
BR 7644
ME 12100
Me 12149
ME 13159
Vl 25021
VI 25245
VI 25245
Vl 25247
VI 25320
VI 25329
VI 25351
VI 25387
Vl 25445
VI 25683
Vl 25705
Vl 25808
VI 25814
VI 25827
VI 25871
VI 25880
VI 26000
VI 26088
Vl 26089
Vi 26090
Vl 26144
OK 41577
OK 5020
VI 25527
Vl 25575
VI 25682
VI 26209
VI 26557
Vl 26595
VI 26604
VI 26751
G AUC
N AUC
E TP. A
N TRA '
V+SAL
G AUC
V T-S '
G AUC ■
G AUC ■
G AUC
N AUC
V AUC
V AUC
E AUC
.50 HURN
.50 HURN
.75 HURN
SCHR
MACK
3iEI
STEI
Mack
STEI
STEI
MELT
Si me
.65 Cham
STEI
STEI
STEI
STEI
HURN
STEI
HURN
STEI
STEI
STEI
STEI
STEI
STEI
STEI
STEI
STEI
STEI
I .00 Cham
STEI
STEI
STE»
E AUC -
G AUC -
G AUC -
V AUC -
G AUC -
F+AUC -
G AUC
K T-S
E T-S I
N T-S I
E T-S
E T-A I
fl T-S
N T-6 I
N T-S
N T-S I
STEI
STEI
.50 8.CL
,75 DEND
.45 DEND
,00 Dend
,95 Dend
,50 Oeiio
,75 Dend
,50 Dend
,95 DENO
,00 Dend
3567 N T-S 1,50 Dend
BERRY ) VO
VARS
VARS
1 2 3 4 5 6
GLENN RARDMAN
JAZZ ME BLUES/ORGAN BLUES CO 35263 N T-S .95 DENO
China boy/Sunny 6IDE of the 6TREETC0 35341 N T-« .95 OENO
CLIFFORD HAYES
BLUE GUI TAB STOKP VI 2095; G TRA JOBE
COLEMAN HAWKINS
NETCHA 1 S DREAM/CHICAGO OE 601 N TRA RAAB
ME0ITATI0N/HARLE«1 TO ME OE 742 N T-* .95 DEMO
IT SENDS ME PAP.L 1837 N TRA MELT
SUNNY SIOE OF THE STRECT<2 COP.)PARL 1825 N TRA KELT
Star dust (2 copies) Hav 0420 4 nt/v 4496 V tra Melt
I WANT TO GO RACK TO HAHLEV DEE 6502 N TRA MELT
BODY AND SOUL 3H 10523 N TRA KELT
DAY IS DONE/BOUNCING WITH BEAN gg |0693 N T-S 1,50 DENO
ERSKINE HAWKINS
SWANEE RlBEft/DEAR OLO SOUTHLAND VO
FLETCHER HENDERSON
house of davio/l never knew uhca
hottest man intown co
Tidal wave/Down south ca*p mfftingDf
big John's special/Happy as the De
MlLQNBERC JOYS/lZTH ST. RAG M.«.
T l gep rag /You rascal you u.t.
Gypsy blues/Sweet laoy bl.sw.
Sensation/Fiogety feet vo
Sensation/Fidgety VO
STEALIN' APPLES/GRArO TERRACE VO
WHA1-CNA-CALL-EM BLUES/BLAZ I N ' VO
CLARINET MARI.'ALAOe/mUSTARD BR
Back in your own back yard vo
Fidgety feet/Sensation br
Sensation br
Trees/ihat's your story(ci
Sing you sinners
Moten stomp/Don't let rhythm
Sugarfoot stomp
Somebody stole my gal
variety shuffle/St. Louis stomp
Potomac river blues/Old black Joe vo
St. lojis shuffle/Variety- stomp
Sweet uusic/Ualinoa's weddin' day vi
BILLY HICKS
Fade out/Joe the bomber vari
J.C.HI GG I NBOTHAM
Basin st./ blues for tommy bn
ALEX HILL
Ain't it nice/Functiomzin' vo
functionizin'/Ain't it ma- vo
TEDDY HILL
My marie/where is the sun bb
harlem twister/b1c boy blue bb
China boy/That used to be BB
, hen love knocks/Robin sings
EARL HINES
RHYTHM LULLABYE DE 389 V T-S .50 DEND
SWINGIN' DOWN/ONE OF MY DREAMS VO 3392 V T-S .75 DEND
ROSETTA/CAVERNISM BR 6541 E T-S 1.35 DEMO
IE FOUND ROMANCE/JUST TO BE BR 6960 V T-A VANS
BEAU-KOO JACK/GOOD YOU B6 7768 N T-S I .00 DEND
GLAO RAG DOLL/ROSETTA (PS) BB 10555 N T-S 1.00 DENO
CHICAGO RHYTHM VI 38042 G TRA RAAB
CHICAGO THYRHmAbODy LOVES Vl 38042 E T-S 1.50 DEND
LES HITE
■AITIN' FOR YOU/THE LIC!
ART HODES
Georgia cakewalk/liberty inn drag Oe 18437 N T-s 2.00 Clar
Get happy/inoiana De 18430 N T-s 2.00 Clap,
JOHNNY HODGES
FOOLIN* MYSELF/YOU'LL NEVER VARI 576 V+T-S 1.35 DENO
my day/Silver moon vo 3946 N t-s .95 Dend
I LET A SONG GO OUT OF MY HEART VO 4046 U T-S 1.40 DENO
JEEP'S BLUES/RENOEZVOUS VO 41 15 N T-s .OS OEND
PYRAMro/LOST IN MEDITATION VO 4242 N T-S 1.50 DEND
BLUES SERENAOC/ J.I TTERDUG LULLABY VO 4309 N T-S 1.40 OEND
KRUM ELOOW BLUES/OLD LOVE VO 4351 N T-S 1.35 OEND
Jeep is jump in '/Prelude to kiss vo 43*6 N t-6 1.25 Oeno
(CO'.TINUEO NEXT PAGE)
57 N TRA —
209 G TRA -
?I3 M T— fi
2 I 4 N T-S
IC03 N T-S I
1003 NT-SI,
2025 G T-s —
2710 G AUC —
2710 tl AUC -
3213 E T-s I.
3323 N T-S I,
3406 E T-A I
35 1 I N T-S I ,
3521 V TRA —
3521 N TRA —
3760 N T-S I,
4125 V T-s ,
4180 N T-S It
fi052 N T-S I,
8053 N T-S I,
10246 NT-SI,
14740 N T-S -
20944 G AUC —
22775 N T-6 I,
601 E T-S
7 N T-S 3,
2826 N TO I
2826 V A.UC —
6898 E T-S
6908 N T-S I
6941 N T-S I
— KELT
DART
.65 OEND
,75 DEND
,00 DENC
.00 DEND
— II NT
— HASS.
STAI
25 CLAR
00 OEND
,50 DEMO
00 Dend
— ROBS
SIME
,00 DENO
,65 DENO
,00 OENO
,00 DEND
,00 OENO
,00 OEND
BURO
.65 DENO
,00 CLAR
.65 DEND
HASS
.95 DENO
.50 OENO
.00 DEND
VARS 8396 N T-s .95 DEND
1 2 3 4 5 6
1 2 3 4 5 6
(continued trow preceeding page)
I'M IN ANOTHER WORLD/DANC 1 NQ
VO
4622 N
T-S
f.'.ISS.DREAMBOAT/OOOJI WOOJI
Vo
4849 N
T-S
1 .45
DEND
KITCHEN MECHANICS^DAY
VO
4917 N
T-S
DEND
Home town blues/Dance of goon
Vo
4941 N
T-S
1 .50
DEND
Rent party blues/rabbit's jump
VO
5IOO E+T-S
1,35
ND
GOOD GAL BLUES
VO
5170 E
TRA
B
TRULY WONDERFUL/HEART JUMPED
VO
5330 N
T-S
1 25
DEND
Skunk hollow blues/tireo socks
vo
5533 N
T-S
1 .50
DEND
Mocn romance/Your love has faded Vo
5940 N,
1 .35
DEND
BILLY HOLIDAY
yesterdays/right to sing the' blues cms 527 N
T-6
1
DEND
Back in your own sack yard
vo
4029 N
T—S
• 95
DEND
SAME OLD STORY/PRACTICE
OK
5806 N
T— S
.75
DEND
J i m/Love me or leave me
OK
6369 N
T-S
• 75
DEND
jflTIV TrtTSY PANT,
nUloT IUIoT UflnU
BR
4587 N
T
SIME
SPIKE HUunto
3606 N
TRA
MELT
DUU JALUDDUN Ct JllnbLL
Z
TRA
ROBB
1 1 MM V IflUUQrtW
J 1 MplT UUnHoUN
FEEL IN' BLUE/RIFFS
OK
8770 N
TRA
•OLF
I II iau hp nil
LIL JOHNSON
NEVER LET LEFT HAND ETC/YOU'LL
Vo
1299 V
AUC
8.CL
L ON N 1 E JOHNSON
Swing out rhythm (guitar solo)
DE
7427 N
T-S
1 45
*
DEND
Harlem twist/Move over
OK
8638 Q
TRA
Dart
J OK
8575 F
T-S
65
Deijo
PCTC IHHUQflM
rt i t junnoun
Blues°on""o e'/K^r^oN
E
3384 N
T— A
ROBB
E
3384 N
T-6
• 75
DEND
basement boog K/de th rV
3830 N
T-S
ND
Chepry red/Baby look at\ou
VO
4997 N
T-S
l"-7K
DEND
lovin' mama blues/Cafe rag
OK
5186 N
T-S
Pete's mixture/Just for you
DE
8582 N
T-S
i'oo
*
DEND
MAGGIE JONES
Undertaker's blues/northbound
BL CO
14092 N
T—S
BURD
JONES 4 COLLINS
DAMP WEATHER/T'PEASY BLUES
BB
10952 N
T-S
1 150
CLAR
JONES-SMITH. Inc.
boogie wooqie/lady be good
VO
3459 E
T-6
• 00
DEND
TAFT JORDAN
NIGHT WIND
Me
13352 N
TRA
Devil in the moon
Me
13365 N
TRA
Dart
HAL KEMP
peg leg stomp/blue rhythm
CO
671 V+AUC
75
n
there's a small hotel
BR
2634 E+TRA
AAB
KENTUCKY GRASSHOPPERS
Wak i n 1 fri ends/( Fred rich, rev.]
BA
6360 E
T—S
BURD
EDDIE LANG
CHURCH'«T. S0B3IN' BLUES
Parl
1495 N
TRA
MELT
LAN 1 N 1 S RED HEADS
Flag that train
CO
376 V
TRA
Dart
MEADE LUX LEWIS
YANCET 6PEC 1 Al/CELESTE BLUES
DE
RIO t
T-S
1 .00
den
HOIIKY toijk train/whistlin' blues bb
10175 E
T-6
1 «50
Den
HONKY TONK TRAIN BLUES
DE
181 10 N
T-S
DEND
HONKY TONK TRAIN BLUES
SIG
65101 N
T-S
1 «75
TED LEWIS
Memphis blues
CO
1050 0
TRA
DARKTOWN STRUTTER'S BALL
Co
1084 V
TRA
JOBE
LEW1SADA BLUE6
CO
1916 V
TRA
Dart
OALLAS BLUES
co
2527 E
T-A
dart
LITTLE BROTHFR
PARISH ST. JIVE
BB
10177 N
TRA
Raab
LOUISIANA FIVE
A' f-OHOLIC SLUES
CO
2768 V
TRA
Dart
LOUISIANA RHYTHM KINGS
Lady be good
BR
4706 G
Sime
Lazy daddy
BR
49Z3 E
T-A
UAHT
LOUISIANA SUGAR BABES
THOU 6WELL/PERSIAN RUG
21436 E
T-S
1.50
CLAR
•SIPPl/llLLOW TREE
VI
21348 N
T—S
BURD
JIMMY LUNCEFORD
jAZZNOCRACY/llHITE HEAT
B3
5713 N
T-S
1,25
CLAR
(ANY VOCALION OR DECCA)
N
T-S .50-11 DEND
WINGY MANNONE
LOVE S K 1 SSES/L 1 TTLE LOCK
2989
N
.50
VO
3071
N
T-S
1 .50
DEND
up^he'country/shake^hat thing
DE
7366
N
1 .50
She's cryin' for me/Just one girl
CO
35685
N
T—S
1 .00
DEND
PAID MARF^
CO
35686
N
T—S
1 .00
DEND
LAND OF DREAMS/NAGASAK 1
CO
35880
N
1 .00
JOE MARSALA
WOO WOO/J IM JAM STOMP
Vo
41 |6
N
T-S
1.45
Dend
JAMES MELTON
MARCHETA/ROSES OF PICARDY
CO
1 760
N
T— A
Dend
MEZZ MEZZROtf
COMIN' ON WITH THE COME ON
BB
10085
N
T-S
• 75
Dend
NOBODY NONt Vt MY JELLY— ROLL
BB
10090
V
T—S
.75
Dend
APOLOGIES/SENDIN' THE VIPERS
BB
• 95
McKENZIE-COHOON
(BOTH COLUMBUS)
CO
N
1 #25
Dend
McK 1 NNEY'S COHON PICKERS
One hour (buff label)
BS
5905
N
TRA
JOBE
TALK TO ME
Vt
T-S
DEND
WHEREVER THERE'S A WILL
VI
22736
N
T-6
1 • 75
Dend
COME A LITTLE CLOSER/TO WHOM
Vl
23035
DEND
NOBODY'S SWEETHEART/CRY^'
VI
38000
T-S
1 .00
OEND
TIGHT LIKE THAT
VI
38013
J03C
l founo A new baby/Save it
VI
38061
T-S
1 .50
OEND
I 'LL MAKE FUN FOR YOU
V)
38142
V
T-S
1.35
OEND
MISS HANNAH
VI
38102
E
TRA
Dart
McMICHEN MELODY MEN
WABASH BLUES
Co
15340
V
TRA
JOBE
GLENN MILLER
SOLO HOP
Co
3058
N
TRA
DART
MILLS BLUE RHYTHM BAND
( 6EVEN COLUMBIAS)
CO
T—S
,65
Dend
MILLS BROTHERS
Old fashioned love
DE
166
N
T-S
HURN
SOLITUDE/LONOON RHYTHM
DE
1082
V
T-S
HURN
MIFF MOLE
After you've gone/shimme-sm-wabuhca
23
N
T-S
2.00
Dend
SHIM-t/E-SHA-WABBLE
CO
35953
N
TRA
Raae
ORIGINAL DIXIELAND
CO
36010
N
T-S
1 .00
TOOTS MONDELLO
HERE'S YOUR CHAt\CE/BUP,NlN' STICKSROY
1817 N
T—S
1.50
CLAR
MODERNISTS
Solitude/getting sentimfntal
ME
13159
N
M CK
JELLY ROLL MORTON
BIG LIP BLUES/GOOD OLD N.Y. GENERAL
1704
N
T—S
1 .00
DEND
GET THE BUCKET/WHY GENE
3AI
1706
N
T-S
1 .00
DENO
Shake it/if you knew General
1707
N
T—S
1 .00
Dend
MAMA'S GOT A B ABy/sOUTHERN GENERAL
1710
N
1 .00
SWING1N' THE ELKS/DIRTY GENE
3AL
171 1
N
T-S
1 .00
DEND
ORIGINAL RAGS/MAM 1 E 'S BLUES GENERAL
4001
N
T—S
1.50
Dend
Naked dance/Michigan water general
4002
N
T-S
1,50
Dend
Buddy bolden's slues/the crave Gen'l
4003
N
1 .50
Winin' boy blues/mr. joe General
4004
N
T-S
1 ,50
Oeno
King porter stomp/Don't leave me Qenl
4005
N
T—S
1 .50
D END
The pearls
QE
5323
E
TRA
SCHR
the pearls
QE
6323
G
TRA
JELLY ROLL BL/BIG FOOT(CR,IO GROOVES} QE 5552 F
AUC
B.Cl
Georgia swing/Mournful serenade
BB
8515
N
TRA
ROBB
GEORGIA SWI NG/MOURt.'FUL SERENAOE
BB
8515
N
T—S
1.75
CLAR
Turtle twist/Smilin' the blues
BB
10194
N
T-S
.95
Dend
THE CHANT/BLACK BOTTOM STOMP
BB
10253
N
1,75
Clar
Fat frances/Pef
BB
10257
N
T—S
1,00
Didn't he ramble/winin' boy
BB
10429
N
T-S
1.00
OEND
Climax rag/west end- blue6
BB
10442
N
T—S
1,65
DENO
Freakish/Seattle hunch
VI
27565
N
TRA
ROBB
CURTIS M0S6Y & DIXIELAND
BLUE BLOWERS
LOU 151 ANA bo BO
CO
40001
Q
TRA
Dart
OENNIE MOTEN
MOTEN STOMP
BB
6204
N
TRA
RAAB
SugapA>ear heart
Vl
20855
V
•inBE
MOUND CITY BLUE BLOWERS
San/red hot
BR
2602
Q
TRA
JOBE
^BOTH BLUEBIRDS)
BB
N
T-S
1,35
Dend
PHIL NAPOLEON
CLARINET MARMALAD-
Vt
20647
Q
TRA
JOBE
•for disposition
1 2 3 4
5 6
1 2 3 4 5 6
VAR
MEW ORLEANS LUCKY SEVEN
royal garden slues
Royal garden blues
NEW OR LEANS OWLS
ECCENTR I C
NEW ORLEANS RHYTHM KINGS
eccentric (b master)
Wolverine blues
She's cryin' for me
FRANK I E NEWTON
Easy living/Where or when
parallel fifths/vamp
who/blues
RED NICHOLS
Five penn i es/Japaneese
marg ] e/panama
i never knew/who's sorry i
SwILEs/NOSODY K(\OWS
China bcy/peg o' my heart
you rascal you/Crazy song
Harlem twist
JIMMY NOONE
MONDAY DATE
IT'S TIGHT LIKE THAT
ON REV | VAL DAY
RED NORVO
UNDEC I DFD
OLD FASHIONED LOVE/l SURRENDER OEAR C0356a8NT-S
3LUES IN E FLAT/BUGHOUSE CO 36158 N T-A
8544 V TRA •
8544 E+TRA
943 V TRA ■
5009 V TRA ■
5102 V+TRA ■
IC956 E TRA ■
616 E T-S
VO 5410 N T-S
BB 10216 N T-S :
BR 3655 E TRA ■
BR 3961 E TRA
BR 4243 E TRA ■
BR 4790 V TRA
BR 4877 E TRA ■
BR 6133 E TRA ■
VI 21560 G tra -
UHCA 41-42 V TRA •
VO 1238 E TRA -
VO 1506 E TRA -
N T-S
SCHR
• RIDD
.35 DEnd
,25 DEND
,50 CLAR
HURtJ
■ HURN
HuRN
HURN
HURN
HURN
JOBE
— Brod
8R00
BROO
.00 DEND
,75 OEND
CO 36158 N T-S I.CODENC
■ JODE
Si me
CO 2577 E tra -
Co 2588 N "Y-A -
PATHE 020900 V TRA -
CO 1264 E TRA -
UHCA \L2 N T-S I
UHCA 7I&72 N T-S
OR 1998 V tra -
CO 2905 E+T-6 1
PE 15328 V TRA -
VI 20425 E T-S -
Blues in E flat/bughouse
K I KG OLIVER
jackass blues vo 10(5 0 tra
pa-pa-de-da br 6053 n tra -
new orleans stomp (3l chip) co 13003 v tra •
Freakish light blues/i 've got thatVi 3R52i f t-a
ORIGINAL MEMPHIS FIVE
my honey 's lov| n* arms
jazz me blues
Ivy/Aunt hagar's blues
Weary blues
CHARLIE PIERCE
Bull froq. slues -'China boy
jazz me blues/Sister kate
BEN PCLLACK
i f i could be with you
here goes
Roll i n ' oown the rivfr
He's the last «ord(8.g, )
MEL POWELL
Blue skies/When dio you leave
world is waiting for sunrise
both on commodore
LOUIS PRIMA
Break i n 1 the ice/I still want U
put on an old pair of shoes br
Swing me w i th rhythm Sr
crosspatch/swing me a lullaoy br
QUINTET, HOT CLUB OF FRANCE
CHASING SHADOWS/I'VE HAD MY UOM. ROY
MA RAINEY
SEE SEE RIDER BLUES J I
JEALOUS HEARTEO/SEE SEE RID
CLARK RANDALL
Here comes your pappy/Drift
here comes your pappy
j i tterbug
JESS STACY
What's new/Melancholy mood Vars 8064 N t-s
Breeze Vars 8121 n t-s
SLATZ RANDALL
I'D 00 ANYTHING ETc/BLAME IT ON BR 4562 E AUC
DON REDMAN
CHANT OF THE WEED BB 10765 N TRA
WILLARD ROSISON
Deep river blues VI 21651 V TRA •
LUIS RUSSELL
LOUISIANA SWING OK 60 1 I E AUC
• Dart
■ Dart
,50 DEND
-95 OEND
SlME
00 Cham
CMS
com
COMM
BR
543 N T-S I
544 N TRA —
N TRA —
7320 G T-S
7419 N TRA -
7431 N TRA -
7580 E T-s
00 OEND
MELT
Si ME
,50 Oenp
Dart
— Dart
.85 DEND
1798 N T-S 1.50 CLAR
J I 9 N TRA
PARA 12252 Vt-T-A
IDE BR 7436 E AUC
BR 7436 N TRA
BR 7466 N TRA
,50 B.CL
Dart
— Oart
.75 Dend
,50 Dend
.75 B.CL
Raab
JOBE
PEE WEE RUSSELL
dinah/Baby won't you please come hrs
horn of plenty blues hrs
COON SANDERS
THAT 'S MY BABY
SAVOY BEARCATS
BEARCAT STOMP/HOW CO-LD I BE BL,
Stampete/hot NOTES
SHARKEY BCNAHO
wash i t clean
Swing like a rusty gate
SIOUX CITY S IX
*m glad/flock 'blues
BESSIE SMITH
moonshine blues/boweavil blues
dlhty no ggoder's blues
Bessie Smith recopds(Columbia)
1 000 N. t-s 6,
1001 N TRA —
19745 G TPA
5C CLAR
— BROO
Vi 20307 E AUC
Vl 20460 N T-A
34 I C N TRA
3470 N TRA !
A400I G
13000 G
13001 F
14005 F
14010 G
14018 F
14020 G
1403 1 F
14032 F
1^037 F
I4C42 F
14051 F
14056 F
14060 G
I4C75 F
14018 N T-S
14476 3 TRA -
CTtCN BY JOHr
14079 F
14098 P
14109 F
14129 F
I4J33 P
MAMIE SMITH
UY SWEET MAN
PINE TOP SMITH
BOOGIE WOOGIE
Jump steady blues/I'm sorfo wn<
BOOGIE WOOGIE/PlNETCP'S BLUES
STUFF SNITH
AJAX 17066 E TRA •
UHCA 1 13 N TRA ■
Rd RnoO M T— J5
8R 80008 N T-S
.75 B.CL
MAC*
■ Dart
■ Dart
■ BURD
JOBE
STE INER
14137 F
I4IQ5 V
14197 F
14324 F
|45?7 E
BROO
,79 DEwn
,79 Dend
my blue heaven/my thoughts
VA
so; i
N
T-S
1.25 CLAR
TRIXIE SMITH
Choo-choc glues
PARA
12245
E
TRA
SCHR
MUGGSY SPANIER
The snake charmer/i 'm in my a
LORY DE
I486
N
T-S
1.50 CLAR
yes indeed/Tea for two
DC
3689
N
T-6
1,50 CLAR
Thi mark hop/6urnin' the candle De
3699
K
T-S
1.50 CLAR
BESIDE AN OPEN FIRE PLACE
JE
5846
V
T— S
3,00 CLAR
Someday sweetheart/That da da
BB
10384
N
T-S
1.50 CLAR
RlVEReOAT SHUFFLE
BB
10532
N
T-S
,85 CHAM
Dinah/Black and slue
BB
10682
K
T-S
2,00 Clap
DINAH
BB
10683
E
TRA
SCHR
Black L blue/Dinah
BB
10682
N
TRA
RAAE
(all bluebirds)
BB
E-N T-6JI-2 DENC
REX STEWART
Tea and tf.umpets
VAR
618
G
TRA
WELT
Sugar hill shim-sham
VAR
664
E
TRA
- — - MELT
Stingaree/Baby, ain't u staisfied VO
28G0
V
T-S
2,00 DEND
rexatious/lazy man's shuffle
VO
3810
E
T-S
1,50 Dend
Sugar hill/love in my heart
VO
3044
N
T-S
1.50 Dend
Fat stuff serenaoe/i 'll sack
uo
5448
N
T-S
1 .50 Dend
Without a song/Sunday gal
BB
10946
N
TRA
RAAB
Some saturady/Suble slough
B8
1 1258
N
T-S
.75 OEND
JOE SULLIVAN
little rock getaway/just ST.
DE
600
E
TRA
Rose
ART TATUM
Moonglow/Emaline
DE
155
N
T-S
1 .00 OENO
Love me/cocktails for two
DE
156
N
T-S
l ,00 Dend
Stardust/Beautiful love
DE
306
N
T-S
i ,00 Dend
woman loves a man/nobody
DE
741
N
T-S
i .00 Dend
Liza/anything for you
OE
1373
N
T-S
l ,co Dend
Chlo-e/shiek of araby
DE
2052
N
T-S
1.00 OEND
JACK TEAGARDEN
(many on varsity)
VARS
N
T-A
SlME
THE TRAVELLERS
AM 1 BLUE
OK
41259
a
TRA
JOBE
FRANK IE TRUMBAUER
1 LIKE THAT
Par
R7I4
N
TRA
SCHR
CRAZY QUILT
BR
6146
N
TRA
SlME
CLARINET MARMALADE
OX
40772
V
TRA
SCHR
RIVERBOAT SHUFFLE
OK
40822
s
TRA
— SCHR
TRUMBOLOGY
OK
40871
V
TRA
SCHR
Sentimental 6aby
ok
41 128
E
TRA
SCHR
Shivery STOMP
OK
41263
V
TRA
SCHR
Baby won't you please
OOEON
4I2SC
N
TRA
SCHR
(five oifferent records)
v»ns
N
T— 6
1.50 CLAR
(many ON VARS 1 TV \
S
N
T-A
SI ME
1 2 3 4 5 6
JOE VENUTI & groups
STRINGING THE SLUES
OOIN' THlNGs/WlLD CAT
DON VOORHEES
soliloquy/blue heaven
FA1S WALLtK
alligator crawl (solo)
Crazy 'bout my baby
WARING' S PENNS~YLVAN IANS
Stack o*lee 3LUes/farwell blues
WASHBOARD RHYTHM KINGS
HAPPY returns of the day
WASH I NGTON IANS
Hove over
Hottentot
ETHEL WATERS
Down HOME BLUEs{LAMiCR« )
Some of these days
CHICK WEBB
Heebie jeebie/I'm left etc
PAUL WHITFMAN
That's my weakness now
felix the cat
Out of town gal
914 Q tra •
ICZUO v AUC
JOQE
,50 B.CL
CO I 129 V+AUC ,75 B.CL
10098 N TRA
14593 6 TRA •
21508 N T-
8228 N TRA -
■ Raab
JOBE
Mack
raab
9025 E TRA '
9036 N TRA ■
14093 V TRA ■
14264 V TRA
SCHR
SCHR
■ Dart
• DAfiT
BR 6898 E-HAUC ,50 B.CL
HOW ABOUT HE CC
SIDE BY SIOE VI
MAONOL I A/LOVE AND KISSES Vl
I'M COMING VIRGINIA (SING-BIX) VI
MARY/CHANGE$(BIX-eiNG) Vl
From monday on (bing-bix) Vl
THERE AIN'T (b|X-BING} Vl
From monday on/sugap Vl
Announcer's slues Vl
Washboard slues VI
PAUL WHITEMAN'S RHYTHM BOYS
wa da da/That's grandma Co
Mississippi mud/Ain't she sweet Vl
WHOOPEE MAKERS
down south feelin' (b. james ) or
st, louis blues/t 1 ger rag 8a
My slue heaven(teo white) Or
Out of the oawn (ted white) Or
Walk i n ' with susie (ted white) or
st. louis blue6(0|x|e jazz band ) je
Jazz holioay(dixie jazz sand) Je
Makin' friends (ken, grass,) ba
m0an1 n ' l0*{ mills m.m.) ch ba
crazy rhythm (dixie daisies) ca
whoopee stomp(lumberjacks) ca
whoopee stomp ca
blue little you ( lumber jacks ) ca
if i had you ( » " ) ca
Honey (broadway broadcasters) ca
Some sweet day (caroliners) Ca
would you be happy(lumberjacks) ca
12th ST, /it's so good (whoopee) Pe
NOBODY'S SWEETHEART (MISS.J.8.) PE
East st, louis toodle-oo Pe
CLARENCE WILLIAMS
Terrible blues HRS
'Way down home Vo
LOG CABIN slues OK
Walk that broad/The keyborrd expreCo
COOTIE WILLIAMS
BOYS FROM HARLEM VO
MARY LOU WILLIAMS
M.L.WlLLIAWS'BLUEG TEA FOR TWO VA
ZONKY/SCRATCHIN ' THE GRAVEL VA
l-ESS WILLIAMS
Varifty stomp/Phantom blues br
MIDGE WILLIAMS
1444 V TRA -
1478 N T-S 3,
1 505 N TRA -
1 723 V TRA -
20627 E TRA —
20679 N T-A -
2075 1 V T-S -
2 1 I03 E T-s -
2I274 E T-S -
2 1 464 N T-S -
25367 N TRA -
25404 Q AUC ,
35877 V TRA —
1455 E T-A —
20783 V AUC
344 G AUC
0839 F AUC
1034 F AUC
1307 F AUC
1601 G AUC
5707 Q AUC
5335 E AUC
6360 F SAL
6472 G AUC
8297 F AUC
9030 V AUC
9030 F+T-A
9041 E AUC
9057 G AUC
9130 G AUC
9131 F AUC
9147 G AUC
152(7 F AUC
15273 G AUC
14962 E TRA -
31 V TRA -
2778 E TRA -
8572 Q TRA -
14348 N T-S -
4574 N TRA -
8193 N T-S I
8190 N T-S I
- — SCHR
50 CLAR
SCHR
SCHR
JOBE
MACK
HURN
HURN
HURN
HURN
— Raab
,50 B.CL
SCHR
— Levi
,50 8.CL
.25 STEI
.35 STEI
,25 STEl
.25 STEI
,25 STEI
.35 STEI
.25 STEt
.25 STEI
.25 STEI
.25 STEl
.35 STEl
.65 LEVI
.35 STEI
,25 STEI
.25 STEI
.25 STEI
.25 STEI
,35 STEI
.25 STEI
SCHR
3R00
— JOBE
JOBE
BURD
IN ANY LANGUAGE
TEDDY WILSON
WHERE THE LAZY/RlGHT OR WRONG
IF l HAD YOU
VO 4177 E+TRA
7797 N T-A ■
7960 E T-s
50 Cl.AR
50 CLAR
■ Mack
• Raab
VanB
■ HURN
Reply No. 2 to Eugene Williams
William e.£**m
One point of Eugene Williams' Conscientious Ob-
jection (February Record Changer) has now been
clarified. When I read that he was more than will-
ing to match either of his ears against both of
mine, I was puzzled as to just what type of match
he made reference. I am happy now to report the
the solution. Mr. Williams doubtless made refer-
ence either to the size of his ear or to its ad-
vantageous location. I will refer here to the
illustration in the May Record Changer. This ill-
ustration effectively shows that he has an excel-
lent listening appurtenance. For proof of this
statement I will suggest reference to any good
textbook on sound mechanics. As my own ear is not
imposing and does not project outward at a very
favorable angle, it appears that, judging purely
on the basis of capacity to receive sound waves,
Mr. Williams might have a more effective ear than
either or both of my ears.
Having made the above concession I feel it only
fair to point out that by resorting to the device
of cupping my hands behind my ears or by turning
my head sidewise to the speaker I can probably
trap and utilize about as much sound as Mr. Will-
i ams can .
I had hoped that the O'Bryant-Dodds matter was
closed for the present. But since Mr. Williams,
in his characteristic friendly and restrained
manner, has intimated that my discussion in the
April Record Changer constituted a face-saving
counter-attack, I am forced to deny the charge and
state that my remarks about the Keppard disc were
made solely for the purpose of setting the records
straight as to the clarinet player on that disc.
In view of the Keppard disc being one of my favor-
ite Dodds items, I felt a certain amount of obli-
gation to clear up a misunderstanding.
Mr. Williams and I have clearly reached an im-
passe and I see little material in his latest arti-
cle to warrant further controversy. However, I do
wish, in the light of his statements re. the O'-
Bryant-Dodds matter, to make a few pertinent ob-
servations as follows:
In the December 22, 1939, issue of Jazz Infor-
mation, Mr. Williams in his Col lector' s Items col-
umn quoted Steve Smith, pioneer hot record collec-
tor and Hot Record Society impresario, as saying
the Keppard disc features Dodds and that this fact
was verified by Muggsy Spanier.
Subsequently I wrote Mr. Williams that I firmly
believed the clarinet to be Dodds and that other ex-
perts including Charlie Mitchell heartily shared my
opinion.
Mr. Williams, unable to recognize Dodds himself,
ignored a solid bloc of expert opinion and relied
instead on the memory of a drummer who himself was
not sure of either the clarinet or the trombone,
perhaps not even of himself. Thus on the flimsiest
sort of pretext he caused to be printed on the label
of an important reissue information which was ob-
viously in doubt and which was more than likely
wrong considering available expert opinion. More-
over, although he did, as he says, leave a loophole
in his collector's column, he failed to mention that
Steve Smith, Muggsy Spanier, myself, Charlie Mitch-
ell and others believed the clarinet to be Dodds.
This in spite of making an implied request for furth-
er evidence. I state that the evidence was there
but he f a i led to use it .
(Ed. note: This is the last installment in a series
of articles concerning a certain academic question.
Next month Rev. J. O. Wil lowbeigh will begin a dis-
cussion on how many an ge Is can s t and on t he point
of a needle. )
DAVIE COLEMAN
1055 EAST HARVARD ROAD, BUR8ANK, CALIFORNIA
Preston Flower
5310 HARPER AVENUE, CHICAGO, ILLINOIS
WanUd
FOR trade — see uant list belajj
LOUIS ARMSTRONG
wild man blues-ok 8474
willie the weeper-ok 8482
irish black bottou-ok 8447
i 1 m gonna g i tcha— ok b343
jazz lips-ok 8436
Dallas blues-OK 3025
Two OEUCES-OK 8641
JUN IE COBB t GRA INS
900T THAT THING-VO 1259
JAZZ CARD I NALSf F.KEPPARD
SALTY 00G-(PARA OR UHCA)
JELLY ROLL MORTON
LONDON BLUES— OK 8105
l.'UOOY WATER BLUES (PA, Pu
BIG FAT HAW-PARA 12050
JERSEY JOE-BB
k img oliver
label's dream— ok 8235
riverside blues-ok 40034
southern stomp-para 12088
krooked blues— ge 5274
Snake rag-OK 4933
room rent blues— ok 8 1 48
chattanooga stoup-co 13003
PRY'S SUNSHINE ORCHESTRA
ORY'S CROLE TROU-BL.SUN 3003
iRIveRaiDE BLUES-PARA 20292
RED ONION JAZZ BABIES
KE WALKING SABIES-GC 5627
ERSKINE TATE'S VENDOME
STOMP OFF LET 'S GO
JASPER TAYLORS STATE ST.
STOMP TIME BL-PARA 12409
For Trade or Auction
LOUIS ari.stroi:g hot five
Big fat ma/Skinny pa OK 8379 G
Go NO BLUES OK 8551 G
BECHET'S NEW ORLEANS FEETWARMERS
SHAG / I FOUND A NEW BABY PARL 2225 N
BIG BILL t MEMPHIS FIVE
RIOER RIDER BLUES
BUCKTOWi: FIVE
BUDDY'S HABITS/CHICAGO BLUES
5.00
3.50
Steady roll blues/really
mobile blues/someday sweetheart
bing crosby
where the blue of the night
dixie stpi/pep.s
i'm feeling oev i l i sh/j a zz me blues
snag it/ain't she sweet
tommy oorsey
jaoa/royal garden blue*
johnny dodds ( solo )
clarinet wobble/san
bud freeman
crazeology/can't help
georgia strutters
georgia grind
fletcher henderson
Hop off/i must have that man
Stockholm stomp
monk hazel
IDEAS/GIT WIT it
jungle TOWII STOUPERS
AFRICAN JUNGLE
PETE JOHNSON
CLIMBIN1 & SCREAM I N '
HALFWAY HOUSE ORCHESTRA
MAPLE LEAF RAG
TED LEWIS
Vo 04486 V
GE 5418 E
GE 5419 E
GE 5405 E
4.00
4.00
5.00
BR 6226 V .65
HA 974 N 2.00
Ha 353 E 1.75
VI 25326 E .75
BR 3574 G
OK 41 168 V
Ha 231 V
1 .50
3. 00
lew is i da blues (test record )
Wabash slues/Farewell blues
meade lux lewis
Bear cat cpawl
CHARLIE JACKSON (vocal)
Texas blues / I'm go I n '
WINGY MANNONE (all STAR)
My honey's lovin' srms
stop the war/kama's gone
midway dance orchestra
Budoy's habits/Cotton pickers
jelly roll morton (solo)
The pearls
ray miller
Weary blues
BEN POLLACK (TEA, Bo)
two tickets to georgia
new orleans wanderers
papa dip/too tight
king oliver
Black snake blufs/willie the weeper
SPEAK EASY BLUES/AUNT HaGaRS' RLUES
Br 41 19 N
Br 3460 V
BR 4182 N
OK 8686 N
SA 12004 N
Co 476 E
(test) V
CO 2029 V
VO 4608 E
Para 12335 V
.00
3.00
1 .00
2.00
2.50
2.50
1.00
8 30-0801 E
BB I I 107 E
Co 81383 V
GE 5323 V
BR 3677 E
VI 24284 E
CO 735 G
Vo II 12 V
VO 1225 E
3.00
1.50
2.50
2.50
2.00
I .50
earl hines
just too soon/chicago high life
rosetta / cavernism
spike hughes
Arabesque / Fanfare
jungle kings
friar's point / darktown strut
TED LEWIS
WABASH BLUES / ROYAL BAROEN
IICKINNEY'S COTTON PICKERS
CHERRY / Some sweet DAY
MILLS BLUE RHYTHM BAND
african lullaby / s« i ng | n ' |n e
Barrelhouse / Balloonacy
UIFF MOLE'S MOLERS
Shimme-sha-wabble/after you've gone
bennie moten
Lafayette / new Orleans
uound city blue-blowers
GEORGIA / Can't believe that you're in
reo nichols
Dinah / Indiana
king oliver/j immie noone
sugar foot stompaionday date
charlie pierce
bull frog blues / china boy
ben pollack
buy buy 6a8y / one sweet show girl
jimtown blues / song of the islands
hot club quintette
COnfessin* / Smoke rings
DON REDMAN
I heard / Reefer man
LUIS RUSSELL/CHOCOLATE DANDIES
NEW CALL OF FREAKS / BUGLE CALL RAG
ART IE SHAW
H I GHTI/ARE / LONG WAY TO T I PPERARY
BESSIE SMITH
ST. LOUIS BLUES / RECKLESS BLUES
HRS UN
BR 6541 N
DEE 3639 N
UHCA 344 N
OK 4 1579 N
VI 21730 N
Co 3038 N
Co 3(56 N
UHCA 23 N
BB 6218 N
UHCA 51 N
VO 4599 N
UHCA 41 N
UHCA 112 N
VI 21743 N
BR 7764 N
ROY 1788 N
Co 2678 N
PAE 1645 N
VO 4306 N
CO 3171 11
WANTED — see trading material aboue
louis armstrong
willie the weepep / alligator cba
Wild man blues/gully low blues
struttin' *|th some barbecue
Savoy blues
i 'm a oing dong oacdy
BLUE RHYTHM BOYS
HEAT WAVES
DUKE ELLINGTON
Ring dem bells (i.'aster f3)
merry— go— round
benny goodmah's boys
Jungle blues / room |4| i
fletcher henderson
s0me600y loves me
reo nichols' five pennies
On revival day
DON REDMAN
So.NC OF thc .'.Errs Sh.ikin Ars'ca;:
luis russell
Ease on down / Saratoga orag
frank ie trumbauer
mississippi mud
venuti 's blue f ive
Jig saw puzzle blues
chick webb
soft and sweet ^heebie jeeb'es
OK 8482
OK OR VO
OK 8566
Vo 3217
OK 41422
any label
VI 22528
CoE OR COF
BRF 500201
CO 2329
Either Br
br or BrF
any label
Any label
Any label
VO 1607
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. $1.50 (12 Issues) per year.
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FOR SALE OR TRADE
Victors- All in excellent condi t
All originals.
WARING'S PENNSTLVAN1ANS.
That's My Baby
Any tee Today
Sleep (theme)
Wa-wa-waddie Walk
I 'm haunted by that Swannee
Memory Lane
Mayt i me
Cherie I Love You
PAUL WHITEMAN
Arcady
L i nger Awh i le
Roaming to Wyoming
Swannle River Blues
Just as Long as you have Me
Pale Moon
When the Rainbow Ends
Stepping Out
Raggedy Ann
Canad ian Capers
Carolina In The Morn+ng
Three O'clock in the Morning
2
New Orleans Recollections
Of a Few Th-i ngs
That Went With
1905 New Orleans Jazz
When I arrived in New Orleans in 1904, Conditions in many ways
linked the town to the past. Improvements were under way, but
the city was still getting along
with sanitary arrangements that
seem strange to think of- nowa-
days. On the possibility that
some of these things might In-
terest the Record Changer's
readers, I will recall a few of
them.
As most people know, New Or-
leans is very flat. Hills are
unknown there, and my landlady,
who had lived in New Orleans all
her life, used to remark that
the only hill she had ever seen
was the mound, a few feet high,
on which Lee's monument stood at
Lee Circle, about a block above
the boarding house. Because of
the flatness of the town, the
natural drainage was almost non-
existent, and while there was a
sort of' a drainage system
(canals, etc.), it was entirely
inadequate when a hard rain
fell, — and hard rains do fall in
New Orleans. After any heavy
shower the water would stand in
many of the streets for a con-
siderable length of time. Many
times I have seen the water ex-
tending from sidewalk to side-
walk in Royal Street, less than
a block from Canal Street. Pe-
destrians would be unable to
cross the street dry-shod , and
at such times the street gamins,
newsboys and bootblacks, would
get crates and boxes from groc-
ery stores, and, with the aid oi
boards, make little bridges
across the street; folks using
these makeshift conveniences
were supposed to pay a few cents
for the privilege. Incidentally,
because of the levees and the
fact that the Mississippi River
was often higher than the town,
the drainage was away from the
river, and it seemed strange to
see the water in the gutters
moving from the river rather
than toward it.
With such conditions existing
in the business section, it can
be imagined what they were like
in some of the residential sec-
tions. In many of the outlying
areas, possibly in most, the
gutters were heavy wooden
trough-like affairs made of
planks i the flow of water in
most of these gutters was prac-
tically nil; after a heavy rain
the water would merely stand and
combine with the dust and silt
washed into the gutter from the
street, and form, a thick ooze;
any water standing there would
gradually become covered with a
slimy greenish scum. At the
street corners in these sections
pedestrians crossed the gutters
by means of little wooden
crosswalks two or three feet
wide placed across them. It
must have been a large part of a
motorman's training to learn how
to stop his car so that the rear
step of the car would be exactly
at the little crosswalk. They
seldom missed, but on rare oc-
casions I have seen them obliged
to back the car a couple of feet
in order that some lady could
alight without getting her shoes
muddled. Shortly after I went
to New Orleans, several of us at
the boarding house were invited
to a party a considerable dis-
tance downtown. It was a dark
night and a heavy shower had
Just fallen, and when we came to
our stop the motorman missed the
small bridge by a few feet. All
of the others knew the c ondl-
tions, but I was perfectly
"green" ; I stepped off the car
and straight ahead In the dark,
and lmmedi at e ly found myse If
with one foot in the wooden gut-
ter, up to my ankle in choice
black mud. I don't know if the
wooden gutters and crosswalks
are still In New Orleans, but I
know that they were in use in
1915. During September of 1915,
New Orleans had one of the
heaviest tropical hurricanes in
the city's history, with a wind
velocity at times reaching 110
miles, an hour . On that Septem-
ber day I was excused from work,
but loitered around downtown to
see the-exc 1 tement , of which
there was plenty. Late in the
afternoon I decided to go home,
and offered to escort to her
home a young lady who lived out
my way, whom I found marooned in
a downtown store. We started
out, trying to pick the streets
with the highest ground, of
which there were practically
none. So before long we were
wading, with the water getting
deeper all the time, since we
lived back of town, and the
water was blowing In from Lake
Ponchartraln. We were doing all
right, however, until we started
to cross a street a few blocks
b ac k . I s t e ppe d out a little
ahead where the small plank
bridge should have been, but it
had floated off; I caught my
heel on the edge of the gutter,
tripped and fell forward, soak-
ing myself nicely to above the
waist. I have a pretty good
recollection of the wooden
gutters .
In 1904 the modern water
purification plant had not yet
been completed, and until that
Important improvement was fin-
ished (in 1907 I believe) most
of the dwellings depended on
cisterns for their water supply.
Each dwelling had its own cis-
tern, the single story cottages
having single story cisterns,
and the two story houses having
two story cisterns. These cis-
terns were large cylindrical
wooden affairs, like hugh casks,
with a squat conical cover; they
were always above ground , and
the two story ones stood one
above the other , the upper one
being even with the second, floor
of the house . The water was
piped to the bath room and to
the kitchen directly from the
cistern. I don't recall any
sources of water in those early
days other than the r iver and
the cisterns, and I presume that
the xai stern water would have
been pretty good, except that
the cisterns were not protected
against dirt from the roofs and
were not mosquito-proof (until
later) . Mosquitoes bred in the
cisterns, as well as in the
stagnant gutter water , by the
billions. In the spring of 1905
we were moving Into the uptown
half of the double cottage at
the uptown woods corner of
Laurel and Bellcastle Streets*,
5243 Laurel Street as I recall.
(Laurel Street has two 5200
blocks). A friend of mine was
helping to get the furniture un-
packed and in order, and with
the exertion and the warm
weather we got pretty hot and
thirsty, and when we opened a
barrel of crockery and glassware
we grabbed a couple of glasses
and stepped out to the cistern
to get a drink. We drew a
couple of glasses of water, and
my friend was about to drink
when I said "Maybe you'd better
step inside where it's light to
see if it's all right". So we
went into the Kitchen and
upon holding our tumblers up to
the light found them literally
swarming with wigglers. We drew
several glasses, but the wigglers
persisted, and I lost my thirst;
I have a hazy recollection that
my friend finallf took a drink
after straining the water
through a handkerchief. While
we lived there we had to filter
the water and boll It.
The mosquitoes were ever
present during the summer even-
ings In those years, no matter
where one might go. Out in the
parks and the public squares
they were always waiting for
their prey; those were the
Anopheles, the mosquitoes that
cause malaria. In the houses
the little dark ones, almost
invisible, were lurking behind
and under the furniture, waiting
for the tired or unwary to take
a seat; those were the Stegomyla
Fasclatas, which spread yellow
fever. These latter were par-
ticularly irritating little
pests; they could scarcely he
seen and didnot seem to buzz,
around much until they were
about to bite or had bitten;when
one heard their soprano b-z-z-z,
it was usually too late. Like
many inconveniences they had to
endure in those days, the good
folks of New Orleans did verj
little about the mosquitoes
They accepted them as one does
the weather, — something to talk
about but that's about all.
Some burned a little smudge or
used a little citronella, but
little more; however, at night
everyone had to sleep under a
mosquito bar, --a bobinet bar
hung from a tester over the bed.
These bars over the beds were ar»
absolute necessity in the warm
weather; sleep would have been
an impossibility without them.
However, great care had to be
used to be sure that no mos-
quitoes were Inside the bar when
one turned out the 1 ight and
retired. The best way I found
was to have the bed placed near
the light, so that I could get
under the bar with the light
lit, inspect the inside thorough-
ly, killing any mosquitoes that
I found there, and then lie
still a few minutes; as soon as
I felt sure that no mosquitoes
were inside the bar, I w ould
reach out carefully and turn out
the light. The natives did not
screen the windows or doors in
their dwellings, and when I
asked why they didn't, the reply
was "Screens? Oh, no. Screens
would keep out the air,*
When the la6t yellow fever
broke out In New Orleans in
1905, It helped the town to get
rid of some old evils and to
make some Improvements that
would have been difficult other-
wise. Since it was established
that the mosquitoes spread
yellow fever, war was declared
on the mosquito. Gutters were
cleaned and drained, along with
other places holding stagnant
water; where draining was 1m-
posslble, the breeding places
were treated with oil so the
wlgglers couldn't survive. Cis-
terns were screened so that
mosquitoes couldn't get in to
deposit their eggs . It wasn't
longbefore a difference could
be noted. A friend remarked one
day, in a "believe It or not"
manner that he had sat for a
while at Lee Circle the night
before, without being bit by a
single mosquito.
It was about 1907, I believe
that the water purification sys-
tem was completed, and the death
sentence was given the cisterns.
The citizens, or rather the
property owners, were ordered to
connect up with the city water
system, and the order was a pos-
itive one. I remember the heat-
ed arguments and debates that
.arose as to the merits of city
water and cistern water, — every-
one had his or her very decided
opinion on the matter. Many
"Letters to the Editor" were
written to the local newspapers,
and published with considerable
regularity, on both sides of the
question. As the change was
made, however, the opposition
gradual ly diminished, perhaps
because when the cisterns were
torn down a few dead rats were
found in them. The supporters
of the old style of collecting
rain water had still less to say
when dead cats and dogs were
discovered In some of the old
cisterns. But the final quietus
was put upon the cistern defend-
ers when a dead negro was dis-
covered in one: It is pretty
hard to argue with a water-
logged defunct Ethiopian. Still
I remember one unreconstructed
rebel on the subject, who had
a small shop on the woods side
of Elk Place; as long as I can
remember, he kept a little dis-
play In his shop window consist-
ing of a couple of half gallon
Jars, one containing cistern
water, pure and sparkling, and
the other holding city purified
i*ater .--cloudy, murky, and
foreboding .
* Due to the Fact that the
streets of New Orleans follow
the curve of the river, the
terms east , west , north, and
south are seldom used. Instead,
direct ions are given in terms of
'River', 'woods', 'uptown', and
' downtown '
CO 83 882383 83 83 8888838883 23 2388 S3 £3 82 8323888223 888382 23 828283 8323838382 23 S3 23 288382 23<
66 83 83 8888 23 23 2383 23 8882 8383 83 8388 83 83 83 83 83 83 83 83 83 82 88 88 82 8883 82 28 838882S382838382(
SPECIAL
J. O'BYRNE DeWITT
FIFTY-ONE WARREN STREET
ROXBURY MASS.
AUCTION CLOSES JULY 26th, 1943.
Bye and bye/play ue blow
Tozo/rocky mountain blues
stampede/jackass blues
Carolina btowp/TNT
snaq . it/a i n't che sweet
buddy's habits/tears
rinds ide st0up/ajp the country
e. st. louis toodle/wop hea0
Down in our Alley bl./Charle«. Chasers, rev
Creole rhapsody. Parts I & II
Take it easy/Black beauty
Ol' man river/%a-oa-oa
cryinq all day/t300d man
Sau sha stomp /Lctb get
Too tight/Papa dip
BECHET'S N.O. FEt TWARMERSSwEETI e dear/maple leaf
CONNIE'S INN ORCHESTRA BLUE RHYTHU/TOU RASCAL YOU
HARLEM HOT SH0TS( B.BANKS) BALD HEADED MAMA/TlHO'S BORRY
HANDY *S ORCHESTRA S.LOUIS BLUES/lUEMPH | S BLUES
FLETCHER HENDERSON
FT. ETCHER HENDERSON
FLETCHER HENDERSON
FLETCHER HENDERSON
DIXIE STOMPERS
KING OLIVER
JOE MANNONE
DUKE ELLINGTON
DUKE ELLINGTON
JUNGLE BAND
WASH INGTONIANS
B IX BEIOERBECKE
FRANK IE TRUMBAUER
JABBfl SMITH
NEW ORLEANS WANDERERS
0O 8883ES88eSg383ES8SE3gS83gS888SESg8S8828883gS8Sg8g8E3g3ES88g88S88g88883g3:
OQ83g38383g8g388g3g3g3g383E38883g38ag388S3888888S8E8g888g888g88888S8g8g888:
Use blank to advertise record* in the Changer . Cut on dotted line
4
DEADLINE -- 15th OF THIS MONTH
PRICE
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J.I. In Exile
■Louis, he's worryin' me
to carry my horn and to
learn h i m how to p I av , 1
says Bunk.
by cugcne uril I (am 5
Last month this column
Johnson's own words on the fir
issued (In a limited edition) b
company. The contents of the
other two sides are included be-
low. The writer, who is respon-
sible for the copying, can not
vouch for the spelling of any
proper names not familiar to him.
I hppe they are as accurate as
possible. Incidentally, the
coupling of the third talking
side is a recording of the hymn
Yes Lord, I'm Crippled, made by
the band at the same t lme as
e March, Panama,, etc.
BUNK JOHNSON'S
TALKING RECORDS
side B
JAZ Z NAH Llaltad Edition
'Say, Bunk -- give us a list
of the t rum pet players who
learned from you, or got ideas
from you . *
'A list of trumpet players?
All our good trumpet players.
Well , beginning with trumpet
players, when I were playin in
the uptown section, Frank Dusen's
Band, is where Louis used to
follow me. Louis w/»s about the
age ot. . .he. . .Louis WAS eleven
years old, and when he seed a
parage, Louis tramp the street
all day long right with me.
When the band stopped playin,
he's worryin me to carry my
horn, and wanted me to learn him
how to play. And Louis done
that , done that for a long while.
Then I seen that he were really
interested in learning, I told
him that I would, I'd leam him,
but he'd have to do like I would
tell him. So he told me, Bunk I
sure will do like you tell me.
He say, nil I want to do is to
learn, and 1 told him , 1 say,
well all right now, you want to
learn how to read music?
'He said, No I want to learn
how to play Pallet on the Floor,
Salty Dog, Didn't he Ramble, and
Ball the Jack, and a good
many more numbers; and I used to
set down round Dago Tony's, I
was work in at a little honky
tonk, Franklin and --at Frank-
lin and Perdido: piano, drum and
cornet; when I'd knock off play-
in at Masonic Hall well I'd go
over to Dago Tony's a.nd play.
Louis was in short pants, he
couldn't go in, but he would
steal in there in the early part
of the night, sleep behind the
included a transcript of Bunk
st side of the talking records
y Dave Stuart's JAZZ MAN record
piano till I would come on .
Then after he' d git in there
well then I would show him and
show him till he begin under-
standin me real good; it was a
short while before Louis could
play the blues.
'After he learn to play the
blues I learn him how to play
Ball the Jack. I learn him how
to play Ball the Jack, I learn
him to play Didn't He Ramble.
Then I learn him to play Didn't
He Ramble and then music become
easy to him --by head, by ear.
And Louis could play anything
that he could whistle. And then
a short while after that, well
Louis would get ar res ted for
goin in the Basin swimmin, so
when he went to Jones Home Louis
could play. He didn't learn at
Jones Home , he learned with
Bunk; and he'll tell you.
'And the next trumpet player
was Buddy Pet i t . Buddy was
workin at the glass factory, I
were livin on Marigny between
Robertson and Villere where
Buddy used to take lessons with
me. Couldn' t hold a horn, I
showed him how to hold it, and
he really went good, and to ex-
ecute on it. And Chris Kelly's
another one. Me and Chris were
workin at Empire Rice Mill.
We'd knock off at the rice mill,
we'd go down Toulouse and Bur-
gundy to my mother' s . He'd take
lessons there with me. I learned
Chris.
'Then 1914 I were teachin a
band at Mandeville Louisiana --
Tommy Ladnier , I taught Tommy.
First piece I learned Tommy
Ladnier to play was Big Chief
Battle Axe, and then Tommy
turned out to be real good. And
Louis Dumaine, he was in the up-
town section, I taught Louis.
Also Joe Nichols, called him
Wooden Joe. I taught...
AAA
BUNK JOHNSON'S
TALKING RECORDS
SIDE C
Jilt 111 Llaltad edition
'Say, by the way. Bunk, you
didn' t tell us about King Oliver
yet.*
'That's right, about King
Oliver, you aure is right, I
didn't mention that. Well Joe
I didn't teach Joe., I didn't
start Joe. Joe started with old
man Kinchin. Old man Kinchin
started a band, and after old
man Kinchin died George McCul len
taken the band. And Joe could-
play very little. Joe could
play very little on cornet. And
then we begin goin , me and
Brundy , Walter Brundy^ begin
goin to Second and Magazine
where Joe was workin, and I used
to- teach Joe there -~ I used to
help Joe. Joe used to follow me
in the streqt also - all parades
-- big a man as Joe was, Joe was
second line like the rest, like
Louis, and follow me and follow
me. And we used to go to Second
and Magazine and I was teachin
him. Joe wouldt buy music that
he was unable to play; I'd make
Brundy talk to Joe Oliver while
I steal the music, and I'd bring
it to the Superior Band and play.
'And Joe asked me that in his
last letter I received ftotn Joe,
well that's about thirteen years
ago. I have that tetter yet --
that letter's in Cleveland, Miss
Mary has that, she clared that
she would take a copy of it and
send it to me . And I' m a few
years older than Joe. But Joe
didn't really git well on cor-
net until he crossed Canal
street. Joe begin playin in the
district in Manuel's place, he
played in the Superior Band in
my place on engagements - played
dance halls in my place. When I
quit Mr. f>Te Lala' s caberet,
well Joe taken that job wi th
Sidney Bechet. And Joe begin
gettin really good then. And he
was workin in the district every
night and playin with Manuel
Perez in the Onward Brass Band.
And Joe always did like my style
of playin, and mentioned in his
tetter how I played blues, and
how low and how wicked. And he
was crazy to learn the blues.
Joe really could play the blues
in a short while. And Joe be-
came good till he went North.
''And also Kid Punch, Kid
Punch was another one, Punch
used to follow me too. All of
them was crazy behind old man
Bunk' s playin. I had a out-
standing style of playin from
every man in town. Played my
style, just my thoughts, used my
ideas about it. Course I would
listen at oiher cornet players
pipy I take their ideas and
put it with mine, made me-have
greater ideas, and I found out
that I was bout toppin all of
them. Everybody liked my style
of playin and still can play
now, and I'm mighty proud that
I'm able to say that the men
that I taught made $ood; Joe
went North and maae good - Louis
went North and made good
Tommy Ladnier went North and
made good -■- he played with
Louis. And the old man is still
hittin that horn. I really can
play yet myself. And I think
that the records I made' s gon'
come out real fine."
5
f
W ANTE D
3 IpRlCE QFFEREO FOR RECORD
2 ICATALOG NUMBER OF RECORD
1 [LABEL OF RECORD
ALBERT AMMONS-PETE JO
1 2
CUTTIN THE BOOG IE/BARREL HOUSE BOOGIE Vl 27504 •
BOOQIE WOOQIE MAN/WALK|N' THE BOOGIE Vl 27505 ■
SIXTH AVENUE EXPRESS/PlNE CREEK V! 27506 -
(any Solo-Art) SA ■
(ANY)
- Clar
■ Clar
' CLAR
■ SHER
■ WALL
OLOUIS ARMSTRONG
Sunset cafe (ex only) OK
Jazz lips OK
JAZZ LIPS OK
J*ZZ LIPS OK
IRISH BLACK BOTTOM (EX ONLY) OK
IRISH BLACK BOTTOM OK
Irish black bottom OK
JMLOUAN BLUES/GULLY LOW OK
Alligator crawl (ex only) OK
illlie the weeper ok
melancholy blues ok
Put 'em down (ex only) ok
Savoy blues (new only) OK
Hotter than that OK
weary blues (ex only) Ok
Struttin' with some barbecue ok
(Accompaniments, except Bessie Smith) —
(Any hot 5 or 7 disc) —
(many early Hot 5's and 7's; G+) —
Oh peter/Margie
Reminiscing
(Any)
uhca
CHARLES BARNET
BARRELHOUSE FIVE
I wo"noerA*f"fle man
(Almost any; state dispositions)
BIX BEIDFRBECKE
Margie
Davenport blues
Jazz ue blues
Old man river
loui si ana
Davenport blues
In the dark
IN A MIST
Study i n brown
I 'm goin' hunting
Sugar papa
(Any on vocalion)
weary way blues
weary way blues
hot stuff
MY BABY
Endurance stomp
Parl R2B33 ■
GE 5654 •
OK 40923 •
OK 41088 -
OK 41 173 •
Gain
Gain
- gain
SHARKEY BOSANO
BIG SOY SLUe/OLO FASHIONED SWING
■ nil —
Beat ue daddy eight to the bar
Down the road a piece
southpaw serenade
26121 Gain
26122 Gain
26123 Gain
25653 Bill
1099 4.00 PlNC
I 100 4.00 PlNC
KAPL
VO I 135 GROV
VO II 35 4.00 HURN
VO I 1 36 4.00 HURN
Vo I 180 4.00 HURN
Ch 40025 GROV
Co 35530 ■
Co 35707 ■
MELANCHOLY LULLABY
CELLAR BOYS
CHICAGO FOOTKARKERS
Barrelhouse stomp (new only
Ball i n 1 the jack
Brown bottom bess
Sweep *em clean
Brush stomp (new only)
(Any, except OK 8599)
CHICAGO LOOPERS
Three blind mice/Clorinoa
Three blino mice/Clorinoa
Don't cry honey
Smokeshop drag
East coast trot
1 2 3 4
-2 1.75 STUR
OK 8533 4.00 STUR
OK 8613 3.00 PlNC
OK 8792 3.00 PlNC
CO 35681 1.25 STUR
OK 4.50 HURN
PE 14910 •
PE 14910 •
■ CULT
■ Gain
vo 1263 Horn
VO 1269 5.00 Horn
Para 12382 horn
I *U GONNA STOMP MR. HENRY LEE
MESSING AROUND
COOKIE'S GINGERSNAPS
DEEP SEA 8LUES/UEATH LETTER BLUE.
starl ight
here lies love
street of dreams
vou're beautiful tonight
Linger a little longer
what do i care, it's home
shadow waltz
there's a cabin in the pines
the day you came along
beautiful girl
Little dutch mill
love thy neighbor
i 'm humuin' i'm singin'
gens from george whites' scandals
Face the music medley
lawd, you made the nite too long.
you've got me crying again
i apologize
moonsonq
VI 38040
OK 8392 •
BR 6259 •
BR 6406 •
BR 6464 •
BR 6477
BR 6491 •
BR 6515 •
BR 6599 •
BR 6610 •
BR 6644 •
BR 6694 ■
BR 6794 ■
8R 6852 •
BR 6935 ■
8R 20102 •
BR 20106 ■
BR 20109 ■
Br
■ HENR
OEAN
- CLAR
- "ELL
- MELL
- MELL
- MELL
- MELL
- MELL
- MELL
- MELL
- UELL
- MELL
- MELL
- UELL
- UELL
- MELL
- UELL
- MELL
- MELL
- UELL
- MELL
COW COW DAVENPORT
CHARLES DFI-AI'NEY
Rising sun blueS
HOT Dl&COGRAPHY 1938 (new)
(ANY except VI 20415)
Para 12452 5.00 morn
6. .CO Cult
DIXIELAND JI G BLOWERS
weary way blues
Oriental blues
The chant/Congo love somq
Story book oallAasy rider
Oh lizzie
Br 3565 4.50
NURN
Joe turner blues
Br 3997 3.50
HURN
bucktown stomp
B3 8549 2.00
HURN
Blue piano stomp
B8 10238 2.00
HURN
Bull fiddle blues
8B 10239 2.00
HURN
Heah me talkin'
BB 10241 2.00
HURN
Oh daddy
PARA 12471 4.00
HURN
Loveless love
PARA 12483 6.00
HURN
■eary blues
VO 15632
Dean
Weary blues
VO 15632 6.00
HURN
Pencil papa
Vl 38038 3.00
HURN
Railroad boomer
OK 45417 2.50
HURN
Come on and stoup
ANY 3.00
HURN
(Any on Para, Br. or vo)
OK $3-10
KAPL
(any on Para, Ok, Br, vo, Vl, 88, Ch) ■
■ ALL
Loose lio special
Vi 27526
Bill
Indian summer
UELL
Polka dots and moonbeams
UELL
Ham and eggs
CO 14358 4.00
Horn
SADDEST TALE
BR 7310
Bill
KOKO/tONQA BRAVA
VI 26577 1.50
Sieo
In a uellotone/Ruupus in Richmond
VI 26788 1.50
3 1 EO
Moon mist/C jam blues
VI 27856 1.50
BlEO
Blues with a feelin.Ah sty morn(new)
CO 35955 1.50
STUR
Gal from Jnc'h i let a song go out
Co 36108 1.50
BlEO
PRELUDE TO KlSS/fooSC OF RIO QRANOC
CO 36279 1.90
8IED
12 3 4
12 3 4
IMPROVISATIONS IN ELLINGTON
Bill
HRS
1004
Bill
Cabbage greens No. I
OK 05713
HENR
Gibing blues
OK
06104
H NR
( anyI
Hall
1 WILL KZELL
Old will blues/mixed up rag
Para
12688
H N
Barrelhouse woman/^ei fer oust
Para
12753
HENR
■■ JEAN GOLDKETTE
IN UY MERRY OLDSHOBILE
Vl
SPEC.
GAIN
1 BENNY GOODMAN
MUSKRAT SCRAMBLE
BR
4968
QA n
The earl {ist uaster only)
OK
2~00
Cham
Let's do it (ist master only)
OK
6474
2.00
CHAM
CLARINET A LA KING ( 1ST MASTER ONLY
OK
6544
CHAM
That's a plenty
12073
GAIN
AFTER YOU'VE GONE/BODY AND SOUL
Vl.
25 1 1 5
2~00
BIED
Good bye/Sand man
VI
1*50
Stompin* at Savoy/Breakin in NEW 6H0ESVI
25247
1*50
BIEO
Madhouse (Master j*| only)
VI
25268
1 .50
Cham
China boy/Lady be good
VI
25333
1 .50
Bied
1 FOUND A NEW BABy/SW 1 NGT 1 ME ROCKIES
VI
25355
1 .50
IED
moonglow (quartet)
VI
25398
Bill
Stompin at Savoy/Vibraphone blues
VI
25521
1 .50
BIEO
Sugarfoo't stoup/| can't give you any
. VI
25678
1 .50
B 1 ED
Loch lomond/Camel hop
Bl
25717
1.50
BIEO
Thanks for the memory (Master fz)
Vl
25727
1 .00
Cham
BE 1 M J R BIS OU SHON
VI
25751
1.50
BIED
WRAPPIN IT UP/MELANCHOLY BABY
Vl
25880
1 .50
Bied
PlCK-A-RIB (QUINTET)
Vl
26166
Bill
PlCK-A-fllB (QUINTET)
VI
26166
Sugar/Opus 3/4
Vl
26240
1.50
Bied
BOY MEETS QOy/I SURRENOER DEAR
CO
35482
1.50
Bied
GONE WITH WHAT DRAFT/ON THE ALAMO
CO
35938
1.50
Bied
AS LONG AS 1 LIVE/BENN'S BUGLE
Co
35901
2.00
Bied
MEMORIES OF YOU/SOFT WINDS
CO
35320
1.50
Bied
SEVEN COME ELEVEN/SHIVERS
CO
35349
2.00
Bied
Poor butterfly/The SHIEK
Co
35466
1.50
BIED
STRING OF PEARLS
Co
36588
2.00
Cham
"Kingdom of Swing" (book)
2.50
Cham
ooih' the new low down
Jazz band ball
Tuxedo junction
On THE SUNNY SIDE OF THE STREET
Bill
HENR
bishop's blues
Tack head blues
Stomp i n ' em down
lovesick blues(vg only)
(Any, except OK 8312
riff medley / xyz
boogie woogie on st. lou is blues
Good gal blues
Day DREAM
Parts I and 2
honeysuckle rose
(Any in goo^condijj_on
feel in' blue/riffs
■
Bound to be a monkey
easy look at you/cherry red
Cafe society rag/lovin' mama blues
(Any solo-Art)
Good time flat blues (new only)
Astoria strut /Duet stomp \hzv only)
Poor house (ex)
29th and dearborn
Streetwalkers* blues
Hot and ready
Friar's point shuffle
EBB
OPUS 5
HITJDIE LF.ADnEI.LT
Easy rider
i 'm on my last go round
new black snake moan
MEADE LIIX LEWIS
Blues de lux/deep fives
far ago slues
CRIPPLE CLARENCE LOFTON
STR
that thin
i had a dream
Brown skin gal
Brown skin gal
(Either Solo-Art )
SA 12003 -
SA 12004 ■
V0 02951
SA 12003
Me 6 I 1 66
ME 61 166
Just one girl/She's crying for
(any 6inging or preaching
Down to the bottom
(COL. 337^^^nd Para. 20273)
ozzie Mcpherson
MIDWAY GARDEN DANCE ORCHESTRA
CO 35685 -
BB OR Vl
Para 12362 •
• Horn
• Horn
■ HENR
■ HENR
HENR
3.00 horn
Henr
3.00 HURN
Dean
Clar
■ WALL
STUR
Da vi
MOONLIGHT ON THE GANGES
t HATE A MAN
MISSISSIPPI JOOK BAND
SKIPPY WHIPPY
JELLY ROLL MORTON
fat meat and greens
Fat meat ano greens
wolverine blues
perfect rag
si j fat ham
jungle blues ( new only)
Mauamita
billy goat stomp
ojl well (solo)
(Any on ge, para, silvertqne)
Streamline train/Cryin' bother blues De 7171
Dying rider/1129
Co 3051 •
VI 3B57I -
Me 61 165 ■
VO 1019
VO 1019
GE 5289
GE 5486
GE 5552
BB 10256
Para 12216
Vl 20772
Sher
HORN
Dean
8.50 Horn
Dean
— — Dean
DEAN
Stur
Dean
3.00 HURN
DEAN
— — Kapl
• HENR
• Wall
NEW ORLEANS BOOTBLACKS
mixed salad
(both)
"Co 14465 3,50 f INC
■ 4.00 Kapl
NEW ORLEANS RHYTHM KINGS
Baby/i never (vgokly) ok 40422 Dean
(Any, except Qe 4966, 5009, t 5219) DAUI
NEW ORLEANS WANDERERS
Tack ,
Black snake blues
west end blues
lazy mamma
High society (vg-Ex only)
k rooked blues
Room rent blues
Room rent blues
Mabel's dream
Mabel's dream
southern stomps
Southern stomps
buddy's habit
Riverside blues (vg-Ex only)
(Any gennett. Col. or Okeh)
(any on Ge, ok. Para)
(Okeh, col.. Para., Gennett)
Co 735 3.50 PlNC
■ Clar
- Garr
- Horn
■ Horn
• horn
• horn
• Dean
■ Dean
Horn
Kapl
Dean
horn
Dean
HORN
Dean
Dean
Davi
Kapl
Stur
Para
Para
Ok
ORY'S CREOLE TROMBONE
ORY'S SUNSHINE BAND
TINY PARHAM'S FORTY FIVE
TURNER PARISH
I 190
4933
5274
8148 20.00
8148 10.00
8235 30,00
8235 20.00
12088
12088 2O00
40000
40034
13-15
.3.50
TRENCHES/F4VES
■ Horn
- HENR
HORN
SHER
12 3 4
READY HOKUM BR 7057 C>-*R
IT HURTS BO GOO: ( TROMBONE SOLO) PARA 12816 HENR
OK 4306 1.50 8 1 ED
OK 4598 1.50 B| ED
OMF.R SIHEON
ARTHUR SIMS CREOLE ROOF ORCH .
SUOKE HOUSE BLUES
Soap6t i ck blues/How do you
Flock o' blues
SH I PWRECK BLUES [EX ONLY)
Empty bed blues (new only)
(any)
RELAX IN AT THE TOURO
Oh, lady be good/ I can't give you
Solitude/lady be good
coquette/l *ve sot a crush on you
STOMP OFF LET 'S GO
STATI C STRUT
OK 5496 CLAR
OK 5531 CLAR
5647 CLAR
SOLID ROCK
MOB I LE BAY. 9LUES
what ' s the reason
Don't be afraid to tell your
That's what you thlnk
FRANK! F. TIIIJMIUl HI
On one can take your place
PaE R420
DEAN
NO ONE CAN TAKE YOUR PLACE
PAE R420
Gain
Japanese sandman
PAE R2I76
Dean
Japanese sandman
PaE R2I76
Gain
Love nest
PaE R2645
Ga in
Riverboat/Ostrich walk
OK 40822
Cult
riverboat/ostrich walk
OK 40822
qa.n
Coming virgin i a/Yonder
OK 40643
Cult
CRYING ALL DAY
OK 40966
Gain
Mississippi uud
OK 40979
Dean
My pet
OK 41039 2.00
Qrov
Jubilee
OK 41044
Ga i s
Dusky stevedore
OK 4IT00
Gain
Sentimental baby
OK 41 128 2.00
grov
LOU 1 6E
OK 41231 —
GAIN
Loui SE
OK 41231 2.00
Grov
1 like that
OK 41286
Gain
GATES BLUES
VO 1236 55.+
Horn
hell
ua on a wu?^^^^^^^^^
DEVI L DANCE BLUES
wall
MAPLE LEAF RAQ
JM 1 2.00
GROV
GEORGIA CAMP MEETING
JM 4 2.50
Grov
RIVERSIDE BLUES
JM 5 2.00
Grov
Tiger rag
JM 6 2.00
Grov
FIDGETY FEET
JM 7 2.00
Grov
CHINA BOY
Co 1945
Ga i n
Aunt Hagar's blues/i 'm comin' Va.
De 2145
CLAR
Felix the cat
CO 14780
Gain
My pet
Vi 21389
Gain
Gypsy _
CO 50095
Gain
Papa de pa da
OK 8215
Dean
Coal cart blues
OK 8245
Dean
Dean
Fidgety feet
ST 5408
horn
That Creole banc
OK 8350 9.00
Parkway »tw
Vo 1220
Kapl
bear trap blues/Old quaker blues
The fives/Jimmy's stuff
OK 05490 CLAR
SAI2008 2.00 STUB
(MOST any)
(UOST ANY )
H.R.S. RECORDS
f.H.C.A. RECORDS
HRS -
UHCA
- Cult
- Cult
JOI',\ HACK
3047 Sr. Urnke Ave., Chicxfo, III.
WANTED New Only
GARNET CLARK HOT FOUR
RosetTa
bill coleman
coquette
rose room
9°lw m mis.
AVALON
TIGER RAO
J0NEa~lM I th. inc.
Shoe shine boy
DJANQO RE I NHAROT
IMPROVISATION
St. Louis blues
SOUTH—SRAPPELLY
CONCERTO IN 0 MINOR
WARLOP-RE I NHA3DT
TEA FOR TWO
So FK76I8 4.00
Q.R FK7705 4.00
SI 9 3.00
HUV B838833.00
Pa S3J5I3 6.00
Vo 3441 2.00
nliV B8537 3.00
S» 35 3.00
S< 18 3.00
SW 13 2.00
BOX TtADf. OS AUCTION
ALABAMA RED PEPPERS
RIVER80AT SHUFFLE
HENRY ALLEN
SSI NO OUT
ALL STAR ORCHESTRA
Oh baby
BLUE RHYTHM BANO
Dancing dogs/brown subar
Tallahasee
SIX JOLLY JESTERS
AKLAHOMA STOMP
COTTON PICKERS (miff-tram)
PRINCE OF WAILS
BENNY tOODMAN
TAPPIN1 THE BARREL
NAT GONNELLA t QEORQIANS
CONFESS I N'/^UQLE CALL RAB
TIBER RAB/NABA6AKI
l.C. HANDY ORCHESTRA
Farewell blues
mckenzie's celestial beings
I CAN'T BEtlEVE YOU'RE IN LOVE
SLENN MILLER
Sleepy time bal
mills brothers
Tiber rag/nobooy's sweetheart
THE MODERNISTS (BOOOMAnI
SOLITUDE
SAVOY BEARCATS
STAMPEDE/NOT NOTES
ART SHAI
Streamline
FRANK TRUMBAUER
CRYIN' ALL DAY
lARINO'S PENNSYLVANIANS
Farewell blues
PAUL IH ITEMAN
MY BABY DON'T MEAN MAYBE
CHICK 1EBB
HEEBIE J EES I E
FESS WILLIAMS
VARIETY STOMP
TEDDY WILSON
SAILIN' STOMP
BENNY CARTER IhawkINs)
Sleep Alow freight
BUD FREEMAN
SWINOIW WITHOUT MEZZ
CA 8204 N
VI 38080 N
VI 21423 N
Co 3044 N
BR 7534 N
VO 1449 II
BR 2766 £
Co 2856 N
PA EF569 N
PA EFI6I N
OK 4880 N
Pa ERI003 N
VO 505 1 N
BR 6179 N
ME 13159 N
VI 20460 N
BR 7852 N
PA ER2I76 N
VI 21508 N
CO 1441 N
BR 6898 N
BR 3532 N
BR 7781 N
VO 5399 N
CMS 5 14 N
FOR SALE I NEW copies OF jat; Information,
9, 10, 18, 18, 20, 21, 23, 31, 32, 34, 35,
VOL . I,N0».4,
FOR DISPOSITION1
1 2 3 4 5 6
MRST FOUR LETTERS OF COLLECTOR'S NAME A
FOR ADDRESS, SEE PAGE 2. t
PRICE IF FOR SALE; VALUE IF FOR
TRADE; MINIMUM BID IF FOR AUCTIONf^^k.
method of disposition: "sal ,
for sale at price indicated;
"tra**, for trade; "auc% at
auction. closing date forbids
July 20, 1 1943; "t-a, for
trade or auction; "t-s™ for
sale or trade; bsta" for sale,
trade or auction.
1
condition of recordin-new;
e-ex cellent ; v-v ery . good ;
G-gooo; F-fair; P-poor. ■
I Catalog number of"i
j LABEL OF RECORD
I OWE YOU/HAVE YOU EVER
pleas in* paul
Swing out/Feelin'
ALLEN-HAWKINS
Galveston gal
— henr
3704 e+-sal 1.50 burn
" e sal i .25 burn
" g sal 1.00 burn
10235 e auc osqo
10702 e auc osgo
VOQE
Mahogany hall stomp
my sweet/l can't believe
Them their eyes/Sweethearts on
muskrat ramble
k i nq of the zulus
Keyhole blues
Ship the gutter/knee drops
cornet chop suey
oriental strut
Heather bird/Monday date
Fi reworks/Best end
Skip the gutter (skip)
The peanut vendor
little things in life
VO 3055 F AUC 1.00 BURN
" " F(REV.G) BOR^J
VO 3308 N AUC 3.00 BURN
Vo 3337 E+AUC 2.50 BURN
OK 8330 G T-
OK 8396 F+TRA ■
OK 8496 E TRA >
OK 8631 V T-.
CO 36154 N T-^A
CO 36155 N T-,
CO 36375 N T-j
OK 41078 E TRA
OK 41 157 V TRA
OK 41478 G SAL
Vi 21098 V SAL
LONESOME ROAD
WITHOUT YOU/BONQUET OF MEMORIES Vl 21374 V SAL
St. Louis blues (Eo lang) Vi 21714 G sal
l can't give you anything but Vi 21798 G sal
Ain't mjsbehavin' Vi 22068 G sal
After you've qone/St. James Inf.vi 22299 E sal
ROLL)
FEED!
todolin blues
Jazz me blues
RlVERBOAT SHUFFLE
jazz ue blues
In a mist/wrinqin' & twistin'
Deep down south
OL MAN RIVEr/HA-OA-QA
HRS 23 E AUC
HRS 25 E AUC
UHCA 29-30 E AUC
VO 3014 V TRA
OK 3150 N T— A
VI 25370 E TRA
CO 35666 V T-
RAAB
Pinc
P| NC
Kapl
RAAB
RAAB
RAAB
WALL
Dean
.75
West
1 .00
Stur
.50
STEl
.50
Stei
.50
Stei
.50
STEI
.50
Stei
.75
Stei
Henr
1.50
BURN
OSGO
OSGO
OSGO
PlNC
1.00
Stup
GROV
DEAR OLD SOUTHLAND/
1 3 N T— A 2.00 SHER
FIRST T I ME I "SAW YOU Vl 25593 N T-A RAAB
Ebb tide/Great to meet a friend vi 25664 N sal Davi
RINKA TINKA UAN/l DANCE ALONE Vl 25820 N SAL DAVI
AZURE/(T,D0RSEY, I HADN'T ANY0Ne)V| 25848 V+-T-A 1.25 STUR
deed | do/Ori g. Jelly roll blue6 vi 26113 Q t-s 1.50 Clar
SOBBIN* BLUES/I CRIED Vl 26116 N TRA STUR
MR. FREDDIE BLUES
ORIENTAL MAN
SHARKEY BONANO
IG BOY BLUE
12370 F+TRA ■
40023 G TRA
3450 E AUC
G AUC
■ Henr
■ Dean
Lucy long/second fiddle
Lucy long/Second fiddle
Beat me oaddy eight to bar
Five o'clock whistle/Dearest
Henry Brown blues
Downfall of nebucadnezzar
Construction
Crescendo in drums/vitt-^a-£ay
paradiddle/pickin the cabbage
Fifteen minute intermission
Blues in night/says who
Farewell blues/mc^d indigo
CHICAGO FOOT WARMERS
Brush stomp/Get 'em ag.
mm
south ramp.bl/The skunk^" chip
Tear it down
The eel/Home cookin'
The eel/^ome cookin*
I 'M GONNA STOMP Mr. HENRY BR
5062 E T-A
5467 N T-A
5644 E T-A
6422 G T-A
15457 G T-A
■ Cult
■ Cult
■ Cult
• Cult
• Cult
6743 E t-a
35680 N STA
38046 N SAL
2.00 WEST
COOKS 1 DREAMLAND ORCH .
The one I love
COTTON PICKERS
hot lips/State st. blues
mtlenberq joys/jf you had
No parking/St. Louis gal
No parking/st. Louis gal
SO SOON THIS MORNING BLUES
WORRIED ANYHOW BLUES
BLUES AIN'T NOTH I N ' ELSE BUT
I AIN'T GOT NOBODY
GE 5360 G T-A
2292 V T-A
2937 G T-S
4440 G T-S
4440 V T-6
N SAL
12202 N SAL
12212 N SAL
12334 N SAL
The love nest/Till we meet
Oe
2825
N
T-S
Jazz me blues^o you ever think
OE
3040
N
T-S
H PUTNEY DASDRIDOE
DOUBLE TROUBLE
VO
3082
G
AUC
Sing, baby sinq
Vo
3304
F
AUC
H DIXIE JA77, BAND
MAKIN' FRIENDS CHALL
999
G
TRA.
DIXIE SYNCOPATORS
BAD FOR YOUR SOUL/FOR JUST
BR
4536
N
T-A
H JOHNNY DODDS
Wild man/melancholy
joe turner blues
BR
Br
3567
3997
V+TRA
E T-A
■ DORSEY BROTHERS
Cult
.75 CLAR
Davi
.50 Clar
1.50 WEST
1.00 WEST
I .00 WEST
1.50 WEST
.75 Burn
■ KAPL
HEIN
ST. LOUIS BL/MILEN8ERG JOYS DE 119 N T-A — DAVJ
Heckle & jibe/Annie's cousin fan de 1 17 N sal Davi
Have a little faith Pe 15265 g+t-a i.OO Stur
congratulat ions/open fireplace pe 15269 v t-a -—cult
Haven't changed thing/k ill-lee
klnda lonesome/room with view
Marie/Sono of India
Marchita/Never smile again
blue skies/at the ballet
DUKE ELLINGTON
lou i s i a na ( 1/8" edge ch i p )
Harmony i n harlem
i let a song go out of
a blue8 serenade
sol i tude
rockin' in rhythm
Sr 4110 V t-a — — Dean
Br 8044 F(rev.E) — BURN
BR 8108 E AUC 1.50 BURN
" " G AUC 1.25 BURN
BR 8221 N AUC 2.00 Burn
Vl 24755 N T— A — RAAB
VI 26310 E T-A RAAB
KING
All I'm after Vi 24477 v t-.
■ Cult
9
1 2 3 4 5 6
Jet blac
Hot finqers/Oee
Buffalo blues
west coast rag
Playing the oozen
Pi tchin' boogie
SATISFIED Bl
craze-ol06y
Tiger rag/Panama
Beale St. drag/southern jac
JEHN GOU1KETTE
sumoay/i 'd rather be the GIRL
Sunday/i 'O RATHER be the girl
h0061er sweetheart
i ' u qonna meet my sweety now
Changes
King porter
One o'clock jump/Don't be that v
angels sing/Sent for you
LADY'S IN LOV-e/SHOW YOUR LINE
Jersey bounce
{several 12" discs)
GRAPPELLY-RKISM/VRin
20273 V
20273 G
20471 Q
20675 G
sal 2". 50 West
t— a — Cult
t-s .90 Clar
t~s 1.75 Clar
t-s\ 1.50 Clar
Found a new baby/Lime house bl. De
Beggars blues/
SONNY GREER «■ MEMPHIS MEN
auc I .75 Burn
auc I .00 Burn
RORBY HACKETT
HAJfWAY HOUSE ORCH.
True confess i on/i 've hitched my De 1654 e t-s .75 Clar
MAPLE LEAR RAG. CO
Somebody to love/»hen I 'm blue Co
Love dreams/Tell me who Co
Just pretending/Ididn't have you Co
Loveless lov
St. Louis blues
476 G TRA ■
263 N sal •
!542 N SAL
1959 N sa.
CHICAOo/pJETCHA 'S ORE' M
Stardust/all RIGHT
Swinging in harlem
Uproar shout
• Dean
Oavi
- Davi
- Davi
• RAAB
< RAAB
De 661 N t-a Davi
VoE 5123 N T-A RAAB
Vo 3336 E(rev.f) — Burn
VO 3545 E AUC 1.00 BURN
G auc .75 Burn
High society/Sizzling the blues Br 4iei n t-
F'LETC HER HENDERSiiN
SUGAR F00T*6T0UP ( LOUIE J
CO
395
F T-6
.50
HURN
what/cha/call/em BLUES
CO
395
N SAL
2.00
WEST
Chant Henderson stoup
Co
817
N SAL
2.00
WEST
One of these oays (Louie)
8A
1457
Z T-A
Hein
SUQAR FOOT/CLARINET MARMALADE
CO
2513
6 AUC
VOCE
SLUMMING ON PARK AVENUE
VO
3485
N AUC
1.25
Burn
FIDGETY FEET
Br
3521
G TRA
Dean
Staupeoe/Qreat ceasar
VO
3534
E+T-A
1.00
Stur
R06E room/Back in your
Vo
351 1
E+AUC
1.00
Burn
Sleepy time qal
De
3613
N T-6
1.00
HURN
Chris & sang/All goo's chillun
vo
3641
N T-*
1 .00
Stur
GULF COAST BLUES
Co
3951
E T-S
.50
HURN
DO DOODLE OOM/DlCTY SLUES
Co
3995
G«-AUC
VOGE
Old slack joe's blue6
CA
9033
G AUC
VOQE
house of dayio
He
12216
F+AUC
OSQO
Tell ue dreamy eyej/Shanqhai
Pe
14338
E T-A
Hein
down hearted slues/qulf coast
1LV0
14636
G AUC
Davi
STRUTTER6 DRAO/l DON'T CARE 8L
vo
14828
G AUC
Dav t
Sugar foot 6tomp/what-cha blues Co
35668
N T-A
Cult
Basin street blues/Blues for
BN
7
2.00
She r
JUBT TOQ SOON
H RS
1 1
E AUC
Osoo
Flany doodle/Pianoloqy
vo
3501
E AUC
1.50
Burn
Rosetta/Qlao rag doll
BR
10555
ti T-A
Davi
(Several)
DEE
- T-A
RAA8
1 2 3 4 5 6
WEST END BL/TIGHT LIKE THAT Qh 15714 i
I FEEL LIKE A FEATHER VQ 3146 I
Stock i no. feet/black snake moan Para 12407 i
Jesus is coming soon/I'm gonna Co [4391
WHAT IS THIS THING CALLED LOVE BR 4712 I
RIFFb/FeeLIN' BLUE OK 8770 I
two tone st
who'll chop your suey
Coin' away blues
Blue rhythm fantasy Ok 5627 I
Mutiny in the parlor vi 25263 I
Call you sweetheart/Drummer man Co 35324 i
M.-j.BPivwTjtAi'miyrnn7!wf
G.BENTLEYI how long OK 86(2
R. Douglas t somebody said ok 4O80I
S. Ellisi NOBODY BUT YOU OK 41289
L.Slinni Atlanta blues Co 14421
E. waters, must be love Co 2232
E.Ml LLER t NONE OF tV||S JELLYROLL OK 41280
R.Evanbi Blue eyed baby Co 2338
Clarence Williams novelty 4 OK 8645
HONKY T0T4K TR
G AUC
F AUC
F AUC
E AUC
N AUC
STEI
STEl
STEI
Stei
Stei
STEI
Stei
■ STEI
MISS HANNAH/WAY I FEEL TODAY BB 10232 N T-S
Some sweet day/Cherry vi 21730 v auc
I WANT A LITTLE GIRL Vl 23000 V TRA ■
AIN'T I WOOD TO YOU/PLAIN 0 1 RT Vt 38097 V T-A
Free lovc/3issonance Br 7551 E sal i.
APOLMiCS/SeNDIN' the vipers Vi 25019 E 6AL
Old fashioned love/25 a. calumet Vi 25202 E sal I.
Blues in disguise vi 25636 E sal l,
■ illlli llllilll lllllll Lt—
Royal garden blues/if you bee uebs 10067 n t-6 2.
royal garden blues/if you 8ee ue8b 10087 n t-a —
Royal qaboen blues/if you see mebb 10087 £+*uc
doodle do do s doping vou
Mississippi here . am
— Osoo
— OSGO
— Davi
— Cult
— Qrov
— Cult
— Raab
00 West
75 WEST
00 WEST
00 WEST
00 Clar
— Davi
Cole
Old roLK» at home (louie
WINDY CITY STOMP
SH I Ift-WwtHtlU -BABBLE
KRS 15 E auc
UHCA 23 E AUC ■
10
2 3 4 5 6
.1KLLY ROLL MORTON
Winin boy blues/Oh didn't he BB 10429 N t-b 2.00 Clar
DOCTOR JAZZ VI 20415 N TRA HENR
Snub's blues/Swampland
HOT WATER BLUES
K.c. shuffleAAZ0°
Mot on stomp/blue guitar
Kansas city break/low down bl.
That to do blues
De 8636 N SAL .75 BURN
" " F SAI .50' BURN
BB 7938 N T-5
Vl 20485 V T-S
VI 20955 G T-S
Vl 21693 Q T-S •
Vl 22793 E T-«
MOi ST) CITY BLOT F1L0WER8
TlQER RAG/DEEP 2ND ST. BLUES BR 2804 N 6TA
ONE hour/Lola BB 10037 N TRA
TAILSPIN BLUES/NEVER HAD REASON BB 10209 N TRA
Clarinet marmalade
Shaq/i found a. hew baby
VI 20647 G T-S .50 Clar
24150 E sal 1.00 WEST
Bugle: call blues Ge. 4967 V AUC •
Panama/Tiger raq Ge 4968 G auc •
Weary blues/wolverine blues ge 5102 Q tra ■
Tin roof blues ge 5105 g*t-a ■
mtlenberq joys ge 5217 g auc -
London blues/uao Ge 5221 G auc •
(MANY ON OK AND Ge) TRA •
SEW ORIGANS * A NT) FT* FTH S
Gatemouth
perdido gt.
five foot two
Davenport blues
Sugar/make uy cot where the
Co 608 F+TRA
Co G 8TA -
463 E T-6
20778 E T-6
21056 G T-S
- COLE
- Cole
■ henr
— — Dean
Cole
COLE
Kapl
pinc
Dean
.50 H URN
I .00 HURN
.75 Clar
i surrender dear/touboy
Love is here to stay
Always and alwayi
1 M
CALL OF THE FREAKS
ROOM RENT 8LUE6
ST I NQAREE BLUES/SHAKE IT
Superstitious blues.
A oooo man is hard to find
Span i sm oream
Freshman hop (2 copie5)
Deep elm/Moon is or inning
PECKIN' 'In A SENTIMENTAL MOOD
if i could be with you (tea)
Grabs shack'/qoin' to heaven
OLE mammy /DANC I NO IN MOONLIGHT
Sleepy head/night on desert
got a warm spot/freckle face
zoow/spreadin' knowledge
Couldn't be had/One step ahead
Song of islands/Jiu town blues
GOT t5/SWEET AND HOT
HE'S The LAST WORD
first me t mary
Deed i do/ (Coon Sanders)
He's the last word
you're the one for ue
memphis blues/waitin' for katie
Sweet sue/Singapore sorrows
Buy duy/Dne bweet show girl
SENTIMENTAL BABy/CAHE THE DAWM
Sally of my dreams
Futuristic rhythm/Sit and talk
Louise/-*!!* cherie"
L«ajise/*ma chewje*
(Cmtmtii nut colmm)
- Dean
- DEAN
504
V
AUC
STEI
VAR
556
G
AUC
Stei
BA
0747
V
AUC
STEI
CO
2886
N
AUC
Stei
CO
2901
V
AUC
STEI
CO
2929
a
AUC
STEI
Co
2931
G
AUC
Stei
Vo
3342
N
AUC
STEI
Br
7751
N
AUC
Stei
Br
7764
N
AUC
stei
Pe
15431
a
AUC
STEI
VI
20245
V
T-6
1.50
CLAR
VI
20394
V
AUC
STEI
VI
20408
V
AUC
STEI
VI
20425
E
AUC
STEI
VI
20461
E
AUC
STEI
VI
21 184
G
AUC
Stei
VI
21437
V
AUC
Stei
VI
21743
V
AUC
stei
Vl
2 1827
a
AUC
stei
Vl
21657
Q
AUC
STEI
VI
21858
E
AUC
STEI
Vl
21941
N
G
AUC
STEI
Vl
21941
T-e
1.50
Clar
1 2 3 4 5 6
(Continued from j>recttding column)
my kinda love/On with dance vi 21944. E auc stei
Yellow dog blues/Wang wanq vi 21971 G auc Stei
won'cha/Hush of the night vt 22071 v auc Stei
bashful baby vi 22074 E auc Stei
True blue lou Vi 22089 N auc Stei
sweetheart we need/you're in Vi 22101 N auc Stei
SONG OF THE BLUES V| 22147 N AUC STEI
From now on/You've made me Vt 22158 N auc Stei
I'D LIKE TO BE A GYP6Y V| 22252 E AUC STEI
Keep your undershirt on vi 22267 N auc — Stei
Sing sonq girl/Fall in l.(tea) Ba 32074 V auc Stei
MAMA'S GONE GOODBYE/NEW
Fifty second street
19233 G T-S .75 CLAR
Vo 3509 E auc 1.00 Burn
Exactly like you
Raab
Countin the blues/Jelly bean uhca 83-84 N t-a 1.50 Sher
See see rider/Jealous hearted uhca 85-86 N t-a 1.50 Sher
bo-wevil blues/Last minute para 12080 G t-a Cult
Explaining blues/army camp Para 12284 G t-a Cult
Trust-no man/Oown in basement Para 12395 G t-a Cult
Davenport blues/Deli rium
Davenport blues/Delirium
Sugar
hangover/Tain't cold
dynam i te/h i -q i odle-d i dole
hurricane
Hangover
20778 G T-S .75 CLAR
20778 G T-A Dean
t-a — — Dean
PE 14600 v t-a •
PE 14639 V T-A ■
PE I47I7 E AUC •
PA THE 36419 G T-A ■
he i n
OSQO
Dean
OR IG. STACK 0'LEE/T)0»N HEARTED
Ve
7070
G
SAL
.50
Stei
Bao habits/New st. Louis blues
OK
40755
G
SAL
.50
Stei
BtUIN' THE BLUES/CLAR 1 NET MA RU
OK
40777
G
SAL
.50
Stei
SOMEDAY SWEETHEART/CHRISTINE
OK
40819
G
SAL
.50
Stei
1 AIN'T GOT NOBOOY/SlQH & CRY
OK
40861
G
SAL
.50
Stei
HOT LIPS/GRIND OUT
OK
40888
G
SAL
.50
STEI
EN 1 ALE BLUES/SOUEBOOY '6 >RONQ
OK
41059
G
SAL
.50
Stei
ORIG. CHINESE BL/PRICKLY HEAT
OK
41 163
G
SAL
.50
STEI
WABASH BLUE 3/1 EN NESS EE Vl 21864 N SAL .95 STEI
SHINE/DOIN' YOU GOOD Vl 21912 Z 6AL .75 STEI
Rich man poor man/Jailhouse now Vi 22010 E sal .75 Stei
C0PENHAGEn/6eALE ST. BLUES
Smiles/give it to me
sobbin' blues /cream puff
Any old time/Back bay shuffle
frenesl/aoios uarequito linda
sobbin blue3/l0k& lost mamma
red wj ng (rto river valley
Vl 22303 E SAL
Vl 23032 V SAL
.75 Stei
.75 Stei
Vo 4686 N SAL 1.50 BURN
BB 7759 G T-A CuLT
Vl 26542 E T-A CULT
FLOCK 0 BLUES/i 'M QLA.
BrE
02207
N
tra
FLVCK 0 BLUEs/l 'M glad
brE
02207
N
TRA
Shime-sha-wabble
DE
18093
E
AUC
Oklahoma stomp
VO
1449
E
AUC
■ GROV
• Kapl
Osgo
DOWNHEARTED BLUES
Co
3844
F
T-6
.50 Hurn
OH DADDY SLUES
£0
3888
F
T-6
.50 HURN
Nobody's blues/My man blues
CO
14098
G
T-A
Cult
GOLDEN RULE BLUES/DESERT BLUES
Co
14123
a
T-A
— i — Cult
Baby ooll/hag been blues
Co
14147
a
AUC
— VOQE
BABY DOLL/HA& BEEN BLUES
CO
14147
s
T-*
Cult
Livin' huuble/qit on board
CD
14183
G
T-A
Cult
Empty bed blues, pts. i & 2
CO
14312
T
T-6
1.50 Clar
Empty bed blues, pts. i a 2
CO
14312
V
T-A
Cult
wild about thinq/Qot 0 1 ve me
Co
14427
Q
T-A
Cult
11
down south blues/kind lovin
All niqht blue6
Nobody knows the way I feel
alley rat blues
Onery blues
Onery blues
Look where the sun done gone
DARKTOWN STRUTTERS 6ALL/S|GH1N OK
Railroad blues/wolq 's jazz UHCA
Voice of the southland
2 3 4 5 6
3961 G AUC VOCE
3966 G T-A Raab
14058 E SAL 1.50 «EST
14104 G t-a Raab
141 17 G AUC VOGE
141 17 G THk RAAB
14138 G AUC — VoaE
4767 F T— s .50 Clar
Annie Laurie/Blue skies vo
Ea&y to love/Nice work if you vo
i uiu BLUES
ROOSEVELT STfKE8
BOOT THAT THING/44 BLUES OK
TEN & FOUR BL. /ROOSEVELT 'S BL. OK
■EE BABY BLUES
.JACK TEAGAROEN
JUNK MAN
THE BLUES
8702
8776
7652
8216
N BAL
N SAL
N 6TA
N T-A
I .00 WEST
1.00 WEST
— OAVI
1.50 STUR
CLAUDE THORSH ILL
0 SOLE M I o/TRUMERE I
Ok 6124 N 6al 1.00 Burn
KTUNKIE TRdMBAUKR
'■ay down yonder/Clarinet maru. vo 4412
'■AY DOWN YONOER/ClAR I NET HARM. VO 44)2
■onderful/^ayor alabau Br 7663
I'm coming VA. Sing i -j ' THE BL BP 7703
Sinqin' the blues/Clarinet warm ok 40772
slngin' the blues (red) ok 40772
rjverboat shuffle ok 40822
blue river/cradle in caroline ok 40879
l1la/0ur bungalow of dreams ok 41019
lila/our bungalow of dreams ok 41019
N AUC 5.00 BURN
N T-A OAVI
£>T-A I .50 STUR
N auc 5.00 Burn
G T-e Oavi
F+T-6 I .00 Hurn
V TRA — ■- KAPL
E TRA KAPL
F T-5 I .00- HURN
N 6AL 1.50 WEST
Stringing the blues/Black 4 bl Co 914 N sta Oavi
IN DE RUFF (b,G.)(BL.6; DE 18168 N T-6 1.25 HURN
DOIN THINQ6 VI 21561 N TRA HENR
BEATIN* THE DOG/ktCKIN' THE CAT OK 40853 E T-S DAVI
uuq of ale/Cheese & crackers OK 40897 G t-s Davi
SENSATION/BUUE ROOM (BL.4) OK 41 144 V T-6 1.00 HURN
Every dog has
Devil dance/*
lenox ave. blues [solo
Sweet savannah sue
lookin' good but feelin' bad
(Most 24Q00, 25000 victors)
WASHINGTONIANS
Hop head/St. Louis toodle-o
Dinah/Sweet man
AU I BL'J r '6 i rm i ngham bertha
No man's mamma
heebie/Jeebies/Everybooy' mess
Organ grinder/%est endslues
HEEBIE jlsfi^E^B^UES
l'Al'L WHITEMAN
Out of town gal (2 copies)
Twilight/Counting stars alone
After you've gone
MARy/CMANGCS
Mary /Changes
(Continued next column)
8205 F+T-A DEAN
8206 N SAL 3.00 "EST
VI 20357 V TRA Grov
Vi 22108 E TRA HENR
Vl 38086 N 6AL t.50 VEST
Vi E+6al J5up Cham
CO 953 i
CO 487 G T— A
CO 1837 V T-A
CO .141 16 G SAL
CO 1 4153 G T-A
■ Cult
• Cult
• CULT
• Davi
• Cult
CO 14365 N SAL 1.00 VEST
I 1505 Q+T-a
i 1993 G t-a
- 2098 E TRA
21 103 G T-6
21 103 G auc
DEAN
Cult
DEAN
.25 Clar
Cult
(Canti mted from preceeding
Ol man river/Hake believe
Lonely melooy/Ramona
Dolly dimples/Coquette
My pet/i 'm afraid of you
YOU TOOK ADVANTAGE OF Ue/QO I
Louisiana/Dixie dawn
Sweet sue Tor no reason at
(many victors)
1 2 3 4 5^V
' column \
VI 21218 V t-a Cult |
Vi 21214 G t-6 1.25 Cult
Vi 21301 G auc Cult
VI 21369 G T-S 1.50 CLAR
VI 21398 G T-6 .90 CLAR
VI 21438 V T-6 1.75 CLAR
Co 35667 N T-6 2.50 CLAR
Vl E+sal J5-I Chaii
ALEC WILDER OCTET
Concerning etchings
She'll be seven in m
FLARE^CE WILLIAMS
SWALLER-TAIL coat
UlXING .THE BLUES
SHAKE THAT THING/GET I
LIVIN* higm/just WAIT
Cast away/Pickin' on
Spanish shawlAinah
Br 8307 N sal 1.00 8urn
Br 8461 N sal 1.50 Burn
N(i"CHip)- Burn
VO 2516 E auc 1.50 BURN
OK 4893 N TRA HENR
OK 8267 G TRA Wall
OK 827? V TRA VaLL
OK 40330 V tra Wall
OK 40541 N SAL .75 BEST
FOOTIE WILLIAMS
ECHOES OF HARLEM
LlNDBERGE
u i ch i gan water blues
if i had you/fou brought
Loved one/St. louis blues
L i mehouse blues/royal garden
Crazy quilt
Susie
BL.COM lOf N SAL I .00 VEST
Br 3332 N 6AL 1.00 WEST
GE 5454 V TRA,-- - PiNC
WYNN'S OITBUCKET FIVE
CRYING MY BLUES AWAY
ar.issuFs vantf.d
i will pay 6tty each for the follow i hq in excellent or
very sood condition!
jelly roll morton
shreveport
new orleans bump
Beale St. blues
Cannon ball blues
Fat FRANCIS
A. ■. COLEMAN, .25 LIBERTY STREET, MONTPELtCR,
BB 7710
BB 7757
BB 10252
fefi 10254
BB 10257
Vermont.
FOR SALE I $4.50
COLUMBIA HOT TRUMPETS ALBUM
A 81 DCS and Album
NEW CONDITION
LOU I E-6 I X-tfUSQSY-COOT 1 C — M 0 C H 0 L S — C L A y T 0 ■"*—
ALLEN-SM I TH .
John hurn, f$00 Sutter street,
San Francisco, California.
FOR TRADE
1. LILL'S HOT SHOTSi Vo. 1037, VG-€XI
2. SAMMY BRO*N (LOFTON)i QE 6337 Qj
3. LEVEE SERENADERSi VO. 1 1 54 Ex.
WANTED — till trade or buy:
Melrose Qennetj Dodos on Paramound and vocal ioni Oliver
on Okj Morton Gennett 5590, 55I5| Many Armstrong Accomp.
on oki and a few others.
Martin Alexander, 655 »est |77Th Street, new York, n.y.
Quality amplifier, prefer io ■ Thoro*rsoni'Tru-4;"id£lity"
Others considered. State price first letter,
jack Chamberlain, Hinsdale, new York.
s T
4 6
? Until I bear from tba Agriculture Depu-t.Qt ro-
ll gardlo. mj Idea for a coney-tearing tree, Uu
i aubacrlptlon Co tbla publication .111 be tl.Sl
? per jear. ,.,.„
12
OLD HUTCH
And the Blues
And the Original Rib Joint
lui "Tom
The blues have been familiar music to me for as long as 1 can
remember. Of the many characters I have run across, associat-
ed with the blues the most un-
forgettable was Harvey Hutchin-
son. " Hutch" was the first
serious patron of the blues art
that I ever encountered. As a
kid in Alabama I heard the blues
as soon as I heard amy music, —
blues sung by field hands in
town on Saturdays, blues sung by
chain gang road workers, blues
sung by itinerant guitar -playing
troubadours who followed county
fairs and carnivals and (around
1920) the recorded blues of
Mamie Smith floating out of
windows and doors of bawdy
Joints. Enjoyable as the music
was, both of itself and for the
fact that one had to dig It
clandestinely, I never thought
of it seriously or that there
was any merit in It. Parental
taboo and the places in which 1
heard it had led me to no other
conclusion; but than I met Hutch.
Harvey Hutchinson was a short
fat black man in his fiftys,—
sober, quiet and extremely good
natured, the latter trait which
he tried to hide with poorly
feigned irascibility. He had
been a dining car chef for many
years and whether his bulk got
too much for the cubby hols'
kitchens of diners or whether he
had Just never been able to de-
velope the tyranlcal personality
that seems to be part of oelng a
good chef or whether he J us t
wanted more time to listen to
the blues I never knew. How-
ever, he built a small one-story
frame building, opened a barbe-
cue emporium, and settled down
to a career of turning out the
world's best barbecue.
Hutch prepared barbecue not
to be confused with roast pork
cooked over charcoal grates on
electrically-rotated spits. He
had a large open hearth with a
wire grill over It and his place
was always hazy with redolent
hickory smoke from slow smolder-
ing logs and- pungent spicy
smells which assailed your nose
and set your salivary glands
agog as Hutch lovingly basted
great Joints of meat with a dish
mop dipped In a savery sauce.
In those charming surround-
ings we listened for hours to
the blues. Hutch catered mostly
to the e*vening trade and during
the day he prepared his deli-
cacies and played his blues.
He bought all blues records.
He had standing orders with
Paramount, Gennett, Columbia,
Black Swan; they would arrive
direct by mail. A piano-playing
crony of mine, John Love-tt (who
incidentally first interested
Teddy Wilson In Jazz) worked
after school in the Past Office
and informed me when a consign-
ment arrived, whereupon off we
•went to help Hutch audition the
new master works • The boxes ,
having been opened, Hutch would
look around for silence, and
when It was complete he would
start his machine. From then on
he brooked no extraneous sounds
save the slow popping of the
fire or the soft clank of his
big^ spoon stirring his Brunswick
Stew pot.
Between numbers Hutch would
make a few sober, and as I think
back, well chosen commentaries
on the tunes, accompaniments and
singers; one I remember .parti-
cularly w&s on the occasion of
our first playing of two records
by an unknown singer by the name
of Bessie Smith. Hutch played
one record and said nothing. He
played the second and still no
comment. He merely went to the
machine and played both records
over again. I c ould wai t no
longer for the oracle, so I hes-
itatingly queried "She's pretty
good huh?" Hutch turned and In
his slow deep voice said "Pretty
good? Son, that woman's a
songstress'! •
After all the records had
been played Hutch would then
spend about a half an hour In
serious discussion of some phase
of blues* One day he would tell
us how they started. Another
day he would explain their
significance.. And always he In-
sisted on their Importance.
Finally he would stop suddenly
as though he had overrun his
time and brusquely tell us to
go home before our mothers came
out looking for us. On days
when some of his Idols such as
Bessie, Clara, or Trlxie, would
be playing theatres in cities
within range, Hutch would close
up shop and go off to hear them
in person, and the next day we
could always depend upon a com-
plete report of the performance.
At his insistence, I heard my
first blues singer in the flesh,
Ma Ralney, in the nearby city of
Montgomery, Alabama.
My last visit to Hutch's was
in the fall of 1924. I was
leaving to go off to school and
I told Hutch about my pians, in-
cluding the fact that I was tak-
ing a small phonograph with me.
He pondered over trie matter for
a few minutes and then went to
his record piles and got a pack-
age together of c ho ice items
(Bessie's Gulf Coast, Ma Rain-
ey's Moonshine Blues, Ida Cox's
Grave Yard Dream Blues and Ram-
part Street Blues among them
and gave them to me. He told me
that if I were going to Massa-
chusetts I'd better take these
with me and that those folks up
there didn't know anything about
good music. I took them along
and later was to have fellows
from all over the school drop by
my room to hear "those records"
they hj|d heard about.
Hutch died before I got back
to Alabama again, and I never
had the chance to tell hien of
the success I had, spreading his
gospel in Massachusetts.
I went back to Alabama plann-
ing'to get_Hutch's record' col-
lection; I knew his was as com-
plete as a blues collection
could possibly be; moreover he
took the best of care of his
records and had many duplicates;
his was the answer to a collec-
tor's prayer. I could see Gor-
don Gullickson's eyes green and
glittering as he looked over my
haul and made rapid mathematical
calculations and Nesuhl Ertegun
practically drooling over the
original Rainey's. I had decid-
ed to have an auction of the
duplicates and buy a place In
the country and retire.
But on my return to Hutch's
old stand I found a county
health center desecrating the
spot ; after questioning res i-
dents, I found that his widow
was living some twenty miles away
and I set out to see her.
She let me In hesitantly, and
I hetd to chat for some time with
her before the atmosphere seemed
right to. broach the Important
matter. When finally I did in-
quire of the records, she re-
plied "That Junk,--I throwed
that stuff all away when I
cleaned out the store; I never
see so many records, and not a
church song among them." I
staggered to my feet, bid her
good day, and came back home.
I am sure I have never been
the same since, and I am sure
that every time she threw an
arm full of "that Junk" Into the
alley old Hutch turned over in
his grave.
13
H JI. MOLLIS VICTOR D. FERGUSON
5581 S.F.. Ash St., Portland (15) Ore . 13 Keene Street, Staneham (80) Vass.
HENRY ALLEN
Pleasing paul/Should be you
lou is armstrong
body and soul
bucktown five
Steady rill blues
someday sweetheart/mobile blues
cook's dreamland orchestra
so thi s is venice
elgar's creole orchestra
Hi qmtmare 'Brotherly love
friars society orchestra
Farewell blues/Oriental
eccentr i c
RICHARD M. JONES (Piano SOLO)
12th street rag/jazzin babies blues
jelly roll morton
Someday 6weetheart/0riginal Jelly
Black bottom stomp/The chant
Georgia swing/mournful blues
Shoe shiners orag/Boogaboo
RED NICHOLS AND FIVE PENNIES
(Many brunswicks)
new orleans rhythm kings
Clarinet marmalade/^r. Jelly loro
mao/london blues
WOLVERINE BLUES/ffEARY BLUES
king oliver's creole jazz band
d i ppermouth/^eather bird rag
Chimes blues/froggie Moore
bessie smith
Emptybed blues. Parts I & I.I
FRANK IE TRUM8AUER
Riverboat shuffle/Ostrich walk
the wash i ngtqn ians
The mooch/take it easy
the wolverines
lazy daddy/sensation
fats waller
(amny v i ctors )
jimmie yancey
yancey stomp/state street special
Five o'clock blues/tell 'em about me
slow and easy blues/bellow blues
bucktown five
Chicago blues/budoy's habits
charleston chasers
Sugar foot strut
lovin' you the way i do
CHICAGO RHYTHM KINGS
I FOUND A NEW BABY
ERSKINE TATE'S VENOOME ORCHlj FRA
Stomp off
BENNY GOODMAN
BB 10235 N
OK 41468 V
GE 5419 V
GE 5405 V
GE 5360 V
BR 3404 E
Qe 4966 fi
GE 5009 G
Ge 5174 E
Vl 20405 E
Vl 20221 N
BB 8515 N
BB 7725 E
GE 5220 G
GE 5221 E
GE 5102 G
GE 5132 V
GE 5135 G
VO 03286 N
OK 40205 G
CA 9032 V
Ge 5542 V
VI 26589 N
V| 26590 N
Vl 26591 N
1260
2309
BR 4938
TEXAS TEA PARTY
LOUISIANA RHYTHM KINGS
TELL M^/PRETTY BABY
MIFF MOLE & MOLERS
Crazy rhythm OK 41098
WILD oat JOE OK 41232
MOAN I N ' low OK 41273
Navy blues OK 41371
JELLY ROLL MORTONf SOLOS) GE 5289, 5515, 5590
JELLY ROLL MORTON'S RED HOT PEPPERS
( Most victors, 38000 or 23000)
JOHNNY MILLER'S NEW ORLEANS BOYS
Panama/D I ppermouth Co 1546
KING OLIVER'S CREOLE BAND i QE 5134, 5184, 3076
RED NICHOLS AND HIS FIVE PENNIES: BR 20091,
20092, 20107, 1 225, |28l, 6035, 6198, 6346, 6461, 7460.
THE WOLVERINES
Oh baby/Copenhagen qe 5453
erdoat shuffle/susie ge 5454
royal garden blues/l nefp some pettin qe 22062
louis armstrong
out bucket
Oriental strut
Heebie jeebies
georgia grind
oroppin' shucks
King of the zulus
irish black bottom
Gully low blues
Keyhole blues
potato head blues
Got no blues
Struttin' with some BAR
Ski p the gutter
Two DEUCES
muggles
Sweet savannah sue
i'm a ding dong daddy
Star dust
allen/hawkins
Dark clouds
Shadows on the swanee
CHU BERRY'S STOHPY STEVEDORES
EBB TIDE
willy bryant
The shiek
benny carter
BLUE LOU
(any Eng. Fr. Decca or Parl.)
JOHNNY DODDS
BENNY GOODMAN
IN THE PARLOR
KING OLIVER
Chimes blues
TEDDY WILSON
Sun showers
COLEMAN HAWKINS
SORROW
Tiger rag
consolati on
Lullaby
billie holiday
OK
8261
5.00
OK
0299
5.00
OK
8300
5.00
OK
8318
5.00
OK
8357
5.00
OK
8396
5.00
OK
8474
6.00
OK
8496
5.00
OK
8503
5.00
OK
8551
5.00
OK
8566
6.00
OK
8631
6.00
OK
8641
5.00
OK
8703
6.00
OK
8717
5.00
OK
41422
4.C0
OK
41530
4.00
ME: 12853 3.00
PE 15802 2.50
VAR 657 3.00
Vl 25038 1.75
OK 41567 3.00
3R 3567 8.00
Co 2907 5.IX)
VI 25263 2.75
GE 5135 8.00
BR 7917 I .75
658 5.00
35513 5.00
6407 5.00
2007 5.00
VO 3593 1.50
(ALL MY WANTS SHOULD BE IN VERY— <300D— COND I T I ON— PLUS TO
COMWANO THE PRICES OFFERED. PRICES DECREASE AS CONDITION
OF THE RECORD DECREASES.)
B & W No. I
presenting
ART HODES at the
Snowy M
Four or Fi
Price $1.25, p!ui
Al low
Shi
14
¥3 Wy
Advertisers whose
addresses are not shown elsewhere
Gordon Oullickson, editor, publisher; Don Wilson circulation
manager; Don Anderson, stair artist. Published every aonth
at Fairfax, Virginia, and copyright 1943 by Gordon OulllcK-
son. $1.50 (12 Issues) per year.
advertising [Kates
RECORDS WANTED
5* each or 25 for $ I ,00
RECORDS FOR SALE, TRADE, OR AUCTION
I0< each or 25 for $2.00
RECORDS FOR SALE, TRADE, OR AUCTION,
VALUED AT $ 1 .00 OR LESS
FULL PAGE ADS
(72 lines high, 100 spaces wide)
$9.00
HALF PAGE ADS
$5.00
SPECIAL AUCTIONS, SALES, WANT LISTS,
AND DOMINATION WANT AND DISPOSITION LISTS
I 0< per line
(Subscription ate
$1.50 PER YEAR
The Record Changer
FAIRFAX. VA
AVER
BELL
BURL
BERR
BOEC
BUCH
BURN
CAMP
CLAR
COX
DEND
EOEL
HASS
HURL
HURN
JACO
KAPL
KUTZ
PRIC
RAAB
RIDL
SHER
STEA
STEI
STRO
THIE
VanB
WALT
WATE
WEB
WINT
harry E. Avery, 21 16 Mitchell Street,
Oakland (i) California.
Elliston H. Bell, 46 Curtis Street,
pigeon Cove, Massachusetts.
Berney Burleson, 1 15 West Chestnut Street,
Johnson City, Tennessee.
E. W. Berry, 94i Palmer Road,
Columbus (8) Ohio.
George boeck, 906 south ioth Street,
Burlington, Iowa.
Dick bucht, 330 Center Street,
lake Geneva, Wisconsin.
John T. Burns, laurel heights,
Shelton, Connecticut.
Chas.m. Campbell, 971 west 30th street, Apt. #i
Los Angeles (7) California.
Bill Clark, 353 E. andover Drive,
Surbank, California.
Walker Cox, i 120 South Central,
burlington, i ova
s. b. denorino, wolverine music shop, #11 arcl
Building, Muskegon (ii) Michigan.
Sanforc Edelstein, 975 Walton Avenue,
Bronx, new York.
Dale hassell, P.O. Box 601,
Mar
rgi n
N.W.
Granville hurley, 1945 Vermont ave.
Washington, 0. C.
John Hurn, lOOO Sutter Street,
San Francisco (g) California.
Nathan M. Jacobs, 155-01 90th Avenue, Apt.4-5,
Jama i ca (2) NEW York.
Martin Kaplan, 1053 2nd Avenue,
new york, new York.
Glenn h. Kutz, 1531 W. Oakoale Street,
Philadelphia (32) Pennsylvania.
Charlie E. Price, Box (386,
Danville, Virginia.
Max raab, president Hotel,
swan lake, new york .
Richard E. Ridlon, 14 Ardale Street,
Rosl i noale (31 ) Massachusetts.
Fred Sherwood, 738 north nelson St., Apt. #5,
Arlington, Virginia.
R. E. Stearns, 14 Gardner Street,
Worcester, Massachusetts.
John steiner, #608, 9 South Clinton,
Chicago, Illinois,
r. n. stromberg, 2514 0 street, n.w.
Washington (7) o . C.
Robert Thiele, SK3/c, Military morale Office,
UIS. Coast Guard Training Station,
Manhattan Beach, Brooklyn, New York.
J.F. VANBERGEN, CO.C, 35IST Inf. APO 88,
c/o postmaster, Shreveport, Louisiana.
James l. Walters, isio Euclid Ave.,
Berkeley (4) California. (See earlier
( issues for my wants or write for my wants)
E. T. Waters, Jr., i 145 Center drive,
Hampton Park, St. Louis, Missouri.
Edward Webster, 3809 i3th Street, n.w.,
Washington, D. C.
M. N. winto'j, 2501 ivy Drive,
Oakland, Californi .a
A PENNY POST CARP NOW
ILL BRING YOU A LIST OF lOOO RECORDS
FOR SALE, TRADE, OR AUCTION
GEORGE AVAK1AN
p— ii, McK i nlock Hall
Cambr i dge, Mass.
2
©ClA 5 1287M X
^New,prleans Recollections
OBSERVATIONS ON
OLD-TIME
NEW ORLEANS NITE-LIFE
One night in 1907, I was
^Sretna, just across the river
crossed on the late Jackson Ave.
ferry about midnight, which
brought me to the New Orleans
side iti time to catch an owl car
runni ng' uptown on the Tchoupit-
oulas Street line. At that time
riding on the Tchoupitoulas line
was an adventure in rough rid-
ing, that line having about the
oldest and most dilapidated cars
in town; similar cars were used
on the Dryades and Peters Ave.
lines, and maybe one or two
others, but I believe that when
they had outlived their useful-
ness elsewhere, they put them on
the Tchoupitoulas fine. The
motorman on that run was a big
husky Irishman, strong as an ox;
he told me that he preferred
that style of car which had the
old fashioned hand brakes, to
those with that new improvement,
the air brakes, and I was told
that he broke brake chains with
regularity. The conductor was a
talkative man, sometimes very
careless, — at times when he col-
lected a fare he' would mistake
the bell cord for the register
cord, and just signal the motor-
man to go ahead, instead of
ringing up the fare; present day
improvements have been a great
aid to such careless conductors.
On that late trip there were
generally very few passengers
besides myself, and long before
we reached my neighborhood, near
Audubon Park, I was often the
lone passenger. The night I
mention, we were bouncing along,
and I was half asleep, when we
came to a stop in the middle of
a block. I . roused myself,
looked around, and asked "What's
up? What are we stopping for?"
"We're going to the party," said
the conductor, "Come on along."
Well, we had stopped right in
front of a house where a party
was in full swing; there was
music in the air, and the folks
were singing and laughing1 and
having a fine time. As I was
pretty tired and didn't know the
celebrities, I declined the in-
vitation, but told the conductor
and motorman to go ahead and en-
joy themselves and forget me; so
while I dozed in the car, they
partook of the pleasures of the
party, returning with a generous
helping of refreshment for me.
Jelly Roll Morton was always en-
thusiastic about the parades in
New Orleans, but I believe that
on my way home from a visit
from New Orleans. As usual
parties and social gatherings
were just about as typical. Cer-
tainly there were many of them.
The elite social calendar of
formal affairs, balls and
parties, started, I believe, with
Twelfth Night about the beginn-
ing of the year, and continued
until the1 Carnival season, cul-
minating with Mardi Gras, but
the informal parties we're held
any time all the year round.
While the elaborate affairs,
especially during the Carnival,
doubtless would interest tour-
ists more, the parties of the
plain folk have quite a place in
my memory, and many a pleasant
hour passed at those hospitable
get-togethers.
Now that the war is on, with
gas rationing and other restric-
tions, the opportunities for
getting away from home to spend
the evenings out are fewer, and
I am wondering if f ol ks wonjt get
together more and have pleasant
times at home, such as we used
to have in New Orleans. Of
course, modern young folks will
always have more chances for di-
version than' we had; they'have
talking motion pictures in
natural colors, phonographs
playing every variety of hot,
popular and classical music,
radios that bring in every kind
of listening entertainment, and
television only waiting for the
war to end to come into general
use. In the early 1900' s we had
none of these. Motion pictures
were just a novelty, — short
scenic films (very flickery),
usually shown, at variety or
vaudeville shows; phonographs
were a high class toy, found
mostly in amusement arcades and
operated with coins; there was-
n't even a h int of the radio,
with wireless "telegraphy in the
experimental stage. With such
a limited outlook for passing
time, it is easy to understand
that pleasure loving people, who
also loved music, would get to-
gether with great frequency and
enjoy themselves, singing a
great deal, dancing some, and
indulging inconsiderable light
and airy conversation.
As I recall those past days,
or rather evenings, when to a
, large extent we had to make our
"own amusements, it occurs to me
tha\rnany of them should be
called just gatherings rather
than parties, because of their
almost complete informality.
Probably part ies were plentiful
all over the country, but I
doubt if most of them had that
"c ity-that-care-f orgot" spirit
about them that they had in New-
Orleans. Folks felt free to
take a friend or two with them
if they cared to. "Come along
and bring the crowd" might have
been the invitation, and at
times it seemed as if the crowd
took it into their heads and
went without any invitation; as
far as I ■recall everyone always
got a hearty welcome, although
it must have given some of the
good housewives a jolt when we
trooped in. Although the spirit
of informal ity was strong, cer-
tain customs were rigorously ob-
served. For instance, the young
men never could be prevailed up-
on to remove their coats, even
in the warmest weather. When it
is remembered that in the early
days there were no light suits
such as are almost universally
worn today, it can be imagined
what discomfort the men endured
at times. It seems hard to be-
lieve that in the early days in
New Orleans there were no palm
beaches, cool cloths, Dixje
weaves, tropical worsteds, cheap
seersuckers or similar suits,
except linens. There were some
linen suits, usually worn by the
more mature men, quite often the
older Frenchmen. The usual sum-
mer suit was slightly lighter in
weight, and was half lined, so
you can guess they weren't any
too cool. But the young blades
positively refused to remove
their coats in the presence of
the ladies. Men's shirts in
those days had detached collars
a couple, of inches high a/id well
starched; if dancing was expect-
ed some of the boys would carry
extra collars and replace them
as they w i 1 ted down.
At every gathering there was
sure to be music: everyone ex^r
pected it, and persons who could
sing or play the piano would be
exhorted to bring their music.
With several persons, carrying
music, and usually a supply at
the host's house, there would
always be plenty of singing and
playing. A great deal of the
time someone would be at the
piano, and if songs were being
played the crowd would stand be-
hind the player, and music (or
a reasonable facsimile thereof)
would fill the air. I believe
that .this home singing popular-
ized many a song in New Orleans;
the music stores would "plug"
them to their customers, and the
customers would spread them
around tpwn. The songs that be-
came popular were melodious with
a popular appeal, and could be
sung by the many rather than by
3
the few, as seems to be the case
today. There were all kinds, —
ballads, coon songs, waltz songs,
comic aryj novelty songs, semi-
classical and classical songs,
and" we Sang them all with gusto.
If anyone is cu.rious as to what
they were or what they were like,
just let him pick up any good
fol io of SONGS OF TEE GAY NINETIES.
and he will find many of them.
They were new then, — -we didn't
go forty years into the past for
most of the songs for the crowd
to sing; of course there were
some exceptions; like songs of
Stephen Foster, but for the most
part the songs we sang at our
gatherings were up to date. They
were written by such writers as
Harry Von Tilzer, Albert Von»
Tilzer, Cobb and Edwards, Jerome
and Schwartz, George M. Cohan,
Kerry Mills, Madden and Morse,
and many others, including some
good local writers. When a
crowd gets together today and
indulges in community singing, a
great number of those same old
songs are sure to be sung. To-
day's popular songs do not lend
themselves so well to group or
home singing; perhaps it is be-
cause I don't "get" arou-nd much
any more"', but I almost .never
hear a modern popular song sung
all the way through, except by
professional singers. It seems
that, for the rank and file of
the public, today's songs are
popular for listening rather
than for s ing ing.
I have heard a little discus-
sion lately as to whether war
Conditions may not be instru-
mental in bringing back a re-
vival of home singing, and also
inspire-some of the modern song
writers .to compose songs that
can be sung by the general
public. Of course the future is
^unpredictable, but as I think it
over, I have-'my doubts. It could
happen, I sfuppose, if people
were absolutely forced to remair
at home for their entertainment
and amusement, but I can't see
how that will happen, particu-
larly in any good sized -city..
Also the composers and writers
.of today are writing their songs
on a more or less classical
plane, and they would have to
write their songs down to the
public's singing tastes and
abilities, which would probably
offend their art and dignity.
As long as the present purveyors
of popular music can sell their
output of " 1 isten i ng" mus ic to
the publ ic, that is t-he kind
they will continue to publish.
Of course there will be'excep-
tions, but like the old time
jazz music, the old time song
styles have been largely sup-
planted by the modern forms. I
presume that every professional
composer, along with a few hun-
dred thousand amateurs, is
straining to compose the song of
the' People 's Revol ut i on, one
that will set the country sing-
ing. I am firmly convinced that
if such a song is written, it
will be a simple, direct appeal
song, that can be sung by the
masses .
Among the piano players at
almost any party were those
whose natural ability made sheet
music unnecessary. They could
play nearly any number if they
could hear only about half of
t he ' me 1 ody , pi ay i ng t he ot her
ha 1 f by f a k i ng , g uess i ng , im-
provision and composing. .This
group had a great deal to do
with the development of piano
jazz. They could play any kind
of music, high class or lov;, and
obliged the crowd with whatever
it wanted. In the early days,
however., the rags were very
popular, and blues were kept in
the background; blues were con-
sidered trash and disreputable,
but as the years went by the
blues strains were interpolated
here and there. In a later year,
I remember hearing someone ask,
"Did you hear about ? He
got pinched the other night for
playing If you Don't Like the
Way I ¥alk*'*zta party." This
number was published later under
the name of Mama's Baby Boy by
Clarence Will iams and Armand
Piron, if my memory serves me.
I remember one of this group of
natural players who was always
happy to oblige with his playing
{Continued page 16)
SPECIAL
FLETCHER HENDERSON ( LOU I E )
FLETCHER HENDERSON
FLETCHER HENDERSON
DIXIE STOMPERS
BENNY GOODMAN
EARL HINES
LOUISIANA RHYTHM KINGS
LOUIS ARMSTRONG
LOUIS ARMSTRONG
CHKOLATE DANDIES
BENNY CARTER
BENNY CARTER
DUKE ELLINGTON
JOHNNY HODGES
JOHNNY HOOGES
JUNGLE BAND
COLEMAN HAWKINS
MCKINNEY'S COTTON PICKERS
JEAN QOLDKETTE
J. O'BYRNE DeWITT
FIFTY-ONE WARREN STREET
ROXBURY MASS.
AUCTION CLOSES AUGUST 26th, 1943
lORDs/COPENHAGEN
Livery Stable blues/p.D.Q. blues
sugarfoot stomp/what/cha blues
black maria/baltimore
■rappin' it up/Melancholy Baby
Rosetta/Cavernism
i can't give you/( e±j- 1 ngt0n1 jubilee stomp)
Just a gigolo/shine
Little Joe/i *u in the market for you
Paducah/Four or five times
Plymouth Rock^elancholy Lullaby
AUOUQ MY SOUVENIRS Ft ?h FRY
Washington WabblE/^harleu River quiver
Pyramid/lost in meditation
Empty Ballroom bluesAou walked
Jungle Jamboree/black & blue
Rocky comfort/Passin' it around
Milenberg Joys/Shim-me-sha wabble
Clementine
AUCTION
VO 14926 VQ
Co 1002 N
CO 395 G
Ha 526 G
VI 25880 N
BR 6541 F— G
Vo 15710 E
OK 41486 VG
VO 3301 VG
OK 8627 VG
OK 4984 N
OK 5458 N
VI 21284 G
OK 4242 N
Vo 4213 N
8R 4492 VG
OK 6284 N
VI 2161 I F-G
VI 20994 G
C<> 8383 82 83 82 8883 82 8383 8288 82 8383 8383888388888888888^
6^8383888383838383838388888883888383838883888383838883888388^
f
WANTED
A |F1BST FOUR LETTERS OF COLLECTOR
* [FOR AO
3 Er
SEE PAGE 2.
CE OFFERED FOR RECORD.
2 [CATALOG NUMBER OF RECOR
1 [LABEL OF RECORD
-71
1
2
3 4
HENRY ALLEN
Patrol wagon slues
VI
23006
3.00 Dend
S 1 NG 1 NO PRETTY SONGS
V 1
23389
4.00 Oend
SUGAR HILL FUNCTION (NEW)
VI
38140
2.00 Oend
ALBERT AMMONS
BOOGIE WOOGIE STOMp/BOOGIE WOOGIE
BLBN
2
^
St, Louis slues
SA
12002
gUCH
Bass gone crazy/monday struggle(e
SA
1 2000
2.00 Kutz
BOOGIE WOOQIE/MECCA FLAT (e)
SA
1 200 1
2.00 KUTZ
ST. LOUIS BLUES (c)
SA
1 2002
2.00 Kutz
LOUIS ARMSTRONG
Georgia grind
OK
8318
6.50 Oend
Droppin' shucks
OK
8357
6.50 Oend
FA r MA & SKINNY PA
OK
8376
6.50 Oend
King of the zulus
OK
8396
6,50 Oend
BIG SUTTER & EGG MAN
OK
8423
5,50 Dend
JAZZ LIPS
OK
8436
5.00 Dend
Irish black bottom
OK
8447
7.50 Dend
WILD MAN BLUES (E)
OK
8474
6.00 Oend
THAT'S WHEN; I'LL COME BACK (VG)
OK
8519
5.00 Dend
Once in a while
OK
8566
5.00 DEND
WEST END SLUES
OK
8697
Memories of you
pfTc
1 SURRENDER dear
pR|c
IRISH BLACK BOTTOM
OK
8447
10.00 STEA
Got "jo blues Vo or ok
3204
Kutz
BIG BUTTER & EGG MAN/SUNSET CAFE
OK
6423
3.00 Thie
Melancholy blues/keyhole
OK
8496
3.00 Thie
Skip the gutter/knee drops
OK
8631
3.00 Thie
ALi-IGATOR CRAWL (NEW)
OK
8242
Camp
IRISH BLACK BOTTOM
OK
8447
WlNT
Sweet little papa
OK
8379
WlNT
KING OF THE ZULUS/LONESOME BLUES
Any
WlNT
WEARY BLUES
OK
8519
W 1 NT
TWO OEUCES
OK
8641
WlNT
St. James infirmary
AN\
WlNT
BESSIE COULDN'T HELP IT
OK
8774
WlNT
YOU'RE DRIVING ME CRAZY
OK
41478
WlNT
LAZY RIVER
OK
41541
' WlNT
1 CAN'T GIVE YOU ANYTHING BUT LOVE
OK
6669
WlNT
LOVIE AUSTIN
{Any Paramount)
PARA
|2-8 Oend
VIOLA BARTLETTE
Tennessee blues (VG)
Para
12322
1,00 Dend
SUNDAY MORNING BLUES (VG)
PARA
12369
1 .50 Oend
6EALE STREET WASHBOARD BAND
Forty and tight (VG)
sidney bechet
limeh0j3e blues
(Almost any; State dispositions)
bix be ioerbecke
(Any titles, any labels)
deep down south
BUNNY BERIGAN
little bit later on (new)
i can't get started
i cried for you
( Almost any titleb)
Changes
In a mist
mahogany hall stomp
JIMMY BERtRAND
Little bits (vg)
47th St. stomp (vg)
i 'm goin' huntin'
Blues stampede
isabella
chu berry
(Any records featuring chu berry)
Ebb tide/Secret love
Sitting in/46 west 52
INDIANA
Vo 1403 5.00 Dend
■ Cox
• SHER
23018 ■
• PR I C
• WATE
VO 3224 2.00 DEND
Vi 25728 COX
V, 26244 WATE
Vl 26123 Hass
Vl 25622 HASS
VO
1035 2.50 Dend
1060 2.00 DEND
1099 6.00 Dend
1 100 4.00 Oend
1280 1.00 Dend
PRIC
657 3.25 BUCH
516 Buch
587 WATE
1 2
OK 3809 ■
BB 10981 •
$4-10
Vo I 135 5.00
VO I 136 5.00
VO II 80 5.00
VO 7.50
VO 1181 10.00
Vo 3353 1.50
CO 35678
DE 181 18 ■
8355 7.50
8355
5687 ■
Cox
8279 7.50 DEND
barney b1gard
stompy jones/caravan
Charlie the chulo/Lull at dawn
jimmy blythe
(any vocalion or paramount)
weary way blues (owls)
hot stuff (owls)
Oriental man (washboaro wizards)
(both)
Alley rat/Sweet papa (new)
sharkey bqnaho
mudhole blues
high society
PERRY BRADFORD
LUCY LONG/l A(.N*T GONNA PLAY
HENRY BROWN
(Any with ike rodgeas)
PETE BROWN
OCEAN MOTION/TEMPO Dl JUMP
BUTTERBEANS & SUSIE
HE LIKES I T SLOW (ex)
He likes IT SLOW
CAB CALLOWAY
I DON'T HAVE A GHOST OF A CHANCE
BLANCHE CALLOWAY
LOVESI CK BLUES
HOAGY CARMICHAEL
WASHBOARD BLUES Vl 35877 ■
Bessie couldn't help it (new) vi 22864 •
ROCKIN' CHAIR (NEW) Vl 38139-
BENNY CARTER
Among my souvenirs OK
ALL OF ME 8B
CASA lqma orchestra
Memori e:s of you —
chicago footwarmers
brown bottom bess ( vg ) ok
My baby/Oriental man (vg) ok
My girl/Sweep 'EM UP (VG) OK
BROWN BOTTOM 8ESS (VG) OK
CHICAGO LOOPERS
Clori nda
CHICAGO RHYTHM KINGS
Changes/Found a new baby (new) UHCA
•ve found /There ' ll be some changes br 4001 3.00
CHOCOLATE' DANDIES
De blues/bugle call rag Co 36008 — ■ ■
buddy christian
SO. RAMPART STREET (ex) Pe OR PAT 2.50
LILLIE delk christian
Sweethearts on paraoe (ex)
BABY (EX)
LARRY CLINTON
LlMEHOUSE BLUES Co 26523
EDDIE CONDON
That's a serious thing (ex or new) bb (0168 I .00
ANN COOK
MAMA COOKIE'S BLUES Vl
COOKIE'S G I NGER5NAPS
High fever ok 8369 5.oo
MESSIN* AROUND OK 8390 5.00
COON-SANDERS
• BELL
' BELL
DEND
STEA
STEA
STEA
KAPL
VANS
DEND
■ KUTZ
■WlNT
i Dend
■ BELL
Dend
WATE
5458 •
10962 •
8613 5.00
8548
8792
8613
14910 ■
7-8 1.50
8650 3.50
8660 3.50
AFTER YOU ' VE GONE
IDA COX
(Any with ladnier or Johnny Dodds)
charles creath
(Any Okeh; G)
B I HQ CROSBY
WHEN THE BLUE OF THE NIGHT-
TRY A LITTLE TENDERNESS
YOU'VE GOT ME CRYING AGAIN
JULIA DAVIS
CO 22342 •
6226 •
6480 ■
6515 ■
COX
AVER
Aver
Burl
Burl
PRIC
DEND
KAPL
KAPL
KAPL
Aver
Burn
Thie
BELL
DENL
Deno
Dend
DOX
Ed el
Dend
Dend
Dend
■ Cox
Dend
■ Dend
• Ridl
R I DL
■ RfDL
DIXIELAND THUMPERS
Weary way blues
sock that thing
Weary way blues
sock that thing
dixie jug blowers
MEMPHIS SHAKE (new)
HEN PARTY
PARA 12245 1.00 Dend
Para 12525 12.50 Dend
para 12594 8.50 oend
Para 12525 5.00 STEA
PARA 12594 5.00 STEA
Vl 20415 2.00 DEND
Vi 20649 2.00 Dend
s
1
2 3
4
niflflF RHVTHM KINGS
The chant
BR
7BI5 5.00
Dend
MX IE WASHBOARD BAND
BOODLE AM (EX)
BA
1731 1.00
Deno
JOHNNY DODOS
Oh daddy
PARA
12471 10.00
Oend
LOVELESS LOVE
PARA
12433 10.00
Oend
-
Para
12494
Oend
Weary blues
Vo
15632 40.00
Oend
W i ldman (26) /Melancholy (28)
Br
3567 5.00
Oend
After yoS've gone (241 & 24)
8r
3568 5.00
Oend
St. Louis blues (new)
Br
3585 3.00
Dend
Weary blues
vo
15632 15.00
Stea
Oh daddy
Para
12471 4.00
Stea
[9th Street
Para
12483 5.00
Stea
Para
12494 5.00
Stea
new St, Louis blues
br
3585 5.00
Stea
W 1 LD MAN BLUES
Br
3567
KUTZ
INDIGO STOMP (TRIO)
BB
10238
MASS
GOOSER DANCE
B8
10240
Hass
MY LITTLE ISABEL
8B
10241
Hass
MELANCHOLY BLUES
Br
3567
Stro
Oh lizzie
Br
3585
Kapl
WEARY BLUES
VO
1 5632 40.00
Kapl
tommy dorsey
you must have been a beautiful sabyvl
Everybody's doing it vi
yearning, just for you vl
I 'VE GOT A NOTE Vl
STOMPIN1 AT THE STADIUM An
(any recordings)
can't cheat a cheater ok
that's a plenty v i
IF THE MAN IN THE M00NWERE(CLAM.7) Vl
MILKMAN'S MAT | NEC (CLAM.7) Vl
Midnight Choo-choo leaves (Clam. 7) vi
YOU MUST HAVE BEEN 8EAUT I . ( CLAM.7) Vl
Rhythm in nursery rhymes (Clam. 7) vi
NO PLACE LIKE YOUR ARMS —
Musi c, maestro, please vi
louis oumaine
Red onion drag (new) vi
PRETTY AUDREY (new) Vl
ARIZONA ORANES
(any record) —
ROY ELDRID3E
Florida stomp Vo
DUKE ELLINGTON
26066 -
25821 •
25815 ■
25236 ■
41422 •
25363 •
25676 •
25568 •
25821 •
26066 -
25201 ■
25866 ■
■ Cox
• Cox
- Cox
- Cox
- Cox
• pric
■ WATE
■ VanB
■ Cox
■ Cox
• Cox
■ Cox
• COX
20580 1.50 Dend
20723 1.50 OEND
lIMEHOUSE BLUES
Vl
22743
Cox
BOY MEETS HORN
BR
8306
WATE
Ring dem bells/Old man blues
OK
41468
3.00
THIE.
CONCERTO FOR COOTIE
Vl
26598
80EC
IN A MELLOTONE
Vl
26788
BOEC
A PORTRAIT OF BERT WILLIAMS
Vl
26644
BOEC
Jack the bear
Vl
26536
BOEC
KO-KO
VI
26577
BOEC
All too soon
Vl
27247
BOEC
BOY MEETS HORN
Co
36123
BOEC
TooTin' thru the roof
CO
35310
BOEC
Cavavan
Co
36120
BOEC
SOPHISTICATED LA0Y
Co
35556
BOEC
DUKE ELLINGTON RECORDS WANTED BY GRANVILLE W. HURLEY,
1945 Vermont Avenue, N.W., Washington, D..C.
Jig walk/Alabama bound
IF YOU CAN'T HOLD THAT HUH/YOU'VE GOT THOSE Ge 3291
animal crackers/ lll* farina ge 3342
Rainy Day bu 1 1437
Parlor social stomp/Georgia grind pe 104
Trombone blues/i 'm gonna hang around my sugar Pe 14514
buqle call rag/sweet mama ha 577
Stack o'lee blues Ha 601
East St. Louis toodle-o/Jubilee stomp Ca 8162
Take it easy - ca 8183
Easy St. Louis Toodle-o/^op head Co 953
Down in your alley blues Co .1076
The creeper/imagination Vo 1077
song of the cotton fielo/new orleans low down vo 1086
Doin' the frog/Red hot brand vo (153
Black and tan fantasy/soliloquy 8r 3526
jlockin* chair/them there eyes ro 1555
(continued next column)
(OUKE ELLINGTON RECORDS WANTED BY GRANVILLE V. HURLEY)
CO NT I NUEO
I'M SO IN LOVE »l TH YOU
Black beauty
what can a poor fellow do/black and tab
Chicago stomp down
Take it easy/Jubilee stomp
Yellow dog blues/Ti shomi ngo
Take it easy/black beauty
The mooche
hot and bothered/The mooche
Jungle jamboree/Snake hip dance
Lazy DUKE
Blues of the Vagabond/Syncopated shuffle
Black beauty /Swampy river
Tiger rag ( i 4 2)
Paducah/Harlem Flat blues
Doin' the voom vodm/Rent party blues
Jungle jamboree/black ano blue
Jolly wog/jazz convulsions
When you're smiling/Sweet mama
Maori /admiration
Accordion Joe/Double check stomp
Wall street wail/cotton club stomp
Dreamy blues
runni n * wild
Home again blues/wang wang blues
goin' to town
Oklahoma stomp
i can't give you anything but love
High life/Saturday night function
japanese dream/vlarlemani a
Freeze and melt/mississippi moan
Beggar's blues/Saturday night function
MlSSlSSIPPl/SWANEE SHUFFLES
The duke steps out/haunted nights
March of the hoodlums/Breakfast dance
Sweet dreams of love/Sweet jazz 0' mine
hittin* the bottleahat lindy hop
You're lucky to me^euories of you
Sweet chariot/Iuood indigo
Blue again
Creole rhapsody ( 1 & 2)
Blue tune
Swampy river/Fast and furious
Jazz cocktail
Eerie moan/Any time, any oay, anywhere
Blackbirds meoley(i & 2)
I can't give you anything but love/Porgy
I MUST HAVE THAT MAn/BABY
OlQA DIGA DO
Raisin* the rent/Happy as the day is long
Rude i nterlude/uallas doin's
i. met my waterloo
Troubled waters/My old flame
Sumpin' about rhythm/Saddest tale
isn't love the strangest thing/no greater
Clarinet lament/Echoes of harlem
it was a sad night in harlem/Shoe shine boy
Trumpet in spades/Yearn i ng for love
Exposition swing
Stepping into swing society/new black and Tt
Nighty like the blues/buffet flat
Please forgive me/Prologue to black & tan
PORTRAIT OF THE L I On/SOMETH | NG TO LIVE FOR
Doin* the voom voom/i'm checkin' out go'om byeCo 35208
80u.1cin' 3u0yancy/a lonely coed co 35240
Little posey/Lady in blue
I NEVEfl FELT THIS WAY BEFORE/lfEELY
MOOD INDIGO/SOLITUDE
YOU, YOU DARLIN'/SO FAR, SO GOOD
fWPROVISATIONS IN ELL INGTON I A
LOW COTTON/VONTMARTRE
FlNNESSE/l KNOW THAT YOU KNOW
OUKE ELLINGTON UNITSl
barney bigard
caravan/stompy jones
Frolic sam^louds in my heart
Four and one half st./lamenT for a lost love
Jazz a la carte/Demi-tasse
(continueo next page)
OR 2528
CA 8352
OK 40955
OK 8675
OK 41013
BR 6802
BR 6803
BR 6812
OK 8623
OK 8720
OK 8760
OK 8746
OK 8436
BR 6510
BR 68O0
BR 6807
BR 6809
BR 6810
BR 4760
BR 6812
Br 6346
BR 6813
Br 6682
BR 4952
Br 6003
OK 8675
VO 1449
Vl 38008
Vl 38036
Vi 38045
Co 1813
Co 2833
Vl 38089
Vl 38092
Vi 38115
Vl 38143
Vl 23016
Vi 23017
OK 8840
Vl 22603
Vi 36049
BR 6288
BR 6355
BR 6404
BR 6467
BR 6510
BR 6517
BR 6518
BR 6519
BR 6571
Vl 24431
Vl 24622
VI 24651
BR 7310
BR 7625
BR 7650
BR 7710
BR 7752
BR 8213
BR 8063
BR 8231
BR 8256
8R 8365
CO 35291
CO 35353
CO 35427
VI 26537
HRS
HRS
1003
1004
3809
3813
3820
3842
8
{Duke Ellington recoros wanted by granvi_le
w. Hurley
Duke Ellington units, Barney Bl gard, -conti nued) :
QET IT SOUTHERN STYLE/lF YOU'RE EVER IN
vo
3828
Moonlight fiesta/Sponge cake ano spinach
vo
3834
JOHNNY HODGES
A SAILBOAT IN THE MOONLIGHT
Vo
3773
Mv day/Silvery moon and golden sands
vo
3948
LOVE IN SWINGTIME/SWINGIN' IN THE DELL
vo
4335
Tires socks/Skunk hollow slues
vo
5533
REX STEWART
rexatious/lazy man's shuffle
vo
"3810
San juan hill
vo
5610
COOTIE WILLIAMS
downtown uproar/Blue reverie
Vo
3814
DIGA DIGA Oo/l CAN'T BELIEVE YOU'RE IN LOVE
vo
3818
1 CAN'T GIVE YOU ANYTHING BUT LOVE/WATCH 1 NG
vo
3890
Jubilesta/Pigeons and peppers
vo
3922
owingtime in Honolulu/Carnival in Caroline
vo
4061
0l 'Man river/a lesson in "c"
vo
4086
Ain't the gravy good/boudoir benny
Vo
4726
Blues a poppin'/black butterfly
vo
5618
Z IGGY ELMAN
8UBLI TCHKI
BB
0103 -
Burl
WILL EZELL
PlTCHIN' BOOGIE
Para
12855
KUTZ
Hometown skiffle
Para
12886
KUTZ
JlM JACKSON'S JAMBOREE
VO
KUTZ
LEM FOWLER
Satisfied blues/Blues mixture
CO
A 3959
KUTZ
BUD FREEMAN
Sunday/as long as I live
DE
2849
Bell
The sa i lf i sh/satani c blues
De
2781
Bell
GEORGIA COTTON PICKERS
I2th Street rag
HA
1090
2.00 DEND
Snag it
HA
1 127
2.00 DEND
BENNY GOODMAN
LlMEHOUSE BLUES
Any
Cox
BA3[N street blues
An
Cox
Dixieland band
Any
Cox
it's been so long
AN
Cox
One o'clock jump
PRI c
Keep on coin'
Co
2867
RIDL
Ol 'pappy/Junk man
Co
2892
RlDL
1 ain't lazy
CO
2923
— RlOL
Blue moon
CO
3003
RlOL
cokey
Co
301 1
RlOL
Clouds
Co
3015
RlDL
l was lucky
Co
3018
RlDL
CO
35389
Spring song
CO
35319
1.25 WEB
Opus local 802
Co
35362
1 .25 WEB
Somebody stole my gal
CO
35916
1.25 WEB
The blues
VI
26144
1.25 WEB
Alexander's ragtime band
V|
25445
1.25 WEB
Anythi ng for you
VI
25350
1.25 WEB
Bach goes to town
Vl
26130
1 .25 Web
Basi n street blues
VI
25258
1.25 WEB
Breakin' in a pair of shoes
VI
25247
1.25 Web
Bugle call rag
Vl
25467
1.25 WEB
Down south camp meetin'
VI
25387
1.25 WEB
Estrellita
V|
26187
1.25 WEB
Feelin' high and happy
Vl
25840
1.25 Web
Good bye
Vl
25215
1.25 Web
GOOD NIGHT
VI
25461
1.25 Web
I'll always be in love with you
Vl
25187
1.25 Web
In a sentimental mood
VI
25351
1.25 Web
Jam session
Vl
25497
1.25 WEB
LIFE GOES TO A PARTY
Vl
25726
1.25 WEB
PLEASt BE KIND
Vl
25814
1.25 Web
ST. LOUI S Bl jes
Vl
25411
1.25 WEB
Swing low, sw;et Chariot
VI
25492
1.25 WEB
Undecided
Vl
26134
1.25 Web
Dinah (quartet)
Vl
25398
1.25 Web
RUNNIN' WILD (QUARTET)
VI
25529
1.25 WEB
Melancholy bab> (quartet)
Vl
25473
1.25 Web
1 CRIED FOR YOU QUINTET)
Vl
26139
1.25 Web
AFTER YOU'VE GONE TRIO)
VI
251 15
1.25 Web
All my life (tri o)
Vl
25324
1.25 WEB
China boy (trio)
V|
1.25 WEB
i
2
3 4
(Benny Goodman, CONTINUED-)
whhere or when (quartet)
VI
25725
1.25 WES
All my life (quartet)
Vl
25324
1.25 WEB
Star dust
Vl
25720
1 .25 WEB
There's, a small hotel
VI
25363
1 .25 WEB
Hooray for love
Vl
2501 1
1 .25 Web
RESTLESS
Vl
25021
i .25 web
You and your love
VI
25500
1 .25 WEB
Lullaby in rhythm
Vl
25827
1 .25 Web
BALLAO in blue
Vl
25081
1.25 WEB
No OTHERONE
Vl
25193
1.25 Web
Hunk adola
VI
25009
1.25 Web
Russian lullaby
VI
26060
1.25 WEB
1 HAD TO DO IT
Vl
26082
1.25 Web
Lou i se
Vl
26125
1.25 WEB
Eeny meeny miney mo
. :V.I>
25195
1.25 WEB
Remember
BB
10680
1.10 WEB
The glow of love
Vl
25316
1.25 Web
Dear old southland
BB
10458
1 . 10 Web
Japanese sandman
BB
10459
1 . 10 Web
Maj house
BB
10461
1.10 WEB
Can't we be friends
BB
10462
i.io web
it had to be you
BB
1 1056
1 . 10 WEB
That's a plenty
ME
12073
Aver
Tappin' the barrel
CO
2856
Aver
Georgia jubilee
CO
2907
Aver
As long as 1 LIVE
Co
2923
Aver
Riff in' the scotch
Co
2867
HASS
Junk man
Co
2892
HASS
Emali ne
Co
2907
HASS
Texas tea party
CO
3167
HASS
China soy (quartet)
Vl
25333
HASS
The blues in my flat (quartet)
VI
26044
Hass
Avalon (quartet)
VI
25644
HASS
Dinah (quartet)
Vl
25398
Hass
STOMPIN AT THE SAVOY (QUARTET)
Vl
25521
HASS
Liza (quartet)
VI
25660
HASS
Breakfast feud (sextet)
Co
36039
B0EC
A smooth one (sextet)
CO
36099
BOEC
STEALING APPLES
Co
35362
BOEC
Down south camp meetin'
VI
25387
BOEC
1 'VE FOUND A NEW BABY
Vl
25355
BOEC
These foolish things remind me
Vl
25351
Cox
Goody-goody
Vl
25245
Cox
Paha
Para
Para
Vl
(conti
NEXT COLUMN)
GOTHAM STOMPERS
My honey's lovin' arms/alababy
grant and wilson
have your chill
mean m i streater
at the greasy spoon
LIONEL HAMPTON
Sunny side of the street
the sun will shine tonight
Gin for Christmas
i 1 ■-' in the mood for swing
Ain't cha/i2th street rag
COLEMAN HAWKINS
80dy anp soul
Body and soul
EOMQNtA HENDERSON
JELLY-ROLL (VG)
FLETCHER HENDERSON
HOW COME YOU DO ME (NEw)
LlMEHOUSE BLUES
Sensation/Fidgety feet (new)
New king porter stomp Co
hicks taproom boys
LlMEHOUSE BLUES BB
J.C ,H IGQ I N80THAM
Give me your telephone number OK
HlGGINBOTHAM BLUES OK
WILLIE H1GHT0WER
BOAR HOB BLUES BLACK PATTI
BERTHA CHIPPIE HILL
(Any with louis, any label) —
ART HOPES
Ross Tavern boogie/south side (new) SA
ROSS TAVERN BOOGIe/SOUTH SIDE (NE*) SA
johnny hodges
Pyramid vo
(Continued next column)
Va 629 i .00 Thie
12317
12324
12337
25592 •
25771 •
26423 ■
260 1 I ■
26362- ■
10523 •
6.00 DEND
6.00 DEND
6.00 DEND
' Cox
HASS
■ HASS
■ HASS
BELL
■ COX
• PR I C
PARA 12239 1.50 DEND
RE 9739 :
UHCA
21-22
35671
8772
8772
8045
UP TO
12007
12007
3.00 DEND
Cox
I .25 Burn
HA33
Cox
3.00 OEND
Wate
DEND
6.00 Dend
1.25 Burn
2.00 KUTZ
7
Wanted HHiHHM^H^HIMBiHm^^Hn^^HHHi
i
2 3 4
1
2 3 4
(Johnny Hodges, continued)
CLARENCE LOFTON
3948 KATE
STREAMLINE TRAIN/HAD A DREAM (e)
SA
12003 2.00 KUTZ
OOOJI WOOJI
VO
4849 ..ATE,
PlNETOP'S B.W./l DON'T KNOW (e)
SA
12009 2.00 KUTZ
HODGE PODGE/tfANDERLUST
OK
4573 Bell
BROWN SKIN GAL
Me
61 166 KUTZ
Rabbit's jump/Rent party blues
OK
5100 Bell
VINCENT LOPEZ
Savoy strut/Good gal blues
OK
5170 Bell
NOLA
—
PRIC
MOON R0MANCE/V°UR LOVE
OK
5940 BELL
LOUISIANA RHYTHM KINGS
THAT'8 THE BLUES/GOOD QUEEN BESS
BB
1 1 1 17 Bell
1 'M WALK 1 N ' IN CLOVER
V 0
15810 Aver
DAY DREAM
BB
1 1021 BOEC
Marianne
VO
15833 Aver
Good queen bess
BB
1 1 117 BOEC
THAT'S A PLENTY
VO
15784 WATE
BILLY HOLLIOAY
LI TTLE BY LITTLE
Vo
15841 WATE
BlLLIE'S BLUES VO 3288, OK
3288 EDEL
Can't give you anything but love
VO
15710 WATE
CLAUDE HOPKINS
jimmy LUNCEFORO
BR
6916 WATE
Blue heaven
—
PRIC
HUDSON— OELANGE ORCH
river St. Marie
—
PRIC
Soph i st i cated
MA
103 WATE
Organ grinder swing
De
908 BURL
DEWEY JACKSON
BABY MACK
Capitol blues
Vo
1040 Oeno
WHAT KIND OF MAN IS THAT (vq)
OK
8313 10.00 DEND
PRESTON JACKSON
WINGY MANONE
Harmony blues
Para
12400 DEND
ROYAL GARDEN BLUES (NEW)
OK
41570 2.00 DEND
Trombone man
1241 1 Dend
WHEN THE SAINTS GO MARCHING IN
BB
10560 HASS
BUD JACOBSON
DOWNRIGHT DISGUSTEO/FARE THEE.
VO
15728 3.00 Thie
Can't beli eve/Opus I sans melody
Si
103 BELL
St. James/Wailing blues
Para
12898 3.00 THIE
Laughing/Clarinet marmalade
Si
106 BELL
JAZZ ME BLUES
BB
7J98 1 .00 Stso
HARRY JAMES
JOE MARSALA
Got no time
BR
8355 Cox
THREE O'CLOCK JUMp/ReUNION
Genr
3001 BUCH
800-VtfOO
BR
8318 Cox
WOLVERINE BLUES
Va
565 1.25 STRO
1 found a new baby
BR
8406 Cox
MEZZ MEZZROW
Melancholy mood
BR
8443 Cox
Blues in disguise
VI
25636 BURL
Br
8366 Cox
ROYAL GARDEN 8LUES
BB
10087 Burl
One o'clock jump
BR
8055 Cox
RED MCKENZIE
Texas chatter
Br
8067 Cox
DARKTOWN STRUTTER'S BALL
CO
36281 HASS
Two o'clock jump
Br
8337 Cox
OZZIE MCPHERSON
The mole
Co
36599 Cox
(Any paramount)
Para
— — 1.50 Dend
Back beat boog i e
Co
35456 Cox
PUNCH MILLER
Melancholy baby
Co
36434 Cox
(any)
Any 5.00 Thie
Jeffries blues
Co
36190 Cox
RAY MILLER
Dukes misture
Co
36339 Cox
THAT'S A PLENTY (ex)
BR
4224 2.00 DENO
Cross country jump
Co
35531 Cox
MIFF MOLE
Yes i ndeeo
Co
36246 Cox
AFTER YOU'VE GONE (new)
OK
41445 AVER
Feet dragging blues
Co
35227 SHER
MOONLIGHT REVELERS
JAM SESSION AT VICTOR
ALABAMA SHUFFLE (vg)
GG
1775 3.00 DEND
Honeysuckle rose/blues
V 1
25559 BELL
JELLY ROLL MORTON
MARGARET JOHNSON
SOMEDAY SWEETHEART (NEW)
VI
20405 2.50 DEND
OK
8185 4.00 DEND
THE PEARLS (EX+)
Vo
20948 3.00 DEND
Chop your suey
s OK
8193 2.00 DEND
FICKLE FAY CREEP
VI
23019 5.00 DEND
MARY JOHNSON
(ANY VICTOR 23400 SERIES)
25.00 DEND
BLACK MAN BLUES
BR
7031 2.50 DEND
K.C. STOMPS (EX)
VI
38010 2.50 Oeno
JAMES P. JOHNSON
RED HOT PEPPERS (NEw)
VI
38055 2.00 DEND
Snowy mornin'/All that I had is
GONECO
14204 2.00 THIE
Try me out
VI
381 13 3.00 Dend
PETE JOHNSON
PONCHATRAIN (NEW)
VI
38125 2.00 DEND
PETE'S BLUES
SA
12010 BUCH
Harmony blues (new)
VI
38135 3.00 DENO
Holler stomp
6N
12 BUCH
LITTLE DIXIE HOME
VI
38601 2.50 DEND
CLtMBIN' AND SCREAM! N '/HOW LONG
(e) SA
12004 2.00 KUTZ
LONDON BLUES
OK
8105 4.50 DEND
LET {EM JUMp/PETE'S BLUES (e)
SA
12005 2.00 KUTZ
(ANY ON VOCALION, AUTOGRAPH)
110-25 DEND
BUSS ROBINSON/3 & 0 BLUES (e)
SA
12006 2.00 KUTZ
Ping porter/pearls
VO
1020 Camp
SHUFFLE BOOGIE/PETE'S BLUES (e)
SA
12010 2.00 KUTZ
Deep creek/Red hot pepper
VI
38055 Camp
(ANY ON SOLO Art)
11.50+ STRO
Grandpa's spells/Cannonball (new
Vl
or BB Camp
MAGGIE JONES
THE PEARLY/BEALE ST. (NEw)
VI
or BB Camp
SCAGMORE GREEN ( VG )
OK
8341 3.50 Oeno
SHREVEPORT STOMP
GE
5590 Kapl
MUSHMOUTH SHUFFLE
OK
8349 4.00 DEND
(ANY SILVERTONE, AUTOGRAPH )
KAPL
Baby o1 mine
OK
8390 5.00 DEND
MOUND CITY BLUE BLOWERS
OLIVE KLINE-CLSIE BAKER
One hour/hello lola
BB
10037 BURL
WH 1 SPERI NG HOPE (EX)
VI
19873 .60 BURN
NEW ORLEANS BOOTBLACKS
GENE KRUPA'S CH ICAGOANS
Flat foot
CO
14337 5.00 DEND
Blues of Israel/Three little woros De
181 14 Bell
Mixed salad (new)
Co
14465 5.00 DENO
Last roundup/Jazz me blues
DE
181 15 Bell
flat foot/Mao dog
Co
14337 2.00 THIE
EDDIE LANG
l can't say/Mixed salad
Co
14465 2.00 THIE
Prelude (new)
OK
40989 AVER
NEW ORLEANS FEETWARMERS
Blue guitar
OK
871 1 Aver
1 FOUND A NEW BABY
VI
24150 WATE
BLUE ROOM
OK
8818 Aver
NEW ORLEANS RHYTHM KINGS
PlCKIN'
BR
6254 WATE
1 NEVER KNEW
OK
40422 WATE
MEAOE LUX LEWIS
qolden leaf/She's crying for me
OK
40327 3.00 THIE
(c)
SA
12003 2.50 KUTZ
NEW ORLEANS WANDERERS
(E)
SA
12004 2.50 KUTZ
PERDID0 ST. BLUES ( NEW )
Co
698 2.50 DEND
VIRGINIA LISTON
Papa dip
CO
735 4.00 Oend
RIGHT KEY, WRONG KEYHOLE
OK
8173 5.00 DEND
FRANK IE NEWTON
10186 HASS
Early in the morning
OK
8187 4.00 DENO
MINOR JIVE
BB
WHO'S SORRY N0WA°U'RE THE ONE
VA
647 1 .00 THIE
12 3 4
12 3 4
RED NICHOLS
BY >HE SHALIMAR ( NEW )
JIMMY NOONE
(MANY ON VOCAL I ON)
RED NQRVO
Blues in E flat/bughouse
KING OLIVER
Chattanooga stomp {vg)
London blues (new)
I 'M GOIN* AWAY (vg)
Alligator hop (vg)
Jackass slues (new)
Olga (ex)
Nelson stomp
West eno blues (new)
(any 4900 series okeh)
(Any 8000 series Okeh)
(Any 40000 series Okeh)
Snake rag/high society
Jazzin' babies blues
room rent
buddy's habits/Tears
high society/Tears
riverside blues
mabel's dream
Canal street/just gone
Manoy lee/I'm gonna wear you
High society
Room rent blues
Mabel's dream
BUDDY'S habit
Room rent blues
mabel's dream
Riverside blues
tiny parham
Dixieland doings
Steel string blues
(Any paramount)
SANTA PECORA
I NEVER KNEW/MAGNOLIA BLUES
I never knew/Magnolia blues
paramount pickers
salty dog
Salty dog
walter pichon
Y0 Yo/Doggin' THAT THING
BEN POLLACK
OEEP ELM
QUINTET 0r
Vo 1 .00+ STR0
Co 3079 BELL
CO 13003 8.00 DEND
Co 14003 7.00 Deno
Ge 5134 6.00 Deno
Gr 5274 8.00 DEND
"0 1014 2.00 OEND
VI 22681 2.00 Dend
VI 23388 5.00 Deno
\t[ 38034 1.50 Dend
OK 10.00 Dend
OK 25.00 Dend
OK 17.50 DEND
OK 4933 15.00 STEA
OK 4975 15.00 STEA
OK 8148 15.00 STEA
OK 4O00D 15.00 STEA
HRS 12 4.00 STEA
HK 40034 15.00 STEA
OK 8235 15.00 STEA
GE 5133 5.00 THIE
GE 5134 5.00 Thie
OK 4933 10.00 Camp
OK 8148 Camp
OK 8235 Camp
OK 40000 10.00 Camp
OK 8148 KAPL
OK 8235 KAPL
Para 20292 KAPL
vi 381 1 1 1 .00 Deno
Vi 23410 2.50 Deno
Para 5.00+ Dend
CO 36159 ■
CO 36159
KUTZ
Bell
Para 12779 3.50 Deno
PARA 12779 5.00 STEA
Vi 38544 2.50 DEND
HOT CLUB OF FRAXE
L I MEHOUSE BLUES
MA RA1NEY
(Any with tommy laonier)
hellish rag
red heads
get a load of this
how come you do me
Black mottom stomp
h i — d i dole— o i odle
rco onion jazz babies
texas moaner
terrible blues ( new )
Early every morn
Cake walkin' babies
RElSMAN'S ORCH
Cox
cox
Para !tl-2 Deno
Para 12612 2.00 Dend
Any
Any
Any
Any
L I MEHOUSE BLUES
IKE RODGERS
SCREEM |
the blues (vg)
Malt can blues (vg)
(Any other record)
adrian roll i n i
Davenport blues/somebody loves me
LUIS RUSSELL
(1st, 2n0, and last 3 okehs)
Sweet mumtaz
Case on down
you ra5cal you
PEE WEE RUSSELL
Dinah/3aby, won't you please
horn of plenty/There'll be some
i 've found new aaby/everybooy
(Almost any; state disporitions)
— Aver
— Aver
— Aver
— Aver
5594 7.50 Deno
5607 10.00 DEND
5626 7.50 DEND
5627 10.00 Oend
Para 12813 2.50 Oend
BR 7086 2.50 DEND
2.50 Oend
OK 3.00 Oeno
vo ioio 4.00 Dend
Vo 1579 10.00 Oend
VI 22793
HRS 1000
HRS 1001
HRS 1002
Any — — ■
• BUCH
• BUCH
• BUCH
■ SHER
ARTIE SHAW
lover cqme back
rose room
night mare
special delivery stomp
Dr. Livingstone* I presume?
Room wi th a vi ew
0I.1ER SIMEON
Beau koo jack/Smoke house blues
Smokehouse blues
ART S I VS
SOAPSTICK BLUES
BESSIE SMITH
(almost any new record)
CLARA SMITH
(any w'ith Louis; ex)
Alley rat blues (new or ex only)
ja8b0 smith
Decatur st. tutti
Sau sha stomp
Sweet and low blues/Take your
Little Willie blues/Sleepy
Boston shuffle/Tanguay blue.s
mamie smith
K. C. MAN
JABBO SMITH
Sleepy tiue blues
MUG3SY SPAN l£R
Jazz baud ball/Livery stable
Big butter and egg man/Eccentric
Someday sweetheart/Da da strain
Dippermouth/Wish I could shimmy
At the jazz band ball
Relaxin' at the T-ouro
(any on Bluebiro)
VICTORIA SPIVEY
(All v ictors)
(Many vocal ions)
STATE STREET RAMBLERS
WEARY WAY BLUES
REX STEWART
Linger awhile/mobile bay
Sugar hill/Love in my heart
Mob I LE BAY
Some Saturday
San Juan hill
Back room romp/Tea (new)
Back room romp/Tea (ex)
Back room romp/Tea (vg)
Stingaree/Baby, ain't (N to VG)
JOE SULLIVAN
LITTLE ROCK GETAWAy/ONYX (new)
Little rock getaway/Onyx
Can't give/Oh, lady be good
(Any Co or UHCA solo)
ERSKINE TATE
STATI C STRUT
JASPER TAYLOR
Stomp time blues
jack teagardem
PR I C
Vi 26762 B0EC
Vl 27289 Bote
BR 7109 3.00 THIE
BR 7109 1.25 Stro
OK 8373 2.50 Dend
Co 2.00 Deno
Co 14104 Sher
Br 7078 5.00 StEA
BR 7065 5.00 Stea
BR 7061 3.00 Thie
Br 7053 3.00 Thie
8R 7101 3.00 Thie
OK 4926 2.00 Oend
10518
I04T7 ■
10384 ■
10506 ■
10518 •
10532 ■
■ KUTZ
KUTZ
BELL
Bell.
Boec
BOEC
■ 8URL
38000 2.50 Oend
Deno
GE 6232 10.00 Deno
I 1057
3844
I 1057
I 1258
Bell
BELL
Boec
8oec
Boec
3831 2.50 JACO
3831 2.00 JACO
3831 1.50 JACO
2880 2.00 JACO
33-34 1.25 BURN
600 Kutz
5496 BELL
STRO
Vo 1027, VO 15372 15.00 Oend
Para 12409 12.50 Dend
Stars fell on Alabama
rockin' chair
8lue river
hoc i el thomas
(any with Louis Armstrong)
SIPPIE THOMAS
f 'M A MIGHTY TIGHT WOMAN
I'M A MIGHTY TIGHT WOMAN
TROMBONE RED
Greasy plate blues
JOE VENUTI
Dl NAH/V/I LD DOG
Wasting my love on you
Paroon me, pretty baby
Goblin market
JAMES WADE
mobile blues
Black bottom
SIPPIE WALLACE
(Any with Armstrong)
6993 ■
3051 •
6741 -
RIOL
■ Aver
Aver
38502 3.50 Dend
38502 4.00 STEA
CO 14612 2.00 Dend
41025 ■
23018 ■
41506 ■
41586 ■
Aver
Aver
Black Patti
20295 5.00 Dend
8019 OENO
9
Wanted i
TATS WALLER
(PIANO SOLOS, OK, VI, BB )
TEDDY WEATHERFORD
(ANY)
chick webb
i ain't got nobody (new)
stompin' at the savoy ( new )
nolan welsh
Bridewell blues (vg)
clarence williams
OH DADDY
ach i n 1 hearted
Old fashioned love
Atlanta slues
Graveyard dream
C FLAT BLUES
JAZZIN* BABIES BLUES
Too late now
Texas moaner (vg)
Everybody loves (ex)
Off and on
Papa de da
Coal cart blues
Squeeze me
Get i t fixed
LlVIN* HIGH
Mean blues
Mandy (es)
Cake walkin' babies
Cast awa/
papa de da oa
Texas moaner
Cake walki n babi es
Livin high
COOTIE WILLIAMS
G-MEN
1 2
DE 1513 1.00 BURN
OK 3246 I .00 BURN
OK 8372 6.00 DEND
OK 4927 1.50 Dend
OK 4966 1.50 OENO
OK 4993 2.50 DENO
OK 8090 1.50 DEND
OK 8099 1.50 DEND
OK 8107 2.50 DENO
OK 8129 2.50 DEND
OK 8154 1.50 DEND
OK 8171 8.00 DENO
OK 8181 5.00 DEND
OK 8197 2.00 DENO
OK. 8215 8.50 DEND
OK 8245 8.00 Oend
OK 8254 8.00 DEND
OK 8267 4.00 DEND
OK 8272 8.00 DENO
OK 40006 2.00 DEND
OK 40260 4.00 DEND
OK 40321 15.00 DEND
OK 40330 3.00 DENO
OK 8215 10.00 STEA
OK 8171 6.00 STEA
OK 40321 Sate
OK 8272 Kapl
OK
Clean
NIGHT
De 1155
UHCA 37-38
Any ■
Co 36207 •
Co 361 13 •
mary lou williams
(new)
life/drag em (new)
OUKE WILSON <- TEN BLACK8ERR I ES
Seale street blues ai
teddy wilson
embracea6le you
Foolin' myself
Can't help lovin that man
AL WYNN
CRY I N ' MY BLUES AWAY
PARKWAY STOMP
SHE 'S CRY I N ' FOR ME
JIMMY YANCEY
The fives/Jimmy's stuff (e)
any label, any record i no group
Stardust
i crieo for you .
(any record featuring trumpets & tenor saxes)
(many u.h.c.a. records ) uhca ■
■ BOEC
.00 Burn
.50 Burn
VO 12 IR 5.00 DENO
Vo 1220 5.00 DENO
VO 1252 5.00 Deno
SA 12008 2.50 KuTZ
■ PR I C
SHER
FOR SALE OR TRADE
New jazz re I eases - All un played -
Titles of reco rds will be sent on
request. Can supply any amount of
these records.
B. Dendrino, Wolverine Music Shop,
111 Arcade Bldg . , Muskegon (11) Michigan
BRUT:
IGOO
1001
1 002 •
1004
1005 ■
1006 •
JAZZ
* 8 •
4 9 ■
til ■
t!2 ■
BLACI
If I ■
ALB
14
- DUKE ELL INGTOIC
• RED NICHOLS' FIVE PENNIES
■ PINETOr Sk i TV (2 RECCROS)
- CAB CALLOWAY
■ BOOUIE VOQGIE PIANO
■ JIM IE NOOHE APEX ORCHESTRA
UAH RECORDS
BUNK JOHNSON
BUNK JOHNSON
JELLY ROLL MORTON ( SOLOS)
JELLY ROLL MORTOI. (SOLOS)
I. WHITE RECORD
ART HODES 1 Snowy p.:orning/4-5 times
13.
3.75
3.75
I. 10
1. 10
1. 10
1. 10
1.33
The following records for trade only.
My wants will be found in the WANTED section.
LOU
AR! STRC G (w
HENDEPScr.)
Copehhagen/Words Vo 1 4926 V
bix be 1derbecke & lucky seven
Goose pimples/royal garden blues •
chicago fcotwarlers
Brush stomp/Get 'em again OK 8599 N
COOK'S ORLALLAND ORCH.fwiTH G.M.ITCHELL)
Sidewalk blues C
Hum and strum/ i got worry
STl'KP EVA.. 5 - JjHMV BLVTHE ( A
om blues/never call
JONES-Sr.'-ITh
lady be good/boogie woogie
will ezell ( solos )
West coast rag/b.h. man
bucket of blook/play i ng the dozen
MIFF h.OLE
SKIM-ME— SUA WABBLE/AFTER YOU'VE GONE
NEW ORLEANS RHYTHk KINGS
Pamala/Tiger rag
weary blues/wolverine blues
MlLENBERG JOYS/jVARGUER I TE
RED NICHOLS
Dinah/Indiana
king oliver
Jackass blues/Deep henderscn
jabbo smith
Little will IE blues/Sleepy time
CLAREI.CE WILLIAI.S (PIANO SOLOS)
Organ grincer 6lues, V; ildflower rag
YOUNG'S CREOLE JAZZ BAND
Co 862 M
CO 1430 N
P.Stewart )
Para 12240 N
Vo 3459 E
PARA 12549 G
Para 12773 G
GE 4968 E
GE 5102 G
GE 52 1 7 E
BR 4373 E
Vo 1014 V
BR 7058 E
OK 8604 N
LAX <0272 N
JOEL DUROE
5153 Rockland Avenue, Eagle Rock, California.
AUCT I ON
LOUIS AWSTROMG.
Peanut venoor
Confess i n 1
some of these days
bucktown five
steady roll blues
JOHNNY POOPS
AFTER YO'i 'VE GONE
Oh lizzie
MONK HAZEL
SIZZLING THE BLUES
PAUL MARES
RE I NCARNAT I ON
OK 41478 G
OK 41443 V
OK 41298 G
WINGY MAHMOHE
O'l ARE MY LUCKY STAR VO 3070 E
MIFF MOLE
ALEXANDER'S RAG TIME BAND OK 40758 G
TRUTTERS' BALL
JELLY ROLL MORTON
MR. J EL
LORD
Br 3568 G
3R 3585 V
IR 4181 E
OK 41575 V
KANSAS CITY STOMPS
BILLY GOAT STOMP
KING OLIVER
Snake rag
Canal Street BI.UEE
VI 21064 V
Vl 38b27 Q
GE 5218 V
"I 20772 V
GE
5184 G
5133 V
' Etf ORLEA'-IS 3H\ 7V ^ INGS
,'ARGUERITE Gl
Angry Gi
I OA STRAIN Gl
CECIL SCOTT
LA WD , LAWD IN A CORNER V
JACK T^AGARDEN
'VE GOT it Ci
JUNK MAN Bl
STARS FELL On ALABAMA Bl
WOLVERINES
IZZ ME BLUES Gl
5217 G
5219 V
5106 G
2913 V
7652 V
6993 f
CLOSING DATE: AUGUST 26th.
10
,1
DEADLINE -- 15th OF THIS MONTH
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PR 1 CE
OFFERED
CATALOG
NUMBER
LABEL
TITLES (30 TYPEWRITER SPACES AVAILABLE)
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DEADLINE -- 15th OF THIS MONTH
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NEW ORLEANS
NEWS LETTER
FROM WILLIAM RUSSELL
Leaving San Francisco, where
Bunk, Kid Ory, and Mutt Carey
had played unforgettable music, I
approached New Orleans this year
with some degree of apprehension
knowing that Bunk, like Louie is
worth a whole city-full of musi-
cians, and this year Bunk was to
be over a thousand miles away
from my favorite city. But a
few hours after arriving at the
South Rampart St. depot, all
doubts were removed and I real-
ized that New Orleans music is
far from dead. I had been told
that many musicians were gone,
or working in factories and
shipyards, but it seems they
just can't kill jazz and the
joie de vivre down here.
For one thing George Lewis
got a great band together at the
Gypsy Tea Room II the first Sund-
day I was here. A six piece af-
fair, without piano, using Jim
Robinson on- trombone and Kid
Howard on trumpet, this bunch
could really stomp. Last year I
got rather excited about George
Lewis, perhaps prematurely, for
then I'd never really heard him
take off as he does this summer.
Hearing this ork, composed most-
ly of unknowns, play .such pieces
as Nilneburg Joys, Don't Go Way
Nobody Let's Stay' and Save a
Good Time (Bolden's old midnight
tune). Climax Rag, and Just a
Little While to Stay Sere (a
terrific funeral march) should
convince anyone that New Orleans
jazz is in no more danger of ex-
tinction than the musty odor of
the French Quarter. Lewis'
brilliant clarinet work even in
the trio with which he regularly
plays should establish him as
the world's hottest.
Many old timers are also
still playing fine jazz. Wooden
Joe Nicholas has a four piece
ork at Graffagnini 's Beer Parlor
at Tulane and S. Claiborne where
as a part of their regular musi-
cal fare they play such New Or-
leans classics as Panama, All
the Whores Like the Way I Ride,
Sigh Society, and Careless Love.
Wooden Joe received his name be-
cause of his powerful cornet
tone and endurance on parades.
Judging from Jus playing today,
even at the ageyof 60, it is no
misnomer. Careless Love, one of
the oldest New Orleans blues,
dating from Bolden days, re-
mains the most popular of all,
and New Orleans. bands all seem
to have a very special and won-
derful way of playing it. They
usually start out in a low down
original blues. Then after
about five minutes of the freest
rhapsodizing you hear the sub-
dued strains of the Careless
Love theme worked in, much in
GEORGE LEWIS
the manner of the soft trio sec-
tion of a march. Bunk says that
when he was playing with the
King, Frank Lewis and Brock told
him they'd first heard Careless
Love sung by a girl from Carle-
ton "who had gone wrong"'. But
down here some say that Edward
Clem (cornetist and contemporary
of Bolden) was the creator of
the tune. Speaking of Bolden,
after talking with his widow,
I'd like to write something of
the known facts of his life
someday and correct some of the
misconceptions for which I'm
partly responsible.
Big Eye Louis, in better
health than last year, is still
at Luthgens, down on the Gen-
tilly car line, with something
of an all-star lineup containing
Louis Oumaine on trumpet, Walter
Deoou, piano, and Ernest Rogers
on drums. Most of these small
neighborhood places employ an
orchestra only on weekends, two
to four nites a week. Big Eye's
ork is almost the only one I've
heard in New Orleans using a
piano. Few halls or beer joints
even own one. However there are
a few solo pianists such as
Walter Pichon and Joe Robecheaux
Playi.ng at the tourist, — sailor
joints along Bourbon Street.
Charles Love, old time cor-
netist, has a band at Magnolia
Room, another French Quarter
tourist place, but one of the
girl entertainers shot his
pianist two weeks ago. Shots
Madison plays his cornet prin-
cipally for funerals and parades
nowadays. Picou, busy at his
tinsmith trade, still plays
clarinet, but usually only in
special parades, — a great rarity
a,t present. Louis Keppard,
brother of the great cornetist,
is playing his guitar with a
band at Frenchman and Villere
and, as is the case with many
musicians, has a daytime job too.
Herb Morand, cornet pupil of
Keppard, is still around town
playing spot jobs. The week I
arrived in New Orleans I heard
Kid Rena play, rather listless-
ly, with his orchestra at the
Cadillac Cafe. Then last week I
heard that due to paralysis of
the lip he is all through. Let's
hope that Rena (whose lip once
rivaled Armstrong's, according
td those who knew both) has a
speedy recovery.
Fortunately one of the three
week ends I've spent in New Or-
leans this trip was that of
Decoration Day when there was
more music than usual. On Sat-
urday afternoon Ed Moseley in-
vited me to ride around with his
band in real tailgate style as
they stopped at corners to ad-
vertise their dance that nite.
We didn't run into King Oliver
nor 01' Whalemouth, nor the
Eagle Band, but had a lot of fun
nevertheless. The next day I
went down in the country to a
little one lane village in St.
Bernard Parish where Lawrence
Marrero's band was playing at an
all-day celebration. I never did
learn how to spell or pronounce
the French name of this levee
town, — all colored except for a
white sheriff, — but it was right
close to Chalmette, where Buddy
Bolden is buried. This appeared
to be a special homecoming and
they had two orchestras playing
against one another within 50
yards. With Lawrence was a fine
trumpeter called Sambo. No one
(continued page 16)
left to rioht! qeoroe lewis, clarinet; lawrence marrero, banjoj kld howard,
trumpet; Chester Zardis, bass; Eo mosely, drums; Jim Robinson, trombone,
"this bunch doesn't look so hot on paper, "bill russell say6,"but let me tell
you they are equal to any band i ever heard |n person or on records. n
11
EVERYBODY TALKS ABOUT HOT RECORD VALUES
LET'S DO SOMETHING ABOUT IT
On April 1st of this year we
sent to fifty collectors of our
acquaintance an imaginary auc-
tion list of 60 rare Okeh rec-
ords. On this imaginary auction
three collectors submitted bids
which took nearly every record.
Their bids were shown in the May
issue of the Record Changer.
The values in Column "A" were
submitted by William Love of
Nashville, those in Column "B"
were submitted by William Russell
of Pittsburgh, and those in
Column "C" were submitted by
George Hoefer of Chicago.
All three of these collectors
are old timers, known to record
traders the world over. Three
collectors better qualified to
set values on hot records prob-
ably could not be found.
# # #
We are happy to announce that
William Love, William Russell and
George Hoefer have agreed to lend
their knowledge of hot music and
their experience in record trad-
ing to this hot record value
project. We believe that the
publication of their findings
will take its place beside
Delauneyfe Hot Discography on the
bookshelf of every collector in
the country.
This pub 1 i cat i on will contain
between five and ten thousand
listings complete with serial
numbers, titles, master numbers,
and values. Also included will
be hundreds of items of hot in-
terest not generally known to the
collecting world, certainly
never set down in one compact
publ i cat i on.
Label Serial No. lecordlna (roup
Co
M
VI
The preliminary endeavor in
this enterprise will be that of
setting values on the four or
five thousand records already
known to hot collectors.
The toughest job, and the
most important, however, will be
that of rating obscure but
worthwhile hot records for wh ich
little information is ava-ilable.
AND THAT'S WHERE YOU
THE READER
COME IN
We are urging everyone who
reads this to send to the Record
Changer a 1 ist of every record
you have which is not listed in
Hot Discography, and which you
believe might interest the hot
col lector.
I will pass your list on to
Mssrs. Love, Russell, and
Hoefer. If your list contains
any record with which they are
not familiar, you will be noti-
fied of the fact, and you will
be invited to loan this record
to the experts for observation.
Such records will also be listed
in the Record Changer as Problem
cases, and information on them
will be requested.
In the event you bring to our
attention a record, hi.therto
unknown and of any jazz signi-
ficance whatever, your name will
appear in the final publication
in c o nnect ion w ith it.
Look through your records now
and jot down your data in this
fash i on:
Tune t maeter Do.
262 Tho eeorglane Everybody levee ay baby ( |»o l»8) /My beat |lrl(/»0/a4)
MU Sloeey Hanry Thakaat cheap ear (102262) /"obo blaoa (102261)
2277* Snooks t Meaehle Raablera Sweet toorfla 6rotm( ) /Some other tins ( )
(If yea with yea may jive the Inetruaentat Ion emi year oalnlona aa to the per tonne I.)
12
Information Wanted
ALABAMA SHEIKSi VI 23265.
AUSTIN ALLEN! CO 14266.
PINK ANDERSON t CO [4336, 14400.
HATTIE BURLESON i BR 7042, 7054.
WALTER BROWN I VI 23314.
BLUE RIBBON SYNCOPATORS: CO 14215,14235,.
JOSEPHINE BYRDl Co 14349.
BENNETT'S SWAMPLANDERS: CO 14662.
PERRY BRADFORD 1 CO I4I4Z.
KINS BRADY'S CLARINET BAND: QENN 6343.
KINO BECHET TRIOt OK 8096.
BURTON-MAPP: Para 131 14.
CALIFORNIA RAMBLERS: VARI 577, 603.
DAVID CROSS: BR 7079.
OLIVER COBB & RHYTHM KINQS.l BR 7107.
COBB'S CORN EATERS: VI 38023.
/CLIFTON: Vl 38600, 23278.
/CALEY: VI 23293.
CAROLINA PEANUT BOYS! VI 23267,23319.
CHICKASAW SYNCOPATORSt Co 14301
LONNIE COLEMAN: Co 14440.
JIM CLARK: VO 1536.
HOAGY CARM ICHAELl VI L-I60I9.
CHUBB STEINBURQ ORCH t SEN 3058, OK 40106
40107.
J.C.COBBl VO 1204,1263,1269; PARA 12382.
DAISY DOUOLAS: CO 14175.
/DARBY: VI 2331 I.
TOM OELANEY f Co I408Z, 14122.
PEARL 0ICKS0N:CO 14286.
DAVENPORT J. IJARR: OK 8284.
CHARLIE DAVIS: VO 15701.
CARRIE EDWARDS: Co 14652.
JACK ERBYt CO 14570.
PEGGY ENGLISH: VO 15504.
/FRANKLIN: VI 23310.
FOWLER'S WASHBOARD WONOERS:CO 14084,1409
14101, 14155.
TROY FERGUSON: Co 14644.
/C.QI8S0N: VI 23255.
/ GIBSON: VI 38572,38577,38590,38612.
GILMORE SISTERS: Vl 23316.
CORA GARDNER: Co 14659.
GEORGIA JUMPERS: Co 14620.
GEORGIA BROWNS: Vo 1740.
/HILLlVI 38588.
/HART: VI 23273.
/HARRIS: Vl 23284
/HAVEN: VI 23288.
ROSA HENDERSON: CO 14130,14152; VO 1038.
HARMONY HOUNDS: Co 141 19, 1413 I .
MATT IE HITE: CO 14503.
HARLEM STOMPERS: DE 7616.
SLOPPY HENRY: OK 8305,8368.
ALMA HENDERSON: Ok 8489.
IILMOUTH H0UDINI: PE 728.
FLETCHER HENDERSON "ALA .B0UND"(MATR.2 1045)
LUCILE HEGOMINt Co 14164.
CLARENCE JONES: OK 8404.
JAKE JONES: BR .7130.
EDITH JOHNSON: PARA 13032.
TOMMY JOHNSON: VI 38535; PARA 13000.
/JORDON: Vl 23304.
'JOHNSON'S CRACKERJACKS: Vl 23329.
MAGGIE JONES ! Co 14127.14102,14081, 14070,
14047.
JOE JORDAN: Co 14144.
JACKSON BLUE 80YSI Co 14397.
J. C. JOHNSON! CO 14361.
BILL JOHNSON'S LOUISIANA JUG BAND: BR 7067.
HALF PINT JAXONl VO 1539.
MARY JOHNSON: DE 7014, 7012, 7305; PARA 12931, 12996.
R.M. JONES: DE 7064.
MARGARET JOHNSON I OK 8506.
ELIZABETH JOHNSON: OK 8593.
HUTH JOHNSON: PARA 13003, 13060.
KANSAS CITY STOMPERS: BR 7091.
K.'C. TIN ROOF STOMPERS: BR 7066.
WILLY KELLY: VI 23299,23416,23320,23286,
23270,23263,38619.
/KYLE: VI 38625.
KENTUCKY JUG BAND: VO 1564.
NOAH LEWIS: VI 27266.
LOVIN' SAM: BR 7208.
GEORGE E. LEE:M£RRITT 2206.
/MILESl VI 38607, 23306.
/MCCOY: Vl 233+3*
CHARLIE MCFADOEN: VI 23430.
JULIA MOODY: CO 14087,14103,14121.
ALICE MOORE I PARA 13107.
MONETTE MOOREl CO 14105. [
SAM MANNING: CO 141 10.
LIZZIE MILES: Co 14335, OK 8456.
RAY MILLER: BR 3132,3676, 3677,3828,3829.
SARA MARTIN: OK 8412, 8442, 8513.
SAM MORGAN: Co 14213, 14258, 14351, 14539.
BENNY MEROFF: BR 4709.
BEN NORS INGLE: BR 7041, 7043.
J I MM IE NOONEt Vo I58~I9.
DAVE NELSON: ANY QRS.
OSCAR'S CHICAGO' SWINGERS: DE 7235,7248,
7265,7201.
FRANK PLUITT: VI 23428.
PAPA FREDDIE: OK 8422.
OLLIE ROSS: BR 7045.
ROBISON'S JACK RABBITS: Vl 38074.
RED CAPS ORCH: VI 23382.
STERLING RUSSELL: VI 23378.
RED DEVILS: CO 14586
ADRIAN ROLL IN I : VO 2672,2673,2675.
SALLY ROBERTS: OK 8485, 8500.
RUBEN REEVES : - VO 15826.
HARUM SCARUMS:" PARA 13054,13104.
TOMMY SETTLERS: PARA 13120.
VICTORIA SPIVEY: OK 8464,8481; VO 1606,
1640) BE 7203,7222,7237.
CLARA SMITH: Co 14138,14126,14117,14104,
14069,14039,14034,14021,14019,14016,
14009, 14006, 14183, 14497, 14553.
SOUTH MEMPHIS JUG BAND: VO 02585.
TEXAS TOMMY: BR 7044.
THOMAS' DEVILS: BR 7064.
TAYLOR'S DIXIE SERENADERS: Vl 23277.
/B.TUCKER: VI 38526.
CHARLES TAYLOR: PARA 13121 .
TAYLOR'S WEATHERB IRDSiVI 23309,
/J.TOWNSEND: Vl 23322.
EVA TAYLOR: OK 8414,8444,8463.
THREE BLUES CHASERS: OK 8595.
WILSON'S T.O.B.A. BAND: PARA 12408.
WASHBOARD SERENADERS: VI 38127.
EDITH WILSON: VI 38624.
GEORGE WILLIAMS: Co 14148.
JONROE WALKER: Co 14549.
1ILLIE WALKER: Co 14578.
SOCKS WILSON! CO 14669,14675.
LEOLA WILSON! Co 14669,14675.
LENA WILSON: Co 14618.
SIPP1E WALLACE: Ok 8381, 8439.
NOLAN WELSH OK 8425.
SID WILLIAMS VO I569T.
/ INFORMATION 18 REQUESTED A6 TO THE F I RST
NAME OF RECORD I NO ARTIST.
Bill Love , i n 1 ook i ng
through his old record
catalogs, ha? listed
on this page records
with wh ich ha, is not
fami liar and which
might bear investiga-
tion.
Information is re-
quested as to the Mast-
er number, instrumen-
tation, and personnel
of these records.
If you have any of
these records, drop
Bill a letter putting
down your information
as follows*.
RECORD I NG GROUP
LABEL & SERIAL NOS.
NAMES OF TUNES
MASTER NUMBERS
INSTRUMENTATION
Your opinions,
if any, as to
personnel .
Bill's address is
93O Broadway, Nash-
ville, Tennessee.
Information is also
invited on other ob-
scure records, parti-
cularly on late Qen-
nett Electrotfeam
series .
13
J.I. In Exile f
by eugene Williams
\
A recent issue of
JAZZ featured a notable
article by John Steiner
on "Kansas City Frank".
John, formerly Chicago
correspondent for J. I.,
did an excellent job of
assembling the essen-
tial biographical data
on Frank Melrose, the
f ine Ch icago p ian ist
who d ied in 1941 .
Proof of the increasing in-
terest in Melrose's stompy piano
playing is the startling jump in
offers for copies of his best
known record, Jelly Roll Stomp
and Pass the Jug (Brunswick
7062). Other Melrose discs, in-
cluding several unissued sides,
are listed in a discography ap-
pended toSteiner's biography.
The following additions are of
i nterest .
Jelly Roll Stomp and Pass the
Jug also appeared on Gennett
5585 under Melrose's own name.
According to Steiner's list,
these were made several years
before the Brunswick versions of
the same titles. Bill Col burn
of San Francisco has a copy of
the Gennett, which sounds (to
this writer) quite as interest-
ing as the Brunswick, but much
less steady.
Melrose also played piano on
the Rampart Street/Beale Street
Washboard Band's Forty and Tight
and Piggly Wiggly, with Johnny
and Baby Dodds and Herb Morand ,
trumpet; issued on Vocal ion
14 03, Perfect 196, Romeo 5120,
Conqueror 7980. George Hoefer
obtained this personnel from
Morand (see Eot Box, Down Beat
3/1 /41) , and it was
pa rt 1 y c onf i rmed by
Melrose's recollection
of a date with Johnny
and Baby (Down Beat
8/15 /40) .
Still another band
record featuring Mel-
rose is Shanghai Honey-
moon and Good Fellov
blues by the Kansas
City Stompers, on
Brunswick 7091, with Darnell
Howard ,clar i net ; Jimmy Bertrand,
drums and xylophone. (Informa-
tion from Hoefer, Down Beat
8/15/40, 9/1/40, 11/1/40.) An-
other Brunswick, 7066 by the
Kansas Ckty Tin Roof Stompers,
Aunt Jemima Stomp and St. Louis
Bound, seemed to this writer (on
one hearing, some time ago) to
be a likely Melrose item. John
Steiner, however, writes that he
played it for Mrs. Melrose, who
thought it was not her husband's
work; so the identification is
doubtful. These, and other Mel-
rose items which may s.t i 1 1 turn
up, should be of considerable
interest to the many admirers of
Kansas City Frank.
♦ ♦ ♦
Because of their rarity, and
perhaps because of a thoughtless
lack of interest, — the numerous
quartet and washboard band rec-
ords featuring Johnny Dodds have
never been fully investigated.
Hidden or a variety of labels
under many unusual pseudonyms,
they remain the most rmportant
group of discs on which full in-
Torrnation has not yet been gath-
ered. One of the more common
ones, the Piggly Viggly mentioned
14
above, has only recently become
well known to collectors. Many
I others, as good or better, re-
main obscure.
One very interesting set of
Dodds rarities, which ought to
be clarified, appears on Gen-
nett, Champion and Paramount,
j Paramount 12525, by the Dixie-
| land Thumpersi-, Weary Way Blues
i (855) and There'll Come A Day
I (856), has been established as a
Dodds and Natty Dominique rec-
j ord, with a pianist who doesn't
! sound much like Jimmy Blythe,
j and a washboard drummer. (This
disc is not to be confused with
Paramount 12594 by the Dixieland
J_ug_ Thumpers, Oriental Man
j (20240) and Sock That Thing
1 (-2 0241 )wh ich Bill Love reported
I (J.I. 1/26/40) as a Dodds-Domi-
n ique-Blythe item.)
The same two titles, Weary
Way Blues and There'll Come A
Day (without master numbers)
appear on -Champ i on! 15344 under
the name of Blythe's Blue Boys.
Comparison of the Champion and
Paramount indicates that they
are different; but the personnel
appears to be the same, and the
differences in performances are
such as often occur between two
masters made at the same record-
ing session.
Love also reported Weary Way
Blues and Cootie Stomp (no
master numbers), on Gennett 6232
by the State Street Ramblers, in
J.I. 1/26/40. And Robert Waller
of San Francisco has just writ-
ten this column about a Champion
15399 of Cootie Stomp by Blythe's
Blue Boys, which he says has
Dodds and Dominique.
Doing a little guesswork, it
seems likely that Weary Way
Blues and Cootie Stomp, origin-
al ly issued as by the State
Street Ramblers on Gennett, was
reissued (from the same or dif-
ferent masters) on Champion un-
der the name of Blythe's Blue
Boys. No Gennett issue of
There'll Come A Day has been re-
ported so far; which suggests
that this may be another Para-
mount-Gennett-Champi on tie-up
such as occurred with some Cow
Cow Davenport piano solos (see
J.I. 6/7/40).
If this guess is a good one,
the discography of these records
would read something like this
(disregarding master variations):
Weary Way Blues
Para 12525, Gen 6232, Ch 15344
There '11 Come A Day
Para 12525, , Ch 15344
Cootie Stomp
, Gen 6232, Ch 15399
with different names for the
band on each label. Whether or
not this reconstruction is ac-
curate cannot be known until the
seven sides involved and any
others which may turn up, have
been compared.
These undoubted Dodds records,
by the way, must not be confused
with the common Champions by the
State Street Ramblers and
Blythe's Blue Boys, none of
which appear to have Dodds. The
latter, reissued on Decca under
the name of the Blue Jay Boys,
are Pleasure Mad, Endurance
Stomp, etc. The State Street
Ramblers feature the remarkable
New Orleans trombone playing of
Roy Palmer (Sugar Johnny Smith's
sidekick), although the rest of
the band is inferior. Sic 'Em
Tige (17627), on Champion 40070,
•is an especially good example.
The 40,000 series on Champion
are largely or entirely reissues
of earlier Champions or Gen-
netts; but the records mentioned
in this paragraph are entirely
different from the Dodds items
which appeared under the same
names .
♦ ♦ ♦
The col lectors who were so
deeply impressed by Bunk John-
son's first records can now look
forward to more new discs by
that grand musician. .Four new
records by Bunk and his band
is
(EUGENE WILLIAMS, CONTINUED)
will be released soon on the
JAZZ INFORMATION label.
Bunk made his first records
a year ago when a group of coil-
lectors (Dave Stuart, Rill Russ-
el 1 , Bill Colburn, Hal Mac-
Intyre and this writer) went to
New Orleans for that purpose.
These were the records, — issued
on Stuart's JAZZ MAN label under
the co-sponsorship of J. I., —
which I spoke of last month as
comparable to the greatest jazz
discs of the twenties.
A second recording date was
made shortly after the first,
when I passed through New Or-
leans again on my way home from
California. Announcement of the
second date was held up for a
year, to avoid interfering with
the sales of those first discs
The seven-piece band included
four holdovers from the first
date: Bunk on trumpet, Walter
Oecou on piano, Lawrence Marrero
^n^b^^^^^a^^^Te^s^n^a^^^ia^
(R.J. CAREW, continued)
at a party of his friends, but
when-he thought that too much
time was passing without any re-
freshments', he would 'start play-
ing The Chimes, which informed
those .who knew him that he
wouldn't mind eating something.
Another very good natural player
was my old friend Harry Farrar,
who used to drop around to my
house occasionally with Clai-
borne Tr'ainor, another good
friend of mine. I had a stand-
ing order with Stark Music Com-
pany of St. Louis to send me
their good rags as soon as they
were published, and I usually
had a couple of numbers that I
was laboriously trying to learn.
(KILLIAU RUSSELL, CONTINUED)
I've asked since knows his real
■name, and he'll probably go down
in history without any other
name as did Happy, Black Benny
and others. The clarinetist was
a. real surprise for I'd never
met nor heard of Albert Burbank
but he's almost as wonderful as
George Lewis, and when he gets
warmed up is really in a class
with Dodds and the best of the
great New Orleans clarinetists
of the past. The band played
some marvelous blues and cli-
maxed the evening with, the best
performance of Dippermouth I
ever heard, — one that beat any
of the three King Oliver put on
records. Possibly the Oliver
band got warmed up that hot at
some of their dances too, but I
doubt if they ever had a crowa
jumping in front of them at
Royal Garden and driving them on
and on like that gang from Ann
Cook's old home town.
Most of the white musicians
I've known here have taken war
jobs but a few double at music
at night. Raymond Burke is back
playing outstanding clarinet in
a small band at the Stork Club.,
George Lewis -on clarinet. Three
new men on the second date are
Albert Warner, trombone; Chester
Zardis, bass; and Edgar Mosely,
drums. The records were made at
a New Orleans radio station.
The eight sides, to be re-
leased as soon as they can be
produced under wartime condi-
tions, are: The Thriller Rag,
When I Leave The tiorld Behind,
Franklin St. Blues ,Veary Blues,
Big Chief Battle Axe, Blue Bells
Goodbye, Sobbin' Blues, and
Dusty Rag. They will be the
first originals released on the
J.I. label, which was formerly
used for reissues. Exclusive
distributors for the new Bunk
records will be the Commodore
Record Company of 415 Lexington
Ave. , New York C ity .
♦ ♦ ♦
(Correction: The last trumpet
player mentioned in Side B of
the Bunk Johnson talking records
(see July issue) is Joe Nicholas,
not Nichols)
When Harry dropped in for a
visit, I would get out my new
rags and run over them for him;
he would immediately sit down at
the piano and play the number
after me, — but usually in six
flats, no matter what key the
piece might be written in!
Harry played m the other keys,
but said that six flats was his
favorite key. About 1916 Harry
recorded a good rag of his on a
wax cylinder, I don't know by
what method „ possibly via the
dictaphone and sent it to the
Victor company, hoping to inter-
est them in recording some hot
rags, but as far as I ever heard
he never got any results. The
time was not yet ripe.
Monk Hazel is home from the army
and driving a truck again. The
Shields brothers are no longer
in music, but Tom Brown still
plays regularly. Sharkey is in
the Coast Guard. Others, such
as Sidney Arodin are apparently
out of music for good.
Physical ly,. New Orleans has
changed little the past year,
although over half the bright
lights of Canal Street are now
blacked out. Uptown there re-
main a few of the old Bolden
landmarks, — Longshoremen's Hall
On Jackson, and Kenna's Hall and
Masonic Hall on Perdido St.
Many downtown halls still stand,
Hope's. Hall, Economy, Perserver-
ance, New Hall, Providence and
half a dozen others. Two corners
of Storyville, along with one
side of Iberville Street have
been preserved, and the visitor
can see such historic places as
Pete Lala's Cabaret, the Big 25,
and 101 ranch. On Basin Street,
Lu 1 u ' s nVlah oga ny Hall still
stands, although it has become
quite dilapidated since the
halcyon days when her customers
were entertained by Bunk and
Tony Jackson.
BLOW HOT
BLOW COLD
BY CHARLES EOW. SMITH
I was certainly surprised and,
I may say, a trifle pleased,
when I read in your interesting
little magazine that I was
scheduled to do an article for
your forthcoming issue. Realiz-
ing that the name "Rev. J. 0.
Wi 1 lowbeigh"- was a typographical
error and you really meant that
I should dust off the old type-
writer and breathe life into it,
I iirrned iately got to work on the
thesis SOU MANY ANGELS CAN
STAND ON TBE POINT OF A NEEDLE?
Since my colleagues of the
critical fraternity are bound to
disagree with me, and a virulent
editorial or so appear in Metro-
nome, I suggest that you toss it
to the wolves, giving a worn
copy of the Okeh Laughing record
for the first five unprintable
letters on the subject.
With my article Sou to be a
Collector (which the Hot Society
Rag was good enough to publish
after three zombies) I was
fairly on the way to becoming
an authority. I hadalways wanted
to be an authority on something
and, with Delaunay a few thou-
sand miles away, this seemed my
opening. Ignoring John Ham-
mond's 5000 records and Bill
Russell's almost-but-not -quite
perfect Armstrong archives (I
learned the other day of special
transcriptions made for radio
and other disconcerting memento)
I embarked on my article confi-
dent that I could explain how to
spot "collector's items". That
was the first t ime, i nc idental ly,
that my fool-proof mechanism for
determining master numbers was
ever described in print. Unfor-
tunately, upon completing what
I thought had been a rather
scholarly work, I began to re-
ceive anonymous letters, .the
handwriting of which I now rec-
ognize to have been that of
Ebeneezer MacSnoyd, a notorious
imposter recently exposed in the
Record Changer. Well, this
Ebeneezer MacSnoyd, if such he
was, showered me with anonymous
letters praising highly my
standing in the jazz field and
proposing that I write a sequel
to my collecting article, titled
Some of My Best Friends Think I
Am Not a Collector,
This turned me sour on the
idea of being an authority on
anything, although some of our
most interesting collectors are
those who specialize in old
sheet music, always referring
casually to it as a side-line.
I was afraid Roy Carew was going
to give this game away when he
got on that Tony-* Jackson kick,
but he didn't even mention the
items that d id get into print.
Thanks, R.J., you're what we re-
(CONTINUEO PACE 19)
16
FOR DISPOSITION"'
1 2 3 4 5 6
FOR SALE AT PRICE INDIC
TRA™, FOR TRADE; "AUC",
AUCTION. CLOSING DATE FORBIDS,
AUG. 25, 1943; "T-A, FOR
TRADE OR AUCTION; "T-S" FOR
SALE OR TRADE; "STA" FOR SALE,
TRADE OR AUCT I ON.
Condition of records-new;
e— excellent ;v— very good ;
G-gqod; F-fair; P-pqor.
I Catalog number of record"
| LABEL OF RECORD-
I 149 V+AUC ■
■ CLAR
01
332 G T-A Raab
2421 N T-A RlDL
1505 G STA I .00 BURL
HENRY ALLEN
(Both recent Okeh records)
all star orchestra
CHLOE
ARKANSAS TRAVELERS
Washboard blues/Boneyard
ja— oa/Sensat i on
Birmingham break/Got nobody
LOUIS ARMSTRONG
Exactly like you/inoian crad
bessie coulon't/uallas blues
Weary blues/That's when
some of these days
Tight like this
muggles/peanut Vendor
i 'm gonna- -g i tcha
come back sweet papa/ga. q
Sunset cafe/big butter &
alligator crawl
Squeeze me
melancholy /keyhole
Sleepy time down south
WALTER BARNES & ROYAL CREOLI ANS
MY KINOA LOVE/How LONG BLUES BR 4187 G AUC
IF YOU'RE THINKING BIRMINGHAM BR 4480 V AUC
COUNT BASIE
THE BLUES I LIKE TO HEAR
And the angels sing/if I
Moon nocturne/Something
sidney bechet
Lay your racket
Shag
Okey-doke/Characteri ST I c
The shiek of araby
BIX BEIDERBECKE
Jazz band ball/Jazz me blues
Deep oown south
bunny berigan
Outside of paradise
jazz me blues/There'll be
rube bloom bayou boys
St. James jnf/Wan from south i
BLUE GRASS FOOT WARMERS
Old folks shuffle/Charleston Ha 248 V auc
MERITT BRUNIES
SUGAR FOOT STOMp/|/HAT A LITTLEOK 40526 V AUC
Blue grass of ken. /Autumn ok 40576 E auc
Masculine women/Someone *s ok 40593 E auc
CHICK BULLOCK
Blossoms on Broad/Can't stop Pe 71103 E sta
BUTTERBEANS fl. SUSIE
You can't bring/Put you under OK 82224 F sta
CASA LOMA ORCHESTRA
Lucky me, lovable you PaE 34012 N t-a
CHARLESTON CHASERS
Feelin' no pain/Five pennies Co 1229 E auc
Lovable & sweet/Reo hair Co 1925 E tra
CHICAGO FOOT WARMERS
Ballin' the jack/Grandma's OK 8533 E tra
CHICAGO JAZ2 ALBUM
(six recoros) De Alb. 121 n T-s 5.00 Camp
LILLIE DELK CHRISTIAN
Lonesome ano sorry ok 8356 G t-a — ■ Raab
COTTON PICKERS
Great white way blues Br 2380 E tra Bell
OK 41423 G AUC •
OK 8774 V AUC ■
OK 85(9 F T-A •
OK 41298 V T-A •
OK 8649 V T-A ■
V0 3194 V t-a •
OK 8343 F T-A •
OK 8318 Q| TRA '
OK 8423 G+tra ■
PaE R2I85 N T-A -
PAE R2242 N T-A -
VO 3137 V T-A ■
SB 10703 V+AUC ■
DE 2284 V T-S
Vo 4784 G+T-S
OK 6449 N T-S •
Vl 10472 N TRA ■
BB 10022 E T-A •
VA 648 N T-A
V| 27485 N T-A
OK 40923 G AUC ■
VI 23018 E TRA
Vl 25781 E T-A ■
V| 26244 N T-A
BERR
BERR
KUTZ
Aver
AVER
Aver
Raab
WALT
WALT
KAPL
KAPL
KAPL
— CLAR
CLAR
CLAR
I .00 JAC0
.90 JA.CO
JACO
BELL
STRO
Aver
1.00 SHER
EOEL
Bell
Raab
Buch
2103 F sta i. 00 Burl
Berr
Stei
Stei
STEI
Burl
.00 Burl
Aver
Berr
Bell
■ Wint
'T quit that man/Last milOK
6 I N.Q CROSBY
18m thru with love
BR
6140 E T-A
3.00 Riol
Just one more chance
BR
6120 V T-A
2.00 Riol
A GHOST OF A CHANCE
BR
6454 E T-A
3.00 RlDL
PUTNEY OANORIDGE
3287 V AUC
DIXIE JUG BLOWERS
Only mother/never did
VI
20854 V AUC
BERR
DIXIE STOMPERS
Brotherly love/off to buffalo
HA
299 E AUC
Berr
H 1 —0 1 DDLE— D 1 DO LE
HA
179 V AUC
Berr
Clap hands/Spanish shabl
HA
70 G T-A
KUTZ
hi-didole-oiddle
Ha
179 V T-A
KUTZ
Baltimore/black Maria
HA
526 V T-A
KUTZ
Snag it/ain't she
Ha
353 ff T-z
Aver
Have it reaoy/St. Louis
Snag IT
vt
Ha
1467 N T-A
353 r T-S
Aver
1.00 HURN
DIXIE WASHBOARD BAND
Cushion foot stomp/Anywhere Co
JOHNNY POODS
TOO Tl GHt/G006£R CLjl-itE BB
HEAH ME TALKIN/LlTTLE ISABEL BB
indigo stomp/Blue piano BB
Too tight BS
TOMMY DORSEY
GYPSY POUGHKEEPSIE/ALIBI BABY Vl
East of the sun BB
Dancing mood/Tea on tehrace Vi
sone of i nd i a/mar ie vl
DIPSY doodle/who VI
YEARNI Ng/'DeED I DO Vl
GETTIN* SENTIMENTAL/ROYAL GAROVl
JOHN"Y DUNN
put & take/imoanful co
4 o'clock/hawaiian blues co
Vamping Sal/Lovin' jjama Co
Spanish dream/hallelu jah Co
Promised not to holler/Jazzin'Co
JOHNNY DUNN (acc. Edith W
vampin' liza jane/nervous bl. co
nobody blues/mest texas co
Wicked blues/birmingham Co
It's all yours/Thinking of Co
Lonesome mama/what do you Co
Dixie blues/he used to be Co
Birmingham blues/kicked blues Co
ouke ellington
Daybreak express
St. James infirmary h <
New east st. Louis tooole oo
Double check stomp/Jazz lips
Old planta.ti on/All
Gal from joe's/i let a song
Blue serge/jumpin' pumpkins
bugle call rag/olnah
Three little words/ring dem
Take it easy (washi ngtonians
BUGLE CALL RAg/SWEET
DlGA 0IGA OO/l CAN'T GIVE YOl
The mooche/baby. When you
The gal from joe's/i let a
Across the track blues
TROY FLOYD
Shaoowland blues (pts. I & ll)OK
BUD FREEMAN
China boy/The eel BB
FRIAR'S SOCIETY ORCHESTRA
bugle call/discontented ge
Eccentric Ge
gallagher & she an
Mr. Gallagher and Mr. Shean Vi
jean goldkette
In my merry olosmobile Vi
IDOLIZING Vl
I ' M gonna meet sweetie VI
BENNY GOODMAN
roll 'em vi
Sugar foot stomp vi
Sleepy time dpwn south vi
Junk man/ol' pappy CoE
Co
14239 F+AUC
10240
10241
10238
10240
25577
10726
25476
25523
25693
25815
27518
A3579
A3729
A 3893
A3839
13004
I lson)
A 3479
A3537
A3558
A3634
A 36 74
A3 787
3558
N TRA
N TRA
N TRA
N T-S
V AUC ■
N T-A -
V T-A *
N T-A ■
V T-A •
E T-A
N T-A ■
F SAL
V SAL
G SAL
G SAL
F SAL
N SAL
N SAL
E SAL
N SAL
V SAL
V SAL
G AUC
CLAR
BELL
Bell
BELL
1.50 HURN
Berr
Raab
Raab
Raab
Raab
Raab
Raab
.25 Stei
.50 STEI
.50 Stei
.50 Stei
.25 Stei
.50 Stei
.50 STEI
.50 Stei
.50 Stei
.40 Stei
.40 Stei
Berr
VI
24501
N
T-A
STRO
" *
1046
F
T-A
KUTZ
Ma
101
G
T-A
KUTZ
Vl
38129
V
T-A
KUTZ
VA
591
E
T-A
Aver
Br
8108
N
T-A
Aver
Vl
27356
V
Buch
Vl
22938
N
T-S
Buch
VI
22528
N
T-A
Rl DL
CA
8188
V
T-A
3.00
RIOL
De
2577
V
T-A
3.00
RIOL
VI
38008
G
AUC
CLAR
Br
8241
F+T-S
JACO
BR
8108
G
T-S
JACO
VI
27235
N
T-S
I.-50
JACO
8571
10386
4967
5009
SPEC.
20270
20675
25627
25678
25634
790
2542
N T-A
N T-S
V T-A
V T-A
N T-A ■
V+AUC •
G+AUC ■
N T-nA •
N T-A •
E T-A ■
N TRA -
N SAL
AVER
JACO
• Aver
Aver
• KAPL
• CLAR
■ CLAR
RlDL
Rl DL
RlDL
Camp
1.50 Camp
17
iFor Disposition
1 _Z 3 4 5 6
(Benny Goodman, continued)
cokey/^usic hall rag co 3011
Throwin' stones/Slue moon Co 3003
GRANT & WILSON
UNCLE JOE/BLUE MONDAY ( BECHET pE 7500
BULr COAST SEVED ( DUNN )
memphis tenn/papa better watchco a3878
Santa claus/keep your temper Co 14107
bobby hackett
slngin'the blues/clarinet maruvo 5493
halfway house orchestra
since you're "gone/1 'm in love co 681
sleepy hall & collegians
just gigolo/it must be true me 12066
Lullaby of leaves/That's what Me 12376
lionel hampton
Jack the bell boy Vi 26652
COLEMAN HAWKINS
Stardust/well all right then voE S 123
Sheik of Araby/Blue heaven B8 10770
Chicago/netcha's dream De 661
CLIFFORD HAYES
Blue trombone/Clef club stomp BB 6428
FLETCHER HENDERSON
Sugar foot stomp/what 'cha-callCo 395
SHIEK OF ARABy/WHO'LL BS 2043
rosa (and f. ) henderson
Where/Down south blues
If you don't/So long it you
it won't be long(c. Hawkins)
do right blues/ hey, hey
Afternoon blues/i need you
bertha "chippie" hill
N TRA -
N TRA •
E SAL
F SAL
N T-S
V T-S
G AUC •
G AUC ■
N T-A
G+T-A
N T-S
E AUC
V T-A
.50 STEI
.50 STEI
Jaco
WINT
- Clar
• Clar
Kutz
Raab
Jaco
■ BERR
• RIDL
Trouble in mind/Georgia man
EARL HINES
Among sheltering palms(solo}
JOHNNY HODGES
that's the blues/queen bess
Good queen bess/That's
i'm |n another world
BILL IE HOLL I DAY
BORN TO LOVE/SAILBOAT
FRANK IE HALF PINT JAXON
Fan it/how can I get it
BLIND WILLIE JOHNSON
Dark was the night/nobody
james p. johnson
Deai
VO 3605 N T-
■ Raa
CO 14303 N TRA
OLD SOUTHLANO(HARMOH'
RICHARD M. JONES
BB 10952
Dusty bottom blues
JONES & COLLINS' HOT 8
Damp weather/Tip easy blues
KENTUCKY GRASSHOPPERS
Four or five times/Tight like Ba 6295
andy kirk
Mary's idea/Once or twice br 4863
eddie lang
March of the hoodlums PaE 1 157
EDDIE LANG & LONNIE JOHNSON
Two tone stomp PaE i 195
GEORGE E. LEE
St. James i nfi rmary/ruff scuffBr 4684
CLARENCE LOFTON
I DON'T KNOW SA 12009
LOUISIANA RHYTHM K|NGS
Bas.1 n st. /last CENT VO 15815
LOUISIANA SUGAR BABES
Thou swell/persian rug Vi 21346
TED LEWIS
Walt
OK 4504 V T-A Aver
ok 843 1 F t-a Raab
1 .50 Jaco
Lewisada. blues
McKENZ IE-CONDON
China boy/Sugar
nobody's sweetheart
mckinney's cotton pickers
Miss hannah/Way i feel today vi
Milen berg joys/Shim-me-sha Vi
if i c0ul0 be with you/7.0nky vl
MIDWAY DANCE ORCHESTRA
SLACK SHEEP BLUES/LOTS Co
8UB8ER Ml LEY
WITHOUT YOU/I LOST MY GAL
LOVING YOU/PENALTY OF
Co 1916
OK 4101 I
OK 40971
38102
2161 I
381 18
V) 38138
Vi 23010
N T-S
G AUC
V+AUC
N T-A
N T-A
V AUC
N TRA •
V T-A -
E STA •
V T-S -
N TRA •
E TRA •
V AUC -
V AUC •
G+AUC -
V T-A
E't-a
- 8 ERR
- Clar
- aver
- AVER
- Clar
• STRO
• AVER
■ Burl
■ wi NT
• Camp
■ Berr
• Berr
■ Clar
kutz
Aver
1 2 3 4
MILLS BLUE RHYTHM 8AN0
Let's have a jubilee Co 2963 E t-a ■
JELLY ROLL MORTON
K.C. stomp/Grandpa 's sp(solo) GE 5218 E AUC
DOCTOR JAZZ STOMP Vl 20415 V AUC
Big lip blues/Good olo N.Y. Genr 1704 E auc
The chant/black bottom stomp Vi 20221 E auc ■
Sh re ve port/Shoe shiner's ball Vi 21658 V tra •
wolverine blues/jelly lord bb 10258 n tra ■
Black bottom stomp
Mr. jelly lord
wlnin' b0y/h0nky t0nk music
Fi ngerbuster/Creepy feelin
Mournful serenade
Wolverine blues/Mr. Jelly
Didn't he ramble/Whin^'
Climax rag (hair crack)
D f RTY , D I RTy/SW 1 NGI N THE ELKS GENR
My home/Mama's got a baby genr
Shake it/if you knew genr
Why/Get the bucket Genr
BIG LIP blues/New York Genr
BENNIE MOTEN-
BB 10253 N TRA ■
PARA 20332 F T-A ■
JM I I N T— A •
JU 12 N T-A ■
BB 8515 N T-A
BB 10258 N T-S ■
BB 10429 N T-S
BB 10442 N T-S
171 I N SAL
1710 N SAL
1707 N SAL
1706 N SAL
1704 N SAL
Things seem so blue/i8th st. i
mound city blue blowers
Red hot/San
Blue blues/Arkansas blues f
Hello lola/One hour E
ROMEO NELSOnAONTANA TAYLOR
Head rag/Oetroit rocks HRS
NEW ORLEANS RHYTHM KINGS
Oriental/Farewell blues Ge 4966 G auc
BUGLE CALL/0 1 SCONTENTED BLUES Ge 4967 V AUC
PANAMA/TIGER RAG GE 4968 V AUC
Weary blues/Wolverine blues ge 5102 V auc
Tin roof/That's a plenty Ge 5105 V auc
ECCENTRI c/SAN (O'HARE?)
Da da strain/Shim-me-sha
Margueri te/M I LENBERG
Sobbin' blues/Angry
Golden leaf strut/She's cryingok 40327 G auc
Panama Starr 9313 N auc
8242 G auc
2602 V auc
2581 V AUC
10037 N T-s
N T-A
5009 V auc
5106 E AUC
5217 G AUC
5219 T AUC -
GE 5220 G TRA
BRE 02209 N T-A
SrE 02210 N T— A •
OK 40422 G T-A ■
GE 5009 F T-A
BR
3625 E auc •
4695 V T-A •
6068 E T-A
4500 V T-A ■
3654 N t-a ■
MR. J£LLY LORD/ClAR.MaRM.
Maple leaf rag
Sweet lovin' man
Baby/new what a gal
eccentr i c
red nichols
Feelin no pain/Ida
strike up the band/soon
Keep a song in your soul
i may be wrong
Feelin' no pain/ida
HUSK O'HARE
Clover blossom blues/night Starr 9276 N auc —
Swan ee smiles Staff 9312 N auc —
KING OLIVER
Someday sweetheart/Mean man Vo 1059 V auc —
TIN ROOF BLUES (£" CRACK) VO M89F-T-A —
I 'M GOIN'AWAY/MANDY LEE GE 5134 E TRA —
JAZZIN' BABIES SLUES OK 4975 V T-A —
ORIGINAL DIXIELAND JAZZ BAND
Blu'in' the blues/Sensation Vi 18483 F tra —
anthony parent i
Creole blues/i2th St. blues Vi 19647 v+auc —
TINY PARHAM
JOGO RHYTHM/STUTTERING BLUES BB 8130 N T-A —
jungle crawl/Black cat moan BB 5146 E auc —
PIRON'S NEW ORLEANS ORCHESTRA
DO JUST AS I SAY/RED MAN BLUESVl 19646 E AUC —
BEN POLLACK
GOT JITTERS/FULL OF DEVIL CO 2870 N STA —
HE'S THE LAST WORD V| 20425 £ T-S I.
MA RAINEY
See see rider/Jealoushearteduhca 85-86 N tra —
DON REDMAN
Little bit later on me 60SQ2 E t-a —
Chant of the weed/Two time Co 35689 N t-a —
RED ONION JAZZ BABIES
Terrible blues ge 5607 v tra —
RUBEN REEVES RIVER 60YS
yellow five/Screws vo 2638 E t-a —
Berr
Berr
l .35 Jaco
STRO
STEI
STEI
STE)
STEI
STEI
STEI
STEI
STEI
STE t
STEI
STEI
Walt
KAPL
KAPL
KAPL
KAPL
BERR
Raab
RlDL
RlDL
RlOL
STEI
STEI
BERR
KUTZ
Camp
KAPL
Sell
Clar
Kutz
Clar
Kutz
Stro
- Camp
Aver
18
1 2 3 4 5 6
LEO RE ISM AW
What is this thing called
rhythmaker5
Oh peter/who stole the loc
searcy trio
East St
Vi 22282 N TRA •
Co 35841 N T-.
OK 8360 6 T-,
LOU I S STOMP
SEATTLE HARMONY KINGS
HOW MANY TIMES ~ V| 20133 V SAL
Darktown shuffle/If 1 VI 19772 G SAL
BOYD SENTER
SISTER KATE /JUST SO SO (LANG) OK 41018 E T— A
MILT SHAW & DETRO ITERS
ON THE ALAMO OK 4 H 72 E AUC
BESSIE SMITH
OoWNHEARTEO BLUES CO A3844 G T— A
Sorrowful blues Co 14020 G t-a
CLARA SMITH
S08BIN' SISTER Co 14344 V T-S
PINE TOP SMITH
P. T. BOOGIE woogie/p.T. blues VO 1245 G AUC '
MUGGSY SPAN I ER
Dinah/Black AND BLUE B8 10682 N T-S ■
LONESOME roao/Mandy BB 10766 N T-S ■
SPIKES' PODS OF PEPPERS
ORY'S CREOLE TROMBONE NORO 3C09 E TRA •
VICTORIA SPIVEY
Any kind a man/| can't let youVo 03366 G auc •
JESS STAGEY
BARRELHOUBE/lN THE DARK OE 18119 N T-S •
STATE STREET RAMBLERS
There'll come a day Ge 6249 E tra •
PR ISC ILLA STEWART (acc. J. 8lythe)
i never call man's name/delta para 12240 g auc
max ine sullivan
loch lomond/just like a gypsy de 3954 n t-a ■
Darling nellie grey Vo 3885 £ t-s
WILBUT SWEATMAN'S JAZZ BAND
Bluin* the blues/Ringtail bl. Co 2628 F^t-a ■
EVA TAYLOR & WILLIAMS' BLUE FIVE
Do it a long time/Barefoot OK 8073 v+auc ■
PAUL TREMAINE
Aristocratic stomp/4-4 rhythm vi 40176 E auc ■
FRANK IE TRUMBAUER
Sweeter than sweet/Unusual OK 41326 G tra •
JUBILEE (BIX) OK 4t044 N T-A ■
SOPHIE TUCKER & MIFF MOLE
Fifty million/One sweet letter OK 40813 V auc ■
JOE TURNER
G0IN' T
VanB
KUTZ
Raab
.75 STEI
.75 STEI
- KUTZ
CLAR
Raab
Raab
I .00 HURN
BERR
JACO
JACO
Camp
CLAR
— - JACO
Camp
CLAR
■ BUCH
• CLAR
■ CLAR
• Bell
■ Aver
4093 E T-A ■
1 1 cago/rocks in my
varsity eight
StSTER KATE
VENUT I— LANG
Beale st. /After you've
VENUT | 'S NEW YORKERS
Promises/Dancing with
DON VOORHEES
SOLILOQUY/^Y BLUE HEAVEN
SIPPIE WALLACE '
Baby I can't use you
THOMAS WALLER
SUGAR/AHOG-MAW stomp
Stompin' the blues/Messin
Minor drag(chip 10 grooves)
wash i ngton i ans
Soliloquy/Black and tan
ETHEL WATERS
LONESOME SWALLOW(ACC. J.P.JOHNS.)CO 14411 N TRA •
TEO WEEMS
The one man band vi 22564 e auc ■
DICKY WELLS
BUGLE CALL RAG^JETWEEN DEVIL Vl 26220 N T-A •
PAUL WH I TEMAN
Five step/it won't be long nowVi 20883 E t-a ■
THAT'S MY WEAKNESS/T'AIN'T SO CO 1444 G T-A •
Sweet sue/i can't qive you Co 50103 E t-a •
Washboard blues Vi 35877 E t-a •
Washboard blues Vi 35877 E t-a ■
Louisiana/Dixie dawn Vi 21438 E t-s ■
Felix the cat Co 1478 E t-s -
Side by side Vi 20627 v-i-auc -
Back in your own back yard Vi 21240 V+auc ■
RO 2717 E t-s
VO 15864 N T-
CO I 129 E AUC •
OK 8212 G TRA ■
VI 21525 N TRA ■
Vl 20655 N TRA ■
BB 10185 N T— S •
BR 3526 F+AUC -
- VanB
- VANB
- JACO
- CLAR
- Stro
■ CLAR
■ SUCH
■ KUTZ
• KUTZ
■ Aver
■ Aver
■ Raab
■ WINT
- WINT
• CLAR
■ CLAR
CLARENCE WILLIAMS
0 i nah/spani sh shawl
Chocolate ave./Di spossessi
Sweet emalina/Any time
candy lips/my baby's getti
Papa de-da-da/baby,won 't
Terrible blues/Of all wroni
Papa de-oa-oa
shoo'tin' the pistol/^hen
FESS WILLIAMS
Dixie stomp/Oriftjng
Variety stomp/Phantom blues
Razor edge/ #10
Everything is ok/just to be
she's still dizzy/gravey
HERE 'Tl S/F^l CT | ON
sell i t/betsy 8r0wn
Few riffs/Do shuffle
Buttons/music camp meeting
WOODROW WILSON
On labor / On tariff ci
TEDDY WILSON
BIG APPLE
WOLVERINE ORCHESTRA
F I DGETY/ROYAL GARDEN
JAZZ ME/BIG BOY
Big boy (V)/tia tuana (F)
Crazy quilt/you're burnin'
wynn gutbucket five
That Creole band/when
jimmy yancey
yancey's bugle call
1 recei veo a letter
1
2 3
4
5 6
OK
40541 G
AUC
Berr
V MO
2584 N
T-A
KUTZ
Co
143 14 F
T-A
KUTZ
J ' OK
8440 F
T-A
KUTZ
CO
14666 N
T-A
AVER
,S HRS
31 N
T-A
Raab
OK
8215 G
T-A
Kapl
Co
14241 V
T-S
.75 JACO
VO
15690 G
AUC
— — STEI
3 BR
3532 V
AUC
STEI
BR
3596 V
AUC
STEI
: vi
23003 V
AUC
STEI
VI
23025 E
AUC
STEI
Vl
38056 G
AUC
STEI
Vl
38062 G
AUC
STEI
V 1
38064 E
AUC
STEI
VI
38095 V
AUC
STEI
HP)Vl
35253
STA
Burl
Br
7954 E
T-A
Stro
BrE
02204 N
T-A
2.00 Camp
BrE
02203 N
T-A
2.00 Camp
Ge
5665
TRA
Camp
me Br
3332 V-t-AUC
CLAR
OK
8350 G
T-A
Kapl
Vl
27238 N
T-S
1 .00 HURN
VO
05464 N
T-S
JACO
(C. E. SMITH, continued)
fer to here in the East as. a
pal. You will notice how care-
fully he skirted this aspect of
the situation with an enticing
description of the interior of a
music shop! I'll venture that
R.J. collects sheet music. By
the way, I have a few -trivial
Joplin items along these lines
that I 'd be w i 1 1 i ng to trade for
the first jazz record ever re-
corded. But let's not get on
that subject.
I was getting pretty damned
sick of gremlins when up came
the Record Changer with "How
many angels can stand on the
point of a needle". This idea
reminded me of the friendly
little people I had written
about in the HRS Rag . The
younger generation of hot" coll-
ectors would be hard put to
understand these gypsy-like
people, lolling on a cloud in
front of the loudspeaker while
King Louis played Potato Bead
Blues. I couldn't be an "auth-
ority" and have gypsies in the
house, my friends often said,
but I have always thought this
to be an unconscious snobbery on
their part. When gremlins came,
and they fell for gremlins, I
knew I had been right.
Now angels, they're a little
more like it. An extraordinary
breed, they have an amazing
st ick-to-it-iveness and self-
sufficiency. They follow taxi-
cabs on the way to jam sessions,
somewhat as gulls follow ships
at sea. And seven of them can
stand on the point of a needle,
four rhythm and three melody.
19
Closing date this group: August 22nd
LOUIS ARMSTRONG,
VEST END 8LUE6/FI REWORKS (N.DROp) QK 41078 '
SOUC OF THESE DAY S/B HEN YOU 1 RE 6M I L I N ' OK 4|298 1
YOU RASCAL YOU/SLEEPY TIME OK 4|504 I
BODY AND SOUL OK 41468 I
BIX /TRAM. BIX i. LANG
IN A UlST/lRINQtN' AND TWISTIN* OK 40916 I
SONNY CLAY'S PLANTATION ORCHESTRA
B0QAL008A BLUES/ JAUBLED BLUES VO 15078 I
JOHNNY DODDS BLACK BOTTOM STOUPERS
After you've qone/Coue on and stomp br 3568 I
FIK TOP SMITH
PINE TOP'S BLUES/BOOGIE WOOaiE VO 1245 '
JELLY ROLL MORTON
THE PEARLS GE 5323 V
Shreveport STOMP/STRATFORD HUNCH QE 5590 V
BLACK BOTTOM STOMp/THE CHANT Vl 20221
LOUISIANA RHYTHM K INGS/tLL INGTON
CAN'T GIVE YOU ANYTHING BUT/jUBILEE STOMP VO 15710
NE1 ORLEANS RHYTHM KINGS
ALL BENNETT — AND CONDITION "GOOD"
4966, 4967, 4968, 5009, 5102, 5104, 5105,
5106, «2I7, 5219, 5220, AND 5221.
EVA TAYLOR S, CLARENCE 1ILLIAIIS' BLUE FIVE
BAREF00T/1)0 IT A LONG TIME OK 8073 G
THRILLER BLUES BB I 1368 N
Closing date this group: September 5th.
KINO OLIVER'S CREOLE JAZZ BAND
Canal street blues/just qone
DIPPERMOUTh/tEATHER BIRD
I'M GOING AWAY/MANDY LEE
STINQAREE/SHAKE IT
I'M CRAZY ABOUT/SUGAR BLUES
DEAD MAN BLUEs/SOMEDAY
5133 E
5132 G+
5134 V
23009 E
6065 E
1059 T+
HENRY ALLEN
Swing OUT/ BB 10702 N
AMBROSE
Boot; BA diddy/ BR 6566 N
LOUIS ARMSTRONG
Old man hose/ De 622 E
Hi society Vi 24232 N
HUBTLIN' BUSTLIN'V*} 24233 N
Don't play me si 10237 K
That's my HOME BB 10236 N
FRANK BLACK-LEV AST
RHAP600Y IN BLUE BR 20058 E
MILDRED BAILEY
HONEYSUCKLE/ DE
BECHET
Coal black shine vi
Georgia cabin/ Vi
Shag/ BB
Swing parade vi
bix be iderbecke
MARY VI
CAB CALL01AY
KICKIN Bong/ Br
18106 N
27386 N
27904 N
10022 N
27544 N
264.15 N
6911 V
BING CROSBY
MILLION DOLL BABY BR 6140 G
Last ROUND Up/ BR 6663 V
Fool me/hubt be Vi 22561 F/o
DORSET BROTHERS
I GOT A »0«an/ OK 41 158 Q
ELLINGTON
Do|N voom vooa/ Vi 38035 E
BANDANA BABIES VI 38007 Q
ROY EVANS 8. J.P.JOHNSON
JAZBO/SYN MAN Co 1559 N
HflYTS IOII|»Vlltr yjriM,
BLUE GUITAR/ Vi 20955 E
EARL MINES
YELLOW FIRE/ Bj> 11308 N
JACK HYLTON (EUR)
Dancing on ciel Vi 22912 E
I LIFT MY FINS. Vl 22067 V
I YOU CAN'T SING VI 22693 V
JONES i. ASTORIA 8
TIP EASY/ BB 10952 N
TED LEI IS
LEW ISA DA CO 1916 V
LOUISIANA SU6AR BABES
THOU SWELL/ BB 1020b N
MCKENZIE BLU »L0.
One hour/ BB 10037 H
Hg MA YEA I R
GOT A DATE/ VI 22953 t
FRANK NEWTON
•HO/ BB 10216 E
RED NICHOLS
Chinatown/ Br 4363 E
JAP. SANDMAN BR 3855 E
SAVANNAH 6VH
VA wa wa/ Br 3373 Q
Jackass/ BR 3245 G
1938 HPT DISCOGRAPHY
Closing date this group: September 19th.
BUCKTOIN FIVE
JELLY ROLL MORTON
MOBILE BLUES/SOMEDAY
GE
5405 V
BIG FAT HAU/\lUDDY WATER BLUES
Para
12434 Gl-
BUTTERBEANS & SUSIE
Pretty lilAew Orleans bump
Vl
38078 V
CONSTRUCTION GANG/
OK
8163 F
DOCTOR JAZZ
Vl
20415 8+
JOHNNY D ODDS' BLACK BOTTOM STOUPERS
Turtle twist/smilin' the blues
BB
10194 N
IlLD UAn/UELANCHOLy( RIU CHIP, 2 Nix)
BR
3567 V
Seattle hunch/Freakish
VI
27565 N
JOHNNY DUNN'S JAZZ HOUNDS
NEW ORLEANS V ILL IE JACKSON
MOANFUL BLUE8/PUT ' N ' TAKE
CO
3579 N
R.R. MAN BLUES/'TAIN'T WHAT YOU PAY
Co
14218 N
FLETCHER HENDERSON
KID ORY (Spikes Seven Pods)
■HA CHA CALL Em/SUBAR FOOT..
Co
395 V
Ory's Creole trombone/Society blues
NORD
3009 V
variety btohp/St. Louis shuffle
BB
10246 N
BOYD SENTER
MCKENZ IE-CONDON'S CHICAGOANS
uilenberg Joys/
PE
36320 F
Liza/Nobody's sweetheart
OK
40971 6
BESSIE SMITH
JOS IE MILES (HENDERSON, J.SMITHl
YOU GOTTA GIVE UE SOME/l 'M WILD ABOUT
Co
14427 Q
War horse mamma/don't know mind
GE
5359 Q
Going back to my used to be (with Clara)
CO
13007 G
OPERATIC RECORDS WANTED £r SEND LIST & PRICE
RICCARDO STRACCIARI
COLUMBIAS 9006U, 90I3M, 9023M, 902SM, 4009M, 40I0U,
40 1 811, 40I9M, 4020M, 402IM, 4027M, 402SM, 4029V,
4030U, 403IM, 4032V, 4038M. ANY FONOTIPAB BY
STRACCIARI.
ALDA FRANC I
Vl 1359 Vl 6829
LINDI
Oo 2056M
smm vfm
VI 7704 VI 6710
Vl 8158
ANCONA
BATT 1ST INI
BLASS
REISS
SAMMARCO
UUBJVNO
BONINSEGNA
OALVANY
KURZ
LILLI LEHUANN
NORD ICA
PATH
ao
GRANPA'S SPELLS
OR HOW TO FILL UP
A BLANK PAGE IN
A HURRY
NR.eOLllCKSON
Some time ago we received a
letter asking us to print a
picture of the editor and also
inquiring as to. the editor's
views on music and life in gen-
eral .
Well, I thank this reader
kindly, and confess to admit
that what at first appeared to
me to be a flattering, but
ridiculous, idea has become more
attractive as I think it over.
Our staff artist, Mr. Don
Anderson, has given me a sitting
and a shrug of his shoulder.
A portrait of myself and my
views on life in general appears
above.
Things are looking u£ a little
though. I have just received
from London the fifth and sixth
issues of the BULLETIN OF THE
JAZZ MUSIC SOCIOLOGICAL SOCIETY
edited by Albert McCarthy & Max
Jones at 140 Measien ione, Meas-
den, London, If. ft., 10. It is a
5" x 8", 16 Page, letter-press
job on newsprint , issued monthly
for i/gd, whatever that is in
real money.
It carries no advertising.
It is a solid pkampk let of a
dozen or so most scholorly
treatises on jazz music and re-
lated subjects. Issue Mo. 7,
for instance, carries a consid-
eration of the SOCIAL ASPECTS
OF ANDALUSI AN MUSIC, deal ing with
a distinctive tyPe of folk music
native to the Spanish province
of Andalusia, and similar in
some respects to American jazz
music. Another article SURREAL-
ISM AND JAZZ (subtitled 'That
Dadfl Strain'; ahlthose English
c omedians) Points out some re-
lationships between those two
endeavors . Other features are
as follows:
McCarthy fy Jones are Printing
this summer a book of 50,000
words by Langston Eughes, inter-
nationally known writer for the
Chicago Defender., entitled THE
HISTORY OF COLOUR PREJUDICE IN
THE U.S.A. This book is going
to be good.
Since it is not possible to
send money back and forth to
England these days, I am working
on a deal with McCarthy & Jones
for a trade of Record Changers
for their paper.. If you would
like to subscribe to THE JAZZ
MUSIC SOCIOLOGICAL SOCIETY'S
BULLETIN let me know.
Nesuhi Ertegun, the astute
Turkish gentleman who used to
write for this publication, hav-
ing invented a variety of physi-
cal afflictions that he claims
visit him upon a Washington's
summer (included among which were
asthma, sinus trouble , gout,
rheumatism, hay fever, and cer-
tain rare Aisiatic diseases) has
removed himself to the more bene-
ficial climate of Southern Cali-
fornia and Marili Stuart's JAZZ
MAN record shop. Upon his de-
parture ne gav[e his assurances
that he would flood us with his
remarks with such luminaries as
Kid Ory, Papa Mutt, Bunk Johnson
and others, and establish him-
self as a veritable Ernie Pyle
of jazz music. I regret to say
that Mr. Ertegun has been de-
linquent in this matter. What
he thinks we are paying him for,
I can not say. Well, maybe next
month.
Sere's something f rom a
couple of boys who are in jail:
"I wrote a letter to Preston
Flower of Chicago, trying to find
a place where I could buy second
hand records, — not jazz, — just
records, and much to my surprise
he sent me 18 records, and what
records , such as One Sour, by
the M.C.B.B. When he told me
about jazz and what records of
that tyPe cost, we lost all
hope. Well, at that time, I
could write only one letter a
week here so I went to the war-
den, told him what I wanted to
do, and asked for permission to
write extra letters each week.
Needless to say, he did give me
that Privi ledge . We started
writing to other collectors,
telling them our Position, and
asking for their he IP . Did we
get it? And h,ow. In all my life
I have never met a better bunch
of fellows. . .We have, at Present
managed to borrow our first book
on the subject. It is Panassie 's
HOT JAZZ. Some of the fellows
we wrote to tailed this book a
phony, but as it is the only one
we could get, we naturally think
it is very good. . .We sit here
for hours looking over the list
of records in the Record Chang-
er, wishing that we could get
some of them, and just waiting
for somebody to want one of the
records that we have so that we
could get tangled up in a swap.
Most of all we enjoy the duel of
ears between Bill Love and Eu-
gene Wi I Hams , and the piece
that Mesuhi Ertegun Puts in each
month... We wanted to get some of
the rest of the fellows here in-
terested in jazz , and we are
trying to 'get a Portable record
player,' — one of those you wind
up, so that we coul'd take our
records out in the yard on week
ends and have a jam session; we
can't use our electric ones, as
they do not have speakers . We
have to use ear p h on e s , . . "
Kenneth Pensoneault,Mumber
14502. Box 145, Wethersfield,
Connecticut .
Frank Holland writes:
"I have noticed that there
have been a few Whiteman records
advertised lately as having Bix
that don't. The early ones with
a Bixian horn are by Red' Nichols
and the later Columbias have
Andy Secrest, who sounded almost
exactly like Beiderbecke. The
only Whiteman's featuring Bix
are :
"■Vi 3 5 8 7 7 , 361 86 , 21103,
21214,21228,21240,21464,21274,
21365 ,35912 , 21302 ,21338,35934 ,
21218,21389,21398,21453,25249,
24078,24105,25238,25366,25367,
25368,25369.25370,25675,21438,
26415,27685 ,27686,27688.
"Co 1444,1496,1491,1478,1441,
1505 , 1 877 , 1 822 , 1*945 ,50068 , 50095 ,
50103,50140,35667,7171."
If a real hep cat were running
this publication, each new sub-
scriber would receive with his
first issue a personal letter
from the editor thanking him for
his subscription. However this
has not been accomplished. The
best I can do is thank you all
here and now for your subscrip-
tions.
THANK YOU
NOTICE:
This publication will donate
up to one page of space each month
to the auction of records gathered
in the current American Legion
scrap drive. Such advertising
matter, of course, must carry no
more than the following address-:
RECORDS FOR OUR FIGHTING t£N
AMERICAN LEGION POST #
CITY, STATE
Hfrite us for particulars.
CONTENTS
U ^Mjmrl^ — Jo* "Kftg^ ^
Surrealism »M Jm by' %*lt
,.1 -s
Nbliqationi Recoivnd £
CoflocW Motm by Alba*
J. McCarthy ... *
Aft Anatomy of Tvagarden
•by Ch.r)« WJrford ... 9
A Mala Mutlc by Bill Klnnall II
Mil More CWrfierttoh by
-Jaff Aldam ... ... 12
SoW Orpins of Jm by
6aoraja DufRald A Johnny
, Vyi.
"4*a MhiIcV Monthly Ra-
cammandation .
21
The most widely consulted book
among record collectors
HOT DISCOGRAPHY
is available
PRICE $2.50 PREPAID
WILL ALSO SHIP C.O.D.
CLOTH BOUND
416 PAGES
ISSUED IN THE INTEREST OF
HOT JAZZ
The second printing of the American Edition of Hot
Discography, with minor additions and corrections.
Based on out-of-print Paris edition.
COMMODORE MUSIC SHOP
136 East 42nd Street Caff LExington 2-3077-8 New York City
Advertisers whose
addresses are not shown elsewhere
(Advertising [Kates
RECORDS WANTED
5* each or 25 for $1.00
RECORDS FOR SALE, TRADE, OR AUCTION
10* each or 25 for $2.00
RECORDS FOR SALE, TRADE, OR AUCTION,
VALUED AT $1 .00 OR LESS
Gordon Gulllckson, editor, publisher; Don Wilson circulation
manager; Don Anderson, staff artist. Published every month
at Fairfax, Virginia, and copyright 1943 by Gordon Oulllck-
son. $1.50 (12 Issues) per year.
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FAIRFAX. VA
ABER
BAKE
BAND
B I ED
BROO
CHES
CHOY
CULT
DAV I
GALB
GARR
GILD
GR IT
HASS
HE I N
JOBE
KAUF
KEND
KENW
MIER
MILL
MITC
MONT:
PENS :
QUA I :
SI ME:
SMIG:
SMIT:
STEI :
STEN :
STUR :
TREU:
WALL :
WHIT:
WOLF :
4th Platoon,
706,
John S. Abercrombie, 1520 N.W. 3IST Avenue,
Miami, Florida.
Bruce b. Baker, jr., 2929 bryn mawr Drive,
Dallas (5) Texas.
JOHN Banoa, 625 LlNWOOD Avenue, N.E.,
atlanta , georgia,
dan 8ied, 1200 s. central,
burlington, iowa,
j.n. brooks, 727 carlyle place,
indianapolis { l)- indiana,
raymond chesloff, 80 leslie street,
newark (8) new jersey,
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san francisco, california,
w.d. culter, 1464 w. 5th avenue,
columbus (8) ohio,
clarence davis, p.o. box 709,
North San Diego, California.
LT. A.M. GALBRA I TH , ir0453440, *AR0 E-4,F|TZ-
simons gen.hospi tal, denver coloraoo*
allar garrett, forest hills,
danville, virginia,
john glloersleeve, 3240 eleventh avenue,
sacramento (|7) california,
pvt. sol gritz, co.b, 37th i.
Camp Croft, south Carolina.
Dale Hassell, P.O. Box 601,
Marion, Virginia.
John G. Heinz, 600 James Street, Apt
Syracuse, new York,
robert a. jobe, 8433 n. enoicott avenue,
Portland (3) Oregon.
Dick Kaufman, 1474 Commonwealth avenue,
Brighton (35) Massachusetts.
Carl a. kenozi ora, jr . , 74 south road,
Harrison, new York.
Barry Kenwood, 4495 bircher Blvd.,
St. Louis { 15) Missouri.
Clinton D. Mieras, l 13 Abbott avenue.
Ocean Grove, New Jersey.
Jim Miller, kappa alpha house, box 288,
Fulton, Missouri .
PFC Charles h. Mitchell, Det. 9, 909th qmc avn
(Serv), Santa Ana army Air Base, Santa Ana,
Cali forni a.
George F. Montgomery, 1529 N. Ogden drive,
Los Angeles (46) California.
Kenneth pensoneault, no. 14502, Box 145,
wethersfield, Connecticut.
Kenneth quaife, 1218 3rd Street,
Ames, Iowa.
Anthony Simeone, 2060 E. Allegheny avenue,
Philadelphia (34) Pennsylvania.
Ethel Smigelow, 4 Sierra Bonita Place,
Pasadena (4) California.
Bob smith, jr., 203 w. 2nd street,
Frederick, Maryland.
John Steiner, #608, 9 South Clinton street,
Chicago, Illinois,
vincent stenerson, 374 east 209th street,
new york (67) new york,
ralph j. sturges, l3l washington street,
Hartford (6) Connecticut,
john h. treudley, 2236 selua avenue,
youngstown (4) ohiol.
Robert waller, room 327, 628 Montgomery St.,
San Francisco (ii) California.
Albert n. whiting, 413 Cedar street,
new Beoford, Massachusetts.
Francis Wolfe, 1133 First avenue.
YORK C1T
W ANTED
Records by
PUTNEY DANDRIDGE
Henry H. Patterson,
709-71 1 Bangs Ave.,
Asbury Park, New Jersey.
New Orleans Recollections
I suppose that most of the visitors to Storyville enter-
ed by the way of Basin and Iberville (Customhouse) Streets.
The corner of these streets was the nearest point to down-
town New Orleans , and habitues , gamblers , occasional call-
ers, idlers and sight-seers usually meandered into the
district by that entrance. At this corner stood Tom Ander-
son's cafe, the Arlington Annex , a rather pretentious
saloon with mirrors set ornately back of the rich looking
bar. Along the Iberville Street side of the barroom were
several private booths, separated from the rest of the room
by a high partition. Musically speaking, I can't say that
I ever heard much to interest me in the Annex; there was no
room for dancing, and practically none for an audience, and
I am inclined to think that any presen-
tation of music was to add to the "gen-
teel" atmosphere of the place. Certain-
ly I have no recollecting of any playing
there that had any claim to merit.
Anderson had other saloons, outside of
Storyville, at one of which (a cabaret
on North Rampart Street near Canal) they
used to dish out the real, raucous
rhythm in large quantities , especially
during festive seasons, like Mardi Gras,
when many tourists were in New Orleans.
I always felt that a large part of the
business of the Rampart Street place
came from the visiting firemen, etc. I
understand that Louis Armstrong played
at this place for a time.
I don't believe I ever heard how the
Arlington Annex git its name, but I did
hear that when the Arlington , which was
down the Basin Street block from the
Annex, was temporarily put out of busi-
ness by a fire, Tom Anderson graciously
loaned Josie Arlington the Annex up-
stairs while her place was being re-
paired . There were several pretentious
establishments in that block of Basin
Street, the Arlington, Mahogany Hall,
Rilma Burt 'sand others. It was at the
Burt house that Jelly Roll Morton spent
considerable of his early"professoringn .
I was not acquainted with Jelly in New
Orleans, I regret to say; he was there
all right, at least part of my time, but
I never met him, although I feel sure
that I heard him play. Perhaps the cir-
cumstantial evidence will be interesting.
Although I made many pilgrimages
around and about Storyville in the hope
that I might catch Tony Jackson playing
where I could stand on the banquette and
listen, many times I was unsuccessful.
So, as I strolled about I was always
ready to pause and listen to someone
else who might be playing good music.
On one of these occasions I was passing
Hilma Burt's when the piano could be
heard plainly from the sidewalk; usually
the sound of the Purt piano didn't reach
that far, possibly because the little
ballroom may have been two or three
rooms back from the street. But on the
night I recall, the doors or windows
must have been open, and I could hear
very well. The music was clear cut and
very smooth, and of a characteristic
Spanish type, and like the well known
brook, it Just kept running on. I lis-
tened for quite a while, and when the
playing stopped I strolled on, without
trying to find out who the player might
be. But the beat of the music made an
impression on me and kept going through
my head.
Well time passed, which can't be
helped, — it's a kind of a way time has.
World War I came along; Storyville was
abolished; New Orleans changed in many
ways ; I came to Washing t on , pursued a
college course, got married, almost ac-
quired the air of a settled married man;
the old days seemed a long way off, and I
lost all contact with New Orleans music.
One day in March 1938 while at the dinner
table I was glancing idly at a daily
paper , when my eye struck the heading
JELLY HOLL CHARTS JAZZ, with a sub-head-
ing to the effect that the "Dean of Gates"
was running a night club on U Street here
in Washington, where, despite his years,
he was playing with all of his old time
vigor. Toward the end of the article,
Morton, in c ommen t ing on s ome of the
early players he had known, mentioned
Tony Jackson as the "world's greatest
single handed entertainer". That was
enough for me. I immediately resolved to
Look up Jelly Roll and find out whatever
had happened to Tony. I made two attempts
to find the place before I located it,
because the article called the place the
"Blue Moon Night 'Club", whereas the sign
hung up in front called it the "Music
Box", and to make it more difficult, it
was located on the second floor and there
was no sign at all at the entrance. After
finding the Music Box, which Morton had
previously called "Jungle Inn", I called
twice before I got to see him. On my
second trip, Mrs . Lyle, who I believe was
his partner, told me that Jelly Roll
would come in shortly, and invited me to
wait .
The Music Box was located at 1211 U
Street, N.W., upstairs over a hamburger
and soft drink stand. The entrance was
by a rather long stairway with a few feet
of hallway at the street and upstairs; a
door opened onto the street and another
opened into the club. The club room was
large, and as my visit was in the after-
noon,the room had a deserted look. There
were seats all around, against the walls,
and several tables and chairs were scat-
tered about. To the right as one entered,
on the opposite side of the room, was the*
spinet, and bench where Jelly Roll played.
The day I first got to see Morton was a
cold, raw day in late March, and for heat
in that large club room all they had was
a good sized oil stove; it certainly
seemed totally inadequate. Ferd never
told me the whole story of how he happen-
ed to land in Washington, but among the
papers which he turned over to me, I
found the following, apparently an idea
for a song, which is rather interesting:
3
"Got a letter from a friend named Young
from his letter I iot terribly stuni
he said come to Washington, D.C.
to manage club for a woman do-ra-me
& said take the next train & leave
it was cold as hell $ thot I freeze
he met me at the train
in the snow $ ice $ rain
he said to me I know she will be please
we went in the place, £ the oil stove
hit me in the face. "
I don't doubt that, financially
speaking, the Washington night club
venture was unfortunate, both for
Jelly Roll and the woman who went
into the business with him. I always
found her agreeable, and apparently
well educated and informed. On that
March day I mention she and I sat by
the oil stoVe and talked about cur-
rent events until Jelly Roll arrived.
As he entered the room and walked
slowly over to where we were sitting,
he gave me the impression of a tired
man; "he evidently felt the raw cold,
for his overcoat collar was turned up
and he seemed to have pulled his
shoulders up to bring the collar
closer about his throat. He really
was a sick man then, but no one knew
it. As he came over, I got up and
introduced myself as an old friend of
Tony's from New Orleans; I told him I
had read the article about him in the
paper, and wanted to talk over the
old times in New Orleans. So we sat
down by the oil stove that "hit me in
the face", and warmed ourselves, more,
I believe, by the conversation about
the old days than by the heat of the
stove. And to me Jelly's conversa-
tion was indeed warming; we discussed
old places, old players and old tunes.
Tony, he told me, had died in Chicago
"about 1921 or 1922, probably from
drinking too much" over his many
years of entertaining. As we talked,
he gradually became animated and lost
the tired look he had when he came in
and I saw that, as far as New Orleans
was concerned we were congenial
spirits. Once in a while Mrs. Lyle
would comment briefly or ask a ques-
tion. "Was Tony Jackson a light
colored man?" she asked. "Black",
said Jelly Roll, "Black as that
stove/" On my first two visits to
the Music Box, 1 never got to ask
Jelly Roll to really play more than
a few measures of music to illustrate
something we might be talking about.
This seems very strange, but we had a
lot of talking to do to bring the old
New Orleans matters up to date. As I
was leaving after my second visit I
said to him "Now when I come up here
the next time, Urn going to ask you
Just to sit at the piano and play me
some of the old New Orleans tunes".
So on my next visit we went over to
the spinet, Jelly seated himself on
the bench, I drew of a chair, and I
suppose that for well over an hour
he played over the old stuff. I
called to his mind all that I could
think of, and then he let himself
ramble on, playing whatever came
to his mind out of the past. And
at one point in that hour or so
of stirring up my old musical mem-
ories, Jelly Roll played a long
stretch cf music that was clear cut
and very smooth, of a characteristic
Spanish type, that sounded almost the
same, if I can trust my memory, as
what I stood and listened to that time
in front of Hilma Burt's. I am aware
that memory is a treacherous thing,
but I will always be pleased to believe
that it was Jelly Roll who was playing
that time, long ago.
In November 1939 Jelly wrote me
from New York that he was going to
record the album for General Records,
and that Mr. Sharles Smith would write
the book to go with it. I wrote him
and told him that I hoped he would be
able to record some of the smooth run-
ning Spanish type of music he had
played for me. I believe The Crave
was the result, but am sure that Mssrs.
Smith and Mercer had chosen The Crave
before I wrote. Jelly Roll had al-
ready recorded The Crave and Creepy
Feeling tor Allen Lomax of the Libra-
ry of Congress. Creepy Feeling has
since been issued by Jazz Man Records.
While these numbers have strong
Spanish characteristics, it is my
humble opinion that there is consider-
able Jelly Roll Morton in them. Com-
pare their musical structure with that
of the last part of the Jelly Roll
Blues which was published in 1915. I
don't believe that the Jelly Roll
Blues part would be classed as Span-
ish, and The Crave and Creepy Feeling
are very similar in structure. I
asked Jelly Roll what kind of music
he considered the final part of Jelly
Roll Blues, and he replied that it was
something on the order of the Charles-
ton, but "it came out before the
Charleston did.
* A A A A
The August issue of the Record
Changer is before me, and I see that
in a recent recollection, I uncon-
sciously came near achieving the high-
est pinnacle in writing, — that of sus-
tained suspense. The Rev. J. 0.
Willowbeigh, writing under his nom de
plume of Charles Edw. Smith, gratified
me no end by intimating that Tony
Jackson's published compositions might
be of interest to someone beside my-
self. So, if G. Gullickson can afford
to keep me on the payroll a little
longer, I promise to recollect a few
items about Tony's music, along with a
couple of other numbers.
-WANTE D
12 3 4
IRVING AARONSON
Outside
henry allen
i w i shed on the moon
Sitting on the moon
OlD YOU MEAN IT
here's love in your eyes
(Any victor, vocalion, Melotone)
LOU IS ARMSTRONG
irish black bottom
Alligator crawl
Melancholy blues
Armstrong hits (33 RPM)
Jazz li ps
Once in a while
two deuces
some of these days (new only)
Mahogany hall stomp
(Any hot fives or sevens)
(Any hot fives; G+)
Alligator crawl (g+)
gu5 arnheim
SUZANNE
LOVIE AUSTIN
In
2W7
3340 ■
3377 •
3389 ■
• Kend
• Kend
Kend
• Keno
■ Gri
OK 8447
OK 8482
OK 8496
1 L -36000
OK 8436
OK 8566
OK 8641
OK 41298
CO 35879
OK ■
5.00 Mitc
5.00 Mitc
5.00 Ml TC
Si me
SlME
S 1 ME
S I ME
S I ME
Mill
DAVI
2.+ STUR
3.5+ STUR
VI 24235 1.50 ABER
Para 12391
Para (2361
Para
he alley blues
Jackass slues
(any paramount)
GENE AUTRY
(Any QRS; state prices)
(any 8uody; state prices)
(Any Diva; state prices)
(Any harmony; state prices)
(Any velvetone; stateprices)
(Any Clarion; state prices)
(Any Romeo; state prices)
(Any Perfect; state prices)
(Many melotones; state prices)
(Many Vocalions; state prices)
(Many Victors; state prices)
(Many Columbias; state prices)
Undes fi esta stars
COUNT BASlE
JUMPI NG AT WOODS I DE
HOLLYWOO0 JUMP
RIFF INTERLUDE
8ASIE 600G1E
Swinging at the daisy chain
The glory of love
SIDNEY BECHET
fo.APLE LEAF RAG
BIX BElDERBECKE
Davenport slues
MARG I E
BUNNY BERIGAN
Blue lou
In a mist
In the dark
Swanee river
All dark people are light on feet
Lady from 5th avenue
(Beiderbecke compositions)
i cried for you
Can't get started
Sharp as a tack
IN A MIST
CHU BERRY
Ghost of a chance
EBD TIDE
Ebb tide
(Chu berry continued next column)
De 2212
Co 35336 ■
CO 35321 ■
OK ■
De 1 121 ■
De 1228 ■
Ge 5654
PARL R2833
- V/pLF
- WOLF
I- STUR
• JOBE
■ JOSE
■ JOBE
■ Jose
Jcde
- Jose
Jobe
Jose
Jobe
Jose
Jose
Jobe
Jobe
Galb
Galb
(Chu Berry, continued)
limehouse blues
Limehouse blues (new)
limehouse blues (new) ok
DON BE ST OR
Tonight may never come again
Shadow waltz
BIG BILL
(ANY WITH STRONG PIANO)
FRANK BLACK
RHAPSOOY IN BLUE
JIMMIE BLYTHE
POUTIN* PA FA
CONNIE BOSWELL
I'LL NEVER SAY "NEVER AGAIN"
BOSWELL SISTERS
Lullaby of broadway
VI BRADLEY & RHYTHMETTES
Star dust
will bradley
quicksilver
Beat me daddy
RUM800G IE
Three ring ragout
Basin street boogie
Boogal I E woogalie piggy
Scrub me mama
Jack and Jill
Rock-a-bye the boogie
Down the road apiece
Chicken gumboogie
BROADWAY BROADCASTERS
She's funny that way
LES BROWN
Evening star
WILLIAM JENNINGS BRYAN
-?-
An ideal republic
bucktown f ive
(all gec;netts)
HOAGY CARM ICHAEL
star dust
Star oust
Stardust
bessie couldn't help it
LE ROY CARR
(Any)
BENNY CARTER
Melancholy lullaby
My favorite blues
Cocktails for two
(Any English or French Decca)
casa loma orchestra
whi te jazz
House is haunted (new)
cellar boys
Barrel house stomp
CHARLESTON CHASERS
Davenport/WabaSH
Imagination/Strut
Farewell/My gal sal
M i sbehavi n/Moani n
BASIN STREET/BEALE STREET
CHICAGO FOOTWARMERS
my basy/or i ental man
Brown bottom sess/lady love
CHICAGO HOT FIVE
Star dust
CHICAGO LOOPERS
I'M MORE THAN SATISFIED
CLOR I NDA
CHICAGO RHYTHM KINGS
FOUND A NEW B ABY/C I IANGES
CHICKASAW SYNCOPATORS
Memphis rag
CHOCOLATE DANDIES
Star dust
LARRY CLINTON
BOOCIE WOOGIE
KING COLE TRIO
Sweet lorra ine
12 3 4
VAR 537 HASS
VA» 587 2.25 TREU
l Voc 3824 2.25 TREU
24422 CHOY
24346 CHOY
CA 9023
OK 6633 •
5538
5533
GE 6311 ■
VI 24484 ■
GE 63 I I -
VI 22864 ■
BR 6092
BR 6858 •
Co 909 •
Co 1260 •
CO 1539 ■
Co 1891 -
Co 241 5 ■
OK 8548 •
OK 8613 -
(amy) ■
(any)
UHCA 1-2 •
Co 14310 ■
OK 8668 •
- JOBE
- Jobe
- DAVI
- SlME
-SlME
- G ILD
-Gild
- Wall
- Garr
- Garr
- Garr
- HASS
• SlME
- KENW
• MILL
■ CULT
• CULT
■ Cult
■ Cult
■ Cult
Wolf
wolf
■Gilo
■ Gilo
- Oua I
• KENW
SlME
BAND
Gals
Wanted
COLLECTOR'S ITEM CATS
i surrender dear
jerry colowna
Please
russ colum.bo
lost in a crowd
you call it madness
COOK'S ORCHESTRAS
(AN
1 2
(any)-
24194 •
6503 •
3 4
Mill
■ Sime
■ Choy
ON GENNETT)
cotton pickers
HOT HEELB
IDA COX
Pink slip blues (new)
Haro times blues (new)
bing crosby
blue of the night (new only)
Can't we talk it over (new only)
shadows on the window ("a" master )
Let's try again ("B" master)
Please (new only)
Street of dreams (new only)
You're beautiful tonight(new only)
Temptation (new only)
St, Louis blues ("B" master)
Gay love( harmony, Velvetone, Clarion, etc)
(any rare or unusual labels)
Down the old ox road
once in a blue moon
Face the music medley
gay pap.ee
oecca cussing record
Gay love
The day you came along
cabin in the pines
BOB CROSBY
OK 05258 I
OK 05298 I
BR 6226 -
BR 6240 —
BR 6276 —
BR 6320 -
BR 6394 —
Br 6464 —
8r 6477 —
BR 6695 -
8R 20105 —
ME 13 I 35 -
PE 13036 -
Br 20106 -
Ve 2536 -
Oe
Clarion 5476 8
BR 6644 I
BR 6610 2
,75 TREU
,75 TREU
S I ME
SlME
SlME
SlME
S I ME
SlME
SlME
SlME
SlME
SlME
S|ME
STEN
STEN
STEN
ABER
ABER
.00 ABER
,50 ABER
,00 ABER
Sugarfoot/king PORTER STOMP
PUTNEY DANDRIDGE
(ANY VOCALI ON)
COW COW DAVENPORT
(Any vocalion or Champion)
dixie jazz band
Dixie drag
johnny dodds
(Any Vocalion or victor)
DORSEY BROTHERS ORCHESTRA
I couldn't be mean to you
SPELL OF THE BLUES
J IMMY DORSEY
Dolamite
Cherokee
TOMMY DORSEY
'.'P. GHOST GOES TO TOWN
EDDIE DUCH1N
The clouds will soon roll by
The night when love was born
soft lights and sweet music
Medley
i've told ev'ry little star
Out of the darkness
we belong together
Night and day/After you
Till tomorrow
isn't |t a pity
Try a little tenderness
you are the sonq
Love passes by
ROY ELDRIDGE
Wabash stomps
After you 've gone
Florioa stomp
DUKE ELLINGTON
DE
De 195 ■
OK 41 181
Hass
Gri t
KEND
— Grit
STEN
.00 Aber
WHIT
Garr
Eerie moan (new)
BR
6467
KENW
Basin st. blues/Beale st. blues
Kissing my baby (new)
Br
7627
KENW
you're the top
IN A JAM (NEW)
Br
7734
KENW
TAPP 1 N 1 THE barrell
Creole rhapsody (new)
VI
36049
KENW
LET'S DO IT
HARLEM FLAT ( NEW )
BR
(both
KENW
King porter stomp
Maori
Br
(both
KENW
BOY MEETS G0Y
Blue again
VI
22603
KENW
ORGAN GRINOER'S SWING
BOY MEETS HORN
CO
36123
HASS
HE AIN'T GOT RHYTHM
Pyrami d
CO
36105
HASS
1 FOUND A NEW BABY
ANIMAL CRACKERS
QE
3342
6.50
Ml TC
SOMEBODY LOVES ME/jAM SESSION
BLACK & TAN FANTASY
OK
852.1
7.50
U|TC
Blues in your flat/Vy flat
(DUKE ELLINGTON CONTINUED NEXT COLUMN )
(Duke Ellington, continued)
Chi cago stomp down
Old man blues
Three little words
East st.louis toodle-oo (33 RPM)
(most any columbias)
Country gal/jubilee stomp
Crescendo blue/diminuendo blue
Sentimental mood/Showboat
Weely/i never felt this way
Pyramid/Sugar walks down st.
Cotton club stomp/in a mizz
Portrait lion/Something
Jazz pot pourri/Battle of swing
Trumpet spADES/txposmoN
Cotton/Margie
Mighty like blues/buffet flat
l don't know what blues/Sticking
5 o'clock whistle
Harmony in harlem
Flaming youth
Rose ROOM
slippery horn (new)
Raisin' the rent (new)
Mood indigo (new)
Hhttin* the bottle (new)
Memories of you(new)
MUST HAVE THAT MAN (new)
Wang wang blues (new)
Jazz cocktail (new)
Margie (new)
Tappin' 7th Ave.
awful sad (new)
(Any OK, Ca, Ro, Pa, Ge, etc.)
ellington units
(Any bb, var. Ok, voc)
improvisations in ellin
low cotton
F inesse
FRED FEIBEL
STAR OUST CO
TED FIO RITQ
my little grass shack br
King kamahameha Br
benny goodman
riffin' the scotch/keep on 00 1 n co
Love me or leave me/uhy couldn't Co
JUNK MAn/OL* PAPPY CO
Junk man/ol1 pappy
house hop/Sing me a swing song
Pop corn man
FALLING IN LOVE AGAIn/|F YOU
12 3 4
OK
8675 5.00 MlTC
OK
8869
3.50
MlTC
PAE
R883
10.00
MlTC
VI L-
•16007
SlME
CO
SMI T
CO
35776
B 1 ED
Co
36125
BIEO
CO
361 12
81 ED
, 4 CO
361 15
B 1 ED
SHY CO
35214
B 1 ED
Co
35353
Bl ED
Co
36105
Bl ED
BR
8405
B 1 ED
Br
8365
Bl ED
Br
8293
Bl ED
■ BR
7752
Bl ED
Br
7526
B 1 ED
BR
8331
81 ED
: Vi
27804
B 1 ED
Vl
26748
Bl ED
Br
8044
Ches
88
10243
Ches
BR
6265
KEN*
BR
6527
KENW
BR
6571
KENW
VI
22587
KENW
VI
23016
KENW
VI
23013
KENW
VI
38007
KENW
BR
6003
KENW
BR
6404
KENW
BR
7526
KENW
Br
8131
KENW
Br
(BOTH
KENW
KENW
Bl EO
TON 1 A
HRS
1003
Suit
MRS
1004
Smit
2867
2871
2892
OoE CB730
Vl 25340
VI 25808
Me 12079
ME 12138
BrF 500201
ME 12073
Vl 25398
Vi 25644
VI 26044-
VI 25751 ■
Vi 26240 •
Vi 25333 •
Vl 25660
VI 25406 •
CO 3167 ■
Co 2907 ■
Co 2892 •
Co 3168 ■
VO 15656 •
BR 4968 -
BR 7645 •
Co 2986 •
Co 2856 •
OK 6474 ■
VI 25090 •
Co 35462 .
Vi 25422 •
Vl 25505 .
V l 25355 •
V l 25497 •
Vi 26044 ■
(Benny Goodman continued next page)
I wanna be around/What have you
Room |4| i /jungle blues
That's a plenty (new)
Dinah (quartet)
avalon (quartet)
blues in your flat (quartet)
bei mir bis du skon (quartet)
sugar (quartet)
China boy (trio)
Smiles (quartet)
Exactly like you (trio)
Texas tea party
Emaline
Junk man
I gotta right to sing the blues
WOLVERINE BLUES/JAZZ HOLIDAY
HUE
*3-6
♦3-5
♦3-6
♦5-10
10.00
♦2-4
♦2-^>
♦5-10
♦4-8
■ Choy
• Choy
Kend
kend
kend
KEND
KEND
KEND
KENO
KEND
KEND
KENO
• HASS
• HASS
• HASS
■ HASS
■ HASS
- HASS
■ HASS
• HASS
■ HAS6
- HASS
• HASS
HASS
■ MlER
UIER
MlER
MlER
mill
mill
Mill
Band
Suit
Suit
SUIT
BIEO
BIEO
6
(BENNY GOODMAN, CONTINUED)
1
2 3 4
SBiffiE H lLtr
1 9
1 A
1 KNOW YOU KNOw/l CR1EO
V 1
26139 — ■ ClEO
Mess katie mess
OK 8437
WOLF
UOONGLOW/DlNAH
V 1
25398 B 1 ED
Loves i ck blues
OK 8453
WOLF
Sweet sue/melancholy baby
VI
25473 — B 1 ED
r fi d i u i urc
L AHL n 1 Nt, b
Man 1 LOVE/AVALON
VI
25644 B l ED
(Any on QRS)
QRS
|5.00 MlTC
(MANY VICTORS, COLUUBIAS, OKEHS)
B|EO
B 1 LL I E HOL 1 DAY
Clarinetitis/that's A PLENTY
Me
1 2073 Sm i G
SOME OTHER SPR 1 NG
OK 502 1
Ml LL
He's not worth your tears
ME
1 2023 — — Sm l G
ST ■ Lou 1 S BLUES
OK 6064
Mill
Linda/Overnight
ME
12024 Smig
( Old Vocal t ons )
V° ~
Ml LL
Falling in love again
ME
12079 Smig
NO REGRETS ( 2 )
VO 3276
Sm i t
WHEN YOUR LOVER HAS GONE
ME
12120 Smig
I CAN'T PRETEND
Vo 3333
— — Smi t
1 WANNA BE AROUND MY BABY
ME
12 1 32 1 Smi g
Call a heart a heart
VO 3334
Smit
YOU CAN'T STOP ME FROM LOVING YOU
ME
1 2205 Sm i Q
HERBERT C. HOOVER
Blue moon/Throwing stones
CO
3003 ^— Sm i g
Shall we send our youth to war
Vl
JOBE
Clouds/night wind
Co
30 1 5 ■■ — - ■ Sm i G
JOE HORSE i» MILKMEN
Down home rag^ixi eland band
CO
3033 SMiG
Riverboat shuffle
VAR 553
2.50 TREU
(ANY B, GOODMAN BLUE BIRD REISSUES)
8B
'— BlED
JACK HYLTON
After you*ve gone (trio)
VI
251 |5 GALB
She shall have music
(any)
Choy
nobody's sweetheart (trio)
V 1
25345 — — Galb
HARRY JAMES
Exactly like you (trio)
VI
25406 Galb
C 1 R 1 B 1 R t B 1 N
Co 36226
— — Choy
Sweet sue (quartet)
Vl
25473 Galb
Dreamer i n me
Br 8055
1 .25 Smit
Stompin' at savoy
VI
2552 1 — Galb
Texas chatter
BR 8067
1.50 Smit
Blues in uy flat (quartet)
Vl
Galb
Little white lies
BR 8 1 78
I ,25 Smi t
Where or when (trio)
BB
1 1456 Galb
Feet draqqin' blues
Co 35227
— - ■ Galb
Clarinet a la king
Garr
JAM SESSION AT COMMODORE
Uy man
Garr
A GOOD MAN IS HARD TO FIND
— - Ml LL
Smoke gets in your eyes
Garr
inn crcc inw at mic mo
JAM oLoa 1 UN A 1 V 1 L 1 UK
A smooth one
Garr
Honeysuckle rose/The blues
V l 25569
QUA t
Junk man
CO
2892 5.5C HASS
JOL L Y J 1 VERS
Emal ine
Co
2907 5.50 HASS
Piano stomp
VO 25105
Broo
Uusi C HALL rag
Co
30 1 1 — — — HASS
J 00K 1 T J00K 1 T
VO 02532
Broo
Clouds
Co
30 15 - hass
DUNK JUHNoUN
l gotta right to sing the blues
CO
2835 Hass
Bunk 's blues
JM 10
1 . 10 Mont
PECKIN
Vl
2562 1 Hass
JAMES P. JOHNSON
YOU'RE DRIVING ME CRAZY
VI
25434 Hass
RIFFS
OK 8770
Broo
China boy (quartet)
Vl
25333 Hass
Back water blues
OK 4903
2.50 Treu
BEI UlR BIST DU SCHON (QUARTET)
VI
25751 Hass
PETE JOHNSON
GOODY & HIS GOODTIMERS
B & 0 BLUES
SA 1 2006
Broo
Stardust Pe 15084 of
PAT 36903 KENO
MARGARET JOHNSON
NOW | 'M IN love Pe 15105 OF
PAT 36924 KEND
Changeable oaddy
OK 8 1 85
Wolf
Stardust pe 15084 of
PAT 36903 S 1 ME
R 1 CHARD M. JONES
GOTHAM STOMPERS
(Any on all labels; no acc.)
Grit
WHERE ARE YOU
VAR
541 1,50 TREU
JONES/SM 1 TH> 1 NC ■
GLEN GRAY
Even i n *
VO 344|
2.50 Smit
Smoke rings
(any) CHOY
KANSAS C ITY SIX
J IMMY GR 1 ER
Countless blues
CMS 509
KEND
One HOUR WITH YOU
VI
22971 Choy
Them there eyes
CMS 5t 1
KEND
LIONEL HAMPTON
PAGIN* THE DEVIL
CMS 512
KEND
Sun will shine tonite
Vl
25771 Hass
KENTUCKY GRASSHOPPERS
UOOD FOR SWING
VI
2601 1 HASS
Sweet l i za
Ba 6358
KEND
Gin for xmas
VI
26423 HASS
It's tight like that/4 or 5 times
Ba 6295
KEND
Object of my affection
Vl
25699 Hass
FREDDIE KEPPARD
Gin for Xmas
VI
26423 Galb
Stock yard strut
Para 12399
15.00 MlTC
UUNSON STREET BREAKDOWN
Vl
26453 Galb
RAY KINNEY
House of morgan
Vl
— qAi_b
HAWAI 1 ACROSS THE SEA
V l 27280
Choy
Don't stand a ghost of a chance
Vl
Galb
For you a lei
DE 533
— i- Choy
Jack the bellboy
VI
26652 galb
GENE KRUPA
The 6un will shine tonight
VI
25771 HASS
Rock i ng cha i r
Garr
HARDMAN'S HAMMOND FIVE
After i ' ve gone
Garr
EXA CTLY L 1 KE YOU
OK
4971 1.75 TREU
C OLEMAN HAWK 1 NS
FR 1 ENDSH 1 P
CO 35368
Band
Honeysuckle rose
DE
3358 MILL
EDD 1 E LANG
(any foreign labels)
GILD
Church street (new)
OK 8633
KENW
Body and soul
garr
Change keys (new)
OK 8637
KENW
Star dust
— Garr
Bullfrog (new)
OK 8695
KENW
1 WANNA GO BACK TO HARLEM
DeE
6502 HASS
Blue room (new)
OK 8818
KENW
Smiles/a strange fact
DeE
6445 HAS6
Jeann i ne ( new)
OK 4 1 1 34
KENW
Devot i on/Lamentat 1 ON
Dee
6597 — — Hass
Deep minor (new)
OK 8743
KENW
Sorrow
PA
658 5.0C Hass
SAM LAN IN
Lullaby
Pa
2007 5.00 Hass
SUS 1 ANNA
OK 41228
Si ME
FLETCHER HENDERSON
SUSI ANNA
OK 41228 5.00 Aber
NEW KING PORTER STOMP
CO
35671 hass
TED LEWIS
Star dust . Broadway
1441 sime
Play, fi dole, play
(any)
Choy
Star dust (new only)
CP.
3093 Si ME
Me and my shadow
(any)
Choy
Chinatown (and others)
CO
2329 STUR
L ILL 'S HOT SHOTS
Rifflin'
VI
25339 HASS
Georgia grind
VO 1037
5.C0 mitc
WOODY HERMAN
LOUISIANA RHYTHM KINGS
WHISTLE STOP
DE
Garr
Ballin' the JACK VO 15828
OR HRS 15
KEND
Deep night
DE
Garr
Shout halleljah
PAF 22305
5-10 KEND
(ANY)
Gild
ALEX HILL
WING IE MANONE
(ANY VOCALION)
GRIT
BOOGIE BEAT'LL getcha
BB 1 1298
Band
7
JIKKY LUMCEFORO
I 'M ALONE WITH YOU
MONOTONY IN FOUR FLATS
MELANCHOLY 8A8Y
REV. McGEE
(Any)
RED MCKEDZIE
Dark town strutters' bal
ozie mcpherson
(Any paramount)
MEZZ MEZZROW
Hot club stomp
GLEf:M MILLER
Star oust
RAY MILLER
that's a plenty
mills brothers
jungle fever
Darling nellie gray
Bugle call rag
0 K amer I CA
irving mills hotsy totsy gang
Deep
3 4
BR 4224 .
BR 6785 ■
DE 3705 ■
BR 6357 ■
BR 201 12 •
4983 ■
4122 ■
4983 •
4838 •
ME 6 I 165
ME 61271
OK 40758
OK 40784
OK 40932
OK 41 153
OK 41273
HRS 15
HHCA 23-24
VAR
608
638 3
arlem/strut miss lizzie
Since you want away
Deep harlem/strut miss lizzie
railroad man
mills merry makers
Farewell (149955) Har., di., Cl., 4 ve 7i2i
MILLS MUSICAL CLOWNS
WIPIN THE pan/| USED PE 15155 OR PAT 36974
WARREN MILLS
Gems from "Blackbirds" Vi 35962
BORAH MINEVITCH
RHAPSODY IN BLUE BR 6705
MISSISSIPPI JOOK BAND
hitt1n* the bottle
Dangerous woman
MIFF MOLE
Ragt i me/Sweet day
Hot time/Strutters
Dixieland/my gal sal
wild oat/cream in coffee
Bertha/Moanin' low
Windy city stomp
Shim-me-sha-wabble
CHAUNCEY MOOREHOUSE
Blues in 8 flat (new)
My gal sal (new)
JELLY ROLL MORTON
Ball i n the jack
sidewalk blues
cannon ball slues
Turtle twist
(Any)
wolverine blues
perfect rag
Mamamita
steamboat stomp
(any bluebird, victor, vocal i on
MOUND CITY BLUE BLOWERS
YOU RASCAL you (V.G.)
FRANK IE NEWTON
ROSETTA/WCRLD IS WAITING FOR SUNRISE B8 10196
NEW ORLEANS BOOTBLACKS
(ANY) " CO
new obleaiis ramblers
That's the kind of man for me
i'm one of goo's children
NEW ORLEANS RHYTHM KINGS
(ANY GENNETT OR OKEH)
RED NICHOLS
MISSISSIPPI MUD
RAY NOBLE
TURKISH DELIGHT
JIMMY NOONE
(ANY V
BB 10450
VI 20252
BB 10254
BB 10194
GE
ETC)-
5289
5486
3043 ■
8372
OK 41526
ME 12130 ■
ME 12133 ■
ion)
red norvo
night i s blue
honeysuckle rose
honeysuckle rose
king oliver
CO 3026 ■
CO 3059 ■
Co 3059 ■
GARR
Mill
Si me
J08E
JOBE
JOBE
KEND
KEND
SlME
SlME
■ KEND
KENO
KENW
SlME
BROO
BROO
Cult
Cult
Mill
MILL
.00 Treu
00 Treu
Mill
MOMT
MONT
MONT
DAVI
WOLF
WOLF
WOLF
MO NT
Grit
STUH
SlME
.00 MlTC
KEND
KENO
0«VI
,00 ABER
.40 GARR
GRIT
Smit
— Smit
Broo
(ANY GENNETT, OKEH, COLUMBIA OR PARA)
(KING OLIVER CONTINUED NEXT COLUMN)
(King Oliver, continued)
krookeo blues
room rent blues
Sweet baby doll
(any vocalion)
dipper mouth 8l/weatherbird rag
High society rag
KIO ORY
Ory's Creole trombone
JACK PETTIS
Broadway stomp
Bag o' blues
ben pollack
roll in' down the river
you didn't have to tell me
i ' m a ding dong daddy
Boogie voogie
TEDDY POWELL
tedoy's boogie woogie
teddy bear boogie
Sans culottes
blueb i r0 boog i e
straight 8 boogie
800gin' on the downbeat
jungle boogie
boogie war dance
louis prima
Star oust (new only)
qu iiitette of hot club of
(ANY Swing 4 H.M.V. labels)
the RAOIOLITES
Love letters/i don't know why
MA RAINEY
12 3 4
GE 5274 ■
OK 8148 ■
OK 8235
GE 5132
OK 4933
WOLF
WOLF
WOLF
■ GRI T
■ BAKE
Bake
Suns 3003 7.50 mitc
VO 15761 85-8 KENO
OK 41410 KEND
Re 10057 $5-6 KEND
OR 2208 Ml ER
OR 2214 M I ER
OE 2606 ■
DE
BB I 1201
1082
1092
I 176
1232
BR 7335
FRANCE
Seeking blues
new bo-weavil blues
Traveling slues
Sleep taiking blues
LOG camp blues
(Many)
red on i on jazz bab i es
Cake walk i n ' bab ies
PHIL REGAN
GOODNIGHT LITTLE GIRL OF DREAMS
JOE REICHMAN
PAGL I ACC I
LITTLE THOUGHTS
NIGHTY NIGHT
DJAHCO RE I NHARDT
St. Louis blues
ELZAO IE ROBINSON
(Any)
GIL ROD IN
99 out of 100
THEODORE ROOSEVELT
The liberty of the people
LAIIHY ROSS
MOQNL I GH T AND ROSES
LU IS RUSSELL
(Many)
(Any Okeh or Voc. or Victor)
PEE WEE RUSSELL
OlNAH
Dinah
(Any on HRS)
ARTIE SHAW
ONE FOOT IN THE GROOVE
ONE NIGHT STAND
SPECIAL SELIVERV STOMP
SIX JOLLY JESTERS
Oklahoma stomp
FREDDIE SLACK
PIG foot pete
BESSIE SI.' I TH
GULF CO.iST BLUES
ON REV I VAL DAY
SHIPWRECK BLUES
LOST YOUR HEAD Bl/GIN HOUSE BL
FABER SMI TH 4 YANCEY
E. ST. LOUIS .lues (new)
STUFF SMITH
OLD JOE'S HI TUN' THE JUG
1YE DYE BABY
HERE COMES THE MAN
CO 2540
Para 12352
Para 12603
Para 12706
Para 12760
PAPA 12804 ■
Para
UHCA 77-76 ■
(Any) •
VI 27393 ■
VI 27975 ■
VI 27448 •
BAND
Band
- — Band
Band
Band
Band
Band
.75 Band
SlME
S I ME
KEND
WOLF
WOLF
WOLF
WOLF
WOLF
75#* STUR
■ Mill
Choy
VI 26784 •
OK-VO •
HRS 1000
HRS 1000
HRS ■
VO 1449 •
Oe 4130 •
CO 3844 •
CO 14538 ■
Co 14662 ■
CO 14158 ■
- Choy
■ Choy
■ Choy
- QUA |
- Wall
- Ml ER
- JOBE
• Choy
- STUR
■ GR I T
■ Mill
• Broo
■ Bake
■ Garr
■ Garr
• Garr
■ Grit
■ Band
' MILL
WOLF
WOLF
Bake
OK 05464 2. CO Treu
VO 3270 ■
VO 3300 ■
VO 33 14 ■
JOBE
JOBE
JOOE
JOE SOOJA
1
o
Q
0
(Paul Whiteman, conti
nueo'
1
1
o
it
3
L.IMEHOUSE BLUES
VI<R
609
2.50
Treu
LOVABLE
HMV
B5509
8.00
SlME
JOE SULLIVAN
AFTER YOU'VE GONE (NEW ONLY]
CO
2098
SI ME
Gin hill blues
(A
iy)
GILD
LlVIN' IN THE SUNLIGHT (NEW
only'
Co
2171
SlME
SONG FELLOWS
CONCERTO IN F (6 SIDES)
CO 50139-41
SI WE
(ANY RECORDINGS)
—
5. CO
SI ME
THREE SHADES OF BLUE
VI
35952
Stem
MUGGSY SPAN ICR
METROPOLIS
VI
35933
Stem
SHIMMY LIKE SISTER KATE
B8
I050f.
GALB
SMI LE
VI
2I22E
Gild
Relax i n ' at the touro
BB
IC532
LA LB
REACHING FOR SOMEONE
Co
1822
G 1 LD
JAZZ BAND BALL
BB
10518
GALB
Lovable
HMV
B5509
2.50
Arer
ECCErTR 1 C
BB
10417
GALB
AFTER YOU'VE GONE
Co
2098
2.50
ABER
DA DA STRAIN
BB
10384
GALB
Living in the sunlight
CO
2171
2.50
ABER
SPANIER-3ECHET
Because by baby
Co
1441
2.50
A8ER
Sweet lorraine
HRS
2OC0
MILL
COQUETTE
CO
1755
2.50
ABER
That's a plenty
HRS
2002
MILL
Orange blossom time
Co
1845
2.50
Acer
China boy
HRS
2001
QUAI
From Monday on
VI
24349
1.00
Aber
THAT 'S A FLFNTY
HRS
2002
—
QUAI
A NIGHT AT THE BILTMORE
VI
39000
3.00
Aber
REX STEWART
Three little words
VI
25076
2.00
Aber
SOLID ROCK/BUGLE CALL
RAG
HRS
2005
KEN0
Wa-da-oa
Co
1455
1 .50
Aber
LOW COTTON (NEW)
HRS
1003
KENW
Rhythm king
Co
1629
1.50
Aber
FIN. ESSE (NEW)
HRS
1004
K E;gw
Let's do it
CO
1701
1.50
Aber
Cherry (new)
HRS
2004
KENW
HAPPY FEET
CO
2164
1.50
Aber
Solid rock/Bugle call
RAG (NEW)
HRS
2005
KENW
Bench in the park
Co
2223
1.50
Aber
Cherry
HRS
2004
QUA |
WHOOPEE MAKERS ( ANY pseudonym)
Bugle call rag
HRS
2005
CUAI
Moan i n ' LOW
Ca
9235
KEND
TEA ANO TRUMPETS
VA
618
QUAI
Milwaukee walk
Ca
9?03
KEND
Lazy man's shuffle
VA
517
QUA 1
ICKY OLUES (8478)
(A
KEND
CHERRY
HRS
2004
SMIT
Sorority stomp
(a
KEND
SOLID ROCK
HRS
2005
Smit
Dirty dog (3766)
(a
")—
KEND
WILLIAM H. TAFT
4 OR 5 TIMES (2061 )
(any)
KEND
-?-
VI
5558
J0BE
IT'S tight like that (2062)
(M
v)
KENO
JACK TEAGARDEN
WILLIAMS RUG CUTTERS
YOU'RE SIMPLY DELISH
PE
15361
KEND
DOWNTCWfl UPROAR (NEW)
Var
527
2.25
Treu
Loveless love/Rockin1
CHAIR
CR
3051
MlER
DOWNTOWN UPROAR (NEW)
OK
OR VO
3814
2.25
Treu
You rascal you/That's
WHAT 1
Co
2558
Ml ER
DIGA DIGA DO (NEW)
var
555
2.25
Treu
1 just couldn't take
T BABY
Br
6716
MlER
DlGA DIGA 00 (NEW)
OK
OR VO
3818
2.25
Treu
JUNK MAN (NEW ONLY)
BR
7652
Ml ER
TEDDY WILSON
ST. JAMES INFIRMARY
HRS
2006
Qua i
RIGHT OR WRONG/WHERE THE
BR
7797
KEND
BIG EIGHT BLUES
HRS
2007
QUAI
Moan i n ' low
Br
7877
KEND
PlTCHIN* BOOGIE
Para
12855
oua i
(Any on Brunswi ck)
BR
HASS
SH 1 NE
HRS
2006
Smit
Moanin' low/Fine and dandy
Br
7877
SM 1 G
RIG EIGHT BLUES
HRS
2007
Smit
I'M COMING VI RG 1 fj | A/HOW
Br
7893
Sr.*. I G
(ANY ON H.R.S.)
HRS
Bake
Sun showers/yours and mine
Br
7917
SM 1 G
TEN FRESHMEN
1 'LL NEVER BE THE SAME
Br
7926
SMIG
FRESHMAN HOP
PE 15235
OR Pat
37054
KEND
AIN'T Ml SBEHAV 1 ri/HCNEYSUCKLE( QUART. )BR
7964
SM | G
HOC 1 EL THOMAS
Ain't mi sbehav i n/honeysuckle( quart. )br
7964
— —
HflSS
Washwoman blues
OK
8280
WOLF
COQUETTE
BR
7943
HASS
Listen to me
OK
8346
woLr
SUN SHOWERS
Br
7917
Mass
ARTHUR TRACY
REMEI.'BER ME/YOU'RE MY DESIRE
Br
7940
HASS
MARTA
BR
6216
CHOY
WOODROW WILSON
MARTA
OE
2967
Choy
Democratic principles
VI
JOBE
FRANK IE TRUMBAUER
WOLVERINES
1 SHAM JONES MEDLEY
Co
I00C2
Si me
-?-
HRS
26
Mill
RIVERBOAT SHUFFLE
UHCA
29-30
BR00
FIDGETY FEET
GE
5403
Gild
THREE BLIND MICE
OK
40903
GILD
ROYAL GARDEN BLUES
Ge
20062
Gild
Baltimore
OK
40926
Gilo
81 G 60Y
GE
5565
Gild
JUST AN HOUR OF LOVE
OK
40912
Gild
WYNN'S CREOLE BAND
MISSISSIPPI MUO
OK
40979
Gild
PARKWAY STOMP
VO
1220
BflOO
JUBILEE
OK
41044
Gild
JIMMY YANCEY
MY PET
OK
GiLr.
BEAR TRAP BLUES
OK
05490
Treu
BLESS YOU SISTER
OK
41 100
Gilo
VICTOR YOUNG
LOVE AFFAIRS
OK
41 145
Gild
J'JST A YEAR AGO TONIGHT
Br
6692
Choy
SENTIMENTAL BABY
OK
41 128
Gi ld
ANY RECORDING GROUP
1 nil i sr
OK
—
41231-
GILO
G 1 LD
(MOST ANY HRS RECORD)
STARDUST
HRS
Cult
SlME
(ANY ON PARLOPHONE LABEL )
CRAZY QUILT
Br
6146
2. CO
ABER
RlDIN BUT WALKIN
.75
WHI T
VARSITY SEVEN
(Any Solo Art record)
SA
Qua i
A PRETTY GIRL IS L 1 KC
A MELODY
8179
M 1 LL
(TRANSCRIPTIONS)
(Any)
Bake
Bing Crosby; Stardust; name
Bands
; Movie Trailers
SlME
SIPPIE WALLACE
(SOUND FILMS)
THE FLOOD BLUES/LAZY MAN'S BLUES
WESLEY WAI 1 ACF
Bake
8ing Crosby; Star Dust; name
Bands —
SlME
BIGGEST HOT CATALOGUES
in the country have always been issued by
HARRY MERENESS
New Add ress: —
230 Broad St., Lake Charles, Louisiana.
19th catalogue coming out soon. 3{ stamp
with request, please, if not formerly a
customer. Old customers please advise of
change of address since December.
WHITEMAN CONTINUED NEXT COLUMN ) '
9
No. 29
FATS WALLER
CHANT OF THE GROOVE
GLADYSE
lu waiters
(any)
west brothers trio
star oust
paul whiteman
China boy/oh Miss Hannah
after you're gone
PARA 12958
BB I 1262 Kend
VI 38554 SlME
JM MILL
BB 5Q36 SlME
Co 1945
Co 2098
M I ER
men
J. O'BYRNE DeWITT
FIFTY-ONE WARREN STREET
ROXBURY MASS.
AUCTION EXPIRES SEPTEMBER 27th
BENNY GOODMAN
(LIONEL HAMPTON, CONTINUED)
HOORAY FOR LOVe/|'M LIVIN' IN A GREAT BIG
VI
2501 1 G
Big wig/Stand by for further announcment
VI
26296
V
Always/Japanese Sandman-
VI
25024 G
jack the bellboy/Central ave. breakdown
VI
26652
V
Get RHYTHM IN YOUR FEE T/B ALLAD IN BLUE
VI
25081 G
Fiddle dee dee/bouncing at the beacon
VI
27364
V
KING PORTE R'/SOMET IMES I'M HAPPY
VI
25090 V
OUKE ELLINGTON
EENY,MEENY,MINEY mo/Santa CLAUS CAME IN THE
VI
25195 G
Birmingham breakoown/e. St. Louis toodle oo
BR
3480
G
Good-bye/sandman
VI
25215 V
Tishomingo bluesAellow dog blues
Br
39B7
G
Goody-goody/. t 's been so long
VI
25245 G
Take it easy/Black beauty
BR
4009
G
BREAXIN' IN A PAIR OF SHOES/STOMP 1 N * AT SAV
VI
25247 G
Awful sad/Louisiana
BR
41 10
F
.Break i n ' in a pair of shoes/stomp i n ' at sav
VI
25247 E
The mooche/since you went(hotsy Totsy Gang)
BR
4122
G
Devil and the deep blue sea/madhouse
VI
25268 G
It oon't mean a thing/Rose room
BR
6265
G
IF 1 COULD BE WITH Y0u/l KNOW THAT YOU KNOW
VI
25290 V
Jazz cocktail/Lightnin'
BR
6404
V
Stardust/St ardust(dorsev)
VI
25320 G
HARLEM SPEAKS/OLD APPLE TREE
BR
6646
V
Too good to be true/all my life(trio)
VI
25324 G
Solitude/moonglow
BR
6987
E
Remember/Walk, jenni e,walk
VI
25329 G
Showboat shuffle/in a sentimental mood
BR
7461
V
NOBODY'S SWEET HE A RT /MORE THAN YOU KNOw(TR|0
)VI
25345 G
Accent on youth/Truckin
Br
7514
V
THESE FOOLISH THINGS/lN A SENTIMENTAL MOOD
VI
25351 G
Margie/Cotton
BR
7526
V
DOWN SOUTH CAMP MEETIN'/PlCK YOURSELF UP
VI
25387 V
Sophisticated Lady & sentimental mood/
UOWN SOUTH CAMP MEETIN'/PlCK YOURSELF UP
VI
25387 N
hood indigo Ir Solitude (piano solos)
BR
7990
E
HERE'S LOVE IN YOUR EYES/YOU TURNED THE
VI
25391 G
Scattin' at the kit katAiew Birm. Break down
Br
7994
E
St. Louis blues/Clarinet marmalaoe( LaRocca )
VI
2541 1 G
Crescendo in blue/diminuendo in blue
Br
8004
E
WHEN A LACY MEETS GENT/YOU'RE GIVING SONG
25434 G
new black & tan fantasy/Stepping swing soc.
Br
8063
G
Peter piper/organ grider's swing
VI
25442 G
Scrounch/if you were in my place
BR
8093
E
RIFFIN' AT THE R 1 TZ/ALEX A ' :DER ' S RAGTIME BANDVl
25445 V
1 LET A SONG GO OUT OF MY HEART/GAL FROM
Br
8108
E
RIFFIN' AT THE R 1 TZ/ALESANDER ' S RAGTIME BANDVl
25445 G
Swingtime in Honolulu/ l ' m slappin' 7th ave.
Br
8131
V
BUGLE CALL RAG/AFTER YOU'VE GONE (DORSEy)
VI
25467 G
STEVEDORE'S SERENAOe/LA OE 0000Y 000
Br
8174
E
Sweet sue, Just you/my melancholy (quartet)
VI
25473 V
Rose of the Rio granoe/Gypsy without a song
Br
8186
E
whispering/tiger rag (quartet)
VI
25481 G
Exposition swing/i haven't(will huoson)
BR
8213
E
you can tell/never should have told you
VI
25500 G
hip chic/Blues serenaoe
Br
8221
G
This year's kisses/he ain't got rhythm
VI
25505 G
Boy meets horn/Old king oooji
Br
8306
E4
Chlo-e/ioa, sweet as apple cider(quartet)
VI
25531 G
80Y MEETS HORN./OLO KING D00JI
Br
8306
V
Can't we be fr i ends/pecki n '
VI
25621 G
Subtle lament/Pussy willow
Br
8344
V
Roll 'em/afraid to dream
VI
25627 V
Solitude/Mood indigo
Co
35427
E
Minnie the moocher's weddin day/Bob white
VI
25683 G
Grievin/Tootin through the roof
Co
35310
V
I've hitcheo my wagon/let that be a lesson
VI
25708 V
moon glow/Truck in
Co
36317
N
can't teach my olo heart/silhouetted (trio)
VI
257 1 1 G
Black & tan fantasy/Creole love call
VI
21 137
V
Camel hop/Loch lomono
Vl
25717 V
Black beauty/Jubilee stomp
Vi
21580
G
MAMA, THAT WOOn/iOU TOOK THE WORDS
VI
25720 V
Three little woros/Riug dem bells
VI
22528
V
LIFE GOES TO A PARTY/lF DREAMS COME TRUE
VI
25726 V
nine little miles/what gooo am 1
VI
22586
V
Thanks for memory/it's wonderful
VI
25727 V
mood indigo/When a slack man's blue
VI
22587
V
Always and always/ooOOH boom
VI
25808 V
Blue again/To whom (bert lown)
VI
22603
V
Lullaby in rhythm/That feeling is gone
VI
25827 V
The river ano me/Keep a song in your soul
VI
22614
V
1 LET A SONG GO OUT OF MY HEART/FEEL 1 N 'HI GH
VI
25B40 V
Limehouse blues/echoes of the jungle
Vj
22743
V
Big john special/Flat foot floogie
V 1
25B7I N
HITTIN' THE BOTTLE/THAT LINDY HOP
VI
23016
V
I'VE GOT A DATE/COULD YOU PASS IN LOVE
VI
26000 V
memories of youAou're lucky to me
VI
23017
V
YOU'RE LOVELY, MADAME/WHAT HAVE YOU GOT
VI
26053 V
Sam and delilah/bioin my t i me(bluejeans)
VI
23036
V
MARG ie/RUSSI AN LULLABY
VI
26060 V
Shout em aunt tillie/i'm so in love
VI
23041
V
IS THAT THE WAY TO TREAT/l HAD TO 00 IT
VI
26082 G
Troubled waters/my old flame
Vl
24651
V
Bumble bee stomp/c i ri b i RI6I n
VI
26087 N
Solitude/Delta serenade
VI
24755
E+
'S WONDERFUL(QUARTET)/l MUST HAVE MAn(TRIO)
V.I
26090 N
So far so goodAou you darlin
VI
26537
V
Sweet Georgia Brown/opus Jt (quartet)
26091 E
MY GREATEST MISTAKE/AT A DIXIE ROADSIDE
VI
26719
V
Sweet Georgia brown/opus ^ (quartet)
VI
26091 G
Sepia panorama/harlem airshaft
VI
26731
topsy/smoke house
VI
26107 V
1 must have that man/bandanna babies
Vl
38007
V
Bach goes to town/Whispering
VI
26130 E
DlGA DIGA OOO/CAN'T GIVE YOU ANYTHING
Vl
38008
WE'LL NEVER KNOW/llNOEC 1 OED
VI
26134 G
Flaming youth/Doin' the voom voom
Vl
38035
G
1 CRIED FOR Y0U(QU1 NTET )/l KNOW THAT(TRIO)
VI
26139 V
Japanese oream/harlemania
Vl
36045
.
Sent for you yesteroay/and the angels sing
VI
26170 N
Stevedore stompAicty glide
Vl
38053
F
IF 1 HAD Y0U/LIMEH0USE BLUES ( SEXTET )
OK
6486 M
Misty mornin'/saratoga swing
VI
36058
Somebody else is taking/that did it Marie
OK
6497 V
Arabian lover/Cotton club stomp
Vl
38079
V
Everything 1 love/Winter weather
OK
6516 N
Olo man blues/Double check stoup
SB
6450
N
SOMEONE'S RICKING ORE AMBOAT/YOU DON'T KNOW
OK
6534 N
Olo man blues/oouble check stomp
B8
6450
V
SOMEBODY NOBOOY LOVES/LET'S GIVE LOVE
OK
6562 V
Duke steps out/haunteo nights
BB
6727
V
LAMP OF MEMORY/WHEN THE ROSES
OK
6580 N
1 must have that man/bandanna babies
BB
7182
E
MY LITTLE COUSIN/A ZOOT SUIT
DK
6606 N
1 'VE GOT TO BE A RUG CUTTER/NEW TOODLE-00
MA
101
V
1 just coulon't/iOO years from (E. waters)
Co
2853 V
SCATTIN AT KIT KAT/NEW BIRMINGHAM BREAKOOWN
MA
123
V
One sweet letter/Scatterbrain
Co
35241 Z
All goo's chillun/alabamy home
MA
137
E
Flying home/rose room
Co
35254 N
JUNGLE BAND
KING PORTER/ALL STAR STRUT(ALL STAR BAND)
Co
353B9 N
COTTON CLUB STOMP/\VALL STREET WAIL
BR
4887
V
1 SEE A MILLION PEOPLE/THAT COUNT
CO
36379 V
THE WASH 1 NGT ON 1 ANS
Caprice XXIV Paganini/|'m here
Co
364 1 1 E
E.ST. LOUIS TOOOLE-OO/jUB 1 LEE STOMP
Ca
8182
G
MOBOOY'S SWEETHEARtA'ORE THAN YOU KNOW (TRIoJBB
10723 V
MOVE OVER
Da
9025
V
MY HONEY'S LOVIN* ARMS 'IT HAO TO BE YOU
Bfl
1 1056 N
HOTTENTOT
Ca
9036
V
Changes/Russian lullaby
BB
1 1 220 N
SOLILOQUY/BLACK & TAN FANTASY
BR
3526
V
Where or when/i cried for(trio-ouintet)
SB
1 1456 V
LOUISIANA RHYTHMAKERS
YOU CAN'T STOP Me/SLOW BUT SURE
ME
12205 G
DREAMY BLUES.'RUNNIN* WILD
PE
15658
Oixielano b ano /Bugle call rag
Br
7644 G
Rockin* in rhythm/Twelfth street rag
ME
12445
i
LIONEL HAMPTON
DUKE ELLINGTON
Stomp/jivin the vibres
VI
25535 G
PROGRAM TRANSCRIPTION (33 1 /3 )
Drum stomp/Confessin'
25658 G
mood inoigoAot, bothered/Creole love call V
16006
10
J.I. In Exile
£y eugane Williams
An addition to the
discussion of Dixie-
land Thumpers, State
Street Ramblers and
Blythe's Blue Boys
in last month's col-
umn: Orin Black-
stone writes that he
has a Gennett issue
of There'll Come A
Day (Gennett 6249) ,
by the State Street
Ramblers, coupled
with Jack Ass Blues by Alex Jack-
son's Plantation Orchestra. The
same record, by coincidence, was
listed for disposition in last
month's Record Changer by Charlie
Campbell. The third Gennett side
makes my suggestion of a Para-
mount-Gennett tie-up in this case
somewhat less plausible; but not
impossible. Can someone get the
records together and compare
them?
last issue of the
Record Changer dis-
turbes me because
the four collaborat-
ors will spend a
great deal of time
pricing 5000 discs.
But real hot record
prices are determin-
ed by the operations
of supply and demand.
They change constant-
ly, and will not
stop changing because they have
been "set". Of course a guide to
current record prices is desir-
able.* A simpler way to provide
such a guide would be to announce
from time to time, the prices at
which auction and set-price items
were sold through the Record
Changer. Price variations during
the next few years are likely to
be considerable, as they become
affected by war condit ions , re-
issues, new collectors, etc.
The possibility of an impor-
tant King Oliver discovery was
raised by George Hoefer (quoting
the Tasmanian Jazz Notes) in the
August 15 Down Beat. Listed as
an interesting find, in Vol. 3,
No. 4 of Jazz Notes, is a coupl-
ing by King Oliver's Creole Jazz
Band: Sobbin' Blues (81306) and
Oh Sister Ain't That Eot (81308).
No label name or serial number
was given, which may indicate
that the record is a test press-
ing. Since the master numbers
are close to the known Columbia
Olivers (81300-4) , it is not at
all Impossible that these two
sides (and perhaps two more, 81305
and 81307) are genuine Olivers.
Their discovery in Tasmania is not
incrediblejsince the domestically
unissued Teschmacher Indiana was
first discovered in Australia.
Collectors will hope that Mr.
Hoefer, who followed up the
Indiana discovery promptly and
effectively, will be equally
successful in obtaining confirma-
tion or disproof of this new re-
port from down under.
A A 4
The project to "determine" hot
record values, announced in the
The Louis Armstrong discography
on which William Russell, George
Avakian and I are collaborating
with the assistance of some other
collectors , is progressing slowly.
It will be published some time
this fall, in booklet form.
Collectors who have rare discs
which might have escaped our
notice (for example, Hendersons
under pseudonyms on the Regal-
Banner-Domino series) are invited
to send the information to this
writer at 126 MacDougal St., New
York (12) N.T. Please don't
write to reserve a copy of the
discography. When it is ready, it
will be announced in the Record
Changer and elsewhere.
* Thanks to Mr. Williams for a splendid
suggestion. Acting on the above recom-
mendation, the parties behind this rec-
ord value project are considering the
publication of a real hot record book
along the lines of a "loose-leaf" vol-
ume which will facilitate the insertion
of supplemental data and revisions of
record values. This is the type of book
which Charles Delauney had in mind as
he compiled hot discography. Other
mechanical aspects of this projected
American Hot Jazz Book will be announced
from time to time.
1 1
FRANCIS J. WALCOTT
2402 Dana
Street, Berkeley (4) California
FOR TRADE
OR AUCTION
HENRY ALLEN
FRANK IE NEWTON
House in harlem for sale
ME 13145 N
Minor jive
BB IC 186 N
Smooth sailing
Me 13323 V
RED NICHOLS
ARCAD IAN SERENADERS
Slow out suRe
BR 6138 V
Fidgety fett
OK 40272 G
JIMMY O'BRVANT/J IMMY BLYTHE
San sue strut
OK 40378 G
DRUNK MAN'S STRUT
Para 12246 V
BUSTER BAILEY
PEE WEE RUSSELL
Afternoon in africa
Va 668 N
1 'Ve FOUNO A New BABY
HRS 1002 N
Sloe jaw fi zz
VO 4089 V
ARTIE SHAW
COUNT BASIE
THe BLUES A S, B
VO 440 1 N
Lester leaps in
Vo 51 18 N
THe CHANT
BR 7952 G
SHARKEY BONANO
NOBLE SISSLE-SIDNEY BECHET
MUDHOLE BLUES
Vo 3353 E
C HA RAC TeR 1 ST 1 C BLUES
VA 64B N
PERRY BRADFORD
JABBO SMITH
HOOLA 0OOLA DANCE
PARA 20309 F
Jazz battle
Br 4244 E
CHICAGO RHYT'M KINGS
JACK TEAGARDEN
Sugar
SlG 102 N
LOVELESS Love
HRS 5 N
CHOCOLATE DANDIES
FRANK IE TRUMBAUER
KRAZY KAPERS
HRS 16 N
IN A MIST
BR 6997 G
LILLIE DELK C>iRlSTIA" (lOUIs)
Mayor of alabam'
BR 7663 N
Sweethearts on parade
OK 8650 F
ETHEL WATERS-JAMES P. JOHNSON
EDDIE CONDON
My handy man
Co 14353 V
HOME COOKING
CO 35680 N
TEDDY WILSON
THAT'S A SERIOUS THING
DUKE ELLINGTON
Tiger rag
Rent party blues
B8 10168 N
SPReADIN' RHYTHM AROUND
Br 7581 E
BR 423B E
BR 4345 E
WANTED
IF YOU CAN'T HOLD THE MAN YOU LOVE
Ge 3291 G
Jungle blues (margin chips)
Ro 1215 G
LOUIS ARMSTRONG
Bugle call rag
Vl 22938 V
Oroppin' shucks/Who's it
OK 8357
SEGER ELLIS ( LOU 1 S )
Jazz lips/Skid dat oe oat
OK 8436
Sposi n '
OK 41255 N
IRISH SLACK BOTTOM/YOU MADE ME LOVE YOU OK 8447
Ain't mi sbehav i n 1
OK 41291 E
Keyhole bluesAielancholy
OK 8496
BENNY GOODMAN
JIMMY BERTRAUD
99 OUT OF A 100
Me 12100 V
(Any)
SONNY GREER
J IMMY BLYTHE'S OWLS
Saturday night function
CO 2833 F
(any)
HARLEM HOT SHOTS (WingyI
CHICAGO FOOTWARMERS
Love is just around the corner
Pe 16085 N
My baby/Ori ental man
OK 8548
The blues have got me
Me 13323 N
Brown bottom bess/laoy love
OK 86 1 3
MONK HAZEL
My girl/Sweep 'em clean
OK 8792
High society
Br 4161 E
JOHNNY DOODS
IDEAS
FLETCHER HENDERSON
(Any on Paramount)
Weary BLues/Mew Orleans stomp
Para
BR 4182 N
VO 15632
HOP OFF
BR 41 1 9 E
WILD MAN BLUES/MeLANCHOLY (ex)
BR 3567
ART HODES
BERTHA "CHIPPIE" HILL
TIN ROOF blues
SlG 102 N
LOVeSICK BLUes/LONeSOME WEARY BLUES
OK 8453
PAUL HOWARD
Mess KATie Mess
OK 8437
The ramble
VI 38068 N
LILL'S HOT SHOTS
Overnight blues
Vl 38070 V
DROP THAT SACK/GeORG 1 A SO BO
VO 1037
quad ty shout
Vl 38122 N
CRIPPLE CLARENCE LOFTON
CHARLIE JOHNSON
STRUT THAT THING/DONKEY MAN BLUES
VO 02951
Harlem drag
Vl 38059 N
JELLY ROLL MORTON
WINGY MANNONE
(Any Gennctt ,Si lverton, Paramount ,voc.
PURITAN, okch)
STRANGE BLUES
BR 691 1 V
NEW ORLEANS BOOTBLACKS
Walkin' the streets
joe marsala
Br 6940 N
(Any)
king oliver
Hot string beans
VO 4168 E
The southern stomps
Para 12088
RAY MCKINLEY
Mabel's dream/rivers i oe blues
Para or Clax
NEW ORLEANS parade
oe 1019 E
Jazzin' bab i es BLues
OK 4975
Shack in the back
De 1020 N
MABeL'S DReAu/SweeT baby doll
OK 8235
MEZZ MEZZROW
Melody from the sky
BB 6320 E
RED ONICN JAZZ BABIES
Sendin' the vipers
BB 10250 N
CAKe WALKING BABIEs/OF ALL THE WRONGS
Ge 5627
MILLS SLUE RHYTHM BAND
CLARA SMITH
Ride red ride
Co 3087 N
Shipwreck blues/My john's blues
Co 14077
JELLY ROLL MORTON
HOCIEL THOMAS
Shoe shiner's drag
RB 7725 N
( Any with Louis)
MOUND CITY BLUE BLOWERS
SIPPIE WALLACE
TA 1 LSPI N BLUES
BB 10209 N
(Any wi th loui s)
JIM MUMDY
Ain't mi sbehavi n'
Va 598 N
CLARENCE WILLIAMS BLUE FIVE
NEW ORLEANS FEETWARMERS
Cake walking basics from houe
OK 40321
Sweet i e dear
BB 7614 N
Papa de da oa
OK 8215
DEADLINE -- 15th OF THIS MONTH
o
uu
occ
— UJ
ecu.
Q.L-
O
o
o
£
in
CM
X
o
<
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u
cc
UJ
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ro
i—
to
CO
LJ
CC
Q
Q
DEADLINE -- 15th OF THIS MONTH
:
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< (T3
Q g -O
u go-
es cr
ou
1 <5
1—
8
LJ
CL
>
in
to
ui
—i
H
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I"
FOR DISPOSITION
first four letters of collector'
For address, see page 2.
method of disposition! "sal
"for sale at price indicated
"tra*, for traoe; "auc", a
auction, closing oa te for
Sept. 27, 1943; mt-a, for
TRADE OR AUCTION," nT-Sn FOR
SALE OR TRADE; "STA" FOR SALE
TRADE OR AUCTION.
condition of record !n
e— excellent ;v— very go
G-gooo; F-fair; p-pqo
j Catalog number of
| Label of record
ALL STAR BAND
The blues
HENRY ALLEN
Pleasing paul
would you (£" ch| p)
(MANY vocal ions)
kitchen in heaven
rug cutter's swing
Beach of bali bali/take my
ALLEN-HAWKINS
MY GALVESTON GAL
ARC AO IAN SERENAOERS
COEO/JUST A LITTLE BIT BAO
ARKANSAS TRAVELERS
Copenhagen/Panama ma
How I love/See you
row row rosie
LOUIS ARMSTRONG
cornet chop suey
Oriental strut/you 'we next
muskrat ramble/heebie jeeb i e
Tight like this/heah me talk
Got no blues/west end blues
muggles/Peanut venoor
Cornet chop suey/My heart
Gut bucket/yes I'm in(crack)
Dear old southlano/Weather
(Many reissues) vo, Ok,
Got no blues/Vest eno
Georgia grino
weary blues
Ll TTLE JOE
Georgia grind/sweet papa
Georgia man/Trouble in mind
Don't play me cheap
iiee8ie jeeb i es/muskat ramble
Mahogany hall stomp
Oriental strut
kickin gong/Devil deep sea
Lucky to me/memories of you
Mississippi basin/sweet sue
Hate to learn you/V/ish nev.
Mahogany hall stomp/Oepeno
i got rhythm/chinatown
all of me/home
made night too long
ROCKIN' CHA I fi/SWEETHEARTG ON
can depend on me/l got rhy .
That rhythm man/sweet sav.
shine/just a gigolo
Georgia on mind/lazy river
Can't give anythinq/no one
St. LOUIS BLUES
I HATE TO LEAVE YOU NOW
INDIAN CRADLE SONG
t SURRENDER DEAR
Tiger rag/dinah
Little joe/them there eyes
mahogany hall stomp
gus armheim
(Several with bing crosby)
I
2
3 4
5 6
VI
26144
E TRA
Galb
B9
10235
N T-A
g
Vo
3244
G SAL
.75 KAUF
Vo
- TRA
G 1 LD
Vo
3490
E TRA
M 1 ER
ME
13145
N SAL
1 .50 Qua i
VO
3261
N AUC
PE
1 565 1
G SAL
.75 KAL.F
OK
40503
V TRA
G1L0
OK
40236
— AUC
STE 1
OK
4027^
- AUC
STE 1
OK
40426
— AUC
HRS
N AUC
He in
HRS
N AUC
Hein
OK
2300
F AUC
HEIN
OK
8649
N AUC
— ■ hein
VO
3204
N AUC
He i n
vo
3194
G+AUC
i he i m
OK
8320
F+AUC
— — hein
OK
826 1
HRS
] 8
N AUC
hein
CO
E+T-A
vo
3204
Q|LD
OK
83 1 8
G+TRA
WOLF
OK
851 9
G+TRA
Wolj_
OK
41501
N TRA
p
OK
8318
V T-A
CULT
OK
8312
V T— A
_ CuLJ
VI
24425
N SAL
1.00 QUAI
OK
8300
G T-A
QUAI
8B
5086
N T— S
.75 8R00
Co
36155
N T-S
1 .00 Broo
OK
41550
V AUC
Cult
OK
41463
G AUC
Cult
VI
24321
V AUC
Cult
VI
24204
E AUC
CULT
VO
3055
V AUC
Cult
OK
41534
V AUC
Cult
Co
2606
V AUC
Cult
Co
2646
V AUC
Cult
Co
2688
V AUC
Cult
Co
2590
V AUC
Cult
OK
8717
E AUC
Cult
OK
41480
V AUC
CULT
OK
41454
E AUC
CULT
OK
41204
E AUC
Cult
VI
24321'
V+TRA
Grit
VI
24204
E TRA
Gr 1 T
OK
41423
E TRA
Grit
OK
41497
VKRA
Gr it
OK
8800
VfrTRA
Grit
OK
41501
N TRA
Grit
OK
8680
E T-A
Aber
VI
N TRA
M 1 ER
MILDRED SA I LEY I 2 3 4 5 6.
ARKANSAS BLUES/ST. LOUIS BL VO 4801 N T-S l.?5 STEN
COUNT BASIE
SMARTy/L ISTEN MY CHILDREN DE 1379 V T-A CULT
TOM THUMB /MY OLD FLAME OK 6527 N STA
King joe (Parts | & 2) OK 6475 N sal
NOBODY KNOWS/SONG OF THE I SLA OK 5|69 N SAL
IT'S THE SAME OLO SOUTH OK 5963 N SAL
MERE COMES CHARL I e/POUND CAKE OK 5085 N SAL
Time out/let me dream de 1538 N sal
JUMPIN' AT TUP WOODSIDE/DARK OE 2212 N SAL
CHEROKEE (PARTS I & 2) DE 2406 N SAL
TOPSY/DON'T YOU MISS ME BABY DE 1 770 N SAL
BLUES I LIKE TO YEAR/BLAME IT DE 2284 N SAL
R05ELAND SHUFFLE/HONEYSUCKLE OE I 141 N SAL
OH LADY BE GOOO/YOU CAN OE. DE 2631 - SAL
One o'clock jump/John's idea oe 1363 N sal
I LEFT MY BABY /R IFF I NTERLU0E CO 35321 N SAL
BIX BE IOERBECKE
IN A MIST/WRING IN ' TWISTIN OK 40916 V AUC
SORRY VO 3149 E TRA
I DON'T MIND/i'LL BE A FRIEND Vl 23008 G TRA
IN A MIST/WRINGIN t TWISTIN VO 3150 N T-S
Jazz band ball OK 40923 N tra
DAVENPORT BLUES GE 5654 V T-A
ROYAL GARDEN BLUES CO 35664 N T-A
OL MAN R| VER/V.'A-DA-DA OK 41088 V AUC
JAZZ BAND BALL/JAZZ ME BLUES OK 40923 V AUC
IN A MIST/WRINGIN t? TWISTIN OK 40916 V AUC
Louisiana/rhythm king OK 4i 173 E auc
SIDNEY BECHET
DE 2 129 N AUC
BB 10472 N AUC
BB 10022 K AUC
VI 2"7909 E T-S
BB 10022 E AUC
DE 181 16 N t-a
VI 26152 N TRA
Vl 36208 N AUC
VI 26068 N AUC
Blackst i ck/when the sun
Lay your racket/i want you
shag/ i found a new baby
Georgia cabin
Shag/ I found a new baby
bunny berigan
blue/l *m coming virginia
in a little spanish town
Can't get started/prisoners
Livery stable blues/high soc
VIC BERTON
Blue/Taboo Black & gold Vocalion 2974 E+tr
BERTRANO'S WASHBOARD WIZARDS
47th st-.stomp/idle HOUR SPEC
BIG BILL
new shake em on down
wood ie wood i e
Conversation with the blue
Bed time blues
Lone wolf blues
Rockin' chair blues
Green grass blues
Double trouble
BLAND'S RHYTHMAKERS
Shine your shoes
RUBE BLOOM
DOLL DANCE (SOLO)
BLUE CRASS FOQTWAPMERS
Old folks shuffle/hound
blue rhythm boys
Blue flame/Blue rhythm
JIMMY BLYTHE
Endurance stomp/Pleasure mad
Brown skin mama/ori ental man
j i mm i e blues
WILL BRADLEY
Speaking of heaven/thought Vo 5182 E t-a
Down the road a piece/Celery Co 35707 N sta
Jimtown blues/ghost of chance Co 35376 N sal
Basin st. boogie/Call if any Co 36340 N t-a
ARDELL BRAGG
Pig mean blues(with parham) para 12398 G tra
broadway bell hops
Sunday/Black bottom aw.
Barbara
Don't be angry with me
.75 OAVI
.75 Davi
.75 DAV|
.75 Oft VI
.75 DAVI
.75 Oavi
.75 DAVl
.75 DAVl
.75 DAVl
.75 DAVl '
.75 DAVl
.75 Davi
,75 Oavi
.75 OAVI
HEIN
GALB
Gild
2.00 STEN
Wolf
12.50 MITC
I .00 BROO
Cult
CULT
CULT
CULT
Hein
he i n
Hein
I .00 BROC
CULT
SMIC
Ml ER
Oavi
VO
1060
G
AUC
HEIN
Conq
9073
N
TRA
JOBE
CONQ
9309
N
TRA
JOBE
Conq
9932
N
TRA
JOBE
Conq
9759
N
TRA
JOBE
CONQ
9761
N
TRA
JOBE
Conq
9794
N
TRA
JOBE
Conq
9929
N
TRA
JOBE
Conq
9930
N
TRA
JOBE
uhca
1 1 1
N
TRA
JOBE
OK
40Q42
N
T-S
1 .00
BROO
248 V
6143 E
CH 40025 V AUC
Ch 40023 V AUC
Para 12304 G+tra
HE in
HE I N
Wolf
Oavi
.75 OAVI
Oaui
288 V T-
494 N T-
1253 G T-
CULT
ABER
ABER
cleo brown
Boogie woogie
For Disposition i
HENRY BROiVli
2IST ST.STOMP( IKE ROOGEdS )
WILLY BRYAf.T
Chimes at the meeting
ca? calloway
OlXIE DOORWAY
HQAGY CARf.' ICHAEL
Barnacle bill the sailor
Bessie couldn't help it
benny carter
MINNIE THE MOOCHER/BLUES IN
SYNTHETIC LOVE/EV'BOOY SHUF.
KIMG CARTER
Ml NN IE THE MOOCHER
CASA LQMA ORCHESTRA
MOONGLOW/You AIN'T BEEN
(hanv on Brunswick)
(Many on oecca)
San sue strut/royal garoen
charleston chasers
1 2 3 4
para i 2625 v tra ■
VI 24847 N SAL
PE 15791 G SAL
VI 25371 E TRA
VI 22R64 F TRA
2439 » IM
2870 V+TRA
Co 2439 E TRA
'5 6
WOLF
.00 Qua i
.75 KAUF
JOBE
Aber
.80 GRIT
.75 GRIT
Moan i m low/ain't m i sbehav i n
Co
1891
N
TRA
Gilo
AFTER YOU'RE GONE/SOMEDAY
Co
861
G
T-A
cult
1 WAG 1 MATI ON/SUGAR FOOT ST^UT
Co
1260
E
SAL
1.50
QUA 1
Oavenport slues
CO
909
G
.50
BR00
AIN'T M 1 SBEHAV 1 N
Co
1891
N
T-S
1 .25
BROO
LOUD SPEAKIN PAPa/H. BROWN
CO
446
F+AUC
STEI
AFTER YOU'VE GONE/SOMEDAY
CO
861
G
AUC-
STEI
MISS. MUD /ME LA ";CHOLY BABY
CO
1335
G
AUC
STEI
AIN'T Ml SBEHAV 1 N '/MOANI N 'LOW
Co
1891
K
AUC
STEI
RED HAIR/LOVABLE
CO
1925
N
AUG
STEI
TURN ON THE HEAT/WHAT WOULDNT
CO
1989
N.
AUC
STEI
Sing you sinners/Cinderella
CO
2133
M
AUC
STEI
Wasn't it nice/Emily drown
Co
2219
E
AUC
STEI
LOVING YOU/WASN'T IT NICE
Co
2309
V
AUC
STEI
Imagination
CO
1260
E
T-A-
Aber
chicago roqt'.vari.'ers
Brush stomp/get em again
HERt.'AN CM ITT I SOU
FLAMI NGO/THE MAN I LOVE
CHOCOLATE DANDIES
BUGLE CALL RAG/DEE BLUES
Six or seven times
RUSS C0LUM80
YOU'RE MY EVERYTHING
AS YOU DESIREME
LET'S PRET END THERE'S A MOON
YOU CALL I T MADNESS
GOODNIGHT SWEETHEART
EDO IE CONDON
OK 8599 F AUC
63 I 1333 E TRA
OK
2543 V AUC
872 B V+TRA
VI 22909 E T-A
VI 24076 G T-A
8R 6972 N T-A
VI 22802 N T-A
VI 22826 N T-A
HE I N
Pens
CULT
GRIT
Aber
aber
Aber
Aber
Aber
THAT'S A SERIOUS THING/GONNA
B1
10168
N
AUC
HE IN
The eel
BR
6743
N
Wolf
CONNIES INK ORCHESTRA
SUGAR FOOT STOMP/JUST BLUES
ME
12239
V
AUC
Cult
Sugar foot stomp Crown
3194
V+TRA
Grit
OOC COOK
Willie the weeper/Slue foot
Co
1070
E
TRA
'.1 LO
Spanish mama/hot tamale man
Co
727
E
T-A
QUA 1
conn SANDERS
Sluefoot/The wail
VI
21305
G
T-A
CULT
cotton pickers
Fallin' down/What oio tell ya
BR
3001
V
T-A
CULT
Woe is me/Jazz in oem oer
VO
3263
E
TRA
GRIT
Prince of wai ls/jimtown bl
BR
2766
V
TRA
PENS
IDA COX
COX LAWDY BLUES/MOANIN BL. PARA
12064
V
T-A
Cult
WORRI.EO ANY HOW BLUES/CHI BL PARA
I22C2
G
T-A
Cult
Graveyard bound blues( Lou i s)para
12251
V
T-A-
quai
B IMG CROSBY
TEMPTAl 1 ON
BR
6695
G
SAL
1.00
KAUF
Kiss hand madam/Baby where be
co
1651
T-A
Cult
(Many on Brunswick)
BR
TRA
Ml ER
Waltz i ng i n a oream
BR
6394
G
TRA
JOBE
Baby/i kiss you hand(chip)
CO
IG5I
E
T-A
Grit
Cabin in the cotton
BR
6329
G
T-A
aber
YOUNG ANDHEALTHY
BR
6472
E
T-A
AOER
YOU GOT ME CRYING AGAIN
BR
6515
G
T-A
Aber
DOWN THE OLD OX ROAD
BR
6601
G
T-A
Aber
MY WOMAN( SLIGHT CHIP 1ST BAR)
BR
626B
E
T-A
ABER
LOVE IN BLOOM
BR
6936
u
T-A
ABER
Kay 1
ME
13167 G
T-A
ABER
BOB CROSBY
DlGA DIGA DO(PARTS 1 A 2)
DC
2275
V
T-A
Cult
Spain/all by myself{boocatg)
DE
3248
N
SAL
Bakc
PiiTI.Ev DAI BRIDGE
Easy to love/you do the
2 3 4
OU DO The VO 3351 N TRA
SROH" f; TE*RY JAZ20LA BOYS
Darktcwn strutters ball OK 8iX)6 V TPA
JEP DA^EPPORT h BE ALE ST. JUG BAND
JUG BLWEf/POSCOLO BLUET. VO 1504 E T-A
CARROL DlCKERSOM
BLACK I..MM ft/fc I SSCJUUI SQUAE. Bfl
DIXIE STOMPERS
St. Louis shuffle/have it Di
snag it/ain't she sweet dl
Have it ready/St. louis ha
Chinese blues/Panama Ha
jackass blucs/'tar'pee: 0 ha
wang wang bluesa-a6ash slues hfi
Static strut/hard to get gert ha
JOHNNY DODOS
BLUE:
3590 V AUC
2467 G AUC
2353 G AUC
467 E TRA
52 V+TRA
166 V+TRA
407 V TRA
E TRA
Melancholy/wild i
Blue washboapd/sull fiodle
Bull fiddle blues
Come and stomp stomp
Bull fiddle blues
Blue piano stomp
DORSEY BROTHERS
BRF 500165 N AUC
VI 21552 N AUC
V| 21552 G SAL
BR 3681 V TRfc
VI ZI552 N TRA
VI 21554 N TRA
5 6
G l LO
HEIN
HEIN
HEIN
Gilo
grit
Grit
Grit
I .CO Grit
HEIN
HEIN
I .00 KAUF
Gilo
WOLF
Wolf
Might wind
J I MMY
DORSEY
Back to back/Especially
YOU
DE
2554
V
T-A
CULT
BEEBE
Br
6352
N
T-A
Aber
TOMMY DORSEY
Tears in my heart
VI
25673
E
TRA
Galb
Quiet please
BB
10810
N
SAL
.90 KAUF
ROY ELDRIOGE
Pluck i n ' the bass
VA
2107
G
TRA
Galb
QIIKE ELLINGTON
Across track blues
VI
27235
E
T-A
Bl ED
COTTON TAIL
VI
26610
N
T-A
BlEO
Clarinet lament
BR
7650
N
T-S
STEN
Soli tude/moon glow
BB
6987
N
T-S
STCt
Kn-i;o/CONGA BRAVA
VI
26577
N
T-S
1 .50 STEN
Exposition swing
Br
8213
N
TRA
Ml ER
DIGA OIGA DOo/l CAN'T G
VE
VI
38008
V
SAL
l .00 Qua i
NEW BIRMINGHAM BREAKDOWN
MA
123
N
T-S
1 .50 BROO
THE "C" JAM BLUES/MOON 1;
1 ST
VI
27856
N
TRA
PENS
SEGER ELLIS
Ain't misbehavin'
ODEON
0NY4I29I
E
TRA
GILO
ST. LOUIS SLUES (PIANO)
OK
41447
N
T-A
ABER
BUP FREQ'Arj
CRAZE-O-LOGY UHCA 13-14 N TRA ■
FRIARS SOCIETY ORCHESTRA
Farewell blues/Oriental Ge 4966 G t-a
BLU'D LEROY GARNETT
Chain 'em down Para 12879 N tra
GEHE GIFFORO
hew orleans tw i st/moth i n ' but bb 10704 n t-a
golden gate( n l chols .roll i n i )
Shake/What a man
Static strut/Could I
JEAN GOLDKETTE
Proud of a baby like you
benny goodman
Clap i net a la kinc
Clari net a la king
And the angels sing
nit wit serenade
(Many on Victor)
Christopher columbus/Get hap.
here 's love
Bugle lall rag
BEALE ST. BLUES/TjASlN ST.
99 OUT of IOO/Mine yesterday
Tain't no use lB.fi. vocal)
chorus F I VE
Wang wang blues
BORPY HACnETT'
Blue & di si llus i cneo/°oor
That da da stra i n^xpeci ally
At THE JAZZ band ball/dreams
L I OMEL HAf'PTOH
M IN,4w LAST
BROO
Qua i
WOLF
- Davi
Mood that
YO" ' RE MY IOEAl/Si
WILL SH.
HA RLE I.' HOT SHOTS
Black £ t-vj/sucah blues
EO
51737
N
AUC
STEI
EO
51746
N
AUC
STEI
VI
20469
G
T1A
Gilo
OK
E
T-A
Bl ED
OK
6544
N
SAL
1.25
CHES
VI
26170
N
SAL
1.50
Chfs
Co
2958
V
TRA
HER
Vl
TRA
M 1 ER
VI
25279
E
SAL
1.00
Quai
VI
25391
E
T-S
1.00
Brdo
Co
2958
N
T-S
1.50
Broo
co
2914
E
AUC
Cult
ME
1 2 1 00
E
T-A
Grit
VI
25461
E+tra
1.00
GRIT
OK
40817
E
T-S
.75
BROO
VO
4499
E
T-A
Cult
Vo
4142
N
SAL
1.25
Davi
VO
4042
N
SAL
l.?5 Davi
VI
2502?
N
T-A
Qua i
VI
25771
E
AUC
Cult
PE
15401
E
T-A
Grit
1
J.
HARRIS BROTHERS TEKANS
1
2 3
4
5 6
1 ANIN'S RED HEADS (n
1
2
3
4
5 6
Gut bucket shuffle/Louisiana
OR
4644 N
AUC-
HEIN
5 FEET 2/GONNA HANG
Co
483
E
AUC
STEl
FLETCHER HENDERSON
Flag that train/wouldn't be
CO
376
G
AUC
STEl
ALBUM C-30
CO
N
TRA
Galb
LANIN'S SOUTH ERf : SEREllADERS
SUGAR FOCT STOMP/WHAT-CHA
Co
395 "
T-A
CULT
Aunt hager 's blues
Para
202C2
V
T-A
DAVI
MALINDA'S WEDOING DAY
VI
22775 V
SAL
1 .00 Qua i
TED LEWIS
Manda/io ALONG MULE
Ce
2B2 N
T-A
QUAI
New st. louis slues/Mammas
CO
697
.V
T-A
Cult
MONEY BLUFS/ 'LL TAKE YOU
Co
383 N
T-A
quai
NEW ST. LO US slues
Co
697
N
SAL
1 .00 Quai
MY GAL SAL/MY PRETTY GIRL
Co
2536 E
AUC
Cult
LITTLE BROT! ER
Jancleo nerves/always BE IN
VI
25317 E
AUC
Cult
F AR 1 SH STREET Jl VE
BR
N
SAL
1.25 Quai
RIFFIN/GRAf.D TERRACE RHYTHM
VI
25339 E
AUC
CULT
VIRGINIA LI STOW
Grand terrace/Steali n apples
Vo
3213 V
AUC
CULT
You've got the right key
OK
8 173
E
TRA
— - Gilo
Henderson stomp/Chant
Co
617 V+TRA
.90 Grit
LOU !S ' HARLft-' STCI PERS
Sugar/Blues in my heart
Co
255'1 V
TRA
.eo Grit
Casa loma stomp
Co
2615
E
AUC
Cult
Talk of the t6wn
CO
2825 V+TRA
1 .00 Grit
LOUISIANA FIVE
you can depend on me/J imtown
VI
25379 E+THA
Grit
Yelping hound blues
Co
2742
V
SAL
.50 Kauf
Steal l N ' apples/Grand terrace
Vo
3213 E
TRA
.75 Grit
LOU 1 S 1 ANA RHYTHM K INGS
HORACE HENDERSON
Daoa strain
HRS
7
N
TRA
BROO
Sultan sepenade
OK
6026 N
SAL
1.00 KAUF
O'ER THE BILLOWY SEA/KARAVAN BR
4906
G
AUC
STEl
MEL HEtlKE
Miss mud/Nobody's sweet: eart Vo
15057
F
AUC
STEl
HENKE STOMP
C 1
100 N
TRA
BROO
PRETTY BABY/TELL ME
BR
4936
N
AUC
STEl
teddy hill
JIMMY LUNCEFORD
at rug cutters bail/Blue rhy.
vo
3247 N
AUC
Cult
HELLS QELLS
DE
1506
G
TRA
GALS
earl Hikes
Pretty eyes/jump and shout
VO
5430
V
T-A
Cult
ROSETTa/CAVERNI SM
Br
6541 N
SAL
1.75 Davi
Cheatin* on me^hat you do
vo
4582
G
T-A
Cult
angry/cavernism
De
1 83 G
TRA
Galb
Ann i e lauri e/Fr i sco fog
De
1569
E
T-A
Cult
boogie on ST. LOUIS BLUES
on
10674 C
TRA
GALB
Pretty eyes/Time to jump
vo
5430
V
T-A
Cult
WE FOUND ROMANCE/JUST TO BE
Br
6960 E
TRA
Gl LD
Posin/iioney keep mind on me
De
1355
G
T-A
Cult
Jezebel/Oominick swing
Vo
403.2 E
THA
GILD
WHAM/LUNCEFORD SPECIAL
OK
5526
N
T-A-
CULT
JOHNNY HODGES
Thunoer/Babs
De
676
G
T-A
Cult
Things ain't what ueeo ic ce
68
T-A
B 1 ED
BELGUIM STOMP/THINK OF ME
Vo
5207
V
T-A
Cult
SQUATY ROO
BB
1 1447 N
SAL
1.00 KAUF
WINGY MANNONE
BILLIE HOLIOAY
1 'M SHOOTING HIGH
VI
3134
E
SAL
1 .00 QUA I
THEM THERE EYES
VO
5021 N
SAL
1 .00 QUAI
JUST ONE GIRL/SHE'S CRYING REDOK
41569
E
T-A
Grit
CLAUDE HOPKINS
D. MCDONOUGH 4 C. KRESS
Ain't misbekavin'
Co
2860 E
T-A
l.?5 BROO
Stage fri ght/Danzon
Br
6917
N
TRA
WOLF
Minor mania/marie
Co
2904 E
TRA
.70 Grit
JIMItY McHUGH'S BOSTO
IANS
IPANA TROUBADOURS
Whoopee stop p/Futur i st i c
HA
836
V
TRA
Gild
Mary lou/in little garden
Co
738 G
T-A
Cult
MCKINNEY *S COTTOfl PICKERS
Sunshine/After my laughter
Co
1308 V
T-A
Cult
SHE'S MY SECRET PASSION
VI
22628
G
SAL
.75 Kauf
BUD JACKSON'S SWAIJEE SERENADERS
Hello
VI
23031
E
SAL
1.50 Kauf
HEEBIE JEEBI ES/MESSIN AROUNO
BR
3351 V
T-A
Qua i
Okay baby/want little girl
VI
23000
V
T-A
Cult
EARL JACKSON
Zoiiky/one hour tonight
Vl
381 18
G
T-A-
Cult
FUTURISTIC JUNGLE 1 SM/LOW DOWN
PE
I55n5 V+TRA
.75 Grit
Plain oirt
VI
38097
V
TRA
JOBE
HARRY JAMES
Nobody's sweetheart/crying
VI
38000
V
AUC
Cult
The mole 'But not for me
co
36599 N
T-A
Davi
JIMMY McPARTLAND
Duke's mixture/don't take
Co
36334 N
— — Davi
Panama
De
3363
V
TRA
Galb
Crazy rhythm/Easter parade
CO
36545 N
SAL
Davi
OZIE MCPHERSON (acc
L.Austin)
Jesse/home james
Br
8350 N
SAL
Bake
Outside of that/you gotta
Para
12327
V
AUC
Davi
BLIND LEMON JEFFERSON
MEMPHIS MINNIE
WARTIME BL/BOOGER ROOGER PARA
12425 G
T-A
Cult
LOW DOWN MAN BLUES*
CONO
9275
N
TRA
JOBE
MARCH BOX BLUES/BL. SNAKE MOAN
OK
8455 V+TRA
Grit
CALL THE FIRE WAGON
COMO
9282
N
TRA
JOBE
JAMES P. JOHNSON
Ma rainey
CONO
9763
N
TRA
JOBE
RIFfs/Feelin' blue
OK
8770 E+TRA
WOLF
Lonesome shark blues
Cong
9764
N
TRA
JOBE
KEEP OFF THE GRASS
OK
4495 V
TRA
WOLF
BENNY ME R OFF
Weeping blues (chip ^")
Co
3950 E
TRA
Grit
Just an hour of love
OK
40912 N TR/
Wall
YOU CAN'T DO/BLEEDING HEARTEO
VI
19123 F
SAL
Bake
MEZZ MEZZROW
LONNIE JOHNSON
35th and Calumet
BB
10251
V
T-S
.60 BROO
FALLING RAIN/JOHNSON BLUES
OK
8253 V
T-A
Cult
Swinging with mezz/Love not
BR
6778
E
AUC
Cult
Kansas City blues ( Parts 1,2)0K
8537 E+tra
GRIT
LIZZIE ULES & MELROSE STOMPERS
MARGARET JOHNSON
That's allright daddy
CONQ
9357
N
TRA
JOBE
CHANGEABLE DAD Dy/PaPA , MAMA
OK
8185 E
TRA
Gl LD
GLENN MILLER
HALGIE JONES
MOONLK.HT COCKTAIL/HAPPY
BR
1 1401
E
T-A
CULT
IF 1 LOSE (LOUIS)
Co
14059 V
AUC
Davi
Sweet potato/Too romantic
BB
10605
V
T-A-
Cult
Anybody here want to(lomis)
Co
14063 V
AUC
Davi
Over the rainbow/ding dong
BT
10366
V
T-A
Cult
JUNGLE BAMD
MILLS BLUE RHYTHM BAND
ROCKIN' IN RHYTHM/I2TH STREET
BR
6038 V
AUC
Cult
Dancing dogs
CO
3044
E
T-S
1.00 BROO
JUNGLE KINGS
MILLS BROTHERS
FRIAR'S POINT SHUFFLE UHCA
3^t N
TRA
BROO
TIGER RAG/NOBODY SWEETHEART
Br
6179
N
TRA
1 .00 Grit
HAL KEMP
MIFF MOLE
(Many on Brunswick)
riR
TRA
Ml ER
Hot ti me/Darktown strutters
OK
40784
G
AUC
STEl
ANDY KIRK
WILD OAT JOE/YOU'RE THE C>EAM OK
41 153
G
AUC
STEl
I'LL NEVER LEA RN/SPOS | N '
OE
2510 V
T-A
Cult
Bl RM 1 NGHAM BERTHA/f^OANI N 'LOW OK
41273
G
AUC
STEl
WHAT'S MIME YOURS/MUST BE TR
De
1827 V
T-A
CULT
Feel ik' no pain/new twister
VO
3074
V
AUC-
STEl
GEtlE KRUPA
LEE MORSE
WALKING & SW1NGIN/SINCE MY
Br
8253 N
TRA
Gild
Side by side/idea ofheaven
Co
974
V
T-A
Cult
Tonight/never took lesson
OK
5751 E
T-A
Cult
JELLY ROLL MORTON
1 HOPE GABRIEL LIKES MY MUSIC
BO
10705 N
TRA
MIER
Mr. jelly lopd
Para
20332
N
TRA
Wolf
I HOPE GABRIEL LIKES MY MUSIC
BB
10705 -
STA
Davi
Mr. jelly LORD
VI
21064
N
TRA
WOLF
TOML.Y LAONIER
SHREVEPORT
VI
21658
N
TRA
WOLF
REALLY THE BLUEs/WHEN YOU
BB
10089 N
TRA
MlER
High society/buddy qoloen say BB
10434
E
T-A
Cult
EDO IE LANG.
Mr. jelly roll Triangle
1 1397
G
TRA
Wall
MECOLANZA OE EDU AR DO/BESOS
OK
16240 N
TRA
GILO
(JELLY ROLL MORTON CONTINUED NEXT
PAGE)
1
5
For Disposition
1
2 3
4
5 6
1
2 3
4
5 6
( jelly roll Morton, co
iTIMJED)
LOU IS PRIMA
Jungle: blues
VI
21345 V
SAL
1.50 QUAI
Darktcwh strutters ball
Br
7657 N
TRA
y 1 ER
Turtle twist/smilin' the bl.
BB
SAL
1.25 QUAI
Tin roof blues/Can't have
Vo
3657 N
AUC
Cult
HONKY TONK MUSIC (SOLO)
JM
1 1 N
TRA
8RO0
MA RAlNEY
BjTNN IE MO TEN
Broken soul blues Para
12384 N
TRA
WOLF
LOOSE LIKE A GOOSE
VI
38123 N
SAL
2,00 Qua i
Little low uaiaa blues Para
12419 N
TRA
WOLF
MOUND C 1 TY BLUE BLOWERS
See see rider blues
Ji
9 N
TRA
Broo
TA 1 LSP 1 N BLUES
VI
38087 H
TRA
Grit
RED At 0 '. IF ' S STOPPERS
J 1 l.'MY k'UNDY
Sl 1 PP 1 N ' AROUND
VI
21397 V
TRA
JOBE
SUNOAY SPECIAL/ALL ABOARD
VA
8 1 48 N
SAL
i .co guAi
DOi'I REOI.-AN
fJ^W ORLEANS BLUE F I VE
1 HEARD/T ROUBLE
Br
6233 N
SAL
1.25 Quai
The king of the Zulus
VI
203 1 6 E
TRA
MIER
HOW YA FEEL 1 N
Br
6523 K
SAL
1.25 Quai
FRAI'K IE NEWTON
1 GO TCI 'A /L ITTLE BIT LATER Oi
Me
60802 N
AUC
Cult
THE BLUES MY BABY GAVE
10216 H
TRA
M 1 ER
1 WON'T TELL/ IT'S ALL YOURS
Br
6585 E
AUC
Cult
RED N 1 C HOLS
FRED RICH
Alabama stomp/hurr i cane
6n
3550 V
SAL
1.25 Qua i
POOR PA PA /B ELL HOPP 1 N
HA
1 19 G
AUC
STEI
F 1 VEPENN 1 ES/HA RLEM TWIST
VI
21560 V
6AL
1.25 Quai
RU ~SE LL 1 S RH Y T AKlR S
Three little wqros/ha rlem
3b
7460 N
SAL
1 .25 Qua i
HORN OF PLENTY SLUES
H
1001 N
TRA
JOBE
0 A R D A N EL LA
Br
7358 N
SAL
1 .25 Quai
SAVAI IiAH SYNCOPATERS
Davenport blu ~s/Del i r i um
VI
20778 E
SAL
1.50 Quai
Deep hendehson/ jac kass blues
3245 V
T-A
Qua i
Five pennies
VI
21560 E
TRA
Broo
ELMER SCH0E8EL
Keep a song i n your soul
6068 E
TRA
Grit
PRINCE OF WA 1 LS/COPENHAGEN
BR
4652 N
AUC
QftV|
HURR 1 CANe/ALABAMA STOMP
BP
6817 N
T-A
STEI
BOYD SENTER
After you ' ve gone/w i lo about
BB
4839 M
T— A
STEI
Bad habits/new st.(Lamg acc.
OK
40755 G
T-A
Cult
1 OA SWEET A APPLE ClOER
BB
3626 E
T-A
STEI
Shine/Doin' you no good
Vl
21912 N
TRA
Grit
BONEYARO SHUFFLE/BuDOY ' S HAB.
Bp
3477 G
AUC
STEI
Wabash blues
OK
40949 E
T-A
ABER
Sack beats /Bugle call rag
IP
3490 E
AUG
STEI
ART It SHAW
Mean oog/cornfeo
BR
3597 N
AUC
STEI
Sta roust
"1
27230 V-I-TRA
GALB
1 DA /FEEL IN' NO PA 1 N
BR
362C G
AUC
STEI
nightmare/nonstop flight
BB
7875 E
T-A
Cult
R IVERBOAT SHUFFLE /ECC EN TR 1 C
R
3627 H
AUC
STEI
(Many on bruns. and vocal ion'
N
TRA
Ml ER
A v alon/nobody rS SWEETHEART
3854 G
AUC
STEI
MILT SHAW (MOLE)
Marg i e/panama
d"
396 1 N
AUC
STEI
where the shy little violets
OK
41 158 E
AUC
STEI
1 MAG | NAT 1 ON/OR 1 C * D 1 X 1 £ 1 —STEP
Bp
3989 G
AUC
STEI
BESSIE SMITH
Allah 's hol i day/roses of p.
BR
4286 G
AUC
STEI
Do your duty
OK
8945 E
TRA
WOLF
USED TO LOVE HER /Ma RCH | NG HM ■
Br
4308 N
AUC
STEI
YOUNG WOMAN'S BLUES UHCA
5-6 N
TRA
BROO
BU 1 LD 1 NG A NEST
432 1 V
AUC
STEI
CLARA SMITH
1 ND 1 A NA /D 1 HAH
Br
4373 V
AUC
— STEI
HOW'M 1 D01N'
Co
14150 E
T-S
1 . ; : broo
New yorkers/may be wrong
Br
4500 E
AUC
STEI
PINETOP SMITH
Get happy/Somebody to love
Br
4591 N
AUC
STEI
Pine top's boogie woogie
VO
1245 E
TRA
WOLF
DlDN'T BELJEVE ME.^tf 1 Til MUS 1 C
4951 N
AUC
STEI
STUFF SMITH
Nobody knows/Sm i le s
BR
4790 V
AUC
STEI
Serenade/here comes the man
vo
3316 N
TRA
Gilo
CH 1 NA BOy/PEG 0 ' MY HEART
Bf'
4877 G
AUC
STEI
It a in 't ri ght/Old Joe's
Vo
3270 N
AUC
Cult
Who /carol i ma in morn i ng
BR
4925 E
AUC
STEI
Got a heavy date/Robpins
Vo
3234 N
AUC
Cult
EUSRACEABLE YOU/GOT RHYTHM
BR
4957 E
A'lC
STEI
TRIXIE SMITH
YOU RASCAL YOu/CRAZY SONG
BR
6133 E
AUC
STEI
Don't shake more/train bl Para
1 22 1 1 V
T-A-
Cult
LITTLE G 1 Rl/SLOW
BB
6138 G
AUC
STEI
Freight train bl/Don't shakepara
1221 1 V
T— A
Grit
HOW THE TIME CAN FLY
BR
6 1 64 N
AUC
STEI
EODIE SOUTH
Haunting blucs/yaaka hula
6234 G
AUC
STEI
That's what I call keen
VI
21605 V
T-A-
Cult
Sugar/make my cot
21056 II
AUC
STEI
SOUTHAMPTON SOCIETY ORCll
HEI.DERSON)
Slippin' around
21397 N
AUC
STEI
Poplar st. blues/ 12th st.
PE
14395 E
TRA
Gild
5 PENNI ES/HARLEM TWIST
2 1560 N
AUC
STEI
MUGGSY SPAN lER
At last; if you haven't
23033 V
A IC
STEI
Lonesome roao/mandy make
BB
10766 N
TRA
M| ER
WHO/CAROLINA IN THE MORNING
BR
4925 N
SAL
Bake
Some day sweet heart/Da da
BB
10384 N
TRA
PENS
Building a nest
BR
4321 E
T-A
ABER
JOE SULLIVAN
Poor butterfly
BR
20062 S
T-t
ABER
LOW DOWN DIRTY SHAME
VO
5531 N
T-6
1.50 STEN
J l MM IE NOONE
Onyx bringdown
CO
2925 N
TRA
WOLF
(album)
3o
T-A
Bl ED
JACK TEAGARDEN
Am i blue/Birmingham bertha
VO
1296 G
Cult
If it's good/Class will tell
BR
8373 N
TRA
Gilo
RED NORVO QUARTET
Plantation moods
CO
2913 N
T-A
GRIT
IN A Ml ST /The dance of
BR
8236 N
TRA
Ml ER
Shake your hips
Co
2802 N
T-A
Gri t
1 got rhythm/lady be good
DC
779 N
STA
Davi
TEU BLACK BERRIES
0* BRYANT'S ORIGINAL WAS ^
ARD BAND
Tiger rag St. louis blues
OR
2089 Eh-tra
Grit
THREEJ BLUES/STEPPI N ON GAS PARA
12294 G
AUC
HE IN
TENNESSEE TCOTERS
KING OLIVER
I AIN'T GOT NO ODv/pRINCE OF
VO
14952 V
AUC
STEI
Dead man blues/someoay
VO
1059 G
TRA
G 1 LD
HOWCOME YOU DO ME
vo
14967 V
AUC
STEI
Snake rag (i" chip)
GE
5184 G
TRA
G 1 LD
Jacksonville gal/£ ver ybody
Vo
K985 G
AUC
STEI
Just gone/Canal street
GE
5133 G
TRA
Ml LD
KANSAS C 1 TY Kl TTY
vo
15022 F
AUC
STEI
St. James infirmary
VI
22298 N
TRA
M 1 ER
Charleston/Sweet mama
Vo
15086 G
AUC-
STEI
St ingaree blues/shake it
BB
10707 N
TRA
M I ER
Deep elm/Sweet uan
VO
15109 N
AUC
STEI
ST 1 NGAREE BLUES/SHAKE IT
SB
10707 E
TRA
JOBE
EVERYBOOY STOMP/l AIN'T GOT
vo
15135 N
AUC
STEI
New Orleans st. /Chattanooga stCo
13003 G
TRA
Pens
GROUND hog/Chattanooga
Co
144 V
AUC
STEI
ORIGINAL DIXIELAND JAZZ BAND
TEXAS BLUES OESTROYERS
ST. LOUIS BLUES
VI
18772 E
SAL
1.00 KAUF
Lenox ave. shuffle (B.i.'iley)
PE
14341 E
TRA
Grit
Sweet mama
VI
18722 E
TRA
i .00 Broo
FRAIKIE TRUMBAUER
Some of these days/Toooli n '
OK
4738 E
AUC
Davi
Three blind mice/Crazy kat
OK
40903 V
TRA
WOLF
ORIGINAL INDIANA FIVE
RlVERBOAT SHUFFLE/OSTR 1 CH
OK
40822 K
TRA
WOLr
CLEARING HOUSE BLUES (TEST
Clar. marmalaoe/Sihgin
OK
40772 E
TRA
Wall
pressing. Matrix ifNl0525i3
T-A
Grit
Little rock getaway
V«
8236 N
T-S
i .00 Broo
OR IC H AL MEMPHIS F 1 VE
TRUMBOLOGY/N0 REASON AT ALL
OK
40871 V
AUC
Cult
(Many, under various names) ok,vc
.Vl, CO
TRA
Gild
China boy/Breakit down
BR
6912 E
AUC
Cult
BEN POLUCK
CRYING ALL DAy/GOOD MAN HARD
OK
409<-.6 E
AUC
Cult
Alice blue gown
DE
3526 N
T-A
Smig
Baltimore/humpty oumptv
OK
40926 V
AUC
Cult
CRYIN' FOR THE CAROLINES H OF
»
1027 N
T-A
Gri t
(FRANKIE TRUMBAUER CONTINUED NEXT
pace)
16
JOHN MACK
.1047 So. Drake Ave., Ch lcago , ( 23 )1 1 1 .
OK 40843 V AUC
BR 6780 V auc
BR 6912 V+TRA
Vl 21538 N TRA
CO 2589 V AUC
ME 12807 G AUC
PE 15842 G t-a
OK 41133 N T-A
1 2 3 4
(Frankie Trumbauer, continued)
slngin' the blues/clarinet ok 40772 g auc
way down yonder new orleans
emaune/long about midnight
china boy/break it oown
sugar underwood
davis street blues
JOE VENUT I
The wole wobble
i want to ring sells/gather
M00NGL0W
DO I N ' THI NGS
VEriUT l-LAMG
WILD CAt/DOIN' THINGS
don vorhees (nichols)
Soliloquy/blue heaven
Ol' man river/Can't help
FATS WALLER
Copper colored gal
ETHEL WATERS
Maybe not at all/last man
Dinah
chick webb
have mercy/l 'mup a tree
Stompin' at the savoy
PEE T I E WHEATSTRAW
5 6
1
Cult|
. — Cult
. — Cult
.85 Grit
— Wolp
Cult
— Cult
— ABER
ABER
VI 21561 N SAL I .50 QUA!
CO
I 129 G AUC
1284 V AUC
STEI
Stei
254TI9 £ t_s | .00 BROO
CO 141 12 V T-
CO 487 N T-
2468 V T-A
2926 E SAL
CULT
ABER
Cult
.25 QUAl
All alone blues
paul whiteman
Coiiq 9767 N TRA
WHEN (BIX)
VI
21338
V
T-A
CULT
Because my baby don't (bix)
Co
1441
V
T-A
CULT
On crest of wave/What say
CO
1465
V
T-A
cult
YOU TOOK ADVANTAGE ME(bix)
VI
21398
E
T-A
CULT
(MANY ON VICTOR WITH B|NG)
VI
N
TRA
MlER
EVENING STAR
CO
1401 N TRA -
MlER
YOU TOOK ADVANTAGE OF (Bix)
VI
21398
N
SAL
1.00 QUAl
MY MELANCHOLY BABY
Co
50068
G
TRA-
JOBE
TSCHA 1 KOWSK 1 ANA ( PTS 1 fr 2)
Co
501 13
E
TRA
JOBE
FROM MONOAY ON/MISS. MUO
VI
21274
N
SAL
Bake
MY ANGEL
VI
21388
N
T-A
ABER
OL MAN RIVER
VI
21218
E
T-A-
ABER
LONELY MEL00Y(2 COPIES)
VI
21214
G
T-A
ABER
ALEC WILDER
(Album)
Co
E
T-A
BlED
CLARENCE WILLIAMS
PAPA DE-OA-OA
OK
8215
V
TRA
WOLF
Terrible blues
HRS
31
V
TRA
BROO
CLOSE FIT BLUES
OK
8510
E
TRA
BROO
St. Louis bl/Mister,will you
Vo
2676
N
T-A
Grit
TEDDY WILSON
JUST A MOOD (QUARTET)
Br
7973
V
TRA
Calb
WOLVERINES
ROYAL GARDEN BLUES
GE
20062
V
T-A
20.00 MlER
RIVERBOAT SHUFFLE/SUSIE
GE
5454
G
T-A
QUA 1
YAS YAS GIRL
1 WON'T SELL MY LOVE
GOUQ
9601
N
TRA
JOBE
BLUES BEFORE DAYBREAK
CONQ
9949
II
TRA
JOBE
AUCTION
KING OLIVER'S
JAZZ BAND
Paramount 12088
TEE SOUTHERN STOMPS
Excel 1 ent to New
Bids close Sept. 27th
P.R.Rieber
Sox 1043
Chappaqua,
New York
FOR TRADE OR AUCTION
LOU IS ARMSTRONG
St. louis blues/SweeT sue BB 5260 N
SONG OF THE I SLANDS VO 3026 N
KNOCK I N ' A JUG CO 35663 N
MOUHD CITY BLUE BLOWERS ( HAWK I NS )
One hour/hello lola BB 10037 N
JEAN GOLDKETTE (all stars)
I'M GONNA MEET MY SWEETIE Vl 25354 N
ROGER WOLFE KAHN ( VENUT I —LANG )
SHE'S A GREAT GRE^T GIRL Vl 21326 N
TED LEWIS
Yellow dog blues pe 161 io N
MEZZ MEZZROW (benny carter)
35th and calumet BB 10251 N
RED NICHOLS F IVE PENNIES
Alice blue gown Br 6826 N
Allah's holiday Br 6824 E+
How long blues Br 6160 N
ADRIAN ROLLINI
Waitin' at THE GATE Vo 2673 N
EDDIE SOUTH
By the waters of minnetonka vi 2M5I n
ARTIE SHAW
BLUE SKIEs/l SURRENDER BR 7907 N
FRANK IE TRUMBAUER (bix)
Japanese sanoman Pa R2I76 n
JOE VENUT I
Four string joe (blue 4) vo 3160 N/E
GETTING HOT (ORCh) VI 23039 N
PAUL WH ITEMAN
Coquette vi 21301 N
LOUISIANA Vl 21438 N
Ol' uan river v i 21218 n
WANTED
NEW ONLY
LOUIS ARMSTRONG
Mahogany hall stomp
B IX BEIDERBECKE'S GANG
SORRY
BARNEY bigard
Charley the chulo
Ready eddy
Barney go easy
Frolic sam
four a no one half street
Lost in two flats
minuet in blues
BENNY GOODMAN SEXTET
I FOUND A NEW BABY
JOHES-SMITH, INC.
SHOE SHINE BOY
JIMMY MCPARTLANO
PANAMA
FRANK I E TRUMBAUER
HONKY TONK TRAIN BLUES
COOTIE '.7 I LL I AMS
DIGA DIGA DOO
WEST END BLUES
BUNNY BERIGAN
Davenport blues
joe marsala
Twelve bar stampede
GLENN MILLER
Moonlight on the Ganges
song of the volga boatmen
my blue heaven
CO 35878
Vo 3149
BB 10981
BB I 1098
Vo 5378
Vo 3813
VO 3820
OK 5422
OK 5378
Co 36039
VO 3441
HRS 1003 OR OE 3522
VARS 8236
Vo 3818
OK OR Vo 6370
VI 26121
De 181 I I
Co 3051
BB I 1029
BB 10994
Re.
BING
labels,
WANTED
~da by
CROSBY
exce pt Oecca)
rare hot Jazz
(Al 1
I have 500
trade for records by Bing Crosby.
M.Liquori, 867 f . Cth Street,
Philadelphia (23) Penna.
1 T
SAM MELTZER
737 Fox Street, Rronx (-55) New York.
FOR TRADE OR AUCTION
ALBERT AHMONS
EARL HINES
Shout for joy
Co
35961
N
TAKE IT EASY/HARLEM LAMENT
Br
6771
N
ALLEN-HAWK IK'S
ART HODES
Stringing along on a shoe string
ME
12759
E
SELECTION FROM THE GUTTER
CMS
545
N
MY GALVESTON GAL
PE
15851
G
COLEMAN HAWKINS
RED ALLEN
BODY & SOUL
BB
10523
N
...WRITTEN ALL OVER YOUR FACE
Or
30B7
V
MEET DR. FOO
BB
10477
N
LOU IS ARMSTRONG
NETCHA'S DREAM
DE
661
G
GUTBUCKET BLUES
OK
8261
V
Sunny side of the street
Parl
1825
N
WEARY BLUES
vo
3216
V
1 WANNA GO BACK TO HARLEM
Dee
6502
N
MISSISSIPPI BASIN
BB
6501
N
STARDUST HMV
4406, HMV
8420
N
CORNET CHOP-SUEY
Co
36154
N
ROCKY COMFORT
OK
6284
N
ROCKIN' CHAIR
OK
8756
V
SERENADE TO A SLEEPING BEAUTY
OK
6347
'
CONFESS) N '
VO
3059
E
Crazy rhythm
V 1
26219
E
SOME OF THESE OAYS
OK
41208
G
VARSITY SEVEN
Sweethearts on parade
Vo
3337
G
HOW LONG , HOW LONG , BLUES
VAR
8173
'.
MUGGLES/WHAT KINO OF MAN
PARL
R840
N
FLETCHER HENDERSON
Once in a whi le
parl
R2242
N
TALK OF THE TOWN
Co
2825
N
GEORGIA 60 Bo/ttlLD MAN
BrE
02065
N
SPIKE HUGHES
BIX BE 1 OERBECKE
Sweet sue
OEE
3972
RHYTHM Kl NG
Br
8242
N
Pastoral
DEE
3606
'
MARGIE
PaE
2833
N
Donegal cradle song/Firebipd
DEE
3717
N
Flock o' blues (sjoux city six)
BrE
02207
N
Aip IN D flat/Sweet sorrow blues
DEE
5101
BUNNY BERIGAM
Someone stole Gabriel's horn/nocturne OeE
3563
N
BIG BOY BLUES
Br
7847
N
CLAUDE HOPKINS
Dixieland shuffle
BR
7858
N
Mush mouth
Co
2674
'
COUNT BASIE
HARRY JAMES
LESTER LEAPS IN
Vo
51 16
N
Lullaby in rhythm/Out of nowhere
BR
8136
:
(all deccas, vocalions, columbias)
N
JAMES P. JOHNSON
BROADWAY BANDITS
Bleeding hearteo blues
VI
19123
G
YOU'RE THE TOP
RZMR88I2
N
KING EDWARD VIII
LITTLE BROTHER
Farewell speech (parts i & 2)
BR
7810
N
Crescent c i ty blues
BB
10953
N
TEMPO KING
CHU BERRY
I'M gonna put you in your place
PE
70810
G
EBB TIOE
VAR
65/
V
EDDIE LANG
CHICK BULLOCK
CHURCH ST. S0B8IN' BLUES
Parl
1495
'
Still no luck with you(Berigan)
ME
60707
G .;
Two tone stomp
parl
1 195
N
Sailboat in moonli ght/fooli N' myself
PE
70709
G
JELLY ROLL MORTON
BENNY CARTER
Ballin' the jack
BB
10450
N
YOU UNOERSTANO
VOE
27
N
MIFF MOLE
n
V
On a little bamboo tree/how could
you Br
7842
N
Nightfall
VOE
4
V
NEW ORLEANS RHYTHM KINGS
Skip it
VOE
126
N
London blues/Sweet lovin' man
BrE
02210
■
CHOCOLATE DANDIES
TOOTS MONDELLO
KRAZY KAPERS
Parl
1743
N
LET ME 0AY DREAM
BR
8094
'■
GEORGE CHISHOLM
AT SUNDOWN
BR
8105
•:
ARCHER ST. DRAG
Dee
6867
N
KING OLIVER
EDO IE CONDON
1 'M GONNA WEAR YOU OFF MY MIND
BRE
02201
N
THE EEL
BR
6743
N
Canal st. blues/Dipper mouth blues BrE
02200
N
CONNIES INN ORCHESTRA
LOU IS PRIMA
SUGAR FOOT STOMP/jUST BLUES
BrE
1212
K
Sweet sue just you
Br
7596
N
8 INC CROSBY
PUT ON AN OLD PAIR OF SHOES
Br
7419
'
GIVE ME A HEART TO SING TO/l'M HUMMIN
BR
6953
N
Basin' st. blues
Br
7456
N
DORSEY BROTHERS
LET'S HAVE A JUBILEE/SING IT WAY
DOWN BR
7394
N
HAVE A LITTLE FAITH 1 N ME (MUGGSY)
PE
15265
G
I'm shootin' high/Fingers crossed
BR
7586
N
JOHNNY DODDS
Lazv river/Dinah
Br
7666
'.
WEARY C| TY
OB
10239
N
TINY PARHAK1
BLUE PIANO STOMP
BB
10238
N
SKAG— A— H.AG
VI
38054
E
TOO TIGHT
BB
10240
N
ARTY SHAW
ROY ELDRIOGE
SOBBIN' BLUES
Br
7806
N
(3 VOCAL 1 ANS AND OK}
N
All alone/Because 1 love you
BR
7899
N
DUKE ELLINGTON
Copenhagen/My blue heaven
BR
7827
N
SHOWBOAT SHUFFLE
BR
7461
E
CHANT/FEE-F 1 -FO-FUM
BR
7952
'.
CRESCENDO IN BLUE
CO
36125
N
How ory 1 am/Sweet ADELINE
BR
7936
i
THE SHIEK
BrE
1337
N
Streamline/Sweet Lorraine
Br
7852
'.
RAISIN1 THE RENT
BRE
02076
N
Sugar foot stomp/Thou swell
Br
7735
EERI E MOAN
Br
6467
G
Some day sweetheart/ni c.ht ano oay
BR
7914
LAZY DUKE
Parl
1549
N
Monsoon/Free for all
Br
8019
BLUES OF THE VAGABOND
Parl
1535
N
Just you, just me/i 'm yours
BR
8010
■
WATERMELON MAN
Br
8200
N
1 SURRENOER DEAR/BLUE SKIES
BR
7907
\
( MANY Bfl, COL. , DE. )
— N TO
E
( All blue siros)
N TO
E
ROCKIN' CHAIR/SWAMPY RIVER
BRE
01727
N
JOE SULLIVAN
I'VE GOT THE WORLD ON A STRINC/DOWN CAROL
CoE
625
N
Little rock getaway
Parl
2006
FRANK FROEBA
PINE TOP SMITH
THERE'LL BE A GREAT DAY IN THE MORNING
Co
31 10
H
BIG BOY
vo
1256
IT AIN'T NOHODY'S BIZNESS WHAT 1 DO
Co
3131
N
FRANK TRUMBAUER
NEW ORLEANS RHYTHM KINGS
CLARINET MARMALADE
OK
4412
N
ECCENTRIC
GE
5009
V
1 'u AN OLD COW HAND
BR
7687
BENNY GOODMAN
THE t.'AYOR OF ALABAM
BR
7663
BEALE ST. BLUES
Co
2914
HOPE GAGRIEL LIKES MY MUSIC
Texas tea party
CO
3167
NOTL : This list is continued on
W IE.
18
All bide c lose Sept. 31 .
will te sent records C.O.D.,
press, after notification,
auction will be found in the
Changer. Minimum bid is ,$.75
unless indicated otherwise i
after records.
ghest bidders
a Railway Ex -
rt II of this
October Record
on all records
n parentheses
A. RECORDS FEATURING BIX RE I DERBECKE
WnLVER I N£S
Susi e/Riverboat shuffle
Lazy oaddy/r i verboat shuffle
Sensation/Toddling blues
BIX BE IDER8ECKE ANO GAfiG
marg i e/lou i s i ana
Louisiana/rhythm king
Sorry/Since my best gal
Jazz me blues/Jazz band ball
FRANK1E TRUMBAUER
Singing the blues/Clar i net marmalaoe
r i verboat shuffle/Ostrich walk
SIOUX CITY Six
Flock of blues/i'm glao
RECORDS FEATURING LOUIS ARMSTRONG
HOT F |VE Ar'D HOT SEVEfJ
Willie the weeper/alligator crawl
COME BACK SWEET PAPa/GEORGIA GRINO
keyholB blues/Melancholy blues
Lonesome blues/King of the zulus
Monday date/Sugar foot strut
lill1e delk christian
Too busy/was it a dream
clarence williams blue five
Everybody loves my baby
Tehhisle blues/Of all the wrongs
louis armstrong's orchestra
peanut vemdor/muggles
Basin st. blue /St. Louis blues
J. JOHNHY DODDS
Melancholy
WHITE JAZZ
cicago rhythm kings
i 've found a new baby
WI-NGY ^amnqne (tescm)
ISN'T THERE A LITTLE LOVE
TED LEWIS (TESCH, MUGGSy)
Farewell blues/wabash blues
MUGGSY SPAfllER
LONESOME ROAD/fuANDY
Dinah/black and blue
At sunoown/8lui ng the blues
0. WANT LIST
GE
5454
V (2.00)
HRS
23
N
PaE
2833
N
OK
41 173
V
OK
3149
E
VO
3042
V
OK
40772
V (1.25)
UHCA
29
BRE
N
OK
8482
E (2.00)
OK
8318
V(l.75;
OK
8496
U (2.00)
OK
8396
F+
OK
8609
F
OK
8596
N
OK
8181
F+
HRS
31
OK
3184
N
OK
3008
vo
1 128
V (1 .50)
8R
9001
V-Kl .50)
HRS
13
E+
Co
2029
E
BB
10766
E
BB
10682
N
BB
10719
N
LOU IS ARMSTRONG
(ACCOMPANIMENTS TO H.THOMAS. B.HILL, N.WELSH, BABY MACK,
BU7TERDEANS AND SUSIE, EVA TAYLOR, T. Sf ' I TH ,CLA RJ> SMITH,
MANY RECOROS WITH WILLIAMS 8LUE FlVE, ANY OLIVER PARA-
MOUNT ; OK 8178, 8235, 40000, HOT 7: OK 8447, and ANY
Red onion jazz babies.)
johnny oodds
(any with blythe on para, voc,j atly with bertrand on vo-
CAL I ON . Any Brunswick or Vocalion. Any on Paramount.
Small band groups and solos.Wost Victors, ok 8613,8548,
8792; Co 735, 14337 14465.)
JABBO SMITH
(MOST RHYTHM ACES ON BRUNSWICK)
PUNCH MILLER
(Albert wynn:' Vo I2I8,I252;0K 8350. Frank Franko: Vo
12004. Jimmy Wade vo 1236; punch's delegates of pleasure^
jelly roll morton
(ALL Genn., voc. Para . ,Puri tan, nati onflL & Silvertones)
COLEMAN HAWK INS
OUT OF NOWHERE
I T SENDS ME
JACK TEAGARDEN
Undertow
Octoroon
wesley wallace
NO. 29
GARLAND WILSON
THE WAY I FEEL (PIANO SOLOS)
BLUES IN C FLAT fPlANO SOLOS)
HMV 0812 N
PARL 1837 N
BR 8401 N
BR 8388 N
BRE 01784 N
BRE 1476 N
THIS IS JAZZ
A SERIES OF LECTURES GIVEN AT
THE SAN FRANCISCO MUSEUM OF ART
BY
RUDI BLESH
WHICH LED TO THE GEARY THEATER CONCERT
IN SAN FRANC I SCO
FEATUR ING
BUNK JOHNSON
MUTT CAREY
KID ORY
BERTHA GONSOULIN
PR I NTED I N AN
ATTRACTIVE 36-PAGE BOOKLET
MAY BE ORDERED FROM
HUDI BLESH
287 GREENWICH
SAN FRANCISCO, CALIFORNIA
Price: 5 0*
No stamps please
LAST MONTH WE RECOMMENDED THE BULLET IN OF THE JAZZ
MUSIC SOCIOLOGICAL SOCIETY (PUBLISHED IN London) to
ALL STU0ENTS OF JAZZ. DUE TO THE ACUTE PAPER
SHORTAGE IN BRITAIN, ONLY 25 COPIES PER ISSUE OF
THIS PUBLICATION ARE AVAILABLE FOR DISTRIBUTION IN
THE U.S. V/E HAVE ARRANGED WITH ALBERT MCCARTHY, THE
EDITOR OF THE BULLET IN FOR A TRADE OF RECORD CHANG-
ERS FOR HIS PAPER. OUR FIRST SHIPMENT OF THE
8ULLET IN WILL REACH US SOMETIME IN OCTOBER OR NO-
VEMBER. IF YOU WISH 12 ISSUES OF THE BULLETIN OF
THE JAZZ MUSIC SOCIOLOGICAL SOCIETY, SEND THE REC-
ORD CHANGER 1 1 .50.
TEOOY MILSOH
THE MOOO THAT I'M IN BR 7844 N
FRANK NEWTON QUINTET
AFTER HOURS BLUES — 14 N
JAM SESSION AT COMI OOORE
CarnetJie DRAG & JUMP CMS 1500 E
REX STEWART
CHERRY HRS N
"WE THE PEOPLE"
PROGRAM TRANSCRIPTION FEATURING JELLY ROLL MORTON "I
DISCOVERED JAZZ". ON 10" AUOIO-OISC GLASS GASE RECORO.
JELLY TALKING AND PLAY I NG TlGER RAG.
EDWARD MULLENER
10-45 Totten Street, Beechhurst, Long Island, New York.
WANTED-- N E.W ONLY
TOR TRADE OR SALE
Will buy, or trade, lrom lis
t or
Lraues
ARMSTRONG ACCOMPANIMENTS
LOUIS ARMSTRONG
(Many)
2.50
00
WEST ENO/F 1 REWORKS OK
41078
N
3.00
LOVIE AUSTIN 4 HER SLUE SERENADERS
BIX BEICERBECKE
{(..ANY)
PARA
75
IN A Ml ST/WRI NG 1 N' AND TWlSTIN1 OK
3150
N
1 .50
BROADWAY RASTUS
CASA LOMA ORCHESTRA
Whoopee stomp/rock my soul
PARA-
I27b4
15
00
AFTER TONIGHT/ONE LITTLE WORD LEO TO BR
6397
N
1 .50
EOUIE COUOON'S HOT SHOTS
Mighty river/why can't i fino some. Br
6402
N
1 .50
I'M GONNA STOMP MR. HENRY LEE/SERIOUS Vl
38046
2
25
TROUBLE IN PAR AO 1 S e/R 1 VERS TAKir' BR
6602
N
S'!
IC 163
25
Moment i looked/music from across the Br
6628
N
1.50
COW COW DAVENPORT
GOOD-BYE LOVE/AND SO G000-6YE BR
6666
l
1 .50
(ANY ON VOCALION OR PARAMOUNT)
3.00-5
00
LULLABY IN BLLE/T HAT'S LOVE 8R
6764
N
1 .50
JOHNNY DOODS
Carolina/hundred years from tooay Br
6775
N
i .50
(Many)
3.00-6
00
Spellbound/Don't let it happen again Br
6910
'
1.50
CHAMP 1 OH JACK OUPREE
CHAMPION JACK OUPREE '
(ANY but OK 06152 £■ OK 06642)
1
75
My ca6in inn/Junker blues ok
06152
N
2.00
WILL EZELL
BENNY GOODMAN
(Any solo)
Para
4
00
Not that i c*re/help yourself to hap. Co
2542
N
3.00
BOBBY HACKETT
Farewell blues/Margie 8B
10973
N
1 .00
Embraceable you/ain't MISBEHAVIN' VO
or OK
4877
1
75
My honey's lovin' arms/it had to be BB
1 1056
N
1 .00
LIONEL HAMPTON
rosetta '1 want to be happy BB
10760
N
1.00
ST0MP0L0GY
VI
25601
1
25
HARLEM HOT CHOCOLATES! ELL 1 NGTCN )
EARL HINES
Sing you sinners h of w
1045
N
1.50
(ANY QRS SOLO BUT R-7039)
ORS
20
00
COLEMAN HAWKINS
ART HODES
Body and soul/Fine dinner 88
10523
N
4.00
(SOLOS ON SIGNATURE OR SOLO ART)
3
00
BERTHA "CHIPPIE" hill (Armstrong)
BUO JACOBSON'S JUNGLE KINGS
Georgia man/trouble in mind vo
04379
N
2.25
(EITHER ON SIGNATURE)
SlG
2
50
EARL HINES
Opus no. i. Sans melody/Clari net marm( jazz
102
1
25
Julia/blue Br
6672
V
.65
JAMES P. JOHNSON
SWINGIN' DOWN/YOU ARE THE ONE OF MY VO
3392
V
.65
Harlem strut
BS
2026
6
00
LES HITE
YOU'RE GOT TO BE MODERN | ST 1 c/j 1 NGLES
BR
4762
3
50
Waitik' for you /The lick Vars
8396
N
1.00
HOW COULD 1 BE BLUE/l 1 VE FOUND A N.B
BY CO
14502
3
50
JOHNNY HODGES
KANSAS C 1 TV FRANK
I'M IN ANOTHER WORLD/0 AN C 1 NG ON THE VO
4622
N
1.25
JELLY ROLL STOMP/PASS THE JUG
BR
7062
10
00
Kitchen mechanic's day/you can count vo
4017
N
1 .25
TOMMY LAONIER
YOUR LOVE HAS FAOEo/MOON ROMANCE OK
5940
N
1.25
WEARY BLUES/JA-OA
BR
10086
1
50
Squatty roo/Things ain't what they 88
1 1447
N
1 .50
HUODIE "LEADBELLY" LEOBETTER
JAMES P. JOH SON (SOLOS) (AUTOGRAPHED )
(ANY ON MELOTONE, PERFECT OR ROMEO)
2
25
WEEPING BLUES/WORRI ED & LONESOME BL CO
A 3950
V
2.25
CRIPPLE CLARENCE LOFTON
GEtE KRUPA
(Any)
3
50
1 KNOW THAT YOU KNOW /GRANDFATHER ' S BR
8124
E
.65
JELLY ROLL MORTON
HUODIE "LEAD8ELLY" LEDBETTER
KANSAS CITY STOMP/NEW ORLEANS BUMP
BB
7757
1
75
Musicraft Album of sinful Songs (5 records) —
N
5.00
SHREVEPORT STOMP
BB
7710
1
50
WINGY MAHONE
(ANY RARE SOLOS OR BANOs)
3.00-6
00
In the groove (buff label)
NEW ORLEANS RHYTHM KINGS
EMMET1 MILLER l GEORGIA CRACKERS ( N I ghols.Lang)
(ANY)
GE
3
50
The lion tamers/You lose ok
41205
N
."5
NEW ORLEANS WANDERERS
Lovin' sam/6ig bad bill OK
41305
N
1 .00
(El THER ON COLUMBIA )
CO
5
00
JELLY ROLL MORTON
JIMMY NOONE
Turtle tw i st/Smi l in' the blues away BB
I0IS4
N
1 .75
Four or five times/Every evening
VO
1 185
3
00
Winin' boy blues/Oh didn't he ramble BB
10429
N
1.50
(Any other w i th Hi nes )
Vo
2
50
Ball I N ' THE jack/don't you leave ME B6
10450
E
1.25
KING OLIVER
KING OLIVER'S CREOLE JAZZ BANO
(Any on Gennett, Paramount, OK or Clax.) —
8
00
Chi* es blues/Canal street blues ji
N
2.00
HA RA INEY
Wa wa wa/Someoay sweet(Sav.syncopat 's)BR
3373
G
.75
(Any)
Para
75
MA RAINEY
PINETOP SMITH
Count in' the blues/Jelly bean blues uhca
83-84
1 . 10
(Vocalion 1245 on 1298)
Vo
4
00
MUGGSY SPAN IER 4 HIS RAGTIME BAND
REX STEWART ' S B IG SEVEN
(All) BB
N
1.75
(EITHER)
HRS
2
25
JESS STACY 4 HIS ALL STARS
JOE SULLIVAN
Melancholy mooo/what's new Vars
6664
N
1.00
Gin mill blues/honeysuckle rose
Co
2876
3
50
Breeze/a gooo man is hard to find SlG
901
E
1 .00
Little rock getaway/Onyx bringdown
Co
2925
3
50
CLARENCE WILLIAMS BLUE FIVE (Bechet)
My little prioe 4 joy/Just stroll
BrF of
BrE-
3
00
Wild cat blues/Kansas city man bl OK
4925
F
1.00
sugar umderwooo
COOTIE WILLIAMS
Davis street blues/dew drop alley st
VI
21538
2
75
West eno blues/G-men OK
6370
N
1.75
WESLEY WALLACE
TEDDY WILSON ( CHU BERRY. ELORICGE)
No. 2i/tanny lee blues
para
12958
15
00
Blues in c sharp minor/Warmin ' up Br
7684
N
2.00
FATS WALLER
RECORDS OF HISTORICAL INTEREST
Muscle shoal blues/Birmingham blues
OK
4757
3
50
SERGEI RACHMANINOFF ( SOLOS )
TAIN'T NOBODY'S BIZAOU GOT EVERYTHING OK
8043
2
50
Prelude, C sharp min. 0p.3/Polka de W.R. Ed
82187
G
1 .50
MARY LOU WILLIAMS
KING GEORGE V (with photograph)
NIGHT lift/Drag 'em
Br
7178
6
'
Speech at the opening of the Five
JIMMY YANCEY
Power Naval conference in England,
(Either on vocalion or okeh) vo
OR OK
2
25
JANUARY 2IST, 1930 VI
22336
2.50
20
LEMME TAKE
THIS CHORUS
Last month we outlined a plan by
which William C. Love, William Rus-
sell, George Hoefer, and the Record
Changer would proceed to work out
something or other on rare hot rec-
ord values .
We asked you to help us by send-
ing to the Record Changer a list of
jazz records you have which are not
listed In Hot Discography.
The response to this request has
been very gratifying and we thank
AMOS WOOD
TOM Mc BRIDE
JOSH MACK
LT. WALLACE FRY
KAY BUCKM ASTER, and
FRAME GILLIS
for the listings of hundreds of rec-
ords which they have submitted.
I have passed these lists on to
Mssrs. Love, Russell, and Hoefer,
and in the October issue of the
Record Changer we will list, and re-
quest information on, the ones with
which they are not familiar.
This list in the October issue
might not be very long, as these
boys, Hoefer, Love, and Russell are
very well informed when it comes to
jazz records.
George Hoefer was in town a while
back, and I attempted to baffle him
by asking him about the most obscure
records I could think of. Believe
me, I wasn't nowhere. George had
heard just about everything I could
mention .
So come on, — see if you can
STUMP THE EXPERTS
Send us the dope on the jazz records
you have which are not listed in Rot
Discogra-phy.
Give us the following information:
RECORDING GROUP
LABEL & SERIAL NUMBER
NAMES OF TUNES
MASTER NUMBERS
INSTRUMENTATION
YOUR NOTES ON THE PERSONNEL
0000000
Now about that postal situation, —
it is absolutely incredible. Col-
lectors here In Washington sometimes
actually receive answers to their
ads from California collectors, be-
fore they themselves receive the
Record Changer. Then the next month
they receive the publication on time .
We stagger the mailing as follows:
On the day it is received from the
printer, the Record Changer is sent
to the West Coast. Two days later
it is sent to Southern, Mid West and
New England collectors, and on the
following day to the remainder of
the subscription list. Then I
stagger myself into the nearest bar.
000000
"Allow me to express my apprecia-
tion for your combined efforts with
Mssrs. Love, Russell, and Hoefer in
the projected publication which will
list and evaluate some thousands of
jazz recordings. There is most cer-
tainly a dire need for something of
this nature, and it would assuredly
be a God-send to the uninitiated and
beginning collector. Perhaps this
publication would curb the outrage-
ous prices now being asked for many
items..." Berney Burleson, Johnson
City Tennessee.
000000
Well, it looks like this will be
the last cover picture we'll get
from Don Anderson. He says "Gullick-
son, I am going to retire. I have
become so rich and so famous while
in your employ that all my ambitions
have been fulfilled. Art has been
good to me," he says derisively.
The fact is, however, that the War
Department is sending Anderson to
Aberdeen Proving Ground to study and
sketch ordnance material. He is
going to have a tough schedule, and
will be required to give all his
time to this work. Well, all good
things must end. I advise ail o"f
you who have Record Changers with
Anderson's drawings on the cover to
hang on to them; one of these days
you will really be able to cash in
0VERHEABD ON STATION WMAL, Washing-
ton, D . C .
"We are very sorry for this de-
lay in bringing you the program by
Sammy Kaye . In the meantime we will
listen to some music."
VICTOR ft. FERGUSON
13 Keene Street, Stoneham( 80 ) Mass.
WANTED
LOU IS ARM STRONG
My heart
OK
8320 J5.00
ORIENTAL STRUT
OK
8299
6.00
Oroppin' SHUCKS
OK
8357
6.00
K 1 NG OF THE ZULUS
OK
8396
6.00
YOU MADE ME LOVE YOU
OK
8447
8.00
Melancholy blues
OK
8496
6.00
POTATO HEAO BLUES
OK
8503
6.00
Once in awh i le
OK
8566
8.00
Knock l n ' A jug
OK
8703
8.00
NO
OK
8690
5.00
THAT RHYTHM MAN
OK
8717
6.00
I'M A 0 1 KG DONG OAODY
OK
41422
5.00
WEATHE RB 1 RO
OK
41454
6.00
Between the devil & the deep blue sea
OK
41550
5.00
Home
OK
41552
5.00
high society
Vl
24232
4.00
l gotta right to sing
VI
24233
4.00
1 'VE GOT THE WORLD ON A STRING
VI
24245
4.00
Dusky stevedore
V 1
24320
4.00
ST . LOU 1 S BLUES
BrF 500490
8.00
ON THE SUNNY SIDE OF THE STREET
BRF 50049 1
8.00
SONG OF THE VIPERS
BRF 500492
8.00
HOCIEL THOMAS
ADAM ANO EVE GOT THE BLUES
OK
8253
5.00
Washwoman blues
OK
8289
5.00
SUtJSH 1 NE BABY
OK
8326
5.00
Lonesome hours
OK
8297
5.00
G 'WAN, 1 TOLD YOU
OK
8346
5.00
NOLAN WELSH
THE BR 1 DWELL BLUES
OK
8372
5.00
8A8Y MACK
YOU'VE GOT TO GO HOME
OK
8313
10.00
LILLIE OELK "CHR 1 ST 1 AN
Sweethearts on parade
OK
8650
5.00
BARTHA CHIPPIE HILL
1 DMA N BLUES
OK
8273
5.00
LILL'S HOT SHOTS
GEORGIA BO BO
vo
1037
10.00
ERSK 1 ME TATE
STOMP OFF
Vo
15372
10.00
PERRY BRADFORD
l ain't gonna play
vo
15165
10.00
K 1 NG OL 1 VER
Chimes blues
GE
5135
10.00
R 1 VERS 1 0E
PARA
20292
15.00
ALLEN/HAWK 1 NS
Dark clouds
ME
12858
4.00
Shadows on the swanee
PE
15802
4.00
chu berry
Ebb tide
VAR
657
4.00
COLEMAN HAWKINS
SORROW
PA
658
6.00
Tiger rag
"P<f
35513
6.00
Lullaby
PA
2007
6.00
consolat ION
DE
6407
6.00
TEDDY WILSON
Sun showers
Br
7917
8ENNY CARTER
(Any Englist, French Decca or parlophone) —
6.00
J IMMY 8ERTRAND
1 'M COIN' HUNT IN'
Vo
1099
4.00
Blues stampede
vo
1 100
4,00
JIMMY BLYTHE
Messin* around
PARA
12376
4.00
Weary way blues
vo
1 135
4.00
HAVE MERCY
Vo
1 136
4.00
ORIENTAL MAN
vo
1 180
4.00
BOHUNKUS BLUES
PARA
12368
4.00
APE MAN
PARA
12428
4.00
JOHNNY DODOS
NEW ORLEANS STOMP
vo
15632
15.00
MELANCHOLY
VO
1 108
10.00
AFTER YOU'VE GONE
vo
1 148
6.00
(PRICES OFFERED FOR THESE RECORDS ARE
SHOWN
AT RIGHT OF
LABEL & SERIAL NUMBER. THESE RECOROS ARE WANTED IN VERY
good corjo i t i on/plus. Prices decrease as condition of
THE -RECORD DECREASES , EXCEPT IN CERTAIN CASES.)
JIM BURNS
Box #1061, Montgomery, Alabana.
For auction — closing date
SEPT.
27 th
HENRY ALLEN
1 owe you_/have you ever
vo
3704
e
1 .50
E
1.25
„ m n « ft n
•
G
1 .00
LOUIS ARMSTRONG
MAHOGANY HALL STOMP
vo
3055
F
.85
„ f> n
■ E/C
1.00
My sweet/i can't believe
vo
3^7
3.00
Them there eyes /sweethea rts on parage
vo
2.25
COUNT BASIE
F EEDI N* THE BEAN
OK
6I8C
N
1.00
PUTfoET OANDRIDGE
Double trouble
vo
3082
G
■ 90
SING, BABY t SING
vo
3304
F
.63
DUKE ELLINGTON
1 LET A SONG GO OUT OF MY HEART
BR
8108
N
2.50
2.00
BOY MEETS HORN/OLD KING OOOJ 1
OY MEETS HORN/ L KIN 0 1
36 1 23
SONtlY GREER
Beggars slues/Saturday night
VO
3012
G
2.25
F
1 .75
n n * H
" I
2.75
FLETCHER HENDERSON
VO
4145
E
1 .00
S?NG SHNGLSTNG/ShOe'"sh Ne'bOY0""1
VI
25375
G
.75
Vo
3485
N
1 .25
ros""room0/B '''k" N^^ust ack ard
ose room/ ack in your back yard
vo
351 1
E
1 .00
ERSKINE HAWKINS
Swinging in harlem (reverse f)
vo
3336
E
.80
UPROAR SHOUT
Vo
3545
E
1 .00
G
.75
EARL hines
Flany doodle/Pi ANOLOGY
Vo
350 1
E
1 .25
HOT CLUB OF FRANCE
ST. LOUIS BLUES
DE
23032
N
1.50
JIMMY LUUCEFORD
ORGAN GRINDER'S SWING
DE
908
G
.80
SNUB MOSELY
SNUB'S BLUEs/SWAMPLA ND
Oe
8636
N
.85
" " "
»
"
E
.60
RED NORVO
Love is here to stay
Br
8068
E
1.00
Always and always
Bu
8069
N
.1.25
LOU IS PR 1 MA
FIFTY SECOND STREET
VO
3509
E
1.00
BESSIE SMITH
BLEEDING HEARTED BLUES
A3936
F
WORK HOUSE BLUES
CO
14032
F
'so
S08BIN' HEARTED BLUES (LOUIS)
Co
14056
.80
.50
ST. LOUIS BLUES (LOUIS)
CO
14064
.80
Nashville women's slues
Co
.50
MAX INE SULLIVAN
LOCH LOMOND/l'M COMING VIRGINIA
vo
3654
N
2.00
*
E
1.50
ANNIE LAURIE/BLUE SKIES
vo
3679
N
2.00
•
E
1.50
Easy to love/nice work if you
vo
3848
E
1.50
CLAUDE THORNHILL
0 SOLE Mio/TRAUMEREI
OK
6124
N
1 .00
FRANK IE TRUMBAUER
'Way down yonder/'Cl ar i net marmalade
vo
4412
N
4.50
1 'M COM 1 NG V 1 RG 1 N I A /S 1 NG 1 N ' THE BLUES
7703
'.
ALEC WILDER OCTET
CONCERNING ETCHINGS
Br
8307
N
1 .00
She'll be seven in may
Br
8461
N
1.50
" " " " " y» chip)
Br
8461
N
1.20
CONCERNING ETCHINGS
Co
36126
N
1.00
CLARENCE WILLIAMS
SWALLER-TAIL COAT
vo
2616
N
1.00
COOTIE WILLIAMS
ECHOES OF HARLEM
vo
39tO
E
2.00
(MINIMUM BIDS SHOWN AT RIGHT OF LABEL
AND
SERIAL
NUM—
OCT 20 mi
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2
COPYRIGHT PB??§?S
slow for many months.)
Orleans, I made the rounds of the music stores
with regularity, and I presume that I bought
most of my new sheet music from hearing it
demonstrated or recommended at the music
counters. However, my ears were always on the
alert for new songs or tunes, and whenever I
heard anything that struck my fancy, I would
do my best to find out what it was. I recall
a couple of instances that might be of a
little interest.
One evening when strolling along that
celebrated and now historical street in New
Orleans that was once called Basin Street, I
found myself passing the place run by Willie
V. Piazza. The piazza establishment was not
large, but rather well known by reputation; I
understand that a Central American revolution
was placced at the place. The particular
time I recall was very early in the evening,
for it was still twilight, and the bright
lights had not yet been lit. The front door,
which opened into a long hallway, was ajar,
and from somewhere in the depths of the house
came the sound of piano playing, --a little
slowly, as if the player was not entirely
familiar with the number. I paused and list-
ened, and decided that, whatever it was, it
was pretty good, so I stepped into the en-
trance, and walked along the hallway until I
came to the room where the music was coming
from. Seated at the piano was a rather slen-
der negro, and grouped behind him were three
or four octoroons who were learning the words
of the new number as he familiarized himself
with the tune. I stepped up to the piano,
and got my first look at Some of These Days
by Shelton Brooks, composer of Darktoton
Strutters' Ball , There'll Come a Time, All
Night Long and other popular numbers. I
stood there while the professor ran over the
chorus a couple of times, and then left. Next
day, failing to find the number in town, I
ordered a copy by mail from the publisher,
Will Rossiter in Chicago.
During 1913, 1914 and 1915 I was travell-
ing around central Louisiana selling type-
writers, with Alexandria, Louisiana, as head-
New Orleans Recollections
it seems that, as far back as I can remember clearly, I
was always interested in popular music. Before 1900 most of
the popular selections consisted of ballads, topical songs,
coon songs and instrumental marches, two-steps and waltzes.
I don't remember many instrumental rags, although at home' we
had a copy of The Mississippi Rag Two Step by w. H. Kreii,
published by S. Brainard's Sons Co., Chicago, with the
modest claim on the title page: nThe first ragtime composi-
tion ever published". Since it was published early in 1897,
the claim wasn't far wrong. The next rag I got was Tickled
to Death by Charles Hunter, which bears an 1899 publication
date. I didn't get a copy of Maple Leaf Rag until 1904,
although it also was published in 1899. (According to the
Stark Music Company, the sale of Maple Leaf Rag was very
After arriving in New
q'uarters . On One trip over the western part
of the territory I worked the little town of
Leesville, where I was obliged to spend the
night. To pass the evening I went to the
local picture show. I don't know how many of
the Changer's readers are familiar with the
small town picture shows of thirty years ago;
silent films, none too good when they reached
the provinces, usually presented in a remod-
elled store; for music an automatic roll
piano, which played canned music at a uniform
tempo, usually fast, with no possible synchro-
nization of the music with the film. (A very
sad scene might be accompanied by a very
snappy tune, but the folks were usually in-
tent on the picture and didn't mind the music,
— possibly they didn't ever hear it.) I have
no recollection of the pictures that may have
been presented that night in Leesville, but
at one point on that music roll there was a
very hot rag number which the piano ground
out in lively tempo, even if mechanically.
It came around several times during the show
and I left the place with the determination
to find out the name of the tune. So in good
time the next morning I made my way to the
showhouse, where I was lucky enough to find
the proprietor cleaning up the place, and
getting things in order for the day's enter-
tainment. I told him about the hot number on
the music roll, and told him that I wanted to
get the name. "Sure", said he, "the list of
pieces is printed at the beginning of the
roll. Come on we'll see what it is." So we
went down to the piano, and he opened up
the works, and looked at the beginning of the
roll, --and the list of selections had been
torn off! "Doggone" I said, "I certainly
would like to know the name of that piece."
"Well," he replied, "we can find out; the
name of each piece is printed on the roll
where it begins." So he removed the roll
from the piano, carried it to the center
aisle of the little theatre, and began to un-
wind it. Before he got to that selection he
had music roll all up and'down that aisle,
but I got the name I wanted, --SI ippery Elm
Rag by Clarence Woods, published in Dallas,
Texas. It took me quite a while to get the
sheet music, but it certainly was worth the
trouble, for it is a very good number. Inci-
dentally, Clarence Woods and John S. Caldwell
wrote the Graveyard Blues, originally pub-
lished in Austin, Texas. It might surprise
many of Pinetop Smith's admirers if they read
the words of Graveyard Blues, because they
would find that Piretop's' Blues has practi-
cally the same words, except Pinetop1 s last
two choruses. Graveyard Blues was published
in 1916 when Pinetop was about twelve years
old.
* * *
One of the liveliest dance halls in the
Storyville of about 1911 was located, to the
best of my recollection at the downtown woods
corner of Customhouse and Liberty Streets.
The barroom stood on the corner, with the
dance hall expending back, along the Liberty
Street side, apparently having been built for
the purpose. Entrance was by way of the bar,
or by an entrance on the side street. At the
right, as one went in by the side entrance,
was a rather small room with a window opening
on the street; I don't remember ever passing
that way at night when there wasn't a group
of poker faced men sitting around a table,
playing cards. Nothing disturbed them, or
distracted their attention; idlers 1 passing by
could look in on them, and did so; just be-
yond was the dance hall with all its hubbub
and raucous music; they continued silently
with their playing, apparently unconscious of
their surroundings. Customers at the bar, or
passers-by, at times were treated to an exhi-
bition of rhythm by the bartender, a lively,
round faced man, who, unless he was drawing
beer or mixing a drink when the band started
in the back room, would grab a long handled
spoon in each hand, turn his back on the cus-
tomers at the bar, and accompany the orches-
tra by beating a tattoo, a la xylophone, on
the rows of liquor bottles on the shelves
back of the bar. The beat was good, but as
the contents of the bottles varied constantly
the harmony was 'far afield. However, he
would finish with a swish across several
bottles and turn around to resume his drink
mixing. I remember coming along Customhouse
Street one night in 1911, when the negro
orchestra in this place was playing a parti-
cularly hot sounding number in "stop time", —
a couple of measures of music, then a couple
of measures of dead rest, and so forth. The
number was new to me, and really good, so as
the orchestra was finishing the number, I
passed through the barroom, and weaved my way
among the dancers to the platform at the far
end of the hall, where the orchestra played.
The rather heavy set cornet player was still
standing in the middle of the front of the
platform, having just finished his last
blast. "What's the name of the tune?" I
asked him. "Chicken Reel," he replied. So I
got a copy of the sheet music, and have al-
ways considered it a good number. A few
years ago a modernized version was put out,
and I believe Tommy Dorsey presented the tune
in a broadcast, but all that I heard was a
pretty lollypop compared to the husky vigor
of that original presentation.
* » »
I bought many pieces of sheet music after
hearing Tony Jackson play and sing the num-
bers. I never asked him how he got hold of
them, but he must have been on the publishers'
lists, because he was always out in front
with the new tunes, and sang many that I
never heard anyone else sing or play. He
made two trips to Chicago to my knowledge,
but I find it hard to recall exact dates.
However, by sometime in 1915 he had left New
Orleans for good as far as I know. I can't
say how much he bettered himself by going to
Chicago, but he had several of his composi-
tions published, and received at least a
little recognition for his talents. There is
thus some tangible evidence to keep him from
becoming a purely legendary character. I can
remember what a kick I got sometime in 1916,
when on looking in the window of Grunewald's
Music Store I saw a copy of Pretty Baby by
Tony Jackson, Gus Kahn and E. Van Alstyne,
published by Remick. Other numbers followed,
and here is a list of all Tony Jackson's pub-
lished compositions that I have been able to
discover :
Pretty Baby, Lyric by Gus Kahn, music by
Tony Jackson and E. Van Alstyne;
I've Been Fiddle-ing, Lyric by Gus Kahn,
music by Tony Jackson & E. Van Alstyne;
Some Sweet Day, Words and music by Tony
Jackson, Ed Rose and Abe 01manr
I've Got 'Em, Words and music by Tony Jack-
son and Jack Frost;
Miss Samantha Johnson's Wedding Day, words
and music by Tony Jackson;
Waiting at the Old Church Door, words and
music by Tony Jackson;
Why Keep Me Waiting so Long? words and mu-
sic by Tony Jackson
Ice and Snow, Words and music by Tony Jack-
son ;
I'm Cert'ny Gonna See About That, words and
music by Tony Jackson.
Pretty Baby was a nation wide hit, but
Tony didn't reap the profits, since it is
pretty well established that he sold the num-
ber for $45.00. They are all good "popular"
songs for their time, but in my judgment,
Some Sweet Day, Ice and Snow, Why Keep Me
Waiting so Long, and I'm Cert'ny Gonna See
about That are the ones that remind me most
of Tony. The whole list gives just a little
of his variety of thought. The original ver-
sion of Some Sweet Day was typically Tony;
the publisher, Forster, also put out an edi-
tion with a different arrangement, possibly
by Abe Olman, since his picture is on the
title page, which, while ingenious, does not
compare with Tony's arrangement. I have been
unable to get a copy of I'm Cert'ny Gonna See
About That, which was published by Clarence
Williams, and recorded by him and Sara Martin.
It is too bad that Tony never recorded when
He was in his prime. I hope that some day he
may receive the credit he deserves in the de-
velopment of jazz piano. Jelly Roll doubt-
less learned a lot in his early days from
Tony. Born sometime in the late 1870's, Tony
Jackson was playing orchestra piano by about
1894, so he would have seen and taken part in
the development from ballads to ragtime, and
the blending of ragtime and blues Into Jazz.
r.
WANTED-
A\ IFirst f-
m \\FOR ftOD
ALABAMA RASCALS
Sweet feet
Come on baby
shanghai honeymoon
LOU IS ARMSTRONG
SHINE
ROCKIN' CHAIR (B MASTER)
That rs my home
(acc. except b. smith & ma ra i ney )
Brother Bill
frank auburn
it's a great life
VO 1 736
VO 1744
VO 2593
VO 3102
VO 3039
•V| 24200
I . c0 RUSS
I .50 RUSS
1.50 RUSS
KEND
3.00 RUSS
1.50 THOM
Hurn
Me
LO'IE AUSTIN
01 3234
HA 1357
Para 12359
PARA 1236!
Para 12380
PARA 12391
CH 16127 •
CH 16192 •
DON'T forget
Jackass blues
Chicago mess around
In the alley blues
MILDRED BA I LEY
Too late/home
billy banks
Bugle call rag (new)
Who's sorry now (new)
BARBECUE JOE
up the countr y/vfeary blues (e-n)
Butter & egg man (E-n)
VIOLA BARTLETTE
Sunday morning blues
COUNT BA5IE
MISS THING OK 4860 •
Rocking the blues OK 6010 •
Harvaro blues OK 7
Cherokee De 2406 ■
(Solos) DE 2355, 2498, 2722, 2780, 3071 •
miss thing vo 4860 —
Clap hands
sidney bechet
Blues in thirds
Chant in nightAhat a dream
Jungle drums/hold tight
BIX BE I DERBECKE
Deep down south Vi 23018
CHAM
3.00 RUSS
5.00 RUSS
5.00 RUSS
5.00 RUSS
8URL
2.25 EDEL
2.20 EDEL
EDEL
EDEL
Para 12369 3.00 RUSS
- Wolf
- wolf
- Wolf
- Wolf
- wolf
- Burl
- burl
- wolf
- sher
Sher
VO 5085 ■
VI 27204 •
VO 4575 •
VO 4537 -
Somebody stole my gal
bunny berigau
Sharp as a tack
Davenport blues
In the dark
Any
in a
I ST
Mahogany hall stomp
CHU BERRY
Ebb tioe Va 657,
LlMEHOUSE BLUES
bertrano's washboard wizards
Little bi ts
My baby
i 'm g0in' hunting
BARNEY BIGARD
(Any vocalions)
BLYTHE'S OWLS
V| 26121 ■
Vl 26122
Vl 26123 -
Vl 261 16 -
VO 3793 -
VA 587 •
Thom
2.00 QROV
Garr
Thom
■ Thom
■ Thom
■ Burl
HOT
STUFF
sharkey bona no
Panama
mudhole blues
WILL BRADLEY
IN THE HALL OF THE MOUNTAIN KING
BIG BILL BRONZY
Mississippi river blues (new)
CLEO BROWN
BOOG I E WOOGIE
LES BROWN
Dance of the blue oevils
Evening star
1035
I 180
1099
1546
3353
1231 ■
6633
■ WOLF
' Burl
4.00 Grov
4.00 Grov
4.00 Grov
Burl
4. 00 Grov
• Umph
■ Umph
MALO
I .00 Thom
Call
Maur
■ Maur
CAB CALLOWAY
HAP FY FEET
GREECHY JOE
FRANK IE CARLE
after you've gone
(Any boogie woogie records)
ROY CARROLL SANDS POINT ORCH
1 2
BA 0659 •
OK
Moonlight saving tiw.e Cl 2387,
Bend down sister ha 1397,
benny carter
Synthetic love
Shoot the works
Savoy stampede
n i ght hop
i 've two lips
lonesome nights/Blue lou
Riff romp
how high the moon
t i ll we meet again
Joe turner/beale street
MY FAVOR I TE blues
CASA LOHA orchestra
Chant of the'jungle
Smoke rings
No NAME JIVE
MAURICE CHEVALIER
LOU I SE
CHICAGO RHYTHM KINGS
Bugle call rag/sister kate
I 've founo a new baby
LARRY CLINTON
LlMEHOUSE BLUES
JUNIE COBB
Cl 5321 •
HA 2480 •
VO 2B70 •
VO 2898 •
OK 5112-
Oe 3294 •
Vo 3279 •
Vo 5294 •
Vo 5420 ■
Vo 5507 •
VO 6001 •
DE 463
DE 1473
OE 18044
DE 18045
3 4
Cham
— - SM| T
.00 Call
Call
Cham
Cham
BURL
Burl
Burl
Burl
Burl
Burl
Burl
Burl
Burl
Burl
Burl
Maur
Maur
Maur
Mean
Mean
Vo 1204 3
VO 1269 3
CO RUSS
.00 RUSS
COLLECTOR'S ITEM CATS
I SURRENDER DEAR
EDDIE COtiDON
That's a serious thing/I'm gonna(n
Ma kin' friends (new)
CONNIE'S INN ORCHESTRA
SUGAR FOOT STOMP (N OR E)
ROB COOPER
West Dallas drag
IDA COX
Death letter blues (n or Ex)
ROSETTA CRAWFORD
Lonesome woman blues
BING CROSBY
Melancholy baby
Where the blue of the night
i *m playing wl th fire
there's a cabin in the pines
bob crosby
(MOST ANY)
DIXIELAND JUG BLOWERS
Carpet alley
Hen party
Memphis shake
house rent rag .
Hen party blues
johnny dodds
Blues galore
wild man blues
too tight/goober dance
heah me talkin/llttle isabel
Indigo stomp/blue piano
v/eary city/bull fiddle blues
pencil' papa/sweet lorraine
joe turner blues
Oh lizzi e
Pencil papa
Come on and stomp
(most any except bb)
joe turner 's blues
TOMMY DORSEY
two in love
Stardust
thi s love of m i ne
i »ll never smile again
You ano i
Embraceable YOU
she's funny that way
Play it over and over again
) VI 38046 2
OK 41 (42 2
HRS 4 2.
BB 5459 -
OK 05336 I ,
OK 8096 2,
25 EDEL
.25 EDEL
— Umph
00 Thom
Br 6226 -
BR 6480 —
BR 6610 —
De
Vl 20480 3,
Vl 20649 3.
Vl 20415 3,
Vi 20420 3,
Vi 20649 3.
DE 7413 -
De 2111—
BB 10240 —
BB 10241 —
BB 10238 —
BB 10239 -
VI 38038 —
Br 3997 —
Br 3585 -
Vl 38038 —
Any
— Maso
— Ri dl
R I DL
R I DL
— Shin
CO Russ
00 Russ
00 Hurn
50 Hurn
50 Hurn
Umph
— Umph
Pens
— Pens
Pens
— Pens
— Pens
— hurn
— Hurn
— Hurn
Hurn
— Hurn
.00 Grov
— Maso
— Maso
— Maso
— Maso
— Maso
— Maso
— maso
— Maso
j
WANTED
EDDIE OUCH IN
gleii GRAY
LA CUMPASITA
—
.50
WHTG
bugy
WHIT
jOHiiny ouun
no name jive
Whit
Cannon ball blues
Co
14124
2.00
Russ
Smoke rings
Whit
BUFFALO SLUES
Co
14306
2.00
RUSS
LIONEL HAMPTON
HAM & EGGS
Co
14358
2.00
RUSS
(Vl 26017, 26209, 26362, 25592, AND
2^662) —
KENO
ROY ELDRIOGE
The mood i 'm in (new)
VI
25527
2.00 THOM
AFTER YOU'VE GONE
OK
3458
UMPH
The object of my affection (new)
VI
25699
1 .50 THOM
OUKE ELLINGTON
Sweethearts on parade (new)
Vl
26209
1.50 THOM
OOI N' T«E VOOM VOOM
BB
7710
THOM
Early session hop (new)
VI
26393
1 .50 THOM
MY GREATEST M 1 STAKE
VI
26719
THOM
Gin for Christmas (new)
Vl
26423
1 .50 Thom
DREOLE LOVE CALL
VI
21 137
THOM
Haven't named it yet (new)
Vl
26476
1 .50 Thom
Bandanna gabies
VI
3B007
THOM
0 1 NAH
Vl
26557
WOLF
Flawing youth
V 1
38035
THOM
JACK THE BELL BOY
Vl
26652
SMIT
H IGH L 1 FE
VI
38036
THOM
COLEMAN HAWKINS
Ebony rhapsody
VI
24622
THOM
IT SENDS ME
Whit
1 MET MY WATERLOO
VI
24719
THOM
Serenade to sleeping beauty
OK
6347
BURL
TROUBLED WATERS
VI
24651
THOM
Lament a T I on/devot i on
DEE
6597
Burl
OOIN' THE VOOM VOOM
Co
35208
THOM
ERSKINE HAWKINS
DOUNCING BUOYANCY
CO
35240
THOM
WHEN GABRIEL MET THE OUKE
WH 1 T
LADY 1 N BLUE
Co
35291
THOM
HORACE HE IDT.
TOOTIN' THROUGH THE ROOF
Co
35310
THOM
Little sir echo
1 .00 Pasq
STORMY WEATHER
Co
35566
THOM
FLETCHER HENDERSON
M
MISTY MORN 1 N '
CO
35955
THOM
I'LL SEE YOU IN MY DR. (MASTER #5)
An
3.00 Russ
That rhythm man
Co
36157
THOM
Alabama bound (i.'aster #4)
Any
3.00 Russ
Harlem speaks
VI
36195
THOM
HOW COME YOU 00 ME (MASTER #3)
Any
3.00 Russ
Truckin'
VI
36317
THOM
WHY COULDN'T IT BE
Any
3.00 Russ
DIGA DIGA DOO
SB
6305
UMPH
J.C .H IGG 1 NBOTHAM
Saddest tale
BR
7310
UMPH
HlGGINBOTHAM 8LUES
OK
8772
SlEG
jack the bear
VI
26536
SlEG
HIGGINBOTHAM BLUES (N OR EX )
HRS
14
2.00 Thom
Chelsea bridge
VI
SIEG
TIIIY HILL
KOKO/CONGO BRA VA
Vl
26577
SlEG
YOU GREAT BIG BEAUTIFUL DOLL
1 .CO Pasq
Yellow oog blues
Br
6802
SlEG
EARL HINES
80 JANGLES OF HARLEM
VI
26644
WOLF
(most any; Fuller vocals)
W000
TAKE THE A TRAIN
Vl
273P0
WOLF
HONEYSUCKLE ROSE
Vo
3586
, WOLF
CONGA BRAVE
VI
26577
«(OLF
PIANOMAn/FaTHER STEPS IN
Bfl
10377
.75+MEAN
Reminiscing in tempo, 1 A 2
BR
7546
Wolf
JOHNNY HOOGES
Reminiscing in tempo, 3^4
8R
7547
wolf
Rent party blues
Vo
5100
Burl
uptown downbeat
Br
7734
WOLF
BILLIE HOLL 1 r AY
Crescendo in blue
BR
8004
wolf
Gloom Sunday
OK
6461
8URL
Sepia panorama
VI
26731
8URL
BOB HOWARD
BOY MEETS HORN
Co
36123
HURL
(Any; state prices)
oe
WOOD
COTTON CLUB/IN A MIZZ
Br
8405
Burl
HUDSOM-OELAUGE
Tisho mingo/yellow DOG
Br
3987
Burl
Love song of a halfwit
Whit
IMPROVISATIONS IN ELLINGTONIA
HRS
Burl
WILL HUOSON
Caravan
Co
36120
Malo
Black velvet
Whit
Clementine/Five o'clock drag
V 1
27700
Mean
PHIL HUGHES HIGH HATTERS
I
Flomi ngo
V 1
27326
MEAN
When it's SLEEPY TIME down south
HA
Cham
You you darling/so far so good
VI
26537
Mean
INK SPOTS
Across the tracks/Chloe
VI
27235
MEAN
ALABAMA BARBECUE
OE
1 154
1 .00 Roth
Rumpus in Richmond
Vl
26788
Mean
HARRY JAMES
Your love has faded
Co
35640
Mean
Texas chatter
BR
8067
WOLF
EDITH EVAI'S
Got no time
BR
8355
Maur
TEN LITTLE MILES FROM TOWN
—
1.00
Pasq
1 FOUND A NFW BABY
Br
8406
MAUR
JERRY FEIJWICK
Melancholy mood
Br
8443
Maur
NOW'S THE TIME TO FALL IN LOVE
VT
2475
CHAM
1 NO 1 ANA
Br
8366
1 Maur
REG INALO FORESYTHE
TEXAS CHATTER
BR
8067
Maur
DODGING A DIVORCEE
Co
3012
1 .50
RIOL
Little white lies
BR
8178
Maur
Dodging a divorcee (n or Ex)
Co
3012 -
THOM
Dreader in me
Br
8055
MAUR
MELANCHOLY CLOWN (N OR Ex)
Co
3060
THOM
Cross country jump
Co
35531
Maur
FRIARS INN ORCHESTRA
NOBOOY^KNOWS TROUBLE I'VE
Co
36412
MAUR
(ANY)
—
Call
BOO WOO
CO
35958
MALO
BUO FREEMAN
JAM SESSION AT COMMODORE
CHINA BOy/THE EEL
BB
10386
Mean
A GOOD MAN IS HARD TO FIND, 1 TO 4
CHS
Pens
GENE G IFFORD
JAM SESSION AT VICTOR
SQUAREFACE
Vl
25065
WOLF
HONEYSUCKLE ROSE/^LUES
Vl
25569
Burl
GOLDEI* GATE OUARTET
PETE JOHNSON
TRAVELIN' SHOES (NEW)
BB
7463
1 .00
THOM
KAYCEE ON MY Ml ND
DE
3384
Umph
BENNY GOODMAN
KAYCEE ON MY MIND
oe
3384
WOLF
LOVE ME OR LEAVE ME
Co
28' 1
3.00
Riol
ROLL 'EM PETE/G0IN# AWAY BLUES
Vo
4607
Sher
Junk man/Ol' pappy
CO
2892
3.00
RIDL
TAFT JORDAN
RLUE MOON
Co
3003
2.50
R 1 0L
T— BONE BLUES
DE
8525
WOLF
Cokey/music hall rag
Co
301 1
3.00
R IDL
DICK JURGENS (EDDY HOWARD)
Clouos/Ni ght wino
Co
3015
2.00
RIDL
1 ONLY WANT A BUODY
i.oo Pasq
1 WAS LUCKY
Co
3018
2.00
RlDL
Careless
i .00 Pasq
1 SLC OF MAY
l ,00 Pasq
KING PORTER STOMP
Garb
CECILIA
1 .00 Pasq
DOWN SOUTH CAMP MEETING
Garr
One o 'clock jump
VI
25792
WOLF
SAMMY KAYE
LlMEHOUSE BLUES
OK
6486
Malo
Swing and sway Vo,Ofi
OK
3669
1 »50 ROTH
■
6
WANTED
KENRY .K 1 NG
QUINTETTE OF HOT CLUB OF
"RANCE
.00
=ASQ
St. Louis blues
De
23032
MEAN
JOHN KIR8Y
LEO REISMAN
( Any Okeh ' s )
OK
Malo
St . Lou i s blues
Vl
25745
MALO
(Any Vocal ions)
VO
G 1 L ROD IN
GENE KRUPA
RESTLESS ME 13377
OR BA
33410
Cham
Rocking chair
OK
6352
Maur
RIGHT ABOUT FACE ME 13376
OR PE
16106
Cham
OK
PEE WEE RUSSELL
No NAME J 1 VE
CO
35508
2.00
Mean
(ANY ON HRS)
HRS
SHER
MEADE LUX LEWIS
CEC IL SCOTT
Yancey spec i al
Oe
819
Umph
Lawd, lawd (new)
BB
8276
l .00 Thom
Blues oe "lux" (n or Ex )
SA
12003
3.00
Thom
TERRY SHAND
Far ago blues (n or ex)
SA
12004
3.00
Thom
1 CAN'T LOVE YOU ANY MORE
1 .00 Pasq
(Any.)
Call
OMER SIMEON
W 1 NGY MANNONE
Beau-koo jack (n or Ex)
Br
7109
3.00 Thom
Cat's head blues
• CO
14282
5.00
Grov
ZUTTY SINGLETON.
Every now and then
VO
3071
Grov
Bugle call rag
De
465
UMPH
Top of your head
VO
3023
Grov
TRIXIE SMITH
JAY MCSHANN
(all deccas)
De
SHER
(any piano records)
Call
JAB80 SMITH
TED LEWIS
Jazz battle
Br
4244
Umph
CO
2IPI
Umph
MUGGSY SPANIER
CRIPPLE CLARENCE LOFTON
Big butter ano egg man
BB
Pens
Pine top's boogie woogie (n or ex'
SA
12009
3.00
Thom
BLUEI NG THE BLUES
BB
Pens
GUY LOMBARDO
Lazy r i ver/Sweet lorra i ne
HRS
2000
Mean
Sweeth ear ts on pa rade
1 CO
1 . -
ASQ.
Four or five times/china boy
LOUISIANA RHYTHM KINGS
If 1 could be wi th you
HRS
2002
Mean
Basin st./Last cent (n)
VO
15815
5.00
EOEL
Sweet sue just you/Squeeze me
HRS
2003
Mean
Daoa strain ( N or Ex)
HRS
7
2.00
Thom
SPECKLED RED
JIMMY LUNCEFORD
Louise Baltimore blues
BB
801 2
Umph
1 LOVE YOU
DE
8url
CHARLIE SPIVAK
8AREFOOT 8LUES
CO
Stardreams
OK
6546
u
WIHGY MANNONE
10296
ART IE SHAW
Boogie woogie
BB
MALO
Octoroon
Garr
Tar paper/Tin roof ( £*N)
CH
16153
Edel
FRANK SINATRA
PAUL MARES
Night and day
BB
1 1463
Mflso
Maple leaf rag
OK
Call
SPAN IER— BECHET
JOE MARSALA
(any)
HRS
8
WOLVERINE BLUES
VA
565
Thom
(Any on HRS)
HRS
Sher
CLYDE MCCOY
MUGGSY SPANIER
GOONA GOONA GOO
1 .00
Pasq
HESITATING BLUES
Sh i n
MEZZ MEZZROW
Sister Kate
BB
10506
Burl
D 1 SSONANCE
BR
7551
Umph
ECCENTR 1 C
B8
10417
Swinging with mezz
BR
6778
Umph
REX STEWART
MILLS 81. UE RIBBON BAND
Back room romp/Tea
VO
383 1
Thom
RIDE REO RIDE
CO
3087
SH 1 N
Love in my heart/sugar hill
VO
3844
Thom
MIFF MOLE
"Fat stuff" serenade
VO
5448
Thom
Windy city stomp ( N or ex)
HRS
15
2.00
Thom
San juan hill
VO
5510
Thom
VAUGHN MONROE
Lazy man's shuffle
VO
3810
Thou
SAM YOU MADE THE PANTS TOO LONG
1 .00
Patt
JOE SULL 1 VAN
JELLY ROLL MORTON
Lady be good/i can't give you
OK
5496
6uRL
Grandpa 's spells
BB
10254
Kend
art tatum
jungle blues
BB
10256
Umph
Sophisticated lady
BR
6553
.754. mean
The pearls
BB
10252
Umph
STAROUST/BEAUT 1 FUL LOVE
De
306
.75+ Mean
Steamboat stomp
B8
8372
COCKTA 1 LS FOR TWO
De
1 56
Hyena stomp
V)
20772
Umph
MOONGLOW /EMAL 1 NE
De
155
. 75+ Mean
Wolverine blues
BB
10258
ANYTH 1 NG FOR YOU/L | ZA
■75+ Mean
Dead man blues
VI
20252
3.00
Russ
lNDIANA/ST. LOUIS BLUES
De
8550
.75+ Mean
Shreveport
Vl
21658
3.00
JACK TEAGARDEN
Mournful serenade
V 1
38024
3.00
Russ
(Any)
Sh 1 n
Billy goat
VI
20772
junk man
Br
7652
Burl
Blue blood blues
BB
8201
Grov
FRANK TESCHMAKER
SNUB MOSELY
(Columbia Album c— 43 (new or Ex)
• (Jo
Sh r
Snub's blues
DE
§636
WOLF
CLAUDE THORNHILL
MOUND CITY BLUE BLOWERS
Snowfall
Co
36268
M
ALO
Darktown strutters 1 ball
OK
41526
Umph
FRANK 1 E TRUMB AUER
MEW ORLEANS WANDERERS
riverboat shuffle/Ostr i ch walk
UHC A
29—30
ns
Papa dip
CO
735
4.00
Grov
RlVERBOAT SHUFFLE/OSTRICH WA LK
P NS
ENS
RED NICHOLS
S 1 PP IE WALLACE
Rose of Washington square
Br
4779
Wolf
8R0WNSK 1 N
OK
8197
3 • 00 Ru S S
RAY NOBLE
FATS WALLER
BEAUTIFUL LADY IN BLUE
1 .00
Pasq
Baby brown (n or Ex)
Vl
24867
1 00 T
HOM
IN THE BUSHES
V 1
24149
1 .25
( Any )
Comanlhe war oance
Co
35335
1 .00
Patt
C ONFESS 1 N
' WHTG
NOBLE MEDLEY
V i
361 94
1 .25
Patt
S TA ROUST
BB
"ioo
TURKISH DELIGHT
V i
25016
1 .50
Patt
Vl
Grov
RED NORVO
TEO WEEMS
Honeysuckle rose
CO
3059
WOLF
One man band
VI
.75 Patt
LIPS PAGE
South
Oe
18124
WOLF
LAWRENCE WELK
LOUIS PRIMA
Ll TTLE OLD LADY
.00 Pasq
T 1 N ROOF BLUES
Vo
3657 -
Umph
BOO HOO
T
.00 Pasq
WANTED
PAUL WH I TEMAN
Dim dim dawning
Park in paree
night owl
China boy
COOTIE WILLIAMS
Echoes of harlem
Delta mood
Blues in my condition
Blue reverie
Echoes or harlem
I can*t believe- you're in
DUKE WILSON & 10 BLACK BEPR I
Beale street slues
teddy w i lsom
Honeysuckle rose
Aim1 r misbehavin/moneysuckle
J IMMY YANCEY
(Any piano records)
BOB ZURKE
Southern exposure
any recording group
Vl 24189
VI 24285
Vl 24400
CO 1945
Smi T
Smit
Smit
3.00 Grov
Br 7964
BR 7964
WOLF
Burl
Malo
Lazy bones
LviK1 in the hay
Love parade
Dowakadoo
Doodleoeeooo
a fine romance
Baby face
Deli rous
Down among the sugar cane
Moan i n * low
Why can't this night go on forever
Under a blanket of blue
Black & tan fantasy
Bla^k panther
,00 PASQ
,00 PASQ
.00 PASQ
.00 Pasq
,00 Pasq
,00 Pasq
,0C Pasq
.00 Pasq
,00 Pasq
,00 Pasq
— Whit
— Whtg
— Whtg
WHTG
An apology to all the fellows
whose letters and lists have gone
unanswered for the past five months.
Inducted April 6, 1943, I was given
a medical release on September |t
and I hope to get around to the back
mail as soon as possible. In the
meantime I shall be glad to hear
from all and trust that I shall be
remembered when sending out lists,
etc* Wallace T. Hsrrel] Jr.
R.F.D. sm, Box 105, Richmond, Va.
APOLOGIES
To the many collectors who wrote after
September I for my list. There were just
too many late requests to acknowledge more
than the first few, but there'll be an-
other list in a couple of months, so don't
go away.
The following items are on the block:
Excellent acetate dubs of new copies of:
Wynn's Parkway Stomp-Down by the Levee
Pierce's Nobody's Sweetheart-Sister Kate
A perfect heavy-acetate dub (|2-inch disc)
of a new copy of King Oliver's Sobbtn'
Blues-Sweet Lovin' Man.
A very good Romeo pressing of the rare
Johnny Oodds item, Pi££ly Vi££ly-Porty and
Ttiht.
A wide variety of early Bessie Smiths in
good to poor condition (place your bids,
according to condition, on each item).
Send bids until November |5 to S-Sgt. Heo.
Avakian, Co A, SCU I 144 , Leverett House,
Harvard , Cambr i dge , Massachusetts •
REX STEWART AS I KNEW HIM
By. Charles Wi 1 ford
Reprinted by kind permission of •The Bulle-
tin of the Jazz Music Sociological Society."
Since Thurber showed the way with D. H.
Lawrence, it is usual for anyone who gets near
enough to an American musician to ask for his
autograph to publish a full and careful account
of the said musician*s life and opinions; as a
supr>J ement there is always a detailed survey of
his recorded work, often reaching such depths
of critical understanding as to arrive at the
conclusion: *I think he's just too perfectly
bloody marvellous for words.'
So I think it only fair to future generations
of jazz-lovers that there should be inscribed on
the tablets some of my personal recollections of
Rex Stewart .
It was in 1939, or maybe 1938 or 1940 — anyhow
the year Ellington toured the Continent but
couldn't get permits to play in England. It all
happened in Holborn, just by Everard's pipe
shop. It was a hot summer day, the sun was at
the meridian, my lunch hour was ended, and I was
regretfully wandering away from Henekey' s and
down towards HoibornCircus and my place of work.
I suddenly saw walking towards me, out of the
blue as one night say, two negroes .
The one that took my attention more particu-
larly was rather short, perhaps 5ft., 4in. , with
extremely broad shoulders, skin very dark brown,
but not quite black, gleaming teeth and a wide
smile; he wore no hat or overcoat, was quietly
and neatly dress ed in a dark brown sui t , and
was talking animatedly to his companion. I
thought to myself: 'That fellow certainly looks
like Rex Stewart.' I stepped politely aside,
with the traditional courtesy of the Englishman
towards a stranger, in order that they might
Dass without interrupting their conversation.
By a strange coincidence, I wa s car rying
under my arm at the time of the encounter a
record by Miff Mole I had just bought. It was
not until the following Friday that I learned
from the *Welody Maker' how the Ellington band,
which I had thought to be in Holland, had
Passed unexpectedly through London on its hasty
way back to the U.S.
I never met Rex Stewart again. But I often
like to think of him, and how deep an impression
he left with me, after such a brief acquaintance,
of his character; his fluent powers of self-ex-
nress i on , his unostenta tious tastes, his prefer-
ence for a few chosen companions, his love of
exercise and of the open air, his unconventional
scorn of the usual hour s for meals , hi s complete
lack of fear of the el ements , even in incJ ement
England, and his powers of concentration in ad-
verse circumstances.
Of Rex's trumpet playing I will confine my-
self to saying that I think Do you believe in
love at sight? with WcKinney's Cotton Pickers is
perfectly bloody marvellous, and that I found
Trumpet in Spades amusing, the coda anyway.
My reminiscences of Harry Carney, who was
with Rex, wilj be published shortly.
For Trade
CLARENCE WILLIAMS' BLUE FIVE
CAKE WALKING BABIES
OK 40321 'G'
r :
eet
60 Corona St
Wi 1 1 exchange for :
N.Q. Wanderers* Perdjdo '
Oliver's Dippermoutn (OK)
dds' Come on and stomp and others.
Bob Mielke,
San Franc i sco ( 12) . Cat .
8
Auction of Duplicates - Part 88
JOHN MUCUS
1538 Yale Station, New Haven, Conn.
All tids close October 31- Highest bidders
will be sent records C.O.D. , via Railway Ex-
press, after notification. Minimum bid is $.75
on all records unless indicated otherwise in
parentheses after records.
RECORDS FEATURING LOUIS ARMSTRONG
Carry me back to old Virginny
after you've gone/l got rhythm
wlloman blues/gully low blues
accompanying bertha hill,
pratts city blue s/pl£ ao i n ' for the bl.
trouble in m i no
f. records featuring johnny 000ds
POOPS BLACK BOTTOM 5T0UPERS
MELANCHOLY
JOE TURNER BLUES
BEALE STREET WASHBOARD BAND
PlGGLY WIGGLE/40 AND TIGHT
CH ICAGO FO^TWARMERS
BALL I M ' THE JACK/GRANDMA 'S BALL
DODnS WASHBOARD BAUD
8LUE WASHBOARD STOMP/BU CKTOWN STOM.P
BULL FIDDLE BLUES
TOO TIGHT/GOOBER DANCE
G. WHITE JAZZ
CHARLES PIERCE
China boy/bull frog blues
CELLAR BOYS
wailing blues/8arrel house stomp
neb orleans rhythm kings
Farewell blues/Eccentr i c
Angry/Soboing blues
Tiger rag/panama
Clarinet marmalade/Maple leaf rag
FRANK TRUMBAUER (Bix)
Japanese sandman/crying all day
Love nest
DE 1245 E
VO 3643 N
VO 3193 V( 1.50)
OK 8420 V( 1.50)
OK 8312 f+
Vo I 1 28 V( I .00)
BR 3997 V( I .00)
Vo 1403 V( I .CO)
OK 8533 V( 1.00)
BB B540 N
BB 10239 N
BB 10240 N
Vo 1503 N( 1.50)
BRE 022 I I N
GE 5214 G
BRE 02212 N
BRE 02209 N
PaE R2I7 N
PaE R2I45 N
MISCELLANY
LUIS RUSSELL
SWEET MUMTAZ/OOLLY VINE ( LAM I NAT I ON CR.) OK 8454 N
JELLY ROLL MCRTON
KANSAS CITY STOMPS/BOOGABOO
JABBO SMITH
Band box stomp/moanful blues
8ESSIE SMITH
Do your duty/Down in the dumps
jimmy beptramo
Isabella/I won't give you none
pete johnson
Pete's blues/let 'em jump
meade "lux" lewis
h0nky tonk train
VI 38010 V
BR 7111 V( 1.25)
OK 8945 E
VO 1280 V( 1.00)
SA 12005 N
SlG 5101 N
FOR SALE
ACCESSORIES
I . RCA "Cobra Head" arm with
magnetic pick-up head, 3oz.
needle pressure (10" i 12"
records; used) $1.00
2. Astatic Model FP-18 Low pres-
sure pick-up. Permanent
sapphire needle. One ounce
needle pressure (10" 4 12"
records; new;)(List $ 1 6 .50). . .$9. CO
3. Astatic Model FP-18 low pres-
sure pick-up. Permanent
sapphire needle. One ounce
needle pressure (10" & 12"
records; used-new)(List $16.50). .$8.50
John Stelner, #608,, 9 South Clinton,
Chicago, Illinois.
LT. WALLACE J. FRY,
6 I 6 Second Ave. ,
Eau Ctalre, Wisconsin.
JR.
TEA - CLOVEROALE
Chances are
LOU I 5 I AHA RHYTHM KINGS/WOLVERINES
Plenty/He, she, and me
8enny goodman
NOT Tl AT I CARE
AlN'TCHA CLAD
TEXAS TEA
TAPPIN' THE BARREL
BREAKFAST BALL
AlN'TCHA GLAD
lou is armstrong
st. louis blues (bessie)
last night (christian)
See see (rainey)
you're next
I MISS MY SWISS (southern serenaders)
king oliver
Dead man blues
Construction gang (Butterbeans & Susie)
superior jazz band
Virginia blues/Georgie
friars society
Copenhagen
NEW ORLEANS RHYTHM KINGS
TIN ROOF BLUES
JELLY ROLL MORTON
Kansas city stomp
hines-oeppe
sou thlano/somet i mes
BIX /MOLE
THOU Swell/ I ' M FALLING
FRANK TRUMBAUER
CLARINET MARMALADE ( REO )
8R0ADWAY BELLHOPS
CRADLE IN CAROLINE
BLYTHE'S BLUE BOYS
Tack it down/Some do
NEW ORLEANS PEPSTEFS
Close fit blues
Wanted; ex. to new
BENNY GOODMAN
LOVE ME OR LEAVE ME
WHEN YOUR- LIPS MET MINE
FALLING IN LOVE
WHEN YOUR LOVER HAS GONE
JUNK MAN
Jersey bounce
stompin' at the savoy - qt (not 2)
What goes on here (Not I)
Madhouse (not 2)
bracken's toe t icklers
Shirt tail stomp
Makin' friends
Four or five times
KENTUCKY GRASSHOPPERS
Sweet liza
MILLS MUSICAL CLOWNS
FUTURl ST I C RHYTHM
cotton pickers
Hot heels
st. louis blues
whoopee makers
DIRTY DOG
TEN BLACKBERR IES
DIRTY DOG
BESSIE SMITH
DO YOUR DUTY
GIMME A PIG FOOT
SID GARY
AT LAST I 'M HAPPY
JACK PET! IS
BAG 0 BLUES
HOTSY TOTSY GANG
Star dust
MILLS MERRY MAKERS
Farewell blues *
VEMUTI-LANG
BEALE STREET BLUES
OK 41551 N
Vo 15784 N
Co 2542 E
Co 2P.35 E
Co 2845 E
Co 2856 N
Co 2927 E
Co 3168 E
CO 14064 N
OK 8607 E
Para 12252 V
OK 8259 V
Ha 4 E
VO 1059 V
OK 8163 V
BE 144 N
BR 4652 N
GE 5105 G
Ge 5216 F
Ge 20021 M
Parl R2355 N
OK 40772 E
HA 504 N
CH 40062 V
VO t
CO 2671
ME 12023
ME 12079
ME 12120
COE C6730
Co 36588
VI 25».2I
VI 25878
Vl 25268
Do 4274
De 4322
RE 8723
8A 6356
PE 15125
RO 1009
L I 3077
PE 15223
RO 976
OK 8946
OK 8949
ME 12069
OK 41410
BR 4587
VE 7121
VO 15864
POLICY AND GUARANTEE FOR RECORD SELLING AND EXCHANGING
1. My advert i eement is a catalog, a shop-wincow. 2. for expediency and out of consideration for
1 FEEL THAT THE PROSPECTIVE PURCHASER IS ENTITLED OTHER BIDDERS 1 WILL ACCEPT THE FIRST REQUEST FOR
10 EXAMINE AT FIRST HAND THE WARES OFFERED. THERE- AN ITEM OFFERED AT FIXED PRICE OF THE MAXIMUM BID
FORE, SUCH WARES ARE SENT ON APPROVAL. IF AFTER RECEIVED ON RECORDS AT AUCTION, WITHOUT CONSIDEPA-
EXAMINING AN ARTICLE SECURED BY PURCHASE, BID, OR T | ON FOR QUALIFIED BIOS, CROSS-BIDDING OFFERS OR
EXCHANGE THE RECIPIENT FINDS THAT HE WAS MISLEAD, OTHER FRILLS.
THAT HE MISUNDERSTOUO, OR THAT FOR ANY OTHER 3. WHERE EXCHANGES ARE ARRANGED 1 WILL AGREE E-E-
REASOC THE ITEM IN QUESTION IS UNSATISFACTORY, HE FORE SHIPFING ON CASH EVALUATIONS OF THE ITEMS
IS ENTITLED TO RETURN IT IMMEDIATELY FOR A FULL CONCERNED (a) IN ORDER TO FACILITATE THE EXCHANGE,
CASH REFUND. IN A CASE OF PATENTLY AMBIGUOUS AD— (p) WITH THE HOPE OF ARRIVING AT COMPLETE MUTUAL
VERT 16 1 NG 1 AM AT FAULT AND WILL PAY SHIPFING. SATISFACTION, AND {c) TO PROVIDE A BASIS FOR IN-
SURANCE CLAIMS IN CASE OF DAMAGE DURING SHIPPING.
John Steiner, Room 608, 9 South Clinton, Chicago, Illinois
FOR AUCTION
CAB CALL0KAY
(Duke Ellington, continued)
HARLEM HOSPI TAL 1 TY/CVENI N '
VI
244 14 G
Breakfast dance, 'hoodlums
VI
381 15 N
LADY WITH FAN/FATHER'S
VI
24451 G
it's glory/erown berries
VI
22791 N
Zaz zuh zaz
VI
24557 V
Blue bubbles/blues 1 love to sing
VI
22985 V
fc'OC'NGLOW 'HOTCHA
VI
24650 V
V ARM VALLEY /Flam 1 NG SWORD
VI
26796 E
Swing swing swing
VA
501 N
&ILDYBUG GALLOP/BAKI FF
VI
27502 U
Wake up and live
VA
535 N
DOC COOI
Congo/My gal mez
VA
593 N
MOANFUL MAn/»'ALLFLOWER
GE
5373 E
Savage rhythm
VA
662 N
SISSCR GRINCER JOE
GE
5374 N
Old man of the mountains
ME
12487 C
hum 6r strum/Got worry
Co
1430 N
How dome yo 1 do me
Me
12488 V
mak ie smith
Dinah/i'u now prepared
Pe
15623 V
Fare thee honey/Road rocky
OK
4194 G
BEALE ST. BLUES
PE
1571)4 V
Crazy blues/Right here
OK
4169 V
Sweet jennie lee
Pe
15366 Ni
1 EMCRI ES/DON'T WANT ME
OK
4228 V
Kchd inoigo/Farewell blues
PE
15457 G
IOVIN' SAU/'DON'T CARE
OK
4253 G
Levee low down/blues
PE
15490 G
SAX-O-PIiONEY blues
OK
4416 G
Trickerat ion/ain't got
SA
32673 F
Arkansas blues/down home
OK
4446 G
Irisco flo/hi de ho
8J)
775(j. E
Mean daddy/knock out blues
OK
4631 tl
WHEN YOU'RE SMILING
Br
7685 N
K.C. MAN/'LAOY LUCK
OK
4926 V
Bahy won't you please come home
Br
7530 V
G0IN1 CRAZY WITH THE BLUES
VI
202 IC G
Avalon/i/oonli ght rhapsody
BR
74 1 1 E
MISSOURIANS
KEEP THAT hi DE HO
Br
7386 V
Missouri moan/market street stomp
VI
38067 N
Chinese rhythm/Weakness
Br
6992 E
Ozark mountain blues/ycu'll cry
VI
38071 G
Sweet rhythm
BR
6473 G
Scotty blues/400 hop
VI
38084 V
GOTTA RICHT TO SING THE BLUES
Br
6* 0 G
VINE ST. DRAG/'SOMEONE
VI
38103 E
DUKE ELLINGTON
PROHI B 1 Tl ON/STOPP 1 N. ' TRAFFIC
VI
38120 F
Blues with a feelin'/misty morn
OK
8662 V
Jive stomp/i 'm satisfied
Br
6638 V
COTIC'N CLUB orci-estra
Slap happy/blue light
BR
8297 E
Snag 'em blues/Down and out
CO
287 G
Portrait of the lion
BR
8365 E
P.IVEPSOAT SHUFFLE/ORIC. 2X MAN
Co
3~4 V
Jim Burns
Box # 1061,
Montgomery, Alabama
For Di spos i t ion
LOUIS ARMSTRONG
COLEMAT HAWKINS
ST. Louis blues/Sweet sue
bb
5280
MEET DOCTOR FOO
BB 1047-
WHEN IT'S SLEEPY TIME 00WN SOUTH
BB
10703
EARL MINES
BUNNY BERIGAN
6.T. STOMP/lNOIANA
BB 10391
1 WANT A NEW ROMANCE
VI
25688
JOHNPY HODGES
PIANO TUNER MAN
VI
25776
SQUATY ROO/THINGS AIN'T WANT
BB 1 1 447
COWN STREAM
Vl
2581 1
OUIHTET OF THE HOT CLUB OF
FRAIXE
The wearing of the green
VI
25R72
AFTER YOU'VE GONE/L 1 MEHOUSE BLUES
VI 2551 1
1 CR 1 ED FOR YOU
Vl
261 16
Shine/Nagasaki
VI 25558
In the dark/Candlelight
Vl
26122 3.00
DON REDI.AN
BARNEY BIGARD
THE CHANT OF THE WEED
BB 10765
- Lament for javenette
33
1 1098 ■
ARTIE SHAW
A lull at dawn
BB
10981
Chant/Fee fi fo fuu
VO 4539
CAB CALLOWAY
BESSIE SI' 1 T H
GEECHY JOE/SPECIAL DELIVERY
OK
6147
CARELESS LOVE BL/WEEPING WILLOW SL
. Co 3172 3.00
DUKE ELL IMGTOK'
Muddy watef/nioney blues
Co 3174 3.00
CREOLE LOVE CALL/BLACK b TAN FANTASY
VI
24861
Yellow oog blues/Trombone cholly
Co 3175 3.00
^OOIM'THE VOOM v/(M0RTON'S SHREVEPORT
BB
7710
Backwater blues/nobody knows you
Co 3176 3.00
BENNY GOODMAN COMBOS
REX STEWART
DIZZY SPELLS
BB
10903
Without a song/My Sunday gal
B3 10946
WHERE OR V.HEN
Bll
1 I45C
Some saturoay/Subtle slough
BB 1 ;256
Tiger rag/wi-mspering
VI
25481
MAXiI.E SULLIVAN (w. ThORNHILL)
RUNNIN* WILC/TEA FOR TWO
Vl
25529
It's wonderfulAou went to my head
VO 3993
THE MAN 1 LOVE/AVALOM
Vl
2564-1
JACK TEAGARDEN
Handful of keys
Vl
25705
WHITE SA 1 LS/CCTOROON
BR 8381;
BEI MIR Bl ST OU SCHON
VI
25751
FATS WALLER
1 MUST HAVE THAT MAN
VI
26090
Harlem fuss/\iinor orag
BB I0i65
1 KNOW THAT YOU KNOW
VI
26139
Viper's drac/i ain't got nobody
BB 10133
LIONEL HAMPTON
STUMP/jlVIN' THE VI&RES
Vl
25535
On THE SUNNY SIDE OF THE ST./l KNOW
Vl
25592
( NOTE i All records are new. On orders of Ji.50 or
CONFESS 1 N '/DRUM STOMP
Vl
25658
MORE, 1 WILL PAY THE POSTAGE )
10
DEADLINE -- 15th OF THIS MONTH
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DEADLINE 15th OF THIS MONTH
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WEEPING WILLOW.
A Rag Time Two Step.
Not f^st.
SCOTT JOPLJN.
W B ~TT~
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Copyright, MUtM, by Val. A. Beis Music Co.
8
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FOR DISPOSITION'
Jt'ETHOO
ALE
OF Dl
f»05 I
PR I CE I NO J CA
" TR A ". FOR TRAPC; "ALC" ,
auction, closikc, oat ro
SEPT 30, 1943; "T
TRADE OR AUCT I ON ;
ALE OR TRADE; "bT
rRADE CR
AUCT
3\
2\Q
COW I T I ON
E-C^C ELLEN
C-cood; F-
1ALOG NUK'bER OF
1\ H»E
EL OF RE LORD
PED
ALABAMA RED PEPPERS
AD BLUES
HENRY ALLEN
Swing out/Feeling drowsy
pleasing paul/lt smpul.0 be
a sher i 0 an square/lnoiana
Paroon my southern/How's ad.
get rhythm in/i'll never say
ARKANSAS TRAVELERS.
Bone yard shuffle
LOUIS ARMSTRONG
COO.UETTE
GUT BUCKET BLUES
f/USKAT RAMBLE
Corbet chop suey
Oriental strut
Potato head blues
s.o.l. blues
Save it pretty mama
knock i n ■ a jug
Monday oate
Chicago breakdown
f.iUGGLES/WEST EfJO BLUES
TlChT LIKE THIS
0ry'£ creole trombone
mahogany hall stomp
perdioo street blues
Coal cart blues
{Many columbias)
tight like this/hear me
ole man mose/fallin in
i'm shootin high/fingers
You're oriving me crazy
home
Jeeper creepers
come back sweet papa
dropping shucks/l'/ho's it
rockin chair/l ain't got no.
Let 's call i t love
Old MAN MOSE
I 'VE GOT RHYTHM/CAN DEPENO Of«
PERDIDO ST. blues/2: 19 BLUES
Potato head blues/heebie j.
Save it pretty mama/no old
fred asta ire-j.green
bojangles of harlem
mildred bailey's oxford greys
Gulf coast blues/Downhearted
BAILEY'S LUCKY SEVEN
Do it again/Sunny day
COUNT BASIE
Out the window/i keep remem,
Down for double/More
sidney bechet
sid's blues/make me
Lay your racket/i want
BIX BE IDERBECKE
lou i si ana/thou swell
wa da da/ol man river
Goose pimples/royal garden
Sorry/Since best gal turned
1
2
3 4
5
6
—
G
AUC
—
Eagl
—
G
AUC
—
Eagl
BB
10702
7*A
—
THOfe
Bfl
10235
N
TRA
TH0M
OK
6357
N
TRA
THOM
Me
13096
G
AUC
Eagl
vo
2956
G
AUC
Eacl
HA
332
G+AUC
EC el
OE
4327
N
AUC
—
Cox
CO
36 1 52
N
AUC
Edel
CO
36153
N
AUC
—
Edel
Co
36|54
N
AUC
—
EOEL
CO
36155
N
AUC
—
Edel
co
35660
N
AUC
—
Edel
Co
35661
N
AUC
—
Eoel
Co
35662
N
AUC
—
Edel
Co
35663
N
AUC
—
Eoel
Co
36375
N
AUC
Edel
Co
36376
N
Edel
CO
36377
N
AUC
—
Edel
CO
36378
N
AUC
—
Eoel
Co
35838
N
AUC
EDEL
Co
35879
N
AUC
EDEL
DE
18090
N
AUC
—
Eoel
PE
18091
N
AUC
EOEL
CO
N
TRA
—
THOM
VO
3303
N
TRA
Thom
OE
628
E
T-A
KENO
DE
623
V
T-A
—
KEND
OK
41478
G
T-A
CULP
Co
2606
V
SAL
2.00
Call
DE
2267
F
SAL
.75
Call
OK
8318
G
TRA
HURN
OK
8357
SAL
2.00
WOLF
OK
8756
E
SAL
2.00
WOLF
DE
1502
E
AUC
PATT
DE
622
P
AUC
Patt
Co
2590
V
AUC
Cult
OE
18090
N
AUC
Bake
CO
35660
N
AUC
Bake
Co
35662
N
AUC
Bake
BR
7718
G
SAL
.70
Malo
) GREYS
VO
4800
V
AUC
SMI T
QE
4872
V
AUC
Cox
OE
1581
N
SAL
.50
WOLF
OK
6584
N
SAL
1.00
CHES
BB
8509.
E
T-A-
DORF
BB
10472
E
T-A
00 RF
Co
35665
E
AUC
Eagl
Co
35666
E
AUC
Eagl
CO
35664
N
SAL
.50
Wolf
Vo
3145
V
T-A
CULT
BEK'S BAD BOYS
DOG ULUE6 VI 2
BEMSOI! CRCHES1 RA OF CHICAGO
1 2 3 4
WABASH BLUEG
BUMPY BERIGAN
Can't get started ( 12" )
Sweet varsity sue/why talk
Simple and sweet
jimmy ber tramp
Struggling/Little, bits
Rlue stampede
BIRf;1 1 r-GHAM BABIES
VI 3G2CS
Vi 25667
Vl 26086
N TRA
V AUC
N AUC
E THA
V AUC
VO 1035 6 T-
TESS
STOP TEASING
EUB IE BLAKE
VO 2870 N T-
Baltimore buzz/Pandana VI 18791
JIMMY BLVTI-'E
Have mercy/hot stuff(z" chip) vo i 136
SOME DO & SOME DON't/TaCK IT CH 40062
ACE BRIGODE & 14 VIRGINIANS
You love me/Remember Ca 7e5
BESSIE BROWN & GEO. WILLIAMS
WHEN YOU GO HUNTING Co 14046
CA8 CALLOWAY
Refer man (ha if. crack) Ba 32944
Take the a train (Chu berry) OK 6305
Old man of the mountain Pe 15635
crescendo in drums (c.cole) vo 5062
Creole love call Or 2274
BENNY CARTER
Everybody shuffle
CASA LCO
Black jazz Br 6242 '
Don'tlet i t/spellbound Br 6910
CHARLESTON CHASERS
Beale st. blues/ Basin st. bl. OK 41577)
Farewell blues/my gal sal Co 1539
Feelin no pain/Five pennies Co 1229
Lovable t- sweet/Red hair Co 1925
BOB CHESTER
SOMEBODY STCLE MY GAL
HERMAN CH I TTERSON
Flamingo/The man I love(solo) BB 11333
CHOCOLATE DANDIES
6 or 7 times/That's how I OK 8728
Paoucah/Four or five times OK 8627
COON-SANDERS
Red hot mamma vi 19316
Yes sir that's my baby Vi IS745
ROOOLES/l AIN'T GOT NOBODY Vl 20785
Bra i nstorm/^y baby knows how Vi 20390
Deep henderson
cotton pickers
so. ra*. part st. blues br 2482
St. louis 8L./R.R.man(BG,McP) Ca 9048
BIHG CROSBY
HERE LIES LOVE BR 6406
A ghost of a chance Br 6454
Our big love scene Br 6696
I surrender oear/it must BE DE 2535
Wrap troubles/|8th i 19th st. De 2948
Yodel in jive/Ciribiri&in De 2800
ida/el rancho grande de 2494
someday sweetheapt/let me call de 101
- T-A
E T-A
G T-A
V T-A
E SAL
G AUC
V T-A
BB 10987 V AUC
Basin st. blues
BOB CROSBY
( 0 I X I eland album)
Pagan love song
PUTNEY DANDRIDGE
Cross patch
Mr . Bluebiro
DELTA FObR
SW I MG I N
ITE
F+T-A
V AUC
E TRA
E TRA
F TRA
V SAL
G AUC
E T-A
G T-A
V TRA
E TRA
M TRA
V T-A
G T-A
G T-A
V T-A
V T-A ■
V T-A ■
3277
2935
E TRA
E TRA
ON THE F.DOOR/FAREWELL DE 737 I
DIXIE DAISIES
Bugle call rag Li 3562 E auc ■
DIXIE STOPPERS
St. louis blues/variety ha 45 i E t-a
JOHNNY DODDS
Red onion blues/Grav i er st. De 18094 N tra ■
Blue washboard stomp Vi 2)552 E tra
WILCMAN #25/\'ELANCH0LY #27 BR 3567 G TRA ■
WtLOMAN #25/MELANCH0LY #28 BR 3567 V TRA
Heah me talkin'/isabel Vi 38541 E auc •
5 6
— Thom
Eoel
Pens
SMI T
Burl
Grcv
PATT
KEND
Burl
burl
Cox
■ Patt.
Cox
Cox
GULP
Eoel
DORF
UMPH
Burl
Cox
.50 WOLF
CULT
DORF
COX
PENS
Edel
— Thom
— Thom
— Thom
.75 Wood
— Eagl
KEND
DORF
RlDL
RlDL
RlDL
— Cult
— Cult
— Cult
— Cult
— Cult
— Cult
— Eagl
— Patt
UMPH
BAKE
• Bake
Kenw
Thom
■ HURN
HURN
HURN
■ Bake
FOR DISPOSITION
DORSEY BROTHERS
IF IT'S LOVE
DE
321
N
AUC
COX
Tailspin/got A feelin'
DE
560
E
T-A
KENO
Eccentric/you're okay
OE
1304
V
AUC
Eagl
Footloose & fancy free
DE
482
G
AUC
Patt
Getting sentimental
DC
1 15
E
AUC
SMtT
DORSEY-BOSWELL
Sentimental gent. /down on
BR
6395
E
T-A
BURL
TOMMY DORSEY
Josephine/if man in the moon
VI
25676
E
AUC
COX
Everybody's doing it/Choo
VI
25821
N
AUC
Cox
Gett i n ' sent/Got a note
VI
25236
E
AUC
Cox
WEI L ALL RIGHT/ALL 1
VI
26281
E
T-A
KENO
TlGAR RAG/RIGHT HERE FOR YOU
OK
41 178
G
AUC
CULT
ROYAL GARDEN Bl/SENT 1 MENTAL
Vl
27518
E
T-A
CULT
LOVER IS BLUE
VI
26390
N
AUC
SMIT
Polka dots and moonbeams
VI
26539
N
AUC
SMIT
YES INOEEO
VI
27421
N
AUC
Smit
JOHNNY DUNN
Put & take/moanful blues
Co
3579
TRA -
THOM
SPANISH DREAMS/H. BLUES
Co
3839
F
TRA
THOM
Bugle blues/b irmi ngham
Co
3541
G
TRA
Thom
Hallalujah blues
Co
3839
G+T-A
EOEL
DUNN'S CORNET BLUES
Co
124
G
AUC
Bake
DUKE ELLINGTON
Sophisticated lady/st.w.
Co
35556
E
AUC
Eoel
Rockin' chair/Black & tan
Me
12093
V
T-A
3.00
Rl DL
(Many V i ctors)
VI
N
TRA
THOM
Keep a song/river & me
VI
22614
V
f-A
KEND
MOONGLOW
Br
6987
N
TRA
UMPH
SO FAR, SO GOOD
VI
26537
N
TRA
L'MPH
SWINGTIME IN HONOLULU
BR
8131
N
TRA
UMPH
Delta serenade/Sto^py jones V
1 20-1533
N
AUC
Eagl
Gr i ev i n '/Toot i n ' thru the rf.
Co
35310
V
AUC
Eagl
Harlemani a/stevedore stomp
BB
6306
N
SAL
■ 75
wolf
Gal from joes/song go out my
BR
8108
G
T-A
Cult
Flamingo/Girl in my dreams
VI
27326
G
T-A
Cult
Black & tan/Vood inoigo
BR
6682
F
AUC
Smit
BUD FREEMAN
China boy
BB
10386
N
TRA
UMPH
I'EMOR 1 ES OF YOU
SOM
508
E
AUC
Cox
FRIARS SOCIETY ORCHESTRA
Panama/Tiger rag
GE
4968
F
AUC
ROSS
DISCONTENTED Bl/BUGLE CALL BL
GE
4967
G
SAL
2.00
WOLF
DlSCONTENTEO BL/BUGLE CALL BL
Ge
4967
V
TRA
Pens
EARL FULLER
COON BAND CONTEST
Vl
ie394
G
AUC
Patt
SLIM GAILLARD
Swinging in key of c
Vo
5388
E+AUC
Edel
GENE'S MERRYMAKERS
Clarinet marm/high society
Ro
1927
E
AUC
Bake
JEAN GOLOKETTE
Gimme a little kiss
Vl
20031
V
SAL
1 .00
WOOD
Dinah/after 1 say I'm sorry
Vl
19947
G
T-A
Keno
My pretty girl
Vl
20588
G
AUC
SUNDAY
Vl
20273
G
AUC
Eagl
Gonna meet my sweetie now
VI
20675
G
AUC
Eagl
idolizing
Vl
20270
G
AUC
Eagl
BLUE RIVER
VI
20981
E
T-A
KENW
IDOLI ZING
Vl
20270
E
AUC
Patt
BLUE RIVER
Vl
2C98I
V
T-A
Cult
SO TIRED/MISS
VI
21 150
V
TRA
Grov
Clementine/pretty girl
V.i
25283
N
AUC
1.50
Smit
BENNY GOODMAN
House hop/Anything for you
VI
25350
E
AUC
Cox
body & soul/After u gone{trio}vi
251 15
E
AUC
Cox
SUGARFOOT STOMP
VI
25678
N
TRA
Thom
One o'clock jump
VI
25792
E
TRA
THOM
KING PORTER STOMP
Vl
25090
N
TRA
THOM
IDA SWEET AS APPLE CIDER
Vl
25531
N
TRA
THOM
Where or when/I cried
BB
1 1456
N
TRA
THOM
Wang wang blues
co
36594
G
TRA
Thom
Dizzy spells/Sweet lorraine
Vl
25822
E
SAL
1.00
Wood
Oown south camp meeting
Vl
25387
N
T-A
R 1 DL
IN a sentimental mood
Vl
25351
K
T-A
Rl DL
1 'VE found a new baby
VI
25355
N
T-A
R 1 DL
king porter stomp
VI
25090
N
T-A
R 1 DL
STOMPIN AT THE SAVOY
Vl
25247
N
T-A
RlOL
RlFFIN' AT THE RITZ
VI
25445
N
T-A
R 1 DL
WH ISPERI NG
VI
26130
N
T-A
RlOL
ANO THE ANGELS SING
VI
26170
N
T-A
Rl DL
(Benny Goodman, continued next column)
(Beiihy Goodman, continued)
BIG JOHN SPECIAL
V|
25871 N
T-A
R 1 DL
Slue sk i es
BB
1 0680 H
T-A
R 1 DL
Let that be a lesson
V 1
25/08 V
T-A
KENO
Down home rag
CO
3033 M
T-A
Ken*
Not that care/Help yourself
CO
2542 E
AUC
Cult
Cokey/^'usic hall rag
CO
301 1 V
AUC
Cult
UINME M00CHER/B0B WHITE
Vl
25c63 V
T-A
Cult
Life goes to party/if dreads
VI
25726 V
T— A
Cult
Organ grinders sw/Peter pipef
V I
25442 V
T— A
Cult
LIMEHOUSE BLUES
ok
6466 ft
SAL
1 .50 Ches
Bl VER BIX OU SHOEN
Vl
2525 1 V
AUC
Ches
Benny r i des aga i n
Co
5500 1 V
AUC
Ches
Benny's bugle
CO
35901 V
AUC
— — Ches
AIR MAIL SPECIAL
CO
36254 N
AUC
Ches
GLEN GRAY
R. GARDEN BLUES/SHADES OF
DE
986 E
AUC
Cox
Memori es of you
DE
1672 N
AUC
Cox
GREAT WHITE WAY ORCHESTRA
Baby blue eyes
iir'
1 90C9 V
AUC
Cox
SONNY GREER t MEti PH I S
Saturday night function
Co
2833 G
SAL
I .00 Call
BOBBY HACKETT
Old gang of mine
OK
5620 N
T— A
1 .50 RlOL
J a— da/i surrender
°
5 198 K
T-A
i ,50 R 1 Ol
Oo 1 N * NEW LOWDOWN
4565 M
T-A
1 . 50 R 1 DL
POCR BUTTERFLY
4499 N
T-A
1 . 50 R 1 DL
Lionel hampton
1 'M IN THE MOOD FOR SWING
Vl
260 1 1 N
TRA
Thom
House of morgan
VI
26751 K
TRA
Thom
12th street rag/Ain't you
1
26362 E
AUC
Cult
1 KNOw/SUNNY S 1 DE
1
25592 E
AUC
1 .25 5m 1 T
W .C .HAND Y
DARKTOWN REVE 1 LLE( BUGLE BL,)
OK
8 1 1 0 N
T— A
KENW
HARLEM HAM EATS
I'm so glad/Feel like goin
DE
7339 E
T-A
KEND
HARLE'.' HOT SHOTS
Slack and t an/Sugar blues
32199 V
T~A
Sher
COLEI. AN HAWK 1 MS
SmacK/A)eoi CAT 1 ON
COM
533 E
AUC
Cox
ERSr- 1 ME HAWK 1 NS
Sw 1 NG OUT/RA ID THE JOINT
8
10224 E
AUC
Cox
DOLCM 1 T e/TOO MANY DREAMS
BB
108 1 2 E
T-A
KEND
Tuxedo juncticn/gin mill sp.
9B
IC409 V
Cult
FLETCHER HENDERSON
King porter stomp
CO
1543 F
T— A
Culp
Stamped e/Jackson blues
CO
654 V
AUC
Robs
3 1 ST ST. BLUES/BLACh JOE
PE
l£233 F
T— A
Edel
wherl/Down south blues ( Rosa )
VO
14635 F
AUC
Eagl
Stockholm stomp
3460 N,
T— A
KENW
SENSAT 1 CN
vo
2710 N
T-A
■ — KENW
Sens at i on/f i dgety feet
Br
3521 E
SAL
1 .00 wolf
WHATCHACALLEM Bl/SUGARFOOT
Co
395 E
SAL
1 .00 Wolf
Jackass blues/The sta"Pede
Co
654 E
SAL
1 .00 WOLF
D NATURAL BLUES fa 1 NG PORTER
Co
1543 E
SAL
1 .00 WOLF
SHANGHA 1 SHUFFL e/MeMPH IS BL •
DE
158 N
SAL
.50 WOLF
Sweet thing/i need lovin
Co
854 E
AUC
Bake
Muscle shoals/houston slues
CO
164 F+auc
Bake
ROSA HENDERSON
Poplar bluff blues
VO
15044 V
TRA
Grov
Where/Down south blues
VO
14635 F
AUC
Eagl
WOODY HERfc'AN
Mr. ghost goes to town
DE
1079 V
SAL
.75 Malo
ALEX HILL
F UNCT 1 ONI 21 N '
VO
2826 N
T-A
KENW
Let 's have a jub ilee
VO
2848 N
T-A
KENW
BERTH A "CHlPPl" HILL
Trouble in mind/Georgia man
OK
83)2 G
TRA
Thom
EARL HINES
MO NO AY DATE (SOLO)
CO
2800 G
SAL
1 .00 Call
Blue drag/Oh you sweet thing
Br
6345 ti
SAL
1 .00 Wolf
Bubbling over/Vant a lot of
Br
6710 V
AUC
Cult
Sister kate
Vl
22683 V
AUC
Bake
Found romanceAaroline
Br
6960 V
T-A
DORF
Pianology/Flanny doodle
Vo
3501 E
T-A
DORF
LES HITE
T-60NE BLUES
VA
8391 E
T-A
DORF
BlLl.lE HOLL 1 DAY
YOU'RE JUST A NO ACCOUNT
VO
5302 E
RlOL
ALL OF ME
OK
6214 N
T-A
DORF
JACK HYLTON
Laughing marionette
VI
22067 N
TRA
Thom
16
FOR DISPOSITION
HARRY JAMES
MEMPHIS FIVE
FEET ORAGGIN' BLUES
CO
35227
N
AUC
BAKE
Snake hips/Who's sorry now
VI
19052 V
AUC
COX
JOHNNY JOHNSON
IT AIN'T GONNA RAIN/RED HOT
Q
AUC
Eagl
Wop slues/Stay home
CA
477
V
AUC
Cox
Who's sorry/Snake hips
Vi
19052 E
T-A
Dorf
LIL JOHNSON
METRONOME ALL STARS
Get 'em from/anybody want
CH
50002
E
T-A
BURL
BUGLE CALL RAG
Vi
27314 N
TRA
Hurn
PETE JOHNSON
MIDWAY DANCE ORCHESTRA
627 STOMP
DE
IBI2I
N
AUC
EDEL
Cotton pickers ball
Co
51 N
TRA
Thom
RICHARD M. JONES
Lots of mamma
Co
33 N
TRA
THOM
Dark alley/hollywooo
VI
20812
G+AUC
Edel
BUBBER Ml LEY
JONES-COLLINS EIGHT
BLACK MARIA/SH1NNIN
VI
38146 N
T-A
.Ridl
Damp weather/tip easy blues
BB
10952
N
SAL
.50
WOLF
GLENN MILLER
LOUIS JORDAN
Sunrise ser. /moonlight S.
BB
10214 V
AUC
COX
Honeysuckle rose
DE
7675
N
AUC
COX
5:00 Whist. /shadows on S.
BB
10900 V
AUC
Cox
HAL KEMP
1 'o know you/You've got
SB
10906 V
AUC
Cox
(20 sides on Brunswick)
BR
_
AUC
Eagl
Take the a train
B8
1 1 IB7 G
AUC
Cox
GENE KRUPA
anvil chorus
BB
10982 V
AUC
COX
Georgia on my mi no
OK
61 IS
V
AUC
Cox
1 know why
BB
1 1 230 G
AUC
Cox
Knock me a kiss
Co
36951
G
AUC
Cox
. Sweet stranger/Every das'
BR
8041 N
TRA
Thom
Wire brush stomp/hamtranch
OK
6106
V
T-A
Cult
Ida/I t 's always you
BB
1 1079 V
T-A
Cult
Rock in' chair
OK
V
AUC
Ches
PENNA. 65000/RUG CUTTERS SW.
BB
10754 V
T-A
Cult
BILLY KYLE
Little brown jug/pavanne
BB
10286 V
T-A
Cult
Between sets
DE
2740
N
TRA
UMPH
johnson rag/Written in the
SB
10498 V
T-A
Cult
LAOD'S 8LACK ACES
Tuxedo junct i on/Oanny boy
SB
10612 V
T-A
Cult
SISTER KATE/YOU CAN HAVE HIM
F
AUC
Eagl
ray MILLER
Aggravatin papa( acc.Mandy Lee
) -
G
AUC
Eagl
Stomp your stuff
BR
3132 V
T-A
Cult
EDDIE LANG
MILLS BLUE RHYTHM BAND
JEANNI NE/RA INB0W DREAMS
PaE
2646
E
AUC
Cult
Merry-go-round/Unt 1 L
Co
3147 N
TRA
Thom
PICKIN' MY WAY/FEELIN MY WAY
Br
6254
G
AUC
Cult
Showboat shuffle/The moon
CO
3157 N
TRA
Thom
EDDIE DE LANGE
Cotton/Truckin'
Co
3078 N
TRA
Thom
L 1 VERY STABLE BLUES
BB
10094
£
T-A
Kend
Oancing dogs/Brown sugar
CO
3044 E
AUC
Bake
SAM LAN IN
MIFF MOLE
LOUISVILLE LOU
Ba
1204
V
AUC
Patt
That's a plenty/Feeling I'm
OK
4132 G
AUC
Cult
WEDDING BLUES( ROSELAND ORCH)
OK
4217
P
AUC
Patt
THOMAS MORRIS
ROSE OF THE RIO GRANDE
RE
9396
G
AUC
Patt
Charleston stampede/Georgia
Vi
20180 G
AUC
Bake
DREARY WEATHER(ARCAOIANS)
PE
14312
E
AUC
Patt
LEE MORSE
JlMTOWM/KlNG PORTER (RED HEADS
)C0
327
E
AUC
Bake
Jersey walk
PE
1 1636 V
AUC
Patt
HARLAN LATTIMORE
JELLY ROLL MORTON
1 HEARD/THAT REEFER MAN
Co
2678
E
TRA
Thom
K.C. stomps/boogaboo
VI
38010 G
AUC
Edel
TED LEWIS
Seattle hunch/Freakish(solo)
Vi
27565 N
AUC
Eagl
SOBBIN' BLUES/YELLOW DOG
Co
2217
V
T-A
Ridl
Chant/Black bottom stomp
VI
20221 G
AUC
Eagl
OLD OLD MAN/lN A GAROEN
CO
2777
E
T-A
Kend
Big lip blues/Good ol N.Y. Genr
1704 N
AUC
Eagl
JUST AROUND THE CORNER
CO
504
G
SAL
1.00
Call
Dirty dirty/Swinging elks Genr
171 1 N
AUC
Eagl
Yellow dog blues/Clarinet m.
Me
13380
E
SAL
.75
Wolf
Mama's got a baby/my home Genr
N
AUC
Eagl
LOUISIANA RHYTHM KINGS
Bugaboo
VI
38010 P
SAL
.50
Call
Oh lady be good/i have to ha
Br
4706
F
AUC
Bake
Someday sweetheart
VI
20405 E
TRA
Hurn
LOUISIANA SUGAR BABES
Seattle hunch/Freakish
Vi
27565 N
TRA
hurn
Thou swell/pers i an rug
Vi
21346
G
AUC
Eagl
Kansas city stomps/boogaboo
Vi
36010 F
SAL
.75 Wolf
JIMMY LUNCEFORD
Dr. jazz/Original jelly roll
SB
10255 N
SAL
.50
WOLF
IT HAD TO BE YOU
DE
10504
E
AUC
Cox
Mournful serenade/Ga swing
Vi
38024 V
T-A
Cult
In oat morn i ng( ch i ckasaw syn.
)Vi
38141
N
T-A
2.00
Ridl
Ballin the jack/Oon't love me
BR
10450 E
T-A
Cult
Organ grinders swing
DE
908
F
T-A
Culp
Black bottom stomp/The chant
VI
20221 G
T-A
Cult
ABE LYMAN
SHOE SHINERS' DRAC/SHREVEPORT
Vi
21658 G
AUC
8AKE
Johnson special
BB
1 1241
G
AUC
Cox
Georgia swing/Mournful sere.
Vi
38024 G
AUC
Bake
JIMMY LYTELL
Dead man blues
Vi
20252 V
Grov
ZULA WAIL/FAKIR'S RHYTHM
PE
14846
F
T-A
Edel
MOUND CI TY BLUE BLOWERS
WIMGY MANNONE
Muskat ramble
DE
1274 N
TRA
Umph
FLAT FOOT FLOOGIE/MARTHA
BB
7621
V
AUC
Eagl
I'm gonna clap/High society
Ch
40103 V
AUC
Bake
IT'S THE GYPSY IN ME
BB
6549
V
SAL
.75
Call
NEW ORLEANS RAMBLERS
You're an angel/i 'm in love
Vo
2933
V
AUC
—
Bake
Kind man forme/mississ off
Me
12230 G
AUC
Cult
PAUL MARES
NEW ORLEANS RHYTHM KINGS
REI NCARNAT ION/MAPLE LEAF RAG
Co
35686
N
SAL
.50
WOLF
SHE'S CRYING FOR ME
BB
10956 N
TRA
Thom
JOE MARSALA
Da da strain/Shim me shaw
GE
5106 V
AUC
Robs
THREE O'CLOCK JUMP
G
3001
N
TRA
Thom
Baby brown/No lovers allowed
Oe
401 V
AUC
Eagl
WANDERING MAN BLUES
G
1717
N
Thom
Loudon BLUES
sre
02210 E
TRA
Hurn
FREDDY MARTIN
Farewell blues
!RE
022 l 1 E
TRA
HORN
WABASH BLUES
BB
7378
V
SAL
1.00
Malo
RED NICHOLS
MCKENZ IE-CONDON
Hurr i can/Alabama
BR
3550 V
TRA
Ridl
Liza/Nobody's sweetheart UHCA
1 1-12
E
TRA
Thom
CORRI NE/BUGAB00(RED HEADS)
Me
12495 V
T-A
Ridl
MCKINNEY'S COTTON PICKERS
Sugar/^ake my cot
VI
21056 G
AUC
Cult
M i lenberg joys/Shi m-me-sha
VI
2161 1
E
SAL
1.00
Wolf
Sweet sue/Clarinet marm.
Br
62b6 G
AUC
Cult
Okay baby/i want a gipl
VI
23000
G
AUC
patt
21 years/Sweetie went away
Br
6241 G
AUC
Cult
WAY 1 FEEL TOOAV/MlSS HANNAH
8B
10232
E
AUC
Bake
Sugar/Dinah lou
Br
6534 G
Cult
5H 1 M— ME— SH A— WABBLE /M 1 LENBURG
VI
2161 1
E
AUC
Bake
Heat waves/Love-nuts-noodles
Br
AUC
Cult
Precious thing called love
VI
38051
E
TRA
Grov
Panama /Ma rg i e
Br
3961 V
AUC
Bake
JIMMY McPARTLAND
Dinah/inoiana
vo
4599 G
AUC
Bake
China boy/Jazz me blues
DE
18042
E
AUC
Eagl
J 1 MM IE NOONE
FRANK MELROSE
Moody melody/they got my
BB
8609 N
TRA
Thom
PASS THE JUG (•£" CHI p)
METRONOME ALL STARS
BUGLE CALL RAG
Br
Vi
7062
27314
V-l-TRA
N TRA
Hurn
HURN
Four or five times
Keystone blues/n.O. hop scop
Forevermore/Ready for the riv
Every evening/4 or 5 times
DE
De
yo
Vo
1621 E
18095 N
1 188 E
1 186 F
TRA
AUC
SAL
TRA
2.00
Umph
Eagl
Wolf
Dorf
FOR DISPOSITION
RED HORVO
REMEMBER/J 1 VI NG THE JEEP
Br
7896
V
AUC
Cult
Please be kino/week eno priv
Br
8088
V
T-A
Cult
Lady be good/i got rhythm
De
779
E
T-A
OORF
KING OLIVER
Budoy's habit/Tears
OK
40000
V
AUC
Ross
DlPPERMOUTH BLUES/tfEATHERB .
GE
5132
E
SAL
2.00
WOLF
ORIGINAL DIXIELAND JAZZ BAND
ROYAL GARDEN BLUES
Vl
18798
N
T-A
keno
Sweet mama/Broadway rose
VI
18722
E
T-A
kend
home again blues/Crazy blues
Vl
18729
G
AUC
Eagl
In my little red book/Good
BB
7444
V
AUC
Eagl
Who loves you/Dio you (ch)
VI
25420
F
AUC
Eagl
Livery stable blues
VI
18255
G
AUC
PATT
Home again/Crazy blues
V,l
18729
V
T-A
OORF
original 1,'El'PH is five
Sweet papa joe/You
Ca
478
G
T-A
Kend
Bees knees/stop your kidoin
RE
9395
V
AUC
Patt
1 'M GOIN BACK
Pe
14315
E
AUC
Patt
TONY PASTOR
F LAGWAVER
BB
1 1421
E
AUC
Cox
PI RON'S NEW ORLEANS ORCHESTRA
West indies blues
Vl
19255
N
TRA
Thom
BEN pollack
Snake charmer
De
1488
E
TRA
umph
He's the last word (edge ch)
Vi
20425
F
AUC
Eagl
Louise/wait till you see
Vl
21941
V
T-A
Cult
harry RADERMAN'S jazz
ORCHESTRA
Tin roof blues/wol ver i ne
OK
4685
V
AUC
Cox
MA RAINEY
COUNTIN' THE BLUES/JELLY B.
JHCA
83-64
N
T-A
Sher
Jealous hearteo blues
IHCA
85-86
N
T-A
Sher
RED & MIFF'S STOMPERS
SL 1 PP 1 N ' AROUND
Vl
21397
V
TRA
umph
Slippin' around
Vl
21397
G
AUC
Eoel
RED & HIS BIG TEN
THAT*S WHERE THE SOUTH(i" CH
) VI
23026
N
AUC
2.75
Smit
THE RED HEADS
HANGOVER/TAI N'T COLO
pe
14600
E
AUC
Patt
DON REDMAN
Bugle call rag/too bad
OK
3354
N
TRA
Thom
UNDERNEATH HARLEM MOON
Br
6401
G
T-A
Eoel
HOW'M 1 DOIN/TRY SLEEP
BR
6273
G
T-A
dorf
SOPHISTI CATED LAOY
BR
6560
G
T-A
OORF
RED ONION JASS BABIES
CAKE WALK 1 N ' BAB 1 ES
GE
5627
V
AUC
ROBS
JOSEPH ROBECMAUX
RIFF/SHAKE IT
Vo
2592
G
T-A
Dorf
GIL ROD 1 N
RIGHT ABOUT FACE/LOVE SERE.
Me
13376
V
AUC
Cult
ADRIAN ROLL INI
TRUE CONFESSION
De
1654
G
SAL
.60
MalO
1 RAISED MY HAT/SlTTIN' ON
PE
15855
V
AUC
Bake
RHYTHKAKERS
YES SUhAelLOW DOG BLUES
Me
12481
G
AUC
Cult
ARTIE SHAW
Smoke gets in your eyes
VI
27335
G
AUC
Cox
Stardust
Vl
27230
E
AUC
COX
COMIN* ON
BB
7772
G
AUC
Cox
One NIGHT STAND
BB
10202
G
AUC
Cox
LEE SIMS
Tenderly
Br
3202
E
TRA
Umph
ZUTTIE SINGLETON
King porter/Shimme sha wab.
De
18093
N
AUC
Eagl
SIOUX CITY SIX
Flock o' blues
GE
5569
V
TRA
hurn
noble sissle-eubie blake
Sweet henry/Old fashioned
Vl
19253
E
AUC
Patt
SIX BROWN BROTHERS
Me and my gal/Fox trot girl
Vl
18310
V
AUC
Cox
BESSIE SKITH
I'M WILO ABOUT THAT THING
CO
14427
E
SAL
5.00
CALL
Downhearted blues/gulf c.b.
CO
3844
F
SAL
.75
WOLF
jai l house blues
Co
14001
G
T-A
Sher
HAUNTED HOUSE BLUES
Co
14010
G
T-A
Sher
Standing in the rain
co
14338
N
TRA
Grov
Empty bed
CO
14312
G
TRA
GROV
Baby doll
JHCA
5-6
N
TRA
GROV
CLARA SMITH
IF YOU ONLY KNOWEO
Co
14058
E
AUC
Patt
STUFF SMITH
You'se a viper/After you've
vo
3201
N
T-A
SHER
TRIXIE SMITH
railroad blues/world's jazz uhca
81-82
N
T-A
SHER
MUGGSY SPANIER
Rl VERBOAT/RELAX 1 N '
BB
10532
V
TRA
HURN
SPAN IER— 8ECHET
A GOOD MAN IS HARD TO FIND
CMS
1503
N
AUC
Eagl
SPENCER TRIO
Baby, won't you please come h.De
1941
N
AUC
Cox
JESS STACY
Ec-stacy/The sell OUT
CMS
1503
AUC
Eagl
REX STEWART
SOME SATUROAY
BB
1 1258
N
TRA
UMPH
SYNCO JAZZ 8AND
The moan/Blacksmi th rag
Pa
20461
V
AUC
Cox
TAMPA RED
SHE'S GOT THE BEST IN TOWN
BB
8086
E
T-A
Kend
JACK TEAGARDEN
Rippling waters/Peg
co
35727
G
TRA
Thom
1 'SE A MUCG 1 N ' pts l & 2
VI
25273
V
SAL
1 .50 MALO
Ol pappy/Fare thee well harl
. BR
6780
G
AUC
Cult
WILLOW TREEAou YOU DARL1N
VAR
8196
V
T-A
Cult
Black & blue/St- James inf.
De
3844
G
T-A
Cult
The blues/Can't we talk it
Var
8216
G
T-A
Cult
Junk man
Br
7652
E
AUC
BAKE
TENNESSEE TEN
Gulf coast blues/downhearted
Vl
19094
V
TRA
Thom
Gulf coast blues/oownhearted
Vl
19094
E
T-A
KEND
the travellers (dorseys)
8EGGIN' FOR LOVE
Me
12227
V
T-A
RlDL
FRANK IE TRUMBAUER
Clarinet marmalade/Si ngi n •
OK
40772
E
SAL
1 .00 WOLF
I'M COMING VIRGINIA /S 1 NG 1 N '
Br
7703
N
SAL
1 .CO WOLF
The love nest
PaE
2645
V
AUC
Cult
Riverboat shuffle/Ostrich wa
OK
40822
V
AUC
Cult
Crying all day/Japanese sand
PaE
2176
E
AUC
Cult
Trumbology/For no reason all
OK
40871
V
T-A
Cult
JOE VENHTI
Stop look f* listenAankee
Co
3104
N
TRA
Thom
Wild dog/TJinah
OK
41025
V
AUC
Cult
Send me/Vibrophonu
De
669
V
AUC
Cult
MELLOW AS CELLO/MOTH 1 NG BUT
De
624
V
AUC
Cult
Doing uptown lowoownAou're
me
12816
G
AUC
Cult
Now 1 need youAheRE's no
co
2535 (
AUC -
Cult
Goin places/Doin things
OK
40825
G
T-A
Cult
VEMUT l-LANG
Farewell bl/Someday sweeth.
ME
12277
G
AUC
Cult
the v irg in I ans
Memphis blues/lonesome mama
Vl
18895
V
AUC
Cox
SIPPIE WALLACE
Every dog has his day/morning
dove blues ( l b.oig)
OK
8205
G
TRA
Thom
fats waller
Blue eyes
BB
10943
G
AUC
Cox
Pan-pan
BB
1 1383
G
AUC
Cox
waitin' at the end/S.Sue
BB
10264
N
TRA
Thom
Star oust/keeping out of
BB
1 1262
N
TRA
Thom
Us on a bus/Christopher
Vl
25295
G
TRA
Thom
armful 0' SWEETNESS
BB
10149
E
T-A
KEND
Birmingham blues (piano)
OK
4757
N
T-A
KENW
Buck jump in/bells of ban
BB
1 1324
E
AUC
PATT
Sweet thinq/indepen
Vl
25196
G
AUC
CHES
WARING'S PENNSYLVANIAN5
STACK 0' LEE BLUES
Vl
19189
Q
AUC
Patt
ETHEL WATERS
1 JUST COULDN'T TAKE IT BABY
CO
2853
V
SAL
1.50 Call
My handy man Who's in( Johnson)CO
14353
V
SAL
1.60 MALO
CHICK WEBB
Stomping at the savoV
Co
2926
V
SAL
1.00 Call
MacPherson is rehears 1 N
DE
2080
G
T-A
Cult
TED WEEMS
Gamblers blues
De
3687
V
AUC
Cox
GEORGE WETTLING
1 FOUND A NE* 8A8Y
De
18045
a
AUC
cox
8UGLE CALL RAG
De
18044
s
AUC
Cox
Oarktown strutters/i 've foun
) OE
16045
N
AUC
EAGL
Sister kate/Bugle call rag
De
18044
N
AUC
Eagl
PAUL WHITEMAN
Parade of soloiersAr. Gall
Vl
19007
V
AUC
Cox
nothin' but
Vl
19073
V
AUC
Cox
MAKE BELIEVe/Ol' MAN RIVER
VI
25249
E
AUC
Eagl
Back in your own back yard
Vl
21240
G
AUC
Eagl
( PAUL WH1TEMAN CONTINUED NEXT PAGE)
18
FOR DISPOSITION
( paul whiteman, continued
Oardanella
a lane in spain
i like to do things for you
a bench i n the park
i 'm comin 1 vi rgima
my pet/l 'm afraid of you
sice by side/pretty lips
my melancholy baby ( 1 2" ) ( ch )
SAtl/POOR BUTTERFLY
LONELY MELODY
WHOOPEE MAKERS
I2TH STREET RAG/lT'S SO GOOD PE 5217 V AUC
CLARENCE WILLIAMS
Manoy/i 'm a little blackbird
Everybody loves my baby/All
1
2S238
Q
Eagl
CO
2170
S
AUC
Eagl
co
2164
G
AUC
Eagl
VI
2075 1
G
AUC
Eagl
Vi
21389
G
AUC
Eagl
Vl
20627
G
AUC
Eagl
G
Vl
24078
E
AUC
AUC
Eagl
Cult
Vl
21214
V
T-A
Cult
JOHN WILLIAMS'
OK 40260 G tra
OK 8181 G T— A
MEMPH IS STOMPERS
THOM
Cult
slow andlow/sax appeal
mary lou willi ams
Night life/drag 'em uhca 38
edith wilson a jazz hounds
VO 1453 E T-A
N AUC
DOUBLE CROSS 1 N PAPA
Co
14054
V
AUC
Patt
RULES AND REGULATIONS
co
3653
G
AUC
Patt
Wickeo blues/Birmingham
Co
3558
P
AUC
Patt
TEDDY WILSON
My last affair/You showed
Br
7840
N
TRA
THOM
April in my heart
BR
8265
E
TRA
UMPH
Hallelujah/Some other spring
CO
35298
N
TRA
Pens
71/COCOANUT GROVE
CO
35737
N
TRA
Pens
Just a mood/Parts 1 & 2
Br
7973
V
AUC
Cult
HONEYSUCKLE ROSE/AIN'T MIS.
Br
7964
V
AUC
Bake
Don't be that way/all my life
Br
81 16
F
AUC
- Bake
Lazy river/right or wrong
Br
7797
E
T-A
DORF
J IHMY YANCEY
State st.special/yancey sp.
VI
26589
N
TRA
THOM
Five o'clock blues/tell em
Vl
26590
N
TRA
THOM
wolverines
Big boy/Jazz me
BrE 2203 N TRA
BEALE E. RIDDLE
2132 Mt. Royal Terrace, Baltimore,
Maryland
FOR TRADE
DUKE ELLIMGTON
RED HOT BAND
ELMER SCHOEBEL FRIARS
COPENHAGEN
MEZZ MEZZROW
D | SSONNANCE
RED NICHOLS
MEANEST KIND 0 BLUES
BLIND WILLIE DUPN
CHURCH STREET SOBB I N ' BLUES
MILLS HOTSY TOTSY GANG
DIGA OIGA 000
SPIKE HUGHES
FAN FARE
RED NORVO
In a mist
TOMBOY
EDDIE SOUTH
R05 I TA
my ohio home
jabbo smith rhythm aces
Band box stomp
WILL EZELL
crawlin' spider blues
johnny dodds
bucktown stomp
chu berry
sittin' in
kansas city frank
Jelly roll stomp
levee sereiiaders
Mr. Jelly Lord
VO I 1 53 N
BR 4652 N
BR 7551 N
8R 6834 N
OK 8633 N
8R 4014 E-t
DeF F3639 N
BR 6906 N
CO 2977 N
VI 21 151 N
VI 21 155 N
BR 7111 M
Para 12729 N
V I 38004 N
CMS 516 N
BR 7062 N
VO I 154 G
SAM MELTZER
737 Fox Street, Bronx (55), New
York
FOR TRADE OR AUCTION
lionel hampton
rock hill spec i /-l
stompology
shoe shiners drag
muskat ramble
Stomp
Dl NAH
china stomp
My buddy
Hot MALLETS
12th street rag
On THE SUNNY SIDE OF THE STREET
BIG WIG IN THE WIGWAM
EARL HINES
ROSETTA
SPIKE HUGHES
SOMEONE STOLD GABRIEL'S HORN
DONEGAL CRADLE SONG/F I REB I RD
SWEET SUE JUST YOU
PETE JOHNSON
CHERRY RED
JAMES P. JOHNSON
Bleeding hearted blues
LANG I, JOHNSON
TWO TONE STOMP
EOD I E LANG
WHAT KIND 0' MAN IS YOU
MCKINNEY'S COTTON PICKERS
TALK TO ME
RED NORVO
BLUES IN E FLAT
JIMMY BERTRAND
i'm going hunting (dubbing)
red nichols
c0rr1ne corrina (dubbing)
benny goodman
Georgia jubilee (dubbing)
Sugar foot stomp
Life goes to a party
Star dust
Bugle call rag
BUNNY BERIGAN
Davenport blue**
kansas c ity six
Countless blues
BARNEY BIGARD
"C BLUES
BLYTHE'S SINFUL FIVE
Pump tillie
GARNET CLARK HOT FOUR
Stardust
CARTER (Willie Lewis)
Just a mood
BENI'Y CARTER
You understand/if only I
Nein swing street/I'll never(Ramblers)
Skip it
Night fall/swinging at
CONNIE'S inn ORCHESTRA (Henderson)
Sugar foot stomp (melotone)
GEORGE CH ISHOLH
No smoking/penalty 54=
DUKE ELLIMGTON
Serenade to Sweden
Saturday night function
shout 'em aunt tillie
Sophisticated laoy
I've got the world on a shoestring
JOHNNY HODGES
THE JEEP IS JUMPIN'
VI 26 1 14 V
VI 25601 E
VI 2601 I E
VI 26017 E
VI 25535 E
Vl 26557 E
VI 25586 E
VI 26608 V
VI 26371 E
Vl 26362 N
VI 25592 N
VI 26296 V
DeE 3563 N
DeE 3717 N
DEE 3972 N
VO 4997 E
Vl 19123 V
Parl I 195 N
PARL 840 N
Vl 2J640 V
BR 8208 N
VO 1099 N
BR 6058 N
CO 2907 N
Vl 25678 V
Vl 25726 E
VI 25320 V
VI 25467 V
VI 26121 E
CMS 509 E
BB I 1581 N
Para 12346 V
HMV 4593 N
CoE 5019 N
VOE 27 N
VOE SSI N
VOE SI26 N
VOE 4 N
BrE 1212 N
DEE 6939 N
Co 35214 V+
Vl 24674 G
Vl 23041 G
Co 35556 N
COE 625 N
VO 4386 V
winners will be notified and records sent
c.o.d., unless otherwise stated.
my wants consist of new orleans, king
oliver, dodos, louie, louie accompaniments,
Jelly— roll Morton, j.pertrand. Punch Miller, etc.
THE
RECORD URIUE
PROJECT
In connection with the survey of hot
record values being undertaken by George
Hoefer, William C. Love, William Russell
and the Record Changer, all collectors
are urged to send us a list of the hot
records they have which are not listed
in Hot Discoiraphy .
The information we require on such
records is!
LABEL AND SERIAL NUMBER
RECORDING GROUP
NAMES OF TUNES
MASTER NUMBERS
Send this information to the Record
Changer . We will pass it on to Mssrs.
Russell, Love and Hoefer. In subsequent
issues of the Record Changer, we will
list, and request information on the
records with which they are not familiar.
In the column at the right are shown
the serial numbers of the records which
have already been brought to our atten-
tion .
Information is requested on the
following records from that group:
(Submitted by J.O'Byrne De Witt):
BOKUM TRIO (Direction of Alex Hill)
I'm havin' my fun (150379!
He wouldn't stop (159381)
MEMPHIS JAZZERS
Close fit blues (3394) Van Dyke 7301
FRANK IE FRANKO & LOUISIANIANS
Somebody stole my gal (5179) Mp 19mq
Golden lily blues (6180)
(Submitted by Frank Gillls & John Mack):
RHYTHM WRECKERS
Alice blue gown (19919)
Wabash blues (19918)
JOE HAYMES ORCHESTRA
Hana
Sister Kate (19620)
That's a plenty (19621)
Ve 7073
Vo 3390
Me 351007
Vo 3307
(Submitted by Kay Buckmaster)
LITTLE RAMBLERS
Streamlined Greta Green
Loveless Love
BB 6043
If you happen to have any of the
above seven records send us a complete
description of it, --type of recording
group, instrumental combination, etc.,
and your opinions as to the personnel
and merit of the recording.
There are thousands of records rang-
ing from tepid to red hot which we would
like to include in our compilation.
AJAX
(CO.)
GREY GULL
(PE.)
(VI.)
17014
3074
1710
15799
25192
17058
3131
HARMONY
15937
25808
ARTCO
3961
159
60802
38026
9068 •
14161
231
QRS
38027
BL.SWAH
14181
335
7064
38041
2003
14189
501
RECAL
38054
2019
14191
600
9134
38063
14127
■ 14200
MASTER
ROMEO
38099
BLUEBIRD
14227
125
1877
38122
6043
14243
MELOTONE
ROYALE
38514
6130
14256
12069
1 754
38529
6144
14259
12099
SW 1 NG
38546
6174
14281
12780
41
38557
6192
14314
61 165
VARIETY
38570
8680
|4323
70204
553
VOCAL 1 ON
BRUNSWICK
14335
351007
669
1274
2463
14341
OKEH
VAII DYKE
1438
3664
14348
4194
7801
1621
3829
14353
4228
VELVETONE
1630
4184
14355
4253
2456
1697
4321
14365
4205
7073
1702
6314
14367
4296
V ICTOR
1730
6520
14415
4416
20179
2539
7419
14419
4445
20180
2541
CAMEO
14422
4631
20497
2563
9004
14433
4752
20593
2584
CHALLENGE
14447
8009
20771
2676
919
14488
8129
20775
2927
CHAMPION
14618
8365
20857
2937
1 5067
14629
8367
2 1 1 19
2944
40001
DECCA
8427
21 149
2957
40034
507
8456
21212
3 190
401 14
521
8462
21269
3307
40095
671
8465
21326
3390
CLAXTOIIOLA
734
8537
21539
5281
40387
1539
8572
21559
7431
C0LUM8 1 A
7002
8635
21651
14860
99
71.82
40021
21692
15245
679
7312
40172
21708
15705
1045
EDISON
40308
21793
1 103
9077
ORIOLE
21809
1 158
9078
828
22662
1261
9173
2130
22704
1547
9174
2592
22717
1735
EV 'BODIES PERFECT
22719
1981
IC63
14253
22720
2243
GEtiNETT
14350
22814
2277
50 16
14506
23038
2491
20021
14609
23264
2806
15736'
23292
Records which
look hot
on
the label, but
*hich
turn out to be
of
little
va lue
(such
as many
of the
'Whoopee Makers"
records) should be listed
in this
record
value
book and
priced accordingly.
So let's have those lists. Check
against the tabulation of serial numbers
above to avoid mentioning records
already brought to out attention.
LEMME take this chorus
This month's cover is a
photograph of Huddie (Lead-
belly) Ledbetter taken by
Bill Gottlieb at one of the
Washington Bookshop's annual
jazz concerts, promoted by
Nesuhi Ertegun, Tom Willis-
ton and others. Bill Gott-
lieb,"Swing Sessions" col-
umnist (Washington Post) for
the past five years, pro-
fessor of Economics at American Univer-
sity, and pool hall shark, is now a
yardbird at Gulfport, Mississippi. It
is hoped that we can reproduce more of
Bill's fine photographs.
In this month's issue the complete
edition of Scott Joplin's ragtime piano
arrangement of Weeping V il lob) is re-
printed. The composer of Maple leaf
and many other fine rags, Scott Joplin
was one of the best and most prolific
ragtime writers of that time. If you
don't play the piano yourself, take
this music to someone who can and have
him stomp it off for you with a nice
one-two beat. In case you'd like to
have us reprint, from time to time, a
few of the better rags that were popu-
lar from 1900 to 1910, drop us a line
and tell us so.
No more subscriptions are available
to the Bulletin of the Jazz Music
Sociological Society. To those who
didn't get one of the first twenty five
subscriptions, we suggest that you
write us for reservations in the event
we can obtain more copies.
Albert McCarthy, the editor of the
Bulletin writes: "We complete a sec-
tion of "Hot Discography" each issue
and a number of readers want Lunceford
brought up to date. I want the matrix
numbers on the following sides:
Vo 5033
Vo 5156
Vo 4887
Vo 5430
Co 35510
Co 35782
Co 35453
I want the waiter
You let me down
White heat
You can fool some
Well, all right then
Pretty eyes
It's time to jump
I got it
What's your story
Red wagon
You ain't nowhere
Sonata pathetique
I wanna hear swing songs
Whatcha know Joe? Co 35625
Please say the word
I used to love you Co 35276
Monotony in four flats Co 35567
It looks like Eugene Williams' col-
umn "J.I. in Exile" will no longer
appear in the Record Changer. Seems we
disagree as to how much attention
should be given to extra- jazz person-
alities. I regard this as a great
loss, and I thank Gene for the seven
fine articles which he gave us.
Bill Love wishes to thank Lt . James
Causey, Barry Kenwood, John Ludas , Ray
Murphy, Bernard Doane, Thurman & Mary
Grove, and Woodie Wood, for the infor-
mation which they volunteered on the
list of obscure records appearing in
the August Record Changer. *
The deadline for advertising material
is the, 15th of every month. On Septem-
ber 16, we received from a dozen or so
collectors five and three quarters
pages of ads. It was impossible to in-
clude this material in this month's
issue. It's a good idea to have your
lists in the mail by the 10th of the
month if they are to reach us before
the 15 th.
When your copy of the Record Changer
reaches you around the 15th of the
month, remember that third class mail
is very slow these days. Also we give
no collector preferential service such
as first class or air mail delivery of
his copy.
Advertising rates for records listed
for disposition are .
1 . Wt each (or 25 for $2) for rec-
ords for sale, trade, or auction;
2. 5^ each for records for sale or
trade, valued at $1.00 or less.
The latter rate applies only to
records for sale or trade, on which the
advertiser specifies a value of $1.00
or less. It does not apply to records
listed at auction. .
Notify us whenever your address is
changed; the Record Changer is sent by
third class mail which is not forward-
ed.
No back issues of the Record Changer
are available.
The cost of display, or special, ads
less than one half page is \0i per
line. This amount to about $1.10 per
column inch.
Wanted: Name and address of collect-
or who did not include this information
on his trade-auction list which was
written in green ink on typewriter
tissue paper, and which was accompanied
by two dollars.
Send special delivery letters or ex-
press shipments to the Record Changer
at 1220 North Capitol Street, Washing-
ton, D ■ C., rather than to Fairfax,
Virginia .
Do not send stamps for mailing your
copy of the Record Changer first class
or by air.
21
AUCTION
These records are unusual
BOTH S IDfeS HAVE THE SAME SELECTION
All are in very good condition
AUCTION
LOUIS ARMSTRONG & HIS HOT 5
LOUIS ARMSTRONG & SAVOY 5
LOUIS ARMSTRONG & HIS ORCH.
LOUIS ARMSTRONG & HIS ORCH .
LOUIS ARMSTRONG 4 HIS ORCH.
LOUIS ARMSTRONG & HIS ORCH
DUKE ELLINGTON
DUKE ELLINGTON
DUKE ELLINGTON
DUKE ELLINGTON
JUNGLE BAND
ANDY KIRK
EARL HINES
CLAUDE HOPKINS
Savoy blues
Mahogany hall stomp
you cam depend on me
SH I NE
Exactly like you
St. Louis blues
i 'm satisfied
Drop me off at Harlem
Shade of the old apple
Bundle of blues
Rock in' in rhythm
Blue clarinet stomp
ROSETTA
ANYTHING FOR YOU
Auction closes October 30, 1943
J. 0' BYRNE DE WITT
51 Warren Street, Roxbury (19), Mass.
OK 8535
OK 8680
OK 41538
OK 41486
OK 41423
OK 41350
BR 6638
BR 6527
BR 6646
Br 6607
Br 6038
Br 4694
BR 6541
Co 2665
AUCTION Tom McBride AUCTION
365 28th Street, San Francisco, California
Auction closes 30th of October
BING CROSBY (Sam Lanin
ORCH. )
Susianna/|'m crazy over you
OK
41228
N
BENNY GOODMAN
Shirt-tail stomp/blue
Br
3975
E
BENNY GOODMAN
NOT THAT 1 CARE/HELP YOURSELF TO HAPPINESS
Co
2542
N
KING OLIVER
Snake rag
Ge
5184
E
KING OLIVER
CHATTANOOGA STCMp/NEW ORLEANS STOMP
Co
13003
V
KING OLIVER
St. James I nfi rmary/When you're smiling
VI
22298 V/F
FLETCHER HENDERSON
Hay FOOT straw foot/peaceful valley
VO
15174
E
HOTSY TOTSY GANG
Futuristic rhythm/Out where the blue begins
Br
4200
E
HOTSY TOTSY GANG
Stardust
Br
4567
G
ORIGINAL 0 1 X 1 ELAND
JAZZ
BAND
Blueing the blues/Skeleton jangle
VI
18483
V
ORIGINAL DIXIELAND
JAZZ
BAND
Jazz me blues/st. louis blues
Vl
18772
E
CHARLESTON CHASERS
Sing you sinners/Cinderella brown
CO
2133
N
PAUL WH 1 TEMAN
Lonely melody
Vl
21214
E
PAUL WH 1 TEMAN
Making whoopee
CO
1683
G
DUKE ELLINGTON
Nine little miles from ten ten Tennessee
"1
22586
E
JEAN GOLDKETTE
1 00L 1 Z 1 N
Vl
20270
N
JOE VENUTI
Fiddlesticks/goblin market
OK
41586
E
MARY LOU WILLIAMS
Corny rhythm/Isabelle
DE
1021
N
TINY PARHAM
Skag-a-lac/voodoo
VI
38054
E
ADVERTISERS WHOSE ADDRESSES ARE NCT SHOWN ELSEY.HERE
BAND: J. P. Banda, 625 Linwood Avenue,
Atlanta (3), Georgia.
BRIC: Wallace L. Bricker, 7282 Whittaker Avenue,
Detroit (9), Michigan.
BUCH: Dick Bucht, 330 Center Street,
Lake Geneva, Wisconsin.
BURL: Berney Burleson, 115 West Chestnut Street,
Johnson City, Tennessee.
CALL: Maria Callanta, 1 144 Felton Court, 1st Fl.
Chicago (10) , 1 1 1 i no i s.
CHES: Raymond Chesloff, 80 Leslie Street,
Newark (8) , New Jersey.
CLAR: Bill Clark, 363 E. Andover Drive,
Burbank, California.
COX : Walker Cox, 1120 S. Central Avenue,
Burlington, Iowa.
CULT: W.D. Culter, 1 464 West Fifth Avenue,
Columbus (8), Ohio.
DAVI: Clarence Davis, P.O. Box 709,
North San Diego, California.
DeVA: John B. DeVault,
La Plata, Maryland.
DiOR: Dan DiOrio, c/o R.H.Austin, 221 Melish ave.
Cincinnati, Ohio.
EAST: Lt.H.M.Easterl ing.USN, U.S.S. Stanly,
c/o Fleet Post Office, San Franc isco, Cal .
EDEL: Sanford Edelstein, 975 Walton Avenue,
Bronx (52) , New York.
GALB: Harry Galbraith, 2305 Forest Avenue,
Windsor, Ontario, Canada.
GARR: Allan Garrett, Forest Hills,
Danv ille, Virginia. ,
GAYL: Jimmy Gaylard, 409| 26th Avenue, N. ,
St. Petersburg (4), Florida.
GLEE: Ed Thomas Gleeson, 328 Eldridge Avenue,
Mill Valley, California.
GRIT: Pvt. Sol Gritz, Co B, 38th I.T.B.,lst Platoon,
Camp Croft, South Carolina
GR0V: Thurman S Mary Grove, 4709 Frankford Ave.,
Baltimore (6), Maryland.
HEDR : James Hedrick, 281 Ruskin Road,
Eggertsville (21), New York.
HEIN: John G. Heinz, 600 James Street, Apt #706,
Syracuse (8) , New York.
HENR: Tom Henry, 573 E. 102nd Street,
Cleveland (8), Ohio.
HERR: Wallace T. Herrell.Jr., R.F.D. #14, Box 106,
Richmond, Virginia.
HERZ : Robert K. Herzfelder, 245 West 107th Street,
New York (25) , New York.
HOLL: Frank H. Holland, 17390 Indiana,
Detroit (21), Michigan.
HORN: Ellis Home, 1256 Guerrero Street,
San Francisco (10), California.
H.SM: Harrison Smith, 227 Hancock Street,
Brooklyn (21) , New York.
JAC0: Nathan M. Jacobs 165-01 90th Ave., Apt. 4/S,
Jamaica (2), New York.
KAPL: Martin Kaplan, 1053 2nd Avenue,
New York (22), New York.
KR0N: B.T. Kronfeld, 127 Cox Street,
Auburn, Alabama.
LION: Lorraine Lion, 50 Grove Street,
New York City.
MAHE: Tommy Maher.Jr. , 2ee3 E. Lafayette,
Detroit (7), Michigan.
MART: James J. Martin, 3 Grove Street,
Concord, New Hampshire.
MAUR: William Maury, 842 Garfield Avenue,
Aurora, Illinois.
McKE: Stacy McKee, 52 South East Avenue,
Bridgeton, New Jersey.
MELL: Edward J. Mello, 318 Excelsior Avenue,
San Francisco (12), California.
HILL: Jim Miller, K.A. House, Box 1288,
Fulton, Missouri.
MITC: PFC Charles H. Mitchell, Det. 9,
909th QMC Avn (Serv) , Santa Ana Army
Air Base, Santa Ana, California.
PENS: Carl PensoneauU, No. 14502, Box 1 4b,
Wethersf ield, Connecticut.
QUA I: Kenneth Quaife; 1218 3rd Street,
Ames, Iowa.
ROTH: Alfred F.M. Roth, 26 Nassau Street,
Trenton (8) , New Jersey.
SCHE: Herbert S. Scheun, I I 12 Columbia,
Ch icago (26) , 111 inois.
SCHU: Pvt. Jack Schultheis, 52nd Training Group,
#39554685, 528th Squadron,
Keesler Field, Biloxi, Mississippi.
SHIN: Dick Shinedling, 139 E. 30th Street,
Paterson, New Jersey.
S I ME : Anthony Simeone, 2060 E. Allegheny Avenue,
Philadelphia (34), Pennsylvania.
SMIT: Bob Smith, Jr., 203 West 2nd Street,
Frederick, Maryland.
STEI: John Steiner, Room 608, 9 South Clinton,
Chicago (6) , 111 inois.
STUR : Ralph J. Sturges, 131 Washington Street,
Hartford (6), Connecticut.
TAYL : Ben Taylor, 236 'W Street, N.W. #21,
Washington (l), D. C.
TH0M: V.S. Thomas, 2518 E. Norris Street,
Philadelphia (25), Pennsylvania.
TRES: Alfred Trescott, 115 Edge Hill Road,
Abington, Pennsylvania.
UHPH: G. Wallace Umphrey, 5018 Alaska Street,
Seattle (8), Washington.
VanB: J.F. VanEerger, Co. C, 351st Inf.,
Ft. Sam Houston? Texas.
VOGE: Leon D. Vogel, 1219 Steelton Avenue,
Baltimore (24), Maryland.
WALT: A/C James L. Walters, Squadron 8, Section 3502,
Aviation Cadet Pre-Technical School, Seymour
Johnson Field, North Carolina. (Write for my
wants or see earlier issues.)
WHIT: Jerry White, I3»2 Eastview Avenue,
Columbus, Ohio.
YOUN: Phil Young, Jr., I Cabot Street,
Milton, Massachusetts.
New Orleans Recollections
From 1908 to 1912 I was cashier at the New Orleans branch of the Remington
Typewriter Company. In September 1912 I went on the road for the company, trav-
eling in Mississippi and Louisiana. During the first year or two as cashier,
one of the star city salesmen was Ashton Carroll, who made such a fine sales
record that the company promoted him to be manager of the Cincinnati branch.
Carroll did well in Cincinnati, but the saying is, that after a person has im-
bibed the Mississippi River water at New Orleans, the Crescent City germ gets
into the system, and after that one is never content to stay away from town. Be
that as it may, Mr. Carroll returned to New Orleans about 1911, after a year or
so in Cincinnati. One Saturday afternoon I was working in the office, and
Carroll and a friend from Cincinnati were there also. Suddenty from the street
came the sound of a New Orleans band; a typical parade was marching up Baronne
Street. When Carroll heard the music, he immediately hurried to the front door,
listened a moment, and then called to his friend from
Cincinnati, 'Come here and listen. You won't hear
music like that anywhere else in the United States.'
He might have just said 'anywhere else', but the
incident serves to show that the distinctiveness of
New Orleans music was recognized in 1911 and earlier.
In 1912 I went on the road for the Remington Com-
pany, starting out in Mississippi , with mv headquarters
at Hattiesburg, where my hotel, the Hotel Hattiesburg,
was located a block or two from the principal business
s t reet . About half way to the center of t own wa s a
penny arcade, just about like most penny arcades, with
a shooting gallery, coin-operated cylinder phonographs,
and other catchpenny devices. Just inside the wide
entrance s tood an automat ic rol 1 pi ano, such as I des-
cribed in last month's Record Changer. It played the
regular program of selections at a lively tempo, which
in those days included instrumental rags interspersed
with popular song melodies. As I went back and forth,
working the town and calling on the trade, I passed
and repassed the arcade, and got the full benefit of
the automatic piano, which was going steadily from the
time the place opened, and I thus became familiar with
the numbers on the roll. One afternoon, after having
gone back and forth several times, I was making another
trip toward the main street and could hear the piano
going at the usual tempo and force, but I noticed, with
a certain amount of interest, that the number then be-
ing played was a ragtime composition that I had not
heard before. As I neared the entrance I noticed a
little group of people standing on the sidewalk, lis-
tening, and concluded that a new roll had just been
put on the machine. Imagine my surprise when I joined
the crowd to find that the piano was beingplayed by a
negro boy about fourteen or fifteen years old. The
playing was almost an exact reproduction of that
played automatically hy the p'iano, the boy duplicating
all the fancy interpolations and figures that came
with the mechanical presentations. I asked a by-
stander who the young negro was, and was told that he
lived a little way out of town, and that he had been
able to play that way since he was about ten years
old. I never heard him play .again, and have sometimes
wondered what became of him.
§ § §
The white cabarets in New Orleans that I recall,
which were not located in Storyville, and which
flourished between 1911 and 1919, were nearly all con-
tained in the smalt area bounded by Canal, Rampart,
St. Louis and Dauphine Streets. The names do not come
to my mind readily, but among many others there were
Anderson's, The Haymarket.The Orchard and the Cadillac.
I believe that The Haymarket was the oldest, a? it
seems to have been operating on Customhouse Street
near Dauphine Street for many years. Some accounts
have it that the word jazz originated in the billing
at The Haymarket of a musical outfit that imitated
Stalebread Charley's Spasm Band. When their popular-
ity was at its height, cabarets seemed to spring up at
a moment's notice. All a small barroom had to do was
to clear out the back room, decorate it, put in a few
more lights, some new tables and chairs, put a piano
in one corner, and hang out a sign. They were right
good entertainment at times, and most of them were
very reasonable. I wish I could give a list of all
the performers that drifted into that little world,
played and sang their parts, and then drifted on. But
it is with them as it is with many other things in my
memory, --certain things stand out, but many other
items I never burdened my mind with. One of the best
pairs of entertainers, and probably the best known,
were a couple of local boys, Leclerc and McCormack.
Leclerc played fine New Orleans piano to McCormack' s
singing. Leclerc composed a good jazz piano number,
which was published, Triangle Jazz Blues, dedicated to
Ernest Boehringer, who at the time was manager of the
Triangle Theatre. Another of Leclerc's compositions,
or which there were several, was Sweet Cookie, a song
which was recorded by Marion Harris on Columbia A3457
(79961). (Not recorded in very hot style, by the way)
Another couple of entertainers were the Kingstons.Mrs.
Kingston playing high class piano for her husband to
sing to; later they were joined by their daughter,
Margaret, a very pleasant girl with teeth and smile
such as are often seen in dentifrice advertisements.
The first time I ever heard Trail of the Lonesome Pine
was one evening when a singer brought the number to
Mrs. Kingston to try over. It was brand new, and the
first time Mrs. Kingston had seen it. She started to
play it as written, but it was not in the singer's key,
so Mrs. Kingston transposed it and played it without a
flaw the first time over.
§ § §
Although New Orleans was the fountain head of hot
rag and jazz piano playing, the common folks there
were just as susceptible to musical hokum as they were
elsewhere in the country. Merit always has a hard
time to win out over sentimental i"sm , affected or
genuine. I remember a ragtime playing contest that
was held in the Dauphine Theatre, I believe about
1916. It was between white piano players, among whom
were Irwin Leclerc, mentioned above, and Kid Ross, an-
other well known New Orleans player. There were other
good players, and a considerable amount of good rag-
time and jazz was dashed off the piano, --Kid Ross gave
out with' some very characteristic genuine Basin Street
honky tonk music, and Leclerc slapped off some of his
stuff that would compare favorably with the best of
today ' s ou tput . But nei t her one was the winner , the
award going by audience acclaim to a mediocre player
who pounded out Yankee Doodle with one hand while
thumping out Dixie with the other.
§ § §
Jelly Roll Morton could mention having taken part
in many piano playing contests, generally admitting(?)
with his usual modesty that he came out winner. His
admiration for Tony Jackson was unbounded, but he told
me with considerable pride that he had beaten Tony
once in a contest. Jelly Roll said that, as the other
contestants were seated on the stage while Tony was
playing, he (Jelly) was seated near enough to the
piano to keep telling Tony, sotto voce , 'You can't
sing now. .. You can't sing now.' I don't know if that
affected Tony'y playing any, but Jelly Roll won the
conte s t .
§• § §
It would have been strange if Tony Jackson could
have been bothered by Jelly Roll's reverse coaching
while he was playing the piano. I remember that at
the last place I heard him in New Orleans, Frank
Early's cafe, I believe, the piano was in poor repair;
among other defects, there was a key in the bass that
would stay down every time it was hit, but that never
seemed to bother Tony. He would keep going just as
smoothly as a well oiled machine, and when the key
would go down, Tony would pull it up without the
slightest interruption. to his playing and singing. To
me he was always remarkable. One night I sat there
listening to the man who 'knew a thousand songs' put-
ting out his usual high class presentation of good
rags' and late songs, when a stranger stepped over to
the piano and requested Tony to sing Everybody's Doin'
It, which in my estimation is about the poorest effort
Berlin ever put forth, even if it did get very popular.
' I don ' t know that one , 1 repl i ed- Tony , and the st rang-
er walked away and out of the cafe. I looked at Tony
in surprise, and said 'You certainly ought to know
that song, popular as it is.' Tony grinned at me and
replied "Oh I know it all right, --but I hate the damn
thing! '
3
W ANTE D
A\ [fTrst four letters of collector's name.
^ Mfor address, see page 21
3\lpr|ce offered for recoro
2 \|Catalog number of reco"rd"
ABEL OF RECORO
1
1
o
L
1 A
ALL STAR BAND
Blue lou/the blues
VI
26144
HENR
LIL ARMSTRONG
Or leave me alone/brown gal
DE
1092
HERR
LOU IS ARMSTRONG
ARMSTRONG HITS (33 R.P.M.)
VI L-
-36000
SIME
ORY'S CREOLE TROMBONE
CO
35H38
MILL
1 SURRENDER DEAR
OK
41497
Mill
1 COVER THE WATERFRONT
DE
SCHU
Irish black bottom
5.00 M 1 TC
As LONG A6 YOU LIVE
DE
2230
5.00 KRON
Skip the gutter/knee drops
OK
8631
Henr
Fl REWORKS/SuGARFOOT STRUT
VO
5.00 VANB
Irish slack bottom
OK
8447
— ■ KAPL
STRUTTING WITH SOME BARBECUE
OK
8566
KAPL
(MANY ACCOMPANIMENTS; SEND L
STS) —
KAPL
Dallas blues
VO
3025
Burl
Qully LOW
Vo
3193
B'iRL
Peanut vendor
OK
41478
Qrov
SLEEPYT 1 ME DOWN SOUTH
DE
2.75 Youn
Blue a;ain
OK
Gri t
1 'M A DING DONG DADDY
OK
GRIT
STRUTTIN' with SOME BARBECUE
OK
Gri t
1 GOTTA RIGHT TO SING BLUES
SlTTIN IN THE DARK
BB OR VI
BB OR VI
Umph
— — Umph
Basin STREET BLUES
B8 OR V I
Umph
HONEY 00
BB OR VI
Umph
(MANY ON OK)
OK
}2-5 Umph
LOUIS ARMSTRONG & HIS WASHBOARD BEATERS
Black and tan fantasy
GUS ARNHEIM
Suzanne
LOVIE AUSTIN
(Any with dodos)
Gali on stomp
In the alley blues
mildred ba i ley
24235 •
Si ME
Para
Para
Para
BEGIN THE BEUUIN
I CAN'T FACE THE MUSI C
CHARLIE BARNET
Rem i n i sci nq
Lament for may
COUNT BASIE
— KAPL
12380 5.00 Horn
12391 5.00 Horn
12381 5.00 Horn
4619 2.00 KRON
4016 Burl
10743 BURL
5169 1.00 Suit
6634 SCHE
6)57 DlOR
3708 .90 8UCH
sonq of the islands
One o'clock jump
wiggle woogie
One o'clock J'jmp/swingin at daisy
SIONEY 8ECHET
SUMMERTIME BN 6 -
I *VE FOUND A NEW BABy/SHAO BB 10022 -
BIX BEIOERBECKE
BIG BOY ' HRS 24 -
Jazz band ball Vo 3042 -
Mississippi mud Vi 21214-
bunny berigan
Can't run away from love Vi 25552 I
All goo's children Vi 25609 I
Roses in December Vi 256 1 3 I
miles apart Vi 25690
Father dear father Vi 26061
Rather leao a band Vo 3178 I
SWING MR. CHARLIE VO 3179 I
MELODY FROM THE SKY VO 3224 I
BUT DEFINITELY VO 3253 I
IF I HAD MY WAY VO 3254 I
SERENADE TO THE STARS Vl 25682 I
CHICKEN AND BAFFLES VO 18117 -
JIMMY BERTRAND
I'M QOIN' HUNT | N Vo 1099 $5.+ HORN
ISABELLA VO 1280 3.00 HORN
• BUCH
Mill
Burl
Pens
.00 Smit
.00 Smi t
.50 Suit
.75 Suit
.75 Smit
.00 Smit
.00 Smit
.00 Suit
.00 Suj T
.00 Suit
.50 Suit
Burl
BARNEY BIGARD
Ml NUET IN BLUES
Caravan
Barney coin' east Ok
Stompy JONES
JIMMY BLYTHE
(Any 9ano group on Vo, Para. etc. )
(ANY)
(Any piano solos)
SHARKEY BONANQ
High society
bea booze
See see rioer blues
connie boswell
i'll never say "never again"
BOSWELL SISTERS
Lullaby of broaoway
VI BRADLEY & RHYTHMETTES
Star oust
WILL BRADLEY
1 2
OK 5378
OR Vo 5378
OK 3809
Para
Para
Co 35678
DE 8633
DOWN THE roao apiece
beat me DADOY
rhum boogie
i boogied when i shoulda woogied
down the roao apiece
basin street boogie
johnson rag
stardust
broadway bell hops
Cradle in Caroline
cleo brown
boogie woogie
boogie woogie
henry 8r0wn
deep morgan blues
(Any with Ike Roogers)
[Any piano solos)
les brown
Evening star (new)
teddy bunn
blues without words
butterbeans a. susie
HE LIKES I T SLOW
JOHN CALI DUO
STUDY IN BROWN
CAB CALLOWAY
BB
CO 35707 •
Co 35530 •
Co •
Co 35707 •
Co 36340 •
CO 35333 •
Co 35939 •
3 4
.75 Suit
Burl
roth
HERR
Kapl
Horn
HORN
3.00 KRON
.35 Shin
SlUE
Si me
SlUE
■ SCHE
Band
BAND
- Band
Henr
Maur
• MA'JR
Maur
OE 477 •
DE 477 •
' SCHE
Call
■ Henr
Kapl
Horn
Ogeechee river
FRANK IE CARLE
after you 've gone
(boogie woogie piano records)
HOAGY CARMI CHAEL
Star dust
Star dust (new only)
Star dust ge 63 1 1
LEROY CARR
VICKSBURG BLUES/klQ 4 BLUES
BENNY CARTER
Among uy souvenirs
Devil's holiday
symphony in riffs
Dream lullaby
Body ano soul
Among uy souvenirs
CASA LOMA ORCHESTRA
(Any melotones)
black jazz
Sjgle call rag
Casa loua stoup
No name jive
Temptation
white jazz
CHARLESTON CHASERS
Basin street blues/Beale street
CHICAGO FOOTWARMERS
(ANY EXCEPT OK 8533)
CHICAGO HOT FIVE
star oust (new only)
chicago loopers
Three blind uice (new)
CH ICAOO RHYTHM KINGS
UAOAUE OYNAUI TE
Ge 6311
VI 24484
OR VI 24484 •
I .00 Call
CALL
SlME
SlUE
SCHE
4
WANTED
CHOCOLATE DANDIES
JOHNNY DOODS
Star dust (new only)
OK
8668
Si ME
(Any paramount with dodds)
—
KAPL
LILLIE DELK CHRISTIAN
WEARY BLUEs/N.O. STOMP
VO
15632
65.00
KAPL
(Any »ith noone 4 St.cyr)
garnet clark 4 hot four
OK
Horn
Jue turner blues
i9th blues
Br
3997
Kapl
Para
12843
East
Stardust
HMV
X4593
Gayl
(solo)
Para
12494
HORN
JUNIE C. COBB
TOO TIGHT
BB
10240
HERR
SMOKESHOP DRAG
Vo
1269
Qrov
MY LITTLE ISABEL
BB
10241
HERR
SMOKESHOP DRAG
Vo
1269 }5.+ Horn
AL DONOHUE
Endurance stomp
Vo
1
5.00
Horn
L0WD0WN RHYTHM IN A HIGH
hat OK
OR VO
5314
ROTH
EAST COAST TROT
PARA
12382
Horn
DOROTHY DONIQAN
KING COLE TRIO
EVERY DAY BLUES
BB
8979
HEDR
HONEYSUCKLE ROSE
De
8535
Heor
DORSEY BROTHERS ORCHESTRA
EDDIE CONDON
SPELL OF THE BLUES
OK
41 181
Si me
1 'M GONNA STOMP Mr. HENRY LEE
BB
10163
Herr
MY KINDA LOVE
OK
41 183
SlME
DOC COOK
IF 1 HAD YOU (NEW ONLY )
OK
41 181
10.00
Glee
(Any on gennett)
GE
3.00
MlTC
JIMMY DORSEY
CHARLES CREATH
praying the blues
OK
41245
Mart
King porter stomp
OK
8210
Horn
TOMMY DORSEY
BING CROSBY
IT'S RIGHT HERE FOR YOU
OK
41 178
Mart
BLUE OF THE NIQHT(nEW Only)
Br
6226
si me
Daddy change your mind
OK
41422
Mart
Shadows on the window ("a" master
) Br
6276
Si ME
Everybody's going it
VI
25821
2.00
kron
Let's try again ("B" master)
Br
6320
S 1 ME
Lonesome road
VI
26508
4.50
Kron
Please (new only)
BR
6394
SlME
Losers weepers '
VI
26439
Dior
Street of dreams (new only)
BR
6464
Si me
Lonesome road
VI
maur
You're beautiful tonite(new only)
BR
6477
Si me
Qui et please
BB
10810
Maur
Temptation (new only)
Br
6695
Si ME
BLIND WILLIE OUNN
S GIN BOTTLE FOUR
St. LOUIS BLUES ("B" master)
Br
20105
SlME
Guitar blues/Blue guitar
(new)
OK
871 1
Gayl
Gay love(harmony,velvetone, Clarion, etc)
SlME
BLIND WILLIE DUNN
& LONNI
: JOHNSON
(any rare or unusual labels)
SlME
Have to change keys (n or ex)
OK
8637
Gayl
(Any 6000 6ERIES bruns; new condi
T ION)
SlME
Deep minor stomp/hot fingers
OK
8743
Gayl
Sweet and lovely
Br
6179
MELL
Midnight call blues/Blue
ROOM
OK
8818
Gayl
LOVE, YOU FUNNY THING
BR
6268
MELL
JOHNNY DUNN
YOU'VE GOT ME CRYING AG 1 N
Br
6515
Mell
Ham and eggs
Co
14358
13.+ Horn
Cabin in the pines
Br
6610
MELL
PIANO KIO EDWARDS
Li ttle dutch mi ll
Br
6794
MELL
PIANO KIO SPECIAL
Para
13081
Horn
LOVE ME TONIGHT (NEW Only)
Br
6351
5.00
Glee
DUKE ELLINGTON
Here lies love (new only)
BR
6406
5.00
Glee
East st.louis toodle-oo(33 RPM)
VI L-
- 1 6007
SlME
Street of dreams (new only)
Br
6464
5.00
Glee
Swampy river/Furious
BR
6355
Mart
Learn to croon (new only)
BR
6594
5.00
Glee
Stormy weather
CO
Schu
Cabin in the pines (new only)
BR
6610
5.00
Glee
All too soon
VI
Schu
Day you came along (new only)
Br
6644
5.00
Glee
Blue serge
VI
SCHU
1 SURRENDER DEAR
De
2535
Heor
Ko Ko
Vl
Schu
BOB CROSBY
crescendo in blue
Co
SCHU
Savoy blues
De
1094
Mcke
Animal crackers
GE
3342
6.50
Ml TC
FIDQETY FEET
De
1593
Mill
Black & tan fantasy
OK
8521
7.50
Ml TC
WOLVERINE BLUES
De
2032
Mill
Chicago stomp down
OK
8675
5.00
MlTC
Pagan love song
De
Skin
Old man blues
OK
8869
3.50
MlTC
Devil and the deep blue sea
De
Shin
BLUE SERGE
Vl
27356
HEDR
SUGAR FOOT STRUT
De
3337
.35
Shin
Body and soul
Vl
27406
HEDR
JUST STROLLING
De
1670
Herr
Jump for joy
VI
27517
Hedr
Little rock getaway
De
1552
Herr
(any srunswicks)
BR
Tayl
ALEX COMBELLE
THE DUKE STEPS OUT
VI
38092
S"AYL
SHI EK OF ARABY
ROYAL
1807
Mart
HARLEMAN 1 A
JUBILEE STOMP
VI
OK
38045
41013
Tayl
Tayl
PUTNEY DANDRIDQE
SATURDAY NIGHT FUNCTION
Vl
38036
Tayl
Bluebi ro/Heavenly thing
VO
2935
— —
Bric
The lindy hop
Vl
23016
Tayl
MOOD FOR LOVE/»HAT YOU
VO
3007
Bri c
DO IMG THE VOOM V00M
Co
35208
Tayl
Naqasaki/Shine
VO
3024
Bric
Oklahoma stomp
Vo
1449
Tayl
Ol' MAN RIVER/WHY WAS 1 BORN
Vo
3269
Bric
Jack the bear
Vl
26536
burl
Down south/Gypsy in me
Vo
3315
Bric
Clement i ne
Vl
2 7 700
Burl
BILL DAVIDSON'S CHICAGO RHYTHM KINGS
Caravan
Co
36120
Burl
1 surrender dear
C 1
102
2.00
Thom
Ebony rhapsody
High life
VI
Vl
24622
38036
Burl
Burl
the DETRO iters
Flami ng youth
Vl
38035
Burl
Star dust
RO
816
SlME
8AN0ANNA BABIES
Vl
38007
Burl
DIXIE JUG BLOWERS
Creole rhapsody. Parts 1
4 2
Br
6093
Thom
(Any)
KAPL
Louisiana/Awful sad
Br
41 10
THOM
H0U8E RENT RAG
VI
20420
Pens
Louisiana/awful sad
BR
6805
Thom
Florida blues
VI
20403
Pens
RUNNIN' WILD
BR
4952
Thom
Home again bl/Wang wang blues
Br
6003
Thom
DIXIELAND THUMPERS
Lazy rhapsody/Blue tune
Br
6288
Thom
(Any on paramount)
Kapl
Moon over dixie/Baby
Br
6317
Thom
Weary way blues
PARA
12525
10.00
Horn
Swampy river/Fast 4 furious
Br
6355
Thom
ORIENTAL MAN
Para
12594
10.00
Horn
li ghtni n '/Jazz cocktail
Br
6404
Thom
DIXIE RHYTHM KINGS
Ducky wucky /Swing low
Br
6432
Thom
The chant/Conqo love song
■Br
71 15
Henr
St.louis blues/Creole love call
Br
20105
Thom
Easy rider/story book race
BR
7127
henr
Braggin' in brass
Any
Maur
(Any Brunswick)
Kapl
in a sentimental mood
Stormy weather
CO
Co
36172
35556
Maur
Maur
DIXIE STOMPERS
Slippery horn
Br
6527
2.75 YOUN
1 'M FEELIN' devilish
HA
Mahe
(Duke Ellington continued
NEXT PAGE)
WANTED
(Duke Ellington, continued!
(Lionel Hampton, continued!
Crescendo in blue/diminuendo in bl
Br
B004 2.75
YOUN
1 SURRENDER DEAR
V 1
25666
HEDR
EERIE MOAN
Br
6467 2.50
YoUN
(any)
Tayl
BIRMINGHAM SREAKDOWN/EAST ST. LOUIS
Vo
1064 5.+
YOUN
Jack the bellboy
Vl
DIOR
The creeper/immigration blues
vo
1077 5.+
YOUN
Mood for swing (1936)
V 1
2601 1
Cox
jazz lips/sloppy joe
BB
6396
HERR
HARLEM HOT SHOTS
Jubilee stomp/got everything but
B8
10244
HERR
St. James infirmary h
OF W
1046
1 .50 Thom
Saratoga swing/it's glory
BB
10245
HERR
COLEMAN HAWK INS
ZIGGY ELMAN
WHEN DAY IS DONE
BB
Schu
AND THE ANGELS S1N3
BB
10103
MAUR
SHEI K OF ARABY
BB
Schu
Sugar
BB
10096
Maur
BOOY AND SOUL
BB
10523
HENR
ToOTIN' MY BABY BACK HOM
BB
10563
MAUR
She's funny that way
BB
10477
HENR
ZAQGIN WITH 21 g
BB
10316
Maur
BODY AND SOUL
TAYL
• ILL EZELL
STARDUST HMV B8420 OR HMV
X4496
Gayl
heifer oust
Para
12753
HENR
FLETCHER HENDERSON
Heifer dust
Para
12753 J5.+
HORN
STAR DUST BROi
OWAY
1441
SlME
JUST CAN'T STAY HERE
Para
12855 »5.+
HORN
STAR DUST (NEW ONLY)
Br
3093
SlME
HOT SPOT STUFF
Para
12914 }5.+
HORN
Pixie from dixie
Co
Schu
FRED FEI3EL
MEL HENKE
Star dust
CO
364
Si ME
MRS. ABERNATHY'S PIANO
CI
103
2.00 Thom
ELLA FITZGERALD
J.C.HIGGENBOTHAM
SHINE
De
1062
Mill
HlQGANBOTHAM BLUES
OK
Mahe
Darktown strutters ball
De
1061 2.00
KRON
EARL HINES
CHUCK FOSTER
( Any on QRS)
QRS
5.00 Mitc
Oh you beautiful doll
OK
Maur
JOHNNY HODGES
BUD FREEMAN
SAILBOAT IN THE MOONLIGHT
VA
586
1 .50 GfiOV
(anything with bud freeman)
An
Tres
Moon romance
Vo
5940
HERR
FRIARS INN ORCHESTRA
BILLIE HOLIDAY
(any)
_
CALL
BlLLIE'S BLUES
OK
3288
1.00 SMIT
JEAN GOLDKETTE
NO REGRETS
OK
3276
1.50 Smit
Proud of a baby like you
VI
20469
HOLL
ONE NEVER KNOWS DOES ONE
VO
3431
Mill
Slov river
VI
25354
HEDR
SUMMERTIME
OK
Schu
BENNY GOODMAN
BlLLIE'S 6LUES
VO
3288
3.00 KRON
The glory of love
VI
25316
Mill
(Many on vocal ion; ex to new)
Vo
Edel
Anything for you
VI
25350
Mill
JOE HORSE 4 HIS MILKMEN
all my l i fe
Vl
25324
Mill
SHAKE IT AND BREAK IT
VA
553
SlME
Riffin' the scotch
CO
2867
Mill
INK SPOTS
That's a plenty
me
12073
Mill
ALABAMA BARBECUE (new)
de
1 154
Roth
Room 141 1
BrF
500201
Sche
IPANA TROUBADOURS
Clarinet i ti s
Me
12073
SCHE
Rose of manoalay
Co
1694
Si me
Basi n street slues
Co
2914
Sche
PRESTON JACKSON
Nobody's sweetheart(trio)
VI
25345 3.00
Kron
Trombone man
Para
1241 1
Kapl
King porter stomp
Vl
25090 4.00
Kron
HARRY JAMES
Sweet lorraine
VI
25822
heor
JEFFRIES BLUES
Co
36190
DIOR
SWINGTIME IN THE ROCKIES
Vl
25355
Hedr
Feet draggin' blues
Co
?
DiOr
RIFFIN AT THE RITZ
Vl
25455
HEDR
1 FOUND A NEW BABY
BR
8406
Burl
Dear old southland
BB
10458
Heor
Ll TTLE WHITE LIES
Br
8178
Burl
Japanese sandman
FtPi
10459
HEDR
Cross country jump
Co
35531
Uaur
Mad house
BB
10461
Hedr
My buddy
Co
35242
Maur
Blue skies
BB
10680
Hedr
Two o'clock jump
Br
8337
Uaur
And the angels 61 no
—
Tayl
(Any of the four discs with herschel Evans )-
Maur
Sugar foot stomp
Garr
(Any with HERS.Evans)Br 8055,8039
8067
8 1 36 32 EA YOUN
wrappin' 1 T UP
Garr
WHO TOLD YOU 1 CAREO
Co
35261
COX
Roll 'em
Garr
ELI-ELI
Co
35979
Cox
ZAQGIN' WITH ZIQ
CO
35356
MAUR
Braggin'
Co
36081
Cox
GOOOY 4 H IS QOODTIMERS
Jeffries' blues
Co
36190
Cox
STAR DUST PE 15084 OR PAT
36903
SlME
1 remember you
Co
36518
Cox
COOT GRANT-KID WILSON
Tuxedo junction
VA
8194
Cox
Find me at the greasy spoon
Para
12337 10.00
Horn
HOW HIGH THE MOON
VA
8221
Cox
GLEN GRAY
Fools rush in
VA
8264
Cox
FOR YOU
De
1412 1.50
Tayl
Million dreams ago
VA
8382
Cox
Lucky me
PaE
30412
Tayl
CHARLIE JOHNSON
Black jazz
BR
6242
Tayl
HOT BONES
Vl
38059
Thom
White jazz
Tayl
JAMES P. JOHNSON
Lady from st.Paul
Tayl
RIFF6
OK
8770
HENR
Spell bound
Br
6910
Tayl
Weeping blues
Co
3950
HENR
Chant of the jungle
De
463
Tayl
JAMES "STUMP" JOHNSON
L 1 MEHOUSE BLUES
BR
Tayl
BOUND TO BE A MONKEY
QRS
7050
HENR
Smoke rings
De
1473
Tayl
LONNIE JOHNSON
1 LOVE YOU TRULY
Tayl
GOT THE BLUES FOR WEST END
De
7445
Gayl
NO NAME JIVE
DE
3B09
Tayl
MARGARET JOHNSON
TITO GUIZAR
CHANGEABLE OADOY
OK
8185
110+ HORN
ClELO AZUL
VI
83158
Roth
PETE JOHNSON
BOBBY HACKETT
Cherry red vo or ok
4997
SCHE
Si NG 1 N ' THE BLUES
Vo
Schu
Death ray boogie
De
3830
Band
MAL HALLETT
JOLLY JIVERS
BOSTON TEA PARTY
Roth
Piano stomp
vo
25105
HENR
LIONEL HAMPTON
Jooki T JOOKI T
vo
02532
HENR
0 1 NAH
Vl
Schu
RICHARD M. JONES
ONE SWEET LETTER
Vl
Schu
IT'S A LOW DOWN THING
Para
20929
HORN
1 SURRENDER DEAR
Vl
Schu
STREETWALKERS' BLUES
OK
8437
5.00 HORN
(LIONEL HAMPTON CONTINUED NEXT COLUMN)
Baby o' mine
OK
8390
HORN
6
WANTED
SAMMY KAYE
IJF77 MFC 1 RCIiV
Swing and sway (new)
vo
3669 — s — ROTH
C 'MON WITH THE COME ON
BB
~~~
SCHU
rMLUUIL tvLrrftKU
Mutiny in the parlor
v"B
Umph
Stock yaro strut
ARA
19^00 1^ nn Mi t r-
l£j»y i^.uu ivi i i l
1
25636
MPH
STAN KENTON
iIPTDftMnllir A 1 1 CTID
Mt IKUNUML ALL alHK
Y
King porter stomp
°
inuu V 1 DDV
1 1 77 IP II 1 i r c
L 1 LL 1 L M 1 Lto
AYL
1 HATE A MAN
V 1
3857 1
3.00
HORN
flNUY K 1 MK
C i c mm ii 1 1 i ro
bLLNN M 1 LLLK
Ghost or a chance
E
CHU
Moonlight on the Ganges
n°
SCHE
Floyd ' s gu i tar blues
E
SCHU
HUMORESQUE
vo
or k
9
SCHE
r>rur vo\ ida
Sleepy time qal
Vo
or OK
1
SCHE
Blues of I srael
IOI J *i J|UU rvKUN
Moonl i ght bay
1 9
SCHE
BRUMBOOG 1 E
OK
Stairway to the stars
jj
SCHE
Tun i n up
OK
7 DIOR
My isle of golden dreams
j;
0399
CHE
Keep ' em fly i ng
OK
OJUO 11 11 MAUH
Moonlight on the ganges
Co
° '
DlOR
1 UNrJIT LHUn ILK
Solo hop
°
Weary slues/ Ja oa
1 00 So H E R R
Sweet potato piper
10605
'
rn i AMfi
LU LHhU
Over the rainbow
10366
Guitar blues/Blue quitar(duet)
87i | , Mart
Blueberry hill
10768
no
hot .fingers/deep minor(duet)
8743 — — Mart
Five o i.lock whistle
moon
M 1 DN 1 QHT/BlU E ROOM (DUET)
OK
And the angels sing
BB
1
1 R
Meldoy man 1 s/perfect
ATlQIt, MbdT
My last gooobye
BB
1 9
DlOR
Losing you/Mine all mine
Stairway to the stars
iOr
PRELUDe/A LtTTLE LOVE
Moon love
B
Dior
Jeannine
OF
41 | 34 | y^pT"
sLEp hSr*N° SPE'':"L
10388
AINB0W
PAE
R208 Mart
1 H Jl
BB
10317
no"
1 LL NEVER 8E THE SAME
PAL
RI778 Mart
OH JOHNNY
BB
10507
Oi Or
P 1 CK 1 N ' MY WAY/FEEL 1 N '
Br
6254 Mart
Make believe ballroom
BB
10913
D i Or
SAM LAN 1 N ORCH
Y0U STEPPED OUT OF A DREAM
BB
1 1042
DiOr
SUSIANNA
OK
41228 SlME
Take the "A" train
BB
1 1 187
Dior
my k i nda love (new only)
OK 41 188 5.00 Glee
Yesterthoughts
BB
10893
DiOr
LEAOBELLY
(Any wanted to be disposed
OF)
Any
D i Or
BB
8570 Horn
mills blue rhythm band
P^Q^MEAT^PAPA ME
OR Ro
60455 Horn
BROKEN DREAMS OF YOU
Co
31 1 1
1 .50
Qrov
CHESTER LE IGHTON
BROWN SUGAR MINE
Co
3044
1 .50
Grov
Ha
1320 SlUE
mills brothers
UF&nr 1 1 iy i rw > ^
Sleepy head
Br
6913
SlME
Blues de lux/Deep fives
SA
12003 Mart
DEARLINQ NELLIE GREY ( ARMSTRONG )
De
1245
Mill
Far ago blOes/Closin hour slues
SA
12004 MART
IRVING MILLS H0TSY
TOTSY GANG
HONKY TONK TRAIN SLUES
PARA
1 — SCHE
DEEP HARLEM/STRUT MISS LIZZIE
Br
4983
S IME
(Any records)
Call
Rai LROAO MAN
Br
4838
S 1 ME
Kapl
TOTTS MONDELLO
TED LEW 1 S
Sweet Lorraine
Vars
81 10
Hedr
Dallas slues
CO
35684 4.00 Kron
VAUQHAN MONROE
Roth
Sam you made the pants too
LONG
BB
Maur
LIL'S HOT SHOTS
JELLY ROLL MORTON
Georgia grind
VO
1037 5.00 MITC
(ANY 23000 Vl ctor)
Kapl
little brother
(Any Paramount, Gennett solo)
Kapl
BB
6697 UMPH
PONCHATRA 1 N
Vl
38125
Thom
Ml SLED BLUES
BB
7806 UMPH
DEEP CREEK
VI
38055
Thom
CLARENCE LOFTON
SMOKE' .OUSE
VI
20296
East
Strut that thing
VO
02951 Horn
Billy goat
Vl
20772
East
STREAML 1 NE TRA 1 N
De
7171 UMPH
Mint julip
Vl
23334
East
LOUISIANA RHYTHM KINGS
LOAD OF COAL
VI
23424
East
Sweet sue
Br
Iceberg
VI
38075
East
Basin street blues
Vo
15828 THOM
TURTLE TWIST
Vl
38108
East
ABE LYMAN
Mabel
Vl
38125
East
HORSE'N BOOGIE
BB
Band
Dixie home
Vl
38601
East
Johnson special
BB
1 1241 — - Band
WOLVERINE BLUES
AUTO
623
East
WINQY MANNONE
STEADY ROLL
Para
20332
East
Hesitation blues
BB
6394 - M i ll
PEP
Any
f.
tAST
sensat 1 ON
De
464 Mill
New Orleans joys
QE
5486
East
Blue lou
BB
SCHU
Tom cat
GE
5515
East
BB
10401 3.00 Kron
(Any on 23000 Victor)
Vl
horn
downright disgusteo
Vo
15728 — Kapl
PONCHARTRAIN BLUES
Vl
28125
3.00
Horn
(Almost anything)
Any
Tres
Little Lawrence
Vl
38135
5.00
horn
jazz me blues
BB
7198 — — HERR
London blues
RlALTO
535 10.00
Horn
PAUL MARES
Red hop pepper/Deep creek bl
BB
5333
HERR
Maple leaf raq
OK
Blue blood blue6/mushmouth
SHUFFLE BB
8201
Herr
REV. MCGEE AND CONGREGATION '
PONCHARTRAIN BLUES
VI
38125
2.50
Umph
(Any) Vi
OR BB
Horn
Billy goat stomp
VI
20772
2.50
umph
RED MCKENZIE
BEALE STREET BLUES
BB
10256
1.50
Umph
1 CAN'T GET STARTEO
De
790 mill
Someday sweetheart
Vl
20405 2.50 Umph
RAY MCKINLEY
My LITTLE DIXIE HOME
VI
38601
2.00
Umph
F 1 NGERWAVE
De
t020 HENR
BENNIE MO TEN
MCKINNEY'S COTTON PICKERS
(ANY LABEL OR TITLE I NFW OF
EX. \
Bric
ROCKY ROAD
VI
MAHE
MOUIID CITY BLUE BLOWERS
JAY MCSHANN
One hour/Hello lola
BB
10037
3.00
Kron
(ANY PIANO RECORDS)
Call
One hour/hello lola
BB
10037
Henr
MEMPHIS NIGHT HAWKS
Georgia on my mind
OK
41515
Umph
(any)
KAPL
High society
Ch
40103
Umph
7
WANTED
RED NELSON
MAUR ICE ROCCA
Sweetest thing born
Detroit special
NEW ORLEANS BOOTBLAC KS
7155 ■■ 1 HENR
7 1 54 — ■ ■ HENR
ROCCA BLUES
IKE RODGERS
(ANY)
ADRIAN ROLL INI
DE
8504 Sche
KAPL
NLW UKLLH "Jo KM I 1 MM MIluS
CO
•■ ■■ ■ ■ 3.00 MlTC
SOMEBODY LOVES YOU
SUGAR
De
De
359 MCKE
265 Mill
BLU 1 N THE BLUES
DE
464 — '■ Umph
PEE WEE RUSSELL
Tin roof blues
de
1 6 1 — Umph
Ease on down
vo
1579 Mahe
HtU N 1 UMULo
1 QO-T RHYTHM
Me
12000 mahe
Sweet sue
Br
6266 — ■ - 1 Pens
Song of swanee
OK
Mahe
RlVERBOAT SHUFFLE
BR
3627 Pens
Panama
OK
Mahe
LIUEH0U6E BLUES
BR
COX
(any)
HRS
BUCH
RAY NOBLE
ADRIAN SCHUBERT
Nice work if you can get it
Br
7983 — — McKe
STAR DUST
CR
3191 — S t ME
dinner for one please james
VI
MCKE
OMER SIMEON
Crazy rhythm
BR
8098 ■ ■ ■ McKe
Beau koo jack/smokehouse
BLUES
Br
7109 — Kapl
Turkish delight
Garr
Beau koo jack/Smokehouse
BLUES
Br
7109 6.00 HORN
i i km v 1 1 n iv-ir
J 1 lYlrilT NUUIIL
SIX HITS AND A MISS
Sweet lorra i ne
De
7553 — ■ HEOR
Relax (new)
SLIM AND SLAM
OK
OR VO
5532 Roth
RED NORVO
HONEYSUCKLE ROSE
Co
Mahe
(Any)
-
Tayl
Old fashioned love
r°
35638 4.00 KRON
BESSIE SMITH
gLU" tN EQrLAT
0
*t.UU r-KUN
Gimme a pigfoot
UHCA
49—50 M 1 LL
LADY BE GOOD
E
~7~Ja Urno
/ /y — — — mluk
Backwater slues(new)
Co
1 41 95 2.00 STUR
JIMMY 0 'BRYANT
JA880 SMITH
(Any Brunswick)
PINETOP SMITH
(Any)
Para
HORN
KAPL
K 1 NQ OL 1 VER
PlNETOP'S BOOGIE WOOGIE
1245 — SCHE
West end blues
Vl
Mahe
SONG FELLOWS
Ch 1 MES BLUES
UHCA
67 — HENR
(any recordings)
SlUE
(Any parauount,okeh/gennett )
$5—40 KAPL
EDDIE SOUTH i RE 1 NHARDT
H 1 GH SOC 1 ETY
OK
4933 ■ — East
SOMEBOOY LOVES ME
s»
13 Gayl
Buddy's habits
OK
40000 — East
MUGGSY SPAN IER
wa wa wa
V0
1033 East
Someday sweetheart
BB
10384 5.00 KRON
(Any on victor or bluebird) v
OR BB
HORN
ECCENTR 1 C
BB
104 1 7 5.00 KRON
( Any on vocalion)
V0
— — U3.+ Horn
AT THE JAZZ BAND BALL
B8
1 05 1 9 5.00 KRON
( Any vocal i on )
QRIT
Rt VERSOAT SHUFFLE
BB
10532 5.00 KRON
1 U UM Y
AT SUNDOWN
!>B
10719 5.00 KRON
SUNS
3003 7.50 Ml TC
*rc. 1 \ . 33 aM 1 N
T 1 NY PARHAM
ECCENTR 1 C
BB
10417 ■ ■ ■ HERR
(Any label or titlej new or ex)
Bric
SPANIER-6ECHET
(Any paramount)
~~
KAPL
(Any HRS)
Ml LL
PARAMOUNT PICKERS
THAT'S A PLENTY
HRS
2002 Mart
Salty dog
Para
1 2779 6 . 00 HORN
Lazy river
HRS
2000 KRON
CHARLES PIERCE
China boy
HRS
2001 5.00 KRON
Chi na boy/Bullfrog blues
Para
12619 STUR
THAT'S A PLENTY
HRS
2002 5.00 KRON
BEN POLLACK
Sweet sue
HRS
2003 5.00 KRON
Deep elm
Vo
3769 M 1 LL
CHINA BOY/FOUR OR FIVE TIMES
HRS
2001 BUCH
Boogie woogie
—
SCHE
SPECKLED RED
JlMTOWN BLUES
Br
7764 Cox
ST. LOUIS STOMP
BB
7985 HERR
TEDDY POWELL
Louis Baltimore
BB
8012 ■ HERR
Teddy ' s bo og i e woogie
DE
2806 — — SCHE
STATE STREET RAMBLERS
BOOG 1 E WAR DANCE
SCHE
Weary way blues
°E
6232 20.00 Kapl
Teddy bear boog i e
De
Bano
WEARY WAY BLUES
6232 10.00 HORN
Straight 8 boogie
BB
1 1092 ■ ' Band
REX STEWART
Jungle boogie
BB
i 1232 Band
Some satjrday
BB
SCHU
Sans culottes
BB
1 |20| ^— Band
some Saturday
BB
1 1258 ^— HEDR
Boog i e war dance
Band
(Any on vocalion)
—
Burl
Bugle call rag
— — Band
Solid rock/bugle call rag
HRS
2005 Such
(Any instrumental dance ON BR OF
De ) —
Band
Sugar hi ll sh i m sham
OK
3844 HERR
LOU IS PR 1 MA
JOE SULLIVAN
Star dust (new only)
Br
7335 Si ME
Gin mi ll blues
Co
2876 Mart
QUINTETTE OF HOT CLU8 OF
FRANCE
(Any solos on European la
JELS)
Hart
(Any 6wing and HMV labels)
1 can't give you anything
BUT
Vo
SCHU
Blue drag
ROYAL
1778 MCKe
ROOSEVELT SYKES
Confess i n '
ROYAL
1788 MCKE
"44" SLUES
OK
8702 HENR
Chasing shadows
ROYAL
1798 MCKE
ERSKINE TATE
Bolero/Mabel ( |2 inch)
GrF LI046 5.00 GAYL
Stomp off let's go
VO
Mahe
MA RA 1 NEY
ART TATUM
Para
83.+ Horn
STOMPIN' AT THE SAVOY
8536 - HERR
THE RED HEADS
JASPER TAYLOR
Baltiuore/a good man (new)
Pe
14882 1 .75 STUR
IT MUST BE THE BLUES
PARA
12409 10.00 HORN
0 JANGO RE 1 NHARDT
JACK TEAGARDEN
(any solos on swino labels)
Sw
Mart
Wolverine blues
BR
— UCKE
Sweet Georgia brown/Rascal you
Sw
35 5.00 GAYL
Big EIGHT BLUES
HRS
2007 SCHE
CHUCK RICHARDS
PlTCHIN' BOOGIE
12855 — — Sche
BLUE INTERLUDE
vo
2877 I.3C GROV
JUNK MAN
Br
7652 HENR
JOSEPH ROBECHAUX-
Plantation joys
Co
2913 HENR
Shake it and break it (N or e)
vo
2592 2.00 Umph
BIG EIGHT BLUES
HRS
2007 HENR
Saturday night fish fry (N or E]
vo
2796 2.00 Umph
Stars fell on Alabama
Br
6993 East
Ring dem bellb (n or E)
VO
2574 2.00 Umph
YOU RASCAL YOU
Co
2558 East
Stormy weather (n or E)
VO
2540 2.00 Umph
Rocking chair
CR
3051 East
8
WANTED
HOCIEl THOMAS
(ANY WITH LOUIS; NEW )
ok
8 10+ HORN
SIPPE THOMAS
I'M A MIGHTY TIGHT WOMAN
Vl
38502
3.00
HORN
FRANK IE TRUMBAUER
Mississippi mud
ok
•40979
SI ME
KRAZY KAT
ok
MAHE
HONKY TONK TRAIN BLUES
vars
B236
SCHE
Mississippi mud (new only)
ok
40979
GLEE
VARSITY EIGHT
A PRETTY GIRL IS LIKE A MELODY
Va
8179
HENR
VENUT l-LANG
(Any UHCA)
Mill
Wild cat
bb
10280
HEDR
Farewell blues/Someday sweetheart
ANY
- HENR
SIPPE WALLACE
MORNING DOVE BLUES
OK
5.00
HORN
(ANY WITH LOUI s; NEW )
ok
• 10+ Horn
WALLER & PAINE
AFTER YOU 'VE GONE
2237
EOR
fats Waller
Gladys
SI ME
12th ST. RAG
SOMEBODY STOLE MY QIRL
v'
EOR
(ANY RECORDS)
ALL
LOOKIN' QOOD BUT FEELIN' BAD
Vl
38086
HOM
RlDIN* BUT WALK 1 N '
VI
THOM
Minor draq
VI
38050
HOM
BUCK JUMPIN'
BB
324
GAYL
HOW CAN YOU FACE ME
BB
in 4S
HERR
YOU'RE NOT THE ONLY OYSTER /ft REAM
BB
HERR
RlDIN* BUT WALK! N '
VI
1 19
HERR
MICHEL WARLOP
TEA FOR TWO (WITH REINHARDT)
Sw
GAYL
SERENADE FOR A WEALTHY WIDOW
Sw
GAYL
WASHBOARD RHYTHM KINGS
TIGER RAG/SCOTTY BLUES
BB
HERR
Sloppy drunk blues/a nickle for a
BB
8164
HERR
Ct(ICK WEBB
Soft and sweet
VO
1 0
MAHE
DICKY WELLS
Bugle call
VI
26220
HEDR
WEST BROTHERS TRIO
STAR DUST
BB
5836
Si ME
PAUL WHITEMAN
Lovable
HMV
SlME
LlFIN' IN THE SUNLIGHt(new ONLY )
Co
2171
S 1 ME
Concerto in f (6 sides) Co 50
39—41
SlME
Night with paul whiteman
Vl
36199
HOLL
Night and day
Vl
36085
HOLL
In a park in paree
VI
24285
HOLL
it's only a paper moon
Vl
24400
HOLL
Bouncing ball
Vl
24574
HOLL
Darktown strutter's ball
Vl
251 92
HOLL
Waitinq at the end of the Road
Co
1 974
HOLL
1 like to do things
Co
2170
HOLL
Oh miss hannah (new only)
Co
1945
After you've gone (new only)
Co
2098
5.00
Glee
Mary/Changes
Vl
21 103
Bric
CLARENCE WILLIAMS
Breeze/Beer garden blues (new)
Vo
2541
BRI C
Sugar blues/ain't gonna give you
Vo
2805
BRIC
COOTIE WILLIAMS
Black butterfly
OK
5618
1.00
SMIT
Echoes of harlem
Vo
3960
Burl
Downtown uproar/blue reverie
Vo
3814
Thom
DlGA DIQA DO
Vo
3818
Thom
1 CAN'T GIVE YOU ANYTHING BUT LOVE
Vo
3890
Thom
Pigeons and peppers/Jubilesta
Vo
3922
Thom
GARLAND WILSON
(ANY 60L0S ON EUROPEAN LABELS)
Mart
TEDDY WILSON
Easy to love
Any
mill
SA 1 L 1 N '
BR
7781
mill
WHY WAS 1 BORN
BR
7859
mill
MEAN TO ME
ANY
Mill
Treasure island/Found a dream
BR
7572
Mart
Every now and then
BR
7543
Mart
Sweet Lorraine
Co
Schu
OH LADY BE QOOD
Co
SCHU
Just a mood
BR
7973
5.00
KRON
(Teddy Wilson continued next column)
(teddy Wilson, continued)
Sweet Lorraine
8R 8087 HEDR
(Many w.i th holiday*, ex to new)
BR EDEL
Just a mood
BR 7973 COX
windy rhythm kings
PlQGLY WIQGLY BLUES
PARA 12770 HORN
WOLVER 1 NES
Tiger rag
HRS 24 HOLL
JIMMY YANCEY
(All records)
CALL
The fives/jimmy '6 6tuff
SA 12008 BUCH
YOUNG'S CREOLE BAND
EVRY SATURDAY NIGHT
Para 12060 horn
BOB ZURKE
CUBAN BOOGIE WOOQI E
Vi 2641 1 Band
COW COW BLUES
VI 26646 BAND
Peach tree street
Vl 26420 Band
ANY RECORDING GROUP
THAT'S MY SWEETHEART
Star dust (any rare or unusual
labels) — — SlME
(any boogie woogie records)
SCHE
BEAT UE DADDY (FAST TEMPO )
TRANSCRIPTIONS
BING CROSBY(ALSO SOUND FILMSJMOVIE TRAILERS) SlME
NAME BANDS (also SOUND FILMS J MOVIE TRAILERS) SlME
Star DU6T
SlME
BOOGIE WAR DANCE
— $2-3 Band
DECCA ALBUMS
BOOG 1 E WOOQ IE (NO. 1 )
De A37 Band
BOOQ 1 E WOOGI E (NO. 2)
De A235 Band
IT'S PHENOMENAL !
UP
GC£S
LIVING
OF
COST
THE
but
Si*?-*
9S Or.
SO rt
Actually, — we have devised a
plan by which you can now
advertise your records in the
Changer for 20$ less than the
rates shown on page 33.
Our regular advertisers have
received with this issue
instructions by which they
may effect this reduction to
their advertising costs.
If you wish to advertise in
the Record Changer, but are
not familiar with our new
plan, a penny post card to
The Kteotd Qhanycc,
7a it fax, rileinUi.
will save you real dough.
Got To Reach Tenths To Play These Blues
&y (Don VPilson
1 -TT"1 ^irrf—t-
9
1 1 ./f p
urn
»T far *
£5
as
Hi
? 5T jj? 5 r fer Jf '|t ' »
i — r
-h-7-
r . r > } JT1 =
-U LU W^-
) .1 ,k .h Ji) .h
>/ — i i ,/ —
* J " —
— i — *-
•
• J »■ «— * * —
4 i '
Iff .-. If. > ^
V lJj
4=3
4f-
■N1 i 1
tf^*
•m rjn m
' ■f lit if
10
GEO. W.
NAULTY
1 River Bend Road, Scotch Plains, New Jersey
All records are new. Almost all of them unplayed.
Closing date for bids: December |, 1943
FOR AUCTION
ALL STAR BANDS
LIONEL HAMPTON
BLUE LOU/'The BLUES
VI 26144
PIANO STOMP/I SURRENDER DEAR
VI
25666
BUQJLE CALL RAG/ONE O'CLOCK JUMP
VI 27314
Early session hop/One sweet letter
VI
26393
ROYAL FLU6H/I GOT RHYTHM
Co 36499
MUN60N ST. EREAKOOWn/DaN'T GET STARTED
VI
26453
VICTOR ARDEN & PHIL OHMAN (2 pianos)
ERSKINE HAWKINS
MAPLE LEAF RAG/CANADIAN CAPERS
VI 22608
OOL IMI te/TOO MANY DREAM6
BB
10812
BUSTER BAILEY
king porter stomp/Weary blues
BB
7839
CALL OF THE OELTa/SHANGHA I SHUFFLE
Co 35677
JIMMY LUNCEFORD
MILDRED BAILEY
DINAH, parts 1 & 2
CO
36054
Georgia on my mi no/Afraid of myself
OE 3691
In dat morn in '/Sweet rhythm
BB
5330
Love come back/peaceful' in country
OE 3935
COQUETTE/FOR DANCERS ONLY
DE
1340
CHARLIE BARNET
MCKINNEY'S COTTON PICKERS
Echoes of harlem/Scotch and soda
BB 10210
Ml LENBERG JOYS/Ll TTLE GIRL
BB
10954
Afternoon of a moax^vanderin' blues
BB 10721
MISS HANNAH/THE WAY 1 FEEL TODAY
BB
10232
COUNT BASIE
MILTON "MEZZ" MEZZROf
honeysuckle rose/roseland shuffle
De 1141
COMIN' ON WITH THE COME. ON, PARTS 1 & 2
BB
10085
SWINGING THE BLUES/SENT FOR YOU
DE 1880
JELLY ROLL MORTON
SIDNEY BECHET
Shoe 6hiner's drag/boogaboo
BB
7725
Lay your racket/i want you
BB 10472
RAY NOBLE
WILD MAN BLUES/SHAKE IT
VI 27707
Tiger rag/Japanese sandman
VI
24577
COAL BLACK SHINE/PLEASE COME HOME
VI 27386
RED NORVO
BIX BEIDERBECKE
BLUES IN E FLAT/BUGHOUSE
Co
36158
Jazz band ball/jazz me blues
Co 36156
QUINTET OF THE HOT CLUB OF FRANCE
LONELY MELODY/MISSISSIPPI MUD
VI 25366
moonglow/China boy
De
23031
Louisiana/you took advantage
VI 25369
Georgia on my mind/Still of the night
VI
26578
LARRY CLINTON
SWINGIN' WITH DJANGo/PARAMOUNT
VI
27272
Jazz me blues/uptown
BB 10961
St. Louis blues/don't mean a thing
DE
23032
Johnson rag/down home rag
VI 26414
DON REDMAN
LIMEHOUSE BLUES/A KISS
VI 26523
Chant of the weed/shim-me-sha-wabble
BB
10765
BOB CROSBY
SEXTET OF THE RHYTHM CLUB OF LONDON
ROYAL GARDEN BLUES/SQUEEZE ME
De 3339
Mighty like the blues/Bars
BB
10529
Jazz band ball/Sugar foot strut
De 3337
ART IE SHA*
Savoy blues/sugar foot strut
DE 1094
BLUES, PARTS 1 t, 2
VI
2741 1
lOLVERINE BLUES/LOUISE LOU 1 SE
De 2032
Niqhtmare/Non-btop flight
BB
7875
TOMMY DORSEY
Dr. livingstone/Presume/quail
VI
27289
Ml LENBERQ JOYS, PARTS 1 & 2
VI 26437
My blue heaven/moonglow
VI
27405
Swing hiqh/swingtime in harlem
VI 27Z49
FREDDIE SLACK AND HIS 8 BEATS
STAR OUST/3WANEE RIVER
VI 27233
s t range cargo/Pig foot pete
De
4130
LONESOME ROAD, PARTS 1 & 2
VI 26508
B.W. KITTEN ON KEYS/DOWN THE ROAD
DE
4043
Copenhagen/Sigma CHI
VI 26016
BESSIE SMITH
OORSEY BROTHERS
Young woman's blues/Cake walking babies
Co
35673
St. Louis blues/Milenberg joys
DE 1 19
LOST YOUR HEAD BLUES/BABY DOLL
CO
35674
Jazz me slueb/anythino
Co 36064
Empty bed blues, parts i & 2
Vo
03286
By heck/Qettin' sentimental
Co 36065
I'M wild about -that thing/you've got to
00
14427
SHIM SHAM SHIMMY/MOOD HOLLYWOOD
CO 36066
RECKLE6S BLUES/ST.L0UI8 SLUES
CO
3171
REGINALD FORSYTHE & ARTHUR YOUNG
Careless love blues/Veep ing willow
Co
3172
Mood indi go/Solitude
VI 26224
Alexander's rag time band/Hot time
Co
3173
Tiger rag/St. Louis blues
VI 26274
Money blues/muddy water
Co
3174
LES HITE
Yellow dog blues/trombone cholly
CO
3175
BOARD MEETIN'/SUNRISE
BB 1 1 109
Baok-water blues/nobody knows
CO
3176
II
AUCT I ON
AUCTION
ROBERT THIELE
63 Continental Ave.
Forest Hil I s , L . I .
New York
Auction closes December 10, t9H3
NO BIDS UNDER 5 I .00
The fol lowing records listed for auction were original ly issued in Canada
BENNY CARTER JAY MCSHANN
Lonely boy blues/Sepian stomp Canada DE 4387 N
DUKE ELLINGTON
MOONGLOw/SOLITUOE
Jack the bear/morn i ng glory
Cotton tail/don't get around
Bo jangles/Portrait of B.W.
Harlem air-shaft/Sepia panorama
COLEMAN HAWK I NS
Body and soul/Fine Dinner
Canada Co 6061 N
" VI 26536 N
" VI 26610 N
" Vl 26644 N
" V| 2673 |. N
Canaoa BB 10523 N
ANDY KIRK J, EARL HINES
MOTEN SWING/ROSETTA
Canada 0e 3517 N
COLEMAN HAWK INS 4 JIMMY LUMCEFORD
Medi tat i gn/My blue heaven Canada De 3520 N
RED NORVO I. JOE VEtiUTI
DECCA STOMP/TAP ROOM BLUES
Canada De 3527 N
The following two records listed for auction were original ly issued in England
NO BIDS UNDER $2.00
BENNY GOODMAN
AIN'T CHA GLAD/l GOTTA RIGHT TO SING BLUES ENG. CO 2822 N
Texas tea party/Or. Heckle !, Mr. jibe Eng. Co 2823 N
(l WILL NOTIFY WINNING BIDOERS. CASH, CHECK OR MONEY ORDER MUST BE SENT TO ME BE-
FORE RECORDS WILL BE SENT TO THE WINNERS. NO RECORDS SENT C.O.D.)
WILLIAM C. LOVE
930 Broadway, Nashville, Tennessee.
WANTED
Wi 1 1 pay good cash or trade
for these records in good condition.
BLYTHE-PARA 12346, 12368, I2428,CHAI,. 15399
CHICAGO FOOTWA RMERS - OK 8533
HENRY BROWN - PARA 12988
SAMMY BROWN - GENNETT 6337
J.C.COBB - PARA. 12382, Vo. 1204, 1263, 1269
Oliver Cobb - BR 7107, para. 13002
Maolyn Davis - para. 12498
Dodos - Br 3568,3997
Franco - Me 12009
cleo gib60n - ok 8700
Rosa Henderson - Vo. 102 i , 1025, 1038
johnson's crackerjacks - vl 23329
moonlight revelers - grey gull 1775
Jelly roll Morton-Vi .23402, 23429, any autograph
Parham-Vi 23386, 23426, 23432, Para. I25R6
Pi ckett— parham - Para. 1 244 1
I KEY ROBINSOn - BR 7057
laura rucker - para 13075
trixie smith - para 12262
jasper taylor - para. 12409
Weatherford - Swing 38,58.
williams - qrs 7004,7024,7040
W t lson— Par a 12408
wynn's Dandies - vo. 15860
wynn's gutuucket f i ve-vo . i 220, i 252
Jack 0 'Diamonds - para 12786
FOR TRADE
DUKE ELLINGTON
The Creeper /Immigration blues Vo 1077 G
Hill trade for Jelly Rot I Morton end Muggsy Spanier
Bluebird records; some Goodman Victors and others.
PHYLLIS McC LENAHAN, 2127 CALI F. ST. , NW, WASH INGTON , DC
JOHN STEINER
Room 608, 9 South Clinton, Chicago (6)
111.
FOR
SALE
whoopee makers
Ducks/Mama didn't do it
JACK PETTIS
Freshman hop
jack teagarden
beale street blues
Hello beautiful
joe kannone
Downright disgusted
BUD FREEMAN
Craze-o-logy
OA 9015
Pat 37054
CR 3017
CR 3046
VO 15728
OOF 165581
IC" X 10" DOUBLE WEIGHT GLASS PLATES
( FOR- FLATTEN 1 NG
10" NEW GREEN STOCK ENVELOPES (pOSTPAIC)
J. 20
.02
FOR TRADE
ADVERTISING SPACE
IN THE RECORD ChANGER
FOR
REISSUES OF
KING OLIVER'S JAZZ EAND
Make me an offer.
Gordon Gul 1 ickson, Fairfax, Virginia
NOTICE TO BRITISH COLLECTORS:
I will trade advertising space in
the Record Changer for certain hot
records. Send me list of records
you would consider trading for $2
to $3 worth of advertising space.
12
MARGUR I ETE BALDWIN, 142 MERCER STREET, TRENTON (9), NEW JERSEY
Closing date for bids: November 30, 1943
FOR TRADE OR AUCTION
RED ALLEN
(tec lewis continued)
Can 1 forget you/love or infatuation
Vo
My little drea mboa t/lady luck
r°
999
You/llOULD YOU
44
N,EV ST. LOUIS 8LUES/IY MAMA'S IN
town
9
Darling not without you/out where the
3305
B 1 LLY HOL 1 DAY
goodnight my lucky day/Thepe's a kitchen
Vo
3490
E+
GEORGIA ON MY MIND/LET'S 00 IT
OK
LOUIS ARMSTRONG
All of me/romance in the dark
OK
6 14
Lazy river/Georgia on my mino(skips)
OK
41515
G
GCD BLESS THE CH 1 Lo/SOL 1 TUDE
OK
6 70
Ain't m i sbehav i n/black and blue
OK
87 14
G
MCKINNEY'S COTTON PICKERS
When you're smiling/Some of these days
OK
41 298
V
COTTON PICKERS SCAl/jUST A SHAOE
OF COR
23012
E+
Gut bucket blues/Yes, i 'm in the barrel
OK
826 1
V
JELLY ROLL MORTON
Heebie jeebi es/muskrat ramble
OK
8300
V
BOOGABOO/SHOE SHINE DRAG
BB
7725
N
When your lover has gone/Blue again
OK
41498
BENMIE MOTEN
Exactly like you/Indian cradle song
OK
41423
G
THAT'S WHAT I'M TALK I Mg/TeRR 1 F 1 C
STOMP
VI
38081
E+
Blue turning grey over you/Song of the
OK
41 375
E
Justrite/trouble IN MIND
Vl
21739
E+
Beau koo jack/mahoqany hall stcmr^" bad)
OK
8680
G
SOUTH STREET BLUEs/SHE'S SWEETER
THAN
OK
8255
V
BUNNY 8ER 1 GAN
MOTEN STOMP
VI
20599
V
1 CAN'T GET STA"TEd/THE prisoner's song
1
36208
MOUND CITY BLUE BLOWERS
My little cousin/skylark El
5020
E+
ARKANSAW BLUES/BLUE BLUES
Br
2581
V
Sweet vars i ty sue/why talk about love
VI
25667
E
ORIGINAL MEMPHIS FIVE
blUftt\ DtUHLI
1 NEVER MISS THE SUNSH 1 Ne/THAT RED HEAD
Pat 020939 V
Oh lady be good/rose room
V 1
27707
N
SWEET LOVIN MAMMA /THAT ECCENTRIC
RAG PAT 020921
V
WILL BRADLEY
steppin out/Dancing dan
Re
9583
V
Make with the kisses/Fit to be tied
VO
52 10
N
KING OLIVER
BROADWAY BROADCASTERS
St. James infi rmary/Vhen you're sm i l i ng
Vl
22298
V
Lonesome and sorry
912
G
BESSIE SMITH
Ma rvelous
*
1 9
v+
Nashville woman blues/i ain't go in to
CO
14090
G
LnUUULAIL UANUILb
Take em away/Ticket agent ease your
' CO
I4C25
E
Four or five times/paducah
OK
8627
G
REX STEWART
BOB CROSBY
Jan juan hill/( B.Bailey "chained to dream") vo 5510 N
SO. RAMPART ST. PARADE/DOGTOWN BLUES(l2")
De
1 5038
N
JACK TEAGARDEN
SUGARFOOT STOMp/KlNG PORTER STOMP
DE
4390
St. James i nfirmary /black and blue
D
3844
N
L UUN — b ANULKb
FRANK IE TRUMBAUER
Everything 16 hotsy That's all there is
Vl
1 9750
N
Lady be good/wrap your troubles
N OR.
Var 8269
N
MY BABY KNOWS HOW/BRAI N6T0RM
VI
20390
E+
JOE VENUTI
BENNY CARTER
One minute to oneAou have taken
MY HEART PE
15869
G +
Beale street blues/Joe turner blues
OK
6001
N
fats waller
COTTON PICKERS
Looking for another sweetie/when
1 'M AL.
VI
381 10
E
You tell her 1 stutter/way oown yonder
Br
2404
+
Sposin'/rosetta
BB
10156
N
D'ORSAY ORCHESTRA
PAUL WHITEMAN
You're wonderful/i found you
Ha
I4C 1
E+
Bell hoppin blues/St. Louis blues
VI
20092
V
J 1 MM IE OORSEY
Collette/Broken hearted
VI
20757
E
SONG OF THE VOLGA BOATMEn/| CRIED FOR YOU D E
1 041
Old man river/Make believe
Vl
21218
V
DIXIE DASIES (LUCILLE hegamin)
CLARENCE WILLIAMS
YOU MAY BE FAST/lF YOU DON'T GIVE ME WHA
OA
461
In our cottage of love/Lazy mama
VI
38063
E
DUKE ELLINGTON
Of all the things you done/Everybody
OK
8181
V
E.ST.LO is toodle oo/birmingham BREAKD.
VO
E
Old folks shuffle/8lack snake blues
OK
8465
V
Take the "a" train/Sidewalks of new york
Vi
SQUEEZE ME/NEW DOWN HOME BLUES
ORS
7005
G +
FIVE BIRMINGHAM BABIES
Copenhagen/deep sea blues
PE
1 4350
E+
WANTED
GLEN GRAY
Stardust/One morning in may
Oe
2396
N
BENNY GOODMAN
San sue/China girl (lamination crasks)
OK
41403
G
SOLITUDE (MODERNISTS)
PE OR
BA
33192
BENNY GOODMAN
Cokey
Co
301 1
IF 1 could be with ydu/uear old southl.
BB
10458
N
ST. LOUIS BLUES
VI
2541 1
Smoke gets in your eyes/La rosita
CO
36284
N
Jam session
VI
25497
AIR MAIL SPECIAL
Co
36254
N
China boy
VI
25333
Smoke gets in your eyes
CO
36284
N
Sweet Lorraine
Vl
25822
Changes
BB
1 1 226
N
D 1 NAH
VI
25398
Dear old southland
BB
10458
N
P 1 CK-A-R I B
Vl
26166
JEAN GOLDKETTE
LOUIS ARMSTRONG
Gimme a little kiss/Lonesome & sorry
Vl
2003 1
V
STARDUST
VO OR
OK
41530
Remember/i want to see my tenn.
Vl
1 9548
V+
ADRIAN ROLL INI
1 'M LOOKING OVER A FOUR— LEAF CLOVER
VI
20466
E+
STARDUST
vo
5376
ALL-STAR BAND (B. Goodman)
LES BROWN
ROYAL FLUSH/l QOT RHYTHM
CO
36499
F
STARDUST
BB
7858
LIONEL HAMPTON
COLEMAN HAWKINS
SUNNY SIDE OF STREET/l KNOW THAT YOU NO
VI
25592
N
STARDUST
HMV
B8420
FLETCHER HENDERSON
HOAGY CARMICHAEL
Have it ready/Stockholm stomp
Vo
15532
V
STARDUST
Vl
24484
Blue lou/christopher columbus
Vo
321 1
G
SAMMY KAYE
JOHNNIE HODGES
STARDUST
vo
4433
Dream blues/i know what you do
yo
5353
N
ANY RARE RECORDINGS OF"STARDUST"
That's the blues/good queen bess
BB
1 1 1 17
N
ARTIE SHAW
TED LEWIS
One foot in the groove
BB
10202
Wang-wano blues/home again blues
CO
3464
v+
TOl'.MY DORSEY
Beale street blues/memphi s blues
CO
1050
G+
East of the sun
BB
10726
13
SAM MELTZER,
737 FOX STREET, BRONX (55), N.Y.
Closing
date for b
ds: November 30, (9^3
FOR TRADE
OR AUCTION
RED ALLEN
RAY NCBEL
A, SHERIDAN SQUARE
OK
6357 N
V 1 L 1 fiyCRAZY RHYThM
BR
809P
f.
LOU 1 S ARMSTRONG
NAPOLEON 'S E'.'PEPCRS
MUSKAT RAMBLE
Co
36153 N
Meat- to me/My kinda love
Vl
36057
V
Georgia bo bo
BrE
02065 N
RED fJ ICHOLS
Alligator crawl
parl
2185 N
Sometimes I'm happy
Br
4701
N
Once in a smile (ok)
Parl
2242 N
Moan you moaners
Br
6i49
G
You're next
CO
36155 N
1 WANT TO BE HAPPY
Br
4724
I
Exactly l i ke you
OK 41423 V
7RCUBLES0ME TRUMPET
BUNNY BERlGAN
C AROL i NA IN THp MORMING
BrE
1062
H
MOTHER GOOSE
V I
25616 G
ERAf:K IE NEWTON
1 CAN'T GET STARTED (|2 INCH)
VI
36208 N
Jam fever/j i tiers
VO
4851
;
1 CAN'T GET STARTED ( 10 INCH)
ORIGINAL UEMP1 IS FIVE
BARNEY BlGARD
Jazz me blues
Parl
Caravan
VO
3800 v
KING OLIVER
CHOCOLATE OAfiD 1 ES
1 'In GONNA WEAR YOU OFF WY MIND
BrE
022C 1
\
Dee blues
CO
36006 N
J 1 MI.'Y MCPARTLAND
TOMMY DORSEY
PANAMA
Oe
3522
Easy does i t
VI
26429 E
QU INTETTE OF FRANCE
That's a plenty(goodman "small hotel
25363 V
Sol i tude/Vhen day is done
HMV
8669
N
Maple leaf rag
Vi
25^96 N
Bodv l- soul/a little love
HMV
85S8
N
ROY ELDRlDGE
Confess i n '
roy
1788
N
HECKLER 'S HOP
OK
3577 N
D JANGOLOGY
DE
23C03
f
High society
VA
8154 N
Honeysuckle ROSE
Oe
23066
N
DUKE ELL 1 NGTON
Some of these davs
DE
23004
N
SARATOGA SW 1 NG
BB
6565 G
Swanee R I VER
ROY
1765
N
NO GREATER LOVE
Br
7625 E
St. Louis blues
De
23032
N
CONN IE *S INN ( HENDERSON )
Sh i ne/Nagask 1
Vl
25556
N
M 1 LENBEPG JOYS
VA
8042 N
Oriental shuffle
V 1
26506
f
BE fjn Y GOODMAN TRIO
G eorg i a on my mind
VI
2657b
N
NOBODY *S SWEETHEART
BB
10723 E
Exactly like you
Vl
26733
N
JEAN GOLDKETTE
Paramount stomp
Vl
27272
N
COVER ME UP WITH SUNSHINE
VI
19317 N
Sweet georg i a drown
DE
23065
N
LIONEL HAMPTON
Daphne
DE
23 1 52
r.
On the sunny side of the street
Vl
25592 E
China boy
DE
2303!
H
High society
V 1
26209 E
N 1 ght and day
De
23C67
\
TILL TOM SPECIAL
Vl
26604 E
Avalon
Oe
23002
!\
YOU'RE MY OESIRE
VI
25771 E
REX STEWART
1 CAN 'T GET STARTED
VI
26453 V
Tea and trumpets/Back room romp
Va
618
V
JOHNNY HODGES
Sugar hill shim— sham
664
Jitterbug's lullaby
VO
4309 E
FRANK 1 E TRUMBAUER
S 1 STER HARR t S
Good man is hard tc find
Co
35956
E
The COOT 1 E CRAWL
PE
12043 V
1 'M COMING VIRGINIA
Co
36260
f
F LETCHER HENDERSON
FATS WALLER
House of david blues
UHCA
57 N
CHRI STOPHER COLUMBUS
VI
25295
E
LOW DOWN ON THE BAYOU
VA
8053 N
Float in' down to cotton town
Vl
25415
E
Lime house blues
DE
157 E
There goes my attraction
VI
25366 N
Down south camp meeting
DE
213 E
TEDDY WILSON
COLEMAN HAWK 1 NS
My first impression of you(holiday'
BR
8053
E
Med i tat i on
De
742 G
Mary had a little lamb
Br
7673
N
Lady be good
Parl
2CC7 N
Easy living
Br
791 1
Hi
1 WANNA GO BACK TO HARLEM
DeE
6502 N
A-TISKET A-TASKET/^OW it can
Br
6199
E
KRESS & MCDONOUGH
TEDDY WILSON'S SCHOOL FOR PIANISTS ( SOLOS )
HEAT WAVE
Br
7885 N
1. Tiger rag/Loch lomond
JACK JENNY
P-2331 I-3/P-233I2-3
Stardust
OK
5304 N
2. Coquette/China boy
PAUL MARES
P-24024-2/P-24025- 1
Maple leaf rag
CO
35685 N
3. Melody in f/^hen you and 1
WERE YOUNG
ALL STAR BAND
p-24026- 1 /P-24027- 1
The BLUES
VI
26144 G
4. That old feeling/my blue heaven
METRONOME ALL STARS
P-22826-4/P-22827-2
ROYAL FLUSH
Co
36499 N
5. Alice blue gown/i 'll see v
OU IN MY
DREAMS
MCKENZ lE-C0rD0N
P-23328/P-23327
China boy
CO
35951 N
NOBODY'S SWEETHEART
CO
35952 N
(The above album of five records
RED NORVO
WILL BE SOLE IN LOT ONLY .
ALL
Slumming on park ave.
Br
7813 N
RECORDS ARE NEW . COMPLETE
TEXT
In a mi st
Br
8236 N
AND SCOPES WITH ALBUM. Ml
N 1 MUM
LOVE IS HERE TO STAY/l WAS 00
Br
8068 N
BIDI $10.00)
Tea time/jeannie
Br
6103 N
COOT IE WILLIAMS
Blues in E flat/bughouse
Br
8208 N
Delta MOOD/tloYs from harlem
VO
4636
E
Tears in my heart
Br
7979 N
MOBILE BLUES/GAL— A— VANT 1 N
VO
4636
E
The. morning after
BR
7932 N
BENNY CARTER ( KA I EVANS )
Liza
BR
7868 N
WHEN LIGHTS ARE LOw/BLUE INTERLUDE
HMV
X4699
Clap hands/Russian lullaby
Br
7975 N
Bugle call rag/Vemphis blues
HMV
X4698
N
14
AUCTION
BUD DENDR ! NO
II Arcade Building, Muskegon, Mich.
AUCT I ON
These: records ape at auction which terminates on November 20. Minimum bios are shown
The records and albums at the bottom of this page are current numbers for sale at
for each record,
set prices.
HENRY RED ALLEN
Swing out/Feeling orowsy
Funny feathers/how do they do it
LOUIS ARMSTRONG
ORY'3 CREOLE TROMBONE/LAST TIME
DON'T FORGET TO MEBs/l'M GONNA GIT
GOT NO BLUES/l'M NOT ROUGH
BIG BUTTER & EGG MAN/SUNSET CAFE
SIDNEY BECHET
Lay your racket/i want you tonight
BIX BE I DERBECKE
AT JAZZ BAND BALL/JAZZ ME BLUES
SORRY/SINCE MY BEST GAL TURNED
CHU BERRY
L I MEHOUSE BLUES (MANNONE)
BLUE JAY BOYS (BLYTHE)
Tack
t down/Endurance
CHICAGO FOOTWARMERS
Sweep em clean/my girl
CHICAGO RHYTHM KINGS
CHANGES MADE/SONG OF THE WANDERER
EDDIE CONDON
HOME COOKING/THE EEL
RUBERT COOPER ( P I ANO )
West Dallas drag (nJ/black gal (f)
OOC COOK
Brown sugaR/Ahigh fever
CHRISTIAN, LILLIAN DELK (wiTi
list night i dreaded/you 're a real
Was it a dream/Too busy
JOHNNY DODDS
Weary city/bull fiddle
Too tight/gopber dance
8u cktown stomp/blue washboard
Erastus plays/Joe turner blues
Oh LIZZIE/NEW ST. LOUIS BLUES
LOUIS DUMA I NE & JAZZOLA EIGHT
franklin street/red onion drag
Pretty audrey/tu-wa-bac-a-wa
WILL EZELL
Barrel house man/west coast drau
DUKE ELL INOTON
DOIN' THE FRO<>/ReD HOT BAND
I NEVER CALL MY MAN/DELTA BOTTOM
HAWKINS, COLEMAN
Honeysuckle rose/jama i ca shout
When day ts done/bouncing with bean
FLETCHER HENDERSON
how come you do me like you do
Copenhagen/words
EARL HINES
Beau koo Jack/Everybody loves my
ALBERTA HUNTER (trumpet acc. )
I don't come to steal/Wasn't it nice
JONES-COLL INS ORCHESTRA
Tip easy blues/Damp weather
HAL KEMP
Thrilled/in the middle of kiss
i was taken by storm/love's serenade
tlirtation '.valk/hands across table
LEAP BELLY
ALL OUT AND DOWn/PACKIN' TRUNK
Four day worry blues/new black snake
GENE KRUPA
TUTTI FRUITTl/jAW ON TOAST
FREDDIE KEPPARD
Stockyards st^ut/Salty ooq
BB
10702
3.00
N
VI
38088
1 .50
N
Co
35838
1.00
N
OK
8343
6.00
E
OK
8551
3.00
V
OK
8423
4.00
V
BB
10472
1 .00
N
OK
3042
2.50
N
OK
3149
2.00
V
BB
10432
.75
G
s) Oe
7225
.75
De
7224
.50
G
OK
8792
5.00
N
SI 3
104
3.00
N
Co
35680
1 .50
N
BB
5947
2.00
Co
813
2.00
G
* Lou
s)
OK
8607
3.00
N
OK
8596
3.00
N
BB
10239
1 .50
N
BB
10240
1.50
N
BB
8549
1.50
N
BR
3997
4.50
E+
Br
3585
3.00
V
r
V!
20580
1 .25
V
VI
20723
1.25
V
Para
12549
3.00
G
Vo
1 153
5.00
E+
»TEWART)
Para
12240
1.00
N
De
3358
1.00
V+
BB
10693
1 .oc
N
RE
9739
2.50
V
PE
14926
2.00
V
BB
7040
1 .00
V
>
: OK
8393
2.50
N
Br
7437
1.00
E+
: Br
7404
1 .00
E
Br
7317
1.00
V
PE
0314
2.00
N
- PE
0315
1.50
N
Br
821,1
1 .00
N
UHCA
73
1 .00
N
JUNGLE K INflS
Darktown STRUTTERo/FRIARS point UHCA 3 2.00 N
RICHARD M. JONES
Hollywood shuffle/Dark alley vi 20812 1.50 N
TOMMY LADNIER (acc. Clara Cary)
Park no more mama/goin' away blues VS 6067 1,50 N
TOMMY LADNIER
WERE
Really the blues/when you &
Revolutionary blues/Gettin' together
Jada/VIeary blues
If you see me com in/royal garoen
SHERRY MAGEE
BLUIN THE BLJEs/SATANI C BLUES
WIN.GY MANNONE
BB 10089
BB I008E
BB 10086
BB I00e2
1.50 N
1.50 N
1.00 N
2.00 N
VO 5436 1.50 N
BB 10560
when saints go marching in/sudan
Nickel in the slot/swing brother swingOK 3171
RED MCKENZIE (teagarden)
Tailspin blues/Never had a reason BB 10205
MIFF MOLE
FEELING
1.50 N
1.50 V
OK 4|232 3.00 N
BB 820 1
BB 8372
BB 10254
BB 10255
BB 5109
VI 38135
VI 23307
VI 23321
VI 38125
VI 23334
VI 21658
Ge 5102 1.50 F+
OK 8148
Co 14003
That's a plenty/i 've had
JELLY ROLL MORTON
Mushmouth shuffle/Blueblood blues
steamboat stomp/smokehouse blues
cannonball blues/granopa 's spells
DOCTOR jazz/Original JELLYROLL BLUES
Kansas city stomps/Georgia swing
Harmony 6lues/Little Lawrence
Crazy chords/gambling jack
Oil well/ if someone would only
Fussy ma3El/Pontchatrain
Mint julep/low gravy
Shoe shiner drag/shreveport
NEW ORLEANS RHYTHM KINGS
Wolver i ne slues/Weary blues
J I MM IE NOQNE
Ready for the river/Forevermore
K ING OLIVER
room rent blues/i ain't gonna tell
Camp meeting blues/London blues
ORIGINAL DIXIELAND JAZZ BAND
Jazz band ball/Ostrich walk
royal garden blues/Dangerous blues
IKE RODGERS with HENRY BROWN Piano
IT HURTS SO GOOd/SCREENIN' THE 3LUS PARA 12816
SAVOY BALLROOM FIVE (Armstrong)
BEAU KOO JACk/MAHOGANY HALL STOMP OK B680
JESS STACY ALL STARS
NONl/jESS STAY VS 8076
BREEZE BLUES/BREEZE VS 8121
WASH INQTON IANS (duke Ellington)
SOLILOQUOy/BLACK AND TAN FANTASY
PINETOP SMITH
PlNETOP DOOGIE/PlNETOP SLUES VO 1245
NOBOOY KNOWS Y0u/8|G BOY VO 1256
MUGGSY SPAN IER
AT SUNDOWN/BLUM* THE BLUES
DINAH/BLACK ANO BLUE
D I P°ERMOUTH BLUES/J STER KATE
SOMEDAY SWEETHEART/THAT DA DA 6TRAIN
1.50 N
2.50 N
2.50 N
2.50 N
1.00 G
3.00 V
12.50 N
10.00 N
3.00 E
10.00 V
1.50 G
17.50 G+
6.50 V+
18457
18798
1.00 V+
1.00 E
1.50 N
1.50 N
MANDy/LONESOME (VERY SLIGHT SCRATCH
(w. pollack) i 'm in my glory/snake chwm de
(w.pollack)alice blue go»n/Cuodle up De
(w.POLLACk)MY WILD IRISH ROSE/CAN »T Y DE
(w.pollack)Morocco/Nobody's gonna De
VICTORIA SPIVEY
How do you do it/Funny feathers Ok 8713 4,00 V+
BLOODHOUND BLUEs/T.B. BLUES VI 38570 2,00 V+
BESSIE SMITH (ACC. CLARENCE WILLIAMS)
Oh oadoy blues/baby won't you please Co 3888 I. 00 v+
BR 3526 2.00 E+
1.00 F
1.50 G
2.00 E
2.50 N
2.50 E
2.50 E
1.50 E
2.50 E
2.00 E
2.00 V
1.50 V
BB 10719
BB 10692
BB 10506
BB 10384
BB 10766
1488
1546
1453
1851
COLLECTORS' ITEMS NOW IN STOCK i— COMMODORE RECORDS! ho. 1502, CHU Berry; NO. 1503, J.Stacy; NO. 1507, M.SPANIER;
No. 1508, c. Berry; No. 1509, 1510, Eddie Condon. BLUE NOTE i No.i, Lux Lewis; no. 3, Higginbotham; no. 5, Hines;
No. 7, Higginbotham; No. 10, Pete Johnson; No.ii, P. Johnson; No. 12, P.Johnson; no.14, frankie Newton, no. i5,"Lux"
Lewis honky tonk; No.ie-19, C. Christian blues. JAZZ INFORMATION! Wesley Wallace, no. 29, Si . 10. BLACK AND WHITE:
Art hodes, |i.30. HOT Dl SCOGRAPHY, 1 943, $2. 50. also Brunswick albumsi iOIO,"Riverboat jazzTeaturing Punch mil-
ler; 1008, "Barrelhouse piano" with Frank Melro6e; No. 1006 "Boogie woogie" featuring Taylor, Davenport.
ALL RECORDS SHIPPED C.O.D., RAILWAY EXPRESS
15
FOR TRADE OR AUCTION
HENRY S. BURD
19685 Revere Ave., Detroit (12
Closing date for bids: November
), Mich.
30, 1943
FOR TRADE OR AUCTION
FOR DISPOSITION
/Funny feathers VI 38088 E+
OK
8357 E
8597 E
8609 V
2480 N
Vi 25208 N
Ha 365 N
Co 2186 N
Co
1925 N
2133 N
2309 N
2149 N
2187 N
henry allen
how do they do it that
lou is armstrong
dro'pin' shucks/who '5 i t
Fireworks/West end blues
Sugar foot strut/a honday date
if it's good/West eno blues
adrian and his tap room gang
HONEYSUCKLE ROSe/BOUNC I N ' IN RHYTHM
broadway bell-hops
nesting time/that mv hap— hap — happ i ness
rube bloom
Mysterious mose/Bessie coulon't help it
charleston chasers
LOVABLE AND SWEEt/Reo HAIR ANO FRECKLES
CINDERELLA BR0wn/SinG YOU SINNERS
Loving you the way I do/You're lucky to
THE COLUMBIA PHOTO PLAYERS
I must be you/The "free and easy"
My future just passed/i 'm in the market
Sweepin'the clouos away/in my little hopeCo 2131 N
Oust/Dark night Co 2196 N
BILL COLEMAN
Bill coleman blues/TJicky wells blues Vi 27313 N
DOC COOK a. 14 DOCTORS OF SYNCOPATION
Hum and strum/i got worry Co 1430 N
MARTHA COPELAHD
My daddy don't do nothin'bad/i can't giveCo 14327 n
DELTA FOUR ( ROY eloridge)
Farewell blues/Swingin' on the famous door 0e 737 N
TOMMY OORSEY
I'M in a dancing mood/Tea on the terrace Vi 25476 E+
OUKE ELLINGTON
Saratoga swing/^ibty mornin' Vi 33058 E+
JEAN GOLOKETTE
Slow rii/er/{nat Sh i lkret"zulu wail", rev) vi 20926 N
I'm gonna meet sweet ie/(n.Shilkret, rev) Vi 20675 E
BENNY GOODMAN
Ol' pappy/Junk man Co 2892 E
ROY EVANS
Syncopated yodelin' man/Jazzbe dan Co 1559 N
BENNY GOODMAN
Texas tea party/dr. Heckle & Mr. Jibe Co 3167 E
FLETCHER HENDERSON
I NEVER CARE BOUT TOMORROW/HE 'S THE CO 209 N
You'll never get heaven/that 's Georgia Co 202 N
Muscle shoals blues/Houston blues Co 164 N
Prince of wails/mandy make up your mind Para 20367 n
Old black joe's bl/potomac river bl vo 14740 N
TEDDY HILL
AT THE RUG CUTTER'S BALL/BLUE RHYTHM FAN VO 3247 N
HERE COMES COOKE/GOT ME OOIN' THINGS Me 13351 E
MAGGIE JONES
South street blues/Dallas blues Co I4ii4 N
RICHARD JONES' JAZZ WIZARDS
Hot and reaoy/it's a low down thing Para 12705 V
THE JUNGLE BAND
BLACK AND BLUE/JUNGLE JAMBOREE BR 4492 E+-
KENTUCKY GRASSHOPPERS
MAKIN' FRIENOS/l GET THE BLUES( F . R I CH ) BA 6360 E+
LEROV'S DALLAS BAND
GOING AWAY BLUES/TAMPA SHOUT Co 14402 N
TED LEW I S
WABASH BLUE3/F AREWELL BLUES CO 2029 N
Oh, baby/Start the band Co 1391 N
GLAO RAG DOLL/lflHEN THE CURTAIN COMES 00WN CO 1709 N
Barnyard blues/There'll be some changes Co 170 N
Sweet little you/Eccentri c Co 195 N
Royal garden blues/Dallas blues Co 2527 E
A jazz holiday/Jungle blues Co 1525 E
LOUISIANA SUGAR BABES
'Sippi/Willow TREE Vi 21348 N
HAZEL MEYERS (acc. by F. Henderson 4 J.Smith)
Awful moanin* blues/He's never gonna Vo 14709 N
vic. meyers music
Rose room/March of guard(kinckerbackers) Co 2i20 n
sam morgan's jazz band
bogalousa strut/Short dress gall
jelly-roll morton
Shreveport stomp/Shoe shiner's drag
mound city blue blowers
Fire house blues/i no i ana
Red hot/san
musical stevedores
happy rhythm/honeycomb harmony
new orleans owls
throwin' the horns/goose pimples
Piccadilly/Meat on the table
king oliver
I'VE GOT THAT TH I NG/FrEA K I SH LIGHT BL
original indiana five
Spanish dream/Deep Henderson
oram page
i eould do anything for you/l won't be
JACK PETTIS
freshman hop/a bag of blues
piroh's new orleans orchestra
Bright star blues/Ghost of the blues
cec il scott
Bright boy blues/Springfield stomp
BESSIE SMITH
WORK HOUSE BLUES/HOUSE RENT BLUES
CLARA SMITH
YOU DON'T KNOW WHO'S /CHEATIN* DADDY
DISAPPOINTED BLUES/YoU GET MAD
JOE VENUTI
LITTLE BUTTERCUP/PARDON ME PRETTY BABY
DlNAH/folLD OOG
THE WOLF W0B3LE/WHY DID IT(0ORSEY Bros)
ETHEL WATERS
organ grinders blues/west eno blues
When your lover has gone/Please don't
paul whiteman
american tune/plckin' cotton
Lonely melody/mississippi mud
clarence williams
DREAMING THE HOURS AWAy/ClOSE FIT BLUES
Freeze out/a pane in the glass
Co 14351 N
VI 21658 E+
Co 1946 N
BR 2602 E+
Co 14406 N
Co 1361 N
Co I 158 N
VI 38521 N
HA 2 |7 E
DE 7699 E
VI 21793 N
Co 99 N
VI 38 1 1 7 E
Co 14032 N
Co 14192 N
Co 14126 N
OK 4 1 506 N
OK 41025 '
CO 2589 N
CO 14365 N
CO 2409 N
Co 1464 N
Vi 25356 N
Co 14287 N
Co 14460 N
WANTED
BENNY CARTER
(Any; new)
DUKE ELLINGTON
(ANY)
BILL COLEMAN
(Any; new)
LIONEL HAMPTON
LOST LOVE (NEW)
TOMMY OORSEY
So what/Quiet please
Swing high
BENNY GOOOMAN SEXTETTE
(Any; new)
CHU BERRY
Co
Ebb tide/my secret love affair var 657
count basie
Rocking the blues (new) OK 6010
LESTER YOUNG
(Any; new)
charlie barnet
Ring oem bells (new)
GENE KRUPA
(Any; new)
TED LEWIS
YOUR BRUSH IN SUNSHINE
TEDDY WILSON
(any; new)
fore ign swing records
(Anyi new)
lionel hampton
(Any; new)
Br
Co 2467
Co — . —
16
2
COTTOH BOLLS.
Copyright, 1901, by Frank G. Fite
AUCTION
NORMAN
LIFSCHITZ
AUCTION
1023 Ave.,
St. John, Bronx, N.Y.
Auct ion exp i res
novemDer ju, ly+o
RED ALLEN
( BENNY GOODMAN, CONTINUED)
Feelin' drowsy
VI 38080
N
DIZZY SPELLS (QUARTET)
VI
25822
E
Rug CUTTERS 6W 1 NG
Co 35676
N
Opus ^- ( quartet )
VI
26091
E
MILDRED BA ILEY
A 6M00TH ONE ( SEXTET)
CO
3609S
E
Sentimental reasons
Vo 3367
E
GENE GOLDKETTE
I'D RATHER LISTEN TO YOUR EYES
Vo 3056
E
Slow rivei
VI
25354
fi
MORE THAN YOU KNOW
VO 3378
E
CLEMENTINE
VI
25283
N
SIDNEY 8ECHET
B 1 LL COLEMAN
Chant in the night
VA 475
E
1 AIN'T GOT NOBODY
Sw
NG 14
E
BIX 8EIDERBECKE
LIONEL HAMPTON
Sorry, since my best gal
VO 4140
E
STOMPOLOGY
Vl
25601
E
In a mist (solo)
Vo 3150
N
Stomp
Vl
25535
E
Jazz me blues
Vo 3042
N
HOT MALLETS
Vl
26371
E
benny carter
BUZZIN' AROUND WITH THE BEE
Vl
25575
E
Cocktails for two
BB 10998
N
I'M IN THE MOOD FOR SWING
Vl
2601 1
V
Melancholy lullaby
Vo 4980
E
Down home jump
VI
261 14
V
Singin' the blues
VO 3279
N
FLETCHER HENDERSON
buster bailey
Blue lou
vo
321 1
E
Call of the delta
VO 2887
E
Jangle nerves
VI
25317
E
CASA LOMA
HARRY JAMES
Black jazz
BR 6242
N
JESSE
Br
8350
E
Blue jazz
BR 6611
N
BOO woo
Br
8318
E
San sue strut
OK 41403
N
Blues in my heart (mildred bailey)
BR 6199
E
JOHN KIRBY
BUNNY BERIGAN
The turf
Vo
4653
E
Jazz me blues
Vl 26244
E
Little gates special
V 1.26338
E
GENE KRUPA
Mother goose
VI 25616
E
Swing is here
Vl
25276
G
Caravan
VI 25653
E
DUKE ELLINGTON
MEZZ MEZZRO*
Tiger rag, parts i & 1 1
BR 6510
N
Hot club stomp
VI
25612
E
Sol i tuoe
BR 6987
N
Blues in disguige
Vl
25636
E
Sophisticated laoy
Bp 6600
M
Black a tan fantasy
BR 6682
N
WINGY MANNONE
Jazz potpourri
Br 8293
N
NICKLE IN THE SLOT
OK
41573
showboat shuffle
BR 7461
M
MANNONE BLUE6
BB
7763
F.
All god's chillun got rhythm
HA 1 37
N
CALLAS BLUES
BB
6375
E
Sepia panarama
VI 26731
E
CORRINE CORRINA
B8
10266
E
IN A ME LO T ONE
Vl 267H8
E
NEVER NO LAMENT
VI 261 10
E
FRANK IE NEWTON
Stevedore stomp
BB 6306
E
Jam fever
VO
4851
Double check stomp
BB 6450
E
Tab's blues
VO
4821
N
Rompin'/Minor jive
BB
10186
E
COOT IE Wl LL 1 AMS
Downtown uproar
VA 527
N
ROSETTA
BB
10176
E
Blues, my baby gave to me
BB
10216
E
barney bigard
Caravan
Vo. 3809
N
or n M i r ufti c
KL U N 1 L HULb
FROL 1 C SAM
Vo 3813
N
D 1 NAH
VO
4599
E
JOHNNY HODGES
RED NORVO
Rent party blues
VO 5180
N
HOLE IN THE WALL
BR
6562
I'M IN ANOTHER WORLO
Vo 4622
E
T
1 1 RED SO CKS
Vo 5533
E
C. MOREHOUSE
BLUES IN E FLAT
608
E
BENNY GOODMAN
Good-bye
VI 25215
E
FRANK IE TRUMBAUR
CHANGES
Vl 25634
E
ST. LOUIS BLUES
VI 2541 l
E
China boy
Br
6912
E
Life goes to a party
Vl 25726
V
Clarinet marmalade
VO
4412
N
Jam session
VI 25497
E
HOUSE HOP
Vl 25350
E
V 1 Ml" ftl 1 tlFD
K 1 No UL 1 V LK
Star dust
VI 25329
E
RHYTHM CLUB STOMP
Vl
38137
Smoke house
VI 26107
E
Mule face blues
6678
E
Russian lullaby
VI 26060
E
Stompin' at the savoy
Vl 25247
E
ART IE SHAW
V/RAPPIN' IT UP
Vl 25880
E
Chant
VO
4539
RlFFIM' AT THE RITZ
Vl 25445
E
Basin' st. blues
VI 25258
E
NOBLE SISSLE
FAREWELL BLUES
VI 26095
E
Bandana dayb(bechet)
VA
552
N
KING PORTER STOMP
VI 25090
E
1 NEVER KNEW
Vl 26089
E
joe venuti
RUNNIN WILD (QUARTET)
Vl 25529
E
Moon glow
BB
5520
E
I'M A DING DONG OADOY ( QUARTET )
VI 25725
E
vibraphonia
Co
2782
N
J
AUCTION J. 0' BYRNE DE WITT AUCTION
51 Warren Street, Roxbury (19), Mass.
Auction expires November 28, I9H3.
1/ 1 MP HI 1 l/CD
K 1 Nb ULIVcK
Weather bird rag/Dipper mouth blues
ge
5 1 32
V
3AVANNAn SYNLUrfl 1 UKo
Wa wa wa/Someday sweetheart
Br
3373
E
IC*I 1 V Dm t IIDDTDKI
JLLLY KULL MUK I UN
Sidewalk blues/Dead man blues
V 1
20252
V |
JLLLY KULL MUK 1 UN
Boogaboo/Kansas City stomps
V 1
380 10
V
V I
ICl I V DPI 1 llftDTAM
JLLLY HULL MUKIUN
Oil well/if someone would love me
V 1
2332 1
V
LUU 1 S ARMS I RUNb
hotter than that/savoy blueb
OK
8535
II
V
LOU 1 S ARMSTRONG
Tiger rag/Dinah
OK
8800
V
LUUI5 AKM5IRUNU
Ain't misbehav in '/Black and blue
OK
4 1 276
V
LUU 1 5 ARMS! RUNG.
When you're smiling/some of these days
OK
41 298
V
I ni i i c A duictdhmp
LUU to AKMolKUNu
Confess i n '/if 1 could be with you
OK
4 1 448
V
1 nil 1 C ADHCTDPiMP
LUU 1 5 AKMolKUNb
Them there eyeb/little joe
OK
4 1 50 1
V
LUU 1 o AKMblKUNU
Sleepy time down bouth/zou rascal you
OK
4 1 504
V
1 ("111 1 C AOUCTDflMO
LUU 1 5 AKMo 1 KUNu
Georgia on my i^ind/lazy river
OK
4| 54 i
V
PI A DC t IPC HI 1 1 1 t AIIC « Dl R
uLAKLNLt WILLIAMS* bl. d
Everybody love6 my baby/of all the wrongs you've
OK
fl 1 Q 1
O 1 D 1
G
\/ 1 DP HI 1 1 II CTflM
V 1 Kb 1 N 1 A L 1 O I UN
Early i h the morn i ng/g i ve i t to me good
OK
G
iiinp if mure
MAbb 1 t JUNLo
Thunderstorm blues/poor hoube blueb
b U
1 4050
c-
iiAppjitr mure
MAuu 1 L JUNLo
Early every morn '/if i lobe let me lose
Pn
UU
I A/~\^Ci
1 *»U3y
V
nppp i C CM J 1 TU
BLbS 1 L 5M 1 In
RECKLESS BLUEs/SOBB 1 N 1 HEARTED BLUE6
Co
1 4056
V
BESSIE SMITH
Carele6s ■ Love blues/he's gone blues
Co
1 4083
V
DUKE ELLINGTON
Down in our alley blues
CO
1076
V
niii/c n i iiiatmi
UUKt LLL 1 Nb 1 UN
Slippery horn/Drop me off at harlem
BR
Ojc. i
V
niltfF Ft t 1 MR TAW
UU i'-L LL L 1 lib 1 UN
Jive stomp/i 'm satisfied
Br
6638
y
UUNL LLLM-lblUlM
Old apple tree/h arlem "sp eaks
Br
6646
y
m iicf fiii wattin
UUI\L LLL 1 Mb 1 UIM
NEW BROOM/BUNDLE OF BLUES
Br
6607
w
ni iicr n I i mataw
UUISL. L L L 1 1 du 1 U 1'.
Cta n\f v mrc Turn /Cnou ictiPateti 1 *r\v
O 1 UHMY hlA 1 ntK/ oUrn [bl IIAILU LAUY
rd
OH
6600
y
ni iwf n i i MfiTnw
UUNL LLL M lb 1 UIM
Cuj rrT uaii * Ahu cm vnn inr ct* i ■ imp
oWLl 1 MAMA/HrltN YUU Kb. bM 1 L 1 lib
Br
68 1 1
y
ni 1 k"F Fl 1 1 MR TDK1
UU r\L LLL 1 lib 1 UP>
J olly wog/ Jazz convuls i ons
Br
68 1 0
y
OlA JULLY JLOlLKOj
It IM 1 F P P HDQ \
JUN I L La b UOD j
Oklahoma stomp/Once or twice
vo
1449
E
SONNY QREER
Saturday night function/Beggars' blues
Vo
30 1 2
E
JOE TURNER & MEMPH IS MEN
M l SS 1 SS 1 PP 1 MOAN/BREEZE AND MELT
Co
1 8 1 3
N
WASHING TON IANS
Mississippi here I am/it's tight like that
Ca
9064
V
MILLS MERRY MAKERS
St. JAMES INFIRMARY
D 1 VA
3 1 04
r
E
JOHNNY HODGES
Savoy strut/Good gal blues
VO
5 1 70
N
FLETCHER HENDERSON
JANGLED NERVES/ALWAY6 IN LOVE WITH YOU
VI
253 1 7
V |
FLETCHER HENDERSON
St. louis shuffle/Variety stomp
VI
20944
V
CONNIE'S INN ORCHESTRA
Blue rhythm/You rascal you
Cr
3 180
c
LUIS RUSSELL
Panama/high tension
OK
8849
L
LUIS RUSSELL
doctor blues/Feeling the spirit
OK
8766
E
CELESTIN'S JAZZ ORCHESTRA MY JOSEPH t Ne/Stat i on CALLS
CO
636
V
WILTON CRAWLEY
Big time woman/She 6aves smiles for me
Vl
2 3292
V )
JOSEPH ROBECHAUX
Jig music/you keep me in sin
vo
V
FRANK IE FRANKO
Golden lily blues/somebody stole my gal (Punch Miller) me
1 2009
V
CECIL SCOTT
In a corner/Lawd,lahd
VI
38098
V
JACK BLAND
Yes 6UH/| 'D do anything for you
PE
1 565 1
V
JACK BLAND
it's gonna be you/Shine on your shoes
PE
1 5689
V
RHYTHMAKERS
yellow dog blues/yes suh
ME
1 248 1
I
DOUGLAS WILLIAMS
Darktuwn jub i lee/Beale street sheik
Vl
23264
;
MILLS BLUE RHYTHM
CONGO CARAVAN/RIDE RED RIDE
Co
3087
DUKE WILSON
Beale street blues/old grey bonnet
Pe
156 1 7
JOE MANNONE
Cat's head/Sadness will be gladness
Co
14282
r
I ,
NEW ORLEANS BOOTBLACKS
Flat- foot/Mad dog
CO
14337
; 1
NEW ORLEANS WANDERERS
GATEMOUTh/PERD 1 DO STREET BLUE6
CO
698
I i
0 'BRYANT-BLYTHE-TAYLOR
Red not mama/Drunk man's strut
Para
12246
JABBO SMITH
Ace of rhythms/Take me to the river
Br
7071
G+
MA RAINEY
L06T WANDERING BLUES/DREAM BLU ES ( P I CTURE LABEL )
para
I2C98
V i
LOUISIANA RHYTHM KINGS
Nobody's sweetheart/Mississippi mud
vo
15657
V
MOUND CITY BL. BLOWERS
YOU RASCAL YOU/^)ARKTOWN strutters ball
OK
41526
V
TED LEWIS(GERMAN LABEL)
Dallas blues/royal garden blues Co-GE
DW 4053-1 1
E
Ted LEWIS
Dallas blues/Royal garden blues
CO
2527
E
HAL KEMP
Jazz me blues/Bride comes home
BR
7912
FOR DISPOSITION
First four letters of collector's name.^
For address, see page 2. I
METHOD OF DISPOSITION: "SAL
FOR SALE AT PRICE
"TRA* "
INDICATEO;
AUC\ AT
TRA*, FOR TRADE
AUCTION, CLOSING DATE FORBIDS,
Nov. 30, 1943; "t-a, FOR
TKAUE OR" AUCTION? "T-S* FOR
SALE OR TRADE; "STA* FOR SALE
TRADE OR AUCTION.
condition of record :n
e— excellent ;v— very go
G-goqd; F-fair; P-poo
TAL0G NUMBER OF
I LABEL OF RECORD"
IRVING AARONSON
Crazy words/never see Maggie
ADRIAN'S RAMBLERS
GET GO IN'
HENRY ALLEN
1 2 3 4
Vi 20473 E Auc
6
Clah
Ho* do they do it/funny fea.
VI
38088
N
T— S
KK B00GIE6
OK
6281
N
T-A
BIFFLY BLUES/SHOULO BE YOU
VI
38073
N
TRA
Rug cutters swing
Me
V
TRA
Body and soul/(arm6trong,rev)
OO
36282
N
AUC
Pleasing paul/it should be u
BB
10235
N
AUC
WHY DON'T YOU PRACTISE WHAT
PE
15933
G
T-A
Picture me without you
V0
3306
N
TRA
ALL STAR BAND
CHLOE
VI
2 1 149
E
AUC
ALBERT AMMONS
b.w.stomp/(cleo brown, rev.)
DE
3386
E
T-A
Earlv am blues/bechet,rev. )
DE
3521
E
T-A
EARLY AM BLUES
OE
975
G
8TA
LIL ARMSTRONG
OR LEAVE ME ALONE/BROWN 0AL
DE
1092
V
SAL
LOUJS ARMSTRONG
Dear old southland
OK
41454
N
TRA
THE SKELETON IN CLOSET/HURDY
DE
949
N
T-S
Mahogany hall stomp/Beau koo
OK
8680
a
AUC
STAR OUST/WRAP YOUR TROUBLES
OK
41530
V
AUC
WHEN YOU'RE 6MILING/S0ME OF
OK
41298
G
AUC
Bessie couldn't/Dallas blues
OK
8774
V
AUC
YOU CAN DEPEND/l GOT RHYTHM
Co
2590
V
AUC
Sweet sue/Mississippi basin
VI
2432 1
V
AUC
LAWD YOU MADE/KEEP IN OUT OF
CO
2646
V
AUC
1 CAN'T GIVE YOU ANYTHING UHOA
35-36
V
TRA
Exactly like you/ain't misbe
VO
3040
E
TRA
WEST END BLUES/GOT NO BLUES
OK
3204
V
TRA
Potato head blues/heebie jeebiCo
35660
E
TRA
Snow ball/honey, oo
VI
24369
G+T-A
CONFESS IN/lF 1 COULD BE WITH
vo
3059
E
AUC
BASIN 6T.BL/ST. LOUIS BLUES CONQ
9124
N
T-A
WEST END/GOT NO BLUES
vo
3024
N
T-A
Home
Co
2606
V
SAL
Jeepers creepers
DE
2267
F
8AL
ST. LOUIS blues
BB
5280
N
T-.A
Too busy (accomp.)
OK
8596
V
T-A
WHEN IT'S SLEEPY TIME DOWN
OK
41504
V
TRA
The lonesome road
VO
3026
V
TRA
WEST END Bl/MUGGLES(hOT 5)
CO
36377
N
TRA
Save it mama/ellington>rev. )
DE
3516
E+T-A
SOUTHLAND(ALLEN,BODY It S,REv)
Co
36282
E+T-A
ST. LOU IS BLUES
BB
5280
N
T-A
ROCKIN' CHAIR
Co
2688
N
AUC
TWO DEUCES
OK
8641
E
AUC
SOME OF THE6E DAYS
OK
8729
G
SAL
WEST END BLUES
OK
41078
N
T-A
Dear old southland
CO
E
TRA
West end blues
OK
V
TRA
Muqgles
VO
E
TRA
Coal cart blues/down in honky
De
18091
N
AUC
Dai las blues/Bessie
OK
8774
a
STA
WEST END BLUES (HOT 5)
OK
8597
V
AUC
Blue turning grey over you
OK
4678
F+T-A
1 GOT RHYTHM
CO
2590
G
T-A
MUSKRAT RAMBLE
OK
8300
a
TRA
GENE AUTRY
FRANK IE JOHNNY
VE
7063
V+T-A
BR 6786 N SAL I .00 QUA I
HERR
■ KAPL
Mart
Ha he
VOGE
VOGE
Gayl
Grov
COX
• Edel
Edel
- MCKE
Herr
cult
Cult
CULT
Cult
CULT
Cult
CULT
Pens
PENS
PENS
— — Pens
1.00 Jaco
CLAR
I .00 STUR
.75 CALL
KAPL
KAPL
Tayl
Tayl
Tayl
EDEL
Edel
Kron
.75 H.sm
.75 H.SM
1 .00 QUA l
HoLl
.50 MAHE
VOGE
TRES
Cox
Qayl
GAYL
Grov
Grit
3USTER 8A I LEY
Call of the delta/shangha i
MILDRED BAILEY
St. lcuis blues/Arkansas blues
FRANK BAnTA
World is waiting/Dorothy
TIPPY BARTON
High brown cheater/Double
COUNT BASIE
9i20 special/Goin' to Chicago
Basie boogie/Let me see
And the angels sing/if i did
Blues I like to hear
dupree blues/red wagon
Out the window
king joe/parts i & 2
cherokee, parts i & 2
good morning blues
SIDNEY BECKET
lay your racket/l want you
indian 6ummer/preachin blues
Sleepy time down south/i ain't
The mooche/Blues in air
Coming virginia/Georgia cabin
Lay your racket
Chant in the night
BIX BE IDERBECKE
Ol' man river/%a-da(lam. crack)
In a mist (piano solos)
Jazz me blues/Jazz band ball
IN A MIST
Somebody stole my gal
Davenport blues(rhythm juqgl)
BUNNY BERIGAN
it's the little things/somew.
Ebb tide/great to meet a fr.
RlNKA TINKA MAN/l DANCE ALONE
can't get started/pr t s0ners 1
Frank i e and johnny
Two in love/'tis autumn El
Can't get started( 12*)
Me and my melinda El
JIMMY BERTRAND
I 'M GOIN' HUNTIN'
PAUL BIESE TRIO
2
35677
3 4 5 6
VO 4801 M T-A 1.00 STUR
Vl 21821 N SAL .95 JACO
VO 1742 E AUC CLAR
OK
6244
E
T-A
OK
6330
F
T-A
.75
Jaco
vo
4784
Q+T-A
.90
Jaco
OE
2284
V
AUC
.85
Jaco
DE
3071
G
HENR
DE
1581
G
STA
MCKE
OK
6475
N
AUC
CHES
De
2406
F+AUC
Ches
De
1446
V
AUC
CHES
BB
10472
N
T-S
HERR
BB
10623
N
T-S
HERR
VI
27447
N
T-S
Herr
Vl
20151
N
T-A
Edel
VI
27904
E
T— A
Edel
BB
10472
N
T-A
KRON
Vo
4575
G
SAL
1.00
Galb
OK
4ioee
V
T-A
Davi
vo
3150
N
T-A
Davi
OK
3042
N
T-A
1 .00
STUR
OK
3150
N
T-A
KAPL
Vo
N
T-A
KAPL
QE
5654
V
T-*
12.50 MITC
25868
25666
25820
36208
25616
5005
36208
5019
that moan i n ' melody
barney bigard
Lament for javanette/Ready ed
"C" blues/Brown suede
"c* blues/brown suede
"C" blues/brown suede
Honey hush/just another
JACK BLAND RHYTHMAKERS
Who stole lock/someone stole
BLUE GRASS FQOTWARmERS
Old folks shuffle/Charleston
BLUES CHASERS
Charleston/what a smile
JIMMY BLYTHE
Mr. Freddie slues
Endurance stomp
CONNIE BOSWELL
Nobody's sweetheart/Dinah
BOSWELL SISTERS
HAND ME DOWN/OOGGONE
BROADWAY BELL HOPS
I 1 098
I 1581
I 1581
I 1581
5663
Para
CH
12370
40025
N T-A
N T-A
N T-A
G SAL
E SAL
E AUC
E AUC
' G T-A
' G STA
N T-S
N T-A
N SAL
N T-A
N T-A
V AUC
V AUC
E AUC
Q T-A
E T-A
I .00 Jaco
Davi
Dav i
Davi
I .00 Galb
I .00 Galb
Cox
Cox
KAPL
1 .00 DEVA
HERR
1 .00 Jaco
I .00 Jaco
THOM
THOM
Cult
WHIT
WHIT
HENR
Qayl
Mary lou
henry brown
Henry brown blues
willie bryant
Long gone
Jerry the junker/Long about
moonrise on the lowlands
BUCKTOWN five
HOT MITTENS
BUDDY-MOSS
PROWLING woman/When I'm DEAD
HENRY BliSSE
Under your spell
california ramblers
Pardon the glove/yes she oo
You know me alabam
De
3425
V
SAL
1.00
Galb
Br
6335
N
T-S
Sche
ha
243
N
8AL
1.00
Galb
Para
12825
G
T-A
HENR
Vl
25129
N
SAL
1 .00
QUA 1
Vl
25045
E
AUC
VOGE
BB
6362
E
T-A
Umph
Clax
40353
N
TRA
Horn
PE
0231
N
AUC
WHIT
De
1077
Q+SAL
1.00
Call
Co
992
Q
SAL
.75
Galb
Co
153
a
SAL
.75
Galb
23
FOR DISPOSITION
BLANCHE CALLOWAY U JOY
BOYS
IDA COX
! leeo lov in/Rhythm in river
VI
22641
E
AUC
Clar
Graveyard dream/weary way
Para
12044
G
AUC
STEI
LOVELESS LOVE
VI
22659
V
T-e
1 .00 Call
Bama BOUND/LO 'IN' is the th
Para
12045
G
AUC
STEI
CAB CALLOWAY
Any woman's bl/8lue Monday
Para
12053
F
AUC
STEI
F.D.R. J0NE6/ANGELS WITH DIRT
vo
449B
V+SAL.
1 .00 Jaco
Chicago bouno/love my wan
Para
12056
F
AUC
STEI
NOBODY'S SWEETHEART
Ba
33074
V
SAL
1 .00 Call
Chattanooga hl/Rampart st
Para
12063
F
AUC
STEI
Ghost of a chance (chu)
o<
5687
E+TPA
MART
Lawdy,lawdy/moani n 'groan in
Para
12064
F
AUC
STEI
MINNIE THE MOOCHEr/ST . LOU 1 8 B
Vo
4753 N AUC -
VOGE
Uama doo she/worrieo mama
Para
12085
F
AUC
STEI
WE GO WELL TOGETHER
OK
6341
N
AUC
COX
WORRIED ANY HO«/CH{CAGO VON
Para
12202
G
AUC
STEI
TaPPIN* OFF
OK
6547
N
AUC
Cox
Death letter/Kentucky man
Para
12220
F
AUC
STEI
CAMPBELL h BURR
i/iLO woman/Cherry picking
Para
12228
F
AUC
STEI
(several)
CO
F
6TA
i .oo deva
MISS.RIVER/GRAVEYEARD BOUND
para
12251
G
AUC
STEI
JOE CANDULLO
COFFIN' Bl/R.AUBLING(cHIP)
Para
12318
V
AUC
STEI
I6TH ST. STRUT
Ha
208
G
SAL
1 .00 Galb
Last mile/Can't quit
Para
N
AUC
STEI
LEROY CARR
Chicago monkey man blues
Para
12202
G
T-A
HENR
TRUTHFUL BLUES
VO
1232
G
T-A
HENR
RING CROSBY
STRAIGHT ALKY BLUES | & 2
Vo
1200
Q
TRA
HENR
STARLI GHT/HOW LONG WILL IT
Br
6259
V
AUC
Cult
BENNY CARTER
SENTIMENTAL SIOE/^EART TAKING DE
1648
V
T-A
Cult
Shuffleberg sh/More than you
vo
5508
N
T-S
HERR
Sweet lailani/^lue Hawaii
De
1 175
V
T— A
Cult
Plymouth rock/melancholy
Vo
4984
N
T-S
HERR
Fine romance (& Dixie Lee)
DE
907
V
T-A
Cult
CASA LOMA ORCHESTRA
just one more ch/Sweet potato De
2999
V
T-A
Cult
Alexander's band/Grey bonnet
Br
6100
V
AUC
CLAR
The touch of your lips/Twil
De
757
E
SAL
1 .00 JACO
Royal garden blues
Co
2884
N
AUC
.75 H.SM
Basin st. blues
De
1483
N
AUC
.35 H.SM
SHADOWS OF LOVE
Br
6738
N
SAL
1 .00 OUAI
Red sails in the sunset
De
V
T-A
Garr
Maybe I'm wrong/invitation
De
287
N
TRA
Mart
D 1 NAH
Br
6240
V
SAL
1.00 Ouai
Blue moo^/Where there's
De
312
N
TRA
Mart
I <M THRU VI TH LOVE
Br
6140
V
T-S
MELL
Here comes cookie/My heart
De
386
N
TRA
Mart
A FADED SUMUERLOVE
Br
6200
G
T-6
MELL
you're laughing/i got my love
De
1 126
N
TRA
MART
GOODNIGHT SWEETHEART
Br
6203
V
T-6
MELL
Swing high/Please keep
De
1 129
N
TRA
Mart
Here lies love
Br
6406
V
T-6
MELL
BOB CAUSER AND CORNELL IANS
Street of dreams
Br
6464
V
T-S
MELL
ALONE AT A TABLE FOR 2/l 'M
Ba
P
T-A
Qarr
Day you came along
Br
6644
T-o
MELL
THE CELLAR BOYS
Our b i o love scene
Br
6696
0
T — S
MELL
Wailin' blues/Trying to stop
HRS
N
TRA
HORN
Day you came along
OK
2830
T-S
MELL
Wailin' blues/Trying to stop
HRS
3
N
TRA
MART
Let's all meet at my house
De
4162
AUC
COX
CHAMPION JAZZ BAND
BOB CROSBY
MY SUNNY TENNESSEE
VI
21634
G
SAL
1 .00 Galb
Lean i n on top rail/Shake down De
3027
V
T-A
Cult
CHARLESTON CHASERS
Cult
Whispers in dark/^9reakin my
De
1346
V
T-A
Cult
BASIN ST.BLUEs/BEALE ST.
Co
2415
V
AUC
°E
2275
V
T-A
Cult
AFTER YOU'RE GONE/SOMEDAY 6W
co
861
V
AUC
Cult
g'n*m°llAbDuesPABTS ' & 2
1 170
Q
6TA
MCKE
Wabash blues/Davenport BLUES
Co
909
E
T-A
Davi
SUMMERTIME
E
2205
E
SAL
l .00 Galb
CHICAGO LOOPERS
Clorinda
pe
14910
E
TRA
Kapl
BERN IE CUMMINS
the CH ICAGOANS
WHEN A WOMAN LOVES A MAN
VI
G+sal
1 .00 Call
Liza
P«E
e
TRA
1.50 Mahe
PUTNEY DANDRIDGE
chocolate dandies
MR. BLUEBIRD
Vo
2935
E
TRA
TAYL
Dee 8LUE6
Co
E
TRA
1 .50 HAHE
Santa claus/Eeny MEENY
vo
3083
G+TRA
Mart
EDDIE CONDON
Mary had lamb/Star
vo
3287
V
TRA
Mart
Someday sweetheart
De
18041
£
SAL
.75 Qua i
CHEEK TO CHEEK/LOVELY DAY
Vo
3006
V
AUC
iHIT
Serious thing/gonna stomp Up.
BB
10168
N
AUC
VOGE
cow cow davenport
Ra ilroad blues
ZEZ CONFREY
De
7462
SAL
1.00 ouai
JUMPIN' JACK
VI
21845
N
AUC
.75 H.SV
E
COW BELLS
VI
18962
N
T-6
SCHE
WALTER DAVIS
Kitten on the keys
VI
18900
N
T-6
SCHE
Frisco blues/biddle st. blues
BB
~?j
N
T-A
ARE YOU PLAYING FAIR
Vl
18921
N
T-S
SCHE
Frisco blues/biddle st. blues
BB
N
STA
OPEN YOUR ARM6 MY ALA8AMY
VI
18994
G
GAL
.75 GALB
EDDIE OELANGE
kitten on the keys
Vl
18900
E
SAL
1 .00 Galb
Musk at ramble
BB
10035
G
STA
DEVA
CONNIES INN ORCHESTRA
CARROLL D ICKERSON
CASA LOMA STOMP/QOOO BYE BL
ME
12340
G
AUC
CULT
BLACK MARIA
BR
E
TRA
1 .00 Mahe
YOU RASCAL YOU/HO JSE OF OAVIO
ME
12216
V
AUC
— Cult
DIXIE DAISIES (B.B..TI
YOU RASCAL YOU/BLUE RHYTHM
cn
3180
G+T-A
Edel
«)
I2TH 6T.RAG/MILENBERT JOYS
Cr
3212
N
T-S
SCHE
There's something new
R0
887
F+T-A
04VL
DOC COOK
DIXIE STOMPERS
HUM AND STRUM
Co
1430
E
6AL
I «-00 Qua i
Baltimore
HA
E
TRA
1.00 Mahe
ALLIGATOR CRAWL
CO
1298
E
AUC
QUAI
johnny DODDS
WILTON CRAWLEY
Blue washboard stomp
BB
8549
E
SCHE
IRONY DADDY BLUES/CRAWLEY BL
OK
8479
G
AUC
WH 1 T
COME ON & STOMP/AFTER YOU^VE
Br
3568
V
AUC
VOGE
COOKIE'S GINGERSMAPS
Clue clarinet/piano so(tric)
Vl
21554
V
TRA
Lion
MESSIN' around/Baby O'MINE
OK
8390
G
AUC
WHIT
DOROTHY DONl'GAN
COON— SANDERS
piano boogie/Every day bl
BB
8879
T-A
HENR
Slue foot/The wa i l
Vl
21305
N
T-S
SCHE
DORSEY BROTHERS
slue foot/The wail
Vl
21305
G
8AL
1 .00 Galb
Conoratulations(vuggsy)
Ba
0566
E
T-6
Grit
YES SIR THAT * 6 MY BABY
VI
19745
G
SAL
i .00 Galb
Persian rug/Mary ann
OK
40995
E
AUC
Jaco
ROB COOPER
Basi n street blues
De
1 18
E
T-A
Umph
WEST DALLAS ORAG(PIANO SOLO)
BB
5459
N
T-A
— Dav 1
Dixie dawn
OK
41050
V
T-A
UMPH
SAM COSLOI
She's funny that way
Br
7542
N
T-A
UMPH
KINO FOR A DAY/YOU'RE A REAL
Vl
P
T-A
Qarr
1 T don't mean a thi ng
JIMMY DORSEY
Br
6442
E
T-A
UMPH
COTTON PICKERS
The yam/Change partners
Oe
2002
V
T-A
Cult
DERE'S JAZZ/WOE 16 ME
vo
3263
V*AUC
Clar
Major & minor/keep knockin
De
2980
Q
T-A
Cult
PRINCE OF WAILS
BR
2766
V
SAL
1 .00 Qua i
PaRAOE cf milkbottle caps
De
941
V
T-A
Cult
NEVER MISS THE SUNSHINE
BP
2418
V
T-a
SCHE
Love bug will bite you/Ray
Oe
1 187
E+6AL
i .00 Jaco
WI6H 1 CO ILO SHIMMY LIKE
Br
2338
V
T-6
SCHE
All this & heaven too/if i
DE
3259
E+sal
i .00 Jaco
24
FOR DISPOSITION
TOMMY DORSEY
SYMPHONY IN RIFFS/HOLD TIGHT
Vi
26163
V
T-A
— CULT
ANNIE LAURIE/MORE THAN EVER
VI
25774
V
T-A
Cult
BLft'CK EYES 'BLUE DANUBE
Vi
25556
E
SAL
1 .00 Galb
Royal garden blues
Vi
27518
E
SAL
1 .00 Galb
Street of dreams
Vi
27903
E
T-A
Gayl
Not so ouiet/tullula
VI
27899
N
AUC
CHES
Deep r i -'er/Without a sdng
VI
N
AUC
CHES
BLIND WILLIE DUNN GIN
BOTTLE FOUR
JET SLACK BL/BLUE BLOOD
OK
8689
E+T-A
DAV 1
JOHNNY DUNN
BUFFALO BLUES/BUQLE CALL
Co
1 4306
AUC
WHIT
HAWAIIAN BLUES/4 O'CLOCK
Co
3729
V0GE
BOB EFFORS & SIGNORELLI
Sweet and hot/Tin ear
4620
E
AUC
CULT
ofiv n no i nRF
3479
N
KAPL
UUrVC. C.LL MMu 1 UPl
MO^N m'st/C^JAU SLu"
6336
V
AUC
Cult
Vi
27856
V
T-A
Cult
NCERTO FOR COOT e/ME & OU
ONCERTO FOR COOTIE/ E YOU
26598
N
T-A
1 .75 JACO
DON T KNOW/ RE YOU STICKIN
VI
27804
N
T-A
1 .25 JACO
LOU 1 S 1 ANA
Br
6805
E
AUC
HE IN
The r i ver a nd me
226 14
Q
AUC
Hein
Ring dem bells
22528
G
AUC
Hein
Blue aga i n
22603
G
AUC
Hein
Nine little mi les
22586
V
A IC
Hein
Beggar's blues (greer)
30 12
N
AUC
HEIN
EA6T ST. LOUIS TOODLE-00
6430
E+auc
Hein
Take i t ea st
4009
HEIN
BB
6280
HEIN
nE0AR0EGA°00V0U
BB
6305
Hein
Haunted n ohts
BB
6727
AUC
Hein
y* '
BB
6614
HEIN
MoSTEover°oQx e
an
63 1 7
HEIN
CNT°V s F' T 0
VI
2461 7
HEIN
24755
Ju
HEIN
Br
7650
A C
Hein
larinet^lament
Br
8 1 86
AUC
Hein
La h C "dm'
A Y W
124
AUC
HEIN
Double check stomp
6450
AUC
Hein
4238
AUC
Hein
i'can'-Tg ve you anything
u"
38008
G
T-
Thom
Blue aga i n
22603
TRA
Thom
The river and me
1
22614
Tm.
Thom
Mood indigo/When black man
22587
THOM
L t v e house blues./ Echoes
VI
22743
TRA
Thom
SlNNG LOwXuCK^WUCKy"
Co
35955
N
TRA
Thom
35683
Thom
Killin"" ""/youiTl V
1 IN MYSELF/ U LOV
Co
35640
N
TRA
Thom
LUCKED AGAIN/ LUES
35322
N
TRA
Thom
Lady in blue/little posey
°
3529 1
N
TRA
Thom
Lazy rhapsody/Slue ramble
35834
N
T-A
Thom
L 1 ghtn i ti '/Baby when you
CO
35835
N
T-A
THOM
BE6T w 1 6HEs/BUN0LE OF BL
35836
N
T-A
THOM
Co
35837
N
T-A
Thom
PROLOGUE TO BLACK & TAN
Br
8256
E
T-A
KAPL
East st.louis toodle-oo
BB
6430
N
T-A
KAPL
ROCKING IN RHYTHM
Br
E
TRA
TAYL
WALL ST. WAIL
Br
80003
E
TRA
TAYL
Down in our alley blues
Co
1076
N
T-A
Henr
BLACK AND TAN FANTASY
OK
40955
G
T-A
Henr
GlDOYBUG gallop
Vi
27502
E
SAL
.75 QUA 1
•arm valley
Vi
26796
N
SAL
.75 OUAI
MERRY GO ROUND/ADMIRATION
BR
7440
E
SAL
1.25 QUA1
TRUK'PET in spades
BR
7752
N
T-S
SCHE
SAM AND DELILAH
VI
23036
N
T-S
SCHE
Ring dem bells/3 little words
VI
25076
N
TRA
Mart
MOOD INDIG0/S0LITUDE(S0L0S)
Br
N
TRA
Mart
Ring dem bells/3 little words
VI
22528
E
AUC
WHIT
A lonely coed
Co
F
AUC
WHIT
NEW E.ST. LOUIS TOODLE-00
Ma
101
G
STA
MCKE
What good am 1 without you
VI
22586
N
T-A
GAYL
The river and me
VI
226 14
E
T-A
GAYL
MEM0RIE6 OF YOU
VI
23017
N
T-A
QAYL
down in alley(washinqtonians) Co
1076
N
T— A
QAYL
ZIGGY ELUAN
Bublitchki /Angels sing
BB
10103
G
STA
TRES
RUTH ETTINQ
SHAKING THE BLUES AWAY
CO
1 1 13
Q
SAL
.75 QALB
LEMUEL FOWLER
Satisfied blues
CO
3959
G
T-A
— — Henr
25
BUD FREEMAN
jack hits the road
Co
35854 N
AUC
HEIN
As long I live/(henderson,rev]
DE
3885 E
T-A
EDEL
FRISCO "JASS" BAND
Johnson "jass" blues/umbrella
Ed
E
T-A
THOM
EARL FILLER
SLIPPERY HANK/YAH-DE-DAH
V|
18321 N
T-S
SCHE
JAN GARBER
Since best gal/Sister kate
CO
1306 E
TRA
Mart
GENE'S MERRY MAKERS
Sunday in carol i ne/head i n for
WE
12688 V
AUC
Clar
THE GEORGIANS
Doodle doo doo/savannah
CO
142 V+T-A
SCHE
Got to see mama ev'ry night
CO
3857 G
SAL
1 ,00 Galb
GENE GIFFORD
NEW ORLEANS TW 1 St/NOTH 1 NG BUT
BB
10704 N
AUC
Voge
JEAN.QOLDKETTE
Looking over 4 leaf clover
VI
20466 E+t-a
Davi
Sweethearts on parade
Vl
21800 N
T-S
— SCHE
Gonna meet my sweetie now
VI
25354 E+T-s
SCHE
D 1 NAH/AFTER 1 SAY
Vl
19947 E+T-s
SCHE
Clement i ne/( J .Crawford /rev . )
Vl
20994 G
STA
DeVa
MY PRETTY G|RL
Vl
20568 G
STA
MCKE
Clement i ne/( j .Crawford ,re v . )
Vl
25283 N
TRA
Grov
BENNY GOODMAN
Little kiss at twilight/What
Vl
25878 E
T— A
Cult
Air mail spec/Tuesoay at 10
CO
36254 G
T-A
Cult
Smoke dreams/Gee but you're
VI
25486 V
T-A
Cult
Good for nothin'/Shut eye
Vi
26159 V
T-A
Cult
Got date with oream/Pass in
Vl
26000 V
T-A
Cult
Boy meets horn/let's dance
CO
35301 V+t-a
Jaco
Tain't no use/Goodnight my
Vl
25461 E
T-A
1.25 Jaco
Nobody's sweet. /More than you
BB
10723 N
T-A
1.25 Jaco
Russian lullaby/Changes
BB
1 1226 N
T-A
1.00 JACO
Mister meadowlark/Crazy rhythm
CO
35497 E
SAL
i.oo Jaco
WRAPPIN IT UP/MELANCHOLY BA8Y
VI
25880 N
T-A
Davi
PICK YOURSELF UP/CAMP MEETIN
Vl
25387 N
T-A
Davi
MOONQ LOW/WHY COULDN'T IT
Co
35839 N
T-A
1.50 Stur
Sweet Georgia brown(quartet)
Vl
26091 N
T-A
KAPL
Basin street/Beale street
BR
7645 E
AUC
HERZ
IF 1 COULO BE WITH YOU
Vt
25290 V
T-A
Henr
Remember/Blue skies
Vl
25860 N
T-S
herr
Never should have told you
Vl
SAL
1 .00 QUAI
TA 1 N 'T NO USE
VI
25469 V
.75 quAi
ROSETTA
BB
10760 N
AUC
SMIT
Can't teach my heart/si lhoue
Vl
25711 E
T-S
LlON
I've hitched wa on/let that
Vl
2fi708 E
T-S
L l On
1 'VE got a date/could you pass
Vl
26000 E
T-S
Lion
Never should haveAou can tell
Vl
25500 E
T-A
LION
Sing me a swing song
Vl
25340 E
T-S
Lion
It's dreamer in me/why'd ya
Vl
25846 E
T-S
— Lion
Saving myself/Don't wake my
Vl
25867 E
T-S
LION
This can't be love/Sing for
VI
26099 E
T-S
Lion
Smoke dreams/Gee but you're
Vl
25846 E
T-S
Lion
Glory of love/You can't pull
Vl
25316 E
T-S
Lion
This year's kisses/he ain't
Vl
25505 E
T— S
Lion
It's wonderful/thanks for
Vl
25727 E
T-6
LION
Mama,that moon's here/y°u took
Vl
25722 E
T-S
Lion
no other one/yankee doodle
Vl
25193 E
T-S
Lion
Santa claus/Eeny meeny miny
Vl
25195 E
T-S
Lion
1 MUST SEE ANNIE TONIGHT
Vl
261 10 E
T-6
Lion
I LET A SONG/FEELIN' HIGH
Vl
25840 E
T-6
Lion
YOU TURNED THE TABLES ON ME
Vl
29531 E
T-S
Lion
»HEN 1 GO A DREAM) N'/BLUE
Vl
26061 E
T-S
Li on
IN A 6ENTI MENTAL MOOD/THESE
Vl
25351 E
T-S
Lion
When a lady meets a gent/you
Vl
25434 E
T— S
Lion
Scatterbra in/One sweet letter
CO
35241 E
T-S
Lion
Frenesi/Hard to get
CO
35863 E
T-S
LION
Night and day/Beyono the moon
CO
35410 E
T-S
LION
Wrappin* IT UP
Vl
25880 E
SAL
I .00 Galb
RlFFIN' AT THE RITZ
Vl
25445 E
SAL
l .00 Galb
JINGLE BELLS
Vl
25145 E
SAL
1 .00 Galb
Six appeal (sextet)
CO
35553 E
AUC
Cox
SUNNYSIDE OF STREET( SEXTET )
Co
36617 E
AUC
Cox
Exactly l i ke you
Vl
25406 V
AUC
Cox
Never should have told you
Vl
25500 V
AUC
Cox
MusiC hall rag/Cokey
CO
301 1 N
T-A
UUPH
Sing sing sing
Vl
36205 V
AUC
CHES
GLEN GRAY
Tears from my inkwell/you gr.
DE
2388 E
SAL
1.00 Jaco
BlR MIR BIST OU SCHON
De
1575 V
SAL
1.00 Call
FOR DISPOSITION
SONtlY GREER 4 MjVPHIS
'El.
JOHNNY HODGES
Beggars blues
wo
3012
V
SAL
1.50
QUA 1
LOST IN MEDITATION
VO
4242
V
T-A
GAYL
HALFWAY HOUSE ORCHESTRA
DOOJI WOO J i
vo
4849
a
T-A
GAYL
Maple leaf rag
Co
476
N
TRA
HORN
BILLIE HOLLIDAY
Squeeze me/n.o. shuffle
Co
541
G
SAL
1.00
Qua i
SUMMERTIME/Bl LLI E '6 BLUES
Vo
3288
V
AUC
STEI
GEORGE HALL HOTEL TAFT
0RCH
SENTIMENTAL SIOE/CALL IT SW
vo
3947
V
AUC
STEI
WHEN MY SHIP COMES IN
BB
5662
V
SAL
i.oo
Call
BODY 4 SOUL/GOING TC GET US
vo
5481
N
AUC
STEI
SLEEPY HALL 4 COLLEGIANS
TIME ON MY HANDS/'PULLING
vo
5991
K
AUC
STEI
IT MUST BE TRUE/JUST A GIGOLO
He
12066
G+AUC
Clar
ST. LOUIS BLUES/LOVELESS LOVE
vo
6064
N
AUC
STEI
FRED HAMI/
LOVE ME OR LEAVE ME/jIM
vo
6369
N
AUC
STEI
SUGAR FOOT STOMP
VI
20023
N
AUC
.75
H.SM
SWING BROTHER SWING
vo
5129
E
SAL
1.00 Ouai
LIONEL HAMPTON
D|D 1 REMEMBER
vo
3276
N
T— A
3.00 HOLL
JlVIN1 THE V 1 BREs/ST AND BY
Vl
25535
G
TRA
Thom
SOL HOOPI 1 'S NOVELTY TRIO
BOJO JO/OPEN HOUSE
VI
27341
N
TRA
Thom
Farewell blues
Co
797
G
SAL
.75 Galb
ANYTIME AT ALL
Vl
26039
N
TRA
Thom
CLAUDE HOPKINS
Pig foot sonata/Just for
VI
26793
N
TRA
Thom
1 WOULD 00 ANYTHING FOR YOU
Co
2665
G
SAL
.75 Call
HANDY'S ORCHESTRA
Canadian capers
Co
2747
N
AUC
.75 H.SM
Fuzzy wuzzy rag/The snake bl
Co
2421
E
AUC
JACO
Church street sobbin' blues
De
1289
V
T-A
UMPH
ERSKINE HAWKINS
DO YOU ever think of he
De
353
N
T-A
UMPH
Tuxedo junct./Gin will spec.
BB
10409
G
STA
DEVA
HOTSY TOTSY GANG
COLEMAN HAWKINS
Futuristic rhythm
BR
4200
V
SAL
1.00 QUAI
chicago/Netcha 'S DREAM
DE
661
N
T-A
Davi
ROSETTA HOWARD
Honeysuckle rose
De
3358
N
T-A
kapl
Rosetta blues
DE
7370
E
T-A
UMPH
Shiek of araby/Blue heaven
BB
10770
V+T-A
Edel
BID JACKSON
MARION HARRIS
MESS in around/heebie jeebies
Br
3351
F
AUC
IHIT
{ 6EVERAL )
Co
F
STA
1.00
DeVa
HARRY JAMES
■
MONK HAZEL
Montevideo/Music makers
Co
35932
E
SAL
1 .00 HEIN
High society
Br
4181
N
AUC
HE IN
Four or five times
:lite
5028
N
T-A
KRON
IDEAS
Br
4182
N
AUC
HEIN
JAM SESSION AT VICTOR
CLIFFORD HAYES
HONEYSUCKLE ROSe/8lueS
VI
25559
V
AUC
Cult
BLUE GUITAR STOMP
Vl
20955
N
SAL
1.50
Qua i
Honeysuckle rose/blue6
VI
25559
E+T-A
Davi
FLETCHER HENDERSON
Honeysuckle rose/blues
Vl
25559
V
T-A
HOLL
1 ' LL ALWAYS BE/JANQLED NERVES
VI
25317
e
AUC
Cult
BLIND LEMON JEFFERSON
Blues in my heart/Sugar
Co
2559
V
AUC
Cult
BLACK SNAKE MOAN
Para
12407
G
T-A
HENR
Sugar foot/what-cha-call-em
co
395
G
AUC
Cult
ARNOLD JOHNSON
You've got to get hot/charls
vo
14726
G
T-A
1.00
Jaco
Sweet lovin' mama
Br
241 1
G
8AL
1 .00 Galb
GULF COAST BLUES
Co
3951
F+SAL
.50
Call
JAMES P. JOHNSON
Shanghai shuffle(loui6)
vo
14935
E
T-A
Kapl
Go harlem/just a crazy song
Co
2448
V
AUC
Cult
Sugarfoot/what-cha-call-em '
Co
395
F
AUC
HERZ
Snowy morning 6l/all that 1
1 CO
14204
V
AUC
Cult
money blues/Stampede
Co
35669
N
T-A
Edel
BLEEDING HEARTED BLUES
Vl
V
TRA
1 .00 MAHE
Hop off/Snag it
co
35670
E
T-A
Edel
LIL JOHNSON
House of oavio blues UHCA
57
N
T-A
KRON
Peanut man/Press my button
Vo
03199
a
AUC
Cult
Livery stable blues
CO
1002
F
T-A
KRON
ISHAM JONES
SUGAR FOOT STOMP
Co
395
G
T-A
KRON
ORIGINAL CHARLESTON
Br
2970
N
T-S
SCHE
Si nging the blues
CO
V
TRA
.75
MAHE
WABASH BLUES
Br
5065
N
T-S
SCHE
King porter stomp
Co
V
TRA
1.50
MAHE
RICHARD M. JONES
Easy money
Co
V
TRA
1.50
Ma he
Maybe someday/all night bl
Ge
5172
E
T-A
D,v,
Honeysuckle rose
Co
E
TRA
1.50
MAHE
29th 4 DEARBORN
OK
8260
G
T-A
Kapl
Blue rhythm
Cr
E
TRA
1.50
MAHE
Smoked meat blues
Vl
20859
N
AUC
.75 H.SM
Saving myself for you/Little
vo
4154
V
AUC
VOGE
Tickle britches blues
Vl
38040
N
TRA
Mart
Grass is always greener
Re
9683
G
6AL
1 .00
GALB
JUNGLE KINGS
SUD BUST 1 N BLU ES
Br
2592
E
T-A
GAYL
Darktown strutters ball
UHCA
4
N
T-A
KRON
Stampede/Jackass blues
Co
654
G
T-A
GAYL
ART KASSEL
HORACE HENDERSON
CLOUDs/l 'M KEEPING THOSE
BB
V
T-A
Garr
You're mine you/swing in
vo
5606
E
AUC
VOGE
KENTUCKY GRASSHOPPERS
Honeysuckle rose
vo
5579
E
T-A
UMPH
Shirt tail stomp/Tiger rag
8a
6355
G
T-A
Cult
KITTY ON TOAST
vo
5433
E
T-A
Umph
Four or five times
Ba
6295
F
SAL
•75 Ouai
Ain't misbehavin'
OK
5900
E
T-A
UMPH
HENRY KING
LEROY HENDERSON
Blues serenade
De
1063
N
AUC
.75 H.Su
GOOO SCUFFLE Bl/GOOD GRIND
vo
02979
E
AUC
Cult
JOHN KIRBY
ROSA HENDERSON
1 MAY BE WRONG/OPUS 5
vo
5048
G+T-A
.90 Jaco
MIDNIGHT BLUES
Vl
19124
E
AUC
.75
H.Su
GENE KRUPA
MIDNIGHT BLUES
Vl
19124
V
AUC
VOGE
Drummer boy/Looking for you
OK
5747
V
T-A
Cult
WOODY HERMAN
High on a winoy hill/It all
OK
5883
E+SAL
.50 Jaco
WINTERTIME DREAMS/GOOSE HANGS
De
1056
E+SAL
1.00
JACO
1 HEAR MUSIC/NIGHTINGALE
OK
5802
N
SAL
.75 jaco
Fan it/South
Oe
3761
E
SAL
1.00
Qalb
WIRE BRUSH ST/WHAT GOES ON
OR
8166
G+sal
.85 Jaco
BERTHA "CHIPPIE" HILL
Love in my heart/Chop, chop
Co
35490
E
6AL
i .00 Jaco
Trouble in mi no/g .man(lou i s)
ok
8312
F
AUC
Whit
WHEN SWALLOWS COME BACk/ALL
Co
35520
E
SAL
i.OO Jaco
TINY HILL
I'LL NEVER SMILE AGAIN/MAYBE
OK
5643
E
SAL
i.OO Jaco
Oream girl/oooole 000
OK
5060
E
SAL
1 .00
JACO
Drummer boy/looking for you
OK
5747
E
SAL
1 .00 JACO
AULD LANG SYNE/i'LL KEEP ON
VO
5275
E
SAL
1.00
JACO
Marcheta/symphony in riffs
CO
35387
N
SAL
i .00 Jaco
EARL HINES
SWING IS HERE/l HOPE GABRIEL
88
10705
N
T-A
1 .00 Stur
P 1 ANOLOGY/FLANQ DOODLE SW
vo
3501
V
AUC
CULT
WIRE BRUSH STOMP
BR
8166
E
T-A
Umph
Blue nights/Grand piano bl
BB
6744
E
AUC
Cult
Who/Full dress hop
OK
6009
N
AUC
Ches
juli a/Japanese sandman
De
654
V
AUC
Cult
■ ire BRUSH stomp Hal'
OK
6106
N
AUC
CHES
BOOGIE WOOGIE ON ST. LOU IS BL
BB
10674
N
SAL
.75
JACO
Blue rhythm fantasy
OK
5627
V
AUC
Ches
Qlao rag dol L/'Rosett a(solos)
BB
10555
N
T-A
Davi
BILLY KYLE
A MONDAY DATE
co
2800
G
6AL
1 .00
Call
FlNISHIN' UP a date/'Between
DE
2740
N
T-S
HERR
rosetta (kirk, rev.)
De
3517
E
T-A
Edel
TOMMY LADNIER
BOOGIE WOOGIE ON ST. LOUIS BL
BB
10074
N
T-A
henr
Really the bl/When you & 1
BB
10089
N
T-6
HERR
WE FOUND ROMANCE
Br
6960
N
SAL
1.50
Qua i
EDDIE LANG
GRAND TERRACE 6HUFFLE
8B
10351
E
SAL
1.00
Gals
ADD A LITTLE WIGGLE (SOLO)
OK
41 134
N
T-A
Davi
FOR DISPOSITION
SAM LAN I N
SOMEDAY SWEETHEART
Ca
2578
G
SAL
1 .00 Galb
LAN IN 'S FAMOUS PLAYERS
Wabash blues
GE
9180
G
SAL
1 .00 Galb
MEADE LUX LEW 1 S
Bear cat crawl
Vo
4608
N
TRA
Horn
TED LEWIS
Harmonica harry/you've got
Co
2088
E
AUG
Olar
WABASH BL(E)/FAREIVELL Bl(G+)
Co
2029
OAVI
Just around the corner
CO
504
G
6AL
1 .00 Call
WISTFUL AND BLUE
CO
844
N
T-S
SCHE
LIMEHOUSE BLUES/ROSES OF
CO
1784
E+T-A
SCHE
Dinah/Lonesome road
co
2181
E+T-S
SCHE
Aunt hagar's blues
Co
3879
V
SAL
.75 Galb
Farewell bl/Wabash(Tesch)
CO
2029
G
AUC
WHIT
San/aunt hagar's blues
co
21 13
V
AUC
VOGE
Hot lips
Co
3676
E
T-S
1.00 Galb
LITTLE BROTHER
FAR 1 6H 8TREET JIVE
BB
6894
N
T-A
HENR
LITTLE RAMBLERS
Melancholy baby/Oeep elm
Co
423
E
AUC
Cult
Got no time/Look who's here
CO
403
V
AUC
Cult
Got no time/look who's here
co
403
G
SAL
1 .00 Galb
Swamp blues/play it red
CO
1 103
V
SAL
1.00 Galb
CLARENCE LOFTON
1 DON'T know
SA
12009
N
TRA
HORN
GUY LOMBARDO
Weatherman/Isn't this a
DE
G
T-A
GARR
VINCENT LOPEZ
Chapel in the mOonli ght/Take
PE
V
T— A
Garr
LOVE AND LEARN/LET'S PUT OUR
OR
F
T-A
Garr
LOUISIANA SUGAR BABES
PERSIAN RUG
VI
27346
V
AUC
HE IN
LUMBERJACKS
WHOOPEE ST (MAST. 3514)
RO
834
E+t-a
Davi
BLACK BEAUTY ( 34 1 1 ) ( ELL 1 NGTON )RO
775
V
T-A
GAYL
JIMMIE LUNCEFORD
AIN'T SHE SWEET/WHAT IS THIS
VO
4875
N
T-S
Kerr
RAGGIN' THE SCALES
de
1364
N
AUC
.35 H.Sm
ABE LYMAN
San/weary weazel
Br
3964
G
SAL
1.00 Call
SAM MANNING 4 COLE JAZZ
LET GO MY HEART/BUNCO
Co
141 10
V+T-S
Grit
WINGY MANNONE
Martha/the flat foot floogie
BB
7621
E+6AL
1 .00 JACO
HOW LONQ BLUES/BLUE LOU
BB
10749
N
T-A
.75 STUR
IT'S THE GYPSY IN ME
BB
6549
V
SAL
.75 Call
Rhythm on the river
BB
10844
N
STA
TRES
PAUL MARES 1 FRIARS SOCIETY
REINCARNAT IOn/MAPLE LEAF RAG
CO
35686
N
T-A
— DAVI
Maple leaf rag
Co
35686
N
AUC
.75 H.SM
JOE MARSALA
Feather bed lament
DE
181 1 1
N
AUC
Smit
CLYDE MCCOY
NOBODY'S SWEETHEART
Co
2808
G+SAL
1.50 Call
Basin st. blues
Co
2794
N
AUC
.75 H.SM
DICK MCDONOUGH & CARL
<RESS
Stage fpi ght/Danzoa
BR
6917
N
T-A
Dav 1
JIMMY MCHUGH
Baby
Ha
795
E
T-S
Grit
RED MCKENZIE
Just friends/Time on my hands
Co
2556
E
AUC
Stei
1 'm sorry oear/i founo(chop)
Co
2587
N
AUC
Stei
Panama/when my sugar
Vo
14977
G
AUC
STEI
Stretch it boy/best slack
Vo
14978
V
AUC
— — Stei
What's the use of getting
De
243
N
AUC
Stei
Sing an old fashioned song
De
667
N
AUC
Ste i
i don't know your name
De
721
N
AUC
Stei
MOON R06E/WHEN love
De
734
V
AUC
STEI
Sugar/China boy UHCA
9
N
TRA
BUCH
TailSpin blues
BB
10209
N
TRA
GROV
1 can't get started
DE
790
E
T-A
UMPH
McKINNEY'S COTTON PICKERS
zonky/if I could be with you
VI
381 18
V
T-A
— — Cult
Want a little girl/Okay baby
Vl
23000
Q+AUC
Clar
Selling that stuff/Beedle bum
VI
38052
G
AUC
CLAR
Laughing at life/never
Vl
23020
E+T-S
SCHE
Baby won't you please come
VI
2251 1
N
T-S
SCHE
Shade corn/Cotton p.6cat
Vl
23012
F
AUC
WHI T
Four or five times
Vl
E
TRA
.50 MAHE
I'LL MAKE FUN FOR YOu/SOMEONE
Vl
38142
V
AUC
VOGE
27
MEZZ MESIROW
hot club stomp/Swing session
VI
25612
AUC
CULT
Melody from the sky/lost
BB
6320
T-A
UMPH
MES 1 ROW— LADN 1 ER
1 AIN'T GONNA GIVE
BB
10090
AUC
EIN
REVOLUTIONARY BLUES
BB
10088
AUC
HE IN
COMIN' ON
BB
10085
N
AUC
HE IN
VIC MEYERS
SPRINGTIME RAG
BR
2630
E
SAL
1 .00 Galb
MIDNIGHT A 1 RDALES
Swanee shuffle/Gotta have
CO
1981
N
AUC
Ste i
MIDWAY DANCE ORCHESTRA
Buddy's habits
CO
51
N
AUC
HE IN
LIZZIE MILES
My man of war blues
Vl
2"i28 1
N
AUC
.75 H.Sm
BUBBER MILEY
PENALTY OF LOVE
Vl
23010
AUC
.75 H.Sm
GLENN MILLER
Star oust/Melancholy baby
BB
10665
N
SAL
.75 JACO
RAY MILLER
Weary blues/i ain't got nob.
Br
3677
E
AUC
Cult
SISTER KATE
Br
3829
N
SAL
1 .00 qua 1
Mississippi here 1 am(muggsy]
Br
4 1 94
E
SAL
1*50 Qua 1
MILLS BLUE RHYTHM BAND
Solitude/keep rhythm going
co
2994
V
AUC
Cult
Spitfire/Back beats
Co
3020
V
AUC
Cult
There's rhythm in harlem
Co
3071
E
TRA
Tayl
mills merry makers
Moan in' low
Ba
64 2
E
T— 6
Grit
M 1 SSOUR 1 ANS
OZARK MOUNTAIN BLUES
Vl
38071
N
AUC
.75 .Sm
SCOTTY BLUES/400 HOP
Vl
38084
N
TRA
Mart
MIFF MOLE
HOT T 1 ME/DARKTOWN STRUTTERS
OK
40784
V+T-S
Gri t
HONOLULU Bl/THE NEW TWISTER
OK
40984
V
T-A
Davi
Alexander ' s/Trumbauer,b i x, Rev ) Co
36280
E+T-A
Edel
TOOTS MONDELLO
SHADES OF JADE ROYALE
1823
N
T-A
MPH
JULIA MOODY
LAST NIGHT BLUES/STR i VI N BL
CO
14087
V+T-S
GR 1 T
JELLY ROLL MORTON
Deep creek blues
BB
5333
V
TRA
HORN
Mr. Jelly roll (steamboat 4)tr
ANGLE 11397 V
TRA
HORM
strokin' away/low gravy
BB
8302
N
T-S
HERR
Steamboat stomp/Smoke house
BB
8372
N
T-S
HERR
Turtle twist/smilin' blues
BB
10194
N
T-S
HERR
Seattle hunch/Freakish
VI
27565
N
T-S
HERR
Don't you leave me/Ballin the
BB
10450
N
T-A
Cult
Climax rag (hair crack)
BB
10442
N
AUC
1 .00 Jaco
Big lip blues/new York
QENR
1704
N
AUC
JACO
Get the bucket/why
GENR
1706
N
AUC
Shake it/if you knew
QENR
1707
N
AUC
Mama's got a baby/My home
QENR
1710
N
AUC
Jaco
SWINGIN' THE ELK6/DIRTY
QENR
171 1
N
AUC
Jaco
My home is i n a southern town
N
SAL
.75 Jaco
Bugaboo
VI
38010
P
SAL
.50 Call
The pearly/Beale street bl
Vl
20948
E
SAL
2.00 Call
Kansas city stomp
Vl
38010
F
AUC
He i n
Shreveport
VI
21658
F
AUC
He i n
Bugaboo (rev.parham)
BB
6031
N
AUC
HE 1 N
Mournful serenade (catch)
VI
38024
F+AUC
— HEI N
Shoe shiner's drag(haircrack)
BB
7725
E
AUC
HEI N
Chant/Black bottom
Vl
20221
V
AUC
HE IN
Si dewalk blues
Vl
20252
a
AUC
HEIN
Turtle twi st
BB
10194
N
AUC
He i n
High society
BB
10434
N
AUC
HEIN
Ballin' the jack
BB
10450
N
AUC
He in
The pearls ( i" crack)
QE
5323
V
AUC
HEIN
ki ng porter stomp
Vo
1020
G
T-A
Kapl
Panama /Sweet substitute
QE
1703
E
T-A
Edel
Shoe 6hiners drag
Vl
21658
V
T-A
Kron
Mushmouth shuffle
BB
8201
N
T-A
Kron
West end blues
BB
10442
N
T-A
Kron
That'll never do
VI
23019
N
AUC
.75 H.SM
The chant
BB
10253
N
T-A
HOLL
Turtle twist/smilin'
BB
10194
N
TRA
Boogaboo/Shoe shiners' drag
BB
7725
N
TRA
Mart
GRANDPA 'SSPELLS/K. CITY STOMP
QE
5218
CH AUC
WHIT
SOMEDAY SWEETHEART
Vl
V
TRA
1.00 MAHE
Dr. Jazz/(Dixie jub blow's, rev) Vl
20415
3
AUC
VOGE
The chant/black bottom st.
VI
20221
E
T-A
GAYL
FOR DISPOSITION
BENNIE MO TEN
NEW orleans/Lafayette
VI
24216
V
AUC
CULT
moten's blues/Let's qet it
VI
3B072
V
AUC
CULT
Elephant's wobble/crawdad
OK
8100
G
AUC
STEI
GOOEY OUST 'TULSA BLUES
OK
8164
F
AUC
STEI
South/Vine street blues
OK
8194
F
AUC
STEI
18th street 'Seem SO BLUE
OK
8242
F
AUC
STEI
KATER STREET/SISTER HONKY
OK
9277
F
AUC
STEI
Won't you be my baby
BB
671 1
V
AUC
STEI
NEW MOTEN STOMP
BB
6709
1
AUC
STEI
TOUGH BREAKS/MARY LEE
BB
6638
II
AUC
STEI
IT'S DA RD TO LAUGH
BB
6431
Q
AUC
STEI
THICK LIP STOMp/HARMONY
Vl
20406
E
AUC
STEI
MIDNIGHT MAMA/MISSOURI
VI
20422
V
AUC
STEI
k.c.shuffleAazoo
VI
20485
G
AUG
STEI
WHITE LIGHTENING
Vl
2081 1
V
AUC
STEI
MOTEN STOMP
VI
20955
G
AUC
STEI
Pass out lightly/Ding dong
Vl
21 199
V
AUC
STEI
New tulsa blues (hayes)
Vl
21584
N
AUC
STEI
K.C. BREAKDOWN/LOW DOWN
Vl
21693
E
AUC
STEI
YA GOT LOVE/l WANNA
Vl
22680
N
AUC
STEI
WISH 1 COULD be blue
Vl
22734
N
AUC
STEI
Liza lee/get goin
Vl
23023
V
AUC
STEI
RUMBA NEGRO
Vl
23037
N
AUC
STEI
SOUTH/'IO TROUBLE
Vl
24893
E
AUC
STEI
Slow mot i on/mot water
Vl
38012
G
AUC
STEI
scuth/no trouble
Vl
38021
G
AUC
STEI
Now goofy dust/k.C. stomp
Vl
38091
Q
AUC
STEI
Mary lee/Sweetheart
Vl
381 14
G
AUC
STEI
Everyday blues/boot it
Vl
38144
Q
AUC
— STE 1
south/she's no trouble
Vl
24893
V+T-A
RUMBA NEGRO
Vl
23037
N
SAL
1 «00 Qua i
MOTEN STOMP
Vl
v
Kansas city break/Get low
VI
2 1693
v
AUC
VOCE
South/she's no trouble
Vl
24893
N
AUC
VoQE
MOUND CITY BLUE BLOWERS
High soci ety/Muskrat ramble
DE
1274
N
AUC
3TEI
HIGH SOCIETY/CLAP MY HANDS
Ch
40103
Q
AUC
STEI
indiana/Fire house blues
co
1946
N
AUC
STEI
Blues in F/wigwam blues
Br
2908
N
AUC
STEI
Tailsp in/Never had a reabon
VI
38087
V
AUC
Ste t
One hour/Hello lola
Vl
38100
E
AUC
Ste i
One hour/Hello lola
BB
6456
V
AUC
STEI
Mama don't allow/Hope Gabriel
CH
40091
N
T-A
Davi
I'm shootin' high/Fingers cr
Ch
40076
N
T-A
Dav 1
EENY MEENY/LlTTLE INDEPENDENT
CH
40073
N
T-8
Dav i
D'TOWN STRUTTERS ( B • SM 1 TH , REV )
CO
3628 1
N
T-A
| iQQ stur
Blue blues/Arkansas blues
BR
2581
N
T-S
Tailspin blues/Never had a
BB
N
TRA
Mart
Indi ana/You 've been
VO
2973
V
T-A
A
PH IL NAPOLEON
ANYTHING
VI
38069
a
STA
McKE
NEW ORLEANS BOOTBLACKS
mixed salao
CO
14465
V
T-A
KAPL
NEW ORLEANS LUCKY SEVEN
GOOSE PIMPLES
OK
E
TRA
1.50 MAHE
NEW ORLEANS OWLS
That's a plenty
CO
1547
E
T-A
QAYL
NEW ORLEANS RHYTHM KINGS
Farewell blues/Oriental
GE
4966
V
T-A
Davi
Wolverine blues
ge
5102
G
T-A
HENR
Sobbin* blues/angry
GE
5219
F
AUC
WHIT
Panama
Ge
G
TRA
1.00 MAHE
SHE'S CRY IN FOR ME
8B
10956
N
TRA
Grov
FRANK IE NEWTON
Minor jive/rompin
BB
10186
N
T-S
HERR
FRANKIE'S JUMP/TAB'S BLUES
VO
N
T-A
1 .00 Stur
YOU 6H0WED ME THE WAY
VA
518
N
T-A
UMPH
RED NICHOLS
8UDOY'S HAB 1 TS/BONEYARO SHUF
BR
3477
G+AUC
CLAR
JUNGLE FEVER/ROCKIN'IN RHYTHM
BB
5547
E
AUC
CLAR
BUOOY'S HABITS/BONEYARD SHUF
Br
3477
V
AUC
CLAR
ALABAMA STOMP/HURRI CANE
Br
3550
V+AUC
CLAR
WASHBOARD BL/THAT'8 NO BARO.
BR
3407
N
T-A
Davi
BUGLE CALL RAG/BACK BEATS
Br
3490
V
T-A
Davi
Mean dog blues/Cornfed
Br
3597
V
T-A
Davi
IDA/FEELIN' NO PAIN
Br
3626
V
T-A
Davi
AVALON/NOBODY '8 SWEETHEART
Br
3854
E
T-A
Davi
After you've qone/wilo 'bout
•br
4839
N
T-A
Davi
HARLEM TWIBT/FlVE PENNIES
Vl
21560
V
SAL
] .00 QUA 1
BUDDY'S HABI T6/B0NEYARD SHUF
Br
3477
E
AUC
qua i
J I MM IE NOONE
Chicago rhythm/i got a misery Vo
1267 G+tra
Horn
Apex blues
Vo
2779 E
T-A
KAPL
Every evening/ 4 or 5 times
VO
1185 G
AUC
WHIT
RED NORVO
In a mist/dance of octopus
Br
8236 N
AUC
Cult
Blues in E flat/bughouse
Br
8208 V+auc
CLAR
HUSK 0 HARE
Tiger rag/boo hoo hoo-
Ge
4850 E+T-S
Grit
king OLIVER
Chatanooga stomp/new o. stomp
Co
13003 V
AUC
Pens
West end blues/( Ellington, re
/) VI
38034 E
T-A
1 .00 STUR
West end blues/(Ellington,rev) Vi
38034 E
AUC
HERZ
WHAT*6 THE USE OF LIVING
VI
2301 1 N
AUC
.75 H.Sm
St. James infirmary
Vl
22298 G
6AL
.75 QUAl
Slow ano steady
BR
4469 E
SAL
1.50 Qua i
CALL OF FREAKS/TRUMPET'S PR
BB
7705 N
TRA
Mart
SOMEOAY SWEETHEART/DEAD MAN
vo
1059 F
AUC
WHIT
ORIGINAL DIXIELAND JAZZ BAND
Skeleton jangle/Tiger rag
Vl
18472 G+T-A
1.00 JACO
Margie/palesteena
Vl
16717 G
T-S
SCHE
BOW WOW BLUES
Vl
18850 G
SAL
1 .00 Galb
St. Louis blues/Jazz me blues
Vl
18772 E
AUC
VOGE
Dangerous blues
VI
18798 G
SAL
1 .00 Galb
OR IG INAL MEMPHIS FIVE
Farewell blues
PE
14104 Q
T-A
1 .00 Jaco
St. Louis gal/AtOney's lovin
CO
2577 V
AUC
Cult
KID ORY
ORY'S CREOLE TROMBONE
NORD
3009 Q
TRA
Walt
TONY PARENT 1 'S NEW ORLEAN 1 ANS
GUMBOA°U MADE ME LIKE IT
BR
4469 E
SAL
i ,50 Qua t
TINY PARHAM
NOW 1 * VE FOUND YOU/SUD BUST
Vl
22778 V+AUC
CLAR
Blue island blues
BB
7005 V+AUC
CLAR
Dixieland do ins
Vl
381 1 1 N
TRA
Mart
DO IN* THE JUG-JUG
Vl
23027 E
TRA
Mart
Echo blues/Washboard
V|
38076 N
TRA
Mart
Blue melody/That kind
VI
38047 N
TRA
Mart
EDO IE PEABODY
1 MISS MY SWISS
AP
6396 V
SAL
i .00 Galb
JACK PETTIS
A BAG OF BLUES/^RESHMAN HOP
VI
21793 V+AUC
Clar
CHARLES PIERCE
China boy
UHCA
1 N
T-A
Kron
BEN POLLACK
California here i come/boogie de
1517 N
T-8
Herr
YOU'RE ALWAYS IN MY ARMS
Vl
22101 G
SAL
i .00 Galb
Sweet and hot/i've got $5
RE
10273 N
T— S
Grit
SAM PRICE
JUMP 1 N ' THE BOOG 1 E
DE
8515 N
T-A
— ■ — Umph
LUIS PRIMA
NOW THEY CALL IT SWING
OE
1674 V
SAL
i .00 Galb
RADERMAN'S ROISTERERS
1 Al N *T GOT NOBODY
HA
48 G
SAL
1 .00 Galb
MA RAINEY
LAST MINUTE BLUES/BO-WEAVIL
Para
12080 V
AUC
Ste i
Bad luck bl/All night long
Para
12081 F
AUC
STEI
Walking blues/Barrel house
Para
12082 V
AUC
STEI
Moonshine blues/Southern bl
Para
12083 G
AUC
STEI
Ma Rainey's mystery record
Para
12200 G
AUC
STEI
SEE SEE RIDER/JEALOUS HEART
Paha
12252 G
AUC
STEI
Toad frog/Booze and blues
Para
12242 V
AUC
STE)
STORMY SEA SLUES/LEVEE CAMP
Para
12295 G
AUC
STEI
Rough & tumble/Vemph i s bouno
PARA
1231 1 F
AUC
Ste i
Last minute blues
Para
.2080 G
T-A
HENR
Gone oadoy/slow drivin moan
Para
12526 N
AUC
WHIT
JELLY BEAN BLUES /COUNT 1 N BL
Jl
8 N
TRA
Buch
RAMPART STREET WASHBOARD BAND
Forty ano t ight
Or
8120 V
T-A
10.00 HOLL
THE RED HEADS
Here or there/tell me tonighi
Pat
36583 E
Grit
That's no bargain
PE
14757 V+T-A
Grit
RED OMON JAZZ BABIES
Terrible blues
HRS
31 N
TRA
HORN
CAPT. REGAN COLDSTREAM
GUARDS BAND
Bugle calls of the Brit. Army
Vl
69014 E
SAL
2.00 CALL
LEO F. REtSMAN
Bright eyes/Love bi ro
Co
3366 G
STA
1.00 OEVA
KID RENA'S JAZZ BAND
Lowoown blues/Gettysburg Delta
801 E+t-a
i .oo Stur
THE RHYTHM ACES
t GOT THE ST INGER
Br
7120 G
T-A
Henr
FOR DISPOSITION
RHYTHMAKERS
REX STEWART
Mean old bed bug/yellow dog
Co
35882
N
T-A
Davi
TEA AND TRUMPETS
OK
3831
N
T-S
Grit
Oh peter/who stole the lock
Co
35841
N
T— A
Davi
WITHOUT A SONG/MY SUNDAY
BB
10946
N
T-A
Thom
THE RHYTHM KINGS
SUBTLE SLOUGH/SOME SATURDAY
BB
1 1258
N
TRA
Thom
YOU SALTY DOG
VI
23279
N
AUC
.75 H.Sm
Mobile bay/Linger awhile
BB
1 1057
N
TRA
Thom
JOE ROBECHAUX 4 NEW ORLEANS RHYTHM
JOE SULLIVAN
FORTY— SECOND STREET
Vo
2575
E
T-A
Henr
MINOR MOOD
BrE
02099
N
T-A
Kapl
WILLARD ROB 1 SON
MY LITTLE PRIDE 4 JOY
She
02136
N
T-A
Kapl
IF 1 HAD YOU
VI
21866
N
AUC
.75 H.Sm
Onyx shin .down Parl
R2006
N
T-A
Kapl
MAURICE ROCCO
MAX INE SULLIVAN
JUNGLE DRUMS (solo)
DE
8533
N
T-A
UMPH
LOCH LOMOND
Vo
3654
G
STA
MCKE
ADRIAN ROLL 1 N 1
ART TATUM
LESSONS in love/Tap ROOM 6W
de
7B7
E
AUC
Cult
St. Lou is blues/Tiger rag
Br
6543
E
AUC
VOGE
Stuff/swing LOW
De
807
V
AUC
CULT
LAST GOODBYE BLUES
De
8536
E
T-A
UMPH
SAVAGE SERENADE/SWEET MADNESS
ME
12829
V
AUC
CULT
CORRINE CORRINA
De
8563
N
T-A
Umph
KEEP DOIN'
BR
E
TRA
.75 Mahe
WEE BABY BLUES
De
8526
N
T-A
UMPH
LUIS RUSSELL
MONTANA TAYLOR
MY BLUE HEAVEN/PRIMITIVE
PE
16103
E
HENR
INDIANA AVENUE STOMP UHCA
65-66
N
TRA
HORN
DARKTOWN STRUTTERS BALL
PE
15995
E
T-A
Henr
JACK TEAGARDEN
SAVANNAH SYNCOPATORS
YOU RASCAL YOU/THAT'S WHAT 1
Co
2558
Q
AUC
HERZ
SOMEDAY SWEETHEART
BR
3373
Q
SAL
1.00 QUAl
DIRTY DOG UHCA
40
N
T-A
KRON
RADIO RHYTHM
Br
6176
E+T-S
SCHE
TEII BLACK BERRIES
ELMER SCHOEBEL
St. James/Rent party slues
BA
0594
G
AUC
WHIT
COPENHAGEN
Br
E
TRA
1.50 mahe
TEAGARDEN 4 TRUMBAUER
ADRIAN SCHUBERT
I'SE A muggin, Parts 1 & 2
VI
25273
V
AUC
Cult
1 WON'T 8E LONG NOW
Ba
0596
N
AUC
.25 H.SM
TEXAS BLUES DESTROYERS
CECIL SCOTT
LENOX AVe/DOWN IN MOUTH BL
PE
14341
E
AUC
Whit
LAWO LAWo/lN A CORNER
BB
8276
N
T-A
UMPH
TENNESSEE TEN
SEATTLE HARMONY KINGS
'TAIN'T NOBODY'S BUSINESS
V|
19109
E
SAL
1 .00 GALB
Had a oirl/Oarktown shuffle
VI
19772
V
AUC
CLAR
TRAM, BIX, 4 LANG
HOW MANY TIMES
VI
20133
V
AUC
CLAR
NO REASON AT ALL IN C
CO
E
TRA
.50 MAHE
CHARLIE SEGAR
FRANK IE TRUMBAUER
COW COW BLUES/BOOGIE WOOG 1 E
DE
7075
N
T-A
Henr
In a mist/Wild honey
Br
6997
E
AUC
CULT
BOYD SENTER
Deep harlem/Get happy
OK
41431
V
AUC
CULT
SHINE/DOIN' YOU GOOD
VI
21912
N
T-A
Da\ 1
Break it down/China boy
BR
6912
V
AUC
— > CULT
BAD HABITS/NEW ST. LOUIS BLUES
OK
40755
£
T-A
Davi
Emaline/Long about midnight
BR
6788
V
AUC
CULT
Someoay sweetheart/Christine
OK
40819
N
T-A
Davi
Mayor of Alabam/S 'wonderful
BR
7663
E
AUC
CULT
ARTIE SHAW
Way down yonder in N.O.
OK
40843
V
T-A
Kapl
Traffic jam/Serenade to a
BB
10385
E
T-A
.90 JACO
MISSISSIPPI MUO
OK
40979
V
T-A
KAPL
Begin the beguine/indiana
BB
7746
N
SAL
.75 JACO
Bless you sister
OK
41 100
E
T-A
KAPL
TOOK A MILLION YEARS/SAY IT
BB
10079
E
AUC
CLAR
Business in 0
Co
2710
N
SAL
1.00 QUA 1
SOBBIN' BLUES
VO
4686
V
T-A
KRON
1 surrender dear
Va
8239
V
SAL
1 .00 GALB
APPLE BLOSSOM TIME
VO
4438
N
KRON
'S wonderful/Mayor of alabam
Br
7663
E
AUC
VOGE
STREAML 1 NE
vo
4598
N
T-A
KRON
JOE TURNER
Blues a / Blues B
Br
7947
V
AUC
VOGE
Freeze and melt (ellington)
Co
E
TRA
1 .50 MAHE
Dr. LIVINGSTONE 1 PRESUME
Vi
27289
E
SAL
1 .00 GALB
Freeze 4 melt (ellington)
Co
1813
G
T-A
GAYL
This is it/it's all, yours
BB
10 141
E
T-*
GAYL
UNIVERSITY SIX
CHANT/^EE Fl FO FUM
Br
7952
V
T-A
GAYL
DUSTIN' THE DONKEY
Ha
134
Q
SAL
1 .00 GALB
1 *M YOURS/JUST YOU
Br
8010
V
T-A
GAYL
VENUTI-LANG OROUPS
NAT SHILKRET
beale st. blues/After you're
ME
12294
V
AUC
CULT
SOME SWEET DAY
VI
21896
V
SAL
1 .00 GALB
Ragging the scale
Co
2765
N
T-A
Davi
BESSIE SMITH
RUNNING RAGGED/APPLE BLOSSOM
OK
41361
N
T-A
Davi
I'M WILD ABOUT THAT THING
CO
14427
E
SAL
5.00 CALL
Dinah/The wild dog
OK
41025
E+T-A
Davi
Back water blues( J. p. Johnson)
Co
14195
G
T-A
HENR
Put and take/Raggin the scale
OK
41432
E+T-A
Davi
CLARA SMITH
Pretty trix/Man from south
OK
41076
V
T-A
Davi
Broken busteo blue6(louis)
CO
14062
G+TRA
HORN
Promises/Dancing with tears
OK
41427
N
T-A
Davi
JABRO SMITH
THE WOLF WOBBLE
CO
2589
E
T-A
DAVI
Till times get better
Br
7078
N
AUC
HE IN
Cheese 4 crackers/mug of ale
OK
40897
G
AUC
VOGE
Mope rain more rest
DE
1980
N
T-A
UMPH
THE VIRGINIANS (ross Gorman)
JOS. C. SMITH
Bees knees/Peggy dear
VI
19000
E
AUC
VOGE
Karavan/When you're alone
VI
F
Garr
SIPPE WALLACE
RUBY SMITH
TROUBLE EVERYWHERE 1 ROAM
OK
3212
G+TRA
HORN
Back water blues
VO
4903
E
T-A
UMPH
FATS WALLER
WILLIE SMITH-SPENCER-HERTH
TRUCKIN(F+)/GlRL 1 LEFT (V)
Vl
2511*
T-A
DAVI
Campbells are swinging/pop
De
1736
N
T— S
SCHE
SAN ANTON '/you SHOWEB me
Vl
25579
E
T-A
Davi
SNAPPY BITS BAND
(many)
TRA
Tayl
Laughin' cryin' blues
GE
9350
Q
SAL
1.00 GALB
LOUNGIN' AT THE WALDORF
Vl
25430
E
SAL
.75 QUAl
Muggsy spanier
ROSETTA
VI
24892
E
SAL
1 .00 QUA 1
Relaxin' at the touro
BB
10532
N
T-A
2.00 HOLL
Baby browne/Because of once
T.VSl
24846
V
AUC
VOGE
PAUL SPECHT
ST. LOUI S BLUES
VI
20357
V
TRA
GROV
Static strut
CO
627
G
SAL
1 .00 GALB
WASHBOARD RHYTHM BAND
SPECKLED RED
Shuffle to buffalo/Going gone
Co
14680
E
AUC
CLAR
Lonesome mind bl/speckleo red
Br
7164
E+T-A
Davi
WASHBOARD RHYTHM KINGS
VICTORIA SPIVEY
BLUES IN HEART/QA.ON MY MIND
BB
6150
V+T-A
.90 JACO
BLACK SNAKE/JELLY BEAN
OK
8338
F
AUC
STEI
Mississippi basin/Lazy bones
Me
12781
E
AUC
CLAR
Furniture man
OK
8652
F
AUC
STEI
WASH INGTON IANS
Any-k I no-a-man
vo
3366
E
AUC
S te |
SOLILOQUy/BLACK 4 TAN
BR
3526
AUC
Hollywood stomp
vo
3405
V
AUC
STEI
BLACK 4 TAN FANTASY
Br
E
TRA
1.00 Mahe
JESS STACEY
ETHEL WATERS
IN THE DARK-FLASHES/BARREL
De
181 19
N
T-S
HERR
1 JUST COULDN'T TAKE IT BABY
Co
2853
V
SAL
1.50 Call
BLUE STEELE
Memories of you
CO
2288
E
AUC
.75 H.Sm
ALL MUGGLED Up/SHOOIN' FLIES
VI
23014
V
AUC
Cult
Tell 'em bout me/i *ve gquno a
Co
561
V
AUC
VOGE
29
FOR DISPOSITION
LU WATTERS
7,
r 1 DQETY FEET/TEMPTAT 1 ON RAG
N TRA
Buch
OTLvci) ILK WLftVLK
Guitar rag/DamF!nq stomp
8480
V T-A
Cult
CH I C K WEBB
Undecided/in the groove
DE
2323
E SAL
i.oo Jaco
Gotta pebble in shoe/who ya
DE
2231
E SAL
1 .00 Jaco
Blues i n my heart
Br
E TRA
i .00 Mahe
Facts and fi gures
De
830
G STA
MCKE
Harlem congo
De
1681
G STA
MCKE
TED kVEEMS
Sophomore prom
Vl
22215
E AUC
.75 H.SM
D4IM MrUITCUlM
rflUL Wn 1 It. MAN
CONCERTO IN , PAHTS
CO
50139
V+T--A
Grit
CONC ERTO IN r , PA R T S 5 & 6
CO
V+T-A
Grit
IN THE EVENING/IF YOU DON T
CO
1484
V T-A
Grit
Out of town gal
co
1505
V+T-A
GR 1 T
Whiteman stomp/sensat 1 ON ST.
Vl
21 1 19
E AUC
CLAR
'Tain't so/That's my weakness
CO
1444
V+T— A
1 .50 Stur
Come back chiquita/lonesome
CO
F T— A
Garr
That's my weakness now
CO
1444
V T-A
HOLL
Lonely melody
VI
21214
V AUC
IHIT
Louisiana
VI
21438
E AUC
WHIT
Make believe/Ol' man river
Vl
2 12 IB
G STA
DEVA
You took advantage
Vl
25369
N STA
TRES
Mary/ 1 'll be friend(bix,bing) VI
26415
N AUC
Cox
PAUL WHITEUAN'S RHYTHM
BOYS
•A DA Da/THAT'S GRANDMA
Co
1455
E T-A
QAYL
Mississippi mud
Vl
20783
F+T-A
GAYL
From Monday on
VI
21302
G T-A
GAYL
whoopee MAKERS (various pseudonyms)
When you 're smi ling
Dl
3099
V AUC
HE 1 N
IT'S SO GOOD
BA
6483
G AUC
HEIN
DIGGA DIGGA DO
PE
15083
E AUC
HE 1 N
BUGLE CALL/ST. LOUIS
PE
15126
E AUC
Futuristic rhythm
Dl
2836
E AUC
HEIN
In a great big way
Ha
823
E AUC
HEIN
Baby
Ha
V AUC
HEIN
Deep harlem/strut
Br
4983
N AUC
HE 1 N
Barbaric/high and dry
Br
4920
N AUC
HEIN
BERT WliLL I AM3
CHECKERS CO
SAVE A LITTLE DREAM FOR ME CO
Ten little bottles/Unlucky bl CO
clarence williams
Big fat mama/Soshay bay vo
Trouble/Can't beat you vo
SHOOTIN' THE PISTOl/WHEN Co
Organ, grinder blues/wt ldflower OK 8604 N t-a
Mandy/i u a blackbird(Loui s) CO 35957 N T-A
2877 G TRA
2979 G TRA
2941 F STA
2838 V auc
2788 V AUC
14241 V AUC
OK
B2I5 G T-A
8525 G T-A
4925 V T-A
2806 N AUC
8663 E AUC
38063 N TRA
4925 F AUC
Grit
BUCH
Pappa de-oa-oa (blue five)
church street s08b i n blues
IILD cat blues/kansas city
SHIM-SHAW SHIMMY
WATCHIN' the clock
Lazy mama/in our cottage
kan6as city man/wlld cat
COOTIE WILLIAMS
LOST IN MEDITATION OK N T-6
West end blue's/G-men ok 6370 E tra
TEDDY WILSON
Crying my soul out/in the m Co 35372 N t-s
SUGAR/taORE THAN YOU KNOW CO 36117 N T-S
BLUE6 IN C SHARP MI/WaRMIN' CO 36314 N T-6
THE MAN I LOVe/JUMPIN1 FOR J. Br 8438 N T-6
SUGAR/MORE THAN YOU KNOW CO 36 1 1 7 N T-A
Right or wrong/lazy river Br 7797 N t-a
IF YOU were mine/Eeny meeny Br 7554 E T-A
YOU CAME TO MY RESCUE/LoVE IN BR 7739 N T-A
IF I HAD YOU/NEW KINO OF LOVE BR 7960 E+T— A
Sing baby si nq/turned the tab Br 7736 N t-a
Twenty four hours/Yankee dood Br 7750 E t-a
Honeysuckle rose(edge chip) Br 7964 E t-a —
Bio apple Br 7954 E auc —
THE WOLVERINES
ROYAL GARDEN BLUES Ge 20062 V T-A 20.
Tia-juana/big BOY QE 5565 E AUC —
YOU'RE BURNING ME UP BR E TRA ,
WYNN gutbucket five
JHA^jR£0^EJA£D^^^^^^^0K 835O^^T^^—
JIM BURNS
Box #1061, Montgomery, Alabama
FOR AUCTION
HENRY ALLEN
I OWE you/Have you ever
VO 3704
VO 3055
louis armstrong
mahogany hall stomp
* " " (reverse g) * ■
My sweet/i can't believe vo 3308
them there eyes/sweethearts on par.v0 3337
COUNT BASIE
THE WORLD IS MAO
STAMPEDE IN G MINOR/WHO
OK 5816
OK 5987
F 1.00
N 2.50
E 2.00
N 1.25
N 1.25
JOHNNY DODDS ' BLACK BOTTOM STOMPERS
Joe turner blues
DUKE ELLINGTON
I LET A SONG GO OUT OF MY HEART
BOY MEETS HORN/OLD KING DOOJI
SONNY GREER
BEGGARS BLUES/SATUROAY NIGHT
BR 3997 N 2.25
BR 8108
CO 36123
N 2.50
N 1.50
VO 3012 E 2.75
FLETCHER HENDFJRSQN
IT'S THE LITTLE THINGS THAT COUNT VO 4|45 E 1.00
SLUMMING ON PARK AVENUE VO 3485 N 1.25
Rose room/Back in your own back yd.vo 351 I E I. CO
ERSKINE HAWK I NS 1 ' BAMA STATE COLLEGIANS
Swinging in harlem (revepse F) vo 3336 E
Uproar shout
JIMMIE LUNCSFORD
le jazz hot
red norvo
Love is here to stay
always and always
louis prima
fifty second street
VO 3545 E I .00
Vo 4595 G l .00
Br 8068 E I .00
BR 8069 N 1.25
VO 3509 E I .00
QUINTET OF THE HOT CLUB OF FRANCE
Uoonglow/China boy De 23031 N I ,50
St. Louis blues de 23032 N 1,50
ADRIAN ROLL IN I TRIO
PAVANNE/V00NQL0W(S.LIGHT EDGE CHIP) VO 5200 E .80
BESSIE SMITH
BLEEDING HEARTED BLUES
WORK HOUSE BLUES
SOBBIN* HEARTED BLUES(lOUIs)
St. Louis blues (louis)
Nashville woman's blues
Sweet ui6treater( j.p.john6on)
maxine Sullivan (w.thornhill
loch lomond/i 'm coming virgin
Annie laurie/Blue skies
Easy to love/nice work if you
CO
A3936
F
.50
Co
14032
F
.50
CO
14056
F
.80
CO
14064
F
.eo
CO
14090
F
.50
CO
14260
G
1.20
■)
vo
3654
N
2.00
vo
3679
N
2.00
Vo
3848
C
1.50
OK
6124
N
1.00
CLAUDE THORNH ILL
0 SOLE Mio/TRAUMEREI
FRANK IE TRUMBAUER
'way down yonder/Clarinet marualaoevo 4412 N 4.50
ALEC WILDER OCTET
Concerning etchings
She'll be seven in may
" » • " " (i» chip)
CONCERNING ETCHINGS
CLARENCE WILLIAMS
BR 8307 N 1.50
BR 8461 N 1.50
" " N 1. 20
CO 36126 N 1.50
Vo 2616 N 1,00
SWALLER — TA I L COAT
BLUER THAN BLUe/| 'M FALLING FOR YOUVO 4157 E 1.25
COOT IE WILLIAMS
ECHOES OF HARLEM
Vo 3960 E 2.00
NOTE! ON ORDERS OF $1.50 OR MORE , I WILL PAY THE
POSTAGE . )
COLLECTORS RECORD SHOP
JACK L. CAIDIN, Prop.
EIGHT- TWENTY - FIVE SEVENTH AVE. (53RD ST.)
NEW YORK CITY CIRCLE 6-9280
OUT OF PRINT JAZZ AND POPULAR RECORDS
FROM THE EARLY 1900' S UP
Send your name to be placed on our mailing list for auction
sheet of jazz records to be auctioned through the mail. We
also supply out of print pop dance records, at set prices,
and if records wanted are not in stock, we reserve them and
notify you .
All popular records exclusive of jazz are in excellent to
mint condition only. We are known throughout the world for
the fine condition of our records, and guaranteed service in
every respect. When inquiring about pop tunes send label
and serial number for prompt reply.
LILLIAN RUSSELL
We have just issued the only known recording of Lillian
Russell singing her favorite song Come Down Ma Evenin Star.
Exclusive with us and our dealers. Price is $2.00 at store
or $2.50 express prepaid in U.S.
AUCTION OR TRADE jm ^cgrjde AUCTION OR TRADE
365 28th Street, San Francisco, California
Auction closes 30th of November
RUFUS FERRYMAN
HOUSE DANCE BLUES
BR 7137 E
JUNGLE BAND
adm i rat ion/Maori
BR 4776 E
Dl IKE ELLINGTON
Ducky wucky/swing low
BR 6432 V
CHICASAW SYNC0PAT0RS
MEMPHIS PAG/CHIC STOMP
Co 1 430 1 N
frank trumbauer
JUBILEE
OK 41044 N
FRANK TRUMBAUER
WHAT'S THE USE/HITTING THE BOTTLE
OK 41437 N
SIDNEY BECHET
BLUES IN THIROS/WILD MAN BLUES
SLEEPY TIME GAL
HMV 3007 E
FLETCHER HENDERSON
DE 3613 E
FLETCHER HENDERSON
WAR HORSE MAMa/SUD BUSTIN' BLUES
BR 2592 E
FLETCHER HENDERSON
HE'S THE HOTTEST MAN IN TOWN
CO 2093 N
HENDERSON HOT SIX
GULF COAST BLUES/MIDNIGHT BLUES
CO 3951 N
CASA L0MA
TAKE IT FROM Me/|T'S THE GIRL
BR 6153 N
NEW ORLEANS OWLS
PRETTY BABY/DYNAMITE
CO 1045 N
NEW ORLEANS OWLS
MEAT ON THE TABLE/P 1 CCAO 1 LY
CO 1 158 N
NEW ORLEANS OWLS
THAT'S A PLENTY/NtW TWISTER
Co 1547 N
L0LISVILLE RHYTHM KINGS
IN A GREAT BIG WAY/LET'S SIT
OK 41 189 N
D0RSEY BROTHERS
LOVER COME BACK TO ME
OK 41223 N
NEW ORLEANS BLACK BIRDS
HONOLULU BLUES/BABY
VI 38026 N
BESSIE SMITH
BABY WON'T YOU PLEASE COME HOME/OH DADDY
CO 3888 V
GLENN MILLER
Blues sepenade/moonlicpt on the Ganges
Co 3051 V
TOMMY D0RSEY
I'm getting sentimental over you
VI 25236 N
CLARENCE WILLIAMS
GRAVIER STREET BLUES
OK 14193 N
RED NICHOLS
Ida/Feeling no pain
BR 3626 V
RE0 NICHOLS
Five penmies/japanese sandman
BR 3855 G
RED NICHOLS
Margie/Panama
BR 3861 V
TED LEWIS
M 1 LENBERG JOYS/TIN ROOF BLUES
CO 439 N
BING CROSBY
Beautiful girl
VO 2830 N
BING CROSBY
Little dutch mill
ME 13133 N
BING CROSBY
GOODNIGHT 6WEETHEART/T00 LATE
BR 6203 V
BING CROSBY
Love in bloom
BR 6936 G
BING CROSBY
Please
BR 6394 F
BING CROSBY
Just one more chance
BR 6120 G
BING CROSBY
1 GUESS IT HAD TO BE THAT WAY
ME 13165 N
WANTED i Early bing Crosby
Teagarden,goodman,Hampton,wilson,Hawk ins, span ier, Henderson
(Electric).
WANTED) INFORMATION CONCERNING RARE B I NG CROSBY RECORDS, SEND FOR MY COMPLETE WANT L (.ST .
31
371 W. 30th St.
C. M. CAMPBELL
Apt. #1, Los Angeles (7), California
FOR TRADE OR AUCTION
BECHET and FEETWARMERS
Shag/found a new baby BR 10022 N
Sweetie Dear/^Iaple leaf rag bb 7614 u
MERR ITT BRUN IES & FRIARS INN ORCH
Up jumped the devil/follow the swallow autogbaph — E
JIMMY BERTRAND
idle hour special
louis armstrong
West eno/Got no slues
Body and sout/You rascal you
cook's orchestra
Scissor grinder joe/Memphis maybe man
Willie the weeper/slue foot
Alligator crawl/Brainstorm
sidewalk blues
CELLAR boys/joe mannone
Wailing blues/Trying to stop my cryin'
CARMICHAELA<ENRY ALLEN
Lazy river/Swing out
johnny poops orchestra
Sweet lorraine/pencil papa
REGINALD FORESYTHE ORCHESTRA
Serenade for wealthy widow
Melancholy clown/Greener
Garden of weed/Ouke insists
GEORGIA COTTON PICKERS
Snag i t/Louisiana bo bo
benny goodman
Christopher columbus/Get happy
Dear old southland/Blue skies
coleman hawkins
avalon/Blue moon
higginbotham & 6 hicks
Higg. blues/Give me your phone number
bertha (chippie) hill
georgia man/trouble in mind
fletcher henderson
new king porter stomp
Copenhagen/words (louis)
ALEX HILL SEPIAtIS
song of plow/let's have a jubilee
Ain't it nice/Functi.onizin'
hotsy totsy gang
manhattan rag/what kinda man
some fun/he's a big big man from south
earl hines orchestra
Blue drag/oh you sweet thing
JOLLY JIVERS
Hungry man's scuffle/Piano stomp
jookit jooki t/)0atcha gonna do
ted lewis orchestra
Shimmeshawabble/Dallas blues
Dip your brush
Pi nah/lonesome road
Sal/aunt hagar's blues
lew i sada blues
little brother
v i cksburg bl. ,pt.3/l0u i s i ana bl.,pt.3
VIRGINIA LISTON (louis)
I'VE GOT THE RIGHT KEY
JELLY ROLL MORTON
Or jazz
FRANKIE NEWTON ORCHESTRA
Vo 1060 V
Vo 3204 N
VO 3072 E
GE 5374 V
Co 1070 N
Co 1298 N
Co 862 E
HMV 6500 N
VI 38038 V
Co 2916 N
Co 3060 N
Co 3000 N
HMV 8388 N
ME 61270 N
OK 41565 E
Vo 14926 E
2848 N
2826 N
4641 N
4498 N
Vo 25015 N
VO 2532 N
ME 13379 E
Co "2467 M
2181 N
21 13 N
1916 E
Co
Co
6697 N
Vi 20415 V
NO TWO WAYS ABOUT IT VA
JAXON with PUNCHES OELEGATES OF PLEASURE
YOU GOT TO WET I t/DOWN HOME IN KENTUCKY VO I
REP NICHOLS ORCHS.
on revival day
Original dmelamd one step/imagination
hometown mt. band
corrine c0rrina/8ug a boo
i.iargi e/panama
Slippin' arouno
D EL I R I Um/Pa VENPORT BLUES
sugar/make my cot
jimmy noone
i need lov i n ' /sleepyt i me down south
River stay 'way from my ooor
Br 6026 E
BR 6833 N
BR 6348 N
BR 6058 E
BR 396 1 E
Vi 21397 N
VI 20778 N
Vl 2 1 056 N
NEW ORLEANS RHYTHM KINGS i. Friars Inn
Farewell (c)/Oriental
Bugle call blues (b)/Discontenteo (a)
Eccentric (b)
Wolverine (a)Aeary blues (b)
Sweet lovin' man (a)/Maple leaf (b)
That's a plenty (a)/Tin roof (a)
Sh iw.meshawasble/Pa da strain
M I LENBERG (c)/MARGUERITE (a)
king oliver
Snag it/Too bad
Sobbin blues/Farewell blues
TEAGAROEN i TRAM
ISE A MUGGIN
JOE VENUTI
6 I 74 N
6192 E
4966 E
4967 Eh
5009 E
5102 E
5104 E
5105 E
5106 Eh
5217 E
1007 E
3741 E
(Lang duet) Stringin' blues Co 941 E
(Blue 5) Vigrafhonia/Jig saw puzzle bl. Co 2782 E
FATS WALLER
AIN'T MISBEHAVIN'/SWEET SAVAHHAN SUe(SOLO) VI 22108 N
SMASHING THIRDS/huMB FUMBLING (SOLO) Vl 25338 N
THOU SWELL/pERSIAN RUG(LA. SUGAR BABES) Vl 2 | 346 N
CLARENCE WILLIAMS/NEW ORLEANS RHYTHM KINGS
COAL CART BLUEs/l NEVER KNEW WHAT A GAL HRS N
WAS1' INGTON I ANS
STACK 0 LEE BLUES HA 60 1 E
PAUL WH ITEMAH
CHINA BOY /OH MISS HANNAH
GEORGIE PORGIe/Oh YOU HAVE NO I OEA
MY SONG/LIFE IS BOWL OF CHERRIES
THAT'S WHY DRAKIES (33-1/3 RPM)
WOLVERINES
SH I m-me-sha-wabble/new twister
Castle in spa in/Some sweet day
Crazy qu i lt/you 're burning me up
1945 V
1491 E
Br 3707 E
Vo 15795 N
Br 3332 E
WANTED
jelly roll morton
Jungle blues
Deep creek
king porter (solo)
Boogaboo
HALFWAY HOUSE ORCHESTRA
BarataRIA
new orleans bootblacks
Mad dog
KING OLIVER
Snake rag
Buddy's habit
JUMY 8ERTRAN D
I'M GO I N ' HUNT I N '
JOHNNY POODS
WILDMAN BLUES (#26 ONLY)
VI OR BB
VI OR, BB
VO
VI OR BB
OK 40318
CO 14337
OK 4933
OK 40000
Vo 1099
Br or vo
Please join in requesting Parlophone
Co. Record Sales Department, Blyth
Rd. , Hayes, Middlesex, England, to
release Condon-Tesch Indiana-Oh Baby,
Every card or letter from America
will help. Thank you. Thurman &
Mary Grove, Baltimore, Maryland.
I will trade Jelly-Roll Morton, Vi 23129,
E plus condition forany one of the follow-
ingJelly Roll Morton Autograph records in
E to N condition: 606, 617, 607, or for
any of the following Morton records in
E plus to N condition: OK 8105, Gennetts
3529, 5590, 5552, 5515, 5486, Paramounts
12216, 12050, Vocalion 1019, R i a 1 to London
Blues. Beale Riddle, 2132 Mt. Royal Te r -
race. Baltimore f|7). Maryland.
32
ddvertismg [Rates
RECORDS WANTED
5* each or 25 for $ I .00
RECORDS FOR SALE, TRADE, OR AUCTION
10* each or 25 for $2.00
RECORDS FOR SALE, TRADE, OR AUCTION,
VALUED AT $1 .00 OR LESS
Gordon Gulllckson, editor, publisher; Don Wilson circulation
manager; Don Anderson, staff artist. Published every month
at Fairfax, Virginia, and copyright 1943 by oordon GullicK-
son. $1.50 (12 Issues) per year.
9$
FULL PAGE ADS
(72 lines high, 100 spaces wide)
HALF PAGE ADS
$5.00
SPECIAL AUCTIONS, SALES, WANT LISTS,
AND COMBINATION WANT AND DISPOSITION LISTS
I 0* per I i ne
Sub
scnption ate
$1.50 PER YEAR
The Record Changer
FAIRFAX. VA
Wanted
HARMONY CLARION
VELVETONE DIVA
OKEH ODEON
AMERICAN PARLAPHONE
records by
Annette Hanshaw
Ferry Fenwyck
Chester Leighton
Lloyd Keating
Frank Auburn
Jack Whitney
Jack Miller
Phi I Hughes & Hi Hatters
Roy Carroll Sands Pt.Orch
Campus Col legiates
Mills Merrymakers
New York Syncopators
Buddy Campbe 1 1
others
Please submit matrix and
catalog numbers along with
titles and prices.
ALSO WANT
Stardust
Les Brown
Vernon Geyer
West Brothers MW
Ted Wallace
Will Osborne
Chocolate Dandles
Cappy Barra vo 3806
Lee Sims
Jan Garber
Louis Prima
Brunswick Concert Orch.
Hoagy Carmlchael
Washboard Rhythm Kings
MW 7520 or
MW 7614 or
? or
or
BB 7858
BB 10108
BB 5836
CO 247 ID
Me 12189
OK 8668
Va 660
Br 6132
Br 8039
Br 7335
Br 20100
VI 24484
VI 23285
STATE YOUR PRICE
Jack Chamberlain
Hindsale, N.Y.
THE RECORD UHLUE PROJECT
The Record Value Project is
coming on, and quite a file of hot
and not so hot record data has
accrued to this enterprise. The
serial numbers of these records
which are not listed in Hot Dis-
cography are shown on the right
hand portion of this page.
Response from other collectors
has been helpful and extremely
gratifying. Some collectors have
written us that they have compiled
during the course of their inter-
est in jazz music, their own
volumes of such data as we require
on little-known hot records, and
have offered to assist us in our
own project. Orin Btackstone (of New Orleans)
in particular, has built up a most complete
and comprehensive hot discography of his own
and is sending us his carbon copies as he
types it up. Such assistance will be invalu-
able. # * *
Carl Kendziora, Harrison, N.Y., and Bob
Smith, Frederick, Maryland, have stumped the
experts this month. Information is desired as
to the musicians and the nature of the music
on these records:
ROY CARROLL & SANDS POINT ORCHESTRA
Moonlight Saving Time (351015)
Roll on Mississippi (351016)
JAY FREEMAN
Sugar Foot Stomp (M 166)
Night Ride (M 167)
TEXAS ALEXANDER
Corn Bread Blues (81223)
Long Lonesome Day Blues(81213)
DICKSON'S HARLEM ORCHESTRA
Jam man
Jazz rondo
VICTORIA SPIVEY
Steady grind (80-766)
Idle hour blues (80-767)
SAMMIE LEWIS & BAMVILLE SYNCOPATORS
There'll come a time (22)
Arkansas shout (21)
JEWELL NELSON
Jet Black Snake Blues (147614)
Beating me blues (147615)
NEW ORLEANS RHYTHM BOYS
Sleep come on and take me
Just like a falling star
TAYLOR'S DIXIE SERENADERS
Wabash blues
Everybody loves my baby
If you have any of the above eight records
send us your opinions. Is it any good? Any
good men on it? Let^us know.
Did you ever buy from some dusty pile, a
record that looked hot on the label (such as
Abou Ben Bernstein and His Five Fakirs, play-
ing Hiltnbtrg J oys-Cl arin tt Marmalade on
Claxtonola), only upon taking it home and
playing it to have it turnout to be the rank-
est junk? In our proposed book we would like
to list the serial numbers of all such records
as a reference for beginning collectors. We
would appreciate your including all such rec-
ords along with the real jazz items riot listed
in Hot Discography.
In sending us your lists, check against the
tabulation of serial numbers at the right to
avoid mentioning records already brought to
our attention.
In connection with the survey
or hot record values being
undertaKen by George Hoefer,
William c. Love, William Russell
and the Record Changer, all
collectors are urged to send us
a list of the hot records they
have which are not listed In
Hot Discography.
The Information we require on
each record Is:
LABEL AND SERIAL NUMBER
RECORDING GROUP
NAMES OF TUNES
MASTER NUMBERS
Send this Information to the
Record Changer. We will pass It
on to Mssrs. Russell, Love, and
Hoefer. In subsequent Issues of
the Record changer, we will list
and request Information on the
records with which they are not
familiar
Clarion 5321
Me 70809
OK 8511
Vi 23377
OK 8464
Vo 1030
Co 14390
Vo 2881
Vi 23277
AJAX CAMEO
BB 40034
5920 40095
6043 40103
6130 401 14
6144 CLARION
6 1 74 532 I
6192 CLAX.
8680 40387
CO.
10049
10073
10271
10278
10338
I 1314
B'»AY
1289
1359
8RUNS
2462
2463
2806
3092
3351
3580
3589
3664
3829
4124
4184
4308
4321
4704
4856
6164
6314
6520
6677
6889
7003
7186
7419
99
813
823
943
1045
I 103
I 158
I 193
1261
1264
1391
1443
1547
1548
1656
1735
1981
2087
2177
2243
2277
2418
2491
2663
2648
2806
2853
2857
2916
434
4343
4348
4353
4355
4365
4367
4373
4377
4378
4390
4395
(Co)
(H£.)
(OK)
(Para)
(VI j (vo)
14402
795
8444
12006
8 ! 35
23306
14874
1 4405
JEHfEL
8445
12014
8 1 73
23339
14902
1 4406
5196
8450
12236
83 1 7
23373
14903
14415
5331
8456
12390
V . DYK
23377
15(32
1 44 19
6707
6461
12488
7801
23360
15550 1
14422
8462
12509
8 1 829
23385
15227
14432
6002
8464
12513
VELV.
23399
15245
1 4433
VASTER
8465
12321
1 966
24037
15254
14437
126
8466
12586
2456
25192
15425
14447
ME LP.
8471
12617
7073
25808
1 5705
14450
12069
8477
12673
V ICT.
26 144
14459
12099
8494
1 2690
1 8321
38099
14460
12689
8497
12747
1 8756
38026
14488
1 2780
8506
12794
18962
38027
14500
12892
851 1
12858
19007
36030
14532
I 2893
851 8
1 2945
1 9233
38041
146 18
1 3305
8526
1 2996
1 9782
38054
14620
1 3377
8531
PA THE
20 139
38063
14629
1 345 I
8534
36 169
201 77
3S082
14637
60305
8537
36274
20 179
38099
35206
60509
8542
36228
20160
38122
35297
60551
6571
36488
202 1 0
38514
35450
61 105
6572
2046 1
20330
38524
CONQ.
6l 165
8585
PAT-A
20364
38529
7389
70 163
8592
20544
20497
3e532
DECCA
70204
8598
21070
20580
36546
220
70809
8617
36019
20593
38557
262
351007
6624
PERF.
20652
38563
493
OKEH
8626
0240
2077 1
38567
507
4101
8631
14253
20775
38570
521
4194
8635
14350
20857
38575
67 1
4228
8658
14506
20945
38602
734
4253
8664
14609
21119
38607
754
4254
8665
14979
21 149
38620
953
4295
8673
I5l 25
2l 2 !2
VOCAL.
1081
4296
8682
15142
2 1269
02762
1240
44|6
8683
1561 7
21 326
03639
1313
4425
8688
15629
21410
1030
1539
4445
8691
15736
21423
1032
1792
45 1 1
8705
15799
2 1 539
1044
7002
4631
6707
15937
21 559
1210
7 182
4752
8709
60802
2 1605
1216
73 12
4767
8719
QRS
21 641
1274
0 IVA
5723
8785
7049
2 1651
1436
2937
800 1
8801
7064
2 1667
1546
DOMNQ
8009
8802
REGAL
2l 692
1566
3510
803 t
8810
8832
2 1 708
1587
EDISON
8039
6821
9134
2 1 709
1621
9077
8042
8622
10273
2 1 793
1630
9078
8052
8854
R0fc'£0
2 1809
1635
9173
8064
8875
264
22 104
1697
9174
8076
8962
494
22054
1702'
EMEH&
8095
40021
532
2266 1
1730
1026
8101
40172
552
22662
2539
E VERY-
8102
40228
632
22704
2541
BODIES
6110
40251
650
227 1 7
2563
1063
6129
40308
867
22719
2575
GETIN.
8130
40410
868
22720
2584
5016
8176
40653
1006
22733
2616
9050
82 IS
40655
1037
22776
2676
9242
8244
40695
1877
22779
2861
9272
8247
40801
51 36
22814
2927
2002 1
8281
41202
5 137
2303e
2937
G , G.
8282 41259
ft 0 YALE
23250
2944
1710
8290
41264
1754
23257
2957
HARK,
8292
41329
SILV.
23264
2964
4
8296
41440
3572
23277
3189
(59
8304
ORIOLE
5|39
23279
3190
206
8308
628
VAR 1 .
23283
3307
231
8316
2130
553
23265
3369
335
8318
2213
669
23292
3390
353
8365
2592
VARS.
23301
5173
501
8367
8136
6013
23303
5281
600
8381
PARA.
8029
23308
7431
763
6427
3150
8065
23300
14860
34
LEMME take this chorus
During the past year or
so, the differences between
the AFM and the record pro-
ducers have provided non-
union hill-billy artistry a
fabulous bonanza of juke box
fame and fortune. By the
familiar economic processes,
some competant musicianship
has been diverted into these
channels. It might pay a
real hep cat with a cast-
iron ear and plenty of time
to wade through the corn-
squeezings of the past year in a
search for evidences of real jazz
work. When he gets down to Gals
Don't Mean a Thing, Louise Massey and
Westerners, OK 6687, maybe he would
tell me who plays the 16 bar clarinet
churus .
ffffff
Don Anderson, hottest artist in
the country, has just signed a most
attractive contract with the U.S.
Government. As I understand it, his
duties will afford him an opportunity
to study the flora and fauna in
nearby Maryland, and at the same
time to collect some material on his
doctor's thesis U.S. Army Chinauare
and Kitchen Utensils, it is rumored
that his salary has been set at the
figure of $50 per month.
In spite of his induction, Ander-
son will be able to supply us with
a few more cover drawings. The first
of this new series of Record Changer
covers fronts this issue.
ffffff
With considerable reluctance, Don
Wilson, circulation manager of this
publication, has provided us this
month with a nice twelve bars of
piano blues. If you putter with the
piano you will enjoy this one,--
especially if you happen to have
three hands.
ffffff
Bob Thiele, editor of Jazz maga-
zine, has just had his appendix
carved. He writes 'I enjoyed your
last issue of the Record Changer,
very much. It gets better with
every issue... Now that I am home for
awhile, I will be able to have the
next issue of Jazz out very soon.
Starting with the next issue, Novem-
ber, Vol. 1, No. 10, JaZZ will be
available on New York City news
stands and will definitely come out
monthly.
ffffff
A few ex tra copies of the Bulletin
of the Jazz Sociological Society,
published in London, have been re-
ceived. Accordingly, we can offer
to our readers a few more subscrip-
tions. Those who subscribed in
August to the Bulletin should have
received their first issue by this
time. If you have never
seen this publication, you
ought to take a look at it.
These English people can
tell you things about jazz
and the U.S.A. that you
never knew before. Here's
a proposition: Send us
$1.50 for twelve issues of
the Bulletin; if, upon the
receipt of your first issue,
you do not feel that the
Bulletin is worth the money,
you may return it to us for
a refund of your subscription . This
applies to all who have already
subscribed.
ffffff
Due to the favorable reception
of the rag Weeping Jli I I OV , by Scott
Joplin, which we reprinted last
month, we are putting another rag
in this issue, Cotton Bolls, by
Charles Hunter. No information is
available on the composer. I would
say that Hunter was a white man; the
rag doesn't seem to jump right to me,
but it's quite pretty, nevertheless.
Roy Carew states that Cotton 5o//s
was one of the better rags of the
1900's.
ffffff
Notify us whenever your address
is changed; the Record Changer is
sent by third class mail which is not
forwarded.
ffffff
No back issues of the Record
Changer are available.
ffffff
WANTED- Name and address of col-
lector who did not include this in-
formation on his t r ade - auc t ion list
which was written in green ink on
typewriter tissue paper, and which
was accompanied by two dollars.
ffffff
Send special delivery letters or
express shipments to the Record
Changer at 1220 North Capitol Street,
Washington, D.C. rather than to Fair-
fax, Virginia.
ffffff
Do not send stamps, for mailing
your copy of the Record Changer first
class or by air mail.
ffffff
When your copy of the Record
Changer reaches you around the 15th
of the month, remember that third
class mail is very slow these days.
Also we give no collector preferen-
tial service such as first class or
air mail of his copy.
ffffff
If we receive your ad on or after
the 16th of the month, seven weeks
will pass before you see it in print.
35
CLIMAX
PRESENTS!
NEW ORLEANS JAZZ
B Y
GEORGE LEWIS
AND HIS NEW ORLEANS STOMPERS
GEORGE LEWIS Clarinet
AVERY "KID" HOWARD Trumpet
JIM ROBINSON Trombone
LAWRENCE MARRERO Banjo
EDGAR MOSLEY Drums
CHESTER ZARDIS Bass
JIM LITTLE Tuba
No. 101
CLIMAX RAG
12 Inch
DEEP BAYOU BLUES
No. 102
MILENBERG JOYS
12 Inch
TWO JIM BLUES
No. 103
JUST A CLOSER WALK WITH THEE
12 Inch
JUST A LITTLE WHILE TO STAY HERE
No. 104
FIDGETY FEET
12 Inch
DAUPHINE ST. BLUES
No. 105
DON'T GO 'WAY NOBODY
12 Inch
CARELESS LOVE BLUES
$1.50 F.O.B. New York City, Exclusive of Federal, State and Local Taxes
DISTRIBUTED BY
BLUE NOTE RECORDS, NEW YORK
COMMODORE MUSIC SHOP
136 East 42nd Street Caff LExington 2-3077-8 New York City I
DEC 20 l%
ADVERTISERS WHOSE ADDRESSES ARE NOT SHOWN ELSEWHERE
Bruce Baker, Jr., 2929 Bryn Mawr Drive,
Dallas (5), Texas.
John Paul Banda, H-25 Euclid Terrace, t
Atlanta (3), Georgia.
J.N.Brooks, 727 Carlyle Place,
Indianapolis (I), Indiana
Berney Burleson, I f 5 West Chestnut St, ,
Johnson City, Tennessee.
Maria Callanta, \m Felton Crt., 1st Fl.,
Chicago (10) , 1 1 1 inois.
Jack Chamberlain,
H insdale, New York.
Raymond Chesloff, 80 Leslie Street,
Newark (8) , New Jersey.
Eugene Chiodo, Route 2, Box 315,
Gresham, Oregon.
William W. Clark, 3S3 E. Andover Drive,
Burbank, Cal ifornia.
Jason G. Clark,
Lebanon, Connecticut.
Albert Cohen, 89 Leslie Street,
Newark (8) , New Jersey.
Davie Coleman, 1055 East Harvard Road,
Burbank, Cal ifornia.
Walker Cox, 1120 S. Central Avenue,
Burlington, Iowa.
Robert Draper, Liberty Court,
Vancouver, Washington.
Sanford Edelstein, 975 Walton Avenue,
Bronx (52) , New York.
Don Engel, 1002 Niles Street,
Bakersfield, California.
Ahmet Ertegun, 1606 23rd Street, N.W.
Washington, D.C.
Gordon H. Fleming, 24 1 8 Dana Street,
Berkeley, California.
Lt. W.S. Fry, S.C., AETC, Austin Hall,
Harvard Univ., Cambridge (38), Mass.
Jimmy Gaylard, i*09i 26th Avenue, N. ,
St. Petersburg (4), Florida.
Pvt. Sol Gritz, Co A, 38th I.T.B.,
u,th Platoon, Camp Croft, S.Carol jna.
John G. Heinz, 600 James Street,
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Harrison Smith, 227 Hancock Street,
Brooklyn (16) , New York.
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PFC Thomas Jackson, 726th Sq. , 451st Bomb
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Nat H. Jacobs, 155-01 90th Avenue,
Jama ica, New York.
Dick Kendregan, Oak Knoll Sanitarium,
Mack i naw.
KENZ
MAS0
McMa
MIER
HAUL
NEWT
PAR I
PATT
PENS
POLS
PRIC
QUA I
R I DL
ROTH
SACK
SMIT
STAR
STEI
STEN
TORN
TRES
UMPH
VanB
VENA
WH IT :
WHTY
WILL:
WRAY:
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Harrison, New York.
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2
COPYRIGHT DEPOSIT
JAZZ IN PARIS
By Nesuhi Ertegun
hours at the slightest provocation
about anything from the decadence of
surrealism to the merits of Maurice
Chevalier, was owned by a jazz connai-
sseur having a rather erratic taste;
but one could not afford to be too
choosy in Paris. That respectable
gentleman was especially fond of Milt
Her fh* s records; and each time the
guitar player on those records started
playing his solos, many of the youth-
ful intelligentsia would stop talking
in order to listen with great concen-
tration and appropriate bodily move-
ments to this dangerous rival of
Django Reinhardt. His name was a
mystery until a learned memb e r of the
Hot Club of France announced it was
Teddy Bunn. The question as to who
was really greater, Django or Teddy,
meant that endless debating was to
follow and the time had come to go
around to the corner for a glass of
Pernod. Billie Holiday, that myster-
ious singer with a man's name and a
woman's voice, was another favorite
topic of discussion. The youn g men o t
France were discovering jazz.
* * 4
Panassie was the prophet* He knew.
No one had the effrontery of question-
ing his wisdom. To challenge anyone
of his verdicts as to the respective
merits of jazz musicians would have
been sacrilege and was unthinkable.
His magazine Le JQZZ hot was read with
religious care. A cult had been
formed, with all its essential char-
acteristics. The dominant trait of
the cult was a passion for the United
States. HolJywood films were scrutin-
ized attentively, and the Parisian
jazz 1 overs would try to copy as
closely as possible the way the movie
actors dressed and the way they walked.
Long, wide coats and trousers with
narrow cuffs appeared in Paris shortly
before the war: Harlem musicians were
beginning to have greater influence
than Hollywood actors.
♦ * *
The French mind is famous for its
clarity and for its genius at classi-
fying knowledge. Certainty, even if
it causes subsequent contradiction, is
always preferred to doubt. Panassie,
a typical product of French rational-
ism, showed the way with his perfectly
coordinated dogmatism. His disciples
naturally followed in his steps. Here
is an example. This quotation, taken
from an analysis of the Andy Kirk band
by Joost Van Pragg (JQZZ Hot, April-
May 1938), is also most unusua.J in
that Van Praag has the audacity of
Dilettantism is the great danger facing all the stu-
dents who make the pilgrimage to Paris with the hope of
acquiring no matter how small an amount of what is common-
ly referred to as higher learning. The temptations are
so many, and take such irresistibly seductive shapes and
forms, that the time left for serious studying dwindles
and has disappeared without one being aware of it. For
me, one of these temptations, though by no means the
strongest , was jazz.
* * *
One of the most popular tea-rooms in the Latin Quarter,
where students of many nationalities would indulge in the
time-honored Parisian custom of discussing for hours and
disagreeing with Panassie, the only
example I know of such a flagrant
violation of accepted ethical rules:
"Nowadays Andy Kirk has a trombone
with a very powerful attack, who should
be placed on the same rank as Sandy
Williams, a little below Higginbotham ,
Teagarden and Benny Morton, and above
Lawrence Brown, whom I would not place
as high as does Hugues Pannassie."
* 4 4
Between 1937 and 1939, many famous
Harlem musicians made the trip to
Paris. They were all so successful,
that with one or two exceptions they
are much better known in Europe
than they are here. As race prejudice
was naturally unknown in France, and
as the Parisians have had a tradition-
al respect for artists, the Negro
musicians were always treated as such,
and they never encountered any of the
humiliations which they suffer here
all too frequently. In Paris, they
were all great artists, living in an
atmosphere of esteem and admiration.
* * *
The most colorful among the Amer-
ican musicians in Paris was undoub ted ly
the pianist, Garland Wilson. Big,
handsome, always dressed in extremely
fancy clothes, always surrounded by a
host of young admirers, he was like a
king, with an ever-present court that
followed him into all the night-clubs
where he played. In the summer of
1938 the famous 'Boeuf sur le Toit' of
Paris opened a summer night club bear-
ing the same name in St. Tropez on the
Riviera. The band was composed of
Garland ffilson, Tommy Beuford on
drums, Teddy Brock playing alto and
baritone saxes and a bass player whose
name I cannot remember. Garland Wil-
son's piano playing became one of the
sensations of the summer season, and
people would come to hear him all the
way from Cannes and Nice.
4 4 4
The two best known American musi-
cians in Paris were Benny Carter and
Coleman Hawkins, the 'two Masters', as
the French jazz lovers called them.-
Carter, especially was very popular
with the crowds and played only in the
swankiest night-clubs. There were
many others, some of whom p-layed in
the band of the inimitable Willy
Lewis, like Dicky Wells and Bill Cole-
man. The trumpet player Arthur Briggs,
a powerful but erratic musician, had
been among the first expatriate musi-
cians and was still in Paris when last
heard of. Fletcher Henderson's old
drummer, Kaiser Marshall worked around
Montmartre for a long time.
4 4 4
To prove that his knowledge of jazz
was really advanced, it was the duty
of the young Parisian to acquire a
more or less complete vocabulary of
fashionable expressions used by Amer-
ic an musicians. At the right time,
these enthusiastic listeners were able
to shout such things as 'Yes, man' or
'Take another' or 'Come on, come on*
or 'Wonderful.' That, for most, was
the extent of their knowledge of the
English language. But there was no
questioning the sincerity of the Pari-
sian jazz lovers. Their thirst for
jazz was of incredible intensity.
Once, during the intermission of a
concert the Quintet of the Hot Club of
France was giving at the Salle Gaveau,
the announcer, with a trembling voice,
said it was very possible that Fats
Waller would soon come and play in
Paris. The thought that they would
perhaps hear Fats Waller in person was
so overwhelming to the spectators that
there was violent applause for several
minutes. To people for whom famous
jazz names were merely something writ-
ten on record labels, the possibility
of seeing some of these f amou s musi-
cians in the flesh was a great exper-
ience. Their eagerness was under-
standable.
4 4 4
Duke Ellington gave two concerts in
Paris on successive nights in April
1939. A tremendous publicity campaign
swept the city during the weeks pre-
ceding his arrival. A new, very im-
pressive concert-hall had been built
for the Paris World's Fair, a hugh
place seating over 5,000 people, and
Duke was going to play there. When
the band arrived, the headlines in
several Paris newspapers forgot all
about Neville Chamberlain and Adolph
Hitler, and the space was devoted to
Sonny Greer and the nine big cases it
took him to carry his drums. On the
first night the immense auditorium was
almost sold out f the crowd was very
elegant, the orchestra seats having
many people dressed in white ties and
black ties and smart Parisiennes in
evening dresses. The band was some-
what n e r vo us at first, but after a
shaky beginning settled down to play
in the usual Ellington manner. After
several numbe rs the time c atae for an
Ivie Anderson vocal. She walked to
the center of the stage while the band
was playing and grew uneasy, looking
all around the big stage trying to
discover where the microphone was. But
there was no microphone! And she sang,
or rather tried to shout as loudly as
she could; no one in the hugh hall who
was sitting behind the third row could
hear her voice. Fortunately, they
gave her a microphone on the second
night.
4 4 4
Every now and then, when some musi-
cian of note happened to be in Paris,
the Hot Club of France organized a
session at the small auditorium of the
Fcole Normale de Musique. The star of
one of these affairs was the violin
player, Eddie South. The crowd was
unexpectedly large, and more tickets
had been sold than there were seats.
The music began while ticket-holders
were still trying to locate their
seats. When the band started to play
a very fast number, tension was real-
ly high, and fights began here and
there in the hall betwee-n people who
had tickets to the same seat. One
especially stubborn young man had his
nose broken while fighting for his
rights, and was taken to the hospital,
his face full of blood. The musicians
seemed to enjoy the atmosphere and
from then on the session was a big
success.
4 4 4
The Quintet of the Hot Club of
France, with its two stars Django
Feinhardt and Stephane Grappelly,
occupied a very special place in the
hearts of the jazz-conscious people of
Paris. Here was a band of French
musicians, which they had helped in
its rise to fame with their enthusi-
astic support, and they knew it was
the only European jazz-group which had
attracted the attention of American
listeners. All the visiting Negro
musicians told them how wonderful the
Quintet was, what a great guitarist
Django was, and this they prized more
highly than anything else. I was not
surprising, therefore, than many pro-
found essays and many lyrical poems
were written about Django and his
guitar playing.
4*4
Jazz was taken seriously in Paris;
it was considered as one of the most
important forms of modern music by
several modern French composers. The
big names for them were Armstrong and
Ellington. Very few knew anything
about an earlier jazz, because none of
the early records were available a nd
Panassie wrote more about Lunceford
and Ellington than he did about King
Oliver and Jelly-Roll Morton. In
spite of that, Parisians were sur-
prisingly well-informed about jazz
matters, and their taste, though far
from being impeccable, was as good as
it could be under the circumstances.
After all, how many of the famous
American critics and collectors of
todaj were writing about or collecting
Oliver and Morton in the middle
thirties?
FOR YOUR HOT ICONOGRAPHY
8X10 GOLD TONED PORTRAIT
OF
WILLIE "BUNK" JOHNSON
Recently taken.
Printed on quality Paper.
Suitable for framing or bind
i ng .
$ 1 .50 each .
Lesl ie Smith
839 Leavenworth St., San Francisco
(9) ,Cal.
4
WANTE D
irving a aronson
Let's do it (new)
ALABAMA RASCALS
Nancy jane
Jockey stomp
ALBERT AMMONS
BaSS go
crazy /Monday stuuggle
HENRY ALLEN
(ANY)
House raid blues
ANDREWS SISTERS
Hold tight, seafood, mama
Beat me daddy
ARCADIAN SERENADERS
( Any on ok)
LOUIS ARMSTRONG
(Acc. except Smith h rainey)
(hot 5, 7, any acc. OK Co, etc)
Memo r i es of you
i surrender 0 ear
(Any hot 5 or 7)
T | QER RAl/Dl NAH
VICTOR ARDEN
HELLO M
ARGOT (NEW)
GUS ARNHEIM
Sweet and lovely (new)
PAUL ASH
Body and soul
i got rhythm
FRANK AUBURN
i'll be a friend with pleasure
Would you like to take a walk
I found a million dollar baby
THE HOUR OF PARTING
BETWEEN THE DEVIL & DEEP BLUE
MY IDEAL
BAILEY'S LUCKY SEVEN
(ANY)
ILOMAE BAILEY
ME 70163
Me 12689
SA 12000
Any
BB 6858 ■
DE ■
DE ■
OK 41468
OK 41497
VI 22268
VI 22770
Ha 1226
HA 1234
HA 1223
HA 1269
HA 1331
HA 1344
HA I4|2
HA 1240
(Any on Victor* vi
charlie barnet
rockin' in rhythm bb 10785 ■
the ouke's idea/the count's idea bb 10453 -
scotch and soo^ bb 1 02 1 0 •
tin roof blues /knock i n ' bb 10131
count basie
goodmorn i ng blues
dicky's dream
i'm gonna move to outskirts
One o'clock jump
one o'clock jump
BEALE STREET WASHBOARD BAND
DE
1446 ■
51 18
3R00
BROO
VanB
Pens
Broo
Band
Band
HURM
Grist
■ PR I c
• PRIC
■ Grit
■ Torn
Cham
Cham
Cham
Cham
CHAM
CHAM
Fry
— Chi o
— chi o
— Chi o
BURL
WILL
,00 ENGE
.00 ENQE
— Bake
Forty and tight
SIDNEY BECHET
Blues of bechet/shiek
maple leaf rag
Shag
3lackstick
shake i t & break i t
Blues in thirds
BIX BE I DERBECKE
IN A Ml ST/WRI NGI N ' & TWtSTIN
SOME BODY STOLE MY GAL
BUNNY BERIGAN
I CAN'T GET STARTED (|2")
(Many 6mall bands) vo, BR,
Any
Vi 27485
BB 76 I 4
BB 10022
DE 2129
VI 26640
VI 27204
OK 3150
OK 41030
.00 Chi o
— Ohio
Chi o
Chio
CHIO
WILL
TORN
PR IC
EDEL
vic berton
lonesome & sorry/mary lou
Mar/ lou/lonesome & sorry
jimmy bertrand
(Any with dodds)
DON BESTOR
Contented
There's a ring around moon
Butterfly
BARNEY BIGARD
BARNEY GOIN' EASE (NEw)
JIMMY BLYTHE
(Any with Qodds)
(almost any solos or accomp. )
SHARKEY BONANO
High society
CONNIE BOSWELL
i cover the waterfront
Say it isn't so/where
Lullaby of the leaves
Clouds/blue moon
chasing shadows
WILL BRADLEY
quc*s( lver
Down the road apiece
Southpaw serenade
(Any B.W. instrumental nos.)
broadway broadcasters
She '
12 3 4
VO 2944 •
VO 2944 •
Vi 24135 •
VI 24434 •
V| 24667 ■
Cham
Kenz
WRAY
■ WRAY
WRAY
OK OR VO 5378
BR 6592 •
BR 6393
BR 6297
BR 7363
BR 7445
FUNNY THAT WAY
LE5 BROWN
Stardust
Evening star (new)
CH ICK BULLOCK
YOU DROPPED ME LIKE A RED HOT
BUMBLE BEE SLIM
Deep bass boogie
muddy water blues
(Almost anything)
campus colleg iates
My bluebird's back again
the captivators
Get happy
the caroliners
hungry for love (Romeo)
wing ie carpenter
Preach i n trumpet blues
LEROY CARR
(Any)
ROY CARROLL
Casa loma stomp/royal Garden
The king's horses
DANCING IN THE DARk/H|GH & LOW
IT'S THE GIRL/l CAN'T WRITE
IT'S THE Gl RL
One more time
The ki ngs horses
benny carter
Sleep
CASA LOMA ORCHESTRA
casa loma stomp
Memoriesof you
No NAME JIVE
i cried for you
on the sunny side of street
Exactly like you
Leave it that way
Dust
When the little red roses
H i gh soc i ety/si ng
In the shade of the old
Meet me tonight in dream
I'll take you home again
(Any transcriptions)
Washboard blues
THL CELLAR BOYS
W.ailing blues/Barrel House
charleston chasers
Basin street/Beale Street
Lovable and sweet
BB 7858
OK 6633
DE 7162
BB 6586
VO
Ha 1382
BR 4591 •
CA 9042 •
DE
Sten
STEN
Sten
STEN
STEN
Band
.90 Band
Band
Pr i c
Roth
UMPH
Umph
VANB
Cham
Fry
WANTED
CHICAGO FOOTWARMERS
DOROTHY DON IGAN
(Any except 8533 & 8599)
—
HURN
EVERYOA/ BLUES
BB
8979
OUAI
CHICAGO LOOPERS
AL DONOHUE
Three blind m i ce/Glor i nda
PE
14910 Torn
LOWDOWN RHYTHM IN A HIGH HAT(NEw)
VO
53(4
ROTH
CHOCOLATE OAND1ES
OORSEY BROTHERS
LOVELESS BLUES
VO
16(0 Grit
Have a li ttle fa ith
BURL
LILL IE 0 . CHRIST 1 AN
CONGRATULATIONS
Am
BURL 1
YOU'RE A REAL SWEETHEART
OK
8607 HURN
OUT 1 N THE COLO AGAIN
De
206
STEN
Sweethearts on paroe
OK
8650 Hurn
TOMMY DORSEY
Baby
OK
8660 HURN
YOU AND 1
VI
MA30
GARNET CLARK A. HOT FOUR
Say it over and over again
Vl
MA SO
Rosetta/object of affection
GrF
K76I8 Gayl
Imagination
Vl
Ma so
Stardust
HMV
X4593 Gayl
A SONG is you
Vl
MASO
JERRY COLONNA
SHAOOWS on the sand
Vl
MA60
YOU'RE MY EVERYTHING/HECTOR
OK
3876 Cl,J
The one you love belongs
Vl
UA60
EDD IE CONDON
Oh look at me now
Vr
UASO
GONNA STOMP HENRY LEE Vl
OR BB
EDEL
Blue skies
VI
Ma SO
MAKIN' FRlENOS/l'M SORRY
OK
41 142 Wl ll
Yours in my heart alone
VI
MASO
COTTON PICKERS
IT'S A LOVELY DAY TOMORROW
VI
Uaso
KOT HEELS RO 1009
OR CA
9207 KENZ
HAWA 1 AAN WAR CHANT
—
Pric
ROSETTA CRAWFORD
1 'LL NEVER SMILE AGAIN
—
pric
I'M TIRED OF .FA TT EN 1 N 1 FROGS
DE
7584 jack
Stardust/Stardust (b.goodman)
Vl
25320
Chi d
BING CROSBY
Jaoa/royal garden blues
VI
25326
Chio
STARDUST
De
2374 pR | c
After you 're gone
VI
25467
Chio
1 KISS YOUR HAND ( NEW )
CO
1 85 1 M 1 ER
Maple leaf rag
V|
25496
Chio
Can't we be friends (new)
Co
2001 Mier
Tin roof blues
VI
26105
Chi o
AT YOUR COMMAND (NEW)
BR
6145 MIER
The lonesome road
VI
26508
Chio
SHINE (NEW)
BR
6276 MIER
melody in F
VI
25519
Chio
Ghost of a chance (new)
BR
6454 M | ER
SWI NGI NG ON NOTHI NG
Enge
YOU'RE BEAUTIFUL ( NEW )
BR
6477 M 1 ER
EDDIE DUCHIN
You've got me crying (n^w)
PR
651 5 M l ER
Stardust
BR
8367
Prj c
Learn to croon (new)
BR
6599 M 1 ER
BLIND WILLIE DUNN GIN BOTTLE FOUR
Shadow waltz (new)
BR
6599 M 1 ER
Guitar blues/8lue guitar
OK
87l|
Gayl
Blue prelude (new)
BR
6601 MIER
CHAMPION JACK DUPREE
Face the music medley
BR
20106 ST EN
(Any)
—
Jack
Once in a blue moon
Ba
33162 STEN
CLIFF EOWARDS
WHERE THE BLUE OF THE NIGHT
Br
6226 RiDL
STACK 0' LEE BLUES (l & 2)
Co
1820
KENZ
Troubles/Little things
BB
7012 CL,J
DUKE ELLINGTON
Just a g igolo
8B
7| |8 CL,J
T i show i ngo/yellow dog
BR
6802
Burl
St. Louis blues
BR
20105 CL,J
BLUE BUBBLES
Vl
22985
BURL
Shine
Br
CL,J
BUNDLE OF BLUES
CO
35836
Burl
BOB CROSBY
Lost in meditation
Br
8083
Burl
Come back sweet papa
De
896 UMPH
Slippery horn
BURL
Savoy blues
OE
1094 Umph
Jazz lips
BB
6396
Burl
Gin mill blues
De
1 1 70 Umph
Low cotton
HRS
1003
2.50 Umph
FIDGETY FEET
De
1593 UMPH
FlNNESSE
HRS
1004
2.50 Umph
More than ever
De
1657 Umph
VOOM VOOM
Vl
24121
2.25 PA.il
FlOGETY FEET
De
I 593 CH 1 0
BLUE FEELING
Vl
24521
2.25 Pari
LITTLE ROCK GET AWAY
De
1 552 Ch i o
Jazz li ps
Vl
38129
3.00 Pari
Squeeze me
De
1962 Chio
LADY IN BLUE
CO
35291
1 .50 Pati
WOLVERI NE BLUES
De
2032 CHIO
Misty mornin'
VO
3229
2.25 Pari
MARCH OF THE BOB CATS
DE
1 865 CH 1 0
HARLEM SPEAKS
de
800
1 .50 Pari
Big foot jump/Five point blues
De
2 |08 CHI 0
Ain't mi sbehavin
De
3516
i .00 Par i
Black zephyr
—
2.00 Enge
DlGA Dl GA 000
BB
6305
1.50 Pari
BERN IE CUMMINS
Jubilee stomp
BB
64l5
1.50 Pari
A COTTAGE FOR SALE
Vl
22351 WRAY
East st. louis
BB
6430
1.50 Pari
COW COW DAVENPORT
BLUE BUBBLES
BB
6451
1 .50 Paii
RA 1 LROAD BLUES
De
7462 Jack
Saratoga swing
BB
10245
1.50 Pa^i
JACK DENNY
Trumpet i n spades
Br
7752
3.50 Pari
Hello sweetheart
VI
24023 WRAY
ST. LOUIS BLUES
Br
20105
3.75 Pari
HARRY DIAL'S BLUSICIANS
Mood indigo
Ua
102
2.25 Pari
(any on vocalion label)
—
GR| t
Lady who couldn't be
Ma
124
2.25 Pa^i
DIXIELAND JUG BLOWERS
Alabauy home
Ma
137
2.25 Pari
Carpet alley
VI
20480 4.00 HURN
Wanna go back again bl
Ge
3291
Pari
Hen party
Vl
20649 4.00 HURN
AN 1 ViAL CRACKERS
GE
3342
Pari
DIXIE JAZZ BAND
JIG WALK
Pari
Dixie orag
JE
5446 KENZ
SAMMY FAIN
JOHNNY DODOS
TO BE IN LOVE
ve
1943
Cham
BLUE PIANO 6T0MP
BB
10238 BURL
ain't mi sbehavi n
DE
2993
CHAM
Pencil papa
V 1
38038 HURN
Ain't mi sbehav i n
DO
2993
KENZ
New st. louis blues
BR
3585 HURN
JERRY FENWYCK
JOE TURNER BLUES
BR
3997 HURN
BY the sycamore tree
Ha
1397
Cham
(Any on Paramount)
Para
HURN
NOW'S THE TIME TO FALL IN LOVE
HA
1394
— ■ ■ Cham
Wildmanblues Vo
A FAOEO SUMMER LOVE
Ha
1384
Cham
Too tight/goober OANCE
BB
10240 2.00 UMPH
Take i t from me
Ha
1348
Cham
Sweet lorra i ne/Penc i l papa
V|
38038 3.00 UMPH
Do the New York
Ha
1352
Cham
OH LIZZIE
Or
3585 4.00 UMPH
TED F IRORITO
Clarinet wobble
BR
3574 3.00 Umph
Hanoin' on the garden gate
Vl
22301
WRAY
New Orleans stomp/Weary blues
VO
15632 Torn
BUD FREEMAN
Wild man/melancholy
Br
3567 torn
China boy/The eel
BB
10385
TRES
6
WANTED
SID GARY
H IGH HATTERS
( Any on melotone or vocal ion)
Cham
1 MAY BE WRONG
VI
22105
WRAY
AT LAST 1 'M HAPPY
ME
12069
FRY
BUNDLE Or OLD LOVE LETTERS
Vl
22255
Wary
GEORG IA COTTON PICKERS
Sing you sinners
Vl
22322
WRAY
(Any on harmony or velvetone, etc
-
Grit
Moonlight saving time
Vl
22703
WRAY
GEORGIA MOONLIGHT SERENAOERS
WHAT IS IT
Vl
22780
WRAY
Many happy returns of the day
1338
Cham
COLEMAN HAWKINS
As long as you 're there
1341
Cham
STARDUST HMV B8420 or
HMV
X4496
GAYL
VLrtNUN uLTtLn
AVALON/BLUE MOON
HMV
B8388
Gavl
St ardust
10605
PR 1 C
CRAZY RHYTHM
VI
26219
Burl
GENE G 1 FFORD
FLETCHER HENDERSON
NORTHING 8UT THE 8LOES
10704
BURL
Hot mustard/Clarinet marm
VO
1065
Grit
SOME OF THESE 0AYS/BA8Y WON'T
VO
1079
Gri t
MERRY OLDSMOB 1 LE
v
SPEC.
TORN
Fidgety feet/Sensation
VO
1092
GRIT
bUUUr fit nl 3 uUUU 1 IMt.no
WOODY HERMAN
STARDUST PE 15084 OR
P T
36903
Kenz
BISHOP BLUES
de
3972
PRIC
NOW 1 M IN LOVE "E 1 DU 1 D OR
PAT
36924
Kenz
JUKIN/HERMAN AT THE SHERMAN
DE
3272
CHI0
D 1 GGA 0 1 GGA 00 PE 1 5083 OR
36902
KENZ
BLUE FLAME
2.00
Enge
BENNY GOODMAN
Fur trapper"'s ball
2.00
Enge
BaSI N STREET BLUES
r°
2415
MlER
ART HICKMAN
1 DON'T KNOW WHY
0
2540
MlER
DREAM HOUSE (NEW)
Vl
21392
Wray
Ain't cha glad
0
2835
MlER
ALEX HILL
Texas tea party
0
2845
MlER
(First three Vocalions)
Gri t
RlFFIN* THE SCOTCH
0
2867
MlER
BERTHA CHIPPIE HILL
Love me or leave me
CO
2871
MlER
(Any Except OK 8312)
hurn
0l * PAPRY
0
2892
MlER
RICHARD HIMBER
2907
MlER
WHOSE THEME SONG | & 2
DE
3578
PRIC
^"aii^t lazy
0
2923
MlER
IF 1 HAD A MILLION DOLLARS
VI
24745
WRAY
You're thetop
2986
MlER
Tea for two
Vl
24750
WRAY
Stardust
25320
PR 1 C
JUST ONE OF THOSE THINGS
Vl
25161
WRAY
Bugle call rag
PR IC
EARL HINES
BOOOB YE
PRIC
57 VARIETIES/l AIN'T GOT OK OR
CO
STAR
Love me or leave he (ex New)
CO
2871
FRY
ART HODES
When vour lips met mine
Me
12023
FRY
ROSS TAVERN/SOUTH SIDE
SA
12007
VANS
ALL IN N 0
12079
FRY
JOHNNY HODGES
When your lover has gone
M
12120
Fry
Things ain't what they used to be
BB
QUA 1
Cla r I net i t i s
E
Fry
Hodge podge/wanderlust
OK
4573
Wl LL
""no si'ncTs ™ile:$/BaS'n STrlE:E:T
25258
will
RENT PART BLUES
OK
5100
Will
2.00
Enge
WILMOTH HOUDiNI
L VE ME OR LEAVE ME
Co
2871
Ri dl
Temptation/poor but ambitions
BB
10619
Cl,J
Junk man
CO
2892
Ridl
Cousin cousin/Fire brigade
BB
10647
Cl, J
Blue moon
Co
3003
R 1 DL
PHIL HUGHES HIGH HATTERS
^wasTlucky
Co
3015
Ridl
1 LOVE LOU 1 SA
HA
1358
CHAffl
CO
3018
Ridl
WHY DANCE
HA
1353
Cham
what goes on here
VI
25878
Ri dl
JACK HYLTON
P 1 CK A RIB (qu 1 NTET )
VI
26166
Riol
WHEN THE ORGAN PLAYEO
Vl
22434
WRAY
Falling in love/if you haven't
Me
2 079 82-5
Kenz
IF YOU CAN'T SING
Vl
22693
WRAY
1 WANNA BE AROUND/WHAT HAVE
Me
12138
82-5
Kenz
SOLDIER ON THE SHELF
Vl
22697
WRAY
riffin' the Scotch/keep on ooin
Co
2867
84-8
Kenz
The alone will tell
Vl
22926
WRAY
love me or leave me
Co
2871
83-5
Kenz
INK SPOTS
Junk man/Ol' pappy
co
2892
84-8
Kenz
Alabama barbecue (new)
DE
1 154
Roth
JUNK MAN
CoE
CR730 5-I0"Kenz
DEWEY JACKSON
ROOM 1411
BRF 500201
5-10
Kenz
CAPITOL BLUES
VO
1040
Grit
Popcorn man
Vl
25808
10-15
Kenz
SMOKE JACKSON
Maohouse (master 4\ }
Vi
25268
Kenz
WEST END BLUES
CH
15714
Grit
CAN'T WE BE FRIENDS(MASTER #2)
VI
25621
Kenz
HARRY JAMES
A LITTLE KISS ( MASTER #2)
Vl
25878
Kenz
CONSERTO FOR TRUMPET
PR 1 C
GREEN BROTHERS MARIMBA ORCH
BACK BAY BOOGIE
2.50
Enge
LO-LO
VI
22480
Wray
JAM SESSION AT VICTOR
JOHNNY GREEN
Honeysuckle rose
V 1
25559
Qua i
COCKTA 1 LS FOR TWO
CO
Fry
JAMES P. JOHNSON
J 1 MM IE GRIER
RIFFS
OK
8770
BROO
LEARN TO CROON/MOONSTRUCK
BR
6597
STEN
(Any)
McMA
BON VOYAGE
Vl
22970
WRAY
LONNIE JOHNSON
TITO GUIZAfl
Got the blues for west end
DE
7445
Ga /l
ClELO AEJL (new)
VI
83 |58
Roth
LONNIE JOHNSON & BLIND WILLIE OUNN
JIViMIE GUNN
Have to change keys (new or ex)
OK
8637
Gayl
STARDUST
BB
6469
PR 1 C
Deep minor stomp/hot fingers
OK
8743
Gayl
BOBBY HACKETT
Midnight call/blue room
OK
8818
Gayl
1 DON'T STAND A GHOST OF A CHANCE
VO
MlER
PETE JOHNSON
JA-OA
VO
Vo
MlER
MlER
B. a. 0. Blues
RICHARD M. JONES
12006
Embraceable YOU
SA
BROO
AT THEJAZZ BAND BALL
MAL hallett
BOSTON TEA PARTY
LIONEL HAMPTON
Sweethearts on parade
vo
MlER
Roth
(Any on Okeh)
ISHAM JONES
OK
GRIT
Why can't this night go on forever
VI
24213
WHTY
26209
BURL
SOMEDAY WE'LL MEET
VI
24129
Wray
VI
LITTLE street
VI
24161
wray
EODIE HARKNESS
MILLION DREAMS
ROGER WOLFE KAHN
Vl
24162
WRAY
THERE'S SOMETHINO ABOUT A ROSE
Vl
21498
WRAY
AN OLD GUITAR & OLD REFRAIN
VI
21078
WRAY
7
WANTED
KANSAS C ITY STOMPERS
PAUL MARES
Good fellow slues
Br
7091
Broo
LAND OF DREAMS
Co
35880
WILL
SAMMY KAYE
Maple leaf rag
Co
35686
WILL
5W ING A NO SWAY
VO
3669
ROTH
(both on OK label)
OK
GR 1 T
LLOYD KEATING
MCKENZ 1 E-CONOON
Thinking of you/peach of a pa
R Ha
1233
Cham
(BOTH on OK label)
OK
GRIT
There's something missing
Ha
1262
Cham
MCKINNEY'S COTTON PICKERS
1 HATE MYSELF
Ha
1252
nobody's sweetheart/sighin
Vl
38000
TORN
Truly
Ha
1268
C H Ah
Plain dirt/Gee ain't i good
Vl
38097
TORN
SWEET & HOT/i'M THE LAST ONE
Ha
(290
Cham
Miss hannah/kay I feel
VI
38102
TORN
WRAP YOUR TROUBLES IN DREAMS
HA
1323
MEMPHIS N 1 QHTHAWKS
LET'S DRINK A DRINK TO THE.
1 343
Cham
Biscuit roller
VO
1744
BROO
MY SWEET TOOTH SAY S 1 WANNA
ha
1350
Cham
MEZZ MEZZROW
AS TIME GOES BY
Ha
1367
Cham
Apologies
BB
10250
BURL
KENTUCKY GRASSHOPPERS
35th and calumet
BB
10251
BURL
Sweet liza
Ba
6358
Fry
JOHNNY MILLER
Sweet liza
Ba
6358
Kenz
D 1 PPERMOUTH BLUES
CO
1546
GRI T
GENE KRUPA
IRVING MILLS HOTSY TOTSY
GANG
THE GOLDEN WEDD 1 NO
3.00
Enge
DEEP HARLEM/STRUT MISS LIZZIE
BR
4983
KENZ
DRUMBOOG 1 E
3.00
SINCE YOU WENT AWAY
BR
4122
Kenz
Drummer boy
3.00
Enge
MILLS MERRY MAKERS
LET ME OFF UPTOWN
2.50
Enge
Farewell b,lues ha,oi,Cl
OR VE
7121
kenz
Knock me a kiss
2.50
Enge
MODERNISTS
MUTINY IN THE PARLOR
V 1
25263
Rl 0L
SOLI TUDE ME,
PE,BA
33 192
Fry
TOMMY LADNIER
ALICE MOORE
Really the blues
BB
10089
BURL
BLACK EVI L BLUES
DE
7028
Jack
WEARY BLUES
BB
10086
Wl LL
CHAUNCY MOOREHOUSE
Really the blues
RB
10089
Broo
BLUES IN B FLAT
VA
608
Broo
EDDIE LANG
MY GAL SAL
Va
638
8R00
P 1 CK 1 N ' /FEEL 1 N '
BR
6254
Torn
JELLY ROLL MORTON
HUDOIE LEDBETTER
JUNGLE BLUES/WILO MAN BLUES
BB
10256
WILL
(any but Victor album of Prison sonqs
He i n
The pearls/beale st. blues
BB
10252
Wl LL
CHESTER LE1GHTON
Shreveport
8B
7710
Wl LL
WITHOUT THAT GAL/Om THE BEACH
HA
1340
CHAM
Turtle twist
BB
10 194
Wl LL
GUILTY/NOW THAT YOU'RE GONE
HA
1370
Oham
album of new Orleans memories
GENR
Wl LL
SATAN'S HOLIDAY
ha
1248
Cham
(Any but bluebird)
MCMA
1 AM THE WORDS
HA
1232
BILLY GOAT STOMP
Vl
20772
hurn
MEMOR 1 ES OF YOu/YOU 1 RE LUCKY
HA
12(5
Kenz
MOUND CITY BLUE BLOWERS
LEVEE SERE NADERS
(Both on ok label)
OK
Grit
JELLY JELLY LORD
VO
1 154
Gri t
HELLO LOLA/ONE HOUR
VI
38100
Torn
TED LEWIS
RED NELSON
(Any except Decca)
roth
Streamline train
DE
7171
Jack
Sweet sue
CO
2652
RlDL
NEW FRIENDS OF RHYTHM
Egypt i an ella
CO
2428
RlDL
HEAJY TRAFFIC ON CANAL ST./mOOO
IN7VI
Newt
LITTLE BROTHER
RU8Y NEWMAN
Misled blues
BB
7806
Umph
MY SI LENT LOVE
VI
24042
Wray
LOUI SIANA BLUES
BB
6697
Umph
Another ni ght
VI
24072
Wray
Vl CKSBURG blues
BB
7970
WILL
SO ASHAMED
Vl
24073
Wray
Loveless love
BB
6073
MOONLIGHT BROUGHT ME
VI
24074
Wray
LONDON MAYFAIR ORCH
NEW MAYFAIR DANCE ORCHESTRA
SAME AS WE USED TO DO
Vl
22688
Wray
BESIDE A DUTCH CANAL
Vl
24004
Wray
Lady of spa in
VI
22774
WRAY
NEW ORLEANS FEETWARMERS
JOHNNY LONG
Sweetie dear
BB
7614
Broo
IN A SHANTY IN OLD SHANTY TOWN
OE
3409
PRI C
Shag
BB
10022
VINCENT LOPEZ
Maple leaf rag
Vl
23360
Torn
NOLA
PR 1 C
NEW ORLEANS RAMBLERS
LOU 1 S 1 ANA RHYTHM KINGS
That's the kind of man for me
ME
12 130
Kenz
MISSISSIPPI MUO (NEW)
Vo
15657
0.00
Ml ER
I'M ONE OF GOD'S CHILDREN
Me
12 1 33
I CAN'T GIVE YOU ANYTHING
VO
1 5710
UlER
NEW ORLEANS RHYTHM KINGS
OA DA STRAIN
VO
15828
Ml ER
T 1 N ROOF BLUES
DE
161
Umph
OH LADY BE GOOD
BR
Ml ER
Ostrich walk
De
229
Umph
Sweet sue
Br
Ml ER
She's cry ing for me
OK
41569
UMPtt
BASIN ST.BLUES/LAST CENT VO
OR BRE
EDEL
Royal garden blues
OK
41570
Umph
8ALLIN' THE JACK
VO
15828
KENZ
That old piana
DE
388
Umph
LOUISVILLE RHYTHM KINGS
Panama
GE
4968
Umph
Shout hallelujah OK
OR PaF
22305
Kenz
That oa oa strain
GE
5106
Umph
J 1 MM IE LUNCEFORO
FRANK IE NEWTON
BY THE RIVER SANTA MARIE
Oe
1808
PRI C
WORLO IS WAITING FOR SUNRISE
BB
10 1 76
Burl
MY BLUE HEAVEN
De
712
—
PRI C
Rosetta
BB
10176
Broo
STARDUST
DE
369
PR IC
Who
BB
10216
Broo
Rose room
OE
131
PRI C
RED NICHOLS
I'M GONNA MOVE TO OUTSKIRTS
2.00
ENGE
NEW ORLEANS MEDLEY
BR
20092
patt
IN DAT MORN 1 N
2 1 141
3.50
Pari
EM8RACEA3LE YOu/l GOT RHYTHM
BR
BREAKFAST BALL
VI
1 .75
WHO'S SORRY NOW/l NEVER KNEW
8R
4243
kenz
OH WHY t OH WHY
VO
4979
1.35
Pari
By the shali mar/Sweet Georgia
BR
4944
Kenz
Bird of paradise
PE
639
1.25
Pari
rockin chair,aty honey * s arms
Peg *o my heart/China boy
BR
BR
6013
4877
kenz
JOE MAN NONE
HOW COME YOU DO ME
BR
6149
kenz
KENZ
(ANY on COLUMBIA label)
Gri t
PANAJA^ARG 1 E
BR
3961
Torn
ROYAL GARDEN BLUES
OK
41570
Grit
Allah's holioay/Picardy
BR
4286
torn
WANTED
25016 I
24278 I
24128 I
VI 24427 •
HMV B6424 ■
HMV B4225 •
RAY NOBLE
Turkish delight
Lyin' in the hay
seven years with wrong woman
j i mm ie noone
(First five vocalions)
Monoay oate/King joe
ray noble
Turkish delight
more Turkish delight
nola
red norvo
hole in the wall
Night is blue
Polly wolly doodle
honeysuckle rose
the night is blue
king oliver
(ANY vo, Co, ok, or Ge)
(Any accomp., ok, etc)
Sugar foot stomp
good man sam/can i tell
Rhythm club/Edna
walter page
devil's blues/squabbl i n
ben pollack
Sweet and hot
(Any on hit of the Week)
teddy powell
pussy in the corner
Rugcutter's holiday
boogie war dance
Teddy 's boogi e woog i e
Straight 8 booqie
in prnetop's footsteps
Any label
QUINTET OF THE HOT CLUB OF FRANCE
6562
3020
670
3059 •
3026
Vl 38049
VI 38137
.25 PATT
.00 Patt
.00 Patt
— Grit
— Torn
— Star
— Star
— Star
— Fry
— Fry
— jack
— Broo
— 8Roo
GRIT
Torn
Torn
BOLERO/MABEL (|2 inch)
ma rainey
Dead drunk blues
the red heads
BUG-A-BOO
DJANGO REINHARDT
GrF LI046 5.00 GAYL
Para vanb
Or 2574 Cham
ST. LOUIS blues/bounci N 1 AROUND
SWEET GEORGIA BROWN/flASCAL YOU
LEO RSISMAN
My SWEETER THAN SWEET
i love louisa
to night or never
Night was made for love
try to forget
louisiana hayride
JACQUES RENARO AND ORCH
LONELY
lonely in a crowd
rhythmakers
Yellow dog blues
WILLARO ROB I SON
Sw 7 3,
Sw 35 5.
VI 22194 —
Vl 22755 —
VI 22794 —
Vl 22869 —
Vl 22870 —
VI 24157 —
»
VI 20487 —
Vl 21093 —
I'M MORE THAN SATISFIEO
ADRIAN ROLL IN I
Got the ji tters
luis russell
Doctor blues
new call of the freaks
Panama/High tension
(Any on Okeh)
(Any)
pee wee russell
(Any on HRS)
PE 14005
PE 15877 or ME 12893
8766
8734
HRS 1000
ARTIE SHAW
Concerto for clarinet Vi 36383
nightmare
april in par is/king for a day vl 26654
MISTER MEADOW LARk/MY FANTASY Vl 26614
GLOOMY SUNOAY/OON'T FALL ASLEEP Vl 26563
Now we know/Dreaming out loud Vi 26642
Calypso/Beau night in hotchkiss vi 27315
Georgia on my mind/why shoulon't i vi 27490
Niqhtmare/Tipperary Br 7965
50 Qayl
00 Gayl
WRAY
WRAY
WRAY
WRAY
WRAY
WRAY
— WRAY
— WRAY
— Broo
— Torn
— Fry
— WILL
— WILL
— Will
— Grit
— PENS
«— EOEL
— BROO
— PRIC
— PR I C
— Newt
— Newt
— NEWT
— NEWT
— NEWT
Newt
TORN
nat shilkret
Glad rag doll
broadway melody
blue is the night
dinah shore
why couldn't/l thought
Darling daughter/Down Argentina
ZUTTY SINGLETON
Clarinet marmalade
SIX HITS AND A MISS
Relax (new)
six jolly jesters
Oklahoma stomp
bessie smith
Gimme a pig foot
On revival day/moan mourners
jabbo smith
(Any Brunswick, VQ or better)
Sau 6HA stomp
Band box stomp
TRIXIE SMITH
(Any Decca)
WILLIE
Vl 21855
Vl 21886
VI 22290
BB 10473 •
B8 10920 •
OE 432 •
VO 5532 ■
OK 8949
CO 14538 -
7065
71 I I
• WRAY
WRAY
• WRAY
■ CL,J
CL,J
Fry
vanb
GRIT
BROO
Broo
'L I ON" SnTH
OE
CMS
Sw
HRS
524
31 ■
2002 •
8069 •
8113 •
8036 •
8012 •
7137 ■
7164 •
600 •
2876 •
600 •
CDNCENTRATIN
EDDIE SOUTH 4 REINHARDT
SOMEB00Y LOVES ME
SPAN IER— BECHET
THAT'S A PLENTY
SPECKLEO RED
WELFARE BLUES
DOWN ON THE LEVEE
Take i t easy
louise baltimore blues
House dance blues
speckled red blues
JOE SULLIVAN
LITTLE ROCK GETAWAY
GIN MILL BLUES
JU6T STROLLING
JACK TEAGARDEN
BIG 8 BLUES
PlTCHIN' BOOGIE
loveless love
you rascal you
St. James infirmary
TEN BLACKBERRIES
Dirty dog
Tiger rag
ten freshmen
Freshman hop/ Pe 15325 or Pat 37054
frank trumbausr
Mississippi mud (new)
Baby won't you please come home
Way down yonder in new Orleans
RiVerboat shuffle
Riverboat/Ostrich walk
Hour of love/Wonder i n '
wri ng| n * ano twi st in '
Good man/crying
JOE TURNER
LUCILLE
(Any)
HRS 2007 ■
Para 12855 •
HRS 5 ■
Co 2558 ■
R0 976 ■
RE 10145
OK 40979
OK 41286
Vo 4412
UHCA. 29-30
OK 40822
OK 40912
OK 40916 •
CO 35956
RUDY VALLEE
i 't_l be rem i no eo of you
when your hair has turned to sil.
Many happy returns of the day
joe venut i
Farewell blues
venut i -lang
after you've gone/beale street
don vorhees
(ANY ON HIT OF THE week)
LARRY WAGNER
Two DUKES on a pier
JOHNNY WALKER
VI 22193
VI 22595
Vl 22752
Walkin
baby/when YOUR LOVER
FATS WALLER
SMASHING THIRDS
STARDUST
R I D I N ' BUT WALisI
VALENTINE STOMP
Co 2404 -
VI 25335 -
BB 10099 -
VI 381 19 I
VI 38554 -
■ QUAI
■ UMPH
' UMPH
■ UMPH
• UMPH
• UMPH
• UMPH
■ UMPH
■ UMPH
• CL,J
■ BAND
BAND
WILL
Grit
MCWA
FRY
Fry
• MIER
• MIER
■ Ml ER
■ BROO
• torn
■ TORN
■ Torn
■ Tres
' Bake
■ MCMA
WRAY
WRAY
— Broo
— Torn
— Fry
— CL,J
KENZ
BURL
PR1 C
00 WHIT
BROO
WANTED
MICHEL WARLOP
SERENADE FOR A HEALTHY WIDOW
28
GAYL
LAWRENCE WELK
4368
ROTH
PAUL WHITEMAN
STA RDUST
36
Rl C
High water
36186
Blue moonlight/Stardust
36
ST^N
China boy/^Iiss hannah
945
TORN
Fare thee well/xmas nite
OR 1
STAR
LIFE IS JUST A BOWL OF CHERRIES
PLEASE DON'T TALK ABOUT ME WHEN
Ha
Ch'y
A.
COOTIE WILLIAMS
vo
4574
VANB
BOUDOI ""bENNY
Vo
4726
VANB
WHOOPEE MAKERS
Dirty dog Pat or
PE
15223
Ma kin' FR 1 ENOS
CO
36010
w"ll
Milwaukee walk '
CA
9203
KENZ
ICKY BLUES
ANY
Kenz
SORORI TY STOMP
Any
Kenz
Dl RTY DOG
Any
Kenz
Four or five times(except mstr jf 1 )
ANY —
kenz
TIGHT LIKE THAT (EXCEPT MASTER #1)
Ann
Kenz
ROCKIN CHA IR
BA
32070
kenz
Dardanella
Vo
J 5763
86-11 Kenz
7859
7943
7781 ■
7940
7824
7789
I 169 ■
I 169
CLARENCE WILLIAMS
terrible blues hrs
(Any with Armstrong)
DUKE WILSON'S TEN BLACK BERRIES
BEALE ST. BLUES BA 3
BEALE ST. BLUES ANY
TEDDY WILSON
WHY WAS I BORN
Coquette/hourof PARTING
SA I LIN '
Remember me
TH1 S YEAR 'S Kl SSES
PENNIES FROM HEAVEN
JULIE WINTZ
After you've gone
After you've gone
wolverines
Lazy oaody/sensat i on Ge 5542
ROYAL GARDEn/PETTIN' GE 22062
WYNN'S DALLAS DANDIES
LOVEO ONE VO 15860
JIMMY YANCEY
(ANY)
VICTOR YOUNG
YOU'RE NOTHIN' BUT A NOTHIN'
ANY RECORDING GROUP
9:20 SPECIAL
LOVABLE t< SWEET
SLY MONGOOSE (with vocal)
Mississippi Muo
Riverboat shuffle
Someone is playing the song i love
DECCA ALBUMS
BOOGIE W00GIE NO. I
BOOGI E WOOGI E NO. 2
- HURN
- HURN
Fry
Rl DL
WILL
Rl DL
Rl DL
RIOL
R I DL
Torn
Torn
280 1.25 Patt
WANTED ( In any condition)
records by i — ben selvin, knickerbockers, rad | ol i tes,
Johnny Walker, California Ramblers, Cavaliers, Colum-
bia Photo-Players, Lee Morse, Ethel waters, Johnny
Green, Columbians, and Ruth Ettinq on Columbia 2100 up.
records by i — roy carroll, frank auburn , chest or leigh-
TON, D'ursay Orch., Lloyd Keating, Jack wh i tney, Jerry
Penwyck, Phil Hughes, Campus Collegi ates, Annette Han-
shaw, and harmonIans on harmony, velvetone. Diva, and
CLAR I ON.
RECORDS BY i — David Edwaros, Buody Campbell, Ray Seeley,
and Golden Terrace on Okeh.
Lt. Wallace J. Fry, AETC, Austin Hall
Harvard Univ., Cambridge (36), Mass.
(For dispositions, see classified section)
PH. C. BAN KS ON
Cleveland Plain Dealer, Cleveland, Ohio.
FOR ALCTION
For auction, minimum bid 50^, or for trade. All
RECORDS ARE NEW EXCEPT ONE NOTED. WILL AL60 accept
B I OS ON ALL AS A LOT.
BASIE (Solos) Oirty dozens/sun goes down De 2498
CHICAGOANS CHINA BOy/SUGaR UHCA 9-10
CHICAGOANS Ll Za/NOBODY 'S SWEETHEART UHCA 11-12
RHYTHM KINGS Changes/Hew BABY UHCA 7-8
EDDIE CONDON HOME COOKIng/the EEL BR 7645
B.FREEMAN(TRl o) BLUE ROOm/Exactly CMS 5l2
B.GOODMAN TEXAS TEA PARt/Dr.H. ALL STARS 3 1 67
B. GOODMAN BEALE ST./BASIN ST. BR 7645
C. HAWKINS Heartbreak/Jamaica shout UHCA 55-56
F.HENDERSON FIDGETY FEET/SENSAT ) ON UHCA 2 1 -22
B.HILL PRATT CITY(NO LOUIE)(F-G) VO 1406
B.HILLIDAY Fine & mellow/Strange fruit CMS 526
JUNGLE KINGS Friar's point/Darktown UHCA 3-4
BESSIE SMITH Down in DUMps/Do YOUR DUTY UHCA47-48
wanted; — armstrong's savoy, weary blues, lonesome
blues, v/l loman on new black vocalidns. same a-nd
King of Zulus on new OK's. leroy Ca"RR*s mean old
Tra i n, Christmas in jail, Broken spoke (new). Doods'
W i ldman/melancholy and Joe turner. Morton Pearls.
Tampa Red how long (not the qui tar solo). Gaither
Death of leroy carr.
HARRY F0S8URY AND ED KINSEL: PLEASE GET IN TOUCH
with George Avakian, co a, SCSU 1144, Cambridge,
Massachusetts.
DALE HASSELL
P.O.Box 601, Mar i on, V i rg i n i a.
WANTED
COLEMAN HAWK I NS
SORROW
tiger-rag
Lullaby
consolat i on
SMILES
i wanna go sack to harl
Out of nowhere
AVALON
AFTER YOU'VE GONE
SPIKE HUGHES
PASTORAL
Musi c at midni ght
BENN IE CARTER
NEW STREET SWING
BLACK BOTTOM
MY BUDOY
Mighty like the blues
benny goodman
EMALINE
Junk man
TEODY WILSON
Sun showers
coquette
lionel hampton
PA 658 6.00
Pa 35513 6.00
PA 2007 6.00
EE 6407 6.00
EE 6445 6.00
EE 6502 6.00
MV 8812 6.00
UV 8388 6.00
OEE F558I 6.00
DEE F3606
DeE F3836
DEF S I 18 OR
VOE
VOE
VOE
VOE
BR
S8I 6.00
S94 6.00
S I I s —
S I 10 -
2907 6.00
2892 6.00
7917 2.50
7943 3.00
THE WIZZ
DENNISON SWING/tyHlzZI
CHU BERRY
I ND I ANA
Ebb tide
wolverines
riverboat shuffle/lazy daddy
mound c i ty blue blowers
georgia on my mino/can't believe you'relany label
darktown strutters ball/vou rascal you: any label
VAR OR VO
VAR OR VO
HRS
4.00
4.00
0
FOR TRADE OR AUCTION
FOR TRADE
OR
AUCT 1 ON
TOM McBRIDE
365
28th
Street, San Francisco, C«
1 1 i f or n i a
BENNY GOODMAN
BUGLE CALL RAG
VI
25467
N
BENNY GOODMAN
Goodbye/sandman
VI
252 1 5
N
BENNY GOODMAN
King porter/sometimes i 'm happy
VI
N
ARKANSAS TRAVELERS
Washboard blues/boneyard shuffle
Ha
332
V
LQUIS ARMSTRONG
Muggles/Peanut Vendor
OK
THE CAPTIVATORS
Set happy/Somebody to love me
BR
459 1
V
BUNNY BERiaAN'
Frank ie and Johnny
VI
256 1 6
V
JOE VENUTI
Chant of the jungle
OK
41320
N
HOTSY TOTSY GANG
AIN'T MISBEHAVING (WITH BILL ROB 1 NSON )
BR
4535
V
ALBERTA HUNTER
Don't pan me/daddy blues
Para
1 108
V
LENA WILSON
Tantalizin mama/down south blues
Ajax
17014
N
CLARA SMITH
Race track blues
Co
14294
N
LONNIE JOHNSON
Broken levee blues
OK
86 1 8
N
THE RHYTHM ACES
Jazz battle
BR
4244
V
FLETCHER HENDERSON
Steppin out
emer
10714
V
BILLIE HOLIDAY
Time on my hands
OK
599 1
N
WHITEMAN-CROSBY
Muddy water
VI
20508
V
WHITEMAN-CROSBY
Evening star
Co
1401
V
ARNHE 1 M-CROSBY
Li ttle thi ngs in life
VI
22580
E
RUSS COLUMBO
all of we/save the last dance
VI
22903
N
HUDSON-DELANGE ORCH
Soph i sti cated swi ng
BR
7991
N
GOCDEN GATE ORCH(RED NICHOLS) MASEl/Sm 1 L 1 NG AT TROUULE
ED
51491
G
GOLDEN GATE ORCH(RED Nichols)
Look who's here
ED
51591
Q
GOLDEN GATE ORCH( RED NICHOLS) STATIC STRUT/COULD 1
Eo
51746
G
GOLDEN GATE ORCH(RED NICHOLS) Up AND AT 'em/ME TOO
ED
51820
G
AUCTION
JIM BURNS
AUCTION
Box #1061, Montgomery, Alabama
HENRY "RED" ALLEN
ST 1 CKS AND STONES
vo
3564
N
HENRY "RED" ALLEN
MEET ME IN THE MOONLIGHT
vo
3574
E
LOUIS ARMSTRONG
Heah ME talkin' TO ya
vo
3303
F
LOUIS ARMSTRONG
Naturally
DE
3607
G
LQUIS ARMSTRONG
WHEN IT'S SLEEPY TIME
BB
10703
N
BARNEY BIGARD
A LULL AT DAWN
8B
10981
N
CAB CALLOWAY
Geechy joe/special delivery
OK
6147
N
CHICAGO RHYTHM KINGS
it's too bad/Battle head
VO
3208
E
DUKE ELLINGTON
CREOLE LOVE CALL/BLACK AND TAN FANTASY
VI
24861
N
BENNY GOODMAN
DIZZY SPELLS
BB
10903
N
BENNY GOODMAN
Where or when
BB
1 1456
N
BENNY GOODMAN
Handful of keys
VI
25705
N
BENNY GOODMAN
1 KNOW THAT YOU KNOW
VI
26139
N
LIONEL HAMPTON .
STOMP/jlVIN' THE VIBRES
VI
25535
N
LIONEL HAMPTON
On the sunny side of the street
VI
25592
N
FLETCHER HENDERSON
Grand terrace swing
VO
3213
F
EARL HINES
Madhouse/Darkness
vo
3379
E
EARL HINES
q.T. stomp/indiana
BB
10391
N
QUINTET OF HOT CLUB OF
FRANCE
After you're gone/Limehouse
VI
2551 1
N
QUINTET OF HOT CLUB OF PRANCE Shi ne/naGASAKI
VI
25558
N
DON REDMAN
The chant of the weed
BB
10765
N
MAX 1 NE SULLIVAN(& THORNHILL)
it's wonderful/you went to my head
VO
3993
N
FATS WALLER
Viper's drag/i ain't got nobody
BB
10133
N
1 1
SPECIAL SALE SPECIAL SALE
M. MANOOGI AN
80 Priscilla Ave . , Prov idence(9 )R . I .
(Al I records are new)
count 6asie
king Joe, parts i j, 2
SIDNEY BECHET
stompy jones/save it pretty mama
Blues of bechet/sheik of Araby
BENNY CARTER
OK 6369 S.60
VI 27240 I,
VI 27405 I.
cuddle up, huddle up/what a difference bb i i 197 .
vagabond dreams/i 'll never fall vo 5224 .
IDA COX (acc. by All Stars)
Death Letter blues/Deep sea blues Vo 05336 l .
Last Mile blues/i can't quit(r. Allen) OK 6405 I.
duke Ellington (piano solo with j.blanton)
Sophisticated lady/pitter patter PANTHER VI — I.
DUKE ELLINGTON ORCHESTRA
KILL IN' MYSELF
FLETCHER HENDERSON
A PIXIE FROM DIXIE
B I LL IE HOL IDAY
them there eyes/some other spring
Tell me more/Laughing at life
solitude/goo bless the child
Jim/love me or leave me
Co 36289 I . 10
OK 5021
HK 57 I 9 I
OK 6270
OK 6369
HARLAN LEONARD
SKEE
VO 4595 I
Vo 4712
OK 483 1 I
OK 5033
J I MM IE LUNCEEORD
LE JAZZ HOT
SHOEMAKERS HOLIDAY
LONESOME ROAD/MANDY
I WANT THE WAITER
PAUL MARES
MAPLE LEAF RAG
TOOTS MONDELLO TRIO
BURNIN' STICKS/HERE'S YOUR CHANCE ROYALE lS|7 [,
SHADES OF JADE/SUNSET LULLABY ROYALE 1823 I.
HOT LIPS PAGE TRIO - LEAOBELLY
THIRSTY MAMA 8LUES/| 'M ON MY LAST GO
CO 35686 I .00
QUINTET OF THE HOT CLUB OF FRANCE
SWINGIN* with django/Paramount stomp' Vi 27272 I.
jack teagarden
wham/love for sale va 8230
St. James Infirmary/Slack ano blue De 3451 I
NOBODY KNOWS THE TROUBLE I'VE- SEEN DE 4317
JOE TURNER
GO IN' TO CHICAGO BLUES/ROCKS IN MY BED DE 4093 I.
BLUES IN THE NIGHT/CRY BABY BLUES DE 7885 .
SUN RISIN' BLUES/BLUES ON CENTRAL AVE. DE 7889 I.
PAUL WH I TEMAN WITH BIX BE I OERBECKE
LONELY Melooy/M I 5S I SS I PP I MUD Vl 25366 I.
LOUISIANaAou TOOK AOVANTAQE OF ME VI 25367 I.
Sugar/From Monday on Vi 25368 I.
Changes/deep down south Vi 25370 l.
COOTIE WILLIAMS
toaster pickle
teddy wilson solo
DON 't blame me
OK 6336 1.25
FOR DISPOSITION
BRUCE BAKER, JR.
2929 Bryn Mawr Drive, Dallas (5), Texas
JELLY ROLL MORTON
BLACK BOTTOM STOMp/THE CHANT VI 20221 V
JIMMIE 0 'BRYANT '3 WASHBOARD BAND
Hot hot hottentot/alabamy bound(chip) Para 204O0 G
JOHNNY DUNN
BUFFALO BLUES/RUGLE CALL BLUES(cHIP) CO 14306 V
RED NICHOLS' FIVE PENNIES
MEAN DOO BLUES/CORNFED Bfl 3597 V
JIMMIE NOONE'S APEX CLUB ORCHESTRA
Little white lies/moonlight on Colo. vo 1531 E
LOU IS ARMSTRONG
2:19 BLUES/PERD 1 00 ST. BLUES DE 18090 N
GUT BUCKET BLUES/IN THE BARREL (CHIP) OK 8261 V
HONKY TONK TOWn/COAL CART BLUES DE 1 809 1 N
NEW ORLEANS WANDERERS
GATEMOUTH/PERD I DO ST. BLUES ( CH I P ) CO 698 V
CELESTIN'S ORIGINAL TUXEOO ORCHESTRA
STATION CALLS/MY JOSEPHINE
HARRY JAMES
Concerto for trumpet/i 'm in the market
BENNY GOODMAN GROUPS
CO 636 E
Co 35340 E
ROLL 'EM/AFRAID TO DREAM
Vi
25627
E
BLUE SKI es/REMEMBER
BB
10680
N
BOY MEETS HORN/LET'S DANCE
Co
35301
N
WRAPP1N' IT UP/MELANCHOLY BABY
Vl
25880
G
Goodbye/Sandman
V 1
25215
E
Make believe/blue room
VI
26088
E
Japanese sanoman/i know
BB
10459
N
Sugar/opus 3/4
VI
26240
N
PICK-A-RIB, 1 & 2
VI
26166
E
Rosetta/i want to be happy
Vl
255 10
E
Life goes to a party/if dreams
VI
25726
E
8ig john special/Flat foot floogie
VI
25871
E
MUGGSY SPACER'S RAGTIME BAND
Relax i n 1 at the touro/Ri verboat
LAPP'S BLACK ACES
Sweet lovin' mama/aggravat in ' papa
original pixielanp JAZZ BAND
jazz me blues/St. Louis slues
rufus perryman (speckled Red)
PlRTY OOZENS, I & 2
LOUISIANA FIVE JAZZ ORCHESTRA
YELPING HOUND BLUES/jUST ANOTHER
CALIFORNIA RAMBLERS
SHIEK OF araby/Georgi A ROSE
ARTIE SHAW
Traffic jam/Serenaoe to a savage
gene krupa
Ol' black joe/My old Kentucky home
BLIND LEMON JEFFERSON
balky mule/mean jumper
Chance my luck/Cannon Ball
Black smoke/Right of way
BLUES SINGERS
Vl 18772 G
BR 80020 N
Co 2742 G
VO 14275 F
BB 10385 N
Co 35205 N
Para 12631 P
Para 12639 P
para 12510 P
Ida cox: Weary wav blues
para
12044
F
Ida cox: Lawdy, lawdy blues
para
12064
F
IDA COX: BEAR MASH BLUES
para
1626
ETHEL WATERS: BROWN BABY
BS
14145
P
Ethel waters: Down home
BS
2010
Ethel Waters: Memphis man
BS
14146
P
Clara smith: Court House blues
Co
14073
G
Clara Smith: mine all mine
Co
14053
F
Mamie Smith: Crazy blues
OK
4169
F
Esther Bigeou; stingaree
OK
8025
P
Sippie Wallace: Trouble Everywhere i
OK
8212
G
Lizzie miles: Mean Ole Beobug blues
CONQ
7182
V
Eva Taylor: Barefoot blues
OK
8073
V
12
AUCT ION
FRANK H. TROLLE
105 E.. Hanover Street, Trenton (8), N.J.
AUCT I ON
The following are for auction. Bids close December 15. IW2. Should you be successful in your bid for
any of these records and for some reason they have not been graded to meet your indlyidual specif ica-
tions, we will cheerfully refund your rroney. All records will be shipped C.O.D., railway express.
ALLEN-HAWK I NS
Ain't cha got mus i c/Ri ver 's taking care Me
i wish i were twins/l never slept a wink me
LOUIS ARMSTRONG A HOT FIVE
MUSKRAT RAMBLE/HEEBIE JEEBIES OK
GUS ARNHE I M (bin. CROSBY )
THEM THERE EYES/LlTTLE THINGS IN LIFE Vl
BUSTER BA I LEY I 7 CHOCOLATE CANDIES
Shanghai shuffle/Call of the delta Co
BOSWELL S ISTERS (accOorsey Brothers)
There'll be some changes made/8etween dev.br
broadway bell hops
Rainbow of love/(harmon i ans :Lucky in love)Ha
CAB CALLOWAY
HARLEM HOSPITALITy/EVENIN' VI
HARLEM CAMP MEET! NG/LH TTLE TOWN GAL Vl
HOAGY CARMICHAEL
BESSIE COULDN'T HELP I t/HOT MAMA
ROY CARROL & SANDS POINT ORCH.
BEND DOWN SISTER
RUSS COLUMBO jimmie Crier Orch.
Let's preteno there's a moon/when you're
b ing crosby
Shadows on the window/shine
DEAN i, HIS K IDS (Harry James)
Zoom, zoom, zoom/spreading knowledge
dorsey brothers
My kinoa love/Sam Lanin: if I had you)
TROY FLOYD & PLAZA HOTEL ORCH
SHADOWLAND BLUES (PARTS I & 2)
BEG I HA LP FORESYTHE
Dodging a d i vorcee/lullaby
JEAN GOLDKETTE
I'M GONNA MEET MY SWEETIE NOW
IDOLI zi ng/hush-a-bye
Clement i ne/My pretty girl
BENNY GOODMAN ALL STARS ( YELLOW Label)
I GOTTA RIGHT TO SING THE B LUES/A I N ' T CHA CO
HARLEM HOT CHOCOLATES
SING YOU SINNERS HIT OF WEEK
COLEMAN HAWKINS i. ALL STAR JAM BAND
CRAZY RHYTHM/HONEYSUCKLE ROSE VI
FLETCHER HENDERSON
HOW COME YOU DO Me/COPENHAGEn( N . 0. JAZZ BA1\d}} e
ROLL ON WlSS./MOAN YOU MOANERS Vl
SHOE SHINE BOY/SI.NG, SING, SING Vl
WHAT GOOD AM I /KEEP A SONG IN YOUR SOUL CO
MANDA/GO 'LONG MULE CO
EARL HINES
ROSETTA/CAVERNI SM BR
HARRY JAMES 3. BOOGIE WOOGIE TRIO
WO-WOO/80C—WOO BR
PETE JOHNSON
LET ' EM JUMP/PETE'S BLUES SA
LOU ISIANA RHYTHM KINGS
MISSISSIPPI MUO/NOBODY'S SWEETHEART VO
J I VIM I E LUNCEFORD
(LUNCEFORD SPEAKS AND THEN PLAYS
JAZZNOCRACy/MONOTONY IN FOUR FLATS Co. DEMONS
12769 V
13045 E
8300 V
22580 V
35677 N
6291 V
508 E
24414 V
24494 V
22664 V
5420 G
6972 V
6276 V
3342 E
41 188 E
8571 E
3012 V
20675 E
20270 E
25283 E
3168 E
1045 V
26219 E
9739 G
22698 E
25375 E
2352 E
228 E
6541 E
8318 E
12005 N
15657 E
MCKINNEY'S COTTON PICKERS
Shim-me-sha-waoble/milenburg JOYS VI 2161 I E
CARL MART IN
I'M GONNA HAVE MY FUN/H|GH WATER FLOOD CH 50074 E
PHIL NAPOLEON'S EMPERORS
My kinoa love/Mean to me B8 6574 E
THUNDER IN MY DREAMS BB 7039 N
RED N ICHOLS
Love & nuts & noodles/heat waves
8R
0 ' BRYANT ' S FAMOUS ORIGINAL WASHBOARD
my man rocks me/chicago skiffle pa
shake that thing/pump tillie pa
Washboard blues/Blue eyed sally Pa
Clarinet getaway/Back a^ley rub pa
Three J blues/steppin' on the gas Pa
washboaro/brand new charlestown Pa
skoodlum blues/midnight strutters pa
m i lenburg joys/sugar baby pa
i found a good man after all/down to pa
KING OLIVER i. DIXIE SYNCOPATORS
SOMEDAY SWEETHEART/DEAD MAN BLUES
ORIGINAL DIXIELAND JAZZ BAND
6451
BAND
12339 N
12346 N
12288 N
12287 N
12294 N
12255 N
12260 N
12321 N
12308 N
Palesteena/Margie
BEN POLLACK & CAL I FORM I ANS
Sweet sue/Singapore sorrows
LOUIS PRIMA & N.O. SWING
Mr. ghost goes to town/goose hangs high Vo 3388 E
CLARENCE PROFIT TRIO
Tea for two/There'll be some changes Br 8431 E
LUIS RUSSELL
OL' MAN R I V Er/Da RKTOWN STRUTTERS BAl-L ME 13146 E
RAYMOND SCOTT QUINTETTE
TOY TRUMPET/POWERHOUSE MA I I I E
The penguin/war dance for wooden indiansBr 8058 V
sharkey & his sharks of rhythm
Big boy blue/Olo fashioned swing
artie shaw s, new music
Japanese sandman/pretty girl like mel.
SIX JOLLY JESTERS
Oklahoma stomp
framkie trumbauer
j1mt0wn blues/laziest gal in town v
no retard/wearing of green v
paul wh i teman
CHANGE S/TaRY
Back in your own backyard/sunshine
raf'.ona /lonely melody
i'm afraid of you/( i copy v; i copy e)
clarence williams blue five
Kansas city man blues/wildcat blues ok
mafjdy make up m|nd/|*m little blackbird ok
jimmy mchugh boston ians
i don't care/h armot i i a ns/here ' s that ve
VO 3450 V
Vo 1449 V
ARS 8223 N
ARS 8215 N
VI 21 103 E
VI 21240 E
VI 21214 V
Vl 21389
4925 V
40260 E
NOTICE
This is a sample of our new FORM on WHICH all ADVERTISING TO THE CLASSIFIED "WANTED" AND "FOR
DISPOSITION" SECTIONS IS TO BE SUBMITTED. IF YOU 00 NOT SUBMIT YOUR ADS ON THESE FORMS THE CHARGE
IS 10 PER ITEM. A PENNY POST CARD TO US WILL GET YOU AN AMPLE SUPPLY OF THESE FORMS... THE RECORD
ANGER, FAIRFA
USE THIS SIDE FOR RECORDS WANTED j
Use a separate blank for each record-
ing group. {
Enter toe name or the recording group ;
In the space at the extreme lert or the .
form, writing vertically from bottom to [
top.
Enter records by that recording group
from top to bottom, starting with top
line of form.
You may use both sides of this blanK.
Use the reverse side to list Items for I
disposition. t
Names of tunes(30 typewriter spaces available)
Label.
Serial
number
Price
offered
First roup
letters of
your name
New Orleans Recollections
To anyone who is fond of the water, New Orleans offers
many attractions. In all directions can be found oppor-
tunities to enjoy outdoor life on some sort of a body of
water. Mightiest of all is the Mississippi River, sweep-
ing in from the northwest in broad curves, and after mak-
ing its great crescent around part of the city, swinging
away to the south to meet the Gulf of Mexico, about one
hundred and twenty-five miles away. Bounding the city on
the north is Lake Ponchartrain, some twenty miles wide
and thirty miles long, where almost any sort of water
sport may be indulged in- -swimming, boating, fishing,
yachting, etc. Across the river to the south is Bayou
Barataria, reached by boat via Harvey's Canal, which
route by boat to Lake Sal-
a f fords
vadore and other bodies of water, and
finally the Gulf. To the east are Lake
Borgne and the Gulf Coast of Mississi-
pi . Thi s last was a poor man's Riviera
and the trip to the Gulf Coast, at
least in my time, was doubtless the
most popular with the New Orleans
folks. Today the Gulf Coast can be
reached very handily by automobile,
but in the early days the Louisville
and Nashville Railroad furnished the
only transportation available to the
general public. And during those
years the New Orleans public certainly
availed itself of the opportunity.
Many high class Louisville and Nash-
ville trains made the trip along the
Coast, but the Sunday excursion trains
were the ones that really' hauled the
multitude. In every sense of the word
they were the popular out of town
Sunday trips, and during the summer
season they ran them on Wednesdays
also. At the height of the season
there were often three sections of
fourteen coaches each necessary to
accomodate the crowds. The trip was a
great bargain, since in the early days
one could ride from New Orleans to
Ocean Springs and back for the re-
markable price of $1.00, --a total of
about 170 miles. Consequently it is
no wonder that the folks began to
congregate at the Louisville and Nash-
ville depot, at the foot of Canal
Street, well before six o'clock on
Sunday mornings, to get tickets and
clamber aboard the trains just as soon
as the gates were opened, so as to
assure for themselves the best seats
possible. That is to say best in so
far as it relates to location rather
than Quality, for quality about those
cars was something conspicuous by its
absence. They used any kind of coaches
that were available, even those with
red plush seats, which were not exact -
Jy appropriate to the summer season.
Nevertheless, the eager crowd surged
on board, carrying all sorts of im-
pediments which might be necessary or
contribute to a day's enjoyment at the
beach.
As I recall, the usual stops on the
excursion were Chef Men t eu r , Ri go lets,
Ansley, Waveland, Bay St. Louis, Pass
Christian, Long Beach, Gulfport, Miss-
issippi City.Biloxi and Ocean Springs.
The first two stops are in Louisiana
and not on the Gulf Coast; they are
close to Lake Borgne and a network of
waterways that connected Lake Borgne,
Lake St. Catherine and Lake Ponchar-
train, and passengers to those points
were usually fishermen, duck hunters,
etc. Camp s and boats could be rented,
and apparently a good business was
done catering to the real and would-be
sportsmen. I never heard it said, but
it occurs to me that Chef Nenteur
(Chief Liar) may have been named after
one of those hardy fishermen, who told
of the fish that got away. From Ans-
ley on to the end of the run, the towns
were more or less resort towns, and
I presume that most of the passengers
to those points were drawn by the
attractions of the Gulf Coast. Bay St.
Louis, Pass Christian, Gulfport and
Biloxi were the largest t o wn s , and re-
ceived the greatest numbe rs of visit-
ors. Wh en the trains came to a stop
at Bay St. Louis and Pass Christian,
negroes of all ages would pass up and
down along the sides of the coaches,
selling scuppernongs, fish, crabs,
shrimp, and sandwiches of all kindsi --
fish, oyster, crab cake, chicken, etc.
Most of which were right tasty, too ,
if one could control his imagination.
At all of the stations in those
days there was a great traffic in the
excursion tickets. Many of those tak-
ing the trip would be going for a va-
cation of a week or two on the coast,
and would have no use for the return
privilege, and many others would be
completing a vacation and hoping to
get a cheap trip back to the city.
So there would be much running to and
fro, and the familiar question 'Want
to sell your ticket?' would be heard
on all sides, in spite of the fact
that the railroad company stipulated
that the tickets were not transferable.
Although separate coaches were pro-
vided for colored patrons, their
tickets were the same as those for the
whites, and they participated in the
bartering as vigorously as anyone. In
an effort to stop such widespread
selling of tickets, the railroad com-
pany tried various checks to make this
transfer more difficult. They finally
had the tickets printed to show wheth-
er the holder was white or coJored,
male or female, child or adult, as
well as stating the date and destina-
tion. Mos t of the information would
be punched by the conductor as he made
his rounds on the outbound trip, and
it was required that the back of the
ticket be stamped by the station agent
at the point of destination. All this
caused the customers a little more
trouble, and doubtless prevented some
sales, but the conductors were lenient
and sympathetic, and I have known of a
white adult riding back to New Orleans
on a colored child's ticket.
The excursion trains ran at a very
leisurely rate of speed. Leaving New
Orleans about seven in the morning
they would reach Mississippi City, my
destination (some 73 miles), about
eleven o'clock, sometimes later, sel-
dom earlier. I would be getting on
toward noon when the train arrived at
the last stop, Ocean Springs. On the
return trip, the train would depart
from Mississippi City close to five
o'clock, so I would have about six
hours to visit my relatives there,
which was reason enough for me to make
the trip. Although there were no
regular commercial beaches, the ex-
cursionists could enjoy bathing, fish-
ing or boating during the short stay
that the trip gave them. I must ad-
mit that, although the beaches along
the coast looked tempting, the bathing
often proved somewhat disappointing.
In days gone by the coast residents,
appreciating the succulence of the
southern oyster, planted beds of
oysters close to the shore in front of
their homes. When they craved oysters
all they had to do was to go down to
the shore, rake in a few oysters,
shuck them, eat *the oysters and throw
the oyster shells back in the water.
As a result the bottom of the Gulf
near the shore is covered with razor-
edged oyster shells in many places,
and bathing shoes are an absolute nec-
essity, unless there has been a whole-
sale dredging since I used to splash
around there.
It was on the trip back to New Or-
leans that patience and fortitude were
needed. Most of the excursionists
were tired from t he outing and were
anxious to get back home;the coaches
had stood out in the hot summer sun
for several hours, and were stifling,
especially when the train stopped;
there were no screens on the coach
windows, and the cinders came into
the coaches in quantities. Folks
brought all kinds of bundles and
packages with them; birds, chickens,
dogs, cats and other pets were car-
ried in backets; gam backets, if not
loaded with the day's catch, at least
carried the smell of previous catches.
Anything and everything showed up on
the return trip, and the coaches
carried quite a conglomeration of
things in general. At each station
the passengers would cr o^wd on board
and hurry to find seats for them-
selves and their bundles; succeeding
in their search, they would stow the
bundles and settle themselves as
comfortably as they could for the
slow trip, and subside into silence
and waiting. Getting on the train
where I did, I was usually able to
get a seat next to the window, and
would spend my time gazing at the
landscape or into the swampy ditches
that ran parallel with the tracks.
Sometimes I would be rewarded by
seeing an alligator swimming lazily
along or sunning himself at the edge
of the wa ter ,
It was when the most of the dis-
tance back to New Orleans had been
covered that the most exasperating
experience had to be gone through.
If the excursion had been permitted
to make its modest speed all the way
back into New Orleans, it would have
arrived there about nine o'clock.
However it so happened that there was
a New York flyer scheduled to leave
the city via the Louisville and Nash-
ville about half past eight, I think.
Consequently, when the excursion
train was less than twenty miles from
town, it would be run onto a siding to
await the passage of the flyer, there
being no double track system at that
time. Had the flyer left New Orleans
on time there wouldn't have been much
delay, but, owing to some arrange-
ment with the other railroads, the
New York flyer was compelled to wait
for through passengers .from the West,
and usually the other trains were
late. So, there we would be on a
siding in the heart of the swampy
lands between Lake Borgne and Lake
Ponchart rain , on a sultry summer
night, with the car windows wide open
and no screens to protect us. The
occasion was made to order for the
mosquitoes. They swarmed into the
coaches in clouds, and what misery
the passengers endured! What fanning
and fussing and slapping! Children
would wake up and cry, women would
sigh, and strong men would just about
break down! Folks would pace up and
down the aisles of the cars .brushing the
mosquitoes off their faces and necks
with their handke rchie fs, while others
would be doing the same thing along
the sides of the track. Perhaps this
would go on for an hour before the
welcome whistle of the New York flyer
would be heard in the distance. Pas-
engers would get back on the train,
and folks would get back into their
seats, giving thanks that they had
survived once more. The excursion
would get under way and before long
the lights of New Orleans could be
seen in the distance. When the train
puffed past Stern's Ammoniated Paw
Bone Superphosphate and Potash Works
and swing into Elysian Fields Avenue,
I would begin to feel that I was
getting back home after a visit to
foreign parts.
As the train was slowly pulling
into the Louisville and Nashville
yards I would try to drop off soon
enough to take a short cut to Canal
Street by going through the plant of
the American Sugar Refinery, which was
still operating at that time along-
side the train sheds. As I hurried
through the empty streets I could
smell the heavy fragrance of sugar on
the night air, and hear the distant
singing of some Negro worker deep in
the plant. That little short cut
seemed to refresh me, and as I got on
Canal Street and saw the lights of
downtown fTew Orleans blinking a wel-
come, I lost the tired feeling, and
everything was all right once more.
15
I
SPECIAL AUCTION No. 1
SAM'
737 Fox
S t r e!
(Se rv i ce
men h
when bidding on records, please stc
te which auction your bids are for,
either 1 or
II. i
HENRY ALLEN
ROY ELDRIOGE
RUG CUTTER6 SWING/HOUSE IN
ME
13145 N
HECKLER'S HOP
Vo
3577 N
Lost/i 'll SET YOU TELL THAT TO ALL GIRLS
Vo
3214 E
ZIGGY ELMAN
FUN'IY FEATHERS BLUES
BB
6588 N
1 'M YOURS/Vou TOOK ADVANTAGE OF ME
BB
10413 N
SITTING ON THE MOON/DREAMS
vo
3340 N
29TH AND DEARBORN
BB
10096 N
WHY DON'T YOU PRACTICE
Me
13016 N
JUNGLE BAND
ALGIERS STOMP
VO
3302 E
Admirajion/maori
BR
4776 N
ALLEN-HAWKINS
DUKE ELLINGTON
A IN ' TCH A GOT MUSIC
Me
12769 N
COIN' THE NEW L0W-00WN
OK
41096 N
ALL STAR 8AND
Saddest tale
BR
7310 N
The blues/Blue lou
VI
26144 E
Swing low/Ducky wucky
BR
6432 F-V
LIL ARMSTRONG
JIVE STOMp/ 1 'M SATISFIED
BR
6638 N
BLUER THAN BLUE
OE
I2T9 N
MOON GLOW /SOL 1 TUDE
BR
6987 U
BERNARD ADD 1 SON
Riding on a blue note
BR
8083 N
LOVELY LIZA LIEE/EV'RYTHING
BB
6144 N
Chatter box
BR
8029 N
JERRY COLONNA
Crescendo in blue
BR
8004 N
hector/you're my everything
vo
3876 N
Braggi n' in brass
BR
8099 N
BENNY CARTER
IN A JAM/UP TOWN DOWNBEAT
Br
7734 N
MELANCHOLY LULLABy/PLYMOUTH
Vo
4984 N
Prologue to black & tan
Br
8256 N
RUBE BLOOM
BUFFET FLAT
Br
8231 N
St. James infirmary
Co
2103 N
Pyramid
Br
8168 N
M 1 LORED BAILEY
Harmony i n harlem
BR
8044 N
1 LET A SONG GO OUT OF MY HEART
vo
4083 N
new black & tan fantasy
Br
8063 N
LOVING YOU/RIGHT OR WRONG
vo
3758 E
The gal from joe's
Br
3108 N
BUCKTOWN FIVE
SCROUNCH
BR
8093 N
HOT MITTENS
GE
5518 E
DEAR OLD SOUTHLAND
VI
24501 N
BLIND WILLIE DUNN
SARATQGA SWING/^ isty morning
VI
38058 N
JET BLACK BLUES/BLUE BLOOO BLUES
OK
8689 E
Echoes of the juggle
Vl
22743 N
VIC BERTON
The mystery song
VI
22800 N
Blue/Taboo
VO
2974 E
just A-SET'IN' and a-rockin'
VI
27587 N
ESTHER 8IGE0U
Bandanna BABIES
BB
7182 N
WEST INDIAN BLUES
OK
81 18 G
Washington wobble/Arabian lover
BB
6782 N
GLADYS BRYANT
Harlemani a/stevedore stomp
BB
6306 N
LAUGH IN' CRYING BLUES
Para
12026 V
Haunted nights/Duke steps out
BB
6727 E
BARNEY BIGARD
1 MET MY WATERLOO
VI
24719 N
DRUMMERS DELIGHT
VO
3985 E
REGINALD FORESYTHE
GET IT SOUTHERN STYLE
VAR
596 N
DODGING A DIVORCEE
CO
3012 N
BUSTER BAILEY
BENNY GOODMAN
AFTERNOON IN AFRI CA
Var
668 N
Nitwit serenade/TJugle call rag
CO
2959 N
CONNIE'S INN ORCH (F. Henderson)
Jingle bells/{rev. t.dorsey)
VI
25145 N
Moan, you moaners
VI
22698 E
Christopher Columbus/set happy
VI
25279 N
CARMICHAEL
Jam session
VI
25497 E
flOCKIN' CHAIR
VI
25494 N
Breakfast ball/Moonglow
CO
2927 N
CHOCOLATE DANDIES
Mao house
VI
25268 N
PAOUCAH/4 OR 5 TIMES
OK
8627 N
Rosetta/i want to be ha?py
VI
25510 N
ST AROUS t/8 1 RM 1 NGHAM BREAKDOWN
OK
8668 N
House hop
VI
25350 N
CHARLESTON CHASERS
RIFF IN' THE SCOTCH
CO
2867 N
Farewell blues/Vy gal sal
CO
1539 N
BENNY GOODMAN'S BOYS
AFTER YOUR GONe/SOMEOAY
CO
861 N
MUSKRAT RAMBLE/AFTER AWHILE
BR
4968 G
Ain't mi sbehaven/Moan i n' low
co
1891 N
THE GEORGIANS
i
Feel in* no pain/Five pennies
co
1229 N
HOME TOWN BLUES
CO
23 V
BENNY CARTER
SONNY GREER
Playing the blues/I'm coming Virginia
Sw
20 N
Beggats blues/Saturday night function
vo
3012 N
CHARLESTON CHASERS
JEAN GOLDKETTE
Davenport buies/wabash blues
CO
909 N
Clement i ne/my pretty girl
VI
25283 N
BILL COLEMAN
GOOFUS FIVE
Bill st. blues/after you're gone
Sw
22 N
Arkansas blues/Vang wang blues
vo
3 1 38 N
ALIX COMBELLE
Clement ine/i left my sugar
OK
40886 N
Hang over blues/alex. rag. band
Sw
1 1 N
FLETCHER HENDERSON
"DOC COOK 4 14 DOCTORS
UNOERNEATH THE HARLEM MOON
CO
2732 N
WILLIE THE WEEPER/SLUE-FOOT
CO
1070 E
NOT AND ANXIOUS
Co
35840 N
CAB CALLOWAY
Jangled nerves
VI
25317 N
Jive/At the clam-8ake carnival
Vo
4437 N
My pretty girl/My sal sa._
CO
2586 N
queen i sabella/Savage rhythm
VAR
662 N
POCUS POCUS
BB
5682 N
|
cotton pickers
CHRISTOPHER COLUMBUS/BLUE LOU
Vo
321 1 N
Sister kate/got to cool my doggies
BR
2338 E
Variety stomp
BB
10246 N
dixie stompers
The stampede/Jackass blues
CO
654 N
Variety stompAt .lou i s blues
HA
451 E
LIONEL HAMPTON
OFF TO BUFFALO/BROTHERLY LOVE
HA
299 N
shoe shiners drag
VI
2601 1 E
DIXIE FOUR (BLYTHE)
JIVIN' THE VIBRES/STOMP
VI
2553 5 N
Kentucky st>mp/St. Louis man
Para
12661 E
EARL HI NES
PUTNEY DANDRIOGE
Grand piano blues
BB
6744 N
HERE COMES YOUR PAPPY
vo
3291 N
That's a plenty
OE
182 N
16
[■ZER
i ) , New York,
SPECIAL AUCTION NO, I
i e addresses)
)e notified, and records sent C.O.D.
unless otherwise stated. Auction closes Dec. 31st.
j0hn"y hodges
i let a song go out of mv heart
Good queen bess
jeep's blues
teddy hill
China boy
when the robin sings his song
Blue rhythm fantasy/rug-cutters
Blue rhythm fantasy
here comes cookie
Uptown rhapsody/Pass l onette Vo
b i lly h icks
joe the bomber/fai>e-out(ed.hai_l, d.wells)
(Chip to 1st groove) \/ar
hot air men
RED HOT CHICAGO Co
ALEX HILL
vo 4046 N
BB I I I 1 7 N
Vo 41 15 N
BB 6941 N
ME 13364 N
VO 3247 N
BB 6989 N
ME 13351 N
VO 3294 E
FUNCTION! ZING
PAUL HOWARD
Vo
601 N
2175 E
2826 E
Over night blues/Charlie's idea
■earl harlan
Smoke rings/sophisticated lady
rosetta howard
r0setta blues
coleman hawkins
The day you came along
bertha "chippie" hill
pratt city blues
kurt hohenberqer
Dinah/you're driving me crazy
(Jazz a la Germany; quartet)
jimmy johnson
Harlem woogie/after thought
jimmy johnson with ruby smith
back water blues
"stump" johnson
the duck-yas-yas (^" chip)
LLOYD SCOTT
harlem shuffle/(ch. johnson icharleston)
charlie johnson
Harlem drag/hot bones & rice
Boy in the boat
TAFT JORDAN
Devil in the moon/Louisiana
night wind/moon turns green
BILLY KYLE
Havin' a ball
TED LEWIS
Wabash blues/Farewell blues
Oh 8A3Y/START THE BAND( LAM I N . CRACK)
BEALE STREET B LUES/MEMPH I S BLUES
EDDIE LANG
Prelude in c# minor (solo)
eddie lang's orchestra
Walkin' the oog/Ma^ch of hoodlums
mckinney's cotton pickers
Cherry/someday sweetheart
ZONKy/if I COULD BE WITH YOU
IT'.S TIGHT LIKE THAT
SAVE IT PRETTY MAMMA /l FOUND
PEGGY/l 'D LOVE I T
i want your love/
(Earl Hines, Sister Kate, reverse)
I WANT a LITTLE GIRL
MlLENBERG JOYs/SH I M-ME-SHA
GEE, AIN'T I GOOD TO YOU
MISS HANNAH/THE WAY I FEEL TODAY
BENNY MO TEN
Vi 38070 E
ME 12739 N
OE 7370 N
Parl RI685 N
HRS N
TELEFUHKEN A2338 N
mllenberg joys ^blue room
New moten stomp
moten swing/toby
ORS 7049 F-6
Vl 21491 E
VI 38059 E
BB 10248 N
Me 13365 N
ME 13352 N
Var 574 E
CO 2029 N
CO 1391 V-G
CO 1050 V-Q
OK 40989 E
OK 41344 N
Vl 21730 N
Vl 38 1 1 8 V-G
BB 6304 E
BB 7695 N
BB 10706 N
Vl 22683 E
V I 23000 F-G
VI 2161 I N
BB 10249 N
BB 10232 N
5585 E
6709 N
6032 N
(BENNIE MOTEN OONTINUED NEXT COLUMN)
(benny moten. continued)
Somebody stole my gal
Prince of wales
New Orleans/Lafayette
wingy mannqne
walkin' the streets/Send me
royal garden blues
beale st. blues
The ISLE OF CAPRI
you 're an angel
weary 8lue6/8 i g butter & egg man
nickel in the slot
sidney bechet
maple leaf rag/sweet i e dear
benny morton
Tailor made/gold i ggers song
lucky m i llender
Preluoe to a stomp
mill's blue rhythm 8an0
ride, red, ride
MOUND CITY BLUE BLOWERS
One hour/Hello lola
mezz MEZZRQW
l03t/mel00y from the s.iy
Hot club stomp
Blues in di sgui se
dick mcdonough
'way down in n.o., 'southland
in a sent (mental mood
daisy martin
PL A
'EM FOR MAMA
THE MISSOURIANS
MARKET STREET STOMP
PROHIBITION BLUES/STOPP IN 'TRAFFIC
EDITH JOHNSON ( IKE ROGERS 1
GOOD CHIB BLUES
RED MCKENZIE
qeorgianna
red ii ichols stompers
Sugar/make my cot
RED NICHOLS FIVE PENNIES
Oi nah/indiana
Fan it/How long blues
chinatown, my chinatown/on the alamo
red nichols orchestra
Harlem twist/Five pennies
FRANK IE NEWTON
Jitters/Jam fever
dave nelson
Some of these days/
(joe venuti, gettin' hot, rev.)
JIMMY NOONE
the blues jumped a rabbit
red norvo
Liza
jivin' the jeep/rememb-r
king oliver
mule face blues
call of the freaks
JACK PETTIS
:St. Louis shuffle
louis prima
Tin roof blues
ORIGINAL MEMPHIS FIVE
Pi ckles
grappelly hot four
china boy/moonglow
hot club of france
Ch i caqo/Charleston
don redman
sunny side of the street
bugle call rag
VI 23028 E-N
8B 6851 N
VI 24216 V-E
8R 6940 N
BB 10331 N
BB 10401 N
Vo 2913 N
VO 2933 N
Ch 40055 E
OK 41573 N
BB 7614 N
Co 2924 N
VAR 546 N
Co 3087 N
VI 38100 E
BB 6320 N
VI 25612 V-E
Vl 25536 E
Me 60908 N
Me 61 102 N
Vl 38067 N
Vl 38120 E
Para 12864 E
VO 3898 N
VI 21056 N
Br 4373 N
BR 6160 N
BR 4363 N
Vl 21560 E+
Vo 4851 N
VI 23039 N
PaE R2303 N
BR 7868 N
BR 7898 N
BB 6778 N
BB 7705 N
Ba 1908 V
Vo 3657 N
Co 3924 E
DE 23031 N
Sw 2 N
Var 580 N
Vo 3354 N
\MORE>
17
(Auction NO. 1 ,cont.)
( Auct ion NO . 1 ,cont . )
SAM MEITZER
737
Fox
Street, B
ronx (55),
N.Y.
[Auction close
s
Dec. 31st)
ADRIAN ROLL IN 1
THE FOLLOWING
Davenport blues/Someboov loves
359 m
COUNT BASIE RECORDS
Got the jitters
ME
12893 N
ARE ALL NEW
Savage serenade
me
12829 N
FRED RAVEN
Oecca
ST. LOUIS SLUES
1682
1 58 1 2325 2030 1728
(HARMONICA SOLO; Ge RMAfJ RECORD)
TELE
Z33o N
1538
2780 2284 2004 1379
SAVANNAH SYNCOPATORS
1770
2922 2224 1965 1141
JACKASS BLUES
R
3245 N
2355
2406 2212 1 770 1121
NOBLE SISSLE (Bechet)
Bandana days
VAR
552 N
VOCALI ON
MAX INE SULL 1 VAN
4748
4386 4734 5118 4747
ANNIE LAURIE/BLUE SKIES
Vo
3679 N
4860
5036 5085 5169 4784
LOCH LOMOND
vo
3654 N
BESSIE SMITH
HATEEUL BLUES
Co
1 4023 F-V
SPEC 1 AL AUCT 1 ON NO . II
CEC IL SCOTT
SAM MELTZER
LAWD, LAWo/lN THE CORNER
BB
8276 N
737
Fox Street, Bronx (55), N.Y.
LLOYO SCOTT ORCHESTRA
HAPPY HOUR BLUES/SYMPHONIC
VI
20495 E
OFF THE AIR "SHOTS" OF BENNY GOODMAN
ART TATUM
Sing, sing, sing
THE SHOUT
De
468 N
BOTH
SIDES OF 12" ALUMINUM BASE PRONTO
Body and soul
De
1 1 97 N
WITH KRUPA, STACY, ETC.
JACK TEAGARDEN
RECORDED AT HOTEL NEW YORKER, 10/22/43
Plantation moods/i 've got it
Co
2913 E
TURNER'S MEMPHIS MEN (ELLINGTON)
SEVEf
COMES ELEVEN / 1 FOUND A NEW BABY
FREEZE AND MELT
Co
1813 E
BOTH ORCHESTRAS ON 12" STEEL BASE RECOR-DlSC
TEDDY GRACE (Teagaroen)
WITH KRUPA, STACY, ETC.
DOWN HEARTED BLUES
□E
2 1 28 N
FATS WALLER
LADY BE GOOD
YOU'RE NOT THE ONLY OYSTER IN THE STEW
BB
1 026 1 E
Benny Goodman Trio
GEORGIA ROCKIN' CHAIR/AIN'T MISBEHAVIN
BB
10288 N
with KRUPA and Stacy
Going to be some changes maoe
BB
10322 E
You're driving me crazy
SERENADE FOR A WEALTHY WIDOW
BB
1 0262 N
Benny Goodman's orchestra
COOTIE WILLIAMS
Recorded on 12" glass sase audio-oisc
1 CAN'T GIVE YOU ANYGH1NG BUT LOVE
70
3890 N
Downtown uproar/Blue reverie
VO
3810 N
HI nu 1 CL 1LW IUMKLK, ''/' / ^ ^
Pigeon and peppers/Jub i lesta
VO
3922 N
Echoes of harlem
VO
3960 N
l1meh0use blues
Benny Goodman trio
with krupa and Stacy
The soys from harlem/Delta
GA1 — AVANT 1 N ' ^MOR 1 LE BLUES
v°
0
4636 N
Sharpie/Blue is the evening
vo
4324 N
Darktown Strutters Ball
CHASIN' CHIPPIES/SW. PAN ALLEY
vo
4425 N
Benny Goodman's Orchestra
SWINGTIME IN HONOLULU
Vo
406 1 N
RECORDED ON 12" GLASS BASE AUOIO-DlSC
BLACK BEAUTY/NIGHT SONG
vo
4958 N
at Hotel new Yorker, 10/31/43
Ol' man river/Lesson in C
vo
4086 N
Ain't the gravy good
vo
7 6 N
One c
'clock jump/down south Camp meeting
WHOOPEE MAKERS
( 1 BAD GROOVE)
ST. LOUIS BLUES/BUGLE CALL RAG
PE
15126 N
Recorded on 10" glass base audio-disc
CHICK WEBB
at hotel new Yorker
STOMPIN' AT THE SAVOy/§UNNYS 1 DE
vo
3246 N
10/31/43
LEONA WILLIAMS 4 HER DIXIE BAND
IF YOUR MAN |S LIKE MY MAN
Co
3835 G
AUCTION OF
HOT JAZZ ALBUMS
ALL IN NEW CONDITION
WASH 1 NGTON 1 ANS
Rainy nights Pennington
1437 V
DICKY WELLS
HOT CLUB BLUES
Sw
BUGLE CALL RAg/DeEP BLUE SEA
Sw
6 N
1.
LOUIS ARMSTRONG COL. C-28
LADY BE GOOD
s*
10 N
2.
EARL H INES COL. C-41
DUKE WILSON 4 10 BLACKBERRIES
3.
FRANK TESCHEMACHER COL . C-43
MAY'S IOEa/OnCE OR TWICE
PE
15697 M
4.
HOT TROMBONES COL. C-46
HERB WIED0EFT
5.
HOT TRUMPETS Col. C -6
shine/Cinderella blues
BR
2542 E
6.
LOUIS ARMSTRONG Col. C-57
CLARENCE WILLIAMS
7.
HflLSON 4 HOLIDAY Col. C-61
Lazy mama/fountain city blues
OK
8592 N
a.
HOT PIANO Vic. P-75
Big fat mama/Sashay, Oh ay!
Vo
2838 N
9.
"8" TO THE BAR Vic P-69
PAUL WHITEMAN
10.
DUKE ELLINGTON COL. C-38
Sensation stomp/whiteman stomp
VI
21 1 19 N
1 1.
DORSEY BROTHERS COL. C-5 1
Coquette/There ain't no sweet man
VI
25675 N
12.
BOOGIE WOOGIE Col. C^»4
JOE VENUTI 'S BLUE SIX
13.
JOHN KIRBY Col. C-45
Sweet lorraine
CoE
CB708 N
14.
TEDDY WILSON (solos) Col. C-93
In the ruff/jazz me blues
C0E
CB686 N
(SPECIFY WHICH AUCTION YOU ARE BIDDING)
18
AUCTION
FRANCIS WOLFE
AUCTION
1133
F irs
t Avenue
Now Yr>rL f i + u
, new lOrK l. i ty
(Closing date
for bids
: December 31, 1943)
LOUIS ARMSTRONG
CLAUDE HOPKINS
The lonesome road
OK
41538 N
BR
6750 N
1 SURRENDER DEAR
OK
41497 N
Carl kress & dick mcdonough
LITTLE JOE
OK
4 1 50 1 N
DANZOn/STA GE FRIGHT (GUI TAR DUET )
Br
69(7 N
BETWEEN THE DEVIL & DEEP BLUE SEA
OK
41550 N
LOUISIANA SUGAR BASES
Keep i n * out of mischief now
OK
41560 G
Persian ruq/thou swell
V I
21346 N
1 'LL BE GL AO WHEN YOU'RE DEAD
OK
41504 V
LOUISIANA RHYTHM KINGS
1 GOT THYTHM/CH|NATOWN
OK
41 534 y
Karavan/Over the billowy sea
BR
4908 N
NEW TIGER RAG/BLUE, TURNI NG QREY
' VO
3124 N
Lazy oaddy /there 1 s eg ypt
Br
4923 N
WEST END BLUES/GOT NO BLUES
vo
3204 N
WINGY MANM0NE
ST. Louis blues/basin st. blues
VO
3008 N
Send me/walk i n ' the streets
BR
6940 E
Cornet chop suey/one & two blues(B.Smith)
HRS
N
IRVING MILLS HOTSY TOTSY GANG
CHARLESTON CHASERS
What a n i ght/i wonder what my gal
Br
4998 V
FIVE PENNI Es/FEELI N ' NO PAIN
Co
1229 E
DlGGA D 1 GA Do/l)0 1 N 1 THE NEW LOW
RED HAIR & FRECKLES/LOVABLE & SWEET
Co
1 925 N
BR
4920 V
BERTHA "CHIPPIE" H ILL
in re* um r > uni roc
M 1 r t MULL 6r MULLKo
Trouble in mind/georqia man
Vo
4379 n
ORIGINAL. tllXlELAND ONE step
BR
8243 N
CONN IE 'S 1 NN ORCHESTRA
JELLY ROLL MORTON
SU GAR FOOT ST . /S INGING THE BLUES
V 1
22721 E
Doctor jazz/memph is shake (Dixie J.Bl )
V 1
20415 E
DUKE ELLINGTON
KING OLIVER
WHAT GOOD AM 1 WITHOUT YOU
VI
££DOO N
Struggle buggy^on't you think
Vl
2300 1 V
BENNY GOODMAN
LU 1 S RUSSELL
BLUE LOU/THE BLUES
VI
26 1 44 V
GOIN' TO TOWN/SAY THE WORD
AFTER YOU'VE GONE/BODY & SOUL
HMV
8381 N
The blues in your flat
VI
26044 N
SEVEN HOT AIR MEN
LIONEL HAMPTON
everybody loves my ba3y
Baby won't you please come home
HARLEM MADNESS/NAVY BLUES
COE
53 V
VI
VI
25682 N
25674 V
SIX JOLLY JESTERS
Oklahoma stomp
■ VO
1449 V
REX STEWART ORCHESTRA
FLETCHER HENDERSON
Stingaree/Baby, ain't you
VO
2880 N
NEW KING PORTER STOMP
OK
41565 N
FATS WALLER
SUGAR FOOT ST./WHAT CHA CALL EM
Co
395 E
NUMB FUMBL IN '/SMASH 1 NG THIRDS(SOLOS)
VI
25338 N
AUCTION
WILLIAM
C. LOVE
AUCTION
930
Broadway, Nashville, Tennessee.
(Closing
date for bids: December 31, 1943
1 will consider trading any of the records
Record Changer.
isted for disposal at auction. For my wants see the
November
HENRY ALLEN
Swing out/feeling drowsy
VI
38080 N
LITTLE BROTHER
Something keeps a-worrying me/Chinese
BB
6658 N
Funny feathers/how do they do it
VI
38088 N
Farish st. jive
BB
6894 N
PLEASING PAUL/MAKE A COUNTRY BIRD
VI
38107 V
M 1 STREAT 1 N ' WOMAN BLUE3/l¥EST TEXA6 BLUES B8
7178 N
BARNEY BIGARD
NEVER GO WRONG BLUES
BB.
6825 N
LAMENT FOR A LOST LOVE/FOUR & i STREET
VO
3820 ti
JELLY ROLL MORTON
MARDI GRAfi/WATCH THE BIRDIE
VO
5595 N
Kansas city stomps/mew Orleans bump
BB
7757 N
COW COW DAVENPORT
Blue blood blues/mushmouth shuffle
BB
8201 N
TEXAS SHOUT/WE GONNA RUB |T
Vo
1291 V
Mournful serenade/Red hot pepper
BB
6601 N
COW COW BLUES (ACC. DORA CARR)
OK
8250 G
Georgia swing/k.C. stomps
BB
5109 N
DUKE ELLINGTON
Sweet aneta mine/Courthouse bump
VI
38093 N
Down in our alley blues
CO
1076 N
jungle blues
VI
21345 N
DlGGA DlGGA Do/DOirJ' THE NEW LOW OOWN
OK
41096 N
Black bottom stomp/The chant
VI
20221 V
BIRMINGHAM BREAKDOWN/EAST ST. LOUIS
BR
3480 V
NEW ORLEANS BOOTBLACKS
Jolly woo/Jazz convulsions
Br
4705 E
1 can't say/mixed salad
Co
14465 E+
Wa1_l st. wail/Cotton club stomp
Br
4B87 N
NEW ORLEANS FEETWARMERS
Chicago/harlem speaks
De
BOO N
Lay your racket/i want you
VI
23358 S
JEAN GOLDKETTE
NEW ORLEANS WANDERERS
In my merry Oldsmob t le(b t x )
VI
SPEC. N
Gatemouth/perdido ST. BLUES
Co
698 G
COLEMAN HAWKINS
OMER SIMEON
Forgive a fool/serenaoe to sleeping
QK
6347 N
Smokehouse blues/Beau koo jack
BR
7109 G
Smiles/a strange fact
DeE
6445 N
CHARLIE SPAND
earl hines
1 HASTINGS STREET PARA
12863 V
rosetta/glao rag doll
BB
10555 N
MUGGSY SPAN IER
Angry/Cavernism
DE
183 N
Mandy/lonesome road
SB
10766 N
Copenhaqen/rosetta
De
337 N
JOE SULLIVAN
Deep forest/oh l you sweet thinu
BrE
1464 N
Gin mill blues/honeysuckle rose
PAE
RI6B6 N
Cavern ism /rosetta
BrE
01559 N
TEDDY WILSON
JOHNNY HODGES
Right or wrong/lazy river
BR
7797 V
PRELUDE TO A KISS/jEEP IS JUMPING
VO
4386 N
You're my desire/Remember me
BR
7940 N
Empty ballroom bluesAou walked out
VO
4213 N
1 found a new baby/i 'll never be the em
BR
7926 N
Rent party blues/Rabbit's jump
VO
5100 N
Tea for two/See you in my dreams
Br
7816 N
JAMES P. JOHNSON
WYNN'S CREOLE BAND
Weeping blues/worried & lonesome blues
CO
A3950 V
That Creole band/when
OK
8350 N
IS
FOR DISPOSITION*
FiRST FOUR LETTERS OF COLLECTOR'S NA E.|
FOR ADDRESS, SEE PAGE 2.
Method of disposition:
LE AT PR 1 1
for trade
auct | on , closing date forbids,
Dec. 31., 1943; "t-a, for
trade or auction; "t-s" for
SALE OR trade; "sta" FOR SALE
TRADE OR AUCTION.
condition of record :n— new ;
E-excellent;V-very
G-qood; F-fair;
[ Catalog number of
I label of record
flOY ACUFF
Would you care
henry "reo" allen
when my dreamboat comes ho
Feeling drowsy
Ain't got rmythm/this year
ALLEN— HAft'K INS
My Galveston gal
ALL STAR ORCHESTRA
CHLQE
Oh baby/Little wiggle
i'm more than satisfied
Waiting at end of road
steppin along/lhonderful
THE BLUES/feLUE LOU
The blues/Blue lou
AMBROSE
Deep henderson
My prayer
Crazy wi th love
ALBERT AMMONS
BEAR CAT CRAWL
B.W. stomp (Rev.Cleo Brown)
ANPREW SISTERS
BE I MIR B I ST DU SCHON
ARKANSAS TRAVELLERS
That 's
no bargain/Go jo
L IL ARMSTRONG
Born to 6wing/Bluer" than bli
Doin' the suzi e Q,
reap what you sew/^appy tod,
Oriental swing/Get happy
let's call it love/you mean
LOU IS ARMSTRONG
COME BACK SWEET PAPA
KNOCKIN*A JUG/l2TH ST. RAG
OLE MAN MOSE/FALLING IN LOVE
SO LITTLE TIME
MUCGLES
ON A COCONUT ISLAND
'V.P.A.
True confession
satchel mouth swing
Naturally
Dallas blues
WEARY BLUE6/THAT*S when
Swing you cats/Snowball
lovie austin's serenaders
1
2
3 4
5
6
OK
05512
G
SAL
.35
Drap
VO
3389
V
SAL
1 .00
Sack
SB
10702
V
SAL
.60
Broo
vo
3432
V
AUC
Kenr
He
12842
V
T— A
RlDL
VI
21 149
E
AUC
Clar
VI
21423
V-fAUC
Clar
VI
21605
G
AUC
Clar
Vl
22073
E
-Clar
VI
22IQ4
E
AUC
Clar
VI
26144
E
T-S
1.00
Cole
VI
26144
N
AUC
Flem
DC
1526
E
SAL
.75
Sack
BE
2732
E
SAL
.75
Sack
Oe
971
E
SAL
.75
Sack
vo
4608
E
SAL
1.00
Sack
Be
3386
N
AUC
NAUL
De
1562
E
SAL
1.00
Sack
HA
383
G
T-A
Gayl
E 9E 1 299
G
SAL
1 jOO
Sack
De
1059
G
SAL
1.00
Sack
De
1722
N
T-A
Edel
De
1904
N
T-A
Ed el
De
1502
E
AUC
PATT
OK
8318
G
TRA
HURN
CO
35663
N
T-A
Burl
DE
622
P
AUC
Patt
DE
1832
G
SAL
1.50
Sack
OK
3194
G
SAL
1.50
Sack
De
914
G
SAL
-1.00
Sack
De
3151
V
SAL
1 .00
Sack
De
1635
E
SAL
1.00
Sack
De
1636
V
SAL
1 .00
Sack
De
1937
V
SAL
1 .00
Sack
OK
8774
G+T-A
2.00
Cole
N
TRA
vena
OK
8519
N
T-A
VanB
BB
10255
E
AUC
CO he
Tennessee blues
MILDRED BAILEY
Para 12322 v sal 2.00 Sack
Honeysuckle ro6e/willow tree De 18108 N t-a
SMALL FRY/BORN TO SWING
BAILEY'S LUCKY SEVEN
VO 4224 V SAL I .00 SACK
MY HEART ALL DAY
BILLY BANKS
QE 4815 V SAL I .50 SACK
Scat song/Minnie's wedding
roy bargy
PlANOFLAQE
WALTER BARNES S, ROYAL CREOLIANS
BIRMINGHAM BERTHA 8R 4480 E
Vl 24027 E AUC
18969 E T-S I .00 BROO
CHARLIE BARNET
1 2 3 4 5 6
NO NAME JIVE (PARTS 1 L 2)
BB
10737
V
SAL
1.50
Sack
Fly i ng home
BB
10794
V
SAL
1.50
Sack
THE BREEZE AND 1
BB
10696
V
SAL
1 .00
Sack
Leap in' at the Lincoln
BB
10774
V
SAL
1.00
Sack
I SOLA BELLA/waTCHA KNOW JOE
BB
10918
V
SAL
1 .00
Sack
Ponce de leon
BB
1 1 194
G
SAL
1.00
Sack
BUSY AS A BEE
BB
10610
V
SAL
.75
Sack
Night and day
BB
10888
V
SAL
1.00
Sack
Last jump/Love grows on
BB
10389
V
SAL
1.00
Jaco
COUNT BASIE
JUMPIN' AT THE WOODS IDE
DE
2212
G
SAL
.90
Sack
DOGGIN' AROUND/BLUE & SENT.
De
1965
E
SAL
1.50
Sack
Every tub/now will you be
De
1728
V
SAL
1.50
Sack
Georg i anna/blues in the dark
De
1682
V
SAL
1.50
Sack
oh red/Pare thee honey
Pe
2780
G
SAL
1.00
Sack
PLATTER8RA 1 NS
OK
6508
E
SAL
1.50
Sack
Texas shuffle/Mama don't
De
2030
E
SAL
1.50
Sack
Super chief
OK
5673
G
SAL
1 .00
Sack
Swinging the blues
DE
1880
E
SAL
1.00
Sack
John's idea
De
1363
V
SAL
1.00
Sack
Five at five/Evil blues
DE
2922
G
SAL
1 .00
Sack
NOBODY KNOWS
VO
5169
V
SAL
1.50
Sack
DOGGIN' AROUND
De
1965
Q
SAL
1.00
Sack
DOWN, DOVtM, nm»N
Ok
6221
V
SAL
1.50
Sack
IT'S TORTURE
OK
5773
V
S«L
1.00
Sack
TOPSY
DE
1770
E
SAL
1.50
Sack
MOONLIGHT SER/CAN'T BE
VO
5036
E
AUC
Patt
DOGGIN' AROUND
De
1965
E
T-e
1 .00
Broo
9120 SPEC./GOIN' TO CHICAGO
OK
6244
E
1.60
jaco
GLORY OF LOVE/BOO HOO
De
1228
F
AUC
Star
SIDNEY BECHET
Old man blues/Nobody knows
Rip up the joint
lay your racket/want you
swing parade/l know that y'
jungle drums/hold tight
Preachin' blues/indian SUM
Baby won't you please come
Save it mama/stompy jones
i know that you know/swing
SLIPPIN' tc SLIDIN/tGYPT FANT
Blues for you/ain't misbeha
Blues of bechet/The sheik
slipptn* slidin'/egyptian
BIX BE lOERBECKE
JAZZ ME BL/AT JAZZ BAND BAL
Mary/i 'LL BE A FRIEND
no land like dixieland
Clarinet marmalade
(All sides unissued in U.S.
BUNNY BERiGAN
i'm coming vi rgi nl a/blue6
Chicken & wafflesAou took
wearing of the green
who's afraid of love/l 'm
Mama I wanna/have you ever
HE I GH-HO/Pl ANO TUNER MAN
CHU BERRY
STARDUST /80DY AND SOUL
VIC BERTON
LONESOME ANO SORRY
BIG BILL
MIDNIGHT STEPPERS
WPA RAG
BIX, TRAM & LANG
WR I NG I N ' A TW| ST I Ng/|N A
JACK BLAND
Vl
26663
N
SAL
1.50
Sack
Vl
27663
E
SAL
1.00
Sack
BB
I047Z
N
T-A
Edel
VI
27574
N
T-A
EDEL
Vo
4537
E
T-6
Umph
BB
10623
E
T-6
.75
COLE
VI
27386
N
T-A
f ILL
yi
27240
N
T-A
•ILL
VI
27574
N
T-A
WILL
Vl
27337
E
T-A
WILL
IVI
26746
E
T-A
WILL
Vl
27485
N
T-A
W 1 LL
Vl
27337
E+AUC
KENR
. OK
3042
N
T-S
1 .00
COLE
Vl
26415
N
T-A
WILL
Ha
504
N
TRA
FRY
OK
40772
E
TRA
FRY
P«E
N
TRA
VENA
De
181 16
N
AUC
NAUL
DE
181 17
N
AUC
NAUL
VI
25S72
E
TR a
Fry
BR
7823
E+T-A
Edel
N
SAL
1.50
JACO
VI
25776
N
SAL
1.50
Jaco
CMS
1502
N
T-A
Burl
VO
2944
E
T-6
Mier
OK
05758
G
SAL
.80
Sack
vo
4429
Q
SAL
1 .00
Sack
vo
3150
N
T-A
RlDL
YES SUh/ANYTHINQ
PE
15651
F+-AUC
CLAR
Stole the lock/Horn
He
12513
Q AUC
Clar
Shine on shoes/its gonna
ME
12510
G+AUC
Clar
RUBE BLOOM
Mysterious nose
Co
2186
E TRA
HURN
ST. JAMES/faAN FROM THE SOUTH
CO
2103
G+AUC
STAR
BLUE RHYTHM BOYS
MOANIN (REV. WEBB )
Br
6156
G+AUC
Clar
Stardust/m 1 NN I e moocher
Ba
32166
G AUC
Clar
FOR DISPOSITION
BLYTHE'S BLUE BOYS
BROWNS K 1 N MAMA/OR 1 ENTAL MAN
CH
40023
TRA
ENS
BOYD'S COWBOY RAMBLERS
AN ACE
BB
7435
SAL
35
DRAP
Strawberry roan
BB
5667
35
Drap
PERRY BRADFORD'S JAZZ PHOOLS
HOOLA BOOLA DANCE
>UR 1
1 1309
AUC
M
BROADWAY 5YNC0PAT0RS
HOUSE OF DAVID BLUES
vo
14670
Pens
OLEO BROWN
THE STUFF IS HERE (kRUPA)
DE
418
SAL
50
ACK
WILL BRADLEY
Boogie woogie piggy
Co
36231
1 00
BEAT HE DADDY
Co
35530
AUC
COHE
CLEO BROWN
PELICAN STOMP
DE
477
T-S
1 .00
BROO
MILTON BROWN & BROWNIES
MEMPHIS BLUES
DE
5382
• 50
SACK
LES BROWN
ALL THAT MEAT, NO POTATOES
OK
6323
1 00
Sack
PETE BROWN
OCEAN MOTION/TEMPO DE JUMP
De
181 18
Ede
OCEAN MOTION/TEMPO DE JUMP
De
181 18
u
MERRIT BRUNIES
SUGARFOOT ST(Jf" CH & DIQ)
OK
40526
~S
COLE
CHICK BULLOCK
MY HEART 'S AT EASE
BA
32510
SAL
50
STORMY WEATHER
OR
2687
AL
75
SHE DIDN'T SAY YES
PE
15558
*
I'M GONNA SIT RIGHT DOWN
BA
60310
1*50
Call
JOE BUSHKIN
Can't get started
CMS
532
N
Edel
ERSKINE BUTTERFIELD
BECAUSE OF YOU
De
8551
1 00
Sack
BLANCHE CALLOWAY
I NEED LOVIN/RHYTHM IN
Vl
22641
G L
CAB CALLOWAY
TRICKERATION/SMALL DIQ
BR
6214
C A
LA
CALIFORNIA RAMBLERS
1 'U GONNA CHARLESTON
Co
419
L
00
*
C
SING AN OLD FASHIONEO SONG
BB
6254
SAL
■
S CK
A K
CAB CALLOWAY
DIXIE DOORWAY /WAH— OEE— DAH
OR
2727
SAL
1 .50
Sack
G 1 T ALONG
Or
2559
SAL
1 50
SACK
Stack o lee blues
PE
15572
SAl"
Sack
TRYLON SW 1 NG
vo
5005
1 *50
Sack
PLUCKIN' THE BASS
Vo
5406
1 .50
Sack
Scat song
Br
6272
Q
SAL
1 .00
Sack
PAPA'S IN BED
OK
5731
SAL
1 .00
Sack
AT THE CLAM— BAKE CARNIVAL
vo
4437.
SAL
1 .00
Sack
NAGASAKI
BR
6504
AUC
Some of these days
Br
80017
AUC
OX
CASA LOMA
HOUSE IS HAUNTED
BR
6858
AU
SMIT
WHY CAN'T NIGHT GO ON
BR
6494
Moment I looked in eyes
Br
6620
AUC
Sm't
San sue strut/royal
Co
2884
RK>L
CHARLESTON CHASERS'
RED HOT HENRY BROWN
Co
446
G
SAL
2.50
Sack
MISSISSIPPI mud/melancholy
co
1335
E
SAL
3.00
Sack
CHICAGO FOOTWARMERS
Oriental man/my baby
OK
8548
F
T-A
Gayl
CHOCOLATE DANDIES
Blue interlude/Once upon a
DE
18255
N
T— A
Edel
goodbye slues/Cloudy skies
Co
35679
N
AUC
COHE
LARRY CLINTON
IN A PERSIAN MARKET
VI
26283
E
SAL
1 .00
Sack
YOU GO TO MY HEAO
VI
25849
V
SAL
1 .00
Sack
Can i help it
Vl
26392
V
SAL
1.00
Sack
TRUE CONFESSION
VI
25706
E
SAL
1 .00
Sack
LtMEHOUSE BLUES/A KISS FOR
Vl
26523
N
SAL
1 .00
Sack
KING COLE TRIO
hit the ramp
De
8771
V
SAL
1 .00
Sack
COON— SANDERS
EVERYTHING IS HOTSY TOTSY
Vl
19750
V
SAL
1.00
Sack
COOPER'S SAVOY SULTANS
JEEP'S BLUES
oe
7502
E
SAL
1 .00
Sack
EDDIE CONDON'S HOT SHOTS
I'm gonna stomp/That's a
BB
10168
N
T-A
RIDL
2
COTTON PICKERS
I WISH 1 COULD SHIMMY
BR
2338
V
SAL
2.00
Sack
IDA COX
Last mile blues/can quit
OK
6405
N
T-A
Edel
BING CROSBY
Black moonlight/Georgia brownMe
13 127
N
T— A
Gayl
Where the blue of
Br
6226
E
T-S
Ml ER
Can't we talk i t over
Br
6240
E
T— S
Ml ER
LOVE, YOU FUNNY THING
BR
6268
E
T— S
MIER
Shadows on the window
Br
6276
V
T-S
Ml ER
let's try again
Br
6320
E
T— S
M 1 ER
Love me toni ght
Br
6351
v
T— S
M 1 ER
Waltzing in a oream
Br
6394
v
T— S
M 1 ER
BROTHER, CAN YOU SPARE
BR
6414
V
T— S
M | ER
1 'VE GOT THE WORLD
BR
6491
V
T-S
M 1 ER
LEARN TO CROON
BR
6594
G
T— S
M 1 ER
PECKIN" ( J.DORSEY)
De
1301
G
SAL
1.00
Sack
Love in bloom
BR
6936
E
TRA
Broo
Please/Waltzing in
BR
6394
E
T-A
RIDL
My love/i would i f i
BR
6623
N
T-A
RlDL
BOB CROSBY
Gin mill blues/boog.woog.
De
3382
N
AUC
Naul
That sentimental sandwich
DC
2415
V
SAL
.75
Sack
last night
De
2812
V
SAL
.75
Sack
1 'LL KEEP THE Kl NG
De
3B08
V
SAL
1 .00
Sack
Gypsy love song
De
1678
V
SAL
1 .00
Sack
Barrelhouse bessie
De
4169
V
SAL
1.00
Sack
Martha
De
1600
V
SAL
t .00
Sack
South rampart street parade
de
2569
V
SAL
1.50
Sack
Please be kind
De
1693
V
5AL
1 .00
Sack
Where do we go from here
DE
4385
E
SAL
1 .00
Sack
Pagan love song/Come back
De
896
F
AUC
PATT
Eye opener
De
2282
V
T-S
1 .50
Call
l don't care any more
De
4380
G
Sa;_
.35
Drap
HONKY TONK TRAIN SLUES
De
2208
E
T-S
1 .00
Broo
PUTNEY DANDRIDGE
Sing baby sing (chipped)
VO
3304
G
SAL
.75
Sack
Honeysuckle rose/Sweet viol
VO
3190
G
SAL
1 .00
Sack
Eeeny meeny miney mo
Vo
3083
V
IT'S A SIN TO TELL A LIE
VO
3252
Q
T-S
1 .00
Call
OL* MAN RIVER
Vo
3269
E
AUC
1 .25
Kenr
CHUCK DARL ING
Harmonica rag
BB
5285
Q
SAL
.35
Drap
COW COW DAVENPORT
THAT'LL GET IT
VO
1408
E
TRA
Fry
Railroad blues/Ain't got no
De
7462
N
T-A
Edel
DEAN & HIS KIDS
Zoom zoom zoom/spread in
VO
3342
E
T— A
Gayl
EDDIE DELANGE
MUSKAT RAMBLE
BB
10035
V
S&L
.75
Sack
AL DEXTER & TROOPERS
PISTOL PACKIN' MAMMA/ROSAL.
OK
6708
V
T— A
.75
Call
dixie da isies
Mamma's gonna slow you down
CA
751
V
SAL
1 .50
Sack
There's a rainbow round sh.
Ca
8317
G
SAL
2.00
Sack
Papa blues
CA
348
v
SAL
2.50
Sack
Lovin' SAM
CA
291
v
SAL
2.00
Sack
Down in Argentine
RO
7 14
v
TRfl
Pens
DIXIE JAZZ BAND
Breakaway
OK
1602
V
SAL
2.00
Sack
dixie STOMPERS
ST. LOUI S BLUES
Ha
451
G
SAL
2,00
Sack
Ain't she sweet/Snag it
Ha
353
G
T— A
R 1 OL
Static strut/hard to
HA
197
G
H| DIDDLE DIDDLE
VE
1 1 79
V
T— A
Rl DL
St. Louis blues/Variety
VE
1451
V
T-A
RlOL
DIXIE WASHBOARD BAND
1 *VE FOUND A NEW BABY
Ba
1781
V
SAL
1 .00
Sack
JOHNNY DODDS
Too tight/goober dance
BB
10240
V
SAL
2.00
Sack
Wl ldman/Melancholy
BR
3567
F
T-A
Burl
San/Clarinet wobble (solos)
BR
3574
G+T-A
2.00
Cole
DORSEY BROTHERS
Have a little faith
BA
0571
E
AUC
Patt
Footloose/You 're all 1 need
De
482
P
AUC
Patt
honeysuckle rose
De
296
V
AUC
Star
J IMMY oorsey
Bar babble/Aurora
DE
3772
V
SAL
1.00
Sack
John silver/The feeling
De
I860
V
T-S
.75
Chio
FOR DISPOSITION
TOMMY DORSEY
(duke ELLINGTON. CONTINUED)
TH1 S TIME IT'S REAL
VI
25862
V
SAL
1 .00 SACK
JOLLY WOG/JAZZ CONVULSION
Br
6810 V
T-A
Grit
Moonlight on the purple sage
VI
25803
V
SAL
1.00 Sack
Double check stomp/joe
BR
6846 E
T-A
_ —
GRI T
ROBINS AND ROSES
VI
25284
Q
SAL
.90 Sack
Merry go round/Admiration
Br
7440 E
T-A
GRI T
Halleluhah/pale moon
VI
27591
E
SAL
1 .00 Sack
ACCENT YOUTH/TRUCKI N '
Br
7514 E
T-A
GRIT
Oh you crazy moon
VI
26287
V
SAL
.90 Sack
Crescendo in blue
Br
8004 E+T-A
Grit
Yes indeed
VI
27421
V
SAL
1 .00 sack
Marg i e/Cotton
Br
7526 E
T-A
Grit
1 'll never smile again
V.I
26628
6
SAL
.90 Sack
wash. wobble/Harlem river
Vl
21284 V+T-A
GRIT
Swing high
VI
27249
E
SAL
1.00 Sack
Bro#n berries/it's glory
VI
22791 N
T-A
GRIT
At codfish ball(Clambake 7)
VI
25314
g
SAL
2.00 Sack
Sat. nite. funct./hi life
Vl
38036 V+T-A
Grit
Shoot shersert (Clambake 7)
VI
26370
E
SAL
2.00 SACK
Ml SS 1 SS 1 PP 1 /SWANEE SHUFFLE
Vl
38089 E
T— A
Grit
Melooy in F /who'll buy
Vl
25519
E
AUC
HE1N
Reminiscing in tempo (i & 2]
Co
361 15 N
AUC
COHE
LITTLE WHITE LIES/SIMPLE MEL
VI
25750
V
AUC
HEIN
SEGER ELLIS '
Mary hao/Dio 1 remember
Vl
25341
E
AUC
HEIN
prarie blues/sentimental bl
VI
19755 N
T— A
TORN
Marie/song of india
Vl
25523
V
AUC
HEIN
ZIGGY ELMAN
Twilight in turkey
Vl
25201
N
AUC
COX
BU6LITCHKI
SB
10103 E
SAL.
3.00
Sack
Swingin1 on nothin
Vl
27578
N
AUC
SMIT
SLEEPY JOHN ESTES
Beale street blues
VI
25767
s
T-A
GAYL
DROP DOWN MAMA
DE
7289 N
T-S
Umph
A tisket a tasket
VI
25899
G
T-A
GAYL
ELLA FITZGERALD
Deep river/without a song
VI
36396
E
T-S
1.25 CHI0
BEI MIR BIS DU SCHON
DE
1596 G
SAL
.80
Sack
Stardust /Swanee river
VI
27233
E
T-S
.75 Chio
LtNOY HOPPER'S DELIGHT
De
3186 F
SAT.
.50
SACK
Dipsy doodle/Who
VI
25693
E
T-S
.75 Chio
FIVE O'CLOCK WHISTLE
DE
3420 G
SAL
1.00
Sack
M 1 LENBERG JOYS, 1 & 1 1
VI
26437
N
T-A
WILL
OUT OF NOWHERE
DE
2598 E
SAL
1 .00
Sack
Swing high
a
AUC
COHE
EVERYONE'S WRONG BUT ME
De
1302 G
SAL
.75
Sack
Jamboree/Maple leaf rag
VI
25496
E
AUC
FLEM
FIVE BIRMINGHAM BABIES
LOUIS DUMAINE'S JAZZOLA
:ight
REMEMBER THE N 1 GHT ( A • ROLL 1 N 1
)PE
14635 V
SAL
1.50
Sack
RED ONION ORAg/FRANKLIN STR.
Vl
20580
V
T-A
1 .00 COLE
LEMUEL FOWLER
JOHNNY DUNN'S JAZZ HOUNDS
BLUES MIXTURE
Co
3959 V
T-S
Hurn
Evil blues/Pensacola
CO
A3746
G
SAL
1.75 SACK
FRAY-8RAGGI0TTI
Four o'clock blues/Hawaiian
Co
A3729
V
SAL
2.00 Sack
WHO'S AFRAID OF THE BIG
Vl
24563 N
T-S
1.00
BROO
CLIFF EDWARO'S hot comb.
BUD FREEMAN
I'M BACK IN LOVE AGAIN
Pa
25207
E
SAL
1 .00 Sack
MEMORIES OF YOu/TAPPIN'
CMS
508 E
SAL
1.75
Sack
DUKE ELLINGTON
Life spears a jitterbug
CMS
507 E
SAL
1.75
Sack
DOIN' THE VOOM VOOM
bb
7710
S
SAL
3.00 Sack
Satanic blues
De
3525 E
SAL
• .75
Sack
Black beauty/Jubilee stomp
VI
21580
V
SAL
3.00 Sack
EARL FULLER 'S JAZZ BAND
After all/John hardy's wife
VI
27434
N
SAL
2.00 Sack
YAH-DE-OAH
VI
18321 E
SAL
.50
Sack
KO-KO/CONGA BRAVA
VI
26577
II
SAL
2.00 Sack
BEALE STREET BLUES
Vl
18369 E
SAL
.50
Sack
WALL STREET WA 1 L
BR
80003
V
SAL
.50 Sack
COON BAND CONTEST/LIZA JANE
VI
18394 G
AUC
Patt
Blue aga i n
VI
22603
E
SAL
1.00 Sack
SLIM GAILLARD
Bakiff/giddybug gallop
Vl
27502
E
SAL
2.00 Sack
CHICKEN RHYTHM
Vo
5; 33 F
SAL
.50
Sack
PED 1 Do/RA 1 NCHECK
VI
27880
E
SAL
2.50 Sack
Early in the morning
Vo
5220 G
SAL
.75
Sack
Sherman shuffle
VI
20-1535
V
SAL
.50 Sack
CLIFFORD GIBSON
Flamingo/The girl
VI
27326
G
SAL
1 .00 Sack
Old time rider/Brooklyn blue
Vl
23255 N
T«-A
Edel
solitude/Dear olo south( solo)v i
27564
N
AUC
NAUL
JAZZ G ILLUM
ko-ko/congo BRAVA
VI
26577
N
T-A
Burl
From now on
BB
9034 G
SAL
.50
Sack
HOT & BOTHERED (ln HAIR CR )
CA
9023
V
AUC
Kenr
jean goldkette
Mood indigo /The mooche
Vl
24486
N
SAL
1.25 Jaco
Don't be like that/blackb I rd
Vl
21805 E
SAL
1.00
Sack
SWING LOW/DUCKY WUCKY
Co
35683
F+AUC
Star
DINAH/AFTER 1 SAY I'M SORRY
Vl
19947 E
SAL
2.00
Sack
Wanna go/if you can't hold
ge
3291
G
AUC
Star
Blue river
VI
20981 E
SAL
2.00
Sack
Boy meets horn/Old king doo
Br
8306
N
AUC
FLEM
SO TIRED/JUST A LITTLE
VI
21 150 G
SAL
1.00
Sack
Cotton tail
VI
26610
N
AUC
SMIT
Slow piver/Meet sweetie
Vl
25354 E+t-a
Eoel
Jubilee stomp/Country gal
Co
35776
N
T— S
1 .00 Cole
IDOL 1 k.1 NG/HUSH A BYE
VI
20270 V
AUC
Patt
Blue bubbles/blues
Vi
22985
E
T-S
1.00 Cole
GONNA MEET MY SWEETIE
Vl
20675 N
T-A
Torn
Admiration/Merry go round
BR
7440
E
T-S
i .50 Cole
MY PRETTY GIRL
Vl
20599 N
T— A
TORN
Blue serge/Jumpin pumpkins
Vl
27356
N
T-A
Will
Sunny disposish
Vl
20493 N
T-A
Torn
No papa no/rockin' in rhythm
Vl
26310
N
T-A
WILL
Clement ine
Vl
20994 N
T-A
TORN
Glue goose/ousk
VI
26677
N
T-A
Will
BENNY GOODMAN
across the tracks/chloe
Vl
27235
N
T-A
WILL
ALL MY LIFE (tri o)
VI
25324 V
SAL
2.00
Sack
Dear old southland/Day. ex.
Vl
24501
N
T-A
Will
BEI MIR BIST OU SCHON(TRIO)
VI
25751 V
SAL
2.00
Sack
Jack the bear/Morning glory
Vl
26536
N
T-A
WILL
He AIN'T GOT RHYTHM
VI
25505 E
SAL
1.50
Sack
rockin' chair
DE
15418
F
TRA
Fry
The glory of love
VI
25316 V
SAL
1.00
Sack
St. James infirmary h of w
1046
E
TRA
Fry
IT *S W0N0ERFUL
Vl
25727 V
SAL
1.25
Sack
SING YOU SINNERS H OF W
1045
E
TRA
Fry
Yours/Take it
Co
36067 V
SAL
1.50
Sack
Take it easy
RO
618
N
TRA
Fry
LET'S 0ANCE
Co
35301 E
SAL
1.50
Sack
RENT PARTY BLUES
Or
1849
N
TRA
Fry
WHERE OR WHEN ( SEXTET)
OK
6553 E
SAL
1.00
Sack
Black and tan
ME
12093
N
TRA
Fry
Where or when (tr io)
BB
1 1456 E
SAL
1 .50
Sack
Black a. tan/hot a bothered
Cl
5331
E+T-A
Grit
Sweet sue/Melancholy baby(tro)vi
25473 G
SAL
2.00
Sack
(75 OK's,vrs & Br's; vg to n)-
T-A
GRI T
jersey bounce
OK
6590 G
8AL
.50
Sack
Jack the bear/morning
VI
26536
N
T-A
RlOL
who/Someday sweetheart( tr io)
BB
10463 E
SAL
3.00
Sack
Hot and bothereo/mooche
OK
8623
V
T-A
GRIT
THESE FOOLISH THINGs(seXTEt) CO
35553 E
SAL
3.00
Sack
Misty morni n '/blues with
OK
8662
V
T-A
Grit
1 MUST HAVE THAT MAN (TRIO)
Vl
26090 E
SAL
3.00
Sack
Black & tan fant/what can
OK
40955
G
T-A
Grit
IDA (QUARTET)
VI
25531 E
SAL
3.00
Sack
Jubilee stomp/Take it easy
OK
41013
G
T-A
Grit
tipi tin/please be kind
Vl
25814 E
SAL
2.50
Sack
rose room/it don't mean a
Br
6265
V+T-A
GRI T
Till tom special (sextet)
Co
35404 E
SAL
3.00
Sack
Jive stomp/i 'm satisfied
Br
6638
V
T-A
GRIT
here's love in your eyes
Vl
25391 V
SAL
2.00
Sack
Jungle jamboree/Black & bl
Br
4492
E
T-A
GRIT
Nobody's sweetheart (trio)
BR
10723 V
SAL
3.00
Sack
Bundle of blues/Get yourself
Br
6607
E
T-A
GRIT
Rose room/Flying home(sextet
)C0
35254 V
SAL
Harlem speaks/shades of
Br
6646
E
T-A
GR 1 T
a .smooth one( sextet)
Co
36099 E
SAL
3.00
Sack 1
Mood indioo/black & tan
OR
6682
E
T-A
GRIT
LET'S DANCE
Co
35301 E
SAL
1.00
Sack
8irm.break/E. St. Louis t-o
BR
6801
N
T-A
Grit
WHOLLY CATs(sEXTET ) BENNY ' S B
.CO
35810 E
SAL
2.00
Sack
(DUKE ELLINGTON CONT 1 NUEC
NEXT
column)
2
(Benny Goodman continueo
2
NEXT PAC
e)
FOR DISPOSITION
( benny Goodman, continued)
WHOLLY CATS ( SEXTET )BENNY ' S
SCO
35810
E
SAL
2.00 Sack
Peace brother
CO
35331
E
SAL
1.50 Sack
AS LONG AS 1 LOVE ( SEXTET )
co
35901
E
SAL
2.00 Sack
Scarecrow
Co
36180
E
SAu
1.50 Sack
Amapola/i ntermezzo
Co
36050
E
SAT-
1.50 Sack
Melaucholy baby (quartet)
VI
25473
F
SAL
.75 Sack
AMD THE ANGELS SING
VI
26170
G
SAL
1 .00 Sack
Not that 1 care/help yourselfco
2542
E
AUC
HEIN
Sentimental (Modernists)
Me
13159
G+AUC
HE IN
WHAT AM 1 GONNA DO/PARDON
Me
12208
E
AUC
HE 1 N
Yankee doodle/no other one
VI
25193
E
AUC
HEIN
OOOH BOOM
VI
25808
G+AUC
HEIN
glory of love
VI
25316
E
AUC
HEIN
ROSETTA/l WANT TO BE HAPPY
VI
25510
E
AUC
HEIN
Sing me a swing song
y\
25340
E
AUC
HEIN
SENTIMENTAL MOOD
VI
25351
E
AUC
He 1 N
Walk jenny walk/always
BB
10799
V
AUC
HEIN
All my life/Too good(trio)
VI
25324
E+AUC
He i n
UNO EC 1 DEo/WE ' LL NEVER KNOW
VI
26134
V
AUC
HEIN
Handful of keys (quartet)
VI
25705
E+AUC
HEIN
Blues in my flat(quartet)
VI
26044
N
AUC
HEIN
there's a small hotel
VI
25363
V
AUC
HEIN
Santa claus came in spring
VI
25195
E
AUC
HEIN
TA 1 N 1 T NO USE
VI
25461
E
AUC
HEIN
ROLL 'EM
VI
25627
E
AUC
HEIN
Big john special/Flat foot
VI
25871
V+AUC
HEIN
Down south Camp meeting
VI
25387
G
AUC
HEIN
BUGLE CALL RAG
VI
25467
N
T-S
HURN
Sandman/good-bye
VI
25215
N
T-S
HURN
BE 1 MIR BIS OU SHOEN
VI
E
AUC
CHES'
Honeysuckle rose/Spring sonc
CO
35319
E
AUC
COHE
Big john spec. /Flat foot fl.
VI
25871
V
AUC
COHE
king porter stomp
VI
25090
N
T-S
MlER
Goodbye/Sandman
Vl
25215
N
T-S
M 1 ER
R 1 FF 1 N ' AT THE Rl TZ
VI
25445
14
T-S
MlER
BUGLE CALL RAG
VI
25467
N
T-S
MlER
DON'T BE THAT WAY
VI
25792
N
T-S
MlER
1 LET A SONG GO OUT
Vl
25840
N
T-S
MlER
1 NEVER KNEW
Vl
26089
N
T-S
MlER
SENT FOR YOU YESTERDAY
VI
26170
V
T-S
MlER
JERSEY BOUNCE/STRING OF p.
OK
6590
E
AUC
COX
KING PORTER STOMP
Vl
25090
N
AUC
COX
BUGLE CALL RAG
VI
25467
N
AUC
COX
ALEXANDERS* RAGTIME BAND
Vl
25445
N
AUC
Cox
Shirt tail stomp/Blue
BR
80030
N
AUC
COX
Boy meets horn
CO
35301
E
T-S
.75 CHIO
Slues skies/Dear old south.
VI
25136
N
T-A
WILL
BOY MEETS HORn/LET'S DANCE
CO
35301
N
T-A
WILL
SING SING SING ( 10")
VI
25796
N
T-A
WILL
MINE YESTERDAY
ME
12100
G
TRA
Fry
Slow but sure
Me
12205
V
TRA
Fry
TAPPIN' THE BARREL
Co
2856
E
TRA
Fry
Breakfast ball
Co
2927
E
TRA
Fry
Gotta right to sing blues
Co
.3168
E
TRA
Fry
THE GLORY OF LOVe/YOU CAN'T
Vl
25316
N
T-A
VAHB
Changes/sleepy time down s.
Vi
25634
N
T-A
VANB
This year's kisses/he ain't
VI
25505
N
T-A
VanB
tain't no use/did you MEAN 1 TV 1
25469
N
T-A
VanB
HORRAH FOR LOVE/LlVIN' |N G.
Vl
2501 1
N
T-A
VanB
KING PORTER STOMP
VI
25090
N
AUC
RlOL
GOOOY GOODY
VI
25245
N
AUC
RlDL
Stomp in at the savoy
VI
25247
N
AUC
RlOL
IN A SENTIMENTAL MOOD
VI
25351
N
AUC
RlDL
I 'VE FOUND A NEW BABY
Vl
25355
N
AUC
Rl DL
DOWN SOUTH CAMP MEETING
VI
25387
N
AUC
RlOL
BIG JOHN SPECIAL
Vl
25871
N
AUC
RlDL
ROLL 'EM
Vl
25627
(1
AUC
RlOL
WHISPERING
Vl
26130
N
AUC
RlDL
ANO THE ANGELS SING
Vl
26170
N
AUC
RlDL
WRAPPIN' 1 T UP
Vl
25880
N
AUC
RlDL
WHOOPEE STOMP (LUMBERJACKS)
CA
9030
V
T-A
— — RlDL
MAKIN'FRIENDS(KY.GRASSHOP'S
Ba
6360
V
T-A
RlDL
One o'clock jump
VI
25792
N
AUC
KENR
Sing sing sing
Vl
25796
E
AUC
KENR
OOWN BY THE OLD MILL STREAM
Co
35485
V
AUC
KENR
BUGLE CALL RAG
VI
25467
G+AUC
FLEM
ROLL Em/AFRAIO TO DREAM
Vl
25627
G
AUC
FLEM
Down south camp meet/Pick
VI
25387
V
AUC
FLEM
(BENNY GOODMAN CONTIfv
UED
NEXT
:olumn)
23
{ 8ENNY GOODMAN, CONTINUED)
NOT THAT 1 CARE
Co
2542
N
T-A
GAYL
Get happy/Christopher
Vl
25279
G
T-A
Gayl
wrappin it up/Melancholy
VI
25880
F+T-A
GAYL
Stardust
Vl
25320
G
T-A
Gayl
RIFFIN' AT RITZ/ALEX. RAGTIME
Vl
25445
N
SAL
Jaco
J WANT TO BE HAPPy/ROSETTA
Vl
25510
E
AUC
FLEM
Sugar/opus 3/4 (quartet)
Vl
26240
N
AUC
FLEM
TEDDY GRACE
Mama doo-shee/down home bl
DE
2603
N
T-A
E0EL
GLEN GRAY
Copenhagen
De
1048
G
SAL
1 .00
SACK
Sunrise serenade
DE
2321
V
SAL
1 .00
Sack
The house is haunted
Br
6558
V
SAL
1 .00
SACK
THE NIGHT IS YOUNG
De
349
E
SAL
1 .00
SACK
HOW CAN YOU FACE ME
Br
6983
N
SAL
1 .00
QUAI
PH IL GREEN & SWING ON
STRINGS
1 DOUBLE DARE YOU/fiEl MIR
PaE
FI047
N
T-A
Gayl
JIMMIE GRIER
ISLE OF CAPRI
De
1812
V
SAL
1 .00
SACK
WALTER GROSS
CREEPY WEEPY/IMPROVISATION
bb
10937
N
SAL
1 .25
Qua i
GULF COAST SEVEN
Georgia's/Daylight savin'
Co
14373
N
AUC
STAR
BOBBY HACKETT
Ain't misbehavin'
vo
4877
E
T-S
Umph
Clarinet marmalade
vo
5493
E
T-S
Umph
Clarinet marmalade
vo
5493
N
T-S
1.00
Cole
BOB HAGART
BIO NOISE FROM WINNETKA
De
2208
V
SAL
2.00
Sack
LIONEL HAMPTON
GIN FOR CHRISTMAS
VI
26423
V
SAL
2.00
Sack
Three quarter boogie
VI
27409
V
SAL
1 .00
Sack
Altitude
Vl
27316
V
SAL
1 .50
Sack
House of morgan
Vl
26751
V
SAL
1 .50
Sack
don't be that way
VI
26173
E
SAL
2.00
sack
SUNNYSIDE OF THE STREET
VI
25592
N
T-A
BURL
SUNNYSIDE OF THE STREET
VI
25592
E
AUC
Cox
CENTRAL AVENUE BREAKDOWN
VI
26652
N
AUC
Cox
GIN FOR XMAS/HEEBIE JEEBIES
Vl
26423
N
T-A
Will
HAVEN'T NAMED It/|*M ON MY
Vl
26476
N
T-A
will
Stand by/Big wig
Vl
26296
E
T-S
Will
Johnny get your horn/i can
Vl
26343
N
T-A
will
1 CAN'T GET STARTED/MUNSON STV 1
26453
N
T-A
Will
Sunny side of street/i know
Vl
N
T— A
Ed el
AINTCHA COMIN' H0ME/l2TH ST.
26362
N
SAL
JACO
Altitude/] nearly lost
Vl
27316
E
AUC
STAR
My last affair
Vl
25527
N
AUC
QUAI
HANDY OF MEMPHIS
Fuzzy wuzzy rag
Co
Z42"l
V
SAL
.50
Sack
Ole Miss rag
CO
2420
V
SAL
.50
Sack
THE HAPPY HARMONISTS
Baptistown crawl/Ethiopian
GE
5402
V
TSA
1.50
Call
HARLEM SEVEN
Pounding heart/summertime
BN
6
E
T-A
2.50
cole
COLEMAN HAWKINS
(All sides unissued in U.S.)
N
TRA
VENA
Chicago/netcha's oream
De
661
N
SAL
1 .50
JACO
Lost in fog/i ain't got nob.
De
18252
N
SAL
1 .25
JACO
ERSKINE HAWKINS
GABRIEL MEETS THE DUKE
B8
10671
G
SAL
1 .50
Sack
NO USE SQUAWKIN'
BB
1 1049
F
SAL
.50
Sack
Black oot
BB
1 1 192
V
SAL
1 .00
Sack
Five o'clock whistle
BB
10854
V
SAL
1 .00
Sack
FINE AND MELLOW
BB
10709
G
SAL
1 .00
Sack
SHIPYARD RAMBLE
BB
1 1218
V
SAL
.75
Sack
S'POSIN'
BB
1 1001
G
SAL
1 .00
Sack
NORFOLK FERRY
BB
10932
V
SAL
1 .50
Sack
Weary/King porter
BB
7839
V
AUC
STAR
EDGAR HAYES
OLD KING COLE
De
1527
V
SAL
1 .00
Sack
LOVE ME OR LEAVE ME (QUINTET)DE
1444
G
sal
1 .00
Sack
SATAN TAKES A HOLIDAY
De
1382
V
sal
1 .00
Sack
FLETCHER HENDERSON
COME ON COOT, 00 T HAT ( LOU 1 S ) PA RA
12317
G
SAL
2.00
Sack
WANG WANG BLUES
Vo
3360
V
T-S
1 .00
Chi o
SUGAR FOOT ST/WHAT-CHA-CALL
Co
35668
N
T-A
Edel
Can you take it/new King p.
Co
35671
N
T-A
Ed el
Money blues
Co
383
N
AUC
3.50
QUA 1
GO LONG MULE/MANDA
Co
228
N
AUC
3.50
QUA 1
FOR DISPOSITION
HORACE HENDERSON
Turkey special/Sultan ser.
OK
6026
N
AUC
NAUL
Swingin' & jump/You're mine
vo
5606
N
AUC
NAUL
Honeysuckle rose/They jittef
vo
5579
N
AUC
NAUL
you don't mean me no gooo/loveok 5953
N
AUC
NAUL
1 got rhythm/Shuff. joe
vo
5518
N
AUC
NAUL
Do re mi/Ginger belle
OK
5978
N
AUC
NAUL
ROSA HENDERSON
I'M A GOOD GAL/PAPA WILL BE
Br
2589
F
AUC
PATT
Midnight blues
VI
19124
N.
T-A
TORN
MEL HENKE
HENKE STOMP
CI
ICO
N
TRA
Broo
WOODY HERMAN
YARDBI RO SHUFFLE
DE
4353
E
SAL
.75
Sack
WOODCHOPPERS ' BALL
DE
2440
N
AUC
Cox
B 1 SHOP 'S BLUES
DE
3972
e
AUC
Cox
MILT HERTH TRIO
FLAT FOOT FLOOJ 1 E ^LOONEY
DE
1800
E
SAL
1.00
Sack
CURLY HICKS TAPROOM BOYS
RUSSIAN RAG
BB
10757
V
SAL
.75
Sack
EARL HINES
GOOD LITTLE BAD LITTLE YOU
VI
38043
N
T-S
Mier
THAT'S A FLENTY
DE
• 182
N
T-S
MlER
JEZEBEL
Vo
4032
N
T-S
Mier
MY MELANCHOLY BABY ( SOLQS )
VI
27562
N
AUC
NAUL
WOLVERINE BLUES/ROCK & RYE
DE
577
G
SAL
1.00
Sack
UNCLE BUO
BB
1 1372
V
SAL
.75
Sack
Boogie woogie st.louis bl
BB
10674
6
SAL
2.00
Sack
SECOND BALCONY JUMP
BB
1 1567
G
SAL
.50
Sack
1 'VE GOT IT BAD
BB
1 1374
V
SAL
1.00
Sack
SWINGIN' ON "C"
BB
1 1465
V
SAL
1.00
Sack
WINDY CITY JIVE( E)/WATER(F)
BB
1 1329
SAL
.50
Sack
JOHNNY HODGES
KRUM ELBOW BLUES
VO
4351
G
SAL
1.50
Sack
Dancing on the stars
VO
4622
V
SAL
1 .50
Sack
JUNIOR HOP
BB
1 1021
G
SAL
1.00
Sack
KRUM ELBOW BLUES
VO
4351
G
SAL
1.00
Sack
QUEEN BESS
BB
1 II 17
V
SAL
1 .00
Sack
Squaty roo
BB
1 1447
E
SAL
1.50
Sack
Dancing on the stars
vo
4622
G
SAL
1 .00
Sack
SOUATY ROO/THINGS AIN'T
BB
1 1447
E
T-S
1.00
Chio
BILLY HOLIDAY
You're too lovely to last
Vo
4834
E
SAL
1.00
Sack
Some other spring/Them there
VO
5021
E
SAL
1.00
Sack
Practice makes perfect
OK
5806
V
SAL
1.00
Sack
Fine & mellow/Strange fruit
Com
526
F
SAL
.75
sack
One never knows/i 've got my
Vo
3431
V
AUC
hein
is my heart/please
Vo
3440
V
AUC
HEIN
Them there eyes
vo
5021
E
AUC
HEIN
1 CAN'T PRETEND
vo
3333
V
T-S
Mier
DON'T KNOW IF I'M
VO
3543
E
T-S
MIER
STRANGE FRUIT/FINE & MELLOW
COM
526
N
AUC
STAR
CLAUDE HOPKINS
2020I/M0NKEY BUSINESS
DE
674
G
SAL
1.50
Sack
Mystic moan/wash i ngton squab
• Br
6750
V
SAL
2.00
Sack
LENA HORNE
MOANIM' LOW
VI
28717
N
AUC
.50
H.Sm
I 1 VE GOTTA RIGHT/
VI
28717
N
AUC
.50
H.SM
HOT LIPS PAGE
ROCK IT FOR ME
BB
7567
G
SAL
1.00
Sack
HOTSY TOTSY GANG
OlGGA DIGGA DO/DOIN' NEW L.O.BR
4014
V
T-A
2.00
Call
HUDSON DELANGE
China clipper/why pretend
Br
8147
N
SAL
1.00
ERTE
SPIKE HUGHES
Six bell stampede/Sirocco
De
191
N
T-S
Umph
CHARLIE JACKSON
Take me back blues p
ARA
12296
G
SAL
1.00
Sack
WILLIE JACKSON
BAD BAO MAMA
CO
14156
1 00
Sack
MOTHER'S CHILDREN
co
14343
G
SAL
1 .00
Sack
GOD DON'T NEVER CHANGE
Co
14490
E
SAL
1 .00
Sack
HARRY JAMES
C 1 Rl B I R IBI N/AVALON
CO
35316
E
T-A
Gayl
1 CRIED FOR YOu/LET ME UP
CO
36623
N
T-A
Gayl
Blues in the night
CO
36500
E
SAL
.75
Sack
FLATBUSH FLANAGAN
CO
35947
E
SAL
1.00
Sack
HODGE POOGe/CARNI VAL(4.5 MSTfi) M
10003
E+AUC
kenr
AND ANGELS SING/GOT NO TIME
BR
8355
E
SAL
1.25
Jaco
JACK JENNY
City night/i walk alone
Vo
5355
N
AUC
Smit
JOE HIS RHYTHM
CONFESSIN'
BB
6447
G
SAL
.75
Sack
JOHNSON-AUMONS
WALKING THE BOOGIE
VI
27505
N
TRA
Broo
Pine creek
VI
27506
N
TRA
BROO
BUDDY JOHNSON
1 *M MY BABY 'S BABY
DE
8573
V
SAL
.75
Sack
JAMIN' IN GEORGIA
DE
7684
V
SAL
.75
Sack
1 WONDER WHO'S BOOGIEIN'
DE
861 1
F
SAL
.50
Sack
JAMES P. JOHNSON
JINGLES
Br
4762
V
TRA
BROO
BLEEDING. HEARTED BLUES
VI
19123
N
T-A
TORN
Bleeding hearted blues
Vl
19123
V
SAL
1.50
Qua i
LONNIE JOHNSON
MAN KILLING BROAD
PE
7445
V
SAL
.75
Sack
Something fishy
DE
7388
V
SAL
.75
Sack
pete johnsoh-albert ammons
CuTTIN' THE BOOGIE
VI
27504
N
AUC
.75
H.Sm
Barrel house boogi e
VI
27504
N
AUC
.75
H.SM
Sixth ave. express
VI
27506
N
AUC
.75
H.Sm
Pine creek
VI
27506
N
AUC
.75
H.SU
CUTTIN' THE B00G 1 e/BARRLE h.
VI
27504
N
STA
Band
Boogie woogie man/walkin'
VI
27505
N
STA
Bano
6th ave. express/Pine creek
Vl
27506
N
STA
Band
Foot pedal boog i e/Mov i n'
VI
27507
N
STA
Band
PETE JOHNSON
627 STOMP (RED label)
DE
18121
G
SAL
.50
Sack
627 STOMP (BLACK LABEL)
De
18121
V
SAL
.50
Sack
kaycee on/Blues on down b
De
3384
N
AUC
NAUL
BILLY JONES
Ain't we GOT FUN
OK
4325
V
SAL
1.00
SACK
ISHAM JONES
China boy/Dallas blues
Vl
24649
V
SAL
1.25
ERTE
RICHARD M. JONES
Tickle britches/novelty bl
Vl
38040
G-l-T-A
Pols
LOVIE JORDAN
Hard lovin' blues
DE
7705
G
SAL
.50
Sack
HELEN KANE
ME AND THE MAN IN THE MOON
Vl
21830
G
T-S
.50
Call
1 WANNA BE LOVED BY YOU
Vl
21684
V
T-S
1.00
Call
GENE KARDOS
Blue fantasy/i knew you when
PE
801 1 1
V
T— A
Call
KENTUCKY GRASSHOPPERS
MAKIN' friends
BA
6360
V
SAL
2.00
Sack
BRADLEY KINCAID
Zeb tourney's gal
BB
8410
G
SAL
.35
DRAP
JOHN KIRBY
DOWN ON the desest
0
E
T-S
Umph
Can't we be frienos
Co
35920
e
T-S
Uuph
ANDY KIRK
1 'SE A-MUGGIN
DE
744
E
SAL
1.00
Sack
47TH STREET JIVE
De
4042
V
SAL
1 .00
Sack
BOOGIE WOOGIE CO'CKTAIL
De
4381
V
SAL
2.00
Sack
Poor butterfly
De
1663
E
SAL
1.00
Sack
Froggy bottom/Chris. Colombus
De
729
G
SAL
.75
Sack
MO ANSWER
De
4141
e
SAL
.50
Sack
FROGGY bottom
De
729
E
T-S
1.50
Call
KRESS-MCDOUNOuGH
Chi cken-ala-swi ng
Br
7885
N
AUC
QUA)
GENE KRUPA
Drummer boy/Looking for yes.
OK
5747
E
SAL
.95
Sack
Drum boogie
OK
6046
E
SAL
2.00
Sack
Let me off uptown
OK
6210
E
SAL
2.00
Sack
COPPIN' A PLEA
OK
6498
V
SAL
.75
Sack
Manhattan transfer
Co
35444
E
SAL
1.00
Sack
No name jive
Co
35508
V
SAL
1 .00
Sack
Swing is here/| hope Gab.
BB
10705
V
AUC
Cox
Blues of israel/Three l.w.
De
181 14
'.
MJ :
NAUL
Jazz me blues, 'The last r.j.
De
181 15
N
AUC
Wire brush/Hamtramck
OK
6106
V+AUC
Star
TOMMY LADNIER
Really the blues
BB
10089
N
AUC
Qua i
HOWARD LALLY
Shake it off
ME
60135
T-S
1.50
Call
EDDIE LANG
(All sides unissueo in U.S.)
>AE
N
TRA
VENA
LANIN'S ARCADIANS
Five foot two eyes of blue
Pa
36343
E
SAL
1.00
Sack
FOR DISPOSITION
LANIN'S SOUTHERN SERENADERS
CLYDE MCCOY
Eddie Leonard blues
Re
9191 V
TRA
Pens
Sugar blues/Tear it oown
De
381
V
SAL
2.00 Sack
HARLAN LEONARO
MCKINflEY'S COTTON PICKERS
SNAKY FEEL 1 N '
BB
10883 E
T-S
Umph
Save it pretty mamma
BB
7695
N
SAL
2.50 Sack
MEADE "LUX" LEWIS
Okay baby/i want a little
V.I
23000
G
AUC
PATT
YANCY SPEC IAL( REV .HONEY H|LL)DE
3387 N
AUC
naul
Peggy/i *d love
BB
10706
N
AUC
CHES
TED LEWIS
MISS HANNAH
VI
38102
V
T-A
R 1 DL
Bimini bay/Ma
Co
3473 E
SAL
.50
Sack
Cherry/some sweet day
Vl
21730
N
T-A
TORN
Homesick
Co
3709 E
SAL
.50
Sack
JIMMY MCPARTLAND
ALL BY MYSELF
CO
3434 G
SAL
.50
Sack
Panama
De
3522
N
T-A
Edel
Unfortunate blues
Co
48 G
SAL
.50
Sack
Original dixieland i-step
De
18441
N
T-A
Edel
Bee's knees
co
3730 G
SAL
.50
Sack
FRANK MELROSE
Dallas blues
Me
13379 V
AUC
QUAI
Pass the jug
BR
7062
F
TRA
BROO
WHEN MY BABY SMILES AT ME
co
922 E
SAL
1.25
QUA 1
Pass the jug/Jelly roll st.
Br
80031
N
T-A
Edel
LEWIS-JOHNSON-AlttlONS
JOHNNY MESSNER
Boogie woogie prayer
Vo
4606 E
SAL
3.00
SACK
SHE LOST IT AT THE ASTOR
VA
8083
E
SAL
1.50 Sack
LITTLE ACES
METRONOME ALL STAR
FOUR OR FIVE TIMES
OK
4 1 | 36 G
SAL
.50
Sack
ROYAL FLUSH
Co
36499
E
SAL
1 .00' Sack
LITTLE BROTHER
BUGLE CALL RAG
VI
27314
E
SAL
.75 Sack
FARISH STREET JIVE
BB
10177 N
AUC
QUA |
MILT MEZZROW
LOUISIANA FIVE
blues/thi s 1 s HOW
VI
25636
E
AUC
.75 KENR
SUMMER DAYS/GOLDEN ROD
Em
1078 G
SAL
.80
SACK
COMIN' ON WITH
BB
10085
E
AUC
STAR
Yelping hound blues
CO
2742 G
SAL
.80
Sack
MEZZROW-LADNIER
LOUISIANA RHYTHMAKERS
Royal Garden sl/if you see
BB
10087
N
T-S
.75 COLE
ROCKIN* IN RHYTHM
PE
15650 V
T-A
Grit
GLENN MILLER
LOUISIANA RHYTHM KINGS
Chip off the old block
BB
1 1450
E
SAL
1 .00 Sack
BASIN STREET/LAST CENT
Br
02506 N
TRA
VENA
1 DREAMT DWELT IN HARLEM
BB
1 1063
G
SAL
1.00 Sack
DA DA STRAIN
HRS
7 N
TRA
BROO
Blue moonlight/My prayer
BB
10404
E
SAL
1.00 Jaco
NICK LUCAS
In the mood/i want to be hap BB
1 04 1 6
E
SAL
1 .00 JACO
Blue heaven/among my souvenirs br 36B4 v
T-A
1.50
Call
mills blue rhythm
LUMBERJACKS
Ride red ride/Congo caravan
OK
6119
N
T-S
1 .00 COLE
Whoopee stomp(Caroliners,rev
)R0
834 V
T-A
Pols
Dancing dogs
CO
3044
E
T-S
1 .00 BROO
jimmy lunceford
mills brothers
Star dust/Rhythm is our biz
DE
369 G
SAL
1 .00
Sack
ST. LOU IS BLUES
BA
3321 1
V
SAL
.75 SACK
WELL i ALL RIGHT THEN
vo
4887 V
SAL
1.00
Sack
MILLS ten blackberries
=lLUES IN THE NIGHT
DE
4125 V
SAL
1 .00
Sack
Double check stomp/Sweet
Dl
6062
G
T-A
— GRIT
Twenty four robbers
DE
3718 G
SAL
1 .00
Sack
VAUGHN MONROE
SWANEE RIVER/AVALON
DE
668 N
SAL
1 .00
Sack
Sam you made pants too long
BB
1 1260
E
SAL
1 .50 Sack
Easy street
DE
18534 E
SAL
.50
Sack
MONTANA SLIM
Lunceford special
Vo
5326 V
SAL
1 .50
Sack
When white azaleas
BB
8456
G
SAL
.35 Drap
Running a temperature
DE
1035 G
SAL
.75
Sack
Fate of strawberry roan
BB
8389
G
SAL
.35 Drap
Chocolate/Battle axe
DE
3807 G
SAL
.75
Sack
JELLY ROLL MORTON
Posin'
DE
1355 G
SAL
.75
Sack
Freakish/Seattle hunch{solos)vi
27565
N
AUC
— — Naul
Ragging the scale
DE
1364 G
SAL
1.00
Sack
Sidewalk/Deadman
VI
20252
V
T-S
HURN
Blues in the night
DE
4125 V
SAL
.50
Sack
someday sweetheart
VI
20405
E
TRA
HUkn
RUNNIN' WILD/4-5 TIMES
DE
503 V
SAL
1 .00
Sack
Seattle hunch/Freakish
Vl
27565
N
T-S
Umph
MARG 1 E/Ll KE A SHIP
DE
1617 V
SAL
2.00
Sack
Black bottom stomp
BB
10253
N
T-S
Ml ER
Coquette/For dancers only
De
1340 V
SAL
1 .00
Sack
WlNIN' BOY BLUES/MISTER JOE
GENR 4004
E
T-A
Chio
WATCHA KNOW JOE
Co
35625 V
SAL
1 .00
Sack
NAKED DANCE
Genr 4002
E
T-A
Chio
PIGEON WALK
DE
1659 V
SAL
1 .50
Sack
LONDON 6LUES(^-H c RK ; HALF MOC
n) OK 8105
G
T-A
Chio
POSIN'/HONEY KEEP YOUR MIND
DE
1355 G
SAL
1 .00
Sack
GRANOPA'S SPELLS
GE
5218
F
TRA-
Fry
ORGAN GRINDER'S SWING
DE
908 G
SAL
1 .50
Sack
Mush mouth/Blue blood
BB
8201
V-
AUC
STAR
WELL ALL RIGHT THEN
vo
4887 F
SAL
.50
Sack
Beale street/Pearls
BB
10252
E
AUC
Star
You're just a dream
vo
4754 V
SAL
.75
Sack
CHANT/8LACK BOTTOM
BB
10253
E
AUC
Star
P IGEON WALK
DE
1659 V
SAL
1 .50
Sack
Dr. jazz/Orig. Jelly roll
BB
10255
E
AUC
Star
OK FOR BABY/FLIGHT OF JITTER
Co
35967 1!
T-A
will
WlNIN' BOY/DIDN'T HE RAMBLE
BB
10429
E
AUC
Star
BAREFOOT BLUES
co
35860 E
AUC
.75
KENR
HIGH SOCIETY/BUDDY BOLDEN
BB
10434
V
AUC
Star
NANA/MISS OTIS
De
1 30 V
AUC
.75
Kenr
West end/Climax rag
BB
10442
V+AUC
Star
Dinah, 1 h 2
Co
36034 E
AUC
.75
KENR
Ballin jack/Oon't you
BB
10450
E
AUC
Star
Ml xup/Blue
Co
35919 E
AUC
.75
Kenr
MUSHMOUTH SHUFFLE
Vl
23004
N
AUC
.75 H.SM
JIMMY LYTELL
I'M LOOKING FOR A BLUE BIRD
Vl
23004
N
AUC
.75 H.SM
Fat meat is good meat
BEC
104 G
SAL
.50
Sack
Oil well
Vl
23321
N
AUC
.75 H.SM
WING IE MANNONE
IF SOMEBODY WOULD ONLY LOVE
Vl
23321
N
AUC
.75 H.SM
THE BOOGIE BEAT'LL GETCHA
BB
1 1298 N
STA
8a no
SHE SAVES HER SMILES FOR ME
VI
23292
N
AUC
.75 H.SM
When 1 get you alone/Dinner
BB
10909 N
T-A
Edel
STROKIN'AWAY/SING A LITTLE
Vl
23351
N
AUC
.75 H.SM
OCHI CHORNYA/ROOGI E BEAT
BB
1 1 298 E
T-A
Edel
1 HATE MAN (ACC. LIZZIE M|LES)V|
38571
N
AUC
.75 H.SM
Stop the war/Mama's gone
SB
1 1 1 07 N
T-A
Edel
DON'T TELL ME NOTHIn/(" "")
VI
38571
N
AUC
Tar paper stomp/tin roof bl.
De
7425 N
T-A
Edel
THE CHANT
Vl
20221
N
AUC
.75 H.SM
Weary blues/butter & egg man
DE
7415 N
T-A
Edel
Doctor jazz
VI
20415
Nauc
.75 H.SM
Dinner for duchess/When i getbb
10909 N
T-A
Edel
PEP
Vl
38627
N
AUC
.75 H.SM
Honey's lovin' arms
BB 300831 E+T-A
Edel
Ml ONI TE MAMA
Vl
20422
\\
AUC
.75 H.SM
Beale street bl/Farewell bl
BB
10401 E
T-A
eoel
Courthouse bump
VI
38093
N
AUC
.75 H.SM
You let me down/Fingers
1 'VE GOT MY HEART SET ON YOU
JOE MARSALA
vo
3135 V+T-A
2.00
Edel
Sack
Mournful serenade
Vl
38024
N
AUC
.75 H.SM
B8
SWEET ANITA MINE
VI
38093
N
AUC
.75 H.SM
Mighty like the blues/hot sp.vo
4168 N
T-S
1 .00
Cole
SIDEWALK BLUES
Vl
20252
N
AUC
.75 H.SM
SALTY MAMA/WANDERING MAN GENR
I7|7 N
T-S
1.50
COLE
PONCHARTRAIN BLUES
VI
38125
N
AUC
.75 H.SM
SARA MARTIN
BENNIE M0TEN
GOOD-BYE BLUES
OK
81 17 G
SAL
1.00
Sack
THE COUNT (BASIE)
BB
6719
V
SAL
2.50 Sack
ALABAMY SOUND
OK
8262 G
SAL
1.00
Sack
M 1 LEN8ERG JOYS/BLUE ROOM
VI
24381
E
AUC
PATT
FOR 0 I SPOS IT I ON
MOUND C 1 TY BLUE BLOWERS
BEN POLLACK
One hour/Tailspin blues bb
6456
6
T-A
Gayl
Song of the islands/For the
DE
1424
V
SAL
.90
Sack
Indiana/Lessons in love vo
2973
G
T- A
Gayl
Snake charmer/in my glory
DE
1488
V
SAL
1.50
Sack
One hour/hello lola bb
10037
N
AUC
Patt
That old feeling(c.boswell'
OE
1420
G
SAL
1.00
Sack
High society/i'm gonna clap Ch
40103
AUC
Patt
He's the last work
VI
20425
E
SAL
2.00
Sack
MURRAY'S MELODY MEN
Deed i do
VI
20408
N
T-S
Uier
cub/n moon/kamel land vo
14098
G
SAL
.75
Sack
Wait in' for katie
Vl
21 184
N
T-S
UIER
PHIL NAPOLEON
Singapore sorrows
Vl
21437
N
T-S
Ml ER
Go joe, go/Take finger Vi
20605
N
T-A
TORN
BUY BUY FOR BABY
Vl
21743
V
T-S
UIER
NEW ORLEANS BLACKBIRDS
Sentimental baby
VI
21827
N
T-S
UIER
Baby/Honolula blues VI
38026
N
AUC
HEIN
Louise
Vl
21941
V
T-S
UIER
Play i ng the blues V i
38027
N
AUC
HE 1 N
Snake Charmer( Muggsy )
De
1488
N
T-S
Ml ER
NEW ORLEANS OWLS
BUY BUY FOR BABY
Vl
21743
V
T-S
.75
BROO
OWLS hoot Co
605
V
T-A
GRIT
When 1 first met mary
Vl
20394
N
T-A
Torn
WEST END ROMP/TAMPEEKOO CO
688
V+T-A
GRIT
Deed 1 do
Vl
20408
N
T-A
Torn
Brotherly love/Blowin* off Co
823
V+T-A
Grit
BUY BUY FOR BABY
Vl
21716
N
T-A
Torn
NEW ORLEANS RAMBLERS
Keep your undershirt on
Vl
22267
N
T-A
torn
One of god's children(tea) Me
12133
N
T-A
Riol
MEL POWELL
NEW ORLEANS RHYTHM KINGS
MOOD AT TWILIGHT
CMS
544
N
AUC
Smit
GOLDEN LEAF STRUT OK
40327
V
T-A
2.00
COLE
Blue skies
CMS
543
N
AUC
Suit
Ostrich walk/orig. i-step de
229
N
AUC
STEI
TEDDY POWELL
Baby brown/no lovers allowed de
401
N
AUC
STEI
TEDDY BEAR BOOG( REV . WOOD . HERW)D E
3383
N
AUC
naul
NEW ORLEANS WANDERERS
LOU 1 S PR 1 MA
Perdido st.elues/Gate mouth Co
698
E
T-A
GRIT
F ORG 1 VE ME
OK
6520
V
SAL
1.50
Sack
Too tight/papa dip Co
735
V+T-A
Grit
BAEAKIN' the ice
Br
7320
N
T-S
Ml ER
RED NICHOLS
House rent party day
BR
7376
N
T-S
UIER
The sheik of araby Br
80005
E
SAL
.75
Sack
Weary blues
Br
7471
N
T— S
Ul ER
FIVE PENNIES VI
21560
E
TRA
Broo
Tin roof blues
VO
3657
V
T-S
UIER
Sugar/make my cot Vi
21056
N
T-A
Torn
PETE PY LE
Three little words Br
7460
N
SAL
1.25
OUAI
1 DON'T CARE
BB
8602
G
SAL
.35
DRAP
RAY NOBLE (bud freeman)
QUINTET OF HOT CLUB
OF FRANCE
Chinatown/Let's swing it Vi
25070
E
AUC
2.00
Erte
Paramount stomp/Swing with
OJVI
27272
N
AUC
Patt
DOUBLE TROUBLE Vl
25105
N
AUC
2.00
Erte
Georgia on my mind/in the
Vl
26578
N
AUC
Patt
J IMMY NOONE
HARRY RADERMAN
Sweet sue vo
1 184
G
TRA
Fry
Darl 1 NG
OK
4210
V
T-A
1 .00
Call
Through/Satisfied Vo
1416
V
TRA
Pens
CLARK RANDALL
RED NORVO
Drifting tide
BR
7436
E
T-S
Ml ER
Clap hanos/Russ i an Lullaby Br
7975
N
AUC
HEIN
ma rainey
peter piper (i/8" chip) 8r
7767
V
SAL
1.50
Sack
Night time blues
Para
12303
N
TRA
Fry
O'BRYANT'S washboard band
See see blues
Para
12252
V
TRA
Fry
Drunk man's strut Para
12246
G+T-A
2.00
Cole
EXPLANING THE BLUES
Para
I22R4
E
TRA
Fry
washboard (rim chip) para
12265
V
T-A
2.00
Cole
CLARK RANDALL
KING OLIVER
TROUBLESOME TRUMPET
BR
7415
N
T-S
Umph
Snake rag (last groove skips )Ge
5184
V
T-A
2.00
Cole
RED HEADS
Chimes blues ge
5135
V
T-A
2.00
Cole
HANGOVER/TA 1 N 'T COLD
PE
14600
E
AUC
Patt
Dead man blues/Someday sweet. vo
1059
V
T-S
1 .00
Cole
DON REDMAN
Dead man blues/someday sweet. vo
1059
V
TRA
Fry
Hot and anxious/True
Br
6368
E
AUC
Clar
DlPPERMOUTH BLUES HRS
4
N
AUC
Flem
UNDERNEATH HARLEM MOON
Br
6401
G+AUC
Clar
M'JLE FACE PLUES BB
6778
H
AJC
McMa
1 WON'T TELL
br
6585
G+AUC
.
Clar
ORIGINAL DIXIELAND FIVE
THE RHYTHM KINGS
Orig. d.l. i-step/Barnyard bl
N
SAL
1.25
JACO
Call of the freaks 'Ohio
BB
5028
N
SAL
1.25
Erte
ORIGINAL DIXIELAND JAZZ BAH0
RHYTH MAKERS
St. Lou is sl/Jazz me blues vi
18772
V
T-S
2.00
Call
OH PETER/WHO STOLE THE LOCK
CO
35841
E
T-S
.75
Cole
Sweet mamma/Broadway rose Vi
18722
V
T-S
2.00
Call
SHINE YOUR SHOES
UHCA
1 1 1
N
TRA
Broo
JAZZ ME BLUES/ST. LOU 1 S BLUESVl
18772
E
AUC
Patt
DICK ROBERTSON
Broadway rose/Sweet mamma vi
18722
V
AUC
Patt
HAPPY DAYS ARE HERE AGAIN
DE
1 125
£
SAL
1 .00
Sack
DANGEROUS BLUES/ROYAL GARDEN Vl
18798
G
AUC
Patt
TEXAS J IM ROBERTSON
palesteena/Margie VI
18717
E
SAL
.75
Sack
WAY DOWN IN TEXAS
8B
8466
G
SAL
.35
Drap
Dangerous blues/Royal garden Vi
18798
E
SAL
.75
Sack
CARSON ROB 1 SON (■ FRANK LUTHER
BOW BOW BLUES Vl
18850
E
SAL
.75
Sack
TWENTY-ONE YEARS/SILVERY
ME
12278
G
T-S
1.00
Call
Marg i e/Palesteena VI
18717
E
SAL
.75
Sack
W 1 LLARD ROB 1 SON
LIVERY STABLE BLUES VI
18255
E
SAL
.75
Sack
MUDDY WATERS
Pa
32259
V
SAL
.75
Sack
Did you mean it Vi
25420
E
SAL
.75
Sack
MAURICE ROCCO
JASS BAND BALL AE
1205
N
TRA
Fry
ROCCO BLUES (P1ANC,B.W.)
De
8504
N
T-S
1 .00
Broo
Sweet mama Vi
18722
E
T-S
.80
BROO
JIMMIE RCDGERS
ORIGINAL INDIANA FIVE
In the jailhousc now
Vl
21245
E
SAL
.75
Sack
I'M comin' virginia/Someday Ha
501
G
SAL
1.00
Sack
NEVER NO MO BLUES
VI
21531
V
SAL
.75
Sack
ORIGINAL MEMPHIS FIVE
GIL RODIN
BEALE ST. BLUES
CR
3017
V
T-S
M 1 ER
JUST HOT (NEW SYNCO JAZZ) PAT
36061
G
SAL
3.00
Sack
Sack
Hello beautiful
Cr
3046
G
T-S
UIER
That barking dog Vo
14461
G
SAL
2.00
ADRIAN ROLL INI
ORIGINAL NEW ORLEANS JAZ
BAND
DAVENPORT BLUES
OE
359
N
AUC
OUAI
MAMMAS GOT THE BLUES BA
1212
V
SAL
1.50
Sack
SlTTIN' ON A 6ACKYAP0
PE
15817
V
T-S
UIER
JACK PETT IS
1 'LL BE FAITHFUL
PE
15819
G
T-S
UIER
BUGLE CALL BLUES VI
3BI05
V
SAL
1.00
RIDL
YOU'VE GOT EVERYTHING
PE
15831
V
T-S
UIER
A BAG OF BLUES Vl
21793
E
SAL
1.00
RlOL
SUGAR
De
265
N
T-S
UIER
SIDNEY PHILLIPS
riverboat shuffle/Sugar
De
265
V
AUC
STEI
Amazon/Dinner dance Br
8187
N
SAL
2.00
Erte
DAVENPORT BLUES
De
359
V
MJC
STEI
STEW PLETCHER
TAP ROOM SWING
de
787
V
AUC
STEI
1 HOPE GABRIEL/TOUCH OF LIPS BR
6345
E
SAL
2.00
Erte
(ADRIAN ROLLINI CONT
INUEI
NEXT
PI
ge)
26
FOR DISPOSITION
(ADRIAN ROLLINI , CON!
INUEO)
(Bessie Smith, continueo)
SWING LOW/STUFF
oe
807
E
AUC
STEI
Frosty mornin'/Easy come
CO
V
AUC
STEI
YOU 'RE A SWEETHEART
De
1639
N
AUC
STEI
Haunted house/Evesdropper
CO
14010
V
AUC
STE 1
True confessions
DE
1654
N
AUC
STEI
Sorrowfjl/Rocki ng chair
CO
14020
V
AUC
STEI
SlNGIN* THE BLUES
De
1973
N
AUC
STEI
Louisiana low down/mountain
Co
14020
V
AUC
STEI
SOMEBODY LOVES ME
De
3525
N
AUC
STEI
Sing sing prison/dying gambleCo
14051
F
AUC
STEI
weatherman/gotta NEED
VI
25072
N
AUC
STEI
Love me daddy /woman trouble
14060
G
AUC
STEI
HONEYSUCKLE ROSE
VI
25208
E
AUC
STEI
Dixie flyer/Good ole wagon
CO
1 4079
N
AUC
STEI
SA</AG- SERENADE
BA
32880
" AUC STEI
Prea ch i n ' /back water
CO
G
AUC
STEI
Why don't you practice
BR
6877
N
AUC
STEI
Co
14056
V
SAL
1.50
Sack
Get go in '/keep on
Br
6rr6
N
AUC
STEI
Sinful blues
co
14052
G
SAL
1.50
Sack
WISH 1 WERE TWINS
BR
*
STEI
ST A NO 1 N ' IN THE RAIN BLUES
CO
14338
a
SAL
2.00
Sack
Ol OA OIGA DO
OK
n
AUC
STEI
Sweet jelly roll/if you
co
A 3942
F
STA
Tres
MOONQLOW
Vo
1
AUC
STEI
Mistreatin/chicago bound
CO
14000
F
STA
Tres
10 EASY LESSONS
Vo
AUC
STEI
gulf coast/Down hearted bl
Co
3844
G
SAL
2.00
Sack
THE SAVANNAH SYNCOPATORS
Graveyard dream blues
Co
4001
G
SAL
2.00
Sack
Who's blue/reminds me
Br
E
AUC
CLAR
Yellow dog blues
CO
14075
G
SAL
2.00
Sack
JAN SAVIT
Mama's got the blues
Co
3900
a
SAC
2.00
Sack
SUGARFO0T STOMP
BB
10005
G
SAL
.80 SACK
Oh daody blues
Co
G
SAL
2.00
Sack
TUXEOO JUNCTION
De
2989
S*""
l {00 Sack
Oh daddy blues
Co
3888
F
6AL
.75
Sack
Green goon jive
JJ
T-A
Ohio
1 'VE BEEN DISTREATED
co
4
Q
SAL
2.00
Sack
Meadow brook shuffle
DE
3376
-A
hio
Sorrowful blues
Co
10
G
SAL
2.00
Sack
SEATTLE HARMONY KINGS
Any woman's blues
Co
1
F
SAL
.75
Sack
How many times
V 1
T~
TORN
AWFUL MOANIN' BLUEs(hENDERSN )C0
A4000
V
SAL
2.50
Sack
1
BOYD SENTER
3 1ST STREET BLUEs/CH 1 CAGO BL
14009
G
SAL
2.00
SACK
Original stack o'lee (lang)
vo
3015
SAL
1 .50 Sack
You didn't KNOW MY mind
Co
G
SAL
1.50
Sack
Mobile blues (lang)
PAR
SAL
1 .00 SACK
DON'T NEVER TELL NOBODY
co
1 00
V
SAL
1.00
Sack
3hine/doin' you good
V 1
N
Torn
CLARA SMITH
SMI LES /No ONE
BB
T-A
Torn
NOBODY KNOWS/IF YOU ONLY
Co
140 8
G
AUC
Patt
ART SHAW
Kansas city man/uncle sam
CO
G
AUC
Stei
The blues (A & B)
VO
G
SAL
2.00 Sack
Every woman's bl/i got ev.
Co
A 3 96^
N
AUC
STEI
Deep purple/pastel slue
E
SAL
i .00 Sack
Kino lovin' bl/Down south
Co
G
AUC
STEI
Hay after day
IO046
V
SAL
1 .00 Sack
Play i t/all night bl
CO
A 3966
V
AUC
STE 1
ANY OLD TIME (B.HOLIOAY)
BB
V
SAL
1.00 Sack
irrisistable bl/Want my sw.
CO
<) 1
N
AUC
STEI
Shadows
E
SAL
i .00 Sack
Awful moanin'bl/Viever miss
Co
A4000
V
AUC
STEI
8B
E
SAL
2.00 Sack
Don't never tell/Evenin'
CO
13002
F
AUC
STEI
1 F I had you
VI
E
SAL
1 ■ 50 Sack
doggone lazy man/love melody
Co
G
AUC
STEI
Out of nowhere
'•7 I*
E
SAL
2.00 Sack
BACKWp OD s/MEAN PAPA
co
'4022
F
AUC
.
STEI
Night mare 'Hon— stop flight
BB
E
SAL
2.00 Sack
Good looking papa/don't ad.
CO
F
AUC
.
STEI
Moonglow/my blue heaven
VI
40
SAL
2.50 Sack
TEXA j moaner/deep blue sea
co
F
AUC
STEI
CHANTEZ LES BAS
VI
27354
E
SAL
2,00 Sack
NOBODY KNOWS/IF YOU KNOW ED
co
N
AUC
STEI
RDSEROOM
SB
10 1 48
E
SAL
2.00 Sack
Separation bl/ain't nithin
co
F
AUC
SJEI
Special Delivery Stomp
VI
26762
E
SAL
C, J J 5 A C K
Wanna go home/Grind my coff
CO
43
E
AUC
STEI
Octoroon
BB
1-lA '?
E
SAL
2.00 SAvK
GIN MILL BLUES(LEM FOWLER )
co
N
AUC
STEI
Prelude in c major
VI
3
SAL
2.00 Sack
WHIP IT TO A JELLY
co
14150
E
T-S
.75
BR00
South sea i sland
BR
772 1
N
T-S
— HIER
MAMIE SMITH
Moonlight & shaoows
BR
Rn3Q
T-S
M 1 ER
That thing called love
OK
41 13
G
SAL
2.00
SACK
Monsoon/Free for all
BR
T-S
M 1 EH
ROYAL GARDEN BLUES
OK
4254
G
SAL
2.50
Sack
Between a kiss & sign
BB
' °?
T-S
Ml ER
CRAZY BLUES
OK
4 1 69
V
SAL
2.00
Sack
Lover come back to me
BR
T-S
MlER
GET HOT/\WANG WANG BLUES
OK
4445
G
SAL
2.50
Sack
Prosscha 1
BB
OR
n'
T-S
MlER
THAT THING CALLED LOVE
OK
41 13
E
SAL
3.00
Sack
Octoroon
BB
N
N
T-S
MlER
SAX-O-PHONEY BLUES/DADDY
OK
4416
E
SAL
3.00
Sack
A man and his dream
BB
1034
N
T-S
M 1 ER
THE ROAD 1 S ROCKY
OK
4194
E
SAL
2.00
Sack
Many dreams ago
BB
T-S
MlER
WHAT HAVE 1 DONE
OK
4351
G
SAL
1 .00
Sack
You're a lucky guy
BB
1
T-S
IE"
PINE TOP SMITH
SIOUX CITY SIX
BLUES
Vo
12
F
TRA
Fry
flock of blues
BRE
22
TRA
ROO
P.T. boogie/p.T. slues
BR
80008
N
T-A
Edel
noble sissle
ROLAND SMITH'S RASCALS
I wonder who made rhythm
Oe
766
T-S
UMPH
Tiger rag/knockin the gong
OR
2406
G
SAL
1 .00
Sack
Loveless love
BR
6778
E
T-S
UMPH
STUFF SMITH
YOU CAN'T LIVE IN HARLEM
De
E
T-S
UMPH
Joshua
VAR
8251
V
SAL
1 .00
Sack
ROLL on mi ssissi ppi
BR
1 1 1
T-S
MPH
WILLIE SMITH
blackstick/sunday(bud freeman)D
3365
N
T — S
' — UMPH
1 'M all out of breath
De
1308
N
T-S
UMPH
0LO FASHIONED LOVE/SWEET HEN
.VI
19253
V
AUC
PATT
GET ACQJAINTEO WITH YOURSELF
De
1 380
E
T-S
UMPH
SIX 3R0WN BROTHERS
Pass i omette /morn i ng air
OE
2269
N
T-S
UMPH
1 WALKIN' THE OOG
VI
18140
E
SAL
.75 Sack
STREAMLINE GAL/HARLEM J^YS
De
1 144
E
T-S
UMPH
EGYPTLANO
VI
18562
E
SAL
.75 Sack
Blues/why don't you leave
De
1 957
N
T-S
UMPH
SLIM AND SLAM
Old stamping ground
oe
1380
V
SAL
1 .00
SACK
VOL VIST DU GAILY STAR
VO
4346
G
S'AL
.75 Sack
ACHIN' HEARTED BLUES
De
V
SAL
1 .00
Sack
BESSIE SMITH
Old stamping ground/Get acq.
oe
1380
N
T-A
Edel
BABY WON'T YOU PLEASE COME
Co
3388
F
T-A
BURL
SPAN IER_-8ECHET
DOWN HEARTED Bl/GulF COAST
CO
A3844
V
AUC
STEI
CHINA BOY/4 OR 5 TIMES
hrs
2001
E
T-A
3.50
Cole
OH OADDy/BABY WON'T YOU PL.
Co
A 3888
E
AUC
STEI
MUGGSY SPAN IER
Mama's got/outsioe of that
CO
A 3900
fl
AUC
STEI
(ALL EIGHT ON BB)
BB
N
TRA
Hurn
bleeoing hearteo/midnight bl
Co
A3936
E
AUC
STEI
JAZZ BAWD BALL/LIVERY ST,
BO
10518
N
AUC
PATT
LADY LUCK/YOOLING BL
CO
A3939
G
AUC
STEI
ARTIE SHAW
; If you don't/jelly roll like
CO
A 3942
G
AUC
STEI
Traffic jam/Serenade to s.
BR
10385
G
T-A
CH I 0
Graveyard oream/jail hou6e
Co
A400I
F
AUC
STEI
Moonray
BR
10334
E
T-A
CHI 0
Cemeiary bl/Any woman's bl
Co
13001
E
AUC
STEI
1 'M COMING VIRGINIA
BB
10320
GAYL
(Bessie Smith continued next column)
E
T-A
27
-
I
FOR DISPOSITION
FREDDY SLACK
TUNE WRANGLERS
Pi G FOOT PETE
DE
4130 E
STA
Band
They cut down the pine tree
6692 G sal
RAP
EDDIE SOUTH
UNIVERSITY SIX
ROS 1 T A /M 1 NNETONKA
21 151 N T A
Torn
SA_
Sack
That 's what I call keen
2 1 605 N T — A
Torn
JOE VENUT 1
MUGGSY SPAN IER
2313 II T s
UMPH
D i ppermouth/s ister kaTC
10506 V+AUC
Star
Jazz me blues
nr
| Q | gQ fj T-S
UMPH
RE8 SPIKES ft MAJORS
4 Ml
CO
My mammy ' S BLUES"
CO
T-S
UMPH
Blue room/sensation
OK
4 1 j 44 G+T— s
Lj"pH
MY MAMMY'S BLUES
Co
1 19 N AUC
Qua i
Little girl
Co
2488 E T S
1 * 50 BROO
CHARLIE SPIVAK
venuti-lang
Star dreams
OK
6546 E SAL
1 50 Sa k
Wild cat/doin1 things
VI
2 1 56 1 N T— A
Tqrn
VICTORIA SPIVEY
V IRG 1HIANS
Mo papa/mosqui to fly
OK
8634 N AUC
TAR
STA7IN' CHANGE
VI
19189 F AUC
pATr
TOM STACKS
WESLEY WALLACE
Maybe I'll bab/ you/s 'wonoerfOK
40954 G T— s
1.50 CALL
NO. 29/jAB BLUES
M
3 N T A
POLS
JtL J J O 1 HUT
TED WALLACE SWING KINGS
Ba rrelhous e/Fl a sh es & DARK
Oe
1 O 1 | 7 li AUC
Haul
Goody-goody
BB
6252 V sa*
75 Sak
PaE
HttJj t. TRA
BROO
FATS WALLER
GOOD^MA N^^s" HA RDH TO FIND
Va
8140 V T-S
.90 BROO
Nero/please keep me
VI
25498 G SAL
90
REX STEWART
Little bit independent
VI
25196 V SA"
1 *50 Sa'-k
BB
1258 E T
1 .00 Cole
Hold tight
SB
1 0 1 1 6 V SAL
1*00 Sack
SAN JUAN HlLL/CHAINED
°
55 10 N t"s
'"„ l°LZ
Buck jumpin'
BB
1 1 324 V SAL
*80 Sack
664 T— A
i ■ 50 Cole
S'posin
VI
254l5 V SAL
1*50 Sack
JOE SULLIVAN
West wind
Vl
25253 E Sa'
1.50 Sack
T A
VENA
The joint is jumpin
VI
25689 G sal
SWEA TMAN 'S OR 1 G 1 NAL
J_ZZ_
BAND *
Spring cleaning
Vl
25554 G SAL
1*00 Sack
0
2548 V SAL
50 Sack
AN 1 TA
BB
10369 V SAL
i .00 Sack
DallasTbluesLUES
0
2663 V SAL
• oo Sack
WHOSE HONEY ARE YOU
Vl
24892 o SAL
i .00 Sack
hello hello
Co
28 1 8 E sal
.50 Sack
UNDECIDED
BB
1 0 1 84 V SAL
earrT w mi tt onve
OHCL 1 V 1 ULC. 1 BUT D
HAVIN' A BALL
BB
1 0 1 00 G SAL
i'oo si**
Ch's-lim' "umm
OK
047 1 4 G SA L
.35 Drap
BIG CHIEF DE SOTA
Vl
1 .00 Sa ck
OK
tycoon n c- « .
UDtty o SAL
,35 Drap
SCRAU/tvERY BODY LOVES
BB
1 .00 Sack
Sweet birds ' "*
°K
u-Jt 1 O u oAL
SUITCASE SUSIE
BB
105 J J y SA'
S«-ET VIOLETS
K
fll | m c c « i
uj 1 1 U b oA^
*35 DRAP
Oh bab^, sweet baby
BB
1 1 383 G SAL
i'oo Sa-x
Sweet violets, no. 2
OK
03256 G sal
.35 Drap
Smarty/i'm gonna put
VI
25608 G Sal
1 .00 Sack
Sweet violets, no. 3
OK
03587 G SAL
.35 Drap
Tea for two
Vl
25613 G Sal
There s a man comes to our
OK
03766 G SAL
.35 Drap
I'LL NEVER SMILE AGAIN
BB
I 0641 N AUC
' *°°
OK
03568 G SAL
.35 Drap
Sweetie pie/Serenade to
BB
10262 N T— A
Eoel
TAMPA RED
Viper's drag
VI
25315 N T— A
EDEL
BB
04^4 Q SAL
.35 Drap
Carolina shout/Ring dem bellsVi
27563 N AUC
har^lem^sw^ng N° M°RE
BB
7225 G SAi_
1 .50 Sack
Sweet savannah/ain't misb.
VI
22 1 03 N T— A
T'rw
r o c v i me" t « Tr
C.KOP. 1 lit 1 A IL
Sweet sue/i2th 6t. rag
VI
25087 G auc
STAR
Cut i e blues
OK
4907
E+T-A
2.00 Cole
Buck jumpin
BB
1 1 324 N AUC
ART TATUM
handful of keys
Vl
27768 N ajc
50 h^m
Stomp i n ' at the savoy
DE
flR^fi cm
OjjO b oAL
2.00 Sack
WASH INGTON 1 ANSI ELL 1 NGTON
Sweet lorraine/Get happy
18050 N SAL
1 .00 Jacd
Move over
CA
9025 G s al
3 00 Sav
Deep purple/Tea for two
DE
tH3D IN oAL
1.00 JaCO
8UGLE CA!L RAG/SWEET MAMA
HA
577 v x— a
flRIT
iapis Triioionrii
Jflljr\ ILftoftnUtrJ
ETHEL WATERS
Blue to the lonely
DE
3642 N T— S
UMPH
BLACK AND BLUE/PORGY
CO
2184 E T-A
BURL
DE
4409 N T — S
UMPH
West eng/organ grinder
Co
1 436j F T— a
Bubl
Trouble^ '"""si -IT
DE
43 1 7 N T— S
UMPH
moonglow/miss OTIS REGRETS
DE
l .50 Sack
you^know' VE SEt"
BR
8435 V T— s—
UMPH
Bring your green backs
Co
14125 G SAL
1 .00 Sack
Stars fell on alabaua
BR
6993 N T— S
MIER
TRAVL 1 N 1 ALL ALONE
co
1933 G Sal
.75 Sack
Junk man
BR
MlER
Don 't blame me
BR
6617 V sal
Shiek of a.iaby
Br
83 '0 N T— S
IER
DO WHAT YOU 010 LAST NIGHT
Co
14380 G sal
' 75 Sack
1 'SE A MUGG 1 N '
Vl
25273 N T— S
MlER
3A8Y WHAT ELSE CAN 1 DO
BB
I 05 1 7 V AJC
_j stei
YOU, YOU DARLIN'
VA
8 1 96 N T— S
MlER
TELL 'EM ABOUT ME PARA
l22|4 F AUC
Stei
DEVIL HAY CARE
Va
8278 E T-s
MlER
Oh daddy/donw home
BS
202? G AUC
Stei
TEN BLACKBERRIES
There'll be some changes maoebs
Stei
WHEN YOU 'RE SMI LI NQ
OR
1 E T-A
Grit
Jazzin' bajies blues
BS
1 4 1 1 7 G AJC
Stei
TENNESSEE TOOTERS
That da da strain
BS
1 4 1 20 G auc
PR 1 NCE OF WA ILS
VO
14952 N TRA
BROO
Sympathetic dan
CO
433 F AUC
Ste!
THE THREE KEYS
Dinah/Sweet man
CO
487 G AUC
STE 1
Nagasaki/fit as a fiddle
VO
2732 V tsa
Call
1 ' VE FOUND A NEW BABY
Co
56 1 G AUC
SKEETS TOLBERT
AM 1 blue/Birmingham blues
CO
1837 V AUC
— - Ste!
RASMATAS/jUMPIN JACK
DE
7791 G sal
75 S
Second handed man
CO
1871 N AUC
— — Stei
c.o.o.
Oe
8641 E SAL
•00 Sack
Shoo shoo/Do i know
co
1905 E auc -
Ste i
FRANK TRJM8AUER
TRAV 'L i n '/Va i ti ng
CO
1933 V AUC
Si NGI N ' THE BLUES
OK
W772 V AUC •
1 GOT RHYTHM/3 LITTLE WORDS
CO
2346 E auc
jJE|
LOVE AIN'T NOTH1N'
OK 41301 N T-s -
m"er
Please don't talk about me
CO
2409 G AUC
SI£1
DEEP HARLEM
OK
(1431 N T-S -
MlER
River stay way from my door
Co
251 1 V AUC
STEI
WHAT'S THE USE
OK
H437 N T-S -
MlER
Shake that thing/Vamma
Co
1 4 1 1 6 V AUC
STEI
LONG ABOUT MIDNIGHT
BR
6788 N T-s -
MlER
sugarAou'll want me
co
14146 G AUC
STEI
IN A MIST
BR
6997 N T-s -
MlER
mess around/Vieeb i e jeebies
co
14153 0 AUC
STE 1
1 SURRENDER DEiR
VA
8239 N T-s -
MlER
1 'M COMING VIRGINIA
Co
|4| 70 V AUC
STEI
HAYOfi/S 'WONDERFUL
BR
7663 N AUC -
Star
SOME OF THESE DAYS
CD
14264 N AUC
STEI
SOPHIE TUCKER
MY. HANDY MAN
CO
14353 F AUC
STEI
HULA LOU/CROSS EYED PAPA
OK 40068 G+AUC -
STAR
(Ethel waters continued next page)
:.i
■i
FOR DISPOSITION
(Ethel waters^ continued)
west end blues/organ grinder co 14365 n auc ste i
My baby sure knows how Co 1441 I n auc stei
Sweet Georgia brown Co 379 N auc quai
CURLEY WEAVER 4 CLARENCE MOORE
Baby boogie woogie/wild cat
chick web8
OK 8928 V T-s I .50 Call
WACKY DU6T
De
202 1
V
SAL
1 .00 Sack
LOVE & KISSES
DE
494
N
SAL
1 .00 Sack
HAVE MERCY
De
2468
G
SAL
.75 Sack
It's foxy
De
2309
V
I .00 Sack
Who ya hunch in'
De
223 1
V
SAL
1 .00 Sack
DOWN HOME. RAG
De
785
V
SAL
1 .00 Sack
Li za/a-t isket a-tasket
de
1840
Q
SAL
I .00 Sack
LITTLE WHITE LIES
DE
2556
E
SAL
1.00 Sack
Spell of the blues/little
DE
831
G
AUC
TED WHITE'S COLLEGIANS
WEDDING SELLS
OR
1 503
E
SAL
2.00 Sack
PAUL WHITEMAN
OL 1 MAN RIVER/MAKE BELIEVE
VI
21218
G
SAL
.90 Sack
SUNSHI ne/Backyard
VI
21240
E
SAL
1 .50 Sack
That's my weekness now
Co
1444
E
SAL
2.00 Sack
PREC 1 0US/M00NL 1 GHT
VI
20139
V
AUC
IT ALL DEPENDS ON YOU
VI
20513
E
AUC
Clar
Everything's made for love
VI
20514
V
AUC
Clar
Side by side
VI
20627
G+AUC
Clar
1 ' M COMI NG VIRGINIA
VI
20751
G
AUC
Clar
MY BLUE HEAVEN
VI
20828
V
AUC
CLA R
Shaking the blues away
VI
20885
E
AUC
LONELY MELOOY
VI
21214
E
AUC
Clar
BOUQUET OF memories
VI
21388
G
AUC
Clar
Dancing shadows
VI
21431
G
AUC
Clar
Sugar/Sweet man
Vl
21464
G
AUC
Sugar/Monday on
VI
25368
G
AUC
Clar
Announcer's slues
VI
25404 E
AUC
Clar
Blue night/Roses
Co
1553
V
AUC
— Clar
Qypsy/jeannine ( 12")
Co
50095
E
AUC
Tain't so honey tain't so
COE
4981
N
TRA
Mary / Changes
VI
21 103
N
T-A
roRN
lonely melody
21214
N
T-A
T0RN
H0N0AY ON/MI SS 1 SSI opi MUD
VI
21274
G
T-A
TORN
WHEN
VI
21338
N
T-A
Torn
Sugar/No sweet man
VI
21464
N
T-A
Torn
AFTER YOU'VE GONE/NOBOOY'S
Co
2098
F
AUC
Flem
ON THE TRAIL (pTS. 1 t 2|
VI
36095
E
T-A
Gayl
Choo Choo
CO
2491
E
T-A
Gayl
PAUL WHITEMAN'S RHYTHM BOYS
Rhythm king
CO
1629
V
SAL
1 .50 Quai
BERT WILLIAMS
8R0THER LOW DOWN
Co
35592
E
SAL
1 .00 Sack
CLARENCE WILLIAMS
1 CAN'T THINK OF (SLIGHT Or)
vo
2958
E
SAL
.60 SACK
railroad rhythm
Co
14468
N
AUC
MCMA
MOUNTAIN CITY BLUES OK 8592 N T-S -
COOTIE WILLIAMS
She's gone/Beautiful romance Vo 54 i i N T-s i
Echoes of harlem/lost in med.vo 3960 N T-s I
OlGGA DIGGA Do/l CAN'T BELIEVVA 555 E T-S I
Blues i n my cond it i on/a i n 't miOK 6224 N t-s i
FESS WILLIAMS ROYAL FLUSH ORCH.
GOIN' TO GET CHA/SLIDE Vl 38106 G T-A —
MARY LOU WILLIAMS
Overhand/little joe De 3385 N auc —
SONNY BOY WILLIAMSON
Good gravy BB 8333 G tsa —
T.B. BLUES SB 8333 G TSA —
EOITH WILSON & JAZZ HOUNDS
Wicked blues/b i rm . Blues Co A3558 p auc —
Mean man/double crossin Co 14054 F sta —
Wicked blues/Birmingham bl Co A3558 N t-a —
TEDDY WILSON
00 Cole
00 Cole
50 Cole
50 Cole
— Gayl
I can't get started
My melancholy baby
I 'll get my/mean to me
TOO HOT FOR WOROS
Too good to be true
Yours & mine
now it can be told
They say
CO 36633 G SAL
BR 7729 G SAL
Co 35926 £ SAL
BR 75 1 I V T-s
Br 7673 N T-s
BR 7917 V T-S
BR 8199 V T-S
BR 8270 E T-s
— Call
Call
Patt
Tres
— Torn
.80 Sack
.50 Sack
.00 Sack
MlER
M|ER
MlER
MlER
MlER
(Teddy Wilson continued next column)
( teqpy w i lson, continued)
This is the moment Br 8455
can't help lovin' that co 36113
More than you know Co 36117
Miss brown to you/Wished Co 36205
What moonlight can do/if you Co 36206
MUST HAVE THAT MAn/FOOLIN CO 36207
Easy living/When you're sm Co 36208
Lady be good/but not for Co 36084
(Columbia Album C-6I-N) (With Holiday)
Just a mood Br 7973
You're my desire Br 7940
WOLVERINES
R I VERBOAT SHUFFLE/SUSIE GE 5454
AL WYNN'S GUTBUCKET FIVE
CRYING MY BLUES AWAY VO 1 2 18
JIMMY YANCEY
(FOUR ON VICTOR) Vl
yancey bugle call/35 & dear
Yancey stomp/State st. spec
BOB ZURKE
i found a new baby/devil &
Hobson street blues/Each timeVi 26317
hobson street blues/Each timeVi 26317
cow cow bl/rhumboogi e v! 26646
i found new baby/devil & deepvl 26355
Holy smoke/soueb.told me vi 26446
Tom cat on keys/Every. step Vi 26526
Peach tree st./Fit to be t. vi 26420
Vl 27238
Vl 26589
Vl 26355
N T-S
N T-S
N T-S
N T-A
N T-A
N T-A
N T-A
N T-A
N T-A
G+AUC
E AUC
G AUC
G T-A
N TRA
N AUC
N AJC
N T-A
E T-A
N AUC
N AUC
N AUC
N AUC
N AUC
N AUC ■
MlER
MlER
MlER
EDEL
EDEL
EDEL
Edel
EDEL
Edel
Star
Qua i
3.50 QUA I
2.00 COLE
■ HURN
' NAUL
■ NAUL
■ WILL
WILL
N.AJL
NAUL
NAUL
■ NAUL
NAUL
NAUL
SPEC I AL SALE
ALL RECORDS ARE NEW
Price: $1 .00 each
DIXIELAND JUG BLOWERS (DoDOS unlikely)
NATIONAL BLUES Vl 20954
Love blues vi 21473
When I stopped runnin vi 20770
i never did want you vl 20854
Garden of joy vi 21 126
BENNIE MOTEN
Ya got love Vi 22680
TERRIFIC STOMP Vl 38081
THE NEW TULSA SLUES VI 21584
WHEN I'M ALONE Vl 22734
GET goin' VI 23023
BEN POLLACK
he's the last word v| 20425
From now on vi 22158
SONG OF THE BLUES Vl 22147
Futuristic rhythm vi 21858
tiny parham
Clarice vi 21659
Jungle crawl vi 33082
Cuckoo blues vi 21553
JEAN GOLDKETTE
MY PRETTY GIRL Vi 20588
RUBE BLOOM
Because my baby don't mean maybe/i can't
Sapphire/My blue heaven (solos)
Sapphire/Silhouette (solos)
41 1 17
40931
I 195
SPECIAL AUCTION
DUKE ELLINGTON
Vi L-16007
33 1/3 R.p.M.
East St. Louis Toddle
Lot 0' Fingers
Black and Tan Fantasy
This record is in its
original jacket It
has never been played.
Closing date for bids: Dec. 38
WILSOK A GULLICKSOH, FAIRFAX,
VA ,
29
LEMME take this chorus
From England comes an interesting 60 page booklet by
Iain Lang entitled Background of the Blues, published by
The Workers Music Association, 9 Great Newport Street,
London, W . C . 2, price one shilling. Most of the book is
given to a concise and perceptive history of jazz music,
complete with vital political, social, and economic aspects
of the matter.
I will pass along a few observations from pages 5, 11,
12, 13 and 17 of this book.
Various theories as to the origin and motivating force
of jazz ha v~e obtained a currency disproportionate to their
respective merits
jungle mus ic . Mr .
Lang says, 'If jazz were jungle music,
one would expect to find its essen-
tial characteristics in the music of
the generation of New Orleans Negroes
proceeding the jazz g ene r a t i on . . . Al 1
accounts (of the Sunday Negro dances
in Congo square) agree that the only
musical a cc ompan i ment to the dancing
was the beating of large tom-toms...
and there is no evidence of singing
or any premeditated noise except the
throbbing of the bamboulas. . . ' The
jungle's 'relation to jazz is unim-
portant.' (p. 11).
2 . The underworld created jazz.
Mr. Lang says 'The underworld did not
create jazz, which grew out of the
everyday life of the people, their
working hours as well as their play-
time...But it is not difficult to
see why jazz flourished in the night
haunts of wide open cities such as
New Orleans, Chicago, St. Louis and
Kansas City during times of abnormal
civic corruption, for players of
dance music must work in places where
people dance, and the wider open the
town the more jobs there are. Story-
ville welcomed the new music because
Storyville had none of the academic
prejudic£S which closed the doors of
the Grunewald and Antoine's, strong-
holds of the New Orleans haute bour-
geois-ie...' (p. 5). 'Independence of
bourgeois values was for the makers
of jazz not choice but necessity.
They would probably have preferred,
these white and Negro Dead Fnd Kids,
to have learned to read music and
play their instruments in the way
sanctioned by the conservatories;
that would have meant the security
and respectability of the salon and
concert-hall , instead of the crazy
hazards of the saloon and the bitch-
parlour.' (p. 18).
3 . Jazz is a product of this or
that race, and no other race plays
real jazz. Mr. Lang says, 'The black
fallacy is counterbalanced by a white
fallacy, --or rather two white falla-
cies. A few race-embittered white
musicians pretend that jazz is the
exclusive creation of the early white
bands; but the whole history of New
Orleans music contradicts them.
(There is also) the contention...
that, whoever created jazz, it is
perpetuated and propagated mainly by
Jews...* (p. 11). 'JAZZ IS HOT THE
MUSIC OF A RACE, BLACK OR WHITE , BUT
OF A CLASS--0F A PROLETARIAT VHICH IS
BOTH BLACK AND V H I T E ' (my caps &
italics) 'If Negroes have been con-
spicuous in its history it is because
most American Negroes are proletarians
...Similarly Jews are represented in
jazz in proportion to the Jewish ele-
ment in the American proletariat. And
the people who have had the smallest
share in it are the farm workers of
the Western Corn Belt. For it is city
mu9ic...Any reference to fields of
cotton, roses round the door, peaches
in Georgia or other idyllically rural
phenomena is the mark of pseudo- jazz . *
(P. 12).
To Mr. Lang's observations I predi-
cate some remarks of my own.
For some time I felt that all
America should be acquainted with
America's music, and that with the
support of all the people, more and
better jazz would be produced. George
Avakian, writing in Jazz Information
(3/21/41) rang my bell when he said
'God knows, there should bea copy of
Armstrong's Squeeze Me in every home.'
But he knew then, and I know now, that
real jazz cannot be sold to the Ameri-
can public as it is now defined.
You see, --eighty to ninety percent
of the purchasing power of the Ame r i -
can public resides in the hands of the
middle class, or people of middle
class tastes and inclinations. In
general, this group of people is dis-
tinguished by its openly hostile,
Know -Nothing, don't-give-a-damn atti-
tude toward people at the lowest in-
come levels. They have no feeling, no
sympathy or respect for the proletar-
iat. Jazz is simply not their music.
You can set out to sell jazz to the
middle class, but immediately they be-
gin paying for it, they will demand it
be revised to accord with their own
r i c ky -tick ideas on how a tune should
go.
One cannot blanketly condemn this
class as a group not musically in-
clined; nor is it any more reasonable
to uphold the musical sense of the
worker as infallible. But if ever
there were a people with something to
say and the talent to express it, it
is certainly the twentieth century
American proletariat.
On the other hand, the middle class
who are contented with things as they
are, who make a fetish of the status
quo, who have a phobia for any new
idea, social, political, or musical,
have never been, and never will be a
party to any mus.ic, art, or literature
of consequence; it seems that once
this contented class get their mitts
on any sort of music, it is degraded
to the utter extr e*m ities of sent i •
mentalism, exhibitionism and musical
cl iche .
This is the way of most art, and
is known as ' commercialism' , --one of
the oldest and most natural processes
of civilization.
Some say that commercial ism is
ruining jazz music. But comme rci al i sm
nas always been with jazz. Roy Carew
in last month's Record Changer, des-
cribed its presence in New Orleans of
the early 1900's. Look through some
old 1927-1931 record catalogs and a
rampant j a z z - c omm e r c i a 1 i s m will be
evident even during 'The Golden Age of
Jazz. '
The output of commercial jazz, the
music of 'the American middle class,
has little effect on true jazz, the
music of the American proletariat.
Given an aggrieved and hamstrung
proletariat, jazz will always be with
us. Even today, when all conditions
defy the pursuit of the art, jazz
holds its own. For proof of this you
have only to give those fine Climax
recordings of George Lewis' Stompers
a turn. This kind of music is actually
being played and supported now,--
today,--in the heart of proletarian
America. I believe that there is more
and better jazz where that came from.
The body of jazz enthusiasts and
record collectors, although composed
for the most part of middle class
people, have certain qualities which
set them apart from that group. Scarce-
ly any of us will not support the
daring proposition that in certain
fields of endeavor Negroes are equal,
man for man, to white people. Such a
stand is directly counter to American
middle class tradition and precept,
a foremost tenant of which is that the
Negro is, by nature, inferior to, --nay
a different species from, --white
humans .
However, in spite of the fact that
we of the middle class have been drawn
to an interest in jazz, I doubt that
jazz is much the better for it. I
feel that sometimes we have a tendency
to regard jazz music as our special
province and that we, of all people,
are best qualified to pass judgment on
all matters pertaining to it, and that,
were it not for our interest in the
subject, the art would languish and
die .
True, --we have certain accomplish-
ments to our credit. The records, the
books, the jazz sessions and concerts
produced by and for the jazz enthus-
iast are worthwhile enterprises and
have served to sharpen the perception
of those Concerned. And t-his is im-
portant, for every art has two pre-
requisite s ,-- the talent of perception
and the talent of creation. But when
a group lacks one of these talents no
art will be produced. I say that we
of the middle class have failed to do
much for jazz; we have whetted our own
appetites for jazz music, but we have
done little to provide a more sub-
stantial and timely bill of fare.
Nothing new has appeared in jazz since
Fletcher Henderson began using four
saxes .
To those interested in creating
circumstances more conducive to the
development of jazz music, I would
suggest the following course of
action :
A recreational facility might be
established in each large metropolitan
area to accommodate a great number of
the low-pay dancing and drinking
citizenry. Policies to be pursued in
such enterprise would be:
1. Rock bottom prices of drinks
and admissions;
2. Exceptionally high salaries of
musicians and entertainers'
3. Complete control by the clien-
tel of the entertainment policy of the
e s t abli shment ;
4. Utter disregard by the manage-
ment for any opinions expressed by
jazz critics, whether competent or
i n c omp e t e n t .
Of course such an enterprise would
require at the outset the subsidy of
a well-healed association. Such an
enterprise would be a dead natural for
the C.I.O., or the cooperative move-
ment, or for any other interest that
has a bill of goods to sell to people
at the lowest income levels. To me it
is quite amazing that such a program
has not already been undertaken.
Such a project is only one of a
thousand ways in which the American
proletariat could be brought together
for an expression of their will. I
will settle for any other.
Nesuhi Ertegun, the young man who
went west, is back in Washington for
the social season. He has favored us
this month with a very interesting
article, and we hope he will continue
to do so .
It seems that everybody is making
money except Gullickson. Get a load
of this: "Thanks to the ad in the
Kecord Changer, my King Oliver South-
ern Stomps went for $65.00. It was
bought by CM. Campbell, of Los Angeles.
I got 8 bids, and the low was $8.75."
Dick Kieber, Chappaqua, New York.
A number of our advertisers sub-
mitted their ads this month on our new
forms (see p. 13). The use of these
forms saves us so much work thaf we
have decided to charge 10* per item
tor classified advertising not sub-
mitted on these forms. The reduced
rates you obtain by using these forms
are shown on page two. Of course for
advertising outside the classified
sections, it probably would be more
convenient for you to type up your
lists as you have previously.
-£-C
AUCTION
J. O1 BYRNE DeW ITT
51 Warren Street, Roxbury (19), Mass,
(Auction closes December 31, I9H3)
AUCTION
KING OLIVER
NEW ORLEANS STOMP/CHATANOOGA STOMP
Co
13003
E
KING OLIVER
YOU'RE JUST MY TYPE/l MUST HAVE IT
VI
38124
E
KING OLIVER
WHEN YOU'RE SMILING/ST. JAMES INFIRMARY
V 1
22298
E
BUTTERBEANS & SUSIE (OLIVER)
CONSTRUCTION GANG/A TO Z BLUES
OK
8 163
V
JELLY ROLL MORTON
BLACK BOTTOM STOMP/THE CHANT
VI
20221
G-V
JELLY ROLL MORTON
MOURNFUL SERENADE/REO NOT PEPPER
BB
6601
V
JELLY ROLL MORTON
THE PEARLS
ge
5323
G-V
JELLY ROLL MORTON )
DIXIELAND JUG BLOWERS)
(Doctor Jazz
( MEMPH 1 S SHAKE
VI
20415
V
JOHNNY DUUUb
WILD MAN 8LUES/WELANCH0LY
Br
3567
G-V
JOHNNY UuUUb
JOE TURNER BLUES/WHEN ERASTUS PLAYS
Br
3997
G— V
JUHNNY UUUUo
SWEET LORRA 1 NE/PENC 1 L PAPA
V 1
38038
E
DRY'S SUN5HINL UKbHtolKA
ORY'S CREOLE TROMBONE/SO C 1 ET Y BLUES
f c i i out -A-* u ,u d i imc" roAp^ 1
\ oL 1 un 1 2 MAINLINE. OKAUIvy
suns
3003
E
CLARA SMITH
NOBODY KNOWS THE WAY 1 FEEL/lF YOU
Co
14058
E
junwiMT uuimn
Span i sh dreams/hallelu jah blues
Co
3839
V
JAMES P. JOHNSON
WEEPING BLUES/WORRIED & LONESOME BLUES
Co
3950
V
JUOt.rn KUDLUgMUA
ST ■ LOU 1 S BLUES/K 1 NG KONG STOMP
vo
2539
V
RUMMY RPR 1 HAN
l*T"7 lie" at lice /fu a unrc
J A L L ML bLULo/ UnANuLo
1
Rl IMMV RPR 1 fi AIM
□ 1 iTTAkl DIITTnM /DnrVI U 1 DAI 1 rDC ' OMR
tJU T f UN , bU 1 1 UN/HUtM N HULLLno HUB
26077
RUMMY RFR IRAN
DUNN r DCn 1 V3 t\l*
Uipu cap | (TTV /I 1 VF DV ^TflBI P" Rl IIF*?
niun OUUI tl T/LI VtKT O 1 MDLL DLULO
V 1
26068
G— V
Rl INMV RFR 1 RAN
d i a ma t i imcd mam /ui c i nu_un
r | flIMU 1 UNCn Mftrl/nL 1 afl nU
V 1
25776
RUNNY RFR 1 HAN
DUilM I DC- r\ i <j nil
i wamt & Kiriw onuAwrr/i in i nur to pi av
V 1
25688
y
1 iriMFI HAMPTON
1 i/ma* THAT Vrtl 1 kMfim/^IINMV c i nF OF ^TPFFT
V 1
25592
N
L I0NEL HAMPTON J
UflT PI 1 ID )
nu 1 w LUD J
( STOMPOLOGY
( SW 1 NG GU 1 TARS
VI
25601
G
L 1 UNLL HAMr 1 UN
Early session hop/One sweet letter
VI
26393
G— V
L lUNLL HAMr 1 UN
Till tom special/shades of jade
V 1
26604
G— V
LIONEL HAMPTON
Central ave. breakdown/Jack the bellboy
V 1
26652
N
LIONEL HAMPTON
Bo go jo/open HOUSE
V 1
27341
V
JUNGLE BAND
Rent party blues/uoin' the voom voom
BR
4345
E
DUKE ELLINGTON
The mooche/mood indigo
V i
24486
N
DUKE ELL IN6T0N
CREOLE LOVE CALL/BLACK & TAN FANTASY
V 1
2486 1
N
ELLINGTON & BLANTON
PlTTER PANTHER PA TTER/SOPH ISTICATED LADY
V 1
2722 1
V
DUKE ELLINGTON
All too soon/i never felt
V 1
27247
E
DUKE ELL 1 NGTON
Chelsea bri dge/What good would it do
V 1
27740
E
DUKE ELL 1 NGTON
BAKI Ff/G 1 DDYBUG GALLOP
V 1
27502
N
DUKE ELLINGTON
John hardy's wife/After all
V 1
27434
E
DUKE ELLINGTON
BLUE SERGE/JUMP 1 N ' PUNK 1 NS
V 1
27356
E
BLNNY GUUUMAN
SW I NGT 1 ME IN THE ROCK 1 Es/f'EW BABY
V 1
25355
N
BENNY GOODMAN
Good— bye/sandman
V 1
252 1 5
N
BENNY GOODMAN
King porter/Somet i mes i 'm happy
V 1
25090
N
BENNY GOODMAN
Alexander 's ragtime band/riffin at the ritz
Vl
25445
V
BENNY GOODMAN
Bugle call rag/after you've gone(Dorsey)
V 1
25467
N
BLNNY GUUUMAN
Don't be that way/One o'clock jump
VI
25792
E
BENNY GOODMAN
SING, SINK, SING, 1 & 2
V I
25796
N
BENNY GOODMAN
T I — p i— t i n/please be kind
V 1
258 1 4
E
BENNY GOODMAN
Don't wake up my heart/Savin' myself
V 1
25867
G
BENNY GOODMAN
WRAPPIN IT UP/MELANCHOLY BABY
V 1
25880
N
BENNY GOODMAN — w
C 1 R 1 Bl Rl B 1 n/BUMBLE BEE STOMP
V I
26087
V
BING CROSBY
Till we meet/My kinda love
Co
1 773
V
B 1 NG CROSBY
l found you/snuggled on your shoulder
Br
6248
V
8ING CROSBY
Good night, little lady/once in a blue moon
BR
6854
G-V
BING CROSBY
Black moonli ght/thanks
BR
6643
V
BING CROSBY
love in bloom /Straight from the shoulder
BR
6936
V
BING CROSBY
Young and healthy/Getting to be a habit
BR
6472
G-V
NEW ORLEANS RHYTHM KINGS
WEARY BLUES/WOLVERINE BLUES
Ge
5102
G-V
FRIARS SOCIETY ORCHESTRA
Farewell blues/Oriental
ge
4966
G-V
WOLVERINE ORCHESTRA
BIG boy/Tia juana
Ge
5565
G-V
CLARENCE WILLIAMS BLUE FIVE
Mean blues/shreveport blues
OK
40006
V
BROADWAY BELL-HOPS
Cradle in carolina/no land like dixieland
Dl
2504
E
JABBO SMITH
Ml CHI gander blues
BR
7069
E
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