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TURK MURPHY'S JAZZ BAND

PL

CREOLE BELLE
DADDY DOO
THE PEARLS
KING CHANTICLEER
FIVE ACES
CLARINET FOO YOUNG
MISSISSIPPI RAG
PANAMA

Columbia LP 6257

YOUR CHOICE

OF EITHER OF
THESE TWO LONG

FREE

THE RECORD CHANGER
FOR THREE YEARS

THE RED ONION JAZZ BAND

CREOLE BELLES
MISERY BLUES
AUNTIE SKINNER'S
CHICKEN DINNER
LONDON BLUES
SNAKE RAG
MY MAMMA ROCKS ME

SALTY DOG
I'M A LITTLE BLACKBIRD

Riverside LP 2503

1 953" 1 954 promises to be a great year for record collectors and jazz fans in particular.
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Announcement +?

RIVERSIDE RECORDS HAS ACQUIRED THE RIGHTS
TO THE ENTIRE CATALOGUE
OF ISSUED AND UNISSUED CIRCLE RECORDS

is pleased to announce the addition to its present stockpile of important jazz material
of all recordings on the foremost recent traditional jazz label. Circle, during its seven
years of activity, recorded the work of a great number of major jazz artists, much of
which is currently unavailable. In addition, the Circle property includes all of the
celebrated "This is Jazz" Rudi Blesh Radio broadcasts — many of which have never
been released on records; the priceless Jelly Roll Morton Library of Congress docu-
mentary series — including some recordings never released ; the fabulous Solo-Art series
of recordings by the great barrelhouse piano players: Jimmy Yancey, Cripple Clar-
ence Lofton, Meade Lux Lewis and others. At least two dozen Solo- Art masters by
Lofton and Yancey have never been released, and were until recently believed lost.

Riverside can now add these and many other Circle masters to the Paramount,
Gennett, Champion, early Piano Roll material now in our possession. As with
this other body of highly important, historic jazz, we will begin almost immedi-
ately to issue long playing records of Circle's significant contributions to jazz.

We shall continue to bring to the jazz world the finest in jazz reissues, processed,
pressed and packaged in the best possible manner.

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NEW YORK, N. Y.

Brief reports and comments on subjects of inter-
est to jazz students, by associates and friends of the
Institute of Jazz Studies. Please address all inquir-
ies, suggestions and contributions to Marshall W.
Stearns, 108 Waverly Place, New York 11, N. Y.

THE PROBLEMS OF PROVENANCE

(This is a selective condensation from an
early chapter of Marshall Stearns' forthcom-
ing book which has tentatively been titled
Main Currents in Jazz, to be published by
Harpers in 1954.)

In dealing with the earliest roots of jazz
in New Orleans, the present writer has often
wondered if it might be possible to identify
the exact African tribes which were brought
to New Orleans from the time the city was
founded. If we could identify such tribes —
even approximately — we might have a clue
as to the nature of the African music that
went into the making of jazz. We might
even identify certain drum rhythms that
managed to survive, although most cer-
tainly diluted, in the first marching bands
of New Orleans. Information on the subject
is sadly lacking, however.

In general, Professor Melville J. Hersko-
vits has argued persuasively that the great
majority of Negroes in the New World came
from the West Coast of Africa, from around
Dakar to the Congo, and especially the Gulf
of Guinea. Lyle Saxon states that 500 slaves
from Martinique, Guadeloupe, and San
Domingo were imported into Louisiana in
1716, and 3,000 more in 1717. New Orleans
was founded in 1718. Unfortunately, the
ship manifests preserved (and reprinted by
Elizabeth Donnan) seldom tell us more than
"coast of Affrica" as the source of slaves,
although "Guinea" occurs occasionally.

Perhaps the most helpful clue is to be
found in the history and nature of the slave
trade itself. Dominated at first by the Portu-
guese, then the Dutch, and finally the Brit-
ish (with the French a poor second), as the
slavers gradually progressed south along the
coast of West Africa, the slave trade de-
veloped certain accidental traditions: the
colonists of each European power came to
prefer slaves from the tribes with which they
first became acquainted. Thus, the Dutch
colonists in Brazil preferred Senegalese ;
British colonists wanted Ashantis from the
Gold Coast ; Spanish colonists favored Yo-
rubas from Nigeria; and French colonists
liked slaves from Dahomey, which was
known as the Slave Coast. Of course, these
preferences are merely trends and the over-
all picture is full of exceptions.

Nevertheless, when the novelist-journalist
G. W. Cable described the Congo Square
dances in the Century Magazine (February,
1886) — and he implies that he is drawing
upon his observations before the Civil War
— he lists some 19 specific African tribes lo-
cated all the way from Senegal to the
Congo. Four of the tribes come from Yoruba
territory, however, and four more from Da-
homey, home of "the half civilized and
quick witted but ferocious Arada, the origi-
nal Voudou worshipper." Since New Or-
leans was under French rule for 46 years
and Spanish rule for 36 years, the presence

of Dahomean and Yoruban Negroes docu-
ments the genrral preference of French and
Spanish planters at an early date.

Further, judging by the example of Haiti,
which was originally Spanish, then French
(1697), and finally a republic (1804) which
remained relatively isolated, Negroes from
Dahomey tended to dominate the culture of
all other tribes. Courlander found traces of
at least 37 African tribes in Haiti, but the
dominant African culture is Dahomean. In
fact, for 12 years (1847-1859), vodun was

the semi-official religion. The parallel to the
early history of New Orleans is close, and
the persistence of vodun in New Orleans to
this very day, as well as its spread north,
furnishes evidence for the hypothesis that
an important ingredient in early jazz
rhythms derives from Dahomey. I offer these
speculations by way of preface to a new
clue: the instruments themselves.

In the course of research for my forth-
coming book, tentatively entitled "Main
Currents in Jazz," I came across a few
sketches by an architect named B. H. B.
Latrobe of the actual instruments he saw
being played in Congo Square in 1819. Ex-
act copies appear on these pages. These
sketches were dashed off hurriedly and do
not offer much detail. Latrobe merely says:
"The music consisted of two drums and
a stringed instrument. An old man sat
astride of a cylindrical drum about a foot
in diameter, & beat it with incredible
quickness with the edge of his hand and
fingers. The other drum was an open
staved thing held between the knees &
beaten in the same manner. They made
an incredible noise.' The most curious in-
strument, however, was a stringed instru-
ment which no doubt was imported from
Africa. On the top of the finger board
was the rude figure of a man in a sitting
posture, & two pegs behind him to which
the strings were fastened. The body was
a calabash. . . . One, which from the
color of the wood seemed new, consisted
of a block cut into something of the form
of a cricket bat with a long & deep mor-
tice down the center. This thing made a
considerable noise, being beaten lustily on
the side by a short stick. In the same or-
chestra was a square drum, looking like
a stool, which made an abominably loud
noise; also a calabash with a round hole
in it, the hole studded with brass nails,
which was beaten by a woman with two
short sticks."
If we could identify where these instruments
came from, we should have important addi-
tional evidence concerning the exact origins
of African music in New Orleans.

A search through several illustrated books
on African instruments has revealed very
little beyond the fact that the general style
(including the carving) is typically African.
Dr. Curt Sachs says that "the elaborately
carved long-neck lute, however, hints at the
Congo, and so does the hobby-horse drum."
Harold Courlander feels that the square
drum may be Ashanti and he has seen in-
struments like the "cricket bat" in Cuba.
In the meantime, I am sending a copy of
the sketches to the newsletter of the African
Music Society in the hope that someone
may identify them more closely. Any com-
ments or suggestions will be gratefully re-
ceived.

Marshall W. Stearns

The Record Changer is published monthly by Changer Publications, Inc., 125 La Salle St., New York 27, N. Y. and is copyrighted 1954 by
Changer Publications, Inc. For subscription and collectors' advertising rates see the information blanks in another section of the magazine.
For commercial advertising rate card write our New York Office.

Evidence unearthed receitfly from the
archives of the Denver Jazz Record Club
has inspired the development of a new
theory which at last explains the origin of
jazz.

A letter from W. C. Handy to the Denver
organization says that "More than fifty years
ago (i. e., 1895) it was my good fortune to
tour Colorado as bandmaster with Mahara's
Minstrel and to witness "The Festival of
Mountain and Plains" in Denver when seven
hundred and fifty bandsmen played a march
by that title. ... I was impressed by a
band from Salina, Kansas, playing an oddity
called Ragged Rapscallions. From that time
I began to arrange such novelties for my
band and this led to The Memphis Blues
and St. Louis Blues in the early part of the
twentieth century."

From this it must be inferred that St.
Louis, Missouri, was not the inspiration nor
the real locale of St. Louis Blues. What
really inspired the name must have been St.
Louis Creek, which runs past Frazer, Colo-
rado, and Aksel Nielsen's ranch. That this
creek has more than local renown is substan-
tiated by the fact that President Eisenhower
spent his vacation this year fishing in it.

Extensive extrapolation of intuitive rea-
soning, however, has soared beyond the
bounds of the Handy, Bolden, Clarence
Williams, Jelly Roll origins to the logical
conclusion that jazz was conceived and
given form by the Swedes.

This minority, in the persons of the Wis-
consin and Minnesota lumberjacks, left the
northern part of the country at an early
date, going down the Mississippi on the river
boats to Louisiana, where they engaged in
the lumbering off of the cypress swamps.
In this rough and ready frontier atmosphere,
intermarriage, especially in New Orleans,
the great melting pot, produced such men
as Bunk (Bunkhouse, after the near-forgot-
ten Minnesota lumber camp) Johnson.
Shortly afterwards, Joseph (King) Oliver
arrived on the scene, and was amazed at
the technique and invention of the un-
schooled musicians, with their near pure
culture, in their isolated camps. He was im-
mediately inspired to write Snag It, after
the cry of the jacks on the mill ponds as a
log drifted by.

Even earlier, the legendary Buddy Bolden

was a cook in one of these camps. He would
heap the food high until the jacks would
shout "That's a plenty!" This atonal chor-
using, with its underlying current of rejec-
tion, protest, and indigestion, was heard by
J. Russel Robinson, later to join the Original
Dixieland Jass Band, and obviously a Swede.
He hummed the strain to a bunkmate who
turned out to be none other than Mel
Stitzel, who later recorded it with the New
Orleans Rhythm Kings. That this is so is
proved by the fact that to this day there are
Stitzels living in Parkers Prairie, Minnesota.

One of the traditional songs attributed to
the Creole is Eh, la Bas. That this is but
slightly changed from the joyful antiphonal
chants of the sweaty lumberjacks as they
returned from the hot forests — "Ah, the
bath!" — is obvious.

Many traditional jazz tunes show the un-
mistakable influence of the Swedish lumber-
jacks whose music was colored by the lofty
forests in which they worked and lived :
Bessie Smith's Weeping Willow Blues;
You've Been a Good Ole Wagon (lumber
camp wagon depreciation was ferocious) ;
Waller's Willow Tree; Hines' Deep Forest;
and Herman's newer Woodchoppers' Ball.
The derivation of "Maple Leaf Rag" is ob-
vious. Mahogany Hall Stomp commemorates
the cutting of the last remaining mahogany
forests in the continental United States. One
of the greatest of the jazz evergreens (a sig-
nificant term, by the way ! ) was inspired by
a lumberjack, member of a large family,
who was unable to climb trees with the agil-
ity of some of his relatives. His despairing
cry, "I wish I could shinny like my sister
Kate" eventually became corrupted to the
current version.

Pinetop Smith was born in a lumber
camp under the most bizarre circumstances,
from which he derived his name. Other
giants of jazjs whose names prove that they
have some Swedish ancestry are Bernard
Addison; Herman Chitteson; Vic Dicken-
sen; Johnny Dodds (originally Doddsen) ;
Duke Ellington (originally Ellingsen) ;
Jimmy Harrisen; Fletcher Hendersen; Bill,
James P., and Lonnie Johnson (Jensen) ;
Oscar Petersen; and Teddy Wilsen.

Thus it seems there can no longer be a
reasonable doubt that jazz came DOWN,
rather than UP, the Mississippi.

6

2 3 choose their top 1 0

(The game of picking all-time bests, favorites, and what-have-you is one that quite
understandably never seems to die out. It's obviously interesting to know how musi-
cians and critics feel about such things, if only to disagree strenuously. Brazilian col-
lector-critic George Guinle, while on a recent trip to this country, actually did what
many collectors idly consider doing: he went out and asked twenty-three men for
ten-best lists. The lists produce few major surprises — except perhaps the persistence
of the New Orleanians in remembering the standouts of their youth — but there are
some interesting variations from what you might expect. We offer these lists not as
any conclusive "poll," of course, but only as a revealing cross-section of opinion.
— The Editors.)

Always curious to know the opinion of the critics and musicians
about their all-time favorites, I approached several of them during
my last visit to the States and was very lucky to get a truly repre-
sentative list, due to the different tastes of the critics involved and
the different styles of the musicians that were asked to give their
opinion. As a rule, I found out that the musicians were naturally less
objective than the critics, prefering colleagues that play in the
same style.

From New Orleans, I interviewed George Lewis, Omer Simeon,
Danny Barker, Edmond Hall and Albert Nicholas. Their lists are the
following :

BY JORGE GUINLE

GEORGE LEWIS
Jelly Roll Morton
Lorenzo Tio, Jr.
Bix Beiderbecke
King Oliver
Buddy Petit
Johnny Dodds
Honore Dutray
George Baquet
Christ Kelly (trpt)
Charlie McCurdis (trb)

OMER SIMEON
Jelly Roll
Tio

Armstrong
Oliver

Geo. Mitchell
J. Dodds
Miff Mole
Jimmy Noone
Earl Hines
Coleman Hawkins

EDMOND HALL
Teddy Wilson
Irving Fazola
Armstrong
Goodman
Buddy Petit
Ralph Sutton
Jack Teagarden
Sidney Catlett
Earl Humphreys (trb)
Bessie Smith

DANNY BARKER
Armstrong
Tio

Jelly Roll
Buddy Petit
J. Dodds
Kid Ory
Johnny St. Cyr
Black Benny (drs)

Earl Hines
Bessie Smith

ALBERT NICHOLAS
Armstrong
Tio

Jelly Roll
King Oliver
Buddy Bolden
Freddie Keppard
Jack Teagarden
Catlett

Morris French (trb)
Bessie Smith

From the so-called Chicago group, I had
Eddie Condon, Wild Bill Davison, Bud
Freeman and pianists Ralph Sutton and
Earl Hines. Here are their ten best:

EDDIE CONDON
Armstrong
Bix

Teagarden

Frank Teschmacher

Noone

Fats Waller

Wild Bill Davison

Catlett

Dave Tough

Bessie Smith

WILD BILL DAVISON
Armstrong
Bix

Teagarden

Goodman

Noone

Ralph Sutton
Bunny Berigan
Zutty Singleton
Darnell Howard
Coleman Hawkins

BUD FREEMAN
Armstrong
Bix

Teagarden
Lester Young
James P. Johnson
Fats Waller
Buck Clayton
Dave Tough
Duke Ellington
Bessie Smith

RALPH SUTTON
Armstrong
Bix

Teagarden
Edmond Hall
Willie the Lion
Waller

Bobby Hackett
Hot Lips Page
Catlett
Walter Page

EARL HINES
Armstrong
Goodman
Tommy Dorsey
Eddie South
Charlie Christian
Waller

Coleman Hawkins
Duke Ellington
Catlett

Jimmy Blanton

Now the choices of the modern boys:
DIZZY GILLESPIE
Charlie Parker
Lester Young
Fats Navarro
Jay Jay Johnson
Nat Cole
Bud Powell
J. C. Heard
Freddie Webster
Hershel Evans
Ray Brown

SHELLY MANNE
Parker
Young
Gillespie
Art Pepper
Stan Getz
Al Cohn
Shorty Rogers
Lee Konitz
Tiny Kahn
Milt Jackson

SHORTY ROGERS
Parker
Young
Miles Davis
Art Pepper
Stan Getz
Al Cohn
Harry Edison
Zoot Sims
Neil Hefti (arr.)
Duke Ellington (arr.)

CHARLIE PARKER
Gillespie
Young
Fats Navarro
Jay Jay Johnson
Art Tatum
Charlie Christian
Max Roach
Benny Carter
Armstrong
Sidney Bechet

OSCAR PETERSON
Gillespie
Parker
Don Byas
Goodman
Bill Harris
Art Tatum

{Continued on Page 19)

7

who were the bujjalodians?

BY WOODY BACKENSTO /'

At last, it can be told! But why should
there be any interest in these recordings of
the twenties? Mainly because the identity
of The Buffalodians has long been a big
question mark and the standard discogra-
phies contain erroneous information about
them.

By way of background, readers of the
now-defunct Canadian Record Exchange
will recall the first of my short articles about
this group in August, 1950. This article
quoted the standard discographies that Red
Nichols, Miff Mole and Ross Gorman were
present and concluded with a plea for all
collectors to work together toward a com-
plete Buffalodians discography. In the Feb-
ruary, 1951, issue, I reported after hearing
some of these records that the horn solos
sounded typical of Nichols and Mole but
that there was enough doubt to warrant
checking further. I had learned that The
Buffalodians were an organized orchestra
and that neither Nichols nor Mole recorded
with them!

The second article brought forth several
differences of opinions from collectors. These
opinions were helpful and welcomed, but I
had to stick to my printed words. Finally,
patience won again. C. Hilding Bergquist
obtained the true Buffalodians personnel
from Harold Austin, whose band now plays
The Buffalodians' strongholds and who op-
erates these ballrooms.

To answer my questions and to add au-
thenticity to the report, Mr. Austin checked
with his neighbor, Hank Krompart, the first
trumpet man with the Buffalodians who
still has a scrapbook to prove all his in-
formation. Since all the recordings by the
group were made in New York City, here
is how it all came about:

The Buffalodians had a large and faith-
ful following around Buffalo, N. Y. The
band owned a ballroom there and played at
Crystal Beach during the summer. But they
journeyed to New York City seeking greener
pastures. While playing one-nighters around
New York, Bill Gallagher, operator of the
Monte Carlo, heard them over WMCA and
hired them by phone. The Buffalodians fol-
lowed Ross Gorman's band at the Monte
Carlo and this fact probably accounts for
Gorman remembering the band and some-
how becoming erroneously connected with
their recordings. Hank Krompart stated,
"Gorman, Mole and Nichols had no con-
nection with the outfit except as admirers,
which was mutual at the time."

In addition to the similarity of style, the
fact that someone hollers, "Do it, Mr. So-
and-So!" on "Deep Henderson" seemed to
be the best argument for Red Nichols' pres-

ence on these records. It was assumed that
Nichols' name could not be mentioned be-
cause of other recording contracts. It was,
in fact, the pianist, Dick George, who
shouted these words of encouragement to
Hank Krompart.

The personnel and their recordings fol-
low :

Henry Krompart (tp) ; Norman Booth
(tb) ; Jules Pillor, Bill Wullen, Ivan Beaty
(saxes) ; Jack McLaughlin (violin) ; Charlie
Panico (guitar) ; Dick George (piano) ;
Harold Raub (bass) ; Harold Tapson
(dms) ; Harold Arlen (piano and vocals).
May 24, 1926

142242 Here Comes Emaline—Co 665-D

142243 Deep Henderson— Co 665-D
About June 1926

6648-3 Baby Face—Ba 1776, Do 3749,
Re 8087

6648- 3 (350) Baby Face— Puritan 11469
(Yankee Ten Orch.)

(381-2) Baby Face— Or 684 (Yankee Ten
Orch.)

6649- 2, 3 How Many Times— Ba 1778, Re
8088

6649-1 .(351) How Many Times — Puritan

11469 (Yankee Ten Orch.)
(353-3) How Many Times — Or 670 (Lou

Connor's Dance Orch.)
(931) How Many Times— Im 1713
(The tunes "I Can't Get Over a Girl Like
You" on Im 17.13 and "Hard To Get Ger-
tie" on Re 8087 previously credited to the
Buffalodians should be deleted from their
discography. )
August 20, 1926

142553 Would-Ja?—Co 723-D

142554 She's Still My Baby— Co 723-D
Frank Davis (tp) added.

About August 30, 1926

107055- 2 Broken Hearted Sue—Pe 14705,
Pat 36524

107056- 1, 2 Someone Is Losin' Susan — Pe
14699, Pat 36518

10705? / Never Knew What The Moonlight

Could Do—Pe 14698, Pat 36517
10705? Pretty Cinderella
107059-1 Play Gypsies, Dance Gypsies — Pe

14696, Pat 36515
The records from this session were released
under the name of McLaughlin's Melodians.
The first tune listed was issued December
1926, the others in November 1926.

To add authenticity to the personnel given
above, Walter C. Allen reports that a picture
of The Buffalodians appeared at the time of
their recordings in Metronome. The picture
caption lists essentially the same men with
minor differences in the spelling of their
names.

When the Buffalodians returned to Buf-
falo, their arrangements were over the heads
of the old dance crowd so they again left
Buffalo in 1927 and journeyed to Cleveland
where they played Willoughby Beach Park
and then Willis Lake Shore Tavern. After a
series of dances in and around Akron, Ohio,
they again tried vaudeville. At their last
date at the Grand ' Theater in Pittsburgh,
Pa., the proposition was discussed about re-
turning to New York for a date that was
ready and waiting. By this time, however,
disagreement among the four "owners" of
the band hao> reached such a state that the
band voted against the return, stacked the
"books" on the shelf and went their various
ways.

Hank Krompart recalls that Harold Arlen
kept him up all night on their return to
Buffalo' pleading with him to return to New
York to try their hands at writing since
Krompart, Arlen and Ivan Beatty had made
all the arrangements for the band. Needless
to say, Arlen went to New York and on to
great success as a writer.

The following thumbnail sketches of the
band's personnel were provided by Henry
Krompart as best he could remember.
Krompart, himself, returned to Buffalo and
played night club and theater dates until
he landed a staff job with BBC and later
WBEN from 1929 to 1940. Since 1940 he
has played club dates, but has been con-
nected with the Aluminum Co. of America
for the past 10 years.

Frank Davis is still in the business, worked
mostly around New York, not too long ago
with Fred Waring, and at last word was on
the road with the Hollywood Ice Revue.

Norm "Boots" Booth is in business in
Jametown, N. Y., and doing some teaching.

Jules Pillor lives in Hamburg, N. Y.,
where he has a music store, operated a
school of music and still does some playing
and teaching.

Bill Wullen worked on radio for many
years and at present is in the Palace (Buf-
falo) Theater pit band.

Ivan Beatty worked around Buffalo, sp^-nt
several years in the Buffalo Theater pit
band, now practically out of the business,
works for Bethlehem Steel Co. in Lacka-
wanna, N. Y.

Harold Tapson now works for the County
of Erie and still plays some.

Charlie Panico, several years ago, was
living in Rochester and doing some booking.

Dick George worked radio and club dates
in Buffalo for a while, went into the manu-
facturing drug business. At last report was
in New York.

(Continued on Page 14)

Due to continued demand

Wo kav* reprinted a number of
COPIES OF THE SPECIAL

LOUIS ARMSTRONG

Cbimju&hAahy Haaus

off THE RECORD CHANGER

Tito special combined

July-August 1 9S0 issue.

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•re now available at

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125 U Sell* St, N. Y. C. 27. N. Y.

8

■EHIND

THE CORWERS
earl keedkiora

Help wanted: In the course of some of
our research we have need of the titles,
band names, vocalists' names, and catalog
numbers for certain master numbers. If any
of our readers can provide such data we
urgently request that they send same to us
as soon as possible. The masters for which
we need information are : Cameo and asso-
ciated labels— 3418, 3419, 3421, 3422, 3578,
3587, 3591, 3620, 3623, 3758, 3759, 3761,
3762, 3763, 3764, 3765, 3769, 3910, 3911,
3913, 3914; Plaza (Regal Domino, etc.)
masters— 8469, 8472, 8473, 8474, 8475,
8479, 8540, 8544, 8655, 8656, 8658, 8659,
8760, 8764; Pathe-Perfect masters — 108484,
108487, 108512, 108516, 108648, 108721,
f08724. Data on these specific masters will
fi!i some important gaps in a research proj-
ect.

C. Hilding Bergquist, of Minneapolis,
Minn., answers Bert Worster's request about
Romeo 1243 which Mr. Bergquist had on
Cameo 0223, and states that it is a New
York studio band with Charlie Magnante
on accordion and Al Dubin on clarinet.
This information was given to Mr. Bergquist
by Magnante some years ago. Barney Crosby,
of San Francisco, reports on a curious issue
on an obscure Australian label. The label
is Kismet and is by Rollini's Dance Orches-
tra. It is number K-722 and couples OV
Man River (400994A) with Can't Help
Lovin' That Man (402152B). The first side
is, of course, the Bix & His Gang side but
the reverse Barney can't identify.

John Slingsby, of Playa del Rey, Califor-
nia, has Co 14387-D which couples Texas
& Pacific Blues (147566) and Sunshine
Special (147567) by Frenchy's String Band.
This is a trio consisting of cornet, guitar,
and string bass with a vocal on the second
side by a male Negro singer. John says the
record was heard by several collectors and
they thought it was King Oliver. Texas . . .
is actually Bucket's Got A Hole In It. Can
anyone help out by identifying this group?

H. Buck, of Lawrence, Kansas, has a
Guy Lombardo record which just doesn't
sound like Guy to him! It is Co 1451 — The
Cannon Ball ( 145840) /I'm More Than Sat-
isfied (145839). Anyone know whether this
is really Lombardo or some other group mis-
labelled? There is a scat vocal on the first
side which is hardly normal for Guy Lom-
bardo!

Thomas B. Ryan, of Waltham, Mass.,
wants to know the personnel of the Five
Birmingham Babies doing Hard Hearted
Hannah on Pe 14311. Mr. Ryan does not
give the master but our listing shows it to
be n- 105484 and it dates as late summer

1924. Mr. Ryan mentions a fine trumpet
solo and an accordion solo. All we can say
is that this is a small group led by Adrian
Rollini taken from the California Ramblers
(or Golden Gate Orchestra) which may
have Red Nichols on cornet. Also Chelsea
Qualey on trumpet and Bobby Davis on
alto are in this group. The "accordion" is
actually Adrian Rollini on goofus which he
plays in addition to the bass sax and hot
fountain pen! Can anyone provide a better
and more complete personnel?

Label of the Month: In the twenties the
Larkin Co. of Buffalo was the Macy's of
that city. They had their own label, Sym-
phonola, which was apparently pressed for
them by Palhe as Symphonolas carry the
Pathe catalog numbers in the wax just like
Pathe and Perfect issues. Our thanks to
Howard Rea, of Upper Montclair, N. J.,
whose record we used for our photo. It is
Symphonola 4412 and the side shown is
Somewhere A Voice Is Calling (n-68381-3)
(025090A) by Tito Schipa, tenor. The re-
verse is Cerchero L o n t a n a Terra
(n-68383-1) (025090B) by the same artist.
As the numbers in the wax show, this is the
same coupling as Pathe 025090 and it also
appears on Perfect 11524 according to a
listing on a Perfect sleeve. The label is red
and all lettering and designs are in gold.
We can list one other issue of this label :
4407 — At Dawning, I Love You (n-69118-1)
[025085 A) /Annie Laurie (n-69119-1)
(025085B) by Yvonne Gall, soprano solos.
This is, of course, on Pathe 025085.

More questions: Leon Whitley, of Dallas,
Texas, wants the personnel for Dick Mc-
Donough's Love, What Are You Doing To
My Heart ( 19893 ) /You're Giving Me A
Song And A Dance ( ?) on Me 6-12-03.
Leon is especially interested in trumpet,
trombone, and sax which are heard in solos.
Tommy Dorsey told Leon it was not him
but might be Jack Jenny or Miff Mole.
Leon also thinks he has an early Ellington
in The Crawl (684-2) as by the Dixie Jazz
Band on Challenge 628. If it isn't Ellington
Leon says it's a very good imitation. The
reverse is Muddy Water (682-1) as by
Billy James' Dance Orch. which spots good
jazz violin, guitar (quoting Mr. Whitley:
"a la Venuti-Lang"), and trumpet plus a
sweet trombone. We suspect Leon is right
on this latter as that title with Plaza master
7041 by Jack Pettis features Bill Moore on
horn and Venuti and Lang. We know noth-
ing about the first side.

Barney Crosby thinks the piano on Will
Shade's Vi 21725 coupling Better Leave
That Stuff Alone and She Stabbed Me With
An Ice Pick is Jimmy Yancey. Anyone able
to confirm or deny this or offer any opin-
ions? And finally, can anyone provide the
identity of the girl vocalist on Don Bestor's
Victor (in the 24000 series) issue of Gather
Lip Rouge While You May for Carl Davis,
of Buffalo?

We have not been getting very much data
in our quest for data of issues on the little
labels of the '20's (see previous columns for
details) of late. Please take a little time to
go over your discs and list these data for us.
If you have a lot of discs, send the catalog
numbers to us and we'll check off which
ones we don't already have data for so that
you don't have to list any that we already
have. Send data and queries, opinions, rec-
ords, etc., to us at 74 South Road, Harrison,
N. Y., or c/o the Changer. See you next
month.

the record changer

editor-publisher

bW grauer, jr.

maraain/r, editor

of i m keepnews

circulation

jane grauer

art director

pa ul bacon

THE

GENNETT
PAPERS

excerpts from the company's historic record h

Much of the early history of recorded
jazz is, of course, permanently shrouded in
obscurity. Documentation of dates and per-
sonnels is, quite understandably, apt to be
in a state of hopeless confusion, since the
memories of musicians who might have
made hundreds of sides are apt to be
vague and contradictory — and the men who
made many of the earliest are not always
still around even to do any guessing.

The companies who first issued jazz
records, for the most part, probably kept
accurate lists and files at the time. But old
lists have a way of getting lost, or being
thrown away, or simply becoming decayed,
as time passed and as many companies
changed ownership or just went out of
business, particularly in the dismal days of
the early '30s. Even when the documenta-
tion still exists, some companies are re-
luctant to go digging, or let eager dis-
cographers rummage through the bottoms
of their files. And there are undoubtedly
listings that have remained uncovered sim-
ply because no one knew where to look
for them.

This was pretty much the case with the
ledgers and records of the Gennett label,
which have always been carefully preserved
by the Gennett family, but have never be-
fore been made available to the jazz pub-
lic. The Record Changer now is able to
offer selected pages excerpted from these
papers — selected because, as these pages
indicate, some of the greatest of Bix, Morton
and Oliver sides were recorded just before,
after and in the midst of some fairly in-
credible-sounding commercial and assorted
other material.

These lists do not, of course, answer all
the questions. Most notably they cannot be
of help on matters of personnel. But they
are invaluable sources of knowledge as to
exact recording dates, master numbers, how
many takes (often for never-released or
hardly-ever-heard-of discs). And these are,
just as importantly, one of the greatest
sources of sheer jazz nostalgia that can be
imagined.

11348

1134 8A

11348B

11348C

11349

11349A

11349B

11349C

11350

11350A

11350B

11350C ,

11351 2(jt

11352 £YCJT

1135 2A QlzX
1135 2B Pjy£

11353 P/cjT
11353A 9X- 1
11353B Oic-I-

11354 OKI
11354A 0/</-
11354B I
11354Cf£7-

11355 -
11355A °£f~
11355B tfcl
11356 \l< I

Any Old Port In A Storm

Any Old Port In A Storm

Any Old Port In A Storm

Any Old Port In A Storm

When The Bell In The Lighthouse Rings

When The Bell In The lighthouse Rings

When The Bell In The lighthouse Rings

When The Bell In The Lighthouse Rings

Asleep In The Deep

Asleep In The Deep

Asleep In The Deep

Asleep In The Deep

I'll Be Bock In A Minute But I Got To
Go Now

Sweet Lovin1 Mari/C

Man

Sweet Lovin'
Sweet Lovin'
That's

That's A Plenty
That's A Plenty
Shimme shswabble-
Shimmeshawahble
Shimmeshawabble
Shimmeshawahble
Weary Blues,
Weary Blues
Weary Bluets
Da Da Strain

,ovin' Man „ \
A Plenty /J

11356A
11356B
11357
11357A
11357B
11358
11358A
11358B
11359
11359A
11359B
11360 .:
11361
11361A
11361B
11361C
11361D

®4-

<7C '
9 k L

id

Da Da Strain^
Da Da Strain
Wolverine Blues
Wolverine Blues
Wolverine Blues
Maple Leaf Rag
Maple Leaf Rag
Maple Leaf Rag
Tin Roof Blues
—Tin Roof Blues
Tin Roof Blues

1 2an± T 1 larsTA on—

Vioiin jia.lt) C
Accordion n
Apple Sauce,
Accordion i>
Piano, Saw Mill

4(W

River Road

Harry
Harry
Harry
Harry
Harry
Harry
Harry
Harry
Harry
Harry
Harry
Harry

Schuerman.
Schuerman,
Schuerman,
Schuerman,
Schuerman,
Schuerman,
Schuerman,
Schuerman,
Schuerman,
Schuerman,
Schuerman,
Schuerman,

Harry Schuerman,
New Orleans Rhythm

New
New
New
New
New
New
New
New
New
New
New
New
New

New
New
New
New
New
New
New
Ne<"
Ne™
New
Ne™

Orleans
Orleans
Orleans
Orleans
Orleans
Orleans
Orleans
Orleans
Orleans
Orleens
Orleans
Orleans
Orleans

Orleans
Orleans
Orleans
Orleans
Orleans
Orleans
Orleans
Orl eans
Orleens
Orleans
Orleans

Rhythm
Rhythm
Rhythm
Rhythm
Rhythm
Rhythm
Rhythm
Rhythm
Rhythm
Rhythm
Rhythm
Rhythm
Rhythm

Rhythm
Rhythm
Rhythm
Rhythm
Rhythm
Rhythm
Rhythm
Rhythm
Rhythm
Rhythm
Rhythm

3-11-23
3-11-23
3-11-23
3-11-23
3-11-23
3-11-23
3-11-23
3-11-23
3-11-23
3-11-23
3-11-23
3-11-23

3-11-23
Tings 3/1
3-12-23
Kings "
Kings "
Kings "
Kings "
Kings "
Kings "
Kings "
Kings "
Kings "
Kings "
Kings "
Kings "
Kings
3-13-23
Kings "
Kings "
Kings "
Kings r
Kings "
Kings "
Kings "
Kings "
Kings v
Kings "
Kings "

GENNETT

THE STAflR PIANO CO.

11751 Jlgety FeetN;
11751A Pigety Feet
11751B Pigety Feet' . ^
11751G Pigety FeetL "X \P*

11752 lazy Daddy [ x
11752A Lazy Daddy \
11752B Lazy DaddyJ

11753 Sensation Rag
11753A Sensation Rag

11754 Jazz Me Blues-
11754A Jazz Me Blues

11755 Coaxing The Piano

11756 Etiice and Knifty

11757 Zapateado
11757A Zapateado
11757B Zapateado
11757C Zapateado
11757D Zapateado

11758 Valse-Caprice
11758A Valae-Caprice
11758B Valse-Coprice

11759 Spanish Serenade & From The

Canebrake
11759A Spanish Serenade & Prom The

Canebrake
11759B Spanish Serenade & Prom The

Can eh rake

11760 To A Wild Rose
11760a To A Wild Rose
11760B To A Wild Rose

11761 Swine Song
11761A Swing Song
11 75 IB Swing Song

11762 Baddy Good Doer(or) Steady:

Steppin' Papa !
11762A Baddy Good Doer(or) Steady'

Steppin' Papa /
Good Doer(or) Steady
Steppin' Papa
Babtistown Crawl
Babtistown Crawl
Babtistown Crawl
Ethiopian Nightmare
Ethiopian nightmare
.Stk-i u jj 1 s n m jh t >no r o —
Dixieland Jazz Band One Step
Dixieland Jazz Band One Step
Steady Roll Blues N
Roll Blues

Wolveri
Wolverin
Wolverin
Wolverin
Wolverine
Wolverine
Wol verine
Wolverine
Wolverine
V/ol verine
Wolverine
lelia Xema
Leli-a l ema

Orch.

0

Or oh .

Orch .

Orch.

Orch .

Orch .

Orch,

Orch,

Orch.

r

r

of
of_

"Chitrego

of Chicago
of Chicago
of Chicago
of Chicago
of Chicago
odP Chicago

Robert
Robert
Robert
Robert
Robert
Robert
Robert
Robert

Robert

Robert

l*0 Robert
Robert
Robert
Robert
Robert
Ro Lert
Robert

Perutz
Pe rutz
Perutz
Perutz
Perutz
Perutz
Perutz
Perutz

Perutz

Perutz

Perutz
Perutz
Perutz
Perutz
Perutz
Perutz
perutz

11762B Daddy

11763
11763A
11763B
11764
11764A

11765
11765A
11766
11766A
11766B
11767
11767A
11767B

Steady
Steady
Mobile
Llobile
Mobile

Roll Blues
Blues
Blues
Blues

A A

Happy
Happy
Happy
Happy
Happy
Happy
Happy-
Happy
Happy

The
The
The
The
The
The

sts

sts

Harmonists
Ha rraonist
Harmonists
Harraoni
Harmonist
Ha rmonist_
Ilnrmoni sit a
Harmoni sts
Ilarmohists
Piv
Piv
Piv_
Pive
Pive
Pive

8-24
18-24
2-18-24
2-18-24
2-18-24
2-18-24
2-18-24
2-18-24
2-18-24
2*18-24
8-24
2-18-24
2-18-24

8-

2-
2-
2-
2-
2-
2-
2-

20-24
•20-24
20-24
20-24
20-24
20-24
20-84
20-24

2-20-24

2-20-24

2-
2-
2-
2-
2-

n

2-

•20-24
20-24
20-24
•20-24
•20-24
20-24
20-24

2-23-24

2-23-24

2-

23-24
23-24
23-24
23-24
23-24
23-24

Bucktown
Buck town
Buck town
Buck town
Buck town
Buckt own

1 1

GENNETT

THE STARR PIANO CO.

11768

11768A

11768B

11769

11769A

11769B

11769C

11770

11770A

11770B

11771

11771A

11771B

11772

11772A

11772B

^711773
11773A

401774
11774A
11775

Really A Pain (A
Really A Pain (A
Really A Pain (A
Chicago Blues
Chicago Blue 8
Chicago Blues
Chicago Blues
Hot Mittens (A
Hot La t tens (A
Hot Mittens (A
Buddy's Habits
Buddy 'a
Buddy 's
Someday,
Someday,
Someday,

Lucia
Lucia

Danube Waves
Danube Wares
Lindenau and

Stomp )
Stomp )
Stomp j

Stomp )
Stomp ) vV
Stomp) 7^

The
The
The
The
The
The
The
The
The
The
The

Habits
Habits
Sweetheart
Sweetheart
Sweetheart

Polka
Polka

The
The
The
The
The

Schepp
Schepj
Schepp
Schepp

Buck: town
Buck: town
Buck town
Buck town
Buck town
Bucktown
Buck town
Buckt own
Bucktown
Bucktown
Bucktown
Bucktown
Bucktown
Bucktown
Bucktown
Bucktown

&

Piv^V <
Five JSjf***"

Fiva-^
Five\ J ^

Five )f*^

8c
&
8c

Five

Fiv
Fi

Five
Fiv,
Five
Five
Five
Schuckert
Schuckert
Schuckert
Schuckert

Harmonica
Polka

tf///11775A Lindenau and Harmonica

Polka

Lovers Dream
Lover's Dream
Mfczur Kuba Jurek
Landler Waltz
Beautiful Days
lleriechen Jtaltzer
Bartoszu-Bartoszu(Krakowiak)
Zirta Polka and Mei

Liesere Polka
Patricia Mine

Schepp 8a Schuckert

25-24
25-24
2-25-24
-25-24
"#^25-24
2-25-24
2-25-24
2-25-24
-25-24
2-E5-24
2-25-24
2-25-24
2-25-24
2-25-24
3-5*2-25-24
2-25-24

2-27-24
2-27-24
2-27-24
2-27-24

4>|7ll776

11776A
W11777
tf/11778
6HI 11779
4/ 11780
<W11781
4)711782

Schepp
Schepp
Schepp
Schepp
Schepp
Schepp
Schepp

Schepp

Schuckert
Schuckert
S chuck er*
Schuckert,
Schuckert
Schuckert
Schuckert
& Schucke

Schepp & Schuckert

2-27-24

-27-24
-27-24
-27-24
-27-24
-27-24
-27-24
-27-24
-£7-24

2-27-24

11783

117 831 Patrioia Mine

11783B Patrioia Mine
13784 Mother's Boy
117841 Mother's Boy
11784B Mother' ■ Boy

11786 You'll Una There
"LOVDJGff Like My

117861 You'll Find There
"LOVnrG" Like My

11785B You'll Find There
"LOVIEG* Like My

Joie Lienor's q1iiroBflin flllTh nin~

^t^^rSr^^ 3-4-

Joie

Joie

Joie
Joie

Joie

Liohjfer's

24

:'a Sta-ancr Symphon-
iats
Strand Symphon-

Symphon-

3-4-24
3-4-24
3-4-24
3-4-24

Ian'
Kind
Ian't
Kind
Ian't
Kind

ive^view
Bob Tamm'8
Riverview

Boh Temm'8
Riverview

iata
Million Dolla]
Orchestra
Million Dollar
Or cheat rg
Million Do!
Orchestra

Symphon-

3-4-24
3-4-84

3-4-24

GENNETT

THE STARR PIANO CO.

K-14

Sittin In The Corner Vaughan Quartette

4-J4-24

K-15

11841

11841A

11842

11842A

11842B

11843
11843A
11843B
11844
11844A
11844B
/11845\
111846 )
11847/

ll

11848^
11848A1!
11848B
11849 i
1184 9il^^
11849B
11850
11850A
11851

11

851 Ay

11852

1185 2A

11852B

11853

11853A

11853B

11854

11854A

11854B

11855

11855A

11855B

11856C

11856

Teat

To A
To A
Just
Juat
Just

Wild Rose
Wild Rose
A Weary in1
A Wearyin'
A Weary in1
Prinoesita
Prinoesita

For You
Air You
jj'or You
(in Spaniah)
fin Spanish)

Prinoesita fin Spaniah)
Wayfare'a Night Song
Wayfare'a Night Song
Way fare* a Night Song
Blue Hooaier Blues
Land of Cotton Bluea
It Ain't Gonna Rain No
More

The Deaoon Told Me I

Was Good
The Deacom Told Me I

Waa Good
The Deacon Told Me I

Was Good
Mean Bluea

Mean Blues

Mean Bluea

You May Be Loneaorae

You May Be Lonesome

He8itation Bluea

Hesitation Blues

liar ion Mann
La r ion Mann
Marion Mann
Morion Mann
Liar ion Mann
Royden Susumago
Royden Susumago
Royden Susumago
Royden Susumago
Royden Suaumago
Royden Suaumago
Clarke, Manning
Clarke, Manning
Clarke, Manning

Art

Oh Baby
Oh Baby
Oh Baby
Copenhagen)
Copenhagen
Copenhagen
Rive rb oat Shuffle
Rive rb oat Shuffle
Riverli oat Shuffle
Susie r\ r>4
Susie Y^ixg
Susie « W£ V
Suaie * S '
Royal

&
&
&

Clarke
Clarke
Clarke

Gillham - The Whisper-
ing Pianist
Gillham - The Whisper-
ing Pianist
Gillham - The diaper-
ing Pianist
Gillham - The Whisper-
ing Pianist
Gillham - The Whisper-
ing Pianist
Gillham - The Whisper-
ing Pianist
Gillham - The Whisper-
ing Pianist
Gillham - The Whisper-
ing Pianist
Gillham - The Whisper-
ing Pianist
Gillham - The Whisyer-
ing Pianist
Wolverine Orchestra

Art

Art

Art

Art

Art

Art

Art

Art

Art

Garden Blu

n

4-19-24

4-2T-T4
4-22-24
4-22-24

4-rr-: 4

4-22-F4
4-30-24
4-30-24
4-30-24
4-30-24
4-30-24

4 - 30-24

5- 1-24
5-1-24
5-1-24

5-2-24
5-2-24
5-2-24
5-2-24
5-2-24
5-2-24
5-L-24

5- 2-24 j

6- 2-24 !

Sic

Wolverine Bluea

5-2-24;

5-6-24
5-6-24
5-6-24
5-6-24
5-6-24
5-6-24
5-6-24
5-6-24
5-6-24
5-6-24
5-6224

5- 6-24

6- 6-24
n5-6-24

13

GENNETT

11930

11930A

11930B£est

11931

11931A

11931B

119310^*^

11932

11933 '

11933A

11933B

11934

11934A

11935

11936

K-26

K-26A

K-26B

K-26C

K-27

K-27A

K-27B

11937
11938

11939

I Need Some Pet tin
I Need Some Pettin
I Need Some Pettin
Royal Garden Blues
Royal Garden Blues
Royal Garden Blues
Royal Garden Bluas
Tiger Rag
Tok'okio
Tok'okio
Tok'okio
Doodle Doo Doo
Doodle Doo Doo
Blue Evening Blues
Everybody Likee the
Same Sweet Girl
In The Light of the
Fiery Cross
In The Light of the
Fiery Gross
In The Light
Fiery Gross
In The Light of the
Fiery Gross
The Fiery Gross
'Vale

The Fiery Gross in the
Vale

The Fiery Gross
Va le

Sweetest Little
Tuning Fork and
Singing lube
Tone Variometer
Organ Pipe

j wtftv&zLxie^ Orchestra
/jL^^w^^e^n^Or che s t ra
Wolverine Orchestra
Wolverine Orchestra

of the

in the

in the

Rose
Ehipp

and

le

>rine
Wolverine

Romance of
Romance
Romance
Romance
Romance
Romance
Walter

Orchestra
Orchestra
Orchestra
Orchest

Harmony
of Harmony
of Harmony
of Harmony
of Harmony
of Harmony
H. Moehrl -

Orch
Orch
Orch
Orch
Orch
Orch

Acc . JcsX&-

by Romance of Harmony Orch.^
Imperial Quintett of

Lansing, Mich.
Imperial Quintett of

Lansing, Mich.
Imperial Quintett of

Lansing, Mich.
Imperial Quintett of

Lansing, Mich.
Imperial Quintett of

Lansing, Mich.
Imperial Quintett of

Lansing, Mich.
Imperial Quintett of

Lansing, Mich.
Stuart Girls

Arthur L. Foley

Arthur L. Foley

20-24
20-24
20-24
20-24
20-24
20-24
20-24
20-24
30- 24
30-24
30-24
30-24
30-24
30-24
30-24 IV, /»

2-24

14

Sometime in 1947 a frustrated DJ got
hold of Ted Weems' Vi version of Heart-
aches and gave it a presumably reluctant
spin and most inadvertently brought more
fame to the worthy Weems than his fine,
bouncy band enjoyed even in its heyday.
Our DJ was frustrated because there was a
nasty old musicians' recording strike on and
there was nothing newer, defined as "bet-
ter," to play. A few more twirls and other
stations were getting calls for the record and
the first thing you know it was a national
hit. By some strange coincidence, Victor
had not sold the master for scrap, and they
reissued it. Decca, by some oversight, had
also had the band do it for them when it
moved over to them from Columbia and the
Decca version popped up too. Presently all
the furore brought Ted Weems out of re-
tirement, or semi-retirement and, together
with Elmo Tanner, whose whistling chorus,
also, was as much responsible for the disc's
success as the band's playing, was signed by
Mercury for a batch of sides. Most of these
were standards, like Mickey, Sally Won't
You Come Back, Peg O'My Heart, Violets,
etc., together with a sprinkling of the nov-
elty numbers Weems had fared moderately
well with in the past, such as The Martins
and The Coys. All of this mediocrity only
served to point up the really accomplished
Weems Orchestra of the past, which the
new group in no way equalled or even ap-
proached.

This was a tight, unsentimental outfit
with bright, unhackneyed arrangements, and
sparkling ensemble playing with a strong
beat. "Peppy" might best describe the
group, which wasn't hot by true jazz stand-
ards, but had many delicious hot licks and
solos interlaced within a more or less
straight performance. Weems appeared first
on VI sometime in 1923, with electrical re-
cording still a good two years away. Per-
haps his first sides of note were Somebody
Stole My Gal, still an outstanding version
of this grand song (Vi 19212), and what
may have been the first commercial-hot plat-
tering of My Gal Sal (Vi 19287). An espe-
cially effective arrangement of A Smile Will
Go A Long Long Way was backed by the
equally-rousing Nine O'Clock Sal, on Vi
19258. Other outstanding acoustical Weems
etchings include Don't Forget To Remember,
Blue Rose (Vi 19274), Blue-Eyed Sally (Vi
19547) and Dear One (Vi 19491).

The band made only a few records in
1925, 1926 and early 1927, but thereupon
embarked on its most musically productive
period, the best of the first microphone ef-
forts being Smile A Little Bit (Vi 19930),
Love Bound (Vi 20033), and Oh! If I Only
Had You (Vi 20133). Weems now began
to feature vocalists, and ironically, most of

his vocalists later reached greater fame than
the band. The earlier ones were Parker
Gibbs, Dusty Roades and Art Jarrett. Jar-
rett had both the best voice and a style
suited to the band's wide range, and in-
creasingly displayed a jazzlike takeoff un-
usual in a pop vocalist. Roades did good
work on What's the Use of Crying (Vi
20234), Highways Are Happy Ways (Vi
20910) and Roam On, My Little Gypsy
Sweetheart (Vi 20892), but he was at his
very best in the scintillating all-around
Miss Annabelle Lee and Barbara (V
20846), all of which likewise show the band
at its peak in vigorous, exciting drive.
Parker Gibbs did well by Everybody Loves
My Girl (Vi 21173), Walkin' My Baby
Back Home (Vi 22637) and Sing (Vi
22515). Walkin', by the way, seemed po-
tentially made for them and vice-versa, but
oddly enough they spoiled it with too fast

a tempo. Jarrett distinguished himself on
/ Still Get a Thrill (Vi 22515), / Found
You Out (Vi 21773), You Gave Me Every-
thing But Love (Vi 22646) and a few
waltzes, which Weems did with unexpected
flair, and without the maudlinity of the
usual dance band doing 34 time. The most
tasteful were All That I'm Asking Is Sym-
pathy (Vi 22236), Dream River (Vi
21339), Song of Surrender (BB 5288), the
latter being sung by Wes Vaughn, and Car-
olina's Calling Me (Vi 22877).

Other distinctive pressings by the band at
this time were Baby Doll and // You Want
the Rainbow (Vi 21670), Cobblestones (Vi
21105), You're the Cream, etc. (Vi 21767),
Flower of Love (Vi 21643), Me and The
Man in the Moon (Vi 21809), What a Day
(Vi 22038), Miss Wonderful (Vi 22137)
and My Baby Just Cares For Me ( Vi
22499). When Victor started the Bluebird
label, Weems was one of the bands moved
over to it, but although still close to their
best, the boys made few striking sides for
BB, excepting Boulevard of Broken Dreams
(BB 5288). The subsequently famous Red
Ingle made one of his first label appearances
on / Guess It Had To Be That Way (BB
5292).

For a short time, Ted Weems was on
Royal Blue Columbia, doing good if unin-
spired renditions of such uninspiring tunes
as One Little Kiss (Co 2975), Blue Sky
Avenue (Co 2957) and Out of the Night
(Co 2956). The band made no more rec-
ords for some time and then came under
the Decca banner for several years begin-
ning about 1936. Here, the changes in per-
sonnel and style began to make inroads, and
originality and sparkle cropped up less and
less, although it certainly comes through in
the truly impeccable grooving of the little-
appreciated Con Conrad tune Moonlight,
still available together with Nola because
of the Tanner whistling solos on both, on
De 25105; Hey Babe Hey and Rainbow on
the River, the combined sides (De 969)
bearing the all-star lineup of Perry Como,
Red Ingle, Elmo Tanner and Parker Gibbs.
Later releases featured Mary Lee (Juliana —
De 2020; Merry-Go-Roundup— De 3135);
drum solos by the renowned Orm Downes
(Runnin' Wild — De 3135; Gambler's Blues

De 2408) ; and of course Perry Como,
whose vocals are too numerous to list ex-
cept to mention that at least a brace of
them are still available in the coupling of
That Old Gang of Mine and / Wonder
Who's Kissing Her Now on De 25078.

The Ted Weems Orchestra, like Joe
Haymes and Gene Kardos, had neither the
lush sentimentality to catch the public eye
nor the hot abandon to please the hot jazz
coterie and, like them, had to aim at a
minority taste for the fair success it en-
joyed. Although roughly in the same cate-
gory as the other two, there still was an
indescribable, superior difference, topped off
by. an ensemble polish lacking in all others
of this genre. The Weems of yesterday could
fiil a devastating void today.

the buffalodtans

{Continued from Page 7 )

Harold Raub joined the Buffalo Theater
band about 1928 and stayed quite a while.
Probably went back to New York later but
have no positive information.

Jack McLaughlin worked around Buffalo
for a while and then disappeared. He trav-
elled all over the world with music and re-
ports say he died and is buried in Shanghai,
China.

Hank Krompart was glad to learn that
the pioneering they did in the twenties is
still worthy of consideration at this late date.
When meeting several of the "names" he
met in the Big Town they always ask,
"What ever happened to that outfit? That
was some band!" Well, that's the story.

My thanks to all those mentioned above
for their assistance in uncovering these data.
Thanks are also due Perry Armagnac, Bob
Colton and John Randolph who supplied
data and records for aural comparison.

o

INCREASED POSTAL RATES

BECAME EFFECTIVE OCTOBER 1st

New increased rates became effective
October 1, 1953. These increases were ap-
proved by the Interstate Commerce Com-
mission early in the year and do not per-
tain to the proposals submitted to Con-
gress just before adjournment. The new
rates are as follows:

Each Added

First Pound or

Zone Pound Fraction Thereof
Local and

Zone 1 18^ 1.450

2 230 3.950

3 230 5.150

4 240 6.900

5 260 9.250

6 280 11.950

7 300 15.200

8 320 18.050

The weight limitations which became
effective on fourth class parcel post mail
on Jan. 1, 1952, still apply. Mailings from
a first class post office to another first class
office are limited to forty pounds and 72"
in girth and length if within local, first
or first-and-fiaction zones and to twenty
pounds if to the second zone or beyond.

15

GEORGE AVAKIAN
JACK W. FARRELL
DICK HADLOCK
BUCKLIN MOON
ROBERT L. THOMPSON
MARTIN T. WILLIAMS

paul lingle at the piano

yellow dog blues/ pastime rag no.
3/london blues/ blame it on the
blues/ memphis blues/sweet substi-
tute/sidewalk blues/black bottom
stomp

Jazz is full of half-forgotten by-ways, and
Paul Lingle's piano has long been one of
them. Everyone I've ever met who has heard
him has sworn by him, but no clear picture
emerged from those reports, and when I
finally heard him play in 1947 I realized
why this was so.

Paul Lingle has too often been referred to
as a ragtime pianist, which he is, in part,
but only in part; he is more on the order of
what Jelly Roll Morton really was (as a
soloist) : a great bar-room pianist, parlor pi-
anist, reception-room-of-a-sporting-house pi-
anist, the highest order of intermission
pianist, an entertainer at the keyboard. Take
i your pick.

Les Koenig's excellent back-cover notes
for this LP (the front cover, incidentally,
is a great photograph by Harry Bowden)
point out one thing which comes as a slight
surprise to those who have heard Lingle play
in a San Francisco bar in an International
Settlement side street. Having heard Lingle
only on a very bad upright in a noisy bar,
I did not expect so much tender and deli-
cate playing as he produces in this set. In
the peace and quiet of a studio, Lingle has
been able to give full play to this side of
his playing, and in one number particularly
Jelly Roll Morton's marvelous Sweet Sub-
stitute— the results are absolutely moving.
Lingle can impart a tragic accent to almost
anything he plays; his Sweet Substitute is a
classic of its kind.

Everything else has the same serene, un-
worldly quality which is far removed from
the atmosphere in which I have heard Lin-
gle play, and which is presumably one of
the most natural habitats of his kind of
piano. The serenity carries with it a touch of
aloofness which has a charm of its own, and
which is heightened by the almost careless
way in which Lingle tosses off extreme in-
dividual interpretations of tunes which
would be played very differently by other
pianists, and by the quaintness of his
slightly unsteady tempos, which are again
part of the attractiveness of the Lingle style.
Paul's uneven beat is attributed by some of
his fans to his years of solo playing; it isn't
anything to apologize for, but GTJ has
wisely chosen to make it easier on those who
are hearing Paul for the first time by using
Bob Short on bass in most of the numbers
to accompany (very much in the back-
ground), primarily as a steadying influence
on the tempo. Monte Mountjoy plays an
equally inobtrusive drum part on Sweet
Substitute.

Several of the tunes in this set are pri-
marily known as instrumental numbers, and
it's quite startling to hear how Lingle han-
dles them. In some cases, as in Sidewalk
Blues, he takes an already spare melodic line
and simplifies it even more. What Les
Koenig says of Lingle's narrative sense is at
its truest in the "instrumentals" — knowing
how various bands have treated them, one
is fascinated that much more by following
Lingle's pianistic explorations. At that, one
of the best examples of this is in the totally
pianistic Pastime Rag No. 3, which is so fine
that one regrets that it is the only rag in
the set.

Lingle's use of dynamics and his delicate
touch is nowhere clearer than in London
Blues, in which he very nearly outdoes the
master himself in a very different version
than Morton's; the way he manages to make
a note ring through a break is almost mys-
tifying. (It can be done, but to do such a
small thing so well is the sign of an artist.)

This is a set you can play many times
over and always find new points of beauty;
even the startling dissonances in Yellow Dog
Blues iron themselves out after a few times.
And the lovely things in it get nicer and
nicer.

Now that the notoriously shy Lingle has
made his first recordings (some acetates Bill
Russell sent me before the war can't be
counted ) , let's hope that there will be many,
especially of rags. Though Paul can play a
blues with the best of them, too. (Good
Time Jazz— L-13) (G. A.)

earl nines

snappy rhythm/honeysuckle rose/
fine and dandy/boogie woogie on st.
louis blues/night life in pompey/
tea for two/chicago/japanese sand-
man

The first four titles are performed by a
trio: Hines, Arvell Shaw, and Wally Bishop
on drums. The overall effect is one of an
informal session that was fairly pleasant to
attend, but one which suffers a little on
record, where it is subjected to cold, sober
ears. There is really nothing musically ob-
jectionable in these trio selections; it's just
that the men sound a bit wilted, and the
ideas are those that come without thinking,
almost as reflexes.

Earl sounds relaxed, and occasionally
churns up a nicely conceived modern solo.
But most of his work sounds contrived and
too much in a "showpiece" style. Honey-
suckle trods the worn boards of quick change
from slow to fast. Hines launches into his
old and usually effective percussive synco-
pation, but here it never quite seems to get
off the ground.

Fine and Dandy gives Earl a fine vehicle
to display his prowess, especially along more
modern lines. What results is agreeable,
swinging music, but not much more than
one could hear on almost any recording of,
say, Andre Previn. The Boogie Woogie bit is
one of those things that someone decides
"should" be in the album to give it more
commercial appeal or something. Earl uses
the tinkle-bell-trill effect over five choruses,
if that's of interest to anyone.

The other side of this record contains four
selections by an assemblage made up of
Hines, Barney Bigard, Buck Clayton, Arvell
Shaw, and Wally Bishop, who congregated
in France for these sides. Buck and Bishop
were in Paris and the others were touring
with Armstrong, sometime within the last
two years.

Night Life is a minor blues, with good
cup mute work by Buck and the usual flam-
boyancy expected of Barney. No one builds
anything great, but the selection is a most
pleasant one. There is a Night in Tunisia
sort of vamp and some one-finger piano
work by Hines. Tea for Two is, of course,
Bigard's specialty, and for that reason alone
should not have been included. Although
this tune has plenty of interesting changes,
Barney sounds like a tired old man who has
made them all many times. By force of habit,
he plays some excellent clarinet, but any
enthusiasm the side attempts seems to fall
just a bit flat.

Chicago has more high-flying Bigard and
relaxed Clayton Buck can still produce one
of the most beautiful tones extant, but there
are some clinkers on this side. On Japanese
Sandman, Buck stands out, Barney sounds
confused, and Arvell Shaw seems uncertain
of the tune. The ending points up the tenor
of the whole set, namely that of a private
session that someone taped and should have
reconsidered before issuing. With a little
more work and freshness, these could have
been excellent recordings. They are not, on
the other hand, free or exciting enough to
capture the spirit of a jam session.

The recording is not ideal technically, but
there are much worse on the market. The
pressing seems adequate. Cover is without
special artwork and there are no album
notes. (Dial 303)

Richard B. Hadlock

new Orleans encore

the red onion jazz band

creole belles/misery blues/auntie
skinner's chicken dinner/london
blues/snake rag/my mama rocks
me/ealty dog/i'm a little blackbird

The Red Onion Jazz Band is a mighty
flavorsome dish. What a good slice of onion
does for a hamburger, these gents do for a
jazz tune, and this initial recorded display
presents a well-rounded sample of their
wares. The band was climaxing a long run
at the Blue Note in New York when the
sides were made and much of the amiable,
easy going quality of that "job" is expressed
in the atmosphere of this pleasingly un-
frantic disc. The album is called "New Or-
leans Encore," but the mood indicates it was
delivered to New York via San Francisco,
as there is more than a taste of that fine,
down home, Murphyland flavor about it.

16

records noted

(Continued from Page 15)

With the exceptions of banjoist Chuck
Kling and Bill Stanley, tuba, all the Onions
have played with the. Dixieland Rhythm
Kings. Cornetist Bob Hodes and pianist
Robin Wetterau are with the DRK at pres-
ent, while trombonist Chuck Sonnanstine,
clarinetist Joe Muryani and drummer Bob
Thompson have been vital functionaries in
various of that crew's earlier periods. Certain
similarities of character are therefore much
in evidence.

Aunty Skinner's Chicken Dinner has a real
loony duet by those two funny men, Son-
nanstine and Muranyi. Hodes' cornet takes
two beats to roll the gang into a rocking
first ensemble which is strictly mashed-po-
tatoes-and-gravy for the hungry cats. The
vocal duet gets exactly right support from
a real "old time" sounding rhythm section.
Piano, tuba and banjo are never too blatant,
while drummer Thompson's tasteful selection
of cutlery adds just the right te'xture to the
mix. Hodes' half-chorus cornet solo, his only
one on the whole date, provides an effective
transition into a fine, rollicking ride-out.
This thing could be murder on the juke
boxes.

London Blues is a nicely done interpreta-
tion of the Morton number, doubly interest-
ing because Wetterau plays his solos the way
a good barroom "Prof" would have handled
it. The jacket blurb states he has learned it
from Jelly and the Ragtimers, but Mr. W.
is not any Jelly imitator. Instead, he appears
to be developing on a parallel line to Jelly,
taking his "lessons" from the countless anon-
ymous "professors" of the past, to whom
Morton also was indebted. You'll find no
studied aping of the Morton phrasing,
though much of the spirit is there. Neither
does he slug you with a pedantic rehash of
Waller, James P., and Hines at this point.
If a name must be mentioned, try Dink
Johnson. Wally Rose remains this reviewer's
ragtime king in the carriage-trade saloon
category, but for just plain beer joint piano,
the day is rapidly coming when nobody will
cut Robin Wetterau.

Creole Belles has a notable Joe Muranyi
chorus with powerful tuba support. Comes
the modulation and Brother Wetterau an-
nounces the new strain with a piano solo
that actually lets you taste the flowing wurz-
burger. The remaining ensembles in the sec-
ond strain are very warm, with Bob Hodes
blowing probably his best work of a very
satisfying date in them.

Misery Blues is a somber trombone-clar-
inet duet, very Mood Indigo-hh in nature,
particularly notable for the rapport of trom-
bone and tuba on Sonnanstine's solo. Mama
Rocks Me is also quite moody, sort of like
Noone's Apex Club Orch. playing a Russian
funeral. Wetterau goes another fine chorus
here.

Blackbird is notable for Muranyi's partic-
ularly tasteful clarinet in the initial ensemble
and a very cute solo of his that follows. Son-
nanstine trombones up a fine chorus with a
walloping good opening. As for Salty Dog,
this offers an exuberant Muranyi vocal with
fine trombone and rhythm support plus lots
of easy tempoed movement by all.

Snake Rag is one of those things that
should happen more often. The ensembles
rock all the way, and best of all, they do not
get louder or tighter in the closing choruses,
nor does Hodes throw in a screamer to an-
nounce the final ensemble, as do too many
current lead men. It is here that Chuck

Sonnanstine shines his brightest. In addition
to his very personal style of tailgate en-
semble, he takes a solo that is one of the
best by any jazzman in the revival period.
His dynamics are perfect and his special
genius at simple but effective opening
phrases was never more apparent. His style
includes bits of Ike Rogers, Honore Dutrey
and Murphy, but mostly it remains Charley
Sonnanstine, whose sufficiency on these discs
speaks for itself. (Riverside RLP 2503)
(J- W. F.)

doc evans dixieland concert

under the double eagle/ atlanta
blues/when we dance at the marti
gras/struttin' with some bar-b-que/
jazz me blues/st. louis blues/mary-
land/ muskrat ramble/bucket's got a
hole in it/south rampart st. parade

This latest Evans effort was recorded at a
concert at the Walker Art Center in Min-
neapolis and is perhaps the most consistently
exuberant sequence of tunes that Evans has
recorded. Besides Evans' cornet, the band
features Hal Runyon — trombone, Loren
Helberg — clarinet, Warren Thewis — drums,
O. Biddy Bastien — bass (really), and
Tommy McGovern — piano. Everybody turns
in a better than average "free-style" dixie-
land performance in traditional format.
Most of the tunes reflect some extremely
tasteful head arrangements. The ensembles
are very cohesive and swing splendidly.
Evans' cornet playing is here more aban-
doned and intense than on any of his pre-
vious recordings. It was a surprise, a pleasant
surprise indeed, for a long time admirer of
his subdued style.

It was a delight to find Marti Gras on
this long playing disc. It hasn't been heard
as a jazz tune since Dick Robertson's mid-
thirties version for Decca. South Rampart
St. is a flag waver, given the more or less
standard Bob Crosby arrangement, and at
just slightly too fast a tempo at that. Mary-
land, Bucket, and Atlanta are also very re-
freshing and inspired, and there are no
important complaints for any of the other
tunes.

The recording is on cherry vinyl with
excellent surface. Audience sounds picked
up at the concert add a touch of atmosphere
for those that care. (Soma LP, MG 100)
(R. L. T.)

blind blake

j. p. morgan/jones, oh jones/yes yes
yes/ pretty boy/run come see/love
alone/lord got tomatoes/pigeon/
watermelon spoilin' on the vine/
nevei- in erf ere with man and wife

Blind Blake and his boys provide some of
the most good-natured, swinging and rock-
ing, down-home music ever heard on rec-
ords. First off, Blake is no relation of the
blues singing Blind Blake who recorded for
Paramount. The present Blake is a wander-
ing minstrel from the Bahaman Islands who
sings and plays a merry banjo. He is assisted

vocally and instrumentally by two guitarists
and a bass player. Occasionally they are
joined by drums or maracas. Blake and the
boys have been together off and on since
1934 and hence it is no surprise that they
work so well together. Their music is a
blend of folk-song, calypso and early jazz
combined with a vast repertoire of local
ballads. The songs are all in English with
a thoroughly charming West Indian accent.
About half of the selections are in rocking
4/4 time with the remainder exploring vari-
ous Latin rhythms. All swing.

Yes Yes is essentially another version of
the old familiar jazz melody also called
Beedle Um Bum or The Duck's Y as Yas.
Run Come See commemorates an incident
of the 1929 Bahaman hurricane in the man-
ner of a hot spiritual. Several other selec-
tioons are also closely related to American
folk tunes. Love Alone tells the story of the
romance between the abdicated King Ed-
ward VIII and Mrs. Simpson.

This collection is a genuine treat. Don't
miss it. (Art ALP 3) (R. L. T.)

blind blake — vol. 2

foolish frog/little nassau/hold 'im
joe/peas and rice/jump in the line/
wheel and turn me/consumptive sara
jane/gin and coconut water/conch
ain't got no bone/wreck of the john
b./1891

More by Blake and his boys, this one per-
haps even more delightful and certainly with
even more jazz interest. I am easily carried
away by banjo plunking and lyrics like
". . . Some say her breath is sweet, but I'd
rather smell her feet. She's my freckle faced,
consumptive Sara Jane." (Art ALP 4) (R.
L. T.)

blind blake — vol. 3

run joe/mary ann/curley cay/delia
gone/bahama mama/eight babies/
boat pull out/brown skin gal/goom-
bay drum/noise in the market

More of the same including such tidbits
as ". . . Oh, she left me behind with eight
babies to mind . . ." and the familiar Mary
Ann. (Art ALP 6) (R. L. T.)

voice of the congo

This latest addition to Riverside's distin-
guished World Folk Music Series was re-
corded by Alan and Barbara Merriam during
an extended 1951-1952 field trip in the
Belgian Congo and Ruanda-Urundi. As
anthropologist Merriam notes, "The music
of the Belgian Congo represents far more
than a mere curiosity. It is, rather, a com-
plex of involved musical systems, functional
in its application, sophisticated in its tech-
niques, and a rich creative expression of the
people who sing and play it."

Several distinctly different groups of peo-
ple are represented in this collection, pro-
viding moving testimony to the oft told tales
of the richness of African music. Detailed

17

and lucid album notes present the social
context of each example.

The jazz conscious will be interested in
the zither music of the Bashi, Bahutu, and
Barundi, all very much in the rhythmic
scheme of the early jazz and blues guitar
and banjo players. An Ekonda orchestra in-
cludes a jug player whose musical role is
virtually the same as in our jazzier jug
bands. Some new examples of the royal
drums of the Abatutsi (Watutsi) are as
stirring as any recorded percussion exhibi-
tion. There are several good illustrations of
the drastic changes taking place in Congo
music as European instruments and song
types gain in popularity.

Congratulations to Riverside for this very
well recorded, important and entertaining
musical document. Hal Zamboni's album de-
sign is unusually worthy of praise. (River-
side RLP 4002) (R. L. T.)

roy eldridge and his orchestra

wild man blues/poco mania/if i had
you/fireworks/black and blue/i re-
member harlem/l'isle adam/trumpet
lament

Kenny Clarke — drums, Jerry Wiggins —
piano, and Pierre Michelot — bass, support
Roy on the first four sides. Some nameless
reed men lend additional chordal support
on the second four. On Wild Man, Fire-
works, and Black and Blue, Roy is on his
early Louis Armstrong kick, playing and
singing as much like the old master as he
can (it would seem). This is very nice, en-
tertaining as well, but the old master can
do it better. Still it is nice to have these
tunes, particularly Fireworks, wherein the
old Savoy Ballroom Five rendition is given
some first rate competition. Harlem and La-
ment are mood pieces with Roy playing it
straight and deep. Adam is a bit of slightly
modernistic swing with some hot muted
trumpet work. Mania is that, to be sure. It
seems like bad bop with latin rhythm. This
last un-Royish activity was cited by a col-
league as his favorite example of nowhere-
ness. So great a swing musician as Eldridge
might leave these vehicles well enough alone.
Anyway, the Armstrong stuff is top notch.
(Dial LP 304) (R. L. T.)

wlllie the lion smith — harlem
memories

Anyone who knows The Lion realizes
that he does not like to be outdone by any
other piano player. Here the Lion intends
to demonstrate how such men as Jelly Roll
Morton, Ford Dabney, Lucky Roberts, Eubie
Blake, et al. played. The Lion succeeds only
in being very much The Lion. His attempts
at ragtime are self-conscious corn ... a
mixture of harlem striding bass and stereo-
typed piano roll trills. If the album had a
title such as would imply that the Lion can
be a cut-up, all would be well. As it now
stands, it is unfair to the artists being sam-
pled.

Among the selections are Blake's Chevy
Chase, Joplin's Maple Leaf Rag, Morton's
Buddy Bolden's Blues, Dabney's Oh You
Devil, and The Lion's Passionette. Splendid
playing, but strictly the Lion's own. The

quality of Willie's recorded voice is some-
what distorted. This is unfair to Willie.
(Dial 305) (R. L. T.)

ida cox

coffin blues/rambling blues/mean
papa, turn your key/ida cox's lawdy
lawdy blues/worn down daddy/you
stole my man/misery blues/blue ken-
tucky blues

Another of Riverside's Jazz Archives Se-
ries, this time featuring the blues singing of
Ida Cox as originally recorded on Para-
mount in 1924-1928. Among the accompa-
nists are Lovie Austin, Tommy Ladnier,
Charlie Green, Buster Bailey, Jimmy O'Bry-
ant, Charlie Dixon and Fletcher Henderson.

Coffin and Rambling feature Tommy Lad-
nier's cornet and Jesse Crump's organ play-
ing, creating a mood something like that of
the more familiar Bessie Smith record of
St. Louis Blues. Misery Blues is no relation
to the Ma Rainy or Red Onion Jazz Band
recordings of the same name. The quality
of sound reproduction from the Paramount
masters for the first six selections was not
up to par, even for Paramount. Misery and
Kentucky are well recorded, however. They
also have the most interesting accompani-
ment. There is an inspired gutty trombone
solo on Misery and some exciting ensemble
blues background on Kentucky. (Riverside
RLP 1019) (R. L. T.)

cavalcade of calypso

Eight examples of contemporary calypso
doings down Trinidad way. The artists go
by such quaint monikers as "Might Terror,"
"Growler," "Wonder," "Young Kitchener,"
"Small Island Pride," and "Dictator." They
sing of Woman Taxi Drivers, Honesty Best
Policy, Immigration Officer, Hello Joe, Fol-
low Me Children, Ah Kim, and Jump Jump
Jump. An election commercial is also in-
cluded. No doubt all those in the rum and
coca cola and more earthy sets will go for
this. (Dial LP 401) (R. L. T.)

dance music of martinique

L'Orchestre Select-Tango (from the Se-
lect-Tango Dance Hall in Fort-de-France,
Martinique, French West Indies) whoops it
up with Select-Tango Biguine, Mazurka
Creole, Empress Josephine Waltz, and Basse
Terre (Biguine). On the other side, L'Or-
chestre Creole Folklorique cuts out with
Gallop, Marie Galante Mazurka, Valse
D' Amour and Fille De Coleur.

The orchestra include a front line of wind
instruments dominated by the clarinet, and
a rhythm section of drums, guitar, cello and
"cha-cha" (a vigorously shaken, rolled
metal cylinder containing pebbles). Their
style points up an infusion of African culture
into French music. There are considerable
similarities with jazz style. The local clar-
inetists suggest the styles of Sidney Bechet
and George Lewis, with their long swooping,
biting phrases. Piano and trombone parts
also frequently are quite close to jazz roles.
Most pleasant and relaxing music. (Dial LP
402) (R. L. T.)

shango — drums and ceremonial
songs

Shango is a religious cult of Trinidad,
closely related to Voodoo. The goings-on
are heavily African. The album notes and
some recorded comment by a Shango priest
describe the ceremonies in between musical
demonstrations. (Dial LP 403) (R. L. T.)

carnival in trinidad

The Carnival in Trinidad, as elsewhere,
is the culmination of pre-Lent festivities
wherein everyone goes berserk. In Trinidad,
the population is a mixture of French, Span-
ish, English, Hindu, African, Portuguese,
and Chinese, and when this mixture flips,
it Flips. In addition to a smattering of the
calypso and Shango cult music already noted
above, we have steel bands, brass bands,
bamboo bands and violin-fife bands. These
go by such names as the Funland Steel
Band, Bamboo Tafnboo Jump Up Band, and
Johannesburg Fascinators. These bands in-
dulge in all kinds of mad marching about
and the whole business terminates with the
Fascinators appropriately playing BoBo
Mambo. (Dial LP 404) (R. L. T.)

W« Buy

RECORD COLLECTIONS

ANT AMOUNT.

I fc*v« 100,000 rocwrf*: ho» tmm t; wwj-
$fe§w^( 4vocyGi^6* Softs) wam^i*

WIN Trail*: $•«: Bay

R#c# t Mbms« N#w Ov4#Aot&f ?ws©#MilW|f«>

Jacob Schaiidter

lit west um snttcT, w. v. c

New Release on

IN GAY OLD NEW ORLEANS
with KNOCKY PARKER
and DICK WELLSTOOD

featuring: Harry Drachmann,
George Bineth, Eph Resnick, Mell
Hill, Joe Murrany, Knocky
Parker, Dick Wellstood, Bob
Sann, Cy St. Clair, Irv Kratka.

• GRANDPA'S SPELLS

• WOLVERINE BLUES

• GRACE AND BEAUTY J*AG

• PRETTY BABY

• STORYVILLE JOYS

• CRAZY KID BLUES

• WILDFLOWER RAG

• DON'T FORGET TO MESS

AROUND

PLP 1 10" Progressive Lp.

$3.85

Progressive Records

112 E. 19th St., New York, N. Y.

18

We still wonder when some apt scholar
will get around to investigating the phe-
nomenon of "The Saints Go Marching In."
Old Aaron feels positively scandalized as
"Saints" hysteria appears in what seemed
like calm and collected listeners. The Cen-
tral Plaza has found it necessary to have
extra policemen on hand, and Childs Para-
mount finds its tableclothes being waved or
enshrouding snake dancers during the play-
ing of this simple melody. The tune wasn't
even considered a jazz standard until the
Bunk Johnson band presented its new north-
ern audiences with a spirited but not aban-
doned rendition. Strange doings indeed,
when a spiritual becomes as Frankenstein's
monster.

The place of the month is the Stuyvesant
Casino. Most of the thugs have taken their
business elsewhere and an enthusiastic but
well-behaved dancing audience remains.
This is perhaps the best possible audience
for good jazz and not surprisingly, the qual-
ity of the music has risen considerably.
Prince Robinson, a Stuyvesant regular, is
playing some of the best traditional jazz
clarinet to be heard in these parts. Rhythm
sections frequently include Tony Spabaro
and Elmer Schoebel, two unassuming but
very solid musicians who put into their
bandsmanship the energies that too many
other cats expend in clowning. Lou Mc-
Garrity is usually on hand with his happy
trombone. New on the scene is Porky Cohen,
Providence, R. I., trombonist, formerly with
Artie Shaw and Charlie Barnet. The Cohen
bone is hot but tastefully restrained. Other
injectors of life into the Stuyvesant Friday
night frolic are Wild Bill Davison, Joe
Thomas, Bobby Hackett, Arthur Herbert,
Jimmy Rushing, and occasionally, old Pee
Wee Russell.

Childs Paramount was packed to capacity
for its Sunday night (Nov. 8) bash with
the Conrad Janis and Jack Teagarden
bands. The latter is a family affair with
Charlie Teagarden on trumpet and Norma
T. on piano. Ray Bauduc is still pretty hot
stuff at the drums too. Future Sunday ses-
sions will include Sidney Bechet, The Salt
City Five, and Wild Bill D. Dick Wellstood
now occupies the piano spot with the Janis
stomp-em-down band.

The Red Onion Jazz Band played a spe-
cial program of King Oliver selections for
Marshall Stearns' New School Class in Jazz
and American Culture. Bob Hodes and Jim
Heanue formed a two cornet team for the
occasion. The Onions are currently bobbing
about the eastern college circuit. The Wilber
De Paris band at Ryans remain the cham-
pion producers of consistently high quality
jazz.

Jimmy McPartland heads up the house
band at Nicks. The McP. horn sounds much
improved with an organized sound to back
it up. Wild Bill et al. remain at Eddie Con-
don's. The George Wettling combo with Pee
Wee and Johnny Windhurst continue at
Jack Dempsey's.

BIG DISCOUNT

on Two Books Every Record
Collector Should Have

AMERICAN RECORD
COLECTORS' DIRECTORY

LIMITED EDITION
The "Blue Book"
of American Collectors

Lists the names, addresses, phone
numbers and collecting interests of
the most active collectors throughout
the Americas.

The only book published which lists
collectors of all types of recorded
music from cylinders to 45's.

This authentic collector's handbook
will put you in close contact with
hundreds of other collectors interest-
ed in exchanging, buying or selling
records.

Price: $2.00

VALUE CATALOG
NO. 3

STILL AVAILABLE
BUT GOING FAST

The revival of interest in record col-
lecting lately has made this catalog
in greater demand than ever — and no
wonder. Imagine the convenience of
having the most complete list of val-
uable popular records ever printed —
over 13,000 alphabetically, numeric-
ally classified listings, each with the
disc's current value on the collector's
market — all in one handy pocket-size
book! It's really a must for every
collector.

Don't delay any longer. Fill out the
blank and mail your order today!
Price: $2.50

NOW BOTH FOR $3.00, POSTPAID

OFFER GOOD UNTIL FEB. 1, 1954— ORDER TODAY— NO C.O.D.'S

Hollywood Premium Record Guide

P. O. Box 2829-R Hollywood 28, California

RECORDS WANTED

I AM INTERESTtO IN RUTIN* OUTtMHIT
mm! or Lroo colocWoiM of Job, Swoot. Swing, Porsoootty, Knot,
loo, or Poo*.

I wfff pmy spot cm%k fer tick c«Jf«ctfe«s.

If you have a collection you wish to dispose of, please write,
giving full details of the collection, type, artists included, labels,
and most important of all please describe the condition of the
records carefully.

Then set your lowest price for the lot I do not buy piecemeal but
will take all or none.

It it important that you set me price because I do not have tame
for lone correspondence or haggling. If the price looks right and
the collection it large enough I will travel to your town to inspect
the records and dote the deaL If you are on the wot coast I have
an agent there who will contact you.

I am also interested in acquiring dealers' stocks from before 1940
and after 1924.

WHITE, WIRE, OR PHONE

■ILL GRAUER. Jr.

I2S LA SALLE STREET, NEW YORK 27. N. V.

19

choices

(Continued from Page '6 )

Charlie Christian
Jo Jones
Ben Webster
Jimmy Blanton

The critics kind enough to give me their
choices were: Rudi Blesh, Bill Grauer, Ne-
suhi Ertegun, George Avakian, Jack Crystal,
Leonard Feather, Orrin Keepnews, Paul
Bacon.

RUDI BLESH
Armstrong
Jelly Roll
Oliver
J. Dodds
Kid Ory
Johnny St. Cyr
Baby Dodds
Pops Foster
Charlie Parker
Bessie Smith

BILL GRAUER
Armstrong
Jelly Roll
Lu Watters
J. Dodds
George Mitchell
Bix

Duke Ellington
Parker •
Bessie Smith
Lester Young

NESUHI ERTEGUN
Armstrong
Jelly Roll
Bix

J. Dodds

Yancey

Noone

Django Reinhardt

Young

Parker

Ma Rainey

GEORGE AVAKIAN
Armstrong
Jelly Roll
Bessie Smith
Oliver
J. Dodds
Earl Hines .
Sidney Bechet
Bunk Johnson
Ellington

Frank Teschemacher

JACK CRYSTAL
Armstrong
Jelly Roll
Bessie Smith
Oliver
Bechet
Miff Mole
Willie the Lion
Catlett
Young
Parker

LEONARD FEATHER
Dizzy Gillespie
Bud Powell
Billie Holiday
Fats Navarro
Buddy de Franco
Oscar Pettiford
Art Taium
Max Roach
Ellington
Parker

ORRIN KEEPNEWS
Armstrong
Bix

Jelly Roll
J. Dodds
Teagarden
Bessie Smith
James P. Johnson
Tommy Ladnier
Waller
Ellington

PAUL BACON
Armstrong
Coleman Hawkins
Bix

Young
Parker
Art Blakey
J. Dodds
Bessie Smith
Gillespie

Django Reinhardt

(Note — Rudi Blesh wished to mention,
besides his list of ten, Zue Robertson,
George Brunies, Wellman Braud and Sidney
Bechet. Also Leonard Feather pointed Out
that his choice is pf current favorites rather
than an all-time list.)

THE NATIONAL FOUNDATION
OF JAZZ ORGANIZATIONS
BLUE BOOK

Jazz Club Guide

The definitive listing and
narrative description of the
hundreds of jazz clubs in
England. A good 100 page
booklet.

Shipped Postpaid

50c

THE RECORD CHANGER

125 La Salle Street
NEW YORK 27, N.Y.

A Superb Book . . .

A CRITIC
LOOKS AT JAZZ

By ERNEST BORNEMAN

Being a collection of the an-
thropological writings of this
fine critic developing his
theory of the backgrounds of
jazz music.

This is the original
English edition.

Shipped postpaid

$1.00

THE RECORD CHANGER

125 La Salle Street
NEW YORK CITY 27, N.Y.

AUCTION

MY FAMOUS GOODMAN AND BER IGAN
COLLECTIONS TO BE AUCTIONED
ITEM BY ITEM. FIRST AUCTION
IN JANUARY. SEND FOR LIST,

MA J . W.J. FRY

BOX 99?C RTE 2
FAIRFAX, VIRGINIA

George Lewis and His Rag Time Band

Two New LPs

No. 1: Dallas Blues ( 5 1/2 min.) ; Lord, Lord, You Certainly Been Good to
Me (2V2 min.); Mama Don't Allow (4'/2 min. ); Closer Walk With
Thee (9 min.); Swanee River (3'/2 min.).

No. 2: Tin Roof Blues (7 min.); Jerusalem Blues (5 min.); Doctor Jazz
(5 min.); None of My Jelly Roll (4 min.); Dippermouth Blues
{3'/2 min.).

These records are the best quality blue vinylite in heavy cellophane covers.
If not available at your dealer's, records may be ordered direct by mail only.

$3.85 each, plus 1 1t sales tax if mailed to California address.

Records shipped post paid. No packing charge.

Send check or money order to:

ANTONE RECORDS

2018 LAGUNA STREET, SAN FRANCISCO 15

20

HOW THE RECORD CHANGER WORKS:

Abbreviations used in the Classified
"Wanted" and "For Disposition"
Sections are as follows:

Col. I, Record Label:

NOTE

AC T •••••> •• « Tut LLC

AC ACOtlAft
AJ •■•■•••••••••••■•■••■*•■■• AJAJT.

AL ••••••>•*■■*■■•••••■*•• ALACOIK

AH ■•••>■.«•• AMERICAN MUSIC

AMP .. AWPCREAM0

KP .......................... APCV

• PO .APt-LLO

A6 »j. ...... »8CH

ATL ATLANTIC

AU AUTOUBAPH

OA PAWNER

riAJ.9. ......(*.. BALD* I H

BB .....a. BLUG8 1 RD

B» i, BLUE DISC

ITA PCACON

8£ >. BELL

niLT BILTUC*»E

AN ■ BLUE MUTE

BP BLACK PATTf

BR BRUMS* I CX

SRS ........... British Rhythm soc.

SS ■■ BLACK SVAN

BST BLUE STAR

BU BUDDY

BB .< BLACK A WHITE

3tN ..................... BANDVACON

BVY '.-RCAOSAY

CA CUtCO

CAP CAPITOL

CARO. CAROIH*L

CAS r-STLE

ZC CENTURY

CH Champion

CMAL CHALLENGE

CI CIRCLE

CIT COLLECTORS ITEM

CL • CL Anion

CLEiR CLE*btonE

c l i climax

cms comkooore

CO ■ COLUl'PIA

;ONT CONTINENTAL

con copal

tq CONQUEROR

CR CROWN

COL • CRCOLC

CRS t, CRESCENT

CI CL *AT ONOLA

DE OCCCA

(.CL 3CLTA

01 OIV*

CIS 01 sc

DL DIAL

CO ■• OOUINO

CD CD I SON

CL ELITE

ELEC CLEC1RA0I?C

EH CUCRSOK

iv EvERTBOOY'C

EX EINCR

CE •• 'ENNETT

OL GEMCftAL

CC ORCy t.ulL

CLO CUILD

CLO CL08C

CR CR*w(PH0KC

OTJ a... COOL TIMC JAZZ

QU •■•■*..*.....•...••.* CUARD^MAN

HA HARMONY

HER ■•••HCRBIN

HC HAhUOCR*PH

HJCA HOT JAZZ CLltt

HWV .....HIS hcSTCR'S VOICE

HOMO... ......... ...■••*.■ HOWCCHCRO

HR6 ............ HCT SECoRD SOClCTV

HOW ... HIT or The week

on an auction or an order from a sale which states
that records will be shipped C.O.D. unless otherwise
instructed, is considered a request for C.O.D. ship-
ment.)

The name of the person or collector who violates
the above Tules will be printed in the Record
Changer upon the first violation, and the violation
will be described. (Exception: where breakage or
over-grading is concerned, the record is to be re-
turned promptly to the shipper. If the parties in-
volved do not arrive at a settlement, the matter is
to be referred to the American Record Collectors
Board.)

* * *

When infractions of these rules occur, contact
Jacob S. Schneider, Legal Dept., The' Record
Changer, 128 West 66th St.. New York N Y

When it 1$ necessary to indicate nationality of
the record, the flowing letters appear after
the record label abbreviation:

A Argentinan

Au Australian

B Brazilian

C Canadian

E English

F French

AH persons using the medium of the Record
Changer in the buying, selling or trading of phono-
graph records, do so subject to these Rules and
Regulations:

1. A collector or person who solicits and receives

hv ytone advance remittance for a record must send the tcc-

i" -pcrial ord within a period of four weeks.

INT ................. INTCRNAT ICNAL

jam jamboree 2. A collector or person who orders and receives

£ ;;;";;rwwnbl a ^ord prepaid must pay for it within a period of

jh jazz man four weeks.

jsEL"Ill!!"Ill!!Ii'jAzi*sELc"?o^ 3- A collector or person who obtains a record in

jo ju«p trade must fulfill his end of the trade within a

™ ^"JJ™ period of four weeks.

«■» "IHC J*IZ 4- A collector or person who requests that a

t« i;i;!;!lIllI\it£«TY*MusK*Nop record be shipped C.O.D. must accept the shipment

lu lucky unless the shipment is damaged in transit. (A bid

LON * LONOON

Z ::::::::::::::::::::::«"n* aDam:faul adams 30 Vienna ave., miles oh 10

MAR MANHATTAN *

««:::::::::::::::::::::::"SlS aldr:g.b. aldridge route 6 box "i 72, springfield mo.

UER MCCCURV

« :::::::::::::::::.r:r.lcrn" BEaR:ARmAnd beard 630i allentown road, Washington 22 d.c.

WW MONTGOMERY WARO

:«::::::::::::::::::::::.:"»«'; bozy {STANLEY F. BOZYNSKl JR., 1 203 sycamore street, wyandotte Michigan
^°:::::;:::::::::i:::::::^| BROC :STUART BROCKBANK i89a,station LAf£ ,hornchurch ,essex England

CP .a.................. OPCRAPHUNE

» BUTT:C. BUTTERS 2| CRAIGWILLER, HAMILTON ONT., CANADA

PA .................... PARLOPHCWL w r

CLEa:GEORGE w. CLEARY p.o. box 23, new london conn.
ST dwen.george a. dwenger P.O. box i2 uppermontcla ir new jersey

^ E::::::::;::::;:::::.r». w HOVStROSE HOVESEPIAN 308 eason, highland park 3 Michigan
"£ :E:::::::::::::::::::"H£ howa:andrew HQWAT \8\0 san ramon ave., Berkeley 7, calif.

RO .... fOMCO

" :::::::::::::::;£--:::::-o"~o« JERG:G.W. JERGUSON 828 n.w. 29th terrace mi ami 37, fla.

I£ J0LS:J0LS0na irs memorial club i329 west morgan ave., mi lwaukee 15 wise.

E i::::::::;::::li~EfEs: kendsbyron KEND1550 cevereaux ave., phila 24, pa.

» ::::::::::::::::::::.s^":;"i KILR:N.A. KILR0Y 3505 meisner street, los angeles 63, calif.

STI STINSON * •*

:::::::::::;::::::::::.: "Sin KITC:FREEMAN kitchens drake ky.

SUP SuPCRTONC

" :::::::::;:::::::::::::•:"£ KLAY:WAlDA KLAY 4i9 west 34th street nyc i, ny

TLLC. TELtr UNKCN

r^t::::::::::::::::::::::"™"™ maYEsh. MAYER 263 biltmore ave., elmont l. i. n.y.

iriir:::"::::::::^::".^^ MERE:CharlES MEREDITH tinnahinch, foxrock, co. dueling Ireland

15 ::::::::::::::::.t..S"kS OR la : JAMES orlahdo dickersun run pa.

VJR VINYLITC JAZZ

£ ::::::::::::::::::::::.n~S PARR :S ID PARRY 574 west |76 street nyc 33, ny

S ::::::::::::::::::::«s"":i? roma:michael p. romano 35 linden street new london conn„

RUTH {RUTH *S MUSIC SHOP 504 MAIN STREET FORT WORTH 2 TEXAS
SCHL{CHRIS SCHLATHER 3500 HALL I DAY AVE., ST LOUIS |8 MO.
SUND{CARL SUNDEEN 537 armory ave., Cincinnati ohio

ZEIGSLES ZEIGER 1056 SHERMAN AVE., NYC 56 NY
CLOSING DATE FOR AUCTIONS [S, JANUARY

G German

I Italian

J Japanese

M Mexican

S Swiss

Sd Swedish

In the "For Disposition" section the condition
of the record is indicated by these abbrevia-
tions:

N (New): Surface noise equal to an unplayed
record; no visible or audible wear percep-
tible; original finish intact.
E (Excellent) : Surface noise low, smooth, uni-
form. Not irregular or crackling. Easily dis-
regarded in listening. No perceptible distor-
tion.

V (Very Good) : Surface noise somewhat
more prominent; light foreign noises, but
slight distortion, if any; noises not seriously
distracting.

G (Good) : A moderate amount of surface
noise; background may be somewhat irregu-
lar and crackling; some foreign noises, and
a little distortion; on the whole, reasonably
satisfactory listening without undue distrac-
tion of attention. Foreign noises definitely
less prominent than the music.
F (Fair) : Foreign noises, taken together, are
about as prominent as the music, and there
is considerable distraction of attention, andi
listening requires some effort and concentra-
tion; nevertheless, under these conditions,
listening should be fairly satisfactory.
P (Poor) : Foreign noises, collectively, are
louder than the recorded music; continuous
concentration is required, and there is little
satisfaction in listening.

FOR COLLECTORS' ADS

I Column (85 Lines) $12.50 2 Columns (170 Lines) $25.00

I Page (255 Lines) $35.00

No forms are required for the Display Ads. Type or print your ad just as it is to
appear in print. Each recording group must occupy a separate line. Record lists
less than one column must be submitted on our Classified Ad Forms and shown
in the Wanted or For Disposition Section. The charge for ads submitted on such
form is

I5c per Line (on forms), 25c per Line (if no forms are used)

All such ads must be accompanied by advance remittance. Advertising not ac-
companied by advance remittance must be returned.

Closing date for collectors' ads is the 10th of the month
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21

25^ MINIMUM BID

THE RECORD CHANGER

BOX 52 125 LA 6ALLE STREET NYC 27, NY
SEE LAST MONTH'S ISSUE FOR FILL OETAILS. CLOSING DATE JANUARY 25.

25^ MINIMUM BID

2432
2433

2435
2436

2437,
2438
2439

2440

2441

2442

HARRY ROY

,WMEN WOMAN COME DWn/smOKE GET3 IN PaE
.TEMPERAMENTAL/ SCAT SINGERS OE

J1MMY RUSH I NG
,GOOO MORN I G N 8Ks/ THURSDAY BL

LU IS RUSSELL
.saratoga drag/ cas on dawn
.hokus pokus/ ghost of freaks

(above hr crk)
■remaining/ walking slow
iluke the spook/ gone
.rainy Sunday/ for you

THE ST. GEORGE SINGERS
.COL. HIST OF MUSIC PTS |5 4 16

SALT 4 PEPPER

1969 v+
|3|4 E+

EXCEL 502 N-

AP
AP

80036 N-
13334 v+

1079 N
1086 N
I I 39 N—

.DOODLE DOO 000/ HOLDIN THE SACK
.WAY OUT WEST KANSAs/ ELIZA

DERYCK SAMPSON - PIANO SOLC
• K.C. BOGGIW W/CHINESE BOOGIW'

DERYCK SAMPSON
•CHINESE BOOGIE WOOGIe/k.C. BOOGIE
EDGAR SAMPSON

vo 5717 N-

CA 609 V+
CA 1 254 V+

JD 7005 N-

JD 7005 E+

4942 N

4942 E

2445. dont try jive me/pick your own lickvo

(above; crk)

2446. dont try jive/ pick your own lick vo

ALBERT SANDLER
2447. SING SMTHING IN MORn/pLAY IT AGAIN CoE 1630 N-

2448. WILL REMEMBEr/mOONLITE ON AL6TER COE 1688 N

2449. MERRY WIDOW WLTZ/VILI A CO |484 N-

JAN SAVITT

2450. MY HERT THY VOI Ce/yOUNG PRINCE 4 DE 3640 E—

2451. ASK YR HRT/ MAKE BEL ISLAND DE 3 188 N
2452.SUGAR FT STRUT/SO PEACEFUL IN COUN V! 27464 E

2453. ME 4 MY MELINDa/ TOMORROWS SUNRISE VI 27822 E-

2454. TICA-TI TICA TA/ I REMEMBER U VI 27775 N-

SAVOY DICTATORS +

2455. JAM 1 CRACKERS/ WROS CAN NOT EXP SA lOl E

MS ' SAVOY PLAZA DANCE ORCH/ALABAMA RED PEPPERS

CA BIJU V

2457. MARY ANN/ THE DRAG (I" HR CRK

ALEXANDER SCHMIDT (2458.
LULLABY/ CRADLE SNG/HUSH/SWT 4 LOW

GENE SCHRQEDER ( SOLO)
2459. TEA FOR TWO/SWT G A BROWN

HAZEL SCOTT

2460.2' PART INVENTION/ R'TUAL FIRE DANCED E 1 8| 27 E+

2461. VALSE IN D MAj/HUNGAR I AN RHAP fZ DE |8| 29 E+

2462. BL IN B/HAZELS BOOGIE

2463. hallelujah/ DARK EYES
LESLIF SCOTT

2464. THE MAN I LOVE/ 1ST LONG STORY

RAYMOND SCOTT

2465. GRIL LIGHT BL HAIr/nEW YRS EVE

VI 22 1 60 E-

5 E

DE 18340 E+
DE 18342 n

VI20238I N

CO 35247 N
CO 35364 E+
CO 3591 I N
CO 35980 N-

2466. BUZ MENS BOUNCE/ PEANUT VENDOR

2467. C0PR IGHT 1950/ EAGLE BEAK

2468. BLS MY GIRL Fl RENd/eVEN I NG STAR

2469. GET AWYA FRM IT ALL/bANO PLAYED ONCO 36090 N

ROOSEVELT SCOTT

2470. SEND ME AN ANGEL/ DU U CALL THAT VO 5(37 E
TONY SCOTT SEPTET/EARL BOSTIC SEPTET

247 1. HAPPY WHNE IM BL/ T I PP I N IN GOT 117 E +

SCOTTUALE STRING BAND

2472. CHINESE BRK DWN/ 6HADE OF PARASOL OK 45l 03 V+

SEATTLE HARMONY KINGSART LANDYS ORCH

2473. BREEZIN ALONG/ TELL ME U LOVE VI 201 42 V+

CHARLIE SEGAR

2474. SOUTHERN HOSP / CUBAN VILLA BL DE 7027 G+
SELAH JUBILEE SINGERS

2475. ROYAL TELEPHbNE/ WAnT JESUS WALK DE 7607 G

SHARKEY 4 SHARKS OF RHY

2476. WASH IT CLEAN/ SLOWING OFF STEAM VO 34l 0 E

(above I ■ crk)
CHARLIE CHAVERS

2477. R0SETTA/ MOUNTAIN AIR KEY I 304 N-
2475. SALON GUTBUCKET/ MY MAN KEY 6 1 9 E-
2479. MY MAN/ EL SALON DE GUTBUCKET KEY 6|9 N-/v+

ARTIE SHAW

2480.IN0IAN LOVE CALL/ BEGIN BEGUINE BB 7746 e/v

2481. SEPT SONG/LITTLE JAZZ V|20|668 N-/v

2482. BACK BAY SHUFFLE/ ANY OLD TIME BB 7759 V+

2483. KEEPIN MYSELF/SPEC DELIV ST VI 26762 E

2484. TEMPTATI ON/ STAR DUST VI 27230 E
2485.FRENESI / ADIOS MAR I G U TA LINDA VI 26542 E-

2486. WHOS ECITED/ ALONE TOGETHER VI 27385 V+

2487. DONT TAKE YR LOVE /LUV LIT LIT VI 27509 E -

2488. KEEPIVI MYSELF FOR u/sPL OELIV STP VI 26762 E+
2 439. MR BL hvn/ MOONSLOW VI 27405 e/v
2490. SPECIAL DELIVERY/ KEEPI N MY SELF VI 26762 N
2491 .HANDFUL STARS/LOVE MY LIFE VI 26790 E—
2492. STAR DUSt/tEM°TATION <HR CRK ) VI 27230 E
2493. WHT IS THERE Say/ PRELUDE IN C MA J VI 27432 N
2494. SER 2 SAVAGE/ MOONGLOW VI 27549 N
2459.M0ONGLOW/ SERE TO SAVAGE VI 27549 N
2496.TRAFIC Jam/ SERE TO SAVAGE BB 10385 E
2497. SPEC DELIVERY STp/kEEPIN MYSELF VI 26762 E+/n
2499. SUMMIT RIDGE DRI VE/ CROSS YR HEART VI 26763 V+/E-
2499. STAR DUST/ TEMPTATION VI 27230 E+

2500. BACK BAY SHUFFLE/ANY OLD TIME BB 7759 V+

2501 . swonoerful/never B THE SAME V|20|638 E+

2502. TABu/ BEDFORD DRIVE V|20|696 n/e

2503. GABT0WN GRAPPLl/ SAD SACK V|20|647 N-
?504.»/HAT IS THIS THING CALLED/gLI DER MGM I 06 1 2 N

2505. wonderful/ never be 6ame VI20I638 n-

2506. SAD SACK/GRABTOWN GRAPPLE V|20|647 N

2507. NOW WE KNOW. ALL OR NOTHING V|20|537 N-

2508.2 IN BLs/ AS TIME GOES BY Vl20l526 N-

2509. SERE TO SAVAGE/ MOONGLOW VI 27549 N

25|0. TRAFFIC JAM/ DANCING IN DARK VI 27540 N-

25l I .STAR DUST/ TEMPTATION VI 27230 N

23 12,

251 3,
2514.
2515.
2516,
2517.

2518,

2521 ,
2522,

2523.

2524,

2525,
2526,

2527,

2528,
2529,
2530
2531 ,
2532
2533,
2534,
2535,
2536,
2537,
2538,
2539
2540,
2541 ,
2542

2543
2544,
2545
2546
2547,
2548

AWT I E SHAW

.COVER WATERFRONT/MARINELA VI 27362 N

.DANCING IN Dark/ SMOKE GETS IN VI 27335 N
.CROSS YOUR HEART./ SUMMIT RIOGE VI 26763 N
.SP DEL I J / KEEP IN MYSELF FOR U VI 26762 N
.PRELUDE IN C MAj/wHAT THERE
,.1AP SANDMAN/ PRETTY GIRL

SPENCER SHA1
,MEL IN F/ THE SWAN ED 4625 N

J.H. SHAYNE- JOHN LINDSAY-BABY POD PS
.MR FREDDY RAG/CHESTNUT ST CT~

VI 27432 N
VO 4465 E+

I 0 1 1 E+

MGM 10596 E-

GEORGE SHEARING QUINTET
.THE CONTINENTAL/ NOTHING BUT

SHEBOBLOtf TRIO

,WH4T 15 THING CALLED/THESE FOOL CH0RD6404 N-

JACK SHEEP T JAZZ BAND

,BLS IN NIGHT/ MUSKRAT RAMBLE COR 1 06 N
BERT SHEFTER

■ TRAMM I N AT FAIr/mONKEY ON STRNG DE 2525 E+

ANNE SHELTON

. PABLO THE DREAMER/ LEST KEEP IT DEE 4| 007 n/e+

SHORTY SHEROCK 4 HIS ORCH

.THE WILLI ES/ SNAFU SG 28 1 I 8 e/v

.snafu/ the willies sg 28 i i 8 n-

shifty henry 4 his flashes

.why did this hap/ youre mine cnt 107-8 n—

NAT SHILKRET /TROUBAuORS

.BELLS ST MARYS/AH SWEET MYSTRY VI 2 1 371 E+

.SOFTLY AS IN MORn/ ONE KISS VI 2 1 775 E

.NOBODY BUT u/oRANGE BLOSSOM TME VI 2 1 997 e/n-

►WISH WERE JEALOUS/STARS ARE WIND VI 20145 V+

.WHATS KEEPIN MY PRI NCE/CANT 6TP VI 22710 E

.BOLERO/ LA SEDUCCION VI 22571 N-

.BABAY BIRTHDAY/ WEDDING OF THE VI 22581 E+

.SPEC PERMISSION I LVe/oF GODS VI 22632 V+

.MY INSPIRATION IS u/EVYBDY LOVES VI 2|8|I E-

,GET THE BLS WHEn/ THERE IS HAPPYVlC 21943 E

,GA / PINES/ TURN ON THE HEAT VI 22 1 95 E

,TWAS NOT SO LONG/ OONT EVER VI 22|88 E

iOREAM LOVER/ LONESOME LIT OOLL VI 22241 N

.WHEN YOURE WITh/chLDE VI 2|298 E-

■ bells st marys/swt mystery of vi 2 1 37 1 e-

(abqve; rm chp no gr)

. y our wonderful/ thats my weakns vi 2(497 e—

, Nagasaki/ moonlight madness vi 2i603 v+

.BLOSSOMS THAT BLOOu/mY VARSITY VI 2 1 744 V+

.SWT ORMS/ HOW ABOUT ME VI 2|792 e/v+

,WHI POORWI ll/ TELLING IT 2 THE VI 22408 V+

.bolero/la 8EDU-CI0N VI 22571 E

JIMMY SHIRLEY/T-BONE KALKER I LES HITE

2549. JIMMY 8LS/ T BONES BLS

bJU E+

DINAH SHORE/SIDNEY BECHET
2550. MOOD INDIGO/ MUSKRAT RAMBLE VI 27302 E+

2551. SMOKE GETS IN EYES/ DO ME LIKE U BB 10824 E
ERIC SlDAV 4 ORCH

2552. BODY 4 SOUL/ CHICKEN REEL V 1202322 N

SILVER LEAF QUARTET OF NORFOLK

2553. LOVER OF THE LORD/ BEAUTIFUL LAMPUK 8783 V
2554.301 NG THRU JESUs/ HOPE ILL JOIN OK 8628 V

JACK SIMPSON

2555. MY OWN DARBY 4/ PADDLING IN STRMPAE 2243 N
LEE S I MS

CO 27883 N-

I I I 5

2556. SONG OF wanderer/ falling in LOVEBR 255i v+

FRANK SINATRA
2557. SO FAR/ FELLOWNEEOS A GIRL

SISSEL 4 BLAKE
2558. NEVER BEEN VAMP/BANDAMA DAY

NOBLE SISSLE ,V JIM EUROPES BAND
2559..IAZZOLA/ ALL OF MANS LANC IS PAT 22|04 V

THE SIX BLUE GHIPS
2560.CHEATIN CHEECH/ STEEL ROOF(cRk) DE 740 N-
SIX MEN 4 GIRL ( MARY LOU WILLIAMS SEPTET)

2561 .MARY LOU BL/ TEA FORTWO

~VS 8193 E +

2562

2563
2564
2565

2566

2568,
2569,

2570
2571,
2572,
2573,
2574,
2575,
2576
2577
2578,
2579.
2580
2581
2582
2583
2584
2535
2586
2587
2588
2589
2590
2591

DUDE 5KIIES
, MY GIRL/ ANYTHING BUT LOVE VR

FREDPIE SLACK
iHERE U ARE/ COW COW BOOGIE
,PIG FOOT PETE/ STRANGE CRGO
.KITTEN ON KEYS/ THAT PLCE DWN RD
BUMBLE B SLIM
.FAST LIFE BLS/ FEATHER aEO BLS

MARY SMALL
.BE BRAVE BELOVED/WHAT DOES SOL

ROY SMECKS TRIO
.OLE new England/ w my guitar 4 u

.WILD ABOUT THAT THING/GOT GIVE

BESSIE SMITH
.MONEY BL/HARD DRIVING PAPA
.LOST YOUR HEAD/ GIN HOUSE 8L
.WEEPING WILLOW/ BYE BYE BL (dig)
.YOUVE GODD OLE WAGOn/coLO IN HND

5|6 E +

MONEY BLs/ MUDDY WATER

trombone/cholly/ YELLOW DOG BLS

NOBDY KNOW u/BACK WATER BLS
SOFT PEDAL/ USED 2 8 YR SWT MAMA
PREACHIN THE BLs/ THINKING BLS
EMPTY BED BLs/ 4 PTS I 42
YOUNG WOMEN BLs/ CAKE WALKING
BABY DOLL/ LOST YOUR HEAD BL
GIM A PIG FT/ TAKE ME BUGGY RIDE
BABY DOLL/ L06T YOUR HEAD
YOUNG WOMANS BL/ CAKE WALKING 8L
.SHI PWREAK BL/ LONG OLD
.BACK WATER/ BREACHI N BL
MONEY Bl/ HARD DRIVING PAPA
WANT EVRY BIT / WHATS MATTER
■TROMBONE CHARLI e/ YELLO DOG BLS
,FAR AWAY/ GOIMG BACK
EMPTY BED Bl/ PTA l42

CP I 02 E-
DE 4|30 E
OE 4043 E

VO 3446 E+

DE 4282 N

PE 10302 E+/n-
CO 14427 V-

CO |4|37 G-
CO |4|58 G-
CO 14042 G4
CO 35672 N
PA 2473 N
PE 2480 N-
PA 2481 n-
PA 2482 N-
PA 2483 N
CO 25675 N
CO 25673 n-/n
CO 35674 N
CO 37574 N
CO 35674 N
CO 35673 N-
HC 62 E+
|4|95 G+
|4|37 G+
|4|29 V
2480 N
CO 13007 V
CO 35675 N

CO
CO
CO
PAE

BESSIE SMITH

SE 50 1 0 N
CO 3936 V-
CO 3900 V-
co 14042 G
CO 3900 G
CO 3844 G
CO 1 41 37 G +
CO 14032 G
CO 4001 G
CO 3936 V

CO |4|95 V-
CO 14273 r
5010 N
3844 g
14023 v
14098 G
I 4| 58 G
CO 14000 Q
CO 3888

SE
CO

CO

2592. reckless bls/ st louis bl

2593. midni ght bls/bleeding hrted bls

2594. mamas got the bls/ outside that

2595. weeping willow/ bye bye bls
2596. outs ide of thats/mamas got bls
2597. dwn hearted bls/ gulf coast bls

2590. HARD DRINVING PAPa/mONEY BLS

2599. HOUSE RENT BLs/ WORK HOUSE BLS

2600. GRAVEYARD BLS / JAI LHOUSE BLS

2601 . MIDNIGHT BLs/ BLEEDING HERTED BL
(ABOVE LAM CRK )

2602. BACK WATER BLs/ PR EACH I N THE BLS
2603.OYING BY THE HOUr/foOLISH MAN BLS

2604. RECKLESS BLs/ ST LOUIS BLS

2605. GULF COAST BLs/ OWN HTED BLS

2606. TRANKIE BLS/ FATEFUL BLS

2607. MY 8LS/NBDYS BLS BUT MINE

2608. GIN HOUSE BLS/ LOST HED BLS

2609. CHI BOUND BLS/ MISTREATIN DADOY

2610.0 DADDY BLS/ BABY

261 1 . NEW OR. HOP SCOP BLS/ KEEP fO SELFCO 14324 G

261 2. MOAN MOANERS/ ON REVIVAL DAY
26 I 3. YELLOW DOG/ TROM CHARLEY
26I4.DYIN 8Y HOUR/FOOLISH MAN BLS
26 1 5. NASHVILLE WOMAn/ SECOND FIDDLE
26I6.DYING GAMBLER BLs/ SING SING
2617. SALT WATER 8Ls/ RAINEY WEATHER
2618. ROCK CHAIR BLS/ SORROWFUL BLS
26 I 9. BLEED IN HTO BLs/n| DNI TE BLS

2620. BYE BYE 8LS/ WEEPIN WILLOW

2621. HARD DRIVIN PAPa/ MONEY BLS

2622. WORK HOUSE BLS/ HOUSE RENT BLS
2623. SHI PWRECK BLs/ LONG OLD ROAD
2624. LEAVE ME DADOY /WOMAN TR8LE BLS
2625. OLD ROAD/ SHIPWRECK BLS

2626. BLK MT BLs/ HUSTLI N DAN

2627. WONT BE YOU/7 STANDIN IN RAIN

2628. BABY DOLL / LOST HO BLS
2629.6AM JONES BLS/ ST LOUIS GAL

2630. YOUND WOMAN BLs/ CAKE WALK IN BABIESCO 35673 E +

263 1. NEW ORLEANS HOP SCOp/nOBODYS KNOWS CO 37577 N

2632. HAUNTEO HOUSE BLS/ EVESDROPPZR BLS CO |40|0 G

2633. HOT TIME/ ALEX RAGTIME BAND PAE 2477 N

CLARA SMITH

2634.SEPARAT I ON BLS/ A I NT NOTHIN COOKINCO I 4| 60 V

2635.1 4 N BLS/ COURT HOUSE BLS CO 14073 G-

2636. CLEAR I NG HOUSE BL/ WEST INDIES BLS CO |40|9 V

2637. DEATH LETTER Bl/ PRESCRIPTION FOR CO 14045 V

2638. COLD WEATHER PAPa/ WAR HORSE MAMA

2639. GONNA TEAR PLAYHOUSe/u DONT NO

2640. G0OD PAPA/OONT AOVERTISE

FATS SMITH 4 RHYTH KINGS

264 1 . MUSIC MAKES ME FEEL/ IF HAO U I N

GEECHIE SMITH ORCH

BRS
Bl

CO
CO

HJCA 29 N
JC 523 N
1002 N
I 0 1 0 N
14051 G-
14037 G
CO 14080 V
CO 3936 E
CO |4|42 G
CO |4|37 G
CO 14032 v+
CO 14663 G
CO .14060 v+
HJCA 62 N
CO I 4554 G
CO 14338 G
CO 35674 E+
CO 13005 G

CO 14021 V
CO |40|3 G
CO 14026 v+

VO 3528 E-

RL/I

e/ I

LET PRIDE BE GUIDE
BIG FINE GIRL

CP 365 N
CP 365 E+

VI 21882 E+
VI 26198 E

VI 26198 E+
VI 26198 E

VI 26198 E-/e
VI 26198 N-

OK

2642. BIG FINE GIRI

2643. LET PRIDE BE,

JACK SMITH
2644. SWT FORGET ME/ GLAO RAG DOLL
2645. STAR SP BANNER/ GOO BLESS AM

KATE SMITH
2648. STAR SPANGLED BANNER/ GOD BLESS
2647. STAR SPANGLED BANNER/ GOD BLESS

(ABOVE RM CHP NO GRv)
2648. STAR SPANG LED BANNER/ COD BLESS AM
2649. STAR SPANGLED BANNER/ GOD BLESS

LAURA SMITH

2650. TEXAS MOANER BLs/ ANYBODY SEEN MY

2651. MEMOBIES OF YOu/ IF YOU DONT

MAMIE SMITH

2652. RIGHT HERE FOR u/ CRAZY BL OK

2653. ROYAL GARDEN Bl/shIM ME KINGS BLS OK
2554. WANG WANG Bl/ GET HOT OK

2655. AGREE TO DISAGREE/SWT MAM O'MINE

2656. CRAZY BL/ RIGHT HERE FOR u(dIg)
2657. STOP REST A WHILE/ WEEPIN

2658. CRAZY BLS/ ITS RIGHT HERE 4 'J

2659. CRAZY BLS/ ITS RIGHT HERE

2660. ROAD IS ROCKY/ FARE THE HONEY BLS

2661. WANG WANG BLs/ JUST HOT

2662.SAX-0-PH0NY BLs/mAma(rm CHP NO GRV )0K

MANOY SMITH
2663.00NT LET LOVE COMe/lnSOME GHOST
PINETOP SMITH/MONTANA TAYLOR

2654. JUMP STEADY BL/ INDIANA STP

2665. PINE TOP BOOGIE/PINE TOP BL

2666. PINE TOP/ °INE TOP JOOGIE

2667. JUMP STEADY BLs/ IM SOBER NOW

RUBY SMITH

2668. YOU SATISFY/PORT WINE BLS V|202|52 N-

STUFF SMITH

2669. Al NT RIGHT/ OLD JOES HITTIN JUG VO 3270 V+

TAB SMITH ORCH
2670.1 F U DONT/ JERSEY SIOE ( l" HR CRkJbb 1 04 E+
TRIXIE SMITH

2671. EVYONE DOIN CHARLESTON/ LOVE ME MF 1 00 N

WILLIE THE LION SMITH

2672. THATS PLENTY/ DIPSY DOOOLE DE I 553 V

2673 . MORE THAN THAT/ OUT OF BEEATH OE 1 308 E

SNOOKS 4 HIS MEMPHIS RAMBLERS .

2674. cutest kid in twn/ kissable baby v i 228 1 3 v+
2675. i m hap wh yr happy/ love i s l i ke vi 22629 e

(above; rm cp no grv)
BILL SNYDER

2676. MY ORM CONCERTO/ RIOIN OFF BEAT TOIER 1474 N-

THE SOPHISTICATS

2677. HAROLD HAWKINS HOBBLE/ I'LLLSAY DE 335l N-

yflUTHFRN OlIARTFT
2679.G0NNA RAISE RUKUs/mY Mm ROCKS ME CO 14048 G

8 1 47 G
4228 G

4169 V
4254 E-
4445 V
45 1 1 V
4169 V-
4471 V-
4l69 V-
4l69 G
4194 v
4445 G
44|6 e/v

1147 V+

66 N
l 245 v-
VO 1245 G
BR 80009 N

UHCA
VO

22

25^ MINIMUM BID

THE RECORD CHANGER

BOX 52 |25 LA SALLE STREET, *NYC 27, NY
SEE PA QE ONE OF AUCTION FOR INSTRUCTIONS

25^ MINIMUM BID

SOUTHERN SERENADEPS
2600.RUNNIN WILD/GOTTA SEE k.AMA

JHARLI E SPANJ. WILL E7ELL.
8681 •hometown skiffle itz
(above; inauo. crk)

ttogsy SPANIER

2682. ECCENTRIC/ BIO BUTTER 4 EGG MAN
2683.SOMED/Y SWTHt/dA DA STRAIN

2684. R I VERBOAT SHUFFLE/ RELAX I N TOUR

2685. L0NEECME ROAO/ MANDY

2686. SOH.EDJY SWTHRT/DADA STRAIN

2687. BL AND BL/ OINAH

2688. DA OA STRAI n/SOMEOAY SWHTHEART
2689. SISTER KATE/ DIFPER MOUT

CA 3 10 E+
ALEX KILL

I 07 N-

SO

SB I 041 7 E

BB 10384 N
8B 10532 E-
BB 10766 e/v+
BB 10834 E-
8B 10682 V*
BB 10384 E
BB 10506

CMS 576 E

V 1400 1 39 E*
HMV 9103 N-
BB 10506 N

2690. PI VERBOAT SHUFFLE/ RELAX IN AT TOUR BB 105 32 N—

2691. LADYS IN LOVE/ WHISTLIN THE BL
2692. SISTER KATE/ RELAX IN AT TOUR
Z69".MANDy/ LONESOME ROAD
2694.6 I STER KATE/ DIPPERMOUTH BL

PAUL SPECHT

2695. MANDf LAY/ CANT GET ONE I KANT CO 160 E-

2£96.MANDALAy/ CANT GET ONE I WANT CO 160 V+

SPECIAL SPAN LOYALIST RECORDINGS
PREFPRED BY THE EXILED WRITERS OF
INTERNATIONAL. BRIGADE
2697. JOVEr GUARDIa/oiE THAELf/AN

SPIRITS OF RHYTHM
2698. SUSPICIOUS BLS/ COQUETTE
CHARLIE SPIVAK

2699. BEEN LONG LONG T I me/ HAD DOZ HR"

2700. AUTUMN NOCTURNE/THE CLOCK SONG
27CI.ANT NESCESSARLIY/ DEES IS WOMAN

2702. CANT U READ LINES/ SANTA LUCIA

VICTORIA SPIVEY

2703. 4 12 LET ME ROAM/T-60NE BLS
27C4.ELK SNAKE BLS/nO MORE JELLY BNS

2705. t |2 LET ME ROAm/ T-60NE BLS

ST. PAUL CHOIR

2706. WELL DONE/ I WANT WINGS
2707. SURE DO NEED H I ME NOW/ YIELD NOT
2708. YIELD NOT/SURE DO NEED HIM^
3709. GLAO JESUS LIFTED/GOO BE WITH U

DICK STABILE ORCH

2710. U EASY TO ONCE WITH/BE CAREFUL

2711. HES MY GUY/AT LAST

JESS STACY

2712. AINT GOIN NOWHERE/CANDEL IGHTS

2713. AINT GOIN NOWHERE/CANDELIGHTS

2714. NONl/jESS STAY

2715. CANT BELIE>'E YOUR IN LOVE/CL.AR I N!

2716. NONl/ JESS STAY

2717. ECSTACY/ SELL OUT 12"

JESSE STAFFORD

27 1 8. THE PREP STEP/MY SWTER THAT SWEE'

KAY STARR

27 1 9. BRK it T6 mE 4ently/gotta BUY BABVCAP 57717 N

A-V

125

E+

BW

2l

n/

S V|2|072|

E-

OK

6476

N—

vl20r«63

E

V 120 1675

N—

OK

8494

V-

OK

8338

V-

OK

8491

V

SAC

110

E+

CAP

40033

N-

CAP

40033

N—

CAP

4C0I8

E+

DE

4351

N

DE

4352

N

CMS

5l7

V+

CMS

517

E*

vs

8076

E+

T vs

8132

R-

vs

8076

N—

CMS

1503

N-

> BR

4629

E+

2720. WISH I HD WISHBONE
BLUE STEELE

Al

HERES YES IN CAP 57681 N

VI 23014 N

HMV 91 54 E+

CONT 10002 N-

vo 3984 n-

272 1. ALL MUGGLED UP/ SHOO IN FLIES

BILL STEOMEYER OCTET

2722. FRANTIC RHAPS/ SENT I MENTAL JOURN SG 1 50 1 4 E-

GRANT STEPHENS
2723. SPRI NT I ME/ WITH COMIN OF 2MORROW CO 3362 N-

MARTHA STEWART
2724. SHES FUNNY THAT WAy/thERES NO YOU V|20|67| E+

REX STEWART

2725. MOBILE BAY/ LINGER WHILE(4"HR CRk) BB 11057 E+

2726. finesse/ rompin(f. newton;

SLAM STEWART QUINTET

2 727. BELL FOR NORVO/ON UPSIDE LOKING

EDDIE STONE
2728WRURPI NG BASSOON/ MOROCCO
LEI" STONE

2729. ELUE JAZZ/ rfHITE JAZZ DE 487 V

2730. WITH MY EYES WIDE OPEn/rOLLIN HUE DEE 5|72 E-

SID STONE

2731. TELL YOU WHAT IM GONNA Oo/ |42 ABBEY 54 N-

2732. TELL YOU WHAT IM GONNA 00 / I 42 ABBEY 54 E

VERNON STORY/REX STEWARD ORCH

2733. BUZZ BOMB/BOY MEETS HORN DL 755 N

PAPA STOVEPIPE t I

2734. NO FRIEND LIKE U/SALVATICN IN HRT CO 2|0 E—

CHARLIE STRA IGHT ORCH
2735. SENTIMENTAL BABY/SWEET SUE BR 3900 V

2736. WHAT A man/ HI DIDDLE DIDDLE BR 3 1 36 E

STREAMLINE MAE
2737.STREAML I NE BLS/ROMANCE IN DARK OK 6045 N

RODNEY STURGlSfLOUIS JOROAN BAND ITEM)
2738. AWAY FROM U/SO GOOD DE 7b79 E+

STYVESANT STOMPERS
SHINE/ BLUETAIL FLY PARADOX
SHINE/ BLUE TAIL FLY PARADOX

2739
2740

274 I • WHAT MORE CAN I ASk/bRIGHTER THANDEE
JOE SULLIVAN QUINTET

2742 . N IGHT 4 DAY/ HEAVY LAOEN

2743. BRUSHIN OFF BOOGIe/hIGH DUDGEON

2744. BASS ROMPS AWAy/24 HOURS AT

2745. DEL MAR RAG/FOR£VERMORE

2746. DEL MAR R AG ■ FORE V ERMOR E

MAX I ME SULLIVAN

2747. DARK EYES/SONG VOLGA BOATMAN
2748. IT A I NT NECCSARILy/ NIGHT & DAY
2749
2750
275l

I E+
I N-

3375 E

.ST LOUIS BL/ LAMOUR
■HOW DO I KNOW/ BESIDE R. CLYDE
.MOMENTS LIKE THIs/pLEASE BE KIND

ss

10050

E+

SS

10052

E

ss

|TjO

e/v

CMS

538

E

C MS

538

N

vo

401 5 E-

VI

26132

E-

VI

25695

v/e

OE

4307

N

VI

258-2

E+

MAX I ME SULLIUN
2752. BARBARA ALLEN/ MOLLY MALONE
2753,.CORN PICKIN / IM HAPPY ABT THING
2754. JACKIE boy/ SINO SOMETHING SIMPLE
2755. IM COM I N VIRGI NIA/LOCH LOMOND
REV SUNDOWN

2756. GPET DAY WRATH/6HE TOUCHEM HEM

RALPH SUTTON

2757. CATARACT RAG/ THE YILLMN DWN HME

REINHOLO SVENMSON QUINTET

2758. DRLY BLVD/THAT OLD FEELING NEW JAZZ

WILBUR SWEATMAN BAND

2759. AINT GONNA GIVE JELLY r/hELLO CO
2760THINK OF ME LIT DADDy/ BUT VO

2761. HELLO HELLO/AINT GONE GIVE NONE CO

2762. HAS NYBDY SEEN CLORINNe/ DALLAS BLSCO

2763. EV8DYS CRAZY BOUT/rEGRETFUL BLS CO

2764. a nybdy seen corr i ne/ dallas bls co

2765. k.c. bls/alcholic bls(la.5)
2766. lead pipe bls/ jada

ROOSEVELT SYKES 4 HIS PNO
2767. HI GH PRICE BL/HONEYDRI PPER

CO 35710 E+
VI 26237 e+/e
vi 26372 N
VO 3654 E+

OK 8441 G

840 N

28 1 8 V-
2994 E
2818 E+
2663 E+
2548 G
2663 V
2768 N
331 3 E+

CO
VD

2768. H0NEYSUCKEL ROSE/ JIVIN THE JIVE

SYNCO JAZZ BAND

2769. HOT LIPS/ STATE ST BL

TALL TOM

2770. U BRK MY HRT/ EAST PAPA

TAMPA RED

2771. PLAY W U POODLE/ FIRST LOVE

FRANK TANNER 4 RHY KINGS

2772. TIME FOR ONE MORE/WRAPPIN IT UP

NITEs/

baby/ I

SOMEDAY SMWHERE
HOWS YOUR UNCLE

BB340737 V
BB340729 N

ACT 20770 V+

VS 6030 V

BB340700 E

BB 6686 v+

VI 21633 E-
VI 22083 v+

AS 356 N-
DE 1 804 9 E+
AS 356 N-
AS 356 E+
DE I8C50 N-
DE 25202 E
OE If050 E
DE 25200 E

DE 20274 N-

TROUBADOURS
2773.NEAP0L I TAN
2774. IDOLI ZE MY

ART TATUM
?775. WHERE CR WHEN/ JA DA

2776. ELECIE/ HUMORESQUE

2777. FI NE 4 DANDY/ HAD 2 BE YOU
277S.DANNY BOY/ SWT 4 LOVELY
2780. GET HAPFy/ SWT LORPflNE

278 1 .emal ine/c ock ta i ls for 2

2782. swt Lorraine/ get happy

2783. swt Lorraine/ get happy

RICHARO TAUBER

2784. NICHT KLAGEn/ ZU JEDER ZEIT

BILLY TAYLORS BIG 8

2785. NIGHT WIND/ CAENEY-VAL IN RHYTHM

JASPER TAYLORS STATE ST BOYS
2786. STP TIME BLS/ IT MUST BE BLS

MONTANA TAYLOR
2787. INDIANA AVE BTOMP/DETROIT ROCKS

WALTER TAYLOR/TAYLOR 4 ANDERSON

2788. U RASCAL U/CORINNE CORRINE(£"RM CH )CH |595| V

JACK TEA GARDEN

2789. BL R I VER/ A RHYTHM HYMN DE 4071 E

2790. R0CKINCHAR|/PITCHIN BIT SHORT( |2" )CMS 1 52 1 E

2791 . CHI NATOWN/BIG r BLS CMS 592 N-

2792. BEALE ST BL/ SW ON TEAGARDEN GATE CO 35323 V+

2793. PRELUDE cf Ml/BL TO LONELY

2794. BL 4 BL/ ST JAMES INF

2795. DINAE/ MEET ME TONIGHT DRMLAND

2796. BLK 4 BL/ ST JAMES INF
2797. SAY IT SIMPLE/ JAM SESS AT VICTOR

2798. MAKIN FRIENDS/' ORIG. DIXIE ONE STP CO 36010 E-

TENNESSEE GABRIEL

2799. IF I CLD HR MOTWEB^RECI OUS

TENNESSEE TEN

2800. DWN HR TED BLS/ GULF COAST BL

CE 3026 N-

BR 8001 9 N-

DE 3642 v+
OE 3844 E
CMS 505 E
BRE 3264 N
V|400l38 E

3002 N-

V I 1 9094

SONNY TERRY
280 1 * SCREAM I N 7 CRYIN BLs/r I F 4 HARM
2802. HARMONICA Rag/ EARLY MORN

FRANK TESCHEMACHER

2803. SH IM ME SHA WABBLE/ STEP 2 HVN

TEXAS TE5SIE
2804. WRECKED HAPPY HOWE/GOT RIGHT

SISTER ROSETTA THARPE
2805. STAND BY ME/ SOMETHING WITH IN
2806. SIT DOWN/ END OF JOURNEY

HENRY THIES ORCH
2807. MY MAMMY/ WHEN YOUR SMI LI NG
WALTER THOMAS
2808. BROKE BUT HAPPY/ BLS ON THE DELTACELE
CAROLYN THOMSON/DENNIS KING
2809. ONLY ROSE/ SONG VAGABONDS VI

C . THORNH I LL ORCH
2810. JIM/ CONCERTO FOR 2
281 I .SING A LOVE SONG/lM THRILLED

THE THREE OECUES ( SULLI VAN. RUSSELL. ZUTTY)

2812. LAST TIME SAW CHICAGO/ DEUCES W I LOOMS 537 E

281 3. JIG WALK/ ABOUT FACE CMS

2814. LAST TME SAW CHICAGO/ DEACES WILD CMS

3 JOLLY MINERS

CAP 40061 N
CAP 15237 N-

co 35953 N-

BB 6429 N-

DE 8548 N-
DE 8538 N-

VI 2 1462 G

8125 E

VI 19897 e/n

CO 36371 N
CO 36287 N-

539 V+
537 E

28 15. CHARLESTON CLAR I NET/FREAK I SH

2816. N0THIN BUT BLS/LAME OUCK

3 OLD SALTS

2817. PORT HOLE BLS/ SHORE LEAVE

MARTHA TILTON

28 18. wedding Cakewalk/ if old be where

JUAN TIZOL 4 ORCH

2819. ZANZIBAR/ U CANT HAVE CAKE

GEORGE TOREY

2820 . MARRIED WOMAN Bl/ LONESOME MAN

ME TORME

2821 . DON! U BELIEVE /CONN

15009 V-
8595 G+

CO 2242 v

DE 4029 N

635 E+

ME70B57 E+

445 N

HENRY TOWNSENO ( VOCAL )

2822 . M 1 6 TREATEO BL/ POOR MAN BL

TRAVELERS (J.O.)

2823 . BRK AW AY/ BABY OH WH. CAN U BE

TWIX SISTERS
2824. SITTING ON TOP WLD/KNEE DEEP IN
2825. IN HONEYSUCKLE TIME/QA WEDDING

JOHN SCOTT TROTTER
?8B6. RUSSIAN SAILORS DANCE/MAPLE LEAF
THE TROUBADOUR

2827. PAGAN lOVE SONG/ THE ONE GIRL

2828. BLUE HVN/BARBARA

2829. VICTOR HERBERT MEDLEy/oLD TIME MED

2830. CAROLINA MOON/WHEN SUMMER IS GONE

FRANK TRUUBAUER ORCH

2831 .SING IN THC 8L6/C0MING VA

2832 .R I VERBOAT 6HUFFLE/ OSTRICH WALK

2833. HOPE GAB LIKES MUSIc/BRKIN SHOES

2834. WEARING OF GREEn/nO RETARD

2 835. TAKE UR TOMORROW/BABY WONT U PLSE

2836. WAY DWN YONDER/ CLARINET MARMALADE

2837. WAY OWN YONDER/ WRINGIN 4 TWISTIN

JOE TURNER

2838. ROLLEII PETE/GO IN AWAY

2839. J 4 T BLS/ WATCH THAT

2840. POLL EM PETE / BOOGIE WOOGIE
264|.PINE\ BROWN BLS/ 627 STP
2842. GOING WAY BLS/ ROLL EM PETE
2843.S.K. BLs/ P ARTS 142

UNIV OF ILL MILITARY BAND
2844. HAIL TO ORANGE/ ILL LOYALTY

UNIVERSITY SECTETTE/CAROl INERS
e245. STATIC STRUT/BIRTH OF BLS

UNIVERS ITY SIX
2846. SO LONG PAL/ROSY CHEEKS

2847. WITH 3UT JLSMTHRt/sWEET MANDY

Joe usTET-g

2848. jockey cn carousel/ln hall mt king
rudy vallee

■way look tonite/bojangles
, coquette/lover come back
,swt suzanne/ one i love loves me
,1 st ill remember
, lover come/coquette
[baby where can u 8e/just another
.deep night/weary river
WALTER VAN BRUNT

CO 14491 Q +

2849
2850
2851
2852
2853
2864
2855

2856.
2857.

2858

2859,
2860.

2861

2862
2863.
2864

2865
2866

2867.

2868

2869.
2870
2871
2872.
2873
2874.
2875

FROLIC OF COONE/LONESOME MAMA

FRED VAN EPS - BANJO SflinS
chi nese pi cni c/coconut dnce

adela ide van wey
chimmey sweep/ dr i love u so much
1,2,3, Caroline/ mr rabbitt

VARS ITY BOYS
UPTOWN BOYS/ THE CHANT

VARSITY EIGHT
DOODLE DOO/TELL ME 1KSULL *S I VE ME
LAST NIGHT/THE BAND PLAYED
SAN/ WORRI ED

OK

41260

V-

OoE

3915

N —

coE

3601

N

OE

4217

E+

VI

21931

E

HA

494 E

VI

19082

E

VI

21847

E

BR

7703

N-

UHCA

29

N

BR

76l3

N-

V8

82|5 n-

CO

37807

N-

VO

3010

E+

CO

37806

N

VO

4607 N-

MA

901 1

N-

CO

35959

V+

DE

18121

V }

DE

4607

V 1

NA

9010

N-

VI

19835

E

LI

2047

E+

HAR

399

v 1

OR

1 101

V

BR

8020

N*»

BA

6l0l l

V-

VI

2 1860

V

HMV

5669

E-

VI

22361

t-r

vi 2ieao v+

VI

22034

V

VI

21868 E

E ED

80160

V-

ED

5 1089

N

ED

5ll2 N

DS

5048a

E+

DS

50478

N-

DE

8564

N-

SARAH VAUQHN 4 DICKY WELLL
■WERE THROUGH /BED ROCK
i PURPURA ENCENDIDA/E6TAS COAS

CHARLES VENTURA QUARTET
EVER SO THOUGHFUL/OARK EYES
O.H. BLs/LOVE IS JU6T AROUND

CA

BIG SEVEN

BRS
CO HEX

559 V+
400 v+
556 V

~|0|9 N-
2022 N

SAV 569 E

JOE VENUT I

V I BRAPHONI A #2/SEND ME
FLIP/ FLOP

V I BRAPHCNI A ft/sEND ME
TAP ROOM BLS/ NOTHIN BUT NOTES
NOTHING BUT NOTES/ MELLOW CELLO
TAP ROOM/ DECCA STP

.SWT LORRA I NE/DOIN UPTOWN LOWDWN
(ABOVE HR CRK )

2876. BUI LD LI T HOME/NO MORE LOVE

2877. JAZZ ME EL/ IN DE RUGG

2878. MYSTERY/ MELLOW AS A CELLO

VICTOR FIRST N I GHTER ORCH

2879. HOW ABOUT CHEER FOR NAVY/RUSSIAN

2880. AMERICAN EAGLES/HEAD IN CLOUDs/m
HATE TO GET UP IN MORNING

VICTOR SALON

2881 .
2882
2883

4 concl)

2884

2885

2886
2887.

2388

2889

2890

2891 .

2692

2893

.TAMBOUR I N CH I NO I S/CAPR I CE
.HUNGARIAN DNCE #5/lULLABT
.MERRY WIDOW SELECTIONS (

EDO IE VINSON
.SMC3DYS GOT TO GO/CHERRY RED BLS

VIRGINIA FOUR
.DIG MY JELLY ROLL/MOANIN THE BLS

VIRGIN IANS
KISS MAMA KISS PAPa/chOO CHOO BLS
AQGRAVAT I N PAPa/aOUNT HAGERS BL

VOCAL lAN CONCER' ORCH

AMOUREUSE/S PR I NG BEAUT I F SPRING
DON VOORHEES

MY BL HVN/SOLI LOQUY

BEA WAIN
EVYT I ME/THAT S HOW I LOVE BLS

JERRY WALE ORCH
STRICTLY INSTRU/HE WEARS PR SILVER

WILLIE WALKER 4 GANG
SIOEWALKS OF NY/HES OUT AL

NANCY. WALKER

I CAN COOK TOO/ Y A GOT ME

MER

8965

E+

BRG

9828

E+

DE

23l3 E

BRE

2053

N—

brE

2304

N

OE

624

E

DE

3527

E-

DE

18167

V+

ME

12839

V

DE

18168

v+

BRG

9791

E I

VI

27955

V*

v/

VI

27957

V

VI

26306

E-/

VI

26307

E-<

VI

26499

N

ME

8003 E-

OE

7662

V

VI

18978

E+

VI

1 9021

E-

VO

2664

N

CO

1 129

E

VI

27776

N-

DE

4340

N

PAT

32374

E+

DE

23396

E

23

25^ Minimum bid

82|2 G+

1938
2|5|

V|20|580 N—

SIPPlE f A LLACE
2894. baby cant use u/trouble everywhere ok
(above; crk)

2895. SHORTY GEORGE BLs/un COUNTRY BLS OK

TEO WALLACE
2896.swthrts holiday/huggable KISSABLE CO

2897. STEIN SONG/TELLING IT TO 0AI3IE6 CO
FATS WALLER

2898. FEETS TOO BIG/HONEYSUCKLE ROSE

2899. GONNA BE SORRY/SWINGIN THEM J BELLS V 120 1 602

2900. KEEPIN OUT MISCHIEF NOw/BASI N ST VI 27767

2901. HOLD TI«HT/AINT Ml SBEHAVIN Vl20l5ei

2902. HONEY SUCKLE ROSe/fEETS TOO BIG V|20|580

2903. CANT GIVE ANYTHING BUt/drKT*N STRT BB 10573

2904. EVERYO AYS HOL I DAy/enGLECTED VI 25749

2905. jealous of me/joint JUMPIN HMV 1079

2906. aint misbehvn/oont try JIVE HMV 54l5

2907. aint got n0bdy/8asin st bls hmv 8636
2908. oh frenchy/ sin tell lie vi20i595

2909. MEANE6T THING WAS KISs/bACH UP VI 25536

2910. CRAZY BOUT BABy/uNT ILL REAL THING VI 25374

(above; rm chp no groove)

29 1 1. chant of groove/come ano get it

2912. dont give me that/must be losin
29t3.EV loves baby/squeeze ME

E

E-/E

BB l 1262
CBB I 1529
V 12022 1 7

29I4.L00KA THR.AINT SHE PRETy/uR NT ONLY V 12022 |8
29 1 5 . ALL I GAT OR CRAWL/vlPERS DRAG

2916. CANT GVE ANYTHINg/oRKTWN STRUTTER

2917. RUMP STEAK SERe/fEETS TOO BIG
29 1 8. CANT GIVE u/THE JOINT

2919. AINT GOT NBDY/TEA FOR T»0

2920. DRKTWN ST BALl/suPPOSIN
2921 .GA. ON MIND/ROCKIN CHAIR

2922. PERSIAN RUG/THOU SHELL

(ABOVE; SHORT CK. PLAYS WELL )
EDDIE WALTERS

2923. THEY'RE ALL PLAYIN MIN. GOLF/GO HM

WAR INGS PENNSYLVAN IANS

2924. LAUGH CLOWN/DANCE OF BL DANUBE

2925. LAUGH CLOWN/DNCE OF BL DANUBE

2926. LAUGH CLOWN/DNCE BL DANUBE

2927. WANT WLD KNOW/SAY THAT U LOVE ME

2928. CANT MAKE HAPPy/sONG I LOVE

2929. GLOR I ANA/LOVE TALE ALSACE LORRAINE VI 2|836

2930. Y0ULL GET By/f|T AS Fl DOLE

2931 . HOLDING HONEYS HANd/»E WERE ONLY

2932. WINDOW DRMs/hOSES OF YESTERDAY

2933. YALE BLs/cOLLEG I ANA

2934. »' RE ON OUR WAY /ARMY HYMN

2935. LIT WHITE LIES/GEE BUT LIKE MAKE

2936. MY LUCKY 6TAR/BUTT0N OVER COAT

2937 . MY CASTLE IN SPAIn/uSED LOVE HER

2938. my sin/when my drms come true

EARL WARREN ORCH

2939. EMPTY HEARTED/ TUSH

WASHBOARD WONDERS

2940. DONT FORGET MESS /BORDELLO DAYS

BUCK WA H INGTON/HENDERSON
294 1 .OLD FASHIONED LOVE/QUEER NOTIONS

DINAH WASHINGTON
2942. SLICK CHICK/PASTMAN BL
2943. SALTY PAPA/KNOW HOW TO DO IT

2944. THATS WHY WOMAN LOVES/EMBRACEABLE MER

2945. YOU CAN DEPEND/SINCE FELL 4 U
2946.STAI RWAY STARS/WANT TO BE LOVED
2947. DONT CME KNOCK IN AT/l LOVE U YES

2947. WOMAN LOVES/OO-WEE WALK IE TALKIE

2948. MELLOW MAMA BLs/mY LOVIN PAPA

CROWN PRINCE WATERFORD

2949. COAL BLK BABY/CROWN PRINCE

2949. MOVE YR HAND/WEEP IN WILLOW BLS

2950. LEAPING B OGIE/p.l. BLS

ETHEL WATERS 4 JAMES P. JOHNSO

2951 . GUESS WHOES IN TWN/ HANOY MAN

2952. FOUND NEW BABy/tELL EM ABOUT ME

2953. DWN HOME BL/ GO BACK WHERE

2954. MV HANDY MAn/gUESS WHOS I N T WN

2956. oh daddy/dwn HOME BLS

2959. AM I BL/ U TOOK MY MAN

LEO WATSON ORCH

2960. MAN W MANDOL I N/UTT OA ZAY

2961. JINGLE BELLS/ SNAKE PIT

LU WATTERS BAND

2962. IRISH BLK BTM /MEMPHIS BL (l!hT LABEl)JM

2963. RIVERSIDE BL/CAKE WALKING BABIES

2964. COME BACK 6T PAPa/tiGER RAG ( ■ )

2965. CHATTANOOGA STp/cREOLE BL

2966. CREOLE BELLS/CHATTANOOGA STP

2967. CHATTANOOGA STp/cREOLE BELLS
296E. IRISH BLK BOTTOm/mEMPHIS 8Ls(wH.La)jm
2969. ORIG JELLY ROLL BLS/OA CAMP MEET "

2970. GO IN HUNT I N/FRI ENDLESS BLS

2971. BIG BEAR STP/WORKING MAN BL

2972. GA CAMP MEETING/jELLY ROLL BL

2973. DWN HOME RAG/ PEORIA
2974. IRISH BLK BOTTOM/MEMPHIS BL

CH ICK WEBB
2975. SUNNY SIDE ST/BLUE MINOR

2976. CRYIN MOOD/RUSTY HINGE

2977. WHAT SHUFFLE/SPRING FEVER
2977A. CRYIN MOOD/ RUSTY HINGE

2978. DEVOT I NG MY TIME TO u/gO HARLEM

2979. RUSTY HINGe/cRYIN MOOD

29B0.SLUMBERT IME ALONG SWANEe/chEW CHEW DE
2981. PEBBLE IN SHOE/WHO YA HUNCHIN

HMV

8784

N

BB

10573

V-

HMV

9582

N

VI201258

N

VI

22765

N

VI 202220

N

VI

27765

N

VI

2l 346

E

E CO

2290

E+

VI

2 1 308

E+

VI

2l308

E

VI

2|308

V+

VI

21783

V

VI

2l8l0

v+

E VI

2|836

E—

VI

24168

V

VI

24051

V

VI

2(676

e

VI

2l307

E

DE

23345

v+

U VI

22492

E

VI

2 1 86 1

E-

VI

21900

V

VI

21977

E—

SAV

507

E+

PX

2

E

DE

18169

N-

MER

8024

N—

MER

8044

N—

MER

8030

N

MER

8057

N—

MER

8035

N

MER

8065

E+

MER

801 0

N

AP

371

E+

CP

40103

N—

CP

40074

N—

CP

40137

N

1

CO

14353

E +

CO

561

V+

CO

14093

V-=

CO

14353

V—

BS

20 10

0

CONT

10008

E

DE

2750

N

SG

1004

E

2 E*

JM

5

N

JM

6

N-

WC

102

E-

WC

102

n/e

WC

102

El

JM

2

n-/e

JM

4

E+

WC

109

N

WC

104

E

JM

4

E+

JB

E—

JM

2

E

DE

172

E+

DE

1273

N-

DE

1087

E

DE

1273

N-

DE

995

E

DE

1273

N

DE

2389

E

DE

223 1

N-

THE RECORD CHANGER

BOX 52, 1 25 LA SALLE STREET, NYC 27 NY
SEE PAGE ONE CF AUCTION FOR INSTRUCTIONS,

25^ MINIMUM BID

CHICK WEBB ORCH

2982. MCPHERSON REHEARS IN/TEAR FALL IN

2983. THAT NAUGHTY WALTZ/LOVE IS THING

2984. MA0PHERSON IS REHEARS IN/LET TEAR

2985. LOVE 4 KISSES/ ARE U HERE STAY

2986. LET TEAR FALl/mCPHERSON REHEARS 1 1

2987. LONESOME MOMENTS/ TRUE (SCUFFED)

2988 . RUSTY HINGE/CRYING MOOD

2989. ELLA/FOUND MY YELLOW BASKET

2990. FOUND MY YELLOW BASKET/ ELLA

2991. TISKET TASKET/ LIZA

2992. ITS SLUMBERT I ME LONG SWANEe/chEW

MAREK WEBER
2993.2 HRTS IN 3/4 TIME/lN YOUR EYES

TED WEEMS

2994. U'RE CRM IN MY COFFEE/ ANYTHING

2995. TALL DRK 4 HANDSOMe/nOTH I N ON MY

2996. FLOWER OF LOVE/LONESOME IN MNLITE

2080 N-
1356 E+
2080 N
494 E
2080 v+
3l0l E+
1273 v
2|48 V
2|48 E
1840 E
2389 E

VI 6078 E

VI 21767 V

¥1 2 1 364 E

VI 2 1 643 E

2997. FOUND U OUT WHNE I FOUND/TAKE 2MORRV I 2 1773 N-

VI 20133 E

VI 2 I I 05 E

VI 22426 E

VI 19804 N

VI 21729 V

VI 22215 E-

DE 2366 N

VI 266 1 7 v+
SG 90002 E+

BA

36 N
2l68 V

CMS

2998. IF I ONLY HAD u/hOW MANY TIMES

2999. COBBLE STONES/ DID YOU MWNA IT

3000. WASHING DISHES MY SWt/rEMEM U FRM

3001 . LONE60ME/ DRMS IN OF TOMORROW

3002. COME ON BABY/HERES THAT PARTY
3003 .SOPHOMORE TROM/cAMPUS CAPERS
3004. ALL IM ASKIN IS SYM/TO BE FORGOTTN VI 22236 E-
3005. OH MONAH/ LOVE TO HEAR MILITARY VI 22822 E'

3006. LOVE RIDE CHOO TRn/ynG MARTINS 4

DICKEY WELLS

3007. HANGIN ROUND/FOUND NEW BABY

3008. GOT RHY/ IN FER IT TOO 1 2"

NOLAN WELSH ( WITH Louis)
3008a. bridewell bl/ «t Peter bls
SAM KU WEST
3009.ST LOUIS BLS/ THE MEMPHIS BL
GEORGE WETTLING
SOlO.STUTTIN W 60ME BARBECUe/hW COME
30II.6OME OF THE DAYS/EVBDY LOVES BABY
30 1 3. HOW COME u/ STR WITH SOME BARBEQUEC MS

30 1 4. DRKTWN STRUTTERS BALl/ FOUND NEW

3015. BUGLE CALL RAg/ SISTER KATE
30 |6 .EVERYBDY LOVES BABy/sOME THESE

LITTLE DAVID WHEATON
3017.2 NG BLS/ JUST ME 4 U

3018. THAT WHT IM TALKINg/|T JST AINT

WHEELER 4 LAMB

301 9. PREACHER MADE US ONE/SLOT OUT PAST VI 40248 N

BUKKA WH ITE

3020. DIST ATTY BL/PARCHMON FOARM

GEORGIA WHITE

302 1. DEAD MANS BL/LOVCElCK BL

JOSH WH ITE

3022. BELOVED COMRAOE/jOHNNYS GONE FOR

Kl TTY WH ITE

3023. MAN IS GO/ IT PAYS ADVERTISE

LEW WHITE

3024. JOY TO WLD/CAME UPON MIDNTE CLEAR VI 26050 E

3025. GYPSY OVE SONg/kiSS DARK VI 26249 N—

3026. UNCLE NED/DRM JEANIE W LITE HAIR VI 27299 N

3027 . DRM JEANIE BRWN HAIR/uNCLE NED ! VI 27299 N-

PAUL WHITEMAN ORCH

3028 . CHANGE/LOU I S I ANA (BIX 4 CROSBY ) HMV 89|3 N

3029. LETS OUTP OUT LI TS/UR TELLING ME VI 24|40 E

( above; rm chp 2 gr J

3030. IM ON CREST OF WAVe/wHAT D*YA SAY CO |465 N

3031 . MAGNOLIA/SIDE BY SIDE(BING) DECATUR 5050 N

3032. TOO OLD DRM/NIGHT IS YOUNG VI 24844 E +

3033. GYPSY BLs/ WHEN BUODHA SMILES VI 18839 E+

3034. J EE PER S CREEPERS/MUT I NY IN NURSERY DE 2222 N

3035. JAMBOREE JONES/SING SONG 6PENCE DE 2074 N
3036. SOMETHING HAPPENEd/smOKE GETS IN VI 24455 N-
3037.OREINTAL/ 3 0CL0CK IN MORNING VI 2|599 N

3038. BOUQUET OF MEMORIE6/MY ANGEL

3039. FEELIN THE PEACh/uSED TO B COLOR

3040. VALENCIA/N0 MORE WORRYIN

(above; RM CHP no gr)

304l .BKN HRTEO/ COLLETTE
3042. WONDER/ LAURA

651 V +
7 E+

56l V
DE 18045 V
DE 18044 V
BW 7 E+

CP 40034 n-
CP 40 1 39 N

OK 5683 N

OE 7534 V-

DE 23416 N

CP57-70032 N

VI 21388 E
DE 2073 V
VI 20007 E

VI 20757 V-
CO 36785 V

3043. IS IT GONNA BE LONg/raTHER CRY OVERCO |496 V-

3043A. MANHATTAN MARy/ B' WAY
3044. BL HVN/ ALL BY MY OWNSOME
3045.1 ALW. KNEW/WHEN IM IN U'R ARMS

3046. BOATMAN ON VOLGa/l|T SPANISH TWN

3047. no more worryin/ valencia

3048. mary/changes

3049. im in love again/wherever u go
3050. fate/lady of evening

3050. NO MORE WORRY) n/vALENC I A

3051. BOATMAN ON V0LGa/l|T SPANISH

3052. WHISPERING/ JAP SANOMAN

3053. UKULELE LADY/ PAL MY CRADLE
3054. SOME SUNNY Oay/rOSY POSY
3055. SONG INDIa/chO CHO SAN

3056. CHO CHO SAN/ SONG OF INDIA

3057. falling/ BURNING SANDS
3058.AFTERGLOW/ON YOUR TOES

3059. dcg .tambourine/shady TREE

3060. chicago/early in morning

3060. LIMEHOUSE Bl/|F U ' LL COME BACK

3061. MUDDY WATRE/AINT SHE

3062. «FRAIo/ MY PET

VI 20874 E

VI 20828 E

VI 20501 E

VI 20266 E

VI 20007 E+

VI 2 I 103 E

VI 20646 E

VI 19016 v+

VI 20007 V

VI 20266 V

VI 18690 V-

VI 19690 V

VI |889| E

VI 18777 v+

VI 18777 E+

VI 19033 E+

VI 25356 v+

VI 20972 v+

VI 18946 V

VI 19264 v+

swt(shilkret ) VI 20508 V

VI 2 1 389 V+

3063. BECAUSE MY Bay/ JUST LIKE MELODY CO 1 4-4 1 V

3064. RAMAN0/ LONELY MELODY VI 2|2|4 V+
3065. IM COMING VA/jUST ONCE AGAIN VI 20751 V+
3066. OLD NEW ENG. MOON/ S ITT IN ON RA I NBW CO 2224 V-

3067,
3068,
3069,
3070,
3071
3072,
3073
3074,
3075,
3076,
3077.
3078
3079,
3080,
3081,
3082,
3083,
3084,
3085,
3086,
3087,

3088,
3089,
3090,
3091
3092,
3093
3094
3095,
3096,
3097,
3098
3099
3t00,
3|0|
3102,
3l 03,
3 1 04
3 1 05,
3|06
3(07,
3l 08
3l 09
3| 10
3| 10
3 1 I I,
3l 12
31 13

PAUL WHITEMAN 'cONT .

.MELODY OUT OF SKY/BABY DONT CO

,MARIANNE/LOVER COME BACK CO

,LOVEK COME BACK/MAR I ANNE CO

, in evening/dont LOVE ME CO

.ROSES OF YESTERDAy/bLUE NIGHT CO

.LONELY MELODY/MI SS ISSI PPI MUD VI

.SONG OF INDIA/CHOXHO SAN VI

.MUTINY IN NURSERY/jEEPERS CREEPERS DE

.HOT GAVOTTE/ HOIRIGER SCHOTTISCHE OE

.LONELY MELODY/ RiKCNA VI

■SHAKING BLS AWAy/00H MAYBE ITS YOU VI

IM IN YOUR ARMS/1 ALWAYS KNEW VI

.EVYTHING MADE LOVe/fORGIVE ME VI

.UNDERNEATH MELLOW/WONDERFUL ONE VI

.PRESIOUS/MOONLIGHT ON GANGES VI

,jap sanoman/whispering VI

iTSCHA I KOWSK I ANA |42 CO

,P06E ROOm/|M COMIN VA. DE

.SIDE BY SIDE/PRETY LIPS VI

.SHADY TREE/OANCING TAMBOURINE VI

.SOMEBDY LOVES ME/lONELY LIT MEL VI

(hr crk above)

.bright eyes/ love bird vi

,or old 80uthland/they call dnc i ng vi

.crinoline days/pack up yr sins vi

.UNDERNTH YELLOW MOOn/wONDERFUL WLTZVI

.1ST NIGHT ON BACK PORCh/|F I CNT VI

.LINGER AWHILE/HOLLYWOOD VI

.PALE MOON/ FOX TROT CLASSIQUE VI
.WH ORMY WABASH FLOWs/foLLOW SWALLOWVI

, I ALWAYS KNEW/WHEf> I M I N AP MS VI
,TO u/mOON LOVE DE

.WHO DO U LOVE/lTS ALWAYS REMEMBER VI
.ORIENTAL TROT/3 IN MORN
.RHAPSODY IN Bl/ 1 42

.jeepers creepers/ mutiny
.mary/ changes
.Louisiana/changes

.REMEMBER YOu/wHO DO U LOVE

, I GO FOR THAT/NEVER FELT BETTER OE
,SO THIS IS VENICE/LEARN TO DO STRUTV I

.BL HVN/ALL BY MY OWNSOME VI

,PRES IOUS/mOONLIGHT GANGES VI

.YOURE THE TOp/gET KICK OUT OF VI

i MUDDY WATER/A | NT 6HE SWEET VI

.SHANGHAI DRM MAn/faLLEN LEAF VI

,NO MORE WORRY I N/VALENC I A VI

.SOMETHING HAD HAPPEN/SMOKE GET VI

.SMETHING HAD HAPPEN/SMOKE GETS IN VI

VI

HVV

IN NURSERYDE
HMV
HMV

|44| E

I73l E+

1 73 1 N

1484 N

1 553 N
25633 E-
18777 V

2222 E

2921 N
2l2l4 E+
20885 N
20501 N
205|4 n
1 90 1 9 E
20139 E
18690 E+
50113 E

3943 E+
20627 v+
20972 V
1 94 1 4 V

18735 E+
18856 N-
18983 E
19019 E+
19 1 39 E
1 92 1 1 v+
19345 E+
19428 E-
20501 E+
2578 E+/n-
20784 E
18940 E
1395 E

2222 E

5461 G

891 3 v+
20784 E

2293 N
19252 E
20828 E-
20139 E-
24769 E-
20508 v+
20638 E-
20007 E
24455 E+
24455 E

3l 14,
3||5,

3||6,
3l 17,

31 18
31 19
3l20
3i2|
3|22
3123,

3l2S

3125,
3 126

WH I T TEMP RE 4 LOWE ( PIANO DUET)

IC VI20I824 N-

. TH EY D IDNT BELIEVE/OLD BALCK MAG
.FALLING IN LOVe/bRAZIL

WHOOPEE MAKERS
, BUGLE CALL RAG/ST LOUIS Bl(cRk)
.SELDOM THE SUn/n|GHT 4 DAY

BOB WILBER
.WILD CAT BLS/BL 4 FOWLER
■BL FOR FOWLER/WILD CAT BL
.TROUBLE IN MINd/whEN U WORE TULIP
,1 CANT SAY/NEW 0. SHUFFLE
.WILLIE THE WEEPEr/mABELS OREAM
.WILD CAT Bl/ BLUES FOR FOWLER

BERT WILLIAMS
,|0 LITTLE BOTTLES/UNLUCKY BL
.SAVE DRAM FOR ME/ALIMONY
,ANY TIME/SWT EMMALINA
COOTIE WILLIAMS
3 1 27 . SWNG T I ME HONOLULU/CARN. CAROLINE

MARY LOU WILLIAMS

Vl20l 823 N

PE |5|26 V
V|20|572 N-

CMS
CMS

CMS
CMS

584 n-
584 n-
|6 N

2 N

583 E-

584 E

CO 294l v

CO 2979 G

CO 1 43 1 4 G

vo 406 1 v+

3 I28.DRAG EM/NIGHT LIFE
3|29.SWT PATUNIa/mR FREDDIE BL

(rm CHB NO GR ABOVE )
3 I 30. HARMONY BLS/BA8Y DEAR
3|3|. PERSIAN RUG/NIGHT 4 DAY
3l 32. WALTZ BOOG I e/huMORESQUE

3| i 3.oo-bla-dee/knowleoge

3 I 34 .SATCHELMOUTH BABy/miSTY BL

3i35.cancer/gemini

3|36.SIGN OF THE ZODIAc/viRGO

3 i37.taurus/ari ES

3 I 38. BABY DEAR/HARMONY BLS
3| 39. WALTZ BOOGI E/HUMORESQUE
3|*0.DRAG EM/NIGHT LIFE
3|4|.THIS 4 THAT/SONG OF MY SOUL
3|42.MAN 0 MINE/GJON MILI JAMM SESSION

SANDY WILLIAMS BIG 8
3|43.T 4 ME/SANDYS BLS
3I44.SUMPIN JUMPIN AROUND HERe/aft HRS HRS
3I45.CHILI CON CAREY/MOUNTAIN AIR HRS
3|46.MT AIR/CHILI CON CARNEY HRS

SONNY BOY WILLIAMSON

BR 80033 N-
DE 2797 N-

DE I8l22 E
AS 35l2 E
VI 202025 N-
Kl 15003 N
AS 502 E
s 620 N
AS 620 N
AS 620 N
OE 1 8 1 22 N-
VI 202025 N-
BR 80033 E
AS 1008 N-
AS 1006 N-

HRS

1022 E
1008 N-
1007 N-
1007 E+

3 1 47 .ELEVATOR WOMAN/ SONNY BOYS

W I LLY-STE INER ORCH
3|48.ZWEI GUI TARREN/RUSS ISCH

BB340744 N

POLYDOR G 47078 N
EDITH WILSON 4 JOHNNY DRUMS OR I fi ,IA?7 HOUNDS
3I49.VAMPIN LIZA JANE/ NERVOUS BLS CO 3479 V+

3|50. MUSCLE CHOAL BLs/hOW COME CO 14027 V

LEAA WILSON 4 HER JAZZ HOUNOS
3»5l.OECEITFUL BL/MEMPHIS TENN CO 39 1 5 V-

. MARGARET WOODROW W I LSOM/cQLUMB I A BAND
3| 52. star spa ng leo banner/patriotic songc0 1 685 e+
(above: autographed)

44

25^ MINIMUM BID

THE RECORD CHANGER

BOX 52, 125 LA SAL LF STREET, N.Y.C. 27. N.Y.

SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS.

25^ MINIMUM BID

BR

PAE

83|9 V

7903 V-

2823 N-

BR 7893 N-

CO 36208 N-

CO 36205 E

TEDDY WILSON
3|53. SUGAR/MORE THAN U KNO»
3I54.MEAN 2 Me/|'LL GET BY
3 1 55. CR I ED FOR u/l'LL GET BY
3|56.H0W AM I TO KNOw/lM COMIGN VA
3| 57. WHEN YOURE SM I LI Ng/eaSY LIVINQ

3i 58. miss brwn/wished THE MOON

3 1 59. SMOKE GETS IN EYEs/tHEM THERE EYES CO 3663 1 N-

3 160. WISHED ON MOON/MISS BROWN CO 36205 E+

3|6|. CHINA BOY/BODY 4 SOUL CO 36634 N-

3I62.THIS HEART MINe/eV'Y TIUE WE SAY MU 3 1 7 E+

3 163. SUNNY MORNIn/why SHOULDNT MU 37l N-

3I64.JUST FOR U BL/jUST U JUST ME MU 3 1 6 N-

3|65.EVERYT1ME WE SAY GOBYe/tHIS HRT OF MU 3 1 7 N-

3I66.MEM0RIES OF u/BUGLE CALL RAG MU 3|8 E

3|67.BUGLE CALL RAg/mEMORIES OF U MU 3|8 N

3i 68.surr.dear/runnin' WILD MU 3 1 9 E+

3169. MISS BRWN TO u/wiSHEO ON (b .HOL ID AY )C0 36205 N

3170. WH U WERE SMILING/EASY LIVINO(") CO 36208 E+
3I7I.OUT OF NOWHERE/YOUR MY FAOOR I TE CO 36737 E+

3172. FOOLIN MYSELF/MUST HAVE (B. HOL I DAY )C036207 E+

3 173. CANT GET STARTED/l KNOW U KNOW CO 36633 E+
3|74.IF U WERE MINE/WH LIT M'LITE CO 36206 N-

3175. MORE THAN U KOw/suGAR CO 36117 N

3176. FOOLIN MYSELF/l MUST HAVE THAT MAN CO 36207 N-

KAI ill ND INGS NEW JAZZ GROUP

3 177. ALWAYS/ GRAB U AXE MAXE SAV 590 E

ERICWINSTONES SWING QUARTET

3178. PENNSYLvAN|Ab-3UUU/BEAT ME DADOY DEE 7789 N

MARIUS B. WINTER ORCH
3|79.CH£0 CHOO/PEANUT VENDOR BCAST|230|9N

WISCONSIN ROOF ORCH
3I80.WOB-ALY WALK. READY FOR THE RIVER BWAY 1177 V

' M. WITTICH CORNET
3 1 8 1 SJE GEGRUS T/DFHUT 1 OICH GO TT ANKER 2645 V

MOVER INES

3 1 82. CO PEN HAG EN/T I GER RAG BRE 2205 N—

3183. RIVERBOAT SHUFFLe/lAZY DADOY HRS 75789 E+

BARRY WOOD

3184. AMER I LOVE U/DR OLD PAL OF MINE VI 27260 V+

SCOTT WOOD

3|85.WH0A BABE/SATAN TAKES HOLIDAY CO 3|5 E

REV S.J. WORELL

3186. GOD HEARD PRAYER/SLK rtfJRSE PAW I N . VP I 09 I V+

FLORENCE WRIGHT-TCC ETRROLL GARNER

3187. REAL GONE TUHE/'P|E IN BASKET NA 9||'8 N-

ALBERT WYNNS CREOLE JAZZ BAND

3188. shes cry in for me/own by the levee br 80042 v+

(above hr crk)
ALBERT WYtgl CUT BUCKET FIVE

3 189. king joe/cry i nt" for me decatur5|5 n

(abqwe;one side noone)
3| 90. parkway stomp/gates bles br 80041 e+

THE YACHT CLUB B0YS(rare benny Goodman)

3I9I.WE OWN A'sLON/iflpER-EpttlAL pPST CO ^&7 N

YANKEE l O/PIX IE JAZZ BAND
3|92.± wJV'TA HW^USk1/ STEVEDORE

LESTER YOUNG BAND
3i93.db" Bl/l steKTTWs"^- "
3 I 94. THESE FOOLISH TH I NGs/jllMPI N AT
3 1 95. AFTER U GONE/ONLY PAPER MOON

3 196. sunoay/sm BL

3 197. NEVER KNEw/jUST U JUST ME

MARGRET YOUNG
3| 98.L0UISVI LLE LOU/DIXIE

YOUNGS CREOLE JAZZ BAND
3|99.TIN ROOF BLS TEST PR

TRUMMIE YOUNG
3200. BEHIND THE 8 BAR/RATTLE 4 RODL

VICTOR YOUNG
320I»WHOS AFRAID OF BIG/THE LAST RND
32U«!tTIME SING SW.ADELINE/2 TKTS TO G

3203. time TO sing sw.adeline/2 tks

3204, u'nesoue 4: u c'line/one nite lov
3205. love letters/stella starlite

james "trummie* y0ungs all sta
3203.sorta kl nda/seventh ave

GEE ZACK
3206. SNOWBALL/ LAZY 1 I VER

GEO ZACK 4 DANNY ALVIN
3207.SHIME ME SH A WABBLE/FAREWELL BL

OR

1346

V—

AL

123

E-

»L

124

E+

AL

1 27

E—

AL

162 E-

KEY '

603

E-

BR

2442

N

COSMO 901 E

BR 665) N

A BRE 1534 V+

BRE 1 534 V+

E BRE 1923 n-/e

DE 23468 N

RS

CONT 6005 N-

CMS 566 E+

CMS 599 N-

AUCTION MINIMUM BIB>*Oo AUCTION

ACETATE

3208. MAKE ME PALLET ON FLOOR/ BALLIN THE JACK V+
ALL STAR SWING BAND
OUT OF NOWHERE/SWT GA BROWN SS I 045 E+

3209

3210

3211

32 1 2

32l 3

32 14

32l5

32 16

3217

3218

3219

3220

322l

3222

3223.

3224.

3225.

3226

3227

3228

3229,
323 0,
3231
3232
3233.

3234,

3235

3236,

3237,

3238

3239,

LOUIS/CHARLES PIERCE
,OROP THAT SACK/JAZZ ME BL

LOUIS ARMSTRONG
,WHO ' S I T/DROPP I N SHUCKS
.DEAR OLD SOUTHLAND/WEATHER BIRD HRS
, I GOT RHYTHM/CAN DEPEND ON ME
.MONDAY DATe/wEATHER BIRD
i LONG LONG AGo/l COVER «UTERFHNT
. I N THE GLOMIN/EVERYTHING BEEN
,USEO TO LOVE u/lEAP FROG

u/g

brE 2502 N

RED

DE

I LIKE MAKE PaE
PAE"
PAE
PAE

NYL N—
18 n/e
CO 2590 E-
CO 36375 n/e+
DE 3700 n-/e
de 3825 e/v
4106 E+
854 N-
942 N
942 E+
992 u
V|20|9|2 N-
VO 3008 e/e-
vo 3072 e/e-
VO 32 16 E+
VO 3303 N

TIGER RAG/OL MAN BL
TIGER RAG/OL MAN BL
U RASCAL u/pOOR RICH-ARC
BACK 0 TOWN Bl/l| NGER MY ARMS
BASIN ST BL /ST LOUIS BL
I BE GLAD WHEN/BODY SOUL
U DRIVIN ME CRAZY/WEARY BL
TITE LIKE THIS/HEAH ME TALKIN

LOVIE AUSTIN
STEPPIN ON THE Bl/tRAVELIN Bl(diGPM 12255 V-

M I LP RED BAILEY
U OONT NO MIND/BARREL HOUSE MUS VO 4802 E+

SIDNEY BECHET
SWEETIE DEAR/MAPLE LEAF RAG BB 76 |4 E+

WILD MAN/SHAKE IT & BRK IJ" VI 26640 E +

OL MAN BL/NOBDY KNOWS WAY I FEEL VI 26663 E+
AINT MISBEHAVIN/BL 4 YOU JOHNNY VI 26746 V+
MOOCHE/BLUES IN THE AIR V 1 20 I 5 1 0 N-

ROGER BELLS JAZ.Z BAND W I TH MAX I E

OUB E+

OH THAT SIGN/WOLF GANG
BIG BILL

WHY D ID U DO THAT 2 Me/tRUCKIN VO

BIX 4 WOLVE INES /NORK
COPENHAGEN/MAPLE LEAF RAG UHCA

CHU BERRY
MONDAY AT M I NTONS/BLOW I NG UP BRZCMS

BLIND BLAKE
sffCL MILL BL/5outh bound rag dub

JIMMIE BLYTHE
APAMS APPLE/MESS IN ROUND SG

CHICAGO RHYTHM KINGS

4295 e/p

54 1 N

906 E+

324 1. SONG OF WANDERER/CHANGES MADE

3242. FOUND NEW BABY/CHANGES MADE

EDDIE CONDON

3243. BEAT TO THE SOCKS/GOT RHYTHM

3244. MEET ME TON I TE DRMLAND/d I NAE
3245. ITS RITE HERE 4 u/STRUT MISS
3246. GONNA ST MR H LEe/tHATS SERIOUSHMV

BINQ WITH CONNIE BOSWELL
YES INDEED/ TEA FOR 2

BOB CROSBY
FIVE PINT BLS/BIG FOOT JUMP
RUSSIAN SAILORS ONc/vULTEE SP
WALTER DAVIS
3250. FOUR FEET I I /HELLO BLS

BILL DA V I SON GROUP
3251 .SURRENDER DEAR/ON BLS KICK

BAB Y POODS TRIO
3252.WOLVER I NE BL/PRM RUDIMENTS

SG

104

N

UHCA

7

N—

CMS

502

n/e+

CMS

505

N-

CMS

530

N

3247.

3248
3249

3253
3254
3255

JOHNNY POODS

.piggly wiggly/40 and tight
,come on 4 st /blues ( f.melrose )

ne/o

DE

3689

N

DE

2 108

E+

DE

4397

N

BB

8574

N-

CIT

102

n/n=

CI

1001

n/e+

BR

80076

N

• AFTER U GONE,
TOMMY DORSEY
3256. ALIBI BABY/HE GYPSY FRM POUGH
PUKE ELLINGTON

0 I STEp(RfcNJCSOLS JaCETATE E+

3257,

3258,

3259,

3260,

3261

3262,

3263,

3264,

3265,

3266,

3267

3268

3269,

3270

3271,

3272,

3273,

3274,

3275

3276

3277,

3278,

3279
3280

3281
3282
3283
3284

e.st louis/blk beauty j l .horne )
jazz cofktail/lightin(rm chp)

WALL ST WAIl/mOOD INDIGO
DOUBLE CMEEK ST. JOLLY WOG
HOP HEAO/e.ST LOUIS TOODLE
SERE TO SWEOEN/SGT WAS SHY
TOOTIN THRU ROOf/gRIEVIN
MOON GLOw/TRUCKIN (dig)
CARAVAN/DUSK ON DESART
DOIN NEW LOW DWn/diGA DO
MOONLITE FIESTA/JUBILESTA
IMMIGRATION Bl/cREEPER
DELTA SERE/SOLITUDE
BLK TAN FANT/CREOLE LVE CALL
5 OCLOCK DRAG /CLEMENT I NE
BL SKIES/ ALTITUDE
GO WAY / TAKE ME -AIR SHOTS
SUBTLE SLOUGH/HARLEM AIR SHAFT
DAY DRm/bOY MEETS HORN -CARNAG
= AIR SHOT
ME — AIR SHOT

VI

25577 v+

BB

6430 N-

BR

6404 v+

BR

80003 N

BR

80035 N

CO

953 G+

CO

352i4e^v+

CO

35310 E

CO

36317 n/e+

PAE

3041 N

OK

8602 V

SE

5007 N

VO

1077 G+

VI

24755 N

V 1

24861 N

VI

27700 n/e

MAIN STEM/?
COTTON TAI l/ SA
JUNGLE BLs/rED

DOB N—

OUB E+

DUB N-

E HALL DUB N-

ACETATE E+

ACETATE E+

HOT BAWD ACETATE E+

HUBERT FOL 4 HIS BE-BOP MINSTRELS

30PPIN 4 OILSKIN/LOVER MAN SW 29 1 N

NOW CUT OUT/LOVER COME BACK TO MESwF 298 N
BUO FREEMAN

EASY i GET/FOUND NEW BABY BB I 0370 e/v+

AT SUN OWN/KEEP SMI LI N AT CMS 503 N-

DONT BELIEVE I T/ MY HONEY LOV I N CMS 504 N-

3L ROOM/EXACTLY LIKE U CMS 5 1 3 N

3285
3206
3287
3288
3239
3290
3291

3292

3293,

3294,
3295,
3296,
3297,
3298,
3299,
3300

3301 ,

3302

3303,
3304,
3305,
3306
3307,
3308,

3309,
3310,
33 l l
33)2,
33|3,

33 1 4,

BUD FREEMAN CONT.
■SWINGIN WITHOUT MEZZ/3 LIT WRDS
,SAIL FISh/sATANI C BL
,SUNDAy/lONO AS I LIVE

.copenhagen/big BOY

,SENSATIOn/oh BABY

.NEED SOME PETTIn/t|A JUANA

.FIDGETY FEET/ SUSIE

JACK GARDNER
.DOLL RAG/BYE BYE PRETTY BABY

BLIND LEROY GARNET T
CHAIN EM DWN/LOUI S I ANA GLIDE

BENNY GOODMAN
, WLD WAIT SUNRISE/SO LOW FLIGHT
FIESTA IN BL/CANT GIVANYTHING
CAPRICE XXIV PAG/BIRTH OF BL
FOUND NEW BABY/AS LONG AS I LI yE
SWT SUE JUST u/mELANCHOLY BABY
.STOMPIN SAVOy/viBE BL
CLAR A LA KING/HACKETT JAZZ

SONNY GREER MEMPHIS MEN
BEGGARS OL/ SAT NITE FUNCTION

GENE HALL
OEGGED IN VAIN/ SO,

5l4 N-
2781 nM
2849 E+/E
18064 E+
18065 N/E-
DE 13066 n/e+
DE 18067 E+

CMS
DE
DE
DE
DE

PM 12879 v+

CO 36684 N
CO 36755 N
PAE 2830 N-
PAE 2961 N-

VI 25473 E
VI 2552l N-

ACETATE N-
CO 2833 G+

RAMPART ST
COLEMAN HAWKINS
,SHE FUNNY THAT WAY/MEET DR FOO
WHEN DAY 00Ne/b0UNCIN WITH BEAN

Chicago/ netcha drm
meditation/what harlem is to mt
swt ga brown/out of nowhere
.crazy rhythm/honeysuckle rose

FLETCHER HENDERSON
CAN U TAKE I t/yEAH MAN
MEMPHIS BL/CHANGHAI SHUFFLE
IT TALK TWn/nAGASAKI
I GTO SING TORCH SONg/nITE LIFE
HOUSE DAVID Bl/| NEVER NEW

MEL HENKE TRIO/CASS SIMPSON
HI ND US TAN/ AFTER U GONE

BILLIE HOLIDAY

BW ACETATE E+

BB 10477 E+
BB 10693 E+
DE 661
DE 742
HMV 88 1 2
VI 262 1 9 e/v

E

E

E+

BRE
DE
DE
DE
UHCA

1695 E

1 58 E+

18253 E+

18254 E+
57 n/n=-

OK 61 34 E

BN
BN.

ACETATE
DUB

I N

505 N-

506 N
508 N

9001 N-
N—

n-/e

RBW I 0098 n/n-
RBW I 0098 N

3315.30 ON MY MIND/LETS DO IT

A»T HOPES
33 1 6. SNOWY MORN BL/4 OR 5 TIMES
33 1 7. MAPLE LEAF RAg/yELLOW DOG 3LS
33 1 8 .SLOW EM DWN/SHE CRY I N 4 ME
33I9.CLARK RANDOLPH/CHANGES MADE
3320. SELECTION FRM GUTTEr/oRGAN GRINDER SG
332 I. THE MOOCHE/ 4 OR 5 T I MES

3322. BLUES Bw/BLUES(H0DES 4 MEZZ)

JOHNNY HODGES

3323. good (JUeTW BTtSS/TMAT the bl ol man bb iiii7 n-

3324. BLUES SERE/jITT RBUG LULLABY VO 4309 n/e

3325. know waht u do/drm bl vo 5353 v

BILLIE HOLIDAY

3326. NEVER BE SAME/THEY SAY DTR 507 N—

CHUBBY JACKSON 4 HIS 5th DIMENSIONAL GROUP

3327. DOOMS I E/DEE DEE'S DANCE
3323. BOOMS I E/DEE DEE'S DANCE

BUD JACOBSONS JUNGLE KINGS
333 1 .OPJS I SANS MELODY/CANT BELI EVE

3332. clar marm/laughing AT U

BLIND f I LLI E JOHNSON

3333. trouble soon over/rain dont fall

3334. clar marm.opus no i sans melody

3335. honeysuckle/ blues

JESSIE JAMES
3336. SWEET PATUNI

BLIND LEMON JEFFERSON
3337. EAGLE EYED WOMAN/DYNAMITE BLS

BLIND WILLIE JOHNSON

3340. LET U LITE SHINE ON Me/gOD OONT

3341 . TAKE U BURDEN LORd/gOD MOVES ON W

EDITH JOHNSON

3342. HONEY OR I PPER/NI CKLES WORTH

LIL JOHNSON
3343. SAM HOT DOG MAN/GET FRM PNU T MAN
(ABOVE RM CHP 2 GRv)
MARY JOHNSON

3344. MUDDY CREEK 8L

PETE JOHNSON

3345. KAY CEE ON MY MND/BL ON OWN BEAT

3346. BABY LOOK AT u/CHERRY RED

JONES-SMITH INC.
000/ B

3347. LADY BE

KIP SHOTS N.O.

3348. WHEN U 4 I WERE
YANK LA1S0N

BAND

young/uptwn bumo

3349. SQUEEZE ME/SHEIK
3350.2 MANY TIMES/STUMBLIN

3351. THATS PLENTy/wANO WANQ BLS
(ABOVE l" HR CRk)

MeTuE LUX LEWIS

3352. WHISCLIN BL/HONKY TONK TRAIN

3353. BEAR CAT CRAWL/SHOUT 4 JOY

3354. YANCEY SPECIAL/ B W

LITTLE BROTHER
3355. OUT WEST bl/leavin town bl
LITTLE DAVID

3356. ORIG SWT PATUNI A /ST AND I NG BY LAMP
3357. NEW SWT PATUNl/RAMBLIN MIND BL
C. CLARENCE I OFTON
3358. BRWN SKIN GIRLS/u DONE TORE PLHSE

CE

TEST

E+

CE

TEST

N-

BRS

24

N

J axx 1 02

E+

VI

25559

E+

OE TEST

E+

PM

12739

V+

! CO

1 4391

N-

'DCO 14343

E+

CO

14490

E-

VO

3051

E+

PM

12823

a*

VO

324l

N-A

DE

TEST

N-

DE

3384

E+

VO

4997

N-

VO

3459

N-

AM

529

N-

SG

28103

E+

SG

28107 N

SG

28108

N-

BB

1 Ol 75

n/e+

CO

35961

N-

DE

3387

N-

BB

6916

E+/I

DE

721 1

V+

DE

7270

V 1

ACETATE

N-

25

AUCTION MINIMUM BID 50c AUCTION

THE RECORD CHANGER

AUCTION MINIMUM BID 50c AUCTION

BOX 52, THE RECORD CHAMGER 1 25 LA

SALLE

STREET

NYC 27 NY

SEE PAGE ONE OF AUCTION FOR

1 NSTRUST IONS

K- LYTILETON

QUINTET OF THE HOT CLUB OF FRANCE

COOT IE Wl LLIAMS

3359. MEMPHIS BL/MAPLE LEAF RAG

PAE

3257

N

3427 .PARAMOUNT ST/SWINGIN WITH JANGO

VI

27272

N

3497. AINT MISBEHAVIN/BL MY COND

REZ 3596

N

J 1 MM IE LUNCEF0R0 4 ORCH

MA RAINEY

SONNY BOY WILLIAMSON

3360. TAINT WHAT U Do/cHEATIN ON ME

1 TEM

204

IM

3428,NITE TIME BL /FOUR DAY HONORY

PM

12303

F

3498. GOOD GRAVEY/T BONE BLS

BB 8333

n/e-

FREDDIE KEPPARD f. JOHNNY OODOS

3429. BL OH BL/OH PAPA BL

PM

4

N

JABO WILLIAMS

336 1 .SALTY DOG/STOCK YARD STRUT

AM

3

N-

3430, NEW BO WEAVIL Bl/mOONSHINE BL

PM

2

N

3499. JAB BL/PRAT CITY BL

AM 8

N

3362.SALTY DOg/stOCK YARDS STRUT

AM

3

3431. SLOW DRIVIn/ GONE DADDY BL

PM

3

N—

SANDY WILLIAMS BIG 8

WINGY MANNONES OIXIELANDERS

3432. BL WORLD FORGOT/ 1 42

PM

1

N

3500. MT AIR/CHILI CON CARNEY

HRS 1007 N

3363. STOP THE WAR/MAMS GONE GDBYE

BRS

1000

N

3433,COUNTIN THE Bl/jELLY BEAN BL

Jl

8

N

TEDDY W 1 LSON QUARTET

JOE MANNONE CLUB ROYAL ORCH

KID RENA JAZZ BAND

eVe

3501. AINT MISBEHAVIn/hoNEYSUCKLE ROSETEM 537

N

3364. FAR ETHEE WELL/DWNR 1 GHT DISGUSTED

ACETATE

V

3434. GETTYSBURG MARCH/LOWDWN BL

DEL

108

WINGY MANNONE

0 JANGO RHEIMHARDT

THE FOLLOWING ARE |2 ■ RECORDS

3365. IF 1 CULD B W U/TIN ROOf(kAY STARR

)ARA

145 E-

3435.B0UNCIN ROUND/ST LOUIS BL

DUB

N—

3366. NICKEL IN SLOT/SWING BROTHER SING

VO

3l7l

E+

MAX ROACH 4

MILDRED BAILEY

336?«B£VeR HAD NO LOVIn/|M ALONE

SE

501 1

N

3436. HAM 4 HA 1 G/MAX 1 MUM

VOG

50l2

N

3502. JUBI LEE

VI TEST

N-

3368. up country/shake THAT THING

DE

7366

E+

LUIS RUSSELL'S HOT 6

3502A. FOUND NEW BABy/ouTSK 1 RST TWN

ACETATE

N—

3369.U STARTED ME DRMg/tORMENTED

BB

6359

V

3437. 29TH 4 D EAR SORN/ SWEET MUMTAZ

8ILT

1027

N

3502B, WHICH 48 STATES/ JUST ME YOU

VI TEST

N-

3370. HO* LONG BL/BLUE LOU

BB

10749

N-

3438.panama/got sweeti e(chocdandi es

)PAE

963

e/v

3503. SQUEEZE ME/MORE THAN YOU KNOW

ACETATE

N-

3371 .srr Lorraine/ jess stone

ACETATE

N—

3439.29 4 dearborn/suit mumtaz

ACETATE

N-

PETE BROWN TRIO

JOE MARSALE 4 HIS ORCH

SONNY SCOTT

3504. INDIANA/ BODY 4 SOUL

ACETATE

E+

3372.4 OR b TIMES/WEARY BL

BR

80128

E+

3440. BLK HORSE/TRY ME MAN BL

VO

2586

E-

3505. LADY BE GOOd/nECK OF CHICKEN

ACETATE

E+

HOWARD MCGHEE ORCH

SEXTETTE FROM HUNGER

CONDON C0NERT5/20/44

3373,1 NTERSECT ION/JUST ANOTHER WOMAN PH 1 LQ

1 17

V+

3441. YES SIR TMAT6 BABY/DRKTWN STRUT

MCG

1003

£+

3506.CAROLI NA SHOUT,J.P.JOHNSOn/sWT

GA ACETATE

N-

(above chrk)

3442, BIRTH BL/LOCK STOCK BARRELHOUSE

MCG

1002

N-

EDDIE CONDON

JIMMY MCHUGHS BOSTONIANS

3443.W4ITIN 4 STATION LEAVE/lNDIAN

MCG

I0l2

N-

3507. 1 MPROMPTU JAM SES/ctAN 1 Ke(duKE

) ACETATE

Nt-

3374. IN GREAT BIG WAy(COPY OF HA 8|3)

ACETATE

N-

BESSIE SMITH

3508. TORT ILLA B FLt/mAMMY 0 MINE

CMS 1509

N

RAY MCKINLEYS JAZZ BAND

3444,'LECTRIC CBA 1 r/g RA VEYARDS WOROS

BILT

I00E

N-

3509. MORE TORTILLA B BL A t/lONESOME TAGCMS 1 5 1 0

N-

3375. N.O. PARADE/LOVE IN FIRST DECREE

DE

10)9

E

3445, MAKES MY LOVE COME/wA TED LIFE

BILT

1038 N-

35I0.TIN ROOF/BALLIN THE JACK

TEST

N-

3376. LOVE FIRST OEGREE/N.O. PARADE

DE

1 0 1 9

N-

3446.NASHVI LLE WOMENS Bl/2ND FIDDLE

BILT

1 Ol 0 N

35ll. SOUTH RAMPART PRADE

TEST

E+

FRANK MELROSE

3447. SLOW 4 EASY MAN/j|VIN W JARVIS

ACETATE

N—

WILL BILL DAVISON

3377. WHOOPEE STP/MARKET ST JIVE

DUB

E

3448. DYIN BY HOUR/FOOLISH MAN

BRS

1002

N

35|2,MY HONEYS LOVIN ARMS/DA OA STRAIN ACETATEV+

3378. SHANGHAI HONEYMOON/GOOD FEELI N

CRL

1 0

N

3449. MAMAS BOT BL. OUTSIDE 0 THAT

CO

3900

V—

DUKE ELLINGTON (air SHOTS 4 tests)

3379. PASS THE JUG/JELLY ROLL ST

BR

8003 1

E+

3450. A 1 NT GOIN PLAY 2nd F 1 d/nASH V 1 LLE CO

14090

V-

35I3.J0HN COME LATELY/I 'OCLOCK j(G, JAMES )ACETATEE+

JOHNNY MERCER

(ABOVE LM CRKJ

35I4.D0NT GET ROUND MORe/gOIN UP

ACETITE

E+

3380. LOST MY SUGAR/WRECK OF '97

CP

|22

N-

3451. DIXIE FLYER/u BEEN GOOD WAGON

CO

14097

V-

35|5. COTTON -AIL./ ROSE RIO GRANDE

ACETATE

E+

MET. ALL STARS

3452. GOLDEN RUL/LONESOME DESERT

CO

14123

V

35i6.3cents sip/some (air shot)

ACETATE

E+

3381. NAT MEETS JUNE/SWT LORRAINE

CO

37293

N

3453. YOUNG WOMANS Bl/caKE WALKIN BAB

CO

35673

N

35I7.8LK BRWN BEIGE / PARTS 142

ACETATE

E

UEZZ ORCH

e/v+

3454.HUSTttN DAn/bLK MT BL

TMPL

522

N-

35I8.BLK BRWN BEIGE/ PTS 344

ACETATE

E+

3382. IF U SEE ME COMIN/ROYAL GARDEN

BB

10087

3455. GOLDEN RUL/LONESOME DESERT BLS

TMPL

523

N

35I9.BLK BRWN BEIGE/ PTS 546

ACETATE

E+

3383. lost/melody from sky

BB

6320

E

3456. DO UR outy/im DWN IN DUMPS

UHCA

47

N

3520. BLK BRWN BEIGE/ PTS 7 4 8

ACETATE

E+

CL CLARA SMITH

352i,HOP SKIP JUMp/mOOO 2 BE WOOED

ACETATE

E+

MILLS BROTHERS

3457. MY JOHN BL/SHI PI/RECK BL ( W. LOU 1 S ) ACETATE

N-

3523. HOP SKIP JUMP/MIAN STEM

TEST

E+

3384. HOW DID SHE LOOK/BOOG It(». LOUIS

BRE

3 150

N

PINETOP SMITH

3524. MOOO 2 BE WOOED/

VI TEST

N-

3385.SINCE WE FELL OUT LOVe/shAOE APPLE

DE

1495

E+

3458. IM SOBER NOW/JUMP STEADY BL

BR

90009

N

BENNY GOODMAN

RAY MILLEr/hOOES 4 MEZZ

3459. JUMP STEADY/ 1 NO. AV. ST

UHCA

65

N

3525. SUPER MAN/MO RE THAN U KNOW

CO 55002

N-

3383.THATS A PLENTY/ BLUES

BUB

E+

3460. NOW 1 A INT GOT NOTH 1 N AT ALL

TEST

N

3526 .S 1 NG SING SING

VI 36205 N-

E. MONTGOMERY

TRIX IE SMITH

3527. LADY BE GOOD/SHOO SHOO BAB

ACETATE

E+

3387. LA. BLS/TR1SOO HI BALL BLS

ME

12548

V

3461. WLD JAZZ CRAZY 56 AM l/RLROAO BL Jl

7

E+

WOODY HERMAN

THELONIJUS MONK 6

N/E+

3462.EVBDY DOIN CHARLESTON/LVE ME LIKEMF

100

N

3528. LAURA/ 1 WJNDER

ACETATE

E+

33 83 .SUR BUB AN EYES/THELONI OUS

BN

542

FRANKIE S0C0L0W 4 HIS OUIMTETTE

EDOIE HEYWOOD/SAM PRICE

ali:e MOORE

e/v

3463. REVERSE THE CHARGE/MAN 1 LOVE

DUKE

1 12

E+

3529. HONEYSUCKLE ROSe/kEEP.M OUT MIS

:h ACETATE

E

3389. Rl VERS IDE BL/BLACK EVIL BL

DE

7028

SOUTHERN MALE 4

H 1 NFS

JELLY ROLL MORTON

3464. JESUS ROCK IN WEARY/GO DWN MOSES BR

8479

N

3530. 9 w bl/tiger rag

VI TEST

E+

3390/oi L WELL/ 1 F SOMEONE WOULD ONLV

TE

525

N

CHARLIE SPANO

ART HODES

3391 .STRATFORD HUNCH/GRANDPAS SPELLS B 1 LT

1035

N

3465. FAT MAMA BL/SHE GOT GOOD STUFF

DUB

N —

353 1 .ORGAN GRI NDER, SUNNYDI De/hAMMER

AXE,

3392.MUSH MOUTH SHUFFLE/l LOOKING 4 BL

DUB

N-

SPANIER-BRUNIS OIXIELANDERS

BLACK GAL(LEADBELLY)

ACETATE

E+

3393.35th st bl/mamamita

DUB

N-

3466 .DALLAS BL/ROYAL GARDHN BL

BRS

1009

N

3532.SNWOY MORN/4 OR 5 TIMES

ACETATE

E+

3394. PRIMROSE STP/MISS MILDRED

OUB

N-

MUGGSY SPANIER

3533. apex bl/droppin shucks

ACETATE

E+

3395. swt suBSTi tute/pamkama

GL

1703

N-

3467.SMEDY SWTHRT/THAT DA DA STRAIN

BB

1 0384

N—

3534, BL, BABY WONT YOu/mE 4 MY GIN

ACETATE

E+

3396. DEEP CRRK/SHREVEPORT

HMV

9220

N

3468.ECCENTRI C /BIG BUTTER EGG MAN

SB

1 04l 7

E +

( ABOVE ;BESS 1 E ,

3397. MR JELL/ LORD/WOLVERINE

TJR

594

V+

3469. SIS KATE/D 1 PPEMOUTH BL

BB

10506

E

3535. WSSHBOARD BL 4 OROPIN SHUCKS/ B

WACETATE

E+

3398. THE CHANT/BLK BOTTOM STP

VI

20221

E-

3470. LIVE Y STABLE Bl/aT J.B. BALL

BB

105 18

E

3536. 9W 4 VIC SPIVEY/

ACETATE

E+

3399. SHOE SHINNERS ORAg/shREVEPORT

VI

2l658

G +

347I.RELAXIN AT TOURo/r 1 VERB OAT SHUFFLBB

10532

E

3537.0R OL SOUTHLAND/SNWOY MORN

ACETATE

E+

3400.WININ BOY/OIDNT HE RAMBLE

HMV

92 17

N-

3472.MANDY MAKE UP M 1 Nd/lONESO ME ROAD BB

10766

E+

3538. bl/ JAZZ ME BLS

ACETATE

E+

BUD3Y MOSS

3473. AM. PATROL/MORE THAN U KNOW

OE

4328

N

3539. BLUES/ INDIANA

ACETATE

N-

3401. BROKE OWN ENG INe/bACHELORO BLS

PE

266

V+

3474.BLUNIN THE Bl/at SUNDOWN

HMV

9092

N

3540. GOOD MAN HARD 2 Find/ PTS 3 44

cms |505

E

3402.PR0WLIN WOMAN/WHEN 1 DEAD 4 GONE

ME

12613

E—

STOMP SIX

JAM SESSION CMS 1*2

3403. BEST GAL/ B 4 0 BL t 2

ME

12808

e/v

3475. WHY CNAT IT BE Me/eVYBDY LOVES

SE

5

N

3541 .EMBRaCEABLE u/sere to skylock

CMS |50|

N-

ROMEO NELSON/SPECKLED RED

TALLAHASSEE' T 1 GHT

JAM SESSION AT CMS f 3

3404. HEAD RAG HOP/WILKINS ST STRUT

BR

80021

N

3476. BLK SNAKE/JEALOUS MAN

ME

13020

V+

3542. GD MAN HARD 2 FIND PTS 1 42

CMS 1504

E+

3405. TEA FOR 2/wANT TO BE HAPPY

BR

80007

n/n-

3477. TALLAHASSEE W OMEn/hOMFS 1 CK BL

ME

1 3073

v+

PETE JOHNSON

3406.1 NO 1 ANa/dinAH

BR

80006

N-

ERSKINE TATE

3543. HOLLER STP/U DONT KNOW MIND

BN 1 2

E+

NORK

3478. STOMP OFF LETS GO

TEST

N-

YANK LAWSON

3407. MAPLE LEAF RAg/clAR MARM

BRE

2209

N-

3479.STATIC STRUT/STOMP OFF LETS

DUB

N-

3544. SUG AR/SENSAT I on

VI TEST

N-

3408.PANAMA/jAZZ ME BL

DE

162 E+

ART TATUM

n/e

LEAOBELLY

3409. TIN ROFF/ THAST A PLENTY

brE

2208

E+

3480. ROCK ME MQMa/lUCILLE

DE

8577

3545. GOOD MORN BL

VI TEST

E+

3410.4 OR 5 T IMES/JAPANSY

DE

1 62 1

N-

MONT A 1 NA TAYLOR

3546. GOOD MORN BL/SWING LOW ST CHAR

WOR DUB

E+

JIMMY NOONE

3481. DETROIT ROCKS/HEAO RAY HOP

HRS

22620 N

3547. BY 4 BY/SWING LOW ST CHAR

ACETATE

E+

34 1 1 .SWT GA BROWN

TEST

N-

JACK TEAGARDEN

MEAD LUX LEWIS

HUSK O'riARA'S SUPER ORCH/FRIARS SOC .

ORCH

3482. LONELY BL/NOBDY KNOWS TROUBLE

BR

801 12

N

3548. SOLI TUDE/MELAHCHOLY BL

BN 1

E+

34I2.SAN/BUSLE CALL BL

DEE

"2573

N

3483. ST JAMES INFI RMARY/BLK 4 BLUE

BR

80 1 1 1

N

3549.CLOSIN HR BLS/FAR AGO BLS

ACETATE

N

KING OLIVER

3484. BL RIVER/BL HAVE GOT ME

BR

801 1 3

N

MACHITE 4 AFRO— CUBANS

VD 528

34 1 3 . R 1 VERSI DE BLS/MABELS DRM

SD

1 00n

3485.1 OF GODS CHI LDREN/KI NO o'MAN A

OTR

508

N

355 O.ALMENDRA/ CANT WE TALK OVER

E-

34I4.MAN0Y LEE BLs/l M GOIN AWAY TO WEARDEE

2201

N

FRANK TRUMBAUER

JOE MARSALA

34 1 5. WEATHER BIRD RAG/jUST GONE

DEE

2202

N

3486. GD MAN HRD 2 F 1 ND/CRY 1 N ALL DAY

CO

35956

E+

2551.3 O'CLOCK/REUNION IN HARLEM

GL 3001

N-

34i6.too bad/snag IT

VO

1007

V-

3487. OSTRICH WQLk/ri VERBOAT SHUFFLE

UHCA

29

n-/e

WARREN MILLS BL SERNADERS

34 1 7. JACKASS BL/? HENOIRSON

VO

1 01 4

F

J.'/ENUTI BL 4/HARLLEM FOOTWARMERS

3552. ST LOU bl/gem frm blkbiros '28

VI 35962

V

KID ORY

3488.1 FOUND NEW BABY/ROCKIN IN RHYT

PAE

924

N

(ABOVE RM CHP 5 GRv) l" CRk)

34I8.GET OUT HERE/BL FOR JIMMY

CRS

2

N~

SIFPIE WALLACE 4 LOVIE

Mirr hole

HOT LIPS PAGE

3489. HAVE U EVER BEEN/DIGA DIGA/4,5

TM ACETATE

N-

3553. BIG BUTTER EGg/pEG 0 MY HR T

ACETATE

E+

3419.1 GONNA LOCK MY HRT/PIED P 1 PER

BB

7682

E+

WESLEY WALLACe/jABO WILLIAMS

RED NORVO

3420. JUST NOTHER WOMAn/mY FITTIN GAL

SB

8660

N

3490.NO. 29/JAB BL

Jl

E

3554.SAGW00D WALK

V] TEST

N-

PH 1 LADELPH 1 S MELOD 1 ANS

FATS WALLER

KING OLIBER

342l .WHEN U SMILIN/I 'D LIKE 2 BE GYPSY

PAE

671

E-

3491. MUSCLE SHOALS Bl/b 1 RM 1 NGHAM BL

Bl LT

1 005N:

3555 .MABELS DRMr/Y

ACETATE

E+

LENA PHILLIPS

WA SHINGT0NIANS

PORT OF HABLEM 7

3422. IM STRIVIN MAKE TO PROM 1 SEd/s TORM

MGMI0429

E+

3492. e.st louis toodle/the MOOCHE

ACETATE

N-

35o6.3L 4 TOMMY/BASIN ST

BN 7

E+

LENA PHILLIPS/REV. KELSEY

PEETIE WHEATS TRAW

PEE WEE

3423. LODR SENT RAIN/LITTLE BOY

MGM

10250

N-

3493, SO LONG BL/ JAMAS ADVICE

VO

1620

V +

3557.0 A BL/J R BL

ACETATE

E+

WALTER PICHON

JOSH WHITE

JOSH WHITE

3424, YB YO/ DOGGIN THAT THING

BB

6329

E

3494, DOUBLE CROSS IN WOMEn/cRYIN

ME

12727

V+

MEAT BALL/ 3558.

VI TEST

N-

BEN POIIACK

MARK WHITE JAZZ CLUB

TEDDY Wl LSON/BIGARD CATLESS

MET OPERA)

3425.CUOJLE UP LIT CLOSEr/alICE BL GOWN DE

1546

E+

3495.DI xi e/barefoot

DEE

91 58

N

3559. GOT FELL IN FOOLI N/ROSER OOM

ACETATE

N—

OLLIE POWERS ORCH/lDA COX ACC BY UDNIER

CLARENCE WILLIAMS BL 5/B.G. AIR SHOT

3426. PLAY THAT THING/BL FOR RAMPART

AM

7

N

3496,sanTA CL bl/nothin till u hear

DUE

N-

26

AUCTION MINIMUM BID 50c AUCTION

THE RECORD CHANGER

BOX 52,|25 LA SALLE STREET, NYC 27 N.Y.
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS,

AUCTION MINIMUM BID 50c AUCTION

VOC 300 E+

CO

I 39 n-

BR I0l6 N-

THE FOLLOWING ARE 1 0* ALBUMS

3560. LOUIS ARMSTRONG. PARIS. I 943

SUUNY SIDE/PART 2

TIGER RAG/ST LOUIS BL

WILL YOU WONT YOu/sONG VIPERS
3561 .LJUIS ARMSTRONG HOT 5

STRUTTIN BAR BQ/ONCE IN WH I LE
ORYS CREOLE TRAm/lAST TIME
PUT EM DOWN BL/SAVOY SL
IM NOR ROUGH/GOT NO BL

3562 . LOUIS ARMSTRONG HOT 5

MUSKAT RAMBLE/ SKID DAT DE OAT
GUT BUCKET BLs/ YES IN BARREL
MY HEART/CORNET CHOP SUEY
ORINTAL STRUT/YOU NEXT

3563. LOUIS ARMSTRONG JAZZ CLASSICS
'" m'elancholy/wi ldman bl

go fo bo/drop that sack

stomp off lets go/static strut

terrible bl/ santa claus 8l

3564. BARREL HOUSE PIANO BT 1 008 N—
9(MELR0SE, JOHNSON, Wl LLIAMS, HILl)

JELLY ROLL St/paSS THE JUG
STOMPIN EM DWN/TACK HEAD BL
NIGHT LIFE/RAG EM
JINGLES/U GOT 2 BE MODERNISTIC

3565. BIX & TRAM CO 1 44 u-

SINGIN THE BL/CLAR WARM
R I VERBOAT SHUFF/oSTR I CH WALK
DOWN YONDER N.O./wRINGIN TWlSINT
TAKE U TOMORROW/BABY WONT YOU
3566.3 IX 8EI0ERBECKE CO 29 E

SWEET SUE/NO REASON IN C

lou I si ana/thou SWELL

ROYAL GARDEN/GOOSE PIMPLES
OL MAN RIVER/WA DADA

3567. BOOGIE WOOGIE PIANO BR 1 005 N-

D IRTY DOZEN/* 1/ t 2
COW COW Bl/stATE ST J | BE
DETROIT ROCKs/l NDI ANA AVE STP
WILKINS ST St/hEAD RAG HOP

3568. CHICAG0 JAZZ DE i2l E

nobdys wht/ friars pt shuff
drtwn strutters/ found new baby
bugle call/sister kate
sugar/world wait sunrise
jazz me bl/china soy
someday swht/changes made

3569. JAZZ CONCERT AT E. C0N00NS DE 490 N-
— IMPIWNTU HRHBbTe > I/shlik

JUST U JUST ME/ATLANTA BL

SOME SUNNY DAy/wAY U LOOK 2NITE

STARS FELL ALA. FAREWELL BL

3570. COMES JAZZ(B. FREEMAN GANG ) CO 40 N-

JACK HITS ROAD/DA DA STRAIN
AT JAZZ BAND BALl/pRINCE WAILS
MUSKRAT RAMBLE/47TH & STATE
SHIM ME S HA WABBLE / AFTER AWHILE

3571. BABY DOOOS DRUM SOLOS Cl 709 N—

RUO I MENTS /MARYLAND MY MARYLAND
TOM TOM WORKOUT/SPOOKY DRUMS

3572.8 TO THE BAR vi 69 N-

WALKIN THE BOOGl/s.W. MAN

MOV IN THE BOOGIE/FOOT I
L/CUTTI N

BARREL HOUSE BL/

6TH A\E EXP/PINE CREEK

.DUKE PLAYS THE BLUES

PEDAL BL
THE 8L

VI

TRANS. LUCENCY/8EALE ST BL
MEMPHIS BL/PRETTY WOMAN
DRA WIN RM BL/ST LOU BL
FRANK I E & JOHNN I E/ROYAL GARDEN

3574. GEMS OF JAZZ VOL I DE 200 E+

FEATHER BED LAMENT/U2 BAR STAMPEDE

DWNHEARTEO BL/SQUEEZE ME

WILLOW TREE/HONEYSUCKLE

HONKY TONK TRA|n/wLD WAIT SUNRISE

BUZZARO/ TlLLIE OWNTOWN NOW

KEEP SMI LIN TRBLE/WOT THERE / TWO SAY

3575. GEM»S OF JAZZ V0L2 DE 20 1 E+

3 LIT WORDS /SL OF ISRAEL
IN DARK FLASHES/BARRELHOUSE
JAZZ ME 3L/LAST RUNDUP
TEMPO Or JUMP/OCEAN MOTION
I M COM I N VA/ BL

CHlCAKEN WAFFLES/ U TOOK ADVANTAGE

3576. GEMS OF JAZZ VOL 3 DE 242 N-

MINNIE THE MOOCHER/WEO DAY/lM RHYTHM CRAZY

HAPPf FEET/OL MAN RIVER

SWEET LORRA | NE/oO 1 N UPTWN LOWOWN

JAZZ ME BL/ IN DE RUFF

OL FASHION LOVE/QUEER NOTIONS

noctourne/ar ABESQUE

3577. GEMS OF JAZZ VOL 5 DE 324 E

GA. CAKE WALK/LIBERTY INN DRAG

ALL BOUND R OUNd/a .0 ■ ONE STEP

SWT GA BROWN/OOWN YONDER N.O.

GET HAPPY/ 1 ND I ANA

BLS JUMPED RABBIT/HE OIF TYPE OF GUY

PALMS
75 N-

ASCH 352 N-

Cl

S-l N—

MARCH
00

3 N—

BR 1022 N-

348 E+

93 n-

3578. EARL HINES CO

57 VAR I ET I ES/A I NT GO NBOOY
CAUTION BL/MONDAY DATE

LOVE ME TONIGHT/OWN AMONG SHELTERING
DEEP FOREST/ ROSETTA

3579. H0T PIANO VI

CAROLINA SHOUT/RIMG DEM BELLS

freakish/seattle HUNCH

SUNNY SIDE/ MELANCHOLY BABY
SOLI TUDE/OEAR OLD SOUTHLAND

3580 . MEADE LUX LEW IS

0 EN A PAS PARADE/GLENDALE GLIDE
BOOGIE TIDAl/yANCEYS'S PRIDE
LUX B. W. /RANDINIS B.W.

3581 . MARCHING JAZZ

IF I EVER CEASE 2 LO VE/sALUT ATI ON ON
BUGLE BOY MARCh/tAINT NOBDYS BIX IF I
FIDGETY FEET/SHAKE IT BRK IT

3582. JELLY ROLL MORTON BR

KING PORTER ST/ THE PEARLS
SWTHEART 0 MINE/ FAT MEAT 4 GREENS

3583. NEW AMERICNA JAZZ CAP

1 WJHHV I HAUL U CRyAlambake b flat

CASANOVAS DELITE/SUGAR
BL FEELIN/SUMEDAY SWHTRT

3584 . KING OLIVER

8LK SNAKE/WILLIE WEEPER
SPEAKEASY BL . AUNT HAG ARS BL
SUGAR FT ST/ SNAG IT f 2
TOO BAO/SOMEDAY 5WHT

3585. FRANK TESCHEMACHER CO

SISTER KATE/NBODYS SWTHEART
NOBDYS SWTHRT/LIZA
I STEP 2 HVN/SHIM ME SHA WABBLE

3586. H0T TROMBONES CO

GOT NOTHER SWEET IENOw/tenn TWLITE
HIGG BL/GOLD DIGGERS SONG
MAKIN FRI ENDS/O.D.ONE STEP
DEE BLS/BUGLE CALL
3587. SONGS BY JOSH WHITE ASCH

1 GOT HEAD LIKE ROCK/FARE THEE WELL
HOUSE I LIVE IN/WHN I LAY OWN k DIE
I MEAT BALL/OUTSKIRTS OF TWN

3588. BOB WlLBER JAZZ BAND CI

COAL BL SHINE/SWT GA BROWN
SAINTS /MOOCHE
ZIG ZAG/LI MEHOUSE BL

3589. TE00Y WILSON CO

SMOKE GET6/THEM THERE EYSE
THOSE FOOLISH TH I NGS/r OSE TT A
CANT GET/ 1 KNOW U KNOW
CHINA BOY/BODY 4 SOUL

THE FOLLOWING ARE 16" TRANSCRIPTIONS

3591 .CHARLIE BARNET ORCH/THE FOUR BELLS
16" 33 |/3 ThES ■ 946 N—

WINGS OVER MANHATTAN/LI TTLE JOHN ORDINARY/
LITTLE DIP/WH>/ WILD MAB OF THE FISH PONCl///
FRM A TO Z IN NOVELTY 1 &2/u BETCHA MY LIFE/
JUST A LIT BIT SOUTH N.C./THAT U,THATS ME/
G*BYE NOW

3592. CHARLIE BARNET ORCH/TED STEELES NOVATONES

*TS" 33 1 73 THES 945 N- "

FANTASIA/BLUE J U I CE/pHY L I SSE/BUFFY BOy/wINGS

over manhattan////hi cy whats a cookin/keep
ur love on ice/rhyme you swthrt/walk i ng
on air/time of your life

3593 . CHARLIE BARNET OROH/3 CATS & A CANARY
1 6" 331/3 THES 929 N-

SOMEWHERE/HARMONY HVN/l TS HAUNTED TWn/aFRAID
TO SAY HELLO/SWING LOW SWT CHAR I OT///FREMES I /
LAZY RIVER/O LOOK AT ME NOw/ROCK ROCK RHYTHM/
CONCENTRATI ON

3594. PAUL BARON ORCH -16* 33 i/3 SPL 1 94 N-

BEGIM THE BKUINF/sleepy lagoon/in meadowland/

ESPANA C Nl/SUMMERTI ME/LA COMPAR S a/s TARS IN MY
EYES/ORCHIDS IN THE MOONLl TE

3394a .PICK KUHN ORCH/BOB WINDSOR ORCH

vertical-cut assco 620 n-
keep eye on hrt/u mean so much to me/
rainbow rendezvous/sound effect 1,2,3,
3595. enoch light & his orch— i 6"vert i cal cut ss4596i e+
like leaf in wind/who is not u/misslon of the
rose/i live but to love u/whereve thers me

THERES YOU /WALK IT OFf/wHATTA U GONN.a Do/wH I CH
WAY OlD MY HEART Go/l ' VE GOT WALK I E TALKIE/
DO U DO U DO.
3595a. SNCOH LIGHT ORCH 16" 33|/3 SS 320 N-

SO IT GOES/THERS GOOD BL TONJTe/wITH OUT u/
LAUGHTING ON THE OUTS I DE/STORY BOOK ROMANCE/
WHO TOLD U THAT LIE/DONT KNOW ENOGH ABOUT u/
OONT WANNA DO IT ALONE
3597 .0080 MARMAROSA fTRIO/jACK RIVERS RIVER BOYS

opus /5/u thrill me so/compadoo/ im in love/
cosmo st/// cimmaron/ year & a day/your sobry/
lipst ick/goloon slippers

16" 33i/3 mcG 44 n

3598

3600

3601

3603

■ RED NICHOLS 5 PENNIES/HENRY KING ORCH

16" 33 |/3 MCG 6 N-

PENNY JUMPS/BLYE JAy/caCTUS POLKa/wa I T I NG//
BECAUSE IM IN LOVE/l ' LL REMBER SUZ/jUST
CLOSE YOUR EYEs/l DONT WANT TO LOVE U

■ RAY NOBEL ORCH/DON ALLEN ORCH

16" 331/3 SPL TeTl

SWING OF THE Kl LTs/o I NNER MUSIC SUITE fZ/
OVER THE WA /ES/GROPI NG IN THE GROOVEYARo//
WHEN THERES BREEZE LAKE LOUIs/hEVNLY I SNT/
HANDSACROSS THE BORDER/THAT SOLDIER OF MINE/
REMEMBER PEARL HARBOR

, RAY NOBLE ORCH/DON ALLEN 16* 33|/3 spl 1 58 N-
MAGIC OF MAGNOLIAS /BY THE LITE SILVERY/
WHILE MY LADY SLEEPS/nOT A STAR IN S I GHT/
WHEREVER U ARE//BLOW GABRIEL BLOw/auTUMN
IN N.Y/EMBRACEABLE YOU/LADY BE GOOD/ I COVER
THE WATERFRONT

iJQESCH IRMER TRIO 16" 33|/3 spl 228 N-

3 BLIND Ml CE/HOW HIGH MOOn/wHO DUNNIt/oOH
THAT KISS/HOLLYWOOD AT VINE/sLlPED D I Sc/u GO
TO MY HEAD/fLEASE DONT TALK ABOUT ME WHEN
l*M GONE/6T LOUIS BOOGIE/ TEA FOR 2/l N AN
I8TH CSNTURY DRAWING R30M

, CLAUDE THORNHILL ORCH/ LEAHN SISTERS
16" J J 1/3 NLW 709 N—

jim/as we walk into sunset/was lovelu while//

OLD LOVERS CUSTOMS/t I GHT R0 WRONG/HI MR MN/
I DONT KNOW FROM NOTHIN

■ CLAUDE THORNHILL ORCH/DEEP RIVER BOYS

i~6* 33l/3 NLW 707 N-

DONT WANT SET WLd/fOUNO U IN RAIn/tONITE
WE LOVE/// WELCOME SWT S PR I NGTME/CARMENA
HWLTZ SONG/OH SO PURe/mY HRT AT THY SWT
VOICE/KERRY DANCE

.CLAUDE THORNHILL ORCH/EM I LE COT CHORISTERS
LA CI NQUANTAI NE/HUSH OF N I TE/HABANERA/
LAZY LIT DAISy/VawAKE MY SOUL/oPARAD I SE/
0 PERFEST LOVE/BENEATH THE CROSS JESUG
16" 33 i/3fi NLW 685 n-

.CLAUOE THORNHILL 0RCH/l> whites PIPES OF MELODY

HUNGARIAN DANCE #5/ I M T HR I LLEd/lE PAPILLOn/
ISNT IT WONDERFUL///fa|RY TALE/pAVANE/
ARAGONAISE/OPEN THY BLUE EYES
.CLAUDE THORNHILL , -16" 33 |/3 NLW 67 1 N-

0 SOLE Ml O/MOONR ISE/WHERE HAS MY LIT DOG/

1 WENT OUT OF MY WAy/pORTRAIT OF GUI NES FARm/
THINGS I LOVE/SNOW FALl/pEOPLE LIKE U

..CLAUDE THQNRHILL/hARQLDS LEVEY SILVER STRINGS

STACK O* BARLEY/POP GOES THE WEASEL/

humoresque/why SHOULD I forget///

CHANSON DE AL RUE/ BLOER o/TRAUMEREI .
THE FOLLOWING ARE |2" ALBUMS

JELLY ROLL MORTON

36 1 1 .LI BRARY Or

CONGRESS

V0L5

CI

5

N-

36l2. •

M

m

VOL 3

CI

3

E+

3613. •

■

a

VOL 1

CI

1

m

3514. ■

■

a

VOL8

c 1

8

N-

3615. "

■

VOL 6

c 1

6

SI-

3616. "

■

a

VOL |2

CI

12

N-

3617. ■

■

a

VOL 11

CI

1 1

HI—

3618."

a

a

VOL 10

CI

1 0

N—

3619. '

a

a

VOL 9

CI

9

N-

THE FOLLOilNG ARE 10" RECORDS

3620

3621,
3622,
3623,
3623,

3624,
3625,

3626,

3627

3628

3629,

3630

3631

3632

3633

3634

3635
3636
3637
3638,
3639
3640

3641

ALABAMA RASCALS
,GO. GRIND/RUKUS JIUCE SPECIAL

LOUIS ARMSTRONG
,U REAL SWHT/LAST Nl TE
.ROCKIN CHAIR/swHTS ON PARADE
.WILD MAN BL/GULLY LOW BL
1 WEST END BL/GOT NO BL

RO 5| 36 F

TEM 527 N

CO 2688
vo 3 1 93
VO 3204 n-

LOVIE AUSTIN SERE NADERS t. OO00S A LAONIEW
MERRY MAKERS TWINE/IN THE ALLEY BL AM 4 H

,STEPPI N ON THE BL OE TEST N-

, TRAVELING BL DE TEST N

MILOREO BA I LEY
,LOVER COME BACK/PEACEFUL IN COUNTY BR 80|09 N
S I DNEY BECHET w. CLAUOE UITFRS BAND

BN

N-fc
E/V+

TE
BILT
Bl LT
TEM
DTR

CMS

568 E

524 N
1029 N
I 03 1 N
529 N
501 N

556 E

R I VERBOAT SHUFFLE/SaWm I LL BL

BIX BEIDERBECKE
, T IGER RAG/ROYAL GARDNER BL
MISSISSIPPI MUD I&2
,SAn/tHERE AINT NO SWT MAN
,OH MISS HANNAH/CHINA BOY
SENT I MENA L BABy/lOVE NEST

GEORGE BRUMS JAZZ BAND
,R0YAL GARDNEN BL/TIN ROOF BL

BUNK JOHNSON
,FR A NKL 1 N ST BL/B I G CHIEF BATTLE
,BIG CHIEF BATTLEAXe/fRANKLIN BL
.FRANKLIN St/b|G CHIEF BA TTLEAXE

frasklin st/chief BATTLEAXE

.MARYLAND MY

■BIG CHIEF BATTLE AXe/ FRANKLIN

BILLY BUTTERF lELD ORCH
.WITHOUT LOVE/ MY IDEAL

ERNEST CARLS ORCK.
,WAY IM FFELIN 20AY/|B'WAY BRDCAST ) CA 9057 E—

PLAIN LABLE N
* N

DE TEST
BLANK

CP I 34 N-

27

AUCTION MINIMUM BID 50c AUCTION

AUCTION MINIMUM BID 50c AUCTION
THE RECORD CHANGER

BOX 52, 1 25 LA SALLE STREET NYC 27, NY
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS.

CHICAGO RHYTHM Kl NGS

3644. CHANCES KADE/SONG OF WANDER€R

KENNY CLARKE t. HIS Kl IQIIE

3645. DONT BLAME ME/ BRUZ

civzy nnirs cu-boppers
3646 .Stab dust/ la danse
3647. star dust/la oanse

COt COW DAVENPORT
3648. STATE ST JIVE/CO* COW BL

JOHNNY POODS

3649. CARPET ALLEY/HOUSE RENT RAG

3650. N.O. STOMp/wEARY BL

OUKE ELLINGTON
3651 .JOHNNY COME LATELY. MA IN STEM

3652. DOUBLE CHECK STP/jAZZ LIPS

3653. M00N MIST/C JAM BL

3654. BLK BRWN 1. BEIGE ( END ) 1 0*
3655.SEPIA panorama/harlem AIRSHAFT

3656. P0RTRAI T BERT Wl LL I AVs/bOJANGLES

3657. NEVER NO LAMENT/COTTONTAIL
9658. MOOD I NOI GO/SOLI TUDE

CE TEST N-

CE 1502 E-

ONDY

CANDY

3002
3002

«—
N—

VO I 1 98 V-

8 I LT I 0 1 9
VP TES'i

3659.BBAGGIB IN BRASs/cARNI VAL CAROLNA BR
F I REHOUSE 5 PLUS 2
3o60. TIGER RAG/WLDS WAITING SUNRISE

BENNY GOODMAN ORC.H
3602 .OR HECKLE JR jIBTAeXAS TEA PTY

3663. JUNK MAn/0L' PAPPY

3664. GA. jubilee/ EMALINE

BOBBY HACKET

3665. J .R. BALL/ POOR BUTTERFLY

EOMOND HALL 4 HIS SWING SETET
3666. OPUS I 5/BESAME VUCHO
3667. OPUS 15/BESAME MUCHO
FLETCHER HENDERSON
.SUGAR FOOT STP/BLUE RHYTHM
JAZZ MAN ACETATE OR TEST
.COME BACK SWEET/ HOT HOUSE

JIM JACKSON
,IM GONNA MOVE LOUISIANA/ PART 2

MAGGIE JONES
.POOR HOUSE/THU NO ER STORM BL

R.M. JONES JAZZ WIZARDS
(DUSTY BOTTOM BL/SC AGMOR E GREEN

VI20I556
VI 38l 29
VI 27856
ACETATE

VI 26731
VI 26644
VI 26610
CO 35427
8099

N

E

n/e

E+
E+
E +
N-/E

E+

e/v+

3668
3669
3670
3671
3672

3673.

3674.
3675.
3676.
3677.
3678.
3679.
3680,
368 1 .
3682.
3683.
3664,
3685.
3686.
3687,
3668,

3689,

3690,

3691,

(above; rm chp no grv)
C.C. LOFTON
BRWN SKIN GAL/U DONT TORE PLYHSE

JELLY ROLL >PRT0N
MUDDY WATER eL
BIG FAT HAM

.WININ BOy/hONKY TONK MUSIC

N.O. JOYS

PERFECT RAG

GRANDPAS SPELLS
,K.C. STP
.BIG FAT HAM
, JELLY ROLL BL
,TIA JUANA
.MAMA Ml TA
.BUCKTWN BL/
,TOM CAT BLS
.SHREVEPORT ST
.STRATFORD HUNCH ,

JELLY ROLL MORTON7 EZRA HOWLETT
.LONDON BL/DEAREST OARLIN

JELLY ROLL/4 VOLIY OE FAUT
.WOLVER I NE BL/ MY GAL

RED NORVO
■bl" in E FLAT/tSUGHOusF
KING OLIVER

it n

3692. snag

3693.ST I NGAREE BLs/sHAKE IT 4 BRK

ALBERT WYNNS
3694.CRYIN MY BL A»AY

THE F0LLW01NG ARE MAGAZINES 1 BOOKLETS

GTJ

|3

N

JAY

9

E+

SEN

4003

E+

JAY

10

N—

BILT

1026

N

BR

80125

N—

BR

80l25

N-

VR

80S2

E

JM

6

N-

VI

2l67l

£+

CO

14050

V-

OK

843 1

V

ME

61 166

E-

OE

TEST

N

DE

TEST

N-

JM

1

N-

DE

TEST

N-

DE

TEST

N

OE

TEST

N

DE

TEST

N

DE

TEST

N

DE

TEST

N

DE3TE6T

N-

DE

TEST

N

DE

TEST

N

DE

TEST

N

OE

TEST

N

DE

TEST

N

SHELTON

SES

3

E+

RS

8

N

BR

8208

N

TEST

N

BB

10707

N-

VO

TEST

N

THE WHEEL MAGAZINE

3695. AUG 1948
AMERICAN JAZZ REVIEW

3696 . JUNE, JULY, OCT 1946

CLEF MAGAZINE

3697. MAY, JUNE, AUG, SEPT
BLACK AND WHITE

1946

3698. MARCH 1946 N

JAZZ RECORD MAGAZINE

3699. JULY' 44, SEPT '447.CT ' 44,APRIL'45T THRU N-
NOV '46, JAN '47 THRU JUNE ' 47 , AUG ,SEPT ,

OCT 1947 ALL N- SHAPE

COLUMBIA CATALOG

3700. 1942

VICTOR SUPPLEMENT

3701. OCT 1938

HMV RECORD REVIEW

3702. JAM 1943

N

3703.

HMV RECORD

NOV I y4J

REVIEW

37 04. COMPLETE CATALOG I 939, NO COVER BUT

OECCA

3705. LI STING OF JULY I 942

VOCALION - ENGLISH

3706. JAN iyj/, SUPPLEMENT FEATURING F. A

3707,
3708,
3709,
3710,
371 I,
3712.
371 3,
3714,
3715,
3716,
3717,
3718,
3719,

DECCA CATALOG
1938

VICT0R*MUSIC AMERICA LOVES BEST"

rrw

1950

CATALOGUE S

VICTOR
"REQUEST* CATALOG SEPT

VICTOR SUPPLFMTMT

TO MARCH 1939

VlTOR CATALOG
1938

PARLOPHONE RHYTHM-STYLE CATALOG
TO OEC 1933
DECCA CATALOG

T94?

VICTOR RECORD CATALOG

im

BLUFBI RD CATALOG

DEC 1939

BLUEBIRD CATAL06
THRU DEC I y4U

■ IN THE GROOVE*
VICTOR -SWING- SUPPLEMENT OF I 938

VICTOR RECORD CATALOG
JAN 1927

"BLUEE- 1 RD" CATALOG

JUNE I94U

E+
N—
N-

10" RECORDS

ERROLL GARNER
3720.1 GOT RHYTHM l«i

3721. FIGHTING COCKS/LIK & A PROMISE

CE TEST
CE 1503

HURRY". HURRY J HURRY J HURRYj HURRY I HURRY.'

BLUE NOTE RECORD SHOP

DELMAR RECORDS
567) DEL MAR BLVD
ST. LOUIS MO.

HURRY.* HURRY J HURRY 5 HURRYi HURRYJ

THIS MAY WELL BE YOUR LAST CHANCE TO GET
THESE CUT-OUTS;

RALPH SUTTON - |.|0 EACH .

DH7-THE VI LLAN/CATRACT RAG

8- CHROMATIC RAG /CL I MA X RAG

9- FROG LEGS RAG/B & W RAG

10— THE CASCADES/GRACE 4 BEAUTY

(WHILE THEY LAST— THE LP OF THE ABOVE SIDES— $4.00)

CLANCY HAYES— t.lO EACH

DH I I— AUNTI E SKINNES CHICK DN/NBDYKNOWS U

12- 6ILVER t/SAILIN DWN CHESAPEAKE BAY

1 3- ALABAMA BOUND/BALL I N THE Jl CK

14- BILL BAILEY, WONT U/RAGT | ME RUFUS
(ALSO A FEW THESE ON LP - $4.00)

FRISCO JAZZ BANO - I. 10 EACH ( CH-CLANCYHAYES VOCAL )
PAC-6I6-JAZZ ME BL.HUGGIN CHALKIn(ch)

63l — G^WASHI NGTOn( CH J /GET I N ' MY BOOTs(ch)

TEO VESSLEY- i.uO each

TOM TOM 1 002 -FOUND NEW BABY/WHATS UR STORY
lOOl-TIN ROOF 8LS/"ETER J THE WDLr
JOE SULLIVAN- 1. 10 EACH

SUNSET 1 0053-THE BASS ROMPS AWAY/24 HRS AT BOOTHS
10050-HVV LADEn(tRI 0)/NI GHT & DAy(quINTET)
HUD BROWNS DELTA KINGS(2 TEA GARDENS, STACY, 5 AUDUC )
STST CRAFT lOOl-LOVIN TO BE DO NE/ JERSEY BOUNCE
1 002 — CHA RMA I NE/PR ETTY BABY

LEE STRAFFORD

CASTLE lO-WI NTERGARDEN RAG/hCLL I OTROPE BOUQUET
ll-GLADIOUS RAG/TEDDY BEAR BLS

TtiE DIXIE FIVE OF DETROIT-RECORDS ON UNITED IN STOCKj

CASTLE JAZZ PA ND ( ORDER ANY, EXCEPT f'S |4,|4,|6)

LA WS ON— HAG GAR T CATS AND JAM» ERS 1.00 EACH
SOLO lO-OOl-ST LOUIS BLS/ THE BLUES

HAVE YOU THESE LISTS?

#2-SWING FROM A TO Z. DELAYED BY OUR MOVE BUT NOW OUT
^853— CUT-OUTS-MOSTLY TRADITIONAL
1*1 153— CUT-OUTS FOR THE HA RLEM,SW I NQ ,BOP, PROGRESS I VE FAN

TECHNICAL DELAYS HAVE HELD UP THE RELEASE OF OL-lOl-
THE FABULOUS WINDY CITY SIX UNTIL NOW;BUT BY THE TIME
THIS ADV. REACHES PRINT, IT SHOUL BE RE ADY X

SAN FRANCISCO BAY A I NT GONNA GIVE NOBDY NOIC

ROYAL GARDEN RLS Or MY JELLY ROLL

LONESOIE ROAD (DOUBLE LENGTH )WHEN SAINTS GO MARCHING IN
HANGOVER LA WENT (GREAT DOUBU
LENGIFH BLS IMPROVISATION)

IN PREPARATION!

DL-I020AT THE EIGHTY EIGHT-BOB DO RR I ES, P I ANO( W I TH RUS

HINOJOSO, CLARINET)
DL-I02-THE SAINTS MARCHING I N — DON GUMPERT's DIXIELAND
DON GUMPERT , CORNET SAINTS, BOD DIETZ, PIANO

TOM HARRISON, TRAM, RICK O'CONNOR, DRUMS

RUSS HI NOJOSO,CLARI NET
GREAT NEW BAND THATS KNOCKING THEM OEAO ON OtLMAR

WATCH FOR THEM.' ON DELMAR RECORDS.

10" 331/3 R.P.M. MICROGROOVE LP $3.85
(USUAL DISCOUNT TO DEALERS)

STILL TIME TO

J0I1 T-'E ST. LP 15 JAZZ CLUB
(INCORPORATED NOT-FOR PROFIT)

AND receive;

I (MEMBERSHIP CARD

2) THE GREAT NEW JAZZ REP0RT-I2-I4 PAGES WITH PIX
OF GREAT JAZZMEN OF THE M I DWEST ( DEWEY JACKS I N,
NORMAN MASON, WINDY CITY 6, GUMPERT ETC.)

3) SPECIAL DISCOUNTS ON THE LABEL OF THE MONTH

4) 3PEICAL PREORELEASE DCSCOUNTS ON NEW RECORDS.
CORRESPONDING MEMBERSHIPS J2.00

SEND YOUR CHECK To;

VIVIAN OSWALK,SEC 'Y, ST LOUIS JAZZ CLUB,
MOSELV LANE. CREVE COl'SR . MO. MMI , ■

28

AUCTION AUCTION

SALE

SA1£ STEPHEN STORAN SALE

K J. ALL 1 Cat K

°/d ARG*BQX 34|, COOPER STATION, NYC, NY

■ | 5 WaVERLY R0aD,W1TNC0TE penna.

WE ARC EMPOWEREO TO A"CTI0N THE STOCK OF

SPECIAL SALE OF 1 6" TRA MSCR ITT 1 SON. THEY ARE

TOPEX RECORDING ST ID 1 OS .ALL RECORDS LISTED

ARE COMPLETE HALF-WOUR BROADCASTS ON 12" LP

od irrn r nD p i r A r\im i T AT ft? ?S F AT H ?R rrw tq

33—1/3 MISCROGROVE STUDIO ACETATE RECORDINGS.

PACKING CHARGE ON ALL ORDERS. SEND CHECK OR

M.O. WITH ORDER • IF RECORD IS OUT OF STOCK,

AL L REC 0 RD s A RE 1 N N CO ND 1 T 1 ON ~~ Ml NT •

SAME WILL BE RETURNED. PLEASE LIST ALTERNATES.

KING OLIVER ^i?*lp(not a broaocast)

( 1 )SHAKE THAT THI NG

LES BAXTER /CLADE GORDON

(2)oEEP HENDERSON

(3)JACKASS BLUES

PH 1 L-REEGAN/PATT IE PAGE

(4),VA WA WA

(5)SH0W80AT SHUFFLE

HOAGY CARMICHEL

(6(EVERY TUB

( 7)farewei_l BLUES

SPIKE JONES

(8)30BBIN blues

(9)3LO» & STEADY

ALVENO REY/RUS DAVID

( 10) 1 'MWATCH 1 NG THE CLOCK

JIMMY MCPARTLAND -I2"lp

JIMMY DORSEY/TONY MARTIN

(jJmuskrat ramble

(2 )u ZY Rl VER

JAN GA RBER/TEX WILL IAW

( 3 ) JELLY— ROLL

(4j«H0(S0L0 PIANO)

RALPH FLANNAGAN/EDD IE DEAN

(5)nEw ORLEANS

(6JTHATS A PLENTY

BUDDY MORROW/VAUGHN MONROE

ESC 1 IRE JA2Z CONCEPT —JAN |7, |945-|2"LP

(l)CHIMES BLUES(|SVING FAZOLA)

ERNIE FELICE/SPADE COOLEY

(2)BACK O'TOWN BLS(ARMSTRONG-eECHET-^J. P. JOHNSON

HI GG- BARBARIN)

' :ARRY OWENS/RAY TURNER

(3)arkansas blues( J.P. JOHNSON )

( 4 ) CO NFESS 1 N ' ( ARMSTRONG-BECHET)

JACK SM 1 TH/RHOMDA F LE MM 1 NG

(5)0CAR OLD SOUTHLAND ( HIGGy)

(6)baSIN ST BLS(LOUI S-BECHET-BUNK JOHNSON)

TOMMY DORSEY/JACK OWENS

OMER SIMEON WITH DE PARIS BROTHERS - |2"LP

( 1 (BLAME IT &H THE BLUES

GISELLE MAC KEN Z IE/NAT' L BARN DANCE

(2)ragt IME VI OLIN

(3 (STARDUST

JOHNNY GREEN/GEORGE CATES

(4}n_0RIDA BLUES

(5)3HREVEPORT STOMP

LIBERACE/HAL DARWIN

ETHEL WATERS - TV APPEARANCE - 1 2"lp$ 10.00

(l (SOMETIMES 1 FEEL CHILD

CLYDE MCCOY/JERRY GRAY

(2)jlORKING ON THE LEVEE

(3)8ACK WATER LOUIS

BOB CROSBY ( J .GRAY ORCH (/PEGGY LEE

(4>3T LOUIS BLUES

(5(SUMMERTIMES

MILT HERTH TRIO/MONA FREEMAN

(6)his eye IS ON THE SPARROW

GLENN MILLER - |2"LP (not a BRADCASt)

ARTHUR FIEDLER ' BOSTON SYNPHONY

1 1 Jmoonli ght bay

(2)how AM 1 to know?

DICK POWELL/EDDIE FISHER

( 3)w ISTFUL AND BLUE

(4)anytime anyoay anywhere

DANE PICKENS

(5)I3EG O'MYHEART

(6)|W ST T 1 NG ON TOP OF THE WORLD

GLORIA OEHAVEN/NELSON EDDY

(7)BY THE WATERS OF THE MINNET0NKA(6 M 1 NS LONG )

(8)why'd YA MAKE ME FALL IN LOVE?

MEL TORME

(9)00N'T WAKE UP MY HEART

HALF-WAY HOUSE DANCE 0RCH-i2"LP(n0T BRADCASt)

DENNIS DAY

(BRJNIS-SIDNEY AROOIN)

( 1 )MAPLE LEAF RAG

JUDY GARLAND

(2).ET HE CALL YOU SWTHEART

(3)SQUEEZE ME

EVELYN KNIGHT/BILLY ECKSTINE

(4)NEW ORLEANS SHUFFLE

(5)VHEN IM BLUE

Dl NAH SHORE/TONY MARTI N

(6)l WANT SMBDY TO LOVE

(7)jUST PRETEND 1 NG

LEE Wl LEY/JACK(DRAGNET')UEBB

(8) IF 1 DIDNT HAVE YOU

(9).3N00KUM

BUDDY DEFRANCO/THE PLAINSMEN

( 1 U) 1 T BELONGS TO YOU

GENE KRUPA TR 1 0( VEN TURA— NAPOLEON |2"Lp

GEORGE S'EARING Q Ul NTET/B 1 LLY ECKSTINE

( 1 )fi NE'S 1 DEA

(2)pi_EA5E DON'T TALK ABOUT ME WHEN I'M GONE

JOHNNY LONG(BOTH SIOES)

(3;the MAN 1 LOVE

(4)ST LOUIS SLUES

JIMMY DORSEY & PATTI PAGE ( 2 DIFFRENT )

( 5 ) 1 DA HO

(6)STARDUST

RALPH FLANNAGAN ( BOTH SIDES) 2 DIFFERENT

WOODY HERMAN - I2"LP

( 1 )HALF — PA ST JUMPING TIME

ANDRE PREV IN/HENRI RENE

(2)l GOT IT BAD

(3)MYPAL GONZALES

LAWRENCE W ELK/L INEL HAMPTON

(4)STARDUST

(5)'3ERL 1 N ERL

HARRY JAMES/TERR^ G ILKYSON

(6)trouble IS A MAN

( 7 W FA 1 r LA DY

CHUY REYS/BARC LAY ALLEN

(s)fan it

JOHNNY DODDS-|2"LP(NOT A BROADCAST )

B ILLY MAY/AL GOODMAN

( 1 (shake YOUR CAN

('^ (blues g«lore

ALL ARE COMPLETE BROADCASTS, ( I 5M 1 NU TE )AND IN NEW

(3J29TH 4 DEARBORN

CONDITION. ORDER BEFORE YOUR FAVORITE IS GONE.

(4)stack o'lee blues

(5)jLUE CLARINET STOMP

(6)SLUE PIANO STOMP

( 7)wEARY CI TY

(8)',VEARV CITY(9) (lu)

WANTED

WANTED

VICTOR D. FERGUSON

|6 LEE STREET

READING , MASS.

ALBERTA HUNTER

WAS NT IT Nl CE

OK 8393 $25.00

COLEMAN HAWKINS

LOVE CRIES

PAE 3551? $25.00

TIGER RAG

PA £ 25513 125.00

1 WISH 1 WERE TWINS

DEn 4^'JDI VIJ.UU

CO NSOLA T 1 ON

DEH 421 16 $10.00

ST*R DUST

PAN 1045 $10.00

BLUE MOON

GRF 7455 $10.00

OUT OF NOWHERE

GRF 8511 $10.00

KING OLIVER

RIVERSIDE BLS MAST.# 1

PA 20252 $25.00

CHARLIE JOHNSON

CHARLESTON IS BES'

VI 2l49l $ 5.00

ART KAHN

IM HAPPY WHEN YOU'RE

ME 12090 $10.00

HARRY ROSENTHAL

CO 2J86 $10.00

YUU nt Inc. I Jr

HOC IEL THOMAS

GAMBLERS DREAM

OK 8269 $|5UJ3

LONESOME HOURS

OK 8297 $15.00

SUNSHINE BABY

OK 8326 $1 5.0O

ADAM AND EVE

OK 8258 $15.00

BENNY GOODMAN

HE'S NOT WORTH TEARS

ME 12023 $12.00

FEEL 1 N HI GH(MAST.#4)

VI 25840 $10.00

YOURE L0VELY<MAST.#4)

VI 26053 $10.00

1 HAD TO 00 IT (MAST. #4)

VI 26082 $10.00

THE LADYS IN LOVe( MAST,#1 )

VI 26211 tlO.OO

BENNY CARTER

SOME BDY LOVES ME

DEH 42u28 $10.00

SWI NG IT

COF 1304 $ 10.00

LOUIS ARMSTRONG

ANY V-DISCS NEW CONDITION

$10.00

RECORD ABBREVAT IONS:

- — OKEH

-SWISS PA RLOPHONE

- — PANA CHORD

FRENCH GRAMOPHONE

- -COLUMBIA

1 WILL ANSWER ALL CORRESPONDENCE, HOWEVER,

PLEASE BO NOT OFFER ME ANY

OF THE ABOVE

RECORDS ON ANY DIFFRENT LABELS THAN THOSE

SPECIFIED.

29

AUCTION MINIMUM BID .75 AUCTION MINIMUM BID .75

B. J. *RINCE

5845 SW 49TH STREET, MIAMI FLORIDA

PLEASE BID ON POSTCARDS AND BY NUMBER AT LEFT OF COLUMN. RECORDS WILL BE SHIPPED VIA RR EXP, CHARGES COLLECT UNLESS YOU REQUEST PARCEL POST AT YOU RISK. CONDITION
IS GUARANTEED. PLEASE ADD 25*' FOR PACKING CHARGE. THANKS FOR YOUR I NTREST •

MEZZ MEZFKOW

300. U.TINY IN THE PARLOR/PANIC BB 63 1 9 V+-/E

301. CCME ON WITH COME on/psB I&2BB 10085 E

302. ROYAL SaRDEn/|F U SEE ME BB 10087 E

303. REV0LUTI ONARY Bl/qETT I N BB 10088 E

304. EVERYBDY LOVE BABy/AI NT GONNBB 10090 E

305. AP0L0GI Es/sEND IN THE VIPERS BB 10250 E

306. 35TH i calumet/old FASHINEDBB I025U E

BENNY MO TEN

307. MO TEN STP/BL GUITAR STP BB 6204 E

308. HARD LAUGH, SMILe/hOT TWN BB 643 I E

309. M0TENS S*INg/tOBY BB 1 0259 E
3| O.LAFAYETTE/NEW ORLEANS BB 1 0955 E
3 1 I .CRAWDA D BL/ELEPHANTS *OBBLE OK 8|00 V
3 I 2. HARMONY BL/ THICK L I P ST P VI 20406 E

313. |2th street rag/baby dear vi 20946 E

314. M0TEN STP/BLUE GUITAR STP VI 20955 G

315. GET LOW DWK /KANSAS CITY BRKVI 2 1 693 G+

316. AS LONG as I luve u/new Kl NDV I 22660 E

317. WKEN IM ALOW:/*ISH I COULD BV I 2 2 734 E

318. LIZA LEE/ GET GOIN VI 23023 E
3|9.S0U1H/SHES NO TROUBLE VI 24893 E
320. HARD TO LAUGH/TOUGH BRKS VI 38037 v/e-
32 1 • TH ATS WHAT IM TALKINo/tERR VI 38081 G
322.SWTHRTS OF YESTERDAY/ MARY VI 38||4 E

JELLY ROLL MORTON

323. BOGGABCO. SHOE SHINERS DRAG 8B 7725 E

324. KANSAS CITY STP/l.EW ORLEASN BB 7757 E

325. MUSHB0UTH SHUF/BLUE BLD BLS BB 820l E
326.STR0KIN AWAY/LOW GRAVY BB 8302 E
32S.GA. SVi I Ng/mOUNRFUL SERE BB 85|5 E

327.stcakb0at 3t0mp/sm0keh0use bb 8372 e

329.o-:ant/black bottom bb 10253 e

330. cannon ball bls/grandpas sp bb 10254 e

331. doc jazz / ori jelly roll bb 10255 e

332. fat francis/ pep bb 10257 e

333. my jelly lcrd/ wolverine blsbb 10258 e
334, OH Did NT HE ram/winin BOY SB 10429 E

335. HIGH SOCIETY/THOUGHT HEARD BB 10434 E

336. WEST ENO BL/CLIMAX RAG BB 10442 E

337. BALLIN THE JACk/D0NT U LEAVEBB 10450 E
338, SWT SUBSTI TUTE/PANAMA GL I 703 E

339. G000 OLD NY/BIG LIP BLS GL I 704 E

340. KING PORTER STP/DONT LEAVE GL 4005 E

341. WININ BOY/MISTER JOE GL 4004 E

342. THE CRAVE/BUDDY BOLDENS BLS GL 4003 E

343. MICHIGAN WATER/NAKED DANCE GL 4002 E

344. CRIG RAG/MAMIES BLS GL 4001 E

345. GET THE BUCKET/WHY GL 1706 E
346. SHAKE IT/lF U KNEW GL 1707 E

347. MAWAS GOT BABY/HOME SOTHRN GL |7|0 E

348. swir.Gin the elks/dirty DIRTVGL I 7| I E

349. GRANDPAS SFELLS(miN.BIC IS $25.00 —

RARE IN ANY SHAPE) SE 52|8 V+

349A.BIG FAT MAN(D!G)/MUDDY WATER(vERY RARE

2 dig)(min.B'[8iO.OO) pa 12050 V

350. bLK BOTTOM STP/CHANT VI 20221 E

35l. SIDEWALK Bl/deAD MAN BL VI 20252 E-

3 52. DOCTOR JAZZ/MEMPHIS SHAKE VI 204|5 G

353. GRANDPAS SPELL/CANNON BALL VI 20431 V+

354. HYENA STP/SILLY GOAT STP VI 20772 V+

355.SVCKE house bis/steamboat VI 20296 V

356. MR JELLY LORD/WOLVERI It VI 2|064 E

357.S HREVEPORT/ShOESH I NERS DRAG VI 2 I 658 V+

358.SHREVEPORT/SHOESH INERS DRAG VI 2 1658 N

359.6URNING ICEBERG/TANK TWN VI 3 80 75 G-I-/Q

360. COURTHOUSE BUMp/swEET ANETA VI 38093 V+/v

361 . TURTLE TWIST/SMILIN BLS VI 38l08 E

362. FUSSY MA BEL/PONCH A TRA IN BLS VI 38|25 g/v-

363. HARMONY bls/little LWRENCE VI 38|35 E

364. Seattle hunch/freakish(hrCk)vi 38527 E

365. hat man/tell »/ MIES VI 38571 E+
MINIMUM SID FOR ABOVE VICTORS 87.00 FA.

366. PEARLS / KING PORTER ST

367. H0NKY TONk/wININ BOY

368. FINGER BUSTEr/cREEPY FEE

JIMMY NOONE

369, got my number/moody mel
370»going ho*e/y0ure drunk

3?i»'i know that u know/bump it
372japansy/4 oh 5 times
3 73. call me darling/lm walking

374.SWT LORRA I NE/HELL IN HEART
375. AM I BLUE/BI RMI NGHAM BERTA VO

VO

1020

E

JM

147

v+

JM

146

E

BB

8609

E

BB

8649 E

DE

1584

E

DE

|62|

E

DE

1 730

E

DE

7553

E

VO

1296

V

JIMMY IIOOIC

376.1-ES GOOD MAN/lM DOIN WHAT VO 1 436 E-/v+

3 77. LUL LABYE OF BRDWAy/hERE CMS SO 2908 E-/v-t-

(above hr crk)

378. swt sue/l know that you de 80024' e

379. APEX BLs/s*T LORRAINE DE 80023 E

380.4 OR 5 times/every evening de 80025 E

38l .MONDAY DATE/BLUES DE 80026 E

RED NORVO

382.1 'VE got love/slumming/ BR 78|3 e/g+

383. PLEASE BE KIND /WEEK END BR 8088 E

384. AFTER DINNER/ A CIGARETTE BR 8l7l E

385. wi gwammin/how can i br 8i94 e

386. JUMP JUMPS HERE/GARDEN BR 8202 E

387. JERSEY BOUNCE/ARTHUR MURRAY CO 36557 E

( ABOVE WITH BA I LEY )

388. U'R SO DESIREABLE/ 3 LIT F VO 4785 E

MA RAI NEY

3S9.LAST MINUTE BLS/BO WEAVIL PM |2080 V

390. BAD LUCK BL/THOSE ALL N I TE PM I 2081 E

391. BARREL HOUSE/WALKING BL PM I 2082 V
392.SCUTHERN BL. MOONSHINE Pin I 20t? V
39j. HONEY WHERE u/MS'STERY RCD PM 12200 E

394. LUCK ROCK/ THOSE DOGS PM I 22 I 5 E

395. FAREWELL DADOY/ShAVE ME PA 1 2222 V

396. C0UNITN THE BLs/jELLY BEAN PA 1 2238 E-
397.SEE SEE R IDER/ JEALOUS HRTED PA I 2252 E-
398. VA DA DO/CELL BOUND PM 1 2257 g/v
399. STORMY SEA /LEVEE CAMP BL PM I 2295 V
400.G00D BYE DAODY/LOUISIANA HOOPM 1 2290 V+
401.4 DAY HONORY/NIGHT TIME PM 12303 G

402. MEMPHIS BOUND/ROUGH h TUMBLE PH (23 1 I G

403. SEEKING BL. MT JA Ck(w/bLYTHE>PM 12352 E-

404. STA CK OF LEE/ YONDER COME PM |2357 E-
495.CHAIN GANG /wRINGIN f- TWIST PM |2338 V

406. ER0KEN SOUL/SISSY BL PM 12384 G

407. MISERY BL/DEAD DRUNK PM |2508 E-

408. MISERY Bt/OEAD DRUNK PM 12508 V

409. DRM BLS/LOST WANDERING PM 1 2098 V

410. DRM BLS/ LOST WANDERING P» l209e v/e-
( AbOVE TWO ARE RARE PHOTO LABEL OF RA I NEY )

ELZADIE ROBINSON (W. EZELL ON PIANO ON MANY)
4 1 |. SAWMILL BL/BARREL HOUSE MAN PM |24|7 V
4 1 2. PAYDAY DADDY /ELZADIES POLICYPM 12635 V
4|3.G0ING SOUTH /ROWDY UN BL PM I 2724 E-/E

4I4.THIS IS LAST NITE/CHEATIN PM |2768 E-

GIL RODIM
4|5. ITS SO GOOD/LOVABLE 5: SWT

KID RENA
4|6.high soeiETY rag/panama

4|7. CLARINET MA RM/MI LENBERG
4|8.GET IT RK.HT/ WEARY eLS

JOSEPH ROBECHAUX
4I9.SKE D0NT LOVE ME/EVERY TUB
420. JST LIKE FALLING/SLEEP

ADR I AN ROLL IN I

42l .Rl VEr BOAT SHUF/SUGAR DE
422. SOMEBODY LOVES W:/DAVENPRT DE

423. jazz o'jazz/nagasaki VI

LUIS RUSSELL

424. JERSEY L I GHTNI MJ/nEW CALL F CO
425,OhOST OF FREAKS /HOKUS P0CUS PE

426. D0C0TR BL/SAVOY STMP VO

"ESSIE SMITH

427. DWNHRTED B/GULF XJAST CO

428. PALE ST MA MA /AGORA VAT IN PAPACO

429. BABY WONT u/OH OADDY (LM CRkCO

CO.
CO
CO
CO
CO
CO
CO
CO
CO

BA 6483 E-/v

DEL
DEL
DEL

VO
VO

430. TAINT NOBDYS^LM CRk)/kEEPS
43 1 . OUTSIDE OF THAT/MAMAS BOT

432. BLEEDING HRTED/MI DNI GHT

433. Y0DLING BL/LADY LUCK

434. GRAVE YARD DRm/jA I L HOUSE

435. MY SWTIE went/whoa TILLIE

436. ANY WOMANS Bl/cEMETERY BL
437.ST LOUIS GAL/SAM JONES

438. FAR AWAY/|M GOIN BACK

439. M I STREA T I N DADDY/CH I CA GO 8&0C0

440. EASY COME/FROSTY MORNING CO

441 .eavesdroppers/haunteo HOUSE CO

442. boweavil/moonshi NE BL CO

443. sorrowful/rocking chair CO

444. FRANK I E Bl/hATEFUl(LM CRKs) CO

445. pinchbacks/ticket AGENT CO

446. L0UISIANNA LOW DWn/mT TOP CO

804 E

805 E

806 E

2827 e/v
288l V

265 E
359 E
25085 e/v

35690 E
16086 G
3480 E

3844 E-/E
3877 v/v-
3888 V
3898 E
3900 v-/v
3936 E
3939 E
4001 v+

13000 v+

1 3001 V+-
13005 E-/v+-
13007 V
14000 V
14005 E
14010 E-

I 40l 8 e/e-
14020 E
14023 V
14025 E-
14031 E-

BE6SIE SMITH CONT.
447, WORK HOUSE/ HOUSE RENT ;0 14032 V-t-

446. SALT WATER/RAINY WEATHER CO 14037 E

449. WEEPING WILLOW/BYE BYE CO 14042 G

450, SI NG SONG PRISON/DYING GAMB CO I 4051 E-

45l. FOLLOW THE DEAl/sinFUL BLS CO 1 4052 V*-

452.S0BBIN HEARTEb/rECKLESS CO 14056 V

453, LOVE ME DADDY/WOMAN TROUBLE CO 14060 v/v+

454. THE ST LOUIS/COLO IN HAND CO 14064 E
455. SOFT PEDAL Bl/ YELLOW DOG CO I 4075 E

456. Y0UVE BEEN GOOD/DIXIE FLIER CO 14079 N

457. HEB GONE/CARELESS LOVe(lMCRKC0 14083 v/v-

458. N aShv i lle woman/aint go in(di GC0I4O9O v-h/v

459»A I NT GOT NOBDy/j.C. HOMES CO 14095 V /E-

460.HOBDYS BL/ MY MAN BL CO 1 4098 V+

461., FLORIDA BOUND/NEW GULF COASTCO I 4| 09 V

462. IVE BEEN M I STREA TED /RED MT CO |4||5 E

463. GOLDEN RULE/LONESEOM DESERT CO |4|23 E-

464, WAH TS MATTETl/l WANT EVERY CO |4|29 V

465. JAZZB0 BROWN/SQUEEZE ME CO 1 4| 33 V

466, MONEY BL/ HARD DRIVING PAPA CO 1 41 37 E+/E
467.0ABY DOLL/ HAS BEEN BL CO |4|47 E
468.L0ST YOUR HEAD/GIN HOUSE CO 1 4| 58 N
469. ONE & TWO BL/ HONEY MAN CO 1 4| 72 E+
470. YOUNG WOMNS BL/ HARD TIME BCO |4|79 V+

(RM CHP NO gr)

47IPREACHIN THE Bl/baCK WATER CO |4|95 V+

472. AFTER U GONE/ MUDOY WATER CO 1 4 1 97 e/e-

473 .TH EMS GRAVEYARD WORDS/SEND CO |4209 N

474. TR0MB0NE CHOLLY/LCCK k KEY CO 14232 E-/E

475. G00D MAN HARD FIND/mEAN OLD CO 14250 e/e-

476. swt mistrea-iin/homeless CO 14260 V

477. DYIN BY HOUR/FOOLISH MAN CO 1 4273 E-

TRIXIE 3t I TH

478. U MISSED GOOD /LONG LOST

BS
DE
DE

2044 V+
7469 E
7489 E

479. DADDY ROCKS Me/tRIXIE

480. FREIGHT TRAIN/UNUSUAL MAN

481. HE MAY E MAN/JACK IM MELLOWDE 7523 E

482. MY DADDY ROCKS jfNC 2VN0 GOODDE 76 1 7 E

483. U MISSED GOOD WDM/LONG LOST PM I 2 1 62 E

484. GIVE ME THAT/MY MAN ROCKS MEPM I 2 1 64 E

485. TAKE IT DADDY /iMTHROUGH W U PM |2|65 E

486. TWO A.M. 8LS/lM GONNA GET PM I 2 1 66 E

487. L0G CABIN 8l/v00 DO 0 PM t 2 1 67 E
488. SORROWFUL BL/l DONT KNOW PM 12208 B

489. FREIGHT TRAI N/OONT SHAKE IT PM 1 22 1 I E

490. PRAYING BL/ ADA JONES BL PM |2232 E

491. CH00 CHOO/RIDE JOCKEY PM 1 2245 E

492. hE LIKES I T/8LK BOTTOM HOP PM 1 2336 E

493. WLDS jazz crazy/ra ILROAD UHCA 8|82 E

SOUTHERN SERENADERSpST 2 RAREST LOUIS;

494. /IL0NE AT LAST/ARE U SORRY HA 5-h v/v-

495. MISS MY SWISS/STEPPIN SOCIEYHA 4-H V-/v+

496. I'VE FOUND NEW BABy/eABY SI 2770 v/e-

CHARLIE SPAND

497. R0CK t. RYE/ALABAMA BL OK 5599 E

498. hOO DOO WOMAN/ GOLD TOOTH OK 5757 E

499. EIG ALLEY RAT/squABBLIN WM OK 5894 E

500. G0NE MOTHER/ SOON THIS MORN OK 5946 E

501. FETCH WATER/SOON THIS MORN PM l2788 G

502. BACK TO WOODS/GOOD GAL PM |28|7 G

503. GOT HAVE SWTBRDS(DI GGER STICKS)/
MISSISSIPPI PM I 291 7 G

MUGGSY SPAN I ER

504. ThAT DA DA STRA I n/soME DAY BB 10384 E

505. ECCENTRIC/ B| Q BUTTER A EGG BB 1 04l 7 E

506. DIPPER MOUTH/WISH COULD SH 1 MBB 10506 E

5"7.jazz bah) ball/livery STABLEBB I 05l 8 E

508. RELAX IN AT TOUR o/r I VERBOAT BB I 0532E E

509. DINAH/BLK & BLUE BB 10682 E

510. A1 5UND0WN/BLUNIN T hE BLS BB |07|9 E
5M.L0NES0EM ROAD/MANDY MAKE UP BB 10766 E

512. WKISTLIN BLS/LADYS IN LOVE CMS 576 E

513. CH|CAG0/ CANT WE BE FRIENDS DE 4| 68 E
5| 4. LITTLE D AV I d/hES I TA T I NG DE 4271 E
5|5. AMERICAN PATROL/MORE THAN DE 4328 E
516.2 O'CLOCK JUMP/V/RECK OLD '97 DE 4336 E

VICTORIA 5PIVEY
5| 7.BL00D HOUND Bl/mOAN1N THE BB 86 1 9 E

518. BLK SNAKE/NEVER FALL IN LVE DE 7203 E

519. C0UBLE DOZ/GRIEVIN ME DE 7204 E

520. TB'S GOT ME/SWT PEASE DE 7222 E

52 1. U WEREBT 7RUE/4 10 BLS BE 72 3 7 E

522. LONG GONE BL/DIRTY WOMANS OK 835l V

523. T B BLS/(D| g)/#|2 LET ME OK 8494 v-/v

30

WINDIN' BALL RECORDINGS

5207 S. KIMB*RK AVE.,
CHICAGO |5, 'lL.

PRESENTING

'DON EWELL PIANO SOLOS OF
KING OLIVER CREOLE JAZZ BAND TUNES*

THE TUICS;

12-

BUODYS HABIT

WORKING MANS BLUES

FROGGY MOORE

SWEET BABY DOLL

A INT GONNA TELL NOBODY

SNAKE RAG

WEATHER BIRD RAG

WHERE DID YOU STAY LAST NIQHTf

JUST GONE

MANY LEE BLUES

JAZZIN' BABIES BLUES

NEW ORLEANS STOMP

LONG PLAYING WBI03

$5.95

THIS RECORDING WILL BRING YOU UP TO DATE

ON EWELL 'S WORK IN I 953 . PROGRESS IS EVIDENT.

STILL AVAILABLE

■DON EWELL PIANIST*

THE TUNES;

80UTW SIDE STRUT ( EWELL)
SPANISh SINGE ( EWELL )
DELMAR DRAG (EWELL)
MABEL'S DREAM
ATLANTA BLUES
MELANCHOLY STOMP (EWELL )
BEALE STREET BLUES
WILLIE THE WEEPER

10 LONG PLAYING WB lOl

&3.S5

THE FIRST REAL PRESENTATION OF EWELL AS A
SOLIST ON RECORD. RECORDED AND RELEASED IN
1952.

"YANCEl-EWELL'

THE TUtCS:

10s

BABY WON'T YOU PLEASE COME HOME
MAMA 'S BLUES (YANCEY )
NOBODY KNOWS YOU WHEN YOU'RE

DOWN AND OUT
LONESOME ROAD
WEEKLY BLUES ( YANCEY<)
EVERYBODY LOVES MY BABY
SUNDOWN BLUES ( YANCEY)
I CNQ PLAY I NG WB I 02

*3,B5

TO DATE THE ONLY PRESENTATION OF MAMA YANCEY
IN HER NEW ENVIRONMENT. HER RECORDINGS WITH
JIMMY WERE ASTWO BECOME ONE ; WITH DON THE
EFFECT IS OF TWO DISTINCT INDIVIDUAL PERSON-
ALITIES HAVING A PROFOUND MUTUAL RAPPORT.

ALL OF OUR RELEASES ARE ON PURE VINYLITE.

IF YOUR DEALER CANNOT SUPPLY YOU, ORDER DIRECT
FROM THIS ADDRESS; BUT TRY HIM FIRST.

General Clay

answers the questions everybody
is asking about

RADIO FREE EUROPE

General Lucius D. Clay, former U. S.
Military Governor in Germany, and leader
of the Berlin Airlift, was first Chairman
of the Crusade for Freedom.

General Lucius D. Clay answers nine
vital questions about an organization
which needs your dollars and your
support — Radio Free Europe.

RFE is important to you and to
millions of freedom-loving people be-
hind the Iron Curtain, who are our first
line of defense against Soviet aggression.
General Clay tells why:

Q. What is "Radio Free Europe"?

A. Actually, it is 6 stations in Western
Europe broadcasting TRUTH through
the "Iron Curtain" to the people of 6
captive countries in their own tongues
and in the voices of their own known
and trusted exiles.

Q. What is the difference between
Radio Free Europe and the Voice
of America?

A. The Voice of America is run and
paid for by the Government. Radio
Free Europe is operated as an inde-
pendent American enterprise by a com-
mittee of private citizens. It is people
talking to people — Poles telling the
truth to Poles, Czechs and Slovaks
telling the truth to Czechs and Slovaks,
etc. It is not bound by diplomatic
limitations.

The Voice of America broadcasts to
many countries and can only devote a

limited amount of time each day to any
one country. But Radio Free Europe's
"Voice of Free Czechoslovakia", for
example, broadcasts about 20 hours
each day to Czechoslovakia alone.

Q. Who supports Radio Free Eu-
rope?

A. Millions of American citizens like
yourself, through voluntary contribu-
tions of millions of dollars! More than
1.000 carefully screened people man the
stations. The management is American,
but the staff is largely composed of
editors, reporters, teachers, clergymen
and entertainers who have come from
behind the Iron Curtain.

Q. What countries does Radio Free
Europe reach?

A. Czechoslovakia, Poland, Romania,
Bulgaria, Hungary, and Albania with a
total of 70,000,000 population.

Q. How does Radio Free Europe
get its news?

A. Radio Free Europe monitors most
Communist broadcasts. Every program
is analyzed by nationals of the captive
countries who know the truth. Volumi-
nous information from many sources is
compiled and evaluated constantly by
exiled experts. New exiles bring out
new truth daily — and they bring it to
RFE.

Q. Are more transmitters needed?

A. Yes. More transmitters and still
more transmitters are needed now to
let truth speak louder than ever to
those captive people. Transmitters in
new locations are needed too — as added
insurance that this "Voice of Freedom"
will never be stilled. Each new trans-
mitter insures a new listening position
on a captive radio dial.

Q. How much is needed now?

A. At least $10,000,000. But, as im-
portant as the money, the WIDEST
POSSIBLE PARTICIPATION— to
communicate the truest possible feeling
of FRIENDSHIP FROM MILLIONS
OF AMERICAN PEOPLE IN ALL
WALKS OF LIFE.

Q. How much should one individual

give?

A. All he can ... A "truth dollar" is

Q. Why is Radio Free Europe so
important to me?

A. Because it is devoted to the single
most important job in the world — to
help keep World War III from happen-
ing. If 70,000,000 people in the six Iron
Curtain countries continue to resist
Soviet tyranny, the Kremlin is kept
off balance in one of the most strategi-
cally sensitive areas in the world.

This transmitter at Holzkirchen, Germany, is the largest of Radio Free Europe's
21 outlets. It has brought protests from angry Communists in Czechoslovakia
where it is beamed 20 hours a day.

RADIO FREE EUROPE supported by CRUSADE FOR FREEDOM

DISPOSITION

IFIRST FOUR LETTERS OF COLLECTOR'S NAME

PRI CE

IF FOR sale;

VALUE

r FOR ^^fc

TRADE

M 1 N 1 MUM BIO

IF FOR

AUCT 1 ON -^^---1

method of disposition: "sal* .
for sole at price indicated;

tra" , for' trade! "auc", at
auct i on.clos ing date for 6ids
see page 6. 't-a" for trade
or auction; "t-s" for trade
or sale ' "sta" for sale,traoe
or auction.

condition of record : n--new ;
E-Cxcellent; v-very good;
G-good; F-fair; p-poor.

atalog number of record,

1 Ilabel of record .

FRED ASTA iRE
love of my life/me 4 THE GH CO

CHARLIE BARNET

all the things u are/ill wndOaP

B|X BEIDERBECKE

Bl X0L0GU7 SINGI N 8LS PA E

ARDELLA BRAGG

843 N AUC 2,00 HOVS

1838 M S.A 2.50 PARR

THAT f> /L RIGHT/TREAT THIS PM I
CATALOGS FOR SALE

BRUNSWICK SUPPLEMENTARY I 932

BRUNSWICK I 93 4

BRUNSWICK 1938

COLUMBIA 1928

COLUMBIA 1929

COLUMBIA 1930 SUPPLEMENTARYY— -

COLUMBIA 1931 SUPPLEMENTARY

COLUMBIA 1934 ROYAL BLUE

VICTOR 1925

VICTOR SPECIAL PRICE 1929

BLUEBI RD, THREE DIFFERENT FOR

40 SUFPLLULNTS ETC, [930 'ES

OORSEY CLAMBALE SEVEN
STATE WANTS PRI CES

B ING CROSBY

HUNDREDS LIST FREE ALL N/ESAL 1.50 BROC

HUNDREDS, NO MAILING CHARGE ALL N/ESAL 1.50 BROC

OFF AIR FROM LONDON — DUB N — 5.00 PARR

WITH BOB HOPE DUB 5.00 PA RH

BENNIE CUMMINS 4 HIS TOADSTOLL INN ORCH _

- SUND

V

AUC

ALOR

N

SAL

1.00

SChL

N

SAL

2.00

SCHL

N

SAL

2,00

SCHL

N

SAL

3.00

SCHL

N

SAL

2.00

SCHL

N

SAL

1.50

8CHL

N

SAL

1.50

SCHL

N

SAL

2.00

SCHL

N

SAL

3. 00

SCHL

N

SAL

2.5C

SCHL

N

SAL

1. 00

SCHL

N

SAL

1. 10

SCHL

PA RR

IDA/HCME FOLKS BLS GE 5395 G SAL

THOMAS EDISON GEM PHONOGRAPH

E HOC

AUC

WITH 2± FOOT METAL HORN. ( W I LL I NC LUDE
COliECTION OF CYLINCER RECORDS-ALL E
"HAWA I I AN" COLLECTORS

SEND FOR MY LIST OF OUT-OF

PRINT HAWAIIAN RECORDS,

VARIOUS ARTISTS 4 GROUPS 4 LABELS-
FLETCHER HENDERSON

MANDA/SO 'LONG MULE CO 228

LET 'ER GO/WORRIED OVER YOU VO 37|3
RICKETY RACKETY SHA CK/ ROUND SRE 8442A

"HILL-BILLY- COLLECTORS

SEND FOR MY LIST OF HILL-BILLY

WESTERN 4 FOLK SONG RECOROS.

ALL OUT OF PRINT.

HUMPHREY LYTTELTON

PA E — —

SAL
SAL
SAL

KLAY
KLAY

ZEI G
ZEIG
ZEIG

SUND
SUND
SUND

ZEIG
ZEIG
ZEIG

STA TE WANTS PR I CES

I SHAM JONES JR'S

WODDY)

PANAMA/RCCK YOUR BLS DE
JIMV.Y JOY ST ANTHONY ORCH
SPRING TME IS LOVE// L1NDSTR0M 43 10

LIST

WRITS FOR LIST OF Rfi RE

RECORDS ALL TYPES —

AVAILABLE

JOHN MCCORMACK

662 E AUC

CLEA
CLE/,
CLEA

4 ORCH l|* DISC

DEAR LITTLE SHAMROCK/

VIOLA MCCOY

GIT GOIN'/SOME DAY

PERSONALITY

OK 70001 V SAL

374

HUNDRED- FREE LISTS «LL -

RECOROS FROM ENGLAND

BINGjPERCONALI TY, AN Y ALL

ARTI ST, FREE LISTS, NO ALL -

MAILING CHARGE. 200 U.S. REF.

DJANGO RE I NHARDT

CH ICAGO SW

BLUE LI GHT BLUES SW

GABRI ELS SWI NG SW

BIG BOY BLUES SW

ECHOES OF SPAIN SW

DOUCE AMBIANCE SW

STARDUST HMV

BLUE MOON HMV

MANY MORE,SEDN WANTS

-N/ESAL 1.50 BROC

N/ESAL I

E/NSAL I

N/ESAL I

2 N
20 N
26 N

32 N
65 N
183 N
4496 N -
4497 N

.50 BROC
.50 BROC
.50 BROC

00 BUTT
,00 BUTT
00 BUTT
00 BUTT
00 BUTT
QC BUTT
25 BUTT
25 BUTT
BUTT

J I MM IE RODGER S
WILL TRADE OR SELL
M'LITE 4 SKIES/ROD VIS CF
WHY SH | B LONELY/WHATS IT
WH CAC IN BL/QAM POK DOT
99 YRS BL/MY TMS A I NT LONG
IN HILLS TEN /Ml IS THE MISS
PARA R Y LULL/FEACH PIK TME
OTHER 23 T. SERIES JR
«LSO BB MW AND MINT RZ

ALURA SMITH ACC BY WILDCATS
I'M GOIN TO HAVE 7 YEARS BAD

TOOTS TH IELEMAMS
JAZZ ME BLS/NALEN BOOGI E ESQ 5-049

LULU WH IDBYS SYNCOPATORS
HOME AGAIN BLS /STRUT MISS Ml' ||055 E AUC

16* TRA NSC R 1 FT IONS

I HAVE 40 TP.ANSC.WITh SUCH

ARTISTS AS A RMSTRONQ , SPAN! ER

JOE FINGERS CARR, BROWN, NAT

KIGN CO LE . CGMO,LEE . KYSER ,

DUKE, PRI MA,SAVI T,MERR IL, •

WHI TEMAN ETC. OF MUSIC WORLD •

MY PRICE FOR ALL OF THEM $35.00-

WILLIAMS WA'tHBOARD BAND

ADAM
ADAM
ADA M
ADAM
ADAM
ADAM
ADAM

MOVE TURTLE/SHOUT I N AMEN

WANTED

LES BROWN

BB 5230 E AUC 2.00 PARR

I GUESS HAVE TO DRM THE REST E OK

HENRY B'IRR
LITTLE GREY HOME IN WEST PE

ANY RECORD ING GROUP
|93U— 34 BAN DS JSEND FO R L I ST

LOU IS ARMSTRONG

A I RSHOTS ,TRANSCR I PT I SO N

SOUND TRACKS FROM FILMS,

ANY UNISSUED MATERIAL ETC

CARTER FAMILY
CHEWING GUM/ A I NT GONNA WORK V TO N VI
WESTERN HOBO/DISTANT LAND ROAM V VI
SUNSHINE IN SHAtOWS/l/iEARY PROD V VI
CARTERS BLS /LONE SOME PINE SPEC V VI
CHURCH IN Wl LDWOOD/CUN OF THE SOULV VI
I WOULDNT MIND DYING/WINDING STRM V VI
DARLING DAISY/LOVERS RETURN V BB
HAPPY OR LONESOME/EAST VA BLS V BB
IT LL AGGRAVATE YOUR SOUL/ST SABTH UEB
LONG ING FOR OLD VA/WHEN EVENING V BB
THERELL BE JOY/ILL BE HOME V BB
FADED COAT OF BLUE/SAILOR BOY V
MARCH WINDS/KITTY WALTZ V
ON MY WAY CANAANS LAND/COWBOY JK V
GIVE ME LOVE/SWT HVN V
IN LITTLE VILLASE/LAtT MOVE V
NEVER LET DEVIL/HELLO STRANGER V
CHARLIE & NELLIE/U DEN I EO LOVE V
OVER GARDEN WALL V
MANY OTHER CARTER FAMILY RECORDS V

CATALOGS WANTED
ANY BEFORE |9|2

BOOKS WANTED
ABOUT 01* ERA SINGERS, SHOW PEOPLE

B INS CROSBY
SOUND TRACK EARLY TRANS ■ 3 1 —34
WILL TRADE FOR DUBS OF SAME
EARLY RADIO SHOW TRANSCRIPTIONS

6308 2.50 HOWA

1 1 1 06 KILR

■ — 2.50 ORLA

BB
BB
SB

DE
DE
DE
OE

2|5|7 2t0C KITC
40255 2.00 KITC
23626 2,00 KITC
23716 2.00 KITC

23776 2.00 KITC
23807 2.00 KITC
5586 2.00 KITC
5650 2.00 KITC
5817 2.00 KITC
5856 2.00 Kl TC
59l I 2.00 Kl TC
5974 2.00 Kl TC
5990 2.00 Kl TC
8167 2.00 Kl TC
53|8 2.00 KITC
5386 2.00 KITC
5479 2.00 KITC
5702 2.00 Kl TC
????? 2.0C KITC
BB, ETC KITC

DIX

— $20-25

E JAZ" BAND (VARIOUS PSUEDONYMS)

MA YE
MAVE
MA YE

ST LOUIS BL /MEMPHIS BLS

TOMMY DORSEY
DAY IN DAY OUT E

RE IS 4 ARTIE DUNN

MOONLIGHT SAVING TIME

ILENE FARRELL

IRISH SONG ALBUM -78 SPEED

SHEP FIELDS ORCH

LA CUCARACH

THATS A PLENTY

IVAS NOT SO LONG AGO

FMETRO FROSINI

1690 JERG

26339 2.3? HOWA
3| 4| BOZY

LA MAR I E POSI TA

ANTHONY GALLA»R I N I
POET 4 PEASANT OVERTURE
VALSE BLUEUE
DANCING SHADOWS

"GREAT Day* ALBUM

NELSON EDDY E

BEWY GOODMAN
restless/youre HVNLY THING e

EEN I MEENIE/SANTA CLAUS CAME E
POP CORN MAN V
ALL MY LIFE/TOO GOOD BE TRUE E
REMEMBER /WALK JELLY WALK E

BB

1 1064

BOZY

BB

7785

BOZY

BB

1 1348

BOZY

VI

24605

BOZY

VO

I4e03

BOZY

VO

14827

BOZY

BR

3873

BOXY

CO

QUOTtZE ig

VI

2 sou

STA

ROMA

VI

25195

STA

ROMA

VI

25808

STA

ROMA

VI

25324

STA

ROMA

V 1

26090

STA

ROMA

BENNY GOODMAN
S 'WONDERFUL/MUST HVE THAT —MA N E
ESTRELLI TA/ALIVAYS ME IN LVE E
ONCE MORE/CANT YOU TELL E

GREY GORDON
IT'S FUNNY TO EVERYONE BUT ME E

HOLLYWOOD DANCE ORCH

KITTY FRM KANSAS CITY

INK SPOTS
ANY TRANSCRIPTIONS

AL JOLSON
JOIN THE AL JOLSON MEMORIAL CLUB

SAVMY KAg
SUNDAY SERENADE PR OQRAMS 4
AIR CHECKS PRIOR TO 1949, ALSC
ANY TRANCSCR r-PTrONS IMCLUOING
LANG-«ORTH,tFRS 4 OTHERS

ANDY KIRK
TELL ME REAL TH I NG

GUY LOMABARDO

VI 260<"0 STA ROMA
VI 26187 STA ROMA
CO 35543. STA ROMA

"ZIV*TRANSCRIPTI ONS

CHAUNCEY MOREHOUSE

BLUES

IN B FLAT/ON THE ALAMC
RUSS MORGAN

E

I CANT ESCAPE FROM YOU

MOTENS K.C. ORCH

KANSAS CITY BKDWN.GET LOW DWN

RAMON NAVARRO

PALE H AND S

BRUNISWICH HMV FOR YEAR 1923 -27
"2 " " " " 1939-48

NEW YORK. SYNSOPATORS
8ABYS BIRTHDAY PARTY

J IMMIE RODCERS
WILL BUY OR TRADE FOR—
SEE DISPOSITION

BLUE Y0DEL#|0/MISS MOON F/N
GAM BAR-M BL /LONG TAIL MAMA F/N
BL 70 ft l/SW MAMA HUR HOME F/N
BL YD #|2/C0WHAN L RIDE F/N

R MBA ORCH
THE PEANUT VENDOR

MAGGIE SETYE

ADAM
ADAM
ADAM
ADAM

8U9 RUTH

ADAM

VR 608 JERO

BR 7697 2.5uH0WA

VI 2 I 663 JERG

RUTH

— RUTH

SOUVENI R ALBUM

"SHOW BOAT

78 SPEED
ALBUM

ROBSON — H . MORGAN-MELTON

S IDNEY TOBCH

OK 41472 BOZY

BEAR

— BEAR

VI 236 96 BEAR

VI 23766 BEAR

VI 23796 BEAR

VI 24456 BEAR

HA 1270 BOZY

LONDON RUTH

CO 55 QUOTEZEIG

CORAL 9-6066 |8»00HG*A

TRADES

WITH AMERICAN COLLECTCFS
LA VE.EDA DANCE ORCH

MERE

III ON I GHT PAPA/CABARET ECHOES

BERT Wl LLIAMS

ANY SONGS

WORLD BROADCAST TRANSCRIPTIONS
ALL 1930- 38 BANDS

FOR DISPOSITION

SEND FOR FREE SAL ES Lj S T

|600 RECORDS AT LOW PRICES

CO 545 — JERO

RUTH

$8-10 CRLA

New Releases

ON

ide

JAZZ ARCHIVES SERIES 10" LP's $3.95

RLP 1020 ROY PALMER & THE STATE STREET RAMBLERS

I want to Be Your Lovin' Man/Sic 'Em Tige/South African Blues/Tiger
Moan/Careless Love/Georgia Grind/Kentucky Blues/Barrelhouse Stomp

RLP 1021 THE AMAZING MR. WALLER VOL. 1: FATS AT THE ORGAN

I'm a Bum/Go Down Moses/Swing Low Sweet Chariot/She'll Be Coming
Round the Mountain/Frankie and Johnny/Hand Me Down My Walkin Cane/
Deep River/Lord Delivered Daniel

RLP 1022 THE AMAZING MR. WALLER VOL. 2: JIYIN' WITH FATS

Oh Susanna/Loch Lomond/Faust Waltz/When You and I Were Young Maggie
/Oh Dem Golden Slippers/Old Oaken Bucket/Intermezzo/ Annie Laurie

RLP 1023 BIX BEIDERBECKE AND THE WOLVERINES (8 Classic
Performances)

RLP 1024 GEORGE BRUNIS WITH THE NEW ORLEANS RHYTHM KINGS

Featuring Paul Mares and Leon Rappolo (8 Classic
Performances)

RLP 1025 RAGTIME PIANO ROLL VOL 2. (8 More Great Early Rags)

Specialty SoUe* 10" LP's $3.95

RLP 8001 I LOVE NEW YORK, Sung by Pat Northrop; Tony Burrello. Piano.

Ten songs of the big city by Cole Porter, George Gershwin, Rodgers & Hart, etc.

Buy these at your local dealers or order direct from

Riverside Records

P. O. BOX 373

RADIO CITY STATION

NEW YORK, N. Y.

-8 I95<4 I )^^1W

he record changer

EBRUARY 1954

New Releases

© m

JAZZ ARCHIVES SERIES 10" LP's $3.95

RLP 1020 ROY PALMER & THE STATE STREET RAMBLERS

I want to Be Your Lovin' Man/Sic 'Em Tige/South African Blues/Tiger
Moan/Careless Love/Georgia Grind/Kentucky Blues/Barrelhouse Stomp

RLP 1021 THE AMAZING MR. WALLER VOL 1: FATS AT THE ORGAN

I'm a Bum/Go Down Moses/Swing Low Sweet Chariot/She'll Be Coming
Round the Mountain/Frankie and Johnny/Hand Me Down My Walkin Cane/
Deep River/Lord Delivered Daniel

RLP 1022 THE AMAZING MR. WALLER VOL 2: JIVIN' WITH FATS

Oh Susanna/Loch Lomond/Faust Waltz/When You and I Were Young Maggie
/Oh Dem Golden Slippers/Old Oaken Bucket/Intermezzo/ Annie Laurie

RLP 1023 BIX BEIDERBECKE AND THE WOLVERINES (8 Classic
Performances)

RLP 1024 GEORGE BRUNIS WITH THE NEW ORLEANS RHYTHM KINGS

Featuring Paul Mares and Leon Rappolo (8 Classic
Performances)

RLP 1025 RAGTIME PIANO ROLL VOL 2. (8 More Great Early Rags)

Sfoeetatty Series 10" LP's $3.95

RLP 8001 I LOVE NEW YORK, Sung by Pat Northrop; Tony Burrello. Piano.

Ten songs of the big city by Cole Porter, George Gershwin, Rodgers & Hart, etc.

Buy these at your local dealers or order direct from

Riverside Records

P. O. BOX 373

RADIO CITY STATION

NEW YORK, N. Y.

J

FEB -8 195*+

the record changer

125 La Salle St., JVe ur York 27, N. Y.

Riverside 9 -12S0

William Grauer Jr., Editor - Publisher
Orrin Keepnews, Managing Editor

February i, i 954

Dear Readers:

It is with the greatest of pleasure that we announce a major upheaval in our lives.
The Record Changer is moving;

Ever since the present ownership took over operation of this magazine, at the beginning of i 948,
our editorial offices have been located on La Salle Street, it is, to put it mildly, an OUT-OF-
THE-WAY LOCATION, AND ONE THAT HAS BECOME INCREASINGLY INADEQUATE TO MEET OUR NEEDS. ANY OF YOU
WHO HAVE BEATEN A PATH TO OUR DOOR IN THE PAST SIX YEARS CAN TESTIFY TO THIS. AT THE PRESENT TIME,
OUR DOWN-ONE-FLIGHT OFF I CES ( WH I C H IS ANOTHER WAY OF SAYING BASEMENT) BULGE AND SAG UNDER THE
WEIGHT OF SHELVES FULL OF RECORDS UP FOR AUCTION AND THE ACCUMULATED DEBRIS OF A HALF-DOZEN HECTIC
YEARS.

FOR QUITE SOME time now, we have BEEN LOOKING FOR MORE SPACIOUS WORKING SPACE. AT last we have

found it, and as of this date, the record c hanger will be located at 4| 8 west 49th street, new
York City 19, n.y. Now, at last, we will have such luxuries as elbow room and natural sunlight,
and we will be accessible by all normal means of local transporta i on.

We are not leaving La Salle Street without a few twinges (one staff member claims that the twinges

ARE JUST INCIPIENT RHEUMATISM, BUT WE DISREGARD him). HERE, WHERE GRA UER , KEEPNEWS AND BACON HAVE

toiled and edited and where jane grauer has typed her fingers to the bone and where the i nd i s pens i ble

Harry Crawford has supervised numerous auctions, a part of our collective heart(and probably some

of our soul) will always remain. but the old place just isn't in the best of health any more

and just down the street they are preparing to tear up many square blocks and erect a mammoth

HOUSING PROJECT. The SIGNS OF CHANGE ARE IN THE AIR, AND WE MUST GO.

THE DISLOCATION INVOLVED IN PICKING UP AND MOVING IS A BIT FRIGHTENING (WHOSE GALOSHES ARE THESE
UNDER THIS DESK?). THEREFORE, IT LOOKS AS IF ALL OUR ENERGIES WILL BE DIRECTED TOWARDS THE SCENE-
SHIFTING OPERATION, AND THE MARCH ISSUE OF THE CHANGER WILL NOT BE FORTHCOMING. THE NEXT ISSUE
WILL BE DATED APRIL, I 954; IT WILL COME FROM OUR NEW HOME, AND WILL CONTAIN ALL FEATURES AND
ADVERTISING ORIGINALLY SCHEDULED FOR MARCH. THIS MEANS, OF COURSE, THAT ALL SUBSCRIPTIONS WILL
AUTOMATICALLY BE EXTENDED ONE MONTH.

So: to La Salle Street - hail and farewell.1 Onward and upward to 49th Street.

THE MAGAZINE DEVOTED TO RECORDS AND RECORD COLLECTING

4

larry shields

Jazz lovers were shocked and saddened
to read in their newspapers of the sudden
passing of Lawrence Shields on November
21st. Larry Shields has always been recog-
nized by traditional jazz enthusiasts as one
of the really outstanding jazz musicians, both
as performer and composer. In the broader
world of popular music, he was respected
as a vital part of the band that injected a
whole new concept of dance music into the
existing American musical circles of the
World War One era. His playing and his
arranging laid down thoughts and theories
that are basic to much of contemporary
traditional jazz. Moreover, he and his con-
freres in the Original Dixieland Jazz Band
did probably more than any other group to
awaken the United States — and indeed the
whole world — to the existence of a tremen-
dously significant art force that had matured
in New Orleans and was ready and eager
to burst forth upon a waiting nation.

Of late, the Original Dixieland Jazz Band
has not been receiving the attention that is
its due. Their work was more than merely
an important early chapter in the history of
jazz, and careful listening to many of their
recordings reveals lessons to which current
traditional artists might well give more at-
tention. Almost no other white band of the
period (and few of any period) possessed
a clarinetist who could make himself so
apparent in ensembles. Daddy Edwards was
a fine tailgate man and Nick LaRocca was
no mouse on cornet, but it was Shields who
really put the fire into the proceedings. His
impact upon a band can only be compared
to that of Johnny Dodds, whose style had a
distinct tonal relationship to Shields' work
plus a similarly muscular attack in ensembles.
While Shields' records with the O.D.J.B.
were all acoustical, he did make a few
electrical sides for Victor in 1937 with a
revived "Original Dixieland Five," including
LaRocca, Edwards, Tony Sbarbaro and J.
Russell Robinson at the piano. There was
also an unusual session for Bluebird at which
several "pops" were recorded with Sharkey
Bonano and Daddy Edwards plus a female
vocalist. Needless to say, the backing the
little lady got on such lush confections as
Good Night, Sweet Dreams, Good Night,
was not exactly the sort of thing female
vocalists are used to. The Victor sessions
took six sides from their old repertoire which
were well recorded and are fine discs. It is
unfortunate that they were not made a bit
later on, as this band had only just reas-
sembled at the time of the session. They
subsequently went out and played the whole
summer at the Dallas Exposition, at which
jazz visitors swear they played things that
cut any and all of their recordings to
smithereens.

Another date was made around this time
with a large band, and it is here that one
of the all too few opportunities to hear and
judge Shields by himself is found. This band
was the usual size of the swing period, but
it did make one or two arrangements of a

somewhat Bob Crosby nature that were well
worth hearing. To these ears. Ostrich Walk
in particular is a revelation. What Shields
does behind the first big band ensemble
chorus dwarfs the best efforts of the various
Crosby clarinetists along similar lines.
Throughout most of the side, it is Larry
Shields who packs the punch, much as he
did in the regular, smaller band. His two
short soloes are fine, with the second one
of the hottest bits of his work on record.
Toddlin' Blues, Fidgety Feet and Tiger Rag
from this little known date also sport some
good work by Shields.

Tiger Rag, of course, was virtually the
Shields trade mark. On his several record-
ings of it, from first to last, the stamp of a
capable, enthusiastic musician is evident.
His breaks and his solo were the model for
all to follow from the 1917 recording on. It
is interesting to see what he does with Tiger
on the 1937 dates, both the five-piecer and
the big band. On the "Original Dixieland
Five" side, particularly, he is recorded just
about as well as he ever was. Thanks to
more modern recording techniques, it is
possible to capture a much better impression
of his ensemble work than on the earlier
items, where closer listening and a better
phonograph are needed. Here he is at his
relaxed best, a fountainhead of contagious
exuberance, booting a busy little crew
through a tune that has never been excelled
as an expression of a free man's joy in living.

Before Shields retired in 1937, he played,
of all places, at Nick's for a short period.
This band at one time included Sharkey
Bonano and George Brunies plus a New
Orleans rhythm section. It is a sad com-
mentary on the jazz recorders of the era
that no recordings exist from this date,
despite numerous sessions by inferior groups
from this period.

While Larry Shields' name remained vir-
tually unknown to many who were aware of

Above: The Original Dixieland
Jazz Band in 1917. Tony Spar-
baro, Eddie Edwards, Nick La-
Rocca, the late Larry Shields,
and pianist Henry Ragas.

Below: a rare photograph of
Shields, dating from the earliest
days of the ODJB. (This photo
courtesy of Dr. Edmond Sou-
chon, Hr)

the O.D.J.B. only as a band, there was a
hard core of musicians who were well aware
of him as an individual, and there exists
today a group, enthusiasts to whom the word
"Dixieland" still means strictly undiluted
white New Orleans, who are similarly aware
of him. Such varied personalities as Bix Beid-
erbecke and Brad Gowans were among his
most loyal admirers. Bix knew every note of
the O.D.J.B. Victors by heart and would
rip off Larry Shields' clarinet passages on his
cornet whenever he couldn't locate a clarinet
man who knew them properly. It would
have been a great day for jazz if these two
had ever recorded together. Evidence of
Bix's taste for Shields is amply apparent in

his work on the Wolverines' Tiger Rag. Brad
Gowans, who is nominally a valve trom-
bonist, and in the past played cornet, has
often astounded listeners by picking up the
clarinet and playing things far closer to
Shields than were most of the efforts of his
contemporaries in the earlier period. Indeed,
there are many who feel Gowans' best efforts
are when he is playing Shieldsian clarinet
rather than his usual instruments.

The virility that characterized the Shields
horn could not find a home in the decadent
atmosphere of many latter-day attempts at
jazz. What some refer to as the "Tiptoe
Thru the Tulips" school of dixieland-with-
a-small-"D" requires a cute little fluffy-
kitten type of clarinet that patters gaily all
over the front lawn and never, never
scratches. By contrast, the voice of Shields
was the strident yowl of a boss tomcat who
was ready and willing to take on all comers,
gloriously unfettered and determined to let
the world know he was going to remain that
way. While he and Leon Rappolo of the
New Orleans Rhythm Kings were both true
New Orleans reed men, followers of the
highly introspective Rappolo have engaged
in all but mortal combat with Shields
devotees as to who was Number One. As
these arguments usually end up a draw, and
as these two fine musicians were expressing
different bodies of emotion, it would seem
apparent that they were of similar value to
the music. Indeed, they sound much less
divergent in approach than do their sub-
sequent imitators.

Shields' impact upon the music of today
has been greater than will ever probably
be realized. His ultimate importance within
his field, however, will undoubtedly receive
far more adequate recognition in time to
come, as our own understanding of this
wonderful music that came out of New
Orleans becomes clearer. To many of us, he
(Continued on Page 10)

The Record Changer 'is published monthly by Changer Publications, Inc., 125 La Salle St., New York 27, N. Y. and is copyrighted 1954 by
Changer Publications, Inc. For subscription and collectors' advertising rates see the information blanks in another section of the magazine.
For commercial advertising 'rate card write our New York Office.

6

BY BOB KOESTER

the st. louis jazz revival

PART 2

rick oconnor, drums

Having dealt with the first men to play
jazz in recent St. Louis music history, we
arrive at the second man, who might even
lay claim to the first position, though his
early efforts were with phonograph records
and bands outside St. Louis. Rick O'Connor
has appeared in almost every Mound City
tavern, bar, or jernt that has offered jazz
music in recent years. He has played with
most of the younger set of musicians, with
the exception-of the Windy City Six, though
he is, at this writing, with Don Gumpert's
Five Saints, containing two ex-Windy City
Six men. Rick was the first man to bring
jazz music to Delmar Blvd's Windermere
Bar, known throughout the St. Louis area
as a Dixie den. Cursed with bad luck all the
way down the line, Rick has never been
justly recognized for services rendered to
jazz.

Rick O'Connor is a quiet, ornery-looking,
somewhat bulky gent who has been playing
drums since the age of twelve, when he was
in the seventh grade. At 26, he looks like
he's got a lot of mileage left to back up with
complete competence, any jazzman who
needs the steady, uncompromisingly faithful
beat he offers.

It was a Hollywood film, "Syncopation,"
that turned Rick from the usual boyish hate
for things musical toward the fine drummer
he is today. World War II interrupted his
musical career, but after the fighting. Rick
returned to his drumming and attempted to
play bop. "No kicks for me," he'll tell you,
so he returned to the phonograph record
for fellow musicians with a similar musical
intent.

Rick's first band was a trio at the Winder-
mere Bar made up of several musicians who
will be familiar to many readers. None are
famous yet, but given time, Sam Gardner's
clarinet and Fred Kemp's piano will make
their mark in the jazz world. Rick discovered
these fellow-travellers at Ten Mile House in
St. Louis County. The 10 Mile job was
conveniently up in time for the Windermere
engagement and the band rehearsed for their
grand opening. During the rehearsal, Fred
Kemp broke into Hotter Than That and
Rick decided who his favorite piano player
was.

One night the Trio played a battle of jazz
at Washington U. against a bop group. Sid
Dawson, who at that time was as interested
in bop as he is in the mouldiest tradition
now, was the trombone. Rick must have had
an inner sense for such things, for he added
him to the band at the Windermere. This
was in March of 1949. The band lasted until
Mav, 1950. when Eddie Hochecker, jazz-
loving proprietor of the Windermere, re-
placed them with Joe Smith's Rampart

Street Ramblers (which at that time had
Norman Mason, legendary riverboater, on
clarinet). When the band lost the job,
Kemp quit and the others took a job across
the street at The Barrel, where Bob Krapf
came in on trumpet and Toe Thomas filled
in at piano. After two months the band left
the Barrel and played some one-nighters
including somewhat-regular Saturday night
jobs at the Elk's Club.

It was about this time that Sid Dawson
"cut out" for Chicago, where he was soon
playing at Jazz Limited and The Beehive,
among other places. (He returned, in the
Spring of 1952, with Don Ewell's great band
at the Barrel which included Lee Collins and
later Dewey Jackson, who never played
better.) Johnny Cook, who's "played with
all of 'em," replaced Sid and Glenn
"Wimpy" Weaser replaced Gardner on
clarinet. Fred Kemp was happily re-united
with the group, which went into the Spin-
ning Wheel (later the Burgundy Room; now
the Bluenote) up the street from their
previous locations. This lasted until March
of '51, when Rick married and "settled
down" until Johnny Cook's Tailgaters, need-
ing a good drummer, hired Rick for a job
which he had to give up after a month
because of the hours.

In February of 1952, Krapf, Sam Gard-
ner, Art Licati, and Barbara Sutton (Ralph's
talented sister) were backed up by Rick at
the Burgundy Room. The band was a suc-
cess— too much of a success, for leader
Krapf was given a job with Joe Shirmer's
pseudo-dixie band at the Chase Hotel's
Zodiac Room, a job he still holds. Art Licati
organized a band to replace the Krapf outfit,
which unfortunately splintered. The person-
nel changed radically and finally was made
up of Muggsy Sprecher, cornet ; Licati, tb ;
Joe Van Cardo. cl; Cecil Hinojoso (who
replaced Barbara because she couldn't con-
tinue her studies during intermissions as she
had been doing) ; and, of course, O'Connor.
After two months the band moved to the
Top Hat until the end of '52, when they
played a final" one-week engagement at the
Casa Loma Ballroom. No other jobs ma-
terialized and the band folded. Rick con-
tinued to play, though, at St. Louis Jazz
Club meetings with some of the unknown
greats that the club digs out of mothballs
for its meetings — men like Red Pepper,
Rene Fauver, Russ Rourkasse, etc.

Nothing much happened commercially
until September, 1953 when Don Gumpert,
Art Licati and a couple of SLJC members
got their heads together and put a band
together to replace Joe Smith, who had
moved from the Windermere Bar to the
{Continued on Page 14)

u

JG/250375

Benny Frenchie

Over in Paris, one can hear Lil Armstrong
playing between sets at a small bistro (as
such places are usually called in those parts)
which features the band of one Andre
Rewiolloty (sp?). Albert Nicholas is occa-
sionally in the band, occasionally out of it.

Sincerest Form of Flattery Dept.: Also in
Paris, a Bessie Smith imitator named Beryl
Bryden is getting quite a following. She has
learned the words and the intonations from
Bessie's records and has copied them well,
but Beryl is British and the accent is British
and the results, they tell us, are really some-
thing to hear.

Ten Best: Everyone picks his ten best this
or that at about this time of year, so Benny's
ten-best LPs will follow. Benny has had
many requests . . . but he is going to list
them anyway:

Ma Rainey, Vol. 2 (Riverside)

Bunk Johnson's Last Session (Columbia)

New Orleans Horns (Riverside)

Bessie Smith, Vol. 1 (Col.)

Louis Armstrong, Vol. 1 (Col.)

Johnny Dodds. Vol. 2 (Riv.)

This Is Bunk Johnson Talking (AM)

Mahalia Jackson (Apollo)

Jelly Roll Morton, Vol. 3 (Circle)

Any arguments?

Short Story: The drummer played a long
pass roll followed by two triple paradiddles
and seven rim shots and out. The crowd
went wild. The clarinet player followed
with two graceful choruses during which all
heads turned away from the bandstand and
the conversations resumed, and after which
there was no applause. The next time, the
clarinetist hit a high F and held it for twelve
bars. The crowd went wild. No, not Jazz at
the Philharmonic. It haopened just the other
day at a hallowed old Greenwich Village
jazz landmark name of Nick's.

Bennie Empties out His Mailbox, without
comment :

From Roy J. Carew: "Yes, I have a copy
of the Okeh Soap Suds, and you can imagine
that I have a suspicion of the piano player.
I have had the record for a long time, and
identified the piano player quite some time
ago. There is one thing I would like to
know, however. . . . On or about what date
was the Okeh record made. As vou know,
the label is 8404-B, and on the wax is
stamped 9661 -a."

From Lewis Terman. Stanford University:
"You might be interested in knowing that
while George Lewis' band was burning up
San Francisco's Hangover Club (owner Doc

(Continued on Page l§~)

confessions

I remember it now so very clearly. I had
been collecting old jazz records for about a
year, when the singular events I am about to
narrate took place.

In our little town there is a seldom-
traveled street in the poor section, on which
meander the town loafers and drunks. Half-
way up the block from the Ritz Theatre is
a dusty old shop where a sign proclaims :
"Used Goods — Cheap." This had become
my headquarters for many months past, for
among the racks of old shoes, flatirons,
broken china, and dog-eared magazines,
reposed the shelf. It usually held two or
three hundred aged records, and before my
enraptured gaze that first afternoon they
seemed like so many piles of golde^i ducats.
My trembling fingers flipped the discs as
rapidly as I could read the labels. In the
nearest pile I immediately found a Black
Swan record — Ethel Waters singing the
blues. Then in rapid succession I laid aside
an Autograph label that was all but worn
away, and two Hot Fives. The second stack
yielded a late Fats Waller and a couple of
McKinney's Cotton Pickers, but the last was
the best. A Gennett lay before my eyes, and
my heart leaped as I read the magic words,
Jelly Roll Morton! ! ! ! Nothing more of
value followed, and I clutched my little
bundle, grimy as it was, to my breast, and
approached old Jack, the proprietor, who sat
huddled by the pot stove near the front of
the store.

Summoning up my most nonchalant man-
ner, I asked him how much he got for his
records. Peering at me from under thick
dusty eyebrows, he replied, "What are they
worth to you?" The battle was joined.
Taken aback, I began to think fast. "Oh, I
don't know. I just look for the tunes I kind
cf like to hear. There are about eight here
— pretty old and worn at that!" I laughed
lightly, deprecatingly.

"Let me see them." He reached out a
blackened hand. "I had these in here a
long time — some woman gave 'em to me.
Traded 'em for a good pair of shoes, too."

As he held each disc up to his eyes, he
gave a grunt of unintelligible comment. At
length he looked sharply at me and said,
"Never heard of any of these things. Tell

of a disco

DUNCAN SCHEIDT

you what — gimme a buck for the bunch."
He waited for my reaction, but I was expres-
sionless. Heart beating wildly, and trying
to control my emotion, I said, "Well, I sort
of hate to pay much for old ones like that."
He shrugged his shoulders and slung the
records on a low table nearby. "Take it or
leave it."

As I heard the slap of wax on tabletop a
stab of pain nearly brought forth a sob from
me. I dove for the precious discs and fever-
ishly examined them. There was damage —
'one of the Armstrongs was in half. As I
held it up, Jack commented, "Well, you said
they were not worth much yourself. I ought
to throw the whole bunch of 'em away."

I withdrew a dollar from my pocket, and
hastened from the store, bearing with me the
seven intact records, and the two halves of
Louis. This I later mounted on an old
record, and was able to play without too
much noise from the crack. But I had
started. My next visit to Jack's store was a
week later. After this trip he began to look
for records, and it seemed that every few
weeks I could count on finding a new lot of
treasures. Where he procured them he would
not say. "Just some people bring the things
in," was all I could get from him. Sometimes
he would have a lot in practically new con-
dition, and these we haggled over — he
wanting a quarter each, and I insisting that
twenty cents was as much as they were
worth to me.

At any rate, I had the place to myself.
Apparently I was the lone collector in town.
I began to amass a large quantity of things,
obscure labels with famed names emblazoned
thereon, and items which I knew from the
auction lists were priceless to other collec-
tors. Once he obtained from somewhere a
nearly complete Bessie Smith collection, in
excellent condition. They were all in albums,
and to my chagrin, Jack insisted on charg-
ing me for these, above the cost of the
records. Jack was getting smart. But I was
still amassing an astounding variety of good
sides, plus dirty hands. I loved that dirt.

Then the honeymoon was over. It hap-
pened suddenly, devastatingly. It was on the
18th of February, a cold, bitter day. I had
just finished a hurried lunch and made my

way to Jack's emporium for my weekly call.
As I swung into the dingy place I called out
gaily, "Hello, Jack. How'sa boy?" Without
waiting for his reply, which I knew would
be the same as the week previous, and the
week before that, too, I headed for my shelf.
A sudden fear gripped me as I beheld a
figure standing before it, back to me. The
sound of records being swished aside, rapidly
and expertly, greeted my unwilling ears, and
I could hardly bear the sudden depression
that set upon me. It was true! My domain
had been invaded. Steeling myself, I sidled
up to the used magazines, and grasped a few
old Geographies, in which I pretended deep
interest, all the while stealing glances toward
my neighbor, and his swiftly working hands.
As he put a record apart from the others,
I frantically tried to see the label. It was an
old Victor. Immediately I was panic-
stricken. Rosa Henderson? Jelly-Roll Mor-
ton? I cursed Jack for the dim light in this
part of the store. I had to know what that
record was. I edged closer, and stole a
direct look, but as I did so, he suddenly
covered it with another disc. This was a
Banner, and I scanned it quickly, but the
print was all but gone. What indeed had
this man taken? I returned to my magazine,
not wishing to appear obviously interested in
his activity, but he must have sensed my
enmity, for he looked at me pointedly, and
I buried my nose deeper into something on
the ceremonial ruins of the Aztecs. Then
he was through. Picking up the two records,
he placed them atop a sizable stack, and
carried off the whole lot toward the front of
the store. I was paralyzed with apprehension,
and it was some moments before I could
bring myself to follow. As I reached the
two men, I heard Jack say "Twenty records.
That'll be three dollars, mister." The man
gave him the money and swiftly departed. I
watched him place the records on the front
seat of a late model car, and walk around to
get behind the wheel. His face was clearly
visible now in the noon sunlight. Sharp
features dominated an avaricious face. I
have never seen a more unsavory person. I
wheeled about and strode to the record pile.
After a few seconds I could tell it was junk,
{Continued on Page 13)

8

Joe Mares (brother of the famed New
Orleans Rhythm Kings cornetist, Paul
Mares) who has spent just about all his life
in the Crescent City, has remained deeply
attached to traditional jazz and to the men
who played it. His "Jazz Den," in the base-
ment of his home, has long been an informal
meeting ground for some of the celebrated
— and many of the almost forgotten — jazz-
men.

These photographs were taken recently at
a gathering of more than usual interest,
which featured a reunion of three Brunies
brothers and — as perhaps its greatest rarity
— allows jazz fans to see the legendary
"Papa" Jack Laine, quite literally the father
of white jazz, who led bands in New Orleans
before the turn of the century, and started
most members of the O.D.J.B. on their way.

Included in the group at the top of the page
are Joe Mares (kneeling, left) ; Chink
Martin, a NORK veteran (kneeling, right) ;
standing: Blind Gilbert in the center, with
Sharkey Bonano and Bujie Centobie at his
left. Below, near right: Veteran trombonist
Jack Delaney; far right, Abbie Brunies, Jr.

oe mares lazz

d

PHOTOS BY JOHN E. KUHLMAN

Above, left: Alvin Alcorn, who has recorded
with George Lewis and other current New
Orleans classicists. Above, right: George Brunis
clasps hands of brothers Merrit (left) and Abbie.
Center: (I. to r., standing) Joe Mares: Ricard
Alexis; Jeff Riddick; Jack Delaney; Lee Col-
lins; (/. to r., sitting) the late Larry Shields'
brother, Harry; Abbie Brunies.

Below, left: Lee Collins, still going strong.
Right: The three Brunies brothers together with
Papa Jack Laine in a pose reminiscent of comic
band photos of the '20s.

10

BEHIND

THE COBWEBS
carl kendxiora

Red-Face Dept. — Once in a while we
pull a major boner (minor ones we admit
to almost every column!) and last month,
in a reference to the KISMET label of
Australia, we failed to identify a most
obvious Okeh master which was the re-
verse to a Bix title appearing on Kismet as
by Adrian Rollini. We hasten to rectify this
lapse of mental acumen by noting herewith
that this master (402152B), which also was
under Rollini's name, is none other than
the same version of Can't Help Lovin' That
Man by Bud Freeman and His Orchestra
that appears on Okeh 41168! Since Rollini
is on neither the Bix nor the Freeman, it
is hard to imagine what prompted the
Australian outfit to cloak the real identities
by using his name.

Label of the Month : Another of the
many labels using Plaza Music Company
masters is our subject this month in our
series of old labels. It is New Phonic,
credited on the label to Carl Henry, Inc.,
New York. Can anyone identify this con-
cern? The label is fire-engine red with all
lettering and ornamentation in gold. Label
coloring and typescript for "Electrically
Recorded," the title, band credit, and cata-
log and master numbers on the label all are
identical with Jewel which also had Plaza
masters and was presumably a Plaza label
as well. The "masters" are the same con-
trol series that Plaza used on Banner,
Oriole, Jewel, Challenge, etc., to conceal
the real Plaza masters which can be found
when the same performance turns up on
Plaza's Regal or Domino labels where the
true master is shown. Side shown is Old
Shoes (1473-2) as by Manhattan Musicians,
on New Phonic 1238. This title with the
same control and take number turns up on
Oriole 1210 as by Ted White's Collegians
(vocal as by Chas. Dickson) and Banner
7080 as by Gotham Society Orchestra
(vocal as by George Beaver). New Phonic
apparently was not interested in dreaming
up names to credit the vocalist with! The
reverse of New Phonic 1238, again credited
to Manhattan Musicians with credit only
to "Vocal Chorus," is Mary Ann (1311-3)
which appears with same control and take
numbers on Oriole 1133 as by Lou Connor
and His Collegiates (vocal as by Larry
Holton). The probable date for this New
Phonic specimen is 1927 or early 1928.
Any possible data on either of these two
titles appearing on Regal or Domino with
Plaza masters approximately at 7600 will
be most helpful. We shudder at the thought,
but the possibility of our readers having
dozens of copies of issues on this label does
exist! If anyone has any New Phonics,

please send complete data. The record used
for the illustration belongs to collector-
researcher Perry Armagnac.

In August 1949 and again in December
of the same year we discussed Dick Hol-
brook's research on the Perry's Hot Dogs
sides which appeared on the Plaza labels,
Regal, Banner, and Domino, and others
which used Plaza masters for some or all
issues. Dick now writes that he is afraid
that Perry Bradford's personnel data were
in error and that the whole thing is right
back where it started with personnel un-
known but desired!

Perry Bradford's claim that it was his
group with Gus Aiken, trumpet; Tom
Aiken, trombone; Ronald Smith, sax and
clarinet; Dan Wilson, piano; and Johnny
Mitchell, banjo, seems to be wrong to Dick
as he just acquired a real unquestioned
Bradford Jazz Phools from the January 1924
date for Paramount: Hoola Boola Dance
and Charlestown, South Carolina (sic!).
All evidence identifies trumpet and trom-
bone on this coupling as the Aiken boys
which causes Dick to write: "I have lis-
tened hard to the music. I can say without
hesitation that there is absolutely no con-
nection between the trumpet and trombone
on this record and the same instruments on
the Perry's Hot Dogs records. Therefore,
Perry Bradford was wrong. And I was
misled."

Dick now thinks it is a white group with
horn on the Nichols side, trombone excel-
lent but not Miff Mole, and a fine piano.
So once again we are looking for data on
this group. Three more of the masters
listed in our August 1949 column have
been found under other names on different
labels. Specifically, master 6336 as by
Missouri Jazz Band ; master 6284 as by
Six Black Diamonds. Comments on this
group are invited!

Reference to our label of the month for
September, we have a letter from William
H. Miller, of Melbourne, Australia, con-
cerning a Clover which he has, proving
even the most obscure labels do get around!
Bill furnishes the data for Clover 1710: A.
Horses (3881 )/B. Steppin' Along (3887)
as by the Hotsey Totsey Boys. The group
is a fairly bright little commercial hot band
of the 20s, white and possibly ties in with
Grey Gull Dixie Rag Pickers groups, ac-
cording to Mr. Miller. It was marketed in
Australia because the A-side has the stamp
of an Australian copyright firm attached.
This really is news because we would never
have thought such a little label would have
been exported for sale in stores of other

countries with the possible exception of
Canada and Mexico. We await further
revelations of Clover stocks in remote points
all over the world!

Research on these small labels of the
20s carries on and we continue to ask all
those with any issues from that period on
such labels to furnish complete data to us
to aid the reconstruction of recording pic-
ture of that decade. If you wish to save
yourself extra effort just list label and
catalog numbers of the records you have.
We will then check against our data and
inform you which ones we do not already
have data for. Thus, you will save listing
those we have listed completely. Please take
the time to do this as these records are not
the easiest things to find some thirty years
later! That's it for this month. We'll be at
the same stand again next month. Mean-
while send your data etc. to us at 74 South
Road, Harrison, N. Y. or c/o the Changer.

benny frenchie

(Continued from Page 6)

Dougherty stated flatly: 'I have never seen
such business') he recorded a two hour tape
for Standard Oil on Sunday afternoon. Two
of my friends, who know the possessor of the
tape, heard it and called it great. The tape
is to be put in Standard Oil Company's
archives for posterity. Someday someone may
release these recordings. Some day? Why
not now?"

From an anonymous, and not necessarily
reliable friend, postmarked Kansas: "Label
of the month here is Antediluvian, with
several sensational sides: Deralia Smith —
Prayin' the Blues/ Hollerin the Blues;
Lobelia Smith — Tweetin' the Blues /Chir pin'
the Blues; Ophelia Smith — Moanin' the
Blues /Groanin' the Blues; Dahlia Smith —
Screamin' the Blues/Hummin' the Blues;
Percalia Smith — Cryin' the Blues/ Shoutin'
the Blues; Marvalia Smith — Sighin' the
Blues /Whistlin' the Blues: Curtalia Smith
— Screechin' the Blues/Sobbin' the Blues;
Six Solid Smith Sisters — Stars and Stripes
Forever (Parts 1 and 2)."

larry shields

(Continued from Page 5)

has been a childhood hero in his recordings,
a hero unlike most in that he has lived up to
all the values we found in him when we
were younger, while continuing to yield still
further delights to the maturing critical ear.
He was of an importance in the white Dixie-
land school similar to that of Dodds in the
colored New Orleans style. Indeed, the simi-
larity does not end there. Both men were
soft-spoken, sensitive, highly capable musi-
cians. Both were known to be moderate in
their habits, good citizens and hard workers
with a keen awareness of their responsibili-
ties. They were each known for their relia-
bility, a characteristic all too rare among
their brother musicians.

In recent years, Larry Shields had lived
in Hollywood with his wife, although he
frequently visited his brother Harry — also a
clarinetist — in New Orleans. He remained
always reticent and particularly loathed
getting involved in any arguments about
jazz. He will be sorely missed by his family,
particularly Harry's four children, whom he
enjoyed caring for on occasion, and all of
whom adored their gentle Uncle. A man can
receive no finer tribute than that.

II

records
noted

GEORGE AVAKIAN
JACK W. FARRELL
DICK HADLOCK
BUCKLIN MOON
ROBERT L THOMPSON
MARTIN T. WILLIAMS

don ewell at the piano plays king
oliver Creole jazz band tunes

Buddy's Habit/New Orleans Stomp/
Sweet Baby Doll/Just Gone/Where
Did You Stay Last Night/Weather
Bird Rag/Snake Rag/Jazzin' Babies
Blues/Froggy Moore/Ain't Gonna
Tell Nobody/Mandy Lee Blues/
Working Man Blues

This disc is a masterpiece. It is the best
effort to date of a superb musician whose
talents and taste seem to improve hourly.
Here is a man who has been a student rather
than a parrot of J. R. Morton's, with his
work showing a clear understanding of the
orchestral concept so strongly championed
by Jelly as the basis of jazz piano. Few
indeed are the jazz pianists who would
attempt an album of strictly band tunes.
Fewer still are those who could record a
whole dozen of them and maintain a high
level of interest throughout. Limit the twelve
tunes to the tricky King Oliver repertoire
and it becomes a project for someone who is
either very brave or extremely foolish. A
quick listen to this collection will prove
conclusively that foolish is something Mr.
Ewell most emphatically is not.

Do you listen to jazz for the sheer pleasure
of high spirits and good rhythm? Then listen
to twelve sides that swing like mad, includ-
ing a New Orleans Stomp that will leave
you limp and a scorching Snake Rag with a
vocal break guaranteed to make you shout
for joy. Or is your listening of a more
studious nature? You'll find no more sig-
nificant sides than these. Oliver's music was
not something to be plumbed to its depths
by hearing it one time. It requires much
concentrated listening to gain an awareness
of the numerous subtle virtues that it pos-
sesses, and Ewell's offering, while by no
means "aping" Oliver's discs, or anyone
else's, is a wonderful interpretation. His
pianistics are a better lesson in Oliveria than
anything ever written on the subject. His
technique is well-nigh perfect here, with
touch, beat and dynamics of the highest
order, and phrasing to match.

Working Man and Where Did You Stay
are truly beautiful performances in which
occasional right-from-the-Oliver phrases lead
into highly original variations of a fascinat-
ing quality. Note particularly the wonderful
transformation of the chorus on Where Did
You Stay in which Dodds had the repeated
clarinet breaks on the original. A radical
change, yet fully as fascinating.

You just can't single out any particular
sides as the stand-outs here, however. Every
blessed one has points as worthy of mention
as those noted. They are of similar excel-
lence throughout, at just-right tempos, by a

man who can really roll a piano without
hiring three more rhythm to keep himself
moving.

Don't let anyone tell you the "Golden
Twenties" was the end of the real stuff. Here
is music made today that this reviewer will
state flat-footedly is on a par with many of
the earlier classics now drawing fabulous
bids in record auctions. It is one of the most
significant events in jazz of the post-war era,
amply justifying Bunk Johnson's faith in this
man, and it may well prove considerably
more important than the modest, intelligent
album notes acknowledge it to be. The
album cover is a clever item, too. ( Windin'
Ball LP103) (JWF)

the amazing mr. waller — vol. I

Frankie and Johnnie/She'll Be Com-
in' 'Round The Mountain/Deep
River/Lord Delivered Daniel/Go
Down Moses/Swing Low Sweet Char-
iot/Hallelujah, I'm A Bum/Hand
Me Down My Walkin' Cane

Great Good News! A collection of pre-
viously unreleased Fats Waller solos and
vocals cut back in 1938. Volume 1 is entitled
"Fats At The Organ" and reasonably enough
presents what is probably the apex of organ
playing in the jazz tradition.

Fats sings a bit on each tune. This means
an added hot quality to even the occasional
moments of solemnity on the spirituals. The
vocals on Walkin' Cane and Bum are a
cornucopia of mirth and spirit. Needless to
say, Fats Waller remains as among the
greatest of popular artists. (Riverside RLP
1021) (R.L.T.)

the amazing mr. waller — vol. 2

Oh Susanna/Loch Lomond/Faust
Waltz/ When You And I Were
Young, Maggie/Oh Dem Golden Slip-
pers/Old Oaken Bucket/Intermezzo/
Annie Laurie

More previously unreleased Wallerisms,
this time entitled, "Jivin' With Fats" and
being some very special piano and vocal
versions of very familiar songs. Mr. Waller
is indeed amazing as he jazzes and jives
these folk and pop classics. His pronouncia-
tion of "Loch" is magnificent, not to mention
his banjo imitations on Susanna. Maggie is
devastated, being last seen trucking down
Lenox Avenue in those "fine Arabian"
Golden Slippers. (Riverside RLP 1022)
(R.L.T.)

roy palmer and the state street
ramblers

I Want To Be Your Lovin' Man/Sic
'Em Tige/South African Blues/Tiger
Moan/Careless Love/Georgia Grind/
Kentucky Blues/Barrel House Stomp

For those to whom the name of Roy
Palmer is unfamiliar, be it known that there
was no greater imp in the trombone playing
business. Vigor and humor were the marks of
his style. Look up the Johnny Dodds Black
Bottom Stompers recording of Weary Blues
for the Palmer formula for scaring Earl
Hines. Listen also to the playing of such
contemporary leaders as Turk Murphy and
Charlie Sonnanstine for a very substantial
indication of the Palmer influence.

The State Street Ramblers carry on with
Jimmy Blythe — piano, Darnell Howard —
clarinet, Jimmy Bertrand — washboard, Albert
Bell — kazoo, and an unknown banjo picker.
Although not everybody paid attention to
being in tune, their performance is at the
very least, jolly and casual. Palmer's trom-
bone figures most importantly throughout
each selection. The Blythe — Bertrand rhyth-
mic offerings are seldom uninspired. Inci-
dentally, it is thought that Frank Melrose
may sometimes take over piano.

Sic 'Em Tige is at times suggestive of
Jellyroll Morton's Grandpa's Spells. South
African is better known as Beale Street
Mama. Don't miss these happy times.
(Riverside RLP 1020) (R.L.T.)

django reinhardt — volume two

Blues Primitif /Gypsy Without A
Song/Blue Django/Danse Norvegi-
enne (With the Quintet of the French
Hot Club) Gypsy Swing/I'll Never
Smile/ Confessin/Night and Day
(With Rex Stewart Orch.)

These are swinging sides. Although Django
obviously has been listening to some of the
newer sounds, the feeling of these perform-
ances is late thirties. In fact, to be more
specific, the playing is very much in the
spirit of Charlie Christian and Lester Young.
Hubert Rostaing plays excellent "semi-cool"
clarinet. The rhythm section (not listed)
swings lightly and firmly.

In many ways, this recording contains
some of the most "authentic" jazz I have
yet heard from Europe. Django moves freely
and with the full conviction of a jazz musi-
cian who knows what he wants to do and
how to do it. He seems obligated to no
person or style, which is most refreshing.
Influences, yes, but no imitations. Django
plays with delicacy and in marvelous taste.
He plays with feeling and soft understand-
ing, using ideas that are warm and familiar,
but not obvious. I guess this is a rave. Three
of the four selections by the French Hot
Club are blues. The fourth is a delightfully
altered folk tune.

The side with Rex is excellent. The first,
Gypsy Swing, is another blues. The other
standard tunes feature some interesting Rex,
but it is still Django's date. Rex performs in
his customary half-valved manner, sometimes
quite pleasantly.

Hubert Rostaing is a very capable clari-
netist, and complements Django beautifully.
(Continued on Following Page)

12

His tone and phrasing are remindful of Pres,
which is fine.

These records are some of the best I have
heard of intimate swing since the Goodman
sextet days. (Dial 218) (R.B.H.)

sidney bechet with wally bishop's
orch.

Sleepy Time Gal/Darling Nelly Gray
/Sidney's Wedding Day /Old Grey
Bonnet/Together/Kansas City Man/
Of All The Wrongs/ Apex Blues

Hot Dog and Happy Day! Here are some
of the fiercest informal swinging records in
the big Bechet catalog. It certainly seems
that the French have provided the ideal
sympathetic background for the strutting
and stomping soprano saxophone.

Wally Bishop's orchestra here consists of
Bishop's drums and unspecified piano, clari-
net, cornet, and trombone. It is more than
likely that the horns belong to Claude Luter
and associates. In any case the clarinet is
typically in the Johnny Dodds tradition,
playing a superb supporting and compli-
mentary role to Bechet.

The tunes are well chosen, the merry
marching nostalgia of Nelly Gray being a
gem among its kind. Of course, Bechet
dominates each performance, but occasional
solos by the other band members are admira-
bly in the jazz tradition. Sidney's Wedding
Day is the only original tune. It is charac-
terized by a series of good-enough riffs.

It would be desirable for the Dial label to
provide more data concerning the musicians
and recording dates. (Dial LP 302)
(R.L.T.)

gene mayl's dixieland rhythm kings

When Erastus Plays His Old Kazoo/
Basin Street Blues/Shreveport Stomp
/Down Among The Sheltering Palms
/I'm Sittin' On Top of The World/
Mecca Flat Blues/You Rascal, You/
Some of These Days

An interesting feature of the revival era
has been the emergence of certain key groups
who have been the focal points of distinct
jazz styles. The Dixieland Rhythm Kings is
typically one of these. Numerous personnel
shuffles have altered their basic concept but
little, while ex-members have filtered in and
out with impunity, in many cases fostering
other groups sharing close musical and per-
sonal relationships with the "D.R.K."

Gene Mayl, the nominal leader and tuba-
bass man, has a very interesting personnel in
this present assemblage. Bob Hodes, who has
been in and out of the band several times,
is on these discs and is playing cornet with
the band at present. Pianist Robin Wetterau
came along with Hodes from the latter's
former "Red Onion" crew. Those two fine
West Coasters, clarinetist Bill Napier and
trombonist Bob Mielke, are present, while
two newcomers, Jack Vastine on banjo and
drummer Bill Young, complete the line-up.
Mielke is technically a "newcomer" as well,
but as an old team-mate of Napier's, and an
informal jammer with the D.R.K. on occa-
sional San Francisco forays, he can still be
considered an old D.R.K. hand.

As is usual with the "D.R.K.," they have
presented a varied and unique program.
Sheltering Palms features an opening chorus

a la typical brass band of the ragtime era
with closing tag to match. Second chorus is
fine jazz ensemble with the horns maintain-
ing a subtle rhythmic relation to the
"straight" opener, thus creating a fine feel-
ing of integration. Featured also is a vocal
trio straight from the barbershop that adds
no little to an already interesting perform-
ance. Oh yes — just dig that ragged saloon
hand, Mr. Wetterau, behind the words. The
whole treatment appears at first satirical, but
repeated listening shows it to be more sym-
pathetic. It may be a smile, but it is by no
means a sneer. The trio on Top of The
World does do some good-humored husking,
however, particularly of the bridge.

Bob Mielke, who makes his first extensive
record appearance since the Wilber Wildcat
days, sings Rascal and Kazoo. Rascal is fine,
but Kazoo is a riot. Here he pulls a late-
twenties "pop" vocalist routine that will
have you howling, particularly where the
title line first apears in the lyric. His vibrato
on the word Kazoo is really a dilly. On the
other hand, his trombone paraphrase of the
solo on the Black Bottom Stompers' record is
a fine, tasteful, good-natured performance.
Throughout the date Mielke plays a mellow,
easy-going breed of tailgate, with a few occa-
sional "modernisms" that neither enhance
nor interfere with the performance.

Hodes, surprisingly, takes no soloes what-
ever, but plays beautifully varied lead, most
notably so on Palms and Kazoo, plus muted
lead on Rascal where he sets a mood very
reminiscent of early '30s big band Louis,
within an ensemble that remains strictly
traditional. This latter gets a big assist from
Jack Vastine's rock-solid banjo and Gene
Mayl on string bass — close your eyes and it
swings like Mike McKendrick and Pops
Foster on the Armstrong Bluebirds of the
Rascal era.

Shreveport Stomp is a wonderful bit of
trio material. Wetterau's piano solo resembles
Jelly's in no way whatever save that it, too,
keeps building steadily to an effective climax.
It is very raggedy and strangely pretty, with
the unique, archaic "swing" that is generally
present in Wetterau's efforts. Napier pays
respects to Simeon nicely here, while Young's
drums are most satisfying. Young is that very
rare item, a "revival" drummer who never
gets in the way, who maintains a light touch
while laying down a two-beat texture that
moves without any trace of stiffness. This
whole rhythm section is one of the best units
of the revival era, with no sloppiness and a
strong, steady beat that helps the horns
immensely. While all the sides are good, it
would seem that Basin Street was unneces-
sary. It is neatly done, but becomes merely
an interlude in the midst of much heartier
fare. Mecca Flat is much more in keeping
with the rest of the date, and an interesting
and unusual date it is. More from this source
will be welcome. (Riverside RLP 2504)
(JWF)

george lewis and his rag time band

Dallas Blues/Lord, You Been Good
To Me/Mama Don't Allow It/Just A
Closer Walk With Thee/Swanee
River

Pleased are we to have another sample of
the current George Lewis band still playing
in the vein that was introduced to the jazz
public through the early Bunk Johnson
records and Lewis records on Climax (now
Blue Note). Affirmation of some stability in
the world is had as we find these New
Orleans cats still thumping and swinging

along as they toy with varying explicit and
implicit degrees of out-of-tuneness.

Personnel of the Rag Time (sic) band are
Lewis — clarinet, Avery "Kid" Howard —
trumpet, Jim Robinson — trombone, Alton
Purnell — piano, Lawrence Marrere — banjo,
Alcide "Slow Drag" Pavageau — bass, and
Joe Watkins — drums. A jolly bunch indeed.

Dallas is taken at a pleasantly slow tempo,
initially with clarinet lead. Only one melodic
theme is used throughout. Here, as in Closer
Walk, Avery Howard ( ? ) sings a beautiful,
compellingly plaintive lyric. Walk begins
with several slow choruses wherein everyone
seems to be controlledly crying into their
horns. The tempo is later picked up to a bit
too brisk a pace. The slow portion offers
some of the most outstanding musical
moments, particularly while the banjo is
rolling behind muted brass and low register
clarinet. Alton PurnelPs solo awakens nos-
talgia for the old Stuyvesant Casino days
when the Bunk Johnson band first came to
New York. Swanee River struts along with
everybody and their big vibratos having a
fine, relaxed time. Jim Robinson is outstand-
ing in the ensembles. Lord is a standard 16
bar spiritual, charged through under the
leadership of a fiery trumpet. Mama Don't
Allow shows the band's rhythmic cohesive-
ness at its best. (Antone LP I) (R.L.T.)

george lewis and his rag time band

Doctor Jazz/I Ain't Gonna Give No-
body None of My Jelly Roll/Dipper-
mouth Blues/Tin Roof Blues/Jeru-
salem Blues

This is the best disc yet from those fine
New Orleans ice cream men, Messrs. Lewis,
Robinson & Co. Certainly they have never
been previously recorded with such fidelity
and it is to be hoped that there will be much
more material of a similarly high quality
forthcoming from this group. For those who
have not yet had the fortune to hear them in
person, this LP will be a revelation, particu-
larly so for the discerning ears of their large
and loyal British following.

For one thing, there's the beat. The swing
of it has been caught on previous sessions,
and even a little of the power. Here, how-
ever, the full, earth-shaking rock that is their
trade-mark is found. Until now, nobody who
hadn't heard Marrero's banjo, Slow Drag's
bass and the piano of Purnell working
together could believe that such a potent
propulsive force could exist. Add Joe Wat-
kins, a very straightforward, tasteful drum-
mer who fits the old line-up perfectly, and
you've got a rhythm unit tailor-made for a
front line that really wants to stomp 'em
down. Notice particularly what they do for
Jelly Roll and Dr. Jazz. The typical "Nick-
sieland" crew would be faltering all over the
lot tryint, to play them so slowly. Not so
this New Orleans crew, however. They prove
once again that it's the moderate tempoes
that develop the biggest rock — if the guys
have the necessary gumption to play them.

Kid Howard's trumpet appears with Lewis
& Co. for the first time since the wild Climax
date, where he blew a very hot but some-
what undisciplined horn. His heat has
diminished not an iota, but disciplinary
control of the highest order is now in
evidence. His lead on Dr. Jazz is a model of
classic restraint, utterly devoid of frills, never
asserting itself above the other voices, yet
playing a strong, pretty part marked by
excellent use of typical New Orleans vibrato.
There are traces of Kid Shots and Celestin

13

here, among others. Catch also that solo a la
Papa Mutt Carey on Tin Roof. George
Lewis is very much in his element. Having
a strong horn beside him, he plays very
little lead on the date, and rolls happily
around in a clarinet part that is easily the
equal of any of his work in the past. His
tone is captured very nicely, particularly on
Jerusalem and Tin Roof. Jerusalem is of the
Chimes Blues order and features George
throughout save for a good piano solo by
Purnell, who plays some very good blues
piano behind Ceorge's soloes on Tin Roof.
Note also on the latter how Marrero backs
Lewis in his second solo with sustained trills.
A lot of things have been done here that
these fellows haven't recorded before.

It's big, good natured, easy going Jim
Robinson who really commands attention
on this session, however. His tone was never
more brassy nor his phrases more confident.
Throughout the date he is full of surprises.
On Dr. Jazz he indulges in some well-placed
smears, a mannerism he rarely ever used on
earlier sides. Dippermouth finds him using a
mute for the first time, neatly recalling the
Ory solo on the Oliver Sugar Foot Stomp,
his solo being a lengthy one replacing the
more usual cornet solo. As for Tin Roof,
anyone familiar with the Brunies solo will
flip when they hear the Robinson version. I
do believe that Georgie has been carved, but
good! What's more, Jim takes an additional
chorus with bows to nobody that is at least
equally as well done. His ensemble work on
Jelly Roll is nicely varied. Steady playing
seems to have improved Jim's playing with-
out in the least robbing it of its remarkable
authenticity, a lesson that might well be
heeded by some of the revivalists. His calmly
humorous style is the greatest nerve-tonic a
man can ask, as it has been ever since his
"rediscovery."

Here at last we have a truly representative
session of this group recorded so that it
really can be heard. For the first time it is
possible to actually feel the subtle shifts in
dynamics and the typical New Orleans inte-
gration that make this band a standout
wherever it is heard. George Lewis is to be
congratulated for his group's musical achieve-
ment, and no less an accolade is due the
recorders for doing New Orleans jazz lovers
i much-needed service. These are as surely
classics as anything from the twenties.
(Antone LP 2) (JWF)

earl hines

Honeysuckle Rose (Solo) /Sugar/
Singing for My French Brother
(Solo) /I Never Dreamt (With
Rhythm ) /Air France Stomp / B lues
in First/Three Way Action/Sugar
Blues (With all Stars)

More Hines recorded in France, most of it
in doubtful taste. Earl seems obsessed with
the notion that he is a great showman, and
this is reflected in most of his contemporary
playing. But on records, the flash and stage
gusto don't count for much. Fine moments
still seep through, but most of the music on
this record is, to me, disappointing.

Not only is the worn Honeysuckle in-
cluded, but Singing for My French Brother
is virtually Honeysuckle Rose too. / Never
Dreamt is pretty and pleasant.

The quintet side is rather uninspired and
comes out somewhat short of convincing
jazz. Air France Stomp has Bigard and Buck
Clayton jumping around to familiar changes
(sort of like / Got Rhythm) without much

effect. Blues in First is for Buck, which he
plays well. He can play, and has played,
much better slow blues, however.

On Three Way Action, Barney plays like
old Barney, which is pretty good clarinet, if
not great jazz. Buck blows fine, with assur-
ance and his best Sunday tone. This, again,
is a blues, up-tempo this time.

Sugar Blues is taken moderately slow.
Once more, any honors that might be given
should go to Buck. On this tune, a tenor
sneaks in who is unbilled and sounds some-
what like Don Byas. Nice little solo, too.

Based on the several Dial Long Play jazz
records I have heard, the quality of record-
ing seems generally less than desirable. The
pressings look good enough, but the original
recordings sound as if both ends of the fre-
quency spectrum had been lopped off
(especially the recordings from France).
(Dial 306) (R.B.H.)

charlie parker alternate masters —
vol. 2

Ornithology /Yardbird Suite/Moose
the Mooche/A Night in Tunisia/This
Is Always/Bird's Nest— A/Bird's Nest
— B/Drifting On A Reed/Charlie's
Wig/ Crazeology/ Dexterity/ Dewey
Square / Home Cooking — 1 / Home
Cooking — 2

Herewith is a chaotic assemblage of pro-
ductions for the Dial label and intended for
the collector of such things as alternate
masters previously unissued and 33^ rpm
cuttings of previously issued 78 rpm matter.
Let the tabulators of cool master numbers
figure it out.

Since Charlie Parker tends not to be
careless or frivolous toward what is emitted
from his alto, these selections are worthy of
serious attention. Successive listenings indi-
cate that the rules of the bop game are every
bit as rigid and liable to sterility as the often
scorned output of a segment of the dixie-
landers. So that's life and Charlie Parker is
a great musician and you can't move every-
body all of the time with anything.

Accompanying Mr. Parker on some of the
selections are Miles Davis, Dodo Marmarosa,
Lucky Thompson, Vic McMillan, Roy
Porter, and Arvin Garrison. Other musicians
appear at other times but it is beyond my
powers to identify them. It may be noted,
however, that a singer name of Billy Eckstine
dominates the performance of This Is
Always. (Dial LP 905) (R.L.T.)

russell — spanier ragtimers

Rosie, Make It Rosy for Me/I'd
Climb The Highest Mountain/Mus-
kogee Blue/Take Me Back to The
Land of Jazz/Red Hot Mama/Since
My Best Gal Turned Me Down

These are reissues from Moe Ash's old
Disc label. Muggsy's tone is captured neatly
here, and his stompier moments on Mama,
Land O' Jazz and Best Gal are pleasing
indeed. Peewee grunts interestingly through
a number of soloes, including a vocal on
Land O' Jazz that is downright terrifying.
Tempoes are far superior to what post-war
New York has usually offered, which may
explain the better-than-average cohesion of

Messrs. Dickenson, Russell and Spanier in
ensemble. Helpful, too, is the appearance of
tunes these guys haven't been playing six
times nightly since 1938. Cliff Jackson
handles the piano and provides a surprise in
his straightforward vocal on Rosie. When
originally issued, these sides were stamped
in some pretty foul biscuits. The new LP is
of good quality, and it is hoped that they
will now get more sympathetic attention.
Certainly they are far better than many
better-known items of "Nicksieland from the
era. (Stinson LP ) (JWF)

confessions

(Continued from Page 7)

all junk. My worst fears were confirmed. I
felt tears welling up in my eyes, and it was
with difficulty that I composed myself.

"Nothing you want today, mister?" were
Jack's only words as I went out into the
street.

Days passed, and I fretted endlessly about
the twenty records that my rival had made
off with. I could not bring myself to look
on the bright side of things. They had to be
good ones. After all he had left behind
records fit only for stoking the little stove
in the store, as far as I was concerned. I
could name them by heart: Six Brown
Brothers, Rudy Weidoft, the Happiness Boys,
Prince's Band, early Paul Whitemans.

I made a trip or two in rapid succession,
but Jack shook his head each time. "That
other feller was in here, and got 'em. But
I'll be gettin' more soon, mister."

I tried to find out what Jack knew about
this stranger, but he was able to tell me
little. He just knew the man lived in the
town, and made regular calls every morning.
My heart sank anew. I tried then to get Jack
to call me when he was going to get new
records in, but this he refused, saying, "At
these prices I should be a salesman?"

On the afternoon of my next trip to
Jack's, I was mentally working out new
battle plans as I opened the door, and was
caught unawares by the sight of my
adversary, emerging from the gloom of the
back of the store, bearing a half dozen or so
records. Frustration taunted me, and in a
sudden rage I confronted him. The words
spilled forth without restraint.

"What have you got there? For the love
of Heaven, man, let me see them!" So say-
ing, I seized the records and began to run
through them in a frenzy. A sudden cold
wave came over me, and I went limp.
Smiling weakly, I handed the records back,
and mumbling an apology to his startled
face, I went to lean against an old china
cabinet, where I half laughed, half cried,
until I was exhausted. Moments later, Jack
came over to me, and half-fearfully asked,
"What's wrong, mister?"

I looked up. The stranger stood behind
the grizzled junky, his records hanging from
his hand. Gone was the avarice ; the features
were softer now. Through the mist his face
seemed almost kindly.

Both men were staring at me, waiting for
an answer. I passed a hand over my fore-
head, and once again looked at the stranger.
"You know, I'm very glad to meet you —
really I am. Any man who collects Vernon
Dalhart records is a friend of mine." Then
I began to laugh again. . . .

14

STAR

STUDDED

SHELLAC

john mc cmdrew

A fine but not too successful commercial
band of the period from 1925 to about 1931
was Roger Wolfe Kahn's. It almost never gets
mentioned as the cradle of such jazz giants
as Manny Klein, Miff Mole, Arthur Schutt,
Vic Berton, Chauncey Morehouse, Joe Sul-
livan, Perry Botkin and Artie Shaw, not to
mention lots of not as well known top
musicians as Russ Carlson (pno), Al Duffy
(vln), Joe Raymond (vln) and Tommy Gott
(tpt). The group usually gets its only nod
of approval as the springboard for Venuti
and Lang. The Kahn orchestra was a scru-
pulously schooled, highly danceable unit
with an infectious beat. Arrangements were
uniformly modern, delivered cleanly with
deceptive simplicity on which many a con-
temporary and bigger name band would
have stubbed its toe. The band never could
have been accused of excess sentiment; in
fact, a sincerely sentimental song occasionally
wouldn't fare as well as it should have.

The band's choicest pressings were those
of the Victor period, from 1926 to 1929.
Earlier, there were the first few Victors:
Yearning (19616, pre-elec); Little Bunga-
low/Lucky Boy (19860) and Bam-Bam-
Bammy Shore (19808); coincidentally with
the advent of Venuti and Lang, they began
to hit their stride in Baby/Lantern of Love
( 19942); / Never Knew/ Sitting on Top of
the World (19845); I'd Climb the Highest
Mountain (20045); Mountain Greenery/
Cross Your Heart (20071 ) ; Clap Yo' Hands
(20327) ; and the very best included Some-
times I'm Happy/Hallelujah (20599); Let
a Smile Be Your Umbrella (21233) ; Any-
thing You Say/In a Bamboo Garden
(21675), most of which had wonderful
Venuti-Lang passages and vigorous vocals by
Franklyn Baur.

Late in 1929, Roger Wolfe Kahn trans-
ferred to the Brunswick label, for which he
turned out about two dozen sides within
the next year, most of which lacked the
distinction of his Victors. Amongst them
were Cheer Up (4826) : Don't Ever Leave
Me (4614): Liza (4479): On The Sunny
Side of the Street (4742) ; Why Was I Born
(4583); and Without a Song (4600). A
few of these demanded a more moderate
pace, and Kahn's persistence with an accel-
erated tempo regardless of the character of
the song sometimes detracted from its effect
and now began to seem dated.

In the early Thirties. Kahn made a hand-
ful of platters for Columbia, and while they
were painstaking and featured excellent solos
by a now rapidly-changing personnel, they
were not popular, and shortly after cutting
Lazy Day/ My Silent Love (2653), Fit as a
Fiddle /Just a Little Home (2726) ; Shine on
Your Shoes/It Don't Mean a Thing (2722).

the group was disbanded. While on Victor,
it essayed a few waltzes such as At Peace
With the World (20045), Tonight You
Belong to Me (20359) and If You're in
Love ^You'll Waltz (20557) but the boys
seemed out of their depth in 54 time and did
none for other labels.

It was in one of the new musical index
books, Spotlights of Fame, that I was re-
minded of the Kahn music and other favor-
ites of a nicer yesterday. This handy little
volume is subtitled The World's First Theme
Song Book and alphabetically lists outstand-
ing musicians and personalities from as far
back as 1875 to the present, together with
the titles of the numbers with which each
has been most closely associated. Here is a
handy compendium for anyone wanting to
know at a glance the particular item his
favorite came to be identified with, and vice
versa, including not only domestic and
popular, but foreign, operatic, dramatic and
composers. The compilation, alas, contains

errors of omission and commission : For
instance, Ethel Merman, instead of Ethel
Waters, is identified with Heat Wave;
Arthur Tracy (The Street Singer) and
Harry Woods (composer) are listed as
British instead of American ; other famed
composers, such as Walter Donaldson and
Nacio Herb Brown, just aren't listed; and
although contemporaries of like type are
indicated, such topflight names as Lew
White (organ), Victor Arden and Phil
Ohman (pianists, composers and band
leaders), Annette Hanshaw and Marion
Harris (pop. blues singers), are unaccount-
ably absent. Nevertheless, this themeography
(by Richard N. Mellor, 87 Charles St.,
Auburndale 66, Mass.) is a valuable addi-
tion to any music lover's library of music
and personality reference.

the record changer

editor-publisher

bill grauer, jr.

managing editor

orrin keepnews

circulation

jane grauer

art director

paul bacon

rick o'connor

(Continued from Page 6)

Top Hat. The personnel finally is Don
Gumpert. c; Art Licati, tb; Bob Shroeder,
cl; Bob Deets, p; and O'Connor, dms. They
"pack the joint" on weekends and are
enthusiastically received by comparatively
good crowds throughout the rest of the week.

It seems poetic justice that Rick O'Con-
nor, who brought jazz to Delmar Blvd (not
to mention St. Louis) is again playing there,
bigger and better than ever.

RECORDS WANTED

I AM INTERESTED IN BUYING OUTRIGHT

snvufl or Urge colictions of Jan, Swoot, Swing, Personality, Hues,
Bop, or Pops.

I will pay spot cask for m eft collections.

If you have a collection you wish to dispose of, please write,
giving full details of the collection, type, artists included, labels,
and most important of all please describe the condition of the
records carefully.

Then set your lowest price for the lot. I do not buy piecemeal but
will take all or none.

It is important that you set tne price because I do not have time
for Ions; correspondence or h angling. If the price looks right and
the collection is large enough I will travel to your town to inspect
the records and dote the deaL If you are on the west coast I have
an agent there who will contact you.

I am also interested in acquiring dealers' stocks from before 1940
and after 1924.

WRITE. WIRE, OR PHONE

BILL GRAUER. Jr.

12$ LA SALLE STREET, NEW YORK 27. N. Y.

15

HOW THE RECORD CHANGER WORKS:

Abbreviations used in the Classified
"Wanted" and "For Disposition"
Sections are as follows:

Col. I, Record Label:

KTUCIXC
. »COLIAK

....

..... »8CH
. ATLANTIC
»ur<x<t*Pw

KV • KVTOHC

la IMKNKL

INI ............*.... INTCNNAI ICN*L

JMt ...a... JAMOVCC

JD JfIC D«l»

Jl ■•■••■••>••••• JAZI IfcfWWMTION

JA JAZZ MCW»

JSEL. • J«Z1 ULCCTION

. PAW

■A

OALD.. . ...» BALDWIN

M BLUtBlNB

M ..................... SLUC OIK

EC* FCACON

ft *CLL

HILT 6ILTu<*C

bn SLtic ul7c

BP *LACK PflTTI

M ..................... onuwsoici

■ I WtiTlSM rhythm »OC.

H .................... SLACK 8*AH

MT BLl'C ST»R

PAf ......................... SuOD*

6W ................. SLACK 4 IfHITC

)M ................... it ONDIACOM

etv ■••■«•••■••••••••••••• oitcAOAAT

CA CANCO

i*p ■ CAPITOL

CAK0.... CAROIHAL

CAS r-STLC

5C CCMTi«V

CH ■ CHAMFIOM

CHAL CHAtLCNCC

CIRCLE

RT
Kl

:tnotc

LOM .

CI

CIT COLLCCTOKS I TEW

CL I" LIS I CM

CLC*R. CLCAATONC

CLI

. CLIM

CMS COUMOOORC

CO COLlM'tMA

;0hT. ***• CONTtrtCMTAL

cos cor»l

r« CONQUEROR

CR cnorw

COL ■ CREOLE

CM CRESCENT

CK CLAXTONOLA

DE ......................... OECCa

OEL • 3CLTA

.............. A I MS JAZZ

LINCOLW

LitCUTT MUSIC ShwR

LUCAT

• LONDON

................. MASTER

«AO *• VAOISON

HA J MAJXSTIC

MAAJ ■ MANHATTAN

WC ...MtLOTONC

UCL*.... bEl-UEE

HE R • WCIATT

Mf ■•••••••••■■«.... wouloic rvcoc

mi ..................... wuSiCRArr

■■■ MONTOOMtRr RAAO

NA NATIONAL

MAO NAOSCO

NORO NOROBKOO

oo ......................... coeon

CR orEM

C* ............... ...a* ORCNAPMONE

OR ORIOLE

R* .................... RASLO RHONE

PAC PACIFIC

RAN A. RANACHORO

RM ..................... PARIWbl'NT

PAT PATfE

po ....................... POLTOon

PC PERfECT

QR8

RZ
SAL

RKLTO

...... POWCO

..... REISEIC
AL-;OK0PHONE

016 DISC

0L OtAL

C0 0 ON I NO

CD EDISON

CL ELITE

CUC. CLCt JRAOIfC

C« EMEASOK

CV EVERYBODY'S

at

CLO i

CUILD

CLO OLOBC

CR .................... ChirtPCPMOKE

«TJ ................ COOL TIWC J»ZZ

OU OUAMDSWAN

HA HARMONY

HER ••..HERB IN

HB .................... HARVOCRAPH

HJCA MOT JAZZ CLUB

hmv .......... .. ,m is master's voice

MONO H0WCCHCRO

MRS ............ MOT ACCOM SOCIETY

MCA ............... HIT &r THE RECK

SOLO *RT

SAV AAVOV

SES SCSUICN

SC • SPECIAL EDI HONS

SCL SCLVCR

31 • S I L VE R TONE

*A SIGNATURE

STI STINSON

<u SUNSN'NC

sum sunnit

sop super tone

S* SNINC

TE TEMPO

TLLE. TILL' UNKEN

T» TRIANGLE

TOIL.. • TP 1 1. ON

OHCA UN IT CO HOT CLUC6

UL oLTRAPhonC

VRC

vc

VELKET TONf

TOR

VINYLITC JAZZ
.... VOCALIC*.

....... VOCUC

..... VARIETY/

..... VARSITY

.* REST COAST

When it as necessary to indicate nationality of
the record, the fallowing letters appear after
the record label abbreviation:

A Argentinai.

Au Australian

B Brazilian

C Canadian

E English

F French

G German

t Italian

J Japanese

M Mexican

S Swiss

Sd Swedish

In the "For Disposition" section the condition
of the record is indicated by these abbrevia-
tions:

N (New): Surface noise equal to an unpiayed
record; no visible or audible wear percep
tible; original finish intact.
E (Excellent) : Surface noise low, smooth, uni-
form. Not irregular or crackling. Easily dis-
regarded in listening. No perceptible distor-
tion.

V (Very Good): Surface noise somewhat
more prominent; light foreign noises, but
slight distortion, if any; noises not seriously
distracting.

G (Good) : A moderate amount of surface
noise; background may be somewhat irregu-
lar and crackling; some foreign noises, and
a little distortion; on the whole, reasonably
satisfactory listening without undue distrac-
tion of attention Foreign noises definitely
less prominent than the music.
F (Fair) : Foreign noises, taken together, are
about as prominent as the music, and there
is considerable distraction of attention, andi
listening requires some effort and concentra-
tion; nevertheless, under these conditions,
listening should be fairly satisfactory.
P (Poor): Foreign noises, collectively, are
louder than the recorded music; continuous
concentration is required, and there is little
satisfaction in listening.

A0AM;DAUL ADAMS 30 VIENNA AVE., NILES OHIO
BALLtROBERT ©ALL, 1 30 1 N. ODE STREET, ARLINGTON VA.

BROC 5STUART BROCKBANK, |89a,STATI0N LANE, HORNCHURCH^ESSEX, ENGLAND
B'ICKtGEORGE BUCK JR., WJN0,P»9.30X I 89, WEST PALM BEACH FLORIDA
CLAR5ED CLARK 6253 HOLLYWOOD BLVD , ROOM 705, HOLLYWOOD 28 CAL •
DIX: DIXIE SADOWSKY I 1 20 PARK AVE.,N.Y.C. 28 N.Y.

ELLEi GERRY H. ELLESON, 49 BEAUCHAMP RD • , MALVERN L I NK,W0RC ES TERSH I RE , EN
FARWJ R.FARWELL, II 00 N,S1XTH , QUINCY ILL.

FULM:h. fulmer 2956 n. leithgow street, phila 33, pa.
HEFFjh. heffron 954 selby, st paul 4 minn.

jols; jolsona irs memorial club,l329 west morgan ave., milwaukee |5 wisc.

KAPLfBEN KAPLAN lOllA DUMONT AVE,, BROOKLYN N.Y.

KATCSB. KATCHEN 50 PARK TERRACE W., NYC 34 NY

KELL.f.M. KELLY 625 WEST 1 69 STREET NYC 32 NY

KINGfDAVlD L.KINGSBAKER, 45 FRANKLIN AVE. , OSHKOSH WISC.

MORSrROY MORSES, 203 WEST 35TH STREET NORFOLK 4 VA.

IMlCH:HARRY NICHOLS, 2648 HOWARD STREET, DETROIT I 6, MICHIGAN

ORLA ; JAMES ORLANDO Dl CKERSON RUN , PA.

PARR SS ID PARRY 574 WEST I 76 STREET NYC 33, NY

S ALMS AN DREW E. SALMlERI, 74|2 I 2TH AVE., BKLYN 28, N.Y.

STEW. HECTOR STEWART, 6 GREAT CUMBERLAND MEWS, LONDON Wl , ENGLAND

ST0N:w. STONE, I I 08 FOOTHILL ST., SOUTH PASADENA, CALIF.

ST;JR:RALPH J. ST URGES , I 3 t WASHINGTON ST REET , HA RFORD 6 CONN.

VERM:THE VERMONT BOOK SH 0P,M I DDLEBURY, VE RMONT

WH 1 T 5 HARVEY HY WHITE, I 1 05 WALLER AVE., WINNIPEG CANADA

DWEN tGEORGE A. DWENGER, P.O. BOX 12, UPPER MONTCL A I R N.J.
IC ND 2BYR0N KENDIS, 1 550 DEVEREAUX AVE. , PHILA 49, PA.

CLOSING DATE FOR AUCTION^ |S MARCH 8TH I 954

WILL BUY . o .
RECORD COLLECTIONS
ANY AMOUNT

I have 100,000 Records —

Hot, Sweet.
EVERYTHING & EVERYONE.
SEND WANTS
WILL TRADE . . .

New Orleans, Dixie for Personality
Records.

JACOB SCHNEIDER

128 West 66th Str».t. N. Y. C.

50<£ SALE
I AM SELLI NG IN (E RSON
10,000 RECORDS AT HALF A BUCK
EACH ON FEB. 1 3 & 1-4 BETWEEN
THE HOURS OF lOA.M. AND lOP.M.
ALL KINDS OF GREAT ITEMS.
FIRST COME FIRST SERVED.
JACOB S8 SCHNEIDER
1 28 WEST 66 ST
NEW YORK CITY

George Lewis and His Rag Time Band

Two New LPs

If not available at your dealer's, records may be ordered direct by mail only.

$3.85 each, plus 1 2$ sales tax if mailed to California address.

Records shipped post paid. No packing charge.

Send check ov t»oney order to:
ANTONE RECORDS

2018 LAGUNA STREET, SAN FRANCISCO 15

16

25^ MINIMUM BID

25^ MINIMUM BID

FRANCIS STEWART

THE RECORD CHANGER, BOX 54, 4|8 WEST 49TH STREET NYC I 9, N.

MINIMUM BID 25 CENTS PER RECORD. COND T I ON GUARANTEED .PLEASE BIO BY NUMBER TO THE LEFT OF COLUMN . PLEASE BID ON POST CARD IF POSS:BLE. RECORDS WILL BE SHIPPED VIA
RRX CHARGES COLLECT UNLESS YOU REQUEST PARCEL POST AT YOUR OWN RISK. AO 25 CENT FOR PACK1 W3 CHARGE. WINNERS W,LL BE NOTIFIED TO SEND REM I TTANCE, UPON RECEPPT OF

CA

Sl09

E

CA

81 30

E—

RO

552

V*

PE

251

s

VI

2l |49

v+

2 1 ( 49

) VI

21605

E-

CO

2009

E+

1 0235

DE

18092

E+

DEC

18092

E+

VO

3377

V

VO

3422

V—

BELL

176

V-

VI

20489

E-

V 1

20786

V+

VI

2 1252

V+

DE

500

V—

DEE

5454

E-

VI

16965

V

ALABAMA RED PEPPERS
I .SAN/MU OHIO [SM LAN I N J

2. THE DRAG/MARY ANn(savOY PLAZA ORCh)

3. RED HEAD. (SAVOY PLAZA ORCH )

ALABAMA SAM

4. RED CROSS BL/U GONNA NEED ME
ALL STAR ORCH

5. chloe/tin pan parade^t roubadours )

6. chloe/(the troubadours)
7. i'm more that sat i s f i ed/( edo i e south

FREO ALLEN [ SAXOPHONE SOLO)
8. SUNSHINE OF U SMII F/suFWHERE VOICE

HENRY ALLEN ORCH

9. IT SHOULD BE u/PLEASE I NG PAUL

1 0. CANAL ST Bl/dWN IN JUNGLETWN
I I .CANAL ST BL/DWN JUNGLETWN
I2.DID U MEAN It/chAPEL MNLITE
I 3.1 ADORE u/LETS PUT HEADS TOGETHER

BERNARD ALIICNT 4 BOE THOMAS
|4. HURRY ALONG W ME/STRUTT I N AT BALL

PAULINE ALPERT - PIANO SOLO
15. littLe WhiYC H6U5E/T0NITL U bLLong

I6.MAGNOLI a/haLLELUJAH

7. DANCING TAMBOUR I NE/DOLL DANCE

AMBROSE

8. HOR O'EUVRES/STREAMLINE STRUT

9. RHAPSODY IN BL/RHAPSODY IN BL

AMERICAN QUARTET
20. BILLY/ REDROSE RAG(3ILLY MURRAY )

AMERICAN REPUBLIC BAND
2I.SHIM ME SHA WABBLe/pO^S V W6PSY Pat(s)20026 E

ALBERT AMMONS
22. SHOUT FOR JOY/BEAR CAT CRAWl(mEAOe) CO 35961 E-
GENE AMMONS ORCH

23. BROTHER JUGS SERMON/ ABOULLAHS F I ESTMER 8|25 E+
AMOS 1 N' ANDY

24. CHECK 4 DOUBLE CHECk/ I ' SE REGUSTEO VI 22393 V
MARION ANDERSON

25. DEEP RIVER/MY WAYS CLOUDY VI 19227 V
ANDREWS SISTERS

26. HOLD TIGHT/ BILLY BOY(RM CHO NO GR ) DE

27. WELL ALL RIGHT/ BEER BARREL POLKA DE
MARK ANDREWS ORGAN SOLO

28.STABAT MATER/THE PALMS VI
VICTOR ARDEN— PH I LA OH MAN PIANO DUET

29. s»turday/oh joy vi i8309 v

ARKANSAS TRAVELLERS

30. WASHBOARD 8LS/ BONYARD SHUFFLE(LAM CRMA 332 V+
3| .THATS NO BARGIN/(THE EMPERORS ) HA 383

32. JA DA/ SENSATION <RM CHP NO GR )d I GS ) HA 42 1 G

33. C0HENHAGEN/ THOSE PANAMA MAMAS OK 40236 V+

(above RM CHP 4 grv)
Li L ARmJTbong

34. MY HI DE HO MAN/' DOI N SUZI E Q

35. BORN TO SWING/BLUER THAN BL

36. HAPPY TO OAy/ U SHALL REAP WHAT U
LOUIS ARMSTRONG

37. GOTTA RIGHT TO SING/ HIGH SOEITY

38. RUSTLIN 4 BUSTLI N/S I TT I N IN DARK
39. SNOWBALL/ SWING U CATS
40. HEEBIE JEEBI Es/pOTATO H-AD BL
4| . GUT BUCKEt/yES IM IN BARREL
42. SKID DAT DE DAt/mUSKRAT RAMBLE

43. DEAR OLD SOUTHLAND/BODY 4 SOUL<ALL

44. MONDAY DATE/WEATHER BIRD W H I NES

45. D0NT JIVE ME/CHI BRKDWN

46. WEST END Bl/ MUGGLES CO 36377 N-

47. HEA ME TALKIN/TIGHT LIKE THIS CO 36378 N-
48.STARDUST/WRAP TROUBLES DRMS CO 37808 E+
49.BLK 4 BLUE/ANVTH I NG BUT LOVE CO 38052 E*/e

2214 V-
2462 v+

19967 E—

DE

1 059

E+

DE

1299

V

DE

1722

n-/e

8B

6771

E

BB

7506

E

BB

10225

E +

CO

35660

E+

CO

36152

N-

CO

36153

N-

CO

36282

E

CO

36375

N-

CO

36376

N-

SPECIAL COLUMBIA WHITE LABEL FOR RAO 10 ONLY

50. MUSKRAT RAMBLE/WEST END BL

51 . HEEBIE JEEB I Es/wEATHER BIRO

52. ANYTHING BUT LOVe/s TRUTT I N W BARB

53. CHICAGO BKDWn/mUGGLES

54. Stardust/ i ' m not rough

55. kn0ckin' a jug/potato hea j bl

56. dont jive me/|2th st rag

57. OLD MAN MOSE/FALLING IN LOVE W YOU
58. RED SILAS IN SUNSEt/tRE ASUR E I SLD
59. SOLITUDE/THANKS A MILLION
60. SOLITUDE/THANKS MILLION

61. HOPE GABE LIKES MUSIc/sHOE SHINE

62 . THNAKFU l/sW I NG THAT MUSIC

63,1 DOUBLE DARE u/sATCHEL MO. SWING
64. TRUMPET P LAMENT/SWT AS A SONG
65. ITS WONDERFUL/ON SENTIMENTAL SIDE

66 . JOHNAH 4 THE WHALe/sh ADR ACK

67. JEEPERS CREEPERS/THING CALLEO SWG

68. WEST ENo/lF ITS GOOD

69. U LUCKY GUy/j'JST NO ACCOUNT

70. POOR OLD JOE/BYE 4 BYE

71. CAIN 4 ABLE/U RUN U MOUTH

72. LAZY 'SIPPI STEAMER/HEP CATS BALL
73.1 'LL GET MINE BYE 4 BYE/ YES SUH
74.1 WONDER/JODIE MAN

75. FRIN FRAM SAU6E/u WONT SATISFIED

76. AINT MISBEHAVI N/CANT GIVE ANYTHING
77. ORIENTAL STRUT/YOURE NEXT (p.W. LAm]
78. SWEET SUE/ST LOUIS BL

79. COME BACK SWT PAPa/gA GRIND

CO

N-

CO

N-

co

N-

CO

N—

CO

N-

CO

N-

CO

N

DE

622

E-

DE

648

V+

DE

666

e/v

DE

666

v+

DE

672

v/g+

DE

866

E-

DE

1636

E

DE

1653'

E

DE

1 841

V+

DE

I9l3

E

DE

2267

E

DE

2480

E

DE

2934

V-

OE

30! 1

V-

DE

3204

V-

DE

3283

E

DE

3900

E+

DE

18652

N

DE

234964 N

DE 25355 E+
HRS AUG 1 38 N
MW 4886 E
OK 83 1 8 V

LOUIS ARMSTRONG

80. COME BACK SWT PAPA/ GA . GRIND OK

81. LONESOME BL/ KING OF ZULUS OK

82. U MADE ME LOVE U /iRISH BLK BOTTOM OK

OK
OK

83 1 8 F
8396 v/g
8447 V
8474 V
8535 v-
8669 V
87 1 4 G+
87714 v-

83. wl ld man bl/ gully low bl

84. savoy/hotter than that

85. anything but love, no one else ok

86. blk 4 bl/aint misbehavin ok

87. BESS IE COULDNT HELP it/ DALLAS BL OK

88. WEST EON BL/FIREW0RKS(RM CHP NO GR )OK 4| 073

89. BLUE TURNING GREy/sONG OF ISLANDS OK 4|375 V+
90.INDINA CRADEL SONG/ EXACTLY LIKE OK 41423 E-

91. DEAR OLD S UTHLANO/wEATHER BIRO OK 41454 V+

92. U DRIVING ME CRAZy/pEANUT VENDOR OK 41*78 V +
93. ST JAMES INFIRMARY/ SAVE IT PRETTYPAAU 2963 E+
94. POTATO HEAD Bl/ ALLIGATOR BL PaAU 6450 N-

PAE
paE
PAE

SE

95. MAHOGANY HALL St/(eLL I NGTON )

96. WILD MAN Bl/mELANCHOLY BL

97. KNEE DROPs/sKIP THE GUTTER

98. WILD MAN BL/ GULLY LOW BL

99. WHATTA YA GONNA Do/nO VARIETY BL

100. BACK O'TOWN Bl/lINGER IN MY ARMS
lOl.l KNOW WHAT IT MEANs/enDIE
1 02. MAHOGANY HALL STp/bL WERE BORN
I 03. WHERE BL WERE BO Rn/m AHOG ANY HALL
I04.ROCKIN CHAIR/jACK-ARMSTRONG BL
I 05. 50-50 BL/SOME DAY

106.1 WANT LITTLE GIRL/jOSEPH 4 BRUD

i 07. song was born/before long

I 08. BEFORE LONG/SONG WAS BORN
I09.GA ON MY UIND/kiCKIN GOND ROUND
I I 0. BEAU KOO JACK/NO ONE ELSE BUT
I II. WILD MAN BL/ GULLY LOW BL

112. HEAH ME TALKIN/TIGHT LIKE THIS

113. HEAH ME TALKIN TO Ya/t|GHT LIKE
I 1 4. WES T END BL/ GOT NO BL

FELIX ARNDT CELESTE SOLO
I I 5. ANNIE LOURIE/COMIN THRU/HOME SWT

GUS ARNHEIM ORCH
I 1 6. LOVABLE 4 SWT/ MY DRM MEMORY VI 22054 E

FRED ASTAIRE M BENNY GOODMAN ORCH
I 1 7. CANDY FROM BABY/ WHO CARES

GENE AUST IN
I 18. BUT I DO KNOW/TAMI AMI TRAIL
I I 9. WHAT DO I CARE/ A I NT SHE SWEET
I20.JEANNI NE/"HEN CAME THE DAWN
|2|.SHES FUNNY THAT WAy/sONNY BOY

LOVIE AUSTINS SERENA OERS

571 E+
2l62 N
2438 E+
5003 n-
VI20IS9I E+
Vl20l9l2 N-/v
VI 20287 E
VI 202088 E
VI 202088 V
VI 202348 E+
VI 202530 N
J 1 2026 1 2 E+
VI 203064 N-
VI 203064 E+
VO 3073 G+
3085 e/v
3 l 93 v/v-
VO 3303 E+
VO 3303 V
VO 3204 E+

VI 17671 v+

vo

CO 355(7 V

VI 20084 v+

VI 20568 v+

VI 2 1 564 v+

VIC 21779 E

|22. TRAVELING BL/CHAR LESTON MAD
I23.STEPIN ON THE Bl/tRAVELING BL

GENE AUTRY
1 24. THATS HOW I GOT STARt/niTE TIME

MILDRED BAILEY
I 25. CHANGES MADE/ROCKIN CHAIR
1 26. THINK OF u/ MORE THAN U KNOW
I 27. LOVER COME BACk/aT SUNDOWN

128. THEY SAy/| GO FOR THAT

129. ALL THING U ARe/bLUE RAIN

BELLE BAKER
I 30. my kid/(shannon quartet )

BANDANNA GIRLS
|3|.PART TIME PAPA/MONEY HONEY

Bl LLY BANKS ALL STARS
I 32.SPIDE CRAWL/BUGLE CALL RAG

FRANK BANTA PIANO SOLO
I33.MY SUGAR/MELOOY made u mine
I 34. WONDER WHERE BABY I s/swEET MAN
I 35. SWT MAn/wONOER WHERE BABY IS
I 36. SWT MAN/WONDER WHERE BABY IS
i 37. swt man/wonder WHERE BABY IS
1 38. SYMPATHY WALTZ/RED RED ROBIN

139. FOR MY SWHT/jUST LITTLE LONGER

140. FOR MY SWHT/jUST LITTLE LONGER
|4| .NOLA/OPERAT I C NIGHTMARE

142. OEW OEW DEWY DAY/THINGKIN OF ME
143. SWT MAn/wONDER WHERE BABY IS

CE

30 l 2 N-

l 2255 G

OR 8093 G

CO 35943 V-
DE 4267 V+
II 01 E+
4548 V-
5277 E-

MAJ
VO

VO

VI 19605 v+

DE 7557 V

(CRK ) PE I 56 1 5 G +

VI 19705 E

VI 19839 N

VI 19839 N-

VI 19839 E

VI 19839 V

VI20085 N

VI 20292 E

VI 20292 v-

VI 20667 V

VI 21057 E

VIC 19339 V-

FRANK BANTA 4 JACK AUSTIN PIANO DUET

CO 3687 V-

144. KITTEN ON KEYS/ BUNCH OF KEYS

FRANK BANTA 4 HARRY AKST PIANO DUET
145.01 NG TOES/TYPHOON C0~2"9"53 N

145. DING TOES/ TYPHOON CO 2953 V

FRANK BANTA 4 CLIFF HESS PIANO DUET

147. CORN ON COB/UPRIGHT 4 GRAND VO 1 4671 V+

1 48. COVERED WAGON DAYS/SHAKE YOUR FT VO 14707 E-

1 49 . REMEM ER THE OSEs/ROLL ON SILVERYCO 3335 N-
I 5C.REMEMBER THE ROSEs/rOLL ON SILVERYCO 3535 V

BARBECUE BOB

I 5 1 .BARBECUE BL/CLOUDY SKY BL CO 14205 G +

I52.MAMA U DONT SUIT Me/m|SS WATER CO 14222 V

JOHN HENRY BARBEE
I 53. SIX WEEKS OLD BL/GOD KNOWS CANT VO 44|7 V

EDDIE BAREF 1 ELD 4 HIS QUINTETTE
I 54. WH ATS MINE IS M I NE/ THATS A I NT RIGTSON 102 e/v

BLUE LU BARKER
I 55. THAT MADE HI ME MAD/NEW ORLEANS

CHARLIE BAR NET ORCH

DE 7538 v/g

I 56. ECHOES OF HARLEM/SCOTCH 4 SODA BB I 02 I 0 G

157. BREEZE 4 l/FABLE OF THE ROSE BB 10696 v/v-

I 58.WANDERIN' BL/AFTERNOON OF A MOAX BB 1 072 1 V

1 59. HEAR RHAPSODY/MOONS CRY IN FOR ME BB 10934 E-

160. WHAT DIFFRENCE OAY MADe/cOME OUT DE 18620 V

161. BABY TAKE BOW/LAST NITE TOGETHER PE I 59 1 9 V-

CLEMENT BARONE

I62.S0NG OF NIGHTINGALE/AUTUMN VI 20426 E

163,

164,
165,
166,
167,

168,
159,
170,
171 ,

172,
173,
174,
175,

176,

177,

178.

179,
180,

181 ,

I 82,

183,
184,
185,
186,
187,
188,
I 89,
190,
I 91 .
192,
193,

194,
195,

196,
197.

198,
199,
200,

20 1,

202.
203,
204,

205,

206,
207,
208.
209,
2l0,
2l I ,
2|2.
2l3.

2i5

BARREL HOUSE FIVE
, mama stayed out/hot lo»l ,m'

count basie orch
.rusty dusty bl/ all of me co
.johns idea/one o'clock jump oe

.LONDON BRIDGE FALL I N DWn/stP BEATIN DE

,stp beatin rouno/london bridge de

(above hr crk)
.goin to chi bl/9;20 special(lam crk)ok

iSQMETH I NG NEw/mOON NOCTURNE OK
■DONT WORRY BOUT ME/WHAT GOES UP VO
,4 ANGEL SING/ IF I Of ONT CARE VO
ROY BARGY PIANO SOLO

fty/ PI ANOFLAGE

pm I 285l F

36675 v-
1 363 v+
2004 v+
2004 V

6244 E-
6449 E
4734 V-
4784 V-

18969 E
18969 E-
39922 v-
18969 V

KNICE 4 KNIFTY/ PIANOFLAGE VI

KNICE 4 KNOFTY/P I ANOFLAGE VI

U GOT EVYTHI NG/( IRENE GIBBSOn) CO

KNICE 4 KNI FTy/p| ANOFLAGE VI

HELEN BAXTER

U GOT EVYTHI NH SWT MAMa/mY PILLOW CO 3922 F*
NORA BAYES

TAXATION BL/ PROHIBITION BL CO 2823 V+

SALLY GREEN/ ARGEN ! I NES , PORTUGUESE ,CO 2980 V+
BEA BOOZE

WAR RAT I ONI N1 Papa/ LETS BE FRNOS DE 862l V—

SO GOOD/THESE YOUNG MEN BL DE 8658 V

BEALE STREET ■-

JOSEPHI NE/'( JOHNNYJOHNSON) CA 553 V+

SID BECHET f. NOBEL SISSLE SWINGERS

DE 7429 E

HMV 4944 N
HMV 9086 E+
HMV " 9329 N-

27386

<;/574 N-
VI 27574 V
VI 27600 E
VI 27904 E+
v 1 20 1 5 1 0 e/v

ME I 2451 V
ME I 2491 E-

,SWT PATOOTI E/V I PER MAD

BEECHETS N.O. FEETWARHERS
.SHAG/PLAYI NG MY SAx(FESS WMS )
.SHAKE IT 4 BRK It/wiLD MAN BL
STOMPY JONES/ SLEEPYTME OWN SO
COAL BLK SHINE/BABY WONT U PLSE
, A I NT GONNA GIVE NBDY NONE/wHEN SLPY VI 27447 E+
.SLYPTME OWN So/jELLY ROLL VI 27447 V

SWING PARABE/ I KNOW U KNOW VI
,SWING PARADE/ I KNOW U KNOW
.LIHEHOUSE BL/TEXAS MOANER
.IM COMIN VA./GEORGIE CABIN
,BL IN THE AIR/THE MOOCHE

RALPH BENNETT 4 HIS SEVEN ACES
,C OULDNT SAY QDBYE/THRU MY TEARS
,HIG SOCIETY/ SING

BENS BAD BOYS ( POLLACK)

.YELLOW OOG BL/WANG WANG BL VI 2 1 97 1 E-

.YELLOW DOG Bl/ WANG WANG BL VI 2|97| V-

BIX BEIDERBECKE 4 HIS GANG

,WA DA DA/l MAG I NAT I ON(MI FF MOLE ) PAE . 2286 E+

.TODOLIN' Bl/daVENPORT BL REISSUE 6 E+

,WA DA Da/ol' MAN RIVER (p.W. LAm) UHCA 25 N-

BENSON ORCH OF CHICAGO

,CH I LI BEAN/ MY LITTLE BIMBO VI 18698 E

,WABASH/TUCK ME TO SLEEP VI 18820 E

,|0 LITTLE FINGER 4 10 LITTLE OTEs/ VI I 8871 E
,TOOT TOOT TOOTSIE/DO I 1 VI 18954 V

GLADYS BENTLEY
.WORRIED BL/ -GORUND HOG BL OK 861 0 G+

BUNNY BERIGAN ORCH
.TWO I N LOVE/' T I S AUTUMN
WHITE CLIFFS OOVEr/gOT IT BAD

LADY FRM 5TH AVE.,

MAHOGANY HALL STp/cHOPINS GHOST
I DANCE ALONE/ RINKA T I NKA MAN
I CRIED FOR u/ SOBBIN BL VI
FLASHES/DAVENPORT BL (dig) VI
HAD IT COMIN/PATTY CAKE VI

EL 5005 g+
EL 5006 V

ALL GODS CHILLUN VI 25609 E+

VI 25622 E-
VI 25820 E
VI 26 1 1 6 e/v
VI 261 2 1 V
26196 V-

BERLIN METROPLE ORCH
PAESE I NCANTATOR/UN PO D'AMORE |T0D

AL BERNARD
FRANK I E 4 JOHNNIE/MEMPHIS BL BR
AL BERNARD 4 RUSSEL ROBINSON

21 6. BLUE EYES BALLY/NEVER GETTIN

Ml KE BERNARD

217. PI LGRIMS CHORUS/SPRING SONG

2 1 8 ■ I 9 1 5/maor I

2| 9. BLAZE AWAY/ALL OUT OF STEP

DON BESTOR
220. rain/ old skipper
BIG BILL

12062 v+
2l 07 v
2689 E

22 I

222

223

224

225

226

227

228

229.

230

23l

232

233

234

235

236

237

238

239

240

24 1

242

243

244

245

BAD LUCK man/ FLAT FOOT SUSIE
CELL # I 3 BL/ U GOT THE BEST GO
ALL BY MYSELF/DOUBLE TROUBLE
.WHAT CAN I DO/ S T EVE BL
.WHAT CAN I Do/ SAT EVE BL
OLD M N BL/ I CAN FIX IT
.MATCH BOX BL/ BIG BILL BL
BLK MARE BL/ ANTS KEEP BITING ME
WALKIN THE LONESOME Rd/hEY HEY
FIGHT IN* LITTLE ROOSTEr/ OH YES
.DREAMY EYED BABy/ DONT U WANT TO
.MESSED UP IN LOVE/DWN 4 LOST MIND
I'LL BE BACK HME AGAIn/seRVE IT Rl
, MIDNITE STEPPER/MEDICINE MAN BL
MERRY GO ROUND/HIT RIGHT LICK
.BED TIME BL/SERENADE BL
.NEVE DRM AGAIN/NUMBER OF MINE
.SHINE ON SHINE On/wHEN I BEEN DRK
.MY LITTLE FLOWER/ SWT HONEY BEE
.G0IN8 BACK TO PLOw/ HAVIN TROUBLE
, IN THE ARMY NOw/kEEP HAND ON HRT
.WHY SHOULD I SPEENd/gONE W W I ND
1 FEEL SO GOOO/TELL ME BABY
.NITE WATCHMAN Bl/wHATS WRONG W ME
iWHEN I GET THINK In/ 0 BABY

CO

1276

V-

CO

1427 V

CO

2577

V - 1

BR

6981

E-

CO

301 35

E+

CO

37164

N-

CO

37242

N

CO

3731 4

N

CO

373l 4

E

CO

37502

N

ME

60556

E

ME

701 57

E

MER

8271

E+

OK

5205

N-

OK

5360

E+/v

OK

5641

V- j

teBB

5674

E+

OK

5758

E+

OK

5869

N ]

OK

5983

E

OK

6080

E

OK

6303

n/e

OK

6386

E+

OK

6484

V

OK

6601

V+

OK

6630

E+

OK

6688

E

OK

6705

E

OK

6739

E+

17

25^ MINIMUM BID

FRANCIS STEWART

THE RECORD CHANGER, BOX 54, 4| 8 WEST 49TH STREET NYC I 9, N.Y.
SEE PAGE ONE FOR INSTRUCTIONS

25^ MINIMUM BID

NOEL COWARD

409. MA0 DOGS 4 ENGL I Sh/lOVER OF DRMS VI 24332 e/n-

IDA C OX

410. W0RRIED III MIND/MEAN MAN 8L ( CRk) PM 12237 G-
4| I.FAMBLI NG BL/ COFFIN BL (CRk) PM 1 23 1 8 P

FRANC IS CRAIS

4|2. MARBLE HALLS/ STEADY ROLL BLS CO 567 V+

WILTON CRAWLEY

4I3.SHES FORTY WITH ME OK 8492 V-

414. L0VE WILL DRIVE ME CRAZY /CRALEY CLOK 8539 g/v-

415. LETS pretend/nothing BUT NICE OK 8555 G

Katie crippem a her jazz artists

CLAX40054 e/v-

4|6. BLIND MAN BL/ SING EM 4 MAMA
(above PI G ON SIDE 2)
BILL CROSBY

417. HIP CHICK BL/THOSE DOG GONE BL CO 37327 E

B I NG CROSBY

41 8. IF I HAD MY WAY/WHISTLING IN DE 2448 V-

BOB CROSBY

419. JUST STROLLIN/ ITS WONDERFUL OE 1670 E+

420. TILL WE MEET AGAIn/lOVE NEST OE 2825 E-
42I.0NE TRACK MINd/| 'D KNOW U AN YWH EREDE 3434 V+
422.00 U KNOW WHY/jUST LIKE LOVE DE 3445 N-

423. MARK HOP/BRUNON CANDLE BOTH ENDS DE 3694 E+

424. CALL IT ANYTHING/SOMETHING DRMED DE 381 5 E+

425. LONG WAY Tl PPERA RY/SWTH TS ON PARADDE 18355 E

426. Gl N MILL BL/ BOOGIE WOOGIE MAIIKEDeC 3382 E

FRANK CRUMIT

427. ALL MY MYSELF/WIT TILL SEE MAD CO 34l 5 V

FRANK CRIIMI T

428. HI HI OHIO/ BUCKEYE BATTLE CRY VI 19268 E

429. FRANKIE * JOHNNIE/ABDUL* ABUL8UL VI 20715 E

430.3 TREES/NO NEWS VI 2|466 E

431. BRIDES LAMENT/JACKS EVERY INCH VI 2|668 E

432. BRIDES LAMENT/jACKS INCH SAILOR VI 2 1668 V-

433. GAY CABALLERO/LEARNED ABOUT WMN VI 2 1 735 V

434. GAY CABALLERO. LEARNED BOUT WMN VI 2|735 G

435. KING OF VORNEo/ROAD TO VI CKSBURG VI 2 1 899 V

436.4 THEN TOOK UP GOLF/oONALD THE DUBVI 22323 V
XAVIER CUGAT ORCH

437. TABU/EL S0MBER0 DE GASPA R VI 24840 V

CUMBERLAND MOUNTAIN FOLKS

438. PUT MY RUBBER DOLL/TRAMP ON THE STCO 37559 N-

VERNON DALHART

439. DEATH FLOYD COLLI NS/(BILLY BUTO N ) BA |6|3 E

440. GIRL I LEFT BEHI ND/s IDEWLKS N.Y. CO 437 V

441. LOST WONDERFUL PAL/STAR IN HVN CO 7| 8 E+

442. WHEN U ITAR A WA y/pR I SONE RS SWHT PAT 32220 E-

443. PRISONERS OSNG/WRK OLD '97 VI 19427 E

444. PR I SONERS SONG/ WRK OLD '97 VI 19427 V

DALLAS JUG BAND

445. U GOTTA HAVE THAT/BOTTLE I T UP VS 6025 V-

PIITNEY DANDRIDGE ORCH

446. MR BLBRO/U HVNLY TH I NG VO 2935 V
(ABOVE VERY RARE "NEGATIVE* VOCALION LABEL

WHICH WAS ISSUED IN 1935 FOR ON WEEK ONLY)

447. 1SNT THIS LOVELY DAY/CHEEK TO VO 3006V

448, U TOOK BREATH A»Ay/u HIT SPOT WO 3 1 23 E

449. ALL MY LIFE/SIN TO TELL LIE VO 3252 e/v-
450.1 F WE NEVER MEEt/hERE COMES PAPPY VO 3291 E+

451. PLENTY OF MONEY 4 u/DANCING MOOD VO 3399 V/E

452. GEE BUT U SWELL/THAT F00LI6H FEL VO 3409 E-

BEBE DAN I ELS

453. NITE WINDS/UNTILL LOVE COMES VU 22283 N—

HENRYETTE DAVIS

454. MAIL BOX BL. MY MAN JOHN OK 8395 V

MEYER DAVIS ORCH

455. LET IT RAIN/ALL ABOARD FR HVN

■ALTER DAVIS

VI 19630 E

456.STRMLINE WOMAN /HOL I DAY BL
457. SOON FORGOTTON SAY GOBYE

VAUGH OE LEATH
458, A INT GONNA BE NOBDY FO /»Y MY
459, OEW DEWY OAY/VO DO DO DE OBL

DEEP RIVER BOYS

460. B I RD IN HAD/U DONT KNOW NOT H I N BB 10847 E-

AL DEXTER A HIS TROOPERS

461. R0SALITA/PRIST0L PACKIN MAMA OK 6708 v/g+

DIXIE DAISIES

462. BEES KNESS/PACK UP U S I NS MUSE 303 V

DIXIE DEVILS ( OLIVER)
463. IN HARLEM S ARABY/( COLLEG I A TE J2Z ) VD 7|804 V-

D IX IE JUBILEE CHOIR
464. SOUTH BOUND PASS. TR A I N/wH 0 STOLE SUP 908l V-

DIXlE STOPPERS
465.HI D I DOLE nrDDIE/lORIG INDIANA 5) HA 1 79 N

BB 7329 E+
BB 8694 E+-

OK 4492 V
OK 40844 E

DllXIf. STOMgRS

466. STATIC STRUT/HARD TO GET GERTIE HA 197 V

467. SNAG I T/AI NT SHE SWEET HA 353 7-

DIXIE TRIO

468. YEH0LE OEEDEL LENA/.) LE 0 LADY PE |2|3| E+

DIX IELAND RHYTHM KINGS
469. S TEA MB DA T S TP /TERRI SL£ BL JD 5 V+

DIXIELAND SW I NGSTERS
470.FIOOLE08I A/LOVE VIE OR LEAVE BB 7| 60 Vh

471 , TOUCHED IN HEAD/3WJ NGSTERS LUL 88 7|09 E
CALVI1 P. 0IX0N( THE BLACK BILLY SUNDAY)

472, WHO IS YOUR GOD/ PxSRT I 2 CO I 4061 Q

JOHNNY DODOS BLAKC BOTTOM STOMPERS

473, AFTER U GO NE /COME ON 4 STOMP BR 3568 E+

AL DONAHUE ORCH

474, L0W D.VN RHYM/COPENHA GEN VO 53|4 V—

DOROTHY D0N1GAN

475. E VY DAY BL/Pl 1N0 BOOGIE

DORSEY BROTHERS ORCH

476. C0NGRATULATI 0NS/(lOU GOLD ORCh) BA

477. U SAVED MY LIFE/U SO CHARMING DE

478. CROSS ROADS/SALLY of my drsm

JIMMY DORSEY BROTHERS
479.1 GOT RHYT/FLIGHT 3UM8LE BEE DE
480,DRKTWN STRUTTER BALL/DUK UPPER DE
48| .RENDEZVOUS TIME PA REE/:JOSS I BLE DE
((ABOVE BUBBLE ON RIV.)

482. HI G ON WINDYHILL/I UNDERSTAND DE

483. MARIA ELENA/GREEN EYES DE
434.NEW SHADE OF BLUE/ J I M DE
485 , LONG AGO/WHERE MY HRT VI

TOMMY DORSEY
436, Dl 0 I REMEMBFR/MARY HAD LITTLE

487, MARY HA 0 LIT LAM8/0ID REMEMBER

(above m CHP NO ffll

488. MARI"/ SONG OF INDIA

489, WAN TED /ALL DARK PEOPLE LITE

490. LITTLE WHITE LIES/JUST SI M°LE
491, ITO-1 ^OOK LISTEN/BEALE ST BL

492. LONG AS U LIVE/A TISKET TA SrCZT

493. TISKET TASKET/AS LONG AS LIVE

494. HVN CAN WAIT /TAUGHT ME LOVE

495. TRA0E WINDS/ONLY ^OREVER
496..YHEN U AWAKE/2 DRMS MET

(ABOVE RM CHP 2 GRV)
497.0 LOOK AT ME/ U MIGHT HAVE
493,. 00 I WORRY/MAN W CANDY CIGAR

499. TAKE ME/ BE CAREFUL MY HRT

500. GOOD BL TNITE/DONT BE BABBY

MORTON DOWNEY
501 „'.IHEN ONE U LOVE /MELODY MA OE U
CHARLEY DREW

BB 8979 E

566 V
520 N-/E
OK -41151 E

1508 E-
1939 E-
2577 N-

3585 V-
3698 E
3y63 E
25335 V

VI 2534| E-
VI 2534| E—

VI 255? 3 V

VI 25557 E-

VI 25750 v-

VI 25767 n-

VI 25899 E/E-

VI 25899 V

VI 26154 v

VI 26663 E

VI 26764 V-

VI 27274 V

VI 27338 E

vi 27923 V-

v 1 20 1 842 V

BR 2887 V

HARTY 5 v+

BR 8|55 V-

502» BETTER THAN TALKING PIC
EDDY OUCH IN

503. BETWEEN DEVIL 4 DEEP BL SEA

504. GUESS HVE CHANGE PL/LOVELY LOOK CO 35704 E

505. WHY DO I LOVE U/EASTER PARADE CO 35 705 V

506. GOT U UNDER SKIN/EASY TO LOVE CO 36542 V-

507. N0NE BUT LONLY HRT/SECRETS CO 3 7894 V-
503. ON ISLE OF MAY/CONCERTO FOR 2 CO 37896 V
509.SAVE ME DRM/ OUR LOVE CO 37897 V-
5I0.IM OLD COWHAND /CANT ESCAPE FRVi V| 25347 E+-

BOB DUNNS VAGABONDS

DE 5828 G*
CO 3729 V-

511.1 'LI. FORGET DEAR/ JUKE SOX RA G

JOHNNY DUNNS JAZZ BA M)
51 '.HAWAIIAN BL/4 O'CLOCK BL

GER THROE DWYER
5I3.T00 TAME PAPA/ 6 BEET OF PAPA BELL 46l V-

WILLIE ECKSTEIN

51 4.3T<ENHTED MELODY /WHERE NIAGARA

EDDIES HOT SHOT
5| 5.G0NNA STP/THATS SERIOUS THING

CL IFF EDWARDS
5IO.C0ME BACK CHlQUITA/lLL THE TME
5I7.SINGIN IN RA I N/ORGE BL Tl VE
5|8. IF U COME BACK/HOW MY SWEETIE

SHEPPARD N.EDMONDS

519. BAD LAND BL/JAZ<: ME BLS

ROY ELDR IDGE rp CH

520. FI 5H MARKET/ TWILITE T' ME

DUKE ELL I "G TON

OK

40041

V-

HMV

4987

N—

CO

|5|4

E-

CO

1869

V

PAT

32028

V-

EM

10384

V-

DE

23383

V

521. MISTY MORN/SARATOGA SWING

522. JUBILEE STP/EVERYTHI NG BUT U
523. SARATOGA SWING/ ITS GLORY
524. SARATOGA SWING/ ITS GLORY

BB

6565

E/E-

BB

10244

N

BB

10245

N-

BB

i0245

E

BB

6280

N-/V

DUKC ELLINGTON CONT.
526.STOM WEATHER/SOPHI S LADY BR 6600 V-

527. |N A JMA/UPTWN DWNBEAT BR 7734 E
(ABOVE RM CHP I GRJ

528. PRELUDE TO A KISS/LAMBETH W BR 8204 E+-

529. E ST LOUIS T00DLE/B1RM BKDN BR 80000 N—
530. 8LK 4 TAN FANTASY/THE MOOCHE BR 80002 E/N
53|.'.VALL ST WAIL/ MOOD INDIGO BR 80003 E

532. JOLLY WOG/ DOUBLE CHECK ST BR 30035 N-

533. DOUBLE CHECK STP/ JOLLY WOG BR 80035 V-

534. REMI Nl SCI NG IN T EMPO,l 42 CO 361 1 4 N
535.SUMPIN BOUT RHY/SADOEST TALE COAU I 332 N

536. BLK BEAUTY/ RIVER 4 ME HMV 6|66 V—

537. OA RA VAN/ AZURE MA 1 3 1 V
538. SWAMPY RIVER/ HOT 4 BOTHERED PAE 582 V-

(iBOVE RM CHP I GR)
539.SWANEE SHUFFLES/ 00 1 N THE VOOM VI 24l?l V+
540. THE MOOCHE/ MOOD INDIGO VI 24486 N-

54|,THE MOOCHE/ MOOD I NG I DO VI 24486 E+

542. DEAR OLD SOUTHLANO/OAYBRK EXPRESVI 24501 £1-
543.0ELTA SER/oOLITUDE VI 24755 N/EI-

544, DELTA SER/SOLI TUDE VI 24755 E+

513. GOT IT BAD/CHOCOLATE SHAKE VI 2753I E

546. RAI NCHECK/ PE RD I 00 VI 27880 E

547. HIGH LIFE/ SAT NIT FUNCTION VI 33036 V+
548.SAT Nl TE FUNCTION/ HIG LIFE VI 38036 G

549. HAYF00T STRAW FOOT/ SHERMAN SH VI 20l 505 E-

550. ;SL|P OF THE LI'/ SENT LADY V|20|528 V*
55l.i(AIN STEW/ JOHNNY COME LATELY VI 20|556 E

552. LITTLE BRWN BOOK/ SOMEONE V|20|584 N

553. WHAT AM I tCRE FOR/ DONT M I tC V|20|598 E+
554.I.VI BE Gl NN I N SEE LIGHT/DONT U V|20|6|8 E+

555. Al NT GOT NOTHING/. Dl DNT KNOW B V120I623 E+

556. CARNEGIE BLS/ MY HRT SINGS V|20|644 E-h

557. MY HRT SINGS/CARNEGIE BL V|20|644 E

558. KISSING BUG/MOOD TO BE WOOED VI 201670 N-

J IM EUROPES GROUP

559. HE SI TATI NG BL/ PLANTATION ECHOEPAT 22086 E-

560. EVYBD T TALKS BOUT HVN/ROLL JOR PAT 22 1 05 V

561. THATS GOT EM/ DIXIE IS DIXIE PAT 22|46 E

ROY EVANS

562 . WEARY YODEL I NG BL I 42 CO I 380 G+

Wl LL EZELL

563. PLAYING THE QOZ/BUCKET OF BLOOD PM 12773 F

EDGAR FA I RCH I LD— RALPH RA I NB.ER-PI ANO DUET

564. OH KAY / QUEEN HIGH

VI

20435

E*-

565. OH KAY/ qUEEN HIGH

VI

204J5

E

566.0H KAY/ QUEEN HIGH

VI

20435

W

WILLIE FARMER ORCH

567.RI0ING HOBBY HORSES/ SCATTIN

AT BB

7026

E+

568.FAI R 4 SQUARE/ OL MAN MOSE

BB

7685

V

569. OL MAN MOSE / FAIR 4 SQUARE

BB

7685

G+

GRACIE FIELDS

570..LETS BE SWHT OVER AGAI N/oUSY LON 352 V-

SHEP FIELDS ORCH

571. TENN FISH FRY/ WH OS YEHUDI BB 10762 V-

F 1 RE HOUSE % 5 * 2

572. =.\GAN LOVE SONG/YES SIR THATS GTJ |4 V

FREDDIE ~ I S"ER BAND
573.SCHI CKELFRI TS WALTZ/ VILLAGE TV DE 5335 V-

ELLA FITZGERALD
574.81 LLY/°LEASE TELL ME TRUTH DE 2769 V

(ABOVE RM CHP NO Gr'
575. SILLY PLEASE TELL ME TH TRUTH DE 2769 J-

576. THIS LOVE OF MINE/JIM DE 4007 E

577. MUST HAVE THAT MAN/ MY HRT DE I 8530 E+.

FIVE BIRMINGHAM BABIES

578. GO BACK WHERE U SYATED/( W 1 RGES ) PE 14533 V

579. RJEBER THE NITE(SAM LAN«n) PE 14635 V-

PAT FLOWERS

580. AINT Ml S8EHVN/0R IG BLS MAJ 1010 E+

LOUIS FORSTEINS ROYAL SYNCOPATORS

58 1. DEEP ELM/TWILIGHT

STAN FREBERG

582. JOHN * MARSHA/RAGTI ME DAN

FR IARS SOCE I TY ORCH

583 . ECCENTRIC/ FAREWELL BLS

CLIFF FRIEND

584. DAFFY DITTIES/ PARTS I 2

FULCHERS NOVELTY ORCH

5 85. ESKIMO SONG/ BLK CAT BL

BLIND BOY FULLER

OK 40379 V

CP 1 356 E+

VI 2| 460 N

OK 4889 E

586.SCREAMI NG 4 CRY I NG/L I T TLE BABY CO 37l 55 N
587.WALKI NG 4 LOOK I NG/WORKI NGMA N DE 7899 V
583.AINT IT CRY1N SHAM E/CLI MBI N TOP ME 51032 N-
589. LK I N G MY TROUBLES/FUNNY THAT ME 70259 E

25^ MINIMUM BID

FRANCIS STEWART

THE RECORD CHSNOER, BOX 54, 4| 8 WEST 49TH STREET NYC I 9, N.Y.

25^ MINIMUM BID

SEE P AGE ONE OF ACUTI ON FOR I NSTRUCT-I ONS.

BLIND BOY FULLER CONT.

590, 'ICCOLO RAG/KEY TO MY DOOR OK 6437 n/E

591. GET U YA 3S OU T/3MELLS LIKE FISH VO 45l 9 VI-
592.3TEP | T UP 4 GO/ LITTLE WOMAN VO 5476 Vf

BOB FULLER CLAR. SOLOS

593. NAMELESS BL/R I D I CULOUS BL Dl 2688 E

594. T00 BAD JIM BLS/ BACK CAT BL HA 580 VI-

EARL FULLERS NOVELTY ORCH

595. P0RK 4 BEAN/MR JAZZ HIMSELF CO 2370 V+-

596. POR 4 BEANS/MR JAZZ HIMSELF CO 2 3 70 G
597.SLIPPERY HANK/ YAD DE OA H VI I 8321 E-
598.S;_I PPERY HANK/ YAH DE DAH VI I 332 1 V
599.BEALE ST BL/ OLD GREY MARE VI 18369 E-
600. OLD GREY MARE/BEALE ST BL VI I 3369 G

601. C00N BAND CONIEST/L'lL LIZA JANE VI 18394 E

602. COON BAND CONTEST/ L'lL LIZA JANE VI 18394 V

SLIM GAILLATDS FLAT FOOT FLOOGIE BOYS

603. BRINGER HANGER DRAG/EA RLY IN MORN VO 5220 E

B ILL GAI THER

604. GA WOMAN STOMP/TIRED OF CAME STUFFDE 7|4| E

605. EVIL HEARTED ME/U DONE SHOWED DE 7298 G

(ABOVE RM CHP NO gr)

606. TOO LATE TOO LATE/ SWEET MAMA DE 763 7 E

607. JNCLE SAM CALLED ROLL/BEHIND 3BALL0K 6092 H

JAN GARBER ORCH

608. JVAY OWN YONDER/ WHY IM HAPPY CO I 823 V-/E

GEORGE J. BASK IN

609. B4SS00N SONG

REV.J.M. GATES

ZONO 5805 V

6I0.NEED OF PR A YE R/OEATHES BLK TRAIN CO |4|45 V

GLORIA GEER

61 I .BYE BYE BLKB I RD/CL 1MB HIGHEST MT CA 963 V
GEORG I A Bl LL

6 1 2, 3 TOM P OWN RIDER/ S CAREY DAY BL OK 8936 N

THE GEORG I A MINSTRELS
6 1 3. MONARCH MINSTREL FIRST PART #3 VI 3037 V-

GEORG IA STR 1 TTERS
6|4.BLK BOTTOI OANC E/WASNT IT NICE HA 3 1 I E

GEORGIA WASHBOARD STOMPERS
6I5.MY PSETTY GIRL/SOPHIS LADY
6|6.S«PHIST LADY/ MY PRETTY GIRL
6, 7, WHO BROKE LOCK/I CANT DANCE
618,1 CANT DANCE/WHO BROKE LOCK
6I9.LADY IN RED/CHASING SHADOWS
620.31 STER KATE/CHICAGO

BB 5089 E

BB 5089 V

DE 7004 N-

DE 7004 V-

DE 7097 E

CO 3775 E-

621. WAY DWN YONDER N.O. /NOTHING BUT CO 3804 V-
( ABOVE jf'S 620 AND 62 1 ARE THE GEORGIANS)

THE GEORG I ANS

622. _»NG LOST MAMA/HENPECKED CO 3907 V+

623. L9ND 0 COTTON /MAMA LOVE PAPA CO 3987 N
62+.L9ND OF COTTON/ MAMA LOVES PAPA CO 3987 V
dO.SOMBO/'S WRONG/MAMA WHERE PAPA CO 3996 E
626. LEARN TO DO STRUT/3; TTIN PRETTY CO I I N-
627. SITTING PRETTY/ LEARN STRUT CO II V
628. HOME TWN BL/ U MAY BE FAST BUT CO 23 V-
621,_0VEY COME BACK/ DANCIN DAN CO 62 Vt

630. D0ODLE DOO DOO/ SAVANNAH CO 1*2 V

IRENE G IB3S0N

63 1, LA ST GO ROUND/ DA DA STRAIN CO 3834 N

632, DA DA STRAIN/LAST GO ROUND CO 3834 E

633. LAST GO ROUND/ DA DA STRAIN CO 3834 V-

ARTHUR g IBBS i h is gang

634. BEALE ST MAMA/ LOUISVILLE LOU VI 19070 E

635. BEALE ST MAMA/ LOUISVILLE LOU VI 19070 V

636. CHARLESTON/ OLD FASHIONED LOVE VI |9|65 E+

637. CHARLESTON/ OLD FASHIONED LOVE VI |9|65 E

HENRY C. GILLILAND-A.C. ROBERTSON

638. TURKEY IN STRAW/RAGTIME ANNIE VI i9l49 V

JAZZ GILLUM

639. AFRAID TO TRUST THEM/WHISKEY HEAD BB 34074IE+

JACK GLOGAU PIANO SOLOS

640. SOMEWHERE IN PO PPLYLA ND/PU3SY W ACT 20542 V-

64| .Dl X I ELAND/SI LVE B THREADS AMONG CLTN 25|0 V/F

JEAfl SOlPKETTC ORCW

642. R0NET & TRULY/ ( RALPH mLtiMMS) VI (9938 E

643. GIMMIE LITTLE Kl S S/c-ONESOME 4 SORRVI 20031 V
644. SUNDAY/I 0 RATHER BE GIRL IN ARMS VI 20273 V+
645,4 LEAF CLOVER/(r.W. KAHN IRCH) VI 20466 V+
646.4 LEAF CLOVE /(r.W. KAHN ORCH ) VI 20466 V

647, H06SIER SWHT/(NAT SHILKRET) VI 20471 E

648. H0OSIER SWHT/(NAT CH I LKRET ) VI 20471 E-

649, SUNNY Dl SP03I SH/( ROGER WOLFE KAHn)v| 20493 E-

650. MY PRETTY Gl RL/COVE R ME UP VI 20588 N-

651. SLOW RIVER/ZULU WA I L ( SH I LKRE T' VI 20926 E

652, BL RIVER/(j. BENARD ORCH ) VI 20981 E-

653, BL RIVER/(j. RENARD ORCH ) VI 20981 V-

654, CLEMENTINE/( J. CRAWFORD ORCH) VI 20994 V
6 55, CLEM EN T I NE / ( J, CARWFORD ORCH) VI 20334 V

(a.PQVE RM CHP 2 GR)

JEaM OOLuDKETTE ORCH

656 .MY OHIO HOME/ HERE COME S SHOW VI 2||66V+

657.SHES FUNNY THAT W AY/( SH I LKRET ' VI 2| 853 E+

658.3HES FUNNY THAT W A Y/( SH I LKRE T> VI 2 1 853 Vf

BENNY GOODMAN

659. WALK JENNI E WALK/ALWAYS BB 10799 E-/V

660. L0NELY MOMENTS/ WHISTLE BL CP 374 N

661 . RENDEZVOUS TIME PAREE/COMES LOVEOC 35201 V+

662. CHANGES MADE/JUMPING AT WOODSIDECO 352|0 V>
66a,ZAGGIN W ZIG/BUSY AS A BEE CO 35356 V/E
664.STEALI.M APPLE/OPUS LOCAL 802 CO 35362 N-/V

665. NOSTALGIA/1.1 'L BOY LOVE CO 35594 E+-/V

666. PREFIDIA/LET DOOR KNOB HI TCHA CO 35962 V+-

667. G00D ENFU TO KEEP/A SMOOTH ONE CO 36099 Vt

668. THREW KISS IN OCEAN/FULL MOON CO 36590 V

669. TAKE ME/ IDAHO CO 366 1 3 E
670.IM OLD FASH I ONEO/OEARLY BELOVED CO 3664l V
67l, DEARLY BELOVED/IM OLD FASHNED CO 36641 V-
672 .WHY DO NT U DO RITE/6 FLATS UNFI CO 36652 V+

673. WHY DONT U DO Rl GHT/ 6 FLATS CO 36652 V

674. WLDS WAITING SUNRISE/ SO^O FLIGHCO 36684 E-

675. SOLO FLIGHT/ WORLDS WAITING SUN CO 36684 V*

676. AFTER U GONE/DARK TWN STRUTTERS CO 36699 G+
677. SYPHON Y/ MY GUYS COME BCK CO 36874 V

678. CHINA BOY/ JUST ONE THOSE CO 36924 E

679. RACHELS DRM/3HINE CO 36925 E

680. RACHELS DRM/ SHINE CO 36925 V-

681. TALK OF TWN/ SWING ANGEL CO 36955 E-

6 82. BEN Jl ES BUBBLE/ GAL IN CALICO CO 37187 E+/V

683. H0RA STACCATO/ MAN HERE PLAYS CO 37207 N

684. BL IN NITE/ WHERE OR WHEN OK 6 553 V
685. STRING OF PEARLS/ JERSEY BOUNCE OK 6590 V-

( ABOVE DIG)

686. Z00T SUIT/MY LITTLE COUSIN OK 6606 V

687. B00Y 4 SOUL/ AFTER U GONE V| 25ll 5 N-

688. BODY 4 SOUL/ UTTER U GONE VI 25l I 5 E-

689. DEAR OLD SOU TULA NO/ BLUE SKIES VI 25|36 VI-

690. YANKEE DOODLE NEVER WENT/NO 0THERVI25I93 V

691. G0O0Y GOODY/ ITS BEEN SO LONG VI 25245 V

692. FOUND NEW BABY/3WINGTIME IN R05CKV I 25355 E

693. FOUND NEW BABY/SWI NGTME IN ROCK VI 25355 E-

694. ALEX RAG BAND/ RIFF IN AT RITZ VI 25445 E

695. TAKE ANOTHER GUESS/GDNITE MY LUVVI 25461 V+

696. AFTER U GONE/ BUGLE CALL RAG VI 25467 E«-/V

697. BUGLE CALL RAG/ AFTER U GONE VI 25467 E-

698. Tl GER RAG/ WHISPER I NG VI 25481 E

699. ANY TH I NG BUT LOVE / SUGARFOOT STPVI 25678 V-
700.SING SING SING |42 VI 25796 E
7UI.WRAPPIN IT UP/MELA NCHHOLY BABY VI 25880 V-
7U2.BL IN YOUR FLAT/BL IN MY FLAT VI 26044 V
703. CI Rl Bl Rl Bl N/SUMBLE BEE STP VI 26087 E
704. SING FOR SUPPER/ THIS CANT BE VI 26099 V

705. T0PSY/ SMOKE HOUSE VI 26|07 E

GOOFIJS FIVE

706. ALABAMMY BOUND/DEEP BLUE SEA BL OK 40292 V

707. LEFT SU AG R RAIN/ CLEMNTI NE OK 40886 V

EM I L 1 0 DE GORGOZA

708. JOHN PEEL VI 64928 E+

EDDIE GREEN

709, SENDING A WIRE/PERTS 1 42 OK 4|388 V

GEORGE HAMILTON GREEN , XYLOPHONE SOLO

7I0.RAINB0W RUPPLES/TRIPLETS VI I 9944 E+-

LEE GREEN

7|l,44 BL/ MEMPHIS FIVES DE 70|6 V

SONNY GREER4 HIS MEMPHIS MEN

7|2.SAT NITE FUNCTION. BEGGARS BL CO I 868 V-
JOHNNY GUARNIERI

7|3. EXACTLY LIKE U/ NICE WORK IS MAJ I I 35 E

EDGAR A. GUEST

7I4.MA 4 THE AUTO/ COULD NT OE DONE VI 45258 E-

7I5.0LD WOODEN TUB/LOST LOCKBOOK VI 45320 V

716.MAN TO BE/COMPENSATION/PROUD FATHER/

DIRTY HA NO S VI 45454 E

GULF COAST Q1 'AR TET

7I3.HAPPY BOY BL/ ALABAMA BL CO 1 401 2 N-

718. FADE AWAY BL/ DAYBREAK BL CO 39|6 E-

719. FADE AWYA BL/ DAY BRK BL CO 39|6 V-

720. =APA BETTER WATCH /MEM PHI S TENN CO 3978 V*

721. PAPA BETTFR W A TCH /MEM PHI S TS.NIN CO 3978 V-

BOBBY HACKET ORCH

722. AINT MISBEHAVIN/EMBRA CEABLE U OK 4877 E+

ADELAIDE HALL

723. BABY/ MUST HAVE THAT MAN BR 403 1 G

FRED HAMM ORCH

724. FLAG THAT TRAIN/ STOMP OFF LETS VI 19672 V
725. SUGAR FOOT STP/SLIPPERY ELM VI 20023 V

JOHNNY HA MPS KENTUCKY SERENADERS

726. ANGRY/0 SAY CAN I SEE U 2NITE VI 19786 V+

LIONEL HAMPTON ORCH

727 .WHY RHY/ CHINA STOMP VI 25586 V

728,1 KNOW U KNOW/ SUNNYSI D E ST VI 25592 E

729. MEM0RIES OF U/ JUMPIN JIVE VI 26304 G

HANDYS ORCH

730. BUNCH OF BL/ MOONLITE BL CO 24|8 E -
731 .BUNCH OF BL/MOONL I TE BL CO 24 1 8 V

732. LI VERY STABLE BL/ THAT JAZZ ONC CO 24|9 N—

733. LIVERY STAB'.-; / THAT JAZZ DNCE CO 24|9 V

734. LIVE Y STABLE BL/ THAT JAZZ DNC CO 24l 9 G+

FORD HANFORD

735.0L KY HOME/OL BLK JOE/OWN ARKSA VI 18767 V+.
ANNETTE HASSHAB

736. PRECIOUS LITTLE THING/MEAN TO Dl 2859 E

HAPPINESS BOYS ( JONES 4 HARE)

737. HOWS U FOLKS/ \ FRANK CRUIHItJ VI 19739 V

TRI LBY HARHENS ( HR CRK)

738.STPIN AROUND/GOOFER DUST BL HERWIN 920|2 V-

HARLEM HAMFATS

739. OH RED/LAKE PROVIDENCE BL OE 7| 82 E-

740. OH REO / LAKE PRIVIOENCE BL DE 7|82 V-

741 . FEEL LIKE M I LL I ONA I RE/BAO LUCK DE 7245 V-

742. HALLELUJAH JOE/WHATS MY BABY DE 7299 V
748. WHEN SUN GOES OWN/BEAUTY SPOT VO 481 3 N/V
744.ST JAMES INFIRMARY HOW 1 046 E

(ABOVE f 744 IN HARLEM HOT CHOCOLATES)

HARLEM HOT CHOCOLATES

745, ST JAME INFIRMARY (01 O) HOW. 1046 B-

746. ST JAMES INFIRMARY HOW 1 046 V-

HARLEM STOMFERS

747. MV UNDERSTANDING MAN/MONKEY OE 7600 E

MARION HARRIS

748. BEALE ST BL. MEMPHIS BL CO 3474 N-

HARRIS QUARTETTE

749. LOVE IS ENOUGH 4 ME/(SCARE0 SNGS)SUP 9268 V+

SISTER HARRIS 4 NUBIAN FIVE
750. SEAL ST MAMA/LAUGH IN CRY I N PE I 2050 V-

JOHNNY HA R TIM N 4 ERROL GARNER
751 , REMEMBER/SEPT IN RAIN WE R 5378 E

COLEMAN HAWKINS ORCH
732, ROCKY COMFORT/ PASSIN AROUND OK 6284 E+

HYDEN QUARTET
753. CHURCH SCENE FRM "OLD HOMESTEAD'VI 3085 V-
754.ISE GWINE BACK TO DIXIE/Vl BAND)VI |6|04E

EDGAR HAYES Q I NTET

755.1 KNOW NOW/ WHEN U & I WERE OE I 509 V

DICK HAYMES

756. WHERE OR WHEN/ THEY DIONT BELVE OE 2 3 751 V

757. TREASURE SIERRA MAORE/lITTLE WHIOE 24280 E

JOE HAYMES ORCH

758. IVE GOT HEAVY DATE. BETTER PLAY ME 606 1 I V

759. RIVER MAN/NO REGRETS PE 60806 V-

760. ME MYSELF 4 l/HAV WONDERFUL PE 70801 V-
761, SUN SHOWERS/ GOT PAIR NEW SHOES ME 70803 E

LUC I LLE HEGAMIN

762. JAZZ ME BL/ I 'LL BE GD BUT I ' LL PU I 1052 V-

EDMONIA HENDERSON

763. NBDY ELSE WILL 0 0/WHOS GD NNA VO I Ol 5 G—

FLE TCHER HENDERSON ORCH

764. CHARLEY MY BOY/HARD HEARTED BA 1383 V-
765.SWANEE BUTTERFLY/CHEATI N ON HE BA I 508 V
766. SLEEPY TME GAL/EDDIE PEABODY ORCHBA I 639 V+
767.SLEEPYTI ME GAL/EDDIE PEABODY ) BA 1 639 V-

768. VARIETY STP/ST LOUIS SHUFFLE BB 10246 N

769. VARIETY STP/ST LOUIS SHUFFLE Bt 10246 £+■

770. H0P OFF/MUST HAVE THAT MAN BR 4| 1 9 E-

771. D0 DOODLE OOM/DI CTY BL CO 3995 V
772.SMBDY STOLE MY GAL/ PAP A DO ESNT CO I 26 V

773. HOUSTON BL/MUSCLE SHOALS CO I 64 E

774. WHAT GOOD AM l/KEEP SONG IN CO 2352 E-

775. TIGER R AG/3MBDY STOLE GAL CR 3 1 07 V+

776. RICKEY RACKETY SHACK/THE ROUNDEI^DO 4062 V

777. WHEN SPRING COME PEEPING/ GE 3285 V+

778. DWNHRTE0 BL/LOU I SV I LLE LOU GG 1173 E-

779. HOW COME U 00 ME / EVYBDT LOVES PM I 2249 G

780. PRI NCE OF WAILS/COPENHAGEN PM 14003 E+
781,1 WANT TO/CHIMES Bl(pIANO SOLOS )pM 1 4 005 E
782. SWAMP BL/ OFF TO BUFFALO PM |40|2 Efl
783. OLD BLK JOES 3|ST ST BL PE 14223 V

784. CHARLEY MY BOY/ ( Ml SS OUR I J.b) RE 9680 E

785. CHARLEY MY BOY/MISSOURI JAZZ B) RE 9680 V

786. CANT GET IT/(6 BLK DIAMONDS) RE 9682 V

787. MY DRM MAN/( IMPERI AL DNCE 0) RE 9767 V+

788. EVYBDY LOVE BAB Y/ ( SAM LANIn) RE 9774 V

789. THEN ILL BE HA PPY/ ( E. PEABODY ) RE 9961 V-

790. JANGLE0 NERVES/ALWAYS BE IN L VI 25317 V

791. BLUE LOU/CHRISTOPHER COLUMBUS VO 32 1 I V-
792. STEAL I N APPLES/BIG CHIEF DE S VO 32 1 3

19

25^ MINIMUM BID

FRANCIS STEWART

THE RECORD CHANGER; BOX 54, M8 »EST 49TH STREET NYC I 9, N.
SEE PAGE ONE OF AUCTION FOR I NSTRUC T I CMS •

25^ MINIMUM BID

B 111 HILL CWT

■ TRUCK I NO LIT WO MA N#2/r I D E R BL VO

.TROUBLE* LYING WOMAn/lET ME DIG VO

i R I DE ALBERTA R IDE/SHE NEVER VO

,TOO MANY DRI VER/PREACHI N ' THE BL VO

.JIVIN' MR FULLER/DON! U BE NO FL VO

JOE BIVIANO SEXTETTE

.THATS A PLENTY/ SCOTCH MEDLY SON

•NURSEY RHYMES/ JAZZ ME BL SO

ROBERT SLACK PIANO SOLO

SWT LADY/ SAY IT WITH MUSIC RE

BLACK BOY SHINE
SAIL ON LIT GIRL f 3/cOAL WOMAN BLVO

SCRAPPER BLACKWELL

RAMBLIN BL/ SNEAKING BL VS

246
247
248.
249,
250,

25l,
252,

253,

254,

255,

256,

257.
258,

259.

260
261
262

4486 0
4591 N-/v
4884 E-
5098 E+
5404 v+

1 1 II G4-
1112 V-

91 30 e/v

3757 v+

6028 H-

91 96 G+-

12387 G
12657 E*

EUBIE BLAKE ORCH

cutie/brken toy( RE

BLIND BLAKE

WEST COAST BLS/EA RLYM R N BLS PM

DETSOIT Bl/rUMBLIN 5 RAMBLIN PM

BLIND DARBV

GONNA WRK YOUR V-8/pARTS I 42 VO 2953 G

RUBE BLOOM

,ST JAMES INFIRMARy/mAN FRM SOUTH CO

SPRING FEVER/SOLI OQUY HA

SOLI OQUy/sPR I NG FEVER HA

BLUE DIAMOND DANCE PRC h/kelLY ORIG

2l 03 V-
I 64 v+
1 64 V-

_6

4842 E

263 , COME ON HOME/RED HEAD GAL

BLUE GRASS FOOTWARMERS
264.SEN0RITA MINE/HOW COULD I BE HA 206 V

BLUE RIBBON SYNCOPATQRs(lam CRK,RM CHP 3 GR )

265. WHALE DIP/BL RIBBON BL

THE BL' IE CHASERS

266. CHARLES! ON/WHA T A SMILE CAN DO

JAMES BLYTHE

267. JIMMIE BLS/FAT MEAT 4 GREENS

268. MECCA FLAT/ MR FREDDIE BL

IRENE BORDONI
269. 1 WONT SAY I WILL/SO THIS IS LOVE
BQSWELL SISTERS

270. cheek to cheek/top hat white tie de
(above dig)

271. hrt 4 soul/simple 4 sweet de

272. LUMMIR ALLA Zl NGEn/ch ARMING LIT F DE
273. ORCHIDS FOR REMEMBRA NCe/bLUE LVEBDOE

BILL BOYD 4 HIS COWBOY RAMBLERS
274 , B LK 4 TAN RAQ./GOOFUS Be
FANNY BR ICE

CO 1-^235 G

14432 E

2201 G+
12370 G+

275.D0NT KNOW WHETHER OR NOT /«A THAN
276. IF U WANT RA I NBOw/RATHER BE BL

ACE SRIGODE 4 HIS 10 VIRGINIANS
277. DRM DADDY/ONLY GIRL

19199 E

574 V-

2028 V
3100 V-
3277 v+

' 6328 G+

i 1973 V-
2|8|5 G+

BROADWAY BELL HOPS

278. MY HAP HAPF1 NESS/NESTI NG TIME Dl

279. BIRTH OF BL/BLK BOTTOM CA

280. LOST MAMA/WHO WOULONT BE BLUE CA

AUN.DA BROWN

281 . LAUGH I N ' CRY I N Bl/sTRUT LONG PAPA CO

282. CHIRPING THE Bl/tRIFLIN BL CO

283. CHIRPIN THE BL/TRIFLIN BL CO

284. MICH WATER Bl/t|RE0 0' WAITIN BL CO

BESSIE BROWN

285.SA1 I SFI ED BL/DOUBLE CROSSIN' DAD CO
BILL BROW N

OK 40008 E

Dl 2365 V
CA 985 G+
CA 8228 E

3867 N

3901 N-

3901 E+

3921 N

3974 vt

6064 N

349 E-

20123 V

6361 E
1 88 1 v+

24858 e/g
24858 V

286. GO IN WAY LEA V I N SABy/coME CN I N VS

CLEO BROWN

287. WHO'LL CHOP U SUEY/40 YRS CHAMBERHHt

THE 8R0X SISTERS

288. HOW MANY TIMES/lYONE MY OWN IYONE VI

WILLIE BRYANT ORCH

289. RIGHT SM8DY TO LOVE/ALL MY LIFE BB
290,0 GONNA LOSE GAl/u'LL NEVER REMEB DE

291. vipers moan/over BECAUSE THRU VI

292. vipers moan/over cause were thru VI

TIM BRYMN ■ his BLACK DEVIL ORCH

293. WANG WANG BL . S I RENE OF SOUTHERN OK 43 I 0 V-

ThE BUFF A LOO IANS

294. BABY FACE/(jOE CANDULLO ORCh) RE 8087 G+

CHICK BULLOCKS LEVEE LOUNGERS
295, SLEEPYTIME DWN SO/RI VER STAY WAY CQ 7900 V-

296. WAS THAT HUMAN THING/DEVIL 4 DEEP PE 15563 V

BuMBLE BEE SLIM

297. GUILTY WOMAN BL/wORRISOME WOMAN BB 6559 V+-

SAMANTHA BUM GA RNER

298. WO RR I ED BL/GA. BL CO 166 N

B R

REV J.C. B IRNETT

299. WASH IN JORDAN 7 TMS/DRI VE 00 CO |4|73 V-

300. DRIVE 4 GO FORTH/»ASH IN JORDAN CO |4|73 Q

HENRY BuRR

30l «M0 THER/nEDDI NG OF SUNSHINE 4 VI I 79| 3 V+

HENRY B'IRR-JAMES STANLEY DUET
302. WANT PARDON i 0AD0y/m I LL I ON 1 S VI 20205 E

HENRY B'lSSE ORCH
303. ON THE ALAMO/WHEN DAY IS DONE DE 774 E

BUSSES BUZZARDS

304. DEEP ELM/(COON SANDERS ORCh) VI 19727 Vt

BUTTERBEANS 4 SUSIE

305. how u expect lov in/that same dogOK 8|99 q

306. n0t untill then/pts |4 2 ok 8307 v

307. deal uself not her hand/jelly rolok 8520 f

308. sharp scarf/rumors are flying cp 282 g+>

CAL IFORNIA MELODY MEN

309. T0NITE U BELONG TO Me/lAY ME DWNBELL 442 V

CAL IFORNIA RAMBLERS

310. NO USE CRYI NG/SWANEE BLBRD CO 3635 E-
3II.SITTN IN CORNER/TELL ALL FOLKS 00 3994 E

BLANCHE CALLOWAY ORCH
3|2.GR0WLIN OAN/cflTCH ON
3 I 3. GOTTA SWI NQ/lOUISIANA LIZA
3|4.ST JAMES I NFt RMARY/NBDYS WTHRT
3|5.6 OR 7 TMS/BLK RHYTHM
3 1 6. MINNIE THE MOOCHERS WED/aNGELI NEBR
3 1 V. | LOVE TO SING/SAVE ME SISTER BR

CAB CALLOWAY
3|8.KICKIN THE GONG/MINNIE THE MOOCHKR 800|5 EC
3|9^S0ME OF THESE DAYs/u RASCAL U BR 800 1 7 £+■

320. CABIN IN COTTON/SCAT SONG

321. DWN TIME/ALL AT ONCE

322. TAKE "A"TRA IN/CHATTANOOGA CHOO

323. BLS IN NIGHT/SAYS WHO SAYS U

324. TAINT NO GOOD/WANT TO ROCK

325. MOOD INDIGO ./FAREWELL BL (dig)
326. STACK 0' LEE Bl/wITHOUT RHYTHMSTER 9|278 V

327. THAT MAN HERE AGAIn/sWING SWING VR 50l G-f

328. HI DE HO ROMEO/MOON AT SEA VR

329. JUMPIN JIVE/ TRYLON SWING VO

REV E.D. CAMPBELL

330. COME SEE A MAN/ ESCAPE FOR LFEVI 2 1 I 33 G-h

JOE CANDULLO ORCH
33I.0EEP HENDERSON/ JACKASS BL RE 8089 V

332. MESS I N A ROUND /( I MPER I AL DANCE) RE 8102 E

EDDIE CANTOR

333. WHEN THEYRE OLD ENUFF KNOW BETTEREM 1 094 V-

FRANK IE CARLE
334. I KNOW U KNOW/SMBDY LOVES ME
335. CANT BELIEVE U IN LOVE/AFTER U
336. SPAGHETTI RAG/LITTLE MORE TIME

UNA MAE CARLISLE

ME 1 327i v

VO 3 1 1 2 N—

BR 6105 V

61 4| V

632 l V

7638 V-

BRC 6272 v-
CO 36816 E
OK 6305 V
OK 6422 E+-
OK 6616 V
OR 2243 V-

65! G+-
5005 Vt-

CO 36331 E
CO 36333 v-h
VI 2037|9 V

337. |M GOOD GOOD WOMAN/AINT NOTH I N JD 7 1 72 V+

HOAGY CARM ICHAEL

338. DOC, LAWYER, I ND I AN/AM I BLUE ARA I 28 E+

WINGY CARPENTER 4 HIS Wl NGLES

339. TEAM UP/RHYTHM OF DISHES 4 PANS DE 77 1 I V-

BO CARTER

340. LET ME ROLL u/OLD SHOE BL
LEROY CARR

BB 5861 G

341. BAD LUCK ALL THE TIME/jUST A RAGBB 5946 V

342. BLK WIDOW SPIDER/CANT ANYBDT TElVOC 3|20 E

CARTER FAMILY

343. RIVER OF JORDAn/kEEP ON SUNNY VI 2|434 G+

CASA LOMA ORCH

344. RHYTHM MAN /tH ANKG I VI N BR ^463 V+

345. WEEP NO MORE BABY/sAVAGE SER BR 6647 e/v
346. SHADES OF HADES/ROYAL GARDEN DE 986 N

347. LUCKY ME LOVABLE/HAPPY OAYS ARE OK 4| 339 V+-

NELLIE CASMAN— YIDDISH COMIC SONGS

348. RA BB I 4 HIS Wl FE/I TS GOOD

VI 77357 V

BETTE CHAPEL

349. MAY I TAKE GIANT STEPs/oiDNT SLMER 5446 V-

CHARLESTON CHASERS

350, PED HOT HENRY BRWN/LOUS BPEAK1N CO 446 V-

( A BOVE j LAM CRK )
35I.S0MEDY SWHT/ AFTER U GONE CO 861 V-

352. MY GAL SAL/FAREWELL BL CO I 539 e/v

353. M0ANI N LOW/AI NT MISBEHAVIN CO I 89 1 E

354. M0ANI N LOw/aI NT Ml SBEHAVNI N CO I 89l E-

MAURICE CHEVALIER

355. ALL I WANT IS JUST ONE/ SWEEPI N VI 22378 V

CHICAGO BLUES DANCE ORCH

356. HOUSE OF DAVID/BLE GRAS6 BL CO 3923 V

CH ICAGO FIVE

357. AINT GONNA DO TT/GAMBLIN MAN BB 6543 E

CHICAGO FOOTWARMERS ( DUKE)

358. CHICAGO STOMP DOWn/gOI N8 TOWN OK 8675 G<-

CH ICAGO RHYTHM KINGS

359. martins 4 coys/sarah jane bb

360. boston tea party/sailor man rhy bb
(above; rm hcp 3 grv)

361 . madame dynami te/tenn twlite uhca

6397 E
6690 V-

63 N

CHICKASAW SYNCDPATORS( EARLY JIMUE DNCEFORQ

362. CH I KASAW STP/MEMPHIS RAG CO 14302 G

CHOCOLATE DANDIES

363. DEE BL/ BUGLE CALL RAG CO 36008 E+-
364.6LUE INTERLUDE/ONCE UPON A TIME DE 18255 E

365. PADUCAH/4 OR 5 TIMES OK 8627 E-

366. PADUCAH/ 4 OR 5 TIMES OK 8627 V-

367. THATB HOW I FEEL/ 6 OR 7 TMS OK 8728 G+

LILLIE DELK CHRISTIAN ACC. BY LOUIS HOT 4

368. WAS IT A 0 RM/ TOO BUSY (DIG) OK 8596 V-/c

SAVANNAH CH'iRCHILL

369. ALL ALONE/ DADDY DADDY MANOR 1004 V+

HERBERT L. CLARKE - CORNET SOLO

370. L0VES OLD SWT SONO/ TWLITE DRMS CO 235l E

37|.macushla/killarney CO 2553 E

372. SOUNDS FRM HUDSOn/vaLSE BRILLNT VI 16679 G+

CLARKE 4 KENEKE CORNET DUET

373. SEE THE PALE MOON VI 5724 E

374. BRUNETT ' BLONDE/(VIOLIN 4 CELLOVI 16338 E-

CLARKE 4 Z IMMERMANN CORNET 4 TROMBONE DUET

375. C0USIN ACC. BY SUAS BAND VI 47|6 V

ELSIE CLARK

376. KISS MAMA KISS PAP./hE LOVES IT OK 4725 V-

DOCTOR CLAYTON

377. MY OWN BL s/ PEARL HARBOR BB 9003 E+

CLIFFORDS LOUISVILLE JUG BAND

378. DANCING BL/ D ONT WANT U 0K~ 8221 V

GENE COBB 4 JACK GREY
3 79.H0NEY GAL >■ SMOKE/ PTS I 2 VS 6060 E

WALTER COLEMAN
380. SMACK THAT TH I NG/t«AMA LET ME DE 7 1 57 G

ARTHUR COLLINS
38 1 . TH ATS PLENTY/ MY WIFE GONE CO 724 E

COLLINS 4 HARLIN

382. ALEX. RAG BAND/OCEANA ROLL VI |6<W E

383. DWN BORNEO I SLE/( I RV KAUFMAN) STAN 2360 V

(ABOVE £ * SPI NDEL-HOLE )
EDDIE CONDON ORCH

384. TENN TWLI TE/(CHOCO DA ND I ES ) CO 36009 E

385. N0BDY SWT/FRAIRS PT SHUFFLE DE 18040 E
386.SMDAY SWTHT/CHANGES MADE DE I 8041 N
387. SMBDY SWTHR/ CHANGES MADE DE I 804 1 E+
388.SHES FUNNY THAT WAY/l MPROV I SA TN DE 23600 E

CONEY ISLAM) JAZZ ORCH
3S9.MUSIC WEDDING CH I MES/l JOHNSON )
ZEZ CONFREY

390. C0AXI NG PIANO/GRNWICH WITCH

391. KITTEN ON KEYS/PICK ME UP LAY

392. MORNING WILL COME/(gRT WH I TE ) VI

CONTRALTO SOLO

393, KISS ME/ CASEY JONES BAR 4 TEN CLI

CONWAY BAND

GE 4552 V-

BR 2 I 67 E

VI 18900 E+.

VI 19068 E

253 V-

VI I 8 1 I 7 v+

OK 8369 G+

I93I6E-
I 93 1 6 V

394, slidus trambonus/lanette

cookies g i ngersnaps

395. hi OH FEVER/HERE COMES TAMALE

COON SANDERS ORCH

396, NIGHT HAWK BL/RED HOT MAMA

397. RED l-OT MAMA /NIGHT HAWK BL
396. OWN WHERE SUN GOES DWn/ TOO BUSYVI 2 1 546 V

399. WH0 WOULDNT BE JEALOUs/SALL 4 VI 2|S|2 V-
1 ABOVE HR CRK )

MARTHA COPELAND

400. MINES GOOD AS YOURS/ BLCK SNAKE CO t4l96 V+

COTTON CLUB ORCH

40I.SNAQ EM BL/ DWN 7 OUT BL CO 287 V-

402. STATE ST BL/ HOT LIPS BR 2292 V

403. GOT TO COOL MY DOQGIES/ SISTERKBR 2338 E-

404. SISTER KATE/GOT COOL DOOGIES BR 2338 V-

405. HE MAY BE U n/grT WHITE WAY BR 2380 E

406. HE MAY BE U MAN /gRT WHl TE WAY BR 2380 V-

407. U TELL HER STUTTER/wAY DWN YND BR 2404 V-

408. BACK 0 'TWN/RAMPART ST BL BR 2486 V

20

25^ MINIMUM BID

FRANCIS STEWART

THE RECORD CHANGER, BOX 54, 4|B WEST 49TH STREET NYC 1 9, N.Y.

SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS.

25^ MINIMUM BID

FLETCHER HENDERSON CONT.

793. WHAT 'LL I TELL HRT/SLUMMIN ON PRK VO 3485 E

794. '_ET'ER GO/ WORRIED OVER U VO 37l3 E/G

ROSA HENDERSON

795. HES MY MAN/IN APT UPSTAIRS CO |4|52 Gt-
796. IF U DONT GIVE ME WHAT/SO LONG VO 14652 V+

HENNY HE NDERICKSONS LOUISVILLE SER NADERS

79/, ON BEACH W U/BUFFALO RHYT

HARRY HERSHF I E LP
798, A BE KABIBBLE DICTATES/BALL GAME

EDNA HICKS

vi \>2)Vi V

CO 2907 G+

799. DWN HRTED BLS / GULF COAST BLS BR 2463 V

SI H IGGIUMS & HIS SODBUSTERS

800. BLESS U SISTER/ PRUNE SONG VE 1739 V+

H I LDERGARDE

801. ILL BE SEE I NG U/TOO YOUNG TOO OLD DE 23291 V+
TEDDY HILL

802. U AND ME THAT USED/CHINA BOY

Tl NY H ILL ORCH
803. SPIN 1HE BOTTLE/ MY MINDS ON

RICHARD HIMBER
804. WHOSE THESE SONG I K2

EARL BlltS CRCH

BB 694l M

OK 6 1 60 N

DE 3578 V

805.GRAND PIANO BL/ BL Nl TES

BB

6744

E+

806 . EVBDY LOVES BABY/ BEAKOO JACK

BB

7040

V*

807.G.T. STOMP/ INDIANA

BB

10391

v+

89U.,R0SETTA/ GLAD RAG DOLL

BB

10555

E

80J, CHILD OF DISORDERED BRAIN/ BODY

it SB

L0642

E-

810.57 VARIETIES/ 1 A 1 NT GOT NBDY

CO

35875

E+

8|!,R0SETTA/ DEEP FOREST

CO

35878

N

8|2. MONDAY DATE/OFF TIME BL

HRS

1009

E*

8I3.STOWA*/ PANTHER RAG

HRS

10, 1

E+

8|4.JUST TOO SOON/ CHICAGO HIGH LIFE

HRS

|0|2

E-

JOHNNY HODSES ORCH

815. PASSI0N FLOWER/GOIN OUT BACK WAY BB-C3008|7N

816. PVRAMID/ EMPTY BALLROOM BL PAE 3 1 1 5 N

HOKUM BOYS

8l7.|M GONNA GET IT/KEEPU MIND ON IT VO

Bl LL IE HOLIDAY

8|8.L0VER MAN / THAT OLE DCVI L CA LEO
8| 9. U BETTER GO NOW/ NO MORE
820..U BETTER GO NOW/ NO MORE

TAYLOR 'OLMES
82I.IF I COULD BE BY HER/ COULDNT OIS

SOL HOPPI I 'S NOVELTY TR 10

822. FA REWEL L BL/ STACK 0 'LEE BL

823. CHIMES/ ST LOUIS BL

HOOSIER HOT SHOTS

3232 V+

23391 E
23483 E+/N

OE
DE

DE 23483 E-

824. SAN /HI LL BILLIES ARE MT WILLIAMS
(ABOVE 3/4 " HR CRK )

825. TIGER RAG/EVY3DY LOVE MY BABY

CLA"DE HOPKHS

826. JUNE IN JAUARY/CHASING ALL BLS
827,S'.VI NGI N DWN LANE /SUNDAY ( D I G J
828.H0NEY/MY KINDA LOVE

829.3 LITTLE WORDS/ MY GAL SAL

HARRY HORLICK CRCH
830. ONE ALONE/ SOFTLY AS IN MORN.

THE HOTTENTOTS
831. CAMEL WALK/DOWN & OUT BL

BOB HOWARD ORCH

VI 45073. £

CO 797 E
CO I I 55 V+-

PE 60262 V-

OK 6UI 7 G4-

832. TAKE KEY LOCK U/.->£NNY WISE

833. ON REVIVAL DAY/ SWT EMALlNA

ROSETTA HOWARD

834. MEN ARE LIKE ST CARS/jlVE IS HER

HARRY HUBERT PIANO SOLOS

835. KITTEN ON KEYS/COCOANUT DNCE

RICHARD HUEY

836. BL BOOGIE WOOG IE/HURRY SUNDAOWN

SPIKE HUGHES ORCH

837. ARABESQUE/NOCTURNE

ALBERTA HUNTER

838. PARTICULAR MAN/ Gl MM I E ALL LOVE
839.00 NT FORGET TO MESS/ IM TIRED

840. MAYBE SOMEOAY/MISS ANNA BRWN

LLOYD HUNTLEY

841, TAKE ME/ JUST ANOTHER Nl TE Wl TH

MISS JOHN HURT

DE

441 E-

OE

1 153

G+

DE

1 3 1 6

E-

VO

3692

V+

OE

2888

N— /

VO

15161

V+

DE

1372

E

DE

2263

V—

DE

7618

E-

BS

2061

V-H

DE

8656

N—

DE

18170

N

CO

14450

E-

OK

8409

G

PM

12066

G—

BR

4797

N-

OK

8654

E-

842. CANDY MAN BLS/STACK 0 'LEE BLS

JACK HYLTON ORCH
8S3.DINAH-AS DONE BY LOMBABDO, T,0. ,LOU I S,BI NG ETCy

ellingtonia;-blk & tan,mood INGIOODE 189 V

844. KING HORSES/ SLEEBYTIME EXPRESS
INK SPOTS ELLA FITZGERALD

VI 22619 V+

845.THATS WAY IT IS/BEGINNING SEE L DE 23399 V

INTERNATIONAL NOVELTY ORCH

846. FLAPPER WIFE/CARETAKERS OAUGH VI 19638 \l+

CHARLIE JACKSON

847. BUT TER «• EGG MAN/LETS GET ALONG PM 3|4 G+

848. BABY DONT BE SO MEAN/DONT TEAR PM 12553 V-

JACK .JA.CKSON ORCH

849. TURN U FACE TO SUN/ RED SAILS VI 25152 V-

J IM JACKSON

85O»0LO DOG BLUE/HEARD VOICE PORK C VI 21387 N
JAM SESSION AT VICTOR

851 . BLUES/ HONEYSUCKLE ROSE VI 25559 E-

FRANK JAMES

852. FR0SA KEN BL/ MISTREATED BL

HARRY JAMES ORCH

853. NITE SPECIAL /BACK BEAT BOOGIE

FRANK IE (HALFPINT7 JAXON

854. CHOCOLATE TO THE BONE/NEED KNCK OE

855. U CANT PUT TH AT/CO RR INE DE

JAZZ G ILLUM

VS 6062 N

CO 53456V+

7360 V
7619 N

856. COULDNT HELP IT/ DEEP WATER BL BB34709 G+
JAZZ-»BOS CAROLINA SERE ( OR IG MEMPHIS5)

857.SI STEP Ki TE/ACHIM HEARTED BL CA 269 E-

HARRY dENTES PIANO SOLO

858. RAINBOW WALTZ/CATS PAJAMAS BELL 22 1 G

GEORGE JESSEL

859. when curtain come dwn/mothers

(above; rm chp nc gr)

THE JESTERS
860. SHE WEARS YELLOW RIBBON/ HUT SUTDE

JIM DANDIES
861. SHAKE THAT THING/CHARLESTON GEE HA
862.CHALRES GEECHIE DNCE/oHAKE THAT HA

JOHNNY f- JACK

AP
AP

VI 2i 852 V-

3778 G+

863. J0LE BLON/ SING TOM KITTY

864. L0VE IN 1ST DEGR EE/TO OMA NY BL

WHITEY JOHNS

865. GREST GARND— DAD/FARM RELIEF S ONGBH

BL II* W I LLIE JOHNSON

55 v+
55 V-

142 E
I 47 V+

6561 V-

CO 14303 V-

8640 V+
3950 E+

OR 60604 E-

866. NBDYS FAULT BUT/DARK WAS NITE

BUDDY JOHNSON CRCH

867. MY LONELY CAB IN/A I NT MAD W YOU

868. WORRIED S- LONESOME/WEEPING

JOHNNY JOHNSON ^RCH

869. RHYTHM SAVED WLD/IS IT TRUE

870. GOOD Y GO ODY/W HEEL OF WAGON BRKN RO 6O50l V+

LONNIE JOHNSON

871. FLOOD WATER BL/ I M NUTS OVER U DE 7397 V

872. HI NT GONNA BE U FOOL/ MR JOHNSONDE 7509 V+
873. IM IN LOVE WITH L/TELL EM WHY Dl 0 506OE+/E

AL J OLSON

874.STEPPIN OUT/ ONE I LOVE BR 2567 V-

875. WHERE Dl ROBINSON CRUSOE GO CO 1976 E

876. WHERE DID ROB. GO WITH Fl RDAY SATCO 1976 V+

877. DWON WHERE SWANEE FLOWS/CALLED CO 2007 E-

878. Y0URE DANGEROUS G 1 RL/( PEERLE SS ) CO 204| V-
879. IM SAVING UP MEANS TO GET TO CO 2064 V+

880. FRM HERE TO SHANGHA I / <ANA WHEA TON )C02224 E

881. WHO PLAYED POKER POCAHONTAS CO 2787 V
882.1 GAVE HER THAT/(F.WHITEHOUSE) CO 2835 E
883,U'VE SIMPLY GOT ME/(CRUM1T> CO 3984 E+

JONES & CRAWFORD

D| 2558 V-

CO 3876 E+

DE 5613 G+

DE 7|3 E
754 E
VI 24|6| V
VI 24606 E-

884. DAY IN COURT/ NEW RECRUIT

BILLY JONES 8. ERNIE HARE

885. BARNEY GOOGLE/ OLD KING TUT

BUDDY JONES
S86.SHES SELLIN WHAT SHE/SMALL TWN

I SHAM JONES ORCH
887. DAY I LET U GET/NEVER TO BE DE
888.ST0MPIN AT SAVOY/MELANCHOLY BhB DE

889. WHERE/LI TTLE ST WHERE OLD FNOS

890. ITS FUNNY TO EVYONE/AINT LAZY

MAGGIE JONES
891.4 -FLUSHIN PAPA/ JEALOUS MAMA

892. CHEATIN ON ME/WONT U COME &

893. UNDERTAKERS BL /NORTH BOUND BL

(above; LAM CRK J

894. MAMA STAYED OUT ALL NITE/HE BEL0C0 |4|67 G

WILLIE JONES

895. WILLIES WEARY BL/ BLUE BUDOIES VO I I 94 G+

JUAN I TA HALL C'-'OIR

896. LIFT EVERY VOICE ft SING/OL LAZA DE 86|2 E-

D ICK JURGENS ORCH.

897. DRM DANCI NG/MOONL I TE CQ 9893 V+

ROGER WOLFE KAHN ORCH

CO

1 4044

F+

CO

14074

G—

CO

14092

V

898.L00K WHOS HERE/BAMMY SHORE
899, SMETME IM HAPPY/HALLELUJAH

V I I 9808 N—
VI 20599 E

ROG

900.

901,

902,

903,
904.

905.

906,

907

908,
909.
910

91 I.

9l2,
913,

914.

9|5,
916,

9l7,
91 8.
91 9,
920,

92l,

922.
923,
924,

92:,.
926.

927.

928.

WOLFE KAHN ORCH COMT.
3HES GREAT G1RL/(aLL STArJ
HELEN KANE

I'D 00 AN YTH I NG/HES SO UNUSUL
A I NTCH / HAVE TO HAVE U
KANSAS CITY Fl VE
L OUISVULLE NL/(SAR HARB OR )
BOUND ROUND W MASON OIXONLNE
WHITNEY KAUFMAN ft HIS ORCH

VI 2 1 326V+

VI 22080 V
VI 22192 E-

PE 14377 E
V I I 8353 V

PADDLIM MADELIN HME/JUST LIT
DANNY KAYE-ANDREWS SISTERS
BIG BRASS BRAND FRM BRA Zl L/QU I
KEYHO'ISE

KEGHOUSE/SH I FTI N MY GEAR

WILLIE KELLY

VI 19834 E-
ETDE 24361 V
OK 8583 G

KELLYS SPECIAl/DONT PUT L I TES
NASTY BUT IT CLEAN. U SO DUMB
32-20 BL/GIVE ME U CHANCE

STAN KENTON ORCH
BLUES IN BURLESQUE I &2
KENTUCKY GRA SSHOPPERs( WHOOPEE

VI

23259

E+

VI

23299

V

VI

38619

V-l-

CP 1874 E
MAKERS GROUP)

MAKIN FR I ENBS/BL WHEN RAINS BA 6360 V

MAKIN FRIENDS/GET BL WHEN BA 6360 V-

LA IRE'ICE -88' KEYS
UP TO DATE/THROW IT OUT MND CHI 107 V

NORA LEE KING
,yump da da /love me de 7870 e

, thats way it goes/got notion vo 4|56 v+-

andy kirks 1 2 clouds of joy
,chris columbus/ froggy bottom
li ttle joe from/overhand
,marys 10ea/0nce or twice
zooming at zombie/little st in
(above crk)
ARNOLD KOKOMO
WILD W A TERBL/i_AU GH ft GRIN

HOWARD KOPP ft FRANK 8ANTA
0 JOHNNY 0/(VESS OSSMAN)
ONE STEP MORE/TAKES LONG TALL
ONE STEP MORE/LONG TALL BRWN
HOWARD KOPP & SAMJEL JOSPE
YA}KA HULA HICKY DULA/UNCLE TO
YAAKA HULA/UNCLE TOM
GENE KRUPA

DE

729

V

DE

3385

V

BR

4863

E-l-

OK

5761

V-

OE 7285 G+-

CO

2321

V

CO

2376

V

CO

2376

V-

CO

2058

V

CO

2058

V-

CO

35324

V

K.

BY

929

930.

931

932

I'D LOVE CALL MY SWHT/DRUMMI N

Kll KLUX KLAM RECORD
SPECIAL RECORD MADE FOR THE K.
GENNETT— DADDY SWIPED OUT LAST CLEAN SHEET

ft JOINED K.K.K/GATHERI NG KLAN K.K.K. 75006V
KLA NSMAN ft RAIN/ STUTTERING KLANSP K-3 V
KAY KYSER ORCH

CANT U READ TSEJN LINES/BELL BT CO
LADA'S LOUISIANA ORCH

EM

36801 V-

WHN HRST ARE YOUNG/(lANIN ORCH

LAPPS BLACK ACES
U CAN HVE HIM/SISTER KATE

TOMMY LAPNIER CRCH

GE 4938 V+

933. REALLY THE BL/JA DA

934. WHEN U ft I HERE/ WEARY BLS
(A3 QVE RM CHP | GrJ

935. LAZY DADDY/ JELLY ROLL BL

HENRY LANGE PIANO SOLO

936
937.

HMV
HMV

9236 N-
9*1 I E+

RUFENREDDY/ P I ANOFLAGE
RUFENREDDY/P I ANOELANGE
SAM LAN IN ORCH

PM 14002 E

2344 E
2344 V

938.S0MDAY U 'LL SAY OK. ( RED HOT DOGSBA

939. s

940,
94l ,
942,

943.
944.

945.

946,

.SMILE WILL GO LONG WAY/MOM-MA
HARRY LAHPER
STOP U TICKLIN JOCK/SHES ROSIE
STOP T ICKLI NG JOCK.'
HEY DONAL

YANK LAWSON
SENSATI ON/SUGAR
TOO MANY TI1ES/ STUMBLING
LEW LAHR AT THE FA IR

OK

S) 57 V-
40053 E

VI 45197 V
VI 60002 V-
VI 60005 v+

SG 15004 E
SG 38107 E+

PARTS 1 8,2 OF SPECIAL RECO RO^flEM I NG TO N RAND E

LAZY LEVEE LOUNGERS
SHOUT SISTER SHOUT/IF I COULD BECO 2243 G
BARON LEE A HIS BL R YTHM RAND

947. HEAT WAVES/SCAT SONG ME 12366 V-

JULIA LEE

948. GOTTA Gl MM I E WHATCHO/LIES CAP 308 V
949.1 'LL GET ALONG/YOUNG GIRLS CP 379 E*
950.0N MY WAY OUT/OH MS RIE CAP 340 E-t-
95I.DRM LUCKY BL/LOTUS BLOSSOM PREM 29013 N-

21

25^ MINIMUM BID 25/ MINIMUM BID

FRANCIS STEWART

the: record changer, BOX 54, 4|8 WEST 49th STREET NYC 19, N.Y.

SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS

JULIA LEE

CLAUDE LUTER CRCH

JAY MCSHANN ORCH

952, DRM LUCKY BL /LOTUS BLOSSOM f-REM

29013

V*

1 009, GA TEMOUTH/ SNAKE RAG

CI

1045

N

1065. DEXTER BL/ HOLD EM HOOTIE

DE

5883

N-

MARY LEE W BOB CROSBYS BOB CATS

|0|0,WHERED U STAY LAST N 1 TE/RO YAL PACF90008

N

MEMPHIS MINN IE

953. HUNG MY HD 4 CR 1 ED/YOURE DARLG

DE

4346

E4-

1 066^ENA Ml STPEATER/IM SO GLAD

CO

37295

E+

LENOX DANCE 0RCH( HENDERSON)

FRANK LUTHER

1 067. CAN T AFFORD LOSE MAN/ME 4 CHAUFOK

6266 E/v

954. ME NEENYAH/( PI EDMONT DNCE o)

HE

14394

V

101 I, BARNACLE BILL/ GAY CABALLERO

BR

4|80

G+

1068. LOVE COME & GO/WHEN U LOVE ME

OK

6733

N-

HAROLD LEONARD 4 HIS RED JACKETS

1012, DANCE AT JONES PL/PEARLY GA TEB

BR

4334

V-

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HARRY MCCLINTOCK

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MILLS MERRY MAKERS

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MIFF MOLES MOLERS

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10116

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LOUISIANA SVGAR BABES

MCK 1 NNEYS COTTON PICKERS

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(above crk)

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JANE LUCAS

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JIMMIE LUNCEFORD ORCH

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BR

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OE

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PM

12355

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RARE VO NEGATIVE LABEL ISSUED FOR JUST A WEEK
OR SO IN 1936 4 REPLACED BY*SCROLL* LABEL.

125^ MINIMUM BID

25^ MINIMUM BID

1I2C.

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1 123,
1 1 24,

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1126,

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1139.

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LECNOR/H I GH LIFE

ROSE MURPHY
WHEN I GROW TOO OLD/ANYTHY I NG

BILLY MURRAY/ CAL S TEWAR T
WHISLING CO ON/ LA UGH I NG SONG
BILLY MURRAY A HAYDN QUARTET

MA J 1 204 V-

TAKE ME UP WITH U DEARIE VI S7|8 V

WHEN U DROP OFF/PRETTY BABY VI |8|02 E+

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GO JOE GO/ TAKE F I NGEP OUT VI 20605 G+
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I 'LL REMEMBER/HOW LEARN TAP BB 10433 V

OZZIE NELSON ORCh

SAYS MY HRT/U LEAVE BRTHLESS BB 7528 V

REP NELSON

CRYING MOTHER/STRMLI NE TRAIN BRE 3508 E/E-

NEW D IX IE DEMONS

WAS I ORUNK/ACE IN HOLE DE 5257 V—

NEW MAYFAIR NOVELTY ORCH / OLSEN

VI 24090 E-

VI 27386 E

DO 338 V

ME 12 1 33 E

20TH CENTURY BL/LISTEN GERMAN B

NEW ORLTMaS FEETWARMERS
COAL BLK SHINE/ BABY WON T U PL

NEW ORLEANS JAZZ BAND
LIMEHOUSE BL/C'WN WHERE SOUTH

NEW ORLEANS RAMBLERS
GOD CHILDREN/MC WONDER IM BL
NgO.h.K.

iEVYBD Y LOVES SMBDY/CRYING FOR ME BB 1 0956 E+-

NEW ORLEANS RHYTHM KINGS
PANAMA, 'TIN ROOF BL BRt |9|0 N—

, THATS A PLENTY/TIN ROOF BLS BRE 2208 N

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HOUSE DAVID/SMBOYS WRONG PE |4|78 V+

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NEWPORT SOCIETY ORCH / J. LEVY ORCH
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FRANK IE NEWTON ORCH
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I 162,

I 163,
I 164
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BB 10593 E/E-
BR 3477 E-
BR 4957 v
RC 4373 V
BR 6836 v+
OK 5676 V-
VI 2t056 V-
VI 2 1 560 E+
VI 21560 V-
VO I 5498 V-

ROBINS 4 ROSES/MELANCHOLY BABY
BUDDYS HAB I TS/BNEYARD SHUFFLE
EM6RA SSABLE U/ I GOT RHYTHM
I ND1 ANA/Ot NAH (hR CRk)
SHIM ME WABBLE/THE SH I Efc ( CRK )
BEAT ME DADDY/LOWLAND BL
SUGAR /MAKE MY COT W COTTON GRWS
5 PENNIES/ HARLEM TWIST
5 PENNIES/HARLEM TWIST
THATS NO BARGAIN/WASHBOARD BL

REV. A.W. NIX
WHATS WRONG WITH CHURCH/FLIRTING VO I 548 G

RAY NOBLE ORCH
MY WALKING STICK/NOW CAN BE
BLUE DAN U BE/ I LOVE U TRULY

GREAT TO BE IN LOVE/MY SWEET
WHERE LAZY R I VER/SMTH I NG IN AIR
J I MM IE NOONE

BR

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E-

VI

24806

V-

VI

25209

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VI

25209

V-

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25459

v+

SWEET SUE/KNOW THAT U KNOW BR 80024 N—

• EVY EVENING/ 4 OR 5 TIMES BR 80025 V+-

MONDAY DATE/ BLS MY NAUGHTY SWEETBR 80026 E-
•N.O. HOP SCOP BLS/KEYSTONE BLS DE 25l 04 N-
NORFOLK JAZZ QUARTETTE

OFF

DE

7349

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4318

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OK

431 8

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4400

£.-

REL

CR

3328

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II68.S0UTHFN JACK/JELLY ROLL BL
I I 69. JELLY ROLL BL/SOUTHERN JACK

NORFOLK JUBILEE FOUR
II70.H0PE 1 MAY JOIN/WHO BUILT THE
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PHIL OH MAN & VICTOR ARDEN PIANO DUET

1173. NO NO NORA/NASHVILLE NIGHTINGALE BR 25|2 V

1174. U KNOW ME ALA.BAM/PUT AWAY RAY BR 2670 E+

1175. D0NT SAY GDBYE/I GAVE U UP CO 3785 E-f
PHIL OH MAN 8, "ARRY RESEft, (above f I I 75 SAME)

I |76.l GAVE U UP/ DO NT SAY GDBYE
I |77.| GAVE U UP/DONT SAY GDBYE
PHI LA OHMAN ORCH

CO 3785V
CO 3785 V-
(ROYAL blue)

I 1 78. CHEEK TO CHEEK/TCP HAT WHITE CO 3077 E+/E

FRANCIS STEWART

THE RECORD CHANGER, BOX 54, 4| 8 WEST 49TH STREET NYC I9,N.Y.
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS.

1179,

182.

183.
t84.

185,
186,
167,

WALTER O'KEEFE

, MAN ON FLYING TRAPEZE I J-2 VI 24172 E

OKEH LAUG1-' I NG RECORD
.LAUGH IN W CORNET/GYPSY BARON OK 4678 V-
,LA GH I NG W CO R NET/ GYPSY BARON OK 4678 F

OKEH ME LOP IANS
0 GEE 0 JOYS/ SAY SO 0DF|62294 V+

CHiUNCEY QLCOTT
BEAUTIFUL IRISH MAID/MOTHER MA CO I 337 V

I 89,
190.

I 91,
192.
193.
194,
195,
196,

197,

198,
199,

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201,

202,
203,
204,
205,
206,
207,
208,
209,
2l0,
2l I,
212
213,
214,
215,
216,
217,
2|8,
219,
220,
221,
222
223,
224,
225
226
227,
228,
229,
230,
231
232,
233,
2;4
235,

236
237
238
239
240
241,
242,
243,
244,
245
246
247
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249
250
Z5|
252
253,
254,
255

ITS AN IRISH GAL/MA CUSHLA AST

KING OLIVER ORCH

DO NT U THINK LOVE U/S TRUGGLE
DEEP HENDERSON/ JACKASS BL
DEEP HENDERSON/JACKASS BL

HAUL OLIVER
ONE SWT KISS/WHEN U COME TO

GEORGE OLSEN ORCH
BEALE ST BL/ BOLL WEEVIL BL
BEALE ST BL/BOLL WEEVIL
LIT THING CALLED/ PA DDL I N '
JUST SAILORS SWHT/DAY I MET U
JUST SAILORS SWHT/DAY I MET
BYE BYE BLKBRDS/WHAT USE
GOOD NEWS/VARSITY DRAG
LIKE MELODY FRM SKY/BABY DONT

OR IG 0 IX IE RAG PICKERS
STRUT YOUR JONES/CECILIA

O.D.J.B.

CO 2988 V

HMV 4930 N-
VO I 01 4 G
VO 15394 V-

VI 22091 V

19457 E+
19457 E
19834 V
19938 E-
19938 V
20089 E
20875 E
2 1 452 V-

RAD |296 V-

CRKTWN STRUTTERS/ INDIANA
DRKTWN STRUTTER/ INDIANA

J.B. BALL/OSTRICH WALK
J.B. BALL/ OSTRICH WALK
J.B. BALL/ OSTRICH WALK
J.B. BALL/ OSTRICH WALK
J.B. 8ALL/0STR I CH WALK
TIGER RAG/SKELETON JANGLE
SKELETON JANGLE/ TIGER RAG
SENSATION RAG/BLU1N THE BL
BLUIN THE BL/ SENSATICN RAG
SENSATION RAG/BLUIN THE BL
BLUIN THE BL/ SENSATION RAG
BLUIN THE BL/ SENSATION RAG
SENSATION RAG/ BLUIN THE BL
CLAR MARH/KOURIN BL
CLAR MA RM/MOURN I N BL
CLAR MARM/MOURN I N BL
FIOGETY FEET/LAZY DADDY
FIDGETY FEET /LAZY DADOY

MARGI E/PALESTEENA
MARGI E/PALESTEENA
M«RG! E/PALESTEENA
MA RGI E/PALESTEENA
B 'WAY ROSE/ SWEET MAMA
6 'WAY ROSE/ SWEET MAMA
CRAZY BL/HOME AGAIN
CRAZY BL .HOME AGAIN BL
JAZZ ME BL/ST LOUIS BL
DANGEROUS BLS /ROYAL GARDEN BLS
ROYAL GARDEN /DANGEROUS
.ROYAL GARDEN BL/ DANGEROUS
ROYAL GARDEN/DANGEROUS

BOW iow/(benson °rch)
bow wow/(benson °rch) (dig)
fidgety feet/(r0nn1e munr0 )
org indiana 5
.hard to get ge r t i e/pensa cola ca
.melancholy baby/<gotham orch chlgr

CO

2297

E4-

CO

2297

V

VI

18255

E

VI

18255

V—

VI

18457

E1-

VI

18457

E

VI

18457

E-

VI

1 8457

V4-

VI

18457

V

VI

1 8472

E+

VI

18472

e

VI

1 8483

E

VI

18483

E-

VI

18483

V«-

VI

18483

V

VI

18483

V-

VI

18483

G4-

VI

|85|3

E-

VI

18513

v+

VI

18513

V—

VI

18564

E

VI

1 8264

V+

VI

I8ffl7

E+

VI

1 87l 7

E

VI

|87|7

VV

VI

|87|7

V

VI

1 6722

E-t-

VI

1 8722

E

VI

18729

E-

VI

18729

G+

VI

18772

V—

VI

1 8798

E

VI

18798

V

VI

18798

V-

VI

18798

G+

VI

18850

VI-

V 1

18850

V—

VI

25668

E

924 v-
566 V-

.SMEDAY SWHT/I'MCOMIN VA Dl 250l E-

• STRUTTIN JERRY /U DONT LIKE IT DO 3997 E
.1 'D F.ATHER BE A L ONE/PENS A COLA HA lOl E—
.SPANISH MAMMA/DEEP HENDERSON HA 2|7 V
FLORIDA LOW OWN/HANGIN A ROUND HA 267 E
I 'D RATHER BE ALONE/( P.HUGHES )OPE 14558 E-
HARD TO GET GERT I E/HORSES( G. G ) PE 14609 V+
.INDIANA SHUFFLE /COFFEE POT RE 8248 V-

CHICAGO/GOT TO COOL MY DOGGI ESBELL 168 V
SWT PAPA J0E/Y0U(A.LANGE) CA 478 V+

4 O'CLOCK BL/ HAUNTING BL NAT |2|92 V-

. MEMPHIS GLIDE/YES WE HAVE NO PAT 20981 V
MAMAS BOY/GO EMMALINE(5 B I RM b)hE 1 4349 V+

.WHOS SORRY NOW /SNAKE HIPS VI 19052 E-

.WHOS SORRY NOW/SNAKE HIPS VI 19052 V+

TIN ROOF BL/SONG FOR SALE VI I 9| 70 V+-

TIN ROOF BL/SONG FOR SALE VI I9|70 V-

• MEANEST BL.HOW COME U DO ME VI 19480 V

24 E+

25 E+/E

26 E+

28 E-

K ID ORYS CREO|F .If 77 RA,'«
I 256. I 9l 9/DOWN HOME RAG
1257,00 WHAT ORY SAY/CARELESS L
I258.0RIG DIXIELAND ONE STEP/0 RYS C
1259. MAPLE LEAFE RAG/HtlRY BL

VESS OSSMAN

i860. DROWSY DEMPSEY ( JOSEF GUNG'L) CO 601 E
1 261 .STARS STRIPES FOREVER V I— MONARCH I 5| V-

1262. GAY GOSSOON/ ST LOUIS TICKLE VI 16092 E

HOT LIPS PAGE

1 263. LET SONG GO OUT/ROCK IT 4 BB 7567 E—

1264. AT BECK S: CAL L/FEELl N HIGH BB 7569 V

1265. PAGIN MR PAGE/UNCLE SAM BL SV 520 G+

JULY PA KA

I 266. HAWA I I AN MEDLEY /KAWA I HAU CO I 747 E+-

TOOTS PAKA HAWAIIAN COMPANY
1267.1, 2, 3, 4/US LIKE NO A LIKE CO I 702 E-l-

VI PALMER PIANO SOLO

1268. POOR BUTTERMILK/ KITTEN ON KEYSRE 9154 V

PALMETTO JAZZ QUARTETTE

1269. UY JAZZ GAL/AUNT HAGERS BL OK 80l I V-

PANCHO & HIS ORCH

1 270. Tl GER RAG/HTNCUSTAN(CONGAS)

PARAMOUNT QUARTET
|27|.WHAT DID HE DO/HVN IS MY HOME

TINY PARHAM S, HIS MUSICIANS
|272. STUTTERING BL/ JOGO RHY

THE PEBBLES

DE 3620 E

HA 51 50 V+-

«l 36009 V-

VI 20774 V+

I 273. HOT PEBBLES/ DEEP HENDERSON
DR. CLARENCE PENNY— MANDOI IN

1274. TOOTS/I NDI ANOLA PATROL VI I 7694 E-

1275. TOOTS/ I ND I ANOLA PATROL VI 17694 V

PERRY3 HOT DOGS
12/b.SHOW ME WAY H ME/NO FLIES ON RE 9917 V
12277. TWEEDLE DEE TWDLE DOO/ ( S , LANI nRE 99l 9 V+

GEWERAL JOHN J. PERSHING
1278. ADDRESS FROM BATTLEFIELDS OF FRANCE IN
WORLD WAR I .AMBASSADOR JAMES W. GERARD
"LOYALTY", AUTOGRAPHED IN WAX BT PERSHING.
"NATIONS FORUU* MADE BY COLUMBIA E+
JACK PETTIS BAND

I279.HES LAST WORD/(BILL PERRY o)
I 280. ST LOUIS SHUFFLE( H 'WOOD D )
I28I.AINT SHE SWEET /MYHA-HAPPI NESS
|282. CANDIES SWEETS/MARKELS ORCH)
I 283. SPANISH DRM/DOIN NEW LOW DWN
I284.BAG0 0' BL/FRESHMAN HOP"

FL IP PHILLIPS FLIPTET
1285. SKY SCRAPER/ PAPPILLIMA

BOB PIERCE /WALTER SCANLON
| 286. I 'LL BE PAL/LITTLE PAL

PIRONS N.O. ORCH

BA.
DO

1287. N.O. WIGGLE/ MAMAS GONE GOBY
I 288. N.O. WIGGLE/MAMAS GONE GDBYE

1 289. WEST INDIES/DO DOODLE OOM

1 290. DO DOODLE OOM/ WEST INDIES

ELEASANT FAMILY

1291. DWN ARKANSAS/GET WAY FRM

BEN POLLACK ORCH
1292.1 F I COULD »E » U/IMFE RIAL 0) BA 747 V+

1293. NITE ON DESERT/SLEEPY HEAD CO 2929 E

1294. WHEN I 1ST MET/(GEO. OlSEN ) VI 20394 E

1295. DEED I DO/NEED LOV I N ( C. SANDERS ) VI 20408 h

I 91 I E
3884 v+
391 4 V-
RE 6463 V+
VI 2|559 G4-
VI 2|793 E

SG 28106 E

ED 14037 V

VI I 9233 E+

VI 19233 E

VI 19255 E

V I I 9255 E-

BWY 8|49 .'-

VI 20408 V
VI 20425 V+
VI 20425 V
VI 2 1 I 64 M—
21437 V
2 1 857 E+-
21944 V-
22074 E+

VI
VI

VI

1296. CEED I DO /NEED LOVIN ( * * )

1297, HES LAST WORD/(GE OLSEN )
I 298. HES LAST WORD/(GE OLSEN )
I299.MEMPHIS BL/WAITIN FOR KATE
1300. SI NGAPORE SORROWS/ SWEET SUE
I 301 • SALLY OF MY DRMS/( »AR I NG )
I 302. MY KINDA LOVE/ON W DANCE
I 303. BASHFUL BABY— GREAT B.GOODMAN
1304. SONG OF THE BL/SOME OLO (BALLEW )vi 22|47E
I305.S0NG THE THE BL/ ( SM I TH BA LLEW )v I 22|47 V

DICK PORTER ORCH (rm CHP 6 an)
I 306. POOR ROBINSON CRUSOE/SWING BY VO 3478 G

PORTERS BL DEVILS
|307.E FLATS BL/ ORIG CHARLESTON GE 52|0 V

HENRY PR ICE-CHI LDREHS SONGS
I 308. CAMEL/BUTTERFLY/ELEPHANT/ TIN VI 16694 V

LOU IS PR I MA ORCH
I 309.DRMS GETTIN BETTER/THE BLI ZZARDMaJ 1728 M—

PRINCES BAND
|3|0. BEALE ST/LILY OF THE VALLEY CO 2327 E

PRINCETON TRIABGLE CLUB JAZZ BAND
1 3 1 I .SEA OF DRMS/F I RATE GOLD CO PERCONAL 31-P V

CLARENCE PROFIT TRIO
I3I2.H0T & BOTHERED/TIMES SQ BL DE 8503 E

23

25^ MINIMUM BID

25^ MINIMUM BID

FRANCIS STEWART

THE RECORD CHANGER, SOX 54, 4|8 WEST 49TH STREET NYC 19,. N.Y.
SEE PAGE ONEOF AUCTION FOR INSTRUCTIONS,

PRY0R5 QRCH

|3|3,
|3|4,

1 3 1 5,

|3|6,

I 3 1 7.
t3lS
|3|9
1320,
I 32 I,
1322,
1323,
1324,
1325,
1326,
1327,
I 328,
1329,
1330,
1331,
1332,
1333.
1334,
1335.
1336,
1337.
1 336.
1339.

1340.

1 341.
1342

VI
VI

4|86 V-
16155 E

CO I 5 1 02 G-t-

DE 23152 E+

PM I 2080 V—
PM 12082 G
PM 12083 V

HUNTING SCENE

BY SWANEE RIV/SOUTHERN 8ELLE

R I LEV PUCKETT
IOA RED/SALLY GOOOWIN
QUINTET H.C. FRANCE
.WONDER WHERE BABY IS/DAPHNE

MA RA I KEY
►LAST MINUTE/BO-WEVIL BL
.BAFREL H0US/WALKIN6 BL
MOONSHINE/SOUTHERN BL

.CRM BL /LOST WANDER I NG (p 1 CTURE l)pM I 2098 N
.CELL BOUND BL/ YA DA DO PM |2257 G

CELL BOUNO BL/ YA OA DO (oiGj PM |2257 G
. EX PLAN I NG THE BL/ARMY CAMP HARMY PM 12284 V
LA.HOO DOO BL/ GDBYE DADDY BL PMIT2290 V-

LEVEE CAMP MOAN/STPRMY SEA BL PM 12295 V-

,NITE TIME BL/ 4 DAY HONORARY PM 12303 V+

HITE TIME BL/4 DAY HONORARY SCAT PM 12303 G
MEMPHIS 80UND/ ROUGH 4 TUMBLE PM |23|I V-

ROUGH 4 TUMBLE/MEMPHIS BOUND PM 1 23 1 I G+

, SLAVE TO THE BL./O MY BABE BL PM 12332 V-

CHAIN GANG BL/WR I NG IN 4 TWISTIH
JEALOUSY BL/ BRKEN HEARTED BL
BRKEN SOUL BL/ SISSY BL
LITTLE LOW MAMA/ GRIEVIN HRTED
LITTLE LOW MAMAM/GR I EV I N/HR TED BLPM ]24|9 G
GONE DADDY 8L/SL0V DRIVING MOAN PM 1 2526 G
BL THE WLD FORGOT I 42 (crk) PM 12647 G

COUNTIN THE BL/ JELLY BEAN BL UHCA 83 E

DEEP MOANING BL/ TRAVEL I NG BL
THE RAVENS

PM 12338 E+-

PM 12364 V

PM 12384 E+-

PM I 24i 9 G+-

PM I 40 1 i E-t-

IVE BEEN A FOOL/ DO NT HAVE TO

THE RED HEADS ( RED 4 MIFF)
DYNAMITE/HI DIDDLE DIBBLE
GOOD MAN HARD H ND/BALT IMORE
RED 4 MIFFS STOMPERS
I343.SLIPPIN AR0UND/(C00N SANDERS)
DON REDMAN QRCH

1 344. CHANT OF WEED/SHIM BE SHA WBBLE

REGA OANCE QRCH

1 345. jokes 142 Okeh laughing dance rd ok 4731 E-

LEO REISMAN CRCH

VI 22194 V
VI 22459 V

NAT 91 Ol G+

P«T 36458 V
PE 14882 V+-

VI 21397 V-

BB 10765 V

1346

1347,
1348,

YEAR FRM TOD AY /SWEETER THAN
BYE BYE BL/AR0UND THE CORNER
N1TE WHEN LOVE WAS BRN/IF U WERE VI 24047 V
GEORGE RENEAU— BL I NO MUSICIAN OF THE SMOKY MT

1349. SOFTLY 4 TENDERLY/BAGGAGE COACH
I 350. MY REDEEMER/FLOA T I N OWN STREAM

HARRY RESER
I 35 1 . I SLA WD MADE FOR 2/TAM I AM I TRAIL
(ABOVE PM CHP I GR)

DON RICHARDSON/MIKE BERNARD -

1 352. MRS MCLEODS REEL/ALL OUT STEP

HARRY RICH MAN

1353. MUDDY WATER/A I NT SHE SWEET

ETHEL RIDLEY

1 354. GOT BETTER BREAD/hERES YOUR OPPO

1355. MEMPHIS TENN/REAL KIND MAMA

Wl LL IE R IGHT

1356. MEAN OLD CAP BL/DWN SOUTH BLS

R I LEY-FARLEY ONYX CLUB BOYS

1357. MUSIC GOES ROUND /LOOK IN FOR
I35S.M.US1C GOES ROUND/LOOKIN FOR
I 359. NOT ENOUGH/ GONNA CLAP HANOS

JOS.ROSECHAIJIS 4 HIS N.O. BOYS
I36U.ANYTHI NG FOR U/ZOLfl

1361. JUST LIKE FALLING S TAR/SLEEPP

DICK ROBERTSON QRCH

1 362. MA/SHE HAD TO GO 4 LOSE IT
I 363, HRT BRKING BL/CRYIN FOR LVE

I KEY ROBINSON QRCH
I 364.SUNSHI NE/nA"MI NOR STOMP

SUGAR CHILE ROBINSON
' 365. NUMBERS BOOGIE/AFTER SCHOOL

VO |49|8 V

VO 15046 E-

8R 3100 V-

CO 2577 v

BR 3435 V-

CO 3941 l»

VI l 91 I I V+

OK 5959 N-

DE 578 V+/E

DE 578 V
DE 683 N/E-

" VO 2646 V-

VO 2881 V+

DE 2920 V-

VO 3453 V-

DE 7650 E+

CP5770037V

CARSON ROB ISON

1366,1942 TURKEY IN STRAW/BARNACLE B BB 11460 V-

I367.SINKING OF VESTRIS/WILL ANGELS CA 8380 E+

1368. COMIN ROUND MT/RED RIVER JD 352 1 V

1 369. NONSENSE /STUFF V| 38074 V

Wl LLflRD ROB ISON

1370. JUST MEMORY/N.HAP H I WAY rE 1 2384 G+
I37| . CA TTAGE FOR SALE/SING U SINNERS VE 2 I 3 f V-

HOMER RODEHEAVER

1372. OLD FASH FAITH/OE BREWERS BIG H VI 17455 E

VI 20671 v+

ERNEST RODGERS

1373. FLIGHT OF LINDBERG/STORY OF M»

GENE RODGERS

1374. POET 4 PEASANT BOOG I E/RHA PSOOY JD

JIMMIE RODGERS
I 375. SOLD I ERS SWHT/SAILORE PLEA BB 3305t3 N—

1376. MOTHER WAS LAOY/TREASURES UNTLDVI 2| 433 G4-

1377. BLUE YOOLE #3/NEVER NO MO ' BL VI 2 1 53 1 E-
1378. OLD HME TWN N.O. /SUNNY SOUTH VI 2 1 574 E—
I379.BL YODEL #4/V,'AITIN FOR TRAIN VI 40014 Q

GIL RODIN 4 HIS BOYS (B.G. TEA ETC)
1360. ITS SO GOOD/LOVABLE (CABPUS BY) BA 6483 E
WALTER ROLAND

1 38 1 . DICES BL/EARLY IN MORNISG CQ 8491 G

"BUCK FACE " EDDIE ROSS

1 382. ROSS FLA CRAKER/ROSS JU JU MAN VI 1 92 1 3 E

1 383. ROSS FLA, CRAKER/ROSS JU JU VI I 92 1 3 V+
HARRY ROY

DE
DE

I 3 1 4 v+-

1696 G/E

I 384. TEM PERMENTAL/ THE SCAT SINGER
1 385, Al NT LOVE GRAD/EVER SO QUIET
I 386. BARREL HOUSE B/STEPPI N OUT M'DOEE 4 1 009 E-

MAR.IORIE ROYCE
I 387. HOW COME U 00 ME/DADDY S GROW OK 40094 V+,

LU IS RUSSELL
1388. CAGE ON DAWN/SARATOGA DRAG BR 80038 E1-

RUSSELLS HOT SIX
I389.SWT MUMTAZ/29TH 4 DEARBORN BILT I027N-

BaBE RUTH

l390.hOME RUN STORY. VERY RARE PA THE SAPPHIRE

RECORD BY BABE RUTH HIMSELF PAT 22443 V+
JOHN RYAN ORCH

I

1 391 .LETS 00 IT/WHEW I GET ALONE VS

JOSEPH SMAUELS J.B.
I 392. HOME AGAIN/ CRAZY OK
I 393. OH BOY/PULLMAN PORTER BL OK

JOSEPH SAMUELS J.B.
1 394. GOT MY HABITS ON/MUSCLE SHOALS OK 4477 G+-

DOC SAUSAGE 4 HIS 5 PORKCHOPS

8260

4250
4370

OE 7776 V-

7733 V
565 V

1395. CUCKOO CHISKEN RHY/BIRTHDAY

JAN SAVITT 4 'IS TOPHATTERS

1396. THATS A PL TN EY/FU TUR I ST I C SHUF BB
I 397. CROSS COUNTRY HOP/YONKEL DOODLEVR

CECIL SCOTT

1 398. LA WD LAWD/IN A CORNER (DIG) VI 36098 V-

MABEL SCOTT

I 399. ELEVATOR BOO G I E/DONT CRY EX 35 E+

RAYMOND SCOTT Q1 1 I NTETTE
1 400. POWERHOUSE/TOY TRUMPET MM III V

OSCAR SEAGLE

|40|,WHEN THEY RING/OLD RUGGED CROSSCO 56 V+-

SEATTLE HARMONY KINGS

1402. DRKTWN SHUFFLE/IF HA D GIRL VI 19772 V

1 403 . CRK TWN SHUFFLE/ IF I HAD GIRL VI 19772 V-

1404. HOW MANY TIMES/(TED WEEMS ) VI 20|33 N

1405. K0W MANY TIM1ES/(TED WEEMs) VI 20|33 E+

1406. BREEZIN ALONG/TELL ME U LOVE VI 20|42 Et-
I4C7.BREEZIN ALONF/(ART LANORYS o) VI 20142 V

BLOSSOM SEE LEY
I408.YES SIR T HAT S BAB Y/FEE LI N HOME CO 386 VI-
SELVINS NOVELTY ORCH

I409.WHY OONT U/ I NEVER KNEW

BEN SELVI N ORCH
|4|0.ISLE GOLDEN DRMS/DARDANELLA

BOYD SEN TER

AR TO 9038 E+-

VI 18633 E-

BA 1633 G+
OK 40777 F
OK 40861 V
OK 40886 G-
PE 14437 v+
PE 14437 G+-
PE 1 445 1 V+
PE 1 445 1 V-
PE |445| G+-
PE 14466 V-
PE I 45 1 7 vt-

I4II.FAT MAMA BL/G I N HOUND BL
|4|2.BLUIN THE BL/CLAR I NET t(o|GS
I4I3.AINT GOT NBDY/SIGH >■ CRy(cHP

|4|4.h0t lips/ grind out
i 4| 5. time keep away/slippery elm
i 4 i 6. sl i ppery elm/time keep away
i4| 7, craving/ gertie
|4|8. gertie/craving
i4i9.craving/ gertie
i 420, buck twn /u ' ve broken my hrt

1421. wake em up/shake your dogs
(above hr crk)

1422, shake your 00gs/wake em up pe |45|7 v-

1423, just dandy/st louis bl he 14578 v

1424, al nt got nbdy/bad habits ve 7060 v—
(ABOVE Dl gs,lami crk)

1 425, RICH MAN POOR MAN/IN JA I LHOUSE VI 22010 V

ARTIE SHAD ORCH

1426. THING CALLED LOVE /YESTER DAYS BB lOOOl V+

1427. HAD TO BE U/JUNGLE DRMS BB 1 009l V
(ABOVE RM SHP NO GR)

1428. L0VER COME BACK/ROSA ILE BB |0|26 K-

ARTIE SHA* CONT.

1429, DEEP PURPLE/PASTEL BL
|430. COMES LOVE/ CANT AFFORD TO

1431. AD10S MAR I QUI TA L I NOA/FRENESI

1432. D0NT FALL ASLEEP/GLOOMY SUNDY
I 433. SMOKE GETS IN U EYES/DANCING
I 434. ST ARDUST/BA CK BAY SHUFFLE
1435. EASY TO LOVE/CANT GET STARTED

JOEL SHAW ORCH(GENE KARDOS CRCH)
I 436. GO IN TWN/REEFER MAN CR

BB I Ol 78 N

BB 10324 E-

VI 26542 V-

VI 26563 E

VI 27335 E-

VI 27547 V-

VI 201 934 V+-

-3*23

NAT SHILKRET QjCH
1437. SOME DAY/(gaber) VI 20336 N

SHILKRETS RHYTHM MELODISTS

VI 2|298 V

I 438. CHLOE/WHEN U SOMEBDY ELSE
DINAH SIJORE

I 439. DA DDY — O/BUT TONS 4 BOWS CO 38284 E/P

1 440. WHY SHOULD l/LIFES BEA TUT I FUL VI 20442l V+-

SIGLERS BIRMINGHAM MERRYMAKERS
|44|.HARD HEARTED HANNAH/MAMAS GONE OK 40280 G+

FRAMK SIGMORELL I
1442. GO IN NOWHERE FAST/SERE TO U DAV 34 N—

I 443. MA RGI E/JI NGLI NG THE BELLS DAV 9001 N

SIMS 4 SELMAR

I444.MELINDA LEE/ST LOUIS BL RE 924 V-

( ABOVE; RM CHP -jr" CRK )

LEE SIMS PIANO SOLOS
I 445, TEN DERL Y/TALK I NG TO MOON BR 3202 V

1446. WHATS USE CRY I N/FAL OF LONSME BR 3320 V

1447. WHATS USE CRING/PAL LONE SME BR 3320 V-
1448. SONG WANDERER/FALLING LOVE W U BR 355l V-
I449.S0NG IS ENDED/AMONG SOUCENI RS BR 3758 V-
1450 .WHEN SUMMER IS GONE/ IF I LOST BR 40 1 0 V

ZUTTY S INGLE TON ORCH

1451. KING PORTER STP/SHIM ME SHA W DE 18093 E4-

SIQIIX CITY SIX(MX)

1452. FLOCK O'BL/I'M GLAD REISSUE 7 E+

NOBLE SISSLE W CH

I 453. WONDER WHO MADE RHY/TAINT FIT
1454. IN HONEYSUCKLE TME/BALT BUZZ
1455. SLOW RIVER/HOME CRADLE OF HAP
I 456 .SME T I MES IM HAPPY/HALLELUJAH
I 457. ROYAL GARDEN/LOVELESS LOVE
1 458, OLD FASHIONED LOVE/ SWT HENRY

SIX BLACK DIAMONDS
I459.S0BBIN BL/EASY MELODY

SIX BROWN BROS.

DE 766 V+-
EM 10385 E-
OK 40824 E-t-
OK 40859 E
PAT 20493 E
VI 19253 E-

BA 1 265 V-

V I l 7677 E-

VI 1 8376 V+-
VI l 8562 E
VI I 87l 4 N—

1460. MOANING SAX/OR I G FOX TROT
I 46 1.RAZZBERRIES/DRK TWN STRUTTERS
I 462. EGYPTL AND/PET ER GINK
I463.TIP TOP/IF A WISH COULD MAKE

SIX JUMPING JACKS
1464. SHE WAS JUST SAILORS/BUGGY RIDEBR 3094 V-
|465. HORSES/GONNA LET BUMBLE BEE BR 3|09 V-

( ABOVE RM CHP 2 GR)
1466. HOW COULD RED RIDING/WHEN U OUKBR 3254 E-
SL IM 4 SLAM

VO 4225 E4-/V

I 467. LOOK A THERE/TUTTI FRUTTI
SLOPPY HENRY

1468. ALIAS CHARLEY JONES/QOCSE MAN

ROY SMECK HAWAIIAN TRIO

1469. WALTZ U SAVED/RAOCKY MT MOON

BESS IE SMI TH

1470. NBDY CAN BAKE SWT J.R./U DO N T

1471. HARD DRIVING PAPA/MONEY BL

CLARA SMITH

I 472. GOT EVERYTHING WO MA N/EVRY WMS CO 3943 N
1473. ALL NITE BL/PALY IT CO 3966 N

I 474. GONNA TEAR PLA Y HOUSE/OONT KNW CO I 401 3 G
I475.S0L0 SOUL TO DEVIL/FREIGHT BL CO 1 4041 V
I 476. COURT HO'ISE BL/ L 4 N BL CO 14073 V-

1477. TIGHT LI EK THAT/PUT THING ON CO 14398 V

JAZZBO SMITH 4 HIS RHYT-'M ACES
I 478. JAZZ BATTLE /BOSTON SKUFFLE UHCA 43 V

JACK SMITH

OK 8334 G-

CO 2391 E

CO 3942 G*
CO 1-4127 G-

I479.KNEE DEEP IN OAISIES/C EEL I A
JOSEPH C. SM I THS ORCH

I 480. TULIP T I ME/ YELLOW DOG BL
KATE SMITH

1481. MAKIN FACES MAN/MOON OVER MT

1482. MAYBE WHO KNOWS/GD MAN HAVE

LAURA SMITH

1483. TEXAS MOANER/NAYBDY SEEN MY
I 484. RED Rl VER/FI GHTI N * BL

MAMIE SMITH

1485. THING CALLED LOVE/CANT KEEP

1486. RIGHT HERE FOR U/CRAZY BL

VI 19787 E-

VI I 86 1 S E

5359 E-
970 E-t-

OK 8|57 G*
V l 20945 N

OK 4| I 3 G<-
OK 4|69 V4-

24

25^ MINIMUM BID

MAMIE SMITH

|487.RIGHT HERE FOR U/CRA 1Y BL OK

1 488. MEM0RI ES OF U MAMMY/IF U OONT OK

1489. BABY U MBOE ME FALL/CAN T KEEP GO OK
I 490. WHAT HAVE I DONE /DAN GEROUS OK
|49|.DWN HOME /ARKANSAS BL

I 492. WEEP IN/STOP REST AWHILE OK

1493. LITTLE KIND TREATMENT/WANT JAZZY OK

1494. ALABAMA BL/MAMIE SMITH OK

Y I NE TOP SMITH

1495. PINTE TOP BL/ PINE TOPS B.W. VO

RAY SMITH 4 HIS PINE TOPPERS
I 496. HELLS FIRE/BORN TO LOSE NAT
STUFF SMITH

1497. UPSTAI RS/WHERE IS THE SUN(HR CRk)DE

TRIXIE SMITH ACC. BY LOUIS

1498. WLOS JAZZ CRAZY/R.R. BL UHCA

*l LL IE THE L I OH SMI TH

1 499. MAY0TTE/MAGI C ISLAND VS

SMITHS SACRED SINGERS

4 1 69 G+
4228 V-
4305 V-
4351 G—

a

OK 4446
OK 4471

4623 G+-
4658 V

I 245 V-

5019 E4-

128/ G+

8399 N-

VI |974| E-

HMV 5628 E-

I500.SET U FIELDS ON FIRE/MY REDEEMER CO I 5 1 44 V-

SQIISAS BAND
I 50I.NATI ONAL GAME/BL K HORSE TROOP

EDDIE SOUTH
I502«D0IN THE RACCON/TWO GUITARS

SOUT ERN TRI 0

1503. LOVELESS LOVE /YELLOW DOG SL MAO I 92 1 E-

SOuTHLAND SIX

1504. R0SE OF BOMBAY/BL EYES BL

1505. RUNNIN' WILD/IVY

CHARLIE SPA ND
I5C6.S00N THIS MORN/FETCH YO'JR WATER

Ml IGGSY SPANIER
I507.LIVERY STABLE/J.B. BALL
I 508. EC CENT R I C/S I STE R KATE

ACT 20605 V
VO 14476 E

PM 12790 F

BB I 05 1 6 V-
HMV 9047 N—

SPECIAL SAMPLE RECORD DEMONSTRATING

LAMINATED SURFACE
I 509. TED LEWIS MEDLY/SCHUBER T SERE CO l-S E+

SPNECER 4 MACDONQIIGH VOCAL DUET
I5I0.TELL ME PRETTY MAIDEN-SINGLE FACED VICTOR

MONARCH FROM I 901 . PROBABLY, FROM CATALOG #

THE FIRST OR SECOND RECORD RELEASED ON IH I S

LABEL. (CPK)

PH IL 5PITALNY ORCH
I 5| I. KISS ME GDNI TE/GDNI TE SWHT

SPR ING GARDEN BAND
I 5| 2. SABRE 4 SPURS/GRANOI OSO
|5|3,THE SOUTHERNER/FEARLESS

ST LP 'IS JIMMY
I 5| 4. STRANGE WO MAN /ONE MORE BRK

MARY STAFFORD J.B.

Vl-*J0 3501 G-

CQ 7863 E

V 1202752 V
VI 202 763 V

BB340727 E+

|5|5.R0AYAL GARDEN BL/CRAZY BL

CO

3365

ZM

|5|6.G0NNA JAZZ MY WAY/WHERE THEY

PLY

CO

3390

N

|5|7.G0NNA JAZZ MY WA y/W ERE THEY

PLY

CO

3390

N—

I5I8.DWN WHERE THEY PLAY/GONNA JAZZ

CO

3390

E

|5|9. STRUT MISS LIZZIE/IF U OONT

CO

34l 8

E+

I520.BLIND MAN BL/ARKANSAS BL

co

3493

N-

15P-I.DWN HOME BL/MONDAY MOR N

CO

351 1

N-

AILEEN STANLEY

VI 19585 E

VO 33 I 9 V-

1522. AINT GO TNBDY TO LOVE /WHEN MY

STATE STREET SW| NGERS

1523. WHIPPIN THAT JELLY/ OH RED

BLUE STEELE ORCH
I 524. SUGAR BABE 1M LVN/GIRL MY DRMS VI 2097| V+-
1525. SUGAR BABE IM LVING/GIRL MY DRMS VI 20971 V-

(ABOVE RM CHB I grJ
1526. U DARL I NG/TEAR FOR EVERY SMILE VI 22436 V

LEITH STEVENS 4 SAT N I TE SWING CLUB ORCH

1527. LA OE DOODY DOO/ROYAL GARDEN

ERNEST STONEMAN

1 528. BULLY OF TWN.JUST MELODY

STREET PIANO (huROY gurOy)
I 52 9. ITALIAN AIRS/OPERATIC AIRS
I 530. OPE RATI C AIRS/ITALIAN AIRS

JOE SULLIVAN Q" INTETTE

1531. HIGH DUDGEON/BRUSH I N OFF THE

SUPER I OR JAZZ BAND

1532. VA.BL /GEORGIA ( CRK)

SVEN-OLOF SANDBERG

42 1 0 v+

PE 12358 V-

VI 18328 E-
V I I 8328 V+-

SU 10052 E

BELL 144 G

00 19264 V

I 533 .HELGDA GSVALL/SOMMARNATT

WILBUR SWEATMANS J.B.

I 534. REGRETFUL BL/EVYBOY CRAZY BOUT CO 2548 E+

1 536. REGRETFUL BL/BUG IM HAFPY CO 2548 G

1535. GDBYE ALEXANDER/ORKTWN STRUTTERS CO 2596 V

1536. G0BYE ALEX/DRKTWN STRUTJERS CO 2596 E+

1538. GDBYE ALEXANDER/ORKTWN STRUTTERS CO 2596 V-

1 539. I NDI ANOLA/ OH U LA LA CO 26l I V

FRANCIS STEWART

TOE RECORD CHANGER, BOX 54, 4| 8 WEST «TH STREET NYC I 9, N.Y.
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS.

25^ MINIMUM BID

BILBUR SWEATMANS J.B.

2663 N-
2682 V+-
2682 V
2707 N-
2707 E-
2721 E
2752 V-
2994 V-

1540. DALLAS BL/ANYBDY SEEN CO RR I NE
I 54 1 . R I NG T A I L BL/BLUIN THE BL
I 542. Rl NGTA IL BL/BLUIN THE BL

1543. JA DA /RAINY DAY BL

1544. JA DA/RAINY DAY BL

1545. GOOD MAN HARD FIND/THATS GOT EM CO
I 546. LUCILLE/I 'LL SAY SHE DOES CO
I 547. BUT / TH INK OF ME LITTLE DADDY CO

SWEET V IOLET BOYS
1 548, HURRY JOHNNY HURRY/NO GOT POT

ROOSEVELT SYKES
1549. SUGAR HILL BL/ TKAE OFF BOX

SYNCO JAZZ BAND
I 550. CAROL I NA BL /ON Gl NE GIN GINNY

1 551 . BREEZE/TELL ME( JOSEPH KNECHT)

1552. THE MOAN/BKLSMI TH RAG

TALL TOM
I 553. EASY PAPA/ U BROKE MY HRT
TAMPA BLUE JAZZ BAND

1554. GET HOT /O AN GEROUS BL (CRkJ

1555. EVERY OAY/DWN HOME BL

1 556. RA ILROAD MAN/KEEP OFF MY SHOES
I557.SHE SAID IT/I SEE U CANT TAL KE

TAMPA RED
I558.C0NT GIVE ME/GIN HEAD WOMAN

FRANK TANNER
I 559. TEXAS TEASER/VIPERS MOAN

ERSKIN TATE VENDOME ORCH

1560. CUTIE BL/CHINAMAN BL

YACK TAYLHR

1 56 1. WHIP IT TO JELLY/CHI BOUND BL

1 562. NI GHTMARE JOCKEY/DONT STOMP

JACK TEAGARDEN ORCH

1563. WHITE SA ILS/CCTCROON

1564. BL TO THE LONELY/PRELUDE C# M DE 3642 E-

1565. DIRTY DOG/ITS SO GOOD UHCA 39 E

TEAGARDEN 4 TRI IMBAUER SWI NG BAND

VO

3402

Of

DE

7| 97

E+

ACT

20699

V

CO

2783

V—

PhT

20461

E

VR

6030

V-

OK

4397

V

OK

4499

V

OK

481 6

V

BB

6990

V—

BB

90C9

E+

BB

6750

E

OK

4907

V-

DE

7855

V—

DE

7864

N/E

BR

8388

V-

1566.1 'SE A MUGGIN/ |S2
1567.1 'SE A MUGGIN I "2

JOHNNY TEMPLE
I568.STAVIN CHAIN/GONNA RIDE 74

1569. DWN IN Ml SSI SSI PPI /GD SUZIE

JOHNNIE TEMPLE

1570. BIG BOAT WH I STLE/LEAO PENCIL

ALEC TEMPLE TON

Dt:
DE

CO

25273 E«-
25273 E

7532 E
7643 G

3068 E

36164 V-
26493 E-

1571. TEA FOR TWO/PRETTY GIRL LIKE

1572. BACH TOURS RADIO C/SOUSA 4 STA VI

TEN BLACK BERRIES
1573. ST LOUIS BL/ TIGER RAG (DIGS) BA 839 G+-

TENNESSEE TEN
I 574. GULF COAST BL/SUGA R BL/OWNHRT VI

1575. LONG LOST MA MA /PA PA BETTER WATHVI

1576. WAITING FOR EVN MA I L/NBDYS BIZ VI

1577. WAITIN FOR EV MA I L/NBDYS BIZ VI

SISTER ROSETTA THORPE
I578.SIT OWN/END OF MY JOURNY DE
HOCIEL THOMAS ACC. BY LOUIS JAZZ

1579,
1580

I 9094 V
I 91 05 V
I 9| 09 E
|9|09 v+

8538 E-h

1581

1582,
1583,

1584,

1585,

1586,

1587,

1588,

1589,

1590,
1591,

1592,
1593,
1594,
I 595,
1596,

PUT WHERE I CAN GET/ADAM 4 EVE OK 8258 G
LONESOME HOURS/ DEEP WATER OK 8297 G—

REV M.L. THRASHER 4 GOSPEL SU.GERS
AT THE CROSS/RING OUT MESSAGE CO 1 53 1 3 G<-
THREE JOLLY MINERS

CHARLESTON CLA R/FREAK I SH BL VO
TOO BAD JIM/BLK CAT BL VO

(ABOVE RM CHP 2 GR )

T"REE MONKEY CHASERS
COCOANUT STRUT/CONR BRD WIGGLE HA

GEORGE TOREY
MARRIED WOMAN/LONESOME BL PE

JED TOMPKINS
YIELD NOT TO TEM PTA T I ON/R. R. H D|

PINKY TOMLIW
OLD OAKEN BUCKET/SMILES DE

THE TRAVELERS
GT SWT SMEBDY/DRM LITTLE DRMS ME

PAUL TREMAIME ORCH
COMIN ROUNT MT/WALKIN CANE CO

CHARLIE TROUTTS MELODY ARTISTS-
TRANSPORTATION BLS PT 2UI CO
TRANSPORTATION BLS PTS 344 CO

FRANKIE TRUMBAUER
IM COMIN VA/ALEX RAG BAND CO
CLARINET MARM/TKKE IT EASY PAE
IM COMIN VA/WAY DWN YONDER PAE
RIVERBOAT SHUFFLE/OSTRICH WALKUHCA
STARS 4 STRIPES /SEMPER FIDELISVS

15009 V
1 5051 F

23 V
70857 Q

6003 V
I 82 1 N-
|2|48 V+-

2|30 V-

1030 V
1265 E

36280 E+-

2304 E4-

2687 E+

29 E4-

8253 v+

TUBIZE ROYAL HAWAIIAN OBCH
I 597. WABASH BL/MY OLD HAWAIIAN OK 4|233 E-

SOPHIE TUCKER
1 598 , aggra vat i n papa/got see mama ok 48l 7 v
i 599. old king tut/pa pa better watch ok 4839 v+
(autographed in wax ,sophie tucker'

■HOBO" JACK TURNER
1 600. HALLELUJAH IM BUM/BUM SONG VE 1705 V4«

TUSKEGEE INSTITUTE SINGERS
I 60|. GOOD NEWS/ LIVE A HUMBLE

UNIVERSITY SIX
1602. ST LOUIS HOP/LEAVE I OMEN LIKE

1603. BEALE ST BL/SISTER KATE
(ABOVE RM CHO NO GR)

1604. WASH 4 LEE SWING/UNIV OF MICH

RUDY VALLEE

1605. HEART OF STONE/LAZY BONES BB 5| |4 V

1 606. LETS PUT OUT LIGHTS/ME MINUS CO 271 5 Vf

(ABOVE-VALLE S PICON LABEL, ROYAL BL CO )

I 607. FINE ROMANCE/W/L TZ IN SW I NOT I MEHE 6|0|0 V

VI I 7663 V+-

245 E-
4|4 V

VE 2|66 V-t-

I608.WAY U LOOK TONI TE/BO JA N Gl£ S
I 609. SWEET SUZANNE/ HONEY
1 6| 0. VAGABOND LOVER/lM STILL CARING
|6| I. ONE IN WLD/S'POSIN
|6| 2. S 'POS IN/ONE IN THE WLD
I6I3.HAD GILO LIKE U/KITTY FRM
I 61 4. VI OLET.FR I ENDS/BETTY CO ED

FRED VAN EPPS-BANJO SOLOS
|6|5. WHITE WAS MAN/ BLK 4 WHITE

(ABOVE RM CHP 3 GR)
I6I6.WANT GO BACK MICH/SOUP TO NUTS CO I 629 G
|6|7.CH|NESE PICNIC 4 ORI TN/COCONUT ED 5| I |2 E+

PE 6| 01 I V-
VI 2| 869 V+-

VI 2| 967 v

VI 21998 E-

VI 21998 V-H

VI 224l 9 E-

VI 22473 E

CO " I I I 8 V-

I6I8.INFANTA MARCH/BOSTON VA REEL
I 6| 9.RAZZBERR IES/DRKTWN STRUTTERS

VARSI TY 8
I 620. MEAN BL/SOBBIN' Bl(b*AY BRCS
I 621 .WHY KISS THAT G I RL/ MOB I IE
I 622. SAN /W OR R I ED/ ( A .LANG E OR CH )

VAUDEVILLE SPEC IALTY

16247 E

18376 E

498 V+-

5|6 E
556 V+

STANDARD 3467 E

OE 231 3 N/E
CO' 2535 V+

VI 16383 E-

VI I 7727 V
VI 18163 V-h

VI 4581 V-

1 623. DRKTWN COURTSHIP

JOE VENUTI

1624. FLOP/ FLIP

I 625. THERES NO OTHER Bl RL/NOW THAT

VICTOR BRASS QUARTET
I826.SWEET 4 LOW/ESTELLI TA WALTZ

V ICTOR M I L I TARY BAND
1627. PIGEON WALK/WATCH U STP
I 628.HESI TATI ON BL/ K.C. BL

VICTOR ORCH

1629. GLEAMING STA R— TNTERMEZZO

THE V IRG INANS

1 630. CUDDLE BL/HONEYS LOVIN ARMS VI I 888 1 E

1631. LONES0EM MAMA/MEMPHIS BL V| 1 8895 V+-

1632. LONESOME MAMA/MEMPHIS BL VI 18895 V

1633. NOBDY LIED/YANKEE DOODLE VI I 891 3 V

(above HR crkJ

1 634. WHY SHOULD I CRY/ BLUE
I035.SISTER KATE/HATE GO HME
1636. SISTER KATE/GEE BUT I HATE

1637. CHOO CHOO/KISS MAMA KISS PAPA

1638. WHERE BAMBOO BABIES/LOST

1639. TEDDY BEAR/I M ALL ALONE

1640. hE MAY BE U MAN / DA DA STA Rl N

( ABOVE HR C RK )

1641. AUNT HAGERS BL/ AGGRAVATE
I 642. FAREWELL BL/APPLE SAUCE

1643. WHO TILLIE TAKE/U KNEW U BELONGV I 19040 V->-
I644.STAVIN CHANGE/STACK o'lEE
I645.STAVIN CHANGE/STACK 0 'LEE
I646.SHE WOULD NT DO/HUROY GURDY
I647.MINDIN MY BUZ/CROSS EYED PAPA
I 648. SUPERST I Tl OUS/( GE.OLSEN)
I649.N0THING COULD BE/MILLION TO I

OLIVER WAKEFIELD-* HUMOROUS MONOLOGUE
I 650. VOICE INEXPERIENCE PTS 142 COE I 553 E+

I 651 .GAROEN I NG/MUSBH ADO ABOUT COE 1 676 E+

VI

18933

E

VI

1 8965

E—

VI

18965

V*

VI

1 8978

E

VI

18986

V+

VI

18992

E

VI

19018

V

VI

19021

v-h

VI

19032

E

VI

19040

V-h

VI

19189

E+-

VI

I9IB9

E

V 1

19241

E

VI

19269

V

VI

19419

E

VI

20837

Ef

1652,
1653,
1654,

1655,

1656,

1657,
1658,

VOICE INEXPERIENCE PTS 142
, GAROEN I NG/MUSBH ADO ABOUT

SI PP IE WALLACE
,UP THE COUNTRY/SHORTY GEORGE
.MAMAS GONE GOBYE/LEAVIN DADDY
,SPEC.DELIVE Y/JACK DIAMONDS

SIPPIE WALLACE
DEAD ORUNK/HAVE U EVER BEEN

TED WALLACE 4 CAMPUS BOYS
SWHT OF STUDENT/LITTLE THINGS

FATS WALLACE
WHO'LL TAKE MY PLACE/ABDULLAH
SWING OUT VICTORY/LIGHT SILVY

OK 8|06 G-

OK 81668 V-

OK 8328 G-

OK 8499 G-

CO 2334 E-

BB I 04l 9 N

BB I 1569

25

25^ MINIMUM BID

FRANCIS STEWART

THE RECORD CHANGER, BOX 54, 4| 8 WEST 49TH STREET NYC I 9, 1*»Y.

SEE PAGE ONE OF AUCTION'FOR INSTRUCTIONS.

25^ MINIMUM BID

FATS WALLER

BB3008I4 E
VI ZOi57 E
VI 22108 V-

1659. UP JUMPED U/U SOCKS DONT MATCH

1660. LENOX »VE/»T LOUIS ■»
I66I.SWT SAVANNAH SUE/A1NT MISBEHVN

(above RM CHP 5 gr)

1662. U SHOWED ME THE WAY/SAN ANTON

WAR I NGS PENNSYLVAN INS

1663. BLACK BL/ UKELELE BL

1664. WHEN SUGAR WALKS DWN/(gE. OLSEN

1665. L0OK AT THOSE EYES/COLLEGIATE
1666. IN MY GONDOLA/ JUST COTTAGE SMALL VI 20010 E

1667. LIT WHITE LIES/LIKE MAKE U HAP VI 22492 V

THE WASHINGTON IANS( DUKE)

1668. MOVE OVER/(BOB HARING o)

WASHBOARD SAMS BAND

VI 25565 E—

VI I 9369 V

VI I 96 10 V+-

VI 19648 E/v-

9025 E

BB 6355 V/F

2577 V

I669.D0NT LOW/U DONE TORE PLYHSE

(ABOVE RM CHP»)
I 670.BUGLE CALL RAG /SWEET MAMA
ETHEL WATERS

1671. OH DADDY/ OWN HOME BLS BS 20|C E-

|672. DINAH/ SWEET MAN CO 437 G

1673. LOUD SPEAK I N PAPA/ PICKIANINNY BLCO 472 G
I674.SEC0N0 HANDED MAN/THUS SL LOU CO 1 87| V-

1675. GO BACK WHERE STAYED/OWN HOME BL CO 14093 V+

1676. NO MAN MAMA/SHAKE THAT THING(0IGSC0 |4||6 G

1677. PALLET ON FLOOR/BRING U GREENBACKCO |4|25 E

1678. PALLET ON FLOOR/BRING GREENBACKS CO |4|25 E—

1 679. REFRI GERATIN ' PAPA/ THROW Dl RT IN CO |4|32 V+-

1680. TAKE WAHT U WANT/DONT NEEd(dig) CO |4|62 G
1 681 . I M COnB' VA/HE BROUGHT JY TO S CO |4|70 E
1682. SMILE/ WANT MY SWWET DADDY NOW CO 14229 V

(ABOVE LAM crk)

1683. ORGAN GRINDER BL/WEST END BL CO 14365 N

1684. u GOIN LVE OLD HME JIM/DINAH DEC 234 E

BILLY WATKINS

1685. CANT BELIEVE REALLY LOVE/A . JONES )V I 17630 V

CHICK WEBB ORCH

1 686. RHYTHM MAN/LONA DE I 73 V+

1687. LI ZA/TI CKET A TASKET DE 1 840 V+

1 688. WACKY DUST/SPINNIN THE WEBB DE 202l V-

1689. WH0 YA HUNCH IN/PEBBLE IN SHOE DE 223l V
I690.IM UP A TREE/HAVE MERCY DE 2468 G+

WEBER I, FIELDS

1691 .ETIOUETC SCENE/RACE HORSE CO 1 203 N-

(above AUTOGRAPHED IN WAX by both)
1692. stock excahnge/contract( aut " ")co I 2 I 9 N—

I693.S1NGIN SCENE/INSURANCE SCENE CO 1 220 E

TED WEEMS ORCH

VI 19496 V+

VI 20|20 v+
VI 22037 V

OK 83 72 G+-

1694. TRAVELING BL/( JA N GARBER o)

1 695. PARK MYSELF IN/CUTEYS DUE AT 2

1696. HERE WE ARE/PICCOLO PETE

NOLAN WELSH ACC. BY LOUIS

1697. BKIDWELL BL/ ST .PETER BL (d|q)

PETE WEND ING

t698.U SENT USE BE SWEET/SMONE I S US CA 1 02 1 V

FRANK WESTPHAL 8. HIS RAINBOW ORCH
1 699. SERE BL/DANCING FOOL CO 3654 V

I700.STAT ST BL/ DONT BRING ME POSIES CO 3693 V-
|70l. COAXING PIANO/TELL EM IVORIES CO 3800 N

1 702. COAXING PIANO/U TELL EM IVORIES CO 3800 E-

1703. BUGLE CALL RAG/RAILROAD MAN CO 3872 E-

1704. WOLVERINE BLS/W HEN U WALKED OUT CO 3911 V<-
I705WPI ANOLA/DUSTI N THEKEYS CO 3930 V-l-

GEORGE WE TTLI NGS CHICAGO RHYTHM KINGS

1706,
1707,
1708,

1709,

I7|0,

1711

SISTER KATE/BUGLE CALL RAG
SI STER KATE/BUGLE CALL RAG
FOUND NEW BABY/DA RKTWN

PETIE WHEATS TRAW
1ST & LAST BL/TRUE BL WOMAN V

BUKKA WHITE
WHEN CAN I CHANGE CLOTHES/HIGH Vi

GEORGIA WHITE
NEW TORUBLE Ml NO/M I S TREAUEO BL D
ABOVE RM CHP NO GR )

JOSH WHITE ACC BY M.L. WM GROUPS

DE
DE
DE I

8044 E+

8044 E

8045 E4-/E

3 l 85 v-
5489 E
7332 v

|7|2.
|7|3.
|7|4,
1715,
|7|6

FROGGY BOTTOM/MINUTE MAN

LASSES WHITE

SWT MAMA TREE TOP TALL/(AL BERNARDCO
TED WH ITES C0LLEG IA"6

CRY I N BL/DOIN THE RACCON
Wl LLY IHI TE PIANO SOLOS

BUTTER SCOTCH/TRY 4 PLAY IT
WHITE WAY DANCE ORCH

SAY IT AGAIN/SPAGHETTI

SPEC.ASCH 2001 E

3918 N
5461 V+-
I I 75 E-
1337 V

HAUL WH ITEMN ORCH
1717. IN THE EVE/ I F U DONT LOVE
|7|8.IF I HAD TALK I NG/ARE: 'T WE ALL

1719. JAPANESE SANDMAN/WHISPERING

1720. D0 U EVER THINK OF ME /NEVER K

1721.00 U EVER THINK/NEVER KNEW
I 722. Mv MAMMY/HUNTING
1 723. HOT LIPS/SEND BACK HONEYMAN
I 724.STAI RWAY PARADISE/REMIND ME

1725. N0TJIN' BUT/{ TENNESSEE TEN i

1726. N0THIN' BUT/(TENNESSEE TEN)
I 727.LI MEHOUSE BL/Whe VIRGINIANS)
I 728.L IMEHOUSE BL/(THE VIRGINIANS^
I 729. JUS T LIT OR I NK/AH— HA
I 730. FOOTLOOSE/SI NG LOO
|73|.BELL HOPPIN BL/ST LOUIS BL
I 732 .ST LOUIS/BELL HOPPIN' BL
I 733. BIRTH BL/COUNTLESS MARI TZA

1 734. PREC I OUS/MOONL I TE GANGES

1735. CH0-CH-SAN/S0NG OF INDIA
I 736. MUDDY WATER/A INT SHE SWEET

1 737. MUDDY WATER/A I NT SHE SWT

1 738. EVRYTH I NG S MADE FOR/SHI LKRET )
I739.S0NG WANDE RE/SO BLUE
I 740. C OLLET TE/BRKEN HRTED
I 74| .COLLETTE/BRKN HRTED
I 742. LONELY MELODY/ RAMONA
I 743, LONELY MELODY /RAMONA
I 744. BACK IN OWN BKYA RD/SU NSHI NE
I 745. BACK BKYARD/SUNSHINE

(rm CHP 6 GR?ABOVEl
I 746, FROM MONDAY ON/MISSISSIPPI
I 747, FRM MONDAY ON/MISSISSIPPI MUD
I 748. PA RA DE WOODEN SOLDIERS/0 YA YA
I749.WHEN U W SMEONE ELSE/WING IN
I 750. WHEN U W SMONE ELSE/WI NG I N
I 752. FA REWELL BL/D RKTWN STRUTTERS
RUDY WE IDOFT

1 753. VANI TE/VALSE LLEWELLYN

JAY Wl LBUR ORCH

1 754. GERNERALS A FST ASLEEP/LIT BOY

TIM WILKINS

1755. DIRTY DEAL/NEW STOCK YARD

BERT Wl LL IAMS

1756.1 'LL leand u ANYTHINO/CONSTANTLYCO
I 757.SMETH1 NG U DONT/BARBER SHOP CO

I 758.SMETHI NG DONT EXPECT/BARBER S CO

1 759. N0BDY MY/LANDLADY CO

1 760. CERTA INLY GOING SOME/WOODMAM - CO
I 76| .DRK TWN CLUB/U CANT GET CO

I 762.PURP0STUS/NEVER MO ' CO
I 763. EVYBDT/SA MUEL CO
1764. IN GONE BEFORE I GO/LEE FAMILY CO
I 765. I M GONE BEFORE I GO /LEE FAM CO

1766. N0 PLACE LIKE HOME/20 YEARS CO

1767. WHEN I RETURN/DEATH WHERE CO
1768.0 LAWOY/BR I NG BACK CO

1769. NBDYS BIZ/KEY TO CELLAR CO

1770. NBDYS BIZ/KEY TO CELLAR CO
|77|. SORRY I AINT GOT IT/CHECKERS CO
I 772. SORRY I AINT GOT/ CHECKERS CO
I 773. CHECKERS/SORRY I .AINT GOT IT CO
I 774. UNLUCKY 8L/TEN LITTLE BOTTLES CO
I 775, UNLUCKY BL.TEN LITTLE BOTTLES CO
1776. LONESOME ALIMONY BL/LITTLE DRM CO
1777. SAVE LIT DRAM/LONESEOM ALIMONY CO

CO

1 484

V

CO

2010

V

VI

1 8690

E—

V|

1 8734

E—

V 1

I 8734

V

V I

1 8737

E

VI

1 8920

E—

V|

1 8949

E

V 1

1 9073

E—

VI

1 9073

V

V|

1 9264

E

V I

1 9264

V

VI

I 9666

E .

V|

r9720

E—

VI

200s-2

E

V 1

20092

V*

VI

20 1 38

v^

VI

20139

E

V|

20200

N

V|

20508

E

V|

20508

V

V I

20514

E

VI

20570

E

VI

20757

E

VI

20757

V+

VI

2|2|4

E

VI

2|2|4

v«-

VI

2)240

V+-

VI

2|240

V—

V|

2(274

V

V|

2 1274

V—

VI

2 1304 E-

VI

21365

E-

VI

2l365

V

VI

25|92

V-

VO

14467

N

ME

60306

E+

VO

3223

E+.

91 5 E-t-
929 E+
929 v+
1289 V-
I 321 V
1504 E
I 853 E
1909 E+-
2078 N-
2078 Vt-
2438 V
2652 E+-
27|0 Ef
2750 E
2750 V*
2877 N-
2877 v
2R77 V-
2941 E
2941 G+»
2979 E
2979 V-
3305 N
3339 N
3339 E
3356 E-
3508 N-
3589 E+-

1778. WHERE TOSTI WENT/GET UP CO

1779. EV COST ADAM I RIB/ U 'LL NEVER CO

1780. EVE COST ADAM/U'LL NEVER NEED CO

1781. G0NNA QUIT SATURDAY/MY LAST $ CO
I 782. BROTHER LWDWN /UNEXPEC TEOL Y CO
I783.U CANT TRUST/NOT LAUELY CO
I 784. HOBNA I LED BOOTS/THAT FATHER ZON 428|3 G

CLARENCE WILLIAMS WASH. BAND
I 785. TURN OFF MOON/ JAMMIN BB 69|9 V+

I 786. THRILLER BL. UNCLE SAMMY HERE BB I I 368 E+

1787. WALK THAT BROAD/HAVE U EVER OK 8629 G

1788. QRAVIER ST BL/MY OWN 8L OK 40 1 72 Vt

1789. JACKASS BL/WAHTS THE MATTERDIG)OK 40598 G
1 790. SQUEEZE ME/NEW DWN HOME RAG PM 14008 E

1 791. NEW OWN HOME BL/SQUEEZE ME QRS 7003 V-

1792. MR WILL U SERE/ST LOUIS BL VO 2676 V-

1793. XMAS NITE HARLEM/CANT OANCE 00 2689 G+

1 794. BI MBO/WAY DWN HOME VO 2778 V

CP

con ie will iams qrch

1795. WRONG NEI GHBORHO/THI NG OR N

DOUGLAS W ILL I A MS
I 796. SLOW DEATH/ROADHOUSE ST

FESS WILLIAMS ROYAL FLUSH ORCH
I 797. ALLIGATOR CRAWL /CZARK BLS BR
1798, MAKE ME KNOW IT/MAMAS IN TWN HA
|799,H0T TOWN/KENTUCKY BL
GEORGE WILLIAMS_

CROSSI N

289 V
VI 2|269 V-

3589 G
I 89 V-
38077 G

3974N

VI

1800. SATI SF1 ED BL. DOUBLE

|80|,GAL AINT BROWN /WOMAN GETS TIREDCO 14002 N

1802. HAR HK-.DED GAL/TIRED BEGGING CO 14030 G+

I 803. IF MAMA QUITS PA PA /MAMA NO GD CO 13006 N

I804.TAKES BRNSKIN MAKE YELL/AI NT Q CO 1 40 1 I R+
JOHN WILLIAMS SYNCO JAZZERS

PM 12457 N-

CO

3736

N

CO

3736

N—

CO

3815

N

CO

3835

N

I 805. DWN GALLI ON/GOOSE GREASE

LEONA Wl LL IAMS
|806.MEXICAN BL/UNCEL BUD
I 80"'.MEXI CAN 8L/UNCLE BUD
(808.IM GOIN AWAY /BR I NG WITH U
I809.IF U MAN LIKE Ml NE/ TEASI N SQ

MARY LOU Wl LLIAMS
I81O.NITE & DAY/PERSIAN RUG
|8| I. NIGHT LIFE/DRAG EM

1 81 2. DRAGEM/WHAT DO I CARE

1813. MARYS SPECIAL/OVER HAND
|8|4. CLEAN PICKI N./SWI NGI N FO

MIDGE WILLIAMS JZZ JESTERS
|8| 5.GRETEST Ml STAKE/GDNI TE ANGEL VO 3961 V
SAMMY WILLIAMS THREE NATURALS

ASCH

351

E—

BR

80033

E+-

BRE

2507

N-

DE

7B|

N-/E

JOY DE

1 155

E

VO 4197 v

I 8|6. ALL ALONE/GONNA LOOK MY HRT

Wl LLIAMS SISTERS
|8| 7. NOTHING ELSE MATTERS/SAM ACCO VI 20452 V

WILLIAMS WASHBOARD BAND
1 81 8.WLD IF COULD/WANT RING BELL BB 5| 83 E

WILLIAMSON BEAL ST FROLIC ORCH
|8|9.MEMPHIS SCRONCH/BEAR WALLOW VI 20555 N—
I820.MI0NITE FROLIC DRAG .SCAND I NA VN */ 1 2|4|0 N-

S ON MY BOY WILLIAMSON
I 821 .OECORATI ON BL #2/L0VE ME BABY BB347I 3 V+

BOB WILLS f. IS TEXAS PLAYBOYS

1822. MO0NLITE 4 ROSES/SISTER KATE

EDI TH WILSON

1823. NERVOUS BL/VAMPIN LIZA JANE

1824. WICKED BL /BIRIMGHAM BL

(ABOVE RM CHP I GR)

1 825. HE MAY BE U MAN/RULES REGULA
I 826 .PENSCAOLA BL/EVIL BL
I 82 7, PEN SA CO LA/EVIL BL
ie28.HE USED TO BE U MAN/DIXIE BL

GARLAND Wl LSON PIANO SOLO

VO

4439

V

CO

3479

s

CO

3558

V-

CO

3653

V

CO

3746

V

CO

3746

G

CO

3787

G

1829. MEMORIES OF U /MONDAY ( HI NES > PAE 1862 E—

LENA WILSON

1 830. DECI TFUL BL. MEMPHIS TENN. CO 39l 5 N

1831. NEEO DRIVE MY BL/U TIME NOW VO 1 46 3 1 V +■

MARGARET WOODROW WILSON
1832. STAR SPANGLE D BANNER /MEDLEY PATRIOTIC AIRS
SPECIAL CO RECORD FOR PANAMA PACIFIC INTER-
NATIONAL EXPOSITION IN 1915 IN CONJUCTION
WITH THE RED CROSS. MRS WILSONS AUTOGRAPH

IN THE WAX
TEDDY Wl LSON

I 833. MELANCHOLY BAB Y/ 1 CRIEO FOR U

1 834. MUST HAVE THAT MAN/WHY WAS I B

1835,1 'LL GET BY/MEAN TO H£

1 836. 1 F I HAD U/U8R0T NEW KINO

1837.M0RE THAN U KNOW/ SUGAR

I 838. LI ZA/SWT LORRAINE

WJSEMAN SEXTETTE W ORCH
IS39.LORD CANT STAY/ON CALVARY

WOLVER I NE ORCH
1840. JaZZ ME BLS/ BIG BOY
I 841 .FIDGETY FEET/ROYAL GARDEN
I 842 .CO PEN HAGEN/T I GER RAG

ALBERT WYWES GUT BUCKET 5
I 843. WHEN/ THAT CREOLE BAND

YACHT CLUB BOYS
I844.EVY LIT WHILE/HOW CLD RED RID

OCTAVIANO YANES
I 845. MEXICAN DANCE

YANKEE S IX

CO 1 685 E

BR 7729 E-
BR 7859 E

BR 7903 E

BR 7960 G-H

BR 83l 9 V-

CO 3571 I E+

PM 12076 V4-
E

BR
BRE
8RE

2203 N

2204 N

2205 N

BR 3270 E

5662 E-

I846.JIMT0WN BL/NO ONE OK 40348 V

BOB ZURKE ORCH

I 847. EACH TME SAY GDBYE/HOBSON VI 263l 7 N-/E

1 848. BOUGHT WDEN WHISTLE/LOSING MND VI 26607 E+/V

I 849. COW COW BL/RHUMBOOGI E VI 26646 E+/E

26

25^ MINIMUM BID

FRANCIS STEWART

25^ MINIMUM BID

THE RECORD CHANGER, BOB 54, 4| 8 WEST 49TH STREET, N.Y.C. 1 9, N.Y.
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS,

THE FOLLOWING ARE ALL 1 2 " RECORDS

LOU IS ARMSTRONG
I850.ELOER EATMORES SERMON ON GENEROSITY/

* " SERMON THROWING STONES

BOB CROSBY ORCH

1851,

1852,
1853,

1854,

I 855,
1856,

1857.

I 858.

1859.

I 850.

1 861.

I 862„
1863.

1864.

1865.
1866.
1866.
1868.

1869.

1870.

|87|,

1872,

CHAIN GANG/EC STACY

EDDIE CONDON BAND
MAMMY 0 MINE/TORTILLA B FLAT
LONESOME TOG/MORE TORTILLA B F

WILD BILL DAVISON

□E 29231 N-

DE 15664 V

CMS
CMS

1509 E

1510 E

THATS A PLENTY/ PAN AM A
JIM El 'ROPES ORCH

CM S I 5 I I V4*

35359 v+
35372 E

CO 35280 V

VI 36205 N-

TOO MUCH MUSTARD/DWON HOME. RAG
CASTLE HOUSE RA G/CONGRATUL AT I ON

DWIG/4T F ISKE
MRS PETTIBONE/2 HORES 4 DEB G

GOLDEN 4 HUGHES
UNLUCKY MOSE/N.O. MINSTRELS

BENNY '" OOP MAN
SING SING SING PARTS I&2

HARRY E. HUMPHREY RECITATION
THE BEAR STORY PARTS I 4.2 VI 35378 E

JACK HYLTON ORCH
YOURS IS MY HRT A LONE/ JUST GIGOLOVI 36031 E-
(VOCAL BY RICHARD TAUBER ^

CLIFF JACKSONS PILLAGE CATS W BECHET
QUIET PLEASE/GOT ME WALKIN &
CLIFF B.W./JEEPERS CREEPERS

JAM SESS ION AT CMS # 2
evbraceable u/ser to skylock

(above rm chp no gr)

JAM SESSI ON AT CMS # 3
GOOD MAN HARD Fl ND/PARTS 1 42
GD MAN HARD FIND t-ARTS I &2

GD MAN HARD FIND PARTS 344
GD MAN I* RO FIND PARTS 3 44

JAM SESSION AT COMMODORE * 5
BASIN ST BL/KATHIRINA

R.M. ' ONES JAZZMEN
CANAL ST BL/JAZ2IN BABIES

HARRY LAi'DER

WHEN I MEET MACKA Y/END OF ROAD
SOOSIE MCLEAN/BOOS 0 THE HOOSE
GEORGE LEW I S 4 HIS N.O. STOMPERS
•LIT WHILE STAY/CLOSER WALK CL I

CHARLES E. MACK ASSISTED BY GEO. I

BW

1204

E+

BW

1205

E

CMS

1 501

E—

CMS

1504

E

CMS

1504

E-

CMS

1505

E

CMS

1505

E-

CMS

|5| 3

V*

SE

I20C7

E+

VI

9024

E

VI 9000 E

103
ORAN

1874. SERMON GNEROS 1Y/THR0WNG STONES
MIFF MOLES NICKSIELArD BAND

1 875. PEG 0 'MY HRT/ST LOUIS

RED NICHOLS

1876. P00R BUTTERFLY/CANT U HEAR

PRINCES BAND

CO 50061 V

CMS I 5 1 8 E

BR 20062 V

1877, BY BEATUIFUL SEA/THATS PLENTY
I 878. WALK I N DOG/PRETTY BABY

PEERLESS QUARTET
|879,DWN ON THE LEVEE/MI SS.MINTRELS

JAMES WH ITCOMB Rl LEY

CO
CO

5582 v-
5851 v

01 35233 E

1 880. OUT OLD AUNT MARYS VI 70078 E+-

'881. HAPPY LITTLE CRIPPLE VI 70079 El

E.H. SOTHERN— JUL I A MARLOWE
I 882. BALCONY SCENE FRM ROMEO t JULIET VI 74662 E

JACK TEAGAROEMS B|G 8
I 883, BIG 8 BL/WLDS WAITING SUNRISE HRS 2007 E+

WH ITEMAN CONCERT ORCH

1884. MERRY WIDOW/CHOCOLATE SOLDIER COE 9460 E-

1 885. WAS HBOA RD SL. AMONG MY SOUV VI 35877 V

LEE W I LEY

1686. CWN STEAMBOAT TEEN/SUGAR CMS 1507 E+

BERT WILLIAMS
I887.ELDER E SERMON GEN/THROWINS ST CO 6 1 4 1 E
1 888. SERMON GENEROSITY/TROWING STONES CO 6 141 V
THE FOLLOWING ARE ALL V-DISCS
V-O'ISC ALL STAR JAM SESSION

1889. JlCK ARMSTRONG BL.ROSETTA V-0 384 V-

BENNY GOODMAN ALL STARS/GLENN MILLER 0.

1890. F00L1SH THINGS/MALLELUJH//IN GLOAMING/

DEEP PURPLE v-0 302 V-

TOMMY DORSEYO/CHARL IE SPlVAK 0.
1 891 . MORE 4 MORE/U DRIVING MR CRAZY//ONLY ANOTHER
BOY 4 GIRL//EVERY TIME V-0 I 86 V-

FRANK IE CARLE /THE THREE SUNS
IS92.MAKE BELIEVE/WANT GIRL//TTS DAWN AGAIN/

wooden shoes v-o 436 v-

ANDRE KOSTELANETZyjASCHA HE IF 1 TZ
1893. the swan/ /Tbygone memories /Jamaican rumba

v-0 202 V
344TH ARMY SERVICES ORCH/BUDDY CLARK/
BOB EBERLY

1894. L0NES0ME R0AD/SWI NGTIME IN ROCKIES// HOW

LITTLE WE KNOW/ 1 UNDERSTAND V-0 435 V-
MARK WARNOW ORCH/AL DEXTER TROOPERS

1895. CANADIAN CAPERS/EVER YBOY STEP// ROSALI TA/

SO LONG PAL V-D 400 V—

WOODY HERMAN 4 V*-0 ISC ALL STARS/DINAH S' ORE
I896.SMBDY LOVES ME/GUESS I LL HANG TEARS OUT/

CANDY V-0 |9| V-

FRANK SINATRA/31 LLY WILLIAMS

1 897. LET ME LOVE 2NITE/JUST CLOSE YOUR EYES//
MY BL HEAVEN/ WHEN I MnRRY V-0 351 V-

MUGGSY SPAN IER BAND/CHARLIE BARNET ORCH

1 898. RI VERBPAT SHUFFLE/ SISTER KA TE//CHEROKEE/

FOMPTON TURNPIKE V-0 87 G+

MUGGSY SPAN IER ALL STaRS/GEnE KRUPA TRIO

1899. JAZ2 ME BL// DARK EYES /W I RE B V-0 507 V-

VAUGHN MONROE ORCH/HAL MC 1MTYRE ORCH
1 9l>0„£VELI NA/TABBY THE CAT/ HYMN TO GOAT

V-0 I 80 V

COUNT BASIE ORCH/HARRY JAMES ORCH
I 90 1 H MPS MM.LEr//mY SILENT LOVe/tHE MOLE

v-0 ;99 v-
DUKE ELLINGTON ORCH /PAUL BARON ORCH
I 902. NEVER FELT THIS WAY/LIVE 4 LOVE TOHIGHt/

STCRY OF 2 CI GARETTEs/ CALf RETV-0 453 V
COUNTBASIE ORChAIGHT CRUST DOUGHBOYS
1 903 .PLAYHOUSE # 2 STOMP/SWEET SALLY/ ZIP ZIP

V-O 439 V-
JACK TEAGARDEN V-0 ISC ALL STARS,'
HOT LI PS & ALL STARS
1904, IF I COULD BI WITH U ONE HOUR TONIGHT/

SHEIK OF ARABY V-0 4| 8 G+

WILLIAM C. LOVE

HILLDAL? DRIVE
NASHVILLE TENN.

THOUSANDS
OF THE BEST POPULAR RECORDS
1939 TO DATE, ALL NEW, ALL
ARTISTS, ALL LABELS, POP,
BLUES AN 0 H ILLS I LLY.

PLUS

THOUSANDS OF SLIGHTLY USED
RECORDS OF THE SAME TYPE
BUT GOING BACK TO 1935.

A WONDERFUL STOCK

OF POP, BLUES AND HILLBILLY
RECORDS.

WRITE ME AND SEND YOUR
WANTS .

( PLEASE DON'T ASK FOR JAZZ ITEMS)

27

SALE

Frank B. Pope, Jr.

824 TRICK BUILDING, PI TTSBURGH I 9, PA.

AUCTION

BELOW RECORDS ARE LISTED FOR SALE S 50^ EACH. ALL ARE NEW EXCEPT WHERE NOTED. 25^ PACKING CHAKUE ON
ALL ORDERS. CONDITION GUARANTEED. Ml N I MUM BID ON AOCTION ITEMS il.OO, TITTLES OF ANY RECORD, SENT ON
REQUEST, RECORDS SENT UPON RECEIPT OF CHECK OR MONEY ORDER WITH SHIPPIN SNSTRUCT I ONS. GOOD LUCK TO ALL.

CEC IL AAGARD HI T ALBUM H— 1.14 4 RECORDS

IRVING AARONSON VI 2|45l (v), 20100 (v-)
ALABAMA RED PEPPERS CAMCO 8|09 ( v+ )
VAN ALEXANDER VAR3ITY 8075(*.)9|26 (n-)
AMERICAN NOVELTY ORCH OK 4490 (e)

albert ammons de975

ANDREWS SISTERS DE 22i4(n-), 24427 (n-)

ARKANSAS TRAVELERS OK 40l 83 (e)

PAUL ASH SO |6|D,536d(e), I 034D

GEORGE AULD MUSICRAFT 1 3072, 1 5043, l 5060

377, 1 5044,374, I 505 },3 73, I 5078, 3 76, I 5046,

394, APOLLO 763,764. 755, GUILO ||6,||3

FRANK AUBURN VELVETONE 2420 ( E-)

ALL STAR VI 2l2l2, 22073, 22l04, 22197
HENRY ALLEN HZ R. 2824

5454,

AMBROSE DE 18350, 726, 1164, 500, OeE

LONDON 45-30267
RAY ANTHONY cap 794, 859, 923, 933, 968, 1107
1190, 1280, 1310, 1367, 45-2085, 45-2104,45-2562
THE ASTORITES HARMONY 528, 266 201, 303

438 ( ALL e)
BAILEY LUCKY SEVEN GENNETT 4934 (ei-)

PEARL BA ILEY harmony 1049, CO 37280 (n-)
BONN IE BAKER MEMO 7002 (e+)
PAUL BARON MAJESTIC 7246
CARL 8ARRITEAU DEE 3409, 8475
DAVE BARTHOLEMEW DELUXE I 104

DUD BASC0M3 SONORA 103

SIDNEY BECHET BLUE NOTE 56l , BB |0623(E-)
VI 27302

GRAEME BELL PAAU 7724, TEE A9,A8,SIMMIT 1008
DON BESTOR BR 7495, VI 24463 (n-) 24344 (v»)
YVONNE BLANC DEE 9066 (e)
ARCHIE BLEYER MELOTONE 351023, CO 39689
VIC BLUE BB I |Q|2 (n-)

KJELD BONFILS Pj'.yphon 5| 348

EARL BOSTIC GOTHAM |72,maj 1056, 1055

BOSTON POPS ORCH. VI 4303 (e)
HAROLD BOSTWICK JEWEL D-20
MARTY BRITT BB 6376

BROTHER BONS-SHADOWS TEMPO 652

BROWN MORRIS ORCH HARMONY 528

SIX 3R0WN BROTHERS VI |83|0(E-) i3376(n-)

DAVE BRUBECK FANTASY 508

BUGLE CALL RAGGERS DE |0|8, de£ 5483 (E-I-)
CHICK BULLOCK MELOTONE 606 1 3, 60901,71 207,

VO 5098
CEELLE BURKE CAP l 36

NAT BRANDYWNNE MELOTONE 602|3(e&)

BROADWAY BELL HOPS OIVA 2 »29( E-)2644( e)

TEX BENEKE VI 20-1858,20-2260,20-2837

RAY" BtuCPrs l G l 526 1 , I 505 1 Ml 5046, I 5234,

15281, i 51 79, l 5067,15010, VARIETY 607

SHARKEY BONANO KAPPA I|5, CAP 795, 846, 95l ,

45-15837,45-1 360, V5 -2166,45-2329

BOOT & HI S BUDDIES BB 6880

CONNIE BOSWELL DE 43ll, 2463

BILLY BilTTERFIELD CAP |3|27

DON BYAS SAVOY 582,524,552,574,609, 626

JAM 901 ,9-02 , 903, 904, 305,3UPERD ISC l 006,

C))7,|008,I TlTjM^RICAN 1001,2,3,4, ARl'STA

5000,5001 , GOTHAM |3|, HUB 3002, SWING 232

ERHIE CACERS VI 26109, 25719 (e)

I KScfeABPCNTCT or»COVE«Y l(3,vt 20-3325

HOAGY CARMICHAEL «RA |28,|05,0E 23797, 3ILT |0|5

ROY C A RLSON/CLEVE LANDERS BANNER 694 (e)

BOB CAUSER MELOTONE 6|209,?ERFECT 15820(e)

KEMNY CLARKE swi NO 277, 28l

HERMAN CH|TTTS*0N MUS I CRAFT 315

KAY CONNER COSMO 485

JESSE CRAWFORD V| 2 1 250, 20000,201 1 0,20075
REGGIE CH ILDS vars ity 8|27
MUSS CASE MGM 10528

PERRY CO MO VI 20-3381 (n-),20-2888(n-)

EDDIE CARROLL HMV 866

SEQER aLIS qk4i 127

SONNY DUNHAM BB I 1504, I|2|4

EDDIE DUCHIN CO 36744, 26746, 26745, 36743

DOLLY DAWN VO 4|28,3968, SB ||25|,REZ0N0 2269 (all

JANETTE DAVIS harmony 1 048

DARDANELLA TRIO VI 20-1959 (n-)20-i993 (e<-)

DIXIE FIVE UNITED 5840, 3842,5844, 5846 (ALL e)

DIXIELAND JAZZ GROUP HMV 5327, VI 27S45

RAY ELL I NGTON PAL R. 3226, 3|09

EDDIE ELK INS CO 493d (v)

BARON ELLIOTT na r I ona record mart 206

RALPH r'LANNAGAN VI 204069, 29-4008
20-3762,20-3888,20-3688,20-3904
ROY FOX DEE 2805, 2763, VI 2551 8
FRED FE 1 BEL VO 4662, CO 36439
ARTH'IR F I ELDS-/B I LLY MURRAY VI 19537(e)
FRANKLIN FERRIS VELVETONE 1 380 (e-*)
SAMMY FAIN diva 3014, 2904,(both E)
PORKY FREEMAN ARA 1 33

SHEP F I ELDS VI 20-2945,20-1751, BB 30-0827
30-087, , I 578, 1 I 490, I I 464, I 1 366, I I 348, I 0956,
1 091 0,10688

GLEN GRAY DE l 8695, I 3691 ,4| 56,3348,3303,

3164,2968
MARIE GREENE SIGNATURE 1 5027
TED HEATH LONDON 106,726,309
BOB HOWA RD DE 722 (e)

I SHAM JONES DE 704(e-) vo 3910(e) BR 5065
(e) 5038(e), 5046 (v-),2963(N-),2548,2508f«-)
2438 (e),2358 (e), 244(e)

WALTER GROSS musicraft 359,385,15067, 36l,

387,388,360
DIZZY GILLESPIE CONTINENTAL 6008
GENE G I LBEA: IX OK 6804
GERALDO hmv 5496, 5502, 5394, 2225

PAE 1790, |342,22|7
FRANK GOOD IE SWING 240, 207
NAT GONELLA DEE 352 1
3ENE GOLDKETTE VI 20268,21800
GEORGE HALL VARIETY 559,623,653 , 559, Si I
VO 3957,88 6100 (ALL E*-)

Phil Harris ara 104,1 i6,i26,(all E+)

HARMON I ANS~harmONY 667.596,763,393, l l 8(all e)
ART HICKMAN CO 28|2 (vJ

EDDIE HOWARD CO 37995, 37993, MA J 1078,1083

FRENCH HOT CL B blue STAR 58(n-)

JACK HYLTON DE 1 324, HMV 78l ,DE 442

ALRERTA H' INTER DE 7633

HELEN HMMES PHILO I 22, ALLADD I N I 26

ART JARRETT VI 27427, 27781

ILLINOIS JACQ'JET ALADDIN 301 I, VI 20-2702

DICK JyRGENS OK 6307,V0 432l, CO 37096

STAN KENTOHHAVE ALL SEND NEED S 50#

UNti AND FRANK MOESSER MERCURY 5307

AUCT ION AUCTION AUCTI ON AUCT 10,1

DJANGO RE I NHARDT DE 23264,23263,128145,23067

SWING 2 1 ( N— ), 79, I 30 ( E ) , I 94, l 99,242 ,254,

FR, SLUE STAR 59,DIA'_ 754,HMV 4450, DE^ 4|0|0

8604.DEFR 9244,9243,9242,

RAY NOBLE CO 36402,351 62, 28770,SR 8399,

VI 25241, 24577, HMV rt464,6 I l l ,5754

GLENN MILLER HMV 5784,5633,5654,86 11397

1 0286, l 0587, POLYGON 6005, VO 5051 (e) SILT 1 046

LOUIS ARMSTRONG CO 38052,35663,35661,37534,

37535, 3753 6, 35660, 35652,38052, pa e 2393,2704,

2449,531, 1591,643, 1064, llOO,BR 8006|,VO 3303,

BB |0255,VI 40—01 05, DE 25l 55,25l 56, VI 20-2456

MCKINNEYS COTTON PICKERS VI 23020 (e+)

D1 IKE ELLINGTON BL DISC 5002, VI 201547,27880

BIX BEIDERBECKE CO 37805,2 7807,261 56, l 723D,

OILT 1032, TEMPLE 529

EMPEBORS OF JAZZ SWAN 7507,7508,7509,7506,

751 I,75|2,75|0,75|3
RED NICHOLS BR 80072, jump20,8.D , l 01 -2,

BB l 0522, l 0360, l 01 90, 5583, SEND NEEDS
BEN POLLACK VI 20425
MILDRED BAILEY DE I 8| 08 - 50f
CHARLIE BARNET BS 6594, I Oil 9, |0|3|, 5604,
10794, |0644,|069|, 30-0823, I|4|7, VI 20-1756
20-2540, HMV 94l0, 9390
BUNNY BERIGAN DE |8||7 - 50<S
m LLIE BRYANT HW 4453, VI 25|29 (e)
25|60(E+) BB 6362 ( E+)

BENNY CARTER DE |8| 70, 1 8256, coE 698, 720
32|2, 3RF 5005|7, impg l SO I I
PUTNEY DANDR IPSE VO 3269
DORSEY BROTHERS DE 3942, 445
TOMMY DORSEY VI 275l 8,20-1 574, 29 .. 579
BENNY GOODMAN BR 80028,20039,01 LT |02|,
VI 20-1549, COE 1754, CAP 15069, 462
JOHNNY GUARNIERI MA J 1094, I 096, I 095, I I I 9
LIONEL HAMPTON VI 40—0 1 1.0, 1 1 ,|3,|2, HMV 9| 37
COLEMAN HAWKINS DE I 8252, SWI NG , I , S.S. |045,
HUV 88|2

SALE SALE SALE SALE SA'LTf SALE SALE SALE SALE
RUTH ETTII-B CO 644d(v+),i733d(v+!
LEONARD FEATHER continental 6007,6006

MAILING ADDRESS)

P.O. box 806|

PORTLAND 7, OREGON

VOICE OF AMERICA

WANT TO CONTACT PARTY WHO HAS
ACCESS TO JAZZ BROADCASTS AND
CONCERTS TRANSCRIBED ESPECIALLY
FOR VOICE OF AMERICA, PARTICULARLY
THE POD SERIES.
PRICE NO OBJEST FOR ORIGINAL
TRANSCRIPTIONS IN GOOD PLAYABLE
CONDITION B'lT WILL ALSO PAY WELL
FOR HI-FI JAPE COPIES OF SAME
BY HERMAN , KEN TON , ELLINGTON,
BROWN ETC.

ALL CONFIDENCES STRICTLY
RESPECTED.

P.O. BOX 8061,
PORTLAND 7, OREGON

28

MINIMUM BID 75c

MINIMUM BID 75c

THEODORE WEBB

9537 PLAINVIEW, DETROIT 28, MICHIGAN

PLEASE BID BY NUMBER TO THE LEFT OF EACH COLUMN AND IF POSSIBLE SUBMIT YOUR BIDS ON A POST CARD, WINNERS WIL BE NOTIFIED AFTER THE CLOSIMB DATE OF ThE
AUCTION TO REMIT AMOUNT OF WINNING BIDS PLUS 25i PACKING CHARGE. THE RECORDS WILL THEN BE SHIPPED VI V RRX SHIPPING CHARGES COLLECT UNLESS YOUR DESIRE
PP SHIPMENT. IF THE LATTER IS THE CASE YOU WILL HAVE REMIT POSTAGE IN ADVANCE AND ALL RESPONSIBILITY FOR BREAKAGE WILL BE YOURS. IF YOU WILL NOT""ACCEH
JUST ONE RECORD IF THAT IS ALL YOU SHOULD WIN PLEASE TELL US THAT NOW RATHER THAN NOT HONORING WINNINGS. ROYAL BLUE SHELLAC COLUMBIA RECORDS MARKED
R.E.CC. IN LIST.

ALABAMA WASHBOARD STOMPE RS

1. ROCKIN CHAIR/WHO STOLE LOCK VO I 587 E

TEXAS ALEXANDER(KING OLIVER, Lang)

2. TELL ME WOMAN/RISIN SUN OK 8694 Et

LOUS ARMSTRONG ORCH

3. TIGER RAG/DINAH OK 8800 E
4.0ING DONG OA0DY/ I CANT GVE OD 35616 E

AMMONS, LEWIS, JOHNSON 3 PIANOS

5. CAFE SOCI ETY/LOVI N MAM A PA.IND, DPE99

FRANK BANTA PIANO SOLO RARE 4 GOOD

6. WILD CHERRY RAG/CUBIST GE 4735 E

ARCHIE BLEYER ORCH

7. W0RLD is mine/stay sv.'EtT vo 2822 E

LITTLE BROTHER PIANO SOLO

8. CHREVEP0RT FA REWELL/CRESCENT B8 10953 N-

ADA BROWN VOC. 4 PIANO

9. CRAZY BOUT LOPPYPOP/DWN HOME OK 8694 e/g
10. STRUT LONG PAPa/lAUGHIN CRY CO 3867 E

BUTTERBEANS & S"SIE, E.HEYWOOD PIANO
I I .U Al NT TALK I N/TJO NT START OK 8233 E

LEROY CARR VOC. 4 GT.

12. BROKEN SPOKE /TENNESSEE VO 1200 E-

13. MEAN OLD TRAIN/LOW DOWN VO |2|4 V

14. RAINY DAy/| WONT MISS YOU VO 1 473 G

CHARLESTON CHASERS ( BENNY, TEA)
I 5. BA SIN ST/BEALE ST R.B.CC 24|5 E

CHICAGO HOTTENTOTS, M.NICHOLAS, R.M.JONES

16. ALL NIGHT SHAGS/PUT ME ALLEY VO 1008 E

CHAS.CREATHS JAZZOM AN I ACS(RARE )

17. BUTTER F I NGER s/CRA ZY QUILT OK 8477 F

E.C. COBBS CORN EATERS

18. TRANSA1LA NT I C/BARREL HOUSE VI 38023 E

COTTON BELT QT. P. BRADFORD PIANO
I 9. WELL READY/GONNA SHOUT VO 1001 V

COTTON PICKERS

20.tACKS0NVILLE GAl/m I SHAWAKA BR 28|8 E+
JOHNNY DODDS TRIO. LIL ARMSTRONG PNO

2 1 . BL CLARINET/BLUE PIAt.O VI 2|554 E+-

WALTER DAVIS. BLUES PNO ACC.

22. TEAS I N BRWN SKIN/l SWT LETTERBB 8926 E-l-

JESSICA DRAGONETTE. BOURDON ORCH

23. ALICE BL GWN/DRWAY OF DRMS BR 7481 E+-

SEEGER ELLIS ORCH( LP IS ARMSTRONG)

24. TRUE BLUE LOU/SONG OF NILE OK 41290 N—

REG.FORSYTHE ORCH ( BENNY, KIRBY, KRUPA )

25. MELANCHOLY CLOWN/GREEN GRA SSR .6 .C 03O6O E+
CLEO GIBSON SOT THREE ( RARE)

26

27.

28.

29.

30.

31.

32.
33.
34.
35.
36.

NOTHIN BOUT Bl/fORD MOVE OK 8700 V

GOLDEN TERRACE ORCH ( MANNY KLEIN ) TPT.

OK 41 5( 4 N—

SWT 4 LOV./MI SSI SSI PPI

BENNY GOODMAN ORCH
MOONGLOB/BRKFST BALL R.B.CO 2927 E

FERDE GROFE 4 RHYTHM BOYS
TEMPTATION/ CI N EL LA S FELLA R.B.C0285I E
GEORGIE TOM ( THOS.A .OORSEY )4 TAMPA RED
GRIEVIN ME/TIGHT LIKE THAT VU | '1 1 6 V

ANETTE HANSHAW 4 SIZZ SYNC.
MUST HAVE THAT MAN/CANT GIVESPEC 1 005 E

FLETCHER HANDERSON ORCH
BIG JOHN SPEC/HAPPY AS DAY ~ 2|4n/e
WILD PARTY/RUG CUTRS SWING DE 342 N
LIZA/HOTTER THAN ELL DE 555 N-

JEALOUS/wA ITLL U SEE RE 3625 G

THEN ILL BE HAPFy/aLONG CUE DO 3625 G
KITTY IRWIN.ONE OF THE RAREST. LYRICS.

WALTER MELROSE. PNO. V. DEFAUT CLT.
37. CO penhagen/ daddy do

GE 559? E-
BB 6451 N-/E

JOHNNY JOHNSON PNO SOLO

38. MOONSTONE/ON THE PKWAY

JONES f, COLLINS ASTORIA 8

39. ASTORIA STRUT/DUET STP BB 8168 N-

ANDY KIRKS CLO DS OF JOY

40. CORKY/BLU ILLUSION DE 772 N-
4| .M01EN SWING/GIVE HER PINT DE 853 E

BING CROSBY 4 AARONSO N ORCH
42. GIVE ME H ART/HUMM1 N,WH I ST BR 6953 N-

TED LEWIS BAND 4 SOPHIE TUCKER
43. SOME OF THESE OAYS/bG CALLR.BCO 826 E

TED LEXIS BAND

44. M I LNBER G JOYS/TI N ROFF R.B.CO 439 E

45. TIGER RAG/BLUES R.B.CC 770 V

TED LEWIS BAND PICTURE LABEL

46. TRULY/AT LAST IM HAPPY R.B.CO 2408 V

47. JUST GIGOLO/BETTER TIMS R.B.CO 2378 V

48.DI»M BOAT/l ADV

LUCK

nn I^QOQ r;

TED LEWIS, PLAI N LABEL

49. LEWISADA BL/l LOVE U CO I 9| 6 G

MEMPHIS JUG BAND ( GREAT )

50. MEMPHIS BOy/SOMETMES I LVE U VI 20809 N—
5I.SUN8H||ve/l00KING FOR BULLY VI 20781 E+-
52. MEMPHIS SHAKEDWN/MAY ANNA OK 8960 E
53. SUGAR PUODI NG/LI MDBERG HOP VI 2 1 740 V
(AB OVE 'SMALL RM SHP 2ND SIDE NOT IN GRv)

EARL MCDONALDS PRIG. LOU. JUG BAND

54. SHE WONT QUIT.SiES IN GRVYO CO 14255 N —

55. L I TTLE SUUNY BOY/ CflSEY BILL CO |437| N—

RED MCKENZIE * RHYTHM KINGS

56. MOONSTONE /WHEN LOVES GONE DE 734 N-

SARA MARTI N

57. SUGAR BL/ACHIN HRT BL OK 8041 N—
LIZZIE MILES/ EDNA HICKS

58. MESS IN WITH MAN/GO IN AWAY Vt 19083 E

59. DWN BY R I VERSI DE/GLORY LAND CO 14267 E

60. GLORY LAND/ SING ON CO 14539 E
f ABOVE; SMALL RM CHP 2ND SIDE NOT IN GRv)

THOMAS MCRRIS 7 MOT BABIES

6 1. WhO Dl S STRANGER/KING OF ZULUV I 2«3|6 E+-

62. JACKASS BL / HAM GRAVY VI 20179 G

63. LONESOME JOURNEY/ JAZZ BA ND OK 4867 E

HELEN MORGAN

64. BILL/CANT HELP LOVIN DAT MAN VI 2|238 N-

NEW ORLEANS BLACKBTRDS

65. RED HEAD/FLAY IN THE BL VI 38027 E
(ABOVE ; SMALL DIG 2ND SIDE)

NEW ORLEANS OWLS

66. GOOSE PIMPLES/THROW IN HORNS CO I 26 1 E+

67. P I CCAD I LLY/ MEAT ON TABLE CO I 1 58 E

JIMMIE NO ONE APEX CLUB ORCH

68.1 KNOW U KNOW/SWT SUE VO I 1 84 V

69. FOREVER MORE/READY FOR RIVER VO I I 88 V

PI RONS N.O. ORCH

70. WEST INDIES/DO DOODLE OOM VI 19255 V

KING OLIVER 4 DIXIE SYNC.

71 .BL K SNAKE/WILLIE WEEPER VO I I 1 2 G

JACK PETTIS 4 PETS

72. BAG OF BLS/FRESHMAN HOP VI 2 1 793 E+

JOSEPH ROBEC'AUX 4 N.O. RHYTHM BOYS

73. Rl NG DEM BSLLE/ 42ND STREET VO 2575 V

NOBLE SISSLE 4 SIZZ SYNCO 4 VOC.

74. ROYAL GARDEN/LOVELESS LOVE PAT 2C4^3 e/g

JABBO SV' I TH RHYTHM ACES/WALTER 8ARNES
ROYAL CREOLIAMS GREAT TPT PIANO
I5T Slug.

75. JAZZ BATTLE/lTS TIGHT LK BR 4244 E

BESSIE 3HITH C.WILLIAMS PNO ACC.

76. KEPFS ON rainin/taint N06YS CO 3898 E

77. BLEEDIN HRTED Bl/m|DNITE BL CO 3936 E

MAMIE SNI TH JAZZ HOUNDS

78. DECATUR ST/CAROLINA OK 8030 V

79. C0T COOL DOGGI ES/U CAN HVE OK 4670 E

80. ALABAMA Bl/maMIE SMITH OK 4658 E

81. MAMMYS BL/DO IT(pNO ACC.) OK 400|9 E

SKILLET DICK 4 FRYING PANS

82. ROCK 4 GRAVEL/jELLT BEAN RAG CH 40085 U—

FRANK IE TRUMBAUER ORCH

83. NEW ST LOUIS BL/BETWEEN D R.BCO 2729 E

ETHEL WATERS

84. HEAT WAVE/HARLEM ON MIND R.B.CO 2826 V

85. HANDY man/ GUESS WHOSIN TWN CO 14353 N-

86. PICKANINNY BL/LOUB SPEAK PAPA CO 422 E

CLARENCE Wl LLI AMS ORCH

87.SWALLEW TAIL COAT/lOOKA VO 26|6 E

88. CHOC. AVE. /D ISSPOSSESIN ME VO 2584 E

89.SMNNY SIDE ST/HOW CAN I GET VO 2630 G

90.WBNT U COME OVER/PRETTY BABY VO 27|8 Q

91. OLD ST. SWEEP /AFTER TONITE VO 2736 V

92. SHOW DWN/WASH SINS AWAY VO 2759 e/g

93. trouble/cant beat YOU VO 2788 V

94. sugar bl/jelly roll vo 2805 v

95. MILK COW BL/DEVIL TO PAY VO 2927 E

96. black gal/fool I SH GAL VO 2938 V

97. YAMA YAMA/LADY LU K VO 2991 g/e

98. MOTHERS DAY/SUNDAY OFF VO 3 1 95 G

99. MA MA ST Alf ED OUT/SUSAN BRWN VO 25009 E

100. PANE IN GLASS/FREEZE OUT CO 14460 E

101. MIXING BL/WEARY BL PNO. SOLO OK 4893 V

EVA TAYLOR 4 C. WILLIAMS BL 5

102. BANANA BL/ OH DADDY OK 4927 E

103. FAREWELL BL/GULP COAST |2* OK 3005 N—

DOUGLAS WILIAMS ( CLT) FOUR

I04.LATE HOURS. KID DADDY VI 2|695 E

THOMAS (FATS) WALLER-ORGAN & PIANO

1 06. ST LOUIS Bl/lENOX AVE BL VI 20357 E-

I 07. PUTSY PAIL/SLDOPY WATER VI 20492 G

108.1 Al NT GOT NOBDY/ SUAGR BB 5093 E

lOQ.AIHT Ml SBEHAV IN/GA.ROCK I N CHBB 10288

IIO.LCVE ME OR/GAT FEELIN VI 22092 E

WITH MORRIS HOT BABIES

I I I. SAVANNAH Bl/wONT U TK HE HMEVI 20776 E-

WITH LOUISIANA SUGAR BABES

112. PERSIAN RUG/ THOU SWELL VI 2|346 N—

I I 3. WILLOW TREE/ SI PPI VI 2| 348 E

BIRMINGHAM JUBILEE SINGERS VOC.

I |4.4 4 20 ELOE RS/FEELSP I RIT CO I 4| 76 E

BINRW I r.'G HAM QUART. VOC.

I 15. QUEEN ST RaG/sTOP THAT BAND CO 1 43 1 I E

REV . CALVIN P. DIXON SERMON

I 16. DRY BONES IN VALLEY PTS 1*2 CO 14089 V

GEORGIE BIAS BL, SING PNO ACC.

I I 7. SEN T I MEN AL BABy/EVER ON M I NDCO 14340 E

BILLY qiRD BL.SING GT ACC.
I I8.MILL MAN/DWN IN CEMETERY CO 1 438l E

LEWI S BLACK BL SI NG GT ACC.

I 1 9. POCK ISLAND SL/SPANICH CO I 4429 E

REV7J.C. BURNETT SERMON 4 SING

1 2|. RING MY HAMOs/lHIS THING CO 14242 E+-

I 20. HEBREW CHILD /DANIEL LIONS CO I 42 1 I E

122. stand gound/true FRNDSHIP CO 14339 N-

CREOLE CROONER GT. ACC.

123. CAROLINA MOON/MI SSI SSI PPI C0~ I 732 n/e

DAISY DOUGLAS 8L SING. GT. ACC
I24.ST LOUIS BL.DWNHEARTED BL CO |4|75 N-

DIINHAM JUBILEE SINGERS VOC.

125. WH0 STOLE LOCK / EPH GOT COONCOI4609 N-

MATTIE ITE, CLIFF JACKSON PNO( GOOD)

1 26. TEXAS TWIST/ST JOES INFIRM CO 14503 E

PEG LEG HOWELL BL. SING. 8T ACC.

I 27.TURTLE DOVE/WALKIN BL CO 14456 E

I 28.TI SHAMI NGO/COAL MAN CO I 4| 94 E

129. HBB0 BL/MOANIN 4 GRO/ININ CO 14270 N-

WILLIE JACKSON PNO t GT ACC.

130. KANSAS CITY BL/ T.B. BL CO 14284 N-

MEMPHIS MINNIE BL SING GT ACC.
I 3 I . BUMBLE BEE/WANT THAT CO I 4542 N-

I 32. NOT IN RAMBLI Ng/lON. ShA CK CO 9764 G

WH I STL IN ALEX MOORE PNO ACC.

l33.hRT WRECKED BL/l CE PICT BL CO 1 45 1 8 N—

THE MOBI LE FOUR VOCAL
I 34.ELI ZA/D I XI E BOUND CO I 4357 E¥-

BL I ND NESBIT BL SING GT. ACC.

135. PURE REL I Gl ON/CAANAN LAND CO 14576 E4-

SONNY PORTER BL SIN PNO 4 QT ACC.

136. DECK HAH) /HOW LONG CO 14366 N-

CLARA SM ITH j JAZZ TRIO
I37.0EATH LETTER/PRESCRI P BL CO 14045 E+-

REV. T.E . WE EMS SERMON 4 SING
I38.DEVIL is fishman/god MAN CO 1 4221 N —

ELL^SWILLIAMSIHRMCA^SOLO^GT^^ACC.^^
I 39. B^TTERMI LKBL/SMOKEY BL CO 14482 E

PAUL W'lTMAN OREH PICTURE LABEL BIX 4 BINQ

140. TAINT SO.THATS WEAKNESS CO I 444 e/v

141. H0W ABOUT ME/CRADLE OF LVE CO 1732 e/v

( above; Si-all dig 2nd side)
142.0 miss hannah/china BOY R.B.CO 1945 V
I 43. MY ANGEL I NE/cO QUETTE CO 1755 V

I44.AFTER u gone/nboys swthrt CO 2096 V

(above; 61HH. RIM CHP 2nd side not in grv)

I45.0UT TWN GAL/DRIFTWOOD CO 1505 Q

(ABOVE SMALL RM CHP 2ND SIDE NOT IN GR )
PAUL WHITEMAN ORCH. PICTURE LABEL

146. L0VER COME/MARIANNE CO 1 73 1 E

147. MY LUCK Y STAR/BUTTON OVER CO 1736 N—

148. chiquita/loneschc MNLITE CO 1448 N—

I49.IN EVNING/lF U DONT LV ME CO 1484 E

150. EVNING STAR/DRMD U KISSED MECO 1 40 1 E

151. PICKIN COTTON/AM ER I CAN TUNE CO 1464 N
I52.SIDWALKS NY/GO OLD SUMMER TM CO I 558 V
1 53. SI OEWALKS NY/GD OLD R.B.CO 1 558 G

29

AUCTION AUCTION
SALE STEPHEN STORAN SALE

% ARG - BOX 341 COOPER STATION
NYC N.Y

AUCTION OF STOCK OF TOPEX RECORDING STUDIOS.
ALL RECORDS LISTED ARE COMPLETE HALF— HOUR

BROADCASTS ON |2* LP-33-l/S MICROGROOVE
STUD I 0 ACETATE RECORDINGS. ALL RECORDS
ARE IN N CONDITION - NEVER PLAYED.

1936)

BUNNY BER I GAM— JOE MA RSALA-TFDDY WILSON

1 ) OLD MAN MOSE |2*LP

2) TIGER RAG

3) WHISPERI NG

4) SWEET SUE

5) STARDUST

6) BUGLE CALL RAG

7) THE BLUES

8) HONEYSUCKLE ROSE

9) BASIN ST BLUES

DUKE ELLINGTON - JAN 1 940 - |2"LP - BLANTON-REX

I ) GAL FROM HOES '

2) TOOTIN THRU THE ROOF

3) DAY I N DAY OUT

4) MERRY GO ROUND
5>ME AND YOU

6) GR1 EV I N '

7) LI TTLE JOS I E

8) MY LAST GOODBYE

Jlt^'Y NOONE - |2*LP(|927)- NOT A BROADCAST

I ) IT'S T I GHT LI KE THAT

2) LET'S SOW A WILD OAT

3) SHE'S FUNNY THAT WAY

4) S0ME RA I NY DAY

5) OH SISTER Al NT THAT HOT?

6) MY DADDY ROCKS ME

7) ON REVIVAL DAY

8) l 'M DRIFTIN BACK TO DRMLAND

9) HE'S NOT WORTH YOUR TEARS
IOJtRAVELIN' ALL ALONE

COUNT BASIE - |2*LP - jan, 1 943

1 ) EVERY TUB

2) IT'S SAND MAN

3) WHY DON'T YOU DO RIGHT?

4) BASIE BOOG IE

5) SW I NG I N ' THE BLUES

6) SENT FOR YOU YESTERDAY

7) K M A - SIGNAL STRENGTH
INK SPOTS - |2"LP - 4/26/53
I ) WHO 'S TO BLAME

2) INTO EACH LIFE SOME RAIN MUST FALL

3) SUNNY SIDE OF THE STREET

4) ST LOUIS BLUES ( NAPOLEON ORCh)

5) YOU A RE HA PP I NESS

6) IF I DIDNT CARE

7) AWAY WE GO ( ANPOLEON ORCH )

RED NICHOLS - i 2" LP - (not a broadcast)

I ) ALABAMA STOMP

2) HURRICANE

3) RIVERBOAT SHUFFLE

4) ECCENTRIC

5) I NEVER KNEW

6) WHO'S SORRY NOW

7) CLARINET MARMALAOE

8) SWEET SUE

9) ROSES OF PICARDY
|0)ALLAH'S HOLIOAY

GERRY M 'LLIGAN^JOUN LEWIS-MIU9 DAVIS- I 948

1 ) MOVE

2) WHY DO I LOVE YOU?

3) GOD CH ILD

4) S'lL VOUS PLAIT

5) MOON DREAMS

6) HALLUCINATIONS

BOB CROSBY - l 2 " LP

I ) MEXI CALI ROSE

2) TAKE I T EASY

3) CATALINA JUMP

4) RUSSIAN SAILORS DANCE

5) LOVE TURNS WINTER TO SPRING

6) ZOOT SUIT

7) KISS ME TONIGHT FOR TOMORROW

8) LOVIN', LIVIN', LA UGH I N '

9) SI NG I N ' ON N0TH1 N '
|0)ANGEL BEWARE

TINY PARHAM ( PUNCH MILLER )-l 927-1 2»LP

I ) BLUE MOON BLUES (NOT A BROADCAST)

2) DOIN' THE JUG JUG

3) ROCK BOTTOM

4) HEAD HUNTER'S DREAM

5) STEEL STRING BLUES

6) PI GS FEET AND SLAW

7) BOMBAY

8) GOLDEN LILY

9) TINYS STOMP

1 0 ) STOMP [ N ' ON DOWN

SOUTHLAND RECORDS

520 ST LOUIS STREET
NEW ORLEANS, LA.

NEW GREAT RELEASES

SOUTHLAND RECORDS

NEW ORLEANS DIXIELAND, MADE
IN NEW ORLEANS BY NEW ORLEANS
JAZZ MEN*

JACK DELANEY AND HIS NEW ORLEANS JAZZ BABIES

FEATURING LEE COLLINS
CARELESS LOVE f WHO'S SORRY NOW:
BUCKTOWN DRAG! BASIN STREET BLUES

GEORGE GIRARD AND HIS NEW ORLEANS FIVE
FEATURING STANLEY MENDELSON
ROSES OF PICARDY! I'M GO I N HOME!
WONDER WHO KISSING HER NOW!
SITTING ON TOP OF THE WORLO

RAYMOND BURKE AND HIS NEW ORLEArS JAZZ BAND
FEATURING ABB IE 8RUNIES

BLUES FOR JOE; OVER THE WAVES

LIZZIE MILES AND HER RHYTHM BOYS

BASIN STREET BLUES ( CREOLE): CARELESS LOVE

JOHNNY WIGGS AND HIS NEW ORLEANS KINGS

FEAT1 IR I NG TOM BROWN & HARRY SHIELDS
MILENBERG JOYS! TIN ROOF BL ESI OLD MISS:
JAZZ ME BL'ES: ST LCUlS BLUES! TIGER RAG

MADE ON LP OR 78 SPEED

JOE MARES JR.,

SOUTHLAND RECORDS
520 ST. LOUIS STREET
NEW ORLEANS, LA.

AUCTIONJOHN D. REID

2210 SUMMIT, LITTLE ROCK, ARK

AUCTION

WINNERS WILL BE NOTIFIED. RECORDS SHIPPED
UPON RECEIPT OF MONEY VJA RRX, SHIPPING
COLLECT, 25i PUCK IMS.

ORIGINAL LABELS 1909 - 1935

ALABAMA WASHBOARD STOMPERS
I.PEPPEB 3TEAK/U CAN OEPEND VO 1697 Q

SIX BROWN BROT'ERS
^.BUU- FROG BLUES/ PUSSYFOOT VI I SU97 G

TEDDY 3-'NN - SPENCER WILLIAMS

3. PATTliM CAT/ ITS SWEET LIKE VI 3S592 E

BENNY CARTER

4. EVERYBODY SH UFFLE/ SYNTH ET I C VO 2870 V

5. DR,< LULLABY/oHOOT WORKS VO 2898 E

6. MINNIE MOOCHER/IM LEFT 6LS CO 2439 V

CELEST INS TUXEDO BAND
7.1TS JAM UP/WHEN IM WITH CO 14323 N

CH ICAGO BLUES ORCH

8. BLUE GRASS BLUES/HOUSE DAV. CO A3923 E

JOHNNY DUNNS JAZZHOUNDS

9. HALLELUJAH/SPANI SH DREAMS CO A3839 E

FR I VOL I TY CLUB ORCH

I U. LONESOME SORRY/ ADORABLE VO I 53l 6 E

EARL FULLERS JAZZ BAND
M.JAZJLOGY. JAZORIENT METEOR 1205 G

JACK GARDNERS CRCH
12. WHO YOU/WHOD A THUNK OK 40339 G

JEAN GOLDKETTE( REV. SHILKRET)
I3.SL0.V RIVEr(mastER 4> VI 20926 V

I4.SHES FUNNY THAT WAY(MAS.4 ) VI 2|853 E

HALFWAY HOUSE ORCH
1 5 .WHEN IM BLUE/I *ANT SOME. CO |263 G

16, LOVE DRMS/TELL ME WHO CO 1 542 E

FLETC'-ER HENDERSON
I7.SHIEK ARABY/WHO BE NEXT BS 906 V

I 8. SHANGHAI SHUFFLE/TELL ME PE 14338 G

I 9. MEANEST KIND 8LS/NEW Kl. VO 14880 V

HOKUM TRIO-ALEX HILL
20.HAVIN MY FUN/WOULDNT STOP 01 6047 V

BROWN 4 TERRY JAZZOLA BOYS

OK 8021 £

d I • JUMP STEADY BLS /

LANGE-MCKAY ORCH

22. LEAKY ROOF BLS/ GE 5584 E

DONALO L I NDLE i TR. SOLOS

23. TRUMPET BLS/ SWEET STUFF CO 546 G

V. LICTON ACC. 3ECHET ON G.

24. JAILHOUSE B/SHREVEPORT 5 OK 8|22 F

MARKELS ORCH
25.STAVIN CHANGE/I VE GOT SONG OK 4967 V
MCKENZ IES CANDY KIDS

26. PANAMA /WHEN SUGAR VO I 4977 E

MOUND CI TY BUjE BLOWERS

27. ARKANSAW BLS/ BLUE BLUES BR 258l E
28. SAN/ REO HOT BR 2602 G

THE MODERNISTS! GOODMAN)
29. SOLI TUOE/GETTI N SENTIMENT. BA 33192 G
NEW ORLEANS OWLS

30. GOOSE PIMPLES/THROW HORNS CO | 26 I E

OR IG. DIX IELAND JAZZ BAND

31. JAZZ BAND BALL/OSTRICH VI 18457 V

tony parent 1

32. MIDNITE PAPA/ CABARET ECHO BO 545 8

33. IfJ DUNGEON/ WHEN YO'J & I CO I 548 N

PRYORS ORCH ( C. 190;))
34. ST L3UIS RAG VI 2783 V

P IRONS NEW ORLEANS ORCH

35e WEST INDIES BL/OO OOODLE VI 19255 V

J. ROBECHAUX N.O. BOYS

36. Rl NG DEM BELLS/ 42ND ST VO 2575 V

DICK ROBERTSONS J)CH

37. L'VILLE LADY/ MISS. BASIN CR 3522 E

ST. LOUIS NIGHTHAWKS

38. BLACKBI RDS ARE BLUEBIRDS CQ 7|92 G

SEATTLE HARMONY KINGS

39. DARKTWN SHUFFLE/ IF I VI 19772 N
4U.H0W MANY TIMES/(R, REEMS ) VI 20l 33 E

STARLITE TRIO ( R. ATLANTA SYNC.)

4| . JAZZOPA T I ON VD 5008 E

NEW SYNCO JAZZ BAND

42.HOU8E DAV 10 8L/S0 MEBOOYS PAT 2|075 G

WASHBOARD RHYTHM K I NGS

43.O0NT MEAN THING/SENT. GENT. VO 1 724 V

44.SCAT SO NG/SO MEBDY STOLE VO I 725 V

WIEDOEFTS CALIFORNIANS

45, T0DDL£/ MY MAN AE |4|93 V

K. HENDERSON ACC. CUR. WMS. ORCH.

46, MUSHY LOVE/ WH AT CAN YOU QRS 7054 E

LEROY WILLIAMS CORNET SOLOS

47, LULLABY BABY/ WELCOME CO 14500 C

ZUTTY AND HIS BAND
48„C.AR. MARMALADE/ JNYTHING DE 432 E

30

AUCTION

DICK OXTOT

2S1U"/ BENVENUE AVE., BERKELEY 5 CAL»lf.

AUCTION

NO MINIMUM BID. WINNERS WILL BE NOTIFIED PROMPTLY. SHIPMENTS WILL BE RAILWAY EXPRESS, SHIPPING CHARGES COLLECT UNLESS OTHERWISE SPECIFIED. ADD 250
PACKING CHARGE FOR ORDERS LESS THAN |8.00. PLEASE BID BY NUMBER •

LOU IS ARMSTRONG
LORY'S CREOLE T8N/LAST TIME CO 37534 E

2. ORIENTAL STRUT/YOU'RE NEXT CO 36155 E
3.MAH0GONY HALL STP/BEAU-COO JK CO 35879 E-
4. SQUEEZE ME/ SOL BLUES CO 35661 E-

5.00NT PLAY ME CHEAP/SOME SWT DYBB 10237 E
6.DIPPER MOUTH/ SAVE IT PRETTY Ma DE 25l 35 E+
7.0N A COCOANUT ISL/SWSETH ALOHADE 9|4 VG
8. ST LOUIS BL/I WONDER WHO HMV B8644 E+

9.SQUEEZE ME/ONCE IN WHL( EDGE C)PaE 2242 E
lO.TIGER RAG/(HARLEM FTWARMERS Jl'AE R 942 E+
I (.HOTTER THAN THAT/THATS WHEN PaE R2704 E
12. SONG OF I SL A NDS/CONFESSI N ' PAE R 909 N-

1 3. MADE NITE 2 LONG / I GOT RHY PAE R|207 E+

1 4. MEM0R I ES OF U/(BOSWELL SIS) paE R 854 N-

15. blk 4 ilue/aint misbehavin ok 87|4 vg

16. them there eyes/l i t tle joe ok 4|5ui vg

17. tight like thi s/heah me talk vo 3303 vg+
i3.d0nt jive me/chicago brkdwn co 36376 vg

i 9.ski d-dat-de-dat/muskrat rmb co 36|53 vg<-

20. cornet shop suey/my hrt co 36f54 e-

2 1. knock in a jug/i2th st ra g co 35663 e

22. sleepy tme dn so/mighty rv bb 10703 e

23. sugar/indian summer v|4o0l36 e+

24. ga.b0 bo/drop that sack br 80o6j e

25. terrible bls/santa claus bl br 80062 e

26. wild man bls/ melancholy br 80059 e-

27. mood for love/lucky star-testbr 80 1 07 n—

28. static strut/otomp off br 801 61 e
29.1si ng that musi c/thnakful oe 866 e

30. cuban pete/daughter planter de i 353 e

31. shoe shine boy/hope gabriel de 672 vg

32. you 're lucky guy/ just no acctde 2934 vg+-
33.2;i9 bls/perdioo si (edge chpJde 25099 E-

34. GODS HVN/NBD Y KNOWS THE TROU DE 2085 E-

35. NEW ORLEANS FUNCTI0n(2 PTS ) DE 27059 N-

36. LONG AS U LIVE/THE SAINTS DEE F7056 E

37. BYE & BYS/THE SAINTS DE 25 1 53 E+
38.ST LOUIS BL/BASIN ST BLS VO 3008 E

39. Al NT GOT NBOY/I CANT BELIEVEPAE R|2S| N-

40. GULLY LOW BLS/WILD MAN BLS SE 5003 E-

41. WILLIE THE WEEPER/ WE A RY BLS PaE R2393 E

42. TIGHT LIKE THIS/STAR DUST PaE R|59l E

43. MELANCHOLY/ WILD MAN BLS PaE R2|62 E
44. STRUTT I N W BARB/LONESOME RD PAE R2829 E

45. ALL I GATOR BLS/POTmTO HEAD B PAE R2 1 85 E

COUNT BASIE

46. RUST Y DUSTY BL/ALL OF ME CO 36675 E

47. | LFET MY BABY/ RIFF INTERLDECO 35327 E

SIDNEY BECHET

48. BLS IN JRDS/I O'CLOCK JUMP HMV B934U N

49. N0B0DY KNOWS/OLD MAN BLS HMV B9|3| N-
5u.LAY YOUR RACKET/I WANT U 2NITE" B909I N-
51. SHAKE IT S: BRK/WILD MAN BL HMV B9086 N

52. EGYPTIAN FANTASY/COAL BLK S HMV B9372 N-

53. BLS IN AIR/THE MOOCHE V|20]5|0 E
54. SWEETIE DEAR/MAPLE LEAF RAG BB 79l 4 E+

55. MARYLAND/CARELESS LOVE JL 20 1 E*

56. BLKSTI CK/WHEN SUN SETS BR 80 1 32 N-

57. L0VE FOR SALE/SKA E EM Up CO 3832 1 E
58.1 HAD IT/SPREAD] N JOY CO 3832- E
59. VI PER MAO/SW PATOOTI E( SI SSLE)DE 7429 E

SHARKEY BQNANO
6u. FAREWELL BLS/TIN ROOF BL KA ||5 E+

61. MUSKRAT RAMBLE/TAILGATE RAMB KA I 1 6 E+

62. YES SHE DO.EVYBDY LOVE DE 101 4 E
63, SATISFIED W MY GAL/HI SOCIETYCO 35678 E

EDD IE CONDON

64. H0ME COOKING/THE EEL CO 35680 E+

65. CHINA BOY/SUGAR UHCA 9E
66.1VHEREVER THERES. LOVER HAS DE 23393 VG
67.S0MEONE TO WATCH/MAN I LOVE DE 23432 E-

68. BALLIN THE JACK/ JELLY ROLL CMS 53| N-

69. PRETTY DOLL/OH SlSTEft CMS 535 VG+

70. J0NT LEAVE ME DADDY/FIDG FETCMS 542 E-

BOB CROSBY

71. BIG FOOT JUMP/5 POINT BLS DE 2|08 E

72. WHO'S SORRY NOW/MARCH BOBCAT DE 1865 E-

73. ROSE OF WN SQ/NEVER KNEW H DE 2464 E

74. C0QUETTE/BI G CRASH FR\fl CHINA DE I 756 E

75. WN POST MARCH/STARS & STRIP COR 602 1 7 N-

JOHNNY DODDS GROUPS

76. GATEM0U TH/PERD1D0 ST BLS SE 5008 N-

77. GAT EMOUTH/PERD I 00 ST BLS CO 698 G

78. RED ONION BL/GRAVI ER ST BL DE 25|03 E
79, ORIENTAL MAN/ SOCK THAT THING CE 3002 E

DUKE ELLINGTON

80. ROCKIN IN RHY/NO PAPA NO HMV B9253 N

81. R0CKIN IN RHY/NO PAPA NO VI 263 1 'J E-

82. DELTA SERE/STOMPY JONES VI 201 533 E

83. TRA NSBLUCENCY/BE A LE ST BL VI202326 E

84. MOOD INDIGO/RING DEM BELLS V|20|532 E-
85. IT'S GLORY/ SARATOGA SWING BB I 0245 E

86. COTTON CLUB SY/SHOUT EM TILLlBB I 0242 E

87. TIGER RAG( 2 PARTS' BR 80048 E

88. R0CKIN IN RHY/ I 2TH ST RAG BR 8000l E
S9.THE MOOCHE/BLK & TAN FANTASY BR 8002 E-
9U.SI RMI NGHAM SRKDWN/E.ST LOUIS BR 80000 E
91 • A I NT Ml SBEHAVI N/HARLEM SPEAK 0D2840I 9 N-

92. COUNTRY GAL. JUBILEE STOMP CO 35776 E

93. RENT PARTY BLS/ JUNGLE BL BO 5002 N-
94.0KLAH0MA STP/RED HOT BA I'D HJCA 66 N—
95.BLK & TAN FANTASIE(2 PARTS' JAY 4 N-
96. SNAKE HIPS DA NC E/ JUNGLE JAMBTMPL 53U N-
97.00UBLE CHECK STP/DWN IN ALLEYJC 505 N

98. E.ST. LOUIS TOO/THE MOOCHE V|20I53| E

99. WALL ST WAIL/MOOD INDIGO BR 8000E E

ERROLL GARNER

100. ^LAY PIANO PLAY/FANTASY ON DL 1026 E

101. LOVE 4 SALE/ SLOE GIN FIZZ OL 1 03 1 E

102. TWISTIN CATS TAIL/MOVIN ARfCBW 16 N-

103. HE PULLED FAST ONE/( VENTUR I ID |S 5501 E

BENNY GOODMAN

104. LIFE GOES PARTY/IF D RMS COMEVI 25726 E

105. JUNK MAN/OL' PAPPY SEN 4003 E

106. MUSKRAT RAMBLE/AFTER AWHILE BR 80028 E

107. BI.UE/SHIRT TAIL STP/ BR 80O30 E
I 08, CLAR I NET I T I S/T HA TS A PLENTYBILT I 02 1 E

BUNK JOHNSON
I09.NEW ORLEANS PARADE) 6 MARCHES BY BUNKS
BRASS BAND )<DIDNT HE RAMBEV AM ALBUM E
U TELL YOUR DRMS, GLORY LAND/LITTLE
WH I LE;SA I NTS/NEARER MY GOD TO THEE
DINK JOHNSON
110.30 Dl FF.SLS/TAKE YOUR TME AM 5|6 E
III. INDIAN RAG/JELLYROLL BLS AM 525 E
I 12. RAG BAG RAG/YEAH MAN AM 523 E

Wl NGY MA NONE
I I 3. TORMEN TED/U STARTED ME DRMG BB 6359 E-

( ABOVE ; EDGE CH I p J
I I4.TIN ROOF GARDEN 8LS/TAR P DE 7425 E
II5.R0YAL GARDEN BL/MA NONE BL HMV B9376 VG
I |6. REAL KIND PAPA/CORRINE CORR BB 10266 VG+
I I 7. YOU'RE NOT KIND/OLD GIRL OF BB 6472 VG
II3.H0NEYS LOVIN ARMS/WHEN SUGA RBB3008U| £
II9.H0W LONG BL/BLUE LOU BB 10749 E

I20.ISLE OF CAPR1/WALKIN THE STEVO 4464 VG
122. IM SHOOTIN HIGH/MUSIC GOES VO 3|34 E
I23.SEND ME/oTRANGE BLS PAE R2875 E

124. RI0EBS IN SKY/ROUND SQ DNCEKEM Z700 E

1 25. UP THE COUNTRY/SHAKE THAT DE 7366 VG
I 26, NEVER HAD LOV I N/ ALONE WTHOUTSE 50l I E+-

MEMPHIS MINNIE

127. MY GAGE IS GOING/GIRLISH OK 64|0 VG

128. L0OKING WRLD OVER/BLACK RAT OK 67u4 VQ
I 29. MA RA I NEY/FI NGER PRINT BLS OK 58 I I E
I30.ME & MY CHAUF/CANT AFFORD TOOK 6288 G

I 3l .WALKING & CRYING/NEW CAGHT VO 3966 E
I32.U AINT DONE NOTHING/BITING VO 3 1 44 E
I 33. RATHER SEE HIM DEAD/SEE U SMVO 4506 E
I34.0UT IN COLD/DRA GG I N MY HRT VO 3398 E-
1 35. HAUNTED BLS/ BLK CAT BLS VO 358l VG
I 36. MINNIES LONESOIE SG/NBDY HMEVO 3|87 VG

137. GD MORNING BL/DONT WANT U NOVO 3436 VQ

138. KEEP ON WALKING. HATE TO SEE VO 4356 E

139. T0NITE I SMILE/ JUMP LITTLE RCO 30|64 E
|4U, SQUAT IT/(LOVIN SAM THEARD ) DE 7|46 E—

MEMPHIS MINNIE 4 KANSAS JOE

I 41 .GO IN BACK TO TEXAS/FRISCO Co" I 4455 E+

1 42. WHAT FAULT U FIND 0F(2 PTS ) VO 1500 E-

143. HOLE IN THE WALL/GIVE IT 2 DE 7023 E
144.1 WANT THAT/BUMBLE BEE CO 14542 E

JELLY ROLL MORTON
I 45. CREEPY FEEL I NG/FI NGERBUSTER JM I 2 VG

146. WININ BOYBLS/ HONK Y TONK MUSIJM II VQ

147. KING PORTER STP/THE PEARLS BR 80U67 E-

148. MIDNIGHT MAMA/MR JELLY LORD BR 80040 E

1 49. f REAKI SH/SEATTLE HUNCH VI 27565 E-

1 50. °RETTYL I L/BRUN I N ICEBURO V|400|20 E

151. DEAD MAN BLS/SIOEWALK BLS VI 2025Z VQ

1 52. DOCTOR jazz/(dixieland jug BLVI 204I5VG
(ABOVE j t" CRACK)

JELLY ROLL MORTON CO NT.

1 53. DEEP CREEK/RED HOT PEPPER V|400||9 E+

154. HI SOCIETY/BUDDY BOLDEN BLS HMV B92|6 E+

155. BALLIN THE JACK/DONT LEAVE HMV B92|8 N—
I56.0IDNT ME RAM5LE/WININ BOY HMV B92|7 E+
I57.GA SWI NG/MOUNRFUL SERE HMV B922I N-
I 58.CHREVEP0RT/DEEP CREEK HMV B9220 N—

159. B0OGAB0O.SHOE SHINERS DRAG BB 7725 E

160. MU JELLY LORD/WOLVERINE BLS BB 10258 E
|6| .PANAMA/SWT SUBSTITUTE GL I 703 E4-
1 62. SHAKE IT/IF YOU KNEW GL I 707 E

I 63. GET THE BUCKET/WHY GL |T06 E

I64.SWINGIN THE ELKS/DIRTY 0 I RTYGL I 7| I E
I65.G00D OLD NY/BIG L I P BL GL I 7U4 E-

|66. LONDON BLS/(EZRA HOWLETT) Rl 3 E

I67.MANI Ml TA/TI A JUA NA BILT 1003 N-

I 68, N 'ORLEANS JOYS/PERFECT RAG BRS 3 N-

I69.K.C. STOMPS/GRANDPAS SPELLSHJCA 54 E+
I 70. STRATFORD HUNCH/oHREVEPORT HJCA 64 N-
|7|,T0M CAT BLS/BUCKTWN STP HJCA 56 E*
1 72. JELLY ROLL BLS/BIG FAT HAM HJCA 57 E
I 73. PEP/FAT FRANCES BRS lOlO £+■

JELLY ROLL LIBRARY OF CONGRESS
SERIES.. |2" VINYLITE ALBUMS ....CIRCLE
174. VOL I. JA2Z STARTED IN NEW ORLEANS
I 75. VOL 2. WAY DOWN YONDER
I 76. VOL 3. JAZZ IS STRfCTLY MUSIC
I 77. VOL 4. THE SPANISH TINGE
I 78. VOL 5. BAD MAN BALLADS

179. VOL 6. THE JAZZ PIANO SOLOIST

180. V0L 7. EVER YONE HAD HIS OWN STYLE
|8|. VOL 8. JELLY AND THE BLUES

I 82. VOL 9. ALABAMA BOUND
183, VOL lO.THE JAZZ PIANO SOL I ST tZ
I 84. VOL I I. IN NEW ORLEANS
I85.V0L I 2. I'M THE Wl Nl N BOY
BESS IE SM ITH

I86.GULF COAST BLS/3T LOUIS BLS CO 1 4064 G
|87.DEVIL'S GONNA GIT/INDEED HE CO 14354 VG
I88.BLEEDING HEARTED/MIDNIGHT BLCO 3936 VG
I89.0UTSIDE OF THAT/MAMAS GOT CO 3900 VG
I90.BACK WATER BL/PREACHIN BLS CO I 4| 95 VQ
|9| .SORROWFULL/ROCKt N CHAIR CO 14020 VG

l92.SqUEEZE ME/JAZZBO BROWN CO 1 4| 33 VG

I 93. CARELESS LOVE/WEEPING W ILLOW PALR2479 E+-
I 94. NOBODY KNOWS/BACK WATER BL PAE *248l E+-

1 95. HOT TIME OLD TWN/ALEZ RGTMEPaE R2477 E+

196. TR0MB0NE CH OLLY/ YELLOW DOQ PaE R2480 Ef

197. N0BDYS BLS/MY MAN(w. CLARA ) CO 14048 VG-

198. FAR AWAY BL/MY USED TO BE(")CO 13007 VG-

FATS WALLER

199. rump steak ser/feet too 6 1 ghmv b9582 e

(abovejcdge chip)

200. at twi li ght/nobdys bizness hmv j096 n-

201. alligai0r crawl/vipers draghmv 88784 n-

202. u stayed away /changes made vi2022|6 e
z03. african ripples/alligator vi 24830 vg+

204. smbdy stole gal/sugar bls vi 25194 e-

205. clothes line ba llet/al l i g crbb 10098 e

206. an i ta/i used to love u bb 10369 e
*07.pan pan/0 babay swt ba ba y bb 11383 e-

208. baby brown/san antone bb i 0 1 09 e

209. abdullah/wh0 'll take my plcebb |04|9 e
2| o.b irmi ngham bl/muscle shoalsbilt 1005 n-
zll.aint misbehavi n/dont toy hmv 54|5 n
2|2.|2th st rag/trucki n hmv 262 e
2i3.send me jackson/jingle bellshmv 1229 e
zi4.pan pan/24 robbers hmv i 01 i e

21 5.FRACTI OUS Fl NGER I NG/(t.DORS^/| 25656 VG

216. WANNA PIECE PIE/E FLAT BL HMV BD906 E

217. JINGLE BELLS/SUITCASE SUSIEHMV J08l E
2I8.8IG CHIEF DESOTA/SI N TELL VI 25342 E+
2 1 9. DINAH /LATCH ON VI 25471 E
220. OH FRENCHY.SIN TO TELL LIE VI 20|595 E
22'|»0LO GRAND DAD/LITTLE OURLY BB 10698 VG

222. ANYTHING BUT LOVE/DKTN ST K BB 10573 VG^

223. WH0LL TAKE MY PLACE/DONT U VI 202642 E-

224. UNTILL REAL THING/BUCK IN THEVI202640 E-

225. BLK RSPB JAM/PASWONKY VI 25359 VG

226. CHRIS COLUMBUA/US ON A BUS VI 25295 VG

227. NOT THE ONLY OYSTER/SHE PRET YV 12022 1 SE

228. CAROLINA SHOUT/RIMG DEM BLS VI 27563 E

229. VIPERS DRAG/HANDFUL KEYS VI 27768 E-

230. UP JUMPED U/ROMANCA LA MODEHMV I 045 E

231. PORTERS LOVE SONG/ JUNGLE BB I OOl 6 E

31

AUCTION MINIMUM BID 75c AUCTION

AUCTION MINIMUM BID 75c AUCTION

B. J. PRINCE

5845 SW 49TH STREET, MLAMI FLORIDA

PLEASE BID BY POSTCARD AND BY NUMBER AT LEFT OF EACH RECORD. RECORDS WILL BE SENT VIA RR EXPRESS UNLESS OTHERWISE REQUESTED. RECORDS WILL BE SHIPPED
PARCEL POST AT YOUR RISK. A SMALL PACKING AND POSTAGE CHARGE WILL BE MADE ON PARCEL POST CH I PME NTS. CONDITION IS GUARANTEED.

SB

10962

E

BB

I099S

E

BB

1 1090

e

BB

1 1 1 97

E

DE

3294

E

DE

3262

E

DE

3545

E

DE

3588

E

OK

6001

E

VO

4984

E

VO

51 12

E

VO

5224

E

VO

5294

E

VO

5399

E

VO

5458

E

VO

5508

E

VI

26221

E

BENNY CARTER

60 1 . VERY THOUGHT OF U/ALL OF ME BB 10962 E

602. C0CKTA ILS 4 2/TAKIN MY
6U3.BABALU/I 'VE SAID IT AGAIN

604. WHAT D I FFERNECE/CUDDLE UP

605. NIGHT HOP/OK FOR BABY
606. SERENADE SARONG/POM POM

607. BY THE WATE MELON/BEEN LOVE

608. BOOGIE WOOGIE/LAST KISS

609. BEALE ST BLS/JOE TURNER BLS
6| 0. PLYMOUTH ROCK/ MEL A NCHOLV B
61 I. SCANDAL IN A FLAT/SAVOY SMP
6 I 2. VAGABOND DRMS/LOVES GOT ME
613. FAVOR OF A FOOL/RIFF ROMP
6 I 4. SLOW FREIGHT/ SLEEP

615. AM0NG SOUVENIRS/FISH FRY

616. M0RE THAN U KNOW/SHUFFLE BG
6I7.BLUE LIGHT BLUES

CHOCOLATE DAND I ES( BENNY CARTER)
6 I 8.SHA NGH A I SHUFFLE/CALL OF OELCO 35677 E
6I9.CL0UDY SKIES/GOODBYE BL CO 25679 E

62U.SIX OR SEVEN TIMES/THATS HOWOK 8728 V/G
621. BUGLE CALL RAG/DEE BLS UHC« 53/54 E
622.1 SURRENDER DEAR/CANT BEL|2"CMS 1506 E

COW COW DAVENPORT

623. AINT NO ICE MAN/RAILROAD BL DE 7462 E

624. D0NT U LOUD MOUTH/THAT'LL DE 7486 E

625. THE MESS IS HERE, SCAT SKUNK DE 78l 3 E

626. JEEP B OOG I E/CH I M I N AWAY COMET C2 E

627. GIN MILL STP/COW COW STP COMET C4 E

628. NEW COW COW 6l(diG)/STEALIN PM 12452 E/F

629. CHIMES BL/SLOW DRAG(2DIG) 1 2800 G

DIXIE JAZZ BAND (HENDERSON)

630. D0IN THE VOOM/SATURDAY N I TE OR I 730 G

631. COOL PAHA/ WEST END BL OR ( 371 V/G

DIXIE STOPPERS

632. H| DIDDLE DIDDLE/SO OLD LADyHA I 79 G/V

633. AINT she swt(riii CRK 5 G JsnagVE |353 G/V

634. VARIETY STOMP/ST LOUIS BLS VE |45| E

DIXIELAND THUMPERS (DODDS)

635. WEARY WAYlD'IDDSj/ThERELL COMCEN 3001 V
636. SOCK THAT TH ing(*)/ori ENTAL CEN 3002 E

JOHNNY DODDS

637.BUCKTWN STP/BL WASHBOARD
638.INDIG0 STP/BL PIANO STP

639. WEARYCI TY/BULL FIDDLE BL

640. G00BER DANCE/TOO TIGHT

641. MY LITTLE ISABEL/HEAH ME

642. WILD MAN BL/MELANCHOLY(RARE)BR
643. SAN/CLARINET WOBBLE
644.GET EM AGAIN/BRASH STP
645. II EL ANCHOLY/STAK 0 'LEE BL
646. WILD MAN BL/29TH S, DEARBRN
647. SHAKE UR CAN/BLUES GALORE

FR IARS SOC IETY

BB 8549 E
BB 10238 E
BB 10239 E
BB 10240 E
BB 10241 E

3567 E
3574 E

3568 E
1676 E
2111 E

BR

CO
DE
DE
DE

BR

741 3 E
4652 V

648. COPENHAGEN/PR I NCE OF WAILS

649. REINCARNATI ON/MA'-'uE LEAF RAGCO 35686 E
650.01 SCONTENDED BLS/BUGLE CALL GE 4967 V+>

651 . NaGAZKI /land of DRMS CO 358S0 E

BhT THE HUMMING B IRD( COW COW)

652. HUMMING BL/SLOW DRAG VS 6068 E

PETE JOHNSON

DE

128 E/V
3384 E
3830 E
8582 E
DE |8|2| E
NA 9011 E
SA 12005 E
SA l 2006 E

653. HOLLER STP/U DO NT KNOW BN

654. KAY6EE ON MY MIND /BLS ON THEDE

655. DEATH RAY BOOG I e/baSEMENT DE

656. PETES mixture/just FOR U

657.627 STOMP/PINEY BROWN BL

658. WATCH THAT JIVE/jOE TURNER

659. PETES BL/LET EM JUMP

660. B& 0 BL/BUSS ROBINSON BL
661. SHUFFLE BOOGIE/PETES BL # 2 SA |20|0 E

662. CUTTI N the boogie/barrel H VI 27504 E

663. B00GIE W00GIE man/walkin THEVI 27505 E
664.SIXTH AVE EXPRESS/PINE CREEKVI 27506 E

665. F00T PEDAL BOOGIE/MOVIN THE VI 27507 E

666. boogie woogie prayer/boogie VO 4606 E

667. CH ERRY RAD/BABY LOOK AT U VO 4997 E

TOMMY LADNIER

668. WEARY BLS/JA DA BB 10086 E

669. WHEN U 4 I /REALLY TH BL BB 10089 E

LEAD BELLY

670. HOW LONG/GOOD MORNING BL AS 343-1 E
671 . I RENe/a I NT U GLAD AS 343-2 E

672. ON A MONOAy/john henry AS 343-3 E

673. CHRISTMAS SONG/RED BIRO SC 23 E

674.SKIP TO MY LOU/CANT LOSE SC 80 E

LEAD BELLY CONT,

675. TAKE THIS HAMMER/CORN BREAD

AS

101

E

677.0L '11 ley/rock ISLAND LINE

AS

102

E

678. HAUL AWAY JOE/ OLD MAN

AO

103

E

679.SAIL ON LITTLE GIRl/dONT U

BB

8550

E

680.alberta/t.b. bls-

SB

8559

E

68I.EASY RIDER/WORRIED BL

BB

8570

E

682. ROBERTA /RED CROSS STORE

BB

8709

E

683. NEW YORK CITY/u CANT LOSE A

BB

8750

E

684. GOOD MORNI NG/LEAV 1 NG NL

BB

8^91

E

685.MY LAST GO ROUND/Tu IRSTY MA

ns

8981

E

686. FOR DAY WORRY/NEW BLACK

ME

13327

0

687.HAM AN' EGGS/MIDNIGHT SPEC

VI

27266

E

688.GREY GOOSE/ STEWBALL

VI

2726 7

E

689.PICK A BALE COTTON/ALABAMA

VI

27268

E

690. FRANK f- ALBERT

MU

223

E

691. A INT GO IN DWN/LOOKY LOOKY

MU

224

E

692. FANNIN ST/GREEN CORN

MU

225

E

693. BOLL WEVIL/DE KALB BL

MU

226

E

694.GALLIS POLL/ BERGOIS

MU

22 1

E

MEAD "L' IX" LEWIS

695. YANCEY SPECIAL/CELESTE BL

DE

819 E

696.MR FREDDIE Bl/cELESTE BL

DE

383i

E

697. HONKY

tonk/dearborn

st(min

bio

$35.00)

PM

12896 E*

698, HONKY

tonk/dearborn

st(min

BID

J20.00)

PM

12 8 96 V

SA 12003 E

700. HONKY TONK TRN BLS/WHILTLIN VI 25541

701. BOOGIE WOOGIE PRAYER PTS I 42 VO

702. BEAR CAT CRAWL/SHOUT FOR J

703. THE BLUES PART I 42

704. THE BLS PART 344

705. VARIATI ONS ON THEME

706. VARIATI ONS ON THEME

707. BASS ON TOP/6 WHEEL CHASER

708. HONK YTONK TRA 1 n/tELL STORY

MAC PARTLAND SQUIRRELS

709. PANAMA ALL BOUND ROUND
7|0. ORIGINAL DIXIELAND ONE STP
7| I.CHINA BOY/JAZZ ME BL
7|2.SUGAR/WLD WAITING

MOUND CI TY BLOWERS

7| 3. ONE HOUR/TAI LSPI N BLS
7|4.ARKANSAN Bl/bLUE BLUES
7|5.RED HOT / SAN
7I7.GETTIN TOLD /PLAY ME SLOW
7| 8.ARKANSAS BLS/BLUE BLS
7|9.U AINT GOT NOTHI Hs/bARBW I R

BEN POLLACK

720.CANT U HEAR kC/WILD IRISH
72I.IF ITS THE/u MADE ME LOVE
722. SNAKE CHARMER/lM IN GLORY

VI

25541

E

VO

4606

E

vo

4608 E

BN

8

V

BN

9

V

BN

20

e/e-

BN

19

E

BN

16

E

BN

15

E

HRS

1003

E

'hrs

1004

E

DE

18042

E

DE

1 8043

E

BB

6456

E

BR

2581

V

BR

2602

v/v-i-

BR

2849

E-

BR

2581

G

: BR

2648

G

DE

1458

E

DE

1465

E

DE

1488

E

DE

|5|7

E

DE

1 546

E

DE

1851

E

725.M0R0CC0 /NBDYS GONNA TAKE

726. if I coudl/because im(hr CR#JR 1988 V

727. HEAR TACHES/U D I DNT HAVE TELLOR 2208 e/e-

728. IF I COULD B/BECAUSE RE 10054 V

( BOVE RM CHP NO GRV )

729. U MADE ME HAPPY/ FRM NOW ON VI 22 1 58 E—

CLARA SM I TH

730. KIND LOVI N/DWN SO ( HE NDERSON ) CO 3961 V

731. ALL NITE Bl/pLAY IT™ * ) CO 3966 V+/v

732. irresistible/want my( " " ) CO 3991 v

733. AWFUL MOANIN/NEVER( * * ) CO 4000 E-

734. KANSAS C ITYMAN/UNCLE SAm(DIG)CO I? V+/v

735. D0NT NEVER TELL/wAITIN CO 13002 E
736,1 T WONT BE LONG/HOT PAPa(lM c)cO|4006V

737.3ist st bl/chicago b(lm crk)CO 14009 V

738. U DONT KNOw/lM GONNA TEAR CO |40|3 v/v+-

739. D0NT LOVE NBDY/MY DOGGONE CO |40|6 G

740. WAR HORSE MAMA/COLD WEATHER CO 1 402 1 E—

741. MEAN PAPA /BACK WOODS BL CO 14022 E

742. GOOD LOOKING PAPa/dONT ADVE CO 14026 V+

743. DEEP BL SEA(LM c)/tEXAS MOANCO 14034 E

744. BASEMENT BL/MAMAS GONE QDBYECO 14039 V+

745. FRE1GHT TRAIN/DONE SOLD MY CO |404| V+-

746. PRESCRI PTION FOR Bl/dEATH CO 1 4045 E-
747.SAN FRANCS I Co/CHA IN GA NG B CO I 4049 E+
748. STEEL DRIVIN SAM/HES MINE CO 14053 E-/E

749. IF U ONLY KNOWED/NBDY KNOWS CO 14058 V

750. WHEN I STEPS OUT/MY GOOD FORCO 1 4069 N

751. COURT HO iSE Bl/l & N BL CO 14073 V+/v

752. my john/shipwrked(louis acc)co 14077 E-/E

753. Dl FFERENT WAY/ DOWN HOME CO I 4085 V+

CMS 525 E—

CMS 524 E—

CMS 522 E-

CMS 523 E-

CMS 521 E/E-

7090 E
8360 E

CLAff A SM I TH CO NT .

754.KITCHER MECHANIC Bl/mY 2 LT CO 14097 n/e
755.0NERY Bl/t|RED OF BEIN' GOODCO |4||7 V

756. BRAND NEW PAPa/sALTY OOG CO I 4| 43 e/e-

757. howm i doin/w it it(l.fowlerCO |4|50 V

758. separation bl/aint NOTHIN CO |4|60 V-

( ABOVE RM CHP NO GRV )

759. GET ON BOARD/LI VI N<RM CHP NO )C 0 |4|83V

760. CHEATIN DADDY/ U DONT( L,CRK )cO I 4| 92 v/v-

761. THATS WHY/BLK WOMANS BL CO I 4223 V

762. BLK CAT MOAN/ST RUGGL I N W0MANCO | 4240 V

763. troublesome sl/u cant(lm crk)c0i4256 V

764. GOT NBDY GRIND /wANNA GO HUE CO 14368 N

765. DADDY DONT PUT/ 1 TS Tl GHT CO 14398 V-

766. G0T MY MIND /GIN MILL BL CO 1 44l 9 N

767. UNEMPLOYED PAPA/OL1 SAM TAGECO I 46 1 9 E

768. MARKET ST/TAKES THE LAWDY CO |4|08 e/v

WILLIE SV, ITH

769. BCY K BOAT/DEVIL DEEP BL

770. CO NCENTRAT I NG/SNEAKWAY

771. FI NG ER BUSTER /r I PPL I NG

772. M0RNING AH/f/T.FICNETTE

773. ECHOES SPRING/FADING STAR

774. ACHIN HEARTED/HONEYMOONING DE |403 E

775. M0RNING A IR/PASSI ONETTE DE 2269 E

776. BREEZE/SI TTNNG AT TABLE DE 7086 E
777.SWING BROTHER/ECHO OF SPRINGDE

778. BAb/[R0PICAL MOOD VS

JABBO SMI TH

779. EAKD BOY STP/MOARNFUL<RA RE ) BR 7| I I V-

780. MORE RAINMORE RESt/rhy SPA I NDE I 980 E

REX STEWART

781. WITHOUT SONG/MY SUNDAY GAL BB 10946 E

782. LINGER WHILE/MOBILE BAY BB 11057 E
783. SOME SAT/SUBTLE SLOUGH BB I 1 258 N
785.SAN JUAN HILL/CHAINED TO DRMVO 55l 0 E
786.BABY AINT u/st INGAREE VO 2880 E

FRANK IE TRUMBA'IER
787.S wonderful/mayor ALABAM BR 7663 N
788.O0TTA FEELIn/nBDY BUT YOU OK 4|252 E
788A. FLIGHT OF HAY BAs/anNOUNCERBR 762 9 E-

789. WFARI NG GREEN/NO RETARD VS 82 1 5 N

790. LAZIEST GAL/jIMTOWN BL VS 8223 E

791. WALKIN THE DOG/NOT ON FIRST VS 8225 N

792. NATI0NLA EMBLEM /NEVER NEVER VS 8243 N

FATS WALLER

793. YACHT CLUB SWUG/mUSKRAT RAMBB 10035 E
794.SAN ANTON/BABY BROWN BB |0|09 E

795. PASIN ST BL/AFRICAN RIPPLES BB 1 0 1 1 5 E

796. Al NT GOT NBDy/ VIPERS DRAG BB I Ol 33 E

797. THE MINOR DRAG/hA RLEK FUSS BB I Ol 85 E
798.SPIDER 4 FLY/ REMEMBER WHO BB 10205 E
799.DRW MAN/YOURE NOT ONLY BB 1 026 1 E
800. SERE FOR A/SWEETIC PIE BB 10262 E
801 .V AL EM Tl NE ST p/lOVE ME BB 10262 E

802. DRK TWN STRUTTERS/CANT GIVE BB 10573 E

803. CHEATIN ON ME/OH FREHCHY BB 10658 E

804. TAIN'T NOBDYSlAUC TO S.UA RTI N ) /YOU

GOT EVERYTHING OK 8043 V

805. LAST GO RND(* " /MAMAS GOT OK 8045 E-

806. LENOX AVE BL/ST LOUIS BL VI 20357 V

807. RUSTY PAIL/SLCPPY WATER VI 20492 E

808. MESSIN ROUtCl/sTCMPI N THE VI 20655 v/g

809. AI NT GOT NOBDY/REO HOT DAN VI 2| |27 E

810. L0VE ME 0R/|VE GOT A VI 22092 E

811. A1NT misbehav(n/swt SAVANB VI 22108 V+-
8| 2. BECAUSE OF ONCE/BABY BRWN V I 24846 G

8| 3. GONNA SIT RIGHT DWN/yOUVE VI 25044 G-/G

8i4.ain't GOT nobdy/rosetta VI 25026 V

8| 5. TRUCK IN/GIRL LEFT BEHIND VI 25 1 1 6 G+'/e-

816. LIT BIT I NDEPENDENT/SKT VI 25l 96 V+/G

817. THAT NEVER TO BE/oOOH LOOK VI 25255 E-/e
8|8.|TS A SIN/BIG CHIEF DE SOTA VI 25342 E-

819. BYE BYE BABY/THERE GOES MY VI 25388 G

820. FL0ATIN DWN/S'POSIN VI 254 1 5 E-/E

82 1. PLEASE KEEP ME I n/nERO VI 25498 v/e

822. WH0S AFRAID OF LOVE/oNE IN VI 25499 e/v

823. scrrymade u/havin a ball vi 255|5 e/v

824. meanest thing /back up to me vi 25526 g+/e

825. UNTILL REAL THING/lM CRAZY VI 25374 e/e-

826. Y0URE LAUGHING AT ME/CANT BRVI 25530 E-/v

82 7. WHERE IS SUN/OLD PLANTATION VI 25550 E+/v

828. U SHOWED ME WAY/SAN ANTON VI 25579 E

829. DONT U KNOW/LOST LOVE VI 25604 E-

830. Ml NOR DRAG. HARLEM FUSS VI 38050 G
83 1 .TO A SWT PRETTY THING/cRYIN VI 2555l E

32

AUCTION AUCTION
ROBERT M. BALL

I 30 1 N. ODE STREET
ARLINGTON VA.

ALL RECORDS GUARANTEED AS TO C0NOIT10N.
KILL SHIP RR EXPRESS TO W I NNI NG BIDDER.
ALL CHARGES COLLECT, UNLESS OTHERWISE
NOTIFIED. A 25(i PACKING CHARGE WILL BE
SDDED TO ALL ORDERS UNDER $5.00.

BIX BE IDEROECKE

RYTHM Kl NG/30MEBDY STOLE M GIRL OR 8242 E

I 'M GLAD/FLOCK 0' BLOES BRE 2207 E

GOLDKETTE OR CH-I OOL I Z I NG/ VI 2027U E

JAZZ BAND BALL/ JAZZ ME BLUES CO 36 1 56 E

JELLY ROLL MORTON

SHREVEPOR T/ SHOE SHINER'S DRAG VI 2 1 658 V

OH, DION'T HE RAMBLE/WI Nl N ' BOY BB 10429 E

ST. LOUIS SHUFFLE/VARIETY STOMP BB 10246 N

THE CHANT/BLK BOTTOM STOMP BB 10253 E

BE ALE ST BLS/THE PEARLS BB 10252 E

I £* YOU KNEW/ SHAKE IT GL 1 707 I

MAMA'S GOT A BABY/ MY HOME IS I N GL I 7| 0 E

DIRTY, 0 I RTY,/SW I NG I N THE ELKS GL |7|l E

PANAMA /SWEET SUBSTITUTE GL 1 703 E

00 OD OLD NEW YORK/BIG L I P BLS GL I 704 E

L I ONE L HAMPTON

FIDDLE DIDDLE/ DONT BE THAT WAY VI 26173 G

FIDDLE DEE DEE/SOUNCIN' AT BEA VI 27364 V-

SMART ALCK/ i_OST LOVE VI 27278 E

CHINA STOMP /RYTHM, RYTHM VI 25586 E

SUNNY SIDE STREET/ I KNOW THAT VI 25592 E

CO NFESSI N '/DRUM STOMP VI 25653 E

FLYING HOME/jAVE IT PRETTY MAMA VI 26595 E

MUSKAT RAMBLE/ R I NO DEM BELLS VI 2601 7 E

WIZZlN' THE WIZZ/0EN1S0N SWING VI 26233 N

GIN F0«1 CHRISTMAS/HEEBIE JEEB1ESVI 26423 E

THE JUMPIN' JIVE/NEMORIES OF U VI 26304 E

HAM?'S BOOGIE W/ CHOP— CHOP OE I 36 I 3 E

FLYING HOME/ IN THE BAG DE I 8394 V

EARL HI ICS

GRAND PI A NO BLS/ BLE NIGHTS

BB

6744

E

SWINGIN' DOWN/ U ARE THE ONE

VO

3392

N

BOOGIE WOOGIE ST LOUIS B/' |9

BB

10674

V

'GAT03 SWING/MY HEART BRKS 4 U

BB

10763

N

THE FATHER JUMPS/THE JITNEY MAN

B8

1 1 535

N

MUGGSY spanier

AT THE JAZZ BAND BALL/LI VERY HUlf

9042

E

RELh X 1 N ' AT TOURO/R IVERBOAT

BB

10532

N

DADA STRA 1 N/iOMEDAY SWEETHEART

BB

10384

E

TWO O'CLOCK JUMP/THE WRECK OF

DE

4336

V

CHICAGO/ CAN'T WE BE FRIENDS

DE

4168

E

CLYDE MCCOY

MOOD INDIGO/I ")Z FOUND NEW BABY

CO

2531

E

BLE iUQAR/ROSELAND STOMP

DE

833

E

SURRENDER TO BLS/TELL ME YOU'LL

DE

3633

N

SUGAR BLS/ TEAR IT DOWN

OE

381

E-

DRY ICE/WAH WAH LAMENT

DE

566

E

TED LEWIS

WEAR HAT WITH SILVER LINE/SHE'S

CO

1656 V

MEMPHIS BLS/BEALE STREET

CO

1050

G

OLD PLAYMATE/m N EV'nING IN CARO

CO

25 60

V

HOMES i CK/TOMORROW

CO

37U9

E

BEE'S KNEES/LOVIM' SAM

CO

373U

E

COUNT BAS IE

HARVARD BLS/ COMING OUT PARTY

OK

6564 E

KING JOE PTS 1&2(p«UL ROBESOn)

OK

6475

N

SUPER CHIEF/U CANT RUN AROUND

OK

5673

E

9J20 SPECIAL/GOI N TO CHICAGO

OK

6244

V

JUMPIN' AT WOODSIDE/DARK RAPTUREDE

22|2

E

JOHN'S IDEA/ONE O'CLOCK JUMP

DE

1363

V

jive at five /evil bls

DE

2922

E

CO 37093 E

OK 6590 E
OK 6606 E

FLA -GA -LA-PA/MUTTON LEG

BENNY GOODMAN
STRING OF PEARLS /JERSEY BOUNCE
MY LITTLE COUSIN/ZOOT SUIT
CLARINET A LA KING/HOW LOND HAS OK 6544 N

CO 35319 E
CO 36699 E
CO 36652 V
CO 35301 Z
CO 35355 E

SPRING SO NG/HONYSUC KLE ROSE
AFTER U GONE/AT DARKTWN
6 FLATS UNFURNI SHED/WHY DONT U
BOY MEETS HORN/LET 's OANCE
ZAGGIN' WITH ZIS/BUSY AS A BEE

GOOD ENOUGH TO KEEP/A SMOOTH ONECO 36099 E

SOMETHING NEW/WHEN SUN COMES OUTCO 36209 N—

CAPRICE XXIV PAGANINI/l'M HERE CO 36411 E

WLD WAITING SUNRISE/oOLO CO 36684 E

MARGIE/FAREWELL BLS BB 10973 E

BRK I N ' IN PAIR SHOES/STOMP I N ' VI 25247 N

I'VE FOUND NEW BA BY/'i* I NGT I VIE VI 25355 E

ONE O'CLOCK JUMP/DONT BE THAT VI 25792 E

KING PORTER/SOMETIMES HAPPY VI 25090 E

LP' J IS ARMSTRONG
PUT EM DOWN BLS/POTATO HEAD BLSUHCA 60 V/E
HIGH SOCIETY/ GOT RIGHT TO SING BB 667| E
HEY LAWOY MAMA / DO U CALL THAT DE 3756 E

LEWIN RECORD PARAPISE

5600 HOLLYWOOD DLVD
HOLLYWOOD 28, CAL IF.

HO. 4-8088

FIRST STORE WIDE SALE IN 1 5 YEARS.

GLEN M ILLER. GOLD LA BEL. MOST ALL TO CH006E $1.50 El

75
.50
.9U
lu
75

I.

Bl W CROSBY. MOST ALL/BLUE LABEL OECCA.
BENNY GOODMAN.GpLD LABEL VI. MOST ALL
REM MY 'OODMAN.COw ORIGINALS. MOST ALL
LOUIS ARMSTRONG .ENG. PQRL. BL DECCA . THOUSAN DS | .
HARRY JAMES. CO. ORIGINALS. THOUSANDS .
HARRV JAMES. BRUNSWICKS. ORIGINALS. SL HIGHER
TEDDY W I LSON/B I LLY HOLIDAY. VOCALI ONS ORIGINAL
ORIGINAL BRUNSWICKS I
TOMMY OORSEY.ORI G.GOLD LABEL VI. THOUSANDS I

EA.
EA.
EA.
EA.
EA.

CHARLIE 3ARNET .PRACT.ALL BLUEBIRD ORIG.
BUNNY RER IGAN.VOC.VI.PRACT. ALL ORIG.
RED i'l ICHOLS .BRUNSW I CK ORIGINALS
ARTIE SHAW.BLUEBI RDS.VI .ENG.PARL.

SL HI GHER

BB.FI NE SELCTN.

HMV.

ARTIE SHAW. OR I G.BRUNS.

DUKE ELLINGTON. A NY VI.

FATS WALLER .ANY ORIG. VI, OR HMV IN STOCK

( OVER 200 IN STOCK)
JIMMIE L'INCEFORD.BL.DEC & VOCS. PRACT ALL
WOODY HERMAN. BL DEC. HAVE PRACT ALL
CTJMT BAS IE . BL DEC. OR OK. PRAT ALL
PROGRESS ICE REC ORDS. ANY LABEL IN STORE
ALL NEW LP'S. D I SCO ! INT ON MOST ALL
SI OIET 3EC:ET .ANY VICTOR, HMV
EflRL HUES. CAVERN ' SM/RO SETTA oR 654|

EARL H I l-ES. MADHOUSE/DARKNESS VO 3379

.50

,uo
.00
.95
.35
.2u

.50
.50

.00
.80
.00
.75

.35

.25
.25

EA.
EA.
EA.
EA,
EA.
EA.

EA.
EA.

NEW ORLEANS RHYTHM KINGS

SHIM SHAM SHA WAR ~!LE/DA DA STRAIN GE 5|06 2.75 E

TIN ROOF/THATS A PLENTY GE 5| 05 2.75 E

J I MY NONE

VO 1 207 2.0H E

VO I 185 2.00 E

SHEET LORRHNE/ APEX

4 OR 5 TIMES/ EVERY EVENING

KING 0LIVER.GEN.500Q SERIES in E.AS LOW AS 4.00 EA.
LOUIS ARMSTRONG. OK 8000 SERIES. ALL VG TO E 3.UO EA.

YOU JUST CANT BEAT OUR PRICES

FLETCHER HENDERSON. ANY ORIG. VOC.VI BL DE I

BLUE MOTE. |2" ANY I

KEY NOTE. 12" ANY |

EARL HINES. PRACT ALL SB I

EBSKINE HAWK I NS.PRACTI CALE Y ALL, BB. I
BIX RE IOERBECKE .AT REjL BARGIN PRICES, ENQUIRE

JELLY ROLL MORTON. HMV OR VI. M«NY I
ST LOUIS BL'IES AND STARDUST. OVER 250

NONE HI GHER THAN 2

NEW ORLEANS RHYTHM KINGS. GENNETTS.

CH ICK WEBB Wl T

WILL ACCEPT (VG TO E).,

ELLA FITZGERALD. BL DE

,30 EA.
.00 EA.
,00 EA.
,00 EA.
■ 00 EA.

,50 EA.

.50 EA.

.00 EA.
.30 EA.

ALL ETON CONDITION. WE DEFY ANYBODY TO BEAT OUR
PR ICES.

REALLY RARE COLLECTORS ITEMS AT UNBELIEVABLE PRICES.
THESE PRICES TO REMAIN IN FORCE IINTILL FURTHER NOTICE

HURRY HURRY ill GET THE PICK WHILE THEY LAST

IN ORDER TO GAGE ACCURATELY OUR ORDERS, PLEASE SEND
SUITABLE DEPOSIT Wl TH ORDER. IF RECORDS ARE OUT OF
STOCK, DEPOSIT WILL RE RETURNED SAME DAY AS RECEIVED.
EVERYTHING GUARANTEED AS TO GRADES. BUY WITH
CONFIDENCE, BASED ON OUT 15 YEARS OF TRADING WITH
THE " TRUE COLLECTOR".

PLEASE GIVE TWO OR THREE ALTERNATIVES WHEN ORDERING.
THIS WILL SAVE TIME AND EXEDITE DELIVERY.

BLUE NOTE RECORD SHOP

567| DEL f/IAR BLVD.
ST LOUIS, MO.

DO YOU HAVE THESE RECENT RELEASES-

GEORGE LEWI S— AN TONE # I t 3.85

GEORGE LEWIS-ANTOTC #2 3.85

NEW ORLEANS PARADE -PAX |2" 5.45
BABY DODDS DRUM METHOD— ABER ICAN MUSIC
DON EWELL PLAYS KING OLIVER TU NES—

WIND IN' BALI 1 2* 5.95

HOPES, PARNELLMBABY OOODS-PARAMOUNT 3.e5

FABULOUS WIMPY CITY SIX-OELMAR 3.85

STATE STREET RAM BLER S-R I VERSI DE 3.55

FATS WALLER ( #1 )- RIVERSIDE 3.95

FATS WALLER(#2)- RIVERSIDE 3.95

GAY NEW ORLEANS ( K.PA RKER&O .WELLSTOOD ) 3.85
DOC EVANS CONCERT-SOMA

BOOGIE WOOGIE PIANO-PAX 3.85

JOHNNY WIGGS Cl ORLEANS KINGS ( T.BROWN, H. SHIELDS )

-SOUTHUIHD 3.00
GEORGE GIRARD-LEE C OLL I MS— SOUTH LAND 3.00
LIZZIE M l^^^-SOUTHLAND (78-10") .89EA.
AND THE OTHERS ANNOUNCED IN THIS ISSUE

SAVE POSTAGE

WE PAY PARCEL POST SHIPPING ON DOMESTIC ORDERS
OF $7.50 OR MORE I CANADIAN ORDERS OF $15.00 OR
MORE :

NEW LIST OF SWEET ITEMS NOW OUT

LIST Ni/IBER THREE INCLUDING ,JARD TO FIND SWEET
ITEMS OF THE 1930-1937 PERIOD ON i

BLUE COLUMBIA

PERFECT

BRUNSWICK

BL EB I RD

ROMEO

DECCA

ROYALE( '39)

VOCALLION
MELOTONE
V ICTOR
OR I OLE
CHAMPION
VARSITY (
VARIETY

39)

WRITE FOR YOUR COPY TODAY.' .' .' i

SWING COLLECTORS, ATTNETI ON .' .' .'

DUE TO THE HEAVY DEMAND FOR SHAW A D MILLER
RECOROSWE PLAN TO CIRCULATE UP TO DAT CARBON
COPY LISTS OF 0 'R ENTIRE STOCK OF ITEMS BY
THESE ARTISTS. WE ALWAYS HAVE LARGE STOCKS OF
THESE RECORD AT THE FOLLOWING SCALED PRICES:

N E V

BLUEBIRD-GOLD LETTERING -$1.50 1.25 1.00
BLUEBIRD-SILVER LE TTERI NG 1.25 1.00 .75
VICTOR— GOLD LETTERING 1.25 1.00 .75

VICTOR-SILVER LETTERING 1.00 ,75 .50

FAIRLY PRICED AND GRADED.'

LARGE SELECTION

FOR THE BEST IN JAZZ

RE-I SSUES

I TEMS

TRY BLUENOTE FIRST!

THE ST. LOUIS JAZZ SCENE

GEORGE LEWIS NEW ORLEANS RAGTIME BAND TO PLAY
ST LOUIS BLUENOTE LOUNGE DURIMG THE MONTH OF
FEB. GET TICKETS FROM ST LOUIS JAZZ CLUB,
BLUENOT RECORD SHOP OR BLUENOTE L0UNQF;57|9 DelMAR
WINDY CI TY SIX STILL AT Wl NDERMERE-5607 DELMAR
Bill. MART I MS HOT PO I f.T-TOP HA T— 5638 DEUUAR
SEE LATEST ISSUE OF JAZZ REPORT FOR UPTO DATE NEWS

STILL PLENTY OF ROOM FOR NEW MEMBERS IN THE - -
ST LOUIS JAZZ CLUB(A CORPORATE, NON-PROF I T ORIG.)
CORRERPONO I NG MEMBERSHIPS $2.00 PER YEAR

ST LO1 ' I S JAZZ CLUB
MOSLEY LANE

CREVE COUER

MO.

33

J.A.T.P. CONCERT ALBUM
I 2 LP'S 1952 CONCERT

JAZZ TIME USA LP'S*
VOL 1,2,3, ( 12")

JIMMY JOHNSON REBELS
TONIGHT MY NITE BABy/lOLU

BESSIE JONES

12

|2

SI 353IG+ AUC

SUP 9474 G AUC

VO

brE

5t I 5 E AUC
2549 M S.A

VI 42532 G AUC

SHAKE IT DADDY/ I SUP

DOLLY KAY
MAGNOL I A/AI NT THAT KIND

LUNCEFORD, JIMMY
SASSIN BOSS/VHO DID
ANNIE LAUR IE/FRI SCO FOG

LA SCALA CHORUS
QUAL MARCHIO Dl BASSEZZA

LISTS ARE STILL AVAILABLE- FREE
D I XI E, MODERN, B I LLER,KRU PA, KENTON, SI NG
DUKE, B.G. , T.D., ETC WRITE

WINGY MANONE
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MIOAWY DANCE PRC '-I

LOTA 0 MAMA/ BL SHEEP BLS CO 33

GLENN MILLERS UPTOWM HALL SANG
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JOHNNY NOBLES HAWA I IAN5
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RAY NOBLE

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BALL

PARR
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91082

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KATC

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92013

G AUC

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92009

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KATC

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9205 1

G AUC

KATC

ALL

n/v s.t

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1 .50

BROC

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VI 63|44 G AUC

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CX 40272 N T.A

VI 64167 G AUC

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A splendid selection of jazz literature
to heighten your listening enjoyment.

Jelly Roll Morten Sheet Music

The Miserere 50c

The Naked Danes 50c

Buddy Bolden's Blues 50e

Winin' Boy Bluet 50e

Mamie's Blues 50e

The Crave 50c

Dixieland Folio No. 1

Uvery Stable. Tin Reef. Willie the Weeper.
Chime* Hue*. Doctor Jan. Dalles Blues, and
f more. f US

Dixieland Folio No. 3

Angry, Dippermewth, Easy Rider. Snag lt«
Weary Blues, High Society, and B more. $1.25

Dixieland Folio No. 2

Tight Like Thet. Copenhagen. Good Man is
Hard to Find, Jackass Hues, Melancholy and
• others. $1.21

RECORD DATING CHART

Mm answer

to Mif racaaal <4kMi'i 1W IV a IT*. «• Mi aan

aa a «Um* Hm tywrti nt—*mm —4 in— mm 4mH ml aatr
recaaa) MMtfM. mm mmn *mm I OS Utah bwJ Man IVM.

•tmmptn •# hew Mm chart works

U* m wee— •»«» «f> • «•»•» el UWiJ HiH«'i Maw UaMi
aa> ttw ti.nl! UM. Ia*«»d M«a.Wr 114*. laVaaaa. Nwa>fea *m.
•aar»« $»•»• Of Lit'i «•." Kamw Ktri. aWa) *. ~c~«
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Order your Chart mow.

$1.00

Great Jaxx Sheet Mask Folios

The Regtime Folio.

Maple Leef Rag. Climei Reg. Grece and
Beeuty. end Sit Other Greet Regs. $!JS

Jelly Roll Morton Folio

Block Bottom Stump, Shreveport, PeeHs,
Kansas City Stomps, Deed Men Blues,
London Blues, Cannon Bell and II other of
Jelly's Greetest. $1 JS

Reprints oad Reflections

Boie, Charles Edward Smith. Noone, Etc.
• P. Large Formet JS

Loots Armstrong Le Roi Da Jon

A terrific book written in French with ex-
cellent photos. Full length book. By Robert
Gofrm. $3.00

Due to continued demand

We have reprinted e number of
COPIES OF THE SPECIAL

LOUIS ARMSTRONG

(bww&ukohy Qaaur

of THE RECORD CHANGER

The special combined

July-August 1 950 issue.

THESE REPRINTS
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$1.00 Each.
The Record Changer

1 25 Le Selte St. N. Y. C 27. N. Y.

The Cat:

A collection of the greetest of the Cat
Cartoons. $1.00

Crosby On Record

The best discography published to date on
Bing Crosby. Just published 1951. Printed
on superb high gloss coated paper with
photos. 124 pages; beautiful job. $2.00 eech

Record Chooser lock issaes

Complete since 1944 to Date $25.00
Any Full Year 3.50
See March 1952 for complete index.

Jazz Journal Subscription

The great English jazz magazine. 12 great
issuesi per year , . . . .$3.50

JAZZ JOURNAL (Sinoje Copies}

All large formet. slick color covers. Every
issue packed with Discographical Date,
Record Reviews, Cartoons, very amusing com-
mentary on Jen, Photos, plus >he following
features:
Vel. 9

ha. 4— Harlem Rag. Waller Discog., Hagtime, Etc. .50

No. 7 — Btch«t. Swing Club Stomp. Preachin Blues.

V Disc Catalog. Joplin. Smokey City Stomners. . . .50
Vol. 3

No. 7 — Teagarden. Sharkey. Duke & Benny, Around
Hug. Paramount Label 50

No. 8 — Baby Dotfdi. Errol Garner. Bubber Mi ley
Discog. Gennett Label 50

No. 9 — WingV, Benny Strickler. Gennett Label,
Louis, Bessie. VVinny Discography 50

No. 11 Firehouse 5. Ragtime It Blues, The Per-
feet Label, Billie Holiday 50

Vol. 4, No. 1 Graeme Bell, Collectors' Stuff, Tail-
gate Jazz Band 50

No. 2 Louis, Negro in Jazz, Ralph Sutton, LP and
the collector 50

No. 3 Spanier, Baby Dodds & Discography, Junk
Shopping 50

No. 4 Lips Page. Chick Webb, Paramount Dis-
cography. Baby Dodds Discography 50

No. 5 Waller. Ragtime. Joplin. Paramount and
Dodds Discogs 50

No. 6 Lonnie Johnson. Roy Carew, Tony Jackson,
LP Reproduction, Bunk. Paramount Discog 50

No. 7 4 8 — Jelly noli Morton, ■■••#■» *azz owe,
Paramount Discog., Willard Rseiton 50

No. 9> — Jelly Roll Morton, Papa Celestin. Pari-
■aunt .... .50

No. 10— Albert Nicholas. Andy ' Razaf .' ' Big ' BIN,'
Dade Maraurtu, Para Hunt 50

No. 11 — Jinny Yanaey. Paramount, Deruyt . . .50

NO. 12 — Requiem (or All Stars. Spikes Brothers,

Collectors Stuff. Notes on Nichols •50

Vel. 5. Na. 3 — Red Altai. Tony Jackson. Earry
Cakewalks. Snorter Clay 50

No. 2 — Old-Time Religion, Collectors Stuff, Para-

mount Discography -50

no. « — Rag tlaas. Benny Green, jack Ltsksnj 50

No. 5— Fats Waller, Gloomy Sunday, More Stuff
on Fats • .50

No. 6 — Lonnie Johnson. Eric Silk So. Jazz Band,
Chez Condon, Ralph Sutton 50

No. 7 — Dick Hughes. The Springfield Story, Ports-
mouth Band .50

No. 9 — Knocky Parker, Bessie Smith, Beryl Bryden .50

No. 10 — Rhythnt & Bis., Humphrey Lyttelton,
Charlie Galbrath .50

No. 11 — Mahalia Jackson, Porgy & Bess in Berlin,
Dill Jones ; .50

No. 8 — Sutton. Webfoot Band. Roach. Terrilic Features .50

No. 12 — Lyttelton. Broonzy. Ellington, etc 50

Vol. 6. No. 1 — Turk Murphy. Big Bill & Mahalia.

Ellington. Jabbo Smith 50

No. 2 — Mary Lou Williams. Todd Rhodes, etc 50

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BENNIE MOTEN'S KANSAS CITY JAZZ
Volume 1

1-KANSAS CITY SHUFFLE (Bennie Moten)
J— YAZOO BLUES (Bennie Moten)

3— MIDNIGHT MAMA (Jelly Roll Morton)

4— MISSOURI WOBBL

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APRIL

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m

A PRODUCT OF RADIO CORPORATION OF AMERICA

MADE IN U.S.A.

BEN POLLACK and his Orchestra

featuring BENNY GOODMAN and Jimmy McPartland
Jack Teagarden, Glenn Miller

1— SINGAPORE SORROWS #4 0
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(Le S
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A PRODUCT OF RADIO CORPORATION OF AMERICA

A PRODUCT OF RADI

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JELLY ROLL MORTON'S RED HOT PEPPERS

Volume 1

featuring George Mitchell, Kid Ory. Omer Simeon

Barney Bigard, Darnell Howard
1— BLACK BOTTOM STOMP (Jelly Roll Morton)
2— SIDEWALK BLUES J2 (Jelly Roll Morton)
-SIDEWALK BLUES S3 (Jelly Roll Morton)
THE CHANT (Mel Stitzel)
E3LL-7006

A PRODUCT OF RADIO CORPORATION OF AMERICA

MADE IN U.S.A.

new label digs old |azz the'mosH

1MIE LUNCEFORD

Ins Chickasaw Syncopators
ZZNOCRACY (Will Hudson)
SET UP (Ted Koehler-Kaye Parker)
I NG ME (Razaf-Waller-Mills)
♦-BREAKFAST BALL
sd Koehler-Harold Arlen)

E3LL-7013

3— BLUE PIANO STOM
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4— WEARY C
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REX STEWART AND ORC

1— SUBTLE SLOUGH
(Duke Ellington)/

2— SOME SATUR
(Rex Stewarf

3— POOR BU/
(Rex Stew/
4— MENELIK— THE
(Rex Ste/
E3LL-T

m

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MADE IN U. S. /

MADE IN U.S. A.

LX

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EDDIE CONDON'S HOT SHOTS

1— HELLO LOLA (McKenzie-Means)

2— ONE HOUR (McKenzie-Krupa)

3— TAILSPIN BLUES (McKenzie)
-NEVER HAD A REASON TO BELIEVE IN YOU

(McKenzie-Billings)

Mound City Blue Blowers
E3LL-7002

JIMMY YANCEY

Blues and Boogie
1_YANCEY'S BUGLE CALL

2— DEATH LETTER BLUES

3— CRYING IN MY SLEEP

4— 35TH AND DEARBORN

(Jimmy Yancey)

E3LL-7011

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THE RECORD CHANGER

BOOK DEPARTMENT

BOOKLETS FOR SALE

THE CAT

A Collection of Hilarious Jazz Cartoons

by Gene Deitch $1.00

THE NEEDLE— Aframerican Issue
A superb 72 page publication filled with
photos of Zue Robertson, article by
Jelly Roll Morton, Jimmy Yancey, Bunk
Johnson 50

RECORD DATING CHART (Through 1930)
Charts and information to guide in
placing recording date of any record
issued 1 .00

RED NICHOLS & HIS 5 PENNIES
A Complete Discography 35

A CRITIC LOOKS AT JAZZ
Ernest Borneman's great 60 page book-
let on the Afro-American Backgrounds
of Jazz 1.00

NJFO BLUE BOOK

A guide to Jazz Clubs and Fans in
England. Essential to Record Traders . . .50

FOLK . . . REVIEW OF PEOPLES MUSIC
Max Jones edits on Negro, Calypso, Etc. 1.00

JAZZ . . . VOL 3 No. 2
32 page booklet filled with excellent
writing and photos, Okeh Race 50

JAZZ REVIEW, 24 PAGES
Yerba Buena, Okeh Race, Lonnie Johnson .50

ONCOGRAPHIES FOR SALE

JAZZ DISCOGRAPHY— 146 pp

By Pensoneault & Sarles 1.00

JAZZ DIRECTORY
By Carey, McCarthy, Venables

Volume I, A-B $2.00

Volume 3, E-F-G 2.00

Other volumes temporarily out of stock
INDEX TO JAZZ
By Orin Blackstone (New Edition) Loose
Leaf

Part I, A-E : . . . 2.50

HOT DISCOGRAPHIE ENCYCLO-
PEDIOUE

By Charles Delaunay and Kurt Mohr

Volume I, A-B 2.00

Volume 2, C-E 2.00

Volume 3, EL-HE 2.00

SHEET MUSIC AND FOLIOS FOR
SALE

JELLY ROLL MORTON

The Miserere $ .50

The Naked Dance 50

Buddy Bolden's Blues 50

Winin Boy Blues 50

Mamies Blues 50

The Crave 50

FOLIO including

Black Bottom St., Shreveport, Pearls,
KC Stomps, Dead Man, London, Can-
non Ball, and Thirteen Others of Jelly 1.25

DIXIELAND FOLIO No. I
Livery Stable, Tin Roof, Willie Weeper,
Chimes, Dr. Jazz, Dallas, plus nine
other great ones 1.25

DIXIELAND FOLIO No. 3
Angry, Dippermouth, Easy Rider, Snag,
It, Weary, Hi Society, etc 1.25

DIXIELAND FOLIO No. 2
Tight Like That, Copenhagen, Good
Man Hard to Find, Jackass Bl, Melan-
choly and nine others 1.25

THE RAGTIME FOLIO
Maple Leaf, Climax Rag, Grace and
Beauty, and six other rags 1.25

BOOKS FOR SALE

BASIC JAZZ ON LONG PLAY (I08PP)

By John Lucas $2.00

THE JAZZFINDER '49 (I56PP)

Edited by Orin Blackstone 2.50

CROSBY ON RECORD (I24PP)

A Superb Discography 2.00

SHINING TRUMPETS (400PP)

By Rudi Blesh 6.00

THEY CALLED IT RAGTIME

By Rudi Blesh 5.00

JAZZ, A PEOPLES MUSIC (280PP)

By Sidney Finkelstein 1.50

REALLY THE BLUES (390PP)

By Mezz Mezzrow & Bernie Wolfe 3.50

JAZZMEN (364PP)

By Fred Ramsey, Chas. E. Smith 4.75

JAZZ by Rex Harris 50

THE NEW HOT DISCOGRAPHY (600PP)

By Delaunay, Avakian, Schaap 7.50

LOUIS ARMSTRONG LE ROI DU JAZZ

By Robert Goffin 2.00

MR. JELLY ROLL

By Alan Lomax 3.50

MAGAZINES FOR SALE

THE JAZZ SESSION
8 issues 1945-46 set 2.00

THE NEEDLE
5 issues 1944 set 1.50

THE JAZZ RECORD
3 issues 1947 set 1.00

JAZZ INFORMATION— 104 pp
The great last issue 50

JAZZ MUSIC
Vol. 3, No. I 50

RECORD CHANGER BACK ISSUES

Complete Since 1944 to Date $30.00

Any One Full Year 3.50

(See March 1952 for Complete Index) .35

Special Louis Armstrong Issue 1.00

Special Tenth Anniversary Issue 50

Special College Issue (Nov. 1949)... .50

New Subscriptions, I Year 3.50

New Subscriptions, 2 Years 6.50

New Subscriptions, 3 Years 9.00

(On all of above postage paid on U. S. A. orders.
Add 50c per year for Foreign)

JAZZ JOURNAL (Fine English Magazine)
One Year Subscription 4.00

BACK ISSUES Each .50

All large format, slick covers, every issue
packed with discographical data reviews,
cartoons, amusing commentary, plus photos
and the following articles:

VOL. 2

No. I I — Firehouse 5, Ragtime & Blues, Per-
fect Label, Billie Holiday
VOL. 4

No. I— Graeme Bell, Collectors Stuff, Tail-
gate Jazz Band

No. 2 — Louis, Negro In Jazz, Sutton, LP andl
the Collector
No. 3 — Spanier, Baby Dodds & Discography,
Junk Shopping
No. 4 — Lips Page, Chick Webb, Paramount
Discography, Baby Dodds Discography
No. 5 — Waller, Ragtime, Joplin, Paramount
and Dodds Discogs
No. 6 — Lonnie Johnson, Roy Carew, Tony
Jackson, LP Reproduction, Bunk, Paramount
Discog

No. 7 & 8 — Jelly Roll Morton, Tailgate Jazz:
Band, Paramount Discog., Willard Robison
No. 9 — Jelly Roll Morton, Papa Celestin,
Paramount

No. 10 — Albert Nicholas, Andy Razaf, Big
Bill, Dodo Marmarosa, Paramount
No. I I — Jimmy Yancey, Paramount, Dorseys
No. 12 — Requiem for All Stars, Spikes
Brothers, Collectors Stuff, Notes on Nichols
VOL. 5

No. 3 — Red Allen, Tony Jadcson, Early Cake-
walks, Sharley Clay

No. 2 — Old-Time Religion, Collectors Stuff,
Paramount Discography

No. 4 — Ragtime, Benny Green, Jack Lesberg
No. 5 — Fats Waller, Gloomy Sunday, More
Stuff on Fats

No. 6 — Lonnie Johnson, Eric Silk So. Jazz
Band, Chez Condon, Ralph Sutton
No. 7 — Dick Hughes, The Springfield Story,
Portsmouth Band

No. 9 — Knocky Parker, Bessie Smith, Beryl
Bryden

No. 10— Rhythm & Bis., Humphrey Lyttelton,
Charlie Galbrath

No. I I — Mahalia Jackson, Porgy & Bess in
Berlin, Dill Jones

No. 8— Sutton, Webfoot Band, Roach, Terrific
Features

No. 12 — Lyttelton, Broonzy, Ellington, etc.
VOL. 6

No. I— Turk Murphy, Big Bill & Mahalia,
Ellington, Jabbo Smith
No. 2 — Mary Lou Williams, Todd Rhodes, etc.
No. 4 — Fletcher Henderson, J. C. Higgin-
botham, Jazz at the Philharmonic, etc.
No. 5— Joh nnie Ray, Fats Waller, Jimmy
Rodgers, etc.
No. 6 — Charlie Parker, Natty Dominique, Plus
Discography, More About Jimmie Rodgers,
etc.

No. 7 — Django Reinhardt, History Gennett,
Jabbo Smith, Ballads and Blues, etc.
No. 8 — Henry Levine, Lu Watters, Bill Harris,
Buddy Moss

No. 9— Kay Starr, Warded Gray, Tape
Machine

No. 10 — Tony Kinsey, Tony Parenti, Chippie
Hill, Charlie Ventura Concert
No. I I — Teddy Wilson, Stan Kenton, Peetie
Wheatstraw, Jelly Roll Morton's N. O. Jazz-
men

No. 12— Al Haig, Cecil Scott's Bright Boys,
Ellington, Bunk Johnson
VOL. 7

No. I — Parkerless 0"'ntet, Cecil Scott Cont.,
Ellington, etc.

No. 2 — Blind Lemon Jefferson, Glenn Miller,
etc.

Shipped Postpaid Within U. S. A. — Foreign Add Postage

THE RECORD CHANGER 418 West 49 Street New York 19, N Y.

3

The red-hot news of the month is that the
keeping and unprecedented program of
ictor jazz reissues, which has been in the
anning stage for nearly two years and was
•st disclosed in the Changer last Fall, has
3w become a reality.

There have been some changes made in
ie set-up of the project since it was first
mounced, but nothing to alter the key fact
lat this is by far the most ambitious jazz
•ogram ever instituted by a major com-
my. The most important shift is that the
-releases will appear on RCA's newest
bel, which bears the name "X." All will
: LP packages, and they will cover the full
nge of Victor and Bluebird jazz (with
ry few exceptions) from the days of the
riginal Dixieland Jazz Band on down to
ving groups of the late 1930s.
First release date for the project — March
! — saw no less than ten long-playing discs
it on the market. These were:
Backgrounds of Jazz, Volume 1 : The Jug
mds

Jelly Roll Morton and His Red Hot
ippers, Volume 1
Original Dixieland Jazz Band
Johnny Dodds' Washboard Band
Benny Moten's Kansas City Jazz, Vol-
ne 1

Benny Goodman with Ben Pollack and
is Orchestra

Eddie Condon's Hot Shots

Jimmy Lunceford's Chickasaw Syncopa-
tors

Jimmy Yancey: Blues and Boogie
Rex Stewart and His Orchestra
Even more significant than the heavy
quantity of the initial release is the fact that
"X" plans a steady output of early jazz
material. According to Jimmy Hilliard, who
heads all activities of the new label, addi-
tional reissues will be made available, prob-
ably at a rate of two per month, for the
next several years. His goal is approximately
100 LPs.

Changer editors Bill Grauer, Jr., and Or-
rin Keepnews are working closely with the
"X" staff on the selection and packaging of
the series, which is in part the result of a
Changer editorial campaign for "legitimate"
jazz reissues. The editors had begun discus-
sions of the possibility of such a program
over two years, when record "bootlegging"
was at its height.

The present series appears to have at least
one set of unusually fortunate circumstances
operating in its favor. "X" officials turn out
to have a degree of jazz awareness that is
certainly none too common in major-com-
pany higher echelons. Hilliard, a veteran of
the music and record businesses and a for-
mer Decca Artists and Repertoire chief, has
been described as "the first white man to
write arrangements for Duke Ellington." He
has expressed himself to the Changer editors

as highly enthusiastic about the prospects of
the reissue project. His right-hand man at
"X," Ed Kissak, was closely involved with
Decca's series of Brunswick reissue albums a
decade ago.

As the nature of the first ten releases in-
dicates, this new series will cover a wide
range of styles and years. Only a handful of
major Victor and Bluebird jazz names have
not been made available as yet for "X" re-
issue, and in most cases these appear to
have been withheld primarily because of
plans for release of considerable material by
these artists (including Ellington and Fats
Waller) on the Victor label itself.

Another important feature for collectors
is that album notes on all "X" reissues will
contain extensive personnel, recording-date-
and-place, and master number data, much of
it previously unknown or uncertain. Also,
unissued alternate masters and totally un-
issued selections are to be used in many
cases.

Finally, as the "Volume 1" notation on
such LPs as the Morton and Moten collec-
tions suggests, there will be virtually com-
plete representation, in proper chronological
order, of the output of many artists. The
Morton record, for example, is made up of
his very first Victor sides (including two
versions apiece of Dead Man Blues and
Sidewalk Blues) ; the Moten is from his two
earliest dates. Grauer and Keepnews antici-
pate no difficulty in reaching or exceeding
the 100-LP figure, which will represent
scope as well as depth. Not only will all
shades of jazz styles to be found on Victor
be included, but the more obscure and
neglected performers are to be represented
heavily, in addition to all the more obvious
choices.

The program is designed to make avail-
able all material of musical and historical
value from the company's cut-out jazz cata-
logue. Another unique feature of the series
is the realistic advance realization that the
jazz market is a comparatively limited, al-
though dedicated one. Recognition of this
fact means that (a) no rare jazz items are
likely to be ruled out of the program as be-
ing overly "non-commercial"; and (b) the
reissues will not have to compete in sales
with new pop releases in order to be per-
mitted to continue — an impossible task that
is known to have wrecked well-intentioned
reissue programs begun on several major
labels in the past. Obviously jazz enthusiasts
will be expected to support the program,
but it is understood that the entire project
is geared to permit its continuance if the ex-
pected response from the jazz world is forth-
coming.

The Changer's editors are frankly proud
of their association with this valuable and
unique effort, and suspect that Changer
readers will share this enthusiasm for the
material currently released and included in
future plans. Among the LPs now in pro-
duction for reissue during the next few
months are collections of Fletcher Hender-
son, Wingy Manone, Mezz Mezzrow, King
Oliver, Jean Goldkette, The Missourians,
and Mildred Bailey.

ie Record Changer is published monthly by Changer Publications, Inc., 125 La Salle St., New York 27, N. Y. and is copyrighted 1954 by
langer Publications, Inc. For subscription and collectors' advertising rates see the information blanks in another section of the magazine,
commercial advertising rate card write our New York Office.

the D

R
K

Young jazz bands these days are not no-
table for long lives or steady personnel. If
they don't work steadily, it's easy to see why
men drift away; if they do, then long stands
away from home, diverging musical tastes,
or some sideman's desire to try it on his own
are among the most frequent occurrences.

Chalk it up as something of a modern
miracle, then, that there has always been a
Dixieland Rhythm Kings band in existence
since way back in 1944, and that — although
there has been an almost total shift in the
lineup on more than one occasion — it has
always been a fine band to hear, with invar-
iably above-average personnel and a consist-
ently "alive" neo-classical sound.

The main reasons for this continuity are
undoubtedly to be found in the persons of
the only two original D.R.K. members still
on hand: Gene Mayl, founding father and
leader; and Charlie Sonnanstine, brilliant
young trombonist recently returned from
Europe to take back his place in the front
line. Bob Hodes, who disbanded his own
Red Onion Jazz Band to take his cornet
over to the D.R.K., and clarinetist Joe Dar-
ensbourg, formerly a highly-regarded mem-
ber of Kid Ory's group, complete the front
line. On piano is Robin Wetterau, a rising
young follower of the ragtime tradition; on
banjo, Jack Vadtine.

Currently, the band is making things go
in its original home town, Dayton, Ohio,
where these photos were taken.

5

letters to the editor

Gennett Papers

I feel I must write you as concerns your
possession of the Gennett papers. Already
the excerpts printed in the Changer have
aided me immeasurably in adding to my
present discography. Certainly I cannot be
the first to have written you with the sugges-
tion that you release these papers to the jazz
public in loose leaf or similar form. Simply
done, the cost should not be prohibitive and
the good would be immeasurable.

... It would be a great revelation if you
can answer in the affirmative. Congratula-
tions on a fine magazine.

Sincerely,

David T. Edsall

(We think Mr. Edsall has a good idea,
too, but it's one that would obviously depend
entirely on how many other Changer readers
would, like him, be eager to buy such a re-
production of the Gennett papers. It would
be possible for us to issue these, probably in
several parts — for the Gennett and Cham-
pion record listings run to several hundreds
of pages. Much of this, it should be noted,
is purely commercial stuff, but as the few
pages reproduced in the Changer in recent
months should indicate, there is fabulous
jazz lore mixed in with the nonsense. The
big question is: do you want it? Let us
know; if the demand seems to warrant it,
we'll arrange to make this material available
to you. — The Editors.)

Favorite

Telegram to
George Avakian:

Have just received January copy Record
Changer and on behalf of Bunk Johnson
fans of which I claim to be number one
please accept our thanks for including him
in your list of ten all time greats. We are
grateful for your vote for our favorite. Best
regards.

W. T. Elkin,
Augusta, Georgia

Exaggeration

I have just finished reading the January
issue and enjoyed it very much except for
the article, "The Real Truth About Jazz
Origins." This article seemed to me unbe-
lievably far-fetched. It does not seem very

logical that St. Louis Blues was inspired by
the St. Louis Creek in Colorado because in
the lyrics of this tune there are references to
a city, not to a river. . . . Mahogany Hall
Stomp has nothing to do with mahogany
forests in continental United States. The
Mahogany Hall was a very notorious house
of ill fame in New Orleans.

Mr. Petersen again is guessing about J
Wish I Could Shimmy Like My Sister Kate.
The "shimmy" is a dance characterized by
shaking movements of the body. The writer
of this tune — I believe it was Louis Arm-
strong— obviously did not mean "shinny,"
which is a method of climbing.

Pinetop Smith was born in Troy, Ala-
bama, and he was nicknamed Pinetop be-
cause of the peculiar shape of his head.

I think that jazz may have been very
slightly influenced by the Swedes, but Mr.
Petersen exaggerates the importance of the
Swedes greatly.

Sincerely yours,

William H. Wroth,
Providence, R. I.

(Editor's comment: No comment!)
Acoustics

It's not often that I am able to make a
contribution to discographical research, but
I can at least give a little information con-
cerning one entry in the Gennett ledger
sheets reproduced in the January issue of
The Record Changer.

The last entries on the sheets reproduced,
following two titles obviously recorded for
the Ku Klux Klan (no comment), are by
one Arthur L. Foley and bear the titles
"Tuning Fork and Knipp Singing Tube"
and "Tone Variometer and Organ Pipe."

Professor Foley was, and may still be for
all I know, head of the Department of
Physics at the University of Indiana. In fact,
the textbook for my course in freshman
physics at the University of Georgia was
Foley's "College Physics." Professor Foley
had a particular interest in the study of
acoustics, and it seems very probable that
the recordings under discussion were pre-
pared for him by Gennett for use in his
courses.

Smcerely,

Henry F. Ivey,
Bloomfield, N. J.

Benny prenchie

Benny herewith presents his handy be-
bunk-yourself quiz for record collectors who
think they are getting to be jazz experts:

( 1 ) Play King Oliver's Chattanooga
Stomp and distinguish between Oliver and
Armstrong.

(2) Play one of the Boogie Woogie Trio
records and distinguish between the choruses
of Ammons, Johnson and Lewis; or, harder
still, play one of Ammons' and Johnson's
Victor duets and decide which one is play-
ing which treble part.

(3) Play the composite record of Ory's
Creole Trombone on GTJ and call the exact
point at which one take stops and the other
begins.

(4) Give, without checking, the main
points of Jelly Roll's theory of jazz.

(5) Name the second chord of the theme
of Dipper Mouth Blues.

(6) Play the Bunk record of Kinklets and
count off accurately the chord progression
of the introduction and first theme.

(7) Play the Metronome All Star record
of One O'Clock Jump and name the source
of Harry James' solo and the title of the
Basie riff tune taken from Coleman Haw-
kins' solo.

(8) Name at least three swing and jump
tunes apparently adapted from material in
Fletcher Henderson's Hot and Anxious.

Here are a few questions for compensa-
tion (answers are at the end of the column
but no real collector would cheat, of course) :

1. What jazz and /or pop tunes were ap-
parently inspired, in whole or in part, by the
following ragtime compositions: Carbolic
Rag, Gladiolus Rag, That Teasin' Rag?

2. To what rags do the following clearly
allude (to put it politely) : The Third Man
Theme; Music, Music, Music; St. Louis
Tickle?

3. What jazz tunes do these allude to:
Crosstown, Shoo Shoo Baby, Dipsy Doodle?,
In the Mood, Lazy River, Just a Little Fond
Affection, Love Is So Terrific, My Guy's
Come Back, Crying in the Chapel?

4. What hot solos seem to have suggested
the following: // You Could See Me Now,
Caledonia (Herman arrangement), Gin Mill
Special, Salt Peanuts, Stormy Weather?

5. Many Ellington arrangements allude to
other numbers. How about these two:
Creole Love Call and Bojangles?

The latest modernist to sing the praises
of J. R. Morton publicity is Bill Russo. . . .
And while on the subject of Morton, there's
at least one unknown Morton item (not un-
der his name) on Gennett. Find it!

Island Jazz. Commodore Music Shop's
Lou Blum is running sessions out at Glen
Island Casino, once the home of big bands
way back in the G. Miller era. They happen
every couple of weeks, and the reports on
those of January 3rd and 1 7th were most
encouraging. Maybe it's that sea air.

Controversy. Or, rather, End of Contro-
versy. The correct title is Muscat Ramble,
(Continued on Page 25)

7

US

news

Brief reports and comments on subjects of inter-
est to jazz students, by associates and friends of the
Institute of Jazz Studies. Please address all inquir-
ies, suggestions and contributions to Marshall W.
Stearns, 108 Waverly Place, New York 11, N. Y.

THE INFLUENCE OF THE WEST AFRICAN
SONGS OF DERISION IN THE NEW WORLD

BY THEODORE VAN DAM

1. Analogies to Jazz

Jazz has an ancient and honorable tradi-
tion. Some of its elements, especially rhythm,
may probably be traced back directly to
West Africa. Actually, West African music,
in the course of its evolution, has influenced
nearly all the music of the New World.

One of the most interesting types of West
African music is the "Song of Derision,"
which sometimes were so powerful that an
intended victim paid the local troubadours
not to sing them. "Songs of Derision" were
brought over to the United States and the
Caribbean area by the slaves. In this country
it became the basis for a good many blues,
such as Ma Rainey's Ice Bag Papa, Bessie
Smith's Worn Out Papa Blues, and, more re-
cently, I'm Gonna Move to the Outskirts of
Town, Bloodshot Eyes, and many more. In
the West Indies it developed into Calypso.
Many people have a completely wrong idea
about this musical form, considering it simply
a comical way to sing dirty songs with the
accent on the wrong syllable. Actually it is
a complex and ancient musical form, similar
in many respects to jazz, and especially the
blues. It has some of the same elements:
Spanish and French melodies, some English
influences, and of course the West African
rhythm.

"Songs of Derision" weie sung in the
fields by the slaves, casting satirical asper-
sions upon their owners, or giving warnings
in tribal dialects, mixed with the language
of their masters. In this way developed the
"patois" languages of the West Indies: the
"French Creole" (spoken in somewhat dif-
ferent fashion in Haiti, Martinique, Trinidad,
and of course New Orleans) ; the now ex-
tinct "Dutch Creole" of the Virgin Islands
and neighboring areas; the "Papiamento"
of Curacao; the "Talkie-Talkie" of Surinam,
and others.

Here we see an analogy with the blues,
which were often based on field "hollers,"
and work songs, often satirical with allusions
only understood by the initiated. Even now,
the Calypso songs, like the blues, often have
a "double meaning."

It is also interesting to note that many of
the early "cafe" piano recordings are in
many ways similar to some of the Jelly Roll
Morton's "Spanish Tinge" pieces. On the
other hand, they also resemble early blues
and boogie woogie numbers. A good example
of this are some very rare Victor record-
ings, issued around 1922: Bulldog Don't
Bite Me (Tobago Paseo), by Walter Mer-
rick, coupled with Go Way Gal (Trinidad
Calypso) by Johnnie Walker (Vi 73060).
The last has some singing on it, and the

piano has very much the "rolling bass" ef-
fects of early Yancey Dupree, etc. When
one listens carefully this "rolling bass" effect
is evident in nearly all Calypso music.

Walter Merrick also cut two sides on
Victor: Amour D'Aimee (Creole) and Rosa
Caraquena (Vi 73209), which are much
more European but still have some of the
"Jelly" flavor.

Instrumental Calypsos are rare. It is
mainly a vocal form. One of the reasons
may be that in the Caribbean, brass instru-
ments were not as readily available as in
New Orleans. Here again we seen an analogy
with the blues, where the voice is the main
medium of expression. On the French Island
of Martinique, where instrumental music is
played regularly, there is practically no de-
veloped Calypso form. In the French tradi-
tion, the clarinet is the main instrument
here, and the music of this island is close to
early New Orleans jazz.

The basic rhythm for most Trinidad
Calypsos is the "Paseo," a medium fast
"rumba" (actually Cuban son). Sometimes
on earlier recordings the terms Calypso and
Paseo are interchanged.

To investigate the connections and simi-
larities between traditional New Orleans
Jazz and Calypso-Paseo rhythms, the "Dixie-
land" band of Humphrey Lyttleton recently
conducted an interesting experiment in
England. Lyttleton combined his trumpet,
and the clarinet and trombone of his group,
with the clarinet, piano and rhythm section

of Freddie Grant's West Indian orchestra,
and called the combination the "Lyttleton-
Grant Paseo Jazz Orchestra." They played
several N.O. "Standards." The result is not
always too satisfying, but in a few cases the
two types of music blend .remarkably well.
These records are unfortunately rather dif-
ficult to get in this country. They are On
English Parlophone ; the best example is
Fat Tuesday (R3543); others are Muskrat
Ramble and Mam'zelle Josephine — known
here as Sale Dame — (R3563) and the Orig-
inal Jelly Roll Blues (R3566). They com-
pare somewhat to the "Creole Jazz" discs
on Circle (Album S-13, Albert Nicholas and
group) .

This same type of experiment, in a dif-
ferent vein, was also conducted by some of
the modern bands (Kenton, Gillespie, etc.)
when they recorded with Afro-Cuban drum-
mers.

It seems fairly certain that early jazz and
early West Indian music were similar but
that they must have grown away from each
other, making results of such experiments of
much musicological interest.

The focal point of Calypso is mainly in
Trinidad, like New Orleans for jazz, but just
as in that city the sources are not restricted
to that one locality. Just as many experts
agree that jazz developed out of many di-
vergent sources and localities, spread over a
wide area in the Southern and Southwestern
United States, it would also seem that the
origins of Calypso music range from the
Bahamas to the mainland of South America.
2. Differences in Local Forms

In Trinidad the majority of the slaves
were imported by the Spaniards in the sec-
ond half of the 18th Century. The island
belonged at that time to Spain, but in 1797
it passed into British hands, and by 1807
slavery was officially abolished. In addition
to the Spanish and English colonists, there
were many French planters (refugees from
the Island of Haiti, which became inde-
pendent in 1803 and banished all whites).
As in most localities in the West Indies,
drums and native rituals were strictly for-
bidden. So, as a sort of compensation the
slaves sang their tribal songs, satirizing their
masters in the "French Creole" dialect.
Later the English language came into use,
but there are still many Creole Calypsos in
evidence. The music, however, is strongly
Spanish influenced (Trinidad is only a few
miles from Venezuela on the South Ameri-
can mainland and the basic dance rhythm
for most Calypsos of that island is the Paseo.

In addition to the Afro-Spanish-French
(Continued on Page 21)

meet the members of

the red alien band

BY THURMAN & MAR\ GROVE

The time was mid- 1953. The scene a club
called The Spa. Its marquee read "Henry
Red Allen and Dixieland Band." Quite an
innovation for the staid city of Baltimore.

The club was long and narrow. A bar was
near the entrance, then a postage stamp size
dance floor, a bandstand toward the rear
hooded by the inevitable velvet backdrop.

Back of the stand was a small service bar
where the musicians drank by themselves.
Race relations have not advanced overly in
this southern city.

At the rear was a narrow stairway leading
to the second floor where you found one
large room sliced with partitions into a series
of private dressing rooms. A light glowed
from each and from each emerged the weird
wailings of warm-up scales as the band mem-
bers exercised for the first set of the evening.
In fact, the first set of the engagement. This
was opening night.

In the first booth, Henry Allen sat idly
fingering his trumpet. He caught sight of us
in the midst of attempting a plainly impos-
sible passage. He flubbed his notes as if he
expected it and put aside his horn with a
sheepish grin.

"Hi, come on in and sit," he hailed us. "I
go on in twenty minutes, I think." He

9

Above: Trombonist Herb Flemming.
On opposite page: the Allen band.
From the top step down, in order,
it's Al Williams (piano); Lloyd
Trottman (bass); Herb Flemming,
Eddie Barefield (sax; not with the
band at the time of this story ) ;
Sonny Greer; Red Allen. Mrs. Allen
is just in front of Barefield.

squinted at a battered alarm clock on his
dressing table, comparing it with his wrist
watch.

"Here I am still playing music. Long time
since the Victor people brought me up with
Luis Russell's band from New Orleans. I
was to be their answer to Armstrong. It
didn't work out too well but still and all
I've been my own boss since about 1935.
Never played commercial music either to get
close to the public. I've done it the hard
way. Why, I even took a flyer with bop, but
now I'm playing the old style. I must ex-
plain about the dixieland billing. That word
is now good box office but when we go
downstairs you'll see we just play old tunes
in a nice jamming style. We don't have a
strict two-beat drummer."

He turned to accept delivery of a tele-
gram and we noticed his burly, almost
squarish build of body and head. The years
are creeping up. He is heavier now than be-
fore. Back of his neck is ringed with several
heavy rolls of flesh which poke out like thick
ropes and his face is now deeply lined. Per-
haps more importantly, though, his eyes
sparkled as he spoke in his feverishly effer-
vescent manner and he retains an amazing
vitality for the grueling task of headlining a
band. Like any performer some of this ap-
parent enthusiasm seems a trifle manufac-
tured, for the headliner wears a mask seldom
doffed. Nonetheless in the nights ahead we
were to feel he was a lonely person — aloof
and detached from his players as if there
was a measure of distance he desired main-
tained between leader and employee.

Even now he was alone in his quarters
while his band members lounged in the last
dressing room down the row. In the tiny

room were Sonny Greer, Prince Robinson, a
young pianist named Al Williams and Herb
i-lemming, a trombonist of extreme skill who
once recorded with Jelly Roll Morton and
whose career borders on the fabulous.

Henry Allen padded down the hall back
of us and peeked in the room.

"You fellows in there set for opening
night?"

"Sure, boss! Needn't worry about us.
We're all old pros, and I am Sonny Greer,
late of the Ellington band." Sonny stood
and clicked his heels with an elaborate
flourish. Allen laughed and withdrew to his
room.

"Oh, yes, we did have fun Duke and I!!
Why, we were kids together from right off
the streets of Washington. Didn't we start
out together and organize the band jointly?
Even made some early records under my
name. Since then we've been all over the
world together."

As he spoke, his alert eyes sparkled and
darted about, missing not a single detail or
happening about him. The man's spell is
more than a little hypnotic. The continental
polish and suaveness acquired as a well-
traveled person sparkles and does not rub
off easily even now that he and Duke have
broken.

"Oh, I know that man Ellington like a
hawk and nobody makes a fool out of Sonny.
But it was fun — all through the years we
had a real all-star lineup. Each man an ex-
pert. If one had a sluggish night there were
always a couple of others to take up the
slack. We had what in sports they call a
strong bench — lots of reserve strength.

"But why talk about myself? Prince, you
just joined up. What town you from? Rich-
mond?"

"No, but you're close," replied Robinson.
"It was in Virginia all right, but over in
Portsmouth. Just across from Norfolk. Big
shipbuilding center and naval yard. I was
born 7th of June in 1902. About 14, I
studied a bit from a tutor, but I'm mainly
self-taught. So was a playmate of mine — Ed
Cuffee. We played with McKinney's Cotton
Pickers years later. He has given up music
now and is an electrician in New York.

"Another boy I played with in the Mc-
Kinney's was John Nesbitt from over in Nor-
folk. We played locally together with Lil
Jones' Jazz Hounds, 1919 to 1921. Then I
went to New York to join Howard's Musical
Aces, next two years with Elmer Snowden,
then 1926 with Ellington. Nesbitt was al-
ready with McKinney and sent for me but I
couldn't leave right then. After a South
American trip with Leon Abbey and his
Band I did join the Cotton Pickers.

"My stay included their West Coast trip
in 1931 which wrecked the morale of the
band. Back in Ohio we voted to split up. I
figured to go with Redman and his new
band, but got tired of waiting so cast in
again with a reorganized McKinney group
under Cuba Austin. I recall playing- Carlins
Amusement Park in Baltimore in 1932, in
an outdoor rustic setting for dancing under
the stars.

"This group fell apart in 1932 and I con-
tinued on with a third band containing
mostly unknowns. The bitter end for McKin-
ney was in Boston, in 1935. Also at that time
I had the ordeal of seeing Nesbitt die in a
hospital raving with pain and out of his
mind. Some sort of stomach ailment.

"Next I played with Blanche Calloway.
She was Cab's sister and now lives in Phila-
delphia where she is a political leader. Her
band was a counterpart to the all-male band
of Ida Ray Hutton. The general idea was
that both were quite beautiful and good

vocalists. They would sing a number, wave
the baton at us and dash off stage for
changes into a variety of evening gowns. It
was no worse a gimmick than many a band
employed to keep going but after two years
I couldn't stand any more of this nonsense
so I joined Willie Bryant.

"Bryant didn't play an instrument, but
only waved a stick and sang vocals. This
was not unusual in those mid-thirties, when
the leader provided the glamour or color
and showmanship. Willie got his break by
originating the amateur hour craze which
was a fad of the early thirties on American
stages and radio. If the amateur performers
flopped they got the hook and were hooted
and pulled offstage. Prizes went to the win-
ners. Willie ran the most famous of these at
the Apollo Theatre in Harlem. Later he as-
sembled a nice band. It was a swing band
but to attract the public he had a mellow
smooth sax section for ballads and was billed
as the 'Colored Guy Lombardo.' For dancing
he had a book of splendid swing arrange-
ments. They made some good records. Right
now Willie, like Blanche, is also in politics.

"I stayed with him eighteen months, dur-
ing which time I made some Deccas, then
switched to Roy Eldridge and later Lucky
Millinder. In 1941 I joined Louis Armstrong
for four years. I liked it swell but left be-
cause of the impossible travel difficulties dur-
ing the war. I jobbed about New York play-
ing clubs like Cafe Society and in pit-bands
for musicals. In 1947 I went back on the
road with Claude Hopkins and stayed 'til
1952. Just before joining Red for this tour I
was playing bop and rumba music."

"Bop and rumba music!" we gasped.

"Sure, some weeks I play dixieland, some
weeks bop. I've played all kinds and believe
in keeping active. It's all fun to me."

Our state of semi-shock increased on turn-
ing to Herb Flemming to inquire about his
records with Johnny Dunn for Columbia —
the session which produced Buffalo Blues,
Ham and Eggs, etc. Jelly Roll Morton
played piano on this date. We eagerly sought
to know what the great one said or did.

"The experts keep insisting I played with
Morton but I don't recall it," said Herb. We
felt a sudden chill of disappointment. To
have forgotten was unforgivable ! How irk-
some ! We could feel a good story angle slip-
ping away, but perhaps we shouldn't have
bothered since the Morton session was only
a small detail in an otherwise bizarre career.
Surely Flemming is one of the truly unpub-
licized veterans of jazz. This is his story:

"My real name is Arif Niccolaiih El-
Michelle. I was born April 5, 1905 in Tunis,
North Africa. Moved to America and began
music studies at age of five at Dobbs Ferry,
New York. Played baritone horn in the
school band. Studied there until 1917, al-
though once interrupted by an interlude at
a school at Aix-Les-Bains, France, where
my father had business. Back in America I
caught the war fever. Tried to enlist as a
musician in the Army, but was rejected due
to my youth. I got aboard a cattle transport
and sailed for France where I joined a regi-
ment of French Colonial troops. I gave a
false date of birth and had little trouble
since I spoke the language fluently. Mus-
tered out in a year, I came home and now
succeeded in joining the Army under name
of 'Herbert N. E. Flemming.' I returned a
third time to Europe with Jim Europe's AEF
Band to entertain troops on the continent.

"War over, I resumed studies of theory at
Damrosch's Conservatory in New York City
and now played both cello and trombone. I
decided to make music my career and thus
{Continued on Page 24)

10

THE COBWEBS
carl kendziora

Matters Discological — We have mentioned,
from time to time in this column, research
into the masters and issues of the so-called
"small labels" of the twenties. The basic
purpose of this research is to reconstruct, in
so far as is possible, the master and issue
catalogs of each label in order to try to
identify consecutive masters by groups of
jazz interest. Since the same masters were
issued on literally dozens of labels under the
most incongruous pseudonyms, often with
the real master number omitted and a false
one inserted in its place or simply omitted
entirely, careful comparison of the same
title on different labels is essential. It is not
easy to have actual copies of all these discs
at hand for comparison aurally, making
other methods of deducing whether certain
issues of the same title could be the same
master imperative. By knowing the release
dates of various catalog numbers on each
label, the life-span of each label, approxi-
mate (if not exact) recording dates of real
master numbers, and similar factors, we can
make headway in this research.

Many factors help us to determine dates
and personnels, and the above is part of the
whole picture. But it is not always obvious
which master is real and which company
actually held the recording sessions. Then
other considerations have to be studied. The
identity of the company responsible for the
issuance of a label is one of these and that
is not always a simple matter to determine !
Sometimes the trade-mark is registered at
the Patent Office, the company is identified
in trade magazines, or ads are found in
newspapers or magazines of the time. But
often none of these means reveals anything.
One such case is the Oriole label which
seems to have begun in 1923. From 1929 or
1930 until its demise it was issued by the
American Record Corp. and seems to have
been the property of the Plaza Music Co. in
the late 1920s, although no more proof has
been found than that of Plaza masters being
issued on it in the main. But its first three
or four years are a complete mystery with
masters from six or eight different sources
being used for its issues. If anyone can shed
any light on this matter in any way at all
we would be most appreciative! Similarly,
we need information on the identity of the
company behind many other labels includ-
ing: Cleartone , Globe, jewel, Clover, Dandy,
Everybody's, Lyric, Melva, Muse, Symphony
Concert, Phantasie Concert, Empire, World,
Clarion {not the Columbia subsidiary),
Hollywood, and others. Of course, we con-

tinue to need all the data of titles, band
names, catalog numbers, vocalists, master
and take numbers for all records on any of
these and the other small labels. Your co-
operation is essential.

Label of the Month: Fellow researcher
Perry Armagnac furnishes this obscure label.
It is the Merritt label, issued by the Winston
Holmes Music Co., Kansas City, Mo., and
may be a purely local affair not tied-in with
any others. The label is black with the name
"Merritt," the maker's name, two musical
notes, and border in gold. The tune and
band data are in black letters on a white
panel and the cap of the figure at the left
and the head of the figure at the right are
grey. The face of the one on the right and
the effects ending in bells beneath both are
in white. Side shown is 2201-B which is
Cabbage Head Blues (X23) sung by Sylves-
ter and Lena Kimbrough accompanied by
Paul Banks Kansas Trio. The reverse, or
"A" side, is City of the Dead (X22) sung
by Lena Kimbrough with accompaniment by
Paul Banks Kansas Trio. This is a good
blues record with the trio consisting of
clarinet, piano, and banjo. A kazoo is also
heard on the "B" side. Both tunes are
credited to Sylvester Kimbrough. Does any-
one have anything to furnish about the
artists, the label, or company?

Labels falling in the group we are work-
ing on turn up in the strangest places! We
have a letter from Everett D. Biddle, in
Aruba, Dutch West Indies, asking about the
identity of the group on a La Belle issue!
The record in question is La Belle 1418
which couples Bees Knees (no mstr) and
Sweet Lovin' Mama (no mstr) as by the
Indiana Syncopators. This label was part of
the Olympic group and these titles should
appear also on Olympic 1418, Majestic
1418, Melody 1418, as well as Plaza labels,
B. D. & M. ones, Black Swan, etc. We have
traced this group down and find it all began
with the Operaphone Co., Inc., which began
in 1915. This company, with one John
Fletcher as vice-president, had a pressing
plant at Creek and Meadow Streets, in
Queens, New York Cit This company
failed in 1920 and a new company, The
Olympic Disc Record Corp., was formed
about Dec. 1920 by the purchase of matrices
and equipment of the former Operaphone
Co., at Long Island City. This outfit began
issuing Olympic records in April 1921 and
ceased in November. In December it went
into receivership. Details are vague, but ap-
parently Mr. John Fletcher formed a new
company. The Fletcher Record Co., to take
over the plant. We do know that this latter
company was issuing records in 1922 and
1923 and that in December 1923 it also

went bankrupt. Some of the original Opera-
phone masters have appeared on all three
labels, the Operaphone, the Olympic label
of the Olympic Disc Record corp. (cat. nos.
in 14100, 15100, 16100, 17100, 18100,
19100, and 20100 series), and the Olympic
label of the Fletcher Record Co. (in the
1400, 1500, and perhaps other series). The
pair of sides Mr. Biddle is interested in may
have been cut earlier by Operaphone, but
more likely date 1921-3 and were cut by
one of the two issuers of Olympic. He thinks
they are New Orleans in style with a prom-
inent clarinet that sounds like Dodds. Does
anyone have any ideas as to the identity of
this group? We suggest that Fletcher Hen-
derson cut some titles for Olympic; could
this be his band?

That's all. . . . Please send in your data
as requested in detail in previous columns.
We need it! Send data, queries, etc., to us
at 74 South Road, Harrison, N. Y. or c /o
the Changer. See you next month.

Carleton Jazz Club Bulletin

BASIC JAZZ

ON

LONG-PLAY

The Great Soloists

and

The Great Bands
BY JOHN LUCAS

Shipped Postpaid

$1.00
Carleton Jazz Club

Northfield, Minnesota

CORRECTION

Apologies to Jack W. Farrell are in
order. Farrell was the author of the obit-
uary and perceptive analysis of the late
ODJB clarinetist, Larry Shields, which
appeared in the Changer's February
issue. By one of those slips that should
never happen but sometimes do to even
the best of us, his name was omitted
from the article.

HOT DISCOGRAPHY

Two Changer staff members have just
gotten married. Bob Thompson, Changer
reviewer, jazz drummer, and university
faculty member picked on a gal smaller
than himself and walked the aisle just
before the New Year. Dick Congdon,
Changer staff writer, jazz clarinetist, and
also a university faculty member, found
himself a lovely young innocent who be-
lieves him. We wish them all good things
and much good jazz.

• ^ — - -^^^^^^^^^^

v m A

the drums never rested

Granville Robinson played for me when I
was a "buck" dancer, more frequently
known as "tap dancer." During intermission
I drummed while Granville rested. The
drums never rested. I was too small to carry
the drums so Granville got someone to do
that for me and I did the drumming, then
we two split the fee. So at the age of 1 1 I
made $2.50 or half of $5.00 for one night —
4- to 5 hours' work. This went on for a year
and a half and then I decided to quit danc-
ing and play drums.

I waited on the poker game where my
father tended bar, saved my money and
bought my first drum at the local book and
toy store, operated by Mr. Hass. I took the
drum to my father and he whipped me and
told me to take it back but Mr. Hass
wouldn't accept it so I was obliged to keep
it.

There were 16 children in my family. My
father was not industrious and worked sel-
dom. My mother worked when she was able.
After school I cleaned a dentist's office for
Dr. W. D. Holder, who taught me to do
mechanical dentistry.

Finally, I decided to become a drummer
over at Memphis, 85 miles away, so I ran
away from home to Memphis where I an-
swered an ad for Dr. H. H. Fairfax and
W. P. Rea Garcia, his helper. This was at
Main and Madison Streets. I was so little
for my age and so young that I was ques-
tioned carefully about my skill at mechanical

dentistry but I got the job. Here I continued
to add to my drum equipment and used
whatever money I got hold of to buy drums
from the pawn shops. At this time I was 15
years of age. Eventually I got enough equip-
ment to go to work and played with Johnny
Dunn and Buster Bailey, under W. C.
Handy's supervision.

Charles Bowens, manager of a minstrel
show, came to town looking for a drummer
in September, 1916. The music field was so
fertile that it was hard to get musicians to
leave town but I was recommended and got
the job. At this time I bought my first suit
with long pants. Some of my things were in
hock and Bowens agreed to get them out for
me and I, in turn, promised I'd go along
with him and stay until he got another
drummer; but, if he got another drummer,
he must send me back home with all ex-
penses paid.

I left Memphis for Cotton Plant, Arkansas
(Sister Rosetta Tharpe's homeown) and
joined Bowens and Blonden's Dandy Dixie
Minstrels. This show owned President Gar-
field's private pullman car made of steel —
very rare — I wonder where that is now.
Here I met some of the outstanding come-
dians, musicians and performers in the busi-
ness: Bubber White, Eddie Lemons, Freddie
Mosley, John Dennis, Stump Nickels, Foots
Robinson, Upton Williams, Jacks Ramsey,
Jap Lovelace, Tuba Thomas who owned a
gold-plated tuba from A. G. Allen's Gold

LIGE SHAW as told to VIVIAN OSWALD

Band. All of the members of this Gold Band
had their instruments especially gold-plated.

Because I didn't know how to read music,
Mr. Fountain B. Woods, trombone player
and leader of the band, took a fatherly in-
terest in me and decided to see that I
learned to play the drums properly.

The wire walker, called the "Cat," had a
"Drum Instructor" and since the "Cat" had
over-indulged in a game of dominoes, he
sold the book to me for thirty cents to con-
tinue his domino game.

This is when I learned the true basic
principles of drumming. Every morning after
breakfast, Mr. Woods and I went to the
baggage car and he would show me how to
play. After a year of hard study from 8 to
11 :30 each day, quitting just in time for the
parade at 12 noon, I made rapid progress
according to Mr. Woods.

Mr. Woods sent away for a drum solo,
O, You Drummer. I memorized the solo and
was featured in street bands doing the tune
and became known as the "Tennessee Kid
Drummer" ... I was born in Jackson,
Tennessee.

After a year at Bowens', Bowens took over
the E. J. Jones Alabama Minstrels and I
stayed on for three years. For the winter
season I went to F. G. Huntington's Mighty
Minstrels where I was again featured. Sweet
Papa Snowball Davis was the featured
(Continued on Next Page)

12

comedian with Mantan Moreland, Cream
Cheese, Rastus and Hazel Lee, Mazic Davis,
Little Willie and His Mule, RaymonJ
Reeves, George Green and Gussun. Then I
returned to the Alabama Minstrels in 1920
for one year.

After this show closed in Port Arthur,
Texas, I was broke and couldn't go home so
I discussed my plight with the Manager who
sent me home.

All this time I had not considered myself
a particularly good drummer, but the per-
formers wanted me back so the Manager
sent money to me at home to return to the
show. It was with this show that I got the
reputation of being one of the best minstrel
drummers in the business.

In March of 1921, Mr. Woods became
leader of the Roscoe and Hockwald Original
Georgia Minstrels Band and I went to Cali-
fornia to play in the show. We played the
Orpheum, Pantages, and Gussun Vaudeville
Circuits on the West Coast from San Diego
to Seattle and then to Chicago.

There were two Original Georgia Minstrel
Shows and I was transferred from No. 2 to
No. 1 to replace Airianzie Campbell. For
two years I travelled up and down the West
Coast and through the Midwest, on the But-
terfield Time, a circuit, and worked until
June 1922 when the show closed in Minne-
apolis.

Then I joined the Wilson Robinson's Bos-
tonian Orchestra which was booked to play
theater dates only . . . being so much in
demand that we could not play dances too.
We had Wilson Robinson, violin; Ozzie
Schoffner, piano; Emmet Matthews, sax,
who was later with Fats Waller; Herschel
Parks, trombone ; Everett White, writer of
tunes, trumpet; Cecil White, bass; Emma
Julia Keene, vocal. This band, a jazz band,
toured Illinois, Iowa, Nebraska and Mis-
souri, during the time when "presentation
bands" were in the making. The band tour
was cancelled in Council Bluffs, Iowa, two
days prior to going to Omaha, due to the
conduct of some of the members of the
band. We were to have embarked on an ex-
clusive theater tour.

The band returned to St. Louis to re-
organize and rehearsed at the Pine Street
Y.M.C.A. This band later became the Mis-
sourians and still later the Cab Calloway
Band but I left them before they became
the Missourians due to DePriest Wheeler, a
trombone player whom I recommended.
Wheeler brought a new drummer, LeRoy
Maxey, with him and successfully nosed me
out.

While in St. Louis I played at the Booker
Washington Vaudeville House in a combo
composed of Burroughs Lovingood, piano ;
Charles Hearvey, trumpet. Here we played
for many famous people: Mamie Smith,
Bessie Smith, Ethel Waters, Peg Leg Bates,
Whitman Sisters, Drake and Walker Com-
pany, Wilbur Sweatman, Brown Skin
Models, Butterbeans and Susie, Ma Rainey,
Buzzin' Burton Stock Company and Bill
Robinson who appeared as a star for a bene-
fit for storm victims in 1927.

Among other places, I played drums at
the Criterion Theater from 1923 to 1928.
Louis Crenshaw, Z. T. Randolph and Artie
Mosby were with me in 1928. About this
time I became ill and returned to Jackson,
Tennessee, to recuperate and did not work
until September of 1928.

In the Spring of 1929 I went to Port
Gibson, Mississippi, to join F. S. Wolcott's
Hi Brown Follies which had the equipment
of the Al G. Fields Minstrels. The band was

led by E. W. Brown, trumpet player. Here
I wa3 again associated with Bessie Smith
who was the featured singer in her last year
in minstrels ; killed the following year.

Joe White was the man who really in-
spired me. White drummed with the A. G.
Allen's Minstrels and Pat Chapels Rabbit
Foot Minstrels. I stayed with them one
season.

In 1929, Mr. Wade Hammond, Band
Commander of the 10th Cavalry Regiment,
wired me in May asking that my wife and I
make arrangements to join the band. Mr.
Hammond offered to pay my expenses and
arrange for enlistment, a house to live in,
etc. I did not accept and instead went to
Hot Springs, Arkansas.

In 1930 I went to the Famous 101 Ranch,
joined the band of the 101 Wild West Show
under the leadership of Walter Mason. The
ranch was located between Marlin and
Blackwell, Oklahoma, and was owned by the
three Miller brothers. Zack Miller died re-
cently.

Famous stars with this show were Jack
Hoxie, his wife Dixie Star, Ted Elder, and
a boy named Bill Pickett who was the first
Negro cow puncher to appear at Wild West
Shows and who was the one who made it
possible for the show to go on the road.
This show went broke in Prairie Duchesne,
Wisconsin, so I returned to Walkarts High
Brown Fathers and stayed the rest of the
season.

Then I returned to St. Louis and played
spots such as Joe Crouch's Bucket of Blood,
23rd and Market; Wedge Club, 3516 Olive,
now the Barrel Bar, under the leadership of
Adele Cole; Shamrock at 3800 Olive; Down
Home at Fairfax and Sarah Streets and this
was a very, very tough joint. Also, I played
at the Club Plantation, which opened in
1932, under the leadership of band director
Walter "Crack" Stanley, until 1933.

In 1933 and 1934 I played drums with
Charlie Creath at the Arcadia Ballroom and
the band included: Creath, sax; Dewey
Jackson, trumpet; Burroughs Lovingood,
piano; Jimmy Jones, guitar and vocal; and
Roosevelt Thomas, sax.

In the Spring of 1934 Creath's band went
on the SS St. Paul for Streckfus and this
band had Charlie Creath, sax; Fate Marable,
piano; Burroughs Lovingood, piano; John
Young, guitar, recently deceased ; Cliff King,
trumpet, no longer living; Jimmy Jones,
bass, living in the Bronx ; Dewey Jackson,
trumpet, still playing; Kimball Dial, sax,
still living in St. Louis; Tab Smith, sax;
Leon Goodson, sax, known as "Foots," still
around St. Louis and playing; Leon King,
trombone, who lives in East St. Louis; and
myself. Here I stayed until the boat season
closed and when the boat was to leave for
New Orleans I decided not to go along.

St. Louis had a Negro symphony in 1934
in which I played the drums and accessories,
which lasted for one and one-half years and
disbanded due to lack of funds. This sym-
phony was again organized in 1947 and con-
ducted by Mr. Lavine for one and one-half
years and was again abandoned because of
lack of financial support.

In 1939, after the death of my wife,
Myrtle Cunningham whom I married in
1923, I became available for tripping again.
This time I joined the Ringling Side Show
Band led by Arthur A. Wright. In the Sum-
mer of 1942 a strike occurred in Philadel-
phia and all musicians were called out by
the Federation. During my stay with the
Side Show Band we visited 36 states, had 32
nationalities in personnel and it took 15

acres of ground for thi' tented cLy. We
played to four million people during the
1941 season.

I obtained a job at a steel mill which had
an industrial band, in Sandusky, Ohio. I got
hurt at the plant in October 1942 and re-
turned to St. Louis to recover, but in Jan-
uary 1943 I went to Oklahoma City and
Tulsa where I stayed until August of that
year, and then returned to St. Louis and
small jobs. Mainly I was piano tuner and
repair man for Hunleth's. Piano tuning was
a course which I had taken and completed
in 1927 and the job I worked at in various
cities when I was stranded.

In 1944 I was elected President of the
Musicians' Local No. 197 for the second
time and served until 1947. My first term
was from 1933 to 1940. I had originally re-
turned to St. Louis to move my belongings
to Oklahoma City but some of my friends
talked me into running for the Presidency of
the Local. Local No. 197 was a subsidiary of
Local No. 2 and under No. 2's jurisdiction.
We wanted our own Charter and during my
term and through my efforts I was instru-
mental in getting this Charter and finally all
subsidiary Locals were abolished.

Due to the war, many young men were
called into the Armed Forces and musicians
were scarce. I worked at the Show Bar
1943-47 at Delmar and Taylor, under Ed-
die Johnson and early in 1947 I became
leader of the Band.

On May 18, 1949 I was tuning the piano
for the Ruth's on Washington Avenue in
University City and noticed pictures of ex-
ponents of jazz on the walls of the room
where I was working. The lady asked me
about some musicians in and around the
city and suggested that a group be organized
so I suggested Dewey Jackson, Norman
Mason, Gus Perryman, Edgar Shelton, John
Orange, and mentioned that I played drums.
We had a session in the form of a barbecue
with beer, etc.

Since there was no money involved some
of the boys were not available so some
changes were made. Marie Bolar replaced
Gus. Several sessions were held and at one
time the group met at the E. Clayborne
Bush home. Ernie Shapiro, of the Barrel, on
Delmar Boulevard, saw possibilities and
started a Saturday evening jam session at
his bar. The personnel changed to Singleton
Palmer, bass; Alfred Guichard, clarinet;
Janie Hemmingway, piano, who was later
replaced by Barbara Sutton, Ralph's sister.
We were well received, so Shapiro changed
the sessions to the Universal Dance Studio
at 5717 Delmar for Sundays. Out of this
grew our job at the Forest Park Hotel Snack
Bar when Bobby Swain heard us and talked
Palmer into getting a group to open on May
22, 1950 for one week. This group was
Dewey Jackson, Al Guichard, Robert Car-
ter, trombone, then President of Local No.
197; Gus Perryman, piano; Singleton Pal-
mer, bass; and myself. We left the Snack
Bar January 1, 1951. Other jobs with dif-
ferent combos included the SS Fort Gage,
HS Douglas, Desoto Hotel Sunday night
sessions sponsored by Dorrin and Galbraith.

Bob Oswald approached us about record-
ing some sides for him which we did Sep-
tember 23, 1950. Washington and Lee Swing
and Tailgate Ramble were released on Disco
label, now out of business, but we made four
other sides: Milneberg Joys, Basin Street
Blues, Waiting for the Robert E. Lee and
Muskrat Ramble, afl still unissued.

Yes, the drums have never rested.

13

lbe st. louis jazz revival

PART 3

IY BOB KOESTER

don gumpert s dixieland saints

Last month I touched on a few of the pick-
p units headed by or centering around
found City drummer Rick O'Connor. In
n earlier issue I had described the rise of
le Windy City Six from beer-and-kicks jam
jssions in St. Louis County taverns to their
xtended stay at the Windermere Bar. This
lonth's group would seem to be the logical
onclusion of these two stories, for it is a
ombination of men from both outfits that
lakes up a startlingly powerful five-piece
and currently competing with the Windy
lity Six (right across the street, in fact) — a
and dubbed Don Gumpert's Dixieland
aints.

It was about a year ago that Don left the
ornet spot of The Windy City Six to do
)me gigging and sitting-in around the St.
lOuis area — to enjoy life, perhaps, but not
3 take it easy musically. Gump, thus, had
le opportunity to sit in with bands led by
len like Dewey Jackson, Wild Bill Davison,
rappy Lamarre, Elmer Trutsch, Singleton
'aimer. He not only sat in; but, what is
lore important, he listened to the styles of
ie various trumpet men with these bands,
ill this sitting-in and listening must have
een accompanied by a certain amount of
'ood-shedding, for when a couple of Del-
lar Blvd. jazz fans who had a tremendous
mount of faith in Gump's jazz potentials
rranged an audition at the Top Hat, Gum-
ert was playing some of the finest horn to
e heard in the Mound City. He had
:arned control, new tunes, showmanship,
ase and poise on the stand — all this with-
ut losing the creative style that was always
lere.

John and Shirley Brown, the two jazz fans
lentioned above, put together a very ade-
uate band to back up the young man with

horn (to coin a phrase). Bob Schroeder,
'b:o had played with the Original Windy
!ity Six in its earliest days and who later
marked Sid Dawson's fine Riverboat Ram-
lers road-band, played his New Orleans-
:minding staccato clarinet. Art Licati, a
ne showman and technician, took care of
le leader's chores. Cecil Hinojoso pounded

rhythmic piano and Rick O'Connor's al-
rays-improving drums supplied the beat.

The band sounded a little rough at first,
hich was only to be expected because of
le different backgrounds of the personnel,
oon, however, the Gumpert band could
rive as hard as any on Delmar. Old friends
f the musicians came, stayed, drank, and
:turned. New friends were made and it was
ecided to keep the band for an additional
ve weeks. A few changes took place after
le end of the first contract. Bob Shroeder
ad to retire because the strain of working
x nights and days a veek was beginning to
low. Though this did change the sound of
le band a little, it meant no setback, for

Russ Hinojoso (Cecil's brother), another ex-
Windy City Sixer, replaced him. Russ' style,
influenced largely by Benny Goodman, is
smoother and with less "tonguing" of the
individual notes than Shroeder. Also, Art
Licati (Art Lane) left the band for the more
secure position across the street with the
Windy City Six. It was thought that a trade
might be effected to bring Skip Diringer
into the front line (which, incidentally
would give the Gumpert band the same line-
up in front as the Windy City Six had at
the Pin-Up, Burgundy Room, etc. ) . How-
ever, Skip had retired to cut-down on the
nights away from wife and family. There
were no really good trombone men in St.
Louis available for six nights a week. Finally,
they came up with a solution to the prob-
lem in the form of Belleville tailgater Tom
Harrison, with whom he'd played at the
Burgundy Room (now the Blue Note) a year
earlier. Though Tommy had only played a
few commercial and bop gigs in the interim,
he was strictly from Dixie from the first set.
Better yet, he even improved as time went
on. Today Tom is an established part of the
Gumpert front-line, which now probably
won't be altered much. A final change was
made when Cecil Hinojoso also tired of the
six-night job and was replaced by Bob Dietz
(another ex-Dawsonite) . Bob played bop
tenor sax until Sid found him and now plays
some of the finest rolling, rocking, stomping
Dixie piano in St. Louis. I, venture to say
that, barring unforeseen difficulties, the
band's personnel will stick together and,
probably, really "go places" both literally
and musically. I honestly believe that the
Dixieland Saints are the best on Delmar,
which is to say, the best in St. Louis.

I'm not alone in my belief, either. A col-
lector from Cincinnati, for instance, heard
all the bands on Dixie Row during a visit
to St. Louis and was so enthusiastic in his
praise of the Saints that he phoned a friend
back home at (Cincinnati time) 12:30 so
the hometowner could hear the new band
he'd discovered. This, in the first week of
the new personnel! The story isn't complete
without this unverified sequel : The fan
hung up owing the telephone company
seventy-five cents for overtime. When the
operator called back to collect, she heard
the band, asked them to play Washington
and Lee Swing, and paid all but twenty-five
cents of the bill herself.

That's the story of Don Gumpert's Dixie-
land Saints. It's not ended yet, though, and
many who've heard the band think it might
not be concluded for some time to come.
Records will undoubtedly be cut soon and,
after their release, we're confident they will
be heard in person in some of the larger
cities of the jazz world.

5 AQ $aM

Despite the faithful following which he
has acquired both on records and in per-
son, Bob Scobey and his Frisco Jazz Band
are again out of work. His six months at the
"Rancho Grande" in suburban Lafayette
(about 45 minutes from San Francisco) saw
heavy weekend crowds, but almost nothing
during the week. Scobey's personnel changed
during the stay, especially in the clarinet de-
partment. George Probert gave way to Ellis
Home (original Lu Watters bandsman) who
was replaced by Darnell Howard. Home
seemed woefully weak, but tasteful; Howard
was, as usual, merely terrific.

Marty Marsala has bravely fought off the
wolves at Oakland's Victor's and Roxies
Club (which Scobey left last summer, after
two years) and now seems to be a permanent
and heavy-drawing attraction. Personnel:
Marsala (tpt), George Probert (cl, s. sax),
Skip Moore (tb), Johnny Wittwer (p), Cuz
Cousineau (dr). All but Probert formed the
accompaniment group for Sidney Bechet
during his short September stand at the
Downbeat in SF.

Lu Watters, despite persistent rumors to
the contrary, has no intention of returning
to music. Besides his mineralogy research,
Lu is contemplating opening a restaurant in
Marin County, north of SF. Lu is a high
class cook, having managed the kitchen
(too) at Hambone Kelly's during the Yerba
Buena Band's attempt to run that spot; he
also cooked recently in a local restaurant
chain outlet.

The Earl Hines band which followed
Armstrong into the Hangover in San Fran-
cisco mellowed into an interesting earful by
the last couple of weeks. Hines is featuring
the piano, cutting down on the super-jump
stuff. He is selling himself and the band by
working extra hard at the mike in between
tunes. Mole Burns on drums and Ed Pruitt,
bass, are perfect accompaniment for the
"Fatha's" wild keyboard stuff. Dicky Wells
isn't killing himself on trombone, but still
sounds as good as the youngsters. Also in
the Hines band: Gene Reed (tsax, vibes,
tpt) and the mellow Morris Lane on tenor.

Turk Murphy plows along at the Italian
Village basement in SF, while everyone from
Carmichael to Colonna to V. Monroe passes
through in the upstairs showy nightclub.
Murphy and band were so annoyed by the
original issue of the Columbia LP (Barrel-
house Jazz) which had been released after
addition of an echo chamber to the tape,
that Columbia re-did the job, sans echo.
Which master do you have?

Fats Pichon, who intermissioned at the
Hangover for four weeks, proved to be a
superior pianist and grand showman. While
the crowd waited for Earl Hines' plane (six
hours late) to arrive, Pichon casually rattled
(Continued on Page 21 )

Riverside

10" LP's $3.95

RLP 2502 CARL HALEN

with Gene Mayl's Dixieland Rhythm
Kings and the Washboard Five

Ace in the Hole — Tiger Rag —
Oh By Jingo — Don't So Way
Nobody — Doctor Jazz — Heebie
Jeebies — Cake Walkin' Babies —
Willie the Weeper

RLP 1026 TOMMY LADNIER, Vol. 1

Blues and Stomps — with Lovie
Austin's Blues Serenaders

Mojo Blues — Heebie Jeebies —
Steppin' on the Blues — Travelin'
Blues — Peepin' Blues Charleston
Mad — Charleston, South Caro-
lina — Play That Thing

RLP 1023 BIX BEIDERBECKE
and the Wolverines

Bix's Earliest Records

Sensation Rag — Jazz Me Blues —
Copenhagen — Oh, Baby — River-
boct Shuffle — Fidgety Feet —
Lazy Daddy No. I — Lazy Daddy
No. 2

RLP 1027 JELLY ROLL MORTON S
Kings of Jazz

His Rarest Recordings — featur-
ing King Oliver, Roy Palmer, Lee
Collins

High Society — Mr. Jeljy Lord —
King Porter Stomp — Muddy Water
Blues — Tom Cat Blues — Fish Tail
Blues — My Gal — Wolverine Blues

RLP 1024 GEORGE BRUNIS

with the New Orleans
Rhythm Kings

featuring Paul Mares and Leon
Rappolo

Tiger Rag — Panama — Bugle Call
Blues — Discontented Blues — Fare-
well Blues — Tin Roof Blues —
Maple Leaf Rag — That's A Plenty

RLP 1028 JIMMY YANCEY:

a lost recording date

Eight Piano Solos Never Previ-
ously Issued

La Salle Street Breakdown — Janie's
Joys — Two O'Clock Blues — Yancey
Limited — Lucile's Lament — Lean
Bacon — Beezum Blues — Big Bear
Train

RLP 1025 RAGTIME PIANO ROLL
Volume 2

Early Rags, as Originally Played

Maple Leaf Rag (played by Scott
Joplin) — Evergreen Rag — Grizzly
Bear Rag — The Cascades — States
Rag Medley No. 8 — St. Louis
Tickle — Jungle Time — 'Possum
and 'Taters

RLP 1029 LOUIS ARMSTRONG

with King Oliver's Creole
Jazz Band

The Classic Recordings of New
Orleans Jazz

Chimes Blues — Froggie Moore —
Snake Bag — Just Gone — Canal
Street Blues — Mandy Lee Blues —
Dipper Mouth Blues — Weather
Bird Rag

Buy these at your local dealers or order direct from

Riverside Records

P. O. BOX 373

RADIO CITY STATION

NEW YORK, N. Y.

New

Rel

eases

10" LP's $3.95

RLP 1030 WINGY MANNONE'S
Dixieland Jazz

Tin Roof Blues — Up the Country
Blues — Shake That Thing — Tar
Paper Stomp — Weary Blues —
Big Butter and Egg Man

RLP 1031 JIMMY BLYTHE

South Side Blues Piano

Chicago Stomp — Armour Avenue
Struggle — Jimmie Blues — Fat
Meat and Greens — Mr. Freddie
Blues — Lovin's Been Here and
Gone to the Mecca Flat — South
Side Stomp — Five O'Clock Blues

RLP 1034 Pioneers of BOOGIE
WOOGIE, Volume 2

Cow-Cow Davenport, Jabo Will-
iams, Charlie Spand, Charles
Avery, Henry Brown

Dearborn Street Breakdown — Polack
Bljes — Fat Mama Blues — Chimes
Blues — Eastern Chimes Blues —
Deep Morgan Blues — Atlanta
Rag — Mississippi Blues

RLP 1035 MUGGSY SPANIER

and his Bucktown Five *

Everybody Loves My Baby — Hot
Mittens — Mobile Blues — Some-
day Sweetheart — Chicago Blues —
Really a Pain — Steady Roll Blues —
Buddy's Habits

RLP 1032 THE GREAT BLUES SINGERS

BESSIE SMITH: St. Louis Blues
(sound track of her only movie)
MA RAINEY: Yonder Come the
Blues — Stack o' Lee Blues
CHIPPIE HILL: Trouble in Mind —
Careless Love

RLP 1036 JIMMY BLYTHE S

State Street Ramblers

featuring Natty Dominique, Jimmy
O'Bryant, Jasper Taylor

Tell Me Cutie — Tuxedo Stomp —
Oriental Man — Some Day You'll
Know — Tack it Down — Shanghai
Honeymoon — Brown Skin Mama —
How Would You Like to Be Me

RLP 1033 CLARENCE WILLIAMS
and His Orchestra

featuring King Oliver and/or Ed
Allen

Kitchen Woman Blues — Lock Step
Blues — Boio — Bimbo — Beau
Koo Jack — Sister Kate — Speak-
easy Blues — Long Deep and Wide

RLP 1037 CRIPPLE CLARENCE

LOFTON: a lost recording
date

Eight Piano Solos Never Previ-
ously Issued

More Motion — Sweet Tooth —
House Rent Struggle — Sixes and
Sevens — Clarence's Blues — Lofty
Blues — Juice Joint — Salty Wo-
man Blues

Buy these at your local dealers or order direct from

Riverside Records

P. O. BOX 373 RADIO CITY STATION NEW YORK, N. Y.

16

STAR

STUDDED

SHELLAC

john mc andrew

Since record sales have smashed through
to heights away and beyond anything any-
one would have believed possible even five
years ago, more attention is currently being
given by all of the majors to the lucrative
possibilities of the masters of yesterday . . .
and even the day before. The Benny Good-
man 1938 Concerts sold fantastically in ex-
cess of Columbia's modest hopes, and this in
turn opened the way to the now unlimited
Limited Edition Glenn Miller ($25) Victor
album. While they remain, as always, chron-
ically unable to anticipate the public accept-
ance of any record technically inferior by
today's standards, the diskers do comprehend
the meaning of a dollar across the counter.
If for some weird reason enough people buy
a Louis LP of unmentionable recording
vintage, they are willing to shut their eyes
and pull more of same out of the grab-bag.
With an Artie Shaw airshot series on the
way and already practically assured of com-
parable sales to the Goodman windfall, and
a group of wonderful and heretofore un-
thinkable series of true jazz classics already
begun, attention is being bestowed on types
of music that is often considered in this
column but until now has been a Collectors'
Dream. This doesn't mean that the bulk, or
even a fair percentage, of personality per-
formances of the past are suddenly to be-
come permanently available for the buying,
but if you are wise you will take advantage
of the windfall, no matter how small, and
soon, for those that do not sell will be ruth-
lessly cut out, regardless of their intrinsic or
historic value.

Largely to compete with the 69c inde-
pendents, Victor has come up with the
Camden label, whose first release list seems
to be about one-third new and two-thirds old ;
and the latter includes a surprising amount
of long unavailable treasures that you may
want again, or never have had. There are
two 12" Richard Crooks LP's, one entirely
of Stephen Foster songs, the other of many
of his best sides, such as Because, Song of
India, A Dream, Elegie, Berceuse, ' Lost
Chord, When You're Away, Ah Sweet Mys-
tery, Falling In Love With Someone and
others. In the process of taping these old
masters, heretofore obscured highlights have
been enhanced and they all sound better
than they originally did. Since some of the
sides originally were 12" and there are a
dozen selections, you are getting for $1.89
what you would have paid about $7.50 for
when originally released, and of an artist of
top quality and prime importance in record-
ing history.

There is also an EP on which Crooks
does U Amour Toujours, Schubert Serenade,
Song of Songs and Yours Is My Heart

Alone, worth several times the list price of
69c. The recording on these discs spans the
years from 1926 to 1942, affording an excel-
lent study of the changes and improvements
in both recording and the tenor's work.

There are also two 12" organ LP's by
Lew White, and a remarkably fine one by
Kenny Baker, circa 1940 (roughly), which
also are well enough recorded and accom-
panied by full orchestra to stand comparison
with Hi-Fi sides. Amongst the standards are
A Pretty Girl, Wandering Minstrel, The
Moon and I, All The Things You Are, Re-
member, Down by the O. M. S., Kashmiri
Song, Little Grey Home, Bells of St. Mary's
and three more.

Epic, the Columbia subsidiary, includes
some '30's reissues in their releases, although
these are not reduced in price. Four old Br.
Al Tolson sides show up on an EP, No.
EG 7003: Rockabye Your Baby, April
Showers, You Are Too Beautiful and Halle-
lujah I'm a Bum. Although the label does
not .show it, Guy Lombardo's is the orchestra
on the first two. There also are four rare
early Glenn Miller Br's on EG 7012: Time
on My Hands, I Got Rhythm, Sold Ameri-
can and Sleepy Time Gal. As well as four
each of Artie Shaw, Bunny Berigan, Adrian
Rollini Trio and Goodman-Teagarden, all
previously hard-to-get cutouts.

With this sort of a setup, now would be
the time for an experimental EP of other,
perhaps less popular but not less outstanding
names of the twenties and thirties, as sug-
gested by this column a few issues ago, par-
ticularly with the bulk of releases being re-
issues, as in the case of Camden, and at a
reduced price. Think of the service Victor

could render different types of collectors
with examples of the performances of Ted
Weems, Gene Kardos, Don Bestor, Henry
King, Ray Noble, Paul Whiteman; and,
vocally, Donald Novis, Helen Morgan, Gene
Austin, Frank Crumit, Bea Wain and others!
Columbia could do even better with Ruth
Etting, Ella Logan, Hoagy Carmichael, Ethel
Waters, Cliff Edwards, Lee Morse ; and the
California Ramblers contingents, Rudy Val-
lee, early Harry James, Hal Kemp, Isham
Jones; Decca could dig deep and come up
with Ambrose, early Les Brown, Bob Crosby,
early Dorsey Bros., Eddie Dunstedter (or-
gan), Ted Fio Rito, Seger Ellis, Teddy
Grace, Milt Herth, Jack Hylton, Henry
King, Frances Langford, Red McKenzie,
Dick Powell and the very many bouncy Dick
Robertson old-timers.

Because of From Here to Eternity, Victor
has had Rudy Vallee make two new versions
of The Whiff enpoof Song (from whence the
title comes) and Taps. Strangely enough,
they are beautifully done and are as good
as anything Rudy ever did.

And on the other end of the line, the same
company, for no accountable reason, has in-
cluded amongst their current stuff a Silver
Label Collectors' Issue reissue of Waring's
Pennsylvanians original Collegiate, which
the label tells you was recorded April 4,
1925. Instead of the obviously appropriate
mate, Freshie, another and better 1925 War-
ing, they have seen fit to supply the 1931
Oh Donna Clara, on Vi 420-0030. Just why
this came out at all, and on Victor rather
than Camden, is something that Victor
probably doesn't know any more than you
do.

O.K. . . . let's see if you can guess who this is!

17

records
noted

GEORGE AVAKIAN
JACK W. FARRELL
DICK HADLOCK
BUCKLIN MOON
ROBERT L THOMPSON
MARTIN T. WILLIAMS

jelly roll morton solos: transcribed
from piano rolls

Grandpa's Spells/Stratford Huntch/
King Porter/Deadman Blues/Mid-
night Mama/Tin Roof Blues

First, some discographical data. Two of
these are new to records, four have been re-
leased before in different (and less good)
recordings-off-rolls, one of them twice be-
fore— Deadman in a speeded-up and a cor-
rect tempo version. Several are longer than
ten-inch recorded versions would be, hence
the limitation to six numbers. Stratford
Hutch (sic) has the alternate title of
Chicago Breakdown. There is no other piano
version in any form by Morton of Deadman.

Now some data on the music. This Dead-
man is a composition in an introduction and
two themes. The band version of it, recorded
later for Victor had another (trio) theme
not present here. Midnight Mama was re-
corded on Vocation several years later in
somewhat different form as a band number,
as a piano solo on Gennett, a very different
performance, under the title Tom Cat Blues,
and as a duet with King Oliver under that
title. The two themes that go to make up
Mama are based, one on the one used by
Morton for his Winin' Boy Blues, and the
other on the strain often called Mecca Flat
Blues or Nobody Knows the Way I Feel
This Morning. A careful analysis of the
differences among versions, which I leave to
the discretion of the reader, can go a long
way toward letting one see just what kind
of music the master made.

To the review. First, Tin Roof; there is
probably a mechanical defect. As the music
comes out, the bass leans on the treble, after
the manner of an amateur, for its beat. I
will therefore omit it from the discussion.
The piano roll box said Jeliy, we are as-
sured.

This is not ragtime; Morton's music was
not ragtime music. He had a different beat,
he had different kinds of rhythms and cross-
rhythms, new syncopations to offer, and he
played with orderly, developing variations
and climaxes within themes and sections as
well as in whole pieces. Morton was a mod-
ernist in his day. And that is why, although
he was always ready to acknowledge superior
musicianship and creativity, he went out of
his way to criticize the inferior ragtime
musician and a style which, until he came
to it, had reached some kind of dead end
and was already showing the signs of de-
cade nee. Alan Lomax has invited us (via
the Library of Congress recordings) to see
what Jelly Roll did with the form by intro-
ducing into it the musical attitude and de-
vices of the blues, and of a combination of
the uptown New Orleans style with the
downtown. These may be useful concepts;
certainly the first of the two seems so.

Notice the structure of Grandpa's Spells.
I do not think there is any other version of
the tune that shows the integration of Mor-
ton's kind of bass and treble figures and his
kinds of logical variations into the whole
pattern of a performance as well as this ver-
sion does. (It is the lesson he has spelled
out in so elementary and delightful a fashion
in the Library of Congress record of Hyena
Stomp — a fine study in variation, contrast,
and climax in jazz.) After the introduction
the first theme is stated twice, the second
time with important variation in the bass.
The second theme, with its high notes, is then
played twice also, and this time the second
statement carries important variations in the
treble. Then, following "song" form, he re-
turns to the first theme for two choruses,
with increasingly elaborate two-handed vari-
ations and breaks — quite different from
those in any other version. Then the trio
section is introduced, a delicate run con-
trasted with a brass break, the "crash."
Notice that here the "crash" is, as in Dead-
man, at first a simple chord, and only builds
to heavy clusters of bass notes. He then
returns to theme No. 1 for a still more
elaborate and high-pitched variation for his
climax and conclusion.

The same principles operate in the fine
melodies of Stratford and, of course, in
King Porter, where you will find some inter-
esting harmonies, unique, I believe, to this
version. He was playing his best solo piano
for these rolls and, once granted that they
are rolls, they seem to swing along beauti-
fully.

The other two, the blues compositions
(Morton's blues are always "compositions"),
are simpler performances. These were "word
rolls"; they were intended to be sung to.
Their simplicity, however, serves to show his
musical logic and restraint perhaps more
clearly than when he is dazzling us, at the
same time, with all his technical, rhythmic
and melodic resources.

Certainly little jazz since Morton's time
has had the discipline, order, logic of his
music. Little has had its intrinsically musical
qualities. And with these qualities, there is
that paradoxical freedom and spontaneity,
that power and surprise that complete his
art and give it life. [Riverside RLP 1018)
(M.T.W.)

bunk johnson and the yerba buena
jazz band

Nobody's Fault But Mine/When I
Move to the Sky/Careless Love/
Down by the Riverside

More from the rediscovered group of eight
sides recorded in 1943-44 by Dave Rosen-
baum during Bunk's San Francisco period.
These are perfectly wonderful, and just as
fine as those already issued by GTJ.

The vocals on these are something of a
surprise. Sister Lottie Peavey shouts the
gospel on the first two; Bunk sings on River-
side. They are fine, although Sister Lottie
doesn't get too good a break out of the re-
cording from a technical point of view. (As
a matter of fact, these two are somewhat
lopsided in balance, but nothing that will
disturb the Bunk Johnson fans, who are used
to hearing their man under the most un-
usual sound circumstances.)

Of the Peavey sides, When I Move to the
Sky is by far the more exciting; it is one of
the most moving spiritual records ever
made. Bunk, Turk Murphy, and Ellis Home
cover themselves with glory in their mum-
berlin' accompaniment. (Roland Hayes'
public will recognize the adjective.) Care-
less Love is a cleaner-recorded and rocking
interpretation of one of the major classics;
Bunk's two-chorus solo is a gem, and Ellis
Home was never finer in his Dodds vein.
Riverside, which Bunk used as his theme,
rocks like crazy and Bunk sings the same
way. Incidentally, a strange prescience of
Bunk's Stuyvesant Casino band is present
here ; the band frequently achieves a real
Victor and American Music sound. Maybe
Bunk himself had more to do with the sound
of his accompanists than one might expect;
it frequently sounds like George Lewis and
Lawrence Marrero and company instead of
the Yerba Buena Alumni Association. (Good
Time Jazz EP 1016) (G.A.)

kid ory's Creole jazz band, vol. 2

Panama/Under the Bamboo Tree/
Careless Love/Do What Ory Say

Four more revivals from the old Crescent
label; and just as welcome as the others.
The Ory band's recordings of the middle
forties have not stood up quite as solidly as
we all thought they would a decade ago ; but
they are still among the finest of the New
Orleans revival recordings. ( It's just that
they aren't the greatest since the early
twenties, which is the way all of our tight
little band felt when they came out.)

The programming here, as always with
Ory's dates, is first-rate. A New Orleans
march, a grand vaudeville song, one of the
best blues of all time, and Ory's own "song
of defeat" from his New Orleans wagon days
constitute this EP. A word of explanation
may be in order about the last: as Louis
Armstrong tells it, there wasn't a band in
New Orleans that could stand up to the
King Oliver crew in a street-corner battle of
music, and when the opposition was finally
licked and begging for mercy, Joe and Ory
would swing into Do What Ory Say, except
that that wasn't the title of it at all. It was
called K. My F'ing A.

It's primarily Mutt Carey's horn that
doesn't completely stand the test of time,
although the rhythm section has also been
less stiff. In spite of this, if you haven't got
these on your shelf, don't miss the oppor-
tunity now. (Good Time Jazz EP 1015)
(G.A.)

ragtime classics by wally rose

Springtime Rag/Euphonic Sounds/
Harlem Rag/Top Liner Rag

As the back-cover notes so aptly point
out, Wally Rose is considered by many to be
the finest living exponent of authentic rag.
I have the feeling that I must have reviewed
every Wally Rose record ever made (with
(Continued on Next Page)

18

the exception, naturally, of the set he made
for me at Columbia) , and every time I have
marveled at his perfect taste and impeccable
execution. This is the same story again. Ac-
companied by Monte Mountjoy on drums
(and Turk Murphy as bird whistler on the
opening number), Wally turns in his usual
combination of scholarship and excitement
on every tune.

Four more varied rags could scarcely be
assembled. Paul Pratt's Springtime has the
strutting quality of a vaudeville song; Jop-
lin's Euphonic derives more strongly, per-
haps, than any of his other rags from the
European influences which tinge all ragtime.
Frankly, it's not one of my favorites, but
that's a matter of what one seeks in rag-
time. Tom Turpin's Harlem Rag is a frank
showpiece and Wally plays it in the fast up-
town shout style without once losing that
delicate touch which marks the great rag-
time player. Joseph Lamb's Top Liner is a
jaunty contrapuntal rag which is the most
orthodox of the compositions in this collec-
tion ; a book definition of good ragtime.
(Good Time Jazz EP 1013) (G.A.)

george brunis with the new Or-
leans rhythm kings, featuring leon
rappolo and paul mares

Tiger Rag/Bugle Call Blues/
Panama/Farewell Blues/That's a
Plenty /Tin Roof Blues/Discon-
tented Blues/Maple Leaf Rag

Some of the most vital items in the jazz
archives are rescued here from the Gennett
files and, as with the Wolverines material re-
viewed elsewhere, re-engineering has resulted
in significant improvements. Jack Pettis' tenor
sax no longer befogs the trombone parts,
with a resultant significant improvement in
all the larger band ensembles. In addition,
the rhythm section is heard with far greater
clarity, which is most fortunate in view of
the too-little-appreciated efforts of banjoist
Lou Black, whose highly syncopated, free
rolling style did no little to give this band
its characteristic sound. Brunis is surpris-
ingly clear in Tiger Rag, where one virtually
had to fight the speaker to hear him before,
playing a hard, punchy style that is quite
different from and in the opinion of many,
better than his more recent efforts. Rappolo
is well represented with three of his finest
solos on Tiger, Panama and the remarkable
bit on Tin Roof. It would have been pleas-
ant if one or two of the items featuring
Mares to a greater extent had also been in-
cluded, but perhaps these will be forthcom-
ing on a later date, as there are several
equally juicy items from the Kings repertoire
as yet unavailable. (RLP 1024) (J.W.F.)

ragtime piano roll — vol. 2

Maple Leaf Rag/Evergreen Rag/
Grissly Bear Rag/The Cascades/
States Rag Medley/St. Louis Tickle/
Jungle Time/Possum and Taters

Another fine collection of solos transcribed
from Q R S piano rolls. Unfortunately, the
only performer specifically identified is Scott
Joplin, who here plays most effectively his
own Maple Leaf Rag. The anonymous "Pro-
fessors" on the other items all turn in most
sprightly performances of some pretty tricky
material, including "States Rag Medley No.
8," a compound of ten varied and attractive

strains borrowed from different sources, all
of which might prove interesting in them-
selves. St. Louis Tickle, with its more-than-
passing resemblance to Morton's later Buddy
Bolden's Blues, is a pretty bit with an ample
share of rhythmic complexities lurking be-
hind fairly simple melodic components.

While all eight selections are a treat for
ragtime lovers, James Scott's Evergreen Rag
hit this reviewer the hardest. It is a delight-
fully spirited bit with an overall unity tying
interestingly varied strains together. Some of
the bass figures on this and other numbers
presented will develop a healthy respect in
listeners for the left hands of earlier day
pianists. (RLP 1025) (J.W.F.)

turk murphy's jazz band

Little John's Rag/Mesa 'Round/
Minstrels of Annie Street/Bay City

Four of the finest originals penned by
Turk Murphy, who was the solid man of
the Watters band and currently heads his
own band. All are carefully worked-out com-
positions in the strictest sense of the word,
but all also give considerable freedom to the
soloists of the band.

Don Kinch, Bob Helm, Wally Rose, Pat
Patton, George Bruns, and Johnny Brent
constitute the band on this date, and it's
one of their most successful GTJ sessions.
Each composition celebrates some aspect of
life among these West Coast worthies. Little
John Rag commemorates the fact that
GTJ's Les Koenig was in a highly infantici-
pating condition during a previous Murphy
record date (the result of which was little
John Koenig). Mesa 'Round, subtitled A
Western Jazz Tune, quite correctly gives a
little credit to the part of the country which
is almost wholly responsible for the great re-
vival of interest in playing the old ever-
greens again — and writing new material in
the same spirit. Minstrels reminds us that
the revival began on Annie Street, an alley
off Market Street in downtown San Fran-
cisco which will live forever as the home of
the Dawn Club, where Lu and his fellow
minstrels made history. (The Dawn Club is
completely gone now, without the slightest
trace remaining of the original entrance.)

Bay City, my favorite of this exceptional
set, refers to San Francisco itself, of course.
It is quite easily one of the best jazz tunes
of its kind written in the past twenty years.
Let's just put it this way: Jelly Roll Morton
would have been proud to have written it.
(Good Times Jazz EP 1012) (G.A.)

lu watters' yerba buena jazz band

Riverside Blues/Cake Walkin'
Babies/Tiger Rag/Come Back Sweet
Papa

It's delightful to hear again the rock-
ribbed sound of the original Watters crew
(four horns, five rhythm), and even more so
to hear the music since it's been put through
the modern electronic miracles that add new
quality to the sound of fine old masters.

Today there's nothing extraordinary about
the repertoire on this EP; in 1941, when Lu
was playing and recording numbers like
these, Tiger Rag was the only tune of this
set which anybody else ever played. Today's
young traditional-jazz fans can't imagine the
special thrill there was in hearing new ver-
sions of these beloved evergreens. And a
great deal of the kick remains in reviewing
these fine performances, so newcomers need

not feel that nostalgia is all they have to
offer. In fact, I don't believe there have
been better versions of the three rarities cut
by anyone in the twelve or thirteen interven-
ing years.

Aside from the impeccable ensemble sound
of this band, you'll enjoy hearing Ellis
Home's great clarinet work (much more
clearly audible now than in the original
78's), the youthful and yet already-matured
playing of Turk Murphy and Wally Rose,
and the wonderful singing sound of the Bob
Scobey-Lu Watters trumpet team. A must
for all New Orleans revivalists. (Good Time
Jazz EP 1011) (G.A.)

the gin bottle seven

Tiajuana/She's Crying For Me/
Wild Man Blues/Corrine Corrina/
Salty Dog/Strut Miss Lizzie/London
Blues/Blues My Naughty Sweetie
Gave to Me

The Gin Bottle Seven is currently making
Cincinnati a Good Place to live in, as you
will no doubt agree upon hearing this new
red hot Empirical record. The Bottles gained
their individual reputations with the Dixie-
land Rhythm Kings and other revivalists
and are now collectively expanding and gild-
ing these reputations. Their tight and dis-
tinctive sound draws upon jazz elements
from every traditional "school" and ends up
somewhere in the area bounded by the Wol-
verines, Doc Evans, and Joe Rushton groups
without Joe Rushton.

The Bottles are governed by trumpeter
Carl Halen who, along with clarinetist Jim
Campbell, banjoist Jan Carroll, drummer
Tom Hyer, and pianist Fred Gary are well
known for their work with the DRKs. No
less distinguished are the remaining Bottles:
trombonist George Stell and tuba whoofer
Jack Pollack.

Most distinguished among the tunes are
Tiajuana, Crying, Naughty Sweetie, and
Corrine, the latter with a superb two-chorus
tuba introduction. The arrangements are
bright and interesting as well as tastefully
executed. The recording job is well done but
for the lack of echo which gives the band a
"cold" sound. It is to be hoped that many
more GB7 records will be forthcoming.
(Empirical LP 101) (R.L.T.)

Music of the Steel Drums

This recent addition to Dial's ethnic series
brings us a liberal sampling of steel drum
and orchestra music from Trinidad. At least
seven varieties of steel drums (fashioned
from oil drums) are employed individually
and collectively to produce road marches,
concert selections, mambos and what-have-
you. The highly developed art of steel per-
cussion is nothing short of fascinating. (Dial
LP 406) (R.L.T.)

bix beiderbecke and the
wolverines

Fidgety Feet/Jazz Me Blues/Oh,
Baby/Copenhagen/Riverboat Shuffle
/Sensation/Lazy Daddy No. 1/Lazy
Daddy No. 2

The Wolverines are a group of young men
(though not really a "kid" band) from the
midwest, and these are their first professional
recordings. From the tunes they select, one

19

might think that an Original Dixieland Jazz
Band revival spirit would dominate the rec-
ords. Their style is really closer to the New
Orleans Rhythm Kings, but borrows from
many other sources too. Louis Panico, The
Kentucky Serenaders, and many popular
groups have left their mark. We, however,
find it easier to compare to outstanding
recording groups, of which the New Orleans
Rhythm Kings is the closest relative to the
Wolverines. In fact, the latter borrow George
Brunies from the former for their versions of
Sensation Rag and Lazy Daddy.

But the Wolverines do more than imitate
earlier groups. They play up-to-date jazz,
crammed with brilliant breaks, riffs, and
cleverly conceived arranged passages. Jimmy
Hartwell reflects fondness for Leon Rappolo
and perhaps Volly De Faut, but his clarinet
playing stands up quite well as his own.
George Johnson is a real standout, contribut-
ing excellent third part harmony that lends
fullness to the group. His tone is better than
most tenor saxophone sounds heard from his
contemporaries. Bix Beiderbecke on cornet
is very exciting and original and possesses a
glorious tone, which is doubly remarkable
for coming through on phonograph records
and for emanating from such a young (22)
and inexperienced musician. Drummer Vic
Moore does a good job, though hampered
by the limitations of recordings, and Bob
Gillette offers excellent rhythm banjo.

As a jazz band, this group rates with the
best. Theirs is the approach of an organized
band, not a collection of soloists playing for
their own individual amazement. Yet, the
drive and spontaneous flow of excitement is
there. Small wonder the Wolverines have
been in great demand at colleges throughout
the midwest.

There are a few faults. It is said that
their repertoire is very limited. Apparently,
these recordings are featured numbers which
they have worked out very carefully. The
group also seems to have some difficulty sus-
taining intensity on slower and medium
tunes. The faster things are their forte. The
cornetist, Beiderbecke, however, is an excep-
tion, for his solos run consistently at a very
high level of emotional and imaginative de-
velopment. And when the cornet walks away
from the rest of the band a bit, the loss in
close ensemble effect is more than com-
pensated for by the brilliance of Biederbecke.

This record offers two masters of Lazy
Daddy, which invite interesting reflections
concerning the attitude of the band toward
its repertoire. Clearly, the "routines" on
each selection are put together with consid-
erable thought. Copenhagen is an involved
arrangement, and shows how important each
man is to the sound of the Wolverines.
George Johnson, especially, is responsible for
much of the success of such numbers as
Copenhagen. It might be mentioned that
only pianist Voynow and tuba player Min
Leibrook read music. It is a tribute to the
ear of each front-line musician and to the
firmness of the rhythm section that the band
achieved such integration as is evident on
these recordings.

The Wolverines have played in New York
at the Cinderella Ballroom and were well
received. They have made still further re-
cordings, but Beiderbecke has left the band,
so things will never be the same.

Owning these records is like having a
Bible in the house. Even if you're not re-
ligious, you just do. (Riverside RLP 1023).
(R.B.H.)

sharkey and his kings of dixieland

Keep it a Secret/ Why Don't You
Believe Me

Let's have more of this. All the best of
Sharkey is here, plus some of that wonderful
pop-tune spoofing that was Fats Waller's
forte. Among those apparently present are
Joe Delaney, trombone, Bujie Centobie,
clarinet, Monk Hazel on drums, bassist Ar-
nold Loyocano and Stanley Mendelson,
piano.

The over-all sound is reminiscent of those
hot, swinging mid-thirties sides by Sharkey.
Both are fun and both are good, romping
dixie, but Keep It stands out. The Bonano
horn was never more successful in its happy
compromise of melody and exuberance than
it is here in the opening ensemble. His full
bodied tone and wonderful beat lead a free-
rolling ensemble into a very fine clarinet solo
for the second chorus. There is also a lot of
lively piano and the rhythm, all around, is
far superior to what we have been forced to
get used to of late.

Sharkey's vocals are a riot. The instru-
mental work points up surprising musical
values in these tunes, but when Mr. Bonano
opens his mighty bazoo and hollers them
there now forlorn lyrics at you, any linger-
ing hope for similar hidden qualities in the
words is crushed beyond repair. Sharkey
beats the sugar out of this saccharine drivel
with a sledge hammer satire that will have
all your red corpuscles howling with glee.

Don't try this disc on a new girl friend,
but if you have been happily married for a
decade, the Mrs. will enjoy this as much as
you. (Mercury 2329) (J.W.F.)

raymond burke and his new Or-
leans jazz band

Over the Waves/Blues for Joe

An unusual gathering of people on this
one makes for some pleasant dixie-esque
jamming. Al Alcorn, a very proficient trum-
pet man, does nice lead work, sounding much
as he did on an earlier LP with George
Lewis and Paul Barbarin on Circle. Jack
Delaney's trombone is quite pleasant in a
sort of virile, early Tommy Dorsey fashion
with flashes of Jack T. and G. Brunies.
Closing ensembles on Waves show a lot of
possibilities if he will strive for greater
buoyancy and counterpoint rather than
casual chord filling and over-use of the up-
per register. Although the label "features"
Abbie Brunies, there are no drum solos and
he remains tastefully within his proper role.
(Maybe "featured" means they played a
spotlight on him while the record was being
cut.) Whatever it is, he does a good job of
rhythm here along with pianist Stanley
Mendelson and bassist Sherwood Mangia-
pane. His drumming is, in fact, in pleasingly
sharp contrast to some of the downright pe-
culiar happenings on an LP made a little
earlier with substantially this same band.
Maybe the latter was just one of those "off"
nights that anybody has now and then.

Stand-out man unquestionably is Ray-
mond Burke, whose superb musicianship is
very much in evidence on both sides. His
solo on the Blues side contains a remarkable
amount of feeling and is a passage of real
beauty. This item should easily stand the
test of time. One does begin to wonder,
however, just how many more blues sides
are going to be cut listing "composers."
(Southland 9005) (J.W.F.)

folk and street music of curacao

Country Music/Street Music

Dial is beginning to carve Folkways at
their own game. This should be on the shelf
of every "Ethnic" enthusiast. The music is
authentic, interesting, and very well re-
corded. The notes are good, if somewhat
short.

Curacao is a fine subject because it is
usually overlooked, and is rich in folk music
drawn from many sources. The music in this
album reflects influences of formal Euro-
pean and Spanish music, African rhythms,
marches, and West Indian songs. There are
countless other fine albums that could still
be recorded in this and other areas through-
out Latin America — Brazil, for example, has
hardly been tapped. Perhaps Dial will rem-
edy this.

This is a fine record — good music, good
recording, good notes and a good cover.
(Dial 407) '(R.B.H.)

cavalcade of calypso, vol. 2

1. Female Photographer/2. Creole
Mama/3. The Panther's Wrestling
Match/4. Taxi Drivers/The Mighty
Panther

1. Terror, 'Bajan Girl/2. Zebra, Now
Me Monkey Go Dead/3. Comma,
Madeline Oy/4. Terror, Financial
Paralysis

The first four sides are by the Mighty
Panther. The others are as indicated; Ter-
ror, Zebra, and Comma are the names of
the performers.

The Mighty Panther performs in the ac-
cepted manner, with stress on the words
(which, of course, have the usual West In-
dian change in emphasis). Panther sounds a
bit more sophisticated, and easier to under-
stand, than the artists on the reverse side.

Characteristically, the accompaniment is
flavored by American jazz. Although home-
grown, the musicians reflect the latest de-
velopments in jazz, and even tend toward a
cool sound at times.

These are fine additions to Dial's ethnic
series, and if you dig calypsos, these are
pretty worth while. The notes, written
anonymously, are good too. (Dial 405)
(R.B.H.)

spanier-russell ragtimers

Vol. I — Muskogee Blues/Since My
Best Gal Turned Me Down/Rosie/
Red Hot Mama/Take Me Back to
the Land of Jazz/I'd Climb the High-
est Mountain

Vol. II — Am I Blue/You're Driving
Me Crazy/How Come You Do Me
Like You Do/Muggsy Special/Sen-
timental Journey/Pee Wee Squawks

These recordings have been kicking around
for some seven or eight years now. They
sound just as unsuccessful today as when
originally issued on Disc. The original press-
ings were of very poor quality, a..d these
Long Play versions are almost as bad.

The idea behind these albums was pretty
(Continued on Next Page)

20

good — these are fairly compatible per-
formers, and the tunes are nice ones. That
it didn't come off isn't anyone's fault, but
simply one of those unpredictable and an-
noying occurrences that are common in jazz.
Muggsy offers his unusual punch, Pee Wee
his whimsical charm, Vic Dickenson is
capable, and the rhythm is adequate, but
something didn't click. Yet, for a rabid fan
of Muggsy or Pee Wee, these sets might be
worth while.

Pee Wee seems to lack the delicacy that
usually kept his playing from becoming
labored and heavy. The moments that are
exceptions, as in I'd Climb the Highest
Mountain, are delightful. His wistful egg-
walking and writing are so personal that the
listener tends to forget that it is a man play-
ing an instrument. Rather, it seems like
Pee Wee himself is a sound or a musical
idea.

The first volume (originally issued under
Russell's name) is the more successful of the
two. The tunes are well selected, and Pee
Wee is good. But it is not inspired, or even
outstanding music. Muggsy pushes, but noth-
ing more. Vic is under wraps, which is un-
fortunate. Others participating are Cliff
Jackson and Bob Casey.

Volume Two seems to be even more
poorly recorded than the first volume. There
is no excuse for Long Play records having
sound like this, even if they are cheap labels.
My copy of this record is also off-center,
which doesn't help. Mostly, though, the fault
seems to be with the recordings themselves,
which are almost telephone fidelity. Those
playing in this volume, besides the title
artists, are Gene Shroeder, Vernon Brown,
George Wettling, Bob Haggert and Nick
Caiazza. Nick, incidentally, demonstrates his
absorption of early Lester Young, and it
would be kind of nice to hear more of him.

Sentimental Journey and You're Driving
Me Crazy, which are about the best sides in
this set, were issued as a single a while ago
on the Holiday label.

The covers have "artwork" all over them.

There are album notes, a sample of which
follows: "Since My Best Gal Turned Me
Down was first recorded by Bix and His
Gang on October 5, 1927 during a Frankie
Trumbauer date which featured Bix and
Pee Wee." (!) (Stinson LP 30, 31 ) (R.B.H.)

jack delaney and his new Orleans
jazz babies

Who's Sorry Now/Careless Love/
Bucktown Drag/Basin St. Blues

george girard and his new Orleans
five

I'm Sitting on Top of the World/I
Wonder Who's Kissing Her Now/
Roses of Picardy/I'm Goin' Home

The term "New Orleans" makes five ap-
pearances on the LP cover's front. It ap-
pears, count 'em, 25 times in the notes on the
rear. That's not all — six more on the labels,
yet! Alas, everything here is STRICTLY
New Orleans — except the music!

This is a strange assortment of vices and
virtues. As to the virtues, several solo flashes
are fine. The technical virtuosity of trom-
bonist Delaney is impressive and occasionally
exciting, with a downright moving solo on
Careless. Girard's muted work on Picardy is
punchy and hot, while Lee Collins' very blue
tone is caught neatly on the Delaney side

(same band except for bass and trumpet on
both sides, Girard and bassist Johnny Senac
replacing Collins and Sherwood Mangiapane
on the Girard side). Ray Burke, when given
a chance, is as always one of the outstand-
ing artists in the traditional jazz of this era.
Mendelson's piano is over-recorded to the
point where it masks much of Burke's work,
but this is not his fault, and his very tasteful
band style can still be enjoyed in this cir-
cumstance, whereas a so-called "modern"
pianist would have fully fouled up the works.
Ensemble-wise, despite a few offhand refer-
ences to the home town, this is strictly from
the New York school, even including Con-
don style drum solo and four bar tag on the
end of Sitting. Judged as such, this disc is
a pretty warm potato.

Judged on the New Orleans basis, it's an-
other story. Burke, Mangiapane and Stanley
Mendelson have shown clearly on discs with
Johnny Wiggs and Doc Souchon, among
others, that they are most sympathetic to the
various orthodox standards in the tradition.
They strive mightily to maintain a suitable
texture here, but what can a guy do when
again it's "every tub on its own bottom"?
Too many notes from the brass to permit a
New Orleans contrapuntal development en-
semblewise. Too much upper register swing
trumpet despite occasionally pleasing ideas
from Collins and Girard. Delaney shows
promise, but this is no set-up in which to
develop a tasteful tailgate manner, technique
or no technique. As for the drums, they re-
call a night when George Brunies tossed an
oversized cymbal onto the dance floor and
said he'd heave the drummer after it next if
he didn't stop the Chinese gong offbeats.
Here it is not only loud, but frequently fal-
tering as well. This is doubly hard to figure
out, as Abbie Brunies does some pretty neat
drumming in general on other records. Emile
Ursin's drumming on the Wiggs LP else-
where in this issue makes a fine contrast, as
does the whole record, in fact.

Careless and Bucktown (why must six
more choruses of jammed blues be made a
"composition"?) are best bets here due to
moderate tempos. The rest are mighty rapid.
Of course, maybe you'll get a big kick out
of Basin St. at a tempo usually reserved for
Fidgety Feet, but it would seem more taste-
ful to play a stomp if that's what is wanted,
instead of horse-whipping a slow blues.

In all, it is a strange, albeit interesting,
session. Like most such groups, this one
sounds as if it wants to get mouldie, but is
afraid or ashamed to do so. To which us figs
can only reply "Blow a little Dixie, fellers.
It ain't unsanitary."

The Girard sides, by the way, are also
available as 78s.

(Southland SLP 201) (J.W.F.)

johnny wiggs and his new Orleans
kings featuring torn brown and
harry shields

Jazz Me Blues/Tiger Rag/St. Louis
Blues/Milenberg Joys/Tin Roof
Blues/Old Miss

You want some real Dixieland, without
evasions, excuses or "improvements"? This
is. To all who have suffered the pains of
taking dixie in highly diluted form, this tastes
the way a double shot of Haig & Haig would
to a Scotchman after six months of Pepsi
Cola. It is an excellent lesson in ensemble
style, and it is only unfortunate that there is
not more of it here, although the soloes are
fine as well.

Johnny Wiggs' very effective opening two
beats leads into a Milenberg that is won-
derfully comfortable to the ears. He pulls
many nice melodic twists, yet blows simply,
leaving plenty of room for Tom Brown and
Harry Shields. Both take excellent soloes
here. Brown proves beyond doubt on this, as
well as Tin Roof and Old Miss, that it isn't
necessary to leave the tailgate idiom for crea-
tive soloes. The Milenberg one is full of rich,
gutty "Bicycle horn" phrases, a great relief
from those who say "make like Brunies in
ensemble and make like a perfume atomizer
in solos." Mr. Brown prefers to be consistent,
playing as he did when George Brunies was
coming to him for instruction. Well he
knows the art of simple appearance masking
complex thought. Close listening here is
richly rewarding. Catch also his loose, slip-
pery and fittingly humorous break in the
"Hold That Tiger" chorus on Tiger Rag.

Jazz Me and Tiger are both remarkably
fresh. Tempos are fine and the ensemble
verve is a delight. On Tiger in particular,
the joint really moves. Sherwood Mangia-
pane's bass, Stanley Mendelson's piano, and
the neat drumming of Emile Ursin give fine
support, although the lack of the Souchon
banjo or guitar, which did much for power
on their earlier Tempo LP, is unfortunate.

A Wiggs LP is always a welcome event,
because Johnny and his friends know what
this music can and should be. As a result,
their work ranks among the most important
aspects of current Crescent City jazz. Wiggs
and Brown, with either Ray Burke or Harry
Shields on clary (catch that fine dash of
tradition in Harry's Milenberg solo, inci-
dentally) usually create ensembles that are
genuinely classic in the idiom. They have
done it here again.

Only one annoyance. Although well re-
corded, there is some wholesale conversation
in the background that, while low, is just
loud enough to make you wish you could
catch the name of whoever the too-close
bystanders are ripping apart.

Buy this if you like jazz-type jazz. Were
this to be rated a la "Downbeat," I would
gladly give it the full quota of seven brownie
points. [Southland SLP 201) (J.W.F.)

carl halen with the washboard five

Doctor Jazz/Cake Walkin' Babies/
Willie the Weeper/Heebie Jeebies

gene mayl's dixieland rhythm
kings

Ace in the Hole/Don't Go 'Way No-
body/Oh, By Jingo/Tiger Rag

Some pleasant informal material from an
earlier phase of the "D.R.K.'s" history. The
Washboard side finds D.R.K. trumpet man
Halen relaxing with a group of friends for
an evening of skifflish stuff that offers numer-
ous warm moments. Bob Greene plays some
of his best recorded piano here, with Bob
Sann doing right by his banjo, Charlie Paris
enriching the mix with guitar and Bob
Thompson attacking the washboard with
muscular enthusiasm. Halen really "let him-
self out" on these items, displaying a variety
of pyrotechniques on his horn that set the
mood for the date. Oh, yes, Record Changer
Art Director Paul Bacon howls up a fine lot
of vocal on Doctor Jazz in addition to scat-
ting through the Heebies.

'Tother side consists of some items culled
from a very casual brawl that the D.R.K.
(Continued on Page •.24 )

21

west african jazz

(Continued from Page 7)

influence there is also a slight admixture of
East Indian music. In the early 1900's, large
amounts of workers were imported from
India. They thrived on the island and soon
became an important factor in the social
and cultural life. While there is considerable
intermarriage between Negroes and Indians,
there is still some friction between the
groups. Typical "derision" songs poking fun
at the Indians include: Coolie Man Walk
("Coolie" is the nickname for Indians),
Hindu Calypso and others. The other for-
eign elements of the island — Chinese, Syrian,
etc. — had little or no influence on the music.

Jamaica is in much the same position as
Trinidad, having also been under Spanish
domination, but its music is slightly dif-
ferent. It uses the "Mento," faster and more
syncopated than the Paseo, and more under
influence of American jazz. Jamaican Calyp-
sos are often more "folk" type and less
satirical than the others: e.g., Linstead Mar-
ket ("I did not sell any fruit today; what
a shame") .

The music of the Bahamas is influenced
by American jazz and religious songs, while
in Barbados many Calypso songs are of the
"English Music Hall" type (Barbados is the
most "British" of all Caribbean islands, hav-
ing been under this flag all the time).

In some of the other islands there were
other factors. For instance, in a commercial
and agricultural center like St. Thomas, in
the Virgin Islands, there were secret meet-
ings in the hills (of course the local authori-
ties forbade the use of drums here, too).
They were in the form of circle dances with
a woman, called "queen," as leader. Local
gossip and scandals, and criticism of the
masters were aired. This version was called
"Bamboula," and the possibility exists that
it was the same as that danced in New Or-
leans in the early Congo Square days. When
slavery was abolished in 1847, the Bamboula
took to the town and was universally per-
formed.

In some of the other islands, such as
Antigua, "house moving" songs were very
popular. This is exactly what the name im-
plies ; someone wanted to move his home
(walls, roof and all), all the neighbors and
friends pitched in, and sang praises or
derision of the owner (the latter if he did
not feed them). In Haiti, the "coumbite"
(cooperative work societies) songs are of
the same nature, while on this island the
"Pinyique" is the local version of the allu-
sion and gossip song.

Puerto Rico has Spanish versions of Calyp-
so songs in its satirical "Plenas" and "Seis
Demicas" (which are mostly songs of
praise). These are of course strongly influ-
enced by Spanish music, especially the An-
dalusian flamencos. Even in Venezuela the
"Joropo," now a ballroom dance, originally
also featured a singer airing local gossip and
grievances.

(To be concluded in the next issue)

bad sam

(Continued from Page 13)

off two and a half hours of steady fun, from
Fat And Greasy to Weary Blues, without a
break, and without repetition. Pichon needs
more attention from jazz researchers: he
grew up listening to Keppard, Oliver,
Dodds, Ory and the boys practicing in the

front room of his uncle's house: Johnny St.
Cyr. His stories of New York in its wildest
days of the late Prohibition era seem to go
on for hours, and include practically every
musician who was around at the time.

The influx of big bands makes one wish
the younger cats would start dancing the
way the late-30's crowd did ; The Diamond
Knee in SF has brought in Herman and Les
Brown for a month each, and has Ellington
signed to open in April, but even with
packed houses every night, the spot is still
essentially just a large cocktail lounge, and

makes you wonder if the bands wouldn't
play better if they didn't feel under wraps.

Northern California may have the reputa-
tion of being strictly mouldie-fig, but a quick
glance at recent travellers through local
spots belies it. Shearing and Brubeck at the
Black Hawk, Kenton and Co. for three
theater dates, Sarah Vaughn and Mulligan
at the Downbeat, and- various others makes
the average visitor wonder if maybe there
isn't more than can be supported in the
area.. Attendance during the week supports
the query.

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United States I year $3.50; 2 yaars $6.50; 3 years $ 9.00

Canada and Foreign I year $4.00; 2 years $7.50; 3 years $10.50

Name _ - -

Address..

22

Left: Ralph Sutton takes
over intermission piano
chores at a recent Glen
Island Sunday session.
Below, left: The Wilbur
de Paris band, which also
includes his brother Sid-
ney on trumpet, and
Omer Simeon on clar-
inet. Below, right: Zutly
Singleton, on drums with
this band.

jazz revival

AT GLEN ISLAND CASINO

Left: On the Glen Island
bandstand , a Bobby
Hackett group that fea-
tures Lou McGarrity,
trombone; Peanuts
Hucko, clarinet. Below,
left: Another shot of the
de Paris band in action.
Below, right: Interested
onlookers, with a note-
worthy example of the
education of the next
generation of jazz fans.

There's a renewal of activity at Glen Island Casino
these days — but it's a far cry from the music that
once made this New Rochelle, N.Y. nightspot a magic
spot for dance bands.

Where such bands as the Casa Loma and the
Dorsey Brothers' Orchestra once flourished, where
Glenn Miller's band got its start and dance outfits
belonging to Charlie Barnet, Charlie Spivak and
Claude Thornhill played, Sunday afternoon Dixieland
is now the order of the day.

Under the auspices of Lou Blum, of the Commo-
dore Music Shop, jazzmen such as those pictured on
these pages have been performing every other Sunday
for an audience that is mainly composed of young
listeners who make the short trip from New York
City.

The programs are scheduled to continue for as long
as the crowds, which have been good onesT^keep up.
Indications are that the metropolitan area has added
another regular to its growing roster of weekend "con-
cert" spots.

24

burst of acclaim. Shyly, but obviously
pleased, he retired to the background to let
Flemming blow another solo. Henry Allen
beamed in a pleased and fatherly fashion.

Overhead, the baby spotlights glowed
down on the perspiring players. The light
was soft and seemed to roll away the years
from the faces of these veterans.

We made a mental note to ask Henry
Allen when next we met to ask about his
father, who led bands in New Orleans be-
fore Henry, Jr., could walk. What sort of
man was he? Did he support himself entirely
with music? Had he been happy his son like-
wise led a band? These things must wait
and are part of another story.

records noted

(Continued from Page 20)

held one evening for their own amusement,
with results that are most satisfactory. There
is a lot of good goings-on, with a beat that
struts magnificently despite absence (or per-
haps because of absence) of piano. Out-
standing is a short, but wonderful Tiger
Rag, with good, tough, all-in ensembles at a
just-right medium tempo. Particularly de-
lightful is Charlie Sonnanstine's trombone
solo, aided no little by Jan Carroll's tasteful
banjo, the Gene Mayl tuba and drummer
Tom Hyer. It is a lazy but powerful sound-
ing passage, played quite simply but with
immense, effortless drive, with Halen and
clarinetist Jim Campbell moving in neatly
at its conclusion for a coda that proves quite
conclusively how little this fine young band
is indebted to the Nicksieland school for its
refreshing approach to traditional jazz.
Riverside RLP 2502 JWF

WILL BUY . . .
RECORD COLLECTIONS
ANY AMOUNT

I have 100,000 Records —

Hot, Sweet.
EVERYTHING ft EVERYONE.

SEND WANTS

WILL TRADE . . .

New Orleans, Dixie for Personality
Records.

JACOB SCHNEIDER

128 W«st 66th Stmt, N. Y. C.

meet the band

(Continued from Page 9)

once more came to Europe with Will Marion
Cook's Syncopated Orchestra in 1920. Next
year I was again back in New York playing
with unknown jazz groups. While in a bit-
band at the famous Lafayette Theatre a
song writer and recording artist named Perry
Bradford gave me my first chance to record,
with Johnny Dunn's Jazz Hounds. This was
much before the session you inquired about.
Dunn used me many times for accompani-
ments to singers such as Viola McCoy, Lu-
cille Hegiman, Edith Wilson, Mamie Smith
and others. Also I played under James P.
Johnson for Columbia in about 1922.

"In 1924, I was with Bobby Lee's Cotton
Pickers in Philadelphia before joining Sam
Wooding for a European tour. Our trip cov-
ered the Scandinavian countries, Russia,
Germany, the Netherlands and a flock of
countries now swallowed up. Poland, for ex-
ample. In the band was Tommy Ladnier,
Garvin Bushell, Eugene Sedric. We made
four sides for Vox in Berlin. On the way
home we played in Buenos Aires.

"Back home I joined the pit-band of Lew
Leslies 'Blackbirds of 1928' and in July of
that year made some records under the
name of Herb Flemming's International
Rhythm Aces — can't recall the label. This
also was the year of the Johnny Dunn ses-
sion for Columbia I can't remember."

"Don't forget your concert singing career,"
interjected Greer. "You know, I've heard
all this a dozen times but I enjoy it."

"I'm coming to that," countered Flemming
a little quizzically, wondering if his leg were
being pulled.

"In addition to my trombone playing I
was accepted as a fair singer. Playing in the
European capitals gave me a chance for
study at the finest conservatories. At times I
would do some singing in small quaint clubs
such as Boeuf Sur LaToite (Ox On the
Roof) in Paris or the Fireside Inn at Flor-
ence, Italy. This was in the classical vein
and quite apart from my jazz playing.

"In 1929, I brought the 'Blackbirds' revue
to Paris as assistant director, which led to
my forming a band to accompany Josephine
Baker for a new revue, 'Joie de Paris.' Dur-
ing this period I made / Got Rhythm and
Sweet Madness for Freddy Johnson's Har-
lemites on French Brunswick. Also a session
for Robert De-Kers Orchestra in Brussels,
Belgium, and another recording session for
City Civic Orchestra for Columbia in Rome.
These of course were in the classical field.

"In the early thirties I played in Italy,
Buenos Aires again and hence in 1934 to
China, Japan, Java and Ceylon. Made rec-
ords for HMV in Toyko, Shanghai and
Calcutta, India.

"The following two years I played the
Sherbibi Club in Berlin. Many of our patrons
were ranking diplomats, such as William H.
Dodd, the American Ambasador with whom
I became very friendly. As I was fluent in
many languages by now, I was able to enter-
tain these guests in their native tongue
which naturally made a big hit. This fluency
earned me a job as interpreter at the 1936
Olympic Games for the American team.
That was the year Hitler threw down his
gauntlet of racial supremacy by refusing to
recognize the Negro runner Jesse Owens as
winner of many events.

"After the games I came home to join
Earl Hines in Chicago's Grand Terrace. In
1940 I joined Fats Waller and remained a
year. Made some Victor records with Fats,

including Jitterbug Waltz. Next with Noble
Sissle, which tour ended in Los Angeles
where I did radio and motion picture work
for several years. Then I gave up music and
entered government employment in the U. S.
Treasury Department.

"It was odd how I came back into music.
While in New York on vacation in 1949 the
sight of the old spots I used to play in
aroused a yearning to play again. I wired a
friend to get my trombone out of my locker
at Warner Brothers studio and air-mail it
to me. I've worked hard getting established
again. Worked the small clubs in Greenwich
Village, then joined Allen last year and have
remained ever since. We just came back
from a fine engagement in Bermuda with
the band we have here, except Prince is re-
placing Eddie Barefield. In all I've made six
trips abroad but do you know what? I'm
settled now somehow, and happier than I've
ever been."

His story finished, Flemming leaned back.
A buzzer sounded dimly and the dressing
table lights blinked — time to go downstairs.
The musicians lunged for their horns and
clattered down the hall.

Down below, in the nights ahead, would
be excitement aplenty. These five totally
diverse men of varying background and as-
sorted temperaments presented a solid front
musically. The answer was due to long asso-
ciation— all except Prince Robinson who
had just joined and who soon would leave
for another term with Claude Hopkins once
the group reached New York.

Nearly all groups found in unexpected by-
ways are acceptable, as it is always a rare
delight to hear live jazz. Often the men are
loosely thrown together and ill fitting. If
they produce decent jazz you are lucky.
More often the music is sloppy and undis-
ciplined. This music, however, was spirited
yet controlled by Allen's steady leadership.

Allen was the dominating force. It takes
an "in-person" appearance to reveal he is
one of the few who make listening to jazz
fun. Fats Waller had this quality and so
does Armstrong, but few others. His mugging
remarks made for humor and relaxation. His
exhorting his players to "do it again" (re-
peat a good solo) made for extended efforts.

At the rear of the stand Al Williams dug
determinedly at the piano koys while above
him Sonny Greer perched over his drums,
with eyes flashing and a slight smile. He was
the slick, assured master of his trade and a
perfect picture of continental suaveness.

To the left side of Allen stood Flemming,
who played with a driving style full of grind-
ing grittiness. He is a handsome man with a
figure slim as a rail. Could this highly articu-
late gentleman who appeared so youthful
actually be a veteran of over three decades
and years of countless journeying? None of
his work on his many motley records begins
to give the least appraisal of his merit.

Nor could one have properly rated Prince
Robinson before. On short notice he had
blended perfectly with this band and would
with most any, since he is essentially a mu-
sical craftsman. We'll most remember his
delightful singing of When The Saints Go
Marching In, Allen sang the well-worn vocal,
repeated in turn by Flemming and finally
Prince. He sang one chorus straight then
continued a second one by omitting a word
here and there while the band raced ahead.
As if seeking to catch up he started skip-
ping, slurring and mumbling his words in a
scat style that 'lazied along behind Greer's
incessant beat. The effect wa's novel and
charming and brought spontaneous applause
from the audience.

Prince seemed shocked by the sudden out-

the record changer

editor-publisher

bill grauer, jr.

managing editor

orrin keepnews

circulation

jane grauer

art director

paul bacon

ft

/

benny frenchie

(Continued from Page 6)

not Muskrat. Explanation, from Danny Bar-
ker: muscatel wine is involved. It's the
ramble of a man who had a bit too much
of it.

Several musicians say that the clarinet
player on the Oliver record of Alligator Hop
could only be the almost unrecorded Lorenzo
Tio, Jr. Some others say no. Rudi Blesh
once said that Baby Dodds said it was Tio.
We will ask Omer Simeon.

Humility Dept. Fellow named Archie
Bleyer, who has a record company along
with another erstwhile Friend of A. Godfrey,
said recently of a Turk Murphy record : "It
doesn't sound honest; sounds like they're
kidding." If you see a small boat go by with
two fellows in it, they will be Benny and
Archie.

Sidney Bechet returned to Europe in De-
cember in a big hurry, cancelling several
dates. It was his stomach again, and he likes
his French doctor.

Movie News. Interesting score to be heard
in a recently-released picture, The Wild
Ones, sounds like it's supposed to sound like
big-band modern stuff. And sure enough, a
couple of b-b modern LPs of this score are
out now.

Benny's answers to those quizzes:

First, for the answerable-on-paper items
in Part One: (5) a diminished fifth; (7)
Louis' solo on Gutbucket Blues; (8) Among
several: Swingin' the Blues; In the Mood;
Doggin' Around; also Woodchopper's Ball
(once removed) .

Compensations questions: (1) In order —
Ory's Creole Trombone; Sister Kate, Dixie-
land One Step. (2) Bag of Rags, several
rags and, perhaps, Too Much Mustard,
Buddy Bolden's Stomps. (3) Hot and
Anxious (Tar Paper Stomp, In the Mood,
et al. ); Sent For You Yesterday; Georgia
Swing; Hot and Anxious, etc.; Smoke House
Blues; Baby, Won't You Please Come
Home; Dipper Mouth Blues; Breakfast
Feud; In a Sentimental Mood. (4) Gillespie
on Groovin' High; Cootie Williams on Air
Mail Special; Cootie on Stompy Jones;
Louis on Ding Dong Daddy; Teagarden on
That's a Serious Thing. (5) West End Blues
and King Porter Stomp.

Department of Amplification: Recent
proof that there are actually people who
read this column is most gratifying, even if
some of those who proved their attentiveness
by writing letters were catching us up on
some inaccuracies, as follows:

The George Lewis "Standard Oil" sides
referred to by Benny as an unissued, mys-
tery-type session in his February column,
turn out to be the very same 'as the George
Lewis sides issued on the Antone label (re-
viewed, we must note, in the same February
issue of this magazine). And, just to prove
that others than Benny can be taken to
task: several writers chose to inform re-
viewer R.L.T. that it's Joe Watkins who
takes the vocals thereon.

Also, Ralph Sturges of Hartford, Conn,
(and a couple of others, too) note that the
guy playing in the same bistro as Lil Arm-
strong in Paris was one Andre Reweliotty
(spelling revised and corrected). Inciden-
tally, Lil has returned from France, did a
whirlwind tour of New York's weekend jam
session spots to a wonderful reception, and
is now off to knock them dead (to coin a
phrase) at the Hangover in San Francisco.

RECORDS WANTED

I AM INTERESTED IN BUYING OUTRIGHT

small or large collections of Jazz, Sweet, Swing, Personality, Blues,
Bop, or Pops.

f will pay spot cash for such collections.

If you have a collection you wish to dispose of, please write,
giving full details of the collection, type, artists included, labels,
and most important of all please describe the condition of the
records carefully.

Then set your lowest price for the lot. I do not buy piecemeal but
will take all or none.

It is important that you set the price because I do not have time
for long correspondence or haggling. If the price looks right and
the collection is large enough I will travel to your town to inspect
the records and close the deal. If you are on the west coast I have
an agent there who will contact you.

I am also interested in acquiring dealers' stocks from before 1940
and after 1924.

WRITE, WIRE, OR PHONE

BILL GRAUER, Jr.

No sir . . . I don't plays 'em, I drinks 'em.

26

HOW THE RECORD CHANGER WORKS:

Abbreviations used in the Classified
"Wanted" and "For Disposition"
Sections are as follows:

Col. I, Record Label:

...... Acrucixc

*COLI*a,

• ••••••••• uu

• ALMWifc
*Knic«N mMic

.......a'"-LLO

M , -BCH

..... »Tl«KT IC

.... autos.a**

par*

Ml ,

CICU
CLI .
CHS .

......... BaLDBIN

blocbibp

bloc OIK

PC AC ON

ecu.

■ILTU(«C

....... BLllC Hi.lt

MJtCK Pat?|

....... bbvnbbic*

It ISM aMVTNM toe.

BLACK SWM1

BLirC »T#B

........... SUOO*

.... «L*C« * MHITC

>.*.■••• B'NOBMON

......... 'i"C*OB»T

........... CAMCO

......... CAPITOL

C1«|N«L

,.. f-tTLC

.......... CCNIiBV

■•*■••■• CM*** MM
>■•■•■■> CMHKWI

, cinclc

. . CLCUTONC
..... CLI«i«
.. COMMOOOKC
. *. COLUMM*
< CWHKHH

COB*L

.. CONQVt.oB
...... CHOBH

..... C<*tJLE

... CBC&CIHT
,. CI AMI OKOL4
OECCft

...... 3tt.ru

**v i one

IHNRI1

..... INTCHMal ICMM.
, JMVOKI

jnt oavib

,a« J All IfcfMMaTION

.......... J*"

J* II MCW»

.... JB2I BCLCCIION
JUB»

........... kcvnotc

■•• KIMS

......... VIMS J*II

,, klMCOLf

i LIl^MTV MuBlC **»uf>
............. IUCKV

*MBTCM
VAOIBON

aojrotic

tumitnui

..^CL9T0MC

HCLmBSC

.......... MMCUBT

.... would ic rveec

VUSICBafT

.. WONTnOHCR* UM

......... H'ttOMat,

MMtSCO

»aF .

DISC

OKI.

.....■■...a. COM I MO

CD I SOW

ILftC

....... CLC( l.aDlPC

«... C«CMOK

[vcrvbooy'g

r«MC*

........ CCiARAL

oitf nuLt,

.......... CUILO

.......... OLOBC

..... CN*JKPMOh.t

. COOt I ■ *t J#II
...... BUMDCMAM

»OM>SkOQ

TO COM

...M>CH

OKktMbM

, flUIOLC

......... PML0*MONC

pacific

■■■■••■■>• PANAChOMB
.......... PARAMlrtiNT

earn:

POLV00B

KBrCCT

............ PABaooa

• OMB

BAMPABT

RCCAL

............. BIALTO

.............. roatO

BCI&SUC

.... nc «i-:w.opho*[

SaLAOCBT

SOLO *BT

"avov

SE1L.ICN

... IPCCtaL COI tioso

scutca

...a ftlLVCnlONC

ttc«*fu*t

...... a.. ..a ST I NMM

a IUNIVW

UMBIT

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KOT JAII CLUB

.HIS M*BTIB*B VOICI
| HOWCCHCBO

mct teewno SOCICtY

,.,* MIT OT ThC VtCK

TLLK UMRCM

TBIAMCLC

TBII.OM

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ULTBAPHONC

........... VAN 0T«

VCLHtT I OUT

m»CI <ICTO«

VINTLITf JAtI

VOCallOfc

.............. VOCUC

...a. VABICTT

VANS | TT
VCST COAST

When it is necessary to indicate nationality of
the record, the fallowing letters appear after
the record label abbreviation:

A Argentina!!

Au Australian

B Brazilian

C Canadian

E English

F French

G German

I Italian

J Japanese

M Mexican

S Swiss

Sd Swedish

In the "For Disposition" section the condition
of the record is indicated by these abbrevia-
tions:

N (New): Surface noise eaual to an unplayed
record; no visible or audible wear percep
tible; original finish intact.
E (Excellent): Surface noise low. smooth, uni-
form. Not irregular or crackling. Easily dis-
regarded in listening. No perceptible distor-
tion.

V (Very Good): Surface noise somewhat
more prominent; light foreign noises, but
slight distortion, if any; noises not seriously
distracting.

G (Good): A moderate amount of surface
noise; background may be somewhat irregu-
lar and crackling; some foreign noises, and
a little distortion; on the whole, reasonably
satisfactory listening without undue distrac-
tion of attention. Foreign noises definitely
less prominent than the music.
F (Fair) : Foreign noises, taken together, are
about as prominent as the music, and there
is considerable distraction of attention, and*
listening requires some effort and concentra-
tion; nevertheless, under these conditions,
listening should be fairly satisfactory.
P (Poor) : Foreign noises, collectively, are
louder than the recorded music; continuous
concentration is required, and there is little
satisfaction in listening.

ALDRsg.b. aldridge ROUTE 6 BOX | 72, APR ingfield mo.

allesgeorge allen 333 old tarrytown road, white plainsn.y.

b0x3? box 3 the record changer, 4 1 8 w. 49th st nyc 19 ny

broc sstuart brockbank |§9a, station lane,hornchurch essex, england

doug sgene g. douglas 34 tcs- hut l4,ap0 963,^pm san franc i sco calfe.

pant :lt col glenn fant, pub inf. off. exercise flash burn ft bragg nc

hear swill roy hearne 1047 w. 97th street, lso angeles 44, calif*

hold: arthur holden 595 merr i tt ave., oakland |0 calif.

jols 5 jolsona irs memorial club,|329 west morgan ave.,m i lwaukee |5 w i sc.

kendrbyron kendis |550 devereaux ave., phila 24 pa.

kine:larry f. kiner p.o. box 13208 west los angeles station, los angeles

uqu;john liquor! 4563 n. colorado street, phila. 4) pa.

mora sg.o. moran lod| wisconsin

orla • james orlando d i ckerson run pa.

parrs sid parry 574 w. 176 street nyc 33 ny

parkjs.r. parker 40 washington ave. , northampton mass

salm sandy salmieri 74|2 |2th ave., bklyn 23 ny

sch i jduncan p. schiedt 4005 n/ adams street, indianapolis indiana

scri;paul scriven |29 vienna ave., niles ohio

SMIB;bob smith jr 203 west 2nd street, Frederick md.

sm i tjkather |ne smith 2723 merr |mac fort worth texas

th0r;f.b. thorne jr., |9 lawrance lane bayshore n.y.

ivoodsjames h. wood 6 1 3 scott street pasadena texas

closing date for auctions is may 10

ENGLISH COLLECTOR EXPERIENCED
IN AMERICAN TARDING REQUIRES
REGULAR EXCHANGE WITH AMERICAN
COLLECTOft.CURRENT AND DELETED
JAZZ REQUIRED. CURRENT AND
DELETED ENGLISH LABEL JAZZ AND
PERSONALITY SUPPLIED. REFERENCES
PROVIDED AND EXPECTED

JOHN W. LANG MEAD
63 LYDFORD PARK RD . PLYMOUTH, ENG

WANTED TO BUY
DISC OR CYLINDER CATALOGS OF

PH0WGRAPHS OR RECORDS
GIVE DESCRIPTION AND PRICE

A. NUGENT, JR.

|2 N. THIRD ST., RICHMOND, VA.

FOR THOSE DISCRIMINATING FEW WHO WANT TO BE DARINGLY D I rTERENT
FOR THOSE WHO DEMAND THE AUTHENTIC AND UNUSUAL IN RECORDED

ENTERTAINMENT WE OFFER

ENCLOSED HORN EDISON CYLINDER PHONOGRAPH
(COMPLETE WITH MORE THAN 50 CYLINDERS)
THIS CHARIiING MACHINE IS IN EXCELLENT CONDITION, WITH ALL
RUNNING PARTS ALMOST LIKE NEW . PERMANENT DIAMOND STYLUS.
HANDSOME VENEER FINISH. FOR AUCTION WITH MINIMUM BID $30.
[BOX 55 THE RECORD CHANGER
.4l8 W. 49 ST., N.Y.C.

15c MINIMUM BID

P. O. MILLER

35c MINIMUM BID

box i 08 , THE RECORD CHANGER , 41 B west 49th street nyc |9 ny

PLEASE PLACE BIOS ON POST CARD IF POSSIBLE. BID BY NUMBER TO LEFT OF COLUMN. CONDITION GUARANTEED OR MONEY REFUNDED. CLOSING DATE FOR AUCTION IS MAY 10.
WINNERS WILL 8E NOTIFIED AT CLOSE OF AUCTION TO REMIT TOTAL OF WINNING BIDS PLUS 25(4 FOR PACKING MATERIALS. RECORDS WILL BE SHIPPED VIA RAILWAY EXPRESS
SHIPPING CHARGES COLLECT. WE WILL SHIP VIA PARCEL POST BUT CANNOT BE RESPONSIBLE FOR BREAKAGE. THEY HANOLE RECORDS BADLY AND REFUSE TO INSURE.

IRVING AARONSON

I, LETS MISBEHAVE/AN1 FURTHERMORE VI 21260 E-
>. EVENING STAR/ JAPANSY VI 2|45l E

FRANCES ALDA
3. I BUILD WILD IN HEART OF ROSE VI 54893 E
RED ALLEN

4. SHANTY OLD S TOWN/klLLS DWNBTAPO 780 N
5. DARK EYES/ RED JUMP BR 80 1 I 0 N

5. RED JUMP/ DARK EYES BR 80110 N-

7. CANAL ST BL/DWN IN JUNGLE TWN DE 19092 E+
b.DOWN IN JUNGLE T»n/cANAL ST BtSE 18092 E+
5. CANAL ST BL/ DlYN IN JUNGLE TWNDE 18092 E

ALL AMERICAN GLEE CLUB
|0. GO NORTHWESTERN/ FLAG OF MAROOn/

ACROSS THE Ft ELd/caRMEN OHIO VI 26674 N

ALL STAR TRIO

I I. want daddy rock/all Quaker vi 18626 e+
1 2.p0o lit butterfly/fluffy rufvi 18641. e
|3.0l0 man jazz/dance 0 mania vi 18699 v

t 4.SWEET ' N* PRETTY/ OUI OUI VI 13520 Vt-

| 5. VAMP I NG ROSe/uSWEETEST GIRL VI 18787 E

i6.want daooy/ quakers are shaksvi 13626 v+
|7.listing/ I'm nobdys baby vi 18773 e
ALL STARS

|3,NITE i DAY/ WILD MAS FISH PNDjAY 8 N

19. 'ILLD MAB FISH PND/NITE 4 DAY JAY 8 N-

20. PORTRAIT OF GUINEA HEn/rOBIN JAY |3 N

FLETCHER ALLEN 4 QRCH

22. FLETCHER STP/SWINGIN IN PARISSW 29 N-

RED ALLEN

23. THE CRAWL/DRINK HEARTY VI 20|8|3V-

24. CANAL ST Bl/dwn JUNGLETWN DE 18092 E+

25. DONT LET YR LUv/wHY DONT PRATPE 15933 V-

26. DWN IN JUNGLE TOWN TEST DE 67839 E+

MACK ALLEN

27. B CAREFUL WHAT /FAT HER POWER'SHA

28. TWN I WAS BRn/hELLO BILL BRWNHA

29. RAZORS IN OB Als/siMG DEY HA

1058 E+
1004 E

935 E

SHORTY ALLEN QUINTETTE
30. SAVOY RIFF/ HAVE A BALL SAV 525 E+

PAULINE ALPERT

31. DANCING TAMBOURINE/DOLL OANCEVI 2 1 252 N-

AMBROSE

32. b'wanga/copenhagen dee 41003 n

33. Copenhagen/ b'wanga de 4i003 v+/e

34. tarantula/champagne COCKTAILDEE 6282 N

35.STREAMLINE STRUt/hOR D'OEVURDEE 41001 N

36. EMBASSY STOMP/LIMEHOUSE BL DE 3533 E+

37. RHAP IN BL/ PARTS I 42 DEE 5454 N-

38. JAZZ LEGATO/ JAZZ PIZZICATO LON 10012 N
39. IN DANCIN MOOO/ CARZY W LUV DE 971 E-

40. swinganola/jungle JINGLE DE 1 305 E+
(ABOVE RM SHP 3 GRv)

41 . WALTZ OF THE FLOWERs/ SERE DE 3652 E
42.1 TELLIN WLD BOUT u/ll;30 SATHMV 5847 E-

43. LETS ALL SING/DONT WANT GO VI 24285 E-

ALBERT AMMO NS

44. NAGASAKI/BOOGIE WOOG I E STP BRE 2|87 N—

45. B00GIE WOOG IE STp/nAGASAKI DE 749 N
46. SHOUT. 4 JOY/BEAR CAT CRAWL VO 4608 N
47. SHOUT 4 JOY/ BEAR CAT CRAWL CO 35961 E

48. BW AT CIVIC OPERA/ DOIN BW MER 8007 N—

49. ROSES OF PICARDy/WHY IM LEAVMER 8140 E+

AMES BROTHERS

50. BLUE PRELUDE/SENT I MENTAL ME COR 60173 V

MARIAN ANDERSON
51 .DEEP RIVER/HEAV'N HEAV N VI 220I5E+

ANDREWS SISTERS
52. RUM 4 COOA-COLA/ONE MEAT

53. CORNS FOR COUNTY/IM IN JAM

DE 18666 V+
DE 18628 V-

DE 4044 N

DE 18700 N-
DE 23976 N-

54.RUM A COCA-COLA/ONE MEAT BALLDE 13636 E+
55.SHA SHa/tuLIP TULIP TIME DE 1974 N-

ANY BONDS TODAY

56. ANDRES SISTERS/JIMMY DORSEY

ANDREWS SISTERS

57. LI LLY BELLE/ BLOND SAILOR

58. TURNTABLE SONg/lADY FRM 29

59. NOW NOW IS T I ME/OH U SWT ONE DE 24664 N
60. SAYS MY HEART/ OH FAITHLESS DE 1875 V-
61. U DONT KNOW MUCH CAn/rOCK ETCBE 24|4 V
62.1 Yl Y I / APPLE BLOSSOM TIME DE 3622 V
63. WISH HAD DIME/WHY DONT WE DE 3966 V+

BIG SIS ANDREWS 4 HER BL BUSTERS
6S.AINT THE WAY TO DO/MUDDY WT CP I 5408 N
MARK ANDREWS

65. JESUS LOVER OF SOUL/jESUS AS THOU W I Lt/
OH LOVE THAT WILT NOT LET ME VI 2|459 E

HARRY ARCHER QRCH

66. TW INKLE TWINKLE/GET LOAD OF BR

67. GREAT BIG BEAr/lITTLE BUNG BR

68. HEART STOOD STILl/fEEL AT HM BR

VICTOR ARDEN
69. ITS U LOVE/ WHY
70.BFUL LOVe/ IN CAFE ON ROAD

71. OR WAHT HAVE u/mADE HABIT OF VI 22017 Z—

ARDEN-OHMAN QRCH (ALSO # 71 )
72.12 O'CLOCK WLATZ/CHIQUITA VI 2 1 51 J N

73. UPS a daisy/will u REMEMBER VI 21774 u

74. FASHI 0NETTE/6WT NOTHING VI 2|902 N-
75.0R WHAT HAVE u/mADE HABIT OF VI 22017 N-

76;how am i 2 know/ aft clouos vi 22iii e

77. MY first love/nina ROSA VI 22275 N-

78. RO ROLL I N ALONG/KISS ME W EYEVI 22417 E+/n

VICTOR ARDEN

79. D0 THE NEW YORK/HERE WE ARE I NVI 22726 E

3345 E-
3037 E-
3720 E

22205 E-
22690 v+

VICTOR ARDEN

81. WHY/ ITS U I LOVE VI 22205 E

82. ITS u I love/ WHY VI 22205 E+
LI L ARMSTRONG

83.9LUER THAN BLS/ BORN 2 SWING BRE 2465 N-

84. LETS CALL IT LOVe/ U MEAN SO MUCH DE 1502 N—

85. ORINTAL Sw/ GET HAP TOGETHER DE 1904 E+

86. HARLEM ON SAT NIGHt/lOCKEO UP IN HRT DE 2234 N-

L0UI5 ARMSTRONG

87. ALLIGATOR CRAWL/ WILLIE WEEPER OK 8482 V
88. SAVE PRETTY MAMa/hEAR ME TALK IN DE 2405 E+

89. MIGHTY RIVER/ SLEEPY TIME OWN SOUTH BB 10703 N-

90. WEST END BLS/ IF ITS GOOD DE 2480 V

91 . U GOT ME VOOOOO'D/HARLEM STOMF DE 3092 V

92. U WONT BE SATISFIED/FRIM FRAM SAUCE OE 23496 V-
93.SHADRACk/j0NAH 4 WHALE DE 25150 E+

94. AINT MISBEHVN/CANT GIVE ANYTHING BT DE 25355 E+

95. JODIE MAN/ I WONDER DE 18652 V
96.SN0WBALL/SW I NG U CATS BB 10225 N-

97. MAHOGANY HALL/ BLK 8EATY PAE 571 N

98. MONDAY DATE/ WEATHER BIRD CO 36375 n/e-

99. WEATHER BIRD/ MONDAY DATE CO 36375 e/n-

1 00. WRAP TRBLS IN DRMs/ STARDUST CO 37808 N

I 01. WRAP TRBLS IN ORMs/sTARDUST CO 37808 N-

102/jONAH 4 THE WHALe/shADRACK DE 1 91 3 V

1 03. HEAR ME TALK IN 2 Ya/ SAVE IT PRETTY DE 2405 E

104. KISS BUILD DRM On/gET IDEAS DE 27720 N-

105. HATE LEAVE U NOw/u 4 I WISH NEVER B VI 24204 V-

106. BACK 0 TOWN/ LINGER IN ARMS LONGER V|28|9|2 E+

107. endie/mi SS N.O.

1 09. BLUES IN SOUTh/bLS 4 YESTEROAY

1 09. HATE LV U NOw/ THATS MY HOME

110. gotta rite sing bl/theres CABIN IN

111. THER CABIN PINEs/gOT RITE SING BL
TIME DWn/baSIN 6T

I I 2. SLEEPY

VI202087 E+
VI 202456 E+
VI400I02 E+
VI400I03 N-
VI 4000 1 03 E+
V 1 400 1 04 N-
VI400I05 N-
PAE 840 N
2|35 N
942 N
N

5l8 N
CO 35376 N-

bb 650 r E+

CO 35661 N
CO 36153 N
VI 36084 E+

PAE
PAE

JC

I I 3.SNOWBALl/sT LOUIS BL
I I 4»MUGGLEs/eDD I E LANGS ORCH )
I I 5. MONDAY DATE/WRAP TRBLS IN DRMS

1 1 6.T I ger rag/old man bls

M7«. LONESOME BLS/ KING ZULUS
• 1 3. LAZY RIVER/ GA ON MY MIND
I 19. DONT JIVE ME/CHICAGO BRKDWN
I20.MISS BASIN/HOBO CANT RIDE TRAIN
I 2 I. SQUEEZE ME/ S.O.L. 3LS

1 22 . MUSKRAT RAMBLE/ SKID DAT DE OAT

1 23 . MEDLEY OF ARMSTRONG HITS I 2"
SLEEPY TME DWN So/nBDYS SWTHRt/uRASCAL u/
WHEN SMILIn/sT JAMES INFIRm/ DINAH VI 36084 E+

124. G0T RHYTHM/LAWD MADE NIGHT LONG
1 25. SKID OAT DE OAt/mUSKRAT RAM

126. MY HEART/CORNET CHOP SUEY

127. Y0URE NEXT/ORIENTAL STRUT

128. Y0URE NEXT/OREINTAL STRUT
I 29. DEAR OLD SOUTHLAND /BODY 4 SOUL
I30.HEAH ME TALKING TO Ya/t|GHT LIKE
|3|.WRAPE TROUBLES I n/sTAR DUST
1 32. SAVE IT PRETTY MAMa/nO ONE ELSE

133. BLK 4 BL/ CANT GIVE U ANYTHING BUT

134. J0DIE MAN/ I WONDER

135. KNOCKIN JUG/HIGH TENSION

136. who'sit/droppin' SHUCKS

I37.SAVE IT MAMMA/ STAR DUST

138. ROCKIN CHAIR/

1 39. DALLAS BLS/ PUT 4 TAKE

140. J RASCAL u/ POOR R I CHARD (ftURV I S )

141. YES IN BARREL/GUT BUCKET

142. KNOCKIN A JUG/HIGH TENSION
143. SAVE IT PRETTY MAMa/nO ONE ELSE
I44.SAVE IT/ NO ONE ELSE

145. LAST TIME/ ORY CREOLE TROMBONE

146. GUT Bucket bl/yes I'm in brl

147. HOTTER THAN THAt/WHEN I'LL COME

148. Sugar Ft Strut/got No Bl

149. Bls for Yestdy/i Wanna Litl Girl

150. Put Em Dwn Bl/potato hd bls(p.w.lam)uhca 59 n-

151. Put E, Dwn Bl/potato Hd Bj_s(p.*.lam)uhca 59 E

ana mwmEiH qbch _

153.C"AriN of Dreams/All U Want is Dance Br 7933 v/E
154.Singin' In Rain/yr Mother 4 Mine vi 22012 V
132. HI Wide hansome/Folks Lv on Hill Br "'922 N-
GENE ARNOLD

155. Tell Mthr Im in Hvn/i Kno theres Pl Vi 23827 E+

FRED ASTAIRE

156. RTHR LEAD A Band/Build Up Aful LETDn Br 7610 E-
157. I'm Old Fash i oned/weog In Spring BrE 03428 N

GEORGI E AULD QRCH
158. Come to Baby Oo/Just Sittin4Rockin Mu 15044 E-
JAN AUGUST

PAE 1207 N
CO 36153 E
CO 36 1 54 N
CO 36155 N
CO 36 1 55 E+
CO 36282 E+
CO 36378 N-
CO 37808 N-
CO 35662 N
CO 38062 N
DE 18652 N—
1064 N-
8357 V-
558 E+
785 N-
973 E+
992 N
CO 36152 N
PAE 1064 N—
CO 35662 N
CO 35662 N-
CO 35838 E+
CO 36152 N
PAE 2704 N-
PAE 2449 e/e+
223

PAE
OK
PAE
PAE
PAE
PAE

159. Pretty Girl Like Mldy/T for 2
160. Som 0 These Days/Ol Man River
161 .Zigeuner/ujajju-QL'

GENE Au&TTN

162. Girl of my Dreams/Ramona

163. me Too/For My Sweetheart

164. wedding bells/wot i call heaven

TREVOR BACON

165. True To u/lovely u

bailey's lucky seven

166. Foolish Child/no no Nora

bailey swing group

167. p| netop's 3 w/eccentric rag

m i ldred ba i ley 4 alley cats

168. Willow Tree/Honeysuckle Rose De 18108 E

169. Downhearted Bl/Squeeze Me(Rm chp 58i)De 18109 E+

Oiam 2010 V+

DIAM 2031 E-

MER 5117 V

VI 21334 V

VI 20154 E

VI 21893 E

DE 8661 N

GE 5232 V+

JUKE 506 N—

PEARL BA

ley/c

ME/Qu

HAR I OTEERS

Get Wher Go in'
n Song

170. HE DlDNT ASK ME/QUI CKR I
CANCEL THE FLWRs/THE TR;

PEmRL BAILEY

171. ThatsGud Enuf For Me/Row Row Row

172. That Gud Enuf 4 Me/Row Row

BELLE BAKER

173. HARD HARTEO HANNa/SwEET LlTL U

BUDDY 3AKER

1 74. matr i moni al int/alimony bls

Elsie Baker

175. Just Cause Its u/u 4 Only U

176. Baby Jim/Chinese Lullaby

kenny baker 4 mary martin,

• Fin,

177.

Hear Ur Name

lettoiSpk low/Strgr Here Myself
phil baker
173. At the Theater hts 142
179. Pretty Little Baby/hw Can u lk So gd
180. St Swithin bl/Just For Today

BURT BALES
181 .CANADIAN UAPERS/O U BUT I FUL DOLL

RONNIE BALL QUARTET
182. Spikes Delight/Cuba

Claude Bamptqn 4 Bandits
183. Ring Dem Bells/I Nev Knew
bandanna girls

1 94.3A by WUD U are/Evi

frank banta

1 35.SYMPATHY/REO Red Robi n

186. KITTON ON KEYS/(w.JACK AuST I N )

187. Corn on the Cob/(w.Ben Selvin Orch)

188. Long Till Brnskn gal/(w. Howard Kopp)

banjo kings
139. St Foster Medley #2/banjo Bounce

Billy Banks
190. Spider crawl/Bugle Call Rag

banks brothers

191. Nothing between/lv ry Day

BUNNY BANKS TRIO/ROSS LEONARD

192. Knock Me Out/It Cant Be Wrong

PAUL BAR8AR I N

193. Walk Thru Sts of City/Closer Walk Wi

194. cl0ser walk/.valk thru sts.

195. Lily of the Valley

george barnes sextet

196. Quiet 2 Gibsons at Work/ Blue Lou
it BARNET

CO 37280

N-

Co 3728Q

E

VI 19436

V

VI 40017

E*

VI 17490

E<-

VI 45167

E—

DE 23292

V+

VI20970

E+

ED 51645

V-

Em 1 086

E-

Dl SCOVERY

DEE 5515 N—

DE 7565 E+

VI 20085 E
CO 3687 V
V014671 N
CO 2376 V

GTJ

64 N

PE 15615 V-

RE 3307 N-
SAV 108 E

THEE J MARES 1078 E

Cl
CI

TEST

Test

Key 646 N

AFTER

In

Luv

197. Rock in In Rhythm/Gal from Joes

198. U Do Drndst Things Baby/its Luv Im
199. Sailboat in Mnlight/he Walked Rite

200. First Time I Saw u/luv is Mry Go Round

201. U Lookin 4 Romance/In U Own Litl Way
202-Knockin at Fmous Door/Tin Roof Blues

203. Where Can She Be/wudnt Give That For

204. This is No Dream/Thats Right

205. Miss Annabelle Lee/Lazy Bug

206. St ILL THE BB Sings/An Appl 4 OE TCHR
207. Stay up Stan/Cherokee

209. My Hrt Kps Cryin/Take aTip Frm Wiprwill
209. Now U Kno/Nite a ter Nite after U
21 O.Sunday Afternoon/Frm Anotr Wrld
211. Castle of Dreams/Out on Limb
212.S uthern Fr ied/Redski n Rhumba

213. Fraio Say Hlo/conga Del Moaxo

214. U Talk Too Much/Merry Go Round
215. Or p Me Off At Harlm/Gulf Coast Bl

216. BE Fair/Wasn't It U

217. Mother fuzzy/u Were There

218. Good for Nothi ng/haunteo Town

219. u Got Me Voodood/a Lovers lullaby

220. Conga Del Moaxo/afraid to say Hello

221. Gulf Coast Bl/drop me Off Harlem

222. Royal Garden/jaoa

vera barton

223. Just oon ago/mean To Me

BAR HARBOR SOCIETY QRCH

224. w i sh I Had uld Gal Back Agin/Cheri I Luv U

Count Basie

225. The Fives/Hey lawoy

226. Boogie Woogie/How Long Bl

227. Fare Thee Hon Fre The Well/ Oh Red

228. Good Morning Bl/Our Love Means To Be

229. John's 'dea/1 u'Clock Jump

230. Undecided Bl/Tues.at 10
231.1 O'clock Jump/John's Idea
232. John's Idea/1 o'clock Jump
233.12 St Rag/taxi War Damce

234. Pound Cake/clap Hands Here Comes Charlie

235. Rock A Bee Basie/baby don't Tell On Me

236. Boogie Woogie/roll Em Pete

237. TIME ON MY HANDS/FOR GUD OfCOUNTRY

238. Bugle Bl/Sugar Blues
239.3ugle Bl/Sugar Blues

240. How Long Bl/Roy.l garden Bl

241. How long Bl/Royal Garden Bl

242. How Long Bl/Royal Garden

243. Royal garden Bl/How Long Bl

244. Way Back Bl/Farewell Bl

245. way Back bl/Farewell Bl

246. Old Feeling/This Heart of Mine
247. Gud Mrng Bl/Our Luv Was Meant 2 b
248. Out The Window/i Keep Remembering

249.FKNCY '."EETING U/1 2 3 O'LEARY

APO
BB

BB

1106 E
6594 D
6967 E+A
6973 N-
6975 E+
BB 10131 N-
BB 10162 N—
BB 10273 N-
BB 10294 E+
8B 10349 N
BB 10373 E+
BB 10426 N
BB 10549 N-
BB 10637 N
BB 10644 N-
BB 10944 N-
BB 11051 N
BB 11153 N
BRE 03568 E+
BB 11223 N-
BB 11321 N
BB 10662 N-
BB 10662 N—

BB 11051
DE 18810

VI 27889 N/E

Ha

144 E-

DE 2722 N-
De 2355 E
DE 2780 N
DE 1446 V
OE 25056 V
OK 6071 N-
DE 1363 V
DE 25056 N-/f
BA 210 N-
8a 218 E
BA 242 N-
CO 35959 E/V
Co 36685 E-
CO 36709 E+
CO 36709 E-

CO 36710 N
Co 36710 N/E
CO 36710 V+

CO 36710 V
CO 36712 N-
CO 36712 N/E
CO 36795 V
DE 1446 V+
DE 1581 V
OK 6319 N-

28

35c MINIMUM BID

P. O. MILLER

))« |08 , THE RECORD CHANGER, 4| 8 WEST 49TH STREET NYC 1 9 NY

SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS.

35c MINIMUM BID

GRAEME -BELL

250.WOLVERINE BLS/OSTRICH WALK (JRk) PAC 593 N-
251 .WAS LEICESTER SQUARE/jACKASS BL JU I 5 N

252. BIG BAD BANSXI MAN/jENNYS BALL RAM 10 N
WINSTRUP OLSENS BELLEVUE

253. LAMBETH WALK/ OLD MAN S*ING COE 1 37 N
BUNNY BERIGAN 4 BLUE BOYS

254. Y0U TOOK ADVANTAGE/CHICKEN 4 WAF OE I Si 1 7 V+

255. CANT GET STARTEo/pR I SONERS SONG VI 36208 N
255.BLK BOTTOM/JELLY ROLL BL V|20|502 v/E+
257. pri soners song/cant GET STARTED VI 36208 V
258. SLEEP/ TIME GAL/LITTE BIT BAD BR 2992 V+

EMMETT BERRY FIVE

259. WHITE ROSE KICK/SWEET i LOVELY NA 9001 E+

RALPH BINGHAM (MONOLOG)

260. MRS RASTUS AT WEDDING/GOLDSTEIN VI 1 823 1 E
THE BLUE CHIPS

261. NIT WIT SERE/FROGGY BOTTOM ME 6||6| V+
CARL BOLING FOUR ACES

262. CHINA BOY/TOUGH HOMBRE BB S448 N-
CONNIE BOSfELL

263. LAMP LOW/STRAVANA DA DE 2597 V

264. WH ROSES BL AG./nURSIE NURSIE DE 4279 N
81 LL BRAOLEY ORCH

265. SCRUB ME MAMMA/ THERE I GO CO 35743 N-

266. SCRABBLE TWO/ ROCK A BYE BOOGIE CO 35732 E+
B I LL BRAMWELL ( BLUES SINGER)

267. CANT TAKE IT With u/mV 6LB MAN ESQ 10003 N

LOU B REESE ORCH

268. HOW LONG DID I ORM/HUMPi'Y DUMPTY DE 4| 07 N

269. T DAYS WEEK/ SBDY NO LOVES OE 4255 N
JACK BROKENSHA

270. FANTASY IN ORCH/OL MAN RIVER ESQ 1003 N

271. JOURNYES END/*HAT DIFFERNCE DAY ESQ 1004 N

272. THIS MOOD OF MINe/rOCKIN CHARI PAC|000|3 N
JOE BROUN BAND

273. BEAUMONT ST/RED BANK ROMP DE 852l N
PETE BROWN QUINTETTE

274. BELEVUE FOR YOU/PETE BRWN BOOGIE SAV 522 E
275.627 STOMp/PINEY WOOO BLS DE |8|2| V

276. THATS THE CURFEW/FAT MANS BOOGIE SAV 533 E+

277. FAT MANS BOOGIE/THATS CURFEW SAV 533 N-

278. BELLEVUE FOR U/ PETE BROWNS BOOG SAV 522 N-
2/ 9.THATS IT/MIDNIGHT 3L SAV 579 N

WALTER BROWN

280. NEW STYLE BABY/NASTY ATTITUDE CP 806 N

CAROL BRUCE

281. SHOULD HAVE KNOWN YOu/fEEL THIS 3566 E

GEORGE BRUNIS

282. UGLY CHILD/THAT OAOA STRAIN CMS 546 V

WM JENNINGS BRYAN

283. AN IDEAL REPUBL IC/IMMORTAI LTY VI 1 6 I 68 V

WILLIE BRYANT (284.)
IS IT TRUE ABOUI/MOONRI SE LOWLANDS BB 6362 V+

CHICK BULLOCK
285.0UT ON LIMB/LAST NITE(CRK) VO 5|7| E-

CEELLE BRUKE

286. FR TWLIGHT TIL DWN/LOVELY HANNAH CP 15255 N-

A LLEN BURNS ORCH

287. WHEN MURNIN'S HULLb/M I e 4 day pe IS724 v+

HENRY BURR

288. U KNOW BELONG SMBOy/lEAVES VI 19026 V +

JOE BUSKIN

289. IN LIT SPAN TWN/' BL CHIPS CMS 534 N

HENRY BUSSE

290. SINCE FND U/LIKE BREATH SPRING VI 22140 E+

291. BY THE WAY/ SATISFIED VI 22116 E-

292.IT serves me rite/nothing BUT DE 3407 V+

293. HO« ABOUT IT/ I STEP TO HVN VI 21674 N-

SAMMY BUTLERS NIGHT OWLS

294. WHEN YOUR LOVE/ BLUE BABY VO 39|7 V-

BILLY BUTTERFIELD

295. untiL REAL THINg/BILLVS Boogie cp 434 n-

296. MY SILENT LOVE/ PIC I NIC IN CP 457 N-

297. AINT MISSEHVn/wE CUD MAKE AUCH CP 371 E
298. OH LADY IE GOOD/SOMEONE TO WATCH CP20025 N-/e
299. MAYBE/lT AINT NECESSARILY SO CP 20027 E+
300.00 it again/cant TAKE THAT WAY CP 20028 E+

ERSKIN BUTTERFIELD

30 .TAINT WHATCH DO/THEM THERt LYES SUP 1 02 1 E
HALE BYERS 4 ORCH

302. sea legs/ clAp HANDS HERE charleybr 3092 v+

CARLOS CA LHARDO

303. VIROU VIROU/ Al OUE DOR VI 34853 £-

BASIN ST BOYS

304.ITS MY NIGHT HWl/ I T5 MY NIGHT DE I|2 N-

NORA BAYES

305. EVYBDY CALL HONEY/ FRECKLES CO 28|6 E

BEALE STREET 5

306. JOSAPHI NE/ MY PAPA CMA 553 V+

BECHET - NICHOLAS BLUE 5

307. WEARY WAY BL/ QUINCY ST ST BN 517 V+

BIX

308. WA DA DA/OL MAN RIVER

SIDNEY BECHET

309. RIP UP THE JO I NT/ LAUGH I N IN RHY
3I0.SLEEPY TIME DWn/sTOMPY JONES

3 1 I. OLD MAN BLUES/ NOBDYS KNOWS

312. THE MOOCHe/bLS IN THE AIR

313. THE MOOCHE/ BLUES IN THE AIR

3 1 4. TEXAS MOANER/ BABY PLEASE COME
3|5/C0AL BLK SHINE/ EGYPTIAN FANT
3 I 6.MUSKR AT RAMBLE/ BLUE HORIZON
3I7.HIGH SOCIETY/ JACKASS BL

BOB W I LBER 4 SID BECHET
3|8.IM THRU/WITHOUT A HOME

CO 35666 N

VI 27663 E+
HMV 9329 N-
HMV 2746 N
V|20|5|0 E+
vl 201510 E+
HMV 3482 N
HMV 9378 N
BN 43 E+/«

BN 50 e/e+

Cl 1059 N

BIX BE I DERBEC KE

3 1 9. TODDLI N/DAVENPORT BLS SE 6 N

320. WA DA DA/ OL MAN RIVER UH 25-26 E+
32I.SENSATION/ LAXY DADDY VJR 8 N

322. Clementine/ pretty gal JC 53i n

329. RHYTHM KING/ FEELIN NO PAIN PAE 2269 N

324.SINCE MY BEST GAL TURNED Me/sORRY BILT 1097 N

326.LOVENEST/ SENTIMENTAL BABY DE 501 N

327. SINCE BEST GAL/SORRY VO 3 1 49 E

328.louisiana/thou swell co 35665 N

329. JAZZ ME/ JAZZ BAND BALL CO 36156 N

330. AT THE JAZZ BAND BALL/ JAZZ ME BLS CO 36156 E+
331. SORRY. SINCE BEST GAL TURNEI<HR CRk) VO 3|49 N

BENNY BELL

332. SON OF PINCUS PED0LEr/f| RST 1 00 BELL 230 V+

333. DEEP PACI FIC/ ORKTWM STRUT BALL PACF 10594 N-

BRABME BELL ( t 333 same)

334. DRKTWN STRUTTERS BALL/ DEEP PAC PACF 10594 N

SAMMY BENSK I N TRIO

335. WORLD WAIT 4 SUN / CHERRY BN 522E+

BENSON ORCH OF CHICAGO

336. HRT BROKEN STRA I n/ ( I NTNTL NOVELTY ) VI 19568 E

337. MEAN MEAN MAMa/(dORENBERGER ) VI I 9| 38 V+

338. DO l?/TOOT TOOT TOOTSEI VI 18954 E-
339.00GIE OOGIE Wa/dEEDLE DEEDLE DUU VI 1 89 1 7 V*
340.BIMINI BAY/ CANADIAN CAPERS VI 18824 V
341 .WABASH BL/ TUCK ME SLEEP VI 18820 V-

342. NA JO/ SAN VI 18779 E4

343. BIODY/ SOMEBODY VI 1 87 1 8 E+

344. MY LITTLE BIMBo/ CHILI BEAN VI 18698 E

MARIE BENSON

345.00NT CARE IF I NEVER GO BED/jAZZ METHENE 1 00 E
JACK BERGERS ORCH

346. FALLIN IN LOVE AG A I N/ ALL ACCOUNT OF OR 2221 E-

BUNNY BERIGAN

347. CANT GET STARTED/ PRISONERS SONG VI 36208 E

348. WHY TALK ABT/ SWEET VARSITY SUE VI 25667 N-/e

349. TOOK AO VANTAGE OF/CHICKEN WAFFLES DEC 1 8 I I 7 N-

350. caravan/ study in brown VI 25653 v

351. caravan/ study in brown vi 25653 n

352. ALL GODS CHILLUN GOT/ LADY FRM 5TH HMV 8636 N-

CLYDE BERNHARDT BLUE »

353. BL IN RETJ/ SCANDAL— MONGER MAMA MU 348 E—
354.S1TTIN IN/ 46 WEST 52 CMS 5|6 E+

CHUE BERRYf # 354 SAME )

355. rORTY SIX WEST/ S ITT IN IN CMS 516 E

EMMETT BERRY

356. BERRYS BLUES/ MINOR ROMP SAV 594 E+

357. BERRYS BL , I NOR ROMP SBV 594 E

DON BESTOR

358. HOME ON RANGE/GOODNITE

BIDGOODS SYMPHONIC BAND

359. THE LOVE PARAOE / PART I

BIDGOODS SYMPHONIC BAND

360. RSSE MARIE/ PART I

DON BIGELOW 03CH

361. U DONT NO WAT DO I N/GDN I TE SWT DRM ME I 2| 69 V-

BIQ Bl LL 4 CHICAGO FIVE

362. HARD HEARTED WOMAN/ GO IN MOVE OK 6651 N-

EUBIE BLAKE ORCH

363 . BANDANA DAYS/ BALTIMORE BUZZ VI 18791 V

BLIND ANDY

364. FL0Y0S CAND CAVE/COUNTRT CHRUCH YD OK 40393 G—

365. TRAGEDY DAYTONA BEACh/sTONE MT Or 45343 G-

BLUE RHYTHM BOYS

366. EVERY TIME LOOK AT/ANKE HIPS BRE 1206 E+

THE BLUES WOMAN

367. CRY IN' BL/ VOO-IT VOO-I T JB 502 V

BLUES -(ARTIST 7)

368. YOUR GONNA NEED HELp/bABY PLEASE ACETATE E

THE BLUES CHASERS

369. CHARLESTON/ WHAT A SMILE CAN DO PE 14432 V+

JIMMIE BLYTHE

(#370) TEST N

SI 906 E+

24463 E-

8RDCT 5154 Nw

BROCT 5109 N-

MR FREDDIE BL

371. ADAMS APPLE/ MESSIN ROUND

CLAUDE BO LING

372. BLS IN D I SGUI SE/NOBDY KNOWS WAY 88F 2326 N

BUDDY BONES

373. CANT BE BOTHERED/LI KE DOC SAID DE 5788 E—

BOSWELL SISTERS

374. WHEN SUGAR TO TEA/WHAO JA DO TO ME BR 80011 N

375. THANKS 4 EVYTHING/ DEEP IN DRM OE 2259 E

BOOTS 4 HIS BUDDIES
376.SLEEPYTIME GAL/ GOT TO LEARN BB 6968 E

DECCA TEST

377. BEA BOOZE 7 N

JOHNNY BOTHWELL

378.1 'LL R EMBER APRIL/ ILL WIND SG 15003 N-

LUCIENNE BOYER

379. THRILL ALL OVER/ FOUND BIT PARIS CO 3|23 N-

380. KISS OF ROMANCE/ WITH DARLING CO 3|24 N

Wl LL BRADLEY

381. THINK OF ME/ THINKING OF YOU CO 36225 N

382. CRYIN THE 800IGE/ JINGLE BELLS BEA 70|3 V+

383. FOUND NEW BABY/ JAZZ ME BL SG 28t£0 E

384. U LUCKY TO ME/ LONESOME ROAD CO 35849 E

385. BAS I N BOOGIE/ CALL IT ANYTHING CO 36340 N—

386. BASIN ST BW/ CALL IT ANYTHING ITS CO 36340 e/n
387. SCRUB ME MAMA WITh/ B W CONGA CO 36957 E+

388. FRY ME COOKIE Wl HT Can/ CHICKEN GUM CO 36959 E

BRAGG 'S RHYTHM 5

389. ETHIPIAN STOMP/ PLEADING VO 3060 E

TEOOY BRANNON TRIO

390 . GAMBLERS/ JAILHOUSE BL JADE 705 E

PIERRE BRASUVAKY

391. MUSKRAT RAMPLE/CANT GIV ANYTHING JU 27 N-

B ROADWAY BELLHOPS

338 E

392.1 F U^SEE SALLY/COLLETTE
WILL BRADLEY ORCH

393. CALL IT ANYTHING ITS LOVE/BASIN CO 36340 E

394. CLERY STLKS M I DN I GHt/dWN ROAO PICE CO 35707 E+

BOBBY BREEN

395. FLOWER SONG/RAINBOW ON RIVER DE 1053 V-

TERESA BREWER 4 DIXIELAND ALL STAR'S

396. MUSIC MUSIC MUSIC/COPENHAGEN LONO 504 V-

CARL BRISSON

397. DAYS GONE BY/ WAS IT MOON DEE 2733 N-

398. DINNER AT 8/GNITE LITTLE GIRL DEE 2701 N—

PEGGY BRITTON
399.IT maoe u happy IHEN u MADE ME CA 1081 E

(above rm chp 5 gr)

BROADWAY BROADCASTER/SAM LANIN 4 TBOUBDOURS
400. SIGHING SIAMESE/DANCING TAM LI 2693 E+

401 . THAT CERTAIN PARTy/ NO MANS MAMA CA 836 E

GAYLE BROWN 4 SA1AH MC LAWLER

402. GEE BABY/GONE ARE THE DAYS BR 84003 N

LES BROWN

403.81 ZET HAS HIS DAy/gD MAN HARD CO 36688 N— / F

404.1 GOT SUN IN MORn/cOULONT BE TRUE CO 36977 E

405. IN LOVE IN VAIN/THERES GD BLS CO 36972 N—

406. FRIM FRAM SAOUCe/| N THE MOON MIST CO 36961 N-

407. DAY BY DAY/DOCTOR LAWYER INDIAN CO 36945 N—

408. WILL BE TOGETHER AGAIn/RED KISS CO 36896 N-

409. Out of Nowhere/Sunday Co 36724 E-

410. Why Doesn'tSumbody Tell/U on Mind BB 7812 N-

411.1 Have Eyes/u Swit Lil Headache BB 10053 N
412. Out of nowhere/Sunday Co 36724 N-/E

41 3. Leap Frog/Show Me De Way to go Hme Co 36857 N—

414. Merry Olosmobile/Beware My Heart Co 37235 N-

415. City Calleo Heven/its U Agin OK 6367 N
416. 1-A Army A-1 Heart/Baby Mine OK 6500 N
417.0 My Achin Heart/Fine Thing Co 37497 V+
418. My nbr 1 drm came tru/u Shuoda told Co 37208 N-
419. Sooner or Later/Yrs 4 YRS AGO Co 37153 N-

420. My Serenade/My Serenade Co 37086 N-

421. WHLE WRLD IS SNGNG SNg/GESS GET PPRS CO 37066 N-

422. Lovers Leap/Hi on Winoy Trumpet Co 37061 N-

Dave Brubeck

423. Body 4 Soul/Lets fall in luv Fan 503 N

424. WAY U kiK Tonit/Luv Walked In Fan 509 N-

425. Fugue on Nop Themes/Prelude Fan 511 N
426. Indiana/lets Fall Im Luv Fan 512 N-
427.0 i dn Kno Wot Time twas/always Fan 514

428.2 mar v 4 wds/Heart 4 Soul Fan 516 N-
429. Lyons Busy/ A Foggy Day Fan 518 N-

430.SOMBODY LUVS ME/CRAZY CHRIS FAN 517 N-

/mam'selle Fan 519 E+

520 N

431. Me 4 My hadow/mam' selle

Fan
Fan

432. At Perfume Counter/Frenesi

California RAMBLERS

433. Please/Charleston Cabin Co 1710 N-

434. Tell Folks in Ky/Sittin In Crnr Co 3994 EH-

435. M00NLI GHT KlSSES/WtlT U DO SUND MARY CO 1 5 E+

436. Wot U Do Sunday/moonli t Kisses Co 15 E

437. R0AMIN to Wyomi n/ka i ntucky Co 39 N

438. R0AMIN to Wyomin/Kaintucky Co 39 E

439. Know Me alabam/Dreamy Wabash Co 153 N

440. My Mammy Knows/Eddie Leonard Bl Vo 14300 V+

441. U Darlin u/Melancholy Co 9D V

442. WEN Gimble Hits Cymbal/My Nite to Howl BB6083 E

443. Thunder over Parad i s/Heres to Romnc BB 6145 N
444. On a Nite Made for luv/Fiesta Co 2456 V
445.Sheik/Ga Rose Vo 14275 V

446. My Honeys Luvin Arms/who Blvd In U Vo 14329 V

Cab Cai i oway

447. Pa In Bed Wit Britches On/calln Bars OK 5731 E

448. I'LL B ARONd/viRG, GA 4 CAROLINE OK 6717 E/N

449. Luv is Reas. n/Just Nacherly Lazy Br 7677 N

450. Bugle Call Rag/St Luis Bls Br 80016 N

451. M0MNT I LAID EYES ON u/LORDY CO 36751 N

452. Bls in de Nite/Says who sez u OK 6422 N

453. Mrs Finnigan/my Coocoo Biro Ok 6459 N

454. WH0 Calls/Mermaid Song OK 6501 N-

455. We Go Well Togeooa/See Million Ppl OK 6341 V

456. We Go Well Togedoa/see Million Ppl OK 6341 v+

457. Hi de ho serenade/do I care Vo 5591 V+

458. Nobody's Swtht/St James Infirm Br 6105 V
459. I luv to sing a/save me sis Br 7638 V+

460. Moment I laio eys on u/va ga 4 Car OK 6574 N

461. Taint No Gud/i Want To Rock OK 6616

462. Harlem Hospi tali ty/Eveni n Vi 24414 E

Cameo Dance Qrch/A Lanoe Orch
463.0ancin honeymoon/ bonn ie ca 458 v

Joe Candullo Everglades Ork
464. I Wish U Were jealous of me/marylou re 14642 v+
465.18th St Rag/Here Coms Emaline Ha 208 V

Eddie Cantor

466. ud B Surprised/used to caul her bab Em 10102 V-

Bahtal Jazzmbn

467. clambake in b flat/sry mad u cry cap 10009 e-
468. Sry Made u cry/clambake in b flat Cap 10009 V
469.Sugar/Aint go noplace Cap 10011 N
470.Sugar/Aint goin noplace Cap 10011 N-
471 .Sugar/A i NT goin noplace CAP10011 E
472.Sugar/Aint goin noplace C ap 10011 E/V+
473. Sugar/A i nt go no place Cap 10011 V+

The Capitolians
474. Sophomore hrom/Campus capers(OL) MGM 1082 E-

The Capti vators(nichols)
475.Bldg Nest 4 mary/(Copley Plaza Ork) Br 4321 V

FRANK! F CARLE

476. Sunrise boog i e/Moondust Rhapsody Co 38175 E
477.STUMBL I ng/Estelle Co 35571 N

29

35c MINIMUM BID

P. O. MILLER

BOX 108 , THE RECORD CHANCER, 418 WEST 49TH STREET NYC 19 NY
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS.

35c MINIMUM BID

FRi. NKIE CARLE

478. I KNO DAT U KNO/SUMBOOY LUVS ME CO 36331 N

479.1 I luv/sw i LUVLY CO 36334 N

48a.2 many times/we cud mk bful mus co 37222 n-

481. Holiday/kitten on Keys de 1740 e+

482. A lil mor time/Spaghetti Rag vi203719 E/V

483. HAV U MET JONEs/SwT 65/8 OTR TUNS OE 15037 E

UNA MAE CARLISLE

484. CITY ALLED HVN/IT AINT LIKE DAT BB 11271 E+/N

485. De Rest 0 my life/u gonna chg mno JO 7175 N-

Russ Carlson Ork

486. Rap ur trsls drms/minni moocher cr 3147 V-

HQAGY CARMICHAEL

487. Ol BTRMLK Sky/TLKNG IS a woman Oe 23769 E+

488. How Litl we kno/hong Kong Bl ARA 123 V-

489. Bess ie Cudna Help it/Barnacle Bil Vi 2537L N/E+

490. I MAY BE WRONg/hUC.GIN 4 ChALKIN DE 23675 N

491. Or Law I no Chief/Ol Mans Sleep in Oe 23862 E
492. no more toujur lamor/vlne st prdeara 106 n

Car. Club Orch/Jerome Conrad Ork

492A. Dream Train/Wedding Bells VE 1844 v+

BENNY CARTER

493. Sunday/Back bay Boogie HMV 9449 N

GLEN GRAY 4 CASA LOMA ORCH

494. OLD GREY BONNET/WHITE JAZZ BRE 1144 E

495. U Mine u/ Booy 4 Soul De 3113 v+

496. Star Dust/1 morn in may De 2396 E+

497. Rose of Rio Grande/Bugle Call Rag De 869 E/v

498. Girl o My Drms/Did Angel Kiss U De 1634 E+

499. Hoboken Bucket/Last Nite Miracle De 2281 N

500. Rockin Chair/lazybones Oe 2395 N

501. Tears from inkwell/u grow sweeter De 2388 N

502. Moon Country/Lazy River De 2397 E

503. U GOT ME OUT ON LIMb/cSTL 0 ORMS DE 3082 N

504. «o n over Burma/wen u awake De 3426 N

505. Autumn Nocturne/m' Li te Cocktail Oe 4114 N-/E

506. Tanks 4 Memry/Mama moon here agin De 1541 E-

507. Yrs 4 Mine/Feeling like a million De 1368 E+

508.1 MOR TO'ORROw/lF I LUV AG I N DE 18843 E/N

509.ShuT"Eye/|_ast Night Miracle BrG 82079 N

510. Shades of Hades/Copenhagen BrE 2386 N-

511. Last Nite Miracle/Hoboken Bckt De 2281 N-

512. Heaven can wait/sunrise ser Oe 2321 E+

CENTRAL PARK 0 IX I ELANDERS

513. Chattanooga St/Panama kag Jay 15 N

514. danama Rag/Chattanooga Stomp Jay 15 N-

Jack Chapman 4 Drake Hotel Ork

515. Can Take away fr dixie/Fgt me not Vi 19312 V+

Harry Chapman 4 Music Lovers

516. C0CKTAI l/waltz meoley PaE 453 N

Charleston Chasers

517. Lovable 4 S.eet/Red Hair 4 Freckles Co 1925 V+

518. Red Hr 4 Frckls/Luvable 4 Swit(dig)Co 1925 V-

519. Moanin Low/«int Misbehavin Co 1891 V

Charleston Novelty Orch

520. Soothing/Georgette Pe 14037 E-

80B Chester Ork

521. Strictly Instrumental/home fires BB 11548 N

522. till lites london/chil 4 cld BB 10972 V
(above r.vi chp five gr)

MAURICE CHEVALIER

523. PARIS STAY DE SAME/U GOT DAT THING VI 22294 V-
524. ITS HABIT 0 MINE/ON TOP WLD ALONE Vl 22007 N-

525. Paris stay de same/u got dat thingVi 22294 N-

526. WAIT'LL U C MA CHERIe/hLO BUT I FUL V|250092 N

Chicago Nighthawks
527 . Sunday/ Sa i nts OT 92251 E

Chicago Rhythm Kings

528. Who STOLE LOCK/GABR I els horn PaER 2812 N-

Herman Chittison Trio

529. BUTY evywher/serenade Mu 314 N-

Chocolate Dandies

530. Dee Bls/Bugle (-'all Hag Co 36008 N
531. Once upona tim/(horace Henderson)PaE 1717 E-
532. I surrender dear/cant blive u lv CMS 1506 N-

LILLI OELK CHRISTIAN, CONTRALTO
(WITH BANJO BY J ST CYR AND JIMMY NOONE, CLARINET)

533. Lonesome 4 Sry/Baby o Mine OK 8356 V-

Tommy Christian Ork/c Leighton

534.Sumt i ng 2 rembr u by/Skans hldy Ha 1248 E
SAVANNAH CHURCH I LL

535.1 WANNA CRY/SOMEDAY MANOR 1129 E-

KENNY CLARKE AND HIS CLIQUE

536. U GO TO MY hed/romm em bags Ce 1501 E+

THE CLEVELANDERS

537. W I TH U/SHE TOLE MY HEART BA 623 V+

LARRY CLINTON

538. STOP 4 RECONS ID/COLLEGE HUMOR VI 25/125 N-

539. WHO BLU OUT DE FLAME/TOOK HILLN TRS VIZ6073 E

540 . Jeepers creppers/devil WIT DEVIL J\ 26108 E

541. My rever i e/boogi e woogie bl Vi 26006 E

542. WHO BLU OUT FLM/TOOK MILLN YRS Vl 26073 V+

543. HERT BLONGS OADOy/gENTS OONT LK LWl 26100 V+

544. MY REVER I E/BOOGtE WOOGIE BLS Vl 26006 E+

CLUB ROYAL ORK

546. CAN u forget/2 LIL WUDN SHOES VI 18936 E

547. LUVABLE EYES/(7EZ CONFREy) VI 18902 E

543. dapper oan/the sheik vi 18831

549. rosy posy/sum sunny day vi 19891 e

Arnett Cobb

550. 'j wunderful/ luv/smooth sailin co 39040 e+
551 .walk i n w s id/top flight i apo 770 e

jolly coburn

552 . c nt i nental/ i rres i st i ble vl 24735 e-

553. GON WITH DAWn/hAVIN WUNERFL TIME BB 7049 N-
554. ORGAN GRNDRS SWINg/whER BL BGNS(dig)VI 25396 V

Al Cohn Orch

555. LEZ GIT WAY FROM TALl/gRUVIN Wl GUSTRPH 812 ft

George M. Cohan

556. Life is funny propsish ater all Vi 60042 E
Cozy Cole's All Stars

557
558

Ky 13 00 E+
KY 13 01 E+

.Just 1 mor chnc/blue moon
.Thru 4 de nite/father cooperates

King Cole Tri o

559. shy guy/thot u otta kno cap 208 £+

560. if u cant smile/bring anotr drink cap 192 n-

561. swt ga brn/better 2 b by yrslf cap 239 n-

562 . EMBRACBL u/sWT LORRAINE CAP 20009 N-

563. WHTS THING CALLED LUv/pRELUDE CAP20011 N-
564. SLOW DOWN/SCOTCH IN DE SODA DE 8556 E*

565. W0TIL I Do/l FEEL SO S'OOCHIE CAP 15919 N

566. Dats wot/Dats wot Cap 347 N-

567.1 MISS U SO/I TINK U GET WOT I MN CAP 444 N

568 . NOW HE TELLS ME/THS T NGS MONEY CNTCAP '6 011 N

569. BRNG ANOTR DRINk/|F U CNT SMILE CAP 192 E

570. LETS SPRING ONE/B'FUL MOONS AGO EXCELS 106 E+
571. im lcst/pitchin UP A BOOGIE EXCELS 104 V+

572. COME IN OUTA RAIn/cN U LK IN EYS CAP 418 N

573. meet me no spcl plc/u dnt lrn sch cap 393 n-

Marshall Cole (monologue)

574. THE TR I CK BOYS (142) VI 22305 N-

Earl Coleman

575. Stranger i n twn/ydbrd suite ol 753 N
THE COLLEGIANS

Vl 19049 E-

576. red hed gal/u tell her i stutter

Arthur Collins
577. if i were man in moon oxford 11452 g+

collins 4 harlan

578. alex rgtme band/ oce an a roll vi 16908 e

VICTORIA SPIVEY

579. d0nt tear my clths/wild abt patoot i e j ay 12 n—
(above, 1st sioe lee collins, 2nd j p johnson )

Colonial Club Orch

580. Wit my guitar 4 u/my futr jus pso Br 4846 V+

Jerry colonna

581. Remember Oad/Ulita Co 36092 E+

columbi ans

532. buy buy 4 bby/wa lk in t ween rdrops co 1661 n-

Alix Combelle Jam Sesh (Jerry Mengo )

583. Take Last Note/Bl Look Out Sw 227 E+

PERRY COMO

584. Soon B Rainbow/Goodbye Sue Vi201538 E/v
E. Condon

585.00N LEEV ME DDy/f|DGTY FT CMS 542 V+

586.WHRVR DERS LUV/WHR UR LVR HS GON DE 23393 N/E+

587.SUDY swthrt/derl BE C 1GS MDE OE 18041 E-

588 .SHEFUNNY DAT WY/MARCH OTIME DE 23600 E+

589. FUNNY THT WY/MCH OF TIM DE 23600 E

590.SHEFNY DAT Way/ MRCH OF TME DE 23600 N-

592. WN 'JR LVR HAS WENT/wHRVR DERS LUV OE 23393 E

COMEDIAN HARMONISTS
591. LES GARS DELA mARn/QUANO A BR I S VAGGRF 6375 E-

ZEZ CONFREY ORCH

593. SOM LITL SOMONE/FUZZY WUZZY BIRD VI 19037 V

594. FUZZY WUZZY BIRD/SUM LITL SUMWUN VI 19037 E

595. C ASTLS TMBLNG DWn/ (P.WHITEMAn) Vl 19008 E
596.STRTN AT STRTRS 8ALL/(ALL STR TR 1 0 ) Vl 18932

597. Coaxing the piano/Greenwich witch Br 2167 N

598. Coaxing the piano/Greenwitch witch Br 2167 E

HORATIO CONNELL— GEORGE ALEXANDER

600.0 STAR OF EVE/LOCH LOMOND AT 312 V+

Co -nie's Inn Orch

601. ROLL ON MISPI ROLL OplMOAN U MNRS Vl 22698 E

Jerome Cqnrao Orch

602. moonlite march/sweetness ha 986 e

603. u Always in my arms/swtht we need eo Ve 2068 E

COON-SiNDERS ORCH

604. Stay uut of South/ (Baring) Vi 21258 V+

COON DUET

605. Bake dat chicken pie/js 2 SWT 2 liv Ed 50082 V

\l Cooper

606. boats/fi sh for supper de 8598 e

Corky Corcoran

607. Wots dis ting/Minor °ls Ky 621 E+

Correll 4 Gosden(orig. Amos n anoy)

608. Elsie Shults n heim/jus wanna be kn vi <;0255 E-

609. Meadowlark/Kiss ur bby gont Vi 20286 E+

61 0. Meadowlrk/k I SS UR BBY gdnt VI 20286 E

Bl lly Costello

611. Tiger1 HAg/Nobdys swtht DeE 6148 N-

COTTON 4 MORPHEUS

612. Hello baby/taint no sin Br 4667 N

IDA COX

613. LAST MILE BLS/CANT QUIT THAT MAN OK 6405 E+

614. WEARY WAY B Ls/gRAVEYARD ORMS SlG 907 E+

JESSE CRAWFORD

615. Roses of Picardy/At Dawning Vi 20110 E-
616. SO BLUE/NESTING TIME Vl 20595 N

Wi lton Crawley

617. GEECH I E HlVRjLs/SHE'S 40 WIT ME OK 8492 G+

Willie Creager 4 Orch.

618. drm 0 my hrt/mor dan enybdy ve 1954 v

Bing Crosby

619. my rev r ie/old folks oe 2123 v+
620.ida/el rancho grande de 2494 n/e

621. flores negras/no te imp saber de 3965

622. RIDIN DWN CANYON/UR MY SUNSH DE 3952 n/g

623. MEET DE SUN HLFWy/pESSIM CHAR DE 3162 V/E

624. LTL LDY MAKEBLv/DON BE OAT WY DE 1794 V+
625.0 HOW I MS U TNT/OR LTL B Y 0 MNE DE 4152

626 . DR FG .BK . ORMLNo/ S I NG NG SNDS DE 4339 V+

627. ANGELS SNG/SPOSIN DE 2412 V

bing crosby
628. out 0 nowhr/lf u sh ev nd me
629. i have eys/fny old hills
630. lonely trail/just kio nmo joe
631.lnly trail/roundup lullaby
632. Its always u/u lcky pipl
633.0olores/Cmptwn Res

634. Anvy wltz/whstlr Mo in lw

634A.ILL 8 SEEING u/AMOR

635. Magnla?sd by sd (with Whiteman)Oe<

636.SLNT Nit/ADESTE FlDELES

637. Rest end trl/gld mine sky

638. sng lw sw chrt/nellie gray

639. YES INDEED/t 4 2 (w CON BOSWELL)

640. T 4 2/YES INDD (W CONNIE BOSWELL )

641. PRDSE ISLE/ALOHA

642. RDG DWN CANYOn/uR MY SNSHNE

643. Po i nc i ana/San Fernando Valley

644. GCN MY Wy/sWNGNG ON A STAR

645. persnlty(condon)/wud u

646. jngle bls/snta comn t town

646A.BLNG TO MY HRt/bAIA (w CUGAt)

647. U N i/brahms LULLABYE
648. SNG NG HLLS/DEVL MAY CRE

649. UR MY SNSHN/RDN DWN C NY N

650. LFS ALL MEET AT MY Hs/oP IN HT TEX

651. ITS BEEN l.NG T I m/wHOS DRM R U

652. DANIY BOY/l B HME 4 XMAS

653. SIOUX CITY Su/u SNG M LUV SNG T SB'
654. MY MOTRS WALTZ/JUST A PRAYER

657.PERSNLTY (CONDON )/wuD U
653. IGLE 4 ME/EVELI NA

659. LEZ STT NU YR RIt/whT XMAS

660. LES ALL MT AT MY Hs/DP HRT TEX

661. HUMPTY DUMPTY Ht/do U CR

662. I AINT GOT NBOY/WHSTLRS MTHR IN

663. DOLOREs/o CMPTWN RCS
663A .BUT I FL B8Y/SMRTIM

664. stardst/oncng IN ORK

665. ST LUIS BL/CREOLE LV CALL

BR 80043 E
BRE 02713 E+
BRE 027H8 N-
BRE 02928 N—
BRE 03184 N
BRE 03190 E+
BrE 03289 E
BRE 03533 E+

670. CONSTANTLY/MOONLITE BECOMES U

671. M0RE 4 MORE/STRANGE MUSIC
672. St LC l/ONE TWO BUTTON SHOE
6 73. SM ARTY/MO ON GOT IN EYES

675.BLS SERE/DONT LET MOON

676. I SURRENDER 0EAr/T0 YOU SWTHRT

677. BLUE HAWAIl/sWEFT IS WORO 4 U

678. THERE GOLD MINE SKy/rEMEMBER ME

BOB CROSBY

679. WAY DWON YONDER IN N.O./b|G TOM
680.SWTHRTS CM PARAOe/lONG WAY TO TIP

68 1. MUCH LOVELY/WEL WELL

682. KEEP THINKING OF u/nOTHING TO LOV

683. DEAR OLD DONEGAL/u DARLING DEVIL

684. WHERE DO WE GO FROM HERe/mARINES

685. WAY DOtl'N YONDER N.O./b|G TOWN

CLUB ROYAL ORCH(CLYDE DOFRR)

686. THE SHEIK/DAPPER DAN

BOB CROSBY
687.SEMPER PARATUS/ARMY AIR CORPS

688. KEEP LOVELIGHT BURNINg/doNT SIT U

689. MY IMAGINARY LOVE/wEEK END ON
690. SOMETHING NEW/* GAY RANCHERO

69 1 . TRUST I N IN YOu/FRM ONE LOVE ANOTH

692. TWO IN LOVE/ SINNER KISSED ANGEL
693.SOMETH I NG DRMEd/cALL IT ANYTHING
694.WELL WELL/MUCH l.'CRE LOVELY

695. SWT QENEVIEVE/uNTI L U FALL. LOVE

696.1 Yl Yl Yl/CHICA CHICA BOOM CHIC

697. BIG NOISE FRm/suNSET AT SEA

698. CHICK EE CHICK/BL ECHOES
699.ISNT THAT JUST LIKE/DO I KNOW WHY
700. I'VE GT ONE TRACK/i'D KNOW U
701. U FORGOT ABOUT Me/gONE NOT 4GOTTE

702.2 drms met/dwn Argentina way

703. THIS IS BEGIN OF END/bELI E V I NG

705. UP CHIMMEY GO DRMS/RUN RABBIT RUN

706. LEAN IN ON OLE TOp/shAKE DWN STABS

707. u u darling/with wind 4 rain

709. LIT RED FOX/PINCH ME

710. GT MY EYES ON u/GOTTA GT HOME
71 I. THOUGHT ABT u/lAST NIGHT
712. LILACS IN RAIN/WHT USED W WAS
7I3.0H U CRAZY MOOn/mELAMCHOLY MOOD

TUR

505

N—

Oe

621

E

Oe

2678

V+

DE

3540

E+

DE

3639

E

DE

3639

V+

DE

3797

E

DE

3952

V+

DE

18586

E—

DE

18597

E+

DE

1790

E+

DE

23281

E+

DE

23413

E

Dec

3840

N

DE

3064

E

DE

3952

v+

Oe

4162

n-/e

DE

18708

E+

DE

16570

E

DE

23508

N

DE

23392

V

DE

23970

V+

ER )C

E 3182

E

DE

18790

v/n

DE

16635

E

Oe

18429

E

Oe

4162

E

DE

4064

E-

DE

3971

V+

DE

3644

E-/E

DE

2147

V/E

BR

8C056

E+

Co

55003

N

BR 80044 N-

: BR

80045

N

BR 80055 N

BR

80058

N

DE

I85I3

N

DE

18649

N-

BRE

2317

N

BRE

2493

N—

BRE

264f

H

BRE

2682

N

BRE

2308

N

BRE

2444

e/n

BRE

2534

N

DE

4403

v/e

DE

16355

V

DE

3762

N—

DE

3808

E-

DE

4305

N

1 DE

3233

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4028

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4027

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4009

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3815

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3668

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3623

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3404 E+ /(

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3070

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3027

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DE 28|2 v+
DE 2763 e/n-
DE 2652 E+

7|4.1F I WERE SURE F u/LADYS IN LOVE OE 2465 N—

7 1 5.NE VER KNEW HVn/rOSE WASH SQUARE DE 2464 E+

716. ONLY WHN YR IN ARMS/wHM WE'RE ALONE DE 2452 N— /e

7I7.SENT SADWICH/sTRANGE ENCHANTMENT DE 24|5 E+

71 8.WHT GOES UP MUST COMe/dONT WORRY OE 2402 N-

7I9.IF I DIDNT CARE/LIT HOT DOG OE 2401 E

720. HURRY HOME/DEEP I N RM 0£ 2|5| E-

721. WHT H0A3E U GT THAT CETS/u'RE LOVELYDE 2l42 E+

722. Y'RE AN EDUCATION/JEZEBEL DE |7|3 E-

723. PLSE B KIND/SIMPLY ADORE YOU (DIG) OE 1693 V+
724.IN SHADE OF APPLe/eASIER SAID DE 1658 N-

725. THRILL OF LIFE TME/EVY DAY HOLIDAY OE 1 580 V

726. BE gd sport/swt SOMEONE DE 1576 E+

30

35c MINIMUM BID

P. O. MILLER

BOX 108, THE: RECORD CHANGER, 41 8 WEST 49TH STREET NYC 19 NY
SEE PAGE ONE CF AUCTIOM FOR INSTRUCTION'S.

35c MINIMUM BID

BOB CROSBY CONT.

727.SI LHOUETTED IN MNL I GHt/h I TCHO W DE I 556 V+

728. WHISPERS IN DRK/STP YR HRT DE I 346 E

729. GIN MILL BL/ IF HAD YOU DE I I 70 V+

730. BLUE SURREAL/BLK ZEPHR DE 441 5 N-/E
73I.SWING SUGAR BOWL/ PRAYIN HUMBLE DE 22 1 0 E
732.DIDNT CARE/HOT DOG STAND DE 2401 N
733. ONLY WHEN MY ARMS/WHEN WE ALONE DE 2452 N-

734. EMBRACEABLE u/sHORTEN BREAD DE 3271 E

735. KNOW YOU ANYWHERE/ ONE TRACK DE 3434 N-

736 . BRASS boogie/ ( I 42 ) DE 18359 H-

737. TAKE IT EASY/MARK HOP DEAU 6086 N-

738. COW COW BLS/ DRY BONES DE 3488 e/e+

739. BIG FAT MA SKINNY/GEN JUMPED ARA 143

740.WHE

FAT MA SKINNy/g
N SUQAR WALKS/CA

NT GET DRUM COR 60171 E+

DE
DE
DE

741 . WHAT NAME THAT SONg/gOODIE

742. PLEASE B KIND / SIMPLY ADORE

743. WHO SORRY NOW/MARCH BOB CATS

744. MILK KO» BL/ SQUEEZE ME DE

745. WHATS' NEW/ SUMMERTIME DE

746. WHAT GOES UP MUST/DONT WORRY DE

747. LILACS IN RAIN/WHAT USED TO WAS DE

748. HAPPY BIRTHDAY/THE ANSWER IS DE

749. PINCH ME/LITTLE RED FOX DE

750. TAKE ME BACK/i'LL COME BACK DE

751. NOTHING 2 LIVE/KEEP THINKING OF DE

752. YANCY SPECIAL/TEXAS ST DE

753. WHERE DO WE GO FROm/mARINES HYM DE

754. WAY OWN YONDER No/BIG TOM DE

ARTHUR BIG BOY CRUDUP

755.0EATH VALLEY BL/l P I CFT LUCKY BB

756. RAISED TO MY HANd/g I VE ME 32-20 BB

757. MY MAMA DONT LOw/sTAND I N AT

7 58. WHEN BEEN FOOL I N u/ROCK ME MA
7E9.CRU0UPS AFTER HOURs/THATS ALL

760. DONT KNOW IT/THATS RED WAGON

XAVIER CUGAT

761. CAM INI TO/RAIN IN SPAIN

762. QU I FREME MUCH0/|,2,3, KICK

763. NEGRO ARESa/auTOCONGA

764. PA RAN PAN PAN/LOCA ILUSION

727 V

1693 e/v
1865 E-
1962 E
2205 E-
2402 E+
2763 E
2824 V
2924 E-
3576 E+
3808 N-
3834 E
4385 E-
4403 E

8858 E
9019 E-
BB3407I7 V+
BB340725 V-
VI 202205 E+
VI 202387 v+

24387 E
26384 E
26427 E+
26565 E+

27376 E-
26665 N-
27276 E+
27479 E+
27604 N

22331 E-

3625 E
22351 N

6664
6666 N
7668 E+
10004 N

•/N

765. WALTZ OWN AISLE/BEGIN THE BEGUNEVI 25|33 V+

766. C0NCI0N DEL MAR/ BILONGO

767. RUMBA CARD I /WHATEVER HAPPENED

768. C0NCI0N DEL MAr/bILONGO

769. habanera/one TWO THREE KICK

770. GYPSY AIRS/ DUSK

BOmiE CUMMINS

771. EVYBDT TAP/LUCKY LIT DEVIL

772. WH00-O0-Y0u/wH0 WAS THE LD AY

773. COTTAGE FOR SALE/GONE

FRANK DA I LEY

774.11 1 TH PLENTY DNEY 4/lETS PUT OUR BB

775. TELL SANTY I LIVE/TAKE NOTHER BB

776. THERE VILLAGE In/tHEPES VILLAGE BB

777. APRIL IN HEART/WHILE CIGGIE WAS BB

778. HAVE ROOM IN HRT/cANT THIS NIGHTBB lOOll N

779. TELL SANTY LIV I n/tAKE ANOTHER BB 10042 N

780. LETS TIE OLD 4GET/HAVE MERCY

PETE DAILY

781. LIVERY STABLE BLs/ WOLVERINE

782.5;3n a u bls/ bluin the bls
HANK D«A«EO SCTTET

783. GONE AT DAWN/ 1 WONDER NA 9003 e/v

784. EAST OF SUN/BETWN DEVIL 4 DEEP NA 9005 E+

785. G0NE AT DAWN/ I WONDER NA 9003 E+

CO* CO! DAVENPORT

786. STATE ST JIVE/ COW COW BLS

787. COW COW BLS/ STATE ST JIVE

MEYER DAVIS

788. BBDY LOVES U LIKE/wASH 4 LEE

W LATER DAVIS

789. NEW B 4 0 BLS/PLEASE REMEMBER
790.13 HIGHER/ ANGEL CHILD PT 2= BB
791.4' LL/ HELLO BL BB
792.JUST CANT REMEMBER/ ALL MY MONEYBB

WILD B I LL DAVISON

793.0RIG DIX I STEP/CLAR MARM CMS 549 E—

794.0RIG DIXIE ONE STEp/sLARI NET CMS 549 V

795. BUTTER 4 EGG MAn/cONFESS I N CMS 058 (+

796.0 D I STEP/CLAR MARM CMS 349 V
797.THATS A PLENTY/ PANAMA CMS I 5| I E

DIXIE DAISIES

79B»WHAT MORE DO UWANt/lOVIN SAM CA 291 e/v

DOLLY DAWN , DAWN PATROL

799. SWELL PEOPLE/ SWT PRETTY VR 544 E+

800. CANT BK HABIT OF u/wHAT W I LL I BB 6796 E

DORIS DAY 4 B. CLARK

801. CONFESS/ LOVE SMBDY CO 38174 E—

EDDIE DELANGE

802. RITE IN CORNER WHERE/ MY KIDS S BB 10003 E+

DELTA FOUR

8Q&.SWING ON FAMOUS Dr/aLICE BL GWN DE 3526 E

DELUXE ALL STAR BAND w BILLU ECKSTEIN

804.1 GOT DATE W RHYT/ ( FOUR BLUES (UELX I OUJ e/n-
S I DNEY DE PARIS BLUE NOTE JAZZ MEN

605.WHOS SORRY NOW/ BALLIN THE BN 47 E+

PETER DE ROSE

806. SWT MARIE/YES SHE DO NO SHE PE 12348 N

DESCRIPTION OF THE CRASH OF THE GERMAN
AIRSHIP H I NDENBURG AT LAKLHURSI N.J . AS
DESCRIBED BY HERBERT MORRISON, ANNOUNCER AND
RECORDED BY CHARLES fa I LSON.ENG INEER OF STATION
WLS, CHICAGO ILL. ON MAY 6,1937 ACETATE DUB E

BB 10204 N

12 N
I 4 N-

BR 80022 E+
BR 80022 e

VI 19526 v-

VI20I999E
BB 7693 V-
)B 8574 V

8802 V-

808.1
809,

DIRTY RED

HOME LAST NITE/MOTHER FUYER

DIXIE DAISIES

BEES KNEES/WAY DWN EAST IN MAINE
DIXIE FIVE

810. PANAMA/ J S BL 12* CRK)

811. WININ BOY BL/ N.O. STOMP(i" CRK)
DIX IE HUMMINGBIRDS

WHAT A T I ME/ 1 LOOKED OWN LINE

DIXIE JAZZ BAND/WASH I NGTON IANS
SAT NIGHT FUNCTION/ TAKE IT EASYAfCDJ

DIXIELAND JAZZ GROUP *. LENA HORNE
ST LOUIS BL/MEMPH I S BL VI

DIXIELAND RHYTHM KINGS
TIGER RAG/ACE IN HOLE KN I CK

DIXIELAND SWINGSTERS

TOUCHED IN HE AO/SW I NGSTERS LUL

812
8|3
814
815
816
817

AL

194

E

CA

3 12

V

UN

5846

E+

UN

5848

E

DE

7688

V

17 N
27542 V
I N-

DIXIE TRIO/MARTHA PRYOR

JOHNNY DODDS

8l8.
819.
820.
821.

822.
823,
824,
825,
826,
827,
828,
829,
830,
831,
832,
833,
834,
835,
836,

837,
838,
839,

840,

841

842
843
844
845
846
847
848
849
850
851
853
854
"855
856
857

BROWN BOTTOM BESs/ LADY LOVE
BROWN BOTTOM BESs/ LADY LOVE
MY LITTLE ISOBEL/HEAH ME TALK I N
WEARY BLS/ BULL FIDDLE BLS
PERDIDo/GATE MOUTH
WEARY WAY Bl/cOME A TIME
IN THE ALLEY/MERRY MAKERS
SWEEP EM CLEAN/ MY AGL
.BROWN BESS/ LADY LOVE
,MY BABY/ ORIENTAL MAN
,MY BABY/OR I ENTAL MAN
iPAPA Dl p/TOO TIGHT

.flat foot/mad doh
, my baby/ oriental man
papa dip/ too tihgt
.cant say/ mixed salad
.bull fiddle/ weary city
.my little isabel/ heah me t/lki

DOROTHY DONEGAN
,L IMEHOUSE BL/TIGER RAG
■ EVERY DAY Bl/pIANO BOOGIE BL
.PIANO BOOGIE/EVERYDAY BL

DO RE ME TRIO

. IM ONLY HUMAN/ ILL NEVER STOP

CHARLES DORNBERGER

.LIFE OF ROSES/ I LOVE YOU

JIMMY OORSEY
.JIM/NEW SHADE OF 3LUES
.MAGIC OF MAGNOLIAS/ DAY DREAM-

• FULL MOON/ IF YOU ARE BUT DRM
•CLAP HANDS/ WHEN U WORE TULIP

• BOSTON TEA PARTy/|T A| NT RITE
aurora/ BARBABBLE
NEW SHADE Bl/ JIM
EVYTH1NG I LOVE/ TANGERINE
A TABLE IN CORNER/ IF I HAD U

.4 IT STILL GOES/ FIDDLE DEE DEE
CONTRAST/ 0 WHAT BEATFUL MORN
TWLITE IN TURKEY/MI LKMENS MAT
.SWING LOW SWT CHARIOT/ FOR YOU VI 36399 E

.UNTIl/t.D. STORY NAR.BY JOHNNY VICTOR

SPEC. WHITE LABEL VI 20306 1 V+

858. BOOGIE WOOGIE/ THERE U GO V|20|7|5 V+

RECORDS FROM § 855 TO 858 ARE TOMMY DORSEY

BB

7109

N

CAM

448

E

HJCA

23

N

HJCA

24

N

Htlon

24

N

HMV

N

HMV

1 023S

N=

SE

5008

N

CE

3001

E+

AM

958

N

UJHA

19

N

VJR

9

N

BRS

5

N

BRS

5

N

HJCA

40

N

HJCA

26

N

HJCA

27

N—

HJCA

30

N-

HJCA

3|

N

BRS

21

N

M BRS

22

Et

CONT

6034

E-

BB

8979

N

BB

8979

E

BB

80218

N

VI

1 91 51

V

DE

3963

E-

OE

4047

N

J DE

4197

N

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43 1 2

N

CO

38731 N

DE

901

V

DE

3772

E—

DE

3963

E +

DE

4123

V-

DE

281 4

E

CO

38523

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VD

314

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VIA820059

E—

27974
26798
BB |08|0
VI 27974
VI 27638
VI 26105
VI 202508
VI 25236
VI 25467

TOMMY DORSEY

859.THERE ARE SUCH TH I NGs/OAYBRK V
860.ISNT THAT LIKE LOVE/ DO U KNOW WHYV
86 I. QUIET PLEASE/ SO WHAT Bl

862. DAYBRK/ THERE ARE SUCH THINGS V

863. EMBRACE ABLE u/sUNSHINE OF SMILE V
864.SWEET SUe/tIN ROOF V

865. WELL GIT l/l'LL BE SEE I N YOU

866. GOT NOTE/ SETT IN SENT OVER

867. AFTER U GONE/ BUGLE CALL RAG

868. LOVE 4 SALE/ JUST ONE THOSE TH I NGSVI 203636

869. song OF India/ marie vi 25523

870. GOOD MORNING/ MOUNTAIN MUSIC VI 25581

87 1. U MIGHT HVE BELONGED /oH LOOK AT MEVI 27274
872. STARTED ALL OVER AGAIN/ MANY MAKE VT20.1EE2
873.T00K MY LOVE/ DIG DOWN DEEP V|20| 539
874. lets JUST preteno/be OEEING YOU V|20|574
875.TAJE ME/ BE CARFUL ITS MY HEART

876.S0NG of India/ marie

877. WEARY BL/ BOOGIE WOOGIE

878. R0YAL GARO Bl/ SETT I N SENT OVER

879. DIG DOWN DEEP/ TOOK MY LOVE

880. ALIBI BABY/ RHYT SAVED WORDL

881. PECK IN WITH PENGUINS/ DAVENPORT HMV

882. JINGLE BELLS/ SANTA CLAUSE COMIN VI

883. JADA/ ROYAL GARDEN VI

884. HUM0RESQUe/gOI N HOME

885. who/ DIPSY DOODLE

886. U LEAVE ME BRTHLESS/SAYS MY HRT

887. H0LD TITE/ SYMPHONY IN RIFFS
888.0UR love/ ONLY WHEN YOURE IN ARMS
889. STAR DUST/SWANEE RIVER
890.U LUCKY PEOPLE/ U DANGEROUS
69 1 .SONG OF INDIA/ MARIE

892. U BETCHA MY Life/ LOVE IT SO

893. VES indeed/ WILL U STILL BE MINE

894. NE|AN|/ THIS LOVE OF MINE

VI 27923
VI 25523
VI 26054
VI 27518
VI20I 539
HMV 8650
8951
25145
25326
25600
25695
25828
26163
26202
26233
27350
25523
27392
VI 27421
VI 27508

VI
VI

VI
VI
VI
VI
VI
VI
VI

E

E-

V—
E

E-
E-

E+
V+
E-

v+
v+

E+
E

E/E+

E

N

N—

N

N

N—

N

N-
N—
N—

E
N

vi 275|9 E+
vi 20574 N
VI20I578 N
Vl20l6|4 E-/e
LIKE SOMEONE INVI20|622 N-

V|20|7|5 N-
vl 202779 N
V|25|45 e/e+
VI25693 'V

TOMMY DORSEY CONT.
895. who/ marie

896. ill be see in u/ lest just pretend

897. LITTLE ANN WITH CAMDy/loOK AT ME

898. MORE 4 MORE/ U ORIVING ME CRAZY
899. SLEIGH RIDE IN JULY

900. bw/there YOU GO

901. THE MIRACLE OF BELLs/ EVELYN
902. SANTA CLAUS IS COMIN 2 TWN/j I NGLE
903.0 I PSY DOODLE/ WHO
504.NICE WORK IF U CAn/u A SWHT
905. SAYS MY HRT/u LEAVE ME BRTHLESS

906. WEARY BL/ B W

907. honolulu/this NITE

908. ALL IN FAVOR SW I Ng/sTOP KICKIN HRT
909. SWING Hl/SWING TIME HARLEM
9 I O.SW I NGT I ME UP HARLEM/SWING HIGH
9 1 I • FREE FOR ALL/ YOU 4 I
9 1 2. who/ MARIE

DORSEY BROTHERS ORCH

913. LONG MAY WE LOVE/GETT I N SENT OVER <

914. GETTIN SENT OVER u/hOW MANY TIMES
9|5. solitude/ WEARY BL

916. tailspin/romance

917. shim sham shimmy/ mood hollywood

918. WH can u say in/ wh diff day made

MORTON DOWNEY

919. LIT BIT HVN/MOTHER MACHREE

920. MV JNJ8PI RAT I ON IS u/jST LIT FOUND

DOC DOUGHERTY ( l" HR CRk)

921. TIE STRING AOURND/SHES GORGEOUS

EDO" DUCH IN

922. SING U 1000 LOVE SONGS/SEA ISLAND

(above RM CHP no grv)

923. SOUTH WIND/ MERRY GO ROUND BROKE

(ABOVE RM CHP NO GR)
924.S0UTH WIND /MERRY GO ROUND BROKE
925.2 MARVELOUS 4 WOS/JUST A QUIET EVE
MORTON DOWNEY

926 . K I SS ME GDNITE/

SONNY DUNHAM

927. you're Blase/Sweet Talk

928. Memories of U/as we wlk into snst
JOHNNY DUNN

9.*est Texas Bls/Nobody's Bls
0.4 O'CLOCK Bls/h/

929
93

awa i i Bls
CHAMPION JACK DUPREE

931. Cty Jail Sp/Fi Shermans Bls J

932. Cty Jail spcl/ishmns Bls

Eddie Durham

933. Fare Thec "ny/Magic Carpet

934. K0TEN Swing/want litl Girl

dutch swing cm i fgf rand
935.0 D 1 step/ A .M . Blues
936. Or Dix 1 Stp/A.M.Bls
937. Sister Kate/ 4 or 5 times
93e.ALEx Rgtme Bnd/Birthday Bls

allen eager bop boys

939. meesk i te/donald jay

Monte Easter

940. m0ntes bls/she knws wht t do

VI

25695

V

VI

25828

V

VI

26054

e/v

VI

26 1 72

E

VI

26356

E+

VI

27249

E+

V I

27249

V

VI

27432

E+

VI

275 1 8

N

DE

I I 5

N

DE

3942

N

DE

|SOr3

E+

DE

4202

E+

CO

36066

N—

DE

283

V-

ME

1 2922

v+

HMV

2823

E

VI

23040

V-

VI

25393

v+

VI

25585

V

VI

25585

v+

VI

25517

E

HOW

45

E

BB

11514

V+

BB

11289

E

Co

3537

V

Co

3729

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IS

5013

E+

VIS

5013

E+

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8529

E+

DE

18126

E

Ram
Ram
Ram
Ram

16
16
12
13

Sav 908 N

STERLINB 104 E

BILLY ECKSTINE

941. I 'IS. UT i PRAY/WNT 2 TLK ABT U DELUXE 2003 E

942. Fools paradise/ur wndrfl mgm 1T562 N

943.2 LuBS HAVE |/fOOL DAT I AM MGM 10097 E+

NELSON EDDY

944.1UVR cum bak 2 me/sftly MRN SNRSE Co 4240 E
9'5.Wnting u/stqut hrtd MEN CO 4241 E

FRANCIS EDELACK/ASHER RODEHEAVER 6EDDIE 4 KANE
946.MSGE TO CHR EnDVRS/BLEST B THE TIE

Utd. Society Christian Endeavorers 101 E-
Above Very Rare
CI IFF. EDWARDS
Red Hot Mama/Whos meanest gal in twn Pe 12119 V

(above has dig)
red Hot Mama/Meanest Gal in town Pat 32040 V
Sunday/Meadowlark(w his hot combo) Pe 11633 E-
Elite Dance Or:k

su tnite/gal dont luv me pe 1440s e

947.

948
949

950,

951,

952,
953,
954,
955,
956,
957,
958,
959,
960,
96 i ,
962,
963,
964,
065,
966,
967,
968,
969,
970
971.
972
973,

0 HOW

Eddie Elk ins Orch

SLilF/ARCADY

Duke Ellington
Slio of Li p/Sent imntl Lady
,C Jam Bls/Moon Mist (i"RiM chip)
.Harlem Speaks/Chicago
.Concerto for cootie/me 4 You
.The ooche/Sweet Chariot
Jolly Wog/jazz convulsions
Jive Stomp/Im Satisfied
.Sekt Lady/?

.got evyting bt u/ the mooche
.Sclitude/Trbld Wtrs
.Saratoga Sw/misty morning
.Clement i ne/s o'clock drag
.are u sticking/dunno wot kinda bls
.rasin de renvhapy as day is long
.jonny cum ltly/goin out bak way
.beg.jnl' 2 c d lite/got iiuttin but b

.TOASTED PICKLe/toP 4 BOTTOM

.TOASTED PICKLE/TOP u BOTTOM

,WEN SGR WLKf DWN St/pYRAMID

,WEN OGR WLKS DWN St/pYRAMID

,6 St -L TOCDLE OO/B I RMNGHM BRKDWN

.CREOLE RHAPSODY, PTS 1 42

PAE 5175

E

VI 201 528

V+

VO 27856

VI

DE 800

E+

VI 26598

E+

ODG286078

E

BR 6810

E-

BR 6638

V

VI 201 528

V

GRF 8306

N

HMV 8*1'

N—

HMV 3E28

N

HMV 9273

N

HMV 9277

br 6571

E

HMV 9424

N

. HMV 9427

N

BA 253

N

BA 253

E+

BA 261

N

BA 261

N-

BR 80000

E+/N

BR 80047

N-

31

35c MINIMUM BID

BOX 10S, THE RECORD ChANGER, 418 WEST 49TH STREET, NYC 19 NY

P. O. MILLER

SEE "ACE ONE OF AUCTION FOR INSTRUCTIONS.

35c MINIMUM BID

Duke Ellington

974. LAZY rhap/bl ramble co 35834 N—

975. LAZY rhap/dl RAMBLE CO 35634 E+

976. Bundle o bls/best wishes CO 35835 E

977. MERRY GO ROUND/DROP ME OFF HRLM CO 35337 N—

978. in sent mood/shwboat SHUFFLE CO 36112 N—

979. REMINISCING IN TEMPO FTS 142 CO 36114 N

980. ROJ'NISCING IN TEMPO PTS 112 CO 36114 N-

981. REMINISCING IN TEMPO PTS 3 44 CO 36115 N

982. BABY WHN U Al NT CERE/LI GHTN I N CO 35835 N

983. MNLGHT FIECTA/jUBILESTA SE 5007 N
990. 1 DONT MINo/wOT AM I HERE 4 VI 201 596 E-r
991.1 GOT 2 B rugcutter/ NU E STL TDL UA 101 V

992. NEW PIANO ROLL BLS/MAN I LUV MERCER 1958jE+

993. HAPPY GO LUCKY LOCAL PTS 142 MU 461 N-/E

994. M00D I ND I Go/WALL ST »A I L Br 80003 N

995. TRUMPET NO ENd/shUDNT HAPPEN 2 DIM MU 484 N-/v

996. JAM A DITTy/d IMINUENDO IN BL MU 511 N—

997. vooche/mood indigo vi 24486 N-

998. MOOD INDJGO/MOOCHE VI 24486 E+
999.SOLITUITe/dR OLD SOUTHLAND VI 27 564 N -
1000. DR OLD STHLAND/'SOLITUDE VI 27564 E+
1001 .DELTA. SRNDE/sTCX.PY JONES VI201533 n/e+

1002. A SLIP OF LIp/sENT LADY VI 201528 E-

1003. WOT AM I HERE 4/ 1 DONT MIND VI201598 E
1004.1 DONT MIND/WOT AM I HERE «t VI201598 V+

1005. EVY HR ON HR/TIME A WASTIN VlTO'718 N-/C

1006. COME TO BABY Do/TELL YA WOT 1 DO V1201748 N-

1007. FRANKIE 4 JONNIe/roYAL GDN BL VI202324 E

MERCER ELLINGTON

1008.Summert1me/My Eva luvin bby sun 2007 E+
Perline Ellison

1009. new dat aim': rite/razor tot in ma de 7910 n

ZIGGY elman

1010. samBA *IT ?i6/V/Eddin samsa mgm 10622 N

1011. bye n bye/deep night hmv 9172 n-

1012. zaggin wit zig/yr mine u bb 10316 e-

Emerson Military Band

1013. Chinese jazz/rose rooii Emerson 980 E

(9" RECORD ASOVE)

1 01 4. W I SI l NG /HOORAY 4 SPNCH Vl 26212 V

1015. DONT LET HIM FOOL Ya/wlO ON FRE VI 275B6 E+

1016. HOORAY FOR SPNCH/WISHING VI 262 1 2 E
1017. SENTIMENTAL SNDWCh/sTRGE ENCHMT VI 2620"? N-

ENSEMBLE SWING DU HOT CLUB COLONIAL

1018. GE0R3I ANa/J' ADORE LA MUSI QUE PL) 5901 45 N

ROLF ERICSON SWINGING SWEDES

1 019 . NEARNESS OF U/STRI KE UP BD DISCOVERY 173 N-

ESQUIRE U L AMERS/BIG FIVE

1020. INDIAN WtNfLR/l CRIED 4 U VI 4001 37 E/N

Ruth Etting

1021. »otta man/wanna go back ag i n bl co 675 v-

everglades orch

1022. me too/sadie green har 235 v-

Hillie Farmer
1023. Sugar Babe/Down home rag
Feathers <ll stars

1024. MOP mop/my ideal cms

Leonard Feather & Dan Bihi.ey

1025. Bedroom bls/l i v i ng rm romp Conti 6006 N
1026. Suite t'l < cumftbl QTRS pts 3-4 Cont 6007 E-i

Fred feibel

1027. Its lonely train OK test E

Ernie Felice

BZ 7813 \H

548 N

1 P28.S0LI tude/luv is so terrif CP 486 N

1029. u gotta stop/popcorn POLKA CP77-561 N—

1030. oodles o noodles/luv me OR LV ME CAP 15228 N—

1031. WOO CA MA CHOO Ga/sT OF DRMS CAP 15082 N—

Carl Fenton

1032. WOT CO YA DO SNDY mary/1 LUV U BR 2467 J

Female Chorus

1033. kitero ya kabete pts 1 and 2 coe we145 n

maynarq ferguson

1034. all thi ngs u r/ 7 qt ? n

Ferko String Band

1036. Bby i-ce/tke me out to ballgame Palda 113 V

1037. hello/golden sl:ppers Palda 102 v

ERMIE FIELDS ORCH

1038. just let me alone/hi jivin vo 5157 N

Herb ie Melds

1039. jum^in 4 savoy/how herbie feels Sav 560 N

1 C40.JUMPI N 4 savoy/how herbie keels Sav 560 E+
Shep Fields

1041 . Evybooys laffin/old curios shp bb 10056 N—

1042. DRM OF SAN MAR1NO/B A FOOL AG I N BB 6879 N-

1043. smarty/t I L L D CLOCK STRKS 3 BB 7051 E+/N

1044. U TK WDS RITE OUT 0 MTh/ds RIPP^ RH BB7304 E+

Fi rehouse Five
1045.San/F i remans Lament GTJ 2 N

1046. Brass Bell/Evbdy Luvs sA3Y GTJ 5 N

BERT Fl RMAN

1047.ol man sunshine/wy is bacon so ruf duo 4031 n-
1043.8lue strgs/keep so i n 0og286070 n—

Freddie Schnicklefritz Fisher
1049. 1 a i nt noeodys drlg/nu kind grl de 3493 e-

Ella Fitzgerald

1050. lady b gud/flying home de 23955 n—

1051. TAKE FROM TOp/jUB I LEE SWING OE 3236 n/e

1052. NO NOTHING/KEEP COOL FOOL DE 3754 V+
1053. SING SONG SWING/WERENT 4 U DE 3026 N-

1054. WSHFL THKG/HELLO MA DE 3612 N

1055. DEEP HRT OF STH/ALL OER NTN ATALL DE 1339 V
1056. SHAKE DWN D STARs/fELL IN LV W DR DE 3199 V+
1057. J Im/th I S LUV 0 MINE DE 4007 V+
1 058. SGR WLKB OWN St/cOW COW 8LS DE 18587 V

1059. BITY SAY GUDNITE/SENTM RSNS DE 23670 N—

1060. LADY B GUD/FLYING HOME DE 23956 N
1061. SENT. JRNY/GUILTY DE 23844 N-

Na 9075 E

OK 40896 E

Ella Fi tz;ieralq

1062. stn cld deo in d mkt/ptooty pie de 23545 e+/n

1063. he's my guy/4 lf clvr de 18472 n-

Flanagam 4 Allen

1064. DONT blv evyting u drm/shine hv mn DeE 8487 N—

Brick Fleagle's Orch

1065.0uble Dog huse/ Past i che hrs 1006 E

1066. Same old sheaves/slt cs of shakes hrs 1005 N

1067. past i che/duble doghouse hrs 1006 n—

Four Aces

1068. BL Prelude/Farewell Bl DeE 5817 N

1069. nu jig rhtm/grl wi drmy eyes DeE 5531 E

Four Deep Tones

1070. nite u sed gby/wh n sts go mrch in cor 65062 v+

1071. sts mrch kl/nite u said gby cor65062 e+

Four Blackamoors

1072. u cant ha v 50/romance in dark de 8512 v+

Four Sfrenaders

1073. LONSOM 4 Sad/lazy Lousana Moon .Mad 51 57 V

Four Dusty Trai/elers

1074. Po Mourner/me and mah pardner Co 14477 N—

T J Fowler

1075. 'Jots oe mtr now/ t J Boogie

Arnold Frank

1076. Black Maria/Rain

Irene Franklin

1077. dont trust trav man/Janitors chld Co 1105 E-

FRANTZEN'S SoCIFTY ORCH

1078. Sweet Siamese/No luvin 4 lng time VI 18545 E
BUD FREEMAN

1079. PRINCE OF WAILS/ AT J B BALL CO 35853 N

1080. AFTER AWHII_e/sh IMMESHAWA33LE CO 35855 E

1081. BIG BIy/cOPENHACEN DE 18064 E+

1082. JAZZ BAND BALL/PRINCE OF WAILS CO 25353 E+

1083. shiumeshawabble/aft awhile/ co 35856 N-

1084. after awhile/shimmeshawabble CO 35356 N-

1085. BIG BOY/COPENHAGEN DE 18064 E

1086. NEED SOME PETTIig/TIA JUANA DE 18065 N—

1087. buzzard/tillies OWNTWN NOW DE 18112 E+

1088. KEEP SMILING/WOT IS DERE TO SAY DE 18113 E

1 089. KEEP SMILING/WOT IS OERE 2 SAY DE 18113 N

1090. COPENHAGEN/BIG BOY DE 18064 V
1091 .SUSIE/FIDGETY FEET DE 18067 N-

1092. TILLIES OWNTWN NOw/thE BUZZARD DE 18112 N-

1093. TILLIES DWNTWN NOw/tHE BUZZARD DE 18112 E+

1094. PANIC IS ON/MUTINY IN PARLOR HJCA 121

1 095. MUSKAT RAMBLE/PR I NCE OF WAILS PA 2809 N

1096. DAOA STRAIN/jACK HITS 3D PAE 2820 N

FREEMAN 4 MCKlNLEY/FREEMAN ALL-STARS

1097. THE ATOMIC ERA/JUST WILD AST HARRY MAJ 1031 V

FRISCO Syncqpators

1098.Steppin' Out/Dancing Dan Tri 11338 V-
Frank Froeba

1099. Big Apple/Josephine De 1401 E/v

11 00. OLD PAIR SHOES/ON SAN FRAN BAY DE 24903 V-

1101.12 St Rag/ 4fter U gone Hit 8005 V

Earl Fullers Orch

1102.RUSSIAN Hag/howdy co 2649 E-

1103.S7 i les/mi ssouri waltz co 2578 E

1104. WO WALTZ/(C0LUMBI A BAND ) BRAZILIAN CO 4027 N

1105. JUST BECAUSe/aiNT WE GOT FUN 0LYMPIC15116 E-/V
1106. SAND DUNES/SPANI OLA CO 2697 E

1106A.LIL LIZA JANE/COON 8NQ CONTEST VI 18394 V

1107. OLD GREY MARE/BEALE ST 3LS VI 18369 V-

1108. JAZBO JAZZ/WANNA LEARN DANCE 9"SYMPH0N0LA 446 V

1109. ruspana/swt SIAMESE CO 2712 E—

Jan Garber

1110. thats wot u tink/just summer romance 25108 v+

Garber»-Oavis ORCH

1111.1ST LAST4ALWAYS/sEE GOSH GOLLY VI 19164 V

1112. KY SURES UR BORn/bRAN NEW GAL VI 19216 V+

Carlos Gardel
1113.0uele cri ollo/al'ja en pena odeonf1 38012 e-
Judy Garland

1114.LUK FOR SILVER LIn/mERRY XMAS MGM 30212 E

Errql Garner

111 5. wots nu/summertime co 39388 n

1116. grt xmas/ part 2 futurama 3005 n

1117. frantonality/where OR WHEN MER 5008 E

Blind Leroy Garnett

11 18. Lou I si ana Glide/Chain me down

Pa

12 N

Glqri a Geer

1 1 19. Melancholy/moan I N low re 8858 V+

Gene's MERRYmakers

1120. HEDDIN FOR W EDD I n/SUD NY IN CAR ME 12688 E

Georgetown Cotton Pickers

1121 . im lucky now/evywhr u go ca 8133 v-

The Georgians

1122. Sister Kate/Chicago Co 3775 V

1123.Aggravatin Papa/Loose Feet Co 3825 V+

1124.SWANEE RVR BLs/oLO FASH LUV CO 30 D E

1125. Mama Luvs Papa/Land o cottn bl co 3987 V-

1126. LERN TO DO STRUT/SITTING PRTY CO 81272 E
1127.SHK U FT /OLD FASH LUV CO 30 V

JEAN GERMAIN/HANK JONES

1128. THE CHASE/ NITE MUSIC DIAL 1037 N

VERNON GEYER

1129. NVR TELL U I LUV U/MOON IM IN BB 6864 E

1130. EL CHOCLO/S I BONEY BB 7382 E

1131 . som 0 oes oays/limebouse BL BB 6958 E

Arthur Gibbs 4 his gang

1132.8eale st mama/lou i svi llf i.ou vi 1 90~>0 e-
Terry Gibbs sextet/Mary lou Williams

1133. t4s jr/ d wn beat br 302l3 n

Harry Gibson

1134. GET JUICES AT OEUCES/h I PSTERS BLS MU 292 E-

1135. 4f ferdy/barre, -house boogie mu 293 v+
Gene Gifford

1136. new orleans twist/nothin but 3l b8 10704 n-

OIZZY GILLESPIE
1137. OUR OELIGHT .GOOD , DUES B LS MU 399 E

JAZZ G I LLUM

1138.1 CUDNT HLP IT/DEEP WTR BLS BB34O709 V

TYREE Glenn

1139. LIL WHITE CLD/TELL ME WHY RR 543 E

Lou Gold Orch

1140. BEAUTIFUL/LUHA8LE 4 SWEET HA 976 E

1141. PICCOLO PETE/(LLOYD KEATING ORk) HA 1052 E—

1142. WHEN IM IN LUv/(lEO BANCROFT ORK ) PE 15237 E-
1143.S0ME0NE/|D LIKE 2 B GYPSY HA 1042 E-

1144. GIND BBY 2 LUy/(j FENWVCK ORk) HA 1374 £

1145. PRETTY PUPPy/(mAX TERR ) PE 14470 V-

1146. nobody crs if im bl/lonely ( clvdrs ) pe 15331 e

Ernie Golden' s Orch

1147. Persian ^jg/rain or shime ha 622 V

1148. HUSH OF NITe/siLVER LINING LUV CO 1906 E

GOLDEN 4 HUGHEs/mINSTELS

1149. darkies schooloays/m i nst1el co 5251 e

Golden Gate Orch

1150. mebbe who knos/lll anyting 4 u ha 959 e

1151 .SAY IT WHILE DANCNg/pRDE WDN SLDRS CAMEO 226 E

1152. why did i kiss dat girl or 181 v-

1153. who/gin gin ginny shore re 9129 v+

Jean Goldkette

1154. sunny d isposish/litl brdy tolo me vi 20493 e-

1155. slow ri ver/(shilkret) VI 20926 N

1156. MEET MY SWEETIE N0w/( SH I LKRET ) VI 20675 N—

1157. H00SIER SWHT/(SHILKRET ORK ) VI 20471 N
115S.OINAh/aFTER SAY SORRY VI 19947 E

1159. DI NAH/AFTER SAY 6RY VI 19974 E-

1160. CVR UP SNSHNE V I Rg/mY DRM MOON VI 19317 E
1161. IN EVENING/WHRE LAZY DAISIES GROW VI 19308 E

1162. LONESOME 4 SORRY/GIMME LITL KISS VI 20031 E

1163. KENTUCKY LBy/lUV TO CALL U SWTHT VI 20257 E

1164. DR I FT ING APART/CASTLE IN SPAIN VI 19975 E+

1165. G IMM1 E LIL KISS/LONSOM 4 SORRY VI 20031 N

1166. KENTUCKY LULLABy/( JESSE CRAWFORD ) VI 20257 E
1157. LITL WHT HOUSE ON HM.l/bRDS I VW VI 20268 E

1168. HUSH A BYE/lOOLIZ ING VI 20270 E+

1169. LANE IN SPA In/|F STRS PRTY BA8YS VI 20491 N-
II^O.sl rvr/whn MRNG GLROIES WKA IN MNG VI 20981 N
1171. FUNNY DAT WAy/drM TRA I N (SH I LKRET ) VI 21853 N-

(ABOVE g* HAIR CRACK)
1172.01 nah/after SAY SORRY VI 19947 E

goldman band

1173. °ersi an march/egyptian march vi 19731 £—

billy golden/ada jones 4 len spencer

1174. yaller gal/pals— bowery dialect vi 16164 v+

Nat Gonei.la

1175. U CNT BWNG ON LUV SNg/mOANIN D BLS PAE 938 N

Al Good ma \

1176.SPELLEou»Vccr-.<:R70 (12") VI2S0404 E

EENNY FOODMAN

VI 36205 E-

VI 36205 E+

CO 36755 V

CO 1180 V

1131.E10THER 8IU./U ALWAYS HERE CAP 57788 V+

cap 374 V+
BR 80023 E
CA 15008 E+
BA 260 E
BR 80029 E+
cap 15286 E+
CO 35810 N—
CO 36219 V
CO 36594 N—
CO 36594 N-
CO 36613 E/V
CO 36622 E
CO 36652 E

1177. iINC SING SING PTS 142(12")

1178. s|,\ig sing simg pts 142(12")

1179. fiesta in bl/anyting but luv
1180. lonu as i lw/*ang wang bl

l/u

1182.10NELY KUTs/v.,1 I 3TLE BLS
1184.MUSKRAT RAV:.Lr/AF7ER AWHILE

1186. riiaGiSllNl/G0NNA GET A GIRL

1187. six appeal/gone WITH WOT WIND

1188. JUNGLE BLS/ROOM 1411

1189. VARSITY DRAG/MAIDS OF CADIZ

1190. ROYAL GDN BLs/wHOLLY CATS
1191. SOFT AS SPRING/DOWN DOWN DOWN

1192. WANG WANG Sl/waY U LUK 2NIT

11 93. WANG WANG 8l/wAV U LUK 2n I T

1194. TAKE ME/lDAHO
119SVGOT GAL KALAM/SRNADE IN BL

1195. Y DONT U DO RITE/6 FLATS UNFURN

1196. WI88I3N' T0.MG8C0* CO 3668B B+
1 I 97. ROSE R 00m/ A I R MAIL SPCL CO 36720 V

1198. WANG WANG BlA-ONG AS I LIV CO 36723 V

1199. FIESTA IN BL/CANT GIV ANY BUT LUV CO 36755 N-

1200. NU K1NDA LUV/CLOSE PGS IN BK CO 36787 E
t£01 .SYMPHONY/MY GUYS COME BACK CO 36874 V+

1202. tiger rag/aint MISBEHAVIN CO 36922 N

1203.1 got rhythm/she FUNNY DAT WY CO 36923 N

1204. GA JUBILEE/EMALINE JAZZ CLASSICS 528 N

1205. JERSEY BOUNCE/STRING PEARLS OK 6590 V

1206. ZOOT SUIT/MY LITL COUSIN OK 6606 V
1207. SOMT IMS IM HAPPY/KING PORTER VI 25090 N-
1208.SOMTIMS im happy/king PORTER VI 25090 V+
1209.sandman/gooobye vi 25215 N—

1210. SENT U YESTDY/ANGLS S I NG (+MERCER ) VI 26170 N—

1211. Tiger Rag/Sweet Sue Hmv 8531 E+

1212. MELANCHOLY BABy/wH I 3PER I NG HMV 8533 N-

1213. U OUNNO WOT LUV Is/rOCKING ORBT OK 6534 N-

1214. KING PORTER/SMTMS I VI HAPPY VI 25090 E

1215. FIESTA IN BL/CNT GIV U ANY BT LUV CO 36755 N-
1216. SING SING SING (12") VI 36205 E+
1217.RIFFIN AT RITZ/ALX RGTM BAND VI 25445 N
1218. SNT 4 U YESTDY/ANGLS SING VI 26170 N/E

1219. ALX RGTM BANd/riFFIN AT R I TZ VI 25445 E

1220. RIFFIN AT RITZ/ALX RGTM BAND VI 25445 N
1221 .SWT SUE JUST u/MEL.BABY VI 25473 N
1222. SWEET SUE/MENACHOLY BBY VI 25473 E+
1223. VI8R 8Ls/sTOMPINAT SAVOY VI 25521 N
1224.SWEET sue/i NEVER NU VI 26089 E
1225.GAL IN CALICO/RATTLE 4 ROLL COE F135 N
1226. SOMETIMES HAPPY/KING PORTER VI 25090 N

1227.WRLD is wting/soloflite CO 36684 E

1228. OONT B DAT Wy/sT0MPIN AT SAVOY VI 201549 E+

1229. SENT 4 U YESTOy/anD ANGLS SING VI 26170 V-

1230. LUV ME OR LEAV Me/xACTLY LIK U VI 25406 N-

1231. FOUND NU BBY/SWNGTIM IN ROCKIES VI 25355 E-

1232. body 4 soul/after UVE GONE VI 1251 15 N

32

35c MINIMUM BID

BOX 108, THE RECORD CHANGER, 418 WEST 49TH STREET, NYC 19, NY

P. O. MILLER

SEE PASE ONE OF AUCTION FOR INSTRUCTIONS

35c MINIMUM BID

1833,
1234.
1235,
1236,
1237,
1238,
1239,
1240,
1241,
1242,
1243,
1244,
1245,
1246,
1247,
1248,
1249,
1250,
1251,
1252.
1253,
1254,
1255,
1256.
1257,
125B.
1259.
1260.

1261.

1262.

1263.
1264.

Benny Goodman
.hiv me or leav me/xactly l i k
solo flite/wrld wait sunrse

LUV ME OR LEAV Me/xACTLY LI K U

.solo flite/wrlo wt fr sunrise
king porter/smt ims im happy
tking chnc on luv/cbn in sky

.MISSION TO MOSCOw/lTS ALWAYS U
FLYING HOME/FOUND NU BBY
FND NU BBY/SWNGTME IN ROCKIES
MOONGLOw/D I NAH
SWIT SUE/MELAN BBY
BLU SKIS/KING PORTER CANADIA
OUNNO ENUF ABT u/bL SKIS
LONG AS Liv/WANG WANG BLS
MOON GLOw/DINAH
TAKE IT/YOURS

MAN I LUv/BENNY RIDS AGAIN
MOR THAN U KNO/SPRMAN
LETS DANCE/TWI LITE DRm(duCHIM.
AS LONG AS I LUV/WANG WANG BLS
GOTTA B DIS OR Oat/1 ,2
OPUS LCL 802/BOTTA BE DIS OR
SHAKE DWN » STARs/nITE 4 DAY

shine/world WAIT SUNRISE

KING PORTER/SOMETIMES IM HAPPY
VIBRAPHONE BLs/sTMPIN AT SAVOY
VIBE EL/ST AT SAVOY
SUGARFT ST/CANT GIV U ANYTING

GOODRICH SILVERTOWN ORCH
where in wrld/tomorow

D.Gordon-Teddy Edwards
the duel pts 1 and 2

Dexter Gordon

LULLABY IN RHYTHm/tALK 0 TWN
OEXTERS DECK/BLOW MR DEXTER
(above RIM CHIP no gr)
GRAY GORDON
NEVER TOO LATE/CHOPSTICKS
OFF 2 C WIZARD/ONLY HAD BRAIN
PRINCE OF FELLA/u LAST WD I N I

J vl

25406

E

CO

36684

V

VI

25406

E+

CO

36684

N—

VI

25090

N

CO

35869

N-

CO

36680

N-

CO

3672 L

N-

HMV

8481

V

VI

25398

V

VI

25473

V

1 VI

25782

V

CO

37053

N-

CO

36723

N

VI

25398

N

CO

36067

E+

CO

5500L

N—

CO

55002

N—

CO

36224

N

Co

36723

N

CO

36813

N

atCo F

3088

N

PaE

2751

N

PaE

3002

N

VI

25090

N-

VI

25521

N

VI

25521

E+

LUVVI

25678

N—

21 1 67

(T_

DIAL

1028

N

DIAL

1038

N

Sav

914

N—

VI

26184

V*

VI

26328

E+

uv BB

7775

N

OK

40992

E

1265
1266
1267

GOTHAM TROUBADORS

1268. CHLO-E/SUNSHI NE

MORTON GOULD

1269. jarabe tapatio/la cumparsita co 4320 n

teddy grace with bud freeman orch

1270. si ng/bee but hate go home alone de 3463 v+

Jane Gray

1271. no land like oxland/dawn i ng ha 495 e-

Great White Way Orch

1272. BL HOOSIER BLS/(BROOKS JOHNS ORk)vI 19108 E

1273. ALL OVR NOTING ATALl/hOMES I CK VI 18963 E-

Jane Green

1274. meet my sweetie now/2 far 2 long hmv 2482 e

Phil Green

1275. Roberta/Casino oe Paris

Sonny Greer
12 76. sunny jungle/main st

1277. sat nite function/beggars bls

j i mm i e gr i e r

1278. wots d reason/dont be afraid

1279.SUMTING 2 SING ABt/oUT 0 D BL

Ken Griffin
ij cant b tru dr/dooole doo 000 rondo

Taylor Griggs Louisiana Melody Mkrs
moon drips away/ i one

PaE 231 N

CIR

vo

BR
DE

1280,
1281,
1282,

3004 E+
3012 V-

7355 E
1474 N-

228 V

tiny grimes quintet
boogie w00gie barb-q/bl har
Walter Gross

1283. thru the yrs/l kno tht u kno

1284. T 4 2/wiTHOUT A SONG

1285. time on hands/orchids in mnlt

johnnie guarnieri

1286. all d tings u r/carioca

Gulf Coast Seven

1287. Memphis Tenn/Papa get ur step

little mary hagan

1288. hush hr cum6 or man/blwn bbls
^OB Haggart Orch with ELLA

VI

40093

E—

ATI

854

M—

MU

385

N—

MU

386

N

MU

388

N—

Ma J

1054

E+

CO

3978

G+

ED BELLE 27 N-
4 LOUIS

1289. U WONT B SATIS/FRIM FRAM SAUCE BrE 03644 N—

Carl Halem Washboard Fi ve
willie d weeper/cake walkin bbies knick 4 n-
willie 0 weeper/cake walkin bbies knick 4 n

1290
1291

1292

ER/C

s/Dr

1293,
1294,
1295,
1296,
1297,

1298,
1299,
1300
T301
13 02,
1303
1304,
1305,
1306,
1307
1308,
1309
1310,
1311,
1312

HEEBIE JEEBIES/DR JAZZ

EDMOND HALL
SHANTY OLD S TOWN/CARAVAN
SHANTY OLD S TOWN/CARAVAN
BLUE INTERVAL/SEEI N RED
ROYAL GON BLS/nITE SHIFT BLS

hi society/bls at bl note
George Hall

MAY I NVR LUV AGIn/tAKE CARE

sissy/lets sail to drmlnu
infatuation/wot mks wrlo go rnd
OK toots/wen my ship cums in

UR HD ON MY SHLDr/eaRFUL OF MSC
AU REVOIR LAMOUR/SNGNG HAPPY SNG
TELL ME U LUV ME/SUMWUN I LUV
A PICT 0 ME W I TOUT u/bR NU SUIT
WHEEL 0 D WAGOn/mSTY ISLANDS
APPLE DUMPLI N/SMA; J TWN GRL

,PSE KIP ME IN DRMs/s SEI ISL
2 SIDES EVY STRy/mOON HANGS HI
2 SIDES EVY STRy/mOON HANGS HI

.WASNT LYING SED LUv/nVR MT AG I N
LUV WILL TELL/WHO LUVS U

KNICK

CMS

557

N-/E

CMS

557

N-/v

BN

31

E+

BN

29

N-

BN

28

N—

OK

5963

N

VO

40 04

E-

BB

5400

N

BB

5662

N

BB

5663

N—

BB

5802

N

BB

5936

N

BB

6127

N

BB

6267

N

BB

6398

N

BB

6509

E-

BB

6510

N

BB

6510

E+

BB

6579

N—

BB

6591

N-

1313
1314

1315,

1316

1317,

1318
1319
1320

1321
1322
1323
1324,
1325,
1326,

1327,

1328,
1329,
1330
1331,
1332,
1333,
1334,
1335,
1336,
1337,
1338,
1339,
13 40,
1341,
1342,
T3 43,
1344,
1345.
1346,
1347,
1348,
1349,
1350.
1351,
1352,

1353,
1354,
1355,

1356,
1357.

1358,
1359,

1360,

George Hall
_ h vn in my hrt/slvr mn gldn gt

.IF HRT CUD TALK/WEN POPPiES BLM

whstlng boy/1 kiss in million

Juan i t a Hall 4 4 Tunes
ol boo angles gone/ln mood 4 luv
Mal Hallett

YA GNA B HOME TONIt/wPNG WILLOW

GEORGE HAM I LTON
UNDER UR SPL/

BB 6700 N
BB 6801 E+
BB 6802 N

VI DJ837 N

21512 E-
21323 E-
20*01 V
20644 N
21632 V

105 N—

WAS SYNG TO MOON VI 25449 E

sun shwrs/feelin LIK MILLION VI 25602 N—

MILLERS DTR MAR I ANNe/u LI K 2 B DRM VI 25606 N

Johnny Hamp Orch'
Bl Grass/(Geo Olsen OrchJpikn ctn

0 luk at dat bby/wot do u say

3LK BTM/(GEO OLSEn)luCKY DAY

1 ocl bby/the WHISPER SONG
blue shadows/wot dya say
pse lemme drm in a rms /ml a bla rosa vi 21813 n

Gladys Hampton 4

4 squares only/star time

Lionel Hampton
slide hamp slide/hey 8sba rebop
hmward bound/evil GAL BLS

I KNO U KNO/SUNNY SIDE ST
IN MOOD 4 SWNG/SHU SHNRS DRG
I KNO THT U KNO/SUNNY SIDE ST
RING DEM BELLs/mUSKAT RAMBLE

Muskat Ramble/Ring dem ells
cntrl pk brkdwn/jack d bellboy

JUMPIN JIVe/mEM OF U
IN THE BAG/FLYING HOME
HEEBYJEEBYS ROCKIn/gIN FOR XMAS
CHINA STOMP/RHY RHY
FLY IN HOME/ I N THE BAG
HEY BABAREBOP/SL HAMP SLIDE

rhythm/china STP

DEN I SON SWI NG/WH I ZZ IN THE WHIZ

jumpin jive/mems OF U

HEEVYJEE8YS ROCKIn/gIN 4 XMAS
FOUND NU BBy/4 OR 5 TMS

DE 18754 E-
KY 605 v+
VI 25592 E-
VI 26011 V
VI 25592 V+
VI 26017 V+
VI 26017 V+
VI 26652 V
VI 26304 V/E
DE 18394 E/V
VI 26423 e/v
VI 25586 V+
DE 18394 E
DE 18754 V+
VI 25586 V
VI 26233 N—
VI 26304 N
VI 26423 n/e
VI 26447 N-
27278 V
26447 N-
26595 N
26652 N
26447 N

VI

VI

SMART ALECK/LOST LUV
FOUND NU BBy/4 OR 5 TIMES

fly in home/save it pty mama
central ave brkdwn/jack 0 bellboy
4 or 5 times/found nu bby

4 or 5 times/fnd nu baby vi 26447 v

Handy's Orch of Memphis
the snaky bls/fuzzy wuzzy rag co 2421 v

hookng cow bl/ole miss RAG CO 2420 E

livery stable bl/that jazz dance co 2419 n-
Annette Kanshaw

PRESH TING CALLED LUv/mEA,N 2 ME VO 1859 E-

mean 2 me/presh thing called luv vo 1859 v
John Hardee

NERVOUS FROM SERV I CeAh I NG CLD LUV BN 520 £-

tired/bl skies bn 513 e-

diamond lil har dway

u kno i kno/ back in d cntry de 7193 v
Bob haring Orch

1361.1 WAS BANDY U WRE BELl/tHATS GA CA 1118 E-

1362. RED HOT MAMA/GWAN WITH IT CA 562 E-

1363. EVYTING GNA B ALRITe/aFTER A WHLE CA 903 V

harlem footwarmers (ell ington )/venuti bl 4

1 364. rock in in rhythm/ found nu baby 0dg286036 n

Harlem Wildcats (kardos)

1365. scat song/howm i do in

harmon i ans

1366. WHERED U GET DOS I's/y I LUV u(d
1367.i WAY TO HEBN/lF U WNT RAINBOWS

Tony Harper

1368. candy stre bls/dolly's lullaby

1369. CANDY STRE BLs/d0LLY*S LULLABY

bill harris

1370. cross country/mean 2 me

1371 . mean 2 me/cross country

marion harris

1372. evyboy but me/left lone agin bls

1373. go man hrd to fnd/4 jonny 4 me

Clyde Hart's All Stars

1 374. wotsa mtr now/thats the bls

George Hartman Orch

1375. t i n roof/jazz me bls

1376. always/darktown strutters ball

1 377 . angry/h i ndustan

1378. hindustan/angry

1379. darktwn strts/always

1380. drktwn strtrs/always
1381 .oiga d i ga doo/muskat ramble

Morton Harvey

1382. Memphis Bl/Mi ssi ss ippi Barbecue

Coleman Hawkins

1383. crazy Rhythm/Get Happy

1384. hw deep is ocean/stumpy

1385. v00dte/hawkins barrelhouse

1386. bean at met/ln mood 4 luv

1387. RECOLLECT I ONs/oN THE BEAN

1388. W00DYN u/RAINBOW MIST

1389. YESTERDAYS/BU DEE DAHT

1390. FEELING ZERO/DISORDER AT BORDER

1391 . MEET DOCTOR/FUNNY DAT WAY

1392. NETCH AS DRM/CHICAGO

1 393. RA I NBO MISt/wOODYN U
13 94.CHICAGO/NETCHAS DRM

1395. HONEYSUCKLE ROSe/cRAZY RHYTHM

1396. BODY 4 SOUL/HAD 2 B U

vs

6015

E

G )HA

198

V-

HA

702

v+

CO

38299

N

CO

38229

E

KE

618

N-

KE

618

E-

CO

2939

E

VI

I8535

V-

CONT

6013

E

KY

601

V

KY

613

V

KY

627

n/n-

KY

627

E

MER

5176

E+

KY

613

n/e+

KY

602

N—

VI

17657

V+

SIG

28104

N-

SI G

28102

N-/E

SIG

28101

E

KY

610

E+

JD

8251

n-/e

AP

751

E-

AP

752

V+

AP

753

N-A

BB

10477

E-

DE

661

e/v-

AP

751

v+

DE

661

v+

VI

26219

E

BB300825

N-

OE 661 N
DE 18251 V

VI201639 N
BB 10932 E
BB300830 V
BB 11547 N

DE 1882 V+
OE ' 2048 E+/v

ARG VI601951 N-

COLEMAN HAWKINS

1397. NETCHA'S DRM/CHICAGO

1398. WELL ALLRITE THEn/sTARDUST
1 9 . ERSKI NE HAWKI NS

1399. LET PUNISH FIT CRM/l LIVING I BB 10218 N
1400.STR1 CTLY SWING/WOT DO U KNO ABT LUVBB 11012 V

1401 . WOT U KNO ABT LUv/STRICTLY SWING BB 10012 E-

1402. remember/ti PPIN IN

1403. NORFOLK FERRY/PUT SLF IN MY PLC

1404. LUCKY 7/KING PORTER

1405. jump I n In jlp Jnt/bicycle bnce

(ABOVE i" RIM CHIP)

Edgar Hayes
1406.Star Dust/in the mood

1407. U FRST THOT EVY MRn/shINDIG

HECTOR

1408. el jazz me entr/copacabana

heidelberg quintette
14 09.wtng 4 pobt e lee/tk me to cabaret vi17141
Fletcher Henderson

1410. SUGAR FT ST/WOTCHACALLEM BLs(LAM CflJcO 395
1411. T ID At WAVE/HARLEM MADNESS
1412. SUGAR FT STP/(RAY NICHOLS)
141 3. STAMPEDE/MONEY BLS

1414. VARIETY STOMP/ST L BLS

VICKIE HENDERSQM

1415. FU I A virg./yo CANTARE

Victor HERBert6 Orch

1416. Angeles seren/largo

Woqoy Herman

1417. bij0u/put rinqon finger
141 8. intermebzo/lazy rhapsody

1419. IRRESISTIBLE u/mLKMN KIP BTLS QT

1420. MY FLSH HRT 4 l/lD LUV U AGAIN

1421. NWEST PSGE/JUNE CUMS AROUND

1422. YR FTRS MUSTACHE/GUD TO HOLD
1423.1 DOOD IT/B NOT DISCOURAGED
1 424.WUDHPRS BALL/WITH SUMWUN NU

1426. BLU even/indian BOOGY

1427 . WHEV HAP TO u/DREAM VALLEY

1428. CASBAH BL/FAREWELL BLS

1429. BL ON PRDE/PEACH TREE ST

1430. STARS REMA IN/SHUDDA KNWN U YRS AGO DE 3544 N

1431. DLIVR ME TO TENN/AMEN

1432. THIS TIME DRMS ON Me/bL IN NITH
1433.SUMB00Y LUV Me/bABY BY ALL D TIME

1434. cnct0 b fl min/luv u mor evy day

1435. amen/olvr me

1436. hot chestnts/4 or 5 times

1437. elise/yrdbrd SHUFFLE
1438. or jazz/truble IN MIND

1439. bls dwnstrs/blsupstrs

1440. BLS upstrs/bls dwnstrs

1441 . CASBAH BLs/pAREWELL BLS

1442. MILLIN DRMS AGo/RHUMBOOG I E

1443. RVR BED B LS/DALLAS BLS

1444. JUK IN/HERMAN AT SHERMAN

1445. BEAT ME DADDy/thER I GO

1446. rose oday/sumwun ROCKIN DRMBT

1447. TOO LATE/FT WORTH JAIL

1448. GOOSEY GANDER/a KISS GON I TE
1449.8 I JOU/PUT RING ON MY FINGER
1450.TERRISSITA/BL IN ADVANCE
14S4.WH0 DAT UP DERe/lEMME LUV U TON IT
1455. I RRES 1ST IBLE U/MILK

LKMN KP BTLS QT

cr)co 395

V-

HMV

4994 E+

BB

5904

V

CO

35669

N

BB

10246

N

COS

14737

N

VI

55040

E

CO

36861

E+

BrE

03256

E

DE

18603

e/v-

DE

4916

N

CO

36835

e/n-

CO

36870

N-

DE

18506

N—

CO

37238

E

DE

2250

N-

DE

3461

N

OE

2582

E-

DE

3501

E

0 DE

3544

N

DE

18346

E

DE

4030

E

CO

37820

E

DE

3973

E+

DE

18345

E

DE

18526

e/e-

DE

4353

E+

DE

1307

E

DE

2508

N—

DE

2508

E

DE

2532

v+

DE

3396

v+

DE

2629

E

DE

3272

V

DE

3454

E

DE

4113

v+

DE

4293

V

CO

36815 E+/V

CO

36861

V

MARS

100

E

E DE

18619

e+/n

DE

18603

E+

E DE

18578

E+

DE

18506

V

CO

36985

N—

CO

36870

N-

CO

37238

E—

DE

18364 E+/E

1457.1 DOOD IT/BE NOT OISCOURAGEB
1458. SURRENDER/THE GOOD EARTH

1459. YR FATHERS MUSTACHe/gD TO HOLD U

1460. WOOOCHPHS BALL/ WITH SUMWUN NU
1461 .OOCH OOCH GOON ATCh/3 LIL SJSTRS

Her Majesty, the Queen ofEngland

1 462 . msg e to women of empire, pts 142 hmv 3138 n-

His Majesty King George VI

1463. Victory msg to Empire pts 142 8/45 HMV 3453 N
(two above records on special label)

Harmonica 4 Drums

1451. trit me lik i trt u/luvlund bls

The Three Harpers

1452. Ritual fiRE Dance/Mean 2 me

Tony Harper

1453. fABBY the Cat/My ^vyting

Harry Hershfield

1464. kab ibble at ball g m/kab i bble dic

H.M.King George VI

1465. MSG TO EMP. PTS142, XMAS DAY 194,

1466. MSG TO EMP PTS142 CO RON. DAY 1937
ABOVE TWO RECORDS ON SPECIAL LABELS

His MabesTies life guards band (12*)

1467. POET 4 PEASANT OVERTURE PTS 142 VO 35008 E+

His Majesties Irish Guards Band

1 468. OLD COMRADES/LIGHT OF FOOT ISI PHONEG 2273 E+
Ml LT HERTH TRIO

14 69.h0nkyt0nk tr bl/grl lite bl hair

Eddie Hey wo op
1470. st louis bl/mity lak a rose
1471. lover man/begin beguine

1472. save ur sorrow/taint me

1473. begin beguine/lover man

1474. t'aint me/save yr sorrow

1475. dream house/maybe ull be d girl

1476. LOCH LOMONo/l OUNNO WHY

1477. u md me luv u/heywood bls

Curly Hicks

1478. taproom stomp/twilite mldy bb 8964 n

1479. pokr prty plka/jenny lind plka bb 11536 n

OK

5947

N

APO

1109

N—

CO

38265

N

CO

2907

E

HMV

3329

N

GRE

15

N

OE 3158 E+

CO 44283 N
DE 23398 E
CMS 554 E+
OE 23398 N-
CMS 554 E-
VI 21392 E-
DE 23590 E+/E
DE 23677 N/E+

33

35c MINIMUM BID

P. O. MILLER

BOX 108, THE RECORD CHANGER, 418 WEST 49TH STREET, NYC 19, NY
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS

35c MINIMUM BID

Curly Hicks

1480.limehouse bl/h i ndustan bb 10715 e+

1481. La rosita/el CHOCLO BB 8835 E

1482. thats a plnty/allahs holiday bb 10922 n-

Art Hickman

1483. peggy/tell me why co 2812 e
1 484. wh is per i ng/l f wish cuo mak it so co 3301 v

Alex Hill 8bcb-

1485. tack hed bl/stompin em dwn br 80034 n-

1486. st0mpin em dwn/tack heo bl br 80034 v

(ABOVE j* HR CRK)

Chi ppie H ill

1487. r0urc t he clock/blk mkt bls ci 1013 n-

1488. charleston bls/carels lv ci 1004 e

High Hatters

1489.2 kno u is to luv u/oont HLD EVY VI 21791 E

1490. PLUCKY LINDYs/guD LIL BAD U VI 21909 E

1491. ARENT WE ALL/U GOT ME PKN DASYS VI 22146 E

1492. RNT WE ALL/u GT ME PKN DAISIES VI 22146 E

1493. so sympath/wr gldn dafdils grw vi 22307 E
1494.0NLY LuV Is real/wmn in shoe VI 22337 E

1495. MY FTR JUST PASSED/GT HAPPY VI 22444

1496. CHRFL LIL EARFUL/OVERNIGHT VI 22566 E—
1497.0NT HLD EVYTING/2 KNO US 2 LUV U VI 21791 N

1498. MAY B RONG/WAIT HPY ENDING VI 22105 N-

TINY HI LL

1499. ANGRY /COM IN HME TO STAY MER 6001 N-

1500. CMN HM 2 STAy/anSRY MER 6001 E+

r ichard himber

1501 . drl je vous a i me/day drmng de 4036

Ferdinand Himmelreich

1502. the rosary/ flowe i sng vi 17055 e-

EARL HINES

1503. FATHER STEPS In/p|ANO MAN BB 10377 V+

1504. A I NT GOT NOBODY/57 VAR CO 35875 N

1505.57 var/aint got nobody co 35875 N-

1506. 67 var/aint got nobody co 35875 E+

1507. SUNNY SIDE STR/MELANCHOLY BBY VI 27562 E-

1508. A INT got nobody/57 VAR CO 35875 N

1509. just too soon/just to soon HRS 11 N

1510. ROSETTA/CAVERNISM BR 6451 E+

1511. B.W. ON STL Bl/nBR 19 BB 10674 V

1512. FATE IN UR HANDS/HONEYSUCKLB ROSESIG28110 E

JAMES E HINES
1513 .YES GOD IS REAL/LK 4 ME IN HVN DELUX 3179 V

LES HITE

1514.WRLD WT 4 SNRISE/BOARD MTNG BB 11109 N

15B.UUSTA BEEN A DRm/t-BONE BL VR 8391 N

ART HQBES

1516.CHNQS MADT/CLARK 4 RANDOLPH BN 508 E

1517. INDI ANA/GET HAPPY DE 18438 V

1518. ORGAN GRNDR BLs/sLCTION FR GTR CMS 545 E-

1519. GA CAKE WALK/LIBTY INN DRG DE 16437 V

1520. SHE JRYIN 4 ME/SLW EM DWN BL BN 506 N-

1521 . DR JAZZ/SHO SHNRS DRAG BN 507 E+

1522. CLARK 4 RANDOLPH BN 508 N-

1523. BACK RM BLS/LOW DWN BL BN 526 E

1524. M K BL/JUG HED BOOGIE BN 527 E—
1525.ST LOUIS bl/arts BOOGIE BW 2 V

1526. FEATHERS LAMENt/mEZZ I N AROND SE 10007 E

1527. LIBTY INN DRg/gA CAKE WALK DE 18437 E
1528. SUGA RFT STMP/SW GA BROWN BN 34 E/N-
1529. SQUEEZE ME/BGL CALL RAG BN 35 N-
1530. SHAKE DAT THINg/aPEX BLS BN 45 E/N-

JOHNNY HOOGES

1531 . HRT JMPD OVR MOON/TRLY WNDRFL BA 239 N-

1532. HRT JMPD OVR MOON/TRLY WNDRFL BA 239 E

1533. THATS BLS OLD MAn/gUD QN BESS BB 11117 E-

1534. PASS ION FLWRS/GOIN OUT BACK WAY BB300817 V+

1535. JEEPS 8LS/RENDEZ Wl RHYTHM CO 37837 N/N-

1536. RENDEZ Wl RHYTHM/jEEPS BLS CO 37837 E

1537. WISHIN & WA IT I N/BEAN BAG Bl MERCER 1957 N-

1538. JUNES JUMPIn/v IOLET BLUE MERCER 1961 N

1539. JEEPS BLs/flENDEZ Wl RHYTHM CO 37837 N-

1540. pass ion flwr/goin ot bck way bb300817 e

1541. gd qn bess/dats d bls old man bb 11117 e

1542. junes jumpin mercer 1961 n-

1543. searsys bls/lt zoomers drool mercer 1970 e

1544. jeeps bls/rende7 wl rhythm vo 4115 v-

josep hofman

1545. turkish mch/wltz in c# mnr br 15057 e

hokum boys

1546. d0 u catch on/ evy man 4 himself vo 03386 e

Billie Holiday

1547. fine 4 mellow/strange fruit cms 7513 n-

1548. MUST HAVE DAT MAn/fOOLIN MSELF CO 36207 E

1549. FI NE 4 MELLOW/STRGE FRUIT CMS 526 v/e
1550. if u were mine/moonlight CO 32206 E

1551 .CANT GET STARTED/lVE GOT DATE PAE 2609 N

1552. L0VER/I CVR WTRFRONT CMS 559 E+

1553. GA ON MIND/LES DO IT BA 206 E+

1554. LAFFING AT LIFE/TELL ME MORE BA 217 E

1555. LONG GONE BLs/AM I BL CO 37586 E+

1556. LONG GONE BL/AM I BL CO 37586 N
1557. STRANGE FRUIT/FINE 4 MELLOW CMS 526 V-

1558. YESTERDAYS/G0T RITE SING BLS CMS 527 n/e-

HOLLYWOOD DANCE ORk/lOU GOLD

1559. HAPPY IN RAIN/SUN AT MY WINDOW BA 6234 E

HONEY DRI PPER

1560. COLO IN HAND/DRTY MTHR FUEHER U DE 7160 V

HOTCHA TRIO (PRIMA. ROSE 4 GAST)

1 561 . CH I natown/d I NAH BB 5296 E+

BOB HOWARD

1562. EASY LIVIN/SING 4 8 HPY DE 1357 V

Eody Howard

1563. beside u/wud u blieve me maj 1123 v+

dean hudson

1564. ALMA MATER/WASH 4 LEE SWING BB 7458 e/v+-

HONOLULU SERENADERS

1 565. Honolulu Stmp/mele of hawai i vi 21120 v

WILLIAM F HOQLSY

1566. WEARING0 0 GRN/OFF TO PHILLY VI 17348 E

BOB HOPE 4 SHIRLEY ROSS

1567.2 SLEEPY PEOPLE/WEN WERE ALONE DE 23545 E+

GEORGE HORNSBY

1568. JESUS GV ME A LTL LITe/by 4 BY AM 521 N-

Spike Hughes

1569. ar abes que/ nocturne de 18179 n

Helen Humes

1570. FORTUNE TELLIN MAn/wUD IF I CUD SAV 5513 E+

1571. W»D IF I CUD/FORTUN TELLIN MAN SAV 5513 N-

1572. DID U EVR LUV A MAn/vOO IT PH I LO 121 E
1573.SUSPIC bls/kp YR MND ON ME SAV 5514 E+

PEE WEE HUNT

1574.THATS A PLENTY/ROYAL GRDN BL CAP 893 E+

1 575. SUMBUDY ELS NOTME/12 ST RAG CAP 15105 e/v-

1576.12 st/sumbody ELS NOT ME CAP 15105 N

1577. DILL PICKLES/TIGER RAG CAP 57773 V

1578. WABASH BL/HI SOCIETY CAP 15283 E+

LESLIE HUTCHINSOn(p|AN0 SOLO)

1579. DELITE0 TO C U AGIN/GONE PAE 705 E-

BETTY Hutton

1580. WHIO KICKD LITE PLg/ DEMON DEVL VI204000 E

June Hutton

1580A. FELLOW WAITIN IN PKEEPSIe/aCC PSTV CP 180 E+/v

Jack Hylton

1531. Vienna city of my drms/bolero VI 25533 N-

1582. LIFT FINGER 4 SAY TWEET/mAR I ONETTE VI 22-67 V-

RED INGLE 4 NATURAL SEVEN

1583. TEMPTAT ION/SENT IMENTAL R EASONS CA 412 G+/n

1 584. pearly maude/cigs whiskey wild wmncap 15045 v+

i nk spots

1585. if i didnt care/whispering grass de 23632 e+
inspirational singers

1586. tell jesus all/ i call jesus songsftaft 1001 e—

Instrumental Trio

1 587. trau mere i /ave maria ok 4285 v

international novelty ork

1588. me neenyah/flor ida vi 19632 e

1 589. abandonadoVros I TA VI 19218 V

1590. EL CHOCLO/Y como le VA VI 21393 V

1591. CZARDAS PRINCESS WALTZ 4 1 STP VI 77772 E

1592. my buddy/when WINTER COMES VI 18995 E

I PANA TROUBADOURS
1 593 .STEPP I N ALONG/2 WONDFUL 4 WDS CO 1947 V+

REX IRVING BOYS

1594. PICKANINNY DOW. DCBs/oLO TIM MOVIES VS 8279 E

BULL MOOSE JACKSON

1595. LUV BELONGS 2 ME/BOWL EGGED WOMAN K) 4189 E/V

PAPA CHARLIE JACKSON

1596. SALTY DOG B
1597.SHAKE DAT

BLUES/SALT LAKE CITY BL PM 1893 V+
THNG/FAKIN
MAHALIA JACKSON

bl(rm chp 3 gr)pm12281 v
194 E+

CMS 1505 E+
CMS 1504 E+/e
CMS 1504 E-
CMS 1505 E-
CMS 1513 E

1 598. T I RED/ AMAZ I NG GRACE

MYRTLE JACKSON

1599. CALL JESUS MY ROCK/UNDRSTND BTR COR 65081 E

BUD JAC03S0N JIINGI.F KINGS

1600.opus #1/1 cant believe cen 4019 n
Henry Jacques Orch

1601 . EL CAPULL I TO DE ALEL|/aLICE BL GWNHMV 5114 N

illinois jacquet

1602. flying home/pts 1 42 ph i lo 101 e

1603. weary bl/groovin mer 8968 e+

1604. jacquet bounce/jumpin at a pollo apo 766 n-
16 05.bl mooo/jumpin jacquet sav 593 v+

Nat Jaffe

1606. how can u faceme/keepin out sg 28112 n

1607. zonky/black 4 blue sig s i — 1-3 n-

Jam Session at CMS

1608. GD MAN HARD TO FIND PTS 344
16 09.GD MAN HARD 2 FIND/pTS 142

1610. gd man hard 2 find 142

1611 . gd man hard 2 f i nd 344

1612.0 kathar i ne/bas i n st bl

jam sessidn at victor

1613 . honeysuckle rose/blues vi 25559 e

Billy James Dance Ork/Yankee 10

1614. wl0 fhru rose clrd glasses/belongs 2 me 0r654 v+

harry james

1615. flash/all nothing at all co 35587 v-

1616. montevideo/music MKRS CO 35932 E—

1617. JUST A MOOD/PART 2 JC 530 N

1618. DAYBREAK/MANHATTAN SERENADE CO 36644 E+/v

1619. ciribiribin/avalon CO 35316 V

1620. DNDT MEAN A Wo/wHOS SORRY NOW CO 36973 E

1621.1 OCLOCK JUMP/2 OCLOCK JUMP CO 36232 E

1622. NITE SPECIAL/BACK BEAT BOOGIE CO 35456 E

1623. BEAUMONT RIDe/dOES IT GET LATE CO 37080 E

1624. BACK BEET BOOGIE/nITE SPECIAL CO 35456 N-
1625. I M IN MKT 4 u/cONCERTO 4 TRUMPET CO 35340 N-

1626. TRUMPET RHAPSODY PTS 142 00 36160 C+

1627. LONG LONG TIME/AUTUMN SERENADE CO 36838 V-

1628. JAMEC SESSION/HEARD U CRIED CO 36677 V-

1629. M00NLITE BECOMES u/hEARD SONG B4 CO 36668 V^-
1630. STRICTLY INSTRUm/lONG WAY FROM HM CO 36579 V

1631 . TRUMPET RHAPSOOY PTS 142 CO 36160 E

1632. MEMPHIS BL/SLEEPYTIME GAL CO 36713 N-
(ABOVE RM CHP NO GR)

HARRV JAMES

1634. LOVER HAS GONE/CONFESS I N CO 36773 E

1 635. CONCERTO FOR TRUMPEt/fl I GHT OF B CO 37144 n/E+
1636.1 OCLOCK/2 OCLOCK CO 36232 V+

1637. NOBODY NOS TRBLe/yOUVE CHANGED CO 36412 e/v

1638. TRUMPET BL/SLEEPY LAGOON CO 36549 E—
1639.1 CRIED 4 u/LET ME UP CO 36623 V

1640. BABY WOT U DO 2 ME/CHASI NG RA I NBWS CO 36899 E

LEWIS JAMEs/hENRY 3URR

1641 . TIRED OF ME/ROSE OF WASH SQ CO 2928 V

ART Jarret Ork

1642. Nickel Serenade/deli lah vi 27571 N

jazz at the philharmonic

1643. blues pt 142 ois 6024 e

1644. 'sls pt 3/lester lps is pi 1 dis 6025 e

gloria jean. soprano

1645. annie laur i e/penqu in song de 3116 n

blinj lemon Jefferson

1646. BLACK SNAKE MOAn/maTCH DOX BL JC 51 1 N

Herb Jeffries w/ eddi; beal trio

1647. save me a dre.am/br enuff clothes exc 107 e+

Jack Jenny

1648.1 walk alone/stardust co 3-6 e+

1649. cuban boog i ewoog i e/staroust jay 2 n-
Jerry Jerome

16 50.grl 0 my drms/rai nbow bls kb£h 500 n-

1651. people will say/jammin wit jerry a89h 820 e

Red Jessup Meqody Makers
1632. u here u ther/nevr tell u i luv u vo 3477 e

al jocker's woodmansten ork

1653. who'll take my place/slue c a 261 e

1 654. truly/dont BRING ME POSIES CA 260 E

brooke johns 4 his orch

1655. nobody but u/luv my harts calling vi 19163 v+

Johnson Brothers

1656. careless luv/ i want 2 c my ma vi 20940 e+

BUNK JOHNSON

1657. DO right baby/margie am 511

1658. SEE SEE RIOER/TIGER RAG AM 251 E+

1659. CHIEF BATTLE AXE/bLUE BELLS GBYE Jl 13 E+

16 60. WEARY BL/FRANKLIN ST BL J I 12 E+

1661 . PANAMA/WHEN YOU WORE A TULIP AM 255 E+

1662. Ace in the Hole/Careless love jay 5 N

1663. YES YES/LOWDOWN BL AM 253 N

Geo V Johnson
1 664.laug h i ng song

James p Johnson

ZONOPHONE

71 V-

1665. t never knew/snowy morning bl asch 24 e

1666. vari at i ons in pazz pts 142 asch 350-3 n-

1667. variations in jazz pts 142 asch 350-3 e+

1668. wild abt patooti e/(lee collins) jay 12 e+

Jimmy Johnson Ork

1669. after toni te/harlem woogie vo 4768 v+

Johnny Johnson

1670. speedy boy/grass grows greener vi 21275 v

1671. we/way back when(f. WARING ) VI 21058 E

1672. LAST NITE DRMD U Kl SSED/(HARKNESS ) VI 21498 E+

1673. 1ce in a lifetime/sunbeams VI 21677 N—

leroy j0nn50n

1674. texas sand/syncopated swing bb 8075 v

lonnie johnson

1675. gud ol wagn/w0mn(j p 4 alley fiddle >ok 8358 v

Mary Johnson

1676. barrel house bl/key to mtn bl cen 3016 n-

1677. BARREL HOUSE FLAT Bl/kEY TO MTN CEN 3016 N-

Pete Johnson

1678. bl on downbeat/k c on mind de 3384 e

1679. cherry red/baby de 4997 v

PETE JOHNSON AND ALBERT iiVWONS

1680. CUTTIN THE BOOG I E/ BARREL HOUSE BW OT 27504 E+

1681. WALKIN THE BOOGIe/b Wl MAN VI 27505 N
1632.M0VIN THE BOOGIe/fT POL BOOGIE VI 27505 N-
1 633. BARRELHOUSE BOOG I e/cuTT I N THE BOOGIE VI27504 E
1634. FT PEDAL BOOGIE/MO/IN THE BOOGIE VI 27507 N-

JOLLY J I VERS

16 85. HUNGRY MAN SCUFFLE/PIANO STOMP CRL 24 N

1686. HUNGRY MANS SCUFFLe/p I ANO STOMP CRL 24 N-

1687. PIANO STOMP/HUNGRY MAN'S SCUFFLE CRL 24E+

AL JQLSEN

1688. WONDER KID MA0RI0/(j KAUFMAN ) CO 2898 V

1689. WONDER KID MADR Id/( KAUFMAN ) (dig) CO 2998 V
1590. SEVENTH HEAVEN/LITTLE PAL BR 4400 E-
1691 .TOOTTOOTTOOTS I E/TRU BLU SAm(lAM Cr)cO 3705 E-
1692.0HIo/LAND WHR SWT DADDIES GROW CO 3361 V+

1693.avalon/ol pal Y DONCHA answ ME CO 2995 E-

1694. IN SWT SEPT/EARLY IN MORN CO 2946 E-

1595.W0NDER KID MADRID/(j KAUFMAn) CO 2898 E-

1696.SWANEE/MY GAL CO 2884 E

1697. A I NT HERD NOTH I N YEt/(b|LLY MURRAY )C0 2836 E

1698. TELL ME/WONDERFUL PAL CO 2821 E

1699. CAPTN WORKIN 4 ME NOw/uP IN AIR CO 2794 E-

1700. POKER WITH POCAHONTAS/ALEX BK I NDX CO 2787 V

1701 . ROKABY WITH DXY MLDY/ALI CE I'm IN CO 2560 V
17 02.WEDOI IMG BELLS/JUST A LITTLE COTTAGECO 2512 E+

1703. LUMP SUGAR IN DXy/l|L BIT 0 DIXY CO 2491 E-

1704. mason dixon l i ne/darktown struttersco 2478 e—

1705. pray 4 sunshine/follow me co 2169 e

1706. sent wife to 1000 i sls/1 00 2 1 luv co 2021 e-

1707. sonny boy/rai nbw round my shouldr br 4033 e+

1708. sonny boy/rainbo round shoulder br 4033 e+

Sammy Jonah's Joy Boys

1709. house pty bls/afteft uve gone cap 15356 n-

Albinia Jones

171Q. SALTY PAPA BL/ALbTn|AS BLS NA 9013 E+

34

35c MINIMUM BID

AUCTION

P. O. MILLER

BOX 108, THE RECORD CHANGER, 418 WEST 49TH STREET, NVC 19, NY
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS

35c MINIMUM Bll

AUCTION

1711 ■

1712.

1713,

1714,

1715.
1716.
1717.
1718.
1719,
1720.
1721.
1722.
1723.
1724.
1725,

1726.
1727.

1728.

1729.
1730.
1731.
1732.
1733.
1734.
1735.
1736.
1737.
1738.

1739,
1740.
1741.

1742.

1743.

1744,
1745.
1746,
1747.
1748.
1749,
1750,

1751.

1752.
1753.
1754,
1755,
1756.
1757,
1758.

1759,

1760,
1761.

1762,

1763,

1764.

1765,
1766,

1768,

1769,
1770,
1771,
1772,
1773,
1774.
1775,
1776
1777
1778,
1779
1780,
1781
1782
1783,
1784
1785
1786
1787
1788
1789

1790
1791

1792

BILLY JUNES BANU

bluiw the blues/got sweetest girlpa 478 n—

b i lly jones 4 ern i e hare
barney google/ i love me vo 14556 v

Brother Jones

poor butterfly /how am i to knotheme 150 n-

curtis jones
■lonesome beoroom blss pts 142 co 30137 n-/e

i sham jones

alice bl gwn/young mans fancy br 5014 v
r i verso at shuffle/swanee butt-rfly br 2854 e-

DAY I LET U GET AWAy/fORGTN NITE DE 713 E-

jealousy/7 YRS WRONG WOMAN
JUNK MAN/THERE GOES MY HART
SONG WITHOUT NAME/wOTS D USE
ALA3AMY BOUND/lNDIAN LUV CALL
UNFORTUNATE Bl/neVER AGAIN
SWINGING OWN LANE/wHOS SORRY NW
BABY BLUE EYEs/oEAREST
DRIFTING APT/SOMEBODY TO CHEER B
SPIKE JONES 4 HIS CITY SLICKERS
MAN ON TRAPEZE/WM TELL OVERTURE

24338 N
24519 E-
4810 E
2789 E-
2577 E
2438 E
BR 2388 V
BR 2993 E-

8R

BR

VI202861 E-
VI 202949 N

KISS UR HAND MAD Am/sENT I MENTAL

JONES AND JONES
.CICERO 4 CAESAR PTS 142

Louis Jordan

SALT PORK W VA/RECONVERS I ON BL
SOCKS DO NT MATCH/BABY SAID YES
CHOO CHOO BOOGIE/CHICK TOO YONG
SMALL TWN BOy/maMA MAMA BL
USE GETTING SOBEr/sLENOER TENDER DE 8645 E+

hoodoo/lovie JOE DE 7745 E

CALDONI a/sOMEONE CHANGED D LOCK DE 8670 N-
GOOD TIME ROLL/NBDY HERE BUT CHKSDE 23741 E+
JUST L I KA WOMAn/luV U WANT BABY -DE 23669 E
OOUG THE J I TTERBUg/fLATFACE

vi 21208 E

DE 18726 E+
DE 23417 E-
DE 23610 N

DE 8627 V

LEONARD JYS URCH
WHERE CAN U 9/ 1 M NEED I N U
IM NEED IN u/wHERE CAN U BE
, IM NEED IN U/WHERE CAN U B

TEDDY JOYCE
EVYTING CHGD BUT u/rOLL COV WGN

JUBALA I RES

ST L LOU/THI S D AY IS MINE

DICK JURGENS ORCH
HIP HIP HOORAY/Y DONT U FALL IN
,ST ARLI TE STBRITE/YOU AND I
,U 4 l/ST ARLI GHT STAR8R I GHT
iSTARL I TE STARBRIGHT/u 4 I
.LONG AGO LAST N I TE/BONE PICK U
,U 4 I /STAR L I GHT STAR 3R I GHT

,oelilah/brm DANCING

ART KAHNS ORCH
,SOBBIN BL/BIT BY BIT BRK MY HRT

ROGER WOLFE KAHN ORCK
FOLLOWING U ARNd/cANT BELIEVE
, l_ I TTLE BIRDIE/SUNNY DISPOSISH
BAMBOO GARDEN/ANYTHING U SAY

DE 7590 E-

VI 22467 E-
VI 22467 E
VI 22467 E

VI 25003 N-

Kl 4303 E-

CO 36643 v
OK 6289 N
6289 N
6289 N
6189 N
6289 N-
6389 N

OK

OK

CO

16 V

20573
20493
21675

SOMETIMES IM HAPPY/(NAT SHILKREt)vI 20599 E

GREAT GIRL/(ALL STAR ORK )
CRZY RHYTHM/ IMAGl NATl ON

VI

21326 N
21368 V
21510 E-

511 e/v

1303 e/v
1303 E-

11356 N

LONELY BLUE3I RO/REAL SWEETHEART VI

KANSAS C I T Y FIVE

GUD MORN IN BLS/THEM THERE EYES CMS

KANSAS CITY SEVEN
6 CATS 4 A PRINCE/DESTINATION KC KY
REST K c/6 CATS 4 A PRINCE KY

ART KASSEL ORCHESTRA
ANGELINE/IM A LITTLE TEAPOT BB

LOUIS KATZMAN 4 BR ORCH
BE ALE ST BL/ST LOUIS BL BR 20096 E-

KAPELLE SANDOR JOZSI
, I MMERl ALWAYS J/'jALOUSI E TANGO 00 G 41479 V+

WHITEY KAUFMANS ORIC PENNA 5ERENADERS
iHENPECKED BL/ [S S LEVIATHAN ORKJVI iyi2/ E-
iCHARLESTON C AB I n/1 T I LL 2 VI19304E-

Dolly Kay

do me wr/buzz mirandyco

, LAST TIME

DANNY KAYE
,D I NAH/MOLLY MALONE

SAMMY KAYE
iCHANCE ON LUV/CABIN IN SKY
,WLD IN ARMS/CALL OF CANYON
,AURORA/sWEETER THAN SWEET
.SHABBY OL C ABBy/cOUNTERPO I NT ALA
.TOMORROW Nl Te/sC ATTERBR A I N
.CHANCE ON LUV/U 4 YR KISS
.AMAPOLa/mOMNT OF LIFETIME
• REMEMBER PEARL HARBOR/DEAR MOM
.CAME TALK 4 JOE/MTN MEET SKY

2 SLEEPY PEOPLE/HAVE U FORGOTTEN VI

OADOy/2 HARTS THAT PASS IN NITE VI

RELUCTANT DRAGOn/s LEEPY SERENADE VI

REMEMBER PEARL HARBOR/oEAB MOM VI

DEAR MOM/REMEMBER PEARL HARBOR VI

HEART STAGE DOOR/sOUTH WIND VI

HEART STAGE DOOr/sOUTH WIND VI
CAME HERE TALK 4 JOF./mTNS MEET SKVI

CANT SAY NO TO SLDr/mISS AMERICA VI
•ALL MY LIFE/PRAYER AWAY

8 THIS OR THAT/GOOD GOOD
.B WALK IN W HONEY/PROMISES
LLOYD KEATI NG MUSIC

have u forgotten/UnDER Window ha 1326

.FAITH IN ME/SHEPHERDS SERENADE HA 1073

LINDA KEENE w/h LEVINE D J B
•GA ON MIND/WAY DOWN YONDER IN NO VI 27380

3644 E

CO 36194 E

VI 201 527 N-
JD 12 E+
27433 e/n
26298 E+
26387 V+
27239 v/E
27349 N-
27738 v+
27944 E-
26067 E—
27391 E
27449 N-
27738 N-
2T738 E-
27932 N
27932 e/n
27944 n/e+
27952 e/n
vi 201 642 E+
VI 201684
VI201713 E+

1793,

1794.
1795.
1796.
1797.
1798.
1799,
1800.
1801 .
1802.
1803.
1804,
1805.
1806.
1807.
1808.

1809.
1810.
1811.
1812.

1813.

1814.
1815.

1816.

1817.
1813.
1819.
1820.
1821,
1822.
1823,
18 24.

1825.

1826.
1827.
1828,

1829,
1830.
1831.
1832.
1833,
1834,
1835.
1836.
1837,
1338,
1839,

1840.

1841,

1842.
1843,

1845,

1846,
1847,
1848,
1849,
1850
1851
1852

1853,
1854,
1855
1856,

1857
1858,
1859
1860
1861
1862
1863
1864
1865
1866
1867
1868
1869
1870
1871
1872
1873
1874
1875
1876
1877
1878
1879
1880
1881

Charles Kelloi, *the mature singer"

songs of native birds pts 142 v i 55049 e

HAL KEMP ORCH

IdAPPY B'DAY TO LUv/anSWER IS LUV VI 26403 N-

,LLVL I NESSOF u/DANGER LUV AT WORK VI 26528 n/e

MOON FELL IN RIVr/lADY WITH RED HR VI 27203 N

CUMS BACK 2 ME NOw/tALKIN 2 MY HART VI 27255 E

iCANT REMEMBER 2 FORGEt/uR THEONE VI 27261 N-

,18 CENTRY DR Rm/| N DUTCH WITH DCHSSl/l 27286 E

,SPEAK UR HART/TAKE TIP FROM TULIP VI 25732 V+

fdrjones/My Heart is Unemployed vi 26038 v
fdrjones/my Heart is Unemployed vi 26038 e
Remember Me/am i in love vi 25633 v+

WHAT S NEW/WOT GOS ON BEHND UR EYES VI 26336 V

SPEAK UR HART/TAKE A TIP FROM TULIPVI 25732 E-

WHAT S NEW/WOT GOS ON BEHND UR EYES VI 26336 V

WHATS NEW/WOT GOS ON BEHND UR EYES VI 26336 E

CONFUCIUs/wuDJA MIND

Stan kenton

feet 2 big 4 0 bed/after you cap 361 n-

artistry in rhy/art jumps cap 1636 e/e-

.thermopolae/peanut vendor cap 15052 E

SITTIN 4 ROCKIn/aRTISTRY JUMPS CAP 229 E-

Ken Kersey w/hqt lips Page
. kerseys boogie/l got upper hand

Henry King rch
sailboat in moonli t/wholl be the 1 de
.easter pm aoe/just a quiet eve de

maurice king's wolverines

VI 26542 E+

CIR 3003 N-

1C20 V
1178 N-

CO 39330 N

25528 E
27224 N

VI 27224 N-

VI 22390 E—

VI 22642 V+

vi 22656 V-

VI 27575 N-

VI 27871

DE 7883 E

VI 27890 E+
VI 27890 N-
co 35998 N-

good daddy/nightfall

Wayne Ki ng Orch
sylvi a/sweethearts
song of islands/waltz u svd 4 me

SONGOF THE ISLANDs/u SVD 4 ME

on bl & mnless nite/promises
hello 8ful/1 little raindrop
stardust/my favorite band(weems)
orling how u lied/jumpin jupiter

OONT TELL LIe/b BRAVE BELOVED

Nora Lee Ki ng/grooveneers
lemme rock u home/not tha t w ay no

JOHN KlRBY

keep 5milin/comin back
keep sm i li n/comi ng back
double talk/sugar plum fairy

Andy Kirk 4 his Clouds of joy

WHEN I SAW U/LITTLE MISS' dF 3491 V

MESSA STOMP/BLESS U MY DEAR 0E 2204 E+

MARYS IDEA/HONEY DE 2326 N

LITL JOE CH I C AGo/ovER HAND {MARY LOU DE 3385 E

litl joe/overhand (mary l Williams) oe 3385 E+
sax appel/suzie q(lil Armstrong)
li L joe chi/overhand(m l willams)

TWI NKLI n/fLOYDS GUITAR BL
BIG JIM BLS/GHOST OF CHANCE
LIL J0E/0VERHAND(MARY L WILLIAMS)
8 W COCKTAIl/wORRIED LIFE BLS

makn ie. Kline
l 1 m i n luv/ri ngsi de tbl 4 2

olive kline - elsie baker
ab ide with me/whispering hope

Kn I CKER30CKERS

DE

DE
DE

DE

3883 E-
3385 v+
2483 e/v
2915 E-
3385 E+
4381 V

BB 7605 N-

17782 E-

MANHATTAN/SENTI MENTAL ME
SONG OF SIBERI A/SONG 0 0 BLS

KNOBS QUARTETTE

I N THE NITE/UPSTAI RS

KONITZ 4 MILES DAVIS
YESTEROAYS/OUET SAX , GUITAR

CO

422 V-
1940 V+

ACME 0001 V+

PRES 755 E+

PARE
OK

Andre Kostelanetz

begin the begu i ne/5moke in ur i's co 4265 n-

T 4 2/falling IN LUV CO 4266 N-

SEE FACE B4 Me/pRTY GIRL L I K MLDY CO 4267 N-

i got rhythm/all the things u r co 4263 n

i got rhythm/all the things u r co 4268 n-

t i me on my hands/night 4 oay co 4290 e+

easter parade/song in my heart co 4292 n

Benny Krueger

WOT CUD B sweater/dance frm dn YNORBR 2967 E

OONT BRING LULu/yEARN I NG BR 2859 E+

.linger awh i le/si tt i n pretty br 2526 e+

lovin sam/down in maryland br 2391 e

Gene Krupa
ga on my ml no/alreet ok
wot gos on here/meet beat 0 heart coe
,3 little wds/blues of israel
blue rhythm fantasy pts 142
, after uv gone/dark eyes

,3 LITTLE WDS/TAKE IT EAS y(OUKe)
.TUXEDO JCt/oRUMMIN MAN
.DARK EYEs/aFTER UV GONE
, AWAY FROM IT ALl/sOUTH OF N CAR

.slow down/fool AM I

.JAZZ ME BLS/LAST ROUND-UP

.flamingo/lemme OFF UPTOWN

,HAPPNO IN KALOHA/l LUV U 2 MUCH
iGESS ILL GO 3 ACK Hm/wHISPER WHILE

,u 4 ur luv/moonlight SER

IF IT RAINS WHO CRs/hONEY ON MOON
,BLS IF ISRAEL/3 LITTLE WORDS
.COWBOY SERENADE/TIL REVEILLE

rancho pillow/u WERE THERE

,U FORGOT ABT Me/oEEP IN THE BLS
• THESE THINGS U LEFT Me/cHANGES MD
.THINGS I LUV/LITTL MAN WITH CNDY
•HI ON WINDY HILL/ALL CMS BACK 2 M
, U DNCD WITH DYNAMI T/SOMEWHERE

6118 E-

2027 E+
2224 N-
5627 E

COE BFL34 E
ODG286089 E
PAE 2750 N
C0EDB2454 N-

OK

6130

N

OK

6154

N-

DE

18115

N

OK

6210

E

CO

35429

E+

BR

8451

E+

BR

8448

E+

BR

8161

E

CO

18114

N-

OK

6266

n/

OK

6376

v/

OK

5961

N-

OK

6021

E+

OK

6143

E+

OK

5383

N-

OK

5859 N-

OK

5836

N

OK

OK

5826

N—

5802

N-

6695

E

18114

E

6255

N

2141

E

6582

n/e

6517

E+

6506

e/v

6400

N-

6306

N-

5814

N-

36954 E-,

36784 E+
CO 36802 E+
CO 35474 E-

Gene krupa
1382.2 drms met/own argentina way
1833.1 hear music/niti ngl in berkly sq

1884. MURDER HE SEz/mASSACHUSETTS

1885. BLS OF ISRAEL/3 LITTLE WORDS

1386. LUV ME AS I Am/aFRD 2 SAY HELLO

1387. TELL ME WITH KISSEs/lUV DOESNT GRWCOE
1888. MARINES HYMN/CAI SSONGO ROLLING OK
1 889.TR3 PICAL MAG I c/dAY DRM I NG OK

1890. KEEP EM FLYING/THANKS 4 BOOGIE RD OK

1891 . WATCH THE BIRDIe/amOUR OK
1392. HAVE U CHANGED/LETTER FRM KID TO AY OK
1893.3R-KING HART OVER AGIn/mOON OVR BRMAOK

1894.gather lilacs/gimme a little kiss co
1895.1 shud care/cry 4 u cry alone co
1896. leave us leap/dark eyes
1897. wful 1 lets oance/make blv island
Kay Kvser

1898. luv 0 my life/when crcus cms t twn br 8201 v+

1899. who wuon luv u/how do i kno co 36526 e

1900. WHATS NEw/hELLO MR KRI NGLE CO 35248 N

1901 . HES MY UNCLE/jOHNNY PEDDLER CO 357777N

1902. BY-U BY-O/POPOCATAPETL CO 36422 E+

TOMMY LADNIER

1903. Bls forRampart St/Play Dat Thing AM 7 N

Art Landry

1904. melody in f/bar c ar olle ge 5170 v-

Kay Kyser

1905. CAME HERE TO TALK 4 JOe/pASS AMMO CO 36640 V+

Frank IE laine

1906. THATS MY DESIRE/BY RVR ST MARIE MER 5007 V-

1907. shine/we'll b togedda »CAIN MER 5091 V

Nappy Lamare's levee Loungers

1908. mama inez/s ram par t st parade cap 15050 e—

Air Lancelot

1909. ugly woman/pan american way crest 101 e

1910. swt lik honey b/gimme ME CR«3 4 CAL CRE-ST 102 E+

Art Landry

1911. LAZY BLS SHIMMY FX t/|T'LL GET U VI 19488 V+

Landt Trio 4 whi te

1912. no no 1000 NO/THE animal TRAINER

1913. man on flying trapeze pts 142

Frances langforb

BB

1914. KISS IN D DARK/NEATH SOUTHERN MOONBRE

191 5. LET ME LUV U TONITe/mORE 4 MORE AR A

Sam Lan | n

1916. WOT DUS IT MTR/a|NT SHE SWEET PE
1917.1 LUV D MOONLITE/WR DO U WK JOHN

24804 E
52111 E

2853 n-
109 N

PE 14777 V+
PE 14753 V+
PAT 36149 E-
1136 E-
1112 E
2943 v/g

HW

HW

CO
CO
BA
COA

V

v+

E-

E

E+
E

1918. WANT C MY TENN/ELIZA
19*9. HELLO BEAUTIFUL
1920.3 LITTLE WORDS
1921. ROSE OF CHILe/o BY JINGO

1922.0 by jingo/rose OF CHILE

1923. dearest/gone

1924. rose of chile/o by jingo

1925. MAYT I ME/uR CHARM

1926. LITTLE SPANISH TOWn/mOONLT GANGES

1927. LOSING u/(HOLLYWOOD ORCH )

1928. LITTL BOY 0 MINe/wOTTA LIFE

1929. MUST HAV THAT MAn/u A REAL SWTHRT

1930. HAPPY ENDING/SALLY 0 MY DREAMS

1931. ?/ I APOLOGIZE

1932. HO0SIER HOp/lM FOLLOWING U

harry lauder

1933. the picnic/

1934. roamin in gloamin/wee hos heather

Paul Laval

1935.SHOMKRS HLDY/BASIN St(h LEVINE DXy)v| 27304 E

d/oinahs blues vi 27303 E

27303 E

2943
1167
2943
PE 14286
OK 40740
BA 7058
f(AR 1425 E-
PE 15000 V-
PE 15074
PE 15508 V+
VE 2065 E

v l

70060 E
55129 E

1936. RUNNIN wild/oinahs blues

1937. RUNNIN WILD/DINAHS BLS(SL Dig)

LA VERE'S CHICAGO LOOPERS

1938. UP '

VI

38 e/n-
5 E+

LAZY R/ VERY 8 N BOOGIE JUMP

1939. BLUE LOu/cANT WE TALK IT OVR JUMP

1940. in comin va/sunday JU 2 E

1940a.if i had u/xactly like you ju 6 n

Gertrude Lawrence

1941 .glamour music/princess of pure dlt vi 27332 £•
Yank Lawson

SG 15004
SG 28103
SG 28107
SG 28107 E+
SG 28107 N
SG 28107 E

E

E+
N-

1942. SUGAR/SENS AT I ON

1943.SQEEZ Me/sH I EK HAIR CRACK )
1944.STUM8LING/2 MANY TIMES
1945.2 MANY TIMEs/sTUMBLI NG

1946.2 many t imes/stumbl i ng
1947.2 many times/stumbling

Eliza Christmas Lee 4 jazz boys
1949. ark bls/i aint give(crckd but pls j ge v

Julia Lee

1 949. dream lucky bls/lotus blossom mer 8013 v

Dick Leibert

1950. home on d range/grow too old drm vi 26713 n

bernie leighton

1951 . syncopated clock/wld wa i t i n 4 snrse br 80216 n

george lemaire

1952. the 3 lack jacks pts 142 vi 21054 e+

Lenox Ave dance qrk/va creepers

1953. walking therai ls/normandy pat 36313 v-

Harlan Leonard Rockets

1954. "lease dont s quabble/a la bridges bb 10899 e+

1955. p0p gave me nickel/4o!10 swing bb 10823 n-

1956.400 SWING/POP GAVE ME NICKEL BB 10823 e/n

lew Leslies blackbirds

1957. BANDANNA BABIES/MAGNOLIAS WDg(cRk) BR 4030 V-

Loui s Levy Ork

1958. gk v.herbert selecs pts 142 coe 2389 n

Henry Lfvi ne

1959. JOE TURNER BL/BEALE ST BL(LNA HORn)v| 27542 V

1960. MEMPHIS BLS/ST LOUIS 8L VI 27542 E+

35c MINIMUM BID

P. O. MILLER

60S 108, THE RECORD CHANGER , 418 WEST 49th STREET, NYC 19, NY

35c MINIMUM BID

SEE PAGE ONE OF AUCTIONFCR INSTRUCTIONS

HENRY LEV 1 NE

Jimmy lunceford

LCUISE WASSEY 4 THE WESTERNERS

L+/v

1961. STRICTLY FROM D 1 X 1 e/emBRA CABLE U

VI

27829

N

2049. BAREFOOT BL/ROCK IT FOR ME

PA

2788

N—

2131. GALS DO NT MEAN A THING/HONEY SONG

ok

668.'

1962. E ST Louis bl/aunt hagars bl

VI

27544

E

2050. SHUT OUT/THEM WHO HAS GETS

MAY

1077

N-

Frankie Masters

1963. JOHN HENRY Bl/caRELESS LUV

VI

27545

V

2051. 1 LUV u/AINT SHE SWEET

CO

38097

N

2132. HELLO MISTER KR 1 NGLE/KEY TO MY HRT

VO

5174

N

1964. BASIN ST BLS/(PAUL LAVAL)

VI

27304

E

JOE LUTCHERS JUMP BAND

Charles A Matson's Creole Serenaders

GEORGE LEWIS AND HIS NEW ORLEANS

STPRS

2052. LUCY LINDIE BGY/SAUTERNE SPECIAL=

2053. strato-crsr/sunday BLUES

CAP

1 5361

N—

2133.N03UCY'S BIZ IF I Do/(bWAY DANCE ORCH)ED51222 E+

1965. DEEP BAYOU BLS/CLIMAX RAG CL

IMAX 101

N-

CAP

40052

N

Lieut Matt s Orch

Meade Lux Lewis

205fl. SHUFFLE WOOGIE/BEBOP BL

CAP

40071

N

21 34. SAY PER S I ANNA SAY/SWANNEE RIVER MON GE4846

£

1965.DENAPAS PARAOE/gLENV 1 LLE GLIDE

AS

353

V+

2055.no name boogie/hit BLOCK

CAP

401 01

Babe Mathebs with joe Thomas Big 6

1967. BOOGIE TIDAL/YANCEYS PRIDE ASCH

352

N-

NELLIE LUTCHER

2135. HES got so much/no better 4 YA

HRS

1017 Is

MEADE LUX LEWIS/ALBERT AMMONS

2056. IMAGINE U/THOUGHT ABOUT U

2057. SONG IS ENDED/DO U OR DONT U LUV

CAP

151 12

N—

BILLY may

1968. BEAR CAT CR AWL/ SHOUT 4 JOY

CO

35961

N-

CAP

40063

N-

2136. WHEN TAKE SUGAR 2 t/cHARMAINE

CAP

1919

N

1969. BEAR CAT CRAWL/SHOUT FOR JOY

VO

4608

N-

2058. LET ME LUV U TONITe/rEAL GONE GUY

CAP

40017

E

ED MCCONNELL

Meade kix Lewis

2059. THOT ABT u/lMAGIN U HAVIN I'S 4 MECAP

15112

v+

2137. ELDER JACKSON'S SERMON PTS142

CL

5022

E

1970. RAND I Nl S ROOGIE/LUX BOOGIE ASCH

352

E

2060. MOTHERS DREAO/u BETTER WATCH URSLFCAP

40042

N-

UECONRELl'8 TOOR LE»F 8HBUROCKS

1971. BOOGIE WOOGIE PRAYER PTS 142

paE

2649

N

CLAUDE LUTER

2138. MEDLEY OF H I GHLANOS/MEDLEY POLKAS

VI

19539

V+

1972. B W PRAYER PTS 142

CO

35960

E—

2061.ory's Creole trmbn/wildcat bls

RAM

4

N—

Clyde McCoy

1973. B W PRAYER PTS 142

CO

35960

E+

2062. old s chool/babouche

SEL

2970

N

2139. SUGAR B LUEG/RE AD I N

CO

2389

V+

1974. BEAR CAT CRAWL/SHOUT 4 JOY

CO

35961

E-

2063. just gone/graveyard dream bls

SWF

268

N

21 40. CREOLE LOVE CALl/thE NIGHTMARE

MEL

60803

N-

1975. YANCEY SPECIA|/jBOOGIE WOOGIE

OE

3387

E

2064. SPORT MODEL MAMA/TIGER RAG

RAM

4

N

2141. SUGAR BL/TEAR IT DOWN

DE

381

E+

Ted lewis

2065. SPORT MODEL MAMA/TIGER RAG

RAM

4

N

2142. SISTER KATE/CANASTA SONG

MER

5354

E+

1976. ROSE MARIE/MADELINE

CO

255

E

2066.MUSKAT RAMBLE/SHREVEPORT BL

SWF

272

N

Sherry McGhee

1977.0H/BARKI N OOg(gORMAN NVLTY SYNCO

)co

2844

E

2067.WEARY BLS/TROUBLE IN MIND

PACF

10706

N

21 43.SHTANI C BLUES/BLUIN THE BLUES DECATUR

518

N

1978. CLAR MARm/sHIMMESHAWABBLE

CO

1573

E-/G+

2068.DIDNT HE RAMBLE/CANAL ST BL

PACF

1091 4

N

DICK MCDONOUGh/hENRY DANKER ORK

1979. KING 4 DAY/MOONLIGHT MADNESS

CO

1485

V

2069. OLD SCHOOL/WOLVERINE BLS

SU

1006

N

2144. MOOD IM IN/RAIN IN MY EYES

ME

70502

E-

1980. DANCED TILL DAWN/JUST ARND CORNERCO

504

E—

2070.babouche/camp MEETING BL

SU

1 007

N

SHERRY MCGHEE D I X 1 ELAND ERS

1981 .MEDLEY/(C0LUMB I A SYMPH ORCH)

CO

15

N— /E+

2071. CUSTOM RACKET Bl/wiLLI 0 WEEPER

SU

1008

N

2145. SHAKE IT 4 BREAK IT/TIN ROOF BL

DE

5281

E

1982.C U IN CUBA/MOON SHINES OF MNSHN

CO

2927

E

2072. ORY CREOLE TRMBn/wiLD CAT BL

RAM

4

E+

STICK MCGHEE

1983. OWN OLD CHRCH AISLE/AROUND CORNR

OE

3846

N—

2073. TIGER RAG/SPORT MODEL MAMA

RAM

5

E+

2146. BLUES MIXTURE/DRINKING WINE

AT

873

e/e-

1984.BLS NAUGHTY SWEETy/tIGER RAG

CO

770

V

Abe Lyman

Rosy McHargue's Memphis Five

1985.BAMBAMBAMMY SHORE/CAMEL W ALK

CO

478

V+

2074. CUD U CARE 4 ME/SOMETHING TELLS ME BR

2796

V+

2147.0 D 1 STEP/CALLED IT DIXIELAND JUMP

13

E—

1986.0 kathari na/will u rembr ME

CO

295

V

2075. wtrs o minnetonka/shanghai LULLABY BR

2575

E—

MOKENZ 1 E-CONDON CH 1 C AGO ANS /C ASA

UMI 0°r"

1987. SHE LOVE ME/TOO TIREO

CO

227

V+

2076. OUT OF MILLION/ALL ALONE

BR

2742

E

21 48. CHI MA BOY/CHIKA GIRL

ODG

286046 E+

1988.san/she's EVRYBODY'S SWHEART

CO

122

V+

2077. QUEEN OF EGYPT/BUGLE CALL RAG

BR

2481

E—

Ray mcKinley

(ABOVE RIM CHIP 1 GRO VE )

2078. IM IN LOVE/POP GOES UR HEART

BR

6963

E

2149. New Orleans Parade/(zutty si ngleton

)de

3685

n/E+

1989.MEDLY POP FAVS. SPEC .SAMPLE

CO

1-s

E

2079. GIRL ON POLICE GAZ/tHIS YR S KISSES DE

1127

N—

2150.ROCKABY BAY/RUSSIAN WINTER

CAP

128

N-

1990. LOUI SVI LLE LOU/BEALE ST MAMA

CO

3892

V

Teddy Lynch

2151. HOWDY FRI ENDS/THATS WHERE I CAME

MAY

7211

N-

1991 .ST LOUIS BL/RUNNIN WILD

CO

3790

V+

2080. HAND IN GLOVE/WOT U DONE TO ME

LMS

21 2

v+

Connie McLeans rhythm boys

1992. SEND BACK HONEYMAn/gEORGETTE

CO

3662

E+/n

Jimmy Lytell

N/V

2152. LUST UR GUD TING NOW/BREATH BIDS

DE

7189

E-

1993.MA/b|MINI BAY

CO

3473

V

2081 .COMMAIICER IN CHIEF/FAT MEAT GOOD

BEA

104

AIMEE SEMPLE MCPHERSON

1994.WANG WANG 8l/hOME AGIN BL

CO

3464

V—

2682. FAT MEAT GUD Mt/cHIEF OF MY HEART

BEA

104

E

2153. COME UNTC ME/AINT AGONNA GRIEVE

CO

734

V

1 995. WANG WANG Bl/hOME AGIN BL

CO

3464

E

2083.TELL ME UR BLS/2 FACED MAN

BEA

106

E

JAY MCSHANN'S K C STOMPERS

;996.2nd hand rose/sally wont u

CO

3453

v+

2084. TELL ME UR BLs/2 FACED MAN

BEA

106

V+

21 54. COME OVER MY HOUSE/TRUBL IN MIND

CAP

10030

V+

1997 .THAT RIGA LI GA LEe/t|RE0 OF ME

CO

3329

v

HUMPHREY LYTTLETON

JACK MCVEA

1998. i luvd u Sunday/ hula blues

CO

3306

E

2085 • SUNDAY MORN/GET OUT 0 HERE

RAM

11

N

21 55.0HH MOP/ BAR TENDER BOOGIE

BW

750

N-

1999.FAIR ONE/GYPSY MOON

CO

2998

V

Jeannette Macdonald

MELODY THREE

2000.SOMEHOW/I KNO y(mORR|SON J.B.)

CO

2995

V

2086. I TALI AN ST SONG/MYSTRY 0 LIFE

VI

24036

N—

2156. PALS FOR EVER /SONG OF NILE

VI

22 028

V+

2001 .somehow/ I KNO y(morrison jz b)

CO

2945

v+

Big Maceo

Frank Melrose

2002. c u in cuba/moonshi nes on

CO

2927 E

2087. CHI BREAKDOWN/WINTERTIME BLS

BB340743

N

2157. JELLY ROLL STMP/PASS THE JUG

BR

80031

N-

2003.bo-la-bo/venetian moon

CO

2895

V

2088 .W I NTERT I ME BL/cHI BREAKDOWN

BB340743

N

2158. PASS THE JUG/JELLY ROLL STOMP

BR

80031

N

2004. 80 LA Bo/vENET I AN MOON

CO

2895

E

2089.WI NTERTI ME Bl./cH I BREAKDOWN

BB340743

N

2159. JELLY ROLL STOMp/pASS THE JUG

BR

80031

v+

2005. BLUES NAUTY SWEETy/| ND I A ( YER KES )

CO

2798

V

2090. WONT B A FOOL NO M0/BI8 ROAD BL

VI201870

E+ /v

2160. AUNT JEMIMA STP/ST LOU BOUND

cnL 9

N

Meade Ujx Lewis/Jess Stacy

18110

MACKEYS MICH BLVD GANG

11

2161 .ST LOUIS BOUND/AUNT JEMIMA STOMP
2162.LAZ YB ONEs/c AO I N IN PINES

CRL

9

N-

2006.HONKY TONK TR UL/'WLU WT SUNK I bt

DE

E~

2091 -AT SUNDOWN/ HA PPY BLUE:j

JU

E

VS

8031

N

Joe Liggins

MAD I SON MLDY PLRs/bWAY S\NCOPATERS

21 63. WHY SHUD I CRY/SUGAR BLS

CAP

448

n-/e

2007.HONEYDRI PPER PTS 142 EXCLUSIVE

207

N—

2092. JUST 1CE MORE/LITTLE STRING

MAD

6013

E —

216*. SAV BONES 4 H JONEs/hARHONY

CAP

15000

V+

2008. SOME 0 THESE DAYS/wALKIN EXCLUSIVE

242

E+

Erric Maoriguera

2169. UGLY CHILD/SUGAR SO REFINED

CAP

268

e/n-

LIGHTHOUSE ALL STARS

2093.BRAZ I L/NO NO NO

VI

27702

V+

2166.ATCH,TOPEK 4 SANTA FE

CAP

195

E+

2009.9 IG BOY/ PART i

SKY

538

N

2094. THE NANGo/wEEK-£ND IN HAVANA

VI

27640

E+

2167.G0NNA SEE BABY/CANDY

CAP

183

E

2010. BIG BOY PTS 142

SKY

538

N-

Majestic Dance urch

2168. LOST MY SUGAR/WRECK OF '97

CAP

122

N~

Jimmy Livingston Orch

2095. CHINESE ROSE/LOVE LETTERS IN SANO

MAD

6033

V+

TENNESSEE TEN

2011. CLOVER BLOSSOMS/SIMPLE MELODY

BB

7431

E-

2096. NOBODY LIED/GEORGETTE

GG

1115

V—

2169. WAITIN 4 EVE MAIL/NOBODYS BIZ

VI

19109

E-

Guy Lombardo

Markels Orch/Tampa Bl Jazz Band

JOHNNY MERCER

2012. C U IN MY ORMS/GUONIT SWTHEART

DE

3713

V-

2097. Barking Dog/weeping widows ball

OK

4777

V+

21 70.0URATI ON BLS/SAM'S GOT HIM

CAP

164

N-

201 3 .TOODLE— Oo/rA 1 N IN CHERRY 8L0S L

SI

25572

E

Matty Malneck

2171. gi jive/write mself A LETTER

CAP

141

V+

2014. RIDING H|/nOW THAT SUMMERS GONE

VI

25440

V+

2098. WILL TELL OVTUR/CARNI VAL IN VENICE CO

35299

N

Ethel Merman

E+/n

201 5.T00DL-00/RA I N CHERRY BLOS LANE

VI

25572

v+

Manhattan Spec ork/liberty dance ork

2172. MOVE IT OVER/MARCH! NG THRU BERLIN

VI201521

2016. yours 4 mine/hatin OIS WAITIN ARND VI25599 E-

2099. LEARN TO SMILE/A BABY IN LUV

RE

9111

V+

Merry Macs

2017. so rare/litl hevn of TH 7 SEAS

VI

25626

E—

W I NGY MANNONE

2173. HELLO FRISCO/CHINATOWN

DE

2471

E—

2018. SWISS HILLY Bl LLY/BLOSSOMS ON BWYVI

35639

V+

2100. ALONE WITHOUT U/NEVfR HAD NO LOVIN SE

501 In

N

Metronome all star band

2019.TOMRW ANOTR OAy/mSG FROM MAN IN

mn vi 25578 E

2101.BESAME MUCHO/PAPER DOLL

CAP

347

N

2174. LOOK OUT/METRONOME ALL OUT

VI

404000 E+

2020luvly one/that OLD FEELING

VI

25629

E

2102. paper ooll/besame mucho

CAP

347

E

2175. KING PORTER/ALL STAR STRUT

CO

35389

N-

2021 .SWISS HILLY BILLy/bLOS ON BWAY

VI

25659

E+

2103. BOX CAR BL/HELLO BABY

CAP

442

E

2176.1 GOT RHYTHM/ROYAL FLUSH

CON36499

E

2022. FAREWELL MY LOVE/HOMANY RHYMES

VI

26713

E+

21 04. JAM 4 JIVE PTS 546

2177. BUGLE CALL RAo/1 O'CLOCK JUMP

VI

27314

E

2023. SWEET AS SONG/l CUD USE A DREAM

VI

25731

E+

Dodo Marmarosa Trio

2178.1 GOT RHYTHM/ROYAL FLUSH

CO

36499

V+

2024. OL AgPLE TREE/NEI GHBORHD OF HEVN

VI

25778

E+

2105. Trade winds/bopmatism

D IAL

752

N

2179. LEAP HERE/METRONCHE RIFF

CAP

15039

E+

2025.WHEREV WE MET B4/LET ME WHISPER

VI

25818

E

Joe Marsala

2180. SWEET LORRAINE/NAT MEATS JUNE

CO

37293

N-

2026.0 mama(butcherboy)/donn' AMA

N—

2106. Salty Mama/Wandering Man

GL

1717

N-

2181. KING PORTER/ALL STAR STRUT

CO

35389

N-

2027.INTERME2ZO/STARDUST

DE

3674

E+

2107. romance/zero hour

BW

1201

N-

2182.1 oclock jump/bugle call rag

VI

27314

E+

2028. MY BEST GIRL/EASTER PARADE

DE

2345

E

2108. LOWER REGISTER/l KNO THAT U KNO

DE

3764

N

Wilson Meyers

2029. TURN ON MUSIC BOx/wiSH ON STAR

DE

2969

V

21 09. LOWER REGISTER/l KNO THAT U KNO
2110. SALTY MAMA Bl/waNDERING "JIAN BL

2111.12 bar stampede/feather BED lmnt

BRE03245

N

21 83. PREACH I N BLS/STOKIN THE BOOGIE

BW

11

E

Norman Long

GL

1717 N-

MEZZ MEZZROW

2030. BOTH WRIST WAYNES/BACON SO TUFF

COE 5162

N

DE

18111

N-

2184. BLUES IN DISGUISE/HOW I FEEL TDAY

HMV

8658

N

JOE HILL LOUIS

2112. FEATHER BED LAMENT/12 BAR STAMPEDE DE

18111

E

2185. HOT CLUB STOMP/SWNG SESH OLD 2 ORD

VI

25612

E

2031 .JOES JUMP/OONT TRUST BEST FRIEND

CO

30221

E

ED MAR TEL 4 HIS ORCH

Miami Society Ork/j. James

THE LOUISIANA FIVE

2113. WORLD AT REST/DONT REMIND ME

HAR

828

V

2186.WEDDNG PAINTED OOLL/I HERE U THERE

OR

1548

V

2032.NO LUVIN WHERE NO LUV/(T LEWIS)

CO

2857

E-

SARA MARTIN

Bob Mielke's jazz band

2033. IJ CANT GET NO LUVIn/(t LEW 1 S )

CO

2857

V

211 4.GR AVE YARD DRM BL/GREEN GAL BLS

OH

8099

G

2187. Rl VERBOAT SHUFFLE/CRAZY CHOROS CRY CHDS 1

N

2034.NO LUV/WONDER 1 NG(TLEWI S ) (RM CHP

2gr)C028 57 V-

FREDDY MARTIN

2188.RIVER80AT SHFFLE/CRAZY CHORDS CRAZY CHDS 1

N

2035.YELPNG HOUND Bl/anOTR GUD MAN

co

2742

V-

2115.ROSE O'DAY/MISS YOU

BB

11286

E+

2189.RIVERBT SHUFFLE/CRAZY CHORDS CRAZY

CHRDS 1

E+

2036. GOLDEN ROD/SUMMER DAYS

EM

1078

V

2116. WHO WUON LUV u/l RED ROSE FOREVER

VI

27891

e/v

Eddie Mi ller

VINCENT LOPEZ

21 17. JINGLE JANGLE JINGLe/mET ON MONDAY VI

27909

E-/E

2191 .YESTERDAYS/STOMP MR HENRY LEE

CAP

170

N-

2037. LITTLE WHITE LIES(RM CHP 4 GR )

HOW

1088

v+

2118. JINGLE JANGLE JINGLe/mET ON MONDAY VI

27909

E-

2192. YESTERDAY J, V; OMP MR HENRY LEE

CAP

170

E-

2038. ST LOUIS BL/BIRTH OF BLS

BR

20065

E+

[ABOVE RIM CHIP NO GR J

e/e-

21 93. PEG 0 MY HEART/ A I NT MISBEHAVIN

JU

9

N

BERT LOWN

21 19. HECK OF CHICKEN/GET OUT OF MOOD

VI201515

2194. BACK HOME/EASY 2 REMEMBER

JU

16

N

2039 .HEART ACHES/SftY HELLO 2 FOLKS HM

VI

22612

E

2120. CARELESS RHAPSODY/EVYTI N I GOT

VI

27919

N

2195. STARS FELL ON BAMA/sTOMP HENRY LET

JU

30

N

Jimmy Lunceford

212I.EVYTING I GOT/CARELESS RHAPSODY

VI

27919

E+

Glenn miller

2040. MERRY GO ROUND/C U 1 N MY OREAMS

DE

1318

V+

2122. white xmas/abraham

VI

27946

e/e+

2196.DIDNT MEAN T HI NG/R'JNNING WILD

BB

10269

N-

2041. TIME 2 JUMP/CHEATIN ON ME

OK

6894

N

2123.EVYTING 1 GOT/CARELESS RHAPSODY

VI

27919

N-

2197. ci nderalla/moo.^luv

BB

10303

V

2042. ONLY MYSELF 2 BLm/uR JUST A DRM

VO

6754

V

2124. GRIEG PIANO CONOIRTo/sERNAD STRNGS BB

11430

N

21 98. TUXEDO JCT/DANMY BOY

BB

10612

N-

2043. SWT sue/dwn BY OLD MILL STREAM

DB

1927

v+

2125. TOUCH OF TEXAS/SOFT HEARTED

VI 201 504

N-

2199.THATS SABOTAGE/SERENADE IN BLUE

VI

27935

E+

2044. LOVE NEST/TEASIN TESSIE BROWN

DE

1734

v+

2126. GET OUT MOOn/nECK OF CHICKEN

VI201515

N

22 00. SWEETER THAN SWEETSt/dONT CRY CHER I HUM 93

N

2045. chopins 2Re;ude/bugs parade

2046. knock me a k 1 ss/str 1 ctly 1 nstr

CO

35574

E

2127. GET OUT 0 MOOD/NECK OF CHICKEN

VI 201 51 5

E+

2201 .CAR I BBEAN CLIPPEr/bLUE RAIN

VI201536

F—

DE

18463

E-

2128.GET OUT 0 MOOD/NECK OF CHICKEN

VI201515

E

2202 .pavanne/li ttle brown jug

BB

10286

E-

2047. BACK DOOR STUFF PTS 142

DE

18594

E+

2129. EASY TO LUv/ALL FOR LUV

VI 201 555

E

2203. rainbow rhaps/must be jelly

VI

201546 E+

2048. SHOEMAKERS HDAy/u SET ME ON FIRE

PA

2684

E+/N

JOHNNY MARVIN

2204. cari bbean clipper/slue rain

VI201536

V

2130. HAV LITTLE FAITH IN Me/w|TH YOU

VI

22273

V+

36

35c MINIMUM BID

P. O. MILLER

THE RECORD CHANGER, 418 WEST 49TH STREET, NYC 19, NY

35c MINIMUM BID

SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS

2436,

2437,

2438,

2439,
2440,
2441 ,
2442,

2443,
2444,
2445,
2446,
2447,
2448.
2449,
2450,
2451,
2452,
2453,
2454,
2455,

2456,
2457,
2458,
2459,
2460,
2461,
2462,

2463,
2464,
2465,
2466,
2467,
2468,
2469,
2470,
2471,
2472,
2473,

2474,
2475,
2476,

2477,

2478,

2480.

2481,

2482,

2483,
2484,
2485,

2486,

2487,

2488,
2489,

2490,
2491,
2492,
2493,
2494,
2495,
2496,
2498,
2498
2499
2499
2501

2502,

2503

OKEH S YNCOPA TERS

,BLACK SHEEP BLS/SUN-U V-ER-GUN OK 4978 E—

,CHOO CHOO BLS/(REG» DANCE ORCH ) OK 4729 V+

Ol MAN EDEN

, THICK 4 THIN/SOME SWEET 0 AY OE 7545 E+

KING OLIVER

.CHATTANOOGA STOMP/N 0 STOMP CO 225 N

,D»PPERMOUTH B Ls/WHER DID U STAY HRS 2 N

.STINGAREE Bl/shAKE IT 4 BREAK IT BR 10707 N-

.RIVERSIOE BL/mABELS DR BRE 03575 N

GEORGE OLSEN

•KING 4 A DAY/OLD MAN SUNSHINE VI 21566 E

,SONNY BO //( TROUBADOURS ) VI 21683 E+/E

,OOIN THE RACCOON/lT GOES LIKE THSVI 21701 E+

.LIFE BED O ROSES/DREAMING AGAIN VI 28937 E-

,WH0/SUNNY V| 19840 E

.sonny boy/(troubadours) VI 21683 E

•HI DIDDLE D IDDLE/whERED U GET VI 20112 E-

.LUCKY DAY/BLACK BOTTOM ( J .H AMP ) VI 20101 E

iBEALE ST Bl/(|NT NOVLTY ORK ) VI 19457 E

. FOLLOW THE SWALL0W/(WHITEMAN) VI 19428 E-

,BLUE BABY/WHERE IS MY MEYER VI 21025 N

,MEIN SCHATZ/AM SONNTAG GEHN WIR POLY15637 E-

.THATS FOR Me/fOOLS RUSH IN TE 25005 V-

OBiaiNAL DIXIELAND JAZZ BAND
,MARG I E/PALESTEENA

"vT 18717 E
VI 18717 E
v 118717 V+
VI 18722 V+
VI 18729 V+
VI 18850 V

HMV 1021 V+

VI 18513 V+

VI 18717 V+

VI 18717 V

VI 18717 V+

VI 18850 V

VI 18729 V+

VI 18717 v

VI 18717 V+

VI 18717 E-

VI 18717 E

VI 18472 V+

VI 19480 V+

MARG I e/ PALEST E EN A

marg i e/palesteena
broadway rose/sweet mama
crazy bl/home again bl
bow wow bl/( benson orch )
jazz band ball/ostrich walk
(issued in England June, 1919)
mournin bl/clarinet marmalade
marg i e/palesteena
marg i e/palesteena
margie/palesteena(slight dig)
bowwow bl/R.R.Bl(Benson Orch)

HOME AGAIN Bl/cRAZY BL
MARG I E/PALESTEENA
MARG IE/PALESTEENA

palesteena/marg I E

PALESTEENa/maRG I E
TIGER RAG /SKELETON JANGLE

ORIGINAL MEMPHIS FIVE
meAne'S't eL/hoW come u do me
pickles/yes no bananas (lan in 0rk)co 3924 V
pickles/yes no bananas ( lan i n OrkJco 3924 V+

or i gl nal wolveri nes

,the new twi ster/sh i mmeshawabble brs 3707 v+

Nicholas Orlando
ur in luv ull waltz/pal of my hrtpe 14792 e

original st louis cracker jacks
xrackerjack st/blu thinking of u de 7236 a-/b

oriole terrace ork
.SERENADE BL/omULL BL BR 2300 V+

ORIOLE DANCE ORK
.EVERYBODY LUVS U/SM I LES MAKE WLD OR 1397 V+

ORQUESTRA DO CASINO COPACABANA
.MURMURANDO/PAPAGAI 0 DE BERLIN CONT 15115 E

KID PRY'S CREOLE JAZZ BAND
,0 D 1-6TEP/ORY'S CREOLE TMBN CRS
.DOWN HOME RAG/1919
.UNDER BAMBOO TREE/PANAMA

GLEN OSWALD'S SERENADERS
.FEELIN KIND 0 BL/SHOW ME WAY VI 19809 E-

JOHNNY OTIS
. PRESTON LUVS MANSI ON/BABYS BIZ EXCEL 141 E

PACE JUBILEE SINGERS

,my lord/im going THROUGH VI 20225 V+

.GOING THRU JESUs/mY LORD WOT A MORNVI20225 V

HOT LIPS PAGE
.down VHL LLvLt/uLU man ben de 7433 e-

,U NEED COACH IN/FISH FOR SUPPER CMS 558 v/e

.TAINT LIKE THAt/b|G 0 BLS CONT 6003 N

,G BABE A I NT I GUD 2 u/lDY IN RED CONT 6002 N

.AINT LIKETHAT/BIG D BL COTN 6003 N-

,818 D BLs/lT A I NT LIKE THAT CONT 6003 N-

. PAG I NG MR PAGE/UNCLE SAM BL SA 520 N
■ LADY IN RED/GEE AINT I GOOD
.PAGING PAGE/UNCLE SAM BL
BIG D BL/|T AINT LIKE THAT

JM
JM

6 E

24 V+
27 V

CONT

6002 E+
520 E

6003 V+

GOOD OL BOSOM BREAD/pULLIN WHSKRS DE 7451 E
,K C JIM JIVE/BUFFALO BILL BL HUB 3007 E+

MILT PAGE TRIO
•ONLY PAPER MOON/SODA POP MA 1000 N

GLADYS PALMER
•BEHIND ME SATAN/TREES DE 7107 E

JACK PARNELL
•SWEET LORRAINE/OLD MAN RE BOP LNDN 139 E+

HARRY PARRY SEXTET
.BOOGIE BOUNCE/ROCKY MTN BL PA 2945 N

TONY PASTOR

•READY SET JUMP/ LETS DO IT BB 10902 e/v

•LETS DO IT/READY SET JUMP BB 10902 N—

•COPLEY SQ/BRAGGIN BB 11119 N-

. CONFESS ION/BLUES VI201604 N-

•DINAh/aLONE 4 LONELY BB 11185 V-

•COPLEY SQ/BRAGGIN BB 11119 N

ISABELLE PATRICOLA
<RUNNIN WILP/30T C MAMA EVERY NT VI »S0Z7 E-
2513.LOVIN SAM/WAY DOWN EAST IN MAINE VI 18976 E
2514. IF CANT GET SWTy/mAMA GOES VO 14676 E

GEORGE PAXTON
2515.STREAMLINER/C U I N~ MY DREAMS GU 132 E

2509

2506
2507
2508
2509
2510
2511

jack payne

2516. bow bells pts 142

Jack Pettis

2517. doin D nu Low doivn/spanish orbam vi 21559

SID PHILLIPS ORK

2518. BIRMINGHAM BOUNCE/SAINTS HMV 9940
LENA PHILLIPS, REV KELSEY 4 HIS CONGR

251 9. lord send the raim/little boy
Teddy Phillips

2520. YES SIR THATS MY B ABy/bLOOM I NG TR

PLANTATION JAZZ ORCH

2521 . ROSE OF ORIENT/VENETIAN MOON
2522.0/sONG OF OMAR

BEN POLLACK

2523. BASHFUL BABY/\oHMAN 4 ARDEn)

(above .RIM CHP no gr)

2524. MY KINDA LUV/ON WITH THE DANCE

2525. WHEN I 1ST MET MARy/(g OLSEn)

2526. WHEN I 1ST MET MARy/(G OLSEN)

2527. ALWAYS IN MY ARMS/SWTHRT WE NEED

2528. U B REMINDED 0 ME/rAIN IN MY EYES

2529.3rd man theme/royal gon bls
2530. song india/sent journey
2531 .when I 1st met mary/(g olsen)
2532.1st met mary/thinkin o u(g olsen)

2533. HE LAST WORD/ACMAN(G OLSEN )
2534.SWTHT NEED EACH OTR/ALWAYS IN ARMS
2535. IF I CUD BE THER/WAI I WA I I GAL

DANNY POLO/JIMMY NOONE
2536. BLUE MURDER/l know THAT YOU KNOW

DICK PORTER OSK

2537. SWING BOY SWING/POOR ROBINSON CR

BUD POWELL TRI 0

2538. NITE IN TUNISIA/OVER RAINBOW

DICK POWELL

2539. HES MY UNCLE/AMERICA I LUV U

MEL POWELL ORK

2540. a valon/lover MAN

TED POWELL ORCK

RIO/BLUE DANUBE

COE 735 E+

E
E+

MGM 10250 E/v
NA 7020 HI-
EM 10146 E
EM 10141 V

VI 22074 E-

21944
20394
20394
22101
1815
303
211
20394
20394
VI 20425
VI 22101
PE 15325

VI

VI

V I

E

E+

N—

E+
V+

E—
V-

DE 3863 E

VO 3478 V+

BN 1576 N-

DE 3458 V+

CMS 1522 E

2541
2542,
2543

2544

2545

2546
2547
2548
2549
2550

2551
2552

RENDEZ IN RIO/BLUE DANUBE BB 11132

GANG 0 MINE/BLUEBIRD BOOGIEWOOGIE BB 11082

TEDDY B EAR Bw/jAMAICA JAM BR 80123
SAM PRICE

DE

7811

SUNS'T 10057

,OH LAWDY MAMA/DIRTY DOZENS

ANDRE PRE.VI N
, BL SKIES/GUD ENUFF 2 KEEP

JESSE PRICE
.MISTREATBD/WHATS HAPPENED CAP 15245

.THE WHIRLIGIG/ANOTHER DAY WASTED CAP 15370
.BL BOOK BOOGIE/THATS THE WAY CAP 40014

.JUMP IT W A SHUFFLE/NAGASAKI CAP 40047

.KANSAS CITY MAMa/u SATISFAY CAP 295

SAM PRICE

iTH I nk i ng/ Jump i n the boogie de 8515

. I LOST LUV/THE GOON DRAG DE 8547

LOUIS PRIMA

E+
E+

E+/v

E

8553

2554,
2555,
2556
2557,
2553
2559
2560
2561
2562

3921
1113
8166
8170
8170
8166
7134
VI203079
DE 1871

VS
VR
MAJ

CANT BLIEV UR GONE/THY ON RADIO VO
SUNDAY K I M> 0 LUv/n|CKEL 4 MEMORY MAJ
SING A SPELL/GLEE BY RHYTHM BORN VA

2 u swthrt/say SI SI VS
2 u swthrt aloha/say SI S I

SINQ A SPELL/GLEEBY RHYTHM BORN
CALDONIA/BELL BOTTOM TROUSERS
LUV THAT BOY/LILLIAN
NOTHING 2 GUD 4 u/u CALL IT MAD
GUD MAN HARD 2 F I Nd/| F I CUD B W U OE 2660
PRINCES MILITARY S AND/xYLOPHONE SOLO
2563. SL IDING JIMlTRMBNE EXTRAVAGANZA )/
HAPPY DAYS IN DIXIE
PRI NCESS WATAHWASO

2564. WTRS OF MINNETONKA/A SIOUX SERE •

RILY PUCKETT

2565. WEN U GON I WONT 4<3Et/| GON U 4GE

2566. CAROLINA HOME/PUT MY LITTLE SHOES

TITO PUENTE

2567. TUXEDO JCT/LARE LARE

QUINTET OF HOT CLUB OF FRANCE

2568. LOVES MELODY/NUAGES

2569. APPEL INDIRECT/3 LITTLE WORDS

MA RAINEY

2570. SOON THIS MORN/DONT FISH IN MY C

2571 . BLUS WLD FORGOT PYD 142

2572. MOONSH INE BL/NU BO-WEEVIL BL

2573. GONE DADDY BL/sLO DRIVIN 8L

2574. TRAVELING Bl/dEEP MOANIN BL

HARRY RADERMAN 1 S .JA7 7 ORCH

2575. SONG OF OMAR/RSE WASH So(REGA ORCH )ok 4092

2576.

E+
N-

n/v

N

V+
E+

N
N
E

E+
V-
N-
N-
E

2577

2578
2579

2580

2581

2582

2583

2584
2585
2586

.WHEN UR MINE/THE MO AN ( ALL— AMER 5)

RAVI ZEE SINGERS

HIDE ME/HES ALL A ND ALL
FLOYD RAY ORCH

3 OCLOCK IN MORN/ COM I N ON WITH BL
.FIREFLY ST/LUV IS SIMPLY GRAND

HERMAN RAY
PRESIDENTS BLs/wORKIN MAN

joe raymond orch

, whos babying u/r u lonely
red army choir of ussr
.the white wh irlwino/sng of 0 pla 1 1

Red 4 h i s Big Ten
, if u havnt got a grl/at last happ'

don redman
.i got rhythm/nagasaki
•i got rhythm/nagasaki

CO

189

Vt-

VI

18431

N-

CO

15055

N-

CO

15125

N-

VI235212

E

DEE

8604

N

BRF505277

V

AM

5

N

PM

2

V

PM

3

E

PA

14011

N

)OK

4092

V+

OK

4198

V-

MEL

70867

E-

DE

2337

v+

DE

2500

E

DE

48107

Vt

VI

19263

E

SCO

36265

N

VI

23023

E-

OR

51104

E-

OR

51104

E

BR

6211

v+

VO 3354
BR 80036

RE 994 E
BR 2902 E

27882
27360
27408

VI 27360

DON REDMAN

2587. bugle call rag/too bad

2588. shakin 0 african/chant 0 d weed

rega dance orch
2589.o/dardanella * ok 4057

REGAL JAZZ SYNCOPATERs/gOTHAM FAVORITFK

2 590. sunshine/cher ie

regent club orch

2591 . melooy that made u/sometime

Joe Rei chman 4 Orch

2592. andante c antab i le/ melancholy baby

2593. wise ol owl/toy PIANO MINUET
2594. IF THIS B LUV/DANCE OF THE BAYOU

2595. WISE OL OWL/TWO PIANO MINUET

REI LLY-FARLEY 4 THEIR ONYX CLUB BOYS

2596. MUSIC GOES ROUND/LOOKIN 4 LUV OE 578

2597. NOT ENOUGH/GONNA CLAP MY HANDS DE 683

2598. kiss UR hand/josephita vi 21920

LEO REIS^AN ORCH

2600. MOON CUMS OVR MTN/WI THOUT THAT GAL VI 22746

2599. MOAN IN LOw/a INT MISBEHAVIN VI 22047

2601 . WHATLL I DO/1 LITTLE GRL WHO LUVS CO 1212

2602. LUV LIKE A SONG/SAY OU I CHER IE VI 22531

2603. AINT NEC SO/WOMAN IS SUMT I ME THING DE 18281
2604.SUMMERTIMe/bOAT LEAVIN 4 NEW YORK DE 18282

2605. LIZA/OO WHAT U DO

2606. MEAN 2 ME/THATS WHAT I CALL HEVN

2607. U DO SMTH IN/YOU' VE G OT THAT THING

2608. AROUND THE CORNER/BYE BYE BLS

2609. HERE I AM/WHY WAS I BORN

2610. U WILL REMEMBER V I ENNa/| BRNG LUV
2611. SAY OUI CHERIE/LOVE LIKE A SONG

2612. LONE STAR TRAIL/DONT ASK ME WHY

2613. WHAT I CALL HEVN/MEAN TO ME(d|g)

2614. BRIGHT EYES/LOVE BIRO

JgOQUES; REWARD

261 5. EVERY8DY LUVS U/|N3= I RAT I ON IS U

e/n-

E

N—

E+

N-

E

VI 220 69

VI 21921

VI 22244

VI 22459

VI 22187

VI 22512

VI 22531

VI 27288

vi 21921

CO 3366

E+
V+
V+
V+
E

E+

N

E+

E-

E—

VI 21811 E-

E—
E+

E-

E

BB 11353 n/v+

VI 21807
VI 21241
VI 20140

HARRY RESER'S ORCH

2616. DONT B LIKE THAT/TROUBLES ARE OVER CO 1696

261 7. WHEN I TAKE MY SUGAR TO TEA HOW 1147

THE REVELERS

2618. COM IN HOME/EVEN IN
2619. OL MAN RIVER/OH LUCINDY
2620.BREEZIN ALONG/MOONLIGHT ON GANGES

ALVINO REY
2621 .SANTA CLAUS COM I n/j I NG LE B ELLS

Freddie Rich

2622. together we 2/(h0llyw00d dnc orch ) ba 6096

2623. WUDNT IT B WONDERFUl/LUVD U LESS BA 6512

2624. DREAMS CUM TRUe/wE CANT LIVE ON LUVCA 9166

TOMMY RIGGS

2625. MY PRAYER/DIDNT KNOW WHAT T I ME WAS VS 8086

WILLY RIGHT

2626. LITTLE BEE/ SUNNY LAND BLS OK 06008

MIKE Rl LEY ORCH

2627. JAMM I N'/THAT 'S S OUTHERN HOSPTALTY DE 1271

2628. W0T CAN MTR a/cACHITA DE 1622

JUST IN R I NG ORCH
2629. I'LL BE BLUE/ACHWNG HEART<C ROBERTs)bA 817
JOSEPH ROBECHAUX ORCH

2630. AFTER ME THESUN/wHY SHUD I CRy(cRk)vO 2610

CLIFF ROBERTS ORK

2631. FEELIN IM FALLIN/LONG 2 BELOGN 2 RO 967

VICTOR ROBERTS

2632. HOME TOWN 1 HORSE/U OTTA SEE GEEGEEV I 18712

2633. CRIED 4 u/cARDENIAI DE 2260
2634. I PROMISE U/PENNY SER DE
2635. GO HOME LIL GIRL/SO UR THE 1 DE

2354
3607
3378
3632
4116
4116
4117
4318
4365
1415

N-/v

2636. DARLING HOW CAN u/gREATEST MISTAKE OE

2637. MANNY HAPPY RETURNS/gREN I CH VLG SUEOE
2638.1 MAY STAY LONGER/GOODBYE MAMA DE

2639. MAY STAY AWAY LNGr/gBYE MAMA DE

2640. EVONE'S FIGHTING SOn/wE DID IT B4 DE

2641. HATS OFF TO MCa/thIS TIME DE
2642. I SABELLA KISSED A FELLa/shING DE

2643. CANT STOP ME FR DRMI NG/BLOSMS BWAY DE

PAUL ROBESON

2644. KING J6E t>H HU OK 6475 E+

EARL. ROBI NSON

2645. HOUSE I LIVE IN/MANS A MAN 4 A THAT KEY 538 E-

CARSON ROBINSON

2646. DONT LET SPURS GET RUSTy/pLA I N TALKBB 11546 N

George Olsen

2 647. who/sunny vi 19840 e

2647A. BABY DONT MEAN MBy/mLOY OUT 0 SKY VI 21452 V
2648. SOUTH SEA ROSE/WHY DO I CARE VI 22213 E-

2649. taint no s i n/understand (the H I < htrsV I 22279 V+

WILLARD ROB I SON

2650. DEEP RVR BL/TAINT SO HNY(i*HR CRk) VI 21651 E+

Maurice Rocco

2651 . cocktai ls for two/sucar gu 117

2652. tea for two/one i love de 8574

2653. MY TZATZKELA/AT SUNDOWN lilU 443

GENE ROOEMICH ORCH

2654. TWI LI TE/CANT STOP BABY CRYING 6R 2797

2655. H0ME AGIN BL/MARGIE BR 2060

IKE ROOGERS

2656. MALT CAN BL/STOMP EM DOWN<H BROWN )CRL 12

2657. MALT CAN BL/STOMP EM DWN<H BROWN ) CRL 12

2658. MALT CAN BL/STOMP EM OWn(h BROWN ) CRL 12

G I L ROO I N ORCH
2658A. WHATS THE REASON/RESTLESS

(ABOVE RM CHP NO GR)
2659. SALLY IS GONE/HALF-NELSON

e/v

E
N

E+

BA334108 V+

MERCER 1964

37

35c MINIMUM BID

P. O. MILLER

BOX 108, THE RECORD CH.NGER, 418 WEST 49TH STREET, NYC 19, NY
SEE PAGE ONE Of AUCTION FOR INSTRUCTIONS

35c MINIMUM BID

GLENN MILLER

2205. BLACK MAGIC/OT IT BAD AINT GUD VI201560 E
2206. STRING OF FEARLs/oAY DREAMING BB 113B2 V-

2207. PAPA Nl CCOLI N I /DREAMS V I LLE OHIO BB 11345 v/n-

2208.1 no why/chattanooga CHOO CHOO BB 11230 e/v

2209. at last/kalamazoo vi 27934 E+/n

2210. THATS SAJCTAGe/sRNADE IN BLUE V I 27935 E+

2211. DEARLY BELOVED/OLD FASHIONED VI 27953 E

2212. ALONG SANTA FE/RHAPSODY IN BL V I 201 529 N

2213. MA t»\ MARIA/'wHN SWALLOWS CUM BAKHMV 99 N

2214. ANGELS CAME THRU/ YOU AND I BB 11215 E-

2215. HUMMING BIRD/YESTERDAYS GARDENIASVI 27933 N

2216. MOONLIGHT MOOo/mOONL I GHT BECUMS UVI201520 N-

2217. BLACK MAGIC/PINK COCKTAIL V I 201 523 N-

2218. HUMPTY DUMPTY HRT/nO LAFFNG MTR HMV 5749 N

221 9. IN MOOD/OUT OF SPACE HMV 5565 N

2220. BUGLE CALL RAg/sLOW FREIGHT HMV 5633 N

2221 . my blu hevn/frenesi HMV 5678 N-

2222. Johnson rag/yes MY DARLIN DTR HMV 5683 N

2223. perfidia/one I LOVE HMV 5698 N
2224. I KNOW why/chattanooga CHOO CHOO HOT 5720 N

2225. CRADLE SONG/ELMERS TUNE HMV 5733 N

2226. M00NLITE SONATA/STARRY Nl TE HMV 5768 N

2227. NITINGALE BRKLY Sq/MY PRAYER HMV 5850 N

2228. JUKE BOX SATDY NITE/sLPY T*N TR HMV 5876 N-

2229. PAVANNE/LITTLE BROWN JUG BB 10286 N
22rc.ST .N s i ngapore/di S CHGING WRLD B3 10526 E
2231 .DANNY BOY/TUXEDO JUNCTION

2232. SAY SI SI /l MAG I NAT I ON

BB 10612 N

BB 10622 N

BB 10665 E

BB 10931 N

BB 1'iT30 e

BB 11353 N
BB 11369

N

2233. STARDUST/MELANCHOLY BABY
2234.GBYY LIL DARLI N/NI TGALE 8KLY SQ
2235.1 KNO WHY/CHATTANOOGA CHOO CHOO

2236. J INGLE BELLS/ SANTA CLAUS COM IN

2237. HUMPTY DUMPTY Ht/nO LFNG MTR
2238. OLD ASSMBLY LINE/jOHNNY MARCH HM BB 11480

2239. ANGELS 0 MERCY/AT PRESIDENTS BB 114E9 1N

2240. ALWAYS INMY HRT/wHN ROSES BLOOM BL< 11438 N

2241 . CHIP OFF BLOCK/LETS HAVE ANOTR BB 11450 N

2242. FAITHFUL 2 u/BLUE WORLD BB 10536 V+

2243. DEAR ARABELLa/oRANGE BLOSSOM LND BB11326 E

2244. HAPPY IN LOVe/mOONLI TE COCKTL BB 11401 V+
2245.SKYLARK/ST0RY STARRY Nl TE
2246. SH MILITARY SECRET/ALWAYS REMEIU

2247. must B jelly/rainbow RHAPSODY

MILLER, REED AND ORk/hAYDN 4
2246 .GARDEN 0 MY HRT/WI LD IRISH ROSE

PUNCH Ml LLER
2249.GOLDEN LILY BL/
22BD.XACTLY LI K u/sOME

Ray Mi ller Ork

BB 11462 E
BB 11493 E-
V I 201 546 N-

0 THESE DAYS

VI

16741

E

B 1

N

CEN

4006

N

BR

2778

E

BR

2866

E

BR

2898

E

BR

3046

E

BR

2989

E-

CO

3519

E

DE

18386

DE

4041

E-

DE

1148

V

DE

1148

E

2251. RED HED MOMMA/ BYT HE LAKE

2252. JUST A LITTLE DR i nk/munlT4r0SES

2253. HOLD ME IN U ARMs/PHOEBE SNOW

(above HR crk)

2254. CASTLE IN AIR/SWEET NOTHINGS
2255. SPANISH shawl/lonesome

2256. the sheik/weep NO MOr.E

lucky .jill inder

2257. tall skinny papa/shout sister

2259. big fat mama/trouble in mind

Mills bros with ella fitz
22bb.ded i cated to u/big boy blue

2260. DEDICATED TO u/b I G BOY BL

MlNTON'S HOUSE BANP(C. CHRISTIAN)
2261.STOMPIN AT SAVOY/CHARLIES CHOICE VOXT6067 E
(ABOVE HR CRK)

2262. CHARLI ES CHOI Ce/sTOMP I N SAVOY VOX "6 065 e/n-

Carmen Miranda

2263. CHATTANOOG A CHOO Ch/bONECA DE PI X DEZ3265 N

FREDDY MIRFIELD

2264. MISS ANNABELLE LEE/GUD OL WAGON

MISSISSIPPI SHEIKS

2265. sitVin 6n TAp/LONELY ONE IN twn

Missouri Jazz Band

2266. breezin along/how many times

2267. rubet0wn frolics/hop skp jump

2268. under sip sippy moon/no no nora
(above RIM chp)

2269. BA BA BABY u/(ERNIE GOLDEN )

227 0. WAFFLEs/w I LD ABT ANIMAL CR(CRACK

MITCHELL CHRISTIAN SINGERS

2271 . GOT MY TICKET/OUT OF THE OCEAN

Hi ff Mole Nicks i eland Sand
2272. ST Louis bl/PEg -6 mV HEART

carlos molina orch
2273. in the pampas/ stroke of two
2274. i n6pi rati on/la bomba

2275. gypsy lament/car | bbean star

_Monarch Jazz Quartet

2276. pleadin bl/jst 2 lt(ruff start )

bl ll monroe 4 blue grass boys

2277. mans ions 4 u/mthrs only slping

Vaughn Monroe
2278. lets get lost/happu go lucky

sister etta mooney
2279.wait little while/if i

oeE

8526

N-

OK

8784

Q

BA

1778

V+

BA

1238

E-

RE

9541

V—

BA

7160

V+

)ba

1764

v+

ME

70362

v+

CMS

1518

E-

CO

3128

N-

DE

1060

N-

DE

1080

E+

OK

8931

N-

CO

37294

N

VI 201 524 N-

JUST MAKE it BW 763 N-
JOH.'INY MOORE'S 3 BLAZERS

2280. TRAVLIN BLS/ITS TALK OF TfllliN MODRN 131 E-/n

2281 . JOHNNYS BOOGIE/END OF WAR BLS EXCLSV 1 008 N-

2282. BABY DONT U CRy/bLAZERS BOOGIE PHI LO 111 N-

PHIL MOORE

2283. TALK HOLES IN CLTHs/oONT LIKE EM BW 327 N-

BARRY MORAL

2284. EL QUAVABI To/EL RAG DE LA CALLE 0DA55149 N-

MORAN AND MACK

2285. TWO BLACK CROWS/PTS 344

2286. TWO BLACK CROWS PTS 142
2287.2 BLACK CROWS PTS 142
2288.2 BLACK CROWS PTS 142

ELLA MAE MOB.SE.

2289. EARLY IN morn/bunny SIDE OF ST

2290. NO LUV NO NOTH/SHOE SHOE BABY

2291 . MILKMAN QUI ET/TESS'S TORCH SONG
2292. SHOO SHOO BABY/NO LUV NO NUTTIN

2293. HEY MR P0STMAN/H0U6E OF BLUE LTS

2294. buzz me/rip VAN WINKLE

2295. PATTY CAKE MAn/| NVI TAT I ON 8 BLS

2296. KP BTLS QUIET/TESS TORCH SONG

LEE MORSE

CO

1094

V+

CO

935

V+

CO

935

E

CO

935

E

CAP
CAP
CAP
CAP
CAP
CAP
CAP
CAP

487
143
151
143
251
226
163
151

1592
939
1063
12186

2297.1 LUV U SO/0 BOY WOTTA GIRL PE
2298.MOLLIE MAK UP UR MINd/aINT HE SWT CO

2269. SOMEBODY SAID/HATH 2 SAY GBY CO

2300. AINT GOT NOBODY 2 LUv/tELLING I'S PE

BENNY MORTQn/j C HIGGINBOTHAM

2301. GOLD DIGGERS SNG/H I G G I NBOTH AM BL CO 36011 N

JELLY ROCL MORTON

2302. GA. SWING/KANSAS CITY STOMPS BB 5109 N-/g

2303. FAT MT 4 GREENs/sWTHRT 0 MINE BR 80068 N-

2304. DONT U LU'/ME HERE/BALLIN D JACK EME3 112 N

2305. WININ BOY Bl/hONKY TONK MUSIC JM 11 N—

2306. RED HOT PEPPER/DEEP CREEK VI400119 E+

2307. DEAD MAN Bl/(clIFF JACKSON ) GEN 4000 N

2308. MIDNITE MAMa/mR JELLY LORD BR 80040 N
2309.STROKIN AWAY/EACH DAY HJCA 33 N
2310. OIL WELL/|F SOMEONE WOULD CARE TE 525 N
2311. SWEET PETER/jERSEY JOE HJCA 34 N

2312. JELLY ROLL BLs/b|G FAT HAM HJCA 57 N

2313. CANNON BALL Bl/gRANDPAS SPELLS BRS 9 N

2314. GRANDPAS SPELLS BRS 1035 N
2315/BIG FAT HAm/mUDD < WATER BL GEN 3004 N-

2316. boogaboo/kansas CITY STOMPS VI 38010 V-

2317. ga.swi ng/mournful SERENADE VI 38024 G+

2318. SHOE SHINERS DRAg/sHREVEPORT VI 21658 V-

2319.3LACK BOTTOM STOMP/THE CHANT HJCA 45 N-

2320. SMOKE HOUSE Bl/sTEAMBOAT STOMP BRS 8 N—

2321. CANNON BALL BLS/gRANDPAS SPELLS BRS 9 N

JOSEPH MOSKOWITZ

2322. CHASEN SEHEM/MED_EY TURK MLO I ES VI 67988 E

Joe Moss 4 His Society Dance Orch
2323. if u LUV me/heres to you br 7616 E

BOB MOSEY

2324. BEE BOOGIE boo/stormy MOOD BEL-TONE 752 E

MOUND 0 ITY BLUE BLOWERS

2325. ARKANSAW BL/BLUE BLUES BR 2581 V

2326. LATIN FROM MANHA TTAn/wOTS D REASON V0 2957 V+
(ABOVE RM CHP NO GR)

2327.SAN/RED HOT BR 2602 V+

FRANK MUNN

2328 .MAV I £ /SOME WHERE A VOICE 16 CALLING ED 52418 E

B I LldY MURRAY - ED SMALLE
2329.10 LITTLE FINGERS/WEN FRANCES DNCS VI 18830 E-

B I LLY MURRAY

2330. ROLL 'EM G I RLS/DWN BY WINEGAR WOJKSVI 19838

DE

DE

2331 .marimba/down by the o-fi-l-0

2332. TONY OVER THE TOp/gD MORN MR ZIP

MURRAY'S MELODY MEN

2333. RSE OF WASH SQU ARE/TORE AOO R

SPUD MURPHY ORCH

2334. ECST ACY/DANC I NG WITH DX3UTANTE

2335. TRANS-CONTINENTAL/MY LITTLE GIRL

2336. DANC IMG WITH DEBUT ANTe/eCSTACY
2337. SANO DUNe/p I NET OP BREAKAWAY

2338. DANCING WITH BEBUTANTe/eCSTACY

JOSEPH MUSCANT ORCH

2 3 39. BOLERO/ SPEAK EASY

THE MUSIC MAKERS

2340 . BUFFOON/ APPLE BLOSSOM

MUSIC MASTERS

2341. BL RIVER/SAVING SATURDAY NITE 4 U

VIDO MUSSO SEXTET

2342. COME BACK TO SORR ENTO/CUTT I N 0 NUT GAL

ED MCCONNELL

2343. ELDER JACKSONS SER"0N PTS 142 HA

JOHN MCCORMACK

18723
18510

EM 10160 E

2109 E
1853 N
DE 2109 N

BB 10875 N

DE 2109 E-
RZ 1431 N-

BR 3644 V+

E+/n

v+

2344. the rosary

2345. at dawning/dawning

2346. dear ol pal of mine

E, MCCOY

2347. ONE MORE DRM/GYPSY IN MY »OUL

RM/ G

WILLARJ HCDANIEL

SPECIALTY

CO
D IS
DISC
DISC

2348.3 am bodgiee/bls on delta
Brownie McGhee

2349. pi0kin my tmtos/my 4 my dog bls

2350. go on bl/way i feel

2351 . TELEGRAM Bl/gOOD BOY

2352. lonesome bls/me 4 my dog

Ray Mc*inleys jazz band
2353.n.0.parade/luv in the 1st degree

(above has crk)
2354. land of buffalo nickl/sand storm maj

2355. sand storm/ln land buffalo nickel maj

jimmy mcpartlano

2356. use ur i mag/davenport blues pres

2357. manhattan/come back swt papa pres

(above rm chp 1 grv)
phIl NAPOLEON

235b .that s a plenty/li very stable bls swan
(above :hair crk)

677

64257
64302
64785

1766

415

30152
790
879
6057

DE 1019 e/v

7184 E+
7184 E

304 N
303 N-

7512 E

2359
2360.

2361
2 3 62.

236

2364.

2365
2366
2367.

2368

2369.

2370

2371
2372
2373.

2374,
2375.

MF

OK

628 E+
656 E+

102 N
102 N-

4349 V
3733 V

TED NASH Fl VE
POCKETFUL 0 DRMs/dRL IN MY DRMS KEY
WICKS KI6KS/THEY D I DNT BLIEV ME KEY
NASHVI LLE JAZZERS/BLUE RHYTHM ORCH
ST. LOU IS BLS/HOLD ER DEACON
ST LOUIS BLS/HOLD ER DEACON

NATZY'S HOTEL BILTMORE ORCH
EVERY NIGHT/KEEP THOT 4 ME

CHIC NELSON ORCH
GOTTA KNO HOW TO LUv/BLU RIDGE

OZZ I E NELSON ORCH
CENTRAL AV SHUFFLE/SIR WALTERS SER BB 11543 N
PENTHOUSE ON 3 AVE/LUV NVR OUT 0 SSfJ BB 6987 N-
M I GHT HAVE BEEN SO DIFf/tHREW BAG BR

VELMA NELSON
ITTI BITTY GIRL PTS 142 AL

NEW DIXIE DEMONS
MAYBE/ROSE COLOREO GLASSES DE
NEW MAYFAIR ORCH

ILY ALBUM/U WERE THERE VI
NEW ORLEANS RHYTHM KINGS

M I LNEBURG JOYS/SH I MMESHAWABBLE BRS

TIN RF BLs/jAZZ ME(BOBCATs) DE

DUST OFF PIANNA/siNCE WE FELL OUT DE

NEW ORLEANS SEVEN ORCH

HOW LONG BL/EASY RIDER ["pM CHP) EL

EASY RIBER/HOW LONG BL
NEW SYNCO JAZZ BAND

ELITE

7373

E+

139

V+

5362

V+

25437

v+

1004

N

3523

e/v-

388

V

5032

V

5032

e/v+

2376. USE 0 DAVID BLS/SMBODYS WRONG PAT 021075 V+

2377.SOMBOOYS WRONG/HSE OF DAVID BL PE 14178 V+

2378 • AGGRA VAT I N PAPa/gT 2 C MAMA EVY NT PE 14092 V+
THE NEW YORK TWELVE

2379. LETS GET FRIENDLY HOW 1153 E-

JACK NEWMAN

2380. WAY LATE/NEW PRISON BLS VO 04344 V

RUBY NEWMAN ORCH

2381. SMALL TWN GIRL/SIN TO TELL A LIE VI 25327 V+

2382. SWING HI SWING Lo/swEET LEILANI VI 25543 V+/e-

Newport Society Orch

2383. kiss 4 make up/whr cot cot cotton ha 536 g

2384
2385

2386

2387
2338
2389
2390.
2391
2392
2393
2394.
2395
2396,
2397,
2398
2399
2400

2401

2402,
2403.,
2404
2405.
2406
2407.
2408,
2409
2410,
2411.
2412
2413

(

2414
2415

2416

2417,
2418
2419,
2420
2421
2422
2423.
2424
2425
2426

2427

2428
2429
2430
2431
2432

2433

2434

2435,

RAY NICHOLS ORCH
,ANO THEN SUM/ SWEET BEG I NNI NGS

,FEELIN IM FALLIN/JEY HO (HARMON I A NS ) VO 1909

RED'S DIXIE RAMBLERS
. I WANT MY RIB/MY BABY KNOWS HOW

RED NICHOLS
,U SO DESIRABLE/OUR LUV

BB 6012 E

5092 E

BB 10179 V+

SHEI K/SHI MMESHAWABBLE BR 80005 E+

T 4 2/wANT TO BE HAPPY BR 80007 E

IDA/FEELIN NO PAIN BR 80069 N-

NOBODYS SWEETHEARt/avALON BR 80070 E+

SHEI k/sh IMMESHAWABBLE BR 80005 E

SHE I k/sH I MMESHAWABBLE (dig) BR 80005 e/v

DINAh/|ND IANA BR 80006 E+

I ND I ANa/d I NAH <RM CHP NO GRV ) BR 80006 E—

sugar/mak MY COT WHERE COTTON G RS VI 21056 E

OUR LUv/uRE SO DESIRABLE BB 10179 N-

OUR LOVE/YOU'RE SO DESIRABLE BB 10179 E

ROBBINS 4 ROSES/MELANCHOLY BABY BB 10593 n/E+

DEG 0 MY HRT/CHINA BOY BR 80004 N-

GERTRUDE NIESEN

BIB GIRL NOW/LEGALIZE MY NAME DE 23499 E-

RAY NOBLE ORCH

THE CHARM OF U/WHAT SWT SURPRISE CO 36822 E

GOT U UNDER MY SKIn/eaSY TO LOVE VI 25422 E

THOGHT OF u/BECAUSE OF YOU VI 24657 V

LOVE YOU TRULY/BLUE DANUBE VI 24806 V+

SOMEBODY HETOLO/BUILT DREAM 1 DAY VI 25200 V+

TO MAKE U HAPPY/LUV IS SWTST THING ELG 2692 G+

2 LUV U 4 2 LOSE u/GOT UR HEALTH VI 25504 E
LUV TO KEEP ME WARm/slUMM I NG ON PRK V I 25507 E

NEVERMORE/lLL FOLLOW SECRET HEART VI 24749 N
LIFE BEGINS AT SWT 16/fELLO WHO LUVS VI25190 N-

TIGER RAG/jAPANESE SANBMAN VI 24577 N
YONDER IN NO/CHEEK TO CHEEK ( DUCH I N ) VI D 9-A E+
ABOVE SPECIAL PRESSING - WHITE LABEL VICTOR)

MOST UNUSUAL OAY/jUDALINE CO 38296 V+
LUV U 4 LOSE u/GOT UR HEALTH
HATTIE NEEL

,HI JIVIN PAPA/ROCKIN JENNY JONES

J IMM1E NOONE
.EVERY EVENING/4 OR 5 T I MES
.SWEET LORRAI NE/APEX BLS
DIFFERENT TYPe/bL JUMPED RABBIT

blues/monday DATE
, I no u no/bump IT
.keystone bls/n o Hop Scop Bls
,bls jumped rabbit/diff type guy
sweet ga brown/way down yonder NO
,00wn yonder in no/sweet ga brown
i no u no/sweet su just u

Charles Normand Orch
,a .f.n.boog ie/ship ahoy co
Red Nqrvq

.remember/j i vin the jeep br

iLAOY B GOOD/SLOW MOOD(b CROSBY BC ) DE
.TIME 4 TIDE/CHEEK TO CHEEK DISCOVERY
,MOVe/lITTLE WHITE LIES DISCOVERY
,3 little fishies/ur so desirbl vo

O'Brien's State Street Seven
,car l i na in morn/ royal reserve bl ju

chico o'farrill orch
.flami ngo/carioca

OHMAN-ARDEN ORCh/bEN BERN IE ORCH
.ONE ALONE/HE'S THE LAST WORD BRE

VI 25504 N-

MGM 10355 E+

VO 1185 V-
VO 1207 v/f
DE 18439 E
BR 80026 N-
DE 1584 V+
DE 18095 E+
DE 18439 N-
DE 18440 Nr-
DE 18440 E-
BR 80024 N-

CO 1610 N

7896 E-
3884 N
134 E+
145 E+/n
'4785 V+

4 V

MER 8966 E+

38

35c MINIMUM BID

P. O. MILLER

BOX 103, THE RECORD CHANGER, 418 WEST 49TH STREET, NYC 19, NY
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS

35c MINIMUM BID

franklin 0 roosevelt

2660. war msg to cong. 4nt ion pts 142 co 36516 n-

2661. address to u s cong. dec 7 1942 vi 27734 n

2662. quotat ions from pschs pts 142 wor 7-5100 e

vincent rose

2663. helen gone/rip saw blues vi 19398 v+

timmie rosenkrantz 4 barons

2664. bl at oawn/bouncy e"ont 6012 e+

2665. bouncy/bl at dawn cont 6012 v+

Art Ross Westerners/Barney Trimble

2666. after thinking it ovr/hugable ha 596 e

lanny ross

2667. LST TIME I SAW paris/h| WNDY HI VI 27254 E+

Harry Roy

2668. STL WMN DOWN TO N o/sMOKE IN I'S PaE 1969 V+

2669. FOUND NEW BABY/SUGAR FT STOMP DE 2752 N-

2670. CANADIAN CAPERS/TIGER RAG PAE 1505 E
2671.STEPPIN OUT MIDNITE/BARL HSB BG DEE 41009 N
2672. OUGHT TO BE SOc/siTTING ON EDGE LON 140 N-

2673 . CLOSE UR EYES/BEALS ST BILL ODA221685 E+

ROYAL HARMONY SINGERS

2674. JEZEBELA>N MY WAY 2 HEAVEN OE 8597 e/v

LUIS RUSSELL'S HOT SIX

2675. SWEET MUMTAZ/29TH 4 DEARBORN Bl 1027 N

LU IS RUSSELL ORCH

2676. SARATOGA DRAG/CASE ON UAWN BR 80023 E+

RUSSO 4 FIORITO'S ORIOLE ORCH

2677. WANNA GO WHR U R/THAT CERTAIN PTYVI 19917 E-

JOE RYAN ORCH

2678. KISS EACH MORN/LUV MADE GYPSE ME PE 15252 E

THE ST GEORGE SINGERS

2679. COL.H 1ST. OF MUSIC PTS 15416 CO 5717 N—

DERYCK SAMPSON

2680. CHINESE BOOG I EWOOGI e/k.C.B.W. JD 7005 E+

JOSEPH SAMUELS ORK

2681 . CRAZY BLS/HOME AGAIN BLS OK 4250 V+

2682. slim trombone/oo anotr break(grn sros)ok4124 V

2683. MARRI AGE BLS/HUNKATIn(gREEN BROS )0K 4122 V

1088 V-

CO 1484 N-
COE 1630 N-

VI 20903 N

DE 3185 E
VI 27775 N-

DE
DE

E

318S N
3640 E-
2391 E

1166 E+

33 N-

DE 23429 V-
DE 18129 E+
OE 18127 E+

RCA200238JB N

2684. CANAD I AN CAPERS/WABASH BLS

ALBERT SANDLER

2685. MERRY WIDOW V/LTZ/V I L I A
2686. SING IN MORNNg/pLAY IT AGAIN

SANDHI LLS S| hTEEN
2687. SHINE ON ME/WOT ROBES ANGELS WR
JAN SAV ITT

2688. TIME 2 JUMP 4 SHOUT/w P A

2689. T I CA Tl TICA Ta/| REMEMBER U

2690. me 4 my melindaVtmorrow's SUNRSE VI 27822

2691. SUGAR FT STRUT/PEACEFUL IN CTRY VI 27464

2692. ASK YR HRT/MAKE BELIEVE ISLAND

2693. HEART AT THY VOICe/yOUNG PRINCE

2694. WANT SHARE 0 LUv/LITTLE SIR ECHO DE

JOE 8AYE TRIO

2695. PINK CHAMPAGNE/3 OF A MIND MELOOISC

GENE SCHROEDER TRIO

2696. LIZA/ I A I NT Got N6BODV BW

HAZEL SCOTT
2697 • FASC I NAT I NG RHYTHm/mAN I LUV
2698.VALSE IN DB MAJ/HUNG RHAPS #2
2699.2 PT INVENTION/RITUAL FIREOANCE

L^LIij /jCOTT

2700. MAN I LUV/THE LONG STORY

LITTLE J IMMY SCOTT
2701.1 GOT IT 8 AD /MASQUE RASE IS OVER RR 530 V+

MARILYN SCOTT AND THE LOU CURRIE QTT
2702. STRAIGHTEN HIM OUT/ANOTHER WMNS MUSE 1002 E

RAYMOND SCOTT QUINTET

2703. M1NUET IN JAZZ/TWILITE IN TURKEY CO 36107 N-

2704. NU YRS EVE HAUNTED HSe/lT BL HAIRC035247 E+

(abv RCD lam crk)

2705. TOY TRUMPET/POWERHOUSE CO 36311 E
2706.18 CENT DRWG ROOm/bOY SCOUT SWISSCO 35347 n/E+

2707. busi ness men's bounce/peanut VDR CO 35364 E+
(above spcl review copy)

ROOSEVELT SCOTT
2708. SEND an angel/do u call tht RITE VO 05137 E

Scot td ale string band

2709. chinese break dwn/shade 0 paras olok 45103 v+

SEATTLE HARMONY KINGS '
2710. IF HAD GIRL LIKE U/DARKTWN SHUFFLVI 19772 V

2711. BRREZIN ALONG/(ART LANDRy) VI 20142 V+

charlie segar

2712. sothrn hospitality/cuban villa blde 7027 g+

Selah Jubliee Singers

2713. royal telephone/want jesus 2 walkde 7607 g

ben selvin's orch

2714. leve me wth smile/rmembr the rse vo 14233 e-

271 5.lve me wth smile/remmbr the rose vo 14233 e+

2716. dardanella/isle of GOLDEN DREAMS VI 18633 v+

2717. HOW AM I 2 KNO/WAITED LIFETIME 4 U C01937 N
2713. DNCG WITH TEARS/SPRGTIME ROCKIES CO 2206 E+

CO

1994 E
2164 V

PE 14451 E
PE 14664 V+

BA 253 N-

2719. SUNNY SIOE UP/LOVE

2720. CANAO I ANCAPERs/sAL — 0— MAY

BOYD SENTER

2721 . cruving/gertie

2722. yes sir and how/hobo's prayer

duke septer

2723. top 4 bottom/ toasted pickle

sextette from hunger

2724. birth 0 0 bls/lock stock 4 brlhse mac1002 n-
2725. lock st0ck4brlhse/birth 0 d bls mac 1002 e+

sextette of rhythm club of london
2726. u gave me go by/y didnt w1_m tell bb1 0557 n

CHARLEY SHAVERS QU I NTETT
2727. STARDUST/CURRY IN A HURRY KY 1305 e/e+

ARTIE SHAW

2728.C0NC. FOR CLARINET PTS 142 12" VI 36383 E+

2729.
2730.
2731
2732,
2733,
2734,
2735,
2736,
2737,
2738,
2739
2740,
2741,
2742,
2743
2744,
2745
2746,

2747

2748,

2749
2750,

VI 201 620
MU 428
VI 27411
VI 27548
VI 27549
VI201647
VI 27230
VI 27549
VI 27549
VI 27230
VI 26762
vi 26762
HMV 8906
HMV 9116
HMV 9454

ARTIE SHAW
.TAKE LNG WAY HMe/lADY DAY

, guilty/anniversary song (crk)
.blues pts 142

.traffic jam/dancing in dark

.SERENADE 2 SAVAGe/mOONGLOW
.GRABTOWN G RAPPLE/SAD 6ACK
.STAR DUST/TEMPTATION
. MO ONG LOW/ SERENADE TO SAVAGE
.SERENAOE 2 SA VAGe/mOONG LOW

.staroust/temptat I on (hr crk)

.KEEP I N SELF 4 u/sPCL DELVY STP
.KEEP! N MYSELF/SCL DELIV STOMP
.DEEP PURPLE/BEGIN THE BEGU I NE
,OONT FALL ASLEEp/gLOOMY SUNDAY
.BEDFORD DRIVE/TABU

• ALL THINGS U r/tHNGS U r(T DORSEy) VI201561

,frenesi/ad ios MARIQUITA VI 26542

.KEEPIN SELF 4 u/sPCL DLVY STOMP VI 26762
MILT SHAW

•PREC/THING CLD LUv/mIA BELLA ROSA OK 41196
SPENCER SHAW, (TtGAN

iMLDY In f/thC SWAN ED. BELL - winner 4625

George Shearing Quintet
.the continental/nothing bt d best mgm 10596
.moon ovr miami/life with feather dscvry 1 03
jack sheeoy's jazz band
2751. laoy maud's dream/tiger rag coronet 102

2752. gud man hard 2 find/ryl grdn bls coronet105

bert shefter

2753. TRAMMIN AT THE AIr/mONKEY ON STRG DE 2525

ANNE SHELTON

2754. PABLO THE DREAMER /KEEP IT THAT WAY DEE41007

SHORTY SHEROCK ORCH
2755.SNA Fu/THE WILLIES SG 28118

2756.THE W ILLIES/SNAFU SG 28118

2757. ORGAN GRI NDER/WABASH BLS CMS 7500

2758. JOHMNY TAKE MY WIFe/u TAKE SNSHN CMS 7501

2759. ARKANSAS/SWINGING AT SEMLOH CAP 161

BOBBY SHERWOOD

2760. LEAST MY OPINION/SHERWOOD'S FOR ST CAP 286

SHIFTY HENRY AND H I S F LASHES

2761. WHY DID HAPPEN 2 ME/YOU'RE MINE ENT 107-8
NAT SH I LKRET ORCH

UOY/(EDWIN J MCENELLY ORCH )

E+
N—

N

N-

E+

N
N
E

E+
E

N

N-

E+/n

E

E-

E+

N—

E+

E+

N/E+
N-

e/v
n/e

2762
2763
2764
2765
2766
2767
2768
2769
2770
2771
2772
2773
2774
2775
2776
2777
2778
2779
2780

2781
2782

2784,
2785,

2786,

2787,
2788,
2789,
2790
2791
2792,
2793,
2794,
2795,
2796,
2797
2798,
2799,
2800,
2801
2802,
2803

2804

2805,

2806
2807,

2808,

2809
2010
2811,
2812
2813
2814

VI 20601

WHY DO I LUV U/CANT HELP LUVI N MAN VI 21215

21431

VI 21881

VI 21905

VI 22571

VI 22498

VI 21792

VI 21744

VI 21603

VI 21298

VI 21811

VI 22632

VI 20145

VI 22138

VI 20113

21082
21528
21976

^l 19590
BR 7603

VI 202322 N

FASC I NAT I N U/DANC4NG SHAD0W6
THATS HER NOw/tHATS HOW I FEEL
YOURE PERFECT/SOMETHING 2 LIV 4

bolero/la SEDUCCION

WHIPPOORWILl/tELLING IT 2 DAISIES

.SWEET DREAMs/( WAR I NGS PENNSYL.VS )
BL06S0MS BLM IN MNLT/vARSITY GRL

.N..GASAK|/m0ONLIGHT MADNESS
WHEN URE WITH SUMBODY ELSE/CHLO-E
INSPIRATION IS u/^JACQOES BEN*RD )
SPEC PERM 1 6SI ON I LUV u/1 OF GODS
WISH U WRE JEALOUS/STARS WNDWS HVf
UNTIL THE END/OONT WANT UR KISSES
BARCELONa/oN T HE R I V I ERA
U CAME ALONG/HUMPTY DUMPTY

.BLUE YODEL/AWAY OUT MTNS
CRAZY OVER u/wAKE UP CHILLUN WK UP

JACK SHILKRET'S ORCH

BETTY LEE/NO WONDER (NOVELTY ORCH )
DAY I LET U GT AWAY/SING OLD FASH

ERIC SIDAY ORCH
BODY 4 SOUL/CHICKEN REEL
LEE SIMS

SNG OF WANOBREr/fALLING IN LUV W U BR 3551
LITTLE WHITE HOUSe/mD U HAPPY MD ME BR 3462

ZOOT SIMS FOUR
DONT WORRY BOUT ME/CRYSTALS DSCVRY 150

FRANK SINATRA
MELANCHOLY MOOD/FR!/ BOTTOM MY HRT BRS 995

so far/fellow needs A GIRL CO 37883

.SORRY/WHY REMIND ME CO 38662

.XMAS DRMINg/sTARS WILL REMEMBER CO 37809

HUSH A BYE ISLANo/thIS IS THE N I TE CO 37193

HOW CUTE CAN U B/5 MINS MORE CO 37048

FROM THIS FORWARD/SUMT I NG OLD SMTG CO 36987

DAY BY DAY/o WHAT IT SEEMD 2 B CO 36905

CPADLE SONG/NANCY CO 36868

DONT FORGET TNITE TMRw/l| LY BELLE CO 36854

.HOMESICK THATS ALl/a FRIEND OF YRS CO 36820

,PUT YR DRMS AWAy/| F U R BUT A DRM CO 36814

I BEGGED HER/WHAT MAKES THE SUNSET CO 36774

WHITE CHRISTMAs/lF U R BUT A DRM CO 36756

CUDNT SLP A Wl NK/LUVLY WAY TO SPND CO 36687

0 WHT BEAUT I FL MORn/pPL WILL SAY CO 36682
.CLOSE TO u/u'LL NEVER KNOW

NOBLE S ISSLE
ROYAL GDN BLS/MY MAMMY'S TEARS

SIX HOTTENTOTS

E+
N-

N
N
N
E
V+

e/v+

v+

v+

E-
E-

v+
v+

N—

E-

v+
v

E—
E—

CO 36678
EM 10367
mf 103

melancholy charlie/hurricane
bob skyles

,wot did i do/turn loose 4 go town bb 7322 e+/v

.blue bazooka bl/swngng w accoron bb 7546 n-

the skyliners

la de dcody doo/jack clmbd bnstalk vo 4272 e-

Freddie Slack
.small batch 0 nod/cuban sgr mill cap

172

133
115

GT ON BRD LIL CHILLn/oLD ROB ROY CAP

THRILL IS GONE/MR 5 BY 5 CAP

HERE U R/COW COW BOOGIE CAP 102 E-

cow cow boogie/here U ARE CAP 102

HERE YOU ARE/COW COW BOOGIE CAP 102

2815
2816

2817

2ei8

2819

2820
2821
2622
2823
2624
2825.
2826
2827
2828
2829
2830
2831
2832
2833
2834
2835
2836

2837
2838

2E39

2840
2841
2842
2843

2844
2845
2846
2847
2848
2849
2850

2851

2852
2853

2854

2855

2855.

2857,
28 58,

2859,

2660

2861

2862
2863
2864,
2865,
2866,
2867,
2868
2869,
2870,

2871,

2872

FREDDIE SLACK

.THE THRILL IS GONE/MR 5 BY 5 CAP

CUBAN SGR MILL/SMALL BATCH C NOD CAP
SLIM 4 SLAM

• LOOK— A— THER E/TUTT I FRUTT I VO

LOOK-A-THERE/TUTTI FRUTT I VO

MARY SI/ALL
BE BRAVE BELOVED/WOT OS SLDIER DRM OFDE

BESSIE SMITH

FOLLOW DEAL ON DOWn/s|NFUL BLS CO 14052

ANY WOMAN'S Bl/cEMETERY BLS CO 13001

.MAMAS GOT D BLs/oUTSIDE OF THAT .CO 3900

DOWNHEARTED BL/GULF COAST BL CO 3844 G+

115 E+
172 E

4225 v-
4225 V+

4282 N

D BLS/OUT
D BL/GULF

.CEMETERY BLs/anY WOMANS BLs(LAM CRK ) COF 217 N-
LONG OLD ROAD/SHIPWRECK BL HJCA 62 E

HJCA

CO 14172 v
CO 14427 V
CO 14476 E+
PAE 2476 N
PAE 2481 N
CO 14427 V-
PA 2473 N
PA 2483 N
2483 N
2329 N
8053 N

PAE

paE
coF

CO 4000 G+
DE 23 3 53 E-

VI 21882 E+

18532 V+
18618 E
18616 V+
18661 V

26198 E
26196 E+

.HONEY MAN BLs/oNE 4 TWO BLS
•GOT TO GIMME SOME/wiLD ABOUT
.WASTED LIFE BLs/oiRTY NO GOODER BLS
.RECKLESS B Ls/sT LOUIS BLS
•NOBODY KNOWS u/baCKWATER BLS
WILD AST THING/GOT TO G I MME ( w/lanG )

• MONEY GLS/'mUDDV WATER

• PR EACH I N THE BLs/THINKING BLS
THINKING BLS/PREACHI NG D BLS
OOWN I N THE OUMPS/DO YOUR DUTY

•ANY WOMAN BLs/cEMETERY BLS

CLARA SMITH
.AWFUL f-'OANIN BL/NEVER MISS SUNSHINE

ti co-ti co/lero lero(rm CHP 1 gr)

JACK SMI TH
.SWT FORGET ME NOT/GLAO RAG DOLL
JOSEPH C. SMITH
Kl SSES/MICKEY
YELLOW DOG BLs/tULIP TIME
YELLOW D G Bl/tuLIP TIME
ALONE AGAIN BLs/wHOSE B ABY

KATE SMITH
STAR SP BANNER/GOD BLESS AMERICA
STAR SP BANNER/GOO BLESS AMERICA

STAR SP BNR/GOD BLS AMER(RH CHP NO GR)vi261Se E
STAR SPNGLO BANNER/GOO BLESS AMERICA VI 26198 E-/e
•STAR SP BANNER/GOO BLESS AMERICA VI 26198 N-

• DREAMS DIME OOZEn/gRADUAT I ON DAY MGM 10024 E
.WE'RE ALL AMERS/THEY STRTD SUMT I NG

PINE TOP SMITH
.i'm sober now/jump steady bl

Stuff Smith 4 his Onyx Clb Boys

.ONYX CLUB SPREE/TWI LI TE IN TURKEY DE 1279 Ef /n

.freight trn bls/unusual man de 7489 n

jack sneed

big joe louis/the numbers man de 7522 e

Snooks and Memphis Stoppers

IM HPY WH YR HPY/LUV LIK THT(RMCHP NO Gr)v|22629 E
BILL SNYDER

DRM CONCERTO/RIDIN THE OFF BEAT TOWER 1474 N—

TUT S0PER

THOU SWELL/ITS A RAMBLE
STARDUST STOMp/oRONI CS
THE SOPHISTICATES
DARK EYES/SONG OF VOLGA BOATMAN

SOUTHAMPTON SERENADERS
HONOLULU MOON/GUONITE S T WHT GUDNITE

SOUTHeitrv NEGRO QUARTETTE
A I NT GIVIN NOTHIN AWAY/SWEET MAMA
BESSIE SVITH

CO 36492 E

BR 80000 N-

5001 N-
5000 N

DE 1883 E-

PE 14799 E

CO 3450 E-

BRS 14 N

CO 3844 V

CO 37575 N-

CO 35672 N

CO 35674 N-

CO 14023 V-

CO 14090 V-

CO 14354 V+

CO 37574 E+

CO 14041 V-

218 E-

2873

2874,

2875,

2876,

2877,
2878,
2879,
2880
2881,

2882,

2883,

2884,

2885,

2886,

2887,
2888.
2889,

, AFTER UV GONE/GUD MAN HRD 2 FIND
.DOWNHEARTED BLs/gULF COAS BLS
,DOWN IN THE DUMPs/DO U DUTY
.GOOD OL WAGON/'COLD IN HAND BLS
.BABY DOLL/LOST UR HEAD BLS
.HATEFUL BLS/FRANKIE BLS
.NASHVILLE BLS/AINT GONNA PL 2ND FDL
.DEVILS GONNA QET u/yES INDEED HE DO
.TAKE ME 4 BUGGY R IBe/g IMMI E PIGFT

CLARA SMITH
.SOLD SOUL 2 DEVIL/FREIGHT TRN BLS

EFFIE SMITH
.BEEN SO LONG/ ANSWER TO R • M • B L S MILTONE
(ABV g*RM CHP - PICTURE LABEL )
JABBO SMITH

.SLEEPY T IME BLS/LITTLE WILLIE ACETATE E+
MAMIE SMITH

,CANT KEEP CD MAN D OWn/thNG CLD LL'V OK 4113 V+
(ABV HR CRK)

FARE THEE HONEY Bl/rOAD IS ROCKY OK 4194 V-

PAUL SMITH FOUR
.WANDER I NG/OVER RAINBOW DSCVRY 138 N

PINETOP SMI TH
.PINETOPS BL/PINETOPS BOOGIE WOOGIE BR 80008 V-
, I'M SOBER NOW/JUMP STEADY BLS BR 80009 N

.I'M SOBER NOw/jUMP STEADY BLS BR 80009 N-

JUMP STEADY BLs/l'M SOBER NOW BR 80009 N

I'M SOBER NOw/jUMP STEADY BLS BR 80009 E

RUBV SMITH

YOU SAT I SFY/PORT WINE BLUES VI202152 N-

W ILL IE SMITH

ACHIN HRTU HLS/HONE YMOON I NG ON DIME DE 1503 E+/v

Wl LLIE LONGTIME SMITH

FLYING CLOUD 8 W/DIRTY DEAL B W CO 30140 E+

SOUTHERN QUARTET
RAISE RUCKUS TONIGHT/MY MAN ROCKS ME CO 14048 G

SOUTHLANO SIX

RUNBIN WILD/IVY

MUGGSY SPAN I ER

.SOMEDAY SWTHT/THAT DA DA STRA I N
.SISTER KATE/D I PPERI.'OUTH BLS
.SOMEDAY SWEETHEAR/DA DA STRAIN

VO 14476 V+

BB 10384 N-
BB 10506 N
BB 10384 N

39

35c MINIMUM BID

P. O. MILLER

BOX 106, THE RECORD CHANGER, 418 WEST 49th STREET, NYC 19, NV
SCE PAGE ONE OF AUCTION FOR INSTRUCTIONS

35c MINIMUM BID

HMV

9047

N

HMV

9092

N

Bl

1036

N

HMV

904Z

N

DE

41 68

E

VI

201675 N-

CO

160-O

V+

CO

1943

V

VE

2530

E

B4W

DE

HOW"
HOW
HOW

197 E-

1056 E-
1097 E—
A12 E

MUGGSY SPAN I ER
2R90.ECCENTR IC/SI STER KATE
2891. AT SUNDOWn/bLU I N THE BLUES
2692.ECCENTRIC/BIG BUTTER 4 EGG MAN
2993. JAZZ BAND BALL/LIV STBL BLUES
2894. CHICAGO/CANT WE B FR I ENOS

CHARLI E SPI VAK
2i95.CANT U READ LINES/SANTA LUC I A

PAUL SPECHT
2396.MANDALAY/CANT GET 1 I WANT
2897. ALBUM MY DRMS/WRLDS GRTST SWHT

2899. WHR LAZY DAISIES GROw/gOIN SOUTH CO

spirits of rhythm

2900. scattin the bls/she a i nt no st

leopold spitalny ork
2901.2 gu i tars/dar keyes

phil spitalny's or k

2902 . g i v urslf pat on back/

2903. betty co-ed

2904. whn its sleepy time own south

charlie spi vak orch

2905. no laughing mtr/see elephant fly ok

2906. white xmas/yesterdays garden i as

ink spots _

2907. yr fts too big/swingng on strngs vi 24851 e

squadrona ires

2908. mission to moscow/c jam bls dee 8568 e

dick stabile orch

2909. he's my guy/at last oe 4352 n

291 0. easy 2 dance with/careful my hrt de 4351 n

Jess Stacy

2911. aint goin nowhere/candlelights cms 517 v+

2912. var i at i ons in jazz pts 142 asch 3502 e-

2913. noni/jess stay bl asch 3 e-

2914. wrld waitin snrise/honky tonk tr de 18110 e+

jesse stafford

2915. the prep step/my swtr than swt br 4629 e+

aileen stanley - billy murray
2916. ovr nothng at all/stnd neath wndwvi 18943 e-
kay starr

2917. wsh i hd wishbone/ys ys in ur l'scap57681 n

2918. brk it gently/buy buy buy 4 babycap 57717 n

s s leviathan orch
2919.l0uisville/henpecked bls
bill stegmeyer octet

6458 E-

CO 36649 E-

2920. FRANTIC RHAPS/SENT JOURNEY

GRANT STEPHENS
2921 .SPRINGTIME/WITH COMING O TOMRW

STERLING TRIO/H BURR

VI 19127 E

15014 N-
3362 N-

S I G

VI 18710 E

2922. M0THERS LULLABY/ BROADWAY ROSE

MR AND MRS CAL STEWART

2923. WONG OF UNC JOSH 4 AUNT NANCY SM OXF 3058 E+

HERB I E STEWARD

2924. PASSPORT TO PI MLICo/MEDt CI NE MAN RR 515 N-

MARTHA STEWART

2925. FUNNY THAT WAY/THERE'S NO U VI 20 671 E+

REX STEWARTS ELLI NGTON I ANS

2926. LAZY MAN'S SHUFFLE/REL AXATI OUS BA 226 N

SLAM STEWART

2927. UPSIDE LOOKING DWn/bELL FOR NORVOC0NT1 0002 N-

2928. TALKIN BACK/ONE THAT GOT AWAY CONT 10005 E

GEORGIE STOLL ORK
2S29.SWANNEE/THE GIRL FRIEND DE 976 V

STOMP SIX

2930. EVRYBDY LUVS BBy/pOOR LITTLE ME SE 5 N-

SID STONE

2931 . TELL YA WOT I'M GONNA DO PTS 142 AB 54 E

2932. TELL YA WOT I'M GONNA DO PTS 142 AB 54 N-

LEW STONE

2933. LET HIM LIVE/ ISNT IT HEAVENLY DEE 3630 E+

ST PAUL CHOIR

2934. GLAD JESUS LFTD ME/gOD B WITH U CAP 40018 E+

2935. YIELD NOT/S'RE 00 NEED HIM NOW CAP 40033 N-
2936. SURE DO NEED HIM NOw/yIELD NOT CAP 40033 N-
2937. WELL done/i WANT WINGS SAC 110 E+

CHARLEY STRAIGHT ORCH
2938. SENTI MENTAL BABY/SWEET SUE BR 3900 V

BILLY STRAYHORN TRIO
2939.TONK/J0HNNY COME LATELY MER 1963 N

RODNEY STURGJ S _

2940. AWAY FROM U/SO GOOD

(ABOVE RARE LOUIS JORDAN BAND ITEM)
SULA'S MUSETTE ORCH

2941. FELLA ON FURLO/T I ME WAITS NO 1

JOE SULLIVAN

2942. ANDY BLS/SUMMERT I ME

MAX I NE SULLI VAN
2943. IM COMIN VIRGINIA/LOCH LOMOND
2944. IM COMIN VI RG INI a/lOCH LOMOND

REV SUNDOWN JESS 4 CONG

2945. GRT DAY OF WRATH/SHE TOUCH HEM

WILBUR SWEATMAN

2946. JA DA/RAINY DAY BLS

2947. ANYBOY SEEN C ORR I NE/D ALLAS BLS

2948. REGRETFUL BLs/EVBDYS CRAZY BOUT

2949. ANYBDY SEEN CORR I Ne/d<L LAS BLS

2950. THINK 0 ME LI L DADDy/bUT

ROLAND SYMFONET

2951 . D D DANCE/LUV JUST PLAYTHNG RO

SYNOJ JtZZ BflRD

2952. breeze/tell me { jos .knecht orch )
(above rm chp 3 grv)

2953. breeze/tell me(jos Knecht ork)

mar i on talley

2954. in the garden/no night there

DE 7579 E+

CONT

1149

E—

CMS

540

E-

vo

3654

V

vo

3654

N-

OK

8441

G

CO

2707

V

CO

2663

V

CO

2548

V—

CO

2663

V-

CP

2994

V—

LAND

1700

E

CO

2783

E-

CO

2783

W-

VI

1171

F

2955
2956,
2957,
2958,
2959,
296Q ,
2961

2962
2963
2964,

ART TATUM

BATTERY BNC/wEE BABY BLS DE 8526 F

humoresque/elegie DE 18049 E+

SWEET LORRAINE/GET HAPPY DE 18050 N-

JA DA/WHERE OR WHEN AS 3562 N-

HAD 2 8 u/fINE AND DANDY AS 3561 N-

TEA FOR TWO/SOPHISTICATED LADY SE 5015 N

FINE 4 DANDY/|T HAD TO BE YOU AS 356 V+

BILLY TAYLOR
3 LITL WDS/OSCAR RIDES AG I N ( PETT I FORD )bR8021 5N

MR. BE

bops/restricted
wi nd/val in rhy(h,

CBRNEY )

Nl GHT

BLUES TAYLOR
HACKENSACK MAMA/UNWELCOME BLS
EVA TAYLOR

HRS 1048 E+
KEY 615 E+

CAP5770003 £+

OK 8518

.MAY WE MEET AGAIn/jOIN SONGBDS

SAM TAYLOR ORCH
• BLUER T HAN BL/KOKOMO ABBEY 3006 N—

JACK TEAGAROEN 4 HIS SWINGING GATES

2965.
2966.
2967.

2968. R0CKIN CHAIR/ PITCH) N A BIT SHORT= CMS 1521 E+/e

johnnie temple

2969. wotta fool i been/jelly roll bert
2970. if i could holler/gett i n old bls
2971. jive me baby/fix it up anogo
2372. louise bls/big leg woman

tennessee gabri el

2973 . pr ec ious lord/ i f i could

tennessee ten

2974. gt 2 c mama evry nite/nuthin but
2975. long lost mama/papa watch ur step

henry thies orch
.that's my mammy/when ur smiling

2976
2977
2978

DE

7573

E

OE

7599

V+

OE

7800

E+

DE

48002

V

CI

3002

N

VI

19075

N-

VI

19105

E

VI

21462

E-

VI

21890

E+

VI

21462

G

OK

8259

F

.EB

8125

N-

JO

8130

E+

VI

19897

e/n

ROSE OF MANDALAy/sWEET LIZA
MY MAMMY/WHEN UR SMILING
HOC I EL THOMAB

2979. ADM4EVE HAD BLS/PUT IT WHERE I CA

WALTER THOMAS

2980. BLS ON DELTA/BROKE BUT HAPPY C

2981. BTLS EMPTY/FOR LOVERS ONLY

CAROLYN THOMSQn/dENNI S KING
2982. ONLY A ROSE/SONG OF THE VAGABONDS

ERNEST THOMPSON
2983. LI FES RY TO HVn/YIELD NOT TO TEMPT CO 158 N-

CLAUDE THORNHILL
2984. SNOWBALL/WHERE OR WHEN CO 36268 N-

2985. ILL PRAY 4 u/GRIEGS PIANO CONCERTO CO 36535 N-
2986. SING A LUV SONG/l'M THRILLED CO 36287 M-

2987.J IM/CONCERTO FOR TWO CO 36371 N

2988. SUNDAY KIND OF LOVE/sONATA CO 37219 N-

BETTY THORNTOn(pH!L N iPOLEON ACc/)
NEVER BRAG ABOUT UR MAN/VICE VERSA JD
SKEETS TOLBERT

2989,

2990,

2991.

2992,

2993,
2994,

2995,
2996,

GET UP/SK IN EM B ACK DE

THREE BL CHASERS
NOTHIN BUT BLS/LAME DUCK BLS OK

THREE OLO SALTS

PORT HOLE BLS/SHOR E LEAVE

THREE SHARPS AND A FLAT

A I NT IN LUV NO MOR/l AM I AM I AM DE
THATS NO LIE/POOR LITL BUG ON WALL OE

THE THREE SUNS

576 N

7570 V+/E+

8595 G+

CO 2242 V

7561
7581

VI202776
LINING VI203433

HINDUSTAN/HEART OF MY HEART
ALT W I EN/LOOKING FOR SILVER

MARTHA TILTON
WEDDING CAKEWALK/ IF I CUD B WHER U DE 4029 N
JUAN TIZOL

v/e

E-

2997
2998

2999. DONT U BELIEVE IT Dr/cONN

.THE SPHI NX/KEBLAH
MEL TORME

KY 649 N-

THANSCRIPTIONS - 16"
THE FOLLOWING ARE ALL 16* TRANSCRIPTIONS:

3000. XMAX CAROL(D ICKENS ) BY GEO LUDLAM PART 1
SIDE #2. THE CAROLERS SINGING ADESTE, ETC •

THESAURUS MS 98130 E+
3001. SIDE #1RICHARD LE I BERT— ALL I 00 IS DRm/

DIDNT BLIEV ME/TIME ON MY HNDs/l'S WIDE OPN
SIDE #2, ROB I N HOOD BOWERS BAND - FLAG OF
VICTORY /PERE DE LA VIC/maRCH LORRAINE/
OUR FAVORITE REGIMENT THESAURUS 343 N-

3002. TAMING OF THE SHREW PT8 143 THESAURUS 470 E+

3003. TAMING OF THE SHREW PTS 244 THESAURUS 471 E+

3004. U S MARINE BAND, 2 SIDES, 6 MARCHES

STARS 4 STRIPES FRVR/KING COTTOn/bLACK HRSE TRp/
RIFLE TGMT/THUNDERER/WASH GRAYS ORTHACOUST I C 2 N

BARNEY T R I MB I F

3005. LUV IS a-drmr/if I CANT HAVE U HA 1035 E—

3006. LIV 4 LUv/sPELL 0 D BLUES HAR 818 V

3007. WHR SWT FORGET ME NOt/(gLDN GTE o) MA 958 V-

JERRY TROTTA ORCH

3008. DONT WORRY BOUT ME/ AMI GO »IO DSCVRY 160 E+

JOHN SCOTT T ROTTER

3009. RUSSIAN SLRS DNC/MAPLE LEAF RAG * DE 4217 E+

( 'ABOVE WITH LAVERE 4 SECREST )
THE TROUBADOURS

3010. VICTOR HERBT MDLY/OLD TIME MEDLEY VI 19082 E

3011. BLUE HEAVEN/BARBARA HA 494H E
3012. IDOLIZE BBYS EYEs/hOWS UR UNCLE VI 22803 V+

3013. NEAPOLITAN NITES/SUM DAY SUMWHERE VI 21633 E—

3014. EYES THAT LOVE/l LIVE I DIE 4 U VI 21031 N-

JOHN SCOTT TROTTER

3015. RUSSIAN SLRS BNC/lMPLE LEAF RAG • DE 4217 E-

( «ABOVE FEATURING CHARLEY LAVER 4 ANDY SECREST )

3016

3017

3018

3019
3020

3021
3022
3023,

3024

3025

3026

3027

3028

3029
3030
3031

3032,

3033
3034,
3035,
3036,
3037
3038,
3039,
3040,
3041
3042
3043
3044,

3045,

3046,
3047,
3048,
3049,

3050

3051,
3052
30 53
3054,
3055,
3056
3 0 57,
3058,
3059,

FRANK I E TRUMBAUER ORCH WITH BIX
,RT VERBOAT SHUFFLE/OSTR I CH WALK CO 37805 E

THE T RUMPETEERS
, IN STORM SO LONG/GOSPEL T RAI N SCORE 5009 V
BESSI E TUCKER

10 AN/ PEN I TENT I ARY BLS

JC

514 N

.BESS I E

SOPH I E T UCKER
.TAKIN ORDRS FBOM NO 1/(fRED HALL ) PA 423 E
,MAMA GOES WHR PAPA GOES^IN JEWISH) OK 14083 V+
JOE TURNER

•J TURNER BLS/ CHERRY RED OK 6829 N

.SUMBODY'S GOTTO Go/lCE MAN DE 7856 V-

.PINEY BROWN BLs/627 STOMP DE 18121 N-

TWI LIGHT THREE(3 SUNS )
iPALE MOON/AS U DESIRE ME MAJ 7221 E-

JOHN D TWITTY
,GAN TROUBLE/WALKING BLUES VO 3518 E

UNIQUE NOVELTY DANCE ORCH

•just 4 today/karavan(bdfrd ORCH ) OP 31122 V

UNIVERSITY BOYS/BILLY JAMES PNC ORCH
i MY SIN/WHY R DAYS SO LONG OR 1 570 V+

UNIV OF ILLINOIS MILITARY BANOi

VI 19835 E

IT Dl

HAR

,HA I L TO THE ORANGE/ I LL LOYALTY
UNI VERSI TY SIX
I LUV MY BABY/ I N UR GRN HAT
YS SHE DO NO SHE DONT/sHE'S GOT
,SO LONG PAL/ROSY CHEEKS

JOE US I FER
JOCKEY ON eAROUSEL/HALL OF MT KING BR

RUDY VALLEE
LOVER COME BAK/^JACK M4LLER ) VE
VIENI VIENl/DONT PLAY WITH FIRE BB
OUTSIDE/LIFE JUST BOWL OF CHERRIES BB
,H0NEY/SWEET SUZANNE VI
ALWAYS HAPPY ENDINg/kINCK KNACKS VI
.STEIN SONG/ST LOUIS BLS VI
BABY WHR CAN U b/jST ANOTR MEMORY VI
LOVER COME BACK/COQUETTE VI
I ST I LL R EMEMBER
,SWT SUZANNE/ONE I L.L.ME
iCOQUETTE/LOVER COME BACK
,WAY TO LOOK TON I TE/bOJANGLES

WALTER VAN BRUNT
TAK U HM AGIN KATH/BNKS 0 BRNDYWINEED 80160 V—

FRED VAN EPS
WHITEWASH MAN/BLACK 4 WHITE CO 1118 V+

,SOUTHERN MEDLEY/BALM OF G I LEAD CO 2179 E

,FROLIC OF COONS/LONESOME MAMA BL ED 51089 N
.DIXIE MEDLEY/MEDLEY OF STHRN MLDYS CA 466 E—

AOELAIDE VAN WEY

CHIMNEY SWEEP/DR I LUV U SO MUCH

73 E
2425 E
399 V

8020 N-

1881 E
7069 N-
7368 N-
21869 N
25260 N
22321 E
22034 v

21880
22361
5669
VI 21880
BA 61011

VI

HMV

V+
E-
E-

DS 5048a E+

VARS I TY 8

,oh joe/sittin in crnr(b haring)

.LAST NIGHT BACK PRCh/{b HAVING.).

HULA LOu/nOBOY ELSE BUT u(a LANGE)CAM

e/in l

3060
3061
3062
3063

CA 627 V+
CA 400 V
505 V+
571 V

.WANNA LITL MORE/o SAY CN I C U TNITE CAM 772 V+
, TALK I NG TO MYSELF/ELI ZA (b HARING) CA 620 E-
•EASY MELODY/u DIDNT CARe(a LANGEs) CA 445 V
.TAKE 0 TAKE LIPS AWAY CA 444 E

.MAMA LUVS PAPA/SUMTIME IN JUNETME CA 426 E-

SARA VAUGHAN
iRTHR HAV MEMRY THN DRm/whT CAN WMNC0NT6006 N—

WE'RE THRu/BED ROCK
GLAD THR I S u/nATURE BOY
MY KINDA LUV/I CLD MAK U LUV ME
VELVETONE PAIUCE ORCH

3064. COAL BLACK MAMMY/ I GAVE YOU UP

CHARLIE VFNTI IRA

3065. NOON NOCTURNE PTS 142

JOE VENUTI ORCH

HRS 1019 E-
MU 567 N-
MU 398 E

CA 272 E

NA 9029 N-

3066,
3067.

3068,

3069,
3070,
3071,
3072,
3073,
3074,
3075,

3076,
3077,

3078,

3079,
3080,
3081,
3082,
3083,
3084,
3085,
3086,
3087,
3088,
3089,
3090,
3091,
3092,
3093,
3093,

,FL1p"7fL0P DE 2313 V+

.TAP ROOM BLS/TJECCA STOMP OE 3527 V

VICTOR FIRST NIGHTER ORCH

. AM EP EAGLES/HEAD IN CLDS/mANOY ETC VI 27957 V

VICTOR MILITARY BAND

,B BAILEY PLAYS UKELELE/STP LUK 4LSTN V 1 35521 E

•LA brulante/sar i waltzes(hr crk) VI 35364 E
.MAURICE hesit wltz/the POEM,VALS bstn VI 35355 E
.OLD FALL RVR LINE/YOUR MY GIRL VI 35334 E

.millicent/cecile VI 17682 E

,LNG WY TO T I PPERARy/pVT TOMMY ATKINS V1 17651 V+

TOREADOR 1 STEp/aOMI RAT I ON

VICTOR DRUM FIFE 4 BIIGIF CORPS

VI 17524 E

.MARYLAND MARCH/I'SE GWINE BACK VI
.HUNGARIAN D #5/LULLABY VI

VICTOR SALON
.TAMBOURIN CH I NO I S/C APR I CE VIENNOIS VI

THE VIRGINIANS
.HONEYS LUV IN ARMS/ CUDDLE UP BL VI
Y SHUD I CRY OVER u/BLUE

16104 E-
26307 E-

26306 e-/e

18881

18933
18895
18978
18946
19001

LONESOME MAMA BLs/mEMPHIS BLS
KISS MAMA KISS PAPA/cHOO CHOO BLS
EARLY IN THE MORN BLs/cHICAGO
ROSE OF RIO GRANDE/WHO DID U FOOL
BEES KNEES/PEGGY DEAR (GRT WHITE WAY ) V I 19000 Vf
TEDDY BEAR BLs/aLL ALONeJoRT WHT WY)v|18992 E-
WHR BAMBOO BBYS GRw/lOST(GRT WHT WYjVI 18986 E

after laughter came tears/sycamore vi 21219 e

ml no in my business/cross eyed papa vi 19269 v+

hurdy gurdy blvshe woudlnt do vi 19241 e+

stavin change/stack o lee bls vi 19189 e

hse of david bls/wolver i ne bls vi 19140 e+

FAREWELL BLS/a PPLE SAUCE VI 19032 V

aggravatin' papa/aunt HAGAR'S BLS VI 19021 E—

40

35c MINIMUM BID

P. O. MILLER

BOX 108, THE RECORD CHANGER, 418 WEST 49TH STREET, NYC 19, NY
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS

35c MINIMUM BID

JIIIMY WAKELY 1 EDO I E MILLER
3095. NUGGETS IN POCKETS/i; BAD LITL GIRLDE18728 N
3096.2 BAD LI L GAL/NUGGETS IN POCKERS OE 18728 N-

JERRY WALD ORCH
3097 • ST R I CTL Y INSTRUM/WEARS SILVER WNGSDE 4340 N

ESTHER WALKER
3098, SLOW 4 EASY/WOT U DO WHN NO JAZZ

(aevj RM CKP TWO gr)

MANCY WALKER
3099, I CAN CALK TOl/YA GOT ME

W I LLI E WALKER 4 GANG
3100.S1OEWAIKS OF NY/HE'S CUR PAL

THD WALLACE

VI

16680

V

DE

23396

£

PA

32374

E+

CO

2151D

V

CO

1933

E

00

2613

E-

8101.STFIN SONG/TELL I NG TO DAISIES

3102.S»THRTS HLDY/HUGGABLE KISSABLE U CO 1933 E
3103. SUN BACK IN SKY/ONE MORE KISS

(ABOVE ROYAL BL, RIM CHIP 5 GR )
FATS WALLER

3104. EVERY DAY'S HOL I D Ay/nEG LECTED VI 25749 E-/E

31 05. BASIN Si BL/l A I NT GOT N030DY HMV 8636 N

3106. honeysuckle/feets two big vi 201 580 v+

cy walter

3107. music 4 twi lite/can't takw away co 46471 n

(above speci al white label)
fred warin3's pennsylvan i ans

3108.
3109,
3110.
3111,
3112.
3113,
3114,
3115,
3116.
3117,
3118,
3119.
3120,
3121,
3122,
3123,
3124,
3125.

3126,

3127,
3128,
3129.
3130,
3131,
3132.
3133,
3134,
3135,
3136,
3137,

3138,
3141.
3142,

3143,
3144,
3145,

3.146
3147,
3148,
3149,

,GL0R I ANNA/LOV TLE OF ALSACE— LORR VI 21836 E-

CANT MAKE HAPPy/sONG I LOVE
WANT WORLD TO KNO THAT U LUV ME
LAUGH CLOWN LAUGh/dnC BL DANUBE
LAUGH CLOWN/DANCE OF BLU DANUBE
CSTL IN SPAIn/| USED TO LUV HER
ON OUR WAY/ARMY HYMN
LAUGH CLOWn/d.MC OF BLUE DANUBE
YALE BLUES/COLLZG I ANA
WINDOW OF DREAMS/ROSES OF YEST

21810 V+
VI 21783 v
VI 21308 V+
VI 21308 E
VI 21900 V
DE 23345 V+
VI 21306 E+
VI 21307 E
VI 21676 E

ULL GET BY/FIT AS A FIDDLE 4 REOYVI 24168 V

ANY ICE TODAY LAD y/( ARONSON ) VI

MIGHTY BLUe/fHESHIE VI

LOOK AT THOSE EYES/COLLEG I ATE VI
JUNE NITE/ONLY u(|NT NVLTY ORCH ) VI

MAYT IME/PLA I N JANE VI

MAYBE THIS IS LUV/POMPANOLA VI

ORNG BLOSSOM TME/ NOBODY BUT U VI

WASHINGTON - BERTOLI N
TE PARA DOS/PASO DEL TIGRE

PI NAH WASHI NGTON

I KNO HW 2 DO IT/SALTY PAPA BL KEY

SALTY. PAPA BL/KNOW HOW TO DO IT KEY

U CN DEPEND ON Me/snC I FELL 4U MER

THAT'S Y WMN LOVEs/EMBRCBL YOU MER

SALTY PAPA/KNOW HOW T 0 DO IT MER

SLICK CH I CK/POSTMAN BL MER

MELLOW MAMA Bl/mY LOV I N PAPA AP

woman loves/oo-wee walkie talk i emer

dont cum knockin/luv you yes do mer

stairway to stars/want 2 b luvd mer

homeward bound bl/evil gal bl key
Ethel Waters

,DO WOT U DID LST NITe/hANDY MAN SE

,BO WOT U DID LST NITE/HANDY MAN SE
,GESS WHOS IN TWN/MY HANDY MAN
CROWN PRINCE WATER FORD

20083 E-

19784 E

19648 V+

19330 E-

19367 E-

21788 N

VI 21997 E+

AOD 45898 E+

606 E
118 V-
3057 N-
8030 N
8044 N-
8024 N-
371 E+
8010 N
8065 E+
8035 N
605 E

5014 N
5014 E+

CO 14353 v-

LEAPING boog ie/p.i .bls CAP 40137 N

MOVE YR HAND BABY/wEEPIN WILLOW CAP 40074 N-
COAL BLACK BABy/cROWN PRNC BLS CAP 40103 N-
LU WATTERS

SAINTS/SAGE HEN STRUT MER 11051 N-

,SKID DAT DE DAt/emP NORTONS HCH MER 11050 N-

,SKID DA DE DAT/EMP NORTONS HNCH MER 11050 E+

,COPENHAGEN/ANTIGUA BLUES MER 11052 N-

SYLVESTER WEAVER

3150. TRU LUV BLS/POOR BOY BLS OK 8460 V+

CH ICK WEBB

3151. CRYIN MOOD/RUSTY HINGE DE 1273 N-

3152. ELLA/FOUND MY YELLOW BASKET DE 2148 E

3153. JUST A JITTERBUG/AZURE DE 1899 V+

3154. HOLIDAY IN HARLEM/S IMPLE MELODY DE 1521 V

3155. HAV 2 SWING IT/VOTE 4 DR RHYTHM DE 1032 V

MAREK WEBER

3156.2 HEARTS IN 3/4 TIME/lN UR EYES VI V6078 E

3157. IN DEINER AUGEn/ZWEI HERZEN VI 6078 V+

Anson Weeks

3158. on see saw/g irl wit h dreamy eyes br 7510 e+

3159. LOOKS LIKE EARLY FALl/suMTNG RMBRBR 7518 e/n-
TEO WEEMS

3160
3161
3162
3163,
3164,
3165
3166,
3167
3168
3169
31 70
3171
3172
3173
3174,
3175,
3176
3177
3178
3179

EVRYTHING BUT LUv/LITTLE JOE
FLOWR OF LUV/LONESOME IN MNLT
ALL BROKEN UP/sUMBODY NOBODY LUVi
SMILE WILL GO LONG WAy/9 O'CLOCK
COVERED W AGON D Ays/suMBDY STOLE

covrd wgn days/sumbody stole gal
moonlight/nola

love rides choo choo/yng mrtns 4
all i'm asking is symp/(* k i ng )

,COME ON BABy/(nAT SHILXREt)
.HEART ACHES/OH MONAH
SIMPLE 4 SWEET/CUTE HAT CHECK GL
0 M0NAh/0UT OF THE NIGHT
FLOWER OF LOVE/(NAT SHILKRET)
OLD KITCHEN KETTLe/wHRE THRS U
•TONE MAN BAND/MY FAVRITE BAND
.NOTHING BUT MINd/t_L DRK 4 HNDSM
.0 MONAH/OUT OF THE N I TE
.HAVING LOVELY T IMe/aNGEL I NE
.NEVER FIND FELLa/saT NITE TL MON

VI

22646

E

VI

21643

v+

VI

19286

E—

VI

19258

E-

vt

19212

E—

VI

19212

E

DE

25105

E-

DE

2366

N

VI

22236

E-

VI

21729

V

DE

25017

E

DE

2019

E

DE

3697

N-

VI

21643

N

BB

6413

N—

BO

6395

N

VI

21364

1**

DE

3697

N—

DE

4131

N-

MAREK WEBER

3180. viennese potpouri pts 142

Frank Westphal

31 81. star spngld bnr/carry me back co
3182.0ucks quack/cut yrslf piece 0 cke co

peetie wheatstraw
3183. ooin best i can/^jimmie gordon) de
3184. coon can shorty/when i gt my bonus de

VI 125006 E

3755 E-
3944 e/e+

7007 V+

7159 V

7498 E

7815 V

3185. GOOD LITL THING/SAT NITE BLS

3 1 86 . G ANGST ERS BLs/LUK OUT 4 URSELF

WHEELER 4 LAMB

3187. PREACHER MADE US 1/BLOT OUT PAST VI 40248 N-

LITTLE DAVID WHEATON

3188. THAT WOT IM TALKIN BOUT/A I NT 4 ME CAP 40139 N
3189.2 LONG BLs/jUST ME 4 U CAP 40034 N-

oickie wells big seven
3190. opera in blue/drag nasty hrs 1018 e

Nolan Welsh

3191 .st peter bls/3r idewell bl acetate e

george wettling

Ys7i

a/s

BW 7
DE 18044

31 92. SUM 0 THSE DAYS/EVBW LUVS BABY

3193. BUGLE C ALL RAG/SISTER KATE

JOSH WHITE

3194. BACK WATER BLS/ JELLY JELLY DE 23582 E+

3195. DD U EVR LUV WMN/GOOO DEAL DE 23475 V

TED WHITES COLLEGIANS
3196. IF I HAD U/MUST BE FALLIn(B GREEN ) OR 1477 V-
3197. STOLEN MOMENTS/BLACKBIRDS BLUE NOW JWL 5410 V-

PAUL WHITEMAN

3198. Amer tune/pckn cotton(pic lbl) CO 1464 v+
31 99. SWT su/no rsn in C (tram, BIX, LANG ) CO 35667 E+

3200. MISS suite/142

3201 . BEST EVER MDLy/mDLY FOX TROT V

3202. LOG CBN 0 DRMS/WHEN UR IN LOVE V

3203. LONELY MELODY/RAMONA V

3204. DANC1N TAMBOURT Ne/sHADY T REE V

3205. MY BL HVN/ALL BY MY OWNSOME V

3206. EVYTING MD 4 LUv/pRGV ME(SHILKRET) V
3207. SILVER MOOn/uR LAND AND MY LAND V

3208. LULU BELLE/NO F00L1N V

3209. VALENCI a/nO MORE WOHRYIN V

3210. FORGOT 2 REMMBR/WHY ISLOVE V

3211. AH HA/jUST A LITTLE ORINK V

3212. CALL OF THE SOUTh/aLABAMY BOUND V
3213. INDIAN LUV CALL/TELL HER IN SPRING V

3214. ELIZA/DOO WACKA DOO V

3215. TELL ME DREAMY EYEs/TWILITE ROSE V

3216. CLOCK ON mantel/(jack SHILKRET) V
3217.1 CANT GET ONE/SAN V

321 8. THE HOODOO MAn/| T HAD 2 B U V

3219. CALIF HR I COME/Y DIO I KISS TH GRLl/

3220. LI MEHOUSE BLs/i F YOU'LL COME BACK V

3221. RAGGEDY ANn/|N LOVE WITH LOVE V

3222. DANCIN HONEYMOON/ORNG GROVE IN CAL V

3223. LITTLE BUTTERFLy/so THIS IS LOVE V
3224. IF I CANT GET SWTy/lST NITE BACK PCH'

3225. nuthin but/c mama evy nite(tenn ten)

3226. burning sands/falling v

3227. dearest/way dwn yonder in n o v

3228. dearest/Way oown yonerd in n o v

3229. journey's end/when hearts are yng v

3230. when hearts are young/jrneys end V

3231 . coal black mammy/tricks V

3232. wi ld abt harry/(benson orch) V

3233. hot lips/send back my honeyman^ VGNS^

3234. hot lips/sm) bk hnyman(vi RG INI ANS ) V

3235. GEORG I A/STUMBL IN V

3236. GEORG IA/sTUM8LING V

3237. AFTER THE R A | n/ J I MMY V

3238. cutie/lonesome hours V

3239. MARIE/GIN GIN GINNY SHORE V
3240 .OEAR OLD SOUTHLAND/THEY CLD IT DNC V

3241. APRIL SHOWERS/WEEP NO MORE MY MAMMY V

3242. KA LU A BL DANUBE Bl/evBDY STEP V

3243. HAVE U FORGOTTEN/SECOND HAND ROSE V
3244.SAY IT WITH MUSIC/SWT LADY V

3245. LEARN TO SMILE/o ME 0 MY V

3246. my man/cherie V

3247. M0ONLIQHT/TOIDLY V

3248. MAKE BELIEVE/SOME LITTLE BIRD V

3249. MY MAMMy/hUMMI NG V

3250. BRIGHT EYES/LOVE BID V

3251 . ROS IE/HONOLULU EYES V

3252. ANY TIME ANY DAy/wANG WANG BL V

3253. ANYTM ANYDY ANYWh/wANG WUNG BL V

3254. LONELY MELODy/rAMONA V

3255. LONELY MELODy/rAMONA V

3256. ANYTHING BUT LOVE/SWEET SUE

(ABOVE LAM CRK )

3257. man i love/melancholy baby

3258. MDLY FROM SHOW BOAT/OL MAN RIVER
(ABV 1" HR CRK)

3259. ME TR 0 POL I S PTS 142

3260. FROM MONDAY On/lONELY MELODY

(above with bix and/or bing)
3261. in evening/dont love me

3262. when bay is done/soliloquy

3263. no more worryi ng/valenci a

3284.SHANHAI DRM MAn/fALLEN LEAF

3265. blue hevn/all by ownsome(kahn)

3266. "reci ous/moonlight on ganges

3267. so this is venice/lrn 2 do strut

3268. REMEMBER u/wHO DO U LOVE

3269. jeepers creepers/mutiny in NURSERY DE 2222 E

3270. OR I ENTAL FX TRT/3 IN MORNING VI 18940 E

V+

35859 N

35701 E

21325 E-

21214 E

20972 V

20828 E

20514 E

20505 E

20019 E

20007 E
19726
19666
19557
19517
19462
19456
19420
19381

19339 V

19267 E-

19264 E-

19187 E

19169 E

19162 E-

19139 E

19073 E-

19033 E

19030 E-

19030 E

13985 E-

18985 E

18939 V

18938 E-

18920 v-

18920 E

18899 E-

13899 E

18872 V

18865 E

18859 E

13856 E

18825 E

13826 E-

18818 E

18803 V+

18778 E-

18758 V+

18756 E

18742 E

18737 V+

18735 V-

18721 E

18694 v

18694 V+

21214 v

21214 V+

CO 50103 v

CO 50068 V+
VI 35912 V+

VI 35933 E+
Bl 1017 N

CO 1484 N-

VI 35828 V

VI 20007 E

VI 20638 E-

VI 20828 E-

VI 20139 E-

VI 19252 E

VI 20784 N

PAUL WHITEMAN

3271. LINGER AWHILE/(J0E RAYMOND ORCH) VI

3272. pale moon/(jean goldkette) VI

3272A. FOLLOW THE SWALLOw/<G OLSEN ORCK) VI
3273.1 ALWAYS KNEw/wHN IM IN UR ARMS VI

3274. T0 YOU/MOON LOVE DE

3275. BRIGHT EYES/LOVE BIRO VI

3276. DR OLD SOUTHMND/THEY CALL IT DNCG VI 18856 N—

18983 N
19019 E+
19139 E
19414 v

19211 V+
19345 E+
19438 E-
20501 E+

25B8 E+/n
18735 E+

VI
VI
VI
VI
VI

VI
VI

VI

3277. CR I NOLI NE DAYS/PACK UP YR SINS VI

3278. UNDER YELLOW MOOn/wONDER FUL WALTZ ■ VI

3279. LST NITE BACK PORCH/cANT GET SWTY VI
3280.SUMBODY LOVES Me/lONELY LITTLE MLDY V I

(ABV HR CRK)

3281 . TSCHA I KOWSK I ANA PTS 142 12" CO 50113 E

3282. Japanese sandman/whispering VI 18690 E+

3283. presious/moonlight ON THE GANGES VI 20139 E

3284. UNDRNTH MELLOW MOOn/wONDERFUL ONE VI 19019 E

3285. HOT GA VOTTe/hO I Rl GER SCHOTT I SCHE DE 2921 N

3286. MUTINY IN NURSERY/jEEPERS CREEPERS OE 2222 E
3287. SONG OF INDIa/chOKHO SAN

3288. LIMEHOUSE BLs/lF ULL COME BACK

3289. CHI CAGo/eaRLY IN MORN BLS

3290. ocg. tambourine/shady TREE

3291 .CHO CHO SAN/SONG OF INDIA
3292. SONG OF INDIA/cHO CHO SAN
3293. SOME SUNNY DAy/rOSY POSY

3294. UKULELE LADY/PAL MY CRADLE

3295. WH I S PER I ng/ JA PANESE S ANDMAN

3296. BOATMAN ON VOLGa/lTL SPANISH TOWN

3297. N0 MORE WORRY I n/vALENC I A

3298. fate/lady of the evening

3299. no more worryi ng/valencia

3300. wonder/laura

3301/VALE.MCI a/nO MORE WORRYING

(abvrm chp no gr)

3302. PEELI n the peach/used 2 B COLORBLNDDE

3303. FELIX THE CAt/mOTHER GOOSE PARADE CO

3304. crest of a wave/what dya say co

3305. muddy water/aint she sweet

3306. my bl heaven/all by my ownsome

3307. when im in ur arms/l always knew

3303.SHAKIN THE BLs/oH MAYBE ITS YOU
3309.PRADE OF WDN SOLDIERS/oH YA YA

3310. like you/(nat SHILKRET)

3311. CAROLINA IN MRNC/COW BELLS

3312. ma belle/march MUSKETEERS

3313. SONG 0 D WANDERER/SO BLUE

3314. GE0RGIE PORGIE/u HAV NO IDEA

3315. LONELY MELODY/RAMONA

3316. UR LND 4 MY LANo/s I LVER MOON

3317. the calinda/(nat shilkret)
331B.when/san

3319. WHN UR COUNTIN STARS ALONE/TWI LI TE CO 1993 n/n-

3320. COUNTING THE STARS LONE/aT TWI LITE CO 1993 N

3321. GARDEN OF WEEc/oODGING A DIVORCEE HMV 8641 N

3322. NO SWT MAN WRTH SALT 0 TRS/cOQETE VI 25675 N

3323. WISTFUL 4 bl/lonely EYES VI 20418 N-

3324. TRAVLIN LIGHT/U WERE NEVER LOVELIERCA 116 E+

3325. LAST NITE I DRMD U KISSEd/eVE STAR CO 140J' N-

3326. WONT B LONG NOw/f| VE-STEP VI 20383 N

3327. EVRYTHINGS MADE 4 LUv/(nAT SH I LKRET ) VI 2051 4 N—

18777 V
19264 V+
13946 V
20972 V+
18777 E+
18777 v+
18891 E
19690 V
18690 V
20266 v
20007 V
19016 V+
VI 20007 E+
CO 36785 V
VI 20 007 E

2073 v
1478 N-
1465 E+
VI 20508 N—
VI 20828 E+
VI 20501 E+
VI 20 85 E+
VI 21304 E+
VI 20684 N
VI 18962 E
VI 21315 N-
VI 20570 N-
C0 1490 E+
21214 N-
20505 E+
20882 N-

VI
VI
VI

VI 25367 N-

3328. changes/mar

3329. CRADLE OF LOVe/hOW A BOUT ME

3330. lonesome in moonl i te/ch i qu i ta

3331. a rose 4 a kiss/dont suppose

3332. smi le/away down south in heaven

3333. without a song/great day

3334. BRI NG I NG RED ROSe/mAKIN WHOOPEE

3335. like 2 oo thngs 4 u/ragamuffin

3336. BROKEN HEARTED/COLLETTE

3337. MAKE BELIEVE/OL MAN RIVDr(+BING C

3338. afterglow/on UR toes

3339. SIDE BY SIDE/PRETTY LIPS

3340. WAH HOO/WHATS NAME THAT SONG

3341 . COUNTIN STARS ALONe/aT TWILITE

3342. LOU ISI ANA/u TOOK ADVANTAGE OF ME

3343. CHLOe/(wAR I NGS CONCERT ORCH )

3344. JAPANESE SANDMAN/WHISPERING

3345. whi speri ng/japanese SANDMAN

3346. JAPANESE SANDMA,j/wHI SPER I NG

3347. Rhapsody in Bl(+Gershwin at piano) vi 55225 E+

EDNA WHITE TRUMPET qUERTETTE
3.348. BABY'S PRAYER AT TW I LI TE/FANCK YOU CO N

JOSH WHITE TRIO
3349. CARELESS LOVE/MILK COW BL BN
LEW WH I TE

vi 27299 N-
vi 26249 N-

21103 n
1723 N
1448 N
22882 E+
VI 21228 N-
CO 2023 E+
CO 1683 E+
CO 2170 N
VI 20757 N-
VI 25249 N
VI 25256 E
VI 20627 N-
VI 25252 N
CO 1993 n/n-
VI 25369 N
vi 35921 E-
VI 18690 V+
VI 18690 E-
18690 E

VI

23 E+

3350. DREAM OF JEANIE/UNCLE NED

3351. GYPSY LUV SNG/A KISS IN THE DARK

3352. JOY to the wcrld/cm UPN MIDNITE CL VI 26050 E

MARGARET WHITING

3353. WHL ANGELUS WS ringing/my DRMS URS CAP15364 E
3354. SUNS ALWAYS SH I N I Ng/sORRY CAP 57776 V+

herb wiedoft's orch

3355. sugar plum/promenade w alk br 2976 £+

rudy wieqoefts cal i forni ans/lan i n

3356. when buddha smiles/the sheik re 9150 e

BOB WILBER'S WILDCATS

3357. TROUBLE IN MIND/WHN U WORE A TUL I PRAM 6 N

3358. NEW ORLEANS SHUFFLE/l CANT SAY RAM 2 N-
3359.1 CANT SAy/nEW ORLEANS SHUFFLE RAM 2 N

Bert Williams
3360.10 1itt1e bott1es/unlucky blues co 2941 v

3361. SAVE A DRAM FOR Me/aLIMONY CO 2979 G

3362. NOBDYS BIZ/GETTIN SO U CNT TRUST CO 35593 N-

3363. EVBDY WNTS KEY 2 CELLAr/nBDYS BIZ BCO 275 V

41

AUCTION

P. O. MILLER

AUCTION BOX 108, THE RECORD CHANGER

418 WEST 49TH STREET, NYC 19, NY
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS

AUCTION

AUCTION

CO 1853 N
CO 1909 E—
CO 2438 E

BERT WILLIAMS
3364. purpostut/never me
336 5. Samuel/everybody

3366. no plc like home/20 years
(abv rm chp 3/4")

3367. no plc like home/20 years co 2438 v+

3368. moon shines on moonsh i ne/sumboy co 2849 v

3369. SRY I Al NT GOT IT BLs/cHECKERS CO 2ff77 N

3370. SRY 1 A I NT GOT IT BLs/cHECKERS CO 2877 n/e

3371. SRY I AINT GOT it bls/checkers CO 2877 E+/e

3372. SRY I AINT GOT IT BLs/cHECKERS CO 2877 V

3373. UNLUCKY BL/TEN LITTLE BOTTLES CO 2941 N-

33^4.10 LITTLE BOTTLES/UNLUCKY BLS CO 2941 E-

3375.10 LITTLE BOTTLES/UNLUCKY BLS CO 2941 V

3376. LONESOME ALIMONY Bl/sVE DRAM 4 MECO 2979 V+

(ABV LAM CRK 1 side)

3377. CANT TRUST NOBODY/NOT LATELY CO 3539 N

3378. moonshine/death wheres thy sting co 35590 n-

3379. BRNG BACK WNDRFL DAYs/kEY TO CLR CO 35591 E

LEE W I LEY WITH KAMINSKY & BUSHK I N

3380. HERE IN MY ARMS/BABY'S AwAkE NOW (JALA L N

CLARENCE ft I LLIAMS

3381. TURN OFF T HE MOON/ J AMM I N BB 6919^1

3 3 82 . WANTED/CRY I N MOOD BB 6932 N-

3383. THR I LLER BLUEs/uNC SAM HR I AM BB 11368 N-

3384. M IDNI GHT STOMp/wi LDFLOWER RAG MF 105 N

3385. WILDCAT BLS/WALKT THAT BROAD JAZZUN 4 E+

3386. WILD CAT BLS/WALK THAT BROAD JAZZUN 4 N

Coot i e Hi lliams

3387.0ELTA MOOD/BOYS FROM HARLEM BA 225 N-

3388. BLUE REVERIE/DOWNTOWN UPROAR VR 527 V
f ABV RM CHP 1 GRV)

George Williams

3389. wmn gts tired 0 1 man/'gal aint brn c014048 e-

JABO Wl LLI AMS

3390. jab bl/pratt city bls am 8 n

leona Williams

3391 . TEAS IN SQUEEZIN MAn/yR MAN LIKE MN C03835 N—

MARY LOU WILLIAMS

3392. RUSSIAN LULLABY/BLUE SKIES AS 3511 V+
3393.SATCH MTH BBY/ ( JERRY JEROME GRP ) AS 502 E
3394. C JAM BLS PTS 1&2 BR 80214 N
3395. SONG IN MY SOUL/THI S&THAT 12" AS 1008 E+
3396. MARY'S SPClA>VERHAND DE 781 E+
3397. SWT PATOOTIE PETUNIA/MR FREDDIE DE 2797 E+

3398. DRAG 'EM/LITTLE JOE AS 1002 N-

3399. ROLL Em/maRY LOU'S BOOGIE AS 1003 E+
3400. ST LOUIS BLs/luLLABY OF LEAVES AS 1004 E-

PAUL WILLIAMS SEXTET

3401 . WAXEY MAX IE/SPIDER S ENT ME SAV 670 N-

RALPH WILLIAMS & HIS RA I NBO ORCH

3402. PRINCE OF WAILS/GET LUCKY 71 19504 V+

SANDY W ILLIAMS

3403. AFTER HRS ON DRM ST/SUMPIN JUMPINHRS 1008 E+

3404. AFTR HRS ON ORM ST/SUMPIN JUMPIN HRS 1008 N

SONNY BOY WILLIAMSON

3405. BLACK PANTHER BLS/SHE DONT LUV BB340701 N-

3406. MEAN OLD HIGHWAY/SHAKE D BOOGIE VI202056 V-

3407. EARLY IN MORn/u OLD LADY VI201875 E+
TEDDY Wl LSON

3408. JUMPIN ON BS 4 WS/LTL THNGS MEAN CO 35232 v/v-
3409. SOME OTHER SPRING/HALLELUJAH CO 35298 E

3410. MOR THN U KNO/SUGAR (w/b HOLLIDAy)cO 36117 N

3411. CHINA BOY/BODY & SOUL CO 36634 N-

3412. wished on moon/miss BROWN CO 36205 E+

3413. MST HV THT MAn/fOOLIn(w/bilLIE H)C0 36207 N-

3414. miss srown/wished on STAr(w/b| LLI E )co36205 N

3415. miss brown/wished on the MOON CO 36205 E

3416. MISS B 2 u/wiSHED ON MOON CO 36205 N

3417. MOR THN U KN0/suGAR(w/BILLIE HL ) CO 36117 N-

341 8. MEM OF u/buGLE CALL R AG MU 318 E

341 9. EVRY TME SAY GBYe/hEART OF MINE MU 317 E+

3420. LADY OF MYSTERY/EARLY SESSION HOPCO 35207 n/e

3421. MST HV THAT MAN/FOOLIN MYSELF CO 36207 E

3422. WHY WAS I BORN/ {.DURE ELLINGTON) CO 36283 E
3423. SMOKE GETS/THEM THERE EYES CO 36631 E

3424. MNLT ON GANGEs/sEPT SONG ( w/vAUGHN )MU 446 E+

KA I WINDING

3425. NITE ON BOP MTN/SIDS BOUNCE NJ 809 N-

3426. always/grab YOUR AXE MAX SAV 590 N

eric winstone orch

3427. the highway man/pony express mgme 291 n

mar ius b wl nter orch '

3428. ch00ch0o/peanut vendor bcast123019 n
(abv English lbl not codmon in usa)

HU80 WfNTERH ALTER OReH

3429. BLUE XMAS/U A_ L I WANT FOR XMAS CO 38635 E

WISCONSIN ROOF ORCH

3430. WOBALY WALK/REA OY FOR THE RIVER BWY 1177 V

M. WITTICH, CORNET
3431. SEI G EGRUST/BEHUT ' D I CH GOTT ANKER 2645 V

JOHNNY W I T TWER
3432. RAGGED BUT R ITE/AUTN HAGARS BLS JM 18 E+
3433.2 KINDS OF PEOPLE/ACEIN THE HOLE JM 19 N

WOLMER E LE SUE SORRELL I NE
3434. SLIPPER DISC/IL CAR NE VALE Dl VEN COE 11 N
BARRY WOOD

3435. AMER I LUV YA/OR OL PAL OF MINE VI 27260 V+

BUMPY WOODS WAMPUS CATS
3436. OONT SELLI T/MUSCAT HILL BLUES VO 03906 V

WOODHULLS OLD TIME MASTERS
3437. OH SUSANNA/ POP GOES THE WEASEL VI 36400 E+

FLORENCE WRIGHT ACC BY ERROLL GARNER
3438. REAL G ONE TUNE/PIE IN THE BASKET NA 9118 N-

BLUE NOTE RECORD SHOP

5671 DELMAR BLVO
ST. LOUIS |2. MO.

RECENT RELEASES FOR YOUR COLLECTION-.

LP'S

GEORGE LEWIS-^.M. 311

FATS WALLER- VOLUME 1,11-RLP I02l,2

RAGTIME PIANO ROLL— I l-RLP 1025

NEW ORLEANS PARADE- PAX 9001 |2"

DON EWELL PLAYS KING OLIVER- WB 103 |2"

JAZZ AT STORYVILLE-BECHET STLP 301

DOC EVANS DIXIELAND CONCERT-SOMA 100 |2"

KID ORY'S CREOLE J.B. w/ewell-GTJ 2 1

GEORGE LEW I S— I , I I ( BLUE VI NYL)-ANTONE

ART HODES TR I 0»DARNELL,DE FAUT-PARAMOUNT

CASINO S IMPS0N*PARAMOUNT

BABY DODDS DRUM METH0D-4MER [CAN MUSIC

NATTY DOMINIQUE BAND-OARNELL, DODDS ETC

ROY PALMER STATE ST. RAMBLER S-R I VERS IDE

BIX 4 WOLVERINES-RIVERSIDE 1023

GEORGE BRUNIES7 N.O.R.K.-RIVERISOE 1024

TOMMY LADNIER-I-RIVERJIDE 1026

JELLY ROLL MORTON'S JAZZ KINGS-RLP 1027

JIMMY YANCEY-LOST DATE-P I VER J IDE 1028

ANTHE OTHER NEW RELEASES IN THIS ISSUE

78 'S

3.65EA.
3.95EA.
3.95E4.
5.95EA.
5.95EA.
3.85EA.
5.00EA.
3.00EA.
3.85EA.
3,85EA.
3.85EA.
3.85EA.
3.85EA.
3.95EA.
3.95EA.
3.95EA.
3.95EA.
3.95EA.
3.95ES.

JOHNNY WIGGS— ETC— MARD I GRAS THEME/KING ZULU PARADE

(SPSCIAL COVER) 10" 1.50

RAY BtlRKE^JVER THE WAVES/BLS FOR JOE 10" .89
(ABOVE SOUTHLAND'S BEST YET )

GEORGE LEWIS-cloase walk/lou-easy i-ana |2" 1.50

DR. JAZZ/DOWN BY RIVERSIDE |0" .89
FA1S WALLER COLLECTORS ATTENTION:

EVERY MONTH WE WILL PUBLISH A LIST OF RECORDS BY
ONE OR TWO HOT ARTISTS/WE BEGIN WITH LIST # lOOl.
VICTOR, OKEH,BILTMORE, BLUEBIRD, ETC.

THESE LISTS STILL AVAILABLE:

LIST NUMBER TWO-MINUS TWO PAGES A FEW COPIES OF
THIS SWING LIST STILL ON HAND*(mANY ITEMS FROM LIST
tZ ST ILL IN STOCK.)

list number three— yes a few of these left, too.

list number i l-53-cut-out harlem, cool, etc.

and now list number #-04-to replace list 853(cut0uts)

This list includes down houe, castle, jazz record,

commodore, tom tom. west craft, solo, etc.

SLIGHT CHANGE IN OUR MAIL ORDER POLICY:

WE WILL PAY POSTAGE ON PARCEL-POST SHIPMENTS TO
NEARBY STATES( OHIO, I ND I ANA, I LL I NO I S, KANSAS,
WISCONSIN, 9KLAHOMA, TEXAS, ETC ) ON ORDER OF ^.SO.
TO THOSE OF YOU IN POSTAL ZONES 5,6 ETC. WE MUST
EXTEND THIS TO $10.00 THIS NEW POLICY EFFECTIVE
MARCH I6TH.

(l WISH TO APOLOGIZE TO THE EXECUTIVE COMMITTEE OF
THE JAZZ CLUB FOR JUMPING THE GUN ON THE BEORGE LEWIS

PROMOTION AND SAYING THAT TICKETS COULD BE PURCHASED

FROM THE S.L.J.C.)

JAZZ REPORT- A8-I4 PAGE BULLETIN ON JAZZ IN THE CHICAGO
ST LOUIS AREA IS YOUR'S FREE WHEN YOU JOIN THE ST.LOU|!
JAZZ CLUB, A NON-PROFIT OR« CORRESPONDING MEMBERSHIPS
$2.07 PER YEAR.

NEXT S.L.J.C. MEETINGS;

IJHRCH 8TH APRIL I2TH
HAM ILTON-^tf I LSHORE HOTEL 8:U0 ?.M.
"DIXIE ROW" AND ST. LOU IS JUMPED LAST MONTH WITH ART

HODES, GEORGE LEWIS AND MUGGSY SPAN IER IN TOWN.
WINDY CITY SIX, BILL MARTIN'S HOT PO INTS,S I NGLETON

PALMERS DIXIELAND SIX AND THE DIXIE STOMFERS^FROM
WASHINGTON UNIVERSITY) ALL PLAYING A HALF- BLCK FROM -

THE BLUENOTE RECORD SHOP
OPEN 2;30 P.M. 5671 DELMAR BLVD. OPEN 'TILL 9S0:>
(l2«Od N SAT) ST.LOUIS I2,M0. NIGHTLY
FOR THE BEST IN JAZZ-CUTOUTS-RE I SSUES-0 JRRENT

AUCTION

AUCTH3N

G

AUCTION

O. MORAN

LODI WISCONSIN

CONDITION GUAHNTEEO. 250 PACKING CHARGE.
WINNERS WILL BE NOTIFIED.

GENE KRUPA/ M.L. LEWIS
3 LITTLE WORDS/ H. TONK IRAIN
M. SM ITH

CRAZY BLS/ ITS RIGHT HERE

C. Wl LLIAMS
IF U LIKE ME /HAVE U EVER

COON SANDERS
BALL AND CHAIN/'dHO WOULDNT

MOUND C ITY BL. BLOWERS
BLUE BLUES/ ARK

MEMPHIS STOMPERS

YEA ALABAMA/WASH 4 LEE SWING

OORSEY BROTHERS
MARY ANN/ PER. RUG
FORGETTING YOU/EVENING STAR

ORIGINAL DIXIELAND BAND
DANGEROUS BLS /ROYAL GARDEN BLS
ST LOUIS BLS/ JAZZ ME BL

NICHOLS STOMPERS
MAKE MY COT/SUGAR

COTTON PICKERS

ST.LOUIS GAL/NO PARKING
L. BO/ER

KISS OF ROMANCE /DANCE W MY DARLING

OR I G MEMPH IS 5
WHOS SORRY NOW/ SNAKE

HELEN BAXTER
OAODY EASE IT 2 ME/SAT I SF I CO BLS

RED NICHOLS
ALLAHS HOL IDA/ /ROSES OF PICARDY

MARGARET W00DR0W WILSON
STAR SP„NGLED BANNER

KITTY IRWIN

DAOOY DO/COPENHAGEN
MAD. BEATTY

00 2337 a

CO 1735 Q

VI 2|3|2 V

BR 258 l I

VI 21709 0

OK 4U995 G/V
OK 41065 V

VI 18798 G^F

vi i87vr; q

VI 21056 G /F
BR 4440 G
CO 3124 N
VI 1905? F
OK 8080 V
BR 4286 F/G
CO 1635 V/G
GE 5592 Ft

OK 41034 V

GE 5376 F

SI 2+26 V/G

WHOS 8L NOW/ A FRA ID OF YOU

MAYLORE 7 ACES
SHE WOULDNT/ I'VE GOT

SOUTHERN SYNCOPATORS
MEANEST 3LS/N0 I KNOWS

JOLSON

MOTHER OF MINE/ BLUE RIVER BR 37|9 V/G

DIXIE STOMPERS/ W.M.C.A. BROADCASTER

ALABAMA STOMP/ S.L, HA 283 Q

GUS ARMHE IM/ALL STAR ORCH

LOVABLE AN SWEET/ MEMORY VI 22054 S

V. LOPAZ

CALIFORNIA/I 'LL OREAM OF YOU ED 50966 N

C. MCCOY
WAH WAH LAMENT/NOBDYS SWT HRT

R. ETTING

100 A DANCE/ FU.WH LO CAN 00

B I Rl>1 1 MGHAM JAZZ BABIES
REMEMBER TON I TE /LaNIN ORCH)

J. BAKER

LES MOTS D 'AMOUR/SI J'ETAIS BLANCHE COE 1070 V

SOUTH ST TRIO

COLD MORNlm SH OUT/BU ITBASE "BRKDWON VI 2|249 V

H.F. KESER

LOLLY POPS/ CLO BANJO

BERT WILLIAMS

CO 2808 V/F
CO 21 45 V
hCT 36454 G

BROTHER LOWDONW/EXPECTEDLY
N30DYS BUS I NESS /EVERYBODY

ARNHE I M ( CROSBY VOCAL )
ONE MORE TIME/THANKS TWO YOU

JOLSON
THAT LOVING TRAUMERET

F. HENDERSON

CHARLIE MY BOY/(MO. JAZZ BAND )

SNOOKS MEMPHIS STOMPERS
LOVE IS LIKE THAT/ IM HAPPY

0. PETTI FORD
EMPTY BED BLS/WORR I ED LIFE

S. TUCKER
SOME OF THESE DAY S/MOAN I N LOW

BENNY MOTENS ORCH
I8TH ST STRUT/THINGS SEEM

GEORGE SAUNDERS
LOVE ME/.'OTOMAC RIVER BLS

LAN I N PLAYERS

WAS 8LJES/ LEA. W SMILE
CAB CALLOWAY

V| 20439 »

CO 3508 V
CO 2750 Q

VI 22700 G

01 NAH/ I M NOW PRE

GOOFUS FIVE
DH HOW 1/ LOV'S MY BABY

| 7| |9 G/V

RE 9680 G

VI 22629 V

MANOR 1002 V

22049 Q

OK 8242 F

19159 V

GE 4796 G

15623 G

OK 40244 a

42

WANTED

ALL OF THE FOLLOWING WANTED. PLEASE TELL US WHAT
SH|Qt"> msTs. imnir.tTF condition ALSO. WE WILL,

BOX 9

C/J THE RECORD CHANGER
418 WEST 49TH ST. NEW YORK |9, N.Y.
YOU HAVE TO OFFER AND PLEASE INDICATE YOUR LOWEST PR
NOT MAKE OFFERS SO PLEASE BE EXPLICIT IN YOUR FIRST LE

WANTED

CE. WHEN QUOTING PRICE REMEMBER THAT YOU WILL HAVE TO PAY
TTER. ALL SUCH OFFERS WILL RECEIVE IMMEDIATE ANSWERS.

ANDY MANSFIELD CH 1543B

CARL MARTIN CH 50074
DAISY MARTIN GE 4712
BERT MAYS PM 12614, PM 12632
MEMPHIS STRUTTERS CH 15415
JOS IE MILES ANY ON GENNETT

JUL I A MOODY ANY ON BLACK SWAN
ALICE MOORE ANY ON PARAMOUNT

MONETTE MOORE ANY ON PARAMOUNT

JELLY ROLL MORTON GE 5289 GE 5323

PM 12050 PM 20332 AU 607
NAYLOR'S SEVEN ACES ANY ON GENNETT

TUB JUG WASHBOARD BAND PM 12671

BESSIE MAE SMITH PM 12922
WH I TEWAY JAZZ BAND PM 20014

JAMES "BOODLE IT" WIGGINS PM 12860

CLARENCE WILLIAMS QRS 7001, 7003, 7004,

7005. 7032, 7033, 7040, 7044, 7035,
7055, 7048. BDWY 5034, 1347, 1348
PM 12884, 12839, 12870
MA RAINEY PM 12252 AND MANY OTHERS

TRIXIE SMITH PM 12256, 12262
SAMMY STEWARTS TEN KNIGHTS PM 20340

STOMP SIX ANY ON AUTOGRAPH

JASPER TAYLOR PM 12409

JABBO WILLIAMS PM 13127, 13130

JOHN WILLIAMS PM 12457, BP 8009

AUSTIN 4 HIS MUSICAL AMBASSADORS PM 12359
LOVIE AUSTIN 4 HER BLUE SERENADERS PM 12255,
12277, 12278, 12283, 12300, 12313,
12361, 12380, 12391

BARREL HOUSE FIVE ANY ON PM, QRS, BWAY

VIOLA BARTLETTE PM 12369

ANNA BELL QRS 7008

BIG BILL 4 THOMPS PM 12656

BLYTHES WASHBOARD BAND PM 12368

PERRY BRADFORD'S JAZZ PHOOLS PM 12041,

20309, PU 11309, clax 40309

DOBBY BRAGG ANY
BROADWAY RASTUS PM 12764
MERRITT BRUNIES ANY ON AUTOGRAPH

LAURA BRYANT ANY ON QRS

ALICE LEE CARTER ANY ON HYTONE OR CLEARTONE

JUNIE COBB ANY ON PARAMOUNT

OLIVER COBB ANY ON PARAMOUNT

IDA COX PM 12044, 12282, 12291, 12298,

12307, 12325, 12334, 12381, ALSO
MANY OTHERS WITH GOOD LADNIER OR
JOE SMITH

DIXIE FOUR ANY ON PARAMOUNT

DIXON'S JAZZ MANIACS PM 12405, 12426

DODDS 4 PARHAM PM 12471, 12494

PIANO KID EDWARDS ANY ON PARAMOUNT

CHARLIE ENGLISH PM 12610

grant 4 WILSON PM 12272, 12324, 12379

BLIND ROOSEVELT GRAVES ANY
LEE GREEN ANY ON PARAMOUNT

THE HAITIAN ORCH ANY ON BALDWIN OR VARSITY

GEORGE HANNAH PM 13048

HARLEM HARMONY KINGS PM 12003

HARRY'S RECKLESS FIVE BDWY 1355
BERTH A HENDERSON PM 12084, 12239, 12203,

VO 1043, 1015
FLETCHER HENDERSON ED 51776, 51277, ANY ON

PM, PURITAN, BUDDY , TRI, MAXSA,

NATIONAL, OLYMPIC
KATHERINE HENDERSON QRS 7032, 7041
THE HOTTENTOTS PM 12359

JACK 0 DIAMONDS PM 12786

PRESTON JACKSON UPTOWN BAND ANY ON PARAMOUNT

JOE'S HOT BABIES PM 12783

J C JOHNSON'S 5 HOT SPARKS QRS 7064

JAMES P JOHNSON BS 2026, 2044

JOHNNY JOHNSTON'S REBELS PU 11449,

11461, 20452

ANNA JONES ANY ON PM
CLARENCE JONES SOCK 4 ANY ON PM
KANSAS CITY FRANK ANY ON PARAMOUNT

LITTLE BROTHER MONTGOMERY PM 13006
LOUISIANA STOMPERS PM 12550

HATTIE MCDANIEL ANY ON PARAMOUNT

CHARLIE MCFADDEN ANY ON PARAMOUNT
MCKENZIE 4 CRUMP PM 12357
MIDNIGHT SERENADERS PM 20657

JELLY ROLL MORTON ANY ON RIALTO,

AUTOGRAPH, PARA, PURITAN,

MITCHELL, NATIONAL, GENNETT,

BUDDY, SILVERTONE, ETC.
JIMMY OBRYANT'S WASHBOARD BAND ANY ON PM
MEMPHIS FIVE ANY ON PM, BWAY, PUR I TAN, EDISON
ORIGINAL MIDNIGHT RAMBLERS ANY ON AUTOGRAPH
KING OLIVER ANY ON AUTOGRAPH
TINY PARHAM AND H I S 45 ANY ON PARAMOUNT
OLLIE POWERS HARMONY SYNCOPATERS ALL 4

TAKES OF PM 12059, ALSO 20263,

CLAX 40263, PU 11263
ELZADIE ROBINSON ANY ON PARAMOUNT
ROB ROBINSON ;i ANY ON PARAMOUNT
WILSON'S TOBA BAND PM 12408

SHELLEY ARMSTRONG ANY ON CHAMPION

BABY BONNIE ANY ON G ENNETT
WILLIE BAKER ANY ON GENNETT

BIRMINGHAM BLUE BUGLERS ANY ON GENNETT
BLACKBIRDS OF PARADISE ANY ON GENNETT
BLACK DOMINOES ANY ON GENNETT

BLACK PIRATES ANY ON BWAY

BLYTHE 4 BURTON ANY ON GENNETT

SLYTHE'S BLUE BOYS ANY ON CHAMPION
VI BRADLEY ANY ON CHAMPION

DUKE OWENS & BUD WILSON ANY ON GE OR CHAMP

GEORGE JEFFERSON 4 WILLIW WOODS ANY

SONNY GREER ANY ON BLUE DISC

THE ELLINGTON TWINS ANY ON BLUE DISC

JOHNNY SYLVESTER ANY ON GENNETT

HOC I EL THOMAS ANY ON GENNETT

HOWARD THOMAS ORCH ANY ON CHAMPION

AL TRENT ORCH ANY ON GENNETT AND CHAMPION

JOE TRENT 4 HIS DEACONS ANY ON BLUE DISC

DUKE ELLINGTON ANY ON BLUE DISC

V I CKS8URG BLOWERS ANY ON GENNETT

VICKSBURG TEN ANY ON CHAMPION

JIMMY WADE ORCH ANY ON GENNETT

BILL WILLIAM AND HIS GANG ANY ON CHAMP

SIDNEY WILLIAMS ANY ON GENNETT

CHICKEN WILSON ANY ON QRS

WOLVERINES SOME ON GENNET AND CLAX

SAMMY LEWIS ANY ON GENNETT

LOUISIANA STOMPERS ANY ON PARAMOUNT

ALL WASHBOARD AND BLUES ON VARSITY

EM I L SE I DEL ANY ON GENNETT

STATE STREET RAMBLERS MANY

BUDDY SUTTON ANY ON CHAMPION

SAMMY SWIFT ANY ON BLACK SWAN

KITTY IRVIN ANY

ALEX JACKSON'S PLANTATION ORCH ANY ON GENNETT

SKIP JAMES ANY ON CHAMPION

THE JELLY WH I PPERS ANY

CAROLINE JOHNSON ANY ON G ENNETT

L I L JOHNSON ANY ON CHAMPION

PORKCHOP JOHNSON ANY ON CHAMPION

JOHNSON 4 SMITH ANY ON CHAMPION

JULIA JONES ANY ON GENNETT

MAGGIE JONES ANY ON GENNETT

KENTUCKY BLOWERS ANY ON GENNETT

ELIZA LEE ANY ON GENNETT

GEORGE. E LEE ANY ON MERRITT

BIG BOY GEORGE OWENS ANY ON G ENNETT

STAR PAGE ANY ON PARAMOUNT

TURNER PARR I SH ANY ON CHAMPION

PLANTATION SERENADERS ANY ON CHAMPION

ANDY PREER & COTTON CLUB ORCH ANY ON GE

QRS BOYS ANY ON QRS

JOSEPHINE BEATTY WITH THE RED ONION JAZZ
BABIES ALL ON GENNETT
BUD RITCHIE ORCH ANY ON CHAMPION

JOHNNY RINGOES ORCH ANY ON CHAMPION

BRAD GOWANS RHAPSODY MAKERS ANY
EDO IE GRAY ANY ON BLACK SWAN

HAPPY HARMONISTS MANY
HIGHTOWERS NIGHT HAWKS ANY
ORIGINAL MEMPHIS MELODY BOYS GE 5123,
BU 8005

NEW ORLEANS RHYTHM KINGS GE 51 02 ( 1 1 357A ) .
5104(11352), 5104(11352*? J,
51 051 11359) (11359 ),51 05(113538 )(1 1359b),
5106(11354a OR b),5217(11551a),
3076(11551 ),5219(11535a)(11539),
5219 1 1539A ),5220(1 1540) (11541 A),
5220(11540a](i1541c)
NORTHERN MELODY BOYS BENNETT 6278
HUSK O'HARE'S SUPER ORCH ANY ON GENNETT

KING OLIVER ANY ON PM, CLAX , PURITAN,

PLEASE QUOTE MX NUMBER, MANY ON GE
ORIGINAL INDIANA FIVE ANY ON G ENNETT

Edison Cylinders

we are in the market for collections, large or
small, of any and all edison cylinders. anyone
having these items in any quantity from one up
who is interested in disposing of them is in-
vited to contact us.

There is no limitation on artists or person-
alities. WE ARE INTERESTED IN ALL EOISON
CYLINDERS.

Piano Rolls

Piano rolls that were cut by various jazz
artists, classical pianists, and numerous
broadway, show and other personalities are
also desired. we are interested in these items
in all quantities, large or small collections,
individual rolls, etc.

WANTED ON EDISON:
ANY RECORDINGS BY THE FOLLOWING ARTISTS:

CLAUD I 0 MUZIO
AL BERNARD
ERNIE HARE

WILLIAM JENNINGS BRYAN
HOAGY CARMICHAEL
VAUGHN DE LEATH

RED 4 MIFF'S STOMPERS

ED MEEKER

LEN SPENCER

HARRY LAUDER

MAT KEEFE

GEORGE S TRI CKLETT

JIMMY DURANTE'S JAZZ BD HAROLD E KNIGHT

CLIFF EDWARDS
ARTHUR FIELDS
HARRY E HUMPHREYS
AILEEN STANLEY
THOMAS A EDISON
BESSIE ABBOTT
GENE AUSTIN
EVAN BALDWIN
DIGBY BELL
SARAH BERNHARDT
MAURICE BURKHART
ANNA CASE
MARTI NELL I
RACHMANINOFF
GRACE CAMERON
ANNA CHANOLER
RAY COX

EDGAR L DAVENPORT
PORFIRI 0 DIA2
LILLIAN DOREEN
MARIE DRESSLER
FRED DUPREZ
GLEN ELLISON
BRES6 ELDRIDGE
FRED EAST
EUGENE EMMETT
MARGARET FARRELL
E M FAVER
GRACE WOOD
FLORADORA SEXTET
IRENE FRANKLIN
LOTTIE GIBSON
RACHEL GRANT
OR VI LLE HAROLD
EDITH HELENA
ETHEL HEPBURN
VICTOR HERBERT ORCH
FRED HILLERBRAND
M K HI LL
ROLAND HOGUE
ADA JONES
BILLY MURRAY
BILLY JONES
STEVE PORTER

GEORGE GERSHWIN
ELLINGTON'S FIRST DISC
FIRST RECORD STARDUST
VINCENT L0PEZ(N0LA,ETC) FRANK MUNN
PHIL BAKER RADIO FRANKS

ARTHUR C LICHTY
MABEL MCKINLEY
DAVE MARTIN
STELLA MAYHEW
S MAYHEW W. BILLIE TAYLOR
ED MORTON
PETE MURPHY
WILL OAKLAND
JOS A PHILIPS W. HELEN CLARK
COLLINS 4 HARLAN
HENRY BURR

MISS ISABELLE PATR I COLA
MAUDE RAYMOND
GEORGE WILTON B A LLARD
GLADYS RICE
VERNON DALHART
IRVING KAUFMAN
ELI LENNOX
J HAROLD MURPHY
WALTER VAN BRUNT
WALTER SCANLON
TEDDYROOSEVELT
MANUEL ROMA IN
JULIAN ROSE
JUNE R06SM0RE
JOS IE SADLER
JUNE SANFORD
HENRY SANTRY
ERNEST H SHACKLETON
ARLENE SHAW
SOUSA'S BAND
W N TAFT
VESTA TILLEY
HELEN TRIX
SOPHI E TUCKER
CLARICE VANCE
MARSHAL P Wl LDER
NAT WILLS
BESSIE WYNN
GENE AUTRY
MILLS BROS
VINCENT LOPEZ
CARSON ROBI NSON
GUY LOMBARDO
FRANK LUTHER
ETHEL WATERS
ALBERT SPAULDING

WE ARE ALSO LOOKING FOR
H INOREDS OF RECORDS OF A SIMILAR NATURE
ON OTHER LABELS AND BY OTHER ARTISTS.

PLEASE TELL US WHAT YOU HAVE TO
OFFER. HOWEVER WE ARE GIVING
PREFERENCE TO OUR LISTED WANTS.

43

AUCTION

RICHARD HOLBROOK

BEDFORD NEW YORK

THE P9INT OF THIS AUCTION IS TO DISPOSE OF THESE RECORDS. NO REASONABLE BID WILL BE REFUSED. BUT PLEASE DO NOT INSULT THE ARTISTS.
YOU WIN. LARGER ORDERS GET PREFERENCE, NATURALLY . IF WE HAVE UNDERfRADED, PLEASE DO NOT TELL. LIBERAL TRADES 0OR WANTS AS LISTED.

AUCTION

WE WILL LET YOU KNOW IF

EARLY WHITE AND HOT

BANTA AND KOPP

I. MONEY BLS/CALICO RAG

0.0. J.B.
2. ST LOUIS BLS/ JAZZ ME

PRIG. MEMPHIS FIVE

3. P|CKLES/(lANIN

THE GEORGIANS

4. MAMA GOES WHERE PAPA GOES

ORIOLE ORCHESTRA

5. COPENHAGEN/ MY ROSE MARIE

THE DIZZY TRIO

6. HAYSEED RAG

ROSELAND DANCE ORCHESTRA

7. CHICK CHICK CHICKEN

TED LEWIS 4 HIS BAND

8. NEW ST LOUIS BLs(KAM CRK)

ART KAHN & HIS ORCH

9. HE'S THE LAST WORD/HELLO

MONK HAZEL'S ORCH .
|0. IDEAS/GIT-WIT- IT

LEO RE I SWAN & HI.S ORCH
I I .Al NT M I SBEHAV1 N/MOAN I N ' LOW

LOUIS ARMSTRONG W. F. HENDERSON

I2.SWANEE BUTTERFLY

ACC. MASS IE JONES

1 3. GOOD TIME FLAT BL/SCREAMIN"

14. TRY MY CABBAGE/YOU MAY GO

AND HIS HOT FIVE

15. GUT BUCKET BLS/YES tlM IN
16. IRISH BLK BOTTOM/U MADT ME
I7.HEEBIE JEEB IES/MUSKRAT RAMBLE
|8,GA. GRIND/COME BACK SWT PAPA
|9.D0N'T FORGET MESS AROUND

20. MES6 AROUND /GONNA GITCHA

21. DR0PPIN SHUCKS/WHO'SIT
AND HIS HOT SEVEN

22. WILD MAN/ GULLY LOW
AND HIS HOT FIVE

23. I'M NOT ROUGH/GOT NO BLS
24.SUGAR FOOT STRUT/A MONDAY DATE
25.SKIP THE GUTTER/KNEE DROPS
26. SQUEEZE ME/ONCE IN WHILE

27. G0T NO BLS/ SUGAR FOOT

28. F I REWORKS/ TWO DEUCES

AND HIS ORCHESTRA

29. TIGHT LIKE THIS/HEAH ME TALK I N 1

30. BLK 4 BL/ SWEET SAVANNAH SUE

ACC. VICTORIA SPIVY ( GREAT)

CO 2241 v+

VI 13772 v+

CO 3924 E

CO 3996 N-

BR 2752 E

VI 19421 N-

BELL 436 N

CO 697 V

CO 830 E+

DE 514 N

VI 22047 E-
ORCH.

RE 9803 V+

CO 14055 v+
CO 14063 E-

OK 8261 V-
HJCA 5/6 N-

OK 8300 V+
OK 83|8 V
OK 8343 N

13 N

14 N

BR
BR

OK 8474 G+

OK 8551 N-

OK 8609 N

OK 8631 N-/E+

PaE 2242 n

PAE 2449 N

PAE 2282 N

VO 3303 E

PAE 1573 N

3 1 .FUNNY FEATHERS/HOW DO THEY DO IT
AND HIS ORCHESTRA

32 .BLUE TURNING GREY / RHTTHM MAN

CH ICAGO SOUTH SIDE ETC.
SaMMIE LEWIS! PIANO ACC.

33. CRAZY OVER DADDY/COOT IE CRAWL GE

COOK'S DREAMLAND ORCH

34. B0AMrUL MAN/ LONELY LITTLE GE

CREATH'S JAZZ-O-MAN IACS

35. MARKET ST STP/WON'T DON'T OK

POWELL'S JAZZ MONARCHES

36. LAUGHI N 1 BLUES/ CHAUFFEUR'S OK

BLIND LEMON JEFFERSON

37. CH0CK HOUSE/ JACK 0' DIAMOND PM

0 'BRYANT WASHBOARD WIZARDS

38. GEORGIS BRKDWON/PEEPIN ' BLUES BR

ARDELL BRAGG 4 TINY PARHAM , PIANO

39. PI G MEAT BLS/ CANEBREAK BLS PM

COW COW DAVENPORT
40.STEAL IN ' BLS/ NEW COW COW SD

DIXONS JAZZ MANIACS

41. TIGER PAG/D.A.D. BLUES PM

CHIPPIE HILL ACC. JONES JAZZ wiz.

42. d0 dirty/ sport model mama ok

douglas williams ( trio)

43. slow death/ roadhouse stp v i

tiny parhams musicans

44. the head hunters dream vi

(an exceptionally fine jazz record)
NEW ORLEASN BOOTBLACKS

454fLAT FOOT/ MAD DOG CO
46.1 CAN'T SAY/ MIXED SALAD CO

JC 508 N

PAE |494 N

GE S|47 E

GE 5373 E

OK 828.) V+

OK 8333 V-

PM 12373 N

BR 18 N

12398 V*
104 N

12405 G+
_ 8473 G
21269 N
21553 E

14337 v+
14465 E+

CH ICAGO FOOTWARMERS
47. BROWN BOTTOM BESS/ MY LADY LOVE

JIMMY NOONE'S APEX CLUB ORCH
4814 OR 5 TIIES /EVERY EVENING

CHARLIE MCCOY

WITH CHATAM'S MISS. HOT FOOTERS
49. IT AINT NO GOOD(PTS 142)

MOSTLY HARLEM

CLARENCE WILLIAMS

50. PULLMAN PORTER BLS

BESSIE 4 CLARA SMITH

51. FAR AWAY BLS/ IM GOING BACK

ETHEL RIDLEY

WITH BRADFORDS JAZZ PHOOLS

52. MEMPHIS, TENN./REAL KIND MAMA —

HARLEM TRIO

53. MUDDY WATER BLS/ BLAME IT

FLETCHER HENDERSON ORCH

WITH TRIXIE SMITH VOCAL

54. EVER YBODY LOVES BABY/HOW COME

(VERY SCARCE. FINE CORNET. ONE D
CHARLIE JOHNSON ORCHESTRA

55 . HA RLEM DRAG/HOT BONES 4 RICE

DUKE ELLINGTON ORCH
56.SWANEE SHUFFLE/ Ml SS I SS IPP | (0 I G )

JELLY ROLL MORTON

S^.WOLVER INE BLS/ MR JELLY LORO(DIG) VI
58.SHREVEP0RT/oH0E SHIKERS DRAG VI

(AHIR CRK |"-HARDLY WORTH MENTION)

ELL I NG TON/ARMSTRONG

59. BLK BEAUTY/MAHOGANY HALL STP PAE

(FAMOUS SOLO AND SENSATIONAL MUTED
FESS WILLIAMS ROYAL FLUSH ORCH.

60. MAKE ME KNOW IT/MY MAMA'S IN TOWN HA

61. A FEW RIFFS/DO SHUFFLE VI

BR 9/10 N-
VO I I 85 E-

BR 71 |8 V

OK 8020 V+
CO 13007 V+

VI 1 9 1 I I N-

OK 40220 N

PM

IG)

VI

12249 V

38059 v+

38089 V

21064 v+
21658 v+

571 N
horn)

189 V
33064 N-

RED NICHOLS OR BETTER
PERRY 'S HOT DOGS

62, SHOW ME THE WAY TO GO HOME

TENNESSEE TOOTERS
63.SWEET MAN/ DEEP ELM
PERRY'S HOT DOGS

64.TWEEDLE DEE TWEEDLE DUM RE

GOLDEN GATE ORCH

65. SHOW ME THE WAY TO GO HOME rE
( A REALLY TERRIFIC RECORD )

66. RED HOT HENRY BROWN PE

VARSITY BIGHT

67. WHY DID I KISS THAT GIRL7 C;

FIVE BIRMINGHAM BABIES

6 8. CO PEN HAGEN/DEE P SEA BLS PAl

NO NAME BAND ( RARE AND HOT)

69. CECILIA (3668) DANDY

UNIVERSI TY SIX/ORIG IND. 5

70. ZULU WAIL/ CLEMENTINE Ht

DIG THAT DEPRESSI ON

9917 v+
15109 E+
9919 E-
14488 V+
14500 V+
516 N-
36169 E
5080 V+
5l0 V+

NA°3L£BN'S EMPERORS ( J. 4 T DORSEY)

7 1. MEAN TO ME / MY KINDA LOVE
KENTYCKY GRASSHOPPERS (

VI 38057 v+
TEA AND BENNY)

72.MAKIN' FRIENDS

M.ILLS MERRY MAKERS

6380 V
9235 E
22089 N
6297 E+

73. M0ANIN' LOWjf WITH VOCAL ) CA

BEN POLLACK ORCHESTRA ( BOTH TEAS)

74. tue blue lou/uoon-ganders) vt

locke brothers rhythm orcb,

75. elephant stomp/ old zazoo bb

(not for aunt minnies's ears)
KARL RADLACH/WILLIE CREAGER

76. mysterious mose/ want you to know ba 689 v+

irving mills hotsy totsy gang
(with hoagy, benny, dorsys, etc)

77. march of the hoodlums/ harvey br 4559 v+

DUBIN'S BRANDIES (scarce)

78. IN HARLEMS ARABY CA 169 V+

ANNETTE HANSHAW ( AND GOOD men)

79. AM I BLUE/ DADDY PLEASE COME HOME Dl 2940 V+

80. B0DY 4 SOUL/ WASTING MY LOVE ON U VE 2224 E—

CHARLESTON CHASERS

81. CI NDERELLA BROWN / SI NG YOU SINKERS CO
RUDY MARLOW ORCH

VE

2133 E-
2082 E-

83. THREE LITTLE WORDS/ RING DEM BELLS VI 25076 N

82.D IXIE JAMBOREE( HOT TROMBONE )
DUKE ELLINGTON CRCH

LEO REISMAN 4 OROH

84. HAPPY DAYS ARE HERE AGAIN VI 2222 1 V+

(SOUNDS LIKE RUDY VALLEE VOCAL )

85. WHAT IS THIS THING CALLED LVE VI 22282 E-

ETHEL WATERS ( B. GOODMAN ACC.)

86. PLEASE DONT TAKK/WHEN YOUR CO 2409 Y+

BEN POLLACK ORCH ( JACK TEA, VOCAL)

87. U DIDNT HAVE TO TELL ME
(HAIR CRACK BUT PLAYES fine)

RALPH BENNETT SEUEN ACES

88. WHEN YUBA PLAYS/ MERRY MONTH

PAUL SMALL'S COLLEGIANS

89. GUILTY/ WHO AM I ?

ALLAN SMALL 4 HIS ORCH

90. PINK ELEPHANTS/ SUMMER NIGHTS

EARL HINES ( PIANO SOLO )

91. L0VE ME TONIGHT/DOWN AMONG

BING CROSBY ( BERIGAN)

92. WE*LL MAKE HAY /STAY ON RIGHT

(CHOICE groaner ephemera)
GENE'S MERRYMAKERS

93. BUS I NESS IN F/BUISINESS IN Q

SWING

DON REDMAN 4 HIS ORCH
94.1 GOTCHA/LIT BIT LATER

(SHIRLY CLAY 4 SIDNEY DE PARI

DUKE ELLINGTON ORCH
95. NO GREATER LOVE/ I SNT LOVE
96. IN A JAM/ UPTOWN DWNBEAT

TEDDY WILSON ORCH

97. TEA FOR TWO/ I 'LL SEE YOU

98. RIGHT OR WRONG/WHERE TH LAZY

RED NICHOLS ORCH.

99. WLAKE UP AND LIVE/ NEVER IN A

ANDY KIRK CLOUBS OF JOY

100. THE LADY WHY SWI NGS THE BAND

JIMMY LUNCEFORD ORCH

101. MUDDY WATER/HONEST 4 TRULY

MILDRED BAILEY ORCH

102. MY LAST AFFAIR/TRUST IN ME

GEN KARDOS ORCH

103. BOO HOO/ WHAT WILL I

BUNNY BERIGAN ORCH

BA 32I0IV+

MELO |2l98 E

CR 3196 E

CR 3378 v+

CO 35877 N-

CQ 9557 v+

OR 2467 V

ME 60802 6-
S TR)

PR
BR

BR
BR

7625 N-
7734 E

7816 N-
7797 N-

524 N-

TELL

DE 1085 E

DE |2|9 E-/E+

VO 3449 N-

ME 704 03 N-

I04.RUSS IAN LULLABY/ 8 A ME BY LOMBARDOV I 26001 N-

STUFF SMITH ONYX CLUB BOYS
105. ONYX CLUB SPREE/TWILIGHT TURKEY DE 1279 N-

FATS WALLER 4 HIS RHYTHM

106. WHOS AFAR I D OF LOVE/ONE IN A VI 25499 N-

FRANKIE NEWTON UPTOWN SERENADERS

107. PLEASE DONT TALK/ U SHOWED ME VR 5 1 8 N

BENNY GOODMAN QUARTET

108. DINAH/ MOON GLOW VI 25398 N

HAWKINS ORCH

109. B0DY 4 SOUL/IT HAD TO BE U BB300825 V+

CLAUDE HOPKINS ORCH

110. CHURCH ST SOBBIN ' BLS DE 1286 E+

111. THS SINGINGS HILLS/ I'D BELIEVE AMM 114 V+
DUKE ELLINGTON ORCH

MA 131 E+

I |2. CARAVAN/ AZURE
113. TAKE THE A TRAIN

VI 27380 E

COUNTRY BLUES
LONE STAR FIDDLERS

I 1 4.DRUNK MAN BL/ THE WAGONER

FRANKIE WALLACE
II5.BLUE YODEL #5/0UR OLD FAMILY

FRANK W ILK INS
I 16. MY OLD MT SHAK/SHES MY MAMA BWY 820 1 V+

POST - WAR

BWY 8045 V-

BWY 8147 V

ART TAT UM TRIO
I IV. I A I NT GOT NBODY/COCKATI LS
II8.FINB 4 DANDY/IT HAD TO B U

ORIGINAL ZENITH BRASS BAND

M9.FIDGETY FEET. SHAKE IT 4 BRK

BABY DODDS

I2U.SP0OKU DRMS.TOM TOM WKOUT

LAZY APES BACK ROOM JAZZ

I2I.THE FATHERS BLS/ JhZZ PARADE AMPERSAND 9 N-

WANTS

BR 80131 N
AS 3561 N

CI 1007 N-

DIS 6007 n-

CHIPPIE HILL, HOC I EL THOMAS, S I PP I E WALLACE,
CLARENCE WILLIAMS BAND S,MEMPH I S STMPE RS, JABOO
SMITH, GENNETT 6OO0S, YOUR WANT LIST.

BUY 8 15.00 OWRTH OF RECORDS AMD GET I LP* FREE BUY 8 27.5U WORTH AND GET 2 LPS* FREE BUY $ 50 WORTH AND GET 4 LPS* FREE BUY 8 100 WORTH GET 9 LPs* FREE

•ANY LP 8 3 3.95 OR LESS JAZZLAND *ANY LP € $ 3.95 OR LESS

BOX 4|5 , RADIO CITY STATION, 322 WEST 52 STREET NYC NY

A NEW SERVICE FOR JAZ2 COLLECTORS. 48 HOUR SERVICE. NOTE OR BIG BONUS OFFER. IF YOU PURCHASE $ |5 WORTH X RECORDS 78 AND/OR LP WE WILL GIVE YOU ONE LP OF YOUR CHOICE
ONLY FROM THE LIST WHICH APPEARS IN THE ADS ON THESE TWO PAGES. WE CANNOT GIVE 78 RECORDS FREE. ONLY LP'S FROM THIS AD. THE MORE YOU BUY THE GREATER WILL BE YOUR BONUS
SO THAT IF YOU PURCHASE UP TO $ 100 WORTH WE CAN GIVE YOU 9 FREE LP RECORDS. PLEASE ADD 254 FOR PACKING MATERIAL. YOU MUST ALSO PAY SHIPPING CHARGES. RECORDS WILL BE
SHIPPED VIA RRX CHARGES COLLECT. IF YOU WANT PARCEL POST YOU WILL HAVE TO ACCOMPANY YOUR ORDER WILL ENOUGH EXTRA TO COVER POSTAGE. REMITTANCE MUST ACCOMPANY YOUR ORDER
ORDERS FROM NEW YORK CITY MUST ADD 3% CITY SALES TAX.

WE WILL ALWAYS BE ADDING NEW MATERIAL TO THESE ADS SO WATCH THEM EACH MONTH . SATISFACTION IS UNCONDITIONALLY GUARANTEED OR YOUR MONEY WILL BE REFUNDED.

PLEASE ORDER BY THE NUMBER TO THE LEFT Of EACH COLUMN IN THE CASE OF 78RPM RECORDS. ORDER LP's BY LABEL AND CATALOGUE NUMBER WHICH ALSO APPEARS AT LEFT OF EACH COLUMN.
ALL RECORDS ARE IN MINT UNPLAYEO CONDITION.

LOUIS ARMSTRONG

1. DALLAS BLUES/THE PEANUT VENDOR 1.05

2. BASIN STREET BLUEs/nO 1.05

3. LAZY R I VEr/gEORG I A ON MY M 1 NO 1.05

4. LAST NIGHT/YOU'RE A REAL SWEETHEART .75
5. SWEETHEARTS ON PARAOe/bLUE AGAIN .85

6. HOBO U CANT RIDE THIS TRAIn/nEVR BORN .88

7. EVERYBODY LUVS BABy/aLL THE WRONGS 1.05

JOSEPHINE BAKER

8. HAVE TWO LOVES/UNDER MY SKIN .35

PAUL BARBARINS NEW ORLEANS BAND

9 . Panama/ just a little while to shy here .50

10. LILY OF THE VALLEy/eh LA BAS .50

11. JUST A CLOSER WALK/WALK THRU THE STS .50

GEORGE BARNES SEXTET

12. LAUGHING AT LIFE/BARNES AT DUBLINS .50

COUNT BASIE'S Orch

1 4. song of the islands/nobody knows .95

15.1 left my baby/riff interlude .75

16. taxi war dance/12th st rag .85

17. basie strides again/jump for me .85

The Basin Street Six

18. i'm going home/ jazz me blues /50

19. thats a plenty/lazy river .50

20. high society/south rampart st parade .50

21 . marg i e/farewell BLUES .50

Sidney Bechet

22. china boy/sister katel+wild bill d) .50

23. SONG OF THE MED I Na/| GOT RHYTHM .50

24. WITH0UT A HOME/l 'M THROUGH GOODBYE .50

25. WASTE NO TEARS/LOVE ME WITH FEELING .50

26. BOX CAR SHORTY/BROKEN WINDMILL .50
27. SEPTEMBER SONg/whO .50

sonny berman

28 . nocturne /curb st one scuffle .50

29. nocturne/thermodynamics .35

BIX BEIDERBECKE

31 . sorry/since my best gal turned me dwn .75

32. changes/mary 1.05

33. make believe/old man river .65

Graeme Bell's Dixieland Band

34. big bad banksia man/ jennys ball .50

35. LAMENT FOR JAVANETTe/rEAD Y EDDY .35

EUBIE BLAKE/FATS WALLER

36. BOLL WEEVIL BLS/LAST MAN BLS .75

CLAUDE BOLLING'S FRENCH BLUE STARS

37. R I VERS I D E BLS/GEORG I A BO BO T5TT

38. BLUES IN D I SGU I Se/d I PPERMOUTH BLS .50

39. YOU RASCAL YOu/nOBODY KNOWS THE WAY .50

SHARKEY BONANO'S KINGS OF DIXIELAND

40. SWEET GEORGIA BROWN/ I LIKE BANANAS 1 .OS
(ABOVE NEVER RELEASED IN THIS COUNTRY.
SPECIALLY PRESSED FOR EXPORT 1

41. BACK HOME IN INDIANA/THE MISSOURI WLZ .50

GEORGE BRUNIES JAZZ BAND

42. JAMAICA SHOUT/I STILL WANT YOU .85

DAN BURLEY AND HIS SKIFFLE BOYS
THREE FLIGHTS UP PTS "1 42

50

43

DON BYAS

44. I SURRENDER DEAr/thESE FOOLISH THNGS .35
CENTRAL PK D I X I ELAND ERS ( TWO FINE
SIDES BY THE LYTTELTON BAND )

45. PANAMA/CHATTANOOGA STOMP .50

CSNTURY STQMPERS(WELLST00D GROUP)

46. JELLY BELLY WOBBLE/MOUNO CITY DRAG .65

KENNY CLARKE CLIQUE

47. YOU GO TO MY HEAD/ROLL EM BAGS .35

EARL COLEMAN BAND
48. STRANGER IN TOWN/YARD B I RD SUITE .35
LEE COLL I Ns/jAMES P JOHNSON

49. D0NT TEAR MY CLOTHES/WI LD ABT PATOOT IE. 85

LEE COLLINS 4 LITTLE BROTHER MONTG .

50. EL R I TMO/LONG TIME AGO 1 .05

RUSS COLUMBO

51 . TOO BEAUTIFUL/ I SEE TWO LOVERS .75

AL COOPER

52. GET IT SAVOY/NEW JUMP .50

BING CROSBY

53. SIDE BY SIDE/MAGNOLIA .50
DIXIELAND RHYTHM K INGS( ONE OF BEST
BANDS IN THE WORLD J

.75
.50
.50

.75
.75
.85
.75
.65
.75
.75
.65

54. STEAMBOAT STOMP/TERRIBLE BLUES

55. FIDGETY FEET/l FOUND A NEW BABY

56. WOLVERINE BLS/THESA INTS

JOHNNY DODDS

57. WEARY CITY/BULL FIDDLE

58. MY BABY/ORIENTAL MAN

59. MAD DOG/FLAT FOOT

60. MY GIRL/SWEEP EM CLEAN

61 . BROWN BOTTOM BESs/LADY LOVE

62. WEARY WAY BLsAhERELL COME A DAY

63. GOOBER DANCeAoO TIGHT

64. HOT STUFF/HAVE MERCEY

JOHNNY DODDS
65. STRUGGLING/LITTLE BITS .75

66. MIXSED SALAD/l CANT SAY 1.05

67. TOO tight/papa DIP 1.05

68. SOUTH BOUND RAg/t|N ROOF BLUES .85
69. HOT POTATOES/STEAL AWAY BLS .75
70.47TH STREET STOMp/lDLE HOUR SPECIAL .65

71. COOTIE STOMP/wEARY W AY BLUES .65

BABY DODDS

72. DRUM IMPROVISATION jf1 /WOLVER I NE BLS .50

ROY ELDRIDGE

73. HECKLERS HOP/THAT THING 1.05

74. FLORIDA STOMP/wABASH STOMP 1.05

DUKE ELLINGTON

75. ALL GOOS CHILLUN GOT Rh/aLABAMY HOME .85

76. WEST INDIAN STOMp/bUGLE BREAKS .85
77. I NEVER FELT THIS WAY BEFORe/aLL TOO SOON. 75

78. EXPOSITION SWING/HARMONY IN HARLEM 1.05

79. DINAHS IN A JAM/BUFFET FLAT .85

80. ROSE OF THE RIO GRANDe/pRELUDE 2 KISS .85

81 . BLUES/PLOCKED AGAIN 1.05
82. SAN JUAN HILL/STEPPING INTO SWING SOC 1.05

83. BOUNCING BUOYANCY/A LONELY CO-ED 1.05

84. BLUE LIGHT/SLAP HAPPY 1.05

85. HARLEM A IRSHAFT/SEP I A PANORAMA 1.05

86. K0K0/CONGA BRAVA 1.05

87. swi ng low/ducky WUCKY .50

88. GOING TO TOWN/TIGHT LIKE THAT .75

89. DOUBLE CHECK #1/dOWN THE ALLEY .75

90. BLACK 4 TAN PHANTASY #l/H0T 4 BOTHERED .75
91. I'M SATlSFIEo/jl VE ST .85

92. DUSKY STEVEDORE/BLUE FEELING 1.05

93. PYRAMID/WHEN MY SUGAR WALKS DOWN THE ST .85

95. JU8 I LESTa/mOONL I 3HT FIESTA .50

96. the creeper/immigration BLUES .50

97. PORTRAIT OF L IOn/sOMETH I NG TO LIVE FOR 1.05

98. RED HOT BAND/OKLAHOMA STOMP

99. HONEYSUCKLE ROSe/chCPST I CKS

EMPIRE STATE JAZZ BAND

100. MINSTEL WALK/ONCE IN A WHILE

IRVING FAZOLA

101 . MOSTLY FA,/WITH YOU WHERE YOU ARE

Blip Freeman

1 02. TOWN HALL BL/lNSIDE

ON THE OUTSIDE

THE TENNESSEE GABR I ELISROWN I E MCGHEE

.IF I CUD HEAR MOTHER
SLIM GA I LLARO

-4

AY/I

PRAY/PRECS LORD

.50
.50

.50

.50

.50

104. WHEN BANANA SKINS ARE FALL I Ng/b ANGO CT0.35

Erroll Garner

1 05. loose nut/love

106. play piano/fantasy

Jazz Sillum

107. fast woman 8l/keep on sailing

benny goodman

108. sailin/i cant give u anything but love

109. GONE WITH WHAT WINo/siX APPEAL

110. BENNYS BUGLE /BREAKFAST FEUD

111. JUNK MAN/OL PAPPY

112. HANDFJL OF KEYs/viENI VIENI

113. bugle call rag/whoopee stomp

Dexter Gordon
114. oh well/sweet and lovely

115.TA0LK OF THE TOWn/lULLABYE IN RHYTHM

Marty Gross Cellar Boys(fine Chi
116.0 d one step/ oh baby

.45
.45

.40

.85
.85
.75
.65
.50
.65

.35
.35
JAZZ )
735

117.SH IMMESHAWAeBLE/l 'D DO ANYTHING FOR U .35

WALTER GR0SS(A TRULY FINE PIANIST)

1 18. SOMETIMES I'M HAPPY/TIME ON MY HANDS .45

119. THROUGH THE YEARs/oRCH I DS IN THE MNLT .45

120. TEA FOR TWO/MORE THAN YOU KNOW .45
121.1 KNOW THAT YOU KNOw/wi THOUT A SONG .45

John Guarnieri

122. why do i love you/whats the use .35

GLFNN HARDMANS HAMMOND FIVE(+LESTER Young)

123. upri jht organ bls/jazz me bls 1 .05

Bill Harris

124. somebody loves me/wooochoppers hol 1 0 ay .50

coleman hawkins

^s.'bean" at the met/lm themood for love .35

126. swingin in thegroovf/l know that u kn0.35

127. blues evermore/dear old southlano .35

128. when buddha smiles/way down yonder in .35
129. out of nowhere/sweet georgia brown .35

130. the man i love/lts the talk of the twn .50

131. big head/platinum LOVE .35

ERSKINE HAWKINS

132. MELANCHOLY/NEEDLE POINTS .35

133. GABRIELS HEATER/LOVE TO MAKE YOU .35

MONK HAZEL

134. GIT WIT IT/ IDEAS .50

HERB I E HAYMER QUINTET

135. BLACK MARKET STUFF/LACUNA LEAP .50

13i

137
138
139
140
141

142
143
144
145
146

147

148
149
150
151
152,
153
154
155
156

157.

158,
159,

160

161,
162,

163,

164,

WOODY HERMAN

MEAN TO ME/BLOWING UP A STORM FT 1 .45

.THE GOOD EARTH/BLOWING UP A STORM FT2 .45

THE MAN I LOVE/EVERYWHERE .45

3S0THER FATS/GLORY OF LOVE .45

.PASS THE BASKET/HOLLYWOOD BLUES ,45

.SUPERMAN ON A HORn/fOUR MEN ON A HORSE .45
ART HOPES

Wl LL IE T HE * EEPER/CH I CAGO Q AL .50

•MR JELLY LORD/NEVER KNEW WOT A GAL CUD .50

.BLUES AND B OOZE/ECCENTRI C ..50

CHIMES BLUES/ORG AN GRINDER .50

SOUTH SIDE SHUFFLE/THE FIVES .50

JOHNNY HODGES ELL I NGTON I ANS

HODGE POOGE/ WANDERLUST .75

BILLY HOLIDAY

GEORGIA ON MY MIND/LETS DO IT .75
I'M PULLING THROUGH/GHOST OF YESTERDAY .85
I'LL NEVER BE THE SAME/l FOUND A NEW BBY 1.05

MOOD I'M IN/SENTIMENTAL 4 MELANCHOLY .85

SAME OLD SOUTH/LOVE ME OR LEAVE ME .50

•CARELESS LOVE/MAN I LOVE .50

THEY SAY/i'LL NEVER BE THE SAME ^50

SOME OTHER SPRING/LOW DOWN GROOVE .75

MAN I LOVE/ANY OLD TIME .50

JOHN LEE HOOKER (FABULOUS BLUES )

NEVER SATISFIED/NOTORIETY WOMAN . .50

BUD JACOBSONS JUNGLE KINGS
CANT BELIEVE UR IN LUV/OPUS #L SANS ML .65

LAUGHING AT YOu/cLAR INET MARMALADE .65
CONRAD JANIS 4 TAILGATE JAZZ BAND

165.

166,
167,

168

169,

170.

171,

172,
173,
174,
175,

176.

177.

178.

179.

180.

181.

182.
183,
184

185
186
187

188,
189,

190

191

192.

193,

194,
195.

.WHEN THE SAINTS GO MARCHING IN PTS 142 .50
.EH! LA BAS/WILLIE THE WEEPER .50
.ORIENTAL MAN/KANSAS CITY STOMPS .50

JACK JENNY 4 H I S ORCH

.STARDUST/ CUBAN BOOGIE W OOG I E .75

BUNK JOHNSON AND HIS BAND
. I CANT ESCAPE FROM YOU/SNAG IT 1.05
BUNK JOHNSON AND THE YERBA BUENA .
JAZZ BAND, vocals by Clancy Hayes
.ace in the hole/careless love 1.05
Edith Johnson

■NICKELS WRTH OF LIVEr/hONEY DRIPPER BL .75
.HEART ACHING BLsAlNT NO MORE TO BE SEO.50

PETE JOHNSON
.CLIWBIN AND SCREAMIn/hOW LONG HOW LONG .75

Blind Willie Johnson
■take ur burden to the loro/goo moves 1.05

hank jones and jean germa i ne
■the chase/night music .35

MAX IE KAMI NSKY
.BLACK AND BLUE/HAVIN A BALL .50

REV.KELSEY^ABSOLUTELY THE GREATEST. ROCK I NG—

EST CHURCH MUSIC EVER RECORDEO. BUY A SET )
.LITTLE BOY/STAND IN THE STORM .65
.STORM IS PASSING OVEr/sTR I VI NG 4 PROMS .65

.tell me how long/evening prayer .65
.i'm a soldier/after awhile .65

gene krupa (terrific)
.swing ishere/hope gabriel likes my msc .50
Cripple Clarence Lofton (superb piano)
•tore your playhouse down/brown skin gal.65

CRI PPLE CLARENCE LOFTOn/alBERT AMMONS

.had a dream/st louis blues

Claude Luter et ses Lqrientais
■panama rag/south african blues

Humphrey Lyttelton 4 Band
,g et out of here/sunday morning

Big Maceo
.chicago breakdown/wintertime blues

WINGY MANONE
, ISNT THE<E A LITTLE LOVE/THATS A PLENTY,
,SHES CRY I N FOR ME/jUST ONE GIRL ,
•NICKEL IN SLOT/SWING BROTHER SWING ,

DODO MARMAROSA
,OODO'S BLUES/l SURRENDER DEAR .
•LOVEr/dARY DEPARTS ,
iTRABE Wl NDo/bOPMAT ISM ,
ZEP ME I SSNER 0 I X I ELAND ALL STARS

.75
.50
.50
.35

50

50
75

(Mackey. joe rushton, etc.)
•beale street mama/ lea v i n iown i65
.dixie downbeat/whos sorry now .65

MELODY ECHOEs(f!NE SPIRITUAL)

.saviour oont pass me/w ill to know .35

mezz mezzrow
, panic is on/mutiny in the parlor .50

Glenn Miller Orch
dont wake up my heart/make me fall .75

Punch Miller
some of these days/exactly like you .85

LITTLE BROTHER MONTGOMERY'S QUINTET
SWI NG I N WITH LEE/WOMAN THAT I LOVE ?75
VICKSBURG BLS/NO SPCL RIDEr(pnO SOLOES).50

45

JAZZLAND

BOX 4|5, RADIO CITY ST-ATION
322 WEST 52nd b"l REE I NYC NY

JELLY ROLL MORTON

196. JERSEY JOE/ SWEET PETER 1.05

197.0 I ON' T HE RAMBLE/WININ BOY BLUES 1.05

198. CRAZY CHORDS/GAMBLING JACK 1.05

1 99. MOURNFUL SERENADe/gEORG I A SWING 1.05

200. NEW ORLEANS JOYs/pERFECT RAG .75

201 . CANNON BALL BLUEs/GRANDPAS SPELLS 1.05

202. JELLY ROLL BLUES/BIG FAT HAM .75

203. tom cat blues/bucktown STOMP .75

2 04. GRAND PAS SPELLS/KANSAS CITY STOMPS .75
205. STEAMBOAT STOMp/swOKEHOUSE BLUES 1.05

206. shreveport/stratford hunch .75

howard mcghee sextet

207. up in dodo's room/high wind in hlywd .50

208. dorothy/night mist .35
209.oilated pupils/midnight at mintons .35

jlm.my mcpartland's d i x i eland jazz band
210. in a ml st/royalgarden blues 75u

21 1 . davenport blues/use your imagination .50

NEW ORLEANS RHYTHM KINGS

212. GOLDEN LEAF STRUT/SHES CRYING FOR ME .65

213. THATS A PLENTY 1.05

214. M I LENBERG JOYs/sH I MMESHAWABBLE .65

ALBERT NICHOLAS and his Creole Serenaders

215.SALEE DAME/MO PAS LEMME

216. LES OGNONs/cREOLE BLE .50

KINS OLIVER

217. FRISCO TRAIN/WORK OX BLUES .75

218. MABEL'S DREAM/SWEET BABY DOLL 1.05

219. KROOKED BLUES/ALLIQATOR HOP 1.05

ORISINAL DIXIELAND JASS BAND/0 D 5

(fine white sea oilcans contrasting the

SAME TUNES AS RECORDED 20 YEARS APART BY
THIS FAMOUS EARLY JAZZ BAND )

220. CLAR I NET MARMALADE 1—2 .75
221. SKELETON JANGLE 1-2 .75
222. TIGER RAG 1-2 .75
223. ORIGINAL DIXIELAND ONE STEP 1-2 .75

THE OBiaiNtL 2ENJTH BRASS BAND

224. shake it 4 break it/fidgety feet 1.05

Hot Lips Page

225. double trouble/got what it takes .35

Roy Palmer

226. Georgia Swing/sTomP that thins .65

227. jockey stomp/enourance stomp .65

228. nancy jane/dirty dozens cousins .65

Tony Parenti's Ragtimers

229. grace 4 Beauty/praline .50

Charlie Parker

230. RELAX I N AT CAmAr I LLO/STUPENDOUS .50

The Ragpickers

231. cataract rag/the entertainers rag .50

232. nonsense rag/redhead rag .50

233. the lily rag/crawfish crawl .50

ragtime piano rolls

234. Pallet on flr(james PJ/18 St(fats) 1.05

Lucky Roberts

235. MUSIC box raq pts 142 .50

K ID RENA'S DELTA JAZZ BAND

236. GET IT RIGHT/WEARY BLUES

237. clarinet marmalade/mi LNEBERG JOYS

Jabbq Smith

238. READY H6kuM/H0T BUTTER

Joe and Trixie Smith

239. Do IN' THE UhARLESTON/LUV ME LIKE

BESSIE SMITH

240. GOLDEN RULE/LONESMIE DESERT
241 • hustl i n dan/blk MOUNTAIN BLUES
242. ST LOUIS BLUES PTS 344

SOUTHERN JAZZ GROUP

243. CANAL ST BLUES/TIGER RAG

MUGGSY SPAN I ER

244. MY GAL SAL/DIP YOUR BRUSH IN SUNSHINE. 50

85
85

1.05

.50

.50
.50
.50

.50

.50
.50
.50

.65
.65

245. alabama jubilee/caution blues .50

rex stewart

246. rexati ous/lazy mans shuffle .75

247. b0y meets horn/buzz bomb .35

The <ll Star'Stobpehs

248.1 nver knews/can't we be friends .50

249. SWING IN DOWN THE WANe/sh I MMESHAWABBLE .50

250. TISHOMINGO BLS/ECCENTRIC

251. BIG BUTTER 4 EGG MAn/bABY WONT U PSE

252. hotter than that/sen6at i on

Ralph Sutton

253. CAROLINA IN THE MRNg/wH I TEWASH MAN

254. DILL PICKLES/6T LOUIS BLUES

TAMPA RED HOKUM JASS BAND (fABULOUSI)

255. MY DADDY ROCKS ME/ BOOT IT BOY 1.05

JASPER TAYLORS STATE STREET BOYS

256. I T MUST BE THE BLUES/STOMP TIME BLS

MONTANA TAYLOR

257. ROTTEN BREAK BLS/MONT ANA BLS

258. LOW DOWN BUGLE/l CANT SLEEP
259. IN THE BOTTOM/INDIANA AVE STOMP
260.6WEET SUE JUST YOU/ FO DAY BLUES

JACK TEAGARDEN
261. I'M ONE OF GOD'S CH I LLUn/tHATS Kl NDA

LENNIE TRISTANO TRIO

262. I SURRENDER DEAR/BLUE BOY

TROMBONE RED AND HIS BLUE SIX
263 .GREASY PLATE STP/B FLAT BLUES

BESSIE TUCKER

.75

.50
.50
.50
.50

.65

.35

T.05

264. PEN I TENT I ARY/BESS I ES MOAN .50

SARA VAUGHAN

265. THE LORD'S PRAYER/MOTHERLESS CHILD .50

266. GHOST OF A CHANCE/l CAN MAKE U LUV ME.50

FATS WALLER

267. |(M GONNA SIT RIGHT DOWn/yOU BEEN 1.05

268. N0T THERE RIGHT THERE .65

DICK WELLSTOOD
(four fine soloes by this great young pianist
that have never been issued)

269. prize cakewalk of the storyvi lle sweei.s,

if you knew(this master partially def.)1.25

270. Chicago brkdown/lewd waters(oef. master)1.25

ethel waters ( james p johnson acc )
271 .my handy man/do what u did last night ".50
LU BATTERS VERBA BUENA JAZZ BAND

272.SKIO DAT DE DAT/ EMPEROR NORTON'S HUNCH .65
273. SHAKE THAT THING/ROYAL GARDEN BLUES .65
JOSH WHITE

274. EVIL HEARTED MAN/HOUSE OF THE RISING SUN.50

BOB Wl LBER

275. trouble in mind/when u wore a tulip .50
276. old fashioned love/chimes blues .50
277. l i m eh 0 use blues/zig zag .50
278. coal black shine/sweet georgia brown .50

CootieWilliams

279. downtown uproar/blue rever ie
279a.top 4 Bottom/toasted pickle

280. GAL-AVANT In/mOBILE BLUES

sunny bov williamson

281 . elevator woman/ sunny boy blues

Teddy Wilson

2 82. honey suckle rose/a i nt misbehavi n
283 • soueth i ng i d reamed/she i k of ara3y

284. bugle call rag/memories of you

285. runnin wild/l cant get started

286. stompin at savoy/blues too
(above with clayton 4 webster }

JIMMY YANCEY

287. THE FIVES/SOUTH SIDE SHUFFLE

LESTER YOUNG

288. LET ME SEE/EVENING (WITH BASIE)
289. SUNNY SIDE OF THE STREET/cH I NA BOY

1.05

1.05
.85

.50

.50
.50
.50
.50
.50

.85

.50
.85

A GROUP OF 78 RPM ALBUMS AT FABULOUSLY LOW
PRICE5!

290. amos n andy- 8 great sides( insurance,

politics, etc, etc) 1.25

291 . jack benny— 8 sides with mary, mel
blanc, Rochester, etc. 1.25

292. edgar bergen 4 chas. mccarthy- 8 sides
with ray noble, etc. 1.25

293. burns 4 allen- 8 sides with matty malneck
and others 1.25

2 94. edo ie cantor- 8 sides with von zell etc 1.25

2 95. ed " arch y" gardner- 8 sides with raft,
deems taylor, malneck, etc 1.25

296. WILLIE HOWARD(gREAT COMEDY ALBUM)— FRENCH
LESSONS, MOSCOW ART, TYRONE SHAPIRO.

6 GREAT S I DES ( WERE $4.00 GALA RECDS) 1.75

297. FIBBER MCGEE AND MOLLY— 8 SIDES WITH
BACKUS, WILCOX, ETC 1.25

298. MUSEUM OF JAZZ ALBUM— 8 TUNES FEATURING
HACKETT, ROLL INI, DAM I CO, ETC 1.95

299. RAGTIME FAVORITES- 8 GREAT RAGS BY

JACK FINA

1.95

GREAT NEW JAZZ RELEASES ON "RIVERSIDE" LPS

3*

RLP1 001
RLP1 002
RLP1003
RLP1004
RIPI005
RLP1006
RLP1 007
RLP1008
RLP1009
RLP1 010
RLP1011
RLPlCrf2
RLP1013
RLP1014
RLP1015
RLP1016
RLP1017
RLP1018
RLP1019

RLP1 020

RLP1021
RLP1022
RLP1023
RLP1024
RLP1 025
RLP1026
RLP1 027
RLP1 028
RLP1029
RLP1 030
RLP1031
R LP1 032
RLP1033
RLP1034
RLP1035
RLP1036
RLP1037
RLP2501
RLP2502

RLP2503

LOUIS ARM6TR0NG PLAYS THE BLUES

JOHNNY DODDS VOLUME 1 3

MA RAINEY VOLUME 1 3

•THE CHICAGOANS, MUGGSY, TESCH ETC 3

.NEW ORLEANS HORNS 3

.RAGTIME PIANO ROLL 3

KING OLIVER PLAYS THE BLUES 3

JAZZ OF THE ROARING TWENTIES 3

.PIONEERS OF BOOGIE WOOGIE 3

REDISCOVERED FATS WALLER SOLOS 3

•JAMES P JOHNSON EARLY HARLEM PNO 3

•ART HODES CHICAGO RHYTHM KINGS 3

THE FABULOUS TROMBONE, IKE RSDGERS 3

.FOLK BLUES, BLIND LEMON JEFFERSON 3

JOHNNY DODDS VOLUME 2 3

MA RAINEY VOLUME 2 3

COLLECTORS ITEMS VOLUME 1 3

REDISCOVERED JELLY ROLL SOLOS 3

IDA COX SINGS MEAN 4 MOANI N* BLS 3
ROY PALMER 4 THE STATE ST RAMBLE RS 3

•^ATS WALLER AT THE ORGAN 3

JIVIN' WITH FATS 3

BIX BEIDERBECKE 4 THE WOLVERINES 3

.GEORGE BRUNIS WITH N. O.R.KINGS 3

RAGTIME PIANO ROLL 3

TOMMY LADNIER VOLUME 1 3

JELLY ROLL MORTONS KINGS OF JAZZ 3

.JIMMY YANCEY, A LOST RECORD DATE 3

ARMSTRONG WITH KING OLIVER CR J B 3

WINGY MANNONE'S DIXIELAND JAZZ 3

JIMMY BLYTHE SOUTH SIDE BLS PIANO 3

THE GREAT BLUES SINGERS 3

CLARENCE WILLIAMS AND HIS ORCH 3

•PIONEERS OF BOOGIE WOOGIE VOL 2 3

•MUGGSY SPANIER'S BUCKTOWN FIVE 3

• JIMMY BLYTHE ' S STATE ST RMBLRS 3

CRIPPLE CLARENCE LOFTON 3

BOB WILBER'S WILDCATS 3
.CARL HALEN WITH GENE MAYL'S

DIXIELAND RHYTHM KINGS 4 WSHBD 5 3.95
NEW ORLEANS ENCORE- BOB HODES '

RED ONION JAZZ BAND 3.95

95
.95

.95
95
95
95
,95
.95
.95
.95
95
95
95
95
95
95
95
.95
.95
.95
95
95
95
95
.95
95
95
95
95
95
.95
.95
.95
95
95
.95
95
95

GREAT NEW JAZZ RELEASES ON RIVERSIDE LPs

RLP2504.QENE MAYL'S DIXIELAND RHYTHM KING63.95
RLP8001.I LOVE NEW YORK— PAT NORTHROP 3.95
RLP8002. POLKA DOTS AND MOONBEAMS, PIANO

SOLOES BY TONY BURRELLO 3.95
RLP4001 .AFRICAN COAST RHYTHMS- 12" 5.95
RLP4002. VOICE OF THE CONGO- 12" 5.95
RLP4003.NEW SONGS OF THE AFRICAN COAST 12"5.95

GREAT VICTOR JAZZ REISSUES ON "X" LPs

LX3000. J I Ml'Y YANCEY IBLUES AND BOOGIE
LX3001.REX STEWART AND HIS ORCHESTRA
LX3002JIMMIE LUNCEFORD'S CHICKASAW SYNCOS
LX3003.8EN POLLACK FEATURING B GOODMAN
LX 3 004. BENNY MOTEN'S K C JAZZ VOL. 1
LX3005. EDDIE CONDON'S HOT SHOTS
LX3006. JOHNNY DODDS? WASHBOARD BAND
LX3007.ORIGI NAL DIXIELAND JASS BAND
LX3008. JELLY ROLL MORTON'S RED HOT PPRS
LX3009

Backgrounds of jazz vol i(jug bnds )3

85
85
85
85
85
85
85
85
85
85

POPULAR JAZZ RELEASES ON ATLANTIC LPS

130. JIMMY AND MA YANCEY SPECIAL 3.95

139. DIXIELAND AT JAZZ LTB : MlFF MoLE 3.95
134. JIMMY YANCEY PIANO SOLOS 3.95
126 • PEEWEE RUSSELL 4 RHYTHMASTERS 3.95
141. NEW ORLEANS JAZZ BY WILBUR DEPARIS 3.95

140. Dl XI ELAND AT JAZZ LTD : BECH ET-6PAN I ER 3.95

FINE JAZZ LPs ISSUED BY GOOD TIME JAZZ

3. RAGTIME CLASSICS BY WALLY ROSE

4. TURK MURPHY'S JAZZ BAND VOL. 1

5. TURK MURPHY'S JAZZ BAND VOL. 2

7. TURK MURPHY'S JAZZ BAND VOL. 3

8. LU WATTERS' YERBA BUENA JAZZ BAND VOL.1

9. BOB SCOBEY'S FRISCO BAND VOL. 1

10. KID ORY'S CREOLE JAZZ BAND 1944/45V0L1

11. KID ORY'S CREOLE JAZZ BAND 1944/5 VOL2
13.THE FABULOUS PAUL LINGLE

17. BUNK JOHNSON 4 YERBA BUENA JAZZ BAND

1 8 . TURK MURPHY'S JAZZ BAND VOL. 4

19. BURT BALES AFTER HOURS

21. KID ORY'S CREOLE JAZZ BANO 1953

INTERESTING NEW RELEASE ON PERIOD LP

1010.DJANGO RE I NHARDT MEMORIAL VOL 1 10"

GREAT JAZZ MATERIAL ISSUED ON DIAL LPS

214.DJANG0 R E I NHARDT VOL. 1

3.00

3.00
3.00
3.00
3.00
3.00
3.00
3.00
3.00
3.00
3.00
3.00
3.00

4.00

218.django re i nhardt vol. 2

301. sidney bechet vol. 1

302. sidney bechet vol.2

304. Roy Eldrioge

303. EARL HINES (bIGARd) VOL.

305. WILLIE THE LION SMITH

306. EARL HINES VOL. 2

4.00
4.00
4.00
4.00
4.00
4.00
4.00
4.00

FINE CLASSIC CONTEMPORARY JAZZ ON

503. WILBUR DEPARIS NEW N.O.JAZZ

'A440"

LP

3.00

OUTSTANDING JAZZ RELEASED ON STINSON LPS

30 • SPAN I ER— RUSSEL RAGTIMERS VOL. 1 3.00

31 .SPANI ER-RUSSEL RAGTIMERS VOL. 2 3.00

46. SIDNEY BECHET CONCERT 3.00

24. MBRT LOU WILLIAMS 3.00

25. MEADE LUX LEWIS 3.00
40. ART TATUM 3.00

BLUE NOTE LPS BY FAMOUS JAZZ ARTISTS

BLP7020. FABULOUS SIDNEY BECHET HOT SIX 3.95

BLP7021 .ART HODES BACK ROOM BOYS 3.95

BLP7022. SIDNEY BECHET HARLEM SIX 3.95

BLP7Q28.S1EZZ BEZZROB AND LEE COLLINS 3.95

BLP7024. SIDNEY BECHET FESTIVAL CONCT VOL1 3.95

BLP7025.SID BECHET JAZZ FESTIVAL CNCT VL2 3.95

8LP7026. DIXIE BY BECHET WITH JONAH JONES 3.95

REMARKABLX PIANO LPS ON "WINDIN BALL"
101 .DON EWELL PIANO SOLOS

3.95

102. DON EWELL PLAYS KING OLIVER TUNES ( PNO )5. 95

(above RECORD 12 inch)
AUDIOPH I LE

The most fabulously recorded sound ever put

onto records. all good jazz. play only at

78 r.p.m. u6ing microgroove needle. 12" rcds.

ap1 .harry blons dixieland jazz vol 1 5.95

ap6. harry blons dixieland jazz vol 2 5.95

ap7.red nichols vol 1 5.95

aps.red nichols vol 2 5.95

ap1 o.harry blons easy listening 5.95

ap11.doc evans vol 1 5.95

HI-FI JAZZ ON VANGUARD LPS

VRS8001.VICK DICKENSON SEPTET VOL 1 4. 00

VRS8002.VIC DICKENSON SEPTET VOL 2 4.00

VRSS003.SIR CHARLES T HOMPSON SEXTET 4.00

VRS8004.MEL POWELL SEPTET 4.00

GREAT JAZZ RELEASES ON RIVERSIDE EPs(45rpm)

REP101.LOUIS ARMSTRONG PLAYS THE BLUES 1.58

REP1 02. JOHNNY DOODS WITH DOMINIQUE 1.58

REP1 03.THE CHICAGOANS WITH MUGGSY, TESCH 1.58

REP1 04. RAG T I ME PIANO ROLL 1.58

REP1 05 .RED I SCOVERED FATS WALLER SOLOS 1.58

REP1 06.YANK LAWSON'S DIXIELAND JAZZ 1.58

46

AUCTION

AUCTION

THE RECORD CHANGER

BOX C, 418 WEST 49TH STREET NYC |9 NY

BEGINNING IN THIS ISSUE WE ARE STARTING TO BREAK UP AND OFFER AT AUCTION THE GREATEST COLLECTION OF B ING CROSBY RECORD I A I* EVER ASSEMBLED. THIS COL-
LECTION FORMERLY BELONGED TO ROBERT WEIL AND CONTAINS OVER 3,200 ITEMS FEATURING BING. IN DOZENS OF RADIO SHOWS, ETC., THESE ARE THE ONILY COPIES IN
EXISTENCE AND WE HONESTLY BELIEVE THERE WILL NEVER BE ANOTHER OPPORTUNITY TO OBTAIN MANY OF THESE ITEMS. THE RECORDINGS ARE MOSTLY UNAVAILABLE TODAY
AND THE TESTS AND FOREIGN RELEASES INCLUDE HUNDREDS OF UNKNOWN, UNISSUED AND ALTERNATE MASTERS ; THERE ARE FILM SOUND TRACK RECORDINGS, BLOWUPS, PRI-
VATE ADVERTISING BLURBS, ETC. EACH RECORD IS ENCASED IN HANDSOME, CUSTOM-MADE, EXTRA HEAVY DUTY BROWN OR BLUE LEATHERETTE SLEEVES, INCLUDING THE
|2" AND 16" TRANSCRIPTIONS.

ALL RECORDS ARE 78 RPM EXCEPTING WHERE OTHERWISE SPECIFIED. WHEREVER THERE IS A MASTER NUMBER IT W ILL BE LISTED IMMEDIATELY FOLLOWING THE TITLE.
CHECK YOUR RECORDS AGAINST THESE NUMBERS AS IN HUNDREDS OF CASES ALTERNATE, 2nd. 4 PREVIOUSLY UNKNOWN ALTERNATE MASTERS ARE HEREIN AVAILABLE. ESPECI-
ALLY CHECK MASTERS ON TESTS.

WE ARE STILL OPEN TO ANY REASONABLE OFFER FOR THE COLLECTION BUT FAILING TO RECEIVE ANY ACCEPTABLE BIDS BY THE TIME THIS AUCTION IS CLOSED, WE SHALL
ACCEPT WINNING BIDS ON THE INDIVIDUAL RECORDS REPSBSENTING ONE OF THE MOST REMARKABLE COLLECTIONS EVER ASSEMBLED. THE RECORDS ARE ALL IN N- CONDITION
OR BETTER UNLESS OTHERWISE NOTED. MINIMUM BIO IS Jl.00 PER RECORD UNLESS OTHERWISE NOTED. PLEASE BID BY NUMBER TO LEFT OF COLUMN . WINNERS NOTIFIED
TO SEND AMOUNT OF WINNING BIDS PLUS 35c FOR PACKING. ON RECEIPT OF REMITTANCE RECORDS WILL BE SKIPPED VIA RRX CHARGES COLLECT. 10" UNLESS OTHERWISE
NOTED. CROSBY IS ON ALL ITEMS IN ADDITION TO OTHER FEATURE NAMES ON SHOW SIOES.

1. SUMMERTIME ( D3MC I 50— I A— VP90 ) WITH VD TEST 1 2*
ELLA M.MORSE . 0 INAH SHORE. VINYL.

2 . MY HRT 4 I /TOO ROMA NT IC ( VP I 306D5TC-,

270 I A ) VINYL. VD TEST |2"

3 .SMALL FRY (vpi675 D5 TCI503 ib) VD TEST 1 2"

WITH JOHNNY MERCER. VINYL

4. WITH EVERY BREATH I TAKE/LOVE JUST
AROUND CORNER PARAMOUNT EXPLCITN.

DISC W. KITTY CARLISLE PARAMOUNT

5. M0THER WORE TIGHTS. SING w. PERS0N-

AL WORD . HLV . ! SAML 6 33 RPM. VINYL. 20TH . — Ex PL .

6. WAIKIKI WEODING. EXPLTN. , W.MARTHA PARA. 1 2"
R AYE , BOB BURNS, SHI R .ROSS. IHULA HVN . ,

SW.LEI LAN I , BL.HAWA I I ,SWT. I S WORD .
ALUMINUM BASE TRANS. 33 RPM.

7. R0A0 TO ZANZIBAR. W. HOPE 4 LAMOUR

ALUM I N .BASE TRANSCR.:U LKY PEOPLE, EXPLTN.

RD. Z ' BAR, ALW.U; 33 RPM PARA |2"

8. BURL IVES PROGRAM. WITH BURL IVES I 2" TRANS.
RED RIVER VALLEY, i GREEN BOTTLES .

ALUMN .BASE 33 RPM

9. BOB HOPE SHOW PT.l/2. WITH HOPE, COL-I 2"TRANS .
ONNA, V. VAGUE, FRAN. LANG FORD , ST AN KEN-
TON ORK.rNO LOVE, WILL I EVER FIND

GIRL. ALMN . BASE 33 RPM
lO/BOB HOPE SHOW PT.3/4; SAME CAST. 1 2" TRANS.

MY HRT TELLS ME, DIALOG. JJ RPM
I I. JIMMY VALENTJ NE . A BLOWUP OF DE TRANSCR.

2700A/f 6L6WUP OF OE 2948: WRAP

YR. TROUBLES IN UK MS .ALUMN • BASE

TRANSCR. OF UNRELEASED TAKES.
I2.R0AD TO HOLLYWOOD-REEL 2/rEEL 3

ELEC. TRANS. OF SOUND TRACK OF

MACK SENNETT SHORTS-OREAM HOUSE,

JUST I MORE CH.,1 SURR . DEAR, OUT

OF NOWHERE, AT YR . COMMAND. ALUMN.

BASE. RARE BING. 33 RPM
I 3. COMMA NO PERFORMANCE, W. F.SINATRA,

|2" TRANS.

|2" TRANS.

I 6" OR I GNU.
|2" TRANS.

|2" TRANS.

DINAH SHORE;BL.IN NITE, SPEAK LOW.CAND

LEL1GHT 4 Wl NE. ALMN. BASE 33 RPM
|4. SISTER KENNEY FOUNDA T I 0N=w. J .DOR-

SEY ORK., PATRICE MUNSEL , OLE PARKER .

PART l/pART 7. ALONG NAVAJO TR.,

SYMPHONY. 12/5/45. ALUM. BASE I
I 5 . KRA FT MUSIC HALL, w. :POINCIANA;

W'FUL ONE j PA PER DOLL ;/wH . BL .N I T E !

CUDDLE UP; IF U PLEASE. 33 RPM

16. HIGH UP, LOW OOWN, W.BEBE DANIELS,
OTHS.FROM SOUND TRACK FILM, REACH-
ING FOR MOON (|930).33 RPM. ALUM.

17. KRAFT MUSIC HALL 5/27/37. PT. l/2
K .CARPENTER , Z.PITTS, BOB BURNS, GAIL
PATRI CK,R .GANZ 4 J.DORSEV ORKS.
SKETCH 4 SONGS. HOW COULD U,ETC.
ALUM. BASE. 33 RPM

I 8 . KRAFT MUSIC HALL 5/27/37, PT . 3/4

SAME CAST AS l/;TIME ON MY HQS .

ETC. ALUM B., 33 R PM ; SKETCH
I P. KRAFT MUSIC HALL 5/27/37 , PT . 5/ 6

SAME CAST AS I /."LITTLE BUCKAROO,

GANZ PNO SOLO JALUM.B . , 33 RPM |2" TRANS.

20. KRAFT MUSIC HA LL, 5/27/37, PT . 7/8 I 2" TRANS.
SAME CASTJWHERE ARE UJGANZ PNO .

SOLO; ALUM. 33 RPM

21 . KRAFT MUSIC HA LL . 9/30/43. PT. I /2
CHAR I OTEERS, K. CARPENTER, PHI L SIL-
VERS, EUKI E :V I CTORY PO LKA , PO I NC I -

ANA, WAY U LOOK TONITE.33 RPM, A..UM . I 2" TRANS.

22. KRAFT MUSIC HA LL, 9/30/43 . PT ■ 3/4
sAme1 CAST pAr6dY;Vi cToftV PoLKA.if

U PLEASE. 33 RPM, ALUM. B. I 2" TRANS.

23 . KRAFT MUSIC HA LL, 4/4/46, PT . I /3 1 2" TRANS.
CHAR I OTEERS,K .CARPENTER, EDDY DUCHIN

FRANK MORG AN.GA.GI pBS ;U ARE TOO
B'FULJSIOUX CITY SUE, ETC. 33 RPM
ALUM BASE.

24. KRAFT MUSIC HALL, 4/4/46, PT .2/4 1 2" TRANS.
SAME CAST : ALL THRU DAY, WELCOME

TO MY DRMS J 33 RPM., ALUM. BASE

25. B0B HOPE SHOW, I O/l / 46— PT . I /2 1 2" TRANS.
HOPE, COLONNA, VERA VAGUE, CAROL RI-
CHARDS, DESI ARNAZ 4 ORK. DIALOG;

I OONT KNOW WHY;33 RPM. ALUM.

26 . BOB HOPE SHOW, PT ■ 3/4-1 O/1/46
SAME CAST AS TO EACH HIS OWN;

33 RPM ALUM. BASE 1 2" TRANS.

27. PHILC0 PROGRAM 1 2/4/46, PT. I /2
J. DURANTE, ski T5H HLNUERsON, K .

CARPENTER, CHARI OTEERS. 33, ALUM. I 2" TRANS.

28 . PHILCU PROGRAM, I 2/4/46-P T . 3/4
SAME CAST AS ^/JRUMORS R FLYG \
BL • SK I ES ; WELL DRESSED MAN ; BING4

DURANTE DUET; 33, ALUM B. I 2" TRANS.

29. PHILC0 PROGRAM, 4/30/47— PT . I /2 |2" TRANS .
G R OUC h6 mAWX,UUw". SHAY, BOB MURPHY

MARIA FR.ALBUQ ;GUI LTY ;33, ALUM B.

30. PHILC0 PROGRAM. 4/30/47-PT.3/4 1 2" TRANS.
SAME CAST AS 29 1 F I GHT I N1 , FEUD I N ' J

Bl NG-MARX ;CL0SE MY EYES; 33, ALUM.

31. *WE HAVE ANOTHER BOND TO BUY" ' FRO— CoAu S-I79I
CESS ' RECORDING LABEL, SPEC. AUSTRA-
LIAN GOVT. PRESSING, UNRELEASED .

ONE SIDE ONLY. CO. TRADEMARK REV.
PRESSED BY COAu; VERY RARE

32. KRAFT MUSIC HALL. UNLABELED ACETATE; 10" TRANS .
W. C .caVallaro, CHARI OTEERS : candy;

BL. OF NITE; THIS HRT OF MINE

33. ROBINS 4 SOSES ■ UNLABELED CHERRY VINYlOe TEST
PRESSG-TAKEOFF OF SONG. NOT A DUB.

NOT released(dla-326A-ob )/(labeled )
galway bay(dla 4583 t2a) VERY rare!

34. WHY 00 I LIKE YOU. AUTOGRAPHED BY OE SPECIAL
BING. SPEC. WHITE LABEL PRESSING

LIMITED TO 1000 COPIES, BENEFIT ST.

JOHN'S HOSP. PRIVATE ISSUE. (wl3746t6a)

35. AT YOUR COMMAND/LAMPLIGHTER SERENADE DE 4249
SPEC. CHERRY VINYL PRESSG, DE.I SIDE, ( LA |05|b)4
BR. OTHER. DE 4249/bR 80058. RARE. DLA 2846A

36. CHESTERFIELD SHOW, l/4/50-PT. I 16" TRANS.
AL JOLSON 4 BING DUETS; DEAR HEARTS 4;

BYE BYE BABY;|S IT TRUE WH.THEY SAY;
ALUM. BASE

37 . CHESTERF I ELD SHOW, I / 4/50— PART 2/ 16" TRANS.
AL J OLSON 4 BING DUETS: CAROLINA IN

morng ;bl.hvn;ala. BOUND ;ONE I love;

ALL BY MYSELF, ETC. ALUM. BASE

38. BING 4 INGRIO BERGMAN-PART 1,2 SIDES. 16" TRANS.
16 SPOT EXCERPTS FROM FILM BELLS OF

ST. MARY'S. VINYL.; SONGS, PATTER. 33.

39 . CROSBY TREASURY OEPT. VICTORY LOAN. 16" VINYL
"SING FOR VICTORY" ATCHESON, TOP.; PRESS.
BELLS ST. M;BONOS FOR V I C TORY . V I NYL-33

4Q.BING'S 1ST. TV SHOT.PHILCO SHOW.

SILENT 'J.TE./BING 4 LOUELLA PARSONS

INTERVIEW. 33 ALUM. BAS^ ( I 2/ 1 9/ 48 ) I 6" TRANS.

4| .KING OF JAZZ-REEL I .ACTUAL CO. LAMINATED
16" PRESC; NG . : MUSI C HAS CHARMS— B I NG ;
MEET THE U l.NDJMOSQU I TO PARADE-VENU T I 4
LANG W. BING 4 RH I . BOYS ;HOT LIPS-BUSSE;
PINGATORE, LANG 4 VENUT I SOLOS; CAPRICE
7IE.MNOI 3 ; TAMBOUR I NE CH I NO I S ;NOLA ; L I NGER
AWHI LE-PINGATORE. THIS IS THE FAMOUS PIC-
TURE. BING'S FIRST, WHEN SOUND-ON-OI 3C
WAS USED IN CONNECTION WITH FILM, BEFOhc
TRACK ON FILM WAS USED EXCLUSIVELY. A
FANTASTIC RARITY, NOT ONLY FOR BING, BUT
FOR THE OTHER WHITEMAN JAZZ GREATS .( I 930 )

42.VI0CE OFTHE ARMY PRESENTS BING CROSBY. ( 16"
disk jockey . he introduces 4 plays hi s( trans,
records of: now is hour, pennies from
heaven;swingin' on a star; going my way.
vinyl. 5/11/48. 33 rpm .

43 .31 NG 4 INGRI3 BERGMAN. NBC-RKO RADIO ( I 5"

EXPLOITATION RECORD: BELLS OF ST. MARY'S, (viNYL
AREN'T U GLAD YR • U ; AOESTE F I DELES /( PRESS I NG
PT. 2 :SAME— AREN ' T U GLAD, OTHS. 33 RPU .

44. D0ROTHY KILGALLEN: SHE INTERVIEWS 16* TRANS.
ALEC TEMPLETON, JANE FROMAN :EMBRCBLt u/

HEDDA HOPPER INTERVIEWS BING, MICKEY
RCONEY, LEW AYRES . 33 RPM ALUM. BASE

45. U.S. MARINE CORPS NPC RADIO RECORD I N3( I 6"
PTS . 1/2 :8 ING, B.3. ; A.SHAW, W.HERMAN ;( VI NYL

BING 4 ANDREWS SIS;/sTAN KENTON, G .Ml LLER ,( PRESS .
P. LEE, K.COLE TRIO, IN MOOD, U CALL IT MAD-
NESS, FRENES I , ETC . 33 XPIf.

46. SING CROSBY SHOW, I I /l 0/48 PART I. 16" TRANS,
LEV IN f , P.uEE-VENUTI , Z . ELMAN, B I NG •
Wl LDFLOWER— LE .'ANT 4 BINGJLOOK FOR SILVER
LIMIM3, SA..1E TWO JLEVANT PLAYS 4 SINGS;
THING CALLED LOVE— P .LEE ;MANDY— B I NG ■
|6", 33 PPM., ALUM. BASE.

47. Bl NG CROSBY SHOW, I l/l 0/48— PART 2. I 6" TRANS.

Like u; levant
u r too b'ful,

I GOT RHY,

PEGGY LEE 4 B I NG -EX .
ACC . BING; BING SINGS
MY YOL'Ti; ;'_ADY dLAY MANDOLIN
W.N I CHOLS, VENUT I , LEE , B I NG , BOTK I N
CANT TAKE THAT A^Y-BING 4 PEGGY.
33 RPM, ALUM. BASE.

48. RCA 16" lO-MIN PUBLICITY RECORD FDR 1 6" VINYL
GREAT JOHM L. : REAL INFORMAL CLAMBAKE . PRESSING.
Bl NG-HOPE-S I NATRA— LANG FORD— L I NDA DAR-
NELL . BING SINGS FR. OF YRS, PERF. GENT.,

WH. U WERE SW. 16 (WITH HOPC). I SIDE.

49. PARAMOUNT TEST PRESSING (victor). (16" VINYL
RHYTHM ON RANGE-PREVIEW. BING-FRANCES ( PRESSING.
FARMER, MARTHA RAYE,808 BURNS: EMPTY SADDLES,

CANT ESCAPE, BING 4 MARTHA :OLD COWHAND,
LOUIS PRIMA. 33 RPM, I SIDE (|937)

50. PARA MOUNT RADIO RECORD I NG :BLUE SKIES (film)
ASTAIRE 4 BING^PUTTIN' ON RITZ; SEE U IN
CUB A J LI TTLE THINGS IN L I FE ; NOT FOR ALL RICE;

BR 6 I 45
BR 6 1 45

BR 6200
BR 6276

U KEEP COMING BACK. 33 RPM, 1 6" VINYL PR.

5 I . JUST AN ECHO J N VALLEY. BR. TEST.

AUTOGRAPHED 3Y BING. (B-I2530A)

52. NATIONAL SAFETY COUNC I L . BING SINGS:
MAM' SELLE— PEG O'MY HRT JWONDER WHO'S

KISSING her;that's MY desire;being IN
love;just an old love. 33 rpm. cherry
vi nyl press i ng .

53. try little tenoehness. test pressing,
autographed by bing. b 12857. 8r 6480

54. at your command. 20. master. la i 05l a
/many happy returns la i 042 b

55. AT YR . COMMAND ( LA I 05 1 B)/mANY
HAPPY RET . ^LA I 042B )

56. NOW TH.U 30NE/(3728l A )/FAOED

summer love(37282a)

57. SHADOWS ON Wl N00*(b| |4| 7B )/

SH I NE [ B I I 376 J
58. WALTZING IN A DREAm(jC 8593A6 )/bR 6394

same (sf ii-aa6j. two oifferent

versions of same song.
39. within yr .powerfbi 270^/st. of br 6464

dreams (bi2706a
60. last rounoup(la20a J/home on rge(la22a)br 6663

6l .OUR BIG LOVE SC ENE f LA70A )/wE ' RE A BR 6696

COUPLE OF SOLDI ERS(Bl250l A)

62. AT YR .C0MMAN0(LA I 05 1 B )/MAMY HAPPY
RETURNS ( LA I 042AB )

63. THRU WITH LOVE(MILL } BABY
64. STAY ON RITE S I DE j 81 3 1 50A J/sOME-

ONE STOLE G. HORN f 8 I 3 1 49A )
65.AMOR(l33|7a)/i 'LL BE SEEING U

(L33I3AA)
66. IRISH LULLABY (WL3895T5A )/LET ME

LOVE U TONI Te(dla25| 88 )

67 . ACCT . POST Ve/ FEL . IN P'KPSIE
l3685a/l3684aa

68. TAKE U HOME KATH. ( L3898A )/bELLS
OF ST. MARY'S' (l3962Aa)

69. USANG MY LOVE SONG (w73256b)?
SIOUX CITY SUE (w73255a)

70. where my caravan has rested(with
heifitz )(l4228a )/lullaby(l4227a )

71. FEL. W. UMBRELLA ( WL4796B )/lOVE TO
LIVE IN LOVELAND (wL4733b)

72. HOW LONG WILL IT LAST/sT 1RL I GHT

73. WHITEMAN ORK. w. BING (8 1 X ?)rED , RED
ROSE ( 1 47534 — 6 )makin'WHPe(i 47540—7 j

74. HOME ON RANGE<La22)/lET'S SPEND EVE-
NING AT HOME (la90) COAU 1 087

75.SHA00W WALTz(b794)/G0T TO SING A

TORCH SCINO (B803) coAu 1 092

76. WE'LL MAKE HAY ( LA68 )/TEMPTN ( LA69 ) COAu |094
77. SHADOWS OF L0VE(LA|45)/LITTLE

DUTCH MILL (lA|44) OOAU 1 204

78. WITH WHITEMAN'S RHYTHM BOYS: BENCH

IN park( 149840) COE 282

79. WITH WHITEMAN'S RHYTHM B0YS:LOUISE
(;'<'6428-2/so BB'S £ Blkbds(i47 888-6 ) CO E5457

80. DAY DREAM I NG (DLA2539A )/u'R MOMENT

of lifetime (dla25i7A) COIN 30093

81 . WITH MEL T0RME:PROVE it(l3966a)/

day by day [ lj966a ) coin 50022

82. no te importe saber (ola25i8b)/

SIGUIENDO Ml CAM I NO (l3456a)

83 . DEMAS I ADO ROMANT I C0(0LAI 907A )
/LA LUNA Y EL SAUCE(DLA I 90SA )

84. SYMPHONY (l3968a)/n0 AC I ERTC A

DEC I RTO (L3904A)
85. EMPTY SADDLES (DLA 436C )
86.1 HAVE SC LITTLE 2 G I VE (dla550A )

87. POCKETFUL OF DREAMS (0LA|293a)

88. FALLG. LOVE W. S'ONE [DLA I 625a )

89. HANG YR . HRT .HICK.LIMB(DLA|7I9b)

90. NEIGHBORS IN SKY (DLA I 793A )

9| .DEAR LITTLE BOY OF Ml NE(DLA2502A ) DE TEST
92. SLEIGH RIDE IN JULY (L3462B) DE TEST

93.SIBONEY (WL3735T3B) OE TEST

94 . HAST A MAM ANA (wl3737t3a) OE TEST

95. EARLY AMERICAN (l 3749BB ) DE TEST

96. ALONG NAVAJO TRAIL (l3876a) OE TEST

97. WH. BL. OF NIGHT (l3897a) DE TEST
98 -RARE SECOND MASTER: WITH J.OORSEY

ORK:GIVE ME SIMPLE L I FE ( L3937A )/ DE TEST

99. WH. IRISH EYES R SMI L I NG ( WL4| 68TT A ) DE TEST

100. THAT'S HOW MUCH I .L . Y . ( WL4337T4A ) DE TEST

101 . GEMS WHITE'S SCANDALS |93|-PT.|/Z
BING-BOSWELL SI S-F.MUNN-T .DORSEY

XE 37320A/BR. MASTERS DE TEST

I02.SEC0ND MASTER:WE' LL GATHER LILACS

(W7325IT3B) OE TEST

103. THIR0 MASTER:WE ' LL GATHER LILACS
(W7325I T2B ) DE TEST

104. F0URTH MASTER :WE ' LL GATHER LILACS
(W7325I B ) DE TEST

I 05 . WE'LL GATHER LILACS (W7325I A ) DE TEST

BR 80058

BRE 1 1 97

BRE |498

BRE 3533

BRE 3554

BRE 3569

BRE 3646

BrE 3938

BRE 3965
BRF 922 9

CO 1683

coSp 1 43 1 1

coSp 14370

COSP 14409
DE TEST
DE TEST
DE TEST
DE TEST
DE TEST
DE TEST

47

AUCTION

THE RECORD CHANGER

BOX C
41 8 WEST 49Tij STREET
NYC 19 NY

AUCTION

MINIMUM BID $1.0)

106. U MAY NOT LCVE ME <W73298a) OE TEST

107. U MAY NOT LOVE ME (w73298B) DE TEST
(above TWO PI FFERENT masters)

I 08 . WH I FFSMPOOF SONG (w73S40A|0) DE TEST

i 0«/li ttLI »rey ho se(wl5207tm A )/

STAY WE'LL (WL5206TI2A ). WHITE LABELDE24824
I 10. FRIENDLY I SL . ( WL5700A I I )/

III. FRIENDLY I SL ( WL5700A5-O I FF .

MASTER FROM f\ I O/oAME . WH . LAB .DE .

i i2.helpless(wl5239a5)/this could

BE FOREVER (wl5238a4)wh . LAB .
II3.LIFE IS SO PECULI AR( WL545 I T6A )/

HIGH ON LIST ( WL5452T6A Jwh . LAB .
I |4. HARBOR LITES (wL58 I 5T I A J/bEYONO

THE REEF(WL58l6TIA) WH . LAB.

I i 5. ALTERNATE MASTER :H ARBOR LITES

^58^46 )/BEYOND REEF— ALSO

ALT. master: wl58i 6t4a Jwh.lab.
I 16. SILVER BELLS (WL5832A I 2 )/tHAT
XMAS FEELI NG (WL582 I A I 0 IwH.LAB.

I 1 7 • autumn leaves(wl5826a5)/thi s
is the Ti me(wl5828a5)wh. lab.

I I 8 . JUS T AWEARY I N 1 4 u(DLA7BD)/l
LOVE U TRULY (0LA6b)

i i s. sweetheart waltz ( dla67 )/two

cigarettes in dark(dla66)
i 20 .swanee river ( 3la96a )/easy to

REMEMBER (0LA95n)
1 2 1 . SOON (DLA 93a)/dOWN BY THE

Rl VER (DLA 94b)
I22.SAME, FROM ALB. 22l
I23.FR0M TOP OF YR . HEAO ( 39852A )/

WISH I WERE ALADD In(39853a) BOTH

WITH OORSEY BROS. ORK .
|24. BOOTS 7 SA0DLES(DLA2b4B )/f>ED

SAILS IN SUNSET (0LA253a)
I25.MOONBURN (DLA 262b)/0N TREASURE

ISLAND (DLA 255a)
1 26 • TOUCH OF YR. LIPS (DLA308c)/

TWI LITE ON TRAIl(dLA307a)
I 27. A I NT NEC'LY SO

PLENTY NUTTIN'
I 28. PENNIES FR. HVN ( 0LA463A )/lET ' S

CALL A HEART (dla478A-c)
I29.S0 DO I (DLA462A-C l/l ,2, BUTTON

YR. SHOE (0LA479a-c)
I 30. ONE ROSE \ DLA 74 1 A )/sENT I MENTAL

4 MELANCHOLY ( DLA 745A )
|3|.WH.U ORM ABT HAWAII (DLA908B)/

SAIL ALG,SLV.MOON(DLA909B)
I 32 . LET'S WALTZ

(dla325a)/i got
(dla324b)

DE

27l 1 7

DE

271 17

DE

27143

DE

27173

DE

27219

272 1 9

OE

27229

DE

27231

DE

1 00

DE

245

DE

391

392

DE

392

547

DE

6l6

OE

6l7

757

806

947

948

DE

1 201

DE

I5l8

DE

1554

DE

2794

DE

1874

DE

i960

OE

2257

DE

2359

DE

2374

DE

2448

OE

2677

DE

2680

DE

2700

(dlai 07i b )/wh .ORGAN
pl.o promi se(olai 0s2a )
i 33 . lit. lady make-bel • (dla i 287a )/
dont b th .way (dlai 277a )

I34.WH. MOTHER NATURE (OLA2388A )/daR—

LING NELLY GR AY ( DLA I 289A )
|35. MR. CROSBY 4 MR. MERCER(TO TUNE

OF GALLAGHER 4 SHEAN )(yLAI 298 A )/

SMALL fry(dlai297a-SEC0ND MASTER
ON C 4 M S I HE .BOTH WITH MERCER.

136. KID NAMED JOE(DLA|690 ) /LONESOME
ROAD (OLAI635A)

137. E.SIDE OF HVN(DLA|7|8A)/S0NG OF

sunbeams(dla I 72 I A )
I38.STAR dust(dlai 734a )/deep purple

(dlA|733a)W. MATTY MALNECK ORK.
I39.IF I HAD MY WAY (OLA I 742 A )/wH 1ST.
IN Wl LOWOfO(DLA I757A )

1 40 .SECOND MASTERS ON BOTH SIDES:

TWI LITE ON TRA IL(DLAJU/B J/BOOTS
4 SADDLES (DLA254B).
|4|. THINE ALONE(DLAI 608B )/wHEN U'R

AWAY ( SECOND MASTER— OLA I 605b )
I 42. SECOND MASTER: I N MY MERRY OLDS-

MOBI LE (DLAI /9/B )/mED.GUS EDWOS.

HITS (DLAI 796a)
I43.IF I KNEW THEn(0LAI 920a)/tuMBLG .

tumbleweeds(dlai 9i9a ) DE 3024

I 44. APRIL PL. FIDDLE (DLAI 982a)/hAVNT

TIMe(dlai 983a ) DE 3i 6l

t 45 .WALTZ U SAVED (DLA2057A )/BLUE OF

THE NITE (DLA2058A) DE 3354

1 46 • BLUES SERENADE(OLAl3l IA)/sPOSIN'

(dlai 754a) DE 3543

I47.SH0E SHINE BO Y (DLA52I A )/k| D NAMED

JOE (DLA I690A )w.J .DORSEY ORK, BOTH DE 360 1

|48.WITH CONNEE BOSWELL :TEA FOR two/

(dla227i a 1/yes i ndeed(dla2272a) de 3689

149. D0 U CARE (69864a )/humpty-oumpty

HEART (DLA2598A) DE 4064

150. BOY IN KHAKI (L3033A )/HELLO MOM
(l3i47b) DE 4367

151. wait til sun shi nes(dla2947a )/
lily of lag una ( dla2946a )both w.

MARY MARTIN DE 18278

|52. LIT. HULA HVN(DLA729)/NE«ER IN

MILLION YRS(DLA730A) DE I 2 I 0

I53.M0ON GOT IN UY EY ES ( DLA83 I A )/

SMARTY (DLA832A) DE 1 375

154.1 WANT MY MAMA9DLA2827A )/MY BL.

EyEs(dla2829a)100DY HERMAN ACCPS.DE l 83 1 6

I55.MARY GR .OLD NAME (DLA2446A )/WALTZ

OF MEMORY (OLA2950A ) DE 18360

156. WITH BOB CROSBY ORK ■ :WA LK I NG DE IE37I
FLOOR OVER u(OLA2999A )/wH .MY

DRE*AM BOAT (DLA2998A)

157. WHEN WHITE AZ ALEAS (dla2845a )/

NOBODY 1 B DARLI NG (DLA2844A ) DE I 839 I

158. BE CAREFUL (DLA30I 5A )/HAPPY HOL-
IDAY (dla30i4a) de 18424

1 59 . easter parade(dla30 I 3aa)/

ABRAHAM (dlA30|0a) DE 18425

160. SONG OF FREEDOM ( DLA30 I IA)/gOT

p;ty b thkful(dla299ia) de 18426

i 6 i. lazy (dla2989b)/| 'll capture

YR. HRT. (dla2996a)w.F.ASTA IRE OE 18427
|6?.LETS START NEW YR ( DLA2990A )/

WHITE XMAS (DLA3009B) DE 18429

I63.GT..GT .G1 fther(dla3032a )/bom-

BAROIER SONG <DLA30i2a) DE 18432

I64.0LD KY. H0ME(0LA266lB)/CAMP-

town races (dla2259a) OE 18803

I 65 .EARLY AMER I CAN (L3749A )/l OWA

(l3749) oe 18912

NOTE : ABOVE RECORO ISSUED ONLY IN
I OWA 4 IS NOT LISTED IN ANY DE.
CATALOG. DECCA STATES IT NEVER WILL

BE REISSUED. A VERY RARE BINS ITEM.
166. SANTA CLAUS C OM I N ' ( L3200AA )/ OE 23281

JINGLE BELLS (l3| 99A )BOTH WITH

ANOREiS SISTERS.

I 67. MY MOTHER'S WALTZ ( L3472AA )/ DE 23392

JUST A PRAYER AWAY ( L347 I AA )
BOTH WITH ETHEL SMITH, ORGAN

168. with JUDY GARLAND :u got me wh.

U WANT ME(L3485A J/YAH-TA-TA

(l375i a) de 234l 0

169. GOOD GOOD G00D(L3877A)/ALG.
NAVAJO TRA I L ( L3876A )bOTH W.
ANDREWS SISTERS OE

170. WITH CARMEN CAVALLARO: CANT DE

BEL. U IN L.W.ME(L3905AA )/cANT
BEGIN TO TELL u(l3904a)

171. WITH J. DORSEY ORK. :TALK OF THE
TOWN(LJ9J8AD J/SI MPLE LI FE

(L3937B ) OE 23469

I 72. with ANDREWS SISTERS:DONT
CE ME I N I L 3475a )/PI STOL
Kl N 'MAMA (

23437
23457

FENC

PACK I N'MAMA (l3| 97A
I 73. DEAR OLD DONEGAL (73220A )

1 74. with ANDREWS SISTERS: ROUTE 66
(wl4| 77ti4a j/s.ameri c a, take it

(wl4i78t20a)

175. THAT LIT. DREAm(l39| 8AA )/BABY
PL. COME H0ME(wL39l I TI a)

I 76. with FRED ASTA IRE:couple OF

SONG 4 DANCE MEN (L4246A )/FRED
ASTA IRE ONLY 1PUTT I N ' ON R I TZ

177. sw. lorraineIwl3953ti 7a)/thi ngs

WE DID LAST SUMMER(WL4257T|7A)
both w. J .DORSEY ORK.
I 78. ALL THRU DAY I W7326I ti 6as )/long

ago (l3409aa)
1 79. with DIXIE LEE CROSBY: fine RO-
MANCE! DLAbBHA l/ WAY U LOOK TO-
Nl TE (DLA587a)

1 80/ it CD. happen 2 u(l3273aa)/wh.

u make L.2 me(wl4259ti5a)
i8i/wh. river shannon(dla2262a)/dio

yr. mother come (dla2260a )
182. with FRANCES LANGFORD : gypsy

LOVE SONG ( DLA I b24A J/ FALL I NG IN

L.w.s'ONE (dlai625a)
i 83. easter parade(dla30l 3aa)/got pl.

2 b thkful 4(ola299ia) -
i84.as long as i'm ormg ( wl4323t8a )/

SMILE RITE BACk(wL4324t8A )
I 85. NO TE IMPORTE SABER ( D LA25I 8i )/
U THE MOMENT 0F(DLA25|7A)

186.R101N' down canyon(dla25i6a)/

U R MY SUNSH I NE (DLA25I5A )
|87.FEUDIN'4FIGHTIN' (w73909T4e)/
G'BYE MY L0VER(W739| 0t3a )
■ I 88.WHI FFENPOOF SONG ( W73940A 1 5 )/kY .

BABE (W7394IAI9)

I 89. OH FIR TREE D AR K ( WL440 I T4A )/

XMAS song (wl4376t5a)

I90.GOT U UND. MY SKIN (»473|T3a)/

EASY TO LOVE (w4730t3a) DE

I 9 I . BALLER I NA ( WL4603T I 5A )/GO LDEN OE
EARRINGS (wl4604t26b)THIS ISA
1HITE LABEL DE..PURE CHERRY VINYL

192. SMALL FRY (OLA I 297 A )/MR .CROSBY 4
MR. MERCER ( DLA I 29SA )BOTH WITH
JOHNNY MERCER DE

I 93 . WH . BLOOM ON SAGE (OLA I 636 )/hOME

ON RANGE (DLAI 778a) DE

194. WITH JIMMY OORSEY 0RK.:|M OLD
COWHAND (DLA442A )/gOLDM I NE IN

SKY (DLAI 05|A)W.OUNSTEDTER, ORGAN. DE

195. MEXICALI .^OSE (DLA |3|6a)/siLVER

ON THE SAGF (dLA|S|4a) DE
I 96 .BOOTS 4 SADDLES <0LA254a)/mY LIT.

BUCKAROO (0LA746a) DE
I97.ALONA OE (dLA453a)/s0NG OF THE

ISLANDS (DLA452A) BOTH W. DICK

MC I NTYRE ORK. OE

23484

TEST

DE 23569
OE 23636

DE 23650

DE 23655
DE 23680

DE 23681
DE 23686
DE 23787

DE 23814
DE 23819
DE 23848
DE 23915
DE 23969
de 23975
DE 23990
DE 24 1 44

24201
24278

24293
25000

25001
25002
25003

25009

198. BL. BIRD IN MY HRT ( WL4797T5A )/l*L I DE 24508
MARLENE (W4780T3A )

1 99 • pretty baby(wl4607ti Ia)/swingin' DE 245l 5

down lane (wl45Siti2a)
200. far away places ( wl4844t47a )/t arra-

ta-lara (wl4843t50a) de 24532

20 1 . lullaby land (wl4447ti6a)/riders

in the sky (wl4939ti9a) de 24618

202. first nowell (wl5005t8a )/u 1 r all i

want for xmas (wl5009t7a ) de 24659

203. last mile home ( wl5007a3 )/l mag i n-

ation (wl4732a4) de 24696

204. the donovans (wl5050t5a )/0h tis

sweet to think (wl74950t4a ) de 2471 0

205. BETSY (wl3888TIA)/wEDDING DAY

(wl4974t|3a) de 24718

206. dear hrts, gentle pple ( wl5l 62t46a )

/make believe (w74988TI0a) de 24833

207. YODEL BL. (WL5293T8A )/b I G MOVIE

SHOW IN 6KY (wl5293t8a) de 74853

208. ASK ME NO QUEST IONS (WL539 I T23A )/

LOCK, stock 4 (wl5390t26a) 24942 de

209. S. SEA ISL. MAGIC (DLA 522A J/hAWA I I AN

paradise (dla 523a) OE 250 1 0

2|0.SW. LEILANI ([)LA722b)/blUE HAWAII

(DLA 723a) de 2501 I

2 I I .DANCG • UND. STARS (DLA 906a)/paLACE

IN PARADISE (DLA 907B ) DE 250 1 2

2|2. aloha kuu IPO (dla 20 i 5a )/parad I SE

ISLE (DLA 2061 a) DE 250 1 3

2| 3. CLEMENTINE (DLA 2437A )/oLD OAKEN

BUCKET (DLA2438A) DE 25020

2I4.SAIL ALG, S'VRY M00n(dLA 909b)/

WH.DRM.ABT.HAWAI I (DLA 908 B ) DE 2502 I

2|5. LITTLE ANGEL (DLA 1 2 1 I A )/sW .HAW 1 N .

CHIMES (DLA|2|0 a) DE 25022

2I6.MY ISLE GLDN.BRMS. (DLA |775a)/ TO

U.SWHRT ALOHA (DLA |774a) DE 25023

2I7.S0NG OLD HAWAI I (DLA 20|4a)/trADE

winds (dla 20i3a) de 25024

2 I 8 .REMEMBER HAWAII (DLA 2833a)/s|NG ME

SONG ISL. (dla 2830a) de 25025

2| 9. SWING LOW, SW. CHARIOT (DLA |290b)/

BRAHM6 LULLABY (DLA2399A) DE 25052

220. LILY OF LAG UNA (DLA 2946aa)/wA|T
TILL SUN SHINES NELLIE. BOTH WITH
MARY MARTIN. (DLA 2947a) de 25091

22 1 • NOW IT CAN BE TOLD (DLA |294a )/wH .

I LOST u (dla 2060a) de 25093

222.1 DREAM OF JEANNIE (DLA I 968A )/nELL

& I (dla 2503a ) DE 251 27

223.6'FUL dreamer (dla i967b)/sweetly

SHE sleeps (dla 2442a ) DE 25|28

224.de camptown races (dla 2259a )/my

old ky. home (dla 226ib) DE 25|29

225. SWANEE RIVER (DLA 96A )/oLD BLACK

JOE (dla 2445a) de 25 1 30

226. BOTH w. JOHNNY MERCER: MISTER

MEADOWLARKlDLA 1 985A J / V I S I T I NG FIRE-
MEN (DLA I 986a) DE 25148

227. BEEN LONG time(l3889a)/driftg.4

DREAMG. (wl4357t4a) DE 25185

223. LONG WAY FR. HOME (DLA 2059A )/wH . I

LOST u (dla 2060a) de 25187

229. too marvls. 4 wrds.(dla 738a)/wrap

YR. TROUBLES (DLA |767a) DE 25|93

230. ORM GIRL PI K.A.(DLA 2443a)/sWHRT

SIGMA CHI (DLA 2440a) . DE 25228

23i.it must be true(dla i753a)/i sur-
render dear (dla i744a) de 25229

232. HRT A HEART (dLA 478A )/PENN I ES FR.

HVN. (dla463a) de 25230

233. be honest w. me(dla 240i a4)/g" bye

lit. darlin' (dla 2402b4) de 2523 1

234. so oo I (dla 462a )/i ,2, button yr.

(dla 479a) de 25232

235. HRT. TKG. LESSONS (DLA I I 48a )/oN

senti. side (dlaii50a) de 25233

236. DEEP PURPLE (dLA I733a)/stAR DUST

(dla I 734a) de 25285

237.1 CRIED FOR u (dla I 634b )/melchy .

baby (dla 1633a) de 25366

238. pennies from heaven medley, 2 sides,

WITH J -DORSEY ORK., FRANCES LANGFORD,

LOUIS ARMSTRONG. 12*.

BLUE LABEL. (&LA 580a)/(dLA 579B ) DE 15027
239. SAME; BLUE AMERICAN LABEL STAMPED

IN CAMBBA. (dla 580a)/ALTERNATE

2d. MASTER-ola 579a). VERY RARE. de 15027
2 40. SAME; (dla 580a)/dla 579a) V.RARE. de 15027
241. SAME; BLACK LABEL; (dla 580a )/SEC-

OND MASTER— 579A ) VERY RARE. DE I 5027

242. SAME; RED LABEL, (dla 5B0a)/SECOnD

MASTER=DLA 579a). VERY RARE. DE 29226

NOTE: ABOVE SIDES ALL DIFFER IN VARIOUS
-^^^ WAYS, LABELS, MASTERS , OR SERIES

number; SECOND MASTERS ARE NOT ONLY
RARE B I NG, BUT RARE LOUIS ARMSTRONG .

243. SWANEE RIVER (DLA 96a)/eASY TO RE-
MEMBER (dla 95-0) DEAU 5007

244. TH. HOW MUCH I . L .U ( WL4337T6A )/l DO

DO LIKE u(w739HTIa) DEAU 606l

48

AUCTION MINIMUM BID 50c AUCTION

AUCTION MINIMUM BID 50c AUCTION

JIM McGUIRE

22ND STREET, DES MOINES II, IOWA

MINIMUM BIC 50(i. PLEASE BID BY NUMBER AT LEFT OF COLUMN ON POST CARD, IF POSSIBLE. WINNERS WILL BE NOTIFIEO TO SEND AMOUNTS OF WINNING BIDS FLUS 25# PACKINO
CHARGE. RECORDS SHIPPED RRX, CHARGES COLLECT. NO GUARANTEE ON P.P. SHIPMENTS. CONDITION OF RECORD GUARANTEED OR MONEY BACK.

GL VI 20002 E-
VI20I806 N

VI20I8I3 N
V|20|956 N-
3244 N
3564 N-

vo

EXCL 31 I 6 E

1912 N-
1974 e
2214 E-/N-

BR 7953 N

IRVING AAFONSON COMMANDERS
730.W IMWIN AAH/POCR PAPA

HENRY ■ RED" ALLEN
73 1 .buzzme/get THE MOPVI

732. DRINK HEARTY/THE CRAWL
733. IF ITS LOVE/COUNT ME OUT

734. Y0U/WOULD YOU

735. LOVE SONG LONG AGO/STICKS STOrvES

rvgiE anderson/ceelle burke

736. PLAY ME BLS/NOW OR SEVER

ANDREWS SISTERS

737. MARRIED ANGEl/LAND SKY 8L WATER DE

738. TULIP TIME/sHA SHa(j.D.) DE

739. hOLD TIGHT/BILLY BOY ( J.D ,/nCK I NLEY DE

ANTOBAL'S CUBANS

740. CUBAN GAR.DEN/LOOK ALIKE PANCHO

LOUIS ARMSTRONG

741. SWING U CATs/fNOWBALL BB 10225 E

742.SHADRACK/J0NAH AND WHALE DE 1 9 1 3 N-

743. JEEPERS CREEPERS/WHAT THIS THING DE 2267 E

744. NO V AR.BLS/VhATT A YA GONNA DO V|20|89| N-

745. BLS BORN N.O./MAHOG HALL STPIORy) V|2020f,8 E

KOKOMO ARNOLD

746. MILK COW BLS/OLD OR I G KOKOMO BLS

PAUL ASH

747. RAGGIN 1 SCALE /YAAKA HULA HICKEY

FRED ASTAIRE

748. LHT URSLEF GO/FACE MUSIC 4 DANCE

749. PUT1 ING EGGS I BASKET/SAW THE SE,

750. F INE DANCE/WALTX SWING TIME

751. PICK URSELF UP/WAY LOOK 2 N I TE

752. B0 JANGLES OF HARLEm/NEVER GONNA

753. CANT TAKE THAT A WAY /BEG I NNERS

754. ThEY ALL LAFFED/SLAP THAT BASS
755. SHALL WE DANCE/CALL WHOLE THING

756. FOGGY DAY/CANT BE BOTHERED NOW

757. THINGS ARE LOOKIQ UP/NICE WORK

758. PPEAM DANC ING/WEDD IN CAKE-WALK Rl

759. U'R EASY TO DANCE w/CAN'T TELL

M I TCHEL AYRES

760. G0DNITE MOTHER/2 DRMS MET

76 1. WE GO WELL TOGETHER/WHAT DO U HEj

MILDRED BAILEY

762. ME 4 BLS/ I 'LL CLOSE MY EYES

763. AT SUNDOWN/LOVER COME BACK TO ME

764. B0B WHITE/jUST STONES THROW

765. ROCK IT 4 ME/LET SONG GO OUT

BELLE BAKER/GENE KARDOS

766. BE I MIR BIST DU SCHON/ UR SWTHRT

CHARLIE BARNET

767. DID U MEAN IT/ FLOAT IN' DOWN
768. STRANGE ENCHANTMENT/ONLY ROSE

769. DUKES IDEA/CCUNT IDEA

770. WHERE WA l/ DEED I DO
77|.U A WHO ELSE/WHEN SPIRIT MOVES

772. ALL THIS A HVN TOO/wHERE DO U

773. LEAPIN' AT LINCOLN/OARK AVE

774. R0CK1N' IN RHYTHM/REVERIE OF MOAXGL BB 10785 e/e+
775.SGT .WAS SHY/RING DEM BELLS GL BB 10862 E+

776. THINGS U LEFT Me/hE 's LATIN GL BB I|0|4 N-/N

777. LUMBV/PH1 LLSSE GL BB I|0|4n-/N

778. G00D 4 NOTHING(L.HORNE)/CHARLES GL BB I 1037 E+
77S»HAUNTED TOWN(L.HORNE )/BUFFYBOY GL BB 11093 N

780. C0NSIDER URSELF KISSED/jOHN ORDN.GL BB I I 165 N

781. HEART ISNT IN IT/SALTIN1 AWAY DE 18601 N—

COUNT BAS IE

782.1 LEFT MY BABY/RIFF INTERLUDE CO 35321 E

783. RIDE ON/lT'S SAND, MAN CO 36647 E-/n

784. TIME0N HANDS/GOOD OF UK CNTRY CO 36685 V+/E+
785. ST LOUIS BLS/ CAFE SOC BLS CO 36711 V+/n—

786. JIMMYS BLS/ TAPS MILLER CO 36831 N-

787. JIVIN JOE JACKSON/ QUEER ST. CO 36889 E
788.1 O'CLOCK JUMP/jCHNS IDEA OE 1363 E-

DE

7026 V+/n

VR

649 N

BR

7608 N-

BR

7609 E+

BR

7716 N-

BR

7717 N

BR

7718 N

BR

7855 E+/n

BR

7856 e/n

BR

7857 E+/N

BR

7982 E+

BR

7983 N—

DE

18188 N

DE

I8428N

GL BB

10877 e/n

R BB

1 1 137 N

MA J

1093 E-

MA J

1 101 N

VO

37|2 n —

VO

4083 E+/N

BR

8042 E-/N

YL BB 6605 E

GL BB 10227 E+

BB 10453 E+

GL BB 10669 E+/E-

GL BB 10734 N-

GL BB 10751 El

GL BB 10774 E+/N

769.ST0P BEATIN' MULB .BUSh/lNDN BRIDGE DE 2004 E-

790. hRT BELONGS DADDy/sING 4 SUPPER

791. HEY LAWDY MAMa/ THE FIVES

792. TAKE ME BACK BABu/FIESTA IN BL

793. C0WN 4 DOUBLE/MORE THAN U KNOW

SIDNEY NECHET 4 N.O. FEETWARMERS

794.SWINQ PARADE/l KNOW THAT U KNOW
795.THE MOOCHE/BLS IN THA AIR
796.I2TH ST RAG / SUEY

PERRY BECHTEL 4 ORCH
797 i I saw stars/beautfl face

LEON BEL A SCO

798. WAKE UP 4 LOVE/THERE'S LULL

OE 2249 N-

DE 2722 N

OK 6440 N

OK 6584 v/n-

VI 27574 E+
V|20|5|0 E+
VI 203 1 20 e/e+

YLBB 5595 N

BR 7872 E+/n-

BUNNY BER I GAN

799. n les apt/strange loneliness

800. RUSSIAN LULLABy/HJJMBARDO )

801. why doesn't smbdy/prince fella
802.l'ivry stble bls /high society
803.fcckin rollers jubilee/ butt

CHU berry

804. maelstrom/chuberry jam

TOM BERWICK 4 ORCH

805. ThNKS 4 LVLY EVENg/ DAMES

DON BESTOR
806. OLD SKIPPER/ RA IN
607.SUN AFT/ U R LUCKY STAR

ELMER BIECK(RADIQ'S ACE ORGAN I ST )

808.G00DNITE ANGEL/ ON SNTMNTL SIDE VO 4009 N-

809.ITS WNDRFL/DID ANGEL KISS U VO 4035 E+

BIG B I LI (BROONZV )

SlO.FLAT FOOT SUSIE FLAT YES/BAD LUCK C020|35 E+

GLVI

25690

N

GLVI

26001

N

GLVI

26055

e/n

GLVI

26068

E/E+

GLVI

26077

e/n

CO

37571

E+

YL BB

5526

N—

BR

6981

BR

7516

E-

CO 38180 N
OK 6080 E—
OK 6705 E+/E-
VO 4938 E

YL BB 5371 N

VI 22762 E+
22857 E

VI

CHCC
DE

81 I. SUMMERTIME BLs/RAMBLIN BILL
8|2. NEVER ORM AGAIn/tHAT NO. OF MINE
8 1 3.WHATS WRONG W ME/nITE WTCHMAN
8|4.W00DIE/PLEAS B MY SO AND SO
TED BLACK 4 ORCH

815. h0ld my hant/swt and simple

816. give ur affctn/love u some swt
8i7.luc ille/mary(high hatters)

BOOTS AND BUDD IES

818.1 LOVE U TRULLY/RIFFS YL BB

8l9.hAUNTING MEMORIES/WHEN TIME YL BB

820. SLEEPY GAL/GOT TO LRN<TAVPA REDVL BB

82i.happy/i0 pretty girls(r.uonro) BB

822.SMBDY/0H BABE(TAMPA RED) BB
G23. LONELY MOMENTS /SOBB IN BLS ( A.KASSELBB

WEE BEA BOOZE ( BLUES)

824. SO GOOD/ THESE YOUNG MEN BLS DE 8658 V+

JEAN BRADY ( BLUES)

825. KN0CKIN MYSELF OUT/ MELLOW MAN OK 6254 N

GABRIEL BROWN ( BLUES)

826. GET EVIL WHEN LUv/u A I NT NO GOOD

827. BLK JACK BLS/GOING MY WAY
828.IT'S GETTING SOFT/DON'T WORRY

BROADWAY NITELITES

829. AN0THER DAY WASTED/BYE BYE

LEE BROWN ( BLUES )

830. BOBBIE TN BOOGIE/LITTLE GIRL

83 1. LEMON HOLLER/FORSAKEN BLS

PETE BROWN ( BLUES)

632. UNLUCKY WOMAN/MOUND BAYCU DE
833. CANNON BALL/ GONNA BUY TELEPHONE DE

CHICK BULLOCK
834. SWELL OF u/NEVER IN MILLION YS

835. fool in myself/sailboat MNLITE

836. natural thing to do/moon in eyes

837. cld apple tree/ so little time

838. angel/got my eyes on you

HENRY BUSSE

839. WANG WANG BLs/ HOT LIPS DE 198 V

840. THE VAMP/FIT AS FIDDLE DE |425 N

EMILIO CACERES 4 CLUB AGUILA ORCH.

841. JIG IN g/runnin wold vi 26109 N

842. MAR I HUANA/ JIG IN G VI 2461' N-

C AL IF. HUMMING BIRDS
843.10 LITTLE MILES/ IT GOES LIKE THISVI 2 1 766 E+
CAL IFORNIA RAMBLERS

844. T0P OF UR HEAD/wiTHOUT WRD YL BB 6078 E+

845. CLING TO ME/lMAG-LITTLE RAMBLERS" BB 6238 E+

CAB CALLOWAY

846. u RASCAL U.SOME OF THESE DAYS BR 80017 E+/E-
847.6L SERGE SUIT/AFT MOON CO 36993 n/e+
848.BLS IN NITE/SAYS WHO OK 6442 E+/N
849.1 LL BE ARND/VA. GA. S CAROLINE OK 67|7 E-/N

850. jive/clambake CARNIOAL VO 4437 v/e

851. B00G IT/ CHOP CHOP CHARLIE CHAN VO 5444 V+

EDDIE CANTOR ( PIC. LABEL ROYAL BLUE)

852. LOOK WHAT U'VE DNE/PERF. COMB. CO 2723 E+

CARTER FAMILY

853. WASBASH CANNON BALL/nEVER WILL BB 8350 E+

854. PMBLIN BOY /WAVE ON SEA BB 3305 1 2 N

855. JEALOUS HRTED Me/laY MY HEAD DE 46005 E+

REGGIE CHILDS

856.SWT STRANGER/ ONE WHO LOVES U DE |582 N-

S57.GDNITE ANGEL/NEW MO0N,CLD MILL DE 1673

PETER CLE I GHTON ( BLUES)

858.L0VE IS G0NE/'4| BLUES

6081 E+
6880 N-
6968 E-
7245 E+/E-
7269 N-
7669 n/e+

5003 N

5004 N
5020 E

1085 N

104 v+

7615 E

8613 E
8625 E/E-

ME 7052f N
ME 707C9 e+/n-

ME 70901 E+/N
VO 4070 E+/n
VO 5342 E-/E+

JOLLY COBURN ( VAN EM BURGH VOC»)
859.PMEMBER ME/AM I IN LOVE*

E+

OK 6375 E+

BB 7100 F+/W

JOLLY COBURN ( VAN EMBURGH VOC» )

860. C0NT i nental/ irresitible • vi 24735 e/n-

861. WHER BL BEGINS/ORGAN GR SWING VI 25396 N—

COLONIAL CLUB ORCH.
862.1 IN WLD/PEACE OF MIND BR 4356 E+

863. MARCH OF OLD GUKRD/CHARM I NG BR 4690 E+

RUSS COLUMBO

864. U CALL IT MADNESS/TIME ON HNDSYLBB 6503 N

EDDIE CONDON

865. Indiana/ oh baby co 35950 E+

866. BACK OWN 8K YD/ WRONGS U'VE DNECMS 551 N

ZEZ CONFREY

867.SHEAk(clB ROYAL OR.)/PLAYING F VI 1 892 1 E+
868.ALL MUDDLED UP/TRU BLU SAM VI 18973 E

AL COOPERS SAVOY SULTANS

86 9. ST ickes/dragg in heart arnd DE 2608 N-

S70. NORFOLK FERRY/ SWEE WHAT I MEAN DE 8540 E+/v+

JERRY COOPER

87I.TIMBER/GDNIGHT my LOVE VI 25485 E+

NOEL COWARD ( RM DIG NO GROOVE )
872.1 'LL SEE U AGAIN/DEAREST LOVE VI 27228 E-/ N-

FRANK CRHMIT

873. DASH ING MARINE/ PIG WALKED AWAY DE

874. H0W COME U DO ME/KNOCK AT DOOR VI

875. GAY CABALLERO/LRNED ABT WOMEN VI

XAVIER CUGAT
876.SILENCI0/ OMBO VI
877.TINA/ THEN IT ISNT LOVE VI
S78.P0SE OF RANCHO/COSI COSA VI
879.C igarette/once ARNO CLOCK VI
880.SAY SI SI /WHAT R U DOING TO HRT VI

88i. inspiration/ las PALMERAS VI

882. CLAVEL DEL AIRE/D0NT PL (b .F I RMANV I

883. NUEVA CONGA/ RUMBA RUMBERA VI

884. CANC I CN DEL MAR/ BILONGA VI

WALTER DAVIS ( BLUES)

BB
BB

BB
BB

985. STREAMLINE WOMAN/HOL I DAY BLS

886. F0UR ET I l/ VELLOW BLUES

EDDIE DELANGE

887. U CANT KISS FRIGIG/COPENHAGEN

888. UPS to her/what CTRY needs

889. H0LE IN OAKEN BUCKET/SAY AH

JACK DENNY

890. whippoorwill/bec CHNGE BR

891. TO REMIND U/S*ING MOTHER IN LAW MA

EMERY DEUTSCH & ORCH

892. SWT HEATACHE/ HEART 4 SOUL BR

893. LUX NEVER OUT SEASOn/pnTHSE 3 AVBR

894. VIEN|/CANT STOP ME FRM DREAM I N BR

895. PLAY LOVE SCENE/NEW ROMANCE BR

DIXIELAND JAZZ GROUP(L.HORNE» )
696.8EALE ST BLS«/jOE TURNER BLS VI
897.A HEAGARS BLS«/e. ST LOUIS BLS VI
098. CARELESS LUV«/jOHN HERY BLS VI

DIXIELAND SWINSTERS

313 V
19437 V+
21735 E-

24508 N-/E+
25008 N
25B07 N
25213 N
25407 E+/n-
25503 N
25661 N
26661 N-/E
27276 N-/N

7329 E
8574 N

10027 E+
10074 N
10159 E-/E

4794 E+
I 13 N-

7871 N-
7909 E+
7972 E+
7987 E+

899. BLUE SKIES/ NAGASAKI BB

900. PRETTY QUADROON/ ON THE PRAIRIE B8

AL DONAHUE
90I.STP BEATIN RON MULb/laMBETH WLK VO
DOROTHY DON I GAN

902. PIANO BOOGIE/EVERY DY BLS BB

CHARLES DQRNBERGER

903. MCDONALD HAD FARM/COMIN RNO MT VI

BOB CROSBY

904.SC THIS IS HVN/DONT WANT HIST DE

905. F0GGY DAY/ NICE WORK IF U CAN DE

906. EVRY DAYS HOL IOAy/tHI? ILL L I FETMEDE

907. FASIER SAID/ NEW APPLE TREE DE

908. PLS BE KIND/l SIMPLY ADORE U DE

909. JOHN PEEL/ GRAN TERRACE RHYTHM DE

910. PALESTEENA/ SLOW MOOD DE
91 I. U 'RE LOVELY MME/wHAT HVE U GT DE
9|2.2 SLEEPY PEOPLE/WAIT TILL HRT DE
9I3.LOOPIN LOOP/MU INSPIRATION DE
9I4.SWINGIN SUGAR B0WL/|M PRAYIN DE
9I5.LEANIN TOP RAIL/SHAKE DN STARS DE
916.2 DRMS MET/DWN ARGENTINA WAY DE

917. U FORGOT ABT ME/gONE NOT FRGOTTEDE

918. WELL WELL/MUSH MORE LOVELY DE

919. CALL IT ANYTHINQ/SMETHING ORMED DE
920.2 IN LOVE/SINNER KISSED ANGEL DE

921. GAY RA NCHERo/sMTH I NG NEW DE

922. hUNG HEAD 4 CRIED/ U'RE MY DARL BE

923. C0NT CARE ANYMORE/END OF WRLD DE

BIND CROSBY

924.0UT OF NOWHERE/lF U SLD NEED ME BR 80043

27543 V+/N

27544 E+/E-

27545 V-/u-

7258 E-
8109 V-/E-

4318 E-

8979 e/e+
24199 E+

729
1539
1580
1658
1693
1752
201 1
2142
2|50
2209
2210
3027
3404
3417
3762
3815
4009
4028
4346
4380

E+
E+

e+/n-

E+/N

e+/n-
e+/"-

lw«

N-/E+

N—

v/v+

V/E

49

AUCTION MINIMUM BIO 50c AUCTION

JIM McGUIRE

1007 - 22N0 STREET, OES MOINES II, IOWA

AUCTION MINIMUM BID 50c AUCTION

SB

1 |2|0

E+

BB

1 1447

e/n

OK

4029

N

OK

5991

N

BR

8023

e+/n

BR

8040

E+

BR

8049

E+/N

BR

8077

E-/E+

BR

8081

E+

BR

8147

N

MA

103

E/E+

FM

389

N

BR

6939

E+

VI

25275 V

VO

3 199

n/n—

VO

3266

N

LETS HITE

1129. T. BON BLS/ THAT THE LICK

JOHNNY HODGES

11 30. A INT WHAT USED 2 BE/sQUATY ROO

B ILL IE HOLIDAY

H3I.UR OWN BACK YD/WHEN WOMAN LUVS
I 1 32, I'M PULLING THRU/TIME ON HANOS

HUDSON-OELANGE

1133. ROCK IN' THE TOWN/ HVN ON EARTH

1134, ERROR IN NEWS/ COLLEGE WIDOW
I 1 35. OUT OF THE WLD/ STR FORMAL
I 136. SUNDAY IN PARK/DOIN REACTIONARY
M37.UR BECK 4 CALL/ MR SWEENYS
I 138. CHINA CLIPPER/ WHY PRETEND
I 139. SOPH, SWING/ MAIDS N ITS OFF

PEE WEE HUNT

II40.AFTER U GONE/ SUNNY SIDE ST

JACK HYLTON 4 ORCH
I |4|. WEDDING OF ROSE/ GRASSHOPPER ONCE
I 142. SHE SHALL HVE MUSIC/RAIN COMES

L I L JOHNSON
I |43. PRESS MY BUTTON/ PEANUT MAN
1144.2 T1MIN MAN/ WAS I

PETE JOHNSONS BAND

1145. 627 STOMP/ PINEY BR BLS— JOE TURNERDE
I |46. CHERRY RED/BABY LOOK AT U VO

I SHAM JONES
I I47.AGGRAVAT IN * PAPa/ CRYING 4« BR
II48.TIRED OF EVYTHNG/ YOU GOT ' EM BR
I I49.N0T CLOUD IN SKY/CHEER UP BR

i i50.ua/ivabash BLS BR

I |5|. STARS/ WHAT 'LL U DO BR

II52.TREE WAS TREE/ CAROLINA LANE VI

1153. IT ISNT FAIR/GD LUCK SWTHRT VI

II54.R0LL OUT BED/YOU'RE OK VI

H55.hAT MYSELF /ALL MINE-ALMOST VI

1156. EYES WIDE OPEN/ DO I LOVE U VI

1157. TALKIN MY LANG/MUST BE LOVE VO

1158. NEW LEASE ON LOVE/TWI IN TURKEY VO

1159. B IN WINCHELLS COl/swT SOMEONE VO
I 1 60. TOOK WRDS OUT/ MOON IS HERE AGAIN VO

GENE KAROOS

1161. ITS NO FUN/ISNT m Y LIMIT ME

II62.BRKEAIN IN SHOES/ YOURS TRULY ME

I 1 63. CLOSE TO ME/BIGHT IS YOUNG ME

II64.WANTED/ CANT TAKE IT WITH U t/E

I 165. GYPSY f RM POUGHKPSIE/MERRY GO RND ME

I I66.PENTHUSE 3RD AVE./LUVE NEVER OUT IME

II67.0NE I L0VE/8EI MIR BIST DU SCHON ME

1168. LUV HERE TO STAY/LUV WALKED IN PE

1169. LET ME LOOK AT U/CLDNT BE CUTER PE
I I70.TIPITIN/0H BOOM PE

SAMMY KAYE

II7I.EYES ARE BIGGER/ SAY IT W KISS VI

I 172. UMBRELLA MAn/ GONNA SEE LOT OF ME VI

II73.M0MENT OF WKNESS/ HAPPY ABOUT VI

HAL KEMP

I 1 74. REMEMBER ME/ AM I IN LOVE VI
1175. LEFT ME 4 LEADER/ RHY A RHYME— AL I NGV I
1I76.SMALL Fry/ NATURALLY VI
I 1 77. POCKETFUL OF DRMs/lET THAT MOON VI

1178. C0L0R BLIND/NITE FILLEO W MUSIC VI

1179. HANDS R TIED/ DELIGHTFUL DELIRIUM VI

STAN KEN TON
I 1 80. EL choclo/lamento GITANO DE
llSl.LAMENTO GITANo/cONCERTO 4 DGHSE DE

NORA LEE K I NO/CROP VENEER S ( BLUES)

I 182. LET ME ROCKU HOME/NOT THATWflY DE 7883 E+/n-

TEMPO KING/ADA RUB IN

I 1 83.B0JANGLES OF HARLEm/oR.GR SWING YL BB 6533 E+/E

II84.SWT ADELINE/CAN HUDOLE AT HOME YL BB 6563 N

II85.SAYING TO MOON/SWINGIN JINX AWAYYL BB 6643 E+/N

1186. RANCH IN SKY/MOONLITE PRAIRIE YL BB 6768 N-/E+

WAYNE KING

1187. M00N SONG/S MILLION PEOPLE BR 6474 Ejfe*
1188. 1ST LOVE TO LAST/ADORABLE BR 6581 E+
II89.LOST IN MY DRMs/CANT PRETEND VI 25416 N-/N

JOHN KIRBY

|8|2| Vt
4997 E

2400 V+
2933 E+
4626 E+
5065 E+
5072 E-

24246 N-

24367 N-

24500 N-

24595 N-

24643 N
3*9? N-
3544 E+/E
3862 E+/N-
3672 E-/E+

60512 N-
605(3 N
6|2|3 N—
70528 N-
70702 N/E+
70710 E+
80207 n/n-
80305 N-/E+
804C3 N-/fe
80501 n-/n

26m n-/n
26117 e+/n
26186 N-

25633 E+/N
25856 E+>-
25886 E+
25896 E+/n-
26009 E+>
26176 n-/n

25305 N
4254 e+/n

I I90.FRASQU ITA SER/SEXTET FRM LUCIA

GENE KRUPA
I I 91. WAIT TILL HRT FINDS/LIGHTLY

1192. TIL REVEILLE/COWBOY SERE

1193. C0PPIN PLEA/VIOLETS FOR UR FURS

1194. THNX 4 BOOGIE RIDE/KEEP Bi FLYING

1195. NIGHT OF NIGHTS/FIGHT1N D.MCARTHR

OK 5705 N

8274 E-/E
6266 N-/E+
6498 N
6506 n-/n
6635 n/n-

DOROTHY LAMUUK

7829 N/E+
8027 e/n

I I 96.PANAMAN IA/MNLIGHT, SHADOWS
1197. MOON MANAKOORA/TRU CONFESSION

LITTLE BROTHER ( BLUES)

I I 98.SH RE VEPORT FAREWELL/CRES.C ITY BLSBB I09E3 E+/n
LITTLE RAW BIERS

1199. L1FE BEGNS 16/FELLOW WHO LUVS YL BB 6192 E/E+

1200. MUSIC GOES RND/SHOOTING HI YL BB 6220 E+/e-

1201. ELEPHANT STO/BACK TO OLD ZAZOOYL BB 6297 E+/E-

GUY L0M8ARD0

|202. SHANGHAI LIL/BY WATERFALL
1203. ANNIE DOESNT LIVE/LAST ROUND UP
1204.1,000 GOOD NIGHT/ I CRY. OVER U
1205. ST LOUIS BLS/ I LOVE U TRULY

1206. MISTY ISLANDS/TOO MUSH IMAG.

1207. L0ST/N0 GREATER LOVE

1208. G0NE/L0V U COAST TO COAST

I20 9.LTT. DRM RANCh/k1TCHY-*II KOKO
|2|0.SAIBT IN MNLITE/GONE W WIND
1 2 II. SWT AS SONG/CLD USE A DRM

J I MM IE LUNCEFORD
|2|2.AINT SHE SWT/ I LOVE U
I2I3.ME 4 MOON/BEACH AT BALI BALI
|2|4. LIVING BUM DAY-OAY/TAINT GOOD
|2|5.DRM LOT ABT u/jEEP RHYTHM
|2|6. "JIMMIES* / I NEEO LIFT
|2|7.CALL POLICE/ WATER FAUCET

ABE LYMAN
I2I8.H0USE LUV BUILT/SUMMER NIGHT

MAN TOVAN I /SAVOY HOTEL ORPHEAN S

BR 6653 e-/e
BR 6662 E-
BR 6776 E+
ME 13299 E-
VI 25244 e/e+
VI 25271 E-/E+
VI 25475 E/E-
VI 25560 E+
VI 25594 E
VI 25731 E+/n-

CO 38097 E
DE 9 15 e+/n-
960 E+/N
18618 E+
1060 Et
1122 E+

DE
DE
MA J
MA J

E I I 04 E+/N
ROY. BLUE)

3097

413

551
2749

8584

21209

6507
18368

8854
80105

6638
10253

7548

80006
5676
500

N-/E+
E+
E+

V+/E-

N

E-

e/n-

N—
V+

E— /EN—
N

n/n—

I219.RED SAILS SUNSET/WHISPER SWEET

FRANK MARVIN 4 GU I TAR
I2B.LIVIN IN MTS/WILD 4 WOOLLY WEST BR

LESTER MCFARLANP/ROBT. A. GARDNER
I22I.0ZARKS KISS SKY/HONEYSUCKEL BlT
1 222 .CANDLE LITS GLEAM I NG/SCH OL HS VO
MDdPHIS SLIM ( BLUES)

1233. BEER DRINKIN WOm/ GRINDER MAN BB

JIM MILLER/CHARLIE FARRELL

1224. TIN PAN PARADE/ GRASS GR0S GREEN J I

BftRRAH MINEVITCH

1225. RHAPSODY IN BL/GHOST WALK BR
I226.0N THE LOOSE/BAILE DE BOLE DE

MISSISSIPPI SHEIKS
I227.SITTING ON TOP WLD f 2/TIMES OK

MIFF MOLE 4 DIXIELAND ORCH.
1 22ft .BALL IN THE JACk/hOW COME U DO ME BR

BENNIE MOTENS K.8. ORCH

1 229. MARY LEE/ TOUGH BREAKS YL BB

JELLY ROLL MORTON

1230. THE CHANT/ BLK BOTTONM STP BB

OZZIE NELSON 4 ORCH.

1231. little church affa i r/oregon tr br
red nichols

1232. Indiana/ dinah br 80006 e+

i233.l0wland bls/ beat mz daddy ok 5676 v+

1234. sugar babe/ blue jay na 500 e+

NITE OWLS

1235. 8 BALL BLS/ HERE COME UR PAPPY VO 4233 E-
RAY NOBLE /^JEW MAYFAIR

1236. U WERE THERE/ FAMILY ALBUM VI 25437 N

1237. RED SAILS SUNSET/ROLL AL. VI 25 1 42 E

PATRICIA NORMAN

I238/FL0W GENTLY/ PLUCKIN GOLDEN HARP VO 4547 n/e-

RED N0RVO(» MILDRED BAILEY)

1239. REMEMBER/ JIVING THE JEEP BR

I240.SAYS MY HRT/U LVE ME BREA THLES* BR

I24I.CIG SILHOUETTE'/AFTER DIN. SP» BR

|242.WIGWAMMIN»/hOW CAN I THANK U* BR

1243. JUMP JUMP HERE'/GARDEN OF MOON* BR

1244. GET ALONG WITHOUT u/k I SS ME W EY VO

GEORGE OLSEN
1245. ITS LOVE/ LESS UR HRT(ROY. BLUE CO
PICKENS S ISTERS

I246.SMBDY LUVS u/ TOO MANY TEARS VI
BEN POLLACK

1247. BEAT OF MY HRT/wHAT R U DOING DE

DICK POWELL

1248. HES MY UNCLE/aMER I CA I LOVE U DE

YANK RACHELL ( BLUES)

1 249. LO UDELL A BLS/ RAINY DAY BLS BB

1 250. PEACH TREE BLS / SHE LUVS WHO BB

LEO REISMAN

|25 f .MERRY WIDOW WALTZ. VILIA
I252.DRUMS IN MY HRt/kINDA LIKE U

7896
8135
8171
8194
8202
4648

2803

22965

2005

3458

8993
903?

6996
22915

E/E+

N-/E+

N

N—

E/E-

E

e/rf-

N— /N
V+

v+/e-

E+
£■*■/<*

LEO REISMAN

1253. WH ISTLING 4 KISS/ CAN U SPARE

1254. ME 4 u forever/swt MADNESS

1255. mine/let EM EAT CAKE

1 256. HAVE U MET MISS JONES/ BE RIGHT

1 257. MOON MANAKCORa/ LOVE WALKED IN

1 258. GIRL GOLDEN WEST/SHADOWS ON MOON
I259.SPRING IS HERE/ TELL MAN IN ST.

JIMMY RAY 4 ORCH
I260.S0 RARE/ U'RE MY DESIRE YL

1261. R0LLIN' PLAINS/BE GOOD SPORT

JACQUES RENARD

1 262. AS TIME GOIES By/ IM SORRY DEAR

1263. EVYBDY LOVES u/ I NSP I R-N .SH I LKRET
HARRY RESER'S SYNCOPATORS

1264. FLIPPITY FLOP/WHOOPEE HAT BRIG.

1265. PICCOLO PETE/ COLLECIATE SAM

MIKE RILEY
I266.S0. hospitality/ JAMMIN'
I267.CH BOOM/ RUN A ROUND

JOE R IICS

I268,SAM0A OF SAMOA/STILL LOVE TO KISS

1269. bambalina/old GREY BONNET

1270. LADY IS TRAMP/WHY TALK ABT LUV

1271. HAVE U MET MISS JONES/ U'R SWTHRT BR

1272. NEVER HAPPND 84/g I VE LUV CHANCE BR

JIMMIE RODGERS

1273. ROLL ALONG KY.MOOn/wHY SHLD I BB
|274.J.R.'S LAST BLUE YODEl/yEARS AGOYL BB

1276. DAD0Y & HOMe/yODELING COWBOY YL BB
I275.Y0EDLING RANGER/CAROLINA SUNSHINE BB

1277. T.B. BUS/MULE SKINNER BLS YL BB
1278. ONE ROSE/YOEDLING WA BACK HOME BB
I279.S0LD IERS SWTHRT/SAILORE PLEA
I280.MEMPHIS YODEL/LULLABY YODEL
I26I.FRANKIE 4 JOHNNY/EVYBDY DOES IT

1282. ANNIV BL YODEL/ ANY OLD TIME

1283. N0BDY KNOWS BUT ME/mYSTERY t 5

1284. BLU YODEL f 3/nEV NO MO BLS

1 285. J I MM I E THE KID/BLUE EYED JANE
I285.BLUE YODEL f 9/LOOKING 4 NEW MAMA

1287. WHATS IT/WHY SHLD I BE LONELY

1288. GAMBL I NG POLKA DOT BL6/CACTUS

1289. R0LL ALONG KY MOON/SAKE OP DAYS

1290. H0ME CALL/HAPPY TILL MET U

1291. BLUE YODEL t |0/m|SS MOON

1292. DOWN RD TO HOME/HOBOS MEDITATION

1293. R0CK BABIES 2 SLEEP/MOTHER, QUEEN

1294. HILLS OF TENN/ MISS MISS. 4 YOU

1295. LONG TALL MAMA BLS/ GAM3L I NG

BUDDY ROGERS

1296. MOONSHINE OVR KY/lADY MAKE BEL.
|297.FIGAR0/MEET BEAT OF HRT

1298. HAPPY AS LARK/SUNNY SIDE THINGS

1299. U CANT BE MINE/CIG BURNING

ADRIAN ROLL IN I

VI 24156 n/n-

VI 24398 n/n-

VI 24429 N

VI 25687 n-/n

VI 25790 N/E-+

VI 25793 E+/N

MY 25842 e/n

BB 7077 E+/n
BB 7285 N-/E+

6205 E-/tl+
2l8l I E+-

1884 E
1973 E+

1271 E+
1655 N-

7944 v/n
79*8 N
7967 N-
80|2 n/e+
8024 N

5082 E+/E-
5281 E4/N-
5991 n/n-
5556 E-/E+
6275 N
BB 7280 v/v+
BB 3305 |3N
VI 21636 L+
VI 22143 E+/N_
VI 22488 N-/E+
VI 23518 N-/E+
VI 21531 E+
VI 23549 e+/n-
VI 23580 N-
VI 23609 E+/E
V| 23636 E+
VI 23651 E+/n-
VI 23681 E+
VI 23696 E+/E
VI237I I E+
VI 23721 E+/E
VI 23736 E+/fe
VI 23766 E+

VO
VO
VO

DE
VO

4071 N
4227 E+/t-
4240N/N-
4408 N/»

1683 N
4257 n/e+

1300. BEI MIR BIST DU SCHOn/ BILL

1301. W SH I HAD u/BUMPY ROAD TO LUV

TODD ROLLINS

I 302.SURPR I SE/u 'RE IN MY POWER ME |29|4 N— /e+
ROSE MAR IE

1 303. MOON BIDS SUN GOODN I TE £BRK NEWS BB 7530 E+/n

LANNY ROSS

1304. AVE MjR l»/MOTHERS DAY SONG VI 27390 N-/n

HARRY ROY

1 305. mammy bong/red peppers • de 844 e+

1306. u sweet thing/ evtbooys swing* de 1078 e+

1307. jazz me bls/ cheerful bls • de 1095 n

1308. dance Dolores/ st in Havana • de |2|7 n—

1309. m0nday on/funny that way* de 1 295 n-/e
|3|0. shake hand s m i ll i onre"/old man moonde 1664 n

( Above 6« very slt rm shp no groove)
LUIS RUSSEL

AP0 1012 V+

131 I. SAD LOVER BLS /VERY THOT OF U

JOE SANDERS

1312. THESE FOOLISH THINGs/lST THRILL
1313. STEP AHEAD SHADOW. NEVER LET U GO
1 3 1 4.SL I GHTLY TERRIFIC/OARNDEST THINGS

1315. CLD B IN HVN/HEART DECIRES

BILL SCOTTI

1316. ALICE IN WONDERLAND/YOUNG BEAUTIFULBB 5310 N—

TERRY SHAND

1317. PAY ME NO MIND/LONG LONG TIME DE 4256 N —
|3|S. MILITARY SECERT/ B BACK DE 4234 HI-

DE
DE
DE
DE

843 N
850 N-
952 N-
956 E+/N-

50

AUCTION MINIMUM BID 50c AUCTION AUCTION MINIMUM BID 50c AUCTION

JIM McGUIRE

1007- 22ND STREET, DES MOINES II, IOWA

B I NG CROSBY CONT.

925.1 MORE CHANCE/NOW THAT U'R GONE

BR

80044

E

926.FND MILLION $ BABY/TKRJ WTH LUV

BR

80045

E-

927.GDNITE SWTHRT/ TOO LATE

BB

80046

N

928.SWT AND LOVLY/l APOLOGIZE

BR

80057

E+

929.SILENT NI&HT/ADESTA FIOELES

DE

621

V+/E+

930.ROBINS , ORSES/ REST AT END TRAIL

DE

791

E-

83I.CALL HEART HRT/PENNIES FRM HEAVN

DE

947 E+/E-

932. SUIT LEILANI/8L HAWAII

DE

1 175

V—

933.SWT IS WORD/HAVE SO LITTLE

DE

1 184

E+

934.WHAT WILL 1 TELL/TOO MARVELOUS

DE

1 185

N—

935.PECKIN'/ JUST LATLEY ( J. DORSEY )

1301 N

936. NATURAL THING TO Do/aLL U WANT

DE

1376

N—

937. SENT IMENTL SIDE/HEART TAKING IE SSNS

DE

1648

E+

938.D0NT BE THAT WAy/ LITTLE LADY

DC

1794

N-/E+

939.WY reverie/old folks(bob crosby)

DE

2123

N-

940. KID NAMES JOE/LONESOME ROAD

2257

E+

941. E. SIDE OF HVN/SONG OF SUNBEAMS

2359

N—

942. SLY OLD GENTLMN/HANG UR HERT

DE

2360 e+/n-

943. ANGELS ING/S'POSIN1

DE

2413

N

944.START DAY R 1 GHT/nE 1 GHBORS

2626

N

945.TIL REVEILLE/OLD KY. HOME

DE

3886 e/n-

946. APPLE TCHR^C, EOSWELL )/BLUB 1 RDS S

DE

2640

N—

947. ONLY 4EVER/M00N OVER MDA 1 SON SQ

DE

3300 n-

946.BLUE OF MIGHT/WALTZ U SAVED 4 ME

DE

3354

N—

949.WHEN 1 LOST u/LONE WAY FRM HM

DE

3477

N—

950.DAY DRMING/ CLEMENTINE

DE

403?

N-/E

951. DO U CARE/ HUMPTY D UMPTY HRT

DE

4064

E+

952. IOWA/EARLY AMERICAN

DE

1 891 2

e+/n-

953. PUT IT THER/ RD MOROCCA(B. HOPE)

RL

DE

40000

N—

954.ALEX RAGTIME BND/SPAN 1 ARD ( JOLSON '

RL

DE

40038

N

955.PARAD 1 SE/SHE REMINDS ME OF* U

HA

1007

N

956. WALTZING IN DRM/ RIGHT S 1 DE ( DOR .BRO JHA

1008

N

JIMMY DORSEY

957.WELC OME STRGR/lS IT TRU ABT DIXIE

DE

768

N-/E +

958.1 LOVE SING /TAINT NO USE

DE

808

N

959.AH-W00,AH-W00/N0 SUBSTITUTE 4 U

DE

873

N

960.IT A INT RIGHT/BOSTON T PARTY

DE

901

E+/E

96 1 .LUV BUG WILL 8ITE/M0CKIN BIRD

DE

1 187

E+

962.CANT TAKE THAT AWAy/slAP BASS

DE

|203

E+/E

963. THEY ALL LAFFED/ CALL WHOLE THING

DC

1204

N-/E+

964. POPCORN MAN/ COWBOY FRM BRKLYN

DE

1799

N-/E+

965. LUV WHERE U FIND IT/ GARDEN OF MOON

DE

1970

n/n—

966. C HANGE PARTNERS/ THE YAM

DE

2002

N

967.CAMA POLA / DONNA MARIA

DE

3629

e/n-

968. MY SISTER 4 l/ IN HUSH OF NIGHT

DE

37|0

N—

969. LA ROSITa/ MINNIE FRM TRINIDAD

DE

371 1

Et-/n-

970, TAINT NO GOOD/ - 2 PARTS

DE

4262

N—

TOMMY DORSEY

97T.U AND 1 KNOW/ GOODBYE JONAH

GL

VI

25648

N

972. MIGHT 4 DAY/ SMOKE GETS IN EYES

VI

25657

e-/n

973. MORNING AFTER/ 1 MAY BE WRONG

GL

VI

26703

e/t*-

g^.WHITE LITHOUSE/l WHO LOVES U

GL

VI

25788

E+/E

975.MUSIC MAESTRO/ ALL THRU NIGHT

GL

VI

25866

E+

976. BOOGIE WOOGIE/WEARY BLS

VI

26054

e/n-

977. RAINBOW RND MOON/ STOMPIN STADM

GL

VI

26062

E+

978.P00M WITH VIEW/OWON HOME RAG

GL

VI

26097

E+/E

979. ANGELS DIRTY FACES/ KISS 4 SIGH

GL

VI

26115

N-/E+

980. THANKS 4 EVYTHING/DO U REMEMBER

GL

VI

261 19

N

98I.EASY TO BLAME/ DAVENPORT BLS

GL

VI

26135

N-/E

982. OLD CUR 1 OS 1 TYSHOp/wHAT DO U KNOW

GL

VI

26140

E+

983. NEW MOON OLD SEr/pECKIN' PEN.

GL

VI

26181

N—

984.LITTLE SKIPPER/ GOT NO TIME

GL

VI

26195

e/n-

985.L0VELY DAY TOMOR/u'RE LONELY

GL

VI

26596

E+/E-

986. LOVE LIES/ CALL CANYON

GL

VI

26678

E+/E-

987.CLD MAKE U CARE / WLD IN ARMS

GL

VI

26717

E+

988.EVYTH 1 NG HAPPENS/ WHATCHA KNOW

GL

VI

27359

N-/E+

989.N0THER 1 THE, THINGS/sER. SPOT

GL

VI

27374

N

990.1 LOVE IT SO/U BETCHA MY LIFE

GL

VI

27392

N

991 .SMWHERE VOICE/ WELL GIT IT

VI

27887

n/e+

992. JUST AS THOU/ST.OF DREAMS

VI

27903

n-/e

PAUL DOUGLAS

993. FACE BARROOM FLR/LEHIGH VALLEY

MA J

5004

V

MORTON DOWNEY

994. DAY IS DONE/PERF DAY(RM CHO 5 GR )

DE

1738

N—

995.M0THERS BOY/THERELL BE U 4 1

GL

VI

21940

N

KEN DRAKE

996.P0SIN'/ IF U EVER SHLD LEAVE

YL

BB

7023 N-

AL DUFFY FOUR

997.LA SPAGNOLA/ FUNICULI FUNICULA

DE

2799 E+

JOE DANIELS/ TED WEEMS

998 .DRUMMER MAN/ GAMBLERS BLUES

DE

3687

N-/E+

FRANK EDWARDS ( BLUES)

999. TERR A PLANE BLs/ GET TOGETHER

OK

6363

E+

BIG BOY TEDDY EDWARDS ( BLUES )

I000.W P A BLS. LOUISIANA

DE

7174

E+

ROY EL PR I DGE

lOOl.HI SOC 1 ETY/MUSKRAT RAMBLE

VS

8154

E+/E-

DUKE ELLINGTON

I cnDATnfin <^iL'IMf:/ IT'S f^l nov

BB

1 0245

e/e+

□ 1 ITU FTT 1 MR

1003. DANCING W TEARS/ NVR DREAMT

CO

22 16

I004.HVE NXT ROMANCE/GD N 1 TE MY LV

DE

1 107

n/e+

|005. SWELL OF u/ LULL IN MY LIFE

DE

12 |2

N—

ELIOT EVERETT

1006. HOW DO 1 KNOw/ LITTLE MAN YL

BB

5463

N

Abovej INAUIBLE SCRATCH

FEL IX FERD 1MAND0

1007. ECHO IN BALLEy/ TILL TOMORROW

CR

3422

E+

BOB FERGUSON & SCALAWAGGERS

I008.HANGING JONESY T0M0r/pR I SONE RS

C 0

15553

E

ABOVE J SL LAM CRK

SHEP F IELDS

1 009. DO U, DONT u/bEACH AT BALI YL

BB

641 7

N

lOlO.DID 1 REMEMBER/ S ITTIN SAND YL

B8

6476

N

lOl 1. WHERE BL BEGINs/mE A MOON YL

BB

6548

N

iPl? VFflRS KI^^F^/ PHI ITT GA7FTTF VI

6757

N

I0I3.LUV TO KEEP WARM/ U rR LAFFING YL

BB

6769 N

1014. MOONLITE SHADOWS/ DEDICATED YL

BB

6803 N

i0i5.carn« Venice/ kitchyhiii—koko yl

BB

6942

N

|0|6. MERRY GO RO UND/hRTACHES BEGIN YL

BB

70l5

h-/n

1 0 1 7. STARDUST ON MOOn/bLOSMS BRDWY

B B

7136

N—

I0I8.GDNITE ANGEl/nEW MOON OLD MILL

BB

7355

N

I0I9.STRNGR PAREE/ BACK TO BAU.I

BB

7566

N

1020. WHERE IN WRLD/|N ANY LANGUAGE

B6

7604

N

I02I.P SWTHRTS AGAIN/ CARIOCA

MU

523

e/e+

TED F 10 R ITO

1022. GOOD 4 GOOSE/ GRASS SHACK

BR

6736

Et

lO?^ Ffl ID d/RMR— O POWFI 1 /^TR IMR fll flNfi

BR

6859

N— /E

1 024.CR 1 C KETS IN GRASS. 81G BAD WOLF

BR

6928

N-

1025. TOO FAR AWAy/nIGHT JUNE 3RD

BR

7399

E+

1026. lrn Hawaiian/ swt and slow

BR

7478

E

1 027.0 ANDL 1 TE LANE/ UVE NVR BEEN BL

CO

1967

N—

1028.1 MORE WALTZ/ TIL WE MEET AGN

VI

22521

E+

ELLA E 1 TZGERALB

I029.MY MAtj/ WHO ARE U

DE

4291

N—

REGINALD FORSYTHE/ARTHUR YOUNG

PIANOS)

1030. TIGER RAG. ST LOUIS BLS GL

VI

26274

N

BOB FOSTER A ORCH

l03l-.9flin U/l DNT 1 ART / R A 1 NO OH/

ME

61215

n/n-

FRAMKlF A IflHNNIF ORCH

1032 fitlF^^ UIU fl A^U/ 1 NR FFVFR VI

BB

6470

e+/n

Run FRFFIUlflM X. CHIFARnAN'^

1 033. AT JAZZ BAND BALL/ PRINCE WAILS

CO

36853

U

Rl IND ROV Fill 1 FR t Rl UFO

□L Ml L/ QUI i U LLLil I DLUUu 1

|034. FUNNY FEELING BLS/ MAMA LET ME

VO

4237

N-/E+

EARL FULLERS FAMOUS JAZZ BAND

1035.LI LIZA JANE/ COON BAND CONTEST

v 1

18394

E+

JAN GARBER

1 036. OLD PA IR OF SHOES/ BE Wl TH U GL

VI

24881

N— /N

I037.MUSI C IN HRT/u'RE AN ANGEL GL

VI

25017

N

1038. MY OTHER ME/ FIRST KISS GL

VI

2512]

e+/n-

JUDY GARLAND

I039.ST0MPIN* SAVOY/ SW. MR CHARLIE

DE

848

E+

I040.NEUER RAINS/ 10 PINS IN SKY

DE

2017

e+/n-

CHESTER GAYLORD

1041, WHERE MOONBEAMS/ SING LOVE SONG

BR

4448

N

ART GILLHAM

1042.2 LITTLE ROOMS/ TRU BLS

CO

1919

N

GEORGE GIVOT

I043.GREEK AMBASS/ MARK ANTOMINI MELO

115

E

BENNY GOODMAN

1044. WHERE OR WHEN/ ICRIED 4 U

BB

1 1456

N

1045. OARN THAT DRm/ PEACE BROTHER

CO

35331

N

I046.0A0NT BE BAY/ ALL CAT JOIN IN

CI

36967

N

1047. MOON GLOW/ DINAH

VI

25398

n/n—

I048.L0VE ME OR LV ME/EXACTLY L 1 KE U

VI

25406

E+/E

1049. ST. L. BLS/ CLAR. MA RM- O.D.J.B.

VI

254l 1

E+

I050.PECKIN'/CANT WE B FRIENFJS GL

VI

25621

E+

l05l.CHAN.GES/ SLEEPY TIME DN SO. GL

VI

25634

E+

1052. BOB white/minnie MOOCHER WED.DGL

VI

25683

E

I053.LOCH LOMOND/CAMEL HOP GLVt

23717

e/e+

I054.THNX 4 MEMORY/ ITS WONDERFUL GL

VI

25727

N

I055.BEI MIR BIST DU SCH On/ 2 SI DESGL

VI

25751

N

I056.FEELIN' HI HAPPY/ LET SONG GO GL

VI

25840

N-/E+

I057.KISS AT TWLITE/ WHAT GOES ON GL

VI

25878

n/e+

I058.WHEN 1 GO DRM/BLUE INTERLUDE GL

VI

26021

I059.BLS IN UR FLAT/ BLS MY FLAT GL

VI

26044

N

|060.U'R LOVLY MOME/WHAT HAVE U GOTGL

VI

26053

N-/E-I

1061. LET THIS B WARNING/DEAR FATHERGL

VI

26061

E+./N-

1062. IS THAT WAY/l HAD TO 00 IT GL

VI

26082

e+/n

1063.1 NEVER KNEW/ SWEET SUE

VI

26089

N—

BENNY GOODMAN CONT.

I064.THIS CANT BE LOVE/siNG 4 SUPPEP GL

VI

26099

E/N—

IC65.KINA LONESOME/SEE ANNIE TONITE GL

VI

261 10

N-/E

GRAY GORDON ORCH

I066.ALL ASHORE / DRM GIRL OF PI K.A.

BB

7828

N

I067.U CANT B MINE/ 60 SECS GOT TOGET.

BB

7854

N

I068.AFTER LOOKING AT u/KISSED IN DFM

BB

1 0020

n/e+

1 069.L 1 NG 1 RNG ON DRSTp/fUNNY 2 EVYONE

VI

26350

E+

GLEN GRAY /CASA LOMA

1 070. WHOA BABE/STUDY IN BROWN

DE

1 |59

E+

I07I.L0VE IS GOOD/ WAS IT RAIN

DE

1 180

N—

|C72. NEVER MILLION YRs/luLL IN LIFE

OE

|2| 1

E-*

1073. YOURS A MINE/FELLIN LIKE MILLION

DE

1 368

N—

I074.MISSI0N BY SEA/ FAREWELL MY LOVE

DE

|5|9

N— /E+

1075. HEART SET ON u/ 1 REMEMBER

DE

1530

e+/n—

I076.BEI MIR BIST DU SCHOn/ LIFE-TIME

DE

1575

N— /N

I077.SWT AS SONG/ COULD USE DRM

DE'

1597

N—

1076.NIGHT TO ORM/HRT TAKING LESSONS

DE

1650

n/n—

GREEN BROTHERS. MARIMBA ORCH.

1079. ADMIRATION/ MAORI

VI

22785

N

JOE GREENS ORCH

I08C.L0VE SONG OF NILE/STAY OUT RYL BLCO

2776

E—

I08I.M00NLITE WALTZ/CHAMPAGNE WALTZ

VO

2653

N—

i 062. LOVED SAME GRl/mOON OP DESIRE

VO

2768

N

1083.2 «IG8 IN Dk/ JUST THAT WAY

VO

2777

E—

JOHNNY GREEN

I084.WHEN LOVE CMS UR WAy/wHY SHOULDNT

BR

7522

E+

1085, CIGS IN DARK/ FORTUNE TELLER

CO

2943

E-/E

J 1 MM IE GREER

1086. LOST IN MY DRMs/ HOw'm 1 00 IN'

BR

- 7733

N

I0B7.N0B0DYS BABY/ I'VE DREAMED

BR

7887

N— /n

1088. UR OWN LITTLE WAY /LOOK ING ( Bt B»«)

SR

7901

N— /e+

lOSS.EVERYTh ING U *AI0/|F ITS LAST

DE

1475

N

1090. YANKEE DOODLE/ BOB WHITE

DE

1497

E+

1091. U LVE ME VREAIHLESS/ SAY S HEART

DE

1 797

N

1092. PAY DREAMING/ BACK TO BALI

OE

1 81 3

N— /u

MAL HALLET

1 093. GROW OLD TOGE THER/MNL 1 TE CHESAFKE

DE

984

N/N—

I094.LAZV RIVER/ SOMETHING IN AIR

DE

993

E/N—

1095. CHAPEL IN MNLITE/ECHO VALLEY

DE

1033

E+-/»J

I096.GDN1TE MY LOVE/ 1 NEVER KNOWS

DE

1047

E+/^—

1097.1 IN MILLION/ WHOS AFRAID OF LOVE

DE

1 1 16

e+/n—

I098.TR0UBLE WITH ME/RAN IN MY EYES

DE

1 167

e+/n

I099.AN OTHER CIG/LIFE OF PARTY

DE

1403

e+/n—

tlOO.U AND ME/LITTLE THINGS THAT COUNT

DE

1 863

N

GEORGE HAMILTON

IIGI.SAYING TO MOON/UNDER UR SPELL

VI

25449

N

1102. SUN SHOWERS/FELLIN LIKE MILLION

VI

25602

n/e+

1103. MILLERS DGHTER/WOULD U LIKE

VI

25606

N

1 104. OLD MAN MOON/ GONE WITH DAWN

VI

25617

N

PAUL HAMILTON ( C. BULLOCK VOCAL)

1105. SO HELP ME/EASY COME EASY GO

<£>

2721

E+

JOHNNY HAMP 4 ORCH

1106. IF U SHOULD NEED ME/ HOW 1 MISS U

\ 1

22650

E

1 I07.NEVERTHELESS/LL0KING GLASS

VI

22722

E+

II08.WHISTLE 4 BLOW BLS jWAy/hUMMIN'

vl

24000

E+

LIONEL HAMPTON

1109. FIDDLE DEE DEE/BOUNCING AT BEACON

VI

27364

N

HARTMANS HEART BRKERS

II 10. FETCH IT ON DWn/s» DADDY YL

BB

6494

N

COLEMAN HAWKINS

III. HUSH OF NITE/OUT TO LUNCH

JD

8127

E+/N-

1 1 I2.DR IFT ING ON REED/fLYIN' HAWK

JO

8250

E-

II 13. SHANTY TOWN/BEYOND BL HORIZON

KY

622

v+/e-

II 14. ROCKY COMFORT /PASS IN IT AROUND

OK

6284 N

ERSKIN HAWKINS

II 15. WHO'S BEATING MY TIME/bLKOUT GL

BB

1 1 192

N

116. HEY DOC/ROCKING DRM BOAT

BB

11277

E+

III7.JULEP JOINT/ BICY6LE BOUNCE

BB

,547 E-/v*

LENNIE HAY TON

II8.CIG 4 2/love u much too much

VO

5421

N—

FLETCHER HENDERSON

III9.LAST THING/ LOVE WITH LOVE

VO

3850

e/j

W 1 LL IE (RED ) HERMAN(HARMONICA)

1 1 20. GROW OLD TOGETHER/WHERE BL BEGINS

BB

6572

n/e+

WOODY HERMAN

I|2|.U'RE THE ONE/ LOVE OF MY LIFE

DE

3528

N

1 i22.skylark/night OF NIGHTS

DE

4198

N

ALEX HILL

1 |23. STOMPIN ' EM DOWN/ TACK HEAD BLS

BR

80034

E-/N

EARL HINES

II24.B00GIE WOOGIE ST L. BLs/#|9

BB

10674

E-

1 |25.JULIa/C0MIN IN HOME

BB

1 1 199

E

1126. STORMY «I0N.BLs/2ND BAL.JUMP

BB

1 1567

E-

II27.C/NT believe/rhythm SUNDAE

OK

6250

E—

II28.BOOCIE WOOGIE ST.L. BLs/ JELLY

y 1201757

E-

51

AUCTION

AUCTION

JIM McGUIRE

1007 - 22NB STREET
DES MOINES I I, IOWA

VI

21744

E+

VI

21771

N—

VI

21802

E+

CO

2516

E+

de

1287

N

JACK SHILKRET

1319. MISTY ISLANDs/RENDEZVU IN HON BR 7602 E+

NAT SHILKRET ( TROUBADOURS «)

1320. VARSITY GIRL/bLDSSPMS THT BLOOM

1321. just swthrt/was it love*

1322. jim valentine/love dreams •

KATE SMITH

1323. MOON OVER MT/HAVE TO GO ON

STUFF SMITH

1324. WHER IS SUN /UPSTAIRS

ARTIE SHAW

1325. NIGHTMARE/NPN-6TPP FLIGHT GL BB 7875 E4-
1326. 1VI IS THING CALLED LUv/yEST EROA YS GLBB 10001 E+

1 327 . DAY AFETR OAY/DEEP IN DRM GL BB 10046 E+

1328. BETW.KISS 4 SIGH/THNX 4 EVYTH I NGGL BB 10055 E4-/N-

1329. THEY SAY/ROOM WITH VIE* GL BB 10075 N—
1330. SAY IT WITH KISS/TOOK MILLION GL BB 10079 N-
|33I.CARIOCa/b|LL GL BB |0|24 N-/fef
1332.THIS IS IT/lTS ALL YOURS GL BB |0|4| n/n—

I STILL HAVE FOR AUCTION UNSOLD OR EXTRA COPIES OF THE
FOLLOWING NUMBERS FROM MY SEPT. BECCD CHANGER AD. BIDS
WILL ALSO BE ACCEPTED ON THESE SO PLEASE CHECK THE SEPT.
ISSUE.MANY FINE RECORDS FROM THAT AO ARE STILL AVAILABLE,
1 0 I -I 02-1 03-1 05-1 26-133-1 34-1 36-137-1 43»1 44-1 45->l 47-1 49-
150— 153— 154— 160— 162— 165— 169— 185— 186— 187— 188— 189— 190- 191—
1 99-200-209-i 10-211-212-213-214-215-tl 9-220-22 1-222-225-
227-228-229-230-231-232-237-239-240-246-247-251-252-253-
254-255-258-259-269-561-262-263-264-265-266-268-269-271-
272-2 73-274-2 75-2 76-2 77-2 78-2 32-2 84-2 95-2 98-2 99-390--30I-
305-306-307-309-3 1 0-3 1 I -3 1 3-3 1 5-3 1 8-3 1 9-32 0-32a-32 3-324-
325-326-327-329-330-331-333-334-335-339-340-342-434-344-
345-346-347-348-349-350-35 1-352-353-354-355-356-360-36 l~
362-363-364-365-366-367-368-370-372-373-374-375-376-378-
380-3 82-384-386-393-394-395-397-40E-4I 0-4 1 4-4 1 6-4 1 9-420-
42 1-422-425-426-427-429-430-43 l-436-*38-439--t4u. 441-442-
443-444-445-446-447-452-454-455-456-457-45 9-t6 1 --(62-465-
466—467—468—470—471 -472-473-474-475-477-478-479-480-48 1 -
482-483-4S5-487-488-490-^94-495-496-497-498-499-503-604-
5 1 0-5 1 2-6 15-5 1 7-5 1 8-520-52 1-522-524-625-63 1-537-639-540-
544-545-646-548-649-550-552-554-555-558-559-560-66 1 -562-
563-564-565-666-567-668-573-574-679-681-582-583-584-689-
597-^98-599-600-60 1 -602-603-604-606-607-608-609-6 1 0-6 1 2-
6 1 3-6 14-6 1 8-6 1 9-62 4-626-62 9-633-634-635-636-^37-6 38-640-
641-642-643-644-645-647-649-650-656-657-658-659-660-662-
663-664-665-666-669-674-680-68 1 -682-686-687-688-690-69 1-
692-694-706-70 7-71 0-7 1 6-72 3-72 4-72 8;

FOR SALE CHEAP

THOUSANDS OF RECORDS BY THE FOLLOWING /RTISTS FROM 25#

UP. SEND ME YOUR LISTS*

ANDREWS SISTERS- BLUE DECCA

LES BROWN-COLUMBIAS — OK'S

JIMMY DORSEY— BLUE AND BLACK DECCAS

TOMMY DORSEY- VICTORS

SHE P FIELDS- BLUEBIRDS

TED F I OR I TO- BLUE DECCAS

JAN GARBER— ALL LABELS

BENNY GOODMAN— COLUMBIAS - OK'S- VICTORS

GLEN GRAY - BLUE AND BLACK DECCAS

WOODY HERMAN— BLUE AND 8LACK DECCAS, CLUMBIAS

CONNIE B01WELL- BLUE AND BLACK DECCAS

HARRY JAMES- COLUMBIAS

RUSS MORGAN - BRUNSWICK, BLUE 4 BLACK DECCAS

SAMMY KAYE - VICTORS- VOCAL IONS

GENE KRUPA— OK'S AND COLUMBIAS

ANDY KIRK - BLUE AND BLACK DECCAS

KAY KYSER — BRUNSWICK AND COLUMBIAS

BING — BLUE AND BLACK DECCAS

GUY LOMBAROO - VICTOR- BLUE AND BLACK OECCA

LOUIS JORDAN — BLUE AND BLACK DECCAS

BOB CROSBY— BLUE DECCAS

HORACE HE IDT— BRUNSW1CKS

BLACK LABEL CAPITOLS- ALL ARTISTS

WESTERN AND FOLK MUSIC- OK'S, VOCAL IONS, MELOTONES
BLUE DECCAS AND SO FORTH.

I HAVE TENS OF THOUSANDS OF RECORD OF ALL TYPES FOR
SALE. SEND ME YOUR WANT PROBLEMS,

GLENN MILLER

I HAVE A FEW SETA OF VICTOR'S LIMITED EDITION ON
45 RPM AND 78 RPM STILL AVAILABLE, WILL SELL
FIRST COME, FIRST SERVED FOR REGULAR RETAIL OF
125.00. STILL IN FACTORY PACKING.

DOC EVANS

NOW AVAILABLE - "DIXIELAND CONCERT" AS RECORDED AT

WALKER ART CENTER, MINNEAPOLIS! SEE DEC. R.C.)

ON L.P. - SOMA MG 100 - $5^00

EXTENDED PLAY 45 RPM - SOMA EP 500 - 83.00

AUCTION AUCTION
Saul STEPHEN STORAN SALE

% ARG - BOX 341 COOPER STATION NYC N.Y
AUCTION OF STOCK OF TOPEK RECORDING STUDIOS.
ALL RECORDS LISTED ARE COMPLFTE HALF-HOUR
STUDIO ACETATE RECORDINGS. ALL RECORDS ARE
IN N CONDITION— NEVER PLAYED.

GEORGE LEWIS-JIM ROBINSON-KIO HOWARD
LAWRENCE MARRERO, ETC— |2" LP
( I Jdarktwon s's ball

(2 (DALLAS SLUES

(3) CARELESS LOVE

(4) | CANT GIVE U ANYTHING BUT LOVE BABY

(5) G0NNA SIT RIGHT DWN 4 WMA letter(p solo)

(6) mama DON'T ALLOW IT

LEADBELLY— |2"LP (not a BRAODCASt)

( 1 ) dont you love your daddy no more?

(2) SAIL ON LITTLE GIRL SAIL ON
(3>ALBERTA

(4) t b blues

(5) easy rider

(6) w0rrie0 blues

(7) last go round

(8) grey goose

(9>STEW0ALL
(IO)pICK A BALE OF COTTON

KID HOWARD - |2"lp

( 1 ) SA INT GO MARCH IN IN

(2) S0ME OF THESE DAYS

( 3 ) SHA KE IT AND BREAK IT

PAPA CELESTIN

(4) LIL LIZA JANE

(5) DARKT0WN S'S BALL

(6) SAINTS 60 MARCHING IN

BENNY MOTEN— LAMAR WRIGHT

(ST .LOUIS 1923) |2"LP-N0T A BROADCAST
( I (ELEPHANTS WOBBLE
(2 )cRAWDAD BLUES

(3)TULAS BLUES

(4) g00FY DUST

(5) »ABY DEAR

(6) as i like it

(7) things seem so blue to me

(8) |8th st strut

(9)shes sweeter than sugar
(|0)s0uth street

gertrude ne i sen - |2"lp
( i >who are the british?

(2) annie laurie

(3) la cucaracha

(4) bublithki

(5) masabi

(6) TA8U

(7) dark eyes

(8) two guitars

DUKE ELLINGTON - I? " LP (never released)

( I )new world a comin' (|2 mins long)
(2 (double ruff

(3) everything goes

(4) ri ff 'n drill

(5) blue abandon

(6) s 0 N 0

(7) tip toe topic

lee collins-don ewell — 12 " lp

( 1 ) d ipper mouth bls

(2) balling the jack

(3) st louis blues boogie ( solo)

(4) lulu white blues ( 8 MINS long)

(5) saints go marching in

COUNT BAS IE— 12" LP ( NOV 3, |937)lESTER,herschEL

( 1 ) one o'clock jump(6 m i ns j

(2) l cant get starte0(sillie holiday)

(3) a study in brown

(4) rhythm in my nursery rhythmes
( 5)j0hns idea

(6) g00d morning blues

(7) dinah

PIRON'S NEW ORLEANS ORCH WITH LRENZO TRIO
1924- |2" LP (NOT A BRAODCAST )

( 1 ) NEW ORLEANS WIGGLE

(2) MAMA'S GONE GOODBYE

(5) bOUNCING AROUND

(4) kiss ME SWEET

(5) ghost of the blues

(6) bright star blus

(7) west indies blues no. f i

(8) sud bust in blues

(9) westindies blues no. fz

DUKE ELLINGTON-ESQUIRE JAZZ CONCERT— JAN 17,1945
( I )BLACK (8 MINS. LONG)

(2) MAUVE (6 MINS)

(3) C0ME SUNDAY THEME DEVELOPMENT ( 7 M I NS )

(4) | CANT BELIEVE THAT YOU'RE IN ^OVE WITH ME ( 6 M I NS )

LEWIN RECORD PARADISE

5600 HOLl.YV/OOO OLVD
HOLLYWOOD 28, CALIF.

OUR FIRST STORE WIDE SALE IN |5 YEARS.

tl.50EA.

.75EA.
I.50EA.

.90EA.
I.IOEA.

.75EA.

.75EA.

l.5CCk*
I.OOEA.
I.OOEA,
•95EA.
I.35EA.
I.20EA.

I .50EA .
I.50EA.

I.OOEA.

.SOEA.
I.OOEA.

•75EA.

I.35EA.
1.25 N
1.25 N

2.75 E
2.75 E

2.00 E
2. CO E
3.00EA.
4.00EA.

glen miller. gold label. most all to choose from
bing crosby .most all, blue label oecca
benny goodman. gold label v ictor.most all
benny good man. c plumb i a or i gl nals .most all
louis armstrong. eng. parl.bl decca thousands
harry j a me s.c plumb i as.or i g i nal6 thousands
harry james. brunswicks pr i g i nals,sl.h igher

teddy wilson/billie hol iday.vocali ons orig.

original brunswicks
tommy dorsey. orig gold label v i c ,th ousands
charlie barnet pract.all bluebird originals
bunny berigan.voc.vic.pract.all origin
red nichols. brunswick originals
artie shaw. bluebirds. vict neg.parl.
artie shaw. orig. bruns.sl higher
duke el l i ng ton. any v ict.hmv.bb.f i ne selctn
fsis waller. any orig. vic or nmv in stock

(over 200 in stock)
jimmie lunceford.bl dec 4 vocs.prat. all
woody herman. bl dec. have pract all
count bas ie. bl. dec or ok pract all
progressive records. any label in store
all new lps discount on most all
Sidney bechet any victor hmv

EA.RL H I NES.CAVERN I Sm/ ROSETTA BR 6541
EARL H I NES. MADHOUSE/DARKNESS vo 3379
NEW ORLEANS RHYTHM KINGS

SHIM SHAM SHA WABBLE/DA DA STRAIN GE 5|06
TIN ROOF/THATS A PLENTY GE 5|05

JIMMY NOONE

SWEET LORRA INE/APEX VO 1 207

4 OR 5 times/every EVENING VO 1185

LOUIS ARMSTRONG OK 8000 SERIES ALL VG TO E
KING OLIVER. GEN 5000 SERIES IN E.COND. AS LOW

YOU JUST CAN'T BEAT OUR PRICES.

FEETCHER HENDERSON. ANY ORIG.VOC. VIC. BL DE.
BLUE NOTE. 12" any
KEY NOTE. |2" ANY
EARL H I NES. PRACT ALL 88
EKSHN HAWKINS. PRACTICALLY ALL BB
BIX BE I DER8ECKE.AT REAL BARGAIN PR ICES.ENQU I RE
JELLY ROLL MORTON.HMV OR VICTOR MANY
ST LOUIS BLUES AND STARDUST OVER 250

NONE HIGHER THAN 2. SOEA.

NEW ORLEANS RHYTHM KINGS GENNETTS.wl LL ACCEPT 3.00EA.

(ABOVE VG TO E )
CHICK WEBB WITH ELLA FITZGERALD BL DE.. .80EA.

ALL E TO N CONDITION. WE DEFY ANBODY
TO BEAT OUR PRICES.

REALLY RARE COLLECTORS ITEMS AT UNBELIEVABLE PRICES.
THESE PRICES TO REMAIN IN FORCE UNTIL FURTHER NOTICE.

HURRY I I i I GET THE PICK WHILE THEY LAST.

IN ORDER TO GAGE ACCURATELY OUR ORDERS, PLEASE SEND
SUITABLE DEPOSTT WITH ORDER. IF RECORDS ARE OUT OF
STOCK.DEPOSIT WILL BE RETURNED SAME DAY AS RECEIVED .
EVERYTHING GUARANTEED AS TO GRADES. BUY WITH
CONFIDENCE, BASED ON OUR 15 YEARS DF trading with the
"TRUE COLLECTOR"

PLEASE GIVE TWO OR THBEE ALTERNATIVES WHEN ORDERING.
THIS WILL SAVE TIME AND EXPEDITE DELIVERY.

I.30EA.
I.OOEA.
I.OOEA.

i.ecFA.

I.OOEA.
I. SOEA.

52

AUCT,ON JAZZ RECORD CENTER AUCT,ON

10/ WEST 47TH STREET NVC I 9, N.Y,

MINIMUM BID 75(t fER RECORD. CLOSING DATE IS MAY 10. WINNERS NOTIFIED TO SEND AMOUNT OF WIPING B IDS PLUS 25? PACKING CHARGE. RECORDS SHIPPED
VIA RRX UPON RECEIPT OF REMITTANCE. UNCONDITIONALLY GUARANTEED.

LOUIS ARMSTRONG

CONFESSING/I" I COULD B W | TH U VO 3059 E

LA WD U MADE NITE/kEEPINO OUT Or MISCHI- VO 3 1 8 1 V

hobo u 6ANT pide vra i n(Aa i ss basin bb 650i E

LONESMOE BOAD/SONG OF THE I SLA OS VO 30Z6 E

STAR DUST/WRAP YOUR TROUBLE IN CRMS VO 3172 E*

I GOT RIGHT SING BLS/HIGH SOCIETY BB 6771 E—

ADRIAN 4 HIS TAP ROOM GANG

GOT A NEED FOR U/WEATHER MAN VI 25072 E

PERRY BRADFORDS JAZZ PHOOLS (>|5.00 MIN bid)

WHOLL GET IT WHEN IM/ALL TME PE 12092 E-

LIZA BROWN AND JOHNSON

STOP LAYING THAT STUFF ON ME/TAKE LIT CO 14478 E+

MILDRED BAILEY

RIGHT OR WRONG/LOVING YOU VO 3758 E

iTHERES A LULL IN LIFE/NEVER IN M I NN I ON VO 3508 V

BIX BE IDERBECKE

SORRY/SINCE BEST GAL TURNED ME DOWN VO 3|49 V

BUNNY BERIGAN AND HIS BOYS

RHYTHM SAVED THE WORLD/CANT GET STARTED VO 3225 E-

WHEN I'M WITH YOU/ BUT DEFINITELY VO 3253 E-

ITS BEEN SO LONG/SWING MR CHARLIE VO 3253 E—

LOVB IS MERRY GO ROUND/ SWANEE RIVER VI 25588 E

THE FIRST TME SAW YOU/ROY FOX HARBOR VI 25593 E

WALK I N THE DOG/ 1 N A MIST VI 26123 E

SOBBIN BLUES/ I CRIED FOR YOU V| 26116 E

FATHER DEAR FATHER/LET THIS BE WARNING VI 26061 E

JAZZ ME BLS/ THERLL BE SOME CHANGES VI 26244 V

DOWN STREAM/ SOPHISTICATED SWING VI 25811 E

BING CR0S8Y

3 LITTLE WORDS/RING DEM BELLS<DUKE E.) VI 22528 E

IT MUST BE TRUE/FOOL ME SOME MORE VI 22561 £-
I GUESS IT HAD BE THAT/DAY U CAME ALONG BR 6644 G

FROM MONDAY ON/WHAT PRICE LYRICS? VI 2 1 302 V

THEM THERE EYES/LITTLE THINGS IN LIFE VI 22580 E+

MARCH OF MUSKETEERS VI '2|3|5 E

WRAP TROUBKES IN DRMS/L I TTLE THINGS BB 7|02 E

OL 'MAN RIVER/MAKE BELIEVE VI 2|2|8 E-

STAY ON RIGHT SIDE ROAD/ SOMEONE STOLE VO 4522 E-

NOW YOURE GONE/FADED SUMMER LOVE BR 6200 E+
RUSS COLUMBO

TIME ON MY HANDS/GDN I GHT SWTHEART VI 22826 E-

COTTON PICKERS

WOE IS ME/THERE IS JAZZ IN THEM THERE VO 3263 E+

TOM DORSEY

TIGER RAG/ITS RIGHT HERE 4 U OK 4|73 E

PENTHOUSE ON 3RD AVE., /LOVE IS NEVER VI 25591 E

THE DEAN AND HIS KIDS FEATURING HARRY JAMES

ZOOM ZOOM ZOOOM/oPREADIN KNOWLEDGE AROUNVO 3342 E

DUKE ELLINGTON

IT DONT MEAN THING/ROSE ROOM BR 6265 E

WHAT GD | WITHOUT U/9 MILES FRM TENN. VI 22586 E

EAST ST LOUIS TOODLE 00/GOT EVERYTHING VI 2 1 7u3 E

THE RIVER AND ME/KEEP A SONG IN SOUL VI 22614 E-

BANDANNA BABIES/MUST HAVE THAT MAN VI 38007 E-

THE MYSTERY SONG/SWANEE SHUFFLES BB 66 |4 V

NEVER NO LAMENT/ COT TON TAIL VI 26610 E

COCKTAILS FOR 2/LIVE AND LOVE TONIGHT VI 246 1 7 V

SOPHISTICATED LAOY/STORVY WEATHER BB 6600 E-

BDJNY GOODMAN

BLUE INTERLUDE/WHEN I GO DREAM IN VI 26021 E

I GOT RIGHT SING/AIN'T CHA GLAD CO 3|68D E-

OR, HECKLE & MR JIBE/TEXAS TEA PARTY CO 3|67D E-

CHR I STOPHER COLUMBUS/ GET HAPPY VI 25279 E—
GENE'S MERRYMAKERS

ITS SUNDAY OWN CAROL I NI/HEAD | N 4 WEOOIN HE 15767 V

GEORGIA COTTON PICKERS

SNAG IT/LOUISIANA BOBO D| 3|27 E+

FLETCHER HENDERSON

SAY S* SADIE/WISH I COULD MAKE U CRY PE 14265 E-

IVE FOUND WHAT WANTED/SWT AND HOT CO 24|4 E

LIZA/HOTTER THAN 'ELL DE 555 E+

THE JUNGLE BAND

ST LOUIS BLS/ GOTTA DARN GOOD REASON NOWBR 4936 E+

TIGER RAG/- PARTS ONE AND TWO BR 4238 E+

THE JIM DANDIES
SHAKE THAT THING/CHARLESTON GEECHIE DNCEHA 55H V

HAL KEMP

WHISTLES/MARY JANE BR 6|I0 E +

VIRGINIA LEE/MILDRED GRIZELLE

LOW DOWN/CANT GIVE U ANYTHING BUT LVE

TED LEWIS AND HIS BAND

GE

6646

e+

THE MEMPHIS BLS/8EAL ST BLS

CO

1050

E+

THE YELLO DOG BLS/ CLARINET MARMELADE

ME

13380

E+

WABASH BLS/ FAREWELL BLS

CO

2029

E+

MILLS MMSICAL CLOWNS

BABY/ RAIL ROAD MAN PE |5|II E

LEE MORSE AND HER BLUE GRASS BOYS

IM LONELV/IN SING SONG SYCAMORE TREE CO 1 38 1 E+

MOUND C ITY BLUE BLOWERS
HELl 0 LOLA/NEVER HAD REASON BEL I VE U BB 6270 E

MISSISSIPPI JOHN HURT
FRANK IE/N080DYS DIRTY BUI OK 8560 E-

BENNY MOTENS KANSAS CITY ORCM

Yazoo bls/ Kansas city shuffle vi 20485 e+

thick lip stp/ harmony bls v| 20406 v

mezz mezzrow and his swing band
melody from the sky/lost bb 6320 e+

MIDWAY DANCE ORCH

LOT* 0 MAMA/ BL SHEEP BLS CO 33 E

COTTON PICKERS BALL/ BUDDYS HABITS CO 5| E

HELEN MORGAN

BODY AND SOUL/SOMETHING TO REMEMBER VI 22533 E+

CANT HELP LOVING DAT MAN/ BILL VI 21:38 E+

WINGY MANNONE AND HIS ORCH

USHOWED ME WAY/CANT LOSE THAT LONGING BB 6804 E—

JELLY ROLL MORTON
DR. JAZZ/MEMPHIS SHA KE ( D I X I ELAND JUG ) VI 204|5 E-
THE CHANT/BLK BOTTOM STOMP VI 20221 V

RED NICHOLS AND HIS 5 PENNIES
DINAH/ INDIANA VO 4599 B

5 PENNIES/ FEELIN NO PAIN CO |229 E+

0 'BRYANTS WASHBOARD BAND

PM 12265 V

MM 12568 E

823 E

WASHBOARD /BRA NO NEW CHARLESTON

JIMMY O'BRYANT

DRUNK MANS STRUT/MOBILE BLS

NEW ORLEANS OWLS

BLOW IN OFF STEAM/BROTHERLY LOVE

SID PHILIPS AND HIS RHYTHM

MY SWEETY WENT AWAY/SWEET SUE JUST U VO 3391 E

BEN POLLACK AMD HIS ORCH
GOIN TO HVN ON MULE /MY LIT GRASS SHACKCO 28§6 E

BESSIE SMITH

SWT MISTREATER/HOMELESS BLS CO I426U E-

CLARA SMITH

ITS T|(,HT LIKE THAT/DADDY PUT THAT 00 14398 E-
VICTORIA SPIVEY C. WILLIAMS BLUE 5

OK 8615 E+

MY HANDY MAN. ORGAN GRINDER BLS

FRANK IE TRJMBAUER ORCH
SHIVERY STOMP/REACH ING FOR SOMEONE OK 41268 E

JOE VENUTIS BLUE FOUR
SENSATION/ THE BLUE ROOM OK 4||44 E

RAGGING TH SCALE

JOE VENUTI, EDDIE LANG BLUE 5
RAGGIN THE SCALE/ART KASSEL CHANT SWP CO 2765 E-

WHOOPEE MAKERS

SOME OF THESE DAYS/TIGER RAG PE |5|94 E-

CLARENCE WILLIAMS BLUE 5

SHAKE THAT THING/GET FIXED

CANT THINK OF ANYTHING U/CAN SEE U

BEER GARDEN BLUES/ BREEZE

ETHEL WATERS

WEARY FEET

WE9RY FEET/TAKE BLK BOTTOM OUTSIDE
LOUD SPEAKING PAPA/PICKININNY BLS
STORMY WEATHER/LOVE IS THE THING
DONT BLAME ME/SHADOWS ON SWANEE

REISSUES ON RED VINYLITE MINT
YOUNi- S CREOLE JAZZBA tt> /» IDWAY GARDNS
TIN ROOF BLo/BLK SHEEP BLS

CLARENCE WILLIAMS ORCH

OK 8267 V
VO 2958 E-

VO 254l v

CO 14214 E

CO 472 E

BR 6564 E

BR 6617 V

IN THE BOTTLE BLS/HIGH SOCIETY RAG

NEW ORLEANS STOMPERS

ALA.SHMFFLE/QEORGIA BOBO

NEW ORLEANS WANDERERS
TOO TIGHT/PAPA DIP

MORTONS RED HOT PEPPER

CANNON BALL 8LS/GRANDPAS SPELLS

NEW ORLEANS BOOTBLACKS
FLAT FOOT/ MAD DOG
I CANT SAY/ MIXED SALAD

NEW ORLEANS RHYTHM KINGS
WEARY BUS I WOLVE INE BLS
MILENBERG JOYS /SH IMMESHAWAB8LE

JOHNN E MILLERS N.O. BOYS

PANAMA/DI PPERMOUTH

KING OLIVERS CREOLE JAZZ BAND
JUST GONE /GO | N AWAY TO WEAR YOU

PRIG TUXEDO RAG/WHERE DID YOU STAY
8AM MORGANS JAZZBA ND

MOBILE STH/STEPPIN ON Ga3

LOUIS ARMSTRONG HOT FIVE
WHO'S IT/DROPPIN SHUCKS
GONNA GITCHA/DONT FORGET MESS AROUNO

PICK AND PAf AND TICIR MINSTRELS

COLUMBIA TRANSCRIPTIONS - B JMFL ETE SET I 3
PROGRANS - 7 REC0D6 16" 33l/3 RPM, E +

FATS WALLER

'SIPPIE/V/ILLOW «REE
PERSIAN RUG/THOU SWELL

NEW ORLEASN RHYTHM KINGS
AN GRY / SOBB IN BLS

CLARENCE WILLIAMS

JOE TURNER AND HIS MEMPHIS MEN
FREEZE AMD MELT/ MISSISSIPPI MOAN

53

AUCTION MINIMUM BID 75c AUCTION

B. J. PRINCE

5845 SW 49TH STREET, MIAMI FLORIDA

AUCTION MINIMUM BID 75c AUCTION

PLEASE BID ON POSTCARDS AND 3Y NUMBER AT LEFT OF COLUMN. RECORDS WILL BE SHIPPED VIA RR. EXP, CHARGES COLLECT UNLESS YOU REQUEST PARCEL POST AT YOUR RISK.
CONDITION IS GUARANTEED. A SMALL CHARGE WILL BE MADE ON PARCEL POST CH IPMENTS FOR PACKING AND POSTAGE. THANKS FOR YOUR INTREST IN THIS AD.

LOU ARMSTRONG

860. MAHOGANY HALL STP/HES A SON

BB

5086

E+

86 1 .SWT SUE/ST LOUIS BLS

BB

52 ac

E+

862.:-AUGHIN LOU 1 E/TO MORROW NIGHT

BB

5353

E+

863.BASIN ST BLUES/DUCKY STEVEDORE

BB

5408

E+

S64.MISSI3S!'PI BASIN/HOBO you CANT

BB

6501

EH-

865.1 GOTTA RIGHT TO SING/HIGH SOCIETY

BB

6771

E+

866.HUSTL 1 N 4 BUSTLIN/olTTIN IN DARK

BB

7506

E+

867„H0NEY DONT YOU/HONEY DO

BB

7787

E+

868. GUT BUCKET BLS/YES IM A BARREL

CO

3615?

E

869, CHICAGO BRKDWN/DONT JIVE ME

CO

36376

E

870„J ARE MY LUCKY/LA CUCARACHA

DE

580

£¥

87|, OLD MAN MOST/FALLING IN LOVE

DE

622

E+

872, THANKS A MILLION/SOLITUDE

DE

666

E+

873. HOPE GABRIEL/ SHOE SHINE BOY

DE

672

E+

874.SMBDY STOLE MY/ 1 COME FROM(LT DIG}

DE

797

E+

875. RHYTHM SAVED/MAHOGANY HALL STP

DE

824

E+

876, SWING THAT MUSIC/THANKFUL

DE

866

E+

877, IF WE NEVER MEET/0 1 PKER MOUTH

DE

906

E+

878. ON COCONUT ISLAND/TO YOU SWTHRT

DE

914

E+

879,SKELET0N/HURDY GURDY

DE

949

E+

880, RUBEN SWINGS/RED NOST

DE

1049

E+

881, HAWAIIAN HOSPITALITY/JN A LITTLE

DE

1216

E+

832. JARL 1 NG NELLIE/CARRY ME BACK

DE

1245

E+

883.PUBLIC MELODY/RED CAP

DE

1347

E+

884, CUBAN PETE/SHES THE DAUGHTER

DE

1353

E+

885.1 'VE GOT HEART/ALEXANDERS RAGTIME

DE

1408

E+

886.LET THAT 8E/3TRUTTIN WITH SOME

DE

1661

E+

887. LOVE WALKED 1 N/SONETH 1 NG TELLS ME

DE

1842

E+

88S.FLAT FOOT FLOOGEE (w/M 1 LLS J/CARAVAN

DE

1876

E+

889nCANT GIVE U ANYTH 1 NG/A 1 NT MIS8EHAVIN

DE

2042

I-

900. A 3 LONG AS U LIVE. WHEN SAINTS GO

DE

2230

E+

90 1 , JEE PERS CREEPERS/WHAT IS THIS THING

DE

2297

E+

902. SAVE IT PRETTY MAMA /HE AR ME TALK1N

DE

2405

E+

903. IF ITS GOOD /WEST END BLS

DE

2408

E+

904.BABY WONT U/oHANTY BOAT

DE

2729

El-

905. GOT ME VOODOOS /HARLEM STOMP

DE

3092

£+

906. NEW DO U CALL BUDDY /HEY LAWDY

DE

3756

E+

907.EVYTHINGS BEEN DONE/GLOAMING

DE

3825

E+

908.GET MINE BYE & BYE/YES SUH

DE

3900

E+

909.GUT BUCKET BLS/YES IM IN BARREL

OK

8261

V/V+

910. HEEBIE JEEB IES/MUSKRAT RAMBLE

OK

8300

G/G—

911, GEORGIA GRIND/COME BACK SWT PAPA

OK

8318

G-

9 12, CORNET SHOP SUEY/M Y HEART

OK

8320 G(./E

3|3.U MADE ME LOVE U/IRISH BLk( CRK.PLA YS )

OK

8447

G-

9I4.THAT3 WHEN 1 'LL COME /WEARY BLS

OK

8423

G/V

91 5. HOTTER THAT THAT(RM CHP NO GR '/SAVOY

OK

8535

V+

916. ONCE It) AWH 1 LE/STRUTTI N WITH SOME

OK

8566

E

91 7.F 1 REWORKS/WEST END BLS

OK

8597

V/G+

9I8«TIGHT LIKE THIS/HEA ME TALKIN

OK

8649 V

9I9.R0CKIN CHAIR/I AINT NOBODY

OK

8756 G+/V

920. 3T JAME INFIRMARY/SAVE IT PRETTY MAMA

OK

41 130

Vh

92|,BLK 4 8LUE/AINT MIS8EHAVIN

OK

4I27C

E

922.WHEN YOUR SMILIN/SOME THESE DAYS

OK

41298

G-

923.BLUE TURNING GREY/SONG OF ISLANDS

OK

41375

G+/G

924.1 CANT BELIEVE/ MY SWEET

OK

4|4|5

G+/V-

925.IM IN THE MARKEt(baD LMA CRk)/IM DING

OK

41442

G+/3

926. LEATHER BIRD/OEAR SOUTHLAND

OK

41454

927.LAZY RIVER/GEORGIA ON MIND

OK

4154

G

928, KING OF ZULUS/LONESOME BLS

OK

4158

E

929.THATS MY LOVE/HOBO U CANT

VI

24200

E^V

930. ST LOUIS BLS/DUSKY STEVEDORE

VI

24320

V

931 .SNOWBALL/HONEYDO

VI 24369

E-

9320BACK 0' TOWN /LINGER IN ARMS

VI20I9I?

E

933.TAKE TIME/I WONDER 1 WONDER

VI 202228

E

934.DINAH/ TIGER RAG

VO

3009

E

935.KICKIN GONG/GA. ON MY MIND

VO

3073

G/V

936.BLUE AGA 1 N/BLflC K & BLUE

VO

31*15

E-

937.KEY HOLE BLS /ME LA NCHOLY BLUES

VO

3137

v+

938.WILD MAN BLS/ GUILLY LOW BLs(RM GHP)

VO

3193

E/V-

9395PEANUT VENDOR/MUGGLES

VO

3194

E

940.Y0UR DRIVING ME/WEARY BLS

VO

3216

E/V+

94|,|M NOT ROUGH/HOTTER THAN HOT(BLK LAB )

VO

3237

E/E-

942. IM NOT ROUGH/HOTTER THAN HOT(BLUE L)

VO

3237

E

943. TIGHT LIKE THIS/riEAH ME TALKIN<BLK ")

VO

3303

E

944.TIGHT L 1 KET THIS/JEAH ME TA LK 1 n( BLUE" )

V"

3303

E

945.MY SWEET /CANT BELIEVE

vo

3308

Z

946.C0RNET CHOP SUEY/142 Bl(b. SM I TH )
947.0RIENTAL STRUT/UR NEXT

948. P0TAT0 HEAD BLS/ PUT THEM DOWN

949. TIGER RAG/ ST LOUIS BLS

950. SONG 0G VIPERS/ WILL YOU
95 1. SUNNY SIDE OF ST/ SUNNY SIDE OF

BUTTERBEANS AND SUSIE

952. D0NT START NOTHIN/U AINT TALKIN OK

953. DEAL YOURSELF A NOTHER ( D I GGER )/ J.R . %, E OK

CAB CALLOWAY /ARMS TRON & R. JONES

954. L0NES0ME LOVESICK/LAZY WOMANS B L OK

HRS 2 I 296 E+
HRS 10
UHCA 60 E+

VOX 16058 E+
VOX 16059 E+
VOX 16060 E+

8233 G
8520 G/

8279 V

IDA COX

955. ANY WOMANS BLS /BLUE MONDAY BL KM |2053

956. BL FOR RAMPART/CHATTANOOGA BL PM 12063

957. LAW0Y LAWDY BL/MOAN 1 N GROAN IN BL PM f2364

958. MAMA 000 BHEE BL/WORR I ED MAMA I'M |2085

959. MAN MAN BLS/BEAR-MASH BL \ KM 12087

ABOVE NEEDLE SCRATCHES

960. MEAN PAPA/IF YOU SHEIK ON MAMA PM 12097
961. SLUES AINT NOTHIN ELSE/LAST TIME PM |22|2
962.0EATH LEETER SL. KENTUCKY MAN BL PM 12220
963. GRAVEYARD DRM BL/COME TIGHT INCRK)kM 12022

G
E

G/V

BS 2010 V+/0-

BB 10038 E+

BB 10207 E+

BB 10415 E+

KM 12237

PM 12228

PM 12251

PM 12263

PM 1 23 1 8

964. MENA MAN BL/WORR I ED IN MIND

965. CHERRY PICKIN BL/WILD WOMEN

966. GRAVEYARD BOUND/M I SS I SS I °P | R|V
9670MARR IED MAN/GEORGIA HOUND BL

968. C0FFIN BLS/ RAMBLING BL
(COFFIN MAY BE BEST BLUES EVER RECORDED GOOD

BESSIE OR RAINEY AT THEIR BEST)

969. D0 LAWO DO/NITE AND OAY NL KM 12353

970. FORE DAY CREEf/GYPSY GLASS BL PM 12488

971. HARD ON LAWD/MERCY NL HM 12502

972. FOGY ISM/TREE TOP TAL PAPA ( OL I VE R? )kM 12690

973. BLK CREPE BL / FARE THEE WELL PM 12291
974.SC0TTLE DE DOO/DONT BLAME ME PM 12381

975. C0LD 4 BLUE/SEVEN DAY BL PM 12556

976. FOUR OAY CREEP/HARD TIMES VO 5298

977. DEEP SEABL/DEATH LETTER BL VO 5336
BERTHA'CH IPPIE" HILL

978. PRATT CITY BL(w/ARMSTRONG 4R . J0NESHRS22373

979. TROUBLE IN MIND/GA MAN W/ARMSTONG OK 8312
930. PANAMA LTD BL/LE AVE NWORTH BLW/JONEOK 8367

981. MESS KATIE MESS/ ST WALKER OK 8437

982. GA MANW/ JONES/TROUBLE IN MIND VO 4379

ALBERTER HUNTER

983. BOOGIE WOOGIE/WONT LET BB 8485

984. L0VE I HAVE 4 U/MY CASTLES BB 8539

985. /ELK I NG BL/FINE 4 MELLOW DE 7633
986.1 'LL SEE YOU GO/ CHIRPIN DE 7644

987. DWNHEAR TED BL. SOMEDAY DE 7727

988. -VI 1 S TREATED BLW/HENDERSON /YOU PM 12043
939, SUGARW/WALLER/BEALE ST (oig) VI 20771

MAGGIE JONES

991 .MAMA/CH EAT I N ON ME ( HENDERSON ) CO 14074

992. SUICIDE BL./DANGEROUS NL CO 14070

993. GOOD TIME FLAT/3CREAMIN BL(RARE) CO 14055

994. B0X CAR BL. WESTER UNION BL CO 14047

995, JEALOUS MAMA BL/FOUR FLUSHING CO 14044

9 96, NORTH BOUND BL . UNDERTA KE RS BL CO 14092
997. SINGLE WOMAN BL/NEVER TELL WOMAN CO 14092

(ABOVE RIM C HP NO GRV J

998.0ALLAS BL. SOUTH STREET BL CO |4||4 E-/V+

G
E
V
E
E

E
V
V

E-/V
E

E+

E+

Et

E+

E+

V

V

E/V+
V

E-

E

V+
E-
E-

C0

'(K7.0H DADDY(0 I G J/DOWN HOME BLS
tOL8„Y0U'RE M I NE/FRAN K I E 4 JOHNNIE

I029WHAD IT COMIN/WHAT GOES UP

1030. BRED 4 GRAVY/ PUSH-OUT

1031 . BABY WHAT ELSE/JUST GOT LETTER BB |05|7 E+

1032. GA. ON MY MIND/OLD MAN
033.D0WN IN MY SOUL/STOP MYSELF

I034.AM I BLUE/BIRMINGHAM BERTHA
035, GO BACK WHERE/DWN HOME BL

1036. U CANT D0/MAY8E NOT AT ALL

1037. WANT MY SWT DADDY/ SMILE

1038. WEST END BL/ORGAN GRINDER

1039. MISS OTIS REGRETS. MOON GLOW
1040. SWT GA. BROWN/NO ONE CAN
1041 .CANT GIVE U ANYTHING/LOW DONW

SIP? IE WALLACE
042. SHORTY QSORGE BL/UP THE COUNTY OK 8106 E/V
I043.LEVAING ME DADDY/MAMMAS GONE OK 8168 G+

999. REAL KIND MAMA / I M LEAVIN YOU CO

1 000. MAMA STAYED OUT/HE BELONGS TO ME CO
RICHARD M, JONES

BB
OK
VI

14139 E
14167 E

lOOl, TROUBLE IN MIND/ U GONNA LOOK BB 6963 E
1 002,SCA GMORE GREEN/DUSTY BOTTOM BL OK 8431 E-

1 003, GOOD STUFF/SMOKED MEAT BL VI 20859 V+/V

1004. JAZZIN BABIES BL .BOAR HOG BL V| 21203 G
VIRGINIA LISTON

1005, SALLY LONG BE W/C.W I LL I AMS/d DONTOK 8||5 V

1006. JUST TAKE ONE " " " /YOU CAN BK 8|26 V

1007. HAPPY SHOUT " " "/HOUSE RENT OK 8134 V

1008. GIVE IT TO ME GOOD)* " "/EARLY OK 8|87 E

1009. Y0UVE GOT RIGHT KEY " " " /BILL OK 8|73 E

SARA MARTIN

01 I. SUGAR BLW/C.W1LIIAMS/ACH IN HRT OK 8041 V

1012. C0ME HME PAPA/TAKES LONG TIME OK 8061 V
013. ORIGINAL BL/GOT WHAT TAKES OK 8062 G/V

|0|4. HESITATI ON/FREE & EASY PAPA OK 8082 V

|0|5. MISTREATED MAMA/RUNNIN ROUND OK 8086 V

I0I6.BLUE GUM BL/SLOW OWN SWEET PAPA OK 8097 V+
0 I 7.SQUABBL I N BL ( D I G ) /CERTAI NLY GONNAOK 8|08 G/G-

1013. EASLE ROCK ME/THINGS DONE GOT OK 8203 V
MAMMIE SM ITH

4169 V/
4228 V
4445

4630 V

20210

V/E
<-/G+.

1019. CRAZY BL.ITS RIGHT HERE FOR U OK

1020. MEMORIES OF U/ I F YOU DONT OK

1021. WNAG WNAG BL/ GET HOT OK

1022. LONESOME MAMA (D IG)/NEW ORLEANS OK
10-3. GOIN CRAZY/ONCE WAS YOURE VI

SUS IE SM ITH

1024. BULLET WOUND BL. GRAVEYARD BOUND AJ 105075 V

HOCIAL THOMAS, ACC. LOU I S'EXTREMELY RARE
LOUIS, DODDS, NOONE

1025. FISH TAIL DANCE/WORRIED DOWN OK 8222 V+/£

HERSAL THOMAS ( PIANO SOLO- RARE)

1026, SUITCASE BL/ HERSAL BL OK 8227 V

ETHEL WATERS

I 1028 E+
I 1284 E+
1837 E
CO 14093 E
CO |4| |2 V
CO 14229 £
CO 14365 V/V+
DE |40 E
CO 379 E
BR 6517 E

( ABOVERM CHP NO GR,) W/C.W ILL I AM S

1044.HES THE CAUSE/LET MY MAN
1045. IM SO GLAD/OFF AND ON BL

046. SUITCASE BL/MURDER GONNA
I047.IM SORRY FOR IT/MAN I LOVE

048. JACK 0 DIMONDS BL/SPEICAL DEL
I049.BEDR00M BL/ I M MIGHTY

CLARENCE WILLIAMS

8 1 90 V+/V
8197 E
8243 v+
8251 v+
8328 G-yG
8439 V

050.UNCEL SAMMY HERE I C OME/THR I L BB 11368 E

|05l .DREHMING HOURS/CLOSE FIT BL CO 14297 V/V

1052. MANDY MAKE UP MIND/IM THRILLER CO 35957 E

1053. TERR IBLE BL/ALL THE WRONGS HRS 31 E

1054. UILK COW/ BLACK GIRL ME 13328 V/E

1055. LAZY MAMA/MOUND CITY BL OK 8592 E-/V+

WILLIAMS STOMPERS

1056. JACKASS BL/ THATS THE MATTER OK 40598 V+/V

WILLIAMS WASHBOARD 4

057. CHURCH ST SOBBIN BL/YAMA YAMA OK
I058.WHIP ME WITH(LM CRK)/»ORN OUT OK

WILLIAMS BLUE 5

8525 V/G+
8790 E-

3254 v+/£
8267 v+
8267 \l+/£
8336 v+
8465 V/V-

059 .SQUEEZE ME/SANT CLaUS BL OK

1060. SHAKE THAT THING /GET FIXEB OK

06I.SAHITE THAT THING/GET FIXED OK

I062.WHATS MATTER/WANT EVERY BIT OK

I063.3LK SNAKE 8L/0L0 FOLKS SHUFFLE OK

'above LM crk)

1064. MANDY MAKE UPjl'RM CHP/IM LITTLE OK 40260 E-

1065. CAKE WALKING BABAIEs(BM BMP ) OK 40321 V

WILLIAMS M/L.SWITH

1066. TEXAS MOANER/HAS ANYBDYlfCRK ) OK 8157 E
I067.SEST F R I END/ I M GONNA GET MYSLF OK 8|86 E-/V+
1 068 «JA C KASS BL/ HASS BEEN BL OK 8331 V

WILLIAMS, V/ BUTTEPBEANS

1069,1 'LL PUT U UNER/IF U CANT BRQ OK 8224 E

I073.MARRIED MANS FOOL/CANT USE U OK 8|80 E

WILLIAMSW/E, TAYLOR

1071. WISH SHIMMY/BABT WONT U OK 4740 E-

1 072. DWNHRTED BL/ U MISSED A GOOD OK 8047 V+

1073. BAREF00T BL/DO IT LONG TIME OK 8073 V

1074. JAZZ BAB IES / 1 RRES I ST IBL E 8L OK 8129 V+/E

1075. JAZZIN BABIES BL(3M CHP 5 GR ) OK 8|29 V-/V

1076. PICKIN ON BABY /CAST AWAY(2 GR ) OK 40330 G— /G

CLARENCE W ILLIAMS

1077. BABY WONT U PLEASE/ PAPA DE-OABPE 15387 V
l078i3EER GARDEB / BREEZE VO 254l V+/G
1179.PANE IN THE GLASS/ SAT NIGHT PAPA I2870V/V+
1080. WONT U COME OVER/PRETTY BABY VO 27|8 V/E-
1081, OLD STREET SWEEPER/AFTERTONTE VO 2736 E/G-

1082. MILK COW BL/CLOUDS VO 2927 E/K+

MILDRED BAILEY

1083. WHEN THAT MAN DEAD 4/ JENNY DE 3661 E+

1084. GA ON MY MIND/AFRAID OF MYSELF DE 3691 E+

1085. ROCKING CHAR I /3MT I MES IM HAPPY DE 2755 E+

1 086. EVYTH I NG DEPENDS ON U/ALL 2 SN DE 3888 E+
1087. ITS SO PEACFUL/LOVER COME BK DE 3953 1+
I 088.SMET I MES/WHEREVER YOU ARE DE 4252 E+

1 089. THINK OF U/MORE THAN U KNOW DE 4267 E+

1090. HONEYSUCKLE ROSE/WILLOW TREE DE |8|08 E+
1091. SQUEEZE ME/DWNHRTED BLS DE I8I09 E+
I 092.SMEDAY SWTHRT/WHEN DAY IS DONE VO 3057 J*

1093. MORE THAN U KNOW/LONG ABOUT JO 3378 E+

1094. VTY LAST AFFAIR/TRUST IN ME VO 3449 E+

1095. LITTLE JOE/ROCKIN CHAIR VO 3553 E+

1096. L6N0 OF SKY BL/LOVER COME BK VO 3982 E+
I097.IF U WERE MY PLACE/MOONSHINE VO 4109 E+
I098.WASHB0ARD BLS/OLD DESERTED FAR VO 4|39 EH>
I099.SMALL FRY /BORN TO SWING VO 4224 E+

IIOO.SO HEL ME /AS LONG AS U LIVE VO 4253 E+
IIOl.HAVWN CHANGEO THING/NOW CAN BE VO 4282 E+

54

AUCTION K£N CRAWFORD, JR. AUCTION

2l5 STEUBEN STREET
PITTSBURGH 5, PA.
50«S MINIMUM BIO. THE FOLLOWING RECORDS WHICH ARE
ALL ON COLUMBIA AND ITS AFFILIATED LABELS.WERE
RECORDED BY THE COLUMBIA HOUSE BAND, FROM THE
PERIOD 1930 THRU 1932 AND HAD AfnONG ITS PERSONEL
SUCH NAMES AS BENNY ,JACK TEAGARDEN, VENUTI 4 LANG,
DORSEY BROTHER S, BUNNY BERIGAN, ETC.RSCORDS HAVE
ALL BEEN VERY CAREFULLY GRADED .» INNERS WILL BE
NOTIFIED TO SEND AMOUNT OF WINNINGS AND 25(« FOR
PACKING MATERIAL, PLUS POSTAGE.

LLOYD KEATING MUSIC

HAVE A LITTLE FAITH IN ME /SHE PHAROS HA 1073 E

EXACTLY LIKE u/THERES D IN U'R EYES HA I | 32 V

ABSENCE MAKES HR GROW FNDR/DARK NITErfA 1162 N

SAY LIT PRAYER 4 ME/WAITING HA |309 E-

WHY DID HAVE BE ME/eV'NING IN CAR. HA 6501 E

WAS THAT HUMAN THING/jUST FRIENDS HA 6504 F

ANY TIME'S THE TIMe/sWEEPIN THE VE 2 1 1 3 E

DWN RIVER/MY HEART VE 2 I 72 N—

WHERE CAN U b/0LD NEW ENGLAND MOON VE 2 1 77 V

CONFESS I n(TAKE 2 )/l DON'T MINrj(tfl) VE 2198 V

CONFESSINC l)/DON'T MIND (TAKE 2) Dl 3 1 98 E

YOUR THE ONE I CARE 4/gAZING AT STARSVE 22 56 E*

WHO AM l/CALL ME DARLING VE 2459 E

TRULY/ I'M CRYING TEARS OF HAP CL 52|0 V—

DO I REALLY DESERVE It/hOLD1NG U CL 5287 E—

WRAP TROUBLES DRMS/VlANNA SING CL 5322 E

I APOLOGIZE/ WHA1 IS IT CL 5379 E

FRABK AUBURN ORCH

GOT BENCH GOT PARK/DRM GIRL HA 1291 N

SUNNY SIDE ST/DANCING WITH TEARS VE 2 1 57 E

CHINNIN' 4 CHATTIN '(#1 )/PAT ON BACK VE 2161 E

CHININ' 4 CHATTIN'(#2)/pAT ON BACK VE 2161 V+

CHEER UP/SINGIN A SONG VE 2|73 N

F'R INSTANCE/LONELY VE 2 1 90 E

WABASH MOON/EVENING EYES VE 23|0 E

WHN THE MOON COMES OV MT/rOCKY VE 2386 E+

1 FOUND MILLION t BABY/MERRY MONTH VE 2404 V
HIKIN'DWN HIGHWAY /HOUR PARTING VE 2420 N>»
LITTLE GIRL/SUNNY SKIES CL llOOl N

CHESTER LEIGHTON SOPHOMORES

SWTHRT OF STUDENT BAYS/'PASSING TIME HA |2|4 N-

WASTING MY LOVE/BABY JUST CARES 4 ME HA 1220 E

GUILTY/NOW THAT YOUR GONE HA 1370 E

AM THE WORDS/3 LITTLE W ORDS VE 2232 E-

DRM LIT DRM OF ME /NO ONE BUT U VE 2375 E+

HRTACHES/EVER SINCE TIME BEGAN CL 5244 V—

MNLIGHT NIGHT/LITTLE OLD CHURCH CL 53|4 N

ROY CARROLL SANDS POINT ORCH

BEND DOWN S ISTEr/SYCAMORE TREE HA 1 397 E-

SOMETHING IN EYES/SWT SUE JUST U HA 1426 E

ITS THE GIRL/CANT WRITE WORDS VE 2421 E

UNDER SPELL OF KISS/THIS ONE 2DAY CL 5196 V—

TED WALLACE CAMPUS BOYS

TELL IS 2 DAISIES/STEIN SONG CL 2|5| e/v

ABSENCE MAKE HRT/hERE COMES SUN CO 2236 V+

DONT TELL HEr/tOMORROW IS ANOTHER CO 2275 E—

HELLO BEAUTIFUL/WHERE HAVE U BEEN CO 2376 E

STAR DUST/HAVE U FORGOTTEN CO 2471 E-

PHIL HUGHES HIGH HATTERS

WHISTLING DARK/FORTUNE IS SMILING VE 3272 N

LONG TIME BETWN KISSES/WHY DANCE CL 5365 V+

SLEEPY TIME DWN SOUTH/WAS IT WRONG CL 5387 E-

JACK WHITNEY ORCH

HES MY SECRET PASSION/UP ON MT. HA 1 264 E

U FORGOT YOUR G LOVES/FA LL I NG IN LOVE HA 1335 E—
LIFE JUST BOWL CHERR IES/TH IS MISSUS HA 1365 V+

JERRY FENWYCK ORCH

2 HEARTS/ LOVE WHISPERS VE 3347 N
THAT LITTLE BOY OF MINE/MY IOEAL VE 2373 E
MAKIN' FACES/ JUST ONE MORE CHANCE CL 5353 Q

THE K I NCKERBOCKERS

WHEN YUBA PLAYS RUMBA/SING LITTLE J CO 2483 N—

U WERE MY SALVATION/BLUE OF NIGHT CO 2576 N

BEN SELV IN ORCH
D IX lAMA/l 'M YOURS CO 2287 N-

NOWS THE TIME FALL IN LOVe/bEND SIS CO 2575 E
SAMMY FAINIHA I 355E+,VE2250N-,D I 3014V
C PL .PHOTO PLAYERS I CO 2|3|E+,C0 2|96E-,C0 2256 N-
WALLY EDWARDS ORCH IHA I293N-, CL 5I99N
GOLDEN GATE OfjCHjHA I|76E+,CL 5204 E

MILLS MERRY MAKE RS ID I 309€ v(v0CAL BY JACK TEA.)
BUBDY CAMPBELL ORCH IOK 41540 N

AUCTION

AUCTION

ED PARKER ORCH; OK 41525 N

D 'ORSAY DANCE ORCH tKA 1 4 1 9 E

QEORS> MOONLIGHT SERENADERS i VE 2413 N—

CAMPUS COLLEG I ATES z HA 1382 v/g

CAVALIERSI CO 2555 E

ED LOYD ORCH : CD 36023E+

LOUISIANA COLLEG I ANSjVE 2|86 V

JOHNNY WALKER ORCHiCO 2201 V

EDO IE DROESCH ORCH ;CL 5409 E

JERRY MASON CAL I FORN I «NS : HA |228 V+

JOE FARRELL ORCH : OP 36153 E(6 GROVE LAM CHP-ONE s IDE )
RUDY MARLOW ORCH ! VE 2007 V

R. LEE BATTLE

BOX 9 1 82

CHARLOTTE 5, N.C.

25? MINIMUM BID

HAVE OVER 2,500 RECOROS FOR DISPOSAL -
ALL 25(< MINIMUM BID. JAZZ, SWING, SWEET,
BLUES, PERSONALITY, ETC., FROM MID-'20S ON.
MANY ITEMS NEVER BEEORE SEEN ON AUCTION
LISTS. SEND FOR LIST.

FOR EXAMPLE THERE ARE QUANTITIES

INDICATED ON THE FOLLOWING ARTISTS*

GLENN MILLER

GENE KRUPA

CH ICK BULLOCK

CASA LOMA

ARTIE SHAW

W INGY MANNONE

WOODY HERMAN

BOB CROSBY

COUNT BASIE

JIMMY DORSEY

TEDDY W ILSON

BENNY GOODMAN

SAMMY KAYE

FATS WALLER

TOMMY DORSEY

B I NG CORSBY

LARRY CL INTON

DUKE ELLINGTON

SEND FOR LIST J

61 RECORDS

|2 RECORDS

16 RECORDS

14 RECORDS

15 RECORDS

23 RECOROS

10 RECORDS

15 RECORDS

JELLY ROLL MORTON II RECORDS

21 RECORDS

14 RECORDS

16 RECORDS

12 RECORDS

2| RECORDS

15 RECOROS

13 RECORDS

CHARLIE BARNET 2 I RECORDS

LCUIS ARMSTRONG 19 RECORDS

31 RECCRDS

22 RECORDS

J I MM IE LUNCEFORD |2 RECORDS

16 PECORDS

41 RECORDS

SALE

SALE

CONRAD REN FRO E

1029 CALAY AVE.,
MACON GA.

MINIMUM ORDER 3 RECORDS . SHIPPING CHARGES
EXTRA. LIST SECOND CHOICE.

BOSWELL SISTERS

ROLL ON M1SSISSI PPl/sHOUT SIS BRE

SHINE ON HARVER T/HEEB IE JEEB IE BRE

FARE THEE WELL ANa/lUL OF BDWAY BRE

tophat , wht tie 8,/cheek to cheek bre
I'm gonne sit right dwn/music goes BrE
let yourself go/l'mputtin all egg6 bre

B ING CROSBY
LOVE IN bloom/please COE

BROTHER CAN U SPARE IS^/hOME RANGE COE

SHINE SOME OF THESE DAYS COE
SWT GA. BROWN/AFTER SUNDWON COE
LAST RND UP/SOMEONE STOLE GAB'S H COE

paradise/honeys lovin1 arms COE

TRY TENDERNESS/HOW DEEP OCEAN COE
HERE LIES LOVE/PLAYING WITH FIRE COE
YOUNG 4 HEALTHY/LAZY DAY COE
LETS BUT OUT LIGHTS/LETS TRY AGAIN COE
DORSEY BROTHERS

BRE
BRE
brE
brE

hONEYSUC KLE ROSE<PARTS I 42)
ST LOUIS BL /BASIN STREET BLS

tailspin/milenberg JOYS

HARLEM CHAPEL CHIMES/wEARY BLS

THE LOUISIANA RHYTHM KINGS

BASIN ST BLUES/ LAST CENT BRE

THAT DA DA STRAIN/THATS A PLENTY BRE

SWEET SUE JUST U/SQUEEZE ME BRE

OH LADY BE GOOd/mEANEST KIND 0 BLS BRE

NEW ORLEANS RHYTHM K I NQS

TIN ROOF BLS/ PANAMA BRE
OSTRICH WALK/ORIG DIXIELAND ONE STEBRE

DUST OFF THAT OLD PIANO/SINCE WE BRE

SAN ANTONIO SHOUT/THE JAZZME BLS BRE

TIN ROOF BLs/ THATS A PLENTY BRE

MAPLE LEAF RAG/CLARINET MARBALfCE BJ*

SWEET LOVIN MAN/LONOON BLS BRE

BLUNIN THE BLs/ SENSATION BRE

KING OLIVERS CREOLE JAZZ BAND

BRE
brE

BRE

brE

D I PPER MOUTH BLS/CANAL ST BLS
MANDY LEE BLs/gOING AWAY WEAR OFF

JUST gone/weather BIRD RAG

MABELS DRM/RIVERSIDE BLS
RED NICHOLD

PEG 0 MY HRT/CHINA BOY

AFTER U GONE/THE SHIEK
BUG A BOO/CORRINA CORR I NA

I GOT RHYTHM/SWEET 4 HOT
BUGLE CALL RAG / BACK BEATS
SLABAMA STOMP/HURR I CANE
RIVERBOAT SHUFFLE/ECCENTRIC
FIVE PENNIES/ THE JAP SANDMAN
WHISPERING/ROCHIN CHAIR
ALLAHS HOLIDAY/ROSES OF PUCARDY

IMAGINATION/ORIGINAL DIXIELAND ONE BRE
CHINATWN MY CHINATWn/on THE ALAMO BR^

ORIGINAL DIXIELAND JAZZ BAND

TIGER RAG. /REISENflEBER Rfl0

BRE
BRE
BRE

brE
brE

BRE

BRE
brE
brE
brE

I 1 36 N I .75
12 1 8 N I .75
2043 N 1.75
20C7 N 1.75
2142 N 1.75
216B N 1.75

1802 N 1.75

1829 N l«75

I 845 N U 75
1881 N 1.75

1894 N 1.75

1971 N 1.75

1985 N 1.75

1990 K 1.75

2027 N 1.75

2208 N 1.75

1890 N 1.75
1892 N 1.75
2023 N 1.75
2149 N 1.75

2506 N 1.75

2731 N 1.75 '

3282 N 1.75

3324 N 1.75

1910 N 1.75
1988 N 1.75
2008 N 1.75
2040 N 1.75

2208 N 1.75

2209 N 1.75
22|0 N 1.75
2337 N 1.75

2200 N 1.75

2201 N 1.75
3575 N 1.75
3575 N 1.75

1019 N 1.75

1 104 N 1.75

1 120 N 1.75

1300 N 1.75

1803 N 1.75

1804 N 1-75
1806 N I .75

1851 N 1.75

1852 N 1.75

1853 N 1.75

1855 N 1.75

1856 N 1.75

BRE 250C N 1.75

CHICK WEBB
THAT RHYTHM Man/ LONA

BRE

YOU'LL HAVE SWING It/vOTE MR.RHYM BRE
THERES FORST ON MOOn/lOVE MARCHES BRE
WAKE UP 4 LIVE/lTS SWELL OF U BRE
IN A LITTLE SPANISH TWn/a|NT GOT BRE
STRICTLY JIVE/ ROCK IT FOR ME BRE
TICKET A TASKET/LIZA BRE
ELLA/FOUND MY YELLOW BASKET BRE
UNDEC|DED/|N THE GROOVE AT THE BRE
F.D. R. JONES/LITTLE WHITE LIES BRE

CASA LOMA ORCH
BLK JAZZ/ MAN I ACS BALL BRE
ALEXANDERS RA3 T I ME BND/oo THE N.Y. BR^

CLIFF EDWARDS ( UKELELE IKE)
IF I HAD U/THE NIGHT IS YOUNG BRE
SOMBDY LOVES ME/ST LOUIS B S BrE

JUDY GARLAND
HOW ABOUT U?/f.D.R. JONES

I SHAM JONES

brE

4 OR 5 times/ JIMTOWN bls/

brE

2019 N 1.75

2357 N 1.75

2381 N 1.75

2438 N 1.75

2546 N 1.75

2559 N 1.75

26|4 N 1.75

2687 N 1.75

2743 N 1.75

2818 N 1.75

1279 N I .75
1310 N 1.75

2394 N 1.75
2408 N 1.75

3305 N 1.75

2098 N 1.75

THOUSANDS OF SWI NG, SWEET .CLASS ICAL.SEM I 'CLASS I CAL,
FOREIGN, ETC . SEND WANT LISTS.

DISPOSITION

IFIRST FOUR LETTERS OF COLLECTOR'S NAME

PR 1 CE

IF for sale;

VALUE

F FOR

TRADE

MINIMUM B 1 0

IF FOR

AUCTION.

method of disposition: "sal .
for sale at price indicated;

tra " ,for trade; "auc", a. t
auction. Closing date for bids,
see pace 6. *t-a" for traoe
OR auction; "t-s" for trade
or sale; "sta" for s.ale, trade
or auction.

condition of. record : n-new
c-excellent ; v— very good;
G-good; f-fair; P-poor.

ICATALOG NUMBER OF RECORD.

|L ABEL OF RECORD.

1 2 3 4 5

AIRSHGTS

MANY AVAILABLE AIRSUUTS OF SAL

KE«TJI.,BAS IE, ELLINGTON,JAj?ES SAL

HERMON, SHEARING, MARTERIE, ETC. SAL

WRITE FOR DETAILS AND PRICES SAL

LOUIS ARMSTRONG

AIR SHOTS-WRITE FOR DETAILS
"THE KING OF THE ZULUS"
IF I COULD BE/ CONFESS IN'
YOU CAN DEPEND/ MAHOGANY

AUCTION LIST
OUT OF PRINT RECORDS

COUNT BASIE

SAL

OK 4|58| E SAL $|5

VO 3059V+/EAUC

vo 3055v+/eAUC

' SMIB
SMI B
SMI B
SMIB

SMI B
FANT
SMIT
SMIT

PARK

AFRS TRANSCRIPTIONS DUBS — ' - SAL 4.00 SMIB

AIRSHOTS FROM BIRDLAND(30 MINs) — — — - SAL 4.00 SMIB

BENS BAD BOYS

WANG WANG/ YELLOW DOG BLS

BLYTHES BLUE BOYS

THERE'LL COME OAY/WEARY WAY BLS CH 15344 G AUC
BOOKS

2 1 97 1 E AUC 2.00 PARR

JAZZ SINGER ( MOVIE 1927)
* " WITH PIX OF JOLSON

CHICK BULLOCK

VAR. LABELS

— E+ S-A 2.00 KINE
— KINE

N SAL

SEND WANT LIST — ■

FRANK IE CALLOWAY

I ,WANT 2 BE BAO/GIVE YOU BABY ED 5Z567 N AUC
CATALOG'S

VICTOR HISTORICAL

IS25 ENG. PARLOPHONE

VARSITY-TOYALE

1920 ENG/ COLUMBIA

1949-50 CANADA COLUMBIA

1934 BRUNSWICK

1936 BRUNSWICK

I ?38. BRUNSWICK

IS39 BRUNSWICK

1925 VICTOR

1951 ENG. DECCA

1950 ENG/ BRUNSWICK
|048-9 ENG. COLUMBIA

1951 AUS. HMV-CO-PA-OE- ETC
CARROL CLARK( HENDERSON )

-£+ S-A 2.00 KINE

-E+ S-A 2.50 KINE

-V S-A .50 KINE

- V S— A 3.50 KINE

- N S-A 1.00 K INE

- N S=A 2.00 KINE

- N S-A 2.00 KINE

- N S-A 2.00 Kl NE

- N S-A 1 , 50 KINE

- V S-A 2.50 KINE

- N A-S 1.00 KINE

- N S-A I .00 Kl NE

- N S-A I .00 KINE
1.50 KINE

N S-

DEEP RIVER/ IM SO GLAD

CO 1 28 V AUC 1.00 A LOR

MAURICE CHEVALIER

HMV MANY

, BING CROSBY

JAN. 3 TV SHOW AIR SHOT

BING CROSBY

HUNDRED FREE LISTS
DOZENS DELETED ITEMS
HUNDRED , NO MAILING CHARGE
150 VAR. LABELS - SEND LI

WALTER DAVIS

JUST WONDERING/' FALL I N' RAIN
CANDY MAN/ I DID EVERYTHING

DISCOGRAPHIES
AL JOLSON, M. CHEVALIER

EDDY DUCHIN

N SAL 3.00 HEAR

ALL
ALL
ALL

-w/eSAL 1.50 BROC
— e/nSAL 1.50 BROC
— n/eSAL 1.50 BROC
— N SAL — HEAR

— — — N S «50EA.KINE

MANY - SEND WANT LISTS

DUKE ELLINGTON

N SAL

HEAR

I'M GONNA/ TROMBONE BLS
BUNDLE BLS/ GOT YOURSELF
SWANY RIVER/FAST 4 FURIOUS

.EXCURSION IN JAZZ

DUB OF TV SHOW/ 2/28

BENNY GOODMAN
lucky/ swing ANGEL
GLEN 8RAY

COLLECTORS, WRITE FOR DETAILS

INDEX TO JAZZ

GREAT ORIGINAL EDITIONS
VOL t I

VOL t 2

ORIGINAL INDIANA FIVE

PE |45|4 E Auc lO.OOPARR

BR 6607 E AUC 3.00 PARR
BR 6355 E AUC 3.00 PARR

'— SAL 4.00 SMIB

OE 2443 M SAL 2.50 PARR

— SAL

SMIB

EVERY BODY STOMP

JAZZ PHOTOS

N AUC a«dA BOX3

N AUC 3.00 80X3
N AUC 3.00 BOX3

ALDR

GE 3 1 8 I V AUC
SAL .50 SCHI

FAMOUS JAZZMEN. LIST SENT.

AL JOLSON

back to CAROLINA U Love lw #20 v s-a t 5 kine

AIR-CHECKS, TRANCS, ETC WRITE FOR LIST KINE

LAST CALL FOR FREE LISTS!

DUKE-KENTON-6.G.-MILLER-T.D.- SALM

KRUPA-BING-^NO MANY OTHERS _ SALM

LINDBURGH

COOLIDGE WELCOMES LINDBERGH VI 35336 V AUC MORA

LOUISIANA SUGAR BABES * FATS"

WILLOW THEE/'SIPPI VI 21348 E AUC ALDR

FREDDY MARTIN
MANY— SEND WANT LIST

MC K I NNEYS COTTON PICKERS
IF I COULD BE/ ZONKY

ORIGINAL MEMPHIS FIVE
SHUFFLIN" MOSE/ ST LOUIS GAL

BUBBER Ml LEY

LOST MY GAL/ W ITHOUT YOU

GLEN MILLER

VICTOR LIMITED EDITION ( 33 RPM )
BB 4 VI SEND WANT LIST

JOE MOONEY QUARTET
COLLECTORS , WRITE FOR DETAILS

RUSS MORGAN
MANY BR 4 OTHER LABELS

JELLY ROLL MORTON

SHOE SHINNERS DRAG/ SHREVE
CHANT/ 8L BOTTOM STOMP
SIDEWALK BLS/ DEADMANS BLS
BENNIE MOTEN

N SAL

VI 38118 E AUC
50-O N AUC

CO

VI 38138 E AUC

N SAL 9.50
N SAL

BB 5707 E AUC

VI 20221 E AUC 3.00
VI 20252 E AUC 3.00

HEAR
PARR
SMI T

PARR

SCRI
HEAR

SMIB

HEAR

SMIT
PARR
PA RR

ok 8277 a auc 1.00 aldr

sal

SAL

4.00
4.00

sister honky tonk/ kater rag

MOVIE SOUND TRACKS DUBS
"POWERS GIRL" — GOODMAN
"NEW ORLEANS" - LOUIS; HERMAN

NO"COME ON " GIMMICKS 1
QUALITY DISCS AT LOW PRICES

RAY NOBLE

STATE WANTS= PRICES

EARL OLIVER JAZZ BABIES

THANKS 4 BUGGY RIDE/VILLAGE BLKSU ED 51698 N AUC

BOYD RAEBURN

0U3S TRANSCRIPTIONSJWRITE FOR DETAILS 4 PRICES—
RECORDS FROM ENGLAND

BING, PERSONALITY, ALL ARTISTS, ALL n/eSAL 1.50

JAZZ, FREE LISTS, NO MAILING ALL e/nSAL 1.50

CHARGE, 200 U.S. REFERENCES ALL— — — n/eSAL 1.50

RECORO AUCTION

SEND FOR FREE LIST — — - —

RAY NOBLE

BR, CO, HMV, VI,— — SEND WANT LISTS— ■ N SAL

D IC K ROBERTSON

CRAZY OVER U/SHES FUNNY THAT WAY DE 52473 N tUC

B.A. ROLFE

CANT GIVE U.A.B. LUV/KING 4 A DAY ED 52430 N AUC

ELMER SCHOEBEL

PRINCE OF WAILS/ COPENHAGEN BR 4652 V AUC

FREE LIST

SEND FOR FREE SALES LIST

1600 JAZZ, SWING, BLUES, SWEET

BESSIE SMITH

GULF COAST BLS/DOWN
OH, DADOY BLS/BABY WONT YOU
MT.TOP BLS/ LOUS I ANA LOW
MOUNTAIN TOP BLs/l BLUE
ANY VyDMENS BLs/ COME TRY
ROCKING CHAIR BLS/ SORROWFUL
OH DADDY BLS/ BABY WONT YOU

KATE SMITH

MANY SED.M WAMT LIST

LOURA SMITH
TO FACED WOMAN BLS

TRIXIE SMITH

FRE IGHT TRAIN BLS/

SOUTHERN RHYTHM KINGS
CARA VAN/JOPEPH I NE

PHIL SPItALNY

HERE WE ARE/ SUPPOS'lfiT

RUDY VALLEE

OUTSIDE

VAUGHN DE LEATH
SOME SWEET DAY / C0D9N DOSE

UNG-VENUTI

DOING THINGS/ WILD CAT

SAL
SAL

CO 3844 N AUC

CO 38888 N AUC—
CO 14031 N AUC —
CO |403| G+AUC 1.00
COI300I G AUC 1.00
CO 14020 E AUC 2.00

CO 3888 E auc

SMIB
SMIB

SALM

PARR

MORA

SMI B

BROC
BROC
BROC

PARK

HEAR

MORA

MORA

ALDR

KEND
KEND

SMIT
SBtT

SMIT

ALDR
ALDR
ALDR
PARR

— ■ N SAL HEAR

OK 8169 G AUC 1.00 ALDR
PA 1 22 1 t G AUC 1.00 ALDR

~BB 7079V+/AAUC SMIT

— — MORA
ALDR

ED 52575 N AUC MORA

PARR

ED 52589

D I 2857 E AUC

VI 2|56| E AUC

YOU CANT FILL "GAPS" WISH IN'
FOR FAST ACTION ON YOUR WANT ="

L'ST— WRITE ME NOWj

FATS WALLER
GOT NO TIME/U ASKED FOR IT
TAINT N0B0DY6 Biz/ABER C ROM

I understand/pantin' IN THE

COME AND GET I t/ CHANT OF THE
I BELIEVE IN MIRACLEs/nIGHT
LA, FAIRY TALE/CINDERS
ITS A SIN TO TELL/ BIG CHIEF
NECJLECTED/ EVERY DAYS A
COPPER COLORED GAl/|U AT
LOVE ME OR LEAVE/|V GOT FEELING
GLAD YS£/vA LENT I NE STOMP
HILARIOUS COMPOSITE PHOTC

GEORGE WILLIAMS. B. BROWN
MOMMA QUITS PAPA CO l#» V AUC

BB 10170 E AUC — —

BB I0967E/E+AUC

BB II 175 N AUC

BB I1262n/eAUC — —

VI 24853e/v+auc— —

VI 24898e/g+AUC

VI 25342 E AUC

VI 25749v+/eauC— —

VI 25409e/v+AUC

VI 22092 E AUC 3.00
VI 38554 E AUC J. 00
SAL .50

SALM
SALM

SMIT
SMIT
SMIT
SMIT
SMIT
SUIT
SMIT
SMIT
SMIT
PARR
PARR
SCH I

WANTED

ANY RECORDING GROUP
1930-^4— T ITLESJ SEND FOR LIST

RUSS C0LUMB0( ANYTHING)
DISCS, PHOTOS, SHEET MUSIC ETC

DON CORNELL

ANYTHING ON CORAL LABEL N

JOHNNY DODDS
MANY— SEND LIST

JEAN GOLDKETTE
PROUD OF BABY LIKE YOU

BENNY GOODMAN

'e/v

VI 20469

- 2.50 ORLA
— LIQU
. — — LIQU
B^T WOOD
■ ALLE

PETER PIPJR

NEVER SHOULD HAVE TOLD U
SMOKE DREAM

NO OTHER ONE/ YANKEE DOOD
YOU CANT PULL WOOL/ GLORY OF LOVE V+

v+

VI

■ — 2.00

THOR

v+

VI

2.00

THOR

v+

VI

2.00

THOR

v+

VI

2.00

raoR

LOVE V+

VI

2.00

THOR

HAVE FUN— EXCHANGE DUPLICATES
I WILL EXCHANGE OR ALLOW YOUR DUPLICATES TO PAY
TOWARDS ITEMS YOU NEED J SEND LIST

INDEX TO JAZZ
VOLUME #4 E

INK SPOTS

TRANSCRIPTIONS, AIR-CHECKS ETC
AL JOLSON

JOIN THE AL JOLSON MEMORIAL CLUB — +.25

THAT LITTLE GERMAN BAND VG CO |356 3.00

BR 6500, 6501, 6502 VG SZCA.

MOVIE BOOKS, PIX, TRANCS , PR I VATE RECS. — - -

SOUND-TRACKS,EXPLOITION DISCS, AFRS 16" DISCS

AIR-CHECKS, BLOWUPS, SHEET MUS | C, ANYTH I NG

SAMMY KAYE
SUNDAY SERENADE PROGRAMS 4

AIR-CHECKS PRIOR 1949, ALSO r— —

TRANSCRIPTIONS OF ALL KINDS —

INCLUDING AFRS, LANG-WORTH ETC.

WAYNE KING

BLUE HORNS E BR 66 1 5 1

WALTZ YOU SAVED FOR ME E VI 22575

GUY LOMBAROQ
"ZIV" TRANSCRIPTIONS . ,

Jim IE LUNCEFORD
SWALLOWS COME BACK CAPISTRANO

RAY NOBLE
SAILING ON ROBERT E. LEE E
WAY DONW YONDER IN NET ORLEANS E
EL REL I CAR 1 0 E

RAY NOBLE - NEW MAYFAIR

HMV "B" SERIES V+ —

MANY WANTED- SEND LIST 4 PRICES

ROLL ON MISS/ ID RATHER BE BEGGAR V+ HMV 6040 3.50

POPULAR RECORDS
Want bing, patty page etc bands all - ■ —

RECORD SALE

I HAVE 300 RECORDS INCLUDING GOODMAN, ■

MILLER, KRU PA, TED LEWIS, CAB CALLOWAY

BARNET, SHAW AND MANY OTHERS ON •

LABELS BLUEBIRD, OK.COL, ETC. NO LISTS,— '
MY PRICE FOR ALL -*48.00 .

LEB REISMAN

SALM
SALM

ANY —

VI 24|28
VI 25082
VI 24891

AMAR I LLO E
ALBUM E

ROY ROGERS
BA,CQ,ME"7UR,R0,V0 ANY E

WANTEO TO BUT OR CONSIGNMENT
CL. WMS- BESSIE SMITH
KING OLIVER-MANY OTHER EARLY N.O.
RACE ARTISTS

CANT HAGGLE QUOTE PRICES E
PAUL WHITEMAN

VI 27404
VI P-68

SLIEPU TIME DONW STH/CANT U SEE

MARGRET WHITING

PUNNY VALENT INE

WORLD BROADCAST TRANSCRIPTIONS
ALL 1930-34 TITLES -

V+ VI 22 2.50

CP 20117

«I0

SCRI

JOLS
KINE
KINE
K INE
KINE
K INE

SCRI
' SCRI
' SCRI
SCRI

ALLE
' ALLE

SCRI

SMI B

ALLE
ALLE
ALLE

THOR
THOR
THOR

• DOUG

' SCRI
' SCRI
SCR I
SCRI
SCR I

ALLE
ALLE

SALM
SALM
BALM
SALM

THOR

HOLD

ORLA

FIRST

RELEASE

From the Greatest Age of Jazz

backgrounds of jazz / vnt i

\ JUG

fm Bands

ORIGINALS

Treasured pressings from authentic original masters
again available! For your permanent collection in LP speeds,
on non-breakable vinylite discs, minimum-noise surfaces
to bring out all the original brilliance of performance.

These legendary Jazz names:

Jelly Roll Morton's Red Hot Peppers Volume I
Original Dixieland Jass Band Volume I
Johnny Dodds' Washboard Band
Eddie Condon's Hot Shots

Backgrounds of Jazz Volume I (The Jug Bands)

Benny Moten's Kansas City Jazz Volume I

Ben Pollack's Orchestra . . . featuring Benny Goodman

Jimmy Lunceford and His Chickasaw Syncopaters

Rex Stewart and His Orchestra

Jimmy Yancey: Blues and Boogie

10 inch LP's now available. Suggested list price $3.85.

A PRODUCT OF RADIO CORPORATION OF AMERICA

Now available at your favorite record store, or contact "X" Records,
155 E. 24th Street, New York City, for further information.

RECORDS

m

THE RECORD CHANGER

BOOK DEPARTMENT

BOOKLETS FOR SALE

THE CAT

A Collection of Hilarious Jazz Cartoons

by Gene Deitch $1.00

THE NEEDLE — Aframerican Issue
A superb 72 page publication filled with
photos of Zue Robertson, article by
Jelly Roll Morton, Jimmy Yancey, Bunlc
Johnson 50

RECORD DATING CHART (Through 1930)
Charts and information to guide in
placing recording date of any record
issued 1.00

RED NICHOLS & HIS 5 PENNIES
A Complete Discography 35

A CRITIC LOOKS AT JAZZ
Ernest Borneman's great 60 page book-
let on the Afro-American Backgrounds
of Jazz 1.00

NJFO BLUE BOOK
A guide to Jazz Clubs and Fans in
England. Essential to Record Traders . . .50

FOLK . . . REVIEW OF PEOPLES MUSIC
Max Jones edits on Negro, Calypso, Etc. 1.00

JAZZ . . . VOL. 3 No. 2
32 page booklet filled with excellent
writing and photos, Okeh Race 50

JAZZ REVIEW, 24 PAGES
Yerba Buena, Okeh Race, Lonnie Johnson .50

ONCOGRAPHIES FOR SALE

JAZZ DISCOGRAPHY— 146 PP

By Pensoneault & Sarles 1.00

JAZZ DIRECTORY
By Carey, McCarthy, Venables

Volume I, A-B $2.00

Volume 3, E-F-G 2.00

Other volumes temporarily out of stock
INDEX TO JAZZ
By Orin Blackstone (New Edition) Loose
Leaf

Part I, A-E 2.50

HOT DISCOGRAPHIE ENCYCLO-
PEDIOUE

By Charles Delaunay and Kurt Mohr

Volume I, A-B 2.00

Volume 2, C-E 2.00

Volume 3, EL-HE 2.00

SHEET MUSIC AND FOLIOS FOR
SALE

JELLY ROLL MORTON

The Miserere $ .50

The Naked Dance 50

Buddy Bolden's Blues 50

Winin Boy Blues 50

Mamies Blues 50

The Crave 50

FOLIO including

Black Bottom St., Shreveport, Pearls,
KC Stomps, Dead Man, London, Can-
non Ball, and Thirteen Others of Jelly 1.25
DIXIELAND FOLIO No. I
Livery Stable, Tin Roof, Willie Weeper,
Chimes, Dr. Jazz, Dallas, plus nine

other great ones 1.25

DIXIELAND FOLIO No. 3
Angry, Dippermouth, Easy Rider, Snag,
It, Weary, Hi Society, etc 1.25

DIXIELAND FOLIO No. 2
Tight Like That, Copenhagen, Good
Man Hard to Find, Jackass Bl, Melan-
choly and nine others 1.25

THE RAGTIME FOLIO
Maple Leaf, Climax Rag, Grace and
Beauty, and six other rags..... 1.25

BOOKS FOR SALE

BASIC JAZZ ON LONG PLAY (I08PP)

By John Lucas $2.00

THE JAZZFINDER '49 (I56PP)

Edited by Orin Blackstone 2.50

CROSBY ON RECORD (I24PP)

A Superb Discography 2.00

SHINING TRUMPETS (400PP)

By Rudi Blesh 6.00

THEY CALLED IT RAGTIME

By Rudi Blesh 5.00

JAZZ, A PEOPLES MUSIC (280PP)

By Sidney Finkelstein 1.50

REALLY THE BLUES (390PP)

By Mezz Mezzrow & Bernie Wolfe 3.50

JAZZMEN (364PP)

By Fred Ramsey, Chas. E. Smith 4.75

JAZZ by Rex Harris 50

THE NEW HOT DISCOGRAPHY (600PP)

By Delaunay, Avakian, Schaap 7.50

LOUIS ARMSTRONG LE ROI DU JAZZ

By Robert Goffin 2.00

MR. JELLY ROLL

By Alan Lomax 3.50

MAGAZINES FOR SALE

THE JAZZ SESSION
8 issues 1945-46 set 2.00

THE NEEDLE
5 issues 1944 set 1.50

THE JAZZ RECORD
3 issues 1947 set 1.00

JAZZ INFORMATION— 104 pp
The great last issue 50

JAZZ MUSIC
Vol. 3, No. I 50

RECORD CHANGER BACK ISSUES

Complete Since 1944 to Date $30.00

Any One Full Year 3.50

(See March 1952 for Complete Index) .35

Special Louis Armstrong Issue 1.00

Special Tenth Anniversary Issue 50

Special College Issue (Nov. 1949)... .50

New Subscriptions, I Year 3.50

New Subscriptions, 2 Years 6.50

New Subscriptions, 3 Years 9.00

(On all of above postage paid on U. S. A. orders.
Add 50c per year for Foreign)

JAZZ JOURNAL (Fine English Magazine)
One Year Subscription 4.00

BACK ISSUES Each .50

All large format, slick covers, every issue
packed with discographical data reviews,
cartoons, amusing commentary, plus photos
and the following articles:

VOL. 2

No. I I — Firehouse 5, Ragtime & Blues, Per-
fect Label, Billie Holiday
VOL. 4

No. I— Graeme Bell, Collectors Stuff, Tail-
gate Jazz Band

No. 2 — Louis, Negro In Jazz, Sutton, LP and
the Collector

No. 3 — Spanier, Baby Dodds & Discography,
Junk Shopping

No. 4 — Lips Page, Chick Webb, Paramount
Discography, Baby Dodds Discography
No. 5 — Waller, Ragtime, Joplin, Paramount
and Dodds Discogs

No. 6 — Lonnie Johnson, Roy Carew, Tony
Jackson, LP Reproduction, Bunk, Paramount

Discog

No. 7 & 8— Jelly Roll Morton, Tailgate Jan
Band, Paramount Discog., Willard Robison
No. 9 — Jelly Roll Morton, Papa Celestin,
Paramount

No. 10 — Albert Nicholas, Andy Razaf Big
Bill, Dodo Marmarosa, Paramount
No. I I — Jimmy Yancey, Paramount, Dorseys
No. 12 — Requiem for All Stars, Spikes
Brothers, Collectors Stuff, Notes on Nichols
VOL. 5

No. 3 — Red Allen, Tony Jackson, Early Cake-
walks, Sharley Clay

No. 2 — Old-Time Religion, Collectors Stuff,
Paramount Discography

No. A — Ragtime, Benny Green, Jack Lesberg
No. 5 — Fats Waller, Gloomy Sunday, More
Stuff on Fats

No. 6— Lonnie Johnson, Eric Silk So. Jazz
Band, Chez Condon, Ralph Sutton
No. 7 — Dick Hughes, The Springfield Story,
Portsmouth Band

No. 9 — Knocky Parker, Bessie Smith, Beryl
Bryden

No. 10— Rhythm & Bis., Humphrey Lyttelton,
Charlie Galbrath

No. I I — Mahalia Jackson, Porgy & Bess in
Berlin, Dill Jones

No. 8 — Sutton, Webfoot Band, Roach, Terrific
Features

No. 12 — Lyttelton, Broonzy, Ellington, etc.
VOL 6

No. I— Turk Murphy, Big Bill & Mahalia,
Ellington, Jabbo Smith

No. 2 — Mary Lou Williams, Todd Rhodes, etc.
No. 4 — Fletcher Henderson, J. C. Higgin-
botham, Jazz at the Philharmonic, etc.
No. 5 — Johnnie Ray, Fats Waller, Jimmy
Rodgers, etc.

No. 6 — Charlie Parker, Natty Dominique, Plus
Discography, More About Jimmie Rodgers,
etc.

No. 7 — Django Reinhardt, History Gennett,
Jabbo Smith, Ballads and Blues, etc.
No. 8 — Henry Levine, Lu Watters, Bill Harris,
Buddy Moss

No. 9 — Kay Starr, Wardell Gray, Tape
Machine

No. 10 — Tony Kinsey, Tony Parent!, Chippie
Hill, Charlie Ventura Concert
No. I I — Teddy Wilson, Stan Kenton, Peetie
Wheatstraw, Jelly Roll Morton's N. O. Jazz-
men

No. 12— Al Haig, Cecil Scott's Bright Boys,
Ellington, Bunk Johnson
VOL. 7

No. I — Parkerless Ouintet, Cecil Scott Cont.,
Ellington, etc.

No. 2 — Blind Lemon Jefferson, Glenn Miller,
etc.

Shipped Postpaid Within U. S. A. — Foreign Add Postage

THE RECORD CHANGER 418 West 49 Street New York 19, N Y.

CfVuA^ e. tu t r

HAY 24 1954

humor in jazz writing

Jazz is obviously a very serious business to
ost readers of this magazine, as it is to us.
one of us would have poured all the time,
oney, and enthusiasm that we have into
lis music, its recordings, its history, if we
dn't have strong feelings about the value
id importance of one or more of its aspects.

All this can be taken for granted. But the
bject for today is not the importance of
zz, or the dignity, seriousness and respect
ith which it should properly be taken,
istead, it seems high time to look at things
om a slightly different perspective.

The word "fan," we should never forget,

simply a shortened form of "fanatic." It's
so a pleasanter form : fanatics are grim-
ced, cold-eyed men who burned witches at
ie stake or broke non-believers on the wheel
less subtle centuries than this. Fans are
•esumably just people with an enthusiastic
ipacity for enjoying what they believe in,
id an easy-going scorn for those who don't
iare their enthusiasms.

But there are times when the longer form
the word shows through. In jazz, its more
:treme applications can bring about such
rry spectacles as the name-calling of the
irly years of bop. But the extreme mani-
stations are fortunately fairly rare. It's one
irticular chronic symptom that has begun
i bother us. We are slowly being forced to
e sad conclusion that far too many jazz
ns lack a basic human ingredient known
a sense of humor.

From time to time this magazine has pub-
ihed pieces that we considered truly funny,
imetimes we've run such a story simply
;cause it made us laugh and we thought
>u:d like to share the joke. Sometimes
e've felt that a piece had the kind of pene-
ating insight that can be humor's most
iluable quality. The foremost American
amorists of the century — writers like Mark
wain, Ring Lardner, James Thurber —
ive all had that insight, that ability to
ake us laugh at ourselves, and at those
lings we're most likely to get pretentious
jout.

Their most effective weapon tends to be
tire, a form of exaggeration that can,
aradoxically, be more accurate than reality,
or the exaggeration of skillful satire is only
ie short step beyond reality — and by show-

Oa4

ing us the sort of things we might almost say
and do, it can often point out the pomposity
and self-importance of the things we actually
say and do.

Now, no writer ever published in the
Record Changer is, to our knowledge, going
to be placed on a plane with Twain or
Lardner or Thurber. Perhaps the satire
we've published just wasn't very good, after
all. But we think it was deserving of less
weird reactions than it has gotten. A couple
of years ago there was a piece titled "Ken-
ton Goes Righteous," which straight-facedly
purported to be a review of a new record
that "proved" that Stan Kenton had seen
the mouldy light and been converted to two-
beat. The record, a two-sided creation called
Blues in Burlesque, was actually just a rather
clever take-off on jazz-concert Dixieland, a
chunk of satire in itself (although, coming
from Kenton, its motives were questionable).
The review, which made some strong (and,
we thought, funny) comments, seemed to us
to take some interesting cracks at both the
weaknesses of Dixie and the pomposities of
criticism. But there were an alarming num-
ber of readers who felt that it was necessary
to (a) gently inform us that we were mis-
taken, that Kenton had only been kidding
and we hadn't known it; or (b) gleefully
report that Kenton's conversion was wonder-
ful news.

We tried another hunk of satire just a few
months ago, a piece submitted by a young
man we've never met who strikes us as a
truly witty fellow. His dead-pan article pro-
claimed that it was really the Swedes of
Minnesota who invented jazz, that the music
went down, not up the Mississippi. His proof
involved tieing traditional jazz tunes to log-
ging terms (Snag It stemming from log jams
on the river, and the like). We had no real
doubt that Changer readers would find this
a highly amusing poke at the extra-serious
researchers after unknown facts — very worthy
people, but sometimes a touch lacking in
perspective. We were wrong; letters have
arrived arguing the point in shocked tones.
This Minnesota theory is impossible, they
say, because. . . .

This month we're at it again. On page 9
you will find an article, actually written by
Weldon Kees — a talented author and critic

in non-jazz circles — but also carrying the
pseudonym Hilda Hopworth (which sounds
just like the name of at least one syndicated
movie columnist — get it!). The article gives
details on a forthcoming movie based on the
life of Jelly Roll Morton. Since this is satire
aimed more against the Hollywood concept
of jazz than against any members of the jazz
fraternity, its obvious non-literal nature may
not need any explaining. But just to make
sure, let us inform you before you inform
us: we know that there is no such movie.

Thus has grown the suspicion that jazz
fans don't know how to laugh at themselves,
that we (and that "we" can on occasions
include the Changer's editors) take ourselves
with such seriousness that the very idea of
humor based on our thoughts or activities is
inconceivable. Maybe it's just that the
Changer is viewed as so dedicated a journal
that it seems impossible that we could want
you to laugh. Let us state flatly that this is
not the case.

(The fault, dear readers, is not yours
alone. A recent issue of Down Beat contained
a front-page box explaining to all who had
written and phoned that the Beat had not
printed as fact the statement that the Elling-
ton and Kenton bands were merging. It had
been part of a humorous column detailing
several impossibly "utopian" musings.)

"It's a little difficult to understand all this
dead-seriousness. Jazz musicians have never
been bothered by any deficiency of humor.
The examples are endless: just about any-
thing Fats Waller ever did; the sardonic
lyrics of many blues; the clowning of Louis;
the devices of trombonists like Ike Rodgers
and Roy Palmer; the "hokum" clarinet
Johnny Dodds could play; and much more.
Why, then, the inability of the jazz fan (or
at least the inability of a surprising number
of our readers) to know a laugh when they
see it. If the gag is a poor one, that's
another matter; but even the poorest surely
should be recognizable as such.

We may be libelling a good many of you
by these remarks, and we recognize also
that you can't scold anyone into having a
sense of humor. But this was a gripe we had
to get off our chests. Comments (and old
jokes) from readers would be appreciated.

The Record Changer is published monthly and copyrighted 1954 by William Grauer, Jr., 418 West 49th St., New York, 19, N. Y. For subscription
ttes and collectors' advertising rates see the information blanks in another section of the book. Write or telephone for our commercial advertising
ites.

4

Brief reports and comments on subjects of inter-
est to jazz students, by associates and friends of the
Institute of Jazz Studies. Please address all inquir-
ies, suggestions and contributions to Marshall W.
Stearns, 108 Waverly Place, New York 11, N. Y.

THE INFLUENCE OF THE WEST AFRICAN
SONGS OF DERISION IN THE NEW WORLD

BY THEODORE VAN DAM

PART 2

According to the noted folklorist Harold
Courlander: "It is the particular style of
delivery that Calypso singing is unique, the
use of archaic and synthetic words, the
cramming of many syllables into small space,
the importance of rhyming and the free con-
ception of rhyme, all these are characteristic
[Saturday Review, Oct. 18, 1952)."

As the "Gorilla," one of Trinidad's ex-
ponents, puts it :

"Calypso is a thing I'm telling you
When you are singing you must learn to be
impromptu

Never mind your English but mind your
rhymes

When you get the gist of it, you sing it all
the time

For veteran Calypsonians are known to be
Men who can sing on anything instantly."

{Esquire — 1938)

The modern Calypsos have broadened
out to include many subjects in addition to
their original "allusion" songs. Current
events: "The abdication of King Edward"
or "The Big Hurricane" (Bahamas) are im-
portant topics described ; there are countless
political songs, some of a vicious nature ;
and of course Love, in all forms, shapes and
manners; and many other subjects. Espe-
cially in Trinidad, the "Calypsonian" is a
person of great importance, particularly dur-
ing the Carnival season. In the "tents"
(makeshift affairs with bamboo poles), the
new songs are presented to the public and
the composer and singer of the prizewinning
song is hailed as the hero of the year. It is
well known that the Calypsonians call them-
selves by exotic names like Houdini, Lord
Tiger, The Beginner, The Growler, Duke of
Iron, Sir Lancelot, etc. There are "cutting"
contests in improving lyrics, often spiced
with insults.

Actually the old lyrics were purely im-
provised, then certain songs were identified
with certain Calypsonians, like Stone Cold
Dead in the Market by Houdini and Ugly
Woman by Lord Invader, and it was con-
sidered extremely bad form to steal each
other's songs. Lately, however, the newer
Calypso singers borrow freely from each
other and some even go so far as to put their
name on an old well known tune. Others
have "special material" written for them.
Unfortunately, through tourist influence,
many have degenerated lately into "party
songs."

A few North American entertainers have
ventured in the Calypso field. Ella Fitz-
gerald is actually the only one who can give
it a somewhat authentic representation
(Cold Stone Dead in the Market, Peas and
Rice). Jamaica-educated Harry Belafonte
gives forth in true "Blue Angel" style and re-
corded Man Smart, with sound effects and
all, but at least in satisfactory dialect. In
general the sophisticated night club ap-
proach resulted only in pallid (and squalid)
imitations.

Discography: Calypso music hit the general
public during the last World War, when
Rum and Coca Cola swept the country. Of
course, there were Calypso records available
much earlier than that. Among the earliest
found so far are by Jamaica's Sam Manning
(who is still going strong), recorded around
1925. He made Bungo and Let Go My
Hand on Columbia, Black Label (No.
14110-D, Master 141020/1) with the Cole
Jazz Orch. This is of course a real collector's
item. Others are on Okeh, from around
1927/8, also extremely rare. A few good
examples are :

A "Song of Praise" Calypso: Lieutenant
Julian (about the "Black Eagle" who was
supposed to fly the ocean like Lindbergh),
with the reverse being a well known Jamai-
can Song, Sweetie Charlie (on Okeh 8567-

Master 400192). Both have Manning on the
vocal with the Jack Celesian Caribbean
Serenaders. Recorded about the same time is
the typical "derision" songs, Go, I Have
Somebody Sweeter Than You and Keep
You Hands Off That-on Okeh 8302 (no
master No.), this time by Sam Manning's
"Blue Hot" Syncopators. On a 1935 Blue-
Bird there is a Paseo by Sam Manning and
his Orchestra called Belle Merchand (here
again the French Creole influence) and on
the reverse the good advice: Don't Interfere
with Man and Wife (BB B4927). Manning
records now for Decca.

Lionel Belasco. the old Master (now play-
ing with the "Carib Singers"), recorded
several piano rolls, in true "cafe" style, and
a great many Calypsos. Very interesting is
an old "folk" Calypso, Wash-Pan-Wash,
called a "Paseo" on the label. On the re-
verse is Lucille, a "Spanish Waltz" (this is
also on BlueBird B4990, recorded around
1935).

A much older number is the Panama
Paseo No. i by the Belasco Trinidad Band,
recorded about 1922 on Victor, Black Label
67362A, backed by Single Tone Calipso
(sic), by J. Resigna.

Most difficult to find are the old Trinidad
"Band" records, actually preceding the
present vocalist-small combo setup. Some of
these are: Orquesta Tipica de Trinidad,
doing Raff.es and Lia on Blue Columbia
(C3312, Master 82319, circa 1925) and the
Trinidad Paseo and Sara by the Banda
Mixta Lovey (Victor Black Label 63793.
circa 1923).

Calypso recording started in earnest in
the '40s. But before that there were several
blues Deccas (Houdini, the Lion, etc.).

Unfortunately there are not many very
good Calypso records available in this coun-
try. The Guild, Musicraft and Continental
recordings are of very poor quality. Dial has
some good examples (401 and 405) and
there is an excellent recording of the Mighty
Zebra on the "Festival del Caribe" record
(Caribbean E2). Folkways has an early LP
(FP 8) and more recently also a cut of the
Zebra (one of the best newer Calypsonians)
on Folkways FP 840; Caribbean Dances.
Also on Super! 'one 802 are several satis-
factory examples of recent performers. The

(Continued on Page 16)

5

0

George Lewis and his Band, Holy Trinity Episcopal
Church, Oxford, Ohio.

L. to R. : Alton Purnell, piano; Slow Drag Pavageau,
bass; Lawrence Marraro, banjo; George Lewis, clarinet;
Joe Watkins, drums; Kid Howard, trumpet; Jim Robin-
son, trombone.

WHEN THE SAINTS REALLY GO MARCHING IN

GEORGE W. KAY

Flash! Jazz goes to church!
American Jazz music, the lowly, rebuffed
phan from the wrong side of the musical
acks, has had a long and difficult struggle
iring the past 50 years to gain social
cognition. Jazz enthusiasts know this story
lly too well. Historical data surrounding
is child's blood relations has been thor-
ighly documented. With ancestral strains
:mming back to early ragtime, blues,
irituals, cakewalks, schottisches, parade
usic and other musical forms, the child-
otege, "Jazz," gradually took on a charac-
r peculiarly its own. The journey from
ew Orleans to the north country under-
ken by this young upstart is also familiar
all of us. The Mississippi riverboats,
hdcago gin mills and New York cabarets
fered for the most part a meager existence
r the youthful outcast from the southland.

The road was rocky, but Jazz was made of
stern stuff. Then, in 1937, the sedate clas-
sical world was shocked to its very founda-
tion. Jazz was permitted to enter through
the sacred portals of the traditionally con-
servative Carnegie Hall in New York!
"Why," the die-hards exclaimed, "the next
thing we will hear is Jazz being played in
church!"

And that, dear friends, is just what has
happened! It happened last February 21st
in the Holy Trinity Episcopal Church at
Oxford, Ohio, the home of Miami Uni-
versity. Here is how it all came to pass.

During the past three years George Lewis
and his New Orleans Ragtime Band have
played engagements each Spring at Miami
University with overwhelming success.
Credit for this achievement goes to Dr. John
Ball, Associate Professor of English at Miami

and Director of the Ohio Folklore Archive.
A few years ago, Dr. Ball and a group of
his students formed the Folk Arts Society on
the campus to stimulate more interest in
folk music. The club felt that early tradi-
tional New Orleans jazz might promote
wider student awareness and acceptance of
folk music, a novel and intelligent approach
in solving the problem.

The club's initial venture in linking jazz
with folk music was undertaken in March,
1952, when George Lewis and his Band
were booked at Cincinnati and Miami uni-
versities on successive evenings. The band
received such a tremendous ovation from
students and townspeople alike that return
engagements were scheduled last year, with
other colleges added to the tour.

(Continued on Next Page)

6

This year the band had not been booked
to play at Miami. Then, one evening in mid-
February, Dr. Ball received a long distance
phone call from Nick Scaglione, New Or-
leans contractor by profession and former
Down Beat staff writer. Nick's love of his
home town jazz had led him to accept an
assignment as personal manager for George
Lewis. He had just received word that the
band had been cancelled in Cincinnati, thus
leaving a three-day layover in Ohio, starting
February 21st. "Could Dr. Ball use the band
during those dates on so short a notice?" It
allowed Ball and his followers only 10 days
to promote and set up the engagements. But
the enthusiastic jazz devotees at Miami ac-
cepted the challenge and got to work imme-
diately. Printed announcements, radio plugs,
and that reliable medium, word-of-mouth
advertising, insured good advance sales for
the campus dance on Monday evening and
concert for the final Tuesday night perform-
ance.

The momentous event involving the ap-
pearance of a jazz band for church services,
a high point in the colorful career of George
Lewis and his group, took place on Sunday,
February 21st. Reverend Al Krenshaw,
rector of the Holy Trinity Episcopal church
in Oxford, has become a stalwart admirer of
New Orleans jazz. He was fascinated with
the intricate intertwining of melodies,
beautiful harmonic patterns and exciting
propulsive beat exemplified by the music.
But it was the simplicity and sincerity of the
playing of the George Lewis aggregation
that impressed him most of all. So when Dr.
Ball arranged for the band to come this year
to Miami, Reverend Krenshaw invited them
to play traditional spirituals for Sunday
evening Vesper Service at his church.

One would naturally expect a reaction of
shock and dismay from the more conserva-
tive church supporters. However, Holy
Trinity's congregation consists mostly of
students and faculty members, who welcome
new ideas and practices consistent with their
religious beliefs. Although there were a few
objections voiced by some of the elders, there
was no violent opposition to permitting the
band to participate in the church services.
The following is an excerpt from the story
of the historic event as it appeared in the
February 23rd issue of the Cincinnati Post:

"As one of the congregation put it : 'At
first the music seemed out of place with our
Elizabethan traditions and prayers. But the
more they played, the more I know it was
RIGHT.'

"The Rev. Krenshaw believes that jazz can
add to the faith of men by stimulating their
emotions. 'Modern man,' he contends, 'is so
proud of being a thinking animal that he
tends to suppress or apologize for his feel-
ings. But emotions are a part of us. To wor-
ship properly, we should offer God all of
ourselves, our feelings as well as our
thoughts. Jazz, which appeals to our emo-
tions, helps us to do this.'

"He also points out that his church's
hymnal is full of folk songs of another age
and comtinent — the Elizabethan tunes of
England, Scotland and Wales. Why not
Jazz? For jazz is America's folk music.

"Not that he is trying to convince his own
northern Episcopalian flock they should
adopt the hand-clapping shouting cere-
monies of the southern Baptists. That would
be false. But jazz musicians playing spir-
ituals which are an outgrowth of the suffer-
ing of their people have something of
universal truth to pass along to his more
fortunate congregation. That's why he hopes
to have them back every year.

"How do the musicians feel about playing
in a church? Drummer Joe Watkins summed
it up when he said : 'Man, we got to give
some of our time to God.' Shy, thin George
Lewis, the leader, commented, 'My wife
sure would be glad to know I'm going to
church.' The big, shambling trombonist, Jim
Robinson, whispered to his buddies after a
rousing version of The Saints Are March-
ing In: 'I feel just like preaching.' "

At the close of the final concert on Tues-
day evening, February 23rd, Dr. Ball invited
the band and a host of followers to his home
for a birthday party in honor of 66-year-old
Slow Drag Pavageau. After the first round
of drinks, the household soon acquired a
warm glow of friendliness, with guests
gathering in small groups to chat with the
musicians. Slow Drag was in rare form. With
guitar in hand, he perched on a window sill
beside Joe Watkins and sang a series of de-

lightful Creole songs. The circle of admirers
seated at his feet chanted, the choruses and
offered him encouragement.

A tribute is due to the people of Oxford
for extending the hand of genuine fellow-
ship to George Lewis and his fine group of
musicians. For here is an example of de-
mocracy in action — the things we want to
see in this world, but too often do not.

As George Lewis bid goodbye to his host
of friends, there were tears in his eyes. In
his shy, charming way, he said softly, "I
would like to offer my deepest thanks to you
folks for the wonderful hospitality you have
extended to me and the boys in the band.
We do hope you will ask us to come back
again next year."

As far as the students at Miami University
and the people of Oxford, Ohio are con-
cerned, George Lewis and his New Orleans
Band are always welcome, any time!

7

DON EWELL an appreciation

The jazz pianist Don Ewell is today in his
rime middle years as a creative artist. And
lere is taking place a modest but pro-
ounced Ewell renascence. At long last there

coming into being a respectably sized Don
well discography which can be offered as
lbstantial documentation — however incom-
lete it may still be — of his considerable
dents. Within less than two years the fol-
>wing Ewell material has been issued: four
imarkable piano solos recorded around 1947
ut not made available until 1953, on Good
'ime Jazz; on the Windin' Ball label, an
bum of eight Ewell solos cut in early
952 ; a collection on the same label of
[ama Yancey vocals with solid Ewell ac-
Dmpaniments made later that year; and the
;cent, remarkable 12 inch piano solo LP of
.ing Oliver Creole Jazz Band tunes also on
rindin' Ball. A session comprising four
des with the Kid Ory Band, made in late
953, is out on a GTJ LP; Atlantic has
issued, under Dixieland at Jazz Ltd., sides
well made with various groups in 1948,
lcluding a solo on Maple Leaf; and finally,
merican Music has reissued on LP, under
unk 1 945-46, three historic sides he re-
Drded with the Bunk Johnson Trio in 1946,
> well as a previously unissued master of a
)urth, Where the River Shannon Flows.

It is not my purpose to recount the bio-
raphical details of Ewell's career; if the
;ader desires such information he is referred
) the short but succinct note on the GTJ
Ibum (EP 1004), or to J. Lee Anderson's
laterial on him in the Evolution of Jazz
:ries, in the April 18, 1952 Down Beat. It
ill be sufficient here to point out that two
gnificant phases in his career can be dis-
:rned. The first began in 1946 when he
lade a remarkable splash in the jazz world
y his work with Bunk Johnson's Band at
le Stuyvesant Casino. During the following
;ars, when Ewell fell into a long period of
:lative obscurity, it was the vivid memory
F his inspired playing with Bunk that to
)me extent helped to sustain his reputation
l jazz circles. It was also in 1946 that Ewell
;corded his eight memorable sides with the
unk Trio on American Music. His work on

EUGENE KRAMER

that date, in its restrained, imaginative sim-
plicity is still as good as anything he has
recorded. The second phase is the one a
mellowed Ewell is steadily entering at the
present time, and which finds him in Cali-
fornia playing in Kid Ory's Band.

There has always been a great deal of
heated discussion about Don Ewell's "style."
These debates tend to revolve around the
question of the extent and nature of the
"influences" on his playing. It is with some
of the implications that are raised by this
question that I shall deal. At the outset this
obvious point has to be made: there would
not be so much continuing lively controversy
if it were possible to pigeon-hole his playing
into simple categories.

Some aspects of the genesis of Ewell's way
of playing can be cleared up if one makes
the following assumption: that Don Ewell is
a true artist, one of those rare inexhaustibly
receptive human beings on whom nothing
relevant is lost. In other words, Ewell is, in
the broadest sense, "influenced" by every-

thing he comes in contact with, and from
these "influences" his talent picks certain
things and discards others. This is not meant
to minimize the great debt he owes to his
predecessors. It is just that to the usually
enumerated list of Jelly Roll Morton, James
P. Johnson, and in later years, Jimmy
Yancey, there could literally be named
dozens of other musicians without explaining
the source of Ewell's inspiration. If you must
name the influence, why not Bunk Johnson?
Ewell was, of course, an accomplished jazz
pianist before he played with Bunk. So was
Louis a whale of a cornet player before he
played under Papa Joe Oliver ; but the ex-
perience was invaluable as a source of con-
fidence and inspiration. Similarly, Bunk
came along at a critical time in Don's life
and imparted to him a way of feeling about
the music that is with him to this day.

A problem involved in any attempt to
analyze Ewell's playing, a problem which by
its very existence throws some light on the
nature of his talents, is that it is virtually
impossible to say of him: this is the way he
plays such and such a tune. There is no
"Don Ewell version" of any number. His
playing is to a remarkable degree relative to
the social climate or mood in which he finds
himself. Nevertheless, within his playing
there is a recurring, underlying form that is
the expression of his own unique tempera-
ment. You might say that Don is always
changing and yet ever the same. This "rela-
tivity" is readily observable in his work with
radically different combinations. It is in-
conceivable, almost, to imagine him ever
playing again in the manner he displayed on
the Bunk Trio records simply because there
will never again be a Bunk Johnson Trio.
However, if he recorded again with Mama
Yancey, there is a good chance that he
would sound much the same as in his pre-
vious work because Mamma has a consistent
style to which Ewell, always sensitive to
what those working with him are doing,
would adapt himself. In this connection it
might be mentioned that those who have
been fortunate enough to hear different
"takes" of solos by Ewell have been amazed
by the astonishingly different conceptions of
the same tune that he has produced from
one moment to the next. It isn't really just a
matter of "never playing anything exactly
the same way twice." It is, as I have tried to
indicate, a thing of organic growth and
change ; a change, however, that is not neces-
sarily always for the better, although often
it is. These qualities that have been ascribed
to Ewell are among some of the highest that
a jazz musician can attain. But that is just
my thesis — that Ewell has demonstrated him-
self, on his own terms, to belong in a class
with the great traditional jazz musicians.

A final point. Don Ewell is, in the best
sense of the word, a "professional." For
nearly twenty years he has, because of the
necessity of earning a living, ably played
jobs ranging a broad variety of circum-
stances from the cocktail lounge to groups
playing "progressive" jazz. He plays tradi-
tional jazz piano, when he gets the chance,
not because that is the only way he can play,
but because he has made the choice as an
artist in full possession of all the requisite
skills to play that kind of music.

STAR

STUDDED

SHELLAC

john mc cmdrew

With practically everything these days
being transferred to second and third speeds,
and with all three speeds indicating marked
differences in reproduction, dubbing no
longer signifies what it did in the past;
nevertheless, I can see absolutely no excuse
for inferior pressings being distributed in-
discriminately with superior ones, of the
same recording and in the same speed. It may
be that there aren't enough people who are
aware, or even who care, to make that much
difference, but it is basically dishonest mer-
chandising, and we all should do what we
can to discourage it as much as possible.

For the Tune Collectors: A rare version
of Star Dust you may not have discovered is
a solo by the famous violinist, Eddie South,
done in commercial-hot style with orchestra
ace, on Pilotone P45-5063, a vinylite 78,
a mid-'40's release. There's also a version of
this song on a label called Anchor (A-20)
by vocalist Jerry Cooper, and he sings the

verse, too, which is a phenomenon these
days. The accompaniment is conducted by
Leo Reisman. This is the first we've heard
of him for several years outside of another
Jerry Cooper date, probably made at the
same time, of I'm Sorry I Made You Cry,
which, although made independently, was
bought by Mercury. I do not particularly
recommend either of these, especially if your
heart doesn't do nip-ups at the mere men-
tion of the songs.

Lovers of George M. Cohan and his music
may be interested to hear that Camden has
issued a second EP of his most renowned
melodies, such as Over There, Little Nellie
Kelly, Give My Regards to B'way, You're a
Grand Old Flag and Harrigan all of which
are ground out by George M. Cohan, Jr.,
whose other claim to distinction is that he
may be the one person alive with a set of
pipes that suggest the mating of a calliope
and a kazoo.

I am very fond of saxophonist Freddy
Gardner, and I particularly like his record
of / Only Have Eyes For You, an English
recording which appeared in this country on
Co 38346. It is an especially powerful re-
cording, and having played it quite a bit, I
sought a duplicate before the 78 RPM ver-
sion is out of print. I was astonished to find
that my second copy, supposedly a replica of
the first, wasn't, exactly. It was much duller.

I compared the master numbers, and
found that my first, the good copy, bore the
numbers CA 20730-2, and the other, CA
20730 1A. I still am not sure whether they
are different takes, or one is a dubbing of
the other. I rather fancy the latter to be the
case, because the same procedure applies to
the reverse side, I'm In The Mood For
Love, the mate to my first copy of which is
stamped CA 20729-1 and the second, CA
20729-1A. My prime objection to the second
copy is that both sides have a marked lack
of sharpness and definition, almost always
the indication of a dubbing. I thereupon
examined several more copies, and found
some of each, on some of them one good
and one bad side on one record, and others
as noted above. This was disconcerting, but
knowing the masters originated in England,
I could see how it may have been expedient
to replenish the sides in a hurry, and with
no master available at the moment, and with
tapes doing such a good job, dubbings were
supplied in the emergency. I cannot be sure,
mind you, that this is what was done, but
there is no escaping the inferior reproduction
on the alternate sides.

Now, in the process of listening to a
second copy of Doris Day's A pril in Paris
and The Cherries, on Co. 39881, I find the
same thing has happened, and this time it
really disturbs me, and there's no telling
where a thing like this will end. On my copy
of the record, The Cherries (RHCO 10192-
1N) is especially brilliant, but I had already
noted that the reverse April in Paris (RHCO
10193-1C) was noticeably less crisp than its
backing. To my consternation, on a friend's
copy, The Cherries (RHCO 10192-1A) is
the dull side, while April In Paris (RHCO
10193-1N) is breathtakingly clear. But for
the last named, I never should have known
that this side could be a superb recording,
which it is. Now, these are only two examples
of juggling that I happened to discover, but
it has made me wonder uncomfortably ex-
actly how many more I may have in my
collection of which I know nothing simply
because the copy I originally bought is the
only one I ever heard?

Lady . . . I just play from the heart

9

BY HILDA HOPWORTH

lollywood — (Exclusive) MGM producer
rtilton Kramer announced today that the
ompleted script of "Jelly Rolls Forward" is
n his hands, and that shooting on the film,
ased on the Alan Lomax biography of Jelly
Loll Morton, pioneer New Orleans jazzman,,
rill begin next month. "We're aiming at
omplete fidelity to the facts," a studio
pokesman said today, "and aside from the
hange to an all-white cast, deviations from
Norton's fascinating career will be few,
xcept in the interest of strengthening the
tory line."

Van Johnson will play Morton, and
lthough Van's a talented amateur on the
iano and it will be his fingers that you'll
it flashing across the keyboard, the track
fill be dubbed in by the team of Jose Iturbi
nd Erroll Garner. "Jose and Erroll have
een rehearsing for weeks," Kramer ex-
lained, "and they're terribly excited about
ie whole thing. It used to be said that Jelly
>unded as if he had four hands. We will
ave four hands — the best that money can
uy."

Problems of assembling a band to equal
lorton's own legendary Red Hot Peppers
ave now been solved, with the signing of
ich top-rank musicians as Tommy Dorsey,
tarry James (who will appear on the screen
1 the George Mitchell role), Buddy Rich,
nd Benny Goodman. It will be a twenty-
vo piece outfit, and the arrangements are
sing written by Ralph Burns. Few of the
lorton originals, probably, will be retained,
nd new numbers are now being written by
onny Burke, Frank Loesser, and Oscar
ammerstein. However, it is almost definitely
t that Morton's tune, The Pearls, will be
sed. It will be played by the Red Norvo
io.

Casting is in its final stages, with the
jveted Mamie Desdume role going to
tarjorie Main — and she ought to be won-
erful! George Brent will play King Oliver,
id Kathryn Grayson is set for the part of
ussy Mabel, whose name may be changed
:fore actual shooting begins. Keefe Bras-
He is in line for the challenging Tony
ackson role.

One minor change in Morton's actual
ireer has been made. Instead of having
felly" die broke and almost forgotten in
os Angeles, the script — by William Faulk-
er, Sam Farkis, Jr., and Alfred Hayes — will

MGM

ROLLS
ON

JELLY

(AS TOLD TO WELDON KEES)

have him turning to religion, and there is a
fat part of a kindly Roman Catholic priest,
played by Barry Fitzgerald. The role of an
attractive nun, which may go to either
Celeste Holm or Arlene Dahl, is being built
up into one of major importance. In the
screen version, the priest and the nun are
instrumental in arranging a reconciliation
between Morton and his old friend, W. C.
Handy, from whom he has been long
estranged. Handy will be played by Charles
Coburn, that grand old veteran, and the
big climax of the film, to be shot in Techni-
color, occurs in the course of a frenzied jam
session, during which the aging Handy plays
the St. Louis Blues on a battered cornet, ac-
companied by a symphony orchestra directed
by Andre Kostelanetz. Johnson, as "Jelly,"
sings a scat version of the old standard and
wins the Downbeat award as Musician of
the Year. Others taking part in the big
musical finish of the Morton picture will be
Xavier Cugat, Les Paul and Mary Ford, a
modern group directed by Shorty Rogers,
Tony Martin (who will dub in the Morton
vocals), the Katherine Dunham Dancers,
The Three Flames, and Vic Damone, who
will play the part of Dink Johnson.

As this is written, ten of the "X" Vault
Originals long-play reissues are on the
market, and from all reports are being
bought at a pleasantly furious clip, indicat-
ing to those who were in doubt something
that you and we knew all along: that there
are many people who have long been starved
for this material. Have a feast, people!

This is in the nature of a follow-up report,
and so should include mention of a few
errors called to our attention.

Department of mild, inevitable errors:
We have unearthed three spots that call for
correction or possible correction on these
first ten LPs, which — if we say so our-
selves— is a pretty healthy percentage, con-
sidering how much data we've tried to
present and how much tracking-down of
slim and dubious leads this involved. One of
the three is purely typographical: please
note that the correct master number for
Benny Moten's New Tulsa Blues is BVE
38669-2 — not 99. A second involves belated
word from an artist (and being still second-
hand, must be called only a probable cor-
rection until we can check directly with
her). Lil Armstrong is again reported as
saying (we'd once heard this story at third-
hand) that it's Charlie Alexander and not
her on piano on the July 6, 1928 "Johnny
Dodds Washboard Band" numbers that
make up the first and fourth bands of both
sides of the "X" reissue of that name.

Finally, there's the matter of the exact
date of the Original Dixieland Jazz Band's
first recordings. We had been unable, in this
one case, to unearth the specific recording
sheets that in all other cases had provided
us with the precise date of sessions. So,
using what the discographies had to say
(Hot Disco graphy, for example, lists both
February 24 and 26, 1917) and what we
kriew about take numbers of the two earliest
jazz sides ever made (one release was a first
take, the other a third), we deduced that
February 24 was most probably the day.
Then, just after the reissues were released,
up turned a 1917 document establishing
that the 24th was a figment of someone's
imagination: February 26th is the proper
date for Dixie Jass Band One-Step and
Livery Stable Blues.

One last word for those addicted to the
45 rpm speed: all of these reissues, it has
been decided by "X" officials, will also be
released as EPs. In general, this will mean
that Side 1 of the LP will be available as
one EP, and Side 2 as a separate 45 rpm
package.

—The Editors

10

the st. louis jazz revival

PART 4

BY BOB KOESTER

bill martin's hot points

Record Changer readers may recall an
article written for the February, 1952, issue
about Norman Mason, one of many great
clarinetists presently playing here in the
Mound City. In their article, A. F. Nie-
moeller and Ed Crowder pointed up the fine
points of a band that stayed at the Winder-
mere Bar almost four years. Joe Smith's
Rampart Street Ramblers. Not the least of
these was trumpeter Bill Martin, who now
plays across the street from the Windermere
at the Top Hat, using several former Joe
Smith men who were suddenly available
when Smith could not get bookings for his
band. Let's take a look at these men, and at
the band in which they play.

First, there's Bill Martin, the Satchmo-
loving trumpet-leader who, though certainly
no copy-cat, certainly reminds you of Louis.
It's not unusual for Bill to call That's My
Home or West End Blues when he's in the
mood for something to rest the band be-
tween Wolverine Blues and Salty Dog. Bill
was with Grant Moore's New Orleans Black
Devils, Rube Floyd, Terry Adams, and
Lloyd Hunter's bands during the early 30's.
The later half of the thirties found him
with Tiny Scott, Leland Longly's Four
Roses, Eddie Johnson's famous Crackerjacks,
and later, for several years, the Jeeter-Pillar
Plantation Club Orchestra here in St. Louis.
In 1950 he left Pillar to help Joe Smith fill
out an engagement at the Windermere Bar
that turned into a "four year gig." When
Smith couldn't get jobs for his band in 1953,
Martin took most of the members of the
band into the Top Hat, replacing the power-
ful Don Gumert's Saints. The band has been
there steadily except for a two-week vaca-
tion to rest up from their six-a-week grind.

John "Bones" Orange was a member of
the original Joe Smith Trio that first at-
tracted attention at the Windermere. Doubt-
less, the antics of "Bones" had quite a bit to
do with the early successes of the Smith
band. Orange is not only a great trombonist,
he's got that sense of "showmanship" that
(unfortunately) is too often more important
to the public and hence to the owners of a
"jazz joint." Bones has played with too many
groups and bands to list here. Let's mention
Claude Hopkins, and, of course, Johnny
Playtone's Orchestra where Bill and Bones
met at Jackson, Tenn. in 1927.

Bill Martin's first band has done great
service to jazz in the uncovering of a great
clarinetist in Kimball Dial. Kim has been
with Troy Floyd (with whom he recorded
for Okeh in 1928, and again in 1929; his
clarinet solo on Shadowland Blues has too
long been credited to Hershal Evans), Vic-
toria Spivey (he also recorded with her —
attention discographers) , Rube Floyd (where
Bill first heard him), and many others, in-
cluding the Smith band, after they left
Windermere. Kimball recalls other recording
sessions in Chicago and New Orleans in the

middle and late twenties, St. Louis in the
1929-1930 period and in Texas.

Al Batchman and Bill met in 1938 in St.
Louis. The pianist's style is so close to that
of Earl Hines, and Bill's to Armstrong, that
one is tempted to refer to the band as the
third Hot Five. Batchman's background is a
mass of solo-work and small combo and
band work, mostly in the St. Louis area.

Bassist Lawrence Dinwittie and drummer
Maurice Morton were playing with William
Fagin when Bill first spotted them. Lawrence
is another in a long line of great St. Louis
bassists, a line early influenced by New Or-
leans musician like Pops Foster. Maurice, it
must be mentioned, has supported the great
Dewey Jackson's horn at various times. He
now helps keep the Hot Points Rhythm sec-
tion rocking.

Well, there they are, six fine jazzmen, all
well worth the price of a half-dozen beers
at the Top Hat.

In recognition of the close links be-
tween jazz and so much of the music that
falls into the wide area covered by the
term "folk music," the Record Changer
will inaugurate as a regular feature, a
Folk Music section.

Beginning in the June issue, this sec-
tion will be edited by Jac Holzman, well-
known authority in the field. It will in-
clude, from time to time, information on
current activities of organizations and
artists, reviews of records of a folk and
ethnic nature, and historical and critical
articles. According to Holzman's present
plans, one of the first features in the
new section will deal with folk-singer
Huddie (Leadbelly) Ledbetter.

the record changer

editor-publisher

bill grauer, jr.

managing editor

orrin keepnews

circulation

jane grauer

art director

paul bacon

"The Six," a new cooperative band in-
cluding Bob Wilber, Johnny Glasel, Ed
Hubble, Eddie Phyfe, Bill Peterson, and
Tommy Goodman opened at Jimmy Ryans
in April. A most stimulating and enthusiastic
group, "The Six." Their rhythm section is
essentially "modern" while the horns run '
the gamut of traditional dixieland to bop.
In continued evidence is the kind of humor
and intelligent experimentation that is good
for popular music. Although one may not
like their ideas, it would be hard to over- j
look the polished technique and frequent
excitement with which these ideas are exe-
cuted. Along with the dixieland, pop and
swing standards are such seldom heard gems
as "Cornet Chop Suey," "Susie," "Nice
Work If You Can Get It," and "Blue
Flame." Their arrangement of "St. James
Infirmary" is of unusual harmonic appeal
but somehow they still feel compelled to
treat the "Saints" as if it was "The Saints
Go Running And Crashing In." As a
modern dixieland and swing band, they have
more than made the grade. We still, how-
ever, miss the great Wilbur De Paris band
that preceded "The Six" at Ryans.

The Riviera, 10th Street and 7th Avenue
in Greenwich Village, is featuring pleasant
and intimate dixieland sessions on Friday,
Saturday, and holiday evenings. The music
is sometimes fairly modern, more often very
traditionally New Orleans. Best of all, the
various musicians involved are mainly new
faces, providing a very refreshing treatment
of familiar subject matter. Pianist Frank
Gillis, formerly leader of Detroit's Dixie Five,
is in charge.

The Red Onion Jazz Band keeps the
banjo-tuba fans happy during Ryans' Mon-
day nights. The Phil Napoleon band at Nicks
now has Lou Koppelman and Johnny Varro
on drums and piano respectively. The
rhythm section is thus much improved. The
usual mayhem prevails at most of the city's
remaining jazz spots.

Will Buy

j RECORD COLLECTIONS j

ANY AMOUNT.

■

I have 100,000 records; hot sweet; every- ;
; thing, everyone. Send wants.

Will Trade; Sell; Buy

i Race; Blues; New Orleans; Personality.

■

■

Jacob Schneider

126 WEST &6TH STREET, N. Y. C.

■

■

s .«

1 1

SSELL ROTH

the
esthetics
of jazz

Some time ago, Mr. Nestor R. Ortiz
derigo of Buenos Aires, Argentina, sent me
copy of his book, Estetica del Jazz, pub-
hed in 1951. It is the first book written by
jazz critic outside the United States that
akes much sense to me. Panassie, Delaunay,
offin — for all the importance, largely his-
rical, of their contribution — just didn't
low enough about jazz. We could hardly
:pect that they would when people at home
dn't know much more — when a Winthrop
irgeant, for example, in the post-World
rar II revision of his Jazz: Hot and Hybrid,
luld blithely go on discussing the whole
ultifarious lump of American "popular
usic" as jazz.

Estetica del Jazz apparently represents a
'eak with this older tradition of half-
formed analysis. While one wishes that it
ere longer (it is something of a "primer"

jazz) and in an English translation (its
ithor probably wishes that, too), it errs, if

all, on the side of conciseness; and, espe-
ally in its last two chapters — "Timbre"
id "Thematic Material" — contains many
sights into matters fundamental to jazz.

Mr. Ortiz Oderigo's appended bibliog-
iphy and discography indicate, in part,
le reasons for the essential balance of his
udy. In the former, we can find the defini-
ve publications of Blesh and Borneman. the
amsey-Smith Jazzmen and the De Toledano

PART ONE

outside looking in

Frontiers of Jazz. In the latter, the propor-
tioning given all the truly significant names
in traditional jazz and the elimination of
those (listed in almost every other dis-
cography) whose inclusion would be mean-
ingless is a more than pleasant surprise.

(I v.-ould enter two minor objections: if
Bix is to be represented only by his White-
man Louisiana and Sweet Sue, he would
better be left out. Second, I wish I could be
sure Mr. Ortiz Oderigo had read and as-
similated the Roger Pryor Dodge essays in
Jazzmen and Frontiers of Jazz; he lists
others of the pieces in these two anthologies
singly, thereby giving them an increased im-
portance. Dodge, to my mind, is the best
theorist jazz criticism has produced.)

It is a large and difficult subject, this: the
esthetics of jazz. To go on from Mr. Ortiz
Oderigo's starting-point, we find ourselves
enmeshed in the continuing controversies of
the "traditionalists" versus the "progres-
sives." (Some months back, writing in Down
Beat, Mr. Leonard Feather was optimistic
enough to think that these controversies had
passed. Perhaps they have, for him and at
Birdland, but they continue elsewhere.)

No, the problem has not been settled; and,
at base, the problem is this: what is jazz?
From my point of view — call it what you
will — jazz is not "progressive jazz." It is not,
as the late Constance Rourke might have

put it, "in the sequence of European music."
Progress to the "progressive" seems to mean
that is.

Take the Stan Kenton band. "What Ken-
ton is doing," says "progressive" pianist Dave
Brubeck, "is going more or less out in front
of the rest of us with that tremendous per-
sonal drive of his, attracting a great amount
of publicity." Also, "Who is offering to the
young American composer anything near
what Kenton is offering in terms of freedom
to his arrangers?"

All this is true, and Brubeck, musically, is
nobody's fool. His sense of history, however,
like that of many Americans, is not what it
might be. He apparently doesn't remember
Whiteman. the "Stan Kenton" of Aeolian
Hall in 1924. Whiteman, too, had great per-
sonal drive and attracted a great amount of
publicity — for what? For Gershwin's Rhap-
sody in Blue, and for all the pseudo-jazz,
pseudo-classica that followed. Also, who of-
fered the young American composer any-
thing near what Whiteman offered in terms
of freedom to Ferde Grofe, Bill Challis, Tom
Satterfield, and Matty Malneck? For what?
For the saddling in his own orchestra of the
greatest white jazz improviser, not composer
— and what is jazz if it is not, first, improvisa-
tion?— who had been heard to that day:
Leon "Bix" Beiderbecke.

Of course, we know more now. Conte

12

Stan Kenton: "more or less out in front . .

Condoli isn't saddled — or is he? (His solos
with Kenton could be taken as screams of
despair at the diabolical Stravinskian ma-
chine within whose toils he apparently feels
constrained to work.) No, the soloists, the
"progressive" virtuosos are "free" these days
— within reason, that is. But within what
reason? And here is what I am getting at,
the long way 'round:

There was reason — a "system," if you
will — limiting the freedom of improvisation
in such a band as Johnny Dodds' New
Orleans Bootblacks. There was an unwritten
understanding as to the particular treatment
to be given the 4/4 meter; as to tempo; as
to key and chordal development (if any) of
the "theme" ; as to the instrumental de-
velopment of that theme; as to the instru-
ments themselves — their quality and poten-
tial, individually and in ensemble — the "posi-
tioning" of the instruments, one to another:
"lead," etc. Then, improvise — remembering
to keep an ear out for any "accidents" that
might also be used.

And how different this is from Kenton or
the largely notated music of a Brubeck
group: "First comes the intro." says Bru-
beck, " — two horns, just playing counter-
point ; then, still with the two horns playing
counterpoint, I put in [the theme] on the
piano. In the bridge, just for fun, I changed
the chords 32 times in a row, just to keep it
moving harmonically. . . . And then at the
end of the tune, to make it have more unity,
I put the first eight bars and the bridge to-
gether ... a trick as old as Mozart in
classical music, and one used by Stravinsky,
Milhaud, Bartok. . . ."

By a Russian, a Frenchman, a Hungarian,
that is; and here is one of the reasons a
"progressive" doesn't play jazz. You simply
cannot take any popular song — the theme
above is Kern's The Way You Look To-
night— deck it out with the harmonic tricks-
in-trade of schooled European composers,

.?" in 1954

and say you are playing jazz just because
your basic meter is 4/4.

There is more to jazz than that, and part
of it is an instinctual musical feeling — abet-
ted by study, if necessary (and study would
certainly seem necessary today) : a feeling
for the history of jazz.

We should know about Whiteman, thus;
about what Lloyd Hibberd in the Harvard
Dictionary of Music calls "cycles" in the
history of jazz ("Swing gives . . . indica-
tions of rounding out a cycle similar to that
from Ragtime to Symphonic Jazz almost two
decades earlier").

Further, we should know about the im-
portance of melody to jazz — says Dodge :
"These Moderns give us musical mathe-
matics and acrobatics applied to any and
every folk tune, but their work lacks as true
a line of melody as we might find in the
most obscure [jazz] trombone solo."

We should know about the importance of
ensemble improvisation — says Milt Gabler
(not a critic, but, as the Commodore Rec-
ords impresario, a man who should know:
". . . three [horns] at a time and each of
them going his own righteous way. . . .
Imagine, three composers, all with the same
feeling, all in the same groove, writing and
playing at the same instant, playing new
thoughts simultaneously, and interweaving
them without ever getting in each other's
way."

We should know about jazz intonation —
says Louis Harap: ". . . jazz totally loses
its special character if played with the con-
ventional intonation. The hot tone is more
'open,' less restrained, rougher and more
uniformly intense in feeling. It is usually
produced by a sharp attack, has a sustained
vibrato, and continuously employs the glis-
sando and portamento — all of which are
special effects rather than regular features in
the classical canon."

(Continued on Page 17)

Didn't take the San Francisco Area jazz
fans long to express their indignation at Bob
Scobey's leaving his roadhouse job ; within a
month he came back on, going strong,
adding Bill Napier on clarinet. Scobey's
appeal, especially to the college crowd,
grows by the month. His new GTJ LP, with
most of the original "Ragtime" issues spiffed
up for Hi-Fi, and a sweet job on Sidewalk
Blues, should help swell his audience even
more.

. Lil Armstrong in SF at the Hangover
whacking away like it was still the South
Side in the twenties. She's especially good on
Maple Leaf, Big Butter and Egg Man and
The Pearls, but seems to enjoy taking off on
every conceivable style, from Jelly to Jump.
Lil emphatically denies her presence on the
July 6, 1928 Victor session with Dodds
(Bucktown, Weary City, et al.) and names
Charlie Alexander as the most likely, since
he was playing with Dodds at the Chicago
Kelly's Stables at the time.

How the mighty have fallen department:
One of San Francisco's off-Market streets
is Mason Street. On Bert Solitare's "Open
House" d.j. show recently, a young fan
lauded the fine jam-session scene in the
"Glenn Miller Story," and asked that Bert
spin the fine old blues recording by Arm-
strong, of, naturally, Mason Street Blues,
like in the picture.

Kid Ory has signed a year's contract
(eight months of the twelve) at the Hang-
over Club, with Don Ewell stipulated on
piano. Ewell came on strong his last stay at
the Hangover, and will be used occasionally
for intermission piano as well as bandman.

Lillian Glinn, mellow-voiced Columbia
blues singer of the Twenties, is living in
Oakland giving vocal lessons to choir mem-
bers of her husband's church. She occasion-
ally can be heard on a late Sunday night
radio show emanating from the church, but
she refuses to talk about her younger days in
blues singing.

Watch for a Saturday Evening Post story
this season built around one fan's devotion
to Bix. Author Lucy Cundiff of Berkeley
got her principal kicks out of From Monday
On and turned out a neat piece which
shouldn't hurt the cause of jazz one bit.

Harry James with a large band at the
Diamond Knee in S.F., sounding very neat
and boasting some top flight arrangements.
Buddy Rich on drums, also sounding extra-
good .

Jack Teagarden band in town, sans
Charlie on trumpet but introducing a young-
ster, Jack Coon, to a highly appreciative
(Continued on Page 18)

13

records
noted

GEORGE AVAKIAN
JACK W. FARRELL
DICK HADLOCK
BUCKLIN MOON
ROBERT L THOMPSON
MARTIN T. WILLIAMS

ouis armstrong with king Oliver's
:reole jazz band

Hhimes Blues/Froggie Moore/Just
ione/Snake Rag/Canal St. Blues/
^eatherbird Rag/Mandy Lee Blues/
Dippermouth Blues

While reissues of King Oliver's works are
10 longer uncommon events, they are still
loteworthy in the sense of their constituting
epeated votes of confidence in the founding
athers. When, as in the present case, such
eissues are presented on relatively high
[uality surfaces, they are all the more to be
lesired.

There are not many jazz fanciers who are
till unfamiliar with the King Oliver band
ind few who would dispute its vast influence
iver much of the jazz and swing of the years
hat followed. It is still possible to look to
he Creole Jazz Band as a kind of manual
>f style in jazz playing. (The poor technical
[uality of the 1923 Gennett recordings
nakes study of the band difficult, when
>ased solely on these recorded perform-
inces). Not only in "style" was the Oliver
>and influental, but also in its contribution
if repertoire, and breaks, codas, introduc-
ions, etc., to what is now the standard ar-
angement of many jazz tunes. It is a pity
hat economic interests necessitate giving
Armstrong top billing over Oliver and the
jreole Jazz Band itself. In spite of Arm-
trong's ability, the glory and importance of
he band exceeds that of any one member.
Solos are few and far between in the course
)f this rocking ensemble jazz.

The tunes are all of superior quality as
:ompositions, a fact often obscured by early
ecordings, and recently brought very much
nto the light by Don Ewell's album of piano
olos of Oliver tunes {Windin' Ball).
Zhimes is well known for Armstrong's first
ecorded solo, but even more compelling is
lis work in the short ensemble bits in the
urn-around between the two "chimes"
:horuses by pianist Lil Hardin. Froggie
Uoore is an intricate Jelly Roll Morton
)iece (listed in the Gennett master books as
'oggy Moon) in which Armstrong again
hines during the first trio ensemble. His
tyle here is remarkably like that on the
-lot Five records of 1926. Snake Rag pro-
'ides a stirring three minutes, although this
'ersion is not as well executed as the later
Jkeh recording. Weatherbird is especially
loteworthy for its melodic line and whim-
ical trombone and woodblock breaks. Dodd's
:larinet is at times very much like that of
-.arry Shields, and the two-cornet breaks are
imong the swingingest ever. Canal Street
srovides ensemble tromboning (H. Dutray)
hat shows us where Turk Murphy found
;ome inspiration. Mandy Lee and Just Gone
/vould make excellent additions to any band's
x>ok. Dippermouth should be familiar to
ill. {Riverside RLP 1029) (R. L. T.)

tommy ladnier — blues and stomps

Mojo Blues/Heebie Jeebies/Peepin'
Blues/Cbarleston Mad/Charleston,
South Carolina/Travelin' Blues/Step-
pin' On The Blues/Play That Thing

The relatively unknown work of cornetist
Tommy Ladnier is here for the first time
brought into featured dimensions. Most of
us have only heard him as a nearly inaudible
accompanist to blues singers, or all tangled
up with Mezzrow and Bechet. His few spots
on some Henderson records (e.g., Snag It
by the Dixie Stompers) have made us wish
for more. Well, here it is, the best yet, but
not always ideal. Play That Thing is master
number four of the coveted Ollie Powers
collector's item. The remaining sides are all
with Lovie Austin's Blues Serenaders. The
Austin group also features Jimmy O'Bryant
on clarinet.

The best all around jazz is heard on Play
That Thing wherein Ladnier is joined by
another cornetist (by name Calimese), Eddie
Vincent — trombone, Jimmy Noone — clari-
net, Clover Compton — piano, Ollie Powers —
drums, and an unlisted banjo and tuba. The
Thing is a traditional jazz-blues affair which
goes out on the Jazzin' Babies Blues theme
after some moving cornet solos and a good
but not magnificent Noone solo. Steppin'
and Traveling show Ladnier at his greatest
moments. Herein, Jimmy O'Bryant is also
superb, rivaling Johnny Dodds. Had
O'Bryant always played like this, he'd have
easily made the jazz hall of fame. Traveling
is just another name for the familiar Weary
Blues. A number of riffs are used effec-
tively— a point of importance since it is not
often recognized that this kind of musical
figure was in use at that time (1925).
Steppin' is an exciting minor-blues. The two
Charleston tunes feature vocals by Priscilla
Stewart. They seem to be somewhat awk-
ward vehicles for the musicians involved.
Jeebies (no relation to the Hot Five tune)
and the aothers are somewhat more crudely
performed and recorded. In these cases, a
sometimes tedious lup-pa-ta lup-pa-ta beat
is in prominence. Nevertheless, these sides
are of considerable historic importance and
high in entertainment value. ( Riverside
RLP 1026) (R. L. T.)

jimmy yancey

La Salle Street Breakdown/Two
O'Clock Blues/Janie's Joys/Lean
Bacon/Big Bear Train/Lucile's La-
ment/Beezum Blues/Yancey Limited

Jimmy Yancey died in obscurity, Time
magazine made a big deal of it, and now
everybody is putting out Jimmy Yancey
records. This collection represents the long

lost, near mythical, sides recorded for Solo
Art back in 1939, and recently discovered in
an old metal box.

Now Yancey was a great and gentle
master of blues and boogie woogie piano
playing. Following the album notes and
quoting Jelly Roll Morton's comment about
another pianist, he "could hardly play any-
thing else, but (he) really could play
this . . ." Yancey was perhaps the most
sensitive and inventive exponent of this
limited idiom. Unfortunately, these sides are
among his least interesting efforts. Most of
it is rambling improvisation with little
melodic development. The Yancey beat is
very much there and saves what is left of
the day. The tunes may be divided into
two categories: fast and slow. The latter arc
Two O'Clock, Bacon, Train, Lament. It
would not come as a surprise to find that
this collection represents four takes on each
of two tunes — the fast one and the slow
one. Nevertheless they furnish pleasant
music to drink and laugh by. {Riverside
RLP 1028) (R.L.T.)

george lewis' ragtime band

Ice Cream/Down By The Riverside/
Burgundy Street Saints Go Marching
In/Doctor Jazz/Closer Walk With
Thee

Here's the best opportunity yet to hear
the George Lewis band which set the West
Coast Mouldie Fygges on their ears during
various engagements in San Francisco and
Los Angeles in 1953. Three of the tunes
appeared on 78's of irregular issuance, but
this is really the first availability for most
fans.

Acoustically, the job is beautifully handled
by Capitol engineers. The vigorous drive
which the Lewis band generates is well
enough recorded to be dissectiblc, and the
front line is about as well balanced as pos-
sible in the light of the extreme contrast
between Kid Howard's weak trumpet and
Robinson's blasting trombone.

Burgundy Street is done with vocal, which
will probably horrify the purists. Laurence
Marrero jotted down a few sights of interest
a stroller along the Street might notice,
George started playing his beautiful clarinet
solo, and Monette Moore improvised the
lyrics. The thing might be corny, but it's
effective, and Miss Moore's voice, which is
used in narrative more than song, practically
melts all over the pavement. The band is
terribly disappointed that this ran too long
to be put on a 10" 78 rpm, since they are
sure it would become something of a sen-
sation for the jukeboxes "back home."

Ice Cream is probably the best of the lot,
although the breakneck pace and undue
length (about seven minutes) eventually
wear you down. For those who have never
heard the Lewis band in person, I recom-
mend playing this tune about a dozen times
with your amplifier as loud as the neigh-
borhood will tolerate, and then you'll have a
fair idea of why M. Fygge's bar-budget is
thrown to the winds when the Lewis band
is in town. Joe Watkins holds the rhythm
section in place and sings a fine vocal, even
though the words are a mangled form of the
original. Jim Robinson huffs and puffs
through two razzle dazzle choruses on
trombone, Alton Purnell gets a couple on
piano (although I think Al's best work is in
ensemble) and before you know it all hell
has broken loose. Just to cap it off, George
{Continued on next Page)

14

throws in a Noonish lick at the end which
scares you.

If we had to have another Saints, this is
the bunch to do it, and although six minutes
is kind-of pouring it on, generally it's re-
freshing. Kid Howard splutters out a Louie-
type vocal, but when the band starts blowing
his trumpet is lost in the shuffle. One of
many examples where Howard's ideas far
outrun his ability to produce.

Closer Walk With Thee is gorgeous,
especially when George, Laurence, and Slow
Drag go through a couple of mournful
choruses, Laurence in a single-string vibrato
on counter melody, and Drag bowing the
bass, all of it enveloped by George's poign-
ant clarinet. The Watkins vocal is tender
and sincere and would have been even better
if Howard could have restrained himself
from muscling in here and there. The fast
chorus at the end seems a little unneces-
sary.

Riverside and Dr. Jazz are shorter than
the rest, and somewhat inferior, especially
the latter. Joe Watkins does his best on the
vocals, and solos are consistently good, but
the ensemble is sloppier.

By the way, the remaining tune recorded
at this session was Louisian-i-a, Joe Darens-
bourg's tune, which Alton Purnell scats
through on vocal and then turns over to the
band for general mayhem. It was available
on a 12" 78 rpm (Jazz Man 501) for a
short time on the Coast.

Compared to the An-Tones, made in San
Francisco four months earlier, these Jazz
Man sides seem slightly superior, overall.
George's clarinet is in tune, for one thing,
and the recording balance is better. On the
other hand, the An-Tone session seems more
informal and less frantic on the faster tunes.
Best solution, undoubtedly, is to buy 'em all.
(Jazz Man LPI) (Philip F. Elwood)

sir charles thompson sextet

Bop This/Memories of You/Oh Joe!/
For the Ears

It is strange when one realizes that the
early days of bop are a decade and more
back and there are jazzmen still playing in
that idiom who actually sound "mouldy"!
The musicians on this date are capable,
thinking, men and their music is mostly
pleasant, if not important. Nothing new or
very exciting is said, and most of the session
is comfortably remindful of some of the
small label recordings made eight or nine
years ago.

Interesting is the appearance of Pete
Brown, who has lyricized his alto playing
somewhat since his early recorded work.
Thompson contributes restrained and taste-
ful piano solos. Joe Newman and Benny
Powell, from Count Basie's band, play well.
No one impresses as a really brilliant jazz-
man, although Powell, who could emerge as
one of the best, plays snatches of things that
one only expects from, say, Willie Dennis.

Bop This begins with an ancient riff used
in Buddy's Habits and Little Rock Getaway
and many others. Considering that this is
an unrehearsed session, the affair comes off
rather well.

Memories of You could have been an
excellent vehicle for Joe Newman, but some-
how nothing much happens. Oh Joe! sounds
a little tired, but has a few quite modern
thoughts by Newman. For the Ears utilizes
some old riffs that Dizzy threw out years
ago. There is not sufficient drive or en-
thusiasm to make these renditions "hot,"
and they're not "cool" either. I guess that
makes them tepid.

The quality of recording, however, is
something else. Vanguard has done an
admirable thing in recording jazz with the
same great care that is given to classical
sessions. The sound is as close to the real
thing as anything yet turned out com-
mercially. (Vanguard VRS 8003) (RBH)

vie dickenson septet vol. i

Russian Lullaby/Jeepers Creepers
vie dickenson septet vol. ii

I Cover the Waterfront/Sir Charles
At Home/Keeping Out of Mischief
Now

These are some of the most exciting re-
cordings to be issued in recent years. Here
are some of the things that make them so :

1. Ruby Braff

2. Vic Dickenson

3. The Rhythm Section

4. The quality of recording.

The most impressive feature of these two
long playing records is the trumpet work of
Ruby Braff. These are the first records that
really give him a chance to blow and show
what he can do, and how he wails! His
style is his own, and in arriving there he has
embraced elements of many greats, from Bix
to Diz. It is utterly exhilarating to listen to
the ideas twist and turn as they flow from
Braff through his horn.

Vic Dickenson is an excellent companion
for Braff. He, too, is versatile, having played
with dixieland groups and more modern
people. He, too, plays with tremendous
vitality, humour, and originality. He, too,
has superb control and command of his
instrument.

Ed Hall also graces the sides with his tasty
and energetic approach to the clarinet.

The rhythm section is beautifully co-
ordinated and swings all the way. Whoever
made the decision to use guitar was very
shrewd. In this one instrument lies part of
the answer to why bands swung in the
thirties more than today. Many contempo-
rary groups, even big bands, have ignored
guitar except as an amplified solo instru-
ment. As a rhythmic and harmonic founda-
tion, it is unequaled, and proves the point
in Steve Jordan's hands on these records.

Sir Charles Thompson plays thoroughly
charming and sensitive piano, both as part of
a section and as a soloist, though mainly in
the latter role.

The quality of the records is fantastic.
This is real hi-fi jazz recording. But there-
is more than just full frequency response ;
the record has presence, which is the elusive
factor that makes such a difference. The
slow speed is utilized to best effect by allow-
ing a whole side for a tune where necessary
to provide plenty of time for expression.

Here, at last, is a package that the jazz/
Hi-fi fan can buy and really enjoy. ( Van-
guard VRS 8001 and 8002) (RBH)

kid ory's Creole jazz band

South Rampart Street Parade/The
Girls Go Crazy/St. James Infirmary/
Bill Bailey/Milneberg Joys/Creole
Love Call/Bucket's Got A Hole In
It/Aunt Hagar's Blues

The third of GTJ's Ory LP's shows off
the gang in magnificent dimensions. Me-
chanically, this is the most perfect jazz issue

yet put before the public, and will be the
standard by which other Hi-Fi attempts
must be judged.

Musically, it isn't entirely sensational,
although there is more than enough to
satisfy all save those who felt that Ory was
finished when Papa Mutt died (he wasn't,
by a long shot). The only constants in the
personnel for all eight tunes are Ory,
trumpeter Teddy Buckner, Minor Hall on
drums, and guitarist Julian Davidson (who
was added just for these recordings). Lloyd
Glenn handles piano on the first side, Don
Ewell on the second. Clarinet chores are
shared by Pud Brown and Bob McCracken;
since Ed Garland, Ory's perennial bassist
was recuperating from a serious auto mis-
hap, he was replaced by Morty Corb on the
second session. This marks the first record-
ings under Ory's name in history that lack

"Toudi's" powerful bass. Thus, in Davidson,
Brown, and Corb we have the opportunity
to hear three fine musicians of the Holly-
wood Dixieland variety who have never
played regularly with Ory's band. It is a
testimony to all concerned that the results
are as satisfying as they are.

The first side shows off some fine Buckner,
especially on St. James, and some dubious
vocals by Ory (on Girls and Bill Bailey).
With Ory blowing the horn so wonderfully,
one questions the advantage of hearing his
voice as well, especially on a tune such as
Bill Bailey, which Bud Scott did so defini-
tively with Ory a few years back and which
is too well known to be as sloppily handled.
South Rampart Street is uneven: Pud's low
register work is admirable, but Glenn's
chording, although interesting, is pretty
pretentious for such a simple vehicle in the
hands of a small band. Girls has a nice lilt,
and a neat arrangement, albeit one which
seems more sophisticated than necessary for
Ory. Buckner and Ory work splendidly to-
gether throughout, and play tag around
Bill Bailey in fine fashion.

Principal difference between the sides is
the switch at the keyboard. Not only does
Ewell seem more a part of the band in solos,
but with "Ram" Hall and the bass, some of
the old pep which has been missing in Ory
bands since the death of Buster Wilson seems
to be revived. The "Kid" seems immensely
pleased with Ewell's work, and I suspect
Don's ability to integrate with the rhythm
section has been his greatest attribute. The
tunes on the second session were better, too.
Ory may be over-recorded (or else he's
blowing louder by the month), since even
Buckner seems occasionally drowned out, and
poor Bob McCracken has real trouble get-
ting his clarinet heard at all when the
ensemble really rocks as in Milneberg and
Aunt Hagers. The Creole Love Call isn't
the least unworthy. As a matter of fact it is
beautifully done, with Ewell switching from
celeste to piano, the brasses playing easily
in a most subdued manner, and McCracken
blowing the cleanest clarinet heard on all
eight tunes.

Both Milneberg and Bucket are done in
roaring fashion, with Ewell seeming like
Jelly on one, like Fats on the other, and like
Ewell even more of the time on both. Aunt
Hager's is a little close-to-the-vest but the
gang rolls along with ease, and mighty
prettily.

This is a grand disc to have around, and
don't fret over what Ory's band of a half
dozen years ago would have sounded like on
such Hi-Fi. Be happy with what you've got.
(Good Time Jazz L 21) (Philip F. Elwood) :

15

russ freeman trio:

Yesterday's Gardenias/Bock's Tops/
Don't Worry About Me/Backfield in
Motion/You Stepped Out of a
Dream/Laugh Cry/ At Last/The Eye
Dpener

Pacific Jazz has maintained dangerously
ligh standards for the musical content of
:heir catalog. One expects an occasional dog,
jut it looks like we won't see one with this
abel.

Russ Freeman is another of the tremen-
lously talented and active collection of
nodern jazz musicians an the West Coast.
California sunshine seems to incubate and
lurture unusually creative musicians. Their
winging explorations reflect an eclecticism
hat is often missing in the East. There is a
;reat respect for and absorption of jazz
radition manifested in most of the better
Coast groups. They know how to play pretty
ind they know how to swing and they know
low to create beautiful ideas — and if one
)f them borrows a phrase from Armstrong
)r Goodman, he does so purposefully.

With the wonderful foundation to build
>n that is provided by Shelly Manne and
>assist Joe Mondragon, Russ Freeman churns
ip a storm, applying startlingly original twists
ind turns often enough to sustain interest
ind excitement all the way. He may have
>een influenced by Brubeck or Horace
silver, or (more likely) Bud Powell, but the
>nly obvious characteristic he holds in com-
non with those gentlemen is the ability to
)lay piano with both hands. The left side
)f the keyboard is used for more than mere
Dunctuation or chords to serve as jumping
)ff points. With ten fingers creating for a
ingle mind, more interesting things can
lappen than when only five fingers carry the
mprovisational responsibility.

Of the eight selections, four are Freeman
)riginals and four are old pop tunes that
ire not heard too often. In his treatment of
:hese, Russ displays greatest strength in
hythmic certainty and perhaps some weak-
less in dealing with lyricism.

Most modern jazz musicians are choosing
unes with care these days, and trying to
escape from the tired chord sequences that
:hey know so well (blues, / Got Rhythm,
rndiana, etc.). The result has often been
lappy and incidentally added to the list of
itandards upon which jazzmen can draw,
sometimes, however, a ballad just feels
iwkward even when top men play it. Russ
freeman does very well indeed with his
:hoice in this set, but the originals seem to
;wing a little more, and they move on
:hanges that are fairly common in sequence.
Backfield in Motion, in fact, is not unlike
Lady Be Good in structure.

Pacific Jazz, along with a very few other
small labels, has demonstrated that a record
:ompany can function imaginatively and
:reatively without forfeiting commercial
jain. When really good music is offered
lonestly, the artists, the record company,
and the public profit together.

This ten inch long play record is of excel-
lent recorded quality and displays a cover
picture of Russ Freeman that is as electric
is the artist himself. (Pacific Jazz PJLP)
B) (RBH)

george lewis jam session

Sheik of Araby/Bugle Boy March/
Stompin' At El Morocco/Chicken

These are additional sides from the session
that produced the first Pax George Lewis
LP. Three of' them are second masters
(El Morocco is really a slower-paced Ole
Miss), while Chicken is new material.

Differences between the alternate takes
are considerable, with George being featured
more heavily than on the previously issued
Sheik, while Bugle Boy seems somewhat
more exciting than the rousing original
master. While there seems to be no real
justification for the name change on El
Morocco, it is a good indication of the high
degree of improvisation utilized by this
group, with considerable changes in tempo
and phrasing from the earlier version of Ole
Miss. Chicken, which had not previously
been issued, includes a female vocalist and
shows what a typical New Orleans jazz band
can and will do to ordinary commercial ma-
terial. Needless to say, it comes out sounding
very New Orleans, and when you hear it, I
am certain that you too will want to swing
and sway the George Lewis way. (Pax
4001) (JWF)

in gay old new Orleans
with knocky parker and dick well-
stood

Grandpa's Spells/Wolverine Blues/
Grace and Beauty Rag/Pretty Baby/
Story ville Joys/Crazy Kid Blues/
Wildflower Rag/Don't Forget To
Mess Around

This is a strangely assorted group of both
very good and mediocre recordings and
program notes from the earliest phases of
Dante Belletino's recording career. Several
of the piano solos prove quite pleasant, while
portions of the band work feature ensemble
material of a type and quality that proves at
least some of the post-war jazz in New York
was far removed from the Condon school.
Unfortunately, the band sides falter a bit in
spots, reminding one of the jam session at
which Bunk Johnson came up behind a
member of this rhythm section, held his
trumpet over the Man's head, and said in
sepulchral tones, "This man must die!"

It is too bad that a little more of Mel
Hill's clarinet cannot be heard in addition
to the ensembles on Pretty Baby. He is not
available on other recordings currently,
although eminently worthy of attention. Such
familiar names as trombonist Eph Resnick,
clarinetist Joe Muranyi, trumpet George
Bineth, and several others have been heard
elsewhere in greater quantity, but Hill, un-
fortunately has not been waxed save for his
very pleasant ensemble work here.

Oh yes, those notes. This is going a bit
beyond the field of record review, but as a
Railroad Fan I feel it essential to point out
that the "Wolverine" referred to here is a
crack New York Central — Michigan Central
train running from New York to Chicago,
NOT Chicago to New Orleans. In these
times of tremendous front-page stock market
struggles, the New York Central is having
troubles enough without somebody stealing
their trains, too. (PLP 1) (JWF)

when the saints go marching in
turk murphy and his jazz band

St. Louis Blues/I Wished I Was In
Peoria/Tishomingo Blues/Down In
Jungle Town/How Come You Do Me
Like You Do/Roll Jordan Roll/Bill
Bailey Won't You Please Come
Home/I Wish I Could Shimmy Like
My Sister Kate/Santa Claus Blues/
Baby Won't You Please Come Home/
Evolution Mama/When The Saints
Go Marching In

This nice, fat 12" LP catches, for the first
time on record, the true atmosphere of a set
as played by the Turk Murphy Band. It is a
wonderfully relaxed date, far more so than
any of their previous efforts. Nine of the
twelve selections include vocals, albeit never
at the expense of full instrumental treat-
ments of the tunes involved. For the first
time, Bob Helm is given space for his famous
shouting, most notably on Peoria, while
Turk is the "Groaner" in other numbers,
and in a few wild choruses some truly hair-
raising duets come forth from these gents.

Personnelwise, a lot of interesting things
happen. Freddie Crewes, a blind pianist
formerly with the Castle Jazz Band, sits in
spasmodically on tuba, freeing Bob Short to
handle cornet on some numbers. This hap-
pens frequently on the job also, although
there have been no tuba "duets" thus far.
It is probably only Short's great affection for
the big brass bass that has kept Brother
Crewes from more permanent residence in
the band. Wally Rose is his usual outstand-
ing self at the piano, with Dick Lammi
(another tuba man who doubles!) doing a
great job on banjo. Rose and Lammi do
some particularly nice things on Jungle
Town, which gets a very satisfying treatment
in this instrumental version. Bob Helm's
clary and the Murphy trombone are more
or less the "front line."

Helm and Turk both blow with the
marked flexibility of style so often found in
their personal appearances but very rarely
on record. Hokum is present in great and
pleasing quantities, including some loony
phrases behind each other's vocal efforts
that deserve more than passing note. Their
playing is spirited, particularly on Peoria,
with Jordan and Saints in the same category,
the latter reminding us that a tune driven
into the ground by atrocious performance
elsewhere can still be made worthy of yet
another listening. Turk's insinuating break
on Sister Kate is very effective, and seems
to indicate in two short bars the difference
between this session and all of his previous
record dates. Note also the occasional power-
ful presence of the Murphy hand on wash-
board.

Tunewise, the disc is the usual Murphy
mixture of standards and strangers from
the band's library of several hundred selec-
tions, providing that evergreens can still have
freshness if you don't have to play the same
ones every night of the year. For the new-
comer to the music, this collection should
prove hugely enjoyable. Those who have
never heard the group except on record are
due for numerous surprises, while the regular
visitors to San Francisco's Italian Village
will be most happy at long last to hear the
band as they know it to sound. The Murphy-
landers and Columbia's George Avakian are
certainly to be congratulated on a job well
done. (Columbia LP 546) (JWF)

16

THE COBWEBS
carl kendziora

We have made mention many times in
these monthly discourses, of our research
efforts into the pile of non-major labels of
the twenties, trying to ascertain recording
dates for jazz items and real indentities of the
multiple issues, under numerous pseudonyms,
of the same masters. This latter aspect also
serves to line up all the consecutive masters
for each recording session and establish
real master numbers for those issues under
various control and bookkeeping numbers.
In order to do this, we have solicited the aid
of those readers with discs falling in the
scope of our research. In order to facilitate
this work, five other leading researchers and
your columnist have banded together into a
cooperative group which we have come to
call The Syndicate. We meet at a different
member's place every five or six weeks for
discussions of new theories, developments,
exchange of information, etc. We hope that
this move will further our individual and
collective efforts.

The task of establishing recording dates is
most difficult and the best way to narrow
down possible times of recording for given
masters is have certain benchmarks to which,
or between which,' we can tie them. Dates for
the beginning and ending of labels, catalog
series, etc., are such benchmarks. We are
now seeking another point to which to
anchor masters; the points at which the
various master series dropped the old acous-
tical method of recording and turned to
electrical methods. The majors began chang-
ing in early 1925 and we know none of the
smaller outfits predated them! Some could
ill-afford the move and held off until forced
to by loss of sales. Others, better off finan-
cially, got on the bandwagon promptly and
still others, not able to raise the cash or
credit, gave up shop without ever issuing
anything electrically waxed.

We have just begun this phase and most
series are not yet narrowed down sufficiently
to discuss at this time. With three series,
however, we have found acoustic and elec-
tric masters close enough to produce a
reasonable gap in which the point of change
takes place. We would like to have reports
on any masters from these gaps, giving all
pertinent data plus the much desired acoustic
or electric identification. First series is the
Cameo one, appearing on Cameo and
Lincoln [Romeo and Variety appear to have
started after the switch and therefore are
always electric). Highest acoustic master
we've heard is 1844, but 1845-6-7 are all by
the same group and hence probably from
the same recording session. Lowest electric
master heard is 1854. The gap, 1844 (and
probably 1847) to 1854, holds the key here
to the exact point. Next series is the 3000

block appearing on Emerson, Dandy, Clover,
Bell, Everybody*, Wise, etc. and Grey Gull
family (Grey Gull, Radiex, Amco, Nadsco,
Globe, Supreme) labels in the catalog series
1200-1300. The gap here is between 3867
and 3954.

We have some numbers in this interval to
check aurally and may narrow it down
further soon. The third series is that of
Pathe and Perfect where the gap is from
107268 to 107305. The block of masters
from 107305 to 107390 seem to have a
small "E" written in the label surface just
above the similarly written master number
and we believe this was the company's sym-
bol for the first electrical masters and which
was dropped after everything was well estab-
lished with the new system. This will be
borne out if the "E" does not appear on
the highest acoustic master but does appear
on the first electrical one! As to dates,
Cameo seems to be early 1926, the 3000
series somewhere in that year, and the Pathe

around the turn of the year 1926-7. Num-
bers in the above gaps are requested and
anyone who can provide a reasonably small
gap for other master series is urged to do
so!

Label of the Month: In February we ran
New Phonic, which seemed to draw from
Plaza via its Oriole-Banner-Jewel-Challenge
control series. This time we have another
obscure label: Homestead, which seems to
have done the same for at least the early
part of its life. The label credits simply:
"Chicago Mail Order Co." but the U. S.
Patent Office records show that this trade-
mark was registered' for Phonographs and
Records on February 21, 1928 by the
Chicago Mail Order Company, 2611 Indiana
Ave., Chicago, 111. They made claim to use
of the name since May 23, 1927. From the
name of the concern, it seems obvious that
this label was sold only through the mail.
Our specimen is Ho 107, of which the "A"
side is shown in the accompanying cut. This
is Tonight You Belong To Me(525-l) as by
Jerome Mason, tenor solo with orch. acc.
The reverse is Just Like I Cried Over You
(526-2) as by Arthur Palmer, baritone solo
with orch. acc. The label is black with the
background around the name Homestead,
the ornamentation, and the titling in gold.
One other Homestead seen is Ho 22998:
A— I Want To Dream By The Old Mill
Stream ( 1235-2 A/B — Sleepy Hollow(l236-
1B), both sides by Carson Robison Trio,
vocal with nov. acc. This seems to be con-
nected with the Crown label of 1930-1 and
probably dates from that period. The other
one is probably a 1927 issue. Where the 100
series of catalog numbers ends and the 22000
one begins is not known, nor is it known
whether there was an interval between the

association with Plaza and that with Crown.
One thing seems certain, however; there are
not some 20,000 Homestead records between
#107 and #22998! Can anyone furnish
further data on this label?

That's the space we have this time. Please •
send all queries, comments, recording dates,
personnels, etc., to us at 74 South Road,
Harrison, N. Y. or c/o The Record Changer,
418 W. 49th St., New York 19, N. Y. See I
you next month.

content and performers

(Continued from Page 4)

English Deccas and Parlophones, as well as
the lesser known Melodises are generally ex-
cellent, but very difficult to obtain in this
country.

It is very important to keep in mind that
there is a common denominator in all West
Indian music. There is, and was, constant
contact between the islands, and especially
lately, through the medium of records, radio,
etc., a strong influx of the United States.
Each type of music influences the other;
there is a constant interchange of ideas. As 1
shown, most islands developed a style of
their own, due to local customs and ethnic
differences, but elements of each type of
music can be found in all the islands.

West Indian music, like jazz, is a vital
and dynamic musical form; it has a definite
place in our society and influenced the
popular music of today to a great degree.

We can not know what is in the future.
Will it merge again with its original Afro-
American co-form, or will it develop
further along its own lines? Perhaps the
Record Changer of May 2054 will have the
answer.

bad sam

(Continued from Page 12)

audience. Jackson seems in good spirits,
although his health has bothered him re-
cently. Norma Tea on piano, Ray Bauduc
on drums, Cass Malone bass, and Jay St.
John, clarinet, fill out the band. Coon's
trumpet is spirited and imaginative : a good
name to remember when we're complaining
of the dearth in new talent.

Rumors still persist that Lu Watters is
running a restaurant, though nobody has
been there. Hambone Kelly's, the Yerba
Buena Band's famed hangout, is now a cut-
rate furniture showroom.

Bad Sam's principal grievance-of-the-
month: The Don Ewell Windin Balls haven't
ever really been distributed in the Frisco
area, although Don himself has been playing
around here off-and-on for six months. How
come ?

17

records noted

(Continued from Page 15)

johnny wiggs and his jazz band

King Zulu Parade/Cease to Love

Wrapped in an LP-type envelope as a
Mardi Gras souvenir, this turns out to be a
considerably better than average disc by a
currently active group of New Orleans musi-
cians. Johnny Wiggs has put together some
pretty interesting sessions in the past few
years, but this seems about the best yet. With
i front line that includes, besides the Wiggs
cornet, trombonist Emile Christian (who
:oured Europe with the Original Dixieland
jazz Band) and Ray Burke, one of the really
outstanding traditional clarinetists, there is
-eason to expect something worthwhile.
However, it is the rhythm section that really
juts this one across. Sherwood Mangiapane
s tuba man for the day, with Doc Souchon
shifting to banjo, pianist Jeff Riddick, and
Paul Barbarin "borrowed" from his own
sand to handle the drums. It is easily the
sest rhythm Wiggs has ever used on record
ind it pays off most amply in a brass band
drive that aids many fine solos and ensembles
10 little. Everyone turns in creditable per-
ormances here, with special accolades to a
nost barrelhouse Souchon vocal on Cease to
Love and the far-too-infrequently recorded
ailgatings of Emile Christian. (Southland
)006) (]WF)

:arl halen with the washboard five

Doctor Jazz/Cake Walkin' Babies/
Millie the Weeper/Heebie Jeebies
vith gene mayl's dixieland rhythm
;ings

^.ce in the Hole/Don't Go Way, No-
>ody/Oh, By Jingo/Tiger Rag

The first four tunes were torn off in New
fork in 1951 and include Halen, trumpet;
Job Greene, piano; Bob Sann, banjo;
Charlie Paris, guitar; and Bob Thompson on
dashboard. Paul Bacon sings, too.

What started as a skiffle session sort of
vound up as a unique and not wholly ex-
emporaneous jam session. The rhythm sec-
ion backs Halen as though there were three
t four horns — loud and heavy. There are
noments when a most spirited chugging
omes out, but it cannot be said that the
ecordings swing. How is one to take these
>erformances? As good clean American fun,
hey're happy and (on Halen's part) even
xciting sides. Although Carl Halen has
ince become a professional musician, this
late is really composed of amateurs. They
lo a good job, in spite of rushed tempos,
occasional dropping in time, some dubious
hords, and general rhythmic sloppiness.

Willie the Weeper is taken at breakneck
empo, but Halen holds his own. In fact, he
mils the rhythm section along with him. It
an be heard here why many hold great
topes for the future of Carl Halen as a
reative musician.

Paul Bacon's vocals are delivered with
areful consideration for the atmosphere
reated by the music.

As for the Dixieland Rhythm Kings, I
don't believe that they have yet reached the
necessary stature in jazz historical per-
spective to warrant issuing their "early"
(1950) recordings. Transferring these at-
tempts to LP doesn't enhance their musical
worth.

Jim Campbell isn't really the groping and
helpless clarinet player we hear on Ace In
the Hole. As Riverside apparently recog-
nized when they gave Halen top billing,
Carl was the only member of the band in
1950 that played with confidence and force.
The records are not kind to Sonnanstine and
Mayl either, both of whom have improved
greatly in recent years.

Tiger Rag is the victim of a muddled
rhythm section and an appalling lack of
harmonic depth. It is almost as six men
playing in unison.

There is a good-timyness about the selec-
tion of tunes, but the performances are
labored and lugubrious. Even the hyped-up
sound on Don't Go Way Nobody seems
artificial.

The records, made in Dayton, sound as
though they were cut on a moving bus.
Some of Riverside's Gennett reissues have
higher quality.

If you collect records of young bands
playing in the old manner, or if you are a
friend of some of the performers, you might
want to own this record. Then, too, if you're
an admirer of Carl Halen's playing (and it's
not hard to admire), this would be an
interesting item to have. However, this is
not one of the better LP's in Riverside's
remarkable catalog. (Riverside RLP 2502)
(RBH)

the esthetics of jazz

(Continued from Page 12)

Most of all, we should know when and
how such basic elements of jazz have been
modified or discarded, and what the effect
has been. What was the effect of "swing"?
Why did a Gillespie appear? A Brubeck?
What was the matter with ragtime? Why
was it superseded by jazz? Why do we have
a dixieland revival today?

These are not simple questions. To answer
them accurately would require a book — per-
haps many books. Such a book does not
exist. Fragments exist: Jazzmen and Fron-
tiers of Jazz are rich collections of such frag-
ments. Starting-points exist: Shining
Trumpets and Estetica del Jazz are such.
But the book itself remains to be written.

One of the things it will have to explain
is that there is no foreordained inevitability
in the development of an art. An art may
regress as well as progress; may deepen as
well as expand.

RECORDS WANTED

I AM INTERESTED IN BUYING OUTRIGHT

small or large collections of Jazz, Sweet, Swing, Personality, Blues,
Bop, or Pops.

/ will pay spot cash for such collections.

If you have a collection you wish to dispose of, please write,
giving full details of the collection, type, artists included, labels,
and most important of all please describe the condition of the
records carefully.

Then set your lowest price for the lot. I do not buy piecemeal but
will take all or none.

It is important that you set the price because I do not have time
for long correspondence or haggling. If the price looks right and
the collection is large enough I will travel to your town to inspect
the records and close the deal. If you are on the west coast I have
an agent there who will contact you.

I am also interested in acquiring dealers' stocks from before 1940
and after 1924.

WRITE, WIRE, OR PHONE

BILL GRAUER, Jr.

1(18 West l).9th St., New York 19, N.Y.

Hi

HOW THE RECORD CHANGER WORKS:

Abbreviations used in the Classified
"Wanted" and "For Disposition"
Sections are as follows:

Col. I, Record Label:

ACT eeeeee JCTUCU.C

at acouak

AJ • •••••••• AJA*

Al M.KWII

hi ....**.......... Micaicui «uaie

AM* >#tM«M

fc» • AAO

»» ,'Pl'LLO

U • • • "BO-

ATt ■ ATLAlftIC

Ml .......... AUTOSAAPH

•A »*«MC*

HALO..... BALOVIN

M M.UCOIAB

BB M.UC OIK

f T A *.t*. ••••*.. PCACOW

PL KLL

• ILT BtLTlKMC

#m euic Hbtc

•B 'LACK BATTI

•At , IMMIICt

SOB ■••*••••••• BBITIlM AXTTW AOC.

M ALACK SBAM

NT •(.<« stab

•U BuOOV

BLACK A KHITC

9*N .............. ....... BAnOBACBt*

■•V '.QCCOOOV

CA CAMCO

TAP CAPITOL

CAW).... CABDIMAl,

C*A faATLC

zt ccMiianr

CW CHMPIdN

CNWL.i* CHALLCMC

CI CIRCLE

Cir COLLCCTOK* ITCM

CL CLAHIOM

CLCAK CLCABTOMC

CLt CLIMAX

CHS C0MMOD0AC

CO COLUMBIA

SflMa COMTf NCMTAL

COB .CCB»L

CO CONQUEBOB

CB CBOBN

CBL CBCAt

CM ...................... CBCUCNT

CM CL AJtTOMOLA

Of OCCCA

bCL 3CLTA

01 .. flIVA

Clt OtK

Bl DIAL

OB DOMINO

E* CDIAOB

CL • ELITC

CUC CLCC tNAOIPC

CB CBCBSOK

CV CVCBTBODV'C

a rxMCR

oc > CMKcn

BL CCMCBAL

0« OBCV '.ut.IL

OLO CO I LB

OLO OLOBC

CM .................... Ch<«(MOM

•14 mm o COOt til* 4*11

ou •■ ouabdcman

ha makhomv

hcb •••••hcbbhi

ms maawocaabn

njca. ...... .......... mot j*« club

HUV «H| I M»STCB*S VOICt

MOMO... .................. MOHCCHCBO

MR! ............ MCI KCuM SOCIETY

HOB ............... MIT &f IMC BCCK

Mf • KVTOHX

tm HBACBIAL

INT ................. IttTTCBMAT ICMAL

Jtmt ............*......... JAABJOBCC

jm Jnc Oavib

Jf JAXI Ifcf OBJAAT IOM

Jm JAIX BAH

J. JAI2 BCCOBO

JKL. JAII ULCC TIOH

JU .......................... JUAB*

KT ....................... KCTNOTt

Kt KIMS

Rat .•*.................. «INB JAZZ

LI OBCOLK

UN ..........a. I'HJBTY MOCtC (HUB

LU LUCKV

LOB lOkOON

MA WAATCB

MAO ......*...... VAOISOB

■AJ MAJCBTIC

MAN MANHATTAN

MC ,»BfL9T0NC

(AtLB MCLNBU

MCA MCKCUn

Mr • mould i r rVBBC

BU BOBICBAfT

MB MONTOOMCBT SANO

NA .•••••••••*.••••••■••« NATIONAL

MAC1 MAOBCO

NOBO. MONOSKOB

00 CO CON

CK .OKCM

Of * OBCMAPHgNC

03 , OHIOLC

** ■■ BABLOPHOMC

PAC BACIIIC

BANA . . . •■■•*• BANACmOBB

BM ..................... BAMMHrtBfT

»T PATHC

BO BOLTOOB

PC PCBTCCT

PA ., PABAOOl

obs eat

BAN BABBfcBT

BC BCCAL

B| A NIAITO

BO POMCO

B* BCJ6SUC

AJ ............... BC : AL-rOM)PHONC

SAL IALAGCAT

•A ...................... SOLO ABT

■ AV AAVOV

sea scsvicn

BC .............. SPCCIAL COMIOMS

scl BCLMta

SI SILWAIONC

<B SIONATuBC

STI ....................... STINSON

rU SUNAh-MC

»UM SUMMIT

•UN SvPCBTONC

• • SSIMQ

TC TEMPO

TILE TILL' UNKEN

TR TBIANCLC

TAIL.. TBI LBN

UHCA. UNITCO MO* CLUBS

UL .................... ULTBABMONC

ME ...................... VAN OVKC

VC vtLtttT tohT

Vf ...... ...............BC* VICTOB

VJB ................. VINTLI'C -If a

JO VOCAL I OA.

VOS ......................... VOCUC

VR VARICTV

V* BANS ITT

BC NT IT COAST

When it is necessary to indicate nationality of
the record, the fallowing letters appear after
the record label abbreviation:

A Argentinan

Au Australian

8 Brazilian

C Canadian

E English

F French

G German

I Italian

J Japanese

M Mexican

S Swiss

Sd Swedish

In the "For Disposition" section the condition
of the record is indicated by these abbrevia-
tions:

N (New) : Surface noise equal to an unplayed
record; no visible or audible wear percep
tible; original finish intact.
E (Excellent): Surface noise low, smooth, uni-
form. Not irregular or crackling. Easily dis-
regarded in listening. No perceptible distor-
tion.

V (Very Good): Surface noise somewhat
more prominent; light foreign noises, but
slight distortion, if any; noises not seriously
distracting.

G (Good) : A moderate amount of surface
noise; background may be somewhat irregu-
lar and crackling; some foreign noises, and
a little distortion; on the whole reasonably
satisfactory listening without undue distrac-
tion of attention. Foreign noises definitely
less prominent than the music.
F (Fair): Foreign noises, taken together, are
about as prominent as the music, and there
is considerable distraction of attention, and
listening requires some effort and concentra-
tion; nevertheless, under these conditions,
listening should be fairly satisfactory.
P (Poor) : Foreign noises, collectively, are
louder than the recorded music; continuous
concentration is required, and there is little
satisfaction in listening.

AVER:
AIRE:
BROC:
CARV:
DECA:
ELLI :
GOLD:
GREE:
GULI :
JOLS:
KATM;
KATZ :
KEND:
MCSH:
MILL:
ORLA:
PARR:
RIGG:
SCRI :
SMIT:
STEW:
THOM:

RAY AVERY 663| HOLLYWOOD BLVD, HOLLYWOOD 28, CALIF.
L.W-. AIREY 570 GROVE AVE., WINDSOR ONT. CANADA
STUART BROCKBANK |89A,STATI0N LANE, HORNCHURCH ESSEX ENGLAND
OLIN G. CARVER 2||6 WEST AVE., H., TEMPLE TEXAS
RALPH DECATUR 2732 CLARENDON CT., SAN PABLO CALIF.

MILWAUKEE
IN 2-1730

I 5 wise

sJ.E. VAN ELL I NKHU I ZEN 3| DU I VELANDSESTR AAT , SCHEVEN I NGSEN HOLLAND
HOWARD GOLDBERG I 1 2 TUDOR PLACE, BRONX 52 NEW YORK
MEL GREEN IC24 LOCUST, DENVER COLO.
WILLIAM 3ULI0K SO. MAIN STREET, PENN I NGTON N.J.
JOLSONAIRS MEMORIAL CLUB, I 329 WEST MORGAN AVE.,
MRS. KATZ 145 LINCOLN RD., BKLYN N.Y. INPHONE -
BILL KATZ 508 WEST 166 ST NYC 32 NY
BYRON KEND IS |550 DEVEREAUX AVE,, PHI LA 24 PA.
MRS A.J. MCSHANE 109 SECOND ST, N.E. WASHINGTON 2 D.C.
RALPH MILLER 5778 N. HIGH STREET WORTH I NGTON OHIO
JAMES ORLANDO D I CKERSON RUN PA.
SID PARRY 574 W. §76 ST ., NYC 33 NY
QUENTIN RIGGS 2035 N.W. 3|ST OKLAHOMA CITY 2 0KLA.
PAUL SCRIVEN 1 29 VIENNA AVE., Nl LES OHIO
BOB SMITH JR., 203 WEST 2ND ST, FREDERICK MD.
HECTOR STEWART 6 GREAT CUMBERLAND MEWS, LONDON W|, ENGLAND
WILLIAM A. THOMAS 4 LOR I ON AVE. , WORCESTER MASS.

CLOSING DATE FOR AUCTIONS |S JUNE I5TH*

Subscribe Today

The (£ece?4 Chanter

Ip.6 West Ij.9th Street, New York 19, N.Y.

Pfeose enter my svbscrlpffo* fe your magazine for

□ I year; Q 2 years; □ 3 years. My remittance is enclosed.

Unitad States I yaar $3.50; 2 years $6.50; 3 years $ 9.00

Canada and Foreign I year $4.00; 2 years $7.50; 3 years $10.50

Address..

FOR COLLECTORS' ADS

I Column (85 Lines) $12.50 2 Columns (170 Lines) $25.00

I Page (255 Lines) $35.00

No forms are required for the Display Ads. Type or print your ad just as it is to
appear in print. Each recording group must occupy a separate line. Record lists
less than one column must be submitted on our Classified Ad Forms and shown
in the Wanted or For Disposition Section. The charge for ads submitted on such
form is

I5c per Line (on forms), 25c per Line (if no forms are used)

All such ads must be accompanied by advance remittance. Advertising not ac-
companied by advance remittance must -be returned.

Closing dote for collectors' ads is the 10th of the month
preceding date of publication.

19

35c MINIMUM BID

CHARLES CANFIELD

BOX 90, THE RECORD CHANGER, 4|B WEST 49TH STREET IIYC 19 NY

35c MINIMUM BID

MINIMUM BID 35 CENTS PER RECORD. CONDITION GUARANTEED. PLEA SF nin Rv Mnunro t« TLIr- , r-^, —

VIA RRX CHARGES COLLECT UNLESS VOU REQUEST PARCEL POST AT YOUR OWN R^SK AD 25 CENTS FOR P™ — ^ " ^ W P0SS1B1-E- »"ORDS .ILL BE SHIPPED

■ ILL THEN BE SHIPPED. *° " CENTS F0* PACKING CHARGE. WINNERS WILL BE NOTIFIED TO SEND REMITTANCE, RECORDS

IRVING AARONSON 4 HIS COMMANDERS
.FLIRTATION WALK/ME W 0 U [ RYL BL ) CO 2980 E-

LARRY ADLER WITH JOHN KIBBY.OROH
.HAND TO MOUTH BOOGIE/BEGIN THE BEGUINEOE 233 R E+
.BEGIN THE BEGUINE/hANO 2 MOUTH DE 233|9 N-/v

ALABAMA RED PEPPERS
,san/my OHIO HOME(SAM LANINj CA 8109 V

.THE DRAG/MARY ANN CA 8|30 Q+

.SOMEBODY STOLE GAL/jAZZ IT BL DE 704l E+

ALEXANDERS JAZZ BANP( BOB SCOBY)
.4 LEAF CLOVER/WILn MAN BLS TRIL 220 E*

■WEARY BLS/ SISTER KATE TRIL 2f& E+

ALL STAR ORCH/THE TROUBAOOURS
■WAITING AT END 0 ROAD/MY SONG OF THE VI 22073 E-
ALL STAR SW ING BAND(HAWKI NS. CARTER)

1045 E

).OUT OF NOWHERE/ SWT GA BROWN
I. BIRDS OF A EATHER/ LV ME WITH SMILE

RED ALLEN ORCH
!. WHOSE HONEY ARE U/SMOOTH SAILING
).WISH I WERE TWINS/ NEVER SLEPT WINK
I. BUZZ ME/ GET THE MOP
>. DRINK HEARTY/ THE CRAWL
i. CHECK UP/LEY ME MISS U
'.ON BEACH AT BALI BALl/TAKE MY HEART

ALLEN-HAWKINS 4 THEIR ORCH
I. MY GALVESTON GAL/ U G ONNft LOSE GAL
I.U GONNA LOSE GAl/ GALVESTON GAL

(above; rm chp i grv)
AMBROSE ORCH
l.CAFE CONTINENTAL/ THE NIGHT RIDE
•WE'RE TOPS SAT NIGHT/HICK STOMP

I.nocturne/nidnight IN MAYFAIR

ALBERT AMUONS
I.BOOG IE W00GIE STP/NAGASAKI
I. MILE OR BIRD RAG/EARLY MORNING BLS
i.MILE OR MO BIRd/eARLY MORNIN BLS
i. SWT PATOOTY BOOGIe/hRT OF TEXAS BQ
'.BOOGIE WOOGIE CIVIC OPERa/doIN BW

(above hr crk)
i.oont want see u/ swanee r i ver boog i
(above; r« chp 2 grv)
ANDREWS SISTERS
>,BEI MIR BIST DU SCHOn/nICE WORK
UTL-Ll-TULI P TIME/SHA SHA
•LOVES WHERE U FIND It/pRI NCE OF FEL
.RANCHO PILLOW/ JEALOUS
.LADY FROM 29 PALMS/ TURNTABLE SONG

ARKANSAS TRAVELER
■«6he love me/ anyway wind blows
(above hr crk)
LIL ARMSTRONG ORCH

• SIT DWN STRIKE RHYTHM/KNOCK I N AT CA
•KNOCK KNEED SAl/ EVERYTHINQS WRNG
•SWEET SUE/ ST LOUIS BLS
•I WONDER WHO/ THATS MY HOME
.HUSTLIN 4 BUSTLIN/SITTIN IN DARK

ABOVE LOUIS ARMSTRONG FROM #37 TO
LOUIS ARMSTRONG
♦HOME/ ALL OF ME (RYL BL)

•ROCKIN CHA|«/ SWTHRTS ON PARADe( " "

• AFTER U GONE/WHEN U SMI LIN

• ON TREASURE I SLANd/rED SAILS IN SUN:
•HRT FULL RHYTHM/ALEX RAG BAND
•HRT FULL RHY/ALEX RAG BAND
•JUBILEE/ TRUE CONFESSION
•SATCHEL MOUTH SWINg/doUBLE DARE

• A I NT MISBEHVIN/CANT GIVE U ANYTHING
•SAVOY BLS/ ME 4 BROTHER BILL

• SOMEDAY/ 50-GC BLS

• IM G ON I N HUNTIN / IF U WANT TO BE
•ULL WISH U'D NEVER BEEN BORn/
•YES IM IN BARREL/GUT BUCKET
•MUSKRAT RAMBLE/ HEEBIE JEEBIES

• GA GRIND /COME BK SWEET PAPA

• WHO SIT/ DROPPING SHUCKS
•BIG FAT MA 4 SKINNY/ SWT LIT PAPA
•BIG FAT MA SKINNy/sWY LIT PAPA

• BIG BUTTER 4 EGg/suNSET CAFE STP
•DONT FORGEt/|M GONNA GITCHA
•BEAU KOO JACK/MAHOGANY HALL STP

• BEAU KOC w'ACk/ MAHOGANY HALL STP
•BEAU KOO JACK/MAHOGANY HALL STP
•BEAU KOO JACK/MAHOGANY HALL STP
•BLK 4 BL/ AINT MISBEHVIN
•SOME 0 THESEOAYS/ HEN UR SMILIM3
•CANT GIVE ANYTHINQ BUt/nO ELSE BUT
•BL TURNING OREy/ SONG 0 ISLANDS
•IF I CUD B WITH/ CONFESSIN
•BODY 4 SOUL/ RING DEM BELLS

• WALK I N MY BABY BACk/ SURRNEDER DEAR

•sleepytime dwn so/ u rascal u

• clad whn u dead u/sleepy time dwn s(

(above dig)

• wrap troubles in d rms/stardust

•CHINATOWN MY/GOT RHTYm(rM CHP NO g)
•LONESOEM ROAD/CAN U DEPEND ON ME
•ALL OF ME/ HOME
•KINO OF ZULUS/LONESOME BLS
•SWT SUE/MISSISSIPPI BASIN
v HONEY DO/SNOWBALL
•BL IN SOUTH/ BL FOR YESTERDAY

• E AS I N ST BLS/ ST LOUIS BLS
•MUGGLES/ THE PEANUT VENDOR

• BOT NO BLs/ WEST END BLS
•TIGHT LIKE THIS/HEAH ME TALKING

VI 18834 V-

ME |3322 v*
PE 15946 e/v-
VI 201808 E
VI 20 13 1 3 N-
VI 202107 E+
VO 3261 n/e+

ME

12842

e/e-

PE

1 585 1

G

DE

992

E+

DE

1233

V+

OeE

41005

N—

DE

749

N-

DE

975

V

DE

975

G+

MER

5009

E

MER

8007

V+

:Mer

8022

V

DE

1562

v+/e

DE

1974

v=

. DE

2016

E+

DE

4019

v+

DE

23976 E+

OK

40183

V

1 DE

1272

v+

DE

2542

E

BB

5280

e+/e

BB

6644

V

BB

7506

E-

9.)

CO

2606

v+/o

)co

2688

V

CO

2727

E+

TDE

648

V

DE

1408

v+

DE

1408

V-

DE

1635

e/v

DE

1636

N

DE

2042

E

DE

2538

V

HMV

9630

E+

HJCA 39

N

HJCA 1 19 N

OK

8261

G+

OK

8300

V

OK

83|8

E+

OK

8357

E+

OK

8379

E+

OK

8279

V—

OK

8423

E+

OK

8343

V

OK

8680

e+/g

OK

8680

e/v-

OK

8680

e/p

OK

8680

G +

OK

8714

V

OK

8729

E+

OK

4|204

N-

OK

41375

n/e+

OK

4|448

N

OK

4|468

N

OK

4 1497

N

OK

4(504

v/f

OK

4l504

V-

OK

41530

Q

OK

41534

V

OK

41538

e+/g

OK

41552

Q+

OK

4|58|

n/n-

VI

24321

u-

VI

24369

V

VI 204256

N-

VO

3008

E

VO

3 194

N

VO

3204

N—

VO

3303

N—

LOUIS ARMSTRONG COM I.

86. TIGHT LIKE THIS/HEAH ME TALI NQ 2 YA VO 3303 E+

87. CARRY ME BAK / DRLINQ NELLY GRAY DE |245 N-

88. THE SOHQ IS ENDED/ MY WALKING STICK DE 1892 N

SAMUEL ASH

B9.AFTER U HAD UR WAY/ WHR BLK EYES SUSANSCO 2208 V
FRED ASTA I RE I RAY NOBLES ORCH

90. CHANGE PARTNERS/ USED BE COLOR BLIND BR 8 169 V-

FRANK AUBURN ORCH (lam crk)

91. ROCKY MT LULLABY/ MOON COMES OVER MT VE 2386 V
GEORGIE AULD _

MU 376 E+
MU 373 E+

CP 14508 N

957 N-

776 E+

92.STPIN AT SAVOY/ I N THE MIDDLE

93. HONEY/ AIR Ml AL SPECIAL

AUNT MANDYS CH I LLUN

94. ADAM 4 EVE IN THE GARDEN

LOVIE AUSTIN ( DODOS, LADNIER)

95. IN THE ALLY BLS/ MERRY MAKERS TWINE

BABS 3 Bl PS 4 A BOP
96,1280 SPECIAL/EVERYTHING IS COOL

BAILEYS LUCKY SEVEN
97»CARCLINA HOME/(GLANTZS METROP PLAYERS ) GE 5002 V—

MILDRED BAILEY W DORSEY BROTHERS ORCH

98. UPTOWN LOWDONW/L I EERTY OR LOVE BR 6680 V+

99. AFTER ALL I VE BEEn/ A BEE GEZINT CO 35409 V

1 00. HOW CAN I EVER BE ALONe/tENN FISH F CO 35532 E-

101. ALL TOO SOON/EVYTHING DEPENDS ON U DE 3888 N

1 02. SQUEEZE ME/DWNHRTED BLS (p.ED LABEL) DE |8|09 N—

103. NATURAL THING TO Do/mOON GOT EYES VO 3626 G

104. BOB WHITE/STONES THROW VO 37 1 2 V+
I 05. THEY SAy/ I GO FOR HAT VO 4548 V

PHIL BAKER ACCORD ION SOLOS

1 06. ST SWITHIN BL/ JUST FOR TODAY EM I 086 E—

107. ANN IN HER SEDAn/b|G BUTTER 4 EGG PAT 32|46 V

SMITH BALLEW ORCH

lOS.80 SYMPATHETIC/MADE TO LOVE U OK 4|395 N

BANJO IKE 4 IVORY CHITISON

I 09. MY 4 REASONS/ UNLUCKY SLUE VO 25011 G—

BARBARY COAST ORCH OF DARTHMOUTH
I I O.WEARY BL/ CANZONE— AMOROSA= PERSONAL 94 V+

. BARRELHOUSE FOUR

I I I. JAZZ WALK/ WHAT MAKES ME LOVE U SO AMP 6 N

WALTER BARNES 4 HIS ROYAL CREOLIANS

1 1 2. MY KINDA LOVE/ HOW LONG BL BR 4|87 E

CHARLIE BARNET ORCH

113. LATIN FRM STATEN I SLAND/TH I NGS U LEFT BB 11004 E+

114. CLAUOE REINS/REALLY CAP 70122 E

I 1 5. DONT WANT ANYBODY/ BLK MAGIC DE |854| V-

II6.SITTIN HOME WAITIn/ STROLLIN DE 18585 V+

117. MY 1ST THRILL/TOO OOD BE TRUE ME 60712 E

VIOLA BARTETTE ACC BY LOVIE AUSTIN

118. G0 BACK WHERE U STAYED/ TENN BL PM 12322 G+

COUNT BASIE ORCH

I 19. ALL OF ME/ RUSTY DUSTY BLS CO 36675 N-

|20. SUGAR Bl/ BUGLE BL CO 36709 E

1 2 1 . PCAYL GARDEN BLs/ HOW LONG BLS CO 367l 0 E+

1 22. WAY BACK BLS/ FAREWELL BLS CO 367|2 E
|23. QUEER STREET/ JIVIN 4 JACKSON CO 36889 N-

124. MAD BOOGIE/ PACIENCE 4 FORTITUDE CO 36946 E+

125. FLA GA LA PA/ MUTTON LEG CO 37093 N-

1 26 . HONEYSUCKLE ROSE/ ROSELAND SHUFFLE DE I |4| E—

127. GD MORNING BLs/ OUR LOVE WAS MEANT DE 1446 V
I28.SENT 4 U YESTERDAY/SWI NG IN THE BLS DE 1880 e/v

129. HRT BLONGS 2 DADDY/ SINO 4 SUPPER DE 2249 E+/v

130. HOW LONG HOW LONg/ BOOGIE WOOGIE DE 2355 E
|3|.WHEN SUN GOES DOWn/ DIRTY DOZ DE 2498 E+
I32.THE F IVES/ HEY LAWDY MAMA DE 2722 E+
I33.0H RED. FARE THEE HONEY FARE DE 2780 N—
|34.'AY NOW/BL SHADOWS 4 WHITE GRDN I AS OK 6626 n/v—
1 35. 1 F I DIDNT CARE/ 4 THE ANGELS SING VO 4784 V-

136. MISS THINQ 142 VO 4860 E—

137. MISS THINQ 142 VO 4860 V

1 38. 12TH ST RAG/ JUMP FOR ME VO 4886 E+

I39.JUMP FOR ME/ I2TH ST RAG VO 4886 V
|40>.lOONLIGHT SERe/cANT BELIEVE U IN LOVE VO 5036 E+

RAY BAUDUC 4 HIS BOBCATS

I4I.SUSIE/HONKY T ONK TOWN CAP 919 E
HAROLD BAUER

I 42. CHORALE/ IMPROMPTU IN A FLAT VI |373 E

SIDNEY BECHETS - NEW ORLEANS FEETWARMERS

|43. SWEET IE DEAR/MAPLE L RAG BB 76 14 N-

I44.WANT U TONITE/ LAY U RACKET BB 10472 E+

145. INDIAN SUMMER/ PREACH I N BL BB 10623 E+

I46.ST0MPY JONEs/ SAVE IT PRETTY MAMA VI 27240 E

I47.COAL BLK SHINE/BABY WNT U PL VI 27386 V+

B IX BEIDERBECKE 4 HIS GANG

i48.0l man rl ver/ wa dad a co 35666 e-

149. jazz me bls/ at the jazz band ball co 36|56 e—

150. cradel in Caroline/ no land like d tem 547 n
|5|.deep dwn south/(joe venut i ) vi 23018 e

152. since best gal turned me own/sorry vo 3|49 n—

153. since best gal/ sorry vo 3|49 e+

GRAEME BELL 4 HIS AUSTRALIAN JAZZ BAND
154.0 FETER/ JACKASS BLS FRHK 3005 N-
I55.IRISH BLK BOTTOM/ AT GA CAMP MEET I NGSWAQ9 IE 2 N—
I56.PLAY IT LONG TIME/ MISS MUD SWAGG IE 3 N—
lt'7,-,S) STER KATE/FIDGETY FEET WILCO 116 E

.THE BENSON ORCH

I58.MY LIT BIMBO/ CHILI BEAN VI 18686 V+

I59.ILL KEEP ON LOVING u/ CROONING VI 18765 E

160. SOMEONE LIKE u/(SHILKING ORCH ) VI 18804 V

|6|. WABASH BLS/ TUCK ME 2 SLEEP VI 18820 N—

1 62. WABASH BLS/ TUCK ME 2 SLEEP VI 18820 V

I83.LITTLE TH0UGHTS/(CLUB RO Y*AL ORCH) VI 18912 V

164. NEVER MISS SUNSHINE/NOBODYS KNOWS VI 1 9 1 02 V

165. NO NO NORa/(|NT NOVELTY ORCH ) VI |9|2| E—

BENSON ORCH CONT.

I65#N0 no nora/(int novlety orch) VI |9|2| E—

I 66.S0MBDYS WR0NQ/(GRT WHITE WAY o) VI |9|22 V

BUNNY BERIGAN 0

1 67. SKYLARK/ MY LIT COUSIN EL 5020 n/e

I6E.SWT VARSITY SUE/ WHY TALK LOVE VI 25667 V

1 69. ROCK IN ROLLERS JUBILEE/ BUTTON BUTTOM VI 26077 V—

170.1 CRIED 4 u/sOBBIN BLS VI 26116 E+

I7I.IM IN LOVE AGAIN/FOLLOWING U AROUND BR 3496 V—

BEN BERN IE ORCH

172. TINY OLD TOWN/ LITTLE CURLY HAIR VO 5462 N=/e

AL BHRNA RD/NO BB LE SISSLE W. EUBIE BLAKE

|73/ST LOUIS BLS/ BWAY BLS ( RM CHP I GR) EM 10296 V—
17 AL BERNARDS DIXIE TRIO

1 74. WHEN DIXIE STAR ETC/(j. RUSSELL ROBINSONPU | 1287 V

HENRf Bl AGIN I ORCH

175. GA ROCKIN CHAIR/ RED SAILS IN SUN8ET BA 5|I|2 V

BIG BILL

1 76. ALL BY MYSELF/ DOUBLE TROUBLE OK 6427 E-

177. C0NVERSAT I ON W THE Bl/wEE WEE HOURS OS 6552 e/v-
178. OUTSKIRTS OF T OWN/ HARD HEARTED OK 6651 E
I79.HARD HEARTED WOMAn/ OUTSKIRTS TOWN OK 665l E— /v

BIG MAC EO

I7SA. WINTER TIME BLs/ CHICAGO BRKOOWN

BARNEY BIGARD ORCH
I80.8ROWN SUEDE/ C BLUES

BLIND BLAKE

BB 340743 N-/[
BB I |58 I E
PA 12863 E+

I B I . HASTINGS ST/FIGHTIN THE JUG

EUBIE BLAKE ORCH

182. PLEASE DONT TALK/ NO ACCOUNT CR 3090 E—

ie3#BANDANA DAYS/ BALTIMORE BUZZ VI 18791 V

ARCHIE BLEYER ORCH

I64.CHEEK TO CHEEK/ THE PICCOLINO PE3509I8 V

I85.ISNT THIS LOVEKY DAy/toP HAT W TAILS PE3509I 9 E—

RAY BLOCK PRC

1 86. BA I A/ 2 GUI TARS SG 15204 E+

MARTIN BLOCKS COLUMBIA RECORD SHOP THEME

187. 142 CO 35512 E

THE BLUE RIBBON BOYS

188. STAR DUST/ MINNIE THE MOOCHER BA 32 1 66 V—

CLAUDE POLLINGS FRENCH BLUE STARS

IS9.NOBODYS KNOWS WAY 1 FEEL/ U RASCAL U CI 1 046 N

190. RI VERSIDE BL/ GA BO BO CI 1 047 E

SHARKEY BONANOS NEW ORLEANS BOYS

1 9 1 . EVYBD Y LOVES BABY/ YES SHE DO NO SHE DE |0|4 E+

192. MUOHOLE BLS/ SWING IN SWING OUT VO 3353 N—

BOOTS 4 BUDDIES

193. ANYTIME/ HOW LONG BL BB 6|?2 e/v-

194. JEAL0US/ LIKE U BEST OF ALL BB 6862 V+

CONNIE BOSWELL

195. WHN POPPIES BLOOM AGAIn/ TRUST IN ME DE 1161 e/v-
I96.IF I HAD WISHING RINg/sWTHRT DE 18842 E+

BOSWELL SISTERS ACC. BY DORSEY BROTHERS

197, ITS THE GIRL/ ITS U (CRK ) BR 61 5| G+

198. STOP THE SUN/ EVYBODY LOVES BABY BR 6271 V

199. SENT GENT Ga/dwN ON THE DELTA BR 6395 E-

WILL BRADLEY 4 HIS BOOGIE WOOGIE BOYS

200. LIGHTNING BOOGIE/SUGAR HILL B.W. CEL 70|4 E

201. PEAT ME DADDY / 142 CO 36956 N—

202. ECRUBE ME MAMa/bOOGIE WOOGIE CONGA CO 36957 N—

203. DWN ROAD PIECe/cLERY STALKS MIDNGHT CO 36958 N—

204. FRY ME COOKIe/cHICKEN GUMBOOGIE CO 36955 N—

J.H BRAGG 4 HIS RHYTHM FIVE

205. PLEADING/ ETHIOPIAN STP LUCKY 60100 N

PIERRE BRASLAVSKY BAND

206. DOUBLE WHISKEY/ ARCADE BLS TE 57 E+
FANNIE BRICE

VI 2|8|5 V+
VI 45263 E.

PE |463 I V-

CA 1023 E-
ESQ 1005 E+

287»IF U WANT RAINBOw/rATHER BL BLUE

208. my man/second HAND ROSE

ARNOLD BRI LLHARDT ORCH
209. STATE ST SHUFFLE/ [SAM LAN I N o)

BROADWAY BROADCASTERS
2|0,DRIFTWOOD/(BOB HARING)

JACK BROKENSHA'5 BIG BAND
2 1 I. FANTASY IN ORCH/OL MAN RIVER

BROADWAY BELLHOPS
2I2.SUNDAY/DONT TAKE THAT BLK BOTTOM HA 288 V-

2 |3. UNDER THE MOOn/ SA LA TA HA 429 E—

2 1 4« UNDER THE MOOn/ SA LA TA D| 2429 E

2|5. RAINBOW OF LOVE/ LUCKT IN LOVE <Blx) Dl 2508 E

216. N0 MANS MAMA/ THATCERTAIN PARTY CA 836 E

217. HI FEVER/ BARCELONA CA 996 V+
2|8,H0NEY/(THE HOME TOWNERs)(rM CHP NO GRv) CA 9|30 V—

219. DO SMOETH I Ng/(tHE CAROLINERs) CA 9158 V-

220. (ABOVE #216 TO 219 ARE BWAY BROADCASTERS)
BROADWAY DANCE ORCH

220.HAUNTIN BL/GEORGETTE (s) ED 5|0|3 E

22UT00T TOOT TOOS I E/CAROL I NA MAMMY ED 5||9| E+

222. no no nora/cannibola ed 5|233 E+

223. Louisville lou/bl HOOSIER VO 14586 v=

THE BROADWAY SVNCOPATERS

224. HOUSE OF DAVID BL/BONN I E [ RM CHP NO GRV ) VO 14670 V

STELLA BROOKS ACC . BT ALL STARS

225. LITTLE PIECE LEATHER/NEVER BE SAME DIS 5032 E

BROWN 4 TERRY JAZZOLA BOYS

226. ANNA IN INDIANA/ ALL BY MYSLEF OK 80 |4 G

AMANDA BROWN <RM CHP 8 GRv)

227. MICH WATER BL/ TIRED 0* WAITIN BL CO 392 1 V=
228 CLEO BROWN

228. YOURE MY EFVER/ BRK IN PAIR SHOES DE 718 E-/v

LES BROWN ORCH

225.0UT OF NOWHERE. SUNDAY CO 36724 e/v

230. LAST TIME I SAW/ RNT U GLAD UR U CO 36875 V

231. DAY BYDAY/DR LAWYER IND CHIEF CO 36945 N

20

35c MINIMUM BID

35c MINIMUM BID

CHARLES CANFIELD

BOX 90, THE RECORD CHANGER, 4|8 WEST 49TH STRETT NYC 19, NV
SEE PAGE ONE OF AUCTION FOR INSTRUCTjOSS

LES BROWN ORCH

232. FR I M FRAM EAUCE/IN MOON HI ST CO 36961 E

233. FRM THIS MOMENT On/ MY HRT BELONGS COR 6|0|2 E+

LEE BROWN

234. MI0NITE DRM/RIPLEY RUMBLING BL DE 7726 E

PETE BROWN 4 HIS JUMP BAND
p/l

DE |8| 18 E+

235. TEMPO D I JUMP/ OCEAN MOTION
. PINEY BROWN

236. OOH WANT BABY/ MY HRT IS ACHIN BABY PA |305 E+
RUSSELL BROWN ORCH

237. WASHIN BL FROM HRT/ SONG W NO NAME PA 34088 N

BROWN-MORRIS ORCH

238. HEAD IN FOR HARLEM/ LEFT SUGAR STAND Nft 52 1 V

CLIFF BHUNERS TEXAS WANDERERS

239. RED LIPS/ I SUIT LETTER FROM U DE 5529 E

A BB I E BRUNIES 4 HIS HALFWAY HOUSE ORCH

240. N.O. SHUFFLE/ SQUEEZE ME CO 54l V

241. TELL at- WHO/ LOVE DRMS CO 1 542 V

242. JUST PRETENDING/ IF I DINT HAVE U CO 1959 E
243. STILL* ANT YOU/ JAMAICA SHOUT B I LT 1104 N

GLADYS BRYANT ( HR CRk)

244. BEALE ST MAMA/TIRED 0' WAIT IN BL Pit 1 203 I V+

WILLIE BRYANT ORCH

245. LIKE BANANAS/ GRATEFUL TO U BB 6436 E-

CHICK BULLOCK LEVEE LOUNGERS

246. RATHER BE BEGGAR/EXTRAORDINARY \0 IG )BA 324|5 V—

247. Rl VER STAY WAv/SLLEPYT I ME OWN SO CO 7900 V—

248. THIS YEARS KISSEs/ UR LAUGHING AT ME ME 703|0 N—

249. UNDER HARLEM MOOn/mIGHTY RIVER OR 2575 V-

250. GANNA SITS IGHT DWn/s|NG OLD F SONG PE 60310 V

BUMBLE BEE SLIM
25I.SAIL ON GIRL *>3/COLD BLOODED MURD#2 VO 3|65 N-/V
TEDDY BUNN

252. BACHL0R BLS/ KING PORTER STOMP BN 503 N-

253. KING PORTER STOMP/ BACHELOR BL 3N 503 E

254. BLS WITHOUT WDS/GUITAR IN HIGH BN 504 N—

255. BL * NO WORDS/GUITAR IN HIGH BN 504 E

RAY BURKES SPEAKEASY BOYS

256. HARIA ELENA/PUT ON OLD GREY BONNET PX 6 N~"

DAN BURLEY 4 HIS SKIFFLE BOYS

257. THREE FLIGHTS UP/ 142 CI 1 02 1 N

258. LAKE FRONT BLs/ SHOTGUN HOUSE RAG CI 1022 N

REV. J.C. BURNETT
239.D0NT WANT TROUBLE/ DANGEROUS TIME CO 14474 N
TITO BURNS 4 HIS SEXTET

260. SLOPPY JOE/ LULLABY IN RHYTHM DEE 9630 E+

HENRY BURR

261. THE ROSARY MARCONI 242 E
ABOVE; PROBABLY THE FIRST USE OF A PLASTIC RECORD.

HENRY BURR

262. U CANT MAKE FOOL OUT ME/ VI 1918 1 E

HENRY BUSSEE ORCH

263. WANG WANG BLS/ HOT LIPS DE I 98 V—

BUTTERBEANS 4 SUSIE

264. WHEN MY MAN SHIMMIES/ GET USELF OK 8|47 V—

265. C0NSTRUCT I ON GANG/ A TO Z BLS OK 8|63 V-

266. A TO 2 BLs/ CONSTRUCTION GANG OK 8|63 G

267. D0NT WANT U NO MORE/ LGNESOBE JRNY OK 8209 G+

268. FOLKS STARST WEARIN BLk/d00R KNOB OK 8303 V

269. N0T UNTILL THON PTS 142 OK 8307 G+

270. MAMA STAYED OUT/ TAINT WHT USED TO OK 83 1 9 V—

Bl LLY BUTTEDF I ELD ORCH

271. MAYBE ULL BE HERE/STELLA BY STARLGHTC AP 397 E-

ERSKINE BUTTERFI ELD 4 HIS BLUE BOYS

DE 8524 N-/v

272.STAYIN AT HOME/MISSOURI WALTZ
273.CHEAT I N ON ME/ LOST UR GOOD THING

DE 8576 V-

274. IF MONEY GREW ON TREEs/uAMA LONG 4 DE 35962 E-

THE DON BYAS QUARTET
a/d

I 00 I E+

2 75. laura/ dark eyes krK
BLANCHE CALLOWAY 4 HE3 JOY BOYS

276. RHYTHM IN Rl VER/ I NEDD LOVIN VI 2264| V—

277. LAST DOLLAR/ CONCEHTRAT IN VI 22862 E

CAB CALLOWAY ORCH

278. WITHOUT RHYTHM/STAK 0 LEE BLS BA 32378 V

279. HARLEM HOLIDAy/wLD ON A STRING BR 6424 V

280. WLD ON STRING/HARLEM HOLIDAY BRE |542 E+
28 1. SPEC DELIVERy/gEECHY JOE OK 6|47 E+

282. TAKE "A'TRAIN/CHATTANOOGA CHOO OK 6305 n/v—

283. LEVEE LOW DWN / BLS IN MY HRT PE 15490 E—

CALIFORNIA RAMBLERS

284. WANN C MY TENN/ ELIZA BA |422 V

285. manda/(h'wood dance orch) (crk) BA 1426 V—

266.MANDA/ROCKABRBY BABY DAYS (CRk) BA |426 V-

287. ROMANY DAYS/ SOUTHERN ROSE(l" CRk) BA 1438 V

288. LADY OF EVE/CRINOLINE DAYS BELL 222 V-
289.SWANEE BLUEBIRD/ NO USE CRYING CO 3635 E—

290. ROAMIN TO WYOMIN/ KAINTUCKY CO 39 N-

29 1. LINGER AWHILE/REMEMBRING CO 49 V+

292. CALF HERE I COME /COVER ME UP CO 67 V
293.2 BLUE eyes/ MONAVANNA CO 103 N—
294.2 BLUE EYES/ MONAVANNA CO 1 03 V

295. LAZy/[ MUST HAVE COMPANY CO 1 05 V

296. CHARLESTON CABIn/ PLEASE CO 171 N
297. SUSQUEHANNA HOMe/ WANT TO BE HAPPY CO 1 99 E

298. WANT TO C MY TENN/ ELIZA CO 223 V

299. LADY BE GGOO/ SWANEE BUTTERFLY CO 293 V+

300. GIRL FRIEND/ NO FOOLIN' CO 638 N
301. SHE KNOWS HER ONIONs/ GONE AGAIN GALCO 758 V
302WHR COT COT COTTON GRWs/ CO |227 N
303. CHANGES/ MINE ALL MINE CO 1275 V
304.SHIEK 0 ARABY/ GA ROSE VO 14275 E

BRUN CAMPBELL

305. MAPLE LEAF RAG — AS PLAYED BY SCOTT JOPLIN
SPECIAL MEMORIAL RECORD — ONE SIDE E

BUDDY CAMPBELL ORCH

306. CANT U SEE/ WAS IT WRONG OK 4|52| N

CAMPUS BOYS

307. IS SHE MY GIRL FRIEND/{mO. JAZZ BND )bA 6|24 V

308. WHEN R.E. LEE/ HELLO MONTREAL BA 705l V

JOE CANDULLO 4 HIS EVERGLADES ORCH

309. NERVOUS CHARLIE/ ME TOO(S. LANIn) DO 3768 V+

CAPITOL JAZZMEN

3|0. SORRY MADE U CRY/CLAMBAKE B FLAT CAP 10009 V

3||. SOLITUDE/ CASANOVAS LAMENT CAP 10010 V

3I2.AINT GONIN NO PLACE/ SUGAR CAP 1 00 I I V-

FRANKIE CARLE

3i3.ida/ LIZA CO 36689 v+

3i4. louise/ Josephine co 36692 v/e

3|5.U ARE THER/ R06ES IN D RAIN CO 37252 E

HOAGY CARMICHAEL ORCH

LS/ I

3 1 6. HONG K8NG BLS/ HOW LITTLE WE KNOW ARA I 23 E

3 I7.STARDUST/0NE NIGHT HAVANA SENTRY 4011 N—

CAROLINA CLUB ORCH
3 I8.GUESS WHO/tBERT LOWN ORCh)rM CHP 2 GRjDI 2853 V
3 | 9. UNDER RUSSIAN MOOn/ COQUETTE OK 4|2|8 H

320. CASTLE IN SPAIN/DEAR WHEN I MET U OK 4|229 N

CAROLINA COLLEGIANS

321. WEDDING BELLS/(WI LLIE CREAGER ORCH) DO 4291 E+

LEROY CARR 4 SCRAPPER BLA KCWEIL

322 . MEAN MISTREATER MAMA/BEFORE SUNRISE VO 2657 V—

BENNY CARTER ORCH
323.SWI NQ IT/ 6 BELLS STAMPEDE COE 628 E+

HARRY CARTER

324. HOODOO BLS/ SMOKSTACK BLS BB 6095 N—

KING CARTER ( BENNY CARTER)

325. LEFT W BLS IN HRT/MINNIE MOOCHER CO 2439 V

CASA LP MA ORCH

326. DONT TELL SOUL/ BL JAZZ BR 6358 V

327. RHYTHM MAN/ THNAKSGIVIN BR 6463 N—
328. OUT OF SPACE/MI LENBERG JOYS BR 6922 E

GLEN GRAY 4 HIS CASA LOMA ORCH
329. SAN SUE STRUT/CORRI NE CORRINA BR 7427 E—

330. SAN SUE STRUT/ROYAL GARDEN BLS CO 2884 V—

33I.HVN CAN WAIT/ SUNRISE SERE (d IG ) DE 232 1 V
332. OLD GREY BONNET/ALEX RAG BAND OK 4|476 V—

333. CASA LOMA STP/jL6T CRAZU SONG OK 4|492 V

334. DRM IS A WISH/LIT GREY HOUSE MOM 10604 E+

CASINO DANCE ORCH

335. MARCH OF MUSKETEERS/ MA BELLE PE 14974 E

336. CANT SLEEP IN MOVIES/ AINT MISBEHAVIN VO 71764 V+

337. HEADS UP/ STEIN SONg(mERRY COLLGIANs) VD 81855 V+

CASTLE JAZZ BAND

3 38. DRKTWN STRUTTERS/ K.C. STOMPS(DIG ) CAS 3 N

339. K.C. TORCH/ DWN IN JUNG LETWN CAS 7 N

340. KANSAS CITY TORCH/ DWN JUNGLE TWN CAS 7 N
(ABOVE RM CHP NO GRV)

34|. KANSAS CITY TORCH/ DWN JUNGLE TWN CAS 7 n/e+

342. STS MARCHING IN / PTS I42(KM CHP NO o)OAS 8 N
343. STS MARCHING IN/PTS |42(d|G 1ST SIDE) CAS 8 N
MA NO LA CASTRO'S HAVANA YACHT CLUB ORCH

344. ST LOUIS BL/ MART A VI 22821 V—

GENE CEDRIC 4 H IS HONEYBEARS

345. CLARINET BL/ HONEYSUCKLE ROSE SW 23 1 N—

CHARLESTON CHASERS

346. WABA8HBL/ DAVENPORT BL CO 909 V

347. MY GAL SAL/FAREWELL BLS CO I 53 9 V+

3 48. MY GAL S Al/ FAREWELL BL CO |539 V—
349. SING U SI NNERs/( COLUMBIA PHOTO PLAYER )Co£ 95 V+

350. BEALE ST BLs/ BASIN ST BLS HJCA 89 E—

CHERNIAVSKY'S Y I DP I SHE JAZZ BAND

35 1 . MECHATUN IM TANZ/DER D I BUK PAT 3685 V—

MAURICE CHEVALIER

352. HELLO BEATU I FUL/WA I T TILL U SEE CHER I EV 1250092 E

CHICAGO BLUES DANCE ORCH

353. BL GRASS BLS/ HOUSE 0 DAVID BLS CO 3923 G+

GEORGE CHISHOLM 4 H IS JIVE EIGHT

354. LITTLE EARLE/ ALLS NOT GOLD GLITTERS DEE 8507 N—

ROB CHFSTFR ORCH

355. WINTER WEATHER/ HAWA I I AN WAR CHANT BB | |405 E+

CHICAGO DE LUX ORCh/BOYD SENTER
356. ST LOUIS BLS/ MOBILE BLS (CRK) PA 20341 V—

THE CHICAGO FOOTWARMERS
357. BALL THE JACK/ GRANDMAS BALL OK 8533 G

CHOCOLATE DANDIES
358. PADUCAH/ 4 OR 5 TIMES OK 8627 V

359.STAR DUST/ BIRMINGHAM BRKDWN OK 8668 v/n—

360.KRAZY KAPERS/ONCE UPON TIME OK 4|568 E—

JUNE CHRISTY

36 1. IF I SHUO L06E U/SK IP—ROPE CP 436 E—

362. HE CAN COME BACK/MILE DWN H I WAY CP |207 E—

LI LL IE OELK CHRISTIAN ACC . BY LOUIS HOT 4

363. U REAL S WTHRT/LAST NITE OK 8607 E

AXEL CHRISTENSON - PIANO SOLOS
364. OLD BLK JOE/CAULDRON RAG STAR PU 11239 E—

BUDDY CLARK

365. ID I HAD LIFE LIVE OVr/bEEN DIFF STRY CO 37302 E+
SHIRLEY CLAY

366 .SC AG MO RE GREENS/DUSTY BOTTOM BLS JAZZ 541 N
ROD CLESS QUARTET

367. PALLET ON FLOOR/ NO DAT U NO B» 30 N-

THE CLEVELANDERS

368. PEACH OF A PAIR/ (ARTHUR FIELDS ) BA 849 V-
396. honey/ WOTTA GIRL WOTTA NIGHT BR 4205 V

LARRY CLINTON

370. MIONITE MADHOUSE/BIG DIPPER VI 25697 V+

371. BOOGIE WOOGIE/MY REVERIE VI 26006 E+

372. MY HRT BELONGS DADDy/ MOST GENTS DONT VI 26100 E

373. HRT BELONGS DAODy/ MOST DONT LIKE VI 26100 V

374. DEEP PURPLE/ STUDY IN RED VI 26|4| V
375. OVER RAI NBOw/j ITTERBUO VI 26174 V

376. POOR LIT RICH GIRL/PERSIAN MARKET VI 26283 E

CLUB ALABAM ORCH f HENDERSON)

377. HARD HEARTED HANNAH/ [ R I ALTO DNC ORCH ) DO 366 V+

CLUB WJYtL ORCH

378. GEORGETTE/ WHOLL TAKE MY PLACE VI |89|9 V-

E.C. COBB 4 HIS CORN EATERS

379. TRANSATLANT I C STP/BARRELHOUSE STP VI 38023 V

OLIVER COBB

380. CORNET PLEADING BLs/ CORNET PLEADING HJCA 116 N

COGERT 4 U0TT0( THE HUMAN JAZZ BAND)

CP

DE

38 1 . EVYTHING HOTSY T0T6Y/DADDY COME

. GEORGE M. CHOEN

382. LIFES FUNNY PROP /FTER ALL

KING COLE TRIO

383. BRING ANOTHER DRK/|F U CANT SMILR

WALTER COLEMAN

384. greyhound/going to CINCINNAT I

THE COLLEGIANS
385.1 CRIED 4 U/(GRT WHITE W AY )
COLUMBIA BAND

386. ROYAL ITALIAN MARCH MA

ARTHUR COLLINS

387. PRETTY DESDAMONE MARCONI 3

IES COI I INS 4 THE STATE STREET SWINGERS
3B8.DONT TEAR MY CLOTHES/lH WILD ABOUT 3ay
COLUMBIA BAND

389. NEW COLON I U. MARCH/ COLLEGE CHUM WALTZCO

390. ROYAL ITALIAN MARCh/(bANDA ESPANOLa) CO

COLUMBIA HISTORY OF MUSIC BY EAR 4 EYE

391. BELL ANTHEM. MAY SWT OBLIVION CO
392.SINFONIA TO CHURCH CANTATA/vATER UNSERCO

VI 60042 E

192 n/v+
7168 N

19093 E+

27 E

|2 N-

100 V—
102 V

500 N

506 N—

507 N

10168 N
10168 N-
6743 N
536 E+
536 e/g
568 E+

DE 18041 E+

DE 23432 E

BB
BB

BR

CMS
CMS
CMS

DE 3 142 V

VI 20088 E

BB 5677 V

BR 2292 V-

BR 2380 V-

BR 2404 G

BR 24 18 V-

BR 3001 V

BR 4404 V

393. JESUS JOY OF MANS DES I Re/bONDEAU

COLUMBIA JAZZ RALLY OF I tX7

394. WHOS sorry now/ 142 COE 2353 E+

395»BLUE MOON PTS 142 COE 2354 E-

THE COLUMBIANS
396. JUST LIKE RAINBOW/SAY IT WITH MUSIC CO 3472 V—

KEN COLYER JAZZMEn/HWTY SUNSHINE TRIO
397. ISLE OF CAPRI/ST PHILIP ST BRKDWN STROYVLLE200 N

EDDIE CONDON

398. THATS SERIOUS THINg/gONNA STP H. LEE

399. THATS SERIOUS THINg/stP MR HENRY LEE

400. THE EEL/ HOME COOKING

401. DANCING FOOL/ GA GRIND (RE WAR LAm)

402. GA GRIND/DANCING FOOL

403. PRAY 4 LITES GO OUt/sINGIN BLS

404. THERELL BE CHANGES/SOMEDAY SWTHRT

405. man i love/someone WATCH OVER

CONFIDENTIAL CHARLEY

406. MEET AT END TRAIL/ 4 MY SWHT VE 1 28 1 V+

CONNIES INN ORCH

407. BLUE RHYTHM/ U RASCAL U CR 3|80 E-

408. Ml LENBERG JOYs/ |2TH ST RAG CR 32 |2 V

CONWAYS BAND

409.SLIDUS TROMBONE/ LANETTE VI I 8 1 I 7 E+

COOKIES G I NGERSNAPS (d|Qs)
4I0.HIGH FEVER/HERE COMES HOT TAMALE MAN OK 8369 F

COON SANDERS Nl GHTHAWK ORCH
41 I. YES SIR THAT MY BABY/(JACK SHILKRET) VI 19745 V
4|2. ESPECIALLY U /BIRMINGHAM BERTHA VI 22077 V+

Al COOPERS SAVOY SULTANS
4I3.ST0P 4 ASK SOMEBODY/FRHZY

CORRELL 4 GOSDEN
4| 4. ROUND ABOUT WAY/WHY I LOVE U

COTTON CLUB ORCH
4I5.ZAH ZUH ZAZ/HARLEM CAMP MEETING

THE COTTON PICKERS
4|6. HOT LIPS/ STATE ST BLS

417. GRT WHITE WAY BLs/ HE MAY ME UR MAN

418. WAY DWN YONDER/ I STUTTER
4| 9. NEVER MISS SUN/ SNAKES HIPS
420 .WHAT DID I TELL Ya/ FALL IN DOWN
42I.SWT IDA llOY/sUGAR BAK IN TOWN

NOEL COWARD

422. i CASTE WOMAN/ ANY LITTLE FISH VI 22819 V

IDA COX/aLL IE POWERS ( LADNIER. NOONE)

423. BLS 4 RAMPART ST/PLAY DAT THINH AM 7 N-

IDA COX

424. IDAS LAWDY LAWDy/mOANIN GROAN IN BLS PS 12064 G+

425. WORRIED ANYHOW BLs/ CHI MONKEYMAN BLS P» 12202 \f-

426. CHERRY PICKING BL/WILD WOMEN DONT

427. GR A VEYARD BLs/ MISS RIVER BLS

JESSE CRAWFORD

428. U FORGOT TO REMEMBEr/sLEEPYT IME GAL
429 .PEACE W WORLD/ VALENCIA

430. BRIDS EYE VIEW/LIT SPANISH TOWN

431. estrellita/ LA PALOMA

432. WHEN DAY IS DONE/DWN OF TOMMORROW

WILLIE CREAGER ORCH

433. CRYING BL/ DO IN THE RACCOON

434. CRY IN BL/DOIN THE RACCOON (CRk)
435.ITS READY 4 uAmAJESTIC DANCE ORHC)

436. MAN0ARIN SERE/(THE CLEVELANDERS )

437. RITE THRU THAT HRt/(tHE CLEVELANDERS ) PE 15368 N-

438. WUD U B BLUE/(HOLLYWOOD DANCE 0)

CHARLES CREATHS JAZZ 0 MANIACS

439. MARKET ST BLS/ PLEASURE MAD

BINGC ROSBY

440. MY KINDA LOVE/ TILL WE MEET

441. A MAN 4 HIS DRM/ GO FLY KITE

442. cribibin/yodelin JIVE

443»TNE WILLOW TREE/ IM TOO ROMANTIC

444. D0L0RES/CAMPT0WN RACES

445. YES INDEED/ TEA FOR 2

446. A INT GOT NOBODy/whI 6TLERS MA IN LAW

447. SONG OF FREEDOM/PLENTY 2 BE THANK FU

448. constanly/moonlight BEOOMES U

449. JE VOUS Al ME BEAUCUP/'WOTS BRCOME SALLYDE |853| V+
450. SOME OF THESE D AY s/LETS SPEND EVE HOMEME |3|30 V
45l. SHADOWS LOVE/GONIGHT LOVELY LITTLE ME 1 3 1 3*4 V—

BOB CROSBY ORCH

452 . D I X I ELAND BAND/BEALE ST BLS

453. DIXIELAND SHUFFLE/ MUSKRAT RAMBLE

454. PAG AN LOBE SONg/cOME BACK SWT PAPA

455. W0MAN ON MT WEARY MIND/pETER PIPER

456. FIDGETY FEET/ ST MBLING

457. URE DRIVING ME CRAZy/cANT WE B FRIE

458. TEA 4 2/ROYAL GARDEN BLS

459. WH0S SORRY NOw/MARCH OF BOBCATS

460. MILK COW BLS/SQUEEZE ME

PM

12228

V—

PM

12251

V—

VI

19906

E+

VI

20075

E—

VI

20458

N-

VI 20586 N

VI

20838

E

BA

6226 E

BA

6226

V-

BA

810

V

JE

6026

V—

PE

15368

N—

RO

1157

V+

OK

8201

P

CO

1173

V

DE

2641

V

DE

2800

V—

DE

2998

V

OE

3644

V

DE

3689

E—

DE

3971

.DE

18426

^

DE

18513

V-

DE

479 V+

DE

825 e/v

OE

896 V

OE

930 E+

BE

1593 E

DE

1680 E

DE

1850 E

DE

1865 E

DE

1962 E+

21

5c MINIMUM BID

35c MINIMUM BID

CHARLES CANFIELD

BOX 90, THE RECORD CHANGER, 4|8 WEST 49TH STREET NYC |9 NY
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS.

DE

2011

E+

DE

2032

E+

OE

2206

N

DE

2482

N-

2825

DE

2924

V

DE

3335

E+

DE

3|54

DE

3382

E

DE

3576

E

DE

3808

E+

DE

3860

V+

DE

4357

E+

DE

4385

e/g

DE

18373

V

DE

23843

V

DEE

5359

N

BB340704

G+

BB340725

n-/f

VI 24508 V

VI

25237

V

VI

26167

v+

VI

26427

V

BOB CROSBY COM.

1. PALESTEENA/SLOW MOOD

2. WOLVERINE BLS/ LOUISE LCUISE

3. BIG BASS VIOL/SPEAK TO ME OF LOVE DE

4. HINDUSTAN/M0URIN BLS

5. TILL WE MEET AGAIn/lOVE NEST

6. LITTLE RED FOx/piNCH ME

7. DIXIELAND BAND/DEVIL 4 DEEP
8. SYMPATHY/ FOOLS RUSH IN
9, BOOGIE WOOGIE MAXIXe/g|N MILL BL DE

0. 1.L COME BACK TO/TAKE ME BK AGAIN DE

1. NOTHING 2 LIVE 4 NOW/KEEP THINGIN DE

2. WILL U STILL BE MINE/ DO U CARE

3. WHEN U THINK OF L0VIn/|'LL B TRUE DE

4. MARINES HYMN/WHERE DO WE GO

5. ULL BE SORRY/ TEARS ON MY PILLOW DE 18373 V

6. P I NET OPS BOOGIE w/sUNNYSIDE 0 S'

7. H0NKY TONK TRAIn/b|G NOISE FRM

ARTHUR " BIG BOY" CRUDUP

8. MEAN OLD FRISCO BLS/ GONNA FOLLO

9. WHOS BEEN FOOLIN/ROCK ME MAMA

XAVIER CUGAT

0. s ilenc io/my shawl

1. st in old Seville/ para vigo me

2. batamu/nocturnal

3. NEGRO ARISa/aUTO-CONGA

JOE CURRANS BAND (AMERICAN parlophone)

4.SOMEBODY MIGHTY LIKE u/ MISS WOND PA 4|309 N-
5. SOPH. PROm/ LIFT UP FINGER PA -4 1 3 I 0 E+

CLAY CUSTER

6. THE ROCKS/(HENRY LANGE ) OK 4809 N-

DALES DANCE ORCH

7. MIDNIGHT ROSE/ ( LANES DANCE ORCH) LI 2| 02 V+

VERNON DALHART

8. LUCKY LI NOY/LINDBERG EAGEL OF USA CA 1162 G+

PUTNEY DANDRIDGE ORCH

9. WHN I GROW 2 OLD/CHASING SHADOWS VO 2982 V-

BILL DART WAHBOARD BAND ( JUNE 1946)

10. DALLAS BL/ BOBS LICK DUB E

BERYL DAVIS

jl.lF MY HRT HAD WINDOw/wONT BE LOVEOVI 202268 V
MILES DAVIS ORCH

12. DARN THAT ORM/VENUS DE Ml LC CP 7 I 1 2 I E

WATER DAVIS

13, KEEP CRYING/NEW SANTA CLAUS BB 8860 E

VOLLY DE FAUT TRIO (CHICAGO 1945)

4. CHERRY/ DUB E+

EM IL 10 DE GOGORZA

>5. GARDEN OF MEMORY/ IN ALL ETERNITY

EDO 1 E DELANGE ORCH

>6,C0 PENH AG EN/CANT KISS FRIGIDRE

THE DELTA FOUR
17. FAREWELL BLS/ SW I NG I N ON F DOOR
e.SWINGIN FAMOUS d/aLICE BL GWN

JHE DETRO ITERS
I9.AM I BL/(DIXIE DAISIES )

DIXIE JAZZ BAND
10.ONCE OVER L IGHTLY/ (LOU CONNER)
ll.SHES MY SWT PATOOT I e/pREC I OUS LIT
J2.BRKWAY LIT PARADISE

13. WHOPEIN UP/ TRUE BLUE LOU

DIXIE JAZZ HOUNDS
H.3IST ST BL/O BABY (6 BLK DOMINOs)

DIXIE DANCE DEMONS

)5.BIRM BKDWN/WHY DO I LOVE U

DIXIE DEMONS

)6.IT AINT RIGHT/ZA ZOO ZAZ
)7.ACE I N HOLE/WAS I D RUNK
)8.T00T TOOT TOOTSIE/MAN FROM TEXAS

DIXIE STOMPERS
39 .T AM PEEK OE/ JACKASS BLS
10. VARIETY STP/ST LOUIS BL
I I .FEEL I N GOOD/ 0 BABY

DIXIELAND JAMBOREE BAND
I2.IM GOING HOME/PAGAN LOVE SONG DXLAND 1008 N~*

DIXIELAND RHYTHM KINGS
|3. WOLVERINE BLS/SAINTS

14. FI0GETY FEEVFOUND NEW BABY

15. F0UND NEW BABY/FIDGETY FEET

1 6. WEARY BLS/SINSTER BUCKET BLS

17. TIGER RAG/ACE IN HOLE

18. DONT GO WAY NODy/oH BY JINGO KNKBOCKER
I9.STMBOAT STP/TERRIBLE BLS

VI

584

E+

BB

10027

E+

DE

737

E+

DE

3526

E^

CA

9204

V—

JE

5196

E

OR

1476

V—

OK

1602

V

OR

1638

V—

DO

328

E-

CA

8162

v+

DE

5253

V—

DE

5257

E

DE

5264

v+

HA

166

V

HA

451

V—

HA

636

E

JZDCS

1

E+

JAZZDCS

2

N--

JAZZDCS

2

E+

JAZZDCS

3

N

KNKBOCKER

1

N

KNKBOCKER

2

N

JAZZDCS

5

N

DIX I E LA NO THUMPERS

20.THERELL COME DAy/wEARY WAY BLS CE

MARY DIXON
2 1 .DADDY U GOT EVYTH I NG/CANT SLEEP CO

BABBY DODOS

22. DRUM IMPROV #2/BU0DY BOLDENS CI

23. HOT POTATOES/ STEAL AWAY CE

24. WILD MAN BLS/ 29TH 4 DEARBORN DE
(ABOVE t 523 AND 524 JOHNNY DODOS)

JOHNNY DODDS

25. BROWN BOTTEM BESs/ LADY LOVE HJCA
26. STRUGGLING/ LITTLE BITS HJCA
27.ITS A LO» DWN THING/HOT 4 READY PM
28. NEW THERELL COME DAy/ -PM

CIYT1F DO ERR ORCH
29.SWANEE SMILES/(ZEZ CONFREY )

3001 E-

144 1 5 V-

1039 E+
30 1 0 N-
2| I I N

24 N-
42 N-
14001 E
(4023 N

01 18981 E—

RFRT DPI ANS BERKSHIRE SERENADERS

30. ALL DAY LONG /( LEVEE LOUNGERS) PE 14979 V

Al DONAHUE ORCH

Blunder fiesta stars/shrine of stc ok 64|3 v

32.C0PENHAGEN/L0W DWN RHYTHM IN HAT VO 53|4 E—

. SAM DONAHUE ORCH

)33.TAKE FIVE/DINAH CP 260 V-f

i34.CANT BELIEVE ALL MAKE BEL I Ev/mELAN CP 357 E+

DORSEY BROTHERS ORCH

535. FI DGETY FEET/ THE BLUE ROOM

536. HVE LIT FAITH IN Me/(aL LENTZ )
537. OR HECKLE MR JIBe/anNIES COUSIN

538. DR HECKLE MR JIBe/anNIES COUSIN

539. BASIN ST BLS/ BY HECK

540. EVY LIT MOMENT/NVR SAY NVR AGAIN

541. F00TL0SE 4 FANSY FREE/uRE ALL I NEEO

542. UR MY LUCKY STAR/SUNDAY AFTERNOON

543. TAILSPIN/ ROMANCE

JIMMY DORSEY

544. JOHN SILVER/ THAT FEELING IS GONE

545. R0MANCE/THI S IS NO D RM

546. do IT again/now U KNOW

547. PARADE MILK BTL CAPs/jOHN SILVER

548. PARADE 0 MILK BTL CPs/jCHN SILVER

549. HANDFLL OF STARs/faLL I No LEAVES

550. THEM SUN COMES OUT/yOURS

551. ALL ALONE 4 LONELEy/blUE CHAMPAGNE
552. ISLE OF PINES/ TIMES WAS

553 . EMBRACE ABLE u/f I NGERBUST ER

554. A NEW SHADE BLUE/jIM
555.SPIRITS GOT ME/CHARLESTON ALLEY
556. ARTHUR MURRAy/nOT MINE

557. IM GLAD THERE IS YOu/TOMORROS SUNRISE DE 4|97

558. WOT MKS SAMMY R Un/mURDER I ST I C

559. my ioeal/besame MUCHO

TOMMY DORSEY

560. ROYAL GARDEN BL / JA DA

561 . jada/royal GARDEN BLS

562. ROYAL GARDEN/ JA DA
563. SONG of india/marie
564. SONG OF INDIA/MARIE

565. BLUE DANUBE/DARK EYES

566. ALL U WANT DO IS DNCe/aFTER U
567.SHINE ON HARVEST MOOn/oh PROMISE ME

568. MIDNIGHT CHOO CHOO /EVYBDYS DO I N IT

569. WEARY BL/ BOOGIE WOOGIE

570. COCKTAILS 4 2/0LD BLK JOE
571. STOP KICKING HRT ARND/alL IN FAVOR

572. WHO CAN I TURN To/THINK OF U

573. LOVE SENDS GIFT ROSEs/THING ALLED

574. NOT SO QUIET PLEASE/TAKE TALLULAH

575. MNLITE ON GANGES/SNOOTY CUITIE

576. U WERE HERE/ST OF DRMS

577. daybrk/there ARE SUCH THINGS

ILL BE SEEING u/LETS JUST PRETEND (578.)
579. RIGHT HERE FOR u/tIGER RAG

EDDIE DUCHIN

580. OL MAN MOSE/TWEEN DEVIL 4 DEEP

SONNY DUNHAM ORCH
58l .AS WE WALK INTO SU NSEt/mEMOR I ES OF U

JOHNNY DUNN'S PRIG J.B.
582. PUT 4 TAKE/MOANFUL BL

583.4 o'clock bl/hawaiian BL

CHAMPION JACK DUPREE
534.G0IN DWN WITH u/jOHNSON ST BW

JIMMY OURANTE
585. I NKA Dl NKA DOO/UMBRIAGO

E00IE DURHAM 4 H IS BAND

586. MAGIC CARPET/FARE THEE WELL

OUTCH SWING COLLEGE BAND

587. ABSENT MINDED BLS/ 0 D I STEP

Bl LLY ECKSTINE ORCH

583. SITTING BY WINDOW/LOST IN DRM

KURT EDELHAGEN ORCH
589. EMPIRE BOUNCE/INTERLUDE

ROY ELDRIGDE TRUMPET ENSEMBLE

590. ST LOUIS BLS/ DONT B THAT WAY
FRED ELIZALDE 4 HIS MUSIC

BR

6722

N—

CA

171 E

DE

1 17 N

-

DE

1 17 N

-/e

DE

1 18 N

—

DE

480 N

/e-

DE

482 E

DE

559 V

DE

4302 V

-

DE

I860 V

DE

2536

V—

DE

2925

N

DE

3334

E

DE

3334

V-

DE

3446

V

DE

3657

V-

DE

3775

v+

DE

3859

v+

DE

3928

v+

DE

3963

E-

DE

4075

V

DE

4l22

V—

DE

4|97 V

DE

4356

e/v

DE

18574

VI

25326

VI

26326

N

VI

25326

VI

25523

E

VI

2 5523

V

VI

25556

N

VI

25647

E

VI

25780

V+

VI

25821

E/V

VI

26054

e/v

VI

26145

E

VI

26356

E+

VI

27701

V—

VI

27782

V

VI

27869

V

VI

27876

V—

VI

27903

V

VI

27974

V+

VI20I574

V—

OK

41 |78

v/g

BR

8155

q+/e

BB

1 1289

E+

CO

3579

V

CO

3729

V—

JD

5l0l

E

DE

23351

N—

DE

8529

E-

TE

2l

N-

MGM

10602

E+

E MP

502

E

KY

607

E

brE

BLIT
BR

59t .JIISRY FARM/ IM SORRY SALLY
DUKE ELLINGTON

592. THE CREEPER/IMMIGRATION BLS

593. COTTON CLUB STp/wALL ST WAIL

594. MEMORIES

595. MISTY MORNI n/sARATOGA SWING

596. ! M SATISFIED/ JIVE STP
597. SADDEST TALE/ SUMPN BOUT RHYTHM

598. MARG IE/COTTON (cRk)

599. ROCKIN RHYTHM/|2TH ST RAG

600. E ST LOUIS TOOOLEO/HOT HEAD

60 I. OKLAHOMA STp/rED HOT BAND

602, FINESSe/| KNOW U KNOW

603. THE MOOCHE/HOT 4 BOTHERED
604.3 LITTLE WORDS/RING DEM BELLS

605. MOOD J ND I Go/wHEN BLK MANS BLS

606. LINOY HOP/HITTIN THE BOTTLE

607. COTTON TAIl/dONT GET AROUND MU6H

608. CLEMENTINe/ 5 OCLOCK DRAG

609. BAND ANN A BABIES/ MUST HAVE THAT MAN
DlO.DICTY GLIDE/STEVEDORE STP

6 1 I .SLIP OF LIP/SENTIMENTAL LADY

612. WHAT AM I HERE FOr/dONT M I NO

61 3. TIMES AWASTIN/EVERY HR ON THE HOUR

614. C0ME TO BABY Do/tELL YA WOT GONNA DO

SEGAR ELLIS

615. WE SPEAK OF U OFTEN/xOONS SILVER $
6I6.SENTIEMENTAL BL/ PRAIRIE 3LS

Z I GGY ELMAN ORCH

617. UR MINE U/ ZAGGIN WITH ZIG

EMPIRE STATE JAZZ BAND

6 1 8. M I NSTRL WALK/ ONCE IN WHILE RC

ENSEMBLE T AH I T I EN TAMARI l-TAH I T I

619. MANU E TOKERAU/ PAPI 0 AT

ROFFE ERICSONS ORKESTER

620. GIT STRA I GHT/JUMPIN W SYM SID SwAKTIST

621. LULLABY IN RHY/NEARNESS OFU SWARTIST

206E-

»04 N-

4887 V-

CANT GIVE ANYTHING BUT BB 6280 E+/v
BB 6565 V

BR 6638 G

BR 73l0 E

BR 7526 V-

BR 80001 E

CO 953 V

HJCA 66 N

HRS 1004 E

OK 8623 E
VI 22528 v-
VI 22587 E-
VI 23016 v-
v I 266 1 0 v+
VI 27700 E
VI 38007 V-
VI 38053 e/v+
VI20I528 v-
VI 20 1 598 V
VI20I7I8 E+
VI20I748 E+

BR 8321 v+
VI 19755 v+

BB I 03 1 6 n/e-

I 03 N

S38 N

3049 N-

3050 N

SLEPPY JOHN ESTES

622. DROP DOWN MAMA/ MARRIED WOMAN ELS DE 7289 E+

RUTH ETTING

623. XACTI.Y LIKE U/ HAPPENED IN MONTEREY CO 2|99 E+

DOC EVANS

624. SPOS IN/WALING BABAY BACK HOME DUBLINS 2 N—

WILBUR EVANS

625. STS OF N.Y. /EVERY DAY LADIES DAY DE 23478 V—

EVENING BIRDS
626.ITYE/INTOM8I NETSIZWA GALLO TONE ( AFRI CA ) 144 V

FRANK FARRELL 4 HIS GREEN! I 3H V I LUGE INN OR.
628.G0RGEOUS/ JUST ANOTHER DAY VE |434 V

WILLIE FARMER ORCH
629.SKR0NTCH/WH0 DO U THINK | SAW BB 75|9 V+

IRVING FAZOLAS DIXIE BAND
630.O.O. ONE STEP/BLUIN THE BL VI 400|40E-

LEONARD FEATHERS ALL STARS
63 I .ESQUIRE BLS/ ESQUIRE BOUNCE

632. MOP MOs/ MY I DEAL

WALTER FENSKE MIT SE.NEM ORCH

633. AUS WIENEH WALD/FRUEHL I NG SO SCHOEN

CARL FENTONS OR CH

634. M00NLIGHT/ DEEP IN U EYES

ARTHUR FIELDS

635. HE LOVES IT/ ( MR "X" )

BENNY FIELDS

6 36. MELANCHOLY BABY/ SORRY MADE U CRY

ERNIE FIELDS 4 ORCH

637. HI JIVING/ JUST LEMME ALONE

SHEP FEI LPS 4 HIS NEW MUSIC

638. DONT BLAME ME/ HUNG AR I NA DANCE f 5

639. WHI STLERS MOTHER IN LAw/yO TE AMO

640. JERSEY BOUNCE/LONG MAY WE LOVE

FIFTY SECOND STREET BOYS

641. DINNER MUSIC HUNGRY C ANN I B ALs/tW I Li I Tl

FIREHOUSE FIVE PLUS 2

642. EVRYBDY LOVES BABY/BRASS BELL
643. ST LOUIS BLS/ DWN WHERE SUN GOES

644. TAVERN IN TOWN/jINGLE BILLS

Fl VE HARMANIflCS

645. CONEY ISLAND WASH BO ARd/s AD I E GREEN

FIVE LITTLE CHOCOLATE DANDIES
646.4 OR 5 TIMES/ paducah

ELLA FITZGERALD
647.DEEP IN HRT OLD SO./aLL OVER NOTHING
648. I MAG I NAT I ON/SUGAR BLS
649«TEA DANCE/LOUISVILLE KY.

FLAMINGO MELOD I ANS
650.SHOULD l/l'M FOLLOWING U AMER
651. SHOULD l/l'M FOLLING U AMER
652. SONG OF DAWN/SANTIAGO AM1
653. MY BABY CARES FOR Me/bEYOND BL HOZ

FLANAGAN BROTHERS

6 54. STACK 0 BARLEY/ ERIN GO BRAGH CO 33|57 V+

DUSTY I LETCHER

655. OPEN DOOR RICHARD / PTS 142

JA? C. FLIPPEN

656. BABY FACE/ SADIE GREEN

PAT FLOWERS

657. AFTER SUN GOES DWn/bEG BORROW STEAL

REGINALD FORSYTHE

658. B IT/THE DUKE I NSISTS

RONALD FRANKAU
659. IF I WERE DICTATOR/MY SEC.

BUD FREEMAN

660. EASY TO GET/FOUND NEW BABY BB 10370 E+

66I.SAIL FISH/ SATANIC BLS DE 2^8 1 E+

662.TILLIES DWNTOWN NOw/BUZZARD DE IS 1 I 2 E

663.1 'm just wild harry/atomic ERA MAJ 1 03 1 E

664. THE MAN I LOVE/ BLUE LOU SD 505 e/v

665. ONTARIO BBLHOUSE/RIBALD RHYTHM SO 506 V
RONALD FRANKAU

666. TPULY RURAL/MUCH BETTER WHEN NAUGHTY DE 23020 N-

FRISCO " JAZZ * BAND

667. p0zz0 one step/ buzz in bee (s) eo 50464 e

668. Copenhagen/ gooo man hard fine(hr crkpac 620 e+

CMS

547

E-

CMS

548

V-

Tele

6234

V+

BR

21 16

V

GG

2092

V

VR

567

V-

VO

5l57

E

BB

11225

V—

BB

11242

V—

BB

11400

E

EVA

8051 V-

GTd

5

N

GTJ

24

N—

GTO

30

E

VI

20293

E

OK

S627

a

DE

1339

V-

DE

3078

V—

DE

344|

E+

. m

34020

N

. PA

34020

N—

• PA

34062

N—

PAE

5222

V+

NAT

4012

E

PE

12284

V+

DE

8587

N-

CO

1 2 1 3

E

PAE

2025

E+

669 .JELLY ROLL/ MAMIES BLS
FRISCO SYNCOPATORS

670.1 CANT GET ONE WANt/o BABY
67 1. ALL ALONE/ DREAMER OF DRMS

EARL FULLER FAUOUS JAZZ BAND
672. SL IPPERY HANK/ YAH BE DAH

673. BEALE ST BLs/oLD GRAY MARE

JOHANNA GADSK I

674. ANN IE LAURI

JAN GARBER ORCH

675. WASH 4 LEE SWING/ V.M.I. SPIRIT
676.IST LAST ALWAYS/GOSH GOLLY IN LOVE
677.LOVEY CAME BACk/(mANHT.MERRYMKERS )

678.2 BLUE EYES/(EG0RGE OLSEn)

GARDEN DANCING PALAIJF flRHH.

679. WHEN Ei.ASTUS PLAYEd/(eARL BURTNETT )

ERROLL GARNER.

680. DESE FOOLISH TH I NGs/gARNER IN PARIS
68 I .TWIST IN CATS TAIl/mOVIN AROUND

6 82. EMBRACE ABLE u/ LOVER COME BACK

683. RED SAILS IN SUNSET/ UNDECIDED

684. DEEP PURPLE/RELAX IN SUGAR DAYS

685.laura/somebody LOVE ME
BLIND LEROY GARNETT

686. CHAIN EM DOWN/ LA GLIDE

MABEL GARRISON

687. DIXIE

REV J.M. GATES

688. ADAM 4 EVE IN GARDEN/jUST AS SOON

689. MOSES IN W I LDERNESS/HEEREW CHILDREN

GENES MERRYMAKERS
690.7 YRS WRONG WOMAN/WHEEZY ANNA

PCA 639 N-

BWY

11384

V

PU

1 1362

V

VI

18321

E

VI

16369

E-

VI

87173

V

CO

1452 E-

VI

19164

V

VI

19234

E—

VI

19374

V-

CO

1599

N

AP

798

E+

BW

N—

MER

1001

E

REG

1004

E

ROOST

604

N—

SA

571

E

CE

3025

N

VI

54637

VI

20365

V+

1 VI

20421

V

1 CHP

GROOVE )

ME

12033

V—

22

35c MINIMUM BID

35c MINIMUM Bll

CHARLES CANFIELD

BOX 90, THE RECORD CHANGER, 4c8 WEST 49TH STREET NYC IP, N.Y.

SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS.

CO
CO

COTTON Bl CO
CO
CO
CO

GEORGIA JAZZ BAND
69I.THATS y I LOVE U/ (RIVIERA DANCE) SI

GEORGIA STUTTERS
692.0RIG BLK BTM DANCE/ WASNT IT NICE HA

GEORGIA TOM
693 »C R I EVEN ME BLs/l TS TIGHT LIKE VO

THE GEORGIANS

694. CHICAG0/ SISTER KATE

695. NOTHING BUT/ WAY DOWN YONDER

696. MAMA LOVES PAPa/lAND
697.SOMEBDYS WRONG/ MAMA GOES

698. LOVER CAME BACK/ DANCING DAN

699. FRISCO BAY/MY BABAYS BACK

STAN GETZ QUARTET
700.8'COOL BOY/ ACK, BAERMELAND DU MET

IRENE G I BBONS

701. LAST GO ROUND/ THAT DA DA STRAIN CO

TERRY Gl BBS SEXTET

702. CHEERFUL LIT EARFUL/LOLLYPOP BR

CLEO GIBSON

703. GOT FORD MOVEMNTS/NOTH ING BUT BLS JC

HARRY THE HIPSTER GIBSON

704. BARRELHOUSE BOOGIE/4 FERDINAND MUS

705. WHOS GO IN STEAOy/wOTS HIS STORY MUS

GENE GIFFORD

706. DIZZY GLIDE/ SQAURE FACE VI

2773 v-

311 v-

I 2 1 6 V-

3775 V-
3804 V-
3987 V
3996 v+
62 V
923 v+

554 E+

3834 v+

80219 E-

5 1 3 N

293 E+
347 E+

25065 E

DIZZY GILLESPIE
707. SALT PEANUTS/ HOT HOUSE GLD 1003 E=

708. SALTED PEANUTS/ BE BOP MANOR 5000 E+

709. THINKING OF U/2 THINK U CHOSEN ME PR 728 E-

JA2Z G ILIUM

710.5 FEET FOUR/GO BACK COUNTRY BB340730 E+

GEORGE GIRARD
711. IM GOING HOME/ SITTING ON TOP S0UTHLND9002 N
7I2.R0SES OF PI CARDy/wNDER KISSING SO LAND 9003 N

LILLIAN GLINN

7|3.BRWN SKIN BL; DOGGIN ME BLs(lAM C )cO 14275 V+/P
HARRY GOLD 4 HIS PIECES OF EIGHT

ORE 1020 v+

CA 881 v-

VI 45 |5 v—

VI 16547 E

BA 1566 V+
BELL 291 V-
BEU. 301 V-
FED 52 10 G +
PE 14834 E-
TR I I 382 V-

20031 V
20270 E
20273 N-
20300 E-
20472 E+
20491 N
20994 V
21 166 V
21590 E
21590 V
25354 n-

COE 2918 E-

OK 40464 V-

460
427

7I4.JA22 ME BLS/ JAZZ BAND BALL

LOU GOLD ORCH
7|5. FOUND NEW BABY/(MIKE SPECIAL)

BILLY GOLDEN

7 |6. TURKEY IN DE STRA*/

GOLDEN 4 HUGHES
7I7.THE LIARS/(CHARLEY CASE )

GOLDEN GATE ORCH
718.0 SAY CAN I SEE/H'WOOD ORCh)

719. CHARLESTON CABIn/nEVER GET HVN

720. TESSIE STP TEAS|n/alL ALONE

721. BUZZ M I RAND y/(c AROL I Ml ANS )

722. AFTER U GONE/(WI LLARD ROBISOn)

723. BIG BOY/ DWN WHR SOUTH BEGINS

JEAN QOLDKETTE ORCH
724.0IVMIE KISS HUH/ LONESOME 4 SORRY

725.idolizing/hush A BYE

726. sund ay/rather b eirl IN arms

727. JUST ONE MORE KISS/(aRT LANDRy)

728. look wld 4 smile/(g. olsen)

729. A LANE SPAI N/(GOODR ICH SILVERTWn)

730. CLEMENT I Ne/bALT I MORE

731. HERE COMES SHOWBOAt/mY OHIO HOME

732. FORGETTING u/(tROUBAOOURS )

733. FORGETTING u/(THE TROUBADOURS )

734. G0NNA MEET SWEETIE/sLOW RIVER

NAT GONELLA GEORG IANS
735.7 BAYS LEAVE/ FOREVER BLOWING
GOOFUS Fl VE

736. LOUD SPEAK IN PAPA/ ARE U SORRY

ROSS GORMAN ORCH

737. HUGO GO WHERE I Go/wANT LIT LOVIN CO

738. PHANTOM BLS/(T0MMY CHRISTAIn) HA

GOSPEL SINGERS

739. KINGS BUZ/ALMOST PRESUADED HA

BENNY GOODMAN

740. NO DAT U KNOW/ JAP SANDMAN BB 10459 E+

74 1 . BEALE ST BLS/ BASIN ST BLS BR 7645 e/v

742. JAZZ HOLIDAY/WOLVERINE BL (DIG) BR 80027 V-

743. TAKES TIME/MOON FACED, STARRY EYED CP 376 V+

744. UNDERCURRENT BLs/ MA BELLE MARG CPI5409 E

745. JUMPIN WOODS I e/tHER ELL BE CHANGES CO 35210 n/e

746. BOY MEETS HORn/lEST DANCE
747. SPRING SONG/HONEYSUCKLE ROSE
748. SPRING SONG/HONEYSUCKLE ROSE

749. HONEYSUCKLE ROSE/ SPRING SONG

750. TILL TOM SPCl/gONE WHAT WIND
75 I. CAB IN IN SKY /TAKING CHANCE LOVE

752. AIR MAIL SPCL/aOOOTH ONE

753. DIXIELAND BAND/ BUGLE CALL RAG

754. THE COUNT/l SEE MILLION PEOPLE
755.SERE IN BL/ GAL KALAMAZOO

756.6 FLATS unfirnished/why DONT U DO CO 36652
757.S0L0 flight/ wrld waiting sunrise CO 36684 E+

758. solo flight/ wlo waiting sunrise CO 36684 E—

759. solo flight/wrld WAITING SNRISE CO 36684 v=

760. DRKTWN STRUTTERS BALl/ AFTER U SNEEO 36699 E

761. AFTER U GONE/ ORKTWN STRUTTERS CO 36699 V

762. BODY 4 SOLD/AFTER U GONE CO 36781 E+

763. LOVE DOSENT GROW TREEs/p I TY POOR CO 37077 E+

764. ANITCHA GALD/RITE 2 S ING THE BLS

special col Label -benny goodman

765. NITE 4 day/ shake own STARS coE

766. TEXAS TEA PARTY/DR HECKLE MR JIBECoE

767. NIGHT WIND/STARDUST <HR CRK ) COE

768. BEWITCHED/ BL IN NITE HA
769. OR HECKLE 4 MR JIBe/tEXAS T PARTY JAY

89 E

CO 35301 n/v
co 353|9 E
co 353|9 e/v
co 35319 v+
CO 35404 e/v
CO 35869 V-
CO 36099 E+
CO 36109 E
CO 36379 G+
CO 36622 E-

3168 E+
336 E
712 E+
5002 E
|0|2 N-
9 N

BENNY GOODMAN CONT.

770. EVYTH I NG LOVfA'INTER WEATHER

77 1 . CLAR I NET LA KING/HOW LONGS BEEN

772. Z00T SUIT/MY LITTLE COUS I N

773. MY LIT COUSIN/ A ZOOT SUIT

774. BODY 4 SOUL/ AFTE U GONE

775. dwn so. campmeeting/pick uself(dig)
776. ST LOUIS /clarinet marmalade

777. GDNIGHT MY LOVe/ TAINT NO USE

778. BUGLE CALL RAG/AFTER U GONE -T.D.

779. DID U MEAN IT/ TAINT NO USE

780. TIGER RAG/ WHISPERING

70i. jam session/somebody LOVES ME

782. STP AT THE SAVOY/ VIBRAPHONE BLS
783. DONT BE THAT WAY/ I O'CLOCK JUMP
784.0NE O'CLOCK JUMP/ DONT BE THAT WAY

785.SWT Lorraine/ dizzy spells

786. KING PORTER/(HENRY ALLEN JRN)vl DNCECLUB

TEDDY GRACE - ALL STAR ACC .

787. HEV LAWDY PAPA/ LOW DOWN BL

OK
VI

6516
6544
6606
6606
251 |5
25387
254i l
25461
25467
25469
25481
2 5497
25521
25792
25792
25822
18

G+

E

E

E—

N-/V

V
V

E—

e/v

v+
v+

V

N

V-

GRANDV 1 EW INN ORCH
788. ILL THINK 'OF U/ DOWN SOUTH

GLEN BRAY

789. HVN CAN WAIT/ SUNRISE SERE OE 232 1

790. LAZYB0NEs/r0CKIN CHAIR DE 2395
791. IN LOVE W SOMEONE ELSE/ TO TALK 4 J DE 18468
792. JUST FR I ENDS/THRU WITH LOVE DE 18546

DE 2604 E

CH 15383 V

e/v

E+

V+

e+/n

STEPHEN GftAPPELLY HOT 4 w DJANGO R I ENHARDT

DE 23003 n/e

DE 23032 V

DE 3|2|

VI 18964
18986

793. ULTRA FOX /DJANGOLOGY

STEPHEN GRAPPELLY
794.00NT MEAN THING/ ST LOUIS BL

fiLE" SRAY

795. CHAR M I NG LI FAKEp/ POLKA DOTS 4

THE GREAT WHITE WAY ORCH

796. T0M0RR0W/ U GAVE ME UR HRT

797. LOSt/'tHE VIRGINIANS)

798. BLUE HOOSIER BLs/ (BROOKE JOHNS ORCH )|ff I 9| 08 V

JOHNNY GREEN ORCH

799. LITTLE THINGS USED TO Be/gO INTO DC CO 3028 E"

JOHN GRIFFIN (THE FIFTH AVE., BUS MAN )
800. ST PATRICKS OAY/LAD WHR SHAMROCKS CO 3323 1 V

OSCAR GROGAN

801. WITH U/WHEN IM LOOKING ST YOU CO 2 1 6 1 N—

802. IF I HAD GIRL/sTILL REMEMBER CO 22 1 0 N-

JOHNNIE GUARN I ERI

803. STAR DUST/TIGER RAG MAJ

804. BASIE ENGLISH/EXCERCISE SWING SSV

805. etlSS ME AGAIN/BOWING SINGING SLAM SAV

GULF COAST SEVEN

806. MEMPHIS TENN/PAPA BETTER WATCH STEP CO

807. MEMPH I S TENN/ PAPA BETTER WATCH CO

I 226 E+
509 E-

530 V-

3978 V
3978 V-
co 14373 V

808. GA, ALWAYS ON MIND/ DAYLITE SAVIN

LARS GULLIN OCTET

809. LAURA/ BLUE LOU GAZELL 20 17 E+

810. GULL IN A GULCH/THATS IT METRONOME 180 N-

BOBBY HACKETT

811. DA DA STRAIN/JAZZ B BALL/DRMS COME TRUE/u U ESP u/
GHOST CHANCE/POOR BUTTERFLV/dO I N LOW DWn/a|NT

micbhvn/sunrise SEP./ VICKING LP 201 N-

812. BL 4 DISILLUSIONED/ POOR BUTTERFLY OK 4499 E

CONNIE HAINES

8 |3. LITTLE BCY ELS/ DRKTWN STRTS SG I 5| 97 E+

EDMOND HALL QUARTET

8 14. SHANTY SHANYTWN/CARAVAN CMS 557 E+/v

8|5.FACE/C0NTINENTA BLS CONT 60 1 8 E

B. HALLBERG TRIO
8|6. THESE FOOLISH THINg/cOOL KID

CHARLES W. HAMP

MtT 172 E+
OK 4|2|3 N

|86|3 V

25586 E-

25666 E+

25535 N-

25592 E

26017 E-

VI 28017 E-/g
VI 26233

VI

6 1 7. SPELL BLS/ MY KINDA LOVE

LIONEL HAMPTON ORCH
8 18. HAMP BOOGIE WOOG IE/CHOP CHOP
8 1 9. CHINA STP/PHYTHM RHYTHM
820. PIANO STP/ SURRENDER OEAR
821. STP/ JIVIN THE VIBER
822. SUNNY SIDE ST/ I KNOW U KNOW

823 . MUSKRAT RAMBLER/ RING DE BELLS

824. MUSKAT RAMBLE/ RING DEM BELLS
825WIZZIN THE WIZZ/ DENISONSWING

826. HEEBIE JEEBIES ROCKIN TWn/g|N 4 XMASVI 26423 E+

827. GIN 4 XMAS/HEEBIE JEEBIES ROCKIN TWNVI 26423 E-

828. HEEBIE JEEBIES/ GIN FOR XMAS VI 26423 V
829.4 OR 5 TIMES/ FOUND NEW BABY VI 26447 E-
830. JACK THE BELLBOY/ CENTRAL BRKDWN VI 26652 E-/v
83i.open house/bogo JO VI 2734 | E+

832. FIDDLE DEE DEe/bOUNCING AT BEACON VI 27364 n/e

833. GIVE ME SOME SK I n/3 QUARTER BOOGIE VI 27409 E+

HANDYS ORCH OF MEMPHIS
834. SWT CHILD/OLO TOWN PUMP CO 24|7 V

635. BUNCH OF BL/MOONLIGHT BL CO 24|8 V

836. LIVERY STABLE BL/THAT 'JAZZ'CNCE CO 24|9 V-

W.C ■ HANDYS ORCH

837. LOUISVILLE BL/AUNT HAGERS BLS OK 4789 V-

838. GULF COAST BLS/ FAREWELL BLS (RM CHp)oK 4880 G+

THE HAPPY SIX

839. SHAKE UR LI SHOULDEr/YeRES SOTHRN 5)C0 2929 G+

(ABOVE RM CHP NO GRV )
840. YOKOHAMA LULLABy/| LOST U CO 3384 n/e+

84l .FANCIES / YOO HOO 00 3482 N

BYRON G. HARLAN
842.SYLVIE/ MARCONI 207 E-

HARLEM HAMFATS

843. JAM JAMBOREE/ IT WAS RED

844. NEW 0 RED/MOVE YOUR HAND

845. BREEZE/THE BLS HAVE GOT ME

846. MARCH WINDS APRIL SHOWERs/LUV ARND

Fl VE HARMAN I ACS

847. MAKES BABY CRY/TAKES GD WOMAN VI 20507 V+

DE 7312 E-

DE 7518 E

ME 13323 e/n-

ME 13333 E

THE HARMON I ANS

848. CASTLE IN SPAIN/WANT SMBODY HA 9J V»«-

849. ID CLIMB HIGHEST Mt/(fRE RICH ORCH ) MA |38 E—

BOBBY HARRIS

850. TOTAL STR ANGER/H VYW I EGHT MAMA PA |304 N-

MARRION HARRIS

85I.SYNC0 MELODY MAN/PARADISE BLS VI |8|52 V

COLEMAN HAWKINS

852. BODY 4 SOUL/ FINE DINNER BB 10523 E

853. HONEYSUCKLE ROSE/jAMA|CA SHOUT DE 3358 E+

854. MEDITATI0N/ MY BL HVN (HR CRk) DE 3520 E+

855. JAMAICA SHOUT/THE DAY U CAME PAF 1685 E+

856. GET HAPPY/ CRAZY RHYTHM . SQ 28104 IV
957. EHN BUDDA SMILEs/ WAY OWN YONDER 9WS 1046 E+
858. SWING IN IN GROOVE/ KNOW THAT U KNOW SWS 1048 E+

859.0N SUNNY SIDE OF THE STREET/ TEST 9/7/39 V+

ORIGINALLY RECORDED BY AMERICAN Co. FOR ISSUE ON

ENGLISH PARLOPHONE — LATER, TRANFER OF RIGHTS MADE
THEM THE PROPERTY OF AMER . DECCA. NO LONGER
ISSUABLE BY AMERICAN COLUMBIA.

BB 11277 E+
BB I 1485 v/g
BB I 1547 V-

VO 33 18 V+
vi 16377 v-

SPEC. PERS. CO 91012 E-

OE

V+

ORCH

BR

4182

N

DEE

9605

E+

ARTO

9045 G+

CA'

270

V—

CLEAR

69

V—

PM

12084

V—

350 v+
1384 v+
3521 V=
551 8 V
)

5964 E

BRF 8 1 2 1 6 N-
BRF500389 E-

ERSKIN HAWKINS
860. HEY DOC/SOME ONE ROCKING DRMBOAT
861. SO LONG SHORTY/WRAP TROUBLES DRMS

862. BICYCLE BOUNCE/jUMPI N IN JULIEPJNT

863. COQUETTE/BIG JOHNS SPECIAL

HYOON QUARTET
864.0LD GREY E0NNETT/(WALTER VAN BRUNT )
ROLAND W. HAYES

865. B Y AND BY/

DICK HAYMES

866. LIT TOWN OF BETHLEHEM TEST

MONK HAZEL ^ HIS BIENVI I I F BOO

867. G6T WIT IT/ IDEAS

TED HEATH AND HIS MUS IC
868. SWEET 4 LOVELY/ AVALON
LUC I LLE HEGAMIN

869. EVYBDYS BLS/ JAZZ ME BLS

870. BEALE ST MAMa/agGRAVAT I N PAPA
87I.SWT MAMA PAPAS GETTIN MAo/sTRUT M

(above ; HR crk)
EDMONIA HENDERSON
872. WORRIED BOUT HIM BL/BLK MAN BL

FLETCHER HENDERSON ORCH

873.I2TH ST RAG/ MILENBERG JOYS AS

874. CANT GET ONE I WANT/DOODLE (|90.J AZZBAND)BA

875. FIDGETY FEET/ SENSATION BR

876. MAL I NDAS WEDDIN OAy/tAKE ME «WAY BB
877. SUGAR FOOT STp/(m I SLABELLED 'RAY NICHOLS"

(ABOVE; RM CHP 4 GROOVES) BB
878.H0P OFF/MUST HAVE THAT MAN<BWAY 8DCTs)bR 4||9 E

(above; HR crk)

879.STAMPEDE/GRT CAESARS GHOST

880. HOP OFF/siNGIN THE BL

881. MANDA/G0 LONG MULE

882 .SUGAR FOOT STp/wOTCHA CALL EM BLS
883. SUGAR FOOT STp/wHA CHA CALL EM BL

884. N0B0DYS ROSE/PENSACOLA (rM CHP NO GR ) CO

885. LIVERY STABLE 8l/p.D.Q. BLS

886. WH I TEMAN STP/ IM COMIN VA

887. EASY MONEY/ COME ON BABY

888. MEMPHIS BLS/ SHANGHAI SHUFFLE

889. HAPPY DAY LONG/(BUD FREEMAn)
890 .SWA NEE BUTTERFLy/m WOOD DANCE ORCH )

891 . LINGER AWH I Le/( STEVENS TRIO)

892. CHARLEY MY BOY/(mO. J.B.)

893. DREAMY WABASH/(SAM LANIN ORCH )

894. HOW COME U DO Me/n .0 . J .8. ) (RM CHp)

895. BLUE RHYTHM/SUGAR FOOT STP
896.SMBDY STOLE MY GAL/LOW DWN BAYOU

897. MAL I NDA WEDDING DAy/sWT MUSIC

898. HARLEM MA ONE Ss/pH ANTON F ANT AS I E
(ABOVE TEST PRESSING)

899. SING SING SING/SHOE SHINE BOY

900. JIM TOWN BLs/ U CAN DEPEND ON ME

90 1. hot mustard/clar MARM

902 .STEAL I N APPLES/GRANO TERRACE SWING

903. MY GAL SAL/WANG WANG BLS

904. WEARIN ME OWn/rhYTM OF TAM80RU I NE

905. BACK IN UR EACK YARd/rOSE ROOM
906. SAVIN MYSELF FOR u/LI TTLE THINGS

HORACE HENDERSON ORCH
907.SHUF LIN JOE/I GOT RHYTHM

ROSA HENOERSON 4 THE CHOP CHOP JA?ZERS
908. STRUT YO' PUDDY/SOMEBODY'S DOING ETC AJAXI/U55 V-
909.I2TH STREET Bl/mEAT MAN PETE (crk) AJAX 17081 V-
9I0.GET IT FIXED/POPLAT BLUFF BL VO 15044 G+

SKITCH HENDERSON ORCH
91 I .MINE/SMBODY ELES PICTURE CP |5|36 e/v

HENRY HENDR ICKSO NS LOUISVILLE SERE.

91 2. BUFFALO RHYTHM/ON BEACH W YOU VI 22749 E-

MEL HENKE

9 1 3 . HENKE STP/LADY BE GOOD CI I 00 E
9|4, PURELY COI NC IOENTAl/mRS ABERNATHYS CI I 03 E

WOODY HERMAN

9I5.IF ITS LOVE U WANT/WRAP TRBLS IN DRMS CO 37160 E-

9 16. THATS MY DESIRE/lVY

917. no time/four BROTHERS

91 8. N0 time/four brothers

91 9. HAPPENED IN DIXIe/duPREE BLS

920. BLUE EVENI NG/l ND I AN BOOGIE WOOG I E

92 1. LOVES GOT ME DWn/bL ON PARADE
922. SAY S ISl/piCK A R I B

923. THE STARS REMAIN/SHOULD HVE KNOWN U

924. DRSM ON ME/ BLS IN THE NITE
925.SKYLARK/BI TE OF NITE

CO

228

V

CO

395

V

CO

395

G+

CO

532

V

CO

1002

G +

CO

1059

V+

CO

14392

v+

DE

158

v/e

OE

3885

E+

06

3475

E

ED

51277

E+

RE

9680

V-

RE

9684

V

RE

9739

V-

VS

8052

V

vs

8053

E

VI

22775

V

VI

24699

N-

VI

25375

n/e

VI

25379

V

VO

1065

V-

VO

321 3

V-

VO

3360

V

VO

3487

N

VO

351 1

N

VO

4|54

V

VO

55 18

V

CO

37329

N

CO

38304

N

CO

38304

E+

DE

1288

E+

DE

2250

N

DE

2933

n/e+

DE

2979

E+

DE

3544

n/v-

DDE

4030

V+

OE

4198

V+

23

35c MINIMUM BID CHARLES CANFIELD 35e MINIMUM BID

BOX 90, THE RECORD CHANGER 4|8 WEST 49TH STREET NYC 19 NY

SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS.

DE
DE

4293
|83|4

E

V—

DE

3561

E+

DE

23427

E+

DTR

502

N

VI

21682

V-

WOODY HERMAN CONT.

126. FORT WORTH JAIL/TOOLATE

127. THERE RIVERS TO CROSs/wELL MEET

M II T HERTH TRIO

128. HUCKLEBRY DUCK/wORR I ED MIND

EDO IE HEYItOOD ORCH
'29. BLUE LOU/PLSE DONT TALK ABT ME

BERTHA CHIPPIE HILL
30. SPORT MODEL MAMA/DO 0 I R TY BL

THE HIGH HATTERS

3|. WANNA B LOVED BY U/SUM SWT SOMEONE

DAN HILL HOT CLUB OCTET

32. OLIVER TBIST/BLUE TRAIN B OG I E BLSTRUTONE |45
TEDDY HILL 4 HIS NBC ORCH

33. BLUE FANTASY/CHINA BOY VI 1 3 1 5

.EARL HINES ORCH

34. DEEP FOREST/LIGHTLY 4 POLITELY BB I 0727
35. SALLY WONT U COME BACK/jERSEY BOUNCEBB I I 1 26
36. STORMY MONDY/SECOND BALCONY JUMP BB I |567

37. CAVERNISM/ROSETTA BR 654l

38. BLUE /juLi A BR 6872

39. JULI a/blue BR 6872

40. found romance/just 2 be in carolina br 6960

(above; dig)
41.57 varieties/a monday date
42.57 varieties/ aint got nobody

43. sister kate/i want ur love

44. U ARE ONE OF MY DRMs/sWINGIN DWN

45. pianology/flany DOODLE SWING

RICHARD HITTERS CA8INEERS

46. RIVERB0AT SHUFF LE/ BR K I N THE LEG
47 »R I VERBOAT SHUF Le/bRKIN LEG

N

E+

e/v
e/v

E+

V

V

+/v

A

CO 2800
OK 8653
VI 22683

VO
vo

3392
3501

EV
EV

1063
1063

G+
V=
E+
G+

V+
V

-ART HOPES

48. ST LOUIS BLS/ ARTS BOOGIE (rM CHP) BW 2 E

49. BLUES BOOZE/ECCENTRI C BN 5|2 E

50. LIBERTY INN DRAg/gA CAKEWALK DE 18437 E

JOHNNY HODGES ORCH

51. THING A t NT WHAT THEY USED/SQUATTY R 8B l|447 N

52. JEEPS BLs/ REDEZVOUS W RHYM CO 37837 E+

53. GD QUEEN 8ESS/ THATS THE BLS V 1202542 N

HOKUM BOYS

54. ALL WORN OUT/USING THAT THING PM 12796 G

REV. WALT HOLCOMB P.P.

55. HOUSE PRAYER /SAFTY FIRST OK 45262 E
LOU HOLDESN DISCIPLES OF RHYTHM( TEDDY GRACE V.)

56. RED WAGON/END OF MY WLD DE 3444 E+ '

Bl LLP E HOLIDAY

57. yesterdays/gotta right sing bls cms 527 v+

58. THEY SAY/lLL NEVER BE THE SAME DTR 507 N

59. THEM THER EYES/SOME OTHER SPRING OK 502l E

50. WHATS THIS GONNA GEt/bODY 4 SOUL OK 5481 E-

51. LOVE IS D I FFERNT/sW I NG BROTHER SWG VO 5|29 e/v+

HOOSIER HOT SHOTS

52. EVBDY SHOTS/PICK THAT BASS EML 70462 V+

CLAUDE HOPKINS ORCH
53,..DNT LET LOVE/ ANTS IN PANTS BR 6891 V-

54. CANADIAN CAPERS/SON OTHE SOUTH CO 2747 V+

(ABCVE RM CHP NO GRv) (ROYAL BLUE)

55. JUNE NITE/CHURCH ST SOBBIN DE 1 286 E+

HOT AIR MEN ( LAM CRk)

56. CHINNIN 4 CHATTIN/RED HOT CHICAGO CO 2 1 75 V-

HOTFI PENNSIII VAN I A MUSIC
57.0UT OF BREATH/ONLY HUMAN HA |2|2 E

rosftta unman

58. PLAI N LENOX AVE./COME EASY SO DE 7627 E+

PEG LEG HOWELL

>9.TUR"TLE DOVE BL/WALKIN BL CO 14456 V-

SPIKE HUGHES ORCH
70. SHIP WITHOUT SAIL/MY MAN IS ON MAKEDEE 1748 E

'I .nocturne/smeonestole GRABRIELS DEE 3563 E
HELEN HUMES

?2.IM GONNA LET H I ME RIDe/mILLION $ MOD 779 E+

PEE WEE HUNT ORCH
'3.CLAR marm/begsie COULDNT HELP IT CP 57569 N-

ALBERTER hunter

'4.SMDAY SWHTRT/HES DARN GOOD MAN BS 20l9 V—

IMPERIAL DANCE ORCH

'5.MILENBERG JOYS/ANGRY PAT 36299 V

INNISFIAL IRISH ORCH
'6. MEDLEY OF 2 STEPS/HAPPY MEET. SORRY CO 33403 V

I PANA TRC I USA DORS
'7. BLUE SONNET/PEACE WORLd(rM CHP NO G )cO 643 G+
'8. BABY FACE/WHAT U WANT KNOW
'9. IN A LITTLE GARDBn/mARY LOU
SO. MOLLY/ ALONE IN RAIN
B"B' IVES

1 1. FOGGY FOGGY DEW/RODGER YOUNG

BESSIE JACKSON

12. DRINKING BLS/ BOOGAN WAYS BLS

BUD JACKSON SWANEE SERE

53. HEEBIE JEEBIES/MESS IN AROUND

CHARLIE JACKSON

14. HOT PAPA/MAMA DONT U THINK I KNOW

JIM JACKSON

15. JIM JACKSON K.C. BL/ 142

FRANKIEf HALF PINT) JAXON
S6.CALLIN* CORRINE/U CANT PUT MONKEY
37. FAN IT BOOGIE/DONT PAN ME

PRESTON JACKSON 4 HIS UPTOWN B
!8. HARMONY BLS/ ITS TIGHT JIM

JAM SESSl ON AT V ICTOR

59. BLUES/ HONEYSUCKLE ROSE

BUD JACBSONS JUNGLE KINGS
)0.l CANT BELIEVE/LAUGHING AT U (HR CRk)3Q 904 E

JAM SESSION NUMBER THREE
)|.TEA 4 2/WRLD WAITING 4 SUNRISE SW 285 N

CO

696

V+

CO

738

V

CO

2052

V-

DE

23405

N-

BA

33245

G

BR

3351

V+

PM

12305

G+

VO

1 144

F

DE

761 9

E+

DE

)

7638

N-

CE

3014

E+

VI

25559

E+

HARRY JAMES ORCH

992. FEET DRAGG IN/HERE COMES NITE CO 35227 E

993. NIGHT SPECIAL/BACK BEAT BOOGIE CO 35456 E

994. NIGHT SPECIAL/BACK BEAT BOOGIE(DIG) CO 35456 E'

995. MUCIS MAKER s/mONTE V I DO

996. WOO woo/ BOO WOO

997. TRUMPET RHAPSODY/ PTS I 42

998. CIR I BIRB I N/PRETTY LI PETTICOAT
999.2 OCLOCK JUMP/l OCLOCK JUMP

000. 2 GOOD 4 GOOD NOTHING/l DOZ ROSES

00 1. LET ME UP/ 0 CRIED 4 YOU

002. MANHATTAN SERE/oAYBRK

003. MR 5 BY 5/sOLDIER OF MINE
004»MNLIGHT BECOMES u/hEARO THAT SONG

005. VELVET MOON/PRINCE CHARMING

006. JUMP TONW/ CHERRY

007. ILL GET BY/FLATBUSH FLANAGAN
008.SLEEPYT I ME GAl/mEMPHIS BLS
009. MEMPHIS BLS/ SLEEPYT I ME GAL
0(0. BEAUMONT R I De/V DOES IT GET SO
OlI.MOTEN SWING PTS 142

JAZZ HARMON I ZERS
0I2.SUE SUN Y DAT/CAOLINA ROLLING

JAZZ ORCHESTRA
0I3.SLOW 4 EASY/DANCE 0 MANIA
0|4. HAPPY DAY/MARCH OF GRENADIERS

-JAZZ-bOS CAROLINA SERE
0|5. SISTER KATE/ACHIN HEARTED BLS

Bl IMP IFMON JFFFFi^nN
0>6. MATCH BOX BLS/ BLK SNAKE MOAN

JENKINS 4 JENKINS

CO 35932 E

CO 35958 E

CO 36160 E-

CO 36226 E-

C036232 E-

CO 36566 Z-

co 36623 e/v-

co 36644 v-

CO 36650 V

CO 36668 V

CO 36672 v-

co 36683 v

CO 36698 V

CO 36713 E+

co 36713 E— /v

CO 37080 N-

CO 37351 v+/n

R I CHTNE7037 V+

LA 8
ELG

5090 V
1064 E

CA 269 V+

JAZZ 5l I N

CO 14040 V

JERRY JEROME 4 HIS CATS 4 JAMMERS

018. TOO OLD DRm/aRESENIC OLD FACE AS

019. PEOPLE WILL SAY/jAMIN W JERRY AS

020. JAMMIN W JERRY/ PEOPLE WILL SAY AS

THE JIM-DANDIES
02 I .CHARLESTON GEECHIE DANCe/sHAKE THATHA

HA

501 E-

503 E+
1503 e/v

55 E
55 G+

19108 E

022. CHARLESTON GEECHIE DANCe/sHAKE

BROOKE JOHNS ORCH

023. ANNA8ELLE/IGT WHITE WAY ORCH)

BUNK JOHNSON

024. WHN STS MARCHING In/bASIN ST BLS VI 270|35 N-

025. MARYLAND— 2ND MAx/alEX RAG BAND-^ND MAX OUB N—

026. JELLY ROLL/ SPICY ADVICe(a|R SHOT 1943 DUB E

027. ace IN hole/2;i9 bls gjt 34 E+

028. NOBDYS FALUT BUT MINE/wHEN I MOVE GTJ

029. GIRLS GO CRAZY/ORYS CREOLE TRMBNE GTJ

37 E+

38 E+
63 E
12 N-
14 N—
I 5 N-

Jl |6 E+

VI 400 I 28 E+
VI400I29 E

GTJ
J I
J I
J I

030. DWN BY RIVERSIDE/CARELESS LOVE

03 1 . FRANKLIN S BLs/ WEAR Y BLS
032. SOBBIN BLs/ OUSTY RAG
033.YAAKA HULA DULa/ SHINE
034. SMT I MES BURDEN IS HARd/soBBIN BLS
035. SISTER KATE/DRKTWN STRUTTERS BALL
036. ONE SWT LETTER FRM u/fRANKLIN ST

EARL JOHNSON 4 HIS CLOOHOPPERS
1/37. THEY DONT ROOST TOO HIGH/MISS JUB I LOK45223
EDITH JOHNSON

038. NICKELS WORTH LIVER/HONEY DRIPPER

039. GO0O CHIB BLS/ JIM CROW BLS

. JAMES STUMP JOHNSON 4 HIS PIANO

040. DUCKS YAS YAS/THE SNITCHERS BLS

JIMMY JOHNSON ORCH

041. JUST CRAZY SONG/GOR HARLEM

JOHNNY JOHNSONS ORCH
042. IT GOES LIKE TH I S/ ( GE .OLSEN ORCh)

043. JUST U just me/marianne
LONNIE JOHNSON

30l8 N
3021 N

QRS 7049 G

VI 2|70| E-
VI 22085 v-

044. LONESOME ROAD/ BABY REMEMBER ME

045. FLOOD WTR BLS/NUTS OVER U

LONNIE JOHNSON 4 SPENCER WILLIAMS
046. IT FEELS SO GOOD/PTS 142
047.IT FEELS SO GOOD/ PTS 344

PAUL JOHNSON

048. ALWAYS GOES FAR THER /wHOOPEE HAT

PETE JOHNSON 4 ALBERT AMMONS

049. WALKIN BOOGIE/BOOGIE WOOG I E MAN

050. PINE CREEK/6TH AVE EXPRESS

ROBERT JOHNSON

051 . Kl NDHEARTED WOMAN Bl/tERR APLANE BL

AL JOLSOn/BLOSSOM SEELY
052 .SC AND I NA V I A/ FUNERAL BLS

ETTA JONES
053. OSCULATE ME DADDy/mEAN TO ME

GORGE P. JONES JR..
054. SO LONG BERT/NIGH 4 YOU

GRANT JONES WITH BROWN BLUE BLOWERS
055.P ather drink muddy water/when dea

I SHAM JONES ORCH
056»WONOER IF U STILL CARE/jUNE MOON
057.STEPPIN OUT/l LOVE BLONGS 2 SMBOY

058. YOUR SMILES YOUR TEARs/nINA ROSA

MAGGIE JONES

059. CHEAT IN ON ME/mAMA WLD U COME

060. BACK BIT IN MAMA/NEVER DRIVE B EGG Al

R ICHARD M. JONES
06 I .29TH 4DEARBORN/SPAN I SHSHAWL
LOUIS JORDANS TtlMPANY 5

062. DONT COME CRY IN/BOUNCE BALL

TAFT JORDAN 4 THE MOB

063. LA. fairytale/devil in moon

HOWARD J0YNER(B08 HOWARD)

064. THRU W LOVE/WANNA SING 1BT U

JUNGLE KINGS

065. FRIARS POINT SHUF FLe/dR KTWN STR

ROGER WOLFE KAHN ORCH

066. COFFEE SNDWTCH 4 u/sONG OF FLAME

BB 3407 1 4N-

DE

7397

E+

OK

8664

G +

OK

8697

V-

PE

12545

N

VI

27505

E/E-

VI

27506

e/v+

VO

3416

v+

CO

3382

V—

VI20I94I

v+

BS

2056

V

OK 48192

E-

BR

5067

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BR

2567

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BR

4710

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CO

14074

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CO

|4|27

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8260

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DE

3253

E

PE

16102

V

CO

14623

V—

PM

14021

N-

VI

19935

V—

ROGER WOLFE KAHN

067. CROSS UR HEAT/MT GREENERY VI 20071 V+

068. jersey walk/(nat shilkret) VI 20231 E
069 • among souvenirs/(johnny hamp orch) VI 21084 v+

070. UR ONLY I FOR Me/shADY LADY VI 2|897 V

KANSAS CITY ORCH

07 1. THING SEEM SO BL To/l 8TH ST STRUT OK 8242 G

SAMMY KAYE ORCH

072. DADOY/2 HRTS PASS IN NITE VI 27391 V

HAL KEMP ORCH
073. SING TORCH SONG/REMEMBER 4G0TTEN MAN BR 6583 V
HELEN KANE

074. GET OUT 4 GET UNDEr/mY WEAKNESS NOW VI 2|557 E

IRVING KAUFMAN 4 HIS BAND/FRED RICH 4 ORCH
075. ST LOUIS' BLS/PICCOLO PETE BA 6508 V-

BOB KENT BAND

076. KOREW KOREA/OH BABY PA 1 303 E+

THE KENTUCKY COLONELS

077. LEARN DO STRUT/STEPPI N OUT VO |47|4 E

FREDDIE KEPPARD w. J. DODOS
078. SALTY OOG/STOCK YARD STRUT AM 3 N—

HENRY KING ORCH

079. FOOTLOOSE 4 FANCY FREe/chASING SHOWS 00 3048 V

KING EDWARD VII|(duke OF WINDSOR)

080. FAREWELL MSG OF KING EDW VIII / 1 42 SHERMAN E-

JOHN KIRBY ORCH

081 . THE TURF/DAWN ON DESART

ANDY KIRKS CLOUDS OF JOY

082. UNLUCKY BL/RIDE ON RIDE ON

083. CASEY JONES Sp/cLOUDY

084. MESS A STP/BL CLAR STP

THE KNICKERBOCKERS
065.CRIG CHARLESTON/ALL ABOARD 4 HVN

WYKONA L H. KOPP(XYLOPHONE.SOLO)
086. AMER YKANSK I PATROL/(ORK GWARDI )

SENNIE KRUEGERS ORCH
087. IM CUCKOO OVER u/ BOW BOW BLS

088. CAROLINA BLs/dN GIN GINNY SHORE

089. WONDER IF SHES LONELY 2/oLD GANG Mil

090. HOW MANY TIMES/LEAVE ME SMTH I NG

091. GDNITE LOVELY LADy/onCE IN BL MN
092. OWN AMONG SUGARCANE/GD OL SUNNY SO

GENE KRUPA ORCH
093. JUST LIT FOND AFFECTI ON/CH I CKERY CK
094.3 LIT WRDS. BL OF ISRAEL

095. HI ON WINDY H ILL/lT ALL COMES BACK

096. LETS GET AWAY FRM ALL/s .NO . CAROL I NA

097. RANCHO PILLOW/ U WERE THERE

098. BLS OF ESREAL/ 3 LITTLE WRDS

099. LAST ROUND UP/jAZZ ME BLS
I 00. SWING IS HERE/ANTHROPOEOGY

KAY KYSER ORCH
10 1. MULBERRY BUSH/SO HELP ME

ms/d

E/CA

I 03. FERRYBOAT SERE/cALL OF CANYON
I 04. CAME HERE TALK JCe/pRAISE LORD
105. SHORTAGE OF LOVe/doNT 3 JT UNDER AP
I 06. SWEET ELOISE/HERE U ARE
107. CANT GET OUT MOO d/mOONL I TE MOOD

I09.ACENT THE POS I T I Ve/l| KE SMEONE IN

NICK LA ROCCA 4 THE OR I G .0 IX I ELAND BAND
I 10. CLARINET MARM/ST LOUIS BLS I B>G OODMAN) v 1 ^Vtl 1

TOMMY LADNIER ORCH
I I I. WEARY BLS/jA DA BB 10086

I 1 2.REALLY THE BLs/yOUNG MAGGIE BB 10089

LANG— VENUT I 4 THEIR ALL STAR ORCHf B.G .-TEA

VO

4653

V

DE

4463

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BR

4653 E

BR

4694

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CO

355

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387

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35627

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SMDAY SWHTHRt7bEALE ST BLS
SMDAY SWHT/BEALE ST BLS

HOWARD LAN I N ORCH

LUCKY DAY/BLK BOTTOM CO
SAM LAN IN

I VY/RAI LROAD MAN BA

SUNKIST COTTAGE IN CALIf/drEARY BA

WONDER WHERE BABy/(pERRYS HOT DOGS ) BA

WNT SMBODY CHEER Me/SWT CHILD BA
TH I NG I NG OF ME/LIT BUNCH ROSEs(l" CK )ba

RA IN/BUNGALOW OF DRMS BA

AFTER SAY SORRY/(CAMEO DNCE 0) CA

WOT WILL U Do/mY SUE CA

Constantinople/ sa

CANT GIVE U ANYTHI Ng/(thE CABOLNERS ) CA
CRYING 4 u/KNOW U BLONG 2 SMBODY CO
FASCINATING RHy/tELL HER IN SPRING CO

(above; lam crk)
summer nites/lf i had girl like u
cecilia/stop flirting (lam crk)
desdemona/promenade walk

0 BOY WATTA 6 IR L/(HOLLrwOOD DNC o)
LETS TALK ABT SWEET I e/cOULD I
TON I TE MY NITE /mO. J.B.
HELLO BLUEBIRD/( I MPER I AL ORCH )
FOUR WALLS/EVERYWHERE U GO
BY THE SHALIMAR/CAROLI NA MAMMY
SATANIC BLs/ EDDIE LEONARD BLS
PLENTY OF SUNSHINE/ EILEEN
SWTHRT OF SIGMA CHl/wHOLE WLD WAIT

LANIN'S RED HEADSf RED 4 MIFF)
J I MTOWN BLS/ KING PORTER STP
HARRY LAUDER

1 LOVE A LASSIE

YANK LAWSON ORCH

YANKS 2 DAY TOOT/SUGAR FOOT STP
LAZY APES BACK ROOM BOYS

80078
80078

I 152
1430
I 61 7
1676
1884
6148

874
1268
8142
8234
3850

279

4|4
438
447
3568
3682
3715
3832
4088
20933
91 91
517
535

V

V-

V
V

V-
V—

E+
E

V-

V

V

v—

V—

V

V-
E-

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E-

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FATHERS BLS/ JAZZ PARADE

GEORGE LE MA I RE-REX VAN
THE BLACK JACKS/ 142

CO
VI

SG
AMP
VI

327 E

aoooi

15044

9

21054

V

N—
N—
E-

24.

35c MINIMUM BID

CHARLES CANFIELD

BOX 98, THE RECORD CHANGER, 4|8 WEST 49TH STREET NYC
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS.

35c MINIMUM BID

19 NY

I 145.

1 146.
1147,
1148,

1149,

I I 50,

I I 5l ,

I I 52,

1153,

1 1 54,

1155,

1156.

I 1 57,
I 158,

I 159.
I 160,
1 161,

I 162.
I 163,

1164,
1 165.
1 166,
I 167
1168.
1169.
1 170,
1 171
1172,
1173
1 174
I 175
1176
1 177
1 178
1 1 79
I 180

1 1 8 r

1 1 82

DO 4345 v—

HJCA 98 N
HJCA 99 N
MU 226 E

CAP 40023 e-/g

DE 4402 V

CP 236 E

VI 20251 V

3584 V

LE LE SIEUR

.LOVER COME BACK/DRM MOTHER

HUPP IE LEADBELLY

■ LEVING BLS/ GO MORN I NG
.ROBERTa/tHE RED CROSS BLS
POLL WEEVIL/ DE KALB BLS

JULIA LEE 4 HER BOY FRIENDS

, | WAS WRONG /SNATCH 4 GRAB IT

MARY LEE

.ILL NVR CRY OVER u/mAKES NO MIND

PEGGY LEE
,DONT KNOW ENUFF BOUT u/cAN SEE IT

BOBBY LEECAN— BO BERT COOKSEY

,D | RTY GUITAR BL/BLK C AT BONE BL

NATE LESLIE 0"CH

.SHAKE YO BONES/SHAGGIN AT THE SHOREVO

LEVEE LOUNGERS

.CRAZY RHYTHM/ JUMP I NG JACK PE 15030 E+

HENRY LEV I NES DIXIE JAZZ BA NO

.SHINE/SMBDY LOVES ME VI 27831 V+

EMMA LEWIS ACC. BY FLETCHER HENDERSON

,NO ONE MAN WORRY ME/(LIZZIE MILESJ VI 19158 E—
-GEORGE LEWIS 4 HIS N.O. MUSIC

■ MAMA DONT ALLOW/WILLIE THE WEEPER GTJ 1 5 N-
iBURGUNDY ST/YAAKA HULA HICKY GTJ I 6 N— /e

MEADE LUX LEW JS

iHONKY TONK TRAIN BL ACETATE OUB E

.CELESTE BLS/ YANVEY SPECIAL DE 8 IS N

.WHISTLIN BLS/ HOKY TONK TRAIN VI 2554| N

MONICA LEWIS

.SONNA B BAD G I Rl/bEAUT FUL SG

,BUT NOT 4 ME/PRTY GIRL MLDY SG

TED LEWIS

,BLS NAUGHTY SWT I e/ (YERKES NVLTY 5) CO

,WHN MY BABY SMILES AT ME CO

.HOMESICK TOMORROW/ CO

.RUNNIN WILD/ST LOUIS BL CO
,T LEWS I FVRITs/(c.HACKETT— TOSCHA) CO

,SHES EVBDYS SWTHRT/ SAN CO
.WILL REMBER Me/o KATHERINA

,mr radio man/ rm daddy
.marguerite/ miss mys wiss
.say Arabella/ angry

.PRETTY LITTLE BABy/ PEORIA
.NEW ST LOUIS BL/ MAMMAS IN TWN
.SOME THESE DAYS (s .TUCKER )/bUGLE C CO
, WHN BABY SMILES AT ME/sUNSHINE CO
.LMEHOUSE BLS/ROSES OF PICARDY CO
.WABASH BLS/ FAREWELL BLS CO
.SOBBIN Bl/ YELLOW DOG BLS (RYL Bl)co
.DIP BRUSH SUNSH I NE/CHURCH IN VALLEYCO

COE

ESQ
ESQ
ESQ
PAE

DALLAS BL/ ROYAL GARDEN BL
VICTOR LEWIS ORCH
I 183.4 U A BONE/ EINDAYZ
I I 84.SUMMERT I ME/(vi .FELDMAN QRt)
1185. LEMON DROP/ SOLITAIRE
II86.SERE IN BL/ LOVE 4 SALE

BEATRICE LILLIE( LADY PEEL)

I 187. LIKE HE LOVE ME/ NICODEMUS
KAUE LOHRS KVARTETT

1188. WRLD WAITING SUNRISE/HOUR PARTING HMV

1189. TIRID OF DREAMING/(LANES ONCE o)

LINCOLN DANCE ORCH
1190. INDIAN LOVE CALL/(STATLER HTL DNC

DONA L LINDLEY TRUMPET SOLOS
I I 9 1 .SWT STUFF/TRUMPET BL

; I TTLE JACK LITTLE ORCH
I 192.3 GHEERS FOR LOVE/ STAY AS SWEET

ED LLOYD ORCH

I 193. SALT BLBIRDS TAIL/WRAPPED IN ROSE
I 1 94. 1 FEEL U NEAR me/ PARI BLS EYES

15068 V-
15220 v+

2798 V
2908 V-
3709 V
3790 V
IS E
122 V
295 E-

82 V
406 V-
4|6 V
543 v
687 V-
826 v-
922 N
1789 V-
2029 V
22 17 E-
2467 E
2820 E+

10021 E+
10092 N-
10124 n-
3815 N-

VI 20361 E

7587 N-

1195,

I 196,
I 197,
I 198,
I 199,
1200.
|20|

l 202

1203
1204
1205
1206

-GUY L0MBAR00 ORCH
.LOVE LOVE LOVE/DO FRIEND FAVOR

JOMNNY LONG

LI

2227 \

LI

2252 1

CO

546

CO

2969

OK

41354

OK

4 1399

OE

18589

TILL THE MOON GREEn/| WANN KNOW
.ROSECOLORED GLASSES/ TAKE SUGAR
.SWING ME BACH/SHANTY IN SHANYTWN
.SHANTY OLD SHANYTWn/sw I NG ME
• WANT TO LIVE/ GET U DONW
WHEN I GROW TO OLD DRm/shADOWS
HELEN LOUISE 4 FRANK FERERA
. PALAK I K0 BLS/ PUA CARNATION

LOUISIANA FIVE

,GD MAN Q ORE WRONG /YELP I NG HOUND BLSCO
.SLOW 4 EASY/(THE HAPPY Six) CO
.LEAD ME TO IT/viRGINIA BLS EM
.WEEPING WILLOW BLs/ BIG FAT MA

EOUISIANA RHYTHMAKERS (DUKE)
.DREAMY SL/RUNNIN WILD (3/4" CRK )

I 0 VI N SAM, ft, BURNS CAMPBELL 0RCH_

OOR 61004 E+
DE 3341 E
DE 3409 N-
DE 3409 V-
DE 3460 G+
3574 V

DE

CO 22 14 v-

2742 V
2949 V
EM 1 076 V-
EM 10172 V-

1207

1208. CHIS COUTH side/walkin bak hme

ba 32539 V

7916 V

1209

I 2 1 0
12! I

I 2 1 2
|2|3
|2|4

I2l5
I 2 1 6
1217
I 2 1 8
|2|9

BERT LOWN

SAY HELLO TO FOLKs/hRT ACHES VI 226|2 V

J I MM IE LUNC EFORO ORCH
WHITE HEAT/JAZZNOCRACY BB 57 1 3 E+

.WHITE HEAT/ JAZZNOCRACY BB 57 1 3 V

.SHAKE YOUR HEAd/ruNNIN TEMPERATUREBRE 28|5 N
.WATCHA KNOW JOe/pLEASE SAY THE WRO CO 35625 V-/n

.MELODY MAN/lLL TAKE SOUTH DE 805 V-
(ABOVE RM CHP 5 GRV )

• RAGGIN THE SCALe/|ST TIME I SAW U OE I 364 V—

• DWN BY OLD MILL STRm/sWEET SUE DE I 927 V
•BATTLE AXE/CHOCOLATE DE 3807 V

DRM BOUT u/jEEP RHYTHM DE 1 86 1 8 E+

SMONE MUST BE u/lM GONNA C MY DH 18655 E+

HS1V
MAJ
MA J
MAJ

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CI

PacFr

JIMMIE LUNCEFORD CONT.
1220. BABY R U KIDDIN/THE HONEYCRI PPER
1 22 I «SWI NG I N UPTWN/RE\JEMBER WHEN

1222. JUST ONCE TOO OFTEn/cEMENT MIXER

1223. meed lift/ the jimviies

1224. margie/ 4 or 5 times

1225. belgium stp/ think of me

1226. g0t it/monotony i 4 flats

1227. jazzn00razy/ chillen get up

1228. swing in uptown/remember when

1229. IN DAT MORNIn/sWT RHYTHM

1230. SHOEMAKER HOLIDAYs/u SET ME ON FIF

1231. WELL ALL RIGHT/TIMES A WAST I N

1232. BELGIUM STOMP/THINK OF ME

CLAUDE LUTER ET SES LORI ENTA I S

1233. WEARY WAY BLS/SWT LOVIN MAN
I234.SNAKE R AG/ GATEMOUTH
I235.WHEREB J STAY LAST NITe/rYL GRDN
1235. WEARY BLS/ TRUBL IN MIND

1237. ORYS CREOLE TROMBONE/ 0 I 00 CAT BL

1238. CAMP MEETING BLs/ WILLIE WEEPER

1239. sabouche/old SCHOOL

1 240. MUSKRAT RAMBLE/SHREVEPORT

ABE LYMAN
|24| .WISH HAD D I ME/ HORSE B BOOGIE

HUMPHRY LYTELTON BAND
|242. cakewalk i n bab ie/ if u see me comi

1 243. weary bls wor1ting man bls

1244. bl for Waterloo/ ole miss rag

|245.ELIZABETh/v0X HUMANA BLS
1246. BLE FOR WATER LOO/ 3LE MISS RAG
I247.ICE CREAM/FROOGIE MOORE
|248. SUFFOLK AIR/THE DOORMOSE

■IEANNETTE MACQONA LP
1250. VI LI a/merry widow waltz
HARRY MACPONOUGH

1251 . laug h i ng water
i252.girl on mag/(billy Murray)

SHERRY MAGEES D I X I ELANPERS
1253. SHAKE IT BRK IT/TIN ROOF BLS
I 254. SATANIC BLS/BLUIN D BLS

MATTY MALNECK

1255. HUM0RESqUE/ST LOUIS BL

MANHATTAN DANCE MAKERS

1 256. AM WASTING MY TME/BLUE BONNET

1 257. LAHTERN OF LOVE/sUNNY TENNESSEE

WINGY MANNOE ORCH

I258.0NE HOUR/ TIN ROOF BLS
I 259. BASIN ST BLs/ PANAMA

1260. GD MAN HRD Fl No/ FANCY MEETING U

1261. swt Lorraine/ formal nite in harlem
1252. image of u/ life without u

1 263. box car bl/ hello baby

1264. tin roof bls/ tar paper stp

1 265. wear y bls/ big butter 4 egg man
(above rm chp 3 grv)

|266. shake that thing/up the country

1267. ABOUT A QUARTER TO NINe/lEST SPILL
1258.5 IN slop/swing BROTHER SWING

PAUL MA RES AND HIS FRIARS SOCIETY ORCH

1 269. LAND OD DRMS/ REINCARNATION

MIKE MARKELS ORCH

1 270. WENDELL WILLKIE GOES WASH I NG T0n/| 42

MUSIC YOU ENJOY

EARL MARLOWS ORCH
1271. SALT SB'S TAIL/CHARMING

. JOE MARSALA ORCH
I272.SL0W down/bulls eye

1273. VILLAGE BL/ JOES BL

1274. H0T STRING BEANS/MIGHTY LIKE BLS

CARL MART I N

1275. BADLY MISTRTED MAn/farEWELL TO U

DE 23451 E+

6 N
1045 E+
1060 E+
1130 E+
2736 E+
2924 N
VI 24522 E+
VI 24669 v+
VI 38|4| G+
VO 4712 v+
vo 4887 G+
vo 5207 v

1043 n-
1045 N-
617 N
PacFR 900 14 N
Ram 4 E+
SEF 2969 N
SEF 2970 N
sw 272 N

BB I l 230 n/e

LJ

2

N-

LJ

3

N—

LJ

4

E

LJ

5

N—

LJ

309

N

paE

3292

N-

paE

3398

N—

paE

3267

E

VI

24729

E

VI

271 3

V-

VI

17945

E

DCTR

51 1

N

OCTR

518

N

DE

2|S2 v+

HA

184

V+

RE

9139

V+

ARA

145

E+

BB

64l I

E+

BB

6537

E—

BB

6816

E

BB

7003

E+

CP

442

E-

CH

40005

n/v+

CH

40055

E+

DE

7366

E+

VO

2934

V—

vo

3(71

e/e-

n/n^

OK

41575

PA

3WI9 N

DE

3715 E+

SV

706 E

vo

4168 E

OK

8961 V=

VI

201535 E

FREDOY MARTIN

1 276. WARSAW CONCERTO/FRM TWLIGHT TIL

ROY MART IN

1277. CHI BABA/C I VILAZATI ON TRUTONE I 25 V+

1278. BITING THE DUT/|N THE MOOD TRUTONE 4|3 E+
(ABOVE BOTH MADE IN SOUTH AFRICA)

SARA MART IN

1279. LAST 60 ROUND/MAMAS BOT THE BLS

1280. COME HOME PAPA BL/tAKES LONG TIME
I23I.IF U DONT LIKE IT/NOBDYS IN TOWN

1282. no one man/ye SHALL REAP

1283. BLIND MAN BL/ ATLANTA BL

1 284. WONT BE BACK AT ALlA>LEAOING

TONY MARTIN

1285. TIS autumn/cancel flowers

(ABOVE RM CHP NO GRv)

JOHNNY MARVIN
1296. AFRAID SING SMBDy/m I LL I ON TWO ONE
|287.MARVEL0US/|T ALL BELONGS TO ME
I288.MIDNITE TILL DAWn/( CRESCENT TR I 0 )

JOHN MCCORMACK
|289. SILVER THREADS AMONG THE GOLD
1290. WHEN U AND I WERE YOUNG

CLYDE MCCOY ORCH
1 2 9 1 .SUGAR BLS/ TEAR IT DOWN

1292. TEAR IT DOWN/SUGAR BL

1293. TEAR IT DOWN/SUGAR BL (rM CHP 4 GRV

MC K I NNEYS COTTON PICKERS

1294. WANT LITTLE GIRL/lF I CUD BE W

VIOLA MCCOY W. FLETCH ERH ENDERSON
I 2 95. A I NT GONNA MARRY/ DONT WEAR BL BLK

OK

8045

V-

OK

8061

G

OK

8078

G+

OK

8083

V—

OK

80O0

P

OK

8161

V—

DE

4101

V-

VI

20832

E

VI

20893

V+

VI

21230

E

VI

64260

V

VI

64913

V-

DE

381

E

DE

381

V

ME

13409

V

BB

5905

n/v—

S ORCH

BR

2591

v+

BROWNIE MCBHEE

1 296. WORK I NGMANS BLS/ STEP IT UP

HAL MC I NTYRE ORCH

1297. TANGERINE/ WHEN R OSES BLOOM

1298. LORETTA/SHELL ALWAYS REMEMBER

WILL MC INTYRES JAZZ BAND
1299. ST SILAS SHUFFLE/ JOSEPH I NE AM PER S

LAN! MCINTIRE AND HIS ijAWAIIANS

1300. NAPUA/NO tears "

RED MCKENZIE AND HIS MUSIC BOX

1 30 1. MY BABY COME HOME/FROM MONDAY ON

MCKINNEYS COTTON PICKERS

1302. G AINT I GD TO YOU/PLAIN OURT

1 303. BABY WONT U PLS CME HOMe/hULLABALOO

1304. WHERE THERES WILL THEREs/mAKE ME
|305.HELLo/dR] VI NG ME CRAZY
I-306.OO SMOET HI Ng/pREC I0US LITTLE THING
1307. SAVE IT PRETTY/FOUND NEW BABY

1308. G AINT I GOOD/PLAIN DHH

1309. MISS HANNAH/WAY I FEEL TODAY
|3|0.WAY I FEEL/ MISS HANNAH

I3M.IF | COULD BE W U/ZONKY ..
|3|2. PEGGY I'D LOVE IT ( RM CHO NO GIJV I 38|33 V

MCKINLEY HIGH SCHOOL BAND

|3|3. ROYAL HUSSARS/ BANDANA DAYS AUDOLA V+

|3|4. KILTIES MARCh/bKIDAL CHORUS NEW YORK 5|0 E—

SARA MC LAWLER

|3|5.FOOLIN MYSELF/ I M TIRED CRY I N OVER BR 84009 N

CUYTON MCMICHEN
|3|6.F|DDLIN MEOLY/ST LOUIS BL (LAM CRK ) CO 15190 V

MCMURRAYS CALIFORNIA THUMPERS
|3|7.JUST BEOAUTE YOUR E/HAUNT I NG BL GE 4904 V-

. JIMMY MC PART LA NP SEXTETTE
|3|8.USE YR IMAGINATION/DAVENPORT

JAY MCSHANN ORCH
I3I9.HOOTIE BLS/ CONFESSIN THE BLS
THE MELOD I ANS

I32D.AINT GONNA RA I n/BR I NG I NG HME BACON

MELOOY MAKER ALL STARS
1 32 I .MARSHALL'S PLAN/BRAN^ ESSENCE
MEMPHIS MINNIE

1322. LOOKING WLD OVER/BLK RAT SWING

1 323. BUMBLE BEE #2/tALKIN BOUT ilt 2

1324. HARD TO BE MISTREATEo/u GIVE ME NP

OK

6698

e/v

VI

27803

G+

VI

27805

v ii

AND

7

N

DE

4362

V+

OK

41071

G +

HMV

6950

V-

VI

22511

N-

VI

22736

E

VI

2303|

V-

VI

38051

v . ■.'

VI

38061

V-

VI

39097

G+

V 1

38102

V j

V 1

38102

V-

VI

381 18

V

PRESTIGE 304

DE

8559

E+

SUP

|50| E

ESQ

10115

E+

OK

6707

V

VO

1556

E-

VO

3474

V-

MEMPHIS MUSIC MAKERS
I325.PR0Ud/(t0NY GR8VELL0 ORCH )

336 V
21641 E+

MEMPH IS STOMPERS
|326. MEMPHIS STP/GOOFER FEATHER BLS VI

JOHNNY MERCER
I327.LOST MY SUGAR/WRECK OF OLD ' 97 CP
1 328. SOMEONE IN KITCHEN /sAN FERNANDO VAL CP

CYRIL MERRIVALS ORCH
I329.SONG W OUT name/washing blfrm soul pa 34088 E+
THE MERRY MACS

1330. HAWAI I AN WAR CHANT/CHOPST I CKS DE

1 33 1 . PATTY CAKE/d CKOO IN CLOCK DE

KID SHOTS MADISON'S NEW ORLEASN BAND

1 22 V
150 V-

2333 V-

2334 V

CO
CO

I332.WHN U 4 I WERE YOUNG/UPTWN BUMP

METRONOME ALL STAR BAND

I333.0NE O'CLOCK JUMP/ BUGLE CALL RAG
HA7FI MEYERS

1334. L0VE AINT BLIND NO MORE/ WISH I HAD

VIC MEYERS MUSIC

1 335. N0B0DYS SWHT/ADA

1336. N030DYS SWHT/ ADA (lAM CRk)

MEZZ MEZZROW

1337. sendin the v i pers/apol ig i es
(above; jap. vi. test)

MEZ^ROW-UDNIER QUINTET

1338. I F U SEE ME/ROYAL GRDN BLS

1339. GETTIN TOGETHER/REVOLUTIONARY BLS

1340. NONE DIS JELLY ROLL/EVBDY LOVES MY

JOS I E Ml LES

|34|.|F U W ANNA KEEP DADDY HOME/fOOLING
I 342. LONESOME MON.MORNI NG/DONT TICKLE
|343. AWFUL MOANIN BLs/ HES MY MAN
I 344. D ONT TELL Me/| HATE MAN LIKE YOU

1345. TELL THE GYPSY/u GOTTA COME 4 SEe(g.?£:M

1346. COTTON BELT/MIDNITE BL VI

BUBIiER Ml LEY 4 HIS MIEAGE MAKERS

1347. CHINNI 4 CHATTIN WAY/BLK MARIA VI
(ABOVE RM CHP 2 GRV)

EDOIE MILLER ORCH

I 348. YESTERDAYS/MR HENRY LEE CP

1 349. MUSKRAT RAMBLE/ U OUGHTA BE IN PIC CP

EDO I E Ml LLERS DANCE ORCH

1350. I ND I ANA MUD/STOMPIN FOOL

EMMETT MILLER

I351.SAMS NEW JOB / 142

1 352. sams new job/ 142

GLENN MILLER

1 353. PAVANNE/ L I T TLE BROWN JUG

1354. BLUE EVENING/ LAMP IS LOW

1 355. imagination/ SAY SI SI

I356.YOURE MY HRT ALONe/fOOLS RUSH IN

|357.somewhere/fresh as daisy
i35s.one i love/sun valley jump
1359.1 know ehy/ chatt. choo choo

1 350. man in moon/ ma ma maria
|36| .evyth i ng i love/ baby mine
i 362. baby mine/ everything i love
i363.baby mine/everything love

529 N-

27314 V

17007 E-

1530 N-
1530 E+

VI 25019 W

OK
GE
BlLT

10087 V+

10088 E
10090 E-

|4|30 G+
8039 V
5339 V-
1023 N
10603 V
19 1 24 0+

38146 V

170 E
40039 E

RO 2475 V

OK

45546

N-

OK

45546

N-

BB

10286

V-

BB

10290

v/v-

BB

10622

V

BB

10728

v+

BB

10959

E+

BB

1 1 1 1 0

V

BB

1 1230

V—

BB

11299

V

BB

11365

E+

BB

11365

e/v

BB

1 1365

V

BB

1 1369

V

25

35c MINIMUM BID

CHARLES CANFIELD

BOX 90, THE RECORD CHANGER 4|S W. 59TH STREET NYC |9 NY
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS.

35c MINIMUM BID

GLENN MILLER CONT.
I365.0AY drming/stR ing of pearls

1366. whn roses blood again/alwys IN HR'

1367. THATS SABOTAGE/SERE IN BL

PUNCH MILLER 4 ORCH

1368. THERES SMALL HOTEL/SHINE
1 369. SOME THESE DAYs/xACTLY LIKE U

BAY MILLER ORCH
i370.wonavanna/come on red
i 37 i. red hot mama/ bogdad

I 372.TESS I e/w I LL U REMEMBER ME
I373.STP YOUR STUFF/ SIGN OF THE ROSE

1 374. UNDER DIXIE MOOn/ DO U EVER THINK

Ml LLS BLUE RHYTHM BAND

1375. HEE8IE JEEBIES/MINNIE THE ilOOCHER

MILLS BROTHERS

1 376. CONEY ISLAND WASHBOARD/lT DONT ME.

1377. GDBYE BL/SWEET SUE
1 378. IF ITS TRUE/vERY THOUGHT OF U
1379.1 WISH/ANOTHER CHAIR AT TABLE

MISS FRANK I E

1 380. NEED GOOD MAN BAD/CANT BE WORRIES

MISSISSIPPI MUDOER

1 38 1 . PLEASE BABY/EVIL DEVIL WOMAN

MISSOURI JAZZ BAND

1 382 . POOR PAPA/(6AM LAN I N ORC H )

1383. NO NO N0Ra/s|P SIP SIPPY MOON

MISSOURI JAZZ HOUNDS

1 384. YES WE HAVE NO/ 0 HAROLD

MITCHELLS CHRISTIAN SINGERS

I385.IM PRAYING HUMBLE/ I DONT CARE WH

1386. JESUS GONNA MAKE/STS R MARCHING

MOBILE MELODY MAKERS

1387. LIT BIT JAZZ/DOODLE DOO DOO

(above RM CHP no grv)
THE MODERNA I RES

1388. JUKE BOX SAT NIGHT/SALUTE GL.MILLERCO 36992 V—

MIFF MOLE & HIS LITTLE MOLERS
I 389. ONE STP TO HVN/SH I MMESHAWABBLE CO 35953 E+

I390.ONLY ROSE/CREAM IN COFFEE OD 126 V

1391. HOT TIME OLD TWn/ DRKTWN STRUTTERS OK 40784

1392. NE.V TWISTER/HONOLULU

1393. u took advantage/crazy RHYTHM

1394. FEELIN NO PAIN/NEW TWISTER

-MONDAY KNIGHTS
I395.SWT GA BROWN/FAREWELL BL

1396. JAZZ ME BLS 142

1397. BIG BUTTER 4 EGG MAN

_VAUGH MONROE ORCH

1398. ON THE ST OF REGRET/SOMETIMES

JOE MOONEY QUARTET
1399. SEPT SONG/ JUST GIGOLO

MOONLIGHT MERRYMAKERS
1400. I F I HAD G IRL/NORMANDY
RO MARA LES ORCH

w

BB

11382

E+

■ BB

11438

V"

V 1

27935

V—

CE

4005

CE

4006

N—

BR

2606

V

BR

2681

V—

BR

2830

V-

BR

3|32

V

1000

v+

VI J

nBK

6977

v+

DE

244|

E+

390 I

DE

18663

N-

GG

7021

V

DE

7822

V-

DO

3686

V

RE

9541

V

RE

9488

V

VO

3|80

E

VO

4357

e/v

RAD

1225

V-

OK 40984 V+
OK 41098 G+
VO 3074 V+/n-

DUB E<»

ACETATE V+
ACETATE V+

BB I 1 4 1 I V+

DE 23790 n/e+

ELECTRIC 1087 V+

RUM 4 SODA

MGM 10520 E+

I40I.DONT SLAM THE DOOR,

MORAN AND MAC K
1402.2 BLK CROWS/ PTS 142 CO

SAM MORGANS NEW ORLEANS JAZZ BAND
1403. A1NT GONNA STUDY WAR/EVYBDTS TALK I wtE

RUSS MORGAN ORCH
I 404. SUMMER SOUV/WAY 2 TREAT SWTHRT DE

1 405. LOVER 4 LAZZ/ 0 MISTRESS MINE OE

RUSS MORGAN ORCH

1 406. LOU ISE/GDNI TE WHERVER U ARE

ELLA MAE MORSE

1 407. SHOO SHOO BABY/NO LOVE NO NOTHIN CP

1408. TESS TORCH SONg/mILKMAN KEEP QUIET CP

1409. HEY MR P STMAn/hOUSE OF BLUE LITES CP

LEE MORSE 4 HER BLUE GRASS BOYS
I4I0.SMEONE WILL MISS ME/WANT LIT LOV PAT 25 1 6 1 V'
|4| I.DEEP WIDE OCEan/| LOVE MY BABY
|4|2.R0CKA Y BABY/MAIL MAN BL

JELLY ROLL MORTON TRIO
|4|3.w0lver ine bls/ mr jelly lord
i4i4shreveport/(duke Ellington)
|4|5.blk bottom stp/the chant

1416. BLK BOTTOM STp/ THE CHANT

1 4 17. GR AND PAS SPELLS/CANNON BALL

935 v-

535 E+

2053 V
1826 N

DE 18598 E-

143 v-
1 5 1 v-

251 n/e

pat 25168 V
PA |2|65 N-

BRS
BRE
GL

GE
HJCA
SE
SE

3 N-
3564 N-
1703 E+

4005 N-
33 N-

I N-

2

ACETATE E+
BB 7710 E+
BB 10253 N
BB 10253 E+
BB I 0254 N—

|4|8.TH0T I HEARD BUDDY BOLDEn/h| SOCITVBB 10434 V
|4|9. CLIMAX RAG/WEST END BLS BB 10442 E+

1420. PERFECT RAG/ NEW ORLEANS JOYS

1421. THE PEARLs/ KING PORTER STP

1422. SWT substitute/panama

1423. KING PORTER STp/doNT U 1-EAVE ME

1424. EACH DAY/STROKIN AWAY

1 425. TOM CAT /KING PORTER

1426. HI3H SOCIETY/FISH TAIL BL
I427.00C JAZZ STP/(DIEIXLAND JUG BLOWERs)VI 204|5 V

( ABOVE; dig)

1 428. TANK TOWN BUMP/ BURIN THE ICEBERG VI 38075 V+

1429. DEEP CREER/RED HOT PEPPER V |400 I I 9 N

1430. BURNIN ICEBURG/PRETTY LI L V|400|20 N

BENNIE MOTENS K.C. ORCH

1431. HAR0 LAUGH OR SMILE/(FESS WMS ) BB 643 1 V

1432. CRAWDAD BLS/ELEPHANTS WOBBLE TE 532 E+

1433. M0TEN STP/(CLIFF0RD HAYES) VI 20955 N-

1434. M0TEN STP/(LIFF HAYES )rm CHP NO GR)vl 20955 V

1435. KANSAS CITY BRKDWn/gET LOW DUN VI 2|393 G

MOUND CITY BLUE BLOWERS

1436. ARKANSAW BLS/ BLUE BL BR 2581 E-

1437. BL BLS/ ARKANSAW BLS BR 2581 V
1438. 3LUE BL/ ARKANSAS BL BR 2581 V-
1439. NEVER HAD REASOn/hELLO LOLa(hR CRk)bB 6270 H—
I440.0NE HOUR/HELLO LOLA BB 10037 E+

BB 10209 E+
CO 32281 E*

vo 2973 V

MOUND CITY BLUE BLOWERS ( CONT)
I44I.TAILSP1N BLS/NVR HAD R3N 2 BLIEVE
I442.0RKTWN STRUTTERS/ (BESS I E SMITH)
1443. INDI ANA/LESSON IN LOVE

ROSE MURPHY

1444. CANT GIVE U ANYTHIN BUT/wHEN GROW

1445. MISS ANNABELLE LEe/cCCILK

TURK MURPHYS JAZZ BAND
I 446. TURKS BLUES/ PAPA D IP

Bl LLY MURRAY
I 447. SETTLE OWN OUTSIDE LONDOn/aLCOHOL !

1448.0 U KID/TAKE ME WITH U DEARIE

1449. LITE SILVRY M00N/(VI DANCE ORCH )

J.W. MYERS

1450. JST BEFOR BATTLE M0THEr/( BAR I TONE

PHI L NAPOLEON

1451. 1 DRM OF U/RHYTHM'S GOT U 2
NEW DIXIE DEMONS

1452. ZA ZOO za/it aint ri ght

NEW ORLEANS BLUE NINE
1453. STABLE BREAD BL/LIMHOUSE BL
1454. ALWAYS GOT THE Bl/m|SS MYSWISS

NEW ORLEANS BOOTBLACKS

I 455. MIXED SALAD/ I CANT SAY

1 456. mao dog/elat FOOT

NEW ORLEANS OWLS

1 457. TAMPEEK0E/WEST END ROMP
I458.0YNAMI TE/PRETTY BABY

. NEW OREIANS STOMPERS

1459. QAtf BOBo/ ALABAMA SHUFFLE
NEW ORLEANS WANDERERS

1460. TOO TIGHT/PAPA DIP

1461. PERDID0 ST 8L/GATE MOUTH

NEW ORLEANS WILLIE JACKSON

1462. WAHT U PAY TO G E^rTrT^aTT'bLS

NEW ORELANS RHYTHM KINGS

1463. GOLDEN LEHF STRUT/SHES CRYING
1464. SAN ANTON SHOUT/TIN ROOF

(ABOVE: RM CHP Id GRV)

1465. NO LOVERS ALLOWED/ BABY BR OWN
I466.SHES CRYING FOR Me/ GOLDEN LEAF

^EW YORK F IRE DEPT BAND
1467. PRES COOLIDGE MARH/KEEP COOL WITH

NEW YORK MILITARY BAND

1468. MISS TROMBONE/ 9 SODERO'S BAND

RUBY MLWMMN

1469. THIS CANT BE LO VE/sHORTEST DAY OF

-FRANKIE NEWTON ORCH

1470. WORLO WAITING SUNR I SE/ROSETTA

RED NICHOLS ORCH

1471. TEARS FRM MY I NKWELl/nEVER KNEW

1472. ida/ feelin no pain
i473.0rig dixieland i stp/l mag i nat i on
(above 5" hair crk)

1474. LUV HER IN MNL IGHt/mARCH ING HME
I 475. HONEYS LOVIN ARMs/rOCKIN CHAIR

1476. U SAID IT/SWEET 4 HOT

1477. U RASCAL u/jUST CRAZY SONG

1 478. JUNK MANS BL/GET CANNIBAL

1 479. G OOFUS/GO IN TO TOWN

1480. avalon/nobdys SWTHT
i48i. Indiana/ dinah

1482. shim me sha wabble/ she i k of arabybr 80005 e+
1483. indi ana/ dinah br 80006 v+

i484.bonyeard shuffle/ bodoys habits br 80071 e

|485. BATTLE HYMN 0 REBUb/u SATISFY MER 80 1 5 E

GERTUPE NIESEN

I486.Y0UR MINE/ YTONYS WIFE (LAM CRk) CO 2759 V

REV.A.W. NIX 4 H IS CONGR.

1437.3 BOYS IN STRANGE LAND/BED TOO SHRTVO 1159 E+

RAY NOBLE ORCH

I 438 .NEVERMORE/ FOLLOW MY SECRET HRT VI 24749 N-

1489. WHERE AM l/DINNER FOR I VI 25|87 E-

JIMMIE NOONE

1490. EVERY EVENING/ 4 OR 5 TIMES BR 80025 E-
1491.1 KNOW U KNOW/ SWEET SUE ( HR CRk) VO 1184 V

NORFOLK JAZZ QUARTET
1492. SOUTHERN JAZZ/JELLY ROLL OK 43 |8 V-

I 493. WIDE WIDE WO R LO /PREACHER MAN BL OK 4366 V

1 494. ST A I NO I NG BESIDE NEGHBOR/jOHNAH IN DE 48004 E

RED NORVO

1495. JERSEY BOUNCE/ARTHUR MURRAY TAUGHT CO 36557 E+

*496. JERSEY BOUNCE/ARTHUR MURRAY DANCNG CO 36557 E
I 497. REDS STUFF/ REHEARSAL SO 5002 E+

1498. KISS ME W EYES/ GET ALONG W 0 YOU VO 4648 E-

DOTT IE 0' BRI EN

1499. L0NES0ME MAMA/PAINTING CLOUDS

GEORGE 0 BR I EN
I 500. SONG REACHED HEARt/mARGUERI TE
WALTER O'KEEFE

1501. MAN ON FLYING TRAPEZE/ 1 42

KING OLIVER CREOLE JAZZ BAND

1 502. WORK ING MAN BL/ ZULUS BALL

1 503. AUNT HAGER BLs/ SPEAKEASY BLS
I 5 04. SPEAK EASY BLs/ LONG DEEP 4 WIDE
I505.FRI6CO TRAIN BLs/ WORK OX BLS
1506 .ST I NG AREE BLs/ SHAKE IT 4 BRK IT
I507.PASSING TIME/wHATS USE LIVING

JAMES O'NEIL

I507A.WH IRISH EYES ARE/THE FOGGY DEW

PRIG DIX IE RAG PICKERS
1508. SOUTHERN DAYS/(HIGH SOC l) OR 235 V+

1 509 . MY OWN BL/BUT I DO U KNOW I DO RAD 1 332 V-

ORIG D IX IELAND JAZZ BAND

1510. CLAR MARM(l9l7)/CLAR MARm(|937) B I LT 1 1 1 3 N

Ma j

1204

G

MJA

|2|3

E+/v

GTJ

4

E+

C CO 2702

V-

VI

16769

E+

v 1

16460

E

CO

329

FA

BO 00

V

DE

5253

V

RAD

|2|4

V

RAO

1290

V-

BILT

1085

E+

HJCA

26

V

CO

688

F

CO

1045

V

PX

4 N—

HJCA

39

e/v

SE

5008

E+

CO

14218

V—

BR S

18

N

DE

161

N—

DE

401

E+

TEM

556

N-

;an*75007 V

ED

50598

E

DE

221 1

V

BB

10176

E+

BB

10200

E-

BR

3626

V

BR

2989

N

BR

4308

E

BR

60 1 2

V-

BR

6029

E

BR

61 33

V

BR

6219

V

BR

63l2

E-/V

BR

6681

J-

BR

6718

N

CP I 145 E

CO 33273 E

VI 24172 E+

BILT 1028 N
BR 80080 E
CRL 26 E+
TE 526 N
VI 23009 E+
VI 23011 G+

OK 2 1 00 I V

VI

18255

V—

V 1

18472

V—

VI

8483 E+

VI

18483

V

VI

185 1 3

E

VI

1851 3

V

VI

18717

v+

VI

18717

V

VI

18717 V-

VI

18772

v+

VI

18798

V—

Dl

2632 V

DO

3995

V

HA

lOl

v+

HA

179

V

HA

245

E-

HA

267

V

CO

7

V

CO

37

V—

CO

50

V

CO

50

V-

CO

260

V

CO

502

V

CO

36064

E

PAT

20939

V

PRIG D IX IELAND JAZZ BAND
|5| I .1 ND I ANA/ORKTWON STRUTTERS BALL CO 2297 0+

I5I2.0IXIE JASS BAND I STp/lIVERY STAE
|5|3.SKELT0N JANGLE/ TIGER RAG
|5|4.BLUNIN BLs/ SENSATION RAG

(above; RM CHP 3 grv)

|5|5.BLU|N BLS/ SENSATION RAG (CRk)
I5I6.M0URNIN BLs/ CLAR MARM BLS
|5|7.CLAR MARMBLS/ MOURNING BLS
I 5I8.PALESTEENA/MARG I E

I 5| 9.MARG I E/PALESTEENA (rM CHP NO GR )

1520. margie/ paslesteena (dig)
1 52 i. jazz me bls/ st louis bls

I 522. ROYAL GARDEN Bl/ DANGEROUS BL
OR IG INDIANA 5

1523. what can fellow do/ j unkmans drm
(above; lam crk)

1524. MELANCHOLY BASy/mISS ANNABELLE LEE DO
1525. I'D RATHER BE LONe/pENSACOLA

1526. so's old laoy/dixie stompers)

1527. LEAVE 10 MEN LIKE YOURs/(uNIV 6)
I 528. HANG IN AROUNd/fLOR IDA LOWDONN

1529. WALK JENNY WALk/lAST NITE ON BACK

1530. more/she WOULDNT DO
I 53 I. ST LOUIS GAL/SHUFFLIN MOSE

1532. st Louis gal/ SHUFFLIN MOSE

1533. MOBILE BL/HOW COME U DO ME

1534. TAINT COLo/jACKSONVI LLE GAL

1535. ANYTHING/JAZZ ME BLS

1536. RED HEAD GAl/nEVER MISS SUNSHINE
(ABOVE FROM #|529 TO t 1536 ARE ORIG.MEMPHIS 5)

0RI3 MEMPH IS 5

1537. RED HEAD GAL/NEVER MISS SUN

1538. LONGIN 4 U BLS/LONESOME MAMA

1539. BEES KNEES/STOP U KIDDIN

1540. WHOS SORRY NOW;SNAKES HIPS
|54|.TIN ROOF BLS/SONG FOR SALE
1 542. MEANEST BL/ HOW COME U DO ME

I543.STOP kidding/barking OOG

1544. GREAT WHITE WAy/lOOSE FEET

DRIGINAL six

1545. all over nothing/next Sunday

THE OR I G I NA L WOLVERINES

1546. GOOD MAN HARD TO FIND/RYL GARDEN

.ORIOLE TERRACE ORCH
I 547 .CAR OL I NA IN MORN I NG/CH I CAGO
KID ORYS CREOLE JAZZ BAND

1548. GET OUT HER E/BLS 4 JIMMY

1549. MAPLE LEAF RAg/wEARY BLS
I 550. WEARY BLs/mAPLE LEAF RAG
I 55|. CREOLE TROMBONE/BRIG DIXIELAND

OSCARS CHICAGO SWINGSTERS

1552. NEW RUBBING ON/ WHOS BOOGIE IN

HOT LIPS PAGE

1553. GONE WITH GIN/AINT GOT NOBDY

1554. PAG ING MR PAGE/UNCLE SAM BLS

JE1EI PAIGE 4 HER BROWNIES

1555. G I VE IT UP/NONE MY JELLY ROLL

1556. LEFT BRKN HRt/deEP SEA OUTER

ROY PAIMFRS SI SSL ING 6
GA GRIND/STOMP THAT THING (/l55j)

1558. J0CKT STP/ ENDURANCE STP

1559. JIM JACKSON KANSAS C I TY BLs/l|TTL CE 3005 E+

|560.wontcha/hush OF NITE

(ABOVE RM CHP 5 GRV)

PARK CENTRAL ORCH

1560. WONTCHA/HUSH OF NITE

(ABOVE RM CHP 5 GRV)

CHARLIE PARKER
I56I.0RNITH0LGY/NI GHT IN TUNISIA

FRANK PARKER
1 562. SO RED K0S£/3LUE MOON (RYL BL)

PASADENA JAZZ SOCIETY

I563.SKELTON JANGL/GULF COAST BLS TOU
CHARLES PAUL ORGON SOLO

1564. A0ESTA 0 COME YE/O LITTLE TOWN

PEERLESS QUARTET

1 565. WANT MY MAMMY/ MANDY AN ME

PAUL PENDARV I S ORCH
1566. OBJECT OF AFFECTION/MISS HONEYMN

GENERAL JOHN J. PERSHING
I567.FR0M THE BATTLEFIELDS OF FRANCE NAT I ONS— FORUM
SPEC IAL RECORD ISSUEB BY COLUMBIA IN |9|8

JOHN j/ PERSKINGS AUTORAGPH INWAX E

YELLA PESSL

1 568. SONATA IN B MINOR/SONATA IN G MAJ

JACK PETTIS BAND
1569. ST LOUIS SHUFFLE/ YANKEE ROSE
I570.00IN NEW LOW DONW/SPANISH DRM

PHILLIPS LUUISVILLE JUG BAND
I 57 1 .SMACKIN THE SAX/THATS U LAST
|572. LOVELY THING 4/soLDIER BOY BLS

FLIP PHILLIPS HIPTET

1573. Y SHOULDNT/SWI NG I N FOR POPSIE

LLOYD PHILIPS JUMPING JACKS

1 574. BOGGY BOTTOM BLS/ SALLY LONG

PIE PLANT PETE

1575. WHEN WORKS DONE/BOSTON BIRGLAR

PIED PIPERS
I 576.0REAM/TABBY THE CAT

PIGMEAT PETE 4 CATJUICE CHARLIE

1577. THE GIN DONE DOEN I T/OO IT RIGHT

PILGRIM JUBILEE SINGERS

1578. GOODNIGHT LORDS COMINg/sOUL LOOKEDVO 1 1 26 E—

PINETOP AND LI NDBERG/L I TT I E BROTHER

1579. EAST CHICAGO/FARISH ST JIVE BB |0|77 N-

PE

|4|2|

V+

RE

9301

V—

RE

9395

V—

VI

19052

V+

VI

19170

V+

VI

19480

V-

VO

14461

E

VO

14527

E+

OK 4693

V-'r

BR

81 001

E+

BR

2324

V-

cs

2

N—

cs

8

V+

GTJ

84

N

GTJ

85

N

DE

7 186

E-

DE

7714

V-

SAV

520

E

OE

7863

E+

DE

7891

eVe

BR S

15

N

BRS

16

N

CE

3005

E+

VI

22071

V+

VI

22071

V+

DL

1002

N

CO

2996

E-

RNAMENT2503E—

OE

1550

N

VI

18832

V

CO

2973

V—

CO

17093

E+

DO
VI

3884
21559

V*
V-

BR
BR

7187
7207

E+
E+

SG

28117

V+

DE

7860

E+

SUP

935i

V—

CP

185

V—

CO

14463 G

26

35c MINIMUM BID

CHARLES CANFIELD

BOX 90, THE RECORD CHANGER, 4|8 WEST 49TH STREET NYC 19 NY
SEE- PAGE ONE OF AUCTION FOR INSTRUCTIONS.

35c MINIMUM BID

PIlUNS NFW ORIFANS PRC H

1 580. WEST INDIES BLS/ SUD BUST IN BLS CO 14007 N—

PLANTATION PLAYERS

1581. HOW CUD RED R I 0 I NG/ (DIXIE UB9IC Mk)rO

HARRY POMAR 4 HIS HOTEL ANS LEY ORCH

1582. RA I NY DAYs/ ST I LL HAVE U IN MY DRMS OK

BEN POLLACK ORCH

1583. THIS LIFE INT RAG/EVBDY DOIN IT

1 584. WHEN I FIRST MET/ ( G. OLBEN ORCH)

1585. HES LAST WORd/(g. OLSEN ORCH )

1586. BUY BUY BABY/ I SWT SHOW GIRL

1 587. BUY BUY 4 BABY/SWT SHOE GIRL
1 588. SENT I MENTAL BABy/tHEN CAM DAWN

i 589. futr i st i c rhythm/ lets sit 4 talk
(above; scratch)

1590. FROM NOW On/ UV MADE ME HAPPY

1591. KEEP UNDERSHIRT On/wOT WUD I CARE

DANNY POLO AND HIS SWINQ STARS

1592. M0RE THAN SW.<WHT/BLUE MURDER
I 593. MORE THAN SWMWHAt/bLUE MURDER

1 594 . MONEY FOR JAm/mR POLO TAKES SOLO

pop P'us XI

1 595. BENE0 I CT I ON 4 BLESSING FEB I 93 I

1596. BENED ICT ION 4 BLESSING FEB I 93 |

DICK PORTER

1597. SWING BOY SWING/POOR ROBINSON VO

PEG LEG POWELL (dig)

1588. NEW JHLLY ROLL BLs/BEAVER SLIDE CO

DE
VI
VI
VI
VI
VI
VI

VI
VI

DE
OE
DEE

307 V+

41 1 II N

1891 N
20394 v-
20425 V
21743 N
21743 V
2 l 827 V
21858 v+

22158 N-
22267 N-

I7l8 N-
I 71 S E+
6578 N-

N
E+

347S E
|42|0 G+

BB

1 1499

V

BB

1 1 5 1 6

V

DE

2941

E-

DO

3946

E

CP

40047

N—

BR

7456

G+

) VI

16789

V—

VI

16920

V

PU

11346

E-

OE

20220

E

DEE

4101 0

E +

VI

25511

N-

CO

676

V+

eo

1150

V

vs

8068

E

AM

6

N

r)pm

12647

G+

PM

|40l6

E+

PM

20228

G

PM

20230

G

BR

7415

N-

BR

7466

N-

VERSAL PIC

TEDDY POWELL
I 599. THOSE WONDERFUL YRS/SHORTAGE OF
1600. TAINT NO GOOD/ IF U ARE BUT
|60I.SOMEDAy/pUSSY IN CORNER

EVELYN PREER
I602.G0TAA GET MYSELF SMBDY LOVe/mUDOY

JESSE PRICE
I 603. JUMP IT W SHUFFLE/ NAG ASAK I

LOUIS PR I MAS N.O. GANG
1604. CHINATOWN/BASIN ST BL

ARTHUR PRYORS BAND
1605. SOCIETY SWING 2 STEP/( H.MCOONOUG H

1606. HAPPY GO LUCKY/ANNIVERSARY MARCH

PURITAN JAZZ BAND

1607. DOODLE DOO /CHAR LYE MY BOY

THE QUEENS HALL ORCH

1 608. VALSE TRISTE/PTS I 42

QUINTET OF HOT CLUB OF FRANCE

1609. LUZ A/BELLE VI LLE

161 0. LIMHOUSE BLS/ AFTER U GONE

THE RADI0LITE8

1611. H0W MANY TIMES/ WALKING CIRCLES
I6|2. CRADLE IN CAROLINE/EVYBDT LOVE MY

RA0I0 NOVELTY ORCH

|6|3,0RI ENTAL NOCTURNE/ CAR A VAN
MA RA I NEY

I6|4, THOSE DOGS OF MINe/lUCKT ROCK BLS

I6I5.BLS wld forgt/pts i&2(rm CHP N G
I 616. JELLY BEAN BLs/coUNTIN THE BLS

1617. BLS THE WORLD FORGOT/ 142

1618. BL WORLD FORGOT / PTS 142

.CLARK RANDALL ORCH

1619. TRBLE SOME TRUMPET/ I CKY MORGAN

1620. JITTER BUG/LOOKING 2 SOMEONE

162 1. E SIDE HVN/3 SMART GIRLS GROWN / PTS 142

SPECIAL WHITE LABEL VI 26445 N—

RED 4 MIFFS STOMPERS
I 622 .DEL I RUM/DAVENPORT BLS VI 20778 G +

I623.FEELIN NO PAIN/BETTY JEAN-BL STEEL )v| 2 1 1 83 V

I624.SLIPPIN around/(C00N SANDERS) CRK VI 2|397 V+

1 625. poor papa/tent IN PE 14568 v+

1626. ALABAMA STP/BRWN SUGAR PE |4708 V+

|627.HURRICAn/( WILLIE CREAGER ) PE 1 47 1 7 V

1628. U CHOULD MY TOOTS I e/(dEEP RIVER) PE 14774 E—

ALTON REDD BAND

1629. NO GOOD WOMAN/ JIMMIES BL

DON REDMAN ORCH
I 630. PAGAN PARADISE/ TWO TIME MAN

(above rm chp no av)

163 1. LONELY CABIn/u TOLO ME HALF

I 632 .LAZY WEATHER/MOONR I Se/oN LOWLANDS ME 60709 E

DJANGO RE I NHARDT 4 STEPHANE GRAPPELLY

1633. TORENRAI/IT HAD TO BE U DE 23079 N-

LEO REISMAN ORCH

1634. WHISTLING BOY/OUR SONG BR 7834 E+

1 635. PETER PAN I LOVE Ya/whn U 4 I WERE CO 307 V

ALVINO REY ORCH

1636. KISS THE BOYS GOBy/|TS YOURS

1637. PICNIC IN PURGATORY/GLAD THERE IS
1638. IN HALL MT KING/HABBOR DRMS
1639.1 SAID NO/DEEP IN HRT OF TEXAS

Bl LLY REY NO LOS

1 640 . I GOT IT/(MURPHY 4 SHEA )

RHYTHM REVELERS
I64I.LINDA/ I LOVE U SO MUCH

RHYTHM WRECKERS
I642.I2TH ST RAG/SHEIK of araby Co JP TEST

FRED RICH

1643. SME SWT DAY/ON SHORES AVALON

103 E+

BR 64|2 V+

6935 E-

BB I I I 96 V+

BB I 1 50! E

BB I 1 2 1 6 N-

BB I 1 39] V

GE 5 1 I I E+

VD 81888 E-

BA 6346 V-

VINCENT RICHARDS ORCH
/(b

1644. U WERE MEANT 4 ME/(BOB FINLEy) CA 9 1 0 1 V

ETHEL RIDLEY W BRADFORDS JAZZ PHOOLS

1645. REAL KIND MAMA/MEMPHIS TENN VI |9|II E

-Rl LEY-FARLEY ONYX CLUB BOYS

1646. MUSIC GOES ROUND/LOOKNI FOR LOVE DE 578 V-

1647. GONNA CLAP HANDs/nOT ENOUGh(hR CRK )DE 683 V

DICK ROBERTSON

1648. OH johnny/lilacs in rain DE 2845 V-

DICK ROBERTSON ORCH

16+9. IF I COULD BE W U/WANT A GIRL DE

1650. HRT OF MY HRT/GUY NEEDS GAL OE

I 55 t.WH I ST EL 4 BLOW BL AWAy/d I NAH VS

PAUL ROBESON W COUNT BASH

1 652. KING JOE PTS 142 OK

1653. sing on/over in glory land JAZZ CO

W I LLARD ROBISON 7 HIS DEEP

1654. MEMPHIS BL/ MY MELANCHOLY BABY MA

WYLLIE ROBYN/ELLIOT D IX

1655. RAMONA/EVERY EVENING PE

MAURICE R0CC0

1656. TONKYS BLS/ ROCCOS BOOGIE WOOGIE DE

1657. T0NKYS BLS/ SHADE APPLE TREE GUILD

GENE R30EMICH ORCH

1658. WOLVERINE BLS /wHN JUNE COMES ALG BR
I559.SITTIN PRETTY In/KRUEGER) BR

NANO RODRIGO Y SU OOUESTRA
1660. LA RUEDA/ LINDA MUJER VI

MftCK Basas wn

1 66 I .SHADE APPLE TREE/CASA LOMA STP BB

ADRIAN ROI I INI ORCH

I662.SUMBDY LOVES ME/DAVENPORT BLS DE

1663. TAP ROOM SWING/LESSONS IN LOVE DE

1664. rebound/dr IFTI N' DE
li65.SINGIN THE BLS/SWEETEST STORY EVER DE
I 666. I'LL B FAITHFUL/BELOVED DO

. THE ROUNDERS

I667.WH SWT FORGOT ME NOTs/rEMEMBER DO

HARRY ROY 4 HIS BAND
I668.STEPPIN OUT Ml DNITE/BARREL HOUSE DEE

ROYAL A.F. DANCE ORCH
1669. PLS DONT SAY NO/ I SHUD CARE

LUIS RUSSELL ORCH

1670. SAD LOVER BL/ VERY THOUGHT OF U

1671. OL MAN RIVEr/orKTWN STRUTTERS BALL ME |3|46 V
PEE WEE RUSSELL'S HOT 4

1672. KEEPIN OUT MISCHIEF/ROSE WAHS SQ CMS 627 E+

SALT 4 PEPPER

1 673. WAY OUT WEST KANSAS/" ELIZA CA |253 V

RED SANDERS 4 H IS ORCH

1674. PEACFUL VALLEY/(TRAVIS CARLTOn) GE 3 1 57 V

SANDHILLS SIXTEEN

1675. SHINE ON ME/WOT SORT ROBES DO VI 20903 E
SAVANNAH SyNCOPATORS

1 676. LOW DONW ON BAYOU/ RADIO RHYTHM BR 6|76 G +

JAN SAVITT 0 HCH

1677. LORD FIXED SOUL/u LOBLY 4 IM LONLY OE 3|77 E

1678. BIG BEAVER/APRIL SHOWERS DE 3695 E+

ELMER SCHOEBEL 4 HIS FRIARS SOCIETY ORCH

1 679. C0PENHAG En/ PR I NCE OF WAILS BR 4652 N

ADRAIN SHUBERT 4 HIS CONCERT ORCH

1680. RHAPSODY IN BLS / PTS 142 DO 4555 V

BOB SCOBEYS JAZZ BAND

1681. SISTER KATE/ WEARY BLS TRI 242 N-

RAYMOND SCOTT QUINTET

1682. I8TH CENT DRAWING/BOY SCOUT SWIT CO 35347 E-

I683.9USINESS men's bounce/peanut VENDR CO 35364 V-

SCQTTSDAI F STRING BAND
I 684.S0UTHERN BL/ AUNT HAGER BL OK 45074 V+

SCRANTON SIRENS ORCH
1685. WHY SHOULD I BELIEVE IN u/(tOBIN o)OK 40297 V
SEATTLE HARMONY KINGS/ART LANDRY

3|4|

e/v+

3 189

E

8039

N—

6475

N

540

N

109

V+

12432

v

8523

E

) 103

V+

2455

V

2526

V-

83860

v/v—

5603

E+

358

;+

787

E

1157

E

1973

E+

1 41

E

4374

V-

41009

N— /v

8548

E

|0|2

G +

DEE

1 686. BREEZIN ALONG/TELL ME U LOVE

CHARIFS SFGAR

1 687. BOOGIE WOOGIE/ COW COW BLS

1 688. STOP 4 FIX IT/KEY 2 THE HIGHWAY

BENSELV I N ORCH
I689.L0 LO/ LONELY
BOYO SENTER

1690. ORIG CHINESE BLs/ PRICKLY HEAT
1691. SHAKE YOUR DO GS/WAKEM UP
1692. OOIN U good/ SHINE

1693. C0PENHAGEn/bEALE ST BL
(ABOVE; RM CHO 2ND SIDE 8 GRV)

THE SEVEN HOT AIR MEN

1694. LOW OWN RHYTHM/GOTTA FEELIN 4 U

SEVEN LITTLE POLAR BEARS
1 695. I LOVE HER/ ANIMAL CRACKERS
TERRY SHAND ORCH

1696. WILLIE WILLIE WILLIE/PRACTICE

ARTIE SHAW ORCH

1697. BEGIN BEGUI NE/lNO I AN LOVE CALL

VI 20142 v
DE 7075 N-

VO 5441 N

CO 2234 v-

OK 41 |63 v+
PE 14517 V
VI a 9|2 V+
VI 22303 E-

CO 1850 E+

CA 952 V-

DE 3399 E

BB 7746 E-

l698BEQ|jr THE BEGUINE/lNDIAN LOVE CALLBB 7746 V

BB 7875 v-
BB 10091 v

BB 10126 V
BB |0|26 V

1699. NON STOP FLIGHT/ NIGHTMARE

1 700. HAD TO BE u/jUNGLE DRUMS

1701. ROSALIE/LOVER COME BACK

1702. LOVER COME BACK TO Me/rOSALIE

(above hr crk)

1703. super time/ zigeuner

1704. vilia / man i love

1705. del ighteul delirium/want share
i076.deep purple/ pastel bbs
|077# lu comin va/out of nowhere

1708. GHOST OF CHANCe/lETI WALK

1709. LETS WALK/ GHOST OF CHANCE

17 10. THE HORNET/ HOW DEEP IS OCEAN
1711. SUMMIT RIDGE DR./cROSS U HEART

1712. HAD TO BE u/lF I HAD U

171 3. FRENES l/ BEGIN THE BEGUINE

1714. DANCING IN DBRK/ TRAFFIC JAM
I 71 5.SMEBDY N8DY LOVES/ HINDUSTAN
1 7 1 6. GENTLE GR I FTER/SCUTTLEBUTT

1717. NO ONE BUT/jUST FLOATIN ALONG

1718. THRILL OF LIFETIME/LUCKY NUMBER

1719. FEE Fl FO FUM/ CHANT
I720.STREAMLI NE/sWT LORRAINE

BB 10127 E
BB |0|28 V+
BB I 0 I 34 V—
BB I 0178 V
BB 10320 V-
MU 357 N-
MU 357 E-
MU 409 E
VI 26763 V-
VI 27536 E-
VI 27546 V-
VI 27548 E-
VI 27798 E

V 1201929 E

VI 201935 E
VI20I937 E+
VO 4539 v+
VO 4598 E

JOEI SHAW 0RCH( GENE KARDOS ORCH
1 72 I . IF IT A I NT LOVE/ NITE TOO LONG
I722.HOWM I DO IN/ SCAT SONG ( CRK)
1723. INDI ANA/ I MAN WOMAN

MILE SHAW 4 HIS DETROITERS

I724.0LD SPANISH CUSTOM/BABY BIRTHO AY
I725.0N THE ALAMO/ »Y INSPIRATION

HARRY ' FREDDIE ' SHAYNE
1726. ORIG MR FREDDIE BLS/ LONESOME MAN

GEORGE SH ERR I NG QUINTETTE

I727.SEPT IN RAIN/BOP LOOK 4 LISTEN

BERT SHEFTER 4 ORHC

1728. DESERTED DESERT/FARMER IN DELLEMA

BOBBY SHERWOOD
1 729. SNAP UR FINGERS/COTTON TAIL

D INAH SHORE
I73|^N0W I KNOW/COULDNT SLEEP WINK

SIGLER'S BIRMINGHAM MERRYMAKERS
I 732 .HARD HEARTED HANNAH/MAMAS GNE

LEE S IMS PIANO SOLOS

1733. IF I HAD U/WHEN SUMMER IS GONE
THE SINGING SOPHOMORES

1734. GEORG IRNIMA/HONEY mine

SIX MEN 4 A GIRL

1735. Z0NKY/68RATCH1N THE GRAVEL

FREDDIE SLACK ORCH

I736.SAMLL BATCH 0 UOD/CUBAN SUGAR MILL CP

ROY SMECKS VITA TRIO

1737. SHINE ON HARVET MOON/ STARDUST PE_ I I 326 V+

HARRY R0Y_

140 E+

CR

3298

V

CR

3333

E+

CR

345|

N—

ME

12020

V

OK

41 172

N

DE

7663 E

MGM

10426

N-

DE

2584

e/v

CP

23 1

E

UCP

404

E-

VI20I562 V-
OK 40380 v+
BR 4010 G+
CO 625 v-
VA 8 1 90 V+

172 N-/e

1738. SITTING ONEDGE/ THERE OUGHT B SOC LON

ELMER SCHOEBEL 4 HIS FRIARS SOCIETY ORCH

1739. PRINCE WAILS/COPENHAGEN

BOYD SENTER

1 740. NEW ST LOUIS BLs/ BAD HABITS

NAT SHILKRET 4 VI. ORCH

1741. HEAD IN FOR HARLEM/WHEVER U ARE

SIX BLK DIAMONDS

1 742. STAY OUT THE SO/ONE MOE NIGHT
I 743. MELANCHOLY CHARLIE/ HURRICANE

FREDDIE SLACK
1744. COW cow bllgie/ here u are
BESSIE SMITH

I746.JA ILHOUSE BLS/ GRAVEYARD DREM BLS
I 747. P I NCHBACKS TAKE EM AWAY/TICKET
I748.M0UT0N BLs/ LOUISIANA LOW DOIIN

(above RM CHP no grv)

1 749. ST LOUIS BLs/ PTS 1 42
1750. ST LOUIS BLS PTS 344

1751. BEALE ST MAMA/ AGGRAVATION PAPA

1752. DWNHRTED Bl/ GULF COAST BLS (LM CRK )C0

1753. GULF COAST Bl/ DWNHEARTED BL

1754. BABY WONT U PLEASE/ 0 DADDY BL
1755.0 DADDY BABY WONT U PLEASE

1756. KEEPS ON RAININ/TAINT NOBDYS BIZ

1757. MIDNITE BL,/ BLEEDING HEARTED BL
1 758. IF U DONT/ JELLY ROLL LIKE MINE
1759. IF U DONT KNOW WHo/nBDY IN TWN
I 760. JAIL HOUSE BLs/ GRAVEYARD (LAM CRK ) CO

1761. GOING BACK TO USED TO Be/fARAWY

1 762. cemetery bls/ any womans bls

1763. far away / going back to my used
1 784.ha unted house bls/ eavesdroppers

(above dig)

1755. boweavil bls/ moonshine bls

1766. rocking chair/sorrowful bls

1767. rockin chair bls/ soubowful bls
(above rm chp no gr )

1768. frank ie bls/ hateful bls

1 769. P I NCHBACKs/r ICKET AGENT BLS

1770. WORK HOUSE BLS/HOUSE RENT BLS
1771. SALT WATER BLs/ RA I NEY WEATHER
1772. BYE BYE BLs/ WEEPING WILLOW BLS
1773. SING SING PRISON/DYING GAMBLERS

1774. WOMANS TROUBLE BLs/ LOVE ME DADDY

1775. CARELESS LOVE/ HES GONE BLS

(ABOVE RM CHP NO GRv)

1776. HES GONE BLs/ CARELESS LOVE BL

1777. RED MT BLS/ IV BEEN MISTREATEO 4

1778. BEEN MISTREATED/ RED MT
1779. SEND ME TO THE ELECTR I c/gRAVEYO

(above D IG )

1 780. EMPTY BED BLS

1781. MAKES MY LOVE COME/BES GOT ME

1782. BL SPRIT BLS/ WORN OUT PAPA
I 783. IN HOUSE Bl/bLUE BLUE

1 784. RECK LESS BLs/ ST LOUIS BLS

1785. AT THE CHRISTMAS BALl/pR EACH I N
1736. EMPTY BED BLs/ 142

CLARA SMITH

1787. G0T EVERYHNG GOOD MAn/

1788. DWN SOUTH BL/KIND LOVIN Bl(LAM c)
1739. DOWN SOUTH BLs/ KIND LOVIN

1 790. WONT BE LONG NOW/ HOT PAPA

1791. MY DOGGONE LZY MAN/OONT LOVE NBDY

1792. MEAN PAPA/ BACK WOODS BL

1793. BASEMENT Bl/ MAMAS GONE GDBYE
I794.S0LD SOUL DEVIL/FREIGHT TRAIN

(ABOVE RM CHP NO GR V )

1 795. PR E SCR I PT I ON FOR Bl/dEATH LETTER

1 796. WHIP IT TO JELLY/ HOWM I DOIN

1797. UNDERTAKERS ARE BUSy/bLACK WOMAN

JABBO SMITH

1798/BOT BUTTER ON I T/ READY HOKUM HJCA
I 799.TANGUAY BLS/ GOT STINGER HJCA

BR

3-J09

N-

OK

40755

G+

VI

20976

V

BA

7008

V—

MF

103

N

CP

102

V

SCO

3900 N

CO

4001

N

CO'

14025

V-

CO

1403 1

V-

CI

1016 N

CI

1017 N-

CO

3877

V-

ICO

3844

B*

CO

3844

G

CO

3888

V-

CO

3888

G

CO

3898

E-

CO

3936

E—

CO

3942

V-

CO

3942

G ]

CO

4001

V

CO

13007

V-

CO

13001

G+

CO

13007

G

CO

14010

V-

CO

14018

V-

CO

14020

v+

CO

14020

V-

CO

14023

V-

CO

14025

V-

CO

14032

V-

co

14037

V 1

CO

14042

V—

CO

|405|

V

CO

14060

G+

CO

14083

V-

CO

14083

G

CO

141 15

V—

CO

|4||5

G-

CO

14200

V-

CO I

CO
CO
00
CO
CO

43 |2 G+
14464 G
14527 V
(46 1 1 V-
3 17 1 E
35842 N-
3286 E-

3943 G-
3961 N '
3961 G+
,4006 E-
140 1 6 G
14022 V-
14039 G+
14041 V-

14045 V-
|4|50 F

14223 V

79 N-

97 N

27

35c MINIMUM BID

CHARLES CANFIELD

30X 90, THE RECORD CHANGER 418 WEST 49TH STREET NYC 1$ NY

35c MINIMUM BID

SEt F AGE ONE OF AUCTION FOR INSTRUCTIONS.

.JABBO SMITH RHYTHM ACES
1800. SLEEPY TIME BLS/LIT WILLIE BLS
JOSEPH C? SMITH ORCH
|80l .ROSE ROOM/ SMILES

KATE SMITH

I802.SILFNT NIGHT/ADESTA FIOELES
MAMIE SMITH

1803. U CANT KEEP GO MAn/tHING CALLED OK

1804. FARE THEE HONEy/rOAD IS ROCKY OK

1805. DONT CARE/LCVIN SAM FRM ALABAM OK

1806. U NEED SOME LOVIn/jAZZBO BALL OK
1 807. SAX 0 PHONY BL/DADDY U MAMA LNSM OK
1808. STOP REST AWHILE/WEEP IN OK
1809. AGREE TO DISAGREE/ SWT MAN 0 M I NO K

(above RM CHP no grv)

|8|0. LETS AGREE DISAGREE/SWT MAN 0 UN OK
1 8 I I . A WEARING AWAY BLS/THERES ONLY OK
|8|2.PEM KNOCK OUT BLS/MEAN DADDY BLS OK
I8I3.DIDNT LOVE HIM ANYHOW/GOT COOL OK
IBI4.G0T TO COOL DOGGIES/CAN HVE HIM OK
|8|5.WISH I COULD/ DA DA STRAIN OK

MANDY SMITH
»S|6.D0NT LET LOVE C0ME/(iONESME G HOST OR

STUFF SMITH ONYX CLUB BOYS
I8I7.UPSTAI RS/WHERE IS THE SUN DE
I8I8.ISE A MUGG In/mUS ICAL #' S GAME VO

(AEOVE RM CHP NOGRV )
1 8 i 9. AFTER U GONE/YOUSE A VI PER VO

1820. POBINS 4 ROSES/GOT HEAVY 0 ATE VO

TAB SMITH ORCH

1821. MY MELLOW MAN/ CANT BELIEVE YOU

HJCA III K

VI 187473 V+

CO 35791 E

4| |3 G+
4|94 G
4253 V
4295 G+
4l I 6 e/v
4471 V-
4511 E-

451 I v+
4600 V-
4631 V-
4670 V
4670 G
4689 G

I |47 V

1287
3169

320l
3234

E-/E

HUB 3024 E+

1822.

1823.'
1624.
1825.
1826.

1827
1828

TRIXIE SMITH ACC . BY FLETCHER HENDERSON
EVBDYS DO IN CHARLESTON/LOVE MF

WILLIE THE LION SMITH

HARLEM JOYS/ STREAMLINE GAL DE
SEE U ALL OVER/SWAMPLAND DE
MORE THAN THAt/ouT OF BREATH DE
OLD STAMPING GROUNd/gET AQUAINTEDDE

.SMITHS SACRED SINGERS
eastern gate/shouting the hills co
will set fields/my redeemer co
(above lam crk)
SNOOKS 4 HIS MEMPHIS STOMPERS
1829. SMILE DARN YA SM I LE/CRAZY BOUT VI

1 830 .k 1 ss able baby/cutest kic in TOWN VI
-SONGS IINOER SAILS-NARRATION WITH S

I 00 N-

I 144 E-

1291 N-

1308 E+

1380 E+

|5| 10 v-

|5|44 V-

22662 E=

22813 E-

_ _ a I NG I NG

183 I .STAT LEY SO/SANTY ANNA / AROV I NG/ BB 3 I 0 V+

I832.GDBYE farewell/i 0,000 miles/leve here/

Shenandoah/ the dom perdo bb 5i i v4

_S0USAS BAND

I 83 3. WARBLERS VICT0R-«8NARCH 9447 G

1834. INVINCIBLE EAGLE MARCh/( VI 16273 V—

EPP IE SOUTH 4 H IS ALABAMIANS

VI 2 1 1 5 1 E-
vi 2 1 1 35 N-
WILQO 108 E+

WIL?0 100 N-

bb 7367 v+
ca 3 1 0 V-

VO 14476 N-

OK 5699 N

IU35.LA ROS IT A/WATERS MINNETONKA
SOUTH ST TRIO

1836. MEAN OLD BED BUg/dALLAS BLS

SOUTHERN JAZZ F IVE

1837. c alr i net sugar/calrinet spice

(above hr crk)
SOUTh ERN JAZZ GROUP

I838.SMOKEY MOKES/ RED HOT HENRY
SOUTHERN SERENAOERS

1839.00 IN TO TOWN/ S I NG

1840. RUNNIN WIU>/gOTTA C MAMA

SOUTHLAND SIX

1841 . RUN IN WILD/ IVY CLING 2 ME

CHARI IE SPAND

1842. PCCK 4 rye/alabama BLS

MUGGSY APANIER
I843.SMDAY SWTHRT/TH AT DA DA STRAIN

1844. Dl PPERMOUTH BLs/siSTER KATE-

1845. LI VERY STABLE BLs/ AT THE JAZZ

1846. Rl VERSIOE SHUFF LE/RELAXI N AT TOROBB 10532
IPA7.R I VERBOAT SHUFFLE/ RELAX I N AT BB 10532
1848/LIVERY STABLE BLs/jAZZ BAND BALLHMV

PAUL SPECHT
1849. IF ALL STARS WERE BAB I Es/ YANKEE CO
1850. |' WONDER HOW FEELs/wHATS THE USECO

MIKE SPEC IALE ORCH
I85JPEACFUL VALLEY/(AL JOCKERSORCh) CA
-O'NE IL SPENCER TRIO

1852. AFETRNOON IN AFRICA/JOHN HENRY DE

(RM CHP 5 GRV)
CHARLIE SPIVAK ORCH

1 853 . YESTERDAY GARDENIAS/WHITE XMAS CO

1854. wots cookin/hey SIT DOWN BUD OK

1855. LETS GO HOME/HEARTS CONTENT OK

1856 . ELEPHANT FLy/th I S LAUGHING MATTEROK

1 857 . NO LAUGHING MAT TEr/eLEPHANT OK

1858.1 SURRENDER DEAr/sTAR DREAMS OK
1859.1 R EMBER u/ARTHUR MURRAY OK

1860. NO MORE JELLY BEAn/bLK SNAKE BLS OK

1861. MOSQUITO FLY FLEA/NO PAPA NO OK
1662. SHOWERED WITH BL/NEW YORK BLS VI

1863. DONT TEAR MY CLOTHEs/wi LD ABT JAY

ST LOUIS LOW DOWNS

1864. EL1ZA/CH00 CHOO( E.RANDOLPH )HR Ck)pU I

ST LOUIS SYNCOPATORS

1865. LONG LOST MAMA/ STELLA

JESS STACY ORCH

1866. JESS STAY/ NONI VA 8076 E-

1867. BREEZE / BREEZE VA 8|2| N

1868. BREEZE / PTS 142 VS S 1 2 1 E+

JO STAFFORD

1869. LONG AGO/ I LOVE U CP 1 53 V-
IS70.GA ON MY MIND/YESTERDAYS CP 20050 E/V+
187 1 »EOY NEXT DOOr/aLONETOGETHER CP 20052 E—

I 03B4
10506
10518

9042

880
2264

823

1873

v

E

E+

n/e+

E+

V
N

V-
E+

36649
6061
6386
645E
6458
6546
6593
8338
8634

38584
12

MCL 1436 V

3365
3493

VI 18935 V

175 EH

MARY STAFFORD 4 HER JAZZ BAND

1872. CRAZY BL/ROYAL GARDEN BL

1873. BLIND MAN Bl/ ARKANSAS BL

AILEEN STANLEY

1874. DIXIE H I WAY/ ( PEERLESS QUARTET )

FRANK C .STANLEY

1875. BY LIGHT OF HONEYMOON MARCONI

KAY STARR

1876. BUY BUY 4 BABY/BRK 2 ME GENTLY CP 57717 V-

JOHN STEEL

1877. BRING BACK BLUSH I n/s A LLY WONCHA VI I 88 I 3 V

BLUE STEELE

1878. ALL MUGG LED Up/shOOIN FLIES VI 23014 E

STERLI NGTR I 0

1879. OLD KENTUCKY MNL I G HT/( PEERLESS QUAt)v[ 18908 V

CAL STEWART

1880. UNCLE JOSH G EST LTR FRm/ CO 420 V-

1881. UNCLE JOSH BOSTON/ ARRIVAL VI 16225 V

1 882 . UNCLE JOSH AT CAMP/uNCLE J PLAYING G V| 16226 V-

BENNY STRICKLER 4 YERBA BUENA JAZZ BAND

21 E

GTJ

DWN HUE

1883. KANSAS CITY STP/DI PPERMOUTH BLS
RALPH SUTTON

1884. CATARACT RAG/VILLAIN

JOE SULLI VAN

1885. LIT ROCK GETAWAY/JUST STROLLING

JOhN L. SULLIVAN

1886. STRONG BOY OF BOSTON /PTS 142

MAX INE SULLI VAN
1887. IM COMING VA/LOCH LOMOND
1888. ITS WONDERFUL/u WENT TO MY HEAD
RE I NH OLD SVENSSON QUINTET

1889. THAT OLD FEEL I NQ/ 9;20 SPCL

WILBUR SWEATMANS PRC I J.B.

1890. REGRETFUL BL/EVERYBDYS CRAZY BOUT
I 89 I. HAS ANYBDY SEEN CO R I NNe/dALLAS BLS

IP92.JA da/rainey DAY BL

1893. RAINY DAY BL/jA DA

1894. THINK OF ME LITTLE DADDy/ BUT
1695. THINK OF ME LIT DADDy/buT

SWEDISH ALL STARS OF I95|

1896. PICK URSELF UP/SUMMERTIME

HANNAH SYLVESTER

1897. WANT MY SWEET DADDy/DWN SOUTH

SYNCO JAZZ BAND

1898. CAR0LI NA BL/GINGING SHORE (dig)
1899. STATE ST BL/HOT LIPS

TALKING BOOK

1900. TOPICS DEC 1953- AMERICAN FOUNDATION BLIND 60 It

TAMPA BLUE JAZZ BAND
I 901. THE WEST TEXAS BLS/ A I NT GOT NOTHING

TAMPA REDS HOKUM JAZZ BAND

1902. BOOT IT 80Y/MY DADDY ROCKS ME

1903. U STOLE MY HEART/HATE MYSELF
1904. STOP URUCKIN 4 SUZ|/yOUR ONE 4 ONLY

TAMPA RED

CU

MET

CO
CO
CO
CO
CO

7 E+
600 N
3 E

3654 n/e
3993 E+

|84 E+

2548 G+
2663 V-
2707 V-
2707 G
2994 E
2994 G

SUPOL 9008 N-

PAT 32007

ACT 20699 v-
ACT 20770 V-

OFC 4§95 V

8RS 994 N

BB 6620 G

BB 6755 V-

BB 340740 E-
VI20I988 e/n-
V 1202249 V

1905. BETTER LET GAl/mERCY MAMA

1906. MAYBE SOME DAy/cRYING WONT HELP U

1 907. PLAY PROCF WOMAN/PLEASE B CAREFUL
1908. TIGHT LIKE THAt/gRIEVIN ME BL

ART TATUM
I909.SOPHIST ICATED LADy/ TEA 4 TWO

RICHARD TAUBER
I9I0.KLEINER GARDEOFFIZIER/SONG IS DONE

ALBERT TAYLOR
|9| I. SIMPLE CONFESSION/ A DREAM

EVA TAYLOR

1912. BABY WONT U PLEASe/s I STER KATE
(ABOVE RM CHP 5 GRV)

JACK TEAGARDEN

1913. CLDNT TAKE EASY/ 100 YRS FRM TODAY

1914. L0VE ME/BLUE RIVER
19 I 5. NOBODY KNOWS TRBLe/lONLLY BLS

1916. BLS HAVE GOT ME/BL RIVER

1917. BEALE ST BLS/ SWINGIN ON TEAGRDEN

1918. THE BLs/ CANT WE TALK IT OVER

TEN CATS 4 A MOUSE

1919. JA da/3 o'clock jump

TENNESSEE GABRIEL
I 920. IF I COULD HEAR/HOLD MY HAND

TENNESSEE TEN

1921. GULF COST BL./DWNHRTED BL

1 922. DWNHRTED Bl/gULF COAST BL

1928. WAITIN FOR EVENIN MAIL/TAINT NBDYS B I VI 1 9 1 09 V

1924. BIG BLOND MAMA/SOBBIN BL(bENS0N )

TENNESSEE TOOTERS

1925. CHATTAN00GA/GR0UND HOG BLS
I 926. HOT A I Re/bACK HOME IN ILLINOIS

(ABOVE 3/4" HR CRK)
THE TOPPERS
I927.MISTER ARISTOCRAT/LIMEHOUSE BLS

EDDIE THOMAS COLLEG I ANS/THE KNICKERBOCKERS
1928. SUGAR/MARVELOUS

HENRY THOMAS"RAGT IME TEXAS"

1929. JOHN HENRY/COTTO NFIELD BL

WALTER THOMAS 4 HIS JUMP CATS

1930. BLS ON THE BAYOu/jUMP i l\ WITH dUDY
|93|. BROKE BUT HAPPy/bL ON DELTA

KAY THOMPSON 4 THE BOYS

1932. U HIT THE SPOT/ U LET ME DWN

CLAUDE THORNHI LL ORCH

1 933. WHERE MY LIT DOG GONE/AUTUMN NOCT

1934. MEMORY LANE/LAMP OF MEMORY

1935. MOONLITE BAY/SMALL HOTEL CO 36"'25 E+

REV M.I ■ THRASHER 4 HIS GOSPEL SINGERS

1936. WHAT SHALL WE DO MOTHER/ROLL IS CLL CO 15207 V
I 937. LAST MILE OF WAy/u SHALL REAP WHAT CO 15294 N

THE THREE BABBERS
I 938. BUGGY BL .DWN TOWN RAG PAT 364 I 4 V-

VO

|2|6

V—

BR

1554

v+

DE

23013

E+

PA

33056

E

OK

4740

V-

BR

6716

e-/n

BR

6741

E+

BR

801 12

N—

BR

801 1 3

N—

CO

35323

E+

VS

82>8

E

CP

|50|5

E-

CI

3 0 02 E+

VI

19094

E

VI

19094

V

B|V|

19109

V

VI

|9|30

E-

CO

144

G+

VO

15169

E-t

vo

4932

N—

;kerbockers

CO

1 lb4

V—

vo

1094

G+

GE

81 26

E

CELB 8|25

E

BR

7560

V

CO

36435

V—

CO

36527

V

THREE DEUCES
I939.DEOCES WILD/LAST TIME I SAW= CHI
I 940. SPANISH SHAWL/CHILE BL

1941. GRAND OPERA BLs/hOUSE PARTY STO

THREE MONKEY CHASERS

1942. UNCEL REMUS STOP/MONTMARTE GIGGLES= HA

THREE OLD ROOSTERS

1943. BIGGEST KANAKAS IN/WHO SLAPPED ANNIE GL

THE THREE PEPPERS

I 944. SWING UNCEL WILSON/THE DUCKS YAS OK

MERLE TILLOTSQN/mRS A. STEWART HOLT
I 945. THE ROSARY/ SWT SPIRIT HEAR MY CO
SKEETS TOLBERT
I946.W P A / I CANT GO FOR U ( RM CHP N G )dE

LEMNIE TRISTANO SEXTETTE -

I 947. I NTU IT I ON/YESTERDAYS

TROMBONE RED 4 HIS BLUES SIX.

1 948. GREASY PLATE STP/B FLAT BLS

FRANK I E TBUMBAUER

1 949. BREAK IT DOWN/ JUBA

1950. EMALINE/LONG ABOUT MIDNIGHT (h!

1951. BRKIN IN SHOES/HOPE GABRIEL

1952. THE MAYOR OF ALABAm/s WONDERFUL

(above hr crk)

1953. singin the bls/ im comin va

1954. paisin roof/futristic rhythm

1955. high hilltop/sentimental baby

1956. raisin the roof/futuristic rhythm

1957. reach1n for someone/sh i very st p
(above lam crk)

i 958. way dwn yonder in / clar i net marm
BESSIE TUCKER

1959. BESSIE MOAN/PENITENT I ARY

ORRIN TUCKER ORCH

1 960. HOW MANY TIMES/ 0 JOHNNY 0

TOMMY TUCKER 4 HIS CALIFORNIAS
I 96 1. LOW DOWN ON HARLEM/LOVEY
TOMMY TUCKER TIME

1962. DONT WANT SET WLD FIRe/lOVE OF MINE OK

1963. YO TE AMO BABY/GIMMI UR ANSWER OK

JOE TURNER

I 964. ROCK IN MY BED/GOIN TO CHI DE

I965.PINB? broHN'TJl/ 627 STP DE

CMS 537 V
OK 4 I |02 N'
VO 15164 E+

50 V

1720 E

3803 N-

793 v

7722 V

CP

71224

E

HJCA I 1 5

N

BR

6763

V+

CK) BR

6788

E

BR

7613

N—

BR

7663

E-

BR

7703

N—

oof

165684 E-

OK

41128

V

1 OK

41209

V+

OK

41268

V

l/»

44|2

e/e-

JC

514

N

CO

35228

V

CR

3470

N

6320 E-
6364 N-

4193
|8|2|

E

1966.

LAVIMA TURNER W JA . P. JOHNSON HARM0NY7
WERE U DADDY/TOOK IT AWAY

.IF I

TUSKEGEE INSTITUE SINGERS
I 967. GOOD NEWS/LIVE A HUMBEL
UNIVERSITY SIX

1968. UNDER THE CLOVER MOOnAtHE WESTERNR!

(ABOVE RM CHP 2 GRV J

1969. DESDEMONA/(FREO RICH ORCH )

1970. SHE WAS JUST SAILOR/THE CAMRL WLK

1971. THEN ILL BE HAPPy/smILE A LIT

I 972. DUST IN THE DONKEy/rUNN I NG AFTE U

1973. GE0RG IANNA/HORSE(MANH DANCE MAKERS)

1974. WAHT A MAn/sITTIN AROUND

1975. THATS A GOOD GIRl/gIVE ME UKELELE
I976.SHES GOT IT/YES SHE DO

I 977. BLESS HER LIT HERT/gRAND ETO

1 978. pastafazoola/paree

1979. TELL ME LITTLE DAISy/bLUE BABAY

1980. MINE ALL MINE/WHEN UR WITH SMBDY
1981. STAY OUT OF THE SOUTh/lILA

VAI.ENTE NICKELODEONS
I 982 . VALENTE WLATZ/WELL TOOTSIE BACK AGN

VAN EPS TRIO

1983. CHINESE PICNIC/NOTORIETY RAG

THE VARSITY EIGHT
I 984.SWTHRT OF MY STUDENT DAYs/siNCE I L!

1985. HO JOE/(BOB HAR JMG ORCH)

1986. TAKE THOSE LIFs/(jOE FRANKLIN)

1 987. WHY WEEP ABT ONe/(bOB HARING)

1988. mean bls/(bway bdcasters)
i989.loue gilr who k i sses/( ernest carie)
1 990.san/(arthur lange orch)

I 99 I .DOODLE DOO/(CAMEO RECD ORCh)

|992.maytime/(arthur lange)

1993. KNOCK AT THE DOOR/(BOB HARING ORCh)

1 994. KNOCK AT THE DOOR

1 995. CHARLESTON C AS I n/( ART HUR LANGE.. o)
I 996. CANT FIND NAME 4 u/(ARTUR LANGE)

1997. N00NE KNOWS WT ITS ALl/(bWAY BRCTS

1998. TEA FOR TW0/(L0U GOLD ORCH)
1999. IM SATISFIED/( E'WAY BRDC AST ERS )

2000. happy/doo WACKA DOO

2001. al nt b*8y grand/nobody to love

(above rm chp no g rv)
20fbl mama loves papa/smetimes in june
2003. if u knu susie/(mike speciale)

2004. mnlite 4 roses/ (rm chp no grv)

2005. wanna see little more/can i see u

2006. row row rosie/(b'way brdctrs)

2007. TRYIN TO KEEP AWAy/tWLI TE

2008. FALLIN DWn/(b'WAY BRDCASTRS )
2009. SHOW ME BAY GO HME/(CAME0 DCE ORCh)

20i0.freshie/(dixie daisies)

201 I. WHAT A MAn/(7 LI POLAR BEARS )

(ABOVE HR CRK)
20I2.GIVE LOT OF LOVe/<DIXIE DA 1 S I ES )
20I3.SLEEP IN CAROLINa/<SM LANIn)
2014. SHE KNOWS HER/THATS MY GIRL
2015. SUSIES FELLER/(DI X I E DAISIES)
I0|6. STEAMBOAT BILl/(bWAY BDCASTERs)

VARSITY OPERS COMPANY.
20 17. LA BOHEME AR I AS

THE VARSITY SEVEN
20 18. SCRATCH MY BACK/SAVE IT PRETTY
201 9. SAVE IT PRETTy/sCRATCH MY BACK

PE

12034

6

VI

17663

V-

)°l

2570

V-

HA

37

G+

HA

36

V

HA

71

V*=

HA

134

E

HA

155

v+

HA

160 V

HA

262

E

HA

425

V—

HA

444

V

HA

474

V—

HA

557

V

HA

565

E

HA

61 7

v+

DUBLINS 8

N~

VI

17601

V

TBA

854

V

CA

420

V

CA

444

V—

CA

456

V-

CA

498

V--

CA

507

V—

CA

556

V

CA

559

v+

CA

571

V

CA

574

V

CA

574

V-

CA

577

V

CA

580

V—

CA

606

V-

CA

6l7

V

CA

632

V

CA

641

V

CA

680

V

CA

684

V—

CA

724

u-

CA

753

V

CA

772

V—

CA

774

V—

CA

780

V—

CA

782

V

CA

832

V—

CA

835

V—

CA

925

V

CA

986

V—

CA

1 0 16

V—

CA

1020

V-

CA

1040

V—

CA

8|55

V—

VS

691 12 H-

VA

8135

N

VS

8135

E+

28

35c MINIMUM BID

CHARLES CANFIELD

BOC 90, THE RECORD CHANGER 4|8 WEST 49TH STREET NYC 19 NY
SEE PAGE ONE OF AUCTION FWl INSTRUCTIONS.

35c MINIMUM BID

THE VARSITY SEVEN
2020. ITS TIGHT LIKE THAT/EASY RIDER VA 8 1 47 N

SARAH VAUGHAN
202l .LOVE ME OR LEAVE/GENTLEMAN FRIEND MU
2022.1 GT KICK OUT U/ILL WAIT 4 PRAY MU

JOE VENUTI

2023. NOW I NEED U UR GONe/nO OTHER GIRL CO

2024. HEAT WAVE/EASTER PARADE

2025. BEATIN THE DOg/kICKIN THE CAT

2026. DANCING LADY/EVYTHING I HAVE IS

2027. MOONGLOW/ZOMBI (kARDOs)

2028. W«NT RING BELLS/GATHER LIP ROUGE

2029. HEAT WAVE/EASTER PARADE

2030. LIKE LITTLE GIRL/mAN FRM CAROLINE

539 N-

586 E

2535 v
ME 12828 E-
OK 40853 \H
OR 2791 E-
OR 2935 V-
PE 15830 G+
OE 15838 v-
VI 23015 V

VI 18895 V
VI 19040 V-

MARCON I 358 V-»

VICTOR ORCH

2031. MINUET IN G MAJ/AMARYLLIS-AIR LOUISVI 16474 E
2032.SNYOER SUCCESSES/HAVILANDS HAPPY VI 16963 E

CHARLES VINALS RHYTHM CATS
2033. OA OA STR A I j/ CANT BELIEVE U IN L OUB E-

THE V IRGI MANS

2034. MEMPHIS BLS/ LONESOME MAMA

2035. U BELONG 2 SMBDY ELSe/wHOA TILL IE

VOCAL QUARTETTE

2036. MY CREOLE SUE/

DON VOORBEES ORCH

2037. DANCING DEVIL AWAY/THAT LIT SMTHNG CO 954 V

2038. SOL I loquy/my bl hvn co 1 1 29 V—

BEA WA IN

2039. U CAN DEPEND ON me/ DO I WORRY VI 27353 V-

J ERRY WALD ORCH

2040. CRAZY BLS/ SHOO SHOO BABY DE 443 1 E

WALDORF — ASTOR IA ORCH

2041 . THE vamp/(happy SIX J CO 2758 V-

TED WALLACE SWING KINGS

2042. GODDY GOODY/ ALONE AT TABLE FOR 2 BB 6252 E+

2043. HITTIN BOTTLE/ LITTLE WHT LIES CO 2254 G+

2044. RAINBOW ROUND SHLd/mUST BE LOVE DO 4224 V-
(ABOVE RM CHP no grv)

' FATS WALLER
2045.SWINGIN JINGLE BELLS/ PORTERS LOVE BB 10016 N-

BB I 0288 E
BB I |262 N
BB I 1469 N
BB Il5l8 n/e
BB I 1569 E
VI 24648 e/e-
VI 24708 V
24738 V
24830 N
24888 V-
25015 N
25338 N
25631 N-

2046. GA.ROCKI N CHAIR/AINT MISBEHVN

2047. COME 4 GET UT/CHANT OF GROOVE

2048. WINTER WEATHER/CLAR MARM

2049. J I TTERBUG WALTZ/NEED LITTLE LOVE
2050. SWING OUT VICTORY/SILVERY MOON

2051. PROTERS LOVE SONG/oO ME FAVOR

2052. LIT DRM ME / ILL BE TIRED OF YOU

2053. U NOT ONLY OYSTER/MANDY

2054. AFRICAN RIPPLES/ ALLIGATOR CRAWL

2055. Al NT GOT NBDY/ 0 SUSANNA

2056. VIPERS DRAG/ CLOTHESLINE BALLET
2057. SMASHING THIRD/NUMB FUMBLIN
2058.1 A I NT GT NBDY/BASIN ST BLS

2059. HOPELESS LOVE AFFA I R/jO I NTS JUMPIN VI 25689 N-/E

2060. NEGLECTED/EVY DAYS HOLIDAY VI 25749 N-/E

(ABOVE RM CHP NO GRv)
KEARNEY WALTON 4 EDDIE HEAVER
2061 .SO I'D MISS U/WHEN U 4 I WERE YOUNGffl K-l E
OZIE WARE

2026.SANTA BRING MAN BACk/doNE CAUGHT B I LT 1033 N
WASHBOARD RHYTHM KINGS

2063. HOW DEEP IS OCEAN/FIRE BB 8l74 E

WASHBOARD SAM 4 HIS WASHBOARD BANO

2064. LOVE MY BABY/ GO OLD EASY ST BB 8243 E

2065. U STOLE MY LOVE/ GET OWN BROTHER BB 901 8 E+

2066. PROWLIN GROUNDHOG/DONT TEAR CLOTHS PE 61055 V

DINAH WASHINGTON
2067. WEST SIDE BABY/ WALKING 4 TALK I N MER

2068. RESOLUCTION BL/ WANT TO CRY

ETHEL WATERS

2069. DOWN HOME BLS/ OH DADDY

MER

8079 V+
8082 E-

2070.THERELL BE SOME CHANGE s/ MAN MAN
207I.OLD MAN HARLEM/GA ON MY MIND

2072. NO ONE CAN LOVE me/ SWT GA BROWN

2073. NO ONE CAN LOVE ME/sW GA BROWN
2074.SYMPATHE TIC DAn/brOTHER GOT ME
2975. LOUD SPEAKIN PAPA/PICKINNINY BL
2076. SWEET MAN/ DINAH

2077. BIRMINGHAM BERTHa/ AM I BLUE

2078. AM I blue/birmingham BERTHA

2079. UR LUCKY TO Me/mEMORIES OF U

2080. GO BACK WHERE U STAYEd/dN» NOME

208 1. NO MANS MAMA/SHAKE THAT THING

2082. PALLET ON FLOOR/BRING U GRNBACKS

2083. MAYBE NOT ALL/CANT DO

2084. ULL WANT ME BACk/ SUGAR

2085. TAIE WHAT U WANt/doNT NEED EACH
2086.SEPEC IAL FRIEND/JERSEY WALK

20 IC G-

2021 G-
11028 E+
379 v+
379 G
433 v
472 v+
487 G+
1837 E
1837 V-
2288 e/f
CO 14093 V-
OC |4| 16 E-
|4|25 V+
|4| I 2 G+
|4|46 V-
14162 G+
|4|82 G+

CO
CO
CO
CO
CO

2087. AFTER ALL THESE YEAR s/sAT I SFYN PAPACO |4|99 V+

2088. GUESS whos in town/handy MAN CO 14353 V

(above dig)

2089. get up off u knees/do what u did co 14380 v-

LU WATTERS YERBA BUENA JAZZ BAND

2090. FI DGETY FEET/TEMPTATTON RAG JM
2091 .SUNSET EAFE STp/lONDON BLS JM
2092. SKI 0 DA DE DAT/EMPEROR NORTONS H MER
2093. EMPEROR NORTON/SKID DE DAT MER
2094. SHAKE THAT THINg/roYAL GARDEN MER

2095. ROYAL GARDEN BL/ SHAKE THAT THING MER

2096. BL NAUGHTY SWEETIE/TIN ROOF MER
2097. OR JAZZ/BEALE ST BL MER

2098. CANAL ST BLS/ ANTIGUA BLS ( H CRK) WC

2099. CREOLE BELLS/CHATTANOOGA STOMP WC
2 I 00. ANN IE ST ROCK/DWN HOME RAG »C

SYLVESTER WEAVER

2101. BLK SPIOER BL/OEVIL BL OK 8534 F

CH IC K WEBB ORCH

2102. HEBBIE JEEBIES/ BL IN MY HRT BR 6898 N-

7 N-
|4 N
I I 050 N-

I I D50 E+

I 1065 N

I l 065 V-

I 1077 V

I I 08 I E

101 V+

102 N-
154 n-

DE 3782 N-
VI 19258 E

Pac AUSI000I7 N-
PACAUSI00020 N-
PACAU8 100026 N-
PACAus 100035 N-

CHICK WEBB ORCH CONT.

2103. HBEBIE JEEBIES/ BL IN MY HRT BR 6898 V

2104. BL MINOR/ SUNNYS I D& OF STREET DE 172 E

2105. LIT WHITE LIEs/l SIDE OF ME DE 2556 E+

2|06.true/if it aint love ok 4|57| e/v-

2|07.blue minor/lonesome moments ok 4|572 v

WEBER 4 FIELDS
2 108.DR INKI NF SCENE/HYPNOTIC SCENE CO I 1 59 EC

(ABOVE AUTOGRAPHED IN WAX BY WEBER 4 FIELDS)

TFD WEEMS ORCH
2| 09. savannah/man FROM THE SOUTH
2110.9 OCLOCK SAL/ SMILE WILL GO LONG

LES WELCH 4 HIS ORCH
2||| .CAR A VAN /GOOD LOOKIN W MAN
21I2.PAC BOOGIE WOOGIE/MULE TRAIN
2II3.SAT NITE FISH FRy/pTS 142
2| I 4.R0SETTA/EENTI MENTAL ME

DICKIE WELLS
2| I 5. LI NGER AWHILE/HELLO BABE

2||6. jap sandman/i GOT RHYTHM

NiniAN WELSH ACC. BY LOUIS

2117. BRI0WELL BL/ ST PETER BL

PAUL WESTON ORCH

2118. WAY U LOOK/DIDNT SAY YES

FRANK WESTPHAL ORCH
2119.2 time dan/off again on again

GEORGE WETTLING JAZZ TRIO
2|20.SOME 0 THESE DAYS/EVYBDYS
2l2l.DRKTWN STRUTTERS BALL/FOUND NEW

PEETIE WHEATSTRAW
2| 22. PITY 4 SHAMe/00NT HANG CLOTHES

GEORGE WH ITE

2 1 23 .TELL ME BABY/GET EM FRM PEANUT
2I24.MARBLE STONE / YOUR HELLISH WAYS
2|25. MISTREATED Bl/nEW TROUBLE IN MD

JOSH WHITE/LEADBELLY
2.126. DONT LIE BUDDY/BIGGEST THING

WILLY WHITE - PIANO SOLOS
2I27.TRY 4 PLAY IT/BUTTER SCOTCH
2I28.ITKF.E THEE WELL 2 HARLEm/xMAS NITE

PAUL WH I TEMAN ORCH
2 I 29 .CANST ANT I NOPLE/GET OUT 4 GET UNDER CO
2 1 30. SONG 0 SONG FOR ME/jUST SWTHRT CO
2|3|.MAKIN WHOO PEe/b 3 I NG I N A RED RED CO

2I32.JAP mammy/lest do it (digs) CO

2|33. GREAT DAY/WITHOUT SONG CO

SG 28 I 1 5 E+

SW 27 E

JCA 36 E

CP 10075 E-/v

CO 3929 G+

7 N-

18045 N

CQ 9277 N-

7152 E+
7254 E
7332 E

ASCH 432 E-

PAT 2l 102 E
BB 10969 E+

VI

1402 G+
1630 V
1683 v+
1701 V-

. 2023 E-

2 1 34. great day/ i thout song (rm chp n gr jco 2023 e-
2|35. story book/ rain de
2 i 36. china boy/ oh miss hannah tem
2 i 37 .h awa i i an skies/sip sip s i ppy shore vi
2i38.gypsy bls/ when budoa smiles vi
2|39,hot lips/(the Virginians) vi
2|40.c0al blk mammy/tricks vi
2|4|.nuthin but/u gotta see mama vi
2|42.peacful valley/days hrts 4 flowers vi

2I43.P00R LITTLE RICH GIRl/woT DO I CAREVI
2I44.IM IN love/swt SOUTHERN BREEXE VI
2I45.CHEERI BEER I BEe/jUST A MEMORY
2 I 46.SENSAT I ON STOMp/bh ITEMAN STP

2 |47. lonely melody/rauona

2148. sunshi ne/back in OWN BAKYARD

2 149. M I SS I SS I PPI MUD/FROM MONDAY ON
2 I 50. COQUETTE / DOLLY DIMPLE
2 1 5 1 .BOUQUET OF MEMOR I Es/mYA ANGEL

(ABOVE RM CHP 6 GRV)
2I52.DAWN OF LOVE/(B.F. GOODI.ICH ORCH )
2 1 53 .WAG ON WHEELS/ IF I LOVE U
2I54.TAIL SPIN/ 'G' BL (RM CHP 5 GRv)
2|55.AINT M I SBEHA Vn/d0G0 I NG A DIV0R6EE

2i56.wa oa da/thats GRANUA

2|57«MISS ANNABELLE LEE /(A AR ISTOCRATS ) V I 2 I I 04 E+

HAL WHYTES SYNCOPATORS
2)58. GOO GOO GDNITE DEAR/BLUE EYED DO 3446 E

WHOOPEE MAKERS
2 1 59. BUGLE CALL RAG/ST LOUIS BLS PE |5|26 V—

(ABOVE RM CHP 4 GRV)

PUTTE W ICKMAN5 TRIO
2I60.ONLY HV EYES 4 U/BOPPIN AT DOGE SONORA 7525 N-

HERB W I EDOEFTS CINDERELLA ROFF ORCH
2I6I.OH PETER/HOOOO MAN BR

2162. MAPLE LEAF RAG/BEALE ST BLS BR

2163. ELLA CINDERS/LET SMILE B UMBRELLA BR

BOB Wl LBERS Wl LCATS

2 164.1 CANT SAY/NEW ORLEANS SHUFFLE RAM

3l37 N-

529 N
18744 v-
18839 v
18920 V
18939 E-
19073 E
19790 v+
19929 V
20046 V+
vr 20881 V-
VI 2| I 19 V
2|2|4 E
2 1240 V
21274 v-
21301 E+

Wl 2 1 388 V

VI 21453 E+
VI 24517 V
VI 24668 V
VI 25086 v+
CO 1455 V

2627 V
2795 V
3810 V

BERT WILLIAMS
2165.10 LI BOTTLES/UNLUCKY BLS
2166. LONESOME ALIMONY BLs/sAV LIT DRM
2| 67. WANNA KNOW WHERE TOST|/gET UP

COOTIE Wl LLIAMS
2.168. SALT LAKE CITY BOUNCE/jUlCE HEAO

( ABOVE HR CRK)

2|69, is u OR is u aint/blue GARDEN
2|70. is you is or/bl GARDEN BLS
2i7i.is u is or/blue grdn bls

2172. swt lorra ine/echoes of harlem

2173. carnioal Caroline/ swt i me in hon

CLARENCE WILLIAMS BL 5
2|74. KANSAS CITY BLS/ WILDCAT BLS

2175. UNCEL SAMMY HERE J Am/ THRILLER

2176. baltimore/(fi ve harmaniacs)

2177. mountain city bls/ breeze (digs)
2|78. whoop it up/im not worrying
2i79.zonky/uv gotta be modernistic
2|80. speakeasy bls/ long deep 4 wide
2i8i.long deep 4 wide/speakeasy bls
2|82. sister kate/beau koo jack

2 183. SQUEEZE Me/sANTA CLAUS BL

2 I84.ORG ANGR I NDER BLs/w I LDFLOWER RAG

RAM 2 E+

CO 2941 V

CO 2979 G+

CO 3305 V

CP 237 E-

HIT

HIT
HIT
MAJ

VO

7108 E

7108 V+
7108 V+
1171 E+
4061 E4

Bl LT 1096 n/e+
BB I 1 368 E-
BR 3664 v+
CO 14422 G+
CO 14447 V
14488 v+
26 N
26 N-
28 N
8254 v-
8604 N

CO
CRL
CRL
CRL

OK
OK

2l85,
2f86.
2 187.
2|88.

2189,
2 1 90

2l9l
2|92
2 1 93
2 194,

2 1 95

2196

2 1 97
2 1 98

2199

2200,

2201 .

2202,

2203,
2204,
2205,
2206,
2207,

2208,

2209,

22 10,

221 I.

22|2.

2213,

22 1 4,
22 |5
22 1 6

2217

CLARENCE Wl LLIAMS
IM THROUGH/LONGSHOREMAN BLS
,LAZY MAMa/coTTAGE OF LOVE
tGONNA WASH MY SINS/LETS HAVE SHDWr
.LET EVYDY B MOTHERe/mY SUNDAY OFF

EVAN WILLIAMS
,4 LEAF CLOVER/ 8H LOVE BUTA DAY
MAKE ME KNOW It/mY MAMAS IN TWN

GEORGE Wl LLIAMS
TIRED OF EGG 1 g/haRD HEADED GAL
,OOUBLE CROSSIN D ADDy/s AT I S Tl ZD BL
iMAMA NO GOOD/ MAMA QUITS PAPA
CHAIN GANG BLs/SAN FRANCISCO BLS

HENRY WILLIAMS 4 EDDIE ANTHONY
,GA CRAWL/LONESOME BLS

LEONA WILLIAMS 4 HER DIXIE BAND
, |M GOIN AWAY/BRING IT W YOU

MARY LOU WILLIAMS

■THE SHEIK OF ARABy/wALK I NG
,THE ROCKS/ THE PEARLS

MICEGE WILLIAMS 4 HER JAZZ JESTERS
.ROSIE REDSKIN/DONT WAKE MY HRT

TE ROY WILLIAMS 4 HIS ORCH
.LINDBERGH HOP/ OH MALINDA

DUKE WILSON 4 HIS 10 BLACKBERRIES

PA

14024

E+

VI

38063

E-

vo

2759

V+ 1

VO

3195

G 1

V 1

855

189

E

CO

14030

V-

CO

3974

V-

CO

13006

E-

CO

14049

E-A

CO

14328

G j

CO

38 |5

N 1

C 1

3008

N

OE

2796 N

iS

vo

4192 E-/t

HA

439

V+

TEA GARDEN)

BEALE ST BLS/PUT ON UR OLD GREY FC 15617 E

DUKE WILSONS lO BLK BERRIES

PRAY FOR LITES GO/LONG WHITE ROBE PE 15662 G

EDITH WILSON 4 PRIG JAZZ HOUNDS

WICKEO BL/ 8 1 RM 8L CO 3558 V

EVIL BL/PENSACOLA BLS CO 3746 G

.HE USED TO BE U MAn/dixIE BL CO - 3787 V

DADDY CHANGE U MIND/ DONT KNOW CO 14008 V

DADDY CHANGE MINd/dONT KNOW DONT VE 705l V

NARGA RET WOODROW W I LSOn/THE COLUMBIA BAND

.STAR SPNGLD BAN/MEDLU PATRIOTIC SNGCO 1685 V

TEDDY WILSON

,IM PA INT I N THE TOWN RED/sWT LORRAN BR 7520 V

JULIE WINTZ & ORCH

.HARMONICA HARRY/ST JAMES INFR VE 2 1 04 V

WMCA BROADCASTERS
,RAIN/(LOU gold orch) ha 549 E-

MAESTRIO SAM WOODING
.BULL FOOT STP/ I ND I ANA LOVE ( LAM c)PASP 25424 V—

KYLE WOOTEN

,RED PIG/LOVING HENRY OK 45539 V+

JIMMY YANCEY/ART HOPES
.THE FIVES/SOUTH SIDE SHUFLE CI |6 E+

,35th dearborn/yanceys bugle call vi 27238 E+

.EAST ST LOUIS BLS/ I RC VD A LETTER VO 5464 E

BOB ZURKE 4 HIS DELTA RHYTHM BAND
.LOSING MY MIND/BOUGHT A WOODEN WHISVL 26607 E

THE FOLLOWING ARE ALL JAPANESE ISSUES.

LOUIS ARMSTRONG
22|8.WEST END BL/BL IN C#

2219. POTATO BEAD Bl/«I.B. BALL

2220. MUGG LEs/cH INA BOY ( MCKENZ I E )

2221. DEAR OLD SOUTHLAND/(MEADE LUX

Ml LPRED BA I LEY PRCH

2222. LITTLE JOE/ (TEDDY WILSON )

BUNNY BERIGAN ORCH

2223. WHERE ARE U/THAT FOOLISH FEELING

(ABOVE LAM CRKy
THE CHOCOLATE DANDIES

2224. DEE BLS/^ON REDMAN )

BOB CROSBY

2225. WOMEN ON WEARY MD/pAGAN LOVE SNG

2226. DIXIELAND SHUFFLE/PETER PIPER
(ABOVE JAP THROWAWY AND JAP SLEEVE

JIMMY OPRSEY ORCH

2227. D i ppermouth/ch i cken reel

(above jap throw AWAY ENCLUDED )
TOMMY OORSEY

2228. ALIBI BA3Y/TWLIGHT IN TURKEY

2229. CHINA TWON MY/SHEIK OF ARABY
2230. IF EVER SHUD LEAVE/pOSIN
223 I .STARDUST ON MOOn/haVING WNDERFUL

DUKE ELLINGTON

COJ

120

N

COJ

10003

N

cnj

10004

N

coJ

10005

N

LUJ

60326

E+

LuJ

60023

N-

CoJ

10006

N

PDJ

152

E-

PdJ

198

E-

FNCLUDED)

PdJ

253

E+

VlJ

1068

N

VI J

1 181

N-

VI J

1 182

N

VI J

1 183

N

I

2232. KISSIN BABY GDNITE /LOST

2233. ECHOES OF HARLEm/clAR INET LAMENT
2234. SHOE SHINE BOY/GLORY LOVE

2235. THE MOOCHE/ MAORI

2236. wang wang/home AGAIN

2237. ACCENT ON YOUTH/TRUCK I N
2238. SENT IMETAL MOOd/aOM I RAT I ON
2239. TAKE IT EASY/jUBILEE STP

2240.1JO GREATER L0Ve/|SNT LOVE STR ANGET LUJ 60|4| N
2241.0 BABE MAYBE MSDAy/shOW BOAT SHUF LUJ 60|52 n/n-
2242.BLKBIR0 MEDLEY/ 142 LUJ 60|60 N

2248. SWAM Y RIVER/ IN A JAM LUJ 60|86 N-

2244. ACCORD I AN JOE/DOUBLE CHECK STP= LuJ 60248 N

2245. EA T ST L TOODLE/BUNDLE OF BLS

2246. MOON OVER OIXIE/DONT MEAN THING

2247. WHEN UR SMI LI NG/SWANNEE RHAPSODY
2248. IM SATISFIED/ STROMY WEATHER
?249. DUCKY WUCKY/ RUNNIN W I LO
2250.STONP J0NES/(WILL IE BRYANT )

VICTOR DANCE RECORD CLUB JAPI6 e/v

2251. MUST HAVE THAT MAn/ BANDANA BABIESVlJ |205 N

2252. solitude/delta SERE VlJ 1242 E

ZIGGY ELMAN ORCH

2253. ZAGGIN WITH ZIG/UR M I NE U VlJ I 1 78 N~"

BENNY GOODMAN
2254»INTCHA GLAD/ OR HECKLE 4 MR JIBE LUJ 60400 E
REAL WILD LABEL* <sfTH BRUNSWICK 4 COL TRADEMARKS ON
SILVER 4 BLK— TYPE BRUNSWICK LABEL.

LUJ

LUJ 1 2 E+
LUJ 21 V
LuJ 5008 N-
LUJ 60044 v-
LuJ 60 1 07 N
LuJ 60120 N
LuJ 60 1 29 N

LUJ 60275 N
LUJ 60287 N
LuJ 603 I 3 N
LUJ 60340 N
LUJ 60475 N

29

AUCTION

KENNETH HULSIZER

7 MONUMENT SQUARE, URBANA OHIO

ALL RECORDS AT OPEN AUCTION. WINNERS NOTIFIED. AUCTION CLOSES JUNE I5TH. please bio by number on postcards. NO minimum bids. NO PACKING CHARGES.

AUCTION

RUBE BLOOM AND BAYOU BOYS
I.BESSIE COULDNT HELP I T/MYSTER(t_C ) CO 3 1 86 E-

8LANCHE CALLOWAY AND JOY BOYS

VI 22733 E
VI 22896 E

VI

5595 E

VA

655 E

VA

525 E

VO

5378 E

VA

5|5 E

VO

3985 E

2. WITH0UT THAT GAL/ IT LOOKS LIKE

3. BLUE MEMORIES-! JUL I A GERRITY^

DOC DAUGHERTY AND ORCH .

4. ALCOHOLIC BLS/ 9U IN IDE 6HADE VI 201 I I E—

JOHNNY DODDS AND CHICAGO BOYS

5. STACK 0' LEE/MELANCHOLY DE 1676 E

BARNEY BIGARD AND ORCH.

6. MARDI GRAS MADNESS/WATCH BIRD

7. JAZZ A LA CARTE/ DEMI TASSE

8. FROLIC SAM/ CLOUDS IN MY HRT

9. BARNEY GO IN' EASY/MINUET IN BL
ICvCARAVAN/ STOMPY JONES
I I .DRUMMERS 'DELI GHT/ IF I THOUGHT

DUKE ELLINGTON AND ORCH

i2.3lack beauty/take it easy
13. swampy river/ fast and furious
i 4. li ghtn i ng/ jazz cocktail
i5.harlem speaks/in the shade of
i d.harlem flat bls/ paducah

1 7. jungle jamboree/blk and blue

18. margie/cotton

19. kissin' my baby/love is like a

20. sh0e shin boy/sad night in ha

2 1. crescendo in bl/d i muendo in

22. chatterbox/dusk in the desert
23.3lk butterfly/harmony in har
24.blk 4 tan fantsy/ steppin in
25. lost in md 1tati0n/riding in my

26. skr0unch/if you were in my pla

27. braggin' in brass/carnival in

28. the gal from joe's/1 let a son

29. slappin' 7th ave/sw ingtime

30. pyram id/when my sugar walks

31. dinah's in a jam/you gave me

32. steved0re's sere/ la de doo

33. rose of rio grande/ gypsy with
34.lambeth walk/ prelude to a kiss

35. h1p chic/blues serenade

36. buffet flat/mighty like the bl

37. the mooche/baby when you a i nt
3sic0tt0n club stp/in a m i zz
39.WAY Low/'you Can cous,T on me

40»WEST END BLS(0LIVER)/M00CHE

41. CREOLE LOVE CALL/BLK 4 TAN F

42. E ST LOUIS TOOOLE 00/GOT EVER

43. MEMORIES OF YOU/YOURE LUCKY TO

44. JUNGLE NIGHTS IN HARLEM/OLD MAN
45. SOLITUDE/ DELTA SERE

46. M0RNING GLORY/ JACK THE BEAR

47. C0NGA 8RAV0/ KO KO

48. CONCERTO FOR COOTIE/ ME 4 YOU

49. NEVER NO LAMENT/ COT TON TAIL

50. B0JANGLES/P0RTRAIT OF BERT WILL.
5|»B08J0- / BLUE TO08S

52. RUMPUS IN RICHMOND/IN A MELLOTO

53. WARM VALLEY/FLAMING SWORD
54.6LUE SERG/JUMPIN PUMPKINS
55.PERDID0/ RAINCHECK
56.SHERM0N SHUFFLE/ HAYFOOT STRAWF
57.SENT I MENTAL LADY/SLIP OF THE LIP V|2U|528 E

58. MOOD INDIGO/RING DEM BELLS

59. | AINT GOT NOTHING/I DIONT KNOW

60. EVERY HOUR ON THE HOUR/TIMES A
6 1 .HP HEAD/ E. ST LOUIS TOODLEOO
62.D0WN OUR ALLEY/(CHAS. CHASERS)
63.1 'M CHECKIN' OUT/ DOIN THE VOOM
64.SERENADE TO SWEDEN/SERGANT WAS

65. LONELY COED/BOUNCING BOUYANCY

66. LADY IN BLUE/LITTLE POSEY

67. ROCKY MT BLS/BIG HOUSE BLS
68iSKATTIN AT KIT KAT/B I RM I NGHAM
69i AZURE/ CARAVAN

70.ALABAMY HOME/ALL GODS CH ILLUN
7|.CH ICAGO/HARLEM SPEAKS

GELEN GRAY AND HIS ORCH
72.DARDANELLA/CASA LOME STP

KITTY GRAY AND WAMPUS CATS

73.P0S I N/SW INGOLOGY

JIMMIE GUNN/BOB POPE
74.SLATS SHUFFLE/ (BOB POPE'

HARLEM WILDCATS
75.CALL OF THE FREAKS/MOUTHFUL 0'

BR

4009 E

BR

6355 E

8R

6404 E

BR

6646 E

BR

6806 E

BR

6809 E

BR

7526 E

BR

7627 E

BR

7710 E

BR

8004 E

BR

8029 E

BR

8044 E

BR

8063 E

BR

8083 E

BR

8099 E

BR

8099 E

BR

8108 E

BR

8131 E

BR

8168 E

BR

8169 E

Sir

8174 E1

BR

8186 E

BR

8204 E

BR

8221 E

BR

8231 E

BR

824 1 E

BR

8405 E

BR

B4|| E

VI

38034 E

VI

21137 E

VI

21703 E

VI

23017 E

VI

23022 E

VI

24755 E

V 1

26536 E

VIV26577 E

VI

26598 E

VI

26610 E

VI

26610 E

VI

26677 E

VI

26788 E

VI

26797 E

VI

27356 E

VI

27880 E

V 120 1505 E

VI2UI528 E

VI20I532 E

V 120 1632 E

V|20|7|0 E

CO

953 E

CO

1076 E

CO

35208 E

CO

35214 E

CO

35240 E

CO

35291 E

CO

3568Z E

MA

123 E

MA

131 E

MA

137 E

DE

800 E

VI

24256 E

VO

3869 E

SB

6503 E

vs

6012 E

4119 E

14392 E

532 E
292 E
26 1 5 P/E

274| E

38068 E
38122 E
38070 E

38059 E
21247 E

m —

FLETCHER HENDERSON AND ORCH

76. HOP OFF/ (BROADWAY BROADCASTERS ) BR

77. EASY MONEY/COME ON BABY CO

78. PENSACOLA/NOBODYS ROSE CO

79. PLAY ME SLOW/BOYE AND BYE CO

80. BUS I NESS IN F/(LOUIS HARLEM ST ) CO

CLAUDE HOPKINS AND HIS ORCH

81. LOOK WHOS HERE/CALIFORNIA HERE CO

PAUL HOWARDS QUALITY SERENADERS

82. THE RAMBLE/MOONLIGHT BLS VI

83. QUALITY SHOUT/STUFF VI
84.0VE RN I GHT BLS/CHARLIES IDEA VI

CHARLIE JOHNSON 4 PARADISE TEN

85. HOT BONES/AND RICE/HARLEM DRAG VI

86. HOT TEMPERED BLS/YOU AINT THE V|

JONES AND COLLINS' ASTORIA HOT El

87. ASTR0IA STRUT/DUET STOMP BB 8168 E

SLIM LAMAR AND HIS SOUTHERNERS
88, ORIENTAL ILLUSIONS/ I 'm GLAD IT VI 40049 E

89. MEMPH IS KICK/BETTER THAN NOTH VI 40146 E

LE ROYS DALLAS BAND

90. GOING AWAY BLS/TAMPA SHOUT CO |4402 E

TED LEWIS AND HIS ORCH

91. GLAD R AG DOLL J WHEN THE CURTAIN CO I 709 E
92. SOMEDAY SWTHEART /iOMEBOBY STO CO 2336 E

93. AUNT HAGERS BLS/WET YO THUM CO 3879 E

JIMMY LUNCEFORD AND HIS ORCH

94. JAZZN0CRACY/WH I TE HEAT BB 57|3 E

MCK INNEYS COTTON PICKERS

95. COTTON PICKERS SCAT/ JUST A SH VI 23012 E
96. SELL IN ' TH*T STUFF/BEEDLE UM V| 38052 E
97.8ABY WONT YOU PLEASE/HALL„BALO VI 22511 E
98.0H ERRY/SOME SWEET DAY VI 2 I 730 V
99. TRAVEL IN 1 ALL ALONE /WORDS CAN VI 38 I 1 2 E
I0O.STOP KIDDING/PUT IT THERE VI 38025 E

101 . M ILEN ERG JOYS/SHIMMIE SH A WAB VI 2|6|I E

1 02. LAUGH I NG AT LIFE/NEVER SWAT FLY V| 23020 E

BUBBER MILEY AND HIS MILEAGE MAKERS

103. THE PENALTY OF LOVE/LOVING YOU VI 230|0 G

IRVING MILLS AND HIS ORCH
I04.SWEET/D0 IN 1 THE RHUMBA VI 22669 E

M ILLS BLUE RHYTHM ORCH
I 05. YES YES/BROKEN DREAMS OF YOU CO 3111 E

THE MISSOURiANS
I06.ST0PPIN THE TRAFFIC/PROHIBITION VI 38|20 E
I07.0ZARK MT. BLS/YOULL CRY FOR VI 38071 E

I08.SC0TTY BLS/ 400 HOP VI 38084 E

THOMAS MORRIS AND HIS ORCH _

VI 20483 C

VI 20330 E
20364 E

109. THE CH INCH/LAZY DRAG

110. P.O.Q. BLS /BLUES FROM EVER

111. THE MESS/(NEW ORLEANS BLS FIVE) VI

JELLY ROLL MORTON(PIANO SOLOS)

I 1 2.SEATLE HUNCH/FREAKISH VI 27565 E

BENNIE MOTENS KANSAS CITY ORCH

II3.M0TEN STP/(CL IFFORD HA YE S ) VI 20955 E

II4.I2TH STREET RAG/(baBY DEAR VI 20946 E

I 1 5. KANSAS CITY SHUFFLE/YAZOO BLS VI 20485 E

I 1 6. MUSCLE SHOALS BLS/ W H1TE LIGHT VI 20811 E

I I 7. TERR I FF I C STP/THATS WHAT IM VI 38081 E

I 1 8.SWTHEAPT OF YESTRDAY/MaRY LE VI 38 I 1 4 E

II9.LIZA LEE/GET GOIN' VI 23023 E

I20.S0UTH/SHES NO TROUBEL VI 38021 E

121 . MISSOURI WOBBLE/MIDNIGHT MAMA VI 20422 E

122. NEW VINE STREET BLS/ BAND BOX V| 23007 E

123. THICK LIP STOMP/HARMONY BLS VI 20406 E
I23A.JUST SAY ITS ME/WHEN LIFE SEE VI 38132 E

124. JUSTRI TE/TR0U8LE IN MIND VI 2 I 739 E

1 25. GET LOWDOWN BLS/ KANSAS CITY CI 2|693 E

PHIL NAPOLEON AND HIS ORCH

126. GO JOE/TAKE YOUR FINGER OUT VI 20605 E

NEW ORLEASN BLACKBIRD

1 27. PLAY I NG THE BLUES/RED HEAD VI 38027 E

RED N ICHOLS AND HIS ORCH

128. JUNK MAN BLS/GET CAN I BAL BR

NEW ORLEANS OWLS

1 29. THE OWLS HOOT/BREAKIN' THE LEG CO

RED AND MIFFS STOMPERS

130. FEELIN NO PA IN/ ( BLUE STEELE ) VI

KING OLIVER AND HIS ORCH

131. T00 LATE/WHAT YOU WANT ME TO DO VI
1 32. SWBET LIKE TH 1 S/ I WANT YOU JUST VI
133.1 CANT STOP/IM LONESOME SWEET VI
134. FREAKISH LIGHT BLUES/ I 'VE GOT VI
I 35. ST JAMES I NF I RM I RY/WHEN YOURE V|
136. PASSING Tl ME/WHATS THE USE VI

I37.THE TRUMPETS PRAYER/CALL OF FRKB8

TINY PARHAM AND HIS MUSICIANS

I38.SKAG A LAG VOODOO

VI

38054

E

139. ECHO BLS/WA > HBOARD WIGGLE

VI

38076

E

140. LUCKY 3 6 9 /JUNGLE CRAWL

V

38082

I

l+I.PIGS FEET AND SLAW/STEEL STRING

VI

23410

E

I42.THAT KIND OF LOVE/BLUE MELODY

VI

38047

E

I43.JOGO RHYTHM/STUTTERING BLS

VI

38009

e

I44.BLUE MOON BLS/DOIN THE JUG

VI

23027

E

1 45. CATHEDRAL BLS/D 1 X 1 ELAND DOING

VI

881 II

E

146. SNAKE EYES/CLARI3E

VI

21659

E

I47.JUNGLE CRAWL/BLK CAT MOAN

BB

5146

E

JACK PETTIS AND HIS ORCH

148. SPANISH DREAM/DOIN' THE NEW LOW

V

21 559

E

I49.A BAG OF BLS /FRESHMAN HOP

VI

21793

E

BEN POLLACK AND HIS ORCH

150. MEMPHIS BLS/WA I T I NG FOR KATIE
|5|. FUTURISTIC RHYTHM/LETS SIT AND
I52.S0NG OF THE I SL ANDS/J I MTOWN BLUE

SAVOY BEARCATS

I 53. STAMPEDE/HOT NOTES

CECIL SCOTT AND HIS BRIGHT BOYS
I54.BRIGHT BOY BLUES/SPRINGFIELD ST

JABO SM ITH AND HIS ORCH

VI

21184

E

VI

21858

E-

BR

7764

V

20460 E

VI 381 17 E

DE 1712 E

VI 24383 E

VO 3284 E
VO 3319 E

VI 23014 E

1 55. ABS0LUTELY/H0W CAN CUPID BE SO

EDD IE SOUTH AND HIS OBCH

156. NAGASAKI/MAMA MOCKINGBIRD

STATE STREET SWINGERS

157. CHICAG0 RHYTHM/I KEP ON RUBBING
I5B.0H RED/WH IPPING THAT JELLY

BLUE STEELE AND HIS ORCH

159. ALL MUGGLED UP/SHOOIN1 FILES

JOE STEELE AND HIS ORCH

160. TOP AND BOTTOM/COAL YARD SHUFFLE

REX STEWART AND 52no. street STOmpers

|6|. SWING BABY SWING/SUGAR HILL SHIM VA 664 E

1 62. ST I NGAREE/BABY AINT YOU SATIS VO 28 80'J

THELMA TERRY AND HER PLAYBOYS

163. LADY OFHAV ANA/THE VOICE OF SOUTH 1.0 1390 V

LE ROY TIBBS AND HIS CONNIES INN ORCH

38066E

164.1 GOT WORRY/ONE O'CLOCK BLS

TOMMY " RED" TOMPKINS 4 ORCH.
I65.SUMPIN' 'BOUT RHYTHM/VIPERS DR

PAUL TREMAINE AMD ORCH

166. WHEN GABRIEL BLOWS DAT/l WANNa(LC)

THOMAS "FATS" WALLER ( PIANO)

167. TURN ON THE HEaT/MY FATE IS IN
168. SAVANNAH BLUES/WONT YOu(ORGAN)

ETHEL WATERS

169. AM I BLUE/BIRMINGHAM BERTHA

170. MY KINDA MAN/YOU BROUGHT A NEW

I 7| .SHADOWS ON THE SWANEE/DONT BLAME
CLARENCE WILLIAMS JAZZ KINGS

1 72. NERVOUS 8RKD0WN/RA ILROAD RHY

173. YOU'LL LONG FOR ME/I 'M GOIN BAC

1 74. FREEZE OUT/ A PANE IN THE GLASS
175. IN OUR COTTAGE/THEM THINGS GOT

COTTIE WILLIAMS 4 HIS ORCH

176. GIVE IT UP/DRY SO LONG
I77.SHE GONE/BEAUTIFUL ROMANCE

178. BLUE GARDEN/IS YOU IS

179. RE0 BLUES/THINGS AINT WHAT THEY

FESS WILLIAMS AND HIS ORCH

180. RAZ0R RDGE/NUMBER 10
I8I.SELL IT/8ETSY BROWN
I82.SHES STILL DIZZY/ALL FOR GRITS

183. Y0U CANT GO WRONG/PLAYING MY SA

184. BIG SHOT/SNAG NASTY

185. D0 SHUFFLE/A FEW RIFFS

CO 14309 E

VO 3293

CO 2462 E -

VI 38568 E
VI 20 776 E

CO
CO

BR

1837 E

2222 E
6617 E

CO

14468

C

CO

14244

E

CO

14460

E

CO

14434

E

OK

5690

E

VO

5411

E

HI

7108

E

HI

7084

Z

BR 3596 E
VI 38062 E
VI 23025 E
VI 24153 E
VI 38128 E
HI 38064 E

WILLIAMSONS BEALE STREET FROLIC ORCH

186. MIDNIGHT FROLIC DRAG/SACNDANAV I A VI 2|4|0 E

TEDDY WILSON ( PIANO)

187. DEVIL 4 OEEP/ DONT BLAME ME BR 8025 E
TED WILSON AND HIS ORCH

6219

V

188. Y HEART IS AN OPEN/IM GO IN '

VO

2896

e

605

I89.WHY DONT U PRACTICE/I WISH

VO

2747

F

E

I90.LITTLE WHITE GARDEN 1 A/ 1 WAS LUC

VO

2897

V

21 183

BOB ZERKE 4 DELTA RHYTHM BAND

E

191, COW COW BLS/ RHUMB OOG 1 E

VI

26646

F

3809J

I92.H0NKY TONK TRAIN/MELANCHOLY MOO

VI

26342

E

E

193. IM LOSING MY MIND/WOODEN WHIST

VI

26607

E

38101

E

I94.NICKEL NABBER/I WANT MY MAMA

VI

26467

a

23029 E

CHICK WEBB AND HIS ORCH

38521

E

195. ILL CHASE YOUR BLS/ 1 MAY BE

DE

640

E

22298

V

LEE SIMS ( PIANO)

23011

7705

E
E

196. ADORABLE/ ID CLIM THE HIGHEST

BR

3266

E

197. SWEET AND LOVELY/BLUE IN MY HRT

BR

6212

E

30

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THE ALL STARS (BARNETS GREAT BAND)

3I7.WIL0 MAS FISH POND/NIGHT A DAY .99

THE ALL STAR STOMPERS (WILD BILL DAVISON)

248.1 NEVER KNEW/CANT WE BE FRIENDs/ .49

249.SWINGIN DOWN LANE/SH I MMESHA WABBLE .49

250. TISH0MING0 8L/ECCENTRIC .49

251. BIG BUTTER EGG MAn/baBY WONT U PLEASE COME .49

252. H0TTER THAN THAt/sENSAT I ON .49

LOUIS ARMSTRONG

1. DALLAS BL/PEANUT VENDOR .99

2. BASIN ST BL/NO .99

3. LA2Y RIVER/GEORGIA ON MY MIND .99

4. LAST NIGHT/YOURE A REAL SWEETHEART .79
5.SWEETHEARTS ON PARADe/bLUE AGAIN .89

6. H0B0 U CANT RIDE TRAIN/NEVER BEEN BORN .89

7. EVERYBODY LOVES MY BABy/aLL WRONGS U DONE .99
349, IF/YOURE JUST IN LOVE .49

JOSEPHINE BAKER

8.1 HAVE TWO LOVERS/GOT U UNDER MY SKIN .29
PAUL BARBARINS NEW ORLEANS BAND

9. PANAMA/JUST LITTLE WHILE STAY HERE .49

10. t ILY OF THE VALLEY /EH LA BAS .49

1 I. JUST CLOSER WALK WITH THEE/WALK THRU STREETS .49
301. CLARINET MARMALADE/FIDGETY FEET .49

GEORGE BARNES (A FABULOUS GUITARIST)

1 2. LAUGH I N AT LIFE/BARNES AT DUBLINS .49

341. TIN WHISTLE BL/PINK PLUNK .39
COUNT BASIE ORCH

I4.S0NG OF ISLANDS/NOBODY KNOWS .79

LEFT BABY/RIFF INTERLUDE .79

I6.1AXI WAR DANCE/|2 ST RAG .79

|7.BAS:F STRIDES AGAlN/jUMP FOR ME .79
BASIN STREET SIX

18. |M GOING HOME/jAZZ ME BLUES .49

19. TATS A PLENTY/LAZY RtVER .49
20,lilGH SOCIETY/SOUTH RAMPART ST PARADE .49

2 I .MARGIE/FAREWELL BL .49

BAYS I DE JAZZ BAND /HURRICANE JAZZ BAND

333.8AYSIDE BL/CLARINET MARMALADE .49
SIDNEY BECHET

22. CHINA BOY/SISTER KATE .49

23. SONG OFMEDINA/l GOT RHYTHM .49

24. WITH0UT A HOME/lM THRU GOODBYE .49

25. WASTE NO TEARS/LOVE ME WITH F EL I NG .45

26. B0X CAR SHORTY/BROKEN WINDMILL .49
2 7. SEPT EMBER SONg/whO .49
304.S I DNEYS BLUES/PALLET ON FLOOR .79

SONNY 8ERMAN

28. nocturne/curbstone scuffle .39

29. nocturne/thermodynamics .39

BIX BEIDERBECKE

33. MAKE BELIEVE/OLD MAN RIVER .69
3:0S0RRY/SINCE MY BEST GAL TURNED ME DOWN .79
32.CHANGES/MARY .99

3|*-0H baby/copenhagen .99
GRAEME BELL DIXIELAND JAZZ

34. B I G BAD BANKS IA MAN/JENNYS BALL .49

CH BERRY

306.BLUES Ct MINOR/WARMIN UP .99
BARNEY BIGARD

35. LAMENT JAVANETTE/READY EDDY .49

EUBIE BLAKE & FATS WALLER (PIANO ROLLS)

36. B0LL WEAVIL BL/LAST MAN BL .79

CLAUDE BOLLING ALL STARS

37. riverside bl/georgia BOBO .49

38„SLUES IN 0 1SGU ISE/D I PPERMOUTH BL .45

39.U RASCAL U/N080DYS KNOWS WAY I FEEL .49

SHARKEY BONANOS KINGS OF DIXIELAND

NEVER RELEASED IN THIS COUNTRY

40. SWEET GEORGIA BROWN/l LIKE BANANAS .99

SHARKEY BONANO JAZZ BAND

41. BACK HOME IN I ND I ANA/M I SSOUR I WALTZ .45

GEORGE BRUNIES JAZZ BAND

42. JAMAICA SHOUT/l STILL WANT U .79

DAN BURLEY SKIFFLE BOYS

43. THREE FLIGHTS UP 1-2 .49

DON BYAS

44.1 SURRENDER DEAR/THESE FOOLISH THINGS .39
HOAGY CARM I CHAEL WITH MATLOCKS ALL STARS

353.ROTATION BL/FLAP YOUR ELBOWS .49
CENTRAL PARK D IX IELANDERS ( LYTTELTON BAND)

45. PANAMA/CHATAN00GA STOMP .49

CENTURY STOMPERS ( WELLSTOOD GROUP]

46. JELLY BEAN WOBBLe/mOUND CITY DRAG .69

CHICAGO RHYTHM KINGS (CLESS ; MARSALA ETC)

307.S0NG OF WANDERER/CHANGES MADE .79
KENNY KLARKE KL I QUE

47. U GO TO MY HEAD/ROLL EM BAGS .35

EARL COLEMANS BAND

48. STRANGER IN TOWN/YARDB I RO SUITE .39

LEE COLLINS/ JAMES P. JOHNSON

49. D0NT TEAR MY CL OTHEs/w I LD BOUT PATOOTIE .89

LEE COLLINS & LITTLE BROTHER MONTGOMERY

50. EL RITMO/LONG TIME AGO .99

RUSS COLUMBO

51. TOO BEAUTIFUL/l SEE TWO LOVERS .79

AL COOPER SAVOY SULTANS

52. GET IT AT SAVOY/NEW JUMP .39

B NG CROSBY

53. SIDE BY SIDE/MAGNOLIA .49

36 I .PRETEND I Ng/gOTTA GET ME SOMEBODY .39

362. IOWA INDIAN SONG/WAY BACK HOME .39

DIXIELAND RHYTHM KINGS (ONE OF BEST BANDS)

54. STEAMBOAT STOMP/TERR IBLE BL .79

55. F ICGETY FEET/FOUND NEW BABY .49

56. WCLVERINE BL/THE SAINTS .45
327. WEARY BLUES/SINISTER BUCKET BL .89

JOHNNY POOPS

57. WEARY CITY/BULL FIDDLE .79

58. MY BABY/ORIENTAL MAN .79

59. UD DOG/FLAT FOOT .89

60. MY GIRL/SWEEP EM CLEAN .79

61. BROWN BOTTOM BESs/lADY LOVE .69

62. weary way bl/therell come a day .79

63. gc0ber dance/too tight .79

64. hot stuff/have mercy .69

65. struggling/little bits .79

66. mixed salad/l cant say .99

67. too tight/papa dip .99

58. SOUTHBOUND RAg/tIN ROOF BL .69

69. HPT POTATOS/STEAL AWAY BL .79

70. *",TH STREET ST/lDLE HOUR SPECIAL .69

71. COOTIE STOMP/WEARY WAY BL .69

BABY DODDS

72. DRUM IMPROVISATION I /WOLVER I NE BL .49

TOMMY DORSEY ORCH

365. BLACK STRAP MOLLASSES/SEPT IN RAIN .39

DUTCH SWING COLLEGE BAND

33 7. A LEX ANDERS RAGTIME BANd/b I RTHOAY BL .49

ROY ELDRIDGE ORCH

73. HECKLERS HOP/THAT THING .55

74. FL0RIDA STOMP/wABASH STOMP .59
3 |6. AFTER u GONE/LAZY RIVER .55

DUKE ELLINGTON ORCH

75. ALL GODS CH ILLUN GOT RHYTHM/ALABAMY HOME .85

76. WEST INDIAN ST/BUGLE BREAKS .85

77. NEVER FELT THIS WAy/aLL TOO SOON .69

78. EXP0SI TION SWING/HARMONY IN HARLEM .59
7S.PINAHS IN A JAM/BUFFET FLAT .89
SO.rCSE RIO GRANDE/PRELUDE TO KISS .85
8| .BLUES/PLUCKED AGAIN .55
82. SAN JUAN HILL/STEPPING INTO SWING SOCIETY .99

83. BOUNCING BOUYANCY/LONELY CO-ED .99

84. BLUE LIGHT/SLAP HAPPY .99

85. HARLEM A I RSHAFT/sPE I A PANORAMA .99

87. swing low/ducky WUCKY .49

88. GO IN to town/tight like THAT .79

89. D0UBLE CHECK/DOWN IN THE ALLEY .79
90..BLAC K AND TAN #|/hOT BOTHERED f\ .79
SI.IM SATISFIED/jlVE STOMP .79

S?,.stevedore/blue FEELING .59

93. PYRAMID/WHEN SUGAR WALKS DOWN STREET .89

JUKE ELLINGTON

95 JUBILESTA/uoONLIGHT FIESTA .49

S7.P0RTRAIR L I On/sOMETH IN G TO LIVE FOR .99

98. RED HOT BAND/OKLAHOMA STOMP .49

99. hONEYSUCKLE ROSE/CHOPST I CKS .49

EMPIRE STATE JAZZ BAND

100. MINSTREL WALK/ONCE IN A WHILE .49

IRVING FAZOLA

101. MOSTLY FAZ/WITH U WHERE U ARE .49

ELLA FITZGERALD

342.WALKIN BY THE R I VEr/fA VOR I TE SON G .39

351. BASIN STREET BLHES(HER GREAT LOUIS IMITATION) .49

352. LADY BUG/BABY DOLL .49
355.1 DONT WANT TAKE CHANCE/rOUGH RIDER .39
357. LAZY DAY/WHAT DOES IT TAKE .49

ELLA FITZGERALD AND LOUIS ARMSTRONG

356.0pps/necessary evil .49
BUD FREEMAN

102. TOWN HALL BL/|NSIDE OR OUTSIDE .49

THE TENNESSEE GABRIEL (BROWNIE MCGEE)

103. IF I COULO HEAR MOTHER PRAy/pREC I OUS LOR D .49
SLIM GAILLARD

I04.WHEN BANANA SKINS FALL I NG/bANGO C I TO .29

ERROL GARNER

105. loose nut/love .39

106. FLA'! piano/fantasy .39

DIZZY GILLESPIE

330.CONFIRMAT lON/DIGGIN DIZ .39

334. DIGGIN FOR Diz/TRUMPET TEMPO (MC GHEE ) .39

JAZZ GILLUM

107. FAST WOMAN BL/KEEP ON SA LING .39
326. ROLL DEM BONES/BLUES WHAT AM .49

B"NY GOODMAN

|08.SAILIn/| CANT GIVE U ANYTHING BUT LOVE .89

109. GONE WITH WHAT WIND/siX APPEAL .89

110. BENNYS BUGLE/B REAKFAST FEUO .79
I I I. JUNK MAN/OL PAPPY .69
I [2. HANDFUL OF KEYS/vlENI VIENI .49
I 13. BUGLE CALL RAG/wHOOPEE STOMP .69

DEXTER GORDON

1 14. oh well/sweet and lovely .39

II5/TALK OF THE TOWn/lULLABYE IN RHYTHM .39

339. THE DUEL PTS 1-2 .39

335. BIKINI/BL IN TEDDYS FLAT (TEDDY EDWARDS) .39

MART GROSS CELLAR BOYS (FINE CHICAGO DIXIE)

I 16. ORIGINAL DIXIELAND ONE STEP/OH BABY .39

1 1 7.sh immeshawabble/do ANYTHING FOR U .35
WALETR GROSS (A SUPERB PIANIST)

I 18. SOMETIMES IM HAPPY/TIME ON MY HANDS .49

I 19. THRU THE YEARS/ORCHIDS IN MOONLIGHT .49

I20.TEA FOR TWO/MORE THAN U KNOW .49

|2|.| KNOW U KNOW/WITHOUT A SONG .49

JOHNNY GUARHARI

122. WHY DO I LOVE u/wWTS THE USE .39

BOBBY HACKETT

338. jazz band ball/embracable you .79
CARL HALEN (great trumpet)

328. CAKE WALK I N BAB I ES/w I LL I E THE WEEPER .49
LIONEL HAMPTON

350. CANNON BALL EXPRESS/b 1 RM I NGHAM BOUNCE .39

358. OH rock/love U MAD .39

359.HA MPS GUM80/SAD FEELING .39
366. cool train/cant BELIEVE UR IN LOVE WITH ME .39
GLENN HARDMANS HAMMOND FIVE (WITH LSTER YOUNG )

123. UPRIGHT ORGAN BLUEs/jAZZ ME BL .99

BILL HARRIS

|24. SOMEBODY LOVES Me/wOOOCHOPPERS HOLIDAY .39

COLEMAN HAWKINS

I25.BEAN ATT HE MET/lM IN MOOD FOR LOVE .39

I26.SWINGIN IN GROOVE/l KNOW U KNOW .39

1 27. BLU ES EVERMORE/DEAR OLD SOUTHLAND .35

128. WHEN BUDDHA SMILEs/wAY DOWN YONDER IN N.O. .39
I29.0UT OF NOWHERE/SWEET GA BROWN .39

130. MAN I LOVE/TALK OF THE TOWN .39

131. BIG head/platinum LOVE .39

31

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JAZZLAND ID

SEE FIRST PAGE OF ADVERTISEMENT FOR FULL DETAILS OF OUR

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ROY PALMER

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207. UP IN DODS ROOM/HIGH WIND IN HOLLYWOOD

228. NANCY JANE/DIRTY DOZENS COUSIN

.69

1 33«GABR | ELS HEATTER/LOVE TO MA KE YOU

.39

208.D0R0THY/N 1 GHT MIST

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TONY PARENTIS RAGTIMERS

MONK HA2EL BAND

2C9.CIALED PUP 1LS/M IDN 1 GHT AT MINTONS

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229.GRACE AND BEAUTY/PRAL 1 NE

.49

i n,i /\ i t m it it /incic
U*+»liIT WIT IT/ IDLAO

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JIMMY MC PARTLANO DIXIELAND JAZZ BAND

pun ir PA PkFD

HERB1E HAYMER QUINTET

2I0.IN A MIST/ROYAL GARDEN BL

.45

230»RELAX |N AT CAMAR I LLO /STUPENDOUS

• 39

1 35»LAGUNA LEAP/bLA CK MAR KET STUFF

.39

21 I.DAVENPORT BL/uSE YOUR IMIGANATION

.45

32 |» RE LAX) N AT CAMARt LLO/BLUE SERGE ( CHALOFF )

• 39

WOODU HERMAN BAND

BIG MACEO

SANTO ft CORA

|36«MEAM TO ME/bLOWING UP A STORM PT 1

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181, CHICAGO BREAKDOWN/WINTERTIME BL

.35

3ii»louisiana/mardi GRAS

•69

I37.THE GOOD EARTh/bLOWING UP A STROM PT 2

.39

WINQY MANONE

3 I ? oROSE RIO GRANDE /CANAL ST ROMP

•69

1 L1IU t 1 OVF /FVFRVWHERF

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I82.ISNT THERE A LITTLE LOVE/THATS A PLENTY

.45

SISTER BERN ICE PHILLIPS

139. BROTHER FATS/GLORY OF LOVE

.39

I83.SHES CRY IN FOR ME/jUST ONE GIRL

.49

3.5.ROYAL TELEPHONE/GOD LEADS

.99

1 D.<;q TUF RA^KFT/Hnl 1 VWOflD RL

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l&*.NICKLE IN SLOT/SWING BROTHER SWING

.79

THE RAGPICKERS

l4t .SUPERMAN ON A HORn/4 MEN ON HO RSE

.39

DODO MARMAROSA

23 | .CATARACT RAG/ENTE RTA 1 NERS RAG

.49

ART HODEA JAZZ BAND

1 85. DODOS BL/l SURRENDER DEAR

.39

232»N0NSENSE RAG/REDHEAD RAG

.45

lA2 Will IF TT4F WFFPFR A*H I FAGO GAL

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I86.L0VER/DARY DEPARTS

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233»THE LILY RAG/CRAWFISH CRAWL

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■ A? ijd in i u i nc n /m f \/Fd i^iuFUf xu IT A r. fi 1
I^J.MK JLLLY LUKU/NLVLK KNt-W 1HH 1 b«L.

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187. TRADE WINDS/BOPMATISM

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□ ftp, t i ur p t hmd Rni i ^

(44. BLUES AND BOOZE/ECCENTRIC

.49

ZEP MEI SSNERS DIXIELAND ALL STARS (RUSHTON ETC)

AMES P. JOHNSON/FATS WALLER

I45.CH IMES SL/ORGAN GRINDER

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I88.BEALE ST MAMA/LEAVIN TOWN

.69

234. PALLET ON FL00R/l8 ST STRUT

.99

ART HODES/JIMMY YANCEY

IS9.DIXIE DOWNBEAT/WHOS SORRY NOW

.65

RAMPART STREET PARADERS (ALL STARSj

146. SOUTH SIDE SHUFFLE/THE FIVES

.49

MELODY ECHOS (FINE SPIRIT AL)

344.PAPA DE DADA/RHYTHM RAG

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.iiunNN i nuuucj l. l- l. ii»u i ij

|90, SAVIOR DONT PASS ME/wILL TO KNOW

.39

t » hit mad finvc a i 7 /iuuc" m i p"r\i i Kjn 1 1
jtj q i m j u i riUDUUro o I *l/ w nc_ rj i ruu nj u

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I47.H0DGE PODGE/WANDERLUST

.79

ETHEL MERMAN

346.DADA STRA ,n/hEEB IE JEEB IES

.49

Rill ir ; Hi n fl y
dii_l.il nuL i-fli

363. LOVE IS THE REASON/MAKE MAN LOVE ME

.49

^__L"7 u i r lj cftr ic"T\/ / ii imti r at
J4* /»H 1 (jH oUL. 1 1. 1 Y/ JUNULL oL

.49

149. IM PULLING THRu/GHOST OF YESTERDAY

.89

ETHEL MERMAN 4 JIMMY DURANTE

LUCKY ROBERTS

1 51 .MOOD IM In/sENTIMENTAL MELANCHOLY

.89

354.IF » CATCH COLD/u SAY NICEST

.49

2 35 e MU S |C BOX RA G/pORK & B EANS

.49

152. SAME OLD STORY/LOVE ME LEAVE ME

.49

MEZZ MEZZROW

K 1 D R EN AS D ELTA JAZZ BAND

153. CARELESS LOVE/MAN 1 LOVE

.49

191. PANIC IS ON/MUTINY IN THE PARLOi

.45

236«GET IT RIGHT/wEARY BL

•85

|55. SOME OTHER SPRING/LOW DOWN GROOVE

.79

LIZZIE MILES

npiiMFT mi dma i Anr /m i i fnrf-q c. tos

/ $ L L_n 1 IN C_. | IVTnn IUW L,rt L/C / IVI | LLf-lijCn u O w O

•69

IT6.KAN 1 love/any OLD TIME

.49

332. CARELESS LOVE/l CRIED FOR U

.89

IAMES ^rriTT

323. EASY TO LOVE/*AY U LOOK TONIGHT

.89

340.ACE IN HOEE/BASIN ST BL

.89

3|0«RAGTIME ORtOLE/GRACE & BEAUTY

.99

324.1 GOT LOVE KEEP ME WARm/oNE NEVER KNOWS

.89

GLRNN MILLER ORCH

ARTIE SHAW GRAMERCY 5

JOHN LEE HOOKER (GREATEST OF TODAYS BL1 IES MEN )

I92.D0NT WAKE UP MY HEARt/wHY MAKE ME FALL IN

.79

360«DANC|NG ON CE3 LING/MY KINDA LOVE

.39

I57.NEVER SATISFIED/NOTORIETY WOMAN

.49

KJNGH JULLER

GEORGE SHEARING

LENA HORNE

1 93. SOME THESE DAYS/EXACTLY L 1 KE U

.89

^ f^.~7 f f»i/~c ot i nti /ncT of t u f ciim
JD / .L. UHL,t- r 1 1 UN/ LA o 1 UK 1 ML oUN

.^9

34B.DEE0 1 DO/LOVE MY LIFE

.39

305. WEARY 8L/C00L KINDA PAPA

.99

238. JABBO SM 1 TH

BUD JACOBSONS JUNGLE KINGS

308.sk: ine/small hotel

.99

READY HOKUm/gOT BUTTE ON IT

•99

158. CANT BELIEVE UR IN LOVE ME/oPUS 1 SANS MELODY

.69

FREDDIE MITCHELL ORCH

JOE AND TRIX1E SMITH

1 59 .LAUGH 1 N AT U/CLARINET MARMALADE

.69

325. F ISH MARKET BL/TILL TOM BL

.39

239.D0 IN THE CHARLESTON/LOVE ME LIKE U USED

.39

HARRY JAMES

LITTLE BROTHER MONTGOMERY

BESSIE SMITH

3 1 3.TEXAS chatter/song of wanderer

.69

I94.SWINGIN WITH LEE/WOMAN 1 LOVE

.79

240.G0LDEN RUL BL/L0NES0ME D ESEART

.49

CONRAD JANIS TAILGATE JAZZ 8AN0

I95.VICKSBURG BL/NO SPEOIAL RIDER

.49

24|.HUSTLIN DAN/BLACK MOUNTAIN BL

.45

I60.THE SAINTS GO MARCHING IN 1-2

.49

JELLY ROLL MORTONS RED HOT PEPPERS

320.ST LOU IS BL \i

.45

|6|. EH LA BAs/lMLLIE THE WEEPER

.49

196. JERSEY JOE/SWEET PETER

.99

242. ST LOUIS BL 3-4

.49

162. ORIENTAL MAN/KANSAS CITY STOMP

.4°

I97.DIDNT HE RAMBLE/WININ BOY BL

.95

THE SOUTHERN JAZZ GROUP (FINE AUSTRAL 1 AN & ZZ )

JACK JENNY ORCH

1 55.M0URNFUL SRENADE/GEORGIA SWING

.99

243. CANAL ST BL/TIGER RAG

.49

i63.stardust/cuban boogie WOOGIE

.79

2 00. NEW ORLEANS JOYS/PERFECT RAG

.79

MUGGSY SPAN IER

BUNK JOHNSON BAND

20l. CANNON BALL/GRANDPAS SPELLS

.59

244.MY GAL SAL/DIP BRUSH SUNSHINE

.49

I64.SNAG it/cant escape from u

.99

202. JELLY ROLL BL/8IG FAT HAM

.79

245. ALABAMA JUB 1 LEE/cAUT 1 ON BL

.49

BUNK JOHNSON 4 LU WAITERS BAND

203. TOM CAT/BUCKTOWN

.79

REX STEWART

I65.ACE IN HOLE/CARELESS LOVE

.99

204. GRANDPAS SPELLS/KANSAS CITY STOMP

.79

246.REXACI0US/LAZY MANS SHUFFLE

.79

EDITH JOHNSON

205. STEAMBOAT STOMP/SMOKEHOUSE BL

.99

247. BOY MEETS HORN/BUZZ BOMP( STORY )

.39

I66.N ICKELS WORTH LIVEr/hONEY DRIPPER

.69

2O6.SHREVEP0RT/STRATFORD HUNCH

.79

RALPH SUTTON

I67.HEART ACHIN BL/aINT NO MORE SAID

.49

305. n l well/love ME

.99

253. CAROLINA IN MORN 1 NG/1H 1 Tr WASH MAN

.59

PETE JOHNSON

33 I.HAM AND EGQS/U NEED SOME LOV 1 N

.89

254.DILL PICKLES/ST LOUIS BL

.59

I68.CLIMBIN SCREAM IN/HOW LONG BL

.69

NASHVILLE JAZZERS/BLUE RHYTHM ORCH

TAMPA RED HOKUM JAZZ BAND

. BLIND WILLIE JOHNSON

300.ST louis bl/holo er deacon

.49

255. MY DADDY ROCKS ME/BOOT IT BOY

.59

169. TAKE BURDEN TO LORd/gOD MOVES ON WATER

.99

NEW ORLEANS RHYTHM KINGS

ART TATUM

3 1 6.MOTHERLESS CHILDREn/oH LORD

.99

2|2. GOLDEN LEAF STRUT /SHES CRY IN FOR ME

.59

302. MAN 1 LOVE/l KNOW U KN«

.35

HANK JONES & JEAN GERMAINE

2 1 3.THATS A PLENTY/TIN ROOF BL

.99

JASPER TAYLORS STATE STREET BOYS

I70.THE CHASE/NIGHT MUSIC

.39

2 1 4.M 1 LENBERG JOYS /SHIMMESHA WABBLE

.69

256. MUST BE THE BL/STOMP TIME BL

.75

JIAXIE KAM1NSKY

ALBERT NICHOLAS CREOLE SERENADERS

MONTANA TAYLOR

|7|. BLACK 4 BLUE/HAVIN A BALL

.49

2|5.SALEE DAME/MO PAS LEMME CAS

.49

257.R0TTEN BREAK Bl/mONTANAS BL

.49

REVEREND KELSEY (ABSOLUTELY THE GREATEST

2I6.1ES OGNONS/CREOLE BL

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258. LOW DOWN BUGLE/l CANT SLEEP

.49

CHURCH MUSIC EVER RECORDED. BUY A SET)

KING OLIVER

259.IN THE BOTTOM/INDIANA AVE STOMP

.49

I72.LITTLE BOY/STAND IN THE STORM

.69

217. FRISCO TRAIN/WORK OX BL

.79

2 60. SWEET SUE/FOUR DAY BL

.49

1 73. STORM PASSING OVER/STR 1 V 1 NG FOR PROMISED

.69

2 1 8.MABLES DREAM/SWEET BABY DOLL

.95

JACK TEAGARDEN ORCH

174. TELL ME HOW LONG/EVENING PRAYER

.69

2I9.KR00KED BL/ALLIGATOR HOP

.59

261. IM ONE GODS CH ILDREN/THATS KINDA MAN

.69

I75.iv a soldier/after AWHILE

.69

336.BOZ0/BIMB0

.69

LEMNIE TRISTANO

GENE KRUPA BAND

ORIGINAL DIXIELAND JAZZ BAND

262,1 SURRENDER DEAR/BLUE BOY

.39

176. SWING IS ICRE/HOPE GABRIEL LIKES MUSIC

.49

220.CLARINET MARMALADE 1-2

.79

TROMBONE ED AND BLUE SIX

LAWSON HAGGART JAZ2 BAND

22 1. SKELETON JANGLE 1-2

.79

263. GREASY PLATE ST/b FLAT BL

.99

343. SATURDAY RAG/BUSYBODY

.49

222.TIGER RAG 1-2

.79

BESSIE TUCKER (TRULY INCREDIBLE BLUES SINGER)

CRIPPLE CLARENCE LOFTON ( SUPERB PIANO)

223. ORIGINAL DIXIELAND ONE STEP 1-2

.79

264. PEN 1 TEN TAR Y Bl/bESSIES MOAN

.49

177. U DONE TORE PLAYHOUSE DOWN/BROWN SKIN GAL

.69

329.LIVERY STABLE BL 1-2

.79

SARA VAUGHAN

CRIPPLE CLARENCE LOFTON/ALBERT AMMONS

ORIGINAL ZEN ITH BRASS BAND

265. LORDS PRAYER/SOMETI V.'i 1 FEEL LIKE MOTHERLESS

.49

178. HAD A DREAM/ST LOUIS BL

.79

224.SHAKE IT BREAK IT/FIDGETY FEET

.99

266.GKOST OF CHANCE/l CAN MAKE U LOVE ME

.49

CLAUDE LUTER JAZZ BAND

3 1 9.SALUTA T 1 ON MARCh/|F 1 EVER

.69

FATS WALLER

I79.FANAMA RAG/SOUTH AFRICAN BLUES

.49

HOT LIPS PAGE

267.IM GONNA SIT RIGHT DOWN WRITE SELF LETTEr/yOU

.99

HUMPHREY LYTTLETON BAND

225.D0UBLE TROUBLE/GOT WHAT IT TAKES

.39

268.N0T THERE RIGHT THERE/HAVE Yn '"A^S

.69

180. GET OUT OF HERE/SUNDAY MORNING

.49

ROY PALMER

DICK WELLSTOOD (NEVER ISSUED)

SHERRY MC GEE'S DIXIELANDERS

226. GEORGIA SWING/STOMP THAT THING

.69

269.PRIZE CAKEWALK ST0RYV1LLC SWELLs/lF U KNEW

1.29

303. SHAKE IT BREAK IT/TIN ROOF BL

.55

227.J0CKEY STOMP/ENDURANCE STOMP

.69

270.LEWD WATERS/CHICAGO BREAKDOWN

1.29

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SEE FIRST PAGE OF SALES LIST FOR INSTRUCTIONS.

ETHEL WATERS ACC JAMES F JOHNSON

271. MY HANDY MAn/D0 WHAT U DID LAST NIGHT .49

LU WATTERS VERBA BUENj JAZZ BAND

272.SK ID DAT DE DAT/EMPERORS NORTON HUNCH .69

273.ShAKE THAT THINg/rOYAL GARDEN eL .69
JOSH IH I TE

274. EV L HEARTED MAN/HOUSE OF RISING SUN .49

BOB WILBERS WILDCATS

275. TROUBLE IN MIND/WHEN U WORE TULIP .49
276. OLD FASHIONED LOVE/CHIMES BL .49

277. L I ME HOUSE BL/ZIG ZAG .49

278. CCAL BLACK SHINE/SWEET GEORGIA BROWN .49

COOTIE WILLIAMS

279iP0WNT0WN uproar/blue reverie .99

279a - top and bottom/toasted pickle .99

200. gal avantin/mobile BL .89

SUNNY BOY WILLIAMSON

28|. elevator woman/s.e. blues .49

TEDDY WILSON

282. HONEYSUCKLE R0SE/AINT MISBBHAVIN .49

263. something i dreamed last night/sheik ARABY .49

284. bugle call rag/memories of u .49

285. punnin wild/cant get started .49

286. stompin at savoy/blues too .49

JIMMY YANCEY

287. THE FIVES/SOUTH SIDE SHUFFLE .89

LESTER YOUNG W TH BASIE

288. LET ME SEE/EVENING .49
289.SUNIY SIDE OF street/china BOY .89

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290. nGS AND ANDY ALBUM. ..6 SIDES..

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291. JACK BENNY ALBUM. ..6 SIDES

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292.EDGAR BERGEN 4 CHAS MAC CARTHY

1.29

293. BURNS & ALLEN W. MATTY MALNECK

ORCH

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294.FDDIE CANTOR.. .8 SIDES

1.29

295. ED ARCHY GARDNER.. .8 SIDES ALL

STARS

1.29

296. WILLIE HOWARD. ..FRENCH LESSONS

1.59

297. FIBBER MCGEE 4 MOLLEY...B SIDES

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298.MUSEAUM OF JAZZ ALBUM FEATURING

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LPS

.LOUIS ARMSTRONG PLAYS THE BLUES -).g5
JOHNNY DODOS VOLUME 1 3.95
•MA RAINEY VOLUME 1 3.95
•THE CHICAGOANS, MUGGSY, TESCH ETC 3.95
NEW ORLEANS HORNS
RAGTIME PIANO ROLL
KING OLIVER PLAYS THE BLUES
•JAZZ OF THE ROARING TWENTIES
PIONEERS OF BOOGIE WOOGIE
REDISCOVERED FATS WALLER SOLOS
JAMES P JOHNSON EARLY HARLEM PNO
•ART HODES CHICAGO RHYTHM KINGS
• THE FABULOUS TROMBONE, PRE RSDGERS

FOLK BLUES, BLIND LEMON JEFFERSON
•JOHNNY DODDS VOLUME 2
.MA RAINEY VOLUME 2
•COLLECTORS ITEMS VOLUME 1
REDISCOVERED JELLY ROLL SOLOS
IDA COX SINGS MEAN 4 MOANI N' BLS

3.95

3.95
3.95
3.95
3.95
3.95
3.95
3.95
3.95
3.95
3.95
3.95
3.95
3.95
3.95

•ROY PALMER 4 THE STATE ST RAMBLERS3.95
•FATS WALLER AT THE ORGAN 3.95
.JIVIN' WITH FATS 3.95
•BIX BE IDERBECKE 4 THE WOLVERINES 3.95
•GEORGE BRUNIS WITH N. O.R.KINGS 3.95
RAGTIME PIANO ROLL 3.95
TOMMY LADNIER VOLUME 1 3.95
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.JIMMY YANCEY, A LOST RECORD DATE 3.95
•ARMSTRONG WITH KING OLIVER CR J B 3.95
WINGY MANNONE'S DIXIELAND JAZZ 3.95
JIMMY BLYTHE SOUTH SIDE BLS PIANO 3.95

THE GREAT BLUES SINGERS 3.95

CLARENCE WILLIAMS AND HIS ORCH 3.95

PIONEERS OF BOOGIE WOOGIE VOL 2 3.95

.MUGGSY SPANIER'S BUCKTOWN FIVE 3.95

.JIMMY BLYTHE 'S STATE ST RMBLRS 3.95

CRIPPLE CLARENCE LOFTON 3.95

BOB WILBER'S WILDCATS 3.95
•CARL HALEN WITH GENE MAYL 'S

DIXIELAND RHYTHM KINGS 4 WSHBD 5 3.95

RLP2503 .NEW ORLEANS ENCORE- BOB HODES*
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3.95

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SOLOES BY TONY BURRELLO 3.95
RLP4001 .AFR I CAN COAST RHYTHMS- 12" 5.95
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LX3003.BEN POLLACK FEATURING B GOODMAN
LX3004. BENNY MOTEN'S K C JAZZ VOL. 1
LX3005. EDDIE CONDON'S HOT SHOTS
LX 3 006 .JOHNNY DODDS' WASHBOARD BAND
LX3007.0RIGI NAL DIXIELAND JASS BAND
LX3008. JELLY ROLL MORTON'S RED HOT PPRS

LX3009

Backgrounds of jazz vol 1(jug bnds)3

85
85
85
.85
85
85
85
85
85
.85

POPULAR JAZZ RELEASES ON ATLANTIC LPs

130. JIMMY AND MA YANCEY SPECIAL 3.95

139. DIXIELAND AT JAZZ LTD: MlFF MoLE 3.95
134. JIMMY YANCEY PIANO SOLOS 3.95
126.PEEWEE RUSSELL 4 RHYTHMASTERS 3.95
141. NEW ORLEANS JAZZ BY WILBUR DEPAR I S 3.95

140. DIXIELAND AT JAZZ LTD: BECHET-6PAN I ER 3.95

FINE JAZZ LPs ISSUEO BY GOOD TIME JAZZ

3. ragtime classics by wally rose 3.00

4. turk murphy's jazz band vol. 1 3.00

5. turk murphy's jazz band vol. 2 3.00
7. Turk murphy's jazz band vol. 3 3.00
8.lu watters' yerba buena jazz band vol.1 3.00

9. bob scobey's frisco band vol. 1 3.00

10. kid ory's creole jazz band 1944/45v0l1 3.00

11. kid ory's creole jazz band 1944/5 vol2 3.00
13. the fabulous paul lingle 3.00

17. bunk j0hn60n 4 yerba buena jazz band 3.00

18. turk murphy's jazz band vol. 4 3.00

19. burt bales after hours 3.00
21. kid ory's creole jazz band 1953 3.00

INTERESTING NEW RELEASE ON PERIOD LP

1010.DJANGO REINHARDT MEMORIAL VOL 1 10" 4.00

GREAT JAZZ MATERIAL ISSUEO ON DIAL LPs

214.djang0 reinhardt vol. 1 4.00

218.django reinhardt vol. 2 4.00

301. sidney bechet vol. 1 4.00

302. sidney bechet vol.2 4.00

304. Roy Eldridge 4.00

303. EARL HINES (bIGARd) VOL. 1 4.00

305. WILLIE THE LION SMITH 4.00

306. EARL HINES VOL. 2 4.00

FINE CLASSIC CONTEMPORARY JAZZ ON "A440" LP

503. WILBUR DEPAR IS NEW N.O.JAZZ 3.00

OUTSTANDING JAZZ RELEASED ON STINSON LPS

30.SPANIER-RUSSEL RAGT I MERS VOL. 1 3,00

31 . S PAN I ER— RUSSEL RAGT I MERS VOL. 2 3.00

46. SIDNEY BECHET CONCERT 3.00

!4,MBRr LOU WILLIAMS 3.00

25. MEADE LUX LEWIS 3.00

40. ART TATUM 3.00

BLUE NOTE LPS BY FAMOUS JAZZ ARTISTS

BLP7020. FABULOUS SIDNEY BECHET HOT SIX 3.95

BLP7021 .ART HODES BACK ROOM BOYS 3.95

BLP7022. SIDNEY BECHET HARLEM SIX 3.95

BLP70g3«»EZZ KEZZROW AND LEE CULL INS 3.95

BLP7024. SIDNEY BECHET FESTIVAL CONCT VOL1 3.95

BLP7025.SID BECHET JAZZ FESTIVAL CNCT VL2 3.95

BLP7026. DIXIE BY BECHET WITH JONAH JONES 3.95

REMARKABLE PIANO LPs ON "WINDIN BALL"
101 .DON EWELL PIANO SOLOS

3.95

102. DON EWELL PLAYS KING OLIVER TUNES ( PNO )5. 95
(ABOVE RECORD 12 inch)

AUDIORH ILE

THE MOST FABULOUSLY RECORDED SOUND EVER PUT
ONTO RECORDS • ALL GOOD JAZZ. PLAY ONLY AT
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AP1 .HARRY BLONS DIXIELAND JAZZ VOL 1

AP6. HARRY BLONS DIXIELAND JAZZ VOL 2

AP7.RED NICHOLS VOL 1

AP8.RED NICHOLS VOL 2

AP10. HARRY BLONS EASY LISTENING

AP11.DOC EVANS VOL 1

HI-FI JAZZ ON VANGUARD LPS

VRS8001.VICK DICKENSON SEPTET VOL 1
VRS8002.V1C DICKENSON SEPTET VOL 2
VRS8003.SIR CHARLES T HOMPSON SEXTET
VRS8004.MEL POWELL SEPTET

5.95
5.95
5.95
5.95
5.95
5.95

4.00
4.00
4.00
4.00

GREAT JAZZ RELEASES ON RIVERSIDE EPs(45rpm)

REP101.LOUIS ARMSTRONG PLAYS THE BLUES 1.58

REP102. JOHNNY DODDS WITH DOMINIQUE 1.58

REP103.THE CHICAGOANS WITH MUGGSY, TESCH 1.58

REP104.RAGTI ME PIANO ROLL 1.58

REP1 05 .RED I GC OVER ED FATS WALLER SOLOS 1.58

REP106.YANK LAWSON'S DIXIELAND JAZZ 1.58

SALE

CONRAD REN FRO E

1029 CLAY AVE.,
Macon Ga.

MINIMUM ORDER 3 RECORDS. SHIPPING CHARGES
EXTRA • LIST SECOND CHOICE.

SALE

8 OS WELL SISTERS

ROLL ON MISSISSIPPl/sHOUT SIS 8 RE

SHINE ON HARVER t/hEEB IE JEEBIE BRE

FARE THEE WELL ANa/luL OF BOWAY BRE

TOPHAT, »HT TIE 4/CHEEK TO CHEEK SRE

I'M GONNE SIT RIGHT DWn/mUSIC GOES BRE

LET YOURSELF Go/l'MPUTTIN ALL EGGS BRE

BING CROSBY

LOVE IN bloom/please CO£

BROTHER CAN U SPARE 18^/HOME RANGE COC

SHINE SOME OF THESE DAYS COE

SWT ga. brown/after SUNDWON COE

LAST RND UP/SOMEONE STOLE GAB'S H COE

PARADISE/HONEYS LOVIN' ARMS COE

TRY TENDER NES8/HOW DEEP OCEAN COE

HERE LIES LOVE/PLAYING WITH FIRE CoE

YOUNG 4 HEALTHY/LAZY DAY COE

LETS PUT OUT LIGHTS/LETS TRY AGAIN COE

DORSEY BROTHERS

honeysuckle rose(parts i 42) bre

st louis bl /basin street bls bre

tailspin/milenberg joys brE

harlem chapel ch imes/weary bls bre
THE LOUISIANA RHYTHM KINGS

BASIN ST BLUES/ LAST CENT BRE
THAT DA DA STRAIN/THATS A PLENTY BRE
SWEET SUE JUST u/sQUEEZE ME BRE
OH LADY BE GOOd/mEANEST KIND 0 BLS BRE

NEW ORLEANS RHYTHM KINGS

TIN ROOF BLS/ PANAMA BRE
OSTRICH WALK/ORIG DIXIELAND ONE STEBRE

DUST OFF THAT OLD PIANo/slNCE WE BRE

SAN ANTONIO SHOUT/THE JAZZME BLS BRE

TIN ROOF BLS/ THATS A PLENTY BRE

MAPLE LEAF RAG/CLARINET MARBaUCE BRE

SWEET LOVIN MAN/LONDON BLS BRE

BLUNIN THE BLs/ SENSATION BRE

KING OLIVERS CREOLE JAZZ BAND

D ' PPER MOUTH BLS/CANAL ST BLS BRE

MANDY LEE BLS/GOING AWAY WEAR OFF BRE
JUST GO !■£ /WEATHER BIRD RAG
MABELS ORM/RIVERSIOE BLS

RED N ICHOLD

PEG 0 MY HRT/CHINA BOY

AFTER U GONE/THE SHIEK
BUG A BOO/CORRINA CORRINA

I GOT RHYTHM/SWEET 4 HOT
BUGLE CALL RAG/ BACK BEATS
SLABAMA STOMP/HURRICANE
R IVERBOAT SHUFFUe/eCCENTR IC
FIVE PEN N IE s/ THE JAP SANDMAN
WHISPER ING/rOCH|N CHAIR

allahs holiday/roses of pucaroy
imagination/original dixieland one brE

CHINATWN MY CHINATWn/oN THE ALAMO BRE

ORIGINAL DIXIELAND JAZZ BAND

TIGER RAG./REISEN*EBER RAG BRE 250C N 1.75

CHICK WEBB

THAT RHYTHM MAN/ LONA BRE

YOU'LL HAVE SWING IT/VOTE MR.RHYM BRE

THERE8 FORST ON MOON/LOVE MARCHES SRE

WAKE UP 4 LIVE/lTS SWELL OF U BRE

IN A LITTLE SPANISH TWn/a I NT GOT BRE

STRICTLY JIVE/ ROCK IT FOR ME BRE

TICKET A TASKEt/lIZA BRE

ELLA/FOUND MY YELLOW BASKET BRE

UNDECIDED/lN THE GROOVE AT THE BRE

F.D. R. JONES/LITTLE WHITE LIES BRE

CASA LOMA ORCH

BLK JAZZ/ MANIACS BALL BRE

ALEXANDERS RAG T I ME BND/OO THE N.Y. BR*^

CLIFF EDWARDS ( UKELELE IKE)

brE
brE

SRE
BRE
SHE

brE

BRE
BRE

BrE
brE
brE
brE

I I 36 N I .75
|2|8 N 1.75
2043 N 1.75
20L7 N 1.75
2 142 N 1.75
2166 N 1.75

1802 N 1.75

1829 N l»75

1845 N 4„75
1881 N 1.75

1894 N 1.75

1971 N 1.75

1985 N 1.75

1990 K 1.75

2027 N 1.75

2208 N 1.75

1890 N 1.75

1892 N 1.75

2023 N 1.75

2149 N 1.75

2506 N 1.75
2731 N 1.75
3282 N 1.75
3324 N I .75

1910 N 1.75

1988 N 1.75

2008 N 1.75

2040 N 1.75

2208 N 1.75

2209 N 1.75

2210 N 1.75
2337 N 1.75

2200 N 1.75

2201 N 1.75
3575 N 1.75
3575 N 1.75

1019 N 1.75

1 104 N 1.75

1120 N 1.75

1300 N 1.75

1803 N 1.75

1804 N 1.75
1806 N 1.75

1851 N 1.75

1852 N 1.75

1853 N 1.75

1855 N 1.75

1856 N 1.75

IF I HAD U/THE NIGHT IS YOUNG BRE

SOMBDY LOVES ME/ST LOUIS B 6 BRE

JUDY GARLAND

HOW ABOUT U?/f.D.R. JONES BRE

I SHAM JONES

4 OR 5 times/ jimtown bls/ brE

2019 N 1.75

2357 N 1.75

2381 N 1.75

2438 N 1.75

2546 N 1.75

2559 N 1.75

26»4 N 1.75

2687 N 1.75

2743 N 1.75

2818 N 1.75

1279 N 1.75

1310 N 1.75

2394 N 1.75

2408 N 1.75

3305 N 1.75

2098 N 1.75

THOUSANDS OF SWI NG,S*EET,CLASS ICAL,SEM I "CLASS ICAL,
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TRADE ELLIOT GOLDMAN

52,BRENT WAY
FINCHLEY

LONDON N. 3 ENGLAND

LP OR STANDARD.

AUCTION

1 ON,

OR

E MU

;ic.

HMV

5967

V

COE

5|74 E+

HMV

1719 E

BR

7488

E+

BR

7718

E

BR

7855

N—

BR

7857

E

BR

7982

E+

BR

7983

E+

BRE

RL 297 N

coE

1215

E+

coE

1633

N

COE

1634

E+

coE

1635

N—

coE

1809

N

coE

2014

N

HMV

5398

E+

HMV

6403

N-

Hl/W

3456

E+

HMV

3O04

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AM3R0SE ORCH

STARDUST/ BLUE AGAIN

FRED k ADELE ASTAIRE

BABBIT 4 BROMIDE/FUNNY FACE
WHICHNESS OF THE WHATNESS/ OH GEE
FRED ASTAIRE

THE PICOLINO

BOJANQLES/NEVER GONNA DANCE
BEGINNERS LUCK/THEY CANT TAKE
SHALL WE DANCE/WHOLE THING OFF
FOGGY DAY/CANT BE BOTHERED NOW
THINGS ARE LOOKING UP/NICE WORK
TOP HAT/ISNT THIS LOVELY DAY
NBHT AND DAY/AFTER YOU, WHOi
LET YOURSELF GO/LETS FACE MUSIC
ALL MY EGGS/WE SAW THE SEA
RATHERLEAD A BAND/AWFUL LETDOWN
CHANGE PARTNERS /COL OR BLIND
POOR MR CHISHOLM/DIG IT
GOT U ON MY MINO/NIGHT & DAY
HEART OF STONE/LEO RE I SMAN

JOHN BOLES
HAPPENED IN MONTEREY/SONG OF DOWN

FANNY BR ICE
IF YOU WANT THE R Al NBOW/ J. MARVIN

EDDIE CANTOR
CHEER UP("BALLYHOO"THEME SONG ) DURIUM N
KIND OF BABY FOR ME/MAKING THE BE STREX 8389 V

BENNY CARTER
NIGHTFALL/ SWINGIN' AT MA IDA VALE
BIG BEN BLS/ GOT 2 LIPS
ACCENT ON SWING/SCANDAL IN A FLAT
TIGER RAG/WALTZING THE BLS
MIGHTY LIKE BLS/AINT GOT NBODY

CASA LOUA ORCH

BLUE PRELUDE/WILD GOOSE CHASE

MAURICE CHEVALIER

QUAND JE SU IS/MA I OU EST MA ZOU ZC
0ITE6-M0I MA MERE/ QU,ND ON EST
MYLOVE PARADE/NOBODYS USING IT
VaLENTINE/P»RIS STAY THE SAME
SWEEPIN THE CLOUDS/JUST ONE GIRL
OH THAT MITZI/WHAT WOULD YOU DO
POOR APACHE/ MIMI
LES ANNAS/VALENTINE

GARNET CLARK/ ELL IN'' TON
STAR DUST/ TROUBLED WATERS

BINS CROSBY
OUT OF NOWHERE/ IF U SHOULD EVER
PLEASE/ HERE LIES LOVE
DREAM WALKING/ LETS SPEND
THATS GRANDMA.DR IFTW00d(pw'
BUNDLE OF OLD LOVE LETTERs(pw)
HAPPY FEET/BENCH IN PARK( Pw)
WHAT PRICE LYRICS/FROM MONDAY
MISSISSIPPI MUD/THERE'LL COME

FLORENCE DESMOND
A HOLLYWOOD PARTY I 2 PTS )

MARLENE DIETRICH
JOHNNY/ PETER

FALLING IN LOVE/ BLONDE WOMEN

REGINALD FORESYTHE ( P. SOLOS)

voE

4

N

VOE

7

N—

voE

14

N

VOE

19

N

voE

110

E +

brE

1560

E+

JCOE

4401

N

coF

2026

N

HMV

3332

N

HMV

3364

N

HMV

348U

N—

HMV

4173

N

HMV

4289

N—

HMVF 205 E+

HW

4593

N

brE

1166

E

brE

1380

N

brE

01700

N

COE

507|

E+

CO6-

5724

E+

COE

CB36 E

HMV

2779

E+

PAE

2097

N

HMV

4264

E+

DEE M447 E+
hmv 3524 E+

ST LOUIS BLS/ BECAUSE ITS LOVE
STEPHANE GRAPPELLY

STARDUST/A U REVO I R

GEORGE JESSELL

MY MOTHERES EYES/ M. DOWNEY)

AL JOLSON

USED TO YOU/ WHY CANT YOU
LITTLE PAL/ 7TH HEAVEN

Ml ST INGUETT
M I TSOU/PANA ME N 'EST PAS PARIS

RAMON NOVARRO

EL REL I CAR I 0/LON G AGO IN ALCALA

SIX SWINGERS

STARDUST/RHYTHM

TIGER RAG

S BUSINESS

NAT GONELLA'S GEORGIANS

SPIKE HUGHES ORCH

MASTERS H AWA I I AN S ( L I ON RAG)

SOPHIE TUCKER
VIRGINIA/TALL DARK HANDSOME
IS HE BOY FRIEN9/AWAY DWON SO
FEATHERING A NEST/I'M DOIN
CHANGES MADE/WHAT1 LL U DO

COE 1141 N

DEE 8451 N

HMV 3049 N-

BRE I0287E+

BRE 10286 E

PAE 392 N-

HMV 8426 N

RZ 1771 N

PAE F|6| N

DEE 331 I N—

HMV 4Z86 N

coE

4942

N—

coE

5030

N

HMV

3131

N—

PAE

3455

E-

BLUE NOTE RECORD SHOP

5671 DELMAR BLVD
ST. LOUIS 12. MO.

THE JAZZ RECORD SCENE IS BEGINNING TO BECOME
COMPLICATED AGAIN WITH THE APPEARANCE OF MANY NEW,
SMALL LABELS. KEEP IN TOUCH WITH NEW AND COMING
RELEASES IN THE PAGES OF THE JAZZ REPORT,
D I STTR I8UTED BY THE ST. LOU IS JAZZ CLUB. FOR
DETAILS WRITE; ST. LOUIS JAZ2 CLUB,MOSELY LANE,
CREVE COUER, MO.

YOU CAN GET ALL THE NEW RELEASES FROM BLUENOTE
(OF COURSE)

DO YOU HAVE THESE - THEY HAVE BEEN AMONG

OUR TOP SELLERS:

GEORGE LEW I S— AN TONES # 1,2 10" LP J3.85

NEW ORLEANS PARADE-PAX 9001 |2" LP 5.95

JAZZ AT storyville-(davison)-savoy 15025

lu" LP 3.85

GEORGE LEWIS-JAZZ MAN 331 IU" LP 3,85
KID ORYS CREOLE JAZZ BAND WITH THE GREAT

DON EWELL-GOOD TIME L-2| 10" LP 3.03

GET THESE BECENT AND COMING RELEASES FROM BLUENOTE I

GEORGE LEWIS CONCERT AT COLUMBUS OHIO

2-1?" LP'S

RE-ISSUES FROM GENNETT, PARAMOUNT, CIRCLE,

CHAMPION, ETC
RE— ISSUES FROM VICTOR, BLUEBIRD
JAZZ FROM ST.LOUIS-WINDY CITY SIX
JOHNNY W I GGS,RAY BURKE, GEORGE LEWIS
ARMOND HUG, ETC. ON SOUTHLAND
RE"-ISSUES FROM THE SESSION LABEL
COMING UP-OEWEY JACKSON WITH SINGLETON

PALMER'S DIXIELAND SIX |0"
BABV DODDS DRUM METHODMJ.DOM I N I QUE 10"
REE WEE RUSSELL TRIO 10"
THE SALTY DOGS OF PURDUE UNIVERSITY 10" LP
KID ORY EXNER SIDES 10" LP

GREAT THINGS COMING FROM CHICAGO 10" LP'S

CASINO SIMPSON (PARAMOUNT) IU" LP

THE CASTLE JAZZ BAND 10" LP

(FOR MORE OETAILS ON THESE SESSI ONS,WR I TE BLUENOTE)

LP'S
LP'S
LP

10" LP'S
10" LP'S

LP

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REMEMBER :

REMOTER:

REMEBBSfi:

IT'S BLUENOTE FOR NEW ORLEANS JAZZ;

BLUENOTE-GEORGE LEWIS, SIDNEY BECHET ETC.
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BID I LOUIS
PARAMOUNT— JOHNNY WIGGS, PUNCH MILLER
SOUTHLAND-GEORGE LEWIS, JOHNNY WIGGS, RAYMOND
BURKE, PAUL BARBARIN

GOODTIME JAZZ-euNK jonson, George lewis, kid ory

JAZZ MAN-GEORGE LEWIS, OCTAVE CROSBY
DISK JOCKEY— GEORGE LEWIS
AN TONE— GEORGE LEWI*

NEW ORLEANS BANDWAGON- PAPA CELESTIN

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DO YOU HAVE THESE LISTS?

NUMBER THREE- SWEET ITEMS 1930-35
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TO GET IN TOUCH WITH THE PERSON WHO BOUGHT #I7|3 —
t-E 15673 FROM OUR RECENT LIST t 3-6WEET.

CARBON COPY LISTS NOW AVAILABLE OF THE FOLLOWING
AR T I STS,

FLETCHER HENDERSON DUKE ELLINGTON

CHARLIE BARNET COUNT BASIE

BENNY GOODMAN JIMMIE LUNCEFORD

GLENN MILLER RED NICHOLS

AUCTION AUCTION
SAlJi STEPHEN STORAN SALE

% A RG — BOX 34 1 COOPER STATION NYC N.Y

AUCTION OF STOCK OF TOPEX RECORDING STUDIOS. ALL
RECORDS LISTED ARE COMPLETE HALF-HOUR BROADCASTS
ON 12" LP-^33-1/3 MICGROOVE STUOIO ACETATE RECO)B|NGs|
CAN BE PLAYED ON ANY HOME LP PHONO. ALL RECORDS
ARE IN NEW CONDITION - NEVER PLAYED.

ETHEL WATERS — TV — l?"i p
( I )dinah

12)bread and gravy

(3) suppertiic

(4) manhattan

(5) chan ges made

(6) balling the jack

(7) his eye is on the sparrow

(8) i got rhythm

(9) three little words

FATS WALLER— i2"lp(N0T A BROADCAST)

( I (LOOKING GOOD BUT FEEL I N BAD
(2)l NEED SOMEONE LIKE YOU
(3>L00KING FOR AM OTHER SWEETIE NOW

(4) WHEN I 'M ALONE

(5) PLEASE TAKE ME OUT JAIL
(6 (HE'S GONE AWAY

(7) SAVANNAH BABIES

(8) W0N'T U TAKE ME HOME ?

(9) MY FATE IS IN YOUR HANDS
( IO)TURN ON THE \£ AT

BESSIE SMITH - |2" lp(nqt a bdcst)

( I (DOWNHEARTED BLS

(2) gulf COAST BLS

(3) taint nobodys business i f i do

(4) keeps on rainin'

(5) baby » nt you please come home

(6) 0h daddy bls

(7) mamas got the bls

(8) 0utside of that

(9) lady luck 8ls
( |0)y0dling bls

GEORGE LEWIS-R0BINS0N-P1IRNFI I - |7"| p
( I )SENSATI ON RAG

(2) tiger RAG (lizzie miles)

(3) WH0'S SORRY NOW?

(4) L0U ISIANA

(5) gOOD M* IS HARD TO FIND(mIUEs)
(6>SHEIK OF A RABY

CASTLE JAZZBAND QUARTET - i2"lp

( I ) J B BALL

(2) HORSESHOE STOMP

(3) 0RIENTAL STRUT

(4) ri VERSI DE BLS

(5) AGGY N OF MY JELLY ROLL
(6>FIDGETY FEET

(7)wiLD MAN BLS

ARTIE SHAW - |2"lp

( 1 (together

(2) too marvelous for wouds

(3) how deep is the ocean 7

(4) dont take your love from me

(5) lcve of my life

(6) forsaken

(7) love walked right in

(8) carnival

(9) they cant take that from me
(|0)s0ftly as in mori i ng sunrise
FLETCHER HENDERSON - |2»LP

( i )found a new baby

(2) anything you want

(3) chartreuse
14)s0metimes i'm happy

(5) rose room

(6) stardust

(7>S0FT Wl NDS

(8)CHR I STOPHER COLUMBUS

BENNY GOODMAN « 12 " LP - 8/27/C

( 1 ) the husklebuck

(2) dON'T WORRY 'BOUT ME

(3) clarinet a la king

(4) some enchanted evening

(5) sTRING OF PEARLS

(6) smaLL hotel (quartet)

(7) blue lou( sextet)

(8) fiesta time

RAY MCKINLEY - |2"lp

( 1 Jmemphis blues

(2) c0me rain come sh ine

(3) panch0 maximiliam hernandez

(4) muskrat ramble

(5) c0w cow coogie

(6) jungle drums
(7)shanks mare

, fl, IM1 9 —

34

AUCTION

AUCTION

THE RECORD CHANGER

BOX C, 4|8 WEST 49TH STREET NYC |9 NY

BEGINNING IN THIS ISSUE WE ARE STARTING TO BREAK UP AND OFFER AT AUCTION THE GREATEST COLLECTION OF B ING CROSBY RECORD I ANA EVER ASSLMBLEO. THIS COL-
LECTION FORMERLY BELONGED TO ROBERT IEIL AND CONTAINS OVER 3,200 ITEMS FFATUR I NG BING. IN DOZENS OF RADIO SHOWS, ETC., THESE ARE THE ONUY COPIES IN
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AND THE TESTS AND FOREIGN RELEASES INCLUDE HUNDREDS OF UNKNOWN, UNISSUED AND ALTERNATE MASTERS; THERE ARE FILM SOUND TRACK RECORDINGS, BLOWUPS, PRI-
VATE ADVERTISING BLURBS, ETC. EACH RECORD IS ENCASED IN HANDSOME, CUSTOM-MADE, EXTRA HEAVY OUTY BROWN OR BLUE LEATHERETTE SLEEVES, INCLUDING THE
12" AND 16' TRANSCRIPTIONS.

ALL RECOROS ARE 78 RPM EXCEPTING WHERE OTHERWISE SPECIFIED. WHEREVER THERE IS A MASTER NUMBER IT WILL BE LISTED IMMEDIATELY FOLLOWING THE TITLE.
CHECK YOUR RECORDS AGAINST THESE NUMBERS AS IN HUNOREOS OF CASES ALTERNATE, 2nd. 4 PREVIOUSLY UNKNOWN ALTERNATE MASTERS ARE HEREIN AVAILABLE. ESPECI-
ALLY CHECK MASTERS ON TESTS.

WE ARE STILL OPEN TO ANY REASONABLE OFFER FOR THE COLLECTION BUT FAILING TO RECEIVE ANY ACCEPTABLE BIDS BY THE TIME THIS AUCTION IS CLOSED, WE SHALL
ACCEPT WINNING BIDS ON THE INDIVIDUAL RECORDS REPRESENTING ONE OF THE MOST REMARKABLE COLLECTIONS EVER ASSEMBLED. THE RECORDS ARE ALL IN N- CONDITION
OR BETTER UNLESS OTHERWISE NOTED. MINIMUM BID IS SI. 00 PER RECORD UNLESS OTHERWISE NOTED. PLEASE BID BY NUMBER TO LEFT OF COLUMN. WINNERS NOTIFIED
TO SEND AMOUNT OF WINNING BIDS PLUS 35c FOR RACKING. ON RECEIPT OF REMITTANCE RECORDS WILL BE SKIPPED VIA RRX CHARGES COLLECT. 10" UNLESS OTHERWISE
NOTED. CROSBY IS ON ALL I TEWS IN ADDITION TO OTHER FEATURE NAMES ON SHOW SIDES.

DEC 10089

DEC 23 975

DEC02663

DEE 03413

DENZ 6145
DENZ 6155

HMV 3936

HMV 5555

245. U SANG MY LOVE SONG (W73256B J/GO

WEST YNG. MAn(wl4396T7a) DEAU 6080

246.00ES YR.HRT BEAT (wl4278t20A )on

SUNNY SIDE ST.(w73288t3a) DEAu 6083

247. KISS IN YR. EYEs(wl4346t37a)/
STRANGE MUSIC (l3692a) DEAU 6154

248. LAST MILE home(i 5007 )/easy TO
LOVE (»l4730t8a) DEAu 6186

249. LET'S START N .YR.R ITe(DLA2990a )

/white xmas (l3009b) dec 1 0065

250. god rest ye, gents. ( l3028aa )/

FAITH OF FATHERS(l3027Aa)

251. BE HOME FOR XMAS (l3203a )/dannY
BOY (DLA2504A)

252. FEUDIN' 4 Fl GHTI N' (W73909T4A )/
GOODBYE MY LO VER (w739 I 0T2A )

253. HOW SOON ( W73939T I A )/yOU DO
(W73938T ma)

254. AFTER U G0NE(W732"'9T5A )/BLUE
(W73278T6A )

255. DLG. NELLIE GRAY (dLA|289a)/
SWING LOW, SW. CH. (OEA |290b)

256. AH SW. MYSTERY (dlai606a)/
SWEETHEARTS (dLA|607b)

257. BIRTH OF BL.(DLA24|2a)/wAITER,
PORTER (DLA24 1 I A JbOTH WITH J.
TEAGARDEN 4 MARY MARTIN

258. MARY (DLa2446A )/g I RL OF MY DRMS
(dla 17688a)

259. WITH AL JOLSONispaniard THAT
BLIGHTED (WL4387A7 ) ALEX . RAG .
BAND (wL4386A8)

260.160 ACRES (wl4676A4)/bA3Y WONT
U PL. COME (WL39I IT3a)

261 . TARRA— TA— LARRA (l4843)

262. RARE BLOWUPS.
3 CABALLEROS ( BLOWUP OF DE MASTER L-

3476)/you BELONG TO MY HEART (blow-
up OF DE MASTER L3738). 1 0" SHELLAC
PRESSING.

263. WRAP YR. TROUBLES IN DREAMS
(PB6I077-2)

264. WITH WH ITEMAN ORK . : MAGNOLIA
(A 38779-1 )

265. with WH ITEMAN: AFRAID OF u
(A43660-2 J/griEVING (A43668-2)

266. WITH WHITEMAN: WONT B LONG NOW
(A3957i?-1 VmANHATTAN MARY
(A39653-3)

267. WITH DUKE ELLINGTON: 3 LITTLE
WORDS (A6I0I3-5* HMVAu 834

268. LONE STAR TRAIl(dla2252a)/0L' 286-1 57B J
MAN RIVER (DLA 2538A ) ODAR )

269. ALL OF MY LIFe(l3726)/nITE 4 ODAR )
DAY (l33i6a) 286321b)

270. no te importe saber(dla25i8b)/ 2868I8B)

FLORES NEGRAS (DLA25I7A) ODAR )

271. EL rancho grande(dlai752/ida
dlai722a) ODAR test pressing.

272. empty saddles (0la436a (/round- odAr )
UP LLBY (DLA437AJ 2841 32a)

273. CLEMENTINE (-2437A DLa)/oLD BLK. ODAR j
JOE DLA2445A) 284844b Q

274. LET'S SPEND AN EVEG.AT HOME
(LA90A)/SOME OF THESE D AY S ( W I TH
ISHAM JONES 0RK.)(c864l-l ) OK 2869

275. WITH F. T RUM BAUER ORK ■ (wh ITEMAN )
MISSISS. MUD (400034A )/W!TH BIX 4
TRAM-NO BING)THR'L COME A T I ME PAAU )
(400003b) 7692)

276. WITH DORSEY BROS ■ :MEAN TO ME
(40|562c)/my KInda LOVE (401562)

VERY RARE SIDES. PAE 374

277. SENT I .G ENT.FR.G A. ( 1 2355-1-5 )/lT
DONT MEAN A TH I NG ( 1 2354— I —4 ) .
THE ABOVE CLAIMED BY FOREMOST
CROSBY COLLECTOR AS BING 4 RHYTHM
BOYS UNDER PSEUDO, THE SONGFELLOWS.
WE DO NOT KNOW AND DO NOT GUARANTEE
TH IS.

278. SONG OF I SL. /ALOHA OE

279. HOME ON RANGE(LA22)/BLUE PRE=
LUDe(b79ia) RARE LABEL FOR BING

280. FR. MONDAY ON ( 41 689-6 )/m| SS .
MUD (4l 696—3 )w .WH I TEMAN

281 . W.WH ITEMAN:DANC ING SHADOWS

(4J664-I )

282. W.WH I TEMAN 4 B IX )san (TAKE6 )/
POOR BUTTERFLY (TAKE 2)

283. ALTERNATE MASTER: MISS. MUD
(BUE 41 696-i! ^/LONELY MELODY

284. alternate master: from mon. on
(due 41689-4 Jw.whiteman/sugar

285. ALTERNATE MASTER: FR .MON . ON
[bue4i689-3 )w. FW./thats GRADOWA
(not alt.)(bue 40846-3)

28B.thanks(la i a-i4)/home on range

(la 22a 18)
237. with DORSEY BROS.: STAY ON RITE

S IDE(SI J lt>0A5 ^/SOMEONE STOLE G A

BRIEL'S (bi3i49a7)

PE

12854

POJa 103

.REX 8957

VI

2l274

VI

21431

VI

24078

VI

25366

VI

25368

VI

27688

VO

2870

VO

4522

288. W. WHITEMAN. BIB. ETC.: CHANGES VI TEST
(sue 40937-2)

289. PARADISE (||4S0Ba)/u STILL IN
MY HRT (BII48IA) BR 6285

290. WITH WHITEMAN.BIX.TRAM. MY PET
(43662-2 J/afraid OF u (43660-4) VI 2|389

291. CLAIME0 AS CROSBY I TEM— WE DO NOT
KNOW OR GUARANTEE :NIGHT OWL
(bs 77646-1 ) VI 24400

292.3 LITTLE WORDS . ( A6| 0 1 3—5 )w I TH

DUKE ELLINGTON 0RK.4RHYTHM BOYS VI 22528

293. THAT'S GRANDMA(BUE 40846-3) WITH VI TEST
THE RHYTHM BOYS

294. WARNER BROS. EXPLOITATION RECORD .
BING W. LOMBARDO 0 . :YNG 6H LT HY-
GETG.B HABI T(BP|2695AI )/42 ST-
SHUFFLE OFF TO BUFFALO I 0"

295. W . WH I TEMAN. BIX. TRAM:my PET VI TEST
(BUE 43662-1 j

296. WITH WHITEMAN: AFRAID OF u VI TEST
(BUE 43660)(3)

297. WITH WHITEMAN. BIX, TRAm:u took VI TEST
ADVANTAGE (BUE 43670-R I )

298 . W.WH I TEMAN. BIX.: LOUISIANA VI TEST
(43667-3)

299. W. WHITEMAN, BIX, TRAM : LOVABLE VI TEST
(BUE 43145 R 2)

300. POOR BUTTERFLY (WITH WHITEMAN)
(BUE 41680-2 )/san (six) VI 24078

30 1 .SUZANNE . ( ALLEGED B I NQ— NOT GUARAN-
TEED ) ( PBS 58424-2 )/love m'LITE VI 34235

302. BLUE PRELIIDe(b79IA-2)/wE'LL MAKE
hay (LA 68A 3) VO 2868

303. LOVE THY NEI3HB0r(lA|34A-Id)/sHE
REMINDS ME OF U ( LA 1 46 A— I 5 )r ARE ON RO 2370

304.1V OUT WD. OF WARNING (30856A )/TWO

FOR TON I TE (39855a) POJ |5| 84

305. WITH CROSBY BOBCATS, MERRYMAKERS :
PALE MOON (DLA229 I B l/DOLORES (2290a )oE 25399

306. EVALINa(w72579t6a)/EAGLE 4 ME
(w72578T5«) DE 18635

307. AFTER U G0NE(w73279T5A J/SLUE
(w73278T6a) DEC 24i |4

308 . w l TH AARONSON Ork.:i'm HUMM I N' (la I 8| )

/ST. FR. SHOULDER (LAI83 COAU |283

309. WITH WH I TEMAN :SONG OF DAWN

( 149822 )/LIKE TO do thgs( 149826) COE 87
3 I 0. W.WH I T EMAN: CO UNTG. STARS ALONE

( I49005J/WTG. END OF RD.(|48986) COE 5675
3II.BAHIA (l3736a)/sOLAMENTE UNA

VEZ(l3733a) C0SPI4336
3 I 2 . CO LUMP I ANDOSE EN UNA ESTRELLA

(l3307a)/siguierndo Ml CAMINO

(l3309a) COSP|43|0
3 [ 3 . i l.u. truly (l3803a)/just AWRYN'

(l3804a) BBE 41 |2

3i4.THE> SAY IT'S w' FUl(w73~93t5a )/

ONE SW. LETTER (l33|9aa) srE 3794

3i5.long as I'm drmg (wl4323t°a )/

COUNTRY STYLe(wl4329T3a) BRE380I

3 I 6 . CONNECTICUT (WL3750TIA) DE TEST

3|7.I'LL TAKE U HOME KATh(l3898a) DE TEST

3I8.SAVE YR. SORROw(l39|0a) DE TEST

319. LONG AS I'M DRMG. (4323b) DE TEST

320. PLEASE (DLA 2073) DE T Zil
2Z I .SWHRTS(DLA I 607A )/mEX I C AL I . ROSE

(DLA i3i6a) DEAu534l

322. THANKS (Al )/bLACK MOONLI TE(A4) COAUI089

323. LOVE THY ,MEIGHBOR(lAI 34 )/oNCE

IV BL. MOON (la 1 35) COAUM82

324. MAY I ( LA I 37 )/gN I TE LIT. LADY

(la 1 36) coAun33

325.SEAUT IFUL 31 RL<AI 9 )/AFTER SUN-
DOWN (a2i ) COAUI 093

326. WALTZING IN OREAM ( JC8593 ) PL EASE
(sFIIa)wiTH ANSON WEEKS ORK. COAUI095

327. FRIENDLY MTS. (wL437| Tl a)/k| SS IN

YR. eyEs(wl4346t3a) BRE 3932

328. WITH MARY MARTIN, JACK TEAGARDEN:
WAITER, PORT'.'R (DLA42 I I A )/b I RTH

OF BLUES (dla24i2a) OE 25408

329. EVERYWHERE U GO (wl4933a8)/hOW

IT LIES (wl4932t8a) DE 246|2

330. ky. babe (w7394lfll I )/wHI FFENPOOF

SONG (W73940A5) BRE 3902

331. GOD REST YE ( L3028A A )/fa I TH OF

OUR FATHERS (L3027A) BR E 3930

332. SANTA CLAUS IS CMG • (WL3200T I A ) DE TEST
333. NIGHTINGALE SANG IN BERKELEY SO.

(0H2287a) OE TEST

33*. MOON GOT IN MY EYES (dLA83ia) DE TEST

335. SMARTY (DLA 832a) DE TEST

336. WITH BOBCATS :PALE MOON (DLA229I3) DE TEST

337. GOTTA GET S'BODYTO LO VE ( WL4355T I A JdETEST

338.16" transcription: philco, 3/3/48;
BING 4 benny:big bass band-flying w
/pT. 2:w. J. STEWART, 3/l0/48:i60
acres-love me or leave ME. ALUM I

NUM BASE 33 RPM

16"
TRANS—
CR I PT ION

339. FRIENDLY MTS . (WL437 I T2A )/emPER0R DEAU 5074
WALTZ (WL4372T6A)

340. YOU'RE THE MOMENT (DLA25 I 7A )/r I D I »' DEAU 5911
DOWN CANYON (OLA25I6A)

34 1 . MY ISLE GOLDEN DRMS (DLA I 775A )/TO U,

SWHRT ALOHA (dlA|774a) DEAU 5400

342. ASLONG AS I'M DREAMING (wl4323t|2a) DE TEST

343. KRAFT MUSIC HALL-I-WI TH B I NG ,CH AR I OTEERS,

E. DUCHIN.L.ROMAY. 3/7/46. :DR ., LAWYER ,
ETC . ;ERRORs/(2 )SAME, WELCOME TO DRMS,
PERSONALITY. ALUM. BASE, 33 RPM |2" TRANS.

344. SAME, PT. 3:CHASING RAINBOWS, SING 4 |2" TRANS-
ouCH in; alum 3ase, 33 rpm/if U DONT CRIPTION

BELI VEV ME

345. KRAFT MUSIC HALL-PRT. i:bing, DuCHIN, |2" TRANS-

F. MORGAN, GA. GIBBS, 3/28/46: SHOO FLY CRIPTION
PIE, PARIS H' M00n/pT .2 : SAME, PAPER MOON,

OH WH. IT SEEMED, BING 4 DUCHIN.
ALUM. BASE. 33 RPM.

346. SAME, PT. 3: BING, CHARIOTEERS, FRANK |2" TRANS-
MORGAN, "DDIE DUCHIN 33 RPM. ALUM CRIPTION

347.KRAFT MUSIC HALL-l-4/l l/46: BING, |2" TRANS-

char i oteers, duch i n, marilyn maxwell, cription
les paul:shoo fly pie/(pt.2)same,day
b y day. alum base, 33 rpm

348.SAME part 3:same stars: paper moon, |2" TRANS-
SI NO-OUCH I N :/ ( PART 4:)SAME, OH WHAT CRIPTION
IT SEEMED, BING 4 L. PAUL .ALUM , 33 RPM

349. KRAFT MUSIC HALL-PT . I :4/l 8/46 :B I NG . l2" TRANS-
CHAR I OTEERS, E. OUCH I N,T .ERW 1 N ISI OUX CITY CR I ?T I ON
SUE/ ( PT.2 )sAME 1EASTER PARABE, ANY BODY ' S
SPRING/ ALUM BASE, 33 RPM

350. Sake, pt. 3: u R 2 b'ful, bing-ouchi n; |2"

/PT . 4 : SAME, ALL THRU NITE. ALUM BASE, TRANS—
33 RPM. CRIPTION

351. PAPA SANT CLAUS(WL5829T2» )/mELE KILI-

KIMAKA (WL5830TIA) WHITE LABEL DE 27228

352. HOLY HOLY HOLY ( WL4992A4 )/o GOD O'JR

HELP (WL4999A4) WHITE LABEL DE I 453 1

353. HOME COOKIN' ( W76 I 44T6A )/wH. SUN

GOES DOWN (WL5292T4A) WH. LABEL DE. 27019

354. D I X I ELAND BAND (w76 I I 3T9A )/ JAMBOREE

JONES (W76||4TIA> WH. LAB. DE 270|3

355. SUNSHINE CAKE (WL5002A I 3 )/hORSE TOLD

ME (WL5Q5IA5) WH. LAB • DE 24875

356.SOMEPL. ON ANYWHERE RD . (wl5048a5 )/

SURE THING (wl5000AI|) WH . LAB. DE 24876

357.bing crosby show. peace pipe-baby wont
u pl.— (k. starr jmany happy ret . — goloen
earrgs. 12/17/48 alum ■ 1 6" trans:33 ) 1 6" trans,
/jingle bells-(pearl baileyJgood enuf)
for me-bb. in my hrt. reverse of above)

358 -treasury show. bing delivers talk. 16" trans.

SKI NNER ,

359

ALSO JANE COWL, CORNELIA OT I
JOEL KUPPERMAN. 2 SIDES. |6" TRANS. 33
A.F.R.S. PROGRAM |3 WITH MAIL CALL.

BING: SAN F. VALLEY JDATE W. ANGEL;

II COULD HAPPEN (DOT LAMOUR); IOWa/

JERRY COLONNA-I LOVE LI FE ;G I VE ME

SOMETHING REM. U BY<BING 4 DOT L.)33 |6" TRANS

360. BING PHILCO SHOW: l:3/l7/48, WITH
MARG. O'BRIEN; DEAR OLD DONEGAL;
SAT . DATE/3/24/48, W. WILD BILL
ELLIOTT, PEG. LEE: MANANA, LILY BO-
LERO. ALUM. 33 RPM. 16

361. BING CROSBY SHOW, 3/28/48. TRIUMPHANT
HOUR, RELIGIOUS PLAY. BING SINGS
MANY UNRECORDED HYMNS. 2 PARTS. 33

362. AINT DOIN' BAD (WL4567T I 2A )/wH I FFEN-
POOF SONG (W73940AI5

363.0 WH. B'FUL MORNG ( L3 I 82A (/PEOPLE
Wl LL SAY WE'RE ( L3 I 8| A )

364. LOVE TO LIVE LOVELANO (WL4733T I 7A )/
CONNECTICUT (wl3750TIIa)

365. MY GIRL'S AN IRISH G I RL (WL4555T2A )/
GALWAY BAY (wl4583t20a)

366. GOOD, GOOD (L3877A )/ALONG NAVAJO
TRAIL(l3876a)-BING 4 ANDREWS SIS.

367. MAY I j LA I 37A-5 )/r ID I N ' AROUND IN
RAIN (L»H7*-|5 (BLACK LABEL)

368. PHILC0 SHOW 12/22/48-ADESTES FIDELES
MERRY XMAS TO U— J . BELLS— WH ITE XMAS.
ALUM BASE. I SIDE. 33 RPm/

369 . PH ILCO SHOW, BING W. BOB HOPE, DATE
UNKNOWN; JIMMY DEMERET, MOON-FACED,

MY HRT. IS HOBO, GOOD REPARTEE, HOPE-
CROSBY. ALUM BASE, 33; BOTH SIDES |6* TRANS.
370 • ARENT U GLAD (l396 I )/BELLS OF ST. (286858

MARYS (L3962) ODBRA (ODBRA

371. SWAN SOAP SH0W=BOB HOPE WITH BING.
LITTLE BIRO TOLD ME, GREAT SONGS AND
PATTER, HOPE-CROSBy/| SIDE. 33. ALUM
372 . SMALL ONE, PARTS 2 4 3. (wl4380ai4

WL438IA3. CROSBY NARRATION.
373. OLD IRONSIDES, BING RECITATION.

(WL4266A2)/STAR SPANGLED BNR ( WL4265a4)de40035
374.BING 4 AL JO LSON :s PAN I ARD WHO BLIOHT-
ED MY L I FE(WL4387A4)/ALEX . R.BAND
(WL4386A5) DE 40038

TRANS.

1 6" TRAN6.

DEAU 6138

DEAU 6134

DEAu 6|33

DEAu 6|2|
ODBRA
X288857

PE 13052

16" TRANS

16" TRANS.

DE 40041

DISPOSITION

IFIRST FOUR LETTERS OF COLLECTOR'S NAME I

price if for sale; value if for
trade: minimum bid if for auction

method of disposition: "sal",
for sale at price indicated;

tra",for trade; "auc", at
auct i on.clos ing date for bids,
see page 6. 't-a" for trade
or auction; "T-S" for trade
or sale; "sta" for sale, trade
or auct i on.

CONDITION OF RECORD : N— NEW
E-EXCELLENT; V-VERY GOOD;

G-gqod; F— fair; P-poor.

ATALOG NUMBER OF RECORD

Label of recorqT"

1 2

3

4

5

6

ALBUUNS

B. SMI TH^T LOUIS BUS

CI

s-6

N

KATZ

HOT TROMBONES -(j.C.MOLe)

CO

C-46

E

KATZ

teschmacjer

CO

C-43

E

KATZ

COMES JAZZ ALBUMN

CO

C~*0

E

KATZ

riverboat jazz

BR

10)0

N

S

2.75

KEND

BARRELHOUSE PIANO

BR

1008

N

3

2.75

KEND

MCKlNNEYS COTTON PICKERS

VI

HJ4

N

8

2.75

KEND

ERSKINE BUTTERF J ELD

JD

6

N

s

1.95

KEND

PINTOP SMITH

BR

1002

N

s

1.45

KEND

FIVE FEET OF SWING

DE

|3|

N

s

4.00

KEND

JELLY ROLL MORTON

HJ

5

N

s

3.75

KEND

1PLIFER

TSTTn a

AND TURNTABLE .LOUDSPEAKER, 500
CLASSICAL FOR SALE IN PART OR WHOLE —
ANDREWS SISTERS/PATTY ANDREWS
WAKE UP 4 LIVE/ LUL IN MY LIFE

LOUIS AMRSTRONG
LOUIS 4 EARL ALBUMN CO C-73 E A «

HOT 5 ALBUMN CO C-57 E A

HOT 5 ALBUMN CO C-139 E A

KING LOUIS ALBUM CO C-2Bv/g A

HOT TRUMPETS ALBUMN CO C-66 E A

SIDNEY 8ECHET

BECHET-6PANIER BIG 4 VOL 1,2 HRS Z A

CO C-73 E A

BECHET ALBUMN (W .W I LDC ATS )

BIX BE I OERBEC KE

VICTOR MEMORIAL ALBUMN VI — E A -

BIX ALBUMN ( ROYAL G. ETC ) CO C— 29 V A -

BEN BERN IE

SEE YOU I N MY DRMS/WHY COUDNT VO |4957e/v+A-

CANT BELIEVE YOURE IN LOVE W ME BR 3442 V+A -

CHIC BULLOCK

ROCKIN CHAIR (ELLI NGTON?) BA 32080 N»A -
RUSS COLUMBO/BING CROSBY

SWT & LOVELY/ JUST GIGOLO

RUSS COLUMBO
guilty /love letters I austin)
peach pair(gus arnheim)

bing crosby
million * baby/thru with love
hundreds ,free lists
hundreds no mailing charge
hundreds all records perfect

BOB CROSBY/LOUIS PR I MA
LONG WAY TIPPERARY/JUST GIGOLO

DISPOSAL LISTS
FOR FREE~COpTP3TJt^!RP

~E6 71 18 N A

HMV

HMV

BR
ALL
ALL
ALL

3997 E*r~#-
5953 E T-*-

--GREE

- KATZ

- KATZ

- KATZ

- KATZ

- KATZ

- KATZ

• KATZ

- KATZ

• KATZ

■ KEND

• KEND

STEW
STEW

6I40V+ AUC— KEND

w/elMr — broc
■ c/n8AL— BROC

N/ESAL BROC

"713

554 E AUC-

KEND

HE LARGEST & FINE6T— CARV
OF OUT OF PAINT flECORMdSAZZ PERSONALITY CARV

DIXIELAND RECORDS

SEND FOR OUR LISTS —

AVER

' E AUC-

E AUC-
' E AUC-

DECA

DECA
DECA

852 I E-AUC GREE

6038 V-AUC GREE

6305 E AUC GREE

3480 E AUC GREE

I 3l E AUC— GREE
VI 22587e/vAUC KEND

EDISON CYLINDER RECORDS
1500 ALL OR PART "

THREE EDISON PHONOGRAPHS
STANDARD, FIRESIDE 4 CUGNET, ALL —
GOOD WORKING COND.

DUKE ELLINGTON

BLK 4 TAN/WHAT CAN FEL DO OK

|2TH ST RAG/RKN IN RHY BR

KEEP SONG IN/DIGA D I GA 00 BB

BIRMHM BRKDn/E.ST LOUIS T.D. BR

AZURE/CARAVAN MA
MOOD I ND I GO/WHEN BLK MANS BL

COLLECTION

ENTIRE COLLECTION - |200 JAZZ SAL— THOM

RECORDS=WRITE FOR DETAILS SAL— « VMU

FABULOUS DORSEYS

AlRSHOTS DT NLf UANU — . — SAL— SMIT

HBBJKAL JTORSEYTHE
MELANCHOLT CLOWN/GREENER GRASS
DIZXY GILLESPIE

AlRSHOTS FROM B IRDLAND 6*L— SMIT

JACKIE QLEASON
TV SHOT OF NEW "SYMPHONIC JAZZ* ORCH— — SAL— SMIT

EMMA GOUER ( F.HENDERSON ACC.)
M.T. POCKET BLS PE I2U/4 E AUC5.00PARR

GOODMAN

MUSKAT RAMBLE/ SO. BORDER COE 592 M SAL 2.50PARR

HARLEM HOT CHOCOLATES

ST. JAMES INFIRMARY HOTW 1046 N-AUC KEND

HENRY ALLEN

vo 2965 E AUC2.00 PARR
LOUIE)

OR 3~65 E »U«5.00 PARR

CO 3060 E AUC3.00PARR

BODY 4 SOUL/ ROSETTA

HILL SAM (HENDERSON
SWANEE BUTTERFLY

HILLBILLY RECORDS

SEND FOR OUR LIST

— — AVER

HOTEL 4 DANCE BANDS

SEND FOR OUR LI STS

HARRY JAMES

LOVELIGHT1UNISSUED CO. I
GOIN'HOME(UNISSUED CO.)

JAZZ=SWINQ=PERSONALITY
PLEASE SEND ALL WANTS

LONNIE JOHNSON
TOOTHAHE BLS/ PT |V

AL JOLSON
MANY CO, BR, VI SEND WANTS

AL JOLSON

JOIN THE AL JOLSON MEMORIAL C LUB—

jUCHARD M . JONES

TEST 10242 N T-A
TEST 10250 N T-A

OK 8744 E AUC

1.25

VI 208§9 N-A-T

4226E/N — ■
3669E/V
4|40 V ■

GOOD STUFF/ SMOKED MEAT BLS

SAMMY KAYE

POKETFUL D RMS/MOO NGET AWAY VO

MY BUDDY/SWING 4 SWAY VO

WHISPERING/MARRIED AN ANGEL VO

MANY VI SEND WANTS VI ' — —

HENRY KING

DE 2 ObaV 0(^,^/^,207 1, 2072, 938, 1320— E SAL

4225 g/v .851 1352,3326, |4|4, 1 188,929 E SAL

750 E/G, 1319,928,823, 1417,4227,763 V SAL

DE 1333, |4|3; B4w 75l I ,75|0 — — — N SAL
GENE KRUPA

MANY ON OK 4 CO SEND FOR LIST

GENE KRUPA
SEND WANTS— PRICES

VIRGINIA LISTON

WRONG KEY HOLE/BILL DRAW

GUY LOMBARDO

SEND FOR LISTS OF CO, VI, BL4BK, DE

MODERN JAZZ
Send for our list —
OZZIE NELSON

.55
.55
.40
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OK 8 1 73 v+ AUC

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N.O.R.K.

JAZZ ME BLS/ SAN ANTONIO SHOUT BRE 2040 N AUC 2.50

RAY NOBLEf BOWLLY)

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IN A MIST/DANCE OF OCTOPUS BR 8236 N AUC

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PERSONALITY 4

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HUNDREOS ,CREE LISTS ALL

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81 NG, PERSONAL! TY, JAZZ ALL ALL
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FREE LIST OF JAZZ, BLUES SWING

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OLD ORIGINAL GERMAN ODEONS

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DETAILS OFT1 " FAREWELL CONCERT OFFER

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SOLILOQUY/ BLK 4 TAN BR 3526 E+ AUC —

TIGHT LIKE THAT/ MISSISSIPPI H GA 9064 E AUC 2.00

CLARENCE WILLIAMS BLUE FIVE

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*N OUfi COTTAGE OF LOVE/LAZY MA VI 38063 N— A— T

WANTED

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ANY DISC FEATURING BIX (oRIG L ONLY) ANY AIRE
BLUES SINGERS

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LEMUEL FOWLER , B.L. JEFFERSOM.HRaRET

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STEW
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GULI
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AVER

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ON THE TELEPHONE GOOD
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HAVE 4 ORIGINAL 1934 WARNER BROTHERS TRANSGR I PTI ONS CAR V

OF FAMOUS MUSICALS-MANY SONGS BY FAMOUS STARS — . CARV

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ANY TRANSCR I PTI ON.

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SAMMY KAYE

SUNDAY SERENADE PROGRAMS
AIR CHECKS PRIOR 1950, ALSO
TRANSCRIPTIONS, ARMED FORCES
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JACK LINX BIRMINGHAM SERENA DERS
TIGER RAG E

GUY LOMBARDO

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any E

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WORLO BROADCAST TRANSCRIPTIONS

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Ben Pollack's Orchestra . . . featuring Benny Goodman
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ml RECORDS

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JUNE 1954 35c

the record changer

JUN 21 I95*»

THE RECORD CHANGER

BOOK DEPARTMENT

BOOKLETS FOR SALE

THE CAT

A Collection of Hilarious Jan Cartoons

by Gene Deitch ' $1.00

THE NEEDLE — Aframerican Issue
A superb 72 page publication filled with
photos of Zue Robertson, article by
Jelly Roll Morton, Jimmy Yancey, Bunk
Johnson 50

RECORD DATING CHART (Through 1930)
Charts and information to guide in
placing recording date of any record
issued ?.. . 1.00

RED NICHOLS & HIS 5 PENNIES
A Complete Discography 35

A CRITIC LOOKS AT JAZZ
Ernest Borneman's great 60 page book-
let on the Afro-American Backgrounds
of Jan 1.00

NJFO BLUE BOOK
A guide to Jazz Clubs and Fans in
England. Essential to Record Traders . . .50

FOLK . . . REVIEW OF PEOPLES MUSIC
Max Jones edits on Negro, Calypso, Etc. 1.00

JAZZ . . . VOL. 3 No. 2
32 page booklet filled with excellent
writing and photos, Okeh Race 50

JAZZ REVIEW, 24 PAGES
Yerba Buena, Okeh Race, Lonnie Johnson .50

ONCOGRAPHIES FOR SALE

JAZZ DISCOGRAPHY— 146 pp

By Pensoneault & Sarles 1.00

JAZZ DIRECTORY
By Carey, McCarthy, Venables

Volume I, A-B $2.00

Volume 3, E-F-G 2.00

Other volumes temporarily out of stock
INDEX TO JAZZ
By Orin Blackstone (New Edition) Loose
Leaf

Part I, A-E 2.50

HOT DISCOGRAPHIE ENCYCLO-
PEDIQUE

By Charles Delaunay and Kurt Mohr

Volume I, A-B 2.00

Volume 2, C-E 2.00

Volume 3, EL-HE 2.00

SHEET MUSIC AND FOLIOS FOR
SALE

JELLY ROLL MORTON

The Miserere $ .50

The Naked Dance 50

Buddy Bolden's Blues 50

Winin Boy Blues 50

Mamies Blues 50

The Crave 50

FOLIO including

Black Bottom St., Shreveport, Pearls,
KC Stomps, Dead Man, London, Can-
non Ball, and Thirteen Others of Jelly 1.25
DIXIELAND FOLIO No. I
Livery Stable, Tin Roof, Willie Weeper,
Chimes, Dr. Jazz, Dallas, plus nine

other great ones 1.25

DIXIELAND FOLIO No. 3
Angry, Dippermouth, Easy Rider, Snag,
It, Weary, Hi Society, etc 1.25

DIXIELAND FOLIO No. 2
Tight Like That, Copenhagen, Good
Man Hard to Find, Jackass Bl, Melan-
choly and nine others 1.25

THE RAGTIME FOLIO
Maple Leaf, Climax Rag, Grace and
Beauty, and six other rags 1.25

BOOKS FOR SALE

BASIC JAZZ ON LONG PLAY (I08PP)

By John Lucas $2.00

THE JAZZFINDER '49 (I56PP)

Edited by Orin Blackstone 2.50

CROSBY ON RECORD (I24PP)

A Superb Discography 2.00

SHINING TRUMPETS (400PP)

By Rudi Blesh 6.00

THEY CALLED IT RAGTIME

By Rudi Blesh 5.00

JAZZ, A PEOPLES MUSIC (280PP)

By Sidney Finkelstein 1.50

REALLY THE BLUES (390PP)

By Mezz Mezzrow & Bernie Wolfe 3.50

JAZZMEN (364PP)

By Fred Ramsey, Chas. E. Smith 4.75

JAZZ by Rex Harris 50

THE NEW HOT DISCOGRAPHY (600PP)

By Delaunay, Avakian, Schaap 7.50

LOUIS ARMSTRONG LE ROI DU JAZZ

By Robert Goffin 2.00

MR. JELLY ROLL

By Alan Lomax 3.50

MAGAZINES FOR SALE

THE JAZZ SESSION
8 issues 1945-46 set 2.00

THE NEEDLE
5 issues 1944 . . .set 1.50

THE JAZZ RECORD
3 issues 1947 set 1.00

JAZZ INFORMATION— 104 pp
The great last issue 50

JAZZ MUSIC
Vol. 3, No. I 50

RECORD CHANGER BACK ISSUES

Complete Since 1944 to Date $30.00

Any One Full Year 3.50

(See March 1952 for Complete Index) .35

Special Louis Armstrong Issue 1.00

Special Tenth Anniversary Issue 50

Special College Issue (Nov. 1949)... .50

New Subscriptions, I Year 3.50

New Subscriptions, 2 Years 6.50

New Subscriptions, 3 Years 9.00

(On all of above postage paid on U. S. A. orders.
Add 50c per year for Foreign)

JAZZ JOURNAL (Fine English Magazine)
One Year Subscription 4.00

BACK ISSUES Eacti .50

All large format, slick covers, every issue
packed with discographical data reviews,
cartoons, amusing commentary, plus photos
and the following articles:

VOL. 2

No. I I — Firehouse 5, Ragtime & Blues, Per-
fect Label, Billie Holiday
VOL. 4

No. I— Graeme Bell, Collectors Stuff, Tail-
gate Jazz Band

No. 2 — Louis, Negro In Jazz, Sutton, LP and
the Collector

No. 3 — Spanier, Baby Dodds & Discography,
Junk Shopping

No. 4 — Lips Page, Chick Webb, Paramount
Discography, Baby Dodds Discography
No. 5 — Waller, Ragtime, Joplin, Paramount
and Dodds Discogs

No. 6— Lonnie Johnson, Roy Carew, Tony
Jackson, LP Reproduction, Bunk, Paramount

Discog

No. 7 & 8 — lelly Roll Morton, Tailgate Jan
Band, Paramount Discog., Willard Robison
No. 9 — Jelly Roll Morton, Papa Celestin,
Paramount

No. 10 — Albert Nicholas, Andy Razaf, Big
Bill, Dodo Marmarosa, Paramount
No. I I — Jimmy Yancey, Paramount, Dorseys
No. 12 — Requiem for All Stars, Spikes
Brothers, Collectors Stuff, Notes on Nichols
VOL. 5

No. 3 — Red Allen, Tony Jackson, Early Cake-
walks, Sharley Clay

No. 2— Old-Time Religion, Collectors Stuff,
Paramount Discography

No. 4 — Ragtime, Benny Green, Jack Lesberg
No. 5 — Fats Waller, Gloomy Sunday, More
Stuff on Fats

No. 6 — Lonnie Johnson, Eric Silk So. Jazz
Band, Chez Condon, Ralph Sutton
No. 7 — Dick Hughes, The Springfield Story,
Portsmouth Band

No. 9 — Knocky Parker, Bessie Smith, Beryl
Bryden

No. 10— Rhythm & Bis., Humphrey Lyttelton,
Charlie Galbrath

No. I I — Mahalia Jackson, Porgy & Bess in
Berlin, Dill Jones

No. 8 — Sutton, Webfoot Band, Roach, Terrific
Features

No. 12 — Lyttelton, Broonzy, Ellington, etc.
VOL. 6

No. I— Turk Murphy, Big Bill & Mahalia,
Ellington, Jabbo Smith

No. 2 — Mary Lou Williams, Todd Rhodes, etc.
No. 4 — Fletcher Henderson, J. C. Higgin-
botham,'Jazz at the Philharmonic, etc.
No. 5 — Johnnie Ray, Fats Waller, Jimmy
Rodgers, etc.

No. 6 — Charlie Parker, Natty Dominique, Plus
Discography, More About Jimmie Rodgers,
etc.

No. 7 — Django Reinhardt, History Gennett,
Jabbo Smith, Ballads and Blues, etc.
No. 8 — Henry Levine, Lu Watters, Bill Harris,
Buddy Moss

No. 9 — Kay Starr, Wardell Gray, Tape
Machine

No. 10 — Tony Kinsey, Tony Parenti, Chippie
Hill, Charlie Ventura Concert
No. I I — Teddy Wilson, Stan Kenton, Peetie
Wheatstraw, Jelly Roll Morton's N. O. Jazz-
men

No. 12 — Al Haig, Cecil Scott's Bright Boys,
Ellington, Bunk Johnson
VOL. 7

No. I — Parkerless Ou'n+et, Cecil Scott Cont.,
Ellington, etc.

No. 2 — Blind Lemon Jefferson, Glenn Miller,
etc.

Shipped Postpaid Within U. S. A. — Foreign Add Postage

THE RECORD CHANGER 418 West 49 Street New York 19, N Y.

3

JSSELL ROTH

th

'sthetics

e.

of jazz

Jelly Roll: As Modern As He Could Safely Be

PART TWO

inside looking out

In Down Bern magazine for June 3, 1953,
Nat Hentoff, who writes a regular column
called "Counterpoint," announced with ap-
propriate gravity that "Jazz would seem to
be at the beginning of a new stage of de-
velopment— the combination of improvisa-
tion with extended form." That is, "large-
scale composition . . . within a larger
framework than the usual theme and varia-
tions on the melodic line and/or chords of
a pop or traditional tune.

"The problem," says Hentoff, "is whether
it is possible to retain the improvisatory free-
dom of jazz while expanding its structure. I
think the answer is yes. . . ."

But it is not, he adds, in "symphonic
jazz"; nor in the attempt of classical com-
posers "to write in jazz terms" ; nor in "Ken-
ton-like use of effects for their own sake" ;
nor even in Ellington, except for certain
"sections."

In fact, it is nowhere, unless possibly in
the concerti grossi, two-part inventions, and
"minuets in jazz" now being written by such
younger "progressives" as pianist Oscar Pe-
terson. "Barney Kessel . . . summed up,"
says Hentoff, "what will probably be the
eventual b^sic formula: 'There will have to
be an interplay between improvised jazz solos
and the written sections.' . . . there is a
firm precedent for the successful use of this
formula in classical music."

There is also a firm precedent in the pe-
ripheral jazz mutation known as "swing."
What Hentoff appears to be saying, in effect
— and some fifteen years late — is that there
is a possibility that a music known a? "swing"
may appear. He is a decade and a half, or
more, behind the times. You might call that
"decadent."

The reason for the Dixieland revival, as I
thought almost everyone (especially critics)
knew, was that "swing" had played itself out
as a complex of musical possibilities. Like
any other esthetic movement — most pain-
fully those of an inorganic and "borrowing"
nature — it struck the inevitable dead-end.
We may consider "bop" and "progressive,"
thus, post-mortem effects.

The Dixieland revival, on the other hand,
is a healthy attempt on the part of disillu-
sioned and young musicians to return to the
roots of jazz, and start over. It is an attempt
to disencumber jazz of those alien borrow-
ings of the '30's that Hentoff thinks repre-
sent the wave of the future.

He could not be more wrong. Written sec-
tions first began notably to displace the com-
munal improvisations of traditional jazz near
the end of the '20's. Jelly Roll, in fact, used
them — as far as they may safely be used — in
that historic Chicago Victor recording session
of his Red Hot Peppers in 1926. But with
the aid of such mentors as Professor Joseph

Schillinger, who taught potentially rough-
neck jazzmen the "higher" European har-
monics, "swing" went- much further. Brubeck
is aware of it; in a tape-recorded talk, he
said :

"One great thing about Dixie ... is its
use of counterpoint, which was lost in swing,
where everything was arranged for unison, or
the soloist playing against the rhythm section
with no interplay between trombone, trum-
pet, and clarinet."

But what Brubeck misses is made evident
in his following remark: "take a group like
. . . Tristano's, which added on to that
same [contrapuntal] feeling, made it atonal,
the chord progression more intriguing and
challenging."

That's a pianistic estimate: the "intrigue"
of atonal chords. But the piano is only nom-
inally— by invitation, as it were — a member
of the traditional jazz ensemble. That ensem-
ble finds its basic rhythmic possibilities in
drums, strings, and/or horns; its melodic
(not "harmonic," in the 18th and 19th cen-
tury European sense) possibilities in horns
employed as instrumentalized human voices.
The keyboard doesn't figure here, nor the
architectural and chordal aspirations, based
on the keyboard, of the classical composer.
Formal unity in jazz is achieved through im-
provisation qualified by folk memory, or tra-
(Continued on Page 10)

4

Brief reports and comments on subjects of inter-
est to jazz students, by associates and friends of the
Institute of Jazz Studies. Please address all inquir-
ies, suggestions and contributions to Marshall W.
Stearns, 108 Waverly Place, New York 11, N. Y.

Jazz Survey

On the facing page you'll find the be-
ginning of a two-sided questionnaire
dealing with your jazz tastes and prefer-
ences, which we strongly urge you to an-
swer— and to answer with some thought
and seriousness.

It marks an important initial step in
a long-range project of the Institute of
Jazz Studies, which has as its eventual
overall goal the admittedly ambitious
job of "ascertaining the role of jazz in
our society."

That quote is from Professor Mar-
shall Stearns, who, as president of the
Institute, has in recent months been lay-
ing the groundwork for a considerable
amount of long-needed research, with
particular emphasis on some neglected
aspects of the jazz scene.

Perhaps the most notably neglected
subject is the one that is now being
tackled by means of the present ques-
tionnaire. Just about everyone in and
around jazz has had his share of ques-
tion-answering and opinion-offering in
recent years — except the people who lis-
ten to the music, the people whose views
must obviously have an important effect
on trends and tides in jazz.

While there are of course many other
considerations than popularity that help
shape the paths along which jazz moves,
the voice of the "consumer" cannot be
underestimated. As Professor Stearns
has pointed out, it is a truism of our
economic structure that the reactions of
tHe consumer play a key role in deter-
mining the nature of the product. This
is at least partly true in that strange
mixture of art and business known as
jazz, and any full-scale attempt at an
evaluation of jazz cannot underestimate

the- views of its particular type of "con-
sumer."

The Institute's questionnaire, how-
ever, represents the first known effort to
gather any such sampling of audience
opinion. Since the readers of the Record
Changer obviously represent an impor-
tant segment — perhaps the key segment
— of the jazz audience, we are extremely
pleased to be able to make the question-
naire available to you. The survey
should by no means be limited to
Changer readers, however. Our sugges-
tion is that you not only fill out the fol-
lowing pages yourself, but make every
effort to have friends who can also be
considered part of the overall jazz audi-
ence take part as well. Additional copies
of the questionnaire can easily be ob-
tained by writing to the Institute of Jazz
Studies, 108 Waverly Place, New York
City.

This group of questions has been pre-
pared by the Institute with the coopera-
tion of Caleb Brocaw, nationally-known
expert survey analyst, who has created
questionnaires for many major business
firms. According to Stearns, the Insti-
tute hopes to make this only the first in
a series of surveys designed to draw a
quantity of information on varied jazz-
linked subjects from several categories
of people interested in the field. Much
will depend, of course, on the number
of responses to this initial list of queries.

The editors of the Changer feel that
the compilation of much valuable data,
and several important conclusions, can
in all probability result from the success
of this project. We hope that Changer
readers will provide the necessary coop-
eration— which, specifically, calls for
just a few minutes of your time, a little

searching of your memory, and a three-
cent stamp.

In addition to the satisfaction of par-
ticipating in this research effort, there is
also of course the kick involved in find-
ing out the way most people think about
these matters, and how your personal
views and jazz-listening background
stack up against those of the majority.
Either way you look at it, it seems well
worth the slight effort.

Noting that this questionnaire is of
course just one of many projects now
under way or contemplated by the In-
stitute of Jazz Studies, the editors of the
Changer would like to repeat the strong
stand we have taken ever since the In-
stitute was first formed. We feel that the
potential importance of this organiza-
tion should not be underestimated by
anyone who appreciates the importance
of jazz. The word potential must be
stressed only because it is clear that the
Institute cannot hope to accomplish its
aims without the full support of the jazz
world. Support, while it will from time
to time include such cooperation with a
specific project as is being asked for
here, must also mean financial support.
Those readers who are not already
members of the Institute are reminded
that one-year memberships are in the
following categories: Sustaining — $10;
Supporting — $25 ; Contributing — $50. A
$1,000 payment makes one a Life Asso-
ciate. (Checks or money orders should
be made payable to The Institute of
Jazz Studies, Inc.) The Institute is a
non-profit organization; all funds are
used to defray essential expenses; and it
is the opinion of the Institute's counsel
that contributions by way of member-
ship dues are tax deductible.

— The Editors

i I

THE INSTITUTE OF JAZZ STUDIES

5

108 WAVERLY PLACE, NEW YORK 11, N. Y.
Experimental Questionnaire on Audience Response

Please Check Answers

What general types of music
do you like? (Check as many
as you wish)

Jazz

Semi-classical

Symphony

Opera

Other types
(write in)

What is the extent of your
present interest in jazz?

Where did jazz make its
first real impression on you?

None

Indifferent
Less than strong
Strong
Intense

At home

At dances

At night clubs

Concert or stage

Other place

(write in)

4. How old were you then?

5. How did you first hear jazz?

(write age)

On radio

Phonograph

In person

Other (write in)

6. What type of jazz did
you like best at first?

7. What type of jazz do
you like best now?

Dixieland
New Orleans
Swing
Bop

Progressive
Other (write in)

Dixieland
New Orleans
Swing
Bop

Progressive
Other (write in)

8. How do your parents feel
about jazz?

Like it
Indifferent
Dislike it

(OVER)

9. How do you enjoy jazz most?

10.

11.

12.

13.

How often do you
listen to jazz?

Where do you hear jazz
most often now?

How do you hear jazz
most often now?

What size band do
you like best?

14 . How many jazz recordings
do you own?

15. Where do you read
most about jazz?

16. Which of these words best

describe the true nature of
jazz? (check as many as
you wish)

Listening
Singing
Dancing
Playing

Other (write in)

Daily

Weekly

Monthly

Other (write in)

Home
Dances
Night Clubs
Concerts

Other (write in)
Radio

Phonograph

In person

Other (write in)

Trio

Quartet

6-8 piece

Big Band

Other (write in)

None

50 or less
100 or less
500 or less
Other (write in)

Newspapers
Magazines
Books
None

Joyful

Sorrowful

Intellectual

Sensual

Abandon

Restraint

17-
18.

Sex: Male

Female"

Please Fill in the Following:
Age: City or towns

State :

Additional Comments :

FOLK LORE / FOLK SONG

a department

EDITED BY JAC HOLZMAN

leadbelly on record

PART ONE

WHAT IT'S ALL ABOUT

For a couple of years now, people inter-
ested in American folk music have had no
place they could call their own and that
could furnish them with responsible reviews
of folk records. This new section hopes to
give these wanderers a chance to rest their
feet.

The journals of the various folklore socie-
ties have reviewed records occasionally, but
certainly not consistently, and often when re-
views did appear, the folklorists were busy
comparing each song, line for line, with some
obscure version they had personally collected
deep in Possum county.

This month we start our survey of Lead-
belly on records, featuring in this issue, re-
views and data on some of the material cur-
rently available on LP. It isn't necessary for
us to delve into Leadbelly's life story ; Fred-
eric Ramsey, Jr. did a cleancut job there in
his "Leadbelly's Legacy" for the Saturday
Review and additional ' interesting material
has been published by the Lomaxes.

However, it might be wise to keep in mind
that most of the material easily acccessible to
us comes from Leadbelly's later period, after
1940. When Leadbelly first came North he
recorded, for the American Record Com-
panty (now Columbia) , some of his finest
sides. It was a young- man, fresh from the
South, who poured into those microphones
the most vibrant singing of his career. Fred
Ramsey describes the masters Leadbelly cut
for Columbia this way: "In them his voice
is younger and more boastful, more fierce and
at the same time more afraid. And the stories
he told . . . are priceless. It would be cul-
tural mayhem of the first degree if Columbia
Records, Inc., were to lose track of those
masters, which comprise altogether about
thirty-five titles, only four of which have ever
been issued."

Other Leadbelly recordings were issued by
Disc, Asch, Musicraft, Paramount, Folkways,
Perfect, Melotone and Victor. And of course,
the Library of Congress has a great reservoir
of Leadbelly recordings which no one can
get at until his estate is settled.

This in brief is the bulk of Leadbelly ma-
terial upon which our discography will be
based. We will do our best to hunt up every
side there is, but if you know of something
we might miss, a letter addressed to Jac
Holzman, c/o The Record Changer, would
be appreciated.

LEADBELLY'S LEGACY: "Take This
Hammer," Volume I, 10" Folkways LP
FP4

There are 14 and y2 good reasons for get-
ting hold of this record immediately and they
are as follows: Green Corn /Yellow Gal/
Gray Goose/You Can't Lose Me Cholly/
Laura/Good Morning Blues/Leaving Blues/
Big Fat Woman/Pick A Bale Of Cotton/Take
This Hammer/Moaning/Bring Me A Little
Water/Meeting At The Building/We Shall
Walk Through The Valley/Irene (incom-
plete).

Most of this material was originally re-
corded for either Asch or Disc and later
popped up on Folkways when the first two
labels ceased to exist.

No serious fault can be found here, for the
recordings are as clean as you could expect
for the time they were made, and quality
dubbing hasn't hurt. Still, some of the limi-
tations of 78's become painfully obvious. On
the last band of side two, the famous Irene
suffers from a disconcerting fade, smack in
the middle of the chorus following the third
verse.

On this record we also have some fine ex-
amples of the style Leadbelly adopted for
working with large audiences. His introduc-
tion to some of the songs, especially Good
Morning Blues, is pure poetry. With anyone

else they would probably sound phony, but
Leadbelly did have a way, even with gentle
words, and the effect is tremendous. A highly
recommended record. Good notes, no texts.

LEADBELLY'S LEGACY: Volume II, 10"
Folkways LP FP 14

Cotton Song/Ha, Ha This Way/Sukey
Jump /Black Girl /Pigmeat/ 'Rock Island Line/
Blind Lemon/Borrow Love and Go/On A
Monday / Shorty George/Duncan and Brady/
Old Riley /Leavin' Blues.

This is the second LP in the Legacy series
which at this writing numbers four volumes.
Of these songs, The Rock Island Line, Bor-
row Love and Go, On A Monday, and Old
{Continued on Page 1 7 )

Leadbelly never lost his primitive
power. He took on little routines of pat-
ter, rhymes, and soft shoe steps as he
rolled his eyes across the footlights.. They
were his natural reactions to audience
adulation. It was a sort of corny kidding
which endeared him to' his ever-loving
fans. His off-hand use of material unnat-
ural to him might come under the same
general observation. You have to sweep
aside this minstrel man if you want to see
the real Huddie.

In the years I knew him, listened to
him, sang and talked with him, this is
what he came to mean to me: At his best
— with his guitar organically fused into
himself and his wild uninhibited voice in
full cry — Leadbelly brought a spine-tin-
gling, hair-raising impact to people who
had never listened to unadulterated back-
street, rock-breaking, swamp-grown Negro
singing. He translated a way of life into
music. He spoke it true.

Frank Warner
President, New York Folklore Society

BEHIND

THE COBWEBS
carl kendiiora

If there is any one thing to be learned
from this record research of the 1920s, it
is: Do not believe anything printed on a
record label unless there is some kind of
supporting evidence to substantiate it! We
have run into so many cases of labels claim-
ing vocals where there are none, ignoring
vocals when they are there, calling fox-
trots waltzes and waltzes one-steps, calling
dance bands jazz bands and jazz bands
society orchestras, changing song titles and
composer credits, and so on.

A pair of prime examples were uncovered
recently and we want to pass them on as
an indication of what went on in those
days. These are two masters cut in 1925
by the soon-to-end acoustical method. They
were recorded in New York by the Emerson
Recording Labs or its successor, the Con-
solidated Recording Corp. The real identity
of the recording group is unknown as yet.
It may have been an organized orchestra
or, more likely, just a group of musicians
assembled for the recording date. In either
case the band is identified by about as many
different names as labels on which it is- re-
leased.

Our first master is number 3697. On
Dandy 5110 we find this master identified
as Hold Me Close to Your Heart, composer
credit to SauWers, a waltz played by the
Dandy Dance Orchestra. But on Globe
1344 (one of the Grey Gull labels^ we find
the same master as Castillian Beauty, no
composer credit, a "tango fox-trot" played
by The Castillian Serenaders! To leave
nothing to the imagination, we have care-
fully compared these two records aurally
and they are really the same. And the per-
formance is neither Spanish inclined nor
in three-quarter tempo; it is an unadorned
fox-trot!

The other master is by the same band
from the same recording date. This is
master number 3698, which we first find
on Dandy 5120 as When I Met You Dear,
composer credit to S. Lewis, a fox-trot per-
formed by the Fairfield Syncopators. Now
we turn to another of the Grey Gull labels
and the Spaniards are in again! On Radiex
1347 we are confronted with the intriguing
title, Vera Cruise (sicl) , without benefit of
composer credit, a "tango fox-trot" casta-
netted by The Castillian Serenaders. Aural
comparison very promptly establishes these
two performances as the same and brings
us back to a New York dance band, 1925
style, performance of a normal fox-trot.

We will not be surprised to find either
or both of these masters on other labels
under other titles with other band names
and described as anything from a minuet to
a hula! It would appear that the Grey Gull

company wanted something with a Spanish
flavor and not finding anything to fill the
bill among the masters available to them
(perish the thought that they would ever
spend the money needed to record some
tango fox-trots!), they simply retitled two
masters of regular fox-trots and made both
Spanish enough to be tango-fox-trots. The
record buyers? Oh, they apparently be-
lieved everything they read on the labels
and didn't know the difference even after
hearing the records! We can sing verse
and chorus of innumerable examples of the
same masters being issued on various
labels ranging in price from one dollar to
twenty-five cents and each one enjoying
heavy sales.

Label of the Month: A real doozie this
time, as we present one that we haven't
been able to track down to any other labels
to date! If tie-ins don't turn up eventually,
we may have found one little label that
recorded its own material and issued it ex-
clusively on its own label! This is a black
label with all printing on it in gold. Our
specimen, from the collection of Perry
Armagnac, is Yerkes Dance Records 3101.
Side shown, the "A" side, is An Orange
Grove in California (662-2) as by Yerkes
Famous Flotilla Orchestra. The reverse is
That Bran' New Gal O' Mine (653-1)
with same band credit. Harry A. Yerkes
was a well known band leader and booker
of orchestras and he registered the couple
dancing (as on the label in our cut) with
the U. S. Patent Office as his trade-mark
for phonograph records. The application
was filed December 21, 1923 and he claimed
use since about May 1921. Whether Mr.
Yerkes had his own recording studios in
the Metropolitan Opera House, New York,
N. Y. as claimed on the label is not known.
He was a vice-president of Columbia
Records in 1925, but that is not pertinent
to the Yerkes label. The tune That Bran'
New Gal O' Mine is copyright, 1923, and
sc the Yerkes record illustrated cannot be
earlier than that year. Perry's example of
this label is the only one we know of to
this moment and we would like to hear
from any readers with data for any other
specimens. Any possible tie-ins to these
masters are most desired. We have com-
pared aurally all possible versions of these
titles on other labels with negative results.

Latest reader to furnish data on labels
within our research province has been
Robert Greer of Schenectady, N. Y. We
renew our request for readers to furnish
that data on "small" labels of the twenties.
Send your data, queries, comments, and
what have you to us at 74 South Road,
Harrison, New York or c/o The Record
Changer, 418 W. 49th St., New York 19,
N. Y. We'll be back next month.

" %

Flotilla
MP iOrchestra l™|

WOW PLAYING

Yerkes
Famous

OW PLAYING

An Orange

Grove tn
California

IRVINO BERLIN Js A

NO 3IQ1-A

d u csc her
Instruments
Used

STAR

STUDDED

SHELLAC

john mc cmdrew

After last year's "Old Curiosity Shop,"
a compilation of representative perform-
ances by colorful personalities of the Victor
past which I found unpretentious and
pleasant, I anticipated an improvement in
selection and presentation in the much-
touted disk interpretation of "Show Biz."
It turns out to be everything I hoped it
wouldn't, principally a tasteless, egotistical
monolog by George Jessel, the wrong sides
by the right people, inexcusable predomi-
nance in an Archives type grooving of cur-
rent studio interpretation of historical vocal
and instrumental material. No two people,
it is true, might agree on what to include
or leave out, but there's plenty wrong with
what is used. Jimmy Durante begins the
show, and for no accountable reason does
an encore near the end. Jessel "introduces"
Harry Lauder, and after just a couple of
bars from an early electrical Lauder cut-
ting begin to reminisce about the famed
Scot while the music fades and for the
most of the chorus, what you have is a
Jessel anecdote with the voice of Harry
Lauder as a faint background.

Victor apparently had no early Blossom
Seeley sides to choose from, so what you get
is Toddlin' at the Toddle-O, .from the cur-
rent Blossom Seeley picture, and as Blossom
sings today, which is nothing like she sang
thirty years ago.

Jessel gives a spiel about the ODJB . . .
"as they originally played" and this fades
in, not to one of their 1917 originals, but
a big band recreation of the ODJB
original, cut in 1937. Likewise, you are
prepared for Fanny Brice's "original" ver
sion of My Man, but what comes out in-
stead of the 1921 classic is a later etching
Fanny cut in 1929 when she made an early
talkie by the same title.

The March-of-Time technique is used
throughout, with the now embarrassingly
hackneyed crescendo-and-climax blare used
to present each different singer and other
stereotypes such as marching feet to presage
the approach of a wartime period.

Apparently overawed by names, Jessel
cascades them at you in a veritable flood
throughout, often deliberately misleading
the hearer into believing the next voice is
the actual voice of a famed personality in-
stead of a present-day imitator, such as the
studio vocalist who did Over the Rainbow
after ( the narrator outlined Judy's career.
Perry Como's "first record" was emphati-
cally proclaimed, and when this was re-
vealed as Goodbye Sue it showed *'.:at what
Jessel had demurely left out was the word
"Victor," since Como had been recording
for many years before then. National song-
hits of various eras are recalled, and a few

(Continued on Page 17)

9

the st. louis jazz revival

PART 5

BY BOB KOESTER

Singleton Palmer's Dixieland Six

In her splendid article on Lige Shaw
("The Drums Never Rested" — Record
Changer, April, 1954), Vivian Oswald gives
an outline of the story of St. Louis' most
popular Dixieland band — The Dixieland Six
of tuba-bass player Singleton Palmer. This
band was organized as a result of drummer
Lige Shaw's visit to the home of Mary and
Dorsey Ruth in May 1949. He noticed pic-
tures of Muggsy Spanier and other jazzmen
on the walls and got into conversation with
the Ruths about holding some sessions. The
first session included Dewey Jackson, St.
Louis' eminent trumpeter who did extensive
recording work during the twenties ; Norman
Mason, who later worked with Joe Smith's
Rampart Street Ramblers and is heard on
the fabulously rare Fate Marable Okeh; Gus
Perryman, John "Bones" Orange, Edgar
Shelton and Lige Shaw.

Ernie Shaperio, whose brother owned The
Barrel on Delmar Blvd., suggested that ses-
sions be held there on Saturday afternoons.
Shortly after the first session, the band
moved up the street to the Universal Dance
Studios, at an address now occupied by the
Bluenote Record Shop, where Ernie Sha-
perio sponsored some Sunday afternoon ses-
sions. By now the personnel had changed
considerably. Jane Hemingway was playing
piano for a while, but was replaced by Bar-
bara Sutton (Ralph's sister). New Orleanian
Alf Guicard replaced Mason and Singleton
Palmer came in on bass and tuba. Charles
Thompson, pioneer ragtime pianist, used to
drop around and play a number or two be-
tween sets.

After continually losing money, Shaperio
gave up and Mike Hartman took over for 8
or 10 weeks. When he, too, lost money, Mary
Ruth talked him into moving the sessions
"down by the riverside" to the boat Fort
Gage. These sessions were a tremendous suc-
cess and lasted all summer long. They would
have continued, but the law objected to the
owners of the boat serving set-ups on Sun-
day. (Missouri allows no liquor sales between
midnight Saturday and midnight Sunday.)
But the Fort Gage sessions had served a pur-
pose. The band on the Fort Gage received a
two-page spread in one of the local Sunday
papers and a three-page spread in the Oc-
tober 24, 1950, issue of People Today,
pocket-news-magazine. By this time the per-
sonnel had again changed and, looking at
the article, Jazz On The Mississippi, one can
see photos of Sid Dawson, tb ; Norman Mur-
phy, now a legendary trumpet-man in the St.
Louis area to all those who heard him then;
Guicard, Palmer, Lige Shaw and Wally Eck-
hardt, a member of the Windy City Six who
would come around and sit in on bass when
Palmer buried himself in a tuba. Barbara
Sutton remained on piano.

Encouraged by the reception, Mike Dor-
rin and John Gaibraith moved the sessions to
the De Sota Hotel in downtown St. Louis.
During this time, Bobby Swain, boo'ker for
the Chase, Forrest Park and other big hotels
in the area, heard the riverboaters and
brought some of them to the Snack Bar of
the Forrest Park Hotel. They opened on May
22, supposedly for a week, but left January
1, 1951. During this time, six recordings were
sponsored by Robert and Vivian Oswald for
the Disco label. The session was held at the
old Disco studios in the Arcade Bldg. Sep-
tember 23, 1950. Sides cut were Washington
And Lee Swing/Tailgate Ramble (issued on
Disco D-1087); Milneburg Joys, Muskrat
Ramble, Waiting For the Robert E. Lee, and
Basin St. Blues, thus far unissued. Disco went
into bankruptcy shortly thereafter, but some
subsequent financial confusions appear to
have been cleared up now, and it is possible
that an LP will be prepared showing the
Snack Bar band. Personnel of the band:
Dewey Jackson, tp; Bob Carter, tb; Alf Gui-
card, cl; Gus Perryman, p; Palmer, b, tuba;
Lige Shaw, dms.

After the Snack Bar job, Palmer was of-
fered a long contract at the Playdium's lush
Centerfield Lounge which he accepted.
Dewey, however, didn't care for the East St.
Louis hours (10 P. M. to 3 or 4 A. M.) so
he went back to his position at the Jefferson
Hotel, often playing Sunday afternoons at
the Playdium with a bo-pop band. When
one of the partners who operated Playdium
sold out his share and anticipated opening
another place in East St. Louis, Palmer was
offered the job at the new place. Palmer quit
Centerfield and was left in the middle when
the new place failed to materialize. Such, far
too often, is the case. The place did open
some months later under the name Club Dix-
ieland, featuring (of course!) bop and R&B
entertainment. But the six months at Snack
Bar and almost two years at the Centerfield
Lounge assured the Palmer band of a rela-
tively easy time from then on. A concert in
mid- 1952 — the first of three sponsored by the
St. Louis Jazz Club — also helped.

The band first came to Delmar's Dixie
Row in February 1953 for three nights a
week — a job that pleased the day-working
Palmer musicians, for St. Louis "closes up"
at 1 : 30, except in the summer, when Day-
light Saving time permits another hour of
festivity.

At this time, Singleton Palmer was chosen
for the bass-tuba position in an all-star band
selected by the St. Louis Jazz Club for an-
other concert, held March 23 at the Hamil-
ton-Wilshire Hotel. Other members of the
band were Dewey Jackson, tp ; Leon King,
tb; Norman Mason, cl; Peanuts Butler, p;
and Ben Thigpen (of Andy Kirk fame), dms.
{Continued on Page II )

Jelly Roll

on

X

As many collectors who have purchased
the "X" reissue titled "Jelly Roll Morton's
Red Hot Peppers, Vol. 1" have discovered
by now, the album contains one highly un-
fortunate error. The second side supposedly
offers two differing versions of Dead Man
Blues, identified on the sleeve and label as
"No. 1" and "No. 2," a reference to the first
and second takes of the original master. But
the sad truth is that both are the same: both
bands of the LP contain the first take.

The error can be laid at the door of
RCA's engineering department. During the
mastering of the reissue, and at a time when
it was impossible for the mistake to be de-
tected, someone fumbled the handling of the
transfer from the original parts to the LP
form, and the unintentional "double-take"
occurred.

The editors of the Record Changer, who
are putting together the entire reissue project
for "X," called the mistake to the attention
of the heads of the label as soon as it was
discovered, and steps have been taken to
clear up the whole problem caused by the
engineering slip-up. A new pressing of the
album is now being made, and it will defi-
nitely include a second take of Dead Man
Blues immediately following the first, as ad-
vertised. Nor need those who have bought
the original, inaccurate pressing feel that
they are stuck with less than the promised
number of versions of the Morton classic.

"X" Records has agreed to accept for ex-
change all copies of the wrongly mastered re-
cording. The Record Changer has agreed to
handle the first step in the exchange process.
If you have a copy of the LP, or of the one
of two "X" Jelly Roll EP's that includes
Dead Man, you can ship it to our offices —
418 West 49th Street, New York 19, N. Y.
Please include in the package a sheet of pa-
per with your name and address, and the
notation "LP" or "EP" (legibly written or
typed, please). The 'Changer will turn the
names over to the "X" sales department, and
in due course a new recording will be mailed
to you.

This mishap will have ho effect on plans
to continue the practice of including two ver-
sions of the same tune in a reissue album
whenever two takes display substantial
enough variation to make them particularly
interesting and/or significant. The Changer's
editors consider this unique feature one of
the more important aspects — at least from
the collector's viewpoint — of the program. It
should go without saying, however, that a
careful system of rechecking at the conclusion
of the mastering process will be instituted, in
an effort to eliminate any possibility of a
similar error cropping up in any future re-
leases.

10

flAfl $aM

San Francisco's Downbeat Club gave
Sam and all the area's cats & real kick
when they brought in Duke Ellington's
band for a fortnight stay. This region hasn't
had big bands in clubs, but now that James,
Herman and the Duke have all done well
the stage is being set for more — Basie first,
in July. The Ellington band seemed as
thrilling to ol' Sam as the best of those in
bygone years.

Don Ewell, pianist with Kid • Ory, has
moved permanently to San Francisco, and
hopes to do recitals as well as nightclub
work. The Ory band has drawn off two of
Octave Crosby's bandsmen from New Or-
leans, and if everything holds together
should be the best traditional band blowing
ere long. Full personnel: Ory, trombone;
Alvin Alcorn, trumpet; Albert Burbank,
clarinet; Don Ewell, piano; Ed Garland,
bass; Minor Hall, drums. The full effort is
closer to the Mutt Carey-Jimmie Noone
days than anything Ory's had in the mean-
time.

The San Francisco school of traditional
jazzmen is in bad shape. Bob Scobey is out
of his Rancho Grande job again, trying for
a while at a waterfront spot in Frisco, the
"Tin Angel." Getting a five man band in
the joint will be tougher than Ellington's
fifteen on a 20-foot "Downbeat" stage. Bad
Sam sees a possibility that Scobey may join
Turk Murphy's band, finally.

Generally poor reception to Turk Mur-
phy's Columbia LP "When the Saints."
Supposedly the best recorded work ever
turned out by Murphy will appear on the
"Jelly-Roll Morton" Columbia LP in July,
with special arrangements of "Big Fat
Ham," "Shreveport" and ten more of Jelly's
best. Murphy is also working on some "Red
Hot Mama" tunes for another LP, and
miscellaneous jug and washboard arrange-
ments for still another. The Murphy Band
sorely needs a regular trumpeter (Bob
Short switches from tuba occasionally) not
only to give a proper balance, but also to
get both the trombone and clarinet out of
the habit of taking everything at forte-
fortissimo.

Marty Marsala's band, with George Pro-
bert, Burt Bales, et al., is having trouble
holding the job at Victor and Roxie's in
Oakland: none but weekend customers
seems to be the trouble.

There seems to be a good chance that
a half-hour filmed television show which
Berkeley collector Phil Elwood produced
with the George Lewis Band for the SF
Museum of Art can be made available to

other areas. Drop Bad Sam a note if you
have an idea for showing this program in
your region.

Sam wonders when the Columbia people
are going to get going on a reissue pro-
gram from old discs. If Victor plans a hun-
dred LP's, Columbia ought to be able to
field double that. The "X" labels seem to
be going very strong around San Francisco,
and Sam likes the kicks in hearing the
Original Dixieland Band spinning on
usually "pops" d.j. shows.

Bad Sam can't match Bennie Frenchie's
record-quiz (in the April Changer) for
size, but in the tune-tracing department, try
these: Buddy's Habits, The Barking Dog
(Memphis Five), Carolina Shout, Little
Rock Getaway. All seem to stem from the
same major theme. Then, just for a sur-
prise, play the trio choruses of (a) Side-
walk Blues, by the Red Hot Peppers and (b)
Maori (A Samoan Dance), by Ellington
on Brunswick. A striking comparison, we
think, although the tune Maori goes back
to 1914, which complicates the issue.

inside looking out

(Continued from Page 3)

dition. Individual and melodic improvisations
are made to dovetail, one with the other,
through the self-willed and voluntary sacri-
ficing to the group, or communal, effect, by
way of formal (again, traditional) conven-
tions, of some of the self-expressive preroga-
tives of the individual improviser.

"Jazz at the Philharmonic," the evolu-
tionary cul-de-sac of the "jam session," is an
institution embodying chaos precisely be-
cause its performers have forgotten, or never
knew, what communal sacrifice is. The Dix-
ieland revivalists, whom Hentoff holds . in
contempt, are trying to return to the experi-
ence of such a communal effort; and they, I
think, are on much solider ground than he.

For the basic drive of the "progressives"
is to bring jazz into line with classical Euro-
pean criteria. Thus, the new (but old Euro-
pean) vocabulary: "theme and variation, "
"fugal," "atonality" — the happy approval
with which Hentoff greets the fact that "the
younger jazzmen [have] received more thor-
ough musical training [classical European,
that is] than their predecessors and [have be-
come] more intimately acquainted with clas-
sical music."

The assumption behind such reasoning, of
course, is that we do not have enough native
materials — or materials of high enough qual-
ity— to build an American music. Yet such a
borrowing frame of mind does not recognize
— probably does not know — that a process of
natural assimilation (as opposed to hothouse
growth ) of European materials and tech-
niques has been going on in American music
since Colonial days. Says Constance Rourke
(in The Roots of American Culture & Other
Essays, New York: 1942): "... a whole
continuous underply begins to emerge, pre-
Handelian, based primarily upon the dance,
continued in part by the religious songs of
the early New England singing schools, by
both white and Negro spirituals, and by the
British ballads, spreading into fiddle-tunes
and songs of the southern mountains and of
the range and lumber-camp . . ."

As to those singing schools, the "pattern
of [unison singing] was broken; it fell into
lively differences and balances. The singers
began and ended together, but, after the first
brief musical statement, the different groups
of voices entered at successive measures. The
basses or counters or tenors might loudly
drone or hum through various passages: they

created other individual divergences, and
the struggle produced an exhilarating sense
of initiative and independence. . . . Unex-
pectedly, religious song had gone bacK to its
prime source, the dance, or to forms that de-
rive from the dance." And these forms were
put to use by the followers of the Great
Evangelical Revival of the West in the mid- ,
19th century, in their "ecstatic, circling,
swinging movements, in jumping, jerking,
stamping and leaping when excitement rose
to a height."

But this is perhaps a little crude for the
taste of jazz "modernists" — just as, I suspect,
the 15th century Burgundian fauxbourdon
and "English discant" of Dunstable might
also be a little crude.

The English discant, which — through Eng-
lish folk-song — may well have influenced Co-
lonial singing, cited the plainsong melody
("cantus firmus," or as we have it in jazz,
"theme") in the lowest of three voice parts,
the other two voices deriving from this "a
slightly modified melody . . . sung by the
highest voice (treble) an octave higher, [and] I
by the middle voice (meane) a fifth higher."

Fauxbourdon, derived from the discant
(and, likewise, it may be that the folksinging
conventions of French New Orleans were in
some way derived from those of fauxbour-
don), put the plainsong in the soprano part,
"notated together with a lower part (contra)
moving along in the lower sixth or octave,
while the middle part is extemporized by a
singer doubling the melody in the lower
fourth throughout."

Thus, the Negro was somewhat antici-
pated when he appeared in America with his
now apparently revolutionary and antiph-
onal triumvirate of leader voice, male and
female choruses. Partly out of this evolved
the traditional jazz triumvirate of voices:
trumpet, trombone, and clarinet, with the
"plainsong" carried by the middle or "lead"
voice (trumpet), while the "treble" (clari-
net) and "contra" (trombone) play modi-
fied (actually, improvised) versions of the
lead melody above and below it, respec-
tively . . .

But we must go back to Europe again, say
the "progressives," to find out how to pro-
ceed from here. As if we did not already
know. We proceed by exploring the form and
substance of what we have been given. There
is no need for alien additions, for inorganic
borrowings to pad out and thus give spurious
breadth to what we have so far achieved.

(To be concluded in the next issue.)

the record changer

editor-publisher
managing editor
circulation
art director

bill grauer, jr.
orrin keepnews
jane grauer
paul bacon

1 1

letters to the editor

Jug Discography

The "Jug Band" album in the "X" series
just hit New Haven, with the 'unconfirmed
personnel' on the back cover. The personnel
I once gave you on the gang from Louisvilje
was for the Clifford Hayes Stompers sessions
and when you try to apply it to the Dixie-
land Jug Blowers the matter gets a bit tricky.

Trouble is, the Dixieland Jug Blowers —
nobody seems to remember the personnel.
Henry Miles states that he was on some of
the DJB records, but the style of the solo vi-
olin on most is so different from Henry that
I'm inclined to believe he wasn't around
much at all and that Clifford Hayes is ac-
countable for the violin on most of the sides.
On banjo, Cal Smith accounts for one, but
Henry can't remember who played the sec-
ond banjo on the two-banjo sides. Earl Mac-
Donald is the jug virtuoso, but again the
second jug player is lost to history. Earl in-
cidentally made a couple of records under
his own name for Columbia. I've never heard
these but Joe Muranyi says he has one of
them.

The saxophone situation is even cloudier.
Henry Miles says the alto was Lucian Brown,
but Lockwood Lewis says that it was himself
(as told to Everett Mock of New Albany, In-
diana) and adds such details as that he had
to stand with his back to the mike in order
to get a proper balance between himself and
clarinet on the Dodds sides. It's possible, of
course, that he was around for the Dodds
session and Brown played on the others. It's
?ven possible that they may have been around
for the same session despite the far greater
likelihood that Cliff switched from violin to
sax for the two-saxophone passages.

Maybe someone in the RC organization
knows an authority on skiffle who can
straighten up this mess.

I'd like to ask a question myself in this
letter. Who has any information on Hot Bis-
cuits by Alex Bartha and his orchestra, on
the other side of the Washboard Rhythm
Boys' Tiger Rag, Victor? The tune is Fare-
well Blues and the record was in the Victor
catalogue as late as 1936.

Incidentally, Booker T. Washington says
tie played drums on the "Williamson Beale
Street Frolic Orchestra of Memphis," Victors
(from Everett Mock). Unfortunately Mock
didn't think to ask him about the pianist
who played the Scandinavian Stomp solo.
Might even have been Ben Frenchy.

Sorry I can't give record numbers but the
records are all back home in Louisville.

J. J. Stoll
New Haven

No Larceny

Tell Benny Frenchie to play Tin Roof
Blues and see if he can tell what popular
song was stolen from it.

Mel Green
Denver

(Mr. Green also supplies the answer to his
question: "Make Love to Me." The answer
to Mr. Green, therefore, is that a look at the
sheet music or record label will reveal no less
than eight names. Five belong to the New
Orleans Rhythm Kings, who wrote "Tin
Roof ; one is that of Walter Melrose, who
wrote the original set of lyrics; the other two
are the present-day lyricists. This is clearly a
case of rare honesty, rather than vice versa;
obviously the boys who got the idea for the
new lyrics went to the publishers of "Tin
Roof" and did everything above the table.
This is possibly to be considered an improve-
ment on what happened when "Jazzin' Babies
Blues" was, shall we say, adapted into "Tin
Roof" a good many years ago. — The Editors)

Allusion

If Benny Frenchie thinks Ellington's Cre-
ole Love Call "alludes" to West End Blues,
tell him to listen to the trombone and clari-
net solos on Oliver's Camp Meeting Blues.
Incidentally, could Rudy Jackson have been
the tie-in? Rudy claims to have played with
Oliver in 1923 along with Buster Bailey* (is
it one of them on the Columbia date?) and
again in 1927, just before Duke first recorded
Creole Love Call.

Paul B. Sheatsley
New York

RE: Humor

We haven't stopped laughing yet over Wil-
liam H. Wroth's letter in the April Changer,
in which he said Mr. Petersen's article, "The
Real Truth About Jazz Origins," was exag-
gerated. Mr. Wroth must be one of those
"serious collectors" that you read about.

. . . We were extremely amused by Peter-
sen's very, very funny spoofing. There have
been so many of those long-winded, dry ver-
sions of one man's opinion about how jazz
got started that we enjoy being kidded a
little.

Phil and Phyllis McCoy
San Francisco

Any Old Rags?

Early in the Changer's history, it occasion-
ally used to publish the scores of rags, and
thanks to that happy event I have Tom Tur-
pin's A Ragtime Nightmare. It has occurred
to me that it would be an enlivening idea to
reprint a rag now and then as a regular pol-
icy, particularly rare items that are almost
impossible to lay one's hands on. ... I sup-
pose the interests of the Changer's readers
vary enormously, even in terms of various
schools of jazz; but all the ones I know out
here are primarily interested in the music —
since most of them are either professional or
amateur musicians. ... I would like to sec
greater attention paid to the music, and par-
ticularly to the notated music that is of high
quality and that the publishers show no in-
terest in keeping in print.

Weldon Kees
Berkeley, Cal.

the st. louis jazz

(Continued from Page 9 )

From the Top Hat, Palmer moved to the
black-and-tan Riviera's swank Celebrity
Room, where he alternated with a house
band, playing every other nine days. This
was in August, 1953.

During the Riviera stay, a booker from
the BlueNote in Chicago heard about the
jazz bands rising in St. Louis and came
down. He found two bands he liked. One
had signed to open at the Windermere Bar
in September, the time desired by the Note.
But Palmer and his Dixieland Six were avail-
able, and so decided to take their vacation
in Chicago and the two-week stay ran into
an extra week.

The band returned to St. Louis' BlueNote
(not the same ownership) for several months.
At the end of 1953, Palmer was still at the
BlueNote. In January 1954 he moved to The
Barrel, where they play at this writing (early
May). The personnel today is the same as
that which first "crossed the river" to play
two years at Centerfield Lounge : Vertna
Saunders, tp; Carter, tb; Guicard, cl; Perry-
man, p; Palmer, b, tuba; Shaw, dms. Only
for brief periods has any change been made
in the personnel (Norman Mason played at
a two-week engagement at the Terrace
Lounge, East St. Louis, and Druie Bess fas-
cinated Don Ewell when he played for a
while at the Playdium.) and it is very proba-
ble that few, if any, will be made in the fu-
ture. With the possible release of an LP by
the original Palmer band, perhaps jazz fans
all over the world will be able to appreciate
the work of St. Louis' most popular Dixie-
land band — the Dixieland Six.

Will Buy

| RECORD COLLECTIONS

ANY AMOUNT.

I have 100,000 records; hot sweet; every-
; thing, everyone. Send wants.

Will Trade; Sell; Buy

; Race; Blues; New Orleans; Personality.

Jacob Schneider

128 WEST 66TH STREET, N. Y. C.
5 •••• •••••■•I

THIS MONTH'S COVER

OUR COVER THIS MONTH IS A
REPRODUCTION OF A MAGNI -
FICENT OIL PAINTING BY
ROBERT J. LEE WHICH HE HAS
TITLED ■ CHICAGO, SOUTH SIDE*
THIS IS THE FIRST IN A SERIES
OF SUCH PAINTINGS WHICH MR.
LEE HAS MADE AVAILABLE TO
US FOR COVERS. IE ARE BOTH
HONORED AND GRATEFUL.

:

12

New Re leases

10" LP"s $3.95

RLP 1030

RLP 1031

WINGY MANNONE'S
Dixieland Jazz

Tin Roof Blues — Up the Country
Blues — ■ Shake That Thing — Tar
Paper Stomp — Weary Blues —
Big Butter and Egg Man

JIMMY BLYTHE

South Side Blues Piano

Chicago Stomp — Armour Avenue
Struggle — Jimmie Blues — Fat
Meat and Greens — Mr. Freddie
Blues — Lovin's Been Here and
Gone to the Mecca Flat — South
Side Stomp — Five O'Clock Blues

RLP 1034 Pioneers of BOOGIE
WOOGIE, Volume 2

Cow-Cow Davenport, Jabo Will-
iams, Charlie Spand, Charles
Avery, Henry Brown

Dearborn Street Breakdown — Polack
Bljes — Fat Mama Blues — Chimes
Blues — Eastern Chimes Blues —
Deep Morgan Blues — Atlanta
Rag — Mississippi Blues

RLP 1035 MUGGSY SPANIER

and his Bucktown Five

Everybody Loves My Baby — Hot
Mittens — Mobile Blues — Some-
day Sweetheart — Chicago Blues —
Really a Pain — Steady Roll Blues —
Buddy's Habits

RLP 1032 THE GREAT BLUES SINGERS

BESSIE SMITH: St. Louis Blues
(sound track of her only movie)
MA RAINEY: Yonder Come the
Blues — Stack o' Lee Blues
CHIPPIE HILL: Trouble in Mind —
Careless Love

RLP 1036 JIMMY BLYTHE'S

State Street Ramblers

featuring Natty Dominique, Jimmy
O'Bryant, Jasper Taylor

Tell Me Cutie — Tuxedo Stomp —
Oriental Man — Some Day You'll
Know — Tack It Down — Shanghai
Honeymoon — Brown Skin Mama —
How Would You Like to Be Me

RLP 1033 CLARENCE WILLIAMS
and His Orchestra

featuring King Oliver and/or Ed
Allen

Kitchen Woman Blues — Lock Step
Blues — Bozo — Bimbo — Beau
Koo Jack — Sister Kate — Speak-
easy Blues — Long Deep and Wide

RLP 1037 CRIPPLE CLARENCE

LOFTON: a lost recording
date

Eight Piano Solos
ously Issued

Never Previ-

More Motion — Sweet Tooth —
House Rent Struggle — Sixes and
Sevens — Clarence's Blues — Lofty
Blues — Juice Joint — Salty Wo-
man Blues

Buy these at your local dealers or order direct from

Riverside Records

P. O. BOX 373

RADIO CITY STATION

NEW YORK, N. Y.

13

GEORGE AVAKIAN
JACK W. FARRELL
DICK HADLOCK
BUCKLIN MOON
ROBERT L THOMPSON
MARTIN T. WILLIAMS

bennie moten's kansas city jazz
(vol. I)

Kansas City Shuffle/Yazoo Blues/
Midnight Mama/Missouri Wabble/
New Tulsa Blues/Pass Out Lightly/
Ding Dong Blues/Moten Stomp

It is a great pleasure to find the fabulous
Bennie Moten records once again generally
available. The Moten band is the standard
bearer for such jazz as is referred to as
"Kansas City." The overall history of the
band under Moten's, and later Count Basie's,
direction is virtually a history of jazz from
New Orleans to big band jazz and swing and
into modern swing and bop. These sides, in
"little big band" style (10 pieces, including
two cornets, trombone, three reeds, piano,
banjo, tuba, and drums), may be likened in
general presentation to the better Jelly Roll
Morton bands and the larger Clarence Wil-
liams aggregations. There is also something
of the flavor that later turned up in the Lu
Watters recordings for the West Coast label.
Whatever these similarities may be, the
Moten band was still a very unique group,
seldom failing to swing and/or rock in the
most authoritative fashion. Throughout its
time it was always dedicated to jazz for com-
mercial consumption. During this period
(1926-1927), virile, stompingdance music
was in demand, and the Moten band put it
out in a never-to-be-forgotten manner. Within
the band can be heard pioneering develop-
ments of big-band section work emerging
from small-band traditional jazz. During this
period, Moten made frequent use of mod-
erately slap-tongued reed and muted brass
work in rifts and wailing and gliding phrases,
chase choruses, and predominant rhythm
driven by woodblock and after-beat cymbal
work. They would ham it up and play hot —
always swinging. The banjo and impeccable
tuba provided rhythmic pillars for variously
bright, delicate or subtle shadings by drums
and piano.

It is of note that all but one (Midnight
Mama) of the selections are band originals,
principally credited to Moten. Kansas City
Shuffle utilizes the Sister Kate theme and
produces notable banjo, two-clarinet, and
trombone solos. Yazoo includes some of that
tongue-in-cheek wailing so favored by Moten.

Jelly Roll Morton's Midnight Mama is
done-up magnificently, with outstanding
trombone and cornet work and those swing-
ing, honking and hinking reeds. Missouri
Wabble features a tuba chorus with a
rhythm background of wonderful efficiency
because of its simple strength. Tulsa is a fine
rocking blues, mixed with a little familiar
ham and the most solid of riffs. Pass Out,
Ding Dong, and Stomp are stirring composi-
tions. Ding Dong includes a perfectly placed
chorus of kazoo tooting backed up with har-
monized humming. Stomp is a wild and

happy vehicle in which ride brief memories
of San and the Hot Five tune, My Heart.
(Label "X" LX-3004) (R. L. T.)

the jug bands — dixieland jug blow-
ers and memphis jug band

Southern Shout/Banjoreno/Boodle
Am Shake /National Blues/Stingy
Woman/Newport News Blues/Sun
Brimmers Blues/Overseas Stomp

Few can resist the wonderful, mirthful,
moanful spell of the jug bands, under which
many of the toughest "unmoved-by-jazz"
nuts hate been known to crack. Each style
and period of popular music seems to have
its special categories of "novelty" interpreta-
tion. Novelty arises in the departure from
conventional form, either in innocent imita-
tion, intentional burlesque, or with artistic
license. The jug bands stand in this "nov-
elty" relationship to classic jazz, blues, and
early tin pan alley music.

This delightful LP collection carries
"backgrounds of Jazz" as part of its title, but
it is not clear to what extent this is "back-
ground" material rather than a parallel or
concurrent development with the jazz of its
time. There are many problems of classifica-
tion to face. Is there anything more than the
inclusion of a jug player that gives rise to
the label "jug band"? Shall we consider such
groups as are labeled "hokum," "skiffle," or
"washboard" bands as within the same or a
similar class of things? Is it the rural-urban
dimension that is of importance? Inclusion
of jug, washboard, harmonica, kazoo, etc.,
may be a regional phenomenon or a conse-
quence of unavailable conventional instru-
ments or musical education. The album notes
offer both useful and misleading clues to the
answers, but the final word is yet to come.
When it is observed that ". . . these musi-
cians appear to have been influenced only
slightly by the conventional jazz bands of the
day," one may reasonably question the gen-
erality of this statement, for aside from the
differences in instrumentation, the musical
rules seem to be very much of their day.
What may be of importance is the mood of
this music — frequently of varying degrees of
comedy, and sometimes straightforward low-
down blues. It seems to be a reasonable
assumption that these bands were both imi-
tating and burlesquing the jazz and commer-
cial music of the time. The Bennie Moten
band, for example, often did the same thing,
but in a different manner. Compare the
nasal singing and saxophone and violin work
on the Dixieland Jug Blowers' Boodle Am
Shake with the prevalent styles on earlier
records by theatre and dance bands such as
Yerkes', Market's, or the Brown Brother's.
The main difference seems to be that the
DJB sides rock. What then is the meaning of
the statement that the legitimate instruments
on these jug band recordings are played in

"comparatively primitive fashion"? They
may be no more "primitive" than the com-
mercial bands circa 1910-1920. We must not
confuse this kind of "primitiveness" with
that which bears reference to cultures less
influenced by industrialization. The influence
of minstrel music and ragtime on jug bands
and earlier legitimate commercial bands is
more difficult to ascertain.

The two jug bands featured here play in
quite different styles. The DJB, which vari-
ously includes violin, saxophones, trombone,
piano, clarinet, two jugs, and up to three
banjos, touches upon all varieties of popular
music. Their Southern Shout is a happy
swinging tune with some hilarious trombone
ejaculations. The minor keyed Banjoreno is a
miserable repetitive melody played in the
most cheerful way imaginable. Boodle Am is
a fine traditional jazz piece with quaint lyr-
ics, while National is fairly straight jazz blues
with a bit of hokum.

The Memphis Jug Band, on the other
hand, appears to be more of a "folk blues"
group with a minimum of burlesque flavor.
The only "horns" used are kazoo and har-
monica and they impart a feeling of "belong-
ing", rather than one of novelty. Their four
tunes are all rhythmic and vocal blues and
we hear such fine lines as, "Going to New-
port News mama, gonna catch a battleship
across the sea," and the interesting idea that,
"My baby got a head (sic) like a rock cast
in the sea." In Overseas Stomp we find, "I
asked her for a piece of banana, she said can
I play the blues on your piano . . ." The
obscurely titled Sun Brimmers contains some
Jelly Roll Morton — like phrases. In short, a
superb and indispensable addition to your
collection. (Label "X" LX-3009) (R. L. T.)

JIMMIE LUNCEFORD

george lewis ragtime jazz band —
jazz at ohio union

Sensation Rag/Muskrat Ramble/
Flee as a Bird/Maryland/Salute to
Ohio State/Mama Don't 'Low/Lord,
You Certainly Been Good to Me/
You Rascal You/World is Waiting
for the Sunrise/Just a Little While
to Stay Here/Saints/If Ever I Cease
to Love/Burgundy Street Blues/
Bugle Boy/Over the Waves/High So-
ciety/Chimes Blues/Doctor Jazz/
Climax Rag/Ice Cream/Collegian/
Red Wing/Corrine

Here's a collection that will keep you busy
for an hour — a complete concert, minus ap-

84

plause, introductions and intermissions, by
the current George Lewis band, recorded 'in
March 1954, in Oxford, Ohio. Two twelve-
inch LP's in a neat package, a few photo-
graphs, and some enthusiastic album notes
make up the deal. The package is labeled
"hi fidelity" but this reviewer was unable to
play these on hi-fi equipment before the
printer's deadline. Therefore no comments
on this aspect of the audio qualities are pos-
sible and those who care can operate on
good faith. On standard equipment, the sur-
faces are quite good.

Most readers are familiar with the Lewis
band. Besides the leader on clarinet, the per-
sonnel is: Jim Robinson, trombone; Law-
rence Marrero, banjo; Alcide Pavageau, bass;
Alton Purnell, piano; Joe Watkins, drums;
and Avery "Kid" Howard, trumpet. The al-
bum designates the group as an "authentic
New Orleans ragtime jazz band." We are
surprised that such a good line as "originat-
ors of jazz, blues and stomps" was not in-
cluded.

The Lewis band usually offers a moving,
exciting, foot-stomping performance. In per-
son they convey even more enthusiasm. They
are "authentic," have a limited repertoire
(collectively if not individually), and often
play out of tune. However, if the Lewis bug
bites you, it appears that nothing bothers you
as little as these technical shortcomings. (The
whole problem of jazz men being in or out of
tune, intentionally or accidentally, remains an
unresolved critical issue. )

Lewis seems to be the guiding genius of
the crew as they run through this program.
Jim Robinson and Kid Howard are generally
not quite up to par. It is, however, interest-
ing to find that on repeated listenings, one's
evaluation of each selection seems to change,
either for better or worse. At this writing,
Muskrat, Over the Waves, Climax Rag, Ohio
State, Corrine, and Collegian (or Collegiate)
seem to be the best performances. Vocals by
Joe Watkins are heard on Mama Don't 'Low,
Sunrise, Doctor Jazz, Ice Cream, and Cor-
rine. Someone else — probably Kid Howard —
sings Saints, or as he usually prefers to put
it: ". . . how I want to be in that number,
when the sins go marching in."

The balance of the band seems to vary
from number to number, as if the micro-
phone position was not constant. Occasion-
ally the crowd becomes unmesmerized and
drowns out the band with cheers and other
arena sounds. While these and other events
indicate an imperfect engineering job, it
might be argued that a more "spontaneous"
and "in-person" feeling results. Caveat emp-
tor and all that! Many collectors might ap-
preciate having a few of the best sides
available on 78 RPM or a ten inch LP. A
big package like this is an act of love for
producer and buyer alike. Let that old love
get flowing. (Disc Jockey DJL-100) (R. L.
T.)

jelly roll morton

Muddy Water Blues/High Society/
Fish Tail Blues/Mr. Jelly Lord/King
Porter Stomp/Tom Cat Blues/My
Gal/ Wolverine Blues

This recent addition to Riverside's "Jazz
Archives Series" is about as archivey as any-
thing can be. It presents eight of J. R.'s
rarest, earliest, and most pre-electrical re-
cordings, with the necessary apologies for the
unavoidably poor surface quality. Neverthe-
less, such reissue programs deserve the fullest
support from collectors, if important, though

CHIPPIE HILL

less than perfect, early jazz recordings are to
be available.

All of these sides were cut before Morton's
vast contribution to jazz was recognized.
Muddy Water (originally Paramount 12150)
was cut in 1923 and was probably Morton's
first record. The cornet is attributed to Natty
Dominique and the not too audible trombone
to Roy Palmer. I would take no bets on such
bits. One "Townes" is said to play clarinet,
etc., and does it well. Jasper Taylor supplies
a horse-trot rhythm and Jelly plays straight
piano. High Society and Fish Tail originally
appeared on the Autograph label. The trom-
bone is again ascribed to Roy Palmer and in-
deed it does sound something like him. Lee
Collins is said to be the cornetist. So who
knows? Whoever it is does not do a very
good job on the minor interlude of High So-
ciety. The general interpretation here is
rather sad until the last chorus is reached,
then everyone begins to strut. Fish Tail is ap-
parently Jelly's first draft of what was to be-
come Sidewalk Blues. Palmer does amusing
things on the trio (lifted from Liebestraum)
but the arrangement has little of the organi-
zation that Morton later built into it. Jelly
Lord, originally Gennett 3259, features un-
known personnel playing in an authoritative
but wheezy Morton-arranged manner. One
cornetist has a nice fat tone and Morton has
a nice fat solo.

King Porter and Tom Cat are duets with
King Oliver. 'Tis a cozy little all-star group.
King Porter is an unusually interesting tune,
unlike most of that period in its melodic
structure. The very pleasant Tom Cat is bet-
ter known under its later title, Midnight
Mama. On both selections Oliver sounds
good but out of breath, failing to sustain
many notes that one might expect to be sus-
tained. It could be the recording mechanism
or it could be Oliver. Although it is only a
duet, the trumpet plays a straight band style,
as if he was hearing supporting musicians
somewhere in his head. It makes an interest-
ing contrast with the rather involved Weath-
erbird Rag duet by Louis Armstrong and
Earl Hines.

Wolverine and My Gal feature inspired
Jelly Roll piano and the clarinet of Voltaire
de Paut, known as "Volly" to his friends and
enemies alike. My Gal, composed by Jelly's
admirer, Frank Melrose, is at times suggestive
of Mr. Jelly Lord. The rendition includes a
kazoo player who unfortunately is no great
master of the instrument.

It is interesting to note that on tunes like
Wolverine and Jelly Lord, in contrast with
Fish Tail (Sidewalk) Blues, Jelly had worked
out phrases and piano obbligatos which he

continued to use for years afterward, on each,! \
occasion that he recorded the same tunes. ! i
(Riverside RLP 1027) (R. L. T.) 1

the great blues singers

Voila! 4 (Four) GREAT BLUES SING- i !
ERS (Four) 4— *#!#*—( Count 'Em). J
This Riverside is no mere fish hatchery. You |
want blues singers? They got blues singers! |
Barrels, droves, herds, prides, flocks, pla-
toons, gallons, packs, and a gang of blues '
singers. They got Ma Raincy (cheers) and ,
her accompanists, B. T. Wingfield (cheers), I j
Cow-Cow Davenport (moos), and possibly
Johnny Dodds (wild cries). Madame Rainey
sings Don't Fish In My Sea and Soon This ,
Morning just like she did on Paramount \
12843. As old B. T. Wingfield wipes his
golden cornet from his lips there emerges Ida ,
Cox to sing Jail House Blues and I'm So
Glad just like she did on Paramount 12965
(huzza for Paramount 12965). Now if that:
ain't enough, they got Chippie Hill (hotcha
and yahoo) who special for this occasion will
take off her pair of pearl-handled pistols and 1 |
wiggle and sing Trouble In Mind and Care- ' ,
less Love just like she did for Circle records
with Rudi Blesh watching. Miz Hill is fol-
lowed by Lovie Austin (whef), Baby Dodds
(wow), John Lindsay (yipee) and Lee Col-
lins (hooray) who play mellow music just i
out of gun shot behind her. And now — and
how now — riding a brown cow, appears BES-
SIE SMITH (hoo boy and zowie). Behind i
her is a hunk of the Fletcher Henderson
band of 1929 (gadzooks) and riding .a smaller
cow, THE HALL JOHNSON CHOIR
(woof). Everybody stands up and hits off, i
mournful and hot, them old St. Louis Blues ,
just like they did for Circle Records without
Rudi Blesh watching. 'Tis a little bit — oh,
about six minutes worth — of the sound track ,
of the movie of the same name. Yessiree, a
fine, high-class collection of blues singers. (
Can't beat it nowhere, even in Erehwon. Stu- i
pendous, colossal, and extraordinary! Great
record! File it under "B" for blues. Zoujids!
4 (Four) GREAT BLUES SINGERS
(Four) 4— *#!#*— (Count 'Em). Voila! ,
(Riverside RLP 1032) (R. L. T.)

clarence williams and his orchestra

Bozo/Kitchen Woman Blues/Lock i
Step Blues/Bimbo/Beau Koo Jack/
Sister Kate/Speakeasy Blues/Long,
Deep and Wide

Recorded in 1928-1929 for the QRS label,!
these sides are among the best made by Clar-
ence Williams and stand As a fine tribute to
Williams as a band leader. Using five to
eight pieces in a day when Fletcher Hender-
son and Duke Ellington were setting the pace
for big-band style, Williams manages to get
as full a swinging sound plus a feeling of
greater individual freedom. All of the solo
and ensemble work is exceptionally good.
There is a minimum of virtuosity and atten-
tion-getting tricks, resulting in a relaxed ov-
erall performance that avoids the strain of
listening for super-special moments.

The rhythm section reportedly consists of
Williams on piano, Cy St. Clair on tuba, and
Buddy Christian on banjo (As with the Turk
Murphy band today, an insignificant loss ifi I
suffered in the absence of a drummer.). The ,
album notes may be inaccurate in their as-
signment of horn personnel. Kitchen and
Lock Step are predominantly blues vocals by
Anna Bell (a pseudonym for whom?). Ed j
Allen, trumpet; and Benny Waters, clarinet, i

15

are the most likely accompanists. The re-
maining sides all include two reeds, trom-
bone (Charlie Irvis) and one or two trumpets
or cornets, allegedly King Oliver and/or Ed
Allen (the notes make a point of not at-
tempting to render a judgment as to which
it is on which). The harmony work is so
tight that it is often difficult to spot the num-
ber of brass. Kate and Jack are the most
likely possibilities for Oliver. Incidentally,
Omer Simeon is suspected of contributing
some of the reed work here and there. This
makes excellent material to brood over. Cau-
tion: Don't miss the superb music while
brooding. {Riverside RLP 1033) (R. L. T.)

|immy blythe

Chicago Stomps/Armour Avenue
Struggle/Mr. Freddie Blues/Lovin's
Been Here and Gone to the Mecca
Flat/Sunshine Special/Be Yourself/
South Side Stomp/Five O'Clock
Blues

Now Jimmy Blythe was a grand jazz and
blues pianist who helped keep Paramount
Records in business and vice versa. In the
first four selections, Blythe is left to his own
devices and brings forth some rough and
ready barrelhouse blues and stomps showing
moments of intricacy and considerable depth.
Mecca Flat is not always as beautifully poetic
as its title but it's hard to beat for slow blues
piano. Miss Sodarisa Miller engages in some
quite competent blues singing during Sun-
shine and Yourself. Sunshine somehow re-
minds one of Midnight Special (associated
with Lead Belly). Blythe supplies a sensitive
and expert background. South Side and Five
O'Clock are by The Dixie Four wherein
Blythe is surrounded by bass, guitar, and
drums. A bit of whooping and other encour-
agement is occasionally heard. As the album
notes rightly indicate, Blythe plays "less in-
trospectively" in the presence of the Four.

A fine collection of Blythe's 1924-1928 pi-
ano work. (Riverside RLP 1031) (R. L. T.)

cripple clarence lofron

I Don't Know 1 & 2/South End
Boogie/Streamline Train/In De
Mornin'/Early Blues/Policy Blues/
The Fives

Cripple Clarence was among the best of
the boogie woogie, blues and barrelhouse pi-
anists from Chicago's South Side. It may be
gratuitous and misleading to refer to Lofton
as a "boogie-woogie" pianist, for he seldom
fell into the style commonly associated with
the term. A non-musical description would
represent him as a happy pianist, a bit of a
one-man show. Plenty of house-rent money
could be produced here.

These sides originally had limited availa-
bility on the now extinct Session label. Pre-
viously unissued masters of Train and /
Don't Know are included here. The latter
tune was once known as Strut That Thing.
Under its present title it is enjoying consider-
able popularity in jive circles. Early Blues is
much the same as Lofton's earlier recording
of Brown Skin Gal, minus the vocal.

This robust and enjoyable collection of pi-
anistics defies any and all to avoid foot-
stomping. (Pax LP 6005) (R. L. T.)

original dixieland jazz band

Dixie Jazz Band One-Step /Livery
Stable Blues/Skeleton Jangle/Tiger
Rag/Blum' the Blues/Sensation Rag
/Mournin' Blues/Clarinet Marmalade

What is there to say about the ODJB?
Their historical position and vast influence
on jazz has so often been documented that
virtually no comment is called for. They were
among the earliest of jazz bands, the first to
receive widespread recognition. These are, to
say the least, their most vigorous recordings.
We wish for musicians today who could
achieve the combination of lyric style and
fire that characterized LaRocca, Shields, and
Edwards. The old Jazz Record Book referred
to the ODJB as offering a "pogo-stick"
rhythm. Although we have smoother means
of transportation today, we also have faster
means, and besides, some of us like to take a
turn around the back yard on our old pogo-
sticks now and then.

It is gratifying to note that modern press-
ing techniques have made these old gems
considerably easier to listen to. The rhythm
section (Sparbaro and Ragas) come through
more smoothly and clearly. One can appre-
ciate Sparbaro's drum antics and note that
in spite of all this four-to-the-bar talk, he oc-
casionally breaks into a nice simple two-beat.
With gratitude to RCA, we welcome our eld-
ers upon their long-awaited return to town.
(Label "X" LX-3007) (R. L. T.)

jimmy lunceford

In Dat Mornin'/Sweet Rhythm/Jazz-
nocracy/Chillun Get Up/ White
Heat/Leaving Me/Breakfast Ball/
Swingin' Uptown

During the 1930's, the Lunceford band
was among the hottest and swingingest in
existence. In terms of personnel and breadth
of arrangements they deserved and earned
great notoriety. It is a pleasure to find their
first recordings in RCA's Label "X" pro-
gram.

Rhythm and Mornin' have the most appeal
to those whose tastes prefer traditional jazz.
These 1930 selections have much the same
swing as the Bennie Moten band — guided, of
course, by tuba and banjo. Preaching by
Moses Allen provides an additional droll
component to Mornin'. The remaining sides
date back to 1934. Jazznocracy and White
Heat are famous for their furious but con-

EDDIE CONDON

trolled tempos. The section work holds to-
gether admirably. The rest of the tunes pre-
sent a more sophisticated and familiar swing
band sound. Henry Wells offers a fine vocal
on Leaving Me as does Sy Oliver on Break-
fast Ball. Chillun features a group vocal
which later became one of the band's dis-
tinguishing aspects, as well as one of the
most entertaining. (Label "X" LX-3002)
(R. L. T.)

rex stewart

Mobile Bay/Linger Awhile/Subtle
Slough (Just Squeeze Me) /Same
Saturday/My Sunday Gal/Without a
Song/Menelik (The Lion of Judah)
/Poor Bubber

Isn't it wonderful that "Ellingtonia" cov-
ers so much musical territory? I think it is a
mistake to look at these subsidiary explora-
tions as a phase of Duke Ellington reflected
by individuals from his orchestra. On the
contrary, it is from dates such as this — and
ideas put forth by Ellington sidemen — that
the music for which Duke is credited
emerges. Without discredit to Ellington, most
of the beautiful melodic lines attributed to
him were creations — if only noodlings — of
his musicians. Listen to Subtle Slough, for
example, for the basis of Just Squeeze Me.
Yet, it was usually Duke who fashioned the
raw materials into lasting form.

These thoroughly comfortable perform-
ances feature Lawrence Brown, Harry Car-
ney, Ben Webster, Duke, Jimmy Blanton,
Sonny Greer, and, of course, capricious Rex.
They were recorded in 1940 and 1941, a pe-
riod felt by many to be Ellington's peak. In
terms of integration, warmth, and level of
performance, these recordings would tend to
confirm that feeling.

Every man seemed to blend and melt into
the group with a kind of mutual compre-
hension and sympathy (something like that
in good string quartets) that is seldom heard
in jazz.

There has never been anyone like Rex. He
can play a whole solo with half-valves, or
talk distinctly through his cornet, or growl
like a lion (listen to the amazing Menelik),
or make you think you're walking through a
silver mist on Mars. And Duke and his men
knew how best to cradle this problem child.
This music is sensuous and almost too de-
licious.

Not only are we privileged to have eight
of these recordings on one record ; two are
unissued takes and two (Menelik and Poor
Bubber) were never issued at all. The qual-
ity throughout is better than the original
Bluebirds' (Label "X" LX-3001 ) (R. B. H.)

jam session coast-to-coast

Eddie Condon's All Stars — Beale St.
Blues/Emaline/Don't Worry 'Bout
Me/I Can't Give You Anything But
Love/Riverboat Shuffle/Jam Session
Blues/Ole Miss

The Rampart St. Paraders/Black
and Blue/Jelly Roll/ Ja Da/Sheik of
Araby/Squeeze Me/South Rampart
St. Parade

A formidable array of talent here. As
usual, Condon comes up with a gang of first-
rate musicians — all his regulars plus Peanuts
(Continued on Page 25)

records noted

{Continued from Page 23)

Hucko, Lou McGarity, Dick Cary, and
George Wettling, none of whom are exactly
strangers on the barefoot scene.

The other side of the 12 inch LP has some
compatible west-coasters doing six standards:
Eddie Miller, Matty Matlock, Clyde Hurley
on trumpet, Abe Lincoln on trombone, Stan
Wrightsman, George Van Eps, Phil Stephens,
and Nick Fatool.

Eddie Condon hras a way of making it look
easy to grab a bunch of good jazzmen for
any occasion. But his selecting process is not
as casual as his demeanor. First, note that no
one shows up who doesn't have superb com-
mand of his horn. Second, each man has a
distinct individual sound and originality of
expression. Third, the cohorts are usually
men who know how to play in a free-wheel-
ing ensemble, but can adhere to at least a
minimum of musical discipline. Fourth, the
musicians associated with Condon can play
pretty — in fact, some of their best things
come from medium slow ballads. Finally,
there is an intangible requirement — sort of
an understanding that provides a common
denominator — and perhaps this is what
makes their music almost an American insti-
tution.

If you've heard the various Condon groups
on Commodore and Decca, you'll know
pretty well what to expect here. One surprise
is the trumpet of Dick Cary, who has cer-
tainly outgrown "doubling" status. Wild Bill
is his exuberant and amazing self, and Ed
Hall creates his usual stimulating designs.

The Rampart St. Paraders reflect some of
the spirit of the old Crosby Bobcats, thanks
to Miller and Matlock. Of special interest is
the appearance of Clyde Hurley, who has
been playing excellent jazz for years without
much recognition. He can be heard on some
Glenn Miller Bluebirds and a few sides cut
with a small group in the mid-forties. Also a
name to be reckoned with, no matter how
you look at it, is Abe Lincoln. The West
Coast is a hotbed of outstanding trombone
players, and Abe is one of the best. He goes
crazy on Sheik, which is the best all around
performance of the side.

These tunes are just a bit too evergreenish
for comfort. Everyone blows, but one has to
be more than good to make some of these
warhorses come alive. It is when they slow
down and play softly and lyrically that these
men say the most. Incidentally, it would
seem that Matlock has been listening to some
modern sounds. None of the Paraders sound
particularly dated, for that matter.

"Jam Session Coast-to-Coast" is an infor-
mal high-fidelity date, and the recorded
quality seems a shade better on the New
York side. Leaving Condon's remarks on the
record was a delightful touch. {Columbia
CL-547) (R. B. H.)

gene mayl's dixieland rhythm kings

Bill Bailey/Blue Mama's Suicide
Wail/St. James Infirmary/Sweet
Georgia Brown/Red River Valley/
Weary Blues

The DRK's are back — this time on hi fi
— and with that old town pump sound that
we love so well. Some call it San Francisco
style or Watters-Murphy style, and this serves
to place it in the general category of banjo-
tuba traditional jazz, drawing largely on clas-
sic jazz and ragtime conceptions. The present
personnel are: Gene Mayl, tuba; Bob Hodes,
cornet; Charlie Sonnanstine, trombone;

Robin Wetterau, piano; Jack Vastine, banjo;
and Joe Darensbourg, clarinet. (Since this
recording date in December, 1953, Ted Biele-
feld has replaced Darensbourg.) Little has
been heard of Darensbourg since he left the
great Kid Ory band and it is certainly a
privilege to have this superb musician back
on records.

Following the lead of the Turk Murphy
band, the DRK are sans drums and doing
quite well, although some may miss the ex-
tra percussion for reasons of taste or vested
interest. This move is of interest as it reflects
two important influences on the course of
traditional jazz: the relative unavailability of
adequate steady and cooperative personnel;
and the economic pressure to reduce the
number of personnel if th% cost of the band
is not to be prohibitive to employers. Perhaps
the most outstanding virtue of the DRK has
been their willingness to sacrifice individual
preferences for an overall band sound.

Bill Bailey features an amusing vocal by
the pleasantly untrained voice of Jack Vas-
tine. The tempo is perfect and some great
Sonnanstine trombone work is heard around
the singing. Blue Mama's Suicide Wail, also
known as Mountain Top Blues, features an
unusual and beautiful cornet-banjo introduc-
tion which provides a fine contrast to the
full harmonic and rhythmic power of the
band. Nothing much happens on St. James
except an unsteady tempo. Sweet Georgia is
rendered by Darensbourg and the rhythm
section. A tuba solo is permitted but the real
joy is found in Darensbourg's slap-tongue
chorus, not to mention his several additional,
more conventional choruses. Red River rocks
along in a warm and friendly way. Weary
does very much the same at a brighter tempo.

The DRK's ensemble and solo work are of
fairly consistent high quality, although the
latter may be thought by some to suffer
slightly from the reduced rhythm section.
Even if this is the case, nothing suffers as
much as it would in the presence of an im-
.proper drummer.

As noted initially, this record is designed
for high-fidelity fans. It is, accordingly, 12
inch, 78 RPM, microgroove and requires a
one-mil stylus. The disc is clear, grainless red
vinylite. E. D. Nunn's recording job is cer-
tainly first rate. {Audiophile AP-18) {R. L.
T.)

wingy manone

Big Butter and Egg Man/Tar Paper
Stomp/Weary Blues/Up the Country
/Tin Roof Blues/Shake That Thing

These selections originally appeared on
Champion, having been recorded in 1930 at
Richmond, Indiana. Here is one clue to why
the Gennett people had to throw in the
towel: The recorded quality was not up to
what some of the major companies issued as
early as 1926! Considering the equipment
available in 1930, it seems unpardonable that
a record company should have continued to
use lower standards. Anyway, the Riverside
surfaces are quiet and whatever was there to
begin with comes out.

Wingy is Wingy — blatant, vulgar, and usu-
ally charming. His outrageous steal from
Louis on the vocal to Big Butter and Egg
Man is not offensive because it's full of hu-
mor and doesn't pretend to be anything it
isn't. To Wingy, most everything seems to be
for laughs. At the same time, his horn ex-
presses a rather intense and thoughtful man.
In some ways, Manone came closer to Arm-
strong than anyone (listen to Up the Coun-
try), and managed to do so without loss of
his own unique personality.

In spite of Wingy's New Orleans back-
ground, he often wound up with Chicagoan
backing on his records. The clarinetist on
these sides (George Walters) fits well in the
spot filled at various times by Goodman,
Tesch, or Marsala. He sounds more like
Mezzrow than he does like the above people,
though.

Taking the good fun and the forceful mu-
sic together, this is a nice record to have.
{Riverside RLP 1030) {R. B. H.)

ben pollack

Waitin' For Katie/Buy Buy For Baby
/Yellow Dog Blues/He's the Last
Word/Singapore Sorrows No. 4/
Singapore Sorrows No. 2, No. 3/
Memphis Blues/Bashful Baby

Reissues like this can do a lot toward fur-
nishing us with better historical perspective.
The recordings, made between 1926 and
1929, are particularly illuminating because
of Benny Goodman's teen-age presence, but
also reveal much about Jimmy McPartland,
Gle nn Miller, and Pollack himself. With or
without history, the music was swinging and
imaginative.

While that mysterious Chicago air to
which clarinet players were allergic caught
Goodman too, Benny was rapidly acquiring
his own musical character. His tone was a
little more controlled, his phrases less stac-
cato, his concepts a bit more involved than,
say, Teschmacher.

McPartland was and is a great deal more
than a Bix imitator; he was responsible for
much of the drive of these dates. Glenn
Miller blew quite pleasant and warm trom-
bone.

The band itself really moved, and much
credit should go to Pollack, both as a drum-
mer and an organizer. While there is always
plenty of talent around, it takes men like
Pollack, Condon, McKenzie, Ellington, etc.,
to do something about it. Ben achieved the
very tricky balance that results in a suc-
cessful commercial jazz band. Only a few
(Ellington, Goldkette, Basic, Herman, for ex-
ample) have been able to keep one going for
more than a few months.

Most effective is the inclusion of three
takes of Singapore Sorrows. It is revealing
and rewarding to listen to different soloes in
the same arranged setting. "X" might have
done well to also include Goodman's solo on
the originally-issued version of Bashful Baby,
which is delightfully different from the one
in this set.

Waitin' For Katie has a vocal group that
comes on not unlike the Rhythm Boys. On
Buy Buy For Baby, Belle Mann sounds in-
credibly like Helen Kane. And on Singapore
Sorrows, Ben Pollack sings. You can be sure
it was not just the band's talent for jazz that
kept them at the Park Central.

This is one of the most interesting and ex-
citing reissues in recent months. {Label X"
LX-3003) (R. B. H.)

eddie condon

Hello Lola/One Hour/Tailspin Blues
/Never Had a Reason to Believe in
You/Copenhagen/That's a Serious
Thing/I'm Gonna Stomp Mr. Henry
Lee No. 1/Fm Gonna Stomp Mr.
Henry Lee No. 2

It's almost unbelievable how much great
jazz is in the Victor "vault." The new "X"

17

label is all but falling over itself in rushing
the release of huge chunks of marvelous mu-
sic. Most of these numbers need no comment
— the performances are classic.

The first four selections are played by the
Mound City Blue Blowers, which in this case
means McKenzie, Condon, Glenn Miller, Pee
Wee Russell, Coleman Hawkins, Al Morgan,
Krupa, Bland, and (on Tails pin and Never
Had a Reason) Weldon "Jack" Teagarden.

What a splendid mixture of whiskey and
talent! The music on the record makes you
feel warm all over and seems to get better
with each playing. Red McKenzie made blue-
blowing about as musical as anyone could.
Glenn Miller is much more than a curiosity;
he wails with everyone else. And Hawk —
well, he had the sound on tenor and was al-
ways swinging. His solo on Hello Lola moves
something like Johnny Hodges used to. A.1
Morgan did much of the pushing on Lola
that kept everything buoyant.

And then there's Pee Wee. The reluctant
spark-plug. Playing twenty-five years ago, he
was still his amazing self. With breathless
anxiety and unpredictable whimsy, Pec Wee
invariably moulds a counter-melody that de-
fies analysis and thrives on its own beauty.
He is, I think, one of the really important
people in jazz.

Copenhagen is by Boyd Senter and sup-
posed to have Mezzrow on tenor as well as
McKenzie. Sounds something like Mezz's
shuffling, but not too much like Red. This
was recorded, incidentally, within a few days
of the Blue Blower dates, but doesn't stand
up as well today.

Serious Thing and Stomp were made ear-
lier, and are often considered prototypes of
a number of "mixed" recording dates that
followed. Of course Mezz was there, and to-
gether with Happy Cauldwell made up a
pretty frightening sax section. Leonard Davis
and Teagarden were there too, and made the
whole business worthwhile. A real giant was
Jack Teagarden.

There are two takes of Stomp Henry Lee
to chew on. The quality of these records far
exceeds that of similar pirate reissues a few
years ago. {Label "X" LX-3005) (R, B. H.)

john mc andrew

bars of the melody follow: not, alas, from
releases of that period, which would give
added authenticity, flavor and recapture
the style of a bygone day as nothing else
could, but by a syrupy, strictly 1954 Con-
cert-Style Studio band. With so little time
to spare, Hildegarde is allowed two linger-
ing choruses of Lili Marlene, one in Ger-
man ; and the present-day voices of several
old-time stars are used, including Rudy
Vallee and Gene Austin.

You sit back and ask yourself incredu-
lously: How could they! Yet the answer
faces you on the cover of every single re-
issue every last Major company releases:
an apology that the recording of the sides
is not up to today's preeminent standards.
They simply don't know, and are incapable
of understanding, that such a record has
done something priceless: stopped Time in
its flight, and imprisoned that particular
moment forever as no artist or recording
of the future ever could do again. That
Victor, with by far the largest and most
comprehensive library of priceless masters
of yesterday should be the one to give this
watered-down version of Vaudeville is
something that defies reason; and needless
to say, Jessel's juvenile explanations, with
pointed references to his own contributions,
would be far less disturbing on the jacket
of the LP. True. "Show Biz," the book,

was an incredibly commercialized, Hit
Parade affair, and "Show Biz," the LP, is
perhaps a worthy twin. Nevertheless, even
if only top popularity were to be given
grooving space, what of Victor artists John
Steel, Ailecn Stanley, Billy Murray, Marion
Harris, The Revelers, The Duncan Sisters,
Henry Burr, Van and Schenck, Lambert
Murphy, Waring's Pennsylvanians, Ohman
and Arden, Coon-Sanders Orch, Jesse
Crawford, Ada Jones, Sousa's Band, Pryor's
Band, Victor Herbert's Orch, The Peerless
Quartet, Al Jolson, Reinald Werrenrath,
Will Oakland and many, many others?

leadbelly

{Continued from Page 1 )

Riley have appeared in Disc albums 660,
734 and 735. I would guess that the remain-
ing material comes from a vast body of ace-
tates thoughtfully taken down by Moe Asch
over the years. The quality of the dubbing is
good and this LP displays the same careful
editing that is found in the first Legacy vol-
ume.

LEADBELLY'S LEGACY: Volume III, 10"
Folkways LP FP 24

Pigmeat/Black Snake Moan/Roberta, Parts
i and 2/Fort Worth and Dallas Blues/See
See Rider/Daddy I'm Coming Back To You.

Several items in this LP definitely merit
close attention.

In Black Snake Moan we have a perfect
example of a song changing in oral tradition.
Leadbelly learned this from Blind Lemon
Jefferson when the former was a constant
companion of the blind singer during his
formative years.

Blind Lemon recorded this same song for
Paramount early in 1927 (it's now available
on Riverside RLP 1014). The Leadbelly ver-
sion is a little more boisterous, displaying his
personal adaptation of the song, though re-
taining traces of Blind Lemon's distinctive
guitar playing, noticeably the short runs after
each verse line. (Leadbelly's instrumental in-
troduction is far more elaborate.) Even some
of Leadbelly's intonation, the holding of the
opening note, "Oh — Oh," is identical to the
Blind Lemon recording.

Both Black Snake Moan and Pigmeat come
from the early Columbia masters discussed
before. The version of Pigmeat on this LP
precedes, in time, the version on the second
Legacy volume. The notes by Frederic Ram-
sey are excellent and the recording good. No
texts.

LEADBELLY LEGACY: Volume IV, 10"
Folkways LP FP 34

There's A Man Going Around Taking
Names/Easy Rider/ Red Bird /Line 'Em/T.B.
Blues/ Jim Crow/Bourgeois Blues/ Army Life/
Hitler Song.

The material included here is not all folk,
in that much of it has not passed into the
oral singing tradition. Jim Crow, Hitler Song,
Bourgeois Blues and Army Life are all Lead-
belly originals. Bourgeois Blues first appeared,
in "Negro Sinful Songs," M-31, recorded for
Musicraft in 1939. I do not think that this is
a direct dubbing of the song as it appears in
that album. A Man Going Around Taking
Names is well known and has appeared on
other records in poorer versions. The re-
maining songs I have heard sung by quite a
few people, but never with the convincing
authority that Leadbelly gets across. The
notes are only fair, and no texts are included.

CLASSICS IN JAZZ: 10" Capitol LP
H 369

Ella Speed/On A Christmas Day/Sweet
Mary Blues/ Western Plain/Tell Me Baby/
Backwater Blues/Take This Hammer /Irene.

This is the best-recorded Leadbelly around,
and it's too bad the material doesn't match
up. I'd like to catch the A. and R. man who
thought Leadbelly's twelve-string guitar
wasn't accompaniment enough and so backed
him up with a zither.

Yet, despite all the polish, the old Lead-
belly comes through, a little trimmed around
the edges, but the old brash, uncaring force,
the false titles and the band credits sound
reminiscent of his earliest work, can "still be
detected. More down to earth versions of
most of these songs are available on other
labels. But, if you have never heard Lead-
belly, live and up close, this is probably the
nearest you'll ever come, for the sound is
really good. If you care, the zitherist is Paul
Mason Howard.

Jac Horzman

RECORDS WANTED

I AM INTERESTED IN BUYING OUTRIGHT

small or large collections of Jazz, Sweet, Swing, Personality, Blues,
Bop, or Pops.

/ will pay spot cash for such collections.

If you have a collection you wish to dispose of, please write,
giving full details of the collection, type, artists included, labels,
and most important of all please describe the condition of the
records carefully.

Then set your lowest price for the lot. I do not buy piecemeal but
will take all or none.

WRITE, WIRE, OR PHONE

BILL GRAUER, Jr.

lp.8 West l).9th St., New York 19, N.Y,

18

HOW THE RECORD CHANGER WORKS:

Abbreviations used in the Classified
"Wanted" and "For Disposition"
Sections are as follows:

Col. I, Record Label:

act •••••• • • *cnjcu.c

«f ACOLIA*.

AJ ••• MAI

AL • >••■• aLAMIK

m ■•••■•■••>■■•••• APCwICABJ HMlC

aa* 'McnaAM*

k# • *W

d» ...... .s*h.-u.o

M v • »«0

ML ATLANTIC

AU AUT06*APW

03 C«MC«

MALO.. ....... ...*....*..... ■•L0*IM

M • HlXIlN

t* M.UC OIK

cca • •• vcacom

M. • MIL

aiLT fiLTHmc

•N *LUC MUE

•*> OLflCa MTT|

M BaiMSSICf

MB MIT ISM NMYTMaj toe.

M SLACK 8* Ml

NT lUC «r*a

au ■..■•■.......••••■••*•■•■ auoov

n KUI 1 «MITC

SIM ..................*•• SAMtuaON

aw <%ac*o»«Y

ca ■ CMWO

r*r • • capitol

CUD,,.. C AMI MAL

ca* f-mi

■X CCMTt«T

CM ....*•• CM Attn CM

CMM..I CM*LLt«0C

ci fiacLC

CIT COltXCTOM I TOI

cl ......... .9*. ritiitw

CLCU • CLCAflTONC

fLI CLIM*«

em ■ .* cowmooont

CO COLU»fli

CAT*. ........... CONTINCMTAL

COM ro*L

Sfj CONQUCtO*

ca cm**

CM. • t«AC

CM CALM I NT

CS CLAATOMOLA

0C ■ OCCCA

fat I ■>■'-■'- ■ ■'■

at niv«

C.II DIM,

at oil

mj OOWI NO

CL ILITC

cue clc< iitoiK

ca CMcaaoK

Cv cvcavaoov*s

n ». c-Nca

•C ••CMMCTT

•L GCMLNAL

a« 0>CV ' ULL

eta .............*......••... cuilb

«LO OLOK

oa ........**........•. q*>**< »mo*c

a™ coot Ti«at Jtii

OU OUAMDGWAM

HA • MAMHOMV

NCR *...MC*aM

MB **..........*.....*. MA NKOB AAA*!

MJCA HOT JA1I CLU*

KtW ....... ......MIA M'STCe'l voice

HOMO. ....... HOWCCHCND

naa ............ hot tccuac society

NO* •• HIT or THE «CK

NT ••.....*■■•■*■■.■■•.■••• NTTONX

!■ •aval**.

INT • INTCRNATlCMAL

jo 1111!!"!!!!.!...*...

J| ...... JAM UkroaMATION

JM JA22 NAN

jm J"!i accoaa

JWL. JAII U LECTION

ju Juwa

tn Kf TNOTC

hi •■• at*

aj * IMS J A II

Lt LINCOLN

im ............ liu<mtv Muaic **v*

LU lUCeor

LON LONDON

MA •*•?£•

MAO MAOiaON

MAJ MAJTtTIC

MM MANN JIT TAN

mc ^arLOTOMC

UCLN.... ■ MCLMltC

«ca NiNcuar

mr wouLDic rvaac
au • NuaicRArr

MM ■OMTOOMCNV •AND

MA NATIONAL

MAC • ■ MAOOCO

MONO NONOTKOO

00 POEOM

ca ..Ovcm

o*> oncnannonc

JSt ONiOLC

NA NAaLONMOMC

PAC ....................... PACIflC

NANA. NANACMONa

M NANAMlrtiNT

NAT NATKC

po NOLvooa

PC NCNTCC T

n NAN400X

ono eaa

•AM AAMNAMT

ac • MCCAL

NIA ........................ NI*LTO

NO POWCO

as nci&suc

NZ ............... »t *L-.*O.0 PHONE

SAL 1ALAOEAT

OA ...................... SOLO ANT

•AT AA WOT

■CO ■ HVVICAJ

tC SPCCIAL COITIONS

ACL ■ BCUNCN

•I .................... SILVCNTONC

*W tlflNATuNC

■ Tl iimwi

ru tUMIH NC

Sum ........................ summit

sun supcntonc

i* ......................... stim

TC TtMNO

TLLC TILCI ONKCN

TN TNIANCLC

raiL.... iNti.aN

UMCA UMIICO HOt CLUOS

W .................... ULTNAPMONC

wr wan OVKf

VC ■• VCLVXT TOUT

VI ........ .....•••••••.NCA /ICTOA

WJN VINVllTC JAI1

VO ...................... VOCALIOK

•OS ......................... VOCWC

WN WA8ICTV

VS VANSITT

■C WEST COAST

AVER
BEAS
B0X3
BROC
COLL
HEAR
JOLS
KEND
MERK
PARR
PATT
SCRI
SOND
WALLS

RAY AVERY 663 1 HOLLYWOOD BLVD., HOLLYWOOD 28 CALIF.
MRS J.W. BEAS LEY 3|0 WARD AVE., SAN ANTONIO lO TEXAS

BOX 3 The record changer 4i8 w.49th st nyc i9 ny

STUART BROCKBANK I89A STATION LANE HOR NCHURCH ESSES ENGLAND
LT.W.D. COLLINS US NftV&L P.G. SCHOOL BOX I 1 69, MONTEREY CALIF.
WILL ROY HEARNE 1047 w/ 97TH STREET LOS ANGELES 44 CALIF.
JOLSONAIRS MEMORIAL CLUB |329 WEST MORGAN AVE., Ml LWAUKEE |5 W|SC,
BYRON KEND IS 1550 DEVEREAUX AVE., PHILS 49 PA.
ED.MERKLER 299 RIVERSIDE DRIVE NYC 25 NY APT IB
SID PARRY 574 W. 176 STREET NYC 33 NY

E. PATTERSON RADIO STATION WACH,||4 24TH STREET, NEWPORT NEWS VA,

PAUL SCRIVEN |29 VIENNA AVE., NILES OHIO

P. SONDHEIM 80-08 35TH AVE., JKSN HTS N.Y.

•M. WALLER P.O. BOX 177 HOLLOMAN A.F.B. N.M.

closing date for auctions is july 9th.

GEORGE LEWIS AND HIS RAG TIME BAND

Only 150 left of each of our LPs

"These are as surely classics as anything from the
twenties." — Record Changer, February, 1954.

$3.85 each

Plus 12c sales tax if mailed to California address.
Records shipped postpaid. — No packing charge.

Our New Address:

ANTONE RECORDS

1359 Columbus Ave.

Burlingame, Calif.

When it is necessary to indicate nationality of
the record, the following letters appear after
the record label abbreviation:

A Anjentinan

Au Australian

B Brazilian

C Canadian

E English

F French

G German

I Italian

J Japanese

M Mexican

S Swiss

Sd Swedish

In the "For Disposition" section the condition
of the record is indicated by these abbrevia-
tions:

N (New): Surface noise equal to an unplayed
record; no visible or audible wear percep
tible; original finish intact.
E (Excellent): Surface noise low, smooth, uni-
form. Not irregular or crackling. Easily dis-
regarded in listening. No perceptible distor-
tion.

V (Very Good) : Surface noise somewhat
more prominent; light foreign noises, but
slight distortion, if any; noises not seriously
distracting.

G (Good): A moderate amount of surface
noise; background may be somewhat irregu-
lar and crackling; some foreign noises, and
a little distortion; on the whole, reasonably
satisfactory listening without undue distrac-
tion of attention. Foreign noises definitely
less prominent than the music.
F (Fair): Foreign noises, taken together, are
about as prominent as the music, and there
is considerable distraction of attention, andi
listening requires some effort and concentra-
tion; nevertheless, under these conditions,
listening should be fairly satisfactory.
P (Poor) : Foreign noises, collectively, are
louder than the recorded music: continuous
concentration is required, and there is little
satisfaction in listening.

FOR COLLECTORS' ADS

I Column (85 Lines) $12.50 2 Columns (170 Lines) $25.00

I Page (255 Lines) $35.00

No forms are required for the Display Ads. Type or print your ad just as it is to
appear in print. Each recording group must occupy a separate line. Record lists
less than one column must be submitted on our Classified Ad Forms and shown
in the Wanted or For Disposition Section. The charge for ads submitted on such
form is

15c per Line (on forms), 25c per Line (if no forms are used)

All such ads must be accompanied by advance remittance. Advertising not ac-
companied by advance remittance must be returned.

Closing date for collectors' ads is the 10th of the month
preceding date of publication.

19

AUCTION 35c MINIMUM BID

DON LLOYD

BOX 23, The Record Changer

4|8 WEST 49TH STREET, NYC IS NY

35c MINIMUM BID AUCTION

MINIMUM BID IS 35/ PER RECORD. CONDITION GUARANTEED .PLF.iSE BID BY NUMBER TO THE LEFT OF COLUMN. PLEASE BID ON POST CARD IF POSSIBLE. RECORDS WILL BE SHIPPED

VIA RRX CHARGES COLLEST UNLESS YOU REQUEST PARCEL POST AT YOUR OWN RISK. AD 25/ FOR PACKING CHARGE. WINNERS WILL BE NOT I El ED TO SEND REMITTANCE, RECORDS
Wl LL THEN BE SHIPPES.

ALL STAR SEXTET

1. FIRST GEAR/CONFIRMATION NJ 801 N

ALL STAR STOMPERS

2. H0TTER THAN THAT/BIG BUTTER 4 EGG MAN GAZ |0|6 N

ALL STAR TRIO

3. MITE "be! ONCE IN WHILE/OTHERS BILD EM I 0 1 5 1 V—

4. MY CAIRO LOVE/EVRYBDY SHIMMIES VI 18602 V

5. MA2IE/ ANSWER VI 18738 V

BOB ALLEN

6. AIR WARDEN SONG/WAS A FOOL TO LET BEA 102 V*

RED ALLEN ORCH

7. CHECK UP/JET ME MISS U VI 202107 E-

OON ALNPHERE QUINTET

O.STOP/go" NJ 81 2 E
THE AMBASSADORS

9. FOLLOW SWALLOW/ SUSQUEHANNA HOME VO 14871 E

AMERICAN QUARTET

10. NELLIE KELLY I LOVE U/(HENRY BURR ) VI 18957 V-

ALBERT AMMONS

1 1, SHOUT FOR JOY/BEAR CAT CRAWL CO 35961 N-

I2.S.P. BLs/ HIROSHIMA MER 8063 E-

1 3 . BE A R DEN BOOG I e/tUXEDO BOOGIE MER 8087 V+

GENE AMMONS-SONNY ST ITT

14. BLS UP 4 DOWN/ U CN DEPEND ON ME Bl ROLAND 6005 V-
1 5.SHEMANSK I / E-A-A-K BL MER 8096 E+

16. U CAN DEPEND ON ME/ BL UP 4 DWN PRE 709 E+

I VY ANDERSON

17, TALL DARK HANDSOME/TWICE TOO MANY BW 823 N-

ANDREWS SISTERS

|8. LULLABY TO J I TTERBUG/PROSS TCHAI DE 2082 E

19. JUMPIN JIVE / CHICO'S LOUE SONG OE 2756 E

20. JACK ALL TRADES/SHRINE ST CECELIA DE 4097 V—

21. U CALL EVYONE D ARL I Ng/uNDER ARCHES DE 24490 E+

22. LET SMILE BE UMBRELLA/ MORE BEER DE 24548 N—

RAY ANTHONY ORCH

23. DRKTWN STRUTTERS/ COUNT EVERY STAR CP 979 E+

LOUIS ARMSTRONG

24. SWING U CATS/ SNOWBALL BB 10225 E+

25.STP OFF LEST GO/ STATIC STRUT BR 80061 N

26. STATIC STRUT/STP OFF LETS GO BR 80061 N—

27. SANTA CLAUSE BLS/ TERRIBLE BLS BR 80062 N

28. SANTA CLAUS BLS/ TERRIBLE BLS BR 80062 N

29. SANTA CLAUSE BLs/ TERRIBLE BLS BR 80062 N-

30. GOT NO BLS/ IM NOT ROUGH CO 343 N

3 1 .DEAR OLD SOUTHLAND/(RED ALLEN ) CO 36282 E

32. HEAH ME TALK IN/TIGHT LIKE THIS CO 36378 N-

33. HOPE GABRIEAL LIKES MY MUSIC/SHOE SHINEDE 672 V
34, SAVE IT PRETTY mama/ HEAR ME TALKING DE 2405 E
35.1 WONDER/ JODIE MAN DE 18652 E
36. SUNSET CAFE STp/b(G BUTTER 4 EGG MAN HJCA |6 E+

37. KING OF ZULUS/LONESOME BLS HJCA 22 N

38. KEYHOLE BLs/ J.C. HOMES BLS(bESSIe) HJCA 67 E+

39. TOMORROW Nl TE/LAUGH IN'LOUI E HJCA 91 N

40. PRATT CITY BLs/LOW GRAVEY BRS 10 N
4|.GA ON MY MINo/LAZY RIVER JC 5|8 N

42. F I reworks /2 deuces/knee drops/etc lO'LPJR 5005 N-

43. WILD MAN BLS/ MELANCHOLY BLS PAE 2|62 N

44. ALLIGATOR BLs/ POTATO HEAD BLS PAE 2|85 N

45. BLS WERE BORN N.O./mAHOG ANY HALL STP V 1202088 e/v

46. believe/dont learn THAT IN SCHOOL VI202240 v+

47. R0CKIN CHARl/jACK ARMSTRONG VI202348 E+

MARVIN ASH PIANO SOLOS

48. TISHOMINGO/ SW LCRRA I NE/N I TC AP | 0"LP JU 4 N

FRANK ASSUNTOS DUKES OF DIXIELAND

49.ST JAMES INFIRMARY/ SAMSONS DELIGHT BNDWGN |2 N—

50. AFTER U GONE/ WAILIN BLS

THE ASTORITES

51. ME 4 MY SHADOW/HALLELUJAH

GEORGIE AULD ORCH

52. TIME ON MY HANDS/LETS JUMP

53. CONCERTO FOR TENOr/tAPS MILLER

54. CONCERTO FOR TENOr/tAPS MILLER

55. concerto/taps MILLER

56. MILD 4 MELLOW/SETT IN THE PACE

57. AIR MAIL SPECIAL / HONEY

58. BLUE MOON/jUMP GEORGIE JUMP

59. TIME ON MY HDs/LEST JUMP

60. ROUTE 66/HUNDRED YEARS FRM TODAY

61. COME TO BABY Do/ JUST SITTIN
62. OLD FRIENDS MEET/BOME OLD FOLKS

GENE AUSTIN

63 .GONG I love/ WEAUV RIVLH
MILDRED BAILEY

BNDWGN 20 N

HA

4|2 v+

AP

E

359 E
359 E-
AP 359 V+
DIS I 17 V
MU 373 N-
MU 377 N—
MU 10546 E-
MU 10572 E-
MU 15044 E
PE 12862 E-

VI 21856 V-

DE 4267 E
MAJ 1093 E+

64.1 THINK OF U/MORE THAN U KNOW
65, ME 4 TH BL/i'LL CLOSE MY EYE'S
66.SI SMITH BA I LEW ORCH

66.SMETHING MISSING/9 LITTLE MILES CO 2350 V+

BANDA M I LI TARE ITALIANA (9" RECORD )

67. S CHER Z 1 A NO/MARC I A DEL BR I GAT I ERE EM T5"l 9 V-

BANJC BUDDY

68. LETS M I SBEHA VE/L I LA BR 3865 E

BANJO KINGS

69. Pown South /Carolina in morning GTJ 83 n

(ABOVE SPEC, WHITE LABEL SAMPLE COPY )
BAR HARBOR SOCIETY ORCH

70. MIDNITE WALTZ/ (CONTINENTAL ORCh) RE 98 |7 V-

PAUL BARBARI NS NEW ORLEANS BAND

71. JUST LIT WHILE TO STAY/PANAMA CI 1 065 N

72. CLARINET MARMALADE/FIDGETY FEET CI 1066 N

P^UL BARBAR I NS N.O. BAND

73 o CLOSER WALK/WALK THRU STS OF CITY

DAVE BARBOUR

CI 1078 N
CP57600C2ET

74. ENSENAD A/L I TTLE BOY BOP BLOW TOP

CHARLIE BARNET

75. MY OLD FLAME/EAST SIDE WEST SIDE AP I C84 V-

76. LITTLE JOHN ORD I NARY/SOUTHERN FRIED AP 1107 E—

77. ALWAYS/UNT ILL REAL THING COMES BB 6487 e/v-

78. NEVER KNEW/MIDWEEK FUNCTION BB 10285 N

79. BIRMINGHAM BRKDWn/d CAPT 4 HIS MEN BB I I 08 1 E+

80. MERRY GO ROUND/ U TALK TOO MUCH BB I I 1 53 E

81. GO0D FOR NOTHIN JOe/haUNTED TOWN BB300823 V

82. BABY WONT U PLEASE COME HME CRL 60029 E

BLUE BARON ORCH (if 83)

MY COUSIN LOBELLA/ DICKEY BIRD SONG MGM I0l38 n-/e
BA3THS MISS I SS I PPI ANS

84. CANT GET ENUFF/RAINBO ROUND SHULDER D I 2749 E—

85. CANT GET ENUFF/RA INBOW RND SHOULDER Dl 2749 V

BLUE BARRON

86. SO LIT TIME/HAD EVENING SPARE BB 7540 V+

EILEEN BARTON

87. KNEW U COM IN/ POCP LOCO MER 5392 E-

COUNT BASIE ORCH

88.I2TH ST RAG/TAXI WAR DANCE BLACE 2|0 N

98.WLD mad/ PTS 142 BLACE 246 N

90. SONG OF ISLAND/NOBOY KNOWS BLACE 252 N
9 I. ALL OF ME/RUSTY DUSTY BL CO 36675 N-

92. BUGLE BL/ SUGAR BL CO 36709 N-

93. ROYAL GARDEN Bl/ HOW LONG BL CO 36710 V+

94. CAFE SOCIETY BLs/ ST LOUIS BL CO 36711 N-

95. WAY BACJ BLS/ FAREWELL BLS CO 36712 E+

96. FEATHER MERCHANT/ Al NT THE TRUTH CO 36845 N

97. FEATHER M RCHANT/AINT IT THE TRUTH CO 36845 E+

98. JIVIN JOE JACKSOM/QUEER ST. CO 36889 N

99. QUEER STREET/jlVIN JOE JACKSON CO 36889 N-

100. MAD BOOGIE/PATIENCE 4 FORTITUDE CO 36946 E+

1 01. THE KING/BLUE SKIES CO 37070 N

102. fla-ga-la-pa/uutton LEG CO 37093 N

I03.ONE O'CLOCK JUMP/jOHNS IDEA OE 25056 E-

104. LB. CAKE/CLAP HANDS HERES CHARLEY SEN 4004 N
I05.SOUTH/DROWIN IN DEEP BL EYES VI 202346 E

I06.DONT U WANT MAN LIKe/bL 4 S ENT VI202602 E+

I07.SH0UTIN BL/jACKIE ROBINSON HIT V|2035|4 N-

THE BASIN ST BOYS

108. THIS END OF DRM/NEED KNIFE 4 FORK EXCL 229 E+

BASIN STREET SIX

1 09. FAREWELL BL/MARGIE CI 1072 N
I 10. FAREWELL BLs/lAZY RIVER MER 5739 N

I I I. LAZY RIVER/ FAREWELL BL MER 5739 E+

BAT THE HUMMING BIRD (COi COW)
I 1 2. HUMMING BLS/SLOW DRAG VR 6068 n/e

CHARLES BAUM

I I 3. BUT I N MORN I Ng/ DO I LOVE U ROYLE 1 800 E

■WALTER BAUMGARTNER
I I4.KOMM IN ME I NEN/LI L I MARLEEN CONTELITE 300 E+

FRANKLIN BAUR

I 15. MY SI N/ JR. VI 22050 E+

BAYS IDE JAZZ BAND
I I 6. BAYS IDE BLS/CLAR I NET MARM RC I 04 E

SIDNEY BECHET

I 17. HAD BE U/BABY WONT u/mARGIE ETC LP ATL I |8 N

I 18. BECHET STEADY RIDEr/ SAT NIGHT BLS BN 502 N—
I 1 9.QU I NCEY STREET STP /WEARY WAY BLS BN 5|7 V-
I20.RI VERBOAT SHUFFLe/sAW MILL BLS BN 568 N

f 2 1 .FIDGETY FEET/NOBDY KNOWS U BN 57 1 N

I22.COPENHAGEN/SHIM ME SHA WABBLE BN 572 N

|23. SWEETIE DEAr/mAPLE LEAF RAG BRS 999 N
1 24, SONG OF MEDINA/GOT RHYTHM CU 1958 N

1 25. WILD CAT BLS/ KANSAS CITY MAN HJCA 87 N

126. MAPLE LEAF RAg/sWEETIE DEAR HJCA 93 N

BIX BE I DERBECKE
I30.SENT I MENTAL BABY/LOVE NEST DCTR 501 N

|3|. FIDGETY FEET/jAZZ ME BLS HJCA |20 N

1 32. CLEMENT INE/MY PRETTY GIRL JC 53 1 E

HARRY BEAFONTE

134. LEAN ON ME/RECOGNITION ROOST 501 N-

GRAEME BELL 4 HIS AUSTRALIAN JAZZ BND

135. BIG CHIEF BATTLE AXE/YAMA Y»MA JCRN 2 E

1 36. WAS LEICESTER SQ./jACKASS BLS JU |5 N

1 37. FREE MANS BLs/oH PETER JU 22 N
I380H PETER/FREE MANS BLS JU 22 E+

TEX BENEKE W. MILLER ORCH

139. BODY 4 SOUL/STRMY WEATHER VI 202374e/v—

140. EAST OF SUN/BLUE CHAMPAGNE V|203|3| E+

141. THE I WHO GETS u/bLS IN NITE MARCH V|2035|3 E+

SAMMY BENSKIN TRIO

142. WLDS WAITING SUNRISE/CHERRY BN 522 E+

BENSON ORCH

143. N&DY KNOWS BUT PILLOw/nVR MISS SUN VI 1 9 1 02 E
I44.0LD GANG OF MINE/F00LI6H CHILD VI 1 9 1 36 E

145. MARCH OF MANI KINS/BONNIE VI 1 9 1 83 V+

BUNNY BERIGAN

146. MV LITTLE1 COUSIN/SKYLARK ELT 5020 e/v
|47. RUSSIAN LULLABY /TREES Vl20l50l N-

DON BERIG05 SWING OCTET
t 48. TEAT I ME W TRUTONE/TRU TONE BOOGIE TT 171 E
DON BARRIGO

I49.JR HOP/SOUTH PAW SPECIAL TT 4|2 E+

STANISLAO BERINI (9 " record)

150. LA SERE NAT A/ M I A SPOSA EM |2|3 V

1 51 . MIA SPOSA/PECCHE (9" RECORD ) EM 2008 V

CHU BERRY 4 HIS 'LITTLE JAZZ' ENSEMBLE
I52.SITTIN IN/46 WEST 52 CMS 576 E+

153. BL0WING UP BREEZE/MONDAY AT MINTONS CMS 54l E+

BIG MACEO

154. CHI .BKDWN/WI NTER RIME BL BB 340743 N-

BARNEY BIGARD ORCH

155. SALTY PAPA BLS/ BLW TOP BLS BW 9 E-

156. CANT HELP LOVIN/DONT TALK BOUT ME BW |4 E+

TERRY BIGGS NEW JAZZ STARS

157. T AND 8/TERRYS TUNE NEW JAZZ 800 N

BIRMINGHAM QUARTET
158. SOUTHBOUND TRA I n/b I RM I NGH AM BOYS CO I4|54 N-

EUBIE BLAKE

|59.THUM|»IN N BUMPIN/lM BLUE BUT NBDY VI 22737 V

( ABOVE HR CPk)

BR 3061 V

BN 546 E+
RA | 10053 E+

CA |533 E-

joco ■ ■ 3 n

SG 906 N—

KJ 145 E+

CI 1046 N

CI 1047 N

ft 1048 N

CP 795 E+

THT BLKSIONX TRIO

160. MOON DEER/jUST COTTAGE SMALL

ART BLAKET 4 HIS MESSENGERS

161. B0P ALLEY/GROOVE ST
I 62. JEALOUSY /wEDD I NG BELLS

THE BLUE DANDIES

I 63 .STEPP I N IN SOCIETY/COLLEGIATE

BLUES IN DIX IELAND
I 64. WEARY BLS/ BEALE ST BLS

JIMMIE BLYTHE

165. MESSIN AROUND/ ADAMS APPLE

166. PINALLY GOTCHA/BOOGIN WITH MEZZ

CLAUDE BOLL I NG

167. NBDY KNOWS WAy/U RASCAL YOU
I 68 .R I VERS I DE BLs/gA BO BO
I69.DI PPERMOUTH BLs/bLUES IN DISGUISE

SHARKEY BONANO
I 70. BOURBON ST BOUNCE/ PI ZZA PIE BOOGIE

SHARKEY BONANOS DIXIE BAND

171. MISS0URI WALTZ/INDIANA CI 3011 N-

172. HIGH SOCIETY/SHINE KAPPA |2| N

BOOGIE WOOGIE

173. COW COW / ROMEO NELSON ETC BR 1005 N—

RAY BORDEN ORCH

173. PARAD I SE/BUT BEAUTIFUL CRYSTAL 5|4 E+

EARL BOSTIC

1 74. TEMPT AT I ON/ AR T I STRY BY BOSTIC KING 42|4 E

175. ART I STY BY BOST I c/TEMPT AT I ON KING 42|4 E—

WILL BRADLEY

1 76. BEAT ME DADDY/ I tit CO 35530 V

1 77. CLERY STALKS AT Ml ON I GHT/dWON ROAD CQ 35707 V+/E
178. SCRAMBLE I/hOCK-A-BYE BOOGIE CO 35732 N
179. SCRAMBLE 2/ROCKA-«YE BOOGIE CO 35732 n/e

I 80. LONESOME ROAD/u LUCKY TO ME CO 35849 N—

P I ERE BRASLCVASKY 4 HIS BAND

I 8 1 .MUSKR AT RAMBLE/CANT GIVE U ANYTHING JU 27 N

182. CANT GIVE U ANYTHINg/mUSKRAT RAMBLE JU 27 N—

BROAOWAY BELL HOPS

183. MARY LOU/TRUDYlLOU GOLD ORCH ) HA 243 V+

BROADWAY MERRYMAKERS

184. HEA0S UP/STEIN SONG GG 1855 G+

BROADWAY NITELITES

185. MY SILVER TREE/PMPANOLA CA 1622 V-

186. U MEANT FOR ME/b'WAY MELODY CO 1738 V—

HAODA BROOKS

187. LAZY BOOGIE/CAN U LUK ME I ORM WDRNH.LYWD

(sample label) 20766 N-

188. LAZY BOOGIE/CAN U LUK MDRN HLYWOOD 20766 N-

189. P0L0NAI SE BOOGIE/POLONAISE MDRnMUS 1 23 E—

BIG BILL

190. MITE WATCHMAN BL/WHATS WRONG OK 67C6 E+

CHARLES BROWN

191. WOT DO U KNOW A BOUT/ NUT MEG MDRNHLYWOOD 20768 N—

CLEO BROWN

192. PINTOPS BOOGIE WOOG I e/ BW STP DE 3386 N-

KAY 8ADWN

193. TEASI N/RAZZ A MA TAZZ MER 5427 E—

LES BROWN

194. COME TO BABY/WONT BE SATISIFIED CO 36884 E+

195. LOVERS LEAp/hiG ON WINDY TRUMPET CO 37061 E+

196. MERRY OLDSMOBI Le/bEWARE MY HEART CO 37235 N-

LES BROWN

197. TRI SKA I DEKAPHOBI A/WHY DONT WE SAY CO 37279 E
IS8.LEAP FROG/SNOWFALL CO 37540 N—
199. LOVE KEEP ME WARm/|M TELLIN U SAM CO 38324 E-

SAM BROWNE

200. SHELTERING PALMS/COOL WATER LOW 3 1 1 N

DAVE BRUBECKE TRIO
20 1. LAURA/INDIANA CORNET 103 N-

202.INOIANA/ LAURA CORONET 103 E+

203. BLUE MOON/ TEA FOR 2 CORONET 104 E+

GEORGE BRUNIS

204. WANG WANG BLS/ S WT LOV I N MAN

MICHAEL BRUNO ORCH
205.56 E/56/EVERY DAY
Wl LLIE BRYANT

206. ITS OVER BECAUSE/AMATEUR NIGHT IN HRL AP 369 V+
TEDDY BUNN

207. BACHELOR BLS/K I NG PORTER STP BN 503 E+

208. BLS WITHOUT WORDS/GUITAR IN HIGH BN 504 E—

CMS 608 N-

COOA 5072 E+

20

AUCTION 35c MINIMUM BID

35c MINIMUM BID AUCTION

DON LLOYD

BOX 23, THE RECORD CHANGER 4|8 W. 49TH ST NYC 1 9 NY
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS.

DAS BURLEY

2C9.DUSTY BOTTOM/SOUTH SIDE SHAKE CI 1020 N
JOE BUSH K I N

2 1 0. SPANISH TOWN/BLUE SHIPS CMS 534 N-

HENRY BUSSE ORCH

21 I. HOT LIPS/WANG WANG BLS DE 250|5 N—

pILLY BUTTERF I EDL

2|2. BILLY THE K I O/WH ATT A YA GONNA 00 CO 265 E

2 | 3. BILLYS BOOGIE/UNTILL REAL THING COMES CP 434 E

214. CANT GET STARTED/FLIP FLOP CP 15047 E-

215. WHATS NEw/wiLD OATS CP 15186 E+

216. WILD OATS/WHATS NEW CP 1 5 1 86 E

2 17. WILD OATS/WHATS NEW CO |5|86 V+
2 I 8 »ST AROUST/JALOUS I E CP |5|89 E+

ERSKINE BUTTERF I ELD

2 |9. SLEEPY TOWN TRAIN/U MADE ME CARE DE 4360 v/v-

DON BAYES QUARTET

220 .STAR OUST/ SLAM DONT SHAKE AMER RCOI003 V+

221. PLEASE BELIEVE me/why DID U DO THAT HUB 3003 E-

222. gypsy/nancy hub 3017 E-

223. u call madness/should I JAM 900 E+

224. CALL ID MADDNESS/SHOULD I JAM 900 E
BOBBY BYRNE

225. DDED I DO/THINKING OF YOU DE 3 1 70 V

226. DO I .ORRy/nIGHTY NIGHT DE 3773 E

227. MORE THAN ONCE/lF ITS TRUE DE 3898 e/v
CALIF. WONDER ERS

228 . REMEMBER I NG/SLEEP GE 5288 V
CAB ALLQWAY

229. ST JAMES INFIRMARY/NBDYS SWTHRT BR 800|8 E+

230. EKING UP LOVELY AFFA 1 r/sKRONTCH VO 4045 E

23 1 . HOY HCY/RUSTLE OF SWING VO 4 1 4* E
CAPITOL JAZZMEN

232. CASANOVAS LAMENT/MY SOLITUDE CP lOOlO V
FRANK I E CARLE ORCH

233. VIENI SU/WANT U TO WANT ME CO 38594 V

234. AINT GOIN NO PLACe/sUGAR CP lOOll V
BOB CARLESON

235. BTFUL NITE DTFUL MOON/SINCE FELL RECLA 17 E
THELMA CARPENTER

236. JUG OF WINE/SEEMS LIKE OLD TIMES MAJ 1 030 E-
tf I NGY CARPENTER

236. TEAM UP/RHYTHM OF DISHES 4 PANS DE 77 1 I V
JOE FINGERS CARS

237. IVORY RAG/ SAMS SONG CP 962 V
BENNY CARTER

238. Y0UR CONSCIENCE TELL/l 20' CLOCK JUMP OEL 1 041 E

239. LONESOME MORNING BLs/tOO SOON KNOW DEL 3 |96 E/V-

240. BOOGIE WOOGIE SUGAR BLs/lAST KISS U DE 3588 V
MICHAEL CASEY

241. CASEY AT HOME/'( GOLDEN 4 MARLOWE) CO 1971 V-
CARMEN CAVALLARO 4 BOB EBERLY

242. FULL MOON 4 EMPTY ARMS/COME CLOSER DE |88|3 V

243. EVELYN/ANITRAS BOOGIE DE 244l 0 N-
MARIO CHAMLEE - TENOR

244. F0R U ALONE ^ ONE SIDEBS; B" 10000 E
JACK CHAPMAN ORCH

245. DRM BadDY/OnY G IML VI 1 920 1 E

CHICAGO N I GHTHAWKS

246. WHN STS GO MARCH iVlG/' SUNDAY OLD TIGER 8501 E
CHINESES RECORD

247. musTcT CO 57723 V-

248. ? ?■??/??? CO 57866 E

249. (CANT0NESE DIALECT) FEMALE SOLO VI 43777 E
CHIQUITO UORQUESTA DE EL MOROCCO

250. M0NTUN0/EU V» UM LEAO GOTHAM 90 1 E
HERMAN CH ITT I SON

251. triste/whErC 'oft When mu 330 E+
TOMMY CHRIST IAN ORCH

252. THAT CERTAIN PARTY/SHOW ME WAY HOME HA 74 V
JUNE CHRISTY

253. HE CAN COME BACk/mILE DWN HIGHWAY CP 1 207 N
BUDDY CLARK

254. DREAMERS HOLI 0 AY /ENVY CO 38599 N/E

C.CARROL CLARK

255. NBDY know1 TROUULL/tIV waiers minnetonkaBS 2006 s+

JAMES(BEA LE ST ) CLARKE

256. LOVE ME OR LET ME/GET READY CO 36948 N

HERBERT L.CLARKE

257. BERCEUSE" FROM JSCELYn/THL PALMS CO 2|99 E+

KENNY CLARKES 52N0 ST BOYS

258. epistrophy/royaL Rt55T V|203|44 v-

CLICQUOT CLUB ESKIMOS

259. rather be alone/chinky butterfly C9 570 v

LARRY CLINTON ORCH

260. N0BDY KNOWS/ROCK IN CHAIR BB I I 0 I S N

261. MY REVERIE/BOOGIE WOOGIE BL VI 26006 ElVV

262. DEEP PURPLE/STUDY IN RED VI 26141 V

263. U OUGHTTA HANG HEARt/tINY OLD TOWN VI 26541 V

ARNET COBB 4 HIS ORCH

2 64. TOP FLIGHT/WALKI N WITH SID AP 77C E—

265. G0 REO GO/DUTCH KITCHEN BOUNCE AP 778 e/n—

266. C0BBS BOOGIE/ARNET BLOWS FOR |300 AP 781 E

DANNY COBBS

267. R0CKAWY BLS/ DANNY BOY SAV 754 E+

COZY COLE

268. WILLOW WEEP FOR ME/TAKE IT ON BACK CONT 6001 E-
KING COLE TRIO
269.F.S.T./MY LIPS REMEMBER ATLAS 1 00 E

270.4 SENT REASONS/ THE BEST MAN CP 304 E+

27 I .BEG I NN I NG OF THE END/BUDDYS CHICK CP 328 E+

272. COOL OF T HE EVEn/xmAS SONG CP 3 1 I E-

273. old macdonald/ke MO Kl MO CP 25009 N-

274. MY SLEEPY HEAD/NURSERY RHYMES CP 250 I 0 N-

EWILE COLEMAN

275. WEDDING R HU MB A/ HE LP ME DEL I 07 1 E-

COLLINS 4 HARLAN

276. dwn on brandywine/minstrel BOY CO 455 G+

724 E
189 G+

2354 N

COLLll'S 4 HARLAN

277. WIPES GONE COUNTRY/ (COLL INS) CO

278. COME ALONG LITTLE GIRL ZONOPHONE

COLUMBIA JAZZ RALLY OF 1947

279. BLUE MOON 14^ 8oE

COLUMBIA MIXED DOUBLE QUARTETTE

280. AMERICA/BATTLE HYMN OF THE REB CO 201 2 V-

COMEDY MO NO LU QE

281. COHEN PHONES ABOUT AUTo/cOHEN PHONES CO 3772 E+

EDDIE O0ND0N

CO 35950 E+
CMS 500 E
CMS 530 E
CMS 535 E+
CMS 568 E
CMS 605 E+
DE 27035N
DE 27095 N
DE 271 06 N

282.0 BABY/lND] ANA
283. LOVE AROUND CORNEr/jA OA
284.ITS RIGHT HERE FOR u/sTRUT MISS
285.0H SISTER THAT HOt/pRETTY DOLL

286. PRAY LIGHTS OUT/siNGIN THE BLS

287. U CANT CHEAT CHEATEr/sAVE SORROW

288. MAPLE LEAF RAG/jAZZ ME BL

289. CHARLESTON/BLK BOTTOM

290. YELLOW DOG BLs/sWT CIDER

291. YELLOW DOG BLS/ SWT CIDER TIME WERE DE 27 1 06 N'

292 . GRACE 4 BEAUTY/RAGGING THE SCALE DE 27408 N

293. GRACE 4 BEAUTY /RAGGING THE SCALE DE 27408 N-

294. RAGING THE SCALe/gRACE 4 BEUTY DE 27408 E+
295.100 YRS FROM/EVRY BDY LOVES BABY DE 27409 N

296. EVYBRDY LOVES BABy/ 100 YRS 2D AY DE 27409 N-

ZEZ C0NFBEY,0RCH

297. KITTEN ON KEYS/ CLUB ROYAL ORCH ) VI 18900 V

298. LIZA/SLEEPU HILLS OF TENN VI 19055 V

JEROME CONRAD ORCH

299. MISS ISS I PPI MUD/-I HARMON I ANS ) DE 2694 E

EDDIE CONS ID I NE

300. AFTER THE BOLL/BIRD IN GILDED CAGE LON 25l E+

CONTINENTAL DANCE ORCH

301 . sometime/perfect KISS do 3560 V-

AL COOPERS SAVOY SULTANS

302. WISHING 4 CYRING 4 U/SOPH I ST I CATED DE 3274 e/v-

303. RHYTHM OOC MAN/jUMP STEADY DE 7499 V-

304. B0ATs/FISH FOR SUPPER DE 8598 V

THE CORONETS

305. INDIAN SUMMER /C A R A VAN MERCER 1968 N—

IDA COX

306. GRAVEYARD DRM BLs/wEARY WAY BLS SG 907 N-

FRANC IS CRA I G ORCH

307. DO ME FAVOR/ FOOLI N BULLETI0|3 E+

JESSE CRAWFORD

308. JUST A MEMORY/AFTER 1 CALLED SWTHRT VI 2 1 053 V

CRITERION MALE QUARTETTE

309. LAST NITE ON BK PORCH/THAT OLD GANG VO 14646 V+

BING CROSBY

3 1 0. SILVER ON S AGE/MEX ICALI ROSE DE 200l V+

3 1 I .LI KE SOME I IN LOVE/sLEIGH RIDE IN DE 18640 E
3I2.0H BUT I DO/A GAL IN CALICO DE 23739 E+

3 1 3. WHITE XMAs/gOD REST YE MRY GENTS DE 23778 V+

3 1 4. MELANCHOLY BABy/| CRIED FOR U DE 25366 N-

315. COME WITH ME HONEY/jAVA JUNCTION ARA I 03 E—

BOB CROSBY ORCH (above t 3 1 5 BOB Crosby)

316. COME W ME HONEY/ JAVA JUNCTION ARA I UJ V+
317. ITS GOT TO BE/u MY EVERYTHING BUL 1020 E+
3 1 8. STARS 4 STRIPS FOREVER/wASH POST COR 602|7 V—

3 1 9. WHISPERS IN DARK/STOP BRKIN MY HRT DE |346 V—

320. DWN ARGENTINA Way/2 DRMS MET DE 3404 E
(ABOVE RV CHP NO GRv)

GAY CROSSE 4 HIS GOOD HUMOR 6

32 1. GIVE IT UP/ BE-60P BL ~ CP5770008E+

ARTHUR1 B I G BOY' CRUDUP
322. STANDING AT MT WINDOW/MAMMA DONT BB3407I7 V

323. WHOS FOOL IN u/ROCK ME MAMA BB 340725 V

BERN IE CUMMI NS ORCH

324. WH0S CALL IN U SWHT/ (TR OUBADOUR S ) VI 22565 V

HANK D'AMICO SEXTET

325. GONE AT DAWN/ I BONDER NAT 9003 V+
326. OVER RAINBOW/COLE HEAT WARM FEET NAT 9006 E

(ABOVE RM CHP NO GRV )

PTTT DA I LEY 4 HIS CHICAGOANS
327.4 OR 5 TIMES/JAZZ ME BL/LAZY DADDY LF JU 2 N-

328. LAZY DADDY/SHAKE IT 4 BRK IT JU 24 N

VERNON DALHART

329. PAL I LOVED STOLE GAL I LOVED PAT 32072 N—

330. LUCKY LI NDY/LI NDBERGH EAGLE OF USA PAT 32266 N—

331. NEW STAR IN HVn/oLD FASHIONED PIC VI 20|93 E+

TADD DAMERON SEXTET

332. DAMERONI A/THE CHASE BN 54l E+

333. casbah/side DELIGHT CP5760006E+

COW COW DAUEMPORT
334. SLOW DRAG/CHIMES BLS CEN 30|9 N

335. STATE ST JIVE/COW COW BLS BR 80022 E+

EDDIE DAVIS ORCH

336. BRING BACK DAISIES/SAID GOODBYE PU I I I 96 V-

Ml LES GAVIS ORCH

337. MOVE/ BUDO CP 15404 N-

338.israel/boplibity CP57600IIE+
BILL DAVISON SIX

339. GB0ST OF A CHANCE/YESTERDAYS CI 1 033 E+

340. WHN LOVER GONE/SHES FUNNY THAT WAY CI 1034 N—

DIX I ELAND JAZZ JAMBOREE

341. WILD BILL OAVISON CMS |4945 E

RONNIE DEAUVILLE

342. BRUSH TEARS FRM/ONLY HV EYES FOR U MER 5203 N—

GU I DO DEIRO

343. TES0R MIO/LA SORELLA (|_AM CRK ) CO 2025 V—

NICK DE UNO

344.1 HEAR SONG /YESTERDAYS AGAIN BW 836 E+

EDDIE DELANGE

345. JIMVY CRfSKET/STOP WONDERFUL BB I 044 1 e/v—

VAUGHN DE LEATH

346. WH0LL B NEXT ONE/ ALL BY MYSELF OK 4355 V+

LOUISE OELISLE 8AND

347. CLAR I NET MARM/BLK CAT ON FENCE AM 536 N

MAJ 7160 E+

BR 4789 E-

BA 6531 V-

panAm 110 v

DELTA RHYTHM BOYS

348.STARDUST/W0UL0 IT BE ASKING DE 25395 N

DELUXE ALL STAR BAND

349. GOOD JELLY BLS/STAY IN MOOD DELUX 2000 V

DEMARCO SISTERS

350. FLAT RIVER MISSOURI/HOP SKIP JUMP

JACK DENNY
35L.GIRL TROUBLE/LEAVE IT THAT WAY
DENZIL'S BEST 1AX QUINTET

352. ALL ALONE/AS LONG AS I LIVE WAX 104 E-

DEPARIS BROTHERS

353. BLACK 4 BLUE/FOUND A NEW BABY CMS 552 V

DEPAYE

354. SONG OF NILE/ROSE OF ROMANY

DE SELVE PAN AMERICAN ORK
355. QU I REME MUCHO/ADIOS MUCHACHOS

DIE VI ER STAATMAKERS
356. SUI KERBEK SETTEES/STAATMAKERPOLKA AFGAL 212 E-

DIPLOMATS

357. JUST LITTLE BLUE 4 U/BLUE GRASS CO 1495 N

DIXIE DAISIES

358. Papa Blue/KEd head Gal ca 348 v+

359. BROKEN HEARTED/ (SOC I ETY NITE CLUB) CA 1193 V

360. BECAUSE I'M IN LOVE/dIGA DIGA DO CA 3502 V

D I X I ELAND RHYTHM KINGS

36L.TIGER RAG/ACE IN I HE HOLE KNICK 1 N
BABY DODDS TRIO

362. Wolverine Bls/Drum Improv I CI 1 001 N-

363. buudy bolden/drum improv 2 ci 1039 n-

johnny dodds

364. Blue washboard/Bjcktown Stomp bb 8549 n
365. indigo stomp/blue piano stomp bb 10238 n

366 . weary city bls/bull fiodle bls bb 10239 n

367. joe turner bls/erastus plays kazoo br 80075 n

368. my little isabel/heah me talkin' brs 22 n

SAM DONAHUE OfiCH

369. BEAT BAND 2 BAR/PICK UP GROOVE BB [[285 E+

370. DINAH/TAKE FIVE CAP 260 E

RAY DOREY

371. MAN WHO PAINTS RA I NBOw/mAMSELLE MA 72[7 E+

DORNBERGER ORCH

372.I0NDER IF SHE'S LONELY/NEVERHADMAMMY VI 1 91 96 E-
JlMMY DORSEY

373. FLIGHT BUMBLE BEE/l GOT RHYTHM DE 1508 N

374. ANY TIME AT ALl/LUV U IN TECHNICOLOR DE 1921e/v

375. ALL OF ME/OUR LOVE DE 2352 E-

376. WHILE MUSIC PLAYS/ONCE LOVE TIME DE 3322 V

377. BAD HUMOR MAn/gOT ME THIS WAY DE 3435 V

378 . GREEN EYES/MAR I A ELENA DE 3698 E

379. BLUE CHAMPAGNE/ALL ALCNE 4 LONELY DE 3775 E-
360. NO LAUGHING MATTEr/| SAID NO DE 4102 V+
38L. ABSENT MINDED MOOn/mE 4 MY MEL I ND A DE 4263e/v

382. let's get lost/murder, HE SAYS DE [8532 V

383. AIN'T MISBEHAVIN'/GLAD THERE'S YOU DE 18799 E+

384. APACHE SERENADE/WHOLE WORLD SINGING DE 18917 V+

385. YOURS/BREEZE AND I DE 25121 E

TOMMY DORSEY

386. ROYAL GARDEN BLUEs/ JA DA VI 25326 E+
387. SONG OF I Nn I a/mar IE VI 25523 E-

388. blue danube/dark EYES VI 25556 N

389. P0SIN'/|F U SHOULD EVER LEAVE VI 25605 V-

390. NIGHT AND DAy/smOKE GETS IN YOUR EYES VI 25657 N

391. LOSERS WEEPERS/FAITHFUL TO YOU VI 26439 V+

392. TWO IN LOVE/SINNER KISSED AN ANGEL VI 276L1 V

393. MANDY MAKE UP/STARTED ALL OVER AGAIN VI20I522 N

394. MANDY MAKE UP/sTARTED ALL OVER AGAIN VI 201522 E+
395. OPUS /1/0REAM OF YOU VI20I608 E-
396.GOOO BLUES TONITE/DONT BE BABY VI 201 842 E-
397. SWEET EILEEN/NO ONE BUT YOU V I 20I 866 E+
398.SN00TIE LITTLE CUTIe/tOM FOOLERY VI202116 V+
399. SPRING ISN'T EVERYTHI NG/BlNGOBANGO V|202[96 E+

400. frienoship/(hollywood HILLBILLIES) VI202355 E+

401 . DEEP VALLEY/TROMBONOLOGY VI202419 E
402. I'LL BE SEEING u/wELL GIT IT VI202503 V+

403. °OLKA OOTS 4 MOONBEAMS/LI EBESTRAUM VI202538 E

404. FAREWELL 2 ARMs/l MAY BE WRONG V I 202753 E+
405.1 DREAM OF U/PUS3Y Wl Ll OW VI 203432 E

406. NICE 2 KNTV U CARE/PUD3LE WUMP VI203626 E—

407. TIGER RAg/.VAY DOWN YONDER N' ORLEANS VI203791 E

DUTCH SWING COLLEGE BAND
408.4 OR 5 TIMES/SISTER KATE RAMPART [2 N

409. FIDGETY FEET/PANAMA RAG SU [002 N

410. TIGER RAg/aBSEST MINOEO OLUEW SU 1003 N

411. JAZZIN' BABIES/VIPER MAD SU 1004 N-

BOB EBERLY

41 2. RENDEZVOUS WITH ROSe/hAIR OF GOLD DE 24491 E

BILLY ECKSTIME

413. CARAVAN/SEN0RITA'S BOUQUET MGM L0368 N-

414. RHYTHM IN RiFF/cOTTAGE 4 SALE NAT 9014 V-

415. LONG LONG JOURNEy/mOOO 4 LOVE NAT 9016 E

CLI FF EOWARDS

416. H FART 3RKN CREOLE/OLD SHANGHAI

TEUO.- EDWARDS

417. BLUES IN TEDDYS FLAt/mOVE

ROY ELDROGE

418. WABASH STOMP/FLORIDA STOMP

FRED ELIZA LDE ( SOLOS )

419. MINE/SIAM Blues

ELL I NGTOWI A

420. Easy Street/All too soon

421 . CONGO BRAVO/KO-KO

422. THEM THERE EYEs/mOOCHE

423. WALL STREET WAIl/mOOD INDIGO

424. Creole rhapsody/part 2

425. best wishes/bundle of blues

426. tough truckin-/|.idi 30 echoes

427. A' R-CONDI TIONED J'JNG LE/mOND AY EVERY CO 3SL65 N

428. DBLE CHECK STOMP/DOWN IN ALLEY BLS JC 505 N

PE LL587 V

DIAL 1033 E+

BLA 222 N

BrE L02 V-

BLA 207 N
BU 208 N
BRS L007 N
BR 80003 N
BR 80047 V
CO 35336E-/V
CO 37297 N-

2\

AUCTION 35c MINIMUM BID

DON LLOYD

BOX 23, THE RECORD CHANGER 418 * 49TH ST NYC 19 NY
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS

35c MINIMUM BID AUCTION

ELL I NGTON I A

HJCA I I 4 N
VI 24486 N
VI Z4755 N
VI 24755 N-
WAX 114 N—

MU 379 E+

429. SHADE APPLE TREE/HARLEM SPEAKS
430.M1OO I ND IGO/MOOCHE
431.0EL~A SERENADE/SOLITUDE

432. DELTA SERENADE/SOLITUDE

433. key largo/driving ME CRAZY

MERCER ELLINGTON

434. METP0N0ME ALL-CUT/PASS ME SY

EMERSON DANCE ORK

435. | LOVE YOU/( PENNSYLVANIA SYNCOPATORS/ EM 10671 V

EPPS riCTEL ASTUR ORK

436. Music of Love/(glantz ork) Em 10676 E—

EVANS DIXIELAND BAND (LONG PLAY )
437.3EALE St 3ls/*EARY BlS/PalLAS BLS JOCO 3302 N
EZELL, WILL

433. HEIFER DUST/ 3ARREL HOUSE WOMAN SG 910 E—

439. OLn MILL BLUES/MIXED UP RAG SG 911 N—

FAMOUS GOSPEL FOUR

440. GotRi3ht2TrceLife/lord ismySheepheard Pro 1002 n-

r| ley farley

441. jingle bells/santa claus covin town de 1031 n-

dick farhey

442. too marvelous 4 words/tenderly ma 7246 e

MARCJER I TE FARRELL

443. ARRAH flo On/Mow' s the mme co 1931 E+

LEONARD FEATHER
444.3'JITE IN 4 QUARTERS =ARTS 14 2 CONT 6006 E

445. LADY IN DEBT/LOST WEEKEND BLUES MU 345 E

ERNIE FELICE QUARTET
446. Street of dreams/woo-ca-ma-chod-ga cap 15082 E-

CARl. FENTON

447. COUNT THE DAYS/SEND BACK HONEYMAN BR 2295 E-

448. ALL ALONE/END OF WINDING LANE BR 2739 E

MAYNARD FERGUSON

449. HOT CANARY/THAT'S NEW? CAP 713V+

FERNANO 4 LEONA

450. Lors<) je L'On Vingt Ans/Reel Christ STARR 16591 v

ARTHUR FEUDS

451. ANNA IN INDIANA/(AILEEN STANLEY) VI L 8774 V

f I REHOUSE Fl VE PLUS TWO

452. JIMCLE 3EL-S./TAVERN IN TOWN (45rpm) GTJ 45030 N

FISK UNIV JUBILEE QUARTETTE

omin/g
ELLA FITZGERALD

453.3oodNews,Chari otsComin/GreatCaupMeet CO 2072 E

454.U Cant be mine/this time IT6 real de 1806 e
455. out or nowhere/stairway to stars de 2598 V-

456. betcha nickle/mooij ray de 2904e/v-

457. DEELLE DE DUU/'suLF COAST BLUES DE 3324 El-

458. MAKE L017E TO ME/I'M THRILLED DE 4073 E+

459. GETTIMG MIGHTY "_ONESOMe/WHEN I COMEBACK DE 4315E/G
460.STO-JE COLD OEAd/pATOOTI E PIE DE 23546 ■/+

F I VE RED CAPS

461. GRAND CENTRAL STATIOn/nO FISH TODAY GE 7118 E-

RALPh FLANAGAN

462. WHAT WHERE WHEn/TO ME YOU'RE A SONG VI203795 N

463. my hero/Tell ME WHY VI 300006 V-

464. WHISPER1 NG HOPE/PENTHOUSE SERENADE V I 300008 E

465. DEAR HEARTS GENTLE/WHERE OR WHEN VI300016 E+

466. FAREWELL AMANDa/lEAVE IT TO LOVE V I 300024 E+

FLENNCY TRIO

467. HEY LAWDY MAMA/MY HONEY CHILE MELODISC I 01 E+

FORD 4 GLENN

468. When I first Met Mary /white House

BLIND MAMIE FOREHAND

469. HONEY ON ROCK/WOULD MIND OYIN3 ANCHOR

HELEN FOREST

470. IN MOMENT OF MADNESs/tIHE WAITS 4 NO DE 13600 E—
THE FOUR BLJES

471. Couldn't Hear iobody/got date DeL I 003 e-

ART FOX A LL QUINTET

472. LAST NIGHT/ART MEET ART BARRON 501 E

BUD FREEMAN

473.SWINGIN W/O MEZZ/J LITTLE WORDS CMS 5| 4 E+

EARL FULLER

474.12th ST Rag/Colo turkey CO 2298 v

LOWELL FULSON

475. want 2 c baby/Trouble Bls Bigtown 1374 v-

SLI M GAI LLARD

476. 'IEAN MAMA BLS/RIFF CITY

477. hi? cowboy/yip roc HERESI

478. HIP COWBOY/YIP ROC HERESI

JAN GARtiER

479. quicker jack robixson/vvhen real LUV

CO 869 E-

381 N

BELTONE 755 E+
MEH 3956 N
MER 8956 N—

DE 646 V
VI 20754 V-

| 490. WHAT DO I CARE./UNDER THE MOON
ERROL GARNER

' 48L.SYMPH0NY/30UNC I N WITH ME MER 2040 E+

' 482.SLAMB0REE/*RAP TROUBLES IN CREAMS SU I 03 E+

483.SMOKE GETS IN YR EYEs/hUMORESQUE SU 1 04 E+

GAY SISTERS

485. GOD TAKE C ARE OF U/gOIN WALK OUT SV 4025 N-

CARL GAY'S ORK

486. FOLLOW SWALLOW/(MUSICAL COMRADES ) TRE 490 V-

GEMS OF JAZZ

487. vol 2:bunny,bg, marsala, etc de 20l e+

488. Vol 5:Hodes,Noone,mcPartlamd, etc de 324 e
(one record missing from each of above albums )

GEORGIA MELODIANS
489.San/(Bway dance ork) Sally Lou Ed (si 51412 E
GEORGIA PEACH

490. Just One Moment/tear down confusion ap 121 E

STAN GETZ

491 . ;s I live and bop/interlude IN B 30P SI 505 v+

492.5 SRCTHERs/4 AND 1 MORE NJ 802 E+

GEORGIA 3 1 BBS

493. Things we dio last summer/is it worth MA 12C07 E+

GILLESPIE

494. NITE CARNEGIE HALL, PTS 344 E-

495. ALL STARS ALBUM: w/B|RD, SLAM, SCET MU S— 7 E+

496. That's earl, brother/oopsop sha bam mu 383v/v-

497. SALT PEANUTS/WAITED FOR YOU MU 518 E+
498. THINKING OF YOU/TO THINK CHOSE ME PRES 728 E

499. OWl /OOPAPADA v|202480e/v
JAZZ GILLUM

500. MY Big Money/Tell me Mama BB340707 v

BILL GOODEN TRIO

501.1 LIED 2 U/SUGAR HILL MU 343 E

GOLDEN GATE ORK

502. OH HOW | ADORE YOU/(LOU GOLD ORK ) VE 2100 G+

JEAN SOLDKETTE

503. EILEEN /WAIT'LL U C MY SAL V| I 9327 E+

504. LO0K AT WORLD 4 SMILe/OLSEn) VI 20472 V

505. LANE IN SPAIn/(BFGOODRICh) VI 20^91 V-

506. GONNA VEET SWEETIe/mE 4 MY SHADOW VI 20675 V+

507. MY OHIO HOME/HERE COMES THE SHOWBOAT VI 21166 V

508. FAREWELL BLUEs/mARGIE (3ENNY GOODMAN) BB I 0973 E

BENNY 2003MAN

509. ROOM I411/JUNGLE BLUES BR 80029 H—

51 0. WH I SLLE BLUES/LONELY MOMENTS CP 374 E+

511. LONESOME ROAD/FINE 4 DANDY CP 394 E+
5L2. WORLD WAITING SUNH I Se/sh I RLEYSTEPSOUT CP 15069 E+

513. Why dont we do this more often/Egg head CP 57758 E

514. BUSY AS A B/ZAGGIN WITH ZIG CO 35356 N

51 5. night 4 Day/beyond the moon co 35410 v+
51 5. solo flight/world waiting SUNRISE CO 36684 N—

517. SOLO FLIGHT/WORLD WAITING SUNRISE CO 36684 E-

519. HOW DEEP IS OCEAN, 'MY OLD FLAME CO 36754 E+

519. GOTTA BE THIS OR THAT/PART 2 CO 36813 V+

520. DDNT BE BABY/ALL CATS JOIN IN CO 36967 N

521 . rattle 4 Roll/on the alamo co 36988 E+

522. benjie's Bubble/gal in Calico co 37187 n-

523. '/AN HERE PLAYS FINE PIANo/hORA STACCATO CO 37207 N-

524. THAT DID IT/SOMEBODY ELSE TAKING PLACE OK 6497 N

525. U OONT NO WHAT LUV Is/OREAMBOAT OK 6534n/v-

526. WHOOPEE STCMP/BUGLE CALL RAG SHR 7051 N
527. SOMETIMES I'M HAPPy/kING PORTER STOMP VI 2509U N-

528. DOWN SOUTH CAMP MEEt/pICK YOURSELF UP VI 25387 E+

529. EXACTLY LIKE YOU./luV ME OR LEAVE ME VI 25406 E

530. RIFFIN AT R I Tz/a LEX ANDERS RAGTIME BAND VI 25445 EH
531 • V I BR A PHONE 3LUEs/s TOMPI N AT SAVOY VI 25521 E—
532. SWEET 3UE/| NEVER KNEW VI 26089 N
533.STOMPIN AT SAVOY (ORK )/*OONT BE THAT WAY Vl20l549 V

HAL GOODMAN

534. FORTUNE FOR A PENNy/mORE "HAN ANYTHING HIT 7058 E-

DEXTER GORDON

535. THE DUEL I -2 Dl 1 028 E

GRAY GORDON ORCH

536 . GENTLEMEN OF JURY/AM AN AMER I CAN

HAROLD GRANT

537. M I S IRLO'J/WALTZ I NG ON KALAMAZOO

GLEN GRAY
539 .WHEN U AWAKE/MOON OVER BURMA
539. ANGELS OF MERCY/( JIMMY DORSEy)

WARDELL GRAY

540. SLUE GR AY/TREAD I N Wl TH TREADWELL PR

GEORGE HAMILTON GREEN 4 RUDY • i EDOFT
54l. PRETTY LITTLE RAINBO/MAVIS

BB 1 0783 E

STAN2009 E-

DE 3426e/v-
DE 4I70E/V

PR 7I4V+

Em IUi52 e-
EM 10152 V

VI 202560 E
VI 203072 E
VI 203405 N-

B3340728 E

CO 15507 N

HOL2077I E+

542 • PRETTY LITTLE/MA/IS

LARRY GREEN ORCH
543. SONG OF NEW ORLEANS/GONNA GET GIRL

544. WHISTLIN IN DARK/BELLA BELLA MARIE

545. BLUE RUM3A/UR SO UNDERSTANDING

LIL GREEN

546. BOY FRIEND/NOBODY BUT U

GREENSBORO BOfS QUARTET
547. SWEET LIL GIRL/SING ME SONG SOUTH

L ILL IE GREENWOOD
540. IM GO IN CRAZY/DISSATISFIED BL

WALTER GROSS ORCH

549. WHO/ALL THINGS YOU ARE MU 359 E

550. -V1 THOUT A SONG/TEA FOR TWO MU 386 N
551 .SOMETI MES IM HAPPy/mORE THAN U KNOW MU 387 N-

JOHNNY GURRNARI

552. N0B0DYS SWEETHEART/30DY AND SOUL MAJ 1032 N-

553. MAKE BELIEVE/jEALOUS MAJ 1035 N-

554. ALL THINGS YOU ARE/CARIOCA MAJ 1054 E+
555.STARDUST/TIGER RAG MAJ |226 E+

EDGAR A GUEST

536. LOST POCKETBOOK/OLO WOODEN TUB VI 45320 V

AL HA I G WITH WARDELL GRAY
557. TWI STEO/EASY LI V I NG NJ 8|7 N-

AL HA 1G QUINTET
559. IN A PINCH/ITS THE TALK OF THE TOWN SE I00038E

CARL HALEN WASHOOARD FIVE
559. OR JAZZ/HEEBIE JEEBIES KN 3 N

560. WILLIE THE WEEPER/CAKEWALKI N BABIES KN 4 N-

AL HALL QUINTET

56 1. AM I BLJE/EMAL I NE WAX I OON

ED HALL

562. NITE AND OAY/WHERE OR WHEN
563 .SHOW PIECE/WANT TO BE HAPPY

FRED HALL

564. PATRUSHKA/3IRD3 EYE VIEW

HALL AND RYAN

565. TOO TIRED

MAL HALLETT

566. ADORE U/BOO HOO

LIONEL HAMPTON

567. WALKING BOOGIE/RIDIN ON L4N

568. CHEROKEE/REBOP 4 BEBt"5

569. MOOD FOR SWING/SHOE SHINERS DRAG

VI 26447 N

CMS 579 N-
CMS 580 E+

NMLNY I I82V+

NAD 2|7I 3+

OE I I62E-/V

DE 23839 E+
DE 24430 E
VI 26011 E+

LIONEL HAMPTON
570.4 OR 5 TIMES/FOUND NEW BABY

HAPPINESS 30YS (JONES AND HARE)

571. KEEP SKIRT DOWN/WISH I WAS IN PEORIA RE 9976 E+

ROGER HARD I NG

572. COON IN L0VE/VICTI« MONARCH LABEL VI 3452 V-

ERNEST HARE

573. MY MAMMY/OVER THE HILL GE 4679 V-

HARLEM HOT CHOCOLATES (DUKE)
574. SING U SINNERS KO. . 045V+

575. ST JAMES INFIRMARY HOW 1046 E

THE HARMON I AN5

576. just roll along/chloe Dl 2596e/v

577. DRIFTING AND DREAMINg/sAY IT AGAIN HA 127 V

578 . chloe/just roll along ha 596 v+

579. MIGHTY LIKE u/mISS W0N0ERFUL VE 2028 V

MARION HARRIS

580. AINT GOT NBOY/WHERE MY D ADDY CO 3371 E+

WYNONIE HARRIS

581. GD MORNING MR BLS/GD ROCKIN TONIGHT KING 42|0 E

582. ARN0 THE CLOCK/PTS |42 PHILO 1 03 E+

583. YONDER GOES MY BABy/coCKADOODLEDOO PHILO 104 E+

CHARLES HARRISON

584. OH HOLY NIGHT/SILENT NIGHT CO 2801 V

CLYDE HARTS ALL STARS

535. WHAT MATTER NOW/THATS THE BLS CONT 60 1 3 N-

586.THATS THE BLs/wHATS THE MATTER NOW CONT 60 |3 E

STAN HASSELGARD

537. WHO SLEEPS/SWEDISH PASTRY CP 15062 E+

COLEMAN HAWKINS

598. BODY 4 SOUL/HAD TO BE YOU BB300825 N

589. ITS TALK TWN/MAN I LOVE CI 3010 E+

590.0ED ICAT ION/SMACK CMS 533 E

59 1 »SOPJ I ST I CATED LADY/PAPER MOON MERCER 1962 E+

592. RI0IN THE RIFF/FLAT ROCK SAV 583 E

593 . HONEYSUCKLE =10Se/cRAZY RHYTHM VI 262|9 N

594. HONEYSUCKLE ROSe/cRAZY RHYTHM VI 262l9 N—

ERbKINE HAWKINS

595. MISS HALLELUJAH BRWn/haDLY IN LOVE BB 78 1 0 E-
596.SMEONE ROCKING DRM BOAt/hEY DOC BB 11277 E+

597. COUNTRY BOY/CHERRY BB 300819 V

598. GOOD DIP/LETS HAVE FUN TONIGHT VI 201777 E+

599. WNDFUL WORRISM FLNg/snEAKIN OUT V|20|883 E

ROY HAWKINS ORCH

600. MY TEMPER IS RISING/WINE DSKIN WOMAN MDR 20765 E+

601. WINE DRNKIN WOMAn/tEMPER IS RISING MD3 20765 E

BILLY HAYES

602. CANT GET ENUF^/MAN SHORTAGE BL BEA 5001 E+

HERB I E HAYMER JUINTET

603. LAGUNA LEAP/BLK MARKET STUFF SUN 7561 E-
604. ILL NEVER BE SAME/SWINGIN ON CENTRAL SUM [C055 E—

DICK HAYMES

605.HANKER I N/EVERY DAY I LOVE U OE 24457 E+

606.IT HAH TO BE Y/TOGETHER DE 23349 E

JOE HAYMES ORCH

607. BODERN MELOOY/JUST GIVE ME CIRL BB 5|I9 E+

608. LONG WHITE ROBE/AINT GONNA PAY NO TOLCO 2716 e/v

TED HEATH 4 HIS MUSIC
609.0LD MO'i HER HUBBARD/TEQUI LA LON 4|6 N-

6I0.GET OUT A TOWN/TURN ON HEATH LON 4&» E+

HOfi'CE HEIDT

61 I .LILLIAN/FALLING IN LOVE BR 9229 E+

6l2.3 LITTLE SISTERs/mary CO 26575 V

613. T0Y PIANO MINUET/TOY PA I NO JUMP CO 36100 V+

FLETeHEB/HANDERSON

614. RADI0 RHYTHM/JUST BLS BR 80037 E
5I5.DR I FTWOOd/lOVE HAS A WAY PEP |427| E—
6|6.U DONT MEAN ME NO Gd/aLWAYS BE IN OK 5953 N—

SKITCH HENDERSON
6I7.MISIRL0U/FAR AWAY ISLAND CP 35 1 E

618. SUNDAY MONDAY/MARY LOU CP 881 V+

619.2 CIG IN DARK/jEALOUS CP 1 0 175 E-

SHIrTY HENRY

620. BOOGIE RENE/HYPIN WOMEN BLS ENT 106 V

RAY HER BECK ORCH

621. KISSED HER WHEPE SHE/BLKBERR YS RED ALV I 0 1 2 V

WOODY HERMAN

622. EARLY AUTUMN/ KEEPER OF FLAME

623. U RASCAL u/RHAPSODY I N WOOD

624. B I JOu/r I NG ON FINGER
625. SURRENDER/GOOD EARTH
626. GOOD EARTh/sURRNDER
627.3L0WIN UP A STORM/FAN IT

628. CIVJLIZATION/BLVD OF MEMORIES

629. GOOF 4 i/everv!.here

630.0 ONT SAY N0/aASIES BASEMEMT
63 I. FAREWELL BLs/bLS ON PARADE

632.SAVING MYSELF FOR u/cAROLINA MORNING DE |839 V

633. ^LAT FOOT FLOOGIe/caLI OPE BLS DE 1879 V-

634. BIG WIG IN WIGAM/WOOOCHOPPERS BALL DE 2440 E/V-

635. BIG WIG IN WIGAM/WOOOCHOPPERS DE 2440 V

636. BIG WIG WIWAM/WOODCHOPPERS BALL DE 2440 V-

637. DIS CHNGING WRLD/mY TURN NOW OE 291 4 V+
639. WHERE DO I Go/lLL PRAY FOR U DE 3200 V-
539. DRM VALLEy/*HTEVER HAPPENED TO U DE 3461 E-
640.2 WAYS 2 SMOKE/DNT B BL LIT PAL DE 4076 E/V
64l .OELIE'/ES ME TO TENn/ AMEN OE 18346 E-/N

RENE HElWANDEZ ORCh

642. KILLER JOE/I'ALLADI UM STP CODA 5099 E+

EDDIE HEYWOOD ORCH

643. CANT BEL I EV UR IN LOVE/LOVE ME OR OSS 577 E+

644. JI'ST U JUST ME/DEED I DC CMS 578 V+

645. Indiana/ lcver man cms 582 v+

CP 57616 E+
CP 57772 E+
CP 36861 N
CO 36985 N
CO 36985 N—
CO 37059 H
CO 37885 N-
CO 38369 N-
CRL 60001 V
COR 60190 N

22

AUCTION 35c MINIMUM BID

DON LLOYD

BOX 23, THE RECORD CHANGER 4|3 WEST 4°TH STREET, NYC 19 NY
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS.

35c MINIMUM AUCTION

CO 36011 E

J.C. HluGINBOTHA.M
646 .HI GGINBOTHAM BL/(BENNY MORTON
H I LDEGARDE

647. WHY DO I LOVE u/LST TIME SAW PAR I SDE 23|83 N—
DAN HILL 4 HIS SWING SEXTET

649. TA«jipico/| J'CLOCK JUMP TT |09 N-
649. OLIVER TWIST/BL TRAIN BOOGIE TT 145 N—

650. JAM SESSION PT 112 TT 147 E+
TEDOY HILL ORCH

651 .WHEN LOVE KNOCKs/,VHEN ROBIN SING ME |3364 V-
EARL HINES

652. NONCHALANT Man/ AT EL G FOTTO ARA I 27 E+

653. AT THE GROTTO/NONCHALANT MAN ARA |27 E-
654„N0NCHALANT MAN/AT THE EL GROTTO ARA |27 V+

655. R0SETTa/m RGI E ARA 149 E+

656. JELLYJELLY/FALLI NG FOR YOU BB 11065 E
BAND OF H.M. IRISH GUARDS

657. shAn4MaI sAILor/TORkISH PATROL lon 220 N-

658.SHEC CRYING FOR ME/sLOW EM DWN BN 506 E+

659. DOC JAZZ/SHOE SHINERS DRAG BN 507 E

660. THER ELL BE SOME CHANGEs/cLARK 4 BN 508 E

661 . ECCENTR IC/BLS N BOOZE BN 5|2 e/v+

662. W.K. BLS/JUG HEAD BOOGIE BN 527 E+

663. JUG HEAD BOOGIe/m.K. BLS BN 527 V

664. GUT BUCKET BLs/nOBDYS SWTHRT BN 528 E+
665. SAVE IT PRETTY Mama/ DRKT BN 53 1 Z
666. MEMPHIS BL/SHINE BN 532 E+
667.ST JAMES INf/wAY DWN YONDER IN BN 533 N
668. ST JAMES INFIRM/WAY OWN YONDER BN 533 N-

669. W0LVERI NE BLS/ BUJ I E BN 550 N

670. MR JELLY LORD/NEVER KNEW WHAT GAL BN 55l N

67 1. MR JELLY LORD/NEVER WHAT GAL BN 551 I*-
S MO KEY HOGG

672. U 3R0T IT ON/CALSSIFICATION BLS MDRN 20770 E+
BILLY HOLIDAY

073. ALL OF ME/ROMANCE IN DARK BLACE 205 N—

674. GA ON MY M:MD/LEST DO IT BlACE 206 N

675. GA ON MY MIND/LEST DO IT BLACE 206 E+

676. NO REGRETS/DIO I REMEMBER BLACE 2 1 3 N—

677. J im/pract ice makes perfect SlAce 256 n

678. STRANGE FRUIT/FINE i MELLOW CMS 526 N-

679. YESTERDAY/) GOTTA RIGHT SING CMS 527 E

680. YESTERDAY/GOTTA RIGHT SING CMS 527 E—

681. COVER WATERFRONT/LOVER COME BACK CMS 559 E/V
HOLLYWOOD DANCE ORCH

682. DRM HOUSE/THER ELL NEVER ANOTHER BA 7|94 V-
HOLLYWOCD HUCKSTERS

683. H APPY EL/THEM THERE EYES CP 40022 V-
JOHN LEE HOOKERS

684. GIV ME PHONE #/ROLL N ROLL MDRN 20767 N—
BOB HOPE

685. BUTTONS 4 BOWS/THATS NOT THE KNOT CP 15292 E+
CAM I LLE HOWARD

686. BARCAROLLE BOOGIe/hAS YOUR LOVE SP 309 V
687. IM BLUe/fIRE BALL BOOGIE SP 370 E

EDDY HOWARD

688. K ATE/ON THE AVE MAY 1160 V-
W| LL HUDSON

689. HI YA MR CHIPS/ON THE VERGE DE 3473 e/v-
, PEE WEE hUNT ORCH

690. MUSKRAT RAMBLE/BASIN ST BLS

691. AFTER U GONe/suNNY SIDE OF ST

692. AFTER U GONE/SUNNY SIDE ST
LLOYD HUNTLEY 4 ISLE BLS ORCH

693. HEAD LOW/SAME OLD MOON
BETTY MUTTON

694. DONT TELL THAT STORy/on OHHER END VI 2020 1 2 E—
IMPERIAL DANCE ORCH

695. TIME WILL TELL/JUST VAGABOND L0 VERBA 6379 V—

INPROVISATIONS IN ELL I NGTON I A
696.STEWART-5 IGARD-OJANGO— TYLOR HRS 1003—1004 N—
(ABOVE 2 RECORO IN FOLDER )
INK SPOTS

697. WHEN U COME TO END/LOSE FRIEND DE 24261 E+

698.8ABY DIONT SAY GOBYe/aLAD I NS DE 24496 E

INTERNATIONAL NOVELTY ORCH
699. SAY IT AGA I N/ INNOCENT "YES VI 19288 V+

BURL I VES

700. RODGER YOUNG/FOGGY FOGGY DEW DE 23405 E+
BULL MOOSE JACKSON

70 1. KNOW WHO THRU WHISKEy/baD MAN QUEEN 4||6 V-
CHUBBY JACKSON

702. KN-GHT IN VILLAGE/ PTS 142 ONE 1506 E

703. GODCHILd/faTHER KNI CKERBOPP£R CO 38451 N

704. FATHER KNI CKERBOPPEr/g OOCH ILO CO 38451 E+

705. popsi e/gotcha VOVERED KING 41 0 1 E+

706. MAY BE WRONG/FLYING THE COOP NJ 825 e/n

707. NEW york/why NOT PRES 636 E—
EARL JACKSON

708. IS THAT RELIGION/PEANUT VENDOR CRE 4 N

709. IS THAT R ELIG I ON'/'EANUT VENDOR CRE 4 N

7I0.IS THAT R ELIGION/PEANUT VENDOR CRE 4 N
PRESTON JACKSON N.O. BAND

715. YANCEYS BL/ THAT FUNNY FEELING VI 202146 N
LITTLE WILLIE JACKSON

716. BLK 4 BLUE/JACKSONS BOOGIE MDRN 20566 E
I LLINOIS JACQUET ORCH

717. F0R EUROPEANS ONLY/ BIG DOS AL 180 E h

718. WHAT THIS/WONDERING 4 THINI I NG AP 758 V

719. JUMPIN AT AFPOLLo/jACQUET BOUNCE AP 766 E*

720. ROB8INS NEST/jACQUET MOOD AP 769 E

721. JUMPIN AT WOOOSIDE/MUSIC HALLBEAT AP 777 E

722. BIG foot/ B-YOT V 1220037 N-
RUSSEL JACQUET 4 HIS ALL STARS

723 .SC AMPAROO/RELAX I NG Kl 4259 E+
HARRY JAMES

724.S0NG OF WANOERe/tEXAS CHATTER BRS |0|4 N

RGT I 33 E+

RFT I 39 N

RGT 1 39 N-

BR 4643 V+

HARRY JAMES (cont)

725. AINT MISBEHVIN TEST ( ?) V

726. NIGHT SPEC/BACK BEAT BOOGIE CO 35456 N—

727 . BACK BEAT BOOGIe/niTE SPECIAL CO 35456 E

728. HERE COME THE NIGHT/FEET DRAGGIN CO 35227 V+

729. FLASh/aLL OR NOSHING AT ALL CO 35587 E+

730. FLASH/ALL OR NOTHING AT ALLL CO 35587 v/e

73 1. woo woo/boo WOO CO 35958 N

732. CARNIVAL OF V I ENCe/fL I GHT BUMBLE BEE CO 36004 E+

733. BRAGG IN/BANT OF A STAR CO 36081 N

734. TRUMPET RHAPSODY / PTS 1 42 CO 36|60 N

735.1 o'clock jump/a o'clock JUMP CO 36232 V+

736. U MADE ME LOVE u/s INNER KISSED ANGEL CO 36296 E

737. U CHANGEd/nBDY KNOWS TROUBLE CO 364|2 E+

738. LAST NIGHT SAID PRAYEr/rEMEMRER YOU CO 365|8 E

739. HES MY GUY/UR IN LOVE WITH SUMWUN CO 366|4 E

740. velvet moon/prince SHARMING CO 36672 E-

741 . MEMPHIS BLS/ SLEEPY TIME GAL CO 367 1 3 E*

742. AUTUMN SERE/BEEN LONG LONG TIME CO 36838 V+

743. FRIAR ROCK/ EASY CO 36996 E

744. EASY/ FRAIR ROCK CO 36996 V

745. WHY DOES IT GET SO LATe/bEAUMONT RIDE CO 37080 E-

746 . ULL NEVER know/ KEB LAH CO 37264 E+

747. M0TEN SWING / 142 CO 37351 N-

LEwTS JAMES

748. ONCE UPON A TIME/(HART 4 SHAw) EM 1 0 1 35 V
CONRAD JANIS 4 TAILGATE BAND

749. EH LA BAS/ WILLIE THE WEEPER C I 3006 N

FRANKI E 'HALF PI NT' J^XON

750. MAMA DONT ALLOW IT/ I 5 CENTS VO 2603 V-/e

JAZZARIMBA ORCH

75 1 . HAPPY SAMMIES/ THATS IT (LAM CRK) CO 2482 V+

JAZZ AT PHI LA

752. BLS FOR NORMAN/PTS 1 42

ARCO |2|6 N

ARCO |2|7 N

DIS 5|00 e/v+

STIN 23 E +

ASCH 500 N-

ASC 503 N

753. CANT GET STARTED/ PTS 142

754. AFTER U GONE / PTS |42

755. HOW HIGH MOOn/lADY BE GOOD

JERRY JEROMES CATS 4 JAMMERS

756. G IRL MY DRMS/RAI NBOW BL

(ABOVE £ " HR CRK)

757. JAMMIN WITH JERRY/PEOPLE WILL SAY

THE JESTERS

758»HE WOOED HER 4 WOODED HEr/mAN SELLS GE 1716 E+
JOLLY J I VERS

759. PIANO STOMP/HUNGREY MANS SCHUFFLE CRE 24 N

760 . HUNG RE Y MAIMS SCUFFLE/ PIANO STP CRE 24 N

JOHN BROOKE JOHNS 4 HIS ORCH
764.WHY SHOULD I WEEP/TOODLE 00 VI 19220 E

BUNK JOHNSON

JAY 6 N

JAY 6 N-

765. SNAG IT/CANT ESCAPE FRM U
766.SNAG IT/CANT ESCAPE FRM U
DINKS GOOD TIME MUSIC
767.RAG BAG RAG/YEAH MAN

AM 523 N

JAY JAY JOHNSON BOPPERS/OON ALNPHERE

768. FOX HUNT/ SPIDERS WJBB FP 8 1 0 V+

JAMES P. JOHNSON

769. YOUVE GOT B MODER N I ST I c/j I NGLES BR 80C32 V
JOHNNY JOHNSON

770. SAY So/OH GEE OH JOY
LI L JOHNSON

771. Y0ULL NEVER MISS JELLy/nEVER LET

AL JOLSON

772. G0T MY CAP WORK I Ng/(b. MURRAY)

773. chloe/(henry burr)

774. IN SWEET SEPT/(FRANK CRUMIt)

775. who cares/{lewis James)

vi 2 1 224 v-

vo i 299 N

CO 2794 V
CO 2861 V-
CO 2946 G+
CO 3779 V-

776.U'VE GOT ME CUCK00/(FRANK CRUMIt) CO 3984 V

ADA JONES 4 B I LLY MURRAY

777. IM SORRY/ I SIDEDED ZONOPHONE 669 G+

778. WHEN FRANCES DANCES W ME/|0 FINGERS VI 18830 V-

LTTA JONES H BARNEY BIGARD ORCH

779. SALTY PAPA/ BLOW TOP BLS BW 9 E+

780. EVIL GAL Bl/lONG LONG JOURNEY BW lO N—

I SHAM JUNES ORCH

781 . BABY BLUE EYES/ DEAREST BR 2388 V-

782. EASY MELODy/smBDY WRONG BR 2500 V-

783. LOVE JJST FLOWER/SITTIN IN CORNER BR 2508 V—
784. SPA IN/ IN THE LAND SHADY PALM TRESS BR 2600 V—
785. SWT GA BROWN/COLLEG I ATE BR 29l 3 V

786. WAITING FOR SUN DONe/oANCE 0 MANI E 3R 5015 V—

JIMMY JONES PIANO

787. EMPTY SACE/WHATS NEW WAX 106 E+

KARL JONES

788. Ml TZY/TR0U8LE in mind mer 2002 v+

SPIKE JONES CITY SLICKERS

789. MY OLD FL»ME/PEOPLE ARE FUNNIER VI 202592 V-

JUNGLE KINGS

790. FRAIRS PT. SHUFLE/ DKTWN STRUTTERS UHCA 3 N

DICK JURGENS ORCH

791. RANCH0 3 10 GRANDE/GREEN DOLPHIN ST CO 38027 E+

KANSAS CITY 6

792. WANT LITTLE GIRL/COUNTLESS BL MCS 509 N-

793. LAUGHING AT LIFE/l KNOW U KNOW CMS 5 I 0 N-

ART KASSELL 4 KASSELS IN AIR

794. BACK IN SADDEL AGAIN/JUST OLD RAG RUG BB 10772 E

IRVING KAUFMAN

795. HELLO W I SCONS I N/ (SAMUEL ASh) CO 2425 V

796. BIMIN|/dAPPER DAN GE 4799 V+

797. LONESOME ST GIRl/cROSS MY HRT HA 77. E-

SAMMY KAYE

798. DIXIE GIRL/BELOW THE EQUATOR VI 27533 V
759. REMEMBER PEARL HARBOr/dEAR MOM V I 27738 V

800. HRT WAS MADE STONe/bOTTOMS UP VI20I680 E+

801. GOOD GOOD GOOD/GOTTA BE THIS OR V|20|684 E-

802. CANT BC-IN TELL/WHAT MAKES SUNSET VI20I720 E+

803. MIDNIGHT MASQUERAOE/CANT BELIEVE IT V|202|22 E-

SAMMY KAYE ( CONT)

803. MIDNIGHT MASQUERADE/CANT BELIEVE IT V|202|22 E-
304. SERE OF THE BELLS/tHATS WHAT GIRL SHOULDVI 202372 E+

805. HERE ILL STAY/GREEN UP T I ME VI203063 N—

MAX KAMINSKY J.B.

806. GUESS WHOS IN TOWN/ECCENTRIC CMS 560 E+

LLOYD KEATING ORCH

807. EXACTLY LIKE U/DOANGER IN U EYES VE 2|32 V—

REV.KELSEY

808. LITTLE BOY/LORD SEND RAIN MGM 10250 N

CHARLIE KENNEDY QUINTETTE
Buy. CANT GIVE ANYTHING BUt/oEXTER RIDES SAV 623 E—

STAN KENTON ORCH

SlO.ARTISTRY IN RHYTHM/EAGER BEAVER CP 1 89 E+

81 I. HOW MANY HRTS/TEARS FLOWED CP 166 n/v—
8 1 2. HOW MANY HRTS/TEARS FLOWED CP 1 66 E

8 1 3 .SOUTHERN SCANDAl/tAMPICO CP 202 V

8I4.00NT LET ME DRm/lONG LOGN TIME CP 2 1 9 E+

8I5.JUST A SITTIn/aRTISTRY JUMPS CP 229 V

816.S 00 FLY PIe/bEEn DWN TEI.AS CP 235 E+

817. PAINTED RHYTHM/4 MONTHS ETC CP 250 E

8 1 8 • PA I NTED RHYTHM/4 MONTHS ETC CP 250 V+

8I9.RIKA JIKA JACK/ARTI STRY IN BOCG I E CP 273 V

820. INTERMISSION RIFf/piTY SAY G'NITE CP 298 V+

82 I .COLL A B OR AT I On/mACH I TO CP 408 E+
822, RIKA JIKA JACk/hARLME HOLIDAY CP 906 E
823. SO IN THE MOOD/ VIVA PRAOO CP 1 279 V
824, TORT I LLAS 4 BEANs/oYNAFLOW CP |535 V
825. SRT I STRY JUMPS/AR ISTRY IN RHYTHM CP 1636 V+
826. JUMP FOR JOE/LAURA CP 1704 V+
8?7.FRANCESCa/nIGHT WATCH CP 1774 V+
823. STREET OF DREAMS/oADDY CP 1823 E
S29.yes/mambo RHAPSODY CP 2020 E+
830. unison riff/now GET OUT CP 1 501 8 E/V
03 1 .lover/soothe me cp |503| v

832. thermopolae/peanut vendor CP 15052 e/v

833. thermopolae/peanut VENDOR CP 15052 E-

834. HOW HIGH MOON/lNTERLUDE CP |5||7 E+
635.HOW HICH MC ON/lNTERLUDE CP |5||7 V

836. intermission riff/minor RIFF CP |5|9| E-

337.ART I STRY IN BOOGIE/MACHITO CP |5|94 V—

835. TAMPICo/tEARS FLOWED LIKE WINE CP |5|96 E+
839. OWN IN CH l-HUA/FEETS TOO BIG CP I 5 1 98 N
840.RIKA JIKA JACk/4 MONTHS ETC CP 1 5 1 99 N
84t.4 MOS.3 WEEKS 2 DAYS I Hr/r|KA CP I 5 | 99 V+

842. HOW AM I KNOW/WAS GOOO MAN CP 15327 E+

843 . HOW AM I TC XNOw/gOOD MAN CP 15327 E

8 44. HE WAS GOOD MAn/hOW AM I TO KNOW CP 15327 E-

845. FASTASY/WI LLOW tt'EFP FOR ME CP 20087 E—
846.0PUS IN PASTELS/SAFRANSKI CP 20088 E+

847. ARTISTRY IN PER CUSS I On/nO MISERY CP 20089 e/v

848. REDD RAPTURE/CONCERTO FOR DOGHOUSE DE 25304 N-
349.REE0 RAPTURE/CONCERTO FOR DOGHOUSE DE 25304 E-

KENTUCKY FAVORITES

850. BUNCH OF KEYS/DANCING FOOL CA 244 V

HENRY KING

85 1. HEAR BLBIRDS/ HEAR MY SON V I OLETTA

KINS SISTERS

852. RUN RABBIT RUN/HOT GAVOTTE

853. LOVERS LULLABY/jAVA JAVA

Kl NGSWAY SYMPHONY ORCH

854. RHAPSODY FOR SAXOPHONE/THE BREEZE

JOHN KIRBY ORCH
355.SCHUBERTS SERE/MAKE U LOVE ME
8 56. SHU BERTS SERE/MAKE U LOVE ME

ANDY KIRK 4 HIS CLOUDS OF JOY

857. BREEZE/I 'IX GET BY/FOGGY BOTTOM LP CRL 560 I 9 N*

MOE KOFFMANS MAI N STEMMERS

858. BOP LPO/ROCKIN W BOP MS 3002 N

LEE KONITZ QUINTET

859. FISHIN AROUND/MARCHMALLOW NJ 807 E

LEE KONITZ QUINTET

860. TAUTOLOGY/SOUND LEE NJ 01 3 V

ANDRE KOSTELANETZ
86 I .TIGER RAG/BUGLE CALL RAG

BENNIE KRUEGERS ORCH
862.SINGIN THE BLS/KISS A MISS

863. WONDER WHATS BECOME SALLy/sUSQ .HOME

GENE KRUPA

864. AN OLD CURIOSITY SHOp/wONT BELIEVE

865. DRUMIN MAN/LOVE CALL U SWHT
856.TIGER RAg/s|ERRA SUE
S67.SIDE BY SIDE/BOLERO AT SAVOY

868. BOLERO ATSAOVY/SIDE BU SIDE

869. THAT DR U MM ER S BAND/fHATS THIS

870. THAT3 DRUMMERS BANo/wHATS THIS

871. ARE THESE REALLY MINe/hARRIET
872. OPUS t l/vALSE TRISTE
373. BOOGIE BL/TUXEDO JUNCTION

874. TEACH ME BABY/u TURNED TABLES ON VZ

875. DEAR OLD SOUTHLANd/bAMBI NA MIA

876. cowboy ser/till REVEILLE

877. DEL I LAh/dREAM DANCING

KUSRAS TRIO '
378.VESEL I ANT J E POLKA /VZELENEM GOZDU
879.00LINCA VALCEK/C0LLINW00D3KA POLKA

KAY KYSER

880. FRM ALPHA TO OMEGa/yOU NEVER KNOW

88 1. MONDAY MORn/lET THIS BE WARNING

882. GO FLY KITE/MAN 4 HIS DRM

883. FIGHTIN MACARTHUr/nI TE OF N I TES

884 . WHO WOULDNT DOVE u/HO DO I KNOW REAL

885. PRAISE LORD/CAME HERE TALK FOR JOE

LAPPS BLACK ACES

886. PAPA BLS/ LOUISVILLE LOU

FRANK IE LA INE
387. ONLY HAPPENS ONCe/rOSETTA

DE 3093 V

BB 10603 E
BB I 0746 V

LON 10005 E

C R I 1 8 E+
CR I 18 E-

co 35783 N

BP 2066 E-
BR 2682 V

BR 8292 E+
CO 35324 E
CO 35454 E+
CO 36726 N
CO 36726 N-
co 36819 N-
CO 36819 E+
CO 36890 N-
CO 37224 V-
CO 37530 N
CO 38 1 4| N-
CO 38496 E-
OK 6266 N
OK 6389 N-

CONT
CONT

402 E
405 E

BR 82l0 e/v-
BR 8234 E
BR 8439 V-
OK 6635 V-
CO 36526 e/v
CO 36640 V-

SE 5127 V

MER 5227 E+

AUCTION 35c MINIMUM BID

DON LLOYD

BOX 23, THE RECORD CHANGfR 4|8 WEST 49TH STREET NYC I 9 NY
SEE PAGE ONE OF AUCTION FOR I NSTRUCT I ONS.

35c MINIMUM BID AUCTION

MR. 0I» IE NAPPY LA MA RE
888. JOHNSON RAG/AFTER U GONE
LANES OANC E ORCH

101 N

2639 v+

BR 8286 E-

I 09 V+

GE 5202 V

6054 E-
1284 V-

S89.SMTIMES HAPPY/DAWN TOMORROW

PHIL LANG
890.3RIC A BRAC/PAVANNE
FRANCES LANGFORD

89 1. LET ME LOVE 2NIGHT/M0RE 4 MORE

HOWARD LAN INS ORCH

892. MIDNIGHT/LOVE TALES

SAM LANIN ORCH

893. CANT BELIEVE THAT U/ ( IMPERIAL 0
094. JACK IN BOx/uNDER SMILING SKY

LAN I NS FAMOUS PLAYERS
895. just LIT love sung/the sheik ge 4820 V

896.0N THE ALAMO/ BY THE SAPPHIRE SEA GE 4876 V+
LANHM ARCADIANS

897 . DREAMY MELODY/lH^TEL BILTMORe) PE |4|45 E+

ELCUONA CUBAN BOYS

898. NO~iuE~TAS-^MAN7R7FACu7'~>0 MA I 1 29 E

JULIA LEE 4 HER BOYFRIENDS

899. DECENT WOMAN BL/ DO U W ANT IT CP 956 E/'g-

PEPPY LEE

HOLD ME/ThtN ILL BE HAPPY (900 ) CP 15293 E

90 1. SOMEONE LIKE u/ U WAS CP 15349 V
JACK LEONARD

902. I M MOON MIST/U MAY NOT LOVE ME MAY 7170 E
VICTOR LEONS DANCE ORCH

903. U KNOW U 3EL0NG/GRACE CMA 309 E

SABBY LEWIS ORCH

904. MADE MYM I NO/BOTTOMS UP CRYSTAL 5|5 E+

TED LEWIS BAND

905. MOON SHINES ON MOONSH I Ne/c-U-3-A- CO 2927 V

906. WILL U REMEMBER ME/o KATHARINA CO 295 E

9 07. MAMAS IN TOWN/ST LOUI" EL CO 697 V
903. JAZZ HOLIDAY/JUNGLE BL CO 1525 V
909.HI DIDDLE DIDDLE/lYONE MY OWN lYONECOE 4033 V

ROLAND LI ERUN

9|O.CHA:JSON DU NOUVRL/LE GRAND JARDIN STARR 16683 V+
JOE LI GG I NS 4 HONEY DRIPPERS

911. LAST N ' GHT BLS/T.W.A. EXCL 236 E

912. PINK CHAMPAGNe/sENTIMEANTAL SPEC 355 V+

LITTLE RAMBLERS

9|3.IN U GREEN HAT / I LOVE MY BABY CO 524 E—

cripple clarence loftom

9I4.HAD A drm/ST L6UIs(AmMon5) CI 1050 N
GUY L0V3ARDO

915.2 LOVES HAVE l/THEVRE MINE DE 24263 V

VINCENT LOPEZ

9I6.KITTIN ON KEYS/NOLA INTER 259 E

9 1 7. SOME SUNNY Day/ STUMBLING OK 46 1 2 N—

913. T00T TOOT TOOTSIe/hOMESICK OK 4706 E—

LORD 8E3 INNER - CALUPSO

919. ALiVAYS MAR Y PRETTY/N.Y. SUBWAY Dl 2' 3 E—

LOUISIANA FIVE

920. CANT GET LOV I N/ \ TED LEWIS) CO 2857 V-

92 1 . YFLP I NG HOUND BL/TuEXDO DANCE ORCh) ED 5C522 E-

LOUISIANA RHYTHM KINuS

922. SWEET SUE/S'.IUEEZE ME BR 4953 E+
BERT LOANS LOUNGERS

923. BIG CITY BL,(LOU '-OLD ORCh) Dl 2920 V

THE LUMBER JACKS

924. MAKIN WHOOPEE/SWTHRT I LOVE U CA 3502 G+

J I MM I E LUNCEFORD

925. TAINT GOOD/LIVING FRU DAY 2 DAY DE 960 E—

926. JAY OEe/sTT BACK 4 REE LAX MA J I 035 E+

927. JAY OEE/SIT SACK REE LAX MA J |f25 E
923. JAY GEE/ SIT BACK 4 REE LAX MAJ I 053 E-
929. SHUT OUT/". HEM WHO HAS GEST MAJ 1077 E+

930. MARGIE/ 4 OR 5 TIMES MAJ J | 03 E+

93 1. MARGIE/4 UR 5 TIMES MAJ I I 03 E

JOE LUTCHER3 JUMP BAND

932. MO JO JUMP HOW r I NE CAN U BE CP l5l09 E

Claude luter

933.SO.AFR ICAN BLS/PANAMA RAG CI 1044 N

534.gatekoUTh/snake RAG CI 1045 N

035. JACKASS BLs/soUTH PAC 2209 E—

936 .W I LD CAT BLs/oRYS CREOLE TRAM RAM 4 N-

937.0R"S CREOLE TROMBONE/w I LD CAT SLS RAM 4 E

933. CUSTOM JACKET/WOLVERINE BL SEL 2963 N

939. WOLV-F INE 3LS/ OLD SCHOOL SUM 1006 N

940. BABOUCHE/c AMPMEET I NG BL SU 1007 N

ABE LYMAN

941. HADN ME DWN WALKING CANE/cOMEIN RND BB 1 0669 E—

942. MISSOURI SCRAMBLER/rtOW HATE GET UP BB 10992 N

JIMMY LYTELL

943. FAT MEAT SO GOOD/CMD IN CHIEF MY 3EA 104 V+

MARY ANN MCCALL

944. ON TIME/MONEY IS HONEY CO 37590 E+

JOHN MCCORiviACK

945. BAREFOOT TR A I L 7~l SIDED

VlOLA MICOY
946. SOME DAY COME BAC'k/gIT COIN

BROWNIE l/JGHEE
947. C.C. BABY/ "JEW WORRIED LIFE SV 747 N

MCGHEE-NA VAKRO BOPTET
949. DOUBLE TALK/ 142 BN 557 E t

HUiVARO MCGHEE BOPTET

949. THE skunk/SopVIAI IUN BN 558 E

HOWARD ICGHEE SEXTET

950. HIG WIND IN H'WOOD/UP IN DOOOE RM Dl 1 0 1 0 E
95l .0 I ALATEO PUPI LS/m I DNI TE AT MINTONS Dl I 0 I I Et

952. CUBOP CITY PTS 142 ROOST 502 E

LAN I MC I NT I RE

953. LITTLE HULA HVN/haWAMAN VAMP DE I 592 E—

MCKENZIE 4 CONDONS CHICAGOANS

954. CHINA BOY/SUGAR CO 35951 N—

955.NOHDYS swthrt/liza CC 35952 N—

VI 64878 v+
RO 374 V+

RAY MCKINLEY

956. LAZY BONES/MINT JU LEP MA^ I 1 87 E+

957. PATIENCE 4 FORTITUDE/u GOT ME CRYING MAY 7 1 69 E
958. SAND STORM/lN LADN BUFFALO NICKEL MAY 7 1 84 v/e+

959. HANGOVER Sq/l|TTLE DRM GOT NOWHERE MAY 7201 E

960. passe/hoodle~adole MAY 7207 E+

MCKINNEYS COT TON PICKERS

96 1. IF I CCULD BE W YOU/WANT LITTLE GIRL BB 5905 E+

SADIE MCKINNEY

962.3RWNSKIN FLAPPER /RACK AWAY VI 20565 E

BIG JAY MCNEELEY

963. JUNIE FLIP/K.4 H boogie" EXC |22 e

964. the BCAcons hop/art I es jump sa 685 E+

CLA', f0\ MOM I CHENS GEORGm W I LOCATS

965. GA00AN LEARN 'I SWing/ST LOUIS W5klA*( BT 56 14 e/v

JACK MCvEA 4 ,\LL STARS

965. OKAY r0R BABY /oONT SLA'/E ME AP 76 1 E

BOCCIE/REETEE VOOTEE BOOGIE BW S09 E+

VI 16257 V

'/E ME

967. BLKOUT EOOCIE/REETEE VOOTEE BOOGIE

968. NBDY JUST LIKE U /(hAYDEN QUARTET )

MACHITO

969. U BL BA DU/GONE CITY MER 5352 E—

EDD IE MACK

970. BEHIND CLOSED DOOR'=/k.ND LOVING DADY AP 4|4 E—

MACY AND RYAN

97 1. CAROLINA MINE/ARE U LONESOME OK 40866 N

MAC KEYS MICH 8LVD GANG

972. U TOOK AD VANTAGE OF ME/ CHARLEY MY JU I 0 N

973. AT SUNDOWN/HAPPY BLS JU UN

974. «T SUNDOWN/ HAPPY BLS JU UN

975. sundown/happy BLS JU UN

JOHN MADOOX

DOT 1012 E/E-

DOT I5C06 e/v

DOT 15008 N

DOT 15008 E+

DOT 15050 N-

DCTR 5| I N
•CTR 5|8 N

976. CETS BLS WHEN RA|n/huLA BLS

977. stardust/john MADDOX

97e.J. MADDOX BLS/ NEAR YOU

979. J. MADDOX BOOGIE/nEAR YOU

980. LITTLE GRASS SHACk/coCONUT GROVE

SHERRY MAGEES DIXIELANDERS
581. TIN ROOF BLS/ SHAKE IT 4 BRK IR
982. SATANIC BLs/ BLUIN THE BLS

MAJESTIC DANCE ORCH
983.STUMBLINGMYERKAS S S FLOTILLA ORCH) GG 1109 V-

ANGELINA MERCO

984. NEW STAR hVN/Im LE/WNing U HA 240 v+

D000 MARMAROSA TRIO

985. L0VER/DARY DEPARTS 01 1025 E

986. DARY DEPARTS/LOVER D| 1025 E

987. LOVER/ DARY DEPARTS Dl 1025 E+

WINGY MANNONES ORCH
98E.ISNT THERE LOVE/THATS PLENTY DCTR 5|0 N

989.ISNT THERE LIT LOVe/tHATS PLENTY OCTR 5 1 0 N

990.ISNT THERE LIT LOVe/tHATS PLENTY DCTR 5|0 N

PAUL MARES NEW ORLEANS RHYTHM KINGS
99 I. L, VERY STABLE BLS/ NBDYS SWTHRT PM 14028 N—

992. L. VERY STABLE BLs/ NBDYS SWTHRT PM 14028 E+

JOE MARSALA 4 DELTA FOUR
993. SALTY MAMMA BLs/ WAnDLPIHU MAN BLS GEN 17 17 N

JACK MARC HARD

994. THIS IS IT/lTS ALL YOUR- BR 8342 N-

JACK MARSHARD

995. IM IN LOVE W HONORABLE/YOURS FOR SONO BR 8369 E
MARCH 4 BURR

996. ARE U SI NCER E/LOVE ME JUST BECAUSE CO 584 V—
MARCEL MARTEL

997. SOUVENIR DUN AOIR/LES TROIS LARMES STARR 16757 V+

FREDOIE MARTIN ORCH
998. TUMBLE DWN RANCH/ SME OLD STORY BB 10830 N-

999. ONLY FOREVER/DRMIMG OUT LOUD BB 10898 E+

1000. GRIEG PIANO CONERTO/SER FOR STRING BB 11430 V+

1001. HVN KNOWS WHEN/MANAGUA NICARARGUA V| 202026 e/v
TONY MARTIN

V 1202252 E-
VI 203499 E+
V 1203777 E

VI 20731 E
VI 2 1 650 N

OK 6545 v+

MER 5070 E-

|0C2. PASSING BY/OH MY ACHING HRT

i003.cipcus/no NO 4 NO
I 004. I theenk/an ordinary broom

JOHNNY MARVIN

I 005, MAGNOL I A/GRAND 4 GLORIOUS

1 006. HRT BRK EN 4 LONELy/ CRAZY RHYTHM

FRANK i E MASTERS

1007. GD8YE MAMA/SUN Wl LL SOON SETTING

JOSE MELIS

1008. DONT LOVE ME ANYMORE/CUMANA

FRANK MELROSE

1009. JELLY ROLL STP/ PASS THE JUG BR 80031 N

MEMPH IS MINNIE

1010. CANT AFFORD LOSE MAn/mE 4 CHAUFFEUR OK 6288 E+

1011. ME 4 MY CHAUFFEUR/LOSE MY MAN OK 6288 E-
|0|2,LIFE IS LIKE THAT/HARLEM BOUND MIRACLE III e/v—

JOHNNY MERCER

1 0 1 3. I F I KNOW THEN/ PERSONALUTY CP 230 V-

|0|4.DO DO DO LIKe/mOVIE TONITE CP 367 E+

|0|5. HOORAY FOR LOVe/|000 ISLANDS SONG CP 15028 E

METRONOME ALL STARS

|0|6» NO FIGS; DOUBLE DATE CO 38734 N

1017. ONE OCLOCK JUMP/ BUGLE CALL RAG VI 273|4 N

1018. VICTORY BALL/ OVERTIME VI 203361 N-

METROPOLITAN DANCE ORCH

|0|9.CALIFORNIA/(YERKES S.S. FLOT I LLA ) OJG I 1 06 V—
METROPOLITAN DANCE ORCH

1020. ANY MORE AT HOME/ JUST MEMORY GG 1461 V—

1021. sometime/(univ DANCE ORCH) SUP |308 V

MIAMI MELODISTS
|022.JO-ANNE/(CASI NO DANCE ORCH ) PE 15044 E+

MIAMI ROYAL PALM ORCH
1023. BL RIDGE MTS HONE/IGOODR I CH BRDCTER6 )CA 8|39 V—

BOB MIELKES JAZZ BAND
|024.R| VERBOAT SHUFFLE/CRAZY CHORDS CRZYCHRDS I N
I C25.RI VERBOAR SHUFFLe/cRAZY CHORDS CRZYCHRDS I N

LIZZ IE MILES

I026.ICRIED FOR YOU/CARELFSS LOVE ClSP 2 N

LIZZIE MILES (cont)
1 027. ACE IN HOLE/BASIN ST BL CI6P

BOB MILLER MEMPHIS ORCH
1029. LIT ST OLD FRI ENDS/YOULL ALWAYS BE SAME
(ORIG.?" THIS RARE I 0" WAS ELECTR ADi £R | 902 V

FOR RUNNER OF BLUEBIRD J
EDDIE MILLERSC ORCH
030.OUGHTA BE IN P I CTURES/MUSKR AT RMELE CP 40039 E

03 1. PEG 0 MY HRT/AINT MISBHVNIN JU 9 N

032, BACK HOME/lTS EASY TO REMEMBER JU 16 N
033. STARS FELL ALABAMa/sTP MR HENRY L JU 30 N
034.STP MR HERY LEE/STARS FELL ALABAME JU 30 N
035.STP MR H LEE/STARS FELL ON JU 30 E+
C36. STROLLING/ ST BERNARD WALRZ RA 80077 V

GLENN Ml LLER

037. LIT BRN JUG/PA VANNE BB 10286 N

038.STRING OF PEARL6/TUEXD0 JUNCTION V|20|552 N—

039. HERE WE GO AGAIn/lONG TIME NO SEE V|20|563 E+

040. PENN 650OO/STAR DUST V|20|567 e/v
04|.|N D MOOd/suNRISE SERE V|20|753 E

RAY MILLER ORCH

042.SMBDY LOVES ME/LONELY LIT MELODY BR 2669 E

043. ME NEENYAh/yOU 4 I BR 28|4 V

044. SHE IK OF ARABy/foUR HORSEMEN OK 2298 N-

LUCKY Ml LLINDER ORCH

045. CENT SEE FOR LOOK I N/HURRY HURRY DE 18609 N—

PAUL MILLS MERRY MAKERS

046. BAD GIRL/SWTHRTS ON PARADE (HAR I NG ) CA 9000 V

Ml LP Twins

047. PRETTY MAMA BOOGIE/COO 8EE COO UP 40030 E

MISSOURI JAZZ BAND

048. MEMORIES OF YOU/JUST A MEMORY BA 6079 V
FREDDIE MITCHEL

DERBY 733 E-
DERBY 74| E

CMS 620 N
CO 35953 N~

049. EASTER BOOGIE/IDAHO BOOGIE
050.SUMMERT I ME BOOGIe/mUSIC MAKERS

MIFF MOLES NICKSIELAND BAND
05 1 .BEALE ST BL/ MUST HAVE THAT MAN
052.1 STEP TO HVN/SHIM ME BAH WABBLE

CARLOS MO. I NA 4 ORCH

053. COO-CECOC— EE/GAUCHCS HRT CONT 1007 E

THELONIOUS MONK SEXTET

054. THELONIOUS/ SUBURBAN EYES BN 542 N—

055. THELONI OUj/ SUBURBAN EYES BN 542 V+

056. ROUND ABCUT MIDNITe/wELL U NEEDNT BN 543 E+

057. ROUND ABOUT MIDNITe/wELL U NEEDBT BN 543 E+

058. EVONCE/CFF MINOR BN 547 E+
059. IN WALKED BUNO/EPISTROPHY BN 548 E+

VAUGHN MONROE ORCH
060.SMTH I NG NEW/STRUCK MATCH IN DARK BB 11334 E

06I.SOOO IN LOVE/ ALL AT ONCE VI 201674 E

062. THERELL BE SOME CHANGEs/DARDANELLA VI 202607 V

063. RIDERS IN SKY/SINGLE SADDLE VI2034II E

JAMES MOODY

064. GOOD BA I T/DEXTER I OUS PRES 7|6 V

ART MOONEY ORCH
065.4 LEAF CLOVER/BIG BRASS B AND MGM 10119 n/e

B I LL MOONEY

066. HOT TIME IN OLD/RED RIVER VALLEY IMP 1096 V

ALICE MOORE W IKE RODGERS 4 HERNY BROWN
C67.ERDWAY ST OWMAN.BUX 4 EVIL BLS PM |430l E+

B ILL MOORE 4 HIS BAND _

SA 662 V-
SA 666 E-

SA 666 V

SV 943 N

4224 E-

068. BUBBLES/ SWING IN 4 PAPPY

069. WERE GONNA ROCk/hARLEM PARADE

070. WERE GONNA ROCk/haRLEM PARADE

BREW MOORE 4 HIS PLAYBOYS

07 1. BREW BLEW/ NO MORE BREW

GATEMOUTH MOORE

072. EAST OF THE SUN/GOTTA WALK

JOHNNY MOO RES THREE BLAZERS

073. TALK 0 THE TOWN/TRAVEL I N BLS MODMUS 1 3 I N

074. GET FIXEd/tAKE IT EASY CO 1 4 1 05 E+

075. GULF COAST BLs/ DWN HARTED BLS PM 12030 V-

076. MOANING SINNER/HARO HEARTED PAPA VI 20484 N

PHIL MOORE FOUR

077. EH BABY/ DEAD MANS BLS BW 820 N—

078. EH BABy/ DEAD MAN BL BW 820 N—

079. DONT WORRY BOUT STRANGEr/sWT EILEEN BW 848 E

080. CORUCOPI a/ L25 ST PRPHET DISC 100 E+

RUSS MORGAN ORCH

081. BYE LO BYE LULABY/AFTER DARK

DE 3376 E

GEORGE MORR ISON

082. A SWING/WONT U TELL ME THAT HUM I V

JOHN MORRISON-VOCAL

083. WILD IRISH ROSE/MOTHER MACHREE RMC50032 V—

ELLA MAE MORSE

084. DWN ROAD PIECE/SPIDER 4 FLY CP 20 |29 E

085. DWN ROAD PIECE/SPIOER 4 FLY CP 20129 E+

JELLY ROLL MORTONS RED HOT PEPPERS

086. STEAMBOAT STP/SMOKE HOUSE BLS BB~ 8372 E+

087. BLK BOTTOM STp/tHE CHANT BB 10253 N—

088. JUNGLE BLs/ WILD MAN BLS BB 10256 N—

08 9. G RAND PAS SPELLS/CANNON BALL BLS BRS 9 N

090. LOW GRAVEY/PRATT CITY BLS BRS 10 N

09 1 . LOW GRAVEY/PRATT CITY BLS BRS 10 N

092. LOW GRAVEy/pRAT CITY BLS BBS 1 0 N

093. MUDDY WATER Bl/ BIG FAT HAM CE 3004 N

094. HIGH SOCIETY/ BUDDY BOLDENS BLS EMMESS 110 N

095. BUDDY BOLOENS BLs/ HIGH SOCIETY EMMESS 110 N—

096. MR JELLY LORD/ STEADY ROLL SD 109 N

BENNIE MOTENS KANSAS CITY ORCH

097. ELEPHANTS WOBBLE/ CRAWDAD BLS TEM 532 N—

TONY M0TT0L0 4

098. DONT LEARN DAT IN SCHOOL/mAMA DO I MA I I IS V

MOUND C ITY

099. BLUE BLUES/ ARKANSAW BR 258 V

HALK moussiki

I 00. TURKISH TENOR WITH ORIENTAL ORCH CO 40032 V

24

35c MINIMUM BID

DON LLOYD

BOX 23, THE RECORD CHANGER 4|8 W.49TH STREET NVC 1 9 NY
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS.

35c MINIMUM BID

GEORGE H 2 O'CONNOR
I23.SONS OF AMERIC/3 SHEERA

KING ODOM QUARTET
I 24. P ICKIN CHICKEN/FOUND TW I NKLE

OLD HOMSTEAD TBIO
|25,SILVR THRDS AMONG GOLD/WHN U 4 I

KING OLIVER VOL I
1 26 • { i record missing j
i 27. someday swthrt/too bad
i28.bimbo/bozo

|29.RIMBo/ BOZO

|32. bozo/bimbo

i33.froogie more/mandy lee bls
GEORGE OLSEN

|35.FAW DWN GO BOOM/PREC I OUS LIT
I 36 .MONTANA CALL/MOON IS LOW

PRIG DIXIE RAG PICKERS
I 37.ROAS LEE/TITINA fcT G )

OR IG ZEINTH BRASS BAND
I 38, TAINT NOBOYS BIZ/BUGLE BOY MARCH

1 39. BUGLE BOY/TIANT BO BOYS BIZ

ORPHEUS QUARTET

140. WHEN EVENING FALL/BLK ROSE

KID ORY

14 1. tiger rag/eh la bas
1 42 .careless love / do what ory say

143. panama/under bamboo tree

1 44. PALESTEEN a/t I GER RAg/savOY BL
|45. SOCIETY BLS/ORYS CREOLE TROMBONE

HILL OSBORNE
I 46.SMTH I NG TELL ME/LOVE TO WHISTLE

HOT L I PS PAGE ORCH
147.6,7,8 OR 9/THESE FOOLISH THINGS
|49,THE LADY IN REd/gEE BABY A I NT IT
l30.IT A|NT LIKE THAt/b|G 'D'BLS
|5|.IT AINT LIKE THAT/BIG D BLS

PANCH I TO 4 HIS ORCH

152. UR I RUI UR A/ESTRELL I T A

tiONEL PARENT

1 53. BRAVES PETITS MAR | ns/lE MORT DU

CHARLIE PARKER

1 54. M00SE THE MOOCHE/YARDBIRD SUITE

155. L0VER MAN/ BE BOP

1 56. BONGO BOP/EMBRACEABLE U

1 57. CRAZE0L0G Y ll/

:58.laura/dancing in dark
:59.laura/dancing in dark
i60.tinys tempo/red cro*s

|6|. WARMING UP R I Ff/tHR I VING ON R I FF

JACK PARNELL QUARTET
1 62. SWT LORRAINE/OLD MAN RE BOP

163. swt lorraine/old MAN RE BOP

THE PASTELS

164. D0NT SPOIL MEMORY/BRKN HRTS
SANTA PECORA 4 HIS DIXIEUND JAZZ BAND

CO

2294

V"

MU

579

E

PA

33064

V—

BR

IC22

E+

BR

CRE

27

N

CRE

27

N

27

UHCA

70

N

OVE VI

19497

E—

VI

21832

E

VI

22392

E—

GLO

1 270

G+

C 1

1 006

N

CI

1006

n/e

V 1

18183

E

JUB

2| 2

N

JM

25

N

JM

27

N—

MOD

2010

E+

PX

3

N~-

DE

1754

V+

CMS

574

E+

GO CONT

6002

V

CONT

6003

E

CONT

6003

E+

1 1 023

STARR

16488

V+

Dl

1003

E+

Dl

1007

E—

Dl

1024

V

Dl

1034

E

MER

II 068

N—

MER

1 1068

E+

SV

91 5

N—

SV

945

N

LON

■ 39

E

LOJ

139 E+

LON

519

N—

I 65. MARCH OF MARDI GRAS/LOUS I ANA
DAVE PELL ORCH

166. ROOT BEER/FILLET

OSCAR PETERSON

1 67. DEBUT /TENDERLY

168. POBBINS NEST/EXACTLY LIKE YOU

PETE PETERSON

169. CHOW ON MAIN/BLUE VELVET

PHANTOM QUARTET
I 70. FORGOTTEN TEAR S/'L6 VERS MOON

MER B928 E-

138 E-

MER
MER

0917 E+
8930 N-

TOPHAT

LON 10095 E

FLIP PH I LL I PS-WOWARD MCGHEE BOPTET

MER 8902 E+
SG 28106 E+/e

DE 7860 N—

UHCA I N

UHC* I N

171 . cake/cool

172. pappilloma/skyscrapper

gene phillips 4 his rhythm aces
i 73. cud make u love me/boogie e vrywher emod mus 148 e-

LLOYD PHILLIPS
I 74. SALLY LONG/BOGGY BOTTOM BLS

CHARLES PIERCE 4 HIS ORCH

1 75. CHINA BOY/BULL FROG BLS

176. CHINA BOY/BULL FROG BL

PLANTATION DANCE ORCH

1 77. ZULA BOOLA/ (MERRY MELODY MEN )

178. palesteena/home AGAIN BLS

pl> mouth dance orch
1 79. let my home be u home/sally
ben pollack

180. royal garden bls/third man theme

181 . goody/echo in cavern
i 82. song of inda/sent journey

I83.HES LAST WORD/ (g .OLSEN 0)
BOB POPE

i 64.THATS ALL I ASk/pREACHIN TRUMPET
[35.WHN DID U LEAVE HVN

MEL POWELL ORCH
186. BL SKIES/WHEN U LEAVE HVN

TEDDY POWELL ORCH
87. J I M/STEADY teddy

iSe.lD LOVE U AGAIN/YES INDEED

I i89.mickey/pinetops FOOT STEP

OLLIE POWERS HARMONY SYNCOPATORS
I 90. PLAY THAT THING/COME ON 666T i DO

BILL PRESTLY
I 91 «R I VERBOAT SHUFFLE/SUNDAY

LOUIS PRIMA ORCH
192. ill walk alone/robin hood
i 93. just a g iggolc .bac iagaloop

1 94. chi baba/mahzel

195. just lit affect i on/wa it in for train

PRINCES BAND
1196. SAN ANTONIO SWING/ EL PAGARE

EM

10306

E

EM

10328

E—

TRE

500

V

MOD

203

N-

MOD

2 1 0

E+

MOD

2 1 1

N—

VI

20425

G+

DE

8519

E+

CMS

543

E

CMS

543

E+

BB

1 2|3

V-

BB

1 1248

e/v

BB

1 1276

V-

UHCA

80

N

PM

|40|3

E

HIT

7083

N—

MM

1 1 16

V+

MAJ

1133

E+

Maj

7156

E—

CO

1595

V+

1197
I 198

1 199

1200

120 1
1202
1203

1204

1205,
1206

1207

1208,

1209,

1210,

1 2 1 1

1 2 12.

|2|3,

|2|4,

|2|5,

|2|6,

1217,

1218,

PRINCES BAND CONT.
.BEALE ST BL /LILY OF VALLEY
•RED MOON/KISS IN DARK

ARTHUR PROYORS BAND
, LIGHTS OUT MARCH/NAT EMB LE M

QUINTET OF HOT CLUB OF FRANCE
, SWING GUITARS/STOMPOLOGY

HARRY RADERMANS JAZZ ORCH
bway rose/(orlandos orch)
,sally/(max fell orch)
,0 joy/ ILO

BOYD RAEBURN ORCH
.LITTLE BOYD BLUE/TEMPTAT I ON

THE RAGPICKERS
■CRAWFISH CRAWL/LILY RAG
CRAWFISH CRAWL/LILY RAG

THE RAGT IME BAND
TONY PARENTIS RAGT I MERS

GRAY RA INS ORCH
TIME ALONE W I LL T ELL/ONCE TOO

CARLOS RAMIREZ ORCH

G RAN ADA/BEG I N THE BEGUINE

THE RANGERS
SMDAY SWTHR T/CHARMA I NE

RECORD BOYS
YODEL IN B I LL/PR ANC I N MAN

RECORD GUILD SYMPHONY ORCH
THE GYPSY BARON / PTS 142 REC

REGA DANCE ORCH
OWN CAIRO TWN/OR I ENT AL STARS

LEO REISMAN ORCH
LOVE B I RD/BR I BHT EYES

KIO RENA DELTA JAZZ BAND
M I LENBERG JOYS/CLARINET MA

THE RHYTHM RASCALS

BUDDY RICH ORCH
BABY BABY ALL THE TIMe/qUIET RIOT MER

Rl VERBOAT JAZZ
OL I VER-+.IORETON-WYNNE-WADE

CO
TWO

2327
1U82

V

V—

VI

18498

V—

VI

25601

E+

ED
ED
OK

50726 E-
50739 E
4404 V-

JEWEL 1

CI
CI

1056
1056

N

N

CI

s-6 N-

HIT

7087

E+

SMC

2512

E—

Ll

2677

V+

HA

96 V+

GUI LD 1004

E-

OK

4l0l

V-

CO

3366

V—

CI

1036

N

)CRE

160

V-

3017 E-

BR I 0 I 0 N—

VINCENT RIZZO 4 HIS HOTEL SYLVANIA ORCH

1219. JUST LEAVE ME ALONE/ SPAIN

GEORGE ROARK

1220. MY OLO COON DOG/AINT A BIT DRUNK

JOLLY JACK ROBEL
r 22 1 . CHICAGO Pclka/mamas pajamas POLKA DE 4323 v+
LUCKY ROBERTS

1222. MUSIC BOX RAG/PORK 4 BEANS CI 1027 N

SUGAR CH I LE ROBINSON

1223. NIMBERS BOOGIE/AFTER SCHOOL CP5770037 E+
TITO RODRI QUEZ CON LOS D IABL0S PEL MAMBfl

OK 4PI3P E

CO 15383 N

1 224. JAC0B0/BASURA/PAL0 TIENE JUT I A

HARRY RPY ORCH

1225. CAND IAN CAPERS/PIANO MADNESS

ROYAL JUBILEE SINGERS

1226. MET WOMAN AT WELL/BATTLEFIELD PR

RUSHTONS CALIF RAMBLERS

1227. GREEN APPLEJACK BLS/ LONESOME LVE

ANPY RUSSELL

1228. FIRST LAST ONLy/tHERE U ARE

1229. JE VOUS A I ME/LONG AS IM DRM
I23P.ALL MY LOVE/OLD SPANISH TRAIL

AL RUSSELL TRIO

CP
CP
CP

QU

|23|. HOLIDAY BL. WORLD WAR 2 BL

1232. CASE ON dawn/saratoga DRAG

RUSS IAN NATIONAL ORCH

1233. MOMENT MUSICAL/ MAZURKA CO

JOSEPH SAMUELS MUSIC MASTERS
1234. SPREAD YO STUFF/NEVER REALIZED EM
1235. LOSE FEET/RUNNIN WILD GG

SANFCRDS FAMOUS DANCE ORCH
|236.DARDANELLA/0(THE IMPERIAL THREE ) EM

JAN SAVITT

1 237. G AROEN I AS/WA I T UNT I LL MY HRT BB

SAVOY OANCE ORCH
I238.SFRINTIME IN ROCKIES/ SW KY NITES VD

PRII/A SCALA 4 HIS BAN JO 4 ACCORD ION
I239.HMETWN/V

1223 N-

203 E+

1 001 N-

3l N

I 98 E
4|7 E
432 E-

4162 n/v-

80038 V

10335 E+
I I 43 V-

I 0 1 2 1 V-

1OO18 V

1240,

1241,

1242,
1243,
1245,
1246,
1247,

1248.

1249,

1250,

1 251,
1252,
1254,
1255,
1256,
1257,
1258,
1259,
1260,

1261,

81870 G+

ORCH

H MET WN/ WANT SOME MONEY Loil 275 E/V

EFIL SCHACHME ISTER MIT SEIN JAZZ-SYM ORCH
.UNSRE TANTE HENR I ETT/WAS MACHT
ALLEN SCHRADER *. BOB HAYW&RD

THINGS/BUT NOT FOR ME
RAYMOND SCOTT ORCH

►HUCKLEBERRY DUCK/JUST A GIGOLO
,BUZ MENS BOUNCE/P'nUT VENDOR

,i»ay dwn street/oont want cry
.twlight in turkey/minuet in
.war Dance for wooden/penguin

BLOSSOM SEELEY
.BRING IN HOME BACOn/nEW KIND MAN

SELVINS ORCH
.avalon/alice bl gwn(arto orck)

SEVEN LITTLE POLOR BEARS
,DONT TAKE DAT BLK BOTTOM/ (HAR I NG

ARTIE SHAW
.FREE WHEELING/SHOOT LIKKER TO ME
.FREE WHEELING/SHOOT LIKKER TO ME
.MUCHO DE NADA/oRINOCO
.KEEP I N MYSELf/sPEC DELI V STOMP
,DR LIVINGSTONE/QUAIL COME BK
.TAKE SHOES OFf/aSK THE STARS
.ALL THINGS U ARe/aLL THE THINGS I
.ANY OLD TIME/MY HRT STOOD STILL
.KEEP I N MYSELF/CANT ESCAPE FRM U

GEORGE SHEARING TRIO
,TO BE OT NOT TO BE/PO I NC I ANNA

orG 20873

E—

BW 834

E+

CO 353636 N-

CO 35364

N

CO 3577:

E+

CO 36107

E+

CO 36316

E+

CO 1 36

E-

ARTO 9018

E-

CA 1060

V—

BRS |0|5

N

Brs 1 0 1 5

N

DE 24889

E-

VI 26762

E+

VI 27289

N=

VI 277.19

E+

1 VI20I56I

E-

VI20I575

E

VI20I936

N—

LON 444

N—

JACK SHEEDY'S DIXIE BAND

1262. TIGER RAG/LADY MAUDS DRM COR 102 N

ANN SHELTON

1263. BE MINE/TIME OUT FOR TEARS LON 239 E

1264. TIME MAY CHANGE/WHERE OR WHEN LON 255 N

1 265. LOW IS COMIN/SAY SMTHING SWT LON 260 E+

BOBBY SHERWOOD ORCH

1266. ELKS PARADE/DONT KNOW WHY CP 107 V+
I267.SHERW00DS FORREST/LEAST THATS MY CP 286 V

1 268. LEST EAT/FLOATIN CP I 52 1 I E+

JACK SHILKRETS ORCH

1 269. NO ONE KNOWS/NANCYtCEO. OLSEN ) VI 19507 V

DINAH SHORE

1270. DONT IE AVE ME OAODy/aS W E WALK INTOBB 11370 E+

1271.00 IN WHAT COMES NAt/gOT LOST

1272. DADDY 0/ BUTTONS 4 BOWS

1 273. DEAR TO MY HRt/lAVENDER BLLE

VICTOR SILVESTER ORCH

1274. P00R BUTTERFLY/VI ENNA CITY 0 MY

ZOOT SIMS

1 275. MEM OR I ES OF u/jONE — 0

1 276. which way/yellow OUCK

FRANK SINATRA

i279.sunflower/once in love with an

HAL SINGER SEXTETTE
I 280. ONE FOR WHILE/BEEF STEW

ZUTTY SINGLETON CREOLE BAND
1 28 I .HOT TIME OLO TWN/OIDNT R AMBEL

SIX BROWN BROTHERS

1 282 . EGYPTLAND/PETER GINK

FREDDIE SLACK

1283. THRILL IS GONE/FIVE BY FIVE

CO 36976 E-
CO 38284 E +
CO 38299 E+

DE 1070 V-

PRES
PRES

732 E+
837 E+

1284. FURLOUGH FLING/siLVER WINGS

1285. CUBAN SUGAR MILl/smALL BATCH

i286#PE-eop boogie/mr FREDDIE BOOGIE
SLEEPY JOE

1 287. AMEN BL/MAMA MAMA BL

SLEEPY JOE

1288. AMEN BLS/ MAMA MAMA BLS

ROY SMECK-HAWA I IAN GUITAR

1289. HAWAI IAN STARLITE/ALOHALAND

BESS IE SMI TH

1290. GD OLE WAGON/COLD IN HAND

JABBO SMITH
I 251. JAZZ BATTLE/BOSTON SKUFFLE
STUFF SMITH

TAB SMI TH ORCH

1293. U LOV/ELY u/ ILL LIVE TRUE 2 U

1294. RIFFIN THE BASs/FAT MOUTH

Wl LL IE SMITH SIX

1295. ALL THINGS U ARE/FOUND NEW BABY

JACK SNEED 4 H IS SNEEZERS
1296. SLY MONGOOSE/WEST INDIES BL
SOC IETY NITE CLUB ORCH

1297. BECUZ I L0VE/(B06 HARING ORCh)

1298. LIT MOTHER/THAT D AY

SONNYS JAZZ REVELERS
ng/angry

1299. WHISPER I

TUT SOPER

I300.ITS a ramble/thouswell
SOUTHERN JLZZ GROUP

1301. TIGER RAG/CANAL ST

1302. TIGER RAG/CONAL ST BLS

I 303 .OR I G STP JUMP BL/ SW GA BRWN
1304. ORIG STIMP JUMP/SW GA BROWN
1305. HIGH SOC I ETy/mAMMY 0 MINE
I306HIGH SOCIETY/ GET OUT OF HERE
MUGGSY SPANIER

1 308. ECC ENTR I C/B I G BUTTER 4 EGG MAN

1309. CANT WE BE FR I ENDs/cH I CAGO
|3|0.CANT WE B FRIENDS/CHICAGO
I3II.ELUIN THE BL/ AT SUNDOWN
|3|3.WHISTLIN THE Bl/laDSY IN LOVE

I 3 1 4. angry/ snag it

|3|5.LAZY PIANO MAN/DIXIE FLYER
I3I6.LONG WAY TO T I PPER AR y/hOME
|3|7.LONG WAY TIPPERARy/ HOME

SPECKLED RED
|3|9.DIRTY DOZ t 1/ t 2

SPIRITS OF RHYTHM

1320. coquette/suspicious BLS
PHI L SPI TALNYS ORCH

1 32 1 .NOWS THE TIME/AFTER THE BALL

CHARLES SPI VAK ROCH
I 322 .PEACEFUL IN C OUNTRY/WHATS SWEETER

THE SQUAD RONA I RES

1323. HIGH SOCIETY/BARNYRAD REEL

JESS STACY

1324. AINT GOIN NOWHERE/cANDELIGHTS

THE SQUIRE TRIO
I 325. OF MY HRT/ELLA

JO STAFFPRO 4 GORDON MACRAE
I 326. MY DAR-LING/G IRLS WERE MADE TO
1327. ROYAL GARDEN Bl/cRAZY BL

CYRIL STAPLETON 4 HIS ORCH
I 328 .C FEDRO/ CHOWDER SOCIAL

KAY STARR
1329. TEXAS SONG/LONG WAY FROM HOME

JOHN STEEL
I330I.WHN GOLD TURNS TO ORAy/jUST OLD

STERLING TRIO
I 33 I . NESTING PLACE BLBRd/p I CKAN I NNY CONCRT 1024 V

CA L STEWART

I332.XMAS TIME PUNKIN CENTRe/(tOY ORCH ) EM 1096 E-

BRS

995

Bfes

995

N

CO

38391

E+

SAV

686

V+

CP

930

E

VI

18562

E

CP

115

V+

CP

146

V

CP

172

e/v

CP

15289

E+

SV

753

N

SAV

753

E+

RE

8566

E

CO

35672

N-

UHCA 44

V

DE

1279

E-

DE

8.661

V—

HUB

3009

v+

SS

7560

v+

DE

48058

N-

CA

1007

v+

C(

8175

V

ALL0T0NE4|9 E-t

SD

5001

N

JC,

1- 3

N-

JC

3

N—

su

lOl 1

N

su

r 0 1 1

N

su

1 Ot 2

N

LCO

no

N

BB

10417

E

BR

80158

N

BR 80158 N

BRE

998

N

CMS

576

E+

CMS

616

N

MER

5424

E

MER

5494

N

MER

5494

N

BR

80020

N

BW

21

N—

HOW

A-2-5

E+

OK

6291

V+

LON

157

E-

CMS

517

N—

UA

108

E-

CP

15270

N-

CO

3365

G+

LON

233

N-

CP

1 1 52 N

VI

19089

N

25

35c MINIMUM BID

DON LLOYD

BOX 23, THE RECORD CHANGER 4|8, WEST 49TH STREET NYC 19 NY
SEE PAGE ONE OF THE AUCTION FOR INSTRUCTIONS.

35c MINIMUM BID

SLAM STEWART QUARTET

1333. C0PPIN OUT/BLUES COLLINS

1334. C0PPIN OUT/BLS COLLINS

SONNY ST ITT 4 BAND

1335. AFTERNOON IN PARIS /TEA POT
I 336. ALL GODS CHILDREN/SUNSET

RAY STOKES TRIO
1337. BL FOR CLARENCE PROFIt/l|T GOOSE

BENNY STRONG
I33S.MY BEST GR I L/THAT C ERTAI N PARTY

THE STMYVESANT STOMPERS
I339.BLUETAIL FLY/SHINE

JOSEPH SUOY ORCH

MU 396 N
MU 396 E-

NJ 820 V+
PRES 9001 E

BW I 2 E-

TOW 1271 E

PX I E+

BB 10173 n-/e

1 340. HANDS ARE TIED/LONG TO BELONG
JOE SULLIVAN

|34|.DEL MAR RAG/FOREVER MORE CMS 538 N—

1 342. ONYX BRINGDWn/oLD FASHIONED LOVE CO 2925 E

REINHOLD SVENNSON
I343.MY BL HVN/SWT 4 LOVELY NJ 826 E-

344. GUESS ILL HVE DRM RESt/nETHER LESS PRES 835 V
SWISS NOVELTY FOUR

1 345. ISABELLA WALZER/KUCKUCK BELL J I -4 1 E
ROOSEVELT SYKES

1346. WALKIN THIS BOOGIE/SECURITY 8L UN 1 29 N-

SYNCO JAZZERS

347.2 RED LIPS/^NEWPORT DANCE ORCh) MAD 5063 E-

TAMPA RED

348. MERCY MAMA/LET MY GAL ALONE BB 340740 N—

ERSKINE TATES VENDOME ORCH
349. STP OFF LETS GO/STATIC STRUT BR 80061 N

ART TAUM TRIO

1350.1 GOT RHYTHM/WLD DO ANYTHING FOR BR 80|02 V

35 1 . HONEYSUCKLE ROSe/mOONGLOW BR 801 I 4 E—

JACKIE TAYLORS ORCH

352. NITE OF happInEss/SITTIN bV WINDOW VI 22217 V-

MONTANA TAYLOR
1 353. IN BOTTOM /INDIANA AVE STP CI 1008 E

1353. LOW OWN BUGLE./ CANT SLEEP CI 1009 E+

I 354. FOR DAY BLS/ SWT SUE (RM CHP 2 Gr) SI I 0 1 0 E+

JACK TEAGARDEN
I355.0NE OF GDS cHILDREN/kind of man for DTCR 508 N
I356.SAY IT SIMPLE/jAM SESSION V 1400 1 38 N=

JOHNNIE TEMPLE
I357.L0VIN WOMAN BLS/ IM CUTTIN OUT OE 7772 V-

NAT TEMPLE 4 HIS OCTET
I358.SUIT OF 4 pieces/ PT5 I 42 LON 1O10O E

I359.SUITB OF 4 PIEOES 344 LON 1 0 1 0 1 E

TEMPO JAZZ BEN

|360. DYNAMO A/ROUND ABOUT MID Dl 1 00 1 E—

1361. confirmation/dial-ogue Dl 1008 E

KID THOMAS

1362. BUCKET GOT HOLE/SISTER KATE

WALTER THOMAS
I 363. BLS ON DELTA/ BROKE BUT HAPPY
[364.ERVY MAN HIMSELF/LOOK OUT JACK
[365.JUMPIN W JUDY/BL ON BAYOU

CHARLES THOMPSON

1366. DERBY STP/ THE LILY RAG AM 527 N

1367. LINGERING BLS/ DELMAR RAG AM 528 N
|368. LINGERING BLS/OELMAR RAG AM 528 N

LUCKY THOMPSON 4 HIS LUCKY SEVEN
| 369. BOPPIN the bls/ Just I m6rE OHAWOE VI 202504 E

SONNY THOMPSON QUINTET

1 370. SONNY RETURN/LATE1 FRL1 I L'H"I MRC 1 28 E+

CLAUDE THORNHI LL ORCH

1371. ROBBINS NEST/ABOUT THIS TIME CO 38136 N

1372. R0BBINS NEST/ABOUT THIS TIME CO 38 1 36 N-

THE THREE DBECES

1373. LAST TIME SAW CH I C AGo/dEUCES WILD CMS 537 E+

1374. JIG WALK/ABOUT FACE CMS 539 N-

1 375. ABOUT FACE/jIG WALK CMS 539 E

THE THREE SUNS

1376. GO IN THE MOON COMEs/cANAD I AN CAPERS V|203|34 E+

MARTHA T I LTON

1377. CH ICKASAW LIMITED/SI NCERLY YOURS MAJ 1174 E+

EDDIE TOWER DIXIELAND FORMATION
137B.NUR EIN LI BESLI ED/BRI NG EM BACK TELE I 03 I 0 N—
LENNIE TRISTANO SEXTETTE

1 379. CROSSCURRENT1/ WOW CP5760003 N-

SUGAR UNDERWOOD

1380. DEW DROP ALLEY/DAVIS ST BLS BILT 1 006 N

UTICA INSTITUTE JUBILEE SINGERS

1381. WATeRM£L0N/AINT IT A SHAME VI 21600 N

MIGUEUTO VAIDES
|382.M0ND0NGA/ESTA'FRI ZAO
RUDY VALLEE

AM 642 N

CELB 8 1 25 E

CELB 8128 N-

GE 8126 E

SMC 1224 E

1383. HONES HTWA 3-4 E

1 384. LAND OF GOIND TO b/(sINGINS BOYS ) HA 1087 V

1385. WHIFFENP00F SONG/RIO GRANDE VS 82 1 I N

1 386. DEEP NIGHT/WEARY RIVER VI 12868 V-

1 387. WHERE ARE U R m/pRETEND I NG VI 22062 E-

VAN 4 SCHENK

1388. TACKIN EM DWN/LOT SUNSHINE CO 2570 V+

SIX BROWN BROTHERS/'RED VAN EPS

I369.0WN HOME RAG/DANCE OF BUGS VI 17834 E
VAN EPS TRIO

V I I 8556 V

1390. MONTE CRISTO JR/O SI
1391.0 SUSIE BEHAVe/mONTE CRISTO JR

PAUL VAN LOAN ORCH
I392.MAMIE/TITIAN

VARSITY EIGHT

US IE BEHAVE

VI 1 8556 V—

697 V

6|7 V-

1393. TEA FOR 2/(LOU GOLD ORCH)

SAftAH VAUGHAN

1394. BIANCA/TOO DARN HOt/lARENZO FULLER CO 38461 N-
|395.SUMMERTIME/|M CRAZY TO LOVE U CO 38701 E
|396. 100 YRS FRW TODAY/U'RE BLASE MU 498 E
1397. DONT BLAME Me/ TENDERLY MU 504 V-

SARAH VAUGHAN

|398. MOTHERLESS CHILD/LOROS PRAYER MU 525 E

|399. MOTHERLESS CHILd/lOROS PRAYER MU 525 E+

1400. TROUBLE IS MAn/fEEL SO SMOOCH IE MU 533 E

1 401 .TIME AGAIN/ IS IS MU 337 E

1402. LOVE ME OR LEAVE/GENT FRIEND MY 539 v/v-

CHARLIE VENTRA

1403. WHOS SORRY NOW/CHOPIN MINUTE WLTI IMP 5057 E

1404. Ml SIRLOU/EI THER ITS OVER OR N*T 70|3 E+

1 405. MOON NOCTURNE / PTS 142 NAT 9029 E
1406. SMOKE GETS IN EYEs/bARNEY GOOGLE VI 203457 E

1407. DOIN UPTWn/swT LORRAINE OE I 8 1 67 E—

1408. YANKEE CLI PPEr/bOPTURA VI203553 N

VICTOR ORCH

|409. DANCE 0 THE HONEY BEEs/aNVI L POLKA VI 16175 E

1410. KISS WALTz/lN THE SHADOWS VI 16978 N

VICTOR SALON ORCH

1411. PAGAN LOVE SLO NG/PA | NTED DOLL VI 22043 E+

EDDIE ' MR CLEANHEAD' VINSON ORCH

1412. MR CLNHRD STEPS OUT/JUICE HEAD MER 203 | V-

J IMIW WAKELY

|4|3. STAND ING OUTSIOE HVn/sTAR SPANGLED DE 6059 V-

JERRY WALD ORCH

|4|4. TRAINS IN THE NITE/MAD ABT HIM BLS DE 4345 V

1 41 5. CRAZY BLS/ SHOO SHOO BABY DE 443 I E—

1 41 6. CLAR I NET HIGH J I NKs/ FRIEND OF MAJ 7|37 E

SIPPIE WALLACE

1417. MAMAS GONE G DBYE/LEA VI NG ME OK 8168 E

FATS WALLER

|4|8.2 SLEEPY TIME/ MINOR DRAG VI20I583 V+

|4|9.0H FRENCHy/|TS SIN TELL LIE V|20|595 E
TEDDY WALTERS

1420. WAIT TILL HAPPENS TO u/oNLY HVN MUS 1 508 1 E-

LEONARO WARE TRI 0

1421. HEY HEY LIT DOQG I E/WHOOEE D BUMBLE MA 7245 E—

WARING PENNSYLVANIA'S

1422. MAYBE ILL BABY/ IF I CANT HAVE U VI 2|206 V

1423. LOVE FOR SALE/WHERE HAVE U BEEN VI 22598 V-

WA5HB0ARD SERE

1424. KAZ00 MOAN/WASHBOARD GET TOGETHER BB 6633 E

DINAH WASHINGTON

I425.SAT NIGHT/BE FAIR RO ME MER 8249 N
ETHEL WATERS

1426. NO MANS MAMA/SHAKE THAT THING CO |4||6 V—

LU WATTERS YERBA BUENA JAZZ BAND

1427. LONDON BLS/ SUNSET CAFE STP JM 1 4 N
I427A. THATS A PLENTy/b IENVI LLE BLS WC |32 E+

JERRY WAYNE

|428,L0NE0SME SUMMER/ INDIANA BLS BEA 1 00 E
CHICK WEBB

1429. T1SKET A TASKET/LIZA DE 1840 v/n-

1430. JUST A JITTERBUG /AZURE DE 1899 V+

1431. L0VE EACJ MOSE U MAKe/fDR JONES DE 2 1 05 N-

1432. ELLA/FOUNO YELLOW BA6KET DE 2|48 V— /v

1433. HAVE MERCY/lM UP A TREE DE 2468 E-

MAREL WEBER 4 ORCH

1434. IN EYES LIES HRT VIENNA/2 HRTS IN VI I 49 E
TED WEEMS

1435. HRT ACHES/OH MONAH DE 25017 E
BEN WEBSTER

1436.1 SURRENDER DEAr/kat'S FUR SA 580 E
TED WEEMS

1 437. KNOCK KNOCkAhEN LADY MEETS GENT DE 885 V-
I438.SMBDY STOLE MY GAl/cOVRD WAGON DAY M I |92|2 V

1439.9 o'clock sal/smile WILL GO VI 19258 E-

WHINALD WERRENRATH

|440. FUZZY WUZZY/GYPSY TRAIL VI 45109 E—

WHITE WAY DANCE ORCH

|44|.LET SMILE BE UMBRELLA/DANCE 0 GG |492 V-

BEVERLY iVHITE

1442. HOT BREAD/THINGS DONT GET BETTER BEA I 1 2 E

PAUL WH I TEMAN ORCH

1443. U WERE NVR LOVLIER/TRAVELIN LITE CP 116 E+
|444.U NEVER LOVELIEr/tRAVLI N LIGHT CP I|6 E+
1445. OLD MUSI MASTER/EVENIN MAIL CP 1 37 E-
|446. LOVER COME BACK/MAR IANNE CO 173 1 V

I 447. THERE NO PLACE/wHEN I GO DRM I N DE 2076 E

|448.NO PLACE LIKE ARMs/gO DRMIN DE 2076 V

1449. HORRAY FOR SPINACh/sETP UP 4 SHAKE DE 2418 V+

1450. THAT LUCKY FELLA/ HVN IN MY ARMS DE 29 |3 e/v

1451. H0R1GER SCHOTT ICHE/HOT GAVOTTE DE 292l E-/g

1452. DO U EVER THINK OF me/ I NEVER VI 18734 V-

1453. BRIGHT EYES/ LOVE B I ED VI 18735 V
|454.CHERIe/my HAN VI 18758 V

1455. song of India/ cho ch san vi 18777 v

1456. LEARN TO SMILE/ 0 ME 0 MY VI 187^8 V

1457. U SWETEST GIRL/ VAMPING ROSE VI 18787 V+
|458»BY SAPPHIRE SEA/ BYGONES VI 18880 V

1459. COO COO/ KICKJY COO KICKY COO VI 18898 V-

1460. HOT LIPs/s END BACK HONEYMAN VI 18920 V-
1461 .STAIRWAY TO PARD I Se/rEMI ND ME VI 18949 V+

1462.2 LITTLE RUBY R t NGS/4 LEAF CLOVER VI 18950 E+

1463. ROMANY LOVE/ LOVELY LUCERNE VI 18966 V+

1464. DB5NGE GROVE IN CAL I f/d ANC I NG V| 19169 E+

1465. R0MIN 2 WY0MIN/(WARINGS ORCh) VI 19209 V

1466. LINGER AWHILE/HOLLYWOOD VI 1 92 I I V

1467. WHY DIDI I KISS THAT/CALIF VI 19267 E-

1468. N0 MORE WORRYIN/VALENCIA VI 20007 V+
1469. ILL ALWAYS REMB/WHO DO U LOVE VI 20784 V-

1470. MY BLUE HVN/(R .W. KAHn) VI 20828 V-

1471. A SHADY TREE.DANC I NG TAMBOURINE VI 20972 V

MARGRET WH IT ING

1472. WHEN U MAKE Me/aLONG WITH ME CP 269 e/e-

RUDY W I EDOEFT

1473. saxophobia/vAL5E L'Rica em 1043 v

JOHNNY WIGGS

1474. ULTRA. CWM./Z WING TEMPLE IN SKY NO 75l E-

JOHNNY WIGGS CONT.

1475. B0URBAN ST BOUNCE/ VONGO SQUARE

1476. CONGO SQUARE/ BOURBAN ST BOUNCE

BOB Wl LBER JAZZ BAND
I 477. SWT GA BR OWN/ COAL BLK SHINE
1478. ZIG ZAG.LIMEHOUSE BL
1479. OLD FASHIONED LOVe/ CHIMES BL

COTTIE Wl LL IAMS

1480. HOUSE OF JOY/EVERYTHING BUT U

1481. ECHOES OF HARLEm/whEN BABY LEFT
1482,
1483,
1 484
1485,
i486
1487,

|488,

1489,
1490,

1491

1492,
1493
1494,

, BL GARDEN BL/ IS U IS OR
,SOUND TRACk/ INFLATION BLS
.INFLATION BLs/ SOUND TRACK
.INFLATION BLS/ SOUND TRACK
• BLUE GARDEN BLs/ SMBDYS GOTTA

IRENE W I LL IAu3

.DIFFERENT KIND OF MAn/ YOURE REAL

JABO WI LLIAMS
,JAB BLS/ PRATT C IT BLS
iFAT MAMA BLs/ LITTLE COW 4 CALF

MARY LOU WILLIAMS

.KNOWLEDGE/ 00 BLA DEE

PAUL WILLIAMS SEXTETTE
.THIRTY FIVE THIRTY/COME WITH ME
T.E ROY WILLIAMS ORCH

,0 mALINBA/ LIKI6bErgH HOP

SONNY BOY WILLIAMSON

,LOVE ME BABY/ DECOR BLS # 2
EDITH Wl LSON W

NQ

752 E+

NO

752 E

CI

1062 N

CI

1064 N

RAM

3 N

CP

215 N-

CP

266 E-

HIT

7084 V

HIT

7108 E+

MKV

1 150 N-

MAY

1 1 50 E+

MAY

1150 V

MAJ

7148 E

OK

4| 104 N

AM

8 N—

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1 10 E

KING

15003 N

SAV

661 V-

31

2439 E+

BB

340713 V

Z HOUNDS

CO

3479 V-

CO

3558 G+

1 495. NERVOUS BLS/ VAMPIN LIZA JANE

EDITH Wl LSON

1496. BIRMINGHAM BLS/ WICKED BLS

FRED WILSON

1497. NEW HYM PRES HOOVEr/gEN GOTHALS PERSONAL |2| N
TEDDY WILSON

1498. U MY FAVORITE MEMORy/ouT OF NOW CO 36737 E

1499. MEM0R IES OF u/bUGLE CALL RAG MU 318 E+

1500.1 SURRENDER DEAr/ruNNIN WILD MU 3 1 9 E+
I50I.STPIN AT SAVOY/ CANT GET STARTED MU 332 E+
I502.STPIN AT SAVOY/ CANT GET STARTED MU 332 E+
1503. BLS TOO/ IF DRM COME TRUE MU 336 E
1504. IF DRMS COME TRUe/bLUES TOO= MU 336 E—
I505.UR MY FAVR1TE MELODy/cHEECK 2 CHEEKMU 369 E+

PIOTR WILUSZ-HARMONICA SOLO
l50f,.PORANNY/WALCO M1LOSMY ( 9" RECORD) EM I 1 02 V

WINDY RHYTHM KINGS

I507.PIGGLY WIGGLY BLS/ SOUTH AFRICAN PM 12770 V+

JOHNNY WITTWER

1506.2 KINDS OF PEOPLE/ ACE IN T HE HOLE JM 19 N
I5I0.RAGTIME NIGHTINGALE/ BILL BA I LEY J11 20 H

WNEW SAT NIGHT SUNG SESSION VOL 2

|5||.SWT GA BRWN/HIGH ON OPEN MIKE VOX |6|03 V

DEL 100D PIANO SCLOb
15|2.RAI NBOW ' RAGTIME MELCDY TEWN 80045 N

|5|3, RAGTIME MELOOy/rA I NBOW TENN 800 N—

ALLISTER WYLIE 4 HIS COBONADO HOTEL ORCH

|5|4.S0ME THESE D AYS/COME ON BABY BR 4l43 V

JIMMY YANCEY

|5|5.JIMMYS STUFF/THE FIVES SA 12008 N

YARRA CITY STOMPERS

1516. GET IT RIGHT/ICE CREAM ZE 1 00 N

YERKES MAR I M8A BAND
I5I7.0N SHORES OF TRIPOLI/ THE BELLS VO |4||7 E-

YERKES MUSICAL BELL HOPS

1518. MARIE/ SMILIN GG 1097 V-

YORKSH IRE JA77 BAND

1519. DOC JAZZ/ WHEN U 4 I WERE YOUNG JU 29 N

YOKRS J IRE JAZZ BAND

1520. DOC JAZZ/ WHEN U 4 I WERE YOUNG JU 29 N

LESTER YOUNG W COUNT BASIE

1 522. LESTER LEAPS 1 N/ DICKIES DREAM SLACE 201 N

1523. SHOE SHINE SWING/LADY BE GOOD BLACE 202 N

1524. F0UND NEW BABY/NEVER BE THE SAME BLACE 243 E+

1525. FOUND NEW BABy/nEVER BE THE SAME BLACE 243 N—

1526. NEVER KNEW/ JUST U JUST ME KEY 603 E+

1527. TOO MARVELOUS FOR WORDS/ENCORE MER 8924 V

JAMES TRUMMIE YOUNG

1528. 7TH AVE., SORTA KINDA CONT 6005 E
VICTOR YOUNG ORCH

1529. FOR WHOM BELLS TOLL/SABRE DANCE OE 24338 e/v

YUKLS WABASH FIVE ...

1530. R0YAL GARDEN BLS/ 2 QUART «JU 8 N

J IMMY Z I TO ORCH

1531. FOUND NEW BABY/ KEY LARGO COAST 8034 E+

THE FOLLOWING ARE LP'S
JOHN MEHEGAN

1532. PIANO STYLINGS PERS I N
SIDNEY BECHET VOL I

1533. MAPLE LEAF/ FOUND NEW BABY ETC JAZZP 1801 N—

1534. Vol 2. JELLY ROLL-KNOW U KNOW ETS JAZZP 1809 N
I530.VOL 2. GA CABIN COMIN Va/wILD MBN ETC

Jolly roger 5028 n

bix be iderbec ke vol i
i536.marg 1 e/sorry/ jazz me etc jollyr 5010 n-

BOOGIE WOOG IE 4 BLUES

ST IN

25 N

CAS 4539 N-

1537. MEADE LUX LEWIS

CASTI F .IA77 BAND
1538, OLO BREEN R I VER . FAREWELL BL

CHICAGO JAZZ VQI 3

1 539. FR eeman/brun I S/RUSSELL ETC JAZZP I 8 I 9 N—

COMMAND PREFORMANCE

1540. DOC EVANS DIXIE BAND
GET ON BOARD

JOCO 3303 N

I54I.60NNY TERRY-BROWNIE MGHEE ETC FKW 28 N-

26

AUCTION 35c MINIMUM BID

DON LLOYD

BOX 23, THE RECORD CHANGER 418 WEST 49TH STREET NYC 19 NY
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS.

35c MINIMUM BID AUCTION

LP'S CUNT.

BENNY GOODMAN

1542. TEA FOR 2/mOON GLOw/aVALOn/ ETC JR 5036 N

WOODY HERMAN SOUVENIRS

1543. FAM IT/SOUTH/TOO LATE/ ETC CRL 560|0 N—

1545

1546

1547
1548

1549

1550

1551

1552

1553

1554

1555
1556
1557

LESTER LEAPS WITH BAS I E
.LESTER LEAPS /LADY BE GOOD ETC JAXP

NITE AT ARTESIAN HALL
■WOODEN JOE'S N.O. BAND AM

N.O.R.K. VOL I
.FEATURING GLOBAL BR"UNIS JR
.FEATURING GEORGE BRUNIS JR

NEW SOUNDS IN MODERN MUSIC
,D IZZY, PARKER, ROACH, NAVARRO SV

BEN POLLACK'S PICK A RIB BOYS
.3RD MAN THEME/J.8. BALL/ROYAL GDN MOD

ST LOUIS BLUES -ff.C. HANDY SONGS
.BOB CROSBY ORCH COR

BESSIE SMITH VOL 2
,J.C. HCLMES/LECTR I C CHAIr/eTC JR

HOT TROMBONES
.MIFF—TEAGARDEN-MORTON-HIGGY CO

FATS WA LLER— OGRAN SO LOS
i DEEP RIVER/ST LOUIS BL/ETS JR

JOHNNY WIGGS N.O. BAND
iTHATS A PLENTY/ 8R OWNSK I N CMS
.SISTER KATE/NONE JELLY ROLL (45j CMS
.CARELESS LOVE/ ZULUS PARADE(45) CMS

|8|3

N-

640

N

5024

N

5024

N—

508

N—

2009

N—

56039

N-

5003

N-

C-46

N-

5037

N—

45642

N

45643 N
45644 n

CO

33018

V+

VI

64893

V+

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201808 E-

CO

35961

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DE

23474

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2001

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374

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3691

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1093

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VI

20970

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8409

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73' £ CONTINUED
CHAUCEY ALCOTT

1558. PULSE OF MY HRT/AN I RSH GIRL LOVE
FRANCES ALDA

1559. BUILD WRLD HRT OF ROSE/

RED ALLEN
I 560. BUZZ ME/ GET THE MOP

ALBERT A MMO NS
1 56 1 .SHOUT FOR JCY/BEAR CAT CRAWL

ANDREWS S ISTERS
1 552. JOHNNY FED OR A/ MONEY ROOT EVIL

LOUIS ARMSTRONG
1563. MELANCHOLY/HOT MUSTARD
1564. STP OFF LETS Go/sTATIC STRUT
I565.KNOCKIN A JUg/pERDIDIO ST BLS
I566.SAINTS/ BYE 4 BYE

1567. U RASCAL u/ LIFE IS SO PECULIAR
iSge.WHATTA YO GONNA Do/ NO VAR I ETY BLS
1 569. ST LOUIS BLs/ HOW AM I TO KNOW

1570. ROCKIN CHA I r/ ( COR NELL ORCh)

1571. U DRIVING ME CRAZy/mOOD INDIGO(
1572. SONG OF THE I SLANDs/cONFESS I N

GEORGIE AULD
I 573 .STORMY WEATHER/CO PILOT

GENE AUTRY

1 574. ILL BE TRUE WHILE U GONE/BLUE EYE!

ALICE BABS PARI SORKESTER 1949
I 575. SUGAR/ BLUE PRELUDE I

MILDRED BAILEY
1576, GA ON MY MIND/IM AFRAID MYSELF
1577. ILL CLOSE MY EYEs/mE 4 THE BLS
1578. OLD FOLKS/HAVE U FORGOTTEN SO

PHIL BAKER

1579. AT THE THEATRE / PTS 142

CHARLIE BARNET ORCH

1580. HEART U STOLE/MURDER AT PEYTON

CARL BARRITEAU 4 ORCH
I 58 1 . CONCERTO FOR CLARINET/ PTS I 42
COUNT BAS IE ORCH

1582. ROCK A BYE BAS I E/BABY OONT TELL

1 583. BUGLE BLS/ SUGAR BLS
1 584. OPEN DOOR RICHARD/ME 4 THE BLS
I585.S0UTH/DR0WIN IN DEEP BLS EYES

1586. TAKE LIT OFF TOP/ HOUSE R ENT BOOGIEV

LES BAXTER

1 587. BA I I A/ CARICOA

B IX BE I DERBEC KE
I 588. RHYTHM KINGS /FEEL IN NO PAIN
1589. WA DA Da/ IMAGI NAT IOn(mIFF MOLE )
I 590, DAVENPORT BLs/ TOODLIN BLS(FLAKE)

BELL SOLOS-BRITISH ORCH ACC.
I 59 I .KHAKI BOYS MARCH/ AMONG FLOWERS

PAUL BIESE TRIO
I 592 . ILO/SWTEST GIRL IN ALL WOR LD
I 593. I Lc/yOURE SWT EST GIRL IN ALL WLO

BUNNY BERIGAN

1 594. LADY FRM 5TH AVE., GOD CHILLUN

1 595. WHYTALK BOUT LOVE/ SWT VARSITY SUE VI 25667 N—

CLYDE BERNHARDT 4 KANSAS CITY BUDDIES

1596. MEET ME ON COR NER/CR ACKL I N BREAD BN |202 E+

J IMMY BLYTHE

1597. FINALLY GOTCHA/ BO OG IN WITH MEZZ KJ 145 E+

CLAUDE BOLLING 4 HIS N.O. JAZZ MEN

1598. BLS IN DISGUISE/NOBDY KNOWS WAY ESQ 10069 N—

BON BON

I 599. SHOULD HAVE L I STENEo/cRYSTAL

JOHNNY BOTHWELL
I600.CHIQUITA BANANA/SMEWHERE IN NITE

WILL BRADLEY
160 I .IF IM LUCKY/ ETUDE BRUTUS

BROAOWAY MUSIC MASTERS
1602. WHERE MY SWEETIS HIDING/WISHING

RADY BROOKS
1603. IN MOON MIST/ DOT N LET ME DRM

1604. NIGHT AT DEUCES/HARLEM NOCTURNE

A.BUCCA 4 CO.

1605. PASQUI NO PROTETTORE D'amORe/ DELL CO 4084

BLA 242 E
CO 36709 N-
VI202I27 E+
VI 202346 E
202435 E+

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GG 1249 V-

DE 18752 E-
OE 23935 v+

624. 4th of JULY I880/4TH JULY 1920 CO 2936 V

625. TUTTI UNTILL / LA MARINA ITALIAN CO 7696 V-

626. FIRST WALTZ/DREAMY MELODY CO 3909 V

ALIX COMBELLE ET LA JAZZ DE PARIS

627. PARADE DES REMPARTS DU SUD/H I ER ET AUJOUD'HUI
THIS WAS MADE DURING THE GERMAN OCCUPATION IN

WORLD WAR II, AND CONSEQUENTLU TITLES HAD TO BE
N FRENCH,- ENGLISH WAS FORBIDDEN. TITLES ARE

ESTERDAV HF»E U COME TODAY

CONTfNENTAL OANCE ORCH

628. AT SUN OO./N/ DOLL DANCE

AL COOPER

629. JACKIE BOY/ SECON BALCONY JUMP
COTTON BLOSSOM ORCH

JACQUES BUTLER I1/. ME CER ELL I N'GTON OCTET

606. GOT BLS FOR SALE/ MESSY BEE I E AL 146 E+

ERSKIN BUTTERF I ELD

607. MISSOURI WALTZ/CHOCOLATE COR 20026 N—

DON BYAS QUINTETTE

608. HOW HIGH MOON/KO KO SAV 9| 6 e/v+

CALIF RAMBLERS

609. THAT OLD GANG OF MINE/NO NO BORA CO 3970 V
(ABOVE LAM CRK)

"CTB CALLOWAY

61 0. GHOST OF A CHANCE/WILLO WEEP FOR PAE 294l N-
61 I .MAMMA I WANT A MAKE RHYTHm/gO SOUTH VO 3788 E—

FRANK IE CARLE
6|2. PEGGY O'NEIL/ ILL HATE MYSELF

CO 37930 E-
CO 38175 E

6 I 3. SUNRISE BOOG IE/MOONOUST RHAPSODY
BENNY CARTER

6I4.CANT ESCAPE FROM YOu/ PRELUDE TO CP 40048 E
GEORGE CATES

6 1 5 • BASBALL POLKA/ ON THE BEACH COR 60349 E+

CARMEN CA VALLA RO
616. CANT BELIEVE THAT YOURE/cANT BEGIN DE 23457 E+/E
GEORHE CHISHOIM 4 HIS ORCH

8458 E+

6 I 7. MOOD 4 TRUMPET/BRDHURST GARDEN

LARRY CLINTON
6 1 8. CAMPBELLS ARE SWINJin/ ABBA DABBA VI 25707 E

CLUB ROYAL ORCh
61 9. SYNCOPATE/LI TTLE THO' T^BNESON )

KING COLE TRIO
620. FST/ LIPS REMEMBER YOUR KISS
62|,RE>! RHUMBA/ KEE MO KY MO

622. THERES TRAIN DRMLANd/tHR EE TREES

BOBBY COLT

623. TONGO 0'" ROSES/ SCATTERED TOYS ADMIRAL

COLUMBIA 8AND

DEE

VI 18912 V

AT I 00 E+
CP 15240 E—
CP 25011 E+

630.DRAGG I N THE DRAGON/ 0 KATHARINA
RITERION MALE QUARTETTE

63 1 . SWEETER AS YEARS GO By/ IN GARDEN
BING CROSBY

632 . ADESTE Fl DELES/ SILENT MIGHT

633. GIRL WITH PITAILS HAIr/dRM JEANIE

634. DRM JEANIE/GIRL PIGTAILS

635. MAKES NO DIFFERENCE/NEW SAN ANTONO DE

636.00 u care/ humpty dumpty heart
637.SI boney/hasta manana

638. MI ghtly like rose/ swtest sotry

639. GOTTA GET MSBDy/pRETEND I NG
670. STAR SPANGLED BANNEr/fPEEDOM TRN

67 i .lullaby/ caravan has rested

BOB CROSBY
672. do u care/ will u still be mine
673. ill true to one/when u think of
674. blk zephyr/ blue surreal

PETE DA ILYS CHICAGOANS
675. SOUTH/SHE LOOKS LIKE HELEN BRWN

TADD DAMERON

FOR

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SV

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1981

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676 . F OCUS/JOHNS D ELIGHT

EDDIE DAVIS
677.STEAL I N TRA6H/CALLING DR JAZZ
JOHNNY CANKWORTH SEVEN

678. LITTLE BENNY/STRIKE Up BPMB

DELTA RHYTHM BOYS

679. DOMAREDANSEN/KR I STALLEN DEN FINA

ELO DIAMONDS TORCH MUSIC

680. THIS LCVE OF MINE/POOR BUTTERFLY

ARNE DOMNERUS

68 1. BLK OLD MAG I C/PRTY FOR PRES

682. MORE THAN U KNOw/cON VERSAT I ON

683 . chlce/ stuffy

684. OONT BE THAT WAy/aLL THINGS YOU
J IMMY DORSEY

685. LONG WAY TIFPERARy/ U DONT HAVE

686. CHARLESTON ALLEY /SP IR I TS FOT ME

687. GIVE ME SIMPLE LIFe/tALK OF TWON

688. blue Danube/ dark eyes

689. there no place like/ ya got me

690. t.d. boogie woogie/opus two

691. BOY IN KAHAI GIRL I n/ BL OF EVE

692. U TOOK MY LOVE/DIG OWN DEEP

693. ANOTHER ONE 0 THEM THINGs/nITE WE

694. LETS PRETEND/ BE SEE IN YOU

695. THERE U GO/ BOOGIE WOOGIE

696. IF | HAD WISHING/WELL GATHER LI LA I
BILLY ECKSTEINE

697. BEWILDERED/NO ORCHIDS FOR LADY

698. LONESOME LOVER Bl/lAST NITE

699. GOT PASS HOUSE/ AINT LIKE THAT

THORE EHRLINGS ORCH

700. REACT I ONS/ DONT BE THAT WAY

FRED ELIZA LDE
70I.SHES GREAT GIRL/wAYOWN YONDER

EDDIE ELK I NS ORCH

CP57600I5 e/v

702. WHEN BUDOAHA SMILES/ TY-TEE
073. LOVE tales/ MAD

MET

526

E+

Je

6000

E

HMV

7711

N-

MET

103

N—

MET

|37

N-

MET

150

N—

CO

38879

E

DE

4075

n/v-

DE

23469

E+

VI

25556

E

VI

26030

V

DE

2721 1

E

VI

27947

E

VI20I539

E+

VI20I553

V

VI20I574

E+/V

VI20I7I5

E/V-

:SVI20|809

E

MGM

10340

E

NAT

9015

E

NAT

9020

E

CUP

4361

N—

brE

2329

E

CO

3528

V-

CO

3940

V—

DUKE ELLINGTON

1704. DROP ME OFF HARLEw/ MERRY GO ROUND

1705. HO* HIGH THE MOON/ COSSOY RHUMBA

1 706. HAPPY GO LUCKY LOCAl/hAPPY GO LUCKY

1 707. BEAUT I FUL INDIANs/pTS I 42
1703. TULIP OR turnip/ MAGENTA HAZE

1 709. J AM ADITTY/ OIMNUENDO IN BLUE

1710. JAM A DITTY/ DIMINUENDO IN BL
171 I. LAZY DUKE/ WHAT CAN POOR FEU.OW DO

1712. DUSK ON DESERT/ CARAVAN

1713. DEAR OLD SOUTHLANO/DRYBRK EXPRESS

1714. M0RNIGN GLOBY/jACK THE BEAR

1715. DONT GET ROUND/COTTONTAIL

1716. B0JANGLES/ PORTRAIT OF BERT WILLIAMS VI 26644 E+

1717. CHOCOLATE CHAKE/l GOT IT BAD

171 8. CLEKENTINE/5 O'CLOCK DRAG
I7I9.SLIP OF LIP/ SENT I MENTAL LADY
I 720. MA IN STEM/jOHNNY COME LATELY

172 1. DONT Ml NO/WHAT AM I HERE FOR

1722. MY HRT S I NGS/cARNEG I E BLS

ENSEMBLE OF USSR

1723. BOROER TO BORDER/CASSACKS SONG

ESTRSQS ELITORKESTER 1948
1 724. SO FAR SO GOOO/ CUPOLI SHES

ROFFEE ERICSON ORCH
1725.3 I T STRAI GHT/JUMPI N SYM SID

SIBYL SANDERSON FAGAN

1 726. N I GHTINGALE/(HENRY 8URR )

DICK FARNEY

1727. TOO MARVELOUS FOR WDs/tENDERLY

(ABOVE SLIGHT CRK)
Z. FED I RO VA

1728. RED ARMY NURSE ARRIVe/rED ARMY SONG

ERNIE FELICE QUARTET
1 729. OODLES OF BOODLE/LOVE ME OR LVE ME

HERB I E FIELOS
1 730. BLUE F I ELDS/HUGG I N 4 A* CHALKIN
173 I. | WANNA/ SOPRANO BOOGIE

IRVING FIELDS
I 732 .CUBAN BOOGI E/MALAGUENA

SHEP FIELDS 4 HIS ORCH

1 733. MY RANCHO RIO GRANDE/ 2 LO 'ES HAVE

PER CLlRINETTO F I SARMON ICA

I 734. TARANTELLA SIC I liana/' la/
ELLA FITZGERALD
I 735.STR I CKLY FROM DIXIE/ WOE IS ME
RALPH FLANAGAN ORCH
I 736.TELL ME WHY/ MY HERO

SLIM GAILLARO QUARTET

CO 35837

E+

CO 38950

E+

MU 46

E+

MU 464

V—

MU 483

E

Mil 5 1 1

E

MU 5| 1

V+

PAE 1 549

N-

Par 304

E+

vi 24501

N-

VI 26536

E

VI 26610

E-

VI 26644

E+

VI 27531

E

VI 27700

E+

VI20I528

E+

VI201556

E+

VI20I593

E+

V|20|644

E

11 7698

V+

CUP 41 38

E+

ART 3049 e/eh

EM 1 029

V

MAJ 7245

E+

11 6307 V

CP 15228

E

vi 202036

E+

VI 202I79E

VI26903I

E+

MU 522

V+

CO 3039

V—

OE 2202

V

VI 300006

E-

CADET 202 E+

12247 E-
18941 V

8102 E+
19405 V-

ATL

PRES 712 v+

1737. THE HOP/ BABY WONT U PLEASE

BILL GALE 4 GLOBE TROTTERS

1738. UNITA POLKA/ JUMPIN JEtP CO

GALLAGHER 4 SHEAN

1739. MR GALLAGHER 4 MR SHEAN / PTS 1 42 VI

JAN GARBER

1740. ROMANCE IN THE DARk/lOVE TO WH I SULE BR

1741. HINKY DINKY PARLAY VOo/nEVER 9ET HVN VI

ERROLL GARNER
I74l .IMPRESS I ONS/ REVERI

STAN GETZ

1742. MY OLD FLAME/LADY IN RED

GEORGIA GIBBS

1743. THINGS WE DID LAST SUMMER /WORTH IT MAJ 12007 E+

1744. WRAP TROUBLES I NORMS/SO OULO I MAJ i 2008 E+

1745. BALLIN THE JACk/aS LONG AS ORMING M.AJ 1 20 1 0 E+

DIZZY GILLESPIE

1746. EM0N0N/THINGS TO COME MU 447 N-

1747. THINGS TO COME/ EMONON MU 447 V+
1748. SALT PEANUTS/ WA I TED FOR U MU 5|8 V+

1 749. TH I NK I NG OF u/tO THINK U CHOSE ME PRES 728 V

1 750. COOL BREEZE/mANRECA

GILTEDGE FOUR

1751 . PICCAD I LLY ST RUT/ WONDER I NG

LOU GOLO

1 752. WAITING 4 SHIPS/LUSCIOUS

GOLDEN GATE ORCH

1753. WHERE LAZY DAISIES BROw/oNE I LOVE GG

1754. DIP FINGER I N V ATER/STALIN WASNT OK

BENNY GOODMAN

1755. G0T RHYTHM/FUNNY THAT WAY

1756. swing angel/talk OF TOWN

1757. DONT BE BAY/ ALL CATS JOIN IN
I 738. LOVE DOESNT GROw/piTY LOBSTER
1759. HORA STACCATO. MAN HERE PLAYS
1760. OH LADY BE GOOd/aFTER U GONE

JEANNE GORDON

1761. HOLY NIGHT PEACEFUL/

GLEN GRAY

1762. HOW CAN U FACE ME/cOULDNT BE MEAN TO BR 6983 V

WAROELL GRAY

1753. swt LorrAine/souYh side no 828 E

8UD0Y GRECO

1764. DONT U THINK OUGHT TO KNOw/oHH LOOK MU 5 1 5 E

AL HA I G QUINTET
1 765. IN A PINCH/ITS TALK OF TOWN SEECO 10003 N-

1766. TALK OF TWN/|N A PINCH SEECOI0003 E+

ALICE HALL TRIO

I 767 .CARAVAN/PENNIES FRM HVN

WENDALL HALL
1768. IT AINT GONNA R A I N/^ED HEADED MUSK

BENGT HALLBERGS TRIO
I73.MY LOVE IS YOURS/FINE 4 DANDY

LIONEL HAMPTON

1 770. ADAM BELW HIS HAT/REMINISCING MOOD

1771. RHYTHM RHYTHM/CHINA BOY

1 772. MUS KR AT RAMBLE/ R I NO OEM BELLS

HAPPY SIX
1773 .SUDAN/SAHARA R06E
I774.Y0O HOO/ FANCIES

VI203023 E+/v

PaE 3840 V+

D I 26 1 6 V+

1202 V
67 | 2 E+/E

CO 36923 E+
CO 36955 N-
CO 36967 n/e-
CO 37077 E
CO 37207 E+
VI200I07 E

00 79373 V

CP5760007 E+

G E

5271

V+

CUP

4381

N-

DE

24105

E+

VI

25586

e+/e

VI

26017

E

CO

2934

V

CO

3482

V

AUCTION 35c MINIMUM BID

27

DON LLOYD

BOX 23, THE RECORD CHANGER 4| 8 WEST 49TH STREET NYC |9 NY
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS.

35e MINIMUM BID AUCTION

MARION HARRIS

1775. SWT MAMM/ I TOLD YOU SO CO 3300 V

PHIL HARRIS

1776. WOODMAN SPARE THAT TREE/swiNG FOR VO 3466 V

HART 4 BATES

1777. PICTURE WITHOUT FRAMe/r OSET I ME GE 4996 V+

JACK HART

1778. 'J WERE MEANT FOR ME/bROADWAY MELODY VE 1845 E

COLEMAN HAWKINS. HOWARD. MCGHEE. EDDIE RONINSON

1779. NIGHT RAMBLE/ LADIES LULLABY AS 3552 E-
1780. SPORTSMAN HOP/ READY FOR LOVE AS 3553 E

COLEMAN HAWKINS QUARTET

1 78 1 . DR I FT ING ON REHD/FLY I NG HAWK JoDA 8250 E+

1782. RI01NG OH 52ND ST/ALL THE THINGS U IfcG 7002 E+

1783. U GO TO MY HEAD/MEAN YOU RONDO 1555 E+
ERSKIN HAWKINS

VI 202 1 59 E-

1784. HAWKS BOOGIE/ HAD GOOD CRY

1 785. UNCLE BUO/lM LOW DOWN 8ROOVE

FLETCHER HENDERSON
I 786. BLUE LOU/CHR I 3TOPHER COLUMBUS

1 787. NOT REALLY THE BLs/oETOUR AHEAO

1788. YOUR FATHERS MUSTACHe/gEE GOOD TO
I7S9.WILD ROOT/ ATLANTA B.i.

1790. rAN IT/BLOWIN UP A STB !M

1791 . CHANGING WORLD/ ITS MY TRN NOW

1792. MUSIC BY MOON/ BESS I ES BL
1793.0 LOOKA ME NO*/ SORRENTO
I794.MY FOOLISH HIT AND |/ ID LOVE
1795.2 WAYS SMOKE PI Pe/dONT BE BLUE

MILT HERTH, WILLIE LION SMITH, ONEIL SPENCER

1796. THATS A PLENTY/OIPSY DOODLE

EDDIE HEYWOOD

1797. MAN I LOVE/ SUMMY SIDE OF STREET

ART HIP KUANS ORCH

1798. ROSE !OOM/ CAIRO

1 799. MANDLA y/ STR I NG BEANS

DAN H I LL

I 800. JIVING FOR JOY/PUT BLA"E ON NAME TT I 08 E-r

EARL HINES

I 80 1. 1)1 FALLING FOR YOu/jELLY JELLY BB 11065 E+

1802. SALLY WONT U COME BACk/jERSY 30UNE BB I I 1 26 N —

BB

1 1372

V-

VO

32l

e/g+

CP

837

e/v

CO

36870

E+

CO

36949

E+

CO

37059

e/e-

OE

29l4

E

D E

3380

e/v-

DE

3630

V—

DE

4016

e/v-

DE

4076

v/v—

L SPENCER

jRt

;;b4ti

V

DE

23534

E—

CO

2858 V

VI

19379

E+

I 803. JITNEY MAN/FATHER JUMPS
JOHNNY HODGES
I 304. "ASS I ON FLOWER/GO IN OUT BACK WAY

IVORY JOE HUNTER
1805. PRETTY MAMMA [)Ls/ ARE1 U HEP

INSTRUMENTS OF ORCH
1 306. PARTS J AND 4

I SHAM JONES ORCH

BB I 1535 E-

BB 300817 E+

VI 20523 E+

1807. D0NT BRING ME POSIES/SOME SUNNY DAY BR 2274 E-

BOP JACKSONS DUK^S OF RHYTHM

1 808. WHATLL U HAVE/ BROOM 4 DUSTPAN DAVIS 7| I N

SASCHA JACOBSEN

1809. SPRING SONG/SERENADE

HARRY JAMES ORCH

1 8 1 0. ANSWER MAN/ OL MAN RIVER

IB I I .WHEN LONG WAY RM HOME/ STRICtLY INS

18 1 2. LET ME UP/ I CRIED FOR U

I8|3. FRIAR ROCK/EASY

I8I4.WHYS GETS LATE EAR Ly/bEAUMONT RIDE
1815.0 BUT I DO/ LIFE CAN BEAUTIFUL
181 6. WHAT AM I GONNA Do/cANT GET NERVE
18 1 7. STELLA BY STARLIGHT/LONGS IM DRMING
I 3|8. TOMORROW/SOMETHING FDR NOTHING
I8I9.IN A MIST/BRAZILIAN SLEIGH BELLS
I 820. KING PORTER/NIGHT SPECIAL

1821 . ciribirbin/swt GA BROWN

JAZARIMBA ORCH

1822. EMALINE/'|N A BOAT

JERRY JEROME

CO 3495 v+

AL J OLSON
|824.CHL0E/WAS EVER PAL LIKE YOU

1325. avalon/old pal dont ANSWER me

BILLY JONES

1 326. FOR MY SWTHRT/HERE I AM

I SHAM JONES
I 827. MY SUNNY TENN/WHY DEAR

1823. SWT someone/wanna be winchells

(ABOVE RM CHO NO Gr)
"kTTGER WOLFE KAHN
1929. CLAP YO HANDS/' DO DO DO
S.M. KA I AWE

1830. KUU HOME/ ALOHA OE

GEORGE KANAKES

1 83 1 . EXOMOLY ISSI S/TO KENT IMA TIS

1832. T« MAG I KA TO F|/doS MOU TRIANTAFYLLO

IRVING KAUFMAN

1833. COULD 1/ FOUND ROUND ABOUT HVN
I834.0APPER OAn/|0 FINGERS 10 TOES

WHITNEY KAUFMANS PRIG PENN SERE.
1 33 5. CHARLESTON CABIN/ FRM ONE TILL 2
SAMMY KAYE

1836. APPLE BLOSSOM WEDD I Ng/ ECHO SAID NO VI202330 E+

STAN KENTON ORCH

1837. LAMENT/ LONELY WOMAN CP I 0 1 25 V
!838.rMPRESSI ONISM/ELEGY FOR ALTO CP I 0 1 26 V

1839. THIS IS MY THEME/ FUGUE FOR RHYTHM CP I 0 1 27 V

1840. TOLD YA I LOVE Ya/ UNISON RIFF CP 1 50 1 8 E+

1841. THEME TO WEST/ CURIOSITY CP 15005 E

1842. WILL0W WEEP FOR Me/ BONGO RIFF CP |5|79 V+

1843. EL CHOCLO/ LAMENTO GITANO DE 25305 E+

JOHN KIRBY ORCH

1844. PASS I Fl ED/ MOP MOP AS 3572 E

ANDY KIRK

1845. TAKE IT 4 G I T/ HIP HIP HOOR«Y OE 4366 E

LISA KIRK

1346. SHAME ON U /' CHARLEY MY BOY VI 20359 1 V-

co

36023

v+

• CO

36579

N—

CO

36623

V+

CO

36996

N-

CO

37080

E+

CO

37156

N—

CO

37201

E+

CO

37323

e/v

CO

37388

N—

CO

38902

E+

PAE

2861

N—

PaE

2903

E+

CO

3468

V

As

1504

E—

CO

2861

V

CO

2995 \

t—

DO

3801

V

BR

5066

V—

VO

3862

V

VI 20327 V

VI

65343

V

CO

7634

V

Co

7775

V

BA

1738

E

VO

14247

V—

VI 19304 E+

00 35324 E+

CO 36819 E+

CO 36986 E+

PAE 2903 E+

GENE KRUPA 4 HIS ORCH
1847. ID LOVE CALL U SWTHRT/ DRUMMIN

1848. THAT DRUMMERS BANd/wHAT6 THIS

1849. BOOGIE BLs/ LOVER

1850. WIRE BRUXH STP/ RHYTHM JAM

KAY KYSER

IB5I.00NT WANT GET WELL/ U CANT SLEEP BR 7805 E+
IC52.PUSHIN SAND/ YOURE SO GOOD CO 36676 V

NICK LA ROCCA 4 THE OR I G DIXIELAND BAND
1 053 .CLARINET MARMALADE/ ST LOUIS BLS VI 25411 E

EODIE LANGS ORCH
1854. MARCH OF HOODLUMS/(MIFF MOLE ) PAE I 1 57 E+/e

SAM LAN I NS TRQUBADORS

1055. GIRL FRIEND/NO FOOLIN DO 3724 E-
S.S. LEVI ATHAN ORCH

1056. NI GHTINGALE/ SUNRISE 4 YOU VI 19342 E+

TED LEWIS

I 857. WHEN BABY SMILES AT Me/rOSE WASH CO 2908 V
I958.IM COM I n/w I SH I NG « CO 3400 V—

I 359. UNDERNEATH PALMS/ LOVE ME CO 34l I V-

1860. ALL BY MYSELF/ ONE KISS CO 3434 V-

I36I.BEALE ST MAMA/ LOUISVILLE LOU CO 3892 V
1862. SALLY WONT U COME BACK/ SECON HANDCO 3453 V
1863. OH BABY/ SRT THE BAND CO 1 391 V

1864. NEW ST LOUIS BLS/ MAMMAS IN T WN COE 4088 V
VIC LEW IS ORCH

1365. LEMON DROP/ SOLITAIRE ESQ |0|24 N—

1366. THE APPLE/ EVERYWHERE ESQ |0|44 E+
1 867. M ON WAS YELLO/ FOGGY DAY ESQ |0|74 E+
1868. SUNDAY GIRL/ WEST INDIAN RITUAL PAE 3|83 E+

JOE LI GG I NS 4 HIS HONEYDR I PPERS
1369. SOME OF THESE D AYS/WALK I N EXC

ULF LINDE QUINTET
1370. MY BLUE HVN/SWT 4 LOVELY MET

BEN LI TSHF I ELD
|37|. ILL SEE U IN MY ORMS/cOME BACK G6

242 v+

136

ED LLOYD 4 HIS RHYTHM BOYS

1872. TIP TOE THRU/PAINTING CLOUDS

VINCENT LOPEZ

1873 . palenteena/caresses
BERT LOWN ORCH

I374.BYE BYE BL/ UNDER MOON ITS U
JIMMIE LUNCEFORD ORCH

I 375. HONEYDR I PPER/3ABY ARE U K I DO I
JOE LUTCHERS JUMP BAND

I876.SUNOAY BLS/ STRATO CRUSIER

DO 4370 E-

CO 3349 V

CO 2258 N-

DE 23451 E+

CP 40052 E

PaE
PaE

3257 E+
3346 N

DE 5003i E
CO 2885 E
1163 V
VI 203710 E-
CO 2991 V-

HUMPHREY LYTTLETON BAND
1 877 .maple leaf rag/memphis bls
iS78.panama/touble in mind

MACHITOS AFRO-CUBANS
I 879.LA RUMBANTELA/PARABOLA NEGRA

ENRIC MADRI GUERA 4 ORCH
I 380 .CAR IOCA/ORCHIDS IN MNLIGHT

MANHATTAN IMPERIAL ORCH
I38I.DWN AMONG SLEEPY HI LLS/EVERYTH I NGGG

TONY MARTIN

1882. DARN IT BABY/ THAT WE IS ME 4

TERESA DE MAT I ENZO SOP

1883. ROSALI NA/T AMMORR I ATELLA

LT MATTS ORCH
1834. THRU THE N I 3HT/WHY SHOULD I CRY

JOHN MCCORMACK
1 385. EYES HAVE TOLD ME SO

1886. THANK GOD FOR GARDEn/

MCCRAVY BROTHERS

1887. WANT GO THERE/LAY DREAMING D
GEORGE MEAOER

1838. SING ME TO SLEEP/AGE6 4 AGES

MELOOY MAN
1839. BKN HEARTED/JUST ANOTHER DAY D

METRONOME ALL STARS
1390. EARLY SPRING/LOCAL BUil BLS
1 891. ALL STAR STRUT/KING PORTER STP

GILDA MIGNONETTE SO PARA NO
I 892 . FEMMENA/ POVERA SERENATA

EDD IE Ml LLERS ORCH

1893. MONDAY DATE/BABOA BASH(KENTOn)

GLENN Ml LLER

1894. KALAMAZ00/ AT LAST

1895. RAINBOW RHAPSODY/ MUST BE JELLY V| 201546 E+

RAY Ml LLER
I396.VENETI AN LOVE BOAT/ CUTIE CO
1897. DOO DAH BLs/ LOLA LO CA
1398. U LIKE RAY SUN/ LOVE HERE SHE ME CO

LUCKY MILLINDER
1899. SHIPYARD SOCIEL FUNc/wHO WHISKEY DE 13674 E

VAUGHN MONROE
I900.SMBDY LOVES/ LORETTA BB 11445 E+

1 90 1 .SOMEONE CARE/ MATINEE VI 202671 E+

JELLY ROLL MORTONS

1 902. LOW GRAVEY/ CHIPPIE HILL - LOUIS BRS 10 N-

1903. KING PORTER STP/ THE PEARLS BRE 3564 V+

BILLY MURRAY - ED SMALLE

1904. TOOT TOOT TOTS I E/CAROLI NA IN MRN VI 19006 V

LAFRED NEWMAN

1905. MIDNIGHT BELLS/ MALAGUENA MAJ 20001 E+

RUBY NEWMAN
1906. SMALL TWN G1RL/|TS SIN TELL LIE

JACK NORWORTH
I 907. FOR MONTHS 4 MONTHS/

KING OL I BER CREOLE J.B.
BL/ D
rm/ri VI

4973

+

V

64860

E+

64900

E+

20

E+

2930

E-

2500

V+

1550

E

35389

N

14301

V

10040

E+

27934

E-

3557 V
3563 V
3629 V-

v| 25327 •/+

VI 60030 E

1908. CANAL ST BL/ DIPPERMOUTH BL
I 909. MABELS DRm/r I VERS I EDE BL
GEOPGE OLSEN

1910. HES HOTTEST MAN/NEW KIND MAN

1911. HELLO ALOHA HOW ARE u/LETS MAKE

THE ORIOLES
I9I2.0H HOLY NIGHT/LORDS PRAYER

BRE 2200
BRE 3575

VI 19375 V
VI 20060 V

JUB 5045 E

1913

1914,

1915,

|9|6
I9l7,

I9l8
1919

1920

|92|

1922

1923,
1924,

1925,

1926,

1927

1928,

1929,

1930,

I 93 l,

1932,

1933,

1934,

1935,

1936,

1937,

1938,

1939.

1940,
I94|,
1942,

KID ORYS SUNSHINE ORCH
.ORYS CREOLE TRAM/60CI ETY BL
PARISORKESTERN 1949
IDAHO/ BODY 4 SOUL

CHARLIE PARKERS ALL STARS
CONSETELLAT I ON/ AH-LEU-CHA

LEO PARKER
MAD LAO RETURNS/CROSS FINGERS
SOLITUDE/ MAD LAD BOOGIE

TONY EASISB

.EL CHOCLO/ CAN U DEPEND ON ME
,WHOS GOT TENT/ALL GLITTER NOT

RAY PEARL '
.CHOIR BOY/MOON IS IN SKY

OSCAR PETTI FORD
iPERD I DO/ CALYPSO

THE POLL CATS
.JUMP IN FOR JANE/TURMO I L

BEN POLLACK
WHEN I FIRST MET MARy/ THINGKING
,HES LAST WORD/ SAM OLD ACCORDION

GEORGIE PRICE
MORNING WILL COME/ DEAREST

PRINCES DANCE BAND
.PLANTATION LULLABy/sonG OF LOVE

QUINTET OF H.C. FRANCE
LOVES MELODY/ NUAGES

THE RAVENS
.SOMEDAY/ I F U D I DNT MEAN IT

VIRGINIA REA
LO HERE GENTLE LARk/ LASS DELICT

LEO RE 1 5 MAN
LOVE BIRD/ BRIGHT EYES

JACQUES RENARD ORCH
SHIP OF DRMS/ GIVE HER THR I LL

HENRU RENE ORCH/ WILL GLAHE ORCH
TURNPIKE POLKA/ I CAM T BE TRUE

GLABYS RICE
CHER IE I LOVE u/ LITTLE WHITE HSE

PAUL ROBESON
WERE U THER/STEAL AWAY
CARSON ROBINSON, FRANK LUTHER. I

PX

3 N-

CUPOL

4224 N-

SAV

939 E+

PRES
SAV

720 v-

929 E

BB

C08

11359 e/v-
474 E-

VO

3536 E

MERCER 1952 E+

VI 20394 V
VI 20425 V

VI 19047 V

CO 3504 V-

DEE 8604 E+

NAT 9089 N-

CO

5172
3366

vo 14168 E
VI 25 1 I 1 7 E+
VI 20271 E
VI 19742 N-

GETTIN READY TO GO. ABRAHAM CO 15627 V

MAURICE ROCCO
BLUE SKI ES/ CANT GET STARTED MU 427 E

NULLO RQIMNI VIOLINIST
AMI CI Zl A/BACI AMI FORTE CO |40| I V-

BOYD ROSEBURN
ST LOUIS BLS/ LADY IS TRAMP

EDDIE SAFRANSKI
,SA FRANTIC/ BASS MOOD

DERYCK SAMPSON
,K.C. BOOGIE WOOG I E/CH INESE BfcW.
.MONDAYS WASH/ BLKBERRY JAM
.BASIN ST BOOGIE/TABLE TOP BOOGIE
LOUIE SAUNDERS WITH TODO RHODES

1 943 .OH BA3Y/ BOP BOP SIZZLE
1 944
1945
1946

ROBERT SCHERMAN-HENRY MAN
GOT PENNY/ LETS PRETEND

SCHWEDISCHES TANZ QUINTET
GAYS SHUFFLE/ SWEET CHORUS

THE RAYMOND SCOTT QUINTETTE
TWLIGHT TURKEY/MINUET IN JAZZ

ARTIE SHAW
MOONGLOW/SERE

1 947. MOONGL0W/SERE TO SAVAGE

1 948. G ENTLE GR I FTER/SCUTTLEBUT

RILEY SHEPHARD
I949.SHEPARDS SCHOTTI SCHE/OEVILS DRM

NAT SHILKRET 4 THE VICTOR ORCH
1950. ON THE Rl V I ERA/BARCELONA
I95I.ONE GIRL/ PAGAN LOVE SONG

ADRIAN SHUBERT SALON ORCH
I 952. TAKE ME BABY/ RUSSIAL LULLANY
I953.STARLI GHT/FALLING LOVE YOU

STUFF SMI TH TRIO
I 955. DONT U THINK/DESERT BANDS

MUGGSY SPAN I ER ORCH
1956. MY GAL SAL/ DIP BRUSH IN SUN

PHIL SPI TANLEYS ORCH
I 957.SLPYT I ME OWN SO/SI AL ING

KAY STARR

1958. PLEASE LOVE ME/NO SWT MAN

SONNY ST ITT QUARTET

1959. LATER/A INT MISBEHVN

1960. NICE WORK IF U CAn/cOUNT EVERY
1 96 I .SEVEN UP/ MAD BE SOP

1962. STOMP SIX

I 962.EVYBDY LOVES BABy/wHY CANT BE
(ABOVE RM CHP)

MAX INE SULLI VAN
1953. CARRY TORCH FOR U/ BEHAVTO MYSEL

REINHOLD SVENNSON QUINTET
1 964. ST 4 LOVELY. MY BL HVN

ORIOLE TERRACE ORCH

I 9644 BEES KNEES/ FALLING

AT

861

E

AT

851

E+

JTJ

7005

E+

JO

7006

E

JD

7016

E

SEN

1888

v/v—

AT

1 06

v+

TELE

1035

E+

MA

108

V

VI

27549

N—

VI20I929

E

SG

1 03 1

V

VI

201 13

v+

VI

21931

V

BA

1966

V—

DO

3837

E-

AS

353

E—

DTR

504

E+

HOW

A-l-2 E+

CP

15288

E

PRES

704

E

PRES

718

E+

SAV

930

V+

SE

5

E—

JD

7420 E*

NJ

826

V

BR 2389 v+

THREE SUNS

1 965. UNLESS CAN HAPPEN W YOu/nEVER KNEW VI 202 1 97 E

GOSTA THESELIUS
1966. SIESTA/ PTS I 42

MET 1 01 N-
G AZELL 2002 E+

1967. A-TRAM/ KETOPA

EDO IE THOMAS COLLEGIANS

1968. MNLIGHT ON OAUBE/SWT MY S TRY LIVE CO I 377 E

BETTY THORNTON

1969. DENTIST SONG/ HANDY ANDY DAVIS 3| E+

LENNIE TRISTANO QUINTET
I 970. PROGRESS ION/ RETROSPECTION NJ 832 E+

SALE

KEN CRAWFORD, JR.

2|5 STEUBEN STREET, PITTSBURGH 5 PENNA.

SALE

THE FOLLOWING RECORDS ARE FOR SALE AT THE PRICES LISTED. THE TIELES W ILL BE SENT UPON REQUEST. ALL HAVE BEEN CAREFULLY GRADED, AN D ARE GUARENTEED AS TO CONDITION
WHICH IS LISTED DIRECTLY AFTER RECORD NUMBER. RECORDS WILL BE SENT ON FIRST-COKE FIRST-SERVE BASIS, WITH MIBIMl'M ORDER OF t2.00. FREFERANCE WILL BE GIVEN TC ORDERS
WITH REMITTANCE INCLOSED, INCLUDING 25(* FOR PACKING MATERIAL AND A SUFFICIENT AMOUNT FOR POSTAGE. EXPERT PACKING WILL NOT REQUIRE RRX, UNLESS REQUESTED. IF
POSSIBLE PLEASE LIST A FEW ALTERNATES. WAN1-4.ISTS WILL BE WELCOMED, AS I HAVE THOUSANDS MORE RECORDS IN MY PERSONAL COLLECTION.

ThE FOLLOWING RECORDS ARE 3 FOR tl.00

FRED ASTAIRE: DE 18428 N

BOB ALLENJBEACON 102 N, 103 N

AMBROSE ORCH! DE 8|4E, 637 E, DEE 41001 N, 41002 N,

41003 N, 41004 N, 41 005 N, 5490 N, 6282 N, LO 108 N,
120 N, 10012 N, BR 6958 G,VI 24258 G, 242 |5 G,

RAY ANTHONY ICAP 794 N,. I t3l N,I|90 H,979 N, 6|9 N,I073 N,
622 N,72l N,734 N,986 N,SON 3037 n,

ALL STAR ORCHIVI 2|667 N

RED ALLEN IBR 80136 N, C036282 N

ESQUIRE ALL STARS: VI 0135 N, 0137 n(bg)

LUIS ARCARAZ (HOT)jvi 5252 N

LEN BARNARD STOMPERS: JAZZART 34 N

RAY 6L0CKIVR 607 N,SG 15005 N. 15146 N

SONNY BVRKE: DE 24832 N, OK 5873 N,5955 N

HENRY BUSSE; COS 457 N, VITA 6 N

BOBBY BYRNE} COS 496 N,492 N, 488 N

BILLY BUTTERFIELD! LO 622 N,676 N,CAP 134 N, 10037 N,

265 N,282E,37I N,475 N, 15047 N,|5l27 N, 15166 N,P|5 N.
JONNY BOTH WELL !SG 15034 N, 15045 N, 15059 N,|507| N, 15085 N
EARL BOST IC SMAJESTIC I055N, 1056 N
BROWAOWAY BELL HOPS: HA 120 E
RANDY BROOKS:DE 18703 N, 23869 N , 23935 N
DAVE BARBOUR :CAP 358 N,60002 N,973 N,ll34 N
BENSOi; ORHC ( MUGGSY ):vl 19130 N, 19688 V, 19470 V
BERYL BOOKER TRIO ( HOT):VI 147 N
MILDRED BAILEY: DE 3688 E
CHU BERRY: CO 37571 N,SMC 541 N
EMMETT BERRY: NA 9001 N
PETE BROWN : DE 181 18 N
FRANK IE CARLE ( HOT): CO 35573 N
IKE CARPENDER :W0DERN 522 N
RU8S CASE ( STARS): VI 1940 N, 2074 N
LEE CASTLE X MU 15035 N

PAGE CAVANAUGH; ARA 1 5 1 N , ENCORE 504 N

HERMAN CHITTISON : BR 80|27 N

JUNE CHRISTY (GREAT BAND) : CAP 436 N

ARNETT COBB I APO 770 N

COON-^ANDERS: VI 2|305 E-

RUSS COLUMBO;sE 5001 N

CATS «. THE FIDDLE ; BB 8429 V

BOB CHESTERJEON 3018 N, CO 38944 N, 38850 N , BB 11304 N,

11316 N, I 1355 N
SAVANNAH CHURCH 1 LLJWANOR 1046 N
COZY cole; SAV SOI N, 519 N,CONT 6001 N
KING COLEJATLAS 106 N, CAP 20128 N
DIXIE ALL STARSSLON 604 N,678 N
BIDDY DEFRANCO ; CAP 747 N
FRANK DENIZ( H0T):LON 188 N
HAL DERWIN (GREAT BAND):cap 336 N

JIMMY DORSEY;mgm lOOOl N, 10098 N,CE 3334 N , 3|52 E,
25294 N, 1 6806 N,ie807 N, 1 8805 N,3659 E,4262 N,
18808 N,ie57l E-,18593 N, 16777 N,|88|2 N, 24363 N.
COR 60000 N,CO 38654 N, 38655 N, 38649 N, 36063 N,
38656 N ,36657 N,387|0 N,3S73| N, 38774 N,36879 N,
3e968 N,39035N, 39138 N , LON 344 n

EDDIE DELANGE : BB 7837 E

DIXIE JAZZ BAND : OR 494 V

DEPARIS BROS:CMS 567 N

SAM DONAHUE :CK 6358 N,BB 11385 N, EN 500 N,502 N,

CAP 15081 N,260 e/, 15172 N,
DORSEY BROS:co 36065 n(bunny),DE 357 G

ZIGGY ELMAN:mGM 10071 N,|0|79 N, 10243 N,l0277 n,|0332n,
10421 N, 10494 N, 10002 N,l0622 N,|0543 N,BB 10663 e/v

ROY ELDRIDGEXKY 608 N,DE 24417 N,2544C N,23697 N,24I|9 N,

BILLY ECKST INE( ALL STAR BAND);na 9015 N,9C|7 N,90|9 N,
9021 N, 9023 N

MERCER ELLINGTON : MU 379 N

BOB EFFROS WITH S IGNORELL I & SCHUTT(TP SOLO ) BR 4620 N—

PERCY FA I TH IV I 20 3525 N,( j.oorseystheme)

WILLY FARMER:bb 7687 E (vocal-scatt Powell)

BUDDY FEAThERSTONHAUGH SEXTET: HMV 9361 N

MIFF FERRIE(GREAT JAZZ ) : LON 186 N

HERB IE FIELDS: VI |96| N,2C36 N,2747 N,3052 N

RALPH FLANAGAN: BB 30-0001 N,0006 N,0007 N,006 N,0009 N,

0016 N,00|7 N,0024 N
SAL FRANZWLLA :i*AJ 1199 N, 1207 N
BUD FREEMAN SKA J |0|8 N, 1031 N,CMS 507 N,50l N
FRISCO JAZZ BANDS PACIFIC 606 N

3 FOR i I .00 CONT.

Gil fuller; d is i08 n

frank ie franco ie i lt 1027 n

ella fitzgerald: de 3186 n,23546 n, 23956 n

brick fleagle:hrs 1005 n, 1006 n->0050 n

vivien garry quintet: vi 40-0|44 n

eddie getz qu intet :chord 638(d0uble tracked ) n

harry gi6s0b1mus 292 n, 347 n

dizzy gillespie: vi 2878 n,3023 n,2480 n, 2603 n,3|86 n,

0130 N,0|32 N,CO 30147 n,Cap 839 N,797N
NAT GONELLA: DE 546 N
JERRY GRAY: DE 24844 N,27I77 N
LEO GUARN 1ER I Q INTET :MGM 10249 N
SANFORD GOLD TRIO: SAV 608 N
STAN GETZ QUARTETTE: SITTIN • IN 505 N
JEAN GOLDKETTE: VI 20257 E, 21527 N,2|689 N,2|804 N,

2IS53 N,2|87| V, 22027 E-,22|23 N
GENES MERRYMAKER S:PE 1 58 1 6 V
* GEORGIANS(HOT):CO 30E,|02 N,CA 8 1 I I V
RALPH GORDON :v I 26033 E,2604| N

GLEN GRAY: oE 2l44 W^|99 E-^ei3 V, 1159 E,|575 E,25|39 N,

3089 V+,4|56 E, 18916 N
WALTER GROSS:BB 10795 N, 10937 N—
SLIM GA ILLARD :D I SC 6022 N,6023 N
JOHNNY GUARN IERI ALL STARS:SAV 509 N,5|| N
CONNIE HAINES:SIG |5|67 N,|5|68 n(swINGs)
AL HALL QINTETS WAX 101 N,l00N, 102 N
EDMOND HALL SEXTET: BR 80 1 25 N
JOHNNY HAMPiVI 20900 N-,2|084 N(GREAT miff)
LENNIE HAYTON:mgm 30174 n

TED HEATH: LON 47| N , 137 N, 147 N,|48 N, 149 N,222 N,
329 N,484 N

EDO I E HEYW00D:CMS 570 N,DE 23427 N, VI 2664 N,LCN 573 N,
621 N

TINY H ILL:VER 6001 N

EDDIE HOWARD:maJ ||78 n(great dixie inst)
DEAN HUDSON tCK 6355 N,MUS 15026 N,BU |082 N
FRANK HUMPHR IES(F INT TP)SPICK-UP lOOl N
PEE WEE HUNT:CAP 15299 N,569 N , 673 N,773 N,
JACK HYLTON :CE 190 N—

FRED HAMM :VI 20023 v/( SUGAR FOOT STOMP )

BOBBY HACKET: Br 80138 N, 60101 N,80lOO N,60099 N

NEAL HEFT I :C0R 60599 N, 60562 N

PAUL HOWARD;jAY 7 N

SLEEPY HALL :VR 606 N

JOE HAYMES:sb 5i33 N,5920 N ,59|6 E,PE 16025 v/,351025 E,
351025 E,VO 3335 N,000| N , ME 13406 E ,51103 E, 60305 E,
60611 V,f0806 N, 61013 N, 61 105 e/, 70207 N, 70213 N-,
708C3 N, 60508 E, 70601 E, 351026 E

BOB HOWARD: DE 524 E

WILL HUDSON J DE 3475 E, MASTER 103 V
GEORGE HARTMAM:KEY 6 1 3 N

ERSKINE HAWKINS: BB 08|9 V,VI 2292 n/g,|777 n/g
EDGAR HAYS QU INTET : DE 1444 N, 1509 N, DE |748 E+
HERB IE HAYMER: KEY 640 N
J.C. H I GG I NBOTHAM EIGHT; HRS |0|3 N

CLAUD HOPKINS:de 1286 N

JOHNNY HODGES: CO 37837 N,V0 4622 V,WAX I |4 N

Sun 2005 n,2006 n
BILLY HOLIDAYS 1075 n(t,w|LSOn),CO 37836 N
BUDDY JOHNSON :CE 667| v+/v-,24596 N
JONES 4 COLINS EIGHT :BILT lOOl N
CHUBBY JACKSON :PAE 307| n,CO 38451 N

ILLINOIS JACQ ET:vi 2702 N,AL 101 N,APO 756 11,758 N, 760 N,

SAV 593 N
NAT JAFFE:sig 281 |2 n
JERRY JEROME:as 503 N,504 n
JIMMY JONES:krs |0|4 N,I0|5 n
JONAH JONES: cms 602 N
LOUIS JORDAN : DE 23417 e(w|TH BINg)
MAX KAMINSKY:BR 80124 N,80|37 N

ROGER WOLF Kahn;v| 20231 N,20327 N,20645 N, 20827 V,
21368 V, 21425 N, 21675 N,2|80| V
(KaHNS FEATURE VENUTI, LANS 4 MOLE)

ANTON KARAS:lon 536 (3RD can) n

SAMMY KAYE:(REALLY SWING)lvl |688N,I689 N,|690 N,|69| N,
1692 N.

HAL KEMP:BR6087 g,7322 E-,7854 e/v,VI 27286 N,27285 N,27284 N,
27283 N, 25896 v/,CO 35929 N, 35930 N

THE FOLLOWING RECORDS ARE 50rf EACH

GEORG IE AULD:gld 113 N,I|6 n,apo 359 n,763n,
MU 374 N,373 N,376 N,377 n,375 n,394 n
15043 N , 15044 N, 15046 N,|5059 N, 15072 N,
15076 N.

Sidney bechet:vi 3i20 n,br 80i32 n

PHILIPPE BRUNwlTH DJANG0:SW 80 V
BING CROSBY:CE 18426 N , 1 8427 N,24||4 N,

CO 4305 N,4304 N,430|N ,4303 N,BRE 34|| E+
CAPITAL INT. JAZZMEN:cap 383 N
DOUBLE QU INTET :FRAN— TONE 2004 N-
JOHNNY DUNN'S JAZZ HOUNDS :C0 3839 N,3653 N
BILLY ECKSTEIN WITH D IXXYtDEL 1003 N,2000 N,

2001 N,2002 N
GOOFUS FIVE: OK 4| 138 N
LOUISIANA RHYTHMAKERS(HOT);mE 12494 E-
FRED HALL SUGA BABIESICK 4|I|2 n,PaE 6|3| e/

THE FOLLOWING RECORDS ARE 75^ EACH
SVEND ASM SSEN Q" INTET :0D 5080 N
G.AUSTIN with fats WALLER :vi 22223 G+
DON ALBERT :V0 3401 N,34| 1 N,3423 N
BILLY BANKS:pae 2929 N

BUSTER BA I LEY IVR 668 N,VA 8333 N,8337 N
BING CROSBY:CE 547 N,548 N,87l E,I376 E, .

1483 E, HA 1007 N
HOAGY C ARM I CHAEL :SE 50|2 N
DCRSEY BROS XDE 296 N,297 N,469 N
BUD FREEMAN 1SD 505 N,504 N,506 N
LUD GLUSKIN:FRENCH PATHE 96199 N
GLEN GRAY:vl 24224 E

HORACE HENDERS)N:vo 55 18 N,5579 N,5605 N,

OK 5632 N,6026 N,5478 N,584| N,5900 N,5953N

59 78 N

Hi>DS0N-0ELANGE:6R 7991 N,8007 N,80l6 N,6023 N,
6040 N,8049 N,R07| N,8077 N, 6081 N,8|47 N,
8156 N, 8|77 N , 8222 N.

TEDDY HILLXVO 3247 N

EARL HINES: HRS 1009 N,|C|IN, |0|2 N,DE 577 N,

654 N,OK 6250 N,VO 4272 E, BB 11329 N, 10377 N,
10727 N,|0674 E,II|99 N, 1 1 1 26 N, 11237 N,
11308 N, 11535 N,ARA 127 N,|49 N,I56 N,

ST 3005 n(very rare)
JOHNNY HODGES: 8BII447 N,2008l7 N,VI 2541 N

2542 N

jungle kingss(tesch muggsy )uhca 3 N

HAL KEMP: 6790 E-,7493 N,v0 4652 e/
THE FOLLOWING RECORDS ARE $1.00 EACH

SIDNEY BECHET :sw 306 N, VI 27302 N, 27574 N,

HMV 9091 N,9408 N,4944 N, 9061 N,9340 N,9066 N,
9131 N,9349 N,9I36 N,9402 N,9329 N, 9378 N,
9368 N, 9385 n,9474 n,

WILLIE BRYANTJV 125129 E,24847 E,25045 E,BB6750 N,

DON BYAS:BST 29 N,39 N,4| N

CHARLESTON CHASERS: CO 1925 N

BO CARTER(GREAT RISQUE BL ES ) $0K 8887 N,98|2N

EDDIE CONDON: COE 1574 N

COTTON PICKERS: BR 4440 N

TOMMY DORSEY-TP SOLOSSOD 238123 E,PAE 449 N,4€2 N

ZIGGY ELBAN SBB 1CI03 N, 10316 N,|0096 N

ROY ELDR I DGE :vo 3458 N,VA 8084 N,6|07 N

GOOFUS FIVEJOK 4094C N,PAE 3327 V+

BOBBY GORDON RHYTHM !V0 2926 N

JCAK HYLTON :vi 25555(rare on octogon) n-

JOE HORSE S, MILKMEN: VR 553 N(great Jazz)

JOHNNY H0DGES(VO 4309 H,435 I n/e,47|0 E,49|7 e/,

OK 4849 N,5940 N-
I SHAM JONES; VI 24298 N ,DE 569 N

THE FOLLOWING RECORDS ARE $1.25 EACH

DORSEY BROSS BR 6624 N

MUGGSY SPAN IERW I TH BULLOCKSOR 232) E-(r«e)
MUGGSY SPAN IER WITH DORSEYSXPE 15265 E
THE FOLLOWING RECCR DS ARE $I.T EACH
ALLEN-HAWKINS ORCH :ME 12842 N
BILLY BANKS IPE |56|5 v/(GREAT WMEs)
BUSTER BAILEY1V0 2887 E/V+
JOHNNY DODDS: BR 3568 V+
TAFT JORDAN :f£ 16094 e,ME 13365 E-
R I CHARD M. JONES BHirAGO COS.SDE 71 15 (rare )n

29

UP TO 9 LP's FREE

BUY S I5.0C WORTH OF RECORDS AND GET 1 LP'FREE. . .BUY t 27.50 WORTH AND GET 2 LP ' S'FREE. . .BUY S 50. CO

WORTH AND GET 4 LP 1 S'FREE. . .BUY 1 100. CO WOTH GET 9 LP'S*

FREE

•ANY LP 6 t 3.95 OR LESS

JAZZLAND

♦ANY LP e S 3.95 OR IE SS

BOX 4f5 RADIO CITY STATION, 322 WEST

52 STREET, NEW YORK CITY

EVERY RECORD LISTED GUARANTEED MINT AND UNPLAYED •

THE

FREE OFFER ABOVE REFERS ONLY TO THE LP RECORDS LI

STED.

HZ CANNOT GIVE 78 RPM DISCS FREE BUT YOUR TOTAL

PURCHASE TO QUALIFY FOR FREE DISCS CAN BE MADE UP

OF BOTH 78 AND LP RECORDS. PLEASE ADD 254 EOR PACKING

MATERIAL. YOU MUST ALSO PAY ALL SHIPPING CHARGES. RECORDS

WILL BE SHIPPED VIA RRX CHARGES COLLECT. IF YOU WANT PARCEL POST YOU WILL HAVE TO ACCOMPANY YOUR ORDER KITH 'ENOUGH EXTRA TO COVER POSTAGE. REMITTANCE MUST

ACCOMPANY YOUR ORDER. ORDERS FROM NYC MUST ADD 3% CITY SALES TAX. SATISFACTION UNCONDITIONALLY GUARANTEED OR MONEY REFUNDED. PLEASE ORDER BY THE N 'MBER TO THE

LEFT OF THE COLUMN IN THE CASE OF 78RPM RECORDS.

ORDE

R LPS BY LABEL AND CATALOGUE NUMBER.

THE ALL STARS (BARNETS GREAT BAND )

DON BYAS

Dl IKF Fl 1 1 Nfi TON

JV L.' r\r_ L_ L_ L 1 Hu 1 UN

317. WILD MAB FISH POND/NIGHT & DAY

.99

44.1 SURRENDER DEAR/THESE FOOLISH THINGS

.39

OR JUR 1 ( FSTA /MnriMi i put c i c"ct»
?J " 1 *- J ' "/ MUUIML lunl r 1 to In

AO

THE ALL STAR STOMPERS (WILD BILL DAVISON)

HOAGY CARMICHAFI WITH MATLOCKS ALL STARS

07 PTRTRA IP II flM A? fMiAFTU 1 W fi T fl I 1 VF F flR
^/.rl_#nlHnln LIUIv/d Uw L In ll\ u IU L_ 1 V 1 r \Jr%

CIO

248.1 NEVER KNEw/cANT WE BE FRIENDS/

.49

353. ROTATION BL/FLAP YOUR ELBOWS

•49

98 .RED HOT BAND /OKLAHOMA STOM P

AC

249. SW 1 NG 1 N DOWN LANE/SH 1 MMESH A WABBLE

.49

CENTRAL PARK DIXIELANDERS (LYTTELTON BAND]

99. honeysuckle rose/chopsticks

AQ

•^y

250.T1SHOMINGO Bl/eCCENTRIC

.49

45.PANAMA /CHATANOOGA STOMP

.49

FMPlRF STATE 1A77 RAND

Z5I.BIG BUTTER EGG MAn/bABY WONT U PLEASE COME

.49

CENT'RY STOMPERS (WELLSTOOD GRO 'P)

1 on mimc tdfi ui a 1 w /nwrF 1 u a ujw 1 1 r

1 'J' J 0 lv 1 M 1 K r. I_ nALr / UNVL IN n nn 1 LL

.49

252.H0TTER THAN THAT/sENSAT ION

.49

46.vELLY BEAN WOBBLE/MOUND CITY ORAG

.69

IRVING FAZOLA

LOUIS ARMSTRONG

CHICAGO RHYTHM KINGS (CLESS ' MARSALA ETC]

lOl AjriQTIV Fl7 /lU ITU 11 u/uF DP II IDF

.49

I.DALLAS BL/PEANUT VENDOR

.99

307. SONG OF WANDERER/CHANGES MADE

• 79

Fl 1 fl F 1 T7GFRAI D

LLL n 1 1 1 LuLnnLf

2.6ASU' ST BL/NO

.99

KENNY KLARKE KLIQUE

342 . WA LK l N BY THE R 1 VER /FA VOR 1 T E S ON G

.oy

3. LAZY RIVEr/gEORGIA ON MY MIND

.99

•39

OF 1 p a ■"• 1 m C TO C"C"T a t DC cl UFD rDr »T 1 ni 1 K nil T1TI riu
Jj 1 «DnO |IN O IKLt.1 DLUto JnLM uKLA 1 LUU lo |M|inil U 14

•*9

4.LAST NIGHT/YOURE A REAL SWEETHEART

.79

EARL COLEMANS BAND

1 inv m in /niQ v nni 1

-' Jt- oL" L 1 DUU/ DAD T U U L.L.

• 49

5. SWEETHEARTS ON PARADE/BLUE AGAIN

.69

48.STRANGER |N TOWN/YARDB I RO SU ITE

.39

355 . 1 DON T WANT TAKE CHANCE/ROUGH RIDER

39

6. HOBO U CANT R IDE TRAIn/nEVER BEEN BORN

.89

lee collins/ james p. johnson

357. LAZY DAY/WHAT DOES IT TAKE

• 49

7.EVERYB0DY LOVES MY BABy/aLL WRONGS U DONE

.99

49.dont tear my clothes/wild bout patootie

.89

ELLA FITZGERALD AND LOUIS ARMSTRONG

349.IF/YOURE JUST IN LOVE

.49

LEE COLLINS & LITTLE BROTHER MONTGOMERY

3 Sfi npp5 AiFrFi^inv fu 1 1

J -wAJ »UrrO/liLV/uOoAn 1 LV 1 L

• 49

JOSEPH INE BAKER

_'l.'0C L HI 1 rJlU / LUIMU 1 IMC. AbU

• 99

B1 <U r KLLMAN

8.1 HAVE TWO LOVERS/GOT U UNDER MY SKIN

.29

RUSS COLUMBO

1 C& i niMiu mai 1 ri /iN<;inF or nuTc.tnr

1 '~ C- 1 1 UWn HALL I1L/ MOll't. U 11 U . 1 1 ILrL

•49

PAUL BARBARINS NEW ORLEANS BAND

5 1 .TOO BE AUT 1 FUL/l SEE TWO LOVERS

.79

THF TFNNF^FF GARRlFt fRROWNIF MPGEF \

9.PANAMA/JUST LITTLE WHILE STAY HERE

.49

AL COOPER SAVOY SULTANS

1 03 .IF | COUL D HEAR MOTHER PRAY/PRECIOUS LORD

.49

10. 1 ILY OF THE VALLEy/eh LA BAS

.49

"S? GF T IT AT ^iwnv /NFl*; 1 1 IU P

•39

ci 1 til, pt 1 1 1 ion
bL 1 r. b A 1 LLAKU

II. JUST CLOSER WALK WITH THEE/wALK THRU STREETS

.49

B NG CROSBY

1 C\A U/L-lC"M QlMlMl CI/ 1 »|C P»l 1 IMP /oiMfifl TITA

•29

301. CLARINET MARMALADE/FIDGETY FEET

.49

53 o S IDE BY S |DE/mAGNOL 1 A

•49

GEORGE BARNES (A FABULOUS GUITARIST)

36 | .PRETEND ING/gOTTA GET ME SOMEBODY

.39

105.1 niicr wiit/i ni/F

1 .'oL'.'UoL riKJ 1 / LUVL

• 39

1 2. LA UGH 1 N AT LIFE/BARNES AT DUEL INS

.49

362. IOWA INDIAN SONG/WAY BACK HOME

.39

I 06 .FLA1! PIANO /FA N TASY

• 39

341. TIN WHISTLE BL/PINK PLUNK

.39

DIXIELAND RHYTHM KINGS (ONE OF BEST BANDS

D 1 2ZY G ILLESPlE

COUNT BAS1E ORCH

54. STEAMBOAT STOMp/TERR 1 BLE BL

.79

330. C ONF 1 RMAT 10n/d|GGIN DIZ

• 39

I4.S0NG OF ISLANDS/NOBODY KNOWS

.79

55.FICGETY FEET/FOUND NEW BABY

.49

334. D 1 GG 1 N FOR D 1 Z /TRUMPET TEMPO { MC GH EE )

.39

S5.I LEFT BABY/RIFF INTERLUDE

.79

56.WCLVERINE BL/THE SAINTS

• A9

1A77 H 1 11 t IM

JALt U 1 L L.U IVI

I6.1AXI WAR DANCE/|2 ST RAG

.79

327.WEARY BLUES/s 1 N ISTER BUCKET BL

.89

1 07 FA ^ T 11/ r*JAI\l RI /kF F P ON <^A 1 IKR

.39

17. DAS F STRIDES AGAIN/jUMP FOR ME

.79

JOHNNY DODDS

326. ROLL DEM B ONES /BLU ES W HA T A M

.45-

BASIN STREET SIX

57.WEARY CITY/BULL FIDDLE

• 79

B' NY GOODMAN

18. IM GOING HOME/jAZZ HE BLUES

.49

58. MY BABy/oR 1 ENTAL MAN

• 79

l08«SA |LIn/| CANT GIVE U ANYTHING BUT LOVE

.89

19. "FATS A PLENTY/LAZY RTVER

.49

59.h:ad dog/flat foot

.89

I09.GONE WITH WHAT WIND/SIX APPEAL

.89

20,UIGH SOC IETy/sOUTH RAMPART ST PARADE

.49

60eMY GIRL/sWEEP EM CLEAN

.79

1 lO.BENNYS BUGLE/8 REAKFA ST FEUD

.79

2|.margie/farewell bl

.49

61 .CROWN BOTTOM BESS/LADY LOVE

• 69

III IIIM IC MAM /Ol Pa PPV
III iOUPir WA vL " m- \

• 69

BAYS 1 DE JAZZ BAND All iRRI CANE JAZZ BAND

62. WEARY WAY BL/THERELL COME A DA Y

.79

1 Ml MFlFI 1 1 OF kFV1^ A/ IFMI WIFMI
1 1 t tMArtUr UL Ur IVCTO/vlLIMI V 1 l. 1 1 1

.49

333. BAYS IDE BL/CLARINET MARMALADE

.49

6^. GC OBER DANCE/TOO T 1 GHT

• 79

1 |3. BUGLE CALL RAG/wHOOPEE STOMP

•69

SIDNEY BECHET

fiA kTT "^Tlirr /wil/F iirpfV

• 69

UC.A ICR UUnUUlN

22.CHINA BOY/SISTER KATE

.49

65 - CTRUGGL 1 Ng/l 1 TTLE B I TS

.79

1 l4 OH WF1 1 /^HHFFT AMH 1 n\/Fi V

•39

23. SONG CF MEDINA/l GOT RHYTHM

.49

66. MIXED SALAD/| CANT SAY

.99

1 i5/talk of the town/lullabye in rhythm

• 39

24. WITHOUT A H0ME/|M THRU GOODBYE

.49

67 » too tight/papa DIP

.yy

339.THE DUEL PTS 1-5

• 39

25.WASTE NO TEARS/LOVE ME WITH F EL 1 NG

.49

58. SOUTHBOUND RAG/TIN ROOF BL

.69

335 .B 1 K I N I /8L IN TEDDYS FLAT ( TEDDY EDWARDS )

.39

26. BOX CAR SHORTY/BROKEN WINDMILL

.49

69. HPT POTA TOS/STEAL AWAY BL

.79

MART RRfK6; PFI 1 AR RflY 9. (FINE CHICAGO DIXIE

nrlnF\l unUOv uLLLnn JUiO \" MIL yll lUnuu l/ i r- i u

)

2 7. SEPT EMBER SONG/wHO

.49

70-**~TH STREET St/|DLE HOUR SPECIAL

• 69

i i a nn i ,-■ i m 1 1 niv in i un omf ctfo fcwi mnv

ilU.UnluirJAL, UlAl t.l_A nl U Unit O 1 C r* / un OAuI

• 39

304.SIDIMEYS BLUES/PALLET ON FLOOR

.79

7| .CO OT 1 E STOMP/wEA fi Y WA Y BL

.69

[ | 7.SH 1 MMESH A WAB BLE /DO AN Y TH 1 NG F OR U

• 39

SONNY BERMAN

BABY D0DD5

Uf Al FT P RDn^<; [ A CI IPFRR P 1 AN 1 ^T \
fin UCI n onUoo \ n jU rLnu r 1 Hit I O I /

28. NOCTURNE/CURBSTONE SCUFFLE

.39

"TO nOIIU IMDDflWICITIDM Jt i f'MCtl \/C" D 1 M C Q I

1 C iUKUM 1 M rHU V 1 f>« 1 1 UN a • / HUUVL H | rJ L. O l_

AQ

1 |8. SOMETIMES IM HAPPy/tIME ON MY HANDS

.49

29. nocturne/thermodynamics

.39

TOMMY DORSEY ORCH

1 19. THRU THE YEARS/ORCHIDS IN MOONLIGHT

.49

BIX BE I DERBECKE

365. BL A C K STRAP MOLLASSEs/sE PT IN RAIN

• 39

I20.TEA FOR TWO/MORE THAN U KNOW

.49

33. MAKE BELIEVE/OLD MAN RIVER

.69

nilTPH C.WINH POI 1 FGE RAND

|2|.| know u know/without a song

.49

3 : < scrry/s ince my best gal turned me down

.79

QTJ"7 ii c~ V A Mf\mo DATTIIir Ci A M n /D 1 QTLJ H a V D 1

J 3 1 . A LL XA NUl.Ro KA (jT 1 ML dA PJU/blKIHUAY BL

AQ

#*>y

JOHNNY GUARUAR 1

32.CHAMGES/MARY

.99

ROY ELDR 1 DGE ORCH

122. WHY DO 1 LOVE u/wHATS THE USE

.39

31*- OH baby/copenhagen

.99

73. HECKLERS HOP/THAT THING

• 99

BOBBY HACKETT

GRAEME BELL DIXIELAND JAZZ

74.FL0R IDA S TOMP/wABASH STOMP

•99

338. JAZZ BAND 8ALL/EMBRACABLE YOU

.79

34.BIG BAD BANKS 1 A MAN/JENNYS BALL

.49

3I&.AFTER U GONE/LAZY RIVER

•99

CARL HALEN (great trumpet)

CH BERRY

DUKE ELLINGTON ORCH

328. CAKE WALK IN BAB 1 ES/W 1 LL 1 E THE WEEPER

.49

306. blues c# minor/warmin up

.99

75.ALL GODS CH ILLUN GOT RHYTHm/aLABAMY HOME

•89

LIONEL HAMPTON

BARNEY BIGARD

76. WE ST 1 ND IAN ST/BUGLE 8 RE A KS

•89

350. CANNON BALL EX PRESS/B 1 RM 1 NGHAM BOUNCE

.39

35. LAMENT JAVANETTe/rEAOY EDDY

.49

77. NEVER FELT THIS WAY/ALL TOO SOON

.69

358. oh rock/love u MAD

.39

EUBIE BLAKE & FATS WALLER (PIANO ROLLS)

76. EXPOS 1 T1 ON SWING/HARMONY IN HARLEM

.99

35S.HAH.PS GUMBO/SAD FEELING

.39

36.60LL WEAVIL BL/LAST MAN BL

.79

79e0 I NAHS IN A JAM/BUFFET FLAT

.89

366.C00L TRAIN/CANT BELIEVE UR IN LOVE WITH ME

.39

CLAUDE BOLLING ALL STARS

SC.fcse rio grande/prelude to kiss

.89

RIFNN HARnMANS HAMMOND FIVE (WITH LSTER YOUNG)

37. RIVERSIDE BL/GEORGIA BOBO

.49

8l ,BLUES/PLUCKED AGAIN

.95

I23.UPRIGHT ORGAN BLUES/jAZZ ME BL

.99

38, BLUES IN DISGUISE/DIPPERMOUTH BL

.49

82. SAN JUAN HILL/STEPPING INTO SWING SOCIETY

.99

BILL HARRIS

39. U RASCAL U/NOBODYS KNOWS WAY 1 FEEL

.49

83. BOUNCING BOUYANCY/LONELY CO-ED

.99

|24. SOMEBODY LOVES ME/wOOOCHOPPERS HOLIDAY

.39

SHARKEY BONANOS KINGS OF DIXIELAND

84.BLUE LIGHT/SLAP HAPPY

.99

COLEMAN HAWK INS

NEVER RELEASED IN THIS COUNTRY

85. HARLEM A IRSHAFT/SPEIA PANORAMA

.99

I25.BEAN ATT HE MEt/|M IN MOOD FOR LOVE

.39

40. SWEET GEORGIA BR0wn/| LIKE BANANAS

.99

87. SWING LOW/DUCKY WUCKY

.49

I26.SWINGIN IN GROOVE/l KNOW U KNOW

.39

SHARKEY BONANO JAZZ BAND

88.G0IN TO TOWN/TIGHT LIKE THAT

.79

|27. BLUES EVERMORE/DEAR OLD SOUTHLAND

.39

41 .BACK HOME IN 1 ND 1 ANA/m 1 SSOUR 1 WALTZ

.49

89. DOUBLE CHECK/DOWN IN THE ALLEY

.79

I28.WHEN BUDDHA SMILEs/wAY DOWN YONDER IN N.O.

.39

GEORGE BRUNIES JAZZ BAND

90„BLACK AND TAN #l/HOT BOTHERED #\

.79

I29.0UT OF NOWHERE/SWEET GA BROWN

.39

42. JAMAICA SHOUT/l STILL WANT U

.79

91. IM SATISFIED/JIVE STOMP

.79

I30.MAN 1 LOVE/TALK OF THE TOWN

.39

DAN BUR LEY SKIFFLE BOYS

9?r STEVE DO RE /BLUE FEELING

.99

I3I.BIG HEAD/PLATINUM LOVE

.39

43.THREE FLIGHTS UP 1-2

.49

93*pyramid/y;hen SUGAR walks down street

.89

j?_ :

UP TO 9 LP's FREE

JAZZ LAND ID

SEE FIRST PAGE OF ADVERTISEMENT FOR FULL DETAILS OF OUR OFFERINGS

ERSKINE HAWKINS ORCH

HOWARD MC GHEE

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I32.MELANCH0LY/NEEDLE points

.39

207. UP IN DODS ROOM/HIGH WIND IN HOLLYWOOD

.39

228. NANCY JANE/DIRTY DOZENS COUSIN

.69

133. GABRIELS HEATTER/LOVE TO MAKE YOU

.39

208.D0R0THY/NIGHT MIST

.39

TONY PARENTIS RAGTIMERS

MONK HA2EL BAND

2C9.CIALE0 PUPILS/MIDNIGHT AT MINTONS

.39

229.GRACE AND BEAUTY/PRAL 1 NE

.49

134. GIT WIT IT/lDEAS

.49

JIMMY MC PARTLAND DIXIELAND JAZZ BAND

CHRLIE PARKER

HERB 1 E HAYMER OUINTET

2 10. IN A MIST/ROYAL GARDEN BL

.49

230. RELAX IN AT CAMARILLO/STUPENDOUS

.39

1 35.LAGUNA LEAP/BLACK MARKET STUFF

.39

2| 1 .DAVENPORT BL/USE YOUR 1 M 1 GANAT 1 ON

.49

32 1 .RELAX IN AT CAMARILLO/BLUE SERGE ( CHALOFF )

.39

I00DU HERMAN BAND

_BIG MACEO

SANTO IE CORA

I36.MEAM TO Me/bLOWING UP A STORM PT 1

.39

I8I.CHICAG0 BREAKDOWN/WINTERTIME BL

.39

31 i .louisiana/mardi GRAS

.69

137. THE GOOD EARTh/bLOWING UP A STROM PT 2

.39

W1NQY MANONE

3I2.R0SE RIO GRANDE/CANAL ST ROMP

.69

136. MAN 1 LOVE/EVERYWHERE

.39

I82.ISNT THERE A LITTLE LOVE/THATS A PLENTY

.45

SISTER BERN ICE PHILLIPS

1 39. BROTHER FATS/GLORY OF LOVE

.39

I83.SHES CRYIN FOR ME/jUST ONE GIRL

.49

315. ROYAL TELEPHONE/GOD LEADS

.99

140. PASS THE BASKET/hOLLYWOOD BL

.39

l&*.NICKLE IN SLOT/SWING BROTHER SWING

.79

THE RAGPICKERS

141. SUPERMAN ON A HORN/4 MEN ON HO RSE

.39

DODO MARMAROSA

23|. CATARACT RAg/enTERTA INERS RAG

.49

ART HODES JAZZ BAND

185. DODOS BL/I SURRENDER DEAR

.39

232. NONSENSE RAG/REDHEAD RAG

.45

I42.VHLLIE THE WEEPER/cH 1 CAGO GAL

.49

I86.L0VER/DARY DEPARTS

.35

233.THE LILY RAG/CRAWFISH CRAWL

.49

I43.MR JELLY LORO/NEVER KNEW WHAT A GAL

.49

1 87. TRADE WINDS/BOPMATISM

.39

RAGTIME PIANO ROLLS

1 44. BLUES AND BOOZE/ECCENTR IC

.49

ZEP MEI SSNERS DIXIELAND ALL STARS ( RUSHTON

ETC)

AMES P. JOHNSON/FATS WALLER

145. CHIMES BL/ORGAN GRINDER

.49

1 88.BEALE ST MAMA/LEAVIN TOWN

.69

234. PALLET ON FL00r/|8 ST STRUT

.99

ART HODES/j 1 MMY YANCEY

I69.DIXIE DOWNBEAT/WHOS SORRY NOW

.65

RAMPART STREET PARADERS (ALL STARS.)

146. SOUTH SIDE SHUFFLE/THE FIVES

.49

MELODY ECHOS (FINE SPIRIT AL)

344.PAPA DE DADA/RHYTHM RAG

.49

.JOHNNY HODGES ELLINGTONS

190. SAVIOR DONT PASS ME/wILL TO KNOW

.39

345. TAINT NOBOOYS BIz/wHEN 1 FOUND U

.49

I47.H0DGE PODGE/WANDERLUST

.79

ETHEL MERMAN

346.DADA STRAIN/HEEBIE JEEBIES

.49

BILL IE HOLIDAY

363. LOVE IS THE REASON/MAKE MAN LOVE ME

.49

347.HIGH SOCIETY/jUNGLE BL

.49

|49. IM PULLING THRU/GHOST OF YESTERDAY

.89

ETHEL MERMAN 4 JIMMY DURANTE

LUCKY ROBERTS

1 51. MOOD IM IN/SENTIMENTAL MELANCHOLY

.89

354, IF II CATCH cold/u say nicest

.49

235.MUSIC BOX RAG/PORK 4 BEANS

.49

152. SAME OLD STORY/LOVE ME LEAVE ME

.49

MEZZ MEZZROW

KID REN AS DELTA JAZZ BAND

1 53. CARELESS LOVE/MAN 1 LOVE

.49

191. PANIC IS ON/MUTINY IN THE PARLOR

.45

2 36. GET IT RIGHT/WEARY BL

.89

155. SOME OTHER SPRING/LOW DOWN GROOVE

.79

LIZZIE MILES

237. CLR 1 NET MARMALADE/MILENBERG JOS

.69

I56.MAN 1 LOVE/ANY OLD TIME

.49

332. CARELESS LOVE/l CRIED FOR U

.89

JAMES SCOTT

323.EASY TO LOVE/WAY U LOOK TONIGHT

.69

340.ACE IN HOSE/BASIN ST BL

.85

3 1 0.RA GT 1 ME ORIOLE/GRACE 4 BEAUTY

.99

324.1 GOT LOVE KEEP ME WARM/ONE NEVER KNOWS

.85

GLRNN MILLER ORCH

ARTIE SHAW GRAMERCY 5

JOHN LEE HOOKER (GREATEST OF TODAYS BL'CS MEN )

192. DONT WAKE UP MY HEART/wHY MAKE ME FALL IN

.79

360.DANC 1 NG ON CO LING/MY KINDA LOVE

.39

1 57.NEVER SATISFIED/NOTORIETY WOMAN

.49

■BUNCH JB1LLER

GEORGE SHEARING

LENA HORNE

193. SOME THESE DAYS /EXACTLY L 1 KE U

.89

367.C0NCEPTI0n/eAST OF THE SUN

.39

348.0EED 1 DO/LOVE MY LIFE

.39

305. WEARY BL/COOL KINDA PAPA

.99

238. JABBO SM 1 TH

BUD JACOBSONS JUNGLE KINGS

308. SHINE/SMALL HOTEL

.99

READY HOKUM/GOT BUTTE ON IT

.99

I58.CANT BELIEVE UR IN LOVE ME/OPUS 1 SANS MELODY

.69

FREDDIE MITCHELL ORCH

JOE AND TRIZIE SMITH

1 59. LAUGH IN AT u/CLARINET MARMALADE

.69

325. FISH MARKET BL/TILL TOM BL

.39

239.D0IN THE CHARLESTON/LOVE ME LIKE U USED

.39

HARRY JAMES

LITTLE BROTHER MONTGOMERY

BESSIE SMITH

313. TEXAS chatter/song OF WANOERER

.69

I94.SWINGIN WITH LEE/WOMAN 1 LOVE

.79

240. GOLDEN RUL 8L/L0NES0ME DESEART

.49

CONRAD JAN IS TAILGATE JAZZ BAND

1 95 .V 1 CKSBURG BL/NO SPEOIAL RIDER

.49

24I.HUSTLIN DAN/BLACK MOUNTAIN BL

.45

I60.THE SAINTS GO MARCHING IN 1-2

.49

JELLY ROLL MORTONS RED HOT PEPPERS

320. ST LOUIS BL |3

.49

Ifil.EH LA BAS/VlLLIE THE WEEPER

.49

196. JERSEY JOE/SWEET PETER

.99

242. ST LOUIS BL 3-4

.49

162. ORIENTAL MAN/KANSAS CITY STOMP

.49

I97.CIDNT HE RAMBLE/wlNIN BOY BL

.99

THE SOUTHERN JAZZ GROUP (FINE AUSTRALIAN JA ZZ )

JACK JENNY ORCH

199. MOURNFUL SRENADE/GEORGIA SWING

.95

243. CANAL ST BL/TIGER RAG

.49

I63.STARDUST/CUBAN BOOGIE WOOGIE

.79

200. NEW ORLEANS JOYs/pERFECT RAG

.79

MUQGSY SPAN IER

BUNK JOHNSON BAND

20l. CANNON BALL/GRANDPAS SPELLS

.99

244. MY GAL SAL/DIP BRUSH SUNSHINE

.49

I64.SNAG IT/CANT ESCAPE FROM U

.99

202. JELLY ROLL BL/BIG FAT HAM

.79

245.ALABAMA JUB 1 LEe/cAUT 1 ON BL

.49

BUNK JOHNSON 4 LU WATTERS BAND

203. TOM cat/bucktown

•79

REX STEWART

I65.ACE IN HOLE/CARELESS LOVE

.99

204. GRAND PAS SPELLS/KANSAS CITY STOMP

.79

246.rexacious/lazy mans shuffle

.79

EDITH JOHNSON

205. STEAMBOAT STOMP/SMOKEHOUSE BL

.99

247. BOY MEETS HORN/BUZZ BOMP( STORY )

.39

166. NICKELS WORTH LIVEr/hONEY DRIPPER

.69

206,SHREVEP0Rt/sTRATF0RD HUNCH

.79

RALPH SUTTON

1 67.HEART ACHIN BL/aINT NO MORE SAID

.49

30S.CIL well/love ME

.99

253. CAROLINA IN MORN INg/wh 1 Tr WASH MAN

.59

PETE JOHNSON

331. HAM AND EGGS/U NEED SOME L0VIN

.89

254.DILL PICKLES/ST LOUIS BL

.59

I68.CLIMBIN SCREAMIN/HOW LONG BL

.69

NASHVILLE JAZZERS/BLUE RHYTHM ORCH

TAMPA RED HOKUM JAZZ BAND

BLIND WILLIE JOHNSON

300.st louis bl/hold er deacon

.49

255.MY DADDY ROCKS Me/bOOT IT BOY

.99

I69.TAKE BURDEN TO LORO/GOO MOVES ON WATER

.99

NEW ORLEANS RHYTHM KINGS

ART TATUM

3|6. MOTHERLESS CHILDREN/OH LORD

.99

2|2. golden leaf strut/shes cry in for me

.59

302. MAN 1 LOVE/l KNOW U KNW

.39

HANK JONES 4 JEAN GERMAINE

2 1 3.THATS A PLENTY/TIN ROOF BL

.99

JASPER TAYLORS STATE STREET BOYS

170. THE CHASE/NIGHT MUSIC

.39

2 I4.MILENBERG JOYS/SH 1 MMESHA WABBLE

.69

256. MUST BE THE BL/STOMP TIME BL

.79

J1AXIE KAMINSKY

ALBERT NICHOLAS CREOLE SERENADERS

MONTANA TAYLOR

|7|. BLACK 4 BLUE/HAVIN A BALL

.49

2|5.SALEE DAME/MO PAS LEMME CAS

.49

257.R0TTEN BREAK Bl/mONTANAS BL

.49

REVEREND KELSEY ( ABSOLUTELY THE GREATEST

216. l£S OGNON S/CREOLE BL

.49

258.LOW DOWN bugle/i CANT SLEEP

.49

CHURCH MUSIC EVER RECORDED. BUY A SET)

KING OLIVER

259. IN THE BOTTOM/INDIANA AVE STOMP

.49

I72.LITTLE BOY/STAND IN THE STORM

.69

2 1 7. FRISCO TRAIN/WORK OX BL

.79

2 60. SWEET SUE/FOUR DAY BL

.49

173. STORM PASSING OVER/STR 1 V 1 NG FOR PROMISED

.69

2 1 8.MABLES DREAM/SWEET BABY DOLL

.99

JACK TEAGARDEN ORCH

174. TELL ME HOW LONG/EVENING PRAYER

.69

2I9.KR00KED BL/ALLIGATOR HOP

.99

26I.IM ONE GODS CHILDREN/THATS KINDA MAN

.69

I75.IM a soldier/after AWHILE

.69

336.B0Z0/B IMBO

.69

LENNIE TRISTANO

GENE KRUPA BANO

ORIGINAL DIXIELAND JAZZ BAND

262.1 SURRENOER D EAR/BLUE BOY

.39

I76.SWINQ IS HERE/HOPE GABRIEL LIKES MUSIC

.49

220.CLAR INET MARMALADE 1-2

.79

TROMBONE EO AND BLUE SIX

LAWSON HAGGART JA22 BAND

221. SKELETON JANGLE 1-2

.79

263. GREASY PLATE St/b FLAT BL

.99

343. SATURDAY RAG/BUSYBODY

.49

222.TIGER RAG 1-5

.79

BESSIE TUCKER (TRULY INCREDIBLE BLUES SINGER)

CRIPPLE CLARENCE LOFTON (SUPERB PIANO)

223. ORIGINAL DIXIELAND ONE STEP 1-2

.79

264. PEN 1 TENTARY Bl/bESSIES MOAN

.49

I77.U DONE TORE PLAYHOUSE DOWN/BROWN SKIN GAL

.69

329. LIVERY STABLE BL 1-2

.79

SARA VAUGHAN

CRIPPLE CLARENCE LOFTON/ALBERT AMMONS

ORIGINAL ZENITH BRASS BAND

265. LORDS FRAYER/SOMET: 1 FEEL LIKE MOTHERLESS

.49

I78.HAD A DREAM/ST LOUIS BL

.79

224.SHAKE IT BREAK IT/FIDGETY FEET

.99

266. GHOST OF CHANCE/l CAN MAKE U LOVE ME

.49

CLAUDE LUTER JAZZ BANO

3 1 9.SALUTA T 1 ON MARCH/lF 1 EVER

.69

FATS WALLER

1 79. FA NA MA RAG/SOUTH AFRICAN BLUES

.49

HOT LIPS PAGE

267.IM GONNA SIT RIGHT DOWN WRITE SELF LETTEr/yOU

.99

HUMPHREY LYTTLETON BAND

225.D0UBLE TROUBLE/GOT WHAT IT TAKES

.39

268.N0T THERE RIGHT THERE/HAVE * '■AK'v

.69

180. GET OUT OF HERE/SUNDAY MORNING

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ROY PALMER

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226. GEORGIA SWING/STOMP THAT THING

.69

269.PRIZE CAKEWALK STORYV 1 LL^ SWELLS/lF U KNEW

1.29

303. SHAKE IT BREAK IT/TIN ROOF BL

.55

227. JOCKEY stomp/endurance STOMP

.69

270. LEWD WATERS/CH ICAGO BREAKDOWN

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ETHEL WATERS ACC JAMES P JOHNSON

271. MY HANDY MAN/OO WHAT U DID LAST NIGHT .49

LU WAITERS YERBA BUENj JAZZ BAND

272.SK10 DAT DE DAT/EMPERORS NORTON HUNCH .09

273.ShAKE THAT THINg/rOYAL GARDEN 8L .69
JOSH WHITE

274. EV l hearted man/house of RISING SUN .49

BOB WILBERS WILDCATS

275. TR0UBLE IN MINd/whEN U WORE TULIP .49

276. CLD FASHIONED LOVE/CHIMES BL .49

277. L I MEHOUSE BL/z:G ZAG .49
278.0CAL BLACK SHINE/SWEET GEORGIA BR OWN .49

COOTIE WILLIAMS

279.P0WNT0WN UPROAR/BLUE REVERIE .99

279A.T0P AND BOTTOM/TOASTED PICKLE .99

200. GAL AVANT IN/MOBILE BL .89

SUNNY BOY WILLIAMSON

28 I .ELEVATOR WOMAn/S.B. BLUES .49

TEDDY WILSON

282. HONEYSUCKLE ROSe/a|NT M 1 SBBHA V IN .49
263.S0METH ING I DREAMED LAST NIGHT/sHEIK ARABY .49

2 84. BUGLE CALL RAG/MEMORIES OF U .49

2e5,PUNNIN WILD/CANT GET STARTED .49

286.ST0MPIN AT SAVOY/BLUES TOO .49
JIMMY YANCEY

287. THE FIVES/SOUTH SIDE SHUFFLE .89

LESTER YOUNG W TH BASIE

288. LET ME SEE/EVENING .49

289iEor't'V SIDE of street/china boy .89
A GROUP OF 78RPM ALBUMS AT FABULOUSLY LOW PRICES

29CVICS AND ANCY ALBUM.. .6 SIDES..

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291. JACK BENNY ALBUM. ..6 SIDES

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293. BURNS 4 ALLEN W. MATTY MALNECK

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294.FDDIE CANTOR ... 6 SIDES

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295.ED ARCHY GARDNER. ..8 SIDES ALL

STARS

1.29

296. WILLIE HOWARD. ..FRENCH LESSONS

1.59

297, FIBBER MCGEE & MOLLEY...E SIDES

1.29

298.MUSEAUM OF JAZZ ALBUM FEATURING

HACKETT

ROLL IN 1 , DA Ml CO ETC

1.99

299.HA GT 1 ME FAVORITES. ..FINA ALBUM

8 RAGS

1.99

GREAT NEW JAZZ RELEASES ON "RIVERSIDE" LPS
LOUIS ARMSTRONG PLAYS THE BLUES 3,

RLP1001
RLP1 002
RLP1003
RLP1004
RlP!005
RLP1006
RLP1 007
RLP1008
RLP1009
RLP1 010
RLP1011
RLP1012
RLP1013
RLP1014
RLP1 015
RLP1016
RLP1017
RLP1018
RLP1019
RLP1020
RLP1021
RLP1022
RLP1023
RLP1024
RLP1 025
RLP1 026
RLP1027
RLP1 028
RLP1029
RLP1 030
RLP1 031
RLP1 032
RLP1033
RLP1034
RLP1 035
RLP1036
RLP1 037
RLP2501
RLP2502

JOHNNY DODOS VOLUME 1 3

MA RAI NEY VOLUME 1 3

•THE CHICAGOANS, MUGGSY, TESCH ETC 3

NEW ORLEANS HORNS 3

RAGTIME PIANO ROLL 3,

.KING OLIVER PLAYS THE BLUES 3

JAZZ OF THE ROARING TWENTIES 3

PIONEERS OF BOOGIE WOOGIE 3

REDISCOVERED FATS WALLER SOLOS 3

JAMES P JOHNSON EARLY HARLEM PNO 3

ART HODES CHICAGO RHYTHM KINGS 3

THE FABULOUS TROMBONE, IKE HGDGERS 3

.FOLK BLUES, BLIND LEMON JEFFERSON 3

.JOHNNY DODOS VOLUME 2 3

MA RAI NEY VOLUME 2 3

•COLLECTORS ITEMS VOLUME 1 3

REDISCOVERED JELLY ROLL SOLOS 3

IDA COX SINGS MEAN & MOANIN' BLS 3
ROY PALMER i THE STATE ST RAMBLERS3

•CATS WALLER AT THE ORGAN
JIVIN' WITH FATS

BIX BE I DERBECKE 4 THE WOLVERINES
•GEORGE BRUNIS WITH N. O.R.KINGS
RAGTIME PIANO ROLL
TOMMY LADNIER VOLUME 1
JELLY ROLL MORTONS KINGS OF JAZZ
.JIMMY YANCEY, A LOST RECORD DATE
.ARMSTRONG WITH KING OLIVER C R J B
•WINGY MANNONE'S DIXIELAND JAZZ
•JIMMY BLYTHE SOUTH SIDE BLS PIANO
•THE GREAT BLUES SINGERS
CLARENCE WILLIAMS AND HIS ORCH
PIONEERS OF BOOGIE WOOGIE VOL 2
MUGGSY SPANIER'S BUCKTOWN FIVE
JIMMY BLYTHE 'S STATE ST RMBLRS
•CRIPPLE CLARENCE LOFTON

BOB WILBER'S WILDCATS
.CARL HALEN WITH GENE MAYL 'S
DIXIELAND RHYTHM KINGS 4 WSHBD

5 3.

RLP2503.NEW ORLEANS ENCORE- BOB HODES*
RED ONION JAZZ BAND

93
95
95
95
95
95
95
95
95
95
95
95
95
95
95
95
95
95
95
95
95
95
95
95
95
95
95
95
95
.95
95
,95
,95
95
,95
,95
,95
,95

,95

,95

GREAT NEW JAZZ RELEASES ON RIVERSIDE LPS
RLP2504.GENE MAYL *S DIXIELAND RHYTHM KINQS3.95
RLP8001.I LOVE NEW YORK- PAT NORTHROP 3.95
RLP8002. POLKA DOTS AND MOONBEAMS, PIANO

SOLOES BY TONY BURRELLO
RLP4O01 .AFRICAN COAST RHYTHMS— 12"
RLP4002. VOICE OF THE CONGO- 12"

3.95

5.95
5.95

RLP4003.NEW SONGS OF THE AFRICAN COAST 12"5.95

GREAT VICTOR JAZZ REISSUES ON "X" LPs

LX3000 • J I MMY YANCEY :BLUES AND BOOGIE
LX3001.REX STEWART AND HIS ORCHESTRA
LX3002J I MM IE LUNCEFORD'S CHICKASAW SYNCOS
LX3003.BEN POLLACK FEATURING B GOODMAN
LX3004. BENNY MOTEN'S K C JAZZ VOL. 1
LX3005. EDDIE CONDON'S HOT SHOTS
LX3006. JOHNNY DODDR' WASHBOARD BAND
LX3007.ORIGI NAL DIXIELAND JASS BAND
LX3008. JELLY ROLL MORTON'S RED HOT PPRS

LX3009. Backgrounds of jazz vol i(jug bnds

POPULAR JAZZ RELEASES ON ATLANTIC LPS

130. JIMMY AND MA YANCEY SPECIAL 3,

139. DIXIELAND AT JAZZ LTB: MIFF MOLE . 3,
134. JIMMY YANCEY PIANO SOLOS 3,
126. PEEWEE RUSSELL 4 RHYTHM ASTERS 3,
141. NEW ORLEANS JAZZ BY WILBUR DEPARIS 3,

140. DIXIELAND AT JAZZ LTD: BECHET-6PAN I ER 3

85
85
85
85
85
85
85
85
85
3 5

95
95
95
95
95
95

FINE JAZZ LPS ISSUED BY GOOD TIME JAZZ

3. ragtime classics by wally rose

4. turk murphy's jazz band vol. 1

5. turk murphy's jazz band vol. 2
7. Turk murphy's jazz band vol. 3

8.lu watters * yerba buena jazz band vol.!

9. bob scobey's frisco band vol. 1

10. KID ORY'S CREOLE JAZZ BAND 1944/45vOLl

11. KID ORY'S CREOLE JAZZ BAND 1944/5 V0L2
13. THE FABULOUS PAUL LINGLE

17. BUNK JOHNSON 4 YERBA BUENA JAZZ BAND

18. TURK MURPHY'S JAZZ BAND VOL. 4

19. BURT BALES AFTER HOURS

21. KID ORY'S CREOLE JAZZ BAND 1953

INTERESTING NEW RELEASE ON PERIOD LP

1010.DJANGO RE I NHARDT MEMORIAL VOL 1 10"

GREAT JAZZ MATERIAL ISSUED ON DIAL LPs

214.DJANG0 R E I NHARDT VOL.

3.00

3.00
3.00
3.00
3.00
3.00
3.00
3.00
3.00
3.00
3.00
3.00
3.00

4.00

T

218.DJANG0 RE I NHARDT VOL. 2
301 .SIDNEY 8ECHET VOL. 1
302. SIDNEY BECHET VOL.2

304. ROY ELDRIDGE

303. EARL HINE6 (biGARd) VOL.

305. WILLIE THE LION SMITH

306. EARL HINES VOL. 2

4.00
4.00
4.00
4.00
4.00
4.00
4.00
4.00

FINE CLASSIC CONTEMPORARY JAZZ ON "A440" LP

503. WILBUR DEPARIS NEW N.O.JAZZ 3.00

OUTSTANDING JAZZ RELEASED ON STINSON LPS

30.SPANIER-RUSSEL RAGTIMERS VOL • 1 3 .00

31 .S PAN I ER— ftUSSEL RAGTIMERS VOL. 2 3.00

46. SIDNEY BECHET CONCERT 3.00

24. MARY LOU WILLIAMS 3.00

25. MEADE LUX LEWIS 3.00
40. ART TATUM 3.00

BLUE NOTE LPS BY FAMOUS JAZZ ARTISTS

BLP7020. FABULOUS SIDNEY BECHET HOT SIX 3.95

BLP7021 .ART HODES BACK ROOM BOYS 3.95

BLP7022. SIDNEY BECHET HARLEM SIX 3.95

BLP702».«EZZ lEZZRsr AND LEE LULL INS 3.95

BLP7024. SIDNEY BECHET FESTIVAL CONCT VOL1 3.95

BLP7025.SID BECHET JAZZ FESTIVAL CNCT VL2 3.95

BLP7026. DIXIE BY BECHET WITH JONAH JONES 3.95

REMARKABLE PIANO LPS ON "WINDIN BALL"

101 . DON EWELL PIANO SOLOS 3.95

102. DON EWELL PLAYS KING OLIVER TUNES ( PNO )5. 95
(ABOVE RECORD 12 INCH)

AUDIOPH ILE

THE MOST FABULOUSLY RECORDED SOUND EVER PUT
ONTO RECORDS. ALL GOOD JAZZ. PLAY ONLY AT
78 R.P.M. USING MICROGROOVE NEEDLE. 12" RCDS
AP1 .HARRY BLONS DIXIELAND JAZZ VOL 1
AP6. HARRY BLONS DIXIELAND JAZZ VOL 2
AP7.RED NICHOLS VOL 1
AP8.RED NICHOLS VOL 2
AP1 O.HARRY BLONS EASY LISTENING
AP11 .DOC EVANS VOL 1

5.95

5.95
5.95
5.95
5.95
5.95

HI-FI JAZZ ON VANGUARD LPS

VRS8001.VICK DICKENSON SEPTET VOL 1 4.00

VRS8002.VIC DICKENSON SEPTET VOL 2 4.00

VRS8003.SIR CHARLES T HOMPSON SEXTET 4.00

VRS8004.MEL POWELL SEPTET 4.00

GREAT JAZZ RELEASES ON RIVERSIDE EPs(45rpm)

REP101.LOUIS ARMSTRONG PLAYS THE BLUES 1 .58

REP102. JOHNNY DODDS WITH DOMINIQUE 1.58

REP103.THE CHICAGOANS WITH MUGGSY, TESCH 1.58

REP104.RAGTI ME PIANO ROLL 1.58

REP1 05 .RED 1 6C OVER ED FATS WALLER SOLOS 1.58

REP106.YANK LAW60N'S DIXIELAND JAZZ 1.58

A vital message
to the head of
the family

Two ways you can
protect your family
against CANCER

... a check
... a check-up

Cancer strikes in one of every
two families. Each year more than
60,000 American children under
the age of eighteen lose a parent
to cancer.

Yet many cancers can be cured,
if discovered in time.

Every man should have a
complete physical examina-
tion once a year. Women over
thirty -five should have a com-
plete physical examination
twice a year.

Because of scientific advances,
patients are being cured today
who could not have been saved
even five years ago.

The American Cancer Society
asks your help in the fight against
cancer. Your check today will
help pay for costly research. Will
help keep physicians informed of
latest developments in detection
and treatment. Will help pay for
the training of doctors to special-
ize in cancer.

How soon we find cancer's
cause and cure depends on how
soon and how much help comes
from people like you.

Invest your money today for your
family's security tomorrow.

| 1

"Cancer" c/o Postmaster, (Your town)

Please send me free literature
about cancer.

Enclosed is my contribution of
$ to the cancer crusade.

Name,

Address _
City

_State_

Cancer strikes One in Five
STRIKE BACK...
Give to Conquer Cancer

_J

32

WANTED

ALL OF THE FOLLOWING WANTED. PLEASE TELL US WHAT
BUWWB rntTc. lunintTF condition Also. WE will

BOX 9

C/O THE RECORD CHANGER
4|8 WEST 49TH ST. NEW YORK |9, N.V.
YOU HAVE TO OFFER AND PLEASE INDICATE YOUR LOWEST PR I
NOT MAKE OFFERS SO PLEASE BE EXPLICIT IN YOUR FIRST LE

WANTED

CE. WHEN QUOTING PRICE REMEMBER THAT YOU WILL HAVE TO PAY
TTER. ALL SUCH OFFERS WILL RECEIVE IMMEO IATE ANSWERS.

ANDY MANSFIELD CH 15438

CARL MARTIN CH 50074

DAISY MARTIN GE 4712
BERT MAYS PM 12614, PM 12632
MEMPHIS STRUTTERS CH 15415

JOS IE MILES ANY ON GENNETT

JULIA MOODY ANY ON BLACK SWAN

ALICE MOORE ANY ON PARAMOUNT

MONETTE MOORE ANY ON PARAMOUNT

JELLY ROLL MORTON GE 5289 GE 5323

PM 12050 PM 20332 AU 607
NAYLOR'S SEVEN ACES ANY ON GENNETT

TUB JUG WASHBOARD BAND PM 12671

BESSIE MAE SMITH PM 12922
WHITEWAY JAZZ SAND PM 20014

JAMES "BOODLE IT" WIGGINS PM 12860

CLARENCE WILLIAMS QRS 7001, 7003, 7004,
7005. 7032, 7033, 7040, 7044, 7035,
7055j 7048. BDWY 5034, 1347, 1348
PM 12884, 12839, 12870
MA RAINEY PM 12252 AND MANY OTHERS
TRIXIE SMITH PM 12256, 12262
SAMMY STEWARTS TEN KNIGHTS PM 20340

STOMP SIX ANY ON AUTOGRAPH

JASPER TAYLOR PM 12409

JABBO WILLIAMS PM 13127, 13130

JOHN WILLIAMS PM 12457, BP 8009

AUSTIN 4 HIS MUSICAL AMBASSADORS PM 12359
LOVIE AUSTIN 4 HER BLUE SERENADERS PM 12255,
12277, 12278, 12283, 12300, 12313,
12361, 12380, 12391
BARREL HOUSE FIVE ANY ON PM, QRS, BWAY
VIOLA BARTLETTE PM 12369

ANNA BELL QRS 7008
BIG BILL 4 THOMPS PM 12656
8LYTHES WASHBOARD BAND PM 12368

PERRY BRADFORD'S JAZZ PHOOLS PM 12041,

20309, PU 11309, CLAX 40309

DOBBY BRAGG ANY
BROADWAY RASTUS PM 12764

MERRITT BRUNIES ANY ON AUTOGRAPH

LAURA BRYANT ANY ON QRS

ALICE LEE CARTER ANY ON HYTONE OR CLEARTONE

JUNIE COBB ANY ON PARAMOUNT

OLIVER COBB ANY ON PARAMOUNT

IDA COX PM 12044, 12282, 12291, 12298,

12307, 12325, 12334, 12381, ALSO

MANY OTHERS WITH GOOD LADNIER OR

JOE SMITH
DIXIE FOUR ANY ON PARAMOUNT
DIXON'S JAZZ MANIACS PM 12405, 12426

DODDS 4 PARHAM PM 12471, 12494

PIANO KID EDWARDS ANY ON PARAMOUNT

CHARLIE ENGLISH PM 12610

grant 4 WILSON PM 12272, 12324, 12379

BLIND ROOSEVELT GRAVES ANY
LEE GREEN ANY ON PARAMOUNT

THE HAITIAN ORCH ANY ON BALDWIN OR VARSITY

GEORGE HANNAH PM 13048

HARLEM HARMONY KINGS PM 12003

HARRY'S RECKLESS FIVE BDWY 1355
BERTHA HENDERSON PM 12084, 12239, 12203,

vo 1043, 1015

FLETCHER HENDERSON ED 51776, 51277, ANY ON

PM, PURITAN, BUDDY, TRI, MAXSA,
NATIONAL, OLYMPIC

KATHER I NE HENDERSON QRS 7032, 7041

THE HOTTENTOTS PM 12359

JACK 0 DIAMONDS PM 12786

PRESTON JACKSON UPTOWN BAND ANY ON PARAMOUNT

JOE'S HOT BABIES PM 12783

J C JOHNSON'S 5 HOT SPARKS QRS 7064

JAMES P JOHNSON B6 2026, 2044

JOHNNY JOHNSTON'S REBELS PU 11449,

11461, 20452
ANNA JONES ANY ON PM
CLARENCE JONES SOCK 4 ANY ON PM

KANSAS CITY FRANK ANY ON PARAMOUNT

LITTLE BROTHER MONTGOMERY PM 13006
LOUISIANA STOMPERS PM 12550

HATTIE MCDANI EL ANY ON PARAMOUNT

CHARLIE MCFADOEN ANY ON PARAMOUNT

MCKENZIE 4 CRUMP PM 12357

MIDNIGHT SERENADERS PM 20657

JELLY ROLL MORTON ANY ON R I ALTO ,

AUTOGRAPH, PARA, PURITAN,

MITCHELL, NATIONAL, GENNETT,

BUDDY, SILVERTONE, ETC.
JIMMY 0 BRYANT ' S WASHBOARD BAND ANY ON PM
MEMPHIS FIVE ANY ON PM, BWAY , PUR I TAN, EO I SON

ORIGINAL MIDNIGHT RAMBLERS ANY ON AUTOGRAPH
KING OLIVER ANY ON AUTOGRAPH
TINY PARHAM AND H I S 45 ANY ON PARAMOUNT
OLLIE POWERS HARMONY SYNCOPATERS ALL 4

TAKES OF PM 12059, ALSO 20263,

CLAX 40263, PU 11263
ELZADIE ROBINSON ANY ON PARAMOUNT

ROB ROBINSON M ANY ON PARAMOUNT
WILSON'S TOBA BAND PM 12408

SHELLEY ARMSTRONG ANY ON CHAMPION

BABY BONNIE ANY ON G ENNETT
WILLIE BAKER ANY ON GENNETT

BIRMINGHAM BLUE BUGLERS ANY ON G ENNETT

BLACKS I ROS OF PARADISE ANY ON GENNETT
BLACK DOMINOES ANY ON GENNETT

BLACK PIRATES ANY ON BWAY

BLYTHE 4 BURTON ANY ON GENNETT
BLYTHE'S BLUE BOYS ANY ON CHAMPION
VI BRADLEY ANY ON CHAMPION

DUKE OWENS 4 BUD WILSON ANY ON GE OR CHAMP

GEORGE JEFFERSON 4 WILLIW WOODS ANY

SONNY GREER ANY ON BLUE DISC

THE ELLINGTON TWINS ANY ON BLUE 0 1 SC

JOHNNY SYLVESTER ANY ON GENNETT

HOC I EL THOMAS ANY ON GENNETT

HOWARD THOMAS ORCH ANY ON CHAMPION

AL TRENT ORCH ANY ON GENNETT AND CHAMPION

JOE TRENT 4 HIS DEACONS ANY ON BLUE DISC

DUKE ELLINGTON ANY ON BLUE DISC

VICKSBURG BLOWERS ANY ON GENNETT

VI CKSBURG TEN ANY ON CHAMPION

JIMMY WADE ORCH ANY ON GENNETT

HIS GANG ANY ON CHAMP
ANY ON GENNETT
ANY ON QRS
SOME ON GENNET AND CLAX
ANY ON GENNETT

BILL WILLIAM AND
SIDNEY WILLIAMS
CHICKEN WILSON
WOLVERINES
SAMMY LEWIS

LOUISIANA STOMPERS ANY ON PARAMOUNT

ALL WASHBOARD AND BLUES ON VARSITY
EMIL SE I DEL ANY ON GENNETT
STATE STREET RAMBLERS MANY
BUDDY SUTTON ANY ON CHAMPION
6AMMY SWIFT ANY ON BLACK SWAN

KITTY IRVIN ANY

ALEX JACKSON'S PLANTATION ORCH ANY ON GENNETT

SKIP JAMES ANY ON CHAMPION

THE JELLY WHIPPERS ANY

CAROLINE JOHNSON ANY ON G ENNETT

LIL JOHNSON ANY ON CHAMPION

PORKCHOP JOHNSON ANY ON CHAMPION

JOHNSON 4 SMITH ANY ON CHAMPION

JUL I A JONES ANY ON GENNETT

MAGGIE JONES ANY ON GENNETT

KENTUCKY BLOWERS ANY ON GENNETT

ELIZA LEE ANY ON GENNETT

GEORGE E LEE ANY ON MERRITT

BIG BOY GEORGE OWENS ANY ON G ENNETT

STAR PAGE ANY ON PARAMOUNT

TURNER PARR I SH ANY ON CHAMPION

PLANTATION SERENADERS ANY ON CHAMPION

ANDY PREER 4 COTTON CLUB ORCH ANY ON GE

QRS BOYS ANY ON QRS

JOSEPHINE BEATTY WITH THE RED ONION JAZZ
BABIES ALL ON GENNETT
BUD RITCHIE ORCH ANY ON CHAMPION

JOHNNY RINGOES ORCH ANY ON CHAMPION
BRAD GOWANS RHAPSODY MAKERS ANY
EOOIE GRAY ANY ON BLACK SWAN
HAPPY HARMONISTS MANY
H I G HTOWERS NIGHT HAWKS ANY
ORIGINAL MEMPHIS MELODY BOYS GE 5123,
BU 8005

NEW ORLEANS RHYTHM KINGS GE 51 02 (1 1357A ) .

5104(11352), 5104(11352/),
51 051 11359) (11359), 51 05(1 1353b) (11359B),
5106(11354A OR b),5217(11551a),
3076(11551 ),5219(11535a)(11539),
521 9(11539a],5220(1 1540) (11541 A),
5220(11540a)(i1541c)
NORTHERN MELODY BOYS GENNETT 6278
HUSK O'HARE'S SUPER ORCH ANY ON GENNETT

KING OLIVER ANY ON PM, CLAX, PURITAN,

PLEASE QUOTE MX NUMBER, MANY ON GE
ORIGINAL INDIANA FIVE ANY ON G ENNETT

Edison Cylinders

we are in the market for collections, la roe or
small, of any and all edison cylinders. anyone
having these items in any quantity from one up
who is interested in disposing of them is in-
vited to contact us.

There is no limitation on artists or person-
alities. We are interested in all Edison
cylinders.

Piano Rolls

Piano rolls that were cut by various jazz
artists, classical pianists, and numerous
8r0adway, show and other personalities are
also desired. we are interested in these items
in all quantities, large or small collections,
individual rolls, etc.

WANTED ON EDISON:
ANY RECORDINGS BY THE FALLOWING ARTISTS:

CLAUD I 0 MUZ I 0
AL BERNARD
ERNIE HARE

WILLIAM JENNINGS BRYAN
HOAGY CARMI CHAEL
VAUGHN DE LEATH

RED 4 MIFF'S STOMPERS

ED MEEKER

LEN SPENCER

HARRY LAUDER

MAT KEEFE

GEORGE STRICKLETT

JIMMY DURANTE' S JAZZ BD HAROLD E KNIGHT

CLIFF EDWARDS
ARTHUR FIELDS
HARRY E HUMPHREYS
AILEEN STANLEY
THOMAS A EDISON
BESSIE ABBOTT
GENE AUSTIN
EVAN BALDWIN
DIGBY BELL
SARAH BERNHARDT
MAURICE BURKHART
ANNA CASE
MARTI NELLI
RACHMANINOFF
GRACE CAMERON
ANNA CHANDLER
RAY COX

EDGAR L DAVENPORT
PORFIRI 0 D IAZ
LILLIAN DOREEN
MARIE DRESSLER
FRED DUPREZ
GLEN ELLISON
BRESS ELORIDGE
FRED EAST
EUGENE EMMETT
MARGARET FARRELL
E M FAVER
GRACE WOOD
FLORADORA SEXTET
IRENE FRANKLIN
LOTTIE GIBSON
RACHEL GRANT
OR V I LLE HAROLD
ED ITH HELENA
ETHEL HEPBURN
VICTOR HERBERT ORCH
FRED HILLERBRAND
M K HI LL
ROLAND HOGUE
ADA JONES
BILLY MURRAY
BILLY JONES
STEVE PORTER

HELEN CLARK

GEORGE GERSHWIN
ELLINGTON'S FIRST DISC
FIRST RECORD STARDUST
VINCENT LOPEZ (NOLA, ETC) FRANK MUNN
PHIL BAKER RADIO FRANKS

ARTHUR C LICHTY
MABEL MCKINLEY
DAVE MARTIN
STELLA MAYHEW
S MAYHEW ». BILL
EO MORTON
PETE MURPHY
WILL OAKLAND
JOS A PHILIPS W.
COLLINS 4 HARLAN
HENRY BURR

MISS ISABELLE PATRI COLA
MAUDE RAYMOND
GEORGE WILTON B ALLARD
GLADYS RICE
VERNON DALHART
IRVING KAUFMAN
ELI LENNOX
J HAROLD MURPHY
WALTER VAN BRUNT
WALTER SCANLON
TEDDYROOSEVELT
MANUEL ROMAIN
JULIAN ROSE
JUNE ROSSMORE
JOSIE SADLER
JUNE SANFORD
HENRY SANTRY
ERNEST H SHACKLETON
ARLENE SHAW
SOUSA'S BAND
W N TAFT
VESTA TILLEY
HELEN TRIX
SOPHIE TUCKER
CLARICE VANCE
MARSHAL P WILDER
NAT WILLS
BESSIE WYNN
GENE AUTRY
MILLS BROS
VINCENT LOPEZ
CARSON ROBI NSON
GUY LOMBARDO
FRANK LUTHER
ETHEL WATERS
ALBERT SPAULDING

WE ARE ALSO LOOKING FOR
HlNOREDS OF RECORDS OF A SIMILAR NATURE
ON OTHER LABELS AND BY OTHER ARTISTS.

PLEASE TELL US WHAT YOU HAVE TO
OFFER. HOWEVER WE ARE GIVING
PREFERENCE TO OUR LISTED WANTS.

33

AUCTION

BING CROSBY

THE RECORD CHANGER

BOX C 4|6 WEST 49TH STREET NYC 19 NY

AUCTION

BING CROSBY

ALL RECORDS ARE 78 RPM EXCEPTING WHERE OTHERWISE SPEC I Fl ED .WH EVER THERE IS A MASTER NUMBER IT W I LL BE LISTED IMMEDIATELY FOLLOWING THE TITLE. CHECK YOUR
RECORDS AGAINST THESE NUMBERS AS ALTERNATE, 2ND & PREVIOUSLY UNKNOWN ALTERNATE MASTERS ARE HEREIN AVAILABLE. ESPECIALLY CHECK MASTERS ON TESTS. THE RECORDS
ARE ALL IN N» CONDITION OR BETTER UNLESS OTHERWISE NOTED. MINIMUM BID IS $1.00 PER RECORD UNLESS OTHERWISE NOTED .PLEASE BID BY NUMBER TO LEFT OF COLUMN.
WINNERS NOTIFIEO TO S END AMOUNT OF WINNING BIDS PLUS f% FOR PACKING. ON RECEIPT WILL BE SHIPPED via rrx CHARGES COLLECT.CROSBY IS ON ALL ITEMS IN ADDITION
TO OTHER FEATURE NAME ON SHOW SIDES.

375. W.DICK HAYMES, ANDREWS SISTERS;SHOW
BUS I NESS ( WL4378A3 )/ ANYTH I NG U CAN

DO (WL4377A7)

376. SMALL ONE: NARRATION, PTS . I 44.

(WL4379A2 4 WL4382A3)

377. HAPPY PRINCE. PT.2 W. ORSON WELLES.

(wl3930t4a )/part 3. (wl393it4a)

378. BING 4 JASCHA HE I FETZ :where MY cara-

VAN HAS RESTED { L4t^8A j/BRAHMS

lullaby (l4227a)

379. happy prince. part i 4 4. with orson

WELLES(wl3932t2a 4 WL3929T3A )

380. ROAD TO MOROCCO (WITH B.HOPE)/PUT IT

THERE pal(l3687a 4 l3686a)

38 1 . with WH I TEMAN : MY blue heaven
(bue 39627-3 )/(sh i LKREt)

382.SW«NEE RIVER (OLA 96a)/emPTY SADDLES

(dla436a) rare japanese polydor.
383.thanks(laia)(i2)/home on range
la22a-1 6 (silver 4 blue label

3 84. SHADOWS ON WINDOW ( B I |4 I 7B )/sh I NE

(l |376a)

385. RIDIN' ARD. IN RA I N ( LA I 47A-I | )LOVE
THY NEIGHBOR (lA|34A-|0)

386 . someone stole gabriel horn ( b i 3 i 49a9 )/
last roundup(la20a-9) rare label

387. GOT TO PASS YR . HOUSE ( b782a )/cAB I N

IN pines(b804a)

388. we'r couple of soldiers(bi250ia)/
once in bl. moon( la i 35a— i i rare

389. ALL OF MY LIFe(l3726a)/tEMPTATI0N

(l3747a)

390. day u came alg (la2a-5)/b'ful girl

LA I 8A-5 )

391. G0T ME CRY I N* AG A I N ( B I 3044A )WHAT DO

I CARE its home(bi3043a)

392. D0NT BE THAT WAY (0L« |277a)
393. SMALL FRY (OLA |297a)

394. MY MELANCHOLY BABY (DLAI633A)

395. eileen(wl5i89a9)/how CAN U BUY KIL-

LARMEY (WL5I9088)

396. stay well(wl5206t7a)/little GREY
house (wl5207Ti3a)

397 ■ SMART Y (dla 832*)/moon GOT IN MY

eyes (dlaS3ia)
398. can i forget u(dla939a )/folks who

live on h i ll (dla940a )
399 .looks like cold w i nter ( wl5833a9 )

marshm allow world (wl5834a4 )

400. S I NG I NG HI LLS (DLA I 952A )/tUMBL I NG

tumbleweeds(dlai9i9a)
40i .high on list(wl5452t5a)/life is so
peculiar (wl545it3»)

402. TEDDY BEARS P I CN I C ( WL5694T I OA )/rU-
DPH RED NOSED '(WL5695T7»)

403. FRIENDLY ISLANDS(WL5700T5A)/ALL MY

LOVE (wl570iai2)

404. JUST WORD CONSOLATI On(dla555»)/dEAR
OLD G IRL (DLA554A )

ADESTE FIDELES(405) MASTER DLA256a/s I LENT
NITE (DLA26IA)

406. LETS CALL A HRT (DLA478A )/pENN I ES FR .
HEAVEN (DLA463A-C)

407. TOUCH OF YR.L IPS(DLA308A)/TWI LI TE ON
TRAIL(307A-O )

408. HARBOR LITEs(wl5B|6T3a)/bEY0ND THE

reef(wl58i6t3a)

409. wh. sun GOES down(wl5292t2a )/home
CCOKM' (i»76|44TIa)

410. silver bells(wl5832t6a)/that xmas
feeling (wl582it7a)

41 1 .COMMAND PERFCiRMANCE-pt.i :bing with

B.HOPE, SINATRA, GARLAND. I LOVE YOU,
ETC. ALUM, 33 RPM. I SIDE

4| 2 .COMMAND PERFORMANCE— PT .2 !B I NG , S I NATRA ,
D. SHORE, K.4Ar PEWTER J PARODIES ./cont.
33, ALUM , 33 RPM • 2 SIDES

4| 3 .COMMAND PERI ORMANCE, PT.2, CONTD •

BING, D .SHORE, CHAR I OTLLRS,K .CARPTR .
SHCO SHOO BABY, PAROD I ES;/C0NT 'D . , 0
WH.B'FUL MORNG .ETC . , PAROD I ES. ALUM,
33 RPM

4I4.THE GREAT JOHN L. COMPLETE BLOWUP,

NEVER RELEASED. BING, w. B .HOPE, F .S I N-

ATRA, L. DARNELL: FRIEND OF YRS-S I NATRA ;

PERF. GENT-BING;SW. 16, BING. 6/l 5/45.

78 RPM. (nd5mm4875-ib) ALUM |2" TRAMS.

4| 5. MED LEY FROM HERE IS MY HEART :with EV.

BREATH I TAKE— LOVE JUST ARD. COR NER-

JUNE IN JAN. FROM KRAFT MUSIC HALL,

ll/30/44./l PROMISE u(bing). (VP |05|-|2" V--DISC

D-4-TC-537-I A ) VINYL. 1 43

4 1 6. GREAT JOHN L. BING W. HOPE, SINATRA,

LINDA DARNELL \ FRIEND OF YRS J /CONTD.,

ADD FR. LANG FORD ; SW. 16, B I NG-LANGFORD .

ALUM. 78 RPM. 1 2" TRANS .

4I7.GREAT JOHN L., CONTINUED. SAME ARTISTS,

SONG REPRISES, KoLO 4 duet. alum, 78 rpmi2" trans.

DE

4O039

DE

40040

DE

40009

DE

4001 2

DE

40007

DE

40000

VI

20828

POJA 15356

PE

|3|38

BR

6276

BR

6852

OR

2998

BR

66 10

OR 2964
(288879
(odBra

OK

2830

BR
DE
DE
DE

6515
TEST
TEST
TEST

DE

24846

DE

24824

deAu 5i73

DEAu 5i86

DE

27230

DE

25345

DE

27173

DE

27159

DE

271 17

DE

1044

DE

62 1

DE

947

DE

757

DE

2721 9

DE

27019

DE

27229

1 2" TRANS.

2" TRANS.

I 2" TRANS.

4I8.BING CROSBY FLUFF .B I NG WITH 0. HAYMES, d/
D AY , AND Y RUSSELL, AL JOLSON. FROM
CROSBY ON BENNY PROGRAM. |2"

-'i 9. SISTER KENNY FOUNDATION, PT.3— B I NG ,w. J .
DORSEY ORB, P. MUNSEL, D.PARKER. COME TO
BABY DOJALUM,78 R Pm/pT . 5;SAME ,M I GhT AS
WELL BE SPRING! 1 2/5/45. ALUM; 78

SISTER KENNY FOUNDAT I ON, pt . 6:SAME,

420.

42i

422.
423.

424,

425.

426,

427

428

429

430

43l

432

433
434

435

436

437

438

439

44C

44l

442

443

v-01 sc

773

|2"TRANS

(2 SIDES!)
|2" TRANS

CONTD ; LOVER-OORSEY ; SONGS BY BING .78.
SURE TH I NG ( WL5000A I 4 )/sOME PL .ANYWHERE

RD.(wL5048Al9) DE 24S76

you're Wful(wl5003ti0a)/sorry(wl5205ti0a )de24826
anniversary song ( cawl4400t5a )/suspense
(WL4446 BrE 3967

0 god our help(wl4999a5)/holy,holy
WL4992A5) DE |453|

all hail power jesus (*l4998a5)/rock of
AGES (WL4995A6) DE |45|7

"ISITING FIREMEN(DLA|966A)/MR. MEADOW-
liAND(DLAl985A) DE 25|48

JUST ONE TH. THINGS ( L3725A )/n I GHT 4

DAY (l33i6a) brE 4109

SUNNYSIDE OF ST . (W73288T6A )/bOOG I E-

woogie (w73287t5a)w.e.heywood BRE 4|20

DARLING JE VOUS A I ME ( DLA2 540 A )/j ' ATT EN—

drai (w73249t5a) BRE 4i2i

GIRL W. PIGTAILS(OLAI 92 1 a)/thESE FOOL-
ISH THINGS (L3707AI ) BRE4|22
ROUTE 66(wl4|77TI2a)/sw. LORRAINE

(wl3953ti7a ) BRE 4i32

.who's sorry now(l3950aa)/when day is
DONE (dla23i4a) BRE3875
how soon (w73939bb)/u do(w73938) BrE 3863

.GOLDEN EARRI NGS ( WL4604 )/bUT B'FUL

(wl4556t2a) BRE 3838

,tallahassee(wl4397)/qo west young man
(brE 3822 BRE 3622

.FEUD I N ' 4 FIGHTIN' (W73909)/S. AMERICA

take it away(wl4i78t5a) BRE 38|3

.LET'S START N.YR.RITe(0La2990a)/wHITE
XMAS (DLA3009 BRE 3384

,AT FLYING W.(wl4677T|5a)/|60 ACRES
WL4676TI8A) BRE 3982

,0L' MAN RIVER (0LA2538a)/bEGIN THE
BEGUINE (L34liA) BRE4II0
.APR ' L FOCADA EL VI OL I N (OLA I S 82 )/BUSC AN-
00 EL SOl(dlai 981 a) COSPI4394
.ARMY AIR FORCES TRASCR .-fSPONSD . CONT.
CAN CO. BING, GTR. ACC . : ROAD AHEAD. 1 2" TRANS

ALUM., 78 RPM • MAY 9, 1945. I SIDE -CR I PTN .

,BY LITE SLVY .MOON— OLG . JE VOUS AIME/ #266
MY SHINING HR-LONG AGO 4. WITH ACC. 1 2" V-

ARMY ORK. 4 CHORUS. ( VP-488-04-TC-I -B ) DISC.VNL.
.BY LITE SLVY .MOON— OLG . J E VOUS AIME/
AMG • SOUVENIRS. W.NAVY ORK. 4 CHORUS . 1 2" V-

VINYL. (VP488-04-TC53-I N) #1 09 DISC-
.PARAMOUNT EXPLOITATION DISC. FOR BLUE

SKIES. BING, AST AIRE, FILK STARS; OLD

BASH .G I RL-L ITTLE THINGS IN LIFE-RUSS. I 2"

LLBY-RICE IN CH I NA ( RR I 5089/ PUTT I N ' ON TRANS.
RITZ-CUBA, ETC. <RRI 5089-06462 ) ALUM . 33.

445. SAME.BL.SK I ES-U B SURPRISED-RUNNIN'- I 2"

HOW DEEP OCEAn/hEAT WAVE-ALL BY MYSELF TRANS.

(rr i5088-d648ix) alum. 33
446. BING AS RADIO COMMENTATOR. HOLLYWOOD PRO- |2"

CRAM For TfttLT. HAbc, 8/20/45. with heddatrans.

HOPPER. ALUM. I SIDE
447. SAME, PTS. 2 4 3. SONGS EXTRA. 1 2" TRANS •

448. BING 4 FRANK SINATRA. SINGING 4 TALK-

I NG DUET. WABC, ll/ZU/44. SWING LOW.

|2". I SIDE, ALUM, 78. TRANS.
449.6'FUL LOVE-MED. RD . TO S I NG APORE ( A-P—

275-SSL-565)l 4 2)/sAME, CONTD. AFTER I 2"

AWHILE, ETC. (A-P-275-SSL-565-3) TRANS .

450. AMOR-IT COULD HAPPEn/soME OTHER T^ ME- V— 0 I SC

COME OUT, ETC. ( VP680-O4-TC-I 84-1 b) 24l

45i .once 4 always(dla4745ti Oa)/i f u stub

YR. T0e(wl4779T6a) DE 24524

452. EL VALLI DE FERNANDG(L3275A)/PASEAND0

A caballo(dla 26i6a) coSpi4328

453. ERES TU 0 ERES TU ( L3450A )/ AMOR ( L33 I 7A ) COSP I 4426

454. ida(w4568t3a)/aint doin' bad(w4567t4a) de 24476

455. way back home(w75003t3a) de 24600

456 . LAS CAMPANAS S .MAR I A ( L3962AA )tE LLEVARE

A CATALINa(l389Sa) C0SPI4424

457. with WH I TEMAN : THE calinda(a39575-i ) hmv 5384

458. with WH ITEMAN:wqnt be LONG now(a39577-i )

/MANHATTAN MARY ( A3 9653— 2 ) HMV 5555

459. LOVE 2 LIVE loveld(wl4733t9a)/love THY

NEI ghbor ( wl4798t9a ) de 24471

460. FRIENDLY MTS (WL437 I T22A )/k I SS IN YR.

EYES (WL4346T24A) DE 24204

461 . HAPPY WEDDING DAY (l3887b) DE TEST

462. HAPPY WHDOING D AY ( L3887AA— 0 I FFERENT MAS-
TER FROM 461 ) OE TEST

463. RIDIN' down canyon(dla25i6a)/u 4 I

(dla 2400a) COIN30067
464.1 dont want walk w'out u(dla2859b) DE TEST

465. VI I TH DORSEY BROS : SOMEONE STOLE GABRIEL'S

horn(bi3i49)/ghost of chance(bi 2474) coAu 1432

466. gbye lit.dlg(dla2402b)/be honest with

ME (dla240ia) coIn30057

467. cabin in pines(b804)/got to pass yr.
H0USe(b782) coAu I 160

468. SWEET GA. BR0WN(WITH ISHAM JONES)

(jc8592a)/some TH. 0Ays(c864i -I ) COAU I 43 I

469. BLUE PRELUDe(b79| )/0UR BIG LOVE SCENE

(la 70) COAUI085

470. DAY U CAME ALG ( A2 )/gUESS IT HAD TO BE

TH. WAY ( A3) COAU I 090

471. DEARLY BELOVED (l34|2a) DE TEST

472. WITH JUDY GARLAND :mi ne(wl3486ti B ) DETEST

473. U GETTING TO BE A HABI T ( B I 2887a )/u GOT

ME CRYING AGAIN (b|3044a) COAU 3 1 78

474 . WAY U LOOK TONI TE(DLA587a) DE TEST

475. bet. kiss 4 sigh(dlai689a) de test

476. what's new(dla i7°4a) de test

477. KISS YR. HAND, MME. (WL4345t6a) DE TEST

478. GO WEST YOUNG MAN ( WL4396T I A ) DE TEST
479. SWEET IS THE WORO(DLA 742 A ) DE TEST

480. BEYOND COMPARE (DLA 552 A ) DE TEST

481. KRAFT MUSIC HALL, 3/l4/46, l 4 2:BING,

K. CARPENTER, CHAR I OTEERS , E .DUCH I N, F .MORGAN , I 2"

ARENT U GLAD , ETC • ALUM, 33. TRANS.

482. SAME, 3/i4/46, 3 4 4. donegal-shoo FLY I 2"

PI E, SMALL HOTEL, OH WH . I T SEEMED. 33 TRANS .

483. BOY IN KHAKI (l3033a) DE TEST

484. KRAFT MUSIC HALL, 5/2/46, I 4 2.CHARI0-

I tLKS,K .CARPENTER, B.HOPE, P.LEE, E.DUCHI N,|2"

JOE FRISCO. SHOO FLY PIE. ALUM, 78. TRANS .

485. SAME, 3 4 4. B'ful LOVE, ETC. 78, |2" TRANS.

486. SAME, 5 4 6Tanybqdy's spg; didnt know; 12"

ALL THRU DAY. 78, ALUM. TRANS.

487. KRAFT M8S I C HALL, 5/9/46, I 4 2. CHAR-
iotlers, k1. CARPEnIEr, spi ke jomes, D.

CLAIRE. PAPER MOON, SAY ITS W'RJL. 1 2"
ALUM, 33 TRANS.
4e8.SAME, 3 4 4. SWANEE RIVER, ETC . 33, ALUM |2"TRAN
489. MEDLEY, HERE IS MY HEART. EVERY BREATH-
JUNE IN JAN-LOVE IS JUST ARD ( VPI 05 1 -04— V-OISC
TC-537-1 )/l PROMISE U, E TC. ( VP I 049-04- #363
TC-5350ia). VINYL.

490 ■ PARAMOUNT RADIO RECORDING. WITH BOB

HOPE. PUT IT THERE, PAL . ( A3 I 30 ) ( RRI 3332 ) 78

491. PECKIN* (DLA 739a) DE TEST

492. MY HRT. IS A HOBO(WL4330T iZA ) DE TEST

493. T00-RA-L00-RA-1.00-RAl(l3456a1 ) DETEST

494. CHAPEL IN VALLEY (dLA23|2a) DE TEST

495. ALONG SANTA FE TR.(DLA 225l A ) DE TEST

496. WAITER, PORTER (DLA 24 1 I A ) DE TEST

497. NOW IT CAN BE TOLD (DLA I 294a ) OE TEST
498. SAN FERNANDO VALLEY (l3275Aa) DE TEST

499. MR. CROSBY 4 MR. MERCER ( DLA I 298A ) DE TEST

500. NO TE ALEGR I AS SEAS TU ( L396 I A )/EN LA

TIERRA A VIVIR (l3960a) C0SPI4423

501 . LET'S ALLMEET AT MY HSE ( DL A2597A ) DE TEST
502.IT MUST BE TRUE(DLA 1753a) DE TEST
503.SINGIN' HILLS (DLA |952a) DE TEST

504. skylark(dla2843b ) DE test

505. t;i. LIT. drm. got nowhere(wl39i83ta) de TEST

506. MOONLITE cocktail(dla2858a) DE TEST

507. DRIFTG. BACK DREAMLAND(DLA 283|a) DE TEST

508. CANT GET INDIDNA OFF ( DLA2045A ) DE TEST
509. SWING LOW (DLA I290B) OE TEST
5|0. EAGLE 4 ME (72428CC) DE TEST
5II.YR. SOX DONT MATCH (L3479BB) DE TEST
5|2.E.SIDE OF HEAVEn(0LA|7|8a) DE TEST
5I3.SING SONG SUNBEAMS(DLA |72|A) DE TEST

514. BLDG. SAILBOAT DRMs(dLA I 745a ) DE TEST

515. D0NT LET THAT MOON GET AWAY ( OLA I 3 1 3A ) OE TEST
5 I 6 • LAUGH 4 CALL IT LOVE(DLA I 3 I 5a ) DE TEST

517. U MADE ME LOVE U<DLA 2067A ) DE TEST

518. with CONNIE BOSWELL: BOB whi te(dla972a) de TEST

519. WITH BOB CROSBY 4 MERRY MACS: DO U

EVER THINK OF ME (DLA ^066Aj DE TEST

520. THAT SLY OLD GENT(DLA I720FF) DE TEST

521. LITTLE SIR ECHO<DLA I 743a ) DE TEST

522. TAKES TWO TO MAKE B ARG A I N ( 39854A )/ 1

wished on moon(w. d orseys )( 39857a ) DEAu50i3

523. sai L alg, silv.moon(dla909b)/wh. dream

ABOUT HAWAII (DLA 908B ) DEFR600I4

524. NEIGHBORS IN SKY (DLA I 793a ) OE TEST
525.SW. POTATO PI PER(DLAI 909a) DE TEST
526.1 SLE OF GOLDEN DREAMS ( D LA I 775A ) DE TEST
527. TWI LI TE ON TRAIL(DLA307A)/REST AT END

OF tRail(dla 306a) de 22347

528. SW. POTATO PI PER(DLAI 909A ) DETEST

529. WE'LL REST AT END OF TR A I L ( D LA306A ) DE TEST

530. LET'S ALL MEET AT MY HSE ( DLA2597A ) DE TEST
53 I • EMPBROR WALTZ ( WL4372T I A ) DE TEST

532. TREASURE OF SIERRA MAD RE ( WL4527T 1 2A ) DE TEST

533. WITH AL JOLSON: SPANIARD WHO BLIGHTED

MY LIFE (WL4387AI j DE TEST

534. IT MUST BE TRUE (wL4357TIA) DE TEST

535. STAR SPANGLED BANNER ( WL4265A3 ) DE TEST

536. PR A I R I ELAND LULLAB y( WL4| B4a2 ) DE TEST

34

AUCTION AUCTION
SnlJi STEPHEN STORAN SALE

j6 a rg - box 341 cooper station nyc n.y

Auction of stock of Topex Reoorbjng Studios.
All Records listed are complete Half-Hour studio
acetate recopdings. |2" lp - 33—1/3 misro.
Records are in N condition, never played, can be

PLAYED ON ANY HOME PHONO.

MEMPHIS NIGHT HAWKS(DARNELL HOWARD— 0 .BLYTHE )

12" lp ( not a broadcast)
( | )come on in baby

(2) biscuit Roller

(3) wi ld man stomp

( 4) shanghai Honeymoon

(5) dirty Dozens's couzins

(6) nancy Jane

(7) stomp that thing
(e)JocKEY Stomp
(.9)endurance stomp
glenn miller - |2" lp
( 1 )embraceable you

(2) G I JIVE

(3) STEAL IN APPLES

(4) EVERYBODY LOVES MY BABY

(5) G0T A HEART FILLED WITH LOVE

(6) SYMPH0NY

(7) summer holiday

(8) holiday for strings
benny goodman - |2"lp

( 1 ) hallelujah (quartet)

(2) lets fall in love (quintet)

(3) lazy river (trio)

(4) Bolero (Orch )

(5) |0 days with baby ( orch )
(c)rachels Dream (quartet)

(7) bennys bob (sextet)

(8) dinah ( orch)

(9) l|MEH0USE BLUES ( TR 1 0 )

kid ory - 1 2" lp

( 1 ) clar marmalade

(2) balling the Jack

(3) muSKRAT RAMB1E

(4) begin the beguine ( solo)

(5) aunt hagers blues

(6) st LOUIS BLUES

(7) j b ball

COUNT BASIE SEVEN ( WARDELL GRAY) - |2" LP
1 1 ) Jump in at the woodgice

(2) h0w hi the moon?

(3 ) lady be good

(4) golden bullet

(5) one o'clock Jump
DUKE E LL I NGTON -I2"lP

(I 'PERFUME SUITE ( II MINUTES)

(2) UNB00TED CHARACTER

(3) new WORLD A comin( (|2 mins)

(4) deep south suite ( 10 mins)

papa celestiw and alphoi-:se picou - 1 2" lp

(new OREEANS 1950 ,
( i >sheik of araby
(2)eh la bas

(s)l| LIZA JANE

ALPHONSE PICOU-BILL MATHEWS -ALTON PURNELL
( 4 )CLAR I NET MARMALADE

(5) bill BAILEY

(6) DIPPER MOUTH BLS

(7) jUST CLOSER WALK WITH THEE
BING CROSBY - |944 BDCSCT - |2"lp
( I )DEAP OLD GIRL

(2) THESE FOOLISH THINGS

(3) LAND OF BEG IN I NG AGAIN

(4) let IT SNOW

(5) belss em all

(6) louise

(7) 0NE LONE

(8) P0INC IANA

(9) 0NE MORE DREAM

BUNNY BERIGAN 1936 BROWADCAST - |2" LP

(1) OLD MAN MOSE ~

(2) tiger RAG

(3) WHISPER I NG

(4) SWEET SUE

(5) STARDUST

( 6 )BUGLE CALL RAG
(7)THE BLUES
( 8)hONEYSUCKLE ROSE
(9)BAS1N ST BLUES

B I LL IE HOLIDAY - |2" Lp(mOT BDCST 1936)
( I )D IC I REMEMBER ?

(2) nC REGRETS

(3) fine ROMANCE

(4) cant PRETEND

(5) 6,7,8,9,10

AUCTION

RINGS

AUCTION

1654 N. CHEROKEE AVE.,
HOLLYWOOD 28 CAL IF.

ALL SHIPMENTS RAILWAY EXP. C.O.C.
25f! ADD. FOR PACKING.

LOU IS ARMSTRONG
RHYTHM SAVED THW WRLD/mAHOGANY HALL
GUT BUCKET BLS/ YES IM IN BARRELL
GULLY LOW BLS/WI LD MAN BLS
SOME OF THESE OAYS/wfCN UR SMILING
THAT RHYTHM MAN/SWT SAVANNAH SUE
BLUE TURNING GRAY/sCNG OF ISLANDS

CAB CALLOWAY
DO IN THE RUMBA/MINNIE THE MOOC HER
BETWEEN DEVIL &/KICKIN THE GONG
HARLEM HOLIDAY/lVE GOT WORLD ON
MISS OTIS REGRETS/NAGASAKI

trylon swing/(hep hep)jumpin JIVE

UTT DA ZAY/CRESCENDO IN DRUMS
DWN HR TED 8LS/C0RR1NE CORRINA

DUKE ELLINGTON
solitude/troubles WATERS
caravan/azure
rent party bls/ jungle bls
azure/caravan

d0nt be so sean/ its mad mad mad
happy go local / pts i 8,2
overture to a jam sess/ pts |a2
admiration / mery go round
i lte song go/ gal from joes
prelude to a kiss/ lambeth walk

THE GOOFUS FIVE
U BETTER KEEP THE HOK/hoT TAMALE
DO DE DO DE 0 BLS/LAZY WEATHER

TED LEWIS

DRM DADDY/ MR RADIO MAN
POOR PAPA/ IN MY GONDOLA
I CANT GET OVER/ FOR MY SWTHRT

50 MILLION FRENCHMEN/ ONE SWT LETTER

CD r>'IGHT/ SWTHRT OF SIGMAN CHI

IM MEDICEN MAN/WOULDNT IT B WONDERFL

U GOT THAT TH I NG /HARMONICA HARRY

MNLIGHT MADNESS/ GOOD NIGHT
MILLS BROTHERS

N0BDYS swthrt/tiger rag

ROCK IN CHAIR/gDDYE BLUES

MOUND CITY BLUE BLOWERS

TIGER RAB/dEEP SECON STREET BLS
GET TIN TOLD/ PLAY ME SLOW

KING OLIVER
SOBBI N BLS/ SWT LOV I N MAN
MAN DY LEE BLS/ IM GOING AWAY
TRUMPET PRAYER/CALL OF THE FREAKS

BESSIE SM ITH
MIDNIGHT BLS/bLEEDING HEARTED BLS
EMPTY BED BLS / PTS 1 42

SARAH v AUG HAN

YOURE BLASE/ MO MO
SEPT SONG/ MOONLIGHT ON GANGES
IVE GOT CRUSH ON u/P"NTHOUSE SER
SOMETIMES I FEEL LIKE/lORDS PRAYER
FEEL SO SMOOCH IE/TROUBLE IS A MAN
JOE VEI'UTI

KICKIN THE CAT/BEATIN THE DO G
CHEESE 4 CRAKERS/A MUG OF ALE
MAN FROM THE SOUTh/pRETY TRIX

JOE VENUTI & EDO I ELANG

SOIN PLACES/ DO IN TH I NG S

"FATS" WALLER

CHEAT IN ON ME/ OHjFRENCHY
ABERCROMB I E HAD A ZOMBIE/TAINT NBDYS
ALL THAT MEAT &/BUCKIN THE DICE
HOW CAN U FACE ME?/swEETlE PIE
DREAM MAN/lM GROWIN FONDER OF U
BELIEVE IT BELOVED/lF IT ISNT LOVE
WEST WIND/SING OLD FASHIONED SONG
JOINT IS JUMP IN/HOPELESS LOVE AFFAIR
TEA FOR TW0/aINT GOT NBDY

ohJfrenchy/its a sin tell lie

cant g ive u anything/joint is jumpin

THOMAS WALLER
I A INT GOT NOBDY/RED HOT DAN

ETHEL WATERS

DINAH/u GOING TO LEAVE OLD HOME
YOURE SWTHRT/lLL GET ALONG SMEHOW
COME UP 4 SEE ME SOME/yOUVE SEEN
BIRMINGHAM BERTHA/MA I BLUE
HARLEM ON MY MIND/ HEAT WAVE
OH WHAT U DID LAST NITe/qET OFF KNS

OK 324 E
OK 8261 E
OK 8474 E
OK 8729 E
OK 4|28l V
OK 41375 E

BR
BR
BR
BR
VO
VO

6074 E
6209 E
6424 V
7504 E
5005 E
5062 V

PE 15551 V

HMV

MA

REX
CO
CO
MU
MU
BR
BR
BR

84|0 M
1 3 ■ E

26004 E
36120 E
382 95 E
461 G
463 N
7440 E
8106 E
8204 N

OK 40314 E
OK 40841 E

CO 82D V
CO 585-6 V
CO 754-0 E
CO 988-0 V
CO I296D E
CO I882D E
CO 2088D E
ECO 5485 N

BR 6 1 97 G
BR 6278 V

BR 2 804 E
BR 2849 E

4906 V

5134 G
7705 E

CO 3936 G
CO 143 |2 G

mu 394 N

MU 446 E

MU 505 N

mu 525 N

MU 533 N

OK 40853 N
OK 40897 N
OK 41076 N

OK 40825 N

BB 10658 N
BB 10967 E
BB 1 1 102 V
VI 24737 C
VI 24801 E
VI 24808 E
VI 25253 E

V I 25689 N

VI 27766 N
VI 201595 E
VI 201582 N

VI 2| |27 G

DE
DE
BR
CO
CO
CO

234 F
1613 N

6885 E
1837 E
2836 V
14380 E

BLUE NOTE RECORD SHOP

5671 OELMAR
ST LOUIS 12 MO.

NEW ORLEANS JAZZ FANS ATTENTION!

YOU JUST GOTTA HAVE ....

JASS AT OHIO UNION
BY THE GEORGE LEWIS NEW ORLEASN RAGTIME BAND
GEORGE LEWIS, CLARINET

KID HOWARD, TRUMPET
JIM ROBINSON, TROMBONE
JOE WATKINS, DRUMS

PLAYING J

ALTON PURNELL, P I AO
LAWRECNCE MARRERO, BANJO
"SLOW DRAG" PAVAGEAU,BASS

sensation rag
flee as a bird
salute to Ohio State
lord, you certainly been

good to me
just a little while to

stay here
bugle boy blues
over the waves
chimes blues
climax rag
collegian

CORRINE

MUSKAT RAM3LE
MARYLAND MY MARYLNAD
MAMA DONT LOW
YOU RASCAL YOU
WORLD IS WAITING 4 SUNRISE
WHEN SAINTS GO MARCHING IN
IF I EVER EEASE TO LOVE
BURGUNDY STREET BLUES
HIG SOCIETY
DOCTOR JAZZ
ICE CREAM
RED WING

BASIN ST BLS( INTRODUCTION)
AS RECORDED AT THE OHIO STATE UNIVERSITY CONCERT
MARCH 3, 1954
TWO 12 INCH LONG - PLAYS IN AH ATTRACTIVE BOX WITH
EXTENSIVE, ILLUSTRATED NOTES $ I I i°0

OTHER GREAT NEW ORLEANS JAZZ RECORDINGS BY GEORGE LEWIS

JAZZ MAN 33|-^URGUNDY STREET BLS , ICE CREAM, DWN BY THE
RIVERSIOE, CLOSER WALK,SA I NTS, OR JAZZ $3.85

ANTONE l-OALLAS BLS,U CERTAINLY BEEN GD, MAMA DONT

ALLOW, CLOSER WA LK , SWANEE RIVER $3.85

AN TONE 2— TIN ROOF BLS, JERUSALEM BLS, DOC JAZZ, NONE OF
MY JELLY ROLL, DIPPERMOUTH BLS $3.85

PAX 6001-WILLIE THE WEEPER, 2;|9 BLS, MARTHA, OLE MISS,
BU GEL BOY MARC H, JERUSALEM BLS, PALLET ON THE FLOOR
SHIEK OF ARABY $3.85

REMEMBER

BLUENOTE SELL NOTH ING BUT JAZZ
BLUENOTE SELLS MOSTLY HOT JAZZ
BLUENOTE SPECIALIZES IN NEW ORLEANS JAZZ

AND WE MEAN AUTHENTIC NEW ORLEANS JAZZ
BY SUCH STALWARTS AS

GEORGE LEWIS
JELLY ROLL MORTON
KID SHOTS MAD I SON
PAPA CELEST IN
RAYMOND BURKE
KID THOMAS
KID ORY

BUNK JOHNSON
KING OLIVER
E*l ILE BARNES
LOU 16 NELSON
JOHNNY DODDS
WOODEN JOE N1CK0LAS
EUREKA BRASS BAND

THE ORIGINAL CREOLS STOMPERS

AND THE GREAT REVIVALISTS --

LU WATTERS
TTURK MURPHY
BOB WILBUR

BOB SCOBEY
DcR.K.
CLAUDE LUTER

RED ONION JAZZ BAND

SO

FCR THE BEST IN HOT, CUTOUT

AND JAZZ
AUTHENTIC

MAKE BLUENOTE YOUR ONE - STOP SOURCE OF SUPPLY.

POSTAGE PAID ON ALL ORDERS ( IN CONTINENTAL U.S.A.)
OF $|0.CC OR OVER.

DISPOSITION

First four letters of collector's name

PRICE IF FOR SALE; VALUE IF FOR
TRADE; MINIMUM BID IF FOR AUCTION

METHOD OF DISPOSITION: "SAL".
FOR SALE AT PRICE INDICATED;
"TRA",FOR TRADE; "AUC", AT
AUCT I ON.CLOS ING DATE FOR BIDS
SEE PAGE 6. 1 T -A " FOR TRADE
OR AUCTION; "T-S" FOR TRADE
OR SALE! "STA" FOR SALE, TRADE
OR AUCTION.

condition qf record: n— new ;
E-Excelle nt '; v-very good;
G-good; F-fair; p-poor.

3

2 Icatalog number of record.

] ILabel of record.

LOUIS ARMSTRONG

CORNET SHOP/ MUSKAT RAMBLE

GUS ARNHE IM( 6 ING VOCAL )

THEM THERE TYEs/ L I TTLE THINGS

BARBECUE BOB

DONT KNOW MY MIND/ POOR BOY

BARNEY BIGARD

CHARL IE CHULLO/ LULL AT DAWN
REV J.C. BURNETT

LORD HELP ME/ GOSPEL TRAIN LEVN CO 14180 V AUC KEND

ENRICO CARAUSO 4 MISCHA ELMAN

VI 89066 E-SAL 4.00 WALL

COE 2624 M S.A 2.00 PARR

VI 22580E//EAUC KEND

CO 14246 V AUC KE«0

HMV 9185 M So A 2.50 PARR

EL I G I E ( ONE SIDeT

CATALOGS

■ - STA

- STA

■ - STA

• - STA

• - STA

- STA

• - STA

■ - STA

1922, '23, '25, '32, '34, '36, '38,
1919, '20, '22, '24, »25, '26, '27
1928, '34, '36, '38, '39-'40, '48
|9|7,« 19, '22, *23, '24, '25, '26,
1927, '28, '29, '3|, '42, '43, '44
1938, '40, '42

1939 "printers Dummy" 40 PA.
1929 " RACE*

B ING CROSBY
HUNDREDS FREE LISTS
HUNDREDS , SHIPPED FREE

BOB CROSBY
SO RAMPART/ SONG WANDER

REV E. DICKENSON/ HALTER 4 BYRD
DEATH OF BLIND LEMOn/ WASNT IT SD PAR 12945 V AUO

D IX I ELAND RECORDS
SEND FOR OUR LISTS — -

DUKE ELIINQTON

BR
VI
VI

CO
CO
DE

vs

VI

ALL
ALL

HEAR
HEAR
HEAR
HEAR
HEAR
HEAR
HEAR
HEAR

N SAL 1.50 BRX
N SAL 1.50 BROC

DEE 71 54 M S.A 2.00 PARR

GAL FROM JOEs/ SONG OUT HEART

AMELITO GALLIE-CURCI
I PURITANI (ONE SIDE)
COLEMAN HAWKINS
W I SH TWINS/ WABASH BLS

HILLBILLY RECORDS
SEND FOR OUR LISTS

HOTEL AND DANCE BANDS
SEND FOR OUR LISTS

LONNIE JOHNSON ( RECORDED 1928)

BR 8|0S E SAL 2.00 PARR
VI 74558 B^AL 5.00 WALL
DEE 5457 M S.A 2.50 PARR

SAM U CANT DO THAT/ NO MORE TROUB OK
AL JOLSON

JOIN THE AL JOLSON MEMORIAL CLUB —

STAN KENTON
LAMENTO GITANO/ CON. DOGHOUSE

GENE KRUPA
OK, BR, CO , FREE LIST

J I MM IE LUNCEFORD
DREAM OF YOU/ CALL ANYTHING

REV. R.M. MASSEY

8831 N- AUC

BRE 2948 M S.A 2.50 PARR

OLD TIME BAPTISM/ 2 PARTS

GLEN MILLER

SEND FOR FREE LIST BB 4 VI
RCA LIMITED EDITION ALBUm(5 |2"
33 RPM) RETAIL PRICE $25.00
MY PRICE IS 1 1 7.50

MODERN JAZZ

SEND FOR OUR LISTS

JELLY ROLL MORTON
GEORGIA SWINQ/ KANSAS CITY ST PS

MOUND CITY BLUE BLOWERS
SHOOTING HIGH/ FINGERS CROSSED

RED NORVA

VOC 4 BR FREE LIST M. BAIL VOC

PAR |26|8 E AUC

N/E6AL

VI 6700 N SAL

— COLL
7.508CRI

— SCR I
SCR I

PERSONALITY 4 VAUDEVILLE
SEND FOR LISTS

RECORDS FROM ENGLAND
PERSONALITY JAZZ, ALL ARTISTS
FREE LISTS, RECORDS SHIPPED FREE
CONDITION GUARANTEED, FREE
INSURANCE AGAINST BREAKAGE
EXACTLY WHAT RECORD SERVICE
SHOULD BE.AT LEAST 200 U.S.
ENDORSEMENTS AND REFERENCES
STUART BROCKMAN |89 A, STATION
LANE, HORNCHURCH, ESSEX, ENGLAND

RECORD SELLOUT
TED LEWIS, C ALLOW Ay , GRAY.
BUSSE, KASSEL, MORGAN, BLUE-
BARRON 4 OTHERS 45£ EACH

ADRIAN ROLL IN I ( B.G.)

OL PAPPY/ WRONG SIDE

SOUSAS BAUD
SABRE 4 SPURS/ SOLID MEN
MUGGSY SPAN I ER

ALL

' N SAL

1.50

BROC

ALL

N/ESAL

1.50

BROC

ALL

e/nSAL

1.50

8 ROC

ALL

— E SAL

1 .50

BROC

ALL

■ N SAL

1.50

BROC

ALL

n/esa*.

1.50

BROC

ALL

e/nsal

1.50

BROC

ALL

— N SAL

1.50

BROC

ALL

N SAL

1.50

BROC

THATS A PLENTY/ BUGLE CALL

THEME SONG
75^ TO $1.00 SEND FOR LIST

TEDDY WEATHERFORD

MAPLE LEAF RAg/wEATHER BLS

INDEX TO JAZZ

GREAT ORIGINAL EDITIONS
VOL t I
VOL t 2

SCR |
SCR I
SCR I

PE 15876 E AUC PARR

VI 18504 E-SAL 2.00 WALL
TE 64 M S.A 2.00 PARR

SW 3 1 5 N AUC KEND

— N AUC 3.00 B0X3

N AUC 3.00 B0X3

«— — — N AUC 3.00 Bfx3

WANTED

SAMMY KAYE
SUNDAY SERENADE PROGRAMS , AIR
SHOTS, ANY TRANSCRIPTIONS ETC.

ART KASSEL

SOMEBDY STOLE HOC GAL

INK SPOTS

TRANSCRIPTIONS, AIRSHOTS, ETC

GUY LQMBARDO
TRANSCRIPTIONS, AIR SHOTS, ETC
BLACK LABEL DECCAS

WANTED

GLEN MILLER 4 T. DORSEY V+

BOS WILLS
MANY ~ E

ANY VOCAL

SEND ME AWAY WITH A SMILE

I liiAY BE GONE A LONG LONG TIME

TRIX IE SMITH
CHOO CHOO BLS V+

B ING CROSBY

WANTED ON AMER 8RUNS SEND LISTS

SCRt
SCR |

BB

2.00 SCR I

SCR I
SCR I

BEAS
BEAS

PA R 12245 5.00 SOND
MERK

DISPOSITIONS TOO LATE TO CLASSIFY

WOLFE BALLARD

MIAMI STORM-MEET ME TWILIGHT PA PA 33*81 F£— - BID
B ING CROSBY

MANY ON DE - — —

BR CO VI, E.CO NEW SEND FOR LISTINGS — — - -25-fiO/
BOB CROSBY

MANY ON DECCA — — - — -25-50/
MINT TESTS BOC CATS-RARE ITEMS
GLEN GRAY

MANY ON DECCA

SWEET RECORDS OF THE 30

MANY VI BR CO ETC

SWEET PAP STOVEPIPE

MAMAS ANGEL=ALL BIRDS LOOK

TRANS. 16" WORLD

RARE DUKE ELLINGTON SEND FOR PART I C.

25/

PA (2404 E Bio

HENRY WH I TTER

EXPLOSION AT ECCLES-6N0W ST PA 33ie3 E

REDDY WILSON-B. HOLIDAY
MANY NEW, S END FOR LISTS —

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the record changer

JULY 1954

35c

THE RECORD CHANGER

BOOK DEPARTMENT

BOOKLETS FOR SALE

THE CAT

A Collection of Hilarious Jazz Cartoons

by Gene Deitch $1.00

THE NEEDLE— Aframerican Issue
A superb 72 page publication filled with
photos of Zue Robertson, article by
Jelly Roll Morton, Jimmy Yancey, Bunlc
Johnson 50

RECORD DATING CHART (Through 1930)
Charts and information to guide in
placing recording date of any record
issued 1.00

RED NICHOLS & HIS 5 PENNIES
A Complete Discography 35

A CRITIC LOOKS AT JAZZ
Ernest Borneman's great 60 page book-
let on the Afro-American Backgrounds
of Jazz 1.00

NJFO BLUE BOOK
A guide to Jazz Clubs and Fans in
England. Essential to Record Traders . . .50

FOLK . . . REVIEW OF PEOPLES MUSIC
Max Jones edits on Negro, Calypso, Etc. 1.00

JAZZ... VOL. 3 No. 2
32 page booklet filled with excellent
writing and photos, Okeh Race 50

JAZZ REVIEW, 24 PAGES
Yerba Buena, Okeh Race, Lonnie Johnson .50

ONCOGRAPHIES FOR SALE

JAZZ DISCOGRAPHY— 146 pp

By Pensoneault & Sarles 1.00

JAZZ DIRECTORY
By Carey, McCarthy, Venables

Volume I, A-B $2.00

Volume 3, E-F-G 2.00

Other volumes temporarily out of stock
INDEX TO JAZZ
By Orin Blackstone (New Edition) Loose
Leaf

Part I, A-E 2.50

HOT DISCOGRAPHIE ENCYCLO-
PEDIQUE

By Charles Delaunay and Kurt Mohr

Volume I, A-B 2.00

Volume 2, C-E 2.00

Volume 3, EL-HE 2.00

SHEET MUSIC AND FOLIOS FOR
SALE

JELLY ROLL MORTON

The Miserere $ .50

The Naked Dance 50

Buddy Bolden's Blues 50

Winin Boy Blues 50

Mamies Blues 50

The Crave 50

FOLIO including

Black Bottom St., Shreveport, Pearls,
KC Stomps, Dead Man, London, Can-
non Ball, and Thirteen Others of Jelly 1.25
DIXIELAND FOLIO No. I
Livery Stable, Tin Roof, Willie Weeper,
Chimes, Dr. Jazz, Dallas, plus nine

other great ones I 25

DIXIELAND FOLIO No. 3
Angry, Dippermouth, Easy Rider, Snag,
It, Weary, Hi Society, etc 1.25

DIXIELAND FOLIO No. 2
Tight Like That, Copenhagen, Good
Man Hard to Find, Jackass Bl, Melan-
choly and nine others 1.25

THE RAGTIME FOLIO
Maple Leaf, Climax Rag, Grace and
Beauty, and six other rags 1.25

BOOKS FOR SALE

BASIC JAZZ ON LONG PLAY (I08PP)

By John Lucas $2.00

THE JAZZFINDER '49 (I56PP)

Edited by Orin Blackstone 2.50

CROSBY ON RECORD (I24PP)

A Superb Discography 2.00

SHINING TRUMPETS (400PP)

By Rudi Blesh 6.00

THEY CALLED IT RAGTIME

By Rudi Blesh 5.00

JAZZ, A PEOPLES MUSIC (280PP)

By Sidney Finkelstein 1.50

REALLY THE BLUES (390PP)

By Mezz Mezzrow & Bernie Wolfe 3.50

JAZZMEN (364PP)

By Fred Ramsey, Chas. E. Smith 4.75

THE NEW HOT DISCOGRAPHY (600PP)
By Delaunay, Avakian, Schaap 7.50

LOUIS ARMSTRONG LE ROI DU JAZZ
By Robert Goffin 2.00

MR. JELLY ROLL
By Alan Lomax . . 3.50

MAGAZINES FOR SALE

THE JAZZ SESSION
8 issues 1945-46 set 2.00

THE NEEDLE
5 issues 1944 set 1.50

THE JAZZ RECORD
3 issues 1947 set 1.00

JAZZ INFORMATION— 104 pp
The great last issue 50

JAZZ MUSIC
Vol. 3, No. I 50

RECORD CHANGER BACK ISSUES

Complete Since 1944 to Date $30.00

Any One Full Year 3.50

(See March 1952 for Complete Index) .35

Special Louis Armstrong Issue 1.00

Special Tenth Anniversary Issue 50

Special College Issue (Nov. 1949). .. .50

New Subscriptions, I Year 3.50

New Subscriptions, 2 Years 6.50

New Subscriptions, 3 Years 9.00

(On all of above postage paid on U. S. A. orders.
Add 50c per year for Foreign)

JAZZ JOURNAL (Fine English Magazine)
One Year Subscription 4.00

BACK ISSUES Each .50

All large format, slick covers, every issue
packed with discographical data reviews,
cartoons, amusing commentary, plus photos
and the following articles:

VOL. 2

No. I I — Firehouse 5, Ragtime & Blues, Per-
fect Label, Billie Holiday
VOL. 4

No. I— Graeme Bell, Collectors Stuff, Tail-
gate Jazz Band

No. 2 — Louis, Negro In Jazz, Sutton, LP and
the Collector

No. 3 — Spanier, Baby Dodds & Discography,
Junk Shopping

No. 4 — Lips Page, Chick Webb, Paramount
Discography, Baby Dodds Discography
No. 5 — Waller, Ragtime, Joplin, Paramount
and Dodds Discogs

No. 6 — Lonnie Johnson, Roy Carew, Tony
Jackson, LP Reproduction, Bunk, Paramount

Discog

No. 7 & 8— Jelly Roll Morton, Tailgate Jazz
Band, Paramount Discog., Willard Robison
No. 9 — Jelly Roll Morton, Papa Celestin,
Paramount

No. 10 — Albert Nicholas, Andy Razaf, Big
Bill, Dodo Marmarosa, Paramount
No. I I — Jimmy Yancey, Paramount, Dorseys
No. 12 — Requiem for All Stars, Spikes
Brothers, Collectors Stuff, Notes on Nichols
VOL. 5

No. 3 — Red Allen, Tony Jackson, Early Cake-
walks, Sharley Clay

No. 2 — Old-Time Religion, Collectors Stuff,
Paramount Discography

No. 4 — Ragtime, Benny Green, Jack Lesberg
No. 5 — Fats Waller, Gloomy Sunday, More
Stuff on Fats

No. 6 — Lonnie Johnson, Eric Silk So. Jan
Band, Chez Condon, Ralph Sutton
No. 7 — Dick Hughes, The Springfield Story,
Portsmouth Band

No. 9 — Knocky Parker, Bessie Smith, Beryl
Bryden

No. 10— Rhythm & Bis., Humphrey Lyttelton,
Charlie Galbrath

No. I I — Mahalia Jackson, Porgy & Bess in
Berlin, Dill Jones

No. 8— Sutton, Webfoot Band, Roach, Terrific
Features

No. 12 — Lyttelton, Broonzy, Ellington, etc.
VOL. 6

No. I— Turk Murphy, Big Bill & Mahalia,
Ellington, Jabbo Smith

No. 2 — Mary Lou Williams, Todd Rhodes, etc.
No. 4 — Fletcher Henderson, J. C. Higgin-
botham, Jazz at the Philharmonic, etc.
No. 5 — Johnnie Ray, Fats Waller, Jimmy
Rodgers, etc.

No.. 6 — Charlie Parker, Natty Dominique, Plus
Discography, More About Jimmie Rodgers,
etc.

No. 7 — Django Reinhardt, History Gennett,
Jabbo Smith, Ballads and Blues, etc.
No. 8 — Henry Levine, Lu Watters, Bill Harris,
Buddy Moss

No. 9— Kay Starr, Wardell Gray, Tape

Machine

No. 10 — Tony Kinsey, Tony Parenti, Chippie
Hill, Charlie Ventura Concert
No. I I — Teddy Wilson, Stan Kenton, Peetie
Wheatstraw, Jelly Roll Morton's N. O. Jazz-
men

No. 12— Al Haig, Cecil Scott's Bright Boys,
Ellington, Bunk Johnson
VOL. 7

No. I — Parkerless Ouintet, Cecil Scott Cont.,
Ellington, etc.

No. 2 — Blind Lemon Jefferson, Glenn Miller,
etc.

Shipped Postpaid Within U. S. A. — Foreign Add Postage

THE RECORD CHANGER 418 West 49 Street New York 19, N Y.

3

RUSSELL ROTH

th

es,

thettcs

Tfjt

of iazz

STAN KENTON

CONCLUSION

Between the Piano and the Voice

Just after World War II, I met a musi-
cian friend of mine. He, too, was not a
little surprised by the bop-progressive school
of thought that had arisen during the four
years that we had been gone. But he had
drawn a tentative conclusion, where, at
the time, I had not:

"It's a piano-player's music," he said (he
is a pianist). "Traditional jazz, Dixieland,
whatever you want to call it, is a trumpet-
er's and drummer's music. That's all there
is to it."

I have decided that, generally, he was
right.

Consider ragtime: that, too, was, at its
inception, a pianist's music — almost exclu-
sively. It was also a great deal "whiter"
than the blues (a vocal music) and con-
siderably whiter than the jazz which fol-
lowed.

How so? Partly because ragtime came
largely out of white minstrel music, which,
originally, sprang from a white attempt to
imitate the Negro. Ragtime sprang from
the newly-emancipated Negro's attempt to
imitate the white minstrel, or the music
closely identified with him.

He used a white man's instrument, the
piano, and that is important — although he
brought to it, as Rudi Blesh has pointed
out, a percussive technique: "in his hands

it became a speaking drum." But a some-
what unfamiliar drum.

The point is this: the Negro tried to play
the piano the white' man's way; he tried,
but that's as far as he got. Yet the fact
that piano ragtime, in almost all instances,
can be notated (even its rhythmic char-
acteristics can), and the fact that its har-
mony is conventional from the white point
of view, show just how far the Negro got.
It wasn't until the blues began shouldering
onto the scene sometime around the middle
of the first decade of this century that the
Negro apparently realized how far from
home base he had strayed. Even with the
spiritual, earlier, he had not gone quite that
far, for the "retrogressed" four-part
Protestant hymn that he had adapted could
not begin to reveal the cool, carven com-
plexities of musical architectonic that the
keyboard afforded.

Consequently, almost as though its play-
ers were abashed, Negro piano entered its
"barrel-house" phase: became more "often
connected with singing and with the spoken
monologue, like the speaking blues."

But now the whites had begun to take
over (c. 1910). The Negro had showed
them a whole new range of possibilities on
the piano — which, in the form he had
shown them, they could understand. They
began to play ragtime — were still playing

it when he had long abandoned it. He,
however, had learned a new range of possi-
bilities for the voice ; which he transferred,
in one of those critical moments in musical
history, not to the human voice as such,
but to the instrumentalized voices he had
been developing independently of the piano:
those brass-band voices — trumpet, trom-
bone, and clarinet — which, fortuitously, had
fallen into his hands when he had felt a
need for more than humanly vocal expres-
sion, but had not yet mastered the white
man's techniques of using these brass-band
voices.

The piano, as a significant instrument,
pretty much vanishes in Negro jazz from
this point on, until we come to the Earl
Hines-Teddy Wilson-Art Tatum develop-
ment (already beginning to leave the jazz
tradition) in the late '30s and its con-
sequences (the best example, I think, is
Oscar Peterson) which are with us today.

Jelly Roll's piano in the '20s and '30s
is an archaic survival of ragtime, carrying
to their fruition — transposed into ideas for
the instrumental ensemble — those structural
discoveries already referred to.

"Boogie-woogie," likewise, is the fruition
of barrel-house ("skiffle," "rent party," or
"blues") piano; but more standoffish,
retrogressed, "darker," in that its only
(Continued on Page 14)

4

Brief reports and comments on subjects of inter-
est to jazz students, by associates and friends of the
Institute of Jazz Studies. Please address all inquir-
ies, suggestions and contributions to Marshall W.
Stearns, 108 Waverly Place, New York 11, N. Y.

New Directions in Record Collecting

In line with one of its chief aims, to
preserve as much of the material of jazz
history as possible, the Institute of Jazz
Studies would like to bring to the atten-
tion of record collectors a large, practically
untouched, and historically important area
of current recordings that is being ignored.
It consists of an enormous quantity of re-
cordings tailored specifically for the Negro
trade today. These records are never re-
issued on Long Play, they are not listed
in discographies, and the masters are thrown
away by the companies as soon as they
are released. Unless the collector takes
notice, they will vanish forever.

The same situation existed in the twenties,
when collecting was still young, and we are
still searching for the socalled "Race
Records" of those days. The ideal time to
collect records, of course, is when they are
released. Already, Elder Beck's Willie the
Wine-O on the Chess label (which caused
a furor in certain circles), the Sonny Terry
Trio's Hootin' Blues on Grammercy, and
Smokey Hogg's River Hip Mama on
Modern are just about as rare as the highly-
publicized Honky Tonk Train Blues of
Mead Lux Lewis on Paramount. There are
many, many more and the music on these
records is very fine.

Collectors are way behind right now be-
cause these records have been coming out
for nearly fifteen years. After the Depres-
sion of 1929, recordings specifically for the
Negro trade dwindled. The big companies
continued to issue a few but the market
had dried up. Then ten years later, in
1940, a small company operating on a
shoestring issued Cecil Gant's / Wonder. It
doesn't sound like much today but it is
supposed to have sold over a million. As
in 1920 with the release of Mamie Smith's
Crazy Blues, the big companies woke up
again to the money in the Negro market.
And so did a host of fly-by-night small
companies, many of them now defunct. To-
day, a hit may sell half a million and the
field is busy and crowded.

In general, the music can be divided into
five categories: country blues, city blues,
vocal groups, gospel songs, and preaching.
The country blues category is authentically
archaic and documents an early stage in

jazz history, perhaps even before the Civil
War. Among the best are John Lee Hooker
(Texas Slim), Lightning Hopkins, Sonny
Boy Williamson, Smokey Hogg, Muddy
Waters, and Lil Son Jackson. They all have
guitar accompaniments and their style
varies according to different areas of the
South. Hooker's Burning Hell on Sensation
is particularly rare and valuable, and so
archaic that it even sounds a little
"oriental." There are also braces of re-
cordings, for example, where Brownie Mc-
Ghee answers Lightning Hopkins with
cheerful insults.

Of course, most of these artists had their
earlier counterparts in the twenties. The
tradition is simply carrying on, but today
they are being recorded better and more
often. Among the singers of city blues, per-
haps Wynonie Harris, Big Maybelle, Charles
Brown, Willie Mae "Big Mama" Thornton,
Amos Milburn, Lloyd Price, Willie Mabon,
Jimmy Coe, Sonny Knight, Fats Domino
(with a Cajun mixture), and Roy Brown
are the best. And certain old-timers such
as Lonnie Johnson, T-Bone Walker, Jack
Dupree, Joe Turner, Tampa Red, Big Bill,
and Big Maceo are still making records.
Here, again, there are braces of records
such as Hound Dog and Bear Cat, I Don't
Know and Yes I Know — one replying to
the other. And the accompaniments to these
vocalists frequently include top-notch jazz-
men who prefer to remain anonymous.
Tommy Ridgely's Looped and Wynonie
Harris' Bloodshot Eyes are interesting but
hard-to-find examples.

The category of vocal groups is a more
recent development and originally inclined
to the sentimental. Nevertheless, some of
these quartets and quintets have made
highly rhythmic recordings. As in all the
arts, the collector must exercise taste and
discretion. Among the best are the Dom-
inoes, Royales, Five Keys, Clovers, Four
Blazes, and Orioles. The quality varies
greatly in this category, but try the Clovers'
Hey Miss Fannie for example. This is a
new tradition in jazz.

The great gospel singers are better
known. Mahalia Jackson is supreme in this
category as her These Are They and other
recordings demonstrate. But Clara Ward's

Over the Hill, Marie Knight's Calvary
(with a tango rhythm), and Rosetta Tharp
and her Mother's 99]/2 Won't Do are out-
standing. There are very few people who,
if they get the opportunity, don't react
very favorably to this music. Its appeal is
deep and fundamental. There are also gospel
groups such as the Colemanaires, Bells of
Joy, Angelic Gospel Singers, Heavenly
Lights, Trumpeteers, Five Blind Boys, Soul
Stirrers, Gospel Keys (old-timers), and
Pilgrim Travellers. Sisters Roberta Martin
and Winona Carr usually sing with such
groups and the rock and roll of the music
is magnificent.

With the fifth category, the preachers,
we come to the most exciting music of all.
There are two great traditions in Negro
preaching where the technique differs. One
sings the lines in a style close to the blues,
the other punctuates the words with staccato
grunts as in the work song. Sometimes they
are combined. The best recordings of
preachers today are by Reverend Kelsey,
Elder Beck, Reverend Utah Smith, and
Earle (not the pianist) Hines, and they
are part of a recorded tradition descending
from the Reverends Gates and McGhee.
Kelsey's Little Boy on MGM and Beck's
What Do You Think About Jesus on King
(with a children's choir) are rare and
wonderful. Elder Beck plays cornet himself
on the last, and the use of semi-jazz accom-
paniments (originally forbidden) with
trumpets, trombones, and a raggy piano has
increased rapidly along with the Sanctified
sects.

All this music is unpretentious and
unsophisticated — and therein lies its tre-
mendous power and immediate appeal. It
is by no means simple, musically speaking,
but it does relate back to the main stream
of the twenties. Made to sell directly to
the juke-box trade of big cities and the
deep South, this music is too raucous and
unvarnished and real to be widely com-
mercial. It reflects with unerring accuracy
the salty humor, bittersweet philosophy,
hypocrisy-penetrating insight, and passion-
ate devotion of. a great minority group in
the U. S. A. The music is too direct to be
dull, too honest to be phoney. It is real
American history.

Marshall W. Stearns

5

• FOLK LORE / FOLK SONG

a department

EDITED BY JAC HOLZMAN

the southern mountains

JEAN RITCHIE SINGING THE TRA-
DITIONAL SONGS OF HER KEN-
TUCKY MOUNTAIN FAMILY. 10"
Elektra LP. EKL-2

O Love is Teasin'; Jubilee; Black is the
Color; A Short Life of Trouble; One
Morning in May (two versions); Old Vir-
ginny; The Cuckoo (two versions); Little
Cory; Keep Your Garden Clean; The Little
Devils; My Boy Willie; Hush Little Baby;
Gypsum Davy.

Jean Ritchie is the youngest of a family
of fourteen. For generations her Kentucky
ancestors have carried in their heads a
vast body of Anglo-American folk song.
They brought it with them from the Old
Country, cherished it, and passed it on to
their children who, in turn, passed it on
to theirs.

In a manner, therefore, this LP is a dis-
tillation of a unique culture, that had been
protected for many years against the en-
croachments of "modern" living by its dif-
ficult mountain terrain.

Most of these songs have British origins.
Some, like The Cuckoo, go back to 14th
century England and perhaps even earlier.
A Short Life of Trouble is semi-hillbilly
included only because it contrasts nicely
with real mountain singing. Black is the
Color for once is sung in an authentic
melody and not in the overworked John
Jacob Niles version which has become so
popular. Old Virginny is native American,
but its modal tune harks back to the
British isles.

For the most part, Miss Ritchie accom-
panies herself on a mountain dulcimer, a
three-stringed instrument with two drones
and one melody string, all plucked by a
turkey quill. On one or two she sings with a
guitar and the alternate version of The
Cuckoo is unaccompanied.

The recording is good throughout ; how-
ever, the first two bands of side one show
traces of hum. Good notes and complete
texts are included.

KENTUCKY MOUNTAIN SONGS sung
by Jean Ritchie accompanying herself on
mountain dulcimer and guitar. 10" Elektra
LP. EKL-25

Cedar Swamp; Nottamun Town; The
Hangman Song; O Sister Phoebe; False
Sir John; Bachelor's Hall; The Girl I Left
Behind; Jemmy Taylor-O ; Killy Kranky;
Lonesome Dove; Old Woman and Pig; The
Little Sparrow; Goin' to Boston; Dulcimer
pieces — Shady Grove; Old King Cole; Skip
to My Lou.

More of Miss Ritchie's sweet singing
beautifully recorded and featuring many
items that have never appeared on records
before. Notes and complete texts.

HYMNS AND CAROLS, Early American,
Sung by Andrew Rowan Summers. 12"
Folkways LP. FP 61

Garden Hymn; Hebrew Children; Won-
drous Love; Warrenton; Jesus Born; Bound-
less Mercy; Babe of Bethlehem; Land of
Pleasure; Cherry Tree Carol.

Pure melody is what makes mpst
southern mountain songs so fetchingly beau-
tiful. In this record and in the two Ritchie
items listed above, we find full proof of
this. The clarity of line is what is important
in authentic ballad singing. There are no

The Lead Belly discography, be-
gun last month, will be resumed in
the next issue, and will continue to
be presented in alternate issues until
completed.

tricks of harmony to mar an exquisite modal
tune.

Mr. Summers was born in Virginia — he
now lives in New York — and became fas-
cinated by these songs at the White Top
festival. When an old timer died, he left
his dulcimer to Summers who uses it to
accompany himself in most of his songs.

Mr. Summers plays in a stacatto fashion
as opposed to Miss Ritchie who prefers to
play straight melody. Neither method can
be said to be the only authentic style.
Dulcimers in the mountains have no real
voice of their own. They are used only to
accompany and whatever the singer wishes
to do on his instrument is all right provided
that the song still retains its natural char-
acter.

Mr. Summers sings in a pleasant voice.
His version of The Cherry Carol is quite
unusual and his renditions of Warrenton,
Hebrew Children and Wondrous Love are
pure joy. Excellent recording. Complete
texts are enclosed.

OLD HARP SINGING by the Old Harp
Singers of Eastern Tennessee. 12 Folkways
LP. FP 56

Wondrous Love; Western Mount Pleasant;
Morning Trumpet; Northfield ; Liberty;
Ocean; Greenfields; Hightower ; Pleasant
Hill; Amazing Grace.

Shape-note singing is an ingenious
American invention that makes it possible
for someone who cannot read music to sing
any fiymn right off. Each note is given a
distinctive shape; a triangle, square, circle
or diamond, etc., and if you can correlate
a specific shape with a given sound you're
set. The metric value for each note is in-
dicated by either filling in the shape or
leaving it hollow. Occasionally, little flags
are added to the stems of the notes.

6

The clever men who worked out the
shape-note system — some of them made a
pile of money — were called Fasola singers
(do, re, me, {a, so, la). They traveled
widely throughout the southern mountains,
teaching the people to use the new system
and selling hymnals at the same time.

In a way, shape-note singing bears a
close resemblance to early polyphonic set-
tings of the Catholic mass. Both are freely
scattered with parallel fifths and octaves
which sound a bit crude to modern ears.
Furthermore, the "lining-out," a method by
which the leader of the congregation sings
one phrase and it is then repeated by the
entire group, is common to both of these
musics.

There are only white singers in this
shape-note group. Some excellent examples
of Negro shape-note singing can be found
in The Anthology of American Folk Music
Vol. II, also released by Folkways. The
performances of the latter seems to be
more down to earth and are very exciting.

Old Harp Singing has the benefit of fine
notes by Sidney Robertson Cowell and com-
plete texts. However, the recording is only
fair and suffers from occasional distortion.

SOUTHERN MOUNTAIN HOEDOWNS.
Sung and Played by Woody Guthrie, Cisco
Houston, Sonny Terry and others. 10"
Stinson LP. SLP 54

Ida Red; Fiddle Breaksown; Old Dan
Tucker; Hoe Cakes Fritter; Sally Gooden;
Salty Dog Breakdown; Buffalo Gals; Joe
Clark.

A moderately interesting LP featuring
some fine instrumentals. Ida Red, Fiddle
Breakdown and Joe Clark are especially
fine. The rest of the material is nicely done
but not exceptional. Most of these pieces
come from unreleased masters in Stinson's
large collection. The dubbing is just so-so
and suffers from poor pressing. I am happy
to report, however, the many of the new
Stinson records have much finer surfaces.
No notes or texts.

FOLKSONGS FROM THE SOUTHERN
APPALACHIAN MOUNTAINS sung by
Tom Paley with guitar and five-string
banjo. 10" Elektra. EKL-12

Shady Grove; The Miller's Song; The Lord
by the Northern Sea; The Old Grey
Goose; Jackaro; The Jealous Lover; Deep
Water; The Girl on the Greenbriar Shore;
Little Maggie; Banjo pieces — Coal Creek
March; Old Joe Clark; White Cockade;
Flop Eared Mule; O'Sullivan Mor; Guitar
pieces — Buck Dancer's Choice; Wildwood
Flower.

This LP features some unusual material
well sung and excellently recorded.

The Lord by the Northern Sea is a dance
version of the well known 'Child ballad,
The Twa Sisters and boasts some lovely
guitar work. In fact, the instrumentals are
the important thing on this record. Paley
plays with a hard precision that is beau-
tiful to listen to and which is exploited
best in the five short banjo pieces. His
murdered-girl songs, The Jealous Lover,
Deep Water and Girl - on the Greenbriar
Shore display shades of similarity that are
characteristics of this whole group of Anglo-
American ballads. The Old Grey Goose in
Paley's version is not related to the famous

Negro work song made famous by Lead-
belly.

Each song is documented in the notes
and complete texts are enclosed.

SOUTHERN MOUNTAIN FOLKSONGS
sung by Harry and Jeanie West. 10" Stin-
son LP. SLP 36

Red Rockin' Chair; Jimmy Randall; Little
Birdie; Down in a Willow Garden; The
Old Arm Chair; Old Ruben; George Col-
lins; Little Maggie; Nellie Cropsey; Drift-
ing Too Far From the Shore.

Harry and Jeanie West sing these songs
the way we would expect to hear them.
Their intonations sound strictly "hillbilly"
but after listening for awhile you hear
through the vocal icing. The music, is
strictly traditional and features some fine
renditions, especially Red Rockin' Chait,
Jimmy Randall, Old Ruben and Little
Maggie.

If you'd like some interesting contrasts
play Little Maggie in the Paley record
(above) against Jeanie West on .this LP.
The difference is staggering yet they are
both sung in accepted "styles."

The recording here is fairly good but the
surfaces are noisy. There are notes but no
texts.

AMERICAN FOLK LOVE SONGS sung
by John Jacob Niles with "dulcimer." 10"
Boone-Tolliver LP. BTR 22

The Little Mohee; The Lass From the Low
Country; The Cuckoo; Go Way From My
Window; Black is the Color; Oh Waly,
Waly; The Rosy Peach; The Turtle Dove;
I'm Goin' Away.

During the thirties, Mr. Niles made
three unusual albums for Victor. They were
unusual because they gave many people
their first hearing of the fantastically beau-
tiful folk material that was still being sung
in the Southern mountains. At that time,
these same people discounted the high-
pitched voice of Mr. Niles and his histrionic
presentation because they were so de-

lighted to get their hands on "real" folk
music. However, times have changed. With
the advent of LP and the formation of sev-
eral record companies who devote almost
their entire output to folk music (Folkways,
Elektra and Stinson), new records ap-
peared which cast serious shadows on both
the style of Mr. Niles and on his material
as well. We have discovered, for example,
that Black is the Color, features a Niles
melody that he "reconstructed." It isn't
traditional after all. And we were duped
when it came to Venezuela (how many
college students think that one is the Mc-
Coy).

Well, time passed and with the exception
of a single album for Disc, Mr. Niles was
unheard from. The silence has- now been
broken. Under the auspices of his own com-
pany we have a collection of nine songs
done in typical Niles fashion. The basic
premise that folk music is usually performed
simply and with moderate care doesn't
phase Mr. Niles. He wades in and tosses
the songs about so that they bear little
semblance to their inherently fine nature.
His "dulcimer" is played with the delicacy
of a rug-beater and serves only to under-
score Mr. Niles's passionate approach to his
material.

Ordinarily, I would not include any Niles
records in a review column, but so many
people have the notion that he is the only
true exponent of down-to-earth folk song
that I felt he should be discussed. Despite
the drawbacks of a Niles performance, this
record serves as a fine comparison to the
real thing. The Niles' may pack the cus-
tomers in, but it is the Ritchies' and the
Summers' who keep them content in their
seats.

Jac Holzman
•NEW RELEASES WORTH NOTING

LADY GAY. Andrew Rowan bummer.
Folkways

FOLK BLUES. Sonny Terry. Elektra
CITY BLUES. Sonny Terry. Elektra

HARD TRAVELING. Cisco Houston.
Folkways

RECORDS WANTED

I AM INTERESTED IN BUYING OUTRIGHT

small or large collections of Jazz, Sweet, Swing, Personality, Blues,
Bop, or Pops.

I will pay spot cash for such collections.

If you have a collection you wish to dispose of, please write,
giving full details of the collection, type, artists included, labels,
and most important of all please describe the condition of the
records carefully.

Then set your lowest price for the lot. I do not buy piecemeal but
will take all or none.

WRITE, WIRE, OR PHONE

BILL GRAUER. Jr.

1(18 West Iflth. St., Hew York 19, N.Y.

/

GEORGE AVAKIAN
JACK W. FARRELL
DICK HADLOCK
BUCKLIN MOON
ROBERT L THOMPSON
MARTIN T. WILLIAMS

muggsy spanier and his bucktown
five

Everybody Loves My Baby/Why
Couldn't It Be Poor Little Me/
Buddy's Habits/Chicago Blues/Mo-
bile Blues/Steady Roll Blues/Really
a Pain/Hot Mittens

These eight sides are among the hottest
and most exciting of all jazz records as well
as of considerable importance to jazz re-
searchers. The album notes provide good
documentation along these lines. Probably
no other white band came as close to the
Negro jazz of the time (1924). For that
matter, Spanier today is still closer to the
early Oliver-Armstrong style than most of
his contemporaries. It would be virtually
impossible to deduce on the basis of the
records alone that this was a white band
or that Muggsy Spanier, then 18 years old,
was the cornetist.

Much credit should go to the brains be-
hind the arrangements the band uses. Their
style is about two-thirds ensemble and one-
third solo, much like that of Oliver's Creole
Jazz Band or Lu Watters'. Besides Spanier,
these hot babies include 'Volly DeFaut —
clarinet, Guy Carey — trombone, Mel Stitzel
— piano, Marvin Saxbe — banjo, and, on the
first two tunes only, Joe Gish — tuba. All of the
tunes are interesting and different enough
from one another to sustain the listener's
enthusiasm. Mobile contains an inspired
trio section with trombone lead. Some
multiple horn breaks rival those from King
Oliver's realm. Pain also imparts an Oliver
feeling. The tune is reminiscent of elements
of Fidgety Feet and Weatherbird Rag.
Mittens is very much like an Armstrong
Hot Five production minus the individual
virtuosity.

(As the erudite may know, the first two
tunes were recorded under the name of the
Stomp Six for the Autograph label. Putting
them in the Bucktown Five album shouldn't
confuse anyone.) (Riverside RLP 1035)
(R. L. T.)

jimmy blythe's state street
ramblers

Pleasure Mad/Oriental Man/Some
Do and Some Don't/My Baby/Tack
It Down/Tuxedo Stomp/Brown Skin
Mama/Endurance Stomp

This collection represents some of the
many rare and obscure efforts of a group
of swingin' fools who allegedly frequented
the South Side of Chicago and were in the
power of a pianist name of James Blythe.
As a rule, these gentlemen played a very
informal small band style, seldom arranging

more than a break or two in a given per-
formance. Rhythm was by far the pre-
dominant element in their music. This,
along with the exceptionally informal sound,
relatively frequent shouts of enthusiasm,
and the occasional presence of a washboard
results in many observers labeling the music
as skiffle. Also contributing to the feeling
of informality is the frequent presence of
trumpeter Natty Dominique whose work is
as rough and inaccurate as it is vigorous.

These and other Blythe groups have
been subject to considerable discographical
confusion and theoretical misinterpretation.
The album notes on this release help to per-
petuate the confusion. To begin with, the
first five tunes listed above are rendered by
trumpet, alto saxophone, piano, and wash-
board plus other drummer's equipment
sometimes used in place of the washboard.
The notes omit the saxophone and list
Jimmy O'Bryant as present on clarinet.
There is no clarinet present. On the last
three sides, the notes are correct in in-
dicating the presence of a clarinet, saxo-
phone, bass and piano. They are wrong in
listing a washboard. No one sets a thimble
to a washboard during these pieces. Some
one plays splendid drums and woodblocks,
however.

Another point of confusion arises in sug-
gesting that this is a special class of jazz
for reasons other than its casual qualities
or specific personnel. Frequent reference is
also made to Blythe as playing "blues"
piano or the music as leaning heavily on
the blues. Well, none of these eight tunes
are blues. Relatively few of Blythe and
Company's recorded efforts are blues. They
might be called stomps or jazz ballads. The
type of music is much like that of any other
Negro jazz band of the period (late 1920s).
Then, as now, bands tended to record the
unique, original or special items in their
repertories. The nature of these repertories
was principally determined by the technical
abilities of the musicians and the kinds of
jobs .that they played. The sound or style
of a band comes from its musicians and
arrangers. If Natty Dominique had been in
Saint Louis would he then be playing Saint
Louis style instead of South Side style? If
Bubber Miley had recorded extensively in
Texas before going with Ellington, would
Miley have established Texas style? Let us
keep an eye toward parsimony in our jazz
theories.

Whatever the theory and whoever the
personnel, this is happy, casual, rough and
ready jazz for the connoisseur. (Riverside
RLP 1036) (R. L. T.)

pioneers of boogie woogie:
vol. 2

This little pot-pourri presents selections
by five of the fathers of boogie woogie, carv-
ing their new style out of a mountain of

folk heritage and unpaid bills. It has al-
ways dismayed this writer that a name that
smacks so much of baby talk was given this
manly occupation. Suppose we had bluesie
woosie and stompsie whompsie to deal with.
On the other hand it would be awkward
to refer to the present music as boog woog,
or just boog. It is suggested that a new,
masculine and descriptive label be given
the music known as (ugh!) boogie woogie.
Such a name might be "gompo" or perhaps
"lerump," or "gadoo."

Among the several gompo artists in this
collection, Charles Cow Cow Davenport is
perhaps the most inspired and lerumpish.
He displays, however, the least gadoo, for
his style on the two selections here, Chimes
Blues and Atlanta Rag, leans more on
stomping blues and ragtime respectively.
These masterfully executed happy minutes
rank high among all jazz piano work and
should be enough to compel the purchase
of this LP. Incidentally, the album notes
state that Atlanta Rag ". . . is a fascinat-
ing indication of what might be called the
omnipresence of boogie woogie in the piano
style of a veteran barrel-house player. It
begins as an attempt to play straight rag-
time, but veers constantly into blues
figures . . ." Isn't it easier to call it rag-
time lerump with a bit of gadoo?

Another prominent spot is occupied by
Henry Brown's classic performances of the
poetically titled Eastern Chimes Blues and
Deep Morgan Blues. Taken in perfect
medium tempos, they impart more of a
blues than gompo feeling. They are perhaps
the perfect median point between blues and
boogie woogie (gompo). Jabo Williams is
next in line with his Polack Blues and Fat
Mama Blues. The former has very little
gompo and the latter a gpod bit. Jabo sings
(or rumbles, as say those Notes) entertain-
ingly on both. One opus, Mississippi Blues,
is played and sung, in a medium-up tempo,
by the very competent Charlie Spand. This
also goes easy on the gompo. The most con-
ventionally gompo performance is that of
Charles Avery on Dearborn Street Break-
down which opens the excellent LP and
closes the review. (Riverside RLP 1034)
(R. L. T.)

cripple clarence lofton

More Motion/Sweet Tooth/Sixes and
Sevens/Clarence's Blues/Lofty Blues
/House Rent Struggle/Juice Joint/
Salty Woman Blues

Mr. Lofton is a celebrated pianist of the
house-rent, barrelhouse, blues, boogie
woogie, skiffle and live-it-up school. That
he is celebrated is a consequence of his be-
ing rhythmic, not too repetitious, inventive,
colorful, and entertaining. The latter prop-
erty is more manifest during an in-person
performance or on some of his early, rare
recordings such as Brown Skin Gal. The
present, never previously issued, recordings
have been a minor legend among collectors.
They were cut in 1939 for the Solo Art
label, subsequently they were lost, and now
they arc found. It would not have been a
grand tragedy had they stayed lost for they
are the most innocuous of Lofton record-
ings. This is not to say that they are not
good, healthy, and foot-stomping bits of
barrelhouse piano, for certainly they are.
They are not, however, anywhere near
Lofton's best. Mr. Lofton did not sec fit

8

to sing, snap his fingers, stomp his foot,
whistle, or laugh during this session. Maybe
he was sick. Maybe we all are. These
records will serve you best if you own a
barrel house, give frequent house rent
parties, or like to practice down-home wash-
board playing in private. (Riverside RLP
1037) (R. L.T.)

johnny dodds, vol. I

These certainly aren't the best records
that Johnny Dodds ever made. Yet I know
of very few I'd rather listen to, and this
is still a pretty good test of the worth of a
product.

A word about what I mean by the
above. First, Dodds is well recorded here
and comes through beautifully. He is in-
ventive and very relaxed ; he is even, in
spots, a little corny. Let's face it. But with
a reason, for he uses this beautifully as a
sort of foil to make what he does right after
seem the more effective. It is. A case in
point is Blue Clarinet Stomp No. 2 — a
spell of the real corn followed by a sudden
harsh pierce of real guttiness. Very fine.

My favorite here happens to be Bull
Fiddle Blues. From that opening trombone
clinker to the last strain it's wonderfully
relaxed and effective jazz. Not the least of
which is the fine work of Dominique, who
plays his horn the way a kazoo tries to
sound and never quite does.

Matter of fact, I like everything here.
I never was a boy to go for alternate
masters but these Blue Clarinet Stomps are
different enough, and interesting enough, to
make it a happy choice.

I could go on, but what's the use? By
and by you'll hear them, if you already
haven't, and I think you'll buy and buy.
A fine line, really, a fine line. And don't
forget there's another Dodds on these:
Baby on the washboard. Need I say more?
(Label "X"— LX3006) (B. M.)

jelly roll morton, vol. I

To admirers of The Great One, and I
count myself almost a charter member of
the clan, this LP is happy news. Too little
of Jelly has been on long playing and the
choice here is a good one. Again, though
I am not too much for alternate masters,
at least one of these is good enough to
stand the repetition and the loss of an
added number. (For the story of the other
"alternate," see page 17 — Ed.)

There's so much to listen to here. Some
very fine George Mitchell, one of the really
underrated greats. I wouldn't know for sure
but I got a feeling that that fine "Klaxon"
solo on the opening of both masters of
Sidewalk Blues is by none other than the
Great One himself. Has that real Jelly
touch to it. All fooling aside, these are
some of the best that Jelly ever made. That
touch that he put to everything he ever
did is never more clearly defined than here.

A friend of mine, who doesn't happen
to be one of the truly oriented, said it far
better than I can. "Gee," she said. "Those
are real pretty." And pretty they are, but
they have the prettiness of Mozart more,
say, than the cloying prettiness of a Strauss
waltz. Jelly had taste and he had a kind
of inner grace that none of the others had.
It's here, in these grooves, caught at least
as well as it has ever been caught before or
since.

My congratulations to the boys who are
turning these out now. Keep 'em rolling.
(Label "X" LX-3008) (B. M.)

monk hazel and his new Orleans
music

Let Me Call You Sweetheart/Basin
Street Blues/When You're Smiling/
Angry

Bless my heart ! Two new ten inch, 78
RPM old fashioned records, and good ones
too. The gents who are happy all over this
scene are Dutch Andrus — trumpet, Harry
Shields — clarinet, Jack Delaney — trombone,
Monk Hazel — drums, Chink Martin — tuba,
and Roy Zimmerman — piano. Andrus plays
excellent lead horn in the best tradition.
No one engages in any fireworks or funny
stuff, the tempos are just right, the tunes
(except Basin St.) have not been played
too frequently, the solos are all good, and
the ensembles are Grade A, Number 1,
first rate.

Jack Delaney vocalizes on Angry with an
altered lyric extolling the virtues of New
Orleans. Miss Jackie Blaine presents a good
but not special vocal throughout Basin St.
The band backs her in excellent taste. (It
would be pleasant to have a Basin St. vocal
by a more exuberant or "old fashioned"
singer such as Claire Austin.)

These relaxed, danceable, organized (but
virtually unarranged) performances should
be a model for all contemporary jazz bands.
They provide a basic "improvised," but not
chaotic, framework upon which to build
more complex arrangements. (Southland
9011, 9012) (R. L. T.)

santo and his new Orleans rhythm
kings

Tail Gate Ramble/A Good Man is
Hard to Find/Missouri Two Beat/
World is Waiting for the Sunrise

Southland scores again with some uni-
formly fine Dixieland. The 1954 NORK
consists of Santo Pecora — trombone, George
Girard — trumpet, Raymond Burke — clarinet,
Lester Bouchon — tenor sax, Abbie Brunies
— drums, Chink Martin — string bass, and
Armand Hug — piano. The gay old city of
New Orleans can be quite proud of these,
her sons. Long may they wave.

As in the case of the Monk Hazel records,
the ensembles are excellent, displaying the
best features of free rolling Dixieland. The
solos are all very good, but not great. Ray
Burke's warm tone is particularly fine.
Girard's trumpet is much like that of Wingy
Mannone with a bit of extra punch. Pecora's
classical tail gate style never gets out of
hand as it might in the otherwise similar
playing of George Brunies.

One might wish for more interesting
material than the tunes used here. The
interpretations, however, are none the less
fresh and enthusiastic. Ramble is perhaps
more familiar as the chorus of Willie the
Weeper. Good Man is suggestive of a con-
densed version of the four 12 inch sides cut
by the Condon folk some years past.
Missouri Two Beat is Missouri Waltz with-
out three-fourth time. Sunrise is pretty all

the way and we are reminded that it is
more than a banjo solo vehicle. (Southland
9009, 9010) (R. L. T.)

doc evans — knocky parker — jax
lucas (classic jazz at carleton)

Flea Market Suitcase/Dippermouth/
Wolverine Blues/Sister Kate/Squeeze
Me/Muskrat Ramble/Monday Date/
Basin Street/Coney Island Wash-
board/Keep A-Knockin'/Sweet
Georgia Brown

There have been several occasions on
which this unusual threesome have carried
on before predominantly collegiate audi-
ences. The ties that bind include the teach-
ing of English — a business that Parker and
Lucas principally go about and one in t
which Evans once did time. The occasion
for the present recording was a concert at
Carleton College celebrating the 25th anni-
versary of the graduation of Doc Evans !
from Carleton.

Now a 12 inch LP is pretty long going!
for a Dixieland trio of cornet, piano and
drums. Doc plays well, as does Parker in ]
his own uncanny way. The drums tend to
be distracting in a group like this. It takes
the most sensitive moods of experts like
Baby Dodds or Zutty Singleton to be con-
sistently supportive and contributive to the
proceedings. Perhaps the musicians would
agree that a good time was had, but the I
immortal hierarchy of jazzdom remains un- 1
changed. In this connection it is comfort-
ing to note that much of the "social
function" of jazz is in the momentary moods
to which it contributes on the occasion of
its performance, and not in its score on the
"enduring values" scale. Methinks album
noter Russell Roth is laying it on a bit
thickly when he says that, "I don't think
two better instrumental blues have ever
been recorded than the Basin Street and
Keep A-Knockin' . . . which are to be
found here." Most of the tunes are carried |
off very nicely, however. Kate features ajl
fine Evans solo along the Bix to Bobby
Hackett dimension. Knockin' is also known
as Bucket's Got a Hole In It. Along with
Monday Date, Basin St., and Georgia
Brown, it comes off right well. Washboard
and Suitcase find Lucas on washboard and
suitcase respectively. The latter (tune) is,
as one might guess, a 12 bar blues. A happy;
and abandoned time is had and everyone)
should feel satisfied. Knocky Parker is still
king of the wild men of the piano. Thist
and the album cover photo are worth twice! !
the price. (Soma MG-1201) (R. L. T.)

doc evans — dixieland encore

Riverside Blues/Mississippi Mud/
Roll On Mississippi/ Whop/Mournin
Blues/Original Dixieland One-Step/
Come Back Sweet Papa/King Portei
Stomp

Spreading joy in Minneapolis is this banc
featuring Evans on cornet, Loren Helbert
— clarinet, Hal Runyon — trombone, Tomm)

9

McGovern — piano, Warren Thewis — drums,
and Bernie Sundermeyer — bass. Hot and
well-organized Dixieland is their word. The
free ensembles manage to march about with
a great quantity of exuberance. The wide
selection of tunes is a very good thing in-
deed. In attempting to variously tap the
flavor of bands from the Hot Five to Bob
Crosby and the Boswell Sisters, the ar-
rangements tend to become amorphous. The
interplay of originality, specialization, and
broad horizons requires little short of magic
to achieve the perfect balance.

One Step is as hot a Dixie piece as ever
walked the line from the ODJB to Nick's.
King Porter is certainly good to hear. The
Jelly Roll Morton ending is indeed the end.
It is unfortunate that the great Red Hot
Peppers band never recorded this classic.
Roll On refers back to the Boswell Sisters
rendition for part of the overly heavy ar-
rangement. Nothing much happens on
Mournin'. Sweet Papa is pleasant but a
bit logy while Mud is too fast and with-
out internal integrity. Riverside Blues^ has
a fine introduction but then loses the "feel-
ing" of the tune in a way that makes it
just another blues. The verse is not pre-
sented as a well defined melodic strain, be-
ing turned over to loose solo interpretation
instead. Whop is a Dixieland-swing tune
a la early Jimmy Dorsey. One Step and
King Porter are outstanding enough to be
issued on 78 RPM and help Soma break
even. (Soma LP MG-101) (R. L. T.)

brother john sellers

John Henry/Farewell Work Life/
Doretha Boogie/Boll Weevil/Two
Little Fishes/Down by the Riverside

A newcomer to the field, Sellers may be
expected to emerge as one of the great
"folk" artists of our time. His blues and
gospel singing is a curious blend of the raw
qualities of a Lead Belly and the sophis-
tication of a Josh White, although he is
in no sense "copying" these styles. This
LP finds him backed up in a spontaneous
session by Sir Charles Thompson — piano,
Jo Jones — drums, Freddie Greene — guitar,
Walter Page — bass, and Ruby Braff —
trumpet. The relatively "modern" accom-
paniment is quite successful except during
several prolonged periods where the splash-
ing cymbal of Jones seriously interferes with
the message. While Jones is one of the
greatest of drummers, this type of playing
cannot help but clash with this type of
singing.

John Henry comes off well with a tight
rocking rhythm but a slightly uncertain end-
ing. Work Life is a good traditional blues
with some nice backgrounds by Braff.
Doretha is a fast blues in shouting style.
Boll Weevil is a superbly moving folk-
blues, melodically reminiscent of Frankie and
Johnnie but with an unusual meter that
varies between ten and eleven bars. The
album notes complement the musicians in
their handling of the odd meter. They do
this by staying out of it altogether except
for Page and Greene. There may be some
soft cymbal playing or perhaps it was just
the wind. Two Little Fishes, Five Loaves of
Bread is called "an invention in spiritual
style" but it seems more like religious blues
with another aspect of the Frankie and

Johnnie feeling. Sellers' shouting of the fine
old spiritual. Down by the Riverside, calls
to mind various other gospel and jazz (Sam
Morgan, Bunk Johnson, Turk Murphy) in-
terpretations of the tune. Sellers' come off
very well but the backup is without under-
standing, giving it the flavor of a honking-
tenor sax jump band.

The acid test of a blues singer is how he
handles material that through its com-
posed or traditionally acquired properties,
calls for a straight and by no means gaudy
performance. Sellers scores very high here.
It is, however, interesting , to find that the
supporting musicians, generally associated
with the "modern school." seem to find it
very difficult to get in the mood of the
traditional blues and spirituals. This is
among the most basic talents of the "old
school." Walter Page is, of course, the ex-
ception here, his playing being at all times
sympathetic to the goings on. Freddie Greene
is to be commended for his semi-modern
and warm accompaniment on Weevil. Rela-
tively little is heard from Braff except on
Work Life and Doretha. The remarkable,
swinging Sir Charles is heard to much
better advantage on other Vanguard
records. (Vanguard VRS-8005) (R. L. T.)

chet baker ensemble

A Dandy Line/Little Old Lady/
Goodby/Pro Defunctus/Bockhanal/
Ergo/Moonlight Becomes You/Head
Line

Whereas this reviewer has no reputation
as a wise judge or interpreter of the modern
doings commonly called bop, nevertheless
let it be known that he is a tolerant and
sometimes pleased spectator of this scene.
Much of the work of Chet Baker and asso-
ciates is impressive in its honest and
minimally confused seriousness. This, com-
bined with considerable talent, is bound to
give rise to interesting inventions. There are
many such inventions here, and the listener
may expect to be well rewarded, even if
his emotions are not evoked by, or tied to,
this music.

Much credit is due tenor saxist Jack
Montrose who arranged all of these selec-
tions and composed several (Dandy, Pro,
Bockhanal, Ergo, Head Line). In addition
to trumpeter Baker and Montrose, the per-
sonnel includes such high ranking space
cadets as Herb Geller — alto and tenor sax,
Bob Gordon — baritone sax, Russ Freeman
— piano, Joe Mondragon — bass, and Shelly
Manne — drums. The rhythm section demon-
strates a particularly high order of relaxed
precision.

Of the two familiar pop tunes, Little Old
Lady is given a delightful, and I hope
intentionally amusing, treatment. Moonlight
is simply not very interesting material. The
originals are all excellent in this idiom.
They seem to be spiced with bits of every-
thing from Dixieland to chamber music.
Pro Defunctus perhaps derives its title from
the modernized "doo-wacka-doo" riff that
hops about within it, and its main theme
seems derived from that one-time aquatic
pop hit, Three Itty (or Little) Fishes.

The album notes state that, "The cur-
rent trend is toward recognizing the com-
poser-arranger as equally important a figure
in jazz music as the more spectacular in-

strumental soloist. As jazz music matures
as an art form it becomes increasingly
evident that many of the more important
soloists are expanding their musical hori-
zons to include composition and arranging."
Please, space cadets, don't forget that a
long line of folks from Scott Joplin to Jelly
Roll Morton to Lu Watters and Turk Mur-
phy were very much aware of this "cur-
rent" trend.

Incidentally, the pressing is good in the
high fidelity field too. Saturn, anyone?
(Pacific Jazz PJLP-9) (R. L. T.)

rosy mchargue and his band

Ace in the Hole/Everybody Works
But Father/Frankie and Johnnie/
Livery Stable Blues/Oriental Jazz/
He Walked Right In

Audiophiles and jazzophiles alike will be
pleased with this new E. D. Nunn super
high fidelity production. The McHargue
platoon includes the leader man on clarinet,
Bob Higgins — trumpet, Moe Schneider —
trombone, Jow Rushton — bass sax, Ray
Leatherwood — string bass, Don Owens —
piano, and George Defebough — drums. The
band plays clean Dixieland with a mixture
of good head arrangements and free style.
The overall results are nice but not quite
up to the best that this group has done.
There is a vague feeling of self-conscious-
ness or perhaps disinterest but with a duti-
ful determination to do a good job.

Ace is becoming one of the most often
recorded jazz tunes, and all in the course
of the last few years. Here, the verse is used
as a bar-room piano styled introduction fol-
lowed by a couple of ensemble and solo
choruses. Frankie and Johnnie bounces
along without much happening but a nice
bass sax solo by Rushton. Livery is Mc-
Hargue's meat and everybody shows more
enthusiasm. Rosy's "Larry Shields-style"
clarineting is rivalled only by similar efforts
by Brad Gowans. These gentlemen make up
one of the better sub-schools of jazz clarinet
playing. Oriental is a collection of ancient
dance band cliches from the "oriental"
music fad of the 1920's in alternating ar-
ranged and ad lib Dixieland voicing. It is
a pleasant episode. The two gems of this
collection are Father and Walked. They
are tastefully given brief treatments of about
two minutes each and consist of droll,
straight-faced barbershop-harmony vocals
with interspersed solos and ensembles. They
would make great juke box material. In
case the reader is unaware of such things,
the formal title of the last selection is He
Walked Right In, Turned Right Around,
and Walked Right Out Again. It is rem-
iniscent of another old stomp called Grand-
father's Clock.

The record is on 12 inch vinylite, 78
RPM microgroove, for use with a one-mil
stylus only. (Audiophile AP-19) (R. L. T.)

10

THE COBWEBS
carl' kendziora

To give credit where credit is due, we
must correct our statement in the April
column to the effect that Perry Armagnac
furnished us with the label of the month,
Meritt. Perry hastened to tell us that the
record is the property of our fellow re-
searcher, Walt Allen, and Perry had bor-
rowed it from him. So Walt has the disc
and Perry and yours truly remains Meritt-
less! (Ouch, we shouldn't do that!)

Getting serious, we would like to try to
put an end to a misconception which
keeps turning up again just when we think
it has finally perished for once and for all.
This is the idea that the Plaza masters (on
Regal, Banner, Domino, etc.) in the 7000
and 8000 series are really Pathe-Perfect
masters in the 107000 and 108000 series
with me first two digits dropped off. We
can say flatly that they are not! Many of
the Pathe-Perfect masters do appear on
Plaza labels with Plaza masters numbers as-
signed them, it is true, but the numbers
Plaza assigned to them in their own series
are those that were being assigned to new
masters being cut by Plaza at the time they
received them from Pathe-Perfect and not
by lopping off the first two digits. A few
random samples of the real Pathe-Perfect
master number and the assigned Plaza num-
ber for them will show this clearly:
107457 = 7192; 108730 = 8687; 108837 =
8789; 108879 = 8938; 108910 = 8894;
108929 = 8921; 108951 = 8957; 108952 =
8953; 108963 = 9015; 108989 = 9048; etc.
You'll note that 108952 and 8953 almost
coincide but that 108951 is 8957. It may
be that one or two pairs actually do match
but it is only coincidence if it does occur.

Because we are always happy to see dis-
cographical data become available to col-
lectors even in limited quantity, we would
like to mention a nice job by Woody
Backensto, 37 N. Girard St., Woodbury,
N. J. Woody has put together an imposing
listing of masters, titles, dates, and issues
(with all pseudonyms for each label) of
the Ben Selvin house bands for the period
he was recording director at Columbia from
1927 to 1934. He very ably groups the
recording dates showing the relationship of
the many Columbia master series to each
other and the many renumberings from one
series to another that took place. He has
tried to list all the sessions actually under
Selvin and those not but where the records
were issued under pseudonyms usually used
for the Selvin sessions. This results in most
of the house band sessions being included,
and we feel that he should have gone ahead
and included the rest as well as the com-
pilation would have been even more useful
that way. Woody has made up a limited

quantity of these 50-odd page mimeo-
graphed booklets and, although they are
not for sale, he is willing to pass them on
to those willing to pay a dollar to cover
handling and postage. Our only comment
is that it is worth a lot more than that to
anyone working on or interested in that
period of the Columbia house band issues!

Label of the Month: Most of us have
seen this one listed in discographies but
have never seen the label. Perry Armagnac
has had the rare fortune to obtain an ex-
ample of the label and the even rarer good
fortune to get a jazz item as well! The label
is of the Gennett family and one would as-
sume was the property, in some manner, of
an aluminum combine! Why an Aluminum
company would want a record label of its
own escapes us but the fact remains that
whoever put it out had the job done by
Gennett from their masters. The label is
Buddy, and Perry's item is Bu 8063 ("B"
side shown in our accompanying cut). This
couples (I'm Just Wild About) Animal
Crackers and Li'l Farina by Duke Ellington
and His Washingtonians. No masters appear
on label or in wax but the Gennett ledger
shows these titles recorded about 6/28/26-
7/1/26 in New York with masters X 190
and X 190a for the first title and X 191
and X 191a for the second. They were
coupled on Ge 3342 and 190 was also is-
sued on Champion 15118-B while 191 was
put on Ch 15120-B. The label is dark blue
with all printing in gold. Anyone know
anything about these aluminum and manu-
facturing companies?

The "Syndicate," seeking to expand its
research beyond the essential but naturally
limited activity of listing data from actual
records, is most anxious to study trade
magazines of the record industry from
roughly 1916 to 1930 for lists of new re-
leases on various labels, news items of the
beginnings and endings of labels and com-
panies, notices of taking over of one con-
cern by another, bankruptcies, official's
names, etc. We hope to get facts in the
nature of things just mentioned and other
data such as locations of recording studios,
dates for recording sessions by bands or
singers, when various companies switched
to electrical recording and other such help-
ful facts. We would like to obtain (buy,
borrow or get photostats) copies of the
Talking Machine World, Talking Machine
Journal, Phonograph & Talking Machine
Weekly, or other similar publications. We
hereby appeal to one and all for their aid
to this end!

Please remember that your record data
on issues on the "small" labels of the
twenties is most urgently needed to fill in
the gaps in our listings attempting to re-
construct the catalogs of these labels.

STAR

STUDDED

SHELLAC

john mc andrew

An evaluation of the dance band of
yesterday would be definitely remiss with-
out a niche reserved for Abe Lyman. His
popularity may never have been inter-
national, or even national in a Whiteman
sense, but his Chicago and West Coast fol-
lowing built up an impressive recording
clientele. His group had no trick style, no
attention-annoying gimmicks: it was roughly
a "sweet" band, and yet a jazz band that
wasn't precisely jazzy, and one of the ex-
ceedingly few that played, and played dis-
tinctively, all types of dance music without :
ever seeming to be out of its element in any
of them. "Solid," in any of its connotations,
may be the word for the Lyman Band, for
that's exactly what its foundation was, and
its performance.

By 1924 the Lyman Orchestra, from ova-
tions in Chicago, trekked Westward to
California, a long and successful tenure at
the Ambassador Hotel's Cocoanut Grove,
and a flock of groovings that promptly
made them one of the mainstays of the
Brunswick catalog. Their numerous acous-
tical platters were perhaps peaked by sides
like Sweet Little You (2631), Any Way
the Wind Blows (2729), Jealous (2639),
Mandalay (2631 ), No, No, Nora (2476),
Cut Yourself a Piece of Cake (2476) and
// You Knew Suzie (2903). Incidentally,
of all pre-electricals, Brunswick horn re-
cordings produced the most remarkable
semblance of rounded tones and many of
them reproduce on Diodern equipment as if
they were electrical, as many a collector
must have observed.

With the advent of the new recording
system, Lyman's microphone sessions became
frequent, and his boys provided clean, rich,
toe-tingling renditions of the refreshingly
melodious pieces of that day, including
After I Say I'm Sorry (3069), Breezin'
Along with the Breeze (3240), Rose-
Colored Glasses (3268), Tenderly (3070),
Wistful and Blue (3317), Burgundy (3139)
and Did You Mean It? (3648). Through-
out both periods, he assayed expertly a
number of jazz standards, with enough jazz
feeling to suit all but the more jaded jazz
addicts: Ace in the Hole and Mandy
(3241 ), Everybody Stomp (2980), Bugle
Call Rag (2481), St. Louis Blues and 12th
St. Rag (3316), Sunday (3286), Ain't Mis-
behavin' (4443), Baby (4136), and Shake
That Thing (3069) which, as proof of its
fine jazz spirit, was some two decades later
thought to be actually a King Oliver side
mislabeled !

Was It a Dream (3995) was probably
Abe Lyman's first waltz on wax, and
proved to be equal to the best from waltz
specialists and much more invigorating than
(Continued on Page 1 4)

1 1

Books Noted

ROBERT L. THOMPSON

Frederic Ramsey, Jr. A Guide To Long-
play Jazz Records, Long Player Publi-
cations, Inc., New York: 1954. xiii-f-263
pp. Price ?

Frederic Ramsey's purpose, in this most
welcome book, has been "to provide the
simplest possible guide to longplay jazz
records." The reasoning behind each deed
of the Guide is thoroughly presented in the
preface. Mr. Ramsey is thus revealed as a
master of practical wisdom. "We have also
tried to make our listings as comprehensive
as possible, but do not claim that they
are complete. There have been some un-
avoidable omissions and even a few avoid-
able ones. In short, this is not a 'definitive'
discography of longplay jazz records. Such
a book would give complete personnel
of every title made, its first matrix number,
matrix of the LP release, original date of
recording and release, date of second, third,
or fourth releases, and account for all labels
encountered along the way."

The principal part of the Guide consists
of 211 pages of record listings in alpha-
betical order with cross-indexing. About
1500 longplay records are presented, most
of them having from a paragraph to a page
or more of descriptive text. The text some-
times only tabulates personnel, more often
it tells the reader something of what to
expect. Ramsey is careful to note that
"When we have branched out into opinions
of our own, we have tried to give due
warning by phrasing our remarks subjec-
tively so no one could be left with the
impression that they constituted any sort
of gospel." An attempt is made to discuss
major styles and developments in jazz in
connection with records appropriate to
each. This aspect of the book is necessarily
incomplete since not all of basic jazz is on
LP, and, of course, it must be kept in
mind that the book is not intended to be
an account of jazz. Invaluable parts of the
guide are its 47 pages of separately indexed
tune titles and musicians, encompassing
virtually all those known to be present on
the selections listed. It is only for those
LPs on which a host of bands are present
(e.g., Folkways Jazz Series), that personnels
are intentionally omitted from the listings
and index.

The success of the endeavor is remark-
able after consideration of the problems
encountered. Record labels feature musi-
cians or styles in vogue, rather than the
name of the band. In other cases, more
than one group is represented, or pseudo-
nyms are used by some of the musicians.
That the reader can make quick reference
to a vast amount of material is a tribute
to the meticulous job of indexing and cross-
indexing.

A superb feature of the Guide is the 32
pages containing 62 relatively rare photo-
graphs of jazz performers. Among the more
unusual of these are the Jack Laine Band

(1917), Dixieland Jug Blowers, Washboard
Rhythm Kings, Memphis Minnie and
Kansas Joe, Scrapper Blackwell and Leroy
Carr, Washboard Sam, and a still from the
Ellington film, "Black and Tan."

A useful list of jazz record reference
publications, including publication ad-
dresses, is given. A handy indication of
who's-got-what is found in the 18 pages of
advertising by most of the jazz record com-
panies.

It is to be expected that there will be
as many readers taking exception to as
favoring Ramsey's comments on various
records. Some of his notes are trite, most
are not unreasonable, and a few rate as
brief but distinguished critical essays.
Notable in this last category are those
under Stan Kenton and Turk Murphy. A
background of serious study of jazz is
evidenced in concise and elegant prose in
the discussions of Sidney Bechet and Miles
Davis. It is regrettable, however, that some
of Ramsey's harsher pronouncements have
such an air of finality. Many of the musi-
cians concerned may wish to travel further
in their profession before they care to be
judged in a hard-covered book.

Very few errors in the assigning of per-
sonnel have been discovered. The Lu
Watters second album for Mercury and
Clef (MGC 510) includes Warren Smith
on trombone. Don Noakes appears on the
first album (MGC 503) only. The New
Orleans Wanderers and Bootblacks listing
{Jazz Panorama 1203) repeats the common
discographical error of including Baby
Dodds on drums. As far as we know, there
are no drums on these sides. The Clancy
Hayes Washboard Five (Down Home 1004)
insert suggests (as we once did) that Bill
Dart is the percussionist. Reliable sources
have it that Lu Watters does the honors.
The name of trumpeter John Lucas is
among several missing from the first Fire
House Five Plus Two release (Good Time
Jazz 1).

The question of omission is perhaps a
little more serious. Although Ramsey ad-
mits some unspecified omissions, we cannot
be completely comfortable in the absence
of the obscure but irreplaceable LPs by
Louis Armstrong's Hot Five [Jazz Pan-
orama 1201), Doc Evans' Jazzmen (Para-
mount 106), Don Ewell (Windin' Ball
101), Knocky Parker (Carle ton Jazz Club
1), Ralph Sutton (Down Home 1003), and
Lu Watters Yerba Buena Jazz Band (Down
Home 1001 and 1002). Although some
might argue their jazziness, we feel that
the Blind Blake (Art 3, 4, and 6) records
recorded in the Bahamas merit inclusion.
Except for the conspicuous presence of Jazz
Panorama, virtually none of the now defunct
"bootleg" labels appear in the listings. The
Jolly Roger label seems most discriminated
against, since its extensive program es-
sentially duplicated, or was duplicated by,
Jazz Panorama. Finally, since this book

went to press early this year, there are a
number of important recent releases that
could not possibly be included. Such prob-
lems will remain until the day that we have
four dimensional books.

John Lucas, Basic Jazz on Long Play,
Bulletin Number One, Carleton Jazz
Club, Carleton College, Northfield,
Minnesota: March, 1954, 103 pp.
Price ?

Basic Jazz on Long Play represents a
series of lectures given at Carleton College.
The lectures were regarded as "a key to
basic jazz" and are here modified only as
far as necessary to make this booklet an
"Introduction to Basic Jazz on Long Play."
Except for the commercial design, wherein
this book is intended for over-the-record-
counter sales, this procedure is unfortu-
nately quite restricting. The lectures are
pleasant and enthusiastic, biographical to
a large extent, and constitute more of a
primer than an "introduction."

It is intended that this booklet also be
thought of as an "invitation to listening."
To this end it presents a list of 30 long-
play jazz records whose total retail cost is
of the order of $100. In addition to being
"of the highest and most representative
quality," membership in the list is also
determined by availability of the records,
avoiding duplications of tune, and the
drawing of at least two examples from each
record for discussion in the text. A total of
110 selections are so discussed. The Lucas
list includes four volumes each by Bessie
Smith, Louis Armstrong, and Leadbelly, five
featuring Sidney Bechet, three featuring
Muggsy Spanier, and two each of Jelly Roll
Morton, Kid Ory, and Bob Crosby. The
remaining records are distributed over sev-
eral other groups with special attention be-
ing given King Oliver and the New Orleans
Rhythm Kings. The excessive presence of
some artists occurs at the expense of such
deserving categories as skiffle and hokum
bands, pianists other than Morton, and im-
portant contemporary bands other than
Ory. In many ways, the extensive Folkways
Jazz Series [two of which are in the present
list] is probably a better all-around long
play collection of basic jazz. Combining
Folkways and Lucas would provide the
most complete and compact "basic" library.

Should we accept the list of records, we
have still to deal with the bulk of the book
— Lucas' judgments of the performance,
composition and mechanisms of jazz, and
snatches of what might be called jazz
theory. What can the critic or reviewer say
about these?

If an author's pronouncements were
clearly labeled as his own opinion, we might
comment on his naivete or sophistication.
If he appealed to other sources for support,
we might identify the sources as real or
fictitious, accurate or inaccurate, coherent
or nonsensical. Since Mr. Lucas is a scholar
by trade, we might take him to task on his
scholarship. The book, however, does not
allude to Mr. Lucas' scholarly status for
support and hence may call for less exact-
ing criticism. Nevertheless, it seems that we
have enough superficial and hazy analyses
of jazz. Now, we have need for research of
a high order, reliable and thorough dis-
cographies, cogent descriptions, and good
fiction. What virtue is found in Basic Jazz
belongs mainly to the third category.

Part of the Lucas theory appears to be
that (traditional) jazz may be considered

12

of jazz studies. We can be assured that
there are as many or more quarrels to be
had with all other books on jazz history
and theory.

The bulk of Basic Jazz is entertaining and
provocative. Its stylistic shortcomings will
be of little bother to any but newcomers to
the field. Should Mr. Lucas publish a more
rigorous account of his jazz "theory," it
would undoubtedly be a welcome and im-
portant contribution to the literature.

book review

in terms of the works of five great soloists
(and to a lesser extent, their bands or
accompanists) and five great bands. The
honored are Jelly Roll Morton, Leadbelly,
Bessie Smith, Sidney Bechet and Louis
Armstrong; King Oliver's Creole Jazz Band,
the New Orleans Rhythm Kings, the Bob
Crosby Orchestra, Muggsy Spanier's Rag-
time Band and Kid Ory's Creole Jazz
Band. Adequate biographies are given for
each. The wisdom of including- both the
Crosby and Spanier bands is not clear, for
they are not sufficiently different in prin-
ciple to provide efficient representation of
jazz styles. Another weakness in the Lucas
approach is revealed when he writes that
"the Crosby band, with its arranged en-
sembles, could only hope to match the
other four . . . when it came to solos."
Here as elsewhere in the book, the impor-
tance of .the rhythm section in setting the
style of a band is overlooked.

There is a long list of puzzling quantities
in the Lucas presentation of jazz. Since it
is an "introduction" and not an advanced
treatment, the book is presumably intended
for the neophyte listener. The use of a
great deal of jazz jargon is not in keeping
with an "introduction" and will only tend
to bewilder the reader before giving him
that old "in-group" feeling. Names such as
"Zutty," "The Lion," "The Kid," "Wait-
ers," "Bolden," and "Condon" often in-
itially appear in the sketchiest of contexts,
that the naive reader would surely find
virtually impossible to associate with any
specific musical function. Most of the musi-
cians referred to are first introduced in a
prestigeful manner and thereafter addressed
by their given names (Bessie, Sidney,
Tommy, etc.) as if they were relatives or
bosom pals of the author. Granted that this
is commonplace in jazz circles, it still smacks
of the Elsa Maxwell approach.

In a similar disconcerting manner, the
reader is presented with a number of
undefined quasi-technical terms such as
"break," "seven-count ending," "vamp,"
and "tailgate." The tune Southern Stomps
is said to be a "Richard M. Jones standard"
(p. 68). It is not likely that this would be
called "standard" in anyone else's
vocabulary. Even more important in the
realm of explanatory material is the total
absence of definitions of such styles as New
Orleans, Dixieland and Swing (author's
caps), although these terms are continuously
(and inconsistently) used in a comparative
sense. (It may be deduced that for Mr.
Lucas, Negro jazz in New Orleans, white
jazz in Dixieland, and Swing is a foggy
thing that often happens when there are
more than about eight musicians con-
cerned.)

The adjectives "greatest," "famous," and
"climactic" are employed with high fre-
quency. It is stated" that the "Hot Five was
the best of all jazz bands" (p. 53), Oliver's
Creole Jazz Band "was the greatest of them
all" (p. 63), the New Orleans Rhythm
Kings was "the best Dixieland band of
them all" (p. 73), the Bob Crosby Or-
chestra was "the Greatest Dixieland Band
in the Land" (p. 79), and Muggsy
Spanier's Ragtime band "was the finest in
the land" (p. 87). Although Lucas slightly
clarifies these points, an aroma of the
mutually exclusive remains.

More uneasiness arises when we read that
"Southern Stomps is in reality just another
slow blues, but it has a character all its

own" while Dippermouth Blues and Canal
Street Blues are respectively a "master-
piece ... (of) composition" and a "superb
number." All three are just blues and per-
haps the author likes fast blues better than
slow.

It is not easy to digest, unaided, such
remarks as "After such solos as Sidney's
(Bechet) there was nowhere for jazz to go
— but on to the swing of clarinetist Good-
man and saxophonist Hodges" and "To
complete the destruction of the Dixieland
ensemble was left, however, to . . . Louis
Armstrong." We wonder why Lucas writes
that "The impact of Bessie (Smith) . . .
on current vocalists has been negligible
. . . " when we have the lung-service of
Claire Austin and lip-service of Kay Starr.
And we like to contemplate how an unin-
itiated reader will interpret the phrase
". . . Ory rocks a jubilant chorus — " (p.
59).

On two occasions it is reported that
Muggsy Spanier and Tommy Ladnier have
often "been compared." So, for that matter,
have daisies and whip-poor-wills been com-
pared. Perhaps these are emissions from an
English professor's moments in limbo — mo-
ments that are also known to generate ex-
amination questions of the type: "Com-
pare Keats and Henry James to W. C.
Fields."

In a matter-of-fact, authoritative way, it
is stated that Louis Armstrong composed
Sister Kate. This much-discussed trivial
point probably remains without substantia-
tion and would trouble the observant stu-
dent who found A. J. Piron assigned com-
poser's credit on all recordings of the tune.
More inaccuracies occur, as crediting Earl
Hines as having made a famous piano solo
of Oliver's Chimes Blues. (What is prob-
ably referred to is Hines' record of Chimes
In Blues, considerably different from
Oliver's tune and Morton's Mournful
Serenade.) Later, the New Orleans Rhythm
Kings' Discontented Blues is described as
"a number unduly neglected, perhaps be-
cause nobody could play it quite like the
Rhythm Kings. The fact is that a tailgate
man of the Brunis sort, so essential to such
an undertaking, appears only once in a
great while." The fact is that Brunis does
not play what would be called tailgate style
on this record. Furthermore, it is said that
with the rhythm section present here, "the
uncertainty in tempo evident on the earlier
sides . . . would not appear again." There
are at least two spots of extremely uncer-
tain tempo on this selection.

A final area for criticism is that of the
value judgments said to be supported by
degrees of collective agreement. An ex-
ample is the statement that West End Blues
is "universally acknowledged to be Arm-
strong's finest recording" (p. 59). Else-
where it is written that Oliver and Arm-
strong formed a cornet team "superior even
to that formed in 1895 by Buddy Bolden
and Bunk Johnson" (p. 67). It is very
unlikely that accord on West End Blues
was ever adequately measured, if measured
at all. It is also unlikely that a basis exists
for comDaring the two cornet teams men-
tioned. Hence the statements are formally
meaningless and functionally akin to propa-
ganda. We would, 'however, quess that
Oliver and Armstrong were better. Al-
though a lack of concern with meaningful
information is commonplace in the press,
politics, and advertising, it remains as dis-
turbing in those domains as it does here.
If it is felt that this review has been ex-
treme in taking Mr. Lucas to task on a
number of petty points, be it known that it
is in the interest of raising the standards

the record changer

editor-publisher

bill grauer, jr.

managing editor

orrin keepnews

circulation

jane grauer.

art director

paul bacon

Will Buy

RECORD COLLECTIONS {

ANY AMOUNT.

I have 100,000 records; hot sweat; every- ;
thing, everyone. Send wants.

Will Trade; Sell; Buy

Race; Blues; New Orleans; Personality. S

Jacob Schneider

128 WEST 66TH STREET. N. Y. C. j

OUR COVER TH IS MONTH IS A
REPRODUCTION OF A SUPERB OIL
PA INT ING BY ROBERT J. LEE
WHICH HE HAS TITLED
"BEALE STREET BLUES". THE THEME]
OF COURSE COMES FROM THE LYRIC
"BLIND MAN ON THE CORNER SINGS [
THE BEALE STREET BLUES".

TH IS IS THE SECOND IN THE
SERIES OF COVERS WHICH MR. LEE
HAS GIVEN TO THE RECORD CHANGEF
WE ARE ONCE AGAIN GRATEFUL AND
VERY PROUD.

13

the st. louis jazz revival

BY BOB KOESTER

conclusion

I've dealt mainly with the younger bands
that now play in the St. Louis area in this
•series, though certainly not meaning to
slight the fine ol'timers who can still be
heard in the city that begot Creath, Mar-
able, Pee Wee, Trumbauer, McKenzie, etc.
The unfortunate truth, however, is that,
with the exception of some of the members
of the Bill Martin and Singleton Palmer
bands, the enthusiasm necessary for the
playing of really good jazz rests mainly
with the younger generations. Nevertheless,
it might be well to report on the activities
and inactivities of some of the Mound City's
older generation.

Let's start with the Negroes, since we
owe much of our jazz heritage to them.
The Blues were always important here. Jabo
Williams, Henry Brown and Wesley Wal-
lace are dead or disappeared, but you can
still hear good blues singers and barrelhouse
musicians if you're willing to go to a little
trouble. They say Alice Moore, Edith John-
son and others less well-known are playing
down on Broadway. Stump Johnson (Shorty
George on Brunswick) of Paramount-QRS
fame now owns a restaurant. Another John-
son, James "Steady Roll," related to
Lonnie, but not to Stump, plays at the
Harlem Club in Brooklyn. Charles Thomp-
son, the ragtime-barrelhouse pianist, still
holds forth at his tavern at Lawton and
Ewing, with his Lily Rag being requested
from those who know how great he is.
Young migrant Negroes still come into town
and play country blues. There's the piano-
harmonica-guitar group at the Co'tton Club
down on the East St. Louis Levee ; another
similar group in West St. Louis. Known,
almost always, by first only names, it's
hoped that they will eventually make some
records, as did Peetie Wheatstraw and
Roosevelt Sykes. Almost forgotten, even by
his own race, is that great blues pianist
Walter Davis, who, though he cut records
for Victor only a year or so ago, still works
nights as a clerk at a small hotel. I wonder
if I'll ever find out where Blind Roosevelt
Graves (Paramount '29; Melotone '35) is
staying so he can record those fine unknown
verses of John Henry I heard him do one
night on a Delmar Streetcar. Maybe he
went back to Chicago.

The Arcadia Ballroom where Bix once
played in a band with Trumbauer, Pee
Wee Russell and others who will never be
recognized, became Tune-Town to present
Basie, Herman, and finally the Eckstine-
Parker-Dizzy band. Now it's a bowling
alley, but it isn't hard to* find those who
once heard the great Trumbauer Orchestra,
with Manone and Bose's Arcadian Sere-
nades playing across the floor. Dewey Jack-
son took a band in there, too. Creath, Fate,
and Thornton Blue are gone, and the New

Orleans musicians no longer play the Strek-
fus Steamers. But George Lewis' great band
was enthusiastically received by local jazz
fans — many new friends being made for jazz
by this band. Dewey Jackson tries pitifully
to play the R&B Bop-Slop that clutters up
the night-life scene that has been too long
without Miles Davis, Jimmy Forrest and the
other really good boppists. Norman Mason
sits in with Palmer or Martin occasionally
and sometimes lands dance jobs with a
trio or quartet. He seems to play his best
for the St. Louis Jazz Club Meetings where
they appreciate him. Druie Bess is only
heard occasionally with Palmer or Martin.
The good Negro trumpets are mostly non-
union men or St. Louis could have another
Negro band. Too bad St. Louis isn't quite
ready for a Negro band. Or is it?

Dick Slevin, of the Mound City Blue
Blowers, lives here again, but doesn't play,
partly due to the effects of old age on his
mind. Red Pepper, heard on many a Ray
Miller Brunswick, drops into SLJC meet-
ings once in a while but plays commercial
corn for a living. Rene Fauvre, featured
with Trumbauer's last band, occasionally
sneaks something rightous into his spot with
the Stan Daugherty radio band. Val Go-
watch, who's still young in spirit, plays his
Bix-Dewey horn with Elmer Trutsch's
Cottonpickers, Rick O'Connor's Gin Bottle
Five and occasionally with the Windy City
Six, as jobs show up. Johnny Cook plays
the same circuit of one-nighters and is
rarely heard by the public. Ditto Elmer
Trutsch, oldetymer whose clarinet im-
mediately reminds you of Rappollo. He
knew Bix, Pee Wee, and the others.

There's always a shortage here. Trom-
bones in the white bands and trumpets in
the others. Thus, trumpet-men like Don
Gumpert, Bill Mason, Ed Stemmler are out
of work, while clarinets Russ Hinojoso, Bob
Shroeder can pick up trio jobs when the
bands can't use them. We better mention
the young New Orleans revivalists, dubbed
the Dixie Stompers, currently with Don
Franz, tp., tuba; Dave Hardinger, cl. ; Jim
Kronk or Rich Damnkoehler, tb; John
Chapman, p; Bob Kornacher, dms. They'll
make it soon as Uncle Sam lets the per-
sonnel settle.

Well, that's the story of the St. Louis
Jazz Revival, if you've been patient enough
to follow. St. Louis jazz heritage holds its
own with the past, though all too few of
our fine musicians choose to stay at home
and lead normal lives, rather than follow
the trail of Trumbauer, Pee Wee, McKenzie,
and recently, Ralph Sutton and the gutty
Sid Dawson. Maybe it's best — both for the
musicians, and for St. Louis jazz fans. Who
can tell? Maybe jazz is finally settling down
and becoming the normal thing we've al-
ways said it was.

Your ob'd'nt. s'rv'nt., A. H., was most
pleased with the Russell Roth articles on
jazz esthetics. They are among the most
thoughtful pieces to have been published
in this old rag. The reminder of the wisdom
of Roger Pryor Dodge was also heartening
although ol' Aaron is far from agreeing
with many of the Dodgean dodges. Does
anyone recall the Lu Watters controversy
as reported in several 1943 issues of the
now extinct magazine, Jazz? Bob Thiele
and Dann Priest were the editors of this
fond memory. The Record Changer might
do us all a service by reprinting outstanding
articles from the many little jazz magazines
of the past fifteen years. Much important
material is now unavailable to those cur-
rently becoming interested in jazz criticism
and history.

Since a neighboring columnist devised a
quiz on obscure jazz lore, we are not to be
outdone, and so follows A. Harris' Super-
ficial Good Time Quiz-Ma-Rizz. Answers
come on like a Dixieland tag at the end
of the column.

1. Give the conventional title to the Louis
Armstrong (Carroll Dickerson's Orch.)
1928 recording of Savoyagers Stomp.

2. Similarly, the title from which was
derived a fairly recent pop tune, I
Wanna Love You.

3. One of the most common harmonic
progressions in traditional jazz is that on
the choruses of Mr. Jelly Lord and
South. It turns up in many other places,
as for example, on the rag Easy Winners.
Name the tune most commonly asso-
ciated with this progression.

4. From whence cometh Muggsy Spanier's
cornet solo on the Commodore record
of Memphis Blues?

5. Under what titles did the New Orleans
Wanderers record Do What Ory Say and
the New Orleans Bootblacks record the
Armstrong Hot Five tune, The Last
Time?

6. Distinguish between Benny Morton,
Bennie Moten, and Ferdinand Morton.

7. What are the dietary requirements of
hip cannibals?

8. Who recorded I Saw Benny Frenchy
Kissing Santa Claus?

While mulling over the names of a num-
ber of old time jazz makers, we were taken
with the colorful quality of several. Con-
sider the pleasures of rolling the following
over and around your tongue as we nom-
inate for our all-time "Name" band: B. T.
Wingfield and Willie Hightower — cornets,
Voltaire DeFaut, Junie Cobb, and Balls
Ball — reeds, Eustern Woodfor-k — banjo, and
Jasper Taylor — percussion. Can anyone

M

think of some euphonious trombone and
bass men? Zue Robertson seems too mild.
On piano, the most compelling seems to be
the somewhat modern Dodo Mamarosa. I
can hear him now, jamming our "Name"
tunes with our "Name" musicians — East
Coast Trot and The Gouge of Armour Ave.
For those not in the know, this latter selec-
tion was first recorded by Fletcher Hender-
son on Vocalion 14859.

And as long as we are playing these rainy
day parlor house games, let's nominate as
Uncle Rumdrop's Ritual Recording of
Sentimental Sounds of Yesterday, Chick
Bullock's (another "Name") Ace in the
Hole. Very much in the Guy Lombardo
vein, this San Francisco workingman's song
always brings me a sense of warm security.
The jazzier versions tend to'make me happy
and devil-do.

While scouting around the New York joy
bands, we note that The Metropole, Broad-
way and 48th Street, is featuring the music
of Jimmy McPartland and Red Allen. With
McP. is George Wettling, Big Chief Russell
Moore, and Bud Freeman. Cozy Cole, Herb
Fleming, and Buster Bailey are among the
Allen mop mopers. Jimmy Ryan's has the
Wilbur DeParis band back and all is well
again. Sidney DeP. manages some tuba
blowing in between his trumpet chores. Ex-
Morton banjoist Lee Blair replaced Eddie
Gibbs for a brief period with DeP. He still
has it and we hope some record company
is willing to give for it. Trombonist Sonny
Helmer, formerly with Red Nichols and
Rosy McHargue, sat in with the Red Onion
band at Ryan's recently. His gymnastics
made everyone merry. The Riviera, Seventh
Ave. and 10th Street, continues its mis-
cellaneous and often good jam session on
Thursday, Friday, Saturday, and holiday
evenings. Pianist Frank Gillis directs the pot
boiling. Nicks, Condon's, the Central Plaza,
and the Stuyvesant Casino go on as ever
with the hot music. With the closing of
Childs Paramount, the Central Plaza has
the Conrad Janis band back in harness, that
is, if you can harness a herd of buffalo.
The Dixieland Rhythm Kings brought their
refreshing sound to the Plaza on their way
to Boston's Savoy. Those Rhythm Kings are
truly rhythm kings. New York's Harlem is
still the place for much genuine hot music.
The quasi-spasm bands move about from
joint to joint with unpredictable rapidity.
Rumor has it that the Red Onion Jazz
Band may become the standard fare at the
Stuyvesant Casino.

And now . . . answers to the Quiz-Ma-
Rizz —

1. Muskrat Ramble.

2. Muskrat Ramble again.

3. Sister Kate.

4. The Armstrong solo on the Red Onion
Jazz Babies' Terrible Blues.

5. Galemouth and Mad Dog respectively.
Do What has another traditional title
that cannot be printed.

6. B. Morton — a trombonist; B. Moten — a
late pianist and leader of a hot Kansas
City orchestra of the '20s; F. Morton —
a pool shark, fancy dresser, and talented
pianist and band leader (deceased).

7. Three squares-a-day.

8. We don't know, but someone should.

(Continued from PagelO)

most. There were also a few Concert Ver-
sions, 12" Style, such as Stormy Weather
(20122), backed by a Gold Diggers of
1933 Medley; Good News (20063), Of
Thee I Sing (20103) and Laugh Parade
(20103), although some of these were
simple medleys. Not to be outdistanced by
the Lang-Venuti small jazz combo, Lyman
formed Lyman's Sharps and Flats and
turned out commendable hot sessions of San/
Weary Weasel (3964) and Jazz Holiday/
Some Rainy Day (4155). During the mid-
6000 period when Brunswick was, beyond
compare, the worst electrical recording ever
heard, Lyman did a few more hot jazz
standbys: Farewell Blues/ 12th St. Rag
(6314), High Society (6325), St. Louis
Blues/Weary Blues (6637) and Milenberg
Joys (6325), some of which, you will see,
are the same titles, but different recordings,
than earlier releases, which were recorded
much, much better. Superbly played waltzes
of this period featured We Will Always Be
Sweethearts (6284), Where the Blue of the
Night (6224) and When the Rest of the
Crowd Goes Home (6224).

Early Decca boasted the Abe Lyman
Orchestra on its lists, but for the most
part, except a tasteful waltz or two like
Seventh Heaven (1226) the band did not
quite have the over-all excellence it had
had on Brunswick, and its best on De was
perhaps the California Album featuring
Tony Martin and the songs California Here
I Come, Rose Room, Avalon, Home in
Pasadena, Golden Gate and San Francisco.
(De-2433-5). Subsequently the orchestra
moved over to Blue Bird, where they
showed to much better advantage on hits
of the day and some standards including
After I Say I'm Sorry, Then I'll Be Happy,
Sweet Little You, To You Sweetheart
Aloha, Comin' Round the Mountain,
Walkin' Cane, Oh How I Hate to Get Up,
etc., Prisoner's Song and some more dis-
tinguished waltzes, among them That
Naughty Waltz, Falling In Love With
Someone, Roses of Picardy and Maria
Elena.

Lyman's vocalists were usually accom-
plished singers who afterwards became
famous soloists, beginning with Charles
Kaley and continuing on with Frank Syl-
vano, Frank Parrish, Harlan Lattimore and
Dale Evans. Incidentally, it was the Lyman
band that Charlie Chaplin guest-conducted
when he recorded his own two composi-
tions, Sing a Song and With You Dear in
Bombay (Br. 2912), both sides having a
full-chorus violin solo by Chaplin.

The last Lyman recordings I know of
were made about 1945: Rum and Coca-
Cola (Co 36775) and an album of beau-
tifully interpreted waltzes such as Char-
maine, Meet Me Tonight in Dreamland,
Down by the Old Mill Stream, Jeannine,
Valse Huguette and La Golondrina.

Since so many other bands are being re-
issued, many of them out of all proportion
to their actual musical "worth, why not an
LP of some of the Lyman Brunswicks?

. . . piano and the voice

(Continued from Page 3 )

really comfortable companion is still the
single human voice of the blues singer
(note how cramped the piano of Art Hodes,
white but usually in the Negro blues tradi-
tion, sounds in so many of his records with
instrumental groups).

The piano's place is taken, then — in
terms of significant musical development —
from, roughly, the year 1910 by the in-
strumentalized voice. This itself had been
some years in evolving, but by the time of
Keppard's Creole Band it had achieved its
main characteristic: "hot" intonation.

It would be many years (the process is
still going on) before white instrumentalists
would be able to duplicate this intonation.
It was the Negro's reciprocal gift for what
he had learned from white piano.

Thus, jazz falls between the two ex-
tremes of the mathematically-precise archi-
tectonic possibilities of the piano keyboard
and the "hot," actually human but also
humanly imprecise, possibilities of the
voice. It is always leaning one way or the
other — in the '20s, the period of classic
jazz, it leaned toward the voice. In the
'30s, the heyday of arranged swing, it
leaned toward the keyboard.

In the '40s, the pressures implicit in the
swing situation caused a crack, or dissocia-
tion, in the jazz sensibility. The undis-
ciplined "jam session," founded in the '30s
as relief from the arranged band, degen-
erated or progressed — take your choice —
into the kind of thing typified by "Jazz at
the Philharmonic : " a thing once called —
and still fittingly, I think, bop. The ar-
ranged band itself (the keyboard influence)
again degenerated or progressed into the
thing best typified by Kenton: a thing
called progressive jazz.

It was a little hard to distinguish in
1946 — when I talked to my pianist friend
— between bop and progressive. Innured as
we both were to the swing tradition, we
were more inclined to be listening to what
Kenton and Boyd Raeburn were doing; but
my friend had also noted the growing in-
fluence of the piano, as presided over by
Thelonius Monk, in the Gillespie camp.

It is by way of Monk, generally — and,
before him, Tatum — that Peterson, Bru-
beck, and Tristano have appeared; with the
latter two (white) straining every effort
along the byway with which the name
Kenton is synonymous. But this is not jazz,
and should not be called jazz, regardless
of the amount of well-meaning improvisa-
tion entailed.

It is not jazz because it relies almost
solely on keyboard potential — on the
mathematical, the white, element in jazz.
It disregards those earlier fusions of racial
inheritance and experience revealed in the
classic jazz of the '20s.

And its quest is futile, I think: ,it can
only lead into the ebb tide of late 19th and
early 20th century music of the concert
hall, the momentum of which is already
gone, with leading European composers in
a Gebrauchsmusik frame of mind reaching
far back into their own cultural pasts for
the kind of "new" ideas (for example, those
of Scarlatti and even Machaut) to be
found, by analogy, in our own classic, or
traditional, jazz — where we, if we are to be
culturally honest, must take them as best
we may.

/

IS

New Releases

10" LP's $3.95

RLP 1038 JELLY ROLL MORTON, Vol. 1

Grandpa's Spells — Shreveport
Stomp — Kansas City Stomps —
Stratford Hunch — Bucktown Blues

— Big Foot Ham — Perfect Rag

— Tom Cat Blues

RLP 1039 BACKWOODS BLUES. Bobby
Grant, Buddy Boy Hawkins,
King Solomon Hill, Big Bill
Johnson

Nappy Head Blues — Lonesome
Atlanta Blues — Jailhouse Fire
Blues — Shaggy Dog Blues — The
Gone Dead Trail — Tell Me Baby
— Mr. Conductor Man — Big Bill
Blues

RLP 1042 MUTT CAREY PLAYS THE
BLUES WITH HOCIEL
THOMAS

Gamblers Dream — Muddy Water
Blues — Go Down Sunshine —
Advice Blues — Barrel House Man
— Nobody Knows You When
You're Down and Out

RLP 1043 WILL EZELL'S GIN MILL
JAZZ

Bucket of Blodd — Playing the
Dozen — Pitchin Boogie — Just
Can't Stay Here — Mixed Up Rag

— West Coast Rag — Heifer Dust

— Barrel House Man

RLP 1040 COLLECTORS' ITEMS. Vol. 2

John Williams Synco Jazzers,
Windy Rhythm Kings, King Mutt
Tennessee Thumpers, Jones Sock
Four. Down in Gallion — Goose
Grease — South African Blues —
Piggly Wiggly — Maxwell Street
Stomp — Good Time Mama —
I've Got It All — 'Mid the
Pyramids

RLP 1044 TOMMY LADNIER PLAYS

THE BLUES with Ma Rainey
and Edmonia Henderson

Black Man Blues — Worried 'Bout
Him Blues — Southern Blues —
Ya-Da-Do — Brown Skin Man —
Travelling Blues — Those Dogs of
Mine — Lucky Rock Blues

RLP 1041 JELLY ROLL MORTON
SOLOS, Vol. 2

Froggie Moore Rag — New Or-
leans Joys — Tia Juana — Mama
Nita — Jelly Roll Bl ues — London
Blues — Wolverine Blues — King
Porter Stomp

RLP 2505 DIXIELAND RHYTHM KINGS
NEW ORLEANS JAZZ PARTY

Bill Bailey — Ory's Creole Trom-
bone — Darktown Strutters Ball —
Blue Mama's Suicide Wail — St.
James Infirmary — Melancholy
Blues — Irish Black Bottom —
Come Back Sweet Papa

Buy these at your local dealers or order direct from

Riverside Records

P. O. BOX 373

RADIO CITY STATION

NEW YORK, N. Y.

16

HOW THE RECORD CHANGER WORKS:

Abbreviations used in the Classified
"Wanted" and "For Disposition"
Sections are as follows:

Col. I, Record Label:

JC1 KTWXC

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Whtn it it noc»uary to indicate nationality of
tka racord, the following Barton appaar after
the racord label abbreviation:

A Areent.nan

Au Australian

B Brazilian

C Canadian

E English

F French

G 6ertnan

I Italian

J Japanese

M Mexican

S Swiss

Sd Swedish

In the "For Disposition" section the condition
of the record is indicated by these abbrevia-
tions:

N (New): Surface noise equal to an unplaycd
record; no visible or audible wear percop
tible: original finish intact.
E (Excellent): Surface noise low. smooth, uni-
form. Not irregular or crackling. Easily dis-
regarded in listening. No perceptible distor-
tion.

V (Very Good): Surface noise somewhat
more prominent; light foreign noises, but
slight distortion, if any; noises not seriously
distracting.

O (Good): A moderate amount of surface
noise; background may be somewhat irregu-
lar and crackling; some foreign noises, and
a little distortion; on the whole, reasonably
satisfactory listening without undue distrac-
tion of attention. Foreign noises definitely
less prominent than the music.
F (Fair): Foreign noises, taken together, are
about as prominent as the music, and there
Is considerable distraction of attention, and
listening requires some effort and concentra-
tion; nevertheless, under these conditions,
listening should be fairly satisfactory.
P (Poor): Foreign noises, collectively, are
louder than the. recorded music; continuous
concentration is required, and there Is little
satisfaction, in listening.

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CL0SI1MG DATE FOR AUCTIONS IS AUGUST 16

AUCT ION
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2 |CaTALOG NUMBER OF RECORo"

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chet ATKINS
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BOB BENCHLEY, J. DuRSEY,H0PE,C01£ — — — - AUC — LONG

CARLE, PASTO«,HOAGY, MANY OTHERS — AUC LONG

WRITE FuR LIST AUC L0N3

VA. FEMALE JUBILEE SINGERS

OLD ARKS A MOVER | NE/BEEN A

MARGRET YOUNG
NOBODY LIED/OH IS HE DUMB

FATS WALLER
DRKTWN STRUTTERS BAO./ I CkNT
YACHT SLUB/MUSKRAT RAMBLE
SOME CHANGES MaDE/BLUE BECAUSE
TAINT WHAT YOU Du/SuME RAINY
HOLD TIGHT/YOU OUT SMARTED
HONEY HUSH/U MEET THE NICEST
ITS U WHO TAUGHT/YOUR LEFT
HOW CAN I /JEALOUS OF ME
SWEETIE Plt/HOW CAN U FACE ME

DON WALKER
ONE MINTO ONE/COUNT BLESSINGS

HRES WARREN G . HARDING
AT HOBOKEN MAY 23, 1921

ETHEL WATERS
TAKE WHmT/ WE DONT NEED

JOE WICKS 4 HIS ORCH
STAR CU ST/SONG OF INDIA

FESS W I LL I AMS/BENN IE MOTEN.
HOT TOWN/ ITS H„RD Tu LAUGH

OK 4482 E AUC -

BR 2297G+/VAUC-

BB I0573E/E+AUO
BB IO035N/EAUC
BB I0322N/E AUC
BB I0I92E+/EAUC—
BB IOIISV/E AUC—
BB I0346V+/EAUC—
BB 10527 E AUC—
V| 25864E/NAUC -
V| 24737E/VAUO—

VO 2599 N AUC —

i MORI

VI 35718 A AUC — — UARQ

CO |4|62 E S/A 2*00 PaRR

BR 82342 E AUC — — OUNC

BB 6431E/E«UO— — SMIT

WANTED

EM IL COLEMAN
BLUE COLUMBIAS 2660 1 2961

GOLDEN MEMORY BOYS
SWEET ADELINE
WHEN YOU WORE A TULIP
IN EVENING BY THE MNLIGHT

BENNY GOODMAN
BUGLE CALL RAG

RE STL ESS/ YOURS A HVNLY THING V+
POCORN MAN V+

ANETTE HANSHAW
HOHUM/MOUNLIGHT SAVING TIME

IN3EX TO JAZZ(BLACKSTQKE)
VOLUME | E

INK SPOTS
ANY TRANSCRIPT I ONS,ARI SHOTS
ARMED FORCES RECORDINGS ETC

SAMMY KAYE
SUNDAY SERENADE PROGRAMS, AIR
SHOTS, ALL TRAHSCRI PTIONS,
ARMED FORCES RECORDINGS ETC

IAIIRFI AND HARUY
DANCE OF THE CUCKOOS

BEATRICE L ILL I E

ANY

GUY LOMBADRO
TRANSCRI PTI OSN,A I RSH OTS ETC

JOHNNY MESSNER
SHE HAD TO GO
SHE REALLY MEANT TO

FRANK MUXN
FAVOR I I°E LOVE SONG ALBUM

BILLY MURRAY
HAT MY FATHER WORE
GUY AT THE END OF THE BAR
ITS THE SAME OLD SHILLELAGH
HE TOOK HER FOR SLEIGH RIDE

SING SAM

MANY ITEMS WA.'-TTED

BOB SNYDER
MANY l/LOVE THY EN I GH80R

RUDY VALLEE
VI 247<IU,25089, * BLUE CLUMBIAS

VICTOR MINSTREL COMPANY
MINSTREL SHOW OF 1929

WORLD BROADCATS TRANSCRIPTIONS
ALL EARY 30'S TITLES

BB (0632
BB 10878 .
BB 10700

v| ^5467 •
V| 25oa
V| 25808 .

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VS 8083

VS 8117

VI P-l 10

BB II07|

BB 10980

BB 1081 I

BB III 34-

■ SCR I
' SCRI

' SCRI

• SCRI

' SCR I

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VOC 2707 3.00 ORLA

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\

\

AUCTION iSc MINIMUM BID

ARTHUR MANN

35c MINIMUM BID AUCTION

BOX 92 THE RECORD CHANCER 4L8 W 49TH ST NYC |9 NY

MINIMUM BID 35^ PER RECORD .COND I T I ON GUARANTEED. PLEASE BIO NUMBER TO THE LEFT OF COLUMN. BID ON POST POSSIBLE. RECORDS WILL BE SHIPPED VIA RRX CHARGES COLLECT
UNLESS YOU REQUEST PARCEL POST AT YOUR OWN RISK. AD 25^ FOR PACKING CHARGE • WINNERS WILL BE NOTIFIED TO SEND REMITTANCE , RECORDS WILL THEN BE SHIPPED*

ALL STAR SEXTET
| pCOKF I RMAT 1 ON/F 1 RST GEAR NJ 901 E;<

2. C8NFIRMATIOn/f|RST GEAR NJ 801 E

ALL STAR TRIO

3. LATHERAL-MY BA8YS ARMs/sOME ONE STEP OK 4024 V-

AMERICAN REPUBLIC BAND
4.SHIV ME SHA WABBLE/ POPSY WOPSY PAT 20026 E

GENE AMONS

5. CAN ANYONE EXPLAIN/ JUG HEAD RAMBLE CHESS L433 V

LOUIS ARMSTRONG

6. NEW ORLEANS FUNCTIOn/pTS I&2 OE 27059 E+

7. CAKE WALK I N BABIES/ JAZZ LIPS HJCA 5 E
S.JOSEPH 4 HIS BRUDDERs/ WANT LIT GRL Vl 2026L2 E+
9.50 50 bls/ SOME DAY VI202530 E+

SAM ASH

10. IN SHADE SHELTERING PALIfl/sEEM LIKE EM L020L E-
GEORG I E AULD

II.SWTHRT OF ALL MY DRMs/gEORGIE PORGIEGLD I 1 3 E+
I2.SWTHRT OF ALL MY DRMs/ OEORGIE P flLD I |3 E
Ml LP RED BAILEY

13. ME 4 THE BLS/ I LL CLOSE EYES MAJ 1093 E+

CHARLIE BARNET

14. PMPTCN TURNPI KE/LEAPI N AT LINCOLN VI 202540 E-

BLUE BARRON

1 5. WLAK I N THRU MOCKIM E LANe/mOTHERS LULBB 11052 N

COUNT BASIE

16. J1VIN JOE JACKSOn/ QUEER STREET CO 36889 E-

COUNT BASIE

17. BABY DONT B MAD AT ME/ PRETTY BABY V1202948 N-
|6. QUEER ST/jlVIN JOE JACKSON CO 36889 E
,9. QUEER ST/ JIVIN JOE JACKSON CO 36889 E+

20.1,2,3, a' lary/fancy meetin you ok 63|9 n/v-

RAY BAUDOC 4 HIS BOBCATS

21. LI LIZA JANE/WHEN SUGAR WALKS DWN CAP 1 5 1 3 1 E-

BIX BEIDERBECKE

22. POYAL GARDEN BLS/GOOSE PIMPLES CO 35664 E

GRAEME BELL

23. oh peter/free mans BLS JU 22 N-

TEX 3ENEKE

24. AT FLYING 'W'/wOMAN UNDERSTANDS VI20300I E+

BENSON ORCH OF CH ICAGO

25. MA ONE STEP/SUNMY TENNESSEE VI |88|9 E-

BUNNY 6E.:IGAN
26. SKYLARK/MY LITTLE COUSIN EL 5020 N-

JIMMY BLYTHE

27. B00GIM WITH MEZZ/l FINALLY GOTCHA KJ |45 E

BOSTON I AN SYNCAPATORS

28. diz:y Li zzy/me too GG 1 393 v-

T I NY BRAOSHAW

29. BUTTERFLY/SCH00L DAY BLS MA L052 N-

CHARLIES brown

30. SO THERE/ ILL MISS YOU EXC |20 E+

GABRIEL BROWN

3 1. CO IN MY WAY/ BLK JACK BLS JD 5004 N-

THE BROWN DOTS

32. FORSENT REASONS/ ITS PITY SAY GDNTE MA 1 04 1 E

LE3.. BROWN

33. BLUE DANUBE/SOPHIST LADY CO 38250 E—

34. MY SERENADE/ THE BEST MAN CO 37086 N—

LILLYN BROWN

35. BAD LAND BLS/ JAZZ ME BLS EM 10384 V—

HENRY BURR

36. BEAUTIFUL ISL SVWHERe/mOTHER MACHREE CA 240 V+

37. RIGHT IM WRONG/ROLLER SKATING ON RA INDE 2B09 V

DON BYAS

38. THESE FOOLISH THINGS/ 6,7,8, OR 9 CMS 574 E+

CALIFORNIA HUMMING BIRDS

39. RED ROBS IN COMES BOBBIN/BABY MINE CA 1003 V

CAB CALLOWAY

40. WE GO WELL TOGETHER/ SEE MILLION PLE OK 6341 N-

CAMEO DANCE ORCH

41. LA FALOMA/LA GOLCNDRINA CA 358 V

CAMP BUGLER

42. BOY SCOUT BUGLE CALLs/pts 142 OPTICAL BOY SCOUT

RECORD 3 V

Bl LL CARLISLE

43. RATTLESNAKE DAODy/v I RG I N I A BLS VO 25020 V-

THELMA CARPENTER

44. JUST SITTIN 4 ROCKIN/ HURRY HOME MAJ I 023 E
JOE FINGERS CARR

45. R0GTEE TOOTEE/ SNOOKEY OOKUMS CP 1 074 E

BENNY CARTER

46. 1 M CARING KIND/SOME THESE DAYS DEL I 0 1 2 E

BUCK CLAYTONS BIG EIGHT

47. MY GOOD MAN SAM/HARLEM CRADLE SONG HRS 1 028 E

LARRY CLINTON

48. DREAMY LULLABY/ WORRY WORRY WORRY DE 24377 E+

49. ABERCR0MBE HAD ZOM/CAMPTOWN RACES BB 11048 N-

KING COLE TRIO

50. E.S.T/LI PS REMEMBER YOUR KISSES AT 100 E

COLLINS 4 HARLAN

51. LILY OF THE VALLEY/WHEN I HEAR JAZZ VI 18398 V

RODI COMACK ORCH

52. KING COBRA/SWAMI TELL ME ALL! 1 241 N—

EDDIE CONDON 4 HIS BAND

53. PRAY FOR TH LIGHTS GO OUT/SINGIN CMS 568 E+

DOLLY CONNOLLY

54. DADDY U BEEN MOTHER TO Me/p| CKANI NNY EM I 0 1 59 V

DEL COURNTEY

55.0H WHAT LOVELY DRm/mY ROSARY BKN VO 5332 E

CHARLES CREATH
56 .MARKET ST BL/ FLEASURE MAD DUB OF OK 8201 E+

Bl NG CROSBY

57. IF HAD MY WAY/WHISTLING IN WLDWOOD DE 2448 V+

58. U DONT HAVE TO KNOw/ APALACH I COLA FL.DE 24282 E+

5°. AFTER U GONE/ BLUE DE 24||4 N—

60. AFTER U GONE/ BLUE DE 24||4 E—

6 1 «G ALWAY BAY/ MY GIRLS AN IRISH GIRL DE 24295 N—

62. TO U STHRT ALOHA/MY I SLA GOLDEN DRM OE 2775 V+

63. MAN 4 HIS DRm/gO FLY KITE DE 2641 E

64. BEAUTI FUL LOVE/ SYMPHONY DE 18735 N-

65. ACCENT CHU ATE POS I T I Ve/fELLCW IN DE 23379 E

66. MEM0R IES/CARELESS HANDS DE 246L6 N—

67. YES INDEED/TEA FOR TWO DE 25406 n/g

68. YOU 4 YOUR LOVE/ OVER RAINBOW DE 25657 V—

COUSIN JOE W EARL BOSTICS GOTHAM SEXTET

69. FLY HEN BLS/ LONESOME MAN BLS GO 500 E—

VIC DAMONE

70. THOUGHTLESS/LOVE SO TERRIFIC MER 5| 04 E—

DAN 4 HIS SKIFFLE BOYS

71.3 FLIGHTS UP/ BIG CAT LITTLE CAT CI 1 02 1 N-

72. LAKEFR0NT BLs/ SHOTGUN HOUSE RAG CI I022N—

EDDIE LOOKJAW DAVIS

73. HES REAL GONE GUY/LEAPI N ON LENOX LEN 502 N-

THE B I LL DAVISON SIX

74. JUST A GIGOLO/WHAY WAS I BORN CI 1032 N-

EMILO DE GO GORZA

75. DRINK ME ONLY WITH EYEs/l N THE GLOAM VI 1061 E

EDO IE DELANGE

76. JUMP JUMP HERE/BUTTON BUTTON BB 7837 V-

DEPARIS BROTHER ORCH

77. CHS NGE 0 KEY BOOGIE/SHEIK OF ARBAY CMS 567 E+

DIXIE DASIES

78. AGGRAVAT I N PAPa/yES SIR THATS LAZY CA 299 V

79. FRITZ IN THE FRITZ CA 769 V

JOHNNY POODS

80. SOUTH BOUND RAg/t|N ROOF BLS CEN 3027 E

HUGH DONOVAN 4 MAJESTIC ORCH

8 1. LONE TRAIL ROSE/DADDY WONDERFUL PAL BWY I 1 389 V+

J I MMY DORSEY

82 . EMBRACE ABLE YOU/ CONTRASTS DE 25294 E+

83. MELANCHOLY LULLABY/ ARE U HA V I N ANY DE 2761 N—

BLIND WILLIE DUNN (SLIGHT LAM CRK )

84. THERE BE SOME CHANGES MADE/ CHURCH STOK 8633 E

BILLY ECKSTEINE

85. MY DESTINY/ ROSES MGM 10684 V

THE ESQUIRES

86. BOPFIN AT ESQUIRE/ IDA BOP JUB 1001 E

WILL EZELL

87. HE I FER DUST/ BARREL HOUSE WOMAN SIG 9|0 E

LEONARD HEATHER 4 DAN BURLEY

88. SUITE IN 4 C OMFORAT ABLE QUARTERS CONT 6006 E

MAYNARD FERGUSON
09. BAND AINT DRAGS I N/LOVE LOCKED OUT CAP |269 E+

HERB I E FIELDS

90. IN PERSIAN MARKET /jOHN JOHN VI203052 E

JACK FINA

91 .SHANGR l-LA / SPAGHETTI RAG MGM I 06 1 0 E+
PAT FLOWERS

92. CANTEEN HONKY TONK BOOGIe/bACH PRELD HIT 1 0 1 2 E+

FOUR NOTES OF RHYTHM

93. head in for hrtache/gotta love u till

Gold metal 949 n-
frank 'the fl00rsh0w' 4 his orch

94. ready for action/ the pig digging cont 6070 n

VIVIEN GARRY TRIO

95. ALTITUDE/ RELAX JACK OLD |24 E

96. ALTITUDE/ RELAX JACK GLD 124 E-

TOM GERUN

97. WEB OF LOVE/ THE NEW STEP BR 451° V+

STAN GETZ QUARTET

98. mar cia/long island sound nj 805 v

DIZZY GILLESPIE

99.SALT PEANUTS/HOT HOUSE GLD I 003E

I00.SALT PEANUTS/HOT HOUSE GLD 1003 E

GLANTZ 4 HIS ORCH

101. HONEY LOVE/PICK ME UP ii LAY ME OK 4594 V+

LOU GOLD

102. WHEN U SEE THAT AUNT OF MINe/baM BAMCA 799 V—

ARTHUR GODFREY

103. LOOKING 4 L CLOVER/|,000 ISLAND SNG CO 38081 N—

GOLDEN GATE quARTET

104. MY PRAYER / WHATS NEW BB 10569 E+
105. STALIN WASNT STALLIn/d|P FINGER OK 6712 E-

BENNY GOODMAN

106. SYMPHONY/ MY GUYS COME BACK CO 36874 N

1 07. GONNA LOVE THAT GUY/lTS ONLY PAPER CO 36843 N-

I 08.SMT I MES IM HAPPY/ KING PORTER VI 25090 E

109. PUT THAT KISS BACk/mY BLS HVN CO 37091 N-

110. EENJII6 BUBBLE/ GAL IN CALICO CO 37187 N

111. AIR ("AIL SPECIAL/ROSE ROOM CO 36720 N

112. POOR butterflu/grand SLAM CO 36722 E+

113. FOUND NEW BABY/FLYING HOME CO 36721 N

HAL GOODMAN

I 14. COULD IT BE YOU/HES RIGHT GUY HIT 7036 E

DEXTER GOROON QUINTET
I |5. MISCHIEVOUS LADY/GHOST OF CHANCE DL 1 0 1 8 E+

GRAY GORDON

I 16. AUTUMN ON THE CAMPUs/cuTT I N CLASS BB 10897 E
GLEN GRAY

DE 18567 E
VI 24256 E+

II7.HRT TELLS ME/ MY SHINNING HOUR
I I8.0ARDANELLA/ CASA LOMA STOMP

BENNIE GREEN
I 19. LA VIE EN ROSE/ BLUES IS GREEN

JUB 5032 v

LARRY GREEN

120. CONCERTO TO MOON/MOTHER NATURES L VI 202832 E

LARS GULL I N QUARTET

121. ALL YOURS/DEEP PURPLE MET |9| N

EDMOND HALL 4 HIS QUARTET
|22. NIGHT 4 DAY/ WHERE OR WHEN
|23. NIGHT 4 DAY / WHERE OR WHEN

GEORGE HALL

1 24. WILL U REMEMBER TONIGHT/ OH MAMA

LIONEL HAMPTON

125. GOLDVYN STP/ HAWKS NEST
I25A.PINK CHAMPAGNE/WELL OH WELL

126. GOLDYN STP/HAWKS NEST
127. SLIDE HAMP SLIDE/HEY BABA RA BOP
I28.CHOP chop/ HAMPS BOOGIE WOOGIE
|29.8 IN FOR FOR XMAs/ HEEBIE JEEBIES

130. JUMPIN JIVE/ MEMORIES OF YOU

131. G«TE SERE BLs/ JENNY

132. AIR MAIL SPECIAL/ PTS I&2
I33.SEPT IN RAIN'/ EVYBDYS FOOL

BOB HARINQ
|34. DRIFTING 4 DRMING/MIDDLE OF N I TE

THE HARMON IANS/ rAY NICHOIS A, H

1 35. HEIGH HO EVERYBDt/ GOT FEELIN

BILL HARRIS

1 36. EVYTH I NG HAPPENS TO me/ FRUSTR AT I ON

COLEMAN HAWKINS QUARTET
I 37. DR I FT I N ON ROAD/FLYIN HAWK

138. FLYIN HAWK/ DRIFTIN ON REED

ARSKIN HAWKINS

1 39. FANTASY IN bl/ BOOGIE WOOGIE

HORACE HEIDT

140. WHO DO U THINK BAw/LI TTLE LADY MAKE
|4|. DANCE OF BL DANUBe/tRUMPETS HVE TRIP

142. MONEY BLS/ s\amPEDE
I43.SNAG I t/ HOP OFF

1 44. SUGAR FOOT STp/ WHAT CHA CALL EM
WOODY HERMAN

145. W00DCN0PPERS BALL/ BIG WIG WIGWAM

146. KEEN 4 PEACHY/ I VE GOT NEWS FRO U
|47. INTERMEZZO/ SORRENTO

148. APPLE HONEY/ OUT OF THIS WORLD

EDO IE HEYWOOD

149. L0VE ME OR LEAVE ME/cANT BELIVE TH

1 50. DEED I | Do/ JUST YOU JUST ME
1 5 I. BLUE LOU/ CARRY ME BACK OLD VIRGIN

152. L0VE ME OR LEAVE me/ CANT BELIEVE

153. LCVE ME OR LEAVE ME/ CANT BELIEVE

154. DEED I DO/ JUST U JUST ME

1 55. DEED I Do/jUST YOU JUST ME

THE EDDIE HEYWOOD TRIO

1 56. WAY U LOOK TONIGHT/MOON WAS YELLO VJ20298 V

1 57. PLYMOUTH ROCK/ CHILLICOTHE OHIO VI 202839 E+

ART HOPES

1 58.SELECT I ON FROM GUTTER/ ORGAN GRINDER CMS 545 E+

BILLIE HOLIDAY

I59.SHES FUNNY THAT WAy/ HOW AM I TO KNOWCMS 569 E+

CMS

579

E+

CMS

579

N—

VO

4085

E

DE

24505

E—

DE

27164

V+

DE

24505

E-

DE

18754

V+

DE

18613

E

VI

26423

E+

VI

26304

E+

HAMP

107

E

DE

18880

E

DE

27176

E+

CA

897

V

S PALMS ROYAI 1

VE

1909

v+

JEY

634

E+

JO

8250

E+

JD

8250

N-

JD

8192

E+

BR

8125

N

CO

38056

N—

CO

35669

E+

CO

35670

E+

CO

35668

E+

DE

2440

E

CO

3821 3

V+

DE

25274

E

CO

36803

E

CMS

577

E+

CMS

578

V

CMS

570

E

CMS

577

E+

CMS

577

E-

CMS

57E

E+

CMS

578

E-

CMS 553 E+
DE 24785 E+

CPA 40022 E
MAD 201 E+

PAC
Exc

60| e/v-

209 E

DE 1871 I E+

GLD

160. ILL GET BY/ ILL BE SEEING U
161 .CANT LOSE BKN HRt/sWT HUNK TRASH
HOLLYWOOD HUCKSTERS
162. HAPPY BLS/ THEM THERE EYES
HOMETOWN BOYS

163. ROCKY MT RAG/ STUMBLING

IVORY JOE HUNTER

1 64. REC0NVERS I ON BLS/ 7TH ST BOOGIE

165. U TAUGHT ME LOVE/ BLS AT SUNRISE

INK SPOTS (crk)
166. ID CLIMB HIGHEST MT/tHOUGHTLESS

INTERNATIONAL STHRTS OF RHYTHM
167 .JUMP CHILDREN/SLIGHTLY FRNATIC

REX IRVING MODERN MEN OF MUSIC
I 68. THE ACROBAT/ BABUSHKA HOP EL

CLARENCE JACKSON
169. POOR BUTTERFLY/ FLAMINGO CRYSTAL

RUSSEL JACQUET 4 HIS 30PPERS BAND
I 70. KING SPINNER/ BONGO BLS KING

HARRY JAMES
17 1. BEAUMONT R IDE/ WHY DOES GET LATE
I 72. WHY DOES IT GET SO LATe/thE BEAUMONT

173. JAMES SESSION/ HEARD U CRIED LAST

174. CHERRy/juMP TONE

175. MY BELOVED I RUGG Ed/ ESTRELL I TA

176. DO YOU LOVE ME/ AS IF DIBNT HAVE

CONRAD JAN IS

177. WILLIE THE WESPER/ EH LA BAS
I76.WHEN U 4 I WERE YOUNg/ DWN BY RIVER

I SHAM JONES
179. SWT WOMAN/ D REAMY PARADISE

180. UNDERNEATH HAWAIIAN SKIES/ ALL SHED

JIMMY JONES

181. KEEPIN UP W JONES/ SUNNY SIDE UP HRS 1043 N-
IS2.WOMANS GOT RIGHT CHANGE MNd/dEPARTURE HRS |0|5 E

183. WOMANS GOT RIGHT CHANGE M I Nd/dELARTUREHRS |0|5 E

184. ARE YOU KIDOIn/hOW LONG HAS THIS BN OK 6307 N

KANSAS CITY 6

IS5.3 LITTLE WORDS/ FOUR 0 1 CLOCK DRAG CMS 573 E

IRVING KAUFMAN,

186. BL SKIES/ FOR G I VE ME VE |334 V

PAT KAY

187. TISC0 CISCO/ GOT LOVE IN MY HRT EXC 2 1 I V+

|4| E+

5035. E

517 E+
4289 N-

CO 37080 N-
10. 37080 E+
CO 36C77 V
CO 36683 V-
co 36729 V
CO 36965 V+

C I 3006 E
CI 3007 E

BR 5028 V-
BR 5052 E-

I?

AUCTION 35c MINIMUM BID

ARTHUR MANN

bOX 92 THE RECORD C HANGER 418 WEST- 49TH STREET NYC |9 NY

AUCTION 35c MINIMUM BID

VI 202922 V

CAP

57631

E

CAP

8BB

N-

CAP

1043

E+

CAP

1191

E

CAP

387

E+

CAP

408

E

CAP 235 V+

CAP

2040 E+

DE

25305

V+

CAP

449

E

CAP

382

CAP

1 191

V+

CAP

1704

E+

CAP

1480

E

CAP

1279

E

CAP

15327

E+

cap 229

V

CAP

15248

E

DE

25356

N-

V 1202926

E

VI

22825

V-

DE

2261

E—

ED CO

36862

V—

CO

38141

E+

CO

37589

E—

CO

37209

E

CO

381 47

E

BR

8123

V

CO

38520

E-

KEY

55

E

CA

514

V

SAMMY KAYE

188. FRE I NDLY UTS/KAY I STILL HOLD YOU

STAN KENTOW

1 8 9. Ecuador/ journey to brazil

190. MARDI GRAS/ BLS IN RIFF

191. JOLLY ROGERS/cVHRNING IN PAKISTAN

192. EASY Go/ BUT THN U KISSED ME

193. ACROSS ALLEY FRM ALAMo/thER E IS NO

194. C0LLAB0RAT I On/ MACHITO

1 95. been dwn Texas/ shoo fly pie

196. delicado/ bags 4 baggabe

197. elc choclo/lamento GITANO

l97i,MINOR RIFF/ DWN IN CHIHUAHUA

1 98. CONCERTO TO END ALl/pTS 1 42

199. EASY Go/ BUT THEN U KISSED ME

200. JUMP FOR JOE/ LURA
20I.SEPT SONG/ARTISTRY IN TANGO
202. IM SO IN MOOD/ VIVA PRADO

203. HO* AM I TO KNOW/ HE WAS GD MAN

204. ARTISTRY JUMPS/ JUST SITTIN 4 ROCKI

205. HARLEM HOLIDAY/ DONT WANT THAT MAN

HENRY KING

206. U BEAUTIFUL DOLl/ BABY FACE

WAYNE KING

207. LAZY STREAM/G OOFUS
208. SO CLOSE TO ME/GD NIGHT SWTHRT

ANDY KIRK
209. SITTIN AROUND 4 DREAM I n/bREEZE
GENE KRUPA

210. THAT FEELI N MNLIGHT/DONT WANT BE LVEDCO 36862 V-

211. U TURNIED THE TABLES/ TEACH ME BABY

212. DISC JOCKEY JUMP/ GENE BOOSIE
2I3.ITS GOD DAY/ SLOW MOSQU1TA
214. AFTER U GONE/ DARK EYES
2I5.0NE MORE DRM/FEELIN HIGH 4 HAPPY
2| 6.GALLOPI NG COMEDIANS / SWISS LULLABY

SIR LANCELOT

2 1 7. NEIGHBOR LEAVE ME DOOR/DONKEY CITY
218. AFTER THE STORn/whEN DIXIE STARS

ARTHUR LANOES
2| 9.MEDI TATI ON/ SONG OF INDIA CA
220. CHERRY BLOSSOMS/ MARCHETA CA

22 I. TRIED OF DRE4mINg/ OUT AWAY LIT SUNSHNCA
222. I VE GOT SOME LOVIN TO Do/ SPRING IS CA

ELLIOTT LAWRENCE
223 .SHAUNY 0 SHAY/ SUGAR BEAT CO 38084 E-

224. U BROKE HRT EVER LOVED u/5 O'CLOCK SHDCO 37084 E+

MARY LEE W BOB CROSBYS BOB CATS

225. MAKES NO NEVER MIND/ ILL NEVER CRY OVERDE 4402 E+

TED LEWIS

226. hula bls/ i love u sunday
227.90 la bo/venetian moon
228. oh/ bark in dog

229. bo la bo/ evnetian moon

LIGHT CRUST DOUGHBOYS

230. DIRTY DISH RAG/NEW JEEPS BL

GUSTAV LUDERS
230A. NESTLE BY MY S I De/ THE SLIEGH RIDE
J I MM IE LUNCEFORD

231. JAZZ NOCRACY/ CHILLEN GET UP

232. BACK DOOR STUFF/ PTS I&2

NEILLIE LUTCHER

233. CHI CHICAGO/ONE I LOVE BELONGS

FRANK LUTHER

COME BACK TO ER IN
JOHN MCCORMACK

235. HEAR U CALLING ME

HAWARD MCGHEE QUARTET

236. THERMODYNAM I CS/NOCTURNE

JAY MCSHANN

237. DEXTER ELS/ HOLD EM HOOTE

TED MACK

238. W0RDS FAIL ME/ CARELESSLY

ENRIC MA PRIG ERA

239. AMORITA/ TELL ME THAT U LOVE ME

TONY MARTIN

240. DANCE AT WEDDING/ CAROLINA IN MORN

FRANK I E MASTERS
24|. CHARMING LIT FAKER/ WALK W MUSIC

RAY MCKINLEY
242.AIRI ZAY/C I NC INN AT I

METRO NONE ALL STA BAND

220 V
422 E
578 V
91 V-

CO

3306 V-

CO

2895

V—

CO

2844 0+

CO

2895

V

VO

4701

V

CO

365

V—

VI

24522

N—

DE

18594

V—

CAP

10108

N-

ance/

DE

2298

V—

VI

64|20

v+

DL

1020

E

DE

6535

E

BB

6920

V

VI

24897

N

VI2025I2 E+

VO 5394 E+

VI 202736 E+

243 . B UGLE CALL RAG/ ONE OCLOCK JUMP

METROPOLITAN SYM
243 A. GARDEN OF LOVE/ IN MONASTERY GA
GLENN MILLER

244.STRING OF PEARLS/ TUEXEDO JUNCTIONS

FREDBIE MITCHELL
245.TILL TOM BOOGIE/FISH MARKET BOOGIE

VAUGHN MONROE
246.S0 YOUR THE ONE/ IS IT LOVE OR 10

247. GIVE BRHKEB HRT BRk/mAHARAJAH OF MAO

JELLY ROLL MORTON

248. MAMAMITA/35TH ST BLS

JELLY ROLL MORTON TRIO

249. KY LIT DIXIE HOME/ THATS LIKE OUIHT

250. UISTER JOE/ WININ BOY BLS

251. FISH TAIL BLS/ HIGH SOCIETY

SPUD MURPHY

252. DANCING WITH DEb/eCSTACY
253»ECSTASy/d ANC I NG WITH DEB

BILLY MURRAY

254. N0T YOU NATIONALITY/WAY OWN IOWA

ROY NEWMAN

255. MARY LOU/SAVING SAT NIGHT FOR U

256. MARY BLS/ DRAG LONG BLS (digs)

RUBY NEWMAN
257 .ONE TWO THREE KICk/toNIGHT

VI

273|4

V—

B»Y

15052

v+

VI

20 1 552

E

DERBY 739

E+

BB

10901

E-

VI

202851

E+

SO

101

E+

HJCA 15

E+

GEN

4004

N

SESS

2

E+

DE

2109

V—

DE

2 1 09

V+

VI

|8|84

V

VO

3752

E

VO 2864 v/v-

IB7I7 v+

NATURAL 5000 E+

ETNA 1263 E

LEE NORMAN

258. JUST PLAIN FOXY/FAT MAN BLS LIS 1 04|

KING OLIVER

259. TOM CAT/ KING PORTER SE |

ORIGINAL DIX IELAN0 JAZZ BAND

260. PLESTEENA/MARG I E

THE ORIOLES

261. ITS TOO SOON/ BARBRA LEE

NICOLA PAONE
262. I L PESC I A I OLA/MY FATHER HAD JACKASS

CHARLIE PARKER
263. BIRDS NEST/DARK SHADOWS

PHILHARMONIC TRIO
264. SWT 4 LOW/ SCHUBERT SERE NATIONAL

LOUIS PRIMA
265. ANG ELI NA/ ROBIN HOOD

PRINCES ORCH
266. SMOKY MOKES/ HAPPY DAYS IN DIXIE

RUSSELS PROCOPE BUT SIX

267. DENZ I LS BEST/ RIGHT FOOT THEN LEFT

268. DENZILS BEST/RIGHT FOOT THEN LEFT

WASHINGTON GRAYS/

269. NATIONSL EMBLEM MARCH CO I C25 V

QUINTET HOT CLUB OF FRANCE
270.STPIN AT DECCA/ HONEYSUCKLE ROSE DE 23066 E

HARRY RA DERMA N

27 1. ALL FOR YOU/ MAKE BELIEVE CARD 2032 V

RUGOLS RA GT I UERS

272. WHY DO THEY ALWASY SAY No/ DRM AFETRCAP 963 E+

JAMES REED

273. THE HOLY CITY/ THE PALMS CA 308 E+

JOE RIECHMAN

274. Y0ULL NEVER KNOw/ HUT SUT SONG VI 27420 e/v-

VINCENT RICHARDS

275. FOUND NEW fflLR MY DRMs/ SWTHRT ALL MY CA 9053 V

JOE RINES W ORCH
276. SHE WAS JUST SAILORS SWTHRt/bUDWE I SEREL 5030 E
DICK ROBERTSON

DL

|C|4

E

MUS IC

IOO0E

MAJ

1016

E

CO

2900

V

HRS
HRS

1034
1034

E+
E+

277. ARE U HA V I N ANY FUn/cOMES LOVE

TONY SCOTT

278. ALL TOO SOON/TEN LESSON W TIMOTHY

CHARLEY SHAVERS

279. MY MAN/ EL SALON OE GUT8UCKET

ARTIE SHAW

280. CRUMB UM/SHEKOMEKO SHUFFLE
G GEORGE SHERAING QUINTET
28 I . I N CHINESE GARDEN/PTS I 42

282. WHEN LOVER HAS GONe/ CARNEGIE HORZ

GEORGE SHEARING TRIO

283. POINCIANA/TO BE OT NOT TO BOP

BERT SHEFTER

284. MONKEY ON STR I NG/TR AMM I N AT THE FAIR

SI LVER SCHO

285. LAND OF FADELESS DAy/sinNER MAN MANOR ■ 0 ■ I N-

SIX BRONW BROTHERS

286. FOR ME 4 MY GAL/ MY FOX TROT GIRL VI |83|0 V+

287. GHOST FO SAXAPHONE/ SAXOPHONE SAM VI 1 8309 V
288.8ULL FROG BLS/ PUSSYFOOT MARCH VI 18097 V

CHARLIE SPAND.WILL EZELl. A LEX HILL

289. HOMETOWN SKIFFLE/ PTS 142 SD 107 E

CHARLIE SPIVAK 4 HIS ORCH

290. WHEN I SEE ELEPHANT FLY/NO LAUGHING OK 6458 e/v-
STOMP SIX

DE 2827 V

105 E

DE 27L96 N-

MGM 10647 E+
MGM I 0763 E-

DE 2525 E+

SE

DE

5 E
2808 E+

GLO 2215

HRS

1049 N-
4080 G+

CO 37098 E+

291 . EVERYBODY LOVES MY BABy/ WHY CANT BE

LEW STONE

292. CLOCK MAKERS NIGHTMARE/ CANADIAN PAC

SUNG BY MR "X" WITH ORCH

293. THAT CERTAIN PARTY/ WHERE MTS MEET

BILLY TAYLORS BIG FOUR

294. MITCH PITCH/ STRIDING DWN CHAMP ELYS

JOE THOMAS
295. IN 4 OUT/MY ISLE OF GOLDEN DRMS

CLAUBE THORNH I LL
296. GOTTA GET ME SM6DY TO LOVe/ YOURS IS

TRINITY MIXED QUARTET
297. OLD KENTUCKY HOME/ NEARER MY GOD NAT I ONAL M L

1007 V+

VAN 4 SCHENCK
298. OPEN GOLDEN GATE TO D I X I ELANd/gRA NN
VARSITY EIGHT

299. WHY SHOULD I WEEP BOUT ONE/u DIDNT

300. BRAN BEW GAL OF MINE/ LOVE GIRL

SARAH VAUGHAN
30I.IF U COULD SEE ME NOw/ YOURE NOT Kl

CHARLIE VENTURA
302. SYNTHESIS/BLUE CHAMPAGNE

VICTOR SALON ORCH

303 . THE GONDOLIERS/ VENETIAN LOVE LONG

VIOLIN 4 PIANO

304. AIR ON G STR I NG/LI EBESTRAUM MASTERPIECE 8503 V

VIOLIN 4 SAX

305. ALWAYS/ PALS GLO 1 33 1 G+

KIRBY WALKER

306. SHE AINT NO SAINT/whEN LOVE COME DWN DEL I 06 1 E
307. WHEN MY LOVE COEM DWn/aINT NO SAINT DEL lOll E
FATS WALLER

309. NOT HERE RIGHT THERE/u CANT HAVE CI 3005 E+

3I0.SMD8Y STOLE MY GAl/ SUGRA BLS VI 25|94 E+

LEONARS WARE TRIO
3 1 I. HEY HEY LITTLE DOGGIE /wHOOEE BUMBLE B MAY7245 N-

WAREINGS PENN .
3I2.GONIGHT SLEEP TIGHT/ HAUNTED BY SWANEEVI 19362 E+

_CH ICK WEBB

3|3. SUGAR PIE/THAT WAS MY HRT OE 2665 E+

3I4.HAVE MERCY/ IM UP TREE DE 2468 E-

DICKY WELLS BIG SEVEN
3|5.WE'RE THROUGH/ BED BOCK HRS 10|9 E-

CO

2820

V

CA

456

V

CA

507

V

MU

380

E+

NAT

9036

e/v

V 1

26388

E+

OICKEY WELLS BIB SEVEN

316. BED ROCK/WE'RE THROUGH

317. BED ROCK/ WE'RE THROUGH

PAUL WH I TEMAN

318. WEEP NO MORE MAMMY/ SPRI L SHOWERS
3 I 9. NO FOOL IN/ LULU BELLS

320. GAOG I ANa/ TENT IN DWN TENN

321 , KA LA ABLUE DANUBe/evERYBDY STP
322. ON GIN GINNY SHORe/ MARIE
323. WHAT NAME OF THAT SONG/ WAH HOO

HRS
HRS

I 0 1 9 E-
1019 E

VI 18825 V
V| 20019 V-

VI 20017 V-

VI 18826 V+

VI 18859 v+

VI 25252 e/v-

324. MUT I NEY IN NURSERY/jEEPERS CREEPERS DE 2222 V

V| 24678 V-
CO 25567 N-
VI 18789 V-
VI 18789 V-
VI 13801 V

CAP |042 V

325. BEACH BOy/nOTHIN ELSE TO DO

326. swt sue/for NO REASON AT ALL

327. swthrt/ in boat

328. swthrt/ in a boat

329. s0uth sea isles/rosy cheeks

ma rgret wh itt ing 4 bob hope

330. home cooking/ blind date

CARL gjJJ IAMS

331. WHEN U 4 I WERE/ FORGOTTEN NATIONAL M L

I0L4 E-

MARY LOU W I LL I A MS

332. WILLOW WEEP FOR me/ BYE BYE BLS KING 4349 E+

RUBBER LEGS wl LLIAMS

333. 4 — F BLS/ I WANT EVERY BIT OF IT CONT 6020 V+

334. WANT EVERY BIT OF I t/ 4 F BLS CONT 6020 E

SANDY Wl LLIAMS BIG F IGHT
335. AFTER HOURS ON DRM ST/SUMP|N JUMPINHRS 1008 E

BOB WILLIS 4 HIS TEXAS PIAYHIYS
336. NEW SAN ANTONIO ROSE/BOB WILLS SP

TEDDY Wl LSON
3 37. STRANGE INTERLUDE/ HAMMELUJAH

PAUL WING W I TH GU I LP SINGERS

OK 5694

370 N-

338. WEDDING OF PRINCESS/ PTS 144

339. WEDDING OF PRINCESS PTS 2 4 3

BARRY ".OOP

340. MADELA | NE/TH I S NO LAUGH I N MATTER

YERKES SOUTHERN FIVE

ALABAMA RED PEPPERS

342 . T HE DRAG/MARY ANN

343. NEW TWISTER/jUST ROLL ALONG
344. SAN/ MY OHIO HOME

ALL STAR ORCH

345. MY MELANCHOLY BABy/ JUST ROLL ALON

HENRY Al I EN

346. RUG CUTTER SWING/ HOUSE IN HARLEM=

347. WHOSE HONEY ARE u/ SMOOTH SAILING

348. WHOSE HONEY ARE u/LULLABY OF

AMERICAN CONCERT ORCH
349. IN CHINESE TEMPLE GARDEn/pERS I AN M

BOB ANDERSON
350. GONNA SIT DWN WRITE LETTEr/sEPT IN

35i.inoiana/sleepytime OWN so
ANDREWS SISTERS

352. billy boy/ hold tight hold tight

353. well all right/beer barrel polka
3540apple blossom time/rhumboogie

(above rm chp no grv)
ARCADIAN SERENADERS

355. fidgety feet/dog on piano

(abcve rm chp 8 grv)
THE ARKAhSAW TRAVELERS

356 . r ow row rosie/alone at last

357. those panama m ammas/c open hag en

358. ja da/ sensation

359. ANYWAY WIND BLWs/sHE LV ME(n|CHOLS

360. HOME BCUND/THERE B CHANGES MADE

361. GIVE ME UKELE/GOING PARK IN ARMS

V 1455202 N-
VI 454203 N-

VI

27692

E

CO

2929

V

Li

2784

V

CA

8132

V*

CA

8109

V-

VI

2|2|2

E

ME

|3|45

E+

ME

13322

V-

CQ

8474

V

ED

80853

E»

JU

17

N-

JU

25

N

DE

2214

V

DE

2462

V

DE

23608

V

OK

40272

V*

OK

40426

N

OK

40236

V

HA

421

V

OK.

40183

E+

OK

40267

N

OK

40700

V

STAR BAND

BW

12108

N

362. C0NFESSI N/EAST TOWN BOOGIE

LOUIS ARMSTRONG

363. GULLY LOW BLS/ Wl LD MAN BLS OK 8474 E+

364. HOTTER THAN THAt/saVOY BLS OK 8535 V-
365. SONG OF ISLANOs/BLUE TURNING GREY OK 4|375 E

366. WRAP TROUBLES I NDRMs/sTAR DUST OK 4|530 N

367. N0 BASIN ST BLS OK 8690 N
368.SKAO DAT OE DAT/jAZZ LIPS OK 8436 N

369. BASIN ST BLS/ MIGHTY RIVER VI 24351 E*

370. KNOCKIN JUG/ MUGGLES OK 8703 N—

37 1. BEAU KOO JACK/MAHOGANY HALL STP OK 8680

372. GOT NO BLS/ IM NOT ROUGH OK 855l N

373. ALLIGATOR CRAWl/wiLLIE THE WEEPER OK 8482 N
374. SUGAR FOOT STRUt/mONDAY DATE OK 8609 N-

375. PUT EM DWN BLs/ POTATO HEAD BLS OK 8503 E+

376. HOTTER THAN THAt/saVOY BLS OK 8535 E+

377. ROCKIN CHAIR/AINT GOT NOBODY OK 8756 n/n-

HJCA
HXA

DE
CO
CQ

3 78. DALLAS BLS/ BESSIE COULDHT HELP IT OK 8774 n/e+

379. GA BO BO/DROP THAT SACK

380. W I LDMAN BLs/mELANCHOLY

381. WAIT TILL U SEE MY BABy/liVIN HIGHHJCA

382. CLUES stampede/easy COME EASY GO
383.IF YOU WANT BE SUGAr/gOIN HUNTING
384. SWING THAT MUS I c/wo LVER I NE BLS
385.SWTHRTS ON PARADe/roCH I N CHAIR

386. BASIN TS BLs/ ST LOUIS BLS

387. GUT BUCKET BLs/ YES IN 8ARRELL
386. IF YOU WANT B SUGAR PAPa/gOIN HUNT HXA
389. SHI NE/ JUST GIGOLO TEMPLE

390. KING OF ZULUS/LONESOME BLS

391. HONEY Do/ HONEY DONT U LOVE ME

392. HIGH SOCI ETY/GOTTA RIGHT SING BLS

393. THERES CABIN IN PINES/ GOT WRLD ON

394. MEDLY OF ARMSTRONG HITS PTS 142

395. GULLY LOUW/WILD MAN BLS

396. MELANCHOLY BLs/ WILD MAN BLS

BR 80060 N
BR 80059 N
32 N

38 N

39 N
3|05 E
2688 N-
9124 v/g
8261 V-

39 N
53l N
TEST N
BB 7787 N—
BB 6771 N-
BB 6910 N-
VI 26084 E-
SE 5003 N
PAE 2 I 62 N

20

35c MINIMUM BID

ARTHUR MANN

BOX 92, THE RECORO CHANGER 4|8 1VEST 49TH STREET NYC |9 NY

SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS

35c MINIMUM BIO

TEST E*
OK 8729 N

LOUIS ARMSTRONG
397. BLK 4 BLUE

398. SOME OP THESE DAYS/WHEN YOUR SMILIN8
(ABOVE RARE NON VO-AL VERS I ON )

399. WEATHER BIRD/DEAR OLD SOUTHLAND OK 41454 V+/E

400. WHN SLEEPY TIM OWN So/bE GLAD WHEN DEAD OK 4|504 V
40) .PEANUT VEND OR /OR I VI NG ME CRAZY OK 4|478 N—

402. WHN SLEEPY TEM OWN So/gLAO WHN DEAD OK 4|504 N

403. ALL OF ME/ HOME OK 4|552 E+

404. CHINATOWN CH I NATOWn/gOT RHYTHM OK 41534 E+

405. KEEPIN OUT MISHIEF /LAWD MADE NITE LONG OK 4|506 N

406. NO ONEELSE BUT YOU/ CANT GIVE YOU OK 4 1 204 E
407. SAVE PRETTY MAMa/sT JAMES INFIRMARY OK 4||80 N

408. KNEE DROPS SKIP GUTTER OK 4ll57 N-

409. BLUE TURNING GREY OVER/SONG OF ISLANDS OK 4|375 V
4|0. INDIAN CRADLE SONg/exACTLY LIKE U OK 4|423 N-
4II.IM IN MARKET/DING DONG DAODY OK 4|442 N-

QUE ARNHRIM (BING)
4|2.SURREN0ER DEAR /1a ROSITA VI 226|8 V

4|3.IT MUST BE TRUE/SO U CAN FOOL ME VI 22561 V=

ARTIST 1 ?

4I4.FAT FANNY STP/ JUST MY LUCK DUB E+

41 5. OLD JOE CLARK/BROOKLYN DUB E+

THE ASTORITES

416. ID LOVE 6ALL U SWTHRT/LIT MUSIC MNLIGHT HA 305 V

BUSTER 8AILEY4 7 CHOCOLATE DAND I ES
4 1 7.SHANGHA I SHUFFLE/CALL OF THE DELTA VO 2887 N

4 1 8.SMD AY SWTHRT/wHEN DAY IS DONE VO 3057 N

Mi LDRED BAILEY

4I9.ST LOUIS BLS/ ARKANSAS BLS OK 4801 E+

420. WHEREVER U ARE/ SMET I MES DE 4252 E

42 1. TOO LATE/DEAR OLD MOTHER DIXIE BB 7873 N

422. GA ON MY MIND/ROCKIN CHAIR BB 6945 N
423. STOP SUN STOP MOOn/hOME BB 7763 N

424. DWN HRTED BLS/ SQUEEZE ME PAE 2257 N-

425. HONEYSUCKLE ROSe/ WILLOW TREE PAE 2201 N
ELSIE BAKER

426. GYPSYS WARNING/TAKE BACK HRT VI 4007 E
THE BAMBOO ORCH

427. MAMA CALL FIRO BR I DGE/COUS I N HERE SO BB 10546 N
BANO

428. GET OUT GET UNDER/ 5^" RECORD LITTLE WONDER 2 V

429. RUSS IAN NAT HYMn/lA MARSEILLAISE ED I SON E-

430. PIQUE DAME OVERTURE/PTS 112 ED I SON E
BAND FOR DANCING

431. BALLING THE JACK/ REUBEN FOX TROT EDISON E
BILLY BANKS

432. SPIDER CRAWL/ BUGLE CALL RAG PER I 56 1 5 E

CHARLIE HARNET
433. PEACEFUL VALLEY/ REM I N I SC I NG BB 10846 N

HARRY BARTHS MISSISS I PIANS
434. I ND I AN MOON/ DRIGPS SERE
HAROLD BAUER

435. CAPRICIO/ ALBUM LEAF
SIDNEY BECHET

436. TEXAS MOANER/LI MEHOUSE BLS

A L BERNARD

437. IDA SWT APPLE CIOEr/rOLL THEM ROLY BOLY HA 606 E
BUNNY BER I CAN

438.SWING MR CHARLIE/ITS BEEN SO LONG VO 3|79 e/e-

439. MAHOG ANY HALL STp/ CHOPIN GHOST VI 25622 E

440. TIS AUTUMn/mY LITTLE COUSIN
AIR CHIEF PHILHARMONIC 63 E

441. CANT GET STARTED/lN LIT SPANIH TWN SE 5004 N

BIX BE 1 DERBECKE

442. DEEP OWN SOUTH/WASTING MY LOVE ON U VI 23018 E

443. MARGIE/SMB0DY STOLE GAL SE 50 1 3 N

444. JAZZ ME BLS/ ATTHE JAZZBAND BALL CO 36|56 V+

445. susi e/riverboat SHUFFLE TEMPLE 536 N

446.SUS1e/r|VERB0AT SHUFFLE TEMPLE 536 N

447. COPENHAGEN OH BABY_ TEMPLE 554 N
448.SMB0DY STOLE MY G / THOU SWELL OK 4|030 E

449. THE JAZZ ME BLs/ AT JAZZ BAND BALL VO 3042 V+

450. JAZZ ME BLS/ AT THE JAZZ BAND BALL OK 40923 E
45l .SORRY/s INCE BEST GAL TURNED ME DWN OK 4|00| V+/E

HARRY 8ELAF0NTE ACC HOWARD MCGHEE

452. RECONG N I T I ON/ LEAN ON ME ROOST 501 N-

GRAEME BELL

453. FREE MANS BLS/ OH PETER JU 22 N

454. south/shim ME SHA WABBLE JC IN

455. JACKASS/ LEICESTRE SQ JU |5 N

456. JENNYS BALI./b|G BAD BANKS I A MflN RAM 10 N—

457. AXTEC PRINCESS/ LITTLE BLKBIRD RAM 9 N-
458. IM LITTLE BLKBIRD/ ALEX RAG TIME AMPERSAND |5 N

BEN BERN IE

459. UNDERNEATH WEEPING W I LLOw/oEPENDS ON BR 3464 V

460. TEN LITTLE MILES FRM TWn/ EHN POLLY BR 4020 V-

461. CARFREE/THERE MUST BE SMBODY ELSE= BR 3716 V

462. LITTLE BIT BAd/sLEEPY TIME GAL BR 2992 E-

AL BERNARD f ACC. GOOFUS 5)

463. HESITATION BLS/ ST LOUIS BLS

THE BIG ACES
464.oherry/ FOUR OR FIVE TIMES

BARNEY BIGARD
465, CARAVAN/ STCMPY JONES
466«CARAVAn/sT0MP JONES

EUBIE BLAKE
467.0LD FASHIONED LOVe/ SWT HENRY
(ABOVE RM CHP 5 GRV)
JACK BLAND
468. ITS GONNA B YOU/ SHINE ON SHOES
RUBE BLOOM

469.MAN FROM SOUTH/ ST JAMES INFIRMARY CO 2 1 03 V-

470iMYSTERI OUS MOSe/bESSIE COULDNT HELP IT CO 2|86 E

THE BLUE R I BBON BOYS
471. STAR DUST/MINNIE THE MOOCHER PA 15468 V-

Ed(s)5|243 E+

|4|3 N-

VI 27600 E

OK 40962 N
OK 4l 1 36 'E

VAR 5|5 v/e

OK 3809 V+

VI 19253 V-

ME 12510 N

BOOTS 4 BUDDIES
472. WHN TIMW HAS COME/ HAUNTING MEMOR BB 6880 E+
BOSTON POPS

473. CHANSON TRISTE/SONG OF THE VOLGA VI 4527 N—

474. LA paloma/ LA GOLONDRINA VI 4434 E+

475. FRUHLI NGEST IMMEN PTS | & CONLS. VI 4387 N-

476 . CAVALLERIA RUST I CANa/sONG OF INDIA VI 4303 N—

BOSWELL SISTERS

477. DWN ON DELTA/ SENT I MENATL GENT BR 6395 V+

478. GEE BUT LIKE MAKE HAPPy/dONT TELL OK 4|470N

PIERRE BRASLAVSKY

479. CANT GIVE ANYTHING BUT/ MUSKRAT RAMBjU 27 N

BR I LLHARDT ORCH

480.STAT ST SHUFFLE/ GIVE LOT OF LOVE PE 1 463 1 E-

BROADWAY BELL HOPS

48 I. OLD MAN SUNCH INE/FORGETT I NG YOU HA 66 I V+

BROADWAY BRDCASTERS

482. LOST 0 MAMA/ WHO WOULD NT BE BLUE RO 650 V

BESSIE BROUN

483. CH1.CE/ SMONE ELSE BE THERE WHILE BR 3817 N

LES BROWN

484. EVBDY MAKE MONEY BUT /HEREAFTER CK 6573 e/n-

BROttN- MORRIS ORCH
455. HEAD I N FOR HARLEM/LEFT SUGAR STAND I NGHA 52 I V+
PETE BROWN

486. CANNON BALL/ BUY ME TELEPHONE DE 8625 E-

DAVE BRUBECK TRIO
487. I ND I ANA/LURA CORNET 1 03 N

HENRY BURR

488.GD NIGHT LIT GIRL/ SPECIAL CO ADV. RECORD V+

CHICK BULLOCK

489. OWN CAOLINA LANe/anYTHI NG LIT HRT ME 12669 V-

490. DONT GET SENT/ YOUVE GOT TO GET ME 60613 V

DON BYAS ALL STAR QUINTET

491. LITTLE WHITE LIES/YOU CAME ALONG JAM 902 E

CALIFORNIA RAMBLERS

492. SATISFIED BESIDE SWEETIE/ME4 BOY F RE 9705 V

493. ROSE MARIE/ SWEET LITTLE YOU RE 9709 V+

494. ILL TAKE BACK/WHEN WAS DADNY 4 U RE 9737 V

495. OLD GANG OF MINE/THE COLUMBIANS CO 3970 V+

496. shine/ IT HAD TO BE YOU CO 127 V

497. WHEN I DANDY 4 U WERE/BACK DAFFODILSCO 2|8 E+

498. CHARLEY BOY/ BIG BOY CO 179 V

499. c.c penh ag en/gotta getta girl co 236 v

(above rm chp no ghv)

500«WHERE SWEETIE H 1 0 I Ng/cOULDNT IT BE CO 278 V

50 1. OH MABEL/ ME 4 THE FRIEND CO 268 V

502. SWT GA BROWN/ EVERYTHING IS HOTSY CO 380 V-

503. UNDER UKULELE TREe/|0 CLIMB CO 6|0 V-

504. PARDON THE GLOVE/ YES SHE 00 CO 992 V+

THE CHARLESTON CHASERS

505. DAVENP0RT BLS/WASBASH BLS CO 909 V
506. STOCKHOLM ST p/LOVE 60LLEGE GIRLS CO 883 N-

507. TELL ME TONGITH/TOO MANY KISSES CO 834 N

508. MY BABY KNOW HOw/hERE COMES FAT I MA CO 800 N-
509. SHE BELONGS TO ME/ ME TOO CO 704 V
5lO.IT WAS ONLY SUN SHOWEr/nO TH I N DOES CO 1148 N
5| I .SI NGAPORE SORROWS/WHAT DO YOU SAY CO I 3 1 4 E
5|2.THE PAY OF!"/ T INN EAR CO 1642 N
5|3.DWN BY THE RIVEr/tROT ALONG TRI 11256 V—
5 |4. CLOCK ON MANTLE PATHE TEST E+
5 15. SHE IK OF ARABY/ GA ROSE VO 14275 E-
5 1 6. EDDIE LEONARD BLs/mA MA KNOWS VO 14300 E-
5|7. HONEYS LOVIN ARMS/ WHO BELIEVE IN U VO 14329 E

518. HOT LIPs/ NOBODY LIED VO 14384 E-

519. WISH I KNEW /STUTTERING VO |44l I V+

CAB CALLOWAY

520. BASIN TS BLS/IT LOOKS LIKE SUSIE OR 23|7 V

521. HOSEYS LOVING ARMS/THE NIGHTMARE RD 1677 V—
522. SOME OF THESE DAYs/tHAT RELIGION BR 6020 E
523. ST LOUIS BL/ GOTT DARN GD REASON BR 4936 E
524.SMSDY STOLE GAl/yOU DOG PE 15541 e/v-

525. DIGA DO/NO 2 WAYS/GD FOR NOTHI N VD |26 V-

(rBOVE RM CHP 2 GRV )

526. TAKE A TRAIN/ CHATTANOOGA OHOO OK 6305 E

BRUN CAMPBELL
527.I2TH ST R8G/GRANPA STOMP ECHOES I N

ALFRADO CAMPOLI

528.K00M TZ IGANY/STANDCHEN DE 20183 E

THE CAPI TOLIANS

529. 529. CHANT OF JUNGLS/ WONDERFUL SM UGM 1084 V+

THE CAROL I NERS

530. PRECIOUS LIT THING/GO LIT BAD RP 866 E-

HOAGY CARMICHALE

531. R0CKIN CHAI R/GEORG I A VI 25491 N—

532. BESSIE COULDNT HELP I t/hOT MAMA VI 22864 V+

533. LAZY RIVER/ JUST FORGET VI 23034 E

CASA LP MA ORCH

534. JUST BL EYED BLONDE/wANNA SING ABOUTBR 6|24 N—

535. ALEX RAGTIME BANd/puT ON GREY BONT BR 6 1 00 E-

536. LOUISIANA LULLABY/MISSISSIPPI 8ASIN BR 66|8 E

537. TROUBLE IN PAR AD I SE/R I VER S TAKIN BR 6602 E

538. LOVE IS THE THING/uNDER BLANKET OF BR 6584 E

539. EVENING/ LAZY DAY BR 63 1 I V

540. ALEXANDERS RAg/puT GREY BONNET OK 4|476 N
54 1 .OVERNIGHt/lI T DID I *KNOW OK 4|477 N

542 . ANYT I MES TIME FALL LOVe/swEEPI NG OK 4|373 N-

543. HAPPY DAYS/LUCKY ME LOVABLE YOU OK 4|339 N

CELESTINS ORIGINAL TUXEDO JAZZ ORCH

544. I M SAT YOU LOVE ME /GIVE ME SOME CO 14200 V-

545.SWTHRT OF TKO/TA TA DADOY CO 1 4396 E-

546. my Josephine/ hey la ba del 1 123 E-

THE CHARLESTON CHASERS

547. RED HOT HENRY BROWn/LOUD SPEAK IN CO 446 V

548. TURN ON HEAT/WHAT WOULDNT DO THAT CO 1 989 E-l

549. YOURE LUCKY TO Me/yOUR LUCKY TO ME CO 2309 E+

CHARI.fSIIIN CHASERS

s/b

550.3EALE ST SLS/BASIN ST BLS OK 4 1 577 E+
CHCAGO BLS DANCE ORCH

55 1. HOSE OF DAVID/3LS GRASS BLS CO 3923 N-

THE CHICAGO FOOTWARMERS ( DODOS )

552. GET EM AGAIN. BRUSH STP OK 8599 E
553.3ALLIN THE JACk/ GRANDAMS BALL OK 8533 E+

CHICAGO HOT FIVE

554.STAR DUST/U CANT STOP ME FROM LOVIN3 VI 23285 E—
GEORGE CHISHOLM 4 HISS»ING BAND

553. N0 SMOKING DEE tEST E

HERMAN CHITT ISON TRIO

556. HOW HIGH MOON/SONG IS ENDED MUS 3 1 5 E

CHOCOLATE DANDIES

557. 3R IM INGHAM BRKDWn/STAR DUST OK 8668 n/n-

SAVANNAH CHURCH I LL

558. TELL ME YOUR BLS/FAT MEAT GD MEAT GE 2|04 N-

LARRY CLINTON

559. MY REVERIE/BOOGIE WOOG I E VI 26006 V

CLUB A LA BAM ORCH ( LOUIS W FLETCHER'S BAND )

560. HOW COME U DO ME/ OH PETER DO 4|5 V+

JERRY COLONNA

561 .U MY EVERYTH I NG/HECTOR 9RM CHP NO GRV; VO 3876 V—
RUSS COLUMBO

562. TOO BEAUTIFUL FOR WORDs/l SEE 2 LOV SE 5001 N

COLUMBIA SYMPHONY ORCH

563.SaHU8ERT SERE/MEDLEY OF TED LEHIS CO I V—

EDDIE CONDON

564.PR ETT Y DOLL/SISTER A I NT THAT HOT CMS 535 V

565.SINT GONNA BIVE JELLY ROLl/bALLIN JK CMS 531 E+

566. CALIF HERE I COMe/sunDAY CMS 5|5 V

567. G GRI Nd/dANC1 NG FOOL CHS 536 E— /e
568.00NT LEAVE ME DADDy/f| DGETY FEET CMS 542 N-
569.3ACK IN OWN BACK YARd/aLL WRONGS ONE CMS 551 N—
570.3UGEL CALL RAg/mARG I E ECT VOL 2 JOLLY ROGER5025N

CONNIES INN ORCHJ

571. SUGAR FOOT STp/LOW DWN ON BATOU CR 3 1 94 V-

572.SINGIN THE BLS/ SUGAR FOOT STP VI 2272l E

573. Ml LEN8ERG J0YS/|2TH ST RAG VS 8042 N

574. SUGAR FOOT STp/jUST BLS ME 12239 N

575.SINGIN THE BLS/ IM CRAZY BOUT BABY ME |2|45 V+

COON— SANDERS

576.R00DLES/AINT GOT NBODY VI 20785 V-

B I LLY COTTON ORCH

577. SUPER TIGER RAg/|SNT IT HVNLY CO 2783 n/e+
THE COTTON PICKERS

578. RAI LROAO MAN/ ST LOUIS BLS(RM CHP I G )RO 352 v/v-

579. WAY DWN IN N.O. U TELL HER I STUTTER BR 2404 V

580. WALK JENNY WALk/ MAMA GOES WHERE PA BR 2490 V

58 1. RAMPART ST BL/ BACK TWN BL BR 2486 E

582. MY SWEETIE WEST AWAy/dUCK QUACK BR 2461 V
583oSlSTER KATE/ GOT DOGGIES BR 2338 V
584. SHOO SHOO BOOGY/HES GOOD MAN HAVE BR 4447 N

585. KANSAS CITY KITTy/ RAMPART ST BLS BR 4325 V-

586. JUST HOt/sHULLIN MOSE BR 2507 V
587. STOMP OFF/ CAROLINA STOMP BR 2981 N

IDA COX ACC. IQVIE AUSTIN

588. BLS AINT NOTHIN ELSE/LAST TIME BLS PM 1705 V

WILLIS C RFA HFRS OANCF ORCH
FOR ME/Gi

339.M00NBEAM KISS HER FOR ME/GO GET SMBDY BA 1929 E

CHARLES CREATH JAZZ 0 MANIACS

590. CRAZY QUILT/BUTTER FINGER BLS OK 8477 E
RING CROSBY

59I.3ASIN ST/BOB WHITE DE |483 V

592 .SENT I MENTAL 4 MEl/thE ONE ROSE DE |20l V

593. IS U IS OR AINT/ HOT TIME TWN DE 23350 E

594. MARYS GRAND OLD MAME/wALTZ OF MEMORY DE 18360 v/e

535.U MUST BN BEUTITUL BABY/ SUMMERTIME DE 2|47 V

596. DANCING IN DARK/STAR DUST BR 6|69 N

597. SI NT NBDY/WH I STLERS MOTHHR IN LAW DE 3971 V

598. THANK YOU/ ONE MORE TIME ASTERISK 951 N—

599. DAY U CAME ALONg/gUESS HAD TO ME BR 6644 V

600. MOUHNIN BLs/ HINDUSTAN DE 2482 N—

601. LOVE NESt/tELL WE MEET AG I AN DE 2825 N
602. ITS WHOLE NEW THINg/anGRY DE 2839 E+

BOB CROSBY

603. BLOW INTER WINDs/siGH NO MORE LADIES DE 2663 N

604. HIGH SOCIETy/mUSKRAT RAMBLE COR 60020 N
605.SONO WANDESEr/sTOMP OFF LETS DE 2379
606 • WO L VER I NE BLs/ LOUISE LOUISE(i*HR CK ) DE 2032 E-
607.SPEAKEASy/| M NOBOOYS BABY (d|q) DE 3|79 n/v+

608. ROYAL GARDEN / TEA FOR 2 DE 1850 E-

609. MILENBERG JOYS/ THAT 0 A DA STRAIN DE 25293 N
6I0.SMILE SMILE/OVER THERE DE 4368 V

61 I. BIG TOM/ WAY DWN YONDER IN N.O. DE 4403 e/n

6 1 2 .SWTHR TS ON PARADE/ LONG WAY TIPPERARY DE 18355 V

613. DOGTWN BLs/ 3) RAMPART ST PARADE DE 15038 N

XAVIER CUGAT

614. FRENESI/ CUATRO PERSONAS VI 26769 E-

WE DAILY

615. LAZY DADDY/SHAKE IT 4 BRK IT JU 24 N
6I6.5J30 A.M. BLS/BLUNIN THE BLS JU |4 N

6 17. CLAR I NET MARMALADE/YELPING HOUND BLS JM 30 N

618. BLUNIN THE BLs/ 5;30 A.M. BLS JU |4 N

VERNON DALHART

619. THE PRISONERS SONG/ WERCK OF THE '97 VI 19427 V

COW COW DAVENPORT

620. MOOTCH PI DOLE/BACK INT HE ALLEY CRL 23 N

OEAUVILLE DOZEN

621. DRMING TOMORROW/PEP PE |45|9E+

DEEP RIVER ORCH

622.I2TH ST RAG/PECK HORN BLS PE 1 48 1 6 V+/N
JOHNNY DE DROIT N.O. ORCH (RARE)

623. PANAI.IA/ECCENTR I C ( CRK J OK 40240 V

VAUGHN DE LEATH (lAMCRk)

624. DIRTY HANDS DIRTY FACE/l|T BROWN SHOE CO 1556 N-

21

35c MINIMUM BID

ARTHUR MANN

BOX 92, THE RECORD CHANGER 4|3 WEST 49TH STREET NYC 19 NY
SEE PAGE ONE FOR INSTRUCTIONS.

35c MINIMUM BID

D EL0R.ES PEL RIO SOP WITH ORCH

625. RAMONA/ YA VA CAYENDO VI 4053 V

DE PARIS BROTHERS

626. 3LK 4 BLUE/ IVE FOUND NEW BABY CMS 552 E
EMMY DE VHIES

627. J'ATTENDRAL/ PARLE2 MO I D 1 AMOUR I NT 1 52 E-/E

CARROL D ICKERSON SAVOY ORCH

628. BLK MARIA/ MISSOURI SQUABBLE BRF 3|258 N

m i lured oi lling-harpist

639.B0UREE-FRM. CELLO SUITE C MAJ 3ACH CO 17097 N
DIX IE DAISIES

630.BKEN HR TED/ LITTLE GIRL LIT BOY CA 1193 V-

63I.SIDE BY SIDE/ RED LIPS PER 14809 V

DIXIE JAZZ BAND

632.0NCE OVER LIGHTLY/MY OHIO HOME JE 5196 V
D IX I ELAND JAZZ .GROUP

633. AUNT HAGERS BLS/ EAST ST _OUIS BLS VI 27544 V
DIXIE STOMPERS

634. FOUND NEW BABY/ WIMIN AAAH HA |2| V+
635. SNAG IT/ A I NT SHE SWT HA 353 E

638. BALTIM0RE/ BLK MARIA HA 526 V-
D IX I ELAND RHYTHM Kl NGS

637.W0LVERI NE BLS/ WHN STS GO MARCHING JD I N

638.SINSTER BUCKET BL/ WEARY BLS JD N

639. r I DGETY FEET/ IVE FOUND NEW BABY JO 2 N
640. STEAMBOAT STp/tERR \ BLE BLS JD 5 N
641, OH BY JINGO/ DONT GO WAY NBOOY KN 2 N

642. ACE IN HOLE/TIGER RAF KN I N

D I X I ELAND THUMPERS

643. THERELL COMA DAY/ WEARY WAY BLS CEN 3001 N

JOHNNY DODDS

644. PENCIL PAPA/ SWT LORRAINE HJCA |2 E+

645. FLAT FOOT/ MAD BOG HJCA 26 N
646.0RIENTAL MAN/ MY BABY - HJCA 27 N
647.1 CANT SAY/MIXED SALAD HJCA 3 1 N
64S.°ERDID0 ST BLS/GATE MOUTH SE 5008 N

649. MIXED SALAD/l CANT SAY HJCA 3 1 N

650. BUCKT OWN STP/ BLUE WASHBOARD STP HJCA 58 N

65 1. MY BABY/ ORIENTAL MAN BRS 5 N

AL DONAHUE

652. LAMBETH WALK/ STOP BEAT I N ROUND VO 43l 9 V-

SAM DONAHUE

653.00 U CARE/ 6 MILES STRETCH BB I I I 98 E
DORSEY DANCE ORCH

654. HOW LONG IT LAS T/GDN I GHT MOON HA 1409 V

655. WHY DID IT HAVE TO BE Me/wOLF WOBBLE CO 2589 N-

DORSEY BROTHERS

656. WHEN SHIP COMES IN/OKAY TOOTS DE 259 V+

657. H0NEYSUCKLE ROSE PTS 142 DE 296 E-
658. ILL NEVER SAYNEVER/EVY LIT MOMENT BRE 256 E+

THIS IS BRITSH REISSUE OF «EI:ORD WHICH BROKE UP
DORSEY BROS, AT GLEN ISLE CASIIiO.
659. HAVE LIT FAITH IN Me/cRY I NG FO CAROL PER 15265 V

660. OUT OF THE DAWn/rOUND EVENING OK 4||24 E-

661. BUTTON UP OVER COAt/mEAN TO ME OK 4|2|0 E

662.SINGIN IN RAIN/YOUR MOTHER 4MINE OK 4|272 N

663. ITS FUNNY TO EVERYONe/oNE SWT LET DE 2702 E+

664.THIS IS NO DRM/ROMANCE DE 2536 N—

565. OUR LOVE/ALL OF ME DE 2352 E+/E
TOMMY DORSEY

66SGETTIN SENTIMENTAL OVER u/lVE GOT NOTE VI 25236 E+

667. AFTER u/ALL U WANT TO DO IS DANCE VI 25647 E

668. JAMM IN/TURN OFF MOON VI 25553 E-

669. TEA ON TERRACE/ IN D ANC I NG MOOD VI 25476 E
670. SENTIMENTAL REASONS/ANOTHER PERFECT VI 25446 E-/e
671. DAY I LET U GET AWAy/onE NIGHT MONTE VI 25220 N—

6 72. SMOKE GETS IN EYEs/nIGHT 4 DAY VI 25657 E

673. LADY IS TRAp/TEARS IN VIY HRTS VI 25673 E+/«

674. YE ARN I NG / DEE I DO VI 2581 5 E

675. BARCAROLLE/ CANADIAN CAPERS VI 25887 E—
676. SEE U IN ORMS/STP BEATIN MULBERRY= VI 260 1 2 E

677. FR I ENDSHI p/wRONG IDEA BB 10804 N

678. FUNNY LITTLE PEDRo/wH I SPEH I NG BB 10771 E
679.ST0P LOOK LISTEN/BEALE ST BLS VI 36207 E

680. ANYTH I NG /ANOTHER ONE OF THEM VI 27208 N-
LOUIS DUMA INES JAZZOLA EIGHT

681. RED ONION DRAG/FRANKLIN ST BLS HJCA |3 N

682. TO WA 3AC A WA/PRETTY AUDREY HJCA |4 N
BLIND WILLIE DUNN GIN BOTTLE 4|

683. JET BLK BLS' BLUE BLOOD BLS OK S689 V+
DUTCH SWING COLLEGE

684.4 OR 5 TIMES/ SISTER KATE RAM |2 N

685. ALEX RAGTIME BANd/b 1 RTHD AY BLS RAM |3 N

636. O.D. ONE STEp/a.M. BLS RAM 16 N

CLIFF EDJRAOS

687. SHOW ME WAY HOMe/|N YOUR GRN HAT PE 11605 E—

688.SAY WHO IS THAT BABY DOLL/oH LOVELY STARCK 1 59 V-

689. OLD FASHIONED LOVE/ LOVEY CAME BACK PE 11547 E

690.SKELTON JANGLE/OSTRICH WALK TEST N

FBEO ELIZALDE

69I.NBDYS SWTHRT/S I NGAPORE SORROWS PAE 1 20 1 E+

692.SUGAr/cLAR INET MARMALADE BRE 2330 N

693.SMB0Y STOLE G IRL/dRK TWN STRUTTERS BRE 177 V

694. BUGLE CALL RAG/ DINAH VI 22938 V
DUKE ELLINGTON

695. EAST ST LOUIS ToABLE PROGRAM RCA Vl 16007 E+

aboveRare earlu 33 LP

696. RAI NCHECK/PERDIDC VI 27880 N-
697. SENT LADy/sLI? OF THE LIP VI 20|520 e/v-
693.-!ONNA HANG ROUND SUG Ar/tR OMBONE BLS PE |45|4 N—

(ABOVE HR CRK)

699. GOIN TO TWN/WHO SAID ITS TIGHT LIKE HJCA 83 N

700. BLUE GOOSE/ DUSK VI 26677 E+

701. HOT 4 bothered/ the mooche ok 8623 v/v—

702. RIVER 4 ME/ KEEP SONG IN SOUL VI 22614 V-

DUKE ELLINGTON

703. HITTIN THE BOTTLE/ THAT LINDY HOP VI 23016 V+

704. DELTA SERE/SOLITUDE VI 24755 V-
705.3 LIT WORDS/ RING DEM BLb(bM CHP 2 QUI 22528 E-
706. THE DICTY GLIDE/STEVEDORE STOMP VI 38053 V
707.3LK 4 TAN/ WHAT CAN POOR FELLOW OK 40955 e/e-
708.JUBILESTa/mOONLIGHT FIESTA SE 5007 N

MISCHA ELMAN

709. SERE/ SERE VI |538 H-
Z I GGY ELMAN

7I0.3UBLITCHKI/4 THE ANGELES SING BB I 0 1 03 E
THE EMPERORS

7 1 1. BLS SERE/CLARINET MARM HA 362 V+

EMPIRE DANCE ORCH

712. KEEPSMILING TROUBLE/WILL U REMEMBER PE 14379 V

ATLMEISTERSANGER ENGEL

VI 77125 E

713. WEIN DU STADT/GESTEN NACHT MARIE

HAPPY FELTON

714. WOULD'JA FOR BI6 RED APPLe/uRS W. VS 8|75 N

F I REHOUSE FIVE PLUS 2
7 1 '5.R I VER SIDE BLS/ RED JOT RIVER VALLEY GTJ 6 N
7I6.3RASS BELL/EVERY3DY LOVES MY BABY GTJ 5 N

A30VE RECORDS ON SPEC CHERRY RED VINYL
7I7.TIGER RAG/WLD WAITING SUNRISE GTJ 1 3 N

7 13. PAGAN LOVE SONG/YES SIR THATS BABY GTJ 14 N

FREDDIE FISHERS ORCH

719. MY LITTLE GIRL/ MY BLK HAN DE 3295 E

FIVE BIRMINGHAM BABIES

720. WHAT A MAN/WHOE WHO ARE U J»E |46|3 E+
72I.SHES NOT TOO HOt/dEEPHENDERSON F£ 14632 E+
722. REMEMBER THE NIGHt/tHATS WHY LOVE U PE 14635 E-
723. SM BABY MY GAL/ HERE I AM PE | 4648 V+
724. DIXIE STOMP/wHOPEE PE 1 452 I E-
725. INDIGO BLS/ ROLL EM GIRLS PE 14530 E
726.S0ME BABY MY GAl/ HERE I AM PAT 38497 V

727. IM GRIEVING FOR YOu/lOVE ME DADOY PE 14455 V+
(ABOVE RM CHP 6 GRV 2ND SIDE)

728. U BETTER KEEP HOME FIREs/piCKIN ON PE 14399 V

729. COPENHAGEN/DEEP SEA BLS PE 14350 E

730. REMEMBER THE NIGHt/tHATS WHY I LOVE PE 14635 V-

731. TESSIE STOP TEASING /LONELY PE I 43 I 0 V+

732. HARD HEARTED HANNAh/cHARLEY MY BOY PE 143 l| E+
733. IM WRONG RIGHT BABY / JUST LIT DRK PE |44|6 V+

734. WHAT DO WE GET BRM BOSTOn/mAMIE PE |44|7 V

735. KNOW I HAT IT MEANS/ AS FAR AS I M PE 14477 E+

736. CASEY JONES/ STEAMBOAT BILL PE |483| N

KRISTEN FLAGSTA?
737.S0NG MOTHER TAUGHT Me/lOVE WENT VI 2009 N

738. ICH LIEBE DICh/e|N TRAUM V| 1904 gV

REG I. MA LP FORESYTHE

739. DODGING A DIVORCEE/LULLABY CO 3012 E+

BUD FREEMAN

740. CANT HELP LOVIN DAT MAn/cRAZEOLOGY UHCA |3 E-
74|.l GOT RHYTHM/WHERE HAVE U BEEN MAJ |0|8 E

742. KEEP SMILING AT TROUBLe/wHAT IS THERPaE 2285 N

FRISCO JAZZ BAND

743. FIDGETY FEET / GOTTA SEE MAMA PAC I 34 E

FRANK FROEBA

744. ORGAN GRINDERS SWING/RHYTHM LULLABY CO 3 1 5 1 N
745. WONDER KISS HEr/onE ROSECNT B LOVe/

UP 4 AT EM (LES PAUL TRIo) VO 664 N

EARL FULLER FAMOUS JAZZ BAND
746.0LO GREY MARE/ BEAL ST BLS VI 19369 V

SLIM GAILLARD

747. CHICKEN RHYTHM/ WELL TAKE EM A JOE VO 5|38 E+

GARDEN DANCING PI ACE OftCH
743. ER AST US PLAYS KAZOO/ LITTLE HOME CO 1 599 N
THE QORSIANS

749.SAVANNAH/D00DLE DOO 000 CO 1 42 V+

750. IM SITTING PRETTY IN a/lEAR DO STRUTCO II E+

75 1 .EVERYBODY LOVES MY BABy/ MY BEST G I SCO 252 N—

GENES MERRYMAKERS
752. OLD FASHIONED LOVe/m I LENBERG JOYS RO 1965 E-
(ABOVE RM CHP 2ND SIDE)

WALTER GIESEKING-PNDON PHIL 0. COND SIR H . WOOD
753.FRANK-VARIATI0NS SYM HON I QUES CO X-l 0 N

GENE GIFFORD

754. SQUARE FACE/DIZZY GLIDE VI 2o065 N-

ART G I LHAM

755. BR I FT ING ORMLANO/ONEY ANOTHER TO U CO 955 N

AL GOERING

756. PERSI0US/BABY FACE VO 15409 E
757.STEPIN IT OFF/THERE MUST B SILVER BA 7005 V+

758. HARD TO GET GERTIe/tHATS WHERE MEET VO 15374 V+

GLODEN GATE ORCH

759. G0T SONG 4 SALE/BIT BY BIT BRKING TR I 1 1 3 1 5 V—
760. ITS YOU/ U NEED SOMEONE TO LOVE PE |4634 N

76 1 . WHERED U GET THOSE EYEs/lONGING PE |4644 V+

762. HERE COME EM AL I Ne/wHADD A U SAY GET FE 14640 N

763. BREEZLING ALONG/COME ON 4 DO RED HOTPE 1 1646 V+
764.STAYIN HOME/lF I ONLY HAD YOU PE 1 4678 N

(ABOVE HR CRK)
763. WONDER WHERE OLD GAl/mT DAWG PE |4464 V+

766. F00TL00SE/SINCE U MADE ME CRY PE 14481 V

767. DESDEMONA/BRWN EYES WHAY ARE U PE 14499 V+

768. RED HOT HENRY BRWn/wHAT DID IT TELL PE 1*300 V

769. LOTS OF MAMA/NOT YEST SUZETTE PE 14258 E—

770. DUSTIN OFF THE DONKEY/ COLLEG I ATE PE |444| E

77 1. MELANCHOLY/ THE ONLY GIRL PE 1 42 I 9 V

772. DUCKS QUACK. OH GEE GOSH GOLLY PE |4|44 V

773. WEARY RIVEr/wHO WOULDNT B JEALOUS HA 839 V+

774. GLAD RAG DOLL/TROUBLES ARE OVER HA 815 V+

775. EASY MELODY/ I LVOE YOU PE 1 4170 V+

776. GEE BUT HATE GO HOMe/cOW BELLS PE 14075 V
777.3LUe/wISH I KNEW PE I404O V

GOLDEN GATE ORCH
778oBEES KNEES/DUMBELL PAT 20836 V

779.W0ULD JA/MY LI NEST PE 14701 V
780. SOMEWHERE IN ERIN/DONT WANT SOBOY YOU Ft 14680 N

781. TELL ME AGAIN/DREAMING PE 14543 V

782. EUCCBH/SITTING ON TOP WRLD FE |4523 V

783. MAMMA LOVES Pa/yOU DARLING YOU PE |4|82 V—
7S4.SITTIN IN CORNER/TELL ALL FOLKS IN PE |4|72 V
785.LINGER HWHILe/ TAKE OH TAKE LIPS PE 1 4 1 92 V
786.SMB0DY LOVE me/ CARESSING PE 14302 E
787. SING LIT SONG/ TOO TIRED PE 1 43 I 0 V
788. BACK WHERE DAFFODILS g/soTHN ROSE PE 4346 V+
789.S0NYA/MY NO PE 14453 V
790. ALONE AT LAST/SILVER HEAD PE |447l E
791. IS SHE GIRL/HIGHWAY ARE HAPPY WAYD FE 14897 E

792. TELL ME LIT DAISy/tHERE MUST BE 6HBY PE 14892 E

793. EVERYTHING NICE ABOUT/lLL JUST GO PE |4793 V-

794. BRAON NEW MAMa/ WELL HAVE Kl NO DOM PE 14735 N
795. IVE GOT SONG S|Ng/b|T BY BIT PURETONE l|3|5 V

AL GOODMAN ORCH- ALBUM.

796. 1NVATION TO THE DAMCE-STRAUSS WALZES CO |3 N-

BENNY GOODMAN

797.SWT SUE JUST U/NEVER KNOW VI 26089 E+

7 98pBooo bye/sandman v| 252 1 5 E+

799. TURNED TABLES ON Me/hERES LOVE IN VI 25391 E—

800. HITCHEO WAGON TO STAr/lETTHAT B LESSONVI 25708 E—
80 1. SWT SUE JUST u/NEVER KNEW VI 26089 E
802.THE BLS/ BLUE LOU VI 26|44 E
803.4 THE ANGELS SINg/sENT FOR U YESTERDAVVI 24X70 N—

804. PARDON ME PRETTY BABy/wHAT AM I GONNA ME 12208 V+

805. WHAT HAVE WE GOT To/wANNA B ROUND ME 12 1 38 e/e<
806.4 THEN LIPS MET MINe/hES NOT WORTH ME 12023 V
808. YOUR MOTHERS SON IN LAw/r|FFIN SCOTCHSE 5009 N

808. LETS DO IT/ THE EARL OK 6474 E+

809. YOUR MOTHER SON IN LAw/taPPIN BARREL CO 2856 N—

810. RIFFIN SCOTCh/kEEP ON DOIN WHAT CO 2867 N
81 I. AS LONG AS I LIVE/AINT LAZY IM JUST CO 2923 E

812. JUNK MAN/ OLD PAPPY CO 2892 V

8 1 3. BRKFAST BALL/ MOONGLOW CO 2927 n/v+
8 |4. ALWAYS CHASING RAI NBOWs/SMBOOY STOLE CO 35916 E+

8 1 5. SUNNY SIDE ST/ALL I NEED IS YOU CO 26617 V

816.6 FLATS UNF I RN I SHED/WHY DONT U DO RIGhCO 36652 E-
817. SOLO FLIGHT/WRLD WAITING SUNRISE CO 36684 E

8I3.SWTHRT OF ALL MY DRMs/eVERY TIME CO 36790 E+

8 1 9. THATS PLENTy/cLAR I NET I T I S JAZZ CLASSICS N

820. PICK YOURSELF UP/oiVN SO CAMP MEET I N VI 25387 N
82loRIFFIN AT RITz/ALEXANDERS RAGTIME SANDVI 25445 E+

822. MELANCHOLY BABy/sWEET SUE VI 25473 N

823. VIBRAPHONE BLs/sTPIN AT THE SAVOY VI 25521 N
824.01 NG SING SING/ PTS 1 42 VI 25796 V+

82 5. BUGLE CALL/OWN HME RAG ETC LP 10'jAZZ PAN |9|2 N

826. BLUE SKIES/REMEMBER BB 10680 E

827. BUGLE CALL/ OWN HI* LP 10" JAZZ PANNORAMA 1812 N

828. LEST DO IT/THE EARL OK 6474 E+

829. LEST GIVE LOVE CHANCE/SMBDY NBOY LVS OK 6562 N-

830. WH I SPER SONG/ SO W ASH ELEPHANT OK 40821 E«-

THE GOOFUS FIUE

831. ARE YOU SORRY/ LOUD SPEAKIN PAPA OK 40464 N—

832. WHERED U GET THOSE EYES/BABY FACE OK 40649 N—
933. ARKANSAS BLs/ WANG WANG BLS VO 3 1 38 V+

(ABOVE HR CRK i" )

834.Y0U BETTER KEEP HOME BRUn/hOT TAMALE OK 403|4 N-

835.0H MABEL A I NT GOT H030Y TO LOVE ' OK 40261 N

836.SMONE LOS IN SUSAN/MARY LOU OK 40661 E+

837. SISTER KATE/ FAREWELL BLS OK 40767 N

838. MUDDYW WATER/ JUST THE SAME OK 40809 N

839. BLUE BABY/ SHE GIRL FRIEND OK 40940 N-

840. NOTHIN LI EK USED TO Do/wHERE COTTON GROK 40997 N
84 1 .SWTHRTS ON PARADE/PUTS SWT IN HOME VI 21800 V

(ABOVE f 841. JEAN GOLKETTE)
JEAN GOLDKETTE

842 .take go look at mine/ ya com in up 2nitvi 2 1889 v+

843. lonesome 4 sorry/ gimmie lit kiss vi 20C3i e

844. so tired/ just littlekiss frm lit missvi 2 1 1 50 v-

845. call u my swthrt/kentucky lullaby vi 20257 v

846. eileen/ u see my gal v| 19327 v+

847.IN evening/where LAZY DAISIES BROW VI 1930S V
348.DRIFTIN APART/CASTLE IN SPAIn(hR CRK ) VI 19975 V

849. D0NT BE ANGRY/ TRYING TO FORGET VI 20256 E

EDD I E GORDO NE BAND(MIFF MOES MOLERS)

850. WILD CAT JUl/VoURe' CRM In coffee od 4i |53 V+

ROSS GORMAN

851. IP RATHER B THE G I RL/nO MORE WORRYIN CO 6|5 V

852. YOURE ONE FOR Me/lOOKIN OVER 4 LF CL HA 350 E—

853. EVRY LIT WHILe/lOOK UP 4 SMILE HA 379 V

854. PARD0N GLOVE/wlFES IN EUROPE TODAY HA 403 V
855.SITTING ON TOP WRLD/RHYTM OF THE DAY CO 498 V
856. SLEEPY TIME GAl/| NEVER KNEW CO 5l6 V
8S7.N0 MORE WORRIn/|D RATHER B GIRL IN CO 6|5 E
858. OH BOY WHAT A GIRl/u FORGOT REMEMBER CO 435 V

GLEN GRAY

859.HEY YOUNG FELLa/sAY YOUG LADY VI 24222 N-

860.SITTIN BY FIRE/ WHERE ARE U TONGITH VI 24224 N-

86i.oaroanella/casa LOMA STP VI 24256 E

862oFABEL OF ROSE/SAVE SORROW DE 3968 E+

863. MEMORIES OF YOu/nUTTY NURSERY RHYTHM DE 1 572 V

864. BUG LE CALL RAG/ ROSE OF RIO GRANDE DE 869 E+

865. U TOOK ADVANTAGE OF ME/wOKE UP TOO S DE 334 E+

866. GA ON MY MIND/BONE YARD SHUFFLE DE 2399 E-/N

MftnFL>;iNF GRAY-OIR.OF MAIIRITF, RAVFI

8 57, chansons madecassespts |4z br 85032 n

868. chansons madecasses 344 br 85033 n

(above recorhed in Europe)

MARIE GREEn/EVELYN KIGHT

869. STRANGE LOVE/EPNTHSE SERE//DRMT DWLT HALLs/

ST LOUIS BLS VP 662 N

22

35c MINIMUM BID AUCTION

ARTHUR MANN

BOX 92, THE RECORD CHANGER 4|8 '.'/EST 49TH STREET NYC |9 NY
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS.

35c MINIMUM BID AUCTION

JOSEPH GRIGS ITH(CALYPSO)
870. RUN HITLER/CARNIVAL AGAIN

FRANK GUA RENTE
87I.SWTHRT ON PARADE/ MY ANNAPLOIS
BOBBY HACKET

CASS HAGAN

873. VARIETY STP/ MELANCHOLY CHARLIE

874. HALLELUJAH/SMTIMES IM HAPPY
HALFWAY HOUSE DANCE ORCH

875.IT BELONGS TO YOU/SNOOKUM

S IR HAMILTON HARTY
876.HUNGARI AN DANCE §6/#5

LIONEL HAMPTON
877. IN MOOD SWING/ SHOE SHINERS DRAG

878. FLYING HOME/ SAVE IT PRETTY MAMA

87 9. CENTRAL AVE BKDWn/jaCK BELLBOY

880. JIVIN THE VIBREs/ STOMP
--I.CHINA STOMP/ RHYTHM RHYTHM
882. ON SUUY SIDE ST/ KNOW THAT U KNOW

883. C0NFESSI n/ DRUM STP

884. JUDY/OBJECT MY AFFECTION
S85.HEEBIE JEEBIEs/ G I NF FOR CHRISTMAS
386. PIANO STP/ SURRENDER OEAR

ANNETTE HANSHAW

887. BLK BOTTOM /LAY ME OWN IN

888. ARE U HAPPY/ JUST ANOTHER DAY WAITED

889. TAINT NO ONE BUT y/rEAOY FOR RIVER

890. GET OUT GET UNDER Mn/ WE LOVE IT
THE HAPPY SIX

891 . BY THE PYRAMIDS/ ROAKAWY BABY
HARLEM SERE

892.0 1 X I ELAND/ GET CANNIBAL
893.8AL0 HEADED MAMA/ WHOS SORRY NOW

HARLEM HOT CHOCOLATES
894.ST JAMES INFIRMARY
-o.- THE HARMON I ANS

895. I JUST ROLL/ CHOLE

GEORGE HARTMflN

896. ANGRY/ HINDUSTAN

897. TIN ROOF BLS/ JAZZ ME BLS

JOE HAYNES

898. MUSIC GOES ROUNO/RHYTHM IN NURSEY

JOE HAYMES

899. HAPPY AS DAY/ LAZY BONES

900. MOON GRINNIN AT Me/yOURE TOO SURE

90 1. CANT PULL WOOL OVER EYEs/ SMALL TWN

HARLEM HOT SHOTS

902. BREEZE/ BLUES HAVE GOT ME

COLEMAN HAWKINS

903. HONEYSUCKLE ROSE/ CRAZY RHYTHM

ALLEN-HAWKINS 4 THEIR ORCH
904. SHADOWS ON SWANEE/STR I NG IN ALONE

COLEMAN HAWKINS
905.BEYOND BL HORIZON/ SHANTY OLD T«N
906. SWING IN IN THE GROOVE/ KNOW THAT

907. WHN BUDDA SMILES/ WAY DWN YONOER

908. CRAZY RHYTHM/ GET HAPPY

909. DAY UCAME ALONG/ JAMAICA SHOUT
9| O.HRTBREAK BLs/ JAMCICA SHOUT

FLETCHER HENOERSON

911. MOONRISE ON LOWLANDS/ IM FOLL FOR

91 2. ALWAYS BE IN LOVE W u/jANGLED NERVES

91 3. ROSE ROOM/ BACK OWN BKYARD
9|4,MY ROSE MARIE/ SMOTHER DAY (hR CRk)

9|5. shanghai shuffle/naughty man
9|6.copenhagen/words

9|7,CHtlST0PHER COLUMBUa/ BLUE LOU
918. CAROLINA STp/ TNT
9I9.SMBODY STOLE GAL/ MY PAPA DOESNT

920. COM I NG VA/ WHITEMAN STOMP

921. KING PORTER STp/ 'D'nATURAL BLS

922. KEEP SONG IN SOUL/wHAT GO MAN MA |

92 3. UNDER NEATH HARLEM MOOn/ HONEYSUCKLE
924. ITS TALK OF TOWN / NAGASAKI
925.SFATER U GONE/ STAR DUST

926. TIGER RAG/ SMBOOY DTOLE GAL

927. BLS IN MY HRT/ SUGAR

928. CHARLEY MY BOy/ HARD HEATED HANNAH
929. ILL SEE U IN DRMs/ ARABY
930.HVE IT READy/sTOCKHOLM STP
93 I. HOT MUSTARd/cLARINET MARMALADE

932. MANOY MAKE UP MIND/pRINCE OF WAILS

933. RED HOT MAMA/FEELING WAY I Do(o|g)

9 34. GRASS GREENER/jUNE NIGHT

935. R0UGE OF AMOUR AVE/ HARD HEARTED

936. DICTY BLs/ 00 OOODLE OOM

WOODY HERMAN

937. BL DAWN/ IF I KNEW THEN

938. bls upstairs/bls DWNSTAIRS

939. WOOD CHOPPERS BALL/ BIG WIG WIGWAM

CHIPPIE HILL

940. TROUBLE IN MIND/ GA MAN

RICHARD H I MBER

941. PARADE OF BAND PTS 142

942. PAINTING TWN RED/ JUST ONE THOSE

ART HOPES

943. BALLIN JACK/THATS PLENTY
944. SISTER KATE/BASIN ST BLS
945.SM0AY SWTHRT/wOLVERINE BLS

946. CHIMES BLS/ ORGAN GRINDER BLS

947. ROYAL GARDEN BLS/ I03RO ST BOOGIE
943. CLARK 4 RANOOLPH/THERLL B SOME CHAB
949. SHOE SHINERS DRAg/doC JAZZ

OE

16433

N—

VE

1787

V+

MELR

|40l

v+/n

CO

1033

v+

COE

4503

V

CO

I04|

E-

CO

2083

N

VI

2601 1

VI

26595

N

VI

26652

VI

25535

E-

VI

25586

E

VI

25592

E+

vi 25658

E

V I

25699

N-A

V 1

26423

n-/e

VI

25664

z

PC

12286

V—

PE

12388

v+

PE

12437

N

PE

12444

v+

CO

33|4

V

VS

6005 e/n-

PE

15642

E+

HW

1046

V+

HA

586

E

KEY

627 E-

KEY

601

E—

OR

60207

V+

ME

12740

V-

ME

61 2) 1

N

ME

60801

V-

ME

13323

E

VI

26219

E+

12759

E

KEY

622

E+

SS

1040

N

SS

1046

N-

SIG

28104

E+

1685

N

OK

4|566

N

25297

E+

25317

E

3511

N—

PE

14337

V+

14935

E-

14926

E

OK

3211

N-

CO

509

V—

CO

126

V—

CO

1059

V-

CO

1543

E+

CO

2352

V—

CO

2732

v+

CO

2825 E

CR

3093

v/v-

CR

3 107

v+

CO

2559

E

BA

1383

V

BA

1470

E

BR

3460

V

BR

3406

G

PU

1 1367

V+

RE

9658

V"*

RE

9683

V

VO

14859

V—

VO

14654

V

DE

2772

e/v

OE

2508

E+

DE

2440

N

OK

8312

V—

VI

25754

v+

VI

21561

V

JR

1009

E

JR

1008

E

JR

1007

E

JR

1006

E

JR

1001

V+

GESBN

508

N-

BN

507

K

BILLIE HOLIDAY
950. CANT PRETEND/ F I NE ROMANCE VO 3333 V

951. ITS SIN TELL LIe/wHEVER U ARE HA I 075 N

952. GOTTA RIGHT SING BLs/ YESTERDAY CMS 527 E

953. LAUGH I NG AT LIFe/tELL ME MOORE OK 5719 N
934. ALL OF ME/ ROMANCE IN DARK OK 62|4 N-

955. DID I REMEMBER/GA ON MINd/eTC V.QNE JR 5020 N

HOPS IE HOT SHOTS

956. WHEN U WORE TULIP/COAT 4 PANT DO ALLME 70551 V

CLAUDE HOPKINS

957. WALK IN THE DOg/swTHRT OF MINE DE 270 V-
957A.MANDy/dO U EVER THINK OF ME DE 353 N-

HARRY HORLICK ORCH -VICTO HERBERT WALTZES
958.SWTHTS/KISS ME AGA I n/toYLAND ALBUM DE 82 N—

THE HOTTENTOTS
959.NBDYS ROSE/PENSACOLA VO 15209 E—

WILMOTH HOUDINl(VERY RARE EARLY CALYPSO)
960. SONG # 99/SWT LIKE HONEY BEE OK 862 1 V

961. HOT DOGS MADE NAMe/wELCOME MAJESTIESDE 18006 N

EKITH HOUNSLOWS JAZZ HOUNDS

962. HAD IT BLS. JAZZ IT UP

BOB HO HARD

963. |M OSRRY MADE U C Ry/wAHT 00 U WANT

(above rm chp no groove)
eddy howard
964.lassus trombone/love tales
PEE WEE HUNT

965. R0YBL GARDEN/ON SUUYSIDE ST

HUNTER 4 JENKINS

966 . LOLLY POP/ME AT CUTTIN BLS

BETTY HUTTON

967. DOC LAWYER INDIAN CHIEF/ SQUARE IN CAP
968. IT HAD TO BE YOu/HIS ROCKIN HORSE CAP

INA RAY HUTTON
969.2 HOURS IN GA/ GA'S GORGEOUS GAL VO

970. wild party/witch DOCTOR VO

971.4 I STILL 00 HOWS ABOUT TOMORROW V|
JACK HYLTON

17 N

DE 1605 V

MA J I 178 N—

46 E+

VO 26 1 3 V-

220 E+
155 E

2801 N-
2816 N-
24692 E

DE I 90 E+

N-

VI

972. HYLTON STOMP/ ST LOUIS BLS

INDIANAPOLIS SYM ORCH
973. OVERTURE RUSSIAN 4 LUDM I LLa/duB I NSKA Vl

INTERNAT I ON CONCERT ORCH
974. IN PERSIAN MARKET/CHINESE TEMPLE

I PAN TRAUBAD0UR5
975. SAY WHO IS BABY DOLl/pADDLIN MAD

(above lam crk)
edgar jackson (markings in crayon)

976.WI SH I COULD SHIMMY LIKe/anRY DEE 3307 N—

CO

17731

35777
503

BUD JACOBSONS JUNGLE BAND
#ISAN

977. CLAR I NET MARM\ptrS #|SANSA MELODY SIG 903 N»
(ABOVE li* HR C Rk)

978. CANT BELIEVE THAT IN LOVE W ME/oPUSCEN 4020 N

JIMMY JAMES JAZZ BAND

979. R0YAL GARDEN BLS/ PTS 142 SEY 2667 E+
SONNY JAMES

VS 8169 N

AS 500 N-

VI 400 1 27 n/e
JM 9 E+

JM 8 N

980. LOOKS LIKE W INTER/SWTEST LITT LASS

JERRY JEROME

981. GIRL OF MYDRMs/rAI NBOW BLS

BUNK JOHNSON

982. CLOSER W ALK THEe/hIGH SOCIETY

983. moose march/weary bls

984. panama/own by river

JAMES P. JOHNSON

985. HE TOOK AWAY FRM Me/|F I WERE OAODYPAT 20687 E

986. JUST ONCE AGAIN/LEST GET TOGETHER BELL 526 V-

987. GAVE U UP BEFORE THREW Me/bmBDY ELS

I SHAM JONES

988. NOLA/ FAN IT

939.MY SILENT LOVE/ CANT BELIEVE ITS

(above i* crk)

990. WONDER WH BABY Is/siTTING ON TOP

MAGGIE JONES

991. MAMA STAYEO OUt/bELONGS TO Me(o|g)

TAFT JORDAN

992. DEVIL IN MOON/LOU1SIAN FAIRY TALE

THE JUNGLE BAND

993. jungle Jamboree/ blk 4 tan

ROGER WOLKE KAHN

994. s1tting on top wrlo/never knew

995. grt grt girl/must 8 drming (tea)

996. crazy rhythm/imagination

997. L00KING FOR BOy/ ROAD OF OMRS

998. CROSS HRT/MT GREENERY

999. CALLING/WHERE WILD FLOWERS GROW

1000. WLDNT YOU/TUCK IN KENT 4 SMILE

1001. CLAP HANOS/OO DO DO

KANSAS CITY FIVE
I002.ORK GAL BLS/ GET IT FIXED
GENE KARDOS

1003. MARG IE/AVALON

1004. MBDY ELSE AROUND/EXTRAROD I NARY

ART KARLE 4 HIS BOYS
I 005. LIGHT OUT/ SUZANNAH

LOUIS KATZMAN
I 006. WHEN WIL I KNOW/FALLING

DOLLY KAY

1007. BIG BAD BILL/RED HOT MAMA

1008. HULU LOu/mAYBE

HAL KEMP

1 009. PEG LEG STP/BLUE RHYTHM

KENTUCKY HOT HOPPERS
I0I0.RED HEAD BLS/ THE DRAG

PAUL KER8Y
lOll.PEER GYNT ACT 2,4,3
|0|2. PEER GYNT ACT 4

VO

|45l3

E

DE

834

E+

BR

6308

E—

BR

3022

V+

CO

14167

V-

ME

13365

v+

BP

4492 V-

VI

19845

V

VI

2l 326

E+

VI

2|368

E—

VI

19939

V

VI

20071

V

VI

20717

V-

VI

20379

V

VI

20327

V

PE

|45|6

E

VS

8025

N-

VI

22986

E+

VO

3|47

E

RE

5026

V—

CO

226

V

co

70

V—

CO

671

V

PE

15022

E

CO

2110

N

CO

2111

N

PENNIS KING

0|3.SONG VAGABONDS /ONLY ROSE VI 19897 V

SAUNDERS KING RHYTHM
0I4.S.K. BLS/ PTS 142 RHY 3 V-

TEMPO KING

0|5. SOMEONE TO C ARE FOr/t|MBER BB 6725 N—

WAYNE KING

01 6. STAR DUST/SPEAK EASY VI 24509 V

JOHN KIR3Y

0 17. AN I TRAS DANCE/DRINK ME ONLY W EYES VO

018. MINUTE WALTZ/U GO YOUR WAY VO

01 9. impromptu/little BRN JUG VO
EDDIE KIRKEBY

020. NOW THAT NEED YOu/tHERES NOTHING OR 2348 V

OLIVE KLINE-ELSIE BAKER

021. BEAUTIFUL OHIO/LITTLE

4890 N-
5542 N-
5570 E+

BOY OF MINE VI 40|9 E

KORN KTIFIflirRS

wt/ho

022. AINT SHE SWT /HOW U GONNA KEEP EM VS 8 124 E+

023. WISH COULD SHIMMY SISTER KATe/gO MGM 18022 E+

BENNIE KRUEGER

024. JUNE Nl GHT/MAYT IME BR 2642 V

NICK LA ROCCA 4 PRIG DIXIELAND BAND

025. CLARINET MARMALADE/ST LOUIS BLS VI 254|l e/v

TOMMY LADNIER

026. WHEN U 4 I WERE YOUNG/REALLY THE BLBB 10089 N—

SLIM LAMAR

027. U NEVER DID THAT BEFOR/jUNE DAYS VI 40130 E+
EaDIE LANG—JOE VENUTI

028. BEALE ST BLS/ AFTER U GONE ME

029. BEAL ST BLS/ AFTER U GONE VO
030FAREWELL BLS/ SMDAY SWTHRT VO
03 | .SMDAY SWTHRT/AFREWELL BLS VO

032. AFTER U GONE/BEALE ST BLS VO

HOWARD LANIN

033. EYES OF BL ARE FOOLI Ng/oN Nl TE LIKEVI

034. MALANCHOLY LOu/DONT WAKE ME UP VI

SAM LAN 11 ORCH

035. MY BEST G IRL/WHBN I WAS OANDY 4 U OK

036. AFTER I SAY SORRy/sONG OF FLAME PE
037. SWT man/charleston OF EVENING PE

(RM CHP NO GRV)

038. SAY IT AGAIN/HERE IN MY ARMS PE

039. THATS WAY/CHINATOWN ROSE PC

040. FOR HVNS SAKE/lD CLIMB HIGHTEST PE
34| .ALABAMY BOUND/ ILL SEE U IN DRMS PE

042. DONT BRING LULu/hOBBY HORSE PE

LAN I NS ARCADIANS

043. NO OTHER/HONEY IM IN LOVE W YOU STARC

044. CRYING FOR CAROL I NEs/DON T EVER LVE HA

LAN I NS ROSELAND ORCH

045. CHARLESTON/MNLIGHT 4 ROSES S|
046. I M ON WAY HOME/l LOVE HER RE
047. SUITE |6/WA|TIN FOR MOON CO
048. BABY FACE/FLORIDA MO0n(rm CHP 2 g) CA

SAM LANIN

049.0LD MAN SUNSHINE/jUST Nl TE MED ITA DE

050. sugar/must BE SMBDY ELSE DO

05 I. LOOKING OVER 4 LEAF CLOVEr/f I NGER DO

052. PAODLIN MADELIN HOMe/|N KEE DEEP PE

053. walking abound circles/out of my pe

054. how many tl mes/thi ngki n of you pe

055. just biros eye view/ln my orms pe

056. sunoay/look up 4 smile pe

057. forgive me/dont smbody want to lv pe

058. THATS MY WEEKNESS NOw/tOO BUSY PE
059.ONLY ONLY ONE/oEARIE PE

060. LIT PEACHEs/cH I EF RED WING PE

06 1 . ARE U SORRY/YES SIR THATS MY PE

062. BAM BAM BAMY SHORe/hUGO WHERE BA

063. BLONDY/AFTER CLOUDS ROLL BY PE

064. LOVE MNLIGHT/WHERE DO U WORK JOHN PE

065. FORGIVE ME/DONT SMBDY WANT PE

066. HOW MANY TIMES/TIGER EYES RO

067. D0NT KIND BEING ALONE/BABY KNW HOW OK

068. BLUE SKIES

068.BLUE SKI ES/YAKKEE ROSE OK 40754 V

LA VERES CHICAGO LOOPERS

I069.SUNDAY/IM COMING VA JU

070. BABY WONT U PLEASe/suBD I VI ED IN F JU

071. MONOAY DATE/LOVE LIES JU

072. CANT WE TALK OVEr/bLUE LOU JU

HARRY LEADERS BAND
073.SWECTIE WENT AWAY/SMOKE RINGS

CHESTER LEI3HT0N(BENNY GOODMAN)

074.0N THE BEACH W U/WITHOUT THAT GIRL HA

075.STAR DUST/NOW YOURE IN MY ARMS HA

AL LENTZ DANCE ORCH

076. GOING PAR K SELF I N ARM s/pREC I OUS

TED LEWIS (fats on piano)

077. WABASH BLS/ ROYAL GRDN BL OK

078. BLUES INDIA CO

079. BAM BAM BAMY SHORE/CAMEL WALK CO

080. ROSE MARIe/mADELINE CO

08 1 . BARMYARD BLs/ THERELL BE SM CHANGESCO

082. WONDER WHATS BECOME SALLY/jUNE NITECO

083. HEAOIN FOR BETTER Tl MES/nEW FWL BL CO
084.3 O'CLOCK IN MORNING/WRLO WAITING CO

035. HARMONICA H#RRy/yOUVE GOT THAT CO

036. WABASH BLS/ FAREWELL BLS CO

087. COBBLESTONE/MARY ANN CO

08 8. LAUGH CLOWN LAUGh/hELLO MONTREAL CO

089. new st louis bls/ my mammas in twn co

(above lm crk)

090. firty million frnchmen cant/one swtco

12294 V-

15364 V

15858 V-

15358 V

15864 V

1971 1 V

19797 V

40200 V+

14555 v+

14486 V+

14574 V

14589 E-

14608 E

14284 E-

|44|5 E

K 258 V

1083 V-

2493 V

8174 V
360 E-

987 V

4178 E-

4043 V

3893 V

14497 V

14658 V

14660 V

14702 E-

14726 V

14760 V

14999 V-

14361 V+

14413 V

14440 V—

1619 V

15227 N

14753 V

14760 V

256 V

40716 V

2 N
I N
26 N
5 N

VO 3290 N

1340 N-

|320 V

BA |84| V

41579 N
2798 V+
478 v+
255 V
170 V+
157 V+
2721 N
2246 N-
2088 V-
2029 E+
|3|3 V-
|346 N-
697 V

988 V-

AUCTION 35c MINIMUM BID

ARTHUR MANN

BOX 92, THE RECORO CHANCER 4|8 WEST 49TH STREET NYC 1 9 NY
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS.

35c MINIMUM AUCTION

PE 14295 v+

LIOO VENICE DANCE ORCH

1 09 1 . WONDERWHTS BECOME SALLY/JUNE NITE

ELLA LOGAN

1092. BONNIE MARY OF ARGYLe/oLD KENT RO BR 8376 N
I 093. OH DEAR WHAT CAN MATTER /j I NGLE BELLS BR 8057 E

EDITH LP RAND

1094. PLAY FIDDLE PLAy/wHEN GYPSY MAKES DE 1 8 1 73 E

U1RP SfcGINNER (CALYPSO)
I 095. CHAMBER LA I N SAYS PEACE/NEXT OR NEGHB DE |74|6 N

LOUISIANA FIVE
I096.VIRGINIA BLS/ LEAD ME TO IT EM 1076 E

I 097. SUNSHINE G|Rl/b-HAP-E EM 10229 V

I 398. YELPING HOUND BLS/ANOTHER OD MAN CO 2742 V+
I099.U CANT GET LOVI n/wOND'RI NG CO 2857 V

I I 00. church st sobbin bls/ yam a yam bls em 9179 v+

(above 9" record)
LOUISIANA RHYTHM KINGS
I I 01. OH LADY B GOOD/HAVE TO HVE U BR 4706 ri-

ll 02. LAST CENT/BASIN ST 9LS 8" DUB E

1103. CASA LOMA STP/ST LOUIS BLS DO I 1 3 V+

BERT LOWN

I 1 04. BY MY SIDE/ IM SO AFRAID OF U VI 22623 V+

I I 05. PLEASE DONT TALK ABOUT Me/wHEN LOVER VI 22652 V
I 106. PENALTY OF LOVE/LOVING YOU WAY I DO VI 22568 E
1107. U SIMPLY OEVLISH/THEN LIPS MET MINE VI 22582 V
I 108. ONE I CARE FOR/CRYING SELF SLEEP VI 22583 E
II09.TAKE SUGAR TO TEA/RUNNING BTWEEN RAINVI 22654 E
I I 10. BYE BYE BLs/ HOW 1090 V

1111. KEEPIN MYSELF FOR YOu/tHE ONE GIRL PE 1 5271 E-

L'JCKY DEVILS/DEEP RIVER ORCH

1 1 12. for u 4 me/ just memory pe 14857 v-

JIMWY LUNCEFORD

1113.1 LOVE YOU/OH WHY WHY VI 4979 N—
I I 14. MY BL HVN/mEDITATION DE 3520 E

I IIS. HONEST 4 TRULY/MUDDY WATER DE |2|9 E-

II 16. ORGAN GRINDERS SWI Ng/slEEPYT I ME GAL DE 908 N—

1117. JEALOUS/bEST THINGS IN LIFE ARE F DE 788 V

1118. WHOOPEE STOMP/WHERE SHY LIT VIOLETS CA 9030 E-

THE LUMBERJACKS

1119. NEVER BEEN LOVED By/| WANT TO B BAD LI 3 1 f I V

NELLIE LUTCHER 4 HER RHYTHM

1120. HURRY ON OWN/LADY IN LOVE WITH U

CLAUDE LUTER
I|2|.WIL0 CAT BLS./ORYS CREOLE TROMBONE UAH
II22.SPORT MODEL MAMa/t|GER RAG RJUI
JIMMY LYTELL

1 123. FA IRS RHYTHM/ ZULU WAIL PE 14846

1124.2 FACED MAN/TELL ME YOUR BLS BEA 106 E
HUMPHREY LYTTLETON

I 1 25.WHN SAINTS GO MARCH I n/caRELESS LOVE JU
1 126. SUNDAY MORNING/GET OUT HERE RAM

EDDIE MACAU LEY
1 1 27. ALWAYS B IN LOVE WITH YOU DE TEST

HARRY MACBONOUGH

7" RECORDEO 1900

CAP 40002 E

4 E+

5 N-

vl

18 N
II N

1 08 v+

1 128. THE PALMS

MACKEYS MICH BLVD GANG

1 129. U TOOK ADVANTAGE OF ME/CHARLEY MY BOYJU 10 N

I 1 30. AT SUNDOWN/HAPPY BLS JU 1 1 N-

1IWBY MANNONE
1 1 3 I . MUSIC GOES ROUND/lM SHOOTING HIGH VO 3|34 E

(ABOVE(RM CHP 2 GRV)
1132. 1ST THERE LIE LOVE/KING JOE HR3 |3 N—

I 1 33. BIG BUTTER 4 EGg/wEARY BLS CH 40055 E

I I 34. SHAKE THAT THING/uP THE COUNTRY CH 40054 E

1 1 35. SISTER KATE/TAI LGATE RAMBLE CAP 10024 N-

1136. TIN ROOF BLS/ TAR PAPER STP DE 7425 N

1 1 37. easy/let ME CALL SWTHRT BB 66l8 E

1138. CDN MA-J HARD FIND/FANCY MEETING YOU BB 6537 E
ll?S.YOURE NOT THE KINO/jUST MADE UP GIRL BB 6472 N-
II4C.WHN SUGAR WALKS DRn/hCNEYS LOVINJ Bu30080| E
l|4l.SEND ME/ SOLITUDE ORE 2007 V+/e
I 1 42. NICKEL IN SLOT/SWING BROTHER SWING OK 4|573 N

DODO MARMA.ROSA
I 1 43. HOW HIGH MOON/MELLO* MOOD A TO 225 N

JOE HARSALA
I I 44. WOLVER I ■jr LLS/ JAZZ ME BLS
I I 45.CLAR I NET MARMALADE/TIGER RAG

BIULV BASON
II46.MY MAMMY/PARADISE

CLYDE MCCOY
I I47.WHEN U SMI LIM(i/GOONA GOO
II4P.NEW BASIN ST BLs/ SMOKE RINGS

D ICK .VCDONOUCH
I 1 49 .LOVE WHAT ARE U DO I Ng/g I V I NG ME
I 1 50. TEA ON TERRACE/THERES FROST ON I

JIMMY "CFUGHS BOSTON IANS
1 1 51 -WHOOPEE STP/FUTR I ST I C RHYTHM

VR 565 N
SAV lOOD I N-

DEE 5773 t-

DE I I OS V-

CO 2794 E

ME 61203 v
ME 70 1 I I V

S3.: E-

RAY MCKINLY/lRADLFY

1152. eEAT ME DAODY/FABLE CT RCbE 3"

MCKIM.EYS COTTOI" PICKERS

1153. TC WHO M»Y CONCERM/COME LITTLE

I I54.MILEHEE-.G JOYS/sH I M ME SHA fABELE
II55.D0 SMTHING/PREC I0US LIT THING
t 5c .CRYING 4 SIGHTING/NBDYS SWTHRT

M57.B00DLE LUU BUm/sELLING THAT STUFF

I i 58. do u believ in love/wrap TROUBLES

I 159.GEL AINT GO TO u/pLAIN DIRT

JI'J.'iY MC PARTLAND
I 160. COME SACK SWT PAPA/YANHATTAN
I I 6| .DAVErPORT 3LS/ USE IMAGINATION
ZEP VElSSNCR OIXIEL'.'IO LAND
I I62.3EAL ST MAMA/AINT M I SBEHA VI N

MELODY SHEIKS(NICHOLS)
I I 63. KNEE OEEF IN DAIPIES/BRWN EYES
I 54. WHY COULD NT B ME/nUTH I N GONT.'A ST P

THE .MELODY THREE
I 16-.. PALS JUST PALS/REMEMBER HE TO MARY

VI 23035

2; 6i i e

3605l V-
38000 E+
38052 V
228 1 I V+
38097 N-

PREST 303 N—
PRE5 f -04 N—

P«E 309o

OK 40<72 E
OK 403C3N-

ANNA MEYERS & ORIGINAL MEMPHIS FIVE

I 166. EVIL HRTED BLS/LAST GO RCUND BLS PE 12038 V—

VIC MEYERS MUSIC
I 167. IF IM DREAMING /BESIDE OPEN FIRtHUSE CO 2049 V-

I I 68.MELANCH0Ly/c0NGRA7L LAT I ONS CO 2026 N—

WE? Z ROW BECHET QUINTET

I 169. OLE MISS/OUT OF GALL I ON KJ |42 N

MIDWAY DANCE ORCH

I 170. COTTON PICKERS BALL/BUDDYS HABITS CO 5| E

MIDWAY SARD ENS ORCH

II7I.BLACK SHEEP/TIN ROOF-RED V I NY LE— VJR N

EDDIE MILLER, VAN EPS STANLEY WRIGHTSMAN

I 172. PEG 0 MY HRT/A I NT M I SBEHVN JU 9 N

GLENN MILLER

I 173. WISTFUL 4 BLUE/ANYTIME ANYDAY DE |284 E+

I 174. MOON LOVE/ci NDERELLA BB 10303 E+

I 175. IN LIT SPANISH TWn/sOLO HOP CO 3058 E-

JOHNNIE MILLERS NEW ORLEANS PQYS
1 1 76 .PANAMA/D I PPERMOU TH BLS GOTHIC 5 1 0 N

RAY MILLER

I 1 77. IS SHE GIRL FRIEND/SISTER KATE BR 3829 N-
MILL BLUE RHYTM PAND

1178. PIDE RED RIDE/CONGO CARAVAN CO 3087 v/n-

MILLS BROTHERS

1179. CARLING NELLY GRAy/bRK NEWS MOTHER DE 3705 E+
I 180. CHI NA TOWN MY C H I NATWn/lOVELESS LV BR 6305 P

MISS 1 5S I PI JOOK BAND

I |8| .DANGEROUS WOMAn/BAR 3ESCUE BUST CRE |6 N

MISSOURI JAZZ BAND

I 182. HOW KATE DESERT SONG/ MAGNOLIA BA 1999 V

1183. PADDLIN MADELINE HOVE/sTOMP OFF LETS BA 1 62 1 V+

MIFF MOLES MOLERS

1184. HOT TIME OLD TOWN /DARK TOWN STRUTTERS CO 304 1 N

ABOVE l£* HR CR

I I 85. SOME SWEET DAy/aLFX RAG BAND OK 40758 N

I 186. STRUTTERS BALl/hoT TIME OLD TOWN OK 40784 N—

I 187 .MY GAL SAl/o.D. | STEP OK 40932 N-
I 188. U TOOK ADVATTAGE OF ME/cRAZY RHYTHM OK 4|098 EH

H89.MOAN1N LOw/b I RM INGHAM BERTHA OK 4|273 N

VAUGHN MONROE ORCH

I I SO. JEALOUS/FOR T HE FIRST TIME VD 94 V

GRANT MOORE ( VERY RARE)

H9I.ORIC DIX ONE STEP/MAMA DONT ALLOW VO 1622 E+

CHAUNCEY MOREHOUSE SWING SIX

1192. BL IN B FLAT/ON THE ALAMO VR 608 E-

HELEN MORGAN

1 193. EILL/CANT HELP LOVIN DAT MAN VI 2|238 V

RUSS MORGAN

1194. BUZZ MIRANDY/LIMEHOUSE BL BR 7878 E+

THOMAS MORRIS

I I 95. OR IG CHARLESTON S TRUT/E FLAT BL OK 8055 E—

MISS LEE MORSE BLUE GRASS BOYS

I I96.DADDYS GIRL/WHERE I. GET T HOSE EYES PE 11623 E+

JELLY ROLL MORTON

1 I 97. SWEETHEART OF MINE/FAT MEAT GREENS BR 80068 N—

II98.STROKIN AWAY/EACH DAY HJCA 33n/e

I I 99 .JERSEY JOE/SWEET PETER HJCA 34 N

1200. GRANDPAS S PELLS/CANNON BALL HJCA 49 N

1201. FICKLE FAY CREEp/thATLL NEVER DO HJCA 76 N

1202. MY GAL/WOLVERINE BL RS 8 N
1203. SOME DAY SWEETHEART/MONROV IA BRS 1001 N

1204. GEORGIA SWING/MOURNFUL SERENADE HJCA 44 N

1205. BEALE ST BL/THE PEARLS HJCA 68 N

1206. LONDON BL/oEAREST DARL1 HG (SHELTON ) RS 3 N

1207. mamamita/tia JUANA BRS 110 N

1208. little lawrence/harmony bl vi 38i35 v-

I2C9. TROMBONE MOAN 1 M Bl/mUDDY WATER VJR 10 N

I 2| 0. MAMAS GOR BABy/mY HOME IS SOUTHERN GL 1710 N

TOM MORTON 0. ( INDIANA 5)
|2] I.BIRMINGHAM BERTHA/ ANYTH I NG HOLD BABY HA 930 V

1 2 1 2. BROAD WAY BABY DOLLs/w ISH I NG WAITING HA 937 N

SNUB MOSE:Y

1213. U AND THE D EVI L/HI MKY MAN SON 500 E+

BENNY MO TEN

|2|4.SHES NO TROIBLE/SOUTH VI 24893 N

I2I5.SHES NO TROUBLE/SOUTH VI 24893e/v-

1216. NEW ORLEANS/LAFAYETTE BB 10955 N»-

12 17. BLUES IN f/w|GKAM BLS BR 2908 N
|2|8. NERVOUS PUPPlEs/l'/HAT DO I CARE BR 3484 V

1219. DEEP SECOND ST BLS/ TIGER RAG BR 2804 E-

1220. PED HOT/SAN BR 26C2 N

1221. BLUE BLUES/ ARKANSAW BLS BR 2531 N

TURK MURPHY

1222. GRANDPAS SPELLS/ALL WRONG U DONE GTJ 8 N

1 223. NEW ORLEANS STp/tROUBLE IN MIND GTJ 7 N

1224. PAPA DIP/TURKS BLS GTJ 4 N

1225. CHIMES BLS/ WHEN SUGAR WALKS OWN GTJ 3 N

1226. YELLOW DOG BLS/ BROTHER LWODWN JM 32 N
1 227. SHAKE THAT THINg/kANSAS CITY MAN JM 3 I N

PHIL NAPQLIEONS EMPERORS

1 228. SATANIC BLS/PUGLE CAL RAG SWAN 75|3 E+

1229. ILL NEVER B THE SAME/siSTER KATE SWAN 75|0 N-

1230. SENSATION RAG/SO RAMPART ST PARADE SWAN 7511 N-

1 23 1 . LIVERY STABLE BLs/ THATS PLENTY SWAN 75|2 E+
(ANPBE RM CHP 3 GRV )

1232. TICER RAG/LITTLE EMPERORS BLS SWAN 7509 N-

1233. FIDGETY FEET/AT THE JAZZ BAND BALL SWAN 7508 E+

1 234. MUSKRAT RAMBLE/CLARINET MARMALADE SWAN 7507 N-

1235. ROYAL GARDEN BLs/ N08DYS SWTHRT SWAN 7506 N-

1236. VY KjNDA LOVE/MEAN TO ME BB 7 1 0 1 N

1237. GO JOE SO/TAKE F INQER OUT MOUTH VI 20605 E+

NASHVILLE JAZ2ERS/BLUE RHYTHM ORCH

1238. ST LCUIS ELS/ HOLDER DEACON MF 102 N

N.M.L. DANCE ORCH
1239. BLK BOTTON/ROS ITA NATIONAL MUSC LVS 1177 V

THE NEW ORLEANS RAMBLERS . „„„ „„ „„>

) (RM CHP_NQ-GRV]

I 240. I M ONE GOD CHILDREN/NO WONDER BLUE ME 1 2 1 33 E

CO 1045 E+
CO 1547 E-

NEW ORLEANS RHYTHM KINGS
|24|. OSTRICH WALK/ ORIGINAL DIXIELAND STP DE 229 E+

I?42.SENSATI0n/ BLUIN THE BLS DE 464 El

1 243 .TIN ROCF BLS THATS PLENTY TEMPLE 52|N

1244. SAN BUGLE CALL .RAG TEMPLE 539 N

1245. «nqry/sobbin BLS TEMPLE 55l N

1246. WEARY BLs/ WOLVERINE BLS TEMPLE 549 H-

1247 . CLARINET MARMALADE/MR JELLY LORD TEMPLE 520 N
I24S.EVERYBDY LOVES SMBDY BLs/ CRY I N FOR BB 10956 N

1 2 49. PAN AM a/t I GER RAG BRENTWOOD 22 | N

1250. WEARY BLs/ WOLVERINE BLS GOTHIC5M N
|25|. MAPLE LEAF RAg/swT LOVIN MAN GE 5|04 G+

(RM CHP 2 GRV)
NEW ORLEANS OWLS

1252. DYNAMI TE/PRETTY BABY

1 253. THATS A PLENTY/THE NEW TWISTER

NEW SYNCO JAZZ BAND

|254,L0ND OF COTTON BAND/DO DOODEL OOM PE 14197 V

I255.WHEN YOURE AWAy/kAY BE DANCING PE 14620 E+

1 256 « AG GR A VAT I N PAPa/yOUVE GOT SEE MAMA PAT 20902 V

1 257. AGGRAVAT I N PAPa/u GOT SEE MAMA PE 14092 E-

THE NEW YOKR SYNCOPATCRS

1 258 . MARY/COBBLES TONES OK 40965 N

NEWPORT SOC I F T Y flRCH

1259. HOW MANY TIMES/ DANCING DOLL MAD 1606 E-

1260. THE TERROR/lM IN MARKET FOR VOU VD 81879 V+

FRANKIE NEWTON

1261. .U SHOWED ME WAY/PLEASE DONT TALK VO 3811 e/v

(above scratch on 2nd side)
RED NICHOLS

I262.SHIEK OF ARABY/SHIM ME SHA WABBLE BR 80005 N

1263. BATTLE HYMN/PTS 142 JU 2| N

1264. LITTLE BY LI TTLe/whEN U WISH UPON CAP 40062 E+

1 265. THERELL COME T IME/wHI S PER I NG BR 6822 E

1 266. ON REV I ALA DAY PTS 142 BR 6026 N-

1 267. KEEP SONG IN SOUL/THINGS NEVER KNEW BR 6068 N—

1 268. CAR CLI NA IN MORn/wHO BR 4925 N—
1269.2 LIT WORDS/ HARLEM BR 7460 E

1270. WANT TO B HAPPY/ T 4 2 BR 4724 V

1 27 1 . sorry made u cry/everybody lvs baby br 646i v

I272.SINGIN THE BLs/lTS DARNDEST THING BR 6 1 91 V

1 273. A I NT GOT NBDy/bIRMINGHAM BRKDWN REX 25070 N

1274. who cares/rose wash SQUARE 8" DUB V
|275.InDIANa/dinah VO 4599 N

RAY NOBEL

I276.BY LIGHT SILVERY MOOn/whILE LADY CO 36479 V

1277. IVE GOT U UNDER SKIn/eaSY TO LOVE VI 25422 V

1278. TIGER RAG/jAP SANDMAN VI 24577 N-

1279. GDNIGHT STHEART/SHOUT 4 HAPPINESS HMV 5984 V—

(RM CHP I GRv)
JIMMY NOONE

1 280. CALL ME DARLI NG/WALKIN THIS TWN DE 1730 E

1281. APEX BLS/SWT SUe/mONDAY DATe/eTC BR 1006 N

1282. HIQH SOCIETY/MUTTS BLS CROLUSEL 2501 N

O'BRIENS STATE STRFFT SFVFN

1283. CAROLINA MORNING/ROYAL RESERVE JU 4 N

KING OLIVER/e.WMS RIIIF 5

1284. JAZZIN BABIES/NEW ORLEASN HOP SCOP OK 4975 V
(ABOVE(RM CHP 2 GRV )

KING OLIVERS .IA77 BAND

1285. RIVERSIDE BLs/wORKI NG MAN BLS
I286.SOBEIN BLs/ SWT LOVIN MAN
I287.BEAU KOO JACK/SISTER KATE
l2e6.LONG DEEP 4 WIDE/SPEAKESY BLS
1289. TEARS/HI GHSOCI ETY RAG
I29C.HIGH SOCIETY/SNAKE RAG

1291. CAMP MEETING BLS/ LONDON CAFE BLS HJCA 17 N

1 292 .SWT emmaline/ LOG CABIN BLS CRL |7 N

(ABOVE RM CHP 2ND SIDE 3 GRV)

|293. MABELS DRM/RIVERSIDE BLS SIG 905 N

I294.SMDAY SWTHRT/DEAD MAN BLS VO 1059 V-

1295. SOBBIN BLs/ FAREWELL BLS VO I 1 52 E
O.D.J.B.

1 296. AT JAZZ BAND BALL/ OSTRICH WALK VI 18457 E-

1297. TIGER RAG/SKELTON JANGLE VI 18472 E
I298.SLIPPIN THRU FINGERs/u STAYED WAY VO 3099 E+
1299.1 ND I AMA/DRKTWN STRUTTERS BALL CO 2297 V+
1300. TIGER RAG/ FIDGETY FEET DUB N—
|30| .JEZEBEL. DROP NICKEL IN SLOT BB 7454 E+
|302. DANGEROUS BLs/ROYAL G ARDEN BLS VI 18798 E-
|303. FIDGETY FEET/LAZY DADDY VI 18564 V

1304. margie/palesteena VI 18717 V

1 3 05. ER 0 AD WAY ROSE/SWT MAMA VI 18722 E

1 306. CRAZY BLs/ HOME AGAIN BLS VI 16729 V+
I307.ST LOUIS BLS/ JAZZ ME BLS VI 18772 E-
I308.SENSTAION RAG/ BLUE THE BLS VI 18483 E

I 309.CLAR I NET MARMALADE BLS/ MOURN I N BLS VI |85|3 E

I3I0.0H BOY WHAT GIRL/lNDIANA STP OK 40456 V

ORIGINAL INDIANA FIVE

I3II.BESIDE BABLING BROOK/BABE OLY |444 V—

I 3 1 2. EVERYTHING HOTSY TOTSy/sEM I NOLA GE 3060 V

|3|3.SMDAY SWTHRT/|M COMIN VA HA 501 V

|3|4.|D RATHER BE ALONe/tHANKS t FOR BUGGY PE 14553 V

|3|5.SITTIN AROUND/TOO BAD PE 14601 N

o ORIGINAL MEMPHIS FIVE '
I 3 1 7. SIOUX CITY SUE/BLUE GRASS BLs(hR CRK )pE 14253 N—

|3|8. INDIANA STP/ JIG WALK PE 14603 E

I 3 1 9.3H I Ne/fRANK I E 4 JOHNNY PE 14275 E

I320.AFICA/SUPERSTIT0US BABIES PE 14298 V

1 32) .HENPECKED BL /pAPA BETTER WATCH STP PAT 20995 V

(ABOVE RM CHP I GRV)

|322. FAREWELL BLs/ LIZA FRM 'LIZA1 PAT 20920 V+

1323. AUNT HAGERS BLS IVY PAT 20900 E

|324,GREAT WHITE WAy/rAILROAO MAN PAT 20838 V-

I 325, FOUR O'CLOCK BLs/ WHOA TILLIE TAKE PE 14087 V

|326. FAREWELL BLs/ LIZA PE |4|04 V-

1327. JUST HOT/RED HOT PE 14242 E—

1 328. MEANEST BLs/ ARKANSAS PE I 423 E—
1 329.00 1 NG BACK TO THOSe/wEST INOIEB BLS PE |43|5 E

HJCA 7 N
HJCA 8 IN
CRL 28 N
CRL 26 N—
HRS 12 E+
SE 50 1 6 N

35c MINIMUM BIO

ARTHUR MANN

BOX 92, THE RECORD CHANGER 4| 8 WEST 49TH STREET NYC |9 NY
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS.

35c MINIMUM BID

CR8 2 N-

CRS 4. E+

CRS 5 N—

CBB 7 E+

ORIGINAL MEMPHIS FIVE

1330. WISH COULO SHIMMY LIKE/GT COOL DOGG S RE 14051 E

1331. HE WAY B YOUR MAn/sTOP KIDDING PE 14067 V-

1332. THAT DA D A STRA I n/| ND IGO BLS GLOBE 7(77 V

1333. MAN NEVER KNOWS WOMANs/l NNOCENT EYES RE 9670 V-

1334. PAPA BLS/ GREAT WHITE WAY BLS RE 9455 V

1335. RUNNING WIL0A.OOSE FEET RE 9407 V+

1336. BEES KNEES / STOP YOUR KIDDIN RE 9395 V

1 337. WALK JENNY/LAST NIGHT ON BACK PORCH CO 7 E

1338. IT A I NT GONNA RA I n/rED HOT MAMMA CO 1 55 V»
1339. INDIANA STP/THROW DWN BLS CO 480 N
I340.U CAN H/V/E HIM BLs/ Jl Jl BOO PAT 20842 E-
|34|, MEMPHIS GLIDE/YES WE HAVE NO BANANASPAT 20981 V+
|3^2.SHUFFLI N MOSE/MEMPHIS GLIDE BA 1193 E
1343. SISTER KATE/CHICAGO BA I | 04 E
1344. SISTER A I NT THAT HOt/hOUSE DAVID BA |282 V+

1345. HOW COME U DO Me/mEANEST BLS VI 19480 V—

1346. PAPA DOESNT TWO TIMe/huLU LOU RAD |206 V+

1 347. LONESOME MAMA BLs/tHOSE LONG I N 4 U RE 9301 V
I348.STRUTTIN AT STRUTTEr/yANKEE DOODLE RE 1168 V
I 349. GOING AWAY WEAR OFF MIND/pARADE WDN TRI II|4| V
I350.STOP YOUR KIDDING/THAT BARKING DOG VO |446l E

1351. AGGRAVATIN PAPA/FOUR O'CLOCK BLS VO 14506 E+

1352. RIDER BLS/TRUCKING LITWOMAN #2 VO 4486 Z~/\l

EUGEN 0RMAN0Y

1353. DER ROSENKAVALI ER WALTZES PTS 1*2 VI |758 V-

KID ORYS CREOLE JAZZ BAND

1 354. GET OUT OF HERE/BLUES FOR JIHUY
|355.|9|9/DWN HOME RAG

1356. DO WHAT ORY SAy/caRELESS LOVE

1357. UNDER BAMBOO TREE/PANAMA

WILL OSBORNE

1358. WOULDNT COULD BUT KISs/mAN COMES ARD VS 8 143 E—

JEWEL PAIGE

1359. AINT GONNA GIVE J.R./dVE IT UP DE 7863 E—

THE PARADIES ORCH

1 360. L I EBESTRAUM/DONKEY SERE VS 8059 E+

ANTHONY PARENTIS FAMOUS MELODY BOYS

I 361. CABARET EC HOES/TH ATS k PLENTY 5TT 40308 E
TINY PA RHAM

1 362. STUTTERING BLS/ JOGO RHYTHM WAX | Of N
TINY PARHAm/bOOT 4 BUDDIES

1363. BLUE ISLAND BLS/SAN ANTONIO TAMALES BB 7005 E

1364. Y00 HOO/ SHEPHERD SERE BB 11264 N

EDO IE PEA BODY

1365. U DIDNT MENA TO BE/TOMORROW MORNIN BA 1642 V

JACK PETTIS

i366»ooin new low dwn/spanish DRM VI 2|559 V-

1367. BUGLE CALL BLs/ AT THE RPOM VI 38105 N-

1368. THATS MY HAPPINESS /ai NT SHE SWT BA 1942 V+

1369. MUDDY W ATER/|T ALL DEPENDS ON YOU BA 1927 E-

1370. MUDDY WATER/CRAZY WORDS HE 8243 V
|37l. MUDDY WATER/CRAZY WORDS RE 8243 V-

MINERVA PIOUS 4 BUD FREEMAN

1372. PR I VATE J I VES/ PT5 liii

PI RONS NEW ORLEANS ORCH

1373. BOUNCING AROUND/KISS ME SWT

THE POLECATS

1 374. CAMPANILE STP/JUST CLOSER WALK W CLAtBAKE I E+

BEN POLLACK

1 375. FUTUR I ST I C RHYTHM/LETS SIT iTALK VI 2|858 E+
|376.louise/wait 'TILL U SEE MARCHERIE VI 2|94| N—
I377.0N THE DANCE/ MY KINDA LOVE VI 2|944 E+
1378. SWT FORGET ME NOTs/u HADE ME LOVE VI 22 1 06 V+
I379.FRM NOW ON/u MDAE ME HAPPY TODAY VI 22|58 E
1380.2 TICKETS TO GA/ LIGER LIT LONGER VI 24284 V
|38l. ALICE BL GWN/CUDDLE UP LIT CLOSER DE 1546 V

1382. cryin for Carolines/ how 1027 E

1383. U DIDNT HVE TELL ME/HRTACHES R0 1 573 V-
I 384. THERE WAH WAH GILr/ MYRTLE R0 |364 V—

1385. ROSE COLORED GLASSEs/aFTER YOUVE GNE DE 2057 N

1386. R0LLIN DWN Rl VEr/ TEN CENTS ONCE PE 15238 E-
1387. IF I COULD B WITH u/THERE WAH WAH GALPE 15325 V-
1388. FIRST MET MARy/gEORGE OLSEN V| 20394 V+

HARRY POLLOCKS BLUE DIAMONDS

I389.SMBODY SAID/ DOLL DANCE GE 6083 V

DANNY POLO 4 SWING QUINTET

I 390.STRATTON ST STRUT TEST E+

HARRY POMAR 4 HIS HOTEL ANSLEY ORCH

1 39 I .ST I LL HVE U IN DRMS/RAINY DAYS dK 41 I I I N

HARRY POMAR

1392. NOTHIN TO Do/wONUERING WHAT YOULL OK 4| I 50 N

POST LOOGE ORCH

1393. FOLLOW SWA LLOV^y R AMBL I N BLS

50 E

OK 40021 v

MEL POWELL
I394.WHEN DID U LEAVE HVn/

PE 14209 V
CMS 543 V

OLLIE POWERS HARMONY SYNCOPATORS

1 395. PLAY THAT THING/couf ON O'OO I UHCA 80 N-

LOUIS PRIMA

1396. BRKIN THE ICE/STILL WANT YOU BR 7320 N

1 397. HOUSE RENT PARTy/bRIGHT EYES BR 7376 E-

1398. FORGIVE ME/TICA TEE TICA TA OK 6520 E+

PRINCES ORCH
I 399. GO NIGHT/DRM melody

QUINTET HOT CLUB OF FRANCE
1 400. LI MHOUSE BLS/ FOUND NEW BABY

SERtl RACHMON INOFF
|40|.VALSE A FLAT CHOPIN/THEM 4 VAR-MOZT ED 82197 E-
MA RAINEY

TRI 11260 V

OE 23021 N

1402. BLS WLO FORGOT/PTS 142 PM | E+

1403. NEW BO WEAVEL BLs/ MNSHINE BLS PM 2 N-
I4C4.SL0W DRIVING BLs/ GONE DADDY BLS PM 3 N-

1405. BLS OH aLs/ OH PAPA BLS PM 4 N—

RAMONA 4 HER GANG

1406. EVERY NOW 4 THEN/ NO STRINGS VI 25138 E-

Ll 2677 E
LI 2628 V

VI |9| 10 V

THE RANGERS ( RED)

I407.SMDAY SWTHRT/CHARME I NE

1408. ME 4 SHADOWS/AFTER WE KISS

JOE RAYMOND

1409. MY SWEETIE WEST AWAY/DIRTY HANDS

RED HEADS

I 4I0.BALTIMORE/CHOPI NATA FR.SALBERT 764 E

I4II.IDA SWT APPLE CIDEr/fEELIN ME 12443 N

(ABOVE RARE MEL REISSUE OF 5 PENNIES FRM BRUNS )

FRANKI E REYNOLDS
|4|2. CHICKEN ON APPLE/pARAD ISE BB 7|37 E

TOMMY REYNOLDS
|4|3.AMAP0LA/7TH INNING STRETCH HOW 18843 E

RH YTHMA KERSf PEEWEE— RED ALLEN)
|4|4. YELLOW DOG BLS/YES SUH ME |248| N

' FREDDIE RICH
I4I5.H0W H I G MOON/HOUSE LITTLE RED BRN VO 5420 E+

JOSEPH RO 8ECHAUX
|4|6.THE RIFF/SHAKE IT 4 BRK VO 2592 e/v-

JOAN ROBERTS

I4I7.0UT OF MY D RMS/ KANSAS CITY DE 23285 E+

DICK ROBERTSON
I4I8.I0A/INDIANA VS 8032 E+

1 4 1 9 .DRKTWN STRUTTERS BALl/baSIH ST BLS VS 8028 N
I420.WHO DID U MEET LAST NIGHt/onLY WANTDE 2807 e/v-
l42l.IT LOOK LIKE RAIn/on LITTL DRM RCH BE 1883 E-
1422. SHANTY OLD SHANTY TWn/wONDER WHOS BE |5|2 V
I423.S0MBDY THINGING OF U/Y URE SWTHRT DE 1619 V

BlLLARD ROB I SON

1424. smiles/ jap sandman pe 14977 N

1425. THERE SINT NO S WT MAn/lOVE OLD F L PE |4963 E

GENE RODEMICHS ORCH

1426. RIGHT OR WRONG/BY THE PYRAMIDS BR 2|83 V

ADRIAN ROLLINI

1427. WHO WALKS IN WHN/GOT THE JITTERS ME 12893 E+

1428. HAD SM8DY LOVe/dRM ON ME 12766 V-

1429. BLUE PRELUDE/HAPPY AS DAY IS LONG CO 2785 E+

(abpve RM CHP no grv)

1430. DAVENPORT BLs/ SMBOOY LOVES ME DE 359 E+
I43I.SINGIN THE BL s/sWTEST STORY EVER DE .1973 E+

( ABOVE 2* HR CRK )

1432. ILL B faithful/beloved PE 1 58 I 9 V

1433. U GOT ME CRYING/HUSTLIN 4 BUSTLIN PE |5736 V

1434. BLUE PRELUDE/MISS BASIN PAE 25|5 N

MANUEL ROMA IN

1 435. BKN DOLL /HAPPY I L SAL ED 50946 N

ARTHUR ROSS

1436. TAKE TOMORROw/HIGH UP HILLTOP VE -1723 V+

HARRY ROY

1437. CANADIAN CAPERS/ SM80Y STOL MY GAL DE 845 V

RUCHTONS CALIF RAMBLERS

1438. GRN APPLEJACK BLS/ LONESOME LOVESK JU 3 1 N

LUIS RUSSELL

1439. GO IN TO TWN/SAY THE WORD VI 22789 V

1440. JERSEY LIGHTNING/cALL OF FREAKS OK 8734 E

ROYAL MUSI MAKERS
I44I.S0NG IS ENDED/THERE MUST B SMBDY OK 40933 V
PEE WEE RUSSELIS RHYTHMAKERS

1442. THERELL B S - ME CHANG ES/ZUTTY HOOT IEHRS I 001 N-

TEO RUSSELL

1443. u ARE LUCKY STAr/|n MOOD FOR LOVE CH 40057 E

JAN SAVITT

I444.SUGAR FOOT STP/QUAKER C IT JAZZ BB 10005 N

ADRAIN SCHUBERT 4 HIS ORCH

1445. CANT WE TALK OVER/MISS U IN CR 3629 E-

GEORGE SCHWE I NFEST PICCOLO SOLO 7"

1446. LA LANSONET POLKA RECORDED 1901 vT 227 V

SEATTLE HARMONY KINGS

1447. BREEZIN ALONG/ TELL ME LOVE ME VI 20142 V

BOYD SENTER 4 HIS SENTERPEDES W E. LANG
I448.SMB0YS WRONjg/s|GH 4 CYR
BOYD SENTER

VO 303 | v+

VO 2937 E-
OK 4|0|8 B
OK 4 1 1 1 5 N

PE 14480 v+

HACGREGOR 1027 E+

I449.NLUIN THE BLS/ NOY MAYBE
|450. SISTER KATE/jOST SO
I45I.0RIG STACK OLEE BLs/ DWN HRTED

SEVEN MISSING LINKS
I 452. Ml LLNBERG JOYS/ANGRY

SEXTETTE FROM HUNGER
1453. BYE BYE BLs/ OH BABY

TERRY SHAND

1454. SORRY SAID GDBYE/jUST ONE GIRL DE 4242 E
ART SHAW

I455.S0BBIN BLS/ CREAM PUFF HR CRK VO 4666 N

I456.SWT ADELINE/ HOW DRY I AM VO 4182 N-

|457.TEMPTATI0n/ STARDUST V| 27230 V*

I458.CR8S6 YOUR HRT/SUMMIT RIDGE DRIVE VI 26763 e/e-

1459. INDIAN LOVE CALL/ BEGIN BEGUINE MW 7525 V-

1460. LITTLE JAZZ/SEPT SONG V I 20 I 668 N

1-461 . DANCING IN DARK/SMOKE GET IN EYES VI 27335 N-

1462. ILL B WITH U APPLe/thE CHANT VO |59 E+

1463. JUNGLE ORMs/lT HAD TO B YOU BB 10091 N

1464. CANT BELIEVE U IN LOVE W ME/cOMIN BB 7772 E

1465. ALL I REMBER IS YOu/oCTOROON BB |03|9 N-
I466.SMDAY SWTHRT/NIGHT 4 0 AY BR 79|4 E
1467. SHOOT LICKER JOHN BOy/fREE WHEELINGVO 4|98 N—
I468.THE BLS -A/BLUES -6 VO 4401 e/v-
|469.NIGHTMARe/|TS LONG WAY TIPPERARY OK 4306 E+

JOEL SHAW (KAROOS)

1470. TIGER RAG/CLARINET MARMALADE VS 8029 N

1471. THATS A PLENTY/LEST HAVE PARTY CB 3352 N

1472. BU I SNESS IN q/oh MO'NAH CR 3304 E

1473. BUS IN f/swt VIOLETS CR 3271 V

JACK SHEEDY DIXIELAND JAZZ

1474. TIGER RAG/LADY MAUDS ORM CR 1 02 N

1475. R0YAL GARDEN BLS. GD MAN HARD FIND CR 105 N

FRANK SIGNORELLI ORCH

1476. OONT ANGRY W ME/PETRUSHKA
FRANK SINATRA

PE

14704

N

I477.SME0NE WATCH OVER Me/pARAOE
SIX MEN 4 A GIRL

CO

36921

E+

1 478.Z0NKY/SCRATCHI N GRAVEL
SIX HOTTENTOTS

VS

8190

E»

1 479. MELA NCH OLY CHAR LI E/HURR 1 CANE
SIX BLK DIAMONDS

UF

103

N

I480.MINDIN MY BUSINESS/TIN ROOF BLS

BA

|3|8

V

BESSIE SMITH

I48I.GULF COAST BLS/ DWN HRTED BLS CO 3844 V

1482. IM WILD BOUT THAT THINg/gOT TO GV CO 14427 V
(ABOVE DIG )

1 483. CHRISTMAS BALL/PREACHIN THE BLS CO 35842 N—

1484. DO YOU DUTY/lM DWN DUMPS OK 8945 N-

1485. CAKEWALK I N /BABY DOLL EMPTY ETC CO 3| N

JOSEPH C. SMITH

1486. TELL ME/ THE VAMP VV I 18594 V

PINE TOP SMITH-600CIW WOOGIE PIANO
l<87.PINT0PS BW/JUPSSEADY/SOBER NOE ETC BR 1002 N
TRIXIE SMITH w. FLETCHER HENDERSON

1488. EVERYBDYS DOING THAT CHARLEST/ LOVEPM 2365 V

SOUSAS BAND

1489. M0SQUIT0 PARADE RECORDED 1901 T VI 337 V

1490. AT GA CAMPBEET ING RECORD 1 90 1 7" VI 3|5 V

1491. BR IDE ELECT RECORDED |90l 7* VI 303 V

SOUTHAMPTON SOCIETY ORCH
I492.SILERV MOON/PUT ARMS WHERE BELNG PE |48|0 V

MUSSGY SPAN I ER
1493.0 I FPER MOUTH BLS/S I STER KATE BB I 0506 E

1494. THAT OA DA STRAIn/oAU SWTHRT BB 10384 E

1495. LNS0ME ROAO/mANDY MAKE UP MIND BB 10766 E
1496.01 NAH/BLK 4 BLUE BB 10682 E

1 497. RELAX IN AT TOURo/r I VERBOAT SHUFFLE BB 10532 N-

1498. MEMPHIS BLs/ SWT SUE JUST YOU CMS 1 5 1 9 E

1499. THATS PLENTY/HIGH SOCIETY DUB N—

PAUL SPECHT

1500. WHATS THE USE/WONDER HOW IT FEELS CO 2264 n/n-

JESS STACY

1501. GD JUAN HARD FINd/haREM PARTY VS 8 140 N

LEE STAFFORD PIANO

1502. HELIOTROPE BOQUET/w I NTER GARDEN CASTLE 10 N

STERLING TBIO
I 503.1 ND I ana/to ANY GIRL VI 18251 E-

CLIFF STEWART

1504. LOVEY CAME BACK/ALWAYS FALL IN IN C0ROQ458 E+

1505. U BETTER STP TELLIN LIEs/uY MAR IETTLOR60459 E+

LEOPOLD STOKOWSKI

1506. CLA1R DE LUNE/ PTS 142 VI |8|2 E—

1507. AIR PTS 142 vl 1843 N-

STOMP SIX

1508. WHY CANT B POOR LI ME/EVERYBOY LOV SE 5 N

STUYVESANT STOMPERS
1509. SHINE/BLUE TAIL FLY PARADOX | N-

MAXINE SULLIVAN

1 510. COM IN V A/LOCK LOMOND VO 3654n/v+

1511. EASY TO LOVE/NICE WRK U C AN GET VO 3848 E

MAX INE SULL I VAN
I Si 2. IM COMING VA/LOCH LOMOND OK 3654 E+

SYNCO JAZZ BAND
|5|3. SATANIC BLS/ LUCKY DOG BLS PAT(s) 20558 E

1514. BREEZE/TELL ME CO 2783 V-

1515. HOT LIPS/STATE ST BLs/ DVG 50|2 V

1516. HOT LI PS /STATE ST BLS PE 14022 E-

1517. BLUEIK THE BLs/ JAZZOLA ARTO 9003 E
|5|8. CLOVER BLOSSOm/cHI CAGO ARTUELE 208 1 2 V

RICHARD TAUBEfl
I5I9.ROSES OF PI CARDY/STUDENT PRINCE OE 23024 N—

JACK TEA GARDEN
1520.1 COULO B « YOU/DIDNT HAVE TELL UHCA 103 N

1521. WAY OWN YONDEr/mUSKRAT RAMBLE TEAGARDEN 1 1 226N-

TiMPO KINGS

1522. FLAMIN MAMIE/RHYTHM OF THE DAY PE 14566 E

TEN BLAKC BERRIES

1523. WHN U SMILING/LOVE ME MORE E DAY BA 607 E

FRANK TESCHEMACHER

1524. BABY WONT PLEASE/TRY I NG STOP BR 80064 E+

1 525. JAZZ ME BLS/ BARREL HOUSE STP UHCA 62 N

1526. NBOYS SWTHRT/si STER KATE CO 35950 N'

THIS IS JAZZ -ALL STARS

1-27.1 M SORRY MADE U CRY DUB N—
THE THREE BARBERS

1528. DWN TWN RAG/BUGGY BLS (rM CHP I Gr)pE 14595 V

PINKY TOMLIN

1529. RAGTIME COWBOY JOE/siTTIN BULL & BR 7378 V

JHE TRAVELERS (JIMMY OORSEY)

1530. I VE GOT SWT SUBDY/DRM LIT DRM OF ME |2|48 V

1531. BABY OH WHERE CAN b/bHKAWAY OK 41260 V

BRANEY TRIMBLE ft HIS OKLAHOMANS

1532. BL TURNING QREY/NBDYS USING IT HA 1093 N

TROMBONE RED 4 HIS BLS SIX

1533. B FLAT BLS/ GREASY PLATE STP CO |46|2 V-

FRANK TRUMBAUER

|534.TR0UBLE0/PLANTATI0N MOODs(rm CHp) VI 24834 E+

I535.THERELL COME T I Me/m I SS I I SS I PPI MUOPaE 2097 E

I 536. MY PET/ BORNEO OK 4|039 N

I 537. BLUER IVER/THERES CRAOEL I N C AROLNEOK 40879 N

1538. Rl VERBOAT SHUFFLE/oSTR I CK WALK OK 40822 N—

I 539. CRYING ALL DAy/gD MAN HARD FIND OK 40966 V+

1 540 . C LAR 1 NE T MARMALADE/WAY 0 WN YONDER OK 44|2 N

1 541. GOT FEELIN FOR YOu/nBDY BUT U OK 4|252 V-

1542. WAIT TILL U SEE/LOUISE OK 4|23| E-

1 543. TAKE TOMORROw/LOVE AFFAIRS OK 4| I 45 E+

35c MINIMUM BID

ARTHUR MANN

35c MINIMUM BID

BOX 92, THE RECORD CHANGER 4|8 WEST 49TH ST NYC |9 NY
SEE PAGE CNE OF AUCTION FOR INSTRUCTIONS.

FRANK I E TRUMJAUER

1544. HIGH ON HILL TOp/sENT I MENTAL BABY

1 545. BABY WONT U PLEASE/l LIKE THAT
I 546. TURN ON HEAT/SUNNYSIDE UP

1 547. MY SWEETER THAT SWt/hES SO UNUSUAL

1 548. BYE BYE BLS/ CHOO CHOO

SOPHIE TUCKER

1549. G0T SE MAMA EVY N I Te/agGRA VAT I N PA

1 550. THERE B CHANGES MADe/wHATLL U DO

UN I VERS I TY EIGHT (RED Ml FF ROLL INI )

1 551 . arkansas bls/ its million to one lt 2"52l e—

(above rm chp nogrv)
UNIVERSITY FIVE

1 552. MARG I E/P ICKANN I NY ROSE

UNIVERSITY SIX

1553. Al NT GOT NBDY/OH IF I ONLY HAD HA
] 554. SAN T I GBR RAG HA

1555. FALLIN DWN/ROLL EM GIRLS HA

1 556. MY BABY KNOWS HOw/LONELY EYES HA

1557. WAITLL U SEE/|T TAKES GD WOMAN HA

(aBOVE RM CHP NO GRV)

1 558. ROSY CHEEKS/SO LONG PAL HA
I559.SISTER KATE/BEALE ST BLS HA
|560. FIGHT FOR CAL I / CARHNAL WAVING 5TANFB HA

1561. L ILa/sTAV CUT SOUTH HA

1 562. NBDY BOUT/o.K. KATY WITH ME HA
I 563. OH DORIS WHER DO U LI VE/wHOS THAT VE

USSR RED BANNER ENSEMBLE
I 564. ALONG VALES A H I LLS/POLUSKO — POL I E
RUDY VALLE

1565. JST VAGEBOND LOVEr/sTILL CARING

VARSITY EIGHT

1 566. CLEMENTINE/ MY NEW GAL RO

|567.clementine/my NEW GAL LI

1568. SHAKE YOUR FEET/BIT OF PINK 4 WHITE CA

(above C RKED )

1569. AINT BEEN IN CO LLEGE/yOUR CREAM I N C CA

(ABOVE RM CHP 5 GRV)
1570. SISTER KATE/MY G I LR FIREND CA
I57I.THEM RAMBLINBLs/ ME 4 BOY F"R I END
|572.C0PENHAGEn/bYE BYE BABY

1 573. BEETS 4 TURNIPS/TOO TIRED <HR CKR )

1574. no one/show ME WAY

1575. IF YOU NEW SVIS I E/SMTH I NG WRONG
( ABOVCRM CHP I GRV)

1576. IM GONNA HANR AROUNd/roLL EM GIRL

1577. PERCI0US/WH0 COULD B WONDERFUL

1578. BABY KNOWS HOw/sTILL BELIEVE IN U

1579. AINT SHE SWT/ORINTAL MNLIGHT

1580. AINT EVER BEE COLLEGE/cRM IN COFFEE

THE VARSITY SEVEN.HAWKMCARTER ETC
1 58 1 «SCR ATCH MY BACK/SAVE IT PRETTY MAMA VR

ARMAN VECSEY 4 HUNGAR I NA ORCH
1582.0 SOLE MIO/DRM OF TYROL I ENNE

OK 4| 1 28 V

OK 4 |286 N
OK 4|3|3 N
OK 41326 E+
OK 4 1 450 e/n

OK 4817 V+
OK 40921 V

(s)piT 20476 E

230 v+
224 V
I 06 N
296 v+
3|6 N

399 V+
4|4 N-
1222 V
617 v+
382 N
1 489 V

5950 E

VI 21967 E

RO 476 V
LI 2710 V
CA 454 v—

9003 V

1280V
605 v+
622 V
640 V
694 V-
724 v-

824 v+
1017 V
I 049 E-
I I |4 V

807 V

8 1 35 N

CA
CA

CA
CA

CA
RO

1 583. TANGO TRISTE/SME DAY

1584. DER ROSENKAVALI Er/oREAMA ST TWLIGHT

1585. VALSE PATHETI QUE/CRESCENDO

1 586. HELLO FRISC/BK HOME INTENN
|587.CONCHITa/sANTIGO WALTZ

JOE CENUTI

1588. MOON GLOW/CHEESE 4 CRAKERS

1589. RAGGIN THE SCALE/CHANT OF SWAMP
I930.TO TO BLS/THE BLUES SINGER

1591. swt lortaine/doin UPTWN LOV OWN

1592. MUG OF ALE/CHEESE 4 CRAKERS

1593. COBLIN MARKET/FIDDLESTICKS
I 594. GO IN HOMe/mY HOENSY LOV IN ARMS

DE 80593 v+
ED 80645 E+
ED 80730 E-
ED E
ED 80302 E
ED 80682 N

ME 1 283 1 E+

CO 2765 N-

PaE 1 1 |5 E

COE 708 N

OK 40897 N

OK 4|586 N

OK 4|25| N

1595. THAT GD OLD SUNNY SOUTh/wEARY RIVER OK 4 1 I 92 N

1596. THE BLUE ROOM/ SENSATION OK 4||44 N-

1597. RAGGIN THE SCALE/ PUT 4 TAKE OK 4| 432 E+

1598. FOUND NEW BABY/SWT SUE JUST U OK 4|469 N-

THE VIRGI Nl ANS

1599. MY HONEYS l6v I N ARMs/cuDDLE UP BLS VI 13881 V+

1600. NBOY LIED/YANKEE DOODLE BLS VI |39|3 V+

DON VOORHEES 4 EARL CARROLLS VANITIES
601. MUDDY WATER/WHO DO U LOVE

-TO-
CO

" 381 E
765 N—
I 1 80 N-
14748 N

PE 14775

7150 E-

6329 V
OK 40778 N
OK 409 1 5 N

1602. HUGS 4 K I SSEs/cL I MB I N THE LADDER OF

1603. clementine/where IS MY

1 604. SOME DAY/ THE SPHINX
I605.SMBDYS EYES/ WHO 02 U LOVE

JERRY WALD

I606.SMONE WATCH OVER Me/tHE CONTINENTAL MAJ
TED WALLACE

1507. ILL (ikl DV/AI-TLR ALL MY ORMS BA
I608.THE CAT/OH LIZZIE
|609.CONFEo/ LULU WAIL
FATS WALLER

I6I0.ORM.MAn/ SrUWINS FONDER OF YOU VI 24801 N-

161 I. U STAYED AWAY TOO LONs/ SMBDY THINKS VI 25222 V
I6I2.1.00KA THERE/NEVER FORGOTTEN NIGHT VI 25225 N
I6|3, PANIC IS ON/SUGAR ROSE VI 25266 N

|6|4. BIRMINGHAM BLS/ MUSCLE SHOALS 3LS OK 4757 V

1 6 1 5. S 1 DOS I n/ LO AT I N DWN COTTON TWN VI 254l 5 E—

I 6|6. RATHER CALL U BABy/oUR LOVE WAS MENT VI 25681 E+
|6| 7. GONNA SIT RIGHT DWN WR I Te/bN TAKIN BRS I 0 1 3 N—

i6|8.feet too big/mersy OLDSMOBILE

|6|9.WH0 00 HAWAIIANS SINg/wINDOW FACES

1620. tell me w your kisses/shame shame

1 62 1. BY LIGHT SILVERY MOOn/sWING OUT TO

1622. anita/used TO LOVE YOU

OZIE WARE

1 623. SANTA 6LAUSE WING MAN 3ACK/D0N CAOHTVI 21777 N"

WARIN6. PENN8YLVAN I ANS
I624.S0 eTaY aV HrT/WiThout Love vi 22486 E-

1625. LIT WHITE HOUSe/lEANOER VI 20289 V

WASH30AR0 RHYTHM KINGS
J526.GETTIN SET OVER YOu/pLD YAZOO VP 1733 7+

DUB N
VI 25762 E+
BB 7885 E
BB I 1569 E
BB 10369 V

THE HASHaOARj BONDERS

1527. DONT FORGET MESS./30RDELLO DAYS PARAOOX 2 N—

THE «AS'H I NTOU I A.MS ( DUKE)

1 528. E ST LOUIS TOODLE/RAINY NIGHTS .

ETHEL WATERS
1629. BROTHER GOT ME WRONG/sYMPATHET I C
I 530. TRUE BLS LOij/sECOND HANDED MAN

1631. HANDY MAM/GUESS WHOS IN TWN

LU MATTERS

1 632. CM 3ACK SWT PAPA/TIGER RAG

1633. FIDGETY FEEt/tEMPATAI ON R AG
I 634. TERR 1 BLE BLs/ HIGH SOCIETY
I635.M I LENBERG JOYs/daDDY DO

1636.1919 rag/ostrich walk
i637.ajnt hagers bls/ bees kmfr6

1639. WAITING FOR R.E. LEe/dOIN HAMBONE MER 11325
I64b#SUNSET CAFE ST°/lONDON
1541 .O'J 3Y JINGO/DOIM THE HAMBONE
I 642. BEES KNEES/DOIN HAMBONE
IS43.0H BY JI.MG0/0O1U HAMBONE
1 644. DWN HOME RAg/*NNIE ST ROCK

I'ODJ

18

N

QO

433

V+

CO

1871

V

CO

|4353

V

JM

6

M

JM

7

N

JM

15

N

JM

13

u~

WC

1 II

N

DH

2

N

: MER

11325

N

JM

14

F+

DH

1

E+

DH

N-

DH

1

N

WC

105

N

AGWC

no

N

WC

1 16

N

E+
E-

1646. CLIMAX RAG/SAGE HEN STRUT
CHICK WEBB

1647. ON SUUY SIDE ST2/STOMPIN AT SAVOY VO 3246
I548.TISKET TA5KET/LIZA DE 1340

1649. BLUE Ml NOR/LONESOME MOMENTS OK 4|572 N

ANSON WEEKS/GLEN GRAY
1650.1 COULDNE BE MEAN TO U/HOW CAN U BR 6983 N-

TED WEEMS w

1651 . BARBARA/MISS ANNA8ELL LEE VI 20846 V

1652. MY TOUBLES ARE OVEh/ ME 4 MAN IN MNV I 2l809

1553. REMARKABLE G IRl/tHERE TOO MANY
MAE WEST

1 654. THEY CALL ME SISTER /EAST RIDER

1 655. THEY CALL ME SISTTr/eaSY RIDER

THE WESTERNERS
I '556 . THE PAY OFF/ MY PET
IESTMI NSTER CHIMES

vt 22157 E-

TEMPLC 545
TEMPLE 545

N-/v
N-

65 1 V-

1 657. ROCK OF AGES RECORDED 1 90 1 7" VI 606

PAUL WHITEMAN
l6o8.t.E JUST COUDNE SAY GD BYe/nEVER B V. 1 24088
1659. WISTFUL 4 BLUE/LONELY EYES VI 204|8

1650. MUDDY WATER/AINT SHE SWt(|* HR CRk)v|20508

CO
00

BILT

VI

1651. IM IN LOVE AGAIim/wHEREVER U 30
I652.MAKE BELIEVE/o MAN RIVER

(A30VE ^* HR CRK)
1 663. ONLY PAPER MOON/ N ISTH OWL
I554.NBDYS SWTHRT/STOP LOOK LISTEN

1665. CRI NOLIN DAYS/TELL ME LIT GYPSY

1 666. TA I N SO HONEY/'THATS WEEKNESS NOW

1 667. LIKE TO DO THINGS FOR u/rAGGAMUFF
I663.LIVIN IN SUNLIGHT/u BROUGHT NEW
I6S9.MANDY/LAZY

1670. LONELY MELODY/ FRM MONDAY ON
I67I.SVERYBDY STEp/kA LA A BLUE

i672.lazy/whatll I DO

I673.TENTIN D'.VN TENn/gEORG I ANA
I674.9RKEN HRTEd/.COLLETE
1 675. ALWAYS REMEMBER u/wHO DO U LOVE
I 676 .MAHATTAN MARy/ BROAOWAY
1677. IN BOUQET OF MEMORIES/MT ANGEL
1678. TOOK ADVANTAGE OF me/ 00 HEAR I
I 679. DANCING SHODOWs/ FASC I NAT I N VAMP

THE WHOOPEE MAKERS
I 690.HUMPTY DUMPTY BABY/HAPPY FEET
I 63 1 .SLOW BUT SURE/SWT GA BRWN

JOHNNY Wl 3.S
1632. ULTRA CANAL/TWO WING TEMPLE NO

HAL WHITES SYNCOPAROTRS
1 533 .EVER YBDY LOVES BABY/CANT STOP DO
BOB 1VILBERS *ILDCATS_

AMPERSAND
RAM

VI 20646
VI 21218

VI 24400
VI 25319
DE 2694

N-
E-

v+

V
V

V-
E-

E

e/v

V
E
E+
N

VI

VI
VI

1444
2170
2171

2696
1017
18826
19299
20017
20757
VI 20784
VI 20874
VI 2 1 388
SAYVI 2 1 398
VI 2|43|

PE 15376
PE I 5507

7S| N

1 684. SALTY DOG/SNAKE RAG
1635. NEW ORLEANS SHUFFLE/ I CANT
I 636. SALTY DOG/ SHAKE RAG

1687. FASHI ONEO LOVE/CHIMES 3L

1688. U WORE TULI P/T0UR8LE IN MIND

1689. WILLIE THE WEEPER/MABELS DRM

1690. WILDCAT BLS. BLUES FOR FOWLER

BERT HILL IAMS

1691. TEN LITTLE BOTTLEs/ UNLUCKY BLS

1692. NBDYS BUIZ BUT MY 0»n/evERY9DY

1693. UNEXPECTFDI y/bROTHER LOWDWN

CLMENCE WILLIAMS
I 594. WAIT I I LL U SEE/WONT U BE
I 695. CHURCH ST SOBBIn/yAMA YAMA
I696.WH00PEE I TP UP/HIGH SOCIETY
I677.RED RIVER BLs/sHAKE IT DWN

1698. LAZT MAMa/mT CITY BLS

1699. CL0SE FIT BLS/ BABY WONT U PLEASE

1700. JACKASS BLS/ WHAT THE MATTER

1701. 'J GOTTA GIVE ME SOMe/gOT WHTA TAKI
|702.9REE'e/

I 703. HARLEM RHYTH DANCe/doR S ALE

1704. MANDY MAKE UP M I Nd/l| TTLE BLKBRD

1705. L1NG DEEP 4 WIDE/SPEAKASY
POe.^OUND NEW BABY/SARATOGA SHOUT
I707. SPEAKEASY BLs/ LONG DEEP 4 WIDE
I703.IM LIT BLKBI Rd/mANDY MAKE UP MIND
I709.30Zo/b|M80

COOTIE WILLIAMS

1710. west End bls/g-men
midge williams jazz jesters

1711. happy frame mind/love like whisky

1712. THAT OLD FEELINg/| KNOW U

RALPH WILLIAMS 4 RAINBOW ORCH
|7| 3. PRINCE WAILS/GET LUCKY

RAM
RAM
RAM

I 03
2
I

3
6

CMS TEST N

CM8TEST

N

CO

294l

V

CO

2750

V—

CO

3508

v+

BRS

19

N

OK

8252

E

OK

8706

n/e+

OK

8584

v+

OK

8529

N

OK

85I0

n/n—

OK

4C598

N

OK

8738

V—

VO

254 1

V

VO

2602

E

CO

35957

N

CRL 26

N

PAE

2225

E

CRL

26

N

BRS

1 003

N

QRS

7034

V

OK

6370

V-

VO

4026

N—

VR

620

e/n—

VI

I 9504

V

ROY WILSON 4 HIS GA . CRAKFRS

1 7 | 4. SWAMP BLS/ DESERTED BLS

TEDDY WILSON
1 7 |5. MELANCHOLY BABY/ CRIED FOR YOU
I7I6.ILL GET By/mENA TO ME
|7|7.SWT LORRAINE

I7I8.IM COMING VA.HOW AM I TO KNOw(cR

1719. CANT HELP LOVIn/mY MAN

1720. MISS BROWN TO YOU . / SWT LORRAI

JACK WINN 4 HIS DALLAS DANDIES

1 72 1 . LOVED ONE/ ST LOUIS BLS
JULIE WINTZ

I722.

.AFTER U GONE/ WANT SMONE
JOHNNY WITTWER

I723.9ILL BAILEY/RAGTIME NIGHTINGALE

1724. ACE IN HOLE/2 KINDS PEOPLE

1725. AUNT HAGERS BLs/ RAGGED BUT RIGHT

WOLVERINE ORCH ( BIX)
1 7.26. JAZZ ME BLS/ FIDGETY FEET
(ABOVE RM CHP 4 GRv)

YANKEE TEN ORCH
I727.AM I BLUE/ NOT FOR DAY FOREVER

ME

I2026

v*.

CO

35862

N—

CO

35926

E+

DEE

TEST

E+

BR

7893

V

BR

8008

E+

BR

8087

N—

VO

I5860

E+

HA

I I 69

E-

JM

20

N

JM

19

E+

JM

IS

N

GE

5408

V

JOE YUKL WABASH 5
,BODY 4 SOUL/ SUGAR

|723,B

1 729. ROYAL GAROEN BLs/ 2 QUART BLS
EFREM 2 I MBA LI ST
VALSE BLUETTE/OR I NTALE
ZUTTY 4 HIS BAND

I730.
I73|

JEWEL

5602

E—

JU

7

N

JU

8

N

CO

2|25

N

U DE

432

E

THE FOLLOWING ARE ALL IP " ALBUMS
LOUIS 4 EARL

I732.2 REOORDS ONLY-MNDY OATe/tITE LIKE CO 73 N

KING LOUIS (2 RECORD MISSING)
I733.NO ONE ELSE/ SAVE PRETTY MAMA CO 28 N-

BARRELHOUSE PIANO-MELROSE ,JAS P. MARY LOU

1734. PASS JUF/Jf NGLES/DRAG EM ETC

BIX 8EI0ERBECKE

1735. RYL GRDN/THOU SWELL/w DADA ETC

BRUN CAMPBELL/LU& BATTERS J.B.
|736. MAPLE LEAF/ ROIGINAL RAGS

CHICAGO JAZZ C LASS ICS— B.G. 4 HIS

BR 1 008 N

CO 29 N

WC 3 N

nnvs

DE

398

N—

DE

490

N—

GEN

|5

N-

VOX

304

E+

BR

1 020

N

BR

1 000

N-

I737. WOLVERINE MUSKRAT /bLUE ETC BR 1 007 N

E00IE 'OnBON-CEORGE GERSHWIN JAZZ CONCERT
I 738 . SMBDY LOVES ME/1WANEE/LADY B GD

EDDIE CONDON JAZZ CONCERT
I739.JUST U/ SHE IK/ FAREWELL BL/ ETC

DAY AT C IR3US
I740.2 SIOES RECORED ON LOCATION

MARLENE DIETRICH SINGS

1 74 1 . JONNY/PETER/WO 1ST DE MANN ETC

JOHNNY DODOS

1742. n.o. stp/ forty 4 tight/ ect

ellingtonia vol i

1743. e st louis/ m0oche/i2th st etc

doc evans bls in dixieland
i744.3uddy bold ens/be ale st bls /weary etc joco 4 n

bud freeman-comes jazz
1 745. jazz band/da da strain/ etc co 40 n

1746.0 baby/ susie/ tia juana/ etc oe |33 e+
gems of jazz vol 2- m i ldred .bunny .condon. etc
squeeze me/honkytonk/buzzard etc de 200 n-

GEMS OF JAZZ VOL 3
F. HENERSON,H. BENDERSON, ORHC* S DE

GEMS OF JAZZ VOL 5
GA CAKE WALK/GET HAPPy/sWT GA BRWN DE

FLETCHER HENDERSON
SUGAR ST STP/WHAT CHA CALL Em/eTC CO

HISTORY OF JAZZ VOL I
SISTER KATE/ J.B. BALL/HI'SH SOC ETC CP

ART HOPES HOT SEVEN
MONDAY DATE AT BLUE NOTE BN
HOT TROMBONES *MI FF.RED . TEA .MOTRON ETC
DEE BLS/BUGLE CALL/ ETC CC>

JAZZ CONCERT TWN HALL N.Y.
MIDNITE AT CONDONS/T 4 2 ETC KEY
A L JOLSON

1747,
1743,
1749,
1730,
I75l
1752
1753
1754,
1755,
1756,
1757,
1758,
1759
1750
1761
1762,
1763,
1764,
1765,
(766
1757
1758,
1759,

242 N-

324 E
30 N

16 N—

104 N—
" 46 N
1 27 N-

SWANEE/ APR I L SHOWERS/SONNY BY ETC DE 469 E+

HAL KEMP MEMORIAL ALBUM
DINNER FOR ONE/LULLABY OF BRDWY ETCCO 42 N
J I MM IE LUNCEFORD ORCH— FOR nANCFRS nNlv

184 E

VI HJ 4 N—

COQUETTE/MARG IE/SWT SUE ETC

ORIGINAL ZENITH BRASS BAND
MARCHING JAZZ

MCKINNEYS COTTON PICKERS
CHERRY/SHI M/ZONKY/ROCKY RD ETC

MEMPH IS FAVORITES
BETWEEN FRT HELLO/L I HHOUSE BLS ETCST INSN 365N-"

JELLY ROLL MORTON RED HOT PEPPERS
S I DEWALK .DEAD MAN/PRETTY LIL ETC vT~Hj5 E

NEW AMERICAN JAZZ N00NE-TEA-6ULL I VAN ETC
SOLITUDE/SUGAR/SMDAY SWTHRT ETC CP A-3 E

NBC CHAMBER MUSIC SOC .LOWER BASIN
ST LOU I S/MEMPH I S/BEALE ST ETC vT P-82 N-

NBC CHAMBER MUSIS SOC IETY
SATANIC BLS/ STAR DUST/LADY EVE ETC VI 86 N-

NEW ORLEANS JAZZ-ARMSTRONG-ALLEN BECHET ETC
4 RECORDS ONLY- 2 MISSING DE |44 N-

NEW ORLEANS MEMORIES —JELLY ROLL MORTON
MAM I ES BLS /OR I 3 RAG CMS 8 N

NEW ORLEANS MEMORIES— JELLY ROLL MORTON
CRAVE/NAKED DANCE/MR JOE ETC GEN TT N

RIVERBOAT JAZZ-OLI VER-MORTON-A.WYNN ETC
SNAG IT/MR J.L9RD/PRKWAY ST ETC BR I OlO N

STRICTLY FROM DIXIE
GA ON MIND/SHINE/MOUND BAYOU VI I 1 9 N—

AUCTION AUCTION
S/uai STEPHEN STORAN SALE

% A RG — BOX 341 COOPER STATION NYC N.V
AUCTION OF STOCK OF TOPEX RECORD IMF STUDIOS.
«LL RECORDS LISTED ARE COMPLETE HAL-HOUR BRDCASTS
ON |2" LP 33-1/3 MICROGROOVE STUOIO ACETATE
RECORDINGS. CAN BE PLAYED ON ANY HOME LP PHONO.
ALL RECORDS ARE IN NEW CONDITION-NEVER PLAYED.

BING CROSBY BROADCAST MEDLEYS - |2"LP
|)SHES FROM MISSOURI (2)SWI NG LOW SWT CHARIOT

3) SUNDAY MONDAY OR ALWAYS

4) LAST ROSE OF SUMMER

5 ) TANGER 1NE

6) ARTHUR MURRY HURRY

7) 1 REMEMBE H YOU

3)M V HEART & I DECIDED

9) T00 ROMANTIC

10) aLL YOU WANT TO DO IS DANCE
1 1 )THE ONE I LOVE

|2)D0WN THE OLD OX ROAD

|3)LEARN TO CRRON

|4)MOON STRUCK
SPECIAL -ORIGINAL MASTER-STAMPERS USED TO PRESS
JELLY-ftOLL MROTONS -GRANDPA'S SPELLS/CtiNNON BALL
BLUES ON FAMED HOMaRT UBEL. SEND BIDS.
IN PERFECT CONDITION.

RICHARD M. JONES - l""LP(N0T A BROADCAST)

HOLLYWOOD SHUFFLE

DARK AL LEY

JAZZIN BABIES BLUES

BOAR HOG BLS

AFRICAN HUNCH

NOVELTY BLUESfROY PALMER )

TICKLE BRITCHES (ROY PALMER
BLUE REEFER BLUES
BRING IT ON HOME TO GRANDMA

BIX BE IDE RBECKE MEMORIAL PLAYED BY EDDIE CONDON

FIOGTY FEET l2"Ll-( I 944)

OH KATRINA

DAVENPORT BLUES

I'D CLIMB THE HIGHEST MT

IN A MIST

CANDELL IGHT

JAZZ ME BLS

BUNK JOHNSON » I2"LP

STERLING BOSE
PEE WEE
KAMINSKY

KRESS

i cant escape from you
2 Jar kan sas blues

3) aINT GONNA - - JELLY RO LL

4) MAMA'S GONE GOODBYE

5) SPICY ADVICE

6) MARYLAND (2nd master)

7) alex ragtime band (2nd master)
tishomingo bls(2nd master )
isn<g it(6 minutes long)

GLENN MILLER CARNEGIE HALL CONCERT 1939- I2"lp
I ) THEME

2) nUNNIN' WILD

3) one o'clok jump

4) sunrise serenade
5 (little brown jug

6) stai«way to the stars/ to you

7) frd jone/hold tight
danny boy

jumpin jive
iu)bugle call rag

1 i ) in the mood

Charlie barnet — i2"lp

ijDUTCN KITCHEN STOMP

2 ) PLOW IN '

3) SPANISH KICK

4) D0 YOU WANNA JUMP CHILDREN'/

5) orV|LS HOLIDAY

6 ) CHATTERBOX

7) HARMONYIN HARLEM
9) IN A JAM
9)SWING|N DWN TO RIO

MUGGSY SPAN IER-GEORGE BRUN IS-B. DODDS |2"LP

1 ) 3WT GA BROWN

2 ) GOOD MAN IS HARD TO FIND

3 ) SEPTEMBER IN THE RAIN

4) L0NES0ME ROAD

5) LOVE JUST RAUND THE CORNER

6) 1 USED TO LOVE YOU (8RUNIS FEAT)

LORENZO TRIO(/)PRACTISE SESS I0N-I2"LP

1 ) pallet on the floor

2) FRANKLIN ST DRAG

3) BINEVILLE SHUFFLE

4) AINT GOT NOBODY 'S BLUES BUT MY OWN

5) TELL ME YOUR DREAM

6) »HEN YOU WORE A TULIP

7) L0VELESS LOVE

BLUE NOTE RECORD SHOP

5671 DELMAR
ST LOUIS 12, MO.

STILL OUR BEST SELLING ITEMS

NO COLLECTION SHOULD BE WITHOUT

NEW ORLEANS PARADE "PAX 90JI 12 LP

JAZZ AT STORYVILLE-GAVOY I5U25 IOSLP
GEORGE LEWIS-JAZZ MAN 331 |o"LP
KID ORY'S CREOLE BAND-OON EWELL PIANO
(HI-FI, TOO) -GOOO TIME JAZZ L-2| IU"LP

t5.9f
3.85
3.85

3.35

AN DON'T FORGET THESE NEWCOMERS . . .
JASS AT OHIO UN ION-geo.lewis jass band 2-i i'u> 's$ 1 1 .90

(attractive box, illustrated notes included)
THE FABULOUS WINDY CITY SIX-NOW AVAILABLE IO"lp 3.85
THOSE AMERICAN MUSIC LP'S ALWAYS BESTSELLERS

IO"LP 3.35EA,

(SET OF ALL TEN AM LP'S $35.00 )

(GEOPGE LEW IS, BUNK, WOODEN JOE, BIG EYES LOUIS, EMILE

BARNES, KIO THOMAS, BUNK TALKING, KID SHOTS MADISON ETC )

ALL DELMAR RELEASES AVAILABLE FROM BLUENOTE

GET THESE LISTS

fi SWEET ITEMS-«ILES,COL,V0,8B,V|,ETC.
#4-H0T JAZZ, IN PREPARATI ON, ME AN WH I LE, GET 5

SPECIAL PRE-PUBLICATION CARBON LISTS OF

LOUIS ARMSTRONG BIX BE IDERBECKE

DUKE ELLINGTON FLETCHER HENDERSON

AND MANY S* I MG ART I STS(M I LLER SHAI ET?)
/||53 — BOB, HARLEM, MODERNJAZZ CUTOUTS, ST I LL IN STOCK.

WHEN IN ST LOUIS TH I SUMMER VISIT DELMAR BLVD'3
FABULOUS "DIXIE ROW".JUST TAKE A DELMAR BUS OR
STREETCAR AND GET OFF AT D '8AL IEVERE. THREE JAZZ
BANDS ALWAYS PLAYING AT THE BARREL, TOP HAT,
BLUE NOTE, OR WINDERMERE BAR.

WHILE YOU'RE IN TOWN, BE SURE TO STOP AT
"HOT JAZZ HEADQUARTERS IN ST. LOUIS"

THE BLUENOTE RECORD SHOP
5671 DELMAR BLVD.,
ST LOUIS 12 MO.

DELMAR RECORDS

5671 DELMAR

ST .LOU IS 12 MO.

PROUDLY PRESENT . .

JERRY FISELE AND HIS

FAB 1L0US WINDY CITY SIX

MUGGSY SBRECHER,CORNET
SKIP DIRIMGER, TROMBONE
SAMMY GARDNER .CLARINET
BOB DORR IES, PIANO
WALLY ECKHARDT , BASS
JERRY F ISELE, DRUMS

A. A INT GONNA GIVE NOBODY NONE OF MY JELLY ROLL
HANGOVER LAMENT (DOBLE LEMGTH BLUES IMPROVAST)
WHEN THE SAINTS GO MARCHING IN

B. ROYAL GARDEN BLUES
LONESOME ROAD

SAN FRANC ISCO BAY

#0L — 101 PRESSED ON CHERRY RED VINYLITE I0"LP|3.85

DELMAR S FIRST RELEASE PRESENTS, FOR FIRST TIME ON
RECORDS, THE MUSIC OF ST. LOU IS FOREMOST JAZZ BAND -
A GROUP OF ST.LOUISANS' PLAYING IN AN ORIGINAL STYLE
THAT COMBINES THE BEST IDEAS OF THE CONDON MOB AND
THE YERBA BUENA SCHOOL. IN THE FUTURE DELMAR WILL
RE LEASE OTHER RECORDS BY GREAT JAZZ ARTISTS FROM
NEW ORLEANS CHICAGIO AND ST LOUIS. WATCH FOR THEMf

DEALERS ATTENT I ON I

DELMAR RECORDS ARE AVAILABLE TO YOU ON A SLIDING
SCALE DSICOUNT PLAN, DEPEND ING UPON THE QUANTITY
PURCHASED. LIBERAL CASH AND PAYMENT DISCOUNTS.
100$ RETURN PRIVILEDGE(wlTH ADJUSTMENT OF ORIGINAL
PRICE).WE SAVE THE CREDIT AND HANDLING LOSSES OF
REGULAR PRODUCER -WHOLESALE-RETAIL DISTRIBUTION
AND PASS IT ON TO YOU. SEND FOR DETAILS TODAY.

RECORD REV I EWERS, DISK JOCKEYS ETC.

BE SURE TO BE ON DELRA'S SAMPLE LIST. SEND
CREDENT IALS TODAY TO GET ALL OUR RELEASES.

EXTRAJ EXTRA I EXTRA! EXTRA! EXTRA!

DELMAR RECORD HAS ACQUIRE THE STOCK AND RIGHTS
TO THE ANTONE RECORDS BY

GEORGE LEWIS AND HIS NEW ORLEANS RAGTIME JA2ZBAND

AVERY KID HOWARD
J IM ROB INSON
GEORGE LEWIS

JOW WATKINS

ALTON PURNELL
ALC IDE PAVAGEAU
LAWRENCE MARRERO

LOOK UP THE ANTONE ADVERTISEMENTS IN THE BACK
ISSUE OF THE RECORD CHANGER AND ORDER FROM
DELMAR RECORD.

2 IO"LP'e

• 3.85 EA

THESE ARE THE ORIGINAL ANTONE PRESSINGS. ONLY
A VERY SMALL QUANTITY WERE PRESSED ON THIS LABEL.
BEAUTIFUL BLUE VNYLITE PRESSINGS IN HEAVY CELLULOSE
COVERS.

DEALERS - YES YOU CAN ORDER THE ANTONES FROM DELMAR,
TOO.

FOR THE BEST IN HOT JAZZ
ON THE BEST POSSIBLE SURFACES
AS WELL RECORDED AS CONDITIONS WILL PERMIT
KEEP IN TOUCH WITH

DELMAR RECORDS
567| DELMAR BLVD.

ST LOUIS 12 MO.

MINIMUM BID 75c

LOUIS LEVY

8|| CROTONA PARK NORTH
N.Y. 60 N.Ya

CONDITION GUARANTEED - WINNERS NOTIFIED TO REMIT WINNING BIDS PLUS 25# PACKING CHARGE. RECORDS SHIPPED RRX COLLrCT OR AS YOU PREFER.

MINIMUM BID 75c

ELLINGTON GROUPS

FATS WALLER

BENNY ::OOOMAN GROUPS CONT.

I.MOOCHE/HOT 4 BOTHERED

OK

8623 V*

75. WHY DO 1 LIE/YR NOT THE KIND

V 1

25353

V+

142, TAINT NO BSE/DID U MEAN IT

VI

25469

N/Vt

2.TAKE IT EASY/JUBILEE STOMP

OK

41013 Vt

76. CLAR MARM/WI NTER WEATHER

BB

1 1 469 N

I43.D0DG 1 NG D 1 VORCEE/LULLABY( FORESYTHE80

30 12

E—

3, SNAKE HI P DANCE/ JUNGLE JAMBOREE

OK

8720 vt

77.DRY BONE S/MOMM IE SENT ME

BB

1 0892

Et

WHOOPIE MAKERS, HOTSV TOTSY GANG ETC.

4,LnZY DUKE/SAVOY SHOUT (l.RUSSEL)

OK

8760 V

78.^0ME DWN TO EARTH/LIVER LIP

BB

1 1010

Vt

144.WAHQ WANG/YELL6 DOG (BAD BOYS)

VI

2|97|

Vt

5.HARLEM TWIST/JOVE OVER

OK

8638 Vt

79.SAVANNAH SUE/AINT MISBEHVN

VI

22 1 J8

Vt

145. MY KINDA LOVE(POLLACK)

VI

21944

N

6.R0SEMAR IE. NASH. N IT 1 NGALE< Wl NTERS 1

Tri

11423 V+

00. WONT U GET OFF IT/ RIDIN BUT WALK VI

381 19

N

146. SPAN 1 SH DREAM/NEW LOWDDwN ( PETTI o

VI

21559

Vt

AZURE/ CARAVAN 7„

Ma

1 3 1 Vt

WEBER & FIELDS

I48.S0ME OF THESE DAYS

JE

-5633

Vt

3 .BLACK BEAUTY/ JUS 1 LEE STOMP

VI

21580 Vf

81. HYPNOTIC SCENE/ DRINKIN SCENE

CO

1150

N—

I49.WHAT A NITE/I WONDER WHAT MY

BR

4998

Vt

9.DUSK/BLUE GOOSE

VI

26677 N/E-

82. RESTAURANT SCENE/TRUST SCENE

CO

1855

N—

150. SWT SAVANNAH SUE/CANT WE GET

BR

4482

Vt

IO.BLUE TUNE/LAZY RHAPSODY

BR

6288 Vt

AL jolson

I5I.TIGHT LIKE THAT/SHIRT TAIL STP

DOM

4274

vt

II.MOON OVER DIXIE/BABY WHEN A 1 NT

BR

6317 V+

83. SPANIARD WHO BLIGHTED MY LIFETEST

VI

17313

N

MAUREEN ENGLIN(RAREST BECHET RECORD)

12. PYR4UI0/ WHEN MY SUGAR WALKS

BR

8168 Vt

34. YELLOW JACKET GAL TEST VI

17313

N

I52.F00LIN ME(C0MPOSED 4 ACC BY BEC)PERF

1-^135

vt

13, GET YOURSELF NEW BROOM/ BUNDLE

BR

6607 Vt

85. ASLEEP IN DEEP PARODY

V 1

17915

Vt

SIDNEY BECHET

|4,STACK0LEE BL/REDHEAD (NICHOLS7

HA

601 v+

MARTHA RAYE

1 53. OLE MISS/ OUT OF GAL LI ON

KJ

142

N—

15. ST JA INFIBMARY/ REST PaRTY

OR

1349 v+

86.00H DR KINSEY/AFTER U GONE

DbV

503

N

I54.ST0MPY UOHES/SAVD IT PRETTY MAMA
I55.WILD MAN BLS/ BHAKE IT * BRK IT

VI

27240

E

16. JUNGLE BLS(EDGE CHIP 4 SKIP)

RO

12 15 E

87.SWING IT PAGAN IN 1 /OL MAN RIVER

CO

36322

N

VI

26640

N—

|7,M00N ROMANCE/ LOVE HAS FADED

OK

5940 vt

88.AINT NECASSAR 1 LY SO/GONE W WIND

CO

35394

E-

I56.N0BDY KNOWS WAY/ OLD MAN BLS

VI

26663

N—

I8.CARN ICAL IN CARO/SWINGTIME HONO

VO

4061 v+

HOPE PIUS XI

I57.JUNG';E DRUMS/HOLD TIGHTW3T MA STER OK

4537

Et

19 BLUES A POPP IN/BLACK BUTTERFLY

vo

5618 Vt

89.BENED1CTI ON & BLESSING

ROMAN

31

|58. CHANT IN N ITE /HOLD TIGH<2nD MASTERKaE 238 N

20.jHARK|E/ BLUE IS THE EVENING

VO

4324 vt

ETHEL WATERS

|59. UNCLE JOE/BLUE MONDAY

DE

7500

N

^I.DONT KNOW/ WARWORK BABY

HIT

3090 N

90. CABIN IN THE SKY/HONEY HONEYCOMB

LMS

31

E

LOUIS ARMSTRONG

BIX BE IDERBECKE GROUPS

9I.TAKIN A CHANCE ON LOVE/LOVE TURNEDLMS

310 E

I60.U RASCAL YOU/ SLEEPY TIME

OK

41504

E

22. THERE A 1 NT NO LAND/CRADLE INCARO

HA

504N-

92.JEEPERS CREEPERS/ THEY SAY

BB

10025

E

1 61 .TH ATS MY HOME/ | WONDER WHO

BB

6644

vt

23.THERE A INT NO LAND/CRADLE IN

DJ

2504 v+

93. HANDY MAN/GUESS WHOS IN TW

CO

14353

E

I62.DINAH/TIGER RAG

VO

3009

Et

^.LOUISIANA/ RHYTHM KING

OK

21173 E-

GUS ARM HE 1 M

163. THANKFUL/SWING THAT MUSIC

DE

866

vt

25.MARQ IE/SMS ODY STOLE MY GAL

SE

5013 N

94. SO RRRE/DANC 1 NGUNDER THE STARS

BR

7919

E

I64.HURDY GURDY MAN/SKELETON CLOSET

DE

949

vt

FRANK IE TRUMBAUER

95. ALL 1 WANT(V0C FRED MCMURRAY J

VI

22384

Vt

165. OLD FOLKS AT HOME/ ( W.M ILLS BROS)

DE

1360

vt

Z6.WRINGIN 4 TWISTIN/ IN A MIST

OK

40916 V+

96. PEACH OF A PAIRfRUSS COLUMBo)

VI

22346

E-

1 66. SHADE OF OLD APPLE TREE( " " )

DE

|495 Vt

S?7lM COM IN VA/WAY OWN YONDER

OK

40843 V+

97.THEM THER EYES. LITTLE TH I NGS ( B 1 NG ) V 1

22580

V

1 67.MEX 1 CAN SWING/SO LITTLE TIME

DE

1322

vt

Z8.SINGIN THE BLS / CLAR MARMALDE

OK

40772 V+

EDDY D' ICH 1 N

I68.SATCHEL HOUTH SWING/DOUBLE DARE

DE

1636

vt'

29.IM AN OLD C0WHAND/D1GA Dl GA DO

BR

7687 E-

98.rikE WAS.STARL IGHT STR BRIGHT

CO

36221

N

I69.L0VE WALKED 1 N/SMTH 1 NG TELLS ME

DE

1842 vt

f*UL WH ITEMAN

99.STaRDUST'ST0RMY WEATHER

CO

361 13

N

170. AS LONG AS U LI E/SNT GO MARCH INF

DE

2230

vt

30- OUT O'TOWN GAL/BR 1 FTWOOD

CO

1505 E-

lOO.OLD MAN MOSE/BETWEEN THE DEVIL

BR

8155

Et

|7|.|N THE GLOAM 1 N/EVER YTH INGS BEEN

DE

3825

E t

31. SHOULD l/BUNOLE LOVE LETTER

CO

2047 E-

172. YES SUH.ILL GET MINE

DE

3900

N

J2.U TOOK ADAVANTAGE OF ME/ DO 1 HEAR

VI

21398 vt

lOi. LEARNING/HAYSTACK CHINESE-VI

24713

E-

I73N0 ONE ELSE BUT/CANT GIVE ANYTHING

OK

8669

Vt

33.MUDDY WATER/A 1 NT SHE SWT(SHILKRET) V|

20508 V+

ORIG INAL D 1 X IELAND 5

MAURICE CHEVALIER

34. AUNT HAGER BLS/ COM 1 N BVA

DE

2145 E

102 TIGER RAG/SKELTON JANGLE

VI

25542

Et

1 74. SWEEP IN THE CLOUDS/ALL 1 WANT IS

VI

22373

N—

35.DEEP FOREST/ SERENADE WEALTY WIDOW VI

24852 vt

103. BARNYARD BLS/ O.D. ONE STEP

VI

25502

Vt

175.01 TES MOI MA MERE/QUAND ON EST

coE

2026

N—

36. ST LOUIS BLS/ BELLHOPP 1 N BLS
37. ANN INA/ MY HRT(DUCHIN'

VI

20O92 Vt

COLEMAN HAWKINS

EN DW IGHT D. EISENHOWER

VI

24715 E

1 04. SLEEP ING BEAUTY/FORGIVE A FOOL

OK

6347

N

176.0 DAY ORDER/ VE DAY SPEECH

CO

SPEC 1 AL N—

33.L0NELY EYES/WISTFUL 4 BLUE

VI

2J4I8 E

105. LOST IN FOG /HONEYSUCKLE ROSE

106. AINT GOT NOBODY/SUNNY SI BE ST

paE

204|

N

PHIL NAPOLEON 4 VRAI3US O.M. 5

GROUPS

39.LETS BEGIN/TOUCH OF YOUR HAND

VI

24453 E«

paE

1825

N

1 77.CLAR INET MARMALADE/BLS SERE

HA

362

Vt

4U. RHYTHM K ING/ SUPPRESSED DESIRE

CO

169 Vt

I07.HRTBRK 8L/0L MAN R 1 VER ( HENDERSON )fAE

1766 N

178. JACKSONVILLE GAL/M 1 SHAWAKA BLS

BR

28|S

E

VENUT 1 4 LANG GROUPS

FLETCHER HENDERSON

179, DWN 4 OUT BLS/ PANAMA MAMAS

BR

2879

Vt

4| .SEND ME/ V | BRAPHON 1 A / 2

DE

669 N

I08.SWT MUSIC/MALINDAS SWEDDING

VI

.;2775

E-

I80.H0T LIPS (JAZZBOS SERENADERS)

CA

257

E

42.N0THIN BUT NOTES / MELLOW AS CELLO DE

624 E-

109. MOAN U MOANERS/ ROLL ON MISSISSIPPI

22698

E-

MILDRED BAILEY

43. TAP ROOM BLS/ MYSTERY

DE

625 E-

110. SWAMP BLS/OST TO BUFFALO

PM

12486

V

I8I.R0CKIN CHAIR/ GA ON MY MIND

BB

6845

E—

44.D0IN THINGS/ WILDCAT

BB

10230 N

III. OH PETER/EVERYTHING U DO

pERF

14352 E

I82.M0RE THAN U KNOW/ LONG BOUT MIONT

VO

3378

vt

45.MAN FROM SOUTH/ PRETY TRIX

OK

41076 Vt

II2.UE NEENYAH<LENOX ORCH)

PERF

14394 V

JOHNNY DODDS

46.I.ITTLE WIGGLE/JEANNINe(LANG SOLOj

OK

41134 N

1 1 3. SWANEE/ BUTTER FLY

DO

3475

V*

1 83.S0 UTHERN WOMAN/M ISTREATI N ( 1 DA COX )PM

12298 V

BENNY MOTEN ORCH

II4.W0RDS/ CAPENHAGEB

VO

14926 V+

I84.HEAH ME TALK1N/LITTLE ISABEL

HMV

2127

N

47.NEW MOTEN STP/3MB0DY STOLE GAL

BB

6709 N-

II5EVERYB0DY LOVES MY BABY

DO

3444

V-

185. INDIGO STP/ BLUE PIANO STr

HMV

2|79

N

48.NEW ORLEANS/ LAFAYETTE

BB

6218 E

II6.SWT SUE/HOW COME U

DEE 2972

E—

SUGAR UNDERWOOD ACC.

49.M0TEN STP/BLUE GU ITAR ( C.HAYES )

BB

6204 U

1 1 7. tnt/Carolina stp

CO

509

Vt

185.1 BONDER/ WHY DID U LEAVE ME

VI

21204 E

FRED ASTAIRE

KING OLIVER GROUPS

RAY NOBEL

50. BEGINNER LUCK/CANT TAKE THAT AWAY BR

81 153 N-

II3.SMDAY SWTHRT/WA WA WA

BR

3373

v/vt

I87.ALL 1 DO IS DRM OF U/ REMEMIR ME

HMV

6508

E-

5| ,*E SAW THE SEA/PUTT ING ALL EGES

BR

9948 Et

II9.SMDAY SWTHRT (DIG )/DEAD MAN BL

VO

1059

v

I88.BLUE MOON/ PENSIVE MOOD(bOWLLy)

VI

24849

E-

52. WE SAW THE SEA/ PUTTING MY EGGS

BR

7609 Et

120. CHATTANOOGA STP(SM DIgJ'N.3. STP

CO

13003

vt

LEROY CARR 4 SCRAPPER BLACKWELL

53.0H„NGE PARTNERS/COLOR BLIND(PIC LB )BR

8189 E-

121. FRISCO TRA INTjALEMANDER)

OK

8653

Gt

I89.TIGHT TIMES/ HUSTLERS BL

VO

3034

Vt

54. WAY U LOOK TONITE/PICK SELF UP

BR

7717 E

CLARENCE WILLIAMS GRaiPS

1 90. bread baker /good woman bls

VO

3296

Vt

55.YAM/ YAM STEP

iBrF

50" 748 E

I22.BAREB00T 8LS/ DO IT LONG TME

OK

8073

Vt

191 ST ORMY N TE BL/MOANFUL BLS

VO

2922

Vt

56.N0 STRINGS/CHEEK TO CHEEK

BR

7486 Vt

I23.HAVE U EVER FELT 'WALK THAT BROAD

OK

8629

Vt

192. DOWN SOUTH BL/ BLUE DAy( SCRAPPER )

VA

6042

N

57iNIGHT 4 DAY/GOT U ON MIND

VI

241 33 Vt

1 :4. BLIND MAN BL/ ATLANTA BL

OK

8090

Gt

ST LOUIS BLUES'VARIOUS ARTISTS

58. HEART OF STONEjfwITH RE 1 SMAN )

VI

24358 E-

125. YAMAM BL / CHURCH ST SOBStN

OK

8525

V

I93.WEAVER 4 BEASLEY"«U ITAR DUET

OK

8530

Vt

HAL KEMP

RED N ICHOLS GROUPS

I94.EUB1E BLAKE-410B0DYS SWHTHRT

CR

3|30

E-

59.Y0U WOULDNT FOOL ME/LUCKY STARR

BR

4212 vt

I26.8RIMINGHAM BRKDN/A 1 NT GOT NBDY

HA

505

V

195. ABE LYMAN— [2 ST RAG

BR

3316 E

6U»0H BABY/ GET UNDER THE MOON

BR

3954 E-

I27.JIMT0WN BLS/ K ING PORTER.! BEDHEADS ) CO

327

vt

196. CHICAGO DE LUX ORCH

pM

20341

Vt

JELLY ROLL MORTON

l^8«CRAZY SONG/U RASCAL YOU

BR

6135

vt

I97.BIG BOY GOOD lE-f'OUND NEW BABY TCLE

1961

E-

6I.BLK BOTTOM STOP/CHANT

BB

10253 N-

|23.rlOSY CHEEKS(6 HOTTENTOTS)

BA

1962

V

BENNY CARTER

62o3LK BOTTOM STP/CHANT

VI

20221 Vt

1 30^HURR 1 CANE ( REDHEADS )

PERF

14717 Vt

198 PLYMOUTH ROCK/MELANCHOLY LULLABY

coE

2385

N—

63.DNT LEAVE MB HERE 0d ALL IN THE JACK

BB

1045 J N

DORSEY BROTHERS GROUPS

199.SAV0Y ST AM PEDE/SC ANDAL IN A FLAT

COE

2312

Et

64.HIGH SOCIETY/BUDDY BOLDEN

BB

10434 N

1 3 1 . ITS RIGHT here FOR U/BEEBE

PAE

449

N

HUMPHREY LITTLETON

65.3IDNT HE RAMBLE/WININ BOY

BB

10429 N

I32DIXIE DAWN/THAT S MY MAMMY

OK

4|05j

N

2O0.SH«KE IT 4 BRK IT / JA 1 LBREAK

PA

3667

N

66.MJD0Y WATER BL . ( TEST JMASTER f 1435

N

I33.PRAY1N THE BLS/ BEEBE

OK

41245

Vt

201. LONDON 8LS/MIKES TANGANA

PA

3587

N

67.CRAVE/BUDDY BOLDEN

GE

4003 N

GOOFUS FIVE

iloa.UIKE WALK IN BA8IES/ 191 9 MARCH

rA

3337

N

68i!JISTER JOE./WININ BOY

GE

4004 N

| 34.BLUE B«BY/IS SHE MY GIRL FRIEND

OK

40 940

Et

ii04. (?EX BLS /ONE MAN WEWT TO BLOW

PA

3436

N

fats waller -piano rolls

135.SI STER KATC/FAREWELL BLS

OK

40767

2 05. TRAVEL IN 8LS/ CLOSIN TIME

PA

3621

N

69.TICKET A TASKET

yRS

6806 ;t

BDJNY GOODMAN GROUPS

BOOKS 4 CATALOGS ALL IN E OR BETTER

COND

TION.

7'J.GONNA SIT RIGHT DWN 4 WRITE

IMP

8930 Et

136. SMOKE DRMS/GEE BUT U SWELL

VI

25486

Vt

206. Y0UNG MAN W HORN ( 1944 TRADE EDITION]

207. B ULANOV— "DUKE £LL 1 NG TON" ( 1ST EDIT |9

7I.D0NT GET AROUND MUCH

yRS

7777 Et

I37.H ITCHED MY WAGON /LESSON TO YOU
138.S1NG FOR SUPPER/ THIS CANT BE LO

VI

25703

Et

46'

72iC0W COW BOOGIE

l|RS

7739 Et

VEVI

26099

Vt

ABOVE A BIX MEMOIR-WITH ILLUSTRATIONS

73. CANT BREAK HABIT OF YOU

IMP

9231 Et

139. IN SENT 1 MEN AL MOOD/FOIL 1 CH THINGS VI

25351

E

209.METRONOME— NOV '33 BIX MEMORIAL 1

SSUE

74.01 PSY DOOBLE

uRS

6776 Et

|40»»LWA3Y 4 ALWAYS/ OH BOOM

VI

25808

F-

iilO.BLUEB IRD-COMPLETE SPRING 1937 CATALOG

I4I.8EI MIR BIST DU SCHON

VI

25751

vt

211. BLUEBIRD - |94| RACE 4 HILLBILLY

CATALO G

<;|2. VICTOR- 1936 COMPLETE CATALOG

Ill

AUCTION

AUCTION

a in A .i ■ 0% . ■

AUCTION

AUCTION

ROBERT J. NEU

RINGS

2233 W. ROOSEVELT DRIVE, MILWAUKEE 9, WISCONSIN

1654 N. CHEROKEE AVE. ,

This is the biggest auction of record catalogs for the year, below you will find catalogs never

HOLLYWOOD 28, CALIFORNIA-

BEFORE OFFERED FOR SALE AND WHICH PROBABLY NEVER AGAIN WILL BE AVAILABLE. ALL ARE COMPLETE GENERAL

ALL SHIPMENTS RRX C.0.9. 25? aDOITIONAL FOR PACKING

CATALOGS for each year except those with

special notes listed after them, auction closes

ON AUGUST

3IST, 1954. WINNERS WILL BE NOTIFIED PROMPTLY AFTER THE CLOSING DATE OF THE SUCTION TO REMIT AMOUNT OF

THE WINNING BIDS.

RCA VICTOR 4 SUBSIDIARIES

COLUMBIA 4 SUBSIDIARIES CON'T

FRED ASTAIRE

1936 VICTOR

|95| ODEON (GREEK)

NIGHT AND DAY/I GOT U ON MY MIND

VI

24193 E

L939-40 VICTOR

1949 odeon (Turkish)

MILDRED BAILEY ( TRANSCR 1 TP 1 ONS )

1940-41 VICTOR

1952-53 odeon (Turkish)

GEORGE WHITES SCANDALS

LI600I N

1943 VICTOR

1949 ooeon-parlophcne (Swedish)

POPULAR SELECTIONS

LI60O2 N

1944 (dec) victor supplement

|95| Ooeon-Parlophome (Swedish)

THE CAT AND THE FIDDLE

L 16005 N

1945 (Sept) victor Supplement

1950 odeon (argentine) dealers' numer

CHARLEY 8ARNET

1946 (may) victor Supplement

1949 ODEON-COLUMBIA (CHILIAN JDEALERS NUMERICAL

WHEN |M WITH U/BUT DEFINITELY

BB

6433 V

1946 (Dec) Victor Supple»enT

1950 ODEON ( GERMAN )

FROM ANOTHER WORLD/ SUNDAY AFTERNOON

SB

10637 N

1947 (June) victor Supplement

1951 ODEON (GERMAN)

Castle of dreams/u got me out

BB

IU644 N

1948 VICTOR

1952 ODEON ( GERMAN )

LEAPIN AT LINCOLN/DARK AVENUE

BB

10774 N

1950 VICTOR

1 951 ODEON (GREEK)

aND SO DO 1/ ITS THE LAST TIME

BB

10773 N

1951 (SEPT) victor

1949 ODEON (TURKISH)

B NNY BERIGAN

1952 (mar) victor

1951 ODEON-rARLOPHONE (Swedish)

U CANT RUN AWAY/CAUSE MY BABY

VI

25562 V

1952 (sept) victor

1952-63 ODEON (tjRKISH)

DUKE ELLINGTON

1953 (mar) victor

1949 ODEON-VARLOPHONE (SWEDISH)

THREE LITTLE WORDS/RING DEM BELLS

V.I

22528 N

1950 (Sept) Victor request

1950 OOEON (ARGENTINE) DEALERS NUMERICAL

NINE LITTLE MILES/WHAT GOOD AM 1

VI

22586 N

i95i (Sept) victor Request

1949 ODEON-COLUMBIA (CHILIAN) DEALERS NUMERICAL

MOOD INDIGO/WHEN A BLACK MANS BLUE

V 1

<:2587 E

1952 (Mar) victor Request

1947—48 PARLOPHONE (ENGLISH)

TO WHOM IT MAY CONCERN/BLUE AGAIN

VI

22603 E

1952 (sept) Victor Request

1948—49 PARLOPHONE (ENGLISH)

COCKTAILS FOR TWO/LIVE AND LOVE TONIGHT

VI

24617 E

1952 victor Dealers' numerical

1949-50

TROUBLED WATERS/MY OLD FLAME

VI

24651 7

1948 victor Canadian

1 95 J-5 1 "

oOLITUDE/DELTA SERENADE

VI

24755 V

1947-48 hmv (English)

1951-52 "

DONT GET ARAOUND MUCH/COTTON TAIL

VI

26610 V

1948-49 hmv (English)

1951-52 " " DEALERS NUMERICAL

GIRL IN MY DREAMS/FLAMINGO

VI

27325 E

1949-60 HMV (ENGLISH)

1941 OKEH POPULAR

TAKE THE A TRAIN/SIDEWALKS OF NY

VI

27380 N

1950-51 HMV (English)

1941—42 OKEH RACE

1 GOT IT BAD/CHOCOLATE SHAKE

VI

27531 E

1951-52 HMV (English)

1950 PARLOPHONE (ITALIAN)

SLIP OF LIP/SENTIMENTAL LADY

V 1201520 E

1952-63 hmv (English)

1952 COLUMBIA, PARLOPHONE, HMV (AUSTRIAN)

LITTLE BROWN BOOK/SOMEONE

VI

20153* V

1951-62 HMV (English) dealers' numerical

1952-63 COLUMBIA, PARLOPHONE, HMV (AUSTRIAN)

EVERY HOUR ON THE HOUR/TIMES WASTlfJ

V|20|7|8V

1952-63 hmv (English) Dealers' numerical

1953 COLUMBIA, PARLOPHONE, HMV (AUSTRIAN)

WONDER OF U/IM JUST A LUCKY

VI20I739 V

1950 uvoix (French)

1948-49 COLUMB 1 A , Pa RLO PHONE, HMV, DEC Ca, OOEON,

EDDIE LANG

1948 lavoce (Italian) Supplement

REGAL ZONOPHONE ( AUSTRAL IAN )

PICKIN MY AWAY/FEELING MY WAY

BR

6254 N

1950 lavoce ( Italian)

1949 COLUMBIA, LA VOIX, Pr.THE, SWING (FRENCH)

LOU IS 1 ANA SUGAR BA3ES

1950 Electrola (German) Dealers' numer

1 95 1 COLUMBIA, LA VOIX, PATHE, SWING (FRENCH)

PERSIAN RUG/THOU SWELL

VI

£1345 E

1952 Electrola (German) Dealers' numer

I95J ODEON, LA VOZ, REQAL PATHS (SPANISH)

J 1 MM IE NOONE

i94i Bluebird Popular

1949-50 REGAL ZONOPHONE (ENGLISH)

SOON/ IT'S EASY TO REMEMBER

vo

2907 E

1942 bluebird popular

I95u paths (French)

TAMPA BLUE JAZZBAND

I94i Bluebird race (June)

DECCA AMD SUBSIDIARIES

SAX^-PHONEY BLS/ TORRID DORA

OK

4485 V

1941 (Dec) bluebird race

1941 DECCA

TOMMY DORSEY

1942 DECCA

TAKE ME BACK MY BOOTS 4/ ON T TREASURE ISLAND VI

25144 V

Columbia 4 Subsidiaries

1943 DECCA

ID 1 HAD RHYTHM IN NURSEY RHYMES/MUSIC GOES

VI

2520| E

1942 Columbia

1944 DECCA

IM GETTIN SENT IMENATAL OVER U/IVE GOTE NOTE

VI

25236 E

1943 COLUMBIA

1945 DECCA DEALERS REFERENCE

MARY HAD LITTLE LAHB/ DID | RMEMBER

VI

25341 N

1944 COLUMB IA

1946 DECCA DEALERS REFERENCE

GUESS | 'll GO BA CK HOME/ HOW AM 1 TO KNOW

VI

26294 G

1945 COLUMBIA

1948 DECCA

BUGLE CALL RAG/ AFTER YOUVE GONE

VI

25467 V

1 946 COLUMB IA

1949 DECCA SUPPLEMENT

MAR 1 E/ SON G OF IND IA

vu

25523 G

1947 Columbia

1950 DECCA DEALERS REFERENCE

MENDELSSOHNS SPRINF SONG/ LIEBESTRAUM

VI

25539 V

1948 Columbia

1951 DECCA DEALERS REFERENCE

SATAN TAKES HOLIDAY/ NOLA

VI

2557 J E

1949 Columbia

1953 DECCA

HE S GYPSY FRM POUGH KEEPS 1 E/ LAIBf. 0*BY

VI

25577 V

1950 Columbia Supplement

1940 DECCA DEALERS NUMERICAL

IF YOU EVER SHOULD LEAVE/ POSIn'

VI

25605 V

|95| Columbia Supplement

1951 DECCA DEALERS NUMERICAL

THE THINGS 1 WANT/ ALLEGHENY AL

VI

25623 V

1952-53 COLUMB IA

1919 oecca (English)

NIGHT 4 DAY/ SMOKE GETS IN EYES

VI

25657 V

1947-48 Columbia (English)

195| DECCA (ENGLISH)

BABY WHAT ELSE CAN 1 DO/SO MANY TIMES

VI

26386 E

1948-49 Columbia (English)

1950 DECCA ( ITALIAN J

BENNY GOODMAN

1949-60 Columb ia (English)

|95| LONDON DEALERS NUMERICAL

LONELY MOME NTS/JH ISTLE BLS

Ca"

374 E

1950-51 Columbia (English)

1947 (NOV) TO 1949 ( JULY (BRUNSWICK (ENGLISH) SUP

PUEMENT

THAT DID IT MaRIE/SMBODY ELSE TAK/SG PLACE

OK

6497 V

1951-62 Columbia (English)

1950 BRUNSWICK (ENGLISH)

SOMEBODY NOBOY LOVES/LETS GIVE LOVE CHANCE

OK

6562 V

1949-50 Columbia (Eng)Dealers ' Numer

CAKITOL AND SUBSIDIARIES

THE LAMP OF MEMORY/WHEN ROSES BLOOM AGAIN

OK

6580 E

1950-51 COLUMBIA (ENG)DEALERS ' NuMER

1945 CApITOL

JERSY BOUNCE/ STRING OF PEARLS

OK

6590 V

1951-62 Columbia (Eng)Dealers' numer

1946 CAPITOL

SOMETOMES IM HAPPY/ KING PORTER

VI

25U90 G

1952-53 Columbia (Eng) Dealers' numer

1947 CApITOL

AFTER YOUVE GONE/ BODY & SOUL

VI

25 1 15 V

1950 Columbia (Italian)

l94y CArlTOL

JINGLE BELLS/ SANTA CLAUS IS COMIN TWON

VI

25145 V

i 95| Columbia ( Italian)

1953 CAPITOL

8REAKIN IN PAIR SH OES . .STOMP IN AT SAVOY

VI

25247 E

1952 Columbia (Italian)

1049 (DEC) CAPITOL (ENGLISH)

IF 1 COULD BE W YOU/ KNOW THAT U KNOW

VI

25290 V

1953 Columbia (Italian)

BINE ME SWING SONG/FOOLISH THINGS REMIND ME

VI

25340 V

1949-COLUMBIA ( ITAL)DEALERS' NuMER

MOON GLOW/ DINAH

V 1

253 X3 V

1951 Columbia ( ital (Dealers ' numer

LOVE S£ OR LEAVE ME/ EXACTLY LIKE YOU

VI

25406 V

1952 Columbia ( ital)Dealers 1 numer

ALEXANDERS RAGTIME BAND/ RIFFIN AT THE RITZ

VI

25445 E

1947-52 Columbia (austral)dealnumer

WHISPERING/ TIGER RAG

VI

2548! V

1949-40 Columbia (Canadian)

DONT BE THAT WA/ ONE 0 CLOCK JUMP

VI

25792 V

1950 Columbia (Canad)dealers* numer

SING SING SING/ PTS |&2

VI

25796 N

1950 Columbia (Turkish)

MUST HAVE THA MAN/ 'S WONDERFUL

VI

2609J V

1950 Columbia (Greek)

SWT GA BROWN / OPUS 1/2

VI

26091 V

1951 COLUMBIA (NORWEGIAN)

FLYING HOME/ ROSE ROOM

CO

35254 V

I95i Columbia (Belgian)

BOY MEETS HORN/ LEST DANCE

CO

35301 V

1950 Columbia (French)

HONEYSUCKLE ROSE/ SPRING SONG

CO

35319 V

1950 odeon (German)

SOFT WINDS/MEMORIES OF YOU

CO

35320 E

1951 odeon (German)

ZAGGIN WITH ZIG/BWSY AS A 8EE

CO

35356 V

1952 odeon (German)

COCONUT GROVE/HOUR PaRTYING
ROYAL GARDEN BLS/ WHOLLY CATS

CO

CO

35527 V
35810 V

TAKING CHANCE ON LOVEy OAS IN Iff 'THE SKY

CO 35869 Q

FOUND NEW BABY/ BRKFAST FEUD

CO 360JJ V

SIX FLATS UNF 1 RN I SHED/ WHY DONT U DO RIGHT

CO 36652 V

AIR MAIL SPECIAL/ROSE ROOM

CO 36720 N

29

UP TO 9 LP's FREE

BUY $ |5.0C WORTH OF RECORDS AND GET | LP-FREE

..BUY i 27.50 WORTH AND GET 2 LP' S'FREE. . .BUY 8 50. CO

»0RTH AND GET 4 LP'S«FREE...BUY % 100. CO WOTH GET 9 LP'S'FREE

•ANY LP 6 $ 3.95 OR LESS

JAZZLAKD

•ANY LP 6 t 3.95 OR l£ SS

BOX 415 RADIO CITY STATION, 322 WEST

52 STREET, NEW YORK CITY

EVERY RECORD LISTED GUARANTEED MINT AND UNPLAYED.

THE

FREE OFFER ABOVE REFERS ONLY TO THE LP RECORDS LI

STED.

IKE CANNOT GIVE 78 RPM DISCS FREE BUT YOUR TOTAL

PURCHASE TO QUALIFY FOR FREE DISCS CAN BE MADE UP

OF BOTH 78 AND LP RECORDS. PLEASE ADD 25^ FOR PACKIKG

MATERIAL. YOU MUST ALSO PAY ALL SHIPPING CHARGES. RECORDS

WILL BE SHIPPED VIA RRX CHARGE'S COLLECT . IF YOU WANT PARCEL POST VOU WILL HAVE TO ACCOMPANY YOUR ORDER W

ITHTNO

iGH EXTRA TO COVER POSTAGE. REMITTANCE MUST

ACCOMPANY YOUR ORDER ■ ORDERS FROM NYC MUST ADD 3% CITY SALES TAX. SATISFACTION UNCONDITIONALLY GUARANTEED OR MONEY R EFUNDED. PLEASE ORDER BY THE N MBER TO THE

i ttt /ir tut rni hum in Twr ncr nr 7rrpu RFPfiRn^

ORDER LPS BY LABEL AND CATALOGUE NUMBER.

TWF All ^TAR^ I RARNFT1, HRFAT RAND. )

DON BYAS

DUKE ELLINGTON

Q I 7 uill n ijiD r »ou nAMn At IPLJT A. H*V
O | ; j /' 1 LD MAD r 1 on rUMU y 1, 1 (X \J AT

.99

44.1 SURRENDER DEAR/THESE FOOLISH THINGS

• 39

95 jubilesta/moonlight fiesta

.49

THE ALL STAR STOMPERS (WILD BILL DAVISON)

HOAGY CARM 1 CHAEL WITH MATLOCKS ALL STARS

97.PCRTRA 1 R LION/SOMETHING TO LIVE FOR

.99

248. | NEVE R KNEW /CA NT WE BE FRIENDS

.49

353. ROTATION BL/FLAP YOUR ELBOWS

.^y

98. RED HOT BAND/OKLAHOMA STOMP

.49

O A.C\ cum iki nniLM I iMr /cu i tftitc cuiiuiQQI F
C*ry.oW ( Nu I N UUW nl LANL-/ on [ MML onAWAooLt.

.49

CENTRAL PARK DIXIEUWDERS ( LYTTELTON BAND)

99.hONEYSUCKLE ROSE/CHOPST 1 CKS

.49

250.T 1 SHOM IN GO BL/ECCENTR 1 C

.49

45.PANAMA/CHATAN00GA stomp

.49

EMPIRE STATE JAZZ BAND

<-. 1 4 b 1 b DUI lt.M LliU MAN/ DftD Y 1 U TLX. A OL ^ <J WC.

.49

CENT RY STOMPERS (WELLSTOOD GRO P)

lOO.M 1 NSTREL WALK/ONCE IN A WHILE

.49

252»hOTTER THAN THAT/SENSAT 1 ON

.49

46.„ELLY BEAN WOBBLE/MOUND CITY DRAG

•69

IRVING FAZOLA

1 r*ll l 1 C ADU^TRflMfl
LUU 1 O nntno ■ nui\lu

CHICAGO RHYTHM KINGS (CLESS MARSALA E TC )

lOla MOSTLY FAZ/wiTH U WHERE U ARE

.49

I .DALLAS Bl/pEANUT VENDOR

.99

307. SONG OF WANDERER/CHANGES MADE

.79

ELLA F 1 TZGERALD

2.BASIN ST BL/nO

.99

KENNY KLARKE KLIQUE

342.WALKIN BY THE R.I VER/FAVOR 1 TE SONG

.39

3.LA Z V R 1 VEr/ GEORG I A ON MY MIND

.99

47. U GO TO MY HEAD/ROLL EM BAGS

•39

351. BASIN STREET BLHES(hER GREAT LOUIS IMITATION)

.*9

4.LAST NIGHt/yOURE A REAL SWEETHEART

.79

EARL COLEMANS BAND

352. LADY BUG/BABY DOLL

.49

D.oWLl. Tnt AH T o UN HA KAUL/ULUL A liA 1 N

.69

48. STRANGER IN TOWN/YARDS 1 RD SUITE

•39

355.1 DON T WANT TAKE CHANCe/rOUGH RIDER

.39

6. HOBO U CANT RIDE TRA 1 N /NE VER B EEN BORN

.89

LEE COLLINS/ JAMES P. JOHNSON

357. LAZY DAY/WHAT DOES IT TAKE

.49

7.EV ER YBOD Y LOVES MY BABY /a LL WRONGS U DONE

.99

49.D0NT TEAR MY CL OTHES/V 1 LD BOUT PATOOTIE

&o
.us

ELLA FITZGERALD AND LOUIS ARMSTRONG

349»if/youre JUST IN LOVE

.49

LEE COLLINS 4 LITTLE BROTHER MONTGOMERY

356.0PPS/NECESSARY EVIL

.49

50. FL RITMO/LONG TIME AGO

• 99

BUD FREEMAN

RUSS COLUMBO

I02.10WN HALL BL/lNSIDE OR OUTSIDE

.49

Pfll 1 RARRAQIMQ nfw ori famq RAMf!

rfl'_ L DflnD AH 1 I ■ o lit. II un LCAU 0 Dnuu

51. TOO 6EAUTIFUL/l SEE TWO LOVERS

• 79

THE TENNESSEE GABRIEL ( BROWN IE MCGEE )

Q o n r i » i 1 1 / 11 I6T 1 ITU P" LUU 1 1 C" 6T1V uFor
J * rANAMA / JUo 1 L 1 1 ILC WM ILL O 1 A Y nc KL

.49

AL COOPER SAVOY SULTANS

103. IF 1 COULD HEAR MOTHER PRAy/pREC 1 OUS LORD

.49

in i it v nr Twr \ik\ i fv /fm t a ni <;

.49

52. GET IT AT SAVOY/NEW JUMP

• 39

SLIM GAILLARD

II. JUST CLOSER WALK WITH THEE/wALK THRU STREETS

.49

B NQ CROSBY

104. WHEN BANANA SKINS FALL 1 Ng/bANGO C 1 TO

.29

jU I.LLAhlNLI MAHMALAUL/r 1 UbL 1 > r t-t. 1

.49

53. SIDE BY S IDE/MAGNOLIA

•49

ERROL GARNER

nrORftF R ARNF^ ft FARM. 1*111 Q Rl 1 1 TAD 1 <iT 1

36 1 • PRETEND 1 NG/gOT TA GET ME SOMEBODY

• 39

105. loose nut/love

.39

1 2. LA UGH IN AT L IFE/BARNES AT DUBL I NS

.49

362. IOWA INDIAN SONG/WAY BACK HOME

.39

106. FLA1) PIANO/FANTASY

.39

t tin viu i ^ n r r i /p ink pi i in k

.39

DIXIELAND RHYTHM KINS (ONE OF BEST BANDS)

DIZZY GILLESPIE

P Pir NT RA^IF ORTl-t

330.CONF IRMAT ION/D 1 GGIN DIZ

.39

i A. QOMfi nc I Ql iMn^ /wnnnnv i^wnu/^

1 ^sOUIlU Ur | O I— « IMUO/NUDUUY W<^llO

.79

55. F ICGETY FEET/FCUND NEW BABY

.49

334.DIGGIN FOR DIZ/TRUMPET TEMPO (MC GHEE)

.39

* ^ t ifft rarv/qi rr ikstfri mdf

.79

56.WCLVER 1 NE BL/THE SAINTS

•49

JAZZ GILLvM

i "7 njt c r e tp mr^ im / iiimp fop mf

.79

327. WEARY BLUES/SINISTER BUCKET BL

.89

I07.FAST WOMAN BL/kEEP ON SA LING

.39

.79

JOHNNY DODDS

326. ROLL OEM BONES/BLUES WHAT AM

.49.

57. WEARY CITY/BULL FIDDLE

• 79

B' NY GOODMAN

l8.tM GOING HOME/jAZZ ME BLUES

.49

58.V.Y baby/oriental MAN

• /y

|08.SAILIn/| CANT GIVE U ANYTHING BUT LOVE

.89

|9o'"FATS A PLENTy/lAZY RTVER

.49

53.k:ad dog/flat foot

.89

109. GONE WITH WHAT WIND/SIX APPEAL

.89

1 ■ 1 f-U QITP 1 F TV /ini 1 TH Q1UP1 DT PAR k DF

.49

oOc^'Y GIRL/SWEEP EM CLEAN

.79

1 lO.BENNYS BUGLE/BREAKFAST FEUD

.79

^ 1 I'lDf^ IT /rinr njr" II PI
c 1 .1. A Rta IL/r AKLWL LL BL

.49

61. BROWN BOTTOM SESs/lADY LOVE

•69

III. JUNK MAN/OL PAPPY

.69

RAVClDF 1A77 R AMD All i RD 1 P ANF IA77 RANm

62. WEARY WAY 8L/THERELL COME A DA Y

• 79

II?. HANDFUL OF KEYS/VIENI VIENI

•49

OM(tinto IUL DL/ULAK IIhL 1 MA KlvlALAl/C

.49

6^-GCCBER DANCE/TOO TIGHT

•79

113. BUGLE CALL RAG/wHOOPEE STOMP

.69

S 1 DNEY 8ECHET

64.hCT stuff/have MERCY

.69

DEXTER GORDON

22. CHINA B0y/s[STER KATE

.49

65, struggling/little bits

.79

I |4. oh well/sweet and lovely

.39

23.SCNG OF MED INA/l GOT RHY THM

.49

66.MXEO SALAD/l CANT SAY

.99

ii5/talk of the town/lullabye in rhythm

• 39

wiTumiT a t-iniis^ /im tuoii FAnnavF

C.'r + t- | InUUI A nUNt / 1 M | H KU uwUU OTL

.49

67,700 TIGHT/PAPA DIP

• 99

339. THE DUEL PTS 1-2

•39

25. WASTE NO TEARS/UOVE ME WITH F ELING

•#

58. SOUTHBOUND RAg/tIN ROOF BL

.89

335.BIKINI/BL IN TEDDYS FLAT ( TEDDY EDWARDS )

.39

"?f\ nriv c i d <;i-iODTv/nD u< i mhii i i i

tUf DUA l/fln OnUn 1 T/DnU IvL Pi W 1 IM U 1 * 1 L L

.49

69.KPT POTATOS/STEAL AWAY BL

• 79

MART GROSS CELLAR BOYS (FINE CHICAGO DIXIE)

t / .otr ILMdlK oU rHj/WHU

.49

116. ORIGINAL D 1 X IELA NO ONE STEP/OH BABY

• 39

304. S I DNE YS BLUEs/pA LLET ON FL 00 R

.79

71 .COOTIE STOMP/wEA F Y WAY BL

.69

I i7.shimmeshawabble/do ANYTHING FOR U

• 39

enwMV RFRMA^■
OUlilM 1 Dt.nivlAi>

BABY DODDS

WALFJ R GROSS (A SUPERB PIANIST)

^O.NULTUKNE/LUH bo TUNL ol,Ur 1- Lt.

.39

72. DRUM IMPROVISATION #l/wOLVERINE BL

•49

1 |8. SOMETIMES IM HAPPY/TIME ON MY HANDS

.49

29.nccturne/thermodynam ICS

.39

TOMMY DORSEY ORCH

119. THRU THE YEARS/ORCH 1 DS IN MOONLIGHT

.49

RlV RFinFDRFPkT"
D 1 A DC. 1 ULK C5LU ^t.

365.ELACK STRAP MOLLASSES/sEPT IN RAIN

• 39

I20.TEA FOR TWO/MORE THAN U KNOW

.49

ma i/r nri in/r /Ol n ham n } ' 1 r f ?

33 .MAKt. BtL 1 tVt/OLD MAN H 1 VLH

.69

DUTCH SWING COLLEGE BAND

|2|.I KNOW U KNOW/WITHOUT A SONG

.49

3 pf ?0RRy/s 1 NCE MY BEST GAL TURNED ME DOWN

.79

337. ALEXANDERS RAGTIME BAND/BIRTHDAY BL

.49

JOHNNY GUARHAR 1

32.changes/mary

.99

ROY ELDRIDGE ORCH

122. WHY DO 1 LOVE U/WHA TS THE USE

.39

73. HECKLERS HOP/THAT THING

• 99

BOBBY HACKETT

flD AFWr RFI ) niVIFIAMO 1A 77

74.FL0RIDA STOMP/wABASH STOMP

.99

338. jazz band ball/embracable you

.79

JtmO ll» DAU UAWftolA MAM/ OLrJNYo OA LL

.49

318. AFTER U GONE/LAZY RIVER

• 99

CARL HALEN (great trumpet)

PU RFDDV

DUKE ELLINGTON ORCH

328. CAKE WALKIN BAB 1 ES/W 1 LL 1 E THE WEEPER

.49

"^Cifi Rl IIF1^ rJf M t h'DP /ttl IDMIN IIP

.99

75. ALL GODS CH ILLUN GOT RHYTHm/aLABAMY HOME

• 89

LIONEL HAMPTON

RflRMFV R 1 H ADn

76. WEST INDIAN ST/BUGLE BREAKS

•89

350. CANNON BALL EX PRESS/8 1 RM 1 NGH AM BOUNCE

.39

i 4nrnT i a \nnr ttc /dc «n v rnnv
jjjLAHtNl JAVANL 1 lt-/HLAUY LUUY

.49

77. NEVER FELT THIS way/all TOO SOON

.69

358. OH rock/love U mad

.39

EUBIE BLAKE & FATS (TALLER (PIANO ROLLS )

78. EXPOSITION SWING/HARMONY IN HARLEM

.99

35S.HANiPS GUMBO/SAD FEELING

.39

36«B0LL WEAVIL Bl/lAST MAN BL

.79

79.DINAHS IN A JAM/BUFFET FLAT

RO

366. COOL TRAIN/CANT BELIEVE UR IN LOVE WITH ME

.39

CLAUDE BOLLING ALL STARS

60.FCSE RIO GRANDE/PRELUDE TO KISS

.89

(51 FUN HABIIMANS HAMMOND F 1 VF (WITH LSTER YO'.'NG )

37oRIVERSIDE BL/GEORGIA BOBO

.49

8i .blues/plucked AGAIN

.99

I23.UPRIGHT ORGAN BLUEs/jAZZ ME BL

.99

33-.BLUES IN D ISGU ISe/0 IPPERMOUTH BL

.49

82. SAN JUAN HILL/STEPPING INTO SWING SOCIETY

.99

BILL HARRIS

39.U RASCAL U/NOBODYS KNOWS WAY 1 FEEL

.49

83. BOUNCING BOUYANCY/LONELY CO-ED

.99

|24. SOMEBODY LOVES ME/wOOOCHOPPERS HOLIOAY

.39

SHARKEY BONANOS KINGS OF DIXIELAND

84. BLUE LIGHT/SLAP HAPPY.

.99

COLEMAN HAWKINS

NEVER RELEASED IN THIS COUNTRY

85.HARLEM A IRSHAFT/SPEIA PANORAMA

.99

I25.BEAN ATT HE MEt/|M IN MOOD FOR LOVE

.39

40. SWEET GEORGIA BROWn/I LIKE BANANAS

.99

87. SWING LOW/DUCKY WUCKY

.49

I26.SWINGIN in groove/i KNOW u KNOW

.39

SHARKEY BONANO JAZ2 BAND

88. GO IN TO town/tight LIKE THAT

.79

I27.ELUES EVERMORE/DEAR OLD SOUTHLAND

.39

4I.BACK HOME IN INDIANA/MI SSOURI WALTZ

.49

89. DOUBLE CHECK/DOWN IN THE ALLEY

.79

I28.WHEN BUDDHA SMILEs/wAY DOWN YONDER IN N.O.

.39

GEORGE BRUNIES JAZZ BAND

90„BLACK AND TAN #|/hOT BOTHERED #1

.79

129. OUT OF NOWHERE/SWEET GA BROWN

.39

■42. JAMAICA SHOUT/l STILL WANT U

.79

91. IM SATISFIED/JIVE STOMP

.79

I30.MAN 1 LOVE/TALK OF THE TOWN

.39

DAN BURLEY SKIFFLE 80YS

9?. stevedore/blue FEELING

.99

I3I.BIG head/platinum LOVE

.39

43. THREE FLIGHTS UP 1-2

.49

93. pyramid/when sugar walks down .street

.89

30

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.39
.39

.39

.39
.39
.39
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.39
.39

• *9
.49
.49
.49

.49

.79

.89
.89
.49
.49
.79
.49
.69
.69

ERSKINE HAWK INS ORCH

1 32. melancholy/needle POINTS

133. GABRIELS HEATTER/LOVE TO MAKE YOU

MONK HAZEL BAND

134. GIT WIT IT/lDEAS

HERB IF HAYMER QUINTET

1 35. LAGUNA LEAP/BLACK MARKET STUFF

WOODU HERMAN BAND

1 36. ME AN TO ME/BLOWING UP A STORM PT I

137. THE GOOD EARTH/BLOWING UP A STROM PT 2

13E.MAN i love/everywhere

1 39. BRCTHER FATS/GLORY OF LOVE

140. PASS THE BASKET/HOLLYWOOD BL
1 41 .SUPERMAN ON A HORN/4 MEN ON HO RSE

ART HOPES JAZZ BAND

142. WILLIE THE WEEPER/CHICAGO GAL

143. MR JELLY LORD/NEVER KNEW WHAT A GAL

1 44. BLUES AND BOOZe/eC CENTR I C
|45. CHIMES 3L/0RGAN GRINDER

ART HODES/J I MMY YANCEY
146. SOUTH SIDE SHUFFLE/THE FIVES

-JOHNNY HODGES ELLINGTONS
I47.H0DGE PODGE/WANDERLUST

BILLIE HOLIDAY

I49.IM PULLING THRU/GHOST OF YESTERDAY
|5|.M00D IM IN/SENTIMENTAL MELANCHOLY
152. SAME OLD STORY/LOVE ME LEAVE ME
1 53 .CARELESS LOVE/MAN I LOVE
I55.S0ME OTHER SPRING/LOW D OWN GROOVE
I T6.MAN I LOVE/ANY OLD TIME
323.EASY TO LOVE/WAY U LOOK TONIGHT
324.1 GOT LOVE KEEP ME WARm/oNE NEVER KNOWS

JOHN LEE HOOKER (GREATEST OF TODAYS BL'ES MEN )

1 57. NEVER SATISFIED/NOTORIETY WOMAN .49

LENA HORNE

348.DEED I DO/LOVE MY LIFE .39
BUD JACOBSONS JUNGLE KINGS

158. CANT BELIEVE UR IN LOVE ME/oPUS I SANS MELODY .69

1 59. LAUGH I N AT u/CL AR I NET MARMALADE .69

HARRY JAMES

3 1 3. TEXAS CHATTER/SONG OF WANDERER .69
CONRAD JAN IS TAILGATE JAZZ BAND

160. THE SAINTS GO MARCHING IN 1-2 .49

161. EH LA BAS/VlLLIE THE WEEPER .49
162. ORIENTAL MAn/kANSAS CITY STOMP .49

JACK JENNY ORCH
I63.STARDUST/CUBAN BOOGIE WOOGIE .79

BUNK JOHNSON BAND
I64.SNAG IT/CANT ESCAPE FROM U .99

BUNK JOHNSON & LU WATTERS BAND

165. ACE IN HOLE /CARELESS LOVE .99

ED ITH JOHNSON

166. NICKELS WORTH LIVER/HONEY DRIPPER .69

1 67. HEART ACHIN BL/aINT NO MORE SAID .49

PETE JOHNSON

168. CLIMBIN SCREAM IN/HOW LONG BL .69

.BLIND WILLIE JOHNSON

169. TAKE BURDEN TO LORD/GOD MOVES ON WATER .99
3 1 6. MOTHERLESS CHILOREn/oH LORD .99

HANK JONES k JEAN GERMAINE

170. THE CHASE/NIGHT MUSIC .39

MAX IE KAMINSKY
I 71 .BLACK 4 BLUE/HAVIN a BALL .49
REVEREND KELSEY f ABSOLUTELY THE GREATEST
CHURCH MUSIC EVER RECORDED • BUY A SET)
I72.LITTLE BOY/STAND IN THE STORM .69
173. STORM PASSING OVER/STR I V ING FOR PROMISEO .69
I74.TELL ME HOW LONG/EVENING PRAYER .69

I75.IM A soldier/after AWHILE .69

GENE KRUPA BAND
1 76. SW I NG IS ICRE/hOPE GABRIEL LIKES MUSIC .49

LAWSON HAGGART JAZZ BAND
343.SATURDAY RAG/BUSYBODY .49

CRIPPLE CLARENCE LOFTON (SUPERB PIANO)

177. U DONE TORE PLAYHOUSE DOWN/BROWN SKIN GAL .69

CRIPPLE CLARENCE LOFTON/ALBERT AMMONS

178. HAD A DREAM/ST LOUIS BL .79

CLAUDE LUTER JAZZ BAND

1 79. FANAMA RAG/SOUTH AFRICAN BLUES .49

HUMPHREY LYTTLETON BAND

180. GET OUT OF HERE/SUNDAY MORNING .49

SHERRY MC GEE'S D IX IELANDERS

303. SHAKE IT BREAK It/t|N ROOF BL .59

HOWARD MC GHEE

207. UP IN DODS ROOM/HIGH WIND IN HOLLYWOOD

208. DOROTHY/NIGHT MIST

2C9. DIALED PUPILS/MIDNIGHT AT MINTONS

JIMMY MC PARTLAND DIXIELAND JAZZ BAND
2I0.IN A MIST/ROYAL GARDEN BL
2| I .DAVENPORT BL/USE YOUR IM I GANAT I ON

BIG MACEO
|8|. CHICAGO BREAKDOWN/WINTERTIME BL

WINGY MANQUE
I82.ISNT THERE A LITTLE LOVe/tHATS A PLENTY

i83.shes cryin for me/just one girl
ib'.nickle in slot/swing brother swing

dodo marmarosa
iSS.dodosTl/T" surrender dear
i86.lover/oary departs
i 87. trade winds/bopmatism

ZEP ME I SSNERS DIXIELAND ALL STARS ( RUSHTON

I88.BEALE ST MAMA/LEAVIN TOWN
169. DIXIE DOWNBEAT/WHOS SORRY NOW

MELODY ECHOS (FINE SPIRIT AL)

|90. SAVIOR DONT PASS ME/wILL TO KNOW

ETHEL MERMAN
363. LOVE IS THE REASON/MAKE MAN LOVE ME

ETHEL MERMAN 4 JIMMY DURANTE
354. IF I) CATCH COLO/j SAY NICEST

MEZZ MEZZROW
I9t. PANIC IS ON/MUTINY IN THE PARLOR

LIZZIE MILES

332 .CARELESS LOVE/l CRIED FOR U
340.ACE IN HOEE/BASIN ST BL
GLRNN MILLER ORCH

192. DONT WAKE UP MY HEART/wHY MAKE ME FALL IN

PUNCH -MILLER
I93.S0ME THESE DAYS/EXACTLY LIKE U
305. WEARY Bl/cOOL KINDA PAPA

308.sk I ne/small HOTEL

FREDDIE MITCHELL ORCH
325. FISH MARKET Bl/t|LL TOM BL

LITTLE BROTHER MONTGOMERY

I94.SW1NGIN WITH LEE/WOMAN I LOVE
I 95 .V I CKSBURG Bl/nO SPEOIAL RIDER

JELLY ROLL MORTONS RED HOT PEPPERS
I 96. JERSEY JOE/SWEET PETER
I97.CIDNT HE RAMBLE/wlNIN BOY BL

1 99. MOURNFUL SRENAOe/gEORGIA SWING

200. NEW ORLEANS JOYS/PERFECT RAG

201. CANNON BALL/GRANDPAS SPELLS

202. JELLY ROLL Bl/b I G FAT HAM

203. TOM cat/bucktown

204. grandpas spells/kansas city stomp

205. steamboat stomp/smokehouse bl

206. shrevep0rt/stratf0rd hunch
305. cil well/love me

33 1. ham and eggs/u need some lovin

NASHVILLE JAZZERS/BLUE RHYTHM ORCH

300.ST LOUIS bl/hold er deacon
NEW ORLEANS RHYTHM KINGS

2 | 2. GOLDEN LEAF STRUT /SHES CRYIN FOR ME

2 1 3.THATS A PLENTY/TIN ROOF BL

2 1 4.M I LENBERG JOYS/SH I MMESHAWABBLE

ALBERT NICHOLAS CREOLE SERENADERS
2I5.SALEE DAME/MO PAS LEMME CAS
2 I 6. IE S OGNONS/CREOLE BL

KING OLIVER

2|7. FRISCO TRAIN/WORK OX BL

2 1 8.MABLES DREAM/SWEET BABY OOLL

2I9.KR00KED BL/ALLIGATOR HOP

336. bozo/bimbo

ORIGINAL DIXIELAND JAZZ BAND

22 1 .SKELETON JAN.^E 1-2
222. TIGER RAG 1-2

223. ORIGINAL DIXIELAND ONE STEP 1-2
329.LIVERY STABLE BL 1-2

ORIGINAL ZENITH BRASS BAND

224.SHAKE IT BREAK IT/FIDGETY FEET
3|9. SALUTATION MARCH/lF I EVER
HOT LlPS PAGE

225. D0UBLE TROUBLE/GOT WHAT IT TAKES

ROY PALMER

226. GEORGIA SWING/STOMP THAT THING

227. JOCKEY STOMP/ENDURANCE STOMP

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.45
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.75

.39
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ETC)
.69
.65

.39

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.49

.45

.69
.89

.79

.89
.99
.99

.39

.79
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.99
.95
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.89

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.59
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.69

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.79
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.79
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.79

.99
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ROY PALMER

228. NANCY JANE/DIRTY OOZENS COUSIN .69

TONY PARENTIS RAGTIMERS

229. GRACE AND BEAUTy/pRA L I NE .49

CHRLIE PARKER

230. RELAX IN AT CAMARILLO/STUPENDOUS .39
32 I .RELAX IN AT CAMAR I LLo/bLUE SERGE ( CHALOFF ) .39

SANTO ft CORA

3i i.louisiana/mardi gras .69

3I2.R0SE RIO GRANDE/CANAL ST ROMP .69

SISTER BERN ICE PHILLIPS

3 1 5.R0YAL TELEPHONE/GOD LEADS .99

THE RAGPICKERS

23 I .CATARACT RAG/ENTERTA INERS RAG .49

232. NONSENSE RAG/REDHEAD RAG .45

233. THE LILY RAG/CRAWFISH CRAWL .49

RAGTIME PIANO ROLLS
AMES P. JOHNSON/FATS WALLER

234. PALLET ON FLOOR/18 ST STRUT .99

RAMPART STREET PARADERS (ALL STARSj

344. PAPA DE OADa/rhYTHM RAG .49

345. TAINT NOBODYS BIZ/WHEN I F0UN3 U .45

346. DADA STRAIN/HEEBIE JEEBIES .49

347. HIGH SOCIETY/JUNGLE BL .*S

UJCKV ROBERTS

235. MUSIC BOX RAG/PORK & BEANS .49

KID RENAS D ELTA JAZZ BAND

236. GET IT RIGHT/WEARY BL .89

237. CLRINET MARMALADE/mILENBERG JOS .69

JAMES SCOTT

3 I O.RA GT I ME ORIOLE/GRACE 4 BEAUTY .99
ARTIE SHAW GRAMERCY 5

360. DANCING ON CEJLINg/mY KINDA LOVE .35

GEORGE SHEARING
367.C0NCEPT I ON/EAST OF THE SUN .39

238. JABBO SM ITH

READY HOKUM/GOT BUTTE ON IT .99
JOE AND TRIE IE SMITH

239. D0IN THE CHARLESTON/LOVE ME LIKE U USED .39

BESSIE SMITH,

240. GOLDEN RUL BL/LONESOME D ESEART .49

241. HUSTLIN DAN/BLACK MOUNTAIN BL .49
320. ST LOUIS BL 12 .49

242. ST LOUIS BL 3-4 .49
THE SOUTHERN JAZZ GROUP (FINE AUSTRALIAN* ZZ )

243. CANAL ST BL/TIGER RAG .49

MUGGSY SPAN I ER

244. MY GAL SAL/DIP BRUSH SUNSHINE .49

245. ALABAMA JUBILEE/CAUTION BL .49

REX STEWART

246. REXACI0US/LAZY MANS SHUFFLE .79

247. BOY MEETS HORn/buZZ BOMP( STORY ) .39

RALPH SUTTON

253. CAROLINA IN MORN I NG/wH I T WASH MAN .59

254. DILL PICKLES/ST LOUIS BL .59

TAMPA RED HOKUM JAZZ BAND

255. MY DADDY ROCKS ME/BOOT IT BOY .99

ART TATUM

302 .MAN I LOVE/l know u knk .39
JASPER TAYLORS STATE STREET BOYS

256. MUST BE THE BL/STOMP TIME BL .79

MONTANA TAYLOR

257. R0TTEN BREAK Bl/mONTANAS BL .49

258. LOW DOWN BUGLE/l CANT SLEEP .49
259.IN THE BOTTOM/lNDIANA AVE STOMP .49
260. SWEET SUE/FOUR DAY BL .49

JACK TEAGARDEN ORCH
26I.IM ONE GODS CHILOREN/THATS KINDA MAN .69

LENNIE TRISiA.JO

262.1 SURRENDER D EAR/BLUE SO'/ .39

TROMBONE ED AND BLUE SIX

263. GREASY PLATE ST/b FLAT 3L .99

BESSIE TUCKER (TRULY INCREDIBLE BLJES SINGER)

2<:;4.PE\IITENTARY BL/bESSIES MOAN .49

SAriA VAUGHAN

265. LORDS m A YER/sOMl T ' F.t I FEEL LIKE MOTHERLESS .49

266. ghost or chance/i can make u love me .49

FATS WALLER

267. IM GONNA SIT RIGHT OOWiJ WRIT^SELF LETTER/yOU .99

268. N3T THERE RIGHT THERIT/hAVF * -~ .69

DICK WELLSTOOD (MEVER ISSUED)

269. PRIZE CAKEWALK STORY V I LLt SWEH.s/lF U KNEW 1.29

270. t.ZW WATERS/CHICAGO BREAKDOWN 1.29

1

JAZZLAND

30X 4|5 RADIO CITY STATION NYC NY

SEE FIRST PAGE OF SALES LIST FOR INSTRUCTIONS.

ETHEL HATERS ACC JAKES F JOHMSoFT
27 1 .MY HANDY MAN/DO WHAT U DID LAST NIGHT

LU WATTERS YERBA Bl'ENA JAZZ BAND

272.SK ID DAT DE DAT/EMPERORS NORTON HUNCH
273.ShAKE THAT THINg/rOYAL GARDEN EL
JOSH WHITE

274. EV L HEARTED MAn/hOUSE OF RISING SUN

BOB tf ILBERS WILDCATS

275. TROUBLE IN MIND/WHEN U WORE TULIP
276. OLD FASHIONED LOVE/CHIMES BL

277. L IMEHOUSE BL/ZiG ZAG

278. CCAL BLACK SHINE/SWEET GEORGIA BROWN

COOTIE WILLIAMS

279iP0WNT0WN UPROAR/BLUE REVERIE

20C

281,

282
263,
284,
2e5,
286,

287.

288.
289.

,GAL AVANTIN/MOBILE BL
SUNNY BOY WILLIAMSON
ELEVATOR WOMAn/S.P. BLUES
TEDDY WILSON

HONEYSUCKLE ROSE/a INT M I SBBHA V I N
SOMETHING I DREAMED LAST NIGHt/sHEIK ARABY
BUGLE CALL RAG/MEMORIES OF U

runnin wild/cant GET STARTED
stompin at savoy/blues too
JIMMY YANCEY

THE FIVES/SOUTH SIDE SHUFFLE

LESTER YOUNG W TH BASIE
LET ME SEE/EVEN ING

.49

.69
.69

.49

.49
.49
.49
.49

.99

.89

.49

.49
.49
.49
.49
.49

.49

.09

Jf't'V S IDE OF STREET/CH IN'A BOY
A GROUP OF 78RPM ALBUMS AT FABULOUSLY LOW PRICES

290i*HCS AND ANDY ALBUM. ..6 SIDES..

1.29

291. JACK BENNY ALBUM. ..6 SIDES

1.29

29?. EDGAR BERGEN & CHAS MAC CARTHY

1.29

293. BURNS & ALLEN W. MATTY MALNECK

ORCH

1.29

294.FDDIE CANTOR . ■ .8 SIDES

1.29

295.ED ARCHY GARDNER. ..8 SIDES ALL

STARS

1.29

296.WILLIE HOWARD. ..FRENCH LESSONS

1.59

297, FIBBER MCGEE 4 MOLLEY...E SIDES

1.29

298.MUSEAUM OF JAZZ ALBUM FEATURING

HACKETT

ROLL INI, DAMICO ETC

1.99

299.KAGTIME FAVORITES. ..FINA ALBUM

8 RAGS

1.99

GREAT NEW JAZZ RELEASES ON "RIVERSIDE" LPS

RLP1001
RLP1002
RLP1 003
RLP1004
R1PI005
RLP1006
RLP1 007
RLP1008
RLP1009
RLP1 010
RLP1011
RLP1 012,
RLP1013
RLP1014,
RLP1015,
RLP1016
RLP1017,
RLP1018,
RLP1019,
RLP1 020,
RLP1021,
RLP1022,
RLP1 023,
RLP1024.
RLP1 025,
RLP1 026.
RLP1027.
RLP1 028,
RLP1029,
RLP1 030,
RLP1 031,
RLP1 032,
RLP1033,
RLP1 034.
RLP1 035,
RLP1036,
RLP1 037,
RLP2501,
RLP2502.

RLP2503,

.LOUIS ARMSTRONG PLAYS THE BLUES 3.55

JOHNNY DODDS VOLUME 1 3.95

•MA RAINEY VOLUME 1 3.95

THE CHICAGOANS, MUGGSY , TESCH ETC 3.95

•NEW ORLEANS HORNS 3.95

RAGTIME PIANO ROLL 3.95

KING OLIVER PLAYS THE BLUES 3.95

.JAZZ OF THE ROARING TWENTIES 3.95

PIONEERS OF BOOGIE WOOG I E 3.95

REDISCOVERED FATS WALLER SOLOS 3.95

JAMES P JOHNSON EARLY HARLEM PNO 3.95

ART HOOES CHICAGO RHYTHM KINGS 3.95

THE FABULOUS TROMBONE, IKE RODGERS 3.95

FOLK BLUES, BLIND LEMON JEFFERSON 3.95

JOHNNY DODOS VOLUME 2 3.95

MA RAINEY VOLUME 2 3.95

COLLECTORS ITEMS VOLUME 1 3.95

REDISCOVERED JELLY ROLL SOLOS 3.95

IDA COX SINGS MEAN 4 MOANI N' BLS 3.95
ROY PALMER 4 THE STATE ST RAMBLE RS3. 95

rATS WALLER AT THE ORGAN
JIVIN' WITH FATS

BIX BEIDERBECKE 4 THE WOLVERINES
GEORGE BRUNIS WITH N. O.R.KINGS
RAGTIME PIANO ROLL
TOMMY LADNIER VOLUME 1
JELLY ROLL MORTONS KINGS OF JAZZ
JIMMY YANCEY, A LOST RECORD DATE
ARMSTRONG WITH KING OLIVER CR J B 3.95
WINGY MANNONE'S DIXIELAND JAZZ 3.95
JIMMY BLYTHE SOUTH SIDE BLS PIANO 3.95
THE GREAT BLUES SINGERS 3.95
CLARENCE WILLIAMS AND HIS ORCH 3.95
PIONEERS OF BOOGIE WOOG I E VOL 2 3.95
MUGGSY SPANIER'S BUCKTOWN FIVE
JIMMY BLYTHE 'S STATE ST RMBLRS
CRIPPLE CLARENCE LOFTON
BOB WILBER'S WILDCATS
CARL HALEN WITH GENE MAYL'S
DIXIELAND RHYTHM KINGS 4 WSHBD 5 3.95
NEW ORLEANS ENCORE- BOB HODES '
RED ONION JAZZ SAND

3.95
3.95

3.95
3.95
3.95
3.95
3.95
3.95

3.95
3.95
3.95
3.95

3.95

GREAT NEW JAZZ RELEASES ON RIVERSIDE LPS
RLP2504.GENE MAYL'S DIXIELAND RHYTHM KINGS3.95
RLP8001.I LOVE NEW YORK- PAT NORTHROP 3.95
RLP8002. POLKA DOTS AND MOONBEAMS, PIANO

SOLOES BY TONY BURRELLO 3.95
RLP4001 .AFRICAN COAST RHYTHMS- 12" 5.95
RLP4002. VOICE OF THE CONGO- 12" 5.95
RLP4003.NEW SONGS OF THE AFRICAN COAST 12"5.95

GREAT VICTOR JAZZ REISSUES ON "X" LPS
LX3000.J I M**Y YANCEY IBLUES AND BOOGIE
LX3001.REX STEWART AND HIS ORCHESTRA
LX3002JIUMIE LUNCEFORD'S CHICKASAW SYNCOS
LX3003.BEN POLLACK FEATURING B GOODMAN
LX 3 004. BENNY MOTEN'S K C JAZZ VOL. 1
LX3005.EDDIE CONDON1 S HOT SHOTS
LX3 006 .JOHNNY DODDft' WASHBOARD BAND
LX3007.0RIGI NAL DIXIELAND JASS BAND
LX3008. JELLY ROLL MORTON'S RED HOT PPRS

LX3009. Backgrounds of jazz vol i(jug bnds

3.85

3.85
)3.85

POPULAR JAZZ RELEASES ON ATLANTIC LPS
130. JIMMY AND MA YANCEY SPECIAL
139. DIXIELAND AT JAZZ LTB : MlFF MoLE
134. JIMMY YANCEY PIANO SOLOS
126. PEEWEE RUSSELL 4 RHYTHMASTERS
141. NEW ORLEANS JAZZ BY WILBUR DEPAR I S

140. Dl X I ELAND AT JAZZ LTD I

3.95

3.95
3.95
3.95
3.95

BECHET-6PANIER 3.95

FINE JAZZ LPS ISSUED BY G000 TIME JAZZ

3. ragtime classics by wally rose 3.00

4. turk murphy's jazz band vol. 1 3.00

5. turk murphy's jazz band vol. 2 3.00
7. Turk murphy's jazz band vol. 3 3.00
8.lu watters' yerba buena jazz band vol.1 3.00

9. bob scobey's frisco band vol. 1 3.00

10. kid ory's creole jazz band 1 944/45 vol1 3.00

11. kid ory's creole jazz band 1944/5 v0l2 3.00
13.the fabulous paul lingle 3.00

17. bunk j0hn60n 4 yerba buena jazz band 3.00

18. turk murphy's jazz band vol. 4 3.00

19. surt bales after hours 3,00
21 .kid ory's creole jazz band 1953 3.00

INTERESTING NEW RELEASE ON PERIOD LP

1010.OJANGO RE I NHARDT MEMORIAL VOL 1 10" 4.00

GREAT JAZZ MATERIAL ISSUEO ON DIAL LPs

214.djang0 r e i nhardt vol. 1 4.00

218.django re i nhardt vol. 2 4.00

301. sidney bechet vol. 1 4.00

302. sidney bechet vol.2 4.00

304. Roy Eldridge 4.00

303. EARL HINES (bIGARd) VOL. 1 4.00

305. WILLIE THE LION SMITH 4.00

306. EARL HINES VOL. 2 4.00

FINE CLASSIC CONTEMPORARY JAZZ ON "A440" LP

503. WILBUR DEPAR I S NEW N.O.JAZZ 3.0O

OUTSTANDING JAZZ RELEASED ON STINSON LPS

30 • SPAN I ER-RUSSEL RAGTIMERS VOL. 1 3.00

31 .S PAN I ER— RUSSEL RAGTIMERS VOL. 2 3.00

46. SIDNEY BECHET CONCERT 3.00

24. MARY LOU WILLIAMS 3.90

25. MEADE LUX LEWIS 3.00
40. ART TATUM 3.00

BLUE NOTE LPs BY FAMOUS JAZZ ARTISTS

BLP7020. FABULOUS SIDNEY BECHET HOT SIX 3.95

BLP7021 .ART HODES BACK ROOM BOYS 3.95

BLP7022. SIDNEY BECHET HARLEM SIX 3.95

BLP702B.BEZZ BEZZROW AND LEE COLL I NS 3.95

BLP7024.S | DNEY BECHET FESTIVAL CONCT VOL1 3.95

BLP7025.SID BECHET JAZZ FESTIVAL CNCT VL2 3.95

BLP7026. DIXIE BY BECHET WITH JONAH JONES 3.95

REMARKABLE PIANO LPS ON "WINDIN BALL"

101 . DON EWELL PIANO SOLOS 3.95

102. DON EWELL PLAYS KING OLIVER TUNES ( PNO )5. 95
(ABOVE RECORD 12 INCH)

AUDIOPH I LE

The most fabulously recorded sound ever put

onto records. all good jazz. play only at

78 r.p.m. using microgroove needle. 12" rcds.

api .harry blons dixieland jazz vol 1 5.95

a p6. harry blons d i x i eland jazz vol 2 5.95

ap7.red nichols vol 1 5.95

ap8.red nichols vol 2 5. 05

ap10. harry blons easy listening 5.95

ap11.doc evans vol 1 5.95

HI-FI JAZZ ON VANGUARD LPs

VRS8001.VICK DICKENSON SEPTET VOL 1 4. 00

VRS8002.VIC OICKENSON SEPTET VOL 2 4.00

VRS8003.SIR CHARLES T HOMPSON SEXTET 4.00

VRS8004.MEL POWELL SEPTET 4.00

GREAT JAZZ RELEASES ON Rl VERSIOE EPs(45rpm)

REP101.LOUIS ARMSTRONG PLAYS THE BLUES 1.58

REP102. JOHNNY DODDS WITH DOMINIQUE 1.58

REP1 03 .THE CHICAGOANS WITH MUGGSY, TESCH 1.58

REP104.RAGTI ME PIANO ROLL 1.58

REP1 05 .RED 1 6C OVER ED FATS WALLER SOLOS 1.58

REP1 06. YANK LAWSON'S DIXIELAND JAZZ 1.58

A vital message
to the head of
the family

Two ways you can
protect your family
against CANCER

... a check
... a check-up

Cancer strikes in one of every
two families. Each year more than
60,000 American children under
the age of eighteen lose a parent
to cancer.

Yet many cancers can be cured,
if discovered in time.

Every man should have a
complete physical examina-
tion once a year. Women over
thirty-five should have a com-
plete physical examination
twice a year.

Because of scientific advances,
patients are being cured today
who could not have been saved
even five years ago.

The American Cancer Society
asks your help in the fight against
cancer. Your check today will
help pay for costly research. Will
help keep physicians informed of
latest developments in detection
and treatment. Will help pay for
the training of doctors to special-
ize in cancer.

How soon we find cancer's
cause and cure depends on how
soon and how much help comes
from people like you.

Invest your money today for your
family's security tomorrow.

I 1

"Cancer" c/o Postmaster, (Your town)

Please send me free literature
about cancer.

Enclosed is my contribution of
$ to the cancer crusade.

Name-

Address-
City

_State_

Cancer strikes One in Five
STRIKE BACK...
Give to Conquer Cancer

* $.$0$ TfWt 4frtt * 0000 ttifit 4&tt * 0.000 1*1 4&tt *i
♦ft

-9

Good Time Jazz

S

-tea- IsF

August release * At record shops everywhere.

'Good Time Jazz" Trademark Reg. U.S. Pat. Off.

Takes pleasure in announcing w
one of the most important releases

in recent years. |j

# # *

♦ft 'fi

*ft The Great Lu Watters' West Coast Masters -®j

36 Sides Completely Reprocessed with ^

S Latest Audio Techniques . . . For the First Time *i

H ^

on Long Playing Records. 2

Three 12'' Albums * $4.85 each * Boxed in a slip case, $15.00 ^

• -N

^" GTJ L- 12001 VOL. 1 DAWN CLUB FAVORITES

_ GTJ L- 12002 VOL. 2 WATTERS ORIGINALS, RAGTIME J

GTJ L- 12003 VOL. 3 BLUES, STOMPS, ETC. 1

-ess-

A Monument of San Francisco Jazz
Played by Lu Watters, Bob Scobey, Bob Helm,
5" Turk Murphy, Wally Rose, Harry Mordecai, ^

Bill Dart, Dick Lammi. 3

* • *

ifj write for free catalogue

S GOOD TIME JAZZ RECORD CO., INC. H

-fas- ' 4S)>

' 8481 Melrose PL, Los Angeles 46, Calif. ^

3H

* ffW ^Wl4 f(p$s * $^Vf * t&ftff tiff*! ip©# *

New Releases

RLP 1045 MA RAINEY, VOL. 3

10

■I

Wringin' and Twistin' Blues — Chain
Gang Blues — Misery Blues — Dead
Drunlc Blues — Sissy Blues — Broken
Soul Blues — Moonshine Blues —
New Bo-Weavil Blues

LP's $3.95

RLP 1049

RAGTIME PIANO ROLL,
(JOPLIN. SCOTT, ETC.*
VOL. 3

Frog Legs Rag — Magnetic Rag —
Entertainers Rag — Cannon Ball —
Glad Rag — Chinatown Rag — The
Smiler — Weeping Willow

RLP 1046 JAMES P. JOHNSON PIANO
ROLLS, VOL. 2

Carolina Shout — Back Water Blues
— Daintiness Rag — Caprice Rag —
Baltimore Bun — Gypsy Blues —
Monkey Man — Railroad Man

RLP 2507 GEORGE LEWIS JAZZ BAMD
AND QUARTET

St. Phillip's Street Breakdown —
Salty Dog — Corrinne Corrinna —
Old Rugged Cross — Big Butter and
Egg Man — Bourbon St. — Over the
Waves — Who's Sorry Now

RLP 1047 BUNK JOHNSON AND KID
ORY

Careless Love — Weary Blues —
Tiger Rag — Make Me a Pallet on
the Floor — Snag It — Savoy Blues —
Down Among the Sheltering Palms
— Weary Blues

RLP 1048 RED NICHOLS. MIFF MOLE.
PHIL NAPOLEON

Alabama Stomp — Hurricane — Black
Bottom Stomp — Stampede — Jelly
Roll Blues — Bunch o' Blues — Great
White Way— Shufflin" Mose

RLP 2508 THE MODERN PIANO OF
RANDY WESTON

Get Out of Town — Just One of
Those Things — I've Got You Under
My Skin — What Is This Thing
Called Love — I Love You — In the
Still of the Night— Night and Day
— I Get a Kick Out of You

WORLD FOLK MUSIC SERIES 12"
$5.95

kLP 2505 DIXIELAND RHYTHM KINGS
NEW ORLEANS JAZZ PARTY

Bill Bailey — Ory's Creole Trom-
bone — Darktown Strutters Ball —
Blue Mama's Suicide Wail — St.
James Infirmary — Melancholy
Blues — Irish Black Bottom —
Come Back Sweet Papa

RLP 4004 GEOFFREY HOLDER AND

HIS TRINIDAD HUMMING-
BIRDS

Sol Leve Woyo — Shango Hymn —
Fay Oh — Invocation — Hymn to
Osine — Pendent Moin Dans
L'Armee — Wake Song — Adieu
Madras — 'Ti Paule — Miss Lily
White — Adam in de Garden

Buy these at your local dealers or order direct from

Riverside Records

P. O. BOX 373

RADIO CITY STATION

NEW YORK, N. Y.

Rare, authentic Jazz recordings by America's greatest Jazzmen

by popular demand now on "45 Extended Play"

Now, the most valued recordings in Jazz history are available-again !
Lunceford, Goodman, Jimmy Yancey and many other 'greats' can now
be heard on high quality, low cost "45 EP" and Long Play discs. Add
these exciting, truly impressive albums to your record collection today!

THESE FAMOUS JAZZ MUSICIANS:

Jelly Roll Morton's Red Hot Peppers (Vol. I)
Original Dixieland Jazz Band (Vol. I)
Johnny Dodds' Washboard Band
Eddie Condon's Hot Shots
Backgrounds of Jazz— The Jug Bands (Vol. I)
Benny Moten's Kansas City Jazz (Vol. I)
Ben Pollack's Orchestra . . . featuring Benny Goodman
Jimmie Lunceford and His Chickasaw Syncopators
Rex Stewart and His Orchestra
Jimmy Yancey: Blues and Boogie
Fletcher Henderson and His Connie's Inn Orchestra
Wingy Manone (Vol. I)

"45 EP" Albums $1.58 Long Play Albums $3.85

Prices suggested list, incl. Fed. Excise Tax. Add local tax.

P^WJH RECORDS

A Product of
Radio Corporation of America

Now available at your favorite record store, or write "X" Records, 155 East 24th Street, New York City 10, for further information

4

THE RECORD CHANGER

BOOK DEPARTMENT

BOOKLETS FOR SALE

THE CAT

A Collection of Hilarious Jazz Cartoons

by Gene Deitch $1.00

THE NEEDLE — Aframerican Issue
A superb 72 page publication filled with
photos of Zue Robertson, article by
Jelly Roll Morton, Jimmy Yancey, Bunlt
Johnson 50

RECORD DATING CHART (Through 1930)
Charts and information to guide in
placing recording date of any record
issued 1.00

RED NICHOLS & HIS 5 PENNIES
A Complete Discography 35

A CRITIC LOOKS AT JAZZ
Ernest Borneman's great 60 page book-
let on the Afro-American Backgrounds
of Jazz 1.00

NJFO BLUE BOOK
A guide to Jazz Clubs and Fans in
England. Essential to Record Traders . . .50

FOLK . . . REVIEW OF PEOPLES MUSIC
Max Jones edits on Negro, Calypso, Etc. 1.00

JAZZ... VOL. 3 No. 2
32 page booklet filled with excellent
writing and photos, Okeh Race 50

JAZZ REVIEW, 24 PAGES
Verba Buena, Okeh Race, Lonnie Johnson .50

ONCOGRAPHIES FOR SALE

JAZZ DISCOGRAPHY— 146 pp

By Pensoneault & Sarles 1.00

JAZZ DIRECTORY
By Carey, McCarthy, Venables

Volume I, A-B $2.00

Volume 3, E-F-G 2.00

Other volumes temporarily out of stock
INDEX TO JAZZ
By Orin Blackstone (New Edition) Loose
Leaf

Part I, A-E 2.50

HOT DISCOGRAPHIE ENCYCLO-
PEDIOUE

By Charles Delaunay and Kurt Mohr

Volume I, A-B 2.00

Volume 2, C-E 2.00

Volume 3, EL-HE 2.00

SHEET MUSIC AND FOLIOS FOR
SALE

JELLY ROLL MORTON

The Miserere $ .50

The Naked Dance 50

Buddy Bolden's Blues 50

Winin Boy Blues 50

Mamies Blues 50

The Crave 50

FOLIO including

Black Bottom St., Shreveport, Pearls,
KC Stomps, Dead Man, London, Can-
non Ball, and Thirteen Others of Jelly 1.25
DIXIELAND FOLIO No. I
Livery Stable, Tin Roof, Willie Weeper,
Chimes, Dr. Jazz, Dallas, plus nine

other great ones 1.25

DIXIELAND FOLIO No. 3
Angry, Dippermouth, Easy Rider, Snag,
It, Weary, Hi Society, etc 1.25

DIXIELAND FOLIO No. 2
Tight Like That, Copenhagen, Good
Man Hard to Find, Jackass Bl, Melan-
choly and nine others 1.25

THE RAGTIME FOLIO
Maple Leaf, Climax Rag, Grace and
Beauty, and six other rags 1.25

BOOKS FOR SALE

BASIC JAZZ ON LONG PLAY (I08PP)

By John Lucas $2.00

THE JAZZFINDER 49 (I56PP)

Edited by Orin Blackstone 2.50

CROSBY ON RECORD (I24PP)

A Superb Discography 2.00

SHINING TRUMPETS (400PP)

By Rudi Blesh 6.00

THEY CALLED IT RAGTIME

By Rudi Blesh 5.00

JAZZ, A PEOPLES MUSIC (280PP)

By Sidney Finkelstein 1.50

REALLY THE BLUES (390PP)

By Mezz Mezzrow & Bernie Wolfe 3.50

JAZZMEN (364PP)

By Fred Ramsey, Chas. E. Smith 4.75

THE NEW HOT DISCOGRAPHY (600PP)
By Delaunay, Avakian, Schaap 7.50

LOUIS ARMSTRONG LE ROI DU JAZZ
By Robert Goffin 2.00

MR. JELLY ROLL
By Alan Lomax 3.50

MAGAZINES FOR SALE

THE JAZZ SESSION
8 issues 1945-46 set 2.00

THE NEEDLE
5 issues 1944 set 1.50

THE JAZZ RECORD
3 issues 1947 set 1.00

JAZZ INFORMATION— 104 pp
The great last issue 50

JAZZ MUSIC
Vol. 3, No. I 50

RECORD CHANGER BACK ISSUES

Complete Since 1944 to Date $30.00

Any One Full Year 3.50

(See March 1952 for Complete Index) .35

Special Louis Armstrong Issue 1.00

Special Tenth Anniversary Issue 50

Special College Issue (Nov. 1949)... .50

New Subscriptions, I Year 3.50

New Subscriptions, 2 Years 6.50

New Subscriptions, 3 Years 9.00

(On all of above postage paid on U. S. A. orders.
Add 50c per year for Foreign)

JAZZ JOURNAL (Fine English Magazine)
One Year Subscription 4.00

BACK ISSUES Each .50

All large format, slick covers, every issue
packed with discographical data reviews,
cartoons, amusing commentary, plus photos
and the following articles:

VOL. 2

No. I I — Firehouse 5, Ragtime & Blues, Per-
fect Label, Billie Holiday
VOL. 4

No. I — Graeme Bell, Collectors Stuff, Tail-
gate Jazz Band

No. 2 — Louis, Negro In Jazz, Sutton, LP and
the Collector

No. 3 — Spanier, Baby Dodds & Discography,
Junk Shopping

No. 4 — Lips Page, Chick Webb, Paramount
Discography, Baby Dodds Discography
No. 5 — Waller, Ragtime, Joplin, Paramount
and Dodds Discogs

No. 6 — Lonnie Johnson, Roy Carew, Tony
Jackson, LP Reproduction, Bunk, Paramount

Discog

No. 7 & 8— Jelly Roll Morton, Tailgate Jazz
Band, Paramount Discog., Willard Robison
No. 9 — Jelly Roll Morton, Papa Celestin,
Paramount

No. 10 — Albert Nicholas, Andy Razaf, Big
Bill, Dodo Marmarosa, Paramount
No. 1 1 — Jimmy Yancey, Paramount, Dorseys
No. 12 — Requiem for All Stars, Spikes
Brothers, Collectors Stuff, Notes on Nichols
VOL. 5

No. 3 — Red Allen, Tony Jackson, Early Cake-
walks, Sharley Clay

No. 2 — Old-Time Religion, Collectors Stuff,
Paramount Discography

No. 4 — Ragtime, Benny Green, Jack Lesberg
No. 5 — Fats Waller, Gloomy Sunday, More
Stuff on Fats

No. 6— Lonnie Johnson, Eric Silk So. Jazz
Band, Chez Condon, Ralph Sutton
No. 7 — Dick Hughes, The Springfield Story,
Portsmouth Band

No. 9 — Knocky Parker, Bessie Smith, Beryl
Bryden

No. 10— Rhythm & Bis., Humphrey Lyttelton,
Charlie Galbrath

No. I I — Mahalia Jackson, Porgy & Bess in
Berlin, Dill Jones

No. 8 — Sutton, Webfoot Band, Roach, Terrific
Features

No. 12 — Lyttelton, Broonzy, Ellington, etc.
VOL. 6

No. I — Turk Murphy, Big Bill & Mahalia,
Ellington, Jabbo Smith

No. 2 — Mary Lou Williams, Todd Rhodes, etc.
No. 4 — Fletcher Henderson, J. C. Higgin-
botham, Jazz at the Philharmonic, etc.
No. 5 — Johnnie Ray, Fats Waller, Jimmy
Rodgers etc.

No. 6 — Charlie Parker, Natty Dominique, Plus
Discography, More About Jimmie Rodgers,
etc.

No. 7 — Django Reinhardt, History Gennett,
Jabbo Smith, Ballads and Blues, etc.
No. 8 — Henry Levine, Lu Watters, Bill Harris,
Buddy Moss

No. 9 — Kay Starr, Wardell Gray, Tape
Machine

No. 10 — Tony Kinsey, Tony Parenti, Chippie
Hill, Charlie Ventura Concert
No. I I — Teddy Wilson, Stan Kenton, Peetie
Wheatstraw, Jelly Roll Morton's N. O. Jazz-
men

No. 12 — Al Haig, Cecil Scott's Bright Boys,
Ellington, Bunk Johnson
VOL. 7

No. I — Parkerless Quintet, Cecil Scott Cont.,
Ellington, etc.

No. 2 — Blind Lemon Jefferson, Glenn Miller,
etc.

Shipped Postpaid Within U. S. A. — Foreign Add Postage

THE RECORD CHANGER 418 West 49 Street New York 19, N Y.

EDITORIAL:

the west coast jazz issue

There is a tendency, certainly not harm-
ful, to label jazz styles with the names of
cities. It has always provided useful handles
and not seriously confused anyone who cared
to look a little deeper (to discover that New
Orleans was a center of commerce and night
life into which musicians and audiences fun-
nelled from outlying areas ; that Chicago was
much the same — and that there were at
least two distinct "Chicago styles").

It is only recently, comparatively speaking,
that this tendency has reached out to Cali-
fornia, to lead people to speak more and
more of "San Francisco" or sometimes
"West Coast" jazz. As usual, the single term
is being used to cover a variety of musicians
and forms of music. For, while most tradi-
tionalists mean Lu Watters and his ex-col-
leagues, modernists mean something else
again. In addition, neither of these two
"schools" is even close to being a homoge-
neous, single-minded unit. And in addition
to that, there are a number of other indi-
viduals and bands who don't really fit into
either extreme category.

Both of the big cities of California have
played important parts in the development
and housing of jazz (musicians sometimes
seem to hop from one to the other as if in
support of the average Easterner's belief
that Los Angeles and San Francisco are
roughly as far apart as New York and New-
ark). Thus it would seem the wisest course
to' recommend giving this varied surge of
jazz movements an overall name — and we
hereby take an editorial stand in favor of
"West Coast jazz" as its title.

The fact that this subject comes up for
discussion serves, of course, to underline
something that a good many jazz fans have
been aware of for quite some time — namely,
that the bulk of what is happening in jazz
today is happening in the land of almost-
perpetual sunshine. Perhaps it has been the
growing audience for the Coast-based mod-
ernists, plus the glowing reports on the con-
trasting (to put it mildly) Turk Murphy
band, that has finally caused us to realize
the overall importance of what we are now
calling West Coast jazz. To give credit spe-
cifically where it is due, it was Jane Grauer
who came up with the suggestion that there
was easily enough to be said about the vari-
ous facets of the coastal styles to warrant

turning an entire Summer issue over to
them.

This suggestion was quickly acted on, and
with the aid of a good deal of gratifying
cooperation from many citizens of California
(the writers of the several articles included
herein, and the various sources credited for
the many excellent pictures), this documen-
tary is compiled.

"Documentary" is a word used quite in-
tentionally. There have of course been indi-
vidual articles in past issues of the Changer
dealing with West Coast groups and indi-
viduals, just as there have been on any and
(almost) all facets of jazz. But here is a rela-
tively complete view of the remarkably alive
West Coast scene, put together for the first
time within the confines of a single issue.
And, when put together in this way, the
total impact is quite staggering. We see no
point in weighty editorial comment — the
most appropriate comment, on noting in one
heavy dose all that goes on there and all
that has gone on in the past decade-and-
more, would seem to be something like
"Wow!!" Most seriously, the articles speak
eloquently for themselves.

It should, however, be noted that this is

the record changer

editor-publisher

bill grauer, jr.

managing editor

orrin keepnews

circulation

jane grauer

art director

paul bacon

not only a "first" for the jazz of this area,
but is also undoubtedly the first time any
such body of jazz has been given this sort of
presentation and dissection while it was still
very much alive and growing. This certainly
seems an improvement on waiting until it is
long dead and scattered to do this sort of
anthropological - historical-and-what-have-you
job.

Since there are actually relatively few
main streams of West Coast jazz, it is inev-
itable that there be some overlapping of
material. This seems all for the good. The
several writers often turn up with different
interpretations and opinions on the same
man or movement — and it can only be by
absorbing and comparing and evaluating
these articles that any reader can begin to
understand the importance to jazz — and
often the human drama — of the West Coast
movements. (For, it should be noted, all
these authors are writing from first-hand
knowledge of the scene, and some of them
have played some part in the growth of mu-
sical forms out there, and therefore all of
them are writing in a highly personal way —
which is perhaps the only way a living art
can ever be captured.)

Inevitably, one man casts the largest
shadow across the whole picture. You'll find
the name of Lu Watters mentioned more often
than any other, and in more of the articles,
which is hardly surprising. The largest share
of West Coast jazz, as you'll learn from these
pages in the unlikely event you didn't al-
ready know it, is that which stems from his
Yerba Buena band. There are several differ-
ent facets of Watters, and differing views of
him and his music, on display here. But,
without seeking to take anything away from
what any of the others has written, we would
like to single out Bruce Dexter's study of Lu
as one of the most fascinating pieces on any
subject that we have ever published. How
much of it is fact and accurate interpreta-
tion, and how much a part of the legend
that (as Dexter stresses) has grown up
around Watters in' his lifetime, we do not
pretend to know. But it makes remarkable
reading.

That seems to be all the comment needed
from us. From here on, we New Yorkers
bow out, and turn you over to the other side
of the country.

The Record Changer is published monthly and copyrighted 1954 by William Grauer, Jr., 418 West 49th St., New York, 19, N. Y. For subscription
rates and collectors' advertising rates see the information blanks in another section of the book. Write or telephone for our commercial advertising
rates.

LU WATTE RS

BY BRUCE DEXTER

1

Above: When they talk about the Lu Wat-
ters band, this is what they mean — (stand-
ing, left to right) Turk Murphy, Lu, Bob
Scobey, Bob Helm, Dick Lammi; (seated,
1. to r.) Mordecai, Bill Dart, Wally Rose.
On facing page: Watters, flanked by his two
major disciples.

Bruce Dexter is a trumpet player him-
self (now with the Costo del Oro Band
in Los Angeles) and presumably one of
the many W atters-infiuenced musicians he
refers to in this brilliantly evocative pro-
file and analysis. (For another trumpet
man's rather different view of the Wat-
ters band, turn to Johnny Lucas' article
on Bob Scobey.)

For a legend to be a good legend there
must be a tragic element in it. There has to
be a striving for something that is held to be
vital by those doing the striving, and there
has to be either classic success or classic
failure.

And of course every legend must have its
protagonist, the central figure who, as time
passes, becomes outsize, even unrecognizable
to the protagonist himself if he is so unfor-
tunate as to live to see the legend form.

To apply all this to Lu Watters and his
jazz band may seem an over-dramatization
of the rather prosaic case of a band which,
on the surface, struggled to success and then
lost it. But it would seem so only if you
didn't know the story or the band or San
Francisco.

Watters' career began just like any other
music-crazy kid's, where it was always a
struggle between the music and school and
other "normal" things. Watters made his
choice when he gave up his musical scholar-
ship at the University of San Francisco for
full-time playing. Then there were years on
the road, with boat-bands (once as far as
China) and just jobbing around the Bay
Area. These were the years, during the 30's,
when he met and played with men like Paul
Lingle, Bob Scobey, Bob Helm and Murphy;

the man, the band, and the legend

and these were the years when his ideas on
jazz began to shape up both through play-
ing and listening to records and finding peo-
ple at the after-hours sessions at the Big
Bear who were thinking as he did.

By 1938 Lu had had a taste of having his
own band, one that could at least get to
play jazz 'part of the time and had the men
who could do it. The die was cast. If origi-
nally playing jazz was not a "cause," it soon
became that. Lu, Lingle, Turk and Helm
scratched around with various combinations
until the Dawn Club was landed in 1939. It
was a jazz band or nothing and after a
tough struggle they made it go. For the first
time those musicians who had seen eye to
eye with Lu at the Big Bear, who wanted to
do more than just "jam," were doing what
they felt was "right."

The Armed Forces put a stop to the band
just when it had begun to roll. But three
and a half years in the service did a strange
thing to the Watters band. When they re-
opened the Dawn in March of 1946, they
played with even more power and intensity
than before. It was as if something had built
up inside them during those years and then
burst forth — as it did on the 36 West Coast
sides, made only three months after the
band was discharged.

It was the issuing of the West Coast rec-
ords (fortunately now available, with im-
proved quality, on 3 12" Good Time Jazz
LP's) and the moving of the band into the
fabulous Hambone Kelly's, that gave the
final impetus to the legend that was to be.
They opened at this former Sally Rand, 10,-
000 square-foot ark on Friday, June 13,

1947. The club was to close two and a half
years later.

The members of the band had fixed the
place up themselves and there will probably
never be another like it. Walking in the
front door, to the right was the long bar, the
wall behind it covered with old ragtime
sheet music, the names of hundreds of tunes
the band could play and part of Bob Helm's
antique instrument collection. Right below
this, and extending into all the gloomy re-
cesses of the barn-like room, were dozens of
tables. Then the huge dance floor running
up against the great raised bandstand with
the dark curtain backdrop. Behind this was
the kitchen and another room the size of a
small cocktail lounge. There were sleeping
quarters along one side downstairs and some
up the flight of rickety wooden stairs behind

8

the curtain where Lammi, Lu and his wife
and parrot, Wally Rose and Helm lived.

So there it was, the perfect setup: own
your own club, live there, play jazz around
the clock if you want to. And the place was
filled with customers at first. When they
weren't watching the silent movies while
they ate their BIG $2 T-bone or taking the
free Charleston lessons on Thursday nights,
they would cluster in front of the bandstand,
hands cupped behind their ears, swaying
back and forth open-mouthed in the semi-
darkness to what was unbelievably good
jazz.

Lu dominated the style and conception of
the band. It was not merely his arrange-
ments or his tunes, but it was something you
could tell when you saw the immense bulk
of him in the center of the four horns and
heard his horn set the beat and the tone of
every tune. The spirit of the thing was his;
it was what he'd wanted and now he had it
and there was no mistaking it. Everybody
played like hell, with incredible volume and
intensity. It took 10,000 square feet to hold
them.

Every man built up a personal fan-club
and the band-following was huge. Their
free time was always in demand : Stanford
and Cal. rallies, Toyon Hall, Rosati's,
Blesh's This Is Jazz and more. The Watters'
band played them all and then every night
at Hambone Kelly's the engine rolled on,
the big man sitting on the edge of a barstool
at the back of the stage, head bent over his
horn, one hand hanging at his side holding
a cigarette.

As far as the public goes, perhaps Lu's re-
maining aloof contributed to the myth — this
and all the strange personal stories. For it
was Watters' original idea for the band not
to mingle with the customers — familiarity-

breeds-contempt was something like the
idea here. But this would never do for such
gregarious members as Murphy and Wally
and so usually it was only Lu who remained
in the back between sets.

This was symptomatic of a multitude of
differences that arose. It was actually too
good to be true anyway, and then no one
could expect one man's will to be able to
impose itself on seven other very independ-
ent personalities forever — not even Watters',
and Watters really tried. The differences
were of two sorts : differences about the
way to play the music and differences about
the management of the band and the club
finances. The latter is the really hot issue
and probably no outsider ever will get the
true story. Suffice to say that Lu's and the
Lord's name are most frequently taken in
vain when this subject is broached with any
of the ex-band members. But then, in the
next breath, they will turn around and tell
you that Lu was the greatest they ever
played with. Musical differences are far less
important and they can be guessed from the
records of such side-men as Murphy and
Scobey.

So one by one the members left the band.
Sometimes they would return in a short
while, but finally the band was pared down
to Lu, Helm, Wally and Dart of the old
band — it was still a great jazz band. Many
of the old "specials" had to go but no band
ever did more with pop standards. Still the
crowds fell off and Hambone's needs big
crowds. Lu didn't act any differently on the
stand, but you wondered when you went
there, for he must have known it couldn't
last. New Year's Eve, 1950, was the end of
Hambone Kelly's. The next year Scobey
tried to make it go under the name of Alex-
ander's, but it folded in a few months. Now

it's just another one of the used-and-un-
painted-furniture emporiums lining San
Pablo Blvd. in El Cerrito.

Lu disappeared from the public eye, and
rumors abounded. Just what do you do
when you get the very thing you've worked
for and wanted a long time and then it goes
bust? Some said he had gone into the desert
to add to his rock collection. Some said he
was getting up a new band. Others said he
was going to open a mineral, curio shop and
restaurant. There was always talk that "just
the other night" someone had heard Lu
play in some unspeakably obscure dive. But
until he turned up, very ill, in the Veteran's
Hospital in 1953, no one was sure what Lu
had been doing. It turned out that prior to
his entering the hospital he had been work-
ing as a cook in one of Foster's Cafeterias in
the city. Even after he was released from
the hospital there was talk that Lu would
play again; it just didn't make sense that he
could give up. But within the last year all
rumors were stilled when Lu sold his horn
and turned in his Union-card. He is sup-
posed to have opened up a restaurant on the
Redwood Highway North of San Francisco.
The great band of the West Coast records
and Hambone Kelly's is still in San Fran-
cisco: Lammi is with Scobey at the Tin
Angel, Wally and Helm are with Turk at
the Italian Village and slated to go on tour
in the fall. Dart and Mordecai are still
around, Harry reported to be studying clas-
sical guitar.

In such a jazz-town as San Francisco
where personal followings of the most-de-
voted sort seem to be the rule, Watters
stands out. Almost any night at the Italian
Village you can find a few people from the
"old days." If they don't have their hands
cupped behind their ears, they are marked

Except for the photo of Bob Scobey on the far left, this series
of individual portraits of the original Watters bandsmen in ac-
tion is the work of West Coast photographer George Fletcher.
In the usual order, those depicted are: Scobey, Dart, Morde-
cai, Lammi, Helm, Murphy, Rose.

10

II

Turi

V

GOES EAST

BY MARGO TERRY RIEMAN

PRESS TIME FLASK
SEPTEMBER |2.,.THE GOLDEN RA IL. . .ROCHESTER, N.Y. (l NIGHT)
SEPTEMBER I4...CHILDS PARAMOUNT. . .NEW YORK CITY (4 WEEKS )
OCTOBER 1 8.. .THE SAVOY. ..BOSTON, MASSACHUSETTS ( 4 WEEKS )

In 1940 the Yerba Buena Jazz Band
opened at the Dawn Club in San Francisco,
and changed the musical picture of the coun-
try, touching off a revival of New Orleans
school jazz on the West Coast and showing
a new direction in which living jazz could
grow. In the fourteen years since, small bands
have come and gone on the coast, but San
Francisco jazz has continued to thrive, grow-
ing into what must now be considered a dis-
tinct school. It is interesting to speculate on
how much of this growth stems from the fact
that most of the men in the Yerba Buena
band have remained in or around San Fran-
cisco. At times they have worked together
and at times apart, but always geographically
isolated from the rest of the country.

Few eastern fans have had a chance to
hear San Francisco jazz played "live." Only
on records, at best imperfect, have they been
able to appraise the work of the West Coast
musicians. But at this writing, Turk Murphy
and his San Francisco Jazz Band are prepar-
ing to leave home, taking their Bay City mu-
sic on its pioneer trip out of its native
surroundings. It is hard to realize that this
will mark the first time that San Francisco
jazz leaves home intact. And it is only fitting
that Turk Murphy be the one to bring this
music east. For more than any other one
man, the colorful and dynamic Turk has
worked to bring San Francisco jazz to its
present stage of evolution.

In view of the controversy over Turk's re-
cent Columbia recordings, an eastern tour
should be doubly interesting. Those who have
heard the band in person at their home
spot, the Italian Village, claim the new rec-
ords come very close to reproducing the true
live sound which is uniquely Turk's. Others
have professed themselves baffled or even an-
noyed by it. Turk's music, perhaps because
of its fundamental life and pulse, has in the
past been a great challenge to recording en-
gineers; even more difficult to trap dn discs

has been the personality of the band. That's
an elusive quality, but one which, in this
case, is of vital importance. So whether you
like what you've heard on records or not,
you'll get a chance in the near future to eval-
uate the band for yourself.

To reach the point of such a tour has
been a long, rough road for Melvin Murphy,
born in Palermo, California, on December
16, 1915. He came of Irish-Spanish descent
into a family of miners and farmers. His fa-
ther and his grandfather were both musicians
in their spare time, his grandfather having
played alto horn in the Silver Cornet Band
of Hangtown during the 1880's. After Turk
mastered his first instrument, a silver-plated
Pepper Model trumpet, he switched to trom-
bone and was fortunate enough to attend a
high school that taught music.

Turk was about fifteen when he joined the
musicians' union, and in the years that fol-
lowed he worked in virtually every kind of
band around. He travelled with such bands
as Will Osborne and Merle Howard as both
a trombonist and arranger and, for one year,
he ran a band for Sally Rand's show at Lake
Tahoe near Reno. It is typical of his single-
mindedness about music that he has never
stopped studying. When band jobs weren't
available he has worked as a mechanic in
garages (cars are his second love) and stud-
ied harmony, counterpoint and composition
by night. And today he's probably as knowl-

Margo Terry Rieman has lived in San
Francisco, worked in record shops, written
a vast amount of advertising copy, and
has long been an admirer and friend of
Turk Murphy and other West Coast jazz-
men. In recent years a resident of New
York, she has been instrumental in bring-
ing about the band's eastern trip, and has
written a mystery novel (soon to be pub-
lished by Harper Bros.) which includes
characters suspiciously reminiscent of
Turk and his colleagues.

edgeable about music — any kind of music —
as any musician in the business.

But not until 1940 did he get a chance to
play music the way he thought it ought to
be. Not too many people realize today that
Turk's powerful trombone and Turk's ar-
rangements played a major role in creating
the Yerba Buena Jazz Band's instant success.
Many of the tunes the band played were
Murphy compositions, too. One of these, a
virtuoso number called Trombone Rag, was
written deliberately to test some young trom-
bonists who were beginning to copy his style.
Turk felt it would be a challenge, and he
was right. It was so tough he couldn't play it
himself until he'd spent nearly eight months
practicing some of the phrases. It's a nightly
request at the Italian Village now, and in-
variably brings a roar of approval from the
customers. Equally popular is another tune
originating in the Yerba Buena period, Turk's
Blues, which has been called one of the most
beautiful original blues ever written. It was
not, however, originally so named. It was
called Social Polecat Blues, a bit of Murphy
humor that the recording company directors
somehow didn't appreciate.

The Murphy band that has been working
together now for more than two years stems
directly from the Yerba Buena group. Turk,
Bob Helm, Dick Lammi and Wally Rose
were all part of that original history-making
band. But since that February night in 1952
when Turk Murphy and his San Francisco
Jazz Band opened at the Italian Village, all
of Turk's ideas on music have coalesced. And
working together nightly for so long, the
boys in the band have reached a rapport,
both personally and musically, that can only
be called unique. The fast exchange of mu-
sical ideas between these musicians is often
dazzling in virtuosity. And it seems almost as
much fun for them to be playing together as
it is to sit around listening to them play. A
propos of fun, Wally Rose has discovered

12

quite a new talent as a raconteur. (Turk al-
ways has been one.) Those screams of de-
lighted laughter during quiet intermissions
usually come from a group surrounding
Wally.

As a matter of fact, it's almost impossible
to imagine any other pianist than Wally Rose
playing with this band. He is as serious a
musician as Turk, giving classical recitals,
teaching the classics and recording them as
Walter Rose. And most critics today consider
him, in the jazz field, as the finest living ex-
ponent of authentic ragtime style. His irre-
pressible sense of fun adds immeasurable
sparkle to his ragtime work. No evening at
the Italian Village is complete without a cou-
ple of intermissions being given over to Wally
for the kind of solo work that draws most of
the customers from their seats to watch. And
it's a tribute to his great personal charm that
his classical students are often to be foYind
there, often accompanied by mothers and
even grandmothers, to watch "Mr. Rose" as
Wally.

The other man in the present line-up of
the Turk Murphy band who was a Yerba
Buena boy is Bob Helm, the gentle looking,
quiet-seeming clarinetist. Like Turk and
Wally, his musical education goes way back ;
his first paying job was in a theater pit band
at the age of eleven. In 1932, he got his
union card as a saxophonist, doubling on gui-
tar and trumpet ; there are today very few in-
struments he can't play. In the past year, he's
begun to exploit his blues-shouting abilities,
sharing the vocals with Turk on some of the
liveliest and most amusing verse-and-chorus
duets recorded in recent years.

Bob Helm went up to Portland, Oregon,
for a six months' stint with the Castle Jazz

Band in the early 50's, and returned with
news of a tuba player named Bob Short. And
when Turk organized the present band, Bob
Short hopped into his plane and flew down
to join. Like all the other men in the band,
his musical education began early, at the age
of six. He's equally versatile, too, playing
trombone, baritone horn, trumpet, tuba and
once, reluctantly, string bass. He does hold
one distinction that none of the others can
claim, though. He is the only musician in the
Turk Murphy Jazz Band who has worked in
the kind of spot that was once traditional for
a New Orleans style musician. A band in
which Short once played was house band
for a Las Vegas bordello for a short time.

Frank Haggerty, who plays banjo in the
present band, took over the spot vacated by
Dick Lammi in February of 1954. Haggerty
was well-known around San Francisco for
his guitar work in the broadcasting studios
and in order to join the Murphy group he
switched to banjo, a change that has not
seemed to affect his musicianship in the
slightest. Like Wally Rose, he has spent a
good deal of his free time in teaching, and
he has two books on the guitar to his credit.

The newest member of the band is a
youngster in his early twenties. For many
months Bob Short doubled on tuba and
trumpet because Turk could find no horn
man available to the band who would fit into
the group. In July of this year Charlie Camp-
bell, who manages the band, happened to
hear Everett Farey playing with one of the
young jazz groups that abound in San Fran-
cisco. He suggested that Farey come down
and sit in one night — and that was all it
took. Turk hired Farey then and there.
Knowing Turk's fantastically high standards,

This has been the band at the Italian
Village for the past two years: Turk,
Dick Lammi, Bob Helm, Wally Rose,
Bob Short.

young Everett Farey must be very good in-
deed. It will be extremely interesting to hear
an entirely new talent, one at present com-
pletely unknown to Turk's fans, working in
the band.

The instrumentation of the Turk Murphy
group is neither accident nor make-shift.
There is no drummer in this band for the
very good reason that there is none available
to the band at present who can work within
such a tight-knit framework. Turk's ideas on
this subject are strong and vehemently ex-
pressed. There is no place in this band for
anybody who wants to make with the flashy
jive. Turk's own washboard work in the
background, coupled with the tuba, banjo
and piano, makes a rhythm section entirely
adequate to express their musical ideas. Any-
one who has ever sat and tried to keep his
feet still while the band is playing will tell
you that there is no lack of powerful, driving
rhythm. Not since the days when Baby Dodds
enlivened the Bunk Johnson band at the
Stuyvesant Casino in New York has there
been such irresistible dance music. It often
takes newcomers to the Italian Village a
couple of hours to realize that the beat is
supplied by orchestration, not by drums.

13

by johnny lucas

It is the native sound of the trumpet
which — like the piano, the violin, the
human voice — sounds today as it
sounded one hundred years ago. One
hundred years from today it will sound
the same.

Among those who have withstood the
current rush to the altered tone is a
west-coaster named Bob Scobey. Bob
comes from what is now a tradition, the
San Francisco tradition. While few of
the Frisco school are rosy youths, still —
in the chronology of jazz — they must be
classed with "young" musicians.

In the frantic drive for newness a
great many other "young" musicians
have aimed at twisting their tones —
shaming their horns — into effeminate,
petulant sounds.

14

Bob and some of the Lu Watters band
came down to a place called Scaler's,
six miles south of Palo Alto, California,
in the spring of 1941. I was playing
drums there with the elusive New Or-
leans clarinetist Wade Whaley and a
Texas pianist named Howard Clubbes.
Scobey and Turk Murphy called up
tunes that had been dead on Okeh rec-
ords for 15 years and wanted them in,a
two-beat fashion. I made a two-beat on
the bass drum, but Whaley wouldn't
have it that way. "Man," he said, "you
get lost in between the thumps; keep it
four-beat!" I don't know if Scobey re-
members this, but it may have been one
of those things spoken that add to one's
musical knowledge. If so, it might have
some bearing on the rhythm he chose
for his own band which he organized in
the late Forties. Wade said that the two-
beat pattern was absolutely a myth in
old New Orleans music.

Another time that year, we took
Wade out to a place back of Oakland
called the Big Bear Inn. The Watters
band came out there to play and per-
haps rehearse up a few new tunes. I re-
member, vaguely, a discussion on this
very thing — rhythm — with Bob, Wade,
myself and a couple others. But the sub-
ject was a charged one and even now,
while it is not argued much any more,
two-beat vs. four-beat can stir up a little
dust.

Of course, Lu Watters must be cred-
ited with the original drive in re-fueling
traditional jazz on the West Coast. But
Scobey's is the spirit, coupled with the
tremendous commercial appeal of
Clancy Hayes' warm voice, which drove
it on and kept it hot. Bob seemed to
realize that to keep a music vital it has
to be a creative thing, not a re-creative
one. His band swings from the word go
because it is in the spirit of freshness.

The Watters band did a tremendous
job in unearthing wonderful old num-
bers— Turk Murphy is still doing this —
but it lacked the vitality to keep the
trend going. This is not to say that it
had no attraction, because the Dawn
Club on Annie Alley, in San Francisco,
was so packed with excited, rocking j
Stanford and Cal students, actually
dancing to jazz — with that marvelous
brassy breeze of sound blowing in their
faces — that luck was with you if you
could squeeze in.

The point is that it was a re-creative-
ness. Vitality, to last, must have a fresh-
ness, a creativity. Which brings us right
into an aside on the modern school of
jazz.

Many of the "contemporary" musi-
cians are re-creating so heavily from j
European composers — with a little)
sauce of jazz (re-created jazz, at that) j
— that it comes out sans vitality, sans

Above: At the 1953 Dixieland Jamboree, featured attrac-
tion Sidney Bechet was backed by the Scobey band. Jack
Buck is on trombone, Burt Bales, piano, and the banjoist
is, of course, Clancy Hayes (caught here, obviously, be-
tween vocals).

On facing page: Scobey and Louis. (This photo by Cecil
Charles; Scobey portrait on page 13 by George
Fletcher.)

IS

imagination. If mankind had had no
World War II, it would have been in-
teresting to see how the bands and
trends of the Thirties would have
evolved without interruption. We'll
never know. However, the heavy bor-
rowing from alien music will run itself
out and maybe we shall return to the
broad areas of jazz for creation.

This is hopeful because, while thou-
sands of embryo musicians are following
in the trails of the so-called moderns,
the powerful spirit of Scobey's horn has
its followers, too. In another generation,
they may not be sounding like Scobeys,
but they will be at the end of a direct
line and will have more of the truth of
jazz in them.

In speaking of this spirit that keeps
the trend of jazz going, we cannot neg-
lect the voice of Clancy Hayes. The
Scobey band is one of the few jazz
bands of the Fifties to rate high as a

jukebox favorite. We would be amiss
not to give this magnificent singing the
credit. Clancy probably knows more lyr-
ics than any singer in the United States
and this is no rhetorical assertion. He
sings his songs in an entirely original
manner and they have always the
warmth of jazz in them. Like Louis
Armstrong, he can take the lyrics of a
song like Melancholy Blues (which are
pretty ridiculous) and give the song
real character. (There is no telling how
many bands have been helped by vocal-
ists: Ellington — Ivy Anderson, Good-
man— Helen Ward, Dorsey — Frank
Sinatra, Armstrong — Armstrong, Wal-
ler— Waller. )

My favorite Scobey is Do You Know
What It Means To Miss New Orleans.
Clancy sings his finest in this and Bob's
horn sounds like the most beautiful
trumpet you ever heard. This is what I
was thinking of in the first paragraph:

Johnny Lucas, author of this appreci-
ation and reminiscence of Bob Scobey
(and his horn), is himself a West Coast
trumpet player, as well as a writer. He
played on the first Firehouse Five re-
cording session in 1949, has worked in
various Los Angeles spots, and is cur-
rently to be heard at the "Bluebird" in
that city.

the "native" sound of the trumpet
which is as beautiful as the sound of the
human voice. It is open and free and
golden, the trumpet's own sound.

I would like to call attention to the
fact that of all the musical instruments
the trumpet has less mechanics between
the human throat and the resultant
sound. The violin has strings and a bow.
The piano, keys and strings. The clari-
net, a vibrating reed and keys. The
sound of a trumpet comes from vibrat-
ing human flesh and is pitched by hu-
man lips.

SAN FRANCISCO
STYLE TODAY

Is there a "San Francisco style" in jazz,
different and distinct enough from other
schools to deserve a chapter of its own in a
survey of the current jazz scene? The most
casual listening will prove that there is; the
sounds of San Francisco jazz are unlike any-
thing heard before. Compare a Lu Watters
record with any of the Olivers, Mortons and
Hot Fives: the musical atmosphere is so
different that it is wholly inaccurate to
speak of imitations of the past.

And yet, this is the most common criti-
cism. For fifteen years, we have been listen-
ing to the same refrain from the "experts":
nothing new is really achieved by the San
Francisco boys ; they are living in the past ;
they copy musicians who died many years
ago; they are second-rate imitators, so ut-
terly lacking in ideas of their own that they
are forced to memorize old records note by
note. It might be pertinent to ask when
these experts last listened to Oliver or Mor-
ton records, whether in fact they ever spent
much time with New Orleans music. When
a critic is unable to distinguish between
Dodds and Noone, how can you take his
opinions seriously when he accuses the bril-
liantly original Bob Helm of being an imi-
tator?

It's like saying that, because practically
every other number Charlie Parker plays
happens to be the blues, the Bird is living
in the past. In a similar way, the San Fran-
cisco jazzmen make use of the vast reper-
toire of American music of the last sixty
years. As discoverers of neglected or forgot-
ten material, their contribution to our knowl-
edge of jazz has been immense. Watters,
Murphy, Scobey have resurrected hundreds
of wonderful tunes. Wally Rose is compiling

an impressive anthology of ragtime music.
Clancy Hayes sings the verse and chorus of
tunes nobody suspected had words to them,
when he doesn't surprise you with a great
song you never heard before. The important
thing of course is that these people are
much more than historians and musicolo-
gists, although this element is not to be dis-
missed lightly. They make a highly personal
use of old compositions. The material may
belong to the past, but the interpretation is
fresh and original. There are then at least
two reasons why San Francisco jazz is rele-
vant today: it reveals aspects of past mu-
sical activities we knew very little about,
and it has in its ranks some of the most
gifted musicians now playing.

The manner in which San Francisco jazz
developed is not unusual. At first a closely
unified, homogeneous group formed around
a leader (Watters), it soon branched out in
different directions as differences of tempera-
ment, approach and technique became evi-
dent. The common discipline under Watters
had been: emphasis on ensemble playing; a
strictly defined part for each instrument; an
active repertoire of several hundred tunes
which had to be carefully learned so that

BY NESUHI ERTEGUN

Nesuhi Ertegun needs no introduction (to
coin a phrase) to a Record Changer audi-
ence. He has written frequently for this
publication among others, and is equipped
— as are few other jazz critics — to write
perceptively and with sound documenta-
tion about both the traditional and mod-
ern forms of the music. (As concrete
evidence of this, note this article and the
one that immediately follows.) Ertegun
is particularly well versed in West Coast
matters, having lived there for a dozen
years. Until recently he was ■associated
with the Good Time Jazz label, and he
has lectured frequently at U. C. L. A.

there could be improvisation based on them
on the job; and a rather stern, narrow
rhythmic sense (Watters obviously felt the
need for a tight rhythm section as opposed
to the looseness of the front line and wanted
the rhythmic drive of his band to come
from the melodic instruments). Jamming in
the Chicago sense was completely discarded;
playing well together was more important
than solo virtuosity.

Whether one agrees with this approach or
not, the fact remains that Watters, Scobey
and Murphy are serious, dedicated musi-
cians, highly skilled technically (I am con-
stantly surprised and irritated by references
in European jazz magazines to the San Fran-
cisco group as amateurs) , each with a defi-
nite viewpoint on what jazz should be like,
and certainly more aware of their traditions

!7

than most of their contemporaries. This of
course makes them traditionalists. Is this
bad? Is it "reactionary" to make use of the
musical contribution of Scott Joplin, and
"progressive" to be influenced by Debussy,
who lived at the same time? If there isn't
enough room in jazz for more than one style
(this is meant for both the ardent tradi-
tionalists and the passionate modernist) the
form is about to become extinct.

So we should all listen to San Francisco
jazz. Watters unfortunately hasn't played
for several years. Those who haven't heard
him in person don't quite realize the musi-
cian he is. It may therefore seem like folly
to state, as I am about to, that he is one of
the three or four finest lead trumpet players
in jazz history, with a width and breadth
and sense of space in his playing that are
most unusual. Since Watters' retirement
(temporary, let's hope), San Francisco jazz
has taken different directions. Watters' chief
disciples, Turk Murphy and Bob Scobey,
had startlingly different notions about jazz.
Essentially, Turk is continuing along the
lines first indicated by Watters; in fact he
has broadened and deepened the Watters
approach. In today's jazz, Turk is the very
personification of the total purist, and he is
undoubtedly the new leader of the unflinch-
ing revivalists. His band has a repertoire of
over 300 tunes (till the parts of each tune
are played), new ones are added constantly,
and when Turk isn't sketching out a new
arrangement, he is writing original composi-
tions. Let's again ask those who claim Turk

is nothing but an imitator: whom does he
imitate? Kid Ory? Roy Palmer? (The
chances are many of these writers never
heard of Roy Palmer). Listen to Turk's en-
semble parts: nobody ever played trombone
parts like his before.

Scobey on the other hand represents an
open break with the Watters tradition. He
is the great dissenter of San Francisco jazz,
and he adds to its richness with his fresh,
and — in the context of the school of which
he was a member — "revolutionary" ideas.
Let the rhythm section swing the band and
let the whole band swing with it, Scobey
says. In order to achieve swing, jazz must be
relaxed, simple, loose, flowing. Everything
else is secondary. Attractive melodies and
rhythmic drive are much more important
than complex ensembles and a tight sense of
discipline. The kind of simplicity Scobey is
after can of course be fatal unless the per-
formance is of such quality that it always
holds your attention. Scobey's playing never
fails to do so, with its fire and drive and
beautiful trumpet tone. To realize how far
apart Scobey and Murphy have grown mu-
sically, just listen to the immediate sound of
the two bands: the first "clean" and pol-
ished, the second rough and dynamic.

But there's much more to San Francisco
jazz. Paul Lingle, the school's great solo pi-
anist; Burt Bales, its finest rhythm section
pianist; Wally Rose, whose playing has ac-
quired a bite and verve it lacked before, the
master of ragtime; Bob Helm, with his com-
plicated, carefully constructed clarinet state-

ments; the more delicate Ellis Home; newer
arrivals like Bob Short; exiles like Squire
Girsback ; metaphysician - astrologer - banjo-
ist-bassist Dick Lammi; younger musicians
like Bill Napier; these are some of the re-
markable jazzmen San Francisco produced
in the last fifteen years. They all have
enough in common to be grouped together
as a school, and they are different enough
to prevent monotony or stagnation. San
Francisco jazz may undergo all kinds of
changes in the coming years, but it has such
vitality and excitement today that whatever
happens next is bound to be uncommonly
interesting.

Above: A rare photo of
San Francisco-style pio-
neer Paul Lingle, taken
earlier this year in Hon-
olulu (where Lingle now
plays). Mrs. Lingle and
a Mr. Armstrong are also
on hand.

Left: A Bob Scobey band
of the recent past, in-
cluding Watters alumni

18

WEST COAST BRAND

modern jazz

BY NESUHI ERTEGUN

Modern jazz came to the West Coast in
the middle Forties with Gillespie and Parker.
Repercussions among young musicians were
tremendous, but audience interest was prac-
tically non-existent. When Dizzy's group ap-
peared at Billy Berg's, a handful of jazzmen
listened with religious fervor. Most of the
tables were empty. People who wandered in
were shocked by the newness of what they
heard and retreated hastily.

Today the situation is entirely different.
Modern jazz on the West Coast enjoys real
popularity, on a scale rarely reached else-
where. With it there seems to be, especially
in the Los Angeles area, more activity than
you find in other parts of the country, more
experimentation, more enthusiasm, deeper
convictions, harder work, less self-satisfac-
tion and a completely adventurous approach
to music which has interest even when it
fails. It would be somewhat inaccurate to
speak of the West Coast modern style as an
entirely different form, opposed to other
kinds of new jazz. The basic sounds are the
same. There are however serious differences

of emphasis, and the achievements have
been correspondingly of a different nature.

What is the West Coast modernist seek-
ing? The answer seems to be: order, clarity,
continuity, structure, rather than uncon-
trolled outbursts and wild exhibitionism.
The influence of classical music is naturally
very strong. How much is actually kept from
the jazz tradition in the strict sense? Much
more than many realize: the sounds, timbres
and rhythms are directly attached to the
mainstream of jazz; the intense preoccupa-
tion with harmony, on the other hand,
comes from Schoenberg, Milhaud, etc. I yet
have to hear a performance by members of
the new jazz school which can be mistaken
for classical music, so different is the overall
sound (some of Jimmy Giuffre's composi-
tions, completely without improvisation,
where every note is written for every instru-
ment from beginning to end, would make no
sense at all if they weren't played by jazz
musicians). It is easy, then, to exaggerate
the classical influence.

Shelly Manne, Shorty Rogers, Giuffre and

the others are intensely interested in all
kinds of music, and are simply trying to
widen their frame of reference and increase
their musical vocabulary. They are real stu-
dents, studying hard and trying to incorpo-
rate new elements into their jazz language.
They don't perhaps know jazz of the past as
they do other forms of music, past or pres-
ent. This is regrettable, and unlikely to
change for quite a while. Shorty Rogers' re-
cently recorded tribute to Count Basie (Vic-
tor) is an encouraging sign, but it is
improbable that it will be followed by other
re-examinations of past jazz. (We have all
noticed the complete inability of the mod-
ernists to hear a combination of jazz sounds
produced by different techniques than the
ones he uses, just as the traditionalist is in-
capable to hear modern jazz. They both
think they know what the other is doing,
actually haven't the faintest idea, and laugh
at each other.)

West Coast jazz is still at a formative,
transitional stage. Various solutions are of-
fered concerning the ways in which the dif-

19

terent elements should merge. Everybody
agrees on one thing: there must be compo-
sition. To what degree composition should
alternate with improvisation is still being de-
bated. There are different viewpoints:
Shorty Rogers (a really original musician,
with lightness and grace and swing both in
his writing and in his playing) wants com-
position and improvisation to be of equal
importance ; Giuffre is experimenting with
atonality, moving away from a steady rhyth-
mic pulse, and often abandons improvisation
(which is easily understandable once you
hear the complexity of his music) . In the
last year or two, other impressive composer-
arrangers have emerged on the West Coast:
Bob Cooper, Marty Paich, Jack Montrose,
Bill Holman, Lennie Niehaus among others.
Cooper, for instance, has only been studying
composition a short time (with Shorty), yet
is already an accomplished writer (Jazz In-
vention, Warm Winds).

West Coast jazz, then, has unity in terms
of composition rather than interpretation.
That's why, when "West Coast jazz" is
mentioned, I think of a school of composers,
and not of the great soloists-improvisers the
West Coast produced, like Dave Brubeck,
Chet Baker, Hampton Hawes, Art Pepper,
Paul Desmond, Barney Kessel and many
more. The marvellous Gerry Mulligan,
whom my extremist friends call a Dixieland
musician, should be included in that list,
even if his career didn't start in the West.

It should be remembered, too, that How-
ard Rumsey more than anyone else made
modern jazz a popular success on the West
Coast, when in 1948, at a time when prac-
tically no modern jazz was to be heard
there, he began to present the finest musi-
cians of the new style at the Lighthouse in
Hermosa Beach. The Lighthouse is today
the most prosperous club on the coast, and
almost every musician I've mentioned played
there at one time or another. Rumsey's All-
Stars may change in personnel, but the
same spirit of workshop-experimentation
continues at the Lighthouse.

The greatest achievement of the West
Coast school to date is Shelly Manne's new
album on Contemporary. Six compositions
by six writers who say different things with
similar techniques, it should be heard by all
those who profess to despise non-traditional
sounds. Few people, even on the West Coast,
know the role Shelly Manne has played in
bringing together instrumentalists and com-
posers and bringing out the best in them. A
drummer whose sense of time, musicality
and avoidance of obvious tricks are so rem-
iniscent of Dave Tough, Shelly has been the
real sparkplug of West Coast jazz.

On facing page: In the mob
at Howard Rumsey's Light-
house, you can find such as
Shorty Rogers, Jimmy Giuf-
fre, Shelley Manne.

On this page: Manne (top);
Rumsey (center); Rogers
flanked by Bob Cooper, Bud
Shank (bottom). Manne
photo by R. D. Hall; other
two by William James Clax-
ton.

20

Text by Lester Koenig (from his album notes for

the Good Time Jazz LP, "Claire Austin Sings the Blues")

Photos by Ray Avery (taken at the recording session)

CLAIRE AUSTIN

sings the blues

Ever since recording Claire with Turk in '52, I wanted to
do a blues album with her. In view of her retirement from
music, it looked like a lost cause. Two years were to go by
before the opportunity came. In March 1954, Claire wrote
she, Chuck and the three children were coming to Los Angeles
for a visit. On Wednesday, April 1st, they were haying dinner
at my house when Kid Ory phoned and we asked him to join
us. After some talk and drinks the phonograph was turned on,
and about midnight, as we listened to the old blues, we talked
of the possibility of Ory accompanying Claire. Although he
recalls playing for Ma Rainey in the early 20's on some never-
issued records, Ory had no blues accompaniments on record,
and it seemed high time he did.

The project filled us with enthusiasm. Though we had no
music, no lyrics, no studio set, no musicians' set, Claire agreed
to stay over another day. Early Thursday we rounded up Ed
Garland and Minor Hall, who've been Ory's "bass and drum-
mer on and off for thirty years. Don Ewell, who joined the
Ory band on piano late in '53, went to work writing out me-
lodic leads and chords. By two o'clock we were at Capitol, re-
cording. The first session went so well we broke for dinner
and recorded four more tunes that evening. With no rehearsal
and no arrangements, each take was a free, improvised per-
formance. The eight blues Claire sang constitute a treasury of
the classic style. By eleven, less than 24 hours from the time we
talked about making some records, the album was done.

22

LOS ANGELES

Dixieland Jazz bounces merrily along in Los Angeles on a 25-mile
front.

Between the Bluebird in the Southwest and Astor's, beyond the
smoggy Hollywood Hills in the San Fernando Valley, happy-type oases
can be found.

Gone for the present are such well-known L. A. landmarks as Kid
Ory and Jack Teagarden, but others like Pete Daily, Rosy McHargue
and Teddy Buckner are going on and on like OF Man River.

The Bluebird at 118th & Vermont presents sessions almost every
night with a real matinee on Sunday. Present as the anchor man is
Johnny Lucas, the trumpet man from Pasadena, along with clarinetist
Joe Darensbourg.

North on Vermont and west on Beverly Blvd. at Ardmore is Rose
Stanman's Beverly Cavern where Teddy Buckner, his cornet and his
men, raise a storm every night but Monday. Not content to spend a
quiet afternoon, the Buckner Six stage a rousing rally each Sunday
P. M., 2 till 7.

With Teddy are George Jenkins, drums; Lee Woodman, trombone;
Pud Brown, clarinet; Art Edwards, bass; and Harvey (A Little Bird
Done Told Me) Brooks, piano.

The Beverly Cavern has a long, hoary tradition of traditional jazz,
starting out with Ted Vesely years ago. Others who have played there
include "Kid" Ory, The Firehouse Five Plus Two, George Lewis,
Octave Crosby, Turk Murphy, The Banjo Kings, Johnny Lucas,
Nappy Lamare, and many others.

The Hangover, on Vine Street just a tuba's throw from NBC, is
another long-time jazz oasis. Here Bob Zurke played his lilting piano
for years. Now clarinetist Rosy McHargue is going into his second —
or is it third? — year of jazz unlimited. The Hangover's a quaint, even
picturesque bump-your-head spot and is the hangout of musicians by
day and at night the "cats" load the place.

23

BY WAYNE LOCKWOOD

ROUNDUP

With Rosy are "Moe" Schneider, trombone; Bob Higgins, cornet;
George Defebaugh, drums ; and Don Owens, piano.

The Freeway has shortened the dry haul to the Valley and Astor's
where the rafters ring and the Stein Club's favorite boy, cornetist
Pete Daily, keeps the ringside happy.

Pete gets an assist from all sorts of "sit-ins" like Dale Osborn and
his vibes and TV Badman Ralph Peters with either valve trombone
or helicon.

Daily's Chicagoans are rounded out — the regulars, that is — by Jerry
Fuller, youthful maestro of the clarinet; Warren Smith, the old Bob-
cat, trombone; Monty Mountjoy, Firehouse Fiver, drums; and Skippy
Anderson driving the 88.

Out on The Strip and hard beside Ciro's is Ben Pollack's Street-
Combers, Inc., rib joint extraordinary. Sunday afternoons only, Pol-
lack holds sessions.

While down in Hermosa Beach, and right next door to the Light-
house where Howard Rumsey's All-Stars wail, Ted Vesely's outfit
blows up a Dixie storm — week ends only.

A pair of literary horns: Bruce Dexter, author of
the Lu Watters story on page 6, at a private ses-
sion (top); and Johnny Lucas, whose article on
Bob Scobey is on page 11, takes part in a record-
ing session with (bottom — left to right) Jess Stacy,
Bob Stone, Mike Hobi, Monte Mountjoy, Matty
Matlock, Lennie Esterdahl.
Center: Still going strong — Ben Pollack.
(Photos on both pages by Cecil Charles and Ray
Avery.)

24

STAR

STUDDED

SHELLAC

john mc andrew

In the thirties, Eddy Duchin started the
vogue of the band built around the caper-
ings of a schmaltzy piano. We all remember
Joe Reichman, Ted Straeter, Little Jack
Little, Nat Brandywynne and Carmen Cav-
allaro, although most of us would rather
not: however, one of these maestros seemed
to me to have a band that generally escaped
the embarrassing maudlinity that swamped
the others and lowered the level of popular
taste almost to the point reached today by
the celestial choruses and the vacillating vi-
olins.

Henry King and His Orchestra made
many records for many labels, and the band
seemed to me then more vigorous, and his
piano more competent, than the tinkling in-
anities of all the others of the Duchin
school. Today, almost twenty years later, the
difference seems even more than it did then,
as the King sides, while hardly models of
freshness and originality, are good, even by
today's standards, while the bulk of the oth-
ers appear, with few exceptions, hopelessly
dated. To the best of my knowledge, Henry
King began his platter parade on Columbia
Royal Blue, and some of these early items
remain amongst his best: So Close to the
Forest (3010). When I Grow Too Old to
Dream/The Night Is Young (2998). Lonely
Feet (2991), Someone I Love/Kiss Me
Goodnight (3049), Chasing Shadows
(3048), A Little White Gardenia (3005).

The orchestra then switched to Vocalion,
and a notable feature of their records on
this label was the excellence of recording,
which most of the Vocalions of that time
were not. Superior amonerst these were : For
All We Know /And I Still Do (2766), Let's
Fall In Love/Love is Love Anywhere
(2608), Coffee in the Morning/Song of Sur-
render (2617), Paper Moon/Night Owl
(2550), Easter Parade/Not for all the Rice
in China (2579), Mine/Don't You Remem-
ber Me (2580), Sweet Madness /Me For You
Forever (2561). King then moved over to
Victor, with even better results than he had
achieved on Vocalion. The Victor mikes
gave the piano an added sharpness.. Amon"
the first sides for this label we find Don't
You Remember Me, which had previously
been done for Vocalion; this time it was
paired with Goodnight Little Girl of My
Dreams, on 24457. Others included The
Breeze/Dancing and Dreaming (24656),
Buy a Kiss/ Rooftop Serenade (24466), Mu-
sic in My Heart/You're My Relaxation
(24612) and, what was probably his best
record, April in Paris, backed by a superb
version of that haunting tango, Tu Sais
(You Know), on 24478. This record re-
mained in the Victor catalog several years
after the many others had been deleted, and
deservedly so. Tu Sais has been a strangely
neglected song, and there has never been a

better record of it than this. Other fine Vi
sides were Give Me a Heart to Sing to
(24711) and Tonight Is Mine (24676).

With the advent of Decca, Henry King
was amongst the first to sign up with the
new 35c label, and for them he recorded
more than his total output on all other la-
bels combined: there were close to 100 sides.
None of them could be called less than good,
and a great many were much more than
that. Of the very best, mv choice would in-
clude: Baby Face (3084). Blue Hawaii
(1177), Blues Serenade (1063). Easter Pa-
rade (also made for Vo.) (1178). I'll Sing
You a Thousand Love Songs (929), I Still
Love to Kiss You Goodnight (1417), Easy
to Love/I've Got You Under My Skin
(937), Love is Like a Cigarette (745),
Make Believe (801), Say It With Music
(1890), Someday We'll Meet Again (923),
'Swonderful (1890), To You Sweetheart
Aloha (887), and especially fine versions of:
Gloomy Sunday/A Waltz Was Born In Vi-
enna (743), My Heart Stood Still/ I'll See
You Again (1009), and a rumba album
which featured all the famous rumbas such
as Siboney, Peanut Vendor, Say Si Si, Tabu,
Mama Inez, My Shawl (Alb. A-16-singles
2068-72). These are merely my own prefer-
ences— there are just as many others equally
good.

The last I heard of Henry King on rec-
ords was an album of rumbas, mostly the
same as those above, made for the now de-
funct Black and White label. These, like so
many others of that label and others such
as Majestic, were gobbled up by the lower-
priced LP concerns whose output is found
mostly in the department stores for 69c.
The King sides, I believe, were bought by
the Royale-V arsity makers, the Wright Rec-
ord Co., although this may be incorrect; if
so, then it was the concern that puts out the
Tops LP's, which Woolworth, for one, fea-
tures.

Henry King's vocalists were always good,
although none of them ever subsequently
achieved the solo prominence that other
band vocalists sometimes did. His principal
vocalist was Joseph Sudy, and occasionally
choruses were sung by Don Reid and at
other times Siggy Lane. As far as I know,
the band has not recorded within the last
six or seven years, but I for one would wel-
come its return.

Will Buy

RECORD COLLECTIONS

ANY AMOUNT.

I have 100,000 records; hot sweet; every-
thing, everyone. Send wants.

Will Trade; Sell; Buy

Race; Blues; New Orleans; Personality.

Jacob Schneider

128 WEST 66TH STREET. N. Y. C.

NEW

JAZZOLOGY

RELEASE

TONY PARENTIS
NEW ORLEANIANS

Chinatown, My Chinatown

When the Saints Go Marching In

Blues for Fai

Bugle Call Rag No. I

There'll Be Some Changes Made

Sunday

Dippermouth Blues
Bugle Call Rag No. 2

featuring . . .

WILD BILL DAVISON
JIMMY ARCHEY
TONY PARENTI
ART HODES
POPS FOSTER
ARTHUR TRAPPIER

. . . exciting jazz . . .
high fidelity 12" LP $5.95

JAZZOLOGY RECORDS

131 S. Woodland St., Englewood, N.J.

NOTICE

4$ a special service to

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fotledoAA.

Jazzology is making available a
special limited edition LP record-
ing of unissued "second takes"
from the Tony Parenti recording
session featuring Wild Bill Davi-
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Pops Foster and Arthur Trappier.

This extremely limited LP edi-
tion is available to jazz col-
lectors only from

JAZZOLOGY RECORDS

131 S. Woodland St., Englewood, N. J.

$4 post paid.

25

records
noted

GEORGE AVAKIAN
JACK W. FARRELL
DICK HADLOCK
BUCKLIN MOON
ROBERT L THOMPSON
MARTIN T. WILLIAMS

lu watters yerba buena jazz band

Vol. 1 — Dawn Club Favorites
Vol. 2 — Originals
Vol. 3— Rags

With a yelp of delight and gratitude we
greet the reissue of the famous 1*946 Lu
Watters productions for the West Coast la-
bel. Our pleasure is enhanced considerably
by the reprocessed and improved playback
fidelity and surface quality. The original
West Coast pressings were on inferior shellac
and although they were subsequently bet-
tered, it remained for Good Time Jazz to
bring the recordings up to the highest ob-
tainable standards.

The Watters band achieved its fame for
more than its fine musicianship. It has pro-
vided for contemporary listeners an accurate
statement of the musical values that were
established, or at least manifested by Joseph
"King" Oliver with his Creole Jazz Band of
1923. These values were extended and modi-
fied as the Creole Jazz Band personnel found
itself diffusing through other recording
groups, such as the Hot Five and Hot Seven,
Johnny Dodds' various bands, and Morton's
Red Hot Peppers. The more recent of these
bands, and the better recorded, are more fa-
miliar to most jazz listeners. The root values
of the Oliver band were obscured by the rel-
ative scarcity and poor reproductive quality
of the 1923 recordings. It remained for the
Lu Watters band of the 1940's to reaffirm
the quality of Oliver's Creole Jazz Band. In
so doing, the Yerba Buena Jazz Band be-
came a primary stimulus for the resurgence
of jazz conceptions of the pre-swing era. The
effect is evident in the work of the Castle
Jazz Band, the Dixieland Rhythm Kings and
the Red Onion Jazz Band, and in numerous
European and Australian groups such as
Humphrey Lyttleton's, Graham Bell's, Frank
Johnson's, Claude Luter's, etc. (In spite of
all that has been written on the point, the
Kid Ory band of the early 1940's does not
seem particularly influential in this way. )

It is very important, however, to recognize
a flavor of the Yerba Buena band that was
not derived directly from the familiar clas-
sic jazz tradition, but came rather from the
West Coast's own milieu, which has pre-
served some of the color of both Wild West
Americana and the Gay Nineties-Barbary
Coast period. The music associated with
these phenomena, like "pure" jazz, is heavily
interwoven with the development of ragtime
technique (for piano and band) and the ab-
sorption, dilution and extension of ragtime
compositions. The continuation of this tra-
dition in part of the entertainment industry
of the Pacific coast (exclusive of post-W. C.
Fields Hollywood) is noteworthy. There ex-
ists also a difficult-to-define personality as-
pect of the Pacific area that is loosely termed
"relaxed" or "easygoing." Since the rules of
social conduct have many recognized re-

gional peculiarities, there is nothing unusual
in this observation. It is suggested that such
factors interact and summate to favor some
preservation of the concept of the "demon-
strative good time." In action, this concept
is regrettably rare in the eastern United
States and, for that matter, is on the decline
in the west. It is now, apparently, associated
with "individualism," replacing which is a
prevalent pattern wherein firm expression of
one's likes is to be avoided out of fear of not
conforming to, or not being favored by such
other social groups as may exert control over
the individual. Nevertheless, it is likely that
the "demonstrative good time" has played a
significant part in the emergence and success
of such entertainers as the Banjo Kings, the
Firehouse Five Plus Two, Clancy Hayes, The
Watters, Murphy, and Scobey bands, Claire
Austin, and even Kay Starr. This is offered
in contrast to the relative dearth of exuber-
ant performers emerging in the Atlantic
States — a region whose contributions to mu-
sic tend to be intellectual, stern, sophisti-
cated, psychiatric, hysterical, or very, very
"cool" — anything but in the spirit of a rous-
ing, old-fashioned, good-time. It is the rec-
ognition of the aspects of the ragtime
tradition in the sociological context of the
western United States, which appear in the
music of Lu Watters, Turk Murphy, Clancy
Hayes, etc., that essentially justifies coining
the label of "San Francisco" or "West
Coast" jazz style.

Another facet of the Yerba Buena fame is
the storm of pro and con criticism which it
has occasioned. The major part of the in-
telligent opposition has been in terms of the
notion that it is not desirable to go backward
in time in a creative art. Whether such a
notion has meaning or usefulness need not
concern us here. We can, however, inquire
why such controversy should be engendered
by the Watters band. Suppose Sharky Bon-
ano, Muggsy Spanier, or Paul Mares had
organized an equivalent band. I suspect that
there would have been fewer arguments than
in the present case, where relative newcom-
ers in their 20's and early 30's are responsi-
ble. Perhaps it was more than "young
upstarts" invoking a near-forgotten concept
of jazz; perhaps it was the most authorita-
tive way in which they did it. Now the
Yerba Buena band was not "copying" the
old style as did, for example, Claude Luter's
band on its first recordings. Lu Watters and
Turk Murphy, the backbones of the band,
were experts in traditional jazz. When ex-
perts state things in an authoritative man-
ner, they commonly disturb, threaten, or
make anxious those who are less certain of
the worth of their own directions. At the
same time, it must be remembered that none
of the individuals concerned would claim
that theirs was the only way to play jazz.

One of the most impressive and interest-
ing features of the Yerba Buena band was
its repertory. Each composition was treated
with respect, the entire "as written" version
being adopted as the basis for the band's ar-

rangement. And whatever the arrangement,
one rarely found anything trivial. This again
is to be compared with the haphazard and
incomplete interpretations employed by so
many other jazz groups. Of course, the
Yerba Buena philosophy requires stable, re-
sponsible personnel, considerable rehearsal
and playing together for its realization. A
moment's consideration will reveal that this
formula was at the bottom of the majority of
great ensemble jazz performances. Coexistent
with the Yerba Buena band's organized play-
ing was a "free," rather than heavily ar-
ranged, feeling, similar to that obtained in
Oliver's Creole Jazz Band and Morton's Red
Hot Peppers.

Looking over the selections in the present
collection, we see that only six (That's A
Plenty, Ain't Gonna Give Nobody None of
My Jelly Roll, South, Weary Blues, Copen-
hagen, and Panama) are conventional jazz
standards, played by most contemporary jazz
bands, and except for South and That's A
Plenty, these tunes are seldom heard with
the inclusion of all of the strains. Others,
such as Canal Street Blues, Chattanooga
Stomp, Workingman's Blues, and Jazzin'
Babies Blues, are commonly referred to the
Oliver band. Ostrich Walk is linked to the
Original Dixieland Jazz Band, I'm Going
Hunting to Jimmy Bertrand's Washboard
Wizards, New Orleans Joys to Jelly Roll
Morton's piano solo, Ory's Creole Trombone
and Sunset Cafe Stomp to Armstrong's Hot
Five, 1919 Rag to Ory's 1945 recording, and
Down Home Rag to Wilbur Sweatman or
the recordings of Benny Goodman or Kid
Ory. Creole Belles, published in 1900, was
known as a concert band piece of the rag-
time era. Richard M. Jones Blues, among
the most beautiful melodies in jazz, is some-
times known as All Night Blues. Bienville
Blues or Storyville Blues was revived with
and by Bunk Johnson. Friendless Blues is a
"traditional" theme, perhaps never previ-
ously recorded. Trombone Rag and Min-
strels of Annie Street are Turk Murphy
originals. Trombone Rag draws in small part
from the Hot Five tune, Sweet Little Papa.
Antigua Blues, Big Bear Stomp, Annie Street
Rock, Emperor Norton's Hunch, and Sage
Hen Strut are among Watters' many original
compositions. Maple Leaf Rag is the only
band rendition that more than captures the
full flavor of the tune. A wonderful air of
ribaldry and Wagnerian solemnity runs amok.
The remaining selections, Sunburst Rag,
Pastime Rag No. 5, Harlem Rag, Pineapple
Rag, Triangle Jazz Blues, Climax Rag and
Easy Winners, are piano and rhythm section
performances.

It is difficult to single out any one side
for special praise. Some very high highlights
occur in the trumpet solos on Annie Street,
Richard M. Jones, Copenhagen, and Friend-
less, Murphy's work on Trombone Rag, the
Wally Rose solo rags, and the two-trumpet
work on South. Murphy's break on South is
most happy, and the final ensemble on Min-
strels brings memories of Jim Robinson with
the Bunk Johnson band on the Victor re-
cording of Sister Kate. A most magnificent
sequence of solos and ensemble work is
found on Big Bear and the fanfare on Em-
peror Norton would pied-pipe an army on
to strutting through Georgia.

Watters' majestic trumpet tone is in di-
rect league with that obtained by Louis
Armstrong during the 1920's. Although most
jazz trumpeters display obvious Armstrong
influences, few have adequately mastered
and invented within this framework. After
Watters, England's Humphrey Lyttleton and
occasionally the Dixieland Rhythm Kings'
Bob Hodes come in second. Lyttleton is a
fountain of technical facility but seldom has

26

adequate rhythmic support, while Hodes has
less technique but an abundance of rhyth-
mic punch.

Bob Scobey is not in evidence as a soloist
on these sides, but his work with Watters is
rivalled by none but the Oliver-Armstrong
combine. Turk Murphy's ensemble and solo
work constitute a large part of the Yerba
Buena "sound." Bob Helm is not heard to
best advantage on most of these sides but
neither is he inadequate in any respect. His
wailing clarinet superbly weaves the brass
work together. Wally Rose has long been
celebrated as a master of ragtime and a very
able band pianist. These records indicate
nothing to the contrary. Harry Mordecai on
banjo, Dick Lammi on tuba and string bass,
and Bill Dart on drums are indispensable as
foundations for the Yerba Buena power.

An important quality of the integrated
work of the Watters band is in the subordi-
nation of all to the band effort. Even during
solos by a single instrument, the rhythm sec-
tion operates in a manner that conveys an
ensemble feeling. If conventionally we think
of "solos" as the playing of one instrument
with subdued or skeletal rhythmic support,
then there are virtually no "solos" in a
Yerba Buena performance.

The Yerba Buena Jazz Band was the prod-
uct of hard work and extensive research into
the mechanisms of traditional jazz. It was a
daring and eminently successful experiment.
Like most great experiments in all fields of
human endeavor, it was misunderstood by
many who, though dwelling in forests, pro-
verbially failed to see the trees. From the
jazz work of men like Watters, Murphy, and
the Yerba Buenans, we may find much data
important to a functional knowledge of mu-
sic and musical esthetics, free of the useless
encumbrances of artistic-metaphysical-emo-
tional jabberwocky.

collector's items — vol. 2

•This is Riverside's second LP of miscella-
neous one-shots from the dear old Paramount
and Gennett catalogs. If, as a jazz fan, one
is titillated by the notion of obscurity,
whether attached to a merely adequate or
actually superior performance, then this is
THE kind of record to have.

The first two selections on Side 1 are
Down In Gallion and Goose Grease by John
Williams' Synco Jazzers {Para 12457), re-
corded in Chicago in 1926. The unknown
personnel are composed of players of the
piano, banjo, drums, trumpet, trombone, and
saxophone. In the last case, the chap con-
cerned appears to double between alto and
baritone saxes. Gallion is a medium tempo
blues which slows down after the first two
ensembles. The trombone solo (reminiscent
of the standard Brunis bit on Tin Roof
Blues) and ensembles work out on a 12 bar
theme, while baritone and trumpet solos are
on a 16 bar passage. A 4 bar interlude joins
the two strains. Goose is a stomping tune,
head arranged, with verse and chorus, and
ever so vaguely suggestive of Yes Sir, That's
My Baby.

Next to be heard are the Windy Rhythm
Kings (Para 12770) playing South African
Blues and Piggly Wiggly. Trumpet, clarinet,
sax, drums, and piano take part. Since both
tunes were composed by Junie Cobb, it has
been speculated that this was a Cobb group.
It is, however, noted that Earl Hines and
Omer Simeon doubt the Cobb hypothesis
and, indeed, Benny Goodman has suggested
that it was a white band. In any case, they
are cheerfully mouldy and might have any-
one from Tiny Parham to Zez Confrey play-
ing the obviously tutored piano. African is

introduced by two clarinet choruses, the first
on the traditional theme often called Mecca
Flat Blues. The first ensemble employs 93%
of the melody variously known as Tin Roof
Blues, Jazzin' Babies Blues and Make Love
To Me. Piggly was apparently inspired by
the Beale Street Washboard Band recording
of the same tune. The same formula, includ-
ing the final ensemble break, is used. 'Tis
odd to hear someone doing a fair job of
copying a 1926 Johnny Dodds record in
1929.

On the reverse side of this flattened gem
there first appears King Mutt and his Ten-
nessee Thumpers, playing those fine old fa-
miliar Scout camp songs, Maxwell Street
Stomp and Good Time Mama (Ge 6796,
6844). Now some of us may know these from
their reissues on the Champion label and the
more recent fly-by-night Creole label, where
the merry band was identified as Frisky
Foot Jackson and his Thumpers. (Why King
Mutt chose the alias of Frisky Foot Jackson
will be the title of a forthcoming essay in
this magazine. Watch for it!) The Thump-
ers thump with the aid of piano, guitar,
drums and washboard, trumpet and a reed
man who alternates on clarinet and sax.
Both performances are high class, enthusi-
astic blues stomps. During a brass bit on
Mama, a nasal voice cries out, "Play it,
Punch," leading to the hypothesis that
Punch Miller or Punch Milkbullet is respon-
sible for the horn. In a much less rational
way, the nasal voice again appears during a
clarinet solo and says, "Play it, Mr. Guitar-
man." Finally, the nasal voice sings a chorus
of Good Time Mama. Well, I'll say this: if
my name was King Mutt and I had such a
voice, I'd sure change my name to Frisky
Foot.

To close this remarkable assortment, Clar-
ence Jones' Sock Four (Para 12716) plays
I've Got It All and 'Mid The Pyramids in
1928 style. The four are Clarence Jones —
piano, an unspecified guitarist, alto saxist
and trumpeter. All is a nice, slow, 12 bar
blues which includes a group vocal. Pyra-
mids has two strains and a similar tempo. It
has a haunting melody, and the more so be-
cause it is familiar under a different name
by another possibly obscure group. The
Jones group suggests that it has been im-
pressed with the work of Jimmy Noone and
associates, as its style is like that of a small
Noone combo. It is possible that these men
were from a Noone group ... so speculate
away. (Riverside RLP 1040) (R. L. T.)

backwoods blues

Bobby Grant: Nappy Head Blues/

Lonesome Atlanta Blues

Buddy Boy Hawkins: Jailhouse Fire

Blues/Shaggy Dog Blues

King Solomon Hill: The Gone Dead

Train/Tell Me Baby

Big Bill J ohnson : Mr. Conductor

Man/Big Bill Blues

These "eight selections in the early folk-
blues tradition," reissues of rare and obscure
material appearing on the Paramount (1927,
1931) and Champion (1932) labels, present
a remarkable and moving document of a
singing and instrumental style intimately re-
lated to the historical and functional descrip-
tion of jazz. Just how these men fitted into
the cultural pattern is not altogether clear.
Their role seems that of the wandering min-

strel; folk poets, to be heard from and then
to move on. Their blues were a passionate
commentary on the life they knew. There
was no coyness, nothing of the big-business j
"rhythm and blues artists" of today.

Each of the selections features voice and j
guitar. Probably the most familiar of the
"rural" or folk-blues singers is Blind Lemon /
Jefferson. (Leadbelly is in a class of his j!
own.) In this collection all but Big Bill
Johnson employ a similar vocal emphasis of j
rhythmic pattern, often at the expense of
clear verbal delivery. The Bobby Grant sides j
appear to be by two different singers, lend- |
ing even more obscurity to their history.

Bill Johnson, while retaining much of the
forceful rhythmic style of the others, devi- i
ates toward the more "urban" and sophisti-
cated voice of, for example, Josh White.
The more superficial and stereotyped lyrics i
mark the withdrawal from passion and the
evolution of commercial blues. (Riverside
RLP 1039) (R. L. T.)

new songs of the african coast

Modern Cafe Music of West Africa I

It was just a few years ago that a de-
tailed series of articles appeared in the
Record Changer, heralding and discussing !
Arthur Alberts' field recordings of contem-
porary West African music. The first 12 inch
LP reissue of this series came out some
months ago and now we are confronted with
the second LP volume.

As the subtitle indicates, we find here se- j
lections recorded in the cafes of the Gold
Coast and Liberia in West Africa, where
European and American influences are con-
spicuous. This feedback phenomenon (Africa
and Europe to America, and from America
and Europe back to Africa) considerably
complicates the musicologist's task. The lis-
tener need not concern himself with the an-
thropological goings-on, however, for there
is plenty of plainly entertaining material on
hand. The album notes are informative for
high-brow and middle-brow alike.

Among the seventeen selections by various
vocal and instrumental groups are found fla-
vors of the rhumba, samba, fox trot, blues,
calypso, and English and American folk bal-
lads in languages from English to pidgin to
local dialects. A cigarette tin scraped with a
knife and a tapped-upon empty whiskey bot-
tle appear as rhythm instruments on a few
tunes. One is reminded of a similar scrape
rhythm, provided perhaps by a sandpaper
block, present on the appropriately titled
African Hunch, recorded by Richard M.
Jones' Jazz Wizards on Victor. Of course,
the washboard is the prototypical American
instrument in this area. On another selec-
tion, a trumpet player of allegedly two
weeks' self-tutoring does a correspondingly
fair job of accompanying a song about a
Liberian jail. Still another song, suggestive
of Leadbelly's Irene, raises the question of
who influenced whom.

As an example of the richly imaginative
folk song, the following translation from a :
Twi dialect "samba" is quoted. "I am a •
stranger seeking for employment. Indeed
travellers are always in sorrow. I was a bit
rich when I came, but now I am poor. Now i I
I am sick of roaming and shall therefore re-
turn home. I met a beautiful girl at Agona j '
Nkwayba named Awuras Asi. Later I could
not find her at the Makola or Staba markets.
But one day she turned up, bitten by a snake ^
in the Keneshie Latrine. I therefore gave an
amount of two shillings and sixpence to a \
doctor. He cut her open, and this is what he j
found inside: one cassava, one plantain, one G
coco-yam and a duck." (Riverside RLP C
4003) (R. L. T.)

_

27

FOLK LORE / FOLK SONG

a department

EDITED BY JAC HOLZMAN

leadbelly on record

We continue our survey of Leadbelly On
Record, devoting our entire column this
month to two recently released LP albums.

LEADBELLY'S LAST SESSIONS

Volume One 2-12" Folkways LP's FP 241:
I Was Standing In the Bottom; Yes, I'm
Goin' Down in Louisiana; I Ain't Goin'
Down to the Well No More; Dick Ligger's
Holler; Miss Liza Jane; Dog-Latin Song;
Leaving Blues; Go Down, Ol' Hannah; Blue
Tail Fly; Nobody In This World Is Better
Than Us; We're In the Same Boat Brother;
Looky, Looky Yonder ; Jolly O The Ransom ;
Ship Of Zion; Bring Me a Little Water,
Silvy; Mistreatin' Mama; Black Betty; Ain't
Goin' Down To the Well No More; I'm Go-
ing Back Down in Louisiana; I Don't Know
You, What Have I Done; Rock Island Line
Old Man, Will Your Dog Catch a Rabbit
Shorty George; Stewball; Bottle Up and Go,
You Know I Got To Do It; Ain't It a
Shame to Go Fishin' On a Sunday; I Ain't
Going to Drink No More; My Lindy Lou;
I'm Thinking Of a Friend; He Never Said a
Mumblin' Word; I Don't Want No More
Army Life; In The World; I Want To Go
Home (end of first record in this album).
New Iberia; Dancing With Tears In My
Eyes; John Henry; Salty Dog; National De-
fense Blues; Easy, Mr. Tom; Relax Your
Mind; Bottle Up and Go; Polly Polly Wee;
Pig-Latin Song; Hawaiian Song; Drinkin'
Lum Y A Alia ; The Gray Goose ; Silver City
Bound; The Titanic; Death Letter Blues;
Mary Don't You Weep; He Never Said A
Mumbling Word (end of second record in
this album).

LEADBELLY'S LAST SESSIONS

Volume Two 2-12" Folkways LP's FP 242:
Midnight Special; Boll Weavil Blues; Care-
less Love; Easy Rider; Cry For Me; Ain't
Going Drink No More ; Birmingham Jail ;
Old Riley; July Ann Johnson; It's Tight
Like That; 4, 5, and 9; Good Morning

Babe, How Do You Do; Jail House Blues;
Well, You Know I Had To Do It; Irene;
Story of the 25< Dude; How Come You Do
Me Like You Do, Do, Do; Hello, Central.
Give Me Long Distance Phone; Hesitation
Blues; I'll Be Down On the Last Bread-
wagon (end of first record in this album).
Springtime in the Rockies ; Chinatown ; Rock
Island Line; Backwater Blues; Sweet Mary;
Irene; Easy, Mr. Tom; In The Evening
When The Sun Goes Down; I'm Alone Be-
cause I Love You; House of the Rising Sun;
Mary Don't You Weep and Don't You
Moan; Fannin Street; Sugar'd Beer; Didn't
Ol' John Cross The River; Nobody Knows
You When Your Down and Out; Bully of
the Town; Sweet Jenny Lee; Yellow Gal;
He Was The Man; We're In the Same Boat,
Brother; Leaving Blues (end of second rec-
ord in this album).

In the early fall of 1948, Huddie Ledbet-
ter and Frederic -Ramsey, Jr., met in Ram-
sey's home for dinner and to talk about a
recording project. Leadbelly had brought
along his wife, Martha, but had left his gui-
tar at home for both he and Ramsey had
thought that this evening would be devoted
entirely to preliminary discussion. But, Lead-
belly couldn't talk too long without singing
and at some time during that evening he be-
gan to turn over in his mind bits of the ma-
terial he wanted to perform on his regular
WNYC broadcast. Ramsey, sensing that
Leadbelly was getting in the mood, turned
on his tape recorder. And, Leadbelly speak-
ing about his Sunday broadcast said, "I'm
just doing the stuff lettin' people know what
American folk music is . . . unwritten mu-
sic, made up by the mind and how you feel
when you sing it." These words set the pace
for the four 12" LP's that were edited from
tapes made on that and two later evenings.

I'm sure that Leadbelly didn't think that
these were his last sessions. At one point "he
pauses to discuss his plans for the following
summer, but during the second session in

October Leadbelly seemed to realize that he
was putting down on tape an important his-
torical document. He started to sing songs
that he had never recorded before and
placed many previously recorded selections
into a fascinating personal perspective.
"That's the name the boys give it (the sun)
when I was down in prison" says Leadbelly
after singing a relaxed and lengthy version
of Ol' Hannah.

The first of the three sessions is repro-
duced in its entirety on the first LP of Vol-
ume One. The second (October) evening's
work encompasses all the material remaining
in the first volume and going into the first
side of the second LP in Volume Two and
winding up with Chinatown. The third eve-
ning (date not indicated) starts off with
Rock Island Line and finishes with Leaving
Blues. The sequence on these recordings
therefore, is an exact duplicate of Leadbelly's
order.

Although this is primarily a collection of
songs, both volumes are shot through with
choice bits of southern lore, figures of speech,
remembrances of Leadbelly's past life and
snatches of his personal philosophy ("one
world and we're all in it" ) . Included are
two stories which are given space by them-
selves, apart from the singing. Blues, field
hollers, shouts, spirituals, ballads, Leadbelly
originals can all be found here. In fact,
something of each part of Leadbelly's total
experience is represented. His friendly ban-
ter with Ramsey^ the collector, is delightful.
Leadbelly is conscious of his superiority
when it comes to "back-street, swamp-grown"
Negro singing. The material is all his, and
he knows that no one can take it from him.

The following highlights of each of the
four records in this two volume set merit
special attention:

First Record — Volume One:

Go Down, Ol' Hannah — The most com-
plete ( ? ) version available anywhere and
the most interesting.

28

Ship of Zi°n — Leadbelly's wife, Martha,
joins him. She's a little reticent at first
but gains courage as she goes along.

Bring Me -a Little Water, Silvy — Martha
again.

Old Man, Will Your Dog Catch a Rabbit —
Leadbelly maintains his beat, by some very
rhythmic hand clapping.

Stewball — It's just the best. Handclapping
with Martha and no guitar.

Second Record — Volume One:

This record starts off with a wonderfully
human story about a woman in a mental in-
stitution and how she recovered.

Salty Dog — A spine-tingling three minute
version featuring relentless guitar work al-
ternating with hand claps.

National Defense Blues — A Leadbelly origi-
nal and how it came to be.

Silver City Bound — Documents some of his
experiences with Blind Lemon Jefferson.

The Titanic — A Negro version that includes
some barbs pointed at those who refused
to grant passage to fighter, Jack Johnson.

Mary, Don't You Weep — Martha again.

First Record — Volume Two:

Midnight Special — This is Leadbelly's
"standard" rendition. Interesting, anyway.

Careless Love — Ramsey's query about south-
ern mountain pregnancy versions of this
song elicits a little Leadbelly philosophy.

4, 5, and 9 — A Leadbelly original about
Hollywood.

Story of the 25$ Dude — No comment needed.

Old Riley; Jailhouse Blues; Hesitation Blues
— Don't miss them.

Second Record — Volume Two:

Springtime in the Rockies — Leadbelly de-
scribes an encounter with Gene Autry in
Greenwich Village.
House of the Rising Sun — Martha joins in.
Backwater Blues; Sweet Mary; Fannin
Street; He Was the Man; Bully of the
Town; Didn't Old John Cross the Water;
Yellow Gal; Leaving Blues — All great.

The success of these recordings is due in
great part to the ease with which each of the
edited sections fall together. It seems that
at least the first evening was taken down on
perishable paper tape which later started to
come apart. At some spots you can hear dis-
torted drops in level which are the fault of
the paper tape. However, there are not
enough of these to give you an uncomforta-
ble time. There are also the other noises of
collecting that pop up occasionally — a mike
stand being kicked, picture-taking and a few
street sounds. Again, nothing to sweat over.
Practically all the difficulties have been over-
come by the skillful hand of the editor.

Except for the above mentioned "faults"
the technical side is fairly good. There is
practically no blasting (thank heavens!) and
the change of mikes from an inexpensive
voice job used in the first session to a better
cardioid for the second and third sessions
was a great improvement. The pressings are
quiet.

Fred Ramsey's notes are a reprint from
an article he wrote for the November-De-
cember, 1953, issue of High Fidelity maga-
zine. But, perhaps the most interesting
feature of these sets, aside from the records
themselves, is Ramsey's work sheet, which
indicates how a competent collector goes
about his job. It's worth looking over with
care.

BEHIND

THE COBWEBS

In June we discussed a pair of masters
each of which appeared under different
band names (the rule rather than the excep-
tion two decades ago) and tune titles (not
the usual thing at all!) and pointed up the
fact that our research efforts into the tangled
maze of the "small" labels of the twenties
have shown one thing that must always be
remembered. And that is the rule : Never
believe anything printed on a record label
just because it is printed there!

We have turned up three more examples
of the same master issued under different
titles as well as different band names. This
time, in two of the cases, they have gone one
step further and have even given different
composer credits for each title! In the two
pairings mentioned in June, composer credit
was given for one title (presumably correct)
and no credit at all was given for the other.
Again the Grey Gull organization is the one
responsible, but they did refrain from chang-
ing the tempo descriptions this time. All are
labelled fox trots!

The first master is from the same ERL-
Consolidated source as the two we listed in
June and is 3453. On Radiex 1224 we find
it called Sunny Spain with composer credit
to Charles Frank and played by The Casino
Dance O Pators. Then on Supertone 1381
we find it described as Monte Christo (sic!),
composed by Frank, and played by Cosmo-
politan Dance Orchestra. Supertone was the
iabel of Straus & Schram, Chicago, and was
produced for that company by a succession
of different record labels including Pathe,
Grey Gull, and Gennett. The Supertones
mentioned here are both during the Grey
Gull period of the label.

It would seem that Grey Gull did not con-
fine its title changing to masters from out-
side sources, since our next two examples
are Grey Gull's own masters. We find mas-
ter 2103 on Radiex 8107, called Black Bot-
tom Tango, composer credit to Villans, and
performed by Metropolitan Dance Orches-
tra. There is a Spanish flavor to this, we'll >
admit, but apparently not enough to satisfy
Grey Gull! Thus we find Madison 1608
Spanish to the core, with Down In Rio,
composer credit to Maguire, as played by
Castillian Serenaders.

When obsessed with the Spanish influence,
the boys at Grey Gull stuck the word "tango"
after the good old American Black Bottom
which was both a dance and a tune, but
when they stayed at home they didn't know
how to define it ! Look at these two : Master
2115 on Madison 1613 is called Black Bot-
tom Strut, composer credit to Whittier, and
strutted for us by Southern Melody Makers.
The same master on Supertone 8109 is
termed Black Bottom Slide, composer credit
to Crosby, and slid along by University
Dance Orchestra.

In each case one of the titles is false and
in the latter two one of the "composer"

names is also. Perry Armagnac is the fortu-
nate fellow to own all these six "tunes" (al-
though one is on loan from another of our
research group, Dan Mahony) and we have
carefully compared each pair aurally and
they are identical.

Label of the Month: A real rarity this
time of which The Syndicate, collectively,
has only seen two copies to date. It is
Apollo and carries no maker credit on the
label. It is obviously pressed by Pathe and
from their masters, using the Pathe catalog
number as well. Our cut is the "A" side of
Perry Armagnac's Apollo 36793 (this pair
of masters would also be on Pathe 36793
and Perfect 14974, but band credits may
differ), Ma Belle, as by Casino Dance Or-
chestra. The reverse is March of the Mus-
keteers with same band credit. The first title
and the musical comedy from which they
both come, "The Three Musketeers" date
the record as no earlier than 1928. The label
is black with all lettering and designs in
gold. The label wasn't registered in the U. S.
Patent Office and we have no data as to who
marketed it. One other copy has been seen,
in the collection of Howard B. Rea, of Up-
per Montclair, N. J. This one is very inter-
esting, as it couples one side of Pathe 36734
and one side of Pathe 36750 and uses the
correct Pathe catalog number on each side!
Thus, on one side it's Apollo 36734 and on
the other it's Apollo 36750. The first side
("B" side of Pathe 36734 and Perfect
14915) is My One And Only as by Lanin's
Arcadians with vocal by Scrappy Lambert,
and the reverse ("A" side of Pathe 36750 &
Perfect 14931) is He Loves And She Loves
as by Mike Speciale and His Orchestra with
vocal by Ted Wilson. Both Apollo's are
"sunken label" pressings and the master
numbers are therefore not visible on the
pressings. After stating that this label is very
rare (on the basis of knowing of only two
examples) we fully expect our readers to
come forth with a veritable parade of exam-
ples! Can anyone shed any light on this
label? Using the parent label's catalog num-
bers as they did we cannot even hazard a
guess as to how many different Apollo cou-
plings were produced.

Space is gone for this time. We hope you
are enjoying your summer and that you will
remember us if you have the time to list any
data from the "small" labels of the 1920's
you may own or have access to. Send data,
your queries, comments, personnels, etc., to
us at 74 South Road, Harrison, N. Y., or
c/o The Record Changer, 418 W. 49th St.,
New York 19, N. Y.

29

Notes on

The West Coast Scen e

Weldon Kees' satire on "Jelly Rolls
Again" (May Changer) was read recently
on Station KRE's Sunday Session in the
midst of the hour-and-a-half of traditionally-
styled jazz; the results caused Sam to won-
der at the sense of humor of mouldie fygges,
a point in doubt for some time. Phones rang,
cards were written and for many days ex-
planations were necessary to convince listen-
ers that Hilda Hopworth was a fictitious
square.

The remarkable Count Basie band loaded
the Downbeat Club for two solid (and how)
weeks. In close comparison with the Elling-
ton band which left a couple of months ago,
Sam thought the Basie outfit was sharper, es-
pecially in the fantastic section work, al-
though The Duke's book seems much
broader in style, and more appealing to the
general popular music or jazz enthusiast.
The Downbeat Club has experimented with
big bands and small, Dixieland and Very
Modern, and darned if Frisco doesn't seem
to prefer the big modern affairs the best.
This was also true in the dead of winter at
the now defunct Diamond Knee where Her-
man did remarkably well. The old cry of the
two-beat fans that they'd show up if they
"could only dance" didn't prove accurate in
the case of Pee Wee Hunt, who just didn't
draw, despite good music, decent prices, and
extensive publicity.

Ralph Sutton back at the Hangover Club
where he usually puts in a few weeks in the
summer, this time with Edmund Hall. Hall
should appreciate San Francisco more after
this visit; his last venture, in 1950, was a
complete bust, not because of the music
(which was good) but due to terrible club
management and no publicity. That joint,
incidently, was only a couple of blocks from
the site of the Hangover.

One of San Francisco's hardest working
folk singers, Stan Wilson of Berkeley, may be
on the way to the top. Stan, whose principal
difficulty is his close similarity to Josh
White, had a few weeks at Reno's Riverside
Hotel, has signed with Decca, and generally
looks like a rising star. Although his calypso
stuff is very popular, Sam thinks Stan's gui-
tar work may push him above the run-of-
the-mill folksters.

Add to the smallish New Orleans type
bands now plying their trade once a week
(to the usual small but enthusiastic audi-
ences) one featuring Dick Oxtot, cornet,
Bob Mielke, trombone, and Bill Dart (from
the Watters band) on drums.

Bob Scobey has surprised everyone with
his impressive drawing power at a San Fran-
cisco waterfront dive, "The Tin Angel." Al-
though Scobey's Frisco band hasn't actually
ever played in that city before, the people
have been arriving in droves, and staying.
Undoubtedly the presence of Clancy Hayes
on guitar and frequent vocals is an impor-
tant factor, since Clancy knows how to sell a
song and keep the people happy. Scobey has
added Dick Lammi on bass, which brings
the current box-score of ex-Watters bands-
men up to three each for Murphy, and
Scobey.

A compilation of facts and (presumably)
non-controversial opinion from West Coast
sources, designed to fill in a few spots prob-
ably left uncovered by the more formal ar-
ticles of this survey.

The West Coast — particularly Los Angeles
and San Francisco — is one of the most ac-
tive spots in the world for jazz — both tradi-
tional and modern, both for musicians and
collectors.

In traditional jazz you have only to list the
names of permanent residents to get a who's
who of top performers: Kid Ory, Don Ewell,
Alvin Alcorn, Ed Garland, Minor Hall,
Teddy Buckner, Pud Brown, Ben Pollack,
Jack Teagarden, Red Nichols, Pete Daily,
Jess Stacy, Marvin Ash, Skippy Anderson,
Rosy McHargue, Matty Matlock, Ted
Vesely, Turk Murphy, Wally Rose, Bob
Scobey, Bob Helm, Burt Bales, Bob Short,
George Probert, plus the Firehouse Five,
Banjo Kings and more.

In modern: Shorty Rogers, Shelly Manne,
Jimmy Giuffre, Bob Cooper, Bud Shank,
Howard Rumsey, Claude Williamson, Bob
Gordon, Art Pepper, Joe Mondragon, Lennie
Niehaus, Barney Kessel, Laurendo Almeida,
Chet Baker, Paul Desmond, Dave Brubeck,
Gerry Mulligan, Rolf Ericson, Bob Enevold-
sen, Bill Holman, Jack Montrose, and of
course, Stan Kenton.

At the moment of writing most of these
people are in town, or if they are on tour,
will be back before too long. In addition
Max Roach and Clifford Brown, Tatum,
Johnny Hodges have been working here re-
cently. Basie, Ellington, Armstrong are heard
here frequently, as is George Lewis and com-
pany.

Records: Ory made the first New Orleans
records in LA in '21. Now, long after that,
Victor records Shorty Rogers here. Kenton
is doing a series for Capitol on a special la-
bel, Stan Kenton Presents, which will fea-
ture as leaders Giuffre, Cooper, Holman,
Williamson. Columbia does Pete Rugolo here
— and of course Murphy in SF. The "Chet
Baker with Strings" Columbia album was
done here. Mercury is recording jazz here —
Maynard Fergusen band. Decca is starting
with modern sounds — and of course you
have the independents: GTJ and Contem-
porary, Pacific Jazz, Fantasy (with Bru-

beck). Then there's Norman Granz' Clef
and Norgran, Gene Norman's new label

Gene Norman Presents, and others, includ-
ing Trend.

The San Francisco style came from the Wat-
ters band. It was and is characterized by
collective improvised ensemble playing but
differs from the New Orleans style in the
matter of rhythm and in the repertoire,
which is more extensive. The special sound
comes from the personalities involved: Lu,
Turk, Scobey, etc., and the influence results
in large part from their being the first to re-
activate the early jazz. The Watters band,
because of Lu's great strength and the force
of his personality, created a large following,
and quite naturally there were other talented
SF musicians who liked what they heard and
fell into the style. Even the Firehouse Five
owes a great deal to the Watters band.

In modern sounds we have a similar situa-
tion with Stan Kenton playing a central role.
He was popularizing the new sounds concept
during the early years of the war in southern
California. His first band at Balboa in '42
was a great influence. Just as Turk, Scobey,
Wally, et al. came out of the YBJB, most of
the young musicians who are the "West
Coast School" are ex-Kentonites: Shorty
Rogers, Shelly Manne, Howard Rumsey,
Bob Cooper, Bud Shank, Art Pepper, Len-
nie Niehaus, Bill Holman and more. These
musicians work together constantly on jobs,
concerts, recording dates, etc. Shorty and
Jim Giuffre study with a well-known
teacher-composer, Dr. Wesley La Violette.
Some of the musicians also study composi-
tion with Shorty: Bob Cooper for instance.
The school is characterized by the emphasis
on the composer, raising him to equal status
with the soloist, and using the soloist to ex-
tend the development rather than blow a
set of variations on a theme. The composi-
tion is characterized by use of counterpoint
as opposed to ehordal harmony — free lines,
often atonal. Yet the intent is to retain the
basic jazz feel — the rhythm — the swing. The
prevailing mood is one of experimentation.
. . . Shelly Manne, for example, is con-
stantly at work on new ways of using drums
in jazz — and plays melodic lines in free im-
provised sections, working with the horns, or
the bass.

}0

HOW THE RECORD CHANGER WORKS

Abbreviations used in the Classified
"Wanted" and "For Disposition"
Sections are as follows:

Col. I, Record Label:

aver j ray avery 663 | hollywood blvd , hollywood 28 calif.

bear;j.w. beard 735 w. olmos san antonio texas

brocjstuart brockbank |89a station lane hornchurch essex england

0"3os jbarney crosby 55 rice street san francisco calif.

farwjruss far bell 1 1 00 north sixth quincy ill,

franjdonald f. frank i i |4 frank ave., albert lea minnesota

gree;mel green 1024 locust Denver colo

gigajjames giganti 804 west jefferson street springfield ill.

jolsjjolsonairs memorial club |329 west morgan ave., milwaukee |5 wis

l!nd| jim lindsay 552 n highland ave., indpls i nd.

liqu;john liquor i 236 6th ave., west cape may n.j.

mcdojmrs williams m. mcdonald i | 506 dedeoona dallas texas

parrjsid parry 574 west 176 st nyc 33 ny

scrijpaul scriven |29 vienna ave., niles ohio

smitjbob smith jr., 203 w 2nd st frederick md

80utjjack n. souther 20 1 1 44th ave., san francisco 1 6 calif*

sterjsterling music pub. 1650 brdway nyc

CLOSING DATE
FCR
AUCTIONS

ES

OCTOBER I

Wh.n it it n*c*tsary to indict* nationality of
th. racord, tha fallowing lattara appaar aftar
the racord labal abbraviation:

A AnjtntinM 6 German

An Australian I Italian

B Braiilian J Japanese

C Canadian M Mexican

E ,. Enalish S Swiss

F French Sd Swedish

In tha "For Disposition" taction tha condition
of tha racord is indicated by that* abbrevia-
tion!-.

N (New): Surface noise equal to an unplaved
record; no visible or audible wear percer.
tlble: original finish intact.
E (Excellent) : Surface noise low, smooth, uni-
form. Not irregular or crackling. Easily dis-
regarded in listening. No perceptible distor-
tion.

V (Very Good): Surface noise somewhat
more prominent; light foreign noises, but
slight distortion, if any; noises not seriously
distracting.

O (Good): A moderate amount of surface
noise; background may be somewhat irregu-
lar and crackling; some foreign noises, and
a little distortion; on the whole, reasonably
satisfactory listening without undue distrac-
tion of attention. Foreign noises definitely
less prominent than the music.
F (Fair): Foreign noises, taken together, are
about as prominent as the music, and there
Is considerable distraction of attention, and
listening requires some effort and concentra-
tion; nevertheless, under these conditions,
listening should be fairly satisfactory.
P (Poor): Foreign noises; collectively, are
louder than the recorded music: continuous
concentration is required, and there is little
satisfaction in listening.

RECORDS WANTED

I AM INTERESTED IN BUYING OUTRIGHT

small or large collections of Jazz, Sweet, Swing, Personality, Blues,
Bop, or Pops.

J will pay spot cash for such collections.

If you have a collection you wish to dispose of, please write,
giving full details of the collection, type, artists included, labels,
and most important of all please describe the condition of the
records carefully.

Then set your lowest price for the lot. I do not buy piecemeal but
will take all or none.

WRITE, WIRE, OR PHONE

BILL GRAUER, Jr.

lp.8 West i|.9th St., Hew York 19, N.Y.

31

MINIMUM BID 75c

ALF CUNNINGHAM

BOX 44 THE RECORD CHANGER 4|8 WEST 49TH STREET NYC |9,N.Y.

MINIMUM BID 75c

THIS IS ONE OF THE GREATEST COLLECTIONS OF RARE AND DESIRABLE ITEMS IE HAVE HANDLED IN YEARS. THE TEST PRESSINGS CONTAINED IN TH IS COLLECTION ARE EXTRAORDINARILY
RARE AND AUTHENTIS.BElHd TESTS EB8M THE ORIGINAL MASTERS OF GENNETT, CHAMPION, VICTOR, BLUEBIRD, AND PARAMOUNT. PLEASE EXAMINE THE MASTER NUMBERS CAREFULLY
BECAUSE WE HAVE NOT TAKEN THE TIME TO CHECK IN EVERY CASE AS TO WHICH X SOW£ OF THESE WERE OR WERE MOT PREVIOUSLY ISSUED. MINIMUM BID ON ALL RECORDS IS T54
EACH UNLESS OTHERWISE STATED. PLEASE BID BY LOT NUMBER TO LEFT OF EACH COLUMN. WINNERS NOTIFIED AT CLOSE OF AUCTION TO REMIT AMOUNT OF TOTAL WINNING BIDS
PLUS 25* FOR PACKING MATERIALS. RECORDS WILL BE SHIPPED VIA RRX SHIPPING CHARGES COLLECT UPON RECEIPT OF YOUR REMITTANCE. WE DO NOT RECOMMEND PP SHIPMENT BUT
WILL SHIP THAT WAY IF YOU INSIST UPON IT AND ENCLOSE SUFF IENT EXTRA IN YOUR REMITTANCE TO PAY FOR POSTAGE. HOWEVER WE WILL NOT ASSUME ANY OBLIGATION FOR
BREAKAGE IF WE * IP PP. THE CLOSING BATE FOR THIS AUCTION IS OCTOBER 4, 1954. PLEASE STATE WHETHER OR NOT YOU WILL ACCEPT JUST ONE RECORD IF THAT IS ALL YOU
SHOULD WIN. EXAMINE THIS AD CAREFULLY BECAUSE YO MAY NEVER AGAIN LIVE TO SEE SOME OF THESE ITEMS UP FOR SALE OR AUCTION. GOOD LUCK TO ALL AND A GOOD SUMMER

ORA ALEXANDER VOCAL. J. P. JOHNSON PI ANO/VICTORI A SPIVEY
| . |M WILD ABOUT PATOOTIE/DONT TEAR CLOTHES JAY 12 E+
ALL STARS

2. WILD MAB FISH PONd/nITE 4 DAY JAY 8 N

3. PORTRAIT OF BILL ROB INSOn/qU I NEA FARM JAY |3 N—

FLETCHER ALLEN ORCH

4. FLETCHERS STOMP/ SWINGIN IN PARIS SW 29 N-

RED ALLEN

5. EVERY8DY SHOUT/FUNNY FEATHERS BB 6588 E

6. CANAL ST BL/ DWN JUNGLE TOWN DE 18092 E

7. DWN IN JUNGLE TOWN TEST DE67839 E+
8.1 WISH I WERE TWIN6/NEVER SLEPT WINK PE 15948 e/v-

9. BUZZ ME/ GET THE V|20|808 E

10. DRINK HEARTY/THE CRAWL V|20I8|3 N-

11. CHECK UP/ LET ME MISS YOU V|202|S7 E+

12. CH0LE/ YOUR NOT THE KINO VO 3262 E

MAC K ALLEN

13. RAZ0R8S IN A I R/ SING FA DA RIDDLE HA 935 E

14. T0WN WHERE I WAS BORn/ HELLO BILL BRN HA 1004 E
15.8 CAREFUL WHAT U SAY/FATHER POWERS HA 1058 E+

AMBROSE ORCH

16. CAFE CONTINENTAL/ THE NIGHT RIDE DE 992 E+

1 7. WERE TOPS SAT NITe/hICK STOMP DE |233 V+

18. WALTZ OF THE FLOWERs/sERENADE DE 3652 E
19. STREAMLINE STRUT/HOR D'OEUVRES DEE 41001 N
20. JAZZ LEGATE/ JAZZ PIZZICATO LON |00|2 N

ALBERT AMMONS/mEADE LUX LEWIS

2| .SHOUT 4 JOY/BEAR CAT CRAWL CO 35961 E
ALBERT AMMONS

22. BOOGIE W00G1E STP/NAG ASAK I DE 749 N

23. BW AT CIVIC OPERA/DOIN BW MER 8007 N-

24. R0SES OF PICARDY/WHY IM LEAVIN YOU MER 8140 E+

25. BASS GOING CRAZY/MONDAY STRUGGLE SA 12000 N
26. SHOUT FOR JOY/BEAR CAT CRAWL VO 4608 N-

MAR1 AN ANDERSON

27. DEEP RIWER/HEAV'N HEAV'N VI 220 1 5 E+

HANDY ARCHIE

28. MISS HANDY HANKS/NO NO BL VS 6069 E

LIL ARMSTRONG

29. LETS CALL IT LOVE/ U MEAN SO MUCH DE |502 N-
30.ORINTAL Sw/GET HAP TOGETHER DE 1904 E+
3| .HARLEM ON STA NIGHt/lOCKEO UP HRT DE 2234 N—

32. KNOCK KNEE'D SAl/eVERYTHI NG'S WRNG DE 2542 E

33. LIL's boogie/the fearls (autographed) VOG 5|57 N

LOUIS ARMSTRONG

34. lonesome bls/ Kl* OF ZULUS brs test n-

35. IM GONNA GITCHA/DONT FORGET MESS HJCA 10 N

36. COAL CART BLS/ TEXAS MOANER HJCA |8 N

37. GOOD TIME FLAT BLS/SCREAMIN THE BLS JC 507 N

38. MELANCHOLY/WILD MAN/GA.BOBO/ ETC LPJAZZ CL |0|6 E-

39. snowball/ swing it CATS BB 10225 N-
40.0EAR OLD SOUTHLAND/(MEADE LUX LEWIs) COJ 10005 N
4I.S.0.L. BLs/sQUEEZE ME CO 35661 N
42. SAVE IT PRETTY MAMA/ NO ONE ELSE BUT CO 35662 N

43. Y0URE NEXT/ORIENTAL STRUT CO 361 55 E+

44. DEAR OLD SOUTHLAND/BODY 4 SOUL CO 36282 E+

45. WEATHER BIRD/A MONDAY DATE CO 36375 e/n-

46. HEAH ME TALKING TO Ya/t IHGT LIKE THIS CO 36378 N-

47. HEAH ME TALKIN/TIGHT LIKE THIS CO 36378 E

48. WRAP TROUBLE IN STAR DUST CO 37308 N-

49. AINT MISBEHAVN/CANT GIVE ANUTHING BUT DE 2042 E

50. HEAR ME TALK IN 2 Ya/sAVE PRETTY MA DE 2405 E

51. mugggy/peanut VENDOR OK 3|94 E

52. MUSKRAT RAMBLE/HEEBIE JEEBIE OK 8300 V

53. COME BACK SWT PAPA/GA GRIND OK 83 1 £ N-

54. D0NT FORGET .VESs/lM GONNA GETCHA OK 8343 n/e

55. D0NT FORGET HESs/lNGONNA GITCHA OK 8343 V
56. SWT LITTLE FAPA/BIG FAT MA OK 8379 E

57. RIS FAT IIA SKINNY/ SWT LITTLE PAPA OK 8379 V-

58. BIG BUTTER EGG MAN /SUNSET CAFE OK 8423 N
59. SUNRISE CAFE/EIG BUTTER 4 EGG OK 8423 V
60. SKID DAT DE OAT/jAZZ LIPS OK 843f N
6|, IRISH BL BOTTOM/ U MAOE ME LOVE U OK 8447 N>-

62. WEARY BL/ THATS WHEN OK 85|9 N-

63. WEASY BI.s/tHATS WHEN ILL COME SACK OK 85|9 V
64. SAVOY BL/HOTTER THAN THAT OK 8533 V
65.SAVOY BLS/HOTTER THAN THAT OK 8535 G+/E
66. ONCE IN Wh I LE/STRUTT1 N WITH BARBECUE OK 8566 E
67.FIREW0RKS/WEST END BLS OK 0597 V
58. KNEE OROPS/SHIP THE GUTTER OK 863 1 E»-
69.TY/0 DEUCES/SQUEZE ME OK 864l N-

70.2 deuces/squeeze me ck 854: v

71. TIGHT LIKE THIs/HEAH ME TALK I N OK 8649 E+

72. BEAU KOC JACK/ OK 8660 E+
73.8EAU KOO JACK OK 8660 E
74.KNCCKIN A JUG /mUGCLES OK 8703 Z/ V
"'5.j=l 1 b_/a!m KISHEHAVIN OK 8714 N-
76.BLK 4 BLUE/ VNT MISEEHAVIN OK 87|4 V
77. SOME THESE DAYs/wHEN YR SMILING OK 8729 n/e

78. WEST END FiLs/ F I REWORKS OK 4|078 N—

79. PK1P THE GUTTEp/kMEE DROPS OK 4||57 N

80. NC ONE ELSE/l CANT GIVE U OK 4|204 n/e
8I.SASIN ST BL/ NO OK 4|24| V+

82.no/basih ft =.L ok 4i24i v

e3.SO*!E THSE DAYS/WHEN UR SMILINu OK 4|2S8 E

R4.WHEN UR SMILING/SOME THESE DAYS OK 4|298 e/v+

85. ST LOUIC BL,' AFTER U GONE OK 4| 350 N
87. BL TURNING GREY/SONG OF ISL/>Nd(laM CR ) OK 4|375 V

LOUIS ARMSTRONG CONT.

88 . DEAR OLD SOUTHLAND/WEATHER 3IPD OK 4l45^ E

89. MEMORIES OF u/LUCKY OL ME OK 4 1 463 V

90. WA l_K I N MY BABY BACK HOME/ OK 41497 N-

91. LONESOME BL/KING OF ZULUS OK 4|58| N

92. MUGGLEs/tthAT KIND MAN IS U PAE 840 N

93. KNOi.Kltv JUG/HIGH TENSION PAE |064 N—

94. BL TURNING GRAY/RHYTHM MAN PAE |494 N—
95. ST LOUIS BL/ DUSKY STEVEDORE JAP Vl TEST N-
96. BASIN ST BL/ SKELTON JANGLE-CDJB JAP VlTEST E+

97. ALT A SOCIEDAD/MAHOGANY HALL STP VI 24232 N—

EXTREMELY RARE. EXPORT RECORD. MIN BID $5.00

98. BL IN SOUTH/BL FOR YESTERDAY

99. BLUE IN SOUTH/ BLS 4 YESTERDAY
100.1 HATE LOVE U NOW/THAT MY HOME
I 01. FAS IN ST BLS/ ST LOUIS BLS

1 02. SWT SAVANNAH SUE/BETWEEN DEVIL 4
(/>EOVE RM CHP 2ND SIDE)
ASPARAGUS JOE

103. THE LETTER/ BOSTON BURGLAR

GEORGIE AULO-SARAH MCLAWLER

1 04. T IPPIN IN/RED LIGHT

AUNT MANDY CHILLUN

1 05. ADAM 4 EVE IN GARDEN 142

VI 202455 Ni-

VI 202456 E+

V 14001 02 E+

VO 3008 E

VO 3 1 36 v-»

CH 15752 E
"br 84010 E+
00 14508 N

WSTIN SIMPERS

L/Fl

1 06. JACKASS BL/FROG TONGUE STP BRDWY |0|8 N-
VERY RARE LADNIER MIN BID $|C.00

107. HEEBIE JEEBIEs/mOJO BLS PM 12283 N
VERY RARE.FlNlSTCOPY IN EX I STANCE. M I N BID Si 0.00

LOVIE AUSTINS SERE.
I 08 .TRAVELING BLS /CHARLESTON MAD
MILDRED BA I LEY

CE 3012 E+

1 09. ALL TO SOON/EVRYTHING DEPENDS ON 0E 3888 N

110. WILLOW TREE/HONEYSUCKLE ROSE DE 1 8 I 08 E

(ABOVE HR CRK RED LABEL )

I I I. SQUEEZE Me/dWHRTED ELS (RED LABEL) DE |8|C9 N—
I |2. SQUEEZE ME/DWN HEARTED BL PAE 2257 N—

II3.I OONT WANT MISS M I SS ISS I PP I ( I 55-1 ) VI TEST N

(ABOVE t\ I 3 MIN. BID |5.00) J

114.1 OONT WANNA MISS MISSISSIPPI (l 55 1 A J VI TEST N

(ABOVE fl |4 MIN. BID 15. 00)

115. THAT A f NT RIGHT ( I 5^ I A ) Ml N.B I C$5 .00 V | TEST N

116. GE0RGIA (70624-2)MIN.BID$5.00 VI TEST N

117. CONCENTRATIN' (70625-1 )m|N BID S5.00VI TEST N

118. LOVE ME TONIGHT<73305-I )H|N B|D$5.00VI TEST N
I 19. CANT U SEE(706|2-I )V,IN BID $5.00 Vl TEST N

120. TOO LATE(70623-I )m|n BID $5.00 Vl TEST K

121. HOME (70630-1 )MIN BID 15.00 VI TEST N

|22.home(70630-3)min bio $5.00 vl TEST N

I 23. THATS WHY DARKIES BORNMl N.B I D$5.00 VI TEST N
|24. ELEVEN LBS OF HEAVEN (70633-1 ) MIN BID $5.00

VI TEST N

125. IM SORRY DEAR<70635-I ) MIN BID $5.00VI TEST N

126. ALL OF me(70636-2)mIN BID $5.00 VI TEST N

127 . DEAR OLD MOTHER D I X I E<7 1906-1 ) MIN BID J5.00

VI TEST N

I28.ILL NEVER BE THE SAME (73 190^3 ) MIN BID$5.0C

VI TEST N

129. ROCKIH C HA I R (733 04-1 )M IN BID 85.00 VI TEST N

BAILEY'S LUCKY SEVEN

130. FOOLISH CHILD/NO NO NORA GE 5232 V+

BAITIMORE BEL! HOPS
COUIN 4 GOIN/HOT

CO 2449 E

I 3 1. COM IN 4 GO IN/HOT ANXIOUS
BARBER SUNCHINE FIVE

132. GENTOFTE BLS/ SHINE STORY

CHARLIE BARNET

133. KN0CKIN AT FAMOUS D00r/t|N ROOF

134. C0NGA DEL MOAXo/aFRAID TO SAY HEL

1 35. CEMENT MIXER/MADAME BUTTERFLY

BARREL HOUSE FIVE
I 36.SOME DO SOME DONT/B.H. STP
COUNT BASIE

137. bugLE bLue^s/ sugar BLS

1 38. MAD BOOGIE/PATIENCE 4 FORTITUDE

BASIN, STREET SIX

139. BASIN ST STP/MARG I E

BEALE STREET i.B. BAND( DODOS)

140. PIGGLY VJIGGLY/40 4 TIGHT

141. PIGGLY WIGGLY (mX# 2) TEST

VERY RARE MIN BIDS20.00 N

SIDNEY BECHET

142. THE M006HE/'BLS IN THE AIR V|20|5|0 E+
I43.I2TH ST rag/suey V|203|20 E+
M^.SUN DWN SOUTH/BLACKSTICK OE 2 1 29 N

I45.0NE o'clock jump(46835-2)min BID$3.00

Vl TEST N

|46.NANa/d|ANE BALDWIN I0|3 N-

|47.MERINGUE D'AMOUrA. RALPH BALDWIN |0|2 N-

THESE ARE TWO OF THE RAREST OF BECHET ITEMS.
FIRST WE HAVE EVER SEEN.MIN E|D $10.00 EACH

LLE

201

N

BB

■ 0 1 3 1

N—

BB

II 05|

E+

DEZ

16862

E+

VJR

41

N

CO

36709

E—

CO

36946

E+

MER

5809

E

VO

1403

V—

BIX BEIDERPECKF
N/T!

1 48 .SAN/THERE A I NT NO S WT MAN B|LT I 03 I N

I49.AT JAZZ B BALL/ JAZZ HE BLS CO 36|56 E+

I5CG00SE PIMPLES/ ROAYL BARDEN BLS CO 35664 N-

I5i .Louisiana/ thou swell co 35665 e+

152. OL MAN RIVER/ WA OA DA CO 35666 N—

1 53. SENT. BABY/ LOVE NEST DTR 501 N

1 54. CLEMENT I NE/ MY PRETTY GIRL JAZZC LASS I CS53 1 N

155. WA DA Da/ OL MAN RIVER UH 25C26 E+

156. BE FRIEND W. PLEASURE ( 63632—2 )

ULU.BID $5.00 VI TEST N

GRAEME BELLS DIXIELAND BAND
|57. CANAL ST BLS/AZTEC PRINCESS AMPERSAND l| E+

158. NBDY KNOW U WHEN OWN OUT/wONT U ESQ 1 00 1 6 N

159. BIG BAD BANSKI MAN. JENNYS BALL RAM 10 N

BUNNY BERGIGAN BLUE BOYS

1 60 . took advantage of me/chiken 4 w dec i s 1 1 7 n—

161. skylark/my little cousin el 5020 n/e

AL BERNARDS DIXIE TRIO

162. WHEN DIXIE STARS/(J .RUSSEL ROBINS0n)PU 11287 V

CHU BERRY

I63.SITTING IN/46 WEST 52<PRE WAR LAM ) CMS 5 1 6 EH

JIMMY BERTHAND W.P. WI7ARDS

1 64.STRUGG LING/LITTLE BITS VO 1035 8+

I65.47TH STREET/lOLE HOUR SPECIAL VO 1060 V

I66.!SAH|LLa/| WANT (CRK) VO 1260 G

I67.IDLE HOUR SPEC I Al/ 47TH STREET VO Q

BIBLE STORIES-LEW AYRES NARRATOR

168. NOAH/DAVID 4 GOLIATH/ETC LP VA 6939 N—

BIG SISTER

169. PIG MEAT MAMA/BORROWED LOVE VS 6063 V+

BARNEY BIGARD

170. BROWN SUEDE/ C BLS BB l| 58 I E

RALPH BINGHAm(MONOLOG)
|7|. MRS RASTUS AT WED/gOLDSTE I N BHIND VI 1 823 1 E

BLK DIAMONS BAND OF LONDON
1 72. APACHE DANCE VI 5777 V+

CLARENCE BLK 4 HIS SAVOY TRIO
|73. BLESS U SISTER/CAUSE I FEEL LOW PV 1 2683 V+

SCRAPPER 3LKWELL

174. BACK DOOR BLS/ HARD T I ME BLS VS 6049 N

BLIND BLAKE

1 75. WEST COAST BL/ EARLY MORNING BLS PM 12387 G

176. C0ME ON BOYS/SKUDLE BL PM I24|3 E

177. TO0 TIEHT/sTONEWALL ST BL PM |243| E

178. FLOYDS COLL'S SANd/cOUNTRY CH YD OK 40393 G—

BLIND ANDY

|79. TRAGEDY DAYTONA Bh/sTONE MT OK 45343 G—

THEBLIND PILGRIM
1 80. MOTHERLESS CHILDREN/OH LORD HAD MYANCHOR 380 V

BLUE RHYTHM BOYS
I82.BLUE FLAME/BLUE RHYTHM

BR 61 43 E

BLUE RIBBON SYNCOPATORS
183. BL Rl EBON BL/WHALE DIP CO 14235 N

FABULOUS BAND VERY RARE<I 0.00 MIN BID

BLUES ARTIST
184. YOUR GONNA NEED HELP/BABY PLEASE DONT DUB
THE BLUES WOMAN

502 V

CH 40025 E

1 85. CRY IN BL/ VOO-IT VOO-I T

BLYTHES BLUE BOYS

186. PLEASURE MAO/ENCURANCE ST

JIMMIE BLYTHE

187. MR FREDD IE BLS/ TEST N

188. MR FREDDIE BLS/ MECCA FLAT(rM CHP) PM |2370 G

189. PANTIN PAPa/wEARY WAY BLS VO I 1 35 V

190. HOT STUFF/HAVE MERCY VO 1136 E

ONE OF THE RAREST 4 GREATEST DODDS ITEMS.

MIN. BID 120.00

I9I.MY baby/ ORIENTAL man vo 1180 N

THIS IS THE WORLDS RAREST DODDS I TEM.ONLY ONE WE
HAVE EVER SEEM. MIN. BID $50.00

92. sweet papa/alley rat vo i 1 8 1 n

One of the great records in jazz.Min bid $35.0<

CLAUDE BOLLIN'S FRENCH BLUE STARS

193. N0BDY KNOWS WAY I FEEL/U RASCAL U

1 94. R I VERS IDE BLS/ G A BO BO

I SHAM BRACEY

195. TR0UBLE BL(45460-2) MIN BID$3.00

196. THE BLUES(4546|-I ) MIN B|D$3.00

WILL BRADLEY

197. SCRAMBLE TWO/ROCK A BYE BOOGIE
198. SCRUB ME MAMMA/THERE I GO

199. U LUCKY TO ME/LONESOME RD

200. BASIN ST BOOGIE/CALL IT ANYTHING

201. CALL IT ANYTHING/BASIN ST BOOGIE

202. FRY ME COOKIE CAN LARD/cHICKEN GUM

C|

1046

N

SI

1047

E

VI

TEST

N

VI

TEST

N

CO

35732

E+

CO

35743

N-

CO

35649

E

CO

36340

N—

CO

36340

E

CO

36959

E

DOBBY. BRAGG (SOLOS )
IRE DETECTIVE/SINGLE
FABULOUS SOLOS AND RARE MIN. B|D$|0.00

MINIMUM BID 75c

ALF CUNNINGHAM

BOX 44 THE RECORD CHANGER 4|8 WEST 49TH STREET NYC 1 9 NY

MINIMUM BID 75c

A SUPERB COLLECTION

PIERRE BRASLAVSKY

204. MUSKRAT RAMBLE/CANT GVE ANYTHING

205. DOUBLE WHISKEY/ ARCADE BLS

BROADWAY BROADCASTERS

206. THAT CERTAIN PARTY/NO MANS MAMMA
400. MY SIGHING SIAMESE/DANCING TAM

PETE BROWN QUINTETTE

208. BELLEVUE FOR U/PETE BRV/N BOOGIE

209. FAT MANS BOOGIE/THATS THE CURFUEW

DAVE BRUBECK

210. WAY U LOOK 2NITE/LOVE WALKED IN
2 I I. FUGUE ON BOP THEME s/pR ELUDE

212. Indiana/lets fall in love

2 1 3. 1 DIDNT KNOW WHAT TIMe/aLWAYS

2|4.2 marv 4 words/heart 4 SOUL

2I5.SMB0DY LOVES Me/cRAZY CHRIS
2|6. LYONS BUSY/A FOGGY DAY

ALBERT BRUNIES HALFWAY HOUSE ORCH
2I7.TELL ME WHO/ LOVE DRMS

BUCKTOWN FIVE
2 18. STEADY ROLL/REALLY A PAIN

VERY RARE MIN$25.00
2 1 9 .BUDDYS HAS ITS/HOT MITTENS

VERY RARE BID $25.00

CA
LINCOLN

27 N-

57 E+

836 E
2693E+

SAV

522

E

SAV

533

N—

FAN

509

N-

FAN

51 1

N

FAN

51 2

N—

FAN

5|4

N

FAN

516

N-

FAN

517

N—

FAN

518

N-

CO

1542

E

GE

TEST

N

GE

TEST

N

221

222
223
224
225

226
227
228
229
230

23 |

232
233
234
235
236
23?
233
239
240
24 1
2^2
243

244
245
246
247
248
249

250

251

BUDDY BONES
.CANT BOTHERED/LIKE DOC SAID

JOHNNIE BURKE 6

.OLD GREY SONNET/MARIA ELENA PARA

BUTTERBEANS 4 SUSIE
.WHN MY MAN SHIMMES/GET USELF

KISS ME SWT/(RARE KING OLIVER)
.PUT YOUR MIND/GONNA START
•BETTER STOP KNOCKIN ME/|NT GONNA DO

BILLY BUTTERFIELD
.ainT mIsBFHaUINAF CULB make

»UNT ILL REAL THINg/bILLYS BOOGIE
.VY SILENT LOVE/PIC A NIC IN
.MAYBE/|T A I NT NECESSARILY SO
.OH LADY B GOOO/SMONE TO WATCH OVER

CALIFORNIA RA MBLERS
.mnligMT RTSSPS FBB7%m(t do u DO

.WHAT DO SUNDAY/MNLI TE KISSES
.roamin' to WYONI N*/kA INTUCKY

ROAM I N TO WYOMI N/KAI NTUCKY
.2 BLUE EYES/HIONAVANNA
_ KNOW ME ALABAm/dREAMY WABASH
.CHARLESTON CASIn/pLEASE
.PLEASE ^CHARLESTON CABIN
,WH COTTON GR0Ws/(4 ARISTOCRATS)
TELL FOLKS IN Ky/sITTIN IN CORNER
IF I SHOUL LOSE/HYPNOTIZED VI
ITS BEEN SO LONG/YOW JAP V

.SHIEK 0 ARABY/GEORG IA ROSE VO

CAB CALLOWAY ORCH

.WRLD ON STRING/HARLEM HOLIDAY BRE
PAPA IN BED WITH BRITCHES On/cALLIN OK

.who calls/mermaid SONG OK

DE 5788 E-

6 N

8147 V-
8182 E
8701 E+
8769 E

Cl» 371 E
CP 434 N-
CP 457 N-
CP 20027 E+
CP 20025 N-/e

15 E+
15 E
39 N-
39 E
103 N-
|53 N
1 71 N
CO 171 N—

CO 1227 N
co 3994 E+
TEST N
TEST N—
14275 E

1542 E+
5731 E
6501 N-

.MOMENT I LAID EYES 0n/vA,GA,4 CAROLIlOK 6574 E
.TAINT NO GOODA 4NT TO ROCK OK 66|6 N—

'LL BE AROUND/»A, GA, 4 CAROLINE OK 67|7 e/n
CANNONS JOG STUMPERS
.HEART BREAK I N BL/VIOLA LEE VI 38523 e/v

CAPITAL JAZZMEN
.SUGAR/A I NT GO IN NO PLACE CP lOOll N—

CARMICHAELS COLLEGIANS

'52.WALKIN THE DOg/wASHBOARD BL GE TEST N

TERRIFIC HOAGY.BEAUTI FUL Ml NT TEST MIN BID $10.00

HOAGT CARmICHAEL

253. NO MORE TUOJOUR/VINE ST PARADE
254.1 MAY BE WRONG/HUGGIN 4 CHALK IN
255. OLE BUTTERMILK SKY/TALKINF IS A Wl

256. DR LAWYER INDIAN CH|Ef/oL MANS SLI

257. LAZY RIVER/TUNING OUT

CAROLINA CLUB ORCH

258. UNDER RUSSIAN MOON/ COQUETTE

BENNY CARTER

259. ACCENT ON SW I NG/ SCANDAL I N A FLAT

260. DEVILS HOLIDAY/SYMPHONY IN RIFFS

261. moanin/bl RHYTHM

262. DEVILS HOLIDAY/SYM IN RIFFS

CASA LP MA
263. SHUT EYE/LAST NIGHT MIRACEL HAP

264. ROYAL GARDEN/ SAN SUE STRUT

265. Y0URS 4 WNe/feeling MILLION

266. GIRL IN DREAMS/o I D AN ANGEL

267. LAST NIGHT MIRACLE/HOBOKEN BUCKET

268. HVN CAN WAIt/suNRISE SERE

269. TEARS FRM I NKWELL/u GROW SWEETER

270. U GOT ME OUT LIMB/CASTLE OF DRMS

271. MNOVER burma/when u awake

272. AUTUMN NOCTURNE/m' LI TE COCKTAIL
273. ONE MORE TOMORROW/ IF I LOVE AGAIN
274. NEVER HAD CHANCe/bLUE SKIES

CASTLE JAZZ BAND
275-ORKTWN STRUTTERS/K.C. STOMP
BOVF DIG on 2nd side)

ARA

106

N

DE

23675

N

DE

23769

E+

DE

23862

E

HMV

6500

N—

ok

4|2|8

N

IMP

35015

N

COE

698

N

CO 2504

N

CO

2898

E

brG

82079

N-

CO

2884

N

DE

1368

E+

DE

1634

E+

DE

2281

N

DE

232l

E+

DE

2388

N-

DE

3082

N-

DE

3426

N—

DE

41 14

n-/e

DE

18843

e/n

JpLu

60487

n-

CASTLE 2

N

276. TA TA DADDY/SWEETHEART TKO
Ml N BID $7.50

CO 14396 N

CHARLESTON CHASERS

277. BASIN ST BL/BEALE ST BL (ROYAL Bl) CO 24|5 E

CHARLESTON NOVELTY ORCH

278. sooth ing/georgftte PE |4037 E-

MAURICE CHEVALIER
279.ITS HABITS OF MINE/TOP OF WLD ALONE VI 22007 N-

280. PARIS STAY THE SAr.c/u GOT THAT Vl 22294 N-

28 1. wait TILL u see cherie/hello BTFUL VI 25T92 N

CHICAGO FOOTWARMERS

282. CHICAGO STP DWN/GOIN TO TOWN OK 8675 N—

CHICAGO HOTTENTOTSf AL NICHOLAS)

283. ALL NIGHT /IN THE ALLEY VO 1008 N

CHICAGO ST0MPERS(R£ALLY THE STATE ST RAMBLERS)

284.STP YOUR STUFF / WILD MAN STP CH 400 1 J E

285.ST0MP YOUR STUFF MIN B|D $7.50 GE TEST N

GEORGE CHISHOLM 4 HIS JIVE EIGHT

286. LITTLE EARL/ALL NOT GOLO GLITTERS DEE 8507 N-

HERMAN CH I TTERSON TRIO

287. BEAUTY EVERYWHERE/SERENADE UY 3|4 N—

CHOCOLATE DANDIES

288. DEE BLS/ BUGLF CALL HAG CO 2543 N

289. BUGLE CALL RAg/ DEE BLS CO36008 N

290. paducah/4-5 times ok 8627 v-

291. STRADDLE THE FENCe/lEVEE LOW DWN VO
VERY RARE MIN BID $|0.00

1646 N-

292,
293
294,

295,

296

297

298
299
300
301
302
303

LI LL I E DELK CHRIST I AN( RARE LOUIS)

,TOO BUSY/WAS IT A DRM

,YR REAL SWTURT/laST NITE

,CANT GIVE ANYTHING BUT/sWTHRTS ON

TOMMY CHRISTIAN 4 ORCh/C .LE I GHTON

.SMTHING TE REMEMBER U/SATANS HOLI

KENNY CLARKE 4 HIS CLIQUE

,U GO TO MY HEAD /ROUM EM BAGS

THE CLEVELANDERS

,WITH U/SHE STOLE MY HRT

LARRY CLINTON

,STOP 4 RECONSIDER/COLLEGE HUMOR

.BOOGIE WOOGIE BLs/ MY REVERIE

,MY REVERIE/BOOGIE WOOGIE BL

,WHO BLEW OUT FLAME/TOOK MILLION YRS

.JEEPERS CREEPERS/DEVIL II THE DEVIL

iHRT BELONGS 2 DADDy/mOT GENTS DONT

OK

8596

V

OK

8607

E

OK

8650

N—

HA

1248

E

CE

1501

E+

BA

623

V+

VI

25825

N-

VI

26006

E+

VI

26006

E

VI

26073

E

VI

26108

E

VI

26100

E

JUNIE COBB HOME TOWN BAND
304. E. COAST TROT/CHICAGO BUZZ
VERY RARE 4 FINE DoDDS

PM 12382 V-

OLIVER COBB [GREAT CORNET

305.CORNET PLEADING BL 142
MIN BID $10.00

PM E

GEORGE M. CHOEN

306. LIFES FUNNY PROPOS I T I ONAFTER ALlV VI 60042 E

COZY COLES ALL STARS

307. JUST ONE MORE CHANCE/BL MOON KY |300 E+

ALIX COMBELLE 4 JAM SESSION t I ( JERRY MENGo)

308. TAKE LAST NOTE/BL LOOK OUT SW 227 E+

EDD I E CONDON

309. THE EEL/HOME COOKING BR 6743 N
3I0.SHE FUNNY THAT WAy/|MPROV FOR MARCH DE 23600N—
3II.SHES FUNNY THAT WAy/mARCH OF TIME DE 23600 E+
3I2.IN GONNA STP MR H LEe(48345-|) VI TEST N

MIN B|» 15.00

3|3.thats serious th I ng (48346-2 )

Ml N BID 45.00

ZEZ CONFREY
3 |4. COAXING THE PI ANO/gREENWI CH WITCH

CONNIES INN ORCH
3I5.ROLL ON MIS6l-bJ067-i? ) Ml N BID $5.00

3I6.SINSIN THE aLU£fl(53069-l ) * " $5.00
3 17. SUGAR FT STp/(53066-2) " " " $5.00

VI TEST N

BR 2167 E

TEST
TEST
TEST

N

VI 22698 N-
VI 20579 N

CO 1298 N-

GE 5374 E

3I8.MOAN U MOANERS/ROLL ON MISS.

ANN COOK W.DUMA I NES ORCH
3 19. SWEETEST BLK MAN/MAMMA COOKIE

DOC COOK ORCH

320. BRAIN STRORM/ALLIGATOR CRAWL

COOKS DREAMLAND O(KEPPARD)
32 I. MEMPHIS MAYBE MA/SCISSOR GRINDER J

I PA COX

322. IDA LAWDY BLS/MOANIN GROAHIN BLS PA 12064 G+

323. WILD WOMAN DONT HAVE BL/cHERRY PICK PM 12228 V—

BOB CROSBY

324. D IX I ELAND SHUFFLe/mUSKRAT RAMBLE DE 825 e/v

BOB CROSBY

325. ILL COME BACK TO u/tAKE ME BACK DE 3576 E

326. TAKE I T EASY/MARK HOP OEAU 6086 N—

327. WOMEN ON WEARY MIND/pAGAN LOVE POLYJAP 1 52 Ei-
328.0IXIELAND SHUFFLE/PETER PIPER ft>LYJAP 198 N-

329. MUCH LOVELY/WELL WELL DE 3762 N-

330. DEAR 0 DONEGAL/U DARLING DEVIL DE 4305 E-
33 1 .SEMPER PARATUS/ARMY AIR CORPS DE 4374 n/e

332. MY IMAGINARY LOVe/wEEK EhJ ON HAVNA OE 4049 N—

333. MAKES NO NEVER/lLL NEVER CRY DE 4402 E+
334.SMTHING NEW/GAY RANCHERO DE 4028 N-

335. TRUSTING IN u/fRM ONE LVE ANOTHER DE 4027 N—

336. TWO IN LOVE/SINNER KISSED ANGEL DE 4009 N-
337. SMTHING DR MED NO DOUBt/cALL ANYTHINGDE 381 5 E
338.WELL well/much MORE LOVELY DE 3762 e+/n
339.SWT GENEVIEVE/UNTILL U FALL IN LVE DE 3668 E
340.1 Yl Yl Yl/CHICA CHICA BOOM CHIC DE 3623 E
34I.BIG NOISE WINNETKA/sUNSET AT SEA DE 3611 N-
342.ISNT JST LIKE LOVE/DO U KNOW WHY DE 3445 N-

3434 E+

'e/do u

343. GT ONE TRACK MINd/|'0 KNW U ANYWHER DE

344. ANGEL IN DISGUISE/MOMENTS IN MNLIGHTOE 3070 E+

345. LILACS in rain/wht used 2 WAS DE 2763 e/n-

346. IF I WERE SURE/LADYS IN LOVE W U DE 2465 N—
347. ONLY WHN IN MY ARMs/wHN WE'RE ALONE DE 2452 N-/e

BOB CROSBY

349. WHT GOES UP MST/DONT WORRY ABT ME DE

350. WHT HAVE U GT THAt/u'RE LOVELY MADAME DE

351. be gd sport/swt someone de

352. whi spers in drk/stp yr brking hrt oe
353. Only when in arms/when we're alone de

354. know u anywhere/one track wind de

355. what goes up/dont worry bout me de

356. LILACS IN RAIn/whAT USED TO WAS DE

357. NOTHING 2 LIVE NOw/kEEP THINGING U DE

JOE CURRAN'S ORCH
358. SOPH. PROM/LIFT up finger amer. pa

HANK D'AMICO SEXTET

359. GONE AT DAWN/l WONDER
COW COW DAVENPORT

360. CH I MES BL/ SLOW DRAG

Trm chp)

361. c0w cow bls/ state st jive

362. atlanta rag/chimes bl

NA

BWY
BR
CLI

2402 N-
2|42 E+
I 576 E+
1346 E
2452 N-
3434 N-
2402 E+
2763 E
3808 N-

4r3l0 E+

9003 e/v

5046 V
8 0022 E
50033 N-

sms/\
ch/s'

348.THAT SENT SANDWICH/STRANGE ENCHANTMTDE 24|5 E+

363. ALABAMMY M I STREATEd/bEEDLE UM BUM GE TEST N

min bid $7.50 (big bill johnson)

IVA SMITHfCnW cow

364.THIRD ALLEY BL/SAD 4 BL

HOUND HEAD HENRY( COW COW)
366.S I LV'ER DOLLAR MA/LOW DOWN

PETER DE ROSE

368. SWEET MARIE/YES SHE DO NO SHE DONT

TOM DICKS0N( FINE BLS )

369. HAPPY BLS / DEATH BELL BLS

DIXIE DAISIES

370. WHAT MORE DO U WANT/LOV I NSAM

371. BEES KNEES/WAY D WN EAST IN MAINE

D IX IE FOUR
372.5 o'clock st/so SIDE ST

DIXIELAND JUG BLOWERS

373. CARPET ALLEY/BOODLE AM

374. NATI0NAL BL/SOUTHERN SHOUT

375. BANJ AR I ENO/LOVE BLS

376. BOODLE AM SHAKE (37220-1 )M N B|D$|0.00

377. NATIONAL BL(38635-2)m|N BID $5.00
378.SOUTHER SHOUT (38636-3) " " $5.00

DIX lELArp RHYTHM KINGS
379. DONT GO W Ay/ OH BY JINGO I
DIXIEUND THUMPERS

381. THERELL COME DAY/WEARY WAY BLS

JOHNNY DODDS

382. JOE TURNER BLS MIN BID $8.00

383. BUDDY BURTONS JAZZ/ BOHUNKUS

PM

12447

G

VO

1288

N

PE

12348

N

OK

8590

N

CA

291

e/v

CA

3)2

V

PM

12674

V

VI

20480

N

VI

20954

N—

VI

21473

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

CKBOCKER2 N—
CE 3001 E-

TEST
AM

384B«OD8 BLK BOTTOM STOMPERS

WILT MAN BL(26)/MELANCH0LY(27)
VERY RARE MIN BID $10.00

BR 3567 E

385. JOE TURNER BL/ERA6TUS BR 88075 E+

386. MELANOH0Ly/sTACK 0 LEE DE 1676 N

387. MELANCH0LY/FAREWELL BL (DELTA 4) DE 3864 N-

388. GOIN to town/chi stomp DOW.N OK 8675 N

389.JOHNNY DODDS W BLYTHS W.B. BAND
BUDDY BURTONS JAZz/BOHUNKUS BLS
VERY RARE MIN BID $25.00

PM 12368 E

390. BL CLAR/ stomp (46055-1 )M|N BID$7.00

391. BL CLARINET STPf 46055-2) * " $7.00

392. bl piano st(46056-|) " " $7.00

393. BUCKT OWN ST (46063— 2 ) " " $7.00
39*.WEARy c I TY (46064-2 ) " " $7.00

395. BULL FIDDLE bl(46065-I ) " ■ $7,00

396. BL WASHBOARD ST (46066-1 ) " 1 $7«00

397. INDIGO STp/(48869-2) " ' " $7.00
OORSEY BROTHERS ORCH

398.SHIM SHAM SHIMMY/MOOD HOLLYWOOD

399. TAILSPIN/ romance

400. TAI LSPIn/rOMANCE

401 . soli tuoe/weary BL

TOMMY DORSEY

402. JINGLE BELLS/ SANTA CLAUSE COMIN
403. SANTA CLAUSE COM I N/j INGLE BELLS

404. GOT NOTE/GETTINS ENT OVER U

405. JADA/ ROYAL GARDEN BL

406. AfTER U GONE/ BUGLE CALL RAG

407 . MAR IE/SONG OF INDIA

408. GOOD mornin/mountain MUSIC

409. HUMORESQUE/GOIN HOME

4|0.U LEAVE ME BRTHLESS/SAYS MY HRT
4| I.HONOLULU/THIS NITE

4I2.STOP KICKIN HRT ARNd/aLL FAVOR SWING

413. yes indeed/will US TILL B MINE

4 1 4. free for all/ u4 i

4 1 5. who marie/

4| G. EMBRACE ABLE u/suNSHINE OF SMILE

41 7. LOVE SENDS GIFT ROSES/THING CALLED

418. DAYBRK/THERE ARE SUCH THINGS

419. DAYBRK/THERE ARE SUCH THINGS

420. DIG DWN DEEP/TOOK MY LOVE

421. T00K MY LOVE/ DIG DWN DEEP

422. ILL BE SEE IN u/igt* JUST PRETEND

423.LETS pretend/be SEEING U

424. SLEIGH RIDE JUOY/LIKE SMONE IN LOVE

425. BW/THERE U GO

426. WELL GIT IT/lLL BE SEE IN YOU

427. M IRCALE OF BELLS/ EVELYN
428.SWING LOW ST/FOR YOU 12"

429. alibi baby/twlight IN TURKEY

430.CHINA TOWN/THE SHEIK OF ARABY

VI TEST
VI TEST
VI TEST
VI TEST
VI TEST
VI TEST
VI TEST
VI TEST

CO 36066 N-

DE 4202 E+

D E 4202 V-

DE |50|3 E+

VI 25|45 N
VI 251 45 e/e+
VI 25236 E-
vi 25326 N-
VI 25467 E-
VI 25523 EE
VI 25581 E-
VI 25600 N
VI 25828 N-
vl 26172 E
VI 26356 E+
VI 27421 N
VI 27432 E+
VI 27219 E+
VI 27638 E-
VI 27782 V
VI 27974 E
v| 27974 v+
VI20I539 N
VI 20 1 539 E+
VI 201574 N
VI20I574 E
V 120 1 622 N-
Vl20l7|5 N-
VI202508 E .
V 1202779 N
Vi 36399 E
1068 N
1 181 N-

JAPy,

JapVi

33

MINIMUM BID 75c

ALF CUNNINGHAM

BOX 44 THE RECORD CHANGER 4|8 WEST 49TH STREET NYC |9 NY

A SUPERB COLLECTION

MINIMUM BID 75c

TOMMY DORSEY CONT.

43I.IF U EVER SHUD LEVAE/POSIN JAP VI 1182 N

432. STARDUST ON MOOn/hAVING WONDERFU JAPVI 1183 N

BLIND WILLIE DUNN G IN BOTTLE <HCLIVEr)

433.JET BLK BL/6L BLOOD BL OK 8689 E
CHAMP JACK DUPREE

JD 5013 E+

DE 18126 E

434. COUNTY JAIL SPE/FI8HERMANS BLS

EDO IE DURHAM

435. M0TEN SWING/WANT LITTLE GIRL

DUTCH SWING COLLEGS BAND

436.4 OR 5 TIMES/ SISTER KATE
437. ALEX RAG BAND/BIRTH BLS
438.0RIG DIXIE I STEp/a.M. BLS

AMAS EASON
439.M4 0 BL 1(2

RAM
RAM
RAM

12 N
|3 N
16 N

VO 1694 N-

EDDIES HOT SHOTS
440.STOMP MR HENRY LEe/sERIOUS THING VI 38046 E
DUKE ELLINGTON
44 1 .congo brava/ ko-ko bl.ace

442. pyramid/sugar walks dwn st ba

443. the creeper/lmmigration bls bilt

444. steppin swing society/new b4t fa nt br

445. gal frm joes/ i let song go br
445.y0u gave me gate/dinahs in jam
447. u gave me gate/dinahs in jam
+48. la de doody doo/ stevedores sere

449. f0rgive me/prologue to blk & tan

450. blue light/slap happy

451. portrait of/somthing to live for

452. jazz cocktail/lightmin

453. EAST ST LOU TOODLE Oo/b I RMI NGHAM

454. H0P head/e. ST LOUIS (rm chp)
455. lazy rhapsody/bl RAMBLE

456. LAZY RHAPSODY/BL RAMBLE
457.lightnin/baby WHEN U AINT THERE
458. BUNDLE OF BLs/ BEST Wl SHES
459. IN SENT MOOD/ SHOBOTE SHUFFLE
460.TIGER RAG 1 42

208 N
261 N
1004 N-
8063 N
8108 E
8169 N
8169 E
8 1 74 N-
8256 N
8297 N
8365 E
6404 N
BR 80000 E+/n
CO 953 V
CO 35834 N-
CO 35834 CE+
CO 35835 N
CO 35836 E
CO 36| |2 N-
JAP CO TEST N-

BR
BR
BR
BR
BR
BR
BRF

461. lil farena/animal CRAKERS

QE 3342 E

VERY RARE EARLY ELLINGTON
-

ELLINGTON THINS

462.LUCKY NUMBER BL/RIGHT IN JAIL

GE 3403 E

RAREST OF DUKES, Ml N. BID 130.00

463. solitude/troubles waters hmv 84|8 iN»

464. ARE U STICKING/DONT KNOW WHAT KIND MMV 9277 N

465. J0HNNV COME LATELY/GO IN OUT BK WAY HMV 9424 N

466. BEG INKING 2 C LITE/GOT NOTHING BUT HMV

467.NEW BIRMINGHAM BRKDWN/SCATT I N AT

wn/si
l/ p-

469. TRUMPET NO ENd/sHOULDNT HAPPEN

470. jam a ditty/ diminuendo in bl

471. bl 4 tan fantasy/poor fellow

472. merry go round/clar lament

473. jungle jamboree/snake hips

474. mooche/mooo indigo

475. mood indigo/mooche

476. delta sere/solitude

477. blk 4 tan fantasy/creole love

478. d0nt giet around/cotton tail

479. warm valley /fuming sword

480. spph lady/pitter panther

481. j.b. bl/body 4 soul

482. dear ol southland/solitude

483. MOON M|ST/c JAM BL

484. DELTA SERE/STOMP JONES

485. MAIN STEM/jOHNNY COME
486.1 DONT MIND/WHAT AM I HERE FOR

487. WHAT AM I HERE 4/l DONT MIND

488. EVERY HR ON HR/TIME A WASTIN

489. COME TO BABY DO/TELL YA WOT GOING

490. FRANKIE 4 JOHNNIE/ROYAL GRROEN

49i»delirium/down CALLEY BL

492.ST JAMES INF/

493. HARLEM FLAT BLS/ PADUCAH

494. R0CKIN IN RHYTHM/ |2TH ST RAG

495. Roejcru in rhvthb/ pts t&2

496. RENT PARTY BL/ ST JAEMS INF

497. JUBLIEE STP/OOIN* THE VOOM VOOM
498. STACK 0 LEE BL/ RED HEAD BL

ZIGGY ELMAN4 ORCH
499 .SAMBA W ZIG/WEDDIN SAMBA

EMPIRE STATE JAZZ BAND

500.MINSTREL WALK/ ONCE IN WHILE

MA

MU
MU
MU

OK

9427 N
123 N
461 n=/e
484 N-/v
511 N-
40955 N
FRPOLYD5800I2N
TE 530 N
VI 24486 N-
VI 24486 E+
VI 24755 V
VI 24861 E
VI 26610 E
VI 26796 E
VI 27221 N
VI 27406 N
VI 27564 E+
VI 27856 E+
VI20I533 n/e+
VI 201556 N-
VI20I598 E+
VI 20I598E
VI20I7I8 n-/e
V 120 1748 N-
VI202324 E

CO

1076

N

HOW

1046

:+

BR

4309

N

BR

6038

V

PE

15650

e

OK

1849

E

AFCDJ

19

E+

HA

601

N

MGM

10622

N

RC

103

N

CHARLIE ENGLISH

50I.TRANSOM BLS/TUBA LAWDY BLS PM |26|0 N

FABULOUS TUBA BY BERT COBB MIN. BID. tlO.OO

MAYNARD FERGUSON
502. ALL THINGS YOU ' ARE

ELLA FITZGERALD ORCH

503 . S I NQ SONG 6WING/»ERENT FOR YOU

504. TAKE FROM TOp/jUBILEE SWING

505. wi6hful thinking/hello ma

506. hes' my guy/four leaf clover

507. stone cold dead market/petoot ie
508. its pity say gdnite/sor sent reasi
509.sent journey/guilty

5i0.oh lady b gd/flying home

five harmaniacs
5 1 i. coney isl.washboaro/sadie green

QT

DE
DE
OE
DE

3026 w
3236 n/e
3612 E-
18472 N-
DE 23546 E+/n
N DE 23670 N-
DE 23844 N-
DE 23956 N-

VI 20293 v+

FLAM INGO MELOD IANS
5I2.SH0ULD l/l'MFLOW«l|NG U

BRICK FLEAGLES ORCH
5|3. PASTICHE/DOUBLE DOGHOUSE
5I4.D0UBLE DOGHOUSE/PASTICHE

FORO 4 FORD (ladnieh)

5 1 5.SKUG A LEE BLS/ 3 T IUE3 7
FOUR OF BOB CATS

516. CALL ME TAX l/HEAR YOU TELLIN

FOUR SERE NADERS

517. LONESOME 4 SAD/LAZY U'U'SIANA MN

FCUR SOUTHERN SINGERS

518. HAM BONE AM SWt/mUDDER

T.J. FOWLER

51 9. WHATS MATTER NOW/ T.J. BOOGIE

BUD FREEMAN
520. SHIM ME SHA WABBLe/afT AWHILE

521. BIG boy/copenhagen

522. NEED SME PETTInAiA JUANA

523. susie/fiogety FEET

524. TILLIES DWNTWN/THE BUZZARD

525. WH. IS THERE TO SAy/kEEP SMI LIN AT

526. KEEP 6MILING/WHAT IS THERE SAY

527. THE PANIG IS ON/MUTINY IN PARLOR

FRIARS SOC IETY ORCH

528. ECCENTR IC/SAn(HUSk)

AMER.PA 34020 N

HR8
HR6

1006 N—
1006 E

PM 12244 N
DE 2207 N
MAD 5|57 V

VI 24329 N-
NA 9075 E

CO
DE
DE
DE
DE
DE
DE
HJCA

35856 N-

18064 E+

18066 N-

18067 N-
181 1 2 N-
181 |3 N-
18 1 1 3 E

|2| N-

GE 5009 E+

529. DISCONTENTED Bl/buGLE CALL

530. FARE WELL BL/oR|ENTAL I
VERY RARE MIN. BID 55.00 E(»CH

GE TEST N
GE TEST N

CO
CO

FRISCO SYNCOPATORS .
53 1 .STEP IN OUT/DANCING DAN

"HI Fill I FR.
532. SMILES/ MISSOURI WALTZ
533. SAND DUNES/ SPANIOLA

534. RU6PANa/sWT SIAMESE CO

535. M0. WALTz/uNDER DOUBLE EAStE BRAZL.CO

536. JAZB0 JAZZ/WANT TO LEARN 9* SYMPHONOLA
537. SLIPPERY HANk/yAH-OE DAH VI I
538.BEALE ST 8L/0LD GREY MARE VI I
539. OLD GREY MARE/BEALE ST BL VI |
540. LIL LAZA JANE/COON BAND CONTEST VI I

EDDIE GORDONS ORCH
54l.l CANTGIVE ANYTHING/NO ONE ELSE AM.OD 4|204 N
VEHY" RARE STUFF MIN BID $10.00

BLIND LEROY GARNETT
542.I.0U I S I ANA GLIDE/CHAIN EM DWN
MIN BID $15.00

PM 12879 N

GE TEST N

CO
CO

REV GATES 4 CONGREGATION

543. G0IN TO HVN/WAIT AT GATE

SEMES "FRPVUAKFRS

544. HEADIN FOR WEDD I n/sUNDAY DWN CAROLN ME 12688 E

OFORGIF TOMfnORSFY)

545. GEE BUT IT'S HARd/lEVEE BOUND BL GE TEST N

THE GEORGIANS
546. SHAKE U FEET/OLD FASH I ONED LOVE

547. MAMA LOVES RAPa/lOND OC COTTON

CLEO GIBSON HOT 3

548. FORD MOVEMENTS IN HIPs/nOTHING BUT

CLEO GIBSON

549. IVE GOT FORD MVMNTs/nOTI N3 BUT BLS JZCL 5|3 N
GENE GIFFORD

550. N.O. TWIST/NOTHING BUT BLS JAPVI TEST ft-

551. NOTHIN BUT THE OL<89794-| )m IN $4.00 VI TEST N

552. N.e-. TWiST989/yD-i ) min BID $4.00
553.SQUAREFACE (89796-1 ) MIN B|D$4.00
554.DIZZY GLI DE (89797-1 )m IN B|D$4.00
555. OUR DELIGHt/gD DUES BLS
556.CUBANA BE/CUBANA BOP

30 V
3987 V-

8700

VI TEST N
VI TEST N
V| TEST N
MU 399 E
V|203|45 N-

MAE GLOVER/LUCAS 4 OA TOM
557.SKEETER BL/TERR I 3LE OPERATION GE TEST N

MAE GLOVER ACC.BY FINE PIANO 4 TRUMPET VERY RARE
MIN BID $7.50

MAE GLOVER/STATE ST RAMBIFRS
558. COUNTRY FARM BL/ CARELESS LOVE GE TEST N
GREAT TRUMPET 4 PIANO ACC TO GLOVER. ROY PALMER
ON CARELESS. RARE MIN BID $10.00

LOU GOLD ORCH

559.BEAUTI FUL/LOVADLE 4 SWEET HA

GOLDEN GATE ORCH

560. SAY W»|LE OAMC I NG/ PARADE WOODEN CA

56l .WHO/ON GIN GINNY SHORE RE

JEAN GOLDKETTE

562. IN EVENING/WHERE LAZY DAISIES QRW VI

563. COVER ME UP SUNSHINE/MY DRM MN VI

564. D inah/after SAY SORRY VI

5fl8.0RIFTIN APART/MY CASTLE IN SPAIN VI

566. LONESOME 4 SORRy/giMMIE LIT KISS VI

567. KENTUCKY LULLABy/lOVE CALL SWTHRT VI

568. LIT WHT HOUSE L GRN h/b|RDS EYE VIEWVI

569. HUSH A BYE/lOOLIZING VI
570. SHE FUNNY THAT WAy/DRM TRAIN VI

(ABOVE i" HR CRK)

571 .IDOLIZING (3681 3-1 )m|N BID $10.00 VI

572. sunday( 36829-2) min bid $10.00 VI

573. MY PRETTY G I RL ( 37587—1 R )M| N BID$5.00VI

574. PRETTY GIRL<37587-2)m|N BID $5.00 VI
.T75.PROUD OF BABY LIKE u(37579-l)" $5.00vj

226 E
9189 V+

19308 E
|93|7 E
19947 E
19975 E+
20031 E
20257 E
20268 E
20270 E+
21853 N-

TEST N

TEST N

TEST N

TEST N

TEST N

TR ! I |338 V-

2578 E
2697 E
2712 E—
4027 N-

446 V
8321 E
3369 E-
3369 V-
3394 V

QOLEDETTE CONT.

576. G0NNA MEET MY SWEETIE N0w(37583-3) VI TEST N

MIN BID $5.00

577. LOOK AT WRLD 4 SMI LE< 3758 6-3 ) VI TEST N

MIN BID $10.00

578. L00K AT WRLD 4 SMI LE (37598—2 ) VI TEST N

MIN BID $5.00

579.SUNMY d I spos I sh (37599-2 )m in bid $5.00 vi test n

580.CLEMENT I n(402 I 2— I R )mi N BID $5.00 VI TEST N

59I.MY BLKBIRDS ARE BB N0w(486l7-3) "$5.00VI TEST N
NAT GONELLA

582.U CNT SWNG ON LOVE SNg/mOAN I N THE BL PAE 938 N
BENNY GOODMAN

533.SIX APPEAL/GONE WITH WHAT WIND BA 260 E

584. nagasoki/gonna GET GIRL CV 15008 E+

585. THE CARS I TY DRAg/mAIDS OF CADIZ CAR 15286 E+

536. TEXAS TEA PARTy/dR HECKEL 4 MR JIBE SPEC CO 3|67 N
587.A I NTCHA GLAD/l GOT RT SING BL 8PECIAL CO 3|68 N

THIS SPECIAL YELLOW COLUMBIA LABEL DESIGNED FOR

BENNY GOODUAN . M| N BID $10.00 EACH

538.GAL IN CALICO/RATTLE 4 ROLL

589. NITE 4 DAY/SHAKE DWN STARS

590. JUMPIN AT WOODS IO^/tHER ELL B CHANGES
591. SPRING SONG/HONEYSUCKLE ROSE
592.SPRING song/honeysuckle ROSE

593. TAKING CHANCE ON LOVe/caBIN IN SKY

594. AIR MAIL SPECI AL/SMOOTHE ONE

595. WANG WANG BLs/wAY U LOOK 2N I TE

596. TAKE me/idaho

597. TAKE me/idaho

598. WHY DONT U DO R I Te/6 FLATS UNFVRNSHED

599. MISSI0N TO MOSCOw/lTS ALWAYS U

600. solo flight/wrlo WAITING SUNRISE

601. WRLD WAITING /sOLO FLIGHT

602. DRKTWN STRUTTERS BALL/ AFTER U GONE

603. FLYING HOME/FOUNO NEW BABY

604. AS LONG AS LIVE/WANG WANG BLS

605. FIESTA IN Bl/cANT GIVE ANYTHING BUT

606. BODY 4 SOUL/AFTER U GONE

607. BOOY 4 SOUL/AFTER U GONE

608. LOVE DOSENT GROW ON TREEs/pi TY POOR

609. MELANCHOLY BABy/wh I SPER I NG

COE

135

N

coE

336

E

CO

35210

n/e-

CO

35319

E

CO

35319

e/v

CO

35869

N-

CO

36099

E+

CO

36594

N-

CO

36613

e/v

00

36613

V

CO

36652

E

CO

36680

N—

CO

36684

N-

CO

36684

E

CO

36699

E

CO

36721

N-

CO

36723

N

CO

36755

N-

CO

36781

n/e

CO

36731

E+

CO

37077

E+

HMV 8533 N-

61O.TRUE bonfession(0i7043-i )

NEVER ISSUED. MIN BID $35.00

VI

TEST N

611. I'M LIKE FISH OUT WATER (0 17455-1 )
NEVER ISSUED. MIN. BID $35.00

VI

TEST 1*

5|2. SWEET stranger( 17456-1 )

NEVER ISSUED MIN. BID $35.00

VI

TEST N

6 1 3. BUGLE CALL RAg(9775|-2)

NEVER ISSUED MIN. BID $35.00

VI

TEST N

614. KING PORTEr/smTIMES IM HAPPY VI 25090 N-

615. KING PORTER/SMTIMES IM HAPPY VI 25090 E

616. LOVE ME OR LEA\£ Me/exACTLY LIKE U VI 25406 E+
6I7.SWT SUE/MELANCHOLY BABY VI 25473 E+
6|8. ALEX RAGTIME BNd/r|FFIN AT RITZ VI 25445 E

619. VIBE BL/ST AT SAVOY VI 25521 E+

620. sing sing/same pts 142 VI 36205 E+

FANNIE MAE GOOSBY
62 1 .STORMY NIGHT BL/FORT'JNE TELLER BL BR 7030 N—

VERY RARE. PI ANO 4 CORNET ACC. MIN BID$I0.00

GRANDVIEW INN ORCH
783. I ' LL THINK OF U/OOWN SOUTH

BOBBY GRANT ( TRF MFNnm is RiilFS)

622. LONESOME ATLANTA SL/NAPPY HEAD BL

GRANT 4 WILSON

623. DO YOUR DUTY/OFF MY MOJO

ELMER GRASSO ORCH

624. THINKING OF YOU

SONNY GREER

625. BEGGARS BL/SAT Nl TE FUNCTION

BOBBY HACKETT

626.00IN NEW LOW "OWN/GHOST OF CHANCE

627. U warn be eatIstied/frim fram sauce

CARL HALEN WASHBOARD FIVE

628. W I LL IE weeper/cake walkin babies

HAI FttAY HOUSE flRCH

629. WHEN IM BL/WANT SMBDY

fefftNEL HAMPTON ORCH
630. STOMP JIVIN THE VIBES
63l. SUNNY SIDE ST/l KNOW II KNOW

632. DENISON SWINg/whISSIN THE WHIZ

633. GIN FOR XMAs/hEEBIE JEE8IE6
634JJEEB1E JEEBIES ROCKIN/GIN 4 XMAS
635.HEEBIE JEEBIES/GIN 4 XMAS
636.4 OR 5 times/ found new baby

637. CENTRAL AVE BKDWN/jACK BELLBOY

638. F1DDLE DEE DEe/bOUNCIN AT BEACON

639«oinah/singin the bl
640.whoa babe/buzz in round bee

CH 15383 V
PM 12595 N

VO 3l2l N
GE 6022 E-

CO 2333 E+

VO
BRE

4565 E
3644 N—

4 N-

CO 1263 N-

VI 25535 N-

VI 25592 E

VI 26233 N—

VI 26423 N

VI 26423 n/e

VI 26423 E+

VI 26447 N

VI 26652 N

VI 27364 n/e

JAPVI 1090 N

JARVI TEST ■*

64I.D0NT MEAN A TH I No/sHUFFL I N HOLLYWOOD *V I TEST N-

JAP VI fEST E+

JARVI TEST N-

642. CHINA STP/RHYTHM RHYTHM

643. PIANO swing/denison SWING

HANDYS ORCH OF MEMPHIS

644. H00KING COW BL/OLE MISS RAG

HANOYS ORCH OF MEMPHIS

645. THE SNAKY BL/ FUZZY WUZZY RAG

BOB HARINQ

646. WHN WAS DANDY 4 U WERe/tHATS GA

CO 2420 E

CO 2421 V

I 118 E-

34

MINIMUM BID 75c

ALF CUNNINGHAM

BOX 44, THE RECORD CHANGER 4u8 WEST 48TH STREET NYC |9 NY

MINIMUM BID 75c

SEE PAGE ONE OS AUCTION FOR INSTRUCTIONS.

A SUPERB COLLECTION

OK

8720

N—

RE

235

E+

VS

6015

E

OK

5947

N

VO

1602

N-

KEY
KEY

602
627

N-

n/n-

PM

12489

N-

VI20I639 N-

vi 20955 n-
VI 21489 N

DE 1882 v+

JAPtOCKV 1015 E+

ArV| 601951 N-

B8 5904 v

ANNETTE HANSHAW
647.ALWASY THE SAME SWTHRt/lOVE ME TA1BEI 5l33 V+

(above jap label)
HARLEM F00TWARMERS

643. JANGLE JAMBOREE/SNAKE H I PS

HARLEM HOT SHOTS(RARE)
649.BALD hEAdCD MAMA/WHuW iJUHRY NO*

HARLEM W I LDCATSf KARDOS )
550.SOAT SONG/HOWM I COIN

HARMONICA 4 DRUMS

651. TREAT ME LIKE TREAT/LOVF LAND BLS

MAGNOLIA HARRIS 4 HOWLING SMITH

652. MAMAS CUITTIN LEAVIN PTS 142

GEOiiRE HARTMAN
653.0iga diga doo/muskrat ramble

654. angry/hindustan

BUDDY BOY HAWKINS (fine blues)

655. JAILH0USE FIRE BL/ SHAGGY DOG BL

(above RM CHP NOT into music)
COLEMAN HWAKINS

656. WOODY IN YOU/RA I NBOW MIST AP 75l E=

657. FEELIN Z ERO/OI SOCRDER AT BORDER AP 753 N— /v

653. A I ntcha got music/the RIUER BRF50037I N

659. RECOLLECT I ON/ON THE BEAN JOEDAVIS 825l N-/e

660. JAMAICA SHOUT / THE DAY U CAME PAE 1685 E+
66 1 .0 I FFRENCE DAY MADe/bLUE MOON VI J 860 E-

662. W0TTA D I FFRENCE DAY MADE JAP Vl TEST N

663 . remember/ TIPPIN

CLIFFORD HAYES STOMPERS

654. BL GUITAR ST/ MOTEN ST
665. BARE FT 6T/BYE BYE BL

EDGAR HAYES ORCH

666. STAR OUST/ IN THE MOOD

JOE HAYMES

667 .DAMES/ BIG BAD WOLF IS DEAD

HECTOR (668)

EL JAZZ ME ENTRISTECE/COPACABANA

FUEfCHER HENDERSON
669.RESTLESS/SUGAR FOOT STP
( A30VE RESTLESS IS RAY NICHOLS)
67U.ST LOUIS SHUFFLE/VARSITY ST
671. MEMPHIS BL/ TIDAL WAVE
672. SUGAR FT STP/WHAT CHA CALL EM
673. WHAT CAH CALL EM BL/SUGAR FT ST
674.SUGAR / BL IN MY HRT
675. SUGAR FOOT STP/ YOUNG WOMANS BL
676. SUGAR FOOT STP/VoNG WOMANS BLS
677. STR DUST/AFTER U GONE

678. LINGER AWHILE/(STEVENS TR I 0 )

679. TIDAL WAVE/HARLEM MADNESS

680. MANDY/PRINCE WAI LS

681. CHARLEY MY BOy/(mO . J.B. )

682. harlem madness/ohanton fantasie

683. sing sing sing/shoe shine boy

684. sing sing/shoe shine boy

685. st louis shuffle(38496-i )

(above min bid $3.50)

686. st louis shuffle (38496-3)

(above min bid $3.50)

687. variety st (38497-1)

(above min bid $3.50)

688. varsiety stp(38497-2)

(ABOVE MIN BIDt3.50

689. sugar ft stp/(53066-i

(above min bid $3.50.

690. moan you m0aner6 (53068-2)

(above MIN BID$3.50)
69 1. SING IN THE BLS (53069-2)
(above min bid $3.50)
692. IT LOOKS LIKE RAI n(70|40-I )

(above min bid$3.50)

693. sweet music(70i4|-| )

(above $3.50 min bid)

694. WY SWEET tooth(70i42-i )

(above min bid $3.50)

695. stranger (7 1 938'— i )

(above MIN B|D$3.50)

696. take me from r i ver ( 71 939-1 )

(above min bid $3.50)

697. KJOR OLD JOE (71 943-1 j

(ABOVE MIN BID$3.50)

698. R IFF IN/GRAND TERRACE RHYTHM

699. XNOCK KNOCK WHOS THERe/uNTILL
700. SHOE SHINE BOY/SING SING SING

70 1. U CAN DEPEND ON Me/ JIM TWN BL

VICKIE HENDERSON

702. fuI A vIRginIA/Vo cAWTare

WOODY HERMAN
703.1 NTERMEZO/LAZY RHAPSODY

BB
BRE

CO
CO
CO

10246 N-
21 19 N-
395 N
395 V
2559 E-
COJPI0002 N
C0J>|0002 E+
CR 3093 E+
ED 51277 E+
HMV 4994 E+
PM 20367 E
RE 9680 V-
VI 24699 N-
VI 25375 n/e
vi 25375 E

VI TEST N

VI TEST N

VI TEST N

VI TEST N

VI TEST N

VI TEST N

VI TEST N

VI TEST N

VI TEST N

V| TEST N

VI TT8T N

VI TEST N

VI TEST N

JAPVI

JapVi
Japvi
Japt/l

TEST N

TEST N

TEST N

TEST N

cos |4737 N

DE
DE
DE
DE

704.YOUR FATHERS MUSTACHe/gOOD TO HOLD
705. SURRENDER/ THE GOOD EARTH

706.no time/four BROTHERS

707.SAY SI Sl/PICK A RIB
708.WHATEVER HAP 2 u/dREM VALLEY

709.3L on parade/peach TREE ST
7i0.star remain/should have known u
71 i. this time drms on me/bl night
7i2.amen/deliver me
7|3.i dood it/be not di sencouraged

7 1 4. DO NOTHIN TILL U Hr/bY THE RIVER

7 15. irresistible/ milkmn keep bottles
7i6.irresistible/milkmn keep bottles
CURLY HICKS 4 HIS TAPROOM BOYS

717. LA ROSITA/ EL CHOCLO BB 8835 E

718. LIMEHOUSE BL/HINDUSTAN BB 10715 £+

719. THAT6 A PLENTY/ ALLAHS HOLIDAY BB 10922 N-

720. POKER PARTY POLKA/jINNY LIND BB I 1536 N

brE 3256 E
CO 36870 N-
CO 36985 N-
CO 38304 E+
DE 2979 E+
3461 N
3501 E

3544 n/v-
4030 E
DE 18346 E
DE 18506 N—
DE 18578 E+
DE 18603 E+
DE 18603 e/v-

ALEX HILL

722.TACK HEAD BLs/ STOMPIN EM DWN
(ABOVE RM CHP 10 GRV)

BR 80034 N—

723. SO BOUND/ST JAMES INF

VO

1465

N

(min Bio $i5.oo

724.AINT IT HICe/fUNCTANIZ ING

VO

2826

N

CHIPPIE HILL

725. CHARLESTON BLs/cARELESS LOVE

CI

1004

E

726.GEO. MAN/TROUBLE IN MIND

OK

8312 N

PEGGY HILL

730. 1 DA/0 1 NAH

VI

40042

N

IS THIS A BIX ITEM?,IT HAD BEEN

REPEATEDLY

SUGGESTED. WE DO NT KNOW. VERY RARE,

M|N BID $10.00

TEDDY HILL

73I.BL RHYTHM FANTASy/|II HAPPY BB 6989 E

732 .SAN ANTON/KING PORTER BB 6988 E

CHIPPIE HILL

727.00 DIRTY BL/ SPORT MODEL MAMA OK 8473 N

DAN HILL HOT r.lllR OCTFT

728.0LIVER TWIST/BL TRAIN BOOGIE TRUETONE 1 45 E+

KING SO LP MAN HILL(F|NE BLUES )
729.TELL ME BABY/GONE DEAD TRAIN * PM 1 3 1 29 N

TEDDY HILL
LOVE BUG WILL BITE YOU (6462— I ) / 733.
(ABOVE MIN BIO $2.00)

734. W0ULD YOU LIKE BUY A DRm(6463— l)
(ABOVE MIN BID $2.00)

735. WHERE IS THE sun(6465-i)
(above MIN B|D$2.00)

736.1 KNOW N0w/(7925"-t )
(above min bid $2.00)

737. LADY COULDNT B K I SSES (7926-1 )

738. U 4 ME that HAD TO BE (7927-1 )

(above min bid $2.00 each)

739. san ant on ( 1 02 06— i )

(above min bid #3.00)
740. im happy darling ( 10207-1 )
(abovemin bid $2.00)

74l .YOURS 4 MINE(|0208-|)

(above min bid $2.

00)

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

NN

VI

TEST

N

VI

TEST

NN

VI

TEST

N

Sic 28110 E
VI 38043 n
VI 38043 E
VI 38048 N—
VI test N

VI TEST N

742. FEELING LIKE M I LL I On(| 0209*1 )

(abqi/e MIN B|D$2.00)

TINY HI LL

743 . ANGRY/HE COM IN HOME 2 STAY MER 6001 N-

744. HE COMIN HOME 2 STAy/aNGRY MER 680l E+

EARL H INES ttRCH

745. SALLY WONT U COME 8ACK/jERSEY BOUNCEBB I I |26 e/v

746.conernism/rosetta br 654| N

747. SENS AT I ONAL MOOo/l LOVE U BRF 6379 N

748.57 varieties/monday date co 2800 N

749.57 var/i aint got nobody CO 35375 N-

750.57 varieties/| aint got no boy co 35875 e+

751. just too soon/justtoo soon(ought to be ch h life)

HRS II N

752. MY FATE IN YOUR HANDs/hONEYSUCKLE

753. beau koo jack/good little u

754. beau koo jack/good little

755. have u ever felt/sod man bls

756. child of disordered bra i n (4770 1— f )

(above min b|d$5.00)
756a.my melancholy baby (63334-1 ) 1
(above min bid $5.00)
JAMES E. HINES

757. YES GOD IS REAL/LK FOR ME IN HVN DEL 3 179 V

LES HITE

758. IT MUST HAVE BEEN DRm/t-«ONE BLS VR 8391 N
ART HOPES

759.S. side shuffle/ross tavern SA 12007 N-

760. S. SIDE SHUFFLE/ ROSS TAVERN SA 12007 N

761. DIGA DIGA DOO/ TIN ROOF BLS SIG 1 02 E

JOHNNY HOOGES

762. MY HRT JUMPED OVER Mn/tRULY WONDER F BA

763. MY HRT JUMPED OVEr/tRULY WONDERFUL BA

764. JEEPS Bl/rENOEZVOUS W RHYTM

785. jeeps bl/rendezvous w rhythm

766. rendezvous w rhythm/jeeps blues

767. jeeps bls/ rendezvous w rhythm

768. wishing 4 waiting/bean bag bw mercer 1957 n—

769. JUNES JUMPI n/vIOLET BLS MERCER 1 961 N-
770.SEARSYS BLS/ LET THE ZOOMERS DROOL MERCER 1 970E

LOU HOLDEN'S DISCIPLES OF RHYTHM

771. RED WAGON/ END OF MY WRLD DE 3444 E+

Bl LL IE HOLIDAY

772. LAUGHING AT LIFE/TELL ME MORE
773. IF U WERE MINE/MONNLIGHT

774. MUST HAVE THAT MAn/fOOLIN MYSLEF

775. L0NG GONE BLS/ AM I BLUE

776. BILLIES BLS/ LEST CALL HRT HRT

HOLLYWOOD SHUFFLERS

777. G0TTA FEELING 4 U/LOW DWN RHYTHM

HOTCHA TRI0(PRIMA, ROSE4 GASt)

778. CH I NATOWNMY CH I NATwn/d I NAH"

KENNETH HAUCHINS

779. G0OD luck/when JIMmTe

JUST I M HUBERS

780 . JAPANESE LULL/ VI SI

239 N-
239 E
CO 37837 n/n-
CO 37837 N-
CO 37837 E
CO 37837 E+

DE

BA 2|7 E
CO 32206 E
CO 36207 E
CO 37586 E+
LuckyJap60252N

VO 15837 E+

5296 E+

BB

CH 45062 N

OE 5129 N-

HUNTERS SERENADERS
781 .SENTIMENTAL MOOD/DREAMIN BOUT THAT

1 62 1 E+

JOHN HYMAN N.O. JAZZERS

782.dont get funky (37993-4) v| test n

very rare Johnny wiggs Min bid$i0.00

BERTHA I DA HO '"
783. GRAVEYARD LOVE/ RT EYE CO 14355 E+

ONE OF GREATEST BLUES SINGER MIN BID $5.00

BESSIE JACKSON
784.SHAVE EM DRY /BARBECUE BESS ME 13442 N

785. BARBECUE BESSs/ SHAVE EM DRY PE 332 N

FRISKY FOOT JACKSON THUMPERS
786.G00D TIME MAMA/MAXWELL ST ST CH 40043 N

REALLY KING MUTTS THUMPERS Ml N BID $5.00

JIM JACKSON

787. WHAT A TIME(454l8-l )

MIN BID $5.00 ABOVE

788. THIS AINT NO PLACE FOR ME

MIN BID SB. 00 ABOVE

789. GONNA MOVE LOUISIANNA PT I

MIN $5.00 (ABOVE

790. GONNA MOVE LOUISIAN PT 2

ABOVE MIN BID $5.00

79 1. HEAD VOICE OF POHK CHOP

MAHALIA JACKSON

792. tired/amazi:jg grace

NAT JAFFE

793. ZONKY/BLK 4 BL

794. H0W CAN U FACE/KEEPIN OUT

HARRY JAMES ORCH

795. feet oraggin bl/here comes nite

796. back beat boogie/night special

797. night special/back beat boogie

798. music makers/montevideo

799. trumpet rhapsody pts |12

800. trumpet rhapsody pts 142

801 . BEG INNING SEE LIGHt/lOVE LONG FOR
802.1 D I DNT MEAN WORD/wHOS SORRY NOW
803. BEAUMONT RIDE/DOES IT GET SO LATE
304. BEAUMONT RIOe/doES IT GET LATE

805. CONCERTO FOR TRUMPEt/fl I GHT OF B

806. BEGINNING 2 SEE L I Te/wA I T TILL

807. MAN W HORN/ciRBIRBIN

808. woo woo/trumet CONCERTO

809.1 OCLOCK JUMP/2 OCLOCK JUMP
JA77-ORCHFSTFB

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TTST

N

VI

2|387 N

AP

194

E+

SIG

!-3

N-

SIG 281 12 N

CO 35227 E
CO 35456 N-
CO 35456 E
CO 35932 E
CO 36160 E+
CO 36190 E
CO 36758 E+
CO 36973 E
CO 37080 N-
co 37080 E
CO 37144 n/e+
JAPCO TEST E
TEST N
TEST N
N

Japco
JapCo
JapOo

KARCH OF GRENADIERS

Elg

LAB

1064 E

5090 V

Op 3 1 1 10 v

JAY
ASCH

2 N-

500 N-

8I0.HAPPY oays/m,

8| I. SLOW 4 E\Sy/dANCES 0 MANIA

JAZZAZZA JAZZ BAND
8i2.alcholic bl/at Jazz band ball
JACK JENNY ORCH

8 1 3. CUBAN BOOGIE W06G I t/sTARDUST

814. GRL OF MY DRMS/RAIBOW BLS

JERRY JEROME ALL STARS

815. PEOPLE WILL SAY/ JAMMIN W JERRY

BIG BILL JOHNSON

816. BIG bILl ML/' c6NdUcT8r man

BLIND WILLIE JOHNSON

8 1 7. JEUSUS MAKE MY/HIS BLOOD CO 14276 N

813. IF I HAD MY WAY/MOTHERLESS CHILDDRN CO 14343 N-

8 19. JESUS is coming/ CITY OF REFUGE CO |439| E+

820. SOUL OF MAn/chURCH IM SAVED CO 14582 G

82I.DARK WAS NIGHt/nOBL-YS FAULT VO 3095 N

ASCH 820 E

CH 50060

BUNK JOHNSON

822. FRANKLIN ST 9L tZ/eXa CHIEF tl J. I. TEST N

EXTRAURDINARY ITEM .NEVER ISSUED TEST OF 2
GREAT BUNKS» MIN BID $50.00

823. TALKING RECORD/ PT 142

JM

1 ft

LTD. EDITION OF 50 PRESSINGS

.FABULOUSLY

RARE.

MIN BID $35.00

824. TALKING NECORD PT 3/ySJS LORD

JM

i N-

MIN BID $25.00

827.00WN BY RIVER/ PANAMA fO.L.)

823. Panama/ down by river (O.L.)

829 . moose march/weary bl (O.L.)

830. moose mrach/weary BL (O.L.)

831. BUNKS BL/ STORYVILLE BL (O.L.)
832.STORYVILLE BL/ BUNKS BL (O.L.)
833. FRANKLIN ST BLS/WEARY BLS
834.S0BBIN BLS/ DUSTY RAG

835.SWT LETTER FROM YOu/FRANKLIN ST BL

CHARLES JOHNSON

836. hot tempered bl(4|64|-2)

min bid above $7.50

837. walk that broad (47532-3)

Above min bid $7.50

838 . HARLEM drag(5|298-2)

Above min bio $7.50
339.h0t bones 4 rice(5|299-i )

ABdVE MIN BID $7.50

840. DONT LEAVE ME HERe/so. RAMPART

841. H0T TEMPERED Bl/ U AINT THE ONE

842. HOT TEMPERED(2)/U HINT THE ONE<2)

8 43. HARLEM DRAG(2)/H0T BONES (2)

JM

8 N

JM

8 E

JM

9 N

J.<

9 N—

JM

10 N

JM

10 E+

Jl

|2 N-

Jl

14 N—

v 1460129 E

VI

TEST N

VI

TE6T N

VI

TEST N

VI

TEST N

VI20653 N-

VI

21247 N

VI

2|247 N

VI

23059 N-

EDDIE JOHNSON C RAKER JACXS
844.DUCKS YAS YAS/BOSUM BREAD VI 23329 N—

TREMENDOUS JAZZ 4 VERY VERY RARE. Ml N BID$|5.00

EDITH JOHNSON

845, Ni'oift£i worth liver/honfy dripper ce 30|8 n

846. NI CHLES WORTH LIVEr/hONEY DRIPPER PM 12823 N

35

MINIMUM BID 75c ALF CUNNINGHAM MINIMUM BID 75e

BOX 44, THE RECORD CHANGER 4| 3 WEST 49TH STREET NYC 19 NY
I crTIAM SEE PAGE OF AUCTION FOR INSTRUCTIONS.

A SUPERB COLLECTION A SUpERB COLLECTION

EDI Th JOHNSON ( IKE ROGERS )

846. NICHLES WORTH LIVER/HONEY DRIPPER PM 12823 N

847. GO0D CHIE. 3Ls/ CANT MAKE PM 12864 N

JAMES P JOHNSON

848. VARIATI0NS IN JAZZ/ PART 142 ASCH 350 N-

849. VAR I AT I ONS IN JAZZ/ PTS 142 ASCH 350 E+

850. CRAZY SONG/GO HARLEM CO 2448 NN

851. ALL I HAD G0Ne/sN0*Y MORNING BL CO 14204 N
i>5?.CH ICAGO BL/mOUNNFUL SHOTS CO 14334 N-

853. CAROLINA SHOUT/YOU'LL THINK

HYTONE

96 E+

MIN BID tl5„00

854. CAROLINA SHOUT/KEEP OFF GRASS OK 4495 N

LI L JOHNSON

855. HOT NUTS/PRESS MY BUTTON VO 3| 99 V+

LONNIE J0HNS0N4 VICTOHIa BPI VLV
856. TO OTK A CHE BLS/ PTS 142

MIN BID $|0.00

OK 8744 E

MARY JOHNSON

857.BARREL HOUSE BL/KEY TO MT BLS CEN 30|6 N—
PgTE JOHNSON

858. SL ON THE DWN BEAT/K.C • ON MY MIND OE 3384 E

859. CLIUBIN 4 screamin/how LONG BL SA 12004 N

860. HOW LONG BL/CLIMBIN 4 SCREAMIN SA 12004 N

861 . PETS BLs/ LET EM JUMP SA 12005 N

862. LET EM JUMP/PETS BLS SA 12005 N
963. PETS Bl/lET EM JUMP SA 12005 N-

864. B40 BL/BUSS ROBINSON BL SA 12006 e/n

865. BUSS ROBINSON BL/B40 3L SA 12006 E

866. CUTTIN THE BOOG I e/bARREL HOUSE B VI 27504 E+

867. BARRELHOUSE BOOG I e/cUT T IN THE BOOG I EV1 27504 E

868. WALKIN THE BOOGIE/ B W MAN VI 27505 N

869. M0VIN THE BOOGIE/FOOT PEDAL BOOGIE VI 27505 N-

JOLLY J I VERS

370. PIANO STP/HU.NGRY MANS SCUFFLE CRL 24 N

871. HUNGRY MANS SCUFFLE/ PIANO STP CRL 24 N—

C72. piano s:o/hungry MANS SCUFFLE CRL 24 E+

ALBERTA JONES ACQ BY CORKY WILLIAMS BLKB I ROS
873 . SHAKE A LITTLE BIT GE TEST N

IVE DOUBT IF THIS WAS EVER ISSUED Ml N BID $7.50

ALB I NA JONES

874. SALTY PAPA BLS/ AL8INAS BLS NA 901 3 E+

JONES-COLLINS ASTORIA HOT 8
875.DAMP WIATHEP/IIP EAsV BB 13952 N

JAKE JONES W.GOLD FRONT BOYS

876.S0UTHER N SEA BLs/mONKEYIN AROUND BR 7|30

VERY RARE W. GU ITAR,BANJ04 CLARINET MIN BID $10.00

J|M»/,Y JONES BIG EIGHT
877.W0MANS GOT RIGHT CHANGE/DEPARTURE

RICHARD M. JONES JAZZ WIZARDS
B78.TICKLE BRITCHES BLS/MOVELTY BL

879. DARK ALLEY/HOLLYWOOD SHUF-XE
TAFT JORDAN 4 THE MOB

880. LA .FAIRYTALE/ DEVIL IN THE MOON

KANSAS CITY 5

881. GET IT FIXED/DARK GAL BL
AN BL/CLOSE MODE PAPA

882. ROOT MAN

HRS

ro is

E

BB

6627

N-

VI

20812

E

PE

16102

V

PE

14516

N

VO

1600 E

LOTTIE K I MB ROUGH 4 WINSTON HOLMES

883. LAST LOVER BL. WAYWARD GIRL BL

SILVERTER KIMS ROUGH

884. GARBAGE CAN BL/BIRD LIVER BL

JOHN Kl R3Y

885. KEEP 3IV-1LIN/C0M1N BACK
386. KEEP SMILIN/COMIN BACK

ANDY KIRK
887.MESSA STP/BLESS U MY DR
088.BIG JIM BL/GHOST CHANCE '<
389. LIT JOE FRM CH|CAGO/OVERH0 D

890. LITTLE JOE FRM CH I CAGo/oVER HAND

891. LITTLE JOE CH I CAGO/ OVERHAND

MANNY KLINE

892. IM IN LOVE/RINGS IE TABLE FOR TWO

GENE KRUPA

893.1 SHOULD C ARE/CRY 4 U CRY ALONE
8 94. LEAVE US LEAP/DARK EYES
895. ITS GOOD DAY/SLOW MOSQU I TA

896. U TURNED TABLES ON Me/tSACH ME

897. AFTER U GONE/ OARK EYES
898.0 ARK EYES/AFTER U GONE

899. AFTER U BONE/DARK EYES

900. NAGASAKI/MELANCHOLY BABY

90 1. THREE LITTLE WORDS/BLUES OF ISRAEL

902.2 DRMS MET /OWN ARGENTINA WAY

903, HIGH ON WINDY HILL/ALL COMES BK

904. cowboy sere/til REVIELLE

905.1 HOPE GABRIEL LIKES MUS I C ( 1 000 1 2—
906.MUTINY IN PARLOR ( 100013— I )
907. IM GONNA CLAP MY HANDS
908. SWING IS HESE( 100015-1 )

KXYZ NOVELTY BAND
909. FOUND NEW BABY/BUGLE CALL RAG .

LAPPS BLACK ACES
9I0.SITTIN ON/ LONG LAST MAMA

TOMMY LADN I ER( POWERS 4 COX)
91 I. PLAY THAT TH1NG/BL RAMPART ST

EDDIE LANG
9I2.FEELIN MY WAY/PICKIN MY WAY
9 1 3 .MELODY MANS DRM/ PERFECT J

GE

TEST

N

BR

7135

N—

VI

27890

N—

VI

27899

E+

DE

2204

E+

DE

2915

E=

DE

3385

E+

DE

3385

E+

DE

3385

E

BR

7605

N—

CO

36784

E+

CO

35802

E +

CO

37209

E

CO

38|4|

E+

CO

38147

E

COE

2454

N—

ODE

134

N

coJ

132

N

OE

18114

N—

OK

5826

N—

OK

5883

N-

OK

6266

n/e+

)vi

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST NN

IAPVI TEST

N

QE

TEST

N

AM

7

N

6254 N-
TEST N

LANG* i/EN'JT I ALL STAR ORCH
9I4.SM0AY SWHT /BEALE ST BL BR 80078 E-

SAM LAN IN ORCH^OLLYWO"" "ARCF ORCH

91 5. LOSING U/FOUND RED RED ROSE

916. FASC I NAMING RHYTHM ..TELL HER

(ABOVE LAM CRK )

917. ROSE CHILE/OH BY JINGO
9I3.0H BY JINGO/ROSE OF CHILE

91 9. CRYING 4 U/U KNOW U BELONG

920. THAT LIT BOY OF MINE/wAHT LIFE

921. HELLOR BEAUTIFUL

922 . WANT SEE MY TENn/eLIZA

923. MAYT I ME/YOUR CHARM

BA

7058

E

SP CO

279

E

CO

2943

E-

CO

2943

V

CO

3850

E+

HA

1425 E-

HOW

1136

E-

PAT

36149

E-

PE

14286

E

JOHN PE

1 »753

V+

IT PE

14777

v+

PE

15508

v+

VE

2065

E

VI

20958

N

VI

27304

E

SIG

15004

E

SI G

28 107

N

SIG

28107

E+

SIG

281 07

E

ME

13326

E

BB 10823 N-

BB 10823 e/s
BB 10399 E+

VI TEST N

926. I APOLOGIZE /

927. HOOSIE HOp/lM FOLLIN YOU
BOBtt LEEOiNi t, BOB COOKSEY

928. AINT SHE SWT /ROYAL PALM BL

PAUL LAVAL/HENRY LEVI NE
92 9. SHOEMAKERS HOLIDAY/BASIN ST

YANK LAWSON

930.SUG AR/SENSAT I ON
931.2 MANY TIMEIi/ STUMBLING
932.2 MANY TIMES/STUMBLING

933. TOO MANY TIMES/ STUMBLING

LEADBELLY

934. PACKIN TRUNK/ALL OUT

ELIZA CHRISTMAS LEE 4 JAZZ BOYS
?35.ARK . BLS/ 1 A | NT Gli/HCRKED BUT PLAYS )GE

HARLAN LEONARD
936. pop gave me nickel/4000swi ng
937.400 swing/my pop gave me 5^

938. PLEASE DONT SQUABP'e/a LA BRIDGES

FURRY LEWIS

939. JUDGE HARSH BLS<45433-| )

GEORGE LEWIS 4 HIS N.O. MUSIC

940. BUR GUNDY ST BL/YAAKA HULA HICKEY

MFADE IIIX LEWIS

941. H0NKY TONK TRAIN ACETATE

942. BOOGIE TIDAL/YANCEYS PRIDE

943. RANDINI3 BOOGIE/LUX BOOGIE

944. a w prayer/ pts |42

945. B00GIE W PRAYER/ PTS 142

946. BEAR CAT CRAWL/SHOUT FOR JOV

947. H0NKY TONK TRA I n/wRLD WAIT SUNRISE DE |8| 10 E-

948. FREAKESH BL/bOY IN BOAT

949. BEAR CAT CRAWL/SHOUT FOR JOY

TED LEWIS

950. ROSES OF PI C ARDy/l I MEHOUSE B LS
95I.SOBBIN BL -YELLOW DOG 8LS
952.SMDAY SWTHRT/sMBDY STOLE MY GAL

953. CHURCH IN VALLEY/DIP YOUR BRUSH

954. R0YAL GAROF.N SL/OALLAS BL
955. OH/ BARKI N DOG

956. BO LA Bo/vENET IAN MOON

957. BO LA Bo/vENT I AN MOON

958. HULA BLs/ I LOVE U SMDAY
959. SEND BACK HONEYMAn/g EORGETTE

LIGHT CRUST DOUGHBOYS

GTJ

16 n=/e

DUB E
ASCH 352 N-
ASCH 352 E

CO 35960 E+
CO 35960 E-
co 35961 N-

PM |40|0 N
VO 4608 N—

CO 1789 N
CO 2217 N
CO 2336 N-
CO 2467 H/E
2527 N
2844 G+
2895 V
2895 V-
3306 V-
3662 E+/k

960. DIRTY DISH RAG BLS/NEW JEEPS BLS>

CHARLEY LINCOLN
961. IT LOOKS LIKE JULY/ UGLY PAPA

CRIPPLE CLARENCE LOFTON

952. BROWN SKIN GAl/pLAYHO»6E
963. HAD A ORm/stREAMLI NE TRAIN
964.1 DONT KNOw/piNE TOPS BOOGIE
965.6TRUT THAT THINg/mONKEY MAN BL

VO 4701 V

CO 14332 N-

61 166 N
12003 N
SA 12009 N
VO 2951 V

SA

JANE LUCAS 4 GEORGIA TOmIT.DORSEY
966.TERRBLE OPERATION/WHERE DID U STAY

MIN BID 85.00

CH 50015

LUCAS 4 GA. TOM/JOHNSON 4 !

~ y/sFLLIN THAT

JIN BID $5.00

967. where" BIB U !)TaY/

STEELE

STUFF GE TEST N

968. TERRIBLE OPERATION Bl/wHERE DID U GE OB CH TEST N

MIN BID $5.00

GUSTAV LUDERS

969. NESTLE BY MY SIDe/sLEIGH RIBE CO 365 V-

J I MM IE LUNCEFORD OROH

970. WHITE HE AT/JAZZNOCRACY BB 57 1 3 E+

971. CHOPINS PRELUDE/BUGS PARADE CO 35574 E

972. BACK DOOR STUFF 142 DE IB594 E+

973. NEED A LIFT/THE JIMMIES MAJ 1060 E+

974. H0NEY KEEP UR MIND ON Me/pOSIN POLYJAP I|7 E+
975.SLUMM I NG ON PARK AVE., HE A I NT GOTRSLYJaP 242 E+
976. MY BL HVN/rHAPSODY PDj
977. IN DAT MORNING (62599-2)

ABOVE MIN BID $3,50

977A.WHITE heat(8|324-i)

978. JAZZNOCRACY (8 1325-1 )

ABOVE TWO RECORO MIN BID $3.50

979. CH I LLUN GET UP(8|326-|)

above min bid $3.50
979a. sweet rhythm(62600-i )

above min bid $3.50
930. leaving me(8|327-|)
above min bid $3.50

98 1. swing in uptown <822|8=2)
above min bid $3.50

982. brkfast ball(822i9-2)
above min bid $3.50

933. HERE goes(82220-I )

ABOVE MIN BID $3.50

12013

V-

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

JIMMY LUNCEFORD
984 .HERE GOEC,lS?256-i j~~ ~
ABOVE MIN BID $3.50

98 5. REMEMBER V/HEN (8222 1-2 )

ABOVE MIN BID $3.50

986. FEMEMDEH 1VHEn(8222|-2 )
ABOVE MIN BID $3.50

987. m.TE heat/sheik of araby

CLAUDE lL'TER

988. WEARY WAY BLS/SWT LOVIN MAN
989. SNAKE RAG/GATEMOUTH

990. CANAL STREET BLs/o IDNT HE RAMBLE
99 1. OH D | DNT HE RAMBLe/caNAL ST BLS
992. WEARY BLS/ TROUBLE IN Ml NO
993. SPORT MODEL MAMA/ TIGER RAG
994.0RYS CREOLE TROMBONe/w I LD CAT BLS
995.0RY CREOLE TRAM/WILD CAT BLS
996. SPORT MODEL MAMA/TIGER RAG
997. TIGER RAG/SPORT MODEL MAMA
998. OLD SCHOOL/WOLVERINE BLS

999. MUSKR»T RAMBLE/SHREVEPORT BLS

BIG MACE

1000. wonT B F6oL no more/big road bl

1001. CHICAGO BRKDWN/WINTERT1ME BL

IDA MAY MACK

1 002. MR MOORE BL/WHEN YOU LOSE

1003. WRONG DOOR DADDY (45438— I )

ABOVE MIN BID $5.00

1004. ELM ST Bl/(45442-2)

ABOVE MIN B|D$5.00

1 005. MR 49 bl(4&450-2 )
ABOVE MIN BID $5.00

1008. GOOO BYE R IDER (45451—1 )
ABOVE MIN BID $5.00

KID SHOT MAD ISON

1009. WHN U 4 I WERE YOUNG/UPTOWN BUMP

WINGIE MANONE

1010. TIN ROOF/TAR PAPER ST

I 31 1. PAPER DOLL/BESAME MUCHO

I0I2.BOX CAR BL/HELLO BABY

10 I 3. WEARY BL/BIG BUTTER EGG MAN

1014. JAM 4 JIVE PTS 5-6

1015. UP THE COUNTRY/WEARY BL

1016. TIN ROOF/WEARY

VI TEST N

VI TEST N

VI TEST N

JAPVI TEST E+

CI 1043 N—
CI 1045 N-
PAC 2140 N
PAC I06I4NW
PAC 10706

RAM
RAM
RAM
RAM
RAM
SU
FSW

4 N
4 N~

4 E+

5 N

5 E+
1006 Nl
272 N

VI 20l870E+/v
BB340743 N

VI

21690

E

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

AM

529

N—

DE

7425

N

CAP

347

E

CAP

442

E

CH

40055

e/v

BE

18327

E

GE

TEST

N

QE

TEST

N

BARBECUE JOE f. H|S HOT DOGS
I0I7.UP THE COUNTRY/WEARY BL

VERY RARE TEST PRESSING OF MANNONE
MIN BID $10.00

0 18. TORMENTED (|0| 198-1 )

MIN BID $5.00 ABOVE
0|9. DALLAS BL<l0ll99-l)

ABOVE MIN BID $5.00
020. RHYTHM SOVEO THE WORLO ( 1 0 1 30 1-| )

ABOVE MIN BID $5.00
02I.SWINGIN AT HICKORY HOUS£{ I 0 1 302-1 )
ABOVE MIN BID $5.00

022. BASIN ST BL(|0|573-|)

ABOVE MIN BID $5.00

023. HESITATION BL(lOl574-l)

ABOVE MIN BID $5.00

024. sTng™me" SWING SONG ( I 01 575-1 )

ABOVE MIN BID $5.00

025. PANAMAU0I57S-I )

ABOVE MIN BID $5.00
~TTqTjO MARMAROSA TRIO

026. TRADE WINDS/BOPMATISM

JOE MARSA LA

027. LOWER REGISTER/l KNOW U KNOB
028. SALTY MAMA/WANDERING MAN BLS

029. JAZZ ME BLs/wOLVER INE BL

030. HOT STRING BEANs/mITY LIKE THE BLS

CARL MART IN

03 1. BADLY MISTREATED MAn/faREWELL TO U

SARA MART IN

032. COME HOME PAPA/TAKES LONG TIME

033. NO ONE MAN/ YA SHALL REAP

034. BLIND MAN BL/ ATLANTA BL

035. WONT B BACK AT ALl/pLEADING BL

BROWN I E MCGHEE .

036. RUM COLA PAPA/MEAN OL FRISCO AL

037. PICKIN MY TOMATOES/ME 4 MY DOG BLS

038. GO ON BL/WAY I FEEL

039. TELEGRAM BL/GOOD BOY

040. LONESOME BLs/ ME 4 MY DOG

MCKENZIE CONDON CHICAGOHffi

041 .CHINA BOY/SUGAR

MCKINNEY'S COTTON PICKERS
043. IF I COULD BE W YOU/LITTLE GIRL
044.G A INT I GOOD 2 u/pLAIN DIRT
04E.PUT IT THERE (46094— I )

MIN BIB ABOVE RECORD$5.00

046. M I LENBERG J OYS (46096-2 )
ABOVE MIN BID $7.50

047. STOP Kl NOD ING (46099—2 )

ABOVE MIN BID $5.00
048.SH1MME EHA WABBLE (46402—3 J

049. Z0NKy(59|4O-I )

AlMEE SEMPLE MCPHERSON

050. COME UNTO ME/I A I NT A GONNA GRIEVE

VI TEST N

VI TEST N

VI TEST N

VI TEST N

VI TEST N

■It TEST N

752 N

3245 N
1717 N-
565 N
4168 E

BRE
GL
VR
VO

OK 8961 V-

8061
8083
8090
8161

BT 400 E+
CO 30152 E+
DIS 790 N-
D|S 879 E+
DIS 6057 N-

OK 41011 G

BB 5905 E
HMV 6950 V-
VI TEST N

VI TEST N

TEST N!
TEST N-

784 V

KANSAS CITY FRANK MELROSE
05 1 .JELLY ROLL ST^PASS THE JUG

MIN BID FOR THIS MINT ITEM $25.00

BR 7062 N

34

MINIMUM BID 75c

A SUPERB COLLECTION

ALF CUNNINGHAM

BOX 44, THE RECORD CHANGER 4| 8 WEST 49TH ST NYC 1 9 NY
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS.

MINIMUM BID 75c
A SUPERB COLLECTION

FRANK MELROSE
C 052. PAS THE JUG/JELLY ROLL STP

MEMPHIS HOT SHOTS
1053.1 CANT REALIZE/SO IN LOVE

MEMPHIS JUG BAND
1 054.JAZZCO ST/RUKUS (JUICE
1055. IM LOOKING FOR BULLY/sUNSH I NE BL
I056.BUULY OF TOWN/SUNSHINE BL
STINGY WOMAN BL ( 37942-1 ) if |057.

I058.NOVP0RT NEWS (37944-1 )

I 059. SN ITCHERS BL(4l8l7-2 )

ABOVE Ml N BID $7.50
I 060. A BLACK WOMAN (470 I 0-2)

ABOVE MIN BID $7.50
1061. ON THE ROAD AGA I n(470 I l-l )

ABOVE MIN BID $ 7.50
I0P2.FISHIN IN DARK/TAKE YR FINGER OFF

METRONOME ALL STARS
i 063. leap here/metronome riff

1064. king porter stp/all start strut

1 065. swt Lorraine/ mat meets june
i 066. look out/metronome all out

WILSON MEYERS

1 067. preach i n bl/stokin the boogie

1 068. blues in disguise/swing is here

1069. bl in disgoise(|0569-|)
above min' bid $7.50

1070. thats how i feel today ( 10570-1 )
Above min bid $7.50

1071. HOT club st(i057I-|)

ABOVE MIN BID $7.50
1 072. SWING SESSION CALLED TO ( I 0572-1 )

ABOVE MIN BID $7.50
I073.ROYAL GARDEN BL(30450-|)

ABOVE Ml N BID $7.00
■ 074. EVERYBODY LOVES MY BABY (30451 -I )
ABOVE MIN BID$7.00

1075. AINT GONNA GIVE NONE JELLY ROLL
ABOVE MIN BID $7.00

1076. GETTIN TOGETHER (30454—2 )

ABOVE MIN BID $7.00
I077.IF U SEE ME COMIN(30453-I )

ABOVE MIN BID $7.00
I078.0LD FASHIONED LOVE (82392-1 )
ABOVE MIN 810 $7.50

(079.APOLOGIEs(82393-i )

AROVF MIN BID $7.50
I 080. SEND IN THE V I PERS (82394— | )
ABOVE MIN BID $7.50

I08I.35TH A Calumet(82395-i )

ABOVE MIN BID $7.50
MIDWAY DANCE ORCH
I082.I.OTS A MAMMA/BLACK SHEEP BL

1 083. BUDDYS HAB I Ts/cOT TON PICKERS BALL

1084. L0TB A MAMA/SOBBIN BL

BOB MIELKE

1 085. R I VERBOAT SHUFFLE/CRAZY CHORDS

E. MILLER TRIO

1 086. YESTERDAYS/STOMP MR HENRY LEE

BR

80031

M-

HA

1377

N

8955

VI

2078 1

n"

VI

20781

E

VI

TEST

N

VI

TEST

EA.

VI

TEST

N

VI

TEST

N

VI

TEST

N

VO

3|75

N

CAP

15039

E+

CO

35389

N—

CO

37293

N-

V 1404000

E+

BW

II

E

Japvi

42

V—

VI

TEST

N

VI

TEST

N

VI TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

CO 33 N
CO 51 N
PU 11273 E

CRZYCHRDS I N

CAP 170 N—

IU88

I 087.PAVANNE;

/LI

TTLE BROWN JUG

1088. THATS SABBTAGe/sERE IN BLUE

1 089. RAINBOW RHAPs/mUST BE JELLY

PUNCH MILLERS ORCH
1 090. SOME OF THESE DAYS/ EXACTLY LIKE U
LUCKY MILLINDER

1091. tall i!k I NHV MaMA/UHUUt sister

MISSOURANS

1092. 20U SQUABLE/ SW I NG I N' DEM CATS

1093. MAR KET STREET st(53802-2)

ABOVE MIN BID $5.00

1094. PROHIBITION BL(59l76-2)

ABOVE MIN BID$5.00

1095. VINE ST DRAG(53973-8)

ABOVE MIN BID$5.00

1096.400 HOP(53972-2)

AROVF MIN BID $5.00

I097.SC6TTY bl(53974-2)

ABOVE MIN B|D$5.00
1098. OZARK MOUNTAIN BLs(53803-2)
I099.SWINGIN 'DEM CATS (59174-g)

Above two records $5.00 each
IIOO.Ive got someone(5297i-2)
above min bid $5.00

llOl.YOULL CRY FOR ME(53804-|)

ABOVE MIN BID $5.00
II02.OZARK MT BLs(53803-|)

AROVF MIN BID $5.00
MITCHELL CHRISTIAN SINGERS
I 1 03.GOT MY TICKET/OUT ON THE OCEAN

1104. ARE U LIVIN HUMBLE

BABY MOORE

1 105. EVERYBODY HAVE BLs/DROP DOWN

REVE.E.S. MOORE

1106. CHRIST TRACHER/SOLEMON WARNING

JELLY ROLL MORTON

I I 07.W0LVER I N BLS/ MR JELLY LORD

I i08.mamamita(pm)/35st'bl(pm)

I I09.BOOGABOO/SHOE SHINERS DRAG

I I I0.MUSHMOUTH SHUFFLe/bLUE BLOOD BLS

1111. BLK BOTTOM STp/tHE CHANT

1112. MIDNITE MAMA/MR JELLY LORD
'III3.FAT MEAT 4 GREENS/SWTHRT 0 MINE

II 14. PERFECT RAG/NEW ORLEANS JOYS
1II5.SMIKE HOUSE Bl/sTEAMBOAT ST

BB

10286

V—

VI

27935

V-

VI20I546

E+

CE

4006

N-

DE

18386

E

VI

38145

E

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

N BID

VI

TEST

N

VI

TEST

N

VI

TTST

N

ME

70362

V+

VO

4844

N

VI

20553

N

VI

21737

E

ACETATE

E+

DUB

N—

BB

7725

E

BB

8201

N—

BB

10253

E+

BR

80040

N

BR

80068

N—

BRS

3

N—

BRS

8

N-

JELtY ROLL MORTON
I I I 6.GRBNDPAS SPELLS

III7.D0NT U LVE ME HERE/bALLIN JACK

III8.SWT substitute/panama

I I 1 9. MISTER JOe/«ININ BOY BLS

I 120. KING PORTER STp/dONT U LVE ME

I |2|. GRANDPAS SPELLS/K.C. STPS

H22.THE PEARLS

1123. BIG FOOT HAM/jELLY ROLL BL

THIS IS PROBALY RAREST OF THE GENNETTS
MIN BID $35.00

BRS

1035

N

MS

112

N

GL

1703

E+

GEN

4004

N

Gen

4005

N—

GE

5218

V

GE

5323

E

GE

5552

n

II24.MY LIT DIXIE HOME/THATS LIKE OUGHTHJCA |5 E+

II25.STROKIN AWAY/EACH DAY HJCA 33 N

1126. WININ BOY Bl/hONKY TONK ( O.L. ) JM UN

1127. WININ BOY BLs/hONKY TONK MUSIC JM UN—

1 1 28. CREEPY FEELIn/finGER BUSTER (o.L.)jM 12 N

1129. MUDDY WATER Dl(cRKEd) NA 12251 E

ONE OF RAREST OF JELUV EVEN CRKEDj LABEL
CALLS HIM JELLY ROLL MARTIN j

SI30.MUDDY WATER Bl/b|G FAT HAUti" CRK PM 12050 e/v
II3I.BIG FAT HAM/MUDDY WATER PM 12050 V

I I 32. MUDDY WATER BL

VERY RARE MORTON MIN BID $25.00

PU I |25| E

1133. LONDON BLUES R I ALTO
ONE OR THE RAREST MORTON SOLOS.
MIN BID $50.00

535 E

SD

iCl

E+

SE

2

E+

SE

3

N

VI

2022)

E

VI

20252

E

V 1

20252

V

VI 2043| v

VI 23019 E+

v| 38010 p

VI 38024 N

VI 38075 N-

VI 38075 V

I |34.MAMAMITa/35TH ST BLS

I 135. FISH TAIL BLS/HIGH SOCIETY
I 1 36. LONDON BLS
I |37.CHANt/bLK BOTTOM ST

1138. DEAD MAN ( I )/s I DEWALK (3 )

1139. DEAD MAN/SIDEWALK BL (CRK)

1140. DOC JAZZ STP/(DIXIELAND JUG BLWRS ) VI 204|5

ABOVE D IS
I |4| .CANNON BALL Bl/gRADPAS SPELLS

1142. THATLL NEVER Do/f|CKLE FAY CREEP

1143. K.C. st/boogaboo

1 144. m0unrful sere/ga swing
ik5.burnin iceberg/tank town bump(2)
i |46. burning the iceberg/tank town bump

above (crk)

1147. smilin the bl away/turtle twist

1148. red hot pepper/deep creek

1149. blk bottom st(36239-2)

above min bid $15.00

1 150. smoke house bl(36240-2)

above min bid $15.00

1151. THE CHANT (36241-3)

ABOVE $15.00 MIN BID
I 152. SIDEWALK BL(36283-2)

ABOVE MIN B|D$|5.00
I 1 53.S IDBWALK BL(36283-J)

ABOVE MIN BID$|5.00
II54.DEAD MAN BL (36284—1 )

ABOVE MIN BID $15.00

I I55.STEAMB0AT ST ( 36285—3 )

ABOVE MIN BID #15.00

II56.SOMEDY swtheart( 32254-2)

ABOVE MIN BID $|5.00
II57.0RIG JELLY ROLL BL(37256-I )
ABOVE MIN BID $20.00

1 1 58 .OR IG JELLY ROLL bl(37256-2)

ABOVE MIN BID$20.00

II59.DR JAZZ (37257-3 )

ABOVE $20.00 MIN BID
I|60.bEaLe ST BL<3866I-|)
MIN BID $15.00 ABOVE

1 161. THE pearls (38662—3 )

ABOVE MIN BID $15.00

1162, THE PEARLs/klNG PORTEr(rM CHP N

BENNY MDTEN

I I 63. Ml LENBERG JOYS/BLUE ROOM

1164. HAR TO LUAGH/HOT (WMS )

1165. HARD TO LAUGH OR SMILE/FESS WMS )

1166. MARY LEE/LAUGH BREAKS
I I67.S0UTH/SHES NO TROUBLE
I |68.S0UTh/shES NO TROUBLE
I I69.S0UTh/shES NO T ROUBLE
I170.WONT U B MY BABY

I i7I.k.C.shuffle(37234— I )

ABOVE $10.00 MIN BID

1 172. YAZOO bl(37235-|)

ABOVE MIN BID $10.00

1 173. YAZOO BL(37235-2)
ABOVE MIN BID $|0.00

I I 74. M I DN I GHT MAMA(37238-| )
ABOVE MIN BID $10.00

1175. MISS0URI SQUABBLE (37239— 2 )

ABOVE MIN BID $10.00

1176. MISSOURI SQUABBLE (37239—3 )

ABOVE MIN B|D$|0.00
I 1 77.SUG AR ( 38667-2 )

ABOVE MIN BID $S»00
II78.NEW TULSA BL(38669-2)

ABOVE Ml N BIOjS.OO
I 179. PASS THAT LIGHTLY (38672-2)
ABOVE MIN BID $10.00

1 180. PASS OUT LIGHTLY (38672-3)
II8I.OING DONG bl(38673-2)

ABOVE MIN BID fc.00

(O.L.)

VI

38108

E

VI400I 19

E+

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

»l

TEST

N

gr)vo

1020

V

BB

5585 N

BB

6431

E+

BB

6431

V

BB

6638

N

VI

24893

V

VI

38021

N

JAPVI

TEST

N

JAPVl

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

BENNIE MOTEN RONT
I I82.DING DONG BL(38673^3)
ABOVE $8.00 MIN BID
ME3.MOTEN STOMP (38674-3)
ABOVE MIN BIDje.OO

II64.JUST rite(42924-|)

ABOVE $8.50 MIN BID

II85.JUST R I TE (42924-0)

ABOVE $8.50MIN BID
I 186. TOUGH BREAKS (42927-1 )

ABOVE $10.00 MIN BID

1 1 86a. tough dreaks(42927-ir)

ABOVE $10.00
M.C.B.B.

1 187. BLUE BL/ARKANSAS BL

1 188. RHYTHM NURSERY RHY.GONNA LET
I 189. NEVER HAD REASOn/tA I LS P| N 13) (|)
I I90.HELLO L0LA(57|45-3)

ABOVE $10.00 MIN BID
I 191. ONE H0Ur(57|46«^)

ABOVE $10.00 MIN BIO
II92.TAIL SPIN BL(56|5|-|)

ABOVE Ml N BID $10.00

i 193. never had reason ( 561 52-3 )
above min bid $10.00

gerry mulligan and allan eager
i 194. ide's s i de/ka per/fun house

peggy murdoch
ii95.lock it up/hvn for f nose

i-yle spud murphy orch
i i 96. san dune/pi netops brkaway

1197. tiian oontfnenyal/my lit girl

1198. dancing w deb/ecstasy

1199. ecstasy/dcning w deb

turk l/urphys jazz band

1 200. g rand pas spells/all the wrongs u [

THE MUSICAL MANIACS/lUE RHYTHM MANIACS
120 i .old mill stream/ pag an love song japlucky
(above dig)
THE NAPOLEON EMPERORS

I203.BUGLE CALL RAG/SATANIC BLS US

PHIL NAPOLEON

1204.1 DRM OF U/RHYTHMS 80T U TOO
1205. AT JAZZ BAND BALl/fiDGETY FEET
I206.SATANIC BLS/BUGLE CALL RAG

TED NASH FIVE

I207.WICKS KICKS/THEY DIDNT BELIEVE

NASHVIL1E JAZ7FRS
I208.ST LOUIS BLS/ HOLD ER DEACON
I209.ST LOUIS Bl/hoLD ER DEACON

FATS NABARRO QUINTET
12 I O.MOVE/BLUES IN TEDDYS FLAT

CHIC NEISONS ORCH
I2II.YA QOTTA KNOW HOW TO LOVe/bLU RIDGE

NEW ORLEANS BLUE NINE
|2|2.STALBE bread BL/LIMEHOUSE BL
|2|3. ALWAYS GOT THE Bl/mISS MY SWISS

NEW ORLEANS RHYTHM KINGS

I 2 |4.M I LENBERG JOYS/SHIM ME SHA WABBLE

N.O.R.K,

12 1 5.MARGRER ITE/MI LENBERG JOYS

VI

TEST

N

VI

TEST

N

VI

TEST

N

vvi

TEST

N

VI

TEST

N

VI

TEST

N

f BR

2581

V-

CH

40082 n-

VI

38087

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

PRES

120

N

TOW

|458

E+

BB

10875

N

DE

1853

N

DE

2|09

N

DE

2 109

E

GTJ

8

N

8 E-

as toe N-

FA 5000 W
SMS 7508 E-
SWAN 75|3 E+

KEY 656 E+

MF
MF

102 N
102 N-

D| 1033 E+
DO 3733 v

RAD
RAD

|2|4 V
1290 V-

BRS 1004 N

GE 52|7 N-

1216. CLARINET MARMALADE/CLAR MARMALADE GE TEST
A 2 SIDED TEST PRESSED FORM TWO DIFFERENT
STAMPERS. ONE NEVER USED FOR ISSUE.
MIN BID $20.00

1217. TIN ROOF bl(||359b)/san

1218. TIN ROOF BL/sAN ANTONIO SHOUT

1219. TIN ROOF BL/SANANTONI 0 SHOUT
I220.0STRICH WALK/o.D. ONE STEP
I22I.BLUN* THE BL/SENSATION
1222. OSTRICH WALK/o.D. ONE STP

NEW ORLEANS SEVEN
i223.easV r|Ber/HoUI LONG BL

" MEW bUSM WAndErerS

|234»GAf! ^outm/PCrd I64

ABOVE MIN BID $20.00

1225. GATE MOUTH /pERDIDO

ABOVE MIN BID $20.00

1226. PAPA DIP/TOO TIGHT
ABOVE MIN BID $20.00

ABOVE ; GREAT POD PS AND GEORGE Ml

GE TEST N
BR 801 |8 N
BR 801 18 N
BR 80l|9 N
BR 80120 N
BRE 1988 N

EL 5032 e/v+

CO

698 N

CO

698 N-

CO

735 N

(227.PERDID0 ST BL /(CNOCKIN A JUG JAPCO 199 N

NEW SYNCO JAZZ BAND

I228.AGGRA VAT I N PAPA/GT Z C MAMA EVERY
I229.SMBDYL. WRONG/HOUSE OF DAVID BL

1230. HSE DAVID BLS/SMBDYS WRONG

ABOVE RM CHP 4 GRVS )

THE NEW YQRjC twfivf

1231. LETS GET FRIENDLY

RUBY NEWMAN

1232. SING BABY SING/MAKE BELIEVE BALL RM

«AY NICHOIS
1233.4 THEN SOME/SWT BEGINNING LIKE THIS
1234.1 GOT FEELIN FALI.In/hEIGH HO

RED NICHOLS

I235.0UR LOVE/Y'RE SO DISIRABLE
1 236. OUR LOVE/U SO DESIRABLE
I237.INDIANA/ DINAH

i238.sheik/shim ME

I239.SHEIK/SHIME ME SHA ETC (diq)

1240. IND| ANa/di NAH (rM CHP NOGr)

1 241 . FEELIN NO PAIN/IDA SWT APPLE
1242. IDA SWT APPLE CIDER/rEELIN NO PAIN

I243.WHEN U 4 I WERE/DARDANELLA LUCKY 5075 t-

PE

14092

v+

PE

14178

V+

PAT

21075

V+

HOW

1153

E—

VI

25401

V-

BB

6012

E

VE

1909

V

BB

10179

N-

BB

iei79

E

BR

6718 N

BR

80005

E

BR

80005

e/v

BR 80006 E-

BR

80069

N

BR

80069

N-

37

MINIMUM BID 75c

A SUPERB COLLECTION

ALF CUNNINGHAM

BOX 44 THE RECORD CHANGER 4|8 W 49TH ST NYC 19 NY
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS.

MINIMUM BID 75c

A SUPERB COLLECTION

RAY NOBEL

1244, who WALkS In/SET sally aster 955 N

|245,cherokee/by waters MINNETONKA CO 36116 E+

I246.THE CHARM OF u/wHAT SWT SURPRISE CO 36822 E

|247.nevermore/ill floow mv SECRET HRT VI 24749 N

1248. LIFE BEGINS ST SWT I6/FEWLL0 WHO LV VI 25190 N-

I249.00T U UNDER SKIN /EASY TO LOVE VI 25422 E

1250. TO LOVE U 4 TO LOSE/LONG AS U GOT VI 25504 N—

1251. TO LOVE U 4 TO LOSE u/LONG AS U GOT VI 25504 E

1252. GOT MY LOVE KEEP ME WAR M/SLUMM I NQ ON VI 25507 E

GEORGE NOBLE

1253. BED SPRING BLS/SISSY MAN VO

JIMMY NONNE W KID ORY'S CREOLE JAZZ

I254.MUTTS BLS/HIGH SOCIETY

J I WHY NOONES ORCH

CAROUSEL 2557

2923 N-
BAND

" E

1255. KING JOE/CRYING MY BLS DCTR

1 256 . KEYSTONE Bl/n.O. HOP SCOP BL DE

1257. HE DIFF TYPE GUy/bL JUMPED RABBIT DE

1258. DIFFERENT TYPE/BL JUMPED RABBIT DE

1259. D IFFERENT TYPE OF GUy/bLS JUMPED DE

1260. HES DIFFERENT TYPE GUT/bLS JUMPEO DE

1261. WAY DWN YONDER No/sWT GA BROWN DE

1262. APEX BL/SWT LORRAINE VO

RED NORVO'S NINE

1263. I'LL FOLLOW u/BOPl CP

1264. TIME 4 TIDE/CHEEK TO CHEEK DSV

|265.M0VE/lITTLE WHITE LIES DSV

NORVO-PLETCHERS ORCH
1266. HOPE GABRIEL LIKES MUSIc/tOUCH

KING PL I VER

I267.SMDAY SWT HRT/WA WA WA BR

1268. WA WA WA/SMDAY SWTHRT BR

1 269 . CHATTANOOGA St/n.O. STOMP vLAM CRk) CO

1270. DRKTWN STRUTTERS BALl/hI SOCIETY JAPCO
|27 I. CHIMES BL/CANAL ST BL

1272. WEATHER BIRD RAg/d I PPER MOUTH BL

1273. CANAL ST BL/jUST GAVE
I274.S0BBIN BL/SWT LOVING MAN

1275. WHERE DID U STAY LST N I Te/d I PPERMTH

1 276. WORK I fJGMAN BL/r|VERSIDE BL

1277. T0M CAT/KING PORTER

1 278. WHEN YR SMILING/ST JAMES INF

1279. DEEP HENDERSON/JACKASS BL
|280. FREAKISH 8L(49649-3)

ABOVE MIN BID 510.00
1 26 1 .FREAK ISH BL(49649-4)

ABOVE MIN BID $1 0.00

I282.WEST END bl(49650-2 )

ABOVE MIN BID $10.00
|283.| GOT THAT THING (49651-1 )
ABOVE MIN BIDjiO.OO

1284. CAN I TELL U (50523-1 )

ABOVE MIN S|D$|0.00

1285. G00D MAN SAM (50525-2)
ABOVE MIN BID $10.00

1286. SWEET LIKE THIS (57657-2)

ABOVE MIN BID $|0.00
1287.NEW ORLEANS STp(58340-|)
ABOVE MIN B|D$I0.00

515 N

18095 E+

18439 N-

18439 E

18439 E-

18439 E/v

18440 E-
1207 E

15253 E+
1 34 E+
145 e+/n

Japvi test n

vl

3373

3375
13003
1 000 1
I

5|32
5|33
4906 G
49 1 8 V

40034 v/g
I E

22298 E
|0|4 V

TEST N
TEST N
TEST N
TEST N
TEST N
TEST N
TEST N
TEST N

PRIG CRESCENT CITY JAZZERS (wingie)
I288.SENSATI ON RAG/CHRISTINE OK 401 01 N

FABULOUSLY RARE MIN BID $20.00

PRIG DIXIE RAG PICKERS
1 289, MY OWN BL/ BUT I Do KNOW I DO

. *i O.D.J.B.

1 29 1 .MOURI NJ ILS/CLAR MARM BLS

1292. CLAR MARMALADE /mOURNIN BLS

1293. margie/palesteena

1294. palesteena/margie

1 295. mar g I e/palesteena

I2S6.MARG I E/PALESTEENA

1 297. HOME AGAIN BL/CRAZY BL

1 298. BOW BOW BL

RAD

1332

V-

VI

l8i|J

VI

|85|3

V

VI

18717

E

VI

18717

E-

VI

18717

V*

VI

18717

V

VI

18729

V*

VI

18850

V

ORIG TUXEDO JAZZ ORCH

1 299. CARELESS LOVE/BLACK RAG

OK

8|98 E

VERY RARE CELESTIN. MIN BID $20.00

cs

GTJ
GTJ

2 N-

65 N
8IN

NICHOLAS ORLANDO
I300.IF YR IN LOVE Y'LL WLTz/pAL OF MY H PE 14792 E
KID ORYS CREOLE JAZZ BAND

1301. GET OUT HERE/BLS 4 JIMMY

1 302. MARYLAND/D I DNT HE RAMBLE
|303. CARELESS LOVE/DO WHAT ORY SAY

OSCAR CHICAGO SWINQSTERS

1304. NEW RUBBING ON/WHOS BOOGIEIN

ROY PALMERS SIZZLING SIX

1305. GA GR I ND/STP THAT THING

PAPA TOO SWEET

|306. TIGHT LIKE THAT/BIG FAT MAMA

TINY PARHAM ORCH
1 307. SUBWAY SOBS/BL ISLAND BL

DE 7186 E-

|5 N

OK 8651 N

VI 38041 N

PHILLIPS LOUISVILLE JUG BAND
308. SMACK IN THE SAX/THATS YOUR LAST
VERY RARE MIN BID $7.50

BRE |265 E

FLIP PHILLIPS HIPTET

I309.U SHOUDNT l/SWINGING FOR POPSIE

SIG 28117 V+

CHARLIE PIERCE ORCH
iSiO.bull frog BL/cHI NA HUV PM 12619 N

ONE OF RAREST OF CHICAGO ITEMS MIN BID $25.00

CHARLIE PIERCE 0(raRE TEACH etc)
|3 1 1. BULL FROG BL/ CHINA BOY

ABOVE RM CHP NOT IN GRV i* CRK
PLANTATION JAZZ ORCH
|3|2.0/S0NG OF OMAR

BEN POLLACK
|3|3.U B REMINDED OF Hie/tHERES RAIN IN
|3|4.THIS LIFE I NT.RAG/EVBDY DOIN IN
|3|5.WAH WAh/!F I COULD BE W U
|3|6.WHEN I 1ST MET MARY/THINKIN OF U
|3|7.ALWAYS IN ARBs/ SWTHRT WE NEED
1 3 1 8 .BASHFUL BABy/(0HMAN' ARDEN )

ABOVE RM CHP NO GRV )
|3|9.HES THE LAST WORD (3726 1-3 )

ABOVE MIN BID $10.00
I320.WAITIN FOR KATIE (4l342-3)

ABOVE MIN BID $|0.00
|32|. MEMPHIS BL(4|343-|)

ABOVE MIN BloSlO.OO
1322. SINGAPORE SORROWS (43540-2)

ABOVE MIN BID$20.00
I323.SI NGAPORE SORROWS (43540—3 )

ABOVE MIN BID$20.00
I324.SI NGAPRE SORROWS(43540-4)
ABOVE MIN B ID$2.00

1325. BUY BUY FOR baby(47742-3)

ABOVE MIN BID $10.00

1326. WANG WANG BLS (49673-1 )

1327. YELLOW DOG BL(49674-|)

1328. YELLOW DOG BLS (49674—2 )

ABOVE THREE RECORDS WIN BID $|5.

1329. YELLOW DOS BLS (49674-3 )

ABOVE RECORD MIN BID $15.00

I330.SH IRT TAIL st(49675-I )
|33|. bashful baby(53949-2)

DANNY POLO 4 HIS SWING STARS

I332.MORE THAN SMWHAT/BLUE MURDER

WPE PI6U5 x~

|333. BENEDICTION 4 BLESSING

VERY RARE $10.00 MIN BID

PM

12619

E

EM

1 01-41

V

DE

1815

E+

DE

1891

N

PE

15325

v/e

VI

20394

E

VI

22|0|

N—

VI

22074

E-

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

1 TEST

N

VI

TEST

N

VI

TEST

N

VI

TESTN

VI

TEST N

VI

TEST N

DE

I7|8 E+

FEB

193 1 N

TED POWELL ORCH

1 334. RENDEZV0US IN R I o/ BLUE DANUBE BB I 1 1 32 N

OLLIE P0WERS( RARE LADNIER)

1335. PLAY THAT TH I NG (MX— 4 ) PM 12059 V

RECORDED PREVIEW FRM UNIVERSAL PICTURES

1336. E SIDE HVN/3 SMART GIRSL GWN UP V| i!b445 N—

PTS 142- SPECIAL WHITE LABEL
LOUIS PRIMA
.GOOD MAN HARD FINd/|F I COULD B DE
.SUNDAY KIND LOVe/nICKEL 4 MEMORY MAJ
,SING A SPELL/GLEEBY RHYTHM BOYS VS
,SING A SPELL/GLEEBY RHYTHM IS BORN VR
,TO U SWTHRT ALOHa/sAY SISI VS
,L0VE THAT BOY/LILLIAN VI

RUSSELS PROCOPE BIX SIX
>DENZ I LS BEST/RIGHT FOOT THEN LEFT HRS

QUINTET HOT CLUB Of FRANCE

,STOMPIN AT DECCA/HONEYSUCKLE ROSE DE

iSH I Ne/nAG ASAK I JAPVI

YANK RACHEL 4 DAN SMITH

iN I GHT LATCH BL/GRAVEL ROAD VO 2649 N-
MA RAINEY

, THOSE DOGS OF MINE/LUCKY RACK PM

iBOOZE 7 BL/TOOD FROG BL PM

.STORMY SEA BL/LEVEE CAMP PM
iDONT FISH IN MY SEA/SWAH THIS MORN PM

,G A . CAKE WAU</bLK BOTTOM PM

,PROVE IT ON ME/HEAR ME TALKIN PM

.TRAVELING BL/DEEP MOANING BL PM

.JELLY BEAN BLs/cOUNTIN THE BLS PA

RED ONION JAZZ BABIES/LIlS HOT SHOTS

1337,
1338
1339.
1340,
1341
|342.

1343

|344

1345,

1346

1347,
|348,
1349,
1350,
l35l
|352
1353,
1354

2660 E
■ I 1 3 E+
8166 N
8166 E+
8170 E
203079rK

1034 E+

23066 E
1078 N

|22|5 E
12242 v
12295 E
12438 N-
12590 N
12668 E
|40 1 1 N
140 1 6 E+

I355.SANTA CLAUS BL/DROP THAT SACK TEST N

1356. NOBDY KNOWS/EARLY EVERY MORN GE 5626 E

ROSS REYNOLD?

1357. CRE0LE GE 3046 N
VERY RARE. POSSIBLY JELLY ROLL MORTON ON PIANO.

EXPERTS DISAGREE. MIN BID $20.00

VEPM

ELZAIDE ROBINSONlACC BOB CALL T
I357A. ST LOUIS CYC LONE/ SANTA CLAUS CRAVI

1358. G0ING SO BLS/ROWDY MAN BLS OM

IKE ROGERS 4 HENRY BORWN

1 359. HENRY BROWN BL/21 ST STP PM

ADRAIN ROLLINI 4 HIS TAP ROOM GANG

1360. JAZZ 0 JAZZ/NAGASAKI JAP VI
|363. HONEYSUCKLE ROSe/bOUNC I NG INRHYjAPVI

ROYAL TROUBADOURS

1362. BABY FEET GO PITTEr/bYE PRETTY BABYDl

LUIS RUSSELL

1363. TIGHT LIKE THAT/CALL OF FREAKS OK

|364.savoy shout/lazy duke(duke) OK

I 365. FREAK I SH BL/(SN00KS) VI

12573 N
12724 N-

12825 G

TESTE
TEST E

2465 E-

8656 N
8760 N
22815 N-

BABE RUTH

1 366. HOME RUN STORY

PATHE 22443 N-

VERY RARE MIN BID $20.00

SANDHILLS SIXTEEN

I367.SHINE ON ME/WHAT SORT ROBES ANGELS VI 20903 N
JAN SAVITT

1368. WANT SHARE LOVe/liTTLE SR.ECHO DE 2391 E

1369. ASK YR HRT/MAKE EBLVE ISLAND DE 3|88 E-

1370. MY HRT THY VOICe/youNG PRINCE 4 DE 3640 E-
1371. SUGAR FT STRUT/SO PEACFUL IN COUNTWI 27464 E
I37Z.TICA Tl TICA ta/i REMEBER U VI 27775 N-

I273.ME 4 melinda/tomorrows sunrise vi 27822 E-

SAVOY BEARCATS
374. STAMPEDE/HOT NOTES

ROOSEVELT SCOTT
375. SEND ME ANGEL/DO U CALL THAT RIGH

SCOTTDA LE STRING BAND
376.CH I NESE BRK DWN/SHADE PARASOL

GENE SCHRODER TRIO
3 77 . LIZA/I A I NT GOT NBDY

IRENE SCRUGGS
378. U GOT WANT I WANT/MY BACK TOWALL

SCRANTON SIRENS ORCH

TZ7\

S/AR

SEATTLE HARMONY KINGS,
380.BREEZ I N ALONG/TELL ME LOVE ME

CHARLIE SEGAR/ TURNER PARR ISH
38 I. BOOGIE WOOGI E/TRENCHES

(ABOVE RM CHP NOT INTO GROOVE )

CHARTTT* SEGAR
382 .BOOGIE WOOG IE/COW COW BL
383. STOP 4 FIX IT MA/KEY2 HIGHWAY

SEVEN GALLON JUG BAND

384. WIPE EM OFF/ IN HOUSE(BASI E )

SEXTETTE FROM HUNGER

385. LOCK STOCK 4BARRLEHSE/BI RTH OF BL

TEDDY SHAND ORCH

386. WILLIE WILLIE/PRACTICE

CHARLEY SHAVERS

387. my man/el salon de gutbucket

ART IF SHAW ORCH
388.SUPERT IME/Z I GEUNER

389. THE BLUES A-B

390. LETS WALK/GHOST OF A CHANCE

391. THE HORNET/HOW DEEP IS OCEAN

392. KEEPIN MYSELF 4 u/sPEC DELIVERY

393. KEEPIN MYSELF/SPEC DELIV

394. traffic jam/dancing IN DARK

395. SERE TO SAVAGE/MOONGLOW
396.SMBDY NOBDY LOVES/h I NDUSTAN

397. LADY DAY/LETS TAKE LONGWAY HME

398. GRABTWN GRAPPLE/SAD SACK

399. GENTLE GR I FTER/SCUTTLEBUTT

400. NO I BUT U/JUST FLOAT IN ALONG

401. THRILL OF LIFETIME/LUCKY NUMBER

HARRY1 FREDDI E'SHAYNE

VI 20460

E-

■ VO 5|37

E

OK 45 1 03

v+

Bw 33

N—

VS 6050

N—

OK 40297

V

! ORCH

vl 'AUlAZ

v+

DE 3832

N

DE 7075

N—

VO 544i

N

PAE 2329

N

Mac 1002

E+

DE 3399

E

KEY 619

E+

BB |0|27

E

BR 7947

N—

MU 357

E—

MU 409

E

VI 26762

E+

VI 26762

E

VI 27548

N—

VI 27549

N

VI 27798

E

VI20I620

E+

VI20I647

N—

VI20I920

E

VI20I935

E

V 120 1937

E+

DE 7663

E

MGM 10426 N—

28 I 18 N-
107-8 N-
PATHE 20493 N-

SIG

ENT

MF 103 N

GEORGE SHEARING QuIHTETTE
403.SEPT IN RAIN/BOP LOOK 4 LISTEN

SHORTY SHEROCK 0
404. SNAFU/THE WILLIES

SHIFTY HENRY 4 HIS FLASHES

405. WHY DID THIS HAP/YOU'RE MIN

NOBLE SISSLE ORCH

406. CARELESS LOVE/ROYAL GARDEN BL

SIX HOTTENTOTS

407. MELANCHOLY CHARLI e/hURR I CANE

BESSIE SMITH

408. CEMETERY BL/AMY WOMANS BLS(LAM CRk)CoF 2|7 N-

409. DVINHR TED BL.GULF COAST BL(LAM CRK )

410. DWN HEARTED BL/gULF COAST BLS
4| I.GULF COAST BL/DWNHRTED BL
4I2.BEALE ST MAMA/AGGRAVATIN PAPA
4|3.|F U DONT/jELLYROLL LIKE MINE
4I4.Y0DLING BL/LADY LUCK BL
4 I 5. ANY WOMANS Bl/cEMETERY BL

4 1 6. GO I NG BACK TO USED TO BE/FARAWAY BLCO |3007 V
4|7. CHICAGO BOUND Bl/m I STREAT 1 N DADDY
418. HAUNTED HOUSE BL/EAVESDROPPERS Bl

(above D IG )

4|9. ROCKING CHAIR/SORROWFUL BLS
420.HATEFUL BL /FRANKIE BL
42l .FOLLOW .DEAL ON DWn/s|NFUL BL

422. WOMANS TROUBLE/LOVE ME DADDY

ABOVE LAM CRK )

423. COLD IN HAND/ST LOUIS BL

424. YELL0W DOG Bl/soFT PEDAL BL

425. NASHVI LLE BLs/l A INT GO|N PLAY 2|
426.1 A I NT GOT NBDy/j.C. HOLMES

427. NBDYS BL BUT MINe/mY MAN

428. RED MT BLS/ IVE BN MISTREATED

429. LONESOME DESERT/GOLDEN

430. WHAT MATTER NOw/wANT EVERY BUT

431. L0ST YOUR HEAD/GIN HOUSE BL

432. one 4 two bl/honey MAN

433. HONEY MAN/ONE 4 TWO BLS

434. HARD TIME Bl/yOUNG WOMANS BLS
ABOVE LAM CRK)

435. PREACH IN THE Bl/bACK WATER BL

436. GR AVE YARD WORDS/LECTRIC CHAIR

437. ALEX RAG BAND/HOT TIME

438. USED TO B SWT MAMa/thANK I NG BLS

439. USED TO B SWT MAMa/th I NK I NG BL

440. DEVILS GONNA GIT u/yES INDEED HE

441. G0TGIVE ME Sm/w|LD ABOUT

442 . U GOT TO GIVE ME SME/WJ.LD ABOUT
443.1 GOT WHAT IT TAKES/KITCHEN MAN

444. NOBDY KNOWS u/taKE IT BUCK

445. HES GOT ME GO IN/MAKES LOVE COME
446. ON R EVIVAL DAY/MOAN MOUNERS

447. BABY DOLL/LOST U HEAD BLS

448. TAKE ME BUGGY RIDE/GIMMIE PIGFOO
449.IMD0WN DUMPS/DO U DUTY

450. LONG OLD ROAD/SHIPWRK BL

451. GIMMIE PIGFOOT/BUGGY RIDE

452 . PECK LESS BLS/ST LOUIS BLS

453. M0NEY BL/MUDDY WATER

) CO

3844

E+

CO

3844

V

CO

3844

G

CO

3877

V—

CO

3942

V—

CO

3939

V

CO

13001

V

blCO

13007

V—

CO

14000

G

. CO

14010

V—

CO

14020

v+

CO

14023

V—

CO

14052

V—

CO

14060

V

CO

14064

V

CO

14075

G

D CO

14090

V-

CO

14095

V

CO

14098

V-

CO

|4| 15

V

CO

14123

G

CO

|4|29

V

CO

|4|58

V+

CO

14172

v+

CO

14172

V

CO

14(79

N—

CO

14195

V

CO

14209

V

CO

14219

E

CO

U4292

N—

CO

14292

G

CO

14354

v+

CO

14427

V

CO

14427

N

CO

14435

E

CO

14451

F

CO

14464

E

CO

14538

e

CO

35674

N—

r co

37574

E +

CO

37575

N-

HJCA

62

E

PAE

2|46

N

PAE

2476

N

PAE

2478

N

35

MINIMUM BID 75c ALF CUNNINGHAM MINIMUM BID 75c

BOX 44 THE RECORD CHANGER 41 B WEST 49TH ST NYC |9 NY

A SUPERB COLLECTION S£E pAQE 0NE 0F SUCT10N F0R INSTRUCT10NS. A SUPERB COLLECTION

JoT &JLL1 VAN/BUCH washjngVon ~

I509.0NYX BRINGDWN/OLD FASHIONED LOVE CO 2925 N

ROOSEVELT SVKES

I5I0.HOME OF YR 0WN/6KEET 4 GARRET OK 8749 N-

|5||.BURY THAT THINg/lOST ALL I HAD OK 88 1 9 N-

TAMP RED HOKUM BUG BAND

|5|2.U RASCAL U/SHE CAN LOVE VO 1540 N-

BESSIE SMITH
1455. SOFT PEDAL BL/USED TO BE

CLARA iiUIIH
1456. AFTER U GONE/CLARA BL

VERY RARE MIN BID $20.00

PAE 2482 N

BLK PATTI 8035 N
( HAIR CRK)

1457
1458

1459,

1460,

1461

1462

1453
1464
1 465
1466

1467

1468

1469,

1470,

147 1,

1472,

■TELL ME WHEN/EMPTY HOUSE BL CO

.UNEMPLOYED PAPa/oL SAM TAGES(LAM CRK)cO
GUY SMITH

,SAD STORY BL/ SOUTHLAND BL PM

JABBO SMITH

,JAZZ BATTLE BR

JONES SMITH INC.
.BOOGIE WOOG IE/LADY B GOOD

LEROY SMITH O(RARE)

.ST LOUIS BL/BRKEN HEARTED

PINE TOP SMITH
.JUMP STEADY BL/ I M SOBER NOW BR
,IM SOBER NOw/jUMP STEADY BLS BR
,IM SOBER NOW/JUMP STEADY BLS BR
.PINE TOPS BOOGIE WOOGIe/p.T. BLS VO

WILLIE (LONGTIME) SMITH
.FLYIN 'CLOUD B W/D IRTY DEAL BW CO

* ILL IE SMITH
.ACH IN HEARTED/HONEYMOONING ON D I ME DE

SNOOKS 4 MEMPHIS STOMPERS
, |M HAP WH YOUR HAP/LOVE1 IS HIKE THAT VI

EODIE SOUTH
,NO MOR BLS/«J> MAN HARLEM

SOUTH MEMPHIS JUG BAND (RARE)
,RFC BL/PRES 1 DENT BL

SOUTH STREET RAMBLERS (
.SOME DO SOME D ONT/ENDUR ANCE ST

VO

VI

JAPVI

RO

14409 N
|46l9 e/v

{2806 E+

4244 N

3459 N

21472 N

80009 N
80009 N-
80009 E
1245 V

39140 E+
1503 E+/V

22629 E
TEST N
5266 F
7019 e/v

SOUTH STREET TRIO

1473. MEAN OLD BED BUG/DALLAS BL VI 2||35 N

1474. C0LD MORN I N SHOUT/sUIT CASE BRKDWN VI 2 1 249 N

SOUTHAMPTON SOCIETY ORCH
475. I 2TH ST RAG/POPLAR ST BL

RARE HENDERSON W. LOUIS M I N B(D$7.50

PE 14295 E

SOUTHERN SERENADERSf LOUIS )
1476. ALONE AT LAST/ (MANHATTAN DANCE MAKERS )HA 5 E
SOUTHLAND SIX

(477.RUNNIN WILD / IVY VO 14476 V+

CHARLIE SPAND.WILL EZELL,ALEX HILL
I478.H0MET0WN SK I FFLE/PTS 1 22 SD 107 E

MUaOSY SPA N I ER
I479.SMDAY SWTHRT/THAT DA DA STRAIN BB 10384 N—

I480.SMDAY SWTHRT/THAT DA DA STRAIN BB 10384 E

I48I.LIVERY STABLE BLs/jAZZ BAND BALL HMV 9042 E+
I482.SMDAY SWTHRt/da DA STRAIN JAP VI 1 27 1 N—

VICTORIA SPIVEY(LOUIS ARMSTRONG ACC.)
1 483. FUNNY FEAT HER6/H0W DO U DO I T OK 871 3

ONE OF LOUIS BEST 4 RAREST RECORDS.
MIN BID (20.00

I 484. SANTA FE BL/EVEL HEARTED ME
I 485. SHOWER ED W BL/n.Y. BL

ST .JUSTE ZAUOR HAITIAN GROUP

1486. T I JEAN DANTON/AGANUAN BO LE LE

ST PAUL CHOIR OF LOS ANGELES

1 487. GLAD JESUS LIFTED ME/GOD B W YOU

1488. YIELD NOT/SURE DO NEED HIM NOW

1489. WELL OONE/l WANT WINGS

90 1

STATE ST RAMBIERS
|490.GB GRIND/RICHMOND ST

1491 . CARELESS LOVE/TIGER MOAN

REX STEWART

1492. WITHOUT SONG(53607-I )
ABOVE MIN BID$5.00

1 493. W I THOUT SONG/(53607^ )

ABOVE fe.OO MIN BID
I493A.MY SUNDAY G I RL (53608-1 )
ABOVE MIN BID $5.00

1494. KOBI LE BAY (53609— I )

ABOVE MIN BID $5.00

1495. MOBILE Bay(53609-2)

ABOVE MIN BID$5.00

1496. LINGER A WHI LE (536 1 0-1 )
ABOVE MIN BID $5.00

1497. LINGER AWHILE (536 1 0-2)

ABOVE MIN BID$5.00
BOYD SENTER

1498. COPENHAGEN (57032-*)

ABOVE Ml N BID$|0.00

1 499. N0 ONE(57033-| r )

ABOVE MIN BID $5.00

1500. NO ONE (57033-5)

ABOVE MIN BIO$|0.00

1501. BEAL ST BL(57C34-3)

ABOVE MIN BIDI7.50
|502. SOME SATUR0AY(6|342-I )

ABOVE MIN BID (5.00
I503.MENEL I CH ( 6 1 344-2 )

ABOVE MIN BID(|5.00

1505. POOR BUBBEr(6|345-I )

ABOVE MIN BID (5.00
FRANK STOKES
1 505A. IT WONT N0»l4b420-2 )
ABOVE MIN B|D$5.00

1506. NOBDYS BIZ BUT MINE (45452— I )
ABOVE MIN BID (5.00

SlOMP SIX

1507. EVYBDY LOVES BABY/WHY CANT
I508.SVYBDT LOVES BABY/WHY OANT POOR

OK

8410

E+

VI

38584

E

BALD

1009

N

CAP

40018

E+

CAP

40033

N—

SAC

1 10

E+

CH

40009

£

CH

40086

N-

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TE6T

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

VI

TEST

N

SE

5

N

SE

5

E

ERSKIN TATE VENDOME ORCH
|5|3.CUTIE BL/CH I NAMAN BL OK 4907 N

ONE OF RAREST KEPPARDS MIN BID (|5.00

I 5|4. CHINAMAN BL/CUTIE BL
ART TATUM

1515. JA DA/WHERE OR WHEN

1 51 6. HUM0RESQUE/ELEG I E
I5I7.SWT LORRAINE/GET HAPPY

OK 4907 G

AS 3562 N—
DE 18049 E+
DE 18050 N-

TAYLORS DIXIE SERENADERS
I 5| 8. WABASH BL/EVERYBDY LOVES BABY VI 23277 N—

VERY RARE JABBO SMITH Ml N BID (|5.00

BILLY TAYLORS BIG 4

|5|9. MR B BOPS/ RESTRICTED HRS 1048 E+

1520. MITCH PITCH/STRIDING DWN HRS 1049 N—

|52|. NIGHT WIND/CARNEY-VAL IN RHY KEY 615 E+

MONTANA TAYLOR
HAYRIDC ST/WHOOP 4 HOLLER f |522.
VERY RARE MIN BID (20.00

VO 1 275 N

1523. DETROIT ROCKs/l ND I ANA AVE ST

JACK TEAGARDEN
I524.BEALE ST BH 1 0422-6 J TEST N

UNISSED TEST PRESSING , RARE 4 MUSICALLY GREAT
MIN BIO (25.00

TENNESSEE TEN

1525. GT 2 C MAMA NITe/nUTHIN BUT VI 19075 N—

1526. GULF C0A6T Bl/dWNHEART£D BL VI 19094 E

1 527. DWNHRTE0 Bl/gULF COAST BL VI 19094 V
1523. LONG LOST MAMA/PAPA WATCH STEP VI 19105 E
I528A.WAITIN FOR EVEN IN MAIL/TAIN NBDYS V| |9|09 V
1529. BIG BLOND MAMa/sOBBIn' BL(bENSOn) VI 19130 E—

TEXAS BLUES OESTROYERS
[530. LENOX AVE SHUFFLE/DWN IN MOUTH BL VO 1 49 1 3 E+

HARRY. THOMAS (rare EARLY RAGS )
1 53 I.DELERIOUS RAG /CLASS i C SPASM VI 18229 N—

HERSA L THOMAS
I 532.HERSAL BL/SUITCASE BL

BETTY THORNTONf PHIL NAPOLEON ACC

1533. NEVER BRAG BOUT M AN/ VICE VERSA DAVIS

GOSTA TORNERS SEXTET

1 534. ECCENTR IC/ ANGEL ST BLS TELESTAR

LENNI-: TRISTANO QUINTET

I o35. PROGRESS /RETROSPECT I ON N.J,

|536. RETROGRESS I ON /PROGRESSION N.J.

OK 8227 N

576 N

5396 E

|337.JUOUr/sUBC0NSI OJS-LEE

FRANK I E TRIIMBAIIFR ORCH
o/n

832 E+
832 E
N.J .8030 1 E+

1538. DIGA DIGA DO/IM OLO COWHAND JAPLJCKY 60164 N

ERNEST TUBB

1 539. HAVE U EVER BEEN LONELY/SAY GDBYE DE 46144 E+

BESSIE TUCKER

1540. FT WORTH 4 DENVEr(45440-2)
ABOVE Ml N BID (5.00

1 54 1 . PEN I TENT AR Y BL(4544l-e)
ABOVE MIN BID (5.00

1 542. FRYING pan bl(4544— I )

ABOVE MIN BID$5.00

1543. G0T cut To pieces (45448-ir)

ABOVE Ml N BID $5.00

1 544. CUT TO PIECES{45443— l)

ABOVE UIN BID $5.00
TOMMY TUCKER TIMF

1545. JIM/SHEPHERD 3ER

VI TEST N

VI TEST N

VI TEST N

VI TEST N

VI TEST N

JOE TURNER MFMPHIS MFN

1546. MISS MOAN/ FREEZE 4 MELT

WESLEY TUTTLE 4 HIS TFXA* STARS

1 547. WHEN U CRY/THO* I TRIED

THE TWO TONES

OK 6353 E
CO |8|3n-

CAP 267 v+

Cos

580 V+

1 548. CANT GET VERVE KISS u/YOULL SEE

SUGAR UNDERWOOD

1549. DEW DROP ALLEY ST/DAVI S ST BL VI 2|538 N

UNIQUE NOVELTY nflHCF ouch

1550. JUST FOR TODAY/CARAVAN(BEDFORD o) OP 3 1122 V

UNIVERSITY BOYS(tea.B.G..McP)

1551. LOVEABLE 4 SWEET/ITS SO GOOD JE 5685 E

UNKNOWN BAND

1 552. APACHE DANCE VI TEST E

UNKNOWN ORCH

1553. YAMECRAW BY JAMES P JOHNSON \-Z

JAP POLYD0REI384 N

RUDY VALLEE
|554. LOVER COME BK/WALKIN SWETNESS
SARA VAUGHAN

1555. VAVITY/HY REVERIE

1556. U NOT KIND/lF U C*D SEE ME NOW

VICTOR GAY QUINTET

1557. THE BLIJES/BOOG I E (m I S LABELLED

DIVA 2881 E

CO 39446 E-
MU 380 N—

JAP VI 40045 N
JAP V| 40076 N
JAP V| 40217 N
JAP VI 40217 E+
J/iP VI 40327' N

1558. GAY 5 EXPRESSION/ 5 FOOT JIVE

1559. LADY 4 MUSIC/BOOGIE IN F

1 560. BOOGIE IN F/LADY 4 MUSIC

1561. NEW dixie/my SAMPAGITA

VICTOR HOT CLUB

1562. BOOGIE IN C/A.P.C. 500 JAP VI 40024 N
1563. IN MELANCHOLY MOOd/tHE TOKYO JAP VI 40044 N

1564. L0CH LOMOND/ NITE IN PAKISTAN JAP VI 40113 N

1565. MY DEAR OLD AYE/DARK EYES J/.P VI 40216 N

» iR/r

VE BEEN SO 00 MER 2030 e/v-
V+

v+

4446

285

EDDIE VINSON 4

|556»ITS OROO-VY AFFA

JERRY WALD
I557.SINCE U WENT AWAY/TWO HVNS

J IMMY WALKER
|568. METRO POLKA/HOW HIGH MN
FATS WALLER

1589.1 A I NT QT NBDY/SUGAR BB 5093 N

I570.MINOR DRAG/HAr,LEM FUSS BB |0|85 N-

I57I.0YSTER IN STEW/DRM MAN BB 10261 N

I572.SWT SAVANNAH SUE/wAITIN AT END BB 10264 N

I573.BLUE EYES/SALT AWAY SUGAR SB 10943 N

I574.SWING OUT TO VICTORY/SILVERY MOON BB l|569 E

1575. NOT HERE RIGHT THERe/u CANT HAVE CI 3005 E+

1576. MUSCLE SHOALS/BIRMINGHAM BL OK 4757 E+

1577. HES GONE AWAY/PLEASE TAKE ME V| 2|202 E+

1 578. LOU I S I ANA FAIRY TALE/ciNOERS VI 24898 N
I579.SMBDY STOLE GAL/SUGAR BLS VI 25194 E+

1 530. look I m sd/need someone(rm CHP NO Gyl 38086 N

I58I.USED TO LOVE u/MEANEST THING EVER V|2S22|9 E
I582.SMBDY STOLE GAL/SUGAR BL JAPVI 691 E

I532.SMBDY STOLZ GAI_/suGAR BL JAPVI 691 E

I533.SWINGIN THEM JINGLE BELLs/haLLLUJA PVI 1144 E
I584.AFRICAN R IPPLES/ ALL I GATOR CRAWL JAPVI TEST N-
I535.BASIN ST BL/AINT GOT NBDY JAPVI TEST N

I536.SWT SUE/|2TH ST RAG JAPVI TEST E+

W.B. RHYTHM KINGS

1 587. BUG A BO/MY PRETTY GIRL VI 23408 N-

1588. ASH BAN CRAWL(5903|-| ) VI TEST N
MINI BID (5.00 ABOVE

1589. B0Y IN THE B0At(59032-| ) VI TEST N
ABOVE MIN 3|D$5.00

1590. IM GONNA PLAY (59033-1 ) VI TEST N

ABOVE MIN BID $5.00
I59I.SM80DY STOLE GAB's H03N VI TEST N

ABOVE MIN BID$5.00
I592.SAY IT ISNT so(59035-l) VI TEST N

ABOVE Ml N BID $5.00
1593.1 CANT STOP LOVIN u(68266-2) VI TEST N

ABOVE MIN BID $5.00

1594. WHO STOLE THE LOCk(68270-I ) VI TEST N

ABOVE MIN BID $5.00

1595. P0RTERS LOVE SONG ( 69023— I ) VI TEST N

ABOVE MIN BID $5.00

1596. PORTERS LOVE SONG (69023*"fl ) VI TEST N

ABOVE Ml N BID $5.00

1597. MANY HAPPY RETURNS (7053 1 -| ) VI TEST N

ABOVE MIN BID $5.00
I597A.MANY HAPPY RETURNS (7053 1— | R ) VI TEST N

ABOVE MIN BIO $5.00
I598.SH00T EM(70532-|) vl TE6T N

1599. PEPPER STEAK970596— l) V| TEST N

ABOVE MIN BID $5.00

1 600. UNDERNEATH HARLEM MOON (7 1790— £ ) VI TEST N

ABOVE MIN BIO $5.00
I60K JUST ANOTHER DRM OF U (72691-1 ) VI TEST N
ABOVE MIN BID (5.00

1602. MY SILENT LOVE<72693-l ) VI TEST N

ABOVE MIN BID $5.00

1603. TIGER RAG (72694-1 ) VI TEST N

ABOVE MIN BD I (lO.OO

1604. HUMMIN TO MYSELF(72695-I ) VI TEST N
ABQVF MIN BID $5.00

WASHBOARD SERFNAIIFRS

1605. KAZOO MOAn/w.B. GET TOGETHER VI 28|27 N—

DINAH WASHINGTON

1606. WEST SIDE BABY.WALKIN 4 TALK I N MER 8079 V+

HIROSHI WATANA3E 4 HIS VICTOR STAROIISTERS

1607. POLONAIS OP b3/HUNG AR I AN DC#4

1 608 . MELANCHOLY u/s»ING IN ORANGE

1609. DRU OF LOVE/SWING FANTASY

ETHFI WATERS

1 610. HEEBIE JEEBIES/ ALL THE WRLD

PAULA WATSON

I6II.ST8P KNOCKIN AT HRT/HEART OF STONE DE 48|55

JAPVI 40078
W«l 40166
JAPVI 40218

SP HE 8928

CABLE CAR STOMPERS
I6I2.RARE WATTERS HELM, TURK MURPHY, PAUL L INGLE,
PAT PATTON

MAPLE LEAF RAa/TERRI3LE BL TEST N
RARE NEVER ISSUED TEST MIN BID $40.00

LU WATTEHS

I6I3.HI SOCIETY/FIDGETY FEET TEST

MIN BID $10.00 ABOVE
I5|4.MILENBERg/l0ND0N BL TEST
I6I5.H0T HOUSE/COME BACK SWEET PAPA TEST

MIN BID ABOVE 2 RECORD tlO.90 EACH
1616. SUNSET CAFE/TIGER RAG TEST
WE OONT KNOW IS THIS WAS ISSUED
MIN BIO $10.00

SYLVESTER WEAVER

1617. TRUE LOV BL/POOR BOY BL

CHICK WEBB

1618. CRYIN MOOD/RUSTY HINGE
I 5 19.STR I CTLY JIVE/ROCK IT FOR ME

1620 . MAC PHERSON INS REHERSIn/lET TEAR

1621. ELLA/FOUND YELLOW BASKET
1 622. SUGAR PIE/THAT WAS MY HRT

1623. L0NS0ME MOMENTS/BL MINOR

TED WEEMS

1624. BLUE EYES SALLY/oH HOW LOVE DRLING

DICKY WELLS ORCH
I 625. I GOT RHYTHM/JA SANDMAN
I626.0PERA IN BL/DRAG NASTY
1627. BED ROCK/WE'RE THROUGH
I628.SABY ARE U SATISFIED

NOLAN WELSH
I629.ST PETER/BRIDEWELL BL

OK

8460

v+

DE

1273

N-

v/v-

DE

1586

DE

2080

e/v

DE

2|48

E—

DE

2665

E+

OK

41572

E

VI

19547

V

HMV

8826

N

HRS

1018

E

HRS

1019

E

PAE

2345

N

ACETATE

E

39

MINIMUM BID 75c

ALF CUNNINGHAM

BOX 44 THE RECORD CHANGER 418 WEST 49TH STREET NYC 1 9 NY
6EE PAGE ONE OF AUCTION FOR INSTRUCTIONS.

MINIMUM BID 75c

A SUPERB COLLECTION

LITTLE DAVID WHEATON
1630.2 LNG BLS/ JUST ME & U CAP 40034 N~

JOSH WHITE W.ED MONO HALL

163 1. LEFT GD FEAL MOB1LE/DIO U EVER LOVE OE 23475 E-

PAUL WHITEMAN

1632. FARE THEE WELL/XMAS NITE HARLEM BB
I533.TRAVLIN LITE/WERE NEVER LOVLIER CA

1534. in evening/dont LOVE ME CO

1635. WHN U COUNT IN STARS ALONE/aT TWILITE CO

1 636. swt sue/for no reason at ALL CO

1637. JEEPERS CREEPERS/MUTINY IN NURSERY OE

1638. TO u/MOON LOVE OE

1639. HOT GAVOTTe/hOIRIGER SCHOTTISCHE OE
1640. STORY BOOK BALL/ RAIN DE

|54i.jap sandman/whispering C

1 642. .jap sandman/whispering V

1643. rosie/honolulu eyes V

1644. BRIGHT EYES/LOVE BIRD V

1645. MAKE BELIEVe/sOME LIT BIRD V

1646. M0ONLI Te/tOODLE V
IS47.CH0 CHO SAN/SONG OF INDIA V
1648. HAVE U FORGOTTEN/SECOND HAND ROSE V
I 649. APRIL SHOWERS/WEEP NO MORE MY V
I650.DR OLD SOUTHLANO/THEY CALL DNCINS V
IS5I.DR OLD SOUTHLANd/tHEY CALL IT DNCING V

i652.cutie/lonesome HOURS V

1 653. SOME SUNNT DAY/ROSY POSY V

1654. H0T lips /(virginians) vi

1555. COAL blk mammy/tricks V

1 556. COAL BLK MAMMY/TICKS
I557.0RIENTAL FOX TROT/3 IN MORNING

1658. YANKEE PRINCESS/ SWTHRT LANE

1659. CRI NOLI NE DAYs/pACK UP YR SINS

1660. CR1NOLINE DAYS/PACK UP SINS
I56I.WH HRTS ARE YNg/hOURNEYS END

1 662. JOURNEYS END/WHN HRTS ARE YOUNG

1663. JUST LIKE OOLL/uNTILL LUCK COLES
I554.SAVE UP JUST BEFORE/lVY

1655. MR GALLAGHER 4 SHEAn/pARAOE WOODEN

1566. LONELY NEST/WHN ALL CASTLES COME

1 567 . UNDERNEATH YELLOW Mn/wONDERFUL WLTZ
1668. UNDERNEATH MELLOW MOOn/wONDERFUL ONE

I6S9»dearest/way D WN YONDER N.O.

I670.BURNING SANDS/FALLING V

I57I.NUT.HIN BUT/U GOTTA C MAMA V
l672»tST NIGHT ON BK PORCH/GET SWT IE I WNTV

1673. DANCIN HNYMOON/ORANGA GROVE IN CALIF V

1674. RAGGEDY ANH/lN LOVE W LOVE V
I675.SO THIS IS VENICE/LEARN TO 00 STRUT V

|576.spain/mr radio MAN V

|677.SPAIn/mR RADIO MAN V

1673. LITTLE OL CLOCK ON MANTEL/CHARLEY MY V

I679.MY TWLIGHT ROSE/TELL ME DREAMY EYES V

I 580. ROSE MARIE/MY RAOD V

1581. INDIAN LOVE CALL/ TELL HER SRPINGTME V

1682. ALBAMY BOUND/CALL OF SOUTH V

1683. AH HA/jUST LITTLE DRINK V

1684. U 4 80T 2 REMEMBER/wHY IS LOVE V
1 585. NO MORE WORRY/VALENCI A V
I686.GE0R0 1 ANNA/TENT I N OWN TENN V
I587.GE0RGIANA/TENTIN OWN TENN V
(688.LULU BELl/nO FOOL IN V
i689.no foolin/lulu BELLE V

1590.1 ALWAYS KNEW/WHE IV IN YOUR ARMS V

I69I.U LAND 4 MY LAND/SI LUER MOON V
I592.EVERYTH I NGS MADE 4 LOi/e/NaT SHILKRETjv

I 593. SONG FO WANDERE/SO BLUE V

I694.LIKE YOu/(NAT SHILKREt) V

I595.MY BL HVn/aLL MY OWNSOME V

I696.MY BL HVN/ALL BY MY OWNSOME V

|697.changes/mary V

1 698. LONELY MELODY/RAMONA V

1699. LONELY MELODY/RAMONA V

1700. LONELY MELODY/RAMONA V

1701. A ROSE 4 KISS/DONT SUPPOSE V

1702. WAH HOOJWHATS NAME THAT SONG V

1703. WHATS NAME THAT SONg/wAH HOO V

1704. AFTEP.GLOw/oN U TOES V

1 705. RHAPSODY IN BL PTS 142 GERSHWIN AT P V

1706. BEST EVER MEDLEY/MEOLEY FOX TROT V

1707. MISS SUITE/PTS 142 V

1708. METROPOLIS 142 V

1709. WHEIJ ITS SLEEPY TMe(706|I-|) V

ABOVE MIN BIO 57.50

1710. ALL OF ME(70636-|) V

ABOVE MIN BID $7.50

I7II.WE JUST COULDNT SAY GOBYS (73 |9 1-3 )
NEVER ISSUED MIN B 1 0 »|0.00

10969 E+
116 E+
1484 N-
1993 n/n-
35667 N-
2222 E
2578 E+/«-
2921 N
3|37 N-
IS690 E+
18690 E
13721 E
18735 E+
18742 E
13756 E
13777 E+
18818 E
18825 E
18856 N-
18856 E
13865 E
13891 E
13920 E
8939 E-

18939 V-

18940 E
18977 V
18983 E
18983 V
13985 E
18985 V
18988 V
19003 V

19007 v-

19008 V+
I 90 1 9 E+
19019
19030
19033
19073
19139
19169
19187
19252
19330 V+
19330 V=
19420 E
19456 V
19461 V
I93|7 E
19557 V
19666 V
19726 E
20007 E
20017 V+
20017 V
20019 E
20019 V-
20501 E+
20505 E+
20514 N-
20570 N-
20684 N
20828 E+
20828 E
21 103 V
2|2|4 N-
2|2|4 E
2|2|4 v+
22882 E-f
25252 N
25252 v—
25356 E
35225 E+
35701 E
35859 N
35933 E+

TEST N

TEST N

ZACH WHYTES CHOCOLATE BEAU BRUMMELS
I7I2.G00D FEELING BL. /WAILING BL GE TEST N
A TREMENDOUS JAZZ BAND MIN B|D $10.00

PUTTE tICKMANS TRIO
I7I3.0NLY HV EYES FOR U/BOPPIN AT DODGE SON 7525 N—

BOODLE IT WIGGINS ACC D'JBBY BRAGG
I7I4.KEEP A KNOCKIN/EVIL WOMAN PM 12662 N

SUPERB PIANO 4 BLS VOCAL MIN BID $5.00

JAMES wiggins(blind LEROY GARHETT )

I7I5.WEARY HEART BL/MY LVOIN BL PM |2878 E-

WILLIAMS 4 MOOR
I7I5.SL0CK 4 TACKLE/DUSTIN THE KEYS QRS 7016 N
EXTREMELY RARE COPY OF JIMMY BLYTHE 4 BUDDY BURTON
DUET MIN BID $20.00

ALBERT WYNNS GUT BUCKET FIVE

BERT WILLIAMS

1717. SORRY I A I NT GOT IT/CHECKERS CO 2877 N

17 1 8. SORRY A I NT GOT I t/cHECKERS CO 2877 n/e

|7 1 9. SORRY I AITIM GOT It/cHECKERS CO 2877 E+/e

1720. UNLUCKY BL/TEN LITTLE BOTTLES CO 294l N-

172 |. U CANT TRUST NOBDy/nOT LATELY CO 3589 N

1722. MNSH INES ON MNSH I Ne/o DEATH IS THY CO 35590 N-

1723. BRING BACK WONDERFUL DYS/e«B0Y WANTCO 35591 E
CLARENCE WILLIAMS

1724. UNCLE SAMMY HER E/THR| LI-ER BLS BB 11368 E—
|725.BALTIM0Re/cAR0LINA BOUND BR 3664 V+

WILL IAMS JUG BAND

1726. HI SOCIETY/SHIM SHAM CO 2806 N—

1727. CHIZZLIN SAM/BABY (WELLS) CO 2829 E+

CLARENCE WILLIAMS

1728. MANDY/ LIT BLKB I RD AUCO

1729. LONG DEEP 4 WIDE/SPEAKEASY BL CREOLE

1730. MIXING THE/WEARY BL

173 |. OH DADDY/BANANA BL OK

1732. EVYBDY LOVE MY BABy/oF ALL WRONGS OK

1733. YOUR GOING/HOODOO YOU OK

1734. N0BDY BUT/cANDY LIPS OK

1735. TAKE BL BOTTOM OUT/CUSHION FT ST OK

1736. CLOSE FIT BLS/ BABY WONT U PLEASE OK

1737. YAMA YAMA/CHURCH ST SOBBIN BL OK

1738. CHURCH ST SOBBIN/ YAMA YAMA OK

1739. RED RIVER BL/SHAKE IT DWN OK

1740. LAZY MAMA/MT CITY BL OK
174|. MT CITY/LAZY MAMA OK

1742. WILD FLOWER RAg/orGAN GRINDER OK

1743. WALK THAT BROAd/hAVE U EVER OK
17-44. WHIP ME/WARH OUT BL OK
l"?45.HE WOULD NT STOP/BOUND TO LOOK OK
1746. LOCK STEP Bl/kITCHEN WOMAN QRS

COOTIE WIU IAMS

HOUSE OF JOY/EVERYTHING BUT U 01747. CAP

1748. IS U ARE IS U AINT/BL GARDEN BL HIT

FESS WILLIAMS

2727 N

26 N-
4893 E+
4927 V
8|3| V
8270 E
8440 E+
8462 N
85 10 N-
8525 N
8525 N-
8584 V
8592 N
8592 N-
8604 N
8629 N
8790 N-
8798 N-
7008 E

215 E-
71 08 E

1749. JUST TO B W YOU/EVERYTHING OK
1750. SHES STILL DIZZY/GRETS 4 GRAVY

JABO WILL IAMS
|75l. JAB BL/PRATT COTY BL

JOHN WILLIAMS SYNCO JAZZERS
1752. GOOSE GREASE/DIVN IN GALL I ON

LEONA WILLIAMS
I754.TEASIN SQUEEZIN MAn/|F YR MAN

MARY LOU WILLIAMS
1755.IT MUST B TRUE/HARMONY GIRTS
1756. SATCHEL MOUTH BABy/mISTY BL

1757. DRAG EM/LITTLE JOE

1 758. ROLL Em/mARY LOUS BOOGIE
1759. SONG IN MY SOUI^HIS 4 THAT
,760«MARYS SPECIAL/OVERHAND
1761. SWT PATOOTIe/mR FREDDIE BL

1762. WILLOW WEEP FOR Me/bYE BYE BLS

SANDY W I LL IAMS BIG 8

1763. AFTER HRS ON DRM/SUMPIN JUMPIN
1754. AFTER HRS ON DRM ST/SUMP1N ROUND

1765. AFTER HOURS ON D RM St/suMPIN JU

WILLIAMSON NEALE ST FROLIC 0.

1766. MEMPHIS SCRONCH/BEAR WALLOW
I757.MIDNIGHT FROLIC ORAg/sC ANDANAV I AN

SONNY BOY WILLIAMSON
1763. BLK PANTER BL/SHE DONT LOVE ME
TEDDY WILSON ORCH

1769. MORE THAN U KNOW/SUGAR

1770. MISS BWON TO YOU/lSHED ON STAR

1771. MISS BRWN TO u/l WISHED ON MN

1772. MUST HAVE THAT MAn/fOOLIN MYSELF

g/e/

VI 23003 v+
VI 23025 E

8 N

12457 N

3835 N-

202174 E
502 E

1002 N-

1003 E+
1008 E+
781 E+
2797 E+
4349 E+

1008 N
1008 E+
1008 E

20555 N
2|4|0 N

VI

ASCH
ASCH
ASCH
ASCH
DE
DE
KING

HRS
HRS
HRS

BB340701 N-

CO 36l 17 N-
CO 36205 N
CO 36205 E
CO 36207 N-
CO 36208 E+

I774.SUGAR PLUM/RHYTHM IN MY NURSEY LUCKYJ>60 |24 N
1775.WARMIN Up/bLUES IN C SHARP Ml NORUJCKyJSO 168 N

i773.when your smiling/easy living
'Lum/f
up/bi

1776.THATS LIFE I GUESs/giVE u ANYTHO LUCKY J60226 N
I777.SEE u IN DRMS/TEA FOR 2 J LUCKY 60247 N

1778. HOW COULD U/CARELESSLY J LUCKY 60289 N

1779. M0ANIN LOW/FINE 4 DANDY

1780. WHY WAS I BORN/MUST HVE THAT
I73I.D0NT B THAT WAy/aLL MY LIFE
1782. JUNGLE LOVE/lF I WERE U
1783. STRANGE INTERLUDE/HALLELUJAH

1784. WHY SHOULD NT u/sUNNY MORN

1785. WANT TO BE HAPPy/dONT WORRY BOUT

WINDY C ITY 4

1786. TIGER RAG/OH MONAH

JACK WINN DALLAS DANDIES

1787. WILD MAN BL/AFTER U GONE

LUCKY 60302 N-
LUCKY 60322 N
LUCKY 604|3 N—
LUCKY 60446 N
MU 370 N-
MU 371 E+
MU 421 E-

VO 1738 e/n

ME 12029 E

1788.MELANCH0Ly/s0MEDAY SWEETHEART POLK 9034 E
RARE DODDS-OLIVER. NEVER SAW ONE ON THIS
LABEL BEFORE/MIN BID $35.00

EDNA WINSTON

1789. MAMAS GONNA DROP CURT A I n/pA IL IN VI 20424 N-

JOHNNY WITTWER PIANO SOLOS

1 790. RAGGED BY RITE/AUNT HAGERS BL JM
1791.2 KINDS OF PEOPLE/ACE IN HOLE JM

CHARLES WOLCOTT ORCH
I792.MEXIC0/U BELONG TO MY HRT DE 2334

13 E+
19 N

3 E

|V93 m WHEN/ CREOLE BAND

OK

8350

JIMMY YANCEY

1794. YANCEY STP(44006— 1 )

V 1

TEST

N

aFnifr him Rin So no

t7Qri.(;TAT qpcr i ii (Adnn'j—i]

l/3~'.OIM| o | O^tU 1 1 1 U U/l j

V 1

TEST

N

ABOVE MIN BID$3.00

I796.TELL EM BOUT Me(4400S-I )

VI

TEST

N

ABOVE MIN BID$3.00

1797.5 O'CLOCK BL(44009-I )

VI

TEST

N

ABOVE MIN BID $8.00

I798.CRYIN MY SLEEP (53436-1 )

VI

TEST

N

ABOVE MIN BID $3.00 .

1799. DEATH LETTER bl(53437-|J

VI

TEST

N

1800. DEATH LETTER BL(53437-2)

VI

TEST

N

ABOVE TWO RECORDS MIN BID $8.00

EACH

1 30 1 .YANCEYS BUGLE CALL< 53428-1 )

VI

TEST

N

ABOVE MIN BID $8.00

1802. YANCEYS BUGLE CALL (53438-2 )

VI

TEST

N

ABOVE Ml N BID $B.OO
I303.35TH 4 DEARBOR[j(53439-| )

J

VI

TEST

N

ABOVE MIN BID $3.00

I804.35TH 4 OEARborn(53439-2 )

VI

TEST

N

ABOVE MIN BID 88.00

YERKES SOUTHERN FIVE
I805.SHAKE LIT SHOLDER/RA I LROAD BLS

LESTER YOUNG
1806. LOVER COME BACK/jAMIN W LESTER

TRUMMIE YOUNG
|807. RATTLE ROLL/BEHIND 8 BAR

VICTOR YOUNG
|808. BEAUT I FUL OH 1 o/m I SSOUR I WALTZ

YVETT E

1809.ONE LOOK AT u/LONG LIVE LOVE

ZAMOR HA IT I AN GROUP.
I8I0.SIMBINAN D'LEAU/JESUS 0
18I0A.AGOUE SIGNE L' ORDRe/baLI NJO

BOB ZURKE
I3II.H0BSON ST BL/EACH TIME
I8I2.FIT TO B TIEp/pEACH TREE ST

CO 2929 V

AL |28 N-

COS 901 E+

DE 24535 E-

BB I 08 1 3 E+

BALD 1010 N
BALD 1 0 1 1 N

VI 26317 E
VI 26420 N-

40

"auction auction
smji stephen storan sale

ft, ARG BOX 341 COOPER STATION NYC NY

AUCTION OF STOCK OF TOPEX RECORDING STUDIOS,
ALL RECORDS LISTED ARE COMPLETE HALF-HOUR
BROADCASTS ON 12" LP 331/3 MICROGROOVE STUDIO
ACETATE RECORDINGS, CAN BE PLAYED ON ANY HOME
LP l»HONO.ALL RECORDS ARE IN NEW CONDITION,
NEVER PLAYED •

SING CROSBY BLOW -UPS - I2"LP

1 ) J INGLE BELLS )

2) THE BOWERY

3 ) SE HENADE IN BLUE

4) RuBINS ' ROSES

5) AIR FLUFF WITH QUARTET

6) WRAP YOUR TROUBLES IN DREAMS

7) j|MMY VALENTINE

8) SEFUSAL TO RECORD

KIIIG OLIVE (MOT A BROADCAST ) |2" LP

1 ) SHAKE THAT TH1NG(NEVER RELEASED COMMERCIALLY)

2) tuo b«d(never RELEASED commervially)

3 (FRANK IE AND JOHNNIE

4) EVERY80DY DOES IT IN HAWAII

5) DEEP HENDERSON

6) JACKASS BLUES

7) WA WA WA

8) sNaKE RlC ( OKEH VERSION)

9) H|GH SOCIETY
|U)CaMP MEETING BLUES

OOC COOK-FEAT FREED IE KEPPARD(nOT A BROADCAST)

1 ) scissor grinder joe

2) the memphis maybe man

3) here comes hot tamale man

4) span1sh Mama

5) brown sug/r

6) HIGH fever

7) SIDEWALK BLUES

8 ) w ILL I E THE WEEPER

9) SLUE FOOT

10) a_l|gator CRAWL

ETHEL WATERS - TV CAST - IZ'Yp

I )W|TH0UT THAT M«N

2) you're JUST in love

3) HOTTENTOT POTENTATE

4) SUNNY SIDE OF THE ST

5) HALF OF ME

6) THEY CRUCIFIED MY LORD

7) 1 LET SONG GO OUT HRT

8) MUSIC MSSTRO PLEASE

9) SM0KE GETS IN YOUR EYES
90)|'LL GET AuONG SMHOW

FRANK TRUMBAUER- |Z"LP

1) n«tional emblen march

2) beetle at large

3) rustle of swing

4) bEXaNDERS RaGTIMl 8„ND

5) the JUBa

6) bring back my bunnie t« me

7) shag ondown
8jhot spell

9)|TCH0LA
I'j) IN A MIST
BENNY GOODM AN - 12" LP (NOT A BDCAST )

r) clarinetitis (trio)

2) that's a plenty(trio)

3) GE0RG|a jubilee
4 jEMA LI NE

5)NITWIT serenade
6 )down home rag

7) C0KEY

8) mus|c hall rag

9) mooon glow
ioJbrkfast ball

|2"LP-C0UNT BASIE-L.YOUNG-H. EVANS- 6/30/37

I Jmoten swing

2) SH0UT AND FEEL IT

3) ME & YOU THAT USEO TO BE

4) THE COUNT STEPS IN

5) THEY C«NT TAKE THAT AWAY

6) I8LL ALWAYS BE IN LOVE WITH YOU

7) WHEN MY DREAM BOAT COMES HOME
S)SWING BROTHER SWING

9)BUGLE BLUES

RUTH ETT IMG-I932-I<:"LP (NOT A BROADCAST )
I ) IF HE CARED
2jCRYING FOR THE CAROLINES

3) TEN CENTS a DANCE

4) FUNNY DE* WHAT LOVE CAN DO

5) NEVER DREAMT YOU'D FALL IN LOVE WITH ME

6) DANCING WITH TEARS IN MY EYES

7) BACK IN YOUR OWN BACK YARD

8) WKEN YOU'RE WITH SMBODY ELSE

9) |F I COULD BE WITH YOU
|<j)BODY AND SOUL

LEWIN RECORD PARADISE

560; HOLLYWOOD BLVD.,
HOLLYWOOD 28 CALIF,

ANNOUNCE
SPECIAL STOCK REDUCING SALE.
*,.**•*.**,*•*•*

disputing of our vast stock of

collectors items,

Jazz,
rare recordings,
personality ,
operatic

AND

CLASSICAL RECORDINGS,
AT UNHEARD OF PRICES.

THIS IS YOUR APPORTUN ITY TO BUY
AT PRICES, UNDREAMED OF BEFORE.

SEND US YOUR WANT LISTS,
WD IS IN LOS ANGELES OR VICINITY,
IT WILL PAY YOU TO VISIT OUR STORE.

ALSO

SPEC IAL REDUCT IONS ON
Hl-F l-LP'S

WE WILL CONTINUE TO GIVE OUR USUAL FAST

AND PROMPT ATTEI T ION To «LL MAIL ORDERS,

PHOTOGRAPH BY RICHARD BEATTIE

What

are the facts
about cancer
of the lung—?

just 20 years ago, in 1933, cancer of
the lung killed 2,252 American men.
Last year, it killed some 18,500.

why this startling increase? Our re-
searchers are finding the answers as
rapidly as funds and facilities permit
— but there isn't enough money.

doctors estimate that 50% of all men
who develop lung cancer could be
cured if treated in time. But we are
actually saving only 5% . . . just one-
tenth as many as we should.

why — ? Many reasons. But one of the
most important is not enough money
... for mobile X-ray units, for diag-
nosis and treatment facilities, for train-
ing technicians and physicians.

these are just a few of the reasons why
you should contribute generously to
the American Cancer Society. Won't
you please do it now? Your donation is
needed — and urgently needed — for the
fight against cancer is everybody's fight.

Cancer

MAN'S CRUELEST ENEMY

Strike back — Give

AMERICAN CANCER SOCIETY

GENTLEMEN:

□ Please send me free information
on cancer.

□ Enclosed is my contribution of
$ to the cancer crusade.

Name .

Address .

City State ,

Simply address the envelope: CANCER
c/o Postmaster, Name of Your Town

DISPOSITION

IFIRST FOUR LETTERS OF COLLE CTOr< ' & NAME I

price if for sale; value if for
trade; minimum bid if for auction

METHOD OF DISPOSITION: "SALn .
FOR SALE AT PRICE INDICATED;

TRA " (FOR TRADE I "AUC", AT
AUCT | ONiCLOS I NG DATE FOR SIOS.
SEE PAGE 6. *T-A" FOR TRADE
OR AUCTION; "T-S" FOR TRAOE
OR SALE I "STA " FOR SALE, TRAOE
OR AUCTION.

CONDITION OF_ RECORD : N— NEW ;
E-EXCELLFNT; V-VERY GOOD ;
G-GOOO; F-fair; P-poqr.

2 ICATALOG NUMBER OF RECORD.

] lLABEL OF REC

2 3 4 5

LOUIS ARMSTRONG

SUFER TIGER RAG/ST LOUIS BLS
SIDNEY BECHET

INDIAN SuMMER/PREACHIN 1 BLUES
BARBEY 6 1 CARD

Frolic Sam/clouds ik Heart

JAZZ ALA CARTE/tlEMI TASSE
FANNY Br ICE

I 'm a indian/oh How I Hate

VIRGINIA BRUCE
Easy to love/got u under skin

CARTER FAMILY

Lovers Return/DarlingDa isies
kitty waltz/diamonds rough

CATALOGS

BRG 82350 N AUC — CROG

BB L0632 n AUC 2. CO PARR

525
3842

E AUC
N AUC

VI 45303 E AUC
RZ 23039 N AUC

2l00 PARR
2.5C PARR

■ CROS

• CROS

VICTOR

Edison

55B6
4434

L923
1922

BING CROSBY

Dear frieno

BrE
BrE
BRE
DEA

4736
5000
4LL0
5835

Light of Silvery Moon
Ol' man River(w/V young)
Don't Break Spell
(four records above never issued in usa.
Blue Prelude/iome on Range rex 8957
send for list (coE, BrE, Decca) —

CARROLL DICKERSON (Armstrong) - —
Savoyabers Stomp/arm :KneeDrcps odd 3Le07

DIXIELAND JUG BLOWERS (POODS)
HENPARTY BLUES/CARPET ALLEY ELG 7777

t.io/PHis Shake/rev-Oliver

DIXIELAND RECORDS
SEND FOR LIST

JOHNNY DODDS

INDI GO STOMP/BUJE P|A\0

N AUC
N-*UC

AUC
AUC

N AUC
N AUC
N AUC 1
N AUC

••)

E AUC

■ GREE

• GREE

■ GREE
1 GREE

• CROS
' CROS
' CROS
' CROS

CROS
' CROS

ELG 7853

N AUC
N AUC

CROS
CROS

AVER

BB I 0238
BB I 0241

VI 26557

VI 26393

VI 25658

Vl 25527

llYL I TTLE I SABEL/^EAHMETaLKI N

BUD FREEMAN
Eel/China Boy

LIONEL HAMPTON
Singin blues/Dinah
OneswtLetterF romyou/Early
Drum Stomp/Ionfessin
mood i'm in/last luv affair

HILLBILLY RECORDS
SEND FOR LIST — — —

SEND FOR LIST —

HOLLYWOOD DANCE ORK (GOODMAN ) —
Stars Fell On Alabama REX 6335

HOTEL t. DANCE RECORDS

send for list

FREDDY JOHNSON

JAM WTIH BACON/BIG WIG IN WIGWAM SW 75

HELEN KANE

VI 21863
VI 21630

Eyfeuc

AUC

2. 50 PARR

2.50 parr

BB I 0386 E AUC L.50 PARR

E AUC
E-AUC
E AUC 1
E AUC '

Button up/want to be
He A man/don't Be Like

JAN KUBELIK (°rig. auto)
KtvERiE (Schumann) Fon 39L94

:au6t Selection fon 39i64

GERTRUDE Lawrence

You 'reMyDecline/AtvcurCommand Dee 2577

ERWIN LEHN (German)
Panama/tiger rag

glenn miller
D I ppermouth/Sold American

n AUC
N AUC

E AUC '
E AUC '

GREE
-GREE

GREE
GREE

AVER

— GREE

— — CROS

— AVER

— CROS

2,00 PARR
2.00 PARR

MCDO
MCDO

E AUC ■

IMP 17472 n AUC *
CoA 2783 N AUC •

CROS
CROS
CROS

JOHN MCCORMACK (prs'D AUTO)
Mary of Allendale/Savourneen Fon 57602 E auc -
SAVOURNEEN DELISH Fon 57550 E Au9-

MODREN JAZZ

Send for lists —

jelly roll morton
Deadman Blues/sidewalk "lues
dave nelson (king oliver)

MCDO
McDo

V I 20252 V AUC

STEALING l0Ve/J|XIE JogBLOWERS
FRANK IE NEWTON
Rompin/Himor J|VE

J I MM IE NOONE

Japansy/4-5 TIMES
KING OLIVER

ELG 7853 N AUC

BB 10186 E AUC

AVER

CROS

— CROS

— Parr
de 1621 n-auc 2.00 parr

CROS
AVER
MARQ

VI 22298 V AUC

VI 35835 E AUC

StJames Infirmary/%hen you 're

PERSONALITY & VAUDVILLE
Send for lists

president coolidge
lindbergh welcome

QUINTETTE HOT CLUB FRANCE
NUAGES/t-ES YEUX NO IRS SW 88 N AUC

Miss Annabelle Lee/*unnin wild hmv 86l4 n auc ■

records from england
bing, personality, jazz, all artists, free lists,'
records, shipped free, guaranteed safe delivery. •
250 genuine usa references, send for list of
lOOO desirable items. all n-e sal i

django reinhardt

TEARS/AT JENNY'S Bar SW 79 N AUC ■

SLUE drag/Swanee R|VER TKF 1958 N AUC

SAVANNAH SYNCOPATORS (OLIVER)

CROS

— CROS

BROC

— BROC
BROC

,50 BROC

CROS

CROS

JACKASS BLUES/DEEP nENDFRSON
RAYMOND SCOTT

Rk Nite Ocean Liner/Din Mus cannibbr
minuet in jazz/twilite turkey br
tobacco Auction/siberiansleigh BR
CO 35803, 35363, 37359 CO

I8TH CENT DRAWING ROOm/mIN IN JAZCOJ

EDO IE SOUTH & GRAPPTI Y
D|NAH^)APHNE SW

BRA 3245 E Auc

8000 N- AUC
7992 E^uc
8452 e/»UC
N-AUC
Ll4 N-AUC

12 N AUC

TAJMAHAL HOTEL (TEDDY WEATHERFORD)

Col 40175 v Auc

Chattanooga CH00CH00/tHiN Up
TAPES

HIGH QUALITY TAPES OF JAMES, KenTON, —

Ellington, Louis, Dorseys, Toscanini — —

etc. write for lists and prices. discs

also available of above shots

ray ventura collegians

i 'm afraid of u/sweet ella may cof i9|46

fats waller— benm ie baine duet

StL ou is Blues/after vou >ve uone vi 2237i

FATS WALLER

StLouis Blues/Lenox Ave Bls (Org) VI 20357

MANY OTHERS SEND WANT LISTS

MICHEL WARLQP

HARMON I OUES.AERMESSE

TEDDY WEATHERFORD

HOW ABOUT You/lor DOWN
My blue Heaven/Aint misbehavin

paul whiteman (w/bing)
LovableArcm Monday On

KURT WIDMAN (GERMAN)

Tiger Rag/^rOhling TraOmt

. BERT WILLIAMS

nobody^Iy Landlady
many othersj send wants

TEDDY WILSON (w/BILL IE ) ( « )

SW L24 e AUC

C0I 40174

SW 38

V AUC
N AUC

HMV 3235 N AUC
ODG 3 1 769 N AUC

CO
CO

nice work if/Things looking up* BR

LIZA^OSETTA BR
With The I Swing/»ho loves u« BR

1239

80L5
7563
776e

E AUC -
SAL -

E AUC "

E-Auc -

N— AUC-

" CROS

■ CROS

■ CROS

■ CROS

' GREE

■ GREE

• GREE

■ GREE

■ GREE

WANTED

russ coll'mbo
king of the crooners any —

bing crosby
corres-Trade with Australian, English —

and american collectors of crosbiana.

Commercial, v-Discs, Blowups, Sound- —

track, airshots, transcriptions,

unissued material, movie stills, sheet

music, etc.

duke ellington
send lists — .

pat flowers

send lists .

benny goodman

Restless/ Yours heavenly v/
Popcorn Man v/
INK SPOTS

TRANSCRIPTIONS, AIRSHOTS, ETC

V) 25021
VI 231408

■ 2.00 LIQU

SOUT

SOUT

SOUT

SOUT

— SOUT
SOUT

Fact

Far*

— ROMA
— ' ROMA

41

AL JOLStlN
JOIN AL JOLSON MEMORIAL CLUB

^ KffiPQS

42nd street e
ART KASSEL

Somebody Stole My Gal

SAMMY KAYE
Sunday Serenade Programs, air shots,
any transcriptions, armed forces
recordings, etc.

GUY LOMBARDO
Transcriptions, airshots, etc.

SELVIN'S BOARDWALK ORCHESTRA
Who Cares/i 'm Through e

KAY STARR
My Melancholy Baby E

1.25

J0L8

2.00 SCR i

SCR I

— SCRI
SCR I

SWEET RECOROS OF THE 30'S
All Labels e
ANN VINCENT

Sweet Potato polka V<m*»vN-

fats waller
Write for list
Haixeluoah/Ta int Good e/

WANTED
Sales and Auction Lists

too late tc class i fie
Disposition

scri

VO L4477 I .50 FRAN
LL 104 — GIGA

— — — SCUT

ME 5155 — Ster

VI 25489 2

— - Farw

,50 Farw

SCUT

ENGLISH BANDS
AM3R0SE-HYL.T0N-N0BEL LIST —

WARREN M ILLS BLUE SERENADERS

ST LOU IS BLS/BLKBIRDS MED V|

RAY NOBLE
CHOICE HMVS LIST

GEORGE E. LEE
PASEO ST/|F I COULD BE BR

ARMSTRONG HOT 5

DONT FOR GET MESS/lM GONNA GETCHA OK

CELEST INS OR IG TUX JAZZ BAND
MY JOSEPHINE/STATION CALLS

ARMSTRONG HOT 5

HE LIKES IT SLOW/LDVIE AUSTIN

DORSEY BROTHERS
c oquett/yale bls

KING OLIVER

CANAL ST BLS/JUST GONE
JELLY ROLL MORTON
BIG FOOT HAM/JELLY ROLL BLS

KING OLIVER
DEAD MAN BLs/ SOMEDAY SWTHRT

PAUL ROBESON
STEAL AWAY/WERE YOU THERE
TAKE IT EASY

WASH INGTON I ANS
TAKE IT EASY CA 8188 A AUC

ARMSTRONG HOT 7
MELANCHOLY Bl/v/I LD MAN BLS PAE

MA RAINEY (RARE
LOS WANDERING BL/DRM BL(RARE PIC PM

CLARA SMITH
NOBODY KNOWS ThE WAY I FEEL CO
ADRAIN ROLL IN I

BELOVED/lLL BE FAITHFUL

SAVANNAH SYNCOPATEBS

JACKASS BL/DEEP HENDERSON
HOT CLUB OF FRANCE

MANY OR DECCA

DEC

2162 N AUC
PIC LABEL'
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Alec says.-1 can drive fhrough red lights

but YOU have

only ONE life"

Why try to be an accident statistic? Traffic laws are
made to keep your one life out of traffic trouble. And
the lives of quite a few other people, too. Watch those
red lights. You know you should, but just remember...

DRIVE CAREFULLY...

the life you save may be year owa!

An official public service message
prepared by The Advertising
Council in cooperation with the
National Safety Council.

N

e w

Rel

eases

10" LP's $3.95

RLP 1038 JELLY ROLL MORTON, Vol. 1

Grandpa's Spells — Shreveport
Stomp — Kansas City Stomps —
Strafford Hunch — Bucktown Blues

— Big Foot Ham — Perfect Rag

— Tom Cat Blues

RLP 1039 BACKWOODS BLUES. Bobby
Grant, Buddy Boy Hawkins,
King Solomon Hill, Big Bill
Johnson

Nappy Head Blues — Lonesome
Atlanta Blues — Jailhouse Fire
Blues — Shaggy Dog Blues — The
Gone Dead Trail — Tell Me Baby
— Mr. Conductor Man — Big Bill
Blues

RLP 1042 MUTT CAREY PLAYS THE
BLUES WITH HOCIEL
THOMAS

Gamblers Dream — Muddy Water
Blues — Go Down Sunshine —
Advice Blues — Barrel House Man
— Nobody Knows You When
You're Down and Out

RLP 1043 WILL EZELL'S GIN MILL
JAZZ

Bucket of Blood — Playing the
Dozen — Pitchin Boogie — Just
Can't Stay Here — Mixed Up Rag

— West Coast Rag — Heifer Dust

— Barrel House Man

RLP 1040 COLLECTORS' ITEMS, Vol. 2

John Williams Synco Jazzers,
Windy Rhythm Kings, King Mutt
Tennessee Thumpers, Jones Sock
Four. Down in Gallion — Goose
Grease — South African Blues —
Piggly Wiggly — Maxwell Street
Stomp — Good Time Mama —
I've Got It All — 'Mid the
Pyramids

RLP 1044 TOMMY LADNIER PLAYS

THE BLUES with Ma Rainey
and Edmonia Henderson

Black Man Blues — Worried 'Bout
Him Blues — Southern Blues —
Ya-Da-Do — Brown Skin Man —
Travelling Blues — Those Dogs of
Mine — Lucky Rock Blues

RLP 1041 JELLY ROLL MORTON
SOLOS, Vol. 2

Froggie Moore Rag — New Or-
leans Joys — Tia Juana — Mama
Nita — Jelly Roll Blues — London
Blues — Wolverine Blues — King
Porter Stomp

RLP 2505 DIXIELAND RHYTHM KINGS
NEW ORLEANS JAZZ PARTY

Bill Bailey — Ory's Creole Trom-
bone — Darktown Strutters Ball —
Blue Mama's Suicide Wail — St.
James Infirmary — Melancholy
Blues — Irish Black Bottom —
Come Back Sweet Papa

Buy these at your local dealers or order direct from

Riverside Records

P. O. BOX 373

RADIO CITY STATION

NEW YORK, N. Y.

sing

$3

dance

$3

take a

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For that tired let-down feeling
try one of these long play talking
machine records tonight.

1-24 CLAIRE AUSTIN SINGS THE BLUES WITH KID ORY: The

World's Jazz Crazy, Nobody Knows You When You're Down
and Out, Good Time Flat Blues, Downhearted Blues, Mecca
Flat Blues, See See Rider, 'Fore Day Creep, Careless Love.

L-19 BURT BALES: AFTER HOURS PIANO: New Orleans Joys,
Chicago Breakdown, Midnight Mama, Mister Joe, Tempta-
tion Rag, Kansas City Man, Melancholy, Wild Man Blues.

L-15 THE BANJO KINGS: Alabamy Bound, Stephen Foster Medley
No. 1, Hello, My Baby!, That Banjo Rag, The Burglar Buck,
Stephen Foster Medley No. 2, Banjo Bounce, Pickin' the
Banjo.

L-25 THE BANJO KINGS, Vol. 2: Down South, I Wonder Who's
Kissing Her Now, Chicken Pickin' Reel, Carolina in the
Morning, Banjo Happy, Beautiful Dreamer, Golden Slippers,
My Gal Sal.

L-1 FIREHOUSE FIVE PLUS TWO, Vol. 1: Firehouse Stomp, Blues
My Naughty Sweetie Gives to Me, Fireman's Lament, San,
Brass Bell, Everybody Loves My Baby, Riverside Blues, Red
Hot River Valley.

L-2 FIREHOUSE FIVE PLUS TWO, Vol. 2: Yes, Sir! That's My Baby,
Pagan Love Song, Tiger Rag, The World Is Waiting for the
Sunrise, St. Louis Blues, Down Where the Sun Goes Down,
Frankie & Johnny, Copenhagen.

L-6 FIREHOUSE FIVE PLUS TWO, Vol. 3: 12th Street Rag, Wabash
Blues, Lonesome Mama Blues, Sweet Georgia Brown, Fire
Chief Rag, Sobbin' Blues, Just a Stomp at Twilight, Who
Walks In When I Walk Out.

L-1 6 FIREHOUSE FIVE PLUS TWO, Vol. 4: Five Foot Two, San
Antonio Rose, Mississippi Rag, Show Me the Way to the
Fire, Chinatown My Chinatown, When You Wore a Tulip
Lonesome Railroad Blues, Runnin' Wild.

L-23 FIREHOUSE FIVE PLUS TWO GOES SOUTH, Vol. 5: Alabama
Jubilee, Basin Street Blues, Tuck Me to Sleep in My Old
Kentucky Home, I'm Gonna Charleston Back to Charleston,
At a Georgia Camp Meeting, Original Dixieland One-Step.

L-17 BUNK JOHNSON & THE YERBA BUENA JAZZ BAND: Ace in the

Hole, Ory's Creole Trombone, Nobody's Fault But Mine,
Down by the Riverside, Careless Love, 219 Blues, The Girls
Go Crazy, When I Move to the Sky.

L-1 3 PAUL LINGLE AT THE PIANO: Yellow Dog Blues, Pastime
Rag No. 3, London Blues, Blame It On the Blues, Memphis
Blues, Sweet Substitute, Sidewalk Blues, Black Bottom
Stomp.

7.-

4*

M

-©•

*

44
44

44

L-4 TURK MURPHY'S JAZZ BAND, Vol. 1: Chimes Blues, When
My Sugar Walks Down the Street, Turk's Blues, Papa Dip,
New Orleans Stomp, Trouble in Mind, All the Wrongs You've
Done to Me, Grandpa's Spells.

L-5 TURK MURPHY'S JAZZ BAND, Vol. 2: Curse of an Aching
Heart, 1919 Rag, Struttin' with Some Barbecue, Waiting for
the Robert E. Lee, Irish Black Bottom, Darktown Strutters
Ball, Ragtime Dance, Trombone Rag.

L-7 TURK MURPHY'S JAZZ BAND, Vol. 3: Down By the Riverside,
By and By, Storyville Blues, After You've Gone, Canal Street
Blues, A Closer Walk with Thee, Ory's Creole Trombone,
St. James Infirmary.

L-1 8 TURK MURPHY'S JAZZ BAND, Vol. 4: Minstrels of Annie
Street, Little John's Rag, Bay City, Mesa 'Round, Cake-
walkin' Babies, Wolverine Blues, Hot Time in the Old Town,
Oh Daady.

L-10 KID ORY'S CREOLE JAZZ BAND 1944/45, Vol. 1: Creole
Song, South, Blues for Jimmie Noone, Get Out of Here,
Panama, Do What Ory Say, Under the Bamboo Tree, Care-
less Love.

L-1 1 KID ORY'S CREOLE JAZZ BAND 1944/45, Vol. 2: Maryland,
My Maryland, Oh! Didn't He Ramble, 1919 Rag, Down Home
Rag, Ory's Creole Trombone, Weary Blues, Original Dixie-
land One-Step, Maple Leaf Rag.

L-21 KID ORY'S CREOLE JAZZ BAND, 1953: Bill Bailey, Saint
James Infirmary, The Girls Go Crazy, South Rampart Street
Parade, Milneberg Joys, Aunt Hagar's Blues, Bucket's Got
a Hole in It, Creole Love Call.

L-3

RAGTIME CLASSICS BY WALLY ROSE: King Porter Stomp,
Cascades Rag, The Pearls, Easy Winners, Frog Legs Rag,
Red Pepper Rag, Gladiolus Rag, Pineapple Rag.

L-8 LU WATTERS' YERBA BUENA JAZZ BAND, Vol. 1: Maple Leaf
Rag, Black & White Rag, Original Jelly Roll Blues, At a
Georgia Camp Meeting, Irish Black Bottom, Muskrat Ramble,
Memphis Blues, Smoky Mokes.

L-9 BOB SCOBEY'S FRISCO BAND, Vol. 1: Wolverine Blues,
Coney Island Washboard, That's A Plenty, Beale Street
Mama, Pretty Baby, St. Louis Blues, Dippermouth Blues,
Some of These Days.

L-14 BOB SCOBEY'S FRISCO BAND, Vol. 2: South, Sailin' Down
Chesapeake Bay, Melancholy, Chicago, Peoria, All the
Wrongs You've Done to Me, Do You Know What it Means to
Miss New Orleans?, Blues My Naughty Sweetie Gives to Me.

L-22 BOB SCOBEY'S FRISCO BAND, Vol. 3: Big Butter & Egg
Man, Silver Dollar, Sidewalk Blues, Everything Is Peaches
Down in Georgia, Ace in the Hole, Long Gone, Huggin' &
A Chalkin', Hindustan.

Ask to be placed on mailing list to receive future catalogues and newsletters.

GOOD TIME JAZZ RECORD CO., INC., 8481 Mel rose Place, Los Angeles 46, California

I

|

■

Jl

i

-1

Si

d changer

NOVEMBER 1954 35c

Copy... ,y 1Q55

New Re leases

RLP 1045 MA RAINEY, VOL. 3

10"

LP's $3.95

RLP I

Wringin' and Twistin' Blues — Chain
Gang Blues — Misery Blues — Dead
Drunk Blues — Sissy Blues — Broken
Soul Blues — Moonshine Blues —
New Bo-Weavil Blues

049 RAGTIME PIANO ROLL.
(JOPLIN, SCOTT, ETC. 7
VOL. 3

Frog Legs Rag — Magnetic Rag —
Entertainers Rag — Cannon Ball —
Glad Rag — Chinatown Rag — The
Smiler — Weeping Willow

RLP 1046 JAMES P. JOHNSON PIANO
ROLLS. VOL. 2

Carolina Shout — Back Water Blues
— Daintiness Rag — Caprice Rag —
Baltimore Bun — Gypsy Blues —
Monkey Man — Railroad Man

RLP 2507 GEORGE LEWIS JAZZ BAND
AND QUARTET

St. Phillip's Street Breakdown —
Salty Dog — Corrinne Corrinna —
Old Rugged Cross — Big Butter and
Egg Man — Bourbon St. — Over the
Waves — Who's Sorry Now

RLP 1047 BUNK JOHNSON AND KID
ORY

Careless Love — Weary Blues —
Tiger Rag — Make Me a Pallet on
the Floor — Snag It — Savoy Blues —
Down Among the Sheltering Palms
— Weary Blues

RLP 1048 RED NICHOLS. MIFF MOLE.
PHIL NAPOLEON

Alabama Stomp — Hurricane — Black
Bottom Stomp — Stampede — Jelly
Roll Blues — Bunch o' Blues — Great
White Way— Shufflin' Mose

RLP 2508 THE MODERN PIANO OF
RANDY WESTON

Get Out of Town — Just One of
Those Things — I've Got You Under
My Skin— What Is This Thing
Called Love — I Love You — In the
Still of the Night— Night and Day
— I Get a Kick Out of You

WORLD FOLK MUSIC SERIES 12"
$5.95

kLP 2505 DIXIELAND RHYTHM KINGS
NEW ORLEANS JAZZ PARTY

Bill Bailey — Ory's Creole Trom-
bone — Darktown Strutters Ball —
Blue Mama's Suicide Wail — St.
James Infirmary — Melancholy
Blues — Irish Black Bottom —
Come Back Sweet Papa

RLP 4004 GEOFFREY HOLDER AND

HIS TRINIDAD HUMMING-
BIRDS

Sol Leve Woyo — Shango Hymn —
Fay Oh — Invocation — Hymn to
Osine — Pendent Moii^ Dans
L'Armee — Wake Song — Adieu
Madras — 'Ti Paule — Miss Lily
White — Adam in de Garden

Buy these at your local dealers or order direct from

Riverside Records

P. O. BOX 373

RADIO CITY STATION

NEW YORK, N. Y.

ft

X" Records digs jazz the most! Here they are! Rare,
authentic jazz recordings by America's greatest jazzmen. Avail-
able again on new, high quality Long Play records. Add these

exciting,^^truly impressive albums to your collection today.

"X" VAULT ORIGINALS

NEW RELEASES

Earl Hines Piano Solos (LVA-3023)

Sidney Bechet, Vol. I (LVA-3024)

Bennie Moten's Kansas City Jazz,
Vol. II (LVA-3025)

Washboard Rhythm Kings,
Vol. I (LVA-3021)

LAST MONTH'S RELEASES

Jean Goldkette and His Orchestra
featuring Bix Beiderbecke (LVA-3017)

King Oliver's Uptown Jazz (LVA-3018)

Harlem in the Twenties, Vol. I
The Missourians (LVA-3020)

a product of Radio Corporation of America

11

RECORDS MARK THE HITS*

Now available at your favorite record store, or write "X" Records, 1 55 East 24th Street, New York City 10, for further information.

THE RECORD CHANGER

BOOK DEPARTMENT

BOOKLETS FOR SALE

THE CAT

A Collection of Hilarious Jazz Cartoons

by Gene Deitch $1.00

THE NEEDLE— Aframerican Issue
A superb 72 page publication filled with
photos of Zue Robertson, article by
Jelly Roll Morton, Jimmy Yancey, Bunk
Johnson 50

RECORD DATING CHART (Through 1930)
Charts and information to guide in
placing recording date of any record
issued 1.00

RED NICHOLS & HIS 5 PENNIES
A Complete Discography 35.

A CRITIC LOOKS AT JAZZ
Ernest Borneman's great 60 page book-
let on the Afro-American Backgrounds
of Jazz 1.00

NJFO BLUE BOOK
A guide to Jazz Clubs and Fans in
England. Essential to Record Traders . . .50

FOLK . . . REVIEW OF PEOPLES MUSIC
Max Jones edits on Negro, Calypso, Etc. 1.00

JAZZ . . . VOL. 3 No. 2
32 page booklet filled with excellent
writing and photos, Okeh Race 50

JAZZ REVIEW, 24 PAGES
Yerba Buena, Okeh Race, Lonnie Johnson .50

ONCOGRAPHIES FOR SALE

JAZZ DISCOGRAPHY— 146 pp

By Pensoneault & Sarles 1.00

JAZZ DIRECTORY
By Carey, McCarthy, Venables

Volume I, A-B $2.00

Volume 3, E-F-G 2.00

Other volumes temporarily out of stock
INDEX TO JAZZ
By Orin Blackstone (New Edition) Loose
Leaf

Part I, A-E 2.50

HOT DISCOGRAPHIE ENCYCLO-
PEDIOUE

By Charles Delaunay and Kurt Mohr

Volume I, A-B 2.00

Volume 2, C-E 2.00

Volume 3. EL-HE 2.00

SHEET MUSIC AND FOLIOS FOR
SALE

JELLY ROLL MORTON

The Miserere $ .50

The Naked Dance 50

Buddy Bolden's Blues 50

Winin Boy Blues 50

Mamies Blues .50

The Crave 50

FOLIO including

Black Bottom St., Shreveport, Pearls,
KC Stomps, Dead Man, London, Can-
non Ball, and Thirteen Others of Jelly 1.25
DIXIELAND FOLIO No. I
Livery Stable, Tin Roof, Willie Weeper,
Chimes, Dr. Jazz, Dallas, plus nine

other great ones 1.25

DIXIELAND FOLIO No. 3
Angry, Dippermouth, Easy Rider, Snag,
It, Weary, Hi Society, etc 1.25

DIXIELAND FOLIO No. 2
Tight Like That, Copenhagen, Good
Man Hard to Find, Jackass Bl, Melan-
choly and nine others 1.25

THE RAGTIME FOLIO
Maple Leaf, Climax Rag, Grace and
Beauty, and six other rags 1.25

BOOKS FOR SALE

THE JAZZFINDER '49 (I56PP)

Edited by Orin Blackstone 2.50

CROSBY ON RECORD (I24PP)

A Superb Discography 2.00

SHINING TRUMPETS (400PP)

By Rudi Blesh 6.00

THEY CALLED IT RAGTIME

By Rudi Blesh 5.00

JAZZ, A PEOPLES MUSIC (280PP)

By Sidney Finkelstein 1.50

REALLY THE BLUES (390PP)

By Mezz Mezzrow & Bernie Wolfe 3.50

JAZZMEN (364PP)

By Fred Ramsey, Chas. E. Smith 4.75

JAZZ by Rex Harris 50

LOUIS ARMSTRONG LE ROl DU JAZZ
By Robert Goffin 2.00

MR. JELLY ROLL
By Alan Lomax 3.50

MAGAZINES FOR SALE

THE NEEDLE
5 issues 1944 set 1.50

THE JAZZ RECORD
3 issues 1947 set 1.00

JAZZ INFORMATION— 104 pp
The gree1 'asr issue 50

JAZZ MUSIC
Vol. 3, No. I 50

RECORD CHANGER BACK ISSUES

Complete Since 1944 to Date $30.00

Any One Full Year 3.50

(See March 1952 for Complete Index) .35

Special Louis Armstrong Issue 1.00

Special Tenth Anniversary Issue 50

Special College Issue (Nov. 1949). .. .50

New Subscriptions, I Year 3.50

New Subscriptions, 2 Years 6.50

New Subscriptions, 3 Years 9.00

(On all of above postage paid on U. S. A. orders.
Add 50c per year for Foreign)

JAZZ JOURNAL (Fine English Magazine)
One Year Subscription 4.00

BACK ISSUES Each .50

All large format, slick covers, every issue
packed with discographical data reviews,
cartoons, amusing commentary, plus photos
and the following articles:

VOL. 4

No. I— Graeme Bell, Collectors Stuff, Tail-
gate Jazz Band

No. 4— Lips Page, Chick Webb, Paramount
Discoqfaphy, Baby Dodds Discography

hjo. 5 — Waller, Ragtime, Joplin, Paramount
and Dodds Discogs

No. 6— Lonnie Johnson, Roy Carew, Tony
Jackson, LP Reproduction, Bunk, Paramount

Discog

No. 7 & 8 — Jelly Roll Morton, Tailgate Jazz
Band. Paramount Discog., Willard Robison
No. 10— Albert Nicholas, Andy Razaf, Big
Bill, Dodo Marmarosa, Paramount
No. II— J immy Yancey, Paramount, Dorseys
No.. 12— Requiem for All Stars, Spikes
Brothers, Collectors Stuff, Notes on Nichols
VOL. 5

No. 3 — Red Allen, Tony Jackson, Early Cake-
walks, Sharley Clay

No. 2— Old-Ti me Religion, Collectors Stuff,
Paramount Discography

No. 4 — Ragtime, Benny Green, Jack Lesberg
No. 5 — Fats Waller, Gloomy Sunday, More
Stuff on Fats

No. 6— Lonnie Johnson, Eric Silk So. Jaxz
Band, Chez Condon, Ralph Sutton
No. 7 — Dick Hughes, The Springfield Story,
Portsmouth Band

No. 9 — Knocky Parker, Bessie Smith, Beryl
Bryden

No. 10— Rhythm & Bis., Humphrey Lyttelton,
Charlie Galbrath

No. 1 1 — Mahalia Jackson, Porgy & Bess in
Berlin, Dill Jones

No. 8— Sutton, Webfoot Band, Roach, Terrific
Features

No. 12 — Lyttelton, Broonzy, Ellington, etc.
VOL. 6

No. I— Turk Murphy, Big Bill & Mahalia,
Ellington, Jabbo Smith

No. 2 — Mary Lou Williams, Todd Rhodes, etc.
No. 4 — Fletcher Henderson, J. C. Higgin-
botham, Jazz at the Philharmonic, etc.
No. 5 — Johnnie Ray, Fats Waller, Jimmy
Rodgers, etc.

No. 6 — Charlie Parker, Natty Dominique, Plus
Discography, More About Jimmie Rodgers,
etc.

No. 7 — Django Reinhardt, History Gennett,
Jabbo Smith, Ballads and Blues, etc.
No. 8 — Henry Levine, Lu Watters, Bill Harris,
Buddy Moss

No. 9— Kay Starr, Warded Gray. Tape
Machine

No. 10 — Tony Kinsey, Tony Parenti, Chippie
Hill, Charlie Ventura Concert
No. I I — Teddy Wilson, Stan Kenton, Peetie
Wheatstraw, Jelly Roll Morton's N. O. Jazz-
men

No, 12— Al Haig, Cecil Scott's Bright Boys,
Ellington, Bunk Johnson
VOL. 7

No. I — Parkerless Quintet, Cecil Scott Cont.,
Ellington, etc.

No. 2 — Blind Lemon Jefferson, Glenn Miller,
etc.

No. 3 — Lady Day, Woody Herman, John
Lewis, Ma Rainey, etc.

No. 4 — Benny Carter, Bud Powell, Pinetop

Smith, etc.

No. 5 — Fats Waller, Blind Lemon Jefferson
Discography, etc.

No. 6 — Count Basie, George Wellington, Baby
Dodds, Tricky Sam, Ida Cox.

Shipped Postpaid Within U. S. A. — Foreign Add Postage

THE RECORD CHANGER 418 West 49 Street New York 19, N.Y.

STORY BY ORRIN KEEPNEWS

murphy
mad

ness

sweeps
new york

PHOTOS BY BOB PARENT

First of all, there just hasn't been enough time for the
recently-induced oversupply of adrenalin to simmer down (or
whatever it is that adrenalin does when the source of stimula-
tion departs). So this is hardly the time for detached, scholarly,
or critic-like commentary on the group pictured on these pages.
This is, therefore, an interim report on a thoroughly amazing
phenomenon . . .

At this writing, Turk Murphy's San Francisco Jazz Band has
just finished charging through the home stretch of a four-week
New York debut appearance. It is probably not exactly accurate
to state that every last one of the big town's more than seven
million inhabitants have (to borrow a word from another jazz
idiom) flipped, but at the moment that seems close enough to
literal truth to give a pretty fair idea of what's been going on
around here.

New York has a long-standing, reasonably deserved reputa-
tion as a blase, show-me sort of city. Furthermore, many people
in this area have formed their conception of what in-person
"Dixieland"-type jazz is like almost entirely from listening to
loose-knit renditions of standard repertoire. In addition, there are
many hereabouts who are fully aware that distance often lends
a false enchantment, that the word "great" is one of the most
carelessly flung-about items in the jazz vocabulary, and that
more than a few reputations built "out West" (i.e.; anyplace
on the far side of the Hudson River) have failed to stand up
when exposed to the glare of a metropolitan audience.

The Record Changer is published monthly and copyrighted 1954 by William Grauer, Jr., 418 West 49th St., New York, 19, N. Y. For subscription
rates and collectors' advertising rates see the information blanks in another section of the book. Write or telephone for our commercial advertising
rates.

&

murphy
madness

It must be granted that the Murphy band
has sounded pretty impressive on records,
and also that one couldn't entirely discount
the ecstatic tales brought back by travellers
returning from California (even though we
all know that it's standard operating pro-
cedure for everything out there to be
advertised as stupendous and full of sun-
shine). Nevertheless, adding together all
these advance factors, it's quite safe to say
that a very substantial majority was totally
unprepared for what happened when the
San Francisco Sound finally made its local
debut on the evening of September 14, 1954
A. D.

To wrap up the initial impact in a couple
of sentences, the consensus seemed to run

like this : If anything, the advance notices
had been too mild. The Murphy version of
the jazz style evolved by the Lu Watters
Yerba Buena band a decade ago really is
stupendous, full of sunshine, and of a stature
somewhere in the neighborhood of Paul
Bunyan's.

Only time will bring enough perspective
to determine whether or not the coming of
the Murphy band really should be ranked
with the 1917 opening of the Original
Dixieland Jazz Band at Reisenweber's or the
1945 appearance of the revitalized Bunk
Johnson and company at the Stuyvesant
Casino — these being the preceding New
York jazz events that more than a few local
fans were using for comparisons. "Perspec-

tive" is exactly what is lacking up to this
point, and it seems a commodity that no one
is at all interested in having around just
yet. Excitement was the keynote — excitement
and unprecedented crowds in the subter-
ranean and barn-sized recesses of Childs
Paramount (which is located in the area
generally known as "the heart of Times
Square").

There being few veterans of the O.D.J.B.
opening available for comment, that one will
have to be by-passed. But those who were in
attendance when Bunk first hit town recall
that his was a slow-starting triumph. The
initial night at the equally barn-sized Second
Avenue hall where he broke in was pretty
much a family affair: the jazz fraternity.

Turk's band, pictured on these pages as it appeared in New
York. For those who might not know, an official personnel
listing would include the leader on trombone; Everett Farey,
cornet; Bob Helm, clarinet; Wally Rose, piano; Al Lyon,
banjo; Bob Short, tuba.

critics and those few who had advance inside
knowledge of what was to come, were on
hand, and just about no one else. There
was room for fear last month that the
Murphy band would make its bow under
similar circumstances. Aside from a number
of write-ups in this magazine (but in just
about no other publication) and a reason-
ably plentiful supply of recordings on both
the Good Time Jazz and Columbia labels
(but all true Murphy fans insisted that no
records to date had caught the real in-person
impact of the unit), they were an unknown
quantity hereabouts. All of the so-called
"West Coast style," in fact, had previously
remained in its own precincts, so that the
size and intensity of the audience awaiting
the band was an equally unknown quantity.
But just about all fears were dispelled by a
near-capacity turnout on opening night.
There was healthy enough representation of
the people you knew were bound to be
there, but it was also possible to lose sight
of "friends" in the extremely heterogeneous
crowd on hand.

Like the audiences on just about all
succeeding nights, the group was exceedingly
difficult to dissect and define. There were

prep school boys and their dates, looking
as if they might have been transferred by
sleight of hand from their more usual haunts
(like Nick's, Eddie Condon's, maybe even
The Embers or Basin Street). There was a
rather startling sprinkling of the "general
public" press, from the sort of national
magazines that normally seem to give jazz
only a quizzical look and the back of their
left hands. There were middle-aged (and
maybe more) customers who might have
been enticed in by reports that this was
music that sounded like the 1920s or before.
There was surely a substantial quantity of
folks, half-unbelieving, who knew perfectly
well that you only went to a Childs to eat,
if at all.

Above all, there was — drawn from all the
above categories and all other types on hand
— an eye-popping number of dancers. This
sight may be old hat to San Franciscans, but
New York is full of people who had never
even considered the possibility of taking a
nartner out onto a dance floor while a jazz
band was nlaving. Dancing was merely some-
thins old Benny Goodman fans recalled with
nostalgia. Most New York jazz clubs, as a
matter of strict fact, have long since dis-

pensed with their dance floors, or started out
in life without providing for any such
unlikely thing. (There is a species of bodily
movement that sometimes accompanies the
mixed-bag weekend jam session activities at
places like Stuyvesant Casino and Central
Plaza in recent years, but it doesn't often
qualify for consideration as what used to
be known as "ballroom dancing.") Begin-
ning with opening night at the Paramount,
however, there were folks of all ages and
descriptions drawn, as if by some occult
spell, right out into the center of the room.
As a strictly personal but very telling
example, it can be stated that never before
in the memory of mortal man had the entire
staff of this magazine been seen dancing
with their wives at one and the same time,
and readers are advised that they can get
ahead by taking or giving any sort of odds
against this phenomenon recurring sooner
than the next solar eclirjse (barring, of
course, a return of the Murphy band to
these parts).

For the cautious few who had attributed
the highly successful opening night to
curiosity as much as anything else, and
wondered about the number of "repeaters"

9

murphy
madness

the band would draw, the first Saturday
night was the real clincher. Within an hour
of the start of the evening dance session
(the regular schedule called for a 6:30 to
8:30 music-for-dinner period, followed by
a 9:30 to closing stint), the house was
strongly reminiscent of a rush-hour sub-
way. The New York fire laws require
prominent posting of a sign noting the safe
capacity of all clubs; Child's quota is a
healthy 592. By 10:30 they had met their
quota and had a waiting list estimated at
more than 75 parked in the fortunately
long entrance-way. According to club
manager Tom Hamm, it was a toss-up
whether or not the New Year's Eve record
was being broken. It would seem that it
was, considering that New Year crowds
stay pat for the entire evening and that
there was a certain (though minimal)
amount of coming-and-going on this evening.
It was a night of joyful problems for the
management, including unsuccessful attempts
to round up enough waiters to double the
caught-short crew on hand, and the unveil-
ing of an auxiliary dance floor on what is
normally a curtained-off area behind the
bandstand. It set the pattern for the week-
ends to come.

The triumphant banner was really nailed
to the flagpole by the first two of the Sunday
late-afternoon ' "jam sessions" that are a
house policy and that call for bringing in
a second band to play against the current
regulars. Granted that certain confusions
about personnel which are irrelevant to this
article hampered the local talent at least
somewhat on both occasions, the contrast
served to point up some of the West Coast

group's strongest assets. Among these arc
the fact that this is a band — men who
really know each other's music, share the
same musical concepts, and work at playing
with each other (something that used to be
known as ensemble jazz, used to be quite
prevalent, and is altogether an advantage
over merely being able to say. hello to the
other men on the stand and staying together
through the first and last choruses of Tin
Roof Blues). Also among the assets are a
rich, varied and plentiful "book" (Turk
puts it, in round numbers, at some 300
tunes) that includes many seldom-played
King Oliver and Jelly Roll Morton crea-
tions, much opportunity for knocked-out
vocals by Turk and clarinetist Bob Helm,
and a quantity of rags and good-time, old-
time rousers that are perhaps the most
unusual and the punchiest items in their
repertoire.

The line-up of the band for this trip is
basically a familiar one to all those who
know the band: Murphy, Helm, pianist
Wally Rose, Bob .Short on tuba. Short has
done some doubling on trumpet in the
past, but now all the lead horn work is
taken care of by a new addition to the group
— young Everett Farey, a cornetist very
firmly in the Watters tradition. (For a full
rundown on Farey, see page .) Added in
time for the Eastern journey is Al Lyon,
a banjo player with Jong vaudeville, band
and night-club experience. The music
produced by this band has been dissected
and evaluated before and undoubtedly will
be again, and is not the subject under discus-
sion at this time. That it is a music that has
found a new and delighted audience for

itself should be completely clear from what
has been written here. It should be noted,
of course, that they were not greeted in all
quarters with the hysterical glee that is
admittedly the tone of this article. No one
expected to convert any convinced modern-
ists away from their feelings that this sort
of jazz merely represents a sort of artificial
respiration for a dead form, and no such
conversions of the heathen have been
reported. Scattered comments to the effect
that listening to the Murphy group "is a
wonderful emotional experience, but I don't
(Continued on Page 12)

Murphy Itinerary

The four-week stand in New York
described here is just the beginning of
the Murphy band's tour. After closing
at Childs Paramount on Sunday night,
October 11, they hustle to Philadel-
phia, for a six-night engagement at
:he Rendezvous Room of the Senator
Hotel (Monday, October 12 through
Saturday, October 16). On the follow-
ing Monday (Oct. 18), they open in
Boston, where they'll play the Savoy
for four weeks, until November 14.
Starting the next night, it's the Three
Dolls in Milwaukee for two weeks.

There may be still more after that,
but Bill Peterson of the Gale Agency,
who has booked the tour and supplied
the above details, has no definite
details as yet.

10

EVERETT
FAREY

TURKS NEW TRUMPET STAR

The initial onslaught of the Turk Mur-
phy band on the East (described on the
preceding pages) might easily be consid-
ered enough news for any one month. But
it turns out that the band brought along
an extra added dividend: a mild-mannered
young cornetist of — it seems to us —
tremendous promise.

The name is Everett Farey (rhymes with
"beret," "hooray," "bouquet," or "Bechet")
and we feel a need to rush into print in a
hurry with a brief sketch of his background
and a firm opinion of his present abilities
and potentialities for the future. It's not
often that you get an opportunity to be the
first to write: "watch out for this boy; he's
going to be somebody," and there's no
poirlt in fumbling the opportunity.

We are obviously not the first to appre-
ciate Farey's talents. It's rarely possible to
pinpoint with accuracy who "discovered"
a new artist, but for all practical purposes,
that honor in this case should go to Murphy
and his associates. They sized him up
quickly enough when Everett sat in with
the band one evening, and wasted little
time in making him the long-awaited third
member of their front line.

All this happened very early this Summer,
so that very probably the emergence of
Farey is still news to many West Coast
followers of the band. His debut on records
with the group will not come until Columbia
gets to release the number recorded during
the New York trip, but there's no ques-
tion that much is going to be heard of and
from this twenty-five year old musician.
The very fact that this band has picked
him to fill the long-vacant spot between
Murphy and clarinetist Bob Helm will, for
a good many people, be recommendation
enough. For some time, Turk, unable to
find exactly the right horn, had preferred
to go along without any regular (tuba
player Bob Short had been doing some
doubling on the job and on several records,

Don Kinch has played on others), but it
would now seem that the position is quite
solidly filled.

Farey is entirely a West Coast product,
born in Los Angeles in 1929, and a resi-
dent of San Francisco since 1942. As a
musician and follower of jazz, he is almost
entirely a product of the Watters band. His
interest in traditional jazz and in the cornet
does stem from a year or so before he first
heard 'the Yerba Buena band at the Dawn
Club (which was just after they had re-
organized after the war). But it's safe to
say that this interest was largely shaped by
this band. Before that, Everett's early back-
ground doesn't make very good copy. There
are no musicians in his family, and there
was no musical training in his childhood.
In his early 'teens he had begun listening
to the standard swing bands of the period:
Dorsey, Goodman, James; and he recalls
George Brunis' Ugly Chile as the first jazz
record he is aware of having heard.

Once he heard Watters, however (he
doesn't recall the exact circumstances of
his first exposure), the die would seem to
have been cast and Farey's musical path
was firmly established. As a ready example
of how jazz legend springs into being, we
have by now been told by at least three
different people of how Ev, aged 10 or 11,
would raise a sidewalk transom to sneak a
listen to the band at the Dawn Club.
There's nothing really wrong with that
story, except that at the age of 1 1 Farey
was in Los Angeles and had never heard
of Watters, Murphy or probably even jazz.
He did begin as a transom listener, all
right, but at the slightly less picturesque
age of 16, when he and a trombonist friend,
Sanford Newbauer, operated on the gratings
in the alley that was the club's front en-
trance and sometimes also hid behind the
heavy draperies inside. They also got in
properly at times, when the band began giv-
ing Sunday afternoon sessions specifically

for its growing number of under-drinking"-

age fans.

Before this, though, Ev had already
decided that he wanted to play cornet. He
had bought an old, old instrument, started
out to take lessons — and promptly ran into
his first disappointment. He had picked a
large music studio, and found himself in
a room full of waiting children and adults.
Eventually he was faced by the teacher
who, on hearing that he was a beginner,
asked him to "just play a tune, any tune."
But young Farey, who had owned the horn
only three or four days, could barely get
any sound at all out of it. Whereupon the
teacher delivered the priceless advice to
"never put that horn to your lips unless
you can play something on it," which so
scared the would-be musician that he left
immediately and never again tried to take
a lesson.

He didn't let this frighten him out of
trying to play, of course, but his instruction
came through listening to the records he
was by now collecting and, eventually, most
of all through listening to the Watters
band. No other trumpeter or cornetist has
ever impressed him as much as Lu did then
— but, strangely enough, Everett reports
that his greatest personal enthusiasm was
for Turk. Even though he never wanted to
play trombone, he was very much a Murphy
fan.

In March, 1947, he entered the Navy
and managed to be assigned to music school
in Washington, D. C, which amounted to
his first formal training. In ten months
there, he found no one who cared to play
New Orleans jazz; and when he was trans-
ferred overseas, to a London shore base,
that situation was no better. There were
some modernists there, however, some of
whom he very much enjoyed listening to
and even playing with. (Although Farey is
quite definitely set on his own musical
(Continued on Page 23)

Ill

Ole Aaron's pool-shooting companion and
record reviewer from up north, "(R.L.T. )"
by name, was mumbling indignantly about
not being given enough space to sound his
horn about Dick Sutton's "progressive dixie-
land" album. Since old Aaron will be glad
to let folks do some of his writing, he turns
over the next few paragraphs to (R.L.T.)
and will then be back with news of the
drinkin' and smokin' set. . . .

An interesting and successful job has
been carried out by the Dick Sutton Sextet
{Jaguar JP 802, reviewed in this issue). The
success was made possible by a homogeneous
conception and effort on the part of the
musicians. As often noted by this writer, the
factors that most frequently operate to spoil
a jazz performance are uncertain, uncoopera-
tive, uninformed, and undedicated concep-
tions of the style of music that is being
played. A good jazz performance means a
homogeneous and mutually sensitive effort.
In it, general or advanced technique means
little beyond the ability to play satisfactorily
in one's present company. Hence, the George
Lewis band, the Firehouse Five Plus Two,
the Turk Murphy band, the Dixieland
Rhythm Kings, the Modern Jazz Quartet,
the Gerry Mulligan and Chet Baker groups,
etc. all rate high because of their homogene-
ous sound and in spite of the wide differences
in technical ability and purpose that exist.
Wally Rose, the pianist with Turk Murphy's
band, may be technically far superior to
Alton Purnell, the pianist with the George
Lewis band, but both carry out their neces-
sary roles in a specific band in a most
competent way. The Sutton Sextet achieved
an homogeneity that is to be respected and
admired. Whether or not we like their style
of music is an entirely different problem.

There are some premises or opinions
behind Sutton's conception of the "modern"
approach that this writer cannot agree with.
These are essentially value judgment^ con-
cerning the importance of playing "new"
things and the unimportance of playing
things "from a bygone era." The age of a
muric seems quite unimportant in determin-
ing whether or not it should be played. One
need only turn to the so called "classics"
to illustrate this. The social function^ of a.
music is far more important than "new
ideas in determining what is to be played.
The "modern" jazz musicians sqrnetimes
seem hypnotized by the harmonic and struc-
tural innovations of late 19th and 20th
century European composers. This heady
perfume has combined with America's
hysterical premium on "new" things to
yield a musical outlook every bit as narrow
{Continued on Page 22)

Benny Frenchie

It now appears that Prentice-Hall will
publish Louis Armstrong's autobiography in
sections. The first volume, Satchmo: My
Life in New Orleans, is promised for October.
And word has it that the editor fellow over
there had quite a time of it, and this may be
the only section to appear.

Trade paper Variety reported that Turk
Murphy plans to cut a special album for
the African grade, where his records sell
well, apparently. Titled "The last of the
Red Hot Mau Mau"? On the other hand,
Columbia has released Murphy on Jelly Roll
Morton numbers for its "Great Jazz Com-
posers" series of LP's. Can Liberace play
The Pearls, George?

Also out are four volumes of Mildred
Bailey, one of The Duke playing The Duke,
another Buck Clayton Hi-Fi set, and some
others, all from Columbia.

Not to be outdone by its self-generated
rival, Label "X", Victor now promises
reissues ("some previously unreleased" to
use the current ambiguity of the record ads)
of Basie, Dizzie, Leadbelly, and Hawkins.

Benny also hears that the Jelly Roll
Morton Library of Congress series is to be
re-edited, re-processed, and re-released in
its entirety. And this time, the varying speeds
of the masters will be carefully checked
musically so that Jelly plays in his original
key this time, and at his real tempo, and
that his voice will not sound like someone
who just waked up with a hangover. And
hoo-ray !

A new French study by one Andre Hodeir
(who has written a great deal for Jazz-Hot)
called Hommes et Problemes du Jazz is
causing a lot of talk among the linguistic
jazz fans and threatens to get an American
publisher and release soon.

If you remember Pearl Bailey's Tired,
perhaps you realized that the tune is based
on the unusual chords of Basin Street Blues.
And did you know that Ma Rainey's Stack
O' Lee Blues has a melody better known as
Frankie and Johnny? That the big "rhythm
and blues" hit of a year ago, Night Train,
sounds very much like one of the themes
from Ellington's Happy Go Lucky Local
from his "Deep South" Suite? Did you
realize that Ellington has made about four
or more (you can check it) records of one
tune that is not an original of his, Digga
Diega Do? That the nucleus of the famous
and mysterious Boots and his Buddies band
is still active in Texas? Did you know that
Lester Young's home town is New Orleans?
Do you remember an old Black and White
date with an incongruous personnel consist-
ing of Cliff Jackson, Dizzy Gillespie, Joe
Marsala, Chuck Wayne, and others which
{Continued on Page 22)

Biggest success that any local "San Fran-
cisco jazz group has scored in years goes
to Bob Scobey's band at the "Tin Angel"
on the waterfront. Scobey's "don't cail it
Frisco" Jazz Band has proven a steady
drawing attraction, aided by excellent
publicity and clever club decor and arrange-
ment. Clancy Hayes, working hard at guitar
and vocals has expanded a weekly ten
minute TV spot into a half hour, with the
whole Scobey crew helping out. Current
personnel, which seems to be permanent
now: Scobey, trumpet; Hayes, guitar; Bill
Napier, clarinet; Jack Buck, piano (although
Buck switches to trombone and Wally Rose
is added for TV); Dick Lammi, bass; Earl
Watkins, drums. Watkins, a veteran of years
of modern-combo work in the area is the
first Negro to have joined a local dixie outfit.
His precision and swing have enlightened a
number of two-beat fans on the advantage of
an honest-to-God rhythm man in a jazz
band, regardless of style.

Side light on the "Tin Angel" club: a
player piano provides intermission entertain-
ment, with all working parts exposed.

How not to run a jazz night-club depart-
ment: the Ralph Sutton quartet, with
Edmond Hall and Walter Page, plus Charlie
Lodice (drums) was rolling along merrily
for the first week, providing some of the
freshest sounding stuff heard around here in
years, and then the Club Hangover's boss
decided it "wasn't loud enough," and added
L. A. trumpeter Clyde Hurley. Hurley blew
fine, but the informal intimate fun of hear-
ing Hall-Page-Sutton and company improvise
endlessly on common and obscure tunes was
completely junked and replaced by the usual
sequence of solos.

How to run a jazz night-club department:
the Downbeat, after a fair number of shakey
bills, finally took the long shot on Ellington,
in May. Since then they've had Basie,
Ellington (again), Herman, and Armstrong.
For once, the public responded, the proprie-
tors are happy, and seem willing to continue
booking the top talent in the business, and
no suggestions as to how Ellington, Herman,
or Basie might improve their bands,- either!

How disc-jockeys lose friends department:
one of the local afternoon record shows,
popular for years with both jazz and com-
mercial fans has had a noticeable drop in
listeners over the past few months, with
accompanying consternation on the part of
its announcer. This same d.j., while worrying
about his diminishing audience, still refused
to chat with Duke Ellington (one day) and
Helen O'Connell (four days later) because
each arrived a few minutes "late" for a
scheduled interview, even though the broad-
{Continued on Page.22 )

12

BEHIND

THE COBWEBS

In the June column and again last month
(Summer Issue) we discussed Grey Gull's
newly discovered tendency to change titles,
composer credits, and band credits for the
same master issued on various labels. For
added variety, they also called fox trots
"tangos" and waltzes "fox trots"! Now we
can add further variations to convince even
the most skeptical that the label of a record
need not be believed unless some substantiat-
ing evidence is at hand.

The first example may be found on two
different issues of the same Grey Gull family
label, Radiex. The master is 3457, from the
same ERL-Consolidated source as most of
our previous examples. First we find it on
Radiex 2161 as I'd Go A Long, Long Way
For You with composer credits to Caddigan
and Story and sung by Charles Dale with
Orchestra. This would appear to be the
correct title and composer credits. But, on
Radiex 2260 we find the same master now
described as Within The Sunshine Of Your
Smile, composed by one Harrell and sung
by Charles Dale with no mention of the
orchestra accompanying him. You might
wonder how Grey Gull could presume to
retitle a vocal selection but upon listening to
the words we find both phrases are to be
heard in the lyrics, but the former is the
first and last line of the refrain, normal for
a song title!

Our other example shows new twists in
this process of changing credits but using
the same musical performance each time.
Here we have master 5005 which appears
on Madison 1610 as Hello, Aloha! How Are
You, composed by Gilbert and Baer and
sung by Carpenter and Wylie. Then, on
another copy of this same Madison 1610 we
find the same master entitled Hello Aloha
with same composer credits, but now the
vocal duet is by Collins and Reynolds (if
you are inclined to believe what it says on
a Grey Gull family label). To complete the
cycle of all possible variations, the reverses
of these two copies of the same Madison
catalog number, are labelled as different
tunes, with different composers., by different

artists, and with different master numbers,
and, for a change, they really are! But, in
this case (Two copies of the same catalog
number) they should be the same and not
different!

Both examples of the same master num-
ber mentioned above have been compared
aurally and have proven to be identical even
to take. We will continue to survey the
Grey Gull tangle for further examples of
credit changes and may yet find another
type of change in credits for the same master
on Grey Gull labels!

Label of the Month: We go back to 1921
for a rather obscure label which used masters
from varying and generally unidentified ( to
date, at least) sources. Masters on this label
usually appear on Cardinal, Melva, Clear-
tone, Phantasie Concert, Royal, and in one
known case, the B. D. & M. labels (Puritan,
Triangle, Broadway, etc.) and Black Swan.
The label, claimed by Clarion Record Com-
pany, is Clarion, a red label with printing
and ornamentation in gold. Our example of
the Clarion label is designed to further
emphasize our previous mention of the
veracity of the data on record labels. If you
choose to believe this one we find the com-
pany itself not only issuing records but also
playing the music they release! The side
shown of Clarion 1132, is Leave Me With A
Smile (789-2), played by "Clarion Record
Co."! ! ! ! The reverse is Cutie (113-1),
played by Empire State Novelty Six. Except
to say that these masters apparently come
from different sources, we cannot shed any
light on their real identity or what com-
panies recorded them. The first title appears
on Cleartone P. 128 as by Cleartone Dance
Orchestra and the second one on P. 127
with same band credit as on Clarion. Since
Clarion often used the name Clarion Dance
Orchestra, we presume that is the credit
intended on the side used in our illustration.

Clarion apparently was a short-lived label.
We know only of issues up to the one just
mentioned, 1132, in a series beginning at
1101, a vocal series from 3001 to 3009, and
odd items 601, 701 and 801 (special series
which may or may not have progressed
beyond the first issue). This label also
features on 1123, master 7925/2-2. and on
the label of 1129 we find masters CLN 106i/2
and CLN \07JA. In the wax these masters
appear quite normal as 106-2 and 107-2.
The 792 !/2 one appears in the wax with the

Clarion is announced in a trade magazine
as a new firm at 56 Bleecker Street, New
York in October 1921. Releases of Clarion
records are listed in these magazines only
in October and November 1921. Since these
cover only up to 1113 in the dance series
and we know of at least up to our example
here, 1132, there must have been a few
further releases. More data on this and
related labels is much desired. We need
further listings on all, and any information
which would help identify the sources of
these masters which appear in a 100 series,
a 700 series and 600 and 700 numbers
prefixed with a "C". The Clarion used as
Label of the Month belongs to Syndicate
member Walter C. Allen.

Space has run out. Now that vacations
are over we hope you will get busy and
send those data on labels mentioned in earlier
columns for which we need title, artist,
vocalist, and catalogue and master number
data. The Syndicate cannot hope to examine
all the records issued on these labels and
must get listings from anyone owning or
able to examine copies. Send data on such
discs and, any other matters for this column
to us at 74 South Road, Harrison, New
York or c/o the Record Changen

murphy

(Continued from Page 8)

know what kind of a musical experience it
is" should probably be made part of the full
record of the invasion. Some few people
thought Turk's horn too loud — but many
more suggested rather plaintively that they'd
like to hear him play all-out, minus the mute
he used almost constantly (presumably out
of deference to the walls of the place).

But variations in opinion seemed, on the
whole, small and heavily weighted towards
a pretty general appreciation of a remarka-
ble band, an original band, unlike anything
Manhattan had heard for years — if ever.
For those who were able to do quite a bit
of listening and who had never heard the
band in person before (which is the position
this writer was in), it was a full and
memorable experience. Starting with opening
night, when they were perhaps just a bit
tensed or tired — quite natural reaction to
a New York premiere and quite natural
aftermath of a long plane trip and a pre-
opening welcoming party — you could almost
literally see, hear and feel them quickly hit
their stride and take possession of their
surroundings and of their audiences. Both
the heavy weekend crowds (Saturdays
remained turn-away propositions throughout
the run) and the somewhat sparser crop of
mid-week eaters, drinkers, listeners and
dancers (although remarkably numerous in
what is rapidly becoming a weekend-only
town) were treated to more consistently
alive music than anyone has any right to
expect. Set after set. night after night, it
was quite apparent that these men cared
about what they were doing, were genuinely
interested in each tune, were never noticea-
bly content to loaf along or to play in one-
eye-on-the-wrist-watch style. It was either
the real thing or these boys are the greatest
group of actors to hit town since the last
time the Old Vic was around. And it is this
awareness that you are in the presence of
musical effort that is always sincere and
never slipshod that is probably the key to
the immense emotional satisfaction they
generate. That's probably as good a way to
put it as we'll ever come up with — if you
recognize that "satisfaction" in this case
connotes stimulation rather than mere
contentment.

It is also quite true, as far as we're con-
cerned, that the band in person far surpasses
anything they've done on record (although
George Avakian of Columbia has high hopes
for the sessions he was able to hold while
they were here). Particularly noticeable
when you're in the same room with them is
the warmth of Helm's clarinet; the awesome
intricacy of Rose's ensemble and behind-the-
horn-solos work — the piano is always busy
doing something creative and worth your
attention even when you're presumably not
concentrating on it; the charm and personal
impact of Turk's vocals — which somehow
have a great deal more meaning when you're
on hand to see as well as hear; and the
patently legitimate and honest fun involved
in the fairly frequent numbers that make use
of Turk on washboard.

In all, it was an ear-opener, an eye-opener
(and a feet-mover). As the saying goes, it
was a ball — a ball that has been a San
Francisco monopoly for all too long, and
that New York and those other cities being
treated to it this Fall should be very happy
finally to have gotten around to horning in
on.

13

GEORGE AVAKIAN
JACK W. FARRELL
DICK HADLOCK
BUCKLIN MOON
ROBERT L THOMPSON
MARTIN T. WILLIAMS

CREDIT DEPARTMENT: The review
of the 3-LP Good Time Jazz re-issue of
the Lu Watters Yerba Buena Jazz band
material, in the Summer issue, inad-
vertently was printed without the cus-
tomary clue to the identity of the
reviewer. The author of this fascinating
piece of critical writing was R. L. T.,
who rates our thanks for the review and
our apologies for omitting his initials.

the missourians

Market Street Stomp/Prohibition
Blues / I've Got Someone / Ozark
Mountain Blues/Swingin' Dem Cats
/Scotty Blues/400 Hop/Vine Street
Drag

Happy was the day on which it was
decided to reissue this great music ; happy
was the day on which it was first played ;
happy is the day on which you listen to it.

The Missourians were a young group with
a nucleus of mid-western musicians. They
were largely influenced by Benny Moten's
Kansas City Orchestra and were out for
blood on their own. They obtained their
blood while making a big hit in Harlem
in the late 1920s. The Cotton Club, Savoy,
and Alhambra were among the scenes of
victory. The final battle was won (or lost,
depending on how you see it) when they
were assimilated into the Cab Calloway
Orchestra of the 1930s.

The band as heard here and recorded in
1929 and 1930 included R. Q. Dickerson
and Lamar Wright, trumpets; De Priest
Wheeler, trombone ; George Scott, William
Blue, and Andrew Brown, reeds; Earres
Prince, piano; Charley Stamps, banjo;
Jimmy Smith, tuba; and Leroy Maxey,
drums. Walter (Foots) Thomas replaces
Blue and Morris White on guitar replaces
Stamps on Prohibition and Cats.

As often correlates with enthusiastic per-
formances by young bands, much of the
material is original within the band. This
material incorporates a great deal of tra-
ditional jazz stomps and blues. Ozark, for
example, includes a section derived from
Tiger Rag.

A great virtue of bands of this type
occurs in the sensitive rapport between
rhythm section and horns. Drums are used
in a simple but intensely propelling way
and room is left for the tuba to punch
things along.

Market Street, Ozark, and Vine Street
are distinguished stomps. The trombone
work of De Priest Wheeler is outstanding
for its brassy, staccato power. Scotty is a
fine band blues and Prohibition forecasts
Minnie the Moocher. ("X" LVA-3020)
(R. L. T.)

robin wetterau

Oh By Jingo/Trouble In Mind/St.
James Infirmary/Tishomingo Blues/
Sunset Cafe Stomp/My Daddy Rocks
Me/Blues/Of All the Wrongs

Empirical's third LP release is a most
unusual document indeed. It is a collection
of piano solos by Dixieland Rhythm King's
pianist Wetterau. It is not an exhibition of
piano virtuosity, special compositions (other
than DRK standards), or anything else
usually employed as a rationale for issuing
such a collection. These are simply piano
solos, played in a slightly stiff-backed, rock-
ing manner reflecting the classic elements
of ragtime, blues, and San Francisco saloon
jazz. On first hearing, they seem almost
monotonous. On successive hearings they
become more and more relaxed and enjoy-
able. This may correspond to the process
of overcoming the prejudices with which
we commonly approach an album of piano
solos. Once accepted on their own ground,
they become warm and companionable,
conveying the same aura of jazz-dreams for
which Jimmy Yancey is famous.

This is a> special kind of music wherein
the listener is required to discard his pre-
dilections and just relax — as if enjoying the
sounds of a country night. Concerning the
musical interpretations, the only thing we
miss is the verse to Tishomingo. The re-
peated verse-chorus pattern on Jingo might
have been varied in dynamics or intonation
to make it a better lead-off piece. DRK
trombonist Charles Sonnanstine gets credit
for a delightful cover design.

Wetterau's solos and the two recent DRK
LPs {Empirical EM- 102 and Riverside RLP
2505) have been the focus of much con-
troversy over jazz values: It usually boils
down to traditional versus "new" jazz and
matters of technique. This writer feels that
the DRK are a remarkable, first rate band,
plaving some of the finest traditional jazz
and exploring the new areas opened by the
ereat Lu Watters band. If they are not al-
ways perfect, who cares. Jazz is a good
time. {Empirical EM-103) {R. L. T.)

mutt carey plays the blues with
hociel thomas

Gambler's Dream/Go Down Sunshine
/Advice Blues/Barrel House Man/
Nobody Knows You When You're
Down and Out/Muddy Water Blues

Hociel Thomas is known to jazz collectors
for her fine blues singing and piano ac-
companiments on several rare Okeh discs
— some featuring Louis Armstrong. It re-

mained for Rudi Blesh to rescue her from
obscurity and to demonstrate the lasting
values and quality of such talent. Originally
recorded for Circle records in 1946, only
one of these sides {Sunshine) was ever pre-
viously issued. With the addition of Thomas
(Mutt) Carey on cornet, a vivid and au-
thentic blues sound is created. Warranting
comparison with some of the finest efforts
of the 1920s, it indicates that this music
can transcend the narrow boundaries of its
original time and place and retain a vital
meaning and appeal.

This is the first time that Kid Ory's
late cornetist, Mutt Carey, is heard exten-
sively as a blues accompanist. His work is
simple and moving, reminding us of Tommy
Ladnier and occasionally of Armstrong and
King Oliver. Hociel Thomas is also heard
as a blues singer of very high status. In
short, we find these among the best in the
tradition. {Riverside RLP 1042) {R. L. T.)

jazz idiom — the dick sutton sextet

Avalon/Softly as in a Morning Sun-
rise/I'm Coming Virginia/Liza/How
About You/I Would Do Anything
for You /You're Lucky to Me/Peg
o' My Heart

We have been anticipating well-planned
attempts at compounding "modern" and
"Dixieland" jazz concepts. Although this
has been going on in subtle and unpubli-
cized ways during the past years, we occa-
sionally find groups which advertise them-
selves in terms of such a compounding.
The Bob Wilber-Johnny Glasel cooperative
group called "The Six" is a notable ex-
ample. Now we have the Dick Sutton Sex-
tet in one of the best planned, but almost
completely "modern" attempts. These New
York musicians have variously been asso-
ciated with a wide variety of jazz activities.
Trumpeter-arranger Sutton, for example,
played with the Dixieland Rhythm Kings,
a very traditional jazz band, for a few
months circa 1950 and has been respected
for his Bix Beiderbecke-inspired playing at
many a session. In recent years he has be-
come engrossed in the expanded harmonic
and conceptual schemes which are lumped
under the label of modern jazz. Steve Lacy
(soprano sax and clarinet) was for a time
considered a possible heir to the Sidney
Bechet style, but like Bob Wilber and others
in the Scarsdale group, found a preference
for the modern. Similarly, trombonist Ray
Anderson has played in traditional jazz com-
pany including the Red Onion Jazz Band.
A roughly parallel story might be written
about the other Sutton men: Mark Trail,
bass; Don Sitterlex, baritone sax; and Billy
De Hay, drums.

Sutton likes to identify this music as
"progressive dixieland." Traditional dixie-
land he notes as ". . . usually more blatant
than imaginative, playing the music of a
bygone era and producing, for the most
part, nothing new." Allowing that dixieland
can employ modern harmonies, he feels the
remaining barrier between the two idioms to
be a rhythmic one. A piano was omitted
because "We felt that a piano, more than
any other single instrument, would possibly
narrow, or focus, the group conception
toward a particular way of playing. . . ."
Let it be noted that Sutton apparently does
not even include the banjo in his thinking
and that his considerations of the piano

14

have been invoked by several traditional jazz
bands in the past.

These then, are the men and ideas behind
this effort. Their selection of tunes is unusual
among traditionalists but much less so
among modernists. The results are some-
thing of an addition or superimposition of
two idioms. Typically we have a "bop"
ensemble becoming a dixieland (Bobby
Hackett — Eddie Condon-like) ensemble for
a few bars or even a chorus and then return-
ing to "bop" or "modern." Sometimes the
soloist (Sutton and Anderson are most
featured and most able), while enjoying an
abstract flight, is backed up by the other
horns in a reasonably standard manner. The
dixieland-bop transitions find favor in the
elements of amused surprise. During all of
this, drums and bass provide a soft, steady
beat. The drummer relies on snare drum
and brushes, not "bopping" the bass drum
— as per Sutton's orders. The arrangements
are relatively complex, interesting, and in
good "modern" taste. The entire production
is a tribute to Sutton's arranging skill and
desires for a new sound, as well as the
musicians' abilities to interpret them.

Whether or not the listener will like these
new sounds is strictly a matter of personal
taste, depending on how far out on the
limbs of extended harmony and melodic
abstraction and dilution one can crawl
before falling. The old Jelly Roll Morton
and Guy Lombardo credo of always keeping
the melody in clear evidence is certainly not
followed here. But who says it should be?
And who says it should not be? There can
be no final answers to such questions and
those who think that there can be are in
for trouble. (For more comments on what
we like about Sutton and dislike about
"modern" philosophy of jazz, see this
month's Aaron Harris column.) (Jaguar .TP
802) (R*.L.T.)

mezz mezzrow's swing session

35th and Calumet/Sendin' the Vipers
/Old Fashioned Love/Apologies/Hot
Club Stomp/Swing Session's Called
to Order/Blues in Disguise/That's
How I Feel Today

Hot and hybrid is the name for this busi-
ness. The personnel is drawn mainly from
the big Harlem bands of the mid- 1930s and,
in the case of the first four selections, is
supplemented by some prominent white
"Chicagoans." The music combines what
one might expect from these sources with
Mezzrow's deep affection for traditional jazz
and blues. The result is an exciting beat and
unison sound that might be called nascent
Swing.

Participating in the first four sides (from
1934) are Max Kaminsky, Renald Jones,
and Chelsea Qualey, trumpets; Floyd
O'Brien, trombone; Mezzrow, Benny Carter,
and Bud Freeman, reeds; John Kirby, bass;
Willie The Lion Smith, piano; and Chick
Webb, drums. The next group (from 1937)
features Sy Oliver, trumpet; J. C. Higgin-
botham, trombone ; Mezzrow, clarinet ;
Happy CaldweJl, tenor sax; Sonny White,
Diano; Bernard Addison, guitar; Pops Foster,
bass; and Jimmy Crawford, drums.

The music is distinguished by its swing
beat and assorted solos. Most of the many
riffs are of only passing concern. The last
four sides are perhaps the most inspired and
of these. Hot Club Stomp takes first prize.
("X" LVA-3015) (R.L.T.)

wingy manone — vol. I

Panama/Swingin' at the Hickory
House/Tormented/ Hesitation Blues
/Basin Street Blues/Dallas Blues/
Rhythm Saved the World/Sing Me a
Swing Song

The mephistophelian and crackerjack
music of old Joe Manone is described as
hovering between dixieland a la Bob Crosby
and 52nd Street swing. This is an ample
description but needs to be supplemented
with reference to the strong influence of
Louis Armstrong. With all this noted, there
is little more to do than name the other
players of this light-hearted jazz from 1936.

The first four sides include Matty Mat-
lock, Joe Marsala, and Eddie Miller, reeds;
Conrad Lanoue, piano; Nappy Lamare,
guitar; Artie Shapiro, bass; and Ray
Bauduc, drums. The second batch finds
Murray Williams and Tommy Mace replac-
ing Matlock and Marsala, Carmen Mastren
replacing Lamare, and Sam Weiss replacing
Bauduc. Of course, Wingy blows his mellow
trumpet and sings all over the place. One
can expect nothing less than first rate jazz
entertainment with this formula. ("X" LVA-
3014) (R.L.T.)

richard m. jones jazz wizards

Canal Street Blues/29th and Dear-
born/New Orleans Hop Scop Blues/
Jazzin' Babies Blues

punch miller's stompers

West End Blues/Boy in the Boat

It seems like old home week with Pax
reissuing material originally from the Session
label. The Jones sides were cut in 1944 by
Bob Schoffner, trumpet; Preston Jackson,
trombone; Darnell Howard, clarinet; John
Lindsay, bass ; Baby Dodds, drums; and Jones,
piano. The style is New Orleans and the
musicians are veterans' veterans. These sides
were made without rehearsal, a fact apparent
from the album notes and from a sound
lacking a certain amount of internal organi-
zation. Nevertheless, the band achieves a
distinctive and rhythmic performance.
Throughout the session, Dodds drums as if
under the spell of a mischievous mystic.
Jackson's solos are characteristic and the
trumpet work is fine but a bit throaty.
Howard is relatively restrained but quite
good. Lindsay and Jones contribute sub-
stantially to the driving beat. Canal Street is
perhaps the most outstanding in all respects.
Dearborn is equivalent to Riverside Blues
save for the omission of a well defined first
strain. Jazzin' Babies is, for all purposes,
Tin Roof Blues. The original Jazzin' Babies
melody is reasonably different and we miss
it here. Jones' solo is most pretty and is
based on the Death Letter Blues theme.
Howard seems to "noodle" too much.

Except for the fierce but restricted
trumpet of Punch Miller, nothing much
happens on West End and Boat (also known
as Squeeze Me). Artie Starks is on clarinet.
Lindsay on bass, R. M. Jones on piano and
Snags Jones on drums. All are capable of
great things but they really don't "get with
it" during this session. Perhaps it is in the
nature of Miller's lead which seems difficult
to "get with." It is still a good thing to have
these long sought-after masters back in
circulation. (Pax LP 6010) (R.L.T.)

rosy mchargue's ragtimers

Night Wind/Mysterious Rag/Don't
Send Me Posies/Gottta Quit Kickin'
My Dawg Around

the delta kings

Jersey Bounce / Pretty Baby / Char-
maine/Lovin' to Be Done

Hoo ha and scratch my old dixie back if
this McHargue chap ain't a whimsical one.
As well as producing plenty of wide, solid,
and tight jazz, the band cuts some wild
capers in a musically perfect way. The
responsible jesters are Bob Higgins, cornet;
Moe Schneider, trombone; McHargue,
clarinet; Earl Sturgis, piano; Ray Leather-
wood, bass; and George Defebaugh, drums.

Rag is a vaudeville-type tune complete
with one of them "creeping-up-on-you"
themes in the verse. A trio of bandsmen
interpret the lyrics in the finest of barber-
shop style — ". . . Sneaky, freaky, ever
melodious — Mysterious Rag." The materi-
alist ditty, Don't Send Me Posies When It's
S.hoesies That J Need features a vocal verse
by the band and a vocal chorus by Rink
Leslie, a disciple of Betty Boop. Dawg
expresses man's loyalty to man's best friend.
At opportune moments, tactful but vigorous
barks convey the message. For three happy,
musical weddings of jazz and slapstick, these
can't be surpassed. Where Spike Jones
employs sound effects, McHargue employs
minstrelsy. The McHargue alto sax solo on
Posies is a wheezer-deezer. Night Wind, a
McH original, is a more unusual composition
with a complex but tasteful and well-
executed arrangement. Sounding as if bor-
rowed from a European "classic," it suggests
Hollywood background music for a love-
and-gambling scene, set in Istambul, and
concerning a female spy, wealthy expatriate,
and a U. S. of A. jazz band. Fortunately,
the band is hotter than Hollywood.

The Delta Kings consist of Jack and
Charlie Teagarden, Pud Brown, Ray
Bauduc, and Jess Stacy in a Jazz Man
reissue of sides cut for the West Craft label
a few years ago. Jersey, taken at a medium-
slow tempo, is dominated by the buzzing
sax of Pud Brown. Since we like buzzing
saxes in this setting, all is well. This is a
good example of a small band playing a
big band arrangement and being quite suc-
cessful because of some wise harmony parts.
Lovin' is reminiscent of the old Bob Crosby
band's treatments of quasi-cowboy songs. It's
relaxed dixieland with a warm and compel-
ling" vocal by Jack T. Only Louis A. and
Jack T. can sing in "straight" styles capable
of putting over such lyrics as "There's some
lovin' to be done when it comes springtime,
and the little birds and bees all know it
too. . . ." Pretty Baby and Charmaine are
given the rapid fire ensemble-solos-ensemble
routine. The Teagarden trombone and
Brown sax do very well. The trumpet of
Charlie T. manages to play every note
available in a most remarkable way. A
brief drum solo by Bauduc is interesting but
out of place in the middle of some vague
meanderings by pianist Stacy. The Tea-
garden brothers and their comrades are aces
when it comes to technique. For this writer,
however, technique is secondary to the con-
text of a composition and a band develop-
ment. Looked at this way, Pretty Baby and
Charmaine are frantic and go along none
but hackneyed paths. (Jazz Man LJ 334)
(R.L.T.)

(5

fletcher henderson and his
connie's inn orchestra

St. Louis Shuffle/Variety Stomp/My
Sweet Tooth Says I Wanna/Roll On,
Mississippi/Singing the Blues/Oh, It
Looks Like Rain / Strangers / Sugar
Foot Stomp

Here's one of the finest collections of big
band jazz or swing. The name Fletcher
Henderson is among the most important in
the development of swing. His arrangements
were fresh and vigorous. At the time of
these recordings, they were even daring.
Section and solo work were woven to form
a constantly varying and exciting interplay.
Traditional jazz compositions and transient
popular ditties were employed as material.
With competent jazzmen on hand, a band
can do wonders with otherwise trivial tunes.
However, it is clear from many other Hen-
derson recordings that if the jazzman is not
given a special position within the arrange-
ments, one might as well not have jazzmen
at all. Happily, the present selections ap'pear
here because of their jazz value.

St. Louis and Variety were recorded in
1927. Tommy Ladnier, Joe Smith, Charlie
Green, Jimmy Harrison, Buster Bailey, and
Coleman Hawkins are among the great
musicians in this twelve piece band. Tuba
and trombone harmonies give the two fine
stomps a strength and character that was
to be lost in subsequent developments.
Various themes in Variety are suggestive of
The Chant and That's A' Plenty. Charlie
Green's trombone solos might well have
classic status.

The remaining six tunes were recorded in
1931 and 1932 with considerably different
personnel. Among the nobler figures are
found Rex Stewart, Bobby Stark, Benny
Morton, Claud Jones, J. C. Higginbotham,
John Kirby, and again, Coleman Hawkins.
Sweet Tooth presents a rolling big-band
sound that might be thought of as a preview
of the Benny Goodman band to come. A
Dick Robertson vocal decorates the en-
deavor. Mississippi features some inspired
muted trumpet work behind a reed section
lead. Singing The Blues employs virtually
the exact arrangement used by Frank Trum-
bauer and Bix Beiderbecke. The motives for
this operation are unknown, but the results
are good music and a wonderful collector's
item. Rain is a bright bit with fine solos
and a Robertson vocal backed up by some
busy Rex Stewart. Strangers is saved from
the schmaltz bin by the remarkable talents
of Coleman Hawkins. A vocal by John
Dickens might better have been ascribed to
Charles Dickens. Sugar Foot is taken at an
express-train pace that makes for an interest-
ing comparison with Henderson's 1925
Columbia version. Both records employ
essentially the same arrangement, the faster
providing for more choruses per unit time.
The 1925 Sugar Foot was at a medium
temoo and rocked authoritatively. The 1932
version was no less authoritative, but con-
siderably more nervous.

This is oerhans one of the most valuable
and consistently intprestine LPs in the entire
"X" program. ("X" LVA-3013) (R.L.T.)

raymond burke and his new
Orleans jazz band

Over the Waves/Blues for Joe/At
Sundown/Bill Bailey

paul barbarin and his new Orleans
jazz band

Bourbon Street Parade/Sister Kate/
Closer Walk with Thee/Old Gray
Bonnet

It seems that everybody who has a jazz
band in New Orleans calls it "his New
Orleans Jazz Band." In most cases we accept
this because it is pertinent and factual and
certainly better than misrepresenting oneself
as, for example, the Arizona Harmony Jazz-
ateers. In the present case, everybody is
genuine-type New Orleans jazz band people
and play genuine-type New Orleans jazz.

Clarinetist Ray Burke is gaining a much
deserved reputation as an excellent jazzman,
preserving many of the musical values that
were associated with such as Jimmy Noone,
and at the same time retaining a unique and
original style. On one side of this ten-inch
LP, Burke is in the very good company of
trombonist Jack Delaney, trumpeter Alvin
Alcorn, pianist Stanley Mendelson, bassist
Sherwood Mangiapane, and drummer Abbie
Brunies. Everyone turns in a fine and relaxed
performance without shaking the tree of
immortality. Alcorn's trumpet and, of
course, Burke's clarinet are notable. Over
The Waves should now be familiar to all
as a pleasant jazz vehicle. Blues For Joe is
a traditional twelve-bar blues improvisation
for Joe (Mares, we guess). Sundown suffers
from the absence of a trumpet but is an
otherwise bright bit of informality. Bill
Bailey suffers from lack of a verse and vocal,
two features that help put meat on old
Bailey's bones.

Paul Barbarin, once the star drummer of
both the King Oliver and Louis Armstrong
bands, is no less a star today. For his
share of this LP, Barbarin has assembled
such distinguished musicians as Johnny St.
Cyr, banjo; Percy Humphrey, trumpet;
Waldren Joseph, trombone ; Willie Hum-
phrey, clarinet ; Lester Santiago, piano ; and
Richard McLean, bass. Kate, Closer Walk,
and Bonnet are played in routine (ensemble-
solos-ensemble) style. A vocal by the band
and some prominent banjo work add charm
and interest to the first rate parade tune.
Bourbon Street. Everybody in the band
deserves special mention for a thoroughly
fine performance of traditional jazz. We
hope we'll hear much more from this band,
and particularly from clarinetist Humphrey.
It's also fine to have St. Cyr back on record
with his banjo, guitar, and vocal on Bonnet.
(Southland SLP 203) (R.L.T.)

sharkey and his kings of dixieland

Farewell Blues/Tin Roof Blues/
She's Cryin' For Me/Muskrat Ramble
/I'm Goin' Home/High Society

Sharkey Bonano has long been known to
produce good, solid, stomping, strutting
dixieland and this new LP is no exception.
This assemblage of New Orleans hot players
consists of Sharkey, trumpet ; Jack Delaney,
trombone; Bujie Centobie, clarinet; Stanley
Mendelson, piano; Arnold Loyacano, bass;
and Abbie Brunies, drums. A large audience
seems to have been on hand for the record-
ing session. Their cheers and murmurings
add "life" to the proceedings and are not
likely to prove distracting.

The record starts off with an introduction
of the bandsmen, praising them for playing
New Orleans music and praising New
Orleans for giving rise and sustenance to
New Orleans music. During this brief talk,
the musicians fool around with Basin Street
Blues and then gallop off into Farewell Blues.
All the tunes are played cleanly, excitingly,
and in a reasonably organized manner. Fine
solos are at one time or another omitted
from all the horns plus piano and bass.
Centobie is particularly notable for splendid
solo and ensemble work. The arrangement
on She's Cryin' is a commendable event too.
I'm Goin' Home is a medium tempo pot-
pourri of melodies which include the obvious
Home, Sweet Home, a bit of Chimes Blues
and other blues licks, plus some melody of
its own. While not disapproving of all this
happy, rousing dixieland, we still would like
to find some fresh material. Tin Roof, in
spite of its "classic" status and fine interpre-
tation, falls into some conspicuous cliches
that are quite pardonable and matter-of-fact
in everyday playing, but are better avoided
on such permanent documents as records.
Well, criticism is easier than playing and
we are happy that Southland is active in
producing so many spirited recordings.
(Southland SLP 205) (R.L.T.)

papa celestin's golden wedding

Down by the Riverside/When the
Saints Go Marching In/Oh Didn't He
Ramble/Marie La Veau

"Papa" Oscar Celestin has been playing
jazz for fifty years down New Orleans way,
and it seems only proper to celebrate with
an album of his most requested tunes. These
favorites are played as the band usually
does them on the job, hence they run longer
than is typical and there is only room for
four of them on this ten-inch long playing
disc.

Along with Celestin and his trumpet we
find Edward Pierson, trombone ; Adolphe
Alexander, alto; Joseph Thomas, clarinet;
Sidney Brown, bass; Albert French, banjo;
Jeannette Kimball, piano; and Louis Bar-
barin, drums. It's nice to see that the old
practice of maintaining a pretty female
pianist is not altogether out of mode.

The record opens with some pleasant com-
mentary by Celestin, after which the band
goes into a slow version of Down By The
Riverside. "Papa" and the band men do a
bit of singing with some very warm counter-
point and then "Papa's" muted trumpet
leads the way out. It's a wonderful perform-
ance of a beautiful melody. Next comes the
Saints, and after the ensemble renders two
choruses and one verse, Celestin leads the
sequence of vocals and solos. The pattern
of Ramble is pretty much the same. Marie
La Veau is the saga of a "conjure lady" or
"voodoo queen" who has all kinds of power
and prestige for the mysterious things that
she does. The introduction to this piece
reminds us a little of one of Celestin's
earliest recordings with his Original Tuxedo
Jazz Orchestra, It's Jam Up. The rest of the
detailed marrative has that old Minnie The
Moocher feeling. We think voodoo is better
than mooching and we heartily endorse the
way in which "Papa" Celestin and his band
help make New Orleans a contemporary
mecca of jazz. (Southland S-LP 206)
(R.L.T.)

lb

pete daily and his chicagoans

New Tin Roof Blues/Quaker Town/
Swanee River/Closer Walk with
Thee

This 45 RPM package offers the latest
in the well-polished dixieland of Pete Daily
and friends. The cornetist's friends are
Warren Smith, trombone; Jerry Fuller,
clarinet ; Skippy Anderson, piano ; Bernie
Miller, tuba ; Lenny Esterdahl, banjo, and
Hugh Allison, drums.

Quaker Town is a nice old time tune
whose first three or four bars come on like
Genevieve, Sweet Genevieve. Interesting
dynamics and head arrangements are
employed in the ensembles. Jerry Fuller's
clarinet solo is among the most tasteful to
be heard in some time. The tuba keeps
things lively by perforating the proceedings
with mellow and low-down woofs and the
concluding drum tag is distinguished in its
field. New Tin Roof is a non-vocal rendition
of Make Love To Me wherein Daily's solo is
outstanding. There is also considerable indi-
cation that Daily is not as abandoned, tradi-
tional, or mouldy as in the old days. Swanee
features Warren Smith, his muted trombone
and arrangement in a harmless few minutes.
Closer Walk, taken at a slow tempo and
somewhat over-arranged, provides evidence
that commercial luster and native vigor often
don't mix. We hope the high standards of
Quaker Town can be met more often.
Incidentally, these sides may also be available
on 78 and 33 RPM but we can't guarantee
it. Nobody tells the reviewer nothin'. (Jazz
Man EJ 451) (R.L.T.)

dick reudebusch and his state
street ramblers

Battle Hymn of the Republic/Love
at Lunch Time

Nobody continues to tell us reviewers
nothin' so we don't know from whence
cometh the Reudebusch Ramblers. The
record was manufactured in Baraboo, Wis-
consin. Maybe these are the boys that are
burning up Baraboo. The Ramblers number
trumpet, trombone, tenor sax, clarinet, bass,
drums, and piano. Their style is in exact
league with the furious technique and format
(ensemble-solos-ensemble) so familiar at
Nick's in New York's Greenwich Village
during the past few years of the Phil
Napoleon and Pee Wee Irwin cycle. Battle
Hymn, known to us old-timers as All That
Mary Got Was Oysters, features a pseudo-
solemn introduction and then takes off
briskly. Love At Lunch Time is also taken
at the fast pace characteristic of people with
short lunch times. It's a standard 32 bar
pop-type tune and here, as in Oysters,
everybody gets a solo. The Ramblers are
quite able at their business but they might
give a thought to more interesting and less
Nicksiland arrangements. (45 RPM Andoll
Records 2) (R.L.T.)

jean goldkette and his orchestra

I'm Gonna Meet My Sweetie Now/
My Pretty Girl No. 1 and No. 2/
Proud (of a Baby Like You) /I'm
Looking Over a Four Leaf Clover/
Clementine (from New Orleans) /

That's Just My Way of Forgetting
You/My Blackbirds Are Bluebirds
Now

The Goldkette band of 1927-1928
managed to do quite well at combining
commercial music and jazz. The latter was
effected by employing such talents as Bix
Beiderbecke, the Dorsey brothers, Steve
Brown, Eddie Lang, etc., and supplying the
band with lively arrangements. Collectors
have long cherished the little flashes of Bix
et al. that turn up here and there on numer-
ous Goldkette sides. Now, even the common
man can cherish them.

Sweetie is a smart stomp with nice solos
by Joe Venuti (violin) and others. Pretty
Girl is an even smarter stomp, and we get
two masters to compare. Danny Polo
allegedly takes the gay, bird-like clarinet
solos against a trombone background. Joe
Venuti also gets a few bits. The outstanding
moments are during the ensembles where
Steve Brown's bass and the Beiderbecke horn
are prominent. Proud is a medium tempo,
bouncy ballad with a vo-do-de-o-do vocal
by a gang of girls and a few toots from Bix.
The solemn majesty of the old lunkety-lunk
tune, Four Leaf Clover, is tickled by some of
Bix's best work in the final ensemble. His
break is classic as a blend of humor and
jazz, contrasting the extremes of banality
and hot improvisation in just, two bars.
Clementine features guitar breaks by Eddie
Lang and a restrained but punchy Bix solo.
Here as elsewhere, the sneezy cymbals of
Chauncey Moorehouse are an occasion for
nostalgia. Just My Way is a goopy ballad
with a goopy vocal. The band gets a bit
swingy now and then, but we wouldn't miss
this one if it had not been included. Black-
birds Are Bluebirds Now is a spirited piece
supposedly played from a McKinney's
Cotton Pickers arrangement. The final beat
is supplied bv a sound resembling the tearing
of a sheet (an old Cotton Picker trick).
Actually it is a blackbird eeg scooshing on
an unwary bluebird. ("X" LVA-3017)
(R.L.T.)

iohnny wiggs and his new Orleans
kings

Black Snake Blues/King Zulu Parade
/Just a Little While to Stay Here/
If I Ever Cease to Love / Congo
Square / Bourbon Street Bounce /
Ultra Canal/Two Wing Temple in
the Sky

Johnny Wiggs plays one of the most
singularly outstanding jazz trumpets to be
heard anywhere. If this isn't enough to make
you run right out and buy one of the best
LP collections of contemporary and genuine
New Orleans jazz, then listen and we'll tell
you more. On the first four tunes, Wiggs is
joined by Emile Christian, trombine; Ray
Burke, clarinet; Jeff Riddick, piano; Paul
Barbarin, drums; Sherwood Mangiapane,
bass and tuba ; and Edmond Souchon, banjo,
guitar, and low down blues chanting. In
Cease To Love these gentlemen produce one
of the most magnificent jazz performances
on record. A musical inaccuracy or two is
completely overshadowed by the joyful spirit
of the band and the gargley-gutty and
robustly affectionate vocal by Doc Souchon.
Burke manages a lilting but brief solo and
Wiggs opens up on the vibrato in the
ensembles. King £u/u is another parade-type

tune for which the great drumming of Paul
Barbarin is ideally suited. Just A Little
While rocks along in a most relaxed way
with a sensitive clarinet solo and fine
ensembles. Black Snake is a standard blues
with a Souchon vocal and good work by all.

On the second four tunes we find Santo
Pecora, trombone; Lester Bouchon, clarinet;
Armand Hug, piano; Freddie King, drums;
Tony Greco, bass; along with Wiggs. The
feeling here is more on the four-beat side.
Congo is a blues with that lay-'em-down-
gently mood that we find in the old Jack Pur-
vis record of Poor Richard. Bounce is one of
those compounded tunes that finds its main
strain derived from Down Home Rag or
Black Rag and the release from R. M. Jones'
Georgia Man. Nevertheless, it is a very
Deppy piece with excellent solos. Temple
features alternately slow and fast sections
within a church-chord framework that
hovers between Stephen Foster and Hoagy
Carmichael. Canal finds everyone in fine
form again. The tune is good and that helps.
Special bouauets go to the fine piano players
on both sides of the record. (Southland
S-LP 204) (R.L.T.)

santo pecora and his new Orleans
rhythm kings

Tailgate Ramble/World is Waiting
for the Sunrise /Missouri Two-Beat/
Good Man is Hard to Find

monk hazel's new Orleans music

Basin Street Blues/Let Me Call You
Sweetheart/ When You're Smiling/
Angry

We reviewed these records in the Tuly
issue when they arrived at 78 RPMs. This
month we have them all on one LP and they
are still Grade A, Number 1, first rate. See
the July issue for details of these happy
events.

jelly roll morton— classic jazz
piano — vol. I

Kansas City Stomps/Perfect Rag/
Bucktown Blues/Stratford Hunch/
Grandpa's Spells/Tom Cat Blues/
Shreveport Stomp/Big Fat Ham

jelly roll morton — classic jazz
piano — vol. 2

New Orleans Joys/Mamamita/Jelly
Roll Blues/Tia Juana/London Blues
/King Porter Stomp/Froggie Moore
/Wolverine Blues

Here they are: The virtually complete
collected piano works of Morton from his
1923-1924 recording period with the Gen-
nett and Rialto labels. Invaluable as great
music and historical documents, they are a
basic requirement for those who can afford
to take jazz seriously. Since it is generally
acknowledged that Morton was champion
and king of the jazz piano playing business,
we need say little more. We were, however,
amused to overhear two serious collectors
discussing the variations on the title Froggie
Moore. These have variously appeared on
(Continued on Page 20)

17

HARR Y KENT CRA WFORD

It is with profound regret that we report
the death of Harry Crawford, following a
heart attack, on September 18, at the age
of 39.

Jazz is full of many strange and wonderful
people. We at the Record Changer are
fortunate in either knowing personally or
coming into frequent contact with a great
many of them. It is very safe to say that of
them all, Harry Crawford was one of the
most wonderful guys we have ever known.
Also one of the most unusual. We were
fortunate in that we knew Harry very
intimately. He was an integral part of our
organization for over six years, and before
that we had been close friends of the red-
headed Nichols fan for another half-dozen.

Little else mattered in Harry's scheme of
things aside from the music to which he had
devoted his life. We doubt if any other jazz
fan, collector, or businessman has ever
given so much of his time and energies so
that others might hear good jazz on records.

There's a good story behind the first
sparking of interest in jazz for almost all
of us. Harry was no exception ; he could
always pinpoint the beginning. In 1925 (he
was 10 years old at the time), his mother
sent him to the store with some money to
buy groceries. On the way he passed a
record shop, heard some obscure dance band,
and spent the money on records instead of
food. The resultant spanking failed to dim
his interest and those few records were to
grow, over the course of the next three
decades, until the total of 11,000 was
reached and Harry decided to retrench.

During the 1930's, Harry attended the
University of North Carolina for a few
years. While in college he opened a record
shop— "The Clef Music Shop"— in Chapel
Hill and specialized in jazz releases. When,
in the early thirties Okeh reissued Singin'
the Blues by Bix, Harry ordered and within
three days (because of his enthusiasm) sold
to the student body some 387 copies of that
great item. His business flourished to such
a degree that Columbia offered him a dis-
tributorship for the entire area south of the
Mason-Dixon line. Unwilling to cut himself
off so permanently from his Mount Vernon
home, he declined the offer and eventually
closed the North Carolina shop. But he
re-opened Clef in Westchester County,_New
York, and that shop also did well until the
war came and took five years out of his life.

Having already established a reputation
as just about the best record man in the
east. Harry went to work as a salesman for
Schirmers, in New York, after leaving the
Army. Shortly thereafter he was coaxed by
Milt Gabler into joining the then-very-active
Commodore gang. His familiar figure will be
remembered bv most of the old customers at
that East 42nd Street store. His suggestions
on which records to buv and which to skiD
were always a great help to jazz fans with

limited funds and time, because Harry was
invariably right.

Harry soon became restless to get into
business for himself again and started two
labels. One was the delightful reissue label,
Mouldy Fygge, and the other was Rampart.
Both did well and Harry expanded into the
distribution field, starting Rampart Dis-
tributing Company. This was probably the
first successful all-jazz distribution setup in
the record business and will probably be the
last. Few people other than Harry Crawford
would have the honesty to refuse to sell pop
records for no other reason than that he
considered the music unworthy of his efforts.

Undercapitalization caused Harry to give
up the Rampart activities in 1949, at just
about the time that Jane Grauer of this
magazine had to undergo surgery. So Harry
offered to step into the breach with the
Changer until she was well enough to return.
This "temporary" arrangement was to become
most permanent. For it was quickly apparent
that Crawford fit right into the unique
Changer operation. He took over the
management and operation of all auctions
conducted by the magazine. His green pen
and teutonic handwriting became known to
collectors the world over; and his grading,
cataloguing, and packing procedures estab-
lished standards.

In jazz collecting, Harry was probably the
foremost Red Nichols collector in the world.
He was always subject to much good natured
kidding about his love of the Nichols horn,
but never could one safely challenge his
knowledge of the subject. One day at the
Record Changer office the editor won a small
wager when he bet that Harry could recite
from memory, in correct master number
order, the master numbers, and the issue
numbers of every Five Pennies record ever
made. A somewhat dubious accomplishment,
perhaps, but indicative of the depth of
Harry's knowledge about jazz, records, and
record collecting.

Obituaries are never easy to write, and the
obituary of a friend must be most difficult,
for it is an attempt to articulate exactly
those sentiments which are hardest to
express in cold print. But we know we are
speaking for all of Harry's friends when we
say that he will never be forgotten by any
of us. We feel privileged to have known him
and to have worked with him in his chosen
field of jazz. The world is going to be a
very different place without his whistling of
recorded choruses and stamping out rim
shots (in exactly the right spots) while
listening to his favorite records all day long
at the office.

If you believe in such things, you can at
least feel that Harry is in good company.
And in our minds he has certainly joined the
immortals of jazz.

The Editors

WASHTUB STRING BASS g

( The real thing — Not a toy )

Don't laugh-Anyone can play
1 this bass with any type of
music ( Jazz-Blues-Skiffle-
•tc. ) in 5 minutes. Not play-
ed with a bow. Hand made.

Real "gut" string with
wide range of scale.
Ten years to develop!
-Literature on request.

SAN-EL
Rt. I Bo» 269-H
— — — Campbell, Calif. c\

W^S <L*m*£> Z**r%J> <L*m**> <L*4tr4

FOLKWAYS RECORDS

World's leading producer of AUTHENTIC
folk music on RECORDS including THE
ETHNIC FOLKWAYS LIBRARY which
contains an unusual selection of the music
of over 1?0 cultures: recorded on location
by native orchestras and vocal groups;
each Long Play Record is accompanied by
extensive notes by famous collectors and
recognized authorities.

And the famous SONGS TO CROW
ON series for children. ANTHOLOGY OF
JAZZ and AMERICAN FOLK MUSIC,
INTERNATIONAL SCIENCE AND LIT-
ERATURE SERIES.

Many of the issues are original record-
ings on HIGH FIDELITY — 40-18,000
cycles. ALL FOLKWAYS RECORDS are
guaranteed for quality of reproduction and
content.

For complete catalogue write to:
FOLKWAYS RECORDS & SERVICE CORP
1 17 W. 46th St., New York 36, N. Y.

Will Buy

RECORD COLLECTIONS

ANY AMOUNT.

I have 100,000 records; hot sweat; evary-
thing, everyone. Sand wants.

Will Trade; Sell; Buy

Race; Blues; Naw Orleans; Parsonality.

Jacob Schneider

128 WEST 66TH STREET. N. Y. C.

THIS MONTH'S COVER is another in
the series of reproductions of the re-
markable paintings of Robert J. Lee.
This one bears the title "When the
Saints Go Marching In," and is used
through the courtesy of the artist.

18

FOLK LORE / FOLK SONG

a department

EDITED BY JAC HOLZMAN

EARLY FALL ROUNDUP

One of the difficulties in starting a column
of this sort, several years after folk LP's
have been issued rapidly, is that there are
many records you want to write about, but
just can't find space for. The records selected
for review this month were chosen because
something in the back of my head indicated
that there was a point to be made or because
they are just worth looking into.

COWBOY BALLADS sung by Cisco
Houston with guitar (10" Folkways LP
FP 22) Chisolm Trail; Riding Old Paint;
Diamond Joe; Tying a Knot in the Devil's
Tail; Stewball; Little Joe the Wrangler;
Betsy From Pike; Trouble in Mind.

This is the first LP of Cisco Houston
issued by Folkways. It is also one of the
finest records in the Folkways catalog. With
the exception of Diamond Joe, Tying a Knot
in the Devil's Tail and Little Joe the
Wrangler most of the material included here
is old hat. Yet, even though we may have
heard most of these songs in numerous other
renditions it is a pleasure to hear them sung
by Cisco Houston. His approach is as
straightforward as can be. The recording is
good with an extremely natural balance
between guitar and voice. Notes and com-
plete texts are included.

900 MILES AND OTHER RAILROAD
SONGS sung by Cisco Houston with guitar
(10" Folkways LP FP 13) The Brave Engi-
neer; The Gambler; The Rambler; R. R.
Bill; Worried Man Blues; 900 Miles; 'Get-
ting Up Holler; The Roamer; Wreck of the
'97; Hobo Bill; The Great American Bum.

More songs by Mr. Houston, done delight-
fully. They range from ballads of the rail-
road to glorifications of those who ride
without benefit of tickets. Again the record-

ing is good and complete texts and notes
are furnished.

MORE SONGS BY THE 20TH CEN-
TURY MINSTREL . . . RICHARD
DYER-BENNET (10" Stinson SLP 60) The
Three Tailors; Song of Reproach; Colorado
Trail; The Quaker Lover; Come All Ye;
The Charlestown Merchant; Where To;
Moonrise; Secret Love; Blue Mountain
Lake; The Lass From the Low Country;
Early One Morning.

A RICHARD DYER-BENNET CON-
CERT (10" Stinson SLP 61) Phyllis and
Her Mother; Old Bangum; The Leprechaun;
Oh No John; Lord Randal; The Ghost of
Basel; Jan Hinnerk; The Three Rogues;
Lincolnshire Pachers; Cockle Shells.

Richard Dyer-Bennet is a phenomenon in
the "folk" world. Here is a gentleman
whose approach to folk song is that of the
artist who consciously adapts his material
to his own style. And he gets away with it.
Fortunately he also has the good sense to
label himself as a minstrel or possibly a
"singer of folk songs" as opposed to the
folksinger who is a product of his environ-
ment.

These two LP's are in the first rank of
Dyer-Bennet recordings. They are all
reissues of material that had been recorded
some time ago but which for the most part
was no longer available. Of particular merit
in this varied selection of songs are fine
versions of Phyllis and Her Mother, The
Leprechaun, The Ghost of Basel, The
Quaker Lover, The Three Tailors and The
Lass From The Low Country.

The dubbing has been done quite effec-
tively and the recording is generally good
except for some surface noise. No notes or
texts.

SEEDS OF LOVE sung by Andrew
Rowan Summers with dulcimer (10" Folk-

ways LP FP 21) The Seeds of Love; My
Mother Chose My Husband; Plaint For My
Lost Youth; Hares on the Mountain; The
Farmer's Curst Wife; O, No John, No!;
Blow Away The Dew.

Andrew Rowan Summers has made four
LP's for Folkways to date and each one is
a gem. The Seeds of Love, though not
featuring the greater variety of material
that can be found in Hymns and Carols
(FP 61) and in The Unquiet Grave (FP
64), will still hold your interest.

With the exception of My Mother Chose
My Husband and Mary Stuart's Plaint for
her Lost Youth (which are both originally
French though sung here in English transla-
tions) the remaining songs are British bred.
Most interesting is the title song which
employs the ancient flower symbolism so
ofte.n found in folk song and poetry. Roses
are happiness, Thyme is the flower of youth
and innocence, and the willow tree represents
sadness and the sorrow that comes with
false love.

Mr. Summer's airy accompaniments on
the dulcimer add to the charm of this collec-
tion. The recording is a model of clarity
and is pressed on noiseless surfaces. Complete
texts but only fair notes are included.

SONGS AND BALLADS OF AMERI-
CA'S WARS sung by Frank Warner with
Guitar and Homemade Banjo (10" Elektra
LP EKL-13) Felix the Soldier; The Press
Gang Sailor; The Ballad of Montcalm and
Wolfe; Doodle Dandy; Paul Jones; The
British Soldier; Perry's Victory; The Battle
Cry of Freedom; The Twenty-Third; Vir-
ginia's Blood Soil; The Southern Girl's Re-
ply; The Old Unreconstructed; The Bonny
Blue Flag.

This LP was issued by the company for
which I am production supervisor and so I
will try to be as objective as possible.
(Continued on Page 19)

19

letters to the editor

Rebuttal by Lucas

To the Editors:

It is decorous no doubt to take one's
whipping without a whimper, and indeed
I could permit to pass without protest Mr.
Thompson's thrusts at my drumming on
Classic Jazz at Carleton. Alas, I am no
Dodds or Singleton. Nobody else is though
everyone ought to be. However, I can't
refrain from replying to several remarks in
his review of my Basic Jazz on Long-Play.

In general here Mr. Thompson's approach
is a familiar and facile one; it consists
chiefly of condemning something for not
being what it neither intended nor purported
to be. Such an argument is as fruitless to
refute as to pursue. It is with his particular
charges that I would concern myself, and
among them are some points I'm prepared
to concede. First, the Folkways Jazz Series
is a better all-around long-play collection of
basic jazz. Second, the excessive usage in my
little volume both of jargon and of hyperbole
is lamentable. And third, the distinction
between fact and supposition as well as
between individual opinion and collective
agreement is not always indicated with
sufficient clarity.

What troubles me are Mr. Thompson's
allusions to my theory of jazz and his sug-
gestion that I publish a more rigorous
account of this theory. In the first place
I do not specialize in theories, in the second
place the plan and purpose of my present
pamphlet do not provide very ample oppor-
tunities to theorize, and in the third place
such theorv as I do hold and my booklet
does contain seems perfectly plain. Perhaps
it is his misunderstanding of my essential
assumptions and elementary conclusions that
causes Mr. Thompson to question for
instance the wisdom of including both the
Crosbv and Spanier bands, but to me such a
misunderstanding can only appear deliberate.

Implicit throughout the book is the belief
I have elsewhere made explicit often enough,
that what really distinguishes jazz is not
simDly the improvisation but the collective
improvisation. Such a statement offers of
course neither novelty nor profundity; I
have been saying this in print for over a
dozen years now and I was by no means the
first to sav it. Therefore, though it is possi-
ble to differentiate as I do single musicians
or entire erouns according to race (Oliver
1923 and NORK 1923) and according: to
period (Oliver 1923 and Orv 1944), there
is a distinction much more basic that can
be drawn between bands of the same race
and period. It is what in 1939 separated
Bob Crosbv from Mugers-y Spanier. the
nature of the ensemble work, which was
lareelv orchestrated in one case and largely
improvised in the other. My theory, such as
it is, would contend that no arranged

ensembles can equal the best that are pro-
duced spontaneously. That is why only when
it came to solos could the Crosby band hope
to match the other four I chose as examples.
And furthermore I suspect that Mr. Thomp-
son knew exactly what I meant.

As for my overlooking the importance of
the rhythm section in setting the style of a
band, why (despite Mr. Thompson's views to
the contrary), I'm a rhythm man myself and
I did nothing of the sort. Moreover, style is
not to be confused with type. Bauduc helped
to set the Crosby style, certainly, but by him-
self he could do little to convert an orches-
tration into an improvisation. But ultimately
the reader must judge for himself, and he
could do so if in addition to the address
(Carleton Jazz Club, Northfield, Minnesota)
he had been apprised of the price ($1.00
Postpaid) .

John Lucas

Reply by Thompson

(Without wishing to whip up any ex-
tended controversy, we nevertheless felt we
had no choice but to allow John Lucas to
speak in defense of both his book and his
drumming. Furthermore, following standard
magazine practice, we felt it only proper
to show the Lucas letter printed above to
Robert Thompson, and to permit him to
answer it here. We trust that this wraps
things up, but if either writer or, for that
matter, any of our readers has anything that
seems pertinent to add, our pages are always
open to them. — The Editors)

On rereading my review of Classic Jazz
at Carleton, I cannot find any seriously
unfavorable evaluation of Mr. Lucas as
drummer. I still feel that the performance
of all concerned (Knocky Parker, Doc Evans,
and John Lucas) was not as relaxed and
free-flowing as it might have been had the
recordings not been made under concert
conditions.

I too am a drummer and have a special
sensitivity to the work of other drummers
and rhythm players. I have worked with
pianist Parker on a few occasions and find
him an exceptionally interesting, but very
difficult pianist to accompany. I have heard
other competent professional drummers work
with Mr. Parker and found them distracted.
If they tried not to be distracted, they
supplied an ineffective, gaudy, or tactless
rhythm. On these grounds it was suggested
that only the most exceptional musical
personality could be an important con-
tributer as drummer in the trio with Parker
and Evans. This is a consequence of the
way these two play together, the special

{Continued on Page 21)

folk

(Continued from Page 18)

These songs range from the French and
Indian War thru the Civil War and were
collected by Frank Warner over a period of
many years. He performs them exactly as
they were sung to him, capturing every
nuance of his informants' rendition (thanks
to his wife Anne and the ever present
recording machine). Most of the songs listed
above have not appeared previous to this LP.
If you'd enjoy listening to a bit of our
American history look into this record. I
would also suggest that you follow closely
Anne Warner's extensive explanatory notes
about each of the selections. The recording
is technically good and is supplied with a
set of complete texts.

HELEN TRAUBEL SINGS FOLK
SONGS AND BALLADS (10" Victor LP
LM 7013) Come Again, Sweet Love Doth
Now Invite; Lord Rendal; Greensleeves; He's
Gone Away; The Lonesome Road; Bygone
Tunes; I'm Wearin' Awa' John; Come To
the Sea; Come Back to Sorrento.

It seems that at some point in the career
of every concert artist they become deter-
mined to either do a recital of "folk songs"
or to bless us with a recording of same. The
general premise is that folk songs are either
"cute" (in which case they treat us to an
overdose of syrup) or that folk songs are the
"music of the people" and should be sung
with great vigor. The latter course usually
results in poor imitations of Nelson Eddy
blasting out Stouthearted Men. Miss Traubel
belongs to neither category. She is what I
would call a "muncher." She chews each
word, extracting from every syllable the
final drop of juice. Example: "Hees gone-a
awaaaay, Hees gone-a awaaaay for-a tooo
staaaay a leetle while," etc. Let's face it.
Miss Traubel's tremendously impressive
background as a trained professional singer
renders it almost impossible for her to get
any spontaneity into this type of material. It
all sounds rooted in a firm and unyielding
mold. Add to the natural limitations of the
Traubel voice for folk song, a set of pretty
overbearing accompaniments and you have
quite an accumulation of exactly nothing.

The notes are so-so, but the recording is
fairly good technically.

A whole group of records at one time
issued by the Library of Congress on 78's
are now available on LP. The several I
heard were extremely good dubbings of the
originals pressed on pure red vinyl. Out-
standing notes and complete texts accompany
each. If you are interested in a complete
listing of the Library of Congress recordings
now available on LP you can acquire same
by writing to the Recording Laboratory,
Folk Music Division, Library of Congress,
Washington, D.C.
Look into these:

Joe Hansen (Tempo LP) An unusual
voice with good autoharp accompaniment
sings some pretty ordinary songs.

Pirate Songs and Ballads sung by , Dick
Wilder (Elektra LP) Out-of-the-way material
fairly well presented.

O' Lovely Appearance of Death . . . Ameri-
can Folksongs of Sadness and Melancholy
sun? bv Hallv Wood (Elektra LP).

Cowboy Songs sung by Cisco Houston
and Woody Guthrie (Stinson LP).

20

solo on one number, You're Not My Kind,
by Freddy Webster; I leave comments on
Miss Vaugh to others. I know little of the
career of Webster, except that he was a
member of the famous Eckstine band with
Dizzy, Fats Navarro, et al., that he made
some other sides with Sarah (// You Could
See Me Now is one), and that he is reported
to be on some DECCA "Sepia Series"
sessions from the late 'forties. He left few
solos, and this is unfortunate.

Freddy Webster's work is important (at
the very least within its "school") in two
respects: first, he played with remarkably
straightforward and integrated feeling which
immediately communicates itself; second,
he had a bent for making interesting varia-
tions on the melody line rather than simply
on chord sequences. Furthermore, although
his harmonic sense was properly "advanced,"
he did not, as far as I know, indulge him-
self in anything that would not make music
that would at least sing.

Webster is dead, and any speculation on
what his remarkable lyric talent might have
added to contemporary jazz is therefore
going to be idle. (Allegro Elite 4006)
(M.t.W.)

shelly manne and his men, vol. 2

This record has come in for extraordinary
praise from some quarters, and it may have
some kind of influence. It is a collection of
six compositions for brass and rhythm by six
young Hollywoodites. Each in his own way
has interspersed a series of orchestrated
effects directly borrowed from Stravinsky,
Hindemith, Schoenberg, Bartok, etc., with
some syncopated solos of the cool variety,
and a pretty theme or two.

Because they are strung together with
little regard to context, development, form,
or need, the borrowed effects amount to
gimmicks; they represent a misunderstand-
ing, it seems to me, of how, why, and when
the "serious" composer has arrived at them
and used them. The cool solos are something
of a relief when they come, but they raise
an old problem. For the most part they
don't swing; they are played without any
integrated rhythm, as the drummer beats
away behind them.

The liner notes were written by the com-
posers. They do not seem to be aware of
the tradition within which they intend to
work. Another old problem. But if they do
not wish to let such as Eddy Condon or
the Firehouse Five explain any traditions to
them, can we blame them or say that they
are wrong? (Contemporary C2511).
(M.T.W.)

records noted

(Continued from Page 16)

records, in literature, and on ledgers as (and
we list them for your consideration) : Frog-
I-More Rag, Froggy Moore, Froggie Moore,
Froggy More, Froggie More, Foggy Moon,
and Sweetheart O'Mine. Happily, the album
notes don't try to account for this. (River-
side RLPs 1038, 1041) (R.L.T.)

kid ory's Creole band

Savoy Blues/Ballin' the Jack/Dipper-
mouth Blues/High Society

johnny wittwer trio

Tiger Rag / Joe's Blues / Wolverine
Blues/Come Back Sweet Papa

We are happy to welcome the notable but
scarce Exner recordings of 1945 upon the
occasion of their reissue by Jazz Man. We
are also happy to welcome Jazz Man back
into production.

The Ory band of this period featured
Mutt Carey, cornet ; Joe Darensbourg,
clarinet; Buster Wilson, piano; Bud Scott,
guitar; Ed Garland, bass; and Alton Redd,
drums. Ory's flamboyant trombone and
Carey's wailing vibrato are the chief atten-
tion-getters, but everyone else is every bit
as magnificent. The band plays with a gay
ferocity that is seldom rivalled. These sides
are particularly to be cherished for the
presence of Buster Wilson, among the great-
est of jazz pianists in the Jelly Roll Morton
"school." This is real down-to-earth stuff
for those with a not altogether suppressed id.
Our only negative finding concerns the
frequently repeated break on Jack. Ideally,
the breaks could have been used for more
varied developments. The element of
monotony perhaps serves a special esthetic
purpose. If so, it is obscure.

The Johnny Wittwer trio (Wittwer,
piano; Darensbourg, clarinet; and Keith
Purvise, drums) alternates with the Ory
group. Wittwer displays the influence of
Morton and ragtime in a most successful
manner and Darensbourg, one of the finest
New Orleans clarinetists, is never disap-
pointing. Purvis plays discreet but forceful
drums and is a credit to the occasion. (Jazz
Man L.T 332-X) (R.L.T.)

jerry fisele's windy city six

Ain't Gonna Give Nobody None of
My Jellyroll / Hangover Lament /
When the Saints Go Marching In/
Royal Garden Blues/Lonesome Road
/San Francisco Bay

The Windy City Six hails from St. Louis,
Mo. where they have been in the dixieland
business for some half-dozen years. Since the
fate of traditional jazz in the years to come
rests with young groups like this, it is
especially important that we give them our
attention and encouragement. The Windy
City gents seem right on the verge of
blossoming out with a distinct and profes-
sional jazz style so now is the time to back
them as be»t we can.

An eclectic dixieland style is currently
featured. Inspiration appears to be drawn
from the Condon school, young New Orleans

bands (Basin Street Six and Dukes of Dixie-
land ) , and perhaps from the west coast
groups (Scobey, etc.). San Francisco Bay
invokes a joyous and relaxed feeling that
exceeds anything else on this LP. Perhaps
it is all in the spirit and relative freshness
of the tune. Royal Garden and Jellyroll also
indicate a fine collective feeling. It is
difficult to sustain interest in Lament and
Lonesome. Although each musician plays his
part quite well, some difficulty to specify
internal building seems to be missing. Saints
gets off to a pleasant start but soon gets
out of hand.

Pianist Bob Dorries is not only outstand-
ing in this group ; he would be outstanding
in any group as a gifted jazzman with a
touch of ragtime inspiration. The rest of
the band — cornetist Bob Sprecher, trom-
bonist Skip Diringer, clarinetist Sam
Gardner, bassist Wally Eckhardt, and
drummer-leader Jerry Fisele — are all com-
petent and occasionally spirited musicians.

We hope that we can watch bands like
this develop into contenders for high honors
in the jazz world. One efficient path is by
way of initially written arrangements or
well-memorized head arrangements. Another
is by way of a common dedication. All, of
course, with the ability to execute the ideas.
Nothing can be less gainful than gross
disagreement on matters of style or the
absence of a particular goal or model. We
are looking forward to more from the Windy
City Six on the new Delmar label. (Delmar
DL-101) (R.L.T.)

backgrounds of jazz — vol. 2 —
country and urban blues
ida may mack

Mr. Forty-Nine Blues/Elm Street
Blues/Good Bye Rider/Wrong Doin'
Daddy

bessie tucker

Got Cut All to Pieces/Fort Worth
and Denver Blues/Fryin' Pan Skillet
Blues/Penitentiary Blues

Volume 2 of the "Backgrounds" series
brings us two relatively obscure blues singers,
each accompanied by the obscure pianist,
K. D. Johnson. There is nothing obscure
about the music, however. These two ladies
sing the blues with deep feeling and per-
suasiveness. While not rivalling Bessie Smith
or Ma Rainey, there is a wealth of folk
tradition naturally imbedded in their work.

The album notes feel compelled to make
a case for a discrimination between rural
and urban blues in this pre-commercial
period (1928). Such distinctions are proba-
bly useful in pointing up the gradual effects
of musical "education" on the development
of styles.

By now, it may go without saying that the
jazz student should develop an understand-
ing of the traditional blues. Here is found
not only much of the source material for
jazz, but a transcultural emotional experi-
ence that helps enrich our social wisdom.
("X" LVA-3016) (R.L.T.)

sarah vaughn sings

This is a low-priced LP made up of
several sides which were originally made for
Musicraft. I bring it up because of a trumpet

the record changer

editor-publisher

bid grauer, jr.

managing editor

orrin kaapnaws

circulation

fan* grauer

art director

paul bacon

21

Reply by Thompson

(Continued from Page 19)

problems that they present to a drummer.
It is a recommendation for a special machine
for a special job.

It is unfortunate that one cannot say all
that one might in the course of the average
record review. The reader-at-large is left
with the problem of deducing from accu-
mulated writings, the reviewer's overall pre-
dispositions. I feel that an important aspect
of jazz playing is in the individual's own
food time and I do all that I can to
encourage this attitude. In a review I must,
however, attempt to estimate the interest of
a record for the diffuse record-buying public,
and particularly those who have come to
associate my preferences and values with
th°ir own.

And now, on to Mr. Lucas' dissatisfac-
tion with my review of his book, Basic Jazz
on Long Play. The points which he concedes
above are the most important and I need say
little more about them. His accusation that
I hnve "deliberately" misunderstood parts of
his development demands attention.

First, let it be made clear that if by
"deliberate" is implied something malicious
or an attempt to find a rhetorical straw man,
I simply deny such intentions. If by "deliber-
ate" is implied that I did not go to great
pains to discover just what it was that Mr.
Lucas meant or wanted to mean in, for
example, his distinction between the Bob
Crosby and Muggsy Spanier groups, I agree
that I did not. I do not feel that the
circumstances warranted an extensive study
of Mr. Lucas' ideas. Furthermore, I dislike
being presented with puzzles to solve as part
of a routine book reviewing task. I think
that the Crosby-Spanier point is made quite
clearly in Mr. Lucas' letter, much more
clearly than it is made in his book. It is
made so clear that I can with assurance take
some exception to that part of it which
states that ". . . no arranged ensembles can
equal the best that are produced spontane-
ously." This is a statement of faith, not of
objective study. Most of us will probably
go along with this faith, but it needs
clarification of the meaning of "arranged."
"best," and "spontaneously." The "arranged"
iazz that is found in Morton's Red Hot
Peppers should give us pause to consider
how smctlv we ?hall regard the act of
arranging as limiting jazz value. The term
"best" is always peculiarly elusive and
personal. Care is required in its use. The
notion of "spontaneity" in jazz has the ear-
marks of a myth. Realizing that this is a
radical statement, I shall try to temper it
pome. I agree that iazz is often improvised
and that new variations arise without readily
identified precedent. But I do not believe

that something can be created from nothing.
There must be some experience to draw
from, some once learned patterns to employ,
some model in mind. Without this, some-
thing purely "spontaneous" would be
mathematically random, and the music
completely haphazard or chaotic. If the
music does have order, it cannot be
spontaneous in this sense. This is perhaps
an excessively academic analysis and may be
uncalled for in the present case. Neverthe-
less, what I have tried to point out here as
in my book review is that the messages
carried in a book and in these pages have
some pedagogical function and writers must
assume some responsibility and care not to
misguide readers and learners. Shall we have
a jazz neophyte reject the Red Hot Peppers
as less than the "best" because they play
arranged music, or shall we be careful to
properly modify or define our important
terms?

In any case, I do not feel that the review
of Basic Jazz on Long Play was funda-
mentally unfavorable. It was harsh, but I
would be more harsh in discussing some
better known and more influential books on
jazz. I do not think that Basic Jazz is as
important a contribution to jazz literature
as Mr. Lucas can give and has given. I am
sure that Mr. Lucas did not intend it as
such. Mr. Lucas is an excellent jazz scholar
with a good and well-earned reputation. I
am, however, impatient with others as well
as myself when we write much and add little
toward organizing an area filled with un-
necessary and harmful confusion.

Robert L. Thompson

Pro-Lucas

Dear Sir:

It seems to me that the review of John
Lucas' book, "Basic Jazz on Long Play,"
appearing in July issue of Record Changer,
was picayunish in the extreme. Few books
on jazz, so mercilessly dissected with the
scientific thoroughness of a criminologist,
could survive such treatment! Whatever
faults this slender volume may or may not
have, do not warrant, in my opinion, such
a diatribe as delivered by your reviewer.

Possibly some of the difficulty may lie in
the fact that this book was originally a series
of lectures designed primarily for a specific
audience. As such it has admirable qualities.
It is precise, and backs up a statement with
a definite recorded example. The reason
such terms as "coda," "vamp," "break," are
not clearly defined is apparent; for these
terms would naturally be illustrated in the
musical examples played. . . . Nevertheless,
(all) are defined in Webster's Collegiate
Dictionary. . . . Resorting to a dictionary
occasionally never hurt anyone! The style
is purposelv informal ; tailored to fit the
original audience. . . .

it is certainly within the rights of your
reviewer to excuse his attack on this book
"in the interest of raising the standard of
jazz studies"; hut it does remain a puzzle
as to why he should begin his campaign by
picking out this little volume, for microscopic
scrutiny, from the many existing works on
iazz currently available. Among numerous
books I have read on the subiect. this one
has a more practical approach than most.
Omissions are inevitable in a manual this
size.

It should be appreciated that John Lucas
is rendering a real service to jazz by present-
ing it in a palatable manner to the students
under his tutelage. I only wish there were
one of him in everv college across the land!

Sincerely. Su*an Chappell
Winnipeg, Manitoba, Canada

Anti-Reissue

Dear Sir:

What Now Little Man? What are we
going to do? Reissue, reissue, and more
reissues !

Once upon a time I had a few very old,
rare and valuable collectors, items. You
know: some of those old King Olivers, Arm-
strongs, Bix, Bessie Smith and Glenn Miller.
Now what have I got? Not much to brag
about, that's for sure. Now don't get me
wrong. I still pick up plenty of the old jazz,
but I'll tell you for sure, this reissuing . . .
is sure taking the thrill out of the hunt,
also the profit.

If you pay over $1.00 now you take a
chance of being stung. I guess all that's left
is to branch out in some other phase of the
collecting field. ... Of course I could start
on Lombardo, but I doubt if I would live
long enough. Bing? No, I have quite a few
of his already. Guess I'll have to turn to
piano rolls.

All kidding aside, what are you going to
do? . . . The point of this letter is not
meant as a gripe, but just: what's next?
I don't know, guess if all else fails I can
always turn to hillbilly. Me for the good old
days when you could go into a junk shop
and dig out an old Okeh or Gennett, keep-
ing a straight face while paying the man a
dime for "the old, worn-out record," all
the while knowing you were sure of at least
ten bucks in return for your dime. Man, oh
man, them were the days, mean old
mercenary me! Ha. Reissues, reissues,
reissues, and so on into the night.

(name withheld)

(This anonymous letter — the author in-
cluded his name, but signified a wish not to
have it used by signing the letter with an
"X", apparently unaware that that's the
name of a label releasing a great many
reissues — is the first expression of this
particular sentiment we have yet come
across. We frankly feel that the writer is
merely a would-be dog in the manger, and
find the general availability of as many early
recordings as possible to be far more signifi-
cant than the maintenance of a source of
high-percentage profits for a few collectors
like Mr. X. This should be obvious from our
intense reissue activities, but it's presumably
possible that others share Mr. X's feelings, if
not for exactly his motives. We would
certainly think it important that Changer
readers express their views on this rather
basic subject. — The Editors)

WANTED

CONTACTS FOR OBTAINING SMALL
LABEL CURRENT RECORDS.
(JAZZ, RHYTHM & BLUES, RACE ETC)
FOR EXPORTATION IN EUROPE
WRITE TO

YANNICK BRUYNOGHE
8, RUE DE LA FOURCHE
(GALERIE DU CENTRE)
BRUXELLES, BELGIUM

WILL SELL MY COLLECTION OF APP.
440 BING CROSBY 1926-1947,
NOS, & COND. ON REQUEST •
ALSO CARUSO, MC CORMACK, AUSTIN
LUCAS, 7,000 OTHERS.

DUKE CANAPP

R2, BOX 6|2

REISTER6T0WN, MD.

22

aaron Harris

(Continued from Page 11)

as anything that exists, or that the "modern-
ists" imagine exists, in traditional jazz.

Science can supply objective criteria for
wrong and right, and for the more effective
ways of doing certain things. No such condi-
tion exists in art or music. Certain writers
have gone overboard in reinforcing a mysti-
cal creative power that they believe exists
in jazz players. The jazz players have in
turn acquired the illusion that their devia-
tions in taste and judgment, and even their
outright errors, are creative acts.

There is also a metaphysical quality
called "swinging" upon which Sutton and
others place a great deal of the burden of
rationalizing their endeavors. "Swinging"
refers to more than what the better defined
"Swing" bands do. According to current
usage, "swinging" is simply what a music
that one likes does. In short, it has no
objective meaning beyond the speaker's
personal opinion. We think that King
Oliver's Creole Jazz Band Swings. Sutton
does not. We, However, also think that
Sutton's band swings.

. . . Ole Aaron is now back, and ready
to recount a curious incident, a propos of
(R.L.T.)'s comments. We were listening to
Chet Baker's recording of Little Old Lady
(Pacific Jazz LP-9) and agreed that it meant
little to us if we took it as serious and
important music. When we decided to take
an attitude of listening to it as a parody of
a popular tune, it became delightful, mean-
ingful, and a valued item in the record col-
lection. Maybe too many musicians take
themselves too seriously.

We were appalled by the Mahalia Jack-
son program on WCBS, Sunday nights at
10 p. m. She became a pawn in the hands
of a smooth-talking announcer and some
frilly, commercial, supporting singers. Ap-
parently someone thinks he can make a kind
of Jo Stafford out of her. We hope that she
stops cooperating or that CBS gets wised-up.
It is nothing short of a crime that such a
great artist is given such trite material and
ridiculous support.

We were almost as appalled at the You
Are There TV program on the beginnings
of jazz. The ODJB sequence was reasonably
good but the rest was filled with anachro-
nisms and such ugly events as the appearance
of drummer Barrett Deems in blackface,
allegedly a part of the King Oliver band in
New Orleans. Something is grossly lacking
in technical advice and we can no longer
excuse it on any grounds.

Turk Murphy's New York debut at Child's
Paramount has been a howling success and
the most refreshing thing to hit the local
musical scene since Reisenweber's day.
Numerous conversions have been made and
we hear from unreliable sources that
Columbia's Murphy LP's are outselling
Liberace. The rest of the N. Y. scene is
more routine with the usual Stuyvesant
Casino and Central Plaza weekend sessions,
Wilber De Paris with Slick Jones replacing
Zutty Singleton at Ryan's, Phil Napoleon at
Nick's, Eddy Condon at Eddy Condon's,
and everybody under the sun at the Metro-
pole. Thursday through Saturday sessions
continue at the Riviera (opposite Nick's).
Among the more-or-less regulars are clarinet-
ists Tony Parenti and Jack Sohmer, and a
nromisine vounef trumpeter, Mike Stein.
Frank Gillis (piano), and Al Bandini
(trumpet) are always on hand.

We hear that each of the members of the
ODJB, or their estates, obtained royalties to

the tune of $1800 since the Les Paul record-
ing of Tiger Rag.

The Dixieland Rhythm Kings are playing
down New Orleans way. Ex-Castle Jazz
Bander Monte Ballou is said to be joining
Doc Evans as banjoist. Carl Halen's Gin
Bottle Seven banjoist — Jan Carroll — turned
down an offer to travel with the Turk
Murphy band.

Several readers volunteered additional
personnel for the Aaron Harris "name"
band. Trombonist Elmer Crumbly was our
favorite with bassist Rowland Bundock. a
close second. Thanks to Paul Sheatsley (not
a bad name either) for these.

While picking among his record heaps,
Uncle Aaron was most happy to rediscover
the Fletcher Henderson record of How Come
You Do Me Like You Do. Some great Louis
Armstrong is to be heard here. We find it
interesting to note similarities between Arm-
strong's early Sol or Gully Low Blues and
his latter tune. Brother Bill. There is also a
close kinship between Clarence Williams
recording of Let Every Day Be Sweetheart's
Day on Vocation and the chorus of Sobbin'
Blues.

benny frenchie

(Continued from Page 11)

produced a really hilarious Melancholy
Baby?

Benny's "wouldn't you like to have been
there when" department: The afternoon in
Paris when Charlie Parker and Sidney
Bechet had their cutting contest and The
Bird was gassed by Bechei's High Society
choruses? Or the evening in New York when
Bunk Johnson sat in with Gillespie's big
band, and ended by asking Dizzy what his
music was for?

Maybe you would like to hear the other
Bunk story about the night the old man
strolled into a 52nd street joint, grabbed Roy
Eldridge's horn, blew the highest note he
could on it, proceeded to the street where he
made a public speech on top of a beer case
to the effect that it was all a fake and a gyp.
The man has a mouthpiece no bigger than a
straw, I'm 78 years old and I can blow a
high F on it, etc. The crowd he gathered
was delighted and the crowd included Roy
Eldridge who was convulsed at the whole
thing.

Decca following Benny's suggestion, has
released a very wonderful LP by Louis and
The Mills Brothers. Ah, fame! Get one.

One of Benny's spies who is regularly
assigned to Birdland reported that a young
pianist named Horace Silver (a Blue Note
artist, the m.c. said) played a jump blues
which began with a couple of choruses of
riffs and then lapsed for a couple more
into See See Rider. Ah, progress!

A fellow calling himself "Herm" recently
reported in Variety that Buck Clayton used
to play with Benny Goodman "in the old
band." Which old band was that, Herm,
the one when Harry James was playing
with Benny Moten?

If you missed the two part (August 11
and 25) "Blindfold Test" of Louis Arm-
strong in a certain rival publication over
the summer, Benny recommends you get
with it. And Lillian Ross' account in the
August 14 New Yorker (we can certainly
mention their name) of the Newport Jazz
Festival was a gasser.

bad sam

(Continued from Page 11)

cast continued for another full hour. The
Duke, incidentally, had brought the then-
unissued "Ellington 1955" LP along with
him (as well as a couple of Capitol execu-
tives) to provide real kicks for the listeners.
Smart jazz f^ans needed only to flick the dial
a little ways over to a relatively new after-
noon show, where, a few minutes later, lo
and behold, Duke Ellington arrived on the
scene, and spent a half hour talking music
and spinning the disc for a more understand-
ing and cooperative announcer.

The Kid Ory band has lost clarinettist
Albert Burbank, who returned home to New
Orleans. There seemed to be a good chance
that Joe Darensbourg would rejoin Ory until
a "friend of the Band" raised highly personal
objections ; Darnell Howard seemed possible
at press-time, but far from certain. If Ory
could run the show himself, with help from
"Ram" Hall and Ed Garland, plus Don
Ewell, he would have easily the nation's best
traditionally-styled band. Another case of not
letting musicians create what they want the
way they want.

Bad Sam and an impressively large per-
centage of the "hard core" of the two-beat
devotees of the S. F. Bay Area wonders what
Columbia and Avakian are up to in issuing
two ten-inch Turk Murphy LP's of Morton
tunes, with much too highly excited album
notes and dubious care taken as to releasing
only the best. Let's hope this isn't the begin-
ning of a trend which will consist of telling
the record buyer a certain band is good
over-and-over until he starts believing it. All
it does is make the road that much harder
for the musicians concerned ; in the case of
the thin-skinned Murphy, it just makes it
more of a difficulty to accept criticism.

Rumors are afoot concerning a Bay
Region Ragtime Concert, with possible pro-
duction of parts of Scott Joplin's opera
"Treemonisha," and a number of out of
the ordinary acts. Probable date : November
or December.

The San Francisco area is jumping as
never before, with always a half dozen good
jazz spots presenting top names in the
business. Best indication, to some, is the
fact that Ralph Gleason gets two week day
jazz columns, plus a full page Sundays in
the San Francisco Chronicle. Bad Sam
wonders if perhaps Gleason hasn't helped
the bands as much as the bands have helped
him.

Who says Frisco hasn't got cool jazz? . . .
from his hotel to the Hangover Club, next
door, bassist Walter Page each, foggy August
evening wore a topcoat and muffler.

23

continuing the disposal of a
great record collection. jazz,
swing, blues, sweet, personality
from the late '20s on. hundreds
of oddities and a few of the
commonplace (alas) however one
man's commonplace is another's
prize. indulge yourself in this
bath of blood ( ie 25c minimum
bid auction).

List #2 now ready featuring
all above phases and includes
a large section on british and
european jazz, sweet & unusual.
list #3 in preparation and will
continue the above including
v discs and 45rpm.
you are on my mailing list if
ycu have correspondeb or
requested my li st # i. others
must request.

R. LEE BATTLE
BOX 9l82 CHARLOTTE 5,N.C.

farey

(Continued from Page 10)

path, he shows no tendency to deride other
forms. Having listened to, collected and
even played several different varieties of
jazz, his eventual choice seems to be a
solid, sober and — -for him — inevitable one.)
But through his entire Navy period, Ev re-
ports, he faithfully carried with him 12 of
what he considers the greatest group of re-
cordings ever made: the Lu Watters band's
West Coast sides.

In London he also studied musical theory
and harmony, with a private tutor, and it
was also in London that he met his wife.
In 1950 he was discharged and married
(the full Farey family now includes two
boys, one aged three-and-a-half years and
the other born about three months ago — at
roughly the time that his father was getting
his first break with the Murphy band).

As a married man, Ev decided that music
was too unsettled a career, and relegated it
to a sideline. But after he had worked at
a variety of jobs, including a year as
manager of a pet shop, he found the pull
of jazz getting increasingly strong. Last
Fall, when his old transom-lifting sidekick,
Newbauer, was released from miliary serv-
ice, Farey began doing a lot more playing.
There were pick-up sessions at various
homes, with the group including a tuba
player who was a professor at the virus
laboratory at the University of California
and a pianist named Bill Mulhearn, who
was also manager of the Italian Village.
Then Farey finally decided to take the big
step and formally turned professional. He
had been playing various jobs with New-
bauer, including a stint at the Larks Club
in Berkeley, for about six months, and was
beginning to attract a good deal of local
attention, when lightning suddenly struck:

Ev was invited to sit in with Turk's
band at the Italian Village. As Turk ex-
plains it, they had just about despaired of
finding the right horn before starting on the
Eastern trip. But they had been hearing
reports about this still-rough, but con-
stantly improving young cornetist. Finally
the reports, including one by their own
manager, Charles Campbell, indicated
enough progress to make Farey well worth
a try-out. So they started putting him
through the paces of their repertoire. Ev
recalls that they happend to begin with
Smoky Mokes (which just happened to be
a favorite of his and a number he knew
thoroughly), followed by one or two others
that, as a long-time follower of the Watters-
Murphy San Francisco style, he was familiar
with. But then, just when it might possibly
have started +r seem easy, they :'threw a
bunch of rags at me that darn near killed
me."

But Farey obviously went over big with
the band. Murphy called the next day to
tell him as much. Ten days later he had
been hired, and in about two months, had
taken off on the first extended tour of "the
only band I would have left home with."

Ev's personal musical tastes are easily
enough indicated by noting that he has
fitted amazingly well and amazingly quickly
into the midst of this highly integrated
group. (On the ba> Istand at Childs Para-
mount he was still reading his part in many
arrangements — not at all surprising when
you consider that there are by now several
hundred non-standard arrangements stored
away in the minds of Murphy, Helm, Rose
and Short — but as that engagement pro-
ceeded, he was clearly learning more and

more of the band's large basic repertoire).
He is extremely happy to be playing un-
hackneyed tunes, and to be with a group
that "plays the rnelody, not just chord
progressions." His firm, clear, relatively
unembellished style would seem to be mak-
ing that happiness quite mutual, as far as
his colleagues and their audiences are con-
cerned.

Farey is young, is still learning, is still
being assimilated into the group. But he
appears to be very definitely on the road
to an important role in the San Francisco-
style scheme of things. Turk puts it this
way:

"Here's a man who has learned his horn
thoroughly to begin with, and learned to
read well, which are things so many young
musicians fail to do. He fits in well with
the band — he's a hard worker, like all the
rest of us, and this is a band that will keep
him on his toes. And anyone who gains so
rapidly, especially with such difficult ma-
terial as ours, is bound to have a big
future."

Those who have had or will have the
opportunity to hear Farey in person, or
when his first records are released, are an
odds-on bet to agree that Murphy has not
overstated things even slightly. To borrow
the terminology of a sister publication
(name of Down Beat) which runs an an-
nual critics' poll to determine such matters,
here is a "New Star" in the fullest sense
of the words.

— Orrin Keepnews

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I MM ED I ATE ATTENTI ON
BOB COLT ON
680 WILLOUGHBY AVE.
BROOKLYN 6, N.Y.
LEN KUNSTADT, ASSOCIATE

MONTHLY DISPOSITION LIST
OF 300 TO 500 ITEMS MA (LED
OUT REGULARLY.

SEND ME YOUR NAME AND ADDRESS
TO BE INCLUDED ON MY MAILING
LIST.

JENNY DE CARLO
16 EAST 176 ST.,
BRONX 53, N.Y.

WANTED
VICTOR 24,000 SERIES
BRUNSWICK 6,000 SERIES
ALL BLUE SHELLAC C0LUMBIAS
COLUMBIA D SERIES 2,000-3,000
SWEET BANDS ON OTHER LABELS
WILL TRADE GOOD JAZZ OR SWING
FOR THE ABOVE OR PAY CASH
JACOB S. SCHNEIDER
128 WEST 66 ST.
NEW YORK C ITY

Sctfiend 84 PAGE

V-DISC CATALOGUE

$2.00 Each

THE RECORD CHANGER

418 West 49th Street New York 19, N. Y.

24

HOW THE RECORD CHANGER WORKS:

Abbreviations used in the Classified
"Wanted" and "For Disposition"
Sections are as foHows:

Col I, Record Label:

Wken it & n*c«uary to indicate nationality* of
tfca record, the following SeWers appaar after
the record label abbreviation:

A AhjtatiftM G

Aa AustraliM I

B Brazilian i

C Canadian M

E EnflisJi S .

f French U

Gc
Italia*

Mtaicaa

. . Swiss
SwHIs*

In the "For Disposition" section the condition
of tha record is indicated by these abbrevia-
tions:

N (New): Surface noise equal to an unplaced
record: no visible or audible wear perccp
Uble; original finish intact.
B (Excellent) : Surface noise low. smooth, uni-
form. Not irregular or crackling. Easily dis-
regarded in listening. No perceptible dlstor-
•y »n.

V (Very Good): Surface noise somewhat
more prominent; light foreign noises, but
slight distortion, if any; noises not seriously
distracting.

O (Good): A moderate amount of surface
noise; background may be somewhat irregu-
lar and crackling; some foreign noises, and
a little distortion; on the whole, reasonably
satisfactory listening without undue distrac-
tion of attention. Foreign noises definitely
less prominent than the music.
W (Fair): Foreign noises, taken together, are
about as prominent as the music, and there
is considerable distraction of attention, and>
listening requires some effort and concentra-
tion: nevertheless, under these conditions,
listening should be fairly satisfactory.
P (Poor): Foreign noises, collectively, are
louder than the recorded music; continuous
concentration is required, and there Is little
satisfaction in listening.

argojjohnny argo,60 tolman street w. newton 65, mass,
aver:ray avery's rare records 663 | hollywood blvd, hollywood 28 calif.
Barrjd.f, Barry 43-34 2i7th street bayside new york
bone ir i chard b0nesteel |409 mcgilvra blvd , seattle 2 wash,
broc 'stuart brockbank |89a station lane,hornchurch, esses, england
coll 'collectors records, 90 lower rathmines road, dublin ireland
colt:bob colton 680 willoughby ave., 3rklyn 6, n.y.
deanijames p. dean, |56 galt ave., toronto 8 ont canada
glbbtc.w. gibbs, lab tv 247 wesy 46th street nyc 36 ny
qoldjdave goldberg 226 hampden road upper darbt penna,
Hear jw i ll roy Hearne i047 west 97th street los angeles 44 calif,
jols: jolsonai rs memorial club, 1 329 west morgan ave,, milwaukee |5 wisi
jmrs:jazz man record 8h0p, 2689 w. pico blvd., los angeles 6, calif,
Kapt:Manuel KAPTANIS 535 WEST I35TH STREET NYC NY
Lane: Harry l. lane M803 findlay ave., Detroit 5 mich.

LEUT:R.W. LEUTHAUSER 47 HAWTHORNE PL. , SUMMIT N,J,

Lindsjim Lindsay 552 n highland ave., indpls ind.
Long ielwood long 53 i corwin street dayton 3 ohio
maha:forrest g. mahannah 20599 ALMAR DRIVE, CLEVELAND 22 chio
NfCH; HARRY NICHOLS 5822 BROOKLYN, DETROIT 8 MICH.
ORLAUAMES ORLANDO , D ICKERSON RUN PA,

Parr ;S id farry 574 west |76 street nyc 33 NY
romasmichael p. romano 35 linden street new london conn.
salm1andy salm 74l2 |2th ave., brooklyn 28 n.y.
Schi;d.p. schiedt 4005 no adams Indianapolis Indiana
scri 1paul scriven , |29 vienna ave., nl les ohio
sear i john search 58| reed street columbus 23 ohio
smit:b0b smith jr., 203 west 2nd street frederick md,
sturjralph j. sturges 1 3 1 washington street hartford 6 conn,
thorileslie thornton |2760 s.w. fielding road, oswego oregon
thcpsbarrie thorpe , 42 i s. wesley oak park ill.
Wend: Roy wendell, engine 4, m.f.d, riverside ave., medford 55 mass,
transtranscr iptions p.o.. box 8061 portland 7 oregon
Closing date for auctions is Dec, 2nd,

RECORDS WANTED

9 AM INTERESTED IN BUYING OUTRIGHT

small or large collections of Jazz, Sweet, Swing, Personality, Blues,
Bop, or Pops.

/ will pay spot cash for such collections.

If you have a collection you wish to dispose of, please write,
giving full details of the collection, type, artists included, labels,
and most important of all please describe the condition of the
records carefully.

Then set your lowest price for the lot. I do not buy piecemeal but
will take all or none.

write, Wire, or phone

BILL GRAUER. Jr.

4l8 West 14.9th St., New York 19, N.Y.

25

25^ MINIMUM BID

THE RECORD CHANGER

BOX 92 THE RECORD CHAN8CR 4|3 W. 49TH ST
NYC I 9 N.Y.

25^ MINIMUM BID

MINIMUM BID IS 25/ PER RECORD. CONDITION GUARANTEED. PLEASE BID BY NUMBER TO THE LEFT OF THE COLUMN. PLEASE BID ON POST CARD IF POSSIBLE. RECOR06 WILL BE 6HIPPEB
VIA RRX CHARGES COLLECT UNLESS YOU REQUEST PARCEL POST AT YOUR OWN RISK, AD 25/ FOR PACKING CHARGE. WINNERS WILL BE NOTIFIED TO SEND REMITTANCE, RECORDS WILL
THEN BE SHIPPED. CLOSING DATE IS DECEMBER 2ND.

LARRY ADlER WITH JOHN KIRBY ORCH

HAND TO MOUTH BOOG I E/BEG I N BL!S U I UL 233 1 9 E+

.BEGIN BEGUINE/HAND TO MOUTH BOOGIE OE 233|9 N— /

ALL STAR SEXTET

.CONFIRMATION/FIRST GEAR NJ 801 E+

, FIRST GEAR/CONFIRMATION NJ 80 1 N

MY MELANCHOLY BABY/jUST ROLL ALONG VI 2|2|2 E
ALBERT AMIDNS 4 H IS RHYTHM KINGS

.MILE OR MO BIRD RAG/EARLY MORN IN BLS DE 975 V

.SWEET PATOOTY BOOG I e/hRT OF TEXAS BOOG I EMER 5009 E

SHOUT FOR JOY/BEAR CAT CRAWL

s.p. bl/biroshima
GENE AMHONS

0. 5.EMANSK l/E-A-A-K BL

1. U CAN DEPEND ON Me/bL UP 4 DOWN
ARKANSAW TRAVELERS! NICHOLS)

2. ANY WAY WIND BLS/SHE LOVES ME

CO 35961 N—
MER 8063 E-

MER 8096 Et-
PRE 709 E+

OK 40 1 83 E+

LIL ARMSTRONG

3. SIT DWN STRIKE 4 RHYTHm/kNOCK I N CABIN DE |272 V+
LOUIS ARMSTRONG

4. HOTTER THAT/SAVOY BLS

5. GEORG I A BO Bo/dROP THAT SACK

6. WILD MAN BLS/MELANCHOLY

OK 8535 V=
BR 80060 N
BR 80059 N
OK 8261

7. GUT BUCKET BLs/ YES IN BARRELL

8. IF YOU WANT BE SUtAR PAPa/gOIN HUNTINGHJCA 39 N

9. HIGH SOC I ETY/GOTTA RIGHT SING BLS
20.BLK 4 BLUE

I. WHEN SLEEPY TIME DWn/|LL BE GLAD WHEN
22. BLUE TURNING GREY/SONQ OF ISLANDS
23.1 WONDER WHO/THATS MY HOME

24. HUSTLI N 4 BUSTLIn/sITTIN' IN DARK

25. HOME/ ALL OF ME ROYAL BL

6771
TEST E+
OK 4|504 V
OK 4|375 V
BB 6644 V
BB 7506 E-
CO 2606 V+/G

1408 V-
OK 8680 G+
OK 4|504 v/f
OK 41504 v=
BR 80062 N-

DUB
DUB

BR 8 189 V-

HA 4|2 V+

GLD
MU

MU

26. rockin chair/swthrts ON PARADEROYAL BL CO 2688

27. HEART FULL RHYTHm/ ALEX RAG BAND

28. BEAU KOO JACK/ MAHOGANY HALL STP
29.SLEEPYT IME DWN So/ U RASCAL U
30. GLAD WHN U DEAD RASCAL u/sLEEPY (it 10 )

I.SANTA CLAUSE BLs/ TERRIBLE BLS
ARTISTS? ? 1
32. FAT FANNY STP/ JUST MY LUCK
33. OLD JOE CLARK/ BROOKLYN

FREO ASTAIWE f. RAY NOBLES ORCH

34. CHANGE PARTNERS/ USED BE COLOR BLIND
THE ASTORITES

35. ME 4 MY SHADOW/HALLELUJAH
GEORGIE AULO

36. SWTHRT OF ALL MY DRMS/GEORG I E PORGIE

37. HONEY/AIR MAIL SPECIAL

38. ARI MAIL SPECIAL/HONEY

39. CONCERTO FOR TENOr/tAPS MILLER

40. TIME ON MY HANDS/LETS JUMP

4 1 . BLUE MOON/jUMP GEORGIE JUMP

42. TIME ON MY HNDS/LETS JUMP

43. R0UTE 66/l00 YEARS FRM TODAY

44. COME TO BABY Do/jUST S I TT I N 4
45.0LD FRIENDS MEEt/hOME FOR OLD FOLKS

46. CAROLINA HOME/'GLANTZS METROP PLAYERS
MILDRED BAI LEY

47. AFTER ALL I VE BEEN/ A BEE GE2INT

48. ME 4 THE BL/ I'LL CLOSE MY EYES
PHIL BAKER -ACCORDION SOLOS

49. ST SWTHIN BL/ JUST FOR TODAY
50. ANN IN HER SEDAn/b|G BUTTER 4 EGG

SMITH BALLER ORCH
5| .SOMETHING MISSING/ 9 LITTLE MILES
THE BAMBOO ORCH

52. MAMA CALL FIRE BR IG ADe/c OUS 1 N HERE SO
BAND

53. GET OUT UNDER ( 5i" RECORO
BAND FOR DANCING

54. BALL I N THE JACK/REUBEN FOX TROT
BANJO IKE 4 IVORY CHITISON

55. MY 4 REASONS/ UNLUCKY BL
DAVE BARBOUR

56. ENS EN AD A/ LITTLE BOY BOP BLOW TOP
CHARLIE BARNET

57. LITTLE JOHN ORDINARY/SOUTHERN FRIED

58. GOOD FOR NOTHIN JOe/hAUNTED TOWN

59. PEACEFUL VALLEY/REMINISCING
BLUE BARRON

60. WALK I N THRU MOCKIN BIRD LANe/mOTHERS
61. SO LIT TIME/u HAD EVENING SPARE
62. MY COUSIN LOUELLa/ DICKEY BIRO SONG

HARRY BA RTHS M I SS I SS I PP I A NS
63. I ND I ANA MOON/ DRIPS SERE

E+
E+

LL3 E+
373 E+
373 N-
359 E-

E

MU 377 N-
MU 10546 E-
MU 10572 E—
MU 15044 E
PE 12862 E-
GE 5002 v-

CO 35409 V
MAJ 1 093 E+

EM 1086 E-
PAT 32146 V

CO 2350 V+

BB I 0647 N

LITTLE WONDER V

ed(s) E

VO 25011 G-
CR5760002 E+

AP I I 07 E-

BB300823 V
BB 10846 N

BB I I 052 N
BB 7540 v+
MGM I 0 I 38 N-A

64. CANT GET ENUFF/RAINBO ROUND SHOULDER

65. CANT GET ENUFF/RAINBOW ROUND SHOULDER
COUNT BASIE

66. JIVIN JOE JACKSOn/quEER STREET

67. BABY DONT MAO AT Me/hEY PRETTY BABY

68. QUEER ST/j|VIN JOE JACKSON

69. ONE TWO THREE 0 • LA I Ry/faNCY MEET I N

70. MISS THING I 42

71. JUMP FOR ME/|2TH ST RAG
72.I2TH ST RAG/ TAXI WAR DANCE

73. WLD mad/ PTS |42

74. FEATHER MERCHANt/a I NT IT THE TRUTH

75. fla-ga-la-pa/mutton-leg
THE BASIN ST BOYS

76. THIS END OF DRM/NEED KNIFE 4 SPOON
BAS IN STREET SIX

77. LAZY RIVER/FAREWELL BL

RAY RAIIDUC A HIS BOBCATS

78. LI LIZA JANE/WHEN SUGAR WALKS DWN

(s)ed 51243 E+

D I

2749 E-
2749 V

CO 36889 E-
V 1202948 N-
CO 36889 E-
OK 63 1 9 n/v-
VO 4860 V
VO 4836 V
BLACE 2 I 0 N
BLACE 246 N
CO 36845 N
CO 37093 N

EXC

229 E+

MER 5739 E+

CP |5|3|

SIDNEY BECHET 4 HIS N.O. FOOTwARMERS

AH?

JU
JU
RAM
RAM

79. COAL BLK SHINE/BABY WONT U PLEASE

80. BECHETS STEADY RIDER/ SAT NIGHT

Bi.fiogety feet/nobdy KNOWS

GRAEME BELLS 0 IX I ELAND BAND
82. IM LITTLE BLKBIRD/ALEX RAG TIME BND
83. WAS LEICESTER SQUARE/jACKASS BLS
84. OH PETER/FREE MANS BLS

85. AZTEC princess/little BLKBIRD

86. JENNYS BALL/BIG BAO BANKS I A MAN

TEX BENEKE

87. AT FLYING 'W'/WOMAN UNDERSTANDS

88. THE I WHO GETS/8LS IN D NITE MARCH

SAMMY BENSK IN TRI O

89. WRLDS WAITING SUNR I SE/CHERRY

THE BENSON ORCH

90. MY LITTLE BIMBO/CHILI BEAN
91. ILL KEEP ON LOVING u/cROONING
92. SOMEONE LIKE u/(sHILKING ORCH)

93. MA ONE STEP/MY SUNNY TENNESSEE

94. WABASH BLs/ TUCK ME 2 SLEEP

95. LITTLE TH0UGHTS/(CLUB ROYAL ORCh)
95.NOBDY KNOWS BUT PILLOw/nVR MISS SUNSHINV

/nbi

27386 v+

BN 502 N-
8N 57 1 N

|5 N
|5 N
22 N-

9 N-
10 N-

VI20300I E+
VI2035I3 E+

VI

TT
TT

96. NEVER MISS D SUNSH I NE/NBDY KNOWS
97.SMBDYS WRONg/(gRT WHITE WAY ORCh)
98. OLD GANG OF MINe/fOOLISH CHILD

99. MARCH OF MANNIKINS/BONMIE

BUNNY BERIGAN

100. CANT GET STARTED/ IN LITTLE SPANISH

DON BARR I GO'S SWING OCTET
I 0 I .TEA TIME WITH TRUTONE/TRUTONE BOOG I E=

102. JR HOP/SOUTH PAW SPECIAL

BIX BEIDERBECKE

103. JAZZ ME BLS/ AT JAZZ BAND BALL

1 04. JAZZ ME BLS/AT JAZZ BAND BALL

BEN BERN IE

I 05. UNDERNEATH WEEPING W I LLOw/DEPENDS ON BR
|06. CAREFREE/THERE MUST BE SOMEBODY BR

CHU BERRY 4 HIS JAZZ ENSEMBLE
I07.SITTIN IN/46 WEST 52 S CMS
(08oBL0WING UP BREEZE/MONDAY AT MINTONS CMS
HENRY B I AG I N I ORCH

109. GA. ROCKIN CHAIR/REO SAILS IN SUNSET

BIG BIU

110. ALL BY MYSELF/DOUBEL TROUBLE

II I. NITE WATCHMANBL/WHATS WRONG
I12.HARD HEARTED WOMAN/ OUTSKIRTS 0 TOWN

BARNEY B I GARD
I I 3.CARVAN/ STOMPY JONES

TERRY BIGGS NEW JAZZ STARS
II4.T AND S/TERRYS TUNE

ART B LA KEY 4 HIS MESSEN9ERS

522 E+

18698 V+
13765 E
18804 v

1881 9 E-

18820 V
1 89 1 2 V
19102 E
19102 V
19122 V
19136 E

VI 19133 v+

SE 5004 N

VI

171 E

4 12 E+

CO 36156 V+
VO 3042 v+

3464
3716

516
541

BA 5 1 I I 2 V

6427 E-
6705 E+
6651 E-/»

OK 3809 v+

800 N

I I 3. BOH ALLEY / GROOVE ST
AL BLANK TRIO

I I6.JEALOUSY/WEHD I NG BELLS
ARCHIE BLEYE8 ORCH

546 E+
10053

E+

I 17. CHEEK TO CHEEK. THE PICCOLINO
! 1 3. I SNT THIS LOVELY DAy/tOP HAT WHITE
RAY BLOCK ORCH

PE3509I8
PE3509I9

SIG 15204 E+
RECORD SHOP THEME

CO 35512 E

I |9#BAIa/TWO GUITARS

MART IN BLOCKS COLUMBIA

120. 142

CLAUDE BOLLING

121. NBDY KNOWS WAY/ U RASCAL U

122. R I VERSI DE BLs/ GA BO BO
123.0 1 PPERMOUTH BLs/BLS IN DISGUISE

SHARKEY BONA NO
|23. BOURBON ST BOUNCE/PIZZA PIE BOOG I
|24. MISSOURI WALTZ/ INDIANA

RAY BORDEN ORCH
|25. PARADISE/ BUT BEAUTIFUL

EARL 80STIC
|26. ARTISTRY BY BOST I c/t EMPT AT I ON

OONNEE BOSWELL
I27.IF I HAD WISHING RING/sWTHRTS

WILL BRADLEY
I28.0WN ROAD A PIECE/CLERY STALKS MID
I29.FRY ME COOKIE/CHICKEN GUM300G I E
I 30. SCRAMBLE THO/lWCKABYE BOOGIE

T INY BRADSHAW

1 3 1 . BUTTERFLY/SCHOOL DAY BLS

PIERRE BRASLAVSKY

132. CANT GIVE U ANYTHING BU r/MUSKRAT
I 33 .MUSKRAT RAMBLE/ CANT G I VE U ANY

FANNIE BR ICE
I 34. IF U WANT RA INBO/RATHER BL BLUE

BROADWAY BELL HOPS
I 35. MARY LOU/TRUDY ^ LOU GOLD ORCH )

JACK BROKENSHA' S BIG BAND

1 36. FANTASY IN ORCH/ OL MAN RIVER

BROADWAY BFI I HOPS

137. UNOER THE MOOn/ SA LU TA

138. UN0ER THE MOOn/sA LU TA
I39.SUNDAY/DONT TAKE THAT BLK BOTTOM

BROADWAY BROADCASTERS
140.00 SOMETHINGATHE CAROL I NLRS )

THE BROADWAY SYNCDPATER9
• ti .louiSviLle lou/bl HOOSIER BLS

HADDA BROOKS

142. LAZY BOOGIE/CAN U LUK ME IN THE MnDRNHLYWD20766 N-

143. LAZY BOOGIE /CAN U LUK ME IN THEMODRNHLYWD20766 N-

144. POLONAISE BOOGIE/POLONAISE MODMUS |23 E-

BROWN 4 TERRY JAZZOLA BOYS
Indiana/ all by MYstLi-

CI

1046

N

CI

1047

N

CI

1048

N

E CAP

795

E+

C 1

301 1

N-

CRYSTAL

5|4

E+

KING

4214

E-

DE

13842

E+

NIGHTCO

36958

N-

CO

36959

N-

CO

35732

n/e

MANOR

1052

N-

RAMS JU

27

N

JU

27

N-

VI

2l8l5

V+

HA

243

V+

ESQ

1005

E+

Dt

2429

E

HA

429

E-

HA

288

V-

CA

9158

V-

VI

14586

V-

I43.ANNA IN

OK 80|4

CHAKLES BROWN
I44.ST THERE/ ILL MISS YOU

145. W0T DO U KNOW ABT LOVE/NUTMEO

CLEO BROWN

146. PINT0PS BOOGIE WOOG I e/b W STP
QABRIFI BROWN

y/bi

EXC |20 E+
BBNHLW0T68 N-

I47.G0IN MY WAY/BLK JACK BLS

THF RHOWN DOTS

I48.SENTMENTAL REASONs/piTY SAY GDNITE
KAY BROWN

149. teasin/razz a ma TAZZ

LES BROWN

150. C0ME TO 8ABY/U WONT BE SATISFIED

1 51. MERRY OLDSMOBILE/BEWARE MY HEART
|52.TRISKAIOEKAPHOBIa/whY DONT WE SAY
I53.EVY80Y MAKE MONEY BUt/hEREAFTER

I 54. OUT OF nowhere/sunday

155. DAY BY DAy/dR LAWYER I ND CHIEF

156. FRIM FRAM SAUCE/|N D MOON MIST

157. FR0M THIS MOMENT On/ MY HRT BELONGS
|58.MY sere/ THE BEST MAN

BROMN-MORR IS ORCH

159. HEADIN FOR HARLEM/LEFT SUGAR STANDI

160. HEADIN FOR HARLEM/LEFT SUGAR IN

PETE BROWN
IDI .CANNON BALL/ BUY ME TELEPHONE

PI NEY BROWN
162. OOH WANT BABY/ MY HEART IS ACH I N

RUSSELL BROWN ORCH

I63.WASHIN BL FRM HEART /SONG W

SAM BROWNE
164. SHELTER ING PALMs/cOOL WATER

DE

3386

N—

JD

5004

N-

MA

I04IE

MER

5427

E-

CO

36884

E+

CO

37235

N—

CO

37279

E

OK

6573

e/n=

CO

36724

e/v

CO

36945

n

CO

36961

E

CORAL6I0I2

E+

CO

37086

N-

GHA

521 V

HA

521

V+

DE

8625

E-

PAR

1305

E+

OUT NME PAR 34088 N

LON

165,

DAVE BRUBECKE TRIO
IND I ANA/ LAURA

3 I I N

CORONET 103 N

MICHAEL BRUNO ORCH
166.56 E 56 ST/ EVERY D AY

GLADYS BRYANT ( HR CRK )
I 67.BEALE ST MAMA/TIRED 0' WA I T I N BL

CODA 5072 E+

PM 1 203 I V+
BB 6436 E-

Wl LLIE BRYANT ORCH
163.1 LIKE BANANAS/GRATEFUL TO U
I69.ITS OVER BECSE/AMATEUR NIGHT IN HARL AP 369 V+

CHICK BULLOCKS LEVEE LOUNGERS
I 7U. UNDER HARLEM MN/MIGHTY R I VLH OR 2575 V-

171. GONNA SIT RIGHT DWn/s I NG OLD FASHNED PE 603|0 V

172. DONT GET SENTIMENTAL/ YOUVE GOT TO GET ME 606|3 V

TITO BURNS 4 HIS SEXTET
1 73. SLOPPY JOE/LULLABY IN RHYTHM

DAN BIIRI.EY

m/s

174. DUSTY BOTTOM/SOUTH SIDE SHAKE

TFDDY B1INN

175. BLS WITHOUT WORDS/GUITAR IN HIGH

BILLY BUTTE RF I ELD

176. WILD OATS/WHATS NEW

177. WILD OATS/ WHATS NEW
DON BYAS QUARTET

I 78. STARDUST/SLAM DONT SHAKE

179. PLEASE BELIEVE Me/wHY DID U DO THAT

180. gypsy/nancy

|8|. u call madness/should i
182. call it madness/should i

ca li fornia ramblers
183. linger awhile/remembring
i84.calif here i come/cover me up
185.2 blue eyes/monavanna

186. LAZy/ I MUST HAVE COMPANY

187. WANT TO C MY TENn/eLIZA

DEE

9630

E+

CI

1020

N

BN

504

E—

CP

15186

E

CP

|5|86

v+

amerRco

1003

v+

188,
189,

190,

191,

192

193.
194,

195,

196,

(97,

ice

1.99

200

201

202

203
204
205
206

LADY BE GOOD/SWANEE BUTTERFLY ( LAM CRK )C0
SHE KNOWS HER ONIONS/GONE AGAIN CO
SWA NEE BLBIRD/NO USE CRYING CO

C.flR CAI I OWAY
HARLEM HOLIDAY/WLD ON STRING BR

BLANCHE CALLOWAY 4 HER JOY BOYS
RHYTHM In RIVER/ I NEED LOVIN VI

FRANK I E CARLE
LOU I SE/JOSEPHINE

HUB 3003 E-

HHUB 3017 E-

JAM 900 E+

JAM 900 E

49 v+
67 V
103 V
105 V
223 V

293 V+
758 V
3635 E-

6424 V

CO 36692 v/e
CO 37252 E

ARE THERE/ ROSES IN RAIN
HOAGY CARMI CHAEL ORCH
HONG KING BLS/ HOW LITTLE WE KNOW ARA

CAROLINA COLLEGIANS
WEDOING BELLs/ { W I LL I E CR EAGER OR CH ) DO

KING CARTER ( BFNNY CARTER)
LEFT W BLS IN MY HRT/MINNIE THE MCHER ^0

CASA LOMA ORCH
,HVM CAN WA lt7*UNRi?.L i'l-RL (dig) DE

CASINO JAZZERS
iHEADS UP/STEIN SONg(mERRY C OLLEG I ANS ) VO 8|855^V+
,CA NT SLEEP IN UOVIES/AINT MISBHVN

(MISS CASE ORCH
,drm a wish/little gray house

123 E
4291 E+

Z<39 V
2321 V

VD 71764 v+

BOB CHESTER ORCH
V INTER WEATHER/HAWAIIAN WAR CHANT

MAURICE CHEVALIER
HELLO BEAUTIFUL/WAIT TILL U SEE
CHICAGO BLUES DANCf ORCH
.BLU GRASS BLS/ HOUSE 0 DAVID BLS
CHARI FSTON CH.ASFRS
MY GAL SAL/ FAREWELL BL

Bijnny C| ARK

IF HAD LIFE LIVE OVEr/mITA BN 0 I FF

THF f IFVFIANDERS

PEACH OF A PAIr/(ARTHUR FIELDS)

MGM 10604 E+
BB I 1 405 E+

VI 250092 E
CO 3923 G+

CO

1539 V-
CO 37302 E+

207 .

208.FONEy/wOTTA GIRL WOTTA NIGHT

849 V-

4205 V

26

25^ MINIMUM BID

THE RECORD CHANGER

B0X92 TNt FECOMD CHANGER 4|B W 49TH STREET
K*e- 19 N.Y.

SEE PAGE ONE Of AUCTION FOR INSTRUCTIONS.

25^ MINIMUM BID

MER

1 00 1

E

S 1

2773

V-

CO

62

CO

3834

v+

CO

14275

V+/P

ORE

1 020

v+

CA

881

BA

1566

v+

V I

20031

V

VI

21 166

V

VI

2 1590

V

CoE

2918

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CP

376

V+

CO

35319

v+

CO

36684

E-

CO

36699

v+

OK

6606 E—

VI

25467

V

VI

25521

v+

VI

25792

V

1C CLUB 18

HA

89

DE

2321

e/v

DE

3l2l

E-

OE

1 8468

v+

DE

1 8546

e+/n

VI

1 8964

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CO

3028

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3978

V—

CMS

557

E+A

DE

|86|3

V

VI

26423

V

CO

241 9

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HA

138

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PAR

1304

N-

S IG

28104

V

BB

55l8

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VS

8052

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VI

22775

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25379

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vo

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vo

3360

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vo

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3563

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779

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738

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CO

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36232

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36650

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CO

36668

V

CO

36663

V

CO

36698

V

CO

36713

E-/V

CO

37351

v+/n

CA

269

v+

LARRY CLINTON

209. MI0NITE IN MADHOUSe/tHE BIG DIPPER VI 25697 V+

210. HPT BELONGS DADDy/mOST DONT LIKE LVE VI 26|00 V

211. CVER RA|NBO»// THE JITTERBUG VI 26174 V

212. P00R LITTLE RICH GIRL/PERSIAN MARKET VI 26283 E

CLUB A LA BAM ORCH (HENDERSON)

213. HARD HEARTED HANNAH/ ( R I ALTO ONCE o) DO 366 V+

COGERT 4 MOTTO ( THE HUMAN JAZZ BAND)
2 I 4#EVYTH I NG HOTSY TOTSY/OAODY COME BACK OK 40406 V-

KING COLE TRIO
2I5.BRINC ANOTHER DRINK/IF U CANT SMILE CP 192 n/v+

EDDIE CONDON 4 HIS BAND
2|6.GA GRIND/DANCING FOOL CMS 536 e/g

CONFIDENTIAL CHARLEY
2|7.MEET AT END TRAIL/ 4 MY SWTHEART VE 1 23 1 V+

AL COOPERS SAVOY SULTANS

2 18. STOP 4 ASK SMBDY/FRENZY DE 3 1 42 V

JESSE CRAWFORD

219. BIRDS EYE VIEW/LITTLE SPANISH TWN VI 20458 N-

220. ESTRELL I TA/LA PALOMA VI 20586 N

22 1. WHEN DAY IS DONE/ OOWN OF TOMORROW VI 20838 E

WILLIE C REAPER ORCH

222. RITE THRU THAT HRT/(THE CLEVELANDERS ) PE 15368 N-

B I NG CROSBY 4 CONNIE BOSWELL
223. YES I NDEEO/T FOR 2 DE
224. SONG OF FREEDOM/PLENTY 2 B THNAKFUL 4 DE
225. SOME OF THESE DAYS/ LEST SPEND EVE AT ME
BING CROSBY

226. PINET0PS BOOGIE/SUNNY SIDE

BOB CROSBY'S BOB CATS

227. TILL WE MEET AGAIN/LOVE NEST DE

228. LITTLE RED FOx/ PINCH ME DE

229. MARINES HYMN/WHERE DO WE GO DE

230. ULL BE SORRY /TEARS ON MY PILLOW DE

PUTNEY DANDR I DGE ORCH

231. WHN GROW 2 OLD 2 DRM/CHASING SHDOWS VO

Ml LES DAVIS ORCH

232. DARN THAT DRM/ VENUS DE MILO CP

WALTER DAVIS

233. KEEP CRYING/NEW SANTA CLAUS BB

THE DELTA FOUR
234.SWINGIN ON FAMOUS DR/ALICE BL GOWN DE
DIXIE DEMONS

235. AINT R1GHT/ZA 200 ZAZ OE

236. TOOT TOTTSIE/MAN FRM TEXAS OE

OIX IE JAZZBAND

237. BRKAWAY/LI TTLt PARADISE OR

238. WHOPEIN UP/TRUE BLUE LOU OR

CLYDE DOFRR ORCH
2 38A ■ SWANEE SMILES/1ZEZ CONFREy) VI
SAM DONAHUE ORCH

239. CANT BELIEVE MAKE BEL I EVe/mELANCHOLY CP

DORSEY BROTHERS ORCH

240. U R MY LUCKY STAR/ON SUNDAY AFTERNOON DE

JIMMY DORSEY ORCH

241. WHAT MKS SAMMY RUN/MURDER I ST I C DE

242. MY IDEAL/BESAME MUCHO DE

243. A NEW SHADE BLE/jIM DE

244. DO IT AGAIN/NOW U KNOW OE

3689 E-
18426 V
I?|30 V

OE 23843 v

DE 2825 V+

OE 2924 v

DE 4385 e/g

DE 18373 v

VO 2982 V-

CP 71 |2| E

BB 8860 E

OE 3526 E-

5253 v-
5264 v+

1602 V
1638 V-

18981 E-

357 E+

559 V

4356 e/v
IE 574 v+
3963 E-
2925 N

TOMMY OORSEY
2 45. SONG OF I NO I A/MAR IE

246. NOT SO QUIET PLEASe/takE TALLULAH

247. WHIS1U WERE HERE/ST OF DRMS

248. R0YAL GARDEN Bl/ JA DA

EDDIE DUCHIN
249. OL MAN MOSE/ TWEEN DEVIL. 1 DEEP

SONNY DUNHAM ORCH
250. AS WE walk into sunset/memories of

EDDIE OURHAM 4 HIS BAND
25 I .MAG IC CARPET/FARE THEE WELL

Bl LLY ECKSTINE ORCH
252. SITTING BY WINDOW/LOST IN A DREAM

SEGAR ELLIS
253. WE SPEAK OF U OFTEn/mNS SILVER t
254. SENTIMENTAL El/pRAIRIE BL

255. im satisfied/jive STOMP

DUKE ELLINGTON

256. COTTON T A I L/DONT GET ARND MUCH

257. slip of lip/sentimental LAOY

258. WHAT AM I HERE FOr/dONT MIND

259. BAND ANN A BABIEs/mUST HAVE THAT MAN

FRANK FARRELL 4 HIS GREENWICH V

260. WHO KNOWS/ SO NG IS ENDED

VI 25523 V

VI 27869 V

VI 27903 v

VI 25326 V

BR 8 1 55 G+/E

U BB I 1 289 E+

DE 8529 E-

MGM 10602 E+

BR 8321 V+
VI 19755 v+
6638 G

BR

26Q*.skronch/who do u think saw LST NITE

W I LL I E FARMER ORCH
261 .SKRONTCH/WH0 DO U THINK I SAW LST

IRVING FAZOLAS DIX IE BAND
262. O.D . ONE STEP/BLUIN THE BL

LEONARD FEATHERS ALL STARS

263 . ESQUIRE BLS/ ESOJ I RE BOUNCE

BENNY FIELDS

264. MELANCHOLY BABY/S RRY MADE U CRY

ERNI E FIELDS 4 ORCH

265. HI jiving/just lemme alone
SHEP FIELDS

266. JERSEY BOUNCE/LONG MAY WE LOVE

FIFTY SECOND STREET BOYS
267.0 I NNER MUSIC PACK HUNGRY CANN/T TURK

FLAMINGO MELOO IANS
268. SHOULD l/IM FOLLOWING U AM
269. BABY JUST CARES FOR Me/byONO BL HRZN

DUSTY FLETCHER
270. OPEN DOOR RICHARD PTS 142

BUO FREEMAN ORCH
271. I'M JUST WILD HARRY/ATOMIC ERA

FRISCO SYNCOPATORS
272. ALL ALONE/DREAMER OF DREAMS

VI 2661 0 V+
V|20|528 V-
VI 20 1 598 V
VI 38007 V-
ILLAGE INN 0.
HA 5J7 E+

BB 75|9 V+

BB 75 1 9 V+

V|400|40 £-

CMS 547 E-

VR 567 V—

VO 5lf7 E

BB I 1490 E

EYVA 8051 V-

.PAE 34020 N-
PAE 5222 V+

NAT 4012 E

MAJ I 03 I E

PU I I 362 V

ERROL GARNER

273 «EMBR ACE ABLE U/LOVER COME BK 2 ME
GEORGIA JAZZ BAND

274. THATS Y I LOVE/(RIVERA DANCE ORCH )

THE GEORGIANS

275. LOVER COME BACK/DA6W I NG DAN

IRENE GIBBONS

276. LAST GO ROUND BLS/ THAT DA DA STRAIN

LI LL I AN GLINN

277. BPCWN SKIN BLS/DCGG I N VE BLSfLAM CRK

HARRY GOLD 4 HIS PIECES OF EIGHT

278. JAZZ ME BLS/ JAZZ BAND BALL

LOU GOLD ORCH

279. FOUND NEW BA8Y/(MIKE SPECIAL ORCh)

GOLDON GATE ORCH
280.0 SAY CAN I SEEU/iH'WOOD ORCH )

JEAN GOLDKETTE ORCH
28 1 . G I MME KISS HUH/ LONE SO ME & SORRY

282. HERE COMES SHOWBOAt/mY OHIO HOME

283 . FORG ETT I NG u/(THE TROUBADOURS )

NAT GONELLA'S GEORGIANS
264,7 DAYS LEAVE/FOREVER BLOWING BUBBLES

BENNY GOODMAN ORCH
285. IT TAKES Tl ME/MOONFACED,STARRY EYED
286. HONEYSUCKLE ROSe/sPRING SONG
287. SOLO FLIGHT/WORLO WAITING 4 SUNRISE

288. AFTER U GONE/OARKTOWN STRUTTERS

289. MY LITTLE COUSIn/a ZOOT SUIT

290. BUGLE CALL RAg/afTER U GONE(t.D.)
29I.ST0MPIN AT SAVOy/vIBRAPHONE BLS
292. ONE O'CLOCK JUMP/OONT BE THAT WAY

293. KING PORTER/(HENRY ALLEN Jr)V|CTOR 01

GOSPEL SINGERS

294. KI N6 BUSINESS/ALMOST PERSUADED

GLEN GRAY

295. HVN CAN WA I T/SUNR I SE SERE

296. CHARMING LITTLE FAKEr/pOLKA DOTS 4
297. IN LOVE W SMONE ELSe/tALK 4 JOE

298. just friends/thru WITH LOVE

THE GREAT WHITE WAY ORCH

299. TOMORROW/ U GAVE ME UR HEART

JOHNNY GREEN ORCH

300. LITTLE THINGS USED TO DO/INTO DANCE

GULF COAST SEVEN

301. MEMPHIS TENN/PAFA BETTER WATCH STEP

EDMOND HALL QUARTET

302. SHANTY IN SH ANT YT WN/C AR A VAN
LIONEL HAMPTON ORCH

303. hamp5 Bo'dlE WOoIe/cHoP CHBp

304. HEEBIE JEEBIEs/GIN FOR CHRISTMAS

W.C. HANDYS ORCH

305. THAT " JAZZ"DANCE/LI VERY STABLE BL

THE HARMONIANS
306.10 CLIMB H I GHEST/ ( FRED RICH ORCh)
BOBBY HARRIS

307. TOTAL STRANGER/HEAVYWEIGHT MAMA

COLEMAN HAWKINS SWING FOUR

308. GET HAPPY/CRAZY RHYTHM

FLETCHER NENOERSON

309. MAL INOAS WEODIN DAY/TAKE ME AWAY

310. blue rhythm/sugar FOOT STP

3| I .VALINBAS WEDDING OAy/sWT MUSIC
3/2. JIM TWN BLS/ U CAN DEPEND ON ME
3|3. STEAL IN APPLES/ GRAND TERRACE SWING
3|4.MY GAL SAL/WANG WANG BLS
3 I 5.SAV I N MYSELF FOR u/LITTLE THINGS

HORACE HENDERSON ORCH

3 1 6.SHUFFL I N JOE/I GOT RHYTHM

EARL HINES
3 17. STORMY MONDAY BLS/SECOND BALCONY JP

318. blue/juli A

CLAUDE HOPKINS ORCH

319. DONT LET LOVE GO WRONG/ANTS IN PANTS

HOTEL PENNSYLVANIA MUSIC
320. OUT OF BREATH/ONLY HUMAN

SPIKE HUGHES
32 I .NOCTUR NE/SMONE STOLE GABRIELS HORN

HELEN HUMES
322. GONNA LET H IU RIDe/mILLION t SECRET

IPANA TROUBADOURS
323. IN LITTLE GARDEN/MARY LOU

BURL IVES

324. foggV BeiD/tloDGER young

HARRY JAMES ORCH

325. C I RIB I RBI N/ PRETTY LIT PETTICOAT
326.2 OCLOCK JUMp/l OCLOCK JUMP
327.2 GUD 4 GUD NOTHING Me/| DOZ ROSE

328. mr 5 by 5/ soldier of mine

329. mnlight bcms/heabd that song

330. jump town/cherry

33I.ILL GET By/fLATBUSH FLANAGAN

332. MEMPHIS BLS/SLEEPY TIME GAL

333. M0TEN SWING PTS I 42

JAZZ-BO'S CAROLINA SERENADER5
334. S I STER KATE/ ACH I N MEARTED BLS

JAZZ HARMON 1 ZERS
335. SOME SUNV DAY/CAROLINA ROLLING STONE«ICHTNE7037V+
JERRY JEROME 4 HIS CATS 4 JAMMERS

AS 1503 e/v

336. JAMMIN' W JERRY/PEOPLE WILL SAY

BROOKE JOHNS ORCH

337. annabelle/(grt white way orch)

PETE JOHNSON 4 ALBERT AMMONS

338. WALKING THE BOOG I E/B OGIE WOOGIE MAN

GEORGE P. JONES JR

339. SO LONG BERT/NIGHT 4 YOU

GRANT JONES WITH BROWNS BLUE BLOWERS

340. RATHER DRINK MUDDY WTR/DEAL GOES DE 46192 E-

ISHAM JONES ORCH

341 . WONDER IF I STILL CARE/jUNE MOON BR 5067 V

VI 1 9 1 08 E

l\ 27505 e/e-

BS 2056 V

MAGGIE JONES

342. CHEAT IN ON ME/ MAMMA WOULD U COME

LOUIS JORDANS TYMPANY 5

343. DONT COME CRYIN/BOUNCE THE BALL

HOWARD JOYNERf BOB HOWARD )

345. THRU W LOVE/WANNA SING ABT YOU

ROGER WOLFE KAHN

346. CROSS UR HEART/MOUNTAIN GREENERY

347. JERSEY WALr/(NAT SH I LKRET )

348. UR ONLY ONE FOR ME/SHADY LADY

SAMMY KAYE ORCH

349. DADDY/2 HRTS PASS IN NITE

HAL HFMP ORCH
350. SING A TORCH SONG /REMEMBER FORG TT

THE KENTUCKY COLONELS
35 I .LEAR N DO STRUT/STCPPIN OUT

ANDY KIRK'S CLOUDS OF JOY

352. UNLUCKY BL/ RIDE ON RIDE ON

353. MESSA STp/bL CLAR. STOMP

GENE KRUPA ORCH

354. JUST LIT FOND AFFECT I On/ch I CKERY

355. LETS GET AWAY FRm/s.NO.CAR

356. RANCH0 PILLOw/u WERE THERE

KAY KYSER ORCH

357. MULBERRY BUSh/SO HELP ME

CO 14074 V-

358. SHORTAGE OF LVE/DONT SIT UNDER

SAM LANIHS ORCH
359fcWANT SMBODY CHEER ME/SWT CHILD
360. WOT ' LL YOU DO. MY SUE

361.0 BOY WOTTA G I R L/( HOLLY WD ONC ORCh) DO 3568

362. BY SHALIMAR/CAROLINA MAMMY

363. PLENTY OF SUNSH I Ne/e I LEEN
364. ILL NVR CRY OVr/makES NO NEVER MD

PEGGY LEE

365. DONT KNOW ENUFF BOUT u/cAN SEE IT

NATE LESLIE ORCH
366 .SHAKE YO' BONES/ SHAGG I N AT THE

TED LEWIS BAND
367 .MR RADIO MAN/DREAM DADDY
368.SHES EVERYBDY SWTHEART/ SAN
369. WILL U REMEMBER ME/o KATHARINA
370. SAY ARABELLA/ANGRY

37 I . PRETTY LITTLE BABy/pEORIA
372 .HOMES I CK/TOMORROW

VIC LEWIS ORCH
373.4 YOU A BONE/EINDAYZ
374.SUMMERT I ME/( V I CTOR FELOMAN QRT )
375. LEMON DROP/SOLITAIRE

376. SERE IN BL/ LOVE 4 SALE PAE .38|5 N-

LINCOLN DANCE ORCH
377. INDIAN LOVE C ALL/ ( STAT LER HTL. ONC ) LI 2252 V

DONALD LI NDLEY TRUMPET SOLOS
378. SWEET STUFF/TRUMPET BL CO 546 V-

LOUISIANA FIVE
379 .GD MAN GONE WRONG/YELPING HOUND BL CO 2742 V

NEW DIXIE DEMONS
380. 7A ZOO ZA/IT AINT RIGHT DE 5253 V

RED NICHOLS

38 I. U RASCAL U/ JUST A CRAZY SONG BR 6|33 V
382. TEARS FRM MY INKWELl/nEVR HVN COULD BB 10200 E-

THE NORFOLK JAZZ QUARTET
383. SOUTHERN JACK/JELLY ROLL BLS OK 43 1 8 V-

384. WIDE WI_d/pREACHER MAN BL OK 4366 V

385. STANDING NY BEDSIDE NE I GHBOr/jCNAH DE 48004 E

WINGY MANNONE ORCH
386. BOX CAR BL/HELLO BABY CP 442 E—

DE

3253

E

CO

14623

V—

VI

20071

'+ u

V 1

2023 1

E

VI

21897

/

VI

27391

V

IN BR

6583

V

vo

14714

E

DE

4436

E-

BR

4694

e/v

CO

36877

E

OK

6130

E-

OK

6376

E+

BR

8197

V

CO

36567

E—

BA

1676

V—

CA

1268

V

0 DO

3568

V

PAT20933

E—

RO

517

E—

DE

4402

V

U CP

236

E

VO

3584

V

CO

82

V

CO

■ 22

V

CO

295

E-

CO

4l 6

V

CO

543

V

CO

3709

V

ESQ

0021

E+

ESQ

10092

N-

ESQ

10124

N—

FREODY MART IN

>. I o/r R

TWLIGHT TIL

387. WARSAW CONCER

ROY MARTIN ORCH

388. CHI EABA/C I VI LAZAT ION(MDE SO.AFRICAyT

389. BITING THE DUSt/|N THE MD ( " " " ) TT

CLYDE MCCOY ORCH
390. SUGAR BL/TEAR IT DOWN DE

391. TEAR IT DOWN/SUGAR BL DE

RED MCKENZIE 4 HIS MUSIC BOX

392. MY BABY COME HOME/FRM MONDAY

MCMURRAYS CALIFORNIA THUMPERS

393. JUST BECAUSE YOURE u/HAUNTING BL

THE HELOD IANS

394. AINT GONNA RAIN NO m/pRINGING HME

MELODY MAKER ALL STARS

395. MARSH ALLS PLAn/BRANDS ESSENCE

MEMPHIS MUSIC MAKERS

396. PROUD/(T0NY GRAVELLO ORCH J

JOHNNY MERCER W. FREDDIE SLACI

397. LOST MU SUGAR/WRECK OF 0LD'P7

METRONOME ALL STAR BAND
398.1 OCLOCK JUMP/BUGLE CALL RAG
VIC MEYERS MUSIC

399. NOBDYS SWHT/ADA

EDDIE MILLER ORCH

400. YESTERDAYS/MR HENRY LEE

40 1 . MUSKRAT RAMBLE/u OUGHTA BE PICTURI

EMMETT MILLER
402. SAMS NEW JOB 142

403. BABY MINE/EVERYTHING LOVE

404. BABY MINE/EV'RYTHI NG I LOVE

RAY MILLER ORCH

4 05. M ON A VANN a/c OME ON RED

406. RED HOT MAMa/bOGDAD

407. UNDER DIXIE MOOn/dO U EVER THINK

MILLS BROS.
408.1 F ITS TRUE/VERY THOUGHT OF U
409.IWISH/AN0THER CHAIR AT TABLE

MISSOURI JAZZ BAND
4| O.POOR papa/(sam lanin orch)

411. YES WE HVE NO. BANANAs/o HAROLD

412. no no nora/sip SIP SIPPY MOON

MITCHELLS CHRISTIAN SINGER
4 1 3 .PR AY I NG HUMBLE/PONT CARE WHERE U

VI 20 1 535 E

125 V+

4l 3 E+

381
381

OK 4 I 07 1 G +

GE 4904 V-

SUP

|50|

E

ESQ

101 l5

E+

RO

336

V

ORCH

CP

122

V

VI

27314

V

CO

1530

E+

CP

170

E

S CP

40039

E

OK

45546

N

BB

1 1365

E/V

BB

11365

V

BR

2606

V

BR

2681

V-

PL

1000

v+

DE

3901

N-

DE

8663 N-

DO

3686

V

RE

9468

V 1

RE

9541

V j

VO

3|80

E

27

25^ MINIMUM BID

THE RECORD CHANGER

BOX 92 , THE RECORD CHUNG ER 4|8 W. 49TH ST NYC NY
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS.

25^ MINIMUM BID

MOB I Lb MELODY MAKERS"

4|4.LIT BIT 0 JAZZ/ DOODLE OOo(rm CHp) RAD 1225 V-

MOONLIGHT MERRYMAKERS

41 5. IF I HAD GlRL LlkE/'NOKMANIJY ELECTRIC 1087 V+

RUSS MORGAN OUCH

416. SUMMER SOUVENIRS/WAY 2 TREAT SWTHRT DE 2053 V

4|7. LOVER 4 LASS/O M I STRESS MINE DE 11826 N

RUSS MORGAN ORCH

418. L0UISE/G00DNITE WHEREVER U ARE DE 18598 E-
MOUND CITY BLUES BLOWERS

419. NEVER HAD REASON BLVE/'HELLo LOLa(hr c)bb 6270 N-
CALI FORN I A RAMBLERS

420. OLD GANG OF MINE/THE COLUMBIANS CO 3970 V+

42 1. WHEN I WAS DANDY 4/BK WHERE DAFF CO 2|8 E+

422. OH MABEL/ME 4 BOY FRIEND CO 268 V

423. TELL ME TONIGHT/TOO MANY KISSES CO 834 N

424.SHE BELONGS TO Me/mE TOO CO 704 V

425. SHEIK OF ARABY/GA. ROSE VO 14275 E—

426. EDDIE LEONARD BLs/ MAMA KNOWS VO 14300 E-

427. HONEYS LOVIN ARMs/wHO BELVE IN YOU VO 14329 E
428.1 WISH I KNEw/sTUTTER I NG VO 1 441 I V+

CAB CALLOWAY

429. BASIN ST BLS/ IT LOOKS LIKE SUSIE OR 23|7 V

430. HONEYS LOVIN ARMS/THE NIGHTMARE RO 1677 V—
43I.SOME THESE OAYs/lS THAT RELIGION BR 6020 E
432.SMBDY STOLE MY GAl/yOUR OOG PER 15541 e/v-

433. TAKE TRAIN/CHATTANOOGA CHOO CHOO OK 6305 E
THE CAROLINERS

434. PRECIOUS LIT THING/GD LIT BAD L IT U RP 866 E-

CASA LOMA

435. ALEX RAGTIME BANd/pUT ON GREY BONNET BR 6|00 E-
HERMAN CHITTISON TRIO

436. HOW HIGH MOON/ SONG IS ENDED MUS 3 1 5 E
SAVANNAH CHURCH I LL

437. TELL ME YOUR BLS/FAT MEAT GD MEAT GE 2 1 04 N-
JERRY COLONNA

438. YOURE MY EVYTHING/HECTOr(rm CHP NO G ) VO 3876 V—
RUSS COLUMBO

439. TOO BETFUL 4 WRDs/ I SEE TWO LOVERS SE 5001 N
EDO IE CONDON

440. PREfTV BOLL/sIster AINT THAT HOT CMS 535 V
44l .CALIF HERE I COME/suNDAY CMS 5|5 V

442. DONT LEaVE ME DADDy/f I DGETY FEET CMS 542 N—

443. BK IN OWN BACKYd/aLL WRONGS U DONE CMS 551 N-
CONNIES INN ORCH

444. SUGAR FOOT STP/LOW OWN ON BAYOU CR 3 1 94 V—
THE COTTON PICKERS

445. WAY DWN IN N.O./U TELL HER STUTTER BR 2404 V

446. RAMPART ST BLS/BK TOWN BLS BR 2486 E
447.SIISTER KATE/GOT COLL DOGGIES BR 2338 V

448. JUST hot/shufflin MOSE BR 2507 V
WILLIS CREAGERS DANCE ORCH

449. M00NBEAM KISS HER FOR ME/GOTTA GET BA 1929 E
BINGC ROSBY

450. basin st bls/ bob white de |483 v
45i.is u is or aint/hot time berlin de 23350 e

452. marys grand old name/waltz memory de 18360 v/b

453. aitn gt nobdy/whi stlers mother de 3971 v

454. speakeasy/im nbdy baby (dig) de 3179 n/v+
BOB CROSBY

455.SMILE SMILE/OVER THERE OE 4368 V

456. BIG TOM/WAY DWN YONDER DE 4403 e/n

457. SWTHRT ON PARADE/LONG WAY TIPPERARY DE 18355 V

458. D0GTWN BLS/SO RAMPART ST PARADE DE 15038 N
XAVIER CUGAT

459. FRENES I /CUATRO PERSONAS VI 26769 E-
COW COW DAVENPORT

460. BACK IN ALLEY/MOOTCH PIDDLE CREOLE 23 N
VAUGHN DE LEATH

461 . DIRTY HNDS DIRTY FACe/lITTLE BRWN CO 1 556 N-
( ABOVE LAMCRK)

EMMY DE VRIES

461 .J* AT'TENDRA ] /pARLES MO I D'AMOUR INT 1 52 E-/E
DIXIELAND RHYTHM KINGS

462. W0LVER INE BLS/WHEN SAlNTS GO MCHING JD I N
463.S I NESTER BUCKET BLs/wEARY BLS JD N
464. OH BY JINGO/DONT GO WAY NOBDY KNQ 2 N

DIX ILLAND THUMPERS

465. THE^ELL COME A Drt"/*EARY WAY BLS CEN 300 IN
JOHNNY DODDS

466. FLAT FOOT/ MAD DOG HJCA 26 N

467. MIXED SALAD/l CANT SAY HJCA 3| N
JOHNNY POODS WASHBOARD BAND

468. BUCKT0WN STP/BL WASHBOARD STP HJCA 58 N

DORSEY BROTHERS

469. WHY DID IT HAVE To Be Me/wOLF WOBBLE CO 2589 N-

470. WHEN MY SHIP COMEs/ OKAY TOOTB DE 259 V+

471 . HONEYSUCKLE ROSE/ PTS 142 DE 296 E-

JIMMY DORSEY

472. ITS FUNNY EVERYONE/ONE SWT LETTER DE 2702 E+

473. THIS IS NO DRM/ROMANCE DE 2536 N—

474. OUR LOVE/ALL OF ME DE 2352 E+/E
TOMMY DORSEY

475.0ETTIN SENT/IVE GOT A NOTE VI 25236 E+

476. AFT ER YOU/ALL U WANT TO DO IS DNCE VI 25647 E

477 . JAMU IN/TURN OFF MOON VI 25553 E-

478. TEA ON TERRACE/lN DANCING MOOD VI 25476 E
479. SENT I MENAL REASONS/ANOTHER PERFECT VI 25446 E-/E
480.SMOKE GETS IN EYEs/nIGHT & DAY VI 25657 E
481. yearning/ DEED I DO VI 25815 E
482. STOP LOOK LISTEN/BEALE ST BLS VI 36207 E

LOUIS DUMA I NES JAZZOLA EIGHT

483. FRANKLIN ST BLS/RED ONION DRAG HJCA I 3 N

DUTCH SWING COLLEGE

484.4 OR 5 TIMES/ SISTER KATE RAM 1 2 N

485. ALEXANDERS RAGTIME BD/BIRTHDAY BLS RAM
486. O.C. ONE STP/A.M. BLS RAM

|3 N
16 N

CLIFF EDWARDS

487. OLD FASHIONED LOVE/'LOVEY CAME BACK PE 11547 E

488. S KELT ON JANGLE/OSTRICH WALK TEST N
DUKE ELLINGTON

489. RA I NCHECK/PERD IDO VI 27880 N-

490. RIVER 4 ME/KEEP SONG IN SOUL VI 226 |4 V—
49I.0ELTA SERE/SOLITUDE VI 24755 V-

492. THE DICTY GLIDe/sTEVEOOR STP VI 38053 V

493. JUBILESTA/M00NLIGHT FIESTA SE 5007 N

HAPPY FELTQN

494. W0ULD'JA FOR RED APPLe/mRS WORTH I NGTONVS 8175 N

F I REHOUSE FIVE PLUS 2

495. TIGER RAG/WLD WAITING SUNRISE GTJ |3 N

496. PAGAN LOVE SONG/YES SIR THATS MY BABY GTJ |4 N

FREDDIE FISHERS ORCH

497. MY LITTLE G I RL/mY BLK HEN DE 3295 E

FIVE BIRMINGHAM BABIES

4 98 . REMEMBER THE NIGHT/THATS WHY I LOVE PE 14635 V-

499. KNOW WHAT MEANS/FAR AS |M CONCERNED PE 14477 E+

BUD FREEMAN

500.1 GOT RHYTHM/WHERE HAVE U BEEN MAJ 1 0 18 E
501. KEEP SMILING AT TROUBLE/WHAT IS THEREPAE 2285 N

EARL FULLERS FAMOUS JAZZ BAND

502. OLD GREY MARE/BEAL ST BLS VI 18369 V

GARDEN BANC I NG PLACE ORCH

503.ERASTUS PLAYS KAZOO/LITTLE HOME CO 1599 N

THE GEORGIANS

504. IM SITTY PRETTY IN a/lEAR DO STRUT CO I I E+

ART G I LLHAM

505. DRIFTING DRMLAND/ ONELY ANOTHER YOU CO 955 N

GOLDON GATE ORCH

506. GLAD RAG DOLL/TROUBLES ARE OVER HA 816 V+
507.SMB0DY LOVES ME/cARESSINO PE 14302 E
508. EVERYTHING NICE ABOUT/lLL JUST GO PE 14793 V—

BENNY GOODMAN

509.6 FLATS UNFURNISHED/ WHY DONT U DO CO 36652 E-

5I0.SOLO FLIGHT/WLD WAITING SUNRISE CO 36684 E

5 1 I .SWTHRTS OF ALL MY DRMs/EVERY TIME CO 36790 E+

5I2.LEST DO IT/THE EARL OK 6474 E+

5I3.SWT SUE JUST u/l NEVER KNEW VI 26089 E

5I4.SWT SUE JUST u/NEVER KNEW VI 26089 E+

5I5.THE BLUES/ BLUE LOU VI 26| 44 E
5|6.4 THE ANGELS. SI Ng/sENT FOR U YESTERDY VI 26170 N-

5I7.RIFFIN AT R ITz/ ALEXANDERS RAGTIME BD VI 25445 E+

5I8.SING SINg/pTS 142 VI 25796 V+

THE GOOFUS FIVE

5l9oWHISPER SONG/GO WASH ELEPHANT OK 40821 E-

JEAN GOLDKETTE

520.IN EVENING/WHERE LAZY DAISIES GROW VI 1930S V

52 1 . LONESOME 4 SORRY/GIMMIE LIT KISS VI 2003| E

522. EILEEn/u SEE MY GAL VI 19327 V+

523. DONT BE ANGRY/TRYING TO FORGET VI 20256 E

524. CALL U MY SWTHRT/kENTUCKY LULLABY VI 20257 V

525. so tired/just LIT KISS FRM LIT MISS VI 21150 V-
526. SWTHRT PARADE/PUTS SWT IN HOME VI 2|800 V

ROSS GORMAN

527. oh b6y What girl/ u forgot remember co 435 V

528. ID RATHER BE GIRL/nO MORE WORRY I N CO 6 1 5 V

GLEN GRAY

529. FABLES OF R0SEs/8AVE SORROW DE 3968 E+

MADELEINE GRAY-DIR OF MAURICE RAVEL

530. CHANSOSN MAOECASSES PTS 142 BR* 85032 N

JOSEPH GRIFF I TH( CALYPSO)

531. RUN HIVLEr/caRNIVAL AGAIN DE 16438 N-

FRANK GUARENTE
532. SWTHRT ON PARADE/MY ANN A POL I S VE 1787 V+

SIR HAM I LTON HARTY

533. HUNGARIAN DANCE $ 6/fS CO 2083 N

LIONEL HAMPTON

534. JIVIN THE VIBES/STOMP VI 25535 E-
534A.IN THE MOOD SWING/SHOE SHINERS DRAG VI 26011 V

535. CHINA STp/rHYTHM RHYTHM VI 25586 E

536. C0NFE8S In/ORUM STP VI 25658 E

537. PIANO ST p/suRRENDER DEAR VI 25664 E

538. JUOY/ OBJEST OF MY AFFECTIONS VI 25699 N-/e

539. HEEBIE JEEBIES/GIN FOR CHRISTMAS VI 26423 N-/E

HARLEM SERE.

540. D IX I ELAND/GET CANNIBAL VS 6005 e/n-

GEORGE HARTMAN
54 I .angry/h INDUSTAN
JOE HAYMES

542. MN GRINNING AT Me/yOURE TOO SURE

COLEMAN HAWKINS

543. THIS DAY U CAME ALONG

544. CRAZY RHYTHM/GET HAPPY

F. HENDERSON

545. CHARLEY MY BOY/HARD HEARTED HANNAH

KEY 627 E-

ME 61 2 I I N

TEST E-
SIG 28104 E+

BA 1 383 V

546.SMB0Y STOLE MY GAL/MY PAPA DOESNT

547. KEEP SONG IN SOUL/WHAT GD AM WITHOUT CO 2352 V-

548. GRASS GREENER/jUNE NIGHT RE 9683 V

549. M00NRISE LOWLAND/lM FOOL LVOING U VI 25297 E+

550. DICTY BLS/DO DOODLE OOM VO |4654 V

551 . GOUGE OF AMOUR AVE/hARD HEARTED HANN VO |4859 V-

RICHARD HIMBER

552. PARADE BANDS PTS 1 42 VI 25754 V+

553. PAINTING TOWN RED/jUST ONE THOSE THNG VI 25|6| V

Bl LLIE HOLIDAY

554. G0TTA RIGHT S I NG/YESTERDAYS CMS 527 E

HOOSIER HOT SHOTS

555. WHEN U WORE TULIP/COAT 4 PANT ALL WK ME 70551 V

CLAUDE HOPKINS

556. WALKIN THE D0G/«WTHRT OF MINE DE 270 V-

HARRY HORLICK ORCH

557»SWTS/ KISS ME AGAIN/TOYLAND ETC(aLBUM)DE 82 N—
THF HOTTENTOTS

558. NBDYS ROSE/PENSACOLA, VO 15209 E-

rnny Howard

559. LASSUS TROMBONE/LOVE TALES MAJ I 178 N-

PEE WEE HUNT .

560. ROYAL GARDEN/ON SUNNYSIDE ST MIR 46 E+

HUNTER 4 JENKINS

561 . LOLLYPOP/MEAT CUTTIN BLS VO 26|3 V-

BETTY HUTTON

562. IT HAD TO B YOU/HIS ROCK IN HORSE CP 155 E

563. DOC LAWYER INDIAN CHIEf/sQUARE IN C CP 220 E+

INA RAY HUTTON

564. WILD parW/WITch DOCTOR VO 28 1 6 N-

EDGAR JACKSON

565. WISH I COULD SHIMMY LIKe/anGRY DEE 3307 N-

(above crayon markings)

BUD JACOBSONS JUNGLE BAND

566. CLARINET MARMALADE/ OPUS H1 I SIG 903 N-

(aBQVE ijf" HR C Rk)
SONNY JAMES

567. L00KS LIKE WINTER/ SWTEST LIT LASSIE VS 8|69 N

JERRY JEROME

568. GIRL OF MY ORMS/RAI NBOW BLS AS 500 N-

BILLY JONES

569. GAVE U UP BEFORE/u KNOW BELONG SMBOY VO |45|3 E

ISHAM JONES

570. WONDER WHERE BABY Is/siTTING ON TOP BR 3022 V+

MAGGIE JONES

571. MAMA STAYED OUT/BE LONGS TO ME {d|q) CO |4|67 V—

ROGER WOLFE KAHN
572. SITTING ON TOP WRLD/NEVER KNEW VI 19845 V

573. LOOKING FOR BOY/ROAD OF DRMS VI 19939 V

574. CLAP YO HANDS/OO DO DO VI 20327 V

575. W0ULDNT YOu/TUCK KENTUCKY 4 SMILE VI 20379 V

576. CALLING/WHERE WILD FLOWERS GROW VI 207|7 V-

577. CRAZY RHYTHM/lMAG INAT I ON VI 2|368 E-

EDDIE KIRKEBY

578. NOW THAT NEED YOU/THERES NOTHING

KORN KOBBLERS

579. Al NT SHE SWEET/HOW U GONNA KEEP

580. WISH COULD SHIMMY SISTEr/gO BACK 4 I

BENNIE KRUEGER
58 I. JUNE night/maytime

EDDIE LANG-JOE VENU I T— ALL STARS

OR

2348

V

VS

8124

E +

MGM

E+

BR

2642

V

1 B.G. 4

TEA

ME

12294

V-

VI

1971 1

V

OK

40200

v+

PE

14574

V

PE

14760

V

JU

2

N

JU

26

N

JU

5

N

VO

3290

N

CO

157

V+

CO

170

V+

CO

255

V

CO

478 v+

PE

14295

v+

BR

8057

E

BR

8376

N

CO

2742

V+

CO

2857

V

CO

2949

V

582 . BE ALE ST BLS/ AFTER

HOWARD LANIN

583. EYES OF BLUE FOOLINg/oN NIGHT LIKE

584. MY BEST GIRL/WHEN I WAS DANDY 4

SAM LANIN
585.SAY IT AGAIN/HERE IN MY ARMS
586. FORGIVE ME/DONT SMBODY TO LOVE

LA VERES CHICAGO LOOPERS
587. SUNDAY/ IM COMING VA

588. MONDAY DATE/LOVE LIES

589. CANT WE TALK OVEr/bLUE LOU

HARRY LEADERS BAND

590. MY SWEETIE WENT AWAY/SMOKE RINGS

TED LEWIS

593. ROSE MARIE/MADELINE

594. BAM BAM BAMV SHORE/CAMEL WALK

LIDO VENICE DANCE ORCH

595. WONDER WHATS BECOME SALLY/ JUNE NITE

ELLA LOGAN
596. OH DEAR WHAT CAN/JINGLE BELLS

597. BONNIE MARY OF ARGVLe/pLD KENT RD

LOUISIANA FIVE JAZZ ORCH

5 98. YELP I NG HOUND BLs/anOTHER GD MAN

599. U CANT GET LOV IN/wOND'R I NG

600. slow 4 easy/(happy six)

LOUISIANA RHYTHMAKERS ( DUKE)
60 1 .DREAMY BL/RUNNIN WILd(V4" CRk)

LOVIN SAM 4 BURNS CAMPBEI L ORCH

602. CHIS COUTH SIDE/WALKIN BACK HOME

BERT LOWN

603. KEEPIN MYSELF 4 YOu/THE ONE GIRL

604. BYE BYE BLS/

605. PENALTY OF LOVe/lOVING U WAY I DO

606. U SIMPLY DELISH/THEN LIPS MET MINE
607. SAY HELLO TO FOLKs/hEARTACHES

608. BY MY SIDE/lM SO AFRAID OF YOU

609. PLEASE DONT TALK ABOUT ME/wHEN LOVER Bl 22652 V

LUCKY DEVILS/DEEP RIVER ORCH

6 10. FOR U 4 ME/JUST A MEMORY

J I MM I E LIINCFFORD

6 1 1. WHITE HEAT/JAZZNOCRACY

6 1 2. WATCHA KNOW JOE/pLEASE SAY THE WORD

613. MY BL HVn/mED IT AT I ON

614. BATTLE AXE/ CHOCOLATE
6|5. SHOEMAKERS HOLIDy/u SET ME ON FIRE
616.1 LOVE YOU/ OH WHY WHY
617. BELGIUM STP/THINK OF ME

CLAUDE IUTER
6I8.SPORT MODEL MAMa/tIGER RAG
ABE LYMAN

619. WISH I HAD D I Me/hORSE N BOOGIE

JIMMY LYTELL

620. TWO FACED MAN/TELL ME YOUR BLS

BA 32539 V

7916 V

PE 15271 E-
HOW 1090 V
VI 22568 E
VI 22582 W
VI 22612 W
VI 22623 V+

PE

14857

V—

BB

5713

V

CO 35625 V-/N

DE

3520

E

DE

3807

V

VO

4712

v+

VO

4979

N-

VO

5207

V

RM

5

N-

BB

1 1360

n/e

BEA

106

E

HUMPHREY I YTTLETON
62 I. WHEN SAINTS GO MARCH I Ng/c ARELESS LOVE JU
EDDIE MACAULEY

622. ALWAYS BE IN LOVE W u/ "BE TEST

MAG KEYS MICH BLVD GANG

623. U TOOK ADVANTAGE OF ME/CHARLEV MY BY JU

624. AT SUNDOWN/HAPPY BLS JU

DODO MARMAROSA

625. HOW H IGH MOON/MELLOW MOOD
RjllY MASON

t/P

18 N

10 N
I I N-

626.MY mammy/paradise

ATOMIC 225 N
BEE 5773 N-

23

25^ MINIMUM BID

25^ MINIMUM BID

THE RECORD CHANGER

BOX 92, THE RECORD CHANGER 4!3 W. 49TH ST NYC |9 NY
SEE PAGE ONE OF SUCTION FOR INSTRUCTIONS.

D4CK MCDONOUGH
627. LOVE WHT U DOIN/GIVE ME SNG 4DNCE

VE 61203 V
ME "70 III V

628. T ON TERRACE/FROST ON MOON

RAY UCK1 NNEY'S/BRADLEY

629. BEAT ME DADDY/ FABLE OF ROSE DUB 8" E-
MCKINNEY'S COTTON PICKERS

630. 2 whom may concern/cme LITTLE CLOSER VI 23035 V
63|.D0 something /precious LIT THING VI 36051 V-

632. BEE0LE LUM BUm/sELLIH THT STUFF VI 38052 V

633. GEE A I NT GD 2 J/PLAIN DIRT VI 38097 N-
JIMMY MCPARTLAND

634. DAVENPT BLS/USE IMAGINATION PRESTIGE 304 N-

THE MELODY THREE

635. PALS JST PALS/ REMEM ME 2 MARY VI 21754 E
VIC MEYERS MUSIC

636. if I'M dreamng/ beside opn fire Co

637. melancholy/congratulati ons

2049 V-
2026 N-

EDDIE MILLER, VAN EPS, STANLEY WRIGHTSMAN

638. PEC 0 MY HRT/ AINT M I SDEHA V I N

GLENN Ml LLER ORCH
638A . I MAG I NAT I ON/ SAY SI SI

Ml US EROTHERS

635.DARL1M NELLY GRY/ BRK THE NEWS MTHER

BB 10622 V

DE 3705 E+

1999 V

BR 7878 E+

"PE I 1623 E+

SON 500 E+

BB 10955 N-
BR 3484 V
VI 248S3 e/v-

GTJ

GTJ

N

BB 7101 N
SWAN 7506 N-

VI 20605 E+

TEMPLE 52 1 N
TEMPLE 549 N-
GOTHIC 509 N

PATHE 20902 V
PE |4|97 V
PE |4620 E+

MAD 1606 E-

BR 80005 N
JU 2 1 N
BR 4724 V
BR 6191 V

MISSOURI JAZZ BAND

640. HOW HATE DESERT SNG/ MAGNOLIf
RUSS MORGAN

641. BUZZ Ml RANDY/ LIXEHSE BLS
MISS LEE MORSE 4 BLUE GRASS BOYS

642. DADDY'S G RL/WHERE U Gf THSE EYES'
SNUB MOSELY

643. u 4 DEVIL/ J IMKY MAN

BENME MOTENS

644. NEW ORLEANS/ LAFAYETTE
MOUND CITY BLUE BLOWERS

645. NERVS FUPPIES/ WHT DO I CARE
BENNIE MOTENS KANSAS CITY ORCH

646. SHE NO TRBLE/ SOUTH
TURK MURPHY

647. CHIMES BLS/ WHN SUGAR WLKS DWN ST

648. NEW ORLNS STMP/ TRBLE IN MIND
PHIL NAPOLEONS EMPERORS

649. MY KINDA LVE/ MEAN 2 ME

6 50. ROYAL GRDEN BLs/ NOBDY 'S SWTHRT

651 . GO JOE GO/TAKE FINGER OUT MOUTH
NEW ORLEANS RHYTHM X'NGS

652. TIN ROOF BLS./THATS A PLENTY

653. WEARY BLs/ WOLVERINE BLS

654. WEARY BLs/ WOLVERINE BLS
NEW SYNCO JAZZ BAND

655. AfaG PAPA/ GT SEE MAMA EV NIGHT

656. LAND OF COTTON BAND/ DO DOOOEL OOM

657. WHN YR AWAY/ MAY B DNCIN WITH SMEBDY
NEWPORT SOC I ETY ORCH

658. HW MNY TIMES/ DNC I NG DOLL
RED NICHOLS

659.SHIEK OF ARABY/ SHIM ME SHA WABBLE

660. BATLE HYMN/ (PTS I 4 2)

661. WNT 2 B HAPPY/ T 4 2
662.SINGIN THE BLs/ ITS DARNDEST THNG

663. WHO CARES/ROSE WAHS S0.UARE DUB 8"
KING OLIVER W CLARENCE WILLIAMS

664. LONG DEEP 4 WIDE1/ SPEAKEASY BLs CREOLE
KING OLIVERS JAZZ BAND

665. HI SOCIETY/SNAKE RAG

666. MABELS DRm/ RIVERSIDE BLS
ORIGINAL DIXIELAND JAZZ 8A ND

667. C I X IE JASS END I STP/LIVRY STBL BLS

668. AT JAZZ BND BALL/cSTRICH WALK
669.SENSATI ON RAG/BLUIN THE BLS
670.CLAR MARM BLs/ MOURNIN BLS
67 I .MARG I E/PALESTEENA

672. BROADWAY ROSE/ SWT MAMA

673. JAZZ ME BLS. ST LOUIS BLS

674. CRAZY BLS/ HME AGAIN BLS
675. ST LOUIS BLS. JAZZ ME BLS ( HR CRk)

676. DANGEROUS BLS/ ROYAL GRDN BLS

677. TIGER RAG/ FIGETY Ft(aRCADIAN SER ENADERS )duB
WALTER O'KEEFE

678. MAN ON FLY TRAPEZE/ I 4 2 VI 24 1 72 E+
ORIGNAL LOUISIANA FIVE

679.2 TIRED/ LOUISIANA TOODLE CARD I 1 0 1 2 V

ORIGNAL MEMPHIS FIVE
680. SISTER A I NT THT HOT/ HSE OF DAVID BLS

681. WALK JENNY/ LAST NITE ON BCK PORCH

682. MORE/ SHE WOULDN'T DO
683. ST. LOUIS GAL/ SHUFFLIM MOSE

684. AINT GONNA RAIN NO Mo/rED HOT MAMA

685. ANYTHING/ JAZZ ME BLS

686. U CAN HVE HIM BLs/ J I JT BOO

687. AUNT HAGERS BLs/ LVY

688. FAREWELL BLs/ LIZA FROM *LIZA*

689. RED HEAD GAl/ NEV MISS SUNSHINE

690. MEMPHIS GLIDE/ YES WE HVE NO BANAN PAT 2098£
691. SISTER KATE/GT COOL MY DOGGIES
692.UAY B YR MAN/ STOP YR KIDDING
693.4 O'CLK BLS. WHOA TILLIE TAKE TIME
6 94. FA RE WELL BLS. LIZA

695. SIOUX CITY SUE/ BL GRASS BLS (hR CRK

696. AFRIC/ SUPERSTITCUS BABIES

697. G0IN BCK TO THSE/WEST INOIES BLS
698.STRUTT I N AT STRUTTBs/ YANKEE DOODLE

699. LONESOME MAMA BLS/ THSE LONG IN 4 U

700. BEES KNEES/ STP U KIDDIN

701. BEES KNESS/ STP YR KIDDIN

702. RUNNIN WILD/ LOOSE FT

703. PAPA BLs/ GRT WHITE WAY BLS

704. TIN ROOF BLS/ SNG 4 SALE

705. RIDER RIDER BLs/ TRUCK I N LIT WOMAN
7 06. STP YR KIDDIN/ BARKING DOG
707.AGGRAVAT I N PAPa/4 0 CLK BLS

SE
SIG

"VI
VI
VI
VI
VI
VI
VI
VI
VI
VI

26 N-

50 16 N
905N

18255 V-

18457 E-

18483 E

18513 E

I87K7 V+

16722 E

1 6772 v+

18729 V+

18772 E-

16798 E-
N-

BAI282 v+
CO 7 E

CO
CO

37 V-

50 v-

CO 1 55 V-

CO 36064 E

PATHE 20842 £■

PATHE 20900 E

PATHE 20920 V

PATHE 20939 V

PE

|405l

E

PE

14067

V—

PE

14087

V

PE

14104

V-

PE

14253

N-

PE

14298

V

PE

143 1 5

E

RE

1 168

V

RE

9301

V

RE

9395

V-

RE

9395

V

RE

9407

v+

RE

9455

V

VI

19170

v+

vo

4486E-A

vo

14461

E

vo

14506

F+

708,
709,

710.

71 1

712.

7|3

ORIGINAL MEMPHIS FIVE (CON'T)
GRT WHITE WAY BL/ LOOSE FEET
GOIN WEAR U OFF MIND/PAR WOODN SOLD

ORIGINAL SIX
ALL OVER NOTHIn/ NEXT SUNDAY

ORIOLE TERRACE ORCH
CAROLINA IN THE MORN/CHICAGO

KID PRY'S CREOLE JAZZ BAND
MAPLE LFR AG /WEARY BLS

VO 14527 E+
TRI I I |4|V

OK 4693 v+

WILL OSBORNE
CLD BUT KISS HAND/ MAN WHO CMS ARND
JEWEL PAIGE

714. N0NE JELLY ROLL/GIVE IT UP

715. LEFT * BRKN HRT/dEEP SEA DIVER

PAUL PEkDARVIS ORCH
716. OBJ OF APFECTN/MISS. HONEYMOON RYL
JACK PETTIS

717. DCIN NEW LOW DWN/ SPANISH DRM

718. THTS MY HAPPINESS/ AIN'T SHE SWT

719. MUDOY WATER/ CRAZY WRDS

720. MUDDY WATER/ CRAZY WORDS

PI LGRU: JUB I LEE S INGERS

721. GDNITE LORD'S COMIN/SOUL LKED BACK

MINERVA PIOUS 4 BUD FREEMAN

722 . PR I VATE J I VES/ PTS I 4 2

BEN POLLACK

723. WHEN I 1ST MET MARy/(g. OLSEN ORCH )

724. FUTURISTIC RHY/LETS SIT AND TALK( SCRATCH ) VI 2 1858 V+

725. FRM NOW ON/ MADE ME HAPPY TODAY VI 22|58 E

726. RSE COL GLASSES/ ART U ' VE GNE DE 2057 N
HARRY POMAR 4 HIS HOTEL ANS LEY ORCH

BR

2324

V-

CS

8

V+

vs

8 143

E-

DE

7863

E—

DC

789IE+/E

BL C02973

V-

VI

21559

V-

BA

1942

v+

RE

8243

V

RE

8243

V-

VO

1 126

E-

CMS 50

E

VI

20394

V-

727.

728,

729,

730,

731,

732,

733,
734,
735,

736,

737,

738,

739,
740,

741

742,

743,

744,

745,
746

747.

748,
749
750.
75 1
752
753
754

OK 4| | | | N

PE 14209 V

CMS 543 V

DO 3946 E
CP 40047 N-

OK 6520 E+

,RA I NY DAYS/ STILL HVE U IN DRMS

POST LODGE ORCH
.FOLLOW SWALLOW/ RAMBLIN BLS

MEL POWELL
,WHN DID U LVE HVn/

EVELYN PREER

,GT SMEBDY 2 LUV/MUDDY WATER

JESSE PRICE
,JMP IT W SHUFLE/ NAGASAKI

LOUIS PRIMA
.FORG I VE ME/ T ICE T TICA TA

MA RA INEY

,BLS WRLD FORGOT/ PTS I 4 2<RM CHP N GR)pA|2647 G+
,BLS WRLD FORGOT/ PTS I 4 2
,BLS WRLD FORGOT/ PTS I 4 2

RAIfiNA AND HER GANG

,FV NOW 4 THN/ NO STRUGS

JOE RAYMOND
.SWT IE WNT AWAY/DRTY HNDS DRTY FT

DON REDMAN ORCH
. LONELY CABIN/ U TLD ME HALF

l£ 0 RE ISMAN ORCH

,WH I STL I NG BOY/ OUR SONG
. PETER PAN I LUV u/wHN U 4 I WR 1 7

FRANK IE REYNOLDS
.CHI CKEN ON APPLE/ PARADISE

TONNY REYNOLDS
.AMAPOLA/ 7TH INNING STRCH

RHYTHM REVELERS
.LIN'OA/ LUV U SO MUCH

FREDDIE RICH
.HOW HI MOON/ HSE W LIT RED BARN

Rl LEY-FARLEY ONYX CLUB BOYS
■MUSI C GOES RND/ LOOK IN 4 LUV
.GONNA CLAP HNDS/ NO ENOUGH (hR CRk)

JOAN ROBERTS
.OUT OF MY DRMS/ KANSAS CITY

DICK ROBERTSON
•IDA/ INDIANA

.DARKTWN STRUT BALt/ BASIN ST BLS

SMEBDY 'S THINK IN OF u/ YR SWTHRT
IF I CLD B W u/l WNT A GRL
HRT 0 MY HRT/ GUY NEEDS GAL
WHO DID U MEET LST NIGHt/wnT BUDDY
WHISTLE BLOW BL AWAy/diNAH
MAURICE ROCCO

755. T0NKY BLS/ ROCCO'S BOOGIE WOOGIE

756. T0NKY BLS/ SHADE OLD APPLE TREE

GENE RDDEMICHS ORCH

757. RT OR WRNG/ BY THE PARAM IDS

758. W0LVERI NE BLs/ WHN JUNE CMS ALONG

MACK ROGERS ORCH
759. SHADE OF APPLE TREE/ CASA LONA STMP

ADRIAN ROLLINI
760.OAVENPRT BLS/ SMEBDY LVS ME

761. TAP ROOM SWNG/ LESSONS IN LVE

762. HAD SMEBDY 2 LVE/ DREAM ON
763.SINGIN THE BLS/ SWTEST STRY EV TLD
764.SINGIN THE BLS/ SWTEST STRY EV TOLD

( ABOVE i* HR CRK )
ARTHUR ROSS
765. TAKE YR TOMORROW/HI UP ON HILLTP

PA

20228

G

PA

20230

G

VI

25|38

E-

VI

19 1 10

N

BR

6935

E-

BR

7834

E+

CO

307

V

BB

7137

E

HW

18843

E

VD

81868

E-

VO

5420

E+

DE

578

V-

DE

683

V

DE

23285

E+

VS

8032

E+

VS

8028

N

DE

1619

V

DE

3i4|e/v+

OE

3|89

E

DE

2807e/v-

VS

8039

N-

DE

8523

E

SLD

103

V+

BR

2183

V

OR

2455

V

BB

5603

E+

DE

359

E+

OE

787

E

ME

12766

V-

DE

1973

E+

DE

1973

E+

VE

1723

V+

766
767

768,

769
770
771
772
773
774

HARRY ROY

•CANADIAN CAPERS/ SMBDY STOLE MY GAL DE 845 V
.STEPPIN OUT AT MIDNITE/BARREL HSE B W DEE4I009 N-/v
.SITTIN ON EDGE/ OUGHT 2 B A SOCIETY LON 140 E+
ROYAL MUSIC MAKERS

•SNG IS ENDED /M6T B SMEBDY ELSE

LUIS RUSSELL

•GO I N 2 TWN/ SAY THE WORD

RED SANDERS 4 HIS ORCH.
•PEACEFUL VALLEY/ (TRAVIS CARLTON)

SANDHILLS SIXTEEN

•SHINE ON ME/WHT SRT ROBES ANGELS WR

SAVANNAH SYNCOPATORS

LOW DWN ON BAYOU/RADIO RHYTHM
JAN SAVITT ORCH
• LORD HxtU SUUL/lj LONELY I'M LONELY

OK 40933 V
VI 22789 V
GE 3|57 V
VI 20903 E
BR 6 1 76 G+

DE 3 177 E

ADRIAN SCHUBERT 4 HIS ORCH
775,can't we tlk it ov/miss u inevenin
77sa. rhapsody in blue i 4 2

RAYMOND SCOTT QUINTET
776.I8TH CENT DRAWING Rm/bOY SCOUT SWTZR

SEATTLE HARMONY KINGS/ART I ANDBY

777. BREEZ I N ALONG/ TELL ME U LUV ME

BOYD SENTER

778. COPENHAGEN/ BEALE ST. BL
(aBOVERM CHP 2ND SIDE 8 GRVES)

STVEN LITTLE POUR BEARS
779.1 LUV HER/ ANIMAL CRACKERS

TERRY SHAND
780. SORRY SAID GDBYE/jST ONE S I RL

ARTIE SHAW ORCH .
78 i • beg i n beguine/ indian lve call
782. beg in begui ne/lndi an lve call
763. rosalie/ lver cme back

784. HAD 2 B u/ JUNGLE DRMS
785. INDIAN LUV CALL/ BEGUIN BEGUINE
786.S0BBIN BLs/ CREAM PUFF (HR CRK )
787.TEMPTAT I On/ STARDUST

768. DANCING IN DRk/ SMOKE GETS IN EYES
JACK SHEEDY'S DIXIELAND JAZZ

789. LADY MAUDS DREAM/ TIGER RAG

BERT SHEFTER 4 ORCH.

790. DESERTED DESERT/FARMER IN DELLEMA

BOBBY SHERWOOD
791. SNAP YR FINGERS/COTTON TAIL

792. THERS THEM THT Oo/kNEW IT ALL TIME

NAT SH I LKRET

793. HEAD IN FOR HARLEM/ WHREV U R

S IX BLACK DIAMONDS
794. STAY OUT OF THE SO/ONE MRE NITE

THE SIX HOTTENTOTS ( RED 4 MIFF)

795. MELANCHOLY CHARLIE/ HURR I CAN

SIX MEN 4 A GIRL

796. Z0NKY/ SCRATCHIN THE GRAVEL

797. Z0NKY/ SCRATCHIN THE GRAVEL

FREDD IE SLACK PRC H .

798. SMALL BATCH 0 NOD/ CUBAN SUGAR M I LL

800.
801.

802,

803.
804.
805,
806,
807,
808.

809,

810,

611,

8l2,
8|3,
814,

815,
816,
817,
8ie,
819,

820,

821,

822,

823,

824,

825

826

827,
828.
829
830
83 l

832

833
834

835

836
837
838

839
840
841
842

CR

3629 E

DO

4555

V

CO

35347

E-

VI

20|42

V

VI

E—

CA

952

V-

DE

4242

E

BB

7746

E-

BB

7746

V

BB

|0|26

V

BB

10091

V

MW

7525

V-

VO

4686

N

VI

27230

V-t

VI

27335

N-

CNT 102

N

DE 2584

e/v

CAP 23 1

E

CAP

404

E-

VI

20976

V

BA

7008

V-

MF

103

N

VS

8190

E+

VS

8190

V+

CAP i72n-/e

VI

3|5

V

VI

303

V

SOUSA'S BAND
,AT GA. CAMPMEET I NG— RECORDED |90| 7'
BRIDE ELECT- RECORDED 1901 7"

SOUTHAMPTON SOCIETY ORCH.
SILVER MOON/ PT ARMS WHERE THEY BELONG PE|48| 0 V

MUGGSY SPANIER
,DIPPER MTH BLS/ SISTER KATE BB 10506 E

THAT DA DA STn/smEDAY SWTHRT BB 10384 E

iLONESOME RD/ MANBY MAKE UP MIND BB 10766 E

,DINAH/ BLAK 4 BLUE BB 10682 E

.RELAX IN AT TOURo/r I VERBT SHUFFLE BB 10532 N—

.MEMPHIS BLS/ SWT SUE JUST YU CMS |5|9 E

PA III SPECHT

,WHTS THE USE/ WNDER HW IT FEELS CO 2264n/n-

LEE STAFFORD PIANO
.HELIOTROPE BOQUET/WI NTER GRDEN RAG CAS 10 N

STOMP S IX

.WHY CNT BE LIT ME/ EVBDY LVES BABY SESS 5 N

MAX INE SULLI VAN

.COM IN VA/LOCK LOMOND VO -3654n/v+

.EASY 2 LUV/NIVE KRK U GT IT VO 3848 E

, I'M COM IN VA/LOCH LOMOND OK 3654 E+

SYNCO JAZZ BAND
.SATANIC BLS/ LUCKY DOG BLS PAT2055B E

•BREEZE/ T ELL ME CO 2783V-

,HOT LIPS/STATE ST BLS PE 14022 E-

,BLUIN THE BLs/jAZZOLA ARTO 9003 E

.CLOVER BLOSSOM BLs/cHICAGO ARTUELLE 208|2 V

RICHARD TAUBER
.ROSES OF PI CARDY/STUDENT PRINCE DE 23024 N-

FRANK TESCHgMACHER
, BABY WONT U PLSE/TRYING 2 STP CRYING BR 80064 E+

THIS IS JAZZ- ALL STARS
.I'M SORRY I MADE U CRY DUB N-

PINKY TOMLIN

.RAGTIME COWBOY JOE/ SITTIN BULL 4 SHINE BR 7378V

BARNEY TRIMBLE 4 HIS OKLAHOMA NS
,BL TURNIN GRY OV U/NOBDYS USIN IT NW HA 1093 N

UNIVERSITY FIVE
.MARGIE/ PICKANNIN ROSE

UNIVERSITY SIX

L 1 LA/ STAY OUT OF SOTUH

VARSITY EIGHT
t hm ramblin bls/me 4 boy fr i end
no one/ show me the way-
gonna hang arnd sugar/roll em grl
precious/ who cld b wndful
Clementine/ my new gal

JOE VENUTI'S BLUE FOUR
TO TO BLS/THE BLS SINGER

THE VIRGINIANS
jHONEYS LOVIN ARMS/ CUDDLE UP BLS
♦NOBODY LIED/ YANKEE DOODLE BLS
JERRY WALD
SMEONE WTCH OV me/ CONTINENTAL

TED WALLACE
. I *LL GT BY/ AFT ALL MY DRMS
.THE CAT/ OH LIZZIE

conrfed/ LULU WAIL

FATS WALLER
,G0N SIT RIGHT OWn/bEEN TAKIN LESSONS
.ANITA/ USED 2 LUV U
LITE OF SILVERY MOON/sWNT 2 VICTORY
U ST A YD AW 2 LNG/SMEBDY THNKS WNDFUL
WAR I NGS PFNNSYI VAN I ANS

PAT(s)20476E

HA 6|7

V+

CA 605

V+

CA 694

V-

CA 824

v+

CA |0|7

V

RO 476

V

PAE 1 1 1 5

E

VI 18881

v+

VI 18913

V*

MAJ 71 50

E-

BA 6239

V

OK 40778

N

OK 40915

N

843. LIT WHITE HSE/ LEANDER

BRS |0|3 N-

BB 10369 V

BB I 1 569 E

VI 25222 V

VI 20289 V

29

25^ MINIMUM BID

THE RECORD CHANGER

BOX 92, THE RECORD CHANGER 4|8 W. 49TH ST. NYC, N.Y.
SEE PAGE ONE OF AUCTION FOR INSTRUCTIONS

25^ MINIMUM BID

THE WASH I NGTON I ANS (DUKE)

844, EAST ST. LOUIS TOODLE/RAI NY NITES

ETHEL WATERS

845. HANDY MAN/ GUESS WHOS IN TWN
LU WATTERS

846. AUNT HAGERS BLs/ BEES KNEES

847. AUNT HAGERS BLs/ B EES KNEES

848. AUNT HAGERS BLs/ BEES KNESS

TED WE EMS

849. BARBARA/ MISS ANNABELL LEE

850 . REM ARK ABLE GRL/2 MANY EYES

MAE WEST

85 1. CALL ME SIS HONKY TNK/EASY RIDER
TNK/ i

AFCDJ 18

N

CO 14353

V

DH 2

N

DH 2

N

DH 2

N

VI 20846

V

VI 22157

E—

TEMPLE 545

N-

EASY RIDER TEMPLE 545N~/v

852. CALL ME SIS HONKY

PAUL WHITEMAN

853. CRINOLINE DAYS/ TELL ME LIT GYPSY

854. MANDY/ LAY

855. EVRYBDY STEP/ KA LU A BL DANUBE BLS

856. LA2Y/WHAT'LL I DO

857. TENTIN DWN T ENn/gEORG I ANNA

858. MUDDY WATER/ A I NT SHE SWT ( |" HR CRK )

859. BRKEN HRTED/ COLLETE (HR CRK )

860. ALWYS REMEM u/ WHO DO U LUV

861 . MANHATTAN BARy/bROADWAY
862. IN BOQUET OF MEm/ MY ANGEL
863. ONLY PAPER MOON/ NITE OWL

864. N0BDY'S SWTHRT/ STP LOOK 4 LIST

BOB Wl LBER

865. NOEW ORLEAN SHUFFLE/ I CAN'T SAY
866. OLD FASH LUV/ CHIMES BLS

867. WHN U WRE TULIP/TRBLE IN MIND

BERT WILLIAMS

868. N0BDY'S BIZ BT MY OWn/evBDY WNT KEY

CLARENCE WILLIAMS
869. I'M LIT BILKBIRD/mAMY MAKE UP MIND

870. MANDY MAKE UP YR MIND/ LIT BLKBIRD

871. FND NEW BABY/ SARATOGA SHOUT

872. BREEZE

COOTIE WILLIAMS

8 73. WEST END BLS/ G- MEN

MIDGE WILLIAMS JAZZ JESTERS
874. I'M hap frame mind/ luve like WHISKY

875. THT OLD FEELIN/l KNW U

RALPH WILLIAMS 4 RAINBOW CRCH.

876 . PR I NCE OF WAILS/ GET LUCKEY

TEDDY Wl LSON
877. I'm comin va/ how am i 2 know (crk)

878. swt Lorraine/ test

JULIE WINTZ

879. AFT U'VE GNE/ WANT SOMEONE

JOHNNY WITTWER

880. BILL BAILEY/ RAGTIME N I GT I NGALE

YANKEE TEN ORCH.

881. AM I BL/ NOT 4 DAY BUT FOREV

YUKLS WABASH FIVE

882. ROYAL GRDEN BLS/ 2 QUART BLS

CAMEO DANCE ORCH.

883. LA PALOMA . LA GOLONDR I NA

THELMA CARPENTER

884. JST SITTIN 4 ROCK IN/HHRRY HOME

JOE FINGERS CARR

885. ROOTEE TOOTEE/ SNOOKEY OOKUMS

BENNY CARTER

886. CARING KIND/ SME OF THSE DAYS

LARRY CLINTON

887. DREAMY LULLABY/WORRY WORRY WORRY

888. ABERCR0MBI E HD ZOMBIe/cmTWN RACES

KING COLE TRIO

889. E.S.T./ LIPS REMEM YR KISSES

BING CROSBY

890. MAN 4 HIS DREAM/ GO FLY KITE
89|.B'FUL LUVE/ SYMPHONY

892. ACCNTUATE POSTI Ve/ FELLOW IN POUGHKP. DE 23379 E

893. AFT U'VE GNE/ BLUE DE 241 |4 E-

894. AFT U'VE GNE/ BLUE DE 241 |4 N-

895. U DON'T HAVE TO KNOw/ APALACH I COLA FLA.DE24282 E+

896. GALWAY BAY/ GIRL'S AN IRISH GRL DE 24295 N-

897. YES INDEEo/ T 4 2 DE 25406 n/g

COUSIN JOE WITH EARL BOSTICS GOTHAM SEXTET

898. FLY HEN BLS./ LCNESME MAN BLS

DAN 4 HIS SKIFFLE BOYS
899.3 FLIGHTS UP/ BIG CAT LIT CAT

900. LAKEFRONT GLs/s HOTGUN HOUSE RAG

DIXIE DAISIES

90 1. FRITS IN ON THE FRIT3

902. AGGRAVAT I N PAPA/ THTS LAZY BONES.

EDDIE LOCKJAW DAVIS

903. REAL GONE GUY/ LEAPIN ON LENOX

THE BILL DAVISON SIX

904. JST A GIGOLO/ WHY WAS I BORN

DEPAR IS BRCS. ORCH .

905. CHNGE 0 KEY BOOGIE/SHIEK OF ARABY

JIMMY DORSEY

906. MELANCHOLY LULL/R U HAVIN ANY FUN

907. EMBRACEABLE u/ CONTRASTS

THE ESQUIRES

908. BOPPIN AT ESQUIRE. IDABOP

WILL EZELL

909. HEIFER DUST, BARREL HOUSE WOMAN

LEONARD FEATHER 4 DAN BURLEY

OF

2694

E

DE

2696

E+

VI

18826

V-

VI

19299

V

VI

20017

E+

VI

20508

V+

VI

20757

V

VI

20784

N

VI

20874

V

VI

2l388

E

VI

24400

V-

VI

25319

E-

RAH

2

N-

RAH

3

N-

RAf.

6

N—

CO

2750

V-

BRS

1003

N

CO

35957

N

paE

2225

E

vo

2541

V

OK

6370

V-

VO

4026

N-

VR

620e/n-

VI

19504

V

BR

7893

V

DEE

E+

HA

1 169

E-

JM

20

N

JE

5602

E-

JU

8

N

CA

358

V

MAJ

1023

E

CP

1074

E

DEL

|0|2

E

OE

24377

E+

BB

11048

N—

ATLAS 1 00 E

DE 2641 E
DE 18735 N-

GO

500

E-

CI

1 02 1

N—

CI

1022

N—

CA

769

V

CA

299

V

LEN

502

N—

CI

1032

N—

CMS

567

E+

DE

2761

N—

DE

25294

E+

JUB

1001

E

SIG

910

E

9|0. SUITE IN 4 COMFORTABLE QUARTERS

HERB IE FIELDS
911 .IN A PERS. MRKET/ JOHN JOHN

JACK Fl NA
9|2. SHANGRI-LA/ 6AAGHETT I RAG
PAT FLOWERS

CONT 6006E

VI 203052 E

MGM I06I0E+

FRANK ' THE FLOORSHOW' AND HIS ORCH.

CONT 6070 N

9 1 3. CANTEEN HONKY TONK BOOGIe/pREL. 4FUGUE HIT I0|2E+

FOUR NOTES OF RHYTHM

9 14. hea'd|n 4 hrtache/luv u till" die Gold meqal949n-

GUILO
GUILD

124 E
124 E

915. READY 4 ACTION/ PIG IS DIGGIN

VIVIEN GARRY TRIO

91 6. altitude/ relax jack

917. altitube/relax jack

TOM GERUM

918. WEB OF LUV/ THE NEW STEP

DIZZY GII1ESPIF
9 1 9. SALT PEANUTS/ HOT HOUSE

ARTHUR GODFREY
920. LOOK IN OV 4 LFT CLOVER/l 000 ISLAND SNG CO 38081 N-

GOLDEN GATE QUARTET
92l. STALIN WASNT STALL I n/f I NGERS IN WATR OK 67|2 E-
BENNY GOODMAN

BR 45 1 9 V+

GUILD I003E

922.GONNA LUVE THEN GUy/ ITS ONLY PAPER MN C036843 N—

VI 25090 E
CO 37187 N
CO 36722 E+
CO 36721 N

HIT 7036 E

DE 18567 E
VI 24256 E+

VI 202832 E

CMS 579 N-

923. SOMETIMES I'M HAp/KING PORTER

924. BENJ I ES BUBBLE/GAL IN CALICO

925. PR BUTTERFLY/GRAND SLAM

926. FND NEW BABY/ FLY I N HOME

HAL GOODMAN

927. CLD 1 T B U/ HE'S A RIGHT GUY

GLEN GRAY

928. MY HRT TELL SME/ MY SHINING HR

929. DARDANELLA. CASA LOMA STMP

LARRY GREEN

930. CONCERTO 2 MOON/ MOTHER NATRES LULL

EDMOND HALL 4 HIS QUARTET

931. NIGHT 4 DAY/ WHERE OR WHEN

GEORGE HAUL

932. WILL U REMEM 2NITE/0H MAMA

LIONEL HAMPTON

933. sept im rain/ evrybdy's smebdy's foo

934. air mail special/ pts | 4 2

935. chop chop/hamps 8 w

936. g0ldwyn stomp/ hawks nest

937. jumpin jive/ mem of u

938. gin for xmas/ heebie jeeb r rockin

COLEMAN HAWKINS QUARTET

939. DRI FT IN ON REED/ FLYING HAWK

940. FLYING HAWK/DRIFTIN ONREED

ERSKIN HAWKINS

941. FANTASY IN BL/ BOOGIE WOOGIE

HORACE HE I DT

942. WHO DO U THNK SAW/ LIT LADY MAKE

FLETCHER HENDERSON
944. SNAG IT/ HOP OFF
WOODY HERMAN

945. INTERMEZZO/ SORRENTO

946. APPLE HOKEy/ OUT OF this WORLD

947. KEEN 4 PEACHY/GT NEWS 4 U

EDDIE HEYWOOD

948. BL LOU/ CARRY ME BACK TO OLD VIRG. CMS 570 E

949. LVE ME OR LVE ME/cNT BELIEVE THAT YR CMS 577 E+

950. LUV ME OR LVE me/ Cn'T BELIEVE THAT YR CMS 577 E+

95 1. DEED I DO/ JUST U JUST ME CMS 578 E+

952. DEED I Do/ JUST U JUST ME CMS 578 E-

953. PLYMTH ROCK/ CHILLICOTH OHIO VI 202839 E+

954. WAY U LK TONIGHT/MOON WAS YELLOW VI 20298 N-

H0LLYW00D HUCKSTERS

955. HAPPY BLS, THEM THERE EYES CAP40022 E

INTERNATIONAL SWEETHEARB OF RHYTHM

956. JMP CHILDREN/ SLIGHTLY FRANTIC GLD |4| E+

REX IRVING MODERN MEN OF MUSIC

957. THE ACROBAT/ BABUSKKA HOP EL 5035 E

CLARENCE JACKSON

958. POOR BUTTERFLY/ FLAMINGO CRYSTAL 5|7 E+
RTJSSEL JACQUET 4 HIS BOPPERS BAND

VO

4085

E

DE

27176

E+

DE

18880

E

DE

1 861 3

E

DE

24505

E-

VI

26304

E+

VI

26423

E+

JD

8250

E+

JD

8250

N-

JD

8 192

E+

BR

8125

N

CO38056

N-

CO

35670

E+

DE

25274

E

CO

36803

E

CO

3821 3

V+

959. KING SPINNER/ BONGO BLS KING 4289 N-

HARRY JAMES

960 . BEAUMONT RIDE/ GET SO LATE SO EARLY
961 .GET SO LA TE SO EARLY. BEAUMONT RIDE

CONRAD JANIS

962. WILLIE THE WEEPER/EH LA BAS

I SHAM JONES

963. UNDERNTH HAWAII SKIEs/she'D SAY WAS UMH

JIMMY JONES BIG FOUR

964. KEEPIN UP W JONES/ SUNNY SIDE UP H

DICK JURGENS

965. R U K I DO IN/ HOW ONG HAS THIS BEEN

STAN KENTON

966. concerto to end all/ pts i 4 2

967. c0llabrati0n/ machitao

968. ml nor riff/ dwn in chihua hua

969. jolly Rogers/ evening in Pakistan

970. easy go. but thn u kissed me

971. I'M SO IN mood/ VIVA PRADO
972. SEPT. SONG/ARTISTRY IN TANGO

973. JUMP 4 joe/ LURA

974. HOW AM I 2 KNOW/ HE WAS GD MAN

975. ECUADOR. JOURNEY 2 BRAZIL

ANDY KIRK
976. SITTIN ARND 4 DRMIn/bREEZE
GENE KRUPA

977. DISC JOCKEY JMP/ GENE BOOGIE

978. GALLOPIN COMEDIAMS/SWISS LULL

SIR LANCELOT

979. NEIGHBOR LVE ME LOOP/ DONKEY CITY EKY

NELLIE LUTCHER

980. CHI CHI CHICAGO/ ONE I LUVE

TONY MARTIN

981. DANCE AT WEDDIN/ CAROLIN AIN MORNIN

FRANKIE MASTERS

982. CHARM IN LIT FAKER/WALK W MUSIC
RAY MCKINLEY

CO 37080 N-
CO 37080 E+

CI 3006 E

BR 5052E-

HRS I043N-

OK 6307 N

CAP 382 E-
CAP 408 E
CAP 449 E
CAP I043E+
CAP ,'|9| E
CAP 1279 E

CAP 1480 E
CAP 1704 E+

CAP I5327E+
CAP5763I e

DE 2261 E+

CO 37589 E-
CO 38520 E-

55 E

CAP I0I08N-
VI 2025I2E+
VO 5394 E+
VI 202736 E+

983. Al RIZAY/C I NCINNAT I

FREODIE MITCHELL

984. TIL TOM BOOGIE/FISH MARKET BOOGIE DERBY 739 E+

VAUGHAN MONROE

985. GIVE BRKEN HRT BREAK/ MAHAR Off MAG VI 202851 E+

SPUD MURPHY

986 . He stacy/ dancing w deb

ROY NEWMAN

987. MARY LOu/lM SAVING SAT NIGHT 4 U

CHARLIE PARKER

988. BIHDS NEST/DARK SHADOWS

PH I LAHARMON IC TRIO
989. SWT 4 LOW/SCHUBERT SERE NATNL

LOUIS PRIMA
990. ANGEL I NA/ROB IN HOOD

PRINCES ORCH
99 I. SMOKY MOKES/HAPPY DAYS DIXIE

JOE RINES W. ORCH
992. SHE WAS SAILORS SWTHRT/BUDWE I SER

DICK ROBERTSON

993. ARE U HVIN ANY FUN/COMES LVE

ARTIE SHAW

994. CRUMBUN/SHEK0MEK0 SHUFFLE

GEORGE SHEARING QUINTET
995. IN CHINESE GARDEN/PTS 142

996. WHN LOVER GONE/cARNEG IE HORZ

BERT SHEFTER

997. MONKY ON TRAIN/TRAMMIN AT FAIR

SI LVER ECHO

998. LAND OF FADELESS DAy/s INNER MAN

VARSITY EIGHT

999. WHY SHOULD I WEEP BOUT ONe/diDNT
000. BRAN NEW GAL OF MINE/LOVE GIRL

CHARLIE VENTURA
001. SYNTHES IS/BLUE CHAMPAGNE

VICTOR SALON ORCH
002oG0fJD0L I ERS/v I ENET I AN LOVE SONG

KIRBY WALKER
003. SHE A INT NO SAINT/LOVE COME DWN

LEONARS WARE TRIO
003A.HEY HEY LIT DOGG I E/wHOOEE THE BUMBLEMAY 7245 N—
WAREINGS PENN

004. GD NIGHT SLEEP T I GHt/hAUNTED BY VI 19362 E+

CHICK WEBB

005. HAVE MERCY/ IM UP TREE DE 2468 E-

DICKY WELLS BIG SEVEN

006. BEO ROCK/WE'RE THROUGH HRS I 0 1 9 E-

PAUL WHITEMAN

007. MUTINEY IN NURSERY/jEEPERS CREEPERS DE 2222 V

008. BEACH BOY/NOTH1N ELSE TO DO VI 24678 V—
0C9.SWTHRT/ IN A BOAT VI 18789 V-
OlO.ON G|N GIN GINNY SHORe/mARIE VI 18859 V+

RUBBERLEGS WILLIAMS
01 1.4 — f" BLS/ I WANT EVERY BIT OF IT CONT 6020 V+
BARRY WOOD

0 1 1 .MADELA I NE/THI S IS NO LAUGHING MATTER VI

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CALIF, WONDEJgRS
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BRKING LOVELY AF FA I r/skR ONTCH
WE GO WELL 2GETHER/SEE MILLION

CAPITOL JAZZMEN
CASANOVAS LAMENT/lN MY SOLITUDE

BOB CARLESON
iTBFUL NITE MOON/SINCE FELL

THELVA CARPENTER
JUG OF WINE/SEEMS LIKE OLD TMES

WINGY CARPENTER
TEAM UP/RHYTHM OF DISHES 4 PANS

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CARMEN CAVALLARO 4 BON EBERLY
FULL MOON 4 EMPTY ARMS/COME CLOSER BE

CARMEN CAVALLARC ORCH
EVELYN/AN ITRAS BOOGIE DE

JACK CHAPMAN ORCH
DRM DADDY/THE ONLY GIRL VI

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THAT CERTAIN PARTY/SHOW ME WAY HME HA

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DREAMERS HOLIDAy/envY CO

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DANNY COBBS
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27692 E

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5288 W

4045 E
6341 N-

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1030 E-

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COMEDY MONOLOGUE

COHEN PHONES AUTO/GAS COMP CO 3772 E+

EDDIE CONDON

.GRACE 4 BEAUTY/RAGG IN SCALE DE 27408 N—

RAGGIN THE SCALE/gRACE 4 BUTY DE 27408 E+

, 100 YEARS FRM/EVRY BDY LOVES DE 27409 N
.EVYBDY LOVE BABy/|00 YRS FR TODAY DE 27409 N-

ZEZ CONFREY ORCH

.LIZA/SLEEP HILLS OF TENN VI 19055 V

JFROME CONRAD ORCH

.MISSISSIPPI MU0/(HAR0MIANS) DE 2694 E

30

25^ MINIMUM BID

THE RECORD CHANGER

BOX 92, THE RECORD CHANGER 4|8 W. 49TH STREET NYC 19 NY
SEE PAG E ONE OF AUCTION FOR INSTRUCTIONS.

25^ MINIMUM BID

1041

1042
1043

1044

1045

1046
1047
1048,

AL COOPERS SULTANS
.RHYTHM DOC MAN/JUMP STEADY
,B0ATS/FISH FOR 6UPPER
• WISHING 4 CRYING/SOPHIS JUNP

FRANCIS CRAIG ORCH

,DO ME FAVOR/FOOL IN

JESS CRAWFORD

,JUST MEMORY/AFTER U CALLED

Bl NG CROSBY
iL I KE SOME ONE LOVE/SLEIGH RIDE
,OH BUT I Do/a GAL CALICO
,»HITE XMAS/GOD RFST MRY GNTLEMEN

BOB CROSBY ORCH
1050. COME i ME HONEY/ JAVA JUNCT I ON
1 05 1. ITS GOT TO BE/u MY EVERYTHING

ARTHUR 'BIG BOY' CRUDUP
I 052 .WHOS FOOLIN/ROCK ME MAMA

GAY CROSSE 4 HIS GOOD HUMOR 6
1 053 .G IVE IT/BE BOP BL

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I 054. STAND ING AT WINDOW/MAMMA DONT ALLOW BB 340717V

BERN IE CUMMINS ORCH
I055.WHOS CALLING U SWHT/ (TROUBADOURS ) VI 22565 V
HANK D'AMICO

9003 V+

9006 E

BN 54 1 E+
CP5760006E+

CE 3019 N

OK 4355 V+

DEL 2000 V

MAJ 7160 E+

348 V+
I 193 v

I 056. GONE AT DAWN/WONDER NAT
I057.0VER RA| NBOw/cOLE HEAT WARM FT NAT
(ABOVE RM CHP no grv)
TADD DA ME RON SEXTET
1058 .DAMERONI A/THE CHASE

i059.casbah/sids DELIGHT

COW COW DAVENPOART
I060.SLOW DRAG/CHIMES BLS

VAUGHAN OE LEATH
I06I.WHOLL BE NEXT ONE/ ALL BY MYSELF

DELUX ALL STAR BAND
I062*GD JELLY BLS/ STAY IN MOOD FOR U

FIVE DE MARCO SISTERS

1063. FLAT RIVER MISSOURl/HOP SKIP JP

THE DIPLOMATS

1 064. JUST LIT BL FOR YOu/bLUE GRASS CO 1495 N

DIX IE DAISIES

1065. PAPA bL/SEB HEAD GAL CA

1066. BRKEN HEARTED/(S0CIETY NITE CLUB) CA

D IX IELAND RHYTHM K ING8

1067. TIGER RAG/ACE IN HOLE KNICKB

SAM DONAHUE 4 ORCH

1 068. PICK GROOVE/BEAT THE BAND TO BAR

RAY DOREY

1 069. MAN WHO PA I NTS RA I NBOw/mAMSELLE

CHARLES D0RN8ERGER ORCH
I 070. WONDER IF SHES LONELY/ NEVER HAD
JIMMY OORSEY

1071. aNY TIME AT ALL/LOVE U IN TECHCU

1072. ABSENT MINDED MOOn/mE 4 MEL I ND A

1073. AINT MISBHAVIN/GLAD THERES U

TOMMY DORSEY
I 074. BLUE DANUBE/DARK EYES

1075. NIGHT 4 DAY/SMOKE GETS IN EYES

1076. MANDY MAKE UP/STARTED ALL OVER

1077. MANDY MAKE UP Md/sTARTED ALL OVER

1078. THERE GD BL TONIGHT/dONT B BABY
I079.SWT eileen/no ONE BUT U
1080. SPRING ISNT EVYTHING/BINGO BANGO
108 1 .FR I ENDSH I p/(HOLLYWOOD H I LLB ILLIE!
I 082. DEEP VALLEY/TOMBONOLGY

1 083. FAREWELL TO ARMs/l MAY B WRONG

1084. DRM OF U/PUSSY WILLOW

1085. NICE TO KNOW U CARE/PUDDLE WUMP

DUTCH SWING COLLEGE ORCH

1086. FIDGETY FEET/ PAN AM A RAG

1087. TIGER RAg/aBSENT MINDED BL

1088. JAZZIN BABIES Bl/v|PER MAD

BILLY ECKSTINE

1 089. CARAVAN/SENOR I tas bouquet

1090. LONG LONG JOURNEy/mOOD FOR LOVE

FRED ELIZA LDE PIANO SOLOS

1091 . Ml NE/SI AM BL

DUKE ELLINGTON

1092. CONGA BRAVA/KO KO

1 094. THEM THERE EYEs/tHE MOOCHE

1095. WALL ST WAIL/MOOD INDIGO

1096. CREOLE RHAPSODY/ PTS 142

1 097. BEST WISHES/BUNDLE OF BL
I 098. A I R CONDITIONED JUNGLe/mnDAY EVY
1 099. MD INDIGO/THE MOOCHE

MERCER ELLINGTON ORCH
I 1 00. METRONOME ALL OUT/PASS ME BY

EPPS HOTEL ASTOR ORCH
1 1 0 1 . music of love/(gLanTI! OUCH)

LEONARD FEA THER
1102. SUITE IN 4 QUARTERS/|42
I 103. LADY IN DEBT/LOST WEEKEND

ERNIE FELICE QUARTET
I 1 04.ST of drms/Woo C4 Ua CHOO GA

CARL FENTONS ORCH
I 105. COUNT DAYS/ SEBD BACk HONEY MAN

1 1 06. ALL ALONE/END OF WINDING LANE

ELLA FITZGERALD

1 107. BETCHA NICKEL/MOCN RAY
II08.STONE COLO DEAD/PETOOTIE PIE

FIVE RED CAPS

II09.GRAND CENTRAL STATIOn/nO FISH TODAYGE 7||8 E-

RALPH FLANAGAN ORCH
I I 10. WHAT WHERE WHEN/TO ME U A SONG
IIII.MY HERO/TELL ME WHY
III2.0R HRTS 4 GNTL PL/wHR OR WHN
II |3. FAREWELL AMANDa/lEAVE IT TO LVE

FLENNOY TRIO
I I I 4. HEY LAWDY MAMA/MY HONEY CH I LE

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2904

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VI 203795 N
V 1300006 E-
VI 3000 16 E+
VI 300024 E+

MELCOISCI0IE+

BLIND MAMIE FORHANP

1115. H0NEY ON ROCK/WLD MIND DYING ANCHOR 381 N

THE FOUR BLUES

1116. COULDNT HEAR NBDy/gOT DATE W RHYT DEL 1003 E-

ART FOXALL QUINTET
I 1 17. LAST NIGHT/ART MEET ART BARRON 501 E

EARL FULLER CdCH
I I 18. |2TH ST RAG/CCL" TURKEY CO 2298 V

LOWELL FULSON

1119. WANT 2 C BADY/TR0U3LE BLS B1GTVN 1 074 V—

SLIM GA I LARD

1120. HIP COWBOY/YIP ROC HERSEY MER 8956 N
I|2|.H|P COWBOY/YIP ROC HERSY MER 8556 N—

JAN GARBER

II22.WHAT DO I CARE/UNDER THE MOON VI 20754 V-

GAY SISTER

I 1 23. GOT TAKE OF u/gOIN WALK OUT SV 4025 N-

THE flCPRQ I A PEACH
I I24.JUST ONE MOMENT/TEAR DWN CONFUSION AP |2| E

STAN GETZ

1124. FIVE BROTHERS/ 4 4 ONE MORE NJ 802 E+

GEORG I A 8I38S

I 125. THINGS WE DID LAST SUMMER/ IS IT MA |2007 E+

DIZZY GILLESPIE ALL STARS (album)

1125. GROOVIN HIGH/BLUIN BOOGIE/HOT H ETC.MU S-7 £+
1127. SALT PEANUTS/WAITED FOR U MU 5|8 E+

I |28.0W|/00PAPADA VI202480 e/v

1129. NITE CARNEGIE HALl/ PTS 344 BLK DEUCE 1 E—
JAZZ GILLUM

I I 30. MY BIG MONEY/TELL ME MAMA BB340707 V

BILL GODDEN TRIO
I 1 3 1 . 1 LIED 2 U/6UGAR HILL MU 343 E

JEAN GO LDKETTE

1 1 32. E I LEEN/WA I T YLL U SEE VI 19327 E+

1133. LOOK AT WRLD 4 SMILE/(oLSEN VI 20472 V

1134. LANE IN SPAIn/(b.F. GOODRICH) VI 20491 V-

BENNY GOODMAN

1 135. ROOM 1411 /JUNGLE BLS BR 80029 N—
I |35. WHISTLE BL/LONELY MOMENTS CP 374 E+
I 1 37 .LONESOME RO/FINE 4 DANDY CP 394 E+
I 1 38. WORLDS WAITING SUNR I Se/sh IR LEY CP 15069 E+
I 1 39. WHY DONT WE Do/eGG HEAD CP 57758 E

1140. WLD WAITING SUNR I Se/soLO FLIGHT CO 36684 E-

1141. D0NT S BABY/ALL CATS JOIN CO 36967 N

I I42.R AT TLE 4 ROLL/ON ALAMO CO 36988 E+

II43.D0NT KNOW WHAT LOVE IS/dRMBOAT OK 6534 n/v-

HAL GOODMAN

I 1 44. FORTUNE FOR PENNy/mORE THAN UNYTHGHlT 7059 E-

DEXTER qoroon

I 145. THE DUEL/ I DL 1 028 E

GLEN GRAY ORCH
I I 46. ANGELS OF MERCY/ ( J I MMY DORSEY DE 4| 70 e/v

GRAY GOROON 4 HIS TIC TOC RHYTHM
I 147. GENTLEMEN JUPY/AM AMERICAN BB 10783 E

WARDELL GRAY

1148. BLUE CRAY/TREAD IN W TREADWELL PRETT 7|4 V+

LIL GREEN
I|49»B0Y FR I END/BOSD Y BUT U

GREENSBORO BOYS QUARTET
II50.SWT LITTLE GRL OF MINE/siNG ME CO 15507 N

LILLIE GREENWOOD
II5I.IM GOIN CRAZY/O I SATISFIED BL MDRNHLLYD2077I E+

AL HA I G W. WARDELL GRAY
I |5| .TWISTED/EAST LIVING NJ 817 N—

II52.IN A PINCH/lTS TALK TWN SEECO 100038 E

CARL HALEN 4 WASHBOARD FIVE

1153. DOC JAZZ/HEEBIE JEE8IES KN ICK 3 N

1154. WIIXIE THE WEEPER /cAKTWLKIN B KNICK 4 N-

AL HALL QUINTET

1155. AM I BLUE/EMALINE WAX 1 00 N

LIONEL HAMPTON

1156. HAMP WALKING BOOGIe/riDIN ON THE DE 23839 E+

THE HARMON IANS
I 1 57. JUST ROLL ALONG/CHLOE DE 2596 e/v+

I I 58 .OR I FT I NG 40RMING/SAY IT AGAIN HA I 27 V

II59.CHLOE/ I JUST ROLL ALONG HA 596 V+

THE HARMON IANS .
I I 60. MIGHTY LIKE U/MISS WONDERFUL
WYNONIE HARRIS

BB 34728 E

VE 2028 V

1161. GD ROCKIN TNITE/GD MORNING MR BLS Kl 42|0 E

CLYOE HARTS ALL STARS

1162. WHATS MATTER/THATS THE BLS CONT 60|3 N—

1163. THATS THE BLfi/wHATS MATTER NOW CONT 60 1 3 E

COLEMAN HAWKINS

I 164. BODY 4 SOUL/ 1 T HAD TO B U BB300S25 N

I I 55. CRAZY RHYTHM/HONEYSUCKLE ROSE VI 262|9 N

ERSKIN HAWKINS

II66.SM0NES ROCKING DRM/HEY DOC BB 11277 E+

1167. C0UNTRY BOY/CHERRY BB3008I9 V

1168. GO0D DIP/LETS HAVE FUN TONIGHT VI20I777 E+

1169. WNDFUL WORRISM FL I NG/6NEAK I N OUT V|20|883 E

ROY HABKIMS ORCH

1170. TEMPER IS RISING/WINE DRINKIN WM W5RhLY20765 E

Bl LLY HAYES

1171. CNI Utr ENUFF/ MAN SHORTAGE BLS BEA 5001 E+

HF.RBIE HAYMFR QUINTET
1172. ILL NEVER B SAME/SWINQIN ON CENTL SUN 10055 E—

DICK HAYMES

I 173. HANKt} IN/EVERY DAY I LOVE U DE 24457 E+

JOE HAYMES
II74.L0NG WHITE ROBE/AI NT GONNA I
HORACE HE IDT

FLETCHER HENDERSON

I 175. DRIFTWOOD/LOVE HAS A WAY

SKITCH HENDERSON

I I 77. Ml SIRLOU/FAR AWAY I SLAND

SHIFTY HFNRY
1 1 73. BOOGIE RENE/HYPIN WOMEN BLS

CO

2716

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8229

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14271

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106

V

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I 179. KISSED HER WHERE SAT/BLKBRY6 RED ALVIN |0|2 V

WOODY HERMAN ORCH

1 180. surrender/good earth co 36985 n-

1131. BLOWIN UP STORm/fan IT CO 37059 N

1132. G00F 4 i/everywhere CO 38369 N-
I 183. DONT SAy/bABSIES BASEMENT CRL 50001 V

I 184. BIG WIG WIGWAu/»00DCH0PPER6 BALL 'BE '2440 e/v-

DAN HILL 4 HIS SWING SFXTFT

I I85.TAMPI CO/ I O'CLOCK JUMP TT 109 N—

1186. OLIVER TWIST/BL TRAIN BOOGIE TT |45 [J—

I 187. JAM SESSION / PTS |42 TT |45 E+

TEDDY HILL ORCH

I88.WHEN LOVE KNOCKS/ROBIN SINGS ME 1 3364 V-

EARL HINES

I 189. NONCHALANT MAN/AT EL GROTTA ARA |27 E+

I 190. AT GROTTO/NONCHALANT MAN ARA 1 27 E-

1191. NONCHALANT MAn/aT THE EL GROTTO ARA 127 V+

1 192. ROSETTA/MARG IE ARA 149 E+
I 193. JELLY JELLY/FALLING FOR U BB 11065 E

ART HOPES

I I 94.ECCENTR I C /BLS ' N' 300ZI BN 5|2e/v+

1 1 95. M.K. 8Ls/jUG HEAD BOOGIE BN 527 E—

1196. W0LVERINE/ BUJIE BN 550 N
U97.MR JELLY LORD/NEVER KNEW WHAT GAL BN 55l N-

SMOKEY HOGG

1198. u brot on urself/classification blMDRnHly*d20770e+

BILL IE HOL I DAY

1199. GA ON MY MINO/LET5 10 IT BLA 206 IE+

527 E-

CP 15292 E+

1 20 I .YESTERDAY/GOTTA RIGHT SING
BOB HOPE

1202. BUTTONS 4 BOWS/THATS NOT KNOT

CAMI LLE HOWARD
1203. IM BLUE/FIRE BALL BOOGIE SPECIALTY 370 E

LLOYD HUNTLEY 4 ISLE BLUES ORCH

1204. HEA0 LOW/SAME OLD MOON BR 4643 V+

INK SPOTS

1205. WHEN U COME END/LOSE FIREND DE 24261 E+

1206. BABY DIONT SAY GOODBYe/aLLADD I NS LAMPDE 24496 E
CHUBBY JACKSON

CO 38451 N
CO 3845l E+

I 207. GODCHILD/FATHER KN I CKERBOPPER
1208. FATHER KNICk/gODCHILO

EARL JACKSON
1 209. IS THAT RELIGION/PEANUT VENDOR

LITTLE WILLIE JACKSON
|2|0.BLK 4 BLUE/jACKSON BOOGIE
I LLINOIS JACQUET

CRL

4 N

MD RNHtl YWB20566 E

|2||.JUMP|N AT APOLLO/JACQUET BOUNCE
|2|2. MUSIC HALL BEAT/JUMPIN AT WDSIDE

RUS5EL JACQUET 4 HIS ALL STARS
i2i3.scamparoo/relax I NG

HARRY JAMES ORCH
|2|4.bk beat boogie/nite special
12 1 5. flash/all or nothing at all
i2|6,woo-'.voo/boo-woo

CONRAD JAN IS 4 TAILGATE BAND
I2I7.EH LA BAS/WILLIE THE WEEPER

FWNKIE "HALF PINT* JAXQN
|2|3.MAMA DONT ALLOW IT/|5 CENTS

JAZZ AT PHI LA

1219. BLS FOR NORMAN/PTS 1 42

1220. HOW HIGH MOON/LADY B GD

JERRY JEROMES CATS JAMMERS
I22I.3IRL MY DRM/RAINBOW BL
THE JESTERS

1222. HE WOOED HER 4 WOOED HEr/mAN SELLS

JOLLY J I VERS

1223. HUNGREY SCUFFLE/PIANO STP

BROOKE JOHNS 4 H IS ORCH

1224. WHY SHOULD I WEEP/TOODLE 00

BUNK JOHNSON
1225. SNAG IT/CANT ESCAPE FRM U

1 226. CANT ESCAPE FRM u/sNAG IT

1227. CANT ESCAPE FRM YOu/sNAG IT

JIMMY JONES PIANO

1228. Empty space/whats new

DICK JURGENS ORCH

1229. RANCH0 RIO GRANOE/GRRN OOLPHIN ST

KANSAS CITY SIX

1230. WANT LIT GIRL/COUNTLESS

AP
AP

766 E+

777 E

Kl 4259 E+

CO 35456 E
CO 35587 v/e
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CI 3006 N

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1 23 1 . BACK IN SADDLE AGAIN/jUST OLD RAG

SAMMY KAYE

1232. HRT WAS MADE S TONe/bOTTOMS UP VI 201680 E+

1233. CANT BEGIN TELL u/wRAT MAKES SUNSET VI20I720 E+
1234. SERE OF HE BELLS/THATS WHAT YOUNG VI202372 E+
1235. HERE ILL STAY/GREEN UP TIME VI 203063 N-

LLOYD KEATING ORCH

1235. EXACTLY LIKE U/DANGER IN EYES

STAN KENTON

1237. HOW MANY HEARTS/TEARS FLOWED

1238. DONT LET ME DRm/lONG LONG TME
1239. SHO FLY PIE/BEEN DWN TEXAS
1240. PAINTED RHYTHm/4 MONTHE ETC
I 24 1.COLLABORATI ON/MACH I TO
1242. RIKA JIKA JACK/HARLEM HOLIDAY
|243.THERM0P0LAe/peNUT VENDOR
I244.INTERMISSI0N RIFF/MINOR RIFF

1245. TAMPIC0/TEARS FLOWED LIKE WINE

1246. D0WN IN CHIHUA HUa/fEETS TOO BIG

1247. HOW AM I TO KNOW/WAS GD MAN

1 248. HE WAS GD MAn/hOW AM I TO KNOW

KENTUCKY FAVOTITES

1249. BUNCH KEYS/DANCING FOOL

JOHN KIRBY ORCH

I250.SCHUBERTS SERE/MAKE U LOVE ME CR I IS E-

ANDY KIRK (lp)
I 25 1, BREEZE/ ILL GET BY/FROGGY BOTTOM ETC COR560I9 N-
MOE KOFFMANS MA IN STEMMERS

VE 2 1 32 V-

CP 166 n/v-
CP 2 19 E+
CP 235 E+
CP 250 E
CP 408 E+
CP 906 E

CP 15052 E-

CP |5|9| E-

CP |5|96 E+

CP |5|98 N

CP 15327 E

CP 15327 E-

CA 244 V

1252. bop lop/rqckin w bop

.us 'inn? ,m ■

31

MINIMUM BID 75c

B. J. PRINCE

5845 SW 49TH STREET MIAMI FLORID*

MINIMUM BIO 75c

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vo
vo
vo
vo

32 |4 e//

3244 e/v

3245 E
3261 e/v

3302 g/v
3339 E

BEN ABNEY t

I 103. WAY DWM IN TOWN/WHAT MAKES YOUR SB 6 1 2 1 E

ALABAMA RED PEPPERS

HO* TIE DRAG/MARY AMn(rM CHpJ(SAVOy) CA 8130 G

H, ALLEN

ii051house in haRLEm(rm chp 5 gr)/rug me |3|45 G
II06.0L MAN RIVER/ K K BOOGIE OK 6281 E

I 107. I ND I ANA/SHER I DAN OK 6357 E

1108. DONT LET YOUR LOVE/wHY DONT YOU OR 2898 B/g-
H09.hOW DO THEY DO ( DIg)/fUNNY FEATHVI 38CB8 G-/G
I I 1 0. I FOUND DRm/rED SAILS VO 3097 E/G

III I, ON TREASURE ISLAND/TAKE ME BACK VO 3098 E
III2.ILL BET YOU TELL/LOST
I I I 3. WOULD YOU/ YOU
I I I4.NCTH INGS BLUE/TORI.'ENTED
lllS.CN THE BEACH/TAKE MY HEART
I I 16. WHEN DID YOU LEAVE/ALG I ERS STP
I I I 7.M I DN I GHT BLUE/wHATCHA GOIN TO DO VO
I I I6.CHAPEL IN MNLIGHT/d|D YOU MEAN VO 3377 g/n
III9.GDNIGHT MY LUCKy/thERES A K I TCHENVO 3490 V

I 1 20. 1 WAS BORN SWING/AFTER LAST NITE VO 3524 V
I |2|. STICKS ' STONE/LOVE SONG VO 3564 G

1122. MERRY GO BROKE DWn/yOU 'LL HEVER GO VO 3594 E

1123. L0VE OR INFATUAT ION/CAN I FORGET VO 3690 E
A. AMMONS

1 124. B00GIE WOOGIE STp/nA GASACK I

I I 25. BOOGIE WOOGIE/ MECCA FU TS
I 1 26. SHOUT FOR JCv/BEAR CAT CRAWL

1127. CAFE SOCIETY/LOVIN MAMA

1128. BASS GOING CRAZY/SUITCASE BL
M. BAILEY

1129. N0BDY KNOWS TROUBLE /HOLD ON CO 35348 E

1130. AFTER ALL BEEN TO u/a BEE GEZ I NATCO 35409 E

1131. TEHN FISH FRY/HOW CAN I EVER B CO 35532 E
1132. ILL PRAY 4 u/BLUE CO 35589 E
I 133. WHEN THAT MAN DEAD i/jENNY DE 3661 E

1134. GE0RGIA ON MY MIND/|M AFRAID OF DE 3691 E

1135. ROCKIN CH A I r/smTI MES IM HAPPY DE 3755 E
I 1 36.EVER YTH I NG DEPENDS ON u/ALL TOO DE 3888 E
1137. ITS SO PEACEFUL IN COUNTRY /LOVER DE 3953 E
I I 38.SMT I MEs/wHEREVER YOU ARE DE 4252 E
I 1 39.H0NEYSUCKLE ROSe/w| LLOW TREE DE I 8 1 08 E
I 1 40.SQUEEZE ME/ DWNHRTED BLS DE |6|09 E
I |4| .LITTLE JOE/ROCKIN CHAIR VO 3553 E
I 143. WASHBOARD BLs/ OLD DESERTED FARM VO 4|39 E
I |44. SMALL FRY/BORN TO SWING VO 4224 E
II45.S0 HELP ME/AS LONG AS YOU LIVE VO 4253 E

1 146. WHAT HAVE YOU GOt/mY REVERUE VO 4406 E

1147. L0NSCME Rd/mELANCHOLY BABY— VO 4474 E

1148. GULF COAST BLS / DWN HEARTED VO 4800 E

1 149. ARKANSAS BLs/ ST LOUIS BLS VO 4801 E
I 1 50. BA RREL HOUSE/DONT KNOW MY MIND VO 4802 E
1 1 5| .TIT WILLOW /lamp is LOW VO 4845 E
I|52. GUESS ILL GO BACK/LITTLE MAN WHO VO 4906 E

COUNT BASIE

DE 749 E
SA 12001 E
4608 E
5186 E
21 E-

vo
vo

BN

I I 53.PENN IES FRM HVn/dAISY CHAIN DE

I I 54.hCNEYSUCKLE ROSe/r OSELAND DE

II55.E00GIE WOOGIE/EXACTLY LIKE DE

I 156. ONE OCLOCK JUMP/jOHNS IDEA DE

M57.GD MORNING BLS/OUR LOVE DE

1158. EVERY TUB/WILL YOU BE GOOD DE

1159. MISS YOUR BABY/ TOPSY DE
II60.SENT FOR U YESTERDAY/SWINGIN THE OE
II6I.6LUE 4 SENT I MENTAL /DOGGI NG RND DE
I 162. MULBERRY BUSH/ LONDON BRIDGE DE
I 163. TEXAS SHUFFLE/MAMA DONT WANT DE

1164. JUMPIN AT WOODSIDE/DARK RAPTURE DE

1165, WANNA JUMP 0H I LDREn/pANASS IE STP DE

H66.i:y hrt belongs/sing FOR SUPPER DE

1167. MY LAST AFFAIR/BLUES I LIKE

1 168. THURSDA y/shORTY GEORGE

1169. B00GIE WOOGIE / HOW LONG BLS

1170. DIRTY DOZ/SUN GOES DWN
I 171. HEY LAWDY MAKa/ THE FIVES
1I72.0H red/far THEE HONEY
I173.EVIL BLS/ JIVE AT FIVE

I I 74.DU prees bls/ red wagon

1175. HOME 'N EGGS/ BETWEEN THE DEVIL CO
I 1 76. YOU CANT RUN AROUND/ SUPER CHIEF OK
II77.M0TEN SWING/ EVENIN OK
1178. ITS TORTURE/ WANT A LIT GIRL OK
II79.W0RLD IS MAD/ PART 2 OK
llSO.APPLE JUMP/ BLUES OK

I i 81 .all or nothing/ moon fell ok
1182.5 o'clock whistle/wander in man ok

I I 83, FEED IN THE BEAN w/c . HAWK I N s/DO I OK

I I2l E
I |4| E

1252 E
1363 E
1446 E
1728 E
1770 E
1880 E
1965 E
2004 E
2030 E
2212 E
2224 E
2249 E
2284 E
2325 E
2355 E
2498 E
2722 E
2780 E
2922 E
3071 E
35357 E
5673 E
5732 E
5773 E
5816 E
5862 E
5884 E
5922 E
6 1 80 E

COUNT BASIE

1184. WHAT GOES UP/DONT WORRY
I 1 85, BABY DONT TELL ON Me/rOCK 8YE
I 186, TAX IE WAR DANCE/ IF I COULD B W

1187. MISS THING PTS I &2

1188. JUMP FOR ME/|2TH ST RAG
II69.U CAN COUNT ON ME/hOW LONG BLS
I 1 90. SUB DEB BLS/ HOW LONG BLS
H9l.hERE COMES CHARLIE/POUND CAKE

1192. DICKIES DRM/LESTER LEAPS IN

1193. NBDY KNOWS/SONG OF ISLAND

SIDNEY BECHET

1194. DEAR SOUTHLAND/LONESOME BLS

I I 95. SUNSETS DWM SCUTH/BLKST ICK DE
I I 96. SWEET PAT00TIE/V1PER MAD OE
I 197. SHAKE IT BRK IT /wi LD MAN BLS VI
I I 98. OLD MAN BLS/ NOBDY KNOWS VI
I I 99. SLUES FOR u/jOHNNY.A INT M I SBEHVN VI
I200.0NE OCLOCK JUMP/BLS IN THIRDS VI
|2C|.SAVE IT/STOMP JONES ( W /DODDS ) VI

1202. MOOD INDI GO/MUSKRAT RAMBLE VI

1203. LADY B GOOD/ROSE ROOM VI

1204. COAL BLK SHIME/BABY WONT U VI

1205. AINT GONNA GIVE/WKEN SLEEPY TME VI

VI
VI
VI
VI
CO
CO
CO

4734
4747
4748
4860
4886
5010
5010
5085
51 I 5
5169

1206. SWING PARADE// I KNOW THAT U

1207. TEXAS MOANER /l I ME HOUSE BLS

1 208. LAUGH ING IN RHYTHm/riP UP THE
1209. IM COMIN VA/ GEORGIA CABIN
|2| O.KANSAS CITY MAN BL/ PLKA DOT
1 2 1 I.I HAD IT ALL GNE/SPREADIN
|2|2.L0VE SALE/SHAKE EM UP

LOTTIE BEAM AN
I2I3.H0NEY BLS/ RED RIVER BLS

J IMMY BERTRAND
I2I4.STRUGGLING/LITTLE bit

ESTHER BIGEOU
I2I5.STINGAREE BLS/ IF THATS WHAT OK 8025 V

FIVE BIRMINGHAM BABIES
|2l6. COPENHAGEN /DEEP SEA BLS PE

JACK BLAND ( RHYTHMAKERS)
I2I7.SHINE ON YOUR SHOEs/gONNA BE U OR

BLUE GRASS FOOTWARMERS

I 21 8. OLD FOLK SHUFFLE/CHARLESTON HOUNDHA

13A E/fc-

2|29 E
7429 E
26640 E
26663 E
26746 E
27204 E
27240 E
27302 E
27707 E
27386 E
27447 E
27574 E
27600 E
27663 E
27904 E

38319 E

38320 E

38321 E

1695 V
1035 E

14350 E

2588 v/E

248 E-

747 E
1862 E

6254 E

7504 E

14033 E

477 E

DE
DE

V I

CONN IE BOSWELL

1219. MAMA DONT ALLOW I t/ PANIC IS ON DE

1220. MR FREDDIE BLS/ FAIR THEE HONEY DE

JEAN BRADY

|22|,KN0CKIN MYSELF OUt/mELLOW MAN OK

LEE BROWN

1222. CARPENTER MAN BLS/ LITTLE GIRL DE
BESSIE BROWN

I2Z3.IF YOU HIT MY DOG/NO SECOND CO

CLEO BROWN

1224. PELICAN STP/ BOOGI E WOOGIE DE

HENRY BROWN ( PI G 4 HR CRK)

1225. TWENTY FIRST ST STp/EHNRY BRWH PM I2e25 v/v

PETE BROWN

1226. OCEAN MOTION/TEMPO Dl JUMP

1227. UNCLUCKY WOMAN/MOUND BAYOU

TEDDY BUNN

1228. PATTIN DAT CAT/lTS SWT LIKE SO

JOE Bl :SHK IN

1229. PICKIN AT PIE/jOE BUSHKIN SEXTETCU9

BOB CROSBY

1230. D IXI ELAND BANd/bEALE ST BLS DE

1231. DIXIELAND SHUFFLE/mUSKRAT RAMBLE CE

1232. BIG CHIEF DE SOTO/CROSS PATCH DE

1 233. PETER PIPE/WOMAN ON MY WEARY DE
I234.SUGAR FOOT STRUT/sAVOY BLS DE
1235. GIN MILL BLS/IF YOU DE
I236.SWEET someone/be A GD SPORT DE

i237.vieni vi en i /little rock eetawy de

|238.stumbling/fidget feet de

i239.b1g apple dance/ panama de

i240.its wonderful/just strolling de

|24| .john peel/grand 1zrrace rhythm de

|242. yancey special/jazz aeon ball de

1243. big crash frm china / coquette oe

1 244. tea for two/ royal garden bls de

1245. whos sorry now/march of bob cats de

181 |8 E
8613 E

38592 E

565 E

479 E
825 E
841 E
930 E
1094 E

1246. MILK COW BLS/ SQUEEZE ME DE

1247. palesetenna/slow MOOD DE

1248. W0LVER 1NE BLS/ LOUISE LOUISE DE

1249. BIG FOOT JUMP/FIVE POINT BL DE
1250.SUMNERTI ME/lM FREE DE
|25|. SPEAK TO ME OF LOVe/b|G BASS VIOLDE

1170
1576
1552
I5S3
|6|5
1670
1725
1747
1756
1850
1865
1962
2011
2032
2108
2205
2206

BOB CROSBY

I252.H0NKEV TONK TRAIN/BIG NOISE FROM DE 2208 E

I253.SWINGIN AT SUAGR BOWl/pRAYIN KHHLDE 22 1 0 E

I254.DIGA OIGA DO/PTS I £2 DE 2275 E

1255. SKATERS WALTZ/EYE OPNER DE 2282 E

1256. SONG OF wandere/stomp OFF DE 2379 E

12 58. SO. RAM PART ST PARADE/SMOKY MARY DE 2569 E

1259. BLUE ORCHIDS/WRLD IS WAITING DE 2734 E

1260. EVER THINK OF ME/jAZZ ME BLS DE 3040 E
1 26 I. COMPLAIN In/ JA DA DE 3233 E

1262. ALL BY MYSELF/SPA IN DE 3248 E

1263. C0W COW BLS/ DRY BONES DE 3488 E
1264. ILL COME BK TO u/TAKE ME DE 3576 E

1265. BRASS BOOGIE PTS 142 DE 18359 E

LE ROY DALLAS BAND

1266. GOING AWAY BLs/ TAMPA SHOUT CO 14402 Ej<

WALTER DAV IS

1267. F1FTH AVE/AINT GOT CHAGIN BB 702l E

1268. BIG FOUR/AIRPLANE BLS BB 8261 E

GEORGE DAV IS

1269. FLESH CRAWLING BL/FAST ASLEEP BL DE 7799 E

LOU ARMSTRONG

1288. LAUGHIN LOU IE/TOMORROW NIGHT BB 5363 E

1289. EASIN SR BLS/ DUSKY ETEVEDORE BB 5408 E

1290. MISS BASIN/ HOBO U CANT( LAB. BUFF )bB 6501 E
1291.1 GOTTA RIGHT SINg/hIGH SOCIETY B8 6771 E
1292.SWING U CATS/ SNOWBALL
I293.S.0.L. BLS/ SQUEEZE ME
I294.KN0CKIN A JUG/l2 ST RAG
1295. ORYS CREOLS TROMBONE

1296. BEAU KOO JACK/MAHOGANY HALL STP

1297. GUT BUCKET BLS/ YES IN BALLEL

1 298. MUSKRAT RAMBLE/SKID DAT

1299. CHICAG0 BRKDWN/DONT JIVE ME

1300. U ARE MY LUCKY/LA CUCARACHA
1301. I HOPE GABRIEL/SHOE SHINE BOY

1302. SOMEBODY STOLE MY/l COME FRm(lT DIg)D£797 E

1 303. swing that music/thankful de 866 e

i304.0n coconut island /to u swthrt oe

1305. skeleton/hurdy gurdy de

1306. ruben swings/?ed nost de
!307.hawai ian hospital i ty/on a little de
i306.darling nellie/ carry me back de
i 309. public melody/red cap
1 3 1 o.cuban pete/shes daughter
I3II.IVE got heart/alexanders ragtue

1312. THATS WHN ILL COME/wEARY BLS

1313. HOTTER THAN THAT(RM CHP/SAVOY
|3|4.0NCE WH ILE/STRUTTIN W SOME
|3|5.FIREW0RKS/WEST END BLS
|3|6, TIGHT LIKE/HEAH ME TALKIN
I317.R0CK1N CHAIR/l A INT NBODY
I3I8.ST JAMES INFIRMY/SAVE IT PRETTY

1319. BLK 4 BLUE/AINT M I SBHVN

1320. whn smilin/sme THESE DAYS

|32|.BL TURNING GREY/SONG OF ISLANDS
1322.1 CANT BELIEVE/MY SWT

1323. IM in market(bad lam crk)/im A

1 324. WEATHER BIRD(w/HINEs)/DR SOUTKLD OK 4|454 V'

1325. WALKIN MY BABY/l SURRENDER DEAR OK 4|497 e/e-

1326. LAZY RIVER/GA ON MIND OK 4154 G

1 327. KING OF ZULUS/LONESOME BLS OK 4158 E

1328. Y0ULL WISH/l HAT TO LEAVE VI 24204 F
I329.ST LOUIS BLS/DUSKY STEVEDORE VI 24320 V
l330.hONEY DONT u(RM CHP 5 G/lXERES VI 24335 G-/f

|33| .snowball/honeydo vi 24369 E-

I332.KEY HOLE BLS/WELANCHOLY BLS VO 3|37 v/

1333. lawd u made/keepin out OF VO 3|8| F

1334. WILD MAN BLS/ GUILTY LOW b(rM CHPVO 3 1 93 e/v-

1335. driving me/Weary bls vo 32|6 e/v+

1 336. IM NOT ROUGH/HOTTER THAh(bLK LAB )V0 3237 Z/z-

1337. IN HOT ROUGH/HOTTER THAn(bLE LAB )V0 3237 E

1338. TIGHT LIKE THIS/hEAH ME TALKIN VO 3303 E

1339. CORNET CHOP SUEy/ 1 42 HRS 2|296 E
1 340. OR I ENTAL STRUT/UR NEXT HRS 10 E
I 341. POTATO HEAD BLS/puT THEM DWN UHCA 60 E
I342.RIGER RAG/ST LOUIS BLS VOX 16058 E
1343. SONG OF VIPERS/ WILL YOU VOX 16059 E
I344.SUNNY SIDE ST/SUNNY SIDE OF VOX 16060 E

LIONEL HAMPTON
I270.MY LAST affair/mcd IM IN VI 25327 E

■ 27|. SUNNY SIDE ST/KNOW U KNOW V| 25592 E/V

|272.confessin/drum stp vi 25658 E

1273. WHIZZIN THE WHIZ/DENISON SWING VI 26233 N

1274. F0UN0 NEW BABY/4 OR 5 TMS VI 26447 E

1275. WAY FRM U/NAMEO IT YET VI 26476 E

BB 10225 E
CO 35661 E
CO 35663 E
CO 35838 E
CO 35879 E
CO 36152 E
CO 36153 E
CO 26276 E
DE 580 E
DE 672 E

914 E
949 E
1049 e
1216 E
1245 E
1347 E
1353 E
1408 E
8519 G
8535 v/
8566 E
8597 v/g/
8649 V
8756 g//v
OK 4||80 v/
OK 41276 E
OK 41298 a-
OK 41375 g//g
OK 4|4|5 g//v-
OK 4|442 g//g

32

AUCTION FRANK POPES record collector shop auch on AUCTION

SEND WANT LISTS -COLLECTIONS BOUGHT 192 CASTLE SHANNON BLVD., P I TTEBURGH 28 PA. SEND WANT L I STS-COLLE CT I HS BOUGHT

BELOW ARE LISTED MANY RARE COLLECTORS ITEMS WHICH CONSTITUTE ONLY A FEW OF THE MANY THOUSANDS THAT ARE IN STOCK AND AVAILABLE FOR YOUR BIDS.IN PARENTHESIS ALONG SIDE
EASH ARTIST ARE THE NUMBER IN STOCK SO YOURBIDS ON ANY ARE LIKELY TO BE IN STOCK AND AVAILABLETO YOU BY THE MERE SENDING OF YOUR WANT LISTS ALONG WITH YOUR BIDS.
MINIMUM BIDS ARE 500. IF YOU DO NOT SEE YOURF VAVORITE ARTIST LISTED SEND IN YOUR WNATS ALONG WITH BIB FOR SAME AND SINCE THERE ARE 45,0UU RECORDS AVAILABLE YOUR
CHANGES ARE GOOD THAT YOU CAN SECURE YOUR WANTS. PACKING CHARGE Z5f ON EACH ORDER. GOOD LUCK TO ALL. ALL RECORDS NEW OR NEW MINUS.

LOU IS ARMSTRONG

I. ST LOUIS BLS/DUSKY STEVEDORE VI 2432U

2, HOME/ ALL OF ME OK 41552

3. WALKIN BABY BACK HOME/ I SURRENDER D OK 4|497
4.IF | COULD B WITH U/CONFESSIN OK 4|44S

5. BLUE TURNING GREY OVER YOU OK 4678

6. AINT M I SBEHAV I N/SEGAR ELLIS OK 4|29|

MILDREO BA I LEY ( 127)

7. DEAR OLD MOTHER DIXIE/TOO LATE BB 7873

8. HOME/STOP THE SUN STOP THE MOON BB 7763

9. L I ES/CONCENTRAT I N V| 2288U
IU.3LEEPY TIME OWN SO/ CANT U SEE VI 22828

II. HARLEM LULLA8Y/IS THAT RELIGION BR 6558
1 2. SOMEDAY SWTHRT/WHEN DAY IS DONE VO 3057

CHARLIE BARNET ( 208)

1 3. WHAT IS SWEETER/BUCKTN THE DICE PE 13834

14. NAGASAKI/FARE THEE WELL AN NA BELLE BB 58|5

15. GR0WLIN/0N A HOLIDAY BB 5S|6

16. T00 GOOD TO B TRUE/MY FIRST THRILL ME 607|<i
I7.6YE BYE BABY/MAKE BELIEVE BALLROOM BB 6504
I 3.SURREAL ISM/OVERHEARD COCKTAIL LNGE VAR 633

COUNT BA 1SE ( 81 )

I9.FENNIES FRM HVN/DAISY CHAIN DE Ikl

20.800 HOO/ GLORY OF LOVE DE 1228

21. DICKIE6 DREaM/ LESTER LEAPS IN VO 5 1 I 8

22. r0cka8ye bas ie/bay do nt tell on me vo 4747

23. apple jumk/bluES Ok 5862
24.let me aee/ bas i e boogie ok 633u

SHARKEY BONANO ( 24)

25.HIGH SOCIETY/ SATISFIED WITH MY GaL VO 3380

LES BROWN( |47)

26.SWAMP FIRE/ DANCE OF BLUE DEVILo DE |23l

27. R0MONA/D0NT YOU CARE DE 1296

28. FEATHER YOUR NEST/ LAZY RIVER DE 1323

29. PEAL I N THE PEACH/ MULBERRY BUSH BB 7796
30.S TARDUS T/ 80 OG I E WOOGIE E/E 8B 7858

3 1. FUNICULI FUNICULA/ PROCESS I ON SARDAR OK 6293

FRANK IE CARLE ( 27)

32. GEORGE GERSHWIN SELECTIONS 12" DE 292 1 5

BENNY CARTER ( 148)

33. GOODBYE BLS/ DORSEY BROS. paE R .882
34.1 NEVER KNEW. CHICK WEBB RL BL. CO 2875D

35. DEVILS HOLIDAY/SYMPHONY RIFFS BL BL CO 2898D

36. JUST A MOOD/ WHEN DAY IS DONE VoE II

37. ACCENT ON SWING/8CANDAL IN A FLAT VOE |4

38. TIGER RAG/ WALTZING THE BLUES VOE |9

BOB CHESTER ( 2| )

39. MA INE TO CALIF./MAGIG MAGNOLIAS BB I ■ 3 1 3

LARRY CLINTON ( 47)

41. ABBA DABBA/CAMrBELLS ARE SWINGIN VI 25707

42. LADY BE GOOD/ONE ROSE V| 25724

BIHG CROSBY ( 116)

43. CANT WE B FRIENDS/ GAY LOVE COE 2035

44. JUST o GIGOLO. RUSS COLUMBO BB 7||8

45. WRAK YOUR TROUBLES/LITTLE THINGS BB 7IU2
46.ST«RDUST/DANCING IN DARL BR 6169
4 7. HA RAD I SE/ SHE REMINDS ME OF YOU HA 1007

48. M00NBURN/ ON TREASURE ISLAND DE 6|7

BOB CROSBY .( 173)

49. JITTER BUG/ LOOK I NG FOR SOMEONE BR 7466
5U.0VER THERE/SMILE SMILE SMILE DE 4368

51. BIG CHIEF DESOTA/CROSS PATCH DE 84|

BENNY GOODMAN ( 51 I )

52. NAVENT GOT A GIRL/FALLING IN LOVe(v)ME I?'j79

53. KARD0N HE PRETTY BABY/WHAT DO LOV(v)ME I22u8

54. N0T THAT 1 CARE/ HELP YOURSELF CO 2542D

55 . MOONGLOW/ 8RKFAST BALL CO 29273

56. TAKE MY wORD/H .Pt-ENS TO BEST FRNDS CO 2947D

57. BUGLE CALL RAG/ D I X I ELaND BAND BR 7644

58. MUi>IC HALL RAG/ COKEY CO 30IID

59. D0WN HOME RAG/ DIXIELAND BAND CO 3033D
6U.HUNKADOLA/0IXIELAND BAND VI 25009
6 I, ALWAYS, waLK JENNIE WALK BB I U799
6^, BLUE SKIES/ REMEMBER V| 25860

63. KING (-uRTER,ov ME TIMES IM HA PPY< G.L. )VI 2509U
ALL TRIO WUARTET SEXTET AVAILABLE ORIG.LABEi.S NEW

HUDSON— DELANGE,W ILL HUDSON ,EDO IE 0ELANGE(97)

64. BUGLE CALL RAG/STaR»UST MAS 125

RAY NOBLE ( 139)

65. TELLIN THE WRLD/HOW COULD I B LONELY V 124752
56,HaNG OUT STaRS IN INDIANA VI 2435 7

67. *£RE LIES LOVE/kLEaSE HMV 6283

68. FOGGY DAY/ CANT BE BOTHERED NOE BR 7982

69. sioux ouE/FaR away CO 35850

LOUIS PRIMA ( 23)

7u.H0W'M I DOIN/SOLlTUUE BR 7531

TRANSCRIPTIONS OF YOUR FAVORITE ARTIST 16" INQUIRE

H.LL STAR ( 32)
71. BUGLE >- ALL RAG/ONE OClOCK JUMh HMV 9|y5

HENRY 'RED' ALLEN | 26)
7<!.STRING' SHOE STRING/ SHADOWS SWANEEBRF5U037d

73. L0VE GO WRONG/ rRACT ICE WHAT U KRCH pE l5ydd

74. RUG CUTTER SWING/HOUSE IN H..RLME ME |3|45

75. B0DY 4 SOUL/ROSETTA VO 2965

VAN ALEXANDER ( II )

76. NIGHT & DAY /ROAD TO MANDALAY BB I0U73

AMBROSE ( 53)

77. AIR Raid shelter/piano Cuncerto DEE 8699

RAV ANTHONY ( 33)

78. LUNDUN BRIDGE FALLING DWN, BYt. Bi_S SIG |5228

LUIS ARCARAZ ( 27)

79. E5TRELL I Ta/al BlRTU DvMINGEZ VI23l>36j

SVEND ASMUSSEN ( 48)
8U.MY BLUl HVN/TIGER RAG HMV |327

8 1 . JAHAN ESE SaNDMAn/mIsS ANNABlLLE LE Ou 5|94

DAVE BARBOUR & PEGGY LEE( 23)
8^.FuREVER NICKI /FOREVER haGaNINI Cak 358

A I ME BARELLI (28 )
83.A TRUMPET/ VENEZ PREs DE MOI PaTF 2482

LEON 'BIX' BE IDERBECKE

84.ID0LI ilNG/HUoH „ BYE V| 2o27u

85.CLARINET MaRMaLaDE/ o I NGI N THE BLo OK 4u77£
86.0STRICH WaLK/RIVERBOaT SHUFFLE <E) OK 4u8<ii

87,aT THE JaZZ Band ball test

88.SMILL, VIRGINIANS V| 2|228

89.FELIX THE CAT^MOTHtR GOuoE faRADE CO I478D
9U.RuCKIN CHAIR/GEORGIA VI 25494

TEX BENEKE ( 53)

9I»BYE BVE BLS/ CONGRATULATI ONS( HACKETTV I3u3*i37
BUNNY BEHIGAN ( 57)

92.0.ING ML UH„RLIL/ITS BEEN SU (e) VO 3 1 79

93.SKANI6H TuwN/CaNT GET STARTED SE 50o4

94.8UT DEFINITELY/WHEN IM WITH YOU BR 7823

96,SuBBIN BLUEo, I CRIED FuR YOU VI 26116

97.SASE SLCuND MASTER ON CRIED FuR U VI Z6ll6

98. EB3 TIDE,GREAT MEET FIRcND VI 25664

BEN BERN IE ( 14)

99. AU RLVOIR H-EaSaNT DRMo/LUNE TWN DE 4|5a

CHU BERRY (7)
luu.T^o marvelous 4 words, my langu„geVar 532

BARNEY BIGhRD ( 19)
lOI.CLOUDo III MY HRT,FRuulC o„M VAR 525

RAY BLOCH ( 25)
lv2.L IEBLsTRAUM, sTVMBlING SIG l5lf)5

BOOTS & HIS BUDDIES ( l„)
ItU.AMYT IML, Hu, LONG BB 6 I 32

JOHNNY BOTHWELL ( I I )
I04,TRuUBlE W ME Is u/jOHNo OTHER SIG I 5Uu2

WILL BRADLEY ( 77)

lu5,GHosT OF CHANCt/ J IMTuwN 8_o CO 35376

PHILIPPE BRUB ( l4),DJ»NGu ON SJIE
l06.CuLLEGt. 8TP/H*«LE1I SWING 8WI NG |5

CH ICK BULLOCK ( |7)

|07.T'AINT NO USE/ YOU ME 60601

SONNY BURKE ( 23)

108. EASY DOES IT/ IF NOT FOR MOON VO 5397

BILLY Bl ITTERF I ELD ( 33)

109. LADY B G00D/S0r EONE WATCH OVER CAP 20025

ERSK IN 81 ITTERF IELD ( 19)

110. TUXEDO JUNCTI ON/SALT BUTTER DE 3042

DON BYAS ( 17)

I I I .HUMORESQUE/ WRAP TROUBLES IN DRwAR I ST A5000

CAB CALLOWAY (43)

112. BYE BYE BLS/RUN LITTLE RABBIT OK 6064

113. JUMPIN jive/trylon SWING VO 5005

114. CHINESE RHYTHM/WEAKNESS BR 6992

1 15. moonglow/hotcha/razz MA TAZZ VI 24690

NOEL CHIBOUST (i3)some: with django

116. THE SHIEK/SEKE D'HIVER SWING 86

ALIX COMBELLE SOME WITH DJANGO ( 27)

117. TIGER RAG/QUATRE TICKETS SWING 84

EDDIE COUPON ( 73)

118. R0SE of raio grande/aunt hagers b DE 24220

PETE DAILY ( 82)

I I9.RCL I IGHT RAG/SUGAR FOOT STRUT SUN 7559

PUTNEY DANDR IDGE ( |5)

1 20.CH EEK TO CHEEK/LOVELY DAY VO 3006

DORSEY NROTKERS ( 34)

|2|. SALLY CF MY DRMS/CROSS ROADS OK 4||5|

JIMMY DORSEY (79)

1 22. CP A RLE S TON AL LEY /sp I R ITS GOT ME DE 4075

TOMMY DORSEY ( 183)

123. DID I REMEMBER/MARY had LIT LASB VI 25341

124. ARE ALL FAVORITE BANDS PLAYING VI 25632
ALL CLAMBAKE 7 OR I G LABELS NEW NEW NEW

EDDIE DUCHIK ( |4)

125. OL MAN MOSE/DEVIL 4 DEEP BL SEA BR 8|55

ANDRE EKYAN ( 5) SCME WITH DJANGO
|26. PENNIES FRM HVn/g|RL LIKE MELODYSWi NG 4

ROY ELDR IDGE ( 27)

127, HIGH SOC IETY/MUSKRAT RAMBLE VARS G|54

DUKE ELLINGTON ( I 75 )

1 28, I CANT RELIZE U LOVE/LOVE W YOU HAR 1 377

I29.ST0RMY WEATHER/SOPHISTICATED LADY BR 6600

I30.6LK & BLUE/jUr GLE JAMBOREE BR 4492

131. MADE TO LOVE/GOOD FOR NOTHING VI 38130

1 32. she ik of araby/blue TAMBLE BRE 1337
|33.RC£E RIO GRANDE/GYPSY WITHOUT SNQ BR 8|86

SEGER ELLIS ( 16)

134. WISH I HAD U/WHAT U KNOW ABOUT BR 8261

ZIGGY ELMAN ( 31 )

135. AM I BLUE/EVERYTHIN TO LOVE BB 10490
SHEP FIELDS ( 30 )

'36.P0NT BLAME Kce/huNGAR I OAN DANCE f 5BB 11225
ELLA FITZGERALD I 43)

137. F.D.R. JONES/LOVE EACH MOVE U DE 2|05

GLEN GRAY & CASA LOMA ORCH ( 67)

138. CHINA GIRL/SAN SUE STRUT OK 4|403

139. ROYAL GARDEN BLs/ S.S.S. CO 28840

140. L0VE TO KEEP ME WARm/lAU GH ING AT DE I 1 26

LIONEL HAMPTON ( 77) .

|4| .SHOESHINERS D RAS/mOOD FOR SWING VI 26011
COLEMAI, KAWKINS ( 57) SOME WITH DANGO

|42,hONEY SUCKLE ROSE/ CRAZY RHYTHM SWING I

143. BLUE moon/ AVALON HMV 83E8

145. LACY BE gooo/lullaby PAE 2007

144. WISH I WERE TWINS/SW1NGIN RASCALSDEE 5457

ERSK IN HAWK I MS ( 17)

146. TUXED0 JUNCTI 0n/g|N MILL SPECL BB 10409

JOE HAYMES ( 2 1 )

147. EYE BYE BABY/SHADOW OF A DOUBT ME 6 1 0 1 3

TED HEATH ( 46)

148. WH0T 6HER/ANY OLD IRON DEE 8687

FLETCHER IODERS0N ( 59)

1 49. NEW KIND OF MAn/mEANEST KIND BLS VO 1 4680
1 50, SHANGHAI SHUFFLE/ NAUGHTY MAN VO 14935

1 5 1 , WRAPP I N IT UP/l|MEHOUSE BLS DE 157

WOODY HERMAN ( 106)

152. N0LA/ FAN IT 0E 834
153,1 aura/i WONDER CO 36785

EARL HINES ( 33)

|54,rosetta/cavernism BR 654|

155. B00GIE ON ST LOUIS Bl/nO 19 BB 10674

JOHNNY HODGES ( 37)

156. MISS drmboat/dooji WOOJI VO 4849

157. FAR AWAY. =sLs/ FRISKY SUN 2006

158. G00D QUEEN BESs/thATS BLS OLD MAN BB ■ 1 I 1 7

BILLIE HOLIDAY ( 39)

159. BILLIES BLS/ SUMMERTIME VO 3288
160,1 HEAR MUSIC/IM ALL FOR YOU OK 5831

BOB HOWARD (21 )

ICI.ILL NEVER CHANGE/STAY OUT LOVE DE 439

HARRY JAMES ( 172)

|62, LULLABY RHYTHM/OUT OF NOWHERE BR S|36

I63.ST SINGAPORE/WHO TOLD U I CAKED CO 3526|

164. H0DGE BODGE /CARNIVAL IN VENCE VAR 8231

I SHAM HOMES ( 25)

165. YPURE O.K. /ROLL OUT OF BED W SMI LEVI 24500

166. TIGER RAG/FOUND NEW BABY DE 262

HAL KEMP 1 38)

167. WASH LEE SWING/HIGH ON HILL TOP BR 4078

168. FOGGY DAY/THINGS ARE LOOKING UP VI 25685

169. TW0 FACED WCMAN/FIO R I TO BR 6598
I70.0H baby/get OUT UNDER THE MOON BR 3954

SAMMY KAYE ( 43)

|7|,SHEIK OF ARABY/RIC RITA VI 262|3
ANDY KIRK(60)

I72.MELL0W BIT OF RHYTHM/lN WILDEST DRDE 1579

GENE KR'jPA ( 97)

I 73. JAZZ ME BLS/ LAST ROUNDUP DE t 8 1 I 5

I74.SWING IS HERE/GABRIEL LIKES MY MUSBB 10705

I75.0NE MORE DRM/FEELIN HIGH & HAPPY BR 8|23

I 76. HODGE PODGE/ ON THE BEAM CO 35262

KAY KVSFR ( 37)

33

MINIMUM BID 75c

81

LOUIS LEVY

CROTONA PARK NORTH, NEW YORK 60,N.Y.

MINIMUM BID 75c

MINIMUM BIO 75(1 UNLESS NOTED OTHERWI SE .COND I Tt ON GUARANTEED .Wl NNERS NOTIFIED TO REMIT WINNING BIDS PLUS 25(1 PACKING CHARGE • RECO DS SHIPPED RRX COLLECT OR AS YOU PREFER.

BENNY G00DMAN( TAKE f IN PARENTHESES )

1. ga, jubilee/ emalineUm LAM CRKS) CO 29 0 7 V/»/V

2. M00NGL0W/BKFST BAU.(LAM CRKS ) CO 2927 V/V*

3. TEX TEA PARTY/HECKLE J I BE ( LAM CRk) CO 3|67 V

4. TAKE MY WORD/ I T HAPPENS(mIN BID $10) CO 2947 N-

5. JAP SANOMAN( I )/ALWAYS( I ) VI 25024 E*

6. JUNGLE BLUE S/ RM |4|I BR 40|3 V

7. TAKE ANOTHER GUESs( I )/GN ITZ MY LOv(l)vl 25461 E

S.thaks 4 memory(i )/it's wonder ful ( i .) VI 25727 E

9. THANKS 4 MEM0EY(2'/ITS W0DERFUl(|) VI 25727 E

10. THIS YR KISSES(|)/HE A I NT GOT RMY< t IV I 255u5 E+

11. U TOOK THE WDS(|)/MAMA MOON HERE(l) VI 2572U E

12. MISS richardson(2)/udys in lve(2/ VI 26211 E

13. silhouetted(i J/cant teach heart(i) VI 25711 N-

14. JINGLE BELLS/SANTA CLAUs(t,D.) VI 25|45 V+

i5. intermezzo. amapola co 26o60 e+

16. WHATS NEW/BLUE ORCHIDS CO 25211 E

17. BLUES IN MY FLAT/YOUR FLAT HMV 3872 N

18. TAINT NO USE( I )/DIO U MEAn( I )(ELLA' VI 25469 E

19. FREED0M TRAIN(W. J.MERCER V .LEE )BPECALCap 1 5003 N

20. LESS0N TO u(l)/HITCHED MY WAGGOn(i) VI 25708 E

21. D0DGING divorcee/lullaby(foresythe) CO 3U|2 Ef

>H0OPIEMAKERS,ETC. FEAT. B. GOODMAN

2.1 'LL NEVER ASK FOR MOEW ( B .G-ALTO ) ffi |5I20 V

23. M00N GL0W(GAYE KNIGHT ORCh) VO 2757 V+

24. C0ME ON BABY/DO IN RACCON DOM 4238 N-

25. BUY BUY FOR BABY/ALL BY SELF( SM.SK I PPE |5lO0 V+
26. IF I HAD U.WAY IM FEELIN TODAY CA 9057 V+

27.louise/Ma cherie(pollack) VI 2|94| V

DORSEY BROTHERS

28, STOP LOOK 4 LISTEN/HEAT WAVE DE 208 E

29.DESE DEM DOSE/WEARY BLS DE 469 E-

30. ST LOUIS BLS/M I LEN BERG JOYS DE 1|6 E-

3 1 .LOST IN A FOG/ 1 COULDNT BE MEAN DE I 1 95 V+-

32. TOP HAT/NO STRINGS DE 5|6 V*

33. BREEZE/D0NT LET IT BOTHER YOU DE 207 E

34. APACHE/ OBSERVATORY HILL DE 3|4 N

35. GOOD FRIEND U I LKM AN/ COULDNT BEL I VE OE 5 I 9 E-

36. YOUR THE TOP/I GET KICK OUT OF U DE 31 9 V*

37. BLUE ROOM/FIDGETY BR 6722 E+

ISHAM JONES

38. TIGER RAG/FOUND NEW BABY DE 262 E—

39. BLUE LAMENT/DALLAS BLUES DE 569 E—
4U.JIMT0WN BLS ^4 OR 5 TIMES DE 300 E
41.331/3 TRANSCRIPT I OS VILI60I3 N

42. WHY CANT NIGHT GO ON FOREVER VI 242 1 3 V+

43. Y0U'VE GOT ME CRYING AGAI N/ HONESTLY VI 24255 V+
44. i KNEW U WHEN/ INFATUATION VI 24583 V+

EARL MINES

45.BEAU KOO JACK/GOOD LITTLE BAD LITTLEBB 7768 V+

46.1 A I NT GOT NOBODY/57 VARIETIES OK 4| I 75 V*

47.f»IAN0 MAN/FATHER STEPS IN BB 10377 V+

MILDRED BAILEY

48. HEAVEN HELP THIS HEAR T/ 1 F U SHD LVE VO 36|5 V

49. WHEN DAY IS DONE/SMDAY SWTHRT VO 3957 N-

50. LOVE TO TAKE ORDERS/RATHER LISTEN TOVO 3056 E+
5 1 .HEAT WAVEjfWI TH CaSA LOMA I BR 6679 V
52. REVERIE /WHAT HAVE U GOT<SM LAM CRK)VO 4405 E

RAY NOBEL

53.1 BUILT A DRM/SMBDY OUGHT TO BE TOLDVI 25200 E-
54.ST LOUIS BL.WAY OWN YONDER IN N.O. VI 25082 V+>
55.SAILIN ON RBT.E. LEE/WITH ALL MY LVE VI 24|28 V*

56. BLUE DANUBE/ I LOVE U TRULY VI 24806 E+

TOMMY DORSEY

57. MUSIC GOES ROUND /RHY IN NURS.RH YMES VI 25201 E

58. NITE IN MONTE CARLO/DAY I LET U GET VI 25220 E+

59. THAT FOOLISH FEELING/WHERE ARE U VI 25474 E+

60. MR GHOST GOES TO TWN/LOOK I N ARUO 6ANWI 25509 E-
6 1 .SHOOT SHER8ERT HE RBERT/RAN CHO GRANDEV I 26370 E-

62. U NEVER LOOKED SO BEAUTIFUL / YOU VI 25291 V+

63. D0NT GIVE UP SHIP/CHURCH AFFAIR VI 25183 V*

64. D0NT EVER CHANGE/OUR LOVE MEANT TO VI 25607 V*

65. L0NES0ME R0AD(2 PART6J HMV 9333 N

66. YOU CANT CHEAT CHEATER /DADDY CHANGE OK 4|422 N

6 7. ALLEGHANY AL/TH I NGS I WANT VI 25623 V+
68.SINNER KISSED ANGEL/TWO IN LOVE VI 27611 E+
69.D0 I WORRY/CANDY CIGAR VI 27338 E
7u. JUNE COMES ARND/MY I DEAL (H.MC I NTYRE JVD 464 V+

WIMGY MAN ONE

7| .HONEYS LOVIN ARMS/SUGAR W AL KS DWN BB3OO80I N-

72. TARPAPER STP /TIN ROOF BL DE 7425 E*

73. WEARY BLS/BIG BUTTER 4 EGG MAN DE 74l 5 E+

74. BEALE ST BL/FAREWELL BLS BB |040| V+

75 . N.HOLLYWOOD BL/FLAMINGO KEM 2702 N-

76. DIXIE UND/JAP SANDMAN KEM 2704 N
77.HELL0 BABY/BOXCAR BLS CA 442 H

VO

3199

V4-

VO

3562

V

VO

3428

V

LIL JOHNSON

80. SUSIE Q(SKIP)/NEW SHAVE EM DRY

LEROY CARR 4 SCRAPER BLACKWELL
Sl .BELIEVE ILL MAKE A CH AN GE/B ARRELHSE (2V0 2820 V*

82. HURRY OWN SUNSHINE/CORN LIKKER BL VO 274l V*

83. BRKEN SPOKE /TENNESSEE BL VO |200 V—

84. LOVE HIDES FAULTS/NEW HOW LONG VO I 435 V—

WILMOUTH HOUDINI

85. RESISTING TEMPTATION/ POOR BUT A MB I TUSB8 |06|9N

86. WELCOME OF MAJESTIES/HOT DOGS MADE DE 18006 N

87. DRUNK 4 DISORDERLY/LIZZIE QUIT JOE RO 751 V*

LITTLE BROTHER

88. WEST TEXAS BL/M I STREATI N WOMAN BB 7| 78 V+

BOYD SENTER & EOD IE LANG

89. CLAR 1 NET T I CKLE/BLUE I N THE BLS OK 40777 N

90. JUST SO SO/SISTER KATE OK 4|0|8 E+

B'NNY BERIGAN GROUPS

91, STORMY WEATHER / LETS CALL IT A DAY ME |267| V*

92. SWTHRT DARLI N/LOVE SONG OF NILE ME 12693 E

93.PETT I N IN PARK/GOLDOIGGER SONG ME 12692 E-

94.SEARING OF THE GREEN/WACKY DUST VI 25872 V*

95. I GOT IT BAD/WHATE CLIFFS DOVER Ei. 5006 E

96. PRIMITIVE MAN/LETS FLY AWAY I LEE WlLEVtLIB 296 £+•

97. LETS DO IT/HOTHOUSE ROSE (LEE WILEY J LID 297 V*

98. TWINKLE IN EYE/DIO U GET STUNG LIB 235 V+

ART IE SHAW ( GOLD LABEL)

99. SWEET LITTLE HEADACHE/ 1 HAVE EYES BB 7889 E

lOO.HON STP FLIGHT/NIGHTMARE BB 7875 E

I 01 .THEY SAY/ROOM WITH VIEW BB 1 0075 V+

102. SAY IT WITH KISS/IT TOOK MILLION BB IO079 V*

1 03. PROSSCHA I /HONORABLE SO 4 SO BB |0|S8 Vf

I 04. YOU GROW SWEETER/ IF U EVER CHANGE BB I Ol 95 V*

105. COMES LOVE /CANT AFFORD TO DREAM BB 10324 V*

106. MOON RAY/MELANCHOLY MOOD BB 10334 V+

107. THE BLUES A 4 B HA 1 057 N

COUNT BASIE

1 08. TUNE TOWN SHUFFLE/YOU LIED TO ME OK 6267 E
I03.ROCK A BYE BASIE/DONT TELL ON ME VO 4747 E
I 10. JIVE AT 5/EVIL BLUES DE 2922 N

111. FANCY MEETIN YOU/1,2,3, 0 'LAI RY OK 63l9N

112. B00GIE WOOG I E/LADY BE GOOD VO 3459 E+
II 3. OH RED/FARE THEE HONEY DE 2780 Et-

J 1MM I E LUNCEFORD

I I 4. JAZZNOCHRAC Y/WH I TE HEAT BB 57l 3 E-

115. CALL IT ANYTH I NG/RH Y IN NURS RHYMS DE 572 V+

116. L0NES0ME ROAD/MAN DY VO 4831 V+
1 1 7. SHOEMAKERS HOLIDAY/U SET ME AFIRE VO 471 2 E

I 18. TAINT WHAT U DO/CHEATIN ON ME VO 4582 V+

II9.SASSIN THE BOSS/WHO DID U MEET VO 5||6 V+

GLENN MILLER ( GOLD LABEL)

1 2(J .WHAM/ ISLE OF GOLDEN DRMS BB 10399 E

121. MY PRAYER/BLUE MNLIGHT BB 10404 E+-

122. FAREWELL BLS/ I ND I AN SUMMER BB 10495 Et-
I23.0H JOMNNY OH/CIRI BIRI BIN BB 10507 N-
1 24. CARELESS/VAGABOND DRMS BB 10520 E+-
I25.SKY FELL DWN/GIVE LITTLE WH I STCL BB 10580 E«-
1 26.STARLI T HOUR/OLD DUTCH GARDEN BB 1 0553 E+
I27.SAY SI SI /IMAGINATION BB 10622 E

1 28.WHATS THE MATTER W ME/ POLKADOTS BB 10657 £+•

1 29.SAY IT/ MY MY BB 1 063 1 E+-

I 30.GDBYE LIT D ARL I N/BE RKLEY SQ SB |093| E+-

I3I.ID KNOW U ANYWHERE/GOT ME THIS BB 1 09O6 E+>

132. ONE I LOVE/SUN VALLEY JUMP BB I I I 10 E

1 33. CHAPEL IN VALLEY/VOLGA BOATMEN BB 11029 E

134. FIFTH AVE/WOULDNT TAKE MILLION BB 10860 E-

1 35. YES TE R THOUGHTS/ HANDFUL OF STARS BB 10893 V+>
136.01 NG DONG WITCH IS DEAD/ OVER RA I NBOWBB 10366 E-

137. M0. WALTZ 4 ALICE BL GOWN/ (lOMABDO I VD 352 V*

138. G0IN HOME 4 HONEYSUCKEL R0SE4BL HVN VD I 32 V+
I39.IVE GOT HRT FILLED WITH LOVE 4 YOU VD 381 V+

140. HOLIDAY STRINGS/REV P. BARON VD 42l V+

WOODY HERMAN

141. YARDBIRD SHUFFLE/EL I SE DE 4353 E4-

1 42. CASBAH BLS/ FAREWELL BLS DE 2582 E+

143. DR JAZZ/ TROUBLE IN Ml ND DE 1307 V+-

144. APPLE HONEY/HARVARD 3l(bASIeJ VD 369 V+

145. redtop/(lombardo-little R.I.) VD 382 V*

146. BLUE FLA ME 4 FUR TRAPPER BALL/ ( ANDRWSVD 257 V+
I47.SORRENT0 4 BISHOP BL/UPTOWN EXPRESS VD 293 V*

BOB CROSBY

I48.W0LVERI NE BL/LOUISE LOUISE DE 2032 E+

I49.IF I HAD YOU/GINMILL BL DE I I 70 E+

| 50.SYMPATHY/DAVEN PORT BL(ROLLINl) DE 3862 E*
I 5| .VULTEE SPECIAL/RUSSIAN SAILORS DNCE DE 903 E

BOB CROSBY -

152. THRU COURTESY OF L0VE/K I NGDOM 4 DE 903 E

153. B00GIE WOOGIE MAXIXE/GIN MILL BL DE 3382 E

154. JUST STROLLIN/ITS WONDERFUL DE 1670 E

155. DIGA DIGA 00( IN 2 PARTS ) DE 2275 E
156.8 1G NOISE Wl NNETKA/HONKY TONK TRANDE 2208 E
l57ilM FREE/SUMMERTIME DE 2205 E
1 58. JOHN PEEL/GRAND TERRACE RHYTHM DE 1725 E+
I59.ITS MY NIGHT TO HOWL( 2 PARTS I DE 112 E-

JACK TEAGARDEN GROUPS

1 60. TABLE IN CORNER/ SO MAN TIMES CO 35252 E

|6| .DOWNHEARTED BL. MONDAY MORN ( T. GRACeBe 2|28E

I62.NICKEL IN SLOT/U WENT TO HEAD DE 1 706 V*

|63,JEEPERS CREEPERS/MUTINY IN NURSY DE 2222 V*

I64.L0RD GIVE U CHILDN/BATHTUB RAN DE 1 42 E-

I65.IF I COULD B WITH U/SHEIK<LIPS PGEVD 198 V

AL J OLSON

166. HELLO TUCKY/TROUBLE A BUBBLE BR 2763 V

167. /ASKA DOOLA HICKEY DOOLA CO 1956 V+

168. A BROKEN DOLL CO 1254 E-

169. TELL THAT TO THE MARINES CO 25 57 N—
I70.0N THE ROAD TO CALAIS CO 2690 N-
I 71 .WHO PLAYED POKER W POCAHONTAS CO 2787 N-
172. IVE GOT MY CAPT WORKING 4 ME NOW CO 2794 N-
173. TELL ME CO 2821 N-
174.1 GAVE HER THAT CO 2 35 N-
I75.M0RNING WILL COMl CO 3880 E+
I 76. ANGEL CHILD CO 3568 V+

177. YO0 HOO CO 3513 E

178. Y0U AINT HEARD NOTHIN YET CO 2836 O-

179. CHL0E CO 2861 E

I30.30ME BEAUTIFUL ' ORN I GN CO 2940 V+

I8I.AVQL0N CO 2995 E-

182. ILL SAY SHE DOES CO 2746 E-

B'JNK JOHNSON) I 2" MIN BID $6.00 PER )
I83.ST LOUIS BLS/THE SAINTS AM 252 N

I84.L0WD0WN BLS/YES YES IN YR EYES AM 253 N

185. ICE C RE AM/ BE R GUNDY STl LEWl 8,R0B I NSONAM 254 N

1 86. DRKTWN STRUTTERS/WALK ST OF CITY AM 256 N

187. TIGER RAG/SEE SEE RIDER AM 251 N-

JIMMY YANCEY(|2" MIN BID $4.00)
I 88. ETERNAL BL. YANCEY SPECIAL SE I 2001 N

I89.H0W LONG/PALLET ON FLOOR SE 12003 N

GEORGE LEWIS N.O. STOMPERS ( I2y)

I 30. TWO JIM BLS/M ILENBERG JOYS CLI 102 N

191. CLIMAS RAG/DEEP BAYOU CLI 101 N

1 92. DAUPH INE ST/F1 DGETY FEET CLI 104 N

1 93. CARELESS LOVE/DONT GO WAY NBDY CLI 105 N-

GER TRUED LAWRENCE 4 NOEL COWARD
I94.SHAD0W play ( 2 PARTS VI 36 1 9l v+

195. FANILY ALBUMf 2 PARTS ) ( SM DIG) VI 36192 V+

196. MAD DOGS/LOVER OF DRMS ' COWA RD ONLY 'V 124332 E

PAUL WH I TEMAN ( 12" )

197. METR0P0LISI 2 PARTS ) VI 35933V*

1 98. TOGETHER/MY HEART STOOD STILL VI 358836-
I99.SH0WB0AT MEDLEY/OL MAN RIVER VI 359|2€-

200. WHEN DAY IS DONE /SOLI OQUY VI 35828 V+

201. THREE SHADES OF 8l(2 PARTS ) VI 35952 E

202. ALL POINTS WEST( 2 PARTS) VI 36 1 98 E+

2 03 . MELANCHOLY BABY/MAN I LOVElLAM CRKCO 50068 E

204. WA6HB0ARD BLS ( W.HOAGY 4 BIX) VI 35877 E

205. GYPSY/ JEANN INE CO 50095V*

MISCELLANEOUS DISCS -V* CONDITION UNLESS NOTED

206 . KEN TON-ART IN RHY4EAGER BEAVER /BUSSE, HOT LI PS-65

207. H.JAMES4D.HAYMES-MARIEELENA/U SEND H (CHP)238 E-

208. M.WARN0W-AFER U GONE/TOY TPT/ RUN.WI LD/A- EX R -35

209. BARNET-UPTWN BL 4 HAUNTED TWN/THORNH I LL - 294
2| UJ.KIRBY-flYL GDN BL4 COQUE TTE/L. JORDON -237

2 1 I .GLEN "GRAY-MY HT TELLS ME/BIRMING SPECL - I 1 8
2 1 2-EL LI NGTON— PERD I DQ/R I NG DEM BELLs(eDG OHP)37
2| 3.BARNET Wl TH ELDR I DGE— GULF COAST BL 2|8
2|4.KENT0N-«EVER THOUGHT ID SING BL/R,N0BLE-*96
2|5.R. SCOTT 7-OLD CHARCOAL/HUNGRY COUNT - 73

2 1 6 .BA RNET— SHARE CROP BL/ J .DORSE Y-SUNSE T STR I P-l 06V

BOOKS' 4 CATALOGS— ALL IN E OR BETTER CONDITION

2|7.H.CARMICHAEL"STARDUST R0AD*(|ST EDITI0N-I946)
ABOVE IS A BIX MEMOIR WITH ILLUSTRATIONS

2|8.E. WATERS"EYE IS ON THE SPARROW" ( I ST ED )

2I9.B. ULANOV"OUKE ELL I N GTON" ( I NCL DISCOGRAPHY)
ABOVE IS 1ST EDITION WITH ELLINSTON AUTOGRRI

220.0KEH 1941 POPULAR CATALOG

221 . BRUNSWI CK CATALOG 4 SUPPLE. THRU 8/39

222. VICT0R |94C—*I COMPLETE CATALOG

223. COLUMBIA 1943 COMPLETE CATALOG

224. PA RALO PHONE 1948-49 COMPLETE CATALOG

34

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WILL BE SHIPPED VIA RRX CHKRGES COLLECT. IF YOU WANT PARCEL POST YOU WILL HAVE TO ACCOMPANY YOUR ORDER WITH "ENOUGH EXTRA TO COVER POSTAGE. REMITTANCE MUST
ACCOMPANY YOUR ORDER. ORDERS FROM NYC MUST ADD 3% CITY SALES TAX. SATISFACTION UNCONDITIONALLY GUARANTEED OR MONEY R EFUNDED . PLEASE ORDER BY THE N 'MBER TO THE
LEFT OF THE COLUMN IN THE CASE OF 78RPM RECORDS. ORDER LPS BY LABEL AND CATALOGUE NUMBER.

THE ALL STARS (BARNETS GREAT BAND)
■ j '

KENNY KLARKE KLIQUE

ELLA FITZGERALD AND LOUIS ARMSTRONG

3I7.WIL0 MAB FISH POND/NIGHT & DAY

.99

47. U GO TO MY HEAD/ROLL EM BAGS

.35

356.0PPS/NECESSARY EVIL

.49

THE ALL STAR STOMPERS (WILD BILL DAVISON)

EARL COLEMANS BAND

BUD FREEMAN

248.1 NEVER KNEW/CANT WE BE FRIENDS/

.49

48. STRANGER IN TOWn/yAROB 1 RO SUITE

.39

I02.10WN HALL BL/lNSIDE OR OUTSIDE

.49

249.SWINGIN DOWN LANE/sH 1 MMESHAWABBLE

.49

LEE COLLINS/ JAMES P. JOHNSON

THE TENNESSEE GABRIEL ( BROWN 1 E MCGEE )

250.TISHOMINGO BL/ECCENTRIC

.49

49.D0NT TEAR MY CLOTHES/w ILD BOUT PATOOTIE

.69

I03.IF 1 COULD HEAR MOTHER PRAy/pREC 1 OUS LORD

.49

25I.BIG BUTTER EGG MAN/BABY WONT U PLEASE COME

.49

LEE COLLINS & LITTLE BROTHER MONTGOMERY ,

SLIM GAILLARD

252.H0TTER THAN THAT/SENSAT ION

.49

50. EL RITMO/LONG TIME AGO

.99

I04.WHEN BANANA SKINS FALL 1 NG/bANGO C 1 TO

.29

LOU IS ARMSTRONG

RUSS COLUMBO

ERROL GARNER

I.DALLAS BL/PEANUT VENDOR

.99

51. TOO BEAUT IFUL/l SEE TWO LOVERS

.79

105. loose nut/love

.39

2.SASIN ST BL/NO

.99

AL COOPER SAVOY SULTANS

I06.TLAN PIANO/FANTASY

.39

3, lazy river/georgia on my mind

.99

52. GET IT AT SAVOY/NEW JUMP

.39

DIZZY GILLESPIE

4.LAST NIGHT/YOURE A REAL SWEETHEART

.79

B NQ CROSBY

330.CONFIRMATION/OIGGIN diz

.39

5. SWEETHEARTS ON PARADE/BLUE AGAIN

.69

53. SIDE BY SIDE/MAGNOLIA

.49

334.DIGGIN FOR DIZ/TRUMPET TEMPO (MC GHEE)

.30

6. HOBO U CANT R IDE TRAIn/nEVER BEEN BORN

.89

36 1 .PRETEND ING/GOTTA GET ME SOMEBODY

.39

JAZZ GILUJM

7. EVERYBODY LOVES MY BABy/aLL WRONGS U DONE

.99

362. IOWA INDIAN SONG/WAY BACK HOME

.39

I07.FAST WOMAN Bl/kEEP ON SA LING

.39

349.IF/Y0URE JUST IN LOVE

.49

DIXIELAND RHYTHM K IN'",S ( ONE OF BEST BANDS)

326. ROLL DEM BONES/BLUES WHAT AM

.45

PAUL BARBAR1NS NEW ORLEANS BAND

55. F ICCETY FEET/FOUND NEW BABY

.49

B NY GnODKAN

9.PANAMA/JUST LITTLE WHILE STAY HERE

.49

56.WCLVERINE BL/THE SAINTS

.45

iOC.sa ilin/i cant give u anything but love

.89

|0.l ILY OF THE VALLEY /EH LA BAS

.49

327. WEARY BLUES/SINISTER BUCKET BL

.89

1 05. GONE WITH WHAT WIND/siX APPEAL

.89

301. CLARINET MARMALADE/FIDGETY FEET

.49

JOHNNY DODDS

llO.BENNYS BUGLE/BREAKFAST FEUD

.79

GEORGE BARNES (A FABULOUS GUITARIST)

57. WEARY CITY/BULL FIDDLE

.79

III. JUNK MAN/OL PAPPY

.69

341. TIN WHISTLE BL/PINK PLUNK

.39

58. MY BABY/ORIENTAL MAN

.79

I'.?. HANDFUL OF KEYS/vlENI VIENI

.49

COUNT BAS 1 E ORCH

53. MAD DOG/FLAT FOOT

.89

113. BUGLE CALL RAG/wHOOPEE STOMP

.69

I4.S0NG OF ISLANDS/NOBODY KNOWS

.79

60. MY GIRL/SWEEP EM CLEAN

.79

DEXTER GORDON

15.1 LEFT BABY/RIFF INTERLUDE

.79

61. BROWN BOTTOM BESs/LADY LOVE

.69

II4.0H WELL/SWEET ANO LOVELY

.39

I7.0ASF STRIDES AGAIN/jUMP FOR ME

.79

62. WEARY WAY BL/THERELL COME A DAY

.79

I|5/t/.LK OF THE TOWN/LULLABYE IN RHYTHM

.39

BASIN STREET SIX

O^-GtUBtH UANLt/TUU TIGHT

• /y

335. THE OUEL PTS 1-2

.39

I8.IM GOING HOME/jAZZ ^ BLUES

.49

64.hCT STUFF/HAVE MERCY

.59

335.BIKINI/BL IN TEDDYS FLAT (TEDDY EDWARDS)

.39

I9.T-ATS A PLENTY /LAZY RTVER

.49

66. MIXED SALAD/l CANT SAY
67,700 tight/papa DIP

.99
.99

MART GROSS CELLAR BOYS (FINE 'HICAGO DU

E)

20.MGH SOCIETY/SOUTH RAMPART ST PARADE

.49

116. ORIGINAL DIXIELAND ONE STET OH BABY

.39

2 | .MARG Ie/FAREWELL BL

.49

58. SOUTH BOUND RAG/TIN ROOF BL

.69

1 |7,SHIMiMESHAWABBLE/D0 ANYTHING FOR U

.35

BAYS IDE JA22 BAND^URRlCANE JAZZ BAND

69. HOT POTA TOS/STEAL AWAY BL

71. COOTIE STOMP/wEASY WAY BL

BABY DODDS

72. DRUM IMPROVISATION #l/WOLVERINE BL

TOMMY DORSEY ORCH
365. BLACK STRAP MOLLASSEs/sEPT IN RAIN

DUTCH SWING COLLEGE BA^D
337. ALEXANDERS RAGTIME BA ND/b 1 RTHD AY BL

ROY ELOR 1 DGE ORCH

73. HECKLERS HOP/THAT THING

74. FLORIDA STOMP/wABASH STOMP
3 IB. AFTER U GONE/LAZY RIVER

DUKE ELLINGTON ORCH

.79
.65

.49

WALETR GROSS ( A SUPER8 PIANIST)

333#BAYS IDE 8L/cLAR1NET MARMALADE

SIDNEY BECHET
23.SCNG OF MEDINA/I GOT RHYTHM

•49
.49

1 |8. SOMETIMES IM HAPPy/tIME ON MY HANDS

119. THRU THE YEARS/ORCH 1 OS IN MOONLIGHT

120. TEA FOR TWO/MORE THAN U KNOW

.45
.45
.49

24. WITHOUT A HOME/lM THRU GOODBYE

25« WASTE NO TEARS/LOVE ME WITH F ELING

26.B0X CAR SHORTY/BROKEN WINOMILL

27.SEPTEMBER SONG/wHO

304. SIDNEYS BLUES/PALLET ON FLOOR

SONNY BERMAN

28. NOCTURNE/CURBSTONE SCUFFLE

29. NOCTURNE /THERMOD YNAM 1 C S

B IX BE iDERBECkE

.49
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.39

.39

.49

.99
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|2|.I KNOW U KNOW/WITHOUT A PONG .49

JOHNNY GUARNAR 1
122. WHY DO 1 LOVE U/WT*TS T> E USE .39

BOBBY HACKETT

338. JAZZ BAND BALL/eMBRACABLE YOU .79

CARL HALEN (great trumpet)

328. CAKE WALKIN BAB 1 ES/w 1 LL 1 E THE WEEPER .49

LIONEL HAMPTON
350. CANNON BALL EX PRESS/b 1 RM 1 NGHAM BOUNCE .39

358. oh rock/love u mad .39
35S.hai.ps gumbo/sad feeling .39
366. cool train/cant believe ur in love with me .39
GLENN HARDMANS HAMMOND FIVE (WITH LSTER YOUNG )

3^1 UikT RFI IFUF/lTlin MAN R 1 UFB

3 PCRRY /s 1 NCE MY BEST GAL TURNED ME DOWN

32.changes/mary

graeme bell dixieland ja22

•G9
•79

QQ

•

75. ALL GODS CH ILLUN GOT RHYTHM/ALABAMY HOME

76. WEST INDIAN ST/BUGLE BREAKS

77. NEVER FELT THIS WAy/aLL TOO SOON

78. EXPOS 1 T 1 ON SWING/HARMONY IN HARLEM

79. DINAHS IN A JAM/BUFFET FLAT

60. rest RIO grande/pbelude TO KISS

.89
.89
.69
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.85
.89

34.6 IG BAD BANKS 1 A MAN/JENNYS BALL

CH BERRY

.49

123. upright organ blues/jazz me BL

BILL HARRIS
|24. SOMEBODY LOVES ME/wOODCHOPPERS HOLIDAY

COLEMAN HAWKINS

.99

306. BLUES C# MINOr/waRMIN UP

.99

62. SAN JUAN HILL/STEPPING INTO SWING SOCIETY

83. BOUNCING BOUYANCY/LONELY CO-ED

84. BLUE LIGHT/SLAP HAPPY

85. HARLEM A IRSHAFT/SPE IA PANORAMA
87. SWING LOW/DUCKY WUCKY

88. GO IN TO TOWN/TIGHT LIKE THAT

89. D0UBLE CHECK/DOWN IN THE ALLEY
90..BLACK AND TAN #l/HOT BOTHERED ft
91. IM SATISFIEO/jlVE STOMP

CYP C TrKrf^n DC" /q i i ir c err i t h i
Jc ,. i. | c. v t. u\j hi / BLUE, r t.r L 1 NU

93,.PYRAMId/V/HEN SUGAR WALKS DOWN STREET

.99
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.79
.79
.^9
.79
• 99

.39

35. LAMENT JAVANETTE/rEADY ED0Y

rilfllF Rl AKF A. FATS WALLER (PIANO ROLLS)

36. BOLL WEAVIL BL/LAST MAN BL

CLAUDE BOLLING ALL STARS

37. RIVERSIDE Bl/gEORGIA BOBO

36. SLUES IN D 1 SGU ISE/D 1 PPERMOUTH BL
39.U RASCAL U/NOBODYS KNOWS WAY 1 FEEL

SHARKEY BONANOS KINGS OF DIXIELAND

.49

.79

.49
.45
.49

I25.BEAN ATT HE MEt/|M IN MOOD FOR LOVE
I26.SWINGIN IN GROOVE/l KNOW U KNOW

127. ELUES EVERMORE/DEAR OLD SOUTHLAND

128. WHEN BUDDHA SMILEs/wAY DOWN YONDER IN N.O.
I29.0UT OF NOWHERE/SWEET GA BROWN

1 30. MAN 1 LOVE/TALK OF THE TOWN
I3I.8IG HEAD/PLATINUM LOVE
ERSK INE HAWKINS ORCH

.39
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.35
.39
.39
.30
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NEVER RELEASED IN THIS COUNTRY

.85

132. melancholy/needle POINTS

.39

40. SWEET GEORGIA PROWn/| LIKE BANANAS

.99

JKJKE ELLINGTON

133. GABRIELS HEATTER/LOVE TO MAKE YOU

.39

SHARKEY BONANO JAZZ BAND

95 JUB i lesta/moonli GHT FIESTA

.49

MONK HAZEL BAND

41. BACK HOME IN 1 ND 1 ANA /m 1 SSOUR 1 WALTZ

.49

97.PCRTRA 1 R LION/SOMETH ING TO LIVE FOR

.99

134. GIT WIT IT/lDEAS

.49

DAN BURLEY SKIFFLE BOYS

.49

98. RED HOT BAND/OKLAHOMA STOMP

.45

HERB IE HAYMZR QUINTET

43. THREE FLIGHTS UP 1-2

99.H0NE YSUC KLE ROSE/CHOPST 1 CKS

.49

I35.LASUNA LEAP/BLACK MARKET STUFF

.39

DON BYAb

EMPIRE STATE JAZZ BAND

WOODU HERMAN BAND

44.1 SURRENDER DEAR/THESE FOOLISH THINGS

.39

100. MINSTREL WALK/ONCE IN A WHILE

.45

I36.MEAN TO ME/BLOWING UP A STORM PT 1

.35

JiOAGY CARM 1 CHAEL WITH MATLOCKS ALL STARS

IRVING FAZOLA

I37.THE GOOD EARTH/BLOWING UP A STROM PT 2
136. MAN 1 LOVE/EVERYWHERE

.39

353.R0TATI0N BL/FLAP YOUR ELBOWS

.49

lOl. MOSTLY FAZ/wlTH U WHERE U ARE

.49

.39

CENTRAL PARK D IX IELANDERS (LYTTELTON BAND )

ELLA FITZGERALO

139. BF.CTHER FATS/GLORY OF LOVE

140. PASS THE BASKET/HOLLYWOOD BL

.39

45.PANAMA/CHATAN00GA STOMP

.49

342. WALK IN BY THE RIVER/FAVORITE SONG

.39

.39

CENT RY STOMPERS (WELLSTOOD GRO'P)

351. BASIN STREET BLBES(HER GREAT LOUIS IMITATION)

."9

1 4 1 .SUPERMAN ON A HORn/4 MEN ON HO RSE

.39

46.uELLY BEAN WOBBLE/MOUND CITY DRAG

.69

352. LADY BUG/BABY OOLL

.49

ART HODES JJSZ2-.BAND
1 43. MR JELLY LORD/NEVER KNEW WHAT A GAL

CHICAGO RHYTHM KINGS (CLESS MARSALA ETC)

355.1 DON T WANT TAKE CHANCe/rOUGH RIDER

.39

.45

307. SONG of wanderer/changes made

.79

357. LAZY DAY/WHAT DOES IT TAKE

.49

144. BLUES AND BOOZE/EC CENTR IC

.49

35

UP TO 9 LP's FREE

JAZZLAND

SEE FIRST PAGE OF ADVERTISEMENT FOR FULL DETAILS OF 0"R OFFERINGS

ART HOPES/JIMMY YANCEY

I46.S0UTH SIDE SHUFFLE/THE FIVES .49

-JOHNNY HODGES ELLINGTONS

I47.H0DGE PODGE/WANDERLUST .79

BILLIE HOI I DAY

|49. IM PULLING THRU/GHOST OF YESTERDAY .89

I5I.M00D IM IN/SENTIMENTAL MELANCHOLY .89

152. SAME OLD STORY/LOVE ME LEAVE ME .49

1 53. CARELESS LOVE/MAN I LOVE .49

155. SOME OTHER SPRING/LOW DOWN GROOVE .79

I56.MAN I LOVE/ANY OLD TIME .49

323.EASY TO LOVE/WAY U LOOK TONIGHT .69

324.1 GOT LOVE KEEP ME WARm/0NE NEVER KNOWS .89

JOHN LEE HOOKER (GREATEST OF TODAYS BL'ES MEN )

I 57. NEVER SATISFIED/NOTORIETY WOMAN .49
LENA HORNE

348.DEED I DO/LOVE MY LIFE .39
BUD JACOBSONS JUNGLE KINGS

158. CANT BELIEVE UR IN LOVE ME/oPUS I SANS MELOOY .69

1 59. LAUGH I N AT u/CLARINET MARMALADE .69

HARRY JAMES

3 I 3. TEXAS CHATTER/SONG OF WANDERER .69

CONRAD JAN IS TAILGATE JAZZ BAND
Ifil.EH LA BAs/wlLLIE TVIE WEEPER .49
162. ORIENTAL MAN/KANSAS CITY STOMP .49

JACK JENNY ORCH
I63.STARDUST/CUBAN BOOGIE WOOGIE .79

BUNK JOHNSON BAND
I64.SNAG IT/CANT ESCAPE FROM U .99

BUNK JOHNSON k LU WATTERS BAND

165. ACE IN HOLE/CARELESS LOVE "~ .99

EDITH JOHNSON

166. NICKELS WORTH LIVEr/hONEY DRIPPER .69

167. HEART ACHIN BL/aINT NO MORE SAID .49

PETE JOHNSON

168. CLIMBIN SCREAMIN/HOW LONG BL .69

_ BLIND WILLIE JOHNSON

169. TAKE BURDEN TO LORd/gOD MOVES ON WATER .99
316. MOTHERLESS CHILDREn/oh LORD .99

HANK JONES & JEAN GERMA INE
I 70. THE CHASE/NIGHT MUSIC .39
■UAXIE KAMINSKY

1 71 . BLACK 4 BLUE/HAVIN A BALL .49

REVEREND KELSEY (ABSOLUTELY THE GREATEST
CHURCH MUSIC EVER RECORDED. BUY A SET)

1 72. LITTLE BOY/STAND IN THE STORM .69
I 73. STORM PASSING OVER/STR I V I NG FOR PROMISED .69
1 74. TELL ME HOW LONG/EVENING PRAYER .69
175. I M A SOLDIER/AFTER AWHILE .69

GENE KRUPA BAND
176. SWING IS WERE/HOPE -GABRIEL LIKES MUSIC .49

LAWSON HAGGART JAZ2 BAND

343. SATURDAY RAG/BUSYBODY .49

CRIPPLE CLARENCE LOFTON (SUPERB PIANO)

177. U DONE TORE PLAYHOUSE DOWn/bROWN SKIN GAL .69

CRIPPLE CLARENCE LOFTON/ALBERT AMMONS
I 78. HAD A DREAM/ST LOUIS BL .79

CLAUDE LUTER JAZZ BAND

1 79. PANAMA RAG/SOUTH AFRICAN BLUES .49

HUMPHREY LYTTLETON BAND

1 80. GET OUT OF HERE/SUNDAY MORNING .49

SHERRY MC GEE'S D IX IELANDER5
303. SHAKE IT BREAK IT/TIN ROOF BL .59

HOWARD MC GHEE

207. UP IN DODS ROOM/HIGH WIND IN HOLLYWOOD .39

208. DOROTHY/NIGHT MIST .39
2C9.riALED PUPILS/MIDNIGHT AT MINTONS .39

JIMMY MC PARTLAND DIXIELAND JAZZ BAND

2I0.IN A MIST/ROYAL GARDEN BL .49

21 I .DAVENPORT BL/uSE YOUR I M I GA NAT I ON .45
B'S MACEO

181. CHICAGO BREAKDOWN/WINTERTIME BL .39

W I NGY MANONE

I82.ISNT THERE A LITTLE LOVE/THATS A PLENTY .49

I83.SHES CRYIN FOR ME/jUST ONE GIRL .4?

I&'.NICKLE IN SLOT/SWING BROTHER SWING .79

DODO MARMAROSA

I 85. DODOS BL/l SURRENDER DEAR .39

I86.L0VER/DARY DEPARTS .35

I 87. TRADE WINDS/BOPMATISM .39

ZEP ME I SSNERS DIXIELAND ALL STARS (RUSHTON ETC)

I 8B.BEALE ST MAMA/LEAV1N TOWN .69

1S9.DIXIE OOWNBEAT/WHOS SORRY NOW .65

ETHEL MERMAN

363. LOVE IS THE REASON/MAKE MAN LOVE ME

ETHEL MERMAN S, JIMMY DURANTE
354. IF II CATCH COLD/u SAY NICEST

MEZZ MEZZROW

191. PANIC IS ON/MUTINY IN THE PARLOR

LIZZIE MILES

332. CARELESS LOVE/l CRIED FOR U
340. ACE IN HOIEE/BASIN ST BL
GLRNN MILLER ORCH

192. D0NT WAKE UP MY HEART/WHY MAKE ME FALL IN

.PUNCH FILLER
193. SOME THESE OAYs/EXACTLY LIKE U
305. WEARY BL/COOL KINDA PAPA
308.SK ine/small HOTEL

FREDDIE MITCHELL ORCH
325. FISH MARKET Bl/tILL TOM BL

LITTLE BROTHER MONTGOMERY
I 94.SWINGIN WITH LEE/WOMAN I LOVE
195 .VICKSBURG BL/MO SPEOIAL RIDER

JELLY ROLL MORTONS RED HOT PEPPERS

200. NEW ORLEANS JOYS/PERFECT RAG

201. CANNON BALL/GRANDPAS SPELLS

202. JELLY ROLL BL/BIG FAT HAM

203. TOM cat/bucktown

204. GRANDPAS SPELLS/KANSAS CITY STOMP
205.STrAMB0AT STOMP/SMOKEHOUSE BL
206.SHREVEP0RT/STRATF0RD HUNCH
I97.DI0NT HE RAMBLE /W I N I N 80Y BL

NEW ORLEANS RHYTHM KlUuS

2 1 2. GOLDEN LEAF STRUT/SHES CRYIN FOR ME

2 1 3. THATS A PLENTY/TIN ROOF BL

2 1 4.M I LENBERG JOYS/sH I MMESH A WABBLE

ALBERT NICHOLAS CREOLE SERENADERS

2I5.SALEE DAME /MO PAS LEMME CAS
2I6.1ES OGNONS/CREOLE BL

KING OLIVER
2|7. FRISCO TRAIn/wORK OX BL
2 I 8.MABLES DREAM/SWEET BABY DOLL
2I9.KR00KED BL/ALLIGATOR HOP
336.BOZO/BIMBO

ORIGINAL DIXIELAND JAZZ BAND
22 |. SKELETON JAS.^E 1-2
222. TIGER RAG 1-2

223. ORIGINAL DIXIELAND ONE STEP 1-2
329.LIVERY STABLE BL 1-2

ORIGINAL ZENITH BRASS BAND
224.SHAKE IT BREAK It/f|DGETY FEET
31 9. SALUTATION MARCH/lF I EVER

HOT L i PS PAGE

225. DOUBLE TROUBLE/GOT WHAT IT TAKES

ROY PALMER

226. GET0RG1A SWING/STOMP THAT THING

227. JOCKEY STOMP/ENDURANCE STOMP

ROY PALMER

228. NANCY JANE/DIRTY DOZENS COUSIN

TONY PARENTIS RAGTIMCRS

229. GRACE AND BEAUTy/pRA L I NE

CHRLIE PARKER

230. RELAX IN AT CAMAR I LLO/sTUPENOOUS

32 | .RELAX IN AT CAMARILLO/BLUE SERGE ( CHALOFF )

SANTO CCORA

31 I .LOU I S IANA/MARD I GRAS
3I2.ROSE RIO GRANDE/CANAL ST ROMP

SISTER BERN ICE PHILLIPS
3 1 5. ROYAL TELEPHONE/GOD LEADS

THE RAGPICKERS

231. CATARACT RAG/ENTERTAINERS RAG
23 2, NONSENSE RAG/REOHEAD RAG

233. THE LILY RAG/CRAWFISH CRAWL

RAGTIME PIANO ROLLS
AMES P. JOHNSON/FATS WALLER

234. PALLET ON FL00r/|8 ST STRUT

RAMPART STREET PARADERS (ALL STARS)

344. PA PA DE DADA/RHYTHM RAG
34RVTAINT NOBODYS BIz/wHEl. I FOUND U

345. DADA STRAIN/HEEBIE JEEBIES
347.HIGI! SOCIETY/JUNGLE BL

L' XY "IBERTS

235. MUSIC BOX RAG/PORK i BEANS

KID RENAS DELTA JAZZ BAND

236. GET IT R IGHT

237. CLAR MARm/m I LENBERG J'JYS.

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JAMES SCOTT

3 I O.RA GT I ME ORIOLE/GRACE S -BEA UTY .99

ARTIE SHAW GRAMERCY 5
360.DANC I NG ON CEILING/MY KINCA LOVE .39

GEORGE SHEARING
367.C ONCEPT I On/eaST OF THE SUN .39

238. JABBO SM I TH

READY HOKUM/GOT BUTTE ON IT .99
JOE AND TRIXIE SMITH

239. D0IN THE CHARLESTON/LOVE ME LIKE U USED .39

BESSIE SMITH

240. GOLDEN RUL BL/LONESOME DESEART .49

241. HUSTLIN DAN/BLACK MOUNTAIN BL .45
320. ST LOUIS BL IS .49
242. ST LOUIS BL 3-4 .49

THE SOUTHERN JAZZ GROUP (FINE AUSTRAL I AN JA ZZ )

243. CANAL ST BL/TIGER RAG

MUGGSY SPAN I ER

2 44. MY GAL SAL/DIP BRUSH SUNSHINE

245. ALABAMA JUBILEE/CAUTION BL

REX STEWART

246. REXAC I OUS/LAZY MANS SHUFFLE

247. BOY MEETS HORN/BUZZ BOMP(STORy)

RALPH SUTTON

253. CAROLINA IN MORN I NG/wH I T" WASH MAN

254. DILL PICKLES/ST LOUIS BL

TAMPA RED HOKUM JAZZ BAUD

255. MY DADDY ROCKS ME/BOOT IT BOY

ART TATUM
302 .MAN I LOVE/l KNOW U KN«

JASPER TAYLORS STATE STREET BOYS

256. MUST BE THE Bl/sTOMP TIME BL

MONTANA TAYLOR

257. ROTTEN BREAK Bl/mONTANAS BL

258. LOW DOWN BUGLE/l CANT SLEEP
259. IN TWE BOTTOM/lNDIANA AVE STOMP
260. SWEET SUE/FOUR DAY BL

JACK TEAGARDEN ORCH
261. IM ONE GODS CH I LDREN/THATS KINDA MAN

LEf'NIE TR I 3. MO

262,1 SURRENDER DEAR/BLUE BOY

TROMBONE ED AMD BLUE SIX
263. GREASY PLATE ST/b FLAT 3L

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.99

BESSIE TUCKER (TRULY INCREDIBLE BLJES SINGER)

.49

.49

.99
.69

1.23
1.29
.89

.49

2C4.°EMITENTARY Bl/bESSIES MOAN
SArtA VAUGHAN

265. LORDS PRAYEr/sOMET' 1E3 I FEEL LIKE MOTHERLESS .49

266. GKOST OF CHANCE/l CAN MAKE U LOVE ME

FATS WALLER

267. I M GONNA SIT RIGHT DOWN WRITE SELF LETTEr/yOU

268. NOT THERE RIGHT THERE/HAVE Yk '"A'<E

DICK WELLSTOOD (NEVER ISSUED)

269. PRIZE CAKEJWLK STORYV I LLT SWELI.s/lF U KNEW

270. L.':'.»D WATERS/CHICAGO BREAKDOWN
200. GAL AVANTIN/MOBILE ilL

SUNNY BOY WILLIAMSON

28 1. ELEVATOR WOMAN/S.e. BLUES

TEDDY WILSON

282. HONEYSUCKLE ROSE/A INT MISBBHAVIN .49
263.S0METH |NG I DREAMED LAST N I GHt/shE I K ARABY .49

2 84. BUGLE CALL RAG/MEMORIES OF U .49

285. PUNNIN WILD/CANT GET STARTED .49
286.STOMPIN AT SAVOY/BLUES TOO .49

ETHEL WATERS ACC JAMES F JOHNSON

271. MY. HANDY MAN/DO WHAT U DID LAST NIGHT .49

LU WATTERS YERBA BUENA JAZZ BAND

272.SK ID DAT DE DAT/EMPERCRS NORTON HUNCH .69

273.ShAKE THAT THING/ROYAL GARDEN BL .69
JOSH WHITE

274. EV L HEARTED MAN/HOUSE OF RISING SUN .49

BOB W I LBERS WILDCATS

275. TROUBLE IN MIND/WHEN U WORE TULIP .49

276. CLD FASHIONED LOVE/CHIMES BL .49

277. L IMEHOUSE BL/ZIG ZAG .49

278. CCAL BLACK SHINE/SWEET GEORGIA BROWN .49

COOTIE WILLIAMS
279iP0WNT0WN UPROAR/BLUE REVERIE .99

LESTER YOUNG W TH BAS IE
208.LET ME SEE/EVENING .49

289.f.urrv side of street/china boy .39

36

AUCTION

KEN CRAWFORD

2 I 5 STEUBEN STREET
PITTSBURGH 5, PA.

AUCTION

THE FOLLOWING RECORDS ARE AT AUCTION, WITH ft
MINIMUM BIO OF 50/ PER RECORD, MINIMUM ORDER SHIPPED

WILL 8E $2.00. ALL RECORDS HAVE BEEN VERY HONESTLY
GRADED, AND EVERYTHING IS GUARANTEED . WINNERS WILL
BE NOTIFIED TO SEND A CHECK OR MONEY ORDER, INCLUDING
25/ FOR PACKING MA TER I AL ,PLUS POS TA GE.EXP ERT PACKING
WILL NOT REQUIRE RRX, UNLESS THIS IS PARTICULARLY
DESIRED.

BENNY GOODMAN SMALL GROUPS
whispering/tiger rag
runnin wild/tea for two
liza/ smiles

BE I MIR BtST DU SCHOn/ PART 2
SWEET GEORGIA BROWN/ OPUS J
BIE MIR BIST DU SCHOn/ PART 2
WHOLLY CATS/ ROYAL GARDEN BLS
BREAKFAST FEUD/| FOUND NEW BABY
BENNY GOODMAN ORCHESTRA
KING PORTER/ SOMETIMES I 'm HAPPY

good-bye/sandman
goody-goody/its been so long
basin st 8ls/when buddha smiles
star dust/ star dust(t. dorsey )
house hop/anything for you
heres love in your eyes/ you turned
r1ffin' at ritz/alexanders ragtime

TAKE ANOTHER GUESS/CON I TE ( RARE ELLa)
BUGLE CALL RAg/aFTER YOUVE GONE (t.D
JAM SESSION/SOMEBODY LOVES ME

YOU CAN TELl/|IEVER SHOULD HAVE TOLD
THIS YEARS KISSES/ HE AINT GOT RHYM
ROLL 'EM/AFRAID TO DRM
BOB WHITE/ MINNIE THE MOOCHERS DAY
CAMEL HOP/ LOCH LOMONO
LIFE GOES TO PARTY/ IF DREAMS

IT'S wonderful/thanks for memory
sing sing sing/ parts 2
oooh boom/ always & always
lullaby in rhythm/ feeling is gone
feelin high & happy/feel) ng is gone
big john special/flat foot floogee
what goes on here/ki ss at twilight
wrappin' it up/melancholy BABY

YOU'RE LOVELY MADAM^YHAT HAVE U GOT

BLUE ROOM/ MAKE BELIEVE

SING FOR YOUR SUPPER/ THIS CANT BE

TOPSy/sMOKE HOUSE RHYTHM

KIMDA LONESOME/ I MUST SEE ANNIE

BACH GOES TO TOWN/ WHISPERING

undecided/we'll NEVER KNOW

SHUT EYE/GOOD FOR NOTHIN'

cuckoo in lock/home IN CLOUOS

ROSETTA/ I WANT TO BE HAPPY
HONEY'S LOVIN ARMS/IT HAD TO BE YOU
CHANGES/RUSSIAN LULLABY
STAR DUST/STAR DUST(T.D.)
JUMPIN AT WOODS IDE/CHANGES MADE
SCATTER BRAIN/ONE SWEET LETTER
BOY MEETS HORn/lETS DANCE
BUSY AS BEE/ ZAGGIN WITH ZIG
BOARD MEETING/LETS ALL SING
BEYOND THE MOON/ NIGHT DAY
OLD MILL STREAM/YOURS IS MY HRT

HENDERSON ST p/ NOBDY
DOOR KNOB HITCHA/ PERFIDIA
CORN SILK / MEMORY OF A ROSE
AVAPOLA/ INTERMEZZO
DIXIELAND BAND/ BUGLE CALL RAG

scarecrow/time ON MY HANDS

SOLO FLIGHT/ WORLD IS WAITING
GOTTA BE THIS OR THAT/ PART 2
COCOANUT GROVE/ON THE ALAMO
CLAR I MET A LA KING/ HOW LONG
JERSEY BOUNCE/ STRING OF PEARLS
HONEYSUCKLE ROSE/SPRING SONG
THATS A PLENTY/ CLAR I NET I TIS
EMaLINE/ GEORGIA JUBILEE
BASIN ST BLS/ SEAL ST BLS

METRONOME ALL STAR BAND WITH
BLUE LOU/ THE BLUES
BUGLE CALL RAG/ ONE O'CLOCK JUMP
KING PORTER STP/ ALL STAR STRUT
ROYAL FLUSH/ I GOT RHYTHM

JOHNNY MARVIN WITH B.G.

AN GEL
MY PET

HOAGY CARMICHAEL WITH B.G.
BARNACLE BILL/ BESSIE COULDNT HELP
ROCKIN CHAIR/GA ON MY MIND

ROY CARROLL ORCH WITH B.G.
ROLL ON mississippi/mnlight saving

LUMBERJACKS WITH B.G.
WHOOPEE STOMP

VI 25481 N

VI 25529 N-

VI 25660 M-

VI 25751 V

VI 26091 e/

JAPVI 1067 N

CO 35810 N

CO 36039 N

VI
VI
VI
VI
VI
VI
VI
V I
VI
VI
VI
BB
BB
B8
HMV
CO
CO
CO
CO
CO
CO
CO
CO
CO
CO
CO
CO

OK
OK
PAE.

silt

JC
HJCA
B.U.

25090 N
25215 n/e
25245 E
25258 N
25320 E
25350 E
25391 e/v
25445 N
25461 e/v/
25467 N
25497 N
25500 Z-/k
25505 V
25627 e/n-
25683 V
25717 e/e-

25726 E

25727 N
25796 e/
25808 E
25827 n/e
25827 n/e
2587| n-
25878 V
25880 N
26053 V
260RP H
26099 N-/e-
26107 E
261 10 Et%
26130 N
26134 e//n
26)59 z/
26175 E
10760 N

I 1 056 N-
I 1226 N

8468 N
35210 N
3524| e/
35301 n/e+
35356 e//e
35396 V
35410 N
35445 N
35020 N
35962 v/
35992 E
36050 E-
36109 N
36180 N
36684 N
36813 N
37513 N
6544 v//n
6590 N

2921 e//n

1 021 N
528 N
89 N

26144 E
27314 E
35389 e//n
36499 N-

BJX

VI 21376 V

VI 21435 v/

<

VI 25371 N

VI 25494 N

VE 2387 V

DELMAR RECORDS

5671 DELMAR, ROOM 202
ST LOUIS |2 MO.

NEW RELEASES

FROM NEW ORLEANS

TWO OUTSTABD ING LP'S -
CLARINETISTS

BY TWO OUTSTANDING

RAY BURKE WITH JOHNNY WIGGS- RAY BURKE BIG FOUR

JOHNNY WIGGS, CORNET RAY BURKE, CLARINET

DR. EDMUND SOUCHON ,GU I TAR SHERWOOD MANGIAPANE, BASS

A. BABY WON'T YOU PLEASE COME HOME ( VOCAL-SOUCH ON )
OLD GRAY BONNET

BLACK SNAKE BLUEs( VOCAL— SOUC HON )
BUCKTOWN BOUNCE

B.DARKTOWN STRUTTER'S BALL( VOCAL-WAN G I A PANE )
SM I LE S

SI NG ING THE BLUES

TEDDY BEAR FOOTS BLUES ( V OCAL— SOUC HON )

DL - I 10

33 1/3 rpm microgroover(lp) $3.85

GEORGE LEWIS AND HIS NEW ORLEANS RAGTIME BAND
KID HOWARD, TRUMPET JIM ROB I NSON , TROMBONE

GEORGE LEW I S,CLAR I NET ALTON PURNELL,P I ANO
LAWRENCE MARRERO,BAN JO "SLOW DRAG" PAVA GEAU ,BASS
JOE WATKINS, DRUMS, VOCALS.

A. DALLAS BLUES

LOD, LORD, YOU CERTAINLY BEEN GOOD TO ME
MAMA DONT ALLOW IT

B.JUST A CLOSER WALK WITH THEE
WAY DOWN UPON THE SWANEE RIVER

DL- 105

331/3 rpm microgroove(lp) $3.85

00 YOU HAVE THESE PREVIOUS DELMAR RELEASES?
SID DAWSON'S R I VERBOAT RAMBLERS

BOB DIETZ, PIANO
JACK I VETT, CORNET

SID DAWSON , TROMBONE
JIM LINDNER, DRUMS

a. when erastus plays his old kazco
tiger rag

squeeze me

r i verboat shuffle

b. she looks like helen brown

strut miss lizzie
mute-ne( blues)

OL-109 33 i/3 rpm(microgroove(lp) $3.85

THE FABULOUS WINDY C ITY SIX

BOB SPRECHER, CORNET SKIP D I R INGER, TROMBONE
SAN GARDNER, CLAR INET BOB DORR I ES,P I ANO
WALLY ECKHARDT ,BASS JERRY Fl SELE , DRUMS

A. AINT GONNA GIVE NOBODY NONE OF MY JELLY ROLL
HANGOVER LAMENT ' BLUES )

WHEN THE SAINTS GO MIRCHING IN

B, ROYAL GARDEN BLUES
LONESOME ROAD

SAN FRANCISCO BAY

101

33 i/3 rpm microqroove(lp) $ 3.85

DELMAR RE ORDS ARE PRESSED ON |C# PURE RED VINYL I TE
AMD ARE RECORDED UNDER THE BEST POSSIBLE CONDITIONS.
WE AIM TO PRESENT NOT ONLY THE TRIED AND TRUE GREATS
Of HOT JAZZ, BUT ALSO TO BRING TO THE ATTENTION OF
JAZZ- LOVERS, WORTHWHILE NEW TALENT.

AUCTION

SAlJi

AUCTION

SALE

STEPHEN STORAN

% ARG - BOX 34|

COOPER STATION

NEW YORK CITY, N.V.

AUCTION OF STOCK OF TOPEX RECORDING STUDIOS.
ALL RECORDS LISTED ARE COMPLETE HALP-HOUR
BROADCASTS ON 1 2" LP - 33 - l/3 MICROBROOVE
STUDIO ACETATE RECORDINGS. CAN BE PLAYED ON
ANY HOME PHONO. ALL RECOIDS ARE IN NEW
CONDITION AND UNBREAKABLE. NEVER PLAYED. NEVER
PLAYED.

ITS DELMAR FOR

NEW TH INGS IN HOT JAZZ.

KID ORY— ALBERT B1 IRBANK— ALCORN— |2"LP
( I (FIDGETY FEET
(2/BASIN ST BLUES

(3) DARKTWN STRUTTER'S BALL

(4) jUST YOU JUST ME(SOLO)

( 5 ) PANAMA RAG

(6) |2 ST RAG

BENNY GOODMAN— KRU PA— OCTOBER 1937 - |2"lp

( 1 ) theme-lets dance

(2 )sHADE OF THE OLD APPLE TREE

(3) Y0U 'RE MY DESIRE

(4) AM I 8LUE?

( 5 ) WHERE OR WHEN(TRIO)
{6 )SOMEDAY SWTHRT

(7) bob WHITE

(8) nagasaki (quartet)

(9>Y0URS i MINE
( lO)jAM SESSI ON
( I I ) THEME— GOODBYE

CLARENCE W ILL IAMS—|2"lp— 1927— ?9(hqt a BDCST)
( I Jmississippi BLUES

(2) STEAMB0AT DAYS
(3>HIGH SOCIETY
(4)WH00P I T UP

( 5 )SHAKE IT DOWN

(6 ) RED Rl VER BLUES

(7 (YOU'VE GOTTA GIVE ME SOME

(8) |'VE GOT HWTA IT TAKES

(9) JACKASS BLUES

(10) wHATS THE MATTER NOW?

BING CROSBY - |2"lp- |93I-32(N0T A BDCASt)
( I )STARLI GHT

(2) H0W LONG WILL IT LAST ?

(3) l 'VE GOT TO SING A TORCH SONG

(4) SNUGGLES ON YOUR SHOULDER

(5) l FOUND YOU

(6) SHAD0W WAL TZ

(7) my KINDA LOVE

(8) BABY OH WHERE CAN YOU BE?

(9) JUST AN ECHO

* 1 0 ) I 'LL FOLLOW YOU

COLEMAN HAWKINS-LESTER YOUNG-CLAYTON - |2"LP

(1) l GOT RHYTHM( 8 MINS LONG )

(2) C0CKTA1L BOOGIE

(3) D8 BLUES

(4) B0DY ' SOUL

(5) LADY BE GOOD

WILD BILL DAVISON^JOE S LL I VAN - |2"LP

( 1 ) JAZZ ME BLUES

(2) memphi S BLUES

(3) that DA DA STAIN

(4) SAVE IT PRETTY MAMA

(5) C0QUETTE

(6) SUNNY SIDE OF THE STREET

(7) SWEET LORRAI NE

AL JOLSON -l2"LPjN0T BDCAST ) I 9| 9
( I (REVIVAL DAY

(2) BACK TO THE CAROLINA YOU LOVE

(3) SISTER SUSIE

(4) GR0WN-UP LADIES ACT LIKE BABIES

(5) robinson CRUSOE

'6)SWANEE RIVER FLOWS

■ 7 |th OUSAND isles

(8) you're a dangerous girl

(9) a brkwn doll

(10) pray for sunshine

NOEL C0WARD-l2nLPiNOT BDCASt)

(1) last time 1 saw Paris

(2) d0n't lets be beastly to the germans

(3) the welcoming land

(4) si GH NO MORE

(5) wonder what happened to him

(6) lonoon pride

(7) mAD DOGS AND ENGLISHMEN

(8) lets say goodbye

(9) tokay- world weary-green carnation

BENNY GOODMAN-WARDELLGRAY-MLWILLIAMS - 1 2" LP

( 1 Jmarys idea

(2) SP0SIN

(3) there's a small hotel

(4) mel's idea

(5) you turned the tables on me

(6 (SWEDISH PASTRY (hASSELGARd)

(7)bACK HOME IN INDIANA (8)bENNY'S BOP

AUCTION MINIMUM 35c
MEMORY LANE RECORD SHOP

287 GROVE STREET (oPPISITE CITY HALL)
JERSEY CITY 2 N.J.
DELAWARE 3-91-48
THIS AD MARKS THE GRAND OPENING OF OUR RECORD SHOP IN
NEi JERSEY, THIS IS JUST A SMALL PART OF THE THOUSNADS
OF RECORDS IE HAVE IN STOCK. SEND US YOUR WANT LISTS AND
IE ■ ILL TRY AND HELP YOU W ITH THOSE HARD TO FIND ITEMS
AS IELL AS THE CURRENT RECORDS. IF YOU LIVE NEAR BY STOP
IN OTHERWISE MAIL IN YOUR BIDS AND WANTS. PLEASE SPECIFY
IF YOU WANT RECORDS SENT BY PARCEL POST OF RAILWAY EXPRESS
25Y PACKING CHARJ

LOMIS

STRONG

OK 8609 N
vo 3193 e/

SUGAR FOOT STRUT/A MONDAY DATE
GULLY LOW BLS/WILD MAN BL

F. HENDERSON t HIS ORCH
SHANGHAI SHUFFLEjCA FULL MIN CHORUS BY L./n MAN

VO 14935 E+

SCORG I A STRUTTERS

EV'RY BOOY MESS 'ROUND/GEORGI A GRIND HA 231 E/

CLARENCE WILLIAMS WASHBOARD BAND

STEAM BOAT DAYS/MISSISSIPPI BLS OK 8672 Ejt

CLARENCE WILLIAMS BL 5. VOCAL BY EVA TAYIOR

SHAKE THAT THING/GET IT FIXED OK 8267 E+

CLARENCE WILLIAMS STOPPERS
JACKASS BLS /w HATS THE MATTER NOW OK 40598 N

■ ILTON CRAWLEY CUR SOLOS w P-G

OEECHIE RIVER BL/SHES 4 0 I IE OK 8492

THE LITTLE CHOCOLATE DANDIES
6 OR 7 TIMES/THATS HOW I FEEL TODAY OK 8728 e/

LOUIS ARMSTRONG & HIS ORCH
ST LOU 1 8 BL/AFTER YOUR GONE OK 4|350 E

FLETCHER HENDERSON'S COLLEGIANS/ltE ROUNDERS
THERE'S A RICKETY RACKETY SHACK/lS SHE MYDO 4062 E

SARA MARTIN ACC BY THOMAS WALLER
LAST GO ROUND BLS /MA MAS GOT T(C BLS OK 8045 e/

JACK PETTIS AND HIS PETS

DOIN THE NEW LOW DWN/SPANISH DREAM VI 2|559 E+

ABE LYMAN t, HIS CAL 0RCh(V0CAL ELLA LOGAN
DOIN THE UPTOWN LOWDWn/»HERE U THE GIRL BR 6674 e/
LASSES Wrt I TE

SWEET MAMMA TREE TOP TALL CO 391 8

TEDDY WILSON

ROSETTA/LIZA AND MANY OTICRS BR 7563

THE FOLLOWING IS A LIST OF ARTISTS IN STOCK
WILLIAMS JUG SAND , GLENN MILLER

BENNY GOODMAN, TED LEWIS, BEN SELVIN

RUDY VALLEE, OHIL REEGAN

CHICK WEBB, FATS WALLER

BEN BERN IE , EMI LS COLEMAN, JOHNNY GREEN

GEORGE OLSEN, LOUIS ARMSTRONG

MARION HARRIS, GEORGE PRICE

JIMMIE RODGERS ON VI AND BB

BERT WILLIAMS, BLOSSOM SEELEY

BLANCHE RIMS.,

ALICE FAY WITH RUDY VALLEE

BESSIE SMITH WITH CLARA SMITH

EOOIE CANTOR WITH GUS ARNHEIM

EODIE CANTOR AND AL JOLSON ON VI CO, AND

LITTLE WONDER RECORDS

BILLY JONES AND E. HARE

BILLY MURRAY ON MANY LABELS

LIBBY HOLMAN ,LANNY ROSS

WELCOME LEWIS , ETHEL MERMAN

ALBERTA JONES , COTTIE WILLIAMS

JACK TEA GARDEN

FRED HALL JAZZ BAND AND BABIES

HOOSIER HOT SHOT A ON CONQUERER, WABASH BLS AND

OTHERS ALSO ON MELOTONE

COTTON PICKERS

HAL KEMP

I PAN A TROUB.

CLiqOUT CLUB ESKIMOS

WINGIE MANNONE

WOODY HERMAN

MANY MINSTRELS ON VI, CO, MANHATTAN AND GRAND OPERA
AILEEN STANLEY
MILDRED BAILEY

JUBILEE SINGERS , HENRY BURR
M ANY HARMONY LABELS
THEMES OF

AL HALLET ON OK,VO
RUSS MORGAN
BEN BERN IE

BERT LOWN ALSO ON HIT OF THE WEEK

WE ALSO HAVE SOME CLASSICAL RECORDS IN STOCK
CARUSO ON VI AND OTICR LABELS
MCC0RMACK( I TALIAN )
BATTISTINI, VARIOUS LABELS
TAMAGUO F. RAICESCO
GALL I CURL I

R08A POMSELLE AND OTtCR GREATS.

AUCTION

JACK AND JOHN

3203 N.E. |7TH AVE.,
PORTLAND OREGON

AUCTION

THE FOLLOWING RECORDS ARE FOR AUCTIOM. 25/ PACKING
CHARGE, RECORDS SHIPPED RRX UNLESS OTHERWISE REQUESTED
PLEASE BID BY NUMBER AT LEFT.

ARKANSAS TRAVELERS

1. WASHBOARO BLUES/ BONEYARU SHUFFLE HA 332 E

LOUIS ARMSTRONG HOT FIVE

2. HEEBIE JEEBIES/MUSKRAT R A MBLE OK 8300 G+

CATHERINE BOSwELL
3«C0 SOMETHING/I'M TW LAST wRS 7074 E

BROWN a. TERRY JAZZOLA BOYS

4. AUNT HAGERS CH. BL/YELKI NG HOUND OK 8018 E-

BUTERBEANS & SUSIE(OLIVER)

5. CONSTRUCT! ON GANG/A TO Z BLS OK 8|63 9f

CAMHJS CUT UPS

6. FAREWELL BLa/ WABhSH BLUES ED I IU49 V

CHICAGO DELUX ORCH/BOYD SENTER

7. ST LOUIS BLS/ MOBILE BLUES HJ | | 34 1 E-/Vt-

COOK'S DREAMLAND ORCH ( KEPPARO I
3.S0 THIS IS VENICE/THE ONE I LOVE GE 5360 E

WILMER OAV IS(CL,P,AND BJ)
5. GUT STRUGGLE/REST YOUR HI Pi ( DOODSY ) VO 1034 V-/V+

DORSEY BROTHERS ORCH(MUGGSY)

10. C0NGRATULATI ONS OR 1823 E-

DUKE ELL ING TON (RHYTHMBOYS— 8 ING )

11. RING DEM BELLS/THREE LITTLE WORDS VI 22528 V/E-

SEGAR ELL IS( LANG J ( picture LABEL J

12. WHAT 1$ THIS THING/THERES DANGER OK 4|405 N

FRANK FROBCA AND HIS SWING BAND

13. MUSIC GOES ROUND /GREAT DAY IN THE CO 3110 E

LUC IUS HARDY

I 4. JELLY BEAN MAN / MR BLS KM 12598 E-

COLEMAN HAWKINS ALL STAR OCTET

|5. SHEIK OF ARA8Y/MY BLUE HEAVEN BB I077J E

FLETCHER HENDERSON

16. MEMPHI3 BLUES/ SH AN G HA I SHUFFLE DE |53 Ej»

17. D0WN SOUTH CAMP MEETI NG/ Tl DAL WAVE DE 2|3 E

1 8. HOT TER THAN "ELL/LIZA DE 555 E+
1 9. SHAKE YOUR FEET/SWANEE RIVER BLS PE 14208 E
20.BEALE ST MAMA/DONT THINK YOUlU. PU 11226 E

EDNA H ICKS(CLARENCE JOHNSON)

2| ,GULF COAST BLS/ DUN HEARTED BLS BR 2463 E+
PEG LEG HOWELL

22. TI SHAMINGO BLS/COAL MAN BLS CO |4|J4 G+

WILLIE JACKSON

23. BAD BAD MAMA/ SHE KEEPS IT UP

24. KANSAS CITY BLS / T.B. BLS
FRAN K IE HALFP INT JAXON

25.SHE SENDS ME/YOU CERTAINLY LOOK DE 7345 V-

LEROY'S BUDDY ( HONEY HILL)
26.I..& N BLUES/GRAVEL IN MY BREAD DE 7246 E—

L IZZ IE MILES

27. STATE ST BLS/VIRGINIA BLS OK 8032 Vf
AL MILLER 4 HIS SWING STOMPERS

28. AINT THAT A MESS/JUICY MOUTH CH 50072 £
IRVING MILLS HOTSY TOTSY GANG ( GOODMAN J

29. WHAT A NIGHT/ I WONDER WHAT MY GAL BR 4998 V+
FRANK IE NEWTON AND HIS 03CH

30. ROSETTA/ WORLD IS WAITING FOR THE BB 10176 E

OSCAR'S CHICAGO SWU'GERS

31. T3Y SOME OF T HAT/MYGAL ' S BEEN FOOL DE 7201 £
P IRONS NEW ORLEANS ORCH

32. nED MAN BLS/DO JUST AS I SAY VI 19646 E
LOU IS PR IMA & H IS N.O. GANG

CO I4|56 E/E*
CO 14284 V

33. SWEET SUE/I _OVE YOU TRULY BR 7596 E

RED AND MIFF'S STOVIPERS/COON-SAUNDERS
34.SLIPPIN' AROUND/HALLUCINATIONS VI 2|397 E

ELZADIE ROBIHSON(WILL EZELL)
35. SAWMILL BLS /BARRELHOUSE MAN r-M |24|7 V—

IKE SMITH'S CHICAGO BOYS (RARE J

36. CHICAGO STATE ST BLS/ FIGHTING CH 5o04j E
JESS STACY AND HIS ORCH

37. CLAR I NET BLS/ I CANT BELEIVE VS 8|32 E-/V*
STOKERS OF HADES/ CONN IES INN

38. SUGAR/ I HEARD HA |3|1. E-/E

EVA TAYLOR ( WILLIAMS ALLEN . ST CLAIR)

OK 8665 N-

39. IF YOU WANT/HAPPYDAYS
JACK TEAGAROEN

40. MU SKA T RAMBLE/WAY DWON YONDER TEA 11226 E-
ABOVE IS A SPECIAL PICTURE LABEL

41. H0W LONG. HOW LONG/POM POM VS Bl 73 E—
J IMMY NOONE TR 10

42. THEY GOT -JY NUMBER/MOODY MELODY BB 8609 E/

SEND FOR FREE AUCTION LIST I

HUNDREDS OF ITEMS RACE, DIXIE, SWING,

PERSONALITY, CLASICAL.

37

BLUE NOTE RECORD SHOP

5671 OELMAR

ST LOUIS 12 MO.

A NEW POLICY

NO CHARGE ON ANY DOMESTIC LP MAIL ORDERS

POSTAGE
"HANDLINQ"
"PaCKIHG"
"INCIDENTALS"

JUST PAY THE COST OF THE LP'S AT LIST PRICE

ORDER ANY CURRENTLY AVAILABLE HOT JAZZ LP.8U0H ASJ
(♦3.85 UNLESS OTHERWISE SPECIFIED)

NEW ORLE ANS ,,

SEORGE LEW IS-ANTONE |(DELMAR dl- 105)

ANTONE 2;BLUEN0TE BLP 7010, 7U|3|
SOUTHLAND SLP-«?08;JAZZMAN 33 1 SP«X 60QI ;

Aa 639,645;riverside 2507*
OISK jockey(2-i2"lp's 1 1 1.90)
BUNK JOHNSON-** 638,643,644,647}GTJ L-17;

bluenote blp 7008;r i ve rs i de 1047
louis nelson del isle-am 646
k|d thomas-*!! 642(very limited quanity- give

2nd choice)
bmile th0mas-2m 64|
wooden joe nicholas-am 640
eureka brass band— pax 900 1 ( 1 2"lp- 15.95 )

KID JRY-QTJ L-IO,L-ll,l-2l!JAZZ MAN 332 ;R I VERS I BE 1*17

CLAIRE austin(ory:ewell)"Gt.i L -24

LEE COLLI NS— BLUENOTE BLP-7UJ3;S0UTHLAND SLP 2j|
RAY BURKE-OELMAR DL IIOjHM I07i SL^203
PML BARBARIN-^OUTHLANO SLP-i2j3
PAP- CFI FRTiN-Kmm.il/iun sLP-206

DE PARIS BROTHERS-ATLANTIC I 4| ; |43;A44u A J5U3

(NOTE-GTJ'S ARE 13.00 EACH, RIVERSIDE <3.95 EACH)

REVIVALISTS

LU WATTERS- GTJ L-L-8 ( $ 3 .00 ) ;L-|20UI , 1 2002, 1 2003

($4.35 EA.OR THE 3 IN SLIP CASE F0rJ|5.0<J
BOB WILBUR-RIVERSIDE 2501 (t3.95 )
TURK MURPHY-GTJ L-4.L-6,L-7,L-|8(|3.00 EACH)
BOB SCOBEY-CTJ L-9,!.-l4

DIXIELAND RHYTHM KINGS GROUPS-BLP 2502, 25u3,25o4,S 05

(<3.95);em I0l,lu2 (empirical)

CONRAD JANIS-JUBILEE JL —7
DIXIE STOMPRS-OELAMR DL— I|2(0UT SOON)
FROM THE MIDWEST

THE WINDY CITY SI/-OELMAR DL lOl

SID DAWSONS RIVERBOAT RAMBLERS-OELMAR DL-109

DOC EVANS — SOMA 101, SOMA MG-1 00; 1 20 1 ( J5.00)
DIXIELAND AT JAZZ LIMITED-ATLANTIC ALS 139,140
RE- ISSUES

YlSjWE HAVE THEM TOO on;
VICTOR

MOULDY F IG DEPARTMENT

BRUNSWI CK
RIVERSIDE
COLUMBIA

THESE LISTS ARE NOW AVAILABLE;
#3-aWE£T

#*- HOT JAZZ AND BLUES
#454-OI3CONTINU£D HOT JAZZ

fl 153-OISCONTINUED COOL, HARLEM ,SWI NG ,ETC.

(THESE ITEMS NOW 50CENTS EACH-6 FOR t2.00 - -
FOR A SHORT TIME ONLY)

IF YOU ARE NOT YET ON OUR MAILING LIST TO RECEIVE
THESE LISTS, SEND US YOUR NAME AND ADDRESS TODAY.
PLEASE SPECIFY YOUR TASTE(EX-HOT JAZZ, BLUES, SWI NG,
SWEET) 30 WE WILL BE SURE TO SEND THE PROPER LISTS.

fHESE LISTS IN PREPARATION!

/5-SWING
#6-6WEET

AND ANOTHER LISTING OF DISCONTINUED HOT JAZZ ITEMS.

FO* TIC

FOR THE BEST IN HOT. JAZZ, IT'S

THE BLUENOTE REC07D SHOP
56 7| OELMAR
ST LOUIS 8, MO.

THOUSANDS OF OTHER RECORDS IN STOCK THAT ARE
NOT LISTED. SEND US YOUR WANT LISTS.

38

DISPOSITION

[First four letters of collector 's name!

Price if for sale; value if for
trace; minimum bio if for auction

method of disposition: "sal**,
for sale at price indicated;

tra " , for trade; nauc", at
auct | on.clos )ng date for bids.,
see page 6. "t-a" for trade
auction; "t-s" for trade
sale: "sta" for sale, trade
or auction.

condition o.f., record: n— new
E-excellent; v-very good;
G-good j F— fair; P-poor.

ATALOG NUMBER OF RECORD.

[label of recordT"

1 2 3 4 5 6

LOUIS ARMSTRONG
KING OF ZULUS/LONESOME BL
ITEMS OF SPECIAL INTREST

CHARLIE BARNEY
MANY-«END FOR LIST

CHRIS BAUCHILLON
TALKING BLS/HANNAH

BEALE ST WASHBOARD
PIGGLY WIGGLY/40 & TIGHT

BEFORE YOU BUY SEE ME I
BEST DEAL AVAILABLE ANYWHERE

BLUE SKY BOYS
SUNNY SIDE OF LIFE/WHERE THE

BOOKS

REALLY THE BLS MEZZROW
THE REAL JAZZ

PERRY BRADFORD
DECEATFUL BLS/l DONT LET

ELTCN BRETT
RAIN ON ROOF/THE TORNADOE

ADA BROWNI* B. MOTEN)
EVIL MAMA/ BRK 0 DAY

BUNKS BRASS BAND
3 RECORD ALBUM, BUNK JOHNSON

JOHN CARSON
CORN LICKER i BARBECUE

CARTER FAMILY
WORKING ON BUILDING/ROSE BLOOM

PON CLARK
GOT THE GIRL(BINGS FIRST)

BUCK CLAYTON
B.C. BLS /were in money

COLLECTORS
RECENT ITEMS BY BAS I EJLOU I S;
PARKER; SHEAR INGJJAMES;
DCRSEYS;HERMANJ ANTHONY
AVAILABLE ON TAPE OR DISC.
LIST AND DETAIL6 AVAILABLE

RUSS COLUMBO
MAKE LOVE THE KING
ALL OF ME/jUST FRIENDS

UY love/lonesome ME

PRISONER OF LOVE/WHERE THE BLE=
WHEN YOURE IN LOVE
TIME ON MY HANDS/YOU CALL
I DONT KNOW WHY/GUILTY

THE COTTON PICKERS
BR 2507E.246I N, 2937 E 2532 N 300 1 I

BING CORSBY
DOZENS, ASK FOR FREE LISTS ALL
MANY-6END FOR LIST —

BOB CROSBY
ORCH AND BOB CATS DE
PJXIELAND RECORDS

OJ 8396 V+AUC 5.00

SAL 30/

CO |5|20 N-e-T —

VO 1^03 E AUC 7.50

BB 6457 V 6-T —

N AUC

E AUC

LINO
SMIT

SEAR

LI ND

LINO

SALM

LIND

DEAN
DEAN

VI

24195 E+AUC
BB 10859 N-AUC
VI 24077 N-AUC
VI 24077 N~*UC
BR 6922 N-AUC
BB 6503 N-AUC
VI 229CI E AUC

• — AUC

SMIT
SMIT
SMIT
SMIT
SMIT

LANE
LANE
LANE
LANE
LANE
LANE
LANE

SALM

e/ns-a

SEND FOR 6uR LI5T5

J I KM Y DORSEY
SEND FOR DI6P LIST
TOMMY DORSEY

MANY-SEND FOR LIST
SEND FOR DISP LIST
EDDIE DUCHIN

SEND FOR OISP LIST
OL MAN MOSe/dEUELETC

DISPOSITIONS
MANY-ITEMIZE WANTS

DUKE ELLINGTON
MARG I e/ COTTON

SAL —

8|55 E AUC 2.

HEAR
PARR

BE
VO
ALL

7526 E AUC

1064 v AUC 5.00
n/esal 1.50

BIRMINGHAM BRKDWn/eAST ST LOUIS
DOZENS A6K FOR FREE LISTS

FUMING t, TOWNSEN
LONESOME TRAIN/FIRST TIME IN JAIL BB 5634 E S-T
ENRI ISH BANDS

AMBR08E-HYLT0W-NOBEL LI
FREE SALES LIST

ST

SHAWyM I LLER , CROSBY, COLE v JAMES,

GOODMAN, ETC. STATE WHICH

ART ISTS YOU ARE INT. IN.

DIKIE-BOP-MOOERN JAZZ ETC

LISTS OF ARTSTS YOU COLLECT (LI ST )-

CURRBNT R&B-C&W POP CHEAP

SEND FOR FREE SALES LIST

1030 SWINQ, JAZZ, V-OISC

JAN GARBER
SEND FOR DISP LIST

GEORGIA CRAKtBS
G A BLK eOTTOM/R ILETY THE

- SAL

- SAL •

OK 451 I E 6AL

LIND
LIND

BROC

LIMD

LEUT

LONO
LONG
LONG
SALM
BALM
SALM
WASH
WASH

HEAR

LIND

BENNY GOODMAN
SEND FOR D I SP LIST —

FAS. RHYTHM/lTS TALK COE

LUCKY/SWING ANGEL COE

MU6KAT RAMBLE/so BOARDER COE

caravan/stardust PH

MANY- SEND FOR LIST •

OL* pappy(2)/junk man(3)rare COE

WOLVERINE Bl/dAOA STRAIm(lRk) HRS

RUSSELL GRANT (POSSIBLE Bix)
GRAND & CLOUR IS FEELING/ OK

BOBBY HACKET
poor butterfly/blue disillusioned vo

henoerson

the chant/hen0e3s0n stp co

W0O0Y HERMAN
MANY— SEND FOR LIST —

HILLBILLY REC0R06

SEND FOR OUT LISTS —

HOTEL & DANCE BANDS

— — - 8AL — HEAR
2416 N 6-* 2.50 PARR
2443 N S-A 2.50 PARR
592 N 6-A 2.50 PARR
254 N S-A 2.50 PARfi

— — - SAL 30/ SEAR

730E+/NAUC STUR

7 N AUC STUR

4?U46 E AUC 5.00 LIND
4499 N SAL 2.50 STUR
817 E— AUC 3.50 LI Nt
SAL 30/ SEAR

SEND FOR OUR LISTS

HOOSIER HOT SHOTS

SEND FOR DISP LIST
HARRY JAMES

MANY SEND FOR LIST —

JAZZ ACTIONS PHOTS- EXCLUSlVESw I I

CLUBS-CO NCERTS-S AC TCH-B IRQ DIZ ETC

BROCHURE AVAILABLE. WRITE —

BLINO LEMON. JEFFERSON
GOT THE 8LS/L0NG LONESOME BLS
BLK HORSE 3L/cORENNA BLS

SAMMY KAYE
SEND FOR S IBP LIST

KING OF JAZZ SOUND TRACK
OR I 3 1 NAL 16" VITAFONE DISC
FEAT. PAUL WH I TEMAN* S SAND, BING
CROSBY, VEN'JTI ,LANGTRUMBAUER & M
OTHER 'JtfHI TEMAN STARS. 10 REELS
OR 10 16* DISCS.

GENE KRUPA
MANY-«END FOR LIST

L. P. RECORD BARGAINS! 1
LAURI NDE ALMIEDa(aLSO IORPu)
RAY ANTHONY CHOIR
YANK LAWSON VS. WILL BRADLEY
L0UI6 BELLSOn(amAZING ART/
HARRY BABASIN QUINTET
LEAD BELLY" CLASS ICS IN JAZZ"
KARL KRESS*CLASSI C IN JAZZ*
6AX STYLISTSBCLASSICS IN JAZZ*
T-BONE WALKER-CLASS IN JAZZ
BILLY 3UTTERFIELD-CLASS IN JAZZ
BENNY CARTER-URBAN MR
BENNY CARTER-COSMOPOLITE
CHARLIE CHRISTIANS
TEDDY CHARLES QUARTET
COLEMAN HAWKI NS*CLASS . JAZZ*
HISTORY OF JAZZ 4 SETS
AL HIBBLER FAVORITES
JIMMY LUNCEFORD 1 2" LP
THELONI US MONK
CHI CO 0' FARELL— AFRO CUBAN
DONT SEND MONEY WITH ORDER

J I MM IE LUNCEFORD
STATE WANTS & PRICES

GLENN MILLER
HAVE TAPES ON ORK Wl VES it SUN
VALLEY SERENADE— WILL TRADE
FOR OLD JAZZ & BLUES SINGERS

GLENN MILLER
SEND FOR DISP. LIST

WARREN MILLS BLS SER.
ST LOUIS' 3L5/ iJLk(3 1 FJ05 BED —

MODERN JAZZ
SEND FOR OUR LIsTS

- SAL 30/ SERR

— - SALM
SALM

PM 12354 E+ AUC—

PM

12367

E

AUC

LINO

E

AUCtlOO. ARGO

— ARGO

ANY—

— — ARGO

ARGO

ARGO

SAL

30/ SEAR

PJLP

7 N

2.25 SALM

CP

442

N

2.00 SALM

BR

58050

N

2.25 SALM

MGM

7

N

2.50 SALM

NOC

3

N

2.00 SALW

CP

269

N

2.25 SALM

CP

368

N

2.00 SALM

CP

328

N

2.00 SALM

CP

370

N

2.00 SALM

CP

424

N

2.00 SALM

MGM

10

N

2.25 SALM

GG

|4|

H

2.25 SALM

BN

5026

N

2.25 SALM

PR

164

N

2.25 SALM

CP

327

N

2.25 SALM

CP

N

8.00 SALM

MGM

4

N

2.25 salm

OL

8050

N

3.73 sAlii

PR

166

N

2.50 SALM

MGM

9

N

2.25 SALM

SALM

THOR
THOR
THOR

VI 35962 N AUC 3.00 LEUT

JELLY ROLL MORTON
PERFECT RAG/NEW 0RLEAN6
FAT MEAT & GREENS
PERFECT RAG/ N.O. JOYS

RUSS MORGAN

5386 E AUC 20.00 LIND

I 01 9 N— AUC LANE

5486 E-AUC LANE

SAW '

HEAR

SEND FOR DISP LIST
RTJBEO WELSON

QETTIN DIRTY JUST SHAKING/HEAD HOPVO 1447 E AUC I 0.00LI ND

RED NICHOLS
FIVE PENNIES- \ £~ RECORDS
LIMEHOUSE BLS/DEAR OLD
POOR BUTTERFLV/oONT U HEAR
SOME OF THESE OAYs/lLLS EE
IT HAD TO B YOU/SALLY

REV A.W. NIX IITH CONG.
U GOT WRONG MAN/ COUNTRY MAN ItJ

RAY NOBLE
CHOICE HMVS LIST
STATE WANTS=PRICES

KING OLIVER
SOBB I N BLS/ FAREWELL BLS
TOO BAD/SNAG I T
DEEP HENDERS0N/JACKA6S BLS
BOBBIN BLS/ SWT LVIN MAN
FROGGIE MOORE/MANDY LEE
BOOGIE WOOGIE/MULE FACE

TINY PARHAM

BR 20070 N-AUC

BR 20062 N-AUC

BR 20091 N-AUC-

BR 20092 N-AUC

VO 1448 E AUC

LANE
LANE
LANE
LANE
LANE

LONG

LEUT
PARR

VO
OK
UHCA

I 1 52 V AUC
1007 V AUC
I0I4E+ AUC
4906 E+AUC

69 N AUC 1.50 STUR
6778 e/nauc2.00 STUR

LIND
LANE
LANE
LANE

BL MOON BLS/DOING JUG ST

PERSONALITY 8c VAUDEVILLE

SEND FOR OUR LISTS

WRITE FOR FREE LISTS
PHOTOGRAPHS

VI 23027 E+AUC 7.50 LINO

AVER
LONG

JAZZMEN, SWEET BANDLEADERS — - BAL .50 SCHI

QUINTET HOT CLUB OF FRANCE

BLUE DRAG(TAYLOR;/CRAZY RHYTHM ROY 1778 N AUC — — STUR

SMOKE RINGS/CONFESSIN ROY 1788 N AUC STUR

DINAh/tiGER RAG ROY I753E/NAUC — — STUR

THE RECORD CHANGER
ALL BACK ISSUES TO 1950 — SAL 35/ ARQO

RECORDS FROM ENGLAND
PERSONALITY JAZZ ANY ARTISTS ALL
FREE LIST6N0 MAILING CHARGE ALL
I 00^ FREE INSURANCE AG A I NGT ALL
BREAKAGE SERVICE SECOND TO ALL
NONE. 250 U.S. REFERENCE'S ALL

WILLARD ROBISON VO 4 P
HUGS & KISSES/ I'D LOVE TO

J I MM IE RODQERS
MANY ASK FOR FREE LISTS ALL
TUCK AWAY LONESOME BLS/ MY VI

PEE WEE RUSSELL
3 REC NICKS ALBUM, MANHATTAN LAB.

SALE LIST

ARMSTRONG .ELLINGTON —

GOOD MAN, HAMPTON —

T. DORSEY, SHAW —

WALLER, MILLER —

C. HAWKINS, BASIE —

HENDERSON ETC., —

MOSTLY ON SUPERIOR FOREIGN —

LABELS, HMV,PAE, BRE —

PRICES REASONABLE —

ARTIE SHAW

SEND FOR DISP LIST

MANY SEND FOR LIST

BOB SHYLES S.P.

LAVENDER COWBy/wE'RE' H6T THE BB

TAMPA RED JUG BAND

TIGHT LIKE THaT/^OW LONO UL6 VO

GIL TANNER
BULLY OF THE TOWn/PASS AROUND BT CO

TRANSCRIPTION

WRITE FOR LIST —

TAKE YOUR T 1 MORo/m I SS .MUD 00

N SAL 1.50 BROC
E SAL 1.50 BROC
N 8AL I .50 BROC
' E SAL 1.50 BROC
N SAL I .50 BROC

PAT 323 1 5 E AUC — LONG
■N/ESAL 1.50 BROC

22220 E 6-T — — LINO

MA 30 E/NSAO

STUR

' - SAL " WASH

• - SAL — WASH
' «> SAL — WASH
. - SAL WASH

• - SAL — WA6H
. - SAL — WASH

■ — SAL — WASH

• - SAL — WASH

• - SAL — WASH

■ - HEAR

• - SAL 30/ SEAR

7092 E S-T LIND

1229 E— AUC LINO

15047 E-6-T — — LIND

S-A LONG

3 1 8 1 6 M S-A 3.00 PARR

UNCLE PAVE MAY
POPS BILLIE GOAT/KEEP MY SKI LET

SARAH VAUGHN
SEND FOR DETAILS-RARITIES — •

FATS WALLER
MANY ON SUPERIOR HMV — -

IN NEW CONDITION — •

SEND FOR LIST — •

WASHBOARO WONDERS
SHE TAKES HER TIME/ROLL VOuR OWN SB

LU BATTERS
SEVERAL ORIS JAZZ MAN LABEL —

WHAT WILL YOU HAVE 1
FOR SALE RECORDS —
SWEET, SWING, HILLBILLY —
INC 50 CARTER FAMILY NOT MUCH —

UAZZ, BUT A FEW INC. JELLY

VOC 1019 E, VOC |20 V+, BIDS ON

THESE - SEND WANTS —
PAUL WH I TEMAN

VI

CO

VO 14848 N-6-T

LIND
SMIT

• - SAL I .35 WASH
' - SAL I .35 WASH

• - SAL I .35 WASH

BACK IN OWN BACKYARD
LOVER COME BACK TO ME
WHERE IS THE SOMG OF SONGS FOR ME CO
GET OUT 4 GET UNDER THE MOON —

PETE WIGGINS
EVERYBDY OOES IT IN HAWAIl/oOWX OK

CLARENCE WILLIAMS
TAINT NOBDYS BIz/acMIN HHTED BL OK
BLK SNAKE BLS/OLD FOLKS OK

CLARENCE WILLIAMS BL 5
TROUBLE EVERYWHERE/BABY I CANT

DOUGLAS WILLIAMS
KINO DADDY/LATE HOURS

NICH

NICH

NICH

— NICH

21240 E AUC LIND

I 73 1 E+AUC LANE

1630 N-AUC — — LANE
— — E AUC — — LANE

45412 E S-T

LIND

OK

4966 E AUC I0.00LIND
8465 E AUC I0.00LIND

82l2 V+AUC I0.0OLIND
21695 E+AUC 5.00 LIND

WANTED

IRVING AARONSON
COMMANOCAISM

ARIZONA DRANES

ANY ON OKEH

HAROLD A RLE N

LETS FALL IN LOVE
GUSARNHE I M

I SURRENDER DEAR
I SURRENDER DEAR
A&P GYPSIES

TWO GUITARS G

BELLE BAKER
MY MAN G

KENNY BAKER
PRETTY GIRL LIKE MELODY Q

SMITH BALLEW
HOME G

RUBE BLOOM
SOLILOQUY 0
SOLILOQUY

CARL BRISSON
LITTLE WHITE GARDENIA G

JESSE CRAWFORD
WHEN ORGAN PlAyED Tf I LIGHT
WHEN ORGAN PLAYEO AT TWILIGHT
WHEN ORGAN PLAYED TWILIGHT
WHEN ORGAN PLAYEO TWILIGHT

FRANK CRUMIT
ABDUL AM IR G

CAROLINA CLUB ORCH
HOW I LL M I SS YOU G

JOE CURRAN

THANK YOUR FARTHER

EDGAR OAVENPORT

LASCA

JOHNNY APPLESEED OVERTURE
EMERY DEUTSCH

STARDUST ON MOON

MORTON DOWNEY

WABASH MOON

8EQAR ELLIS

BR

8362

1.50

THOP

RHUTH ETTING

SHINE ON HARVEST MOON 0

PE

12737

1.50

THOP

SHINE ON HARVEST MOON G

DA

32:294|.5Q THOP

AL GALADORO

MOONLIGHT & SHADOWS E

KAPT

GENE GIFFORD

NEW ORLEANS TWIST G

BB

10704

1 .50

THCU>

NOTH 1 NG BUT BLS G

V 1

25041

1 .50

THOP

BENNY GOODMAN

RESTLESS/ YOURS HEAVENLY V+

VI

25021

ROMA

POPCORN MAN V+

VI

25808

ROMA

JIMMY GRIER

BON VOYAGE TO SHIP OF DRMS G

VI

22970

] ."30

THOP

B. MUSIC IN MNLIGHT G

VI

22971

1.50

C.LEST DANCE & DANCE G

BR

7802

1 .50

THOP

SONNY GREER

BEGGARS BLS G

CO

1868

1 .25

THOP

BEGGARS BLS G

CO

2833

1 .25

THOP

COLEMAN HAWKINS

OEH 4205l- 42052
OHH 42i |6-42l64

THOR

PANAH 1 045— 1 047

THOR
THOR

ANY ON ITALIAN CELSON

THOR

ANY TRANSCRIPTIONS- AIRCHOST

THOR

PA s» 35512- 3551 3

THOR

HAVE MANY DUPES »l LL TRADE

THOR

RICHARD HIMBER

IT ISNT FAIR G

VO 35008

1.50

THOP

CLAUD HOPKINS

1 COULD DO MOST ANYTHING FOR U G

CO

2665

1.50

THOP

HUDSON-JELANGE

E ! QHT BARS IN SEARCH OF MELODY G

BR

761 8

1.50

THOP

INK SPOTS

TRANSCRI PT 1 ONS , A 1 RSHOTS ETC

SCRI

AL JOLSON

JOIN THE AL JOLSON MEMORIAL CLUB
HELEN KANf

JOLS

1 WANNA BE LOVED BY YOU G

VI

2i 684

1.50

THOT

Q£NE KAROOS

BUSI NESS INF G

VI

22899

1.50

THOP

BUSINESS IN F G

CR

3271

1.50

THOP

BU6INESS IN F G

GE

3271

1.50

THOP

ART KASSEL

SMBODY STOLE MY GAL
HERB IE KAY

BB

.00

SOtl

VIOLETS G

CO

1626

1 .50 THOP

SAMMY KAYE

SUNDAY SERENADE PROGRAMS

SCRI

A IRSHOTS , ANY TRANSCRIPTIONS

SCRI
SCRI

ARMED FORCES RECORDINGS ETC
ORVILLE KNAPP

ACCENT ON YOUTH /INDIGO G

DE

1 .00

THOP

GUY LOMBARDO

TRANSCR 1 PTI ON.AI RGHOTS ETC

LOUISVILLE RHYTHM KINGS

SCRI

SHOUT HALLELUJAH TILL 1 COME

PAE

340

MAHA

WINGY MANNONE

I'VE GOT (l-A-l MASTER ONLY)

VO

3071

MAHA

JOHNNIE MERCER

LAZY BONES G

vs

8031

1.50

THOP

FRANK IE NEWTON

WHOS SORRY NOW G

vo

3839

1.50

THOP

WHOS SORRY NOW G

VR

647

1.50

THOF

KING OLIVER

A. SUGAR FOOT STOMP G

GE

3076

1.25

THOP

S SUGAR FOOT 6T0MP G

VO

15503

1.25

THOP

SUGAR FOOT OTP G

VO

1033

1.25

THOP

B.DIPPER MOUTH BLS G

GE

5|32

1 .25

THOP

DIPPER MOUTH BLS G

OK

49 18

1.25

THOP

RADIOLITES

LOVE LETTER IN SAND/ 1 DONT

CO

2540

MAHA

JACQUES RENARD

R YOU LI ST IN Q

BR

6238

1.50

THOP

GIL RODIN

IF 1 COULD BE WITH YOU

CR

3016

MAHA

BEALE STREET BLS

CR

3017

MAHA

ADRA IN ROLLINI

DARDENELLA G

OK

5621

1 .25 THOP

DARDENELLA G

VO

1 .25 THOP

BESSIE SMITH

CO 3171,3174, 3174, 3175

THOR

CO |4095,|42|9, 14250, 14354

THOR

CO 1 4451 , 14487, 14538, 14554

THOR

CO 14569,1 461 1,14634,14663

THOR

BOB SNYDER

MAY l/LOVE THY BEIGHBOR

VO

2707

3.00

ORLA

ST LOUIS BLS

MANY WANTED, SEND LI ST

THOR

JACK TEA GARDEN

SEND FOR MY LIST

MAHA

ROCKIN CHAIR

CR

3051

MAHA

WANTED

G IBB

REGRETFULL BLS

LEFT ALL ALONE AGIN BL

GIB6

20TH CENTURY RAG
RAGTIME ARABIAN NITES
BOHEMIAN RAG

G 1 BB

G 1 BB
GIBB

PIRATES RAG

G 1 BB

POPULAR RAG

G IBB

RAGTIME PIPE OF PAN

GIBB

RAGGING THE APACHE

GIBB
GIBB

EGYPT 1 AN RAG

JUSTINE JOHNSON RAG

GIBB
GIBB

RAG LAO OF BORNEO

GALLI CURCI RAG

G IBB

FOLLOW THRU

GIBB

WORLD BROADCAST TRANSCRIPTIONS

ALL EARLY 30 TITLES

lO.OOORLA

TOO LATE TO CLASSIFY
DISPOSOTON

ATTENTION COLLECTORS
HAVE EVERYTHING IN RECORDS
SEND WANTS

BAND MUSIC & MARCHES

SEND FOR FREE LISTS

BOP AND MODERN

SENO FOR CATALOGUE

COMANDER ROBERT E. PEARY
DISCOVERY OF NORTH P0LE(|2")

DIXIELAND RECORDS
BEND FOR CATALOGUE

FREE SALES LISTS
STATE TYPES WANTEO

HILLBILLY RECORBS
SEND FOR FREE LISTS

HARRY JAMES 4 TRIO
BOO woo/ WOO WOO

JAZZ CUT - OUTS
SEND FOR FREE LISTS

THE KEARLAND COLLECTION
SRELA NB*ft LARGEST AND MOST FAMOUS COLLECTION OF

JAZZ RECORDS IS OFFERED FOR SALE BY POSTAL AUCTON.

OVER 1,000 RECORDS AT LEAST 75% OF WHICH ARE IN —
EXCELLENT CONDITION. WE ARE AUCTIONING THIS WONDERFUL
COLLECTIONI IN FIVE LOTS FOR ERIC KEARTLAND FORMER —

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SINGS THE BLUES

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The World's Jazz Crazy, Downhearted Blues,
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REMINISCING WITH RED

AN INTERVIEW WITH HENRY ALLEN

BY JOHN LUCAS

J. To start at the beginning: where was it
you were born, Red?

R. West New Orleans. That's the place they
call Algiers. Louisiana.

J. Across the Mississippi from New Orleans?

R. Right across the river.

J. I suppose you got over there a good bit?

R. Oh, yes. I attended school on the New
Orleans side. Left grammar school in Al-
giers and went to high school in New Or-
leans, Rampart and Girard. Had to cross
the river daily. Of course we used to get
rates, you know, ten tickets for ten cents.
So if you attend school, you have two
pennies a day it costs you.

J. You had a musical education right from
the start, didn't you?

R. As long as I can remember. My father
was one of the first to start this stuff
around New Orleans, you know. Most of
the guys around there — such as Papa Ce-
lestin, the late great Mutt Carey, on up
to Louis Armstrong — all the guys from
New Orleans played with my dad. The
late Bunk Johnson, too, and Sidney Be-
chet. Why, Sidney even played trumpet in
my father's band.

J. He did! Tell me, have you ever played
with Sidney since?

R. Why, certainly. Just before he left this
thne for France, in fact, we did a duet
act with Lucky Millinder. Opened with
Muskrat Ramble, closed with the Saints,
and in between Sidney did September
Song and I took Ride, Red, Ride!

J. And Sidney was a member of your fa-
ther's orchestra?

R. Sure. See, we used to use what they called
the brass band, about eleven pieces, and
they played the jazz walking the same as
they do now in the places on stage.

J. And you played in the band, too?

R. Sure. I played the upright alto at first
and then changed over to the trumpet
later, what my father taught me.

J. About what time did you start playing in
this band?

R. Oh, I must have been about eight.

J. That would be 1916.

R. Yes. I was born in 1908, so it would have

been around that time.
J. And do I understand you have a son now

who's a trumpet player?

Henry Allen, Jr.

R. Oh, yes, my son's twenty-three now and
he's in the marines. He won't be out un-
til July.

J. And he's a good trumpeter?

R. I think he is, but he hasn't had a chance
to play anywhere around. Came right out
of school and didn't even get in a band.

J. Well, if you played with your father in
New Orleans during the first World War,
by the Twenties you were playing regular
dance jobs there, weren't you?

R. In the Twenties, why sure. Excelsior, Eu-
reka, all the brass bands. Sidney Des-
vignes, the late great Chris Kelly, and
Henry Kid Rena. He used to use two
trumpets, you know, that's where I got a
start playing in the smaller groups.

J. That was the great thing then, two trum-
pets, wasn't it? What did the second
trumpet have to do?

R. Well, he had to play the second part. But
they didn't have parts written out, you
know, he had to play his second from the
ear — you know what I mean, from what-
ever the lead trumpet played. You had to
play the same thing he played, only you
had to play the second to it. And it was
good ear training.

J. Did you ever play the riverboats?

R. Oh, yes, I went on the boat around the
year of 1927.

J. And then you finally came up to Chi-
cago?

R. No, I didn't. I didn't get to Chicago un-
til 1933. From off the boat I went
straight to New York.

J. With whom did you play on the boat?

R. Fate Marable. Real great, man! Gee, I
think he had more greats, or just as many
as any musician. Real great schooling, all
right, too!

J. They used to come up as far as my home
town, I remember. Winona, Minnesota.

R. Yes, but they spent most of their time
around Saint Louis. And they would al-
ways get a trumpet, clarinet, drum, or
string bass out of New Orleans. But all
the other guys, you know, come from
other places.

J. Nat Towles told me he used to play the
bass on the riverboats.

R. Oh, sure. Nat's father happened to be a
longshoreman along with my dad.

J. Then when you reached New York, with
whom did you play, Red ?

R. I was brought to New York by a guy by
the name of Loren Watson. He brought
me there to record for Victor, and I think
the instigator of that was King Oliver, so
I used Luis Russell's band. But I had
gone there and had in mind to join Duke
Ellington, but after I got there I knew
more of the fellows in Russell's band and
I used them to record with, so I thought
it was best that I join them. I knew the
whole group because we had played with
King Oliver together just before I got on
the boat.

J. You mean back in New Orleans?

R. No, in New York City. See, King Oliver
left Chicago and sent for me when Louis
Armstrong had left.

J. I see. You played in New York before
you went on the boats.

R. Why, sure, I went for a short while. It
must have been about a month I stayed
in New York. Then I went back and got
on the Pelican with Walter Pichon's band
and then I went on the boat and stayed
there a year, right on to '29. And that's
where this talent scout, Loren Watson,
had me come to New York.

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&

J. Well, it's a good thing you did it then or
you wouldn't have been on that Jelly Roll
date. And you might have missed the Oli-
ver session the next year that produced
Mule Face Blues, on which you played so
much horn that you were mistaken by
many (even those in the know) for King
Joe himself, who was no longer able to
cut a chorus like yours! And you might
not even have made that Redman date
the year afterward on which you blew up
such a breeze, Shaking the African.'

R. That's right!

J. Then in the thirties you played first with
Russell and then with Henderson.

R. That was an all-star band, one band I
really enjoyed, the late Fletcher Hender-
son's band.

J. How about the Mills Blue Rhythm?

Rk I like them, too. We did Ride, Red, Ride,
you know.

J. Then you went back with Luis Russell,
by this time Louis Armstrong's band. Did
you get much chance to play on records
when you were with Louis?

R. Well, no, but it was no fault of Louis'.
And I played plenty on the stand. He's
very fine, Louis. And we did cut one rec-
ord in 1929, I Ain't Got Nobody, on
which I split a chorus with Satch so well
that nobody knows to this day we did it
this way!

J. Then since 1940 you've had your own
band?

R. Yes. I left Louis and played with Good-
man for a month. I left Benny to form
my own group and that's where I had
Higginbotham. We went into Cafe So-
ciety. Ed Hall, Ken Kersey, Billy Taylor,
Jimmy Hoskins. Then we came to Chi-
cago, the Down Beat Room, and stayed
about three years.

J. Now, Red, I'd like to get back to that
first date you made with Jelly Roll. That
was in November of 1929, when you were
just twenty-one. New York. The Red Hot
Peppers. Morton was using pretty much
the Russell band, wasn't he? There was
Will Johnson. That's Jelly's brother-in-
law, wasn't it?

R. Oh, no, no, no! That's another Will John-
son altogether. The Will Johnson you're
referring to is a bass man. He lives
around Chicago. And the Johnson that
played the guitar was a member of Luis
Russell's band. Same name, different guy.

J. Well, I'm glad to have that clarified.

R. And Pops Foster was in that band. Albert
Nicholas, that's one of Jelly Roll's favor-
ites. Paul Barbarin. And J. C.

[. Then about seven months later, in June
of 1930, you had that Crawley date. Wil-

ton Crawley. Tell us a little about him,
Red.

R. Crawley was more of an actor. He played
all the top theatres, used to do a lamp
act and as an encore he used the clarinet.
He used to do comedy-like, take the clari-
net apart. Some way or other he got a
contract recording for Victor at the time,
and they used Jelly to get a group. And
I must have been a little favorite of
Jelly's, so he used me.

J. Actually, there are only four fellows who
cut more records with Jelly than you did.
And three of them were on that last date
in 1940 — Nicholas and Braud and Single-
ton.

R. Well, they were around before. See, I
didn't meet Jelly until I got to New York.
Still, Victor recorded lots of sides with
Jelly and me that have never been re-
leased.

J. Then on this Crawley date there was
Teddy Bunn, I understand.

R. Well, we used most of that band. They
used to use the washboard, the Wash-
board Serenaders. I don't know, I think
that's the name. And we used Teddy
Bunn and a washboard and part of Jelly's
group, and Wilton Crawley played clari-
net and Charlie Holmes alto sax.

J. Tell us about that New Crawley Blues.

R. That was really kicks! Crawley had
brought a group down to record, and
Jelly had a group. We were hired by the
house, so Jelly won out. Crawley didn't
think so much of it, so he told Jelly that
he didn't like a certain riff Jelly was us-
ing. Quite naturally Jelly said: "Well,
man, you should like it because this riff
is going to sell the record." He says:
"Anyway, you use my blues." So Crawley
says: "Man, you'll never see Jelly Roll
strung across this record. Blues don't be-
long to nobody. I'll call this the Crawley
Blues."

J. And then, Red, you and Jelly didn't do
anything together for ten years. Not un-
til January of 1940, as I recall.

R. That's right. Mostly he was concentrating
on the ASCAP deal, concentrating on his
numbers, you know.

J. And he composed a great batch of them
for that last date, didn't he?

R. Yes, and they were very good, too!

J. Do you know why they were labelled
"Tavern Tunes"?

R. What we call a tavern in New Orleans is
what you probably call a bar, and we
used to have a piano in all the taverns,
and that Get the Bucket is one probably
they would have used around there.

J. All of them were Morton numbers, new
ones done especially for these dates, ex-
cept of course for Panama. You must
have been playing that one for years and
years.

R. Oh, yes, but that's one of the full ar-
rangements of Panama. It's been played
a lot, but you'll find at least four differ-
ent strains on Jelly's Panama. This is the
whole thing on there, including the
strain that was once only Kid Rena's ride
on Panama and has since become a tra-
ditional part of the tune.

J. Something like Picou's clarinet chorus on
High Society?

R. Yes, indeed! This man Rena was a great
inventor. If he had left New Orleans
with Armstrong, he could have passed by
Punch and kept up with Louis himself!
His records, made at the end, don't show
what he could do at all. Man, I remem-
ber those carving contests and street-
corner battles, especially between Kid
Rena and Buddy Pettit. Once, just once,
I cut the Kid myself — a big moment —

all because I recalled two little low notes
that Rena hadn't caught on Armstrong's
Cornet Chop Suey!

J. To return to Panama, would your father's
band have played a tune like that?

R. Why, sure, we played it. That's what we
played on the street. We'd march along
— first the bass drummer, laying on that
offbeat cymbal with a coathanger; then
the snare drummer, rolling up a storm;
and behind him the three trumpets, two
taking the lead together and one slipping
in that second part; and so on — trom-
bone, peck horn, and the rest. Sousa was
never like that! We used to play things
like the Saints, and I'd play a while and
then they'd carry me when I was small
and couldn't walk but only so far.

J. Well, so much for Panama! The other
eleven numbers were all Morton originals,
I think, and Jelly took vocals on all but
one of them. That was Swinging the Elks.
That band had Nicholas, Braud, and Sin-
gleton. But it also had two musicians I'm
not so familiar with, Joe Britton on trom-
bone and Eddie Williams on sax. Is Brit-
ton a New Orleans boy?

R. No, he's out of Birmingham. And Wil-
liams had been right around New York
there.

J. Yes, he played with Kyle and Redman
and Millinder. Well, I wonder why these
fellows appeared on that date, since they
hadn't been members of Jelly's old gang?

R. I don't know, unless the other guys were
busy or maybe out of town.

J. No matter. That Panama must have been
quite a kick! How did you go about play-
ing it? Did Jelly have anything written
out on it?

R. Nothing! We all knew it, and played it
just the way we did back in New Or-
leans.

J. How about the other numbers?

R. They were skeletons, what you call skele-
ton arrangements. Jelly had jotted them
down, and I remember Jelly going in the
back to attend to the machinery back
there and to get the right setup and tell
the guy about it. And they would have a
little argument. You know Jelly would
talk: "Well, I know what's going on. I
was doing this before you knew anything
about it." So Braud says: "Jelly, why
don't you keep quiet?" So jelly says:
"Man, I'll shut him up!" He jotted down
a few notes and said : "Here, you take
this and play that and that'll keep him
quiet!" But it was only for kicks, because
everyone knows Braud is a wonderful mu-
sician and could read anything that Jelly
would write.

J. You don't play with Ellington if you
can't. Well, that first date you did Sweet
Substitute.

R. That's a number I like very well.

J. So do I. Then Good Old New York and
finally Big Lip Blues. Do you remember
that? Jelly sang that, and sang all the
way through your solo. I don't know
whether he was trying to imitate Fats,
thought it was a funny thing to do, or —
he says toward the end of it, "I'm getting
a little drunk!" Is that like Jelly, to have
been drinking on a record date?

R. Oh, no, no, no, no!

J. It was just for the effect?

R. It must have been for effect. No drinking
was involved on the date and I didn't
know Jelly to be such a drinker anyway.

J. Then on the second date — without a
trombone — you did Get the Bucket and
Shake It and // You Knew and Why.

(Continued on Page 13)

FOLK LORE / FOLK SONG

a department

EDITED BY JAC HOLZMAN

Part Three LEADBELLY ON RECORD

MUSINGS — Something that has dis-
turbed me about the recent "re-discovery"
of Leadbelly is that the man has become
more important than his songs or his sing-
ing.

I must assume that if you read this col-
umn your interest in folk music is more than
superficial. Your primary aim is fixed there-
fore on knowing the songs, their back-
ground, and in understanding that broad
panorama of human experience which en-
courages the passage of folk song through
the "oral tradition." Although Leadbelly
has unmistakably left his imprint on his
songs, he is njt the originator of most of
the material he performed. It is folkmusic,
passed through him to us. The songs he
learned in prison, in the streets of the big
city, are important in themselves and would
still maintain their stature in the eyes of
the folk whether John Lomax had ever dis-
covered Leadbelly or not.

Why then does he seem to be so im-
portant? If you walked up to any man on
the streets of New York City today, and
asked him if he was a folk, he would either
ignore you or spit in your eye. "Not me!"
he would say, "I'm no hillbilly." Since this
is probably the common urban American
conception of the universal term folk, the
impetus for the Leadbelly saga is not too
much of a mystery.

When Leadbelly was brought out of the
Southern prisons by the collector, John Lo-
max, and then taken about the country on
a series of concerts and lecture tours, I
suspect that many curious people flocked to
see a "genuine" folk in the flesh. Leadbelly
had not been overly educated, his big voice
was harsh and often rasping and his manner,
though pleasant, certainly suggested a man
who had had trying and degrading ex-
periences. Perhaps his greatest "shortcom-
ing" was that .he was not sophisticated in
the cocktail party sense of the word. A
man who has spent years in prison does not
acquire the veneer of the society that placed
him there, even though it was probably his
own fault.

Leadbelly was the first man to introduce
these curious people to "unadulterated back-
street, rock-breaking, swamp-grown Negro
Singing." It was a new and exhilarating
experience and a devasting change from the
music white Northern Americans had come
to know. Perhaps, only the jazz fans had
previously glimpsed his kind of song and
singing.

People, by nature, clasp most firmly the
memories of those from whom they first
tasted a new experience. And the chances
are that Leadbelly was first for them. The
later travels of Burl Ives and Richard Dyer-
Bennet all were made possible because
someone had already done the spadework.
Leadbelly had led this group of college
students, folklorists, curiosity seekers, etc.,
into a new world, and after the first flush
of excitement they were now prepared to
take their folk music with a dash of the
conscious performer.

And so it was that Leadbelly gained
much of his extensive popularity. Different
groups of people saw and became interested
in different facets of the man. The general
public (a number in the tens of thousands
and not in the millions, unfortunately) liked
his vivacity of performance, the feeling that
they were in on something and last the
material that he sang. The serious students
of folk lore were interested in detailed ex-
plorations of the backgrounds and variants
of his songs and the alterations that had
taken place as a result of their passage
through oral tradition. Some of the record
companies liked him because they thought
they could make money, but were dis-
appointed. Only since his death have Lead-
belly recordings done well and even now the
large companies who own masters are sit-
ting on them.

Those of us who came to folk lore too
late to know the man and watch him as he
sang have only his recordings to study.
Most of these cannot capture the full im-
pact of his personality and we are without
that sense of intimate contact which could
only serve to immerse us deeper in his in-

dividual spell. What we are left with are
his songs and our objectivity, and perhaps,
it is better that way.

LEADBELLY MEMORIAL, Volume One
10" Stinson LP SLP No. 17

Good Morning Blues; Ain't You Glad;
Irene; On a Monday; John Henry; How
Long; Old Riley; Rock Island Line.

This first of four volumes in Stinson's
memorial series is widely varied in scope.
It covers blues, work songs, a spiritual and
several "ballad-type" songs {John Henry
and Old Riley). If you want a starter
record of Leadbelly, this might be a good
item if you don't mind some surface noise.
Sparse notes, but complete texts are pro-
vided.

LEADBELLY MEMORIAL, Volume Two
10" Stinson SLP No. 19
John Hardy; Whoa Back Buck; Yellow
Gal; Big Fat Woman; Line 'Em; Out On
the Western Plains; Bring Me Li'l Water
Silvy; Cow Cow Yicky Yicky Yea; Green
Corn; Talking, Preaching; We Shall Walk
Through the Valley; Meeting at the
Building; Fiddler's Dream; Borrow Love
and Go; No Good Rider; Julie Ann John-
son.

An inconsistency in titling is the most
interesting thing about this recording. The
song labeled as Cow 'Cow Yicky Yicky Yea
is most often called "Western Plain" or
Out On the Western Plain. However, an-
other song on this record is called Out On
the Western Plain. What has occurred
here is intricate but familiar in the folk
song world. Somewhere along in one of the
recording session many years ago, Leadbelly
sang each of these songs as separate en-
tities and the person in charge of the ses-
sion noted them as such. However, in other
recordings (namely the Allegro Elite release
of Leadbelly's Sinful Songs) Leadbelly sings
a composite of the two songs as they ap-
pear on this Stinson LP. Another version,

(Continued on Page 9 )

a

For the first time under his own leadership

BOB HELM's

Riverside Roustabouts

Featuring EVERETT farey- cornet, hank ross- piano

& BILL STANLEY- BASS, BOB THOMPSON- WASHBOARD
Playing eight superb Bob Helm originals

RIVERSIDE SHAKE
DAWN CLUB JOYS
HOW AM I GONNA DO IT
BACK SIDE 0' TOWN

I DON'T WANT ANY MORE
SEA GULL
DAYBREAK BLUES
PLYMOUTH ROCK

P. O. BOX 373

RLP 2510 $3.95

Riverside Records

RADIO CITY STATION

NEW YORK, N. Y.

ORAN PAGE

Early last month, another name was
added to what, sadly, must be an ever-
growing list. To be euphemistic, you can
say that Hot Lips Page has joined the jazz
immortals. To be precise, Oran Page, age
46, died in Harlem Hospital on November
5, following a heart attack.

Lips' death would have been unexpected
and shocking no matter when it had oc-
curred, for he was one of that small group
of jazzmen who brought to their music and
to their lives a special quality of exuber-
ance that seems deathless. Lips was, above
all, a most alive man : you could hear it
in his horn and his voice, and this — more
than any single outstanding performance —
is what should serve to keep his memory
fresh.

That he is dead at such an early age is
doubly startling. And it is also a vivid re-
minder of both the youth of jazz (Page,
a young man as life-spans are figured in
most fields of human activity, had played
with what we think of as "early" jazz
bands) and of how often the hectic and
strained life of the professional musician
takes its toll all too quickly (early death
is hardly the rule, but it's by no means
unusual) .

Page, born in Dallas, Texas in 1908 and
(in the old tradition) a trumpeter while
he was literally still in short pants, got
his start in a local "kid band," soon
graduated to minstrel shows and carnivals.
He toured on the Negro T. O. B. A. vaude-
ville circuit, playing once with Bessie Smith
and often with Ma Rainey. By 1928 he was
an important part of the "Blue Devils,"
the group led by his older half-brother, bass
player Walter Page. That band merged into
Bennie Moten's, and it was with Moten
that Lips gained his first real jazz fame.
He continued with this band for a while
after Count Basie took over its leadership,
following Moten's death in 1934, and then
struck out on his own.

From then on, Page played primarily as
leader of one or another small group, with
time out in 1941 for a stint with Artie
Shaw that made him, in all probability, the
first Negro to play as a regular part of the
line-up of a large white band. His most
recent large-scale success came when his
1949 vocal duet with Pearl Bailey on The
Huckle-buck reached the million-copy sales
area. Since then, he had played the usual
gigs and concerts and brief stands, plus a
trip to Europe — pretty much the standard
fare for jazzmen of his school these days,
adding up to probably more bustle than
satisfaction.

Reports are that Lips suffered a first
heart attack last Summer, but that he was
quite understandably not able to follow
the standard urging in such cases to "take
it easy." Hot Lips Page obviously never

could take it easy, which is one reason why
we can all feel very grateful to have had
his trumpet and his voice with us, and
deeply regretful that they are with us no
longer.

One concrete example of the affection
that both musicians and fans felt for Page
came on the Monday following his death.
A hastily-organized "memorial concert"
was held at Stuyvesant Casino, the New
York spot at which Lips had done quite
a bit of weekend playing in recent years.
Producer Bob Maltz (aided by Local 802
of the American Federation of Musicians,
under whose auspices the musicians con-
tributed their services) was able to raise
a total of approximately $1,650 for Page's
widow and son from the audience of more
than 1,000. The long list of jazzmen who
turned up to pay their last respects to Lips
in this fashion included Jack Teagarden,
Bobby Hackett, Jimmy Rushing, Zutty
Singleton, Jimmy McPartland, Joe Sulli-
van, Billy Butterfield, Pops Foster, Eddie
Condon, Gene Krupa, Ray McKinley, Pee
Wee Russell and many others.

leadbelly

{Continued from Page 7 )

more akin to the Cow Cow Yicky Yicky Yea
can be found in "Classics In Jazz" Capitol
H 369. Other interesting items that do not
appear elsewhere are Fiddler's Dram, Julie
Ann Johnson and Whoa Back Buck. The
dubbing is fair and the surfaces are noisy.
Texts are included.

LEADBELLY MEMORIAL, Volume
Three

10" Stinson SLP No. 48

The Grey Goose; Red Cross Store Blues;
Ham and Eggs; Red River; Black Girl;
You Don't Miss Your Water Blues; Blind
Lemon; Leadbelly's Dance; In the Evening
When the Sun Goes Down; Digging My
Potatoes; Albertal.

With the help of Woody Guthrie and
Cisco Houston Leadbelly sings a charming
and expressive version of the prison song,
Ham and Eggs. You Don't Miss Your
Water Blues is a poetic fragment of a blues.
A fragment of this type is often sung by
itself with no relation to a particular song,
a practice very common in material from
the British Isles. Blind Lemon is a 12-string
guitar instrumental that is full of breath-
less intensity. Leadbelly's Dance is just that,
the recorded meeting of a pair of vital feet
and the studio floor.

Dubbing is fair and surfaces noisy. Notes
but no texts.

LEADBELLY MEMORIAL, Volume Four
10" Stinson SLP No. 51
The Bourgeois Blues; The Boll Weevil; Go
Down Old Hannah; Ain't Going Down to
the Well No More; Frankie and Albert;
Fannin Street; Looky Looky Yonder; Black
Betty's; Yellow Women's Door Bells; Poor
Howard; Green Corn; The Gallis Pole;
DeKalb Women.

When Musicraft records was in exist-
ence they issued a Leadbelly album of five
10" 78 RPM discs called "Negro Sinful
Songs." Musicraft went bankrupt a few
years later and one of the best Leadbelly al-
bums became so unavailable that collectors
were gladly parting with ten and fifteen
dollars for the set. This fourth Stinson
Memorial album is a reissue of that prized
and magnificent collection. We have the
wonderful dance tunes Poor Howard and
Green Corn, the delightful saga of The Boll
Weevil and a variant of one of the tradi-
tional British Ballads The Maid Freed from
the Gallows in his The Gallis Pole. And
then, of course, there are the Leadbelly
originals, Fannin Street and The Bourgeois
Blues. The Frankie and Johnnie type story
is elegantly detailed in Frankie and Albert,
which is easily worth the album's three
dollar tab. Good notes are provided, but
there are no texts. The transfer from 78's
is O.K. but Stinson's surfaces are still less
than good. Buy it anyway!

LEADBELLY'S SINFUL SONGS

10" Allegro Elite 4027

Yellow Gal; When the Boys Were On the
Western Plains; Roberta; John Hardy;
Where Did You Sleep Last Night; Pretty
Flower in Your Back Yard; Bill Brady.

Get set for a long and involved tale.
When Musicraft went bankrupt some of
their material was auctioned off and some
of it kept. The stuff that remained in the

possession of Paul Puner, Musicraft prexy,
went with him when he started Allegro.
None of it was released on the Allegro
Label. Allegro went bankrupt, too, and
everything that was the "property" of
Allegro was sold at public auction to Eli
Oberstein of Record Corporation of Amer-
ica, a gentleman who heads Royale. He
kept the Allegro name and added the word
elite to distinguished his product from that
of the defunct Allegro. Oberstein has issued
on this disc material that was probably
recorded at the same time Leadbelly had
his sessions with Musicraft in the early
forties.

This is pretty standard Leadbelly fare.
The titles as they appear on the jacket are
unintentionally deceptive. Thus, Where Did
You Sleep Last Night is more commonly
known as Black Girl; In New Orleans as
The House of the Rising Sun and Bill
Brady as Duncan and Brady. There are no
notes or texts. The dubbing is quite good
but the record has been injection molded
on somewhat breakable polystyrene, so
watch out! The master is also overcut in
several spots. But, at a buck and a half
you can't expect, miracles.

Riverside Records

announces with pride the inauguration of its

TAPE LIBRARY

containing great jazz and folk-music performances

For many months we at Riverside have watched with in-
terest the phenomenal rise of pre-recorded tape as a
medium for the reproduction of sound in the home. The
advantages of tape are obvious: tapes should never wear
out, fidelity can be maintained at the highest levels, and
the cost now begins to approach a non-luxury level.
Tape reproducing mechanisms are now in the below-$100
category. These playback machines make it impossible to
erase your pre-recorded tapes and also are designed so that
they can be plugged into your home TV set, radio, or
amplifier.

Until recently, tapes have been thought of only in con-
nection with super-high fidelity recording. But it is be-
coming increasingly apparent that any material which is
of lasting value and of a "long-life" nature — such as classic
jazz performances — lends itself admirably to the benefits
of tape reproduction.

Therefore, we have decided to make available much of our
material in this form. A portion of our Jazz Archives Series
will now be obtainable on tape. Material from our Con-
temporary Jazz and World Folk-Music Series are also to
be included among these tape releases. Virtually all of
Riverside's "live" jazz and folk-music recordings are to be
High Fidelity; reissues, although obviously not at "hi-fi"'
levels, are and will continue to be reprocessed through the
finest available engineering equipment. So, for lovers of
outstanding jazz and folk music, Riverside now provides
superb performances in these fields, available on both high
quality long-playing records and superlative pre-recorded
tape.

All Riverside tapes are processed and transferred by
Livingston Electronics Corp., one of the leading names in
electronic equipment and tape recording.

First releases in the RIVERSIDE TAPE LIBRARY:

RT-l V/2 ips dual track $6.00

(approx. 30 min.)
JAZZ OF THE ROARING TWENTIES

Charleston/Clap Hands Here Comes Charlie/Sweet Man/
Miss Annabelle Lee/Flapper Wife/Five Foot Two/Keep
Smiling at Trouble/Manhattan

RT-3 V/z ips dual track $6.00

(approx. 30 min.)

BIX BEIDERBECKE AND THE WOLVERINES

Jazz Me Blues/Copenhagen/Riverboat Shuffle/Sensation
Rag/Lazy Daddy/Oh Baby/Tiger Rag/Susie/Big Boy
/Jia Juana

RT-2 7V2 ips dual track $6.00

(approx. 30 min.)

JAMES P. JOHNSON SOLOS

Carolina Shout/Back Water Blues/Charleston/Make Me a
Pallet on the Floor/It Takes Love to Cure the Heart's
Disease/Harlem Strut/Loveless Love/Harlem Choc'late
Babies/Vampin' Liza Jane/I've Got My Habits On

RT-4 7V2 ips dual track $6.00

(approx. 30 min.)

DIXIELAND RHYTHM KINGS

Bill/Bailey/Blue Mama's Suicide Wail/Ory's Creole Trom-
bone/Darktown Strutters Ball/Irish Black Bottom/Melan-
choly/St. James Infirmary/Come Back, Sweet Papa/Sweet
Georgia Brown/Red River Valley

RT-701 7</2 ips dual track $12.00

(approx. 1 hour)

VOICE OF THE CONGO

One hour of superlative high-fidelity recordings of au-
thentic tribal and folk music, made by Dr. Alan Merriam
in the Belgian Congo.

These tapes may be ordered directly from us or through your local audio shop. (At this time they are not
available from record shops.)

P. O. Box 373

Remittance must accompany order.
RIVERSIDE RECORDS

Radio City Station

New York 19, N. Y.

il

GEORGE AVAKIAN
JACK W. FARRELL
DICK HADLOCK
BUCKLIN MOON
ROBERT L THOMPSON
MARTIN T. WILLIAMS

dixieland rhythm Icings — new Or-
leans jazz party

Blue Mama Suicide Wail/Bill Bailey
/Darktown Strutters Ball/Irish Black
Bottom / Ory's Creole Trombone /
Melancholy / St. James Infirmary /
Come Back, Sweet Papa (Riverside
— RLP-2505)

gene mayl and dixieland rhythm
kings

Maple Leaf Rag/Chattanooga Stomp
/Wabash Blues/Buddy's Habits/Skid
Dat De Dat/Panama Rag (Empirical
— EM-102)

It would seem to me that a blurred line
exists separating musicians into two broad
and elusive categories — amateur and profes-
sional. Amateurs are supposed to be people
who don't do it for money, but jazz is full
of non-pros who make a few bucks now and
then. It is really a matter of attitude more
than mere monetary return.

A professional might be expected to dis-
play a singular devotion to his instrument
to a degree that people could think "he
plays wonderful trumpet" instead of, say,
"he plays wonderful New Orleans." And a
professional would let style emerge from
musical premises rather than hope that
music would come forth from a historical
and stylistic setting.

The above out-loud thinking is an at-
tempt to place the Dixieland Rhythm Kings
on one side of the fuzzy line. But they won't
stay put, so I will try to appraise one album
by amateur standards and the other in terms
of professional performance.

"New Orleans Jazz Party" is an honest
and hard-driving run-down of some old
ones. The performances are in the good
time manner but somehow the fun is heavy
and rather forced. Each player seems to be
terribly careful — afraid, I suppose, that the
release of whimsy or fire might break the
fragile band concept they have spent so
long building. Hodes' cornet lead is fat and
steady, but all too predictable. It would be
kicks to hear him really reach out for some-
thing, even if he didn't make it. Trombonist
Charlie Sonnenstine, however, is always
ready with rough, stimulating shouts in the
Ory-Palmer idiom that Turk created.

Joe Darensbourg is no amateur, but his
approach is not out of place here. I don't
think, though, that he is entirely sympa-
thetic to the unified band sound these men
are seeking.

The Jack Vastine vocals are humorous
and full of authentic "down home" flavor.
His banjo, together with Mayl's tuba and
Robin Wetterau's piano, make up the
rocking-section. If you like these tunes and
the real old time sound, you should be
pleased with this record.

The Empirical collection is relatively
spirited. Hodes takes on more life and leaps
into his phrases, utilizing anticipation, which
is so important to creating excitement. He
starts to come on a little like early Louis or
late Lyttleton but lack of range, flexibility,
and imagination holds him back.

Whoever selects keys for these tunes would
appear to be guided by ease rather than
effect. Considering the fact that the Dixie-
land Rhythm Kings have been around quite
a number of years, they could be expected,
by now, to have some pretty interesting
arrangements and original band ideas, if not
some compositions of their own. These
records don't show that anything like that
is happening. In fact, they don't even vary
the keys enough to alter the monotony.
Most of these numbers are in F, B-Flat,
E-Flat, and only occasionally A-Flat.

There is, collectively, an appalling lack
of shading or dynamics. This, together with
individual technical limitations and the ab-
sence of modulations, produces a lethargic
and tedious sound after the first couple of
tunes.

The trombone's klaxon-like burr is fre-
quently out of tune. The piano is stiff and
unswinging. Only the clarinet shows signs
of finesse and command. If you want to hear
a group with many of the qualities that this
band doesn't have, listen to some early Bob
Crosby. Of course that band didn't explore
the past to quite the extent the DRK does,
but the musicianly approach should be valid
in any chosen style — even if it is Yerkes or
the California Ramblers.

The quality of recording is good for both
records. (R.B.H.)

washboard rhythm kings

Tiger Rag/Hummin' to Myself/My
Silent Love/Shoot 'Em/Ash Man
Crawl/Pepper Steak/I'm Gonna Play
Down by the Ohio/Underneath the
Harlem Moon

This is a superlative and invaluable
demonstration of a virtually lost art. Here
is more or less standard instrumentation for
its day (1931-1932) — a trumpet, three
saxes, and four rhythm, playing "normal
pre-Swing jazz," but transformed into a
spirited, all-out, thoroughly different outfit
by substitution of washboard for conven-
tional drums. There is, of course, nothing
magical about a washboard. Proper tonal

characteristics, musical skill, and endurance
are required. Under circumstances such as
were present for the WRK, the effect seems
magical.

The personnel are largely unknown. The
trumpeter obviously studied Louis Arm-
strong. The saxes do as hot saxes should.
The music is always hot, if not always per-
fect in formal technical aspects. Such im-
perfections are completely trivial in cases
such as this where the musical format does
not emphasize technique. The impression of
a good time is consistently conveyed.

Tiger is a fast and furious spectacle. In
contrast, the ballad, Silent Love, is com-
pletely captivating. The washboard rhythm
is quietly perfect. Behind the Rudy Vallee-
like vocal, banjo picking and washboard
bring tidings of comfort and joy. Scat
vocals and shouting are common with the
WRK. Good examples are Shoot 'Em
("Shoot a little dice for me . . .") and
Pepper Steak, a song about food. Ash Man
is just plain blues. Ohio functions in the way
of Mama Don't 'Low No Music Played In
Here. "I'm gonna play on my old wash-
board, down by the Ohio." . . . and "Piano,
piano, piano, down by the Ohio . . ." Very
wonderful goings-on, indeed. ("X" LVA-
3021) (R.L.T.)

king Oliver's uptown jazz

West End Blues/I've Got That Thing
/Freakish Light Blues No. 3 and No.
4/Can I Tell You/My Good Man Sam
/Sweet Like This/New Orleans Shout

Recorded for Victor in 1929, these were
among Oliver's last attempts to keep his
name in the jazz world. One or two trum-
pets, trombone, a few saxes, and four
rhythm brought the band nearer the so-
called style of "Swing," but basically it was
a jazz band. J. C. Higginbotham, Charlie
Holmes, Paul Barbarin, Jimmy Archey,
James P. Johnson, Don Frye, and Fred
Moore are among the oft changing sidemen.
Who-is-playing-trumpet-when has long been
a standard problem. Some say it is never
Oliver, some say it is always Oliver. An
intermediate stand is the easiest. Dave Nelson
and Louis Metcalf are often nominated as
among the possible trumpeters. Well, it
seems to me that there are probably three
different brassmen appearing at various
times. Why doesn't someone suggest B. T.
Wingfield?

Whoever plays when, what or which, the
music is quite good from a traditional point
of view. Several fine trombone and sax solos
are heard. The tuba solo on Can I Tell You
is a highlight. West End is based on the
earlier Armstrong record with Hines. Who-
ever plays whatever trumpet does not quite
make all of Louis' notes. The two masters
of Freakish are interesting to compare if
such are your interests. Similarly, the two
different trumpets on Sweet Like This are
fodder for the guessing gamesmen. (The
album notes point up New Orleans Shout
in this respect, but I believe they intended
to refer to Sweet.) The essentials of the
rhythmic riff that usually forms part of the
pop tune, Brazil, are to be found in New
Orleans Shout. Put that in your tin pan
alley and smoke it! Other food for thought
comes from the observation that this Oliver
band, particularly on Can I Tell You and
Sam, just happens to remind me of Clarence
Williams' bigger bands. ("X" LVA-3018)
(R.L.T.)

\

12

tommy ladnier with ma rainey and
edmonia Henderson

Those Dogs of Mine/Lucky Rock
Blues / Southern Blues / Ya Da Do
Blues / Brown Skin Man / Traveling
Blues/ Worried 'Bout Him Blues/
Black Man Blues

When one has a vast number of items
from the old Paramount catalog available
for reissue, it is sometimes necessary to
grope for a rationale for presenting some
particular assortment. In the present case,
the album notes indicate that they are out
to build the status of cornetist Tommy Lad-
nier as a blues accompanist. While this idea
seems reasonably noble, the records selected
hardly support the point. Behind the vocal-
ists on these tunes, Ladnier frequently
appears at a loss for something interesting
or sensitive to do. Occasionally, he and clari-
netist Jimmy O'Bryant will fall into a pat-
tern of riffs. We are most aware of Ladnier
during his few brief solos. Now Ladnier is
important to those of us who love the
ancients of jazz and if my comments are
harsh, it is not because of what Ladnier
does on these occasions, but because these
occasions present him in the least favorable
way when just the opposite is intended and
advertised.

Not only do we suffer through the weaker
efforts of an otherwise good jazz traditional-
ist, we also suffer through the voice of
Edmonia Henderson. Miss Henderson could
not convey on records what she could in
person.

We have, however, Ma Rainey, one of the
very greatest blues singers, to help lift our
burden. Madame Rainey is featured on the
first four selections listed above. Not only
does she lift our burden, but that of the
musicians as well. The playing of Ladnier
and O'Bryant, along with pianist Lovie
Austin and occasionally the mysterious tenor
saxophonist known as Harris, is noticeably
more vigorous with Ma Rainey on hand.
But sour grapes again, for with the possible
exception of Lucky Rock and Ya Da Do,
these are far from the best of Rainey re-
cordings, as well as far from the best of
Ladnier.

Well, if you like any Ma Rainey, Tommy
Ladnier, Edmonia Henderson, and Harris
records, you may still be happy with these.
(Riverside RLP 1044) (R.L.T.)

will ezell's gin mill jazz

Mixed Up Rag/Heifer Dust/Playing
the Dozen/West Coast Rag/Barrel
House Man/Pitchin' Boogie/Bucket
of Blood/ Just Can't Stay Here

Will Ezell was a happy pianist from
Chicago's South Side. His playing in-
corporates ragtime, blues, boogie woogie,
barrelhouse, and what-have-you in varying
but appropriate proportions. Not being a
man that would overlook an obviously good
thing, he throws in a dash of Jelly Roll
Morton from time to time. The results are
very fine indeed. For those who like casual
but fierce "skiffle" piano, this LP is a must.

The originals appeared on the Paramount
in 1928 and 1929. An unknown guitar and
cornet appear on Pitchin' and Just Can't.
They neither add nor subtract anything. They
simply become part of the good time. The
album notes are instructive and entertaining.
{Riverside RLP 1043) (R.L.T.)

ma rainey — volume 3

Wringing and Twisting Blues/Chain
Gang Blues / Misery Blues / Dead
Drunk Blues / Sissy Blues / Broken
Soul Blues / Moonshine Blues / New
Boweavil Blues

In contrast to this month's other batch of
Ma Rainey records, the present collection is
among the most magnificent. In some Utopias
of which we dream, a holiday would be pro-
claimed to celebrate the appearance of such
records.

Wringing and Chain Gang present Joe
Smith, Charlie Green, Buster Bailey, Fletcher
Henderson, Charlie Dixon, and an unlisted
bass saxophonist in the accompaniment.
Smith's cornet and Green's trombone are
particularly virtuous on Chain Gang. Misery
is among the greatest of great records. The
inspired background band is unknown. The
cornetist sounds not unlike a muted Louis
Armstrong feeling most reserved. While it
could be, it is probably not. Dead Drunk is
supported only by the superior piano play-
ing of "Hop" Hopkins. Personnel on the
last four sides is again unknown. Among the
many folks who are happy on Sissy Blues
is what seems to be a slide whistle player.
Bless the boy! The trombonist on Broken
Soul is very vaguely suggestive of Charlie
Green, and, occasionally, of Roy Palmer.
Presumably the same trombonist is vaguely
suggestive of only Green on Sissy Blues.
Moonshine and Boweavil find everyone
deeply moved.

For great old blu^s and jazz, go fetch this
record and be overwhelmed. (Riverside
RLP 1045) (R.L.T.)

geoffrey holder and his trinidad
hummingbirds

Geoffrey Holder is an unusually talented
dancer and singer from Trinidad. His
troupe, the Trinidad Hummingbirds, dance,
sing, and supply various accompaniments
on drums and miscellaneous rhythmic
devices. Occasionally an ocarina or some
such pipe finds its way into the doings. This
new 12 inch Riverside LP yields eleven
selections of diverse Caribbean origins.
Holder and the Hummingbirds interpret the
material by "concertizing" it and, at the
same time, retaining much of the original
"folk feeling." The results are warm, relax-
ing, charming, and informative.

Among the selections are a Trinidad work
song, Shango (Voodoo cult) hymns, modern
songs from Martinique, a quasi-calypso, and
an original Holder composition from a folk-
opera. An Afro-Christion spiritual, Adam In
De Garden, was obtained from a Trinidad
sect known as the "Shouters." It stands in
very close relationship to Negro spirituals
from the Southern United States. (River-
side RLP 4004) (R.L.T.)

natty dominique and his new Or-
leans hot six

Big Butter and Egg Man/Touching
Blues / Someday Sweetheart / You
Rascal You

little brother montgomery

Mule Face Blues/Cow Cow Blues/
Vicksburg Blues/Crescent City Blues

The discriminating Windin' Ball label
brings some current Chicago doings to our
attention. (With a name like Windin' Ball,
you can afford to be discriminating.)

The first four sides present Natty
Dominique-trumpet, Frank Chase-clarinet,
Floyd O'Brien-trombone, Lil Armstrong-
piano, Israel Crosby-bass, and Baby Dodds-
drums. They play a rough but cohesive and
exciting blend of several traditional jazz
styles. Clarinetist Chase, a relative new-
comer to jazz, is outstanding. Lil Armstrong
still plays a bit like she did twenty-eight
years ago. This doesn't bother me at all. In
fact, I like it. Baby Dodds is much like his
peppy old self. All others contribute quite as
importantly. The tunes are treated pretty
casually, but this is not unusual for a
pick-up band. O'Brien's work is among his
best, especially on Sweetheart and Touch-
ing. If you like jazz somewhere between the
Chicago Footwarmers and the George Lewis
band, you'll not want to miss these new
sides.

Little Brother Montgomery's piano solos
on the last four tunes are most welcome
events. The King Oliver tune, Mule Face,
is rendered in fine stomping style. Charlie
Davenport's Cow Cow Blues includes a
Montgomery vocal plus masterful blues and
boogie woogie piano. Two Montgomery
originals, Vicksburg and Crescent City, are
also first rate.

This is Windin' Ball's fourth release and
thus far they have maintained a perfect
score. We can't afford to not wholeheartedly
support such great productions of con-
temporary traditional jazz. (Windin' Ball
104) (R.L.T.)

New Orleans Revival:

bunk johnson and his new Orleans

band

Careless Love / Weary Blues / Tiger
Rag/Make Me a Pallet on the Floor
kid ory's Creole jazz band
Snag It/Savoy Blues/Down Among
the Sheltering Palms/Weary Blues

The famous Bunk Johnson Band with
George Lewis, Jim Robinson, Alton Purnell,
Lawrence Marrero, Alcide Pavageau, and
Baby Dodds, recorded the first four tunes
in New Orleans in February, 1945. The
session that produced these previously un-
issued items is said to have been a "last-
minute thought." The last-minute thinkers
apparently did not have time to find good

13

recording conditions. It also appears that
the band did not have time to adequately
consider what and how it should play, but
because of the great names, the tradition,
the romance, and all that, the records are to
be considered as important documents. As
with many "early" Bunk recordings, these
important documents present a facet of
traditional jazz in its thumping, driving,
"authentic," out-of-tuneness, with a decor of
wrong notes and goofed breaks. The great-
ness of this very band is well established for
most of us who heard it in person or who
know its "later" records. We don't expect or
ask for rigid harmonic constructions in this
type of music. These new releases, how-
ever, seem unfair to the Johnson band for
here they sound at once harassed, weary,
unprepared, and out of practice. Anyone
introduced to Bunk Johnson via these selec-
tions might be embarrassed or quite put off.
The advanced New Orleans jazz fan will,
of course, be able to enjoy such recordings
for the general musical and historical values
evidenced. It is something like obtaining a
driver's license ; one should be able to drive
before it can be obtained. In passing off the
present inadequacies by saying that "John-
son's lip was not yet back at full strength,"
the album notes engage in some devious
understatement.

Things are a bit brighter on the other
side where Kid Ory's band is heard in selec-
tions from its 1947 air shot on Rudi Blesh's
"This Is Jazz." With Ory are Andrew
Blakeney, Joe Darensbourg, Buster Wilson,
Bud Scott, Ed Garland, and Minor Hall.
Snag It is arranged much like the old King
Oliver Brunswick recording, complete with
the "Captain, Captain . . ." vocal by Bud
Scott. Savoy is Ory's standard version of his
own standard tune. Palms fails to develop
an appropriate rhythmic feeling. Scott's
vocal on this one is a bit uncertain. Weary
is bright and cheerful. Clarinetist Darens-
bourg is at his excellent best during this
session. The great pianist, Buster Wilson
occasionally falls into an abandoned ram-
page.

These noteworthy Ary sides were origi-
nally available on the Circle label as 78s.
(Riverside RLP 1047) (R.L.T.)

jazz on the campus ltd. — max Ica-
minsky and his dixieland bashers

Jazz on the Campus/Shimme-Sha-
Wabble/Whiffenpoof Song/Carey Me
Back to Old Kaminsky/Sister Kate/
If I Had My Way/Satanic Blues/
Ugly Chile

As I clutch this RCA Victor "New
Orthophonic" High Fidelity Record to my
breast, I cannot help but admire rugged
American commercialism. It produces such
hopelessly acceptable music in double thick
albums to help keep the chest warm.

Trumpeter Max Kaminsky who manages
to variously sound like Max Kaminsky, Louis
Armstrong, or an electric guitar (Campus)
is found here in the company of clarinetist
Hank D'Amico, trombonist Ray Diehl,
drummer Cliff Leeman, pianist Dick Carey,
and an unknown string bassist. Carey is
allegedly responsible for the simple, ade-
quate, not unpleasant, but unimaginative
arrangements. The band plays hot and
spiritedly on Satanic and Sha-Wabble. At
the other extreme, Whiffenpoof creates an

image of a band knee deep in pea soup play-
ing with mutes of cream cheese and jelly.
Nevertheless, it should please the tepid and
sticky dancing set and sheep fanciers.

With all these well known pros on hand,
the music is, of course, technically good. It
is frankly commercial, aimed at the not too
discriminating majority of collegiate dixie-
land jazz concert, dance and whoopee fans.
It takes the easy way out and does nothing
complex, unusual, or unpopular. Kaminsky
takes vocals on Kate and Chile. He is not a
very good vc :alist. The lyrics to Chile are
unkind.

The album title, "Jazz On The Campus
Ltd.," is one of those booking agent gim-
micks. The "Ltd." is probably a copywriter's
hiccup, or just added to balance the letter-
ing on the cover design. It is disturbing to
realize that this is the jazz so many campuses
are getting as representative of the tradi-
tional. While Kaminsky is a top flight trum-
peter, his jazz is traditional in only
superficial ways. I suppose the ultimate
blame rests with those who create, sell, and
buy jazz.

Before going back to bed and attempting
to get up on the right side, let it be noted
that pianist Dick Carey is also a frequently
inspiring trumpeter. We would like some
horn records by him. (Victor LJM-3003)
(R.L.T.)

james p. johnson — early harlem
piano: volume 2

Carolina Shout/Back Water Blues/
Daintiness Rag/Caprice Rag/Balti-
more Buzz/Gypsy Blues/Don't Tell
Your Monkey Man/Railroad Man

Of James P. the album notes say, "There
is such a thing as being so good that every-
one takes you for granted." These sides are
so good that we hope you'll do more than
take them for granted.

The eight tunes were transcribed from
piano rolls dating back thirty or more years.
Back Water is our blessed little exception.
It is a mere twenty-seven years old. There
is nothing dated about the music. Seekers
after jazz lore will profit by comparing Back
Water and Caprice to Johnson's later Blue
Note recordings of same. Shout is one of
Johnson's "classic" compositions. In, among,
or from it we find Arnette Nelson's Buddy's
Habits and Joe Sullivan's Little Rock Get-
away. Railroad Man is an Elmer Schoebel
tune which has been sadly overlooked in
band repertoires.

It is quite within the bounds of conserva-
tive commentary to say that it would be
unfortunate not to own this record: (River-
side RLP 1046) (R.L.T.)

WANTED
VICTOR 24,000 SERIES
BRUNSWICK 6,000 SERIES
ALL BLUE SHELLAC C0LUMBIAS
COLUMBIA D SERIES 2,000-3,000
SWEET BANDS ON OTHER LABELS
WILL TRADE GOOD JAZZ OR SWING
FOR THE ABOVE OR PAY CASH
JACOB S. SCHNEIDER
|28 WEST 66 ST.
NEW YORK CITY

(Continued from Fage 6)

R. That was the first time we played all
those numbers.

J. And they came out mighty well. Then on
the last date you did four more — Mama's
Got a Baby, Dirty Dirty Dirty, My Home
Is in a Southern Town, and especially
Swinging the Elks. This time Claude
Jones was on trombone.

R. I remember Swinging the Elks — used a
mute on that one, I think.

J. Well, what would you say Jelly was like
in 1940, pretty much the same man and
musician he'd been back when you first
knew him, Red?

R. Oh, yes, I like Jelly anyway. I even like
to hear him talk. He explained a lot and
lots of people said it isn't true, but the
way he explains it and he almost proves
it and you can't say the guy is too wrong.
When I first met Jelly, I was telling him
about Fate Marable. And Fate was one
of fhose guys — not cracky jaw, you know,
but he was saying the right thing. I said :
"Jelly, I just left Fate Marable — been
working with him. He says that you
played piano with him." Jelly says:
"Worked with him! Why, he just had a
big band around there doing nothing, so
I let him use my name!"

J. That's Jelly, all right!

R. He says: "You know something^ Red? I
got the biggest diamond in New York!"
Well, he did have a big cluster, size of a
doughnut. He says: "My car's so long I
got to go to Central Park to turn
around!" And he did have a big long car.
Kicks! Kicks!

J. What do you think was his particular
contribution to music, to jazz?

R. Well, I think it was one of the greatest
parts of jazz.

J. Well, I mean as composer or arranger or
bandleader or piano player?

R. In every way! He brought out the things
that he wanted to and the numbers he
jotted down are still being used, you
know. The Pearls is a natural classic. You
know what I mean. And that's just the
way he played it. And they're using the
basical part the way he uses the bass.
King Porter Stomp — Fletcher Henderson
and Benny Goodman.

J. You made that several times.

R. Yes. Jazz lost a lot when Jelly passed.
Lost a good deal in Fate Marable, too.

J. By the way, Red, you must have heard all
the early trumpets from your dad on
down.

R. Oh, yes, sure, worked right along with
them.

J. Of the so-called trumpet kings — Kep-
pard, Oliver, Armstrong — which do you
think was really the best man at his very
best?

R. Well, so far as Keppard, that's one I
didn't hear. He left just a little bit be-
fore I started paying attention to trumpet
players and he passed just a little bit be-
fore I hit Chicago with Henderson. But
as a member of the Russell organization
I played with both Oliver and Arm-
strong. You would say — they were two
kings on one throne!

COLLECTORS,, .SEND FOR FREE
COPY OF DISCUSS I ON, AMERICAS
fLDEST PRIVATE AUCTION LIST OF
RARE OUT OF PRINT RECORDS.
H.B.KAY BOX 217 ASTCR STATION
BOSTON. MASS.

New

Rel

ease

s

RLP 1045

RLP 1046

RLP 1047

RLP 1048

KLP 2505

10" LP's $3.95

MA RAINEY. VOL. 3 RLP 1049 RAGTIME PIANO ROLL.

(JOPLIN. SCOTT. ETC.?

Wringin' and Twistin' Blues — Chain Vftl 3

Gang Blues— Misery Blues— Dead WW. J

Drunk Blues-Sissy Blues-Broken Legs Rag-Magnetic Rag-

Soul Blues -Moonsh.ne Blue,- Entertainers Rig-Cannon Ball-

New Bo-Weav.l Blues G)ad Rag _ Chinafown Rag_The

Smiler — Weeping Willow

JAMES P. JOHNSON PIANO
ROLLS. VOL. 2

Carolina Shout— Back Water Blues
— Daintiness Rag — Caprice Rag —
Baltimore Bun — Gypsy Blues —
Monkey Man — Railroad Man

RLP 2507 GEORGE LEWIS JAZZ BAND
AND QUARTET

St. Phillip's Street Breakdown —
Salty Dog — Corrinno Corrinna —
Old Rugged Cross — Big Butter and
Egg Man — Bourbon St. — Over the
Waves — Who's Sorry Now

BUNK JOHNSON AND KID
ORY

Careless Love — Weary Blues —
Tiger Rag — Make Me a Pallet on
the Floor — Snag It — Savoy Blues —
Down Among the Sheltering Palms
— Weary Blues

RED NICHOLS. MIFF MOLE.
PHIL NAPOLEON

Alabama Stomp — Hurricane — Black
Bottom Stomp — Stampede — Jelly
Roll Blues — Bunch o' Blues — Great
White Way— Shufflin' Mose

RLP 2508 THE MODERN PIANO OF
RANDY WESTON

Get Out of Town — Just One of
Those Things — I've Got You Under
My Skin — What Is This Thing
Called Love — I Love You — In the
Still of the Night— Night and Day
—I Get a Kick Out of You

RLP 2510 BOB HELM'S RIVERSIDE
ROUSTABOUTS

Riverside Shake/Dawn Club Joys
/How Am I Gonna Do It/Back
Side o' Town/I Don't Want Any
More/Sea Gull/Daybreak Blues/
Plymouth Rock

DIXIELAND RHYTHM KINGS
NEW ORLEANS JAZZ PARTY

Bill Bailey — Ory's Creole Trom-
bone — Darktown Strutters Ball —
Blue Mama's Suicide Wail — St.
James Infirmary — Melancholy
Blues — Irish Black Bottom —
Come Back Sweet Papa

RLP 4004 GEOFFREY HOLDER AND

HIS TRINIDAD HUMMING-
BIRDS

Sol Leve Woyo — Shango Hymn —
Fay Oh — Invocation — Hymn to
Osine — Pendent Moin Dans
L'Armee — Wake Song — Adieu
Madras — Ti Paule — Miss Lily
White — Adam in de Garden

Buy these at your local dealers or order direct from

Riverside Records

P. O. BOX 373

RADIO CITY STATION

NEW YORK, N. Y.

15

The tremendous East Coast reception of
the Turk Murphy band came as no sur-
prise to most San Francisco fans. Not only
will this boost the stock in the San Fran-
cisco style, but it should also help in the
development of permanent jazz clubs sans
wolves at the door. The attempts over the
years in the S. F. area to run a jazz spot
in the suburban area have all resulted in
failure. Most of those in the downtown sec-
tion have been financially solvent, if not
windfalls of profit. The energy and sincerity
of the Murphy band have now been prop-
erly observed in the hinterland. It was this
attitude that kept his San Francisco Italian
Village basement club open through some
mighty grim months. Perhaps now the lo-
calities will give the Murphy Band its just
due, and pack the joint as the New Yorkers
did.

The West Coast sides by the Watters
band of 1946, as reissued on Good Time
Jazz LP's, seem to have caused various
people to bring into the light a number of
sets of Watters broadcasts which might be
scrubbed up and issued somehow. The
Watters band was on the air once a week
for many months in 1941-42 from the Dawn
Club, again in 1946 (twice a week) from
the Dawn, and in 1947 and '48 from Ham-
bone Kelly's. The fine engineering job on
the GTJ LP's shows what can be done . . .
perhaps now that thousands more fans have
heard San Francisco Jazz in person they
will be anxious to pick up items by the
great Yerba Buena band.

Bob Scobey's two weeks in Chicago
seemed to only whet the band's appetite.
Large enthusiastic crowds at the Bluenote
and encouragement to stay longer next time
make it almost definite that Scobey's Frisco
Band will tour the East in the Spring of
'55. Meanwhile the Tin Angel on the S. F.
Embarkadero draws excellent crowds. The
small bar across the street, the Pier 23,
features Burt Bales and fine barrelhouse
piano.

While Scobey and Murphy toured the
East, San Franciscans had a chance to hear
some excellent local talent as their rei
placements. In Murphy's Italian Village
basement, two bands alternated months to
provide weekend jazz, one led by Jim Leigh
and featuring some fine informal skiffle-type
stuff, the other being Sanford Neubauer's
Canal Street band playing a somewhat
stricter form but including many tunes
which haven't been heard around here in a
long time. It was from the Canal Street
band that Ev Farey jumped into the Mur-
phy lineup, and it might well be that other
matriculations will occur in years to come.

Replacing Scobey was Bob Mielke's
band, the Superior Stompers, with Dick
Oxtot on cornet. Vocals were handled by
Claire Austin, making her first public ap-
pearance in many years. Claire sang force-
fully, and especially as the engagement
continued, quite confidently. She is a
splendid part of the San Francisco scene;
it's too bad a schedule can't be worked out
which will allow her to take a more active
role in what looks like a terrific jazz year
in 1955. (Claire lives in Sacramento, about
80 miles from the City, and doesn't want
to leave her family for extended singing
engagements.)

The George Lewis Band is being booked
for a west coast tour early next year, ap-
parently entirely a concert affair with per-
haps some club dates at -the end. Lizzie
Miles also seems to be due back in the
Frisco area in 1955. Benny Goodman is

another name being mentioned for a Spring
date in this area. Benny hasn't been around
since the 1939 World's Fair.

Clarinet job in the Kid Ory band has
been taken by George Probert, who con-
tinues to fill-in with soprano sax as he did
with Scobey last year. Probert has helped
immeasurably in keeping the Ory band a
spirited group; it looks and sounds like
Ory, Garland, and Hall are going to keep
playing great jazz for a long time to come.

Two visitors to Club Hangover recently,
within a week of each other were Manuel
Manetti, original clarinettist with Ory when
the Kid made his first Coast tour in 1920,
and the widow of Joe "King" Oliver, who
was visiting relatives in Oakland. Honare
Dutray's widow, Mrs. Olga Hicks, has been
a San Francisco resident for years. Hociel
Thomas died some months ago in Oakland,
where she had lived quietly.

A series of Sunday afternoon jazz con-
certs in Berkeley didn't draw quite as well
as their Democratic-candidate sponsor
would have liked, but some money was
cleared. The programs included a show
with Ory, Scobey, a Folk Music conglom-
eration, and wound up with Cal Tjader.

The San Francisco Museum of Art is
seriously considering an extended set of con-
certs and films of jazz in 1955. This would
be their first such venture since Rudi
Blesh's series in 1943.

Pianist Jesse "Tiny" Crump has been
playing intermission at the Hangover. He
still has a good South-side style, and plenty
of technique. Discographies to the con-
trary, he denies ever having played organ
with Ida Cox and Ladnier, although he is
full of stories about the Paramount Com-
pany and its artists in the late 1920's. He
also wonders if any collectors have found
his Gennett solo of Tiny's Fingers, or a
Nina Reeves vocal on Gennett which he
accompanies.

The Ellington - Mulligan - Getz - Brubeck
concert package did a brisk business in
two Bay Area appearances. The Duke
seems to enjoy presenting the smaller
groups, and the contrasts between these
four organizations makes for all kinds of
excitement musically. There didn't seem to
be any rowdy "go-going" in the audience,
although essentially the same facilities
were used to publicize this program as is
used for JATP.

The Modern Jazz Quartet seemed to
satisfy more varied types of fans than any
such group that has ever appeared at the
Blackhawk.

Pianist Johnny Wittwer is playing in a
roadhouse near San Francisco, combining
all forms into some pretty swell sounding
stuff. Jack Sheedy's band continues to work
in smaller clubs on both sides of the Bay.

BEHIND

THE COBWEBS
carl teacfatfora

Further entries in the continuing tale of
how record companies got the ultimate in
mileage out of their masters by such means
as changing titles of songs, names of com-
posers, names of bands and singers, etc. !

It wouldn't seem right if the Grey Gull
company and its labels weren't involved,
so we cite first an example involving one
of their labels. The master involved is
from the ERL-Consolidated source of many
of our earlier cases. The number of the
master is 3655 and we find it first on Grey
Gull's Nadsco 2196 as / Wonder If You
Ever Would, composer credit to Jacobs,
sung by Joe Sargent with orchestra. If you
should happen to look at Oriole 580 you
would find this same master titled What's

Become of Me, composed by Caddigan and
Story, sung by Harry Crane. No mention
is made of an orchestra accompaniment
but playing the disc will establish that fact.

The correct titles are not always easily
detectable but in this case the one given
the correct composer credit of Caddigan
and Story is the right one. The refrain be-
gins with the words "I wonder if you ever
wonder what's become of me now" and
ends with "You may be wondering what's
become of me now." You will note that
the title as given on Oriole appears in both
lines. Nowhere in the lyrics do the other
words as given on Nadsco appear and it
would appear that this phoney title is a
garbled version of the opening words of
the refrain. We have no knowledge at all
as to whether either name given to the
vocalist is a real one or, even if one or
both is, if the man singing is really the
one so named or not.

Our other example this time is Emerson
master 42579. We find it on Grey Gull's
(who else?) Supreme 1308 as Silver Star,
composed by Bocchine, a waltz played by
University Dance Orchestra. Now on
Emerson 10755 this master appears as
Golden Sunset, composed by P. Bolognese,
a novelty waltz performed as a violin solo
by L. Heidelberg with Bolognese's Orches-
tra accompanying. In the wax of this
Emerson is the number 12134, and if you
happen to find Emerson 12134, you will
note the same master again as // Tramonto
D'Oro, composed by P. Bolognese and
described as "mazurka sentimentale" and
"Italian dance," and played by L. Heidel-
berg, violin solo, accompanied by Bolog-
nese's Orchestra.

The second Emerson is from their Italian
series and it would seem that the title is
just an Italian translation of the one on
the other Emerson. But whether it is a
"mazurka sentimentale," a novelty waltz, or

fife

behind the cobwebs

just an ordinary garden-variety waltz is
another question. As far as Grey Gull and
their issues are concerned, we detect the
usual phoney title, composer credit and
band name, even to ignoring that this is
a violin solo with orchestra accompaniment
and not a dance band performance. We
can state that a real band leader named
Paul Bolognese existed. All of these were
played against one another to avoid the
possibility that somehow the wrong master
number was put on the record and we
assure you these were actually identical in
spite of the data on the labels!

Label of the Month: We have another
member of a family we have shown pic-
tures of in this department through the
past couple of years'. The family is that of
the Fletcher Record Co. and its Olympic
label. We have mentioned that the Olympic
1400 dance series and 1500 vocal series
couplings have appeared on a whole group
of other labels using the same catalog
numbers and, in some cases, the same artist
credits. These labels include Melody,
Majestic, La Belle, Supertone, and our ex-
ample this time, Mac-Levin. These labels
vary in color being found in gold on blue,
green, orange, red; black, purple, and prob-
ably other colors. The one illustrated, Mac-
Levin 1436, is gold on red. Side shown is
Long Lost Mama (583) played by St. Louis
Syncopaters. The reverse is Stella (no mx. )
as by Wallace Downey Dance Orchestra.
This record belongs to Syndicate member
Perry Armagnac and Perry has one other
example of this label. This is gold on black
1427 which couples Dearest (no mx. ) and
You Know You Belong to Somebody Else
(no mx.), both as by Mike Loscalzo and
His Orchestra. The same coupling and
credits have been noted on La Belle 1427.
Also we can date these issues (on the Parent
Olympic label, at least) as 1923 since
Olympics 1421 through 1426 are listed in
the Talking Machine World as the March
1923 release. The same magazine tells us
that this company, the Fletcher Record Co.,
went bankrupt in December, 1923. Whether
the correspondingly numbered issues on the
other labels in the group were released
simultaneously with Olympic or later, we
still don't know. Any further data on these
labels are requested.

A footnote to our label of the month is
that the "Fletcher" version of the label is
preceded by the Olympic label put out by
the Olympic Disc Record Co. which, in
turn, was the successor to the Operaphone
Co. and the Operaphone label. The latter,
we have just discovered, seemed to have
used Pathe masters for its issues in most
if not all cases. One case we have compared
aurally and found to be identical is Pathe
022412 and Operaphone 31158. These are
both The Love Nest (mx n-68678-1 on
Pathe but no mx to be found on Opera-
phone) as by Joseph Samuels' Music Mas-
ters and Joe Johnson's Novelty Dance
Orchestra respectively. Joseph Samuels was
a real band leader and violinist.

We remind one and all that we most
urgently request data on the small labels
of the twenties. (See previous columns for
details.) Send same and your queries, com-
ments, information, etc. to us at 74 South
Road, Harrison, New York or c/o The
Record Changer.

STAR

STUDDED

SHELLAC

jehn mc andrew

I had had it in the back of my mind to
say, some day, that amongst the better com-
mercial dance bands of the late thirties
and early forties was Shep Fields and His
Orchestra. And in the meantime, one of
the column's readers, Bob Lyons, of Baird-
ford, Pa. has written to say very much
what I had in mind, particularly that al-
though in the beginning the Fields records
were distressingly corny, he early showed
signs of being basically much sounder than
the appalling tag "Rippling Rhythm" would
indicate, and not too long afterward the
ripples vanished as ripples should and we
began to see that Fields had much more
on the ball than some of his contemporaries
of the day, such as Blue Barron, Gray
Gordon, Art Kassel, Eddy Duchin, Sammy
Kaye and others of this genre.

Like Mr. Lyons, I was first impressed
with a most striking rendition of Swamp
Fire {BB 6662) which, despite a gimmick
or two, suggested the title more vividly
than any other recording of the number
did then or thereafter. So while still being
frightened away by subsequent ripples, I
kept Swamp Fire in mind and kept listen-
ing, and was moderately pleased with Basin
St. Blues (BB 6759), Twelfth Street Rag
(BB 6718), Alexanders Ragtime Band (BB
7345) and Darktown Strutters' Ball (BB
7478). Unfortunately, even with good ar-
rangements and incisive performances, the
ripples prevented complete enjoyment of
any of these, but a noticeable change in
style, a more subtle approach and best of
all, no ripples, all were apparent on
Buffoon (BB 10308), Mene Mene Tekel/
Le Secret (two very good sides, except for
a Gray-Gordonish tick-tocking) , Narcissus
(BB 10688) and When the Mush Began to
Rush Down Father's Vest (BB 10889).

Beginning with La Cucaracha (BB
11064), the group really began to give ex-
cellent interpretations of their material, pro-
ducing a fullness and verve far superior to
most of the competing commercial dance
bands, and resembling the finish and zest
of the Tommy Dorsey organization, tending
more and more to interpret the song's in-
tent rather than reduce all songs to frame-
works for the band's tricks, as most sweet-
ish bands from Lombardo up too often do.
Fields also did highly commendable ver-
sions of widely, not to say wildly, different
types of songs and did them all with equal
facility: The Caissons Go Rolling Along
accomplished the difficult feat of being
equally acceptable as military and dance
band music (BB 11477), coupled on the
same disc with the sentimentally effective
Dear Old Pal of Mine. Lecuona's fiery
Cross Roads received a rich Latin-style in-

terpretation, (BB 11578), and Jersey
Bounce was precisely what the title in-
tended (BB 11490).

Fields' renditions of the classics retained
their classical features while keeping them
wholly acceptable as toe-tapping foxtrots,
i. e.: Peter and the Wolf (BB 11510), Long
May We Love (Theme of Tschaikow sky's
Fifth) (BB 11490) and Marche Slave (BB
11150).

One of the band's early sizzlers I forgot
to mention was That's a Plenty /Blues
Serenade (BB 7785), with the exciting
accordion prominently featured, as it was
in Twelfth Street Rag.

The last of the Fields BB sides were as
good as anything they ever did, and I am
particularly fond of his versions of Blue
Prelude /You're Driving Me Crazy (BB
11312), 'Twos Not So Long Ago (BB
11348), an extremely tasteful rendering of
the delicate and not sufficiently appreciated
Jerome Kern song; an infectious presenta-
tion of I Found a Million Dollar Baby,
which is the A side of Marche Slave; and
a suitably dignified but not doleful press-
ing of The Lost Chord (BB 11424). One
of the last Shep Fields releases on BB be-
fore the label was discontinued in 1943
was Don't Blame Me, a tasty restatement
of the late-twenties war-horse. It was backed
with a Tony Pastor disking of Dance With
a Dolly on BB 30-0827.

Apparently, the Shep Fields Orchestra
was one of those to suffer when, between
the War and the Recording War (which
had just begun and was to see nary an
orchestra recording for some twenty-seven
months) the majors were forced to con-
solidate, and the added difficulty of shellac
scarcity, zooming costs and other head-
aches forced them to discontinue their
lower-price labels. Their better sellers,
such as Goodman, Shaw, Waller, Freddy
Martin, Buddy Clark, Cab Calloway and
Guy Lombardo moved over to the main
label of each respective recording outfit,
but the rest, and not infrequently the more
deserving, foundered and disappeared. Un-
fortunately, Shep Fields was in this cate-
gory. His only appearance on a Victor
label was in reissues of his earlier BB sides,
such as the coupling of Swamp Fire and
Twelfth Street Rag on Vi 20-2449, the re-
lease of which had nothing to do with even
a mild demand for either of the sides, but
was part of the desperate attempt to keep
afloat during the 27rmonth Petrillo record-
ing ban.

Fields appeared briefly thereafter on the
short-lived Musicraft label. The actual
recordings were excellent, but the band
did not seem to have the vitality so much
in evidence up to the end of the BB era,
seeming, in fact, to be more of a throwback
to the Rippling Rhythm period, and is
actually labeled on Musicraft as "Rippling
Rhythm," whereas, shortly after his initial
success on BB the orchestra had become
known as "Shep Fields and His New
Music," evidently as part of the swing
away from the Rippling Rhythm style of
playing.

FOR SALE
20 old records of the'20's by
ph i la «. male quartet, crumi t,
v.dalhart,b.murray,jolson,
allen turner and others
Write box 225, Baltic conn.

17

WILL BUY . . .
RECORD COLLECTIONS
ANY AMOUNT

I have 100,000 Records-
Hot, Sweet.
EVERYTHING a EVERYONE.
SEND WANTS
WILL TRADE . . .

New Orleans, Dixie for Personality
Records.

JACOB SCHNEIDER

126 W.st 66th Str*«t. N. Y. C.

This month's cover is another
of the fine painting on jazz-
linked SUBJECTS BY R.J, LEE.

Entitled "coal Cart Blues", the
original is in the collection
of mr* and mrs robert w. rei man
and theprecord changer is grate-'
ful for their permission to make
use of this reproduction.

WROUGHT IRON
RECORD RACK

Holds 200 LP's. Black finish with rubber tips. Size 19'/2''
high, 25" long, 9Vi" deep. Sturdy construction. Ten
separate sections allow for ideal storage of music by
style, composer, artist. Several racks may be placed side
by side to form a complete library of records. Please remit
with order. Satisfaction Guaranteed or <fcO AC
Money Refunded. Shipped Express. Collect. «p7.73
LESLIE CREATIONS, 2116 Robbins St., Dept. 221, Phila. 49, Pa.

the record changer

editor-publisher
managing editor
circulation
art director

bill grauer, jr.
orrin keepnews
jane grauer
paul bacon

— //

MA

STEPHEN IV ANTE
WALTER DE HLQCtC

VOLUME 1

N° 7 to N" 500

V-DISC CATALOGUE

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COLT J30B COLTON 680 W| LLOUGHBY AVE., BROOKLYN 6 N.Y.

FARWXRUSS FARWELL I 1 00 N. SIXTH QUINCY ILL,

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WOjlDjROY WENDELL ENGINE 4 M.F.D. RIVERSIDE AVE. f MEDFORD 55 MASS.

CLOSING DATE FOR AUCTION JANUARY |0TH | 955

AUCTION GLENN MILLER RECORDINGS

M.W.-864I v/g;co 3058D e;

de |239,|342 N+JBR 7915,8034,

804|,8062,8|52,8| 73 n:

3 1 10" RECORDS 33/|3 RPM RECORDS

OF 3 DIFFERENT |5 MIN BRDCAS1S.

GROUP BID ONLY 04O.CO Ml N BID.

c. Freeman l4l8 prospect ave,nyc

monthly disposition list
of 300 to 500 items
mailed out regularly,

send me your name and
address to be included
on my list.

Jerry de carlo

16 EAST 176 ST.,
BPONX 53 N.Y.

When it is necessary to indicate nationality of
the record, the following letters appear after
the record label abbreviation:

A ArtMtimn

Aa AiistraliM

I Brazilian

C Canadian

E EnaMth

r Franca

6
I
J
M

S .

u

Ge
Italian

Mexican

.Seta

In tha "For Disposition" section the condition
of the record is indicated by these abbrevia-
tions:

N (New) : Surface noise equal to an unplaced
record: no visible or audible wear percer
tible; original finish intact.
B (Excellent) : Surface noise low. smooth, uni-
form. Not Irregular or crackling. Easily dis-
regarded In listening. No perceptible distor-
Hon.

V (Very Good): Surface noise somewhat
more prominent; light foreign noises, but
slight distortion, if any; noises not seriously
distracting.

G (Good): A moderate amount of surface
noise; background may be somewhat lrregu-
tar-*nd f.rack3intf; some foreign noises, and
• little distortion; on the whole, reasonably
satisfactory listening without undue distrac-
tion of attention. Foreign noises definitely
less prominent than the music.
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about as prominent as the music, and there
is considerable distraction of attention, and*
listening requires some effort and concentra-
tion; nevertheless, under these conditions,
listening should be fairly satisfactory.
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louder than the recorded music; continuous
concentration is required, and there is little
satisfaction In listening.

RECORDS WANTED

I AM INTERESTED IN BUYING OUTRIGHT

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If you have a collection you wish to dispose of, please write,
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lp.8 West 49th St., New York 19, N.Y.

19

5QC minimum bid

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BOX 62, °f> THE RECORD CHANGER, 4|8 WEST 49TH ST
NYC 19, N Y

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CHARGE. WINNERS WILL BE NOT I F I ED TO SEND REM tTTANCE, RECORDS .ILL THEN BE SH, PPED. CLOSING DATE 16 ™-

BEN ABNEY

I .WHT MKES HRT SO HRD/DIRTY DBLE XER
THE LITTLE ACES

2. CHERRY/ 4 OR 5 TIMES
BERNARD ADD I SON

3. TOLEDO SHUFFLE/ I CNT DANCE
ADRIAN'S TAP ROOM GANG

4.60UNCIN IN RHY/ HONEYSUCKLE RSE
JACK ALBIN

5. U DIONT HVE 2 TELL ME/hELLO B ' FUL

DON ALBERT

6. DEEP BL MELODY/SUNNY SIDE OF ST.

7. DEEP BL MELODY/SUNNY SIDE OF ST.

8. DEEP BL MELODY/SUNNY SIDE OF ST.
9.SHEIK OF ARABY/ U DON'T LUV ME

JOE ALEXANDER

.O.SO LNG DARLING/ 1 NEV HD CHNCE
| | .SO LNG DARLING/ I NEV HAD CHNCE

DAVID ALLEN

13. WRONG/ WHN LUV COMES

14. WAIT TILL U C HER/NEV ENT MY MIND

HENRY ALLEN

15. ROSETT*/ CHLOE

16. HSE IN HAR 4 SALE/RUG CUTTER SWNG

17. THE CRAWL/ DRINK HEARTY

BB 6496 v+
OK 4 1 1 36 G
BB 6 1 74 N-
VI 25208 V+
3046 N-

CR

vo

vo

3423 V
3423 E+
3423 e/v-
3411 E+

CP 15274 E+
CP 15274 E+

DIS 5|0 N-
DIS 51 I N-

CO 35954 E+
CO 35676 E+
VI 20-1 8 1 3N-

I / a I nt von...-, -

, B.DONT LET LUV GO WRNG/pRAC WHT U PRCH ME 1 30 1 6 V

1 9. IT SHLD B U/ PLEASING PAUL
20. FUNNY FEATH BLs/EVBDY SHOUT
2 1. OLD FOOL, U KNW Me/mR.WAMP WLKS

22. DARK EYES/ RED JMP

23. AFT 1ST NIGHT W u/BORN 2 SING

24. LST IN DRMS/ SITTIN ON MOON

25. TRBLE ENDS BLS BEGINs/dARL NT W 0 U

BB 10235 N
BB 6588 E
APO 788 V+
BR 80 1 1 0 E—
VO 3523 E+-
VO 3340 E*
VO 3305 E/v-

26!wiSH I WR TWINS/NEV SLEPT #1 NK LST NT ME 13045V

27. ALG I ERS STMP/ WHN DID U LVE HVN

28. ALGIERS STMP/ WHN DID U LVE HVN
29. OL MAN RIVER/ K.K. BOOGIE

30. SR OLD SOUTHLND/ RIE RED RIDE

ALLEN-HAWKINS 4 THEIR ORCH.
3, <MY GALVESTON GAL/ GONNA LOSE YR GAL

SHORTY ALLEN
32.NVE YBSELF A BALL/ SAVOY RIFF

ALL STUR TRIO
33.2 BUSY/ BUDDY BOLDEN'S BLS

ALL STAR JAM BAND
34.1E.TS GT HAPPy/hE'S JOLLY GD FELLOW

ALL STAR RHYTHM BOYS

35. sensation/ CHOO CHOO

36. NEV. B THE SAME/PRDN ME PRTTY BABY

ALL STAR SEXTET

37. C0NFIRMAT ION/ FIRST GEAR

ALL ST»R TRIO

3302 E/v
3302 e/v-
6281

VO

vo

OK

BR 80136 N

15851 V
525 E-
1010 E+
528 E

PE

SAV

JR

COM

HA

JR

1 420 E-
1346 E+

801 N-
101 I E+

38.SWANEE/ DROPPIN SHUCKS

AMES BROTHERS
39. TELL ME A STORY/lF U HD ALL THE WRLD DE 24329 N

GENE AMMONS
40. IDAHO/ RED TOP

41. U CAN DEPEND ON ME/BLS UP & DWN

42. C0NCENTRAT I On/ BLOWIN RED'S BOP

43. B0K IN OWN BCKYD/SEVN ELEVEN

44. BY BY / LET IT BE

45. ECHO CHMBER BLS/ AMMONS BOOGIE

46. BL AND SENT/ CHA800TIE
47.1 WANNA B LOVED/ GRAVY

48. LA VIE EN ROSE/ WHO PUT SLEEPIN PI

49. RND ABT I A.M./ JUG
iNYTHNG BT LUv/sWT JENN

5I.RND ABT I A.M./ JUG
52. SAINTS GO MRCHIN/HOT STUFF

53. CHARMAINE/ UNDECIDED

54. UNTIL RL THING CMEs/BECSE OF RAIN

55. GRAVY/ I WANNA B LUVED
56.6CK IN YR BCKYD/ SEVEN ELEVEN

CAT ANDERSON

MER

8048

N

Bl RD

6005

N

AL

3012

N

PRES

725

N

BIRD

6006

N

PRES

901

N

PRES

741

N

PRES

7|7

N

LL PRES72 I

N

PRES

735

N

E PRES

731

N

PRES

735

N

PRES

754

N

PRES

916

N

PRES

921

N

PRES

71 7

N

PRES

725

N

APO 774.
APO 77l

57. CAT'S BOOGIE/ 4 JUMPER'S ONLY

58. GOTTA GO BABY/ SW1NGIN THE CAT

I VIE ANDERSON AND BOYS FROM DIXIE
59.0LD PLANTATION/ ALL GOD'S CHILLUN VR~ 591 E

MARIAN ANDERSON

60.PD0R ME/ HOLD ON »■ I0-I278N

BILL ANDREWS
61. SAVE LST ONCE 4 ME/rOBAH GUITAR SAX

ARKANSAS TRAVELLERS/WASH I NGTON I AN5 ,
I62.RE0 HEAD BLs/ STACK 0' LEE BLS HA 601

DE

1299

N-

DE

1272

E

DE

1 182

E—

DE

1092

E-

DE

1388

E

DE

1722

E+

E DE

2234

E+

DE

2542

E

DE

1092

V+

DE

1904

V-

OE

7739 E+

HRS

1

N—

HRS

18

N—

UHCA 59

N

UHCA 60

E+

JAZZ 5l9

N

LIL ARMSTRONG
63.S0RN 2 SWING/ BLER THN BL

64. KNCK IN AT CABIN OR/ SIT DWN STB

65. JST 4 A THRILL/ IT'S MURDER
66. OR LVE ME ALONE/ BROWN GAL
67.L1NDY HOP/ WHN I WNT BACK HOME

70.FVYTH I NG WRNG/ KNOCK KNEED SAL
71 .BROWN GAL/ OR LVE ME ALONE

72. GT HAP TOGETHER/ORINTAL SWNG

73. MY SECRET FLA ME/ 6TH STREET
LOUIS ARMSTRONG

74. V 'RE NEXT/ OR 1 NTAL STRUT

75. DR OLD STHLANO/ WEATHER BIRD

76. PUT 'EM DWN BLS/ POT HD BLS

78. P0T HD BLS/ PUT 'EM DWN BLS

79. NO/ BASIN STL BLS

80. JACK ARMSTRNG BLs/ ROCKIN CHAIR
81.1 BELIEVE/ U DONT LRN THT IN SCHL VI 20-2240N-
82.1 WONDER, WNDER , WNDER/ TAKES TIME VI 20-2228N

83. WHR BLS WERE BRn/ MAHOG HAL STMP VI 20-2088N-

84. ENDIE/ 2 MISS NEW ORLEANS VI 20-2087N

85. NO VARIETY BLS / WHATTA GONNA DO

86. BACK 0 TWN BLs/ LINGER IN MY ARMS

87. LINGER IN ARMS/BACK 0 TWN BLS

88. HATE 2 LVE U / THT 'S MY HOME
89.50-50— BLS/ SOME DAY
90. DONT PLAY ME CHEAP/ I WONDER WHO
91.1 WNDER WHO/OONT PLAY ME CHEAP
92.SLPY TME DWN SOTh/baSIN ST BLS
93. RIGHT 2 SING BLS/ CABIN IN PINES
94. SNOWBALL/ ST LOUIS BLS

95. HOBO U CNT RIDE/ THTS MY HOME

96. MISS BASIN/ SWT SUE JUST U

97. H0NEY U DONT LUV Em/ CABIN IN PINES VI 24335V+-

98. HONEY, DO/ SNOWBALL VI 24369 E+
99.SNG OF ISLAND/ LONESOME ROAD OK
100. SUNSET CAFE STMP/ BUTTR !■ EGG MAN OK
IOI.STRUTTIN W BARBECUE/ONCE IN WHILE OK 8566 V+-
102. SUGAR FT. STMP/ MONDAY DATE OK 8609 E+

1 03. MAHOGANY HALL STMP/ BEAU KOO JCK OK 8680 V

104. GIVE U ANYTHING BT LUv/nO ONE ELSE OK 4|204V/E-

105. THEM THR EYES/ LITTLE JOE OK 4|50I E

1 06. KEYHOLE ^LS/ MELANCHOLY BLS OK 8496 v/v-

107. GA. GRIND/ CME BCK SWT PAPA OK 83|8 e/e-

108. MY SWT/ CAN'T BEL U 'R I N LUV W ME OK 4l4l5 E+

109. AFT YR GONE/ ST LOUIS BLS OK 4 1 350 V-

I 10. ST. LOUIS BLS/ AFT YR GONE OK 4|350 V-/E

III.WLKIN BABY 8ACK HOME/ I SURR DR OK 4 1 497 E+
I I 2. SHINE/ JST A GIGOLO
113. INDIAN CRADLE SNG/EXACTLY LIKE U

114. MEM OF u/ YR LUCKY 2 ME

1 15. BL AGAIN/ WHN YR LUVER MAS GNE
I |6. STARDUST/ WRAP TRBLE IN D RMS
I17.GA. BO BO/ WILD MAN BLS
I I B.HEEB I E JEEBIES/ POT HD 3LS

VI 20-2348N

VI 20-I89IN
VI 20-1 91 2E*
VI 20-1 9 1 2n
VI 40—0 1 02n—
VI 20-2530N
VI 24425 E-
VI 24425 V
VI 40—0 1 04E
VI 40-0I03E-
VI 40-0I05E
VI 24200 E
VI 24321 E+

3026 N
8423 E-

OK 4 l 466 E+
OK 4 1 423 E+
OK 4|463 E+
OK 4 1 498 N-
OK 4|530 E+
BR 02065 N-
CO 35660 N-

101 N

II9.P0T HD BLS/ HEEBIE JEEBIES

CO

35660

N

I20.L2TH ST. RAG/ KNOCKIN A JUG

CO

35663

N-

1 2 1 .SWTHRTS ON PAR/ROCKIN CHAIR

CO

2688

V

I22.CHINAT0WN/ STARDUST

CO

2574

V

I23.AFT U'^E GNE/ I'VE GT RHY

vo

3643

N

I24.TIGHT LIKE THIS/ HEAH ME TALK 1 N

vo

3303

E

125. GT NO BLS/ WEST END BLS

vo

3204

N

126. KEYHOLE BLs/ MELANCHOLY BLS

vo

3137

E

127. HOTTER THN THT/ 1 'M NOT ROUGH

vo

3237

N

| 28. SWTHRTS ON PAR/ THEM THERE EYES

vo

3337

N

129.DING DONG DADDY/ IND CRDLE SONG

vo

3370

N

1 30. SAVE IT PRTTY MAMa/ WILLIE WEEPR

vo

3381

N—

131. BASIN ST. BLS/STLOUIS BLS

vo

3008

N—

1 32. TIGER RAG/ DINAH

vo

3009

N

| 33. IF 1 CLD BE W u/ CONFESSIN

vo

3059

N

1 34. ALL OF ME/ HOME

vo

3125

N

i 35. Stardust/ wrp yr trble indrms

vo

3172

N

136.WUGGLES/ PEANUT VENDOR

vo

3194

E

1 37. BODY AND SOUL/ GLO WHN YR OEAD

vo

3072

E

138.BL AGAIN/ BLCK AND BL

vo

31 15

E-/V-

| 39.Fl REWRKS/ SUGARFOOT STRUT

vo

3148

E-

1 40.WEA RY BLS/ YR DRIVIN ME CRZY

vo

32 16

E+

|4|.I'M NT ROUGH/ HOTTER THN THAT

vo

3237 E-l-

I42.LIT JOE/ IN MARKET 4 U

vo

3301

E-h

143. DALLAS BLS/ BESSIE CLON 'T HELP II

vo

3025

V*

|44. GA. ON MY MIND/ K1CKIN GONG ARND

vo

3073

V+

1 45. SNOWBALL/ SWING U CATS

l"fi,TMFY ""»" " LUE MF AMY AWNFY M

BB
BB

10225
77R7

N

_M

7506 N
BB 5408 N
BB 52B0 N
BB 10237 E

BB 10237 N

BB 10236 N

UHCA |6 N

BB 6501 N

BB 6771 N

BB 6644 N
BB 10225 E*

BB 6590B E+

DE
OE

6771 E
5409 E
5408 E+
5363 E-
1842 N
|84| N
1822 N

LOUIS ARMSTRONG (CON'T
147. SITTIN IN DRK/ HUSTLIN 4 BUSTLIN
148. DUSKY STEVEDORE/ BASIN ST. BLS
|49. ST. LOUIS BLS/ SWT SUE JST U
I50.SME SWT DAY/ DONT PLAY ME CHEAP

1 5 1. DONT PLY ME CHEAP/ SME SWT DAY

152. THT 'S MY HOME/ HATE 2 LVE U KNW

153. GATE MOUTH/ PERDIDO ST BUB

154. MISS BASIN/ HOBO CNT RIDE TRN

155. HI SOCIETY/ GOTTA RITE 2 SNQ BLS
156.1 WNDER WHO/ THT'S MY HOME
I57.SN0WBALL/ SWING U CATS
I58.SMW SWT DAY/ SNOWBALL
159. HUSTLIN 4 BUSTLIN/RTE 2 SING BLS BB 5|73 V-
I 60. SWT SUE, JST u/ STLOUIS BLS BB 5280 E

1 6 1 .SLEEPY TME OWN SO/ MIGHTY. RIVER BBI0703 E
162. SLEEPY TME DWN SO/ MIGHTY RIVER BB 10703 E-

163. GT WRLD ON STRING/ CABIN IN PINES BB 6910 N-

164. CABIN IN PINES/ GT WILD ON STRING BB 69|0 E

165. RITE 2 SING BLS/ HI SOCIETY BB

166. D0NT PLAY ME CHEAp/mIGHTY RIVER BB
|67. DUSKY STEVEDORE/ BASIN ST BLS BE
I 68.LAUGHI N LOUIS/ TOMM NIGHT
I 69.SMTH I NG TELLS ME/ LUV WLKED IN
|70. ITS WND'FUL/ ON SENT. SIDE
1 7| .MEXICAN SWNG/ SO LIT TIME

172. FRIM FRAM SAUCE/ U WON'T BE SATIS. DE 23496E+

173. FRIM FRM SCE/ WONT B SATISFIED OE 23496 V-

174. GT POCKET FL DRMS/ NATURALLY DE 1 937 N

175. U CALL THT A BUDDY/ HEY LAWDY MAMA DE 3756 N

176. HEP CAT'S BALL/ LAZY 'SSIPI STMER DE 3283 N-
| 77. SWTHRTS ON PAR/ CALL ME SHORTY DE 3235 E+
178.CA1N 4 ABLE/ U RUN YR MOUTH DE 3204 E*
I 79. YH A LUCKY GUY/ JUST A NO ACCNT DE 2934 E+
180. SAVE IT PRTTY MAMa/ HEAH ME TLKIN DE 2405 N

I 8|. JONAH 4 WHALE/ SHADRACK DE |9|3 N

I82.SONG IS ENDED/ WMY WALKIN STICK DE 1892 N
I 83.FLT FOOT FLOOG I E/ CARAVAN DE 1876 N

1 84. SATCHEL MTH SWNG/ 1 DBLE DARE U DE 1 636 N
| 85. TRUMPET PLAYERS LAMENT/SWT A6 A SBO DEI653 N
I86.DEAD IF U DIE/ SAINTS GO MRCHIN

I87.0NCE IN WHILE/ SUNNY SIDE OF ST.

I88.SAV0Y BLS/ ME '■ BRO. BILL

I89.RED NOSE/ WHN RUBAN SWNGS CUBAN

I90.SKEL IN CLOSET/ HURDY GURDY MAN

I9I.SKEL IN CLOSET/ HURDY GURDY MAN

192.SNG THT MUSIC/ THANKFUL

193. RHY SAVED WRLD/MAHOG HALL STMP

194. CME FRM MUSICAL FAMLY/sMEBDY STOLE BRK DE797N-

1 95. cherry/ boog— it de 3i80 n

I96.SH0E SHINE BOY/ HOPE GAB LIKES MUS DE 672 E-

197.1 WONDER/ JODIE MAN DE 18652 E-

198. THTS WHT MAN SAID/ YR ROCKIN BOAT DE 27254 N

199. LIFE SO PEC/U RASC U (w. L. JORDAN )DE272 I 2N

200. LA VIE EN ROSE/ C 'EST SI BON DE 27113 N

201. GT FINGHBS CROSSED/SHOOT I N HI DE 623 E

202. KISS 2 BLD DRM 0n/| GT IDEAS DE 27720E+

203. KISS 2 BLD DRM On/ I GT IDEAS DE 27720 N

204.2 U SWT HR T ALOHA/HAW. HOSPITALITY DE 25|92 N-
205.SHADRACK/ JONAH 4 WHALE DE l9l3 E

206. PUBLIC MEL. NO.l/RED CAP DE I 347 V-

207. APRIL IN PORT./RAMONIA °E 28704 N_

208. DWN IN HONKY TWn/ COAL CAR T BLS DE 18091 E-

209. hRT FULL OF RHY/ ALEX. RAGTME BND DE |408 N-

210. HEEB1E JEEBIES/ POT HD BLS CO 35560 N-

211. P0T HD BLS/ HEEBIE JEEBIES CO 35660 N
2|2. SHANTY BOAT ON MISS/BABY CME HME DE /

2 1 3. CUBAN PETE/ DGHTER OF PLANTER

2 1 4. WRP TRBLE IN DRMS. MONDAY DATE
2 1 5. SWTHRTS ON PAR/ SAVOY BLS
2 |6. SQUEEZE ME/ ONCE I N WH 1 LE
2 1 7.2 DEUOES/ F I REWORKS

218. HEAH ME TLKIN 2 YA/nO PAPA BL6

219. THT RHY MAN/ BL TURNIN GRY OV U

220. THAT RHY MAn/bL TURNIN GRY OV U

22 1. MAHOG HALL STMP. BLCK BEAUTY

222. POT HD BLS/ ALLIGATOR BLS

223. WHN YR SMILING/ THEM THR EYES

224. MEM OF U/ LIKE 2 MAKE U HAPPY
225. SWT SAVANNAH SUE/ BLCK 1 BL

226. YR LUCKY 2 ME/ PEANUT VENDOR

227. N0 ONE ELSE BT u/aINT GT NOBDY
228.SME OF THSE DAYS/ WILD DOG

229. YR DRIMIN ME CRZy/mOON INDIGO

230. ROCK IN CAHIR/ COLLEGIATE LUV

DE
DE
DE
DE

2230 N
1 560 N-
2538 E
1049 N
949 N
949 E+
866 E
824 E

DE

DE 1353 E
PAE 2135 N
PAE 2127 N-
PAE 2242 E+
PAE 2282 N
PAE I 767 N-
PAE 1494 V+
PAE 1 494 E-l-
PAE 571 E+-
PAE 2 1 85 N-
PAE 1286 N-
PAE 854 E-
PAE 1573 E+
PAE 865 N—
540 E+
520 V
PA 866 N-
PA 785 N-

PAE
paE

20

50c minimum bid

HERMAN ROSENBERG

BOX 62 % THE BECORD CHANGER 4|8 WEST 49TH STREET
NYC 1 9 N Y

SEE PAGE ONE OF AD FOR INSTRUCTIONS.

50c MINIMUM BID

PA 785 E/v+

PA 618 E-

PA 607 E+

PA 643 N

PARA I4003N

LOUIS ARMSTRONG (CON'T)

231 .ROCKIN CHAIR/ COLLEG. LUV
232.STLOUIS BLs/ AH* AM I 2 KNOW
233. AFT YR GONE/ MAN FRM THE SOUTH
234.ST. JAMES INF/ NOBDY'S SWTHRT

235. PRINCE OF WA I LS/COPENHA GEN

236. DONT JIVE ME/ CHIC BRKDWN (HOT FIVEjCO 36376 N
237.SKIP THE GUTTEf/ KNEE DROPS ( " ) PaE 2438 E+

238. THE LST TIME/ ORY'S CREOLE TROMBONE CO 35838 N-

239. ALL I GATOR BLS/ POT HD BLS (HOT 7 ) PaE 2,85 n

240. WEARY BLs/ WILLIE WEEPER ( " ) PaE 2393 E-

241. WIU) MAN BLs/ MELANCHOLY ( " ) PaE 2|62 N

GUS ARNHE I M

242. hO HUM/ I 'M GONNA GET U VI 22691 E+
243. SO RARE/ DNCING UNDER STARS BR 7919 E+

K0K0M0 ARNOLD

244. CRYING BLs/ NECK BONE BLS OE 743l E

245. R0CKY ROAD BLS/ BUDDIE BRWN BLS OE 7449 E

246. TIRED OF RUNNING/KID MAN BLS DE 7464 E-
247.S0MTHING'S HOT/ OWN IN GALILLEE DE 7485 E

GEORGIE AULD

248. YR BLASE/ MO-MO ( W. SARAH VAUGHN ) MU 394 E

249. M0-M0/ YR BLASE ( " " ) MU 394 E+
250.SITTIN A ROCKIN/ CME 2 BABY DO MU I 5044 E+-

251. TIME ON MY HANDS/lET'S JUMP MU 1 5046 N —

252. TAPS MILLER/ WHT'S NEW ROO 527 N-
253.1 'LL NEV B SAME/ CO-PILOT GU 1 28 N
254.SWT A LOVELY/ SLEEPY BABOON 359/354 E-

255. U*vE GT ME JUMPIn/ NASHOOMA DISC I |6 N

256. honey/ STOMPIN at SAVOY GLD I 35 E

257. DARN THT DREAM/ VOX BOP DISC 109 N

258. THEY DIDN'T BELVE me/ HLLYWD BAZAAR DISC I 02 N-

259. HLLYWD BAZAAR/ THEY DIDNT BELVE ME DISC 1 02 N
260. SETT IN THE PACE/ MILD A MELLOW DISC I I 7 N-

26 1 . CONCERTO 4 TENOR/TAPS MILLER APO 359 E-

262. C0NCERTO 4 TENOR/ TAPS MILLER APO 359 E*

263. P0RGY/ PICK-UP BOYS ( SEXTET ) APO 754 E

264. W0NT CRY ANYMORE/ MAN W THE HORN COR 60446N

GENE AUSTIN

265. HERE I AM/ GEORGIANNA VI 20107 N-

266. TAMIAMI TRAIL/ I DO, KNW I DO VI 20084 E<-

267. MEL. BABY/ THRE'S CRADLE IN CAROLINA V|2|0|5 E4-

268. MY BL HVEN/ R U THINKIN OF ME VI 20964 E
269.SWT LETTER FRM u/ YESTERDAY VI 20730 N —
270.AINT MISBEHAVIN/ PEACE OF MIND VI 22068 E+
27|. GT THE FEEL IN I 'M FALLIn/maYBE VI 22033 E*

272. MUSIC MAESTRO/ IN A MELLOW MOOD DE 1 832 N—

273. DR OLD SOTHLAND/CHINA BOY DE 1656 E+-

274. MARIE/ THRILLS OF LIFETIME DE |578 E+

275. GARDN IN RAIN/ DONT TLK AST ME BB 7557 N
276.ST. JAMES INF/ ST. LOUIS BLS BB 6863 Et-
277.YESTERDAY/ SWTHRT OF SIG CHI BB 68|5 N-
2 78. SWTHRT OF SIG CHl/ YESTERDAY BB 68|5 N

RUBE BACON

279.AUNT JEMIMA'S BIRTH/ I FINGER JOE VI 25227 N
BELLE BAKER

280. SHANTY IN OLD SHNTY TWn/lnG AS LUV 8R 6369 E/n-
BUSTER BAILEY

281. PLANTER 'S PUNCH/ SLOE JAM FIZZ VO 4089 E

MILDRED BAILEY

282. LVER, CME BACK 2 ME/ SO PCEFUL DE 3953 E+

283. ALL 2 SOON/ EVRYTHING DEPENDS ON U DE 3888 E
284.SMET I MES I'M HAPPy/ ROCKIN CHAIR DE 3755 E+
285. JENNY/ HWN MAN IS DEAD S- GONE DE 3661 E+
286.SLEEPYTME DWN So/ BLS I N MY HRT BR 6 1 90 E+

287. CR OLD M0THR D I X I e/ 2 LA TE BB 7873 N-

288. W0MN'S PEROGATVe/peNT. SERENADE MAJ 1 040 N

289. ME A BLS/ I 'LL CLSE MY EYES<HR CRK ) MAJ 1 043 N-

290. B0RN 2 B BL/ DONT WORRY AST STRATI G MAJ 1190 N

291. LVER CME BACK 2 ME/ AT SUNOOWN MAJ | 1 0 1 N

292. THNKS 4 MEMRY/ I C YR FACE BEFORE ME VO 393 1 E

293. LUV | NG u/ RIGHT OR WRONG VO 3758 V

294. HVN HELP HRT OF MINE/lF U SHLD LVE ME VO 36|5 E+
295. ROCKIN CHAIR/ WAKE UP A LIVE VO 3553 N-

296. BOB WHITE/ JST STONES THRW FRM HVN VO 37|2 N-
297.IT'S NATRL THING 2 Do/ MOON GT IN EYES V03626E+

298. LUVIN u/ RIGHT OR WRONG VO 3758 E+

299. M0RE THN U KNW/ LNG ABT MIDNIGHT VO 3378 E-H
300.SMEDAY SWTHRT/ WHN DAY IS DONE VO 3057 E-
301 .BEWILDERED/AT YR BECK & CALL VO 4036 E+-

302. R0CK Tl 4 ME/ LET SNG GO OUT MY HRT VO 4083 N—

303. LUVER CME BACK 2 Me/ FRM LAND SKY BL DO 3982 N-

304. CANT FACE THE MUSIC/ DONT BE THT WAY VO 40|6 N-

305. THNKS FOR MEMRY/l C YR FACE BEFRE ME VO 3931 E+

306. TRUST IN ME/ MY LAST AFFAIR VO 3449 N—

MILDRED BAILEY (CON 'T)

307. MORE THN U KNOw/LNG ABT MIDNITE VO 3378 N

308. LULL IN MY LIFE/ NEV IN MILL YRS VO 3508 Z-f-

309. BARREL— HSE MUSIC/u DONT KNW BLS VO 4802 V
3I0.IF U WR IN MY PLACE/ MNSHINE KENT VO 4|09 V

3 1 1 . MNSHINE ov kentukcy/u in MY PLACE VO 4109 E+

312. MN GT IN EYES/ NAT 'RL THNG 2 DO VO 3626 N

313. WHR R u/YR LAUGHIN AT ME VO 3456 EH-

314. YR LAUGHIN AT ME/wHR R U VO 2456 N—

315. RND OLO DESTRD FARm/wASHBRD BLS VO 4|39 E

316. RND OLD DESERTO FARm/ WASHBRD BLS VO 4|39 N

317. LIES/C0NCENTOATIN VI 22880 E-t-

BEWNETT SISTERS W. EDDIE BA LLANT I NE ORCH.

3 I 8.P0PCARN POLKA/ WISHEE WASHEE

EDDIE BALLANT INE

3 I 9. MELANCHOLY/ BEYOND THE SEA

320. MELANCHOLY/BEYOND THE SEA

321. BEYOND THE SEA/ MELANCHOLY

BUDDY BANKS

322. NITE IS FADING/ HAPPY HOME BLS

FRANK BAHTA
323. SWT man/ wnder where baby is
DAVE BARBOUR

324. LIT SOY BOP GO BLW TOP/ENSENADA

325. forever nicki/ FOREVERPAGANINI

BETTY BARCLAY
326.1 luv jeemy/all I do is DRM OF
JOE BAR I A PAR EASTON, MARTY

TWR 1296 N-

T0WER 1285 E+-
TOWER 1285 N-
TOWER 1285 N

SPECLTY 336 E+

VI 19839 E

CP 57-60O02N
CP 358 N

U DISC 500 N

MANNING ORCH.

327.VIENI oui/fasc. rhy lesl 9i9 e

BLUE LU BARKER

328.1 DONT DIG U JACK/LU'S BLS DE 7770 v/a

329. DWN IN DUMPS/ JITTERBUG BLS DE 77|3 V-

330. YR GOING 2 LVE HME/l GT WAYS DE 7560 E

331. GOIN 2 LVE HOME J I m/gT WAYS LKE DEVIL OE 7560E/E-

332. N.O. BLS/ THT MADE HIM MAD DE 7538 V+

333. DON'T MAKE ME HI /HE CAUGHT B A 0 DE 7506 V+

334. U SWT THING/DON'T MEAN A THING VI 24|48 V

GEORGE BARNE3/ ERNIE VARNER

335. G MINOR SPIN/ SWOON OF A GOON WOLF |2|9N

CHARLIE BARNETT

336. RAINBOW ON RIVER/ GT SMETHING IN EYE BB66|9N

337. M I DWEEK FUNCTION/ I NEV KNEW BB 10285 N

338. GLOOMY SUNDAy/bE-SOP SPOKEN HERE CP 57-640E-

339. GD 4 NOTHIN JOE/ HAUNTED TWN BB 30-0823 E+

340. ALL THINGS U R/ ILL WIND CP 843 N
341 .SOUTHERN FRIED/ REDSKIN RHUMBA BB 10944 E
342. CROSS PATOB/SWING WALTZ MEL 6-07-1 3E+

343.0 'henry/ easy living CP 57-592 E+

344. KN0CKIN AT FAMOUS OR/TIN ROOF BLS BB 1 0 1 3 1 E+

BARREL HOUSE PETE

345. ROLL IN STON/ PUSSY CO 14308 E

EILEEN BARTON

346. MET HIM AT I 0 'CLk/tELL ME NAT 9|37 N

COUNT BASIE

347. R LUV WZ MEANT 2 b/gD MRNIN BLS DE |446 N
348.1 O'COK JUMP/JOHN'S IDEA DE 1 363 E+-

349. JOHN'S IDEA/ I O'CLK JUMP DE 1 363 N

350. C0MIN OUT PARTY/ HARVARD BLS OK 6564 E-

351 . DIRTY DOZENS/ WHN SUN GOES DWN DE 2498 V

352. BOOGIE WOOGIE/ HW LONG BLS DE 2355 E

353. T0PSY/ DONT U MISS YR BABY DE 1770 V
354. SWING THE BLS/ SENT 4 U YESTERDAY DE 1880 E+
355. SWING THE BLS/ SENT 4 U YESTERDAY DE 63286 E

356. DONT U MISS YR BABY/ TOPSY DE 625|4 E-

357. JMPIN AT WOOOSIDE/ ORK RAPTURE DE 64746 E

358. MAMA DON'T WNT NO PEAS/TEXAS SHFLE DE 64473E+
359. STP BEAT IN RIUD MULBRRY BUSh/lNON BR DE 6447IE

360. FARE THEE HONEY/ OH RED OE 2780 E

361. R0SEBND SHUFFLE/ HONEYSUCKLE ROSE DE 1141 E+

362. BL I LIKE 2 HR/SLAME IT ON LST AFFR DE 2284V

363. BOOGIE WOOGIE/ EXACTLY LIKE U OE 1 252 N

364. GLORY OF LUV/ 800 HOO DE |228 N

365. GLORY OF LUV/ BOO HOO DE 1 228 E+

366. R0SELND SHUFFLE/ HONEYSUCKLE ROSE DE I|4| N-

367. PENNI ES FRM HVn/SWINGIN ON DAISY DE Il2l N-

368. PENNIES FRM HVn/SWINGIN ON DAISY DE I |2|. E

369. GE ORG I ANNa/ BLS IN THE DRK DE 1682 N-

370. KEEP REMEMBERING/OUT THE WINDOW DE |58| N-
371.1 KEEP REMEMBER I N G/OUT THE WINDOW DE 1 58 1 E+-
372.1ET ME DRM/ TIME OUT DE 1 538 N

373. LET ME DREAM/ TIME OUT DE |538 E

3 74. BLS IN THE ORK/ GEORGIANNA DE 1682 N-

3 75. NOW WILL U B GD/ EVRY TUB DE 1728 N-

376. NOW Wl LL U B GD/ EVERY TUB DE I 728 E

377. LISTEN MY CHILDREN/SMARTY OE I 379 N-

COUNT BASIE ( CON'T)

376. HI TIDE/ LAZY 1ADY BLS CO 36990 N

379. HI TIDE/ LAZY LADY BLS CO 36990 E+

380. PATIENCE A FORT/ MAD BOOGIE CO 36946 N-

381. THIS HRT OF MINE/ THT OLD FEELING CO 36795 N—
382.4 GD OF YR CONTRY/TIME ON MY HNDS CO 36685 V

383. TME ON MY HNDS/4 GD OF CNTRY CO 36685 E+

384. ELS SKIES/ THEKING CO 37070 E—

385. ALL OF ME/ RUSTY DUSTY BLS CO 36675 E—

386. FLA— CA-LA— Pa/ MUTTON LEG CO 37093 E+

387. B00GIE WOOGIE/ ROLL 'EM PETE CO 35959N-/E

388. FIESTA IN PL/ TAKE ME BCK BABY OK 6440 N-
3B9.eABY DON'T TELL/ ROCK A BYE BASIE VO 4747 E
390. SNG OF ISLAND/ NOBODY KNOWS VO 5|69 E+
391 .SNG OF ISLAND/ NOBDY KNOWS VO 5|69 V

392. HOW LNG BLS/ SUB-OEB BLS VO 50|0 V+

393. MISS THING/ MISS THINGS VO 4860 E+

394. FREE EATS/ BILL'S MILLS VI 20-2I48V-
395.1 o'clk/meet me at NO SPEC. PLCE VI 20-2262E+
396.1 O'CLK JMP/BUGLE CALL RAG VI 42-0036N

397. HEY PRTTY BABY/ DONT B MAD AT ME VI 20-2948N

398. BYE BYE BABY/ JST A MINUTE V| 20-305IN

RAY BAUDUC

399.SUGR WLKS DWN ST/ LIL LIZA JANE CP |5|3| N

LES BAXTER TRIO

400. TIC0 TICO/ NIGHT AND DAY DISC 504E+

THE BE BOP BOYS

401 . WEBB CITY/ WEBB CITY SAVOY 900V

402. GD kick/ RAY'S IDEA SAVOY 6|,9V

403. GO KICK/ RAY'S IDEA SAVOY 6 I 9n—

SIDNEY BECHET

404. HOLD TIGHT/ JUNGLE DRUMS VO 4537 E-

405. HOLD TIGHT/jUNGLE DRUMS VO 4537 E+

406. CHANT IN NIGHT/WHT A DREAM VO 4575 E

407. WHT A DRAM/ CHATN IN THE NIGHT VO 4575 E+

408. RECOGNITION/ LEAN ON ME ROOST 501 N-

409. BLACKSTICK/WHN SUN SET DWN SO. DE 2|29 E+
4I0.SWNG PARADE/ I KNW THT U KNW VI 27574 E
4II .BLS OF BECHET/ SHEIK OF A RABY VI 27485 E+
4I2.C0AL BL6K SHINE/BABY WNT U PLSE VI 277386 E
4|3. EGYPTIAN FANTASY/ SLIPPIN A SLIDIN VI 27337E/V-
4I4.SAVE IT PRTTY MAMa/ STOMPY JONES VI 27240 El-
4|5.I O'CLK JMP/BLS IN THIRDS VI 27204 N
4I6.0LD MAN BLS/NOBOY KNWS WAY I FEEL VI 26663 N—

4 | 7. OLO MAN BLS/NOBOY KNWS WAY I FEEL VI 26663 E

4|8.I'M COMIN, VA/ GEAORGIA CABIN VI 27904 E+-

4|9. INDIAN SUMMER/ PREACHIN BLS BB 10623 E+

420.1 'VE FND NEW BABY/ SHAG BB 10022 E+-

42 1 . MAPLE LEAF RAG/ SWEETIE DEAR BB 76|4 N

BIX BE IDERBECKE

422. ROCKIN CHAIR/GA. ON MY MIND HJCA I CON

423. DONT Ml NO WLKIN IN RAIn/b A FRIEND VI23008 V
424. OL MAN Rl VER/ WA-OA-OA OK 4|088 VH-

425. BESSIE CLDNT HLP IT/baRNACLE BILL JAZZ 532 N

426. ROYAL GAP DEN BL6/ GOOSE PIMPLES CO 35564 N—
427.S0RBY/BEST GAL TRNED ME OWN VO 3|49 E4-

JOHNNY BENNINGS WITH TEACHO'S ^AND
428.C0ME ON HOME/ GOOF IN 2 THE ROOF IN PRES 922 E+

BEWRUS RAD 10 CRCH.

429.1 'M YOURS HOW 113 E

430. BLU AGAIN HOW I I 26 V+

BUNNY BER I GAN

431. WHY TALK A BT Luv/SWT VARSTTY SUE VI 25667 E+

432. GRT 2 MEET A FRND/ebB TIDE VI 25664 N

433. TRN ON RED HT HEAT/lE T 'ER GO VI 25646 E

434. MAH0G HALL STMp/ CHOPIN'S GHOST VI 25622 E+

435. R0SES IN DEC. LET'S HVE ANO CIG VI 25613 N—

436. N0T HER GOOSE/ FRANKIE & JOHNNE VI 25616 E+-

437. WANNA MKE RHY/ HVE U EV BEEN IN HVN VI25677E+-

438. PRISONER'S SNG/l CANT GT STARTED V! 25728 E

439. PRIS0NER 'S SONG/ CANT GET STARTED VI 25728 n/E*
440. SOPH SWING/ DWN STREAM VI 25811 N-

441. MNSHINE OV KENT/l GT GUY VI 25833 E-

442. CNAT RUN AWY FRM LUv/ 'CSE BABY SAYS VI25562E

443. BIG BOY BL/KISS MYSELF GD 'BYE BR 7847 N—
444.1 IN A MILLION/WHOS AFRAID OF LUV BR 7823 N
445. ALL GOD'S CHILLUN/LADY FRM 5TH AVE. VI25609E
446. 1 ST TME I SAW u/ HARBOR LIGHT VI 25593 E1-
447. LUV IS MERRY GO RND/sWANEE RIVER VI 23586 N—
448. IMAGE OF U/ HAPPY DARL DNCIN W U VI 25587 E+

449. CNT GT STARTED/ RHY SAVED WORLD BR 7949 N

450. THE GOONA GOO/ BL LOU BR 7832 N

451. IF I HAD MY WAY/NRLY IE T LUV SLIP VO 3254 E<-
452. ITS BEEN SO LNG/ SWNG MR. CHARLIE VO 3K79 E+
4C 3.L ET YRSELF .GO/RATHER LEAD A BAND VO 3|78 N-

21

50c MINIMUM BID

HERMAN ROSENBERG

50c MINIMUM BID

BOX 62 % THE RECORD CHANGER 4|8 WEST 49*H STREET

NYC

SEt PAGE ONE OF AO FOR INSTRUCTIONS.

BUNNY 3ERIGAN (COM'T)

454. LE T 'S DO IT/ DIXIELAND SHUFFLE

455. FLASHERS/ DAVENPORT BLS

456. MIN A MIST/WAILIN THE DOG

457. JELLY ROLL BLs/ DEED I DO

SONNY BERMAN

458. NOCTURNE/ THERMODYNAMICS

459. CURBSTONE SHUFFLE/ NOCTURNE

AL BERNARD

460.STL0UIS BLS/ HESITATION 9LS
461. ST. LOUIS BLS/ HESITATION BLS
CHU BERRY

462. maelstrom/ CHUBERRY JAM CO 37571 N

463.SITTIN in/ 46 W. 52 COB 516 E

464. BLOWING UP A BREEZE/MONDAY AT «IMONS C0«4| 80E
465.2 MARV. 4 wrds/nw YR TALKIN VR M293 E-H

466.EB TIDE. MY SECRET LUV AFFAIR VR M624 E-t-

WYNE BERRY

467.

BR

7858

E+

VI

26l2l

N

VI

26123

N

VI

26l 13

N

DE

1020

N

Dl

1029

N

OK

40962

N

OK

40962

N

THAT *S WHY HE'S CHAMP

EDDIE BERT'S 5

RAD I OSCRI PTI CNS E—

468. FIRST DAY OF SPR I NG/mOL— SHAJA DISC 168 N

J I MM I E BE RTRAND 'S WASHBOARD WIZARDS

469. (UN -NAMED TEST) TEST N

470. GOING HUNTIN/lF U WNT 2 B SUGR PAPA TEST N

DENZIL BEST

471. ALL ALONE/ AS LONG AS I LIVE WAX 104 E+

PAUL BIESE TRIO

472.T00DLE/ BEELA BOOLA
BARNEY UGARD

CO 3383 E

564 E+
VR 564 V+
VR 515 E-
VR 5l5 E

VR 626 E+
VR 655 E<-
3820 E-h
5595 E+
3985 N-
BB I 1098 N-

VO

473. JST ANO. DREAM/ HONEY HUSH OK 5663 N-

474. BEADY EDDY/ LAMENT 4 JAVANETTE BB 11098 E
475.IF YR EV IN ARMS AGAn/gT IT SO. STYLE VR596 E+/E
476.4 AND £ ST./SOLACE VR

477. 4 AND £ ST./ SOLACE VR

478. STOMPY JONES/ CARAVAN
479.ST0MPY JONES/ CARAVAN

480. SPONGE CAKE 4 SP I NA6H/MNL I TE FIESTA

481. JAZZ A LA CARTE/ DEMI-TASSE

482. LAMENT 4 LST LUV/ 4 AND £ ST.
4S3.MABJ1 GRAS MADNESS/ WATCH THE BIRDIE VO
484. IF I THOT U CARED/ DRUMMERS DELIGHT VO

485. READY EDDY/ LAMENT FOR JAVANETTE

BIG BILL

486. NITE TME IS RITE T I Me/nEW SHAKE EM DWN VO 4|49E+

487. DWN THERE BLS/ GD LIQUOR CARRY ME DWN BB. 6320V-

488. L0UISE LOUISE BLS/ME B YR WINDER VO 3075 V+

489. BAD ACT IN WOMAN/l 'M WOKE UP NOW
490. SHE'S GNE/ WHY SHLD I SPNO MONEY

491. WHT IS THT SHE'S GT/ I .C . BLS

492. PLSE B MY SO ' SO/WOODIE WOOD IE

493. WOOD IE WOOD I E/ PLSE B MY SO & SO

494. LEAP YR BLS/ MAKE MY GET AWAV

495. WHT CAN I DO / SAT. EVE. BLS

496. COTTON CHOPPIN BLs/ TELL ME WHT I DNE V005|49N

497. PREACH I N THE BLs/ 2 MANY DRIVERS VO 05096N

CASEY BILL

498. YR LAUGHIN NOw/ SPIDER BLS VO 2025 N

499. RED HOT BLs/ WORRIED ABT THE WOMAN VO 2032 N

500. GO AHEAD BUDDY/ BDY DR. BLS VO 202 1 N—
50l . XMAS TME BLs/ NEW RND f-RND VO 2050 E-l-

502 . ROOSTER BLS/ CASEY BILL'S NW W.P.A. VO 2022 N—

THREE BIPS AND A BOP W BAOS GONZALES

503. CAPITALIZING/ PROFESSOR BOP

504. PR0F. BOP/ CAPIALIZING

BIRMINGHAM SERENADERS

505. YR BOUND 2 LOOK LIKE/ a ILK COW BLS

BLACK BOY SH INE

506. SUGARLNO BLS/ DOG HSE BLS

TED BLACi: ORCH.

OK
OK

VO
VO

6724 E
6630 E+
5601 E+-
493S E-
4938 E+
55|4 E

CO 373|4 E

CP 57-60000N-
CP 57-*0000E+

DE 7060 e/n-

VOSA 2552E

DANA 2040N

507. GD LIT GIRL/ I KISSED HER

BLIND BLAKE

503. HOT POTATOES DUB N
JACK 3LA''D

509. WH0 STOLE LOCK/ SOMEONE STOLE GAB'S UHCA I04E

RAY BLOCH

5|0.DEEP PURPLE/ STELLA BY STARLIGHT SIG |5||6 N

5| I.HONEYOOON/ B SWT 2 ME KID SIG |5|4|N

RUBE BLOOM

5I2.0H RLV I VL DAY,/WAH-WAH GAL CO 22|8 V

5l3.BE.SSIE CLDN'T HLP I r/MYSTER I OUS MOSE CO 2 1 86 E/V

THE BLUE CH \rS

5(4. MY GAL SAL/NOBDY'S DARLING ST MINE ME 6-08-60N

5|5.CH|P?IN RCK OF BLS/ OH MONAH ME 6-<j9"55N
BLUE GRASS FOOT WARMERS

510. HW CLD I BE BLB/ SENORITA MINE HA 206 £-

BLUE GRASS FOOT WARMERS (CON'T)

51 7, CHARLESTON HND/ OLD FOLDS SHU

JIMMIE BLYTHE

518. MESSIN ARNO/ ADAMS APPLE

BOGAN'S BIRMINGHAM SISTERS
5|<3.0HINA BOY/ SHEIK OF A3 ABY
520.IVRYTHING IS RHY NOW/SHE COT

H30F. HAROLD BOGGS

52l .HE IS WTH ME/ £ HAS NEV BEEN TLD

SHARKEY 30NANO
522 .I'M SATIS. II MY GAL/ HI SOCIETY

BOONE'S JUMPIN JACKS

Ha

248

V+

BIC

906

V

VO

03570

E

VO

U3540

E*

KING 4569N

CO

3678

N

DE

8590

N

BB

10043

El-

BB

72l7

£

B8

7269

E*

BB

7241

E +

SB

7596

E +

BB

6862

E+

BB

6968

N

BB

7187

N

BB

7217

N

BB

7944

N-

OE

48033

N

KING 4570N
DE 1433 N

DE 1862 E
DE 1862 El-

523. TAKE ME BACK/ I'M FOR IT

BOOTS AND HIS BUDDIES
524. SWT GRL/ SWNG MR. CHARLIE

525. THE WEEP/ THE GOO

526. THE SOMEBODY/ OH BABE, OH BABY

527. AINT MISBE/ LADY B GOOD

528. TRU 8L LOU/ GONE

529. LIKE U BEST OF ALL/ JEALOUS
530.SL£EPY GAL/ GT 2 LRN 2 DO IT

531 . RAGGLE TAGGLE/ BLS OF nVALON

532. THE WEEP/THE GOO

533. 00 RE ME/ SALUTE 2 HARLEM

BEA BOOZE

534. GULF COAST BLS/ MR. FREDDIE BLS

Earl bostic

535.4 'J/ SMOKE GTS IN YR EYES
CONN IE BOStfELL

536. IfRS AND MINE/ AM I I N LOVE

537. FARE THEE WELL/ MR. FREDDIE BLS

538. FASE THEE WELL/ MR. FREDDY BLS

539. LJVE OR INFATUATION/ BLS ON BRDWAY DE 1 434 N—
54u. WHERE R U/ SER. IN THE N I TE DE I I 60 N

541. WHN POPPIES BLOOM AGAIN/ TRUST HE DE ■ 1 6 1 N-

542. THT OLD FEELING/ WHISP. IN DRK DE 1420 N

543. H'/E ON THE RNGE/ MARTHA DE I O'J'J E
544.SWING ME A LULL/ U CAN CALL IT SWNG DE 340E-
545. SWNG EM A LULL/ U CAN CALL I T SWNG DE 840 E

546.1 MET WATERLOO/ BEACH OF BALI BALI DE 829 E

547. GYPSY i.JV SNG/ SWT MYSTERY OF LIFE DE I678V+

548. MAMA DONT 'LW IT/ PANIC I S ON DE 747 E-
5*9,SAND IN MY SHOES/ N I GHTY-N I TE DE 3393 N
55u.t:< WRDS OUT MY HRT/ OUSIDE PARADISE DE |568N

551. PASSIN BY/AFT U GT WHT U WNT aP 1066 N

552. CHI BABA CHI BAB/THT LONELY FEELIN AP 1064 N

553. MR. FREDDIE BLS/ FARE THEE HONEY DE 1 862 N-

THRCE 30SWELL SISTERS

554. D0NT TELL HER/ L I KE 2 MAKE U HAH JY OK 4| 47UN

555. DON'T MEAN A THNG/M INN I E MOOCHER VO 4546 N

JOHNNY BOTHWELL

556. CANT BEL YR IN LUV W ME/A t NT NOWHR SIGI5I39N

557.2 A WILD ROSE/ MY OLD FLA ME SIG 1 5'j59E

558. AINT NOWHERE/CANT BEL THT U LUV SIG |5|39N—

vERRY BRADFORD AND JAZZ PHOOLS

559. (UN-NAMED TEST) TEST N
WILL BRADLEY

560. UWN THE ROAD/ CEUERY STLKS AT MID CO 35707 E+-

TINY 3RADSHAW

561. MR. WILL U SER/ COMIN RND THE MT ■ DE 3|7 E
562. OLD MmN RIVER/DING DONG DADDY DE 236 E-
563.DRKTWN STRUTT BALL/THE SHEIK DE 1 94 E
564. SHOUT SIS SHOUT/ A I NT GT NOSDV DE 456 E

J.H. BRAG" AND RHYTHM FIVE
565. PLEAD ING/ ETHIOPIAN STMP VO 3060 V

BR IT ISH L IGHT ORCH.
5o5.HANDEL SERIES/ CO 331 N

567,

568,
569,

57o.
571,

572,
573,
574,

BASHHFUL BUBBER BROOKS^THE BLUES ROCKERS
,RIFFIN W BUBBER/ 2 O'CLK ROCK fLnZ'\ 5504 N-
HADDA 3R00KS TRIO

THT ' S MY DESI RE/HUMORESQUE BOOGIE MM

ROMANCE IN THE DRK/ TRUST IN ME MM

JOAN BROOKS

jMEDAY SMWHR/IF U WR ONLY BOY MU

SMEDAY SMWHR/IF U WR ONLY BOY MU

LITTLE BROTHER

VICKSBURG BLS/ LOUISIANA BLS PT2. BB

CHINESE MAN BLS/ SOMETH I NG WORRY I N BB

SHREVPT FARWELL/CRESENT CITY BLS BB

ALBERTA BROWN

575

576,

5 77. TORMENTED/ DID U EV LUVE WOMAN

.LONELY aLS/ HOW LONG

ORIGINAL BESSIE BROWN

PAP DE DA DA / THEN HAS BEEN BLS

CHARLES BROWN

147 E
|5U E-

I5UJJ N

15U30 N-

6697 N
6658 E
10953 N—

1 432 1 E

12235 E—

3044 El-

CLEO BROWN

578. MAM DONT WNT/ NEV 2 II RED 4 LUV DE 5|2 E+

579. PINET0PS BOOQ/BOOGIE WOOGIE STMP DE 3386 E
580. 0L3* POKE/ LATCH ON DE 795 E*
58I.WHEN/ HOLLYWD GOES BLCK 4 TAN DE 632 El-

EDDY BROWN AND ROMAN TOTENBERG
582. SERENADE/ SERENADE
HENRY BROWN

583. HENRY BRWN BLS/2I3T ST. STMP

JOE 8R0WN

584, RED BANK ROMP/ BEAUMONT ST. BLS

LEE RROWN
5S5.NEW LT GRL, LT GRL/MOAN I N DOVE
586.RIPLEY RUMBLING BLS/M I DH I TE DRM

LES BROWN

587. SUNDAY/ OUT OF NOWHERE CC 36724 Z/V

588. TWILIGHT TIME/ SENT. JOURNEY CO 36769 N-

589.8ABY MINE/ IA IN THE ARMY, A I MY HRT CO 6500N
590. SLAUGHTER ON I0TH AVE. CO 39074 El-

591,0V THE RAINBOW/OLD BLCK MAGIC COR 60490N

592. SENT, JOURNEY/ UNDECIDED COR 60566N-

593. LAPFR0G/ BABY CARES 4 ME COR 6055OE

594. JST WHN WE'RE FALLIN IN LUV/WHR U R C0R608|4E+
RUTH BROWN _

ATL 879 El-

»TL 8 79 N

ROYAL I3I0E+

SIG 909 E

DE 68434 N-

7575 E
7726 E

595.1 T'S RAINING/ SO LONG
596. IT'S RAINING/ SO LONG
TEXAS JOHNNY BROWN

597, THR GOES THE 8LS/ BLS ROCK ATL
WIN I BROWN W CURLEY HAMMER 4 ORCH.

876 N-

598.3MAM LAMA LAM/ SPOOKY BOOGIE SUNRISE 2|29 N
599.BAM LAMA LAM/SPOOKY BOOGIE SUNRISE 2|29 N

BROWN BOMBERS OF SWING

VO 1977 N
VO 1 978 N

600.WALKIN MY SLEEP/ GUITAR SWING
6u I ,WLK IN IN SLEEP/ GUITAR SWING

CASEY BILL AND BROWN BOMBERS OF SWING
602. SALES LAOY/ U SHLDN'T 00 THT VO 2023 El-

DAVE BRUBECK

603. FUGUE ON BOP THEMES/ PRELUDE F»NT»SY 5| I N

604. ALWA YS/D I ONT KNW WHT TIME IT WAS FANTASY5|4N

605. AVAL0N/ PERFIOIA FANTASY 5|3N
6U6. SEPT, SONG/ SWT • GA. BROWN FANTASY 507 N
607. WAY U LK TON I GHT/LUV WLKED IN FANTASY 509 N

JOYCE BRYANT

603. LUV 4 SALE/ SHLDER 2 WEEP ON

SLIM BRYANT
609.,^RAIR]E MARY/ 2ND HND HRT

BUGLE CALL RAGGERS

6 1 0.TEMPT. RAG/ NEW JIG RHY
CHICK BULLOCK

OK 6927 E

MGM II 355N

DE |0|8 N

VO

4070 N-
ME 7-I2-07E
ME E+

61 I. SO LIT TIME/ OLD APPUT TREE
6I2.U MDE ME LUV U/WHT A PAL MARY
6I3.SENT. 4 MEL./BL HAWAII

6I4.GT WRLD ON STRING/ ANY TIME ANY DAY DO I08E
61 5.WHI SPER I NG/ WHO HER 6UI02'Jh

5I6.MY GAL SAL/ ACE IN HOLE ME 606|0 El-

6|7. FANCY MEETING U/ OUT WHR BL BEGINS ME 6l I07E

BUMBLE BEE SLIM

BLS

6 I 8. HE LA WDY MAMA/ SMOKY MT

YASHA BUNCHUK
6 1 9, 1 NEV KNEW/ CRZY RHY

SONNY BURKE

620.B

SONATA/ JIMMIE MEETS COUNT
REV. J.C. BURNETT

DE 7|26 N

BP 7801

OK 5813 N

621,

I 'VE HEA^D OF HTEE/DWNFL OF NEBB. CO |4|66V
RALPH BURNS QUINTET/ TEW. JAZZ MEN

622. DIAL-OGUE/ CONFIRMATION DIAL I008E+

BUDDY BURTON/ JIMMY BLYTHE ' S WASHBOARD BAND

623. BUDDY BURT ON'S JAZZ/ BOHUNKUS BLS DUB N

JOE BUSHK IN

624. NEV ENT MY MIND/IF I KNW U WR THER ATL 671 N

SAMMY BUTLERS

625. WrM YR LUV CMS OWN/ BL BABY

BUTTERBEANS AND S''S1E

626. WATCH YR STEP/ BEEN CHNGES MADE
627.0EAL YRSELF ANO. HND/JELLY ROLL

BILLY BUTTETIELD

628. CANT GT STARTED/ FLIP FLOP

629. CAN GT STARTED/ FLIP FLOP

630. WILD OATS/ WHT'S NEW

631. MNLIGHT IN VERMNT/THR GOES SNG

632. M0ONLIHT IN MERMNT/GOES SNG AGA

633. WHT'S NEW/ WILD OATS

634. MALAGUENA/ AFTERNOON IN AUGUST

635. CANT GET STARTED/ FLIP FLOP

636. MY SILENT LUV/P I C-A-N I C- IN

VO 03917 E+

OK 8598 N
QN OK 8520 V-

CP 15347 N—
CP 15047 E+
CP 15186 N—

AGAN CP 182 N-

IN CP 297 Et
Cf 15136 fl-
CP I 5127 E
CP L5047 El-
CP 457 E-h

22

fp rr, ft £ n O.I B ft ■ g ■ ft d jf» n (r*

50c MINIMUM BID

HERMAN ROSENBERG

50c

minimum bid

BOX 6? 7« THE RECORO CHANGER 4|8

WES1 49TH STREET

N Y C 19 N Y

SEE PAGE ONE OF ADC FOR INSTRUCTIONS.

BILLY BUTTERF IELD (CON'T)

Carolina cotton pickers(con-

T)

BUCK CLAYTON'S BIG 4 (CON'T)

637. FLIP FLOP / CNT GET STARTED

CP 2502 N/E

7U5.0FF AND ON BLS/ 'DEED 1 DO

VO 0353 J E

766.WELLS— A— POPP 1 N/BAS 1 E ' S MORN BLS HRS 1 025 N

638.NARCI SSUS/ BUGLE CALL RAG

CP I746Z N-

Carolina washboard trio

767,1 KNW THT U KNW/SUNNY SIDE OF

ST HRS 1026 N

639.81LLy'S BOOGIE/ UN 1 TL RL THNG CMES

CP 1 722 n-

706. THT THING BLS/ NEW DEAL RAG

VR 6036 E

DOCTOR CLAYTON

640. MAYBE U'LL B THERE/ STELLA 8Y STRLITE CP 1 700 N —

Barbara carroll

768. DR .CLAYTON BLS/ GOTTA FIND MY

3ABY BB 8901 E

641 .AINT M 1 S8EHAV 1 N/WE CLO MAKE B'FUL MUS CP 1 281 N-

707. TIS AUTUMN/TAKING CHNCE ON LUV

aTL 67| n

PATTI CLAYTON

642. STEAM ROLLER/ JALOUSIE

Cp |4| 5 N-

710. U STEPPED OUT DRM/BARA3ARA ' S

CAROL DISCI29N

769.NICKELS, 25£S, IU«!S/MAN CLD 8

ll'FUL BUL I02IN-

643. STARDUST/ SOONER OR LATER

Cr 1373 N-

71 1 ,U STPPED OUT DRM/ BARB'S CAROL

0 1 SC 1 29E

77U.MAN CLD BE W'FUL THNG/5^S,25JiS

,10^ BUL 1021 N

644. SHARP SCARF/ RUMORS R FLYING

Cp 949 E

ROY CARROLL'S SANDS POINT ORCH.

rETER CLEIGHTON

645-BILLY THE KID/ WHT YA GONNA DO

Cp 94| E+

3|2. 2 LATE/ LUVELESS LUV

Hn 1406 Er

772.3TREAMWNE LUV/ FLASE LUV BLS

OK 06464 E

646. W 0 LUVE/ MY IDEAL

Cr 57 E+

BENNY CARTER

LARRY CL INTON

647. THR GOES SNG A GAN/MNL 1 TE IN VERMNT

CP |82 V

7| 3.ALL OF ME/ VERY THGT OF U

BB 10962 N-

773. MY REVERIE/ BOOGIE WOOGIE BLS

VI 26006 E-/V

648.AINT MISBE/ MKE B'FUL MUSIC

Cr- 371 E+

7I4.JMP CALL/ PATIENCE 4 FORT.

DEL 1008 N

774.MIDNITE IN MADHSE/BIG DIPPER

VI 25697 E-

649. BILLY THE KID/ WHAT Y GONNA 00

CP 265 E

7|5.I DONT WNT 2 LUV/ CAT & FIDDLE

4STAf) 1 1 04 N

775.1 CASH CLO'ES/SWING LIGHTLY

VI 25704 E-

650. IF 1 CLD C U SAN/ IT'S EASY 2 7EMEM

LON 767 N

7I6.IF 1 CLD READ YR M 1 ND/WHN LIGHTS LOW BR7853N

776. THI S 1 ROSE/ LADY B GOOD

VI 25724 E

651 .ANY PLCE 1 HNG HAT/RITE 2 SNG BLS

LON 679 N

7.1 7.CUDDLE UP HUDDLE UP/ WHT Dl FF DAY BB 1 1 1 97 £+■

777. MY REVERIE/ BOOGIE WOOGIE BLS

VI 260 J6 E-/V

652. MRE THN U KNW/ HOW AM | 2 KNW

Cp 81 5 M

7|8.I SURR DR/ MALIBU

CP 200 N-

BETTY CLOONEY

653. AMY PLCE HNG HA / RITE 2 SING 8LS

LON 670 N

719.1 SURR DEAR/ MALIBU

Cp 200 N

778. TRUST IN ME/ GOOD LOOK 1 N

KING |5| 1 1 N

DON BY AS

720. JMP BALL/ GT DATE W RHY

DE L 3206 £+•

JUN IE COBB

6 54. HUM ORES QUE/ STORMY WEATHER

Dl 1023 N

721 .BIG BEN BLS/ WHN DAY IS ONE

BR 7786 E+-

779. SMOKE SHOP DRAG

TEST N

655. ALL THINGS U R/ SAD 8LS

TEST E+

722.ALL OF ME/ VERY THOT OF U

BB 10962 E+

780. EAST COAST TROT

CUB N

656.1 O'CLK MP/ 20'CLK IN MORN SUPER DISCI006E-

723. TAKIN MY TIME/ COCKTAILS 4 2

BB 10998 E-r

AL COHN 4

657.HW HI THE MOON/ KO KO

SAV 597 N-

724. POM POM/ SER. TO A SARONG

OE 3262 E+

78I.GROOVIN W GUS/ LETS GET AWAY FRM IT TR 1 8|2N-

658. POOR BUTTERFLY/ DOUBLE TALK

HUB 302.2 N

725. BACK PaY BOOGIE/ SUNDAY

BB I|34| N-

782. HW LNG HAS THIS BN GOING/INFINITY TR 1 8|I N-

K ILL IE BRYANT

BO CARTER

MELROSE COLBERT

659. NEGLECTED/THE ALAMO

DE 63550 E

726. RAM ROD DADDY/ ANTS IN PANTS

OK 8897 E+-

783. BLS IN THE DARK/HEART & SOUL

ATL 853 V+

BOBBY BYRNE

KING CARTER AND ROYAL ORCH.

784. TAKE ME/ W 0 A SONG

PLAZA 5503 E+

660.MAKE W THE KISSES/ SPXiNG OF HVN

DE 28| 5 N-

727. BL RHY/ (TITLE UNREADABLE)

CO 2504 E+

785. TAKE ME/ W 0 A SONG

r-LAZA 5503 EI-

THE CAB 1NEERS

728. MINNIE THE MOOCHER/BLS IN HRT

CO 2439 E+

COZY COLE

661. MY MY MY/ 8ABY WHR 'D YU GO

hRES -W2 N

BIG SID CATLETT

786. JERICHO/ NICE & COZY

SA 502 N

662. JST A GRT BIG HRTACHE/WHI RLPOOL

AB 72 E

729. HENDERSON ROMP/JST U JST ME

CP |5| 77 E+-

787. JER 1 CHO/CONCERTO 4 COZY

SAV 575 Ef

663. EACH T IME/ LOST

PRES 904 N

730.JST U JST ME/ HENDERSON ROMP

Cr |5| 11 E+-

788.JERICH0/ NICE & COSY

SAV 502 E4-

EMILIO CACERES TRIO

HAPm celest in

EDDIE COLE

664.WH0S SORRY NW/ WHAT S THE USE

VI 25719 Ef

73I.0RIG. TUXEDO RAG/(mISS BlLLIE YNG) DUB N

789.8EDTIME/ STMPIN AT PANAMA

DE 7215 E+

665.HUM0RESQUE IN SWING/I GT RHY

vi 257|o E

THE CELLAR BOYS

NAT K ING COLE

666. JIG IN G/ RUNNIN WILD

vi 26 1 j9 e

732. WAILING BLS/TRYIN 2 STOP CRYIN

HRS SEPT. I937E-

790.1 AM IN LUV/ FLAMING HEART

CP 2459 E

RED CALLENDER

(above P.W, LAM J

79I.KEE-M0- KY-MO/ REX RHUMBA

CP 15240 E

667.TAB0R INN/ SEPT, IN RAIN FEDERAL 1 2049E*

SERGE CHALOFF/ CHARLIE PARKER

792.KEE-M0-KY-M0/ REX RHUMBA

CP 15240 E+

668. GT HAPPY/ THSE FOOLISH THINGS SUNSET 1 0 J56Efr

733. BL SERGE/RELAX IN AT CAMARILLO

Dl 1012 N

BILL COLEMAN-DON BYAS OUINTET

669.P0INCIANA/ DOLPHIN ST. BOOGIE FED ERA LI 2045 N

734.PAT/KING EDWARD THE FLATTED 5TH MOTIF 002 N-

794.JST U JST ME/ BILL'S BRO'S BLS

JSEL IOO0IE

BLANCHE CALLOWAY

735. CHI CKASAW/ BOPSCOTCH

FUT 3003 E+-

795. IDAHO/ ALL THNGS U R

JSEL |0)J2 e

670. NEED LOVIN/ SUGAR BLS

bb 5334 E+-

736. THE MOST/CHASIN THE BASS

FUT 3004 E-r

EARL COLEMAN

67|. GROWLING DAN/ 1 GT WHT IT TAKES

VI 22866 V

CHRISTINE CHAPMAN A ORCH.

796. DNT BRING TRBLE 2 ME/ HADN'T ANYONE ATL 872N-

CAB CALLOWAY

737.NAIPT0WN BOOGIE/HURRY HURRY

DE 8660 E-/E

797. STRANGER IN TWN/ YARDBIRD SUITE

DIAL 753 N

672.ANGELI NE/ DOIN THE RHUMBA

r-ER I5053E/V

CHARLESTON CHASERS

798. AS TIME GOES BY/ GUILTY

PRES 905 N

673.BEALE ST. MAMA /STRNGL AS IT SEEMS

PER I5704E

738. DA VENPORT BLS/ WABASH BLS

CO 909 E

799. STRANGER IN TWN/ YARDBIRD SUITE

DIAL 753 N-

674. HW CME U DO ME/ SWA NEE LULL

PER I5659E

739. FAREWELL BLS/ MY GAL SAL

CO 1539 N-

800.31 RDS NEST

TEST E

675.AINT GT NO GAL/ TR 1 CKERAT 1 ON

PER I5727E-

740.M0ANIN LOW/AIN'T MISBEHAVIN

CO 1891 N-

EDDIE CONDON

676.C0RRINE COR R 1 NA/DWN HRTED BLS

PER I 5551 e-

74I.RED HR & FRECKLES/LOVABLE & SWT

CO 1925 E+-

8ul .DANCING FOOL/ GA. GRIND

CMS 536 N

677. U DOG/ SMEBDY STOLE MY GAL

r-ER |554.'E

742. TURN ON HEAT/ WHT WLDN 1 T 1 DO

CO 1989 E+-

802. THE EEL/ HOME COOKING

paE 2807 n-

678. U GOTTA HO DED HO/KICKIN THE GONG

PER I5873E/V

743. HERE CMES EMILY BRWN/WASN'T IT

NICE CO 22|9N-

803. HOME COOKING/ THE EEL

BR 6743 N-

679.L0NES0ME N 1 GHTS/YO ETA CANSA

OK 5827 E+-

744.YR LUCKY 2 LUV ME/LUVIN U THE WAY CO 2309 N-

804. PRETTY DOLL/ OH SIS AINT THT HOT COM 535 N

680. SAVAGE RHY/ QUEEN ISABELLA

VR 662 E-

BOB CHESTER

805. DANCING FOOL/ GA. GRIND

CMS 536 N

68I.M00N AT SEA/HI OE HO ROMEO

VR 65l E

745. YR THE ONE LUV/HENPECKED JOW

RE 1207 N

806. PRETTY DOLL/OH SIS AINT THT HOT

CMS 535 N

682. SO SO. YNG MAN/ MAMA WANNA MKE RHY

VR 644 E

CHICAGO BLACK SWAf.'S

808.THE EEL/ HOMECOOKING

CO 35630 Eh

683. SHES TALL SHES TAN/ALWYS IN MOOD

VR 643 E-r

746.D0N'T TEAR CLOTHES/U ORIUK 2 MCH ME 7-04-65E

809. SEEMS LIKE OLO TMES/T 1 ME CARRIES ATL 661 N

684.PECKIN/ MANHTTAN JAM

VR 6|2 N-

CHICAGO RHYTHM KINGS

SI2.DI ANE/MEET ME 2n 1 TE IN D 1 X 1 ELND

CMS 505 N-

685. CONGO/ MY GAL MEZZANINE

VR 593 E-r

747. SNG OF WANDERER/CHANGES MADE

S 1 G 1 04 M-

8I3.JA-0A/ LUV IS JST ARND CORNER

CMS 500 N-

686. JUBILEE/ EVRY DAY 'S HOLIDAY

VO 3396 N-

748.ST0MPIN AT SAVOY/HE'S CURBSTNE

CUTIE BB64I2N-

8| 4.WHENEV THERE'S LUV/WHN LUVR GNE

DE 23393 E

687. LIKE MUSIC HOT/3 SWINGS AND OUT

vo 3995 E+-

749. SUGAR/ RANOOLPH ST. RAG

sl G 105 N-

CONN IE 'S INN ORCH.

688. BUGLE BLS/ FOOL 1 N W U

VO 4ol9 E+

CHICAGO STOMPERS

9|5.MILENBERG JOYS/ L2TH STL. RAG

vs 8042 N

689. RUSTLE OF SWING/ HOY HOY

VO 4| 44 E

750. Wl LD MAN STMP/ 5TMP YR STUFF

DE 7424 E

CONWAY'S BAND/ VICTOR MILITARY BAND

690.N080Y'S SWTHRT/ HAR L HOLIDAY

ME 1 3U38 E

BIG CH IEF ' S TR 10

316. LUCY'S SEXTETTE/ MY OWN IONA

VI 18219 N-

69l. MINNIE MOOCHER/ REEFER MAN

ME 12837 E+

75I.BIG CHIEF'S BLS/ SHE IS GONE

SI 523 E

AL COOPER'S SAVOY SULTANS

692.PREPAP ED 2 TELL WRLD/DINAH

ME 12439 E

FIVE LITTLE CHOCOLATE DANDIES

8I7.JUMP STEADY/ RHY OR. MAN

DW 7499 E

EDD IE CANTOR

752.4 OR 5 TIMES/ PADUCAH

OK 8627 V

MARTHA COPELAND

693. THING 1 WNT 4 XMAS/IF U KNW SUSIE

CO 35325 E

753. CLOUDY SKIES/ GD'BYE BLS

CO 35679 N~

8|0. 1 AINT YR HEN/ MAM'S WELL GNE DRY CO 1 4377E*

CAPITOL INTERNATIONAL JAZZMEN

754.CL0U0Y SKIES/ GD'BYE BLS

CO 35679 E-r

81 9.DESERT BLS/ SMETHING GOIN WRNG

CO 14352 E+

6 94. STORMY WEATHER/ U CN DEPEND ON ME

CP 283 E

755.0EE BLS/ BUGLE CALL RAG

UHCA 53 E-r

320. SHOOT IN STAR BLS/ GD TIME MAMA BLS CO 1 4262E*

THE CAPT IVATORS

756, ONCE UPON TIME/ KR» KAPERS

HRS |6 N

82I.SH00TIN STAR BLS/ GD TME MAMA BLS CO 14262 E

695. SMEBDY 2 LUV/ GET HAPPY

BR 4591 E

757.0NCE UPON TIME/ KRAZY KAPERS

HRS 16 E+-

(ABOVE HAS LAM CRACKS)

MUTT CAREY

L ILL IE DELK CHRISTIAN

THE CORONETS

696. THE ENTERTAINER/ JOPLIN'S SENSATION

CENT4007N-

758. BABY/ MUST HVE THT MAN

OK 8660 V-

822. CARAVAN/ INDIAN SUMMER

MERCER 1 968E*-

697. F 1 DGETY FEET/ CHRYSANTHEMUM

;ent 4008 N-

JUNE CHR ISTY

823. THE HAPPENING/ NIGHT WALK

MERCER I969E*

FRANK IE CARLE

759. THE WAY U LK 2n 1 TE/EVTHNG HAP 2

MT CP 57-57RE

CORRELL AND GOSDEN

698. OH WHT SEEMED 2 B/ AS LNG AS 1 LIVE

C036392 E-t-

SAVANNAH CHURCH ILL

824.WHT LIT MN LIGHT CN DO/GVE ME UKELELE VI 20324E+-

699. W 0 YOU/ RUMORS R FLYING

co 37069 N-

760.WAI.KIN 8Y RIVER/IF 1 DIDN'T LUV

u VI 2|503| N

JOE COSTA

UNA MAE CARLISLE

76I.AL ALONE/ DADDY DADDY MANOR 1004 N-

825. THNGS U R/ WRLD IS A WOMAN

VI 20-486 5n

700.CRYIN 4 U/ U'RE GONNA CHNGE MIND D«VIS 4-2- E—

KENNY CLARKE /DIZZY GILLESPIE

BILLY COTTON AND BAND

HARRY CARNEY'S BIG 8

762.KL00K RETURNS/ LA DY B GOOD DEBUT 3602 N

826. TATTOOED LDY/ PTS 1 4 2

OK 4| 573 n-

701 .SHADOWY SANDS/ JAMAICA RUMBLE

HRS !02l N-

ROBERT CLARY

827.1 CAN'T ONCE/ MAN FRM HARLEM

OK 4|576 N-

702.MIN0R MIRAGE/ CANDY CANE

HRS 1020 N

763. PUT ON OLD SHOES/LOUISE

CAP 972 N

THE COTTON PICKERS

Carolina cotton pickers

BUCK CLAYTON'S BIG 4

828. JAZZ IN DEM HORNS/ WOE IS ME

VO 3263 E

703. GT TOGETHER/ITS R BUSINESS

VO 3527 E

764. DAWN DANCE/ ITS DIZZY

HRS 1024 N

JESSE CRAWFORD

704.MARIE/ WESTERN SWING

VO 23539 E

765. DAWN DANCE/ ITS DIZZY

HRS 1024 N

329. BY BL HVEN/ SONG IS ENDED

VI 2 1092 N

Z3

50c minimum bid

HERMAN ROSENBERG

BOX 62 % THE RECORD CHANGER 4| 8 WEST 49TH STREET

50c minimum bid

NYC 19 NY

SEE PAGE ONE OF AO FOR INSTRUCTIONS.

VI 2 l l 7 I N

VI 2|46| N

VI 2 l 666 N
VI i 29 N—

VI 22333 N-

JESSE CRAWFORD ( CON 'T)
83J.OANCING TAMBOURINE/ MARY
83I.JST LIKE MEL O OF SKY/BELOVED
832.10 LIT MILES FRM TWN/ HI HAT

833. miss u/ hw am I 2 H.mv

834. SWT MYST OF LIFE/GYPSY LUV SNG

835.0NCING UNDER STA S/ ME MYSELF 4 1 08 7| 05 N

836. NAT'RL THNG 2 DO/ AFT U BB 7l07 N-

837. AMNG SOUVENIRS/ DIANE VI 2 1 I 46 N

JIMMIE CRAWLEY

838. B.W. BABY/ LAY Tl ON LINE SUPER DISC I027E-

f ILTON CRAWLEY

839. SHE'S 40 W ME/ GEECH1E RIVER BLS OK 8492 E+
BOB CROSBY

840. JEZEBEL/ YR AN EDUCATION OE I 7 1 3 EC

841. EYE OPENER/SKA TER8S 1AITZ DE 2282 E

842. L0PPIN THE LOOP/ MY INSPIRATION DE 2209 E+-

843. H0NKY TONK TRAIN/ BIG NOISE FRM WIN.O=: 22208 E-h
844. SPK 2 ME OF LUV/ BIG BASS VIOL DE 22206 E-h
845. OH WHT U SAID/ AIR MAIL STMP DE 2992 E-

846. GOTTA GET HOME/ GT MY EYES ON U DE 2991 E+-

847. BIG CRASH FRM CHINA/ COQUETTE DE I 756 E

848. R0YAL GARDEN BLS/ T 4 2 DE I 350 Eh
349.HI TCHED WAGON 2 STAR/SIL IN MNLITE DE 1556 E+
850.STRNGE NEW RHY IN HRT/ WHY SHLD I DE 1 555 N-
851, SO THIS IS HVEN/ DONT WNT 2 MAKE HIST DE 728 E

852. CHRIS. COLUMBUS/ERT 2 B IN LUV AGN DE 753 E

853. BIG CHIEF DESOTO/CROSS PATCH DE 84l N-
851. BL MOON/ CLOUDS DE 363 E

855. KISS ME G'NITE/ LIFE IS A SONG DE 472 E-

856. TENDER IS NIGHT/ PRAIRIS MOON OE 544 V—

857. LIT BIT INDEPENDENT/ NO OTH ONE DE 629 E-
858.1 NIGHT IN MONTE CARLO/EENEY MEENY OE 633 E-l-
859.WHTS NAME OF THT SNG/GOODY QOODY DE 727 E+
860.8TWN DEVIL & SEA/OLD SPIN. WHEEL DE 1196 E+

861. WHISP IN DRK/ STP UR BRKING MY HRT DE 1 346 E+

862. U CNT HVE EVRYTHING/ LOVLINESS OF U DE 1 370 N-

863. NICE WRK IF U CN GET IT/FOGGY DaY DE 1539 E
864.SU GARFT STRUT/SAVOY BLS DE 1094 Ei-

865. WOMEN ON WEARY MIND/ PETER PIPER DE 930 E-

866. WOMAN ON WEARY MIND/ PETER PIPER DE 930 V

867. PANAMA/ BIG APPLE DANCE DE 1 6 1 5 E-

868. cant we b frienos/ drivin me crazy de 1680 E+

869. JST STROLLING/ IT'S W'OFUL DE I670E

870. EASIER SAID THN ONE/SHADE OF APPL TR.DE 1658 E
87l .ALWYS 4 ALWYS/ MORE THN EVER DE IS57 E
d72.GIVE LUV ANO CHNCE/ THIS NEV HAPNED DE 1 566 E
873.GIVE LUV ANO CHNCE/NEV HAPNED BEFRE DE 1 566 E+
874. SIMPLY ADORE U/ PLSE B KIND DE 1 693 E+
875. STMP OFF LET'S GO/SNG OF WANDERER DE 2379 N—
876. SNG OF WANDERER/ STMP OFF 4 LTS GO DE 2379 E+

877. DRY BONES/ COW COW BLS DE 3438 N

878. DRY BONES/ COW COW BLS DE 3488 N-
879. I'LL CME BACK 2 U/ TAKE ME BCK AGAIN DE 3576 N
880.('LL CME BACK 2 U/ TKE ME BCK AGAIN OE 3576 N
88I.SBINGIN AT SUGAR BOWL (3 RECORDS) CO 502 N
S82.RAINB0W GAL/ WATCHIN TRAIN GO BY COR 603|2 N
883. WELL WELL/ MUCH MORE LOVELY DE 3762 N
884. I'D KNW U ANYWHERE / I TRACK MIND DE 3434 N

885. W0LVER INE BLS/ LOUISE LOUISE DE 2032 E—

886. UNTIL U FALL IN LUV/ SWT GENEVIEVE DE 3668 N
(ABOVE RIM CHIP, NOT IN GROOVE )

887. JAZZ ME BLS/ DO U EV THNK OF UE DE 3040 E
888. STUMBLING/ FIDGETY FEET OE 1 593 E

889. MARK HOP/ BURN I N CANDLE BOTH ENDS DE 3694 N-

890. FAR AWAY MUSIC/ FLAMINGO DE 3752 E+

891 . ELMER'S TUNE/ ANGELS COME THRU OE 3929 E+
892.IT WAS ONLY DREAM/TAKE IT EASY DE 4|37 E

893. ARMY AIR CORPS/ SEMPER PARATUS DE 4374 N-

894. VULTEE SPECIAL/ RUSSIAN SAILOR'S ONCE DE4397 E
895.SGRFT STMP/ KING PORTER STMP DE 4390 E+

896. WAY DWN YNDER IN N.O./ BIG TOM OE 4403 E

897. BLCK ZEPHYR/ BL SURREAL DE 441 5 E
898.SWTHRT6 OH PARADE/ LNG LNG WAY 2 TIP. DEI8355E
899.8RASS BOOGIE/ 14 2 DE 18339 E-l-
900.1 'M FREE/ SUMMERTIME DE ^05 N-
901. SO FAR, SO GD/ U OUGHTA HNG HRT DE 3055 N-
902. MAM'S GNE G'DBYE/ATOUT VOUS DE VEY DE 3056 N
903.4 ONCERS ONLY/ BL OF NIGHT DE 3133 N-
904. SYMPATHY/ WHN FOOLS RUSH IN DE 3|54 N-
909. SPEAKEASY/ NOBODY'S BABY DE 3l79 E

906. JADA/ COMPLAININ DE 3233 N-

907. ALL BY MYSELF/ SPAIN DE 3243 N-

908. EMBRACEA9LE U/ SHORTENIN' BREnD DE 327l N

909. REMINISCIN TIME/ TIT WILLOW DE 3054 N-

BOB CROSBY (COM 'T )

910. SWT GENEVIEVE/ UNTIL U FALL IN LUV DE 3660 N-
9II.L00K LIKE A MONKEY/OONT CALL ME BOY DE 343IN-
9|2. DRUMMER BOY/A IN GO IN NOWHERE DE 345l E+

9I3.STRS 4 STRIPES F REV/WASH • HOST MRCH C0R602|7E+

914. EL CAP I TAN/ SEMPER FIOELIS MRCH COR 60280N-

915. JOHN PEEL/ GRAND TERRACE RHY DE I 725 E+
9IU.B0Y IN HARL/ HW CAN U FORGET DE 1732 E+
9| 7. ANGRY/ WHOLE NEW THING DE 2839 E-h
9| 8.H I NDUSTAN/ MOURNIN BLS DE 2482 E

BING CROSBY

919. HW MCH | LUV U/ ROSE OF SANTA RSEA DE 23840E+

920. WHT | GNNA 00 AST U/GET ME SMEBDY DE 23850 E

921. AL0H, OE/ SNG OF ISLAND DE 880 N

922. C00L WATER/ SO. RMPART ST. PAR • DE 284| 9 N
923. SO DO l/|2 BUTTON YR SHOE DE 25232 N

924. BASIN STL BLS/ BOB WHITE DE 1483 N

925. DANCING UNDER STARS/ PALACE IN PARA.DE |6|6N
926. SENT. SIDE/ HRT IS TAKING LESSONS DE 1648 N

927. SWT HAW. CHIMES/ LIT ANGEL DE 1 845 N

928. DONT B THT WAY/ LIT LADY BAKE BEL. DE I 794 N

929. M00N OF MANAKOORA/M YN I TE 2 DRM DE 1649 N

930. MR. CROSBY 4 MR. MERCER/SMALL FRY DE i960 N—
931. OLD FOLDS/ MY REVERIE DE 2|23 N

932. make no diff/ new san anton. rse de 3590 N

933. YES INDEED/ T 4 2 DE 3689 M
934. ONLY WNT BUDDY/ MY BUDDY DE 3736 N

935. M00N GT IN EYES/ o MARTY DE 1375 N

936. NATRL THNG 2 DO/ ALL U WNT 2 DO DE 1 376 N-

937. F0LD WHO L1VE..0N HILL/ CAN I FRGET U DEI462N
938. SO C ISLAND MAGIC/ HAW. PARADISE DE 886 N-

939. BEY0ND COMPARE/ ME AND THE MOON DE 9|2 N-

940. DR OLD GRL/ I WRD OF CONSOLATION DE 1044 N
941. SENT. & MELANCHOLY/ THE I ROSE DE 1 201 N
942. I'M OLD COWHAND/ CANT ESCAPE FRM U DE 87| N

943 . ROUND UP LULL/ EMPTY SADDLES DE 870 N

944. AINT NECC. SO/GT PLNTY OF NUTTIN DE 806 N

945. ROB INS 4 R OSES/ WE'LL REST AT END DE 79l N

946. LOVELY LADY/ WOULD U DE 756 N

947. BOOTS AND SADDLES/ RED JAILS DE 6 1 6 E

948. DWN BYRIVER/ SOON DE 392 N

949. EASY2 REMEM/ SWaNEE RIVER DE 391 N—

950. THANKS/ HOME ON RANGE MEL |3|3|N
951. STAY ON RIGHT SIDE/STOLE GAB'S HRN VO 4522N
952. SME OF THESE DAYS/SPEND EVE AT HME MEL |3|30N
953. ONCE IN BL MOON/GD NITE LOVLY LADY BR 6854 E

954. DINAH/ MOONBURN BR U23|3 N

955. M1GHTV LIKE ROSE/SWTEST STORY DE 23482 N

956. WHN WRID WAS YNG/DOMINO DE 27830 N

957. AS LNG AS I'M DRMIN/SMILE AT SUN CAR. P1CT.N
(ABOVE LATERAL CUT )

958. CANT WE 8 FRIENDS/GAY LUV COE2035 N

959. WLTZ I NG IN DRM/ MAKE HAY WHILE SUN C0E2074N
96U.LIT DRM GT NOWHERE/BABY WONT U PLSE DE23636E+-

961. WLKING FLOOR/WHN ORM BOAT CMES OE I 837l V+

962. NITE 4 DAY / JST I OF THSE THINGS DE 18887 E+

963. PERS0NALI TY/ WOULD U DE I 87o0 E*
y64.GT PLENTY 2 B THNKFUL 4/SNG OF FREE DEI 8426E+-

965. ABRAHAM/ EASTER PARADE DE 18425 N-

966. WHO'S SORRYNOW/FND NEW BABY DE 23530 E+

ARTHUR "B IG BOY" CRUDUP

967. ETHEL MAE/ SO GLD YR MINE VI 20-I949E

CRYSTALETTE ALL-STARS

968. NIGHT 4 DAY/ STORMY HEATHER CRYSTALETTE608N

FRANK CULLY

969. C0LE SLAW/ CENTRLA AVE. BREAKDWN ATL 874 E+-

970. RUMB00GIE JIVE/ AFT HR. SESSION ATL 888 E+-

971. C0LE SLAW/ CENT. AVE. BREAKDOWN ATL 87A E*

DUSKEY DA ILEY

972 »M I SUNDER ST AND I N ' MAN/ 2 LIT ROOMS VO 051 I UN

PETE DAI'-EY'S CHICAGOANS

973. WNT 2 LINGER/ WHT'S YR STORY Cp I 5095 N

974. CIRCUS SLIDE/ WAR BRKS IN MEXICO CP |53|5 N

VERNON DALHART

975. WEEP NO MORE MAMMY/ APRIL SHOWERS CO 3500 E

TaDD JAMERON

976.SI0'S DELIGHT/ CASBAH CP 57-60006E-P

977. CASBAH/ SID'S DELIGHT Ck 57-60U06 N-

DAMITA JO

978. WIDOW WALK/ MISSING / VI Z'J-Z353N

PUTNEY DA"PR IDGE

979. DINNER 4 I PLSE/B'FUL LOY IN BL VO 3| 89 E+-
98U.SWT VI OLETS/HONEYSCKLE RSE VO 3|90 E

981. LADY MEETS GENT OWN SO. /GYPSY IN ME VO 33I5E-

982. LDY MEETS GNT. DWN SO. /GYPSY IN ME VO 33|5E

PUTNEY DANDR IDGE (CON'T)

VO 3024 E

983. NAGASAKEI/ SHINE

JOE DAM IELS

984. DRUMMER MN FRM D I X I E/GAMOLER 'S BLS DE 3687 V+

"DOC DASHER

985. EV0LUTI0N MAMA/ W. PALM BCH BLS CO 14106 N-

COW COW OAVENPORT

986. THAT'LL GET U/ DONT LOUDMTH ME DE 7486 N-

WILO BILL DAVIS

987. AINT WHT USED 2 B / MAKE NO MISTAKE MERCER I 955tl—

CHICAGO CARL DAVIS, EDDIE LOCKJAW DAVIS
988. IF MOTIF IS RIGHT/EAT U W A SPOON BIRLAND 6003N

EDDIE DAVIS

PRESTIGE 866 N
B I ROLAND 6004E^

PRES 91 5 E-t-

DE 3944 N-

PP.ES 742 N
PRES 777 N
PRES 766 N
PRES 734 N
CP 15^04 N
Cp 57-60005N
PRES 8 1 7 N

989.SQUATTI N/ SWT 4 LOVELY

990. THE LOCK/ LITTLE ROCK

LEM DAV IS

991. KNOCK HOP/ THIS IS ALWAYS

LEW DAV IS TROMBONE TR 10

992. TRHEE OF A KIND/ HARLEM SPEAKS

MILES DAV IS

993. WHI SPER ING/ DOWN

994. DIG, |-2

995. MY OLD FLAME/ MY OLD FLAME

996. BL ROOM/ MORPHEUS

997. MOVE/ BUDO

998. JERU/ GODCHILD
999. ONLY A PAPER MOON I 4 2

WALTER DAV IS

1 000. LET ME IN YYR SADDLE/GREEN 4 LUCKY SB 8282N
I'lOj.DWN 4 OUT/ DR. BLS BB 8367 N-

1002. SUNDOWN BLS/ COTTON FARM BLS BB 8393 N
DOLLY DAWN

1 003. MONEY MONEY MONEY/ I WAS LUCKY RGT 5059 N

THE DEAN AND HIS K IDS

1 004. ZOOM ZOOM ZOOM/ SPREAD I N ARND VO 3342 E

JAMES DEBERRY AND MEMPHIS PLAYBOYS
I005.INSAME JEALOUS BLS/ZUGITY ZUGITY VO 05247 N-
I006.U CAN GO/ NUMMY N I MMY NOT VO 05084N—

BUDDY DE FRANCE ORCH.
1007. OUT OF NOWHRE/DNC I NG ON CEILING MGMI0946 N-

HUD50N DE LANGE
1008. SOPH. SWING/ MAID'S NITE OFF MA 103 N

THE DELTA FOUR

1 009. FAREWELL BLS/ SWING IN ON FAMOUS DOOR DE 737V
1 0 1 0. FAREWELL BLS/SWNGIN ON FAM DOOR OE 737 V/E+

OELT A RHYTHM BOYS
101 I. TAKE "A" TRAIN/LET ME OFF UPTWN DE 8578 N
|0|2.9:20 SPtCIAL/ALL THINGS U R MET 575 N

I0I3.LUVE CME BCK/ THEY DIDN'T BEL ME MET 568 N
|0l4.|'M USE 2 U/ NEV GET OUT WRLD ALIVE VI20-5094N

JOHNNY DETROIT AMD N.O. ORCH.

1015. N0BDY KNWS BLS/ NUMBER 2 BLS OK 40150 E-

D INN ING SISTERS W. BOB CROSBY ORCH.

1016. ASK ME/ OKLAHOMA HILLS CP I 766 N

DOLES DICKENS ' QUINTET

101 7. FIND EM, FOOL EM/ CHOO CHOO BOPP DE 48||5 N

JACK D IEVAL

1018. BL 'N BOOGIE/ GROOVIN HI WAX 109 N—

0 IX IE HUMMING B IRDS

1 0 1 9. JOURNEY 2 SKY/ IF WE EV NEEDED LP D AP |9|N

D IX IE JA2Z BAND
I02IJ.SUGR WLKS DWN ST/WALK WALK WALK OR 364 E-

D IX IE STOMPERS
I02I.SNAG IT/ «INT SHE SWT
1 0^2. A INT SHE SWT/ SNAG IT
1023. A INT SHE SWT/ SNA G IT
I024.STATIC STRUT/ HRD 2 GET GERTIE

DIXIELAND THUMPERS
1025. THERE'LL CME A DAY/ WEARY WAY BL DUB N

MARY DIXON

1026. OLD FORSAKEN BLS/ ALL ARND MAMA CO 14442 E+-

1 027. U CAN'T SLEEP IN MY BED/OADY U GT EV C0l44l5E+-

JOHNNY DODDS

1028. BRUSH STMP/ GET EM AGAIN BLS DE 35691 N-

1029. JOE TURNER BLS/ ERASTUS PLYS KAZOO BR 80O75N

arne domnerus

1030. flipped/ cool boy nj 83l n

1031 . BODY 4 SOUL/ GT LUVE 2 KP ME WRM NJ 821 N-

1032. LUV 2 KEEP ME WRM/BOOY 4 SOUL NJ 82 1 H

1033. ANYT1NE 4 U/ LET'S COOL ONE PRES 792 N

SAM DONAHUE

1034. I'LL GET ALONG/ SAX— AB— 600G I E CP 15091 N

1035. R0BBINS NEST/ TACOS, ENCH. 4 BEANS CP 493 N

BETH DOUGLAS

1036. FORGIVE 4 FORGET/MEMORY LaNE VOGUE I Ol 3 E

Ha

353

V

HA

353

E-

HA

353

E

HA

197

E-

24

50c minimum bid

HERMAN ROSENBERG

BOX 62 "% THE RCCORO CHANGER 4|6 WEST 49TH STREET N Y C N Y

50c minimum bid

SEE PAGE ONE OF AO FOR INSTRUCTIONS.

037,

038,

039,

041 ,

042,
043,
044,

045.
046,
047,
048,
049,
050,
051,
052,
053,
054,
055.
056,
057,
058.
059,
060,
061.
062,

063,
064,
065,
066,
067,
068,
069.
070.
071,

072,
073,
074.
075,
076.
077,
078,
079.
080,
031,
082.
033,
084,
085.
086,
087,
088,
089,
090.
091.
092,
093.
094,
095.
096,
097,
098,
099,
100,
101 ,
102.
103,
104,
105,
106,

107,
108,
109,
110,
III.
I 12.
113

EDDY DHCHW
OL MAN MOSE/ BETWN DEV 4DP C
(ABOVE HAS LAM CRACK)
TWN DEV 'DP BL C/ OL MAN MOSE

THE Oil DR8PPERS
I WANNA KNW/ LAUGH I N BLS

AL DUFFY'S FOUR

OH MARIE

BR 8155 Eh
BR 8 1 55 N—
VI 20-5229N
1683 N-

DE

.CIRICIRIBIN/ MARIE

JOHNNY DUNN'S ORIGINAL JAZZ HOUNDS
,4 O'CLOCK BLS/ HAW. BLS CO 3729 V

.HALLELUJAH BLS/SPaNISH DRMS CO 3839 E

, PUT 4 TAKE/ MOANFUL BLS CO 3579 N—

DORSEY BROS.

, CNT MAKE A MAN/ SHE'S FUNNY THT WAY BR 7542N
,WHY IT HVE 2 B ME/ WOLF WOBBLE CO 2589 E

,YALE BLS/ COQUETTE OK 4lu07 N

,CANT MAKE A MAN/ FINE 4 DANDY OK 4| 47l N

iLONG MAY WE LOVE/ GETTI N SENT OV U DE I I 5 N
,CANT DANCE/ AINT GONNA SIN NO MORE DE I 1 6 N
.ANNIES COUSIN FA NN I E/DR .NECKLE, MR . J . DE I I 7 Eh
.Ml LENBERG JOYS/ ST. LOUIS BLS DE 119 N

,STP LK 4 LISTEN/ HEAT WAVE DE 208 N

.EaRFUL OF MUSIC/ YR HD ON MY SHLDER DE 258 Eh
,HNDS ACROSS TABLE/ OREAM MAN DE 291 Eh

.HONEYSKLE RSE/ PRTS I & 2 DE 296 Eh

.T I NY LIT FINGERPNTS/FACING THE MUS DE 367 Eh
.DONT BE AFRAID 2 TELL/ GOIN SHOPPIN DE 371 N
.GRAC1 AS/MUMA YO QUIERO DE 445 N-

,CHASIN SHADOWS/ EV TINGLE OF HRT DE 476 Vh
,GT FEEL I N YR FOOL I N/TA I LSP I N DE 560 V

,TAP ONCERS N I TMARE/WASH. GRAYS DE 655 N

JIMMY DORSEY

,D I PPERMTH/ IF WE EV MEET AGAIN DE 906 E

.PARADE OF MILK BOTTLE/DONT LOOK NW DE 94l E+
,DONT LOOK NOW/ PAR ■ OF BOTTLE CAPS CE 941 N-
.OORSEY DERVISH/ SER. TO NOBOY IN PART .DE I 040N-
.GOD'S CHILLUN GT RHY/MUTI NY IN BRASS DE I 256N
.FLIGHT BUMBLE BEE/ 1 GT RHY DE 1 508 N

,DUSK IN SANDUSKY/DRTWN STRUTT BALL DE

1939 N

3|66 N
3647 Vh

LET THR B LUV/POOR BALLERINA DE
TRN RIGHT/ TURN LEFT DE

TOMMY DORSEY

RIGHT HERE 4 U/ TIGER RAG OK 4 1 I 78 E

I'VE GT A NOTE/GETTIN SENT OV U VI 25236 E+
STAR DUST/ STAR DUST (B. GOODMAN ) VI £5320 Eh
JADA/ ROYAL GARDEN BLS VI 25326 E

4 SENT REA SONS/ANO PERF N I TE ENDING VI25446 N-
IN DNCING MOOB/T ON THE TERRACE VI 25476 N-
FROST ON MOON/ KEEP IN OUT MISCHIEF VI 25482 N-
MAPLE LEAF RAG/ JAMBOREE VI 25496 N-

LOOKIN ARND CORNERS/MR .GHOST GOES VI 25509 N-
LKIN ARND CORN 4 U/MR. GHOST GES TWN V125509 N
DEDICATED 2 U/ YR HR, YR THERE VI 255|6 Eh

MELODY IN F/ WHO'LL BUY VIOLETS VI 25519 Eh

MARIE/ SNG OF INDIA VI 25523 N

IN A LIT HULA HVN/S'_'T i 3 WRD 4 U VI 25532 N-
L I EBESTRAUM/ MEHDELSSOHN ' S SPNG SNG VI 25539N-
BEGINNEPS LUCK/ THEY ALL LAUGHED VI 25544 N

GT RAIN IN EYES/CNT TAKE THT AWAY VI 25549 N-
JAMM I N/ TURN OFF THE MOON VI 25553 N

BLACK EYES/ BL DANUBLE VI 25556 N-

HONEYSUCKLE ROSE/ BLS VI 25559 N-

BLS/ HONEYSUCKLE ROSE VI 25559 Eh

WANTED/ ORK PEOPLE LIGHT ON FT VI 2 557 N-

MILKMAN'S MATINEE/ TW I L IN TRKEY VI 25568 N-
NOLA/ SATAN TKES HOLIDAY VI 25570 N-

SLEEP/ WAKE UP 4 LI VE VI 25573 N

ALIBI BABY/ GYPSY FRM POUGHKEEPSIE VI 25577 N-
MOUNT I AN MUSIC/ GOOD MORN I N VI 25581 N

PENTHSE ON 3RD AVE/LUVE NEV 0 SEASON V12559IN
HUMORESQUE/ GOING HOME VI 25600 N-

YR PREC. 2 ME/ THT STOLEN MELODY VI 25603 N-
POSIN/ IF U SHLD LVE VI 25605 N-

DONT EV CHANGE/ R LUV WAS MEANT 2 B VI 25607N-
3 MY LUCKY SUMMER /WHO 'LL BE THE ONE VI 256IU E-h
CABIN OF DREAMS/ AM I DREAMING VI 25620 N-

THINGS I WANT/ ALLEGHENY VI 25623 N-

(ABOVE HAS SMALL CRK, DOESN'T AFFECT PLAY J
YR MY DESIRE/ IN MY MEDITATION VI 25625 N-

STARDUST ON MOON/ HAVING W'FUL TIME VI 25630 N-
GT ANY CASTLES/U'VE GT SMETHING THR VI 25635N-
ALL U WNT 2 DO IS DNCE/ AFT U VI 25647 N-

U ' I KNOW/ G'DBYE JONAH VI 25648 N-

,IF U WR SMEONE ELSE/OLD FLAME NEV DIES V 1 25649N-

.WHO KNWS/ STILL OF NIGHT

VI 25663 N-

TOMMY DORSEY (CON'T)
II4.SM0KE GETS IN YR EYES/ NIGHT 4 DAY VI25667E
I 15. TEARS IN HRT/ LA DY IS A TRAMP VI 25673 N-
I 1 6. JOSEPHINE/ MAN IN MOON WR COON Bl 25676 N-
II7.0NEE IN WHILE/ITS THING 2 DO VO 25686 N

118.1 MAY B WRONG/ MORN I NG AFTER VI 25703 N-

119. JST SIMPLE MEL/LITTLE WHITE LIES VI 25750 N-

120. BIG DIPPER/ SMOKE FRM CHIMNEY VI 25763 N-
|2|.CLDN'T B CUTER/ JST LET ME LK AT U VI 25766Eh
I22.STP, LK, 4 LISTEN/ BEALE ST. BLS VI 25667 Eh
123. ANNIE LAURIE/ MRE THN EVER VI 25774 Eh
1 24. OH PROMIS ME/SHINE ON HARVEST MN VI 25780 E-h

1 25. JEZEBEL/ BEWILDERED VI 25795 Eh

126. HW CAN U FORGET/IHERE'S BOY IN HARL VI25799E+

127. C0MIN THRU RYE/ I NEV KNEW VI 25813 Eh

128. DEED I DO/ YEARNING VI 25315 N-

129. EVRYBDY 'S DOIN I T/WHN MIDNITE CHOO V I 2582 I Eh

1 30. HAT 2 GET UP/ WHT'LL I 00 VI 25824 E
|3|> SAYS MY HRT/ U LVE ME BREATHLESS VI25828 Eh

132. HADN'T ANYONE T I LLU/AZURE VI 25848 Eh

133. HAW. WAR CHNT/ MIDNITE ON TRAIL VI 26120 N

134. YR NT IN ARMS 2NITE/S0 LNG SALLY VI 272lU Eh

VI 27211 N

VI 27233 E/E-

VI 27266 N

VI 28425 N

VI 20-1 648N

VI 201 737E+

VI 20I773N
V|20i842n-

V I 202 1 I 6n

DEL 2003 N
DEL 2003 E
DEL30D0 Eh

|35.T.D'S BOOGIE W./OPUS TWO
I 36. STAR DUST/ SWANEE RIVER
I37.IND LUV CALL/ MNLITE MOAONNA
138. SENT. SERENDAE/I'M GOIN HOME
I 39.SUNNY SIDE OF ST. ANY OLD TIME
I40.AT FAT MANS/ CHOE
|4|.NEV 2 LATE 2 PRAY/ CHICAGO
I42.THRS GO BLS 2n 1 T E/DONT B A BABY
|43. SNOOT IE LIT CUTIE/TOM FOOLERY
|44. BINGO BANGO BONGO/SPRNG ISN'T EVRY V|202|96N-

145. U KNW WHT TRBLE I S/U CANT SHKE LUV V|203^36N

THE EBONY THREE

146. MISSISS M0AN/HRT8RKEN BLS DE 75u3 N

BILLY ECKSTEIN

147. GT A DATE W WHY/CLDNT HR NOBDY PRAY DELl003E-h

148. GD JELLY BLS/ STY IN MOOD 4 U DEL 2000 Vh
I49.STAY IN MOOD 4 U/ GD JELLY BLS DEL 2000 N
I50.STAY IN MOOD 4 U/ GD JELLY BLS DEL 2000 E
I5I.BLWING BLS AWAY/ I F THTS WAY U FEEL DEL200IN
I52.8LWING BLS AWY/IF THTS WAY U FEEL DEL 200IE

1 53. REAL THNG HAP 2 ME/OPUS X DEL 2002 E-

154. REAL THNG HAP 2 ME/ OPUS X DEL 2202 E
I 55. OPUS X/ REAL THING HAPNED TO ME DEL 2002 N
I 56. WNT 2 TLK 2 U/I'LL WAIT 4 PRAY
157.1 'LL WAIT 4 PRAY/WNT 2 TLK 2 U
1 58. STAY IN MOOD 4 U/GD JELLY BLS

159. I'LL WAIT 4 PRAY/ WNT 2 TLK 2 U DEL 3003 E

160. LEFT HIT IN HAITl/HR CME THE BLS MGMI09I6 E

161. LEFT HAT IN HAITl/HR CME THE BLS MGMI0.5I6 N

1 62. YRS 2 COMHAND/WHT WILL TELL HRT MGM I 0944N

163. ENCHNTED LAND/GT MY MIND ON U MGM I I 028E+

164. YR DRIVIN ME CRZY/TAKIN CHNCE ON MGM IIIOIN

165. LST NIGHT/ LONESME LUVER BLS

166. LST NITE/ LNESME LOVER BLS

167. LST N I TE/LONESOME LOVER BLS

1 68. MOOD 4 LUV/ LNG LNG JOURNEY

169. PRIS. OF LOVE/ ALL I SING IS BL

170. PRIS. OF LUV/ALL I SING IS BLS
|7|.2ND BAL. JUMP/BLUE
I72.2ND BALCONY JUMP/ BLUE

I 75. ALL OF ME/GT BLS 4 SALE
NELSON EDDY

KURT EDELHAGEN

I 78. INTERLUDE/ GOLDEN EARRINGS
I 79. 1 NTERLUOE/ EMPIRE BOUNCE
I 80. INTERLUDE/ EMPIRE BOUNCE
I 8| .CHEROKEE/ EXPLOSION

Carrie eowahis

I 82. FATTENING FROGS/HRD TIME BLS

CLIFF EDWARDS

183. GD LIT BAD LIT U/ME 4 MN IN MOO

184. ANITA/ JST A NITE 4 MEDITATION

185. L0VEY CME BACK/ OLD FASH LUV

186. ANI TA/JST NITE 4 MEDITATION
IS7.AFT LAFTR CMES TEARS/LOSING U
|88.^WAY 2 HVN/GOES LIKE THIS

189. ALL OF TIME/ CME BCK CHIQUITA

190. GRT BIG BUNCH OF U/CRZY PEOPLE
191.4 NO GO RESON AT ALL/WHT U THINK PE 11622 E

NA

9015

E +

NA

9015

N

NA

9015

E

NA

9016

E

NA

90|7 N

NA

9017

E

NA

yois

E—

NA

90l 3

N

A8Y

NA90I 9E-

NA

9020

E+

NA

904|

E

CO

1 71 71

N

VI

4281

E-h

EMP

501

E

EMp

502

N

EMO

502

E-

EMP

504

N

OK

8938

E

CO

1705

Eh

CO

1609

N-

PE

11170

E

CO

1609

E

CO

1254

N—

CO

1532

N

CO

1514

N—

BR

6319

N—

PE

11622

E

192.
193.

195,
196,
197,
198,
199,
200,
201,
202,
203,

204,
205,
206,
207,
208,
209,
210.
21 I.
2l2.
213.
214,
215.
2|6.
21 7,
218,
2l9.
220.
221.
222,
223.
1 24,
225,
226.
227.
2<!8.
229.
230.
231.
232,
233.
234.
235,
236.
237.
238.
239.
240.
241.
242.
243.
244,
245.
246.
247.
248.
249.
250.
251.
252.
253.
254
255.
356
257.
258,
259,
260,
261
262,
263.
264.
265
266.
267,
268.
269,
270.
271
272.

CLIFF EDWARDS (CON'T)

CALIF. HR I CUM/HD 2 B U
CNT GT ONE I WNT/YR SO CUTE
TEDDY EDWARDS/ FATS NAVARRO

MOVE/ BLS IN TEDDY'S FLaT

ROY ELOR IDGE
THE GASSER/ JMP THRU WINDOW
TWILIGHT I ME/ FISH MARKET
FISH MARKET/TWILIGHT TIME
HECKLER'S HOP/ THAT THING
LIT JAZZ BOOGIE/ EMBRACEABLE U
SHCOOL DAYS/ ECHOES OF HARL
NOPPIN JOHN/SCOTTIE
NOPPIN JOHN/ SCOT TIE
ALL CATS JOIN IN/AINT THT SHAME

DUKE ELLINGTON

DICTY GLIDE/ HI LIFE

BL BUBBLES/ JUBILEE STMP

BLCK BEAUTY/E.ST. LOUIS TOODLE

OLD MAN BLS/ DBLE DECK STMP

BLS I LUV 2 SING/GT EVYTHING BT

MISTY MORNING/ SARATOGA SWNG

MYSTERY SNG/ SWANEE SHUFFLES

HAUNTED NIGHTS/ DUKE STPS OUT

WASH. WOB LE/ AR AO I AN LOVER

DOIN WOOM WOOM/ SHREVEPRT( J .R.MRTON )8B77| ON-
SHOUT EM A. TILLIE/COTTON CLUB STMP BBI0242N
COTTON CLB STMP/SHT EM A. TILLIE BB 10242 N-

PE I 1551 E
PE 12134 E

Dl 1033 N

BR 80l 17 N-

de 23383 E
DE 23383 N
VO 3577 Eh
DE 23471 N
PRES 737 N-
KRES 747 N
PRES 747 N
DE 23532 N

BB

6269

N-

BB

6415

N-

BB

6430

N

BB

6450

N

U BB

6531

N-

BB

6565

N

BB

6614

N

BB

6727

N

SB

6782

N

BB

7182

N

BB 10243 E
BR 41 10 Eh
6374 E/v-h
65 1 8 N-
6600 E
6638 N-
6646 N
6646 N—
6682 N-
6732 E
6813 N
6846 E-
7526 E-
7547 E
7627 v+
7650 E
7734 N-
8004 Vh
8044 Eh

.flamin youth/ breakfst dance
.louisiana/ awful sad
.bl harlem/ best wishes
.baby/ must hve tht man
.soph, lady/ stormy weather
,01 ve stmp/ i'm satisfied
.shade of old apple tr/harl spks
,harl. spks/ shoe of apple tree
,mood indigo/ blck 4 tan fant
.runnin wild/ rockin chair
.wall st. wail/cttn clb stmp
.accordion joe/dble check stmp
.sotton/ margie

.reminiscing in tempo/pts 3 4 4
,luv like cig/ kissin baby g'nite br
.echoes of harl/clar. lament br
.uptwn dwnbeat/ in a jam br
, cresendo in bl/ dimin. in bl br
,3lck butterfly/harm. in harl. br
,lst in medi tat | on/ridi n on bl nte br 8083 eh
.scrounch/if u wr in my plce br 8093 e-h
.braggin in brass/ carnivl in carol. br 8099 eh
, gal frm joe's/let sng goe out hrt br 8|08 n-
,lt bng go out hrt/bal frm joes br 8|08 eh
,swngt i me in houolulu/slakpi n 7th ave.br8i 3| e-h
pyramid/sgr wlks dwn st. br 8|68 eh

j gve me gate/ dinah in a jam br 8|69 eh
stevedores ser./ la de doody doo br 81 74 eh
baby whn u aint thre/the mooche br 824l e
pbo. 2 blck !■ tan / plse frg i ve me be 8256eh
smething 2 live 4/port. of lion br 8356 e
min. a mizz/ cotton club stvip br 8405 e
sergeant was shy/ ser. 2 sweden co 352|4 n-
tootin thru roof/ grievin co 35310 e

blues/ plucked again co 35322 n

big hse bls/ rocky mtn bls co 35682 n

ducky wucky/ swi ng low co 25683 n

bundle of bls/ best wishes co 35836 n

misty mornin/ blus w feel i n co 35955 e-h
sent. mood/ showboat shuffle co 36112 n
remininiscin in tempo, pts. 3 44 co 36115 n
tht rhy man/ mis3iss moan co 361 57 n

air cono. jungle/ it's mday evry day c038i65n
progress. gavot/3 cent stmp co 38237 n
best wishes/ bunoee of bls co 35836 n

sultry ser/ do noth till u hr frm me c038363n
sing in in rain/ dnt gt arnd much co 38464 n-
dnt gt arnd mch / singin in rain co 38464 n
take luv Easy/ i cld gt a man co 385|9 e-

U OF ALL PEOPLE/CREOLE LUV CALL CO 38606 N-

HAWK TALKS/ FANCY DAN CO 39428 Eh

FANCY DAN/ HAWK TALKS CO 39428 N

MONOLOGUE/ 8TH VEIL CO 39496 N-

PLSE 8 KIND/ DEEP NIGHT CO 39545 Eh

AINT M| SBEHAV IN/HYDE PARK DE 323 N-

HARL SPEAKS/ CHICAGO DE 800 E

. 25

50c minimum bid HERMAN ROSENBERG 50e MINIMUM «.nl

BOX 62 % THE RECORD CHANGER 4|8 WEST 49TH STREET NYC ™«*IUIW BID

SEE PAGE ONE OF AB FOR INSTRUCTIONS.

DUKE ELLINGTON (CON'T^

1273. EASY ST. SLUE SERGE

DUB

E—

1274. STMP CAPRICE/ BUGLE BREAKS

DUB

E—

i275.luv 4 1/ john Hardy

DUB

E—

1276. SAD BT TRUE/MDM WILL DROP SHAWL

DUB

E-

I277.WEST INDIANA STMP/ BOUNCE

DUB

E-

I278.FRENESI/ UNTIL 2HITE

DUB

E

I279.FRENESI

BUB

V

I28U.W. INDIAN STMP/ UNTIL 2NITE

DUB

V

1 281. EASY ST.

DUB

N

I<:82.0NT WNT SET WRLD FIRE

ACETATE

E

1283. SA INCHECK

ACETATE

E-h

I284.PERDI00/

ACEToTE

E+

1285. SUGAR/ MOON MIST

ACETATE

E+

1286. JACK THE BE/.R//MORNING GLORY

HMV 9C48 N

I287.NEW EST .LOUIS TOODLE/ GT 2 B RUG CUT MA IUI E+

I288.80PH. L»DY/ MOOO INDIGO 4 SOLITUDE MA 102 E+

I289.SWELL OF U/ THERE LULL IN MY LIFE MA 1 1 7 E+

I290.NEW BIR. BRKOWN/ SCATT I N aT KIT KAT MA 123 Et-

|29|»LUY inu *,LN'T B KIOS /CNT RUN AWY Mo \t+ Et

li^onitiRE, Caravan ma 131 Et-

1 293.ALABAMY HMh/ «LL GO'S CHIuUJN ma 137 Ef

|294.B'FUL INDIANS I 4 2 MUS 464 N-

1295. H0T 4 BOTHRD/ THE MOOCHE OK 8623 E

1296. DIG* OIGA DOO/ DOIN NEW LOW DWN OK 40|95 N-

1297. TAKE IT EASY/ JUBILEE STMP OK 4l0l3 E
I298.S. STLOUIS TOODLE/ GT EVYTHNG BUT U VI 2|703V
1299.3 LITTLE WRDS/ RING OEM BELLS VI 22523 V
1300.3 LIT WRDS/ RING DEM BELLS VI 22528 V+
I30I.WHT GD AM 1/ 9 LIT MILES FRM TENN . VI 2^586 E4-
I3U2.U00D INDIGO/WHN BLCK MAN IS BL VI 22587 G
1303. MOOD INDIGO/WHN BLCK MAN'S BL VI i2587 V
1304.2 WHM IT MAY CONCERN/ BL AGAIN VI 22603 E

1305. KP SNG IN YR SOUL/ RIVER 4 ME VI 226|4 E

1306. BRWN BERRIES/ IT 's GLORY VI 2i!79l N-

1 307. MYSTERY SONG/ MOAN I N VI 228UO V+

1308. DINAH/ BUGLE CALL RAG VI 22938 G*

1309. MEM OF U/ YR LUCKEY 2 ME VI 2301 7 N-
13IU.BIDING MY TIME/ S„M 4 DELILAH VI 23036 E-t-
I3II.SIANEE SHUFFLE/DO I N VOOM VOOM V| 24|2| V
|3|2.RUDE INTERLUDE/ DALLAS DOINGS VI 24431 E-
|3|3. MOOD INDIGO/ THE MOOCHE CI ^4486 E

1 3 1 4.DAYBREAK EXP/ DR OLD SOUTHLAND VI 24501 E—

. I 3|5'.0' SOUTHLAND/ DAYBREAK EXP. V| 24501 E

i 3 i 6.TRUBLED waters/ my old flame vi 24651 e-

|3|7.EB0NY RHAPSODY/ ST. NITE FUNCTION VI 24674 N-

|3|8. MISSOURI MISRY/MET WATERLOO VI 247l 9 E-

1319. BLCK 4 TAN FANT/ CREOLE LUV CALL VI 24861 N

1320. CREOLE LUV CALL/ BCK 4 TaN FANT. VI 24861 N-

1321. R0CKIN IN RHY/ NO PAP» NO VI 26310 Eh

1322. SO F»R SO GS/ U U DARLING VI 26537 E

1323. K0 KO/ CONG* BRAVa VI 26577 N-
I3Z4. NEV NO. LAMENT/ COTTON TaIL VI 26610 E

i3c-5.p0rt. of bert williams/ oojangles vi 26644 e*

1326. harl. a i rshaft/ sepin panorama vi 26 731 e

1 327. rumpus in richmond/ in a mellotone vi 26788 n-

1328. warm valley/ flaming sword vi 26796 n-

1329. chl0e/ across track bls vi 27235 e+-

1330. all 2 soon/ ven felt this way befre vi 27247n-

133 1. flamingo/ grl in my drms like u vi 27326 n-

1332. giddybug Gallup/ bakeef vi 27502 n-
i333ch0s. chake/ gt it bad tht a i nt gd vi 27531 n

1334. K00N MIST/ "C" JAM BLS VI 27856 N-

1 335. PERD IDO/ RA INCHECK VI 27880 E-

1336. PER0ID0/ RA INCHECK VI 27880 N-

1337. PERD | DO/RA INCHECK VI 27880 N

1338. M00CHE/ WEST END BLS VI 38004 E

1339. FLAMING YOUTH/ DOIN VOOM VOOM VI 38035 E-

1 340. HABLEMAN 1 a/ JAPANESE DREAM VI 38045 V
|34|.DICTY GLIDE/ STEVEDORE STMP VI 38053 V-

1342. MISSI SSI PPl/ SWANEE SHUFFLE VI 38089 V+

1 343. JAZZ LIPS/ DUBLE CHCK STMP(i"RM CHP>/I 38129 E
1344. SHERMAN SHUFFLE/ HAYFT, STRAWFT VI 20-I505E-

1345. CHL0E/ DO NOTH TILL U HR FRM ME VI 20-1547 N

1346. MAIN STEM/ JOHNNY CME LATELY VI 20-1 556E+

1347. BEGIN 2 C LIGHT/ DONT U KNW I CARE VI 20-I6I8N

1348. GT NOTH BT BLS/ DlDNT KNW ABT U VI 20-1623 E+

1349. M00D 2 B WOOED/KISSING BUG VI 20-1 670N-

1350. TELL YA WHT GONNA Do/ CME 2 BABY DO VI 20-1 748N
I 351. SWAMP FIRE/jST SQUEEZE ME VI 20-1992 N
I352.2HITE I SHL SLEEP/ MINOR GOES MUGGIN VI45-OO02N-

OON ELLIOT

1353. DARM THT DRM/MIGHTLY LIKE ROSE SAV N

SEGER- ELLIS ORCH.
I 355. NOT H ELSE 2 Do/ A I NT M I SBEHAV I N OK 4|29l Et

SEGER ELLIS (CON'T)

355. N0TH ELSE 2 00/ A I NT M I SBEHA VE I N OK 4|29| E*

356. N0TH ELSE 2 Do/ A INT M I SBE OK 4|29| N
357. SHI VERY STMP/ 3 LIT WRDS. DE |275 E*
358.1 KNW THE U KNW/ PRTTY GRL LIKE MEL DE I 382E+
35S.SMTIMES I'M HAP/ BEE'S KNEES DE 1 350 E

LES ELGART 4 ORCH.

360. DOODLE DOO 0 0/ LST MY HRT IN HRTFRD BU I025N

36 1. DOODLE DOO Bp' LST MY HRT IN HRTFRO BU 1 025N

MISCHA ELM AN

362. MINUET IN O/ MIN. IN G/2 VI 607 E

EMPERORS OF JAZZ

363. N0BY'S SWThRT/ ROYAL GARD. BLS SWA 7506 N

364. MUSKRAT RMBLE/ CLAR. HARM. SWA 7507 N

365. FIDGETY FT/ JAZZ BND BALL SWA 7508 N

366. TIGER RAG/ LIT EMP. BLS SWA 7509 N

PEE tEE ERWIN

367. TIGER RAG/ WOLVERINE BLS Kl 15076 N

368. SAINTS/ TINE ROOF BLS Kl 15075 N

THE ESQU IRES

369.IDAB0P/ BOPPIN A ESQUIRE JUB 101 E

LITTLE ESTHER 4 BOBBY NUNN

370.ST. NITE DADDY/ MAINLINER FED |2|OOE+

RUTH ETTIN6

371. ON LIT DRM RNCh/mESS. FRM MOON DE |259 N-

372. FUNNY WHT LUV CAN D0/|0# A DNCE CO 2|46 N

373. RIGHT KIND OF MAn/wLDNT I DO CO 1998 N

ROY EVANS

374.0LD SPAN. CUSTOM/ TICKLED PINK CO 2338 E+-
375. RO RO ROLL IN ALNg/lOST GAL FRM MESI CO 2 I 98n-

376.SYNC0P. YODEL I N MN/jAZZBO DAN CO |559 E+

377. GA. ALYS ON Ml ND/ DUSKY STEV CO |449 N-

378. WILLIE WEEPER/ CHINATWN HA 1 405 N-

ELLIOT EVERETT

379. BL DANUBE BLS/ SOLILOQUY VI 22921 E+-

LEONARD FEATHERS

?eO.ESQUIRE BOUNCE/ESQUIRE BLS COM 547 E

381. MOP MOP/ MY IDEAL COM 548 E

H-60MB FEUnUSON

382. MY LUV/ FEEL LIKE I DO PRES 9|8N

MAYNARD FERGUSON

383. WHAT'S new/ HOT CANARY CP 7-I7I3N

Ri'DY FERG SON

384. CCLL GOFFIN/ BABY NEED U SO PRES 798 N

ALFRED FIELDS

385. STEP °EPPER STEPPER/SPONGY BABY OK 05727 N-

ERNIE FIELDS

386. THRS. EVE BLS/DONT BLAME ME QUAL 605l E

SAUTER F INNEGAN

387. "0"/ MOON IS BLUE VI 20-5359 E+

TED FIO-RITO'S ORCH.

388. BABY JST CARES 4 WE HOW I 104 E

CHARLIE FISK 4 DRCH.

389. KISSUS MKE MISSUS/MT HI VALLY LO RADI0I53 N

BRICK FLEAGLE

390. same old sheaves/ case of shakes hrs |005 n-

391 . pastiche/ dble doghouse hrs 1006 n

ELLA FITZGERALD

392. DP IN HRT OF SO. /ALL OV NOTHI N DE 1 339 E+
393. IF U SHLD EV LVE ME/EVRYONE WRNG DE 1 302 E+

394. shine/ organ grinder's swng de |062 v+

395. DRKTWN STRUTT BALL/lST AFFAIR DE 1061 N
396. SHI NE/ ORGAN GRINDERS SWNG DE 1062 N—
397.ITS W'FUL/ WAS DOIN ALL RITE DE |669 N-
398.MY TURN NOW/ BEI MIR BIST DU DE 1 596 E-
400.ITS W'FUL/ WAS COIN ALL RITE DE 1669 E

401. THIS TME ITS REAL/ U CNT B MINE DE 1806 E*-

402. WCE IS ME/ STRICTLY FRM DIXIE DE 2202 E

403. WCE IS ME/ STRICTLY FRM DIXIE DE 2202 N

404. CIONT MN A WRD/ JST LUCKY SO 4 SD DE l88l4E
405. STONE CLD DEAD/ PATOOTIE PIE DE 23546 E

406. MY DESIRE/ SUNDAY KIND OF LUV DE 23866 E1-

407. FLYIN HOME/ OH, LADY B GOOD DE 23956 N

408. BRKIN IN NEW HRT/l OUGHT 2 KNOW DE 24|57 N

409. GT FEEL I N I'M FALLIn/bABY BE-60P OE 24332N
4|0.hW HI MOON/ TURNED TABLES ON ME DE 24387 N
4|I.|N MY DREAMS/ 2 MKE MISTAKE HUMAN DE 24529N
4|2. LOVER'S GOLD/ SLACK COFFEE DE 24646 N
4|3. HADN'T ANYONE TILL u/ORM LIT LNGR DE 24900N
4 1 4.SUGRFT RAG/ SOLID AS A ROCK DE 24958 N
4l5.SM.00TH SAILING/ LUV U MADLY DE 27693 N

BRICK FLEAGLE RHYTHMAKERS

4I6.D0 IT EVRY TIME/ ON U LKS GD HRS 1036 N

4I7.8LU STEw/wIG WHAM BLS HRS 1 037 N

FUTURAMA E
FUTURAMA 30I0N

STEW FLETCIER

|4|8.H0P GAB LIKES MUSIc/TCH OF YR LIPS BB 6345 E—

JAY C. FLIPfEN
|4|9.0ING DONG DADDY/ACE IN HOLE BR 405l N-

I420.ACE IN HOLE/ OING DONG DADDY BR 405l E

|42|. SADIE GREEN/BABY FACE PE 13284 E-

1422. HRD 2 GT TOGETHER/ LUCKY OA Y PE 13275 V+

BEA FOOTE

1423. jive lover/ try 4 get it de 7535 n

1424. sat i sfied/ clo b u de 7457 n

jimmie ford sextet

1425. rock in/ sir flute

1426. bl charlie/ drmers bls

reginald forsythe
|427. lament 4 congo/ deep forest co 339 n-
1428. lament 4 congo/ deep forest co 339 n

1429. anqry jungle/ ser 4 wealthy widow co 291 6 n

1430. st. louis bls/ tiger rag vi 26274 n-

LARKY FOTIKE

1431. rain/ little jug DE 24950 N-

FOUR FREEDOMS

1432. CLIMB UP MT./ROCK MY SOUL LESLIE 101 N

1433. WHN I WAS SINNER/lN HIS CARE LESLIE lOO N

BUD FREEMAN

1434. IA JUANa/ NEED SME PETTI N DE 18066 N

1435. AS LNG AS I LIVE/ SUNDAY DE 2849 E

1436. CRAZE-0L0GY/CANT HLP LOVIN DAT MAN UHCA |4n-

JAY FREEM AN

1437 . NIGHT RIDE/ SUGAR FT. STMP MEL 70809 N

STAN FREEMAN

1438. THE RL ROOM/ PEPOIOO CO 39541 E+

PICK FRE1TAS ORCH.
1439. IF IT ISNT FOREV/QUERIDA JS 901 N

FRIAR'S SOC ITY ORCH.
1440. FAREWELL BLS/ ECCENTRIC

BRE 0221 IN-

FRANK FROEBA

1441. RHY LULL/ ORGAN GRNOER SWING CO 3 1 5 1 Et

1442. JST 2 B IN CAROL./NOBY'S BIZ CO 3|3| N-
|443.N0BDY'S BIX WHT I Do/ JST 2 B CAR o CO 3|3|N

1444. BEGINS 4 ENDS W u/wHN AINT NO SWNG CO 3|52N-

1445. J0SEPHI NE/ BIG APPLE DE |4CI N-

1446. N0THIN CN STP ME/ DONT SAVE YR LUV OE |4|8N-

1447. TEARS IN MY HRT/SWISS HILLY BILLY DE 1500 H—
|448. DANGER LUV AT WRK/ MILES APART DE 1 525 N—

1449. GCBLINS IN STEEPLE/ WHO DE 1 545 N-

1 450. HERMAN PLAY I N AWy/bEST GAL TRNEO DWN DE 284I4N

BLIND BOY FULLER - SONNY TERRY

1451. N0 SKINNY WOMAN/ lOOOlVt'MAN BLS OK 05657 E
1452. SNAKE WOMAN BLs/ LOUISE LOUISE BLS VO 03406N

1453. MEAT SHAKIN WOMN/GD STEM WINDER VO 04l 37 N

1454. DONT CRE HW LNg/sT*NGER HERE VO 05273 E-
I455.STF IT UP 4 GO/LIT WOMAN YR SWT VO 054B6 N-
I456.SMBDYS BEEN TALK I n/cROOKED WOMN BLS V05527E+

SLIM GA I LLARD
I457.0IZZY BOOGIE/ POPITY POP BEL TONE 753 E+

1458. SANTA MONICA JMP/SLIM'S JAM BEL TOME 761 E+
1459. SANTA MONICA JMP/ SLIM'S JAM BEL TONE 761 E

1 460. CEMENT M I XER/6C01 CHIN W THE SODA CADET 201 E+

1461. BABY PLSE CME HME/THE HOP CADET 202 E
1462. OPERA IN VOUT/OPERA IN VOUT DIS 6022 V+
I463.0NLY HVE EYES 4 u/ AS U R MER 5792 E

I 466.SABR0S0/ BABALU MER 8950 N

1467. EATIN W BOOGIE/ TAXPAYERS BLS MER 8970 N

1 468. POP I TY POP/ SLIM'S JAM MAJ 9001 E+

1469. FLT FOOT FLOOGEe/di ZZY GOODIE MAJ 9002 E+

JAN GARBER

1470. LAZY LOUISIANA MOON HOW 1043 V

LO' 1 1 S "KING" GARCIA 4 BAND

1471. N0 GRTER LUV/CHRIST. COLUMBUS BB 6303 E-

REGINALD GARDINER

1 472 . TRAINS PI, I 1 2 DE 23022 N—

1 473. ERROL GARNER

1473. LOVER MAN/ WHT :S THNG CLLD LUV AP 797 E

1474. TWILIGHT/ FLAMINGO ATL 662 E

1475. TITLIGHT/ FLAMINGO ATL 662 N

1476. WAY U LK 2NITE/ TURQUOISE ATL 663 N

1477. TURQUOISE/ WAY U LK 2n I TE ATL 663E+
1478. IMPRESSIONS/ REVERIE ATL 665 N
1479. SKYLARK/ CNT GIVE U ANYTHNG BT LUV ATL 666N-
1480, SKYLARK/ ANYTKNG BT LUVE ATL 666 N
|48|. BL 4 SETN/ PAVANNE ATL 667 N—
1482, PAVANNE/ BL 4 SENT. ATL 667 E-t-
1483.1 MAY B WRONG/ NO GRTER LUV ATL 673 E+

1484. CLISS IN DRK/ BLS I CNT FORGET ATL 677 N

1485. WHITE RSE BNCE/ NITE 4 DAY B4W |5 E

26

50c MINIMUM BID

HERMAN ROSENBERG

BOX 62 % THE RECORD CHANGER 4l 8 WES T 49TH STREET
NYC 19 N Y

SEE PAGE ONE OF AD FOR I NTSRUCT I ONS.

50c MINIMUM BID

CO 39888 E+
DIAL I0I6E+
DIAL I0I6N
DIAL I02CE+
DIAL |03|E>
DIAL |03|N-
DTAL l«IE
DIAL 1C4IN-
FUTURAMA 3005 E-
FUTURAMA 3005 N

ERROL GARNER (CON 'T)
I486.TWISTIN CATS TAIl/mOVIN ARND
|487.WHT'S NEW/ SUMMERTIME

1488. TR I o/ PASTEL

1489. PASVEL/ TRI 0

1 490. FANTASY/ PLAY PIANO PLAY
1 491. SLOE GIN FIZZ/ LUV 4 SALE

1492. CLOE GIN FIZZ/ LUVE 4 SALE

1493. LUVE/ LOOSE NUT

1494. LOOSE NUT/ LUV

1 495. GRT XMAS/ GRT XMAS

1496. GRT XMAS / GRT XMAS

1497. LUV IS ThE TBINg/luV IS THE THING FUT 3006 E-

1 498. LUV IS THE THING/ LUV IS THE THING FUT 3006 N

1499. GARNER IN H ' LLYWd/lOTUS BLS KING -t477 E+

1500. LOTUS BLS/ GARNER IN H'WOOD KING 4477 N—

1 50 1 . UNTIL RL THING CMES/THIS MY BELUVD KING4478 N
I 502. N .Y. CONCERTO/ 6 P.M. KING 4479 N

1503. MRE THN U KNw/ OV THE RAINBOW RGT |0|4 E

1504. BCK HME AGAIN/ STAR DUST SAV 577 V*

1505. LOOT THE BOOT/ GASLIGHT SHELTON 14005 E

1506. GASLIGHT/ YESTERDAYS SIG I 5| 35 V

1 507. LNG & SLPLESS NITE/wHT IS THING LUV DEUCES505N-

1508. G'BYE/ AGAIN 3 DEUCES 506 N-

1509. ET SNG GO OUT HRT/ JITTERBUG WLTZ DEUCES 507N-

1510. TEST PRESSING OF UNNAMED TUNE TEST N—
|5| I .TALK OF TWN TEST N

REVERNED J.M. GATES
1512.4 20 ELDERS. 1 PRAYED, I PRAYED OK 8402 V
I 5 1 3. EAGLE STIRS NEST/ HELL NT MADE 4 MAN OK B582V

GEORGIA COTTON PICKERS
|5|4.|2TH ST. RAG/ COTTON PICKERS DIVA 6064V+-

[ijr * HR CRK IN ABOVE)

GEORGIA GIBBS 4 BOB CROSBY
I5I5.S1MPLE MELODY/LITTLE BIT INDEPEND COR 60227N

GEORGIA PEACH !. GOSPEL SINGERS

1516. JESUS KNOWS/ DO LORD SEND ME DE 8648 V—

GEORGIA WASHBOARD STOMPERS

1517. DINAH/ WRLD MADE OF GLASS. SB 5l27 E+

EDDIE GETZ

|5|8.0N THE ALAMO/sTARL I GHT JMP DB 101 N

STAN GETZ

I5I9.STARS FELL ON ALA ./WAY U LK 2N I TE MER 89025 N

!520«»hT'S NEW/ INDIAN SUMMER PRES 740 N

1 52 1 . CULL OF BIRDLAND/ AUTUMN LEAVES RR 562 E+

1 522. MY OLD FLAME/ LADY IN RED NJ 829 N-
1523.2 MA R V « 4 WRDS/ MICHELLE PRES 729 E*-
|524.GET'N SENT. OV u/ NIGHT 4 DAY ROY ROO 533 N

1 525. ON ALAMO /4 STOMPERS ONLY ROO 522 N

1526. DR. OLD STOCKHOLM/ONLY HVE EYES 4 U R00532 N

1527. OPUS DE BOP/ THRIBIN FRM A RIFF SAV 903 N

I 528.60PELBATH/ PINHEAD SI 549 N
KARL GEORGE OCTET

1529. HW AM I 2 KNw/ PEEK A BOO MEL I |2 E

1530. KW AM I 2 KNw/ PEEK A BOO MEL Il2 E-t-

THE GEORGIANS

1531. MINDIN MY BIZNESs/lF U 'LL CME BCK CO 102 N-

1532. DOODLE DOO DOO/ SAVANNAH CO 1 42 p/v
1533. SISTER KATE/CHICAGO CO 3775 V-
|534. SISTER kate/chicago CO 3775 VI-

1535. CLD KING TUT/BARNEY GOOGLE CO 3902 V+

1536. LNG LST MAMA/ HENPECKED BLS CO 3907 E-t-

1537. MAM GOES WHR PAPA/ SMEBDY'S WRNG CO 3996 E+

CARROLL GIBBONS

1538. MIDNITE IN MAYFAIR/ W THEE I SNG

1539. CAR. GIB. LKS BACK/ CARRL LKS BCK
|540. SUGAR ROSE/ BRKIN IN PR OF SHOES

TERRY GIBBS

1 541. TERR'S TUNE/ 1 i S

1542. MI CHELLE/ MICHELLE
I543.SER. IN BL/ GT U UNDER SKIN
|544.SWNG'S THE THING/ BEGIN EEBUINE

STEVE GIBSON

1 545. WHY DONT U LUVE ME/ TRUTHFULLY

GENE G I FFORD

1546. N0THIN BT BLS/ N.O. TWIST

1547. N0THIN BT BLS/ N.O. TWIST

ART G I LHAM

1548. DRFTIN 2 DRMLAND/GD EVEN 1 N

1549. DRIFTIN 2 DRMLAwD/ GD EVEN I N

DIZZY GILLESPIE

1550.1 HIS IS HAPP/ LUV HER 2 STAY

1551. NITE IN CARNEGIE HALL PTS I 4 2 BLDEUCE N

1552. NITE IN CARNEGIE HALL PTS 3 44 BL DEUCE N

1553. U STOLE MY WIFE/ SAY WHEN CAP 7975 N

CO

295

N—

CO

309

N

CO

3l6l

E+-

NJ

800

F.+

NJ

804

E+

SAV

818

N

SAV

829

N

VI

2I-50I3N

BB

10704

N-

BB

I07C"1

E

CO

2091

N

CO

2991

E

ATL

966

N

1554.1 CANT REMEMBER/ TALLY HO

CAP

839

N—

1 555. DRM OF YOU/ OOH MY MY OHOH

COMT

6060 E-

I556.BIRKS WORKS/ TIN TIN DAEO

DG

3601

N—

I557.SCH00L DAYS/ ILL GET U YET

DG

3606

N

I558.DIGGIN DIZ/CONFIRMATION

DIAL

1004

N

I559.C0NFIRMATION/ WHEN 1 GROW TOO

DIAL

1008

N—

i580.groovin hi/blu'n boogie

GLD

1001

N

I561.SALT PEANUTS/HOT HOUSE

GLD

1003

N—

1562. SALTED PEANUTS/HOT HOUSE

GLD

1003

N

1 563. HOT HOUSE/ SALTED PEANUTS

GLD

1003

V

I564.G00D BAIT/CANT GET STARTED

MANOR

1042

N

1565„SAL1E0 PEANUTS/ BE-BOP

MANOR

5C0C

N

1566. THINGS TO COME/ EMANON

MGM

0556

e/

I567.THATS EARL BRTHER/OOP BOB SH'

MUS

383

N—

1 568. OUR DELIGHT/GD DUES BLS

MUS

399

N

I569.GD DUES BLS/OUR DELIGHT

MUS

399

E—

1570.0KE BASS KIT/PTS 142

MUS

404

N

I57I.0NE BASS HIT/ PTS 142

MUS

404 E

1572. THINGS TO COME/ EMANON

MUS

447

N

I573.GR00V1N HIGH/HANDFUL OF GIMME

MUS

485

N-

I574.K0T HOUSE/ BLUE'N BOOGIE

MUS

486

V

I575.RAYS IDEA/BEEPED SHOULDA BOPPED MUS

487

e/

1576. WAITED FOR u/SALTED PEANUTS

MUS

51 8

N

I577.ALL THE THINGS U ARE/dZZY ATMO MU

488

N

1578. TH INK ING OF u/THINK U CHOSEN

ME PRES

728

N

1579. THINKING OF u/tO THINK THAT

PRES

72B

N~

1580, SHES GONE AGAIN/NICE WORK U CAN PRES

736

N

1581 .oopapada/ ow.'

VI 202480

N

I582.MANTECA/ COOL BREEZE

VI 203023

N

1583. ALGO BUENO/HINOR WALK

VI203IB6

N

I584.0UBANA BE/CUBANA BOP

VI203I45

N

I585.GUARICHI GUARO/LOVER COME BACK VI203370

N

1586. SWEDISH SUITE/l SHLD CARE

VI 203457

N

1587. JUMP DlD-LE DA/OLD BLCK MAGIC

VI 203481

N

1588. OLD BLK MAGIC/JUMP D 1 D-LE BA

VI 203481

E

LLOYD GLENN

BENNY GOODMAN CONT.

TYREE GLENN

292 N

1590. DUSTY SERE/SULTRY SERE AB 5001 E^

1591. L1T WHITE CLOUD CRIEd/tELL MY ROO 543 N

GOLDEN CROWN QUARTET

1592. G0D CALLED ME MORNINg/lIFT JESUSSCO 50l3 e/

1593. A TOM Si EVIL/SHADRACK

JEAN GOLDKETTE

I 594. I DOL I Z I NG/hiJSHABYE WALTZ
VICENTE GOMEZ

1 595. FANDAN GO CASTE LLANo/ESTUD 10 DE

GONDOLIER TRIO

1596. HEARD GIRLS DRm/lOVES DRM AFTER

BENNY GOODMAN

CO 37236 E

VI 20270 V

DE 23094 E

BR 2146 z/

1 597. FA RE WELL BLS/ MARGIE

BB

10973

e/

!598,IT HAD B YOu/HONEYS LOVIN ARMS

BB

1 1056

N—

1 599.MUSKRAT RAMBLE/ AFTER A WHILE

BR

4968

V—

I600.6UGLE CALL RAG/ THE DIXIELAND B

BR

7644

e/

I60I.6ASIN ST BLS/ BEALE ST BLS

BR

7645

1602. SHIRT TAIL STP/ BL

GRBR

7815

1603. JUNGLE BLS. ROOM |4|I

GRBR

7839

e/

160-4. AFTER AWHILE/MUSKRAT RAM8E

BR

80028

E

l605.eLUE/sH!RT TAIL STP

BR

80030

E

I606.AINT CHA GLAD/RITE 2 SNG— BG ALL

STA RS3 1 68

N-

1607. LONELY MOMENTS/WHISTLE BLS

CP

374

e/

1608. FINE 4 DANDY/THE LONESOME RD

CP

394

e/

|609.MAHZEl/| WANT TO B LOVED

CP

416

N—

16 10. WANT TO B LOVED/MAHZEL

CP

416

e/

161 1. DIZZY FINGERS/lATTLETALE

CP

439

N-

i6i2.tattletale/dizzy fingers

CP

439

E-

1 61 3. BEYOND THE SEa/eVERY MAN THERES

CP

15030

E

|6|4. TURNED TABLE/GIVE ME GO OLD OYS

CP

15044

N

I615.GIVE ME GD OLD DAYS/u TURNED THE CP

15044

v/

I6I6.HAVE U EVER BEEn/bLS JUMPED UP

CP

l5t 1 1

N

|6|7.THE BLS/ JUMPED UP 4 GOt/hVE U

CP

151 1 1

E+

I6I8.VARSITY DRAG/MAIDS OF CADIZ

CP

15286

N

I6l 9. KILLER DILLER/RIDIN HIGH

CP

48319

N

1620. CLARINET MARM/CARAVAN

C048333

N

|62|. HAVING WONDERFUL/SHISHKABOB

CP57568

E

1 622.G0— bla-dee/bedlam

CP57-^2|

E+

1623. BUGLE CALL RAG/NITWIT SERE(LAM

c )co

2958

E

1624. bugle call rag/nitwit sere

CO

2958

E—

1 625. THERELL B SOME C HANGEs/jUMP 1 N AT CO

35210 N-

1626. BOY MEETS HORn/lEST DANCE

CO

35301

N-

I627.H0UR OF PARTING/COCAMUT

CO

35527

E-

i 62G.nbdy/henderson STOMP

CO

35820

N

1 629.MCONGLOw/wHY COULONT IT B POOR

CO

35839

I 630.scarecriw/time on my hands

CO

36180

N—

i 63 i .scarecrow/ time on my hands

CO

36180

N

1632 .la rosita/s^cke gets in your

CO

36284

1 633. pound ridge/ 1 GOT it bad

CO

36421

N

1 634.CN THE" SUNNY SIDE OF THE STREET/

CO

3617 E

1635. ITS ALWAYS U. MISSION TO MOSCOW

CO

36680

E-

I636.WRLD WAITING SUN/SOLO FLIGHT

CO

36684

E

1637. WRLD WAITING SUn/sOLO FLIGHT

CO

36684

E+

1638. AFTER U GONE/DRKTWN STRUTTERS

CO

36699

E

I639.H0W DEEP OCEAN/MY OLD FLAME

CO

36754

E

1 640. HOW DEEP OCEAN/MY OLD FLA to E

CO

35754

N

|64|.CANT GIVE U ANYTHING/FIESTA BL

CO

36755

N

1642. ANOTHER BOY 4 GIRl/tIME WE SAY

CO

36767

E+

1 643. AFTER U GONE/bODY 4 SOUL

CO

36781

E-

1644. CLOSE PAGES IN BOOk/u BROUGHT A

CO

36787

E

1 645.SWTHRT ALL MY DRMs/eVERY TIME

CO

36790

E

1 646. OOMPH FAH FAG/SLIPPED DISC

CO

36817

V

I647.00MPH FAH FAH/SLIPPED DISC

CO

36817

N—

1648. SLIPPED DISC/OOMPH FAH FAH

CO

36817

V+

I649.CLAR1NADE/JUNE BUSTIN OUT ALL

CO

36823

V/E

I650.SHINE/ RACHELES DRM

CO

36925

N-

1 65 1 .ALL THE CATS JOIn/dONT BE A BABY

CO

36967

N—

I652.ALL CATS JOIN/DONT BE BABY

CO

36967

E

1653. RATTLE & ROLL/ON THE ALAMO

CO

36988

N—

1654. RATTLE 4 ROLL/ ON THE ALAMO

CO

36988

N—

1655. RATTLE 4 ROLL/ ON THE ALAMO

CO

36988

E+

I656.P1TY poor lobster/love DOESNT GROCO

37077

E+

I657.GAL IN CALICO /bENJ 1 ES BUBBLE

CO

37187

E

1658. HORA STACCATO/MAN HERE PLAY FINE

CO

37207

N—

1659. THESE FOOLISH THINGS/lILL VOM

CO

37512

E

I660.TILL TOM SPECIAL/THESE FOOLISH

CO

27512

N—

1661. SERE IN BLUE/SUNNY SIDE STREET

CO

37514

N

1662. WHY DONT U DO RIGHT/SMBODY ELSE

CO

38198

N

1663. NOT MINE/MY LIT COUSIN

CO

38280

N-

1664. TEMPTATION RAg/ LULLABY OF LVS

CO

3912 1

N

1665. DWN SOUTH CAMP MEETIn/sOUTH OF

CO

39416

N

I666.WRAPPIN IT Up/TOODLE DE YOO

CO

39513

N

1667. ITS TALK OF TWN/SWING ANGEL

CO

36955

N

I668.THATS A FLENTY/CLARINETITIS

ME

12073

E+

IS69.LETS DO It/ THE EARL

OK

6474

N—

1670. WHEN THE ROSES BLOOM AGAIN/LAMP

OK

6580

E+

1672. WINTER WEATHER/EVERYTHING 1 LUV

OK

6516

N—

1673. HENDERSON STOMP

TEST

E+

I674.B0DY 4 SOUL/AFTER U GONE

VI

251 15

E+

1675. JINGLE BELLS/ SANTA CLAUSE IS

VI

25145

N-

1 676. SANDMAN/ GOODBYE

VI

25215

N

I677.BEEN SO LONG/ GOODY GOODY

VI

25245

E

I678.6REAKIN IN PAIR SHOES/ STOMPIN ATVI

25247

N—

I679.CK LADY B GOOD. CHINA B GOOD

VI

25333

E

1680. JNYTH ING 4 YOU/ HOUSE HOP

VI

25350

N—

1681. THESE FOOLISH THINGS/ IN SENT HID

VI

25351

N-

1682. FIND NEW BABY/SWGTIME ROCKIES

VI

25355

E+

1683. MORE THAN YOU KNOw/nBDYS SWTHRT

VI

25345

E+

I684.L0VE IN YR EYES/TURNED TABLES

VI

25391

E

1 685. D i nah/moonglow

VI

25398

E

1686. LOVE ME OR LVE Me/eXACTLY LIKE

VI

25406

V+

1687. LOVE ME OR LVE Me/eXACTLY LIKE

VI

25406

E

1 688.1 ADY MEETS GENT/URE GIVING ME

VI

25434

E+-

I689.RIFFIN AT RITZ/ALEX RAGTIME BAND

VI

25445

E+

I690.SWING LOW SWT CHARIOT/WHEN U 4 1

VI

25452

E+

1691. TAKE GUESs/ G'DNIGHT MY LOVE

VI

25461

E

I692.G'DN1GHT my love/ TAKE GUESS

VI

25461

N-

1693. DID U MEAN IT/TAINT NO USE

VI

25469

E+

I694.BUGLE CALL RAG/ AFTER U GONE

VI

25467

N-

1 695 .MELANCHOLY BABy/swT SUE JUST

VI

25473

E

1696. whispering/ tiger RAG

VI

25461

E

I697.SM0KE DREAMS/GEE BUT U SWELL

VI

25466

N—

1698. SWING LOW SWT CHARIOT/u 4 1 WERE

VI

254S3

N—

I699.NEV SHLD HVE TOLD u/CAN TELL SHESV 1

25500

N-

1700. THIS YR'S KISSES/ HE AINT GT

VI

25505

E+

I70I.WNT b hahpy/rosetta

VI

25510

N-

I702.ST0MPIN AT SAVOY/VIBRAPHONE BLS

VI

25521

N

I703.ST0MPIN AT SAVOY/ VIBRAPHONE BLS

VI

25521

E

1704. VIBRAPHONE BLs/ STOMPIN AT SAVOY

VI

25521

E+

1705. TEA FOR 2/RUNNIN WILD

VI

25529 E+

|706.CHL0-e/|0A SWT AS APPLE CIDER

VI

25531

N-

|707.CH0L~e/|DA SWT AS APPLE CIDER

VI

25531

E-

1708. AFRAID TO DRM/ ROLL ' EM

VI

25627

N-

1709.AVAL0N/ THE MAN 1 LOVE

VI

25644

E

17I0.CANT GIVE U ANYTHING/SUGAR FOOT

VI

25678

E

1 71 1 .bob white/minnie MOOCHERS wed

VI

25683

E

|7|2.VIENI VIENl/HANDFUL KEYS

VI

25705

E+>

I7I3.CAMEL HOP/ LOCH LOMOND

VI

25717

E+

1714. IM DING DONG DADDy/wHERE OR WHEN

VI

25725

E

27

50c MINIMUM BID

HERMAN ROSENBERG

50c MINIMUM BID

BOX 68 % THE RECORD CHANGER 4| 8 W 49TH STREET

NYC

SEE PAGE ONE OF AD FOR INSTRUCTIONS.

rrjnv nnnnMtM pont

DLivi* 1 uuuunK'i v uiv 1 *

T INY GRIMES

MARLOW HARDY AND ALABAM IANS

|7|5. IM OING DONG DADDy/'^HERE OR WHN

v| 25^?5 E+

1 782.NI TEMARE BLS/ HOT IN HARLEM

AT 869

N

I346.GA. PINES/ SONG OF BAYOU

CO 20 J4 N

I7I6.DCMJT S THT WAY/l O'CLK JMP

ui 7S 707 m _
VI lj /yc N —

1 783. SI OEWLKS OF N.Y. /JEALOUSY

AT 886

E+

I847.GA, PINES/ SPRING OF BAYOU

CO 2034 E

1 7i 7 c 1 e ■ MR clue Dr pit 1
1 / 1 ' . 0 1 N Ij 5 1 N Li i 1 NU PI b [ iV £.

III 7l-*7fV. r- .

VI cj /yj E+

1 784. SEE SEE RIDER/ RCK THE HOUSE

AT 894

E-p

(ABOVE HAS CHIP OUT OF SIDE B 4")

1 7lT di,?'~ a viun/TI — .D 1 T 1 M
1 / 1 L « Pi_o i_ 0 k 1 rau / 1 1 1 1 — 1 1

V 1 25d l 4 E

I785.LWYS LUV U/ ROMNCE W 0 FINANCE

SA 6| 3

N

FIVE HARMAN IACS

I7I9.SWT LORRAINE/ DIZZY SPELLS

VI 258i,2 E

JOHNNY GUARN IERI

I848.GRN VAMP OF N.O. /CONEY ISL. WSHBRD VI20293E

1 T3f ;n . nooA 1 mc / ni ;7 j ~- 1 e
1 ... - ■ ■ ■ LUKHA 1 ns./ Vli.£.j -■.'^k.L'i

VI 25822 E+

1736. SALUTE 2 FATS/FOOLISH THINGS

SAV 5| 1

N—

THE HARMON ICATS

1 77 1 1 ! II 1 IN R HV / THT FFFI 1 m r RflMF

1 1 (Lulu i>i in 1 1 li 1 ■ uunt

V 1 7S77 7 fa.

I787.BASIE ENGLISH/EXCERCI SE IN SWNG

SAV 509

1 849. peg 0 my hrt/ fantasy impromptu

VI TA 6|I N

■ "777 1 J 1 JL U*DOV//^"li"' ri m IT 1 1 II uO T

1 /££.rll a MBrKy/ailla uu UU 1 VY HRT

VI 25840 E4"

VERA GU ILAROFF

ACE HARRIS

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1 727. ANGELS SING/ SENT 4 U YESTERDAY

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1 790.DAYBRK BLS/ FADE AWAY BLS

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1 791 .ROSE OF RIO GRNDE/PENNIES FRM HVN MOT 005

N

1354,1 DO BELIEVE/ RUB A LIT BOOGIE

PRES 925 E4-

THE G00FUS FIVE

AL HAJG SEXTET

CLARENCE HARRIS

1 730.VD-00-00-OE-0 BLS/ LAZY WEUHER

OK 40841 E

1 792. SHORT P. NT LP/ B STILL TV

HL 2 E+

1 855.LNSEME CLCK BLS/ TRY MY WHISKEY

BLS BB 8I38N

1732. GIVE U ANYTHNG BT LUV/READ Y 4 RIVER 0K4|069E4-/E

1 793.TWISTEO/ EASY LIVING

NJ 81 7 E

MARION HARRIS

DEXTER GORDON— WARDELL GRAY

I794.LIZA/ STARS FELL ON ALA.

NJ 822

E-

1356 .HE DNE ME WRNG/ JUDGE HE TREATS

MEAN CO 2968N—

1 733 « THE CHASE, PTS 1 4 2

Dl 101 7 N

1795. OPUS CAPRICE/STAIRWAY 2 STARS

NJ 823

E

WYNON IE HARR 1 S

1 734. GHOST OF CHANCE/MISCHIEVOUS LOY

Dl 1 Ol 8 N

1 796. SUGAR HILL BOP/ 5 STAR SEECO 1 0-002N

|357,DRINKIN BLS/ADAM CME GT YR RIB

K 1 NG 4565 E4-

1735. THE DUEL , PTS 1 4 2

Dl 1028 N

HAITIAN FOLK SONG

GEORGE HARTMAN

1 736. TALK OF TWN/ LULL IN RHY

Dl 1038 N

1 797.EH, LOUI/ NAN GU 1 NAN DAME

WAX 403

N

1858. JAZZ ME BLS/ TINE ROOF BLS

KEYNTE 60IN

I737.TLK OF TWN/ LULL IN RHY

Dl 1038 E4-

1798. HAITI CHER 1 E/ DODO TITITE

WAZ 404

N

I859.MUSKRAT RM8LE/DIGA D 1 GA DOO

KEYNTE 602N

1 738. SWT 4 LOVELY/ OH WELL

Dl 1042 E<-

I799.AI0A/ CHOUCONNE

WZX 405

N

B 1 LL HARTY

1 739.LNG TALL DEXTER/DEXTER DIGS IN

SAV 603 E

1800. SAY DOUCE/ DUMAN SOUS EST INE

WAX 406

N

1 360. DUCKY DISH/ VARSITY DRAG

VO 4| 33 N

I740.LNG TALL D EX TE R/ DEXTER DIGS IN

SAV 603 E

ADELAIDE HALL

|86|. DUCKY DISH/ VARSITY DRAG

VO 4| 33 E 4-

I74I.LNG TALL DEXTER/DEXTER DIGS IN

sav 923 N

I80I.8A8Y/ MS T HVE THT MAN

BR 403 1

V—

STAN HASSELGARD

I742.0ESTR0SE/ NOSTALGIA

SaV 955 N

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1 862. WHO SLEEPS/ SWEDISH PASTRY

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1743. THE DUAL , PTS I 4 2

TEST I02JC

1802. AM 1 BL/ EMALI NE

wax 1 00

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1863. WHO SLEEPS/SWEDISH PASTRY

CP |5062 N

JIMMIE GORDON

1 303. BLS IN MY HRT/ ROSE OF RIO GRNDE

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1864. SWT 4 HT MOP/ NEV B THE SAME

CP 15302 N

1 744. RATTLESNAKE BITE/WNTS 2 RATTLE

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1804. LAZY RIVER/CME SUNDAY

wax 1 02

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|865. SWT 4 HOT MOP/NEV B THE SAME

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1 745. GET MIND 0 OF GUTTER/DO THT THING

DE 761 1 N

EDMOND HALL

n MM U A TUI III* U

ANN HA 1 HAWAY

1 746. HENPECKED MAN/MOJO BLS

DE 7702 N

1 305. OPUS 15/BESAME MUCHO

BR 80|25

N

l366.IT GOES LIKE THIS/ SUPER TIME

AVALON 721 IE+-

1747. DADDY BEAR BLS/ ACTIONS SP^AK

DE 7839 N

I806.SHNTY IN OL SHNTYTWN/CA RA VAN

CMS 557

N

HIGH HATTERS

1 748. GONNA CUT OUT/BOOGIE WOOGIE BLS

DE 7849 N

Ci'RLEY HAMER

I867.DUST/ LVE IT THT WAY

VI 2236a E

THE GOTHAM STOMPERS

1 307.BAMA LAMA— LAM/ SPOOKY BOOGIE SUNRSE 2] 15

N

1868. HANDY MAN/ KEP NOSE OUT OF BIZ

VI 24352 E

1749. HONEY'S LOVIN ARMS/ ALABAMMY HOME

VA 629 N-

HAM GRACY

COLEMAN HAWKINS

TEDDY GRACE

I808.MAMA DON T ALLOW N0.2/JESSE JAMES

BLSV003375E

1869. Dl SORDER AT B OARDER /FEE LI N ZERO

AP 753 E

1 750.DWN HRTED BLS/ MONDAY MORNING

DE 2|28 E/V

L IOiMEL HAMPTON

1870. FUNNY THT WAY/MEET DR. FOO

BB 10477 N

1 751 .LONESOMEST GAL/60YS IN BCK ROOM

DE 3428 N-

1 809.REMINI SC 1 N MOOD/ADAM BLEW HAT

DE 24105

E+/V

|87| .FUNNY THT WAY/MEET DR. FOO

BB 10477 N-

BILLY GRANT W WILLIAM R0YG0LD ORCH.

I8I0.B. W. SANTA CLA US/MERRY XMAS BABY

DE 27235m

1 872. SOUND ING W 3EAN/WHN DAY IS ONE

BB 10693 E<-

1 752 .LS T NITE WNT WLKIN/MY AMOUR

NEWTNE lOlN

1 Si 1 .MOOD THT I'M IN/LAST AFFAIR

VI 25527

E

1873. SHEIK OF ARABY/MY BL HVN

8B 10770 E-

GRANT AND * ILSON

|3|2. STOMP/ J1VIN THE VIBES

VI 25535

E

I 874.STU FFY/ TLK OF TOWN

CP 205 E+-

1 753. UNCLE JOE/ Bl. MONDAY ON SUGAR HILL DE 7500 Ef-

1 Si 3. J 1 V 1 N THE VIBES. STMP

VI 25535

N

I 875. TALK OF THE TWN/STUFFY

CP 15254 E+

1 754, UNCLE JOE/BL MON. ON SUGAR HILL

DE 7500 E-

|8|4.SUN WILL SHINE/ YR MY IDEAL

VI 25771

E

1376. TALK OF TWN/STUFFY

CP 15254 E

I755.CME ON COOT/PLAY THT THING(OLLIE POWERS )JI6N-

|8| 5. RING DEM BELLS/MUSKAT RAMBLE

VI 2601 7

EH-

1877. TALK OF T»N/ MAN 1 LUV

CI 3010 N

STEPHAN GRAPPELLY'S HOT FOUR

|8|7. ROCKY HILL SPEC/DWN HME JMP

VI 261 |4

E+

1 878. DED 1 CATI ON/ SMACK

COMM 533 E-

1 756 .0 JANGOLOG Y/ ULTRAFOX

DE 23003N-

|8| 8. DONT B THT WAY/ FIDDLE DIDDLE

VI 26173

E+-

1 879.NETCHA 'S DREAM/ CHICAGO

DE 661 E

|757.LILY BELLE/ SME OF THSE DAYS

DE 23004 E

|8| 9.4 OR 5 TIMES/ FND NEW BABY

VI 264478 V

1 880.MEDI TATI ON/WHT HARL IS 2 ME

DE 742 E4-

I758.FND NEW BABY/LI MEHSE BI.S

DE 23021 N-

1320. PIANO STMP/ 1 SURR. DEAR

VI 25665

N—

I88I.GT HAPPY/CRZY RHY

SIG 28104V

1 759.U00NGL0W/ CHINA BOY

DE 230JI N-

1821. SURR DEAR/ PIANO STMP

VI 25666

E

1 882.H0NEYSUCKLR RSE/ CRZY RHY

VI 2621 9 VI-

GLEN GRAY

I822.CLDNT TAKE IT BABY/EVBDY LUV BABY VI25682

N-

ERSK INE HAWK INS

1 760. NAGASAKI /STMPJW AROUND

DE B|3 E+-

1823. JUDY/ OBJT OF MY AFFECTIONS

VI 25699

E,-

I8S3.JMPIN IN JULEP JN T/BVCYCLE BNCE

BB 1 1 547 E4-

WARD ELL GRAY

1 824. JUDY/ OBJCTN OF MY AFFECTIONS

VI 25699

N

1884. CONT CRY 8ABY/ BEAR-MASH BLS

BB 30-081 3v+-

1 76 1 .SWT LORRA 1 NE/STH SIDE

NJ 828 E+

1825. SUN SHINE TON 1 TE/YR MY IDEAL

vi 25771

N-

I885.TIPPIN IN/ RMEMEBER

V 120-1 639 E

I762.BL GRAY/ TREAD IN W TREADWELL

HRES 7l4E-

THE HAPPY SIX/LOUISIANA FIVE

1886, AFT HOURS/FULL OR AINT NO GD

VI20-I 977 E4-

1763. SINNER KISSED ANGEL/GREYHND

PRES 723 E<-

1 826.DANCE-0-MANI A/ SLOW 4 EASY

CO 2949

E

I887.APR0AR SHT/ IF U LVE ME

vo 3545 Et-

1 764. K IDDO/ PTS | & 2

PRES 759 N

HARLEM HAMFATS

1888. IF U LVE ME/ UPROAR SHT

VO 3545 E

I765.XIDD0/ PTS. 3 4 4

PRES 760 N

I827.DAD0Y A LOVIN MAN/ IF U WNT 2 LIV DE 725l

N

1 889. WAY DWN ON SWANEE RIV/DR OL SOTHLAND V03567E

I766.KI0D0/ PTS 3 4 4

PRES 760 E+-

1328. KP SWINGIN ARND/ DONT WNT U LUVIN DE 7266

N—

1890. RED CAP/ FND NEW BABY

VO 3668 E

1767. FARMERS MRKET/LUVER MAN

PRES 770 N

I829.SHES TRICKIN ME/ WHO DONE IT

OE 7274

N

I39I.GT ALNG SMEHOW/C U IN MY DREAMS

VO 3689 E

1768. JAZZ ON SUNSET, PTS 1 4 2

PRES 778 N

1830. IT WAS RED/ JAM JAMBOREE

DE 731 2

N-

l892.bT IN SHUFFLE/LET ME DAY DREAM

VO 400 7 E-

I769.JAZZ ON SUNSET , PTS 3 4 4

m ES 779 N

1 831 .HOODOO IN WOMAN/ 1 LUV THT

DE 7367

N-

I893.WH0S SORRY NW/CARRY ME BCK 2 VIR. VO 4072 E

1770. BRIGHT BOY/ APRIL SKIES

PRES 840 N

1 832. DON T START NO STUFF/ LT ME FEEL

DE 7466

N-

EDGAR HAYES

1771. TENOR SAX FAV0RITES(8 SIDES LP)

PRES 1 l5 N—

I833.U CNT WIN HR/ WHN LUV HAS COME

VO 05 1 36

N

1 894. CARAVAN/ EDGAR STEPS OUT

DE 1 338 N-

ALICE GREEN

1834. U TURNED SALTY/ROCK 1 N SELF 2 SLEEP VI05233N

1895. HI WIDE 4 HNOSME/SATAN HOLIDAY

DE 1382 N

1772. TCH ME 2 SMILE/ AUF WIEDERSEHEN

VI 17858 E4-

1835.TKE ME IN ALLEY/BUS 1 NES GNE AWY

VO 05237

N

I896.STMP1N AT RENNY/LAFFI N AT LIFE

DE I4l6 N-

I773.SO LNG LETTY/ HR CMES TOOTS

Vl 1 7974 Vt-

LIL DIAMONDS HARDiVAY

1897. LUV ME OR LVE ME/ SO RARE

OE 1444 N

BENNY GREEN

1836. IT YR YAS YAS/BREAK ER DWN

DE 7247

E-

1898. WHN U 4 1 WR YNG/ 1 KNW U

DE 1509 N

I774.THER'S SULL HOTEL/SER 2 LUV

PRES 790 N

HARLEM HARLEY

I899.0LD KING COLE/ QUEEN ISABELLA

OE 1527 N

I775.WHIRL-A-LICKS/BENNIES PENNIES

PRES 908 N

I837.H0L0 IT/ BEST EVER 010 IT

DE 7492

N

1900. SWING IN PROM'D LNO/LETS LUV

DE 1665 N

JOHNNY GREEN

1338. TAUGHT IT 2 ME/KITCHN MECH »8LS

DE 7574

N

1901 .SWTHRT/ BL SKIES

DE 1634 N

I776.L0W BOAT/ PEPSI BNCE

PRES 909 N

HARLEM HOT CHOCOLATES

1 902.FUIGITVE FRM AHREM/SOPH. SWNG

DE 1 748 N

LIL GREEN

1839. SING U SINNERS

HOW 1045

V-

1903. IN MOOD/ STAR DUST

DE 1882 N

I777.BE-B0P DADDY/RUNN 1 N ARND CIRCLES

AL 3042 E

HARLEM HOT SHOTS

I904.BARBARY CST BLS/ MEET THE BAND

DE 1 940 N

1 778. LUV ME/WHY DONT U DO RITE

BB 87l4 V

I840.8REEZE/ BLS HVE GT ME

MEL 1 3323V-

I905.WITH0UT U/ HELP ME

DC 2193 N

JOHN GREER

1 841 .LUV JST ARND CORNR/MRCH WINDS

MEL I3333E-

TAMARA HAYES

VI 20-4943 N

I779.SINCE U WNT AWAY/I'M FAT MAN

VI 20-5037N

ANNETTE HANSHAW

1906. WHT SNG CAN 00/ U 8 ' LONG 2 ME

SONNY GREER

1842, GUILTY/I DONT KNW WHY

HA 1 376

N-

HERB IE HAYMER O' INTET. .

1780. RATI ON STOP/ HELENA'S DREAM

AP 355 N

I843.8REKFST 4 MAN 1 LUV/WHN WOMAN LUVS 0K4| 370N

I 907.LAGUNA LEAP/ BLCK MRKET STUFF

SUN 7561 E-

TOMMY GRIFF IN

1844, Al NT HE SWT/DEPENDS ON U

PE 12323

V+

JOE HAYMES 4 ORCH.

CO 27|6 N-

I78I.YNG HEIFER BLS/TRE PLAYHSE DWN

BB 7| 94 N

GEORGE HARDY

1 908. LONG WHITE ROBE/ TOLL

I845.PI* MO/ P«ANO AUDIO-SCRIPTIONS

E4-

1 909. LAZYB ONES/ HAPPY AS DAY IS LNG

ME 12740 V

28

50c minimum bid

HERMAN ROSENBERG

50c minimum bid

BCK 62 % THE RECOPO CHANCER 4|8 W 49TH

STREET NYC

SEE PAGE ONE OF AO FOR INSTRUCTIONS.

JOE HAYMES (CON'T)

WOODY HERMAN (CON'T)

BERT HIRSCH (CON'T)

1910. I'SE A MUG G| N/ CHRIS* C OLUMBUS

ME

60509

I984.SINGIN SANDS/ GOTTA GET 2 ST. JOE DE

4372 N

2056.CRYIN MYSELF 2 SLEEP

HON 1 1 24E+

I9II.W 0 SHAOW OF DOUBLT/BYE BYE BaBY

PE

6iOi3

1985. HCT CHESTNUTS/ 4 OR 5 TIMES

OE

1 m-_ /wj
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2 057. JST ONE MORE CHANCE

HOW I |58N-

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MC

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1986. IC DAY FURLOUGH/ DWM UNDER

DE

1 8544 N—

2058.1 'M KEEPIN COMPANY

HOW 1 1 59N—

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vo 3335

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DE

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1 y? *r#S 1 Lv l o bLb/ oHUULU 1

VO

3369

1 988.1 A 9 CH 1 APANECAS/ GOLDN WEDDING

DE

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1 9(5. GET CANNIBAL/ CAST YR SINS AWAY

VI

24353

E

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1 1 357E+

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DE 1 8437 E

DICK HAYMES

MILT HERTH

2061 .GT HAPPY/ INDIANA

DE 18438 E+

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ME

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DE

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2062.I03RD ST. BOOGIE/ ROYAL GRDN BLS

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|99|.THT'S A PLENTY/DIPSY DOODLE

DE

1553 N-

2063, RYAL GARON BLS/ I03IC St. BOOGI

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I9I7.0LLOPA/ THIS IS IT

AP

783

N

1 992 .JOSEPH 1 NE/ LST IN SHUFFLE

DE

1699 N

2064.GT 2 GIVE ME SME/8ED ROCK BLS

JR 1002 E

NEAI- HEFTI ORCH.

1993. JAZZ ME BLS/ SISSY

DE

1727 N

2 065, 6 ED ROCK BLS/ U 'VE GT 2 GIVE Ft

SHE JR I002N

1 9| 8. SLOPPY JOE/I WOKE UP DIZZY

KEY 669

N-

I994.LP0NEY LIT TOONEY/FLT FT FLOOGIE

DE

1800 N

2066. JAZZ BAND BALL/ FAREWELL BLS

JR 1003 E+-

InSr HA HP 1 F 1 T7

1 995. TOY TRUMPET/' 3 BLIND MICE

DE

|8|6 N

2067.1 FND NEW BABY/ 4 OR 5 TIMES

SIG 1O1 N-

1 9| 9.HEBREW LULL/ GRAND A0AGI0

VI

970

E+

I996.EQYPT. ELLA/ SHOOT THE LI KKER 2

ME DEI 868 N

2068. TIN ROOF BLs/ D 1 GA D 1 GA DOO

SIG 102 N—

HENDERSON'S NOVELTY ORCH.

AL HIFnLER

2069.0RGAN GRINDER BLs/SELEGTN FRM GUTR SIG900IN

I920.SWT LADY/GYPSY BLS

BB

2025

V+

I997.DLS CAME FALLIN DWn/ OLD FOLKO

AT

925 N

JOHNNY HODGES

FLETCHER HENDERSON

I998.THIS IS ALWYS/NW BY ME DWN 2 DRM

AT

945 N

2070. DAYDREAM/ JUNIOR HOP

BB 1 1 02 1 N-

l92i»CLDN'T BE PR LIT ME/NOLA ( S .LAN IN )

BA

1476

V—

I999.PLEASE/BELIEVE IT "BELOVED

MER

8901 IE-

2071. THTS BLS OLD MAN/gD QUEEN BESS

BB 1 1 1 1 7 E+

1 922.ST.LOU 1 S SHFFLE/VAR 1 ET Y STMP

BB

10246

N

HICKMAN TRIO

2072. GOIN OUT BCK WA Y/PA S S 1 ON. FLOWER

BB 30-081 7n-

1 923.SUGRFT STMP/HOCUS P0CU5

BB

10247

E

2000.11! 'FUL pal/nobdy KNWS

CO

2839 E+

2073, BLS serenade/jitterbug's lull

CO 30233 n

I924.H0CUS POCUS/ SUGR FT. STMP

BB

10247

N

ART HICKMAN

2074. LETS ZOOMERS DROOL/SEARoAY 'S BLS

MERCR I970N-

I925.SUO BUSTIN 8LS/ WAR HRSE MAMA

BR

2592

N

2001. LVE NEST/ SNG OF ORIENT

CO

2955 E+

2075. JEEP'S 8LS/ CASTLE ROCK

MERC S944N

1926. HOTTEST MAN IN TWN / NEV CARE AST TOM.

C0209

N—

BILLY KICKS

2076. MOON ROMANCE/ YR LUV HAS FADED

OK 5940 E

1927.WANG WANG BLS/BLZ 1 N

CO

1913

V

2002. FADE OUT/ JOE THE BOMBER

VA

60l N—

2077. SA 1 LB OA T IN MNLI TE/maNHTTN STMP

VA 586 N-

1928.WHT GD AM 1 W 0 U/SNG IN YR SOUL

CO

2352

V

J.C. HIGG INBOTHAM & 6 HICKS

2078.JUNI0R HOP/ DAYDREAM

VI20-254IN

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CO

2565

v-.

2003.HIGGINBTHM BLS/ GIVE ME TEL NO,

HRS

ORI G.E-t-

2079. SNG GO OUT MY HRT/u WR IN MY PLCE VO 4046 N-

I930.BIZ IN F./CASA LOMA STMP

CO

261 5

2004. PENNY 4 YR BLS / DUTCH TREAT

HRS

1008 N

2080.RENDV. W RHY/ JEEPS BLS

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(ABOVE 1 " CRK)(SIDE 2 LOUIS'HARL.

STOMPE RS)

TEDDY H ILL AND NBC ORCH.

2081 .U WLKED 0 OF PI CTURE/EMPTY BALLROOM V042 1 3N-

1931. HONEY BLS/ STAMPEDE

CO

35669

N

2005. WhR IS sun/ my marie

BB

6898 E

2082. LST IN MEDITATION/ PYRAMID

vo 4242 E-H

1 932. SNAG IT/ HOP OFF

CO

35670

N

2906. BIG. BOY BL/ HARLEM TWISTER

BB

6908 E+

20S3. JITTERBUG'S LULL/BLS SSRENADE

VO 4309 E

I933.SOMIN AND GOIN/ HOT ANXIOUS

CO

35840

N

2007.U >■ ME THT USED 2 b/ch|NA BOY

BB

6941 E

2084.SWINGIN IN DELL/ LUV IN SWINGTIME VO 4335 N

I934.WRAPPIN IT UP/ LIMEHSE BLS

DE

157

E+/N-

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DE

342

N—

2009. SAN ANTON/ KING PORTER STMP

BB

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2086. PRELUDE 2 KISS/ JEEP IS JMPING

vo 4386v-/h-

1936. HARD HRTED hANNAH/NEW KIND OF MAN

RE

9681

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2087.1 'II IN AN0. WRLO/ONCING ON STARS

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I937.SENSATI ON/ FIDGETY FEET

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20IC.LUV MY LUVIN LUVER/LIFE W FATHER

AP

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2088.D00JI WOOJI/MISSISS. CREAME-OAT

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l830»hSE OF DAVID BLS/ 1 NEV KNEW

UHCA 57

N

20i i. margie/ rosetta

ARA

|49 E+

2089.hRT JMPED OV MOOn/ TRULY w'FUL

vo 5330 N

1939. SUGAR FT. STMP/ BL RHY

vs

8052

N

20I2.GRND PIANO BLS/ BLU NIGHTS

BB

6744 E

2090.SKUNK HOLLW BLs/ TIRED SOCKS

VO 5533 N

|940.5^EBDY STOLE GAL/ LOW OWN ON BAYOU

V6

8053

N

20 1 3. BEAU KOO JACK/ EVBDY LUVS MY BABY BB

7040 E+

2091. KEY LARGO/ YR DRIVIN ME CRAZY

WAX 1 |4 e/e-

1 94 1 .MOOR i SL CN LOWLNOs/rOOL 4 LUVIN U

VI

25297

E

20l4. PIANO man/ FATHER STEPS IN

BB

10377 N—

B ILL IE HOLIDAY

1942. SHOW MINE 30Y/SING SING SING

VI

25375

N-

20 15. GRND T ERRCE SHUFFLE/R 1 D 1 N !■ JIVIN BB|035|E+

2092. GA. IN MY MIND/ LET'S DO IT

co 30235 N

1943. JIM TWN BLS/ U CAN DEPEND ON ME

VI

253 79

E-l-

2016. FATHER STPS 1 n/ PIA'NO MAN

BB

10377 N-

2093. NIGHT t DAY/ GLOOMY SUNDAY

CO 38044 N

1 544, STEAL IN APFLE/ GRND 7 ERRCE SWNG

vo

32l3

N

20I7.GLAD RAG DOLL/ ROSETTA

BB

10555 E+-

2094. YESTERDA YS/R 1 TE 2 S 1 NG THE BLS

CMS 527 N

I945.BLA ZIN/ WHAT CHA CALL EM BLS

vo

3323

N—

20I8.B.W. ON ST. LOUIS BLS/ NO. |9

BB

10674 N-/E

2095. WHT IS THNG CLLED LUV/DONT EXPLAIN DE 23565N

|946.SLA7In/whAT CHA CALL EM BLS

vo

3323

N

2019. LIGHTLY * POLIGHTLY/OP FOREST

BB

10727 E+

2096. GD MORNING HRTACHE/nO GD MAN

DE 23676 N

1947. WANG WAN G BLs/ MY GAL SAL

vo

3360

N-

202CvhRT BEATS 4 u/ 'GATOR SWING

BB

10763 N/E

2097.CM'T LOSE BRKED HRT/SWT HUNK TRA

SH DE 24785N

1S48.SLUMMIN ON PRK AVE./whT WILL TELL

HRT

vo3485n

202l. FALLIN 4 u/ JELLY JELLY

BB

11065 E

JOE HOLIDAY

1949. IT'S WEAR IN ME OWn/rhY OF TAMBOURINE VO 3487N

2022. SOMEHOW/ THE EARL

BB

1 1*32 E

2098.MIGHTY LIKE ROSE/ THIS HAPPINESS

PRES 767 N

1950. ROSE ROOM/ BACK IN YR OWN BCKYRD

VO

351 1

N

2023. THT 'S A PLENTY/SWT. GA. BROWN

DE

182 E

2029.CUBAN NITEINGALE/SEFENATA

RES 786 N

I95I.GRT CEASAR'S GHOST/sTAMPEDE

VO

3534

N—

2024.CAVERNI SM/ ANGRY

DE

|E3 E

2 1 00. JOE BLACK BAMBO/DONDO

PRES 791 N

1952. PCS in/ IF U SHLD ev lve

VO

3627

N

2025. FAT BABES/ MAPLE LEAF RAG

DE

2 18 E

2|0|. HADN'T ANYONE TILL u/bL HOLIDAY

PRES 8| 5 N

1953. CHRIS & HI S GANG/ALL GOD'S CHILLUN

vo

3641

N

2026. Copenhagen/ rosetta

DE

337 E-

2I02.LIKE SOMEONE IN LUv/HELLO 2 U

PRES 848 N

I954.1.ET ER GO/ WORRIED OV U

vo

37|3

N—

2027.CCPENHAGEI;/ ROSETTA

DE

337 n-

HOLLYWOOD HUCKSTERS

|955.WKT'S YR STORY/ TREES

vo

3760

N

2028. RHY LULL/ DISAFNTED IN LUV

DE

389 E

2I03.THEM THR EYES/ HAPPY BLS

CP 40022 E

1955 .LST THING 1 DO/ YR IN LUV W ME

vo

3850

N

2029. POCK "■ RYE/ WOLVERINE BLS

DE

577 E

HONEY DRIPPER

1957. SING U SINNERS/ LAFFIN BOY BLS

vo

4|25

E<-

2030.3ULIA/ JAPANESE 8AN0MAN

OE

654 E

2I04.LIT AND LOw/NITE TIME IS RITE TME DE 7324 E+/u

1958. LIT THINGS THT CNT/sAVIN MYSELF 4

J vo 4i54

N

2031. ol/ BUBBLING OVER

DE

7|4 E+

2 105. SHE 'S LNG GONE/ DOG IN A MAN

DE 7458 E+

I959.RAIN IN MY EYES/HR FRM MOB IN SCTLND V04|67

N—

2032. MA CHOUSE/ DARKNESS

VO

3379 E-

2| 06. TRA IN IS COMING/ DWN ON MY KNEES

DE 7483 E+-

I960.MOTEN STMP/ DONT t£ T R HY GO 2 HEAD

vo

4|80

N

2033. U R ONE OF MY DRMs/s»INGIN DWN

vo

3392 E*

2I07.GET YR ROW OUT/UNDER EYEB WOMAN

DE 7642 E

1 96 1 .MEANEST KINO OF BLs/ NEW KIND OF MAN V0I4880E

2034. U R ONE OF MY DRMS/fWINGIN DWN

vo

3392 e/e-

2I08.UPS ! DWN BLS/ YELLOW MAM BLS

DE 7747E/E-

1962. UNNAMED DUB, W, LOUIS HOT 7

DUE

N

2035. RHY SUNDAE/CNT BEL YR IN LUV W ME VO

3467 n-

2|09.RITE NOW/ ESSIE MAE BLS

DE 7769 E

HORACE HENDERSON

2036. 1 MBPI RAT ION/ HONEYSUCKLE RSE

vo

3586 E+

2| IC. SHE'S GT WHT TAKES/ PISTOL SHT BLS DE7785 E

1 963.SKUFFLI N JOE/ 1 GT RHY

vo

55|B

N

2037.FLANY DOODLE SWNG/PI ANOLOGY

vo

3501 E+

2III.SHES IN MY BLOOD/KNOCK ME OUT

DE 7796 E+

MEL HENKE

2038.FIANY DOODLY SW 1 NG/P 1 ANOLOGY

vo

3501 N-

2| I2.47TH ST. JIVE/ SUPPLY WOMAN BLS

DE 7833 E+

l964.hONKY TONK TRAIN/ IN A MIST

VITA 5

E-

2039.GD NIGHT, SWT DRMS, GD NIGHT

vo

4008 E

HONEY SWAMP STOMPERS

WOODY HERMAN

2040. DOMI Nl CK SWING/ JEZEBEL

vo

4032 e/v-

2II3.WIPIN THE PAN/ BETTY

HA 856 E+

I965.N0T REALLY THE BLS/ OETOUR AHEAD

CP

837

N

2041, SOLID MAMA/ TIPPIN AT TERRACE

vo

4|43 E

SOL HOOP IT

1966. MUSIC 2 ONCE 2/wNT LITTLE GIRL

CP

1 126

N

2042.57 VARIETIES/AINT GT NOBDY

OK

4 1 1 75 V-

2| I4.TIN ROOF BL s/ HULA BLS

CO 1022 E

1967. SONNY SPEAKS/ PENNIES FRM HVN

CP

1 170

N

MILTON HINTONS ORCH.

2M5.RITE OR WRNG/ I2TH ST. RAG

CO 1 1 89 E-

1968. LEMON DROP/ AINT GONNA WAIT 2 LNG

CP

15365

N

2043.00-LA-FEE/SAY IT AGAIN STAFF

604 E-

LYNN HOPE QUARTET

1 969. EARLY AUTUMN/KEEPER OF FLAME

CP

57-6 |6N

HARRY THE HIPSTER Gl 1S0N

2M6.SNG OF WANDERER/TENDERLY PREMIUM 851 E+

1 970. THE CRICKETS. MORE MOON

CP

57-682N

2044. RIOT IN BOOGIE/STOP DNC 1 N UP THR

MU

291 E+

CLAUDE HOPK INS

1971. GOOD EARTH/ SURRENDER

CO

36985N

2045. HIPSTER 'S 6LS/GET JUICES AT DEUCES MU 292 E+

2M7.SUN0AY/ SWINGIN DWN LANE

DE 1 153 N

I972.BL0WIN UP STORM/ FAN IT

CO

37059

N

2046.BARRELHSE B00G/4F FERDINAND

MU

293 E+

2| 18. JUNE NITE/ CH. ST. SOBBIN BLS

DE 1286 E+

19/3. WRAP TRBLE IN DRMS/l F ITS LUV U WNT CC

371 6 ON

HIT OF THE WEEK ORCH.

2119. HONEY/ MY KINDA LUV

DE |3|6 E+

1974. WITH SOMEONE NEw/ WOOOCHOPPERS BALL CC

37238N

2047.ACCR0SS BREAKFST TBLE

HOW

|07| V-

2|20. 3 LIT WRDs/ MY GAL SAL

vo 3692 E

I975.BL00P BLEEP/ BABY CME HOME

CO

37553

N—

2048.DANCIM W TEARS IN MY EYES

HOW

1075V

LENA HORNE

1976.4 BROS. NO TIME

CO

383CV

N

BERT HIRSCH

2I2I.FRANKIE & JOHNNY/ PT. 2

B&W 500 E+

1 977.EVE RYWHERE/ THE GOOF 4 1

CO

38369

N

2049.SINGIN SONG 2 STARS

HOW

1 080V-

HOTEL PENN. ORCH.

1976. JUNE CMES ARND EV YR/N.W. PASSAGE

CO

36835

N

2050. NEW KIND OF LUV 2 ME

HOW

IO81V-

2122,. 1 STILL GET THRILL

HOW 1093 E

|979.U'VE GT ME CRYING A GA 1 n/paMA CEA

CO

36968

N—

2051. JST A LIT CLOSER

HOW

ioe4 E+

HOT CLUB OF FRANCE

I980.S0UTH/ FAN 1 T

COP

50l I9N

2052. JCT A LITTLE CLOSER

HOW

I084V+

2I23.D0MT MEAN A THING/ STLOU 1 S BLS

DE 23032 N-

I98I.I.AFFIN BOY BLS/TWIN CITY BLS

DE

1801

N

2053. B BL JST 1HINGKIN OF U

HOW

1 1 02V+

2|24,SWT. GA. BROWN/ SOUEMIRS

DE 23065 E+-

1982. BIG WIG IN WIGWAM/WDCHPPERS BALL

DE

2440

N-

2054. CLD B W U 1 HR TON 1 TE

HOW

1 1 1 IE

2 1 25. HONEYSUCKLE RSE/sTMPIN AT DECCA

DE 23066 N

I983.LAMPLI GHTERS SEfi/ EVEN STEPHEN

DE

4253

E+

2055.LITTLE THINGS IN LIFE

HOW

1 I8E*-

2|?6.BLS PRIMITIVE/ TOPSY

WAX 108 N-

50c MINIMUM BID

HERMAN ROSENBERG

BOX 62 % THE RECORD CHANGER 4|8 W 49TH STREET NYC
SEE PAGE ONE OF A D FOR INSTRUCTIONS.

29

50c MINIMUM BID

BOB HOUSTON

2|27.XMAS LVRY DAY/ THIS REAL THING WH 1 00 F+

'■OB HOWARD

2I28.6UTT0N UP OVERCOAT/ MO 'LASSES ATL 852 N—

2|29.U HUT SPOT/WHOSE BIG BABY R U OE 689 E

2I30.GAR6 0 GREEN/ MUCH 2 MUCH OE 722 E

2I3I.SWINGIN ON MOOn/mENDEL'S SWNG SONG DE 927 N

2|32.c0pper colored gal/tht's wht mean 2 me de 990n-
2|33.jst a bit diff/spring clfaning
2i34.u cant take i t ■ u/ me myself 4 i
2|35.fan my brow/yr prec. to me
2 i 36. gypsy frm pough/formal n i te

2137. s;ng 4 b happy/ easy living

2138. penny wise/take key 4 look u up

2139. beat it out/tall tan 4 terrific
2|40.sorry i made u cry/make eyes at me
2|4|.|t mst b luv/ aint gonna be no

2l42.TOODLE-Oo/lN MY MIZ
2143. SO. CASEY JONES/ DAPPER DAN

ROSETTA HOWARD
2|44.KEEP ON wrking/ why b so BL
2|45. WORRIED MIND BLs/ LET LINNEN HANG
2I46.WCRRIND MIND BLs/ ET LINEN HNG LOI
2 1 47. ITS YR TUNE/ LETS FALL IN LUV
2|48,G0 If N WAGON CMES/HARL JAMBOREE
2I4S.HW LONG BABY/ STAY ON IT
2|50.0H RIDER/ ALL ON ACCT OF U
2I5I.CME EASY GO EASY/PLAIN IE NOX AVE.

HAT TIC HUDSON
2|5?.BLCK HND BLs/ MY GD LUCK SOUL

H'OSON -OELANGE ORCH.

2153.1 KNW THT U KNW/ I NEV KNEW
2|54.MAID'S N I TE OFF/SOPH. SWING

2 1 55. BUGLE CALL RAG/ STARDUST

2156. BUGLE CALL RAg/ STARDUST

SPIKE HUSHES
2| 57.SI ROCCO/ 6 BELLS STAMPED

FRANK HUMPHRIES ORCH.
2 1 58.LNESME MOOD/ AFT U 'VE GNE
2|59.AFT UVE GNE/LONESOME MOOD

ALBERTA HUNTER

2 1 60. WONT ET U DWN/ BOOQIE W. SWNG

2161. LUV I HVE 4 u/CASTLES ROCKIN

2162. CHIRPIN THE BLs/l 'LL CEE U
2163.1 'LL C U GO/ CHIRPIN THE BLS

HUNTER'S SERENADERS
2 I 64. DREAM I N ' BT MY MAN/SENSATION 'L

DANNY HIIRD

DE

1195

N-

DE

1205

N—

DE

1293

N

DE

1306

N—

DE

1357

N—

DE

1372

N—

DE

1489

N-

DE

1605

N—

DE

1721

DE

1869

N-

DE

1958

N

CO 3012/

E+

DE

7392

E+

DE

7392

E/E-

DC

74 IC

E-

DE

7447

E+

DE

7459

E+

DE

7531

E

DE

7627

E-

CO

14279

E-

BR

8090

E+

MA

103

N

UA

125

N

MA

125

E—

DE

1.91

E

PICK-UP LOOlN-
PICK-UP lOOlE

JACK HYLTON

2|66.60LER0/V|ENNA, CITY OF DRMS

2167. R0SE ROOM/ SOLITUDE

DICK HYMAN

2168. GENT 16 DOPE/ LADYIS TRAMP

2169. U CLDN'T BE CUTEr/ THNGS U R
21/O.U CLDNT B CUTER/ ALL THNGS U R
2171. GENT. IS DOPE/ LADY IS TRAMP

INK SPOTS
2|72,P0NT GT ARND MCh/ ST. OF DRMS
2I73.ST. OF DRMS. DONT GT ARND MUCH

VIC IRVIN ORCH.

2174. LAZY DAY/lF I HD MY WAY BT SWT I E

CHUBBY JACKSON

2175. all wrng/ tiny's bls
2l 76. happy monster/ l'ana

2177. flyin the coop/ i may b wrong

2178. new york/ why not
2i79.lfm0n drop/ lemon drop
2| 80. lemon drop/ lemon drop
2|8| .b00msi e/ de de's dnce

CLIFF JACKSON
2I82.0UIET PLS/ SQUEEZE ME
2 1 83. WEAR Y BLS/lF I CLD B W U

FRANZ JACKSON
2I84.B.W. CAMP MEETING/ SUMMER RHAP.

MILT JACKSON

BB 8485

E +

BB 8539

E-

DE 7644

V+

DE 7644

E

vo |62|

V

KEY650

E+

VI 25533

N

V| 25555

E+

RELAX I N

RELAX 3 N

RELAX 7 N

RELAX I N

DE 1 6503 V+
DE 18503 E-

OR 2478 V+

CO 38623 N

MGM I0228E+

NJ 825 N-

PRES 836 N

RA 10093 E

RA 10093 N-

RA 10098 N-

BS-W
B W

3B E
4b E-

DE /730 E+

2 1 85.ALL THINGS U R/ LA RONDE

WILLIS JACKSON
2I86.ST. SCENE/ HARL NOCT.

BUD JACOBSON

2187.1 CANT BELVE/OPUS NO. I SANS M

NAT JAFFE

2| 88. BLACK AND BL/ ZONKY
2I69.KEEPIN OUT MISCHIEF/HW CAN U FACE ME SIG28m2N-

PRES 828 N

ATL 546 N

SIG 103 E

SI G 281 I IN-

FRANK JAXON

2190
2l9l

U CERTL LOOK GO 2 ME/ SHE SENDS
CHOC. 2 THE BONE/NO NEED KNOCK I N

ILLINOIS JACOUET
2|92,WHT'S this/ wonderin j-thinkin

2193. JUMPIN AT APOLLO/jACQUET 8NCE

2194. JACQUET MOOD/ROBBIN 'S NEST

MAHAL I A JACKSON

2195. G0IN 2 TELL GOD/UNTIL CHNQE CMES

2196. WANT 2 rest/ knws my hrt

2197. G0D SHAL WIP TEARS/ OH MY LRD
2I98.SEP WHEAT FRM TARES/kEEP ME

ILLINOIS JACQUET
2I95.MUSIC HALL BEAT/ JUMPIN WOODSIDE

HARRY JAMES

2200. HR CMES NIGHT/ FT DRAGGIN BLS

2201. U MDE ME LOV u/siNNER KISSED ANG

2202. MY MEL BABY/MY SILENT LUV

2203. WAIT TILL SUN SHINS/DEVIL SAT OWN
2204. SHEIK OF ARABY/COME 4 GET IT

JATP ALL-STARS

2205. AFT U'VE GNE, PTS | 4 2

FRANK IE JAXCN
2206.1 'M GONNA STEAL u/ SME SWT DAY

2207. CALLIN CORRINE/CNT PUT MONKY BACK

2208. FAN IT B.W./DONT 8 LA ME ME

FREDDIE JENKINS HARLEM 7

2209. CLD FASH. LUV/ NOTH. BT RHY

JACK JENNEY
22 10. STARDUST/ WALK ALONE
2211. SWING THE APACH/NIGHT IS BL VO 4| 30 E

JERRY JEROME'S ORCH. W BILLY DANIELS, VOC.

22l 2. BUTTERFLY/ DIANE AP 1077 N

JETER-PILLARS "CLUB PLANTATION" ORCH.

ME

DE 7345E*

DE

/ 30\) N/N—

AP

758 N

AP

766 E+

AP

769 E

AP

1 1 0 E—

AP

145 E

DE

7321 V-

DE

734l v-

AP

777 N

CO

35227 E+

CO

36296 E-

CO

36434 E

CO

36466N

DAV

9000 N

DISC 800 N

DE

7548 e/v

DE

76 19 N

DE

7638 N-

BB

6|29 E

CO

3-G N

OE 261 N

22|3.LAZY RHY/ LIKE PIE LIKE CAKE
22I4.MAKE BELIEVE/ ALYS B IN LUV W U

DAM 1 TA JO

22|6.D0NT CARE/ I'D DO IT AGAIN

ALEO JOHNSON

37l 5 E-

3973 N-

VI 20-5022 N

CO |44|6 E-

MER 0||6N

2217. NEXT WK SMETIME/ TOODLE DOO

BUDDY JOHNSON

2218. HITTIN ON ME/ECSTASY

BUNK JOHNSON

22 1 9. THR I LLER RAG/ WHN I LVE WfiLD

2220. THRILLER RAg/ WHN I LVE WRLD

222 1 . WEARY BLS/ FRANKLIN ST. BLS

2222. BL BELLS G'BYE/BIG CHIEF BTTLE AXE J I I 3 N-

2223. DUSTY RAG/ SOBBIN BLS
2224. SHINE/ YAAKA HULA HICKEY DULA

2225. BRDEN 2 HRD 2 BEAR/sOBBIN BLS fZ

DINK JOHNSON

2226. GRACE 4 BEAUTY/STMP LOWDWN
2227.S0 DIFF BLS/ TAKE YR TIME

J.C. JOHNSON'S HOT SPARKS

2228. CRY IN 4 U/ RED HOT HOTTENTOT

JAY JAY JOHNSON

2229. BL MODE/ ELORA

JAMES P. JOHNSON

2230. GT 2 B MODERN I ST I c/j I NGLES

2231. BLS 4 FATS. FLBERRY RHYME

2232. BLS 4 FATS. BLUBERRY RHYMR

Jl

1 1

E

J 1

1 1

N—

Jl

12

N-

AXE

Jl 13

N—

Jl

14

N-

Jl

15

EH-

J 1

16

N—

AM

515

E

AM

5|6

E

DUB

N

NJ

8|4

N

BR

80032

E+

SIG 28I05N
SIG 28I05E

REVEREND JESS JOHUSON/REV. FELIX JOHNSON

2233.23R0 psalm/whn man dies pres 9 i On

J 1MMY JOHNSON

2234. A FT TONIGHT/ HARL WOOGIE VO 4768 V+

2235. MIME ALL MINE/BCK WATER BLS VO 4903 E+-

LONNIE JOHNSON

2236. I'M GUILTY/CANT SLEEP ANY MORE Kl 4553 N

2237. JST ANO DAY/u CNT BUY LUV Kl 4572 N

2230. HARL TWIST/ MOVE OVER OK 8638 V

2239. wipe it off/monkey BABOON VO 03013 E

PETE JOHNSON

2240. 627STMP/PINEY BRWN BLS DE |8|2| E

AL J OLSON

2241 . MY mammy/ sonny BOY BR 03630 N
2242.1 'M IN 7TH HVN/L1TTLE PAL BR 440C N
2243. USED 2 u/ WHY CNT U BR 440l N
2244.1 SWT KISS/ LIZA BR +402 N
2245. LET ME SING I'M HAPPy/lOOKIN AT U BR 472l N

ETTA JONES

2246. OSCULATE ME DADDy/mEAN 2 ME V I 20-1 94 1 E-
HANK JONES

2247.MITE MUSIC/ THE CHASE DIAL I037N
I SHAM JONES

2248. SWT MAN/ QrTg. CHARLESTON BR 2970 E-h

WAX
WIX
WAX
WAX

103 E+
107 E*
I 12 N
I 17 E+
HRS 1 01-4 N
HRS 1 01 5 N
HR8 1042 N-

ATLAS I62N

BR
BR

BR
VO

I SHAM JONES (C 'N'T)
2249.6 STILL MY HRT/ WHY AM I BL

J IMMY JONES
2250.5 O'CLK DRAG/ NEW WRLD A COMIN
225 1. CLAIR DE LUNE/LOVER MAN
2252.6AKIFF/ N.Y. CITY BLS

2253. EMPTY SPACE. WHT '8 NEW

2254. JUICE ON LOOSE/ MUDDY MISS.

2255. DEPT. FRM DIXIE/RT 2 CHNGE MIND
2256.STR0LLIN EASY/ WEETA

LUKE JONES

2257. GRAVEYD BLS/ SHUFFLIN BOOQIE

MAGPIE JONES

2258. JEALOUS MAMMA BLs/ 4 FLUSH! N PAPA CO I 4044E-

2259. UNO ERTAKES BLS/ NO. BOUND BLS CO 14092 E-

2260. MAN I LUV IS GD/AINT GONNA FEED CO 14243 E

RICHARD JONES
2260A. GONNA RUN U DWm/ MUGGIN THE BLS DE 7064 E-
JONES 4 COLLINS ASTORIA HOT EIGHT

2261. DUET STMP/ ASTORIS STRUT BB 8|68 E+

2262. CAMP WEATHER/ TIP EASY BLS BB 10952 N-

JONES-SMI TH

2263. EVEN In/ SHOE SHINE BOY VO 344l E+-

LIL JOHNSON

2264. GT FRM P-NUT MAN/WANT 2 BUY CABBAGE CH50002v/E

2265. WAS l/ 2 TIME IN MAN VO 03266 v+

LOUIS JORDAN

2266. PI NETOPS B.W./ T— BONE BLS DE 8525 E-
2267. INFLATION BLS/ REET PETITE 4 GNE DE 24381 N

2268. REET PETITE 4 GNE/ INFL. BLS DE 24381 E-l-

JUNGLE BAUD

2269. TIGER rag/ PTS. I 4 2

2270. PADUCAH/ HARL FATS BLS
2271 .JUNGLE MAMA/ DOG BOTTOM
22 2.BLCK !■- BLS/ JUNGLE JAMBOREE
2273. SWT MAMA / WHN YR SMILING
2274. WANG WANG BLs/ HME AGAIN BLS
2275.I2TH ST. RAG/ ROCK I N IN RHY
2276. Ml STY MORNING/ BLS W A FEELING

GENE KARDOS
2277. SAN/ CH I NA BOY

2278. LET LUV SLIP/ OH MY GOODNESS

2279. N0TH BL BT SKY/sTOMPI N AT SAVOY

2280. U SHWD ME THE WAy/lADY FRM MAYFR ME 7-05-03E

228 1. THT FOOLISH FEELING/ JAMBOREE ME 7-04-05E+-
2282. OH BY JINGO/HAPNED DWN IN DIXIE ME 7-04— I4E+

22B3.lovin sam/ marie me 7-05-29E

2284. ALEX. RAGTME 8ND/GL0RY VI 22920E-

ART KA RLE

22S5.SUZANNA h/ LIGHTS OUT VO 3|47V-

ART KA5SEL

2286. SOBBIN BLS/ LONELY MOMENTS 88 7669 E+

IRV ING KAUFMAN
2287.0UI OU I marie/ WILO DAYS R OVER CO 2637 E+
KEGHOUSE

2268.KEGHSE BLS/ SHIFTIN GEAR BLS OK 8583 V—

JERRY KREUGER

2289. BED SONG/ SO U WONT SING VR 666 E/E-

EDDIE KELLY5 WASHBOARD BAND

2290. GOIN BCK 2 ALABAM/SORROWFUL BLS BB 7277 E4-

MAURICE KING AND WOLVERINES

2291. G00D DADDY/ NITE FALL CO 39330 N

STAN KENTON

2292. EV TME WE SAY G'BEe/r U LIVIN OL MAN CP I 87N

2293. R U LIVIN OLD MAN/ EV TME WE SAY G 'BY CP I 87E

2294. TAMPIC0/ SO. SCANDAL CP 202 N-

2295. ARTISTRY JMPs/ SITTIN 4 ROCKIN CP 229 N
2296.SH00 FLY PIE/BN DWN IN TEXAS CP 235 N
2297. I NTERM I SSN RIFF/sHME 2 SAY G 'NTE CP 298 N

2298. CON 2 END ALL CONCERTOS, PTS I 42 CP 382 N

2299. ACR0SS ALLEY FRM ALAMo/nO GRTERLUV CP 387 N

2300. C0LLA8BRAT I On/ MACHITO CP 408 E

2301. eager 8eaver/ harl. folk dance cp 903 n

2302. evn in Pakistan/ jolly Rogers cp 1043 n
2302a.so in mood /viva prado ( prom rec.jcp i279n-

2303. jump 4 joe/ Laura cp i704 n

2304. curi osi ty/ theme 2 the west cp 15005 e
2304a. unison riff/told ya i luv ya cp 1 50 1 8 n

2305. unis0n riff/old ya i luv ya cp 1 50 1 8 e+
2306.lover/soothe me cp 1 503| n

2307. willow weep 4 mr/ bongo riff cp |5|79 n

2308. arti stry jmps/ art. ih rhythm cp i 5 i 90 n

2309. eager beaver/ harl folk dnce cp 1 5 1 92 n

2310. c0ncert0 2 end all concertos cp 1 5 1 93 n
231 i. do noth till hr frm me/sittin rockin cpi5i97n

4238 E+
4309 E+
4450 E+
4492 N-

4760 E+
6003 E+
6038 E*
3229 N-

6334 E+-
6-08-1 IE+
6-09-03E

30

50c MINIMUM BID

HERMAN ROSENBERG

BOX 62 /° THE RECORD CHANGER 4ie W 49TH STREET

NYC

SEE PAGE ONE OF AD FOR INSTRUCTIONS.

50c MINIMUM BID

STAN KENTON (CON 'T)

2312. RIKA JIKA JCk/mNTHS,WKS, DAYS, BLS CP (5 1 99 E—

2313. DNT WN T MAN ARNd/haRL HOLIDAY CP 15248 N

23 1 4. now am I 2 knw/he was gd man CP 15827 N

2315. KW am i 2 knw/he was gd man CP 15327 n-

2316. ECUAD0R/j0URNEY 2 BRAZIL CP 57-63IN
23|7»PAGLIACC|/SANTA LUC I A CP 7-I306E+

FREDDIE KEPPARD'S JAZZ CARDINALS

23I8.SALTY DOG/ STOCK VOS STRUT Jl 4E+

2319.SALTY DOG/ STOCKYARDS STRUT J I 4 N-

TEMPO K ING

2320. BOJMGLES OF HARL/ORG GRNDER SWNG BB 6533 E—

2321. WLD DO ANYWHNG 4 u/wiLLIAM TELL BB 6534 V+

2322. sing u iOOOluv sngs/papa TREE-TOP BB 6535 E

2323 . ALABAM • BARb/whT U MEAN 2 ME BB 6560 E

2324. JUDDLE AT HOME/ SWT ADELINE BB 6563 E

2325. COURTESY OF LUV/2 MARY W LOVE BB 6637 E+

2326. Y 'VE GT smething/i hr 4 LUNCH BB 6642 E+
2327.SWINGIN JINX AWAY/SAYIN 2 THE MOON BB 6643 E/v
2328.SWINGIN JINX AWAY/SAYIN 2 THE MOON BB 6643 N-
2329. HEY HEY HEY HEy/haLLELU THNGS ROSY BB 6687 V+
2330. SOMEONE 2 CARE 4 me/ TIMBER BB 6725 E-

233 1. G BUT YR SWELL/LAST AFFAIR BB 6770 e/v

2332. FLOAT IN ON BUBBLE/SWNG HI SWNG LO BB 6780 V

2333. FOLKS LIVE ON HILL/h| WIDE HANDEME VO 3630 E+

2334. GT A NOTION/ THTS WAY IT GOES VO 4|56 N

JOHN KIRBY

2335.1 'M SCARED/ P-NUT VENDOR BOOGIE CR 107 N-

2336. U GO 2 MY HEAD/MIGHT AS WELL B SPNG CR 108 N—

2337. CLD MAKE U LUV Me/sCHUBRT's SER CR I I 8 E

2338. FRM A FLAT 2 C/ UNDECIDED DE 22 1 6 N

2339. FRM A FLAT 2 C/ UNDECIDED DE 22 1 6 E

2340. EFFERVESNT 6Ls/ FEELS SO GOOD VO 4624 E+-
2341 .CAWN ON OESERT/THE TURF VO 4653 n/e
2342.impromptu/li TTLE BRWN JUG VO 5570 E+

AMDY KIRK

2343. FROGGY BOTTOM/ CHRIS. COLUMBUS DE 729 N-

2344. WALKING i SWINGIn/ UNTIL R*L THNG DE 809 N—
2345.STEPPIN PRTY/GIT OE 93 1 N-
2346.WHT WILL TELL HRT/LADY SWNGS BAND DE 1085 N-
2347.52ND ST./ DEDICATED 2 U DE I 1 46 N-
2348.CL0UDY/ PUDDIN HEAD SERENADE DE 1208 N-
2349. IN THE GROOVE/FOOLIN MYSELF DE 1 26 1 N
2350.W0RR I ED OV u/ WED. N I TE HOP DE 1303 N
235 1. SKIES R BL/ I'LL GT ALONG SMEHOW DE 1349 N

2352. WENT TO GYPSY/BETR LUCK NEXT TME DE 1 422 N

2353. WHY CNT WE DO AGAIn/w LUV IN MY HRT DE 1 477 N

2 354. DOWN STREAM/ GLAD 4 YR SAKE DE I 53 I N-

2355. MELL0W BIT OF RHY/ IN WILDEST ORMS OE |579 N

2356. BEAR DWN/ BIG OIPPER DE U606 N-

2357. LOVER CME BACK 2 Me/ POOR BUTTERFLY DE 1663 N—

2358. LI T JOE FRM CHICAGO/KEY 2 MY HRT DE |7|0 N-

MANNY KLINE

2359.1 'M IN LUV/ RIHGSIDE TABLE 4 2 BR 7605 E+

2360. JUBA/ HOT SPELL BR 7606 E

2361 . MALI HIN I MELE/MNLITE INWAIKIKI V0 4||4 N

2362. AT SUNOWN/BEI MIR BIST DU SCHOEN KEY 631 N—

2363. BEI MIR BIST DU SCHOEn/aT SUNDOWN KEY 63 1 E

2364. M0NLITE IN WAIKIKl/MALIHINI MELE VO 4||4N-

2365. HO0HIHI OE H IKE MAE/DRMY HAW. MR VO 4| 70 N-

MARIE KNIGHT

2366.1 TS WORTH it/ HOLD ON DE 28399N

2367. LND BEYND Rl VER/cLOSER WLK W THEE HAV 5|6 V+

MOE KOFFMAN'S MA IN STEMMERS

2368. MAIN STEM'S BOPPOR TUN I Ty/bOPN 4 SID MS 300IN

2369. R0CKIN W THE BOP/ BOP LOP MS 3002 N

LEE KONITZ

2370. TAUT0LOGY/ SOUND— LEE NJ 8|3 E

2371. U GO 2 MY HD/PALO ALTO NJ 827 N

2372. RE8ECCA/ ICE BREAM KONITZ NJ 834 N
2373.0DJENAR. INDIAN SUMMERS PRES 853 N—

2374. THE NEW SOUNDS LP PRES I I C IN—

ROY KRAL SEXTET

2375. AULD LANG SYNE/ EV LOVIN* BLS ATL 308 N-

2376 . ALLDLANG SYNE/ EV LOVIN BLS ATL 664 N

2377. AFR0-0ISIa/wHT DO U THINK I AM ATL 668 N-

FRITZ KREISLEB

2378. DEEP IN HRT Or/ IND. LOVE CALL VI I 1 5 1 E+

2 379. hu Moresque/ albumblatt marguerite vi i i 70 e-

2380. love nest vi 64924 e+

GENE KRUPA

23ei.0N THE BEAM/ HODGE PODGE CO 35262 N-

2382. tht's drummer's band/wht's THIS CO 36819 E+-

2383. that drummer's sand/ wht's THIS CO 36819 E
2384.0PUS NO. |/VaLSE Triste CO 37224 E+

GENE KRUPA (CON'T) _
2385. up and atom/ callin dr. Gillespie co 38382 e

2386. lemon drop/similau CO 384|5 E-

2387. TSE FOOLISH thngs/dust V|20-372| N

2 388. HA RL ON PAR/ SKYLARK OK 6607 N
2380.3 LIT WRDS. BLS OF ISRAEL PA 2224 n/e+-

KXYZ NOVELTY BAND

2390. tht's a plenty/ bugle call RAG BB 5852 E

billy kyle

2391. finishing up a date/ betwn sets audio v-

2392. hrs bnce/ contemparay bls hrs i032n

2393. margie/ big boy bls vr 53i e*

2395. SUNDAYS ARE RES/hVIN A BALL VR 574 N-

2396. ALL U WNT 2 DO/ CN I FORGET U VR 6|7 E+-

2397. GIRL OF DRMS/HNDLE HRT W CARE VR 659 N-

MOE KOFFMAN'S MAIN STEMMERS

2398. BOP lop/ ROCKIN W THE BOP MS 3002 N

2399. B0PPIN FOR SID/ MAINSTEM BOPPOR. MS 3001 N

TOMMY LADNIER

2400. JADA/ REALLY THE BLS HMV 9236 N

2401. WEARY BLS/ WHN II I I IR YNG HMV 94 1 I N

FRANK IE LAINE

2402. ROSES IN P I CARDY/MNL I GHT IN VERMNT ATL I 56E

2403. HW RHY WAS BORN/AINT MISBEHVIN MER 70099N-

MORRIS LANE

2404.STAI RWAY 2 STRS/AINT NEC. SO COR 60853 N

DAVE LAMTERT

2405. always/ HAW. WAR CHANT CP 3403 N

SISTER ROSA MAE LANE

2406. ANS ME THIS DAY/jESUS EV DAY ASBY 700IN

CL IFF LANG

2 40 7. EXACTLY LIKE u/ THSE FOOLISH THNGS PA 142 N-

2408. THSE FOOLISH THNGS/EXACT LIKE U PA 1 42 E+

SUM LAN IN

HOW 1112 E-
HOW 1116 e

2409.3 LIT WRDS
24lO.HI.AYBE ITS LUV

VINCENT LOPEZ
241 I. CHEERFUL LIT EARFUL

SAM LAN IN

HOW 1 120 E+

HOW 1 1 25 E+-
HOW I 156 V

24|2.SMETHING 2 REM EM U BY
24I3.PRO0N ME PRTTY BABY
DON LAMPHERE

24|4.SPI DER'S WEB/FOX HUNT NJ 8l0 V

24I5.G0/ST0P NJ 812 E+

24|6,G0/ST0P NJ 8|2 N-

LATVIAN RHYTHM ACES
24|7.2 GUITARS IN NITE/lF I OIN'T LUV U EMP500E

S IR HARPY LAUDER

24I8.R0AMIN IN GLOAMIN/WEE HOOSE VI 45209 N-

24I9.SMTHING IN BOTL 4 MORNING VI 60000 N-

ELLIOT LAWRENCE

2420. SIXTY MINUTE MAn/ QUICK Kl |5||5 E+

242|. LIT WAKE-UP MUSIC/ RELEASE ME Kl 1 5 1 Si N-

YANK LAWSON

2422. SUGAR/ SENSATION RAG SIG I5004N

2423. SUGAR/ SENSATION RAG SIG I 5004N-

2424.SGRFT STMP/YANK'S 2 DAY TOOT SIG I 5044N

2425.SUGA RFT STMP/YANK'S 2 DAY TOOT SIG 1 5044N-

2426. STUMBLING/ 2 MANY TIMES SIG 28I07N

2427. THT'S A PLENTY/WANG WNG BLS SIG 28|08N-

JULIA LEE

2428. CRZY WRLD/ THT'S WHT I LIKE CP 15060 N-

2429. KING SIZE PAP/ WHN YR SMILING CP 40082 N

MARY LEE W. BOB CROSBY'S BOBCATS

2430.1 DON'T CARE ANYMRE/END OF WRLD DE 4380 E
PEGGY LEE

2431. CAN C IT yr way/dont KNW ENUF CP 236 E

2432. CHI-BAB -/ AINCHA EV COMIN BCK CP 4|9 E*

2433. WHR R u/ AY AY CHUG A CHUG CP |298 E-

2434. WHR R u/ AY AY CHUG A CHUG CP 1 298 N

LEROY'S BUDDY

2435. TIRE0 SLPIN BY SELF/wONT U TELL ME DE 7460E+

2436. U DNE LST YR SWINg/whiCH ONE I LUV DE 7194V

LEWIS' BR0N2EV I LLE FIVE

2437. C0TTN BLOS B Ls/ LAFFIN AT LIFE BB 8433 E

MEADE "LUX" LEWIS

2438. MR FREDDIE BLs/ MOOD 4 LUV BR 02 1 76 E+

2439. YANCEY SPEC. BOOGIE WOOGIE DE 3387 E

2440. YANCEY SPEC. BOOGIE WOOGIE DE 3387 E+

2441. H0NKY TONK TRAIN BLs/wRLD WAITIN DE I 8 1 1 0 N-

2442. B.W. PRAYER/ B.W. PRAYER CO 35960 N

2443. BEAR CAT CRAWL/ SHOUT 4 JOY CO 35961 N

2 444. BEARCAT CRAWL/SHOUT 4 JOY ( AMMONS ) VO 4608 N

2445. H0MKY TONK TRn/0RB0RN ST. BRKDWN ( AVERY )DUB N

PETE GUITAR LEWIS

2446. SCRA TCHIN/ OH Ml DN IGHT FED |2|03N

SMILEY LEWIS

2447. GUMB0 BLS/ IT'S SO PEACEFUL IM 5209 E

TED IE WIS

2448 . MEDLEY FOX-TROT/SCHUB. SER. CO I S V+-

2449.0 KATHERINE/ WILL U REMEM ME CO 295 E-
2450.WRE BCK TOG AGAIn/ah-HA CO 3| I E-

2451.1 MISS MY SWISS/ MARGUERITE CO 406 V+

2452. SAY arabella/angry CO 4| 6 E

2453. TIN ROOF BLS/MI LENBERG JOYS CO 439 E—

2454. TIN ROOF BLS/ Ml LENBERG JOYS CO 439 V

2455. MAMMA IN TWN/ NEW ST .LOU IS BLS CO 697 V+

2456. MAMMA IN TOWN/ NEW ST. LOUIS BLS CO 697 E+

2457. TIGER RAG/ BLS CO 770 E
245P.SME OF THSE DAYS/ BUGLE CALL RAG CO 826 N
2459.SME THSE DAYS/ BUGLE CALL RAG CO 826 V+
2460. SUNSHINE IN HRT/ BABY SMILES AT ME CO 922 E+
246 1 .DRKTWN STRUTT/ ALEX. RAGTME BALL CO 1 084 N

2462. IS EVBDY HAPPY/DWN CHURCH AISLE CO 1 207 E+-

2463. GD MAN HRD 2 FIND/A I NT GT NOBDY CO I 428 N-

2464. JAZZ HOLIDAY/ JUNGLE BLS CO 1525 E-
2465. SHIM ME SHA WABBLE/CLAR. MARM CO 1573 E
2466. SAN/ AUNT HAGARS BLS CO 2 1 1 3 E+

2467. DINAH/ LONESOME RD CO 2|8| V—

2468. AT LST I "M HAPPY /TRULY I LUV U CO 2408 E/V

2469. LIT OLD CHRCH/ DIP BRSH IN SUNSHNE CO 2467 E

2470. F0YAL GARD BLs/ DALLAS LS CO - 2527V/V-
247I.0LD PLAYMATE/EVEN, IN CAROLINE CO 2560 N—

2472. A. HAGAR'S BLS/ WET YO THUMB CO 3879 E+

2473 . DALLAS BLS/ ROYAL GARD BLS CO 35684 E+

RAY LINN'S HOLLYWOOD SWING STARS

2474. WHERE'S PRES/ EASTSIDE JMP ATO 220 N

2475. MAD MONK/ BLOP BLAH ATO 221 N

2476. BLOP BLAH/ MAD MONK ATO 221 E
2477.SER. IN 7THS/T TIME SIG 28I2IE+

LION AND THE CUBS

2478.HW CLD PUT ME OWN/LET'S MOP IT B & W6 E

LITTLE RAMBLERS

68

6043

E

BB

10260

N-

VI

21348

N—

VI

21346

E+

VI

22541

E

BB

5713

N—

BB

5330

E+

BB

57|3

E—

CO

30232

N

CO

35510

E—

DE

415

N—

DE

503

E-t-

DE

503

V

DE

620

N

HVN

DE 682N

DE
DE
DE
DE
DE

7l2 N-

71 2 v+
765 E+-

788 E-
805 E

LOUISIANA SUGAR BABES

2480.THOUS SWELL/ SIPPI
248| . 'SIPPl/ WILLOW TREE

2482. PERSIAN RUG/ THOU SWELL

BERT LOWN

2483. hr cmES sun/ I *m YRS

J IMMIE LUNCEFORD

2484. JAZZN0CRACY/ WHITE HEAT
2485. IN DAT MORNIN'/ SWT RHY

2486. WH1TE HEAT/jAZZNOCRACY

2487, WELL AL Rl GHT/ UPTWN BLS
2488.1 GT IT/WHTS YR STORY

2489. E 'CSE YR Y/RAIN

2490. RUNNIN WILD/ 4 OR 5 TIMES
2491.4 OR 5 times/ RUNNIN WILD

2492. CHARMA I Ne/ OH BOY

2 493. NUTS ABT SCREWY MUS1C/WLKIN
2494.STMP I T OFF/ MY BL HVN
2495. STMP IT OFF/ MY BL HVN

2496. KITTIN BOTTLE/ DRM OF U

2497. JEAL0U/ BEST THNGS IN LIFE

2498. TAKE THE SOUTH/ MELODY MAN
2499.ORG. GRINDER SWINg/sLEEPY TME GAL DE 908 E
2500. ORG. GRNDERS SWNG/sLEEPY TME GAL DE 908 E+
250I.SLUMMIN ON PRK AVE. /a INT GT RHY DE I 1 28 N

2502. COUNT ME OUT/ LINGER AWHILE DE |229 E+

2503. MERRY GO RND BRKLWn/C U IN DRMS DE 1 3 1 8 E

2504.4 oncers only/ coquette de 1340 n-

2505. first time saw u/raggin scale de 1 364 e

2506, old grey bonnet/hells bells oe 1 506 v+
2507.0ld grey bonnet/ hell's bells de 1605 e+
2508. ann ie Laurie/ frisco frog de i569 e
2509. laffin up sleeve/ pigeon walk de 1659 e—
25 10. pigeon wlk/ laffin up sleeve de 1 659 e+-
251 i. bck door stuff/ bck door stuff de 18594 e

2512. drm a lot abt u/ jeep rhy de 1 86 1 8 e

2513. swingin uptwn/ remem when vi 24669 v-

2514. uptwn bls/ put it away vo 5362 e4-

251 5. bls in groove/ in awful mood vo 5395n-

joe lutcher

2516. hW FINE CN U b/ NO— JO STMP CP |5|09 N
25|7.M0—JO STMP/ HW FINE CAN U B CP |5|09 N-

2518. T00DLE-00/ BAGDAD BEBOP CP |5|70 N—

2519. J0-JO-JUMP/ WLK INTO MY HRT CP 15297 N

LITTLE RAMBLERS

2520. LIT BIT INDEPEND/w ALL MY HRT BB 6|89 E+

2521. U HIT SPOT/ FEEL LIKE FEATH BB 6 1 91 E+

50c minimum bid

HERMAN ROSENBERG

BOy 62 % THE RECORD CHANGER 4|S w 49TH STREET NYC

50c minimum bid

SEE PAGE ONE OF AD FOR INSTRUCTIONS.

THE LITTLE RAMBLERS (CON'T)

DODO MARMAROSA (CON'T)

RED MCKENZIE ORCH. (CONT)

2522. Panama/ swingin them own

BB

6193

v+

2588. DARY DEPARTS/ LOVER

Dl

1025

N

2649. YR OUT THIS WRLD/QEORG 1 ANNA

VO 3898 N

2523. SWAMP BLS/ PLAY 1 T RED

CO

1 103

N

2589. UNNAMED TUNES

TEST

N-

MCKENZ IE-CONDON CHICAGOANS

ELLA LOGAN

BOB MARRE ELEVEN

265U.CH 1 NA BOY/ SUGAR

UHCA 9 N

2524. J INGLE BELLS/WHT CAN MATTER B

BR

8057

N-

2590. LOW DBN GROOVE/ BLS IS HR 2n 1 TE

AB

55

E-

265l.N0DBY'S SWTHRTS/ LIZA

UHCA 1 1 N

VINCENT LOPEZ

JOE MARSALA

RAY MCK INLEY 'S JAZZ TAND

2525. MY SWTER THN SWT

HOW 1023

V—

2591. SLOW own/ bull's eye

DE

37|5

E*

265,.L'JV IN 1ST DEGREE/N.O. PARADE

DE 1019 N

2526. LI T WH| TE LI ES

HOW 1088

V*

2592,1 KNW THT U KNW/LWER REGISTER

DE

3764

E+

2653. F 1 NGERWAVE/ SHACK IN OACK

DE 1 02 J N

LOUISIANA BLS

2593. SALTY MAM BLS/ WANDERIN MAN BLS

GEN

|7|7

E+

2654. OVR THE RA 1 NBOW/ONT HVE LANGUAGE

MAJ II 85 N

2527.YELPIN HND BLs/jSY ANO GD MAN GNE

CO

2742

V

2594. GOTTA B THIS OR THT/sO. COMFORT

MU

328

E+

2655. L ND OF BUFFALO N 1 CKLE

Ma J 7|84 E+-

LOUISIANA RHYTHM KINGS

2595.JIM-JAM STMP/ WOO WOO

VO

4| 16

E-t-

2656. Bl G Gl RL NOW 1 4 2

MAJ 7 "3 J N

2528. LADY B GD/ HVE 2 HVE U

BR

4700

E

2596. HOT STRING BEANS/MIGHTY LIKE BLS

VO

4|68

E-h

2657.THT LIT DRM GT NOWHR/ HANGOVER SO

. MAJ 720 IE—

JOE LUTCHER

CARL MARTIN

2658.THT LIT DRM/ HANGOVER SQ.

MmJ 7201 N-

2530.STRATE— CRU 1 SER/sUNDA Y ' S BLS

CP

40052

N-

2597. H| FLOOD BLS/ GONNA HVE MY FUN

CH

50074

E

2659. HANGOVER SQ./ THT DRM GT NOWHR

MAJ 7201 V

NELLIE LUTCHER

2598. HI WATER FLOOD BLs/GONNA HVE FUN

CH

50074

E

266U.B0RDERLI N/ TUMBLE8UG

maj 7206 V

2531. THGT ABT u/ 1 MAG 1 NE U HV|N EYES 4 ME CP l5ll2N-

SALL1E MARTIN

266 1 .BORDERL 1 NE/ TUMBLEBUG

MAJ 7206 E-

JIMMY LUVERTE

2599.JESUS STPS RIGHT 1 n/4 4 20 ELDERS AL

2014

E

2662. f UMBLE8UG/ BORDERLINE

MAJ 7206 N-

2532. MUSIC BOX BLS/THT DON'T WORRY ME

VO

03602

V+

JOHNNY MARVIN

2663.HO0DLE-AO0LE/ PASSE

MaJ 7207 N

SISTER NELLIE LYNN

2600.AFT I'VE CLLD U SWTHRT/dVE ME N

TE

V 1 20984N-

2664. HOWDY FRI ENDS/THT' S WHR 1 CAME 1

N MA J 72 1 | N-

2533. LITTLE WDN CHURCH/ PREC. LORD

HAVN 520

V-

2601. MARY ANN/ OLD FASH. LOCKET

VI

21299

N—

2665. RED SILK STOCKINS GRN PERFUME

MaJ 72|6 n

2534. LUE THE NAME JESUS/wRLD NOT HOME

HAVN 5|6

V-l-

2602.SWTHRTS ON PAR/sHY LIT VIOLETS

VI

2 1820

N—

2666. MEET ME NO SPEC. PLCE/ IVY

MAJ 7223 E<-

J 1 MM IE LYTELL

2603. ROLL IN ALNG/DWN RIVER DRMS

VI

224|8

E+

2667.civi ljzation/ red wagon

MAJ TEST N-

2535.2 FACED man/ TELL ME YR BLS

BEA 106

V

EMMET T MATTHEWS

2668. man's bst friend/ things money cant maj teste

2536.C0MNR IN CHIEF MY HRT/FAT MEAT GD

BEA 1 04

E

2604. TKE GD LK AT MINE/CANT PULL WOOL

VO

3228

E

MCKINNEY'S COTTON PICKERS

GLORI MAC. SID CATLETT'S ORCH.

MAT MATHEWS QUINTET

2669.WNT A LITTLE GRL/CLD B W U 1 HR

BB 5905 E

2537. ONE IN YR MEMRy/whT IS TUNG CLD LUV AS 75

E-

2605.ELEGIE/ PR BUTTERFLY

JUE

6035

N

(above has center split-ooesnt AFFECT PLAY)

MACHITO Y SUS "AFRO CUBANS"

BILLY MAXTED TRIO

267U.WNT A LITLE GRL/IF I CLD B W U

BB 5905 E

2538.YO VENGO DE NUEVA YRK/RONGO

VERNE 0I46E-

2606.BLCK BEAR BASH/ COW BELL STRUT

BR

80221

E1-

2671 .BEEDLE UN BUM/ SELLIN THT STUFF

BB 6595 N—

2539. GONE cry/ U-eLA-6A-OU

MER 5352

NORRIDGE MAYHEM

2672. MISS HANNAH/ WAY 1 FEEL 2DAY

BB 10232 N

MARY MACK

2607. ASH HAUL 1 N BLS/ ENUFF 2 RUN 2

VO

03429

V+

26 73. AINT 1 80 E 11/ WHREV THRS A WILL

BB 10249 N-

2540. EVRY NIGHT/ GET GOING

BB

7JS97

E+

TONI MAYO

2674. I'D LUV IT/ PEGGY

BB IU706 N

MACON ED AND TAMPA JOE

2608. DEP WATER BLo/ JUK" BOX BLS

PL

5501

E-l-

2675.1 'D LUV IT/ PEGGY

BB IU706 N—

254l .TAN 1 LI Z 1 N BTBLACK/MEAN FLA. BLS

OK

8896

N

BETTI MAYS

26 76. WNT A LI TL GIRL/ M I LENBURG JOYS

BB 10954 N-

MAD HONKS/CHARLIE PARKER

2309. UNTIL REAL THNG CMES/nEARNESS OF

U AB 3007E

2677.SHIM ME SHA WABBLE /MILENBRG JOYS

VI 2|6I 1 E4-

2542. BL SERGE/ RELAX IN AT CAMAR 1 LLO

DE

1012

N-

TED MAYS AND HIS BAND

2678. SME SWT DAY/ CHERRY

VI 21 730 E

SHERRY MAGEE'S DIXIELANDERS

26i0.u don t Mean no gd/married ban bls bb

7237

E+

2679.LNESME OLD TWN/ SHE'S SECRT PASH

.VI 22628 E-

2543. TIN ROOF BLS/ SHAKE IT BRK IT

VO

5281

E+

MARY MCCALL

268u.TaLK 2 ME/ CASEY JONES BLS

VI 22640 E

MATTY MALNECK ORCH.

Z6l 1 .HON fT ANYONE/ YR MINE U

DIG

502 N-

2681 .WNT YR LUV/ SISTER KATE

VI 22683 E

2544.SHANGR 1— LA PTS 1 2

CO

3787 7

N

26|2. Sunday/ yr my thrill

DISC 509N

2682.WHEVR THERES WILL/ MAKE ME KNW IT VI 22736E

WINGY MAN ONE

26|3.SKY IS CRYIn/ AFT 1 SAY I'M SORRY ROO 5llN

2683. WNT LITTLE GRL/ OKAY BABY

VI 23000 E

2545. GEN JMPED AT DWn/ BIG FAT MA

ARA

143

V+

TOMMY MCCLENNAN

2684.WNT LITTLE GIRL/ OKAY BABY

VI 23000 E

2546. PA PER DOLL/ BESAME MUCHO

CP

347

N—

26I4.00TTLE IT UP '< GO/ WHISKEY HD WMAN BB 3373N-

2685. NEV SWT FLY/ L.\FF| N AT LIFE

VI 23O20 N-

2547. TAR PAPER STMP/ TIN ROOF BLS

CH

40005

E+

26l 5. COTTON PTCrl 3LS/ BABY,Df)NT U WNT

2

BB3408N-

2686. MISS A L 1 TL MISS/YR ALL I'M AFTER VI 23024 E

2548. JST 1 GIRL/ SHE'S CRY 1 N 4 ME

CO

35685

E+

JOHN MCCORMACK

2687. HULLABALOO/BABY PLSE CME HME

VI 225l 1 E

2549. LUV STRNGEST THINg/eVRY ONCE WHILE

BB

6393

E

25|6. ROSE-MAR IE/ ALL ALONE

VI

1067

E~

2686.TIGHT LIKE THT/ RAINBOW RND SHOLDER VI380I3E

2550 .YR NT KIND/ MDE UP W OLD GIRL

BB

6422

E-

26 1 7.LITTLE 01 T OF HVN

VI

64543

V-

2689. SAVE IT PRTTY MAMA/FND NEW BABY

VI 38061- E

2551 .AFTERGLOW/ RIVER MAN

BB

6483

E-

2ul8.DR OLD PAL OF MINE

VI

64785

V-

2690. B W U 1 HR 2N 1 TE/ZONKY

V| 38tl8 E-

2552. CAN HPN 2 U/ COTTAGE BY MOON

BB

6536

V

2ri|9.LK IN HRT OF ROSE

VI

64814

V-l-

269I.HEGGY/ I'D LUV IT

VI 33133 E

2553. GYPSY IN ME/SAID WOULDN'T LAST

BB

6549

E-

VIOLA MCCOY

'2692. BLS SRE HVE GT ME/BABY PLSE CME

HME VI40-OI |6N

2554.FL0*TIN DWN 2 COTTON TWn/d|D U MEAN BB

6605

E+

2620.GA./IN IT ALL 4 u/PAPA CNT 00 IT

DUB

N-

2693. NEV SWAT FLY/ ROCKY ROAD

VI40-0I |7N-

2555. CNT PRETEND/ FINE ROMANCE

BB

6606

V+

BROWN IE MCGHEE

CONMIE MCLEAN'S RHYTHM ORCH.

2556. IN GROOVE/DNT TURN BCK ON ME

8B

66|6

E+

2621. BROWNIE'S GUITAR/WORfll EO LIFE BL

5 ALRT 403V

2694. SING SING SING/W 0 SHADW DOUBT

BB 6474 E

2557. IN THE GROOVE/PLSE OONT TURN BCK ON BB

6616

E

2622.! WASNT FOOLED/ CONFUSED

SA

5557

N

2695. SNG SNG SNG/W 0 SHADW OF DOUBT

SB 6474 E-h

2558. EASY LIKE/ LET ME CALL U SWTHRT

BB

6618

E-

REV. F.W. MCGHEE

2696. ALL 1 WNT IN WRLD IS U/HI FALUT IN

STMP BB6482N—

2559.EASY LIKE/ LET ME CAL U SWTHRT

BB

661 8

E

2623. 50 MILES ELD OW RGk/iIOTH 2 DO 'N

HE!

L DUB

E

BIG JAY MCMEELY

2560. OH SAY CN U SWNG/BOO-HOO

BB

6805

E-

fOWAfO MCGHEE

2697. BIG JAY AHUFFLE/ THE GOOF

FED I2I02N

2561. YR PREC 2 ME/ OONT EV CHNGE

BB

7002

E

2624.JER0N IMO/ JERONIM"

BOP 1 |2

E

J IMMY MCHARTLAND

2562.LIFE W 0 U/ IMAGE OF U

BB

7003

E-

2625.DIGGIN 4 DIZ/ TRUMPET AT TEMHO

Dl

IU'J5

E

2698. SISTER KATE/ SINGIN THE BLS

PRES 301 N

2563. LIFE W 0 u/ IMAGE OF U

BB

7003

E-h

2626. TRUMPET AT TEMPO/D 1 GG 1 N 4 01 Z

Dl

IU05

£«■

2699. ROYAL GhRDN BLS/ IN A Ml ST

f-RES 302 N

2564. MUST B RELIGION/PRISONER'S SNG

BB

7014

E-

2627.BE-60P/L0VER MAN

Dt

1007

N

2700. ROYAL GARDN/ SINGIN THE 3LS

UNI 381 7 N

2565.EVYTHI NG CME TRUe/gETTIN SME FUN

BB

7|97

E

2628. IN DOOdS ROOM/ HI WIND IN H 'WOOD

Dl

101 J

rCI-

2701. IN A MIST/ DAUGHTER OF SISTER KATE UN 1 88l 8N

2566.EVRYTH 1 NG SAID CME TRu/GETTIN FUN

BB

7197

N—

2629. HI WIND IN H'WOOD/IN DODO'S ROOM

Dl

1010

N

MARION MCPARTLAND QUINTET

2567.AINT GT NOBODy/ JfcZZ ME BLS

BB

7198

N—

263U.DIALTED PUP 1 LS/M IDNTE MINTON'S

Dl

IUI 1

N

2702.4 BROTHERS/ LIBESTRAUM

FED I2934N

2568. GT HRT SET ON u/LAFF WAY THRU LIFE

BB

72|4

E

2631 .NIGHT MIST/ DOROTHY

Dl

1027

N

2703. FLA MINGO/ IT'S DE-LOVELY

FED I2029N

2569. ANNIE LAURIE/ LOCK LOMOND

BB

7389

E

2632. CROSSROADS,' MOOD MCGHEE

NJ

815

N—

2 704. L 1 EBESTRAUM/ 4 BROTHERS

fan iii034E

2570. SWN STREAM/ WHER'S WAITER

8B

7391

E

2633.CU30P CITY 1 4 2

ROO 5u2

N

2705. STRIKE UP BAND/ LUV HR 2 STAY

SA 846 N

25/I.MARIUCCA TKE STMBOAT/LAND OF Y 4M0
2572. HRT OF MINE/LITL JOE FRM CHICAGO

BB
BB

7395

E-t-

ST ICK MCGHEE

JAY MCSHANN'S KANSAS CITY STOMPERS

7622

E

2634.8LS MIXTURE/ DRINKIN WINE

ATL 873

E-l-

27'j6.TR3LE IN MIND/ CME ON OV 2 MY HSE CP I0030E

2573. BRK GD NEWS/MANNONE BLS

BB

7633

E

WILLIE MAE MCKENZIE

2707.H00TIE BLUES/ CON FES SI N THE BLS

DE 8559E+-

2574.LIMEHSE BLS/ FARE THEE BABY

BB

10432

N—

2625.LIT RED WAGON/ MEAT BALLS

VO

U3562

E

2708. HOLD EM HOOT IE/ DEXTER BLS

DE 8583 N—

2575. KW LONG BLS/ BL LOU

BB

10749

E-f-

MCKE'IZIE'S CHICAGO RHY KINGS

2709. SO U WNT JUMP/ ONE WOMAN *S MAN

DE 8607 E-

2576.CRYIN 4 ME/ MOSQUITO SONG

BB

10773

N

2636. SME CHNGES MADE/ FND NEW BABY

BRF500.D25N

27IO.H0OTIES IGNORANT OIL/FORE DAY RIDER DE8635V+-

25 77.AINT IT SHAME ABT MAMIE/RHY ON RIVER B

6 1 0844N-

RED MCKENZIE'S SPIRITS OF RHYTHM

JACK MCVEA

2578.WHN 1 GET U ALONE/DINNER 4 DUCHESS

BB

10909

N

2637. FRM MONDAY ON/ DWN YNDER IN N.O.

DE

186

N—

27|l. KEYS IN MAILBOX/RICHARD GETS HITCHED BW 328E

2579. MAMA'S GNE/STOP THE WAR

BB

1 1 10^

V

2633. ALL FRGOTTEN NW/WHT'S USE OF GETTIN

DE 243N

GIL MELLE SEXTET

2580. SUGR WLKS DWN ST/ HONEY'S LOVIN ARMS B

B30-080IE

2639.AS LNG AS 1 LIVE/WRLD ON STRING

DE

302

N—

27|2.4 MOON/ THE GEARS

TRIUM lOOlN

2581. UP THE COUNTRY/SHAKE THT THING

DE

7366

N

2640. MURDER IN MNLIGHT/LETS SWNG IT

DE

507

N-

MEMPH IS F IVE

VO 4760 E

2582. BIG BUTTER EGG MAn/wEARY BLS

DE

74|5

N-

2641. THTS WHT U THINK/ DBLE TROUBLE

DE

521

N-

27I3.GT 2 HOLD U TIGHT/MARY BLS

2583. TAR PAPER STMP/ TINE ROOF BLS

DE

7425

N—

2642. EVRY NW 4 THN/ MNDY IN MANHATTAN

DE

587

N—

MEMPH IS JUG BAND

VI 21740 E+

2584. TRU WHT THEY SAY/GOODY GOODY

VO

31 91

V-

2643. GA. ROCKIN CHR/WLON'T 1 8 WNDER

DE

609

e+

27l 4.L 1 NOB ERG HOP/ SUGAR PUDDING

2585. WEST WIND/ SHOE SHINE BOY

VO

3192 e7e-

2644.SING OLD FASH. SNG/8U 1 LD 1 N Uh(RM

CHPJDE667E+

( ABOVE HAS CRACK BOTH SIDES J

CHARLIE MAR iANO C

2645.DNT CNT YR KISSE3/DNT KNW YR NME

DE

721

E+

MEMPH IS STOMPERS

VI 2|64| E

2586. Babylon/ sheba

MOT

004

N

2646. WHN LUV HAS GNE/ MOON ROSE

DE

734

E-l-

Z1\ 5.MEMPHI S STMP/ GOOFER FEATH 3LS

DOD MARMAROSA

264 7. WAN TED/ SWT LORRAINE

VR

520

E-l-

271 6. WASH 4 LEE SWNG/ YEA ALABAMA

VI 21709 E-

2587. TRADE WINDS/ BOPMATISM

DIAL 752

E

2643.SAIL ALNG/ FAREWELL 2 LUV

VO

3875

N

RAFAEL MENOEZ

EXC 1036 N—

27l7.NI CORAZON/ BO BO BAILA

32

50c MINIMUM BID

HERMAN ROSENBERG

Box 62 % the record changer 4i8 west 49th street

NYC I V

SEE PAGE ONE OF AD FOR INSTRUCTIONS.
SEE PAGE ONE OF THE RECORD CHANGER

50c minimum bid

Cp IUU39 N-
CP 15039 E
CP 1550 N
CO 37293 N-
co 37293 E+
co 35389 N
CO 35389 E
VlZO-3361 E*

84* II E-

RAFAEL MENDEZ (CON 'T )
2718.1 KNW THT U KNW/ T 4 2 PA I I I N—

27I9.T 4 2/1 KNW THT U KNW PA I I t E-f*

272U. KITTEN ON KEYS/LI TL SPANISH TWN PA I|2 V+

2721. XETTEN ON KEYS/ IN LITLE SPAN TWN PA 1 1 2 N-

JOHNNY MERCER

2722. LST NITE ON BCK PRCH/MRDER JBMaRKHaM BR 8UIIN

2723. DJRATI ON BLS/1N LAZY MOOD MUS CITY E

BOB MERRILL/SAM TAYLOR ORCH.

2724. BLS IS HR 2n I TE/LW DWN GROOVE «B 20|0 E

THE MERRYMAKERS
2725.1 NEV KNEW/KP ON CRBON I N A TUNE BR 3004 N-

METRONOME ALL-STARS

2726. METRONOME RIFF/ LEAP HERE

2727. METRON0ME RIFF/ LEAP HERE

2 728. EARLY SPRING/ LOC. 802 BLS

2729. NAT MEETS JUNE/ SWT LORRAINE

2730. NAT MEETS JUNE/ SWT LORRAINE

2731 . KING PORTER STMP/ ALL STAR STRUT

2732. KING PORTER STMP/ ALL STAR STRUT
2733. OVERTIME/VICTORY BALL

ilLSON MEYERS

2 734 . PR EA CHIN BLS/ ST0K1N THE BOOGIE

MEZZROf -LARDNIER Q I INTET

2735. GET TIN 2GETHER/REV0L. BLS

UZii MEZZROf

2736. MILK 4 MEZZ. REALLY THE BLS
2737.35TH 4 CALUMET/OLD FASH LUV

LIZZIE MILES

2738. COTTON BELT BLS/ MI0N1TE BLS

2739. THT'S ALL RIGHT DAODY/KEEP KNOCK I N

EMMET T MILLER

274U.LI0N TAMERS/ U LOSE

2741 . BIG BAD BILL/ LOV I N SAM
GLEN MILLER

2742. WATERS OF MINNETONKA/ I 4 2

2743. RJNNIN WILD/ DIDN'T MEAN A THING

2744. WNT 2 B HAPPY/ IN THE MOOD

2745. T'JXE00 JUNCT'ON/ DANNY BOY
2746. STAR DUST/ MEL. B„BY

2747. BEL0W THE EyUA TOR/COWBOY SERENADE

2 748. HUMPTY DUMPTY HRT/THS NO LAFFIN MTR BB I I 369E+

2749. AMER. PATROL/ SNG OF VOLGA BTMEN BB20-I 564E

2750. - iVI LIT SHAN 1 SH TWN/SOLO HOP CO 35881 E+-

2751. MNLIGHT 34Y/PEG 0 MY HRT OE 25075 E+-

2752. LNG TME NO C/HR WE GO AGAIN VI 20-1 563 Vf
MIT6H MILLER

2 753. MEET MR. CALLAGHAN/HW STRANGE

2754. MEET MR. CALLAGHAN/ HW STRANGE

2 755. AUTUMN LEAVES/ GREEN SLEEVES
MILLS BROS.

2756. MISS OTIS REGRETS/ OLD FASH. LUV

2757. RHY SAVED WRLD/ SHOE SHINE BOY
2 758. SOL I TUDE/ LONDON RHYTHM
2759.SWING 4 SALE/ PENNIES FRM HVN

2760. DED I CATD 2 U/ BIG BOY BL

2761. BIG BOY BL/ DEDICATED 2 U

2762. R0CKIN CHR. SWNG/ LUV BUG WILL BITE DE 1 227 E
2763. 1.NG AST MIONITE/ OLD FOLHS AT HME

2764. CARAVAN/ FLAT FT FLOOGEE

2765. LAZY RIVER/ CIELITO LINDO

2766. JST WHN WE'RE FALLIN/8L 4 SENT.
MILLS BLUE RHYTHM BAND

2767. TALLAHASSEE/0NCE IN EVRY HRT
2760.0 OF DRM/ LET'S HVE JUBILEE

2769. RHY IN HARLEM/ HARL HEAT

2770. BARRELHSE/ BALLOON ACY

2771. M00N GRINNIN AT ME/ SHOWBT SHUFLE

2772. CALLIN YR BLUFF/BIG JOHN'S SPECL

2773. RIDE RED RIDE/ CONGO CARAVAN
2774.il/AGE OF U/ LUCKY SWING

2775. JAMM1N W JACKPOT/LET'S GET TOGETH
LUCKY MILL INDER

2776. LOADED W LUV/ RAMBUNCTIOUS

2777. HEAVY SUGAR/ LORD KNWS I TRIED

2778. PLSE B CAREFUL/ BACKSLIDERS BALL

2779. BACKSLIDE BALL/ PLSE B CAREFUL

2780. BL RHY FANTASY/ JUNGLE MADNESS

2781. PRELUDE 2 STMP/ RHY JAM
MITCHELL'S CHR I ST I A." SINGERS

BB

IO088

E

SE

IO-008E

VI

252o2

E+

VI

19124

V

VI

05165

E

OK

4l2u5

N

OK

4l 305

E

BB

797u

E-

BB

10269

E

BB

1 04 1 6

V

BS

1061 2

E

BB

10665

N

BB

1 1235

E*

CO

39851

N

CO

39851

N—

CO

47252

N

DE

166

V*

D E

961

E+

DE

1082

E*

DE

1 147

E

DE

1 148

E«-

DE

1 148

N

E OE 1227

E

DE

1360

N—

DE

1876

E+

DE

25046

E

DE

28309

E*

BR

7534

N—

CO

2963

N—

CO

3974

N-

CO

3156

N

CO

3157

N—

CO

3l62

N-

OK

6l |99

N-

Ua

604

N—

VA

634

N-

Kl

4534

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Kl

4557

N

Kl

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Kl

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V«

503

N

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546

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2782. Jesus Chrstof NazaReth/blssed r poor ok 3233 N

2783. WLKIN W MY SAVIDUR/HVE TLK W JESUS OK 33|8 N-

2784. MY TIME A I NT LNG/LRO I'M TRAMPIN OK 04 1 22 N

2785. BR0THR CME ON IN/WHILE HE PASS IN OK 4472 N-
2786.00NT DRIVE AWAY/KNEEL DWN 4 PRAY OK 5835 N

AMOS MILBURN

2787. JST FOOL IN LUV/HW LNG TRAIN BN GNE AL3043E+-

EOD IE MILLER

2788. STMP, MR. HENRY LEE/ YESTERDAYS CP 1 70 E
PUNCH MILLER

2789. G0LDN LILY BLS/ SMEBDY STLE GAL BILT I037N

2790. THERS SML HOTEL/ SHINE CEN 4005 N—
2791. SME OF THSE DAYS/ EXACTLY LIKE U CEN 4006 N-

RAY miller

2792.N0BDY'S USIN IT NW/HOSSIER HOP BR 4687 N-

MISSISSIPPI MAULERS

2 793. MY ANGEL I NE/DONT MESS ARND W ME CO I 545 £+•

MISSOURIANS

2 794. PR OH I B I T I ON BLS/ STOPPIN TRAFFIC VI 38l 20 N—

CARLES MINGUS OU INTET

2795. P0RTRA I T/ PRECOGNITION DEBUT lOl E

CHARLES MITCHELL 4 ORCH.

2 796. MEAN MAMA BLS/ IF IT'S WRNG 2 LUV BB33-0508N-

M I TC HELLS CHRISTIAN SINGERS

2797. WNT JESUS 2 B ARND/LEAD ME 2 ROCK OK 5948 N

2798. JESE EVRTHNG 2 ME/LEAD ME ON OK 5995 N

2799. L0RD CNT TURN BACK/ NEW DRY BONES PE 60962E-

2800. WHR U BURY BODY/PRAY 'N HUMBLE VO 03|80 E«-

2801. WALKIN W SAVIOUR/WNT 2 TLK W JESUS VO 33l 8N—
2302. MY TME AINT LNG/LORD I'M TRAMP I N VO 4|22 E+
2803. JUDGEMENT IS COMIN/MOTHER GNE 2 GLRY V042 73N-
2804.SAINTS R MRCH IN/MAKE UP DY I N BED VO 4357 E

2805. HW ABT U/WHT'RE THEY DOIN IN HVN VO 4394 N—

2806. LETTR FRM JESUS/LRO HVE MERCY VO 044 1 3 N-
Z807.GT ETTR FRM JESUS/LRD HVE MERCY VO 44l 3 E
2808.0RINK OF HOLY WINE/R U HUMBLE VO 4844 E
2809.NEED T B LIKE JESUS/DWN EGYPT LND VO 5097 N-

MODERN JAZZ TRUMPETS (NAVARRO, DAV I S,G I LLESP IE )

2010.

2811

2812
2813
281 4
2815
2816
2817
2818
2819
2820,

2821,

2822,
2823,

2824,

2825,
2826,
2827,

6 TUNES ON LP
MIFF MOLE

PRES LKI |3N

.HOW CLO U/ ON LIT BAMBOO BRIDGE BR 7842 N
.OR. DIXLND | STEP/HONOLULU BLS BR 8243 N
.BIRMINGHAM BERTHA/MOAN I N LOW OD I65788E-

.WILD OAT JOE/CREAM IN MY COFFEE OK 4| I 53 N-
•GT. GEELING I'M FALL/THT'S APLNTY OK 4| 232N-
.B I RMI NGHAM BERTHA/ MOxNIN LOW OK 4|273 N-

NAVY BLS/ LUCKY LITTLE DEVIL
.SHIMME SHA WABBLE/ AFT U'VE GNE
•FEELI N NO PAIN/NEW TWISTER
LUV 4 LEARN/ CNT BRK HABIT OF U
CHARLES MOLINA

OK 4| 37l E
UHCA 9 N
VO 3074 N

3468 N

VO

KOKI KOKA/ NOCTURNAL

MONARCH JAZZ QUARTET
AINT GT NOBDY/SMEBOY 'S WRNG
JST 2 LSTE/ PLEADING BLS

THELON IUS MONK TRIO

SWT 4 LOVELY/BYE-YA
TOOTS MONDELLO

CP

OK
OK

2|'J N

8761 N-
8931 E+

PRES 795N
BR 8061 N-

BR 8105 N-
VS 8| I 8 N-

YR IN LUV W LUV/NAUGHTY NAUGHTY
AT SUNOWN/ C U I N MY DRMS

ST. Louis gal/ lousiaina
THELON IUS MONK TRIO
.TR INKLE TR INKLE/ THSE FOOLISH THNGS PRES838N

MONKEY JOE AND MUSIC GRINDERS

5 1 66 N
5348 N-

2329. carry biz on/ jst give sme away vo

2830.bitin on me/ mntn baby bls vo
JAMES MOODY

283I.600LIE-RINI/ SURRENDER Dl I 039 N-

2832. OH WELL/ SWT 4 LOVELY Dl 1042 N
2833. TURNIP BLOOD/ SLp WALKER BOOGIE Dl 1047 N-

i;834.JMES MOOOY STRY/MOODY SPEAKS MER 70I02N

2835. FLIGHT/ MOOD 4 LUV pRES 703 N

<:836.DEXTERI OUS/ GD BAIT pRES 7|6 N

2837. BL 4 MOODY/ BODY 4 SOUL PRES 730 N

2838. AGAIN/ MOODY'S GT RHY PRES 738 E+

2839. EMB RACE ABLE U/2 FATHERS pRES 744 N
i±S49.CHER0KEE/PENNI ES FRM HVN PRES 756 N

2841. PENNIE FRM HVN/CHEROKEE PRES 756 N-

2842. HEY JIM/ I 'LL GT BY PRES 768 N

2343. M00DY & SOUL/ STARDUST PRES 84l E+-

JOE MOONEY

2344. JST GIGOLO/ SEPT. SONG DE 23790 N-
^845.WARN KISS COLD HRT/T 4 2 DE 23842 N-
£?846.NANCY/ «MN W I MILLN DOLLARS DE 24546 N

ALICE MOORE

2847. RI VERS IDE BLS/ BLACK OEVL BLS DE 7028 E+-

BREW MOORE

2848. BREW BREW/ NO MORE BREW SAV 943 N-

REV. ELDER "GATEMO TH" MOORE

<:849.BJRIED SIN/ THEY SURIED SIN COR 65096N

MONETTE MOORE ,' SWING S''OP BOYS

2850. RHY 4 SALE/ 2 OLD MAIDS IN BED

PHIL MOORE
2051. 125TH ST. PROPHET/CORNUCOPIA
2852. Ml STY MN BLS/ FUGUE 4 BARROOM
2053. DAY DRM/ GALLOP I N COMEDIANS

SH IRLEY MOORE
2854. MOON GLOW/ HAPPY IN LUV

ISSY MORALES

2855. EL L080/ LAMENT
NORO MORALES

DE 71 6| N-

DISC 1 00 E
DISC lOl N-
D I SC I 1 4 N

AP I 133 N

BEL TONE 200IE+

VS 174 N-

8122 N-
8142 n-
608 N-

N—

2856.T 4 2/ TRES PARABLAS

MORAN 4 MACK
2857.2 BLCK CROWS PTS 5 4 6 CO

CHAUNCEY MOREHOUSE

2858. PLASTERE0 IN PARIS/ MAZI-PANI BR

2859. KU-LI-*/ ORIENTAL NOCTURNE BR
2860. ON THE ALAMO/ BLS I N E FLAT VA

SAM MORGAN

286 1 .BOUGAL OUSA STRUT/FO' DAY CREEP DUB
2862.STEPPIN ON GAS/ MOBILE STMP DUB

JOE MORRIS

2863. W0W/ WEASEL WALK ATL 37u Et

2864. L0WD0WN B«BY/ BR KEN HRTED BLS DE 48|26 E
2865.8HUCK A BOOGIE/ B.W. MARCH »TL 885 N-

BUDDY MORROW

2066. ST U ON MIND/ ONE MINT JULEP V 1 20— 4868E+

2067. STA I RWAY 2 STARS/GREYHOUND V I 20—5041 E

2868. CNT GT JTARTED/TRA IN TRAIN TRAIN V|20-52|2n

2869. WONDER WHY/ HEAP BIG HEAT VI20-5295N
2870.0RAGNET/ MOUTH GT HOLE IN IT VI20-5398N-

ELLA MAE MORSE

287| .GREYHOUND/JUMP BACK HONEY CP 2276 E

2872. JMP BACK HONEY/ GREYHOUND CP 2276 N

LEE MORSE AND BLUE GRASS BOYS
2B73.IN SYCAMORE TREE/ I 'M LONELY (2D I G ;C0 I 33 1 E+

2874. MOTHER 4 DAD/ SHADOWS ON WALL CO 1497 E+

2875. SWEETNESS/ MOAN IN LOW CO I 922 N

2876. I'VE GT 5 D0LLR8/WLK I N BABY BCK HME C024I 7N-

2877. CALL ME DARLING/ I'M 4 U I00# CO 2564 N

2878. THTS MY BABY/ OLD FASH ROMANCE PE 11580 E

2879. TELLIN EYES/AINT GT NOBDY 2 LUV PE |2|06 E

JELLY ROLL MORTON

2880. BEALE ST. BLS/ THE PEARLS BB 10252 E
288 | .BLCK BOT STMP/ THE CHANT 88 10253 N-
2882. PANAMA/ SWT SUBSTITUTE GNL 1703 N-
288d. PANAMA/SWT SUBSTITUTE GNL 1703 N
2884.3 1 G LIPS BLS/ GD OLD N.Y. GNL I 704 N-
2885.8IG LIPS BLS/ GD OLD N.Y. GNL 1704 N
2886.WHY/ GET THE BUCKET GNL I 706 Ef
2R87.WHY/ GET THE BUCKET GNL 1 706 N
2888. SHAKE IT/ IF U KNEW GNL 1707 N

2889. H0ME IS SO. TWN /MAMA 'S GT BABY GNL I 7| 0 N-

2890. SWING THE ELKS/DIRTY DIRTY DIRTY GNL 1 7| I N
2891 .8U03Y BOLDEN'S BLS/ THE CRAVE GNL 4003 N
2892. GRANDPA SPELLS/ KANSAS CITY STMP GE 52l 8 G+
2893.SMEDAY SWTHRT/ LONDON BLS OK 8|05 F

2894. DR. JAZZ/ MEMPHIS SHAKE(^»RIM CRk)VI204|5 V

2895. DR. JAZZ/ MEMPHIS SHAKE(£"CRK J VI 204l 5 G

2896. LITTLE LAWRENCE/ PONCHARTRA IN V|40-0|2|N

2897. MAMAMI TA/ T I A JUANA TRU-K I T

2898. BIG FOOT HAM VINY DUB
2099.TIA JUANA DUB

2900. KING PORTER STMP/ THE PEARLS DUB

2901 . WOLVERINE BLS/ KING PORTER STMP DUB
2902.8UCKTWN BLS/ TOM CAT BLS DUB

2903. DUB w BILL IE YOUNG DUB

2 904. MA MAM I TA/ MR. JELLY LORD DUB
2905.8 I G FOOT HAM DUB

SNUB MOSELEY SIX

E+
E+
E-

^906. CLAIRE/ I'M FOOL ABT MAMA PENGUIN 0850N

2907.HINKTY MAN/ U 4 THE OEVIL SON 500 N

2908. SNUB'S BOOGIE/ BLS AT HI NOON SON 501 E
REV. W.M. MOSLEY

2909. GAMBLIN MAN/ SHAM 2 WRK SUNDAY CO I 4 1 36 V

2910. YES, TIS ME/ U SHAL WEAR GOLD CO |427| V

RITA MOSS

2911.1 SHLD KNOW/ NO ONE FUT 3008 N

2912. WHN DAY IS ONE/ U NEV HD I T SO GD MER89024V+

BEHN IE MOTEN

291 3. ME ILENBERG JOYS/ BL ROOM BB 5585 E

2914. NEW ORLEANS/ LAFAYETTE BB 62|3 N
291 5. TOUGH BREAKS/ MARY LEE BB 6638 N
29I6.NEW MOTEN STMP/ SMEBDY STOLE GAL BB 6709 N
29l 7.SWTHRT OF YESTERDAY/PRINCE OF WALES BB685IN-

33

50c minimum bid

BB 7938 E
BB 10259 E+-
VI 22680 E<-
VI 24893 N-

MAJ l I06 N

BENNIE MOTEN (CONT)
29|8.M0TEN'S BLS/ HOT WATER 8 LS
29I9.T0BY/ MOTEN SWING
292U.BE RND BhBY AL TIME/ YA GT LUV
Z92I .SOUTH/ SHE'S NO TRBLE

TONY MOTTOLA

2922. TRIGGER FANTASY / GUILTY

MOUND CITY BLUE BLOWERS

2923. HELLO LOLA/REASN 2 BELVE IN U BB 627u E
2924.SAN/RED HOT BR 26<J2 Vf
2925.SAN/ RED HOT BR 2602 E
2926.BARB WIRE BLS/ U AINT GT NOTH I WNT BR 2648 V-
2927.0P SECND ST. BLS/ TIGER RAG BR 2804 E

2928. PLAY ME SLOW/ GETTIN TOLD BR 2849 E+

2929. U HIT SPOT/ SPREAD IN RHY A RND CH 40098 E

2930. F I REHOUSE BLS/ INDIANA CO 1 946 V-

2931. FIRE HOUSE BLS/ INDIANA CO I 946 V-

2932. MUSKRAT RAMBLE/ HI SOC. BLS DE 1 274 E

GERRY MULLIGAN

2933. ROUNDHOUSE/ IDE'S SIDE t-RES 76l N

JIMMY M'lNDY

2934. G0TTA PUT U DWN

2935. AINT M I SBEHA V I N/ I SURR DEAR

RONNIE MUNRO

2936. 10 PRTTY GIRLS/ THE HAPPY
MURPHY SISTERS

2937. WHSE HRT U BRKING NOW/MKE Ml STKE HUMAN APII28N-

2938. MKE Ml STKE HUMAN/ WHSE HRT BRKIN «p I 1 28 N

2939. WHSE HRT BRKIN/2 MKE M I STKE HUMAN AP I I 28 N-

LYLE "SPUD" MURPHY
294U.0NCE OF DOINKS/ BOOLY-JA-JA BB 1 0539 E+-

2941. B00LY JA JA/ ONCE OF DOINKS BB 10539 N

2942. PINET0P BREAKAWAY/SAND DUNE BB 10875 N

BILLY MURRAY

2943. CME ON PLAY W ME/U AINT HRO NOTH CO 2836 E/V

2944. JST AS WE USED TO DO/I "LL SAY SHE DOES C02746E+

2945. ALC0H0LI C BLS/ GOI N 2 SETTLE DWN CO 2702 E
KHIL NAPOLEON _

BB 6574 E
BB 7U39 E+
SWAN 7510 N
VR 656 E+-
VR 669 E+
vi 2o6j5 e+

aL 3041 E

V« 598 N-

BB 7245 E/N

2946.MEAN 2 ME/ MY KINDA LUV
2 948. THUNDER IN DRM/ ROSELNO WLTZ
2949.SISTER KATE/ NEV 8 THE SAME
2950.LUV ME/ BL »AYOU
2951. SWNG PATROL/ THT'S A PLENTY
£952. GO GO GO/TKE FlNGR OUT MOUTH
FATS NAVARRO

2953. M0VE/ BLS IN TEDDY'S FLAT ( T .EDWARDS ) Dl IU33N

2954. EVERYTHINGS COOL, I & 2 S* 94l N
2955.1 CE FREEZES RED/4 HECKLERS ONLY SA 976 N

TED NASH OU INTET

2956. P0CKTFL OF OREAMS/GRL IN MY DRMS KEY 628 E+

2 957. POCKETFUL DREAMS/GIRL IN MY DRMS KEY 628 N

JEWELL NELSON

2958. BEATIN ME BLS/ JET BLCK SNAKE BLS CO I439U E+

ROMEO NELSON

2959. HEAD RAG HOP/ DETROIT ROCKS HRS 8 N

FRANK IE NEWTON

2960. R0SETTA/WRLD WA I T I N 4 SUNRISE BB I0l76 N—

2961. MIN0T JIVE/ROMPIN BB I0|86 N-
2962.8LS MY BABY GVE/WHO BB 10216 N-

2963. 'SE BABY SAYS ITS SO/NO 2 WAYS ABT VR 550 E+

2964. EASY L I VI N/WHERE OR WHEN VR 61 6 E+

NEW ORLEANS BLACK BIRDS

2965. BABY/RED HEAD BB 6611 E+

NEW ORLEANS FEETWARMERS

2966. AIN'T M I SBEHAV I N/BLS 4 U JOHNNY VI 26746 N-

NEW ORLEANS OWLS

2967.MEAT ON TABLE/PICCADILLY

co

1 158

E

2968.G00SE PIMPLES/THROW IN THE HORNS

CO

1261

E+

NEW ORLEANS RHYTHM KINGS

2969.CRYIN 4 ME/ EVYBDY LUVS SMEBDY

BB

10956

N —

2970. TIN ROOF BLS/ THT'S A PLENTY

BR

U2208

N

297| .TIN ROOF BLS/SAN ANTONIO SHOUT

DE

1 61

N

2972. P«NAMA/ JAZZ IT BLS

DE

162

N

2973. OSTRICH WALK/ ORIG DIXILND I STP

DE

229

N

2974.BLUIN THE BLS/ SENSATION RaG

DE

464

N

2975.BLUIN THE BLS/SENSAT 1 ON RAG

DE

464

N—

2976. TIN ROOF BLS/ THT'S A PLENTY

GE

11353

V*

2977.TIN ROOF BLS/ THAT'S A PENTY

GE

1 1353

V

NEW ORLEANS WANDERERS

2978. PAPA DIP/ 2 TIGHT

CO

735

E

THE NEW YORK TWELVE

HERMAN ROSENBERG

BOX 62 % THE RECORD CHilNGER A\ 8 W 49TH STREET N Y «
s« PAGE ONE OF AD FOR INSTRUCTIONS.

50c minimum bid

2979. A COTTAGE 4 SALE/

2980. YR DRIVIN ME CRZY

HOW IU4| V+-
HOW 1121 V+

RED NICHOLS

2981. PR BUTTERFLY/ PRTTY GRL LIKE MEL BB 10522 V+-

2982. THT'S NO BARGAI N/ WASHBOARD BLS BR 3407 E

2983. B0NEYD SHUFFLE/BODDY'S HABITS BR 3477 E-h

2984. BIVERBT SHUFFLE/ECCENTRIC BR 3627 E

2985. WHISPERING/THER'LL CME ANO TME BR 3955 E
2986.IMAGINATI0N/0RIG. DIXLND I STP BR 3989 N
2987.WH0'S SORRY NOW/ I NEV KNEW BR 4243 E-

2986. ROSES OF PICARDY/ALLAH HOLIDAY BR 4286 E

2989. DINAH/ I ND I ANA BR 4373 N

2990. NEW YORKERS/ 1 MAY B WRONG BR 4500 N

2991. WAIT 4 HAPPY ENDING/CANT W B FRNOS BR 45|0N

2992. CNT WE B FRNDS/WA I T 4 HAP ENO I NG BR 45|0 V4-
2993.SAY IT W MUSIC/THEY DIDN'T BELVE «/E BR 465|E«-
2994.SMTIMES I'M HAPPY/HALLELUJAH BR 4701 E
2995. CAROLINA IN MORN/ WHO BR 4925 E
2996. ON REVIVAL DAY/ PTS I 4 2 BR 6026 E

2997. HOW LNG BLS/FAN IT BR 6|60 E-f

2998. H0N0LULU SLS/ OH PETER 8R 6| 98 N-

2999. GET CANNIBAL/JUNK MAN'S BLS BR 62|9£

3000. GOI N 2 TWN/ GOOFUS BR 63|2 E
3001. SORRY MADE U CRY/EVRY6DY LUVS BABY BR 646IE—

3002. LUV 4 NTS 4 NOODLES/HEAT WAVES BR 645l E-

3003. DINAH LOU/ SUGAR 8R 6534 N-
3004.1 GT RHY/ SWEET AND HOT BR 57l I E
3005. STRIKE UP BAND/ I MAY B WRNG BR 6753 V-

3006. BLACK BESTS/BUGLE CALL RAG BR 6816 E-

3007. RSE OF WASH. SQ/WHO CARES BR 683l E+-
3008.SMILES/ NOBODY KNOWS BR 6832 E
3009. JST WILD ABT HARRY/AFT Y'VE GNE BR 6833 E+
301U.BY THE SHAL IMAR/SWT GA. BROWN BR 684l E+-
301 I .DARDANELLA/U 4 | WR YNG MAGGIE BR 7358 E

3012.3 LITTLE WRDS/ HARLEM BR 7460 N-
3013. 8 LITTLE WROS/ HARLEM BR 7460 E+

3014. BEAT ME DADDY 8 TO BAR/LOWDOWN BLS 0K5676 E+

3015. LUVS OLD SWT SNG/TRBLESME TRUMPT VA 545 N-
301 6.0 SOLE HI 0/HUMORESqUE VA 595 N

301 7. CREAMPUFF/TWI LIGHT IN TURKEY VA 625 N

301 8. DAVNPRT BLS/ DELIRIUM VI 20778 E+
30l 9.SUGAR/WHR COT-COT-COTTON GRWS VI 2l056 N
3020.5 PENNIES/HARLEM TWIST VI 2|560 N-
302 I.INDIANA/ DINAH VO 4599 N-
3022. IDA SWT AS C I OER/FEEL I N NO PAIN VO 4654 N-

RAY NOBLE

3023. MAMA WHT'LL I DO/SAVE SUNBEAM CO 38676 E/V-

3024. MAMA WHT'L I DO/SAVE LIT SUNBEAM CO 38676 E+*

3025. CH I NATWN/ LET'S SWING IT VI 25070 E

3026. DINAH/ BUGLE CALL RAG VI 25223 E

J I MM IE NOONE TR 10

3027. M00DY MELODY/GT MY NUMBER NOW BB 8609 E-

3028. THN YR DRUNK/ I'M GOIN HME BB 8649 N-

3029. EVRY EVENIN/4 OR 5 TIMES BR 80025 VH-

3030. BUMP IT/I KNW THT U KNW DE 1 584 E

303 1. BUMP IT/ I KNW THT U KNW DE 1 584 Et-

3032. J A PANSY/ 4 OR 5 TIMES DE I 62 1 E+-
3033.4 OR 5 Tl MES/JAPANSY DE 1 62 1 E

3034.4 OR 5 T I MES/JAPANSY DE I 62 1 N
3035. OALL ME DAR LI NG/WALKIN THIS TWN OE I 730 N-

3036. WALK IN THIS TWN/ CALL ME DARLIN OE 1730 E

3037. WALKIN THIS TWN/ CALL ME DARLIN DE 1730 E

3038. KNW THT U KNW/BL MURDER DE 3863 E

3039. HELL IN MY HRT/ SWT LORRAINE DE 7553 N

3040. HELL IN MY HRT/ SWT LORRAINE OE 7553 E

3041 . BLS JMPED RABBIT/DIF TYPE OF GUY DE 18439 Vt

3042. EVRY EVENING/4 OR 5 TIMES VO 1185 V
(ABOVE HAS RIM CHIP, I GROOVE)

3043. SWT LORRAINE/ APEX BLS VO |207 V*-

3044. WAKE UP CHILLUN/LUV ME OR LVE ME VO 1 272 V-

NORA 4 DELLE

3045. GET AWAY FRM WINDOW/ARMY CAMP BLS DE 7852 E

3046. KEEP A KNOCKIN/ U AINT BN DOIN RITE DE 7858E

NORFOLK JAZZ QUARTET
3047.SWINGIN THE BLS/ TELL THT BROAD DE 7333 E
3048. SHIM SHAM SHIMMIE/JST DRM OF U DE 7349 Et-

RED NORVQ

3049. PORTERS LUV SNG/ 1 KNW TH T U KNW BR 7744 EH-

3050. PORTERS LUV SNG/ I KNW THT U KNW BR 7744 V

3051. CAN HAPPEN 2 U/WHN KISS NT A KISS BR 776IN
3052.SLUMMIN ON PRK AVE./LUV 2 KP ME WRM BR B8| 3N
3053. SMOKE DRMS/ I0JU DRMS OF U BR 781 5 N-
3054.SM0KE DREAMS/ 1000 DRMS OF U BR 78|5 N

3055. LIZA/WLD DO ANYTHNG 4 U BR 7868 V

3056 . REMEMBER/ J I V I N THE JEEP BR 7896 N-

3057. P0SIN/ EVRYONE ' S WRNG BT ME BR 7928 N-

RED NORVQ (CON 'T I
3U58.M0RINQ AFTR/DO U EV THNK OF ME

3059. W0RPIED OV U/TEARS IM MY HRT

3060. W0RRIED OV U/ TEARS IN MY HRT

3061. RUSSIAN LULL/CLAP HANDS

BR 7932 £•»■
BR 7970 N
BR 7970 N-
BR 7975 N

3062.LUV HERE 2 STAY/I WUZ OOIN ALLRITE BR 8068M-

BR 8069 N
BR 8085 N-

BR 8088 E+
BR 8088 N-
BR 8089 E+
BR 8089 N-
BR 8103 N-
BR 8236 N-
BR 8103 E+
BR 8135 E+

BR 8|45 E-

BR 8208 E
BR 80116 N

3063. IT'S W'FUL/ALWAYS 4 ALWAYS
3064.SER. 2 STARS/MORE THN EVER
3065, HL6E B K I NO/WEEKEND OF SECRETARY
3066„WEEKEND OF SEC 'TY/PLS E BE KINO
3067.HW CAN U FRGET/BOY IN HARL
3U68.B0Y IN HARL/ HW CN U FORGET
3069.TEATIME/ JEANNINE
3U70.IN A MIST/DNCE OF 0CT0PU6
307|. T TIME/ JEANNINE
3072. U LVE ME BRTHLESS/SAYS MY HRT

( LAM SPLITS IN ABOVE, ANO BELOW )
3073.0AYDREAMIN/ SAVIN MYSELF 4 U
3U74.BLS IN E FLAT/BUGHOUSE
3075.1 SURR DR/ RED OUST

3076. UNOR BLANKET OF BL/HOLLYRI DGE DRVE CP I 5083N'

3077. UNR BLNKT OF BL/ HOLLYR I DGE DRVE CP 15083 E
3U78.0LD FASH LUV/ HONEYSKLR ROSE CO 3059 V

3079. BUG HOUSE/ BLS IN E FLAT CO 3079 N

3080. BLS IN E FLAT/ BUGHOUSE CO 361 58 N—

3082.GRMERCY Sl|/ DECCA STMP
3083.1 GT RHY/ LADY B GOOD

3084. GT HAPPY/ CONGO BLS

3085. CONGO BLS/ GET HAPPY

3086. BIRD'S BLS/ SING HALLELUJAH

3087. TIME 4 TIDE/ CHEEK 2 CHEEK
3088.7 COME 11/7 COME I I
3089.SW1SH PASTRY/NIGHT & DAY

3090. SEPT. SNG/ZlNG WNT STRING OF HRT

CHICO O'FARRELL

3091. GUESS WHT/ AINT NECC. SO

WALTER O'KEEFE

3092. ALWYS BR I DESMA I D/ BEARD ED UDY

KING OLIVER'S ORCH.

3093. BOOGIE WOOG IE/MULE FACE BLS

3094. MULE FACE BL/ BOOGIE WOOG I E

3095. WHT U WNT ME 2 DO/2 LATE

3096. CALL OF FREAKS/TRUMPET PRAYER
3097.ST! NGAREE 8LS/SHAKE IT 4 BRK IT

OE

670 E

DE

691 E

DE

779 E+

Dl

1035 N

01

1035 E

Dl

1045 N-

Dl SC

134 N

Dl SC

6089N-

D I SC

135 N

Dl SC

147 N

MERC

8986N

BR

7336 E

BB

BB

6778 N
6778 E
7242 E
7705 E*
10707 E

3098. mandy lee bls/u rite off my mind bre 022oin

3099. cnal st. bls/ chimes sls j i i n-
3| 00. canal st. bls/ chimes bls j i in

3101. mandy lee bls/ froggie moore rag j i

3 1 02. wea the r8 i rd rag/ snake rag j i

3103. di ppermth bls/cake wlki n babies j i
(above w Red Onion Jazz Basies)

3104. aint gonna tell nobody/rocm rnt bls

3105. s0thrn stomps (one side only)

3106. mabels drm/ riverside bls

3107. wh 010 u stay/di ppermth bls

3108. king porter/ tom cat
3|09.mabel's dream/ riverside bls
31 io.sugar ft stmp/ a monday date
3| i i.mabel's dream - both sides
31 i2.s0uthrn stmps/ther'll cme a day

SY OLIVER

2
5
10

DUB N-
DUB N-
DUB N—
4918 G/F
SESS I N
SI G 905 E-
UHCA 4| N
DUB N
OUB N

OK

DE 2770 7 E+
DE 277l 8 N

DE

7412 E+-
7276 E-

31 13. CASTLE ROCK/ABORO SENT. TRAIN
3| I 4.CASTLE ROCK/MY BUDDY'S CHICK

OLD MAN OPEN

3II5.SILK WORN BLS/ROAD 2 RUIN
3116.4 DAY IN MORN I NG/WHT U GONNA DO
GEORGE OLSON

3||7.SAM THE ACCORDION MN/HE'S LST WRD VI 20425N—
MILTON ORENT

3| I 8.WHI STLER 'S 8LS/L0NELY MOMENTS DISC 6067N—

ORIGINAL TUNES
3| 1 9. SOFT WINDS/I TOLD U I LUVE U

ORIGINAL CREOLE STOMPERS
3I20.UP JMPED DEVIL/ EH LA BAS

ORIGINAL DIX1ELAMQ JaZZ BAHP

3|2|. JEZEBEL/DROP NICKEL IN SLOT BB 7454 E-h
3I22.0R1G. DIX. JB I STEP/LIVERY STBLE BLS VI I 8255E-

3123. AT JAZZ BND BALL/ OSTRICH WALK VI 18457 E

3124. BLUIN THE BLS/ SENSATION RAG VI 18483 E

3125. M0URNIN BLS/ CLAR MARMALADE VI I 85 1 3 E-

3126. CLAR. M ARM/ MOURIN BLS VI | 85 1 3 E

3127. FI0GETY FT/LAZY DADDY VI 18564 E

31 28. PALASTENNA/ MARGIE VI |87|7E

SOUNDCRFT TEST N—

5l3 E

34

50c minimum bid

ORIGINAL DIXIELAND JAZZ BAND (CON'T)

3| 3U.BRDWAY RSE/ SWT MAMA 3 PAPA GTTIN MAD VII&722E-

( ABOVE HAS RIM CHIP )

3I3I.6RDWAY ROSE/SWT MAMA VI 18722 E

3132. CRZY SLS./HOME AGAIN BLS VI I 8729 E-

3133. JAZZ ME BLS/ ST. LOUIS BLS VI 18772 V+

3134. ROYAL GARDN BLS/ DANGEROUS BLS VI 19798 E

3135. BARNYARD BLS/ ORIG.D. J.B.I STP VI 25502 N-
3|36. TIGER RAG/ BLUIN THE BLS VI 25403 E
3I37.CI0 U MEAN IT/ WHO LUVS U VI 25420 E+-
3| 38. SKELETON JANGLE/TIGER RAG VI 25524 N-

3139. BLUIN THE BLS/ CLAR. MARMALADE VI 25525 E+-

ORIGIMAL DIXIE FIVE

3140. TIGER RAG/ SKELETON JANGLE VI 25524 V+

3 1 41 . FIDGETY FEET/V I EN I V I EN I ( R • MUNRO ) VI 25668N-

ORIGINAL MEMPHIS FIVE

3| 42. ANYTHING/JAZZ ME BLS CO 2588 E+/E

3I43.SHE WLDN'T DO WHT | mSKED HER TO CO 37 N

3144. RED HESOGAL/ 1 NEV MISS SUNSHINE PE |4|2] V

31 45. A INT THT HOT/HOUSE OF DAVID BLS RE 53|4 V

OR IG INAL YELLOW JACKETS

3|46. CROSS ST. SWING/ BL DRAG VO 03591 N-

K ID ORY'S CREOLE JAZ2 BAND

3I47.S0UTH/ CREOLE SONG

3148. CREOLE SONG/ SOUTH

3149. CREOLE SONG/ SOUTH
3l 50. CREOLE SONG/ SOUTH
3|5|,GT OUT OF HERE/BLS 4 JIMMY

3 1 53 . BLS 4 JIMMY/ GT OOT OF HERE

3154. BLS 4 JIMMY/GET OUT OF HERE
3I59.D0 WHT ORY SAY/ CARELESS LUV

3 I 60. ORY'S CREOLE TRMBONE/0 .D . I ST
3 1 6 I . SAVOY BLS/ D I PPERMTH BLS
3l 63. SAVOY BLS/ DIPPERMOUTH BLS

3163. HI SOCIETY/ BALLIN THE JACK

3164. BALLIN THE JACK/HI SOCIETY
3|65.0RY'S CREOLE TRMB/SOC 1 ETY BLS
3I66.HI SOC I ETY/MUSKRAT RAMBLE

MARY OSBORNE TRIO
3 1 6 7. WHAT 2 00/ HOODLE ADDLE
3|68.MARY'S GUITAR 800G/I I LUV

WILL OSBORNE

CRS

N

CRS

1

E+

CRS

1

N—

CRS

1

E-

CRS

2

N—

CRS

2

N

CRS

2

E

CRS

5

E*-

CRS

6

E+

EX

3

N—

EX

3

N

EX

4

N—

EX

8

N

PX

3

N

DUB

E

SIG I5076E-
SIG I5077E1-

ATL

860

N

ATL

861

N-

GLD

II 1

N

GLD

133

N—

JE

133

N

JE

224

E+

JE

224

N

MU

366

N

MU

489 N

MU

490

N

3I69.0N W THE DANCE/Y'VE GT SMETHING DE 1 394 N
3I7U.SAY IT ISNT SO/GIT ALONG (CALLOWAY ) ME I 2485E+

OSCAR'S CHICAGO SWINGERS
3|7|.RUBB|N ON OLD THING/WHO'S BOOGEIN DE 7|86 V
3|72. GAL'S BEEN FOOLI N ME/TRY SME OF THT DE 7201V

3173. TRYS0ME OF THT/GAL'S BN FOOLI N ME DE 7201 E

BOYD RAEBURN

3174. hW HI THE MOON/TRBLE IS A MAN
3I75.ST LOUIS 8LS/ LADY IS WRAMP
31 76 .SUMMER T I ME/ MARCH OF BOYDS
31 77. BOYD'S NEST/ U CAM ALONG
3 1 78. ONLY HVE EYES 4 U/BOYD MTS STRAV. JE

31 79.T0NSI LECTOMY/ FORGETFUL
3 1 80. FORGETFUL/TONS I L EC TOM Y

3181. GT ME CRY I N AGAIN/SUMMERTIME

31 82. MARCH OF BOYDS/I NTERLUDE

3183. BOYD'S NEST/ BL PRELUDE

THE LITTLE RAMBLERS

3184. TESSIE STP TEAS I N/HRD HRTED HANNAH CO 203 E*

3 1 85. EVYTH I NG OKEY-OOKEY/LOVLYLIZA LEE BB 6|44 E
3ie6.L!FE BEGINS AT SWT 16/FELHV WHO LUV U BB6|92N-/E
3| 67.LNESME RA I LROAD/HONEY I N BEE BALL DE 2499 N

RAMPART STREET PARADERS

3I88.RHY RAG/ PAPA DE DA DA MGM I 1 0 1 ON

MA RA INEY

3| 89. JELLYBEAN BLS/ COUNT IN THE BLS J I 8 N

3| 90. JELLYBEAN BLS/ COUNTIN THE BLS J I 8 N-

3| 91. JEALOUS HRTD BLS/SEE SEE RIDER J I 9 E+
3|92„JEAL0US HRTED BLS/ SEE SEE R I OER Jl 9 N

3| 93.BARRELHSE BLS/ WALK IN BLS HA 12082 E

3194. NIGHT TIME BLS/ 4 DAY HONORYSCAT PA 12303 V

3195. BLS OH BLS/ OH PAPA BLS PM 12566 N-

3 1 96 . NEW BO-WEAVIL BLS/MOONSHI NE BLS PM 12603 N-

3197. BLS WRLD FORGOT/BLS WORD FORGOT PM 12647 N

3198. YNDER CME THE BLS/ STACK 0 LEE BLS SIG 908N

CLARK RANDALL

3199. WHN MORGAN PLAYS ORGAN/TRBLSME TRMPET BR74|5E+

3200. hR CMS YR PAPPY/ DRIFTING TIDE BR 7436 N-

3201. YR LKIN 4 SMEONE 2 LUV/JI TTERBUG BR 7466 N-

AMANDA RANDOLPH

3202. DOIN SUSIE Q/PLSE DONT TLK ABT MAN BB 66|5N-
3202.4 SENT • REASONS/ HE MAY B YR MAN BB 661 7 N

HERMAN ROSENBERG

BOX 62 $> THE RECCPO CHANGER 4|8 WEST 49TH ST
NYC 19 N Y

SEE PAGE ONE OF AC FOR INSTRUCTIONS.

50c minimum bid

3206,
3207,

3208,
3209,
32 10.

32ll,

32|2,

3213.
32 1 4.

32 1 5.
32 1 6.
32 1 7.
32 1 8.

32 1 9.

3220.
3221 .
3222.
3223.
3224.
3225.
3226.
3227.
3228.
3229.
3230.
3231 .

JACK RANGER
.T. P. WINDOW BLS/ THIEVIN BLS

CROON IN ANDY RAZAF
.ALL WRLD IS LONELY/ EMPTY ARMS
THE RAVENS
OL' MAN RA VENS/WLD U BELIEVE ME
WRITE ME A LETTER/SUMMERTIME

MARTHA RAYE

AFT Y'VE GONE/OH DR. KINSEY
AFT Y'VE GNE/OH DR. KINSEY
AFT Y'VE GONE/ OH DR. KINSEY

CASPER REAROON

IN SENT. MOOD/AINT MISBE

PIANO RED

DAYBREAK/ VOO DOOPEE DOO

SPECKLED RED
WHT MAKE U TRT ME SO MEAN/DWN ON LEVEE BB8||3n-

OK 8795 E+

CO 14265 N-

NAT 9035 E
NAT 9038 E-

D|SC 503 N
DISC 503 E
D I SC 503 E+-

MA 133 N-

VI 20-4957 N

TAKE IT EASY/

TAMPA RED

U GT 2 FIX IT

BB 8036 N

SMEDAY | 'M BND 2 WIN/NEV GO WRNG BB 6825 N—
RI GT OR WRNG/CHEATIN ON ME BB 6832 El-

SWT MELLW WOMAN BLS/ DON'T FRGET BB 8327 N
FIRST LUV 8LS/LET ME PLY W POODLE BB34-0700N-

GENE REDO

FED I 2 I I 9 E-/E

drmed the bls/ in the redd

don redman

dwn home rag/ margie
if it's true/hot and anxious
pagan paradise/2 time man
shakin the afr i can/chnt of weed
lazy weathr/moonr i se on lowlnds
lit bit later/i gotcha
midnite mood/ mickey finn
dark glasses/ carrie mae bls
sunny side of st. /exactly like u vr

BB I0C6I N-

BR 6368 E

BR 64|2 N

BR 80036 E4-
ME 6-07-09N
ME 6-08-02N

SWAN 750 IN
SWAN 7502N
580 N
605 N

VR

SWT SUE JST U/STORMY WEATHER

THT NAUGHTY WLTZ/MAN ON FLYI N TRPEZE VR 635N
BUGLE RAG/ 2 BAD VO 3354 E+
REILLY t, FAR1E Y & THEIR ONYX CLUB BOYS

3232 . LOOK IN 4 LUV/MUSIC GS RND & RND DE 578 N—

3233. BL CLAR. STMP/ WABASH • BLS DE 64l N-

DJAMGO REINHARDT

3234. SWING 49/ BLS BARB I ZON DIAL 754 N

RESER'S RADIO 8AND
3235. SWT JENNIE LEE HOW I 1 22 E+-

THE REVELEERS

3236.COLLEGI ATE/CHRLSTON BCK 2 CHARLSTON VI I 9778E+-

3237. DINAH/ OH MISS HARMON VI 19796 N

3238. BL SHADOWS/ DUSKY STEVEDORE VI 2|765 N-

3239. COTTAGE 4 SALE/ WOMAN IN SHOE VI 22382 N

3240. BL AGAIN/ LADY PLAY YR MANDOLIN VI 22622 E*

ALV INO REY

3241. GUITAR BOOGIE/THERE IS NO BREEZE CP 3|8 N

MADAME EVA REYNOLDS

3242. NO ONE CAN LVE ME LKE HIM/SERVCE OF LD AB70C2N

TOMMY REYNOLDS

3243. OCEANA ROLL/VALENT I NA ATL 921 N-
3244. MY GAL SAL/ 7|2U IN THE BOOKS DERBY 822 E-

3245.7:20 IN BOOKS/MY GAL SAL DERBY 822 E-

DORIS RHODES

3246. LET THR B LUV/ SIERRA SUE CO 35449 N

3247. L0RELEI/ MEL BABY CO 35548 N

3248. PAGLIACCI 0/COWBOY LULL PAB 900 N

3249. BL MOOD/ JST INFATUATION PAB 906 N

TODD RHODES ORCH.

3250. BL AUTUMN/ PIC LATIN BLS KING 4566 N

RHYTHMA IRES

3251 .SWT LORRAINE/ JST JAMMIN SWAN 7505 N

RHYTHMA KERS

3252.0H PETER/WHO STOLE THE LOCK CO 35841 E<-

RHYTHM WRECKERS

3253. MAR IE/ SEPT. IN RAIN

3254. ALICE BL GOWN/ WABASH BLS

3255. ALICE BL GOWN/ WABASH BLS

3256. NEV NO MORE BLS/I2TH ST. RAG

3257. PAGAIN LUV SNG/SMEBOY STOLE GAL

3258. LITTLE LADY/MEANEST THING BLS

THE THREE RIFFS

3259. PLUT0/ I 'LL B THERE

MAX ROACH

3260. MAX CLOGY

BILL ROBINSON

3606 N-
3390 E
3390 N-
3523 N-
3655 N-
3883 N-

ATL 871 N-

PRES 702 N

3261. JST CRZY SNG/KEEP SNG IN SOUL

CARSON ROBINSON ORCH .

3262. N0THIN/ LESS THAN "ftHT

BR 7705 N

OK 4| 3e9 E

CH 4C0I I N-
DE 7430 N

I KEY R03INS0N
3263.SCRUNCH-LO/ SWING IT
3264.SCRUNCH-L0/SW I NG IT

PAUL ROBESON

3265. SWING LW SWT CHAR/NOBDY KNW TRBLE VI 20068N
3266. CE LAM'S A CRYI N/EZEKI EL SAW WHEEL VI20604N
3267. SWNG LO SWT CHAR/OH MY JOURNEY VI 25547 N-
D ICK ROBERTSON

3268. CABIN OF DREAMS/HVN HELP THIS HRT DE 1374 N-

3269. U WNT 2 MY HEAD/DROP 5# IN SLOT DE 1706 E«-
3270. SEPT IN RA IN/MY LIT BUCKAROO DE 62077 Et-
327|.TOODLE-O0/Y'LL NEV GO 2 HVN OE 62|68 E4-

3272. MRRY GO RND BRKE DWN/GD MORN IN DE 62284 N-

3273. GNE W W I ND/M I LLER ' S DGTHER MARIANNE 0E62285E+

3274. GETTIN FUN 0 LIFE/ROSES IN DEC. DE 62668 E4-

3275. WNT U 4 X MAS/ROLL I N PLAINS DE 62696 N-
3276. SHANTY IN SHNTY TWN/WNDER WHO'S KISS DE62 700E+-
3277. SAIL SILVRY MOON/HSE ON HILL DE 62892 E+

3278. YR A SWTHRT/SMEBDY THINKIN OF U DE 63165 E-h

3279. U STARTED SMETH I NG/BOB WHITE DE 63l6l E+-
3280. SAIL 2 DRMLAND/GD NITE ANGEL DE 63353 N-

3281. WHT BECAME OF SALLY/2 LIT GRLS IN Bl DE62702E*

3282. TKE ME 0 2 BALL GME/MY GAL SAL DE 62706 E+

WILLfflD ROB I SON

3283. TA1NT SO /DEEP RIVER BLS VI 2|65| N

3285. REL IN RHYTHM/WADE TRBLED WATERS VI 22446 N

V IN RODOIE

3286. WATERS OF Ml NETONKA/TEMPTATI ON APO 1130 N

ROD RODNEY'S BE-60PPERS

3287. PERDID0/ GUSSIE G . MER 8906 N

RED RODNEY

3288. COOGAN 'S BLUFF/SMKE GETS IN EYES PR ES 765 N

WILL ROGERS

3289. H0W 2 OIRECT TRAFF I C/H.FORD FOR PRES. V 1 4536 9N—

ADRIAN R0LL1N I

3290. LESSONS IN LUV/ TAP ROOM SWING
3291 .SW IN GLOW/ STUFF

3292. VIBROLLINI/ JITTERS

32 93 . REBOUND /OR I FT I N

3294. REB0UND/DR I FT I N

3295. BEI MIR BIST DU SCHON/ BILL

3296. BI L|i/8EI N MIR BIST DU SCHON

3297. JOSEPHI NE/ YR A SWTHRT

DE

787

E

DE

807

V+

DE

1 132

E—

DE

1 157

E

DE

1 157

E-t-

DE

1638

E

DE

1638

E*

DE

1639

E-

1 DE

1654

N

DE

1973

N

IG OFF MAI I4n

ME

12766

V

VO

5200

E-

PRES 769

N

PRES 780

N

VI20-5I26

N

SO

M-251

E

330 1. DREAM ON/ SOMEONE 2 LUV

3302 . M OON GLOW/ PA V ANNE

SONNY ROLLINS

3303. THIS LUV OF MINE/ MAMBO BOUNCE
3304. SNG IN MY HRT/ SHADRACK

AL ROMERO & ORCH.
3305. CAMPES INO/ MAMBO SHAY

PHIL ROSE

3307. DOG WHO STEALS BABY/LUV ISNT LUV « 252 E-

CANTOR ROSENBLATT

3308. UMIPNE CHATOENU, PTS I S 2 CO 1932 E-

JOSEPH ROSENBLATT

3309. Z0REA TZEDOLES/ ZAROH CHAYU COE 3278 E-

T I MM IE ROSENKRANTZ

3310. WEE BIT 0 SWING/2 B MY SOUVENIR VI 25876 E*

3311. WEE BIT 0 SWING/ THIS 2 B MY SOUVENIR V 1 25876E+-

ANN IE ROSS

33 1 2.TWI STEO/ ANNIE'S LAMENT

33 I 3. FARMER'S MRKET/T I ME WAS RIGHT

ROSETTE GOSPEL SINGERS
33 1 4. JESUS/JESUS IS ALL WRLD 2 ME

THE ROYALS

m ES 794 N
PRES 839 N

DE 48 1 1 7 N-

FED I2098N-

33I5.LUV IN MY HRT/NEV IE T HER GO

LA 'RA RUCKER

33I6.SMETHIN 'S WRNG/SW1NG MY RHY CO 7260 E-

BABE RUSSIN ORCH.
33|7.LET'S FALL IN LUV/WLKIN BABY BCK HME KEY 665E*
33|8. ROSES IN DEC. /LUV OR INFATUATION VR 636 N-

3319. ALL THINGS U R/ LIKE SOMEONE IN LUV KEY 630 E-

LUIS RUSSELL

3320. NEW CALL OF FREAKS/JERSEY LIGHTNING CO 35690E+-

3321. GOIN 2 TWN/ SAY THE WRD VI 22789 E+-

3322. DOCTOR BLS/ SAVOY STMP VO 3480 N

3323. DR. BLS/ SAVOY STMP VO 3480 N-

3324. DR. BLS/ SAVOY STMP VO 3480 E

KEE WEE RUSSELL

3325. BEST GAL TRNED ME DWN/MUSKOGEE BL DISC5053N

35

50c minimum bid

HERMAN ROSENBERG

BOX 62, % THE RECORD CHANCER 4| 8 WEST 49TH ST
NYC 19 N V

SEE PAGE ONE OF AD FOR INSTRUCTIONS.

50c MINIMUM BID

PEE WEE! RUSSELL (CON'T)
3326. DINAH/ BABY PLSE CME HOME HRS lOOO V

3327. HORN OF PLENTY BLS/ SME CHNGES HIDE HRS I0OIV

TED RUSSELL

3328. DBLE TRUBLE/RHY IS OUR BUSINESS CH 40042 N-
3329.S.CI.AUS COMIN 2 TWN/SINGLE BELLS CH 40056 N-

LOV IN SAM 4 CAMPBELL

3330. YR SOLID W ME/BIG TIME ROSE BB 7629 E

LOVIN SAM AND SWING RASCALS

333 1. WHT I'M TLKIN ABT/SBO-OE-O-OEE VO 03686 N-

5ALILSBURY CHOIR OF NEW HAVEN, CONN.

3332. LIFT EVRY VCE A SING/POOR ME FUT 3007 N

RED SAUNDERS

3333. LST NIGHTS PARTY/PI ECE-A-PUDD I N OK 69I4N

JAN SAVITT

3334. SUGAR FOOT STMP/ QUAKER CITY JAZZ BB I0OU5N-

THE SCARE CROW
3335.1 'M LONG GONE/ TRAVELING BLS VS 6046 N

SCAT MAN CROTHERS W. RIFF CHARLES

3336. DEAD MAN'S BLS/ THE THING CP 15076 N

ELMER SCHOEBEL

3337. COPENHAGEN/PR I NCE OF WAILS UHCA 1 8 N-

GENE SCHRQEDER

3338. SWT GA. BRWN/ T 4 2 B A W5B E

CEC IL SCOTT

3339. LAWD, UWD/ IN A CORNER BB 8276 N

LITTLE J IMMY SCOTT

3340. WONT CRY ANYMORE/ I'LL B SEEIN U ROO 6 1 5 E4-

RAYMOND SCOTT

3341 . MINUET IN JAZZ/TWILIGHT IN TURKEY MA 1 08 E

3342. BOARD A OCEAN LINER/HUNGRY CANN I BLS MA I 36N—

3343. TOY IRLMPET/PWERHOUSE MA 111 E+

3344. TWIL. IN TRKEY/MINUET IN JAZZ MA 108 N

3345. JACKR ABB I T/MA HE MAKIN EYES AT ME MGM105B3E4-

3346. T00NERVILLE TROLLEv/ENCHNTED FORST SON3003N

ROOSEVELT SCOTT

3347. BLCK GAL BLS/ BRWN SKIN WMN SWNG VO 5206 E*

3348. DR. BILL BLS/ BE MY BABY VO 05502 E*

TONY SCOTT 8, DOWN BEAT CLUB SEPTET

3349. ALL 2 SOON/lO LESSONS W TIMOTHY G0~ 105 N-

3350. ALL 2 SOON/ 10 LESSNS FRM TIM. GO 105 N

WALTER SCHUMANN

3354. DREAM/ HALLS OT IVY CP I 505 N

3355. LAST NIGHT/ FAR LANDS CP 2030 N

3356. WHN LUVER HAS GNE/HVE 2 CHNGE PLAN CP2290 N

ARTHUR SCHUTT

3357. PIANO PUZZLE/LUVR CME BCK 2 ME OK 4|243 V

GENE ( HONEYBEAR )SEDR IC

3358. BABY BABY BLS/SEDRIC'S BLS HAR I 804 E+-

3359. CHICAGO WMAN BLS/ CHIC. WMAN BLS HAR 1805 E

3360. LONELY MOMENTS/BOOT I N A SW I NG I N HAR 1806 N-

3361 . MUSIC 2 MY SORROW/FORGET IT HAR I 807

CHARLIE SEGAR

3362. BOOGIE WOOGIE/ COW COW SLS DE 7075 E

3363. COW COW BLS/ BOOGIE WOOGIE DE 7075 E+

3364. CUBAN VILLA BLS/ SO. HOSPITALITY DE 7027 E+-

TOSCHA SE I DEL

3365. F0REV BLOWING BUBBLES CO 78798 E—

SELVIN 'S NOVELTY ORCH.

3366. DA R DA NELL A/ ISLE OF GLON DREAMS VI 18633 N-

BOYD SENTER

3367. N0 one/ SMILES BB 6957 N—

3368. AINT GT NOBDY/ SIGHT A CRY BLS OK 40861 N

3369. NEW ST LOUIS BLS/ BAD HABITS OK 40755 Et-

3370. RICH MN POOR MAN/lN JAILHSE NOW VI 220|0 E+-
337|. WABASH BLS/ GOIN BCK 2 TENN. VI 2|864 E

TERRY SHAND

3372. SAY "NO" BABY/GIRLS GT IN 2 ARMY DE 4320 E/V
3373.4 7 LONG YEARS/ CINOY DE 3835 E+

3374. NEW RIVER TRAIN/ FILIPINO HOMBRE DE 3836 N

3375. TLKIN OUT OF TURN/PIERRE OF SASK. OE 3641 £+•
3376UFILIPINO HOMBRE/HEW RIVER TRAIN DE 3836 E-

ARTIE SHAW

3377. ANY OLD TIME/ BACK BAY SHUFFLE BB 7759 E

3378. BEG IN BEGUINE/ INDIAN LUV CALL BB 7746 E

33 79. COPENHAGEN/ SOFTLY, AS IN SUNRISE BB 10054 E-

3380. CNT BEL YR IN LUV W ME/COMIN ON BB 7772 E

3381 . WNT MY SHARE OF LUV/DELI GHT DELIR. BB |0|32E/V
3382 o JUNGLE DRUMS/ HAD 2 B U BB 10091 N-

3383. NON-STOP FLIGHT/NIGHTMARE BB 7875 E

3384. LADY B GOOD/ SURRENDER DEAR BB 10430 E+-

3385. TRAFFIC JAM/ SER. TO SAVAGE BB 10385 V

3386. WHT THING CLLEO LUV/ YESTERDAYS BB 1 0001 E

3387. AFRAID 2 DREAM/ U SHLD EV LEAVE BR 7934 E-I-

33 88. AM | LIN LUV/PRDON US WR IN LUV BR 7942 E-

ART IE SHAW

(CON'T)

3389. CHANT/ FEE Fl FO FUM BR 7952 E

3390. CREAM PUFF/ S0B8 I N BLS BR 7806 E

3391. FREE WHEELING/SHT L1KKER 2 ME BR 7976 E-

3392. HW DRY I AM/SWT A DEL I NE BR 7936 E

3393. IF LST THING I DO/NEW RHY IN HRT BR 7971 E
3394.1 'M YOURS/ JST U JST ME BR 80l 0 E

3395.1 surrnder dr/ bl skies br 7907 e

3396. it aint right/so. c island magic br 772| e-h
(above has rim chip 2 grooves)

3397. g0es 2 yp feet/all god's chillun. br 7895 n

3398. t i pperary/ni ghtmare br 7965 e

3399. t i pperary/n i ghtmare br 7965 v
3400. let 'er go/strnge loneliness br 7986 e-
3401 .monsoon/ free 4 all br 80 1 9 e+-

3402 . moon face/ luv ano leave br 7787 n-

3403. mo more tears/mnl i te i shadows br 7835 n-

3404. pretty grl like mel/ jap sandman br 7688 n

3405. sht likker 2 me/free wheeling br 7976 e

3406. sobbin bls/ cream puff br 7806 e/n-

3407. streamline/ swt lorraine br 7852 v

3408. streaml i ne/ swt lorraine br 7852 n

3409. skel in closet/frost on moon br 7771 v4-

341 0. frost on moon/ skel in closet br 777| n-

3411. autumn leaves/ ser. i n bl de 27270 n

34 1 2. gui lty/ann1 versa ry wltz mu 42sl n

3418. cr0ss yr hrt/ summit rioge drive vi 26763 e+-
34|4.dncing in drk/smoke gts in eyes vi 27335 n-
34|6,dr. livingston/quail bck 2 san q. vi 27289n-
34t 7.frenesi/adi os marguita linda vi 26542 n
34| 8. hop skip a jmp/mysteri oso v|2c-|800n

3419. LUCKY NUMBER/THRILL OF LIFETIME V|20-|937n-

3420. M00NGL0W/MY BL HVN VI 27405 E
342|. SPEC. DEL. STMP/KEEP I N SELF 4 U V| 26762 N
3422.STARDUST/TEMPTAT 1 ON VI 272 30 E+-

3423. CREAM PUFF/SOB 3 1 N BLS VO 4646 E-I-

3424. LET 'ER GO/B W U IN APPLE BLOS TME VO 4438E-
3426. NO REGRETS/ US ED 2 B ABOVE LUV VO 4837 E
3427. SO. C ISLAND MAGIC/ IT AINT RITE VO 4637 E
3428.STREAMLI NE/ SWT LORRAINE VO 4598 E-t-
3429. THE BLS/ THE BLS VO 4401 V+
3430. SAME OLD LINE/ TELL SHES FRM DIXIE VO 45|4E<-
343I.PUSHIN EM UP/ LUV TO THE FUNNIES HARL I |4 E-
3432. SHY LIT VIOLETS/ SHES FUNNY THT WAY OK 4| I 58V/N

SISTER ROSA S'lAW

3433. WHO WILL B SAVED/KP LIGHTS BURNIN COLE 5996N

SHARKEY AND HIS SHARKS OF RHYTHM

3434. WASH IT CLEAN/ BLOWIN OFF STEAM VO 34|0 N—

GEORGE SHEARING

3435. COTTON TOP/ SORRY WRNG RHUMBA DISC 1 06 N

3436. MIDNITE ON CLOUD 69/BEBLOPS FABLES DISCI05N

3437. MOON OV MIAMI/LIFE W FEATHER DISC 103 N-
3438. ONLY EYES 4 U/ CONSTERNATION LON 4| 2 N

3441 . POI NCI ANA/2 B OR NOT 2 B LON 444 N

3442 . NEARNESS OF U/ 4TH DEUCE LON 487 N

3443. BOP LK 4 LISTEN/SEPT. IN RAIN MGM I 0426N

3444. GD 2 LS T BOP/U 4 2 B'FUL MGM I0487N-

3445. DIDNT KNW WHT TIME IT WAS/HOWS TRIX MGMI0720E-I-

3446. MOTH BT THE BEST/CONTINENTAL MGM I 0596E+-

3447. NOV. SEA SCAPE/AS LNG AS THRS MUSIC MGM30249N-

3448. U R 2 B'FUL/ GD 2 LST BOP MGM I0487N-

SHEBOBLOU TRIO

3449. FOOLISH THINGS/THING CALLED LUV DWN BT I 02N
3450.STOMPIN AT SAVOY/ EMBRACEABLE U DWN BT lOON

JACK SHEEDY'S DIXIELAND JAZZ

3451 . GAMBLER 'S BLS/ DWN IN JUNGLETWN CNT lOl N

3452. TIGER RAG/ LADY MAUD'S DRM CNT 102 N

BERT SHEFTER

3453. LOCOMOTIVE/ SOS VI 25014

OLLIE SHEPARD A KENTUCKY BOYS

3454. BLS ABT MY GAL/ OH MARIA DE 7639 N

3455. WALKS LIKE KANGAR 00/NOONE 2 CALL U DE 7408V-

BOBBY SHERWOOD ORCH.

3456. LETS EAT/ FLOATIN CP I 52 I I N
3457. SHERWOOD 'S FOREST/THT'S MY PROBLEM CP 286 N
3458. SNAP YR FINGERS/ COTTON TAIL CP 231 E*
3459.SWINGIN AT S EM LOH/AR KANSAS CP 1 61 VI-

3460. ELK'S PARAOE/DONT KNW WHY CP 107 E

NAT SHILKRET

346 1. DO WNDERS W U/MAN IS ON MAKE VI 22 1 65 N

SILVER LEAF QUARTET

3462. CME 2 GAPDN ALONE/HEARD ZION MOAN ATL 882N
3463. IN SWT BYE A BYE / JST LIT TLK W JESUS ATL883N

SILVER TRUMPETS
3464. WHT MANNER OF MAN/MASTER JESUS PRES 913 N

SILVER TRUMPETS

3464. WHT MANNER OF MAN/MASTER JESU8 m ES 9| 3 N

ZOOT SIMS

3465. JANE-0/ MEMRIES OF U PRES 732 N
3466. SCENE IS CLEAN/ U GO 2 MY HEAD PRES 7| 9 N
3467. SO WHAT/ HOT DOG PRES 745 N
3468.SWINGIN THE BLS/ TROTTING PRES 75l N

3469. U GO TO MY HEAD/ SCENE IS CLEAN PRES 7| 9 N

3470. WHICH WAY/ f LLOW DUCK FR ES 837 N

FRANK SINATRA

3472. ACCIDENT9 WILL HAPPEN/ I FINGER MEL C0390I4N

3473. HVE 2 DRM THE REST/NEVERTHLESS CO 39044 N

NOBLE SISSLE

3474.1 TAKE 2 U/RHY OF BRDWAY MOON OE 847 N-

34 75. CANT LIVE IN HARL/WHT LUV DID 2 ME DE 778 N-

3476. CHAR. BLS/ OKEY-OOKE VR 648 E+-

3477. CHAR. BLS/ OJEY-OOKE VR 648 E-

ED SMALL

3^ 78. BUNDLE OF LUV/GIMME LIT KISS CO 579 E+

3479. PAPA DE DA OA/PRTTY LIT BABY CO 542 E+-

BEN SMITH QUARTET

3480. AINT FATTENIN FROGS/DONT WORRY ME AB 3008 N

3481. DONT WORRY/ MULE TRAIN AB 3009 E

BESSIE SMITH

3483. AT CHRISTMAS BALL/PRECHIN BLS CO 35842 E+

3484. BABY OOLL/LST YR HEAD BLS CO 35674 N-

3485. BEALE ST. MAMMA/AGGRAVATIN PAPA CO 3877 V

3486. DONT CRY BABY/ U DONT UNDERSTND CO 14487 E

3487. DWN HRTED BLS/ GULF COAST BLS CO 3844 V

3488. DYIN GAMBLERS BLS/SING SING BLS CO |405| Vf

3489. DWN IN DUMPS/ 00 YR DUTY UHCA 47 N-

3490. BCK 2 MY USED 2 B/FAR A If AY BLS CO 13007 N-

3491. MEAN OLD BED BUG BLS/GD MAN HRD 2 FND CO 14250V— /E-l-

3492. MUDDY WATER/ MONEY BLS CO 3| 74 N

3493. WHN YR OWN A OUT/BACKWATER BLS CO 3l 76 N
3494.1 A 2 BLS/ CORNET CHOP SUEY HRS ORIG. N

3495. RECKLESS BLS/ STLOUIS BLS(W. L0UlS)CO3l7| N

3496. C IF | CARE/ BABY HVE PITY ON ME CO 37576 N—

3497. BUGGY RIDE/ GIMME A PI GFOOT UHCA 49 N-

3498. GO OLD WAGON/COLD IN HAND BLS CO 35672 N

3499. U OUGHT 2 B ASHAMED/PR MAN'S BLS CO 14399 N

3500. YELLOW DOG BLS/TROMBONE CHOLLY CO 3|75 N—

3501. YNG WOMAN'S BLS/ BABY DOLL UHCA 6 N—

3502. I A 2 BLS/CBRNET CHP SUEy( W.LO! I I S ) HRS N-
BOBBY SMITH A ORCH.

3503. BESS'S BOOGIE/ DESERT NIGHT APO 799 N

CLARA SMITH

3504. CLEARING HSE BLS/ WEST INDIES BLS CO |40|9V

3505. EMPTY HSE BLS/ TELL ME WHEN CO 14409 E+-
3506 Jty MIND ON THT THING/GIN MILL BLS CO |44|9E
3508. TIGHT LIKE THT/DONT PUT ON ME BLS CO KiJBE*
3509.1 F U ONLY KN OWED/ NOBDY KNWS WAY CO 14058 E+
3510. KEEP HME FIRE BURNI NG/BRKEN BSTED BLS C0I4062V
35 1 I .MY JOHN BLS/SHI PWRKED BLs(LAM CRK£0 14077 V

3512. PRES. FOR BLS/DEATH LETTER BLS CO 14045 V

3513. PRESC. FOR BLS/DEA THLETETR BLS CO 14045 N-/E
35|4. STEEL DRV I N SAM/ HE'S MINE ALL MINE C0I4O53E
3515.1 A 2 BLS/ COURT HSE BLS CO I4073E-/E

FATS SMITH ANO RHYTHM KINGS

35 1 6. HAD U IN ARMS/MUS MKES ME FEEL VO 3528 E

GENE SM I TH

3517. MAKE BELIEVE/ LATE HOUR BOOGIE PRES 91 4 N-

JABBO SMITH

3518. M0RE RAIN MRE REST/RHY IN SPAIN DE 1980 E-l-

JOHNNY SMITH gU INTET

35 1 9. MNL I GHT IN VERMONT/ TABU RR 547 N

3520. WHR OR WHEN/DONT STND GHOST OF CHNCE RR 558N

LAURA SMITH

VI 20775 E
VI 20945 E

3521. L0NESME REFUGEE/ MISSISS. BLS

3522. RED RIVER BLS/ FIGHTIN BLS

MAMIE SMITH

3523. CRZY BLS/ RIGHT HR 4 U OK 4|69 G4-

3524. DONT CARE BLS/ LOVIN SAM FRM ALA. OK 4253 V+

3525. JAZZB0 BALL/ U NEED LOVIN BLS OK 4295 V
3526 .SAX-K)— PHONEY 8LS/0ADDY ,MAMA LNESME Ott 44I6E/V-I-
3527. SWT MAN 0 MINE/AGREE 2 DISAGREE OK 45 1 I V/F

3528. DA DA STRAIN/ CANT FORGIVE U BLS OK 4689 V—

3529. ROAO IS ROCKY/ FARE THEE HONEY BLS OK 4194V

3530. KEEP GD MAN DWN/THING CALLED LUV OK 4| I 3 V*

HAUL SMITH QUARTET

3531 . APART/ TOGETHER DISC 120 N

PINE TOP SMITH

3532. JUMP STEADY BLS/ I 'M SOBER NOW BR 80009 N

3533. PINE TOP BLS/ P.T.'S BOOGIE W. UHCA lOOBlN

3534. PINE TOP'S BOOGIE W/ P.T 'S BLS UHCA I |3 N

36

50c, MINIMUM BID

PINETOP SMITH (CON'T)
3535. JMP STEADY 8LS/ INDIANA *VE. STMP UHCA 66 N
STUFF SMITH

3536. DESERT SANDS/GHOST OF CHNCE BR 80|26 N

3537. TWI LITE IN TURKEY/ONYX CLB SPREE DE |279 E+-

3538. AFTER Y'VE GNE/ Y'SE A VIPER VO 320l E

TAB SMITH

3539. ECHO BLS/ HOON DREAMS ATL 961 N

3540. TAB'S PURPLE HRT/SUNNY SIDE OF ST. Kl 4546N-

3541 . TAB'S PURPLE HRT/SUNNY SIOE 0 ST. Kl 4546 N

TRIX IE SMITH

7489 N
7 N-
2039v-t-/E
7 N-

3542. UNUSUAL MAN/ FREIGHT TRAIN BLS OE

3543. RAILR0AD BLS/JAZZ CRZY SO AM I J I

3544. TRIKIE 'S BLS/ DESPERATE BLS BSW

3545. WRLD'S JAZZ CRZY/RR BLS Jl

WILLIE SMITH

3546 . BR EE ZE/ AT TABLE OPPOSITE U

3547. EX PER I MENT PERILOUS PTS I & 2

3548. WHT CAN I DO/GONNA BE DEVIL 2 PAY DE 7073 E+-

3549. NOT SO BOP BLS/ T 4 2 MER 89UI N

3550. BLS LVE ME ALONE/GT 2 THINK IT OV DE 1957 Et-/E

3551 . GT ACQ. * YR SELF/OLD STMP I N GRNO OE 1380 E

3552. KNOCK WOOD/PEACE BRO. PEACE DE

3553. M0RE THN THT/ALL OUT OF BREATH DE
3554.6WING BRO. SWING/ ECHO OF SPRING DE
3555 .SWAMPLAND/ CA f J C U ALL OV THE PLCE DE I 29l E*

SNOOKS AND HIS MEMPHIS STUMPERS
3556.SMILE DARN YA/ CRZY AST MY BABY VI 22662 N-
JOE SODJA'S SM INGTETTE

3557. LIMEHSE BLS/ I NEVER KNEW
THE SINGING SOPHMORES

3558. HONEY BUNCH/ALLO ALOHA, HW R U
SONNY BOY AND LONN IE

3559. BIG HEADED WOMAN/ WATER U EVRY DAY CONT 6054E-

DE 7086' E
SUN 7562 N-

1386 E*
1308 E+
7090 E+

609 E

652 E+-

3560. BIG MOOSE BLS/ BABY BLS
3561 .TALK IN BOOGIE/WIDE BOOGIE

THE SOPHISTICATES
3562. DARK E'CS/ VOLGA BOATMEN
3563 *L IEBESTRAUM/SWN LO SWT CHARIOT
3564.SWNG LO SWT CHAR/LI EBESTRAUM
EOD IE SOUTH

CONT 6053 E*
CONT 6U52 E

DC
OE
DE

1883 N-
|8|8 N-
1 81 8 E

B8 ^2847 E+-
BB |0|20 N—
VI 24343 E+-
VI 2l 155 E+

BB34-07I2E
hbv 5i I E

3565. UEJRE KATI/ MARCHETA

3566. MAMA MOCKINGBIRD/NO MRE BLS

3567. GOT TO GO/UY OH MY

3568. MY OHIO HME/VOICE OF STHLAND

3569. WHT I CALL KEEN/MORE THN SATISFIED V|2l605E-»-
SOUTHERN SONS

3570. L0RD HVE MERC Y/WN TED 2 WINGS

3571. PRAY/ I'M LIVING HUMBLE

MUGGSY SPAN IER

3572. BUTTR & EGG MAN/ECCENTRIC BB |04|7 E

3573. BUTTR 4 EGG MAN/ECCENTRIC BB I 041 7 V

3574. DA DA STRA I N/SMEDAY SWTHRT BB 10384 E+-

3575. DINAH/ BLCK 4 BLUE BB 10682 E-

3576. L1VERY STABLE BLS/ JAZZ BAND BALL BB I05|8E

3577. MANDY, MAKE UP YR M I ND/l.NESME RD BB 10766 E

3578. RELAX IN AT TOURO/R I VERBT SHUFFLE BB 10532 V

3579. RELAXIN AT TOURQ/R I VERBT SHUFFLE BB 10532 E
3582.SISTER KATE/ D I PPE RMOUTH BLS BB 10506 E

3583. JAZZ BALL/ L I VERY STABLE BALL BB I 051 8 E

3584. DA DA STRA I N/SMEDAY SWTHRT BB 10384 Et-

3585. DA DA STRA I N/SMEDAY SWTHRT BB 10384 V+-

3586. ROSETTA/ RIVERSIDE BLS CMS 586 N

3587. THT'S A PLENTY/CHINA BOY HRS 2002 N-

SPENCER TRIO

3588. BABY PLSE CME HOME/LORNA DOONE DE 1941 E+

3589. JOHN HENRY/ AFTERNOON IN AFRICA DE 1873 E*

PH IL SPITALNY

3590. BETTY CO-ED
3591 .IF I HD GRL LIKE U
3592.SWINGIN IN HAMMOCK

ORIGINAL VICTORIA SPIVEY

3593. BLCK 6NAKE SWING/NEV FALL IN LUV DE 7203 V

3594. DOUBLE DOZENS/ GRIEVIN1 ME DE 7204 V
3596. LET U C MY SANTA CLS/ANY KIND MAN VO 03366E-

SPIR ITS OF RHYTHM

HOW IU97 v<-
HOW 1070 V*-
HOW 1083 V

22 E«-

23 E-
23 E+
21 E

3598.H ON EY SUCKLE RSE/LAST CALL BLS B4W

3599.SCATTIN THE BLS/ AHE AINT SAINT B4W

3600.AINT NO SA I NT/SCAT Tl N THE BLS B4W

36O2.SUSPICI0US BLS/ COQUETTE B4W
JESS STACY

3603. C0MPLA ININ/RAMBLIN CMS 506 E

3604. CANDLELI GHTS/ AINT GOIN NOWHRE CMS 5| 7 E+

3605. WHAT'S NEW/ MEL MOOD VS 8064 E

3606. JESS STACY/ NONI VS 8076 E+-

HERMAN ROSENBERG

BOX 62 % THE RECOTO. CHANGER 4| 8 W 4STK STREET
NYC 19 N Y

SEE PAGE ONE OF AD FOR INSTRUCTIONS.

50c MINIMUM BID

JESS STACY (CON'T)

3607. JESS STACY/ NONI VS 8u76 N-

3608.8REEZE FTS I 4 2 VS 8121 E

3609. BREEZE PTS I & 2 VS 8|2| N

3609. CLAR BLS/ CNT BELV YR IN LUV W ME VS 8|32 E—

3610. CNT BELV YR IN LUV W ME/CLAR BLS VS 8| 32 N

361 1. GO MAN HRD 2 FIND/HAREM PRTY VS 8t40 N-
36I2.IN LIT SPANISH TWN DUB V

JO STAFFORD

3613. JOLLY JO/ SMILES CH 57-6U4N-
MARY STAFFORD

36|4. BLIND MAN BLS/ ARKANSAS BLS CO 3493 E+-

36I5.R0YAL GARO. BLS/ CRZY BLS CO 3365 V-

36I6.SEND ME 2 MY MA/STRUT MISS LIZZIE CO 34|8 E*

AILEEN STANLEY

3617. DWN BY GASHOUSE/I ATE BALONEY VI 20096 N-

KAY STARR

3618. FLYIN 2 HI/ 0 1 X I ELAND BAND CRYST 630N
361 9. ST LOUIS BLS/ FT Y'VE GNE CRYST 603N
3620.SWT LORRAINI/LUV ME OR LVE ME CRYST 602N

3621 . HONEY/ AINT GONNA CRY JE lOOO E+

STATE ST. RAMBLERS

3622. WEARY WAY BLS/ COOTIE STMP TEST N

STATE ST. SWINGERS

3623. U ORINK 2 MUCH/DONT TEAR MY CLOTHES VO 03462E1-

JON AND SANDRA STEELE

3624. MY HAPPINESS/ALL RECORDED 2 BEAT DAMON I I 1 33N

3625. RECORDED 2 BT BAND/MY HAPPINESS DAMON I I I 33E+-

B ILL STEGMEYER
3632. SENT. JOURNEY/FRANTIC RHAPSODY SI G |50|4E-

3634. CANT BEL YR IN LUV W ME/AINT NOWHR SIG I 5| 39N-

MUSICAL STEVEDORES

3635. HONEY COMB HARM/HAPPY RHY CO 1*406 E-

HERBIE STEWART

3636.SINBAD TAILOR/TAINT NO USE ROO 5|0 N

3637. PASSPRT 2 PI MLI CO/MEDICINE MAN RROO 5| 5 N

3638. MY LST AFFAIR/BABY JST CARES 4 ME ROO 525 E

3639. BABY JST CARES 4 ME/ LST AFFAIR R00525 N

REX STEWART

3642. MADELE I NE/ BLS KICKED BUCKET HRS 1040 E*

3643. FLIM FLAM/ LOPOPIN LOBO HRS |04| N-

3644. LAZY MAN'S SHUFFLE/REXAT I OUS VA 5| 7 E+

3645. BACK ROOM RMP/ T 4 TRUMPETS VA 6| 8 N-
3646. SUGR HILL SHIM SHAM/SWNG BABY VA 664 E
3647.MY SUNDAY GAL/W 0 A SONG BB 10946 E+
3648. SME SATURDAY/ SUBTLE 6LGUGH BB 11258 N-

3649. DJANG0'S JMP/ LO COTTON HRS I003N-

3650. THE CREEPER/ CHEROKEE PLaZ* 5502 N-
365| .CHEROKEE/ THE CREEPER PLaZa 5502 N

3652. BOY MEETS HORN/ BUZZ BOMB DIAL 755 N

3653. BACK ROOM RMP/ T 4 TRUMPETS VR 6| 8 E

3654. REXAT I OUS/ LAZY MAN'S SHUFFLE VR 5| 7 E

(A=10VE HAS R'M CHIP I N"*0 GROOVES )

PM I '003 N

SAMMY STEWART

3655 .COPENHAGEN/ PRINCE OF WAILS

SLAM STEWART QUINTET

3656„UPSIOE LOOKIN DWN/BELL 4 NORVO CONT | 0002N
SONNY ST ITT

3657. LIZA/ P.S. I LUV U PRES 757 N

3658. C0NFESSIN/STITT'S IT HRES 787 N

3659. CANT WE 8 FRIENDS/ IF MM TURNS GREEN PRES 739N

3660. ALL GOD'S CHILDREN/SUNSET PRES 900IN

3661. CNT EVRY STAR/NICE WRK IF U GT IT PRES 7| 8N

3662. AFTN00N IN PARIS/T POT NJ 82U N

3663. ALL GOD'S CHILDREN/SUNSET PRES 9CCIN
3664. SEVEN— OP/MAD BE-80P SAV 930 N

3666. FINE 4 DANDY/BUD'S BLS KRES 9002N

3667. MEAN 2 ME/ OWN W IT PRES 752 N

3668. MOON TRNS GREEN/CNT WE B FRIENDS PRES 739 N-
3670. SONNY SIDE/ TAKIN CHNCE ON LUV WES 722 N—

3671 . R VERY OWN/ AFT Y 'VE GNE tfl ES 727 N

3672. CNT EVRY STAR/NICE WRK IF U GT IT PRES 7I8N-
3673. IMAGINATION/ CHEROKEE HRES 733 N
3674.S 'WONDERFUL/THRILL OF YR KISS FR ES 746 N
3675. LATER/ AINT Ml SBEHAV I N PRES 704 N

SONNY STITTS 4 GENE AMMONS
3676.STRINGIN THE JUG PRES 748 N

SOtlNY ST I TT >■ BUD POWELL QUARTET

3678.STIKE UP BANO/mT 2 B HAPPY PRES 758 N

RAY STOKES

3680, BLS 4 CLARENCE PROFIT/LIT GOOSE B4W |2 E

LEOPOLD STOKOWSKI

3681. OVERT IN D MINOR VI 1 798 E+

EDDIE STONE

3682, LISTEN MY CHILDREN/STAN 6 HAW STMP VO 3703 N-

EODIE STONE (CON 'Tl

3683,mcrrocco/burping BASCK.N VO 3984 N-

3664. UP popped devil/rhy on the loose vo 3585 E-t-

JOHNNIE STRAUSS

3685. OLD MARKET ST. BLs/si LOUIS BLS DE 7035 N—

BILLY STRAYHORN TRIO

3686. C JAM BLS/ FBM1MG0 MERCER 1954 N

JOE SULLIVAN

3687. DEL MAR RAG/ FOREVERMORE COM 538 N-
366E.JST circlling/ LIT RCK GETAWAY DE 600 E
3689.1 COVER waterfrnt/pom POM VO 5556 N-
3690. OLD FSH LUV/ONYX BRING DWN(BUCK WASH I NGTON )tEST V

3691. LC DWN DIRTY SHAME/SOLI TLDE VO 5531 E+

3692. L0 DWN DIRTY SHAME/ SOLITUDE VO 553l N

3693. HONEYSUCKLE ROSe/g|N MILL BLS UHCA 31 N

3694. LIT ROCK GETAWAy/cKYX BRI NGDWN UHCA 34 N
3694A. SUMMERTIME/ ANDY'S BLS COM 540 N-

MAXINE SULLIVAN

3695 . ANN IE BURIE/ BLUE SKIE6 VO 3679 N-

3696. DARK EYES/ SONG OF VOLGA BTMEN VO 40|5 N-

3697. DARL NELLIE GREy/fOLKS ON HILL VO 3885 N-

3698. EASY 2 LUV/ NICE WRK IF U CN GT IT VO 3848E+

3699.1 'u coming Virginia/ loch lomond vo 3654 e+

3700. n's w'ful/ u went 2 my head vo 3993 E+

3701. dark eyes/ was a lover 4 his LASS VI 25610 N-

3702. spring is here/ DWN OLD ox ROAD VI 25894 N

3703.STL0UIS BLS/ L 'AMOR TOUJOUR L 'AMOUR VI25895N-
DANNY SUTTON

3704.MIDHITE lit PARIS/l PROMISE U Kl 15204 N

REINhOLD SVENSSON

3704A.GETTIN SENT. OV u/suRRENDER DR FUT 3011 N

3705. SMALL HOTEL/ MEM OF PARIS FUT 301 3 E

3706. KA BL HVN/ SWT 4 LOVELY NJ 826 N

3707. FLYING HOME/ I WISHED ON MOON PRES 789 N

3708. NEVRTHLESS/ GUESS HVE 2 DRM REST PRES 835 N
3709.S0NG IS ENDED/ BEAT THE CLOCK PRES 804 N

ROOSEVELT SYKES

37|2,HA\E U SEEN, IDA b/44 BLS DE 7586 N-

3713.44 BLS/ HAVE U SEEN IDA B DE 48|24 E*

3714. PAY DAY BLS/ JST HANG I N RND OK 062|9 N

3715. BOBBY SOX BLS/ PEEPIN TOM VI20-220IN

ROLAND SYMFOf'ET
37|6. DEE DEE'S DNCE/LUV JST PLA YTHNG ROL 1700 N-
37I7.LUV JST PLAYTHI NG/ DEE DEE'S DNCE ROL I 700N
".7I8.LUV JUST PLAYTHNQ/dEE DEE'S DNCE ROL I 700 E

371 9. HALF-NELS0N/SALLY IS GONE ROL 1 701 N

TERRY SNYDER TRIO

3720. PARADE WHITE MICE/sWINGIN A DRM VR 8|08 E+

TAMPA RED

3722. SAD LETTR BLS/ BESSEMER BLS BB 8291 E+
FRANK TANNER

3723. DEATH IN B FLAT/ THE COUNT BB 67| 9 N

3724. TIME 4 I MORE/ WRAPPIN IT UP BB 6686 N

3725. MAGNOL IN MNLITE/ U DONT LUV ME BB 6667 E
3726.SAILR MN RHY/ BOST T PARTY BB 6690 E-

3727. TIVE 4 I MORE/ WRAPPIN IT UP BB 6686 E

ART TATUW TRIO

3728. H0NEYSCKLE RSE/ MNGLOW BR 801(4 N

3729. AINT GT NOBDy/ COCKTAILS 4 2 BR 801 3 1 N

3730. bCDY 4 SOUL/ WHT WILL I TELL HRT DE 1197 E+

373 1. LUV 2 KP ME WARM/ PLNTY MONEY 4 U DE I 1 98 E*

3732. L0NESME GRAVYO/ CORRINE CORRINA DE 8563 E+

3733. ATMPIN AT SAVOY/ 1ST G 'BYE BLS DE 8536 E+

3734. WHN WOMAN LUVS MAN/ A I NT OT NOBDY DE 74l E+

3735. WHT WILL TELL HRT/ BODY 4 SOUL DE 1197 E*

3736. MAN I LUV/ | KNW THT U KNOW Dl 1 036 N

3737. MAN | LUV/ I KNW THT U KNOW Dl 1036 N-

B ILLY TAYLOR

3738. WILLOW WEEP 4 ME/ GD GROuVE ATL 676 N

3739. L0VER PTS I 4 2 PRES 849 N
3740 MAN W HORN/ GT AWAY FRM IT ALL PRES 822 N

3741. CANT TAKE THT AWAY FRM me/ ALL 2 SOON PRES796N

3 742. CARNEY— VAL IN RHy/ NITE WIND KEY 6|5 E+

3743. FLIGHT OF BOP/ TAYLOR MADE HRS 1045 N-

3744. D0NTASK QUESTIONS/ TWINKLETOES rt?S 1 030 N

3745. MITCH'S PITCH/ DWN CHAMPS EL Y SEE HRS |049 N-

3746. MINDS MADE UP ON u/KATE ON SAT. HRS |044 N—

3747. NITE WIND/ CARNEY-VAL IN RHY KEY 6 1 5 E

3748. RESTR I CTED/ MR. B'S BIG BOP HRS I 048 N-

3749. U THINK YR CUTE/WELL TAILORED HRS 1039 N

3750. WELL-TAYL0RED/U THINK YR CUTE HRS 1 039 N-

DANNY TAYLOR

3751. SWT LOVIN DADDY/ WALKIN IN SLEEP COR 65|0|E

EVA TAYLOR

3 752. BACK IN OWN BCK YD/ CHLOE QK R^BC; Urn

37

50c MINIMUM BID

HERMAN ROSENBERG

BOX 62 % THE RECORD CHANGER 4|B IHEST 49TH ST
NYC 19 N Y

50c MINIMUM BID

SEE PAGE ONE OF AD FOR INSTRUCTIONS.

HRS 2262 IE

MONTANA TAYLOR

3753. DETR0IT ROCKS/ HEAD RAG HOP

SAW TAYLOR

3754. R I NKEY-O INKS/PYRAMID BOOGIE AB 62 E

JACK TEAGAROEN

3755. TEXAS T PARTY/HECKLE 4 JIBE ALLSTAR 3|67n-
3756. IF CLD B W u/ U DIDNT HVE TELL ME COM 103 N-
3757.100 YRS FRM TODAY/NOBDY KNW TRBLE DE 43l 7 N-
3 758.PR ELUDE Of MINOR/BLS 2 LONELY DE 3642 N-
3759.PRELU0E 2 BLS/ BLS HVE QT ME DE 4409 N
3760. IT'S SO GD/ DIRTY DOG UHCA 39 M
3761.1 'SE A MUGGIN, PTS | 4 2 VI 25273 N-

TEMPO JAZZ MEN

3762. DYNAMO A/ RNO ABT AM I ON I TE CI lOOl K

3763. DYNAMO A. RND ABT NIDNITE Dl lOOl E

JOHNNY TEMPLE

3764. JAIL DLS/SMELLS LIKE GRAVY DE 7456 E

3765. EVRY DOG HVE DAY/ FARE U WELL DE 7495 E+

3766. EVIL WOMAN /STREAMLINE BLS DE 7660 N-

3767. GD SUSIE/DWN MISSISSIPPI DE 7643 E+-
3768.1'M CUTTIN OUT/ LOVIN WOMAN BLS DE 7772 E

3769. JELLY ROLL BERt/wht FOOL I 'VE BN DE 7573 N—

3770. MEAN BABY BLS/ PIMPEE BLS DE 7444 E+-

3771. MISS WOMANS BLS/ BID GRL FRND G 'BYE DE7564N

3772. R00MIN HSE BLS/ FIREMAN BLS DE 7782 E-
3773.STAVIN CHAIN/GONNA RIDE 74 DE 7532 e/v

THE THREE DEUCES

3774. DEUCES WILD/ LST TIME SAW CHICAGO COM 537 E<-

THE THREE MIGHT CAPS
3775. ST. LOUIS BLS/ BASIN ST. BLS HAR |400 E

JOE THOMAS BIO SIX

3776. HE'S QT SO MUCH/ BETTER 4 YA HRS |0|7 N

3777. RIFF ST. A TOUCH OF BL HRS |0|6 N

SIR CHARLES ALL STARS

3778. RhY 1 TCH/ STANGE HOUR AP 782 E+

3779. RHY ITCH/ STRANGE HOUR AP 782 E

3780 . ".AKIN OFF/ IF I HD U AP 757 E
3781. ST. BEAT/ 20TH CENT. BLS AP 759 E+

3782. TUNIS IN/ MAD LAD AP 773 E+-

SIR CHARLES THOMPSON

3783. CG0KIN W COOKIE/ 8L MONDAY CARAVAN 6AV679 E+

HOCIEL THOMAS

3764. DEAD DRUNK BLS/ SUNSHINE BABE DUB G

CLAUDE THORNH ILL

3785. ON OLD FLAME NEV D I ES/u 4 I KNW BR 795 1 E4-
3786.EBB TIDE/ DONT SAVE YR LUV BR 7957 E

3 787. SUNDAY KIND LUv/ SONATA CO 372|9 N

3786. B CRFUL MY HRT/ LULL OF RAIN CO 366|6 N-

3769. BUSTER 'S LST STAND/dONT KNW WHY CO 36858 N
3790, CONCERTO 4 2/ JIM CO 36371 e/n-

3790.FRASQUITA SER./LOOK 4 S I LVR L1NIN CO 38494N

3792, QT GET SMEBDY 2 LUv/yRS IS HRT ALONE C037098N

3793. DONT KNW WHY/ BUSTERS LST STAND CO 36858 N-

3794, NEV LUVED ANYONE/DONT CALL IT LUV CO 37979N-

3795. REMEM HAMA/ TELL ME WHY CO 38075 N-
3796.1 SAID NO/ COUPLE IN THE CASTLE CO 364S7 N-

3797. PITY 2 SAY G'NITE/lF U WR ONLY GRL CO 37092N

3798. JST ABT THIS TIME/ROB^INS NEST 00 38 1 36 N—

3799. L0VBS IN GLASS HSES/MANDY IS 2 CO 36361 E+

3800. LULL OF RAIN/DOLL DANCE HA 1038 N-

3801. NIGHT 4 DAY/ SMILES CO 37055 N

3802. PARADI SE/ YU WR MEANT 4 ME CO 36298 E+

3803. PARADISE/ U WER MEANT 4 ME CO 36298 E
3804.S0 WOULD 1/ THIS TIME CO 37|69 N
3805.SMEB0DY NOBDY LUVs/ROSE 0 'DAY CO 36458 E
3806.SMALL HOTEL/ MNLITE BAY CO 36725 Et

3807. TBIS LUV OF MINE/CHAT. CHOO CHOO CO 36472 E

3808. TWILITE SONG/ UNDER WILLOW TREE CO 37065 N

3809. WARSAW CONC/ LUV 4 LUV CO 37940 N-
SSlO.IPHR LIT DOG GNE/AUTUMN NOCTURNE CO 36435 V
38M.WHR LIT DOG GNE/AUTUMN NOCTOURNE CO 36435 E*

3812. WHR OR WHN/ SNOWFALL CO 38268 E

3813. WHY HVE 2 FALL IN LUv/fAR AWY ISLE C037265N-

3814. YA-LU BLU/SMEBOY ELSE TAKIN MY PLCE C0365|3n-
3EI5.U B'FUL DOLL/ EARLY AUTUMN CO 37593E/V

(ABOVE HAS LAM SPLITS)

3816. OH U B'FUL DOLL/EARLY AUTUMN CO 37593 N-

381 7. J I m/wh I POORW I LL ( LAM CRKS 4 SPL1t)hA I 036 N—

3818. HUNQAR IAN DNCE #5/sTAK OF BARLEY OK 6| 68 N-
3819,0 SOLE Mio/ TRAUMEREI OK 6|24 N

3820. ALT WE in/ LOVE TALES OK 5988 N-

3821 . GD HUMOR MAN/ GT I TRACK MIND OK 5838 N-
3822. SLEEPY SER ./ DO I WORRY OK 6|78E

3823. BAD HUMOR Mn/ GT I TRCK MIND OK 5838 E+

3824. PONT B BABy/(aSBURY PK AUDITION) TEST E+

CLAUDE THORNH I LL ( CON 'T)
3825. ALL I NEED/ PORTRAIT GUINEA FARM TEST E+
3826.SN0WFAU./ IF I FORGET U VI20-3376 N-

3827. WH I SPERS IN DRK/STP YR BRKIN HRT VO 36l 6 E
( ABOVE HAD SLIGHT RIM CHIP.DOESN'T AFFECT)

3828. G0NE W WIND/ HARBOR LIGHTS VO 3595 E-l-

£ 1 STER ROSETTA THORPE

3829. BEAM OF HVN/BAVIOUR DONT PASS ME DE 3254 V+

3830. DANIEL IN LION'S DEn/99^ WONT DO OE 48l |6 N

3831. MY MAN 4 l/ THAT'S ALL DE 2503 E
3832.SIT dwn/ END OF MY JOURNEY DE 8538 E
3833.STRNQE THINGS/ 2 FISHES 5 BREAD DE 8669 E+

3834. LONESOME ROAD/ ROCK ME DE 2243 Vt-

3835. THIS TRAIN/ BRING BACK HP DAYS DE 2558 E+-

3836. WHN FIRST SOUGHT LORD/TELL HIM DE 284|7 N

THREE MONKEY CHASERS

3837. UNCLE REMUS STMP/ MONMARTE GIGGLE HA 50 E

JON TILMANS TRIO
3838.ILL BE YRS/ DYNAMITE MGM M373N

TUNE TIMERS

3839. WHT MORE CAN I SAY/ 4 U RALEIGH 565 N

3840. WH ILELAD SLEEPS/ BOODLE DE BE BOP RAL 566 N

MEL TORME

3841. TKIS LOVELY DAY/ APRIL IN PARIS TEST E

DAVE TOUGH QUINTETTE

3842. U WR MEANT 4 ME/ EAST OF SUN JAM 906 N

3843. WHN YR SMILING/LUV WLKED IN JAM 907 N

AL TRACE

3844. U CALL EVYBDY DARL/lINGER AWHILE RGTII7 N
JUDY TREMAINE

3845. MAYBE I LUV U/THINGS U LFT IN HRT STEL I 0C7N-

3846. THNGS LFT IN MY HRt/mAYBE I LUV U STEL I007N

LENNIE TRISTANO SEXTETTE

3847. CR0SSCURRENT/ WOW CP57-60003N-

3848. MARI ONETTE/ SAX OF A KIND VP57-60O3N

3849. THRU TSE PORTALS/ SPECULATIONS DISC 5500E+
3850. OUT ON LIMB/CNT GT STRTED W U MER I062E-

3851. JUDY/ SUBCONSCI OUS-LEE nj 80-eC'N

3852. PROGRESSION/ RETROPSPECTI ON NJ 832 N

FRANK TRAUMBAUER

3853. EMALI NE/ 'LONE ABT MIDNIGHT BR 6788 V
3854.SINGIN THE BLS/l'M C0M1N VA . BR 7703 N—
3855.1 'M COMIN VA./DWI. YNDER IN N.C. OK 40848 V+

3856. LUV NOTH BT BLS/ NOW AM I 2 KNW OK 4|30I N-

3857. WHT 'S THE USE/HITTIN THE BOTTLE OK 4|437 N

3858. BL MOON/ DOWN T' UNCLE BILL VI 24812 V+

3859. WAY DWN YNOER IN N.O/cLAR. WARM VO 44l 2 N

3860. WR1NGIN 4 TWISTIN/ IN A MIST VO 3 1 50 N-

3861. WRINGIN 4 TWISTIN/ IN A MIST VO 3|50 N

3862. HONKY-TONK TPN BLS/ LIT RCK GETAWAY VS 8236N

3863. JIMTWN BLS/ LAZIEST GRL IN TWN VS 8223 N
SOPHIE TUCKER

3864. r:c man gin 2 worry me/life BEG AT 40 DE23033N

3865JJFE W'FUL THIHg/smE THSE DAYS MERC 5901 N
3666.MARGI E/ WAITING 4 ROBERT E LEE MERC 70037N

3867. TALL DRK HANDSOMe/a I NT TAKIN ORDERS 0K4|249N

3868. BL RIVER/ CRADLE IN CAROLINE OK 40895 N

3869. WHT I CALL SWT MUSIC/DONT WNT GT THIN V|2|995N-

JOE TURNER

3870. AFT LA FTR CAME TEARs/CHA t NS OF LUV ATL 939N
387|. GOIN 2 CHIC BLs/ ROCK IN MY HEAD DE 4093 N-

3872. RCCK OF GIBRALTR/SALLY-ZU-»ZAZ BLS NAT 40I6E

U.S.M.C. BAND

3873. NAT 'L EMBLEM MRCh/GERMAN MARCH VI 17577 E+-

UTICA INSTITUTE JUBILEE SINGERS

3874. LEAN I N ON LORD/ BALM IN GILEAD VI 2|842 E+

M I GUELI TO VALDES

3875. EL CUA CUA/ CASABLANCA MU 403 E

RUDY VALLEE

3876. WHN WINTER CMEs/pOURED SNG INTO HRTDE 255IN

JUNE VALLI

3877. C0NGRAT. 2 SOMEONE/lUV 4 HATE Vl20-5|77N

FRED VAN EPS

3678.DALY'S REEL/ CHINESE PICNIC BR 20|8 V+

VAN AND SCHENCK

3879. U CN TELL THEY'RE IRISh/yADDIE VI 1 8220 E+

3880. RAGTIME VOLUNTEERS/SOTHERN GALS VI 18340 V-

3881. U CN TELL THEY'RE IRISh/yaDOIE K.N'VI 18220V

VARSITY SEVEN
3882. SCRATCH MY BACK/ SAVE IT PRTTY MAMA VS 8|35N
3683. POM pom/ HOW LONG BLS VS 81 73 N

3884. EASY RIDER/ TIGHT LIKE THAT VS 8| 47 N

SARAH VAUGHN _

CONT 606IN
MU 567 E+

3885. NC SMOKE BLS/WILLOW FOOT

3886. NATURE BOY/ GLAD THR IS U

AL VEOA

3887.0NLY HVE EYES 4 u/FANTASTIC PS ES 771 E

3888. MAKIN WHOOPEE/ CHEEK 2 CHEEK NJ 864 N

CHARLIE VENTURA

3889. C0NFESSI n/ AVALON MER 8942 N

3890. HI ON OPEN MIKE/ HA VI20-^)594N
38? I. BARNEY GOOGLE/ SMOKE QET8 IN EYES VI20-34C7N
3892 .BCDY 4 soul/ whattyou SAY WE 00 VI20-3369 ' —
3893STMPIN AT SAVOY, PTO I 4 2 CRY 6|4 N

3895. B0PTURA/YAr:KEE CLIPFER V|20-3552n

JOE VENUTI

3896. V I BRAPHON I a/ J I G SAW PUZZLE BLS CO 2782 E
( ABOVE CO. ROYAL BLUE WAX )

3897. STOP LOOK 4 LI STEn/yANKEE DOOOLE CO 3104 E

3898. LIKE GRL LIKE THt/mAY FRM CAROLINE VI230I5 E

3899. APPLE BLOSS/ RUNNIN RAGGED OK 4|36l N-
390C.Q0IN HOME/ HONEY'S LOVIN ARMS OK 4|25| N

3901 . TAP ROOM BLS/ MYSTERY DE 625 N

3902. fcELL0W AS CHILD/NOTHIN BUT NOTES OE 624 N

3903. PRETTY TRIX/MAN FRM SOUTH OK 4|076 El-

3904. WILD DOG/ SOME OF THESE DAYS PA 520 N-

3905. REALLY BL/ THE WILD DOG VI 23031 E-t-

3906. MUG OF ALE/ CHEESE 4 CRACKERS OK 40897 N-

3907. MUG OF ALE/ CHEESE 4 CRABKERS OK 40897 N
3906. BABY DONT MN MAYBE/mEL IN THE SKY OK 4I056N-

3909. MST B DREAMIN/TAIMT SO HONEY OK 4|C5| N-

3910. GD OL SUNNY SO. /WEARY RIVER OK 4||92 E

3911. D0IN THINGS/ MUST HVE THT MAN OK 41133 E

DON VOORHEES

3912. FND MILLION DOLLAR BABY HOW E+

3913. Q0 HOME 4 TELL MOTHER HOW |09| E-

3914. TIP TOE THRU TULIPS HOW 1019 V-

STUART WADE

3915. THT S MY HOME/MONKEY MONKEY MUS SURV.IB E

WALDORF-ASTORIA ORCH.

39|6.TAX|/CLE0 CO 2799 E+-

39l7.B'FUL OHIO/ TILL WE MEET AGAIN VI 18526 E

SIPPIE WALLACE

391 8. SUITCASE MURDER/MHRDER MY CRIME OK 8243 G<-

WESLEY WALLACE

3919. N0. 29/ JAB BLS J I 3 N-

3920. N0. 29/ FANNY LEE BLS DUB E

3921. NO. 29/ FANNY LEE BLS DUB E«-

3922. JAB BLS/ NO. 29 J I 3 N

T-BONE WALKER

3924.ST. WALKING WOMAn/bLS IS WOMAN IM 5202 E

FATS WALLER

3925. anita/ used 2 luv u bb 10369 e+

3926. alli gator crawl/cloths line ballet bb i 0098n

3927. afbican ripples/basin st. bls bb i0||5 n

3 928. Abdullah/ jitterbug wltz vi20-2639n

3929. hopeless luv affair/joint jumpin vi 25689 n-

3930. BABY brown/i8<# 4 u VI 24867 E+-

3931 . BASIN STL SLs/ A I NT GT NOBDY VI2563I N-
3922, BL TURNING GREy/hONEYSCKLE RSE BB 25779E+

3933. CRYIN MOOD/2 A SWT PRTTY THING VI 25551 N

3934. DRY BONES/ MOMMIE SENT ME 2 STORE BB |0892n/E

3935. DRKTWN STRUT T BALl/s ' POSS I N VI2O-2220E+-

3936. FAIR 4 SQUARE/MONEY ON MN 2NITE VI 26891 N-

3937. FLA. FLO/ LUV 2 WHISTLE VI 25806 N-

3938. FRACTI OUS FRINGERIN/ BIG APPLE VI 25652 E<-

3939. GA.. ROCK IN CHAIR/AINT MISBEHAVIN BB 10288 E+

3940. PUT U IN YR PLACE/BMARTY VI 25608 N-

3941. HARL FUSS/ MINOR DRAG BB 101 85 N-

3942. HONEY HUSH/MEET NICEST PEOPLE BB 10346 N-

3943. HVE DRM ON ME/l 'LL B TIRED OF U VI 24708 V

3944. HOPELESS LUV AFFAR/jOINT JUMPIN VI 25689 N

3 945. HOW CAN l/jEALOUS OF ME VI 25864 N-

3946. A I NT GT NOBDY/WIPER'S DRAG BB I Ol 33 N

3947. CNT GIVE U ANYTHNG/DRKTWN ST. BALL BB I0573E-
3946. SIMPLY ADORE u/BREAK GD NEWS VI 25830 N
3949.IN GLOAMING/SHEIK OF ARABY VI 25847 N-

3950. KEEPIN OUT M I SCHI Ef/sTPR DUST BB 10099 N

3951. KEEPIN OUT MISCHIEF/BASIN ST. BLS VI 27767 N

3952. MORE POWER 2 u/y'RE MY DISH VI 25679 N

3953. NEGLECTED/EVRYDAY 'S HOLIDAY VI 25749 N-

3954. L.UVE OR LVE ME/VALENTINE STMP BB 10263 N-

3955. LUV BUG WILL B I TE u/ BOO-HOO VI 25563 N-

3955. LST 4 FOUND/ U WENT 2 MY HEAD VI 25812 N-

3956. LULU'S BCK IN TWn/swT SLOW VI 25063 E

3958, BUMPY RD 2 LUV/WE THE PEOPLE VI 25898 E*/N-

3959, paswonky/blck raspberry jam vi 25359 N-

3960, KCCKIN CHR/ GA, ON MY MIND VI 27765 N
3961, SCRAM/ EVYBDY LUVS BABY BB 10989 N-
3962. SWEETIE PIE/3ER. 4 WEALTHY WIDOW BB 10262 E+

38

50c minimum bid

HERMAN ROSENBERG

50c

minimum bid

BOX 62^0 THE RECCR D ChANGER 4|v

i W 49TH ST

NYC 19 N Y

SEE PAGE ONE OF AD FOR INSTRUCTIONS.

FATS WALLER (CON 'T)

ETHEL WATERS! COK'T)

PAUL WH I TEMAN (CON 'T)

3963. TALL TAN TERPIF/ALWYS IN MOOD

VI 25671 N

4034. YR A SWTHRT/ 1 'L GT ALONG

DE

|6|3

E+-

4| 02. ANNOUNCER 'S 8LS/ MOM LA MARQUISE

VI

25404N-/V-

3964.S 'POSI n/ FLOATIN DWN 2 COTTN TWN

VI 25415 N-

4035. LVE OLD HME, JIM/ DINAH

DE

234

E+

4I03.XMAS IN HARL/ FARE THEE WELL 2 HARL

BB 10969N

3965.cpring cleanin/bn HEAD IN MY MAIL VI25554 N

LU WATTERS Y.B. JAZZ BUND

4i04.cho cho san/ sng of inoia

VI

20200 N-

3966.swt hrtache/gt new lease ON luv

VI 25571 N—

4036. TEMPTAT ION/ DADDY DO

TEST

N

4|05.C0QUETTE/n0 SWT MAN WR I TH SALT

VI

25675 E+

3967.SMETHI NG TELLS Me/cRY YR WAY 8CK

VI 25817 N-

4037. Rl VERS IDE BLS/ CAKE WALKIN BABIES TEST

N

4106.FRM MONDAY On/ SUGAR

VI

25368 E+

3968. SWT THING/ LIT BIT INDEPENDENT

VI 25196 E+

LEO WATSON

4I07.HEAT WAVE/ HOME AGAN BLS

DE

2697 N-

3969. RUSTY PAIL./ SLOPPY WATER

VI 20492 V

4030. SONNY BOy/ TIGHT AND GAY

SIG

1007

E—

4|08. HOORAY 4 SPINACH/ STP UP 4 SHKE

DE

24|8 E+

3970. SME CHNGES MADE/ U STAYED WAY 2

LNG V 12022 |6N-

4039.TIGHT 4 GAY/ SONNY BOY

SI G

1007

e/e-

4I09.HW DEEP IS OCEAN/ I'LL FOLLOW U

VI

241 4 | n-

3971 .T 4 2/ KEEPING OUT MISCHEIF

VI 2561 8 N-

4040. SHAKE PIT/ JINGLE BELLS

SI G

1004

E—

4II0.CANT GT SWEETIE I WNT/ON BACK PRCH VI |9|39E+

3972.ShEIK OF ARABY/lN GLOAMING

VI 25847 E+

PAULA WATSON

4 1 I I . I T ' S ON LY PA PER Mn/nIGHT OWL

VI

24400 E+

3972.? SLEEPY PEOPLE/MINOR DRAG

VI20-I5B3N

404|.| 'LL 6 GLAD GLAD/WNT SHORT PAPA

DE

481 31

E

4| |2. journey's end/whn hrts r yng

VI

1 9985 N—

3974. T 4 2/ 1 AINT GT NOBDY

vi 2S766 N

CHUCK WAYNE

4i 1 3. mary/ changes

VI

2| 103 N

3975.TRUCKI n/ GIRL 1 LFT BEHIND ME

VI Z5| 16 E+

4042. ;.s. COOL/ new kind of luv

PROG

107

N

4| |4.N0 MAN WRTH TEARS/ COQUETTE

VI

25675 N-

3976.UP JMPED U W LUV/SOCKS DONT MTCH

BB30-08I4 E+

4043. PROSPECT 1 NG/ SIDEWLKS OF CUBA

PROG I 1 0

N

4||5»PICKIN COTT ON / A MER I CAN TUNE

CO

1464 n

3977. VALENTINE STMp/LUV EM OR LVE ME

BB 10263 N

4044.MARY ann/ BUTTERFINGERS

PROG 108

N

4l 1 ft mm r. NO rwnofic/ runn runn

CO

2491 N-

3978. VIPERS DRAG/ HANDFUL OF KEYS

VI 27768 N

4045. WHILE IflADY SLEEPS/ TASTY PUDDING

PROG 109

N

4l 1 1 i i r ' ujav ntutii ert i m uwm

~ 1 1 f .ONI J L t / WAY L' W 1 : ■_> LI o IN HVN

VI

21228 E+

3979. WAIT 4 SEE/ SQUEEZE ME

BB 10405 N-

CH ICK WEBB

4l I fl ^ I IT n 5urQ / cnui nun rum
^1 l1 'c' LI 1 r |OnCO/ oUH ANU 1HLN

DE

2417 N-

3980. WAI TIN AT END ROAD/swT SAV. SUE

BB 10265 H-

4046.TISKET A TASKET/ LIZA

DE

1840

N-

4 lO TDl vn i m i i ruT /ii tun < r w ■ nun ■ r- r
^1 1 »i l N« vtLIN LI bill /U WH NLV LUvF.LIEm

CP

1 16 N

398I.WHT WILL 1 DO IN MORn/hOW YA BABY VI 257|2n—

4047. U R HR 2 STAY/ LUV 1 KISSES

DE

494

N

4 1 ?o uril 1 nun i CO / ruin im i ■ nuT
■Tl tUintv LUV L L 1 t H f 1 Hi. LL IN LIGHT

CP

1 16 N

3982. WHOSE HONEY R u/wHT 's THE REASON

VI 25027 E+

4048.AZURE/ JUST A JITTERBUG

DE

1899

N-

RFRT Will J'li

■ 1 '— ' ■ 1 II LL rtiil J

3983. WOE IS ME/ LOAFIN TIME

VI 25140 E+

4049. CRY IN OUT HRT 4 U/OWK HME RAG

DE

765

N—

4 1 2 1 rUDV III Oil A M 111 A MTC l^fM/Mrtnni/le n I 1
^lit. I i.VKT HUMAN WANIo KLY/NUdUY S Oli

CO

2750 N-

3984.SMEBDY THINKS YR W'FUl/sTAYO AWAY VI25222 E

4050.DEV0TING TIME 2 u/ GO HARLEM

DE

995

E+

4|?2 ruavnnv uiwtq htv / ninenv 'e □ i ■»
^|[.i.iLIHiuUi in 1 o KLT/ NUUUY o I < 1 L

CO

2750 E+-

3985. NT ONLY OYSTER/MANDY

VI 24738 V-

405I.EVRYBDY STEP/PACK UP SINS

DE

1894

E+

4|23.GET Up/ WNT 2 KNW WHR TOST! WNT

CO

3305 E-

3986. GT ME UNDER THUMB/BEAT IT OUT

VI 25672 N-

4052. GOTTA PEBCLE IN SHOE/ WHO YA HUNCHIN

DE 223 IN-

41 24. nobody/ MY LANDLADY

CO

1289 E+

3987. YR LAFFIN AT ME/CANT BREAK HABIT

VI 25530 N

4053. G BUT YR SWELL/LUV MRCHES ON

DE

1! 15

E1-

4I25.0N RITE ROAD/ BORROW FRM ME

CO

1354 N

3988. NOT ONLY OYSTER / LOO-A THERE

V|20-|22|8N

4054. harl Congo/ gt a guy

DE

ieei

N-

4|26.S0MEBDY/ MN SHINES ON MNSHINE

CO

2849 E+

3989. U SHOWD ME WAY/ SAN ANTON

vi 25565 N-

4055.01 NT GT NOBDy/|N LIT SPAN TWN

DE

I5l3

N-

4I27.M00N SHINES ON MNSHI NE/ SMEBODY

CO

2849 N-

3990. STAYED AWAY 2 LNg/smE CHNGES MDE

VI 20-221 6N

4056. CHASE BLS AWAy/| MAY B WRNG

DE

640

N-

4| 28. TWENTY YEARS/ NO PLCAE LIKE HOME

CO

2433 N-

3991. HAD EVE TO SPARe/skRONTCH

VI 25834 n-

4057. IF DRMS CME TRu/ SQUEEZE ME

DE

1716

N—

CLARENCE WILLIAMS

GEORGE WALL 1 NGTON TRIO

4058. GT SPRltiG FEVER/ WHT A SHUFFLE

DE

1087

N—

4|29. TOP OF TWN/ MORE THN THAT

BB

6918 E-l-

3992. RED WHITE ' BLU/LUV BEAT

PRES 788 N

4059. OVER BE'SE WE'RE THRu/DONT B THT

WAY

DE 483N

4| 30.WANTEO/ CRYIN MOOD

BB

6932 E+

3993. SUMMER RAIN/ WHN WED RING WAS NEW PRES 803 N

4060. JST SIMPLE MEL/ HOLIDAY IN HARL

DE

|52|

E+

4| 31 . I'M LIT BLCKBIRD/ MANDY MKE UP

BRS0C.I003N

LORRA INE WALTON

4061 .LIZA/TI SKET A TASKET

DE

1840

E+

4132. A PANE IN GLASS/ FREEZE OUT

CO

14460 V-

3994. IF YR A VIPER/ WAITING BLS

VO 03989 E

4062. LUV JST LIT LAFF/FROST ON MOON

DE

1 1 14

N

4|33.FARM HAND PAPA/ WOMAN DONE WRNG

CO

14341 E+

BILLY WARD

4063.MNLI TE 4 MAGNOLI AS/RHY 4 ROMANCE

DE

588

N

4I34.HI SOC. BLS/ LAZY LEVEE LOUNGERS

CO

14555 E-

3995.1 'M LONELY/ YR FOREVER

FED |2|06N

406^. SUNNY SIDE OF ST./ST0MP1N AT SAV

VO

3246

N-

4| 35.NERV. BRKDWn/ RAILRD RHY

CO

14468 E

3996.N0 ROOM/ I'D B SATISFIED

FED |2|05n

4065. ROCK IT 4 ME/ STRICTLY JIVE

DE

1586

E+-

4I36.MANY MAKE UP MIND/ LIT BLCKBIRD

CO

35957 N

WAR NG 'S PE'WSYLVAN IANS

4066. SING ME SWNG SONG/ FACTS & FIGS

DE

830

E+

41 37. JAZZ LIPS/ HE LIKES IT SLO

DUB

N

3997. FAREWELL BLS/ STACK 0 LEE BLS

VI 21508 N-

4067. SWT SUE/ 1 GT RHY

DE

1759

N—

4 1 38. TEXAS MOANER BLS PTS 1 & 2

DUB

N-

EARL WARRED

4068.SWINGIN ON RESERV/8L LOU

DE

1065

N-

41 39.C0AL CART BLS/ NEW KNW WHT GAL

HRS

6 N

3998. tush/ empty hrteo

SAV 507 E

4069.SWINGIN ON RESERVATN/BL LOU

DE

1065

N

4I40.MNTN CITY BLS/ LAZY MAMA

OK

8592 V-

WASHBOARD RHY K INGS

4070. NAUGHTY WLTZ/ LUV IS THING

DE

1356

N-

4l4l.LOG CABIN 8LS/ SWT EMALINE

OK

8572 E/V+

3999. AN GEL 1 NE/ YES-SUH

vo i 73 1 v-

407I.DIPSY DOOOLE/ MIDNTE IN MADHSE

DE

1587

E+

4I42.PAPA DA DE DA/ LOVING

OK

8842 V

4000.5^ FOR A PICKLE/SLOPPY DRNK BLS

BB 8|64 N

4072. TAKE ANO GUESS/ WHN 1 GT HOW

DE

1 123

N

4I43.WILD CAT BLS/ KANSAS CITY MAN BLS OK

4925 V-

4001. COG AND CAT/ OLD MAN BLS

ME 12928 V-

4073. TAKE ANO GUESs/ WHN 1 GT LOW

DE

1 123

E-t-

4| 44. SQUEEZE ME/ NEW DWN HME RAG

PM

1656 N

WASHBOARD SAM

4074. U SHOWED ME WAY/ CLAP HANDS

DE

1220

E+

4| 45. BEER GARD BLS/ BREEZE

VO

2541 E

4002.WE GONNA MOVE/ BACK DOOR

BB 7001 E-

4079. UNDER SPELL OF BLS/LIT BIT LATER

DE

831

E+

4|46.4 SALE/ HARL RHY DNCE

DO

2602 N-

4003. OH BABE/ LOUISE

80 8469 N

4076. WAKE UP 4 LIVE/ LITS SWELL OF U

DE

|2|3

E-4-

4I47.GT HORSES 4N0.S ON MIND/hOP SCOP

VO

2654 E+

BOOKER T. WASHINGTON

BEN WEBSTER

4|43.K0W CAN 1 GET IT/SUNNY SIDE ST.

VO

2630 E/v-

4004. JST WNT 2 THINK/ DEATH OF BESSIE

BB 8352 Et

4077.RANDL'S ISLE/ YR MY THRILL

MER

8625N-

4|49. C U ALL OV PLACE/ CANT THINK

VO

2958 V-

D INAH WASH 1 NGTON

4078.BL BELLS OF HARL/ 1 REMEM YR EYES WAX 105

E

4I50.FALLIN 4 u/ BLUER THN BL

VO

4157 N-

4005. WISE WOMAN BLS/ NO VOOT NO BOOT

AP 36B N

D ICKY WELLS

4l5i.l SAW STARS/ RHAPSODY IN LUV

VO

2899 E+

4006. MELLOW MAMA BLS/ LOV 1 N PAPA

AP 37l N

4079.0PERA IN 8L/ DRAG NASTY

HRS

1018

N

4I52.LIIA/ MUST B LUV

VO

4l 69 Ef

4007.RICH MAN'S BLS/ WALKING BLS

AP 374 E+

4080. BED ROCK/ WE'RE THROUGH

HRS

1 0 1 9

N

41 53. SASHAY OH BOY/ BIG FAT MAMA

VO

2838 E+

4008. PICH URN'S BLS/ WALKING BLS

AP 374 N

408I.WELL0 BABE/ LINGER AWHILE

SIG

28l |5E

4|5*.SAV|N 4 BABY/ JUNGLE CRAWL

VO

2909 E+

4009. GAMBLER'S BLs/ 1 CRIED 4 U

MER 70046 N

4082. HELLO BABE/ LINGER AWHILE

SIG

28l |5N

41 55. SUGAR BLS/ NONE MY JELLY ROLL

VO

2805 E+-

SISTER ERNESTINE WASHINGTON

4083. DICKY WELLS BLS/ LADY B GD

SW

10 E-

4t 58.SWALLER— TA 1 L COAt/aINT SHE PRTTY

VO

2616 e/v

40I0.THRU WATER 4 FLOOd/gOIN BCK 2 JESUS REG I04E-

4084. BUGLE CALL RAG/ DEVIL 4 DP BL C

VI 26220N

4|57.YAMA YAMA BLS/ BOY LUCK BLS

VO

2991 E-

CROWN PR INCE WATERFORD

PAUL WESTON

4| 58. SUNDAY OFF/ EVRY DAY MOTHR 'S DAY

VO

3195 E/v

4011. MOVE YR HAND/wEEPIN WILLOW BLS

CP 40074 N-

4085. BOP WNT strings/ swed. rhap

CP

541 1

N—

COOTIE WILLIAMS

4012.WEEPIN WILLOW BLS/ MOVE YR HAND

CP 40074 E+

4086.C0MMAHQ. OF LUv/ THINGS MIGHT HVE CO

39897E+

4|59. LESSON IN C. CL UAN RIVER

VO

4086 E

40 1 3. COAL BLCK BABY/ CRWN PRNCE BLS

CP 40103 N-

FRANK WESTPHAL

4I60.AINT MISBE/BLS IN MY CONDITION

OK

6224 N-

ETHEL WATERS

4087. BUGLE CALL RAG/ RAILROAD MAN

CO

3872

V+

4|6|.B'FUL ROMANCE/ SHE 'S GONE

VO

54l 1 N

40I4.DWN IN SOUL/ STP MYSELF WORRY 1 N

BB 1 1284 N—

4088. STACK 0 LEE BLS/FORGETFUL BLS

CO

32

N

4I62.BLCK BUTTERFLY/ BLS A POPPIN

VO

5618 Et-

40I5.BLCK t: BLU/ PORGY

CO 2|84 V

GEORGE WET TL 1 KG

4|63.CARN. IN CAROL 1 N/SWNTME IN HON.

VO

4061 E

401 6. GT UP OFF KNEEs/wH T DID U DO

CO 14380 E

4089.EVRYBDY LUVS BABY/ SME THESE DAYS B4W 7

E

4I64.CHASIN CHIPPIES/ SW NG PAN ALLEY

VO

4425 E

40 1 7. GUESS WHOS IN T*n/ HANDY MAN

CO |4353 v+

PEETIE WHEATSTRAW

4I65.CIGGA DIGGA Oo/CANT BELVE YR IN LUV VR 555E+

40 1 8. BACK WHR YU STAYED/ DWN HME BLS

CO 14093 V

4090. CHICAGO MILL BLS/ SUICIDE BLS

DE

7788

E+

4| 66.SWNTWN UPROAR/BL REVERIE

VR

527 E+

40|9, LIKE WAY HE DOES | t/ GA. ELS

CO 14565 E+-

4091. JAYBIRD BLs/cUTTtN EM SLOW

DE

7798

E+

4|67.DWNTWN UPROAR/BL REVERIE

VR

527 N-

4020. SPEC. FRIEND BACK IN TWn/jERSEY WLK C0|4|82E

4092, UP THE ROAD BLs/ HI DO HO WOMAN

VO 03035

E+

4| 68. ECHOES OF HARL/ WHN BABY LFT ME

CP

266 N-

402 1 .HANDY MAN/ GUESS WHOS IN TWN

CO 14353 V

THE WHISPER ING PIAN 1ST

4| 69.DRY LONG SO/ GIVE IT UP

OK

5690 E-h

4022. LONG LEAN LANKY/ KP EYE ON YR MAIi

CO I4458E

4093. A INT DNE RT BY NELl/nOTH BT RAIN

CO

657

V+

41 70. ECHOES OF HARL/ HVE A HRT

VO

3960

4023.L0NESME SWALLOW/BAY KNW HW 2 LUV

CO |44| 1 E-

4094. LONG IN 4 OLD GAL SAl/g BT I'M BL

CO

1392

E

4| 7I.GAL— AVANTIN/MOBILE BLS

VO

4636 E

4024. ORG. GRINDER BLs/ WEST END BLS

CO 14365 E

GEORGIA WHITE

4I72.CNT GIVE U ANYTHING/wATCHI NG

VO

3890 E

4025.ORG. GRINDER BLs/ WEST END BLS

CO 14365 E+-

4095.CA RLESS LUV/ STREWIN YR MESS

DE

7419

E-

4|73.WNT 2 B LUVED/ CNT GT STARTED

MA J

1 1 36 E+

4026.HIVER, STAY Way/ SHINE ON HARV. MN CO 25IIE/E-

4096. WNT YR STINGAREE/BLACK RIDER

DE

7199

V-

4I74.SLIDIN !. SLIDIN/LET 'EM ROLL

MER

8|43 N

4027. TAKE BLCK BOTTOM OUTSI DE/wEA RY Fl

CO |42|4V

4097.KEEP S ITT IN ON 1 t/ TRBLE IN MIND

DE

7192

E-

4I75.T0P 4 BOTTOM/ TOASTED PICKLE

OK

6336 N-

4028.WEST END BLS/ ORG. GRINDER BLS

CO 14365 N

4098. PANAMA LTD. BLs/ PAPA PLEASER

DE

7783

E+

ED 1 TH WILSON W JOHNNY DUNN'S JAZZ HOUNDS

4029.AINT GONNA Sin/ GIVE ME HRT 2 SING 2 DE I4IE4-

4099. STUFF IS MADE/ ROCK ME DADDY

DE

7436

E+

4|76.NERVS BLS/ VAMPIN LIZA ANE

CO

3479 E

4030. hRT 2 SING 2/ AINT GONNA SIN

DE |4| E+

JAY WHITE

FESS WILLIAMS ROYAL FLUSH

4031. LUV IS THING/ STORMY WEATHER

BR 6564 E-

41 00. LAURA/ LAURA

ESS

323

E+

4| 77. ALLI GATOR CRAWL/ OZARK BLS

BR

3589 N-

4032. SLEEPY TIME OWN SO./FACE WRLO ALONE DE44I0N-

PAUL WH ITEMAN

GENE WILLIAMS

4033. SLEEPY TME DWN SO./FACE WRLD ALONE DE 44|0E+

4101. AINT M 1 SBEHAVI n/nO DY 'S SWTHRT

BB 1

0957

N

4l 78. DOES THT MAKE U Ml NE/ CLOUDS

Kl I5IO0E-I-

39

50c minimum bid

GENE WILLIAMS (CON'T)
4i79.lonesme feeling/lay me own 2 drm ki i 5i 08 e
4i80.lcnesme feeling/ lay me dwn 2 orm ki |5|08e+

4181. hR OF PARTING/ PHETTY EYED BABY KI 1 5 1 07 G

4182. PRTTY EYED BABy/ MR OF PARTING KI I 5 1 07 E+
4133. PRETTY EYED BABy/ HR OF PARTING KI |5|07 N-

41 84. BUTTON UP YR OVE RCOA T/ONCE ARNO MOON MER 5366N

4185. CNAT UNDERSTND It/oONT SAY ANYTH JG MER 5282N

4186. ASK ME NO QUEST/ RAIN
41 87. I 'LL DO SAME 4 u/j3T GOOFIN

GEORGE WILLIAMS
4|88. CHAIN GANG BLS/ SAN FRAN. BLS

4189. CHEATIN BLS/ SHEBA IN SHE I K

4190. GAL A INT BORN/ WOMAN GETS TIRED

4 1 9 1 . TAKES 8RWNSKIN MAn/u A I NT QUITTIN CO |40|IV-

4 1 92. WOMAN GETS TIRED/ GAL A I NT BORN

JOHNNY WILLIAMS

4193. WHR'S swtie hidin/ lit olo bdy

MARY LOU WILLIAMS

MER

5407 N

MER

5a58 N

CO

14049 V

CO

|407| E+

CO

14002 N-

CO

|40| IV-

CO

14002 E

VR

594 Et-

DE

1 1 55 N

DE

10 2|N

DE

ioai n

CI

3009 E+/E

DE

2797 N-

UHCA 37 N

DE

781 N

KI

15003 N

DE

2796 N

DE

2796 N

KI

4319 N-

CI

3008 N

CI

3013 N-

VR

639 E+

VO

3865 N

4| 94, CLEAN PICKIN/ SWING1N 4 JOY
4I94A. ISABELLE/ CORNY PHY
4 1 95. CORNY RHY/ ISABELLE
4| 96. HANDY EYES/ S'POSIN

4198. MR. FREDDIE BLS/ SWT PATOOTIE

4199. MAITE LIFE/ DRAG EM

4200. CVERHAND/ MARY'S PEC1AL
4201.00 BLA DEE/ KNOWLEDGE

4202. THE PEARLS/ THE ROCKS

4203. THE ROCKS/THE PEARLS

4204. WILLOW WEEP 4 ME/ BYE BYE BLS

4205. WALKING/ SHEIK OF ARABY

4206. YES, HVE NO BANANA/ CARAVAN

MIDGE WILLIAMS

4207. BORN 2 SWING/ OH MISS HANNAH

4208. FORT. TELL I N Man/ LA 0 Y IS TRAMP

4209. FORTUNE TELLIN Man/ LAOY IS TRAMP VO 3865 N-

4210. GETTIN SENT OV u/ LETS BEGIN AGAIN VR 566 N

4211. GD NITE ANGEL/GREST MISTAKE OF LIFE VO 396l N

4212. GREST MISTKE OF L I FE/gD NITE ANGEL VO 396IN-
42 1 3 .HAPPY FRAME OF Ml ND/LUV LIKE WHISKY VO 04026N-
42I4.SINGIN THE BLS/ MAMA'S GNE, G 'DBYE VO 3900N
42I5.WLKIN THE DOG/SHADE OF APPLE TREE VR 5|9 N
4216-WHR IN WRLD/ IN ANY LANGUAGE VO 4| 77 E+

N1 ID IE WILLIAMS

42 1 7. WHOLE LOT OF MAMA/PUDD IN WH 109 E+

LEON A WILLIAMS

42|8.MAKES NO DIFF Nw/COOL MY DOGGIES CO 3642 E

42|9. SISTER KATE/ WHT FOOL I'VE BEEN CO 37l 3 E

RALPH WILLIAMS TRIO

4220.DIST B DESTINY/ BABY I B 'LNG 2 U PLAZA 5505N

RUBBERLEG WILLIAMS

42?|.WNT EVRY BIT OF it/ 4F BLS CONT 6020N

SANDY WILLIAMS

4222. CHILI CON CARNEY/MNTN AIR HRS 1007 N

4223. SANDY'S BLS/ T 4 ME HRS |022 N-

4224. AINT SHW SWT/ AMNY MY SOUVEN VO 4259 V—

4225. AFT HRS DRM ST./SUMPIN JUMPIN HRS 1 008 N

4226. FRDST ON MOOn/ SAM-PAN HRS 1 023 N-

TEODY WILLIAMS

4227. DUMB WOMAN BLS/ TOUCH OF BLS PRES 7| 5 N

HARRY WILLINGS MAD MONSTERS

4228. U NEV HRD WORD/DUTCH CHILDREN SNG EMP lOOlN

RALPH WILLIS

4229. G'BYE BLS/ LAZY WOMAN BLS SIGNAL I 007N

4230. LAZY WOMAN BLS/ G 'BYE BLS PRES 906 N

4231. TELL ME PRTTY BABY/ CHURCH BELL BLS PRES907N

PRES 9l9 E+

PRES 9l2 N
PRES 911 E

LUCKY 7| I 4 N

4232. OLD HOME BLS/ SALTY DOG

WILLS-DAV IS COMBO
4233. PROBLEM CHILD/ SHE'S A WINE-0
4234.SIN/ GLORY OF LOVE

RALPH WILSON QUINTET

4235. LIPS/ I 'M Tl RED

TEDDY WILSON

4236. ALL MY LIFE/ DONT B THT WAY BR Si 16 N

4237. BL IN C#M I NOR/wARM I N UP CO 363|4 V+

4238. CNT FACE MUSIC/MOMENTS LIKE THIS BR 8||2 N

4239. CNT HELP LOVIN MAN/ MY MAN BR 8008 N
4240.00NT BLAME Me/ BETWN DEV. ! DP BL BR 8025 N—

4241 . EASY LIVIN/ FOOLIN MYSELF BR 7911 N-

4242. EASY TO BLAM WEATHER/wHT SHLL I SAY BR8314N-

4243. GUESS WHO/ REACHIN 4 MOON

4244. HR OF PARTING/ COQUETTE

4245. H0NEYSKLE ROSE/ A I NT M I SBEHA V I N

4246. NOW AM I 2 KNW/ I'M COMIN Va/
4247W CRIED 4 u/ MEL BABY

7702 E+
7943 N-
7964 N-
7893N-
7729 E+

HERMAN ROSENBERG

BOX 62 % THE RECORD CHANGER 4|8 WES'l 49TH STREET
N Y C 1 9 NY
SEE PAGE ONE OF AD FOR INSTRUCTIONS.

50c minimum bid

TEDDY WILSON (dNT'l
4248. IF I WR u/ JUNGLE LUV
4249.1 'LL DRM 2NITE/ U GO 2 MY HEAD

4250. NEV DAWNED ON ME/ EVRY NW k THN

4251. JST A MOOD, PTS I k 2

4252. LIFE BEGINS IN LUv/rhy IN NURSERY BR 76|2 E

4253. LIZA/ ROSETTA

42 54. MEAN 2 ME/ I 'LL GT BY

4255. MISS BRWN 2 U/SWT LORRAINE
4258.M00D THT I 'M In/ SENT. 4 MEL.

4257. NICE WRK/ THINGS R LOOK IN UP

4258. RITE OR WRNG/LAZY RIVR GOES BY
4256. SUGAR PLAUM/ THESE, THAT, THOSE

4260. CNT STP ME FRM DRMIn/b|G APPLE

4261 . WHY WAS I BRN/MUST HVE THT MAN

4262. LIE AST u/ THSE FOOLISH THINGS

4263. WISHED ON MOON/LIT MNLITE CAN DO BR 8336 N-

4264. YR MY DESIRE/REMEM ME

4265. GONN C LOT OF ME/hELLO, DARLING

4266. YR DESI RABLE/FRM IN MNLITE

KAI WINDING SIX
4267.8R0ADWAY/WATER WORKS
4268. S ID'S BNCE/ NITE ON BOP MNTN
4269. SLEEPY BOP/ CROSSIN THE CHANNEL
4270..C0HE0NE 2 WTCH OV ME/ HONEY

4271. CAR! OCA/ CLD WRITE A BOOK
WOLVER INE ORCH.

4272. HIVERBT SHUFFLE/LAZY DADOY

WHOOPEE MAKERS

4273. BUGLE CALL RAG/ ST LOUIS BLS

JOHNNY WITTNER

4276.2 KINDS PEOPLE/ACE IN HOLE

4277. CME BCK XWT PAPA/TIGER RAG

4278. JOE'S BLS/ WOLVERINE 8LS

4279. JOE'S SLS/ WOLVERINE BLS

J IMMY YANCEY

4280. REC'D LETTER/ E. STLOUIS BLS

4281 . BEAR TRAP BLS/ OLD QUAKER BLS

4282. YANCEY 'S BUGLE CALL/35TH k ORB

YERKE'S JAZZAR 1MBA ORCH.

4283. MON HOMME/ SOME LI TT BIRD

LESTER YOUNG

Ql 50

BR

8|4|

7543

BR

7973

' BR

76 1 2

£

BR

7563

N—

BR

7903

K—

BR

8087

N —

BR

7844

E4-

BR

801 5

N

BR

7797

E+

BR

7577

E-

BR

7954

N—

BR

7859

N—

BR

7699

E-

BR

8336

N—

BR

7940

N—

BR

8281

N

8R

8283

N

N J

8l6

N

809

N

ROO

503N

ROO

531

N

840

N—

HRS

75789E+

15126

E-

JM

18

E+

JM

20

E-l-

JM

19

E*

EXN

2

N—

EXN

1

N—

EXN

1

E

VO

5464

N

VO

354 90

N

VI

27238

N—

CO

3403

E+

4284.1 NEV KNEW/ JST U JST ME KEY 603 E+

4285. ARTN00N OF BASIE-ITE/SMETIMES 1 'M WAP KEY604E

4286. AFTERN 'NOF BAS I E-l TE/SMET I MESHAPPY KEY604E+

4287. UP k ADAM/POLKA DOTS I: MNBEAMS MER 8927 N

TRUMM IE YOUNG

4288. 7TH AvE./sORTA KI NDA CONT 6005E+

4289. RATTLE ' ROL/ BEHIND 8 BAR COS 901 E

JOE YUKL

4290. SKATERS JMP/ THT OLD GANG OF MINE VOG I005E-

BOB Z'iRKE

429I.W0RKIN MY WAY/ BODY k SOUL CRY 6|5 N

4292. SMEBDY TOLD ME/ HOLY SMOKE VI 26446 E

4293. PINCH ME/ |8TH t: I9TH ON CHESTNT VI 26450 E-

42 94. PUT LIT FT/ U HI T HRT W BANG VI 26474 E+/E

VI 26467 E

CONT 606IE+
DE
DE
8B
8B

8B
DE
MELR

745l E-t-
745 1 V

7567 N-
7583 N-
8660 N-
7433 E+
I 402 N

4295. WNT MY MAMA/NICKLE NABBER BLS

ZUTTY AND HIS BAND

4296. ROYAL GARDN BLS/ BUGLE CALL RAG

PACE JUBILEE SINGERS

4297. G0IN THRU JESUS/WHT A FRIEND

HOT L IPS PAGE
429B. WILLIE MAE/ NO SMOKES BLS

4299. PULLING WHISKERS/GD BOSOM BREAD

4300. PULLIN WHISKERS/ BOSOM BREAD

430 1. ROCK IT 4 ME/ SNG GO OUT HRT
4302. SKULL DRUDGERY/jUMP I N
4303. ANO WOMAN / MY FIGHTIN GAL
4304. OLO MAN SEN/ DWN ON LEVEE

4305. happy medium/wrld ON STRING

4306. UNCLE SAM BLS/ PAG IN MR. PAGE

GLADYS PALMER
4307.li' i ddle of kiss/livin in big way

4308. GET BEHIND ME SATAN/ TREES

CHARLIE PARKER SEPTET

4309.0RN I THOLOGY/NI TE IN TUNISIA

PALOOKA WASHBOARD BAND
43I0.SAVE ME SOME/ TORE YR PANTS

PAPA CHARLIE

43 1 I. CNT PLAY ME CHEAP/GYPSY WOMN BLS BB 6602 V
PARENT I 'S LIBERTY SYNCOPATORS

4312. UP JMPED DEVIL/ NEW CRZY BLS CO 836 V-

T I NY PARHAM k HIS FORTY FIVE

4313. K.C. BLS/ LIT BIT CLOSER DUB N-

SAV 520 E

7|06 N —
7| 07 E4-

Dl 1002 N

DE 7398 E

TINY PARHAM (CON'T)
43I4.M0VIN0 OAY/ HEADIN 4 RIVER

CHARLIE PARKER

43 1 5,
4316
4317,
431 8,
4319,
4320,
432 1

4322,
4323,
4324,
4325
4326,
4327
4328,
4329,
4330,
4331
4332,
4333
4334,
4335
4336,
4337,
4338,
4339
4340,
4341
4342,
4343,
4344,
4345,
4346
4347,
4348
4349
4350
435 1
4352

4353

4354
4355
4356

4357,

4358,

4359,

4360,

4361

4362

4363
4364

4365

4366
4367

4368,

4369,

4370,

4371

4372

4373,

4374

4375
4376,
4377,
4378,

,MOOSE THE MOOCHe/yAROBRD SUITE
YRDBRD SUITE/MOOSE THE MOOCHE
.GIRO LORE/ CURBSTONE SHUFFLE
,LOVER MAN/ BE-BOP
.CRAVIN THE BIRD/ CHEERS
,BIRD'S NEST/ DRK SHADOWS
•BIRD'S NEST/ DARK SHADOWS
,QUASIMODO/ COOL BLS
,DEWEY SQ/ THIS IS ALWAYS

STPENDOUS/SI KINI

EMBRACEABLE u/ BONGO BOP
STUPENDOUS/RELAX IN AT CAMARILLO
DEXTERITY/ BIRD OF PARADISE
CRAZEOLOGY I k 2

CHARLIE'S WIG/ KLACTOVEEDSEDSTENE Dl
GYPSY/ DRIFTING ON A REED
HW DP IS OCEAN/ CRAZEOLOGY
NO NOI SE PTS I ' 2
OKEDOKE RHUMBA/ MANGO MANGUE
VISA/ PASSPORT
visa/ PASSPORT

DE

7801

E

Dl

1003

N

Dl

1004

N

D 1

1006

N

01

1007

N

D 1

1 0 1 3

N

Dl

1 0 14

N

Dl

|0|4

N—

Dl

1015

N

Dl

1 01 9

N

01

1 02 1

E+

Dl

1021

N

0 1

1022

N

Dl

1024

N

Dl

1030

N

Dl

1032

N—

Dl

1034

N

Dl

1040

N—

Dl

1043

E+

D 1

1055

v/v—

MER

1 lOlZN

MER

I lOl 7N
MER I I022N
MER 1 I 022N

,|F | SHLO LOSE u/ APRIL IN PARIS MER H037N-
,DNT KNW WHT TIME/ SUMMERTIME
.MEL. BABY/ BLOOMDI DO
>DANC I N IN DRK/ LAURA
iDNC I NG IN DRK/ LAURA
i THE BIRD/REPITITION
,NOWS THE TIME/ BILLIE'S BNCE
,BUZZY/ DONNA LEE
•RED CROSS/ TINY'S TEMPO
,HOW HI MOON/ KO KO
.BARBADOS/ PARKER'S MOOD
.WARM I N UP RIFF/ WRAPPIN UP RIFF
.CHERYL/ BIRD GETS WORM
,ANO. HAIR DO/ BLU BIRD
,SL0W/ KLAUSTANCE

JUNIOR PARKER
.STARDUST/ G 'N I TE MY LUV

LEO PARKER
,MA0 BD RETURNS/ CROSS FINGERS
,MAD LAD RETURNS/CROSS FINGERS
,CHASE THE LI On/ SENOR LEO

SONNY PARKER
iPERTTY BABY/ HAMP 'S GUMBO

LUC ILLE PARKS SINGERS
,RUF k ROCKY RD/SAVE BY POWER

ALAN PAUL

.BRAVO/ LOVE OH LOVE
PECK'S BAD BOYS

MER I I038N
MER I I058N
MER I 1068 N
MER I I068N
QT ORIG N
SA 573 N

652 N

9l5 N

9|6 N

936 N

945 N

952 N

961 N-
967 N

Sav

SAV

SA

SA

SA

SA

SAV

SA

BIROLND 6002 E

PRES 720 E
PRES 720 N—
SA 935 N

AL 3033 E

SA 4040 N
RIA 601 N
ASCh 322V*
CO 36150 N-

.VARIAT10NS IN JAZZ

SANTO PECK PECORA

,NEV KNEW WHT GAL/ MAGNOL BLS

DAVE PELL ORCH .
i ROOT BEER/ Fl LLET

THE THREE PEPPERS

,9UCKS YAS YAS/SWNG OUT UNCLE
,GT THE GOLD/ ALEX. RGTME BND
, I F 1 HD MY WAY/ SER. IN NITE

OSCAR PETERSON
tcello again/ sonny boy
.debut/tenderly
.duet/tenderly
.lover/ lit white lies
,jmpin w symph sid/gt happy
(salute 2 garner/ squatty roo
i salute 2 garner/squatty roo
•salute 2 garner/ squatty roo
,how hi moon/ namless

FLIP PHILLIPS
,CNT B LUV/ COOKIE

,GT LUV 2 KP ME WRM/CHEEK 2 CHEEK MER 8953 N

UA

138

E+

CO

3803

E+

VR

523

N—

VR

630

N—

ROO

546

N

MER

891 7

V

MER

891 7

N

MER

8926

N—

MER

8933

N—

MER

8940

Et

MER

8940

N—

MER

8940

E+

MER

8943 E/V-

MER

8908

N

MER

8953

N

CARAVAN/ FLY IN HOME
STMPIN AT SAVOY/MEL FRM SKY
LLOYD PHILLIPS
.SALLY LONG/ BOGGY BOTTOM BLS

THE PICKENS SISTERS
.LAWD NITE 2 LNG/DRM SWTHRT

CHARLIE PIERCE

MER llOlSN
SIG 281 I9E+

OE 7860 N-

4379.

THE PICKENS SISTERS
4380.LAWD NITE 2 LNG/DRM SWTHRT VI 22975 N

CHARLIE PIERCE

438|.N0BDY'S SWTHRT/SISTER KATE CO 35950 N—

NAT PIERCE

4382 AUTUMN IN N.Y./G'BYE MY CHOPS MOT 003 E

40

50c minimum bid

NAT PIERCE (CON'T)

4383. DONT KNW WHT LUV IS/BETWN DEV 4 C MOT 006 N

4384. MIGHT AS WELL B SPR I NG/sER SUCKER MOT 007 N

THE PILGR IM TRAVELERS
4385.STANDIN ON HIWAy/T'LL TELL IT SPEC 305E

4386. G0N IA HVEW'FUL TME/sTRtTCH OUT SPEC 306E+-

4387. GD NEWS/ HE WILL REMEM BE SPEC 3|0 E

4388. WNT MY CROWN/ MY PRAYER SPEC 3 1 3 E

4389. M0TH BOWED/ JESUS TRAVELS SPEC 3 1 5 E

4390. THNK U JESUS/jESUS SPEC 3 1 6 E
4391 .YES MY LORS/ NOW LORD SPEC 326 E
4392. ITS A BLESS IN/jESUS MET WMAN AT WELL SPEC329E
4393. ETERNAL UOME/jESUS ONLY ONE SPEC 340 E

THE JAZZ PILOTS
S394.SHE DONT WAMNA/ PASTAFA200LA OK 40948 N-

PINTETOP AND LINOBERG

4395. E. CHICAGO BLS/ FAR I SH ST. JIVE BB |0|77N-

PIRONS NEW ORLEANS ORCH.

4396. WEST INDIES 8LS/ SUD BUSTIN BLS CO 14007 V-

KING PLEASURE W CHARLIE FERGUSON

4397. RED TOP/ JUMPIN W SYMPHONY SID PRES 82 1 N

BEN POLLACK

4398. SNG OF ISLNDS/JIMTWN BLS BR 7764 E

4399. SWING OUT/ DEEP JUMGLE CO 28 79 E

4400. BEAT OF MY HRT/ HRE GOES CO 2905 G

4401 . NITE ON DESERT/SLEEPY HEAD CO 2929 V
4402.1 'M DEPENDABLE/ IF U SHLD EV LVE DE 1435 E+-
4403. HR ME CALLIN CAROLIN/wiLD IRISH RSE DE 1 45 8N

4404.1 WNT RHY/ HVE U EV BN IN HVN DE 1 476 N-

4405. BOOGIE W./CALIF. HR I CME DE |5|7 N

4406. B00GIIE W./ CALIF. HR I COME DE |5|7 E+

4407. ALICE BL GOWN/ CUDDLE UP SLOSER DE 1 546 N-

4408. RAIN IN MY EYES/ B REMINDED OF ME DE |8|5N-

4409. N0BDY TKE U AWAY/ MOROCCO DE 1 85 1 E+
44| O.EVRYBD Y 'S DOIN IT/tHIS IS LIFE DE I 891 N
441 I .MEET BEAT OF MY HRT/ WHT R U DOIN DE 2005 N
44I2.BEAT OF MY HRT/ WHT R U DOIN 2N I TE DE 2005N
44I3.SING SONG SIXPENCE/AS LNG AS LIVE DE 2006 N

4414. NATURALLY/ SO UNEXPECTEDLY DE 2012 N

441 5. AFT U'VE GNE/ RSE COLORED GLASSES DE 2057 E-H
44|6.BEER BARREL POLKA/ OY MAMBO SAV 864E+
4417.0N W DANCE/ MY KIND OF LUV VI 2 1 944 V+-
44IB.TRU BLU L0U/FLIPP1TY FLOP VI 22089 N-
44I9.SENT. BABY/ THN CAME DAWN VI 2|827 V

4420.2 TICKTS 2 GA/ LINGER LIT WHILE VI 24284 v+

442 1. MOON IS grinning/deep ELM VA 504 E+

4422. PECKIN/ SENT. MOOD VA 556 N-

THE POLE CATS
4423.SA-FRANTI c/ BASS MOOD ATL 85l N-

4424. TURM0IL/ JUMP I N 4 JANE ATL 864 N

DANNY POLO AND SUING SEVEN

4425. BLU MURDER/ MRE THN SMEWHAT DE I Si 8 N—

BOB POPE

4426. LET'S SING AGAIN/ TKE MY HRT BB 6454 N—

4427. AN ALAMO/ WHN BABY SMILES BB 6502 N-

4428. M AD HOUSE/ SLATS SHUFFLE BB 6508 N—

4429. FIRST TIME I SAW u/ BL SKIES ME 7-06-1 6N

4430. NER0/WASH. SQUABBLE ME7-08-I 5N-

443 1. MARIE/ ROCK IN CHAIR ME 8-02-O6N

DICK PORTER ORCH.

4432.SWINGIN 2 SWNG TUEn/ SWT THING VO 3355 N-
4433.SWING 30Y/ PR ROBINSON CRUSOE VO 3478 N-

BUD POWELL TRIO
4434. U GO 2 MY HEAD/ ORNITHOLODY BN 1 566 N

4435. S2N0 ST. THEMe/ DNCE OF INFIDELS BN |568 N
4436. T 4 2/ HALLELUJAH MER II069E

4437.6MEBDY LUVS ME/ BUD'S BLS ROO N

MEL POWELL

4438. ANYTHING GOES/ THT OLD BLCK MGIC CP 1 5056 N

4439. WRLD WAITIN 4 SUNRISE/MOOD AT TWIL CMS 544N

4440. WHN U LVE HVN/SL SKIES CMS 545 N-

TEDDY POWEI I

444|.G'BYE MAMA/ KICKIN GONG ARND BB 11413 N

OLLlE POWERS HARMONY SYNCOPATORS

4442. PLAY THAT TH I Ng/ CME ON COOT Jl 6 N-

SAM PRICE

4443. COW COW ,LS/ SWING OUf IN GRVE DE 7732 N

4444. JIVIN ARND/THINGS COMIN MY WAY DE 8557 N

LOUIS PRIM*

4445. AFRAID 2 DREAM/ LUV AT WRK BR 3628 E

4446. HSE RENT PRTY/ BRIGHT EYES BR 7376 E+
4447.SWING ME W RHY/ SUGAR IS SWT BR 743l E

4448. CHASING SHADOWS/LADY IN RED BR 7448 E-

4449. SHOOTIN Hi / GT FINGERS CROSSED BR 7586 V-t-

4450. LETS HVE FUN/ C0NFE5S I N BR 7709 E

HERMAN ROSENBERG

BOX 62 % THE RECORD CHA-J GER 4|8 WES1 49TH ST
N Y C 19 N Y

SEE PAGE ONE OF AD FOR INSTRUCTIONS.

50c minimum bid

LOUIS PRIMA (CON'T)
445I.THE STARS KNW / GET TOGETH 4 SWING BR 7740E
4452.1 MINT JULEP/ CHILI SAUCE CO 39823 N

JESSE PRICE

4453. JMP IT W. SHUFFLE/NAGASAKI CP 40047 E+

3454. JMP IT W SHUFFLE/ NAGASAKI CP 40047 N-

4455. JUMPIN W SHUFFLE/ NAGASAKI CP 40047 N-

CLARENCE PROFIT

4456. BODY > SOUL/ DIDN'T1 KNW WHT TIME CO 35378 N

4457. TIME SQ. BLs/ HOT AND BOTHERED DE 8503 N—

4458. DARK EYES/ «ZURE DE 8527 N

4459. DARK EYES ■ AZURE DE 8527 N—

JOE PULL M

4460. MISSISSIPPI FLOOD BLS/ BLCK GAL#3 BB 5844 E

4461 . Ml SSI SS. FLOOD BLS/ BLCK GAL #3 BB 5844 N—

4462. MISS. FLOOD 3LS/ BLACK GAL #3 BB 5844 N-/E

4463. DIXIE MY HME/ TELEPHONE BLS BB 6298 e/v-H

JACK PURVIS

4464. DWN GA. WAY/ BESSIE CLDN 'T HLEP IT PA 698 N-

THE FOLLOWING ARE |2" RECORDS

ALBERT AMMONS

4465. BASS GOIN CRZY/SUITCASE BLS BN 2| N-

4466. Ch|C IN MIND/TWOS 4 FEWS BN 4 E

4467. B.W. ELS/ B.W. STOP BN 2 E+-

LOUIS ARMSTRONG
4468.SEPM0N ON GENEROSI TY/ON THROW IN STNES DEl5C43t>-
SIDfEY BECHET

BN I 3 N-

4469. OR OLD SOTHLND/LONESME BLS
CHU BERRY

4470. STARDUST/ 80DY 4 SOUL CMS 1502 E

BLACK 4 WHITE QUARTET

4471. PALLET ON FLOOR/HAD 2 B U BW 22 N

BLYTHES WASHBOARD RAGAMUFF INS/PODDS 4. PAR HAM

4472. APE Mn/yR F0LKS/|9TH ST BLS/LUVLES6 LUV DUBE

8RAZI L I AN

4473. WAR 4 NAVY DEPT |07 PTS I S2 E

4474. PTC 3 S 4 WAR A NAVYDEPT 108 V

BRUNSWICK CONCERT

4475. SYLVIA/ WITHOUT SONG

CHOCOLATE DANDIES

BR 20 l l 6 N

4476. CNT BELVE TKT YR IN LUV/SURREND DR CMS |5C6N

BUCK CLAYTON

4477. WFPE IN MONEY /B.C. BLS

4478. LUV ME OR LVE ME/diGA D I GA DO

4479. LVE ME OR LVE ME/DIGA D1GA DO

CONWAYS BAND

4480.INCIANA/MIDNIGHT FROLIC
BOB CROSBY

4481. ec-stacy/chain ganq

B I NG CROSBY, F. LANGFORD, ACC

4482. PENNIE FRM HVN MEDLEY PTS I 4 2
DARDAKELLA TRIO

10

MELR 1 202 E
MELR |20| E
MELR 1 20 1 E+

VI 35645 VI-
DE 29236 N
BYJ.DORSEY
DE 15027 v+

1947

DUB

4483. HICKRY BROILED STEAK, OCT.

SAM DONAHUE/GECRGE PAXTON

4484. M0TEN SWNG/jST U J ST ME/mY DEVOTn/u GT ME VD553V+

4485. M0TEN SWNG/MY DEVOTn/tCH OF LI Ps/j GT ME DUB N-
4486.STUFF u WATCH/ 1ST PARTY (S. KENTON) DUB N

DORSEY BROTHERS ORCH.
4487.4GETTING U 6/4/28
4489. MY MEL BABY A/Z4/?.B
4490. INDIAN CRADLE Smg/ 4/24/28

4491 . EVENING STAR 6/4/28

J IMMY DORSEY

4492. VOLGA BOATMN/l CRIED 4 U

4493. THE GRT LIE/ FLIP LIO

TOMMY DORSEY

4494. DP RIVER/ W 0 A SONG

4495. 4 u/ SWNG LOW SWT CHARIOT
4496. STP LOOK LISTEn/bEALE CT BLS

DUKE ELLINGTON

4497.H0LLYW'D HANGOVER/C JAM BLS
4498iSTMP CAPRICE/BUGLE BREAKS

4499. HVE u changed/ bl serge

4500. HR a rhapsody/ mdme drop shawl

al gqlodcra

4501. INDIAN SUMMER

4502. HORA staccato

ERROL GARNER

4503.LAURA/ YESTERDAYS

CO

TEST

V

CO

TEST

V

CO

TEF.T

CO

TEST

v+

DE

15041

N—

VD

283

V*

VI

36396

N

VI

36399

N

VI

36207 E

DUB

N—

DUO

E+

DUB

N—

E

CO

-FST

r+

CO

TEST

N—

V| TEST

C—

co 550rr N
CO 5503S n-

DE 15035 E-

BENNY GOODMAN
4504.SUPERMAN/MRE ThN U KNOW
45C5.0H BABY PTS. | 4 2

GLEN GRAY

4506. PARA MOUR/l MAY B WRONG

EDMOND HALL

4507. JAMMIN IN FOUR/ EOMOND HALI BLS BN |8 N

4508. CELES T I AL EXPRESs/PROFHDLY BL BN |7 N

4 509. PROFOUNDLY BL/CELESTIAL EXFRSS BN |7 N-

REVEREND HAM ILTON/BUNK JOHNSON

4510. rrCK MY SHIELD/ A INT GON STUDY WAR DUB E

LIONEL HAMPTON

45 1 I . JST WORRYING KIND DUB V+

MAHAL I A JACKSON

45I2.7PAVELIN SHOES/ ? l/7/46

JAMES P. JOHNSON

4513.1 MPRESSI CNS/B.W. STRIDE

B1 ;NK JOHNSON BAND

45I4.C c rider/tiger rag

45l 5.SA INTS/ ST LOUIS BLS

45 1 6. YES YES IN EYES/LOWDWN BLS

PETE JOHNSON

4517. DIDNT KNW MY MINd/hOLLER STMP BN |2 N-

SPIKE JONES

45|8. RIDERS IN SKY N-

JAMES JOYCE _

DUB V+

ASCh lOOlN-
AM 251 N

AM 252 E

AM 253 N

4519. ANNA LIVA PL URA BELLE DU

ANDRE KOSTELANETZ

4520 . RFVENGE W MUSIC, PTS 14 2 VI 36142 E

452 1 . CHNT OF WEEK/RHUMBA FANT VI 36 1 61 E

GEORGE LEWIS

4522. BURGUNDY ST. BLS/ ICE CREAK AM 254 N

4523. CLIMAX RAG/ DP BAYOU BL CLIMAX 101 V+

MEADE LUX LEWIS

4524.H0NKY TONK TRN BLs/ TELL YR STRY eN |5 N—
4525.6 WHEEL CHASER/BASS CN TOP BN 16 N-

4526. THE BLS PT 3 4 4 BN 9 N—

4527. THE BLS PT I 12 BN 8 E

4528. TELL YR STORY #2/RISIN TIDE BLS BN 22 N

4529. VAR. ON THEME BN 20 E-
4530. SOLI TUDE/ MELANCHOLY BLS BN I E-

GUY LOMBARDO

4531. STEPHEN FOSTEP MEDLy/sT LOUIS BLS C050256N-

JOE MARSALA 4 DELTA FOUR
4532 .F.EUN I ON IN HARL/^ 0 'CLK JMP GEN 3001 N—

METRONOME ALL STAR BAND
4533.METR0. ALL OUT/LOOK OUT VI 404000N

GLENN MILLER/ SAM DONAHUE

4534. SNGS MOTHR TAUGHT ME/mEL BABY DUB N
PHIL MOORE

4536. CONCERTO 4 TROMB/PTS 14 2 DISC I200N

4537. CONCERTO 4 TROMB PTS 1*2 DISC 1200V

JELLY ROLL MORTON

4538. N.O. FUNERALS , FTS I 4 2 DUB E+

4539. K.C. STMP/TKEORY OF JAZZ PRT 546 DUB E

4540. THE0R OF JAZZ/RIFFS, DISCORDS DUB E-

4541. WE THE PEOPLE BROADCA ST/THEORY JAZZ E+

MOUND C I TY BLUE BLOWERS

4542. HOT HENNY BR 0VER-«:7E TEST E

PAUL NERO

4543. PITZI CATS/HCT CANARY/TWIL. ON TRAIL VD72IE-

RAY NOBLE

4544. RAY NOBLE MEDLEY PTS I 4 8

VI 36IC4 N-

RED NORVO

4545. CONGO BLS/ GET HAPPY
4546. SLAM SLAM BLS/HALLELUJAH
KING OLIVER

4547. TEARS/; I NT GONNA TELL NOBDY DUB E

FLIP PHILLIPS FLIPTET

4548. BCB BELIEF/SWT 4 LOVELY SIG 9C003N

JIM ROBINSON BAND

4549. ICE CREAM/BURGUNDY ST. BLS AM 254 N—

JAM SESSION CMS fZ

4550. EMBRACEABLE u/ SER. 2 SHYLOCK CMS 1 501 N-

4551. CARNEGIE JMP/ CARNEGIE DRAG CMS |5C0 E+

ANORES SEGOVIA

4552. TREMOLO STUDY/FANGANGUILLO HMV |305 N

ARTIE SliAW

COMET 7 N
COMET 6 N

4553. evensong/suite #8 VI 2904O5N

4554. IkiAD W FLACCID A I r/aUMMERT I ME VI 280-"e6N

FRANK SINATRA _

CO 55037 N
N-
N—

4555. cif.my weathr/ol MAN RIVER

4556. WABC ll/2l/45 PTS 4 41 AIR SHOT

4557. WABC ll/2l/24 PTS 2 45 Al F SHOT

4558. WABC ||/2|/45 PTS 3 " 6 AIR SHOT

N—

41

50c minimum bid

REX STEWART (CON'T)
456i.swsi.iP mist/ I'm tru 2 u KEY 1306 N-

4562. I'M TRU 2 u/ StfMP MIST KEY 1306 N

SYRIAN ARABIC

4563. PTS I 2 WAR & NAVY DEPT 1 20 N-

4564. PTS 3 & 4 WAR & NAVY DEPT 1 23 N

4565. PIS 5 i 6 WAR & NAVY DEPT |24 E+

SONNY THOMPSON

4566. WRP TRBLE IN DRMS DUB N-

CLAUDE THORNH ILL

4567. 8/3l/4l SNOWBALL PART 9 DUB G
456B.WABC 8/3l/4l ALOHA ALIe/S0LOMI0 AIR SHOT V-
4569. DO I WORRY/l 'M THRILLED PTS 5&7 AIR SHOT V
4570,1 A paloma/arab DANCE CO 55041 N-

MARTHA TILTON
4571. IF I hD u/shine/ tiger rag vd 556 E

JOSEPHINE TUMMINIA
4572.THE WREN/ BL DANUBE

^573. WREN/ BLU DANUBE
VENUTI BLUE FOUR

CDE 29009E
DE 29009 V-

CO TEST V+
CO TEST V+

J I

29 E-

4574. dinah/ 3/28/28

4575. MUST B dreaming/ 5/25/£8

WESLEY WALLACE

4576. PIANO SOLO W TALKING

FATS WALLER

4577. Al NT misbehavin/moppin &BOPPIN VI 404CC3N
ERNEST IN B. WASHINGTON W. BUNK JOHNSON

4578.1 CRD MAKE WAY/GODS AMAZING GRACE DUB E

4579. DCES JESUS CARE/wHR CLD I GO DUB E

CH ICK WEBB

4580. WNT 2 B HAPPY/ HALLELUJAH DE 1 5029 N

DICKIE WELLS & ORCH.

458 I .I'M FER IT 2/l GT RHY SIG 90CC2N

JABO WILLIAMS
4582. JAB BLS/ J I 3 E

PAUL WH ITEM AN

4583. SEL. FRM SHOWBOAT/ CL MAN RIVER VI 359|2 N

LESTER YOUNG

4584.LADY B GD PTS I & 2 DISC 246 N-

VICTOR YOUNG

4585.4 IhM BELLS TOLL/wA PSAW CONCERTO VD 549 V

THE FOLLOWING ARE |2" ALBUMS

BECHET— SPAN IER BIG FOUR

4586.2 RECORDS
4587.2 RECORDS

DUKE ELLINGTON

HRS
HRS

1 N

2 N

4588. BLACK BRWON t, BEIGE 2 RECORDS VI SP9 N-
NORMAN GRANZ

45S0. JAZZ AT PHILHARMONIC VOL I 3 RECDS ASCH453E

4591. JAZZ AT PHTL, VOL 1,3 RECORDS ASCH 453N

4592. JA2Z AT PHIL, VOL 2,3 RECORDS DISC 501 N-

4593. JAZZ AT PHIL, VOL 3, 2 RECORDS DISC 503 N

JAMES P. JOHNSON

4594. N.Y. JAZZ, ? RECORDS (CHP NO GRVE )ASCH EE I N-

4595. N.Y. JAZZ, ? RECORDS ASCH 551 E

LEADBELLY

4596. NEGR0 FOLKSONGS DISC 660 E

PHIL MOORES FANTASY
4597.2 RECORDS

JELLY ROLL MORTON

DISC 1C N

4598. THE SPANISH TINGE, V0L4, 4 RECORDS CI N

4599. JAZZ STRICTLY MUSI C,V0L3, 4 PECORDS CI N

ART TATUM

4600. 2 F.ECOROS ASCH 452 N-
THIS IS MY BELOVED.

4601. NARRATION BY JOHN DALL, 3 RECORDS ATL3I2N-

10'' ALBUMS

NEW AMERICAN
465U.4 RECORDS
4651 . 4 RECORDS

LO'J IS ARMSTRONG

CP
CP

CO
BR
VOX
CO
CO
CO

4652.4 RECORDS

4653.4 RECORDS, JAZZ CL SSI CS

4654.3 RECORDS , SPOTLIGHT SERIES

4655.4 RECORDS, JAZZ CLASSICS, HOT 5

4656.3 RECORDS, JAZZ CLASSICS, HOT 5

4657.4 RECORDS, HOT 5

4658.3 RECORDS, JAZZ CLASSICS, W.HINES CO

4659.4 RECORDS , JAZZ CLASSICS CO

GEORGE BARNES SEXTET

4660.3 RECORDS

BARREL HOUSE PIANO

4661 .4 RECORDS

A3 N
CO 3

C28 N
1016 N
3uO N
C57 N
C57 E+
•Cl 39 N
C73 N
C2S E+

135 E-h

1008 N

HERMAN ROSENBERG

oox C2 The Record Changer 4i3 rest 49th street

NYC 19 N Y
SEE PAGE ONE OF AD FOR INSTRUCTIONS.

50c minimum bid

BE-BOP JAZZ

4662.3 RECORDS DIAL D| N

4663.3 RECORDS DIAL ~>Z N

4664.4 RECORDS , NEW MODERN JAZZ SAV 506 N-

THIS IS MY BELOVED

4665. JOHN DALL NARRATOR , V.DUKE ORCH. ATL LPl 10 N

BEYOND THE STARS

4666, BUDDY BAKER & ORCH. 3 RECORDS EXC 1003 N

COUNT BASIE

4667.8LS BY BASIE, 4 RECORDS CO CI 01 N
BOOGIE WOOGIE PIANO

BR l'J'.)5 N

466S.4 RECORDS

Calypso

4669.3 RECORDS

CH ICAGO JAZZ

4670.6 RECORDS

CHARLIE CHRISTIAN

467|. 3 RECORDS

RUS.r COLUMBO

4672.4 RECORDS

COME-ON -A STAN'S HOUSE
4673.4 RECORDS

EDDIE CONDON

Dl SC 61 4 N

DE A|2| N

VOX 302 N

vi p 95 N

CO C282 N

4674.4 RECORDS, WE CALLED IT MUSIC DE 604 N

BOB CROSBY SHOWCASE

4675.5 RECORDS DE 32 N-

ROBERT CASADESUS

46 76 . DEBUSSY PRELUDES BK 2, 6 RECORDS CO 644 N

DIXIELAND BY RAMPART ST. PARADERS

4677. 4 RECORDS MGM 144 N

BABY DODDS

4678.2 RECORDS DISC 709 N

JOHNNY DODDS

4679.KING OF N.O. CLARINETS, 4 RECORDS BR 1020 N

DORSEY'S CLAMBAKE 7

VI P220 N

4680.4 RECORDS

THE DUKE

4681. 4 RECORDS

ECLIPSE ALLEY 5

CO C3B N

4682. TRAD, JAZZ RECRDED IN N.O. ,2 RECRDS Cl26 N
TOMMY DORSEY W, VICTOR YOUNG

4683. ECSTASY, 4 RECORDS
DUKE ELL INGTON

DE 893 N

4684. AT CARNEGIE HALL, 4 RECORDS MU S6 N-

4685. ELLINGT0NIA , 4 RECORDS BR IUII N
4636.ELLI NGTON SPECIAL VOL, 2 4 RECORDS CO 1 27 N

W.C. FIELDS

VR 101 N-

4687. 3 RECORDS

F INGERBUST IN

4688.3 RECORDS

FOR WHOM THE BELL TOLLS

LONDON LA4 N

4689. PLAYED BY V. YOUNG, 3 RECORDS DE 360 N

DON FRYE, CLIFF JACKSON

4690. M I DN I GH T PIANO, 3 RECORDS DISC 706 N

SLIM GA I LLA I RD

4691. OPERA IN VOUT, 2 RECORDS

ERROLL GARNER

4692.3 RECORDS , W, BILLY KYLE

GEMS OF JAZZ

4693. 5 RECORDS

4694.6 RECORDS, VOL. 2
4695.5 RECORDS, VOL. 3
4696.5 RECORDS, VOL. 4

DISC 505 N

DISC 622 N

DE 200 N

DE 201 N

DE 242 N-

DE 249 N

4697.5 RECORDS , HODES, NOONE,MCPARTLAND DE 324 N

GERSHWIN

4698.4 RECORDS W. BILLY BUTTERF I ELD CP BD 10 N
4699.4 RECORDS W. BILLY BUTTERF I ELD CP BD JO N-

DIZZY GILLESPIE

4700.4 RECOROS, HIS ALL STARS MU S 7 N

4701.3 RECORDS DISC M|6 N-
BENNY GOODMAN

4702.4 RECORDS , VOC. BY PEGGY LEE CO I 70 N
4703.4 RECORDS, SEXTET CO 1 02 N
A704.4 RECOROS, SEXTET CO I |3 N

NORMAN GRANZ , JAZZ AT PHILHARMONIC

4705.3 RECORDS , VOL 10 MERC N

4706.3 RECORDS, VOL 7 CLEF 101 N-

4707.3 RECORDS, VOL 8 MERC 8 N

4708.6 RECORDS, VOL 6 CLEF N-

4709.3 RECORDS D'SC 507 N~

4710.3 RECORDS DISC 504 E*"

JOHNNY GUARN IER I TRIO

47l|. 4 RECORDS , HOT PIANO SAV 501 N

COLEMAN HAWK INS

47|2.3 RECORDS ASCH 355 N

FLETCHER HENDERSON

4713.3 RECORDS CO C30 N

CO 1 77 N

CO |2| N

CO N

CO N

CO C4| N—

HRS I N—

CO 4| N

WOODY HERMAN
47|4.3 RECORDS, SEQUENCE IN JAZZ
4715.4 RECORDS, WOOOCHOPPERS
*7|6.4 RECORDS
47|7. 4 RECORDS

EARL H IICS
47| 8.4 RECORDS

4719.4 RECORDS, PIANO S0L08
4720. 4 RECORDS

HISTORY OF JAZZ

4721.5 RECORDS , VOL 2. THE GOLDEN ERA CP CEI7 N

4722.6 RECORDS, CP CE|6 N
4723.6 RECORDS , VOL 3, THEN CAME SWING CP DEI 8 E*
4724.5 RECORDS.VOL 4. THIS MODERN AGE CP CE|9 N

ART HODES JAZZ RECORD SIX

4725.4 RECORDS JR I N

HOT PIANO

4726.4 RECORDS, HINES, WALLER, ELLINGTON VI P75 N

JAZZ CONCERT

4727.4 RECORDS , AT EDDIE CONDON'S DE 490 N

JELLY ROLL'S JAZZ

4728.4 RECORDS, LAWSON-HAGGART JAZZ BND DE 891 N

BUNK JOHNSON 8- N.O. BAND
4729.4 RECORDS , HOT JAZZ VI Hj7 N

4730.4 RECORDS, HOT JAZZ VI Hj7 E+-

J IMMY JONES

4731. IMP. ON NOEL COWARD TUNES, 2 RECRDS WAX I N-
KANSAS CITY JAZZ

4732.6 RECORDS DE 2|4 N-

STAN KENTON

CP CD 79 N
CP CC I I 3N

4733.4 RECORDS,

4734.3 RECOROS, ENCORES

KREISLER FAVORITES

4735.4 RECORDS, CHARLIE SPI VAK A ORCH VI 1 79 N-
SONGS BY LEADBELLY

4736. 3 RECORDS ASCH 343 N

LUNCEFORD SPEC IAL
4737.4 RECORDS
4738.4 RECORDS

RAFAEL MENOEZ
4739.4 RECORDS, WORLD'S GRTEST TRUMPETER COA 8 N

JOE MOONEY QUARTET
4740.4 RECORDS DE 65l N

JELLY ROLL MORTON

BR I U I 8 N

CO I 75 N
CO I 75 N-

4741 .2 RECORDS

KID ORY & CREOLE JAZZ BAND

CO 1 26 N

4742.4 RECORDS

NEW SOUNDS IN MODERN M'ISIC
4743.4 RECORDS

NEW FIFTY-SECOND ST. JAZZ
4744.0 I ZZY GILL. &COLEMAN HAWK I NS,4RC , V I Hj9 N

JIMMIE NOONE

4745.4 RECOROS BR 1 006 N

CHARLIE PARKER W STRINGS
4746. 3 RECORDS
4747.3 RECORDS

OSCAR PETERSON

SAV 500 N

MERC 509 N-
SAV 51 U N

MERC 100 N-

CO MX222 N

4748.3 RECORDS

RAVEL; TOMBEAU DE COUPERIN

4749.2 RECORDS, MINN. SYMP ORCH.
MIKLOS ROZSA— THE RED HOUSE

4750.2 RECORDS,! 1ST REC . |"CRACK ) CP CB48 N—

PEE WEE RUSSELL

4751.3 RECORDS, JAZZ ENSEMBLE DISC 632 N
GEORGE SHEARING

4752.3 RECORDS , P I ANOLOGY LON |3 N
BESSIE SMITH

4753.4 RECORDS, EMPRESS OF BLS ,H . J .CLASSI CS C03l N-
QMER SIMEON

4754.2 records , w James p. Johnson disc 708 n
MUGGSY SPAN IER .

4755.3 records, disc 711 N
SPIRITUALS

4756.3 records
4757.3 RECORDS
ART TATUM

4758,3 RECORDS

TENOR SAX ALBUM

4759.4 RECORDS, VOL 2

TENOR SAX STYLISTS
4760.4 RECORDS

CLAUDE THORNH ILL
4761 .4 RECORDS
4762.4 RECORDS, ENCORES
4763.9 RECORDS

HOT TROMBONES

4764.4 RECORDS, HOT JAZZ CLASS I CS

DISC 658 N

DISC 658 N
ASCH 356 N
SAV 502 N

Sav 503 N-

OK 4 CO N
CO 226 N
DE 4 CO N

CO C46 N-

42

SALE

SALE

JAZZLAND box *'s radio city station,322 west

52ND ST, NYC

NY

BUY 1 15.00 WORTH OF RECORDS AND GET 1

LP»

FREE

. . BUY $27.50- WORTH »ND GET 2 LP'S"FREE . .

3 UY

$50.00

WORTH AND GET 4 LP'S'FREE. . BUY $IUVJJ WORTH GET 9LP

'S«FREE

•ANY LP 8 $3.95 OH LESS

•ANY LP8 $3.95 OR LESS

EVERY RECORD LISTED GUARANTEED MINT AND UNPLAYED .

WE

CANNOT GIVE 78 RPM DISCS FREE BUT YOUR TOTAL PURCHASE

TO QUALIFY FOR FREE DISCS CAN BE MADE UP OF BOTH 7f

AND LP RECORDS.

PLEASE ADO 25# FOR PACKING MATERIAL. YOU MUST

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PAY

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SHIPPING CHARGES. RECORDS WILL BE SHIPPED VIA

RRX CHARGES

COLLECT. IF YOU WANT PARCEL POST YOU WILL

HAVE TO

ACCOMPANY YOUR ORDER WITH ENOUGH EXTRA TO COVER POSTAGE

. REMITTANCE MUST ACCOMPANY YOUR ORDER • WE DO NOT

SEND COD.

Orders from nyc must add 351! city sales tax.

SATISFACTI

ON

PLEASE ORDER

BY THE NUMBER TO THE LEFT OT THE COLUMN IN THE CASE OF

78

RPM RECORDS. ORDER LP'S BY LABEL AND CATALOGUE NUMBER.

THE ALL STARS

KENNY CLARKE CLIQUE

SLIM GAILLARD

3|7eWILD M08 FISH POND/ NIGHT & DAY

.99

47. U GO TO MY HEAD/ROLL EM BAGS

.39

I04.WHEN BANANA SKINS ARE FALL 1 NF/BANGO CI TO

.29

THE ALL STAR STOMPERS

EARL COLEMAN BAND

ERROLL GARNER

249. SW 1 NG 1 N DWN THE LANE/SHIM ME SHA WABBLE

.49

48. STRANGER IN TOWN/YARDB IRD SUITE

.39

105. LOOSE NUT/ LOVE

.39

250 ,T 1 SHOMI NGO BLS/ECCENTR 1 C

.49

LEE COLL INS/ JAMES P. JOHNSON

106, PLAY PIANO/FANTASY

.39

25IBIG BUTTER & EGG MAN/BABY WONT U PLEASE

.49

49.D0NT TEAR MY CLOTHES/WILD BOUT PATOOTIE

.89

DIZZY GILLESPIE

252* HOTTER THAN THAT/SENSATION

.49

5u.EL R 1 TMO/LONG TIME AGO

.99

330.CONF 1 RMAT 1 ON/D 1 GGI N DIZ

.39

248.1 never RnEw' cld love/cant we be friends

.49

RUSS COLUMBO

DIZZY GILLESPIE/H. MOGHEE

ROB ANDERSON

5| .TOO BEAUTIFUL/ SEE TWO LOVERS

.79

334.01 GGIN FOR DIZ/TRUMPET AT TEMPO

.39

372.SEPT IN RA IN/ GONNA SIT DWN WRITE MYSELF

.59

AL cooper

JAZZ GILLUM

3 77. SLEEPY TIME DWN SO UTH/ 1 ND 1 ANA

.59

52. GET IT SAVOY/ NEW JUMP

.39

lo7«FAST WOMAN BL/KEEP ON SAILING

.39

LOUIS ARMSTRONG

8ING CROSBY

326. ROLL DEM BONES/ BLUES WHAT AM

.49

t#DALLAS BL/PEANUT VENDOR

.99

53. SIDE BY SIDE/MAGNOLIA

.49

BENNY GOODMAN

3. LAZY R 1 VER/GA » ON MINO

.99

36 I .PR E TEND 1 NG /G OTTA GET ME SMBODY

.39

I08.SAILIN/CANT GIVE U ANYTHING BUT LOVE

.89

4.LAST N 1 TE/YOURE REAL SWEETHEART

.79

362. IOWA INDIAN SONG/WAY BACK HOME

.39

109. GONE WITH WAHT WIND /SIX APPEAL

.89

5.SWTHEARTS ON PARADE/BLUE AGAIN

.39

PETE DAI LEY

II0.8ENNYS BUGLE/BRKFAST FEUD

.79

6. HOBO U CmNT RIOE/NEVER BEEN BORN

.89

376.JAZY DADDY/SHAKE IT & BRK IT

.59

III. JUNK MAN/ OL PAPPY

.69

7.EVERYB0DY LOVES MY BABY/ALL WRONGS U DONE

.99

DIXIELAND RHYTHM KINGS

112, HANDFUL KEYS/VIENI VIENI

.49

349. 1 F/YOURE JUST IN LOVE

.49

54. STEAMBOAT STP/TERR 1 BLE BL

.79

1 1 3. BUGLE CALL RAG/WHOOPEE STOMP

.69

GRAEME BELL

55. FIDGETY FEET/FOUND NEW BAS Y

.49

DEXTER GORDON

373.FREE MANS BLUES/OH PETER

.59

56. the saints/wolverine bls

.49

114, OH WELL/ SWT & LOVELY

.39

338. IM A LITTLE BLKBIRD/THE AZTEC PRINCESS

.39

327..VEARY BL/SINISTER BUCKET

.89

115, TALK OF TOWN/ LULLABY IN RHYTHM

.39

BUNNY BERIGAN

JOHNNY DODDS

339.THE DUEL 1-2

.39

382.SHE REMINDS ME OF YOU/TROUBLES

.59

57. WEARY CITY/BULL FI0DLE

.79

DEXTER GORDON/ TEDDY EDWARDS

PAUL BRABARINS NEW ORLEANS BAND

58.IJY BflB Y/OR 1 ENTAL MAN

.79

335. BIKINI/ BL IN TEDDYS FLAT

.39

9.PANAMA/JUST A LITTLE WHILE TO STAY HERE

.49

59. MAD DOG/FLAT FOOT

.89

MART GROSS CELLAR BOYS

lO.LILY OF THE VALLEY/EH LA BAS

.49

6U.MV Gl RL/ SWEEP EM CLEAR

.79

II6.0RIG DIXIELAND ONE STEP/ OH BABY

.39

II. JUST A CLOSER WALK WITH THEE/WALK THROUGH

.49

6|. BROWN BOTTOM BESS/ LA OY LOVE

.69

II7.SHIM ME SHA WA88LE/ DO ANYTHING FOR U

.39

301 . CLAR.MA RM/F 1 DGETY FEE T

.49

62. WEARY WAY BL/THERELL COME A DAY

.79

WALTER GROSS

GEORGE BARNES

63. GOOBER DANCE/ TOO TIGHT

.79

1 1 8.SMETI MES HAPPY /TIME ON MY HANDS

.49

12. LAUGHING AT LIFE/BARNES AT DU8LINS

.40

64, HOT STUFF/HAVE If RCY

.69

II9.THRU THE YEARS/ORCHIDS IN MNL 1 GHT

.49

341. TIN WHISLE BL/PLINK PLUNK

.39

65.STRUGGL ING /L I TTLE BITS

.79

I20.TEA FOR TWO/MORE THAN U KNOW

.49

I4.S0NG OF THE 1 SLAND S/NOBDY KNOWS

.79

66.MIXED SALAD/ 1 CANT SAY

.99

121.1 KNOW U KNOW/WITHOUT SONG

.49

|5. | LEFT BABY/RIFF INTERLUDE

.79

b7.T00 TOGHT / PAPA DIP

.99

JOHN GUARNIERI

I7.BAS1E STRIDES AGAIN.JUMP FOR ME

.79

68. SOUTHBOUND RAG/TIN ROOF

.89

I22.WHY DO 1 LOVE U/WHATS THE USE

.39

TIC BASIN STREET SIX

69, HOT POTATOES/ STEAL AWAY BL

.79

BOBBY HACKETT

I8.IM GOING HOME/JAZZ ME BLS

.49

7I.J0OTIE ST/WEARY WAY BLS

.69

338. JAZZ BAND BA L L/ EMBRACE ABLE YOU

.79

I9.THATS A PLENTY/LAZY RIVER

.49

BABY DODDS

CARL HALEN

20.HIGH SOCIETY/SOUTH RAM PART ST PARADE

.49

72. DRUM IMPROVISATION #l/WOLVER INE BLS

.49

328.CAKE WALKIN BABIES/WILLIE WEEPER

.49

2 1 .MARGI E/FAREWELL BLS

.49

TOMMY DORSEY

LIONEL HAMPTON

BAY S IDE JAZZ BANO/HURR ICANE BAND

365. BLACK STRAP MOLASSES/ SEPT IN RAIN

.39

35O.CANN0N BALL EXPRESS>8 1 RMI NGHAM BOUNCE

.39

333.BAYSI0E 8L/CLAR MARM

.49

LIZZIE MILES

358, OH ROCK/ LOVE YOU MAD

.39

SIDNEY BECHET & Wl LO BILL DAVISON

340.ACE IN HOLE/BASIN ST BLS

.89

359.H\MPS GUMBO/HAD FEELING

.39

22. CHINA BOY/SISTER KATE

.49

DUTCH SWT NG COLLEGE

3o6.C00L TRAIN/ 1 CANT BELIEVE YOUIN LOVE W ME

.39

23. SONG OF T HE MED 1 NA/ 1 GOT RHYTHM

.49

337.ALEX RAG BAND/BIRTHDAY BLS

.49

GLENN HA ROMANS HAMMOND FIVE ( LESTER

YOUNG )

24.WITH0UT A HOME / 1 M THROUGH GOODBYE

.49

378. \.M. BLS /ORIGINAL DIKIE 1 STEP

.39

I23.UPRI GHT ORGAN BLS/JAZZ ME BLS

.99

25. WASTE NO TEARS/LOVE ME WITH FEELING

.49

ROY ELDRIDGE ORCH

Bl LL HARRIS

26.30X CAR SHORT/BRKEN WINDMILL

.49

73. HECKLERS HOP/ THAT THING

.99

I24.SMB00Y LOVES ME/WOODCHOPPERS HOLIDAY

.39

27.SEPT SONG/ WHO

.49

74, FLORIDA STOMP/ WABASH STP

.99

COLEMAN HAWKINS

SIDNEY BECHET

318. AFTER U GONE/ LAZY RIVER

.99

125. 'BEAN' AT THE MET/IN MOOD FOR LOVE

.39

304.S1 ONEYS BL/PALLET ON FLOOR

.79

DUKE ELLINGTON

I26.SWINGIN IN GROOVE/KNOW U KNOW

•39

SONNY BERMAN

75.ALL GODS CH 1 LLUN GOT RHY/AL ABA MY HOME

.89

I27.SLUES EVERMORE/DEAR OLD SOUTHLAND

.39

28. NOCTURNE/ CURBSTONE SCUFFLE

.39

76, WEST 1 ND INN STP/B'JGLE BREAKS

.89

I28.WHEN BUDDAH SMILES/ WAY DWN YONDER IN

N.O.

.39

29.N0CTURNE/THERM0DYNAMI CS

.39

77.NEVER FELT THIS WAY BEFORE/ALL TOO SOON

.69

I29.0UT NOWHERE/SWEET GA . BROWN

.39

BIX BEIOERBECKE

78.EXP0STI0N SWING/HARMONY IN HARLEM

.99

1 30. THE MAN 1 LOVE/ 1 TS THE TALK OF TWN

.39

33.MAKE BELIEVE/OLD MAN RIVER

.69

79.01 NAHS IN A JAM/BUFFET FLAT

.89

I3I.BIG HEAD/ PLATINUM LOVE

.39

3 ] .SORRY/S 1 NCE MY BEST GIRL TURNED ME

.79

8U.H0SE OF RIO GRANDE/PR ELUDE TO A KISS

.89

ERSKIN HAWKINS

32.CHAN QES / MARY

.99

81. BLUES/ PLUCKED AGAIN

.99

1 32. MEL AN CHOLY/ NEEDLE POINTS

.39

314.0H BABY/COPENHAGEN

.99

82.6AN JUAN HILL/STEPPIN INTO SWING SOCIETY

.99

133, GABRIELS HEATER/LOVE TO MAKE YOU

.39

CHU BERRY

83. BOUNCING BUOYANCY/A LONELY CO-ED

.99

MONK HAZEL

3o6.BL IN Cf Ml NOR /WARM 1 N UP

.99

84, BLUE LIGHT/SLAP HAPPY

.99

I34.GIT WIT IT/IDEAS

.49

Barney bigrad ellintoniaps

85* HARLEM AIRSHAFT/SEPIA PANORAMA

.99

HERB IE HAYMER OU INTET

35. LAMENT FOR JAVANETTE/ READY EDDY

.49

37.SWI NG LOW/ OUCKY WUCKY

.49

135. BLK MARKET STUFF/LAGUNA LEAP

.39

EUBIE 8 LAKE/FATS WALLER(PIANO ROLLS J

SU.G01N TO TOWN/TIGHT LIKE THAT

.79

WOODY HERMAN

36. BOLL WEEVIL BLS/ L„ST MAN BLS

.79

B9,J0UBLE CHECK? 1 /DOWN ALLEY

.79

1 36. MEAN TO ME/BLOWING UP STORM ( PT 1 )

.39

CLAUDE BOLLINGS FRENCH BLUES STARS

90.BLK TAN f l/HOT BOTHERED f 1

.79

I37.G00D EARTH/BLOWING UP A STORM ( PT 2)

.39

37.RIVERSI0E BLS/ GEORGIA 80 BO

.49

9l»|M SATISFIED/ JIVE ST

.79

138. THE MAN | LOVE /EVERYWHERE

.39

33. BLUES IN DISGUISE/DIPPER MOUTH BLS

.49

92. S TEVEDORE/ BL FEELING

.99

1 39. BROTHER FATS/ GLORY OF LOVE

.39

39.U RASCAL YOU/NBODY KNOWS WAY 1 FEEL

.49

9J,JYRAMI D/WHEN SUGAR WALKS DWN ST

.89

140. 'ASS THE BASKET/HOLLYWOOD BLUES

.39

SHARKEY BONANOS KINGS OF DIXIELAND

?'5,JUB1LESTA/M00NLIGHT FIESTA

.49

|4I, SUPERMAN ON HORN/FOUR MEN ON A HORSE

.39

40v'WT GA BROWN /I LIKE BANANAS

.99

97.-0RTRAIT L 1 ON/ SOME TH 1 NG LIVE FOR

.99

ART HODES

NEVER RELEASED IN THIS COUNTRY. SPEC 1 ALLY PRESSED

98. RED HOT BAND /OKLAHOMA ST

.49

142. WILLIE THE UEEPER/CH 1 CAGO GAL

.49

FOR EXPORT.

99. HONEYSUCKLE ROSE/CH OPST 1 CKS

.49

|43,MR JELLY LORD/NEVER KNEW WHAT GAL

.49

4I.8ACK HOME INDIANA/THE MISSOURI WALTZ

,49

I'JO.Ml NSTREL WALK/ ONCE IN WHILE

.49

I44.8LS & BOOZE/ECCENTRIC

.49

GEORGE BRUNIES JAZZ BAND

IRV IN6 FA ZOLA

|45, CHIMES BL/ ORG^N GRINDER

.49

42.JAMACA SHOUT/ 1 STILL WANT YOU

.79

101. MOSTLY FAZ/WITH U WHERE U ARE

.49

|46. SOUTH SIDE SHUFFLE / THE FIVES

.49

OaN BURLEY 4 HIS SKIFFLE BOYS

ELLA FITZGERALD

JOHNNY HODGES ELL ING TON IANS

43. THREE FLIGHTS UP/1-2

.49

342.WALKIN BY RIVER/FAVORITE SONG

.39

I47.H0DGE PODGE/ WANDERLUST

.79

DON BYAS

351, BASIN ST BL/WAITIN FOR JUNKMAN

.49

BILL IE HOLIDAY

44.1 SURRENDER DEAR/THESE FOOLISH THINGS

.39

352. LADY/ BABY DOLL

.49

1 49.PULL ING THROUGH/GHOST OF YESTERDAY

.89

HOrGY CARMICHAEL/WITH MATLOCKS ALL STARS

355.DONT WANT TAKE CHANCE/ROUGH Rl DEN

.39

I5I.M000 IM 1 N/SENTI MEMTAL MELANCHOLY

.89

353. ROTATION BL/ FLOP YR ELBOWS

.49

357.LAZY OAY/WHAT DOES IT TAKE

.49

152. SAME OLD STORY/LOVE ME LEAVE ME

.49

CENTRAL PARK D IX lELAt'DERS

356. OOPS/ NECESSARY EVIL

.49

153. CARELESS LOVE/ MAN 1 LOVE

.49

45.PANAMA/CHATAN00GA STP

.49

BUD FREEMAN

155, SOME OTHER SPRING/LOW DOWN GROOVE

.79

CENTURY STOMPERS ( UELLSTOOD GROUP)

IO2.T0WN HALL BL/ INSIDE ON OUTSIDE

.49

156. MAN 1 LOVE/ ANY OLD TIME

.49

46. JELLY BEAN WOBBLE /MOUND CITY

.69

THE TENNESSE GABR IE L

3i;3.IASY TO LOVE /WAY YOU LOOK TONIGHT

.89

103. IF 1 COULD HEAR MY MOTHER/PRECIOUS LORD

.49

324. IV GOT MY LOVE KEEP ME WARM/ONE NEVER

KNOWS

.89 ,

43

JAZZLAND

Box 4i5 R„oio City °tation , 322 west 52no street nyc

SEE FIBST PAGE OF ADVERTISEMENT FOR FULL
OETAtLS OF OFFERING.

BILLIE HOLIDAY
383. THEY SAY/ I LL NEVER B THE SAME

JOHN LEE HOOKER
I57.NEVER SATISFIEO/NOTORIETY WOMAN

LENA HORNE
348. DEED I 00/ LOVE OF MY LIFE

Sl< -HOTTENTOTS
368. MELANCHOLY BA8Y/HURR I CANE

BUD JACOBSONS JUNGLE KINGS
158.1 cant believe that in love/opus I

I59.LAUGHING AT YOU/CLAR I NET MARMALADE

HARRY JAMES
3 1 3. TEXAS CHATTER/ SONG WANDERER

CONRAD JAN IS
16I.EH LA BaS/ WILLIE THE WEEPER
162. ORIENTAL MAN/ KANSAS CITY STOMPERS

JACK JENTIY & HIS ORCH
1 63. STAR DUST/ CUBAN BOOGIE WOOGIE

BUNK JOHNSON & HIS BAND

164. CANT ESCAPE FRM YOU/ SNAG IT

BUNK JOHNSON WITH OR IG LU HATTERS BAND

165. ACE IN HOLE/CARELESS LOVE

ED I TH JOHNSON

1 66. N I CHLES WORTH LIVER/HONEY DRIPPER

167. HEART ACHING BLS/A I NT NO MORE BE SAID

PETE JOHNSON

168. CLIMBIN 4 SCREAMIN/HOW LONG HOB LONG

BLIND WILLIE JOHNSON

169. TAKE BURDEN TO LORD/GOD MOVES ON WATER
3 I 6.M0THERLCSS CHILDREN/OH LORD

HUNK JONES 4 JEAN GERMA I NE
I 70. THE CHASE. NIGHT MUSIC

MAX IE KAM INSKY
|7|.8LK 4 BLUE/ HA V I N A BALL

REV. KELSEY

172. LITTLE BOY/STAND IN THE STORM

173. THE STORM IS PASSING OVER/STRIVING PRMSD LND.69

.+9

.49

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.69

.49
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.79

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.69

I74.TELL ME HOW LONG/EVENING PRAYER
I75.IH A SOLDIER/AFTER AWHILE

GENE KRUPA

|76. SWING IS HERE/HOPE GABE LIKES MUSIC
UWSON-HAGGART JAZ2 BAND

343.SATUR0AY RAG/BUSY BODY

CRIPPLE CLARENCE LOFTON

177. Y0UVE DONE TORE PLAYHOUSE/ BROWN SKIN GAL

178. HA0 A DREAM/ST LOUIS BLS

CLAUDE LUTER

I79.KANAMA RAG/ SOUTH AFRICAN BLS
385. TIGER RaG/SPORT MODEL MAMA
HUMPHREY LYTTELTON
I 8U.GET OUT OF HERE/ SUNDAY MORNING
375. CARELESS LOVE/SAINTS GO MARCH I NG IN
SHERRY MCGEES D IX ISLANDERS
303. SHAKE IT 4 BRK IT/TIN ROOF BLa

HOV/aRO MCGHEE SEXTET

2j7.U,- IN DUDu ROOM/HIGH WIND IN HOLLYWOOD
208oD0R0THY/NI GHT MIST

£09. D | ALED PUPILS/MIDNIGHT AT MINTONS

JIMMY MCPARTLAND DIXIELAND JAZZ BAND
2IU.IN A MIST/ROYAL GaROEN BL
21 I .DAVENPORT BLS/USE IMAGINATION

BIG MACEO

|3|. CHICAGO BRKDOWN/WI NTERT I ME BLS

WINGY MANONE

I82.ISNT THERE LITTLE LOVE/ THATS A PLENTY
I83.SHES CRY IN FOR ME/ JUST ONE GIRL
I84.NICKEL IN SLOT/SWING BROTHER SWING

DODO MARMAROSEA
I85.00D0S BLS/ I SURRENDER DEAR
1 86. LOVER/ DARY DEPARTS
I 37, TRADE Wl NDS/80PMAT I SM

ROSY MCHARGUE
37| .SWTWOMAN/ I WONDER WHaTS BECOME OF JOE

ZEP MEISNER DIXIELAND ALL STARS
I 88.BEA LE ST MAMA/LEa V I N TOWN
|89, DIXIE DOWNBEA T/WHOS SORRY NOW

MELODY ECHOS

190. SAVIOR DONT PASS l.c/ Wl LL TO KNOW

ETHEL MERMAN
363. LOVE IS THE REAS(:n/mAKE MAN LOVE ME

ETHEL MERMAN 4 JIMMY DURANTE
354, |F YOU CATCH OOl.D/ YOL SAY NICEST

ME2Z MEZZROW

|9|. PANIC IS ON/ MUTINY IN PARLOR

BOB Ml EKE
3G9.ni VERBOAT SHUFFLE/CRAZY CHORDS

.69
.69

.49

.69
.79

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.39

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.5y

.59

.39
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.39

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.79

.39
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.59

.69
.69

.39

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.79

LIZZIE MILES
332. CARELESS 10VE/

ETjOIE MILLER

CRIED FOR YOU

384.ST0VP MR HENRY LEE/ STARS FELL ON

GLENN MILLERS ORCH
1 92. DONT WAKE UP MY HRT/wHYD YA MAKE ME

PUNCH MILLER
1 93. SOME OF THESE DAYS/EXACTLY LIKE U
305. WEARY Bl/cOOL KINOA PA FA
308.SHINE/SMLL HOTEL

FREDDIE MITCHELL ORCH
325.FISH MmRKET BOOGIE/ TILL TOM BOCGIE

LA VERES CHICAGO LOOPERS
37u«A MONDY DaTE/LOVE LIES

LITTLE BROTHER MONTGOMERYS QUINTET
I94.SWINGIN WITH LEE/ WOMAN THAT I LOVE
195. VI CKSBURG BLS/ NO SPECIAL RIDER

JELLY ROLL MORTON
.1 96 . JERSEY JOE/SWEET PETER
I97.DIPNT HE RAMBLE/ WININ BOY BLS
2C0.PEW ORLEANS jOYS/ PERFECT RAG

201. CANNON BALL/ GRANDPAS SPELLS

202. JELLY ROLL Bl/b|G FAT HAM

203. TOM cat/bucktown

204. GRANDPA ? SPELLS/ K.C. STP
205.S1EAMB0AT STP/SWjkEHOUSE BL
206.SHREVEP0RT/STRATF0PD HUNCH
3C9.0IL well/ LOVE ME

33 1. HAM 4 EGGS/ U NEED SOME LOVIN

NASHVILLE jAZZERS/BL RHYTHM ORCH

300. ST LOUIS BL/ HOLD ER DEACON
N.O.R.K.

2I2.GCLDIT. LEAF STRUT/ShES CRYIN FOR ME

2l3iTHATS A PLENTY/TIN ROOF BLS

2 !4iM I LENBERG JOYS/sp.lMME SHA WABBLE

NICK 4 HIS CREOLE SERENADERS
2 1 5.SALEE OaME/'mO PAS LEMME CAS
2 I 6. LEE CGNONs/cREOLE BLS

217. FPISCC TRAIN/WORK OX BLS

KING OLIVER

218. MABELES DRm/skT BABY DOLL

219. KR00KED BLS/ ALLIGATOR HOP
336.B0Z0/s IM80

O.D.J.B.
22 1 .SKELETON JANGLE 1-2
222. TIGER RAG 1-2

223.0RIG DIXIELAND ONE STEP 1-2
329.LIVEHY STABLE BLS 1-2

THE OR IG ZENITH BRASS SAND
224. SHAKE IT 1 BRK IT/FIDGETY FEET
3t9.SALUTATI0N MARCh/ IF I EVER

hOT LIPS PAGE

225. DOUBLE TROUBLE/GOT WHAT TAKES

ROY PALMER

226. GA swing/stomp THAT THING

227. JOCKEY ST/ENDURANCE ST

22 0. NANCY JANE/DIRTY DOZENS COUSINS

TONY PARENTIS RAGT IVERS

229. GRACE 4 BEAUTY/RFALINE

CHARLIE PARKER

230. FELAX I N AT CAMOR I L L o/sTUPENDCUS

CHARLIE PARKER/SERGE CHALOFF
32 I .RELAX I N CAMORILLO/BLUE SERGE

SANTO FECORA
31 I.LOUI siana/mardi gras

3I2.RCSE RIO GRANDE/CANAL SI ROMP

SISTER BERN ICE PH ILL I PS
3 I 5.RCYAL TELEPHONE/ GOO LEADS

THE RAGPICKERS

23 1. CAT A FACT RAG/THE ENTERTAINERS RAG

232. N0NSENCE PAg/rEDHEAO RAG

233. THE LILY RAG/CRAWFISH CRAWL

RAGTIME PIANO ROLLS

2 34. J AMES P JOHNSON-PALL FT ON FLR/FATS)|8 ST

RAMPART STREET PARADERS

344. PAPA DE DA DA/RhYTHM RAG

345. TPINT NOBDYS BIz/wHEN I FOUND YOU

346. rA da strain/heebie JEEBIES

347. H1GH SOCIETY/ JUNGLE BL

LUCKY ROBERTS

235. MUSIC BOX RAG/PORK & BEANS

KIO RENAS DELTA JAZZ BAND

236. GET IT RIGHT/ WEARY BLS

237. CLARINET MARMALADE/ MILENBERG JOYS

RUSHTONS CALIF. RAMBLERS
374.JA DA/OH 6A BY

3fi7. AFTER U GONE/THE GIRL FBIENO

.89

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.85

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.79

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.79
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.99
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.39

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.39

.69
.69

.49
.49
.49

.49
.49
.49
.49

.89
.89

.59

.59

JAMES SCOTT
3 10. RAGT HE ORIOLE/GRACE 4 BEAUTY

ARTIE SHAW GRAMERCY FIVE
360. L ANC I NG ON CEILING/ MY KINDA LOVE

JACK ShEEDY
380. BLS IN NIGHT/MUSKRA T RAMBLE
38l , ROYAL GARDEN BLS/ GO MAN HARD TO F I NO

GEORGE SHEARING
367.C0NCEPTI ON/EAST OF SUN
238.READY HOKUM/ HOT BUTTER

JOE 4 TR IX IE SMITH

239. DOIN CHARLES-iCn/lOVE ME LIKE U USED TO

BESSIE SMITH

240. GCLDEN RULE/LONESOME DESERT

241. HUSTLIN OAN/BLK MOUNT IAN BL
320,tT LOUI S BL 1-2

242. BT LOUIS BLS PTS 3-4

SOUTHERN JAZZ GROUP

243. CANAL ST BL/ TIGER RAG

MUGGSV SPAN IER

244. MY GAL SAL/ 01 p BRUSH SUNSHINE

245. ALABAMA JUBILEE/ CAUTION BL

REX STEWART ELL INGTON IANS

246. REXATI CUS/LAZY MANS SHUFFLE

247. bOY MEETS HORN/ BUZZ BOMB

RALFH SUTTON

253. CAR0LINP IN MORNING/ WHITWASH MAN

254. DILL PICKLES/ ST LOUIS BL

TAMPA RED HOKUM JAZZ BANDS

255. MY OADOY ROCKS ME/ BOOT IT BOY

ART TATUM
302,k'AN I LOVE/ I KNOW U KNOW

JASPER TAYLORS STATE STREET BOYS
256. IT MUST BE THE BLS/STP TIME BLS

MONTANA TAYLOR

.99

.39

.59
.59

.39

.99

.39

.49
.49
.49
.49

.49

.49
.49

.79
.39

.59
.59

.99

.39

.79

.49
.49
.49
.49

.69

.39

.99

.49

SS .49
.49

.99
.69

l»29
1*29

257„R0TTEN BREAK BLS/ MONTANNAS BLS

258. LOW DOWN BUGLE/I CANT SLEEP

259. IN THE HOUOM/ INDIANA AVE STP
26u.8wT SUE JUST/ FO DAY BLS

JACK TEAGAROEN
261. Ito ONE OF GODS CH ILLUN/THA TS KINDA MAN

LENNIE tristano trio

262.1 SURRENDER DEAR/ BLUF BOY

TROMBONE RED AND HIS BLUE SIX
263.GREASY PLATE ST/ B FLAT BL

BESS IE TUCKER
2G4.PEN ITENTAPY/ 8ESSI ES MOAN

SARA VAUGHAN

265. L0RDS PRAYER/SMT I WES FEEL LIKE MOTHERLE

266. GHOST CHANCE/CAN MAKE U LOVE ME

FATS WALLER

267. GONNA SIT RT DWN/U BEEN

26b. NOT THERE RIGHT THERE/ CANT HAVE YR CAKE
D ICK WELLSTOOD

269. PRIZE CAKEWLK STORY VILLE SWELLS/ 1 F U

270. LEV.0 WATERS/CHICAGO BRKDWN

ETHEL WATERS

27|.MY HANDY MAN/DO WHAT U OID LAST NIGHT .49

LU WATTERS YERBA B'JENA JAZZBAND
272.Sk ID OAT OE DAT/EMPEROR NORTONS HUNCH .69
273. SHAKE THAT THING/ROYAL GARDEN BL .69
JOSH WHITE

274.EVIL HEARTED UANHQU6S OF RISING SUN .49

BOB W I LBER5 WILDCATS
275.1F.CUBLE IN Ml ND/WHEN U WORE TULIP .49
276.0LD FASHIONED LOVE/CHIMES BL «49
BOf. \"l LBERS WILDCAT!

276. OLD FASH I ONEO LOVE/ CHIMES BL .49

277.1.IMEH0USE BLS/ Z|G ZAG .49

276.C0AL BLK SHINE/ SWT GA BROWN .49

379.1F0UBLE IN M I ND/WHEN U WORE TULIP ,39

COOTIE WILLIAMS ELL INGBON IANS

279.0WNT0WN UPROAR/BLUE REVERIE .99

279A.TC BOTTOM/TOASTED PICKLE .99

200. G/L-AVANT IN/MOBILE BLS .89
SUNNY BOY WILLIAMSON

281. ELEVATOR WOMAN/ S 8 BL .49
TEDDY W ILSON

282. HONEYSUCKLE ROSE/AINT Ml SBEHAV I N .49
283.SMTH I NG DREAMED LAST NIGHT/SHEIK ARABY .49

284. BUGLE CALL RAG/MEMORIES OF YOU .49

285. RUNNIN WILD/CANT GET STARTED .49

286. ST C'l/P I N AT SAVOY/BLUES TOO .49
LESTER YOUNG

288, LET ME SEE/ EVENING ,49

289. CN SUNNY SIDE STREET/CHINA BCY .89

YORKSH IRE jazz band

386.WH:n U 4 I WERE YOUNG MAGGIE/DOC JAZZ .49

44

JAZZLANO

B°x 4|5 Racio City Station nyc ny

err c i dot da it nc an cna
-'LL r (no 1 r^ft lit ur r Un

FULL DETA ILS.

A GROUP OF 78 RPM ALBUMS

JOHNNY DODDS

THE MISSOURIANS

DIXIELAND THUMPERS ETC VOL 1

RIV 1002

3.95

HARLEM IN THE TWENTIES

X3020

3.85

AMOS 4 ANDY ALBUM ( 290)

WITH KEPPARD BLYThE VOL 2

RIV |0|5

3.95

MIFF MOLE

8 GREAT SIDEs(|NSURANCE POLITICS

ETC ETCj

1.20

W.OLIVER 4 LOUIS

RIV 1029

3.95

RED & MIFF STOMPERS

RIV

1048

3.95

JACK BENNY ALBUM

WASHBOARD BAND

X 3006

3.85

BENNY MOTENS OUCH

291.8 SIOES MARY,ROCHESTER,MEL B

LANC ETC

1.29

TOMMY 4 JIMMY DORSEY

KANSAS CITY JAZZ VOL 1

X

3004

3.85

EDGAR BERGAN 4 CHARLIE MCCARTHY

JAZZ OF THE ROAD ING TWENTIES

RIV I0C8

3.95

KANSAS CITY JAZZ VOL 2

X

3025

3.85

292.2 SIDE ALBUM W RAY NOBLE

ETC

1.29

RED !- MIFF JAZZ

RIV 1048

3.95

JELLY ROLL MORTON

BURNS AND ALLEN

EUREKA BRASS BAND

PIJNO ROLL SOLOS

RIV

1018

3.95

293.2 SIDE ALBUM WITH MATTY

MALNECK ETC

1.29

N.O. PARADE |2"

PAX 9001

5,95

KINGS OF JAZZ

RIV

102?

3.95

EDDIE CANTOR

DOC EVANS

THE GENNETT SOLOS VOL 1

Rl V

I0o8

3.95

294.8 SIDE ALBUM WITH VON ZELL ETC

1.29

JAZZ AT CAHLETON |2"

SOMA |20|

5.95

THE GENETTE SOLOS VOL 2

RIV

1040

3.95

ED 'ARCHY'GARDNER

DON EWELL

RED HOT PEPPERS VOL 1

X

3008

3.85

295.8 SIDE ALBUM W 1 TH, FART, DEEMS

TAYLOR ETC

1.29

«T THE PIANO WINDIN BALL lOl

3.95

TURK MURPHY

WILLIE HOWARD ( GREAT COMEDY ALBUM)

KING OLIVER TUNES |2" WINDIN BAIL 103

5.95

BARRELHOUSE JAZZ |2"

CO

595

3.95

296. 6 GREAT SIDES, FRECH LESSON,

MOSCOW ART

1.29

MUSIC OF JELLY ROLL MORTON 12"

CO

559

3.95

FIBBER MCGEE AND MOLLY

(297. J

WILL EZELL

ThE SAINTS GO MARCHING I2n

CO

546

3.95

8 SIDE ALBUM WITH BACKUS, W 1 LCOX

ETC

1.29

GIN MILL RAGS 4 BLUES

RIV 1043

3.95

NEW ORLEANS RHYTHM KINGS

MUSEAUM OF JAZZ ALBUM

GENE GOLDKETTE ORCH

FEATURING BRUN1S 4 MARES

RIV

1024

3.95

298. FEAT HACKETT, ROLL INI , DAM 1 CO

ETC

1.99

Bl> , TRAM, LANG

X 3017

3.85

RED NICHOLS

RAGT IME FAVORITES

BENNY GOODMAN

JAZZ OF ROARING 20"S (oORSEYS )

RIV

1008

3.95

299. JACK FINA ALBUM 8 GREAT

RAGS

1 .99

WITH BEN POLLACK

X 3003

3.85

RED 4 MIFF

RIV

1048

3.95

CARL HALEN WASHBOARD 5

OR 1 G D IX 1 ELAND JASS BAND

THE FOLLOW ING ARE A LIST

OF

LP'S IN STOCK.

DIXIELAND RHYTHM KINGS

RIV 2502

3.95

THE OR 1 G 1 NAL S 1 DES

X

3007

3,85

AFR ICAN FOLK RHYTHM

GIN BOTTLE 7

EMPIR 101

3.95

KID ORY

AFRICAN COAST RHYTHMS

RIV

4001

5.95

BOB HELMS RIVERSIDE ROUSABOUTS

N.C.REV IVAL(BUNK)

RIV

1047

3.95

VOICE OF THE CONGO

Rl V

4002

5.95

8 GREAT ORIG TUNES BY HELM

RIV 2510

3.95

CREOLE BAND

JM

332

3.95

SCNGS OF AFRICAN COAST

RIV

4003

5.95

FLETCHER HENDERSON

DIXIELAND BAND

CO

6|45

3.0C

LOU IS ARMSTRONG

CONNIES INN ORCH

X 30|3

3.85

KING OLIVER

PLAYS THE BLs(aCC RAINEY ETC

)RIV

1001

3.95

CHIPPIE HILL

NEW ORLEANS HORNS ( LOU IS 4KEPP)

RIV

1005

3.95

NEW ORLEANS HORNs(OLIVER KEP)R|V

1005

3.95

W. BESSIE, MA, IDA COX

RIV 1032

3.95

PLAYS THE BLUES(C0X4MARTI N)

RIV

1007

3.85

W. KING OLIVERS CREOLE BND

Rl V

1029

3.95

EARL HINES

JELLY ROLLS KINGS OF JAZZ

RIV

1027

3.95

BACKGROUNDS OF JAZZ

8 PI/NO 80LCS

X 3023

3.C5

CREOLE JAZZ BAND VOL 1

RIV

1029

3.95

THE JUG BANDS VOL I

X

3009

3.85

ART HflDES CHICAGO RHYTHM

KINGS

W. CL WILLIAMS ORCH

R IV

1033

3,95

COUNTRY AND URBAN BLS VOL Z

X

3016

3.85

WITH ROD CLESS 4 MARSALA

RIV 1012

3.95

UPTOWN JAZZ

X

3018

3.85

BACKWOODS BLS

DIXIE A LA HODES

PAX 6013

3.95

ROY PALMER

GRANT, JOHNS ON, HI LL, HAWK 1 NS

RIV

1039

3.95

GROFFREY HOLDER

THE STATE ST RAMBLERS

RIV

1020

3.95

SIDNEY BECHET

FOLK SONGS OF TRINIDAD

Rl V 4004

5.95

JELLY ROLL MORTONS KINGS OF JZ

Riv

1027

3.93

N.O.fEETWARMERS VOL 1

X

3024

3.85

BLIND LEMON JEFFERSON

SANTA PECORA

BIX BE IDERBECKE

GREATEST FOLK BLS

RIV I0|4

3.95

NEW ORLEANS RHYTM KING SOUTH

20L

3.95

TEH WOLVERINES VOL 1

RIV

1023

3.95

BUNK JOHNSON

MEL POWELL

THE WOLVERINES VOL 2

RIV

1049

3.95

NEW ORLEANS REVIVAL (ORy)

RIV |047

3.95

AT CARNEGIE HALL 1 Z"

CO

557

3.95

GENE GOLDKETTE ORCH

X

3Ui7

3.85

DAYS BEYOND RECALL

BN 7008

3.95

SEPTET

VAN

8004

3.95

BOOGIE WOOGIE

LAST TESTAMENT

CO 520

3.95

RAGT IME PIANO ROLLS

PIONEERS V0L2(MEPDE,r0W COW )

R|v

1009

3.95

CHARLIE JOHNSON PARADISE

BAND

SCOTT JOTLIN ETC VOL 1

Rl V

1006

3.95

PIONEERS VOL 2(cCW COW,SPAND JR 1 V

1034

■3.95

JAB BO SMITH, HARRISON, CARTER

X 3026

3.85

WITH JOPLIN MAPLE ETC VOL 2

RIV

1025

3.95

JIMMY YACNEY

R|V

1028

3.95

JAMES P. JOHNSON

MA RAINEY

CRIPPLE CLARENCE LOFTON

RIV

1037

3.95

PIANO ROLLS VOL 1

RIV 101 1

3.95

ARMSTRONG PLAYS THE BLS

RIV

1001

3.95

YANCEYS MIXTURE

PAX

60l 1

3.95

PIANO POLLS V0L2

RIV 1046

3.95

AND HER GA. BAND VOL 3

RIV

1045

3.95

JIMMY YANCEY

X

3000

3.85

R ICHARD M. JONES

FIRST OR GREAT BL SINGERS VOL

IR IV

1003

3.95

CRIPRLE CLARENCE LORTON

PAX

6005

3.95

N.O. STYLE (PUNCH)

PAX 60 IC

3.95

LEGANDARY VOICE THE BL VOL 2

RIV

1016

3.95

J IMMY BLYTHE

SCOTT JOPLIM

W.BESSIE CHIPPIE, COX

RIV

1032

3.95

SO. SIDE PIANO SOLOS

RIV

I03l

3.95

RAGTIME PIANO ROLL VOL 1

RIV 1006

3.95

LADNIER PLAYS BLS

RIV

1044

3.95

THE STATE STREET RAMBLERS

RIV

1036

3.95

FREDDIE KEPPARD

RED CN ION JA2Z BAND

ROY PALMER

Rl V

1020

3.95

n.o. horns(louis Oliver)

RIV 1005

3.95

N.O. encore(hudes,sannasstine)

RIV

25K.

3.95

GEORGE BRUM IS

JOHNNY DODOS VOL 2

RIV 1015

3.95

THE ROAR ING 20'S

WITH N.O.R.K.

RIV

1024

3.95

TOMMY LADNIER

DORSEY BROTHERS, NICHOLS VOL |

RIV

1008

3.95

TONY BURRELLO (PIANO

SOLO

•s)

BLUES 4 STOMPS

RIV |026

3.95

DORSEY, MOLE NICHOLS VOL 2

RIV

1048

3.95

1 LOVE NEW YORK W. VOCAL

R IV

8001

3.95

IDA COX

RIV |0|9

3.95

IKE RODGERS

POLKA DOTS 4 MOONBEAMS

RIV

8002

3.95

PLAYS BLs(RANEY'

RIV 1044

3.95

RABULOUS TROMBONE

RIV

1013

3.95

MUTT CAREY

MAZZ, DE PARIS ETC

X 3027

3.85

JAMES SCOTT

WITH HOCIEL THOMAS

RIV

1041

3.95

GEORGE LEWIS

RAGTIME PIANO ROLL (jCPLIN)

RIV

1006 3.95

3.95

BUCK CLAYTON

M»0. BAND 4 QUARTET

RIV 2507

3.95

OMER SIMEON TRIO

HUCKLE BUCK 4 ROBBINS NEXT I2C0 548

3.95

FChOES OF N.O. VOL 1

BN 7010

3.95

JAZZ DUPLEX(POPS ROSTER)

PAX

6006

3.95

JAM SESSICN |2"

CO

567

3.95

ECHOES OF N.O. VOL 2

BN 7013

3.95

BESSIE SMITH

COLLECTORS ITEMS

JAM SESSI ON

PAX 600|

3.95

W. MA, CHIPPUE, COX

RIV

1032

3.9b

VOL l-PARHAM,CL.W»S.,R.M. JONESRlV |0|7

3.95

JAZZ AT OHIO UNION 2-|2"

DJ 100

1 1 .90

MUQGSY SPAN IER

VOL 2-KING MUTT, CL. JONES ETC

RIV

1040

3.95

N.O. JAZZ CONCERT

DE 3483

3.95

THE CHIGOGOANS w TE6CH

RIV

1004

3.95

LEE COLL ,NS

RAGTIME BAND

JM 1

3.95

THE BUCKTOWN FIVE

RIV

1035

3.95

JELLY ROLL MORTONS KINGS JAZZRIV

1027

3.95

MEADE LUX LEWIS

REX STEWART

EDO IE CONDON HOT SHOTS

PIONEERS BOOGIE WOOGIE VOL 1

RIV 1009

3.95

W. DUKE, BLANTON ETC.

X

3001

3.85

W. HAWK, PEE WEE, RED

X

3005

3.05

CR IPPLE CLARENCE LOFTON

FRANK TESCHMAKER

IDA COX

A LAST RECORDING DATE

RIV |037

3.95

THE CHICOGOANS( W. MUGGSY)

RIO

1004

3.95

OLIVER PLAYS THE BLS

RIV

1007

3.95

BOOGIE WOOGIE 4 BLUES

PAX &K 5

3.95

BESSIE TUCKER

WITH LADNIER 4 JOE SMITH

RlV

1019

3.95

J IMM IE LUNCEFORD

BACKGROUNDS OR JAZZ VOL 2

X

3016

3.85

W. BESSIE, MA, CHIPPIE

RIV

1032

3.95

CHICASAW SYNCOPATCRS

X 3002

3.85

FATS WALLER

COW COW DAVENPORT

INA MAY MACK

V.ALLER PIANO ROLLS

RIV

1010

3.95

PIONEERS OR BOOGIE WOOGIE VLlRIV

1009

3.95

BACKGROUNDS OF JAZZ VOL 2

X 30|6

3.85

AT THE ORGAN

Rl V

1021

3.95

PIONEERS OR BW VOL 2

RIV

1034

3.95

WINGY MAN ONE

JIVIN WITH FATS

RIV

1022

3.95

D IX IELAMD JUG BLOWERS

PANAMA, BASIN ETC

X 30|4

3.85

plays 4 sings

VI

1001

4,25

BACKGROUNDS OF JAZZ VOL 1

X

3009

3.85

DIXIELAND JAZZ (CHAMP ION)

RIV 1030

3,95

WASHBOARD RHYTHM KINGS

D IX IELAND RHYTHM KINGS

SAAA MARTIN

WILD WASHBOARDS

X

3021

3.85

W. HALENS W.6, 5

Rl V

2502

3.95

KING OLIVER PLAYS THE BL

RlV 1007

3.95

LU WATTERS

THE DRK(MILKE)

RIV

2504

3.95

MEZZ MEZZROW

BAND

GTO

8

3.0C

N.O. JAZZ PARTY

RIV

2505

3.95

SWING SESSION

X 30i5

3.85

SaN FRANC 1 SCO STYLE 3-1 d"

GTJ

|20CI,2,3

15.00

GENE MAYLS BAND EMP ! F:

102

3.95

MEMPHIS JUG BAND

YERBA BUENA VOL | CLFF

509

3.95

BABY DODDS

BACKGROUNDS OF JAZZ VOL 1

X 3009

3.85

YERB/i BUENA VOL ?. CLEF

51 0

3.95

FOOTNOTES TO JAZZ FOLK

FP3l>

4.75

PUNCH MILLER

RANDY WESTON

N.O. STYLING ( R . M. JONES)

PAX 60 ir

3.95

MODERN PIANO (COLE PORTER )

RIV

2508

3.9b

45

AUCTION

SENO WANT LISTS-COLLECTIONS BOUGHT

FRANK POPE'S RECORD COLLECTORS SHOP

192 CASILE SHANNON BLVD., PITTSBURGH 28, PA.

AUCTION

SEND WANT LISTS-COLLECTIONS

BELOW ARE LISTED MANY RARE COLLECTORS ITEMS WHICH CONSTITUTE ONLY A PEW Op THE MANY THOUSANDS THAT ARE IN STOCK AND AVAILABLE FOR YOUR BIDS. IN PARENTHESIS ALONO SIDE
EACH ARTIST ARE THE NUMBER IN STOCK SO YOUR BIDS ON ANY ARE LIKELY TO BE IN STOCK AND AVAILABLE TO YOU BY THE MERE SENDING OF YOUR WANTLISTS ALONG WITH YOUR BIDS.
MINIMUM BIDS ARE 50fS. IF YOU DO NOT SEE YOUR FAVORITE ARTIST LISTED SEND IN YOUR WANTS ALONG WITH YOUR BID FOR SAME AND SINCE THERE ARE 45,C0C RECORDS AVAILABLE VOUR
CHANCES ARE GOOD THAT YOU CAN SECURE YOUR WANTS. PACKING CHARGE 25# ON EACH ORDER. GOOD LUCK TO ALL. RECORDS ARE IN NEW OR NEW MINUS CONDITION.

LOUIS ARMSTRONG

I.ST LOUIS BLS. OUSKY STEVEDORE VI 24320

2. hOME/ALL OF ME OK 4|552

3. VfALklN BABY BACK HOME/SURRENDER DEAR OK 4|497
4i|F I COULD B WITH u/cONFESSIN OK 4l448

5. BLE TURNING GREY OVER YOU OK 4678

6. A INT MISBEHAVIn/SEGAR ELLIS OK 4|29|

MILDRED BA I L£Y( 127 )

7. DEAR OLD MOTHER DIXIE/TOO LATE BB 7873

8. H0ME/sT0P THE SUN STOP THE MOON BB 7763

9. L I ES .CONCENTRATI N VI 22880
lO.SLEEPY TIME DWN So/cANT U SEE VI 22828
I I.HARLEM LULLABY/lS THAT RELIGION BR 6558
I2.SMDAY SWTHRT/WHEN DAY IS DONE VO 3057

CHARLIE BARNET ( 208)

i3,what is sweeter/buck in dice pe 15834

|4. Nagasaki/fare thee well annabelle bb 58i5

i5.gr0wlin/ on a holiday bb 58|6

i6.t00 good b true/my first thrill me 6c7|2

17. bye bye baby/make believe ballroom bb 6504

18. surrealism/0verheard cocktail lnge var 633

COUNT BASIE

19* PENNIES FRM HVN/DAISY CHAIN OE I 1 2 1

20, BOO HOO/GLORY OF LOVE DE |228

2l .DICKIES DRM/LESTER LEAPS IN VO 5||8
22 »R OCKABYE BASIE/BA8Y DONT TELL ON ME VO 4747

23. APPLE JUMP/ BLUES OK 5862

24. LET ME SEE/ BA6IE BOOGIE OK 6330

SHARKEY BON AM 0 ( 24 )

25. HIGH SOCIETY/ SATISFIED WITH MY GAL VO 3380

LES BROWN ( 1 47 )

26. SWAMP FIRE/ DANCE OF BLUE DEVILS DE 1 23 1

27. R0M0NA/ DONT YOU CARE DE 1 296

28. FEATHER YOUR NESt/lASY RIVER DE 1323

29. PEALIN THE PEACH/MULBERRY BUSH BB 7796

30. stardust/boogie woogie ( e/e) BB 7858

31. funiculi funicula/processicn sardar ok 6293

FRANKIE CARLE ( 27 )

32. GEORGE GERSHWIN SELECTIONS |2" DE 2@2)5

BENNY CARTER ( |48 )

33. GDBYE BLS/ DORSEY BROTHERS PAE 882
34.1 NEVER KNEW/fcHICK WEBB (RYL BL> CO 2875D

35. devils holiday/symphony riffs(ryl b)Co 2892D

36. just A mood/when day is done VOE II

37. ACCENT ON SWING/SCANDAL IN A FLAT VOE |4

38. TIGER RAG/ WALTZING THE BLS VOET 19

BOB CHESTER ( 21 )

39. MAINE TO CALIF/MAGIG MAGNOLIAS BB I 1 3 1 3

LARRY CLINTON ( 47)

4| .ABBA DABBA/ CAMPBELLS ARE SWINGIN VI 25707

"-2.LADY BE GOOD/ ONE ROSE VI 25724

B ING CROSBY ( 116)

43.CANE WE BE FRIENDS/GAY LOVE COE 2035

44ijUST A GIGOLO/RUSS COLUMBO BB ""118

45.WRAP TROUBLES /LITTLE THINGS BB 7|02

46»stardust/cancing IN DARK BB 6169

47.PARADISE/ SHE REMINDS ME OF YOU HA 1007

48iM00NBURN/0N TREASURE ISLAND DE 61 7

BOB CROSBY t 1 73 1

49,JITTEil BUa/LOOKING FOR BP 7466

50.0V3I THERE/SMILE SMILE SMILE DE 4363

51,81 G CHIEF DESOTA/CROSS PATCH DE 84!

BENNY GOODMAN ( 5| I )

52. HAVENT GOT A GIRL/FALLING IN LVE<Vj ME |2979

53. PARDON ME PRETTY" BABY/*HAT DO (v) ME 12208

54. N0T THAT I CARE/HELP YOURSELF CO 2542D

55. M0ONGL0w/BRKFAST BALL CO 29273

56. TAKE MY WORD/HAPPENS TO BEST FRIENDSCO 2947D

57. BUQL£ CALL RAG/d|X1£LaND BAND BR 7644

58. MUSIC HALL RAG/ COKEY CO 301 ID

59. DOWM HOME RAG/DIX IELAND BAND CO 30330

60. hjnkadola/dixiel-*id BaND VI 25009

61 .ALWAYS/ WALK JENNIE WALK BB 10799

62. BLUE SKIEs/rtZMEMBER VI 25860

63. king porte r/some times i m hal-py( g.l. )v i 25090
all tri 0,quartetjsextet's available.
Original labels - new

Hud86m-0ELASGS,WIU. HUDSON. EDDIE DEUNQE( 97)

64. BUGLE CALL RAG /STARDUST MAS 125

RAY NOBt£( 139 )

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69.SI0UX SUE/" FAR AWAY CO 35350

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TRANSCRIPTIONS OF YOUR FAVORITE ARTISTS |6"|NQUISE
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7| .BUGLE CALL RAG/ONE OCLOCK JUMP HMV 9|95

HENRY t red i au£N

72»STRING' SHOE STRING/SHADOWS SWA NEEB RF50 03 72

73. L0VE op wrong/practice what u ppch PE 15933

74. RUQ CUTTER SWING/HOUSE IN HA RL3U ME |3|45

75.90DY 4 Soul/rosetta vo 2965

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76. NIGHT 4 DAY/ROAD TO MANDALA Y BB 10073

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77. AIR RAID SHELTER/3 1 ANO CONCERTO DEE 8699

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78. L0ND0N BRIDGE FALLING/BYE BYE BLS S|Q I522d

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SVEND ASMUSSEN ( 48 )
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LEON 'BIX' BE IDERBECKE

84|30LIZI,MG/ hush a BY2 VI 20270

85.CLAR I NET MARMALADE/ SINGIN THE BLS OK 40772

46.0STRICH WALK/RI VER80AT SHUFFLE (g) OK 40822

S7.4T THE JAZZ BAND BALL TEST

88,3.1 ILE/VIRGIN I ANS VI 2 1 228

99»FELIX THE CAT/«IOTHER GOOSE PARADE CO I478D

90.R0CKIN CHAIR/GEORGIA V| 25494

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92.5WING ME CHARLIE/ ITS BEEN SO (e) VO 3|79

93.SP1NISH TOWN/CANT SET STARTED SE 5004

94«9UT DEFINITELY/WHEN IU WIIH YOU BR 7823

96.S0BB1N BLUES/ I CRIED FOR YOU VI 261 |6

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JOHNNY BOTHWELL ( II J
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PHILIPPE BRUB ( 14) 0 JAN GO ON SOME

106. ;0LLEGE STP/HARLEM SWING SWING |5

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I07»T'AINT NO USE / YOU ME 60601

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108. EASY DOES IT/ IF NOT FOR MOON VO 5397

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109. LADY BE GOOD/SOMEONE WATCH OVER CAP 2'j025

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i i i ,humoresc)ue/*ra" troubles in arista 50*3
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ll'.BYE BYE BLS/ RUN LITTLE
I } 3. JUMP I N JIVE/TRVLON SWING
I 1 4.CH INESE RHYTHM/WEAKNESS
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OK 6084

vo 5o:«
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NOELCHIBQUST ( 13) SOME WITH DJANGO
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122. CHARLESTON ALLEy/sP I R I TS GOT ME DE 4075

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1'23,.D|0 I REMEMBER/MARY HAD LIT LA MB VI 25341
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ALL CLAMBAXE 7 ORIQ LABELS NEW NEW NEW

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128, | CANT RELIZE U LOVe/i-OVE ■ YOU
I 29, STORMY WEATHER/SOPHISTICATED LAD1

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137. F.D.R. JONES/LOVE EACH MOVE U

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138. CHINA GIRL/SAN SUE STRUT

139. R0YAL GARDEN BLs/ S.S.S.
|40.:.OVE TO KEEP ME WARM/i_AUGH ING AT

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COLEMAN HAWK INS ( 57) 5D«E WITH DJANGO

142. H0NEY SUCKLE ROSE/CRAZY RHYTHM SWI NG I

143. BLUE MOON/AVALON HMV 8388
I45.LADY BE GOOD/.ULLABY f«E 2007

144. WISH I WERE TWINS/SWINGIN RASCAL DEE 545"'

ERSKIN HAWKINS ( 1 7)
| 46, TUXEDO JUNCTI ON/GI N MILL SPEC. BB 10409

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147. BYE BYE BABY/SHADOW OF DOUBT NE 601.03

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148. WH0T SHER/ ANY OLD IRON DEE 8687

FLETCHER HENDERSON ( 59 )

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|5cJ.SriANGHAI SHUFFLE/ NAUGHTY MAN VO 14935

1 5 I .WRA PP I N IT UP/LIMEHOUSE BLS DE 157

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161. ILL NEVER CHANGE/STAY OUT LOVE DE 439

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46

AUCTION AUCTION
SAlJi STEPHEN STORAN SALE

% ARG BOX 341
Cooper station - NYC ny

Sale of surplus stock of topex Reccroing studios,
ull records listed are complete half-hour
SESSIONS on lO"LP-33-l/3 microgroove studio
fcCETATE RECORDINGS, CAN BE PLAYED ON ANY HOME
LP PHONO, ALL RECORDS ARE IN NEW CONDITION,
MEVER PLAYED,

MIFF MOLE-RED NICHOLS-EDDIE LANG-IO"LP-84.95

( i )some sweet day

{2i.\ hot time old town tonight

(3/dap.ktown strutters ball

(4jhurricane

(5)oavenport Blues

{Gil MAG I NATI ON

( 7;SH I MMESHEWAB8LE

(S)IFTER YOU'VE GONE

(9) CRAZY RHYTHM

(10) YOU TOOK ADVANTAGE OF ME

CLARENCE WILLIAMS WASH BOARD BAND-IO*LP-<4.a5

( I JJACKASS BLUES

(2) *HATS THE MATTER NOW?

(3) CUSHI0N FOOT STOMP

(4) TAKE YOUR 8 LACK BOTTOM OUTSIDE
(5J|N THE BOTTLE BLUES

(6 J'MHAT YOU WANT ME TO DO V
( 7)S HAKE IT DOWN
( 8 JRED RIVER BLUES

(9) MIS3ISSIPP| BLUES
( IOJSTEAMBOAT DAYS

GLENN MILLER - |Q"LP - t4.95

( I JSTEALIN' APPLES

(2 ) 3UMMER HOLIDAY

(3JHOLIDAY FOR STRINGS

(4)|N THE GLOAMING

(5J9EEP PURPLE

( 6 J I HEAR YOU SCREAM I N 1

(7) "0MCIANA

(8) SYMPHONY

COUNT BAS IE— |Q'' LP-«UCTI 0N-6DCST-7/9/38
(iJINTRC—ONE O'CLOCK JUMP (LESTER YOUNG )

(2JEVERY TUB
( 3jSONG OF THE WANDERER

(4) FLAT FOOT FLOOGEE

(5) '_ADY BE GOOD

(6) B00GIE WOCG IE BLUES

(7) 0NE O'CLOCK JUMP

{ 8 ) LET SONG GO OUT MY HEART
KING OLIVER - |U"Lp - $4.95
( I JSWEET LOVIN ' MAN

(2) 30BB| N' BLUES

(3) RI VE RS IDE BLU ES

(4) W0RKIN M«J BLUES
(5J3NAKE RAG
(6)HIGH SOCIETY
(7JCHATTAN00GA STOMP
(8JNEW ORLEANS STOMP
(9JL0ND0N CAFE BLUES

(10) CAMP MEETING BLUES

BOBBY HACKETT— 10" LP-6R0ADCAST- t4.95

( 1 ) CALIF0RN IA HERE I COME

(2) jOHNSON RAO

(3J»AITIN' FOR THE ROBERT E, LEE
(4)jUST ONE OF THOSE TH 1NGS
(5J30ME OF THESE DAYS
(6J-3I0UX CITY SUE
(7J0RIGINAL DIXIELAND ONE STEP
WOODY HERMAN— l'Jn LP->4.95
(l jJUGHEAD BLUES
(2JWHAT CHA KNOW JOE?
(3JMINKA

(4) THERE'LL BE SOME CHANGES MADE

(5) |.ULLABY

(6) '}H LOOK AT ME NOW
( 7 JLA2Y Rl VE R

(8) BISH0PS BLUES
(9JS0RENT0

( IUJOLD ROCK IN CHAIR

TINY PARHAM-PUNCH M ILLER( !927)-|Uj|.P-t4,95
I I JFAT MAN BLUES

(2) BLACK CAT MOAN

(3) DIX|ELAND DOINS'

(4) CATHEDRAL BLUES

(5) jUNGLE CRAWL

(6) lucky 3-6-<9

(7) wash80aro wiggles
(s)echo blues

(9) ti ny '8 stomp

DUKE ELLINGTON -Iu"lp-$4.95(3R0ADCaST)

( I Jmanhattan murals

(2)lush life

(S)y'ouqhta

(4jbr0wn betty

(5 Vhumqresque

DELMAR RECORDS

S67I DELMAR BLVD
ROOM 202
ST LOUIS 12 MO.

FOR CHRISTMAS GIVE SOMETHING DIFFERENT

IN JAZZ

IT HAS BEEN SAID THAT A JAZZ RECORD COLLECTOR
IS THE HARDEST PERSON TO BUY A PRESENT FOR. YOU
KNOW WHAT HE LIKES, BUT YOU CAN NEVER BE SURE
HE DOESN'T ALREADY HAVE IT.
DOES HE (OR she) HAVE THESE DELMAR RELEASES?

DL-I IORAYM0ND BURKE— JOHNNY WIGGS BIG FOUR
(RAY BURKE, CLJJOHNNY WIGGS C tEDMOND
SOUCHON.GISBERWOOD MANG IAPANE,B)

BABY, WON ' T YOU PLEASE COME HOME
PUT ON YOUR OLD GREY BONNET
BLACK SNAKE BLUES
BUCKTONW BOUNCE
DARKTOWN STRUTTER BALL
SM ILES

SING IN THE BLUES
TEDDY BEAR FOOTS BLUES

DL-1 05-GEORGE LEWIS NEW ORLEANS RAGTIME BAND VOL I
(KID HOWARD, JIM ROB I N SON, MARRERO, DRAG,
PURNELL,WATKINS)

DALLAS BLUES

LORD, LORD, YOU CERTAINLY BEEN GOOD TO ME

MAMA DONT ALLOW 1 T

JUST A CLOSER WALK WITH THEE

WAY DOWN UPON THE SWANEE RIVER

DL-I09-SID DAWSON'S R I VERBOAT RAMBLERS

(jack ivett,c;sid tbjbob dietz p;jim
lindner drms . )

whne erastus plays his old kazoo

Tl GER RAG

SQUEEZE ME

Rl VERBOAT SHUFFLE

SHE LOOKS LIKE HELEN BROWN

STRUT MISS LIZZIE

MOTE-tJE (BLUES)

DL-lOl-THE WINDY CITY SIX SF ST LOUIS MO.

( BOB SPRECHER CJ SKIP 0IRINGER,T8J
SAM GARDNER, JL;BOD OOF.P I ES,P;WALLY
ECKHARDT,j;JERRY FISSLE,DMS.)

AIN'T GONNA GIVE NOBODY NONE MY JELLR01.L

HANGOVER LAMENT (SLUES)

WHEN THE SAINTS GO MARCHING IN

ROYAL GAPOEH BLUES

LONESOME ROAC

SVJ FRANCISCO BAY

DELMAR RECORDS ARE DIFFERENT. . .BETTER QUALITY
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COMING SOON, ON THE DELMAR LABEL I

UL-II2-THE DIXIE STOMPERS-GREAT NEW TRADITIONAL
BAND NOW "LAYING IN THE ST. LOUIS AREA,
FEATURING THE SENSATIONAL NEW ORLEANS
TROMBONE OF |8 YR.OLD JIM HAISLIP AND
THE DRUMMING OF BOB KORMACHER, BABY, I I .

DL-I02-AT THE EIGHTY EIGHT-BATTLE OF JAZZ PIANO
BETWEEN TWO OF ST .LOU IS FCnZMOST JAZZMEN.

DL-I06-GEORGE LEWIS RAGTIME BAND— VOL 2-i.lORE

RECORDINGS BY ThF GREATEST NEW ORLEANS
BAND PLAYING IN THE U.S .TOD/1 Y.J IM ROBINSON
MAmERO,K I D HOWARD, DRAB, ETC.

DL— 1 04-SlNGLETON PALMER'S OIXIELAriD SIX^IFTH
ANN I VERSARY-ST LOUIS MOST POPULAR JAZZ
BANO.AL GUICAR0,30N CARTER, QU6 PERRYMAN,
LIGE SHAW, DEWEY JACKSON, AND VERTNA
SAUNDERS.

Your best

cancer insurance . . .

"LIFETIME" POLICY. . .
See your doctor every year
for a thorough check-up, no
matter how well you feel.

"DAY-TO-DAY" POLICY
. . . See your doctor immedi-
ately at the first sign of any
one of the seven danger sig-
nals that may mean cancer
(1) Any sore that docs not
heal (2) A lump or thicken-
ing in the breast or else-
where (3) Unusual bleeding
or discharge (4) Any change
in a wart or mole (5) Per-
sistent indigestion or diffi-
culty in swallowing (6) Per-
sistent hoarseness or cough
(7) Any change in normal
bowel habits.

Many cancers can be cured,
but only if properly treated
before they have begun to
spread or "colonize" in other
parts of the body.

For any information about
cancer just call the Amer-
ican Cancer Society or write
to "Cancer" in care of your
local Post Office.

American
Cancer
Society

DISPOSITION

IFIRST FOUR LETTERS OF COLL. EI C TOR * S NAME

PRICE IF FOR SALE; VALUE IF FOR
TRADE; MINIMUM BID IF FOR AUCTION

method of disposition: "sal " .
for sale at price indicated;
tra " , for trade! nauc", a t
auction. Closing oate for bids
see page 6. 't-a" for trade
auction; "t-s" for trade
or sale; "sta" for sale, trade
or auction.

Condition qf record: n-new;
E-Cxcellent; v-very good;
G-good ; F— fa i r ; P-pqqr.

Icatalog number of record.

Ilabel of recoro.

ALABAMA WA 5H BOARD STOMPERS
ROCKltM CHAIr/whO STOLE

FRED ASTAIRE

VAN STEP/USED 2 B COLOR BLIND BHJ60500 E
ATTENTION COLLECTORS

HAVE EVERYTHING IN JAZZ, FOLK

COLT

PERSONALITIES, SHEET. ALL LETTERS —

COLT

WILL RECEIVE IMMEDIATE ATTENTION —

C0LI

SEND WANTS

COLT

COUNT BASIE

BLUE SENTIMENTAL/DOGCIN

BRE

2644

M

S.A

2.50

PARR

NORA BAYES

OVER THERE/LADDIE BOY

VI

45130

V

AUC

JACO

SIDNEY BECHET

PREACH 1 N BLs/|NDI\N SUMMER

BB

10623

N

AUC

2.00

PARR

KILL BRADLEY

REQ 4 HHUM8A/FRY ME COOKIE

CO

36719

E

AUC

JAUO

BROADWYA BROADCASTERS

MA RVELOUS/( WALTER JOHNSON )

LI

2704

E

AUC

JACO

BO SOHETH 1 NG/ ( CAROL 1 NERS )

RO

960

E

AUC

JACO

CAB CALLOWAY

SWEET JENNIE LEE/ ( CAROL 1 NERS )

BA

847

E

AUC

JACO

MAURICE CHEVALIER

LOUISE/WT TILL U SEE MY CHER IE

VI

21918

E

AUC

JACO

COTTON CLUB ORCH

CHARLESTON BALL/EVBDY STOMP

CO

|4| |3

E

AUC

JACO

SNAG 'M BLUES/DOWN 4 OUT 8LS

CO

2870

V

AUC

JACO

BING CROSBY

LUV U FUNNY THING/DAY U CAME

coE

2009

N

AUC

JACO

HER LIES LOVE/PLYING WITH

coE

1990

N

AUC

JACO

DRM WLKING/HUMMIN WHISTLIN

cos

2068

E

AUC

JACO

TWO C 1 GARETTES/ JUNE JANUARY

ODS

28681 4N

AUC

3.03

HARR

MINT NEW BOX ED 1 700

I5.0UMERK

89 SIDES OECCAS NEWEST

DC

MERK

RHYTHM KING/SUPPRESSED DES,

CO

1629

N

AUC

MERK

CRST OF WAVE/WHAT D'YA SAY

CO

1465

N

AUC

MERK

JUST A LITTLE/OUT TOWN GAL

CO

1505

N

AUC

MERK

LOU|SE-*LACKBIRDS TOGETHER

CO

1 81 9

E+AUC

MERK

BLUE PRELUDE

REX

8957

E+AUC

MERK

MANY «HER.BRUNS,VI,CO.

MERK

MANY OECCAS 25fS UP E+ TO NEW

MERK

SEND FOR WANTS

MERK

XAVIER CUGAT

SIBONEY/I WANT MY MAMA

VI

26522

N

STA

ROMA

MARLENE DIETRICH

ICH BIN VON KOPF/Nl MM DICH . .

EL

1770

V

AUC

JACO

FLING IN LOVE AGAIN/NAUGHTY LOLAV 1

22593

E

AUC

JACO

DIXIELAND RECORDS

8END FOR OUR LISTS

AVER

FRED ELIZALDE

TGER RAG /OIXIE

BRE

2331

N

S/A

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RUTH ETTING

SEND ME YOUR WANTS

JACO

KING GEORGE V/QUEEN MARY

MESSAGE TO EMPIRE /(guard band) vi

I90 72V/EAUC

JACO

IRENE GIBBONS

DA OA STRAIN/LAST GO ROUND

CO

3834 N AUC ■

PARR

MY PILLOW AND ME /

CO

3922

N

AUC

PARR

BENNYGOODMAN

MUSKRAT RAMBLE/SO .BOADER

coE

592

M

S.A

2.50

PARR

HILLBILLY RECORDS

SEND FOR OUR LISTS

AVER

B ILL II HOLIDAY

CANT GET/GOT A OATE

PAE

2609

N

S.A

2.00

PARR

HOTEL AND DANCE BANDS

8 END FOR OUR LISTS

AVER

H.R.H. PR IN ELIZABETH

SPEAKS TO EMPIRE

N

S.A

3.00

PARR

. H.R.H. PRINCE OF WALES

ARMISTICE | l/l 1/27

HMV

2628

N

AUC

2.00

PA RR

LONNIE JOHNSON

TOOTHACHE BLS PT l-ll

OK

8744

E

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PARR

PAE 2939 N 8.A 2.00 PARR

VO 4| |6 E S.A 2.00 PARR

VI 20576 E AUC

1276 E AUC

' - GAL

■ - SAL
— SAL ■

• - SAL '
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• - SAL ■

■ - SAL '

• - SAL ■
-SAL

BA I 3| 8 E AUC 3.00 PARR
BRE I 9| 0 N S.A 2.50 PARR
AVER
JACO

VIJ 1277 N AUC

LEW IS-PARNELL JAZZ MEN
JAZZ BAND/COMING VIRGINIA

JOE MARSALA
WOO WOO/SIN SAN STOMP

MEMPHIS JUG BAND
NEWPORT NEWS/MEMPHIS JUG

M IDN IGHT RAMBLERS
THATS YOU BABY

M IFF MOLE

BALLIN THE JACK/HOW COME YOU DO BR 80105 E/V8TA'

M ISELLANEOUS
RECORDS CONSISTS OF ONE OR
MORE BY ARMSTR0NG,G. AUSTIN,
CALL0WAY5CHARLESTON CHASERS,
C0LUM80,B I G( V I CTORS ),DUCH IN,
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MODERN JAZZ
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COLE PORTER
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5671 DELMAR BLVD
ST LOUIS 12 MO.

NEW RELEASES FOR CHRISTMAS

WINDIN BALL #I04-NATTY DOMINIQUE

(WITH FLOYD O'BRIEN, FRANK CHACE,LIL
ARMSTRONG, ISRAEL CROSBY, BABY DODDS)

LITTLE BROTHER MONTGOMERY

DELMAR DL-I09-8IO DAWSON'S RIVERBOAT RAMBLERS

(WITH JACK IVETT.BOB DIETZ,JIM LINDNER)

OL-I 10 -RAY BURKE-^IOHNNY WIGGS B IB FOUR

(with eomond SOUCHON MD,SHERWOOO mangiapane)

Di.-I 12-THE D IX IE STOMPERS

(WITH DON FRANZ, JIM HAISLIP,JOHN CHAPMAN,
3ILL STRODER,ED W I LKENSON,dOB KORNACHER,
JERRY STRODER.GR EAT YOUNG ST. LOUIS BAND
PATTERENED AFTER GEORGE LEWIS, BUNK, KID
SHOTS ETC.)

CHARLES JOHNSON PARADISE TEN

TOMMY LADNIER-MEZZ MEZZROW

WASHBOARD RHYTHM KINGS

JELLY ROLL MORTON-VOLUME II

NEW ORLEANS STYLISTS-LEE. COLLINS,JOHNNY
WIGGS, NEW ORLEANS RHYTHM KINGS
ISSUES

BENN IE MOTEN-VOLUME | |
EARL HINES PIANO SOLOS
SIDNEY BECHET —VOLUME I

30UTHLAND-SLP-205^IOHNNY WIGGS NEW ORLEANS KINGS

SLP 206-PAPA CELEST INS GOLDEN AN IVERSARY
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LATEST RELEASES

BOB KOESTER AND THE HANGERS-ON AT THE BLUENOTE WISH
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A MERRY CHRISTMAS

AND A

HAPPY NEW YEAR

L-12004 Kid Ory's Creole Jazz Band, 1954 H.I

High fidelity, extra-length performances of 9 classi<
A 12" long playing must! The tunes: MuskratRamb
Maple Leaf Rag, Yellow Dog Blues, Gettysburg Marc
Clarinet Marmalade, When the Saints Go Marching 1
That's a Plenty, Wolverine Blues, I Found a New Bab

Kid Ory, trombone; Alvin Alcorn, trumpet; Geor
Probert, clarinet; Don Ewell, piano; Billy Newma
guitar; Ed Garland, bass; Minor Hall, drums.

t IMI 4Mt * ##oi ftMfc 4k%% * 600ft tIMt Mfcfc *

®

8481 MELROSE PLACE, LOS ANGELES 46, CALIFORNIA

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