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Full text of "The red mill : a musical comedy"

UNIVERSITY OF 

ILLINOIS LIBRARY 

AT URBANA-CHAMPAIGN 

MUSIC 



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UNIVERSITY OF ILLINOIS 
LIBRARY 



RiqhtsoF PerFormance and For Mechanical Instruments reserved 

DAVID MONTGOMERY AND FRED STONE 
IN CHA5. DILLINGHAM'S PRODUCTION 



THE RED MILL 

AMusicalComedy 



BOOKfit LYRICS BY 



Henry blossom 



MUSIC BY 



VICTOR HERBERT 



VOCAL SCORE 



Price $-2&--nec 
6/s „ „ 



M.Witmark^Sons. 

NEW YORK CHICAGO SAN FRANCISCO 

ALLAN&C5MELBOURNE LONDON CANADIAN AMERICAN MIBICC! 

AU5TRAUA JOSEF WEINBERGER T ° R ° N ™'»»"« 

VIENNA-LEIPZIG 



Copvnghl-MCMVI byMWitmarka5Qns English lopynght Secured 



Charles Dillingham 
Presents 
DAVID MONTGOMERY AND FRED A.STONE 



in 



The Red Mill 

A Musical Play in Two Acts. 
, + 



Book and Lyrics D3- 
HENRY BLOSSOM. 



Music by 
VICTOR HERBERT. 



CAST OF CHARACTERS. 

Two Americans"doing" Europe 



''Con'Kidder, . 
''Kid'Conner, . 

Jan Van Borkem, Burgomaster of Katwky- ann-Zee 
Franz, Sheriff of Katwky- ann-Zee 
Willem, Keeper of the Red Mill Inn 
Captain Doris Van Damm, in love with Gretchen . 
The Governor of Zeeland, Engaged to Gretchen . 
Joshua Pennefeather, Solicitor,LincolnsInn Fields, London (Automobiling with his daughters through 



FRED A . STONE. 

.DAVID MONTGOMERY. 

. EDWARD BEGLEY. 

CHARLES DOX. 

DAVID L. DON. 

JOS. M . RATLIFF. 

NEIL M'CAY. 



Holland) . 
Gretchen, The Burgomasters daughter . 
Bertha, The Burgomasters sifter 
Tina Bar-maid ■, Willems daughter 
Countess De La Fere, Automobiling with her sons through Holland 
Flora. 
Dora . 
Lena. 
Anna. 
Phyllis. 
Madg-e . 



CLAUDE COOPER. 

AUGUSTA GREENLEAF. 

ALLEEN CRATER. 

ETHEL JOHNSON. 

JULIETTE DIKA. 

. CONNIE EASTMAN. 

KITTY HOWLAND. 

PAURA DESMOND. 

CLEO SVENINGER. 

. ESTELLE BALDWIN. 

SADIE PROBST. 



Peasants, Artists,Aidesde Camp, Burghers etc. 

SYNOPSIS OF SCENERY. 
ACT I.- At the sign of the Red Mill. 
ACT II.- A Hall in the Burgomaster^ House. 
Time: The Present. 
Place.- Katwkv-aim-Zee, Holland. 



Staged by. 
Musical Director 



. FRED. G. LATHAM. 
. MAX HTRSCHFIELD. 






CONTENTS. 



ACT I. 
OVERTURE .... 

1 OPENING CHORUS 

2 MIGNONETTE .... 

3 YOU NEVER CAN TELL ABOUT AWOMAN 

4 WHISTLE IT.'- . 

5 A WIDOW HAS WAYS. •• . 

6 THE ISLE OF OUR DREAMS 

7 GO WHILE THE GOINGS GOOD 

8 ENSEMBLE Including When You're Pretty And The World Is Fair 

9 FINALE Including Moonbeams 



5 
13 
27 
33 
37 
40 
44 
48 
52 
69 



ACT II. 

10 OPENING CHORUS 

11 THE LEGEND OF THE MILL 

12 GOOD-A-BYEJOHN 

13 I WANT YOU TO MARRY ME 

14 EVERY DAY IS LADIES'DAY WITH ME. 

15 BECAUSE YOU'RE YOU . • . 

16 THE STREETS OF NEW YORK . 

17 ENTRANCE OF WEDDING GUESTS 

18 FINALE .... 

Added Nu m bers 

19 IF YOU LOVE BUT ME . 



87 
94 
99 
105, 
110 
117 
121 
126 
134 

139 



The Red Mill. 

A Musical Play in Two Acts. 

Overture. 



VICTOR HERBERT. 



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N9 2. 



Mignonette. 

Tina and g-irls. 



Tempo di marcia. 



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Piano. 



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111 tell you fill her his - to-ry, There is - n't a - ny mys-te-ry re- 
To man- a - g«rs she'll on - ly say, There's nothing- do - ing-, on yourwayThis 





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ip - on the staare And shes at 



now up -on the stag"e And shes at pres-ent all the ragfe And she's a 
porters crowdroundher door! She sees them all and sends for more. For 



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28 



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blonde, a bleached bru - nette. 

they're her one best bet ! . 




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, she's 



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She's pret - ty, she's, pe 
Mod - istes are ver-y 




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tite, With dain - ty head and ti - ny feet, She has a fig-- ure that would 

g-lad to furn-ish dress -es for the ad, And they have named for her the 



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make a saint for - g-et. 
lat - est ci - g-ar - ette 



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She wears the lat - est clothes 
The a - g-ents send her wines 



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in 




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ev '- ry- where she g-oes You'll hear them whis-per, that is Mig-n - on - ette. 
hopesthatwhen she dines,Their brand may be the choice of Mig-n - on - ette. 




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7-it. 



a tempo. 



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HHH 



For Mig-n- on 
GIRLS 



ette 



is a sou - brette, 




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is a sou 




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And in the pa-pers she is called"The peo-ples pet! 



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But she is pet - ted too in pri - vate And she hopes to soon ar - 



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rive at A po - si - tion in a most ex - clus - ive set. 



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For she has met 



a bar- o - net 



word! For she has met 



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a bar - o 




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Who just for love of her has run him -self in debt. 



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She has a fine ti - ar - a - ra - ra And an au - to tour - ing- 



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bet. 



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car, A ver - y thrift - y girl is Mig-n - on - ette 



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a tempo. 



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For she has met 



a bar- o 



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32 




I 'M" i P " Jl p ' B P " F ' ^ P P g ' ^ g^^ 

She has a fine ti - ar - ra - ra - ra And an au - to tour - ing 



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car, A ver - y thrift -y girl is Migii - on - ette. 



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33 



You Never Can Tell About a Woman. 

The Burgomaster and Willem 



Piano., 



Grazioso 

A.. 



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BURGOMASTER. 



ji_^_4-j>-^ I J. Jt J, J\ J'. J l J'. Jl I Jl ft J>. J^ ^ ^ J 1 



You can tell a-hout the weath-er, if its going - to rain or shine! You can 
I re - men -her on our hon - ey-moon my darl-ing lit- tie wife, Said 




i 



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s. 



fig- - ure on 
"dear- est, if 



the mark - et and youre apt to got a line! You may 

I died would you stay sin - gle all your life?" And 




Copyright MCMVI by M.Witmark & Sons . 
International Copyright Secured • 



34 



fc 



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hand - i - cap the hors - es and per - haps youll 'dope 'em out', But to 
when I an - sWered*Nb, I think that I a - gain should wed'' She criep' 



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WILLEM. 



I 

fig- - ure on a worn - an is to 
and cried and 6ob- bed and sighed un 



al - ways be in doubt! 
til her nose was red ! 



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trou - ble is you cant tell what they want from what they say, 
had the same ex- per- i - ence, but just the oth - er way, 




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what they want to- mor - row is - nt what they want to- day. 
wife and I had had an aw - ful fuss that ver - y .day. 



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35 



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you do what they tell you, why you on - ly make them mad, 

said "if I should die would you 6el - ect an-oth.-er briAe? v 

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And 
And 




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if you do the op - po - site you're sure to g-et in bad. For you 

M- n't'' How she cried! 




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nev - er can tell a - bout 



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haps thatswhy we think them all so nice, 



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ay one time and you nev-er find one a - lika_ twice. 



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nev-er ver-y cer- tain that they love you, You're „ft. e n ver-y cer-taln that they 



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have the strongest will, But the 



worn- en hate the atrong--est "wont"! 




37 



NQ4. 



Whistle It. 

TRIO. 
Kid, Con and Tina. 



Piano/ 



f^ 



Allegro poco moderato. 



4 M 1 - 



3 






(TINA.) There 
(KID.) There's 
(CON.) Oh! 



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( Inverse KID& CON. 
Whittle.' 2"d Verse TINA & CON. 
/ 3rd Verse KID & TINA. 



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is -n't a- ny word a girl can use when she is mad. 
no. one makes you tueder than the man who knows it all. 
Wil - lie Jones he found a stick of dy - na-mite one day. 




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A man may say most a - ny-thmjr it does- n't sound so had. 
The things you'd like to call him would- n't list - en well at all. 
Says he "I'll h ore some holes in this and make a flute and play. 1 ' 




Copyright MCMVI by M.Witmark & Sons. 
International Copyright Secured. 



l-.t KID & CON. 



38 



I 



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/ E l KJ1J & i^UXS . 

Whistle.) 2»2dTINA& CON. 

( 3rd w\ whistle with bus. of playing f hite . 



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If 



A worn - an may be an - g-ry but by 
You buy a bunch of stocks be-cause you 
He start -ed on his bor - ing-with a 



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cus- torn she is bound, 
think that they are low, 



piece of rod -- hot wire, 



To be 
You find 
Of course 



a per- feet 
you nev - er 



was 



la - dy and she 
knew how ver - y 
aw - ful chance but 




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must - n't make a sound, 
low a stock could g-o, 
Wil - lie took a "flier," 



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But just let some - thing- hap - pen when theres 

Next day your friend comes round and smiles and 
Now this is the se - lee - tion that was 



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poco tranquillo. 



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39 

Whistle.together. 



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no- bod- y a-round. 
6ays I told you so. 
ren- dered by the choir. 



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D.C-al Fine 



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40 



N95 



A Widow Has Ways. 

Bertha. 



Piano. 



m 



Tempo di Valse. 






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Since Ad - am first made Moth - er Eve take the 

Young 1 girls must be watched hy some old chap - er 



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porn menu . 



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blame For that lit - tie af - fair in the g-ar - den, _ 

one As ug - ly and cross as they make them, 



the 
The 



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Copyright MCMV1 by M.Witmark&Sona 
[ntemational Copyright Secured. 



41 



it- d r 

poor mar - ried 
poor mar - ried 



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worn - en have found it the sanii', 

worn - en can't fro out a - lone , 



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Ami their 

And their 



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mis - sinn 
stu - pid 



in life is 
old hus - bands 



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a hard 'unl 
won't take them 



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hard as it is, I am great - ly a - fraid 

wid - ow is diff -'rent! There's none to say "nay"! 



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hard - er 
men all 



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be 

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lect - ed old 
g-ive her her 



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maid, 
way, 



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pnco rit. 




no oth - er state I would will - ing- - ly trade For that of a 

this man to mor - row and that man to - day, And each one he 



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wealth - y young - wid - ow. 
lieves he's the real one ! 



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rit. 



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poco rit 



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For a wid - ow has ways, dont you 



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rit. 



Doco rit. 



pnco rit. 



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(7 tempo 



Her ex - pe - ri - ence pays, dont you 




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see!. 



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a- tempo. 



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She knows het - ter now than to mar - ry a - g"ain, 



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poco rit. 



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knows bet - ter how to in - vei - g-le the men. But the g-irls cant ac 



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count for the craze,. 



And they won - der what sys - tern she 



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a tempo. 



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rit. 



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a tempo. 



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plays; 



It would sim - ply be vain to at - tempt to ex- 



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mo /to rit. 
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plain; 



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a tempo 



mo/to rit. 



But a wid - ow has ways. 






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sfz DC. 



44 



N26. 



"The Isle of our Dreams" 

Doris and Gretchen. 



Piano. 



Wm 



CI 



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DORIS. 



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When my heart grows faint and wea-ry, 



when the 



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world g-oes sad - ly ill.. 



It is sweet to hear you, 



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Copyright MCMVI by M.Witmark & Sons. 
International Copyright Secured. 



45 



GRETCHEN. 



mm 



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dea-rie whisper that you love me still. 



v — 
It is 



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sweet to talk with you, dear, of the woods and crys - tal 



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_ and the 



streams, . 



ros 



- es wet with dew, dear, . 



in the 



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GRETCHEN. 



P 



iB - land of our dreams. 

DORIS. 



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In the heau-ti- ful isle of our 



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46 






m 



dreams, dear, there is nev- er a sor-row or pain, 



J' } J' I 



Eve-ry 



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a tempo 




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ss 



trou - hie and care quick - ly van - ish - es there and 



p p p g 



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all is made hap - py 



a - g'ain. 



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So we'll 



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leave this cold wea-ry old -world, dear, where there's noth-ing- that s quite what it 



jl Ji| J' p j, J' ^=^ 

Prp.+Viprp'c nivt>i_irio- +\io+'c miU« ,./V„4 :i 



^iPppHf | T r ff yr , , , ff# 



fN* 




yrf 



pocn accel. 



molto rit. 



tL-j' J' i P J' Jl Mm" i jww ^m 



seems, 



And we'll sail o'er the sea where for just you and me {here's a 

ft ft P. , P *i * $ 



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moltn rit. 



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home in the isle of our dreams! 
\>1 



llj 7 g 



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moltn rit e dim. 



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NQ7. 



48 



Go While the Gom' is Good. 

(mii. Kid, Tina and Bertha. 



PIANO. 



Moderato 





Ci , jrright MCMVIby M.Witmaki Sons. 

Ir'.'rn ' ,: "i il Pi ijiyi ■'. | ■ PecurPf'.. 



49 



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€uz Jim he al - ways grot the mo - ney on a 

He won at first, hut when at last he got to 



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sys - tern that he played; 

gam- blin' might - y hold, - 



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na- tionmay be fun - ny, but I'll tell you what he said. 

off of him so fast he could feel him- self catch ing- cold 



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al -ways have the 



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if 



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go- m 1 is Rood, dont 



wait to e - ven say a- 



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Al - waj-s go while the 



go- in' is good, dont 



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51 



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bound to put a crimp in 



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bound to put 5. crimp in 



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gamb - lin' gent has a 



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cash right in 

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just the 



inuteyouwin and 



good! 



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cash right in just the 



minute you win and 



go while the go- in' is 



good! 



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N9 8. 



52 

Ensemble. 



Allegro molto . 



& 



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i rn i 



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♦ ^♦ J tfi 



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Piano.' 



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Copyrighl MCMVI by.M.Witmark & Sons 
International Copyright Secured. 



53 



SOP. & ALTO. 



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ac - ci - dent! What hap- pened, what hap - pened who knows? 








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killed An 






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-'ii,n ! ncleai thi yrehere!. 



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57 



COMTESSE. 



Andante maestoso. 



^-Mj 



Ne par- lez pas! - 



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ne par lez pas! . 



J e 




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# ©festf tf/ - freux.' . 



c?V// o del! o ciel! 
LAWYER. 



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Mad- 



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ma-lig-ne bete — 



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ame! I pray! Madame! 




DAUGHTERS. 



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COMTESSE. 



TINA. 



-Jrj^i J i' ^^ 



DAUGHTERS. 



y p i. J' J jy~B PS 



± 



cr 



Lots of trou-ble seems a - brew- ing- 



fa - ther dearl dont g-et in such a state! 

SONS. 



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And therell soon be some - thing- do - ing-. 



n 9 *i i m nM 



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e/^;?* Maman! ne per-dez pas la tete. 



59 



COMTESSE 



# * * p p '> ■■/ ^^ 



rs: 



te 



* 



teste! del 

TINA. 



O cot/if/ie je rage! 



rw^ 



9 



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LAWYER. 



i 



DAUGHTERS . 



SONS. 



S£ 



SOP. & ALTO. 



Let us 



TEN. 
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fe£ 



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Let us 



BASS. 



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Wrt- lig-ne 



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Lots of trou-ble brew-ing- herfe 



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Mad- am par- don me I pray 



p 



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Pray dont get in such a state 



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wc per-des pas la tete 




show 



her 



m 



show 



her 



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60 



^ feE 



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bete . 



je vans ab - hoi'e! . 



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Soon be some-thing- do-ing- here 



Ha! ha! 



There's lots of 



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But I had the rig-lit of way 



my word. 



Thereslotsof 



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ff j IH J * J' » 

For the dam- ag-ewas-n't great 



Pa - pa. 



oh dear pa- 



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Monsieur nest pas tellemeitt bete 



Mu - man 



e/iereMa- 



Imitati,ngtht.' Comtes^e 




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Jo lage . 



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ble brew-ing- here . 



trou - 



There's some 



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s 



thing - do-ing- 



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trou 



ble brew-ing- here . 



There's some 



fefc 



thing- do- ing- 



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HH 



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pa 



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Oh dear pa - pa . 



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dont g-et 



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in such a 



l = N4 



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man 



i 



O c/toe Ma -7>icm 



tie per 



ipii 



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lies pas la 



i 



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Ppif 



word! 



dont say a 



word . 



rage. 



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at such af- 



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word ! 



dont say a 



word. 



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rage. 



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at such af - 



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62 



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here- 



here. 



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state . 



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front . 



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There's lots of trou - ble brew- big- here and soon there will be 



> r p r 



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7 7 



p 



Mad-am! 



Mad- am ! 



Mad- 



m m I P' m P' P' \ P' F' P P' p — 



The dam- ag-e was - n't great, the dam- ag'e was - nt gTeat the 



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* 



w« jtw - rfcs J»«s /« #?fe ne per dez pas la 'tete tie 



tN tf ^ |!7 i V W 



Oh 



heav'n! oh heav'n! oh heavn! oh heav'n! oh heav'n! oh heav'n! oh 



mi 



Oh 



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heavh! oh heav'n! oh heav'n! oh heav'n! oh heav'n! oh heavn! oh 



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63 



v •>■ y * n dtp* * 



a 



je rn<ri>. jc imvS ab - /tore! 



E'p p p i r~p "j> m^-jw^ w-^ 



some 



thing- do - Lng- here! May I sug'-gest you take a well de-serv-ed 



I 



r c i i 



I prav Ma 



am! 



pray Mad- ami 




m 



* 



3^t 



dam - 



S 



age was - n't great ! 



• * 



M. M. 



1 



v v v ' r-p 



h h h 



per 



W 



St 



i 



i 



mon 



ster that you 



are. 



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ster that you 



mon 



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64 



Andantinograzioso. ^^ Wre Pretty And The World Is Fair 



I 



S 



* 



rest! 



DAUGHTERS. 



fl P B b I J' J' J- J' > J' fi J' h 



ft - 



J-? P * 9 g 



red 



P^ 



SONS. 



When you're pret- ty and the world is fair Why be both-ered by a 



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While the world is bright and fair why be troii - bled by a 



teE& 



> M H h h J' ]> J> ]) 



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While the world is bright arid 

■ m 



fair why be trou bled by a 



? " vmmM -^ Jl p p-t-fr 




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65 



J' J' J. JO'i 1 i l' I | I ' ' |! ' r ' |k|l l' [[ 



s 



month of May! And old ag-e is like De - cem-ber gray . So we'll dance and sing- and 



p •y •' pi' / ^ 



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care ? 



PUS 



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play and be hap - py while we may Life was made for love and 

W - 1 



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66 



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laugh - ter! 



>>:» f I' r p ^^f 



is fair. 



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g/ta/ites, on if on i: 



Char- mantes. 



m 



in fl B P S fl | J' > J. j Ji Ji n Ji n 



P P M P p 



When you're pretty and the world is fair Why he both-ered hy a 



JT P 7 * 



is fair. 



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There'll be e-nough of that here 



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£ 



or care 

ja""" 



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t'l/es 



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/'- qt/antes. 



j' J' Ji J. Jt V>>p > 



dou-ble ; trou-ble Tnerellbe e -noueh of that hert 



thought or care For tc wor-ry ia to 




Z2SSS 



a^S 



r p T > 



s 



?^pp 



^ 



or care 



Whv both-er or care 




JISU J 



67 



m 



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aft 



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er 



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5 



noug"h of 



P 



snnt 



char 



i 



char 



m 

aft 



mantes, cl/es snnt 

i 1 7 f f 



mer - ty youth is like the 



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There will be e - nough of that here 



.aft 



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68 



5fe 



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play 



hile w"e 



while 



fet- 



may. 



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ciar - - t//(i//tes pi quantes! 



Qjj^JiJ i hhfr}! 3 : > 



f^f 



sing and play o« 



p ? i P 

hap-py while we 



f 



^ 



play well danceaiid sing and play lie hap 



may. 



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So we'll dance andsingandplaybe hap -py while we 



may. ._ 



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N9.9. 



69 

Finale I. 



■Spoken.- 

Andante. Fraiiz sits down on mill step, u a pleasant life I lead _no sleep for48 

~TT \? Jt I I | ~t T m j rs;u i d in)iieitisi ali t Vs l iimv pw:i t fa t i; — 



Piano. 




draws pipe from pocket 



lights a match 



draws at pipe 




Dolcissimo. 



U"u n 



Spoken: Burgomaster Franz & Tina his wife, (yawtmig) 
It =ounds very good very good! 




M 



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3 3 



* * 



Copyright MCMVI by M.Witmark & Sons 
International Copyright Secured. 



70 



I [ncreasinging drowsiness. 



(Trit;s to light a match .) 




(Draws fretfully at pipe J (Puffs imaginary smoke.) (Almost asleep-) 

k. I v. I 7 T ,_ T ~ J , ^^- hi nl to lit. 




(Looks towards innwitha sudden *tart .) 

Allp^romoltomoJerato. •«-. 



(Reassured he. smiles.) 
• • pncorit. 




Andante. (Droops his head) 

poco a poco rull c ftim. , 



(falls asleep.) 



A~^ 



£ 



(Hi' smiles inhis 



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-: 



i^ 



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5 



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II' I. .. 

quasi cnmpam. 



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sleep as if hearing 
his wedding bi 





71 

Allegro moderate) molto misterioso. 

During this movement burghers enter with lanterns • 



# 



PP 



AH,. ^ J" =* 



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rrlr F> f'f 



.7 i j - 7 3 ' nrx Li 



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72 




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marc. PP 



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73 



$ 



p^m $ 



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pp 



w 



1 V$ V ^ 



w r » 7 fT;^ 






p 



ifii 



& 




Gietchen appears at the wi 


utiowof the mill. 






nfHf | 


if r f~~ 


i f y r f i 


rTYT^i 


p =1 


=t-" 






''»-= ^ 


>m ■ ^H 


^s 


Uif- -r - 


J, u ._ 


— ** — 



Moonbeams. 



GKKTG.HEN. 




74 



Andantino semplice. 



I 



E 



7' j jtjlj ^s 



i h 



day is g-one and the nig-ht comes on, And the birds have sougrht their 



^frrrrr^r 



m 



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i 



w^m 



it* 



m 



m 



i l 



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j i j> j 



nest 



The shad - ows fall in a dark - 'ning- pall And the 




1 




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i 



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?=?=? 



wea 



ry world's at rest. 



m^^m 




The stars are a - wak - en - ing* 

J . b . .i|P 



fe£ f 



^mi 



u 



I 



m 



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Hi! 



| r ^J Nt J 1 M ^ 



one by one The whis - per - ing - breez-es are 



still,. 



The 



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m m 




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75 



E^^ 



mm 



l 



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P^g 



monn shin- ing" bright with a ra - diant light, Is sil - ver - ing- val - ley and 



*££ 



£ 



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if , flfr y E^E 



4 



y^t» ttieuipo. 



^ 



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ir f g 



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hill. 



Moon -beams shin - ing 1 



soft a - bove 



$=$^=* 



g f g i 



I 



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7 



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— J"P 



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//> dolcissimo, 

it 



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i 



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Let me beg of- 



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it 




li 



you! 



Find the one I 



dear- ly love! 



iii 



f= ftff 



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s 



m 



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Tell him 111 e'er be 



m 



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fr * >-^d 



i 



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true. 



^fi 



Fate may part us. 



^^ 



? 



74M 



@ 



fry t^^*z 



^ ' ' 3 ' V 



76 



• I'd 



^^ 



J- J I J- 



£ 



~^m 



years may pass! Fut-ure all un 



known! 



N^f 



Still my love shall 



M 



5 



S 



JM-^ 



£ 



w 



IB 



pucn /-it. 



a ti/zipo . 



p c J m r i f ■ p 

ith- ful to him a - - lone 



^=fr 



P 



er prove Faith- ful to him a 



Oh! 



5 # £ it 



I 



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SI 



IS 



g 






pn 



jtwffl *■»/. J., 



<£ 



« tctupu. 



' 



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Pttco aninutto. 



Jt | Ji. /, j, J\ ^ 



f P P f P (I ^g 



3 



wan- der- big - wind wont you quick- ly find my dear one wher-eer he may be? And 





NN^ 



fpp 



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p ir gr J .'p' p p p^p p ' rrP 



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bring- me the mes- sag-e he fain would send, I know he is dream-ing- of me! 



I 




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-> 



s 



m 



rit . 



w 



m 



& ■ +- 



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Tempo I . 

DORIS. 

(behind the scene) 



77 



5K= 



7 



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3 



*-Q 



r 7 g b 




TEN. 



f g M f 



Moon - beams shin - ing — 
BASS. 



,' i i \ i r 



soft a - bove 




f=f=H = f 



Let me beg of. 



^ ^ £ U - 



«-=- 



^ 



Moon - beams shin - ing-_ soft a - bove Let me beg- of — you, 



you, 



I 



rnff i f f rftirlM 



^ 



Find the one I_ dear- ly love! Tell her I'll e'er be_ true! 



t i iU 



Find the one I — 



fc " Y. * =J J 



JlJh 



m m m i 



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dear - ly love! 



m 



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Tell her 111 eer be — 



4> J> Ji 



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J J J 4 -^ 



ii i' i' i' 1 H i f Hi. r 7 



true, be true! 



m 



j. — 



78 



GRETCHEN. pp 



^^EE- ^-iT^ T 



DORIS. 



P 



All'. 



f=^^ 



m 



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£ 



nr H 



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Fate may part us ? — 



*E= 



years may pass Fut - ure all un - known! 





v r p n ff i f r f i f p p gfff it g 



3 '•. 



! C 



Still my love shall ev - er prove Faith- ful to her a - - lone. 



^^ 



fri 



«_* 



el 



Still my love shall 



a^ 



• - * 



Em 



# 



/ 



ev - er prove 



;. 



M M 6- 



Faith-ful to her a - 

■ h J J 1 M 



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r 



PP 



^^ 



C 



lone. 



r~? 



?=t= ^ 



^ 



'!*■ 



ffi 



79 



Allegro moderate. 
molto misterioso 




C/'t-r' 



1 i 



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±«=k±| 



P 



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PPf 



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ma?-c. PP 






1 



7 17 * 7 



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7 7 





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He will shoot! be 
PP 



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He will r-hoot! be 



•Jl 7 J^ 7 J^ T ^p? 



3E 



///>/» 



staccatissinio ■ 



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atut 



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ni;^* ve' ^t^* i 



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80 




Let him it' he 



* J>7 Jl7 J^7 Jh 



dare ! 



Stand a - side! 



' 7 p 7 f p 7 



Let him if he 



dare! 



Stand a . side!. 



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IT 



f-/ p 7 r =i 



ii 



t=s=^ 



si 



B 



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J I . X J J ^ 



Thus de - fied!. 



We may do 



harm to you. 



m ., » 



m m za 



» » J 



; 7 p 7 



S 



fe^ 



Thus de - fied!. 



We may do 



harm to you. 



*>* r ^ p 7 r ^ 



m=£i 



M 



$ 







Se£ 



*i 



M 



; ? r»^ 



« — *- 



mm* 



. sempve ctesc ed accel 



M 







— 



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i 



Hur - ry up! hur - ry up! hur-ry up! Hur- ry up 



^1 




* 



81 

Spoken: 

The Burgomaster! 



m 



:e£ 



// 



1 1 1 JgTU 

v^cresc passibile ed 



.|j.flj j. J^-^ M 



«ip 



accelerando. 



cr r r 



•— f» 



*^^r 



1 



^y BURG: (aside) A pretty scandal this 



5 3. 3 *•#» *■ * #* 



ii 






^^ 



The Burgomasterenters. 



BURGOMASTER- 

What do vheje!Disp<'r:?eat once! 



^^ 



g 



^_ 



Fie! 

2ZL 



(Shouting) 



^f=t 






TINA, KID.& CON. enter from inn 
k^g and tip toe quicklybehind mill. 



s 




ff 



82 
BURGOMASTER: 
You defy your Burgomaster? ^ 



jy Begone or you shall; ill 







T-p- 



w 






VA frr 



teSy A^j ^ 



Vmoltn cresi>(t 




daugh- tir now too long have you di 



4^ j' j'^^ 1 j' j J* 



daugh-ter now too long have you de 



' b "t r r r r r r r~T 



laved. 



o 



layed. 



^ 



6^ 



/p 



T 3 r «n Ir^T' 1 ^ 



83 



m 



* l J' *> h -I' J' * -I' 1 



Re - lease vour 



^ 



Re - lease vour 



i 



^ 



^=^= 



£ 



daugh-ter now too long have you de 



J> J. Js J J' ^ 



daugh-ter now too long have you de 



P f! p jl P ^^ 



ZE 



laved. 



O 



layed. 



f il r i* r 



aft 



> n, « 



§ 



M^ 



iis 



f m [i \ 



r Jlr Jl 



^ 



(Burgomaster shows hesitation. ) 

1* 



Re 



P 



ff V I 



r 



lease her, 



e^i 



lease her 



your 



Re - lease her 



the girl your 



Ww^ 



3EEJE 



Re - lease. 



the girl your 



mm 



i 



i^£ 



f 



* 



A yi 



^ r r] f ^ 



T 



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[j jfr-fr W .U' J> J' J> 



F T » 



cru - el - ty will sure-ly be re 



paid- 



Re 



lease her , re 



frty P P 



P P P P 



g£g 



cru - el - ty will sure-ly be re 

l h P p P M P M 



paid.. 



r 1 



Re - lease her 



^ 



£ 



A 



Re - lease. 



a* 



W 



T=^ 



84 




lease her Your 



cru - el - tv will sure - lv be re 



popup v ^m 



paid. 



Re 



• p 



fe*E 



s 



the girl Your 



cru - el - tv will sure - lv be re 



paid . 



Re - 



* k r j r j 



^ 



n r v f ? 



iumi 



the girl 



«- 



^ j j > i 



s 



i 



»=*■=« 



i«=«=i« 



E3 



s 



£ 



L4 



lease the girl too 



fc- f 



& 



? »p M 



long have you de - layed Your 



M B B P 



cru - el - ty will 



I 



lease the girl too 



long have you de - layed Your 



'j-i r f -*^ — r 



p it-" a J J 



cru - el - ty 



will 



^m 



m 



P~^ 



p 



* — i > 



~w 



£: 









I 



* 



^ 



F 



^-P-if 



P^^ 



sure - ly be re - paid! Con 



MM M 



sure - ly be re - paid! Con 

p* ^ * j ■ 



'S\, f I I J 1 p 



sent! our cour-age is un 



p • • P P. 



sent! our cour-age is un 

r r p p p ^ 



mm 



daun- ted That 



i 



daun- ted That 



* 



T* 



*■ * 



') 



* & 



m 



^F 



* i 



m 



ace 6 1. 

m 0- 



P 



85 



mill you knowbir it is 



^> r ci n M ^ 



mill you know Sir it is 



r 



^FP^ 



__* 



^3 



^ 



haunt- ed! 



Re 



lr J i 



haunt- ed! 



Re 



lease 



le girl for 



^ 



lease 



1 



the girl for 

P r r 



#~^ 



i 




m 



wll m m 0, 



£ %i 



t 



?nolto accel. 




,yy.(The Burgomaster starts for the door of the mill.) 




I 



>> L r h r T r 



( He opens the door and enters 

the mill* turns and exclaims 'Gonr! i 

Moderato. ^ 



rrrfrrff| !l|l n ll nn^nfi 




86 





JSr 



t * 




Allegro brilliante. 



f#m 



f 



=6= 



fff tutta forza 



r^ii tf' -' 



tffzaccelsffz a I Fine, 

r 





End of lsj Act. 



87 



NQ10. 



ACT II. 

Opening Chorus. 



Allegretto scherzando . 



tfrfurrfl.r.f'r i f B a 



Piano 




t£ 



m 



S OP & ALTO. 






Why this 



gte 



9tf 



•?/3 



^ 



i^ 



.^ 



^ ' O * 



£ i ' cJ ^ : 



U^ 







i 



fcfc 



rf 



^ t 



i i J I i 1 h i' i' i 1 i- m 



si-lence? Was th^re violence? Or did Jung-fouw Gretrh-en sim-ply up and 



\p n n 



h' r"^^ 



7 7 nii 



r=?^ 



p i J J i J 



Copyright MCMVI by M.Witniark & Sons. 
International Copyright Secured. 



88 



ii=Mt 



* J J) J * * (f ^ 



** 



run a - way! 



If not 



8 7 Z 



No! no! 



3^ 



*• 



P 



real- lv 



— w - 

T 



P^ 



clear- lv 



? J A. 

They should 



J *f JT] K 



s^ 




! 



n 




s 



•? ? 




^ 



y=* 



^5 



1=9* 



li J' 1 1 Ji J 1 J> 



stop this oil- ly gos- sip-ingwith 



^jh i fl 



out de- lav! 



But to 



U 



fcfc 



u 1 * * : 'm 



han- die 



such a 




rM J j j 



scan- da 1 



Puts the 



*t 



«£ 



Burg- o 



J' J' J J 1 J ! J' Ji 



uig-o-mas ter in a ver- y 



^ J J ? ^ i' a 

* i ♦ ♦ -«■ 



sor-ry plight! Youll dis- 

fess; 



P 



Of course! 



HH 



=4*4 



s 



y v 




T 




Mfe 



r i 1 t 



rw • — • 



S» 



t^ 



f^H 




li^M* 




* i i 



night. 



pn 



(astonished/) 



P^l 



^ 



T^g^ 



f 



¥=J 



V V 



ppg 



Well dis 



shed a 



lov- er 



and slii 



W£m 



J=§ 



If. , ft 



*# 



V * . 



Hi 



<^d 




^ 



* 



«=* 



^ 



gg# 



!=§£ 



»« 



£^ 




^ 




ifc*** 



in 



Why this 



^S p g » P p p J- j 



i 



^E 



se - cret - ly e - loped with him last 



night . . 



'»M *ft ff E «p f ft 



90 



F if i f J' 



{N^-^irj 



j j) j j j j ipj 



Bi-lence? Was there 



vio-lence? Or did 



Jung-fotiwGretch-en sim-ply up and 



4i 



m 



i 



£& 



■ 



7 7 



i H 7 7 H P 



■d- -3- ■*- -» 



m • m - 



3 « 1 ■ : 

5 5 3 3: 



m 



£5 



m^ 



m^ 



m± 



g^ 



&* 



« 



feP 



Ji J * * P ^ 



PP 



s^i 



v=t 



«* 



run a - way? - If not 



real - ly 



clear- ly! 



They should 



ft P JS 



No! no! 



n* v p 



E 



fck 



g3* * A3 






W ^j j P 



i — ■: 



m 



» — » w 9 — 



£^ 



fe=E 



i /JM h 



i^ 



i j!h-> m 



h=& 



fei 



pw 



7 7 



e 



stop this sil - ly gos -sip-ing with- 



out de - lay. But to 



han- die 



such a 



m 



p 



Thats so! 



£ 




91 




i 



ifcfel 



PS 



=7=F 



Nfc 



* 

scan-dal 



Puts the 



ai 



J J J J' J J J J 



Burg- o -mas - ter in a ver - y 



♦ ♦ -•- i y~ 



sor - ry plight! You'll dis- 



¥ 



Of course! 



b r> 7 




W^J 



ibMsM 



fe! 



T=^= 



shed a 



£ 



fcfe 



§> 



8*1 



^ 



7 7 



g£4 



« — * 



lov-er 



And she 



f 



h 'JS }) A 



i 



r=^ 



S i> 







• 



se-cret - ly e - loped with him last 



taufi 




S J z -0- ■»■ *- 



l i g J b J J J 



PS 



pocptiimosso. 



u 



night! 






You dont know that its 



E 



P PJ ^ 



30 Bet -ter go a lit -tie 



ji ; J. 



y <■ 



Yes, we do it is 



slow. 





true just as ev - >ry - hod - y 



m 



knew! You'll dis - cov - er shed a 

-' E »F i P p j! 



No she nev - er had a 



P *P M'?l 



i H jF=T Tl | 




i: 1 ^ * r j t r j r i' 



/ 



■i i'ir I i t i 'i ) 



lov - er and she se - cret - ly e 



ih 



lov - er and she could - nt have e 



■>'V p ( i V V p p ^ 



r- 



£ 



loped! 



P 



loped! . 





j*' ~E - «p u P B P *fl 



5=1 



With her lov - er she e 



No she could nt have e 



§S 



v i! -i P () p p p It 



S=P 



Allegro. 



P* 



fcl 



loped! 



^^ 



loped! 



£fca 



S 



P 



P * » 




:h"i / u * r r r r 



y- 



sfet 



,\ 



^^ 



scherzando , 



m 



BERTHA. Rvcit. 



& 



: v 



f 



-y— y- 



s 



What's this. 



i-dle 



is 



sp 



gfl J?} 




I 



e 



\JJ11 



r\ 






a 



^ 



^ 



B 



1 m ' ^' Ji n M 



ji v ) 



g-os - sip! 



You should rath- er he a - fraid!. 



(* 



ft ^ := £ ft ^:r 




fcEiEi 




■5- -5- -»- * * ■*■ -«L «L 



mtsterioso lit. 



\ i J> J' M > J'|Ji X ^^ ^ 



^J^ 



t 



Your mis - tress you may nev- er see a - |rain, 



Have you not 




£ 



1 



^^ 



/ 



It 



i 



3ee£ 



3± 



^■f ■*■ ■*■ -9-9 



$ 



/7\ 



i. — j- J> J'. ^ 



t 



hpard the le - g-end of 



the Vill? . 



94 



N9U. 



The Legend of the Mill. 

Bertha and Chorus. 



Piano. 



I 



Moderato e molto misterioso. 



m 



■9 



^S 




{JJ'V-I 



t 



BERTHA. 



± - — — pp 



Old King- Jo - harm in 
He Wil - hel - min - a 

The night was still hut 



w=m 



m 



• 



r 



days that are gone Was 
sought for his queen, A 
ghost- like, the mill Kept 



sail 



9 : » 



E^El 



mm 



^ 




f=f 



§ 



^ 



^ 



r r r 



SE 



£ 



rul - er of land and 
prin - cess so young* and 
wav - ing - it's spect - ral 



sea, _ 
slim! _ 
arms, 



A bach 1 - lor proud he 
But she loved true a 
And those a - round heard 




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talked like a crowd And spoke of him - self 

sail - or she knew, And planned to e - lope with him. 

mys - ti- cal sounds, Which thrilled them with vag-ue a - larms 



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sub - jects quaked with 
ran a - way to 
break of dawn the 



fear when he spake And 
Ka -twyk-ann Zee But 
prin - cess had gx»ne But 



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trem- bled to see his 
all of her plans went 
how is a myst - 'ry 



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frown , 

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still, _ 



But a weak-ness he had And it put him to the bad, He loved the 

For .King- Jo -hann that nig-ht ov- er- took her in her flight And locked her 

And at twelve ev'- ry nig-ht there's a fig-- ure all in white, That haunts the 




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swish of a silk - en 
up in the old Red 
towr of the old Red 



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BERTHA. 



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Jo hann 

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was a 



roy - al sort of Don Juan, 




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And his rep - u - ta - tion fright-ened all the la - dies And the 



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pret - ty ones re -paid his ten - der g-lanc-es with scorn. 



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wed the fair - est maid - en that had ev- er been born 



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a roy - al sort of 



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Don Juan, 




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1 v hi* con - science la - den He would 



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id the fair - est maid - en that had 




i-ed the fair - est maid - en that had 



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ev- - er been 




ev- - er been 



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D.S.al Fine. 



99 



N° 12. 



Good-a-bye, John! 



Con and Kid. 



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Look- a here now, John, I g'ot - a - 'noug-h of you You been a 



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bad- a -bad- a boy all- a 
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week, What you do- a last-nig-ht-a vit dat 



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six - ty cents A what's de mat' why you no 

t, r b<rf^f tig- b> l;> * * * * 



speak? 



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smash- a de chair, you pull - a de hair, you soak - a me vit a 



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stool You tink- a for a min - ute dot a stand- a for dot? You 

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bye, John, you a - g-o-ing- a-wny, You got a bad dis - pos- 



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Good - a - bye, John, jes - a yes- - - ter-day you 






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bye, ' John, Get g-ay — vit me and I make -a for you much troub x ! 



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102 



DANCE. (Spanish.) 



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Moderate 



104 

STOP DANCE. 

KNCORE. 




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105 



N913. 



I Want You To Mar ry Me ! 



Tina anl Chorus. 



Tempo diValse. 



rit 



a tempo 



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TINA. 



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When a qui- et young - man on the 
A girl has to learn ma- ny 



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a tempo. 



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bach - e - lor plan 
les - sons in turn 



De - serts the hooks he likes 

And some are sad I fear 



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For 



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quite hy the way he dis - cov - ers some day A g-irl whose looks he 

ma - ny may say that they love her each day, With scarce - ly one sin 



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106 



m/bato. 



J t J B 



J b r J i J 



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likes, Hell call and in- vite her to din- ners and shows But 

cere,- And there-fore I think that her an - swer should be "Were 

pnc6 meno. _, — -^ 



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that is - nt ser - i - ous ev - 'ry g-irl knows, He'll rush her for months hut hell 
told, to he- lieve on- ly half that we see And noth-ing- we hear, 60 you'll 



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nev - er pro - pose 
have to show me!" 



Un - less he is ten-der-ly 
And then if she'd help things a 



taught. 
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the mag 1 - ic Of those lit - tie words "we 



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one 



love is you' 



There's lots of things he 



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ought to know But dont for - g-et to see 



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he " cor - rect - ly learns to say. 



: I want you to mar- ry 



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108 



a tempo. 



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(English Girls.) 



(French Boys.) 



? 






Well 



tell "you 



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words ' ' we 



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mar - ry 



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110 



N214. 



Every Day Is Ladies'Day With Me 



Governor and Male Chorus. 



Tempo dimarcia. 



Piano. 



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Ill 



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Llistesso tempo 



GOVERNOR . 



i p- pi p" u p f-ty pgjp? 



I should like,with-out un-due re- it- er - 
Its a frig-ht-ful thing- to think of all the 



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a - tion of the e - g-o To ex - plain, how ver - y hard I find it 
hearts that I have hrok-en, Al- tho' each one fell in love with me with- 



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is to make my pay gro 'round a - mong- my vul - gar cred - it - ors! Im 
out the slight- est tok - en that my fa - tal gift of beau - ty had in - 



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fear - ful -• ly in deht For 1 
flamed her lit - tie heart, But I 



al - ways have af - ford - ed an - y 
found that some small fav - or al - ways 



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thing- that I could get! But I must say I've en - joyed the hest of 

seemed to ease the smart. A po - si - tion for a cous - in or a 




n p- 'f t m Jl p i p- p ir 'f p~ 'M^-i 



what there is in life; I've heen luck - y in my love af - fairs, I've 

loan to dear pa - pa , Just a dain-ty dia- mond neck -lace or a 



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nev - er had a wife! I can sum - mon lit - tie int' - rest in the 

pret - ty mo - tor car. But I dorit he -grudge the col - lar- ets and 




113 



rail. 



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cold - ly left to wait! For 
what I've spent on g-irls! For 



ev - er - y day is la - dies' day 

ev - er - y day is la - dies' day 



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with 
with 

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quite at their dis- pos - al all the 




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Ev-er - v day is la dy'sday with 



him! 



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while!. 



And my pleas-Tire it is douh - le if they 



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He- is at their dis-pos - al all the while! 

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come to me in troub-le For I al - ways find a way to make them 



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smile, the lit-ile dar - ling-sll've no douht I should have mar- ried long- a 



i 



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a tempo. 



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It's the 



prop - er thing" to do you'll all 



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Doubtless he should have mar - ried long a 



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F . r- p i p- f p- c r ^ r ^ 



gree!. 



But I ncv - ercould find an - y fun in 



It i«s the prop - er things you'll al 



gree! 



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117 



N9 15. 



Because You're You ! 

Bertha and Governor. 



Molto moderate 



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Love is a queer lit - tie el - fin sprite, 



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N216. 



The Streets of New York. 

Con, Kid and Chorus. 



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ver- y! The name on the lamp-post is 
have and you start on a lei - sur - ly 

show-er - y, That does-nt u cut an - y 



un - nee - ess - ar - y,! You 

stroll up Fifth Av - en - ue, 

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sing- and talk! 



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sab - les en - fold - ihg- them, real - ly yoilll near - ly fall 
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Av - en - ue "A" girls,Theyrestrict-ly all right but they're dif - fer- ent 
dead on be- hold- ing them, luck-ys the earl that can mar- ry a 
none of them jeal - ous, They go it a - lone in a style of their 



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girl from Fifth Av - en - ue New York . 

own On the Bow . ery in New York. 



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126 

Entrance 

Governor and Wedding- Chorus . 



Piano. 






Tempo dimarcia Moderato. T 



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wait with pride 



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cloud mars the bliss of the Ue 



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GOVERNOR 
Sweetly. 



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My friends I thank you for this first se 

/Ts_j7\ Moderato. 



quasi recitative. 



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governor and his bride . 



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governor and his bride. 



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N918. 



134 

Finale II. 



Piano.' 



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Tempo diValse. 



SOLO, atetupo. 



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In old New York! In old New York! The 



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peach- crops al - ways fine! 



They're sweet and fair and 





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('"liyright MCMVI by M.Witmark & Sons. 
International Copyright Secured . 



135 



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can - not see in g-ay Pa - ree, in Lon-don 



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fair and 



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old New York! In old 



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139 



If You Love But Me. 



Grazioso 



Piano. 




jUi J) I J. J J ^qjr ^T^ J 



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I -would so like to be some -one's af - fin- i - ty, 



teen, 



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like to have him woo me for his queen. Oh heav'n a - bove! How I could 



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Copyright MCMVII by M.Witmark & Sons. 
International Copyright Secured. 



140 



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H ^.m . ^H » ■ s — 



p- a vil J- J . S| . J"r i- m 



love ! 



If he wouldtake me in his arms and call me all his own, Im- 



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a - gine how de - light-ful that would be ! 



For - sak-ing ev - ry oth - er I would 



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cling to him a - lone, If he would on - ly say he 




loved but me .. 



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loved but me ! 




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on - ly me! What a par- a -disc life would be! 



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poco nt. 



Musical Comedies and Comic Operas 



by 



VICTOR HERBERT 




THE PRINCESS "PAT" 
Book and Lyrics by Henry Blossom 



THE ONLY GIRL 

B'x.k ami Lyrics by Henry Blossom 



NAUGHTY MARIETTA 

Book and Lyrics by Rida Johnson Young 



THE SINGING GIRL 

Book and Lyrics by Harry B. Smith 



THE RED MILL 

Book and Lyrics by Henry Blossom 



SWEET SIXTEEN 
Book and Lyrics by George V. Hubart 



BABES IN TOYLAND 

Book and Lyrics by Glen MacDonough 



THE TATTOOED MAN 

Book and Lyrics bv Harry B. Smith 



THE FORTUNE TELLER 

Book and Lyric by Harry B. Smith 



THE VICEROY 
Book and Lyrics by Harrv K S 



THE LADY OF THE SLIPPER 

Book bv Anna Caldwell Lyrics by James O'Dea 



WONDERLAND 

Book and Lyrics by Glen MacDonough 



THE ENCHANTRESS 

Book and Lyrics by Fred, 1 >e Gresac 
and Hairv B. Smith 



MLLE. ROSITA 

Book and Lyrics by loseph He 
and Harry B Smith 



MISS DOLLY DOLLARS 

Book and Lyrics by Harry B. Smith 



THE AMEER 

Book and Lyrics by Fled. Rankin & Kil e 



MLLE. MODISTE 

Bin.k and Lyrics by Henry Blossom 



BABETTE 
Book and Lyrics bv Harry B. Smith 



OLD DUTCH 

Book adapted from the German by Kdyar .smith 
Lyrics by George V. llobart 



CYRANO DE BERGERAC 

Book and Lyrics by Harry B. Smith 



THE PRIMA DONNA 
Book and Lyrics by Henry Blossom 



IT HAPPENED IN NORDLAND 

Book and Lyrics by Glen MacDonough 



Complete Catalog giving all the individual Vocal and Instrumental numbers from above 
productions sent FREE upon request. 



!L= 



M. WITMARK ft, SONS 
1650 Broadway NEW YCRK 



A