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7
Rider's
NEW YORK CITY
A Guide-Book for Travelers
RIDER'S GUIDES
Ready :
Rider's NEW YORK CITY
In Preparation:
Rider's NEW ENGLAND
Rider's BALTIMORE AND
WASHINGTON
Rider's CALIFORNIA
Rider's FLORIDA
Rider's
NEW YORK CITY
and vicinity, including Newark,
Yonkers and Jersey City
A GUIDE-pOOK for TRAVELERS
with 16 maps and 18 plana
Compiled and edited by
FREMONT J^IDER
With the aasiatance of Frederic Taber Cooper, Mary
Alden Hopkins and others
NEW YORK
HENRY HOLT AND COMPANY
1916
128.5
1 "■■*" 1
Copyright, 1916
by
The Rider Press, Inc.
The contents of this volume are fully pro-
tected by copyright both in the United States
and in foreign countries^ and infringements
thereof will be vigorously prosecuted.
PREFACE
The desirability of a comprehensive guide book for what
X^ is unquestionably the greatest city in the western hemisphere
/VN and in many respects the greatest city in the world is so
,^ evident that no excuse for attempting its preparation seems
^ i necessary.
■^ ^ Neither does apology seem necessary for taking the
' H admirable Baedeker series for model. That portion of
, ^ Baedeker's "United States" covering New York has been
-f K perhaps our most thorough guide book treatment of the
- ^ metropolis, and this despite the fact that it sought to do in
O 0 sixty pages what in the case of Paris and London had taken
four or five hundred pages. Where divergence has been
made- from the well-known Baedeker style and format, it
is hoped that the innovations may be found to be improve-
ments.
No great city on earth is in so constant and rapid a state
of flux as New York. A guide book to Rome may stand
without revision for a dozen years or a score of years with
tolerable complacency. A New York guide book half as old
would be most annoyingly out of date. During the three
years that this present volume has been in active preparation,
some parts of it have, because of changes, been rewritten
and actually reset three times, while other changes in the
text have occurred literally on every page, up to the moment
of closing forms:
This volume is believed to cover in large part virgin
ground, and conscientious effort has been made to check
every item by "field work." Of the individuals who have
aided in its compilation the complete list would be a long
one. The Editor desires to acknowledge his special indebted-.
j-L ness however, to Miss Alice Hartich, who prepared several
/i) sections of the introductory matter; to his brother-in-law,
Captain Stuart Godfrey, Corps of Engineers, U. S. A., who
^^ wrote the paragraph on "Fortifications"; to Miss Mary Alden
'^ Hopkins, who compiled much of the hotel material, who
J^ was responsible for practically all the material relative to
' institutional work in the city and who covered for the guide
book propter much of the down-town and mid-town Man-
• -- hattan sections; to Mr. Edmund L. Pearson, director of pub-
^ lications of the N. Y. Public Library, who prepared the
5 data on that institution; to Miss Doris Webb, of the staff
of the Publishers' Weekly, who is responsible for the "Bibli-
ography"; to Mr. Frank L. Congdon, of the New York
Telephone Company for courtesies rendered ; to Mr. T. A.
4-ioooo
vi RIDER'S NEW YORK CITY
Chard, of Ranct McNally & Company, to whose interest
whatever excellence several of the maps in the present vol-
ume may have is largely due, and to Rand, McNally & Com-
pany themselves for permission to use their map of Central
Park; to Mr. Frank A. Dickey, the Registrar of Columbia
University, who read the proofs of the sections relating to that
institution; to Dr. F. A. Lucas, director of the American
Museum of Natural History, for invaluable criticism and
suggestions; to the Rev. Wm. A. Grosvenor, dean of the
Cathedral of St. John the Divine, who examined the material
thereon; to Mr. John Cotton Dana, Librarian of the Newark
Public Library, for co-operation in the preparation and cor-
rection of the material upon Newark; to Dr. E. L. Stevenson,
Secretary of the Hispanic Society Museum, who read proof
thereon ; to the New York Zoological Society, who read proofs
upon and made many helpful suggestions regarding the Bronx
Park section; to Mr. E. A. Hungerford of the Brooklyn Y.
M. C. A., who prepared the material on that institution; to
Miss Florence Huxley and Mr. Charles Leonard- Stuart, who
read a large part of the volume in proof; to Miss Suzette G.
Stuart who prepared the index; as well as to numerous
others whose helpful criticism . was a continual inspiration
to betterment.
More than a word of acknowledgment however, is due
the labors of Mr. Frederic Taber Cooper, who is in a very
real sense responsible for the guide book as it stands.
Imbued with a genuine love for New York City, painstaking
to a degree and indefatigable in the pursuit of an apparently
elusive item, Mr. Coooer brought to that portion of the work
of compilation in which he was engaged an enthusiasm and
ability which have gone far to make the Editor's own work
therein nominal. Much of the Bronx, and all of the Brook-
lyn, Newark and Yonkers sections, are Mr. Cooper's sole
work, while almost every other section of the volume has
had to a greater or less degree the benefit of his suggestion
and revision. •
Acknowledgement should also be made of the help
received from a large number of local histories and mono-
graphs {see Bibliography, p. 99) ; also more specifically to
the following works, which have been of special service:
'The Historical Guide to the City of New York," compiled
by Frank Bergen Kelley, chiefly from contributions by mem-
bers of the City History Club, an invaluable aid in identifying
historic sites and ancient landmarks; the City Art Commis-
sion's "Catalogue of the Works of Art belonging to the City
of New York," containing full descriptions of all sculptures,
PREFACE vii
paintings and mural frescoes owned by the city; the "New
York Charities Directory," which is the most readily access-
ible source of information regarding the city's charitable and
benevolent institutions ; the official monographs on the history
respectively of St. Patrick's Cathedral and St. John the
Divine; and lastly The American Architect, Architecture and
Building, and other kindred periodicals which have been
especially helpful regarding many of most recently erected
New York buildings.
To be a guide-book of practical use to the traveler it is of
course necessary to discriminate, and this means not merely
to select the good from the bad but oftentimes to mention
a few good samples out of many equally or nearly as good.
With every endeavor to make careful selection error of judg-
ment and differences of opinion are of course possible. It
need hardly be said, however, that no remuneration of any
sort, direct of indirect, has secured favorable notice in this
guide book ; and that altho by no means all good hotels, rest-
aurants, stores, etc., are listed, the converse is believed true —
that those which are listed tvith commendation will be found
satisfactory. As in Baedeker, the especially noteworthy is
iridicated by an asterisk [♦]. In the cases of several art col-
lections where the Editor was unable to get competent expert
opinion no such attempt at differentiation has been made.
The Editor is sure that only one who has attempted to
compile a guide book out of whole cloth, as it were, com-
pletely appreciates the complexity of the task and the in-
finite opportunity for error which it affords. He realizes
therefore the imperfections and hiatuses of this work more
clearly probably than will its severest critics; and he will
most cordially welcome corrections and suggestions from any
source for its improvement in succeeding editions. That this
volume is not fully worthy of its subject he has no doubt;
but it is at least offered as a sincere tribute to the city of
which he is proud to count himself a resident — ^as have three
generations of his family.
The Editor.
ABBREVIATIONS
USED IN THIS VOLUME
a. — ^acre
acad . — academy
Amer. — American
apt. — apartment
assoc. — association.
auto. — ^automobile
B. — baths
Bap. — Baptist
bk. — ba'nk book
bldg. — building
blvd. — boulevard '
B'klyn — Brooklyn
C. I. — Coney Island
Co.— company; county
Cong.— Congregational
ct. — court
dept. — department
dist. — district
E.— East
Exch. — Exchange
gym. — ^gymnasium
hosp. — hospital
Hts.— Heip;hts
inst. — institute; institution
is. — island
L.— Left
L. I. — Long Island
lib. — library
M. E. — Methodist Episcopal
med. — medical
mi. — mile, miles
Mt. — Mount
nat. — national
N.— North
N. J. — New Jersey
N. Y.— New York
N. Y. C— New York City
Newark — Newark, N. J.
p. — page, pages
P. E. — Protestant Episcopal
P. S. — Public School
pk. — ^park
PI.— Plate
Pres. — Presbyterian
pres. — ^president
Pt. — Point
R.— Right
R- — rooms
R. C. — Roman Catholic
Ref'd— Reformed
regt. — regiment
R. R. — railroad
res. — residence
rcs't. — restaurant
S. — South
S. I. — Staten Island
Soc. — Society
Sq. — Square
U. S.— United States
W.— West
w. w. — with wine
TABLE OF CONTENTS
Introduction
I. General Description of New York City, Its
Geography and Geology xv
II. History of New Yprk City . . . ' . xix
III. The Public Administration of the City . xxv
IV. The Business of New York .... xxxi
V. Charitable Work and Social Investigation
in New York xxxii
VI. Miscellaneous Information for the Pros-
pective Visitor in New York .... xxxvi
a. Passports, Customs, Time, Climate, xxxvi: b.
, Money, Expenses, xxxviii; c. Some General Notes
on the Life and Customs of New York xxxix.
Preliminary Information
I. Arrival in New York i
a. At the Railroad Station, i; b. Division of Ma-
terial in this Guide Book, Maps, 2; c. The Motorist
in New York, Garage Facilities, etc., Traffic Regu-
tions, 3.
II. Hotels and Boardway Houses . . .6
a. General Information,. 6; b. Large and Expensive
Hotels of the Very First Rank 7; c. Downtown
Hotels— the Battery to 14th St., 8; d. Midtown
Hotels — 14th Street to spth Street, 8; e Uptown
Hotels — Above 59th Street, 12; f. Hotel Accom.
modations for Women, 13; g. Furnished Rooms, 14;
h. Suites and Furnished Apartments, 15; i. Board*
ing Houses, Pensions, 16.
III. Baths, Barber Shops, etc 17
IV. Restaurants and Tea Rooms .... 18
a. Downtown Restaurants, 19; b. Midtown Res-
taurants, 20; Uptown Restaurants, 22; d. English
Chop Houses, 22; e. French Restaurants, 22;
f. German Restaurants, 23; g. Italian Restaurants,
23; h. Spanish Restaurants, 24; i. Chinese Res-
taurants, 24; j. Other Foreign Restaurants, 25;
k. Department Store Restaurants, 25; 1. Dairy
Lunch Rooms, 25; m. Tea Rooms, 26.
V. Urban Travel-^Conveyances, Cabs, Motor
Busses, etc 28
VI. Urban Travel— Railroads, Street Railroads
(Tram Lines), Elevated and Subway . . 29
VII. Urban Travel — Ferries, Water Services . . 36
VIII. Railroad Stations, Ticket Offices, etc. . 37
a. Railroad Stations, 37; b. Railroad City Ticket
Offices, 39; Tourist and Freight Agents, 41.
IX. Steamship and Steamboat Lines and Offices . 42
RIDER'S NEW YORK CITY
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
Post and Telegraph Offices, Telephones, Ex-
press Companies
a. Postal Facilities, 44; b. Telegraph and Cable
Offices and Service, 47; c. Messenger Service, 49;
Express Companies, 49; d. Telephones, 51.
Theatres, Music Halls, Other Places of
Entertainment
I. Midtown District, 54; II. Uptown District, 60;
Foreign Theatres, 61.
Concerts, Art Exhibitions, etc.
a. Concert Halls, 62; b. Art Exhbitions, 63.
Sports, Games, etc. .
Clubs
Shops and Stores .
Churches, Religious Services .
Libraries and Reading Rooms
Newspapers and Periodicals .
Physicians. Dentists. Hospitals
Banks
Consular Offices
Planning a New York Stay
a. Distribution of Time, 93; b. Preliminary Survey
of city, 96; c. A List of New York's Principal
Attractions, 98.
Bibliography
44
Entering New York
I. Via Ocean Steamship ....
II. Via Long Island Sound Steamboats
III. Via Hudson River Steamboat . .
IV. Via Railroad
a. Via New York, New Haven & Hartford R. R,
114; b. Via New York Central & Hudson River
R. R., 115; c. Via West Shore R. R., 116; d. Via
Pennsylvania R. R., 116; e. Via Erie R. R., 117;
f. Via Delaware, Lackawanna & Western R. R..
g. Via Central R. R. of New Jersey, 118.
Downtown New York
(From the Battery to Fourfeenth Street)
I. The Battery and Vicinity
II. Broadway from Bowling Green to Wall St.
III. Wall, Broad, Nassau and William Streets
and their Neighborhood ....
IV. Broadway from Wall Street to City Hall
Park
V. City Hall Park and Vicinity .
52
62
65
73
74
79
85
86
88
90
91
92
99
104
108
112
"3
119
125
126
132
139
TABLE OF CONTENTS
XI
VI. The Section North and East of City Hall
Park
VII. From Canal to Fourteenth Street East of
Broadway . .
VIII. From Chambers Street to Fourteenth Street
West of Broadway: Greenwich Village .
Midtown New York
(From Fourteenth Street to Fifty^Ninth Street)
I. Broadway from Union Square to Columbus
Circle
II. Fifth Avenue from Washington Square to
Forty-second Street
a. Washington Square, 174; b. Lower Fifth Avenue,
176;^ c. Side Excursion on University Place, 179;
d. Fifth Avenue from Fourteenth to Forty-second
Street, 179
III. The New" York Public Library
IV. Fifth Avenue from the Public Library (42d
St.) to the Plaza (59th St.) . . .
V. Madison Avenue North to Fifty-ninth Street .
VI. Fourth Avenue and Park Avenue North to
Fifty-ninth Street
VII. Irving Place and Lexington Avenue North
to Fifty-ninth Street
VIII. Midtown New York East of Lexington
Avenue
IX. Midtown New York West of Fifth Avenue
and Broadway
a. Sixth Avenue, 226; b. Seventh Avenue, 230; c.
Eighth Avenue, 23 1 ; d. Ninth Avenue, 232 ; e. Tenth
Avenue, 237; f. Eleventh Avenue, 237; g. Twelfth
Avenue, 238.
Uptown New York
I. Broadway and the West Side Uptown from
59th to iioth Street ....
II. Central Park West
III. The New York Historical Society .
IV. Riverside Drive (as far as Manhattanville)
V. Morningside Heights (East of Riverside
Drive from iioth to 125th Streets) .
VI. The Cathedral of St. John the Divine
VII. Columbia University ....
VIII. The American Museum of Natural History
IX. Central Park
X. Metropolitan Museum of Art .
147
151
158
163
174
186
196
205
214
218
223
226
239
242
244
251
255
257
263
278
301
305
xii RIDER'S NEW YORK CITY
XI. East Side — Uptown (from Fifty-ninth
Street to the Harlem River .... 329
a. Fifth Avenue, 329; b. Madison Avenue, 334:
c Park Avenue, 335; d. Lexington Avenue, 337;
e. East of Lexington Avenue, 337; f. Harlem, 340.
XII. Washington Heights (Northern Manhattan
Island — Southern Section) (From 130th St.
to i6oth St.) 343
XIII. Northern Manhattan Island — Northern Sec-
tion (From i6oth St. to Spuyten Duyvil,
225th St.) 351
The Bronx
I. Introductory 358
II. From Central Bridge to Van Cortlandt Park 360
III. The Bronx: Middle Section (From Mott
Haven to Crotona Park 364
IV. Bronx Park: The New York Zoological
Park 366
V. Bronx Park: The New York Botanical Gar-
den ........ 377
VI. Woodlawn Cemetery • . 384
VII. Eastern Section of the Bronx: Pelham
Bay Park 388
Yonkers 393
Brooklyn
I. Preliminary Information .... 397
II. From Fulton Ferry to Borough Hall 401
III. Brooklyn Heights . . 405
IV. From Borough Hall to Prospect Park . .417
a. From Borough Hall to the Plaza, 417; b. Pros-
pect Park Plaza, 419; c. Side Excursion to Pros-
pect Park West, 421
V. Prospect Park 422
VI. The Brooklyn Museum ..... 424
VII. From the Plaza to Bedford Park (The
Botanical Gardens and the Childrens'
Museum) 434
VIII. From Fort Greene Park to Pratt Institute 436
IX. Northern Brooklyn 439
a. The Brooklyn Navy Yard, 439; b. Side Excur-
sion: From Wallabout Market to Williamsburg
Plaza, 441.
X. Greenwood Cemetery ..... 445
XI. Coney Island, Brighton Beach and Sheeps-
head Bay 446
TABLE OF CONTENTS
xin
Staten Jsland
The New Jersey Shore
J.. Jersey City
II. Hoboken
. 449
. 453
. 458
Newark
I.
11.
III.
Index
Northern Section : From Military Park to
Branch Brook Park ....
Central Section : From Military Park to the
"Four Corners;" Market Street
Southern Section: From the "Four Corners
to Weequahic Park ....
463
472
476
481
LIST OF MAPS AND PLANS
MAPS IN COLOR
Facing
Plate A. New York City, and Vicinity
I. Battery to iioth St.
II. Lower End of Manhattan
III. Thirty-fourth Street Section
IV. Forty-second Street Section
V. Central Park Section
VI. Morningside Heights
VII. Columbia University
VIII. Central Park — Northern Section
IX. Central Park — Southern Section
XI. Bronx and Northern Manhattan Section
XII. Brooklyn .....
XIII. Central Brooklyn Section
XV. Westchester County (Yonkers, Mt. Vernon and New
Rochelle
XVI. Northern New York Citv
XVII. Southwestern Suburbs of New York (Jersey City,
Newark, etc.) .......
Page
3
32
120
184
200
248
264
301
304
361
401
408
392
389
448
PLANS IN THE TEXT
New York Public Library;
First Floor Plan
Second Floor Plan
Basement Plan
Page
187
189
190
XIV
RIDER'S NEW YORK CITY
Third Floor Plan
American Museum of Natural History: General Plan
Cross Section of. Building
First Floor
' Second Floor
Third Floor
Fourth Floor
Fifth Floor
Metropolitan Art Museum-
Second Floor
General Plan New York Botanical Garden
Botanical Museum Building — Muse\im of Systematic
Upper Floor ......
Museum of Economic Botany
Museum of Fossil Botany ....
-First Floor
• •
192
• •
278
• •
280
* * I
282
• •
.• 287
■ • 4
292
• •
295
• •
299
• •
306
« •
312
• •
379
Botany
380
•
. 382
• •
. 383
• •
385
INTRODUCTION
I. General Description of New York City. Its
Geography and Geology
New York City, the largest city in the Western Hemi-
sphere and probably now also the largest in the world,* lies
in the 40° 42' 43" N. lat. and 74° o' 33" W. long., calculated
at the City Hall (p. 141). In a direct line it lies 205 mi.
distant from Washington, 715 from Chicago, and 190 from
Bostgn. Greater New York has an area of 326.83 sq. mi.
and is divided into 5 boroughs:
The Borough of Manhattan is an island, bounded on the
E. by the East River, and Harlem River, on the N^ by the
U. S. Ship Canal ; W. by the Hudson River, coming to a point
in the Battery, at the S. This island is about 13 mi. long with
an average width of 2 mi. Including the islands, Blackwell's,
Ward's, Randall's, and Governor's, it has an area of about 21.9'
sq. mi. The lower half of the island is flat. The upper half
slopes up from the Hudson to a higher ridge. The ground is
almost solid rock, chiefly gneiss and limestone (p. xvi). Some
idea of the amount of blasting necessary to sink the deep
foundations of the sky-scrapers can be obtained from viewing
the rocky ledges of blocks in the northern part of the city,
not yet built upon.
The Borough of the Brohx is on the mainland north of
Manhattan Island, and extends from the East River to the
Hudson and N. to Yonkers. Including North Brother, South
Brother, Riker's, City, Rodman, Hunter, and Hart's islands,
it has an area of 40.6 sq. mi.
The Borough of Brooklyn consists of the S. W. end of
Long Island, at the southern end, Coney Island, and a num-
•There seems little doubt that the City of New York and its
environs has become within the last decade actually the greatest urban
Elexus in the world, wresting premier position is this respect from
,ondon. The population of greater Lonoon (including all the suburbs
which are separate administrative entities but within the Metropolitan
Police District) was in 1915 estimated at 7,200,000. Jersey City,
Hoboken and the other New Jersey cities within th« New York urban
area on the west, as well as Yonkers, Mt. Vernon, New Rochelle, etc.,
on the north, although politically detached, all go to make up the
"city" of New York in the larger sense, their political detachment
being in a certain sense accidental. Including these the population
of the New York area corresponding to the Metropolitan London area
was 7,500,000. The population of New York City proper was, in 191 5,
5. 585, 772. The London area comparable with this, viz. the adminis-
trative City of London governed by the London County Council had,
in 191 1, a population of 4,522,964, and it is probable that this area
has since shown little or no increase.
xvi RIDER'S NEW YORK CITY
ber of islands in Jamaica Bay. It has an area of 77.6 sq. mi.
Brooklyn was formerly a city by itself.
The Borough of Queens consists of a portion of Long
Island lying northeast of Brooklyn, in which are situated
Flushing, Hempstead, Jamaica, Long Island City and New-
town, and numerous small islands in Jamaica Bay. It has
an area of 118.6 sq. mi.
The Borough of Richmond is Sfaten Island, lying at
the entrance to New York Harbor, with Shooter Island and
a few contiguous marshy islands. It has an area of 57.2 sq. mi.
Staten Island is 14 mi. long and 7 mi. wide at its widest point,
and has 13 mi. of ocean frontage. It contains some farms.
Todt Hill, whose summit is 417 ft. above sea level, is said
to be the highest point on the Atlantic coast from Maine to
Florida.
Geology. The five boroughs of Greater New York may be treated
for geological purposes in three divisions, since Manhattan and the
Bronx on the one hand, and Brooklyn and Queens on the other are
closely similar in structure. The Island of Manhattan is in the main
a ridge of gneiss, modified at its upper end by limestone belts and
carrying on its surface an accumulation of sands, clays and gravel.
In later stages, as the process of lithofaction proceeded, these deposits
were carried up in almost vertical sheets and the fissures filled with
granite and fused gneiss. Gneiss predominates on the west side
of the island and graduates into mica schist on the east, although no
clear line of demarkatioh can be drawn. Gneiss as found in
Manhattan varies from light gray to dark, the color depending on
the relative quantities of black mica, granite and feldspar present.
In some varieties solid ribbons of spar quartz are found alternating
with narrow strips of mica.
This foundation of gneiss extends beneath the mud of New York
Bay, reappears in Governor's Island, underlies Long Island and Staten
Island, constituting the earliest and basal geological foundation. For
a more detailed inquiry into the Island's structure, it is convenient
to consider it in three sections: i, the lower portion, bounded on
the north approximately by a V-shaped line running from 21st St.
and the East River to Broadway and 13th St.j thence northwest to
31st St. and the Hudson; 2, northward to approximately 120th St.; and
3, from 120th St. to Spuyten Duyvel. In the first section there is no
exposed rock; but in early colonial times there were numerous hills,
composed of earth, sand, gravel and scattered boulders. They were
the result ot glacial action, which had gradually overspread the entire
lower portion of the island with a mantle of debris, varying greatly
in depth, brought down from the northern and higher portions of the
central ridge. Excavations necessitated in the course of laying founda-
tions for modern office buildings have furnished some interesting
details of the thickness of these upper strata. Under Trinity Church,
for instance, it is only 26 feet to bed-rock, through sand and gravel;
at Broad St. it is 39 feet; at Washington Market it is 60 feet; at
City Hall, 90 feet; at Fulton Market, 130 feet; and where the Tombs
now stand, almost in the middle of what was once the "Collect," a
pond which the city engineers almost despaired of filling in, it is
15s feet to rock. The upper layers, however, are not uniformly gravel
and sand. In many localities there arc wide areas of "hard pan," a
•olid, compact clay which some authorities have declared a safe
GEOLOGY OF NEW YORK CITY xvii
foundation for any structure ever likely to be erected on the island.
Elsewhere, however, subterranean streams have formed dangerous
pockets ot quick-sand, the sand and wet clay form slippery surfaces,
and the only safe solution is bed-rock.
In the second section of Manhattan, all the typical varieties of
local rock may still be seen in place, except Kin^sbrid^e limestone.
Gneiss, as has already been said, predominates; but it varies widely in
appearance and quality, since the name really includes a number of
rocks of different mineral combinations, having only one quality in
common; they are all stratified and break up in thin layers. Some
excellent exposures of gneiss, showing variations, may be seen in the
Transverse Road in Central Park, at 79th St.; at the entrance to the
park, at 8th Ave. and io6th St.; and on the bluffs at Cathedral
Heights and iioth St. Micaceous gneiss can be seen at a number
of exposures on the east side of the city: i.e., at East River Park and
86th St.; East End Ave. and 77th St.; 7Sth St. and the river; 73d
St. and Avenue A; and in the steep wall of the East River channel,
between ^ist and 52d Sts.
Granite is found on Manhattan Island at only one point: on the
West Side, from 48th to 55th Sts., where it reaches a development
that entitles it to rank as one of the substantial mineral constituents
of the island. It can still be seen at 50th St. and nth Ave., pro-
jecting on the south side of the street. This granite is what is scien-
tificalfy known as "intrusive," i.e., not originating from a rearrange-
ment of gneiss in fusion, but pushed by subterranean forces upward
through the gneiss beds. Throughout the gneiss rock of "the island
graJnite veins occur, plainly visible even at a distance, and looking
Hke white ribbons against a gray or black cloth. These veins form
the matrix of the most beautiful and striking mineral developments
on the island, the list including garnets, tourmalines, beryl, amethysts,
and jasper. In fact, the list of more or less rare minerals on the
island^ includes over one hundred different sorts, a larger number
than is found at the famous Lamoe Rock of Norway, or the prolific
mines of Arendahl; larger, in fact, than in any other locality of
similar size in the United States. (An interesting collection of these
local minerals is that of the New York Mineralogical Club, on exhi-
bition in the Hall of Mineralogy, American Museum of Natural
History).
In the third section of Manhattan Island, from 120th St. north to
Kinp^bridge, we find three separate features of geologic interest:
I, limestone beds; 2, transverse ravines, one at 130th St. and another
at Inwood; 3, a flat, alluvial plain, constituting the Harlejn Flats.
The limestone beds attain an elevation of about 50 feet along the
ship canal and in the cut and opening of 200th St. They extend
from the village of Marble Hill southward to within 300 feet of the
little church on Dyckman St.
The two transverse depressions, the one at 130th St. and the other
at Inwood are evidently former passages for the waters of the
Hudson River to pour eastward. It is believed that they are the
result of an oblique wresiting of the rock, a sort of lateral strain
which separated the ridge and gave a chance for the elements to
enter and do the rest. Spuyten Duyvel Creek possibly marks a third
point of cleavage. There are indications that these depressions were
channels for the ice movement in the glacial period. The alluvial
basins, one forming the upper basin of the Harlem River and the
other the area of the Harlem Flats, originated in fluviatile move-
ment through these gateways.
Evidences of glacial action in Manhattan and the Bronx may
still be seen in the boulders and the grooved surfaces of rocks in
Central and Bronx Parks. The most famous boulder is the so-
called "Rocking-stone," in the Bronx Zoological Garden, near the
xviii RIDER'S NEW YORK CITY
Lydig Arch. In Central Park the boulders most readily found arc:
one north of Sheep Meadow, near the "Mineral Springs"; the other
on the south side of the meadow. Some interesting glacial grooves
may bo seen on the elevation known as Mount Tom, in Riverside Park
at 83d St., and also at Ssd St.
The whole region of Brooklyn and Queens is a section of what
is known as the Terminal Moraine (a chain of hills, hillocks, mounds
and debris, which stretches from Cape Cod in the east to the State of
Washington in the west, and marks the southern limit of the glacial
action in the ice age. The rock foundation of Long Island is identical
with that of Manhattan, and appears at Blackwell's Island, Astoria and
Long Island City. Elsewhere in Brooklyn and Queens this supporting
arch of archaean rock is reached only at considerable depths. From
Bay Ridge to Bath Beach the depth to bed rock is successively 200,
300, 400 and 500 feet. The intervening strata, however, are not all
drift; large beds of clay (Cretaceous and perhaps Tertiary forma-
tions) underly both Brooklyn and Queens; these beds are from 300
to 400 feet thick, and consist of a plastic clay alternating with strata
of aand, resting on the crystaline rocks beneath.
Staten Island consists largely of hills of serpentine, resting on
a lower bed of crystaline rock similar to that of Manhattan. This
serpentine is for the most part a characteristic yellowish-ffreen, shad-
ing eff to whitish ; but in some localities it occurs almost olack. The
only other massive rock in Staten Island is trap-rock, often called
New Jersev Blue Stone. It is an igneous rock, forced up from some
deep-seated source of molten minerals.
The Fortifications of New York Harbor
The Theory of Harbor Fortlflcatlons. The primary role of
sea-coast fortifications is to prevent the enemy from taking by naval
assault a favorable base for operations against the country. They also
protect the chief cities on their seaward side, and secure the good harbors
as bases for the country's own fleets. They cannot be expected, however,
to prevent the enemy from landing elsewhere; their function is fulfilled
if the latter be compelled to land at some less favorable spot on the
coast. The fixed guns of a fort possess an inherent advantage over
similar weapons mounted on the comparatively unstable decks of a ship.
This advantage may offset a considerable superiority in range and
caliber in the guns of the ship, which is likely to be of more recent
construction than the fort.
The forts thai guard New York Harbor may be consid-
ered in four groups :
(i) Southern New York. Flanking the Narrows on east
and west, some seven miles south of the "Battery," are Forts
Hamilton and Wadsworth, which effectually guard this en-
trance.
Fort Jay, on Governor's Island, close to the "Battery,"
is of historical interest only, with its moat and bastioned
trace. No fortress of to-day would be placed so close to the
city it is built to guard. Tt is now used for administrative
purposes ; here is located the headquarters of the Eastern
Department.
(2) Eastern New York. On either side of the' channel,
east of the city, approaching Hell Gate, are Forts Schuyler
and T often.
HISTORY OF NEW YORK CITY xix
(3) Sandy Hook. Fort Hancock is about sixteen miles
south of the Battery, on the tip of the Hook. Here, too, are
located the Ordnance School and the Proving Grounds.
(4) Long Island Sound. At the eastern entrance to
Long Island Sound, the channel is protected by a line of four
forts, some eighteen miles in length, from northeast to south-
west. Fort Mansfield, the northernmost of the group, is on
the mainland. Fort H. G. Wright, the largest of the four,
is on Fisher's Island. Across the Race to the south lie Fort
Michie on Great Gull Island, and, farther on. Fort Terry on
Plum Island. Though over a hundred miles from New York,
these forts, by guarding the entrance to the Sound, form a
part of the defense system of the metropolis.
II. History of New York City
Although the claim is made that Verrazano entered New
York harbor in 1524, and the Spanish explorer Estevan
Gomez in 1525, authentic history begins with the discovery
of the Hudson river by Henry Hudson in 1609. Hud-
son was an English navigator in the service of the Dutch East
India Company. This was his third voyage in search of the
Northwest Passage which the navigators of those days be-
lieved to exist, affording passage to the Indies. Thinking he
had found the passage he ascended the river in his ship the
Half Moon with his crew of 18 men. The Dutch thereafter
claimed this territory. ,
Beginning with 1610, Dutch merchants despatched
several vessels to engage in the fur trade with the Indians.
In 1613, a ship commander, Adrian Block, whose ship the
Tiger had been burned, erected four houses to shelter him-
self and crew while building a new ship, the Unrest, These
dwellings, the first white men's habitations on Manhattan
Island, formed the beginning of a trading post, and are sup-
posed to have been situated near what is now 41 Broad-
way. This was the fourth settlement on the continent, St.
Augustine having been founded in 1606, Santa Fe in 1605,
and Jamestown, Va., in 1607. Plvmouth was established in
1620. In 161 5 Fort Nassau was established on a site near
Albany and in 1622 it was abandoned in favor of the present
site of Albany, then called Fort Orange.
In 1614, the States General of Holland chartered the
United New Netherland Company of Amsterdam, granting
it a three-year monopoly of the Dutch fur trade in America.
This same year the company built Fort Netherland, on the
XX RIDER'S NEW YORK CITY
site now occupied by the Custom House. In 1821, this
company was succeeded by the West India Trading Company,
which received a charter from the States-General of Holland
giving wide authority over this region, and soon began active
colonization and trading.
This new company chose the south end of Manhattan
Island for the seat of government, and for a trans- Atlantic
shipping station. In 1626, Peter Minuit, Third director-
general, came over with two ship loads of immigrants. He
purchased the entire Island of Manhattan from the Indians
in exchange for goods worth about 60 guilders ($24.00) ;
and he replaced Fort Manhattan by the more substantial
structure known as Fort Amsterdam. At the close of the
year the settlement comprised thirty bark-covered dwellings,
with a population of about two hundred.
For several years the colony was maintained wholly in the interest
of the company. Its inhabitants, all of them agents or employees,
had no political rights, title to land or the privilege of trading with
Europe on their own account. When the company attempted, in 182$,
to encourage agriculture in other parts of the province, it reserved
to itself the whole Island, a large portion of which was divided
into six farms.
Minuit served as governor until 1633, when he was re-
called. Meanwhile agricultural colonization went on rapidly.
Grants of immense tracts of land along the Hudson were made
under the "patroon system" to men who started colonies under
certain conditions. The patroons had special privileges and
feudial power. They were soon quarreling with the company
and Minuit's recall was due to his inability to deal with them.
The so-called "Patroon System" was the outgrowth of the above-
mentioned Charter of Privileges and Exemptions, which provided that
any member of the Company might have anywhere in New Nctherland
outside of Manhattan Island, his choice of a tract of unoccupied land
of specified extent, provided he purchased the same from the Indians,
and within four years, planted upon it a colony of fifty persons, upwards
of fifteen years old. The founder of such a colony was called a
patroon, and the relations between him and the colonists were similar
to those under the feudal system between a lord of a manor and his
serfs. He was, for instance, the legal heir of any colonist who died
intestate.
In those early days the city lay S. of the present Wall st.
The point of land was much • narrower than at present the
W. shore line being at about Greenwich st. and the E. line
about Pearl st. Battery point then extended as far as State
St. The present site of the Custom House (p. 121) was occu-
pied by Fort Amsterdam built 1633-5. Bowling Green (p. 121)
was the village common directly back of the fort. That the
sts. sprang up in a haphazard manner is clear to the traveler
HISTORY OF NEW YORK CITY xxi
in this part of town. One road ran to the shore on the E.,
while one running to the N. is perpetuated in lower Broad-
way.
The colony was two years without a governor before
Wouter Van Twiller ("a child of the devil") was sent over, to
be removed on charges in 1637 after having accumulated a
fortune.
It was Van Twiller who granted to one of the colonists a tract
of land on Manhattan which later, under the name of the Annetje
Jans farm, became famous because of the protracted lawsuits between
the woman's heirs and Trinity parish. It was also Van Twiller who
appropriated one of the richest of the Manhattan farms to his own
use, built himself a country seat, and thus formed the nucleus of the
west side settlement, known to this day as Greenwich Village.
Van Twiller's successor was William Kieft (1638-47).
The Company had now abandoned its monopoly of trade in
New Netherlands, and had given notice that all inhabitants
of the United Provinces, and of friendly countries, might
trade there, subject to specified import and export duties,
and certain other conditions.
This increased freedom of trade brought about dangerous relations
with the Indians; and Kieft's attempt to exact tribute from the Algon-
quins, coupled with other indiscretions, resulted in hostilities (1641-
45)} during which many of the outlying settlements were devastated.
Out of this warfare there arose an organized movement for a govern-
ment in which the colonists should be represented. Kieft was forced
(1641), to call an assembly of the heads of families, to choose a board
which should decide the question of peace or war with the Indians.
The assembly first chose a Board of Twelve Men, which Kieft arbi-
trarily dissolved, because he resented the reforms that thev demanded.
Later a Board of Eight Men was chosen, and after vainly protestinfr
against his arbitrary measures, sent in to the States General a success-
ful petition for his recall.
Under Kieft's rule the first Cattle Fair was established
at Bowling Green ; and in 1642 the first House of Enter-
tainment was erected on the site of No. 73 Pearl St., which
later became the first City Hall.
One result of a massacre of 120 Algonquin Indians (in
1643) was that a stockade was built across the entire breadth
of the Island, from the East to the North River, on a line
now marked by the present day Wall St.
In 1647 came Peter Stuyvesant, the ablest of the gover-
nors. He is famous .for his wooden leg, his peppery temper
and his arbitrary measures, but he worked, primarily for
the good of the Company. Most of his trouble came from his
interfering with the men who were exploiting the colony for
their private gain. He subdued or treated with unfriendly
Indians and negotiated with the New England colonies.
xxii RIDER'S NEW YORK CITY
In March, 1664, Charles* II granted New Netherland to
his brother, the Duke of York, and on Sept. 8th, Richard
Nicholls sailed into the harbor and took possession of the
city in the name of the Duke of York. Despite Stuyvesant's
protests the people accepted the English rule without fighting.
For 9 years they were under the English; then for a year
again under Dutch rule; then permanently under English
rule. The name was changed to New York. Major Ed-
mund Andros was the first governor under this regime.
From now until the Revolution, the colonists, who had
always fought their own Dutch governors, quarreled with
the English ones. When Charles II. died and the Duke of
York became James II. he repudiated his former policies and
treated the colony unfairly. In 1688 Jacob Leisler, a German
merchant, seized the government, encouraged by the revolution
going on in England. His action resulted in his being hanged
with his son-in-law Milburne, in 1691, on the spot where the
World Building now stands.
In 1690 the first Intercolonial Congress was held in New
York, including Massachusetts, Plymouth, Connecticut and
Maryland. Slavery had been introduced in 1625 ; in 1712 and
again in 1741 supposed insurrections of slaves were put down
with horrible cruelty. In the first instance, twenty-one
negroes were either hanged, burned, or broken on a wheel.
In 1741 (on the occasion of the so-called Great Negro Plot),
thirteen negroes were burned at the stake, eighteen were
hanged, ana seventy-one transported.
In 1693 the first printing press was set up, 1703 the
first free school was established; in 1725, the first news-
paper was published; in 1729 the city library was organ-
ized, in 1732 a monthly stage was started from New York to
Boston, taking two weeks each way. In 1735 the freedom of
the press was established through the trial of Peter Zenger,
publisher of the New York Weekly Journal; in 1756, a three-
day stage between New York and Philadelphia.
In 1765 a General Congress of the colonies met in the city
to protest against the Stamp Act. New York joined the in-
surgents and the first bloodshed of the Revolution occurred
here in 1770 (Battle of Golden Hill, p. 132), six weeks before
the Boston Massacre.
When news of the Battle of Lexington reached New
York, a Committee of Safety assumed control of the city,
and Governor Tryon took refuge on board a British man-
of-war. On July 8th, 1776, the Declaration of Independence
was for the first time publicly read, in the Common, now
City Hall Park; and the next day the equestrian statue of
HISTORY OF NEW YORK CITY xxiii
George III. in Bowling Green was pulled down from its
pedestal (p. 121).
The Battle of Long Island took place (p. 354), Aug. 27,
1776, when the Americans were defeated and retreated to
Manhattan under cover of a heavy fog after losing a
thousand men. Following this battle, New York City was
evacuated by the Americans on Sept. 4th, and occupied the
following day by the British, who held^ it until Nov. 25, 1783
(Evacuation Day). On Sept. i6th, 1776, occurred the Battle
of Harlem Heights (p. 255), the only American victory in
New York City. Washington then withdrew his army to
White Plains and Fort Washington (p. 355) surrendered to
General Howe Nov. 16, 1776. This was preliminary to
Washington's flight through New Jersey and his subsequent
brilliant victory at Trenton, the same year. New York was
the British headquarters for seven years (Fort George, p. 355).
The evacuation of New York, November 25th, 1783'
marked the close of the war. The final remnant of the British
army sailed for home from Staten Island and Long Island on
that day. On December 4th, in the Long Room at Fraunces
Tavern (p. 123), Washington took leave of his officers in a
touching scene, saying, "I now take leave of you. May your
later days be as prosperous and happy as your former ones
have been glorious," then leaving for Annapolis to resign his
Commission as General.
During the years 1785-90 Congress met in New York, in
the old Federal Hall, on Wall st., where the Sub-treasury
Building now- stands. Here, on April 30th, 1789, George
Washington was inaugurated as first president.
In 1807, Robert Fulton's first steamboat, the Clermont,
was tried out on the Hudson River, and began running
regularly between New York and Albany; in 1812 a steam
ferry to Long Island was established; and in 1818 a line of
Sound Steamers was started. The city took part in the
war of 1812. In 1825 the Erie canal was opened. Attacks
of cholera devastated the city in 1832, '34 and '49. The GreaJ
Fire occurred in 1835, which destroyed the East Side below
Wall St. it had the direct effect of greatly hastening the
work upon the Croton Aqueduct, which was completed
in 1842. From 1836 to 1846 the "anti-rent troubles" occurred
from farmers who refused to pay rent to the descendants of
the patroons. Financial panics occurred in 1837, '57 and '73.
At the outbreak of the Civil War in 1861, Fernando
Wood, then Mayor of New York, proclaimed Secession "a
fixed fact," and proposed that an independent commonwealth
xxiv RIDER'S NEW YORK CITY
be formed to be known as "Tri-Insula," comprising
Manhattan, Staten and Long Islands. The city, however,
remained loyal to the Federal side and furnished
more than its share of soldiers and bore a proportionate
share of the expense. When drafting was resorted to
in 1863, however, draft riots incited by the riff-raff of
the city occurred, involving the loss of a thousand lives
Another riot took place in 1871 when the Orange lodges tried
to parade in defiance of the Irish Catholics.
The political history of the city has been closely involved
with that of the state and both have been at times dis-
creditable. Up to 1834 the mayor was appointed. After uni-
versal men's suffrage was granted in 1834 the mayor was
electfed and in 1846 the judiciary became elective. The first
political parties were the Democratic and the Federal, the lat-
ter succeeded by the Whigs who were in turn replaced by the
Republicans. The Democratic party is frequently referred to
as Tammany Hall (p. 218). This society was originally
formed as a benevolent society and thus gained a hold upon
the people which it has never lost. The name is a corruption
of Tamenund, an Indian seer of whom Cooper wrote in "The
Last of the Mohicans." The society uses an Indian ritual.
Although city political parties are divided along the same
general lines as national ones, they are frequently influenced
by local issues and "fusion" parties are formed for the time
being. The most famous of the corrupt governments was the
"Tweed Ring," organized in 1863 of democrats and some
republicans under the leadership of William Tweed. » By 1869
every department of state and city government was in their
hands. Their most infamous piece of plundering occurred in
connection with the city Court House (p. 144) when a mil-
lion dollars is said to have been diverted to Tweed alone. In
1871 the Ring was defeated and some of its members prose-
cuted. Tweed died in prison.
On May 24th, 1883, Brooklyn Bridge (p. iii), the first
of the great bridges connecting New York and Brooklyn,
was formally opened. In 1886, Bartholdi's Statue of Liberty
(p. 105) was unveiled. The Reception to Admiral Dewey
took place in 1899; and the Hudson-Fulton Celebration
in 1909.
In 1897 a constitution uniting the five boroughs into Great-
er New York was signed, going into effect the following year.
The Population of New York increased slowly for the first
century. In 1650 it had only 1000 inhabitants. At the time of
the Revolution it had 22,000 and was smaller than Boston or
PUBLIC ADMINISTRATION OF N. Y. CITY xxv
Philadelphia. It reached 100,000 in 181 5. Jan. i, 1914, by the
Board of Health estimate, Greater New York had a popula-
tion of 5,583,871. The inhabitants ^re divided among the
boroughs as follows: Manhattan 2,538,606; Bronx 641,980;
Brooklyn 1,916,655; Queens 387,444; Richmond 99,186. In
1910 the nativity of the population was: native white 57.5%
foreign white 40.4% ; negro 1.9% ; Indians, Chinese, Japanese,
etc., 1%. The foreign-born are in order of number, from Rus-
sia, Italy, Germany, Ireland, Austria, England, and Hungary.
The death rate for 191 1 was 15.2 to the 1,000. The long nar-
row shape of Manhattan has given rise to serious congestion
problems. One-sixth of all the inhabitants of the city live be-
low 14th St. on 1-82 of the city area. The new subway system
(p. 31) is expected somewhat to relieve this evil.
III. The Public Administration of the City
The first charter for Greater New York, uniting the five
boroughs, was obtaineG* in 1898 and amended 1901 the
amendment going into effect in 1902. The Mayor, the Comp-
troller, and the President of the Board of Aldermen are
elected by a plurality vote of voters of the city. The mayor
appoints the heads of all the departments except the depart-
ment of finance, of which the comptroller is chief. He ap-
points, but cannot remove members of. the Board of Educa-
tion, Trustees of City College (p. 344), Trustees of Bellevue
and Allied Hospitals (p. 225), Police Magistrates, Judges
of the Court of Special Sessions, and some other officers.
The chief legislative body is the Board of Aldermen, one member
from each of the 73 aldermanic districts of the city (Manhattan 37,
Brooklyn 22, Bronx 7. Queens 4, Richmond 3). The ordinances or
resolutions passed by tnis body must be signed or vetoed by the mayor
within ten days. A 2-3 vote of all the members can pass an ordinance
or resolution over the mayor's veto, unless it involves a question of
finance in which case it takes a 4-5 vote, or unless it is the grant of a
franchise in which case the mavor's veto is Anal. Aldermen make,
amend, or repeal all police, park, fire, and building regulations and
ordinances. They have the power to reduce the budget. The salary
of each is $1,000 a year. The city Clerk appointed by the board holds
ofKce for six years at $7,000 a year.
•
The Board of Estimate and Apportionment is composed of the
Mayor (with 3 votes) the Comptroller (with 3 votes) the President of
* the Board of Aldermen (with 3 votes) and the 5 Borough Presidents
with a total of '7 votes (Manhattan and Brooklyn having 2 each). The
board by the adoption of the yearly budget^ determines annually the
amount of money to be expended by each city department.
The five Borough Presidents receiving in Manhattan, Brooklyn and
the Bronx $7500 and in Queens and Richmond $5000, have charge of
street, construction and the oversight of erection and alterations of all
Srivate buildings in their boroughs. Each appoints a Superintendent of
iuildings to whom are submitted all building plans. The Building Code
xxvi RIDER'S NEW YORK CITY
fixes the percentage of the lot which may be covered by the structure,
height, foundation, fire escapes, elevators, etc., etc. (See Tenement
House Dept. p. xxix).
The Finance Department, with the Comptroller as a head, is divid-
ed into five bureaus for the control of the city's finances. The Comp-
troller appoints all the heads except the City Chamberlain who is the
chief of the bureau that pays out the city money. He is appointed by
the mayor at a salary of $12,000.
The Law Department, with the Corporation Counsel at its head,
attends to the city's law business and advises the mayor and board
of aldermen.
The Police Department protects life and property. The Police
Commissioner at the head has entire control over the police department.
He appoints deputy commissioners. Under the charter he was allowed
6,382 members in the police force but a legislative amendment in 1904
gave him power to appoint more at need. The force now numbers
10,6^9 members. Appointments and promotions are according to civil
service regulations. Citizens are eligible to appointment who have been
resident in the state a year, have never been convicted of felony, and
can read and write English. Patrolmen start at a salary of $800 which
increases to $1,400. For the first 6 months they are on probation. A
policeman is entitled to a pension after 25 years service if he has reached
the age of 55, and under certain conditions^ earlier. In case of his death
his widow and orphans under 18 are pensioned. The fund is made up
of 2% of the monthly salaries, gifts, etc. The city is divided into 89
precincts and 7 sub-precincts, i bridge precinct, and 2 harbor pre-
cincts.
At Police Headquarters, 240 Center st. is the "Rogues* Gallery"
with the Bertillon measurements, photographs and descriptions of
criminals, finger prints, and criminal records, under the Bureau of
Criminal Identification. The Traffic Squad regulates teaming, motoring,
etc. in congested districts, the Bridge Squad has charge of bridges and
their approaches, and the Harbor Squad enforces' law and rescues
drowning persons in the city waters. The Boiler Squad oversees all
steam boilers (not heating nor locomotive) in the city.
In 1912 the department issued 33,061 summonses and made 170,-
37S arrests. The department has its own detectives usually referred
to as "plain-clothes men." The best known private detective agencies
are the William J. Bums International Detective Agency, Inc., with
headquarters in the Woolworth Building (p. 138) and the Pinkerton
Detective Agency at 92 Liberty st.
In the Fire Department the Fire Commissioner has under him a
force of about 4>400 men with some 2,800 additional volunteer firemen
in Queens and Kichmond. A fireman starts at $1,000 a year, which
increases to $iy^oo. After 20 years service he is entitled to a half -pay
pension. He is also pensioned for injury received in performance of
duty. Horses are being replaced by motors and instruction in driving
motors is given as well as instruction in fire-fighting. The High Pres-
sure Water System consists of separate mains, hydrants and pumping
stations. (See Dept. of Water Supply p. xxvii). The Bureau of Fire
Prevention supervises combustibles, automatic alarms, sprinkling sys-
tems, etc., and investigates the origin of fires. The apparatus is
distributed thus: Manhattan and Bronx, 85 engines, 41 hook and ladder
companies, 6 fire boats, 2 floating engines, 3 water towers, and 2
searchlight engines; Brooklyn and Queens, 69 engines, 29 hook and lad-
der companies, 2 fire boats^ and 7 hose companies; Richmond, 9 engines,
5 hook and ladder companies, and i hose company.
PUBLIC ADMINISTRATION OF N. Y. CITY xxvii
The Selvage Corps of Greater New York are owned and maintained
by the insurance companies of the city for the purpose of protecting
life and property at and after fires. The or^nization in Manhattan is
called the New York Board of Fire Underwriters, that in Brooklyn, the
Fire Insurance Salvage Corps of Brooklyn. Both are equippra with
fire alarms and. other apparatus for co-operating with the nremen in
extinguishing fire. They nave a total force of 240 men.
The Department of Water Supply, Gas and Electricity supplies
wkter to the city and supervises the supplying of gas and electricity by
private companies. The 77,000 street lamps necessitate an annual ex>
penditure of $5,000,000. The department inq>ects the liRhting of
theatres and the electric street signs. The Board of Water Supply con-
sists of three commissioners: the construction of the city water-works is
under their jurisdiction.
Greater New York consumes each day about 500,000,000 gal. of
water; about 100 gal. per person. The supply before the completion
of the Catskill Aqueduct is obtained as follows: In Manhattan and the
Bronx it comes from the Croton watershed (area 360 sq. m.), passing
through 30 miles of masonry conduit to reservoirs in the boroughs. The
Old Croton Aqueduct, completed in 1842, crosses the Harlem River at
High Bridge (p. 352) and has a capacity of about 85,000,000 gal. a
day. The jMew Croton Aqueduct, constructed 1883-1 890, is an under-
ground tunnel and drops under the Harlem river at a depth of 300 ft.
It has a capacity of about 295,000,000 sal. a day, and its construction
cost about $20,000,000. The two boroughs receive also a smaller amount
from the Bronx and Bryan watersheds (area 22 sq. m.) Brooklyn,
Queens, and Richmond have received their water chiefly from wells by
public and private pumping plants. The Croton system delivers water
under a hydraulic head at low pressure. High Pressure Fire Service
System water is available in the lower part of the city, in Brooklyn busi-
ness section, and on Coney Island. Pressure is obtained from pumps. At
need, salt witter can be turned into the mains. This system has xo8
miles of mains, 2,372 four-nozxle hydrants, and 315 telephones con-
nected with the pumping stations, by means of which the stations can
be notified to send extra pressure to the neighborhood of the fire.
The Catskill Mountain System now being installed receives its
water from the Esopus Watershed (area 2^5 sq. m.). Later on the
Schoharie (area 228 sq. m.) and the C^itskill Creek (area 163 sq. m.)
watersheds will be developed. The Ashokan Reservoir, formed by ouild-
ing the Olive Bridge Dam on Esopus Creek about 12 m. from Kingston,
has a water surface of 12.8 sq. m., and an average depth of 50 ft.
Filled, it will be capable of holding enough water to last the city 335
days at the present rate of consumption. This reservoir is for collecting
or impounding the water; the Kensico is for storing the water: the
Hill view - in Yonkers. for equalizing and distributing, and the Silver
Lake, in Staten Island, for distributing. The Catskill Aqueduct from
Ashokan Reservoir to the City Line is 92 m. long; 55 m. are "cut and
cover," that is, built on the surface or in open excavations, in horse-
shoe shape, resting on the flat side, 17 ft high and 17 ft. 6 in. wide.
31 m. are tunnel from 17 to 14 ft. 6 in in diameter. 6 m. are steel
pipes. The aqueduct runs on the W. side of the Hudson to Storm
King, 7 m. above West Point, drops in a tunnel under the Hudson,
cut through solid rock, 1,100 beneatti the surface of the river, coming
up at Breakneck Mountain, proceeding to Kensico Reservoir 4 m. N. of
White Plains, with a capacity of 29,000,000,000 gal., i^ mo. supply.
The next reservoir is at Hill View, with a capacity of 900,000,000
gal. The tunnel under the City js circular, 15 ft. in diameter, de-
creasing to II ft., cut in solid rock from 200 to 750 ft. deep, below
all subways and foundations. Every 4,000 ft. connection is made with
the present distributing system, with controlling valves to equalize the
pressure. No new distributing system will be necessary. The water
xxviii RIDER'S NEW YORK CITY
goes on under the East River N. of Manhattan Bridge to Brooklyn, on
to Queens and under the Narrows (in cast iron pipes; to Staten Island;
here, in Silver Lake Reservoir it is 225 ft. above sea level. The entire
cost, including the three watersheds will be $176,000,000.
In the Department of Street Cleaning, the Commissioner has charge
of the cleaning of the streets and the removal of rubbish, garbage and
ashes in Manhattan, the Bronx and Brooklyn. Dead animals are
removed by the Department of Health. The city employs about 3,000
sweepers, popularly known as "White Wings" from their white uni-
forms, to clean the streets. About 1,800 drivers Collect the refuse which
is disposed of by contract. The garbage is turned into fertilizer and
grease on Barren Island in Jamaica Bay (p. 104). The ashes and
rubbish are used in fillinj; in land, Riker's Island in Lons_Island Sound
being[ the present depositing place. About 65 A. of land nave been thus
reclaimed.
The Department of Bridges, with a Commissioner at its head, has
charge of those bridges which are wholly in the city, except those in
parks. Those having one terminus only on city land are under the
charge of the Borough Presidents.
The Department of Parks differs from the other departments in hav-
ing four Commissioners, one of whom the mayor appoints as President.
Manhattan and Richmond share a Commissioner. The other three
boroughs have each their own. Public Recreation, Baths^ and Comfort
Stations as well as the Parks themselves are under this department.
The combined park areas equal 7,223 A.; with an assessed value of
$489,989,028. The assessed value of the parkways is $11,600,160.
The Commissioner of the Department of Docks and Ferries
controls the waterfront belonging to the city. (Wharfage of the port
described under Commerce p. xxxi). The city has acquired about
18% of the water front and has built 260 piers and between 8 and 9
miles of bulkhead. The Department is working on extensive plans for
port development.
The Department of Charities, with a Commissioner at its head, has
charge of all city charitable institutions except those under the Board
of Health and Bellevue and Allied Hospitals. It gives institutional re-
lief but no money nor home supplies. Each year the city gives in ad- ,,
dition some four million dollars to religious and privately managed
hospitals and asylums that receive the city^s poor. (Application for aid
for destitute children is made at the Children's Bureau, 124 E. 59th St.;
for destitute adults over 16, at the Bureau of Dependent Adults at the
foot of £. 26th St.) The Children's Hospitals and Feeble-minded Schools
are on Randall's Island (p. 109). Hospitals for adults are the
Metropolitan and City Hospitals on Blackwell's Island (p. no),
King's County Hospital, Coney Island Hospital, and the Cumberland
Street Hospital,
Destitute people are hoysed in the New York City Home for
the Aged and Infirm with one branch on Blackwell's Island and
another in Brooklyn. The Municipal Lodging House, 432 E. 25th,
has room for a thousand men and women.- One applicant may receive
bed and breakfast not oftener than three times a month. On Staten
Island is the New York City Farm Colony in West New Brighton, for
semi-able-bodied paupers. The largest private charities are the Charity
Organisation Society at 105 E. 22d St., The Society for the Improve-
ment of the Condition of the Poor at 105 E. 22d st., and the United
Hebrew Charities, 356 2d ave. Practically all the hospitals have free
wards and dispensaries. (For further information regarding charitable
and semi-charitable institutions see p. xxxiii.)
The Department of Corrections, with a Commissioner at the head,
supervises tne Workhouse and the ^Penitentiary on Blackwell's Island
(p. no), the Tombs (p. 147)1 the Brooklyn City Prison, and 10
PUBLIC ADMINISTRATION OF N. Y. CITY xxix
District Prisons, and the Hart's Island Reformatory. On December la,
1 9 12, these institutions contained 4,565 prisoners, 725 of whom were
women. The Brooklyn Disciplinary Training School for Boys contains
abottt 200 juvenile delinquents between 14 and 17 years of age.
The Department of Health is governed by a Board made up of the
Commissioner of Health, the Police Commissioner, and the Healtn Officer
of the Port. It has headquarters at Center and Walker sts. with branch
offices in the four other boroughs. The following hospitals are under
its charge: Reception Hospital, ft. of i6th st. for temporary care of
patients awaiting transfer to other dept. hospitals; the Willard Parker
Hospital, ft. of £. i6th st. for adults and children sick with diptheria;
the Scarlet Fever Hospital, ft. of £. i6th St., for adults and children
sick with scarlet fever; the Riverside. Hospital, North Brother Island,
for advanced cases of tuberculosis; Kingston Avenue Hospital, Fenimore
St. and Kingston ave., Brooklyn, for contagious diseases New York
City Municipal Sanatorium, Otisville, N. Y., for tuberculosis. (For
other hospitals see p. 88.)
Under the Division of Child Hygiene arc grouped all activities re-
lating to the health of children from birth to the age of 16, including the
supervision of the practise of mid wives; the care of babies and the pre-
vention of infant mortality (55 milk stations, doctors and nurses in
daily attendance) ; the supervision of foundlings; the sanitary super-
vision of day nurseries and institutions for dependent children; medical
inspection and examination of school children, issuance of employment
certificates and a staif of 164 medical inspectors and 263 trained nurses-
As a result of these activities among infants infant mortality has de-
creased from 181 deaths per 1000 births, to 105 deaths, in the last 10
years. This is the lowest infant death rate ever reported in the city.
Visiting nurses are assigned to those districts having the largest num-
bers of babies^ in the proportion of one nurse to 150 babies. She visits
in the homes and instructs the mothers.
Thirteen tuberculosis clinics have assisted ' in lowering the annual
number of new tubercular cases to 22,752 in 1912. The department
be^an in 191 1 an extensive campaign against venereal diseases. The
Dxvision of Food Inspection condemns bad food for sale in the city.
Three Morgues are maintained, the one at the foot of 26th st. receiving
about three thousand bodies a year. Paupers are buried on Hart's
Island (p. 108).
The Tenement House Department, created in 1903, under the
leadership of a Commissioner, has supervision of the construction,
alteration and condemnation of tenement houses. Although we employ
the word "tenement" to designate the dwellings of the poor, it has in
law a wider significance. Any house containing three or more
families who do tneir cooking on the premises is classed as a tenement.
The city had on April ist, I9i3> 919,269 apartments in tenements,
housing about 3,750,000 people. The number 01 rooms varied from one
to 30, the largest number (304,283) having 4 rooms. Plans for apart-
ment houses must be approvea by the dept. before being submitted to
the Superintendent of Buildings in the Borough.
The Department of Education, under the supervision of the Board
of Education, consists of 46 members appointed by the mayor for
five year terms, (Manhattan, 22\ Brooklyn, 14: Bronx, 4; Queens, 4;
Richmond, 2). All other appointments in the department are made by
the board. The Board of Superintendents consists of the Superintendent
of Schools and 8 Associate Superintendents ; they recommend to the
board the appointments, promotions and transference of teachers, the
courses of study, and purcnase of supplies. 26 District Superintencunts,
appointed for six years, observe tne work of the teachers. The
Board of Examiners, appointed for 6 years, gives the teachers' examina-
tions; (5ther six-year appointments are: Supervisor of Free Lectures,
Supt. of School Buildings, Supt. of Supplies. The elementary schools
XXX RIDER'S NEW YORK CITY
number 503. Manhattan contains 160; Bronx. 50; Brooklyn, 173;
Queens, 86: Richmond, 34. There are 23 High Schools, 3 Training
schools, 2 Vocational Schools; 3 Truant Schools. The total number in
the elementary schools is 630,658; in the High Schools, 44,278.
Beginning teachers are put on probation for three years; after that they
can be removed only on charges. In 191 1 the Equal Pay Act by
which salaries were determined by grade and not by sex, was passed
by the legislature. Salaries in the elementary schools start at $720 and
rise to $1500. In 19 14 the school appropriation was $38,203^406.92.
Of this, I3 1, 485,957* 1 7 was for teachers' salaries. New York City was
the first in this country to experiment in the education of mentally de-
fective children, and has now 146 special classes. Special classes are
held for foreign children; also "rapid progress" classes for those in ad-
vance of their grade; and 'Vorking-papeP' classes for those who must
have extra help to be entitled to working-papers. Many of the build-
ings are used for recreation centers evening^s. Summer schools and
playgrounds are open during the summer vacation. All schools are open
to visitors. Information can be obtained from the ofiice of the Boarcl of
Education, 500 Park ave.
The rates per i.ooo inhabitants in New York Citf for 19x2 were:
marriages, 9.99; births, 26.22; deaths, 14.11.
The number of city employees in January, 191 3i was 82,0x5. In
addition, some 15,000 men are temporarily employed -during the year
in mow removal, election supervision, etc.
Finance. The assessed value of all taxable property
in Greater New York, 191 5, was $8,460,815,992. The Real
Estate was valued at $8,108,764,237, and the Personal Prop-
erty at $352,051,755, the latter being notoriously a greatly under-
estimated figure. The valuations were divided among the
boroughs as follows: Manhattan, R. E., $Si 145*802495; P.P.,
$292,349,590; Bronx, R. E., $677,126,644; P. P., $6,804,800;
Brooklyn, R. E., $1,691,912,426; P. P., $43,606,010; Queens,
R. E., $509,519,428; P. P., $7,635,650; Richmond, R. E., $84,-
403,224; P. P., $1,655,650. The tax rate for 1915 was: Man-
hattan 1.87; Bronx, 1.94; Brooklyn, 1.92; Queens, 1.95; Rich-
niond, 2.24. The gross funded debt of New York, Dec. 31st
1915, was $1,361,483,821.28, which was greater by $272,219,-
850.11 than the debt of the United States. The total budget
of appropriations was $198,989,786.52.
The revenues of New York are derived from annual
taxes, assessments for improvements of property, water
rates, and miscellaneous revenues from 70 to 80 different
departments. In 1915 the more important revenues were
as follows: Taxes, $157,899,467; Water rates, $12,994,316;
Dock rents, $5,156,426; Municipal ferries (to 39th st., Brook-
lyn, and to Staten Island), $1,077,916; Subway rental (Inter-
borough), $5,156,426. The other miscellaneous revenues
amounted to $22,852,074.
THE BUSINESS OF NEW YORK xxxi
IV. The Business of New York
(a) Commerce. * Before the outbreak of the European war,
New York handled somewhat less than half, or 44.73%
of all the foreign commerce of the United States. In I9I3»
the imports were valued at $1,048,290,629 and the exports at
$9i7.935»988» a total of $1,966,32(5,017. The net tonnage of ves-
sels entered was 14,464,161 and of vessels cleared 14,370,619.
The number of foreign vessels arriving in New York was
4441 ; of domestic vessels from eastern ports 2170 and of
domestic vessels from southern ports 2908. The city Has most
of the trade between Europe and the Great Lakes region, but
very little of the South Atlantic coast, Lower Mississippi or
Ohio Vdley. The principal imports are : rubber, silk, fur, cot-
ton, linen, jewelry, chemicals, coffee, cocoa, tobacco, and
sugar.
The notable changes wrought by the war are, first, an
increase of about 10% in New York's proportion of foreign
commerce; and secondly, the enormous increase of exports
(which have practically doubled), placing the. city in the lead
of all the ports of the world. The latest available figures
before going to press are for the ten months ending April
30th, 1916. Imports for these months at the port of New
York were $933,160,398 out of a total of $1,722,368,115,
(54.16%) ; exports, $1,828,247,724, out of a total of $3,394i-
382,107 (53.57%).
New York owes its commercial supremacy primarily to
its harbor facilities, almost entirely a natural advantage, for
up to June, 191 3, the federal government had spent only
$21,301,639 in improving and maintaining New York's chan-
nels and harbors, The city has a waterfront of no less than
578 mi. (Manhattan, 48.2; Richmond, 57.1 ; Bronx, 79.8; Queens,
196.8; Brooklyn 201.5) of which 103 mi. is already fully de-
veloped. The completion of the Panama Canal and the pro-
posed Intercoastal Canal will increase the commerce and force
the further development of the water front. A relatively small
proportion of wharfage is on Manhattan, where it is most
needed. Huge new piers, some still in construction, offer a
ipartial solution. Of this type the Chelsea piers (p. 238)
betw. I2th and 23d sts. are completed and others are started
betw. 44th and 59th sts. (p. 238).
(b) Manufacturing. New York City gained its industrial
lead over all other American cities as early as 1820. In 191 3 it
alone produced one-tenth of all the manufactured goods made
in the entire United States. Its factories employ more workers
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CHARITIES IN NEW YORK xxxiii
given here may be obtained by consulting the "New York
Charities Directory" issued by the Charity Organization
Society. Visitors to the various institutions should, unless
a visiting day is designated, write or telephone to the super-
intendent for an appointment. Permission will always be
given to inspect the institution.
The state of New York maintains hospitals and admin-
isters the industrial insurance and the widows' pensions. The
hospitals are chiefly for the insane, feeble-minded and
epileptic. The most important ones are Bloomingdale Hospital
for the Insane, White Plains; Central Islip Hospital, Central
Islip, L. I.; Craig Colony for Epileptics, Sonyea, Livingston
Co.; Letchworth Village, Thiells, Rockland Co.; Matteawan
State Hospital, Fishkill-on-Hudson ; Rome State Custodial
Asylum, Rome; State Custodial Asylum for Feeble-Minded*
Women, Newark, Wayne Co.; and Syracuse State Institution
for Feeble-Minded Children, Syracuse. Information. concern-
ing Widows' Pensions may be obtained at the Bureau of Child
Welfare in the basement of City Hall; concerning Industrial
Insurance and other social legislation, from the New York
Association for Labor Legislation, i Madison Avenue.
New York City maintains a large number of hospitals,
grouped under the name of Bellevue and Allied Hospitals.
Bellevue is at 26th Street and First Avenue. Most of the
other hospitals are in the neighborhood or on Blackwell's
Island. Application for admission of patients is made either
in person at Bellevue, through a physician, or through the
Department of Public Charities. Treatment is free. Most
of the hospitals have dispensaries. In case of serious accident
an ambulance can be obtained by a policeman's telephoning
to the nearest police station. The Board of Health maintains
visiting nurses.
The City Almshouses on Blackwell's Island; the City's
Custodial Asylum for Feeble-Minded Children on Randall's
Island, and the Municipal Lodging House at 432 East 25th
St., are under the supervision of the Department of Charities,
with its office in the Municipal Building.
The Children's Court in its beautiful new building at
137 East 22nd St., is under the Department of Corrections.
The Domestic Relations Court, where non-support and de-
sertion cases are tried, is at 151 E. 57th st.
Asylums and Homes for dependent children supported
by voluntary contributions and endowments are numerous.
The city assists in the support of some of the larger ones,
paying a per capita amount for each child it sends to them.
Babies are sent to the Foundling Asylum at 175 East 68th st.
xxxiv RIDER'S NEW YORK CITY
Older dependent or incorrigible children, if Catholic, are sent
to the Catholic Protectory, Westchester, New York City.
Protestant children go to one of the various Protestant
institutions. The New York Juvenile Asylum, city office.
Terminal Bldg., Park ave. and 41st st., is one of the largest
of these. Its Children's Village is near Dobbs Ferry. The
Orphan Asylum Society in the City of New York has an
especially fine orphanage on the cottage system at Hastings-
on-Hudson. The Hebrew. Children are sent to Hebrew
institutions. The Hebrew Sheltering Guardian Society, with
buildings at 150th st. and Broadway and at 507 W. 155th st.
in the city, has at Pleasantville, New York, a Republic which
is a model institution. Visitors interested in children's insti-
tutions should arrange to inspect this one. Institutions some-
what out of the ordinary are the Newsboys' Lodging House,
14 New Chambers St., and the Home for Seamen's Children
on Staten Island.
The plan of placing out children in private families is
becoming yearly more approved. This work is done by the
Board of Health, by bureaus in connection with many of
the children's institutions, by the State Charities Aid Associa-
tion, and the Children's Aid Society.
Various relief organizations exist which differ from
the foregoing in several ways. They receive no support from
state or city but subsist on voluntary contributions and endow-
ments. They have few hospitals and asylums of their own,
but utilize those already in existence. Their chief work is in
distributing charity in the homes. State and city give no
money, food, or clothes to needy people. Applicants must
enter institutions to be cared for. These private societies
supplement the institutional work with relief in the homes.
The largest of these are: The Charity Organization Society
and the Association for Relieving the Condition of the Poor,
at 22nd St. and Fourth ave. and the United Hebrew Charities
at 356 Second ave. Each of these has several district offices.
Other important organizations are the Society for the
Prevention of Cruelty to Children, 23rd st. and Fourth ave.,
which investigates and prosecutes cases of improper guardian-
ship of children under sixteen; the State Charities Aid, 22nd
st and Fourth ave., which inspects hospitals and secures
improvements ; and the Russell Sage Foundation, 22nd st.
and' Lexington ave., which gives no relief, but studies the
causes of poverty. Among the smaller organizations in which
the sociological student will be interested are the Day
Nurseries with head office at 105 E. 22nd st. ; the Association
of Housekeeping Centres with model apartments at 226 Henry
CHARITIES IN NEW YORK xxxv
St., 62 Washington St., and loi Thompson st. ; the New York
Diet Kitchen Association with babies* milk stations scattered
over the city and a central office at i West 34th st. ; the
People's Institute at 50 Madison ave., which provides lecture
courses and develops neighborhood centres in public school
buildings; the Educational Alliance at East Broadway and
Jefferson st., a Jewish organization offering wide variety of
classes and recreation for immigrants; the Manhattan Trade
School for girls at 209 E. 23rd st. ; the Baron de Hirsch Trade
School for Jewish boys at 222 East 64th st. ; the Vacation
Playgrounds for mothers, babies, and children in summer
and the evening roof gardens, under the direction of the
Board of Education ; the New York Association for the Blind
at 118 E. 22d St.; Women's Trade Union League, 43 East
22d St.; the Big Brother Movement, the Big Sisters, and the
Boy Scouts of America, all at 200 Fifth ave. ; the Camp Fire
Girls at 401 Fourth ave. Of the Working Girls* Homes,
Varick House at 11 Dominick st, is the newest and most
attractive.
Social Settlements are located in all sections of the. city.
Their object is to learn the conditions and needs of their
neighborhoods in schools, politics, industry, recreation, edu-
cation, and hygiene. These needs they themselves supply to
some extent in classes, clubs, and general recreation work,
but they also endeavor to secure the co-operation of the pub-
lic agencies. Through their efforts public libraries, public
baths, school gymnasiums, recreation centers, kindergartens,
playgrounds, etc., have been introduced into many districts.
The information supplied by them is of value in promoting
social legislation concerning housing, dance-hall licensing,
minimum wage, widows* pensions, etc. Educated men and
women live in the settlement houses but they endeavor to
utilize in the settlement work the people living in the dis-
trict. Some settlements are attadied to diurches while
others are sociological rather than religious.
Henry Street Settlement, 265 Henry st., is the head-
quarters of the Visiting Nurse System. The story of the house
is told in Lillian D. Wald's "The House on Henry Street."
The University Settlement, 184 Eldridge street, possesses a
large building with rooms for the meetings of labor unions
and local organizations. The College Settlement, with its
main house at 95 Rivington street, supported by the women's
colleges, was the pioneer settlement. The Music School
Settlement, 53-55 East 3d street, provides musical education
for those who would not otherwise be able to obtain it.
Greenwich House, 26 Jones street, is extremely successful
xxxvi RIDER'/5 NEW YORK CITY
in its Festivals and community activities. The Union Set-
tlement Association, 237 East 104th street, is in close but
unofficial relation with the Union Theological Seminary.
Among other well-known settlements are: Hartley House,
413 West 46th street; Hudson Guild, 436 West 27th street;
Warren Goddard House, 246 East 34th street ; Richmond
Hill House, 28 Macdougal street; Christodora House, 147
Avenue B; Corning Clark House, 283 Rivington street;
Jacob Riis Settlement, 48 Henry street. In Brookl)^! are :
Lincoln Settlement, 105 Fleet street, working among negroes ;
the United Neighborhood Guild, formerly Asacog House,
176 Nassau street; and Greenpoint Neighborhood House, 85
Jaca street, Greenpoint. Among those more distinctly mis-
sions are: the Bowery Mission, 227 The Bowery, where from
Thanksgiving to Easter a breadline is maintained at one
o'clock at night ; the Florence Crittenton League, 427 W. 21st
street, to aid and encourage destitute and depraved women
who wish to reform; the Chinatown and Bowery Settlement,
ID Mott street, for work among white girls living in China-
town; the McAuley Water Street Mission, 316 Water street,
for the most degraded and profligate criminals and drunk-
ards.
VI. Miscellaneous Information for the Prospective
Visitor in New York
a. Passports. Customs. Time. Climate.
Passports. The foreign traveler will find passports not
required. They are, however, of occasional convenience in
securing identification at banks and post-offices, and may
prevent some unexpected misunderstanding.
Customs. All baggage brought into the United States
from other countries is examined at the port of entry. The
ship officers will give the traveler arriving from a foreign
port information concerning dutiable goods. A list with prices
of all goods purchased outside the country must be submitted
to the customs official. This is called "declaring." An official
will inspect all trunks, hand bags, and boxes. This inspection
is facilitated if the traveler, packs the dutiable articles all in
one trunk in an accessible manner. One hundred dollars worth
of personal effects may be brought in free of duty by residents
of the country. Special arrangements are made for foreign
travelers and settlers. A resident leaving the country should
take the precaution of registering with the customs officials
CUSTOMS, TIME, CLIMATE xxxvii
valuable furs or je.wels which he takes with him lest he be*
charged duty on them upon his return. The customs inspec-
tion will proceed rapidly if the traveler co-operates with the
officials.
•
Time. New York time is 5 hours earlier in the day than
London time. It is 12 .m. in New York when it is 5 p. m. in
London. In accordance with the Standard Time System
adopted in 1883, the United States is divided into 4 sections of
15 degrees longitude each. The time is uniform in each sec-
tion, differing betw. each two adjacent sections by one hour.
Thus when it is 12 m. in New York (Eastern Time), it is
II a. m. in Chicago (Central Time), 10 a. m. in Denver
(Mountain Time), and 9 a. m. in San Francisco (Pacific
Time).
CuMATE. Judged on a basis of mean monthly or yearly
averages, the climate of New York City does not offer on the
surface any very striking contrasts to that of the other prin-
cipal metropolises. The temperature, for instance, gives a
mean average of 30° and 74** Fahr., respectively, for the
months of January and July, and a mean annual average of
about 50°, which coincides pretty closely with London : 50.8® ;
Paris, 50**; Berlin, 48.2'*; Vienna, 48.6®. It is its extremes
and its sudden capricious variations that makes the New York
climate so trying to strangers. The recorded maximum and
minimum temperatures are 6*' and 100", a range of 106
degrees. A sudden drop of 15 or 20 degrees in a few hours
is not a rare phenomenon; and these extremes and sudden
changes are further aggravated by the comparatively high
annual rainfall of 44.6 in. (which New York shares with tifie
other Atlantic Coast cities, and which is nearly double that
of European cities; compare, on the one hand: Boston, 43.4
in.; Philadelphia, 41.2 in.; Washington, 43.5 in.; Charleston,
52.1 in. ; Savannah, 50.3 in. ; and on the other : London, 25 in. ;
Paris, 22 in.; Berlin, 23 in.; Vienna, 25 in.). Furthermore,
the changes of seasons vary greatly from year to year; a
"green Christmas** is not unusual ; a blizzard has been known
in the middle of March, and a cold week may suddenly occur
at the end of August.
All things considered, the visitor who can choose his own time
for coming to New York would be wise to give autumn the preference.
After the late September rains are over, he may usually count upon
a prolonged 'period of fairly settled weather and clear skies, becoming
gradually more hazy during the days of the late and mellow "Indian
summer.". This period also coincides with the openiiig of the social
season, so that the stranger not only has good weather for out-door
sight-seeing, but can include the opening nights of the opera and the
important plays of the season.
xxxviii RIDER'S NEW YORK CITY
The second choice of time is the late spring, May and oart of June.
This is the best tim^ for seeing the environs of New York: Coney
Island (p. 446) and the numerous other famous summer playgrounds
are opening; the excursion steamboats up the Hudson and elsewhere
have begun their daily trips; and many delightful trolley rides are
available. On the other hand, there is much that the visitor . misses
in the life of the city itself; the opera is over, the principal theatres
are closing; social New York is leaving for toe summer; and while
the surge and glitter of the night life on Broadway never slackens, it
loses something of its characteristic zest.
July, with its scorching heat, and August, with the heavy humidity
of the "dog days," are decidedly to be avoided, especially as some of
the museums and other places 01 interest are apt to be closed. Never-
theless, the proportion of strangers in the city during the summer
months is annually increasing, a considerable percentage being South-
erners and Spanish-Americans.
b. Money. Expenses.
Money. For the benefit of the foreign traveler it should
be mentioned that the money of the United States is on the
decimal basis, the dollar of 100 cents being the unit. Coins
between the dollar and the cent are the Half Dollar or Half
(50 cents), the Quarter Dollar or Quarter (25 cents), the
Dime (10 cents), the Nickel or Five-cent Piece (5 cents).
The word Penny is a s)monym for cent. Three-cent and two-
cent pieces were formerly in circulation, but are no longer
coined. The dollar, the half, the quarter, and the dime are
silver. The nickel is nickel. The cent i$ copper. Gold pieces
(little circulated in the eastern part of the country) are
minted at $2j^, $5, $10 and $20 pieces. Paper money ($i,
.$2, $5, $10, $20, $50, $100, $500, $1,000) in the form of Gold
Notes, Silver Certificates and National Bank Bills.
Foreign Money can be exchanged at the American Ex-
press Co., at the large hotels, at banks and at many of the
steamship agencies. An English Pound is normally eual
to $4.86^6-10; I franc (French, Swiss, Belgium coins), 19.3
cents; i lira (Italian), 19.3 cents; i mark (Germany), 23.8
cents; i crown (Austrian), 20.3 cents; i crown (Norwegian
or Swedish), 26.8 cents; i peseta (Spanish), 19.3 cents; i
escudo (Portuguese), $1.05; i florin (Dutch), 40.2 cents;
I ruble (Russian), 51.4 cents; i dollar (Canadian), $1'; i
dollar (Mexican), 49 cents.
Expenses. There is probably no other city in the world
where the possible range of a tourist's average daily expenses
touches such wide extremes, according to his means and per-
sonal'tastes. It he requires a suite of rooms at one of the
leading hotels, orders his meals d la carte at high-priced
restaurants, goes to the theatre or opera, and ends the evening
MISCELLANEOUS INFORMATION xxxix
at some midnight cabaret, he will find no difficulty in spending
from $25 to $50 a day. On the other hand, the traveler
with a modest credit and simple habits, who is willing to
accept some minor discomforts for the sake of prolonging
his visit, can easily find accommodations in the less fashionable
neighborhoods, at a cost of $8 a week and upward. For
instance, in the vicinity of Washington Square or Gramercy
Park (semi-Bohemian sections, corresponding roughly to the
Quartier Latin in Paris and the Russell Square district in
London), it is possible to procure a large double room and
private bath for $8 per week and upwards; single room, $3
per week and upwards. The boarding houses in these districts
are less satisfactory ;-either the charges are disproportionately
high or the table is poor. The most economical way in which
to see New York is to take lodgings and go out for meals
(especially in the case of a comparatively brief stay) ; owing
to tlie long, narrow formation of Manhattan, the distances
to the various points of interest become a serious factor in
cost both of time and cab or trolley fares, and doubly so to
the traveler who must return to his boarding-house for each
meal. Besides, the restaurants are in themselves an important
feature of New York life; and the visitor should plan his
sight-seeing so as to be in the neighborhood of those he wishes
to patronize, at the luncheon or dinner hour.
c. Some General Notes on the Life and Customs of
New York
The first characteristic of New York which impresses
the stranger from abroad, and in a less degree from other
American cities, is its atmosphere of breathless haste, its
pervading sense of life keyed to an abnormal tension. The
acute discomfort of the morning and evening rush hour, when
streets are gorged with tramping thousands of toilers, and
every car is jammed with close packed human freight, is
only one manifestation of the city's ruling passion. Every-
where and all the time the surge and roar of traffic goes on,
varying only in degree; everywhere is the same feverish
eijergy, the same impajtiei\ce over a minute's loss. The New
Yorker makes equally hard work of his business and his
pleasures. In the chief centres of wealth, the gorgeous shops
of Fifth Avenue, the theatres and restaurants of Broadway,
the one element that is missing is repose. It seems as though
the whole brilliant crowd that frequents these pleasure
xl RIDER'S NEW YORK CITY
palaces feared if they paused to rest they might fall out of
step in the ceaseless *'rag-time" of metropolitan life.
One direct consequence of this unending hurry, which
the visitor is quick to feel, is a certain brusqueness and lack
of civility as compared with other cities. Not that the great,
motley, democratic middle class is deliberately rude to
strangers ; it simply lacks time for the little courtesies of life,
and grudges two words where one can be made to answer.
A New York crowd is habitually good-natured, accepting
without protest much crowding and jostling; but in the
hourly rush for admission to cars and elevators, women
must take their chances along with the men and expect no
special favor, while the man who rises and offers a woman
his seat is distinctly an exception to the general rule. Con-
sidering the size and mixed character of the crowds they
have to handle, the guards and conductors on the various
city lines are probably as civil as could reasonably b^ ex-
pected ; yet their lack of deference towards the general public
is well summed up in their favorite curt injunction to "step
lively.*' En passant, and regardless of convention, gentle-
men remove their hats in hotel elevators when ladies are
present but not usually in elevators in business buildings.
A tourist bent upon seeing the city's sights with min-
imum loss of time must ask many and frequent questions.
But he will find it to his advantage to appeal as far as pos-
sible to uniformed officials, policemen, railway porters, hotel
clerks, etc., part of whose business it is to impart information.
The casual stranger met in the street, however willing to
answer questions, is quite likely not to have the required
knowledge (in fact, in a ^surprising number of cases, he will
be found unable to understand English) ; for New Yorkers
are curiously ill informed about their own city, and especially
those features of it most likely to interest the outsider.
Another characteristic of New York, and one that applies
to all grades of society, is the lavish and conspicuous mode
of dress adopted by New York women on the public streets.
The styles for street wear change more rapidly and more
radically than other costumes; and no sooner has a new
mode found favor on Fifth avenue than cheap imitations of
it make their appearance on Fourteenth street and the lower
East Side. It is no exaggeration tft say that to-day the
fashionable women of New York venture upon the streets
clad in garments which in brilliancy of hue and scantiness
of neck and sleeves would have been considered ten years
ago as appropriate only for afternoon or evening receptions.
The responsibility for this change undoubtedly rests upon the
LIFE AND CUSTOMS OF NEW YORK xli
dancing fad. Women went for luncheon to restaurants where
they expected to dance; they passed on to some thS dansant,
and later had dinner where they would dance again ; and
naturally in coming and going they wore in the street a
costume primarily designed for dancing. The custom adds
much to the picturesqueness of the passing crowd; but it
naturally is viewed with some degree of surprise by strangers
accustomed to more sedate street apparel.
Like other large cities, New York has its own conven-
tions as regards smoking in public. Men cannot smoke on
any cars of the various surface, subway and elevated roads,
excepting on the four rear seats of the open (summer) sur-
face and Third avenue elevated cars. The same rule per-
tains to the rear outside seats of the Fifth ave. busses.
Furthermore, to smoke or carry a lighted cigar in any of
the subway stations renders the smoker liable to arrest.
On the other hand, smoking is freely permitted in practically
all first-class hotel and other restaurants; also in the bal-
conies of many vaudeville and moving-picture houses. It
should be added that a certain number of New York res-
taurants, especially of the semi-bohemian sort, now permit
women to smoke; and while the practice is by no means com-
mon, and is not allowed in the best restaurants, tourists should
understand that the presence of women smoking does not
imply that the restaurant in question lacks respectability.
Sunday Observance. While in theory New York is to
a large extent a closed-up town on Sundays, yet because of
its cosmopolitan character and immense foreign population,
the administration of the city has taken the curious attitude
that it is impracticable to enforce the laws strictly. Conse-
quently, so far as public entertainment is concerned, Sunday
differs from other days in kind rather than degree. It is an
especially busy day for the hotels and other restaurants. The
regular theatres are closed; but most of the vaudeville and
moving-picture houses are open, doing a large business at
advanced prices. The front entrances of all saloons are
strictly closed; but there is almost always a "side door"
accessible to anyone known to the house. Among stores
and shops, the following are open all day: drug stores (ex-
cepting for the sale of stationery and other side lines) ; cigar
stores ; small stationers and newspaper dealers ; some candy
stores and iccrcream parlors; some florists. Delicatessen
shops are allowed to remain open until 10.30 a. m., and again
from 4.30 until 7 p. m. Other stores are required by law
to be closed. The New Yorker, however, who knows his
xlii
RIDER'S NEW YORK CITY
city, can in case of emergency buy very nearly anjrthing
that he needs in one or the other of the foreign quarters.
For instance, in the Italian section around Bleecker st., mar-
kets, groceries, hardware shops and various other small shops
are open all day long.
Rider's
NEW YORK CITY
A Guide- Book for Travelers
PRELIMINARY INFORMATION
I. Arrival in New York
(a) At the Railroad Station
All the larger railroad stations (and ferry houses)
contain Information Desks where time-tables, information
concerning routes, connections, and so forth, may be obtained
free of charge. Hand luggage and parcels may be left in the
Parcel Room at a small charge (usually loc. a day). The
stations contain every convenience for the traveler.
The Pay Lavatories are especially useful to those
who wish to change their costume or freshen their
appearance after a journey. Uniformed porters are at
hand to carry hand luggage and give all kinds of assist-
ance. A porter will accompany a traveler to the street
car and see him safely started in the right direction. A fee
of from 10 cents upward according to the service is ex-
pected. The Traveler's Aid Society (office at 238 E. 48th st,
telephone 323 Murray Hill) keeps women agents wearing
badges in attendance at the Grand Central Terminal and at the
Pennsylvania Terminal. They also meet in-coming trans-
atlantic steamers. Their duty is to assist traveling women
and children. All their service is rendered without charge
or gratuities. Over 1500 travelers are helped each mondi.
Railroad tickets should be purchased at the regular ticket
office, as any offered at reduced rates by unofficial agents
called "scalpers** may be counterfeit or sold under illegal
conditions. Children under five accompanied by an adult
travel free. Children between five and twelve are charged
half fare. Tickets purchased in advance of the day of de-
parture should be stamped with the date of departure.
Through tickets to all parts of the country, including trans-
portation of luggage across cities, can be purchased at any
large station. Unused tickets will be redeemed by the railroad
under certain conditions. If stop-over privileges are desired,
the fact should be mentioned to the ticket agent when the
ticket is purchased. If a passenger has a disagreement with
the conductor concerning ticket or fare, the passenger must
pay what the conductor requires, take a receipt and refer
the matter to the General Passenger Agent of the road. Pull-
man parlor or sleeping car reservations may be made ahead of
time on most roads, but payment must be made 24 hours in
advance.
Nearly all the railroads have City Ticket Offices (p. 40)
where tickets may be bought and reservations made.
2 RIDER'S NEW YORK CITY
Deliver articles found or report losses at the Lost
and Found Department of the station or notify the General
Passenger Agent of the road. Baggage should always be
clearly marked and tagged with its destination. It is a wise
precaution to note the number of one's baggage check. Trans-
fer checks across cities en route should be purchased with the
ticket. A ticket must be shown when the baggage is checked,
and, since 1915, an annoying statement of value is required
if the journey be an interstate one. Baggage checked a
few hours in advance of train time in a large city, stands
a better chance of accompanying the traveler.
Out-going baggage can be checked Ifrom the hotel or
dwelling house if the ticket has been purchased (and baggage
transfers when necessary) . Strangers entering city would
best employ the local express company officially recognized
in the station (usually Westcott Express) , rather than an
unknown company or expressman. A uniformed official of
this company passes through the principal trains, collecting
checks, just outside the city. Small trunks can be carried
with one in a cab or taxicab, but in a large city where the
distances are great, by far the cheaper method is to send
baggage between the station and the house by express and
travel oneself by subway, elevated, or surface cars. If in-
coming baggage is left in the station unclaimed for more than
24 hours a storage charge of 25c. the first day and loc. a
day thereafter is usually made. The companies do not
recognize liability of over $100 for baggage unless the owner
has declared a higher value and paid excess charges when
checking. One hundred and fifty pounds is transported free
with each full fare and fifty pounds with each half fare. Dogs
on the chain will, under most circumstances be transported in
the baggage car upon payment of the regular charges to the
baggage-master. On most roads a small animal in a basket can
be taken into the passenger coach, although the conductor will
banish it to the baggage car if it is at all conspicuous or
offensive.
(b) Division of Material in this Guide Book. Maps
To aid the traveler in the use of this guide, Manhattan
has been divided into the following sections: Downtown,
from the Battery to 14th st., occupied in different parts by
factories, warehouses, offices, and banking concerns, and
on the E. side the most congested tenement district in the
world. Midtown from 14th st. to sgth st., containing on the
E. side tenement houses, along 4th ave. modern loft build-
ings, along 5th ave. wonderful shops, along Broadway the
ARRIVAL IN NEW YORK 3
majority of playhouses and famous restaurants. Uptown
(including all Manhattan north of 59th st. to the Harlem
river) on the East side, containing more tenements joining,
the Bronx, and Sth ave., here lined with magnificent resi-
dences. Upper West side, the chief residential district, built
up with thousands of apartment houses.
The streets run in a general direction of north and south,
east and west. In the lower part of the city they are laid out
with little regularity. The "New York Street Directory"
Ooc. at newsstands) lists house numbers at intersecting
streets. The chief streets running N. and S. are:
Broadway from the Battery northeasterly to E. loth St.,
then northerly, crossing Fifth ave. at 23rd St., Sixth ave. at
34th St., Seventh ave. at 43rd St., Eighth ave. at spth st,
Columbus ave. at 65th st, Amsterdam ave. at 726. st, and
West End ave. at io6th st
Fifth ave. runs from Washington sq., a block south of
Sth St., through the middle of the island to the Harlem River
at I42d st
The avenues from First to Thirteenth run north and
south. Avenues A, B, C and D, are short north and south
streets east of First ave. Lexington ave. is between Third
and Fourth aves., north of 21st st. Madison ave. lies between
Fourth and Fifth aves., north of 23d st North of 34th st.
Fourth ave. is called Park ave.; north of 59th st. Ninth av^.
is called Columbus ave., Tenth ave. is called Amsterdam ave.,
and Eleventh ave. is called West End ave. as far. as 107th st,
where it ends at Broadway. Sixth ave. is called Lenox ave.
above iioth st. First st lies about a mile N. of City Hall.
Parallel streets are numbered up to 220th st. in Manhattan
and 262d st in the Bronx. Up to I42d st. the streets are called
East and West according to their position with regard to
Fifth ave., and the buildings are numbered from that avenue
toward the Hudson River on the west and the East River
on the east (excepting on the west side from 59th to 109th st
inclusive, where the numbering of the cross streets begins at
Central Park West).
Maps. The index map on the opposite page shows in
outline the various boroughs of New York City and the im-
mediately contiguous suburbs. Also — in brown— the area cov-
ered by each of the different maps in this guide book, to which
further reference may be made.
(c) The Motorist in New York. Garage Facilities, etc.
Traffic Regulations
The traveler arriving in New York by automobile will
find that the leading hotels either have garages of their own
4 RIDER'S NEW YORK CITY
or (more usually) have connection with some first-class
garage conveniently near. The usual charge in New York
garages is $i.oo per day for storage, and $i.oo extra for
cleaning and polishing. In some garages, only 50 cents is
charged for daytime storage. The following is a brief list
of some of the better known garages:
Gotham Garage, 102 W. 46th St.; Joacelyn Garage, xx4 W. 53d St.;
Belnord Garage, 252 W. 87th St.; Ansonia Garage, 207 W. 75th at.;
Bretton Hall Garage, 150 W. 83d St.; Circle Garage, 40 W. 60th st.;
Hudson Garage, 220 W. 41st St.; Murray Hill Garage, 27 E. 40th St.;
Mineola Garage, Park ave. and 59th st.; Packard Acme Garage, 124 W.
50th St.; St. Regis Garage, 481 Park ave.; Vanderbilt Garage, 155 £.
35tli St.
Automobiles may be hired by the hour, day or for longer
periods, the average charges being from $2.50 per hour up-
wards, according to the make and size of the car (from $15.00
upwards per day), the price including services of a chauffeur.
A number of the renting agencies may be found in the
neighborhood of Times Square (for comprehensive list, see
Telephone Red Book).
Packard Acme Rental Co., 124 W. 50th St.; Packard Motor Renting
Co., Broadway and 62d St.; Times Square Renting Co., 210 W. 43d
St.; Waldorf-Astoria Auto Renting Co., 55 Prospect PI., Brown's
Packard Renting Co., 146 W. 44th St.; Bryant Auto Renting Co., 1926
Broadway; Columbia Auto Renting Co., 305 Fifth ave.; Lauterbach
Renting Co., 204 W. 43d st.
Out of town drivers in New York City should be familiar
with local "traffic regulations," which, on account of con-
gestion, ar^ very strictly enforced. The most significant of
these Regulations are reprinted below. Complete copies may
be obtained gratis at any police station and, generally, from
any one of the "traffic policemen" at street crossings:
''The following regulations for vehicles shall be observed by the
drivers thereof, who shall also comply at all times with any direction
by voice, hand or whistle from any member of the Police Force ad
to starting, stopping, slowing, approaching or departing from any
place, the manner of taking up or setting down passengers, and the
loading or unloading of anything.
"Police Officers may temporarily divert traffic to avoid congestion.
Article I. Passing, Turning, Keeping to the Right, Backing
AND Following.
''Section i. A vehicle meeting another shall pass to the right.
"Sec. 2. A vehicle overtaking another shall pass to the left and
not pull over to the right until entirely clear of it; except in passing
a street car when it shall keep to the right if distance between car
and curb permits.
"Sec. 3. A vehicle turning into a street to the right shall turn
the corner as near the right-hand curb as practicable.
"Sec. 4. A vehicle turning into a street to the left shall pass
around the point of intersection of the two streets.
"Sbc. 5. A vehicle turning from one side to the other of a street
shall reverse its direction.
*'Stc. 6. A vehicle shall keep as near as practicable to the right-
ARRIVAL IN NEW YORK 5
hand curb so as to leave the center of the street clear for overtaking
traffic — th€ slower the speed the nearer the curb.
"Sec. 7. A vehicle on a street divided longitudinally by a park-
ivay, walk, sunkenway, viaduct, isle of safety, or cab stand, shall keep
to the right of such division.
"Sec. 8. A vehicle passing around a circle shall keep to the right
from entrance to exit.
"Sec. 9. A vehicle shall not back to make a turn if it obstructs
traffic but shall go around the block or to a street wide and clear
enough for the purpose.
Article II. Stopping, Standing, Waiting and Parking.
"Section i. A vehicle shall not stop with its left side to the curb
except on a 'one-way traffic' street.
"Sec. 4. A vehicle shall not be parked or otherwise stopped so as
to prevent the free passage of other vehicles in both directions at the
same time or in one direction in a 'one-way traffic' street.
"Sec. 5. A vehicle, unless parked, shall not stand backed up at
any angle to a curb, except while actually loading or unloading, and if
horse-drawn and with four wheels the horses shall stand parsulel with
the curb, faced in the direction of traffic.
"Sec. 6. A vehicle, unless a street car, shall not stop in any street
except near the curb and then so as not to obstruct a crossing or cross-
walk except to allow another vehicle or pedestrian to cross its path.
Article III. Overtaking Street Cars.
"A vehicle in overtaking or meeting a street passenger car which has
been stopped for the purpose of receiving or discharging a passenger
or passengers, shall not pass or approach within eight (8) feet of such
car so long as such car is so stopped.
Article IV. Right of Way.
"Section i. When in the performance of duty, the following
vehicles shall have the right of way: U. S. Mail, Police, Fire, Fire
Patrol, Bureau of Buildings, Emergency, Repair of Public Service Cor-
porations, Ambulances; also the Military.
"Sec. 2. Conditions warranting. North and South traffic shall have
the right of way.
"Sec. 3. A vehicle in front of a street car shall immediately turn
out upon signal.
"Sec. 5. A vehicle, on the approach of fire apparatus, shall im-
mediately draw parallel and near to the curb and stop.
Article V. Signals.
"Section^ i. A vehicle's driver when slowing or stopping shall
give timely signal by hand or whip, or in some other unmistakable
manner.
"Sec. 2. A vehicle's driver when about to turn either from a
standstill or while in motion, shall give timely signal by hand or whip
or in some other unmistakable manner to indicate the direction of the
turn. This is especially important when turning to the left.
"Sec. 3. A vehicle beford backing shall give ample warning.
"Sec. 4. Police whistle signals shall indicate:
One blast — N. and S. traffic stops and E. and W. proceeds.
Two blasts— -E. and W. traffic stops and N. and S. proceeds.
Three or more blasts — ^The approach of fire apparatus or
other danger.
**Sec. 6. Sound signals are prohibited except for necessary warning.
Article VII. Restrictions in Regard to Vehicles.
'Sec. 7. Coasting is prohibited when dangerous.
'Sec. 8. The use of a motor muffler cut-out is prohibited.
'Sec. 9. Dense smoke from motors is prohibited."
"J
"•
6 RIDER'S NEW YORK QTY
II. Hotels and Boarding Houses
(a) General Information
The visitor to new New York usually takes a room by the
day or week in a hotel selected in reference to its location,
rates and characteristics, and eats his meals wherever he
chooses. The "European plan" is the reckoning of the board-
rate by the number of meals eaten, either a la carte or table
d'hote, while the "American plan" is a flat weekly rate includ-
ing room and three meals a day^ no reduction being made, for
absences. The "American plan" hotel, once universal in
New York as elsewhere in the United States, is now prac-
tically unknown here. Special rates are given to conventions.
The room-rent in a hotel includes light, heat, usually
soap, care of the room, and the privilege of bathing in the
house bathrooms. The European custom of including shoe-
cleaning does not obtain in most houses. The large houses
have valets and maids whose service may be utilized, laundry
can be done overnight, suits pressed, etc. Meals will be
served in rooms and charged as in the dining-room, except
that an additional fee of 25c. is usual.
The hotel attendants are paid low wages and expect to
supplement them by gratuities. If one is staying at a large
hotel fees must be counted as a part of the daily expenses.
The general rule may be followed of paying for any extra
personal service rendered by an attendant. The gratuity for
a bellboy is 5 to 25c. according to the service rendered; for
a waiter 10% of the cost of the meal, but not less than loc.
(In restaurants of the Childs type 5c. "tips** per person are
usual.) Upon the good humor of these two attendants de-
pends much of the visitor's comfort. The prices quoted are
the lowest prices for the different classes of rooms. The
traveler can always obtain more desirable rooms at higher
prices, and must if the lower priced rooms are fully occupied.
Some hotels have an annoying custom of having but very
few rooms at the minimum figure, which are practically never
available.
Strangers arriving in New York should know the address of the
hotel to which they ^ direct a cabman, as some names of reputable
hotels are either duplicated or nearly imitated by less desirable houses.
There are in the city many of the "Raines Law" hotels, which are
merely saloons which have added a sufficient number of sleeping rooms
to avail themselves of the hotel liquor law and escape Sunday closing.
Some of these houses receive men only and are entirely reputable.
Others are houses of assignation.
The large fashionable hotels are among the sights of the
^ city, and guests staying at more modest ones should still visit
HOTELS AND BOARDING HOUSES
some of the noted houses. Guides will be furnished upon^
request at the desk. The guide will expect a fee for showing
the house. Afternoon tea in the tea room or roof garden is
an enjoyable event. Among the largest houses are: the Bilt-
more (p. 212), the newest building; the Knickerbocker
(p. 168) ; the StT Regis (p. 204) ; the Ritz-Carlton (p. 214) ;
the Aster (p. 171) ; the Plaza (p. 205) ; the Waldorf-Astoria
(p. 182) ; the McAlpin (p. 166) ; and the Vanderbilt (p. 216).
This most modem and most sumptuous type of hotel has*^
introduced a new element into the social life of big cities.
It is not merely a hotel, but in a certain sense a public resort,
frequented daily by a vast floating population comprised, not
only of casual strangers, but of resident New Yorkers, who
take an unlicensed, yet undisputed advantage of a large pro-
portion of the accommodations and privileges intended for
the guests of the house. Any well-dressed stranger can enter
unchallenged, use the parlors and sitting-rooms as meeting-
places for social or business purposes, finish a day's cor-
respondence on the hotel stationery, and in various ways,
make the modern caravansary serve the purpose of a private
club, to which he pays neither fees nor dues. Women patron-
ize these hotels more and more for afternoon tea, having
found that they pay less and receive more accessories than
at the fashionable little tea rooms in the lower thirties; and
men find it more comfortable to lounge at ease in big
cushioned chairs, spending an hour over cocktails, that have
cost no more than if hastily tossed off at the bar of a corner
saloon.
(b) Large and Expensive Hotels of the Very First Rank
The hotels named below have a world wide reputation for
sumptuous excellence.
•♦ St. Regis. (PI. I— B3) 5th ave. and 55th st. (350 R.) One of the
most beautiful of the large hotels, much patronized bv wealthy foreign-
ers and nobility. (R. Single $3. With B. $5. Double $5. With B. $6.
Suites $10.) (See restaurants, p. 21.)
** Ritz-Carlton. (PI. IV — E2) Madison ave. and 46th st. (42s R. 425 B.)
For description sec p. 26, (Rates given upon request.) (See restau-
rants, p. 21.3
•♦ Vanderbilt. (PI. Ill— E2) Madison ave. and 34th st. (600 R. 600 B.)
For description see p. 216. (R. Single with B. $3. Double with B.
$5. Suite $12.) (See restaurants, p. 20.)
*• Waldorf-Astoria. (PI. Ill— D2) sth ave. and 34th st. (nop R. 900 B.)
For description see p. 182. (R. Single $3. With B. $4. Double $4.
With B. $5. Suite $10.) (See restaurants, p. 20.)
RIDER'S NEW YORK CITY
BlltSMrc (PI. IV— E3) 43d 8t. and Vanderbilt ave. (1000 R. 950 B.)
Close b^ Grand Central Terminal, subway entrance to station. For
description see p. ai2, (R. Single $2.50. With B. $3.50. Double $4.
With 6. $5. Suites $10.) (See restaurants, p. ai.)
*• Plaza. (PI. V — C6) 5th ave. and 59th st. (750 R.) For description
see p. ^5. (R. Single with B. $4. Rates upon application.) (See
restaurants, p. ax.) •
• Hotel Alter. (PI. IV — B3) Broadway and 44th st. For description
see p. 171. (R. Single $2.50. With B. $3.50. Double $3.50. With B.
$4.50- Suites $10.) (See restaurants, p. 21.)
(c) Downtown Hotels — the Battery to X4th Street
The hotels in New York are following the general migra-
tory movement toward the upper part of Manhattan. Prac-
tically none are left in the extreme Downtown section below
Canal street, and those of the upper section between Canal
St. and 14th St. are either unpretentious, somewhat old-
fashioned houses or else family hotels. They offer quieter
surroundings and lower rates than the Midtown and Uptown
houses.
Earle. 103 Waverley Place, (no R. no B.) Quiet moderate
prices. (R. Single with B. $1.50. Double with B. $2.50. Weekly rates
on application American plan rates on application.)
Jadion. 53 Washington Square. Small family hotel, permanent
and transient. (R. Single $1. With B. $1.50. Suites, rates on appli-
cation. American plan, $2.50. Weekly rates on application.)
HoUey. Washington Square West. Recently enlarged. Small
family hotel, permanent and transient. (R. Single with B. $1.50.
Suite $3. Weekly rates on application. American plan, rates on applt-
catioa.)
Brevoort. sth ave. and 8th st. (100 R.) French. Formerly
fashionable ; now one of the most liked small hotels' in the city.
Much patronized by foreigners, artists, and journalists of distinction.
Quiet, unostentatious, satisfactory. (}ood food. (R. Single $z.5a With
6. $2.50. Double $3.00. , With B. $3.50.)
Hotel Albert. University Place and nth st. (386 R.) Small
commercial hotel, much patronized by traveling men. (R. Single
$1. With B. $1.50. Double $2. With B. $3.)
Van Rensselaer. 17 E. nth st. (2<>o R. 200 B.) Small family
hotel. (R. Single $1. With B. $1.50. Double $1.50. With B. $2.50.
American rates on application.)
St. Denis. Broadway and nth st. (230 R. 40 B.) A long-
established house. Popular with small conventions. Good food.
(R. Single $1. With B. $1.50. Double $2. With B. $3.)
(d) Midtown Hotels— 14th Street to 59th Street
The greatest number of hotels are on or directly north
of 42d St. between Madison ave. and Broadway. They are
convenient to the Pennsylvania station and the Grand Central
Terminal, the theatrical district, and the new shopping section.
They vary in price and character from the modest side-street
houses to huge, high-priced hostelries. The houses here
HOTELS AND BOARDING HOUSES 9
given further downtown have the advantage of being some-
what more economical.
Hotel Irvliig. a6 Gramercy Park. (i8o R.) Family hotel, per-
manent and transient. (R. Single $i. With B. $1.50. Double $1.50.
With B. $2.50. American rates $3 a day.)
Cbeliea. 224 W. 23rd st. (525 R. 250 B.) Old hotel, somewhat
off the m?in travel road. (R. Single $1.50. With B. $2. Double $2.50.
With B. $3.)
♦ Prince Georse. (PI. Ill— E4) 14 E. 28th. (800 R. 800 B.) An
extremely comfortable and popular hotel with average prices. One of
the largest of the "side-street** hotels. (R. Single with B. $2. Double
with B. $4.) (See restaurants, p. 20.)
Latham. (PI. Ill — D4) 4 E. 28th st. (250 R. 200 B.) Quiet family
hotel. (R. Single $1.50. With B. $2. Double $2.50. With B. $3.)
Seville. (PI. Ill — E4) Madison ave. and 2Qth st. (400 R. 300 B.)
Pleasant hotel with average rates. (R. Single $1.50. With B. $2.50.
Double $2.50. With B, $3.)
* BreSlin. (PI. Ill — D4) Broadway and 29th st. An excellent
medium-sized hotel, much patronized bv people who come regularly to
the city. (R. Single $1.50. With B. $2.50. Double $3. With B, $4.
Suite $8.) (See restaurants p. 20.)
• Holland House. .(PI. Ill — D3) 5th ave. and 30th st. An old and
established house, recently renovated. (R. Single $2. With B. $3.
Double $3. With B. $4- Suite $7.)
Grand Hotel. (PI. Ill — D3) Broadway and 31st st. (400 R. 200 B.)
Much patronized by traveling men. Prices low. (R. Single $1. With
B. $i.5a Double %x With B. $3.)
La Marquise. (PI. Ill — E3) 12 E. 31st st. Apartment hotel with a
few single rooms. (R. Single $1.50. With B. $2.50. Suites: winter
rate $5, summer rate $3. American rates upon application.)
Wolcott. (PI. Ill — D3) 31st St. betw. 5th ave. and Broadway. (260
R. xao B.) Specializes in personal service and attentions. (R. Single $2.
With B. I2.50. Double with B. $5. Suite $6.)
Park Avenue. (PI. Ill — E3) 4th ave. and 32nd st. (450 R.) Quiet
old'fashioned, delightful palm court. Much patronized by women
traveling alone. (R. Single $1.50. With B. $3. Double $2.50. With B.
$4. Suite $7.) (See restaurants, p. 20.)
Stratford. 11 E. 32nd st. Small, quiet, unpretentious, comfort-
able. (R. Single with B. $2.50, R. Double with B. $3.50. Two
connecting with B. $4. Suites $j^. American plan $2.50 extra per day.)
No charge for service of breakfast in rooms.
Aberdeen. (PI. Ill — D3) 17 W. 32d st. Small, catering to the
traveler of moderate means, especially women traveling alone. (R.
Single with B. $2. Suites $4.)
Pierrepont. 43 W. 32nd st., near Broadway. Small, moderate
prices. (R. Single with running water $1. Double with B. $2.
Suites $3.50.)
Imperial. (PI. Ill — P3) Broadway and 32nd st. Medium-sized hotel.
(R. Single $1.50. With B. $2. Double $3* With B. $4. Additional
person in room $1. Suite $5.) (See restaurants, p. 20.)
♦ • Martinique. (PI. Ill — C3) Broadway and 33rd st. Large hotel,
special department for facilitating railway and steamship travel, repre-
sentative will meet steamers and attend to baggage, and rooms will be
10 RIDER'S NEW YORK CITY
reserved^ upon request by teleeram or wireless from steamer.' (R.
Single $2. With B. $2.5a Double $2.50. With B. $3.50.) (See restau-
rants, p. ao.)
** McAlpln. (PI. Ill — Ca) Broadway and 34th st. (1500 R. all outside.)
For description see p. 166. (R. Single with running water $1.50. With
B. $2. Double $3. With B. $3.50. Suites $5.) (See restaurants, p. ao.)
Excellent 40c. club breakfast.
Herald Square. (PI. Ill — C2) 34th st., near Broadway. Small,
moderate prices. (R. Single $1.50. With B. $3. Double $2.50. With B. $3.)
Combination breakfasts, 25c., 35c., 45c.^ 50c., 6oc. Meals served in
rooms, 25c. extra for each person.
Colllngwood. (PI. Ill — D2) 45 W. 35th St., betw. Broadway and
5th ave. Small, unpretentious, moderate prices. (R. Single $1.50.
With B. $2.50. Double $2. With B. $3.)
Gregorian. (PI. Ill — D2) 35 W. 35th st. betw. 5th ave. and Broad-
way. (160 R. 160 B.) Quiet, family hotel, prices moderate. (R. Single
with B. $a. Double with B. $3.)
Marlborough. (PI. Ill — C2) Broadway and 36th st., entrance on
36th St. (300 R.) Frequented by travelinsr men, bnsiness men and familv
parties. (R. Single $1. With B. $1.50. Suites $3.) (See restaurants, p. ao.)
York. (PI. Ill — B2) 36th St. and 7th ave. (300 R. 150 B.) Near
Pennsylvania Railroad Terminal. (R. Single. With B. $2. Double
$2.50. With B. $3.)
Mills. (PI. Ill— B2) 36th St. and 7th ave. (1875 R.) One of the
"Mills Hotels'* for men of small means. No women admitted to
Hotel. Women admitted to restaurant. (R. 30c. and 40c.) •
Navarre. (PI. Ill— Bi) .?8th st. and 7th ave. (350 R. 200 B.) (R.
with B. $1.50. Large R. with B. $2. $1 extra for each additional
person in R.) (See restaurants, p. 20.)
Normandle. (PI. Ill — Ci) Broadway and 38th st. Small, low-priced.
(R. Single $1. With B. $1.50. Double $2. With B. $3.)
Murray Hill. (PI. IV — E4) Park ave. and 41st st. A larpe, old-
fashioned, quiet hotel in a quiet neighborhood near the Grand Central.
Prices reasonable. Very comfortable. (R. Single $2. With B. $3.
Double $3. With B. $4.)
•* Belmont. (PI. IV— E3) Park ave. and 42nd st. (looo R.) Directly
opposite the Grand Central Terminal, subway entrance to station and
subway. For description see p. 212. (R. Smgle $2.50. With B.
$3-50. Double $4. With B. $5. Suites $10.) (See restaurants, p. 21.)
* Manhattan. (PI. IV — E3) 42nd st. and Madison ave. Directly op-
posite Grand Central Terminal, subwav entrance ♦^o station and subwavs.
For description see p. 212. (R. Single $2.50. With B. $3.50. Double
$4. With B. $4. Suites $10.) (See restaurants, p. 21.)
*• Knickerbocker. (PI. IV — C3) 42nd st. and Broadwav. (600 R. 400
B.) For description see p. 168. (R. Single $2.50. With B. $3.50.
Double $4. With B. $5. Suites $10.) (See restaurants, p. 21.)
Lorraine. CPl. IV — F4) fth ave. and asth st. (2*^0 R. 250 B.)
Family hotel. (R. Single $2. With B. $3, Double with B. $5.)
New Weston. (PI. IV — F2) Madison ave. and 49th st. (260 R.
260 B.) (R. Single with B. $2. Double with B. $3.)
Buckingham. (PI. IV — Di') 5th ave. and soth st. An old-fashioned
hotel with large rooms and grate fires. Patronized especially bv fam-
ilies and women visiting the city alone. (R. Single $z.5a With bath
$3. Suites $6.)
HOTELS AND BOARDING HOUSES ii
Woodstock. (PI. IV— C3) 127 W. 43rd St. betw. 6th avc. and Broad-
way. Small, quiet, moderate prices. (R. Single $a. With B. $3.50.
Double $3. With B. $350)
WaUlck's formerly Cadillac. (PI. IV — C3) 43rd at. and Broadway.
Moderate prices. (R. Single $z. With B. $1.50. Double $3. With B.
$3.50. Suites $4.)
Iroquois. (PI. IV— D3) 49 W. 44th st. (148 R. 148 B.) Family
hotel, moderate prices. (R. Single with B. $2. Double with B. $3.)
Algonquin. (PI. IV— D3) 59 W. 44th st. (225 R. 225 B.) Family
hotel, moderate prices. (R. Single with B. $2.50. Double with B.
$350.)
Gerard. (PI. IV— C3) 123 W. 44th st. (300 R. 200 B.) Family hotel,
moderate prices. (R. Single $1. With B. $2.50. Double $2. With
B. $4. American rates upon application.) (See restaurants, p. 21.)
*Clarldge. (PI. IV— C3) Broadway and 44th st. (250 R. 250 B.) The
building formerly occupied by Rectors, now remodeled. An extremely
comfortable hotel modeled upon the European ideal, yet distinctly
American in its fittings and service. No cabaret. Good cooking. (R.
Single with B. $3. Double with B. $5. Suites $6.) (See restaurants,
p. 21.)
Seymour. (PI. IV— D3) 44 W. 45th st. (300 R. 160 B.) Family
hotel. (R. Single $2. With B. $3.50.)
Richmond. 70 W. 46th st. (150 R. 150 B.) Patronized by high-
class theatrical people. (R. Single with B. $2.)
Remington. 129 W. 46th st. (100 R. 32 B.) In the theatrical
district. (R. Single $1. With B. $1.50. Double with B. $2.50.)
*Gotham. (IV — G2) sth ave. and ssth st. (400 R. 400 B.) Special-
izes in permanent guests. '25 to 50 % reduction in summer rates. (R,
Single with shower B. $2.50. With B. $3.50. Double with B. $4.
Suites $12.)
Feliz-Portland. (PI. IV— R) 132 W. 47th st. (100 R.) Patronized
by Porto Ricans. (R. Single $1.)
King Edward. 14s W. 47th st. (350 R. 250 B.) (R. Single $1.50.
With B. $2. Suites $4.)
Somerset. (PI. IV— C2) 150 W. 47th st. (250 R.) (R. Single $1.50.
With B. $2. Double $3, With B. $3.5a)
Longacre. (PI. IV — B2) Broadway and 47th st. (250 R. 150 B.)
Bachelors only. (R. Single with lavatory $1. With B. $1.50. Double
with B. $3.) Ladies admitted to dining room. Club breakfast.
BristoL (PI. IV — C2) 122 W. <i9th st. betw. 6th and 7th avcs.
Family hotel. (187 R. 187 B.) (R. Single with running water $1.50.
With D. $2. Double with running water $2. With B. $2.50. American
plan. I person R. with meals $2; R. with B. and meals $2.50: 2 persons
R. with meals $5; R. with B. and meals $6.) Club breakfast 25c. to
50C. Td'h luncheon 50c.; Td'h dinner 75c.
Cuibberland. Broadway and 54th st. (250 R. 250 B.) Caters
especially to college students, fraternities, and summer visitors.
Screens throughout. (R. Single with B. $2.50. Double with B. $3.)
Southern. 54th st. near Broadway. (180 R. 180 B.) (R. Single
with B. $1.50. Double with B. $2.50.)
Woodward. Broadway and 55th st. (220 R. 115 B.) Quiet,
family hotel. (R. Single $1.50. With B. $2. Double $2.50. With
B. $3.)
12 RIDER'S NEW YORK CITY
Greenoble. s6th st. and 7th ave., opposite Carnegie Hall.
Small family and transient hotel. (R. Single $z. With B. $3.
Suites $3.)
St. Hubert. t2o W. $7th st. (140 R. 100 B.) (R. Single with
B. $2. Double with B. $4.)
Great Northern. 118 W. S7th st. (400 R. 400 B.) Quiet hotel;
patronized by women traveling alone. (R. Single with B. $2. Double
with B. $3. Suites $4.)
Netherland. 5th ave. and 59th st. (350 R.) Faces Central
Park. High-class. (R. Single $2. With B. $3. Double with B. $5.
Suites $7.)
* Savoy. 5th ave. and 59th si. (400 R. 250 B.) Faces Central
Park. High-ceiled rooms. High-class house. (R. Single $a. With
B. $3. Double $3. With B. $4. Suites $6.) (See restaurants, p. ax.)
(e) Uptown Hotels — Above 59th Street
The hotels follow Broadway and Park ave. mainly north-
ward, tending to become, as they leave the business and
theatrical district, apartment hotels, accommodating both
permanent family groups and transient guests.
St. Paul. Columbus ave. and 6oth st. (250 R.) (R. Single $1.
with B. $1.50. Suites $2.50. Special rates by the week.)
Empire. (PI. V — B6) Broadway and 63rd st. (300 R. 300 B.)
Moderate prices. (R. Single $1. With B. $1.50. Double "$1.50. With
B. $2. Suite $2.)
* Marie Antoinette. (Pl. V— Bs) Broadway and 66th st. (500 R.
300 B.) A large and elaborate family hotel. (R. Single $3. Double $4<)
Walton. Columbus ave. and 7oth^t. (no R.) (R. Single $2.
Witji B. $3. Double with B. $4.) ^
Sherman Square. Broadway and 71st st. (400 R.) (R. Single $x.
With B. $1.50. Double $2.50. With B. $3.)
Belleclaire. Broadway and 77th st. (336 R. 310 B.) Rates on
application.
Lucerne. Amsterdam ave. and 79th st. (300 R. 300 B.) Apart-
ments and rooms by week or transient. (Winter rates: R. Single
with B. $2. Suite tor i or 2, $3. Summer rates: Single R. with B.
$1.50. Suite for i or 2, $2.) Table d'hote and club breakfasts.
Endicott. Columbus ave. and 8ist st. (500 R. 300 B.) Quiet
family hotel. R. Single $1. With B. $1.50. Double $2.)
* Brettoni Hall. Broadway and 86th st. (600 R. 600 B.) Ex-
tremely good family hotel. (R. Single with B. $2.50. Double with
B. $3.)
Bonta Narragansett. Broadway and 94th st. (250 R. ^so B.)
(R. Single with B. $2. Double with B. $3.)
Clendening. 202 W. 103d st. (215 R. 80 B.) (R. all suites, $2.)
Marseilles. Broadway and 103d st. (300 R. 150 B.) (R. Single
$1.50. With B. $2.)
Majestic. (PI. V— Bs) Central Park West and 72nd st. (700 R.)
Faces Central Park. Family hotel. (R. Single $i.5a With B. $2.50.
Double $2. With B. $3.)
HOTELS AND BOARDING HOUSES 13
Hargrave. 112 W. 72nd st. (300 R.) Near Central Park and
Riverside Drive. Some of the single rooms with baths are fur-
nished with davenport beds so that the room can be used as a parlor.
(R. Single with B. $2. Suites $3.)
*Ansoiiia. (PI. V — ^As) Broadway and 73^ st. (1400 R.) A huge
family hotel; physician, drug stored bank, tailor, wine and cig;ar store,
florist, dentist, barber, manicuring, notary public, etc. Facilities for
private dinners and entertainments. Special facilities for families
visiting the city. (R. Single $2. With B. $2.50. Double $2.50. With
B. $3. Suites $8.) (See restaurants, p. 22.)
San Remo. Central Park West and 74th st. Family hotel.
(R. Single $1.50. With B. $2.50. Double $2. With B. $3.50.) Also
American prices upon application. .
WlUard. 252 W. 76th St. (120 R.) "Special attention to ladies
traveling alone." No bar. (Winter rates: R. Single with B.
$2. Suite for i or 2, $3. Summer rates: R. Single with B. $1.50.
Suite for i or 2, $2. Ai)artments rented also on a weekly- rate.
American rates on application.)
Roland. (IV— Gi) 56 E. sgth st. (157 R- i57 B.) (R. Single
with B. $1.50. Double with B. $2. Special weekly rates.)
Number 14, East Sixtieth Street. (IV— H2) 14 £. 60th st. (300 R.
300 B.) A luxurious apartment hotel. (R. Single with B. $4 R. and
alcove with B. $5. 2 R. with B. $6.)
Leonori. (IV — 13) Madison ave. and 63d st. (200 R. 120 B.
Chiefly apartments. (A few single R. with B. $3.)
(f) Hotel Acconunodatians for Women
All of the large hotels in the vicinity of the Grand
Central Terminal state that women arriving unescorted in the
evening are received without parley. In general it may be
stated that the old bugaboo of women being refused admittance
to hotels on this score no longer obtains in large hotels in
New York City. In some of the smaller ones the naive sup-
position still lingers that a woman who comes to a hotel at
night without a man can hardly be respectable. By telephon-
ing from the station one can avoid the possibility of this
annoyance and also ascertain whether or not a suitable room
is obtainable. The Martha Washington is open all night.
The McAlpin has a special floor reserved for women. Hotels
which advertise especially for women guests are mentioned in
the lists. Curiously enough, many of the philanthropic hotels
for women are extremely stiff about evening arrivals. If you
lose the last train to the suburb or are locked out of your
boarding house, go to a big hotel and spare yourself the
annoyance of insults. Guests without baggage pay in advance.
In the matter of restaurants, all the hotel restaurants ex-
cepting some grills and cafes, are open to women in the even-
ing. The ordinary restaurants and foreign table d'hote places
consider a woman's money as good as a man's. On the other
hand, the large cabarets, where profit comes largely from
14 RIDER'S NEW YORK CITY
extravagant food and wine orders, frequently bar out women
unaccompanied by men. Some of them reserve a less desir-
able room away from the dancing and entertainment where
they segregate tmescorted women and allow them to give
their modest orders. Some of these places also run special
noon luncheons for ladies, when they welcome them in the
large and empty dancing rooms. Two women can go about
New York City in the evening with exactly the same freedom
as can a man and a woman, if they conduct themselves with
dignity and assurance, expect proper service, and pay the
usual tips. The Claridge (p. ii) offers an "official hostess,"
who will accompany ladies to the theatre, arrange visits to
places of interest, give aid in shopping, etc., without charge.
Women's Hotels. Many hotels advertise special attention
paid to women traveling alone, as indicated in the preceding
lists. A few are run exclusively for women.
* Martlia Washington. (PI. Ill — D4) ag E. apth st. (450 R.) For women;
men admitted to restaurant and tea' room, otherwise like any other
well-conducted hotel. (R. with hot water $z.5a With B. $3. Double
with hot water la.50. With B. $4. Weekly rates.)
Margaret Louisa Home. 14 E. i6th st. A temporary home for
the accommodation of Protestant self-supporting women. - Appli-
cants for admission are required to fill out a blank giving name,
address, occupation, church denomination, the name and address of a
relative or friend who could be communicated with in case of illness
or other emergency, and the name and address of a reliable person,
not a relative, as reference. In making application sufficient time
should be allowed for a reply in regard to rooms^ and should be
accompanied by particulars showing that the applicant is eligible.
(R. Single 85c. and 90c. Double $1.20 and $1.70.) Luncheon 25c.
Dinner 40c.
Rutledge, 163 Lexington ave.
Toung Women's Christian Association. 7 £. 15th st. The
following branches have boarding accommodations for women.
Application should be made in advance of arrival at the Central
Branch in 7 £. 15th st. Margaret Louisa Home, 14 £. i6th st. French
Branch, 124 W. i6th st. International Institute for Young Women, 113
£. 34th St. Central Club for Nurses, 132 E. 45th st. West Side
Branch. 460 W. 44th st. Studio Club of New York City, 35 E. 62nd st.
Natl. Board Training School, 135 E. sand st. Harlem Brandi, 72 W.
124th St.
Young Women's Hebrew Association* 31 W. iioth st. Accom-
modates 150 women.
(g) Furnished Rooms
Furnished rooms are advertised in the evening papers
and by signs in windows. The prices vary from $3 weekly for
a small airshaft or skylight room to $10 for a suite. The
usual price is $5 to $6. The understanding should be distinct
as to whether or not light, heat, and service are included.
Sometimes arrangement can be made for breakfast to be
HOTELS AND BOARDING HOUSES IS
served in the room. Extreme care should be used by women in
choosing them. The Young Women's Christian Association,
7 E. 15th St (office hours, 9-6; 7-9), has a list of places of
guaranteed respectability.
Much, however, depends upon the locality. The cross-
town blocks from 40th to 50th st., between 6th and 8th aves.
abound in lodging houses, largely frequented by the theatrical
profession, and many of them of sordid and unkempt ap-
pearance. The less central districts, such as the blocks
adjacent to lower Fifth ave., or the neighborhood around
Gramercy Park, are a much safer choice, being not only more
respectable, but decidedly cheaper (see section on Expenses,
p. 38). There are, of course, furnished rooms to be had
in the neighborhood of upper Fifth ave., and in the cross-
streets adjacent to Riverside Drive. In these neighborhoods,
however, signs are rarely displayed, and a stranger in the
city can find them only by watching the newspapers.
For the benefit of strangers of other nationalities, the following
suggestions are made: on the cross streets west of 7th ave., between
23d and 40th sts. ,are many French rooming houses and a few boarding
houses. North of 14th st., in vicinity of Irving Place, there are many
very unpretentious German houses, where rooms can be had quite
economically, either with or without board. On W. 14th st. beyond
7th ave., are several houses of the family hotel type, catering ex-
clusively to Spaniards. In the case of Italians the problem is less
simple. Down in the eastside Italian quarter, there are numerous
respectable Italian hotels and boarding houses; but they are fre-
quented, mainly,^ by the lower middle class, on their way to permanent
homes in America. The upper claims Italians of limited means, will
generally find large and comfortable rooms, at surprisingly low rates
in the houses occupied by the Italian table d'hote restaurants, especially
in the Greenwich neighborhood.
(h) Suites and Furnished Apartments
Visitors expecting to make a somewhat extended stay
in the city, may find it advantageous to take a furnished
apartment. There are many apartments to be had at any
season of the year, by the week or month, completely fur-
nished, including household linen and kitchen and table
service, at an average cost of from forty to fifty per cent,
advance over the cost of the unfurnished apartment. In some
cases they are run by 4he owner of the building, in other
cases by a tenant, who rents several apartments and sublets
them, furnished, at his own risk. The majority of these are
in the less central districts, and especially in the neighbor-
hood of Columbia University and 125th st. They may best
be found by watching for advertisements in the newspapers.
i6 RIDER'S NEW YORK OTY
The New York Herald (morning) and particularly the
Telegram (evening) carry by far the largest amount of
advertising of this class. The Times (morning) carries less,
but of a somewhat higher grade.
In addition to these, it is possible at almost any time
to find apartments which tenants, leaving the city temporarily,
wish to sublet. During the New York season such an arrange-
ment would seldom work to the advantage of the transient
tourist, the great majority of sublet apartments being offered
for the balance of the year's lease, (i. e., until the following
October). During the summer, however, many families are
glad to secure tenants for two or three months,' at a fraction
of their own rental; and sumptuous apartments can often
be obtained at low rates. Advertisements ^ appear in the
newspapers and some real estate agents make a specialty of
this branch. Apartment hotels have many suites vacant in
summer which they rent at a lower rate. Some of these are
indicated in the hotel lists. In many other cases one can
make satisfactory arrangements by inquiring at the hotel.
More and more, Southern families are coming to New York
for the summer months and many are availing themselves of
these opportunities.
Among the more reliable real estate agents to whom
application may be made are the following: The J. Romaine
Brown Company^ 299 Madison ave. ; Pease and Elliman, 340
Madison ave.; Douglas Robinson, Charles S. Brown Com-
pany, 10 East 45th St.; Horace S. Ely and Company, 480 5th
ave. ; F. R. Wood, W. H. Dolson Company, main office Broad-
way and 8oth st. (82 branches) ; Mark Rafalsky and Com-
pany, 527 5th ave.
(i) Boarding Houses, Pensions
Good board can be obtained in New York from $10 to
$20 a week. List of boarding houses (pensions) may be
obtained from the Young Women's Christian Association,
and from the evening papers, particularly the Telegram.
In general lower Lexington ave. neighborhood boarding
houses should not be chosen without previous knowledge, nor
those on the west side from about /^d st. to 50th (see p. 15).
A clear understanding should be arrived at before engaging
board as to what is included. Light, heat, and service and
the use of the bath, are usually given.
BATHS, BARBER SHOPS, ETC. 17
III. Baths, Barber Shops, etc.
The hotels of New York are equipped more liberally with
private bath rooms than those of any other metropolitan city,
in fact the present tendency in the newer hotels is to supply
a private bath room with every bed room.
3ath8. Hot and cold baths may be obtained at all the hotels
(25-75C. usual additional charge for private bathroom. No charge
is usually made for the use of hotel public baths). Turkish baths
(5oc.-$i.5o) may be obtained at the following: LafayetU Baths, 40S
Lafayette St.; Everard, 26 W. 28th St.; Produce Exchange, 6 Broad-
way; Mayer, 46 W. 124th St.; Murray Hill Bmhs, 164 W. 79th St.;
Fleischman Baths, 113 W. 43d St.; Hollender's 39lhs, 158 W. 125th St.;
Meffert, Woolworth Building. The Everard and Fleischman baths are
amon^ those which have special hours for ladies. There is not a wide
variation in the charges. At the Everard Baths, for example, they are:
Plain Bath, 50c.; Turkish or Russian Bath, $1.25; Nauheim, Carlsbad
or Vichy Bath, $3.00. Practically all the Turkish bath houses have
plunges or swimmine pools. These offer the casual tourist about the
only facilities New York has for swimming in winter, there being no
extensive natatoriums.
Salt Water Swimming Baths, at the Battery (25 cents; warm, 30
cents). There are also several Free Public Baths, both on the Hudsoi^
and the East River, visited annually by 5-6 million bathers (June^
September). The People's Baths, 9 Centre Market Place, are also
free (separate rooms, 5 cents).
There' are also Interior Free Baths for men and women open the
entire year from 6 a. m. to 9 p. m.; 326 Rivington St.; 133 Allen st.;
538 £. ixth St.; 23d St. and Ave. A; 347 W. 41st St.; 34^^* 54th St.;
232 W. 60th St.; 532 £. 76th St.; 243 £. 109th St.; 83-85 Carmine St.,
cor. Oliver and Cherry sts. None of these free baths are recom-
. mended to the tourist.
•
Barber Shops. Good barber shops are to be found in all
the leading hotels, in the Grand Central, Pennsylvania and
Hudson Terminals, and in many of the principal office build-
ings, such as the Whitehall Building, the Singer Building, the
Flatiron Building, the Times Building, etc The customary
charges are: hair-cut, 25-35 cents; shampoo, 25 cents; shave
15-25 cents.
Ladies* Hair-Dressrrs : A. Simonson, 506 5th Ave.; Herman J,
Bosch, Biltmore Hotel; Frances O. Harvey, i W. 34th St.; Mmg. Fried,
15 W. 34th St.; Phillipe, Hotel Imperial; Considine, 20 E. 46tfa St.;
OgUvie Sisters, 509 5th Ave.
Manicures. There are manicures to be had in most
of the leading hotels, barber shops and hair-dressing estab-
lishments; also in many of the department stores. The
following is a partial list of manicure parlors in the central
Fifth ave. district.
Astoria Manicure Parlor, 366 5th ave.; Criterion Manicure Parlor,
16 W. 33d St.; Ideal Manicure Parlor; 45 W. 34th st.; Bristol Manicure
Parlor, 500 5th ave.
i8 RIDER'S NEW YORK CITY
IV. Restaurants and Tea Rooms
•
The restaurant life in New York is of great interest to
visitors. The eating places vary from the world famous
Delmonico's on Sth ave. to almost unknown foreign houses
on the side streets, and each has its own peculiar personality.
The restaurants of the larger hotels are so distinctly indepen-
dent of the houses that they are here listed as separate enter-
prises. They usually offer music, dancing and cabaret enter-
tainment like that of the large show restaurants. Tables may
be reserved by telg^hone. Service is usually a la carte and
prices in the cabarets often range high. One order of meat
and of vegetables is often enough for two persons and two
orders enough for three persons. Sometimes an extra charge
is made for serving one order to two. Where table d'hote is
also served the price is given in following lists. The foreign
restaurants usually specialize on table d'hote dinners, often
having no a la carte; the food is usually fair and the
prices low.
Although the distinction is properly made between Ameri-
can and foreign restaurants in New York, in point of fact
the city practically has no strictly American restaurants, with
food cooked in the native manner and served in the simple
home style. The few exceptions are some of the oyster
houses, dairy lunch rooms and an occasional tea room that
specializes in southern dishes prepared by a negro cook.
But in general, the whole New York restaurant service rests
on a basis of Continental cooking. In the leading houses the
chef is French; in a considerable proportion of the others,
he is German, Viennese or Italian. The waiters are almost
uniformly foreign. In fact, the main distinction between the
American and the foreign restaurant is that the former
professes to cater to the American taste, while the latter
tends to exaggerate its foreign features and make the most
of their advertising value.
Hours for Meals. In the leading hotels and restaurants,
some of the dining rooms at least, are open from early morn-
ing until late at night. As most business offices open at
9 o'clock, the usual hour for breakfast is from 8 o'clock on-
ward. Where a table d'hote luncheon is served the customary
hours are from 12 to 2.30; table d'hote dinners are served
from 6 to 8.30 p. m. The average hour at which fashionable
New York dines is between 7 and 7.30 p. m., this hour being
in a measure dictated by the fact that at the leading theatres
and other places of entertainment, the evening performance
RESTAURANTS AND TEA ROOMS 19
begins between 8.15 and 8.30. The fashionable tea rooms are
open throughout the afternoon, but are most frequented be-
tween 4.30 and 5. Most restaurants and lunch rooms in the
downtown business section are closed evenings, Simdays
and holidays.
Wine, Beer, etc. In practically all first class hotels and
restaurants, ales, wines and liquors may be ordered with
meals, even on Sundays; also in the great majority of the
less pretentious houses. In most of the table d'hote res-
taurants, under French or Italian management, wine or beer
is included in the price of the meal, the wine being usually
an inferior grade of California claret. The charges for im-
ported wines of the finer grades are distinctly high; indeed,
to the foreigner, accustomed to the moderate prices in vogue
upon the continent, they appear little less than extortionate.
On the other hand, the better grade of California wines may
be had at much more reasonable cost, and their quality, year
by year, is improving. Ale and porter are little in demand
Beer, on the contrary, is consumed in enormous quantities,
there being between thirty and forty large breweries within
the limits of Greater New York. Imported German beers
(Pilsner, Miinchener arid Kulmbacher, etc.), may be had on
draught, usually at double the prices of native beer, at the
principal German restaurants and beer-gardens.
It may be said in general, that while the use of wine or
beer with meals is far commoner in New York than in other
American cities — owing to its cosmopolitan character— :it is
far from being a customary habit; and at a majority of the
restaurants the casual visitor is likely to see a much larger
proportion of tables where drinks are not served than where
they are.
Within the last few years, a new feature in restaurant
life, the Cabaret, has assumed such elaborate proportions as,
in some cases, to rival the regular vaudeville shows. In the
following lists, the restaurants offering music, dancing, and
cabaret performances are specifically mentioned, not only
for the benefit of guests who like such features, but also in
order that they may be avoided by diners who prefer to take
their meals in quiet.
a. Downtown Restaurants
A great majority of restaurants in the downtown business
and financial sections are exclusively for men, are open during
business hours only, and a considerable proportion of them
20 RIDER'S NEW YORK CITY
are of the "quick lunch" order. There are, however, k few
that are justly famous.
**Delino]ilco'8, 56 Beaver St., the old established down-town branch
of the most famous restaurant in New York. A la carte. **Sayarln
Kest&ttrant and Caf6, 120 Broadway (Equitable Building); named
after Brillat Savarin, the noted French gastronomist, and famous for
its cuisine. A la carte. *Frattncea' Tayem (PI. II— -C5), a restaurant
on the lower floor of the famous old colonial building at loi Broad st.
Attendants in colonial costume. (For description see p. 123.) 'Whyte's
Restaurant, 145 Fulton st. S. X. Robins, 54 Broad st.
Kalll's, 26-30 Park Place. Venetian Garden. A la carte.
Haan, 13 Park Row. *6arret, 140 Cedar st. Open-air, a la carte, music,
dancing 8 a. m. — 8 p. m. Physical Culttire, 656 Broadway, near
Bleecker. Also 85 Bleecker. Vegetarian, a la carte. Broadwi^ Cen-
tral Hotel, Broadway and 3d st. A la carte and table d'hote. Sunday
shore dinner $1. St. Denis Hotel, Broadway and nth st. (See p. 8.)
A la carte. Lunch (11-3) in the grill 35c. Dinner (6-8:30) 75c.
Fleischmann's, Broadway and nth st. A Xsl carte. Specially bread,
rolls, pastries. Halloran's, 213 6th ave., near nth st. A la carte.
b. Middletown Restaurants
Note: Most of the after- theatre and cabaret restaurants are
in this section.
Hotel Prince George. (PI. Ill— E4) 14 E. 28th st. (See p. 9).
Dining room; Grill; Tea room. A la carte. Special teas in
dimly lighted tea room, 50c. and 75c. Hotel Breslin. (PI. Ill —
D4) Broadway and 29th st. (See p. 9.) Employs an East
Indian chef who specializes ip curries. Restaurant; Grill. A la
carte. Hotel Imperial. (PI. Ill — D3) Broadway and 31st st. (See
p. 9.) Restaurant; Cafe; Palm Garden. A la carte. Hotel Martinique.
(PI. Ill — C3) Broadway and 32d st. (See p. 9.) Main Restaurant,
music during lunch and dinner; Tea room, vocal concert in afternoon;
Cameo Room off the main lobby, morning sun for breakfast; Dutch
Room Grill, complete vaudeville show during dinner and after theatre
A la carte. Park Avenue Hotel (PI. Ill— E3) 4th ave. and 33rd st."
Main Restaurant; Palm Court, out-of-doors, fountain, quiet, delighful;
prices reasonable. A la carte. *Hotel Vanderbilt. (Pl. Ill — E2) Madison
ave. and 34th st. (See p. 7.) Palm Garden Restaurant to left of lobby^
sculptured frieze; Della Robbia Restaurant in blue and white, gallery,
vaulted roof, frescoed walls; Roof Garden; Chinese Buffet, 34th st.
side; The Crypt, gentlemen's cafe and bar, 33d st. side. A la carte.
••Waldorf-Astoria. (PI. Ill— D2) 5th ave. and 34th st. (See p. 7.)
Waldorf Restaurant, 33rd st. corner, notice brass work and paneling;
Astoria Restaurant, 34th st. corner, murals made by Turner; Waldorf
Palm Garden with revolving dome; Astoria Palm Garden, medallions
near ceiling; Gentlemen's Cafe, 34th st. and Astor Court. A la carte.
•Hotel McAlpin. (PI. Ill— C3) Broadway and 34th st. (See p. 10.)
Louis XVI Restaurant, music by Nahan Franko's orchestra; Grill in
style of Spanish Renaissance, walls and ceilings of tiles with remark-
j°^T ^^^*^^"^ *^^® paneling; Men's Cafe and Bar on Broadway;
daily Thes Dansants in the ballroom on the 24th floor, music by
Franko; Ladies' Cafe; Roof Garden. A la carte. Hotel Marlborough.
Broadway and 26th st. (See p. 10.) A la carte; Luncheon 50c.
Dinner $1 or $1.25. •Maxim's, no W. 38th st. A famous "smart"
restaurant. A la carte. Music, dancing, cabaret from 6:30 to close
High prices. Special ladies' luncheon at noon; 6 courses 6oc
Lorbers. 1420 Broadway near 39th st. Formerly on Grand st A la
carte, music, dancing. Hotel Navarre. (PI. Ill— Bi) 7th ave. and 38th
RESTAURANTS AND TEA ROOMS 21
/
St. (See p. 10.) Restaurant; Roof Gaiiden. A la carte. CaW des
Beaux Arts. 6th ave. and 40th st. A la carte. Popular afterthcatrc
place. Bustanoby's. 6th ave. and 40th st. Also Broadway and 60th
St. A la carte; music, dancing, cabaret. Lunch see. Dinner 6-9 $1.50.
Hotel Belmont. (PI. IV — E3) Park ave. and 4«nd st., opposite Grand
Central Terminal. (See p. 10.) Main Dinning Room; Garden Dining
Room; Grill. Roof Garden. A la carte. Hotel Manliattan (PI. IV — E3).
42d St. and Madison ave., near Grand Central Terminal. (See p. 10).
North Restaurant; South Restaurant. Palm Court or Tea Room;
Cafe; Bar. A la carte. ♦♦Hotel Knlckeibocker. (PI. IV— C3>
Broadway and 42nd st. (See 5. 10) Main Restaurant, left of
42nd at. entrance, electric fountains, tapestries, rugs; Flower Room,
adjoining, painting "Pantomime of Flora," by James Wall Finn, tinted
marble panel of Aphrodite by John Flanagan; Cafe in whi«^e and gold,
oDening off the ground-floor lobby; Grill, finished in English oak,
Flemish ceiling, paintings, canvas by Remington, "Trophies of the
Chase"; Main Bar, at rear of ist floor Lobby, paneled in English oak.
painting, "Old King Cole," by Maxfield Parrish; wines from cellars of
Buckingham Palace and Windsor. A la carte. Marray's. 228 W.
42nd St. near Broadway. Roof garden, music, danrmg. A la
rprte. Luncheon 6oc. Dinner $1.25. *Hotel Biltmore. (PI. IV — E3)
Madison ave. and 43d st. (See p.^ 8.) Restaurant, marble walls and
exquisite hangings; Cafe finished in smoked oak with raftered ceiling;
Grill room for luncheon and informal dinners; Palm Court for coffee
and smoking; Formal Garden with out-of-door service for afternoon
tea. A la carte. Shanley*!. (PI. IV — B3) Broadway and 4ird st. Music,
dancing, cabaret from 7 p. m. to i a m. A la carte. 6 course luncheon
at noon 7sc. ♦•Sherry's. (PI. IV — D3) 5th ave. and 4fth st. Shares with
Delmonico's the reputation of being the most fashionable restaurant.
A la carte. Music, dancing. ♦♦Delmonico's. (PI. IV — D3) sth av*? and
44th St. The most famous restaurant in the city. A la carte. Music,
dancing. Hotel Gerard. (PL IV — C3) 44th st. betw. Broadway a^d 6th
ave. (See p. 11.) Small and quiet. A la carte. Lunch 50c. Dinner
(5.30 to 8:30) 75c. ♦Hotel Clarldge. (PI. IV — C3) Broadway and 44th st.
(See p. II.) Specialties, oysters, fowl, and cream. A la carte, no
cabaret, quiet, good service, music. ♦♦Hotel Astor. (PI. IV — B3) Broad-
way and 44th St. (See p. 8.) Main Dining Room; Orangery, espe-
cially pleasant for afternoon tea; Indian Hall (for description see
p. 171) ; Roof Garden. A la carte. ♦♦Hotel Rltz-Carlton. PI. IV — £2^
Madison ave. and 46th st. (See p. 7.) Main Restaurant, entered
from Palm Room by short flight of stairs, a charming room in white
and robin's egg green, with Girandole mirrors, reproduced from the
eighteenth century, Adams' originals, Georgian windows, evening
lighting from the •cornice; Pall Mall Room, used for overflow from
main restaurant; Grill, paneled in oak; Tea Room; Palm Room,
where tea is also served, A la carte. Rector's. (PI IV — ^B2) 1600
Broadway, near 48th st. Moved from 44th st. The smartest after-
theatre restaurant. A la carte. Music, cabaret, dancing till 3:30
a. m. Prices high. Churchill's. (PI. IV— Ba) Broadway and 4gth st.
After • theatre restaurant, not quite up to Rector's. A la carte.
Prices cheaper. .*St Regis Hotel. 5th ave. and 5i;th st. (See
p. 7.) Main Restaurant; Oak Room. A la carte. The Parisian.
Sth ave. and 56th st. Music, dancing, cabaret, a la carte,
special dinner $1. Reisenweber's. 8 ave. at Columbus Circle
Music, dancing, cabaret, a la carte. Dinner (6 to 9) $1. Special
dinner in Grill $1.25. Hotel Savoy. 5th ave. and «;9th
St. (See p. .12.) Restaurant facing 5th ave.; Palm Garden Res-
taurant; Gentlemen's Cafe (td'h dinner, $1); Bar; Balcony Out-
of-door Restaurant overlooking the Plaza. A la carte. ♦Hotel Plaza.
5th ave. and S9th st. (See p. 8.) Restaurant; Grill; • Tea-
22 RIDER'S NEW YORK CITY
ROOM. A la carte. Healy*!. Broadway and 66th st. Music, dancing.
Large ballroom. A la carte. Hotel Ansonla. (PI. V — B5) Broad-
way and 73d St. (See p. 13.) Main Dining Room, S. W. corner
of 73d St. side, six panels by Harry Stoner; Cape, Hun^rian string
orchestra, electric fountain. A la carte. Rlggs. 36 W. 20th st.
Also 43 W. 33d St. Low prices. A la carte. Dorlon's. 6 E. 23d St.,
Madison Square. Long established. A la carte. Specialties oys-
ters and fish. Fifth Avenue Restaurant. Fifth Avenue Building
corner 5th ave. and 23d st. A la carte. Dinner $1.50. Cava-
nagh's. 258-260 W. 23d St. "Courtesies to ladies unattended."
A la carte. Specialties, shell fish, oysters^ chops, steaks.
Castle Cave. 271 7th ave., near 26th st. A la carte. Grill. Specialty,
meats broiled over hickory embers. Strand Roof. Broadway
and 47th St. Music and cabaret. Lunch 50c. Dinner $z.oo.
176 Madison Avenue Restaurant. Near 34th st. Low prices. A la
carte. Dinner 500. Mills Hotel (PI. Ill — B2) 36th st. and 7th ave.
Lunch II :3o-2, 25c. Dinner 5:30-8, 30c. Hotel Athens.^ 42d st. opposite
Grand Central Station. A la carte. Good food. Quick service. Low
prices. Jack's. 761 6th ave., near 43rd st. Formerly the only res-
taurant with an all-night license. A la carte. Alps. 58th st. and
6th ave. A la carte. Dinner $1.
c. Uptown Restaurants
Carlton Terrace'. Broadway and looth st. Music, dancing. A la
carte. ^ Colonial. 8th ave. and 125th st. Music, dancing. Lunch
with wine, 40c. Dinner with wine, 75c. Claremont. Broadway near
Grant's tomb. (See p. 254.) A la carte. Archambault, 2678 Broadway,
a la carte. Gossler's Campus, 900 Columbus ave. Specialties, sea-food.
Fay's Oyster and Chop House, 239 W. 125th st. Hotel Bonta, Broad-
way and 94th St. Music and dancing. Dinner, 65c. St. George,
Broadway and io2d st. ^Marseille, Broadway and 103d st. Sunset
Inn, 4198 Broadway. 'Arrowhead Inn, Haven ave. and 177th st.
'Abbey Inn, Ft. Wash. ave. and 198th st.
d. English Chop Houses
Farrlsh's Chop House. John and William sts. A la carte and
table d'hote. Shore lunch 12 to 7:30 p. m., 50c. Te Olde Chop
House. 118 Cedar St., near Broadway. "The Cheshire Cheese of
New York." A la carte. Keen's Chop House. 70 W. 36th st.
Also 107 W. 44th St. English. A la carte. Specialties, chops, steaks,
rarebits, game, etc. Engel's Chop House. 61 W. 36th st. A la carte.
Browne's Chop House. 1424 Broadway, near 40th st. A la carte.
Te Olde English Chop House.- 23 W. 431'd st. A la carte. Breakfast
Soc. Luncheon 60c. Afternoon tea. Dinner 90c.
e. French Restaurants
Cal€ Lafayette. University Place and 9th st. A small hotel,
famous for its cuisine. The cafe in the evening is most inter-
esting. A la carte. Hotel Brevoort Restaurant, (same management as
preceding), 5th ave. and 8th St.; a la carte; table d'hote dinner,
$1.50. Mouquin'8. 148 Fulton st. A la carte. Popular with busi-
ness men for luncheon. Mouquln's. 455 6th ave., near aSth
St. A la carte. The uptown building has recently been renovated;
popular for luncheon and dinner; somewhat patronized for after
theatre suppers. Good food; average prices. Cards, chess and
other games permitted in cafe betw. 2:30 and 5 p.m. La Parlslenne
Rotlsserle. 650 8th ave., near 40th st. Palm Garden. De-
licious roast meats cooked before a grill. A la carte. Maison Jeanne.
RESTAURANTS AND TEA ROOMS 23
22a W. 58th St. "The Little French Restaurant." Dinner 75c.
Maison Arthur, 5 E. 4Sth st.; dinner, $1.25. Jules Peck, 140 Fulton st.;
dinner w. wine, 11 a.m. to 8 p.m., 65c. Laloy, 228-232 W. 30th at.;
lunch, w. wine, 50c.; dinner w. wine, 65c. Charles, 110-114 W. 4Sth
St.; lunch w. wine, §oc.; dinner w. wine, 6sc. J. B. O., 158-160 W.
4Sth St.; lunch w. wine, 50c.; dinner w. wine, 75e. Maison Mollat,
118- 120 W. 49th St.; lunch w. wine, 4SC.; dinner w. wine, 65c., Sun., 7Sc.
Ctd€ Bonno^ 150-162 W. 44th st.; lunch w. wine, 40c.; dinner w. wine,
60c., Sun., 7SC. Gaston, 54 W. 26th st.; lunch w. wine, 45c.; dinner
w. wine, 50c., Sun., 60c. Caf6 Bonsqnet, 157-159 W. 44th st.; lunch w.
wine, soc.; dinner w. wine, 65c. La Petite Bretonne, 319 W. ssth st.;
lunch w. wine, 3Sc. and soc.; dinner w. wine, 65c., Sun., 75c, Lion
d'Or, S9-6i W. 24th St.; lunch w. wine, 50c.; dinner w. wine, 65c.<
Sat. and Sun., 7sc. Lecnyer, 105-107 W. 2Sth st.; lunch w. wine, 50c.;
dinner w. wine, 65c. • Marceline, 230 W. 38th st.; lunch w. wine, 40c.;
dinner w. wine, 60c. Chevalier, 133 W. 45th st.; lunch w. wine, 50c;
dinner w. wine, 65c., Sat., Sun. and Hoi., 75c. Eugenie Granler,
1 12- X 14 W. 48th St. Arlstlde Fumey, 10 Stone St. Berger, 117 w.
43d St. La Boh^me, 120 W. 44th st. ; lunch, 30c. and 40c.; dinner, 50c.
f. German Restaurants
Lfichow's. 14th -St. near 4th ave. A la carte. Well-known.
Allaire's. 190 3d ave. Entrance also on 17th st. Large Gothic
hall. Table d'hote, 50c. Beer excellent. Hofbrau Haus. Broad-
way and 30th St. Elaborate and high priced. Grill. Ladies un-
escorted by men not allowed in main dining room in the
evening. A la carte. Special ladies' luncheon at, noon. Kaiserhof.
Broadway and 30th st. A la carte and table d'h6te. Sunday din-
ner, $1. Unter den Linden. Broadway and 97th st. Out-of-doors.
A la carte. Wurzburger Hofbrauhaus. Broadway and 83rd st.
Elaborate German restaurant. Music, dancing, cabaret. Luncheon,
40c. Dinner, 75c. Pabst. 8th ave. and 58th st. A la carte. Popular
with after theatre crowds. Pabst's. Popular in Harlem. 226
W. 125th St. A la carte; table d'hote dinner, $1.00; cabaret. Fausfs.
Columbus Circle. An elaborate German restaurant, a la carte.
Alt Heldelburg. 3d ave., adjoining N. W. cor. of 14th St.; lunch, 40c.;
dinner, 50c. EbUng's Casino. St. Ann's ave. and 156th st. (reached
by 3d Ave. Elevated"), a large German establishment in the Bronx,
adjoining Ebling's brewery, and comprising a restaurant, a quaint
rathskeller, private rooms for banquets, ballSj etc.; lunch, 40c.; dinner,
50c.
g. Italian Restaurants
(i) Central District: Roversl, 29 W. 27th St., an old established
house; a la carte; also td'h. dinner, 70c. (wine extra). Roma, 6th ave.j
near soth St.; lunch w. 'W., 50c.; dinner w. w., 80c., Sat., Sun. and
Hdl., Ii.oo. Colalzzl, 37-39 W. 24th St.; lunch w. w., 50c.; dinner w. w.,
65c., S. S. and H., 75c. Morettl, 51-55 W. 35th St.; lunch w. wine,
35c.; dinner w. wine, ^sc, in d^fe, 50c. Guffantl, 270-7^ 7th ave.;
lunch w. wine, 50c. ; dinner, 75c. (wine extra). Semprlni, iS4-6 W.
iSoth St.; lunch w. wine, 40c.; dinner w. wine, 60c. Glollto, 108. W.
49th St., with summer garden; lunch w. wine, 40c.; dinner w. wine,
60c., S. S. and H., 65c. Guffantiy 161 W. 49th st. ; lunch w. wine,
40c.; dinner w. wine, 60c. Marsullo, 131-35 W. 4Qth St.; lunch, 50c.;
dinner w. spec, wine, $1.00. Missi, 244 W. 48th st. ; lunch w. wine,
40c.; dinner w. wine, 50c. Glollto, 236 W. 46th st. ; lunch w. wine»
40c.; dinner w. wine, 60C., Sun. and Hoi., 65c. Lucca, iio.W. 'v44th
St.; lunch w. wine, 30c. and 40c.; dinner w. wine, 75c. ScfalaTetti,
24 RIDER'S NEW YORK CITY
346 W. 44th St. ; k la carte. Florida, t4t W. 43rd at. ; lunch w. wine,
40c.; dinner w. wine, 60c. Monza, 104 W. 43d St.; lanch w. wine,
45c.; dinner w. wine, 65c. (in caf*, 50c.); Sun., w. spec, wine, 75c.
Tlirln, 315 W. 42d st.; lunch w'out wine, 40c.; dinner w'out wine, ssc;
Xacgl, 103 W. 38th St.; lunch w. wine, 45c.; dinner w. wine, 60c., Sun.
and Hoi., 6sc. "BvLgn^i, 107-9 W. 38th st.; lunch w. wine, 30c. and
40c.; dinner w. wine. 50c. and 65c Cai€ Gnffantl, 227 W. 36th st. ;
lunch w. wine, 30c.; dinner w. wine, 50c. Secchia ("F. & I. T. d*H."),
276 7th ave.; lunch w. wine, 35c.; dinner w. wine, 40c. Carios, 2s
W. a4th St.; lunch w. wine» 50c.; dinner w. wine, 75c. Original
Xaria'f, 128-130 W. 21st st.; lunch w. wine, 40c.; dinner, 60c. (wine
extra).
(2) Greenwich Village District: Enrico and Paglieri, 66 W. nth
St.; lunch w. wine, 40c.; dinner w, wine, 60c., Sun. and Hoi., tsc
Peter's 64 W. loth st. ; lunch w. wine, 4Sc.; dinner w. wine, 60c.
Pavl's, 62 W. Qth St.; lunch w. wine, 40c.; dinner w. wine, 50c.
(These last three named have ornamental winter Rardens.)
Gonfarone, S. E. cor. 8th and Macdougnl sts., one of the oldest houses
and most patronized by downtown Italians; lunch w. wine, 50c.;
dinner w. wine, 65c., Sat., Sun. and Hoi., 75c. Le Chat Holr (formerly
Mazzini's), E. side of West Broadway, near Bleecker St.; i la carte.
(3) Business District: Angelo's, 165 Pearl st. ; t.d'h. dinner, ssc.
Little Roma, 44 Beaver st, Barranca, S. William st.., cor. Broad.
All the above are Italian restaurants conducted for American
trade, but in the crowded. Italian quarters along Mott and Elizabeth
sts. are many eating places patronized exclusively by foreigners. The
majority are none too clean; but a few of the better class afford
opportunity to experiment in genuine Italian cooking unmodified to
suit American tas_te, e. g., Ristorante NapoUtana, S. E. cor. Mott and
Kenmare sts.
h. Spanish Restaurants
Hermlda ft Palos, "Las dos Americas," loo Pearl st. ; a la carte;
Specialties, Spanish and Mexican dishes. Chorrera, 164 Pearl st.,
a la carte. Spanish Restanrant, 56th st. and 7th ave.; "exclusive
Spanish cooking"; lunch, 40c.; dinner, 60c.; also k la carte.
i. Chinese Restaurants
(t) Uptown Section: The Tokio, 141 W. 45th st. ; an elaborate,
show restaurant. The P^in. Broadway and 47th st. An elaborate
Cliinese show restaurant; cabaret, music, dancing. A la carte. Dinner
w. wine, $1.00. Far East Tea Garden, 10 Columbus Circle. The
Shanghai, 1841 Broadway, near 66th st. Garden of Cathay, 313 W.
125th St.
(2) Chinese Quarter (3d Ave. Elevated to Chatham sq., or Inter-
borough Subway to Worth st.): Port Arthur, q Mott st. Oriental,
3 Pell St. Chinese Delmonico, 24 Pell st.' Tuxedo Restaurant, 2
Doyers st. Suey Jan Low, 16 Mott st. (less pretentious, but good).
King Hong Lau, 18 Mott st. In all these restaurants meals are
served both a la carte and table d'hote, the prices for the latter
ranging from 50c. to $5.00 in the more expensive places, and to
$2.50 in the more modest. In ordering a la carte, it should be
remembered that one order does not necessarily mean an individual
portion or a double portion, as is the common practice elsewhere.
There are, for instance, a dozen different kinds of Chop Suey, at
prices ranging from 15c. to $1.00 or more per order; as the quality
improves, the sire of the portion increases, so that by choosing the
more expensive dishes, a party of four or five dine quite economically
on food of the finer quality.
RESTAURANTS AND TEA ROOMS 25
). Other Foreign Restaurants
Hungarian, Little Htmi^ary. 263 E. Hotiston st. Known also as
Cafe Liberty. Figures largely in stories of New York "bohemian life."
Is patronized by sightseers and a certain sportincr class. A 1? carte.
Dinner w. cocktail and 3 wines, $1.50. Barth'f. 32 W. 28th st.
Lunch, soc. Dinner, soc.
Turkish. The Constat! tlnople. 17 E. 24th st. A la carte.
.Armenian. Balkan, 88 Lexington ave.; dinner, 35c. Cilicla, 80
Lexing^pn ave.
Hindoo. East India Caf< and Tea Parlor, 672 8th ave., near 43d
St.; specialties, Singalese Curries.
Japanese. Asaki, 48 W. 39th st.
k. Department Store Restaurants
Many of the Department stores have restaurants which
are open during store hours. The service is a la carte, some-
times with table-d'hote lunches and afternoon teas.
*Wanamaker's. Broadway and loth st. Excellent riestaurant
in "new building." A la carte. Lunch 50c. Greenhut Company.
6th ave. and i8th st. Formerly Siegcl Cooper's. A la carte. Glmbel's.
(PI. Ill — C3) 6th ave. and :^4th st. A la carte. Was when it opened
excellent. McCreery's. (PI. IIT — D2) 34th st.. betw. 5th and 6th
aves. Tea-room. A la carte. Macy's. (PI. Ill — C2) 6th ave. and
3Sth St. Cheap and crowded. Loggia in summer. A la carte or
table d'hote. Luncheon 3dc. or 44c. 'Lord ft Taylor. (PI. Ill — Di)
Sth ave. and 39th st. Pleasant restaurant and charming tea-room,
decorated in good taste. A la carte. Tea, 50c. Bloomlngdale's.
59th St. and 3d ave. A la carte.
I. Dairy Lunch Rooms, etc.
Dairy Lunch Rooms varying somewhat in quality and
price, but for the most part clean and economical, abound
in all the business and shopping districts. By far the best
known and deservedly the most widely patronized are the
Childs Restaurants, which have set a standard in the way
of sanitary service and excellence of quality at very moderate
prices. A complete list is here given:
3 Beaver; 47 Broadway, W. side, near Exchange PL; 96 Wall;
194 Broadway, E. side, near Fulton st. ; 23 Park Row; 104 Park Row;
31 Cortlandt; 176 Fulton; 285 Broadway, W. side, near Reade St.; 148
Chambers; 351 Broadway, W. side, near Leonard St.; 440 Broadway,
E. side, near Grand st. ; 142 Bowery, near Broome st.; 753 Broadway,
W. side, near Sth St.; 815 Broadway, W. side, near 12th st. ; 42 E.
14th; 221 6th ave., near 15th St.; 270 6th ave., near 17th st.; lo W.
i8th; 12 E. 23d; 118 W. 23d; 388 6th ave., near 23d St.; 184 5th ave.,
W. side, near 23d St.; 403 6th ave., near 25th st. ; 222 5th ave., W. side
near a6m St.; 472 6th ave., near 29th st. ; 527 6th ave., near 31st st. i
1233 Broadway, W. side near 31st st. ; 425 7th ave., near 33rd St.;
36 W. 34th; 108 W. 34th; 602 6th ave., near 36th St.; 1437 Broadway,
W. side, near 40th st. ; 148554 Broadway W. ^de, near Times Square,
r E. 42d; 47 E. 42d; 109 W. 42d; 1546 Broadway, E. side, near 46th;
1551 Broadway, W. side near 46th; 300 W. 59th st. ; 1953 Broadway, W.
side, near 65th; 272 W. 125th; in E. 125th.
Other popular chains of lunch rooms are the Exchange
Buffet, 5 West 35th st. and 24 other branches; the Hanover
26 RIDER'S NEW YORK CITY
Lunch, Inc., 215 West 42d st, and 12 other branches; Hart-
ford Lunch Co., 22 East 42d St., and 15 other branches;
Capitol Lunch, Inc., 833 Broadway, and 6 other branches.
The Automat restaurants are a recently established series,
run on the "Nickel-in-a-slot'* system. The purchaser makes
his choice, deposits the specified amount and automatically
receives the food or beverage. The most elaborate "of -the
Automat restaurants is on Broadway just below 47th st.
m. Tea Rooms
During the past few years tea rooms have sprung up all
over the city, usually low in price with service a la carte
(sometimes table-d'hote also). The food is almost invariably
good, but the portions are likely to be small.
WafELe Lunch and Tea. 27 William st. Re8t-a-Wliil«. 83 Beaver
St. Ivy. 33 Murray st. •Roof Tree Inn. a8th st., near 5th ave.
This tea room is on the second floor of a quaint building set back
in a courtyard. The yard, first floor and tea room itself are filled
with interesting collections of antique furniture, brasses, embroideries,
etc., for sale. Excellent food, low prices, table d'hote or a la carte. .
Casey. 19 E. 3^d st. Fernery. 22 E. 33d st. One of the oldest tea
rooms. Attractive; good cooking; a la carte or Breakfast, 35C.-S0C.
Luncheon, 650. Tea with waffles, 30c. Club dinner, 500. -$i. Chimney
Comer. 2 E. 33rd st. Colonia. 2 W. 33rd st. At the Sign of the
Green Tea Pot. 31 W. 33rd st. *Tally-Ho 20 E. 34th st. A stable
belonging to an old mansion made over into a tea room, keeping
the stable form. Tables in stalls, doorboy in jockey costume, etc.
Prices high. Bertha-Claire. 14 E. 37th st. Vanity Fair. 4 W. 40th
St. Excellent home cooking. Quaint interior. Dinner $1. A la carte lunch.
^Mary Elizabeth. 392 5th ave. This is most attractive and has also
delicious cakes, ices, sandwiches, etc. The Mary Elizabeth candy is
for sale, beautiful dyed baskets, cakes, etc. Mrs. Warner's.
3Sth St. opposite Altman's. "Real food." Eat out of doors in sum
mer. *Maillard'8. 5th ave and 35th st. Long established. Fashion-
able. High priced. Maillard's candy sold here. Peg Wofflngton*
II E. 44th St. Beautifully furnished in Old English fashion. Prices
moderate. Special arrangements for entertaining. Tiny. 360 Madison
ave. Scotch. 31 W. 46th st. Bine Bird. 64 W. 26th st. Fifth Ave.
53 W. 45th St. Stndio. 130 W. 57th St. Copper Kettle. Amsterdam
ave., betw. ii8th and 119th sts., opposite Columbia University. Good
food, low prices, much patronized by university students.
"Soda Water Fountains." ' Among the minor American usages
which impress the visitor from Great Britain or the Continent, is the
ubiquitous "ice-cream soda." It is therefore appropriate that some
special notice should be given to it in connection with the city of
its origin. So-called "soda water," consisting of charged carbonic
water mixed with fruit or other syrups, either plain or with cream,
is a long-established American institution. The innovation of adding
ice-cream was a later development, dating from about 1878. It is
said to have been first served in tne original Huyler*s candy store,
on Broadway, above i7*h st. 'i;hc soda water "fountain" is now a
unique national institution. The original ice-cream soda has meanwhile un-
dergone many embellishments. In place of the original unflavored ice-
cream, the larger "fountains" now offer an assortment of flavors,
affording a wide choice of odd combinations.
A still later development, which almost rivals the popularity
of "ice-cream soda," is the "ice-cream Sundae" (locally known in
RESTAURANTS AND TEA ROOMS 27
New England as the "College Ice"). It may be briefly described as
an ice-cream soda with the soda water left out. The ice-cream, of
whatever desired flavor, is served in a cuplike dish, and over it is
poured fruit syrups, fresh crushed fruit, chopped nuts, marshmallows,
hot chocolate or any other flavoring or combination of flavor-
ings which individual taste and more or less perverted gustatorial
ingenuity can invent.
For the benefit of the foreign traveler desiring to try a
"soda" — ^and in their not too-complicated forms they are a
very refreshing summer drink — ^it should be stated that in
New York City the best sodas are to be had at all the leading
confectioners and drug stores ; in fact, some of these so-called
"drug stores" are mainly soda fountains. In most of these
places a light luncheon also may be obtained; for, in addition
to serving hot chocolate or coffee, they will usually have beef,
clam or chicken bouillion, a wide assortment of sandwiches
and different kinds of cakes and biscuits.
Confectioners. Maillakd's (see Tea Rooms). Mary Elizabbth
(see Tea Rooms). Huyler, io Wall st.; Hudson Terminal Building; 152
Broadway, W. side, near Liberty St.; 469 Broadway, W. side, near
Grand St.; 793 Broadway, W. side, near loth St.; 863 Broadway, W.
side, near 17th St.; 11 45 Broadway, W. side, near 26th St.; 60 E. 34th
St.; 43 W. 34th St.; 61 W. 4ad St.; 133 W. 42d St.; 508 5th ave., W.
side, near 43d St.; 1597 Broadway, W. side, near 48th St.; 28 E. 59th
St.; 2149 Broadway, W. side, near 76th St.; 2393 Broadway, W. side,
near 88th St.; 2723 Broadway, W. Side, near 105th St.; 150 W. za.sth St.;
3429 Broadway, W. side, near 165th st.; 663 W. i8ist st. Allegretti,
chocolates and sodas, 927 Broadway, W. side, near 21st st. Page
AND Shaw, 71 Broadway, W. side, near Wall st.; Vanderbilt
Hotel, 34th St. and Madison ave.: 362 5th ave., W. side, near 35th st.;
553 5th ave., E. side, near 46th st. Lopt, good candy at moderate
prices; also sodas, 29 Cortlandt st.; 206 Broadway, E. side, near Fulton
St.; 54 Barclay St.; 41 Park Row; Broome and Centre st.; 38 E. 23d St.;
23 W. 34th St.; 266 W. 125th St. Mirror, Fulton and Nassau St.; 17
Cortlandt St.; Broadway and Chambers St.; 346 6th ave., E. side, near
2ist St.; 48 E. 23d St.; 7 W. 34th st.; 450 5th ave., W. side, near 40th
St.; Madison ave. and 42nd St.; ^6 E. 42nd St.; x W. 42nd St.; 155 W.
42nd[ St.: 536^ sth ave., W. side, near 45th st. Low*pricea candies
ranking high in purity and excellence; also sodas. Schrafft, 35 Nas-
sau St.; IX W. ^4th St.; 383 sth ave., E. side, near 36th St.; 1377
Broadway, W. side, near 37th St.; Martha Washington Candy Shop,
9 and 23 Church st.; 32 E. 23d St., near 42d st. and Broadway; 105 W.
125th St. Hetherington's drug store, Vanderbilt ave. and 42d St.,
N. W. corner, opposite Grand Central Station; known to Harvard
stuaents as serving the best ice-cream soda in New York; established
30 years. Park & Tilford's candies (see below) are excellent.
Cake Shops. Dean, 628 5th ave., W. side, near 50th st. No cake
served in shop. Steamer baskets a specialty. Long established. The
Cake Shop, 362 Madison ave., W. side, near ^sth st. No cake served
in shop. Delicious "home-maoe" cake of all kinds.
Fancy Groceries and Canned Goods. Charles, 44 E. 43rd St.,
comer Madison ave., close by Grand Central Terminal. " Park an»
Tilford: 5th ave. and 26th st.; Broadway and 41st St.; 784 5th ave.,
W. side, near 59th st.; 248 Columbus ave, near 72nd St.; Broadway
and 87th St.; Broadway and loist St.; Broadway and 112th St.; Lenox
ave. and 126th St.: Broadway and X46th st. Macy's Department Store,
Broadway and 34tn st.
28 RIDER'S NEW YORK CITY
Fruit. Hicks, 557 Fifth ave. Park and Tilford (sec groceries).
«
Wlnes» Liquors, etc Mouquin, s. e. cor. 7th ave. and dSth st.
Park and Tilford (see groceries; see also p. 79).
V. Urban Travel — Conveyances. Cabs, Motor
Busses, etc.
Carriages and Motor Cabs. Public vehicles of all kinds
are in waiting at the stations, large hotels, and public cab
stands scattered through the city. They can be ordered by
telephone from any point. The two largest taxicab com-
panies are the Yellow Taxicab Co. (telephone number for
all stations Columbus 1000) and the Mason-Seaman Transpor-
tation Co. (telephone for all stations Columbus 7400). At
the stations and at the hotels the cabs are under the direction
of a "starter" who may be consulted concerning the amount of
fare. Vehicles may be hired by the distance or by the hour.
If the vehicle is not a taximeter cab, a bargain should be made
before starting. A table of rates is posted in each taxicab
and the fare can be roughly computed beforehand by reckon-
ing 20 blocks to the mile, N. and S. and from 6 to 8 E. and
W. The long distances in the city make cab fares high.
Indeed, to the foreign traveler, used to the moderate rates
of the Continent, they seem extortionate. Cabs are for
this reason used with nothing like the freedom in
New York that they are abroad. In case of serious
disagreement between the passenger and the driver
recourse may be had to the nearest police station. When
a vehicle is retained for shopping or is to return for a pas-
senger after the theatre, the door porter at the carriage en-
trance gives the driver and the customer cards bearing dupli-
cate numbers. To summon the cab again, the customer hknds
his card to the door porter, who flashes the number on an
electric sign visible to the waiting driver.
Cab rates. Cabs, for the first mile or any fraction thereof, 50 c;
for each add. half m. or fraction thereof, 20 c. Coaches, for the first
mile or any fraction thereof, 70 c. ; for each add. half m. or fraction
thereof, 30 c. Hourly rates: for the first hour or any fraction thereof,
$1.50; for each add. half hr. or fraction thereof. 50 c. Motor vehicles,
for not more than 2 passengers: for the first naif m. or any fraction
thereof, 30 c; for each add. quarter m. or fraction, 10 c. For 3 or
more passengers: for the first half m. or any fraction thereof, 40 c;
for each add. one-sixth m. or fraction, 10 c. Hourly rates: same as
for cabs and coaches. Waiting time for all vehicles at rate of $1.50
per hour. For each piece of luggage carried outside, 20 c, but no
charge is made for handbags or suitcases. Ferriage and tolls to be paid
by party using the vehicle.
Motor Omnibuses ("Stages") run from 8 a. m. to mid-
night at intervals of 4 to 10 minutes. Fare loc. Fifth and
URBAN TRAVEL^CONVEYANCES 29
Seventh Ave. Lines — ^Leave Washington sq. at Fifth Ave.,
through Fifth ave. to 90th st. Leave Washington sq. at Fifth
ave., through Fifth ave. to W. iioth st., to Seventh ave., to
145th St. Riverside Drive Lines — Leave Penn. Station at
Seventh ave. and 32nd st., through W. 32nd st. to Fifth ave.,
to W. 57th st, to Broadway, to W. 72nd st, to Riverside Drive,
to W. 135th St., to Broadway. Leave Penn. Station, through
32nd St. to Fifth ave., to iioth st., to Riverside Drive, to
W. 135th st, to Broadway. Leave Washington sq. at Fifth
ave., through Fifth ave. to W. 57th st, to Broadway, to W.
72ad St., to Riverside Drive, to W. 135th st, to Broadway.
(Betw. 8 a. m. and 3.45 p. m. does not run N. of 96th st, but
transfers with Penn. Station Line.) All lines transfer at
Fifth ave. and 32nd st. to and from Penn. Station. All return
by route they follow in going. A ride on the top of one of
these stages affords visitors a good opportunity to view the
sections of the city through which they pass.
The Seeing New York Automobiles, starting from Herald
sq. at Broadway and 34th st., with waiting room and ticket
office in Macy's store, offer an Uptown Trip (starting 10 a. m.,
II a. m., 2 p. m., and 3 p. m. Fare $1) which includes 5th
ave., Central Park, Cathedral Heights, Riverside Drive, with a
stop at Grant's Tomb; a Downtown Trip (starting 10 a. m.
and 2 p. m. Fare $1) which includes the business and finan-
cial section, the Battery, Lower Broadway, and a stop at
the Aquarium; and an evening trip through Chinatown and
the Bowery (fare, including all expenses, $2), which includes
the "Great White Way," Chinatown, the East Side, ^nth
stops at Chinese restaurants, dancehalls, etc. Another start-
ing point is the Flat Iron Building at Broadway and 23rd st.
In winter the trips are made at 10 and 2 only. Sight-Seeing
Automobiles for Coney Island run in the summer time, start-
ing from Herald sq., the Flat Iron Building and Birough
Hall, Brooklyn. '
The City History Club, 105 W. 40th St., conducts Saturday After-
noon Excursions (fee, 50 cents), for the study of local history, when
there is sufficient call, and furnisher Historical (hiides at a fee from
$3 to $5.
VI. Urban Travel — Railroads. Street Railroads
(Tram Lines). Elevated and Subway
The street railroads of New York City, including sub-
ways, elevated lines, and surface cars, have 1,666 miles of
single track. The total capitalization is about seven hundred
million dollars. The passengers carried during the year ending
30 RIDER'S NEW YORK CITY
June 30, 1912, numbered 1,680,914025. The fares amounted
to over 83 million dollars. All fares are 5 cents except on
local bridge trains. The three systems are operated separately
and transfers are not given from one system to another except
at a few points noted below.
The present Subway, controlled by the city and operated
by the Interborough Rapid Transit. Co., carries more than a
million passengers a day. It was built 1901-4 and the Brook-
lyn extension was opened in 1908. A two-track line runs
from the Battery to City Hall Park; from there a four-track
line extends to 96th st. ; at this point the road divides into
the Broadway line (three tracks to 137th st. and two tracks
beyond) to Van Cortlandt Park and the Lenox ave. line (two
tracks) to Bronx Park. The subway reaches Brooklyn from
the Battery through a tunnel consisting of two tubes, 6,784
ft. long, with an inside diameter of 15 ft. 6 in., and in Brook-
lyn extends to Atlantic ave. The entire length of road is 25.63
m. and it contains over 81 m. of single track. The four-track
portions are 54 ft. 8J4 in. wide and 16 ft 7 in. high. The
construction is concrete and steel. Service on the subway is
divided into Express Trains and Local Trains, Express
Trains run from South Ferry to 96th st. in 20j^ min. ; from
Bowling Green to Atlantic ave., Brooklyn, in 7^ min. "Rush
hours" are from about 6 to 10 a. m. when the down-town
trains are crowded and from about 4 to 7 p. m. when the up-
town trains are crowded. Express trains stop at all stations
south of Brooklyn Bridge and north of 96th st, although if
the traffic is extremely heavy an occasional station may be
omitted, the "guard'* announcing the omission. Between
Brooklyn Bridge and 96th st. the express trains stop at
Brooklyn Bridge, 14th St., 42d 3t., 72d st., and 96th st, only.
For streets betw. these stations one must change to local
trains. All West Farms express trains run to and from
Brooklyn. Broadway express trains run to and from Brook-
lyn during "rush hours," at other hours, to and from South
Ferry. During "rush hours" South Ferry service is by shuttle
trains, to and from Bowling Green. All fares are 5 cents.
(Children under five may ride free. Tickets are bought at
booths near the entrances and dropped in the glass box of the
ticket "chopper" in the gateway. The destination of each
train is posted in the windows beside the end entrances. The
guards call the stations as the train approaches them. All
stations are clearly marked by many signs bearing their names.
Brooklyn Subway Stations (in order from Manhattan, eastward
through Brooklyn) are Borough Hall, Joralemon st., betw. Court and
Fulton sts.; Hoyt and Fulton sts.; Nevins and Fulton sts.; Atlantic and
Flatbush aves.
URBAN TRAVEL— RAILROADS 31
Manhattan Subway Stations bctw. South Ferry and 96th st. (ex-
press stations indicated by an asterisk [*]); Bowling Green and Broad-
way, Wall St. and Broadway; 'Fulton st. and Broadway; City Hall
Loop; Brooklyn Bridge; Worth and Lafayette sts.; Canal and Lafayette
sts.; Spring and Lafayette sts.; Bleecker and Lafayette sts.; Astor pi.
and 4th avc.; *i4th st. and 4th ave.; i8th st. and 4th avc.; 23d st. and
4th ave.; 28th st. and 4th ave.; 33d st. and 4th ave.; *42d st. and Park
ave., or Grand Central Terminal; Times Square, or 42d st. and Broad-
way; 50th St. and Broadway; spth st. and Brdadway; 66th st. and
Broadway; *72d st. and Broadway; 79th st. and Broadway; 86th st.
and Broadway; 91st st. and Broadway; *96th st. and Broadway.
Broadway Line Subway Stations (96th st. to Van Cortlandt Park)
are 103d st. and Broadway; iioth st. and Broadway; ii6th st.,and Broad-
way; Manhattan st. and Broadway (Fort Lee ferry nearby); 137th st.
and Broadway; 145th st. and Broadway; iS7th st. and Broadway; 168th
St. and St. Nicholas ave.; 181st st. and St. Nicholas ave.; 191st st. and
St. Nicholas ave. (by tunnel to Broadway, two blocks distant); Dyckman
St. and Nagle ave. J 207th st. and Amsterdam ave.; 2isth st. and Amster-
dam ave.; 225th st. and Broadway; 231st st. and Broadway; 238th st.
and Broadway; 242d st. and Broadway; Van Cortlandt Park.
Lenox ave. and West Farms Line Subway Stations (96th st. to
Bronx Park) are: zioth st. and Lenox ave; 11 6th st. and Lenox ave.;
125th St. and Lenox ave.; 135th st. and Lenox ave.; 145th st. and Lenox
ave.; Mott ave. and 149th st. ; 149th st. and 3d ave. (free transfer
here to elevated line in same direction) ; Jackson and Westchester aves. ;
Prospect and Westchester aves.; Intervale and Westchester aves.;
Simpson st. and Westchester ave.; Freeman st. and Southern Blvd.;
174th St. and Boston Road; 177th st. and Boston Road; i8ist st. and
Boston Road.
The new subways under construction are called the
"Dual System" because they will be operated by two com-
panies, the Interborough Rapid Transit Co. and the Brooklyn
Rapid Transit Co. (New York Municipal Railway Corpora-
tion). Contracts have been drawn for 44 miles of additional
subway, 53 miles of additional elevated road, beside additional
tracks on existing elevated roads. The new system will cost
about $347,000,000. The city will provide $150,000,000 of this,
operating companies furnishing the remainder. At the expira-
tion of the franchises the ownership of the roads will revert
to the city. The Dual System is expected to be opened in
1917.
Among the lines under construction are the extension of the subway
from 42d st. and Broadway down 7th ave., through lower Manhattan
and via a new tunnel connection with Brooklyn, past its present terminal
at Flatbush and Atlantic aves., out Eastern Parkway to New Lots
Road, with a branch down Nostrand ave. to Flatbush ave.; the extension
of the Lexington ave. branch to Pelham Bay Park and from Bronx
Park to 241st st,. the construction of a new subway from the Queens-
borough Bridge through 60th St., down 7th ave. to a connection with a
proposed tiinnel under the East River to Montague St., Brooklyn; the '
extension of the 4th ave. subway, Brooklyn, to Fort Hamilton^ and the
construction of a new subway from 14th St., Manhattan, via East River
tunnel and Eastern District to Cypress Hills, Brooklyn.
The sections already completed and in operation are the
Centre Street Loop Line; the Fourth Avenue Subway Line
32 RIDER'S NEW YORK CITY
(Brooklyn), and the Steinway Tunnel Line, to Long Island
City.
The Centre Si. Loop is a four-track subway, a mile and a half longf,
extending from Chambers st. to Delancey St., and connecting Brooklyn,
Manhattan and Williamsburg Bridges. The stations are: Chambers St.;
Canal St.; Bowery.
Fourth Avenue (.Brooklyn) Stations: (Manhattan) Chambers st.
(under Municipal Building); (Brooklyn) Cold st; De Kalb ave. ;
Pacific St.; Union st.; 9th St.; Prospect ave.; 25th st.; 36th st.; 45th
St.; 53d St.; 59th St.; Bay Ridge ave.; 77th st.; 86th st.
Steinway Tunnel Stations. This line, which forms the quickest
means of communication between the center of uptown New York and
the Borough of Queens, is now running between 42d st. (Manhattan)
and Queensboro Plaza, Long Island City (Queens). The stations on
this line, as approved by the Public Service Commission, will eventually
be: (Manhattan) Times Sq.; 5th ave.; Grand Central; (Queens) Vernon-
Jackson ave.; Hupter's Point and nth St.; Queensboro Plaza. At
present the Manhattan Terminal Station is on 42d st. near Lexington ave.
The Elevated Roads have 223 miles of single track. In
Manhattan and the Bronx they are operated by the Inter-
borough Rapid Transit Co., and in Brooklyn by the Brooklyn
Rapid Transit Co. All fares 5 cents. (Jhildren under five
free. Passengers may transfer from one elevated to another
whenever this is possible without descending to the ground.
By the payment of 3 cents additional when the ticket is bought
transfers may be obtained to some surface cars (the Ogden
ave. line at 155th st. and 8th ave.; the University ave. line at
181st St. and St. Nicholas ave., the Bronx and Van Cortlandt
Park line at £. 177th st. and Boston Road, and the Crosstown
line at i8ist st. and St. Nicholas ave.). Stairways to the sta-
tions are marked "Uptown" and '^Downtown" when the sta-
tions are not connected. As in the subway, tickets are pur-
chased at the ticket window and dropped into the glass box of
the ticket "chopper." Turnstile gates are sometimes substi-
tuted.
Trains pass every few minutes. The four elevated
lines all start from a single station at South Ferry, and all run
in a general northerly direction. The lines are named
Second, Third, Sixth and Ninth ave. Elevateds, from the ave-
nues on which they travel the greatest distances, but passen-
gers should remember that they swing into other streets.
Travelers can transfer to any train at South Ferry, 2d and 3rd
ave. lines are connected (by an overhead bridge) at Chatham
Square (spur line running to City Hall), at 34th st. (by a
shuttle train running from 3rd ave. to 34th st ferry), and at
129th St. (where the 2nd ave. line stops). A shuttle train runs
from 3rd ave. to the Grand Central Terminal on 42d st 6th
URBAN TRAVEL— RAILROADS 33
ave. and 9th ave. lines are adjacent at Rector st. and run
over the same lines above 53d. st. A shuttle train runs north
on 6th ave., from 53rd st. and 6th ave. where the tracks turn
west to join the 9th ave. tracks, to 58th st. and 6th ave. The
destination of each train is marked by a placard on the front
platform and also by signs in the windows nearest the en-
trances. The guard announces the name of each station
as the train approaches and of the pext station as the train
starts on. The name of each station is on a large sign at each
end of the platform. Travelers using the 6th or 9th ave.
elevated should make sure that they board the train which
they wish. Morning and evening express trains are marked.
Second Avenue Elevated Stations are: South Ferry; Hanover
Square; Fulton and Pearl sts. ; Franklin Square; Chatham Square;
Canal and Allen sts.; Grand and Allen sts.; Kivington and Allen sts.;
xst St. and ist ave.; 8th st. and ist ave.; 14th st. and ist ave.: 19th st.
and xst ave.; 23d St., between ist and 2d aves.; 34th st. and 2d ave.
(shuttle trains to 3d ave. and to £. 34th st. ferry) ; 42d st. and ad
ave.; 50th st. and 2d ave.; 57th st. and 2d ave.; 65th st. and 2d ave.;
72d St. and 2d ave.; 80th st. and 2d ave.; 86th st. and 2d ave.; 92d st.
and 2d ave.; 99th st. and 2d ave.; 105th st. and 2d ave.; iiith st. and
2d ave.; 117th st. and 2d ave.; 121st st. and 2d ave.; 125th st. and 2d
ave.; 129th st. The line connects here with the 3d ave. line.
Third Avenue Elevated Stations are: South Ferry; Hanover Square;
Fulton and Pearl sts.; Franklin Square; City Hall; Chatham Square;
Canal st. and Bowery; Grand st. and Bowery; Houston st. and Bowery;
9th St. and 3d ave.; 14th st. and 3d ave.; z8th st. and 3d ave.;
23d St. and 3d ave.; 28th st. and 3d ave.; 34th st. and 3d ave..;
(Shuttle train to 2d ave! and E. 34th st. ferry); A2d st. and 3d ave.;
(Shuttle train to Grand Central Terminal); 47tn st. and 3d ave.;
53d. St. and 3d ave.; 59th st. and 3d ave.; 67th st. and 3d ave.; 76th
St. and 3d ave.; 84th st. and 3d ave.; 89th st. and 3d ave.; 99th
St. and 3d ave.; io6th st. and 3d ave.; ii6th st. and 3d ave.; 125th st.
and 3d ave.; Z29th st. and 3d ave.; 133d st., betw. Willis and Alex-
ander aves.; 138th st., betw. Willis and Alexander aves.; 143d St.,
betw. Willis and Alexander aves.; 149th si. and 3d ave.; 156th st.
and 3d ave.; i6ist st. and 3d ave.; i66th st. and 3d ave.; 169th st.
and 3d ave.; Wendover and 3d aves.; 174th st. and 3d ave.; 177th st.
and 3d ave.; i8oth st. and 3d ave.; 183d st. and 3d ave.; Pelham
ave., near Botanical Gardens. Bronx Park, and close to Fordham Station
of the Harlem Division of toe N. Y. C. and H. R. R.
The 3d ave. line is joined by the 2d ave. line at 120th St., and a
shuttle train runs to the Harlem River Station of the N. Y., N. H.
and H. R. R., and of the N. Y., Westchester and Boston R. R.
Sixth Avenue Elevated Stations are: South Ferry; Batteiry Place;
Rector and Church sts. (bridg^e to 9th ave. line) ; Cortlandt and Church
sts.; Park Place and Church st. ; Chambers st. and West Broadwav:
Franklin st. and West Broadway; Grand st. and West Broadway:
Bleecker st. and West Broadway; 8th st. and 6th ave.; 14th st. and
6th ave.; i8th st. and 6th ave.; 23d st. and 6th ave.; 28th st. and 6th
ave.; 33d st. and 6th ave. (moving stairway); 38th st. and 6th ave.;
42d St. and 6th ave.; 50th st. and 6th ave.; (shuttle train to 58th st.
and 6th ave., except during rush hours, when a few through trains are
run to 58th St.); S3d st. and 8th ave.; 59th st. and 9th ave. (from here
on the same tracks and stations as the 9th ave. elevated) ; 66th st. and
34 RIDER'S NEW YORK CITY
Columbus ave.; 7 2d st. and Columbus ave.; 8ist and Columbus ave.; 86th
St. and Columbus ave.; 93d st. and Columbus ave.; 99th st. and Co-
lumbus ave.; 104th st. and Columbus ave. (the line swings two blocks
to the east and continues up 8th ave. Passengers should remember
that iioth St. to 123d St., Morningside Park lies on the west, with steep
stairways which must be ascended on foot); iioth st., near Columbus
ave. (elevators); ii6th st. and 8th ave.; 125th st. and 8th ave.; 130th
St. and 8th ave.; 135th st. and 8th ave.; 140th st. and 8th ave.; 145th
St. and 8th ave.; 155th st. and 8th ave. Connects with the Putnam
Division of the N. Y. Central & H. R. R. R.
Ninth Avenue Elevated Stations are: South Ferry; Battery Place:
Rector and Greenwich sts.; Cortlandt and Greenwich sts.; Barclay and
Greenwich sts.; Warren and Greenwich sts.; Franklin and Greenwich
sts.; Desbrosses and Greenwich sts.; Houston and Greenwich sts.;
Christopher and Greenwich sts.; 14th st. and 9th ave.; 23d st. and
9th ave.; 30th st. and 9th ave.; 34th st. and 9th ave.; 42d st. and
9th ave.; 50th st. and 9th ave.; 59th st. and 9th ave.; from here the
trains run over the same tracks as the 6th ave. trains, and stop at the
stations already mentioned — at 66th, 72d, 8ist, 86th, 93d, 99th, 104th,
Iioth, ii6th, i2Sth, 130th, 135th, 140th, 145th, and issth sts.
The 2(1, 3d and gth Ave. Elevated lines have recently com-
pleted the instalment of a third-track system, with express
stations at the following points :
Second Avenue: City Hall; Chatham Sq.; 14th st.; 42d st.; 86th
St.; 135th St.
Third Avenue: City Hall; Chatham Sq. ; Canal St.; Grand St.;
Houston St.; 9th St.; 23d st.; 42d St.; io6th St.; 125th St.; (Bronx)
133d St.; 138th St.; 143d St.; 149th st.
Ninth Avenue: Cortlandt St.; Warren st. ; Desbrosses St.; Chris-
topher St.; 14th St.; 34th St.; 66th St.; ii6th st.; 125th st.; i4Sth St.;
155th St.
Surface Cars (Tramways), Nearly all the avenues run-
ning N. and S. and most of the important cross-streets arc
traversed by Surface Cars (Tramways, Street Cars), prac-
tically all operated by electricity ("underground trolley
system" used almost exclusively in Manhattan, an
exception being the crosstown line on 135th st. and one
or two lines operated by storage batteries. In the other
boroughs the overhead system is regularly adopted).
Uniform fare for any distance, 5c. About 500 million
passengers are carried annually, and overcrowding is nearly
constant. Transfer tickets are usually furnished without ex-
tra charge for the cross-lines (42nd St. Crosstown Line
transfers only to loth ave., red Broadway, and 3d ave.
lines). The cars stop at the lower crossings going up and
at the upper crossings going down town. All lines run every
few minutes, and most of them run all night. The important
lines are the following: Broadway, Third, Fourth, Madison.
Sixth, and Eighth Avenues; West Side Belt Line (Tenth
URBAN TRAVEL— RAILROADS 35
' Ave.)> passing all the N. River ferries; East Side Belt Line
(First Ave.)» passing all the E. River ferries; and the Cross-
town lines on 14th, 23rd, 34th, and 42nd sts. Several car lines
run on Broadway: the Broadway Line runs up Broadway to
45th St., to 7th Ave. to 59th St. ; the Columbus Ave. Line fol-
lows the same route to 7th Ave. and 53rd St., then over to
Columbus Ave. and north ; the Broadway and Amsterdam Ave.
Line follows the route of the Columbus Ave. Line to where
Columbus Ave. and Broadway intersect, then continues north
on Broadway and Amsterdam Aves. ; the Lexington Ave. Line
runs on Broadway to 23rd St., then north on Lexington Ave.
Passengers board the cars at the rear or center doorway and
pay as they enter. A blue light indicates cars between Brook-
lyn Bridge and 135th st., a yellow light those between Canal or
Broome st. and ii6th st, a green light those between Astor
Place and 86th st. A red light signifies that the car is not
carrying passengers. The new Loop Subway, connecting the
Manhattan ends of Brooklyn, Manhattan, and Williamsburg
bridges, is traversed by electric cars, greatly facilitating inter-
course with Long Island points (p. 32).
The Hudson Tunnels of the Hudson and Manhattan
R. R. Co., 30 Church st, connect Manhattan with New Jersey
by two sets of tunnels or "tubes." The lower New York
terminus is the Hudson Terminal Building (see p. 136). En-
trances on Cortlandt, Dey, and Fulton sts., west of Church
St. (i^ blocks W. of Fulton st. Subway Station). Trains
from there run to Penn. R. R. Station at Exchange pi.,
Jersey City (3 min.), Erie R. R. Station foot of Pavonia ave.,
Jersey City (6 min.), Grove and Henderson sts.. Summit ave.
(8 min.), and Hoboken at the D. L. and W. R. R. Station (9
min.). The Uptown New York Stations are on Sixth ave. at
33rd st (one block E. of Penn. Station), 28th st., 23rd St.,
19th st, 14th St., and 9th st., and on Christopher st. betw.
Hudson and Greenwich sts. Trains run from Christopher st.
to Erie R. R. Station, Jersey City, in 6 min. : part proceed to
stations West, but passengers may change downtown or for
Penn. R. R. Station. Fare betw. Hudson Terminal and sta-
tions in Jersey City and Hoboken, 5c. Fare betw. Uptown
N. Y. stations and Jersey City and Hoboken, 7c. Local fare
bet\sr. Uptown N. Y. stations and local fare betw. stations in
Jersey City and Hoboken, 5c. There is also tunnel service
betw. N. Y. City and Newark, N. J., via Jersey City. Fare
17c. Time from Hudson Terminal, 20 min. Passengers from
uptown N. Y. stations ior Newark should change at Grove
and Henderson sts. stations.
36 ' RIDER'S NEW YORK CITY ,
The Pennsylvania Railroad Tunnels, used by the trains
of the Long island R. R., passing from the New York Penn.
Station under 33d st. and the East River to Long Island
City, and the Steinway (Belnwnt) Tunnel passing under the
East River from E. 426 st. to Long Island City, connect
Manhattan with Long Island.
VII. Urban Travel — Ferries. Water Services
Ferries (see Plan). To Brooklyn, from Fulton st., Whitehall st.
(South Ferry). To South Brooklyn, from Wnitchall st. (South Ferrv)
(5 c.) To Williamsburg or East Brooklyn, from Roosevelt St., E.
Houston St., £. 23d st. To Greenpoint, from £. loth st. and E. 230 st.
To Hunter's Point, Long Island City, from E. 34th st. To Astoria,
Long Island City, from E. gad st. To Jersey City: from Desbrosses
St. and from Cortlandt st. to Pennsylvania Railwajr Station; from W.
23d St. and Liberty st. to Central of New Jersey Railway Station (Com-
munipaw; fare 3c.); from Chambers st. and from W. 23d st. to Pavonia
ave. and Erie Railroad (comp. also p. 37). To Hohoken, from Barclay,
Christopher, and W. a-jd sts. To Weehawken (West Shore R. R.).
from W. 42d st. and Cortlandt st. To Edgewater, for Fort Lee ana
Palisade Park, from W. 130th st. (5 c). To Staten Island, from
Whitehall st. (South Ferry; 5 c). To College Point (Queen's Bor-
ough), from E. 99th St. and from E. 134th st. (10 c.). To BlackwelfJl
Island from £. 26th, E. 53d, and E. 70th st., (pass required; no charge;
p. no). To Ward's Island, from E. ii6th st. (pass; s c). To Ran-
dall's Island, from E. 26th, E. 120th, and E. 125th sts. (pass: no
charge, p. 108). To Hart!s Island, from E. ■26th st. (i>ass). To Hiker's-
Island, from E. 26th st. (pass; no charge). To Liberty Island (see
p. 105), to Governor's Island (hourly; pass; p. 105), and to Ellis Island
(free; p. 106), from the Battery. The ferries ply at frequent intervals,
the more important running every few minutes in the business hours.
Fares generally 3 or 5 c. The various "railroad ferries" are free to
persons holding railroad tickets, the ferriage being part of the ticket.
The Sight-seeing Yachts leave Battery Park Pier, near
South Ferry (reached by subway or any elevated line) at
10.30 a. m, and 2.30 p. m. To circumnavigate Manhattan
Island (2j^ hr. $1). A yacht leaves the same pier at 1.30
p. m. to see the forts, bay, and Sandy Hook, returning at
5 p. m. ($1.)
With the exception of the ferry boats, New York has no
local steamboat service, either in the North or the' East River,
analogous to the passenger steamboats on the Thames in
London, or the bateaux-omnibus on the Seine in Paris. Most
of the Hudson River Steamboat? lines (p. 43) stop at
129th St., both going and returning; so that, morning and
evening, it is possible to take this pleasant trip, covering
about eight miles of the city's western water-front.
RAILROAD STATIONS, TICKET OFFICES, ETC. Z1
VIII. Railroad Stations, Ticket Offices, etc.
a. Railroad Stations.
a. Grand Central Station (PI. IV— E3) Park ave. and
42d St. {See p, 114) : The terminal for the New York Central &
Hudson River R. R. (for Albany, New York State in general,
Buffalo, Chicago and the West) ; the Harlem Division
of the New York Central & Hudson River R. R. (for
Mount Vernon, White Plains and other points north of New
York City) ; and the New York, New Haven & Hartford
R. R. (for all points in New England).
b. Pennsylvania Terminal (PI. Ill— B3) 7th to 8th
avenues, 31st to 33d streets. {See p. 116) : The terminal
for the Pennsylvania R. R. (for Philadelphia, Baltimore,
Washington, Pittsburgh and the South and West in general)
and the Long Island R. R. (for all points on Long Island).
c. Erie Terminal Station. Pavonia avenue, Jersey City.
Reached by ferries from Chambers st. and ' W. 23d St.,
New York City. The terminal for the Erie R. R. (for points
in southern New York state, northern New Jersey, Buffalo
and the West) the New York Susquehanna & Western R. R.
(for suburban points in northern New Jersey), the iVew Jersey
& New York R. R. (for suburban points in northern New
Jersey) and the Northern R. R. of New Jersey (for suburban
.points in northern New Jersey along the Hudson River and
Rockland County, N. Y.)
d. Lackawanna Terminal, fioboken. Reached by ferries
from Barclay St., Christopher st. and W. 23d st., New York
City. The terminal of the Delaware, Lackawanna & West-
ern R. R. (for suburban points in northern New Jersey,
southern New York state, northern Pennsylvania, Buffalo
and the West).
e. West Shore Terminal Station. Weehawken, N. J.
(about opposite 50 st. New York City). Reached
by ferries from Cortlandt st. and W. 42d st.. New York
City. The terminal of the IVest Shore R. R. (for points
on the west bank of the Hudson River, New York State and
the West) and the New York, Ontario & Western R, R. (for
points in central New York State).
f. Pennsylvania Jersey City Terminal. Reached by fer-
ries from W. 23d St., Desbrosses St., Cortlandt st. and also
from Fulton st., Brooklyn. This was the main terminal
station of the Pennsylvania R. R. before the erection of the
new terminal station on Manhattan Island, and still offers
an alternative method of taking Pennsylvania trains. Prac-
38 RIDER'S NEW YORK CITY
tically, however, it is now little used, as few trains depart
from it and travelers from downtown New York can make
better connections by taking Hudson Tunnel trains {See p.
35) for Manhattan Transfer, a station out on the Newark
marshes, where connection is made with the Pennsylvania
R. R. main line from the Manhattan main terminal station.
g. Central Railroad of New Jersey Terminal. In Jer-
sey City south of the Pennsylvania Terminal, in the Com-
munipaw section. Reached by ferries from W. 23d st. and
Liberty st. : The terminal for the Central Railroad of
New Jersey (Reading system) (for Bayonne, suburban points
in central and southern New Jersejr, the New Jersey coast
resorts — Long Branch, Atlantic Highlands, Asbury Park,
etc. — ^and for Philadelphia, the South and West) ; and the
Lehigh Valley R, R. (for points in Pennsylvania and the
West.
h. 125th St. Station. Many trains on the New York,
New Haven & Hartford R. R. and practically all on
the New York Central & Hudson River Railroad stop at a
station at 125th st and Park ave., Manhattan. This station
is often convenient to travelers stopping uptown, as it saves
the fifteen minute ride down to 42d st. Stops are made
by New York Central & Hudson River trains and
Harlem Division trains at 138th st. (PI. XI — C7), High
Bridge (PI. XI— B5), Kingsbridge (PI. XI— B2), and other
points in the Bronx. ^
i. 155th St. Station. At the terminus of the 9th Avenue
Elevated line, at Eighth ave. and 155th St., Manhattan, on
the Harlem River, is the terminal of the Putnam division of
the New York Central & Hudson River R. R. (for suburban
points in the Bronx and Westchester county north of the
Bronx). The tourist will have little use for this line.
j. The New York, Westchester & Boston R. R., a splen-
didly built, electrically operated four-track commuting rail-
road, and the Harlem division of the New York, New Haven
& Hartford R. R. (not to be confused with the Harlem
division of the New York Central & Hudson River R. R.)
have their terminals at Mott Haven, reached by a shuttle train
from the 3d Avenue Elevated R. R. at 129th st. and the
Harlem River. The former is the key to a still rather un-
developed suburban territory in the Bronx and Westchester
county and offers an alternative route to White Plains with
a branch line to Pelham and New Rochelle. The latter
runs through the northeastern section of the Bronx to New
Rochelle (see p. 388).
RAILROAD STATIONS, .TICKET OFFICES, ETC. 39
k. Long Island City Terminal. The Long Island R. R.
still maintains a terminal station at Long Island City (reached
by ferry from E. 34th st.) Like the Pennsylvania station in
Jersey City, however, it is practically little used since the
opening of the Pennsylvania Terminal on Manhattan with its
connecting tunnels.
1. Atlantic Avenue Terminal. At the intersection of
Flatbush and Atlantic aves. in Brooklyn the Long Island R. R.
maintains its main western terminal (see p. 419). It is
conveniently reached by the Subway from downtown Man-
hattan, and is generally used by the latter section in prefer-
ence to the 33d St. terminal.
m. 30th Street Station: On the south side of 30th st.
between loth and nth avenues is the southerly terminal of
the Spuyten Duyvil branch of the New York Central & Hud-
son River R. R., which runs south along the Hudson River
from Spujrten Duyvil to 59th st. and then down nth avenue
to 30th St. Most born and bred New Yorkers do not know
of the existence of this station, and it has slight interest to
the tourist.
n. It should be recalled that every station of the Hudson
Tunnels (see p. 35) is in one sense a terminal of the
New Jersey railroads with which it directly connects,
vis.: the Erie, Delaware, Lackawanna. & Western,
Pennsylvania, etc. It should also be mentioned that each
of the great ferry houses at W. 42d st., E. 34tli st., W. a3d st.,
Desbrosses st., Chambers st., Cortlandt st. Liberty st, etc.,
is a terminal of its respective railroad, where tickets may be
bought, baggage checked, etc.
b. Railroad City Ticket Offices.
^ RAILROADS WITH TERMINAL AT NEW YORK CITY.
New York Central & Hudson River R, R.: 149 Broad-
way; 233 Broadway; 2094 Seventh ave. ; 225 Fifth ave. ; 1216
Broadway.
Pennsylvania R.R.: 170 Broadway; 461 Broadway; 487
Fifth ave. ; 30 Church st. ; 153 W. 125th st.
Erie R. R.: 399 Broadway; 1278 Broadway; Concourse,
Hudson Terminal Bldg., 30 Church st. ; 24 Court st., Brook-
lyn; 122 River st., Hoboken.
West Shore R. R.: (same as New York Central & Hudson
R. R.)
40 RIDER'S NEW YORK CITY
Delazvare, Lackawanna & Western R. R.: Wall st. and
Broadway; 429 Broadway; 1183 Broadway; 1465 Broad-
way ; 2293 Broadway ; 251 W. 125th st. Also 505 Fulton st. ;
• 726 Fulton St. ; and 954 Broadway, E. D. Brooklyn.
New York, New Haven & Hartford R. R.: 171 Broad-
way. Also, as agents, Thos. Cook & Son at 245 Broadway,
561 Fifth ave. and 2081 Broadway; Raymond & Whitcomb
Co. at 225 Fifth ave.; Westcott Express Co. at 316 Amster-
dam ave. and i W. i2Sth st. ; and New York Transfer Co. at
1354 Broadway, 2174 Broadway and 4 W. 125th st.
Long Island R. R,: 170 Broadway; 200 Fifth ave.
New York, Ontario & Western R. R.: 387 Broadway.
RAILROADS NOT TOUCHING NEW YORK CITY.
Atchison, Topeka & Santa Fe: 377 Broadway.
Atlantic Coast Line: 11 98 Broadway.
Baltimore & Ohio R. R.: 379 Broadway; 1^76 Broadway; 7
Cortlandt st.
Burlington Route: 1184 Broadway.
Canadian Pacific Rwy. Co.: 485 Broadway; 281- Fifth ave; 1231
Broadway.
Central of Ga. Rwy. Co.: 291 Broadway; 501 Fifth ave.
Central Vermont Rwy.: 385 Broadway.
Chesapeake & Ohio Rwy. Co.: 2gg Broadway; 1238 Broadway.
Chicago, Milwaukee & St. Paul: 1200 Broadway.
Chicago, Rock Island & Pacific R. R.: 1238 Broadway.
Chicago, St. Paul, Minneapolis & Omaha R. R.: 1282 Broadway.
Chicago & Eastern Illinois R. R.: 385 Broadway.
Chicago & Northwestern R. R.: 1282 Broadway; 233 Broadway.
Cleveland, Cincinnati, Chicago & St. Louis R. R. (Big Four
route) : Grand Central Terminal.
Colorado & Southern Lines: 11 84 Broadway.
Delaware & Hudson Co.: 1354 Broadway.
Denver & Rio Grande R. R.: 291 Broadway; 1246 Broadway.
Florida East Coast Rwy. Co.: 243 Fifth ave.; 26 Broadway.
Frisco Lines: 385 Broadway.
Grand Trunk Rwy. System: 290 Broadway.
Great Northern Rwy. Co.: 1184 Broadway.
Illinois Central R. R.: 501 Fifth ave.
Intercolonial Rwy. of Canada: 1246 Broadway.
Kansas City, Mexico, Orient R. R.: 290 Broadway.
Lehigh Valley R. R.: 398 Broadway; 94 Broadway; 1460 Broadway;
1236 Broadway.
Louisville & Nashrnlle R. R.: 11 82 Broadway.
Minneapolis, St. Paul & Sault Ste Marie Rwv. ("Soo" line) : 1270
Broadway.
Minneapolis & St. Louis R. R.: 299 Broadway.
Missouri, Kansas & Texas Rwy. Co.: 290 Broadway.
Missouri Pacific Rwy.: 1246 Broadway.
RAILROAD STATIONS, TICKET OFFICES, ETC. 41
New York, Chicago & St. Louis R. R. ("Nickel Plate" routeV
38s Broadway.
Norfolk & Western Rwy.: 1245 Broadway.
Northern Pacific Rwy.: 219 Broadway; 1244 Broadway.
Oregon Short Line R. R.: 236 Broadway.
Pere Marquette R. R.: 290 Broadway.
St. Louis, Southwestern Rwy.: 290 Broadway.
St. Louis & San Francisco R. R.: 385 Broadway.
Seaboard Air Line Rwy.: 11 84 Broadway.
Southern Pacific Co.: 39 Broadway; 1158 Broadway.
Texas & Pacific Rwy.: 1246 Broadway.
Toledo, St. Louis & Western R. R.: 299 Broadway.
Union Pacific R. R.: 236 Broadway.
Wabash R. R.: 387 Broadway.
Western Maryland Rwy.: 71 Broadway; 290 Broadway.
Western Pacific Rwy.: 291 Broadway; 1246 Broadway.
FOREIGN RAILROADS.
French State Railways Bureau: 2 Rector st.
Great Eastern Rwy. of England: 261 'Broadway.
Great Western Rwy. of England: 501 Fifth avc.
International Sleeping Car Co.: 281 Fifth ave.
London & North Western Rwy.: 287 Fifth ave.
London & Southwestern Rwy.: 281 Fifth ave.
Netherland State Rwys.: 334 Fifth ave.
Paris-Lyon-Mediterran6e Rwy.: 281 Fifth ave.
Trans-Siberian Rwy.: 281 Fifth ave.
c. Tourist and Freight Agents
Tourist Agents. V. V. Beard 311 Fifth ave.; H. P. Bender, 1328
Broadway; Bermuda Tourist Bureau, 1180 Broadway; Bretton Woods
Hotel Booking Offict, 243 Fifth ave.; Clark's Tours, Times Bldg.;
Thomas Cook and Son, 245 Broadway, Broadway and 72d St., 264 Fifth
ave., and 561 Fifth ave.; O. A. Dickinson, Broadway and 23d st. ;
European Tours De Luxe, Inc., 1 Madison avef.; European Travelers'
Bureau, 73 West st.; Frank Tourist Co., 398 Broadway; Gillespie,
Kinports & Beard, 511 Fifth ave.; Keewaydin Camps Co., 150 Nassau
St.; H. A. Kinports, 311 Fifth ave.; McCann's Tours, 1328 Broadway;
McGrane's Catholic Tours, 505 Fifth ave.; G. E. Marsters, 1246 Broad-
way; Raymond and Whitcomb Co., 225 Fifth ave.; Royal Tours, 1328
Broadway; Scandinavian Trazrel Bureau, 18 Broadway; Anning J.
Smith, 149 Broadway; Spur Travel Bureau, 389 Fifth ave.
Freight Agents. American European Forwarding Co., i Broad-
way; J. J. Archbold, Inc., 403 West st.; Interocean Transport Co., 90
West St.; Italian American Forwarding Co., 24 State St.; Latin-
American Express Co., 68 Broad St.; Thomas Meadows & Co., 10
Bridge st.; Merchants Despatch, 65 Broadway; Miller Packing Co.,
8 W. 13th St.; National Despatch Fast Freight Line, 82 Wall st.;
New York & New Jersey Trans. Co., 1 Broadway; Ocean Transporta-
tion Co., 25 Beaver St.; Russian Amerfcan Line, 8 Bridge St.; Tooker
Storage & Forwarding Co., 28th st. and nth ave.
42 RIDER'S NEW YORK CITY
IX. Steamship and Steamboat Lines and Offices.
I. Ocean Steamships (Foreign). The following list
gives the chief Passenger Steamship Lines between New
York and Europe, with their docks and steamship offices :
Cunard Line, Piers 53, 54 and 56, North River, foot of Bloomfield
St., 13th St., and 14th st. (office, 21-24 State St.; Wed. and alternate
Sat.; to Gibraltar, Genoa, and Naples fortnightly); White Star Line,
Piers 50 and 60, North River, at foot of W. i8th and 19th sts. (ot-
fice, 9 Br-oadway ; Wed. and Thurs. ; to Mediterranean ports once or twice
a month) ; American Line (International Mercantile Marine Co.), Pier
62, North River, foot of W. 23rd st. (office, 9 Broadway; Fri.);
Holland-American Line, foot of 5th st., Hoboken (office, 24 State
St.; to Boulogne and Rotterdam on Tues.) ; Anchor Line, Pier 64,
North River, foot of W. 24th st. (office, 21 State St.: Sat.; Medi-
terranean steamers sail frdm Union Stores, Brooklyn); Compagnie
GSnSrale Transatlantique (French Line), Pier 57, North River, 15th
St. (office, 19 State st.; Wed.); North German Lloyd, foot of 2d, 3d,
and 4th sts., Hoboken (office, 5 Broadway; Tues. and Thurs.; to
Gibraltar, Genoa, and Naples weekly) ; Hamburg-American Line, foot
of ist St., Hoboken, and foot of 33rd St., Brooklyn (office, 45
Broadway; Sat., Thurs., and Tues.; to Genoa and Naples weekly);
Red Star Line (International Mercantile Marine Co.), Pier 59, North
River, foot of 21st st. (office, 9 Broadway; Sat. or Wed.); Atlantic
Transport, Pier 58, North River, foot of W. i6th st. (office, 9
Broaoway; Sat.) ; Italian Royal Mail Line, for Genoa and Naples, Pier
74, foot of W. 34th St. (office, 24 Whitehall st.; Wed.; also
fortnightly to the W. Indies); Scandinavian-American Line, foot of 17th
St., Hoboken (office, i Broadway). Austro-American Line: to
Mediterranean Ports; Office, 17 Battery Place; Pier 5, Bush
Terminal, Brooklyn (42d St.); sailings temporarily suspended.
Compania Trasatlantica (Spanish Line); to Cadiz, Barcelona
and^ Havana; Office at Pier 8, East River (Coehties Slip).
Italian Royal Mail Lines (including the Italia Line. La Veloce
Line, and Navagazione Generale Italiana Line) : to Naples and
Genoa; Office, i State St.; Pier 74, North River (34th st.). Lloyd
Italian Lines: to Genoa, Naples and Palmero; Office, i State St.;
Pier 74 North River (34th St.). Lloyd Sabaudo Line: Mediterranean
Ports; Office .^2 Broadway. Norwegian American Line: to Bergen and
Kristiania; Office, 8-10 Bridge st.; Pier 4, foot of 45th st., Brooklyn.
Russian-American Line: to Archangel; Office, 37 Broadway; Pier 5,
South Brooklyn.
2. — INSULAR AND SOUTH AMERICAN LINES.
The principal Coastwise and South American Lines are: Lamport
and Holt Line, Pier 8, Roberts Stores, East River, Brooklyn (office, 301
Produce Exchange; every other Sat.; to Brazil, Uruguay, and Argen-
tina); Booth Ltne. Pier 4, Martin's Stores, East River, Brooklyn
(office, 17 Battery PI.; to Brazil, Peru, and the Barbadoes) ; New York
and Cuba Mail S. S. Co., Pier 14, East River, foot of Fulton st. (office,
Pier 14, East River.; Thurs and Sat. to Cuba and Mexico; alternate
Sat. to Nassau; Fri. to Mexico). New York and Porto Rico S. S. Co.,
Piers 34 and 35, Atlantic Basin, Brooklyn (office, 11 Broadway: Sat.
for Porto Rican ports); Red *'D" Line, Pier 11, Robert's Stores, Brook-
lyn (office, 88 Wall St.; Wed. for Porto Rico. Dutch W. I., and Vene-
zuela); United Fruit Co.. Pier 16, East River, foot of Barclay st.
(office, 17 Battery PI.; Wed. and Sat. for Jamaica, Colon (Panama
STEAMSHIP LINES AND OFFICES 43
Canal), and Colombia or Costa Rica); Royal Dutch West Indies Mail
Co.. Pier 3, Bush Docks, Brooklyn (oflBce, 17 State St.: Fri. for West
Indies and South American ports) ; Royal Mail Steam Packet Co., Pier
4a, North River, Morton st. (office, 26 Broadway ;- alternate Sat. for
Cuba, Jamaica, Colon, Colombia; sailings for Bermuda); Atlas Service
for Hamburg- American Line, Pier 6^, North River, foot of W. asth st.
(office, 45 Broadway;, weekly for Cuba, Jamaica, Panama (connecting
for points on west coast Central and. South America and Mexico at
Colon), and Co^ta Rica; fortnightly for Nicaragua; weekly for Havti,
Colombia and Jamaica) ; Quebec S. S. Co., Pier 47, North River, foot
of Perry st. (office, 29 Broadway; to Bermuda, St. Thomas, St. Kitts,
and Barbados); Panama R. R. S. S. Co., Pier 67, foot of W. 27th st.
(office, 24 State St.; every 5 days for Canal Zone; Munson
Line: to Cuba; Office, 82 Beaver st.; Pier 9, Elast River (Old
Slip). Panama-Pacific Line: to San Francisco via Panama Canal;
Office, 9 Broadway; Pier 61, North River; Trinidad Line: to Trinidad,
Demerara and Paramaribo; Office, 29 Broadway; Pier 24, Brooklyn.
3. — ATLANTIC COAST LINES.
Old Dominion S. S. Co., Pier 25, North River, foot of N.
Moore st. (office on pier; daily for Old Point Comfort, Norfolk,
Richmond, Va.); Ocean S. S. Co. of Savannah, Pier 35, North
River, foot of Spring st. (office at pier and 501 Fifth ave.;
Tues., Thurs., and Sat. for Savannah, Ga.) ; Clyde Line, Pier 32,
North River, foot of Spring st. (office. 290 and 958 Broadway;
Tues., Wed.^ Fri. and Sat. for Charleston, S. C, and Jacksonville, Fla.;
Fri. for Wilmington, N. C, and Georgetown, S. C.) ; Mallory Line,
Piers 38 and 45, North River, foot of King and W. loth sts. (offices,
290 and 958 Broadway, and Pier 45; Sat. for Key West, Tampa,
Mobile, Galveston, Brunswick, Ga.); Southern Pacific Co., Pier 49,
North River, foot of W. nth st. (office, 366 Broadway; Wed. and Sat.
for New Orleans, La.; Tues., Thurs., and Sat. for Cfalveston, Texas);
Red Cross Line, Pier 32, foot of Degraw st., Brooklsm (office^ 17 Bat-
tery PL; Sat. for Halifax, N. S., and St. Johns^ N. F.); MoMte S. S.
Line, Pier 19, North River, foot of Vesey st. (office on pier and 290
Broadway; Tues., Thurs., Sat. for Portland, Me. ; Mon. also in summer).
4. River, Sound and Harbor Steamers. The following
are a few of the principal points on the Hudson, Long Island
Sound*, and New York Harbor reached by steamer from New
York. For full information on these and other lines,
* reference must be made to current time-tables and daily
papers. The larger American river steamboats are very
finely fitted up, and the Fall River and Hudson River boats
are more like hotels than boats. There are good restaurants
on board; the regular ticket usually entitles the traveler to
a cabin bunk, and a comfortable private stateroom (2-3
berths) may be obtained for a small addition to the regular
fare (usually $1-2 per night; large rooms with brass bed-
steads, $5-7). The Hudson River boats cease running in
winter, but most of the Sound boats ply throughout the year.
Hudson River Day Line to Albany, Pier 32, North Rivex; also
foot W. 42d St.; People's Line (night line) to Albany, Pier 32, North
River; also foot W. i32d st. (fare, day boats $2, 9^ hrs.: night boats,
$2.50; II hrs.) — ^To Catskill and Hudson, either by the Hudson River
44 RIDER'S NEW YORK CITY
Day Line (see above; $1.50, 6yi hrs.) or by the Catskill Evening Line
from the foot of Barrow st. ($1.50; night boat, 11 hrs. Bridgeport Line:
Piers 28 and 70 East River, foot of Catherine and 23d sts., respectively) ;
Metropolitan Line: to Boston; Pier 15, North River. Maine Steamship
Line: to Portland; Pier 18, North River (front Warren st.) Fall River
Line: to Boston via Fall River; Pier 14, North River (foot of Fulton st.).
Hartford Line: to Hartford; Pier 19, East River (Peck Slip). Neiv
Haven Line: to New Haven; Pier 28, East River (foot of Catherine st.)
and Pier 70 (foot of E. 23d St.). New London Line: Pier 40, North
River (foot Houston st.) Iron Steamboat Co., for Coney Island and
Rockaway, Pier i North River and 17 Battery Pl.t A^. Y. and Long
Branch Steamboat Co., 6 Battery PI., also foot W. 3Sth st.
X. Post and Telegraph Offices. Telephones, Ex-
press Companies
a. Postal Facilities
Post Office. The old General Post Office (PI. II— B2) City
Hall Park, is open day and night. The Money Order Office, on
the second floor, Rooms 40-42, is open daily, except Sun. and
holidays, 9-5. Money orders issued 5 P. M. to midnight at
Stamp Windows Nos. i and 2, Broadway Lobby. The Gen-
eral Delivery windows (for Poste Restante letters) are on
the ground-floor. Park Row side. All letters for persons who
call at the General Delivery of the Post Office for their mail,
should be marked "To be called fori" The new Railroad Post
Office (PI. Ill — A3; p. 232) is located at 8th ave., 31st to 33d
sts., opposite the Pennsylvania Terminal. It contains very com-
plete machinery for handling the mails with great rapidity, in
connection with the trains of the railroad company. It is
now the Main Administrative Post Office of the city.
The principal offices are on the second floor: Postmaster, Room
ai8; hours, 9 a. m. to 3 p. m. Supt. of Mails, Room 230; 9 a. m. to
4 p. m. On general holidays all mails are closed as on other days
of the week, but only such carrier deliveries are made as may have*
been previously announced.
Besides the Government Post Office diptrict, the city is
is divided into about 45 post districts, each served by a branch
post-office or carrier station, designated as a rule by letters
(Station A., etc.). Grand (Central and Madison sq. stations
open week days 7-12, for money order business 8-8. Hudson
Terminal open daily incl. Sun. 7-12. All other carrier stations
open week days 7-8, for money order business 8-8; Sun., 9-1 1
a. m. ; holidays 7-10 a. m. (except High Bridge, Sun. 4-6:30
p. m. and Morris Heights 4:30-6:30 p. m.) No money order
business Sun. or holidays. Registry business holidays 7-10
a. m. None Sun.
POST AND TELEGRAPH OFFICES, ETC. 45
Post Office Stations. Downtown — Main Office, City Hall Park;
Hudson Terminal Station, 3t Church St.; Wall St. Station, 60 Wall St.;
Station P., Custom House Building, cor. Whitehall and Bridge sts.;
Station V., Broadway and Canal st. Midtown — Station A, 132 Greene
St.; Station B, 45 Suffolk St.; Station C, 664 Hudson St., cor. W. 13th
St.; Station D, 103 E. 12th St.; Foreign Station, cor. West and Morton
sts.; Station S, 140 Lafayette st., cor» Howard; Tompkins sq. Station,
cor. Ave. B and 12th st. Uptown — Pennsylvania Terminal Station, W.
Ave.; Fox St. Station, 167th st. cor. Fox st.; Grand Central Station,
no E. 45th St.; Station K, 202 E. 88th St.; Station L, 141 E. 125th
St.; Pelnam Branch, Pelham, Westchester Co., N. Y.; Pelhara Manor
Branch, Pelham Manor, Westchester Co., N. Y.; Station R, 378 E.
149th St.; Station T, 507 E. i6sth St.; Tremont Station, 193 1 Washing-
ton ave. bet. 177th and 178th sts.; Station U, 1863 3rd ave.; Westches-
ter Station, 1471 Williamsbridge Rd.; Williamsbridge Station, 3455
White Plains Ave., near Gun Hill rd.; Station X, 375 E. 138th st.;
Station Y, 11 60-1 162 3rd ave.; City Island Station, City Island ave. and
Bay St. Upper West Side — College Station, 305 W. 140th st.; Station
G, 219 W. 51st St.; Station H, 178 W. i02d St.; Hamilton Grange Sta-
tion, 521 W. 146th St.; High Bridge Station, W. 165th St., betw. Lind
and Summit aves.; Station 1,232 W. 11 6th st.; Station J, 309 W. i2^th
St.; Kingsbridge Station, 5233 Broadway, near W. 227th St.; Station
M, 2088 Amsterdam ave.; Morris Heights Station, 262 W. 177th st.;
Station N, 2021 Broadway cor. 69th st.; Station W, 160 W. 83d st.;
Washington Bridge Station, 2414 Amsterdam ave., near i8oth st.
There are also about 250 Sub-Stations, in druggists' shops,
where all the ordinary postal services are rendered, including
the issue of domestic or inland money orders. Stamps may
be obtained from many other shops (chiefly druggists') and
letters may be posted in about 3500 Letter Boxes (Painted
green when outdoors), affixed to lamp-posts, or in any large
office building, hotel or railroad station. Schedules of the
time of collecting are posted on all of the Letter Boxes.
From 4 to 32 collections, and from 3 to 12 deliveries
are made dgily according to the district. Letters are col-
lected on Sun. (at less frequent intervals), but, unless they are
"Special Delivery* letters, are not delivered on Sunday; mail
matter may, however, be obtained on Sun., 9- 11 a. m., on the
Mezzanine Floor, General Post Office, and at the district
offices. The closing .time of foreign mails is advertised in
the daily papers; the chief European mails leave on Tues.,
Wed., Fri., and Saturday.
It should be noted that the Borough of Brooklyn has its
own independent Post Office system, with main office at
Washington and Johnson sts. (p. 402), and with 144 sub-
stations.
Postage on all letters should be fully prepaid; but the
custom, prevalent abroad, of exacting double postage on let-
ters sent "collect" applies in America only to mail from for-
46 RIDER'S NEW YORK CITY
eign countries. Domestic mail of the first-class (letters), if
prepaid one full rate (two cents), will be forwarded, and the
deficient postage collected upon delivery ; if wholly unprepaid,
the letter will be held and the addressee notified to remit
the postage. The domestic jrsite for first-class matter is two
cents per ounce or fraction thereof; for local or "drop"
letters in post offices having no free delivery, one cent per
ounce or fraction thereof; postal cards, one cent; double or
"reply" cards, two cents.
The fee for Registration of a letter or packet is ten
cents; and all classes of mail matter, except fourth class
(parcel post) may be registered. An indemnity, not to ex-
ceed the actual value of the piece, will be paid up to $50.00
on first-class matter, and up to $25.00 on third-class mat-
ter. The fee for Special Delivery Service is ten cents in
addition to the regular postage. If special delivery stamps
are unobtainable, ordinary stamps to the amount of ten cents
will entitle the sender to the same service, provided the words
"Special Delivery" are written below.
Domestic Money Orders are issued by money order post
offices for any amount up to $100.00, at the following rates :
For suras not exceeding $2.50, 3c.; over $2.00 to $5.00, 5c.; over
$5.00 to $10.00, 8c. ; over $10.00 to $20.00, loc. ; over $20.00 to $30.00, 12c. ;
over $30.00 to $40.00, 15c.; over $40.00 to $50.00, i8c. ; over $50.00 to
$60.00, aoc.; over $60.00 to $75.o<), 25c.; over $75.00 to $100.00, 30c.
Domestic mail rates, as given above, apply also to mail
for Canada, Mexico, Cuba, Tutuila, Porto Rico, Guam,
Hawaii, the Philippines, the "Canal Zone,*' the Republic of
Panama, and Shanghai, China ; "also to mail for officers or
crew of U. S. Navy, and for officers and men of U. S. Navy
in U. S. Naval Hospital, Yokohama, Japan. ^
Domestic Parcel Post. For the purpose of fixing
rates for domestic parcel post service, the country is divided
into units of 30 minutes square. These units form the basis
of the eight postal zones, which are measured as follows :
1st Zone, 50 miles; 2d Zone, 50 to 156 miles; 3d Zone, 150
to 300 miles; 4th Zone, 300 to 600 miles; 5th Zone, 600 to
1000 miles; 6th Zone, 1000 to 1400 miles; 7th Zone, 1400 to
1800 miles; 8th Zone, all over 1800 miles. The rates are
arranged upon a sliding scale: thus, within the first zone, or
for any distance of 50 miles or less, the charge ranges from
5 cents for one-pound parcel to 54 cts. for 50 pounds. Within
the 2d zone, or for distances up to 150 miles, the charge for
the additional hundred miles or fraction thereof is the same as
the charges within the first zone. For the greater distances
POST AND TELEGRAPH OFFICES, ETC 47
comprised within the 3d-8th zones, the limit of weight is 20
pounds, and the range of charges for each zone, respectively,
are as f ollowS :
3d zone, 5c. to 44c.; 4th zone, 7c. to 83c.; 5th zone, 8c.
to $1.22; 6th zone, 9c. to $1.61; 7th zone, iic. to $2.01; 8th
zone, I2c. to $2.40.
Although fourth class mail cannot be registered, it may be insured
against loss in an amount equivalent to its actual value, up to certain
limits, according to the fee paid: up to $5-oo, 3 cts.; up to $25.00, 5 cts.;
up to $50.00,^10 cts.; up to $100.00, 25 cts. The sender must fill out
an insurance tag, to be attached to the parcel. The collection of in-
surance is, however, surrounded by the Post Office Department with
so much red tape as practically to nullify this provision.
Stumped envelopes. In addition to postage stamps, of values
ranging from i ct. to $1.00, the U. S. Post Office furnishes stamped
envelopes of various sizes and tints, at a moderate advance upon the
value of the postage.
Foreign Mails; Postage Rates. The rates of postage to
all foreign countries and colonies, with the exceptions noted
below, are: for letters, first ounce or less, 5 cents; each addi-
tional ounce, 3 cents; postal cards, each 2 cents; newspapers
and other printed matter, per two ounces, i cent. Exceptions:
British Isles, Canada, Newfoundland, Bahamas, Barba-
dos, British Honduras, Dutch West Indies, and Leeward-
Islands, to all of which the rate on letters^ is two cents for each
ounce or fraction thereof. On other classes of mail, the
Postal Union Rates apply. To Germany, letters by direct
ocean transportation are 2 cents per ounce. To Canada,
• letters, 2 cents per ounce; postal cards, i cent; newspapers,
I cent for each 4 ounces.
The rates for Foreign (International) Money Orders are: ten cents
on each $10.00 or fraction thereof, on sums from i cent to 100.00; for
example, any sum between $50.01 and $60.00 will cost 60c.
b. Telegraph and Cable Offices and Service
The telegraph service of the United States is in the hands
of private corporations, of which the Western Union Tele-
graph Company and the Postal Telegraph Cable Company
are by far the most important. The Western Union has
25,784 offices, 1,581,000 miles of wire, and 26,768 miles of
ocean cable. Principal New York Office, 195 Broadway.
The Western Union's charges are based on a ten-word
message, the date, address and signature of the sender being
sent free of charge. The address of the sender involves an
extra charge if he wishes it to be included in the tele-
gram; he may, however, leave his address, without extra
charge at the office from which the message is sent. The
cost of the message within the United States varies accord-
48 RIDER'S NEW YORK CITY
ing to distance, from 25 cts. to $1.00. Messages beyond the
border lines of Canada and Mexico naturally involve con-
siderably higher rates. Messages exceeding 'the ten-word
limit are subject to the following increased charges :
Each additional word costs 2 cts., where the rate is 25,
30, or 35 cts. ; 3 cts. each, where the rate is 40 or 50 cts. ;
4 cts. where rate is 60 cts.; 5 cts. where rate is 75 cts. ;
7 cts. where rate is $1.00, etc. Day Telegrams are trans-
mitted immediately upon reception ; Night Telegrams are sent
during the night at the company's convenience. The rates
for night messages are in most cases lower than the day
rate, especially for longer distances.
Day letters of 50 words or less, may be sent for one and a half
times tne price of a ten-word dav message; Night Letters, 50 words or
less for the price of a ten-word day message. "Night" messages are
sent during the night at the convenience of the company, and delivered
early the next morning.
Money may also De transferred by telegraph and- cable
from any telegraph office to any part of the world. The
charges for money transmittal are the cost of the telegram
plus a reasonable fee (about 50 cents per $100) varying with
ihe amount transmitted.
^ The foreign tourist must remember that distances are great in the
United States, and that this in part explains rates which may otherwise
seem to him high. The following are a few sample rates between New
York and the principal cities of the United States (ten-word day tele-
gram): Chicago, 50 cts.; Washington, D. C, 30 cts.; New Orleans,
60 cts.; San Francisco, $1.00; Salt Lake City, 75 cts.; St. Augustine,
Fla., 60 cts.; Cleveland, O., 40 cts.; Detroit, 50 cts., Seattle, Wash.,
$1.00.
Cable rates to foreign countries, unlike those for domestic
messages, are calculated at so much per word, date, address
and signature all being counted. Furthermore, the words are
limited to 15 letters each, each additional fifteen letters or
fraction of fifteen being charged as an extra word. On Jan. i,
1912, a reduced rate on cable messages in plain language
was introduced, and is now in effect between most countries.
The tariff is in general about one-half the usual rate. The
Western Union also has two other recent forms of cable
service : the Cable Letter and the Week-end Letter, intended
as cable equivalents of the night telegram. Charges vary ac-
cording to distances; between New York City and London,
they are respectively, 75 cts. and $1.15.
The following are the rates per word between New York and the
principal foreign countries: England, France, Belgium, Holland, Ger-
many, as cts.; Switzerland, 30 cts.; Italy, 31 cts.; Denmark, Norway,
35 cts.; Spain, SVeden, 38 cts.; Russia (European), 43 cts.; Turkey,
45 cts.; Argentina, 65 cts.; Australia, 66 cts.; China, $1.22; Japan,
POST AND TELEGRAPH OFFICES, ETC. 49
The Postal Telegraph-Cable Company, in addition to its
foreign country service, also does extensive business in the
United States, having over 400,000 miles of wire. Its general
office is at 215 Broadway. Its rates, both for cables and tele-
g^ratns, are essentially the same as the Western Union*s.
7he Weston Union Tele^aph Company has 81 offices in Manhattan
and the Bronx. The following; have been selected as the ones most
likely to be within accessible reach: Downtown District, ii Broadway;
m Broadway; Produce Exchange; 60 Wall St.; 100 William St.;
Mutual Life Building; Tribune Building; 306 Broadway, 346 Broadway.
Central District: 854 Broadway; 172 5th Ave.; 11 W. 26th St.; 26 W.
31st St.; Grand Central Terminal; 125 E. 34th St.; 621 Madison Ave.;-
23 "W. 44th St.; 1398 Broadway; 1653 Broadway; 1916 Broadway.
The Postal Telegraph-Cable Company has 76 offices, among others:
45 Broadway; Cotton Exchange Building; 20 Broad St.; 35 Nassau St.;
145 E. 23d St.; 8 W. 26th St.; 49 W. 30th St.; 416 4th Ave.; 1397 Broad-
yura-y; 8 £. 42d St.; 1572 Broadway; 624 Madison Ave.
c. Messenger Service
The two principal organizations for messenger service
are The Postal Telegraph-Cable Company and The American
District Telegraph Company, the latter with headquarters in
the Western Union Building. The American District Tele-*
graph Co. was originally a telegraph company, but now
carries on only messenger service. The messengers are re-
ferred to as "A.D.T. boys."
This company now has 92 branch offices, and employs over 11,000
messenger boys. These boys, while primarily expected to carry letters
and other messages, are frequently called upon to perform all sorts
of other services, ranging from the purchase of theatre tickets to mind-
ing an office during luncheon hour or taking care of children while the
mother goes to market.
Messengers can be obtained at any telegraph office, and
many offices, hotels and public buildings have electric calls
by which boys can be summoned from the nearest station.
The charges vary according to distance or are reckoned at a
rate of 30 cents an hour plus car fare.
d. Express Companies
Express companies in America, it may be said for the
benefit of foreign travelers, are private corporations estab-
lished originally and primarily for the safe and speedy trans-
portation of merchandise and personal effects.
The idea orkfinated in 1839 with F. W. Harnden; the present
Adams Express Company began in 1849 as Adams and Company's Cal-
ifornia Express; and the Wells Fargo Company dates from 1852. The
principal express companies have greatly extended their original scope;
and one important branch of their modern activities is the issue of
Travelers' Cheques, which are acceptable all over the world, wherever
the older form of Letters of Credit would be valid. When the Parcel
50 RIDER'S NEW YORK CITY
Post system was established in 19 13 by the U. S. Postal authorities,
it was expected that this new competition would have serious effect upon
the express companies. Instead, by forcing them to adopt lower rates,
it has worked not only to their advantage, but to that of the public.
The tourist's chief interest in express companies is,
naturally, as one of the available means of transporting bag-
gage (luggage). The speediest way, of cours%, is for the
traveler to take his trunks and hand baggage with him,
"checking'* them (p. 2) free of charge, unless there is excess
weight. An economical way of sending extra trunks and
boxes long distances is by freight; but the shipper must
transport them to the railway or steamer to which he con-
signs them, receiving a bill of lading which the consignee
must present when claiming and removing the goods (which
may have been days or even weeks in transit). The method
of sending by express often offers advantages of economy and
convenience. Upon notification, the company's agent calls
at the residence, giVes a receipt for the articles (on which the
owner may set a value; any amount over $50.00 involving
an increase in the express charges, to cover the insurance),
after which the owner need concern himself no further, until
his property is delivered in the house and room of its des-
tination. At many summer resorts the extortionate charges
of the local carriers exceed the express rates for the wlmle
distance. The three largest Express Companies are:
The Adams (gGnGTal and executive offices 53-61 Broadway; branch
offices at 91 Maiden Lane, 200 Chambers, 2 Reade, 137 Broadway, 300
Canal, n Wooster, 151 Bowery, 493 Broadway, 324 Lafayette, 257
Mercer, 29 7th ave., 19 E. 17th st., 22nd and sth ave., 154 W. 26th,
Penn. R. R. station 7th ave. and 32nd, 35 W. 33rd, 8 W. 45th, 242 W.
47th, Lexington ave. and 49th, Amsterdam ave. and 77th, 3rd ave. and
94th. 227 W. 1 06th St., 308 W. 124th, etc.) covering in general the
southern states; the IV ells Fargo (General and Executive Offices, 51
Broadway, branch offices at 311 Canal, 100 Warren, 128 Division, 60
E. Sth, 29 E. 14th, 613 6th ave., 209 E. 128th, 35 W. 3rd, 22 W. 15th,
17 W. 23rd, 250 W. 26th, 501 5th ave., 313 W. 43rd, 257 W. «>7th, 376
Columbus ave., 45 W. 125th) covering in general the Western part of
the country; and the American (General Offices at 65 Broadwav, Execu-
tive Offices at 219 E. 42d st.,' branch offices at 142 W. Broadway, 105
Bleecker, Chatham sq. and E. Broadway, ^02 Canal, 139 Spring, Lafay-
ette and Astor pi., 73 5th ave., 922 Broadway, 14^4 Broadway, Lexing>
ton ave. and 44th, ^85 -Madison ave., 247 W. 57th, 125 1 3rd ave., 316
Amsterdam ave., i W. 125th, 9 W. 3ist, 134 W. 25th, 138th and Park
ave.) covering in general New York State and the northern part of
the countr>[. In many sections these companies overlap, two or all
three covering the same territory. Since the new express rates have
5 one into operation it is sometimes cheaper to express a small trunk
irectly to its destination than to pay local expressage and transporta-
tion en route. The larger hotels have arrangements whereby express
parcels can be sent directly from the hotel without the sender's calling
at the express office.
The chief Local Express in New York City (and in many other of
the largest cities in the Eastern United States) is Westcott's with
POST AND TELEGRAPH OFFICES, ETC. 51
representatives at every station in Manhattan (excepting the Pennsylva-
nia Station, where the official express company is the New York Trans-
fer Company) and at the New York side of the ferries (branch offices
at nos. 149, 171, 399» 425, 429, "83, 121 6, ^278 Broadway, 316 Amster-
dam ave., 18 Astor place, 2030 5th ave., i W. lasth St., 1869 Park ave.).
The charge for transporting a trunk or suit-case from one point to
another in the city is 40 cents and up, according to the distance.
e. Telephones
The New York Telephone Company which ownjs and
operates the telephone system of New York City is a sub-
sidiary of the American Telephone and Telegraph Company.
Its territory includes New York State and part of New Jersey
The main offices of the Company are at 15 Dey st
The general public is invited to inspect any of the 7Z
Central Offices in the city. Cards of admission may be ob-
tained at any one of the Company's 25 Commercial Offices,
the addresses of which will be found in the fore part of the
"Telephone Directory."
There are 29,600 public telephones in the city, each one
designated by some form of the "Blue Bell" sign. Among
these public telephones there is a large number of coin box
telephones. The operation of these instruments is simple, and
is explained on a card set into each instrument.
The rates for calls to most toll points as well as all
other information concerning the use of the telephone are
given in the fore part of the "Telephone Directory" For in-
formation concerning rates which do not appear in the direc-
tory inquire of "Central Office Information." The so-called
•**Telephone Red Book," or classified business directory, will
be found very useful to the tourist.
New York has 550,000 telephones; thus exceeding the com-
bined telephone development of London, Paris, Berlin, St. Peters-
burg and Rome. 2,100,000 messages are sent and received each day.
Every business day loi new telephones and 400 miles of new wire
are added to the system. The city's first telephone line was erected
July 25th," 1877. It connected 81 John st., Manhattan, to the Wire
Works of J. L. Haigh in South Brooklyn. The method of calling was
to tap the diaphragm of the transmitter with a pencil. Boy operators
were superseded • by girl operators in the eighties. The first common
battery switchboard by which lifting the telephone receiver from the
hook automatically signals the operator was put into service in 1898.
This necessitated the reconstruction of the telephone system.
Thirty years ago there was only one telephone exchange in the
city, to-day there are 73. The Telephone Company now employs in
New York City nearly 14,000 persons, about 6500 of whom are opera-
tors. In the Hudson Terminal Building there are 3000 telephones
serving their 10,000 occupants. More than 4,508,000 feet of wire and
cables are needed for these telephones over which 11,124,000 calls are
sent annually. There are more telephones in this building than in
Greece and Bulgaria.
The Private Branch Exchange is one of the features of the city's
telephone system. The first switchboard of this type was established in
1893. There are 17,000 Private Branch Exchanges in operation.
52 RIDER'S NEW YORK CITY
The Hotel McAlpin has the largest hotel Private Branch Exchange
switchboard. It employs its own wire chief. The switchboard has 1823
extension telephones. The yearly number of outgoing calls is 600,000
while the interior traffic is between 900,000 and 1,000,000 calls annually.
Among the big business organizations the Consolidated Gas Com-
pany has one of the largest Private Branch Exchange systems. Its
switchboard binds together 67 smaller Private Branch Exchanges in its
offices and in other parts of the city. The annual number of calls from
this switchboard approaches the 4,000,000 mark. The Greenhut Company
has the largest Department Store telephone system. Connected to its
switchboard are 467 extension telephones. Its annual traffic is about
1,000,000 messages.
New York's Long Distance telephone system, with which connection
may be established from any telephone in the city is centered in the
Walker-Lispenard Building, 24 Walker St. There are 315 Lon^ Dis-
tance switchboards and test boards of various types in this building.
400 toll lines lead direct from this building to 89 principal cities. 47
toll lines connect Boston, 12 connect Washington, D. C, and 5 connect
Chicago. By means of many other toll lines terminating in this office,
connection may be established with any point in the Bell system.
The daily traffic to Chicago is 165 calls. The traffic between
New York and Philadelphia amounts to 4000 messages a day. This
is handled over 100 circuits and is conducted on what is known as
a "Two Number" basis. So rapid is the New YorJc-Philadelphia Service
that 60 seconds after a New York subscriber lifts the receiver he can
talk with his party in Philadelphia. The more important Long
Distance rates are giveji in the fore part of the "Telephone
Directory." For information concerning rates for other Long
Distance points inquire of "Central Office Information."
The Lighting of the city is by private gas and electrical
companies. The gas companies are united as the Consolidated
Gas Company and operated in 1912, 24 gas works with a
manufacturing capacity of 924,700 thousand cu. ft. in 24 hours.
The gas goes through 3,863 miles of mains. The street gas
lights number 44,387. Electricity is produced by several
companies who operate 15 stations with a generating capacity
of 346,242 kw. The electrical street lights number 38,823.
XI. Theatres, Music Halls, Other Places of
Entertainment
New York possesses altogether over two thousand
theatres, photoplay houses and similar places of amusement
of all sorts and grades. In Manhattan alone there are upward
of fifty theatres of importance, including a few high-class
vaudeville and photo-play houses. A few of the old-time
theatres, once highly fashionable, still survive in the neighbor-
hood of 14th St. ; and a few modern houses are to be found
along upper Broadway and in Harlem. But for the purposes
of the transient visitor, the theatre life of New York is com-
prised within the fairly narrow area of Broadway and the ad-
THEATRES, MUSIC HALLS, ETC. 53
jacent side streets, from 40th to 50th st. — a stretch popularly
known as the "Rialto," because so largely frequented by mem-
bers of the theatrical profession.
The price of seats in the best theatres is fairly uniform.
The best seats are in the Orchestra (ground floor) and front
rows in the First Balcony : usually $2.00 ; other balcony seats,
$1.50. Proscenium boxes, usually holding six persons, $15.00
to $18.00. Tickets may be purchased some days in advance
without extra charge. It is not unusual, in case of a success-
ful play, for the entire house to be sold out for two or more
weeks ahead. Visitors who have neglected to secure tickets
in advance at the box office may usually obtain choice seats
up to almost the last moment from any of the reputable ticket
agents, having offices in most of the leading hotels, and charg-
ing a small advance upon the box office price.
Performances are regularly given every evening, excepting
Sundays; also Saturday matinee. Many of the theatres give
an additional mid-week matinee, generally on Wednesday, and
often at somewhat lower prices. The hour of the evening
performance varies between 8 and 8:30 p. m. ; matinee per-
formance, between 2 and 2:30 p. m. A majority of the
theatres are closed in summer, reopening towards the end of
August.
Contrary to the usage in many foreign theatres, there is
no section of the house in American theatres from which
women are excluded. In some of the vaudeville houses, where
smoking is permitted in the balconies, they will probably find
the orchestra seats preferable, but there is no rule debarring
them from the upper part of the house.
Programs, for which (contrary to the continental cus-
tom) no charge is made (except in the Hippodrome), are
distributed near the doorways and should be secured upon
entering.
Dress. Evening clothes for men are not obligatory in
the New York theatres. There are, however, certain conven-
tions to which the visitor to the city should conform if he
does not wish to feel out of place^ Evening clothes are
always customary at the opera, excepting in the upper gal-
leries; they are also the correct usage if you occupy a box
at any of the leading theatres ; and on opening nights, in the
orchestra or first balcony seats. The tendency toward eve-
ning dress is steadily increasing, and a stranger may always
feel that he is on the safe side in adopting it at any of the
first-class theatres.
For women the problem is simpler. At the opera full
dress is expected (as in the case of men). But ordinarily
54 RIDER'S NEW YORK CITY
in the better class of theatres any dinner gown, high or low
cut, is considered appropriate, even in the boxes.
7. MIDTOWN DISTRICT.
Most of the theatres are in this district. Foreign language
theatres are separately listed.
a. Opera and Drama
Metropolitan Opera House (PI. III-^Ci ; p. 167), occu-
pying the entire block bounded by Broadway and Seventh
ave., 39th and 40th sts., has been since 1883 the home of
grand opera in New York.
The history of Italian opera in America dates back to
November 29, 1825, when the Marriage of Figaro was given
at the old Park Theatre in Park Row. From 1847 onward.
Castle Garden (p. 120) was for several years New York's
musical center, and there Jenny Lind made her American
debut in 1850. Four years later, Castle Garden was super-
seded by the Academy of Music (see p. 218), which remained
for thirty years the undisputed home of opera in New York.
But the upward trend of city life brought about an imperative
demand for a new opera house nearer the social center. The
Metropolitan Opera House, designed by Cleveland Cady, is a
structure of yellow brick, terra cotta and iron in the Italian
Renaissance order of architecture. The seating capacity is
about 3000. The opening performance was on October 22,
1883, when Faust was given, with a caste including Nilsson,
Scalchi and Campanini. The first night of the annual sub-
scription season is one of the most brilliant functions of
New York social life. Nowhere else can the stranger in New
York see such a gathering of the foremost representatives of
the city's wealth and fashion as on any of llie regular sub-
scription nights at the Metropolitan (Mondays, Wednesdays
and Fridays). A list of the subscribers to the boxes is printed
in the programs, facilitating identification.
Prices for regular subscription performances: Orchestra and or-
chestra circle, $6.00; dress circle chairs, ^3.00; balcony chairs, first
three rows, $2.50, other rows, $2.00; family circle, first three rows, $1.50,
other rows $i.oo; grand tier boxes (6 seats) $60.00; stall boxes (5
seats) $30.00; (4 seats) $25.00; Sunday night concerts; Orchestra and
Orchestra circle, $1.50; dress circle, -$1.00; balcony, 75c.; family circle,
50c.; boxes, $12.00, $10.00 and $8.00.
Knickerbocker Theatre (PL III— Ci ; p. 167), at the N.E.
corner of Broadway and 38th st., was first opened as Abbey's
Theatre in November, 1893, and was for many years the
chosen house of such eminent foreign stars as Henry Irving
and Ellen Terry, Coquelin and Jane Hading, Beerbohm Tree
THEATRES, MUSIC HALLS, ETC " * 55
and Sarah Bernhardt. In 1897 it became the Knickerbocker,
and under Mr. Frohman's managentent continued to hold its
prestige for sorne years longer. It has lately been given over
to musical comedy. The seating capacity is about 1350.
Orchestra, $2.00; balcony, $2.00, $1.50 and $1.00; second balcony,
75c and 50c; boxes, $18.00, $15.00 and $12.00.
Casino Theatre (PI. Ill — Ci ; p. 167) , at the S. E. corner
of Broadway and 39th st. ; an ornate red brick structure in
Moorish style, since 1882 the home of operettas, musical come-
dies, etc. Seating capacity, 1500.
Orchestra seats, $2.00; balcony, $2.00, $1.50, $1.00; 2d balcony, 75c
and 50c.; box seats, $3.00 and $2.50.
Thirty-ninth Street Theatre (PI. Ill — Ci), 119 W.
39th St.; comedies, farces, etc. Seating capacity, 655.
Evenings, and Saturdays and holiday matinees: orchestra seats,
$2.00; balcony, $2.00 and $1.50; family circle, $1.00 and 75c.; boxes,
$18.00. Wednesday matinee: orchestra, $1.50; balcony, $1.50 and
$1.00: family circle, 75c. and 500.
Maxine Elliott Theatre (PI. Ill — Ci) 109 W. 39th
St., constructed of Dover marble, with a low, well pro-
portioned fagade in the Louis XVI style, from designs by
Marshall and Fox, Seating capacity, 924. Drama and com-
edy.
Orchestra seats, $2.00; balcony, $2.00, $1.50 and $1.00; family
circle, 75c. and 50c. ^
Empire Theatre (PI. IV — C4; p. i^) at the S. E. corner
of Broadway and 40th St., (Frohman). Seating capacity,
1127.
Orchestra seats, $2.00; balcony, $2.00, $1.50 and $1.00; second
balcony, 75c. and 50c.; boxes, $18.00 and $15.00.
Comedy Theatre (PI. IV — C4), no W. 41st st., (Wash-
ington Square Players). Seating capacity, 702.
Orchestra seats, $2.00 and $1.50; balcony, $1.50 and $1.00; family
circle, 50c.; Thursday matinees: Orchestra, $1.50 and $1.00; balcony,
1. 00 and 75c.; family circle, 50c.
Republic Theatre (PI. IV — B3; p. 169), 209 West 42d
street, (Belasco). Noticeable fagade of brownstone, blend-
ing with dark gray Powhattan brick, relieved at the top by
a row of Doric columns. Seating capacity, 1000.
Evenings and Saturday and holiday matinees: Orchestra, $2.00;
balcony. $2.00, $1.50 and $1.00; second balcony, 75c. and soc; lower
boxes, $18.00; upper boxes, $15.00; second balcony boxes (four seats),
$8.00; loge seats, $2.50. Wednesday matinee: orchestra, $1.50; bal-
cony, $1.50 and $1.00; second balcony, 50c.; lower boxes, $15.00; upper
boxes, $12.00; second balcony boxes, $4.00; loge seats, $2.00.
Lyric Theatre (PI. IV — B3; p. 169), 213 W. 42d st.,
(Shubert). Seating capacity, 1472.
Erenings and Saturday and Holiday matinees: Orchestra. $2.00;
balcony, $2.00, ^1.50 and $1.00; second balcony, $1.00, 75c. and 50c.;
Wednesday matinee: orchestra, $1.50; balcony, $1.00; second bal-
cony, 50c.
56 * RIDER'S NEW YORK CITY
New Amsterdam Theatre (PI. IV— B3; p. 168), 214 W.
42d street, (Klaw and Erlanger). Seating capacity, 1700.
■ Orchestra, $2.00; balcony, $2.00, $1.50 and $1.00; second balcony,
7SC. and soc; boxes, $18.00 and $15.00; loges, $10.00.
C. & H. Theatre (PI. IV— B3; p. 169), 226 W. 42d st.
Orchestra, $2.00; balcony, $2.00; boxes, $18.00.
Liberty Theatre (PI. IV— B3; p. 169), 234 W. 42d st.,
(Klaw and Erlanger). Seating capacity, 120G.
Evenings and Saturday matinees: Orchestra, $2.00 and $1.00; bal-
cony, $2.00, $1.00 and 75c.; second balcony, 50c. and 25c. Wednesday
matinees: orchestra, $1.00 and 50c.; balcony, $1.00 and 50c.; second
balcony 25c.
Eltinge Theatre (PL IV— B3;' p. 169), 236 W. 42d st.
Seating <:apacity, 898.
Orchestra, $2.00; balcony, $2.00, $1.50 and $1.00; second balcony,
$r.oo, 75c. and 50c. Boxes, $18.00 and $15.00; general admission, $z.oo.
Harris Theatre (PI. IV— B3; p. 169), 254 W. 42d st.
Seating capacity, 770.
Orchestra, $2.00; balcony, $2.00, $150 and $1.00; second balcony,
75c. and 50C.; box seats, $3.00.
CoH ant's Theatre (PL IV — C3; p. 170), 1480 Broadway,
at the corner of 43d st.
Evenings and Saturday matinees: Orchestra. $2.00; first balcony,
$a.oo, $1.50 and $1.00; second balcony, 75c. and 50c.; boxes, $18.00,
$15.00 and $12.00. Wednesday matinee: orchestra seats, $1.50; other
prices unchanged.
Criterion Theatre (PL IV — C3), at the N. E. corner
of Broadway and 44th st. This theatre was for a time a mo-
tion picture house, the Vitagraph Theatre. Now a high class
playhouse.
Evening and Saturday Matinees: Orchestra, $2.00; balcony, $2.00,
$1.50 and $1.00; second balcony, 75 and 5oc.^ boxes, $10.00, $15.00
and $18.00. Wednesday matinees: orchestra, $1.50; balcony, $1.50 and
$1.00; second balcony, 75 and 50c.; boxes, $10.00, $12.00 and $15.00.
Forty-fourth Street Theatre (PL IV — B3), 216 W.
44th St. Seating capacity. 1540.
Orchestra, $2.00; first balcony, $2.00, $1.50, and $1.00; second
balcony, 75c. and 50c; lower boxes, $15.00; upper boxes, $8.00.
Shubert Theatre (PL IV— B3), 225 West 44th st. The
seating capacity is 1510.
-Evenings and Saturday and holiday matinees: Orchestra, $2.00;
balcony, |2.oo, $1.50 and $i.oo; family circle, 75c. and soc; boxes,
^18.00. Wednesday matinee: orchestra, $1.50; balcony, $1.50 and
$1.00; family circle 75c. and 50c.; boxes, $15.00.
Little Theatre (PL IV— B3), 238 W. 44th st., an
attractive example of the modern type of playhouse. The
style is Georgian, the materials are red brick and French
limestone, the outside woodwork is painted white and the
shutters a dark green, giving the structure a quaint and old
fashioned aspect. Seating capacity, 299.
All scats (orchestra chairs only) $2.00.
THEATRES, MUSIC HALLS, ETC. 57
Hudson Theatre (PI. IV— C3), I39 W. 44th st. Seat-
ing capacity, 1 100.
Orchestra seats, $2.00; balcony, $2.00, $1.50 and $i.qo; boxes.
$x8.oo and $15.00.
Belasco Theatre (PI. IV— C3), 115 W. 44th st., (David
Belasco, manager), noted for careful stage production.
Drama and comedy.
Orchestra seats, $2.00; balcony, $2.00, $1.50 and $1.00; boxes, $18.00,
$15.00 and $10.00.
AsTOR Theatre (PL IV — B2; p. 171), at the N. W. corner
of Broadway and 45th street. (Cohan and Harris). Seat-
ing capacity, 1133.
Orchestra $2.00; first balcony, $2.00 and $1.50; second balcony,
$1.00 and 75c.; box seats, $3.00, $2.50 and $2.00. Tuesday matinee:
first balcony, $2.00, $1.50 and $1.00; second balcony, 75c. and 50c.;
other prices unchanged.
Lyceum Theatre (PI. IV — C2; p. 171), 149 W. 45th St.,
(Frohman). Seating capacity, 953. *
Orchestra, $2.00; balcony, $2.00, $1.50, and $1.00; second balcony,
75c and 50c.; boxes, $18.00 and $15.00.
Booth Theatre (PI. IV — B3; p. 171), 22 W. 45th st.,
another of the beautiful modern playhouses due to the
architectural skill of Henry B. Herts. It forms externally
a single structure with the Shubert Theatre which adjoins it
in the rear. An interesting feature is the lavish use of
sgraffito in the decoration of the fagades. (Winthrop Ames,
director).
Orchestra, $2.00; balcony^ $z>5o, $1.00, 75c. and 50c.; boxes, $15.00
and $10.00. Wednesday matinee: balcony seats, $1.00 and 50c.; other
prices unchanged.
Globe Theatre (PI. IV — B2; p. 172), 46th st. and Broad-
way. Seating capacity, iioo.
Monday to Friday inclusive: Orchestra, $2.00; balcony, $2.00 and
$1.50; second balcony, $1.00; boxes, $20.00. Saturday: Orchestra,
$2.50; balcony, $2.50 and. $2.00; second balcony, $1.00; boxes, $25.00.
Gaiety Theatre (PI. IV — B2; p. 172), at the S. W. cor-
ner of Broadway and 46th st. (Klaw and Erlanger). Seat-
ing capacity, 800.
Orchestra, $2.00; balcony, $2.00; $1.50 and $1.00; second balcony,
75c. and soc. ; boxes, $20.00; loges, $10.00.
Fulton Theatre (PI. IV— B2), 206 W. 46th st. Seat-
ing capacity, 906.
Evenings, Saturday and holiday matinees: Orchestra, $2.00; bal-
cony, $2.00, $1.50 and $1.00 ; dress circle, 75c. and 50c. Wednesday
matinee: orchestra, $1.50; balcony, $1.50 and $1.00; dress circle, 75c.
and 50c.
LoNGACRE Theatre (PI. IV — B2; p. 172), at the corner
of Broadway and 48th st. Seating capacity, 1005.
Orchestra, $2.00; balconV, $2.00, $1.50 and $1.00; second balcony,
75c. and 50c.; boxes, $18.00 and $15.00. Popular matinee, Wednesday:
orchestra, $1.50; balcony, $1.50 and $1.00; second balcony, 75c. and 50c.;
boxes, $15.00 and $12.00.
58 RIDER'S NEW YORK CITY
Forty-eighth Street Theatre (PI. IV— C2; p. 172),
157 W. 48th St. Seating capacity 957.
.Orchestra, fs.oo; balcony, $2.00, $1.50 and $1.00; second balcony,
75c. 'and soc; boxes, $15.00.
Playhouse, The (PI. IV— C2; p. 172), i37 W. 48th
street. Seating capacity, 879.
Orchestra, $2.00; balcony, $2.00, $1.50 and Ji.oo; second balcony,
75c. and soc; boxes, $15.00 and $12.00. Wednesday matinee: orchestra,
$1.50; balcony, $1.50 and $1.00; second batcony, 75c. and 50c.
CoRT Theatre (PI. IV— C2; p. 173), 136 W. 43th st.
Seating capacity, 1000.
Orchestra, $2.00; balcony, $2.00, $1.50 and $1.00; second balcony,
75c. and 50c.; box seats, $3.00 and $2.50. Wednesday matinee: or-
chestra, $1.50; balcony, $1.50 and $1.00; second balcony, 75c. and soc;
box seats. $2.50 and $2.00.
Punch and Judy Theatre, 49th st, E. of 7th ave. Seat-
ing capacity, 299.
Orchestra, $2.00, ^1.50 and $1.00; box seats, $2.50.
Park Theatre, Columbus Circle and 59th st. Seating
capacity, 1400.
Evenings, Saturday and holiday matinees: Orchestra, $2.00; bal-
cony, $2.00, $1.50 and $1.00: family circle, 75c and 50c; boxes, $18.00
and $15.00; leges (holding tour persons) $12.00. Wednesday matinee,
trom 25c to $1.00.
Century Theatre (PI. V— B6), Central Park West
and 62d st. Seating capacity, 2050.
One of the most interesting, architecturally, of the
new type of theatres. Its general character is Venetian
Renaissance, with modern adaptations. Since the building
laws forbid any projection beyond the building VintSy sgraffito
has been extensively used. Note especially the oval panel
within the broken pediment above the entrance doorway, and
Che panels on the facade of the upper story, m iignt gray oii
a background of purple gray. The interior is also narmom-
jus, the decorations being in old Venetian gold, witn pami-
ings in which absinthe, gold and amethyst predominate.
Orchestra, $3.00 and $2.00; foyer, $1.00; tirst balcony, 50c.; secuim
balcony, 25c and loc.
. b. Vaudeville, Burlesque, Photoplays, etc.
American Theatre (PI. IV — B3), at the corner of 8th
avenue and 42d street. (Marcus Loew.) Vaudeville and
Photoplays.
Box seats, soc. and 35c; orchestra and first balcony, 25c.; second
balcony, 15 c. and loc.
American Music Hall, at the corner of 8th ave and
42d St., on the roof of the American Theatre (Marcus Loew).
soc, 35c. and asc.
Columbia Theatre (PI. IV — C2; p. 172), at the corner of
Seventh avenue and 47th street. Burlesque. Seating caps^^
city, 1300.
THEATRES, MUSIC HALLS, ETC. 59
Evenings and holiday matinees: Box seats, $1.50; orchestra, $1.00:
balcony, 75c. and 50c. Saturday matinee: box seats, $1.00; orchestra,
$x.oo, 75c. and 50c.; balcony, 50c. Other matinees: box seats, $1.00;
orchestra, 50c.; balcony, 25c.
Hippodrome (PI. IV — D3; p. 229), occupying the block
on the east side of 6th ave., between 43d and 44th sts.
Famous for many years for its colossal and unique spec-
tacular effects, ballets and tableaus. Its special feature is
a huge water tank in front of the stage and extending almost
its full breadth. This tank makes possible a great variety
of most unusual aquatic feats that have formed one of this
theatre's chief attractions. Seating capacity, 5200.
Evenings: Orchestra, $1.50; first balcony, $1.50, $1.00, 75c.; second
balcony, 50c., 250. Saturdays and holdays: orchestra, $2.00; other
prices unchanged. Matinees: orchestra, $1.00; first balcony, $1.00,
75c.; second balcony, 50c., 25c. Saturday and holidays matinees:
orchestra and first rows balcony, $1.50; other prices unchanged.
LoEw's New York Theatre (PI. IV — C3), at the S. E.
corner of Broadway and 45th street. "The World's Best
Photo-Plays."
Evenings: 10, 15 and 25c.; matinees, 10 and 15c.
Keith's Palace Theatre (PI. IV — C2), Broadway and
47th St. "Supreme Vaudeville."
Evenings (except Saturday, Sunday and holidays): Orchestra, $1.50
and $1.00; balcony, 75c. and 50c.; second balcony, 25c.: loge seats,
$1.00; box seats, $1.50. Matinees (except Saturday, Sunday and holi-
days) : orchestra, 75c. and 50c. ; balcony, 50c. ; second balcony, 250. ;
loge seats, 75c.; box seats, $1.00. Saturday, Sunday and holidays:
orchestra, $1.50; balcony, $1.00, 75c. and soc; second balcony, 25c.;
loge seats, $1.50; box seats, $2.00.
Strand Theatre (PI. IV — B2; p. 172) N. W. corner of
Broadway and 47th street. Photoplays and Special Features.
Seating capacity, 2750.
Evenings and Saturday, Sunday and holiday matinees: Loge and
box seats, 50c.; orchestra, 50c. and 25c.; balcony, 15c. Other matinees:
loge and box seats, 50c.; orchestra, 25c.; balcony, Z5c. and loc.
Winter Garden (PI. IV — Bi; p. 173), at Broadway and
50th st. "Devoted to the Continental idea of Music Hall and
v/'ariete." Smoking is permitted and refreshments are served.
Seating capacity, 2000.
Evening prices: 50c., $1.00, $1.50, $2.00 and $2.50; box seats,
$3.00. Saturday evening, no 50 cent seats. Matinees Tuesday, Thurs-
day and Saturday: 50c., 75c., $1.00 and $1.50; box seats, $1.50. Sunday
concerts, 50c., 75c., $1.00, $1.50 and $2.00; box seats, $2.00.
Rialto (PI. IV— B2), at the N. W. corner of 7th ave.
and 42d st. One of the most recent and attractive high grade
photoplay houses. Partly remodeled from Hammerstein's
Victoria theatre.
Evenings: Orchestra, soc; balcony, 25c.; loges, 50c. Matinees:
orchestra, 25c.; balcony, isc; loges, soc.
6o RIDER'S NEW YORK CITY
//. UPTOWN DISTRICT
a. Drama, Vaudeville and Burlesque
LoEw's LiNCX)LN Theatre, at Broadway and 66th street
Vaudeville and Photoplays; lo, 15 and 25 c.
Eighty-first Street Theatre, at Broadway and 81 st
street. Vaudeville; 10, 15 and 25 c.
Standard Theatre, Broadway and 90th street. Drama,
comic opera, etc.
Evenings: box seats, ^1.50; orchestra, $1.00; balcony, 75, 50, 25c.
Saturday and holiday matinees: box seats, $z.oo; orchestra, 75c.; bal-
cony, 50c., 25c. Tuesday and Thursday matinees: box seats, $1.00;
orchestra, 50c.; balcony, 25c.
Riverside Theatre, at Broadway and 96th street. Vaude-
ville and Photoplay.
Evenings: Box seats, 50c.; orchestra, 25c.; balcony, 15c. Matinees:
box seats, 25c.; orchestra, 15c.; balcony, loc.
Riviera Theatre, at Broadway and 97th street. Vaude-
ville and Photoplays.
Evenings: Box seats, 50c.; orchestra, 25c.; balcony, xsc. Mat-
inees: box seats, 25c.; orchestra, 15c.; balcony, loc.
Nemo Theatre, at Broadway and iioth street. Vaude-
ville and Photoplay.
10, 15 and 25c. ^
Hamilton Theatre, at Broadway and 146th street.
Vaudeville and Photoplay.
10 to 25c.
Audubon Theatre, at Broadway and 165th street. Vaude-
ville and Photoplay.
Evenings: Box and. loge seats, 50c.; orchestra, 25c.; balcony, 15c.
and 25c. Matinees: box and loge seats, 25c.; orchestra, loc. and 15c.;
balcony, loc.
Wads WORTH Theatre, Wads worth avenue and i8ist
street. Vaudeville and Photoplay.
Evenings: Box seats, soc. and 75c.; orchestra, 50c. and 35c.; bal-
cony, 50, 35 and 2Sc. Matinees (Tuesday, Thursday and Saturday):
box seats, 35c.; orchestra, 25c.; balcony, 15c.
Keith's Harlem Opera House, 205 W. 125th street.
Vaudeville.
Popular prices.
Keith's Alhambra, at 7th avenue and 126th street.
Vaudeville and photoplays.
Evenings: Box seats, $1.00; orchestra, 75c. and 50c.; balcony, 50c.
Matinees: oox seats, 50c.; orchestra and balcony, 25c.
LoEw's Seventh Avenue Theatre, at 7th avenue and
124th street. Vaudeville and photoplays.
Evenings: Box seats, 3Sc.; orchestra and balcony, 35c.; second
balcony, 15c. and loc. Matinees: box seats, 25c. All other seats, loc.
THEATRES, MUSIC HALLS, ETC. 6i
Proctor's One Hundred and Twenty-fifth Street
Theatre, Lexin^on avenue and 125th street. Vaudeville.
Evenings: 10 to 15c. Matinees: 5, 10 and 15c.
HURTIG AND SeAMON's NEW ThEATRE, 253 W. I25th
Street. Vaudeville and burlesque.
Evenings: Box seats, |x.oo; orchestra, 75c. and 50c.; balcony, soc.
and 25c. Mstinees: box seats, 50c.; orchestra, 50c. and 25c.; balcony, 25c.
LoEw's West End Theatre, 368 W. 125th street. Drama
vaudeville, photoplays. (Temporarily closed).
Regent Theatre, S. W. corner of 7th avenue and Ii6th
street. Vaudeville and photoplays.
Evenings: 10, 15 and 25c. Matinees: loc.
One Hundred and Sixteenth Street Theatre, ii6th
street east of 7th avenue. Vaudeville.
Evenings: 10, 15 and 2Sc. Matinees: loc. ♦
b. Photoplay
Schuyler Theatre, Broadway and 82d street. — Adelphi
Theatre, Broadway and 89th street. — Riverview Theatre,
Broadway, near 93d street. — Broadway Photoplay Theatre,
Broadway and 103d street. — Olympic Theatre, Broadway
and 107th street. — Bunny Theatre, Broadway, near 147th
street. — Washington Theatre, Amsterdam avenue and 149th
street. — Costello Theatre, 159th street, near Broadway. —
Heights Theatre, Wads worth avenue, near i8ist street. —
Palace Theatre, St. Nicholas avenue and 176th street. —
Classic Theatre, 181 st street, near Broadway.
The majority of these are comfortable, modern and at-
tractive playhouses, constructed with special regard to the
needs of the motion picture, and the prices are an almost
uniform rate of 10 and 15 cents.
Foreign Theatres
There are, on the lower East Side, a number of theatres
in which plays are given in various foreign languages. The
German stock company at the Irving Place Theatre has for
many years enjoyed a high repute for the excellent standard
of acting it has maintained. There are several Italian thea-
tres, where for the most part cheap variety shows prevail,
although at times Italian opera, of a kind, may be heard at
prices ranging from 25 cts. to $1.00. The Yiddish theatres
are probably the most interesting of all the foreign houses.
Many of the plays produced are the work of a modern school
62 RIDER'S NEW YORK CITY
of Russian Jews, of much originality and sombre realism.
The visitor who devotes an evening to one of these theatres
will come away feeling that he has at least had a unique
experience. ^^^^^ ^^^^^^^
Irving Place Theatre, cor. 15th st. and Irving pi.
Orchestra, $1.50; balcony, $1.00; second balcony, 50 and 35 cts.
Italian Theatres
AciERNo's Italian Theatre, 46-48 Bowery.
Prices vary according to the nature of the program. Grand opera:
from 25 cents to $1.00. Dramas, sketches, farces, vaudeville, etc.: 5,
10, 15 and 25 cents.
Maiori's Royal Theatre, 235 Bowery, Vaudeville and
Photo Plays. (5, 10, 15c.; Sundays: 10, 15, 25c.)
Teatro Italiano di Varieta, 237 Bowery. Vaudeville.
(5, 10, 15c.; Sundays: 10, 15, 20c.)
Yiddish Theatres
Jacob Adler's People's Theatre, 201 Bowery. Drama
and comedy.
Evenings: box seats, $2.00 and $1.50; orchestra, $1.00, 75 and 50c.;
first balcony, $1.00, 75 and 50c.; second balcony, 50 and 35c. Matinees:
box seats, $1.00, 7sc.; orchestra and balcony, 75, 50, 3sc.; second bal-
cony, 35, 25c.
David Kessler's Second Avenue Theatre, S. W. corner
of Second avenue and Second street.
Evenings: box seats, $2.00 and $1.50; orchestra, $1.00, 75, Soc. ;
first balcony, $1.00, 75, 50c.; second balcony, 50c. Matinees: box seats,
$1.00 and 75c.; orchestra, $1.00, 75, 50, 3sc.; first balcony, 75, 50, 350.;
second balcony, 35, 25c.
Boris Thomashevsky's Theatre, Second avenue and
Houston street. (Popular prices: 50, 30, 20, 10 cents.)
XII. Concerts, Art Exhibitions^ etc.
a. Concert Halls
In contrast with its multitude of theatres, New York
shows a curious lack of high-class concert halls. In fact,
the only prominent ones are Carnegie Hall and Aeolian Hall.
This may be partly explained by the fact that several of the
large musical societies, such as the Arion Society, etc., have
their own auditoriums; while on the other hand, the Metro-
politan Opera House and the various theatres are often
available for concert purposes.
The principal societies giving annual series of symphony
concerts in New York are: the Oratorio Society, the Phil-
harmonic Society of New York; the Symphony Society of
New York, and the Russian Symphony Society.
THEATRES, MUSIC HALLS, ETC. 63
Aeolian Hall (PI. IV— D3; p. 229), 29 W. 42d street.
Symphony and other concerts, piano recitals, lectures, etc.
The prices vary according to the nature of the entertainment.
Carnegie Hall (PL I — ^Ba; p. 108), in the Carnegie
Building, 57th street and 7th avenue. Concerts, recitals, etc.
Seating capacity, 2800.
Prices depend upon the nature of the production.
Carnegie Lyceum^ also in the Carnegie Building. Seat-
ing capacity, 627.
There arc also Concert rooms, auditoriums, etc., in the
Waldorf-Astoria, the Biltmore and other leading hotels,
where occasional performances are given, often for charitable
purposes.
Free Concerts. Much really good music may be enjoyed
by the public in New York, free of cost. During the winter
season, Wanamaker's Department Store gives in its audi-
torium a regular series of concerts, for which no admission
is charged. For a number of years, the Aeolian Company
has also given free concerts, as a means of demonstrating
their instruments. Many of the leading churches give special
musical services on Sunday afternoons or evenings, an-
nouncement of which may be found in the newspapers.
During the summer season, there are numerous public
band concerts given under the direction of the Department
of Parks. The frequency of these concerts, the time of day,
and the list of parks included vary from season to season;
but the following list is fairly comprehensive :
I. (Manhattan) Abington Sq., Battery, Bryant, Central, De Witt
Clinton, Hamilton Fish and Hudson Pks.; Madison Sq.; Mt. Morris
and Miorningside Pks.; Tompkins and Washington Sqs.; Wm. H.
Seward Pk.; 2. (Bronx) Bronx, Crotona, Claremont, Franz Sigel, St.
Jpmes, St. Mary's and McComb's Dam; 3. (Brooklyn) Bushwick, City,
Ft. Greene, 'Highland, Lincoln Terrace, Prospect and Red Hook Pks. ;
Saratoga Sq.; Sunset and Winthrop Pks.; 4 (Queens) Forest, High-
land, K.ings, Kissena, Linden and Rainey Pks.; 5. (Richmond) Port
Richmond, Washington Sq. and Westerleigh Pks.
b. Art Exhibitions
Permanent Art Exhibitions: Metropolitan Museum of Art
(PI. V— C4; p..305)» Fifth ave. and Sad st. Open week-days, 10 a. m.
Gallery (Lenox, Astor and Stuart Collections: Paintings and Objects
of Art), open, free, daily, 9 a. m. to 6 p. m.; Sundays, i to 5 p. m.,
except the Stuart Room. New York Historical Society (p. 344),
Central Pk. W., betw. 76th and 77th Sts.: Art Gallery (Paintings,
Prints and Egyptian Antiquities), open, free, daily, from 9 a. m. to
5 p. m., except Sundays and holidays. Brooklyn Museum
64 RIDER'S NEW YORK CITY
(p. 424), Eastern Parkway and Washington ave. (Paintings,
Sculpture, Antiquities, etc.), open week-days, 9 a. m. to 6 p. m.;
Sundays, 2 to 6 p. m.; Thursday evenings. 7.30 to 9.45. Admission,
Mondays and Tuesdays; adults, 25 c, children under 16, 10 c. City
Hall Art Collection (p. 142), City Hall Park, Manhattan. (Por-
traits of former Mayors, etc.). Open, free, week-days, during busi-
ness hours. Borough Hall Art Collection (p. 403). Borough Hall-
Park, Brooklyn. (Portraits of former Mayors, etc.). Open, free,
daily, during business hours. Hispanic Society of America (p. 348),
Broadway and 156th St. (Paintings, Sculptures, Wood-carving and
other works of Spanish Art.) Open^ free, daily and Sundays, 10 a. m.
to s p. m., except August. American Numismatic Society (p. 3So),
Broadway and 156th St. (Coins and Medals.) Open, free, 10 a. m.
to 5 p. m. daily; Sundays, i to 5 p. m. Cooper Union Museum of
Arts of Decoration (p. 154), in Cooper Union, Fourth ave. and 8th
St. Open, free, daily, except Sundays and Mondays, 9 a. m. to 5
p. m., and 6.30 to 9 p. m. ; closed July i to September 15. Bronx
Society of Arts and Sciences (p. 381), Lorillard Mansion, Bronx
Park. Open, free, daily, 10 a. m. to 5 p. m. Staten Island Associa-
tion of Arts and Sciences (p. 450), 154 Stuyvesant pi.. New
Brighton, S. I. Open, free, daily, except Sundays, 10 a. m. to 5 p. m.
Barnard Cloisters, Fort Washington Ave,, above i8ist St. Private
collection of the sculptor, George Grey Barnard (Antiquities and
French Objects of Art.) Admission, week-days, $2.00; Sundays,
$1.00.
Periodic Exhibitions by Leading Fine Arts Societies of New
York: National Academy of Design (p. 242), Amsterdam ave. and
109th St. Permanent Gallery of portraits of artists, etc. Two annual
exhibitions, spring and fall, in the American Fine Arts Building,
215 W. S7th St. Open, week-days, 7 a. m. to 6 p. m., 8 to lo p. m. ;
:>undays, i to 6 p. m. Admission, 50 c. ; Mondays free. American
Water Color Society (p. 321), 215 W. S7th st. Annual exhibition
held (February, 1915) in National Arts Club, 119 E. 19th St. Archi-
tectural League of New York, 215 W. S7th St. Annual exhibit
(February) in Fine Arts Building. New York Water Color Club,
215 W. 57th St. Exhibition held annually in the autumn, in American
Fine Arts Building. Open daily, 10 a. m. to 6 p. m.; Sundays, i to
S p. m. Admission, week-days,i 25 c; Sundays, free. American
Society of Miniature Painters (Secretary's address, 140 W. S7th St.).
Annual exhibition held with National Academy of Design, in the
spring. Art Students' League, 215 W. 57th st. Frequent "One
Man" Exhibitions. National Society of Craftsmen, 119 E. 19th St.
Permanent exhibition in salesrooms of society. Open, • daily, free,
p a. m. to 5 p. m. Annual exhibition and sale held in December,
in galleries of National Arts Club. Monthly exhibition in the Society's
rooms. National Association ,of Portrait Painters, 51 W. loth St.
Occasional exhibits (last, 1915, in Seligman's Galleries). Ten Amer-
ican Painters, founded in 1898 (J. Alden Weir, William M. Chase,
Childe Hassam, Robert Reid. Edward Simmons, etc.). Annual exhi-
bitions (191S. Knoedler's Gallery). Twelve Landscape Painters (Bruce
Crane, J. Alden Weir, etc.). First exhibition at Macbeth Galleries,
191 5. Association of Women Painters and Sculptors (formerly
Woman's Art Club of New York; Secretary's address, 131 W. 79th
St.). Exhibitions, Arlington and Anderson Galleries, etc.
Occasional Exhibits: Municipal Art Gallerv, Irving High School,
Irving PL and 17th St. Monthly loan exhibits." National Arts Club,
119 E. 19th St. Monthly exhibits open to the public, from 10 a. m.
to 6 p. m. MacDowell Club, 108 W. 55th St. Art Gallery: Art
exhibitions twice a month; self -organized groups of eight or twelve
SPORTS, GAMES, ETC. 65
artists. Open, daily, free, to the public (except Mondays and Tues-
days). Grolter Club, 29 E. 32d St. Occasional exhibits for biblio-
philes. Admission on presentation of personal card. Museum of
t'rench Art, 599 Fifth Ave. Affiliated with the Institut Frangais aux
£tat8-Unis. Exhibition Gallery open daily, 8 to 6 p. m.; occasional
special exhibits.
The following Private Clubs hold more or less regular
Art Exhibitions during the season. Admission by member's
card onlv:
Union League Club, 39th St. and 5th Ave.; monthly exhibitions
during the season; usually 2d Thursday, with Ladies' Days the follow-
ing Friday and Saturday. Century Association, 7 W. 43d St.; monthly
exhibitions of works by members. Lotos Club, no W. 57th St.;
exhibitions during season, 3d Saturday each month. City Club of
New York, 55 W. 44th St.; exhibitions of paintings and sculpture
changed monthly. Catholic Club, 120 W. 59th St.; occasional exhibi-
tions and lectures on art. Salmagundi Club, 14 W. 12th St.; frequent
exhibitions. Pen and Brush Club, 132 E. 19th St.; frequent exhibitions.
Kit-Kat Club, 13 £. 14th St.; annual exhibition and^ ball. For special
exhibits see daily papers, especially Saturday's Evening Post.
XIII. Sports, Games, Etc.
Sports may be classified under two heads: i. big public
games and exhibitions, such as professional baseball and
horse races, at which the general public plays the passive
role of spectator; 2. those milder forms of play, such as
golf, tennis and croquet, in which the chief pleasure con-
sists, not in looking on, but in participating. In New York
the first of these classes is of course open to resident and
stranger alike, at the cost of a ticket of admission. But the
stranger in New York who wishes himself to indulge in
any of his favorite out-door pastimes will find a regrettable
dearth of opportunities. In no city is land space so ex-
pensive, and the great majority of golf courses, tennis courts,
and athletic fields are privately owned and controlled by
the various Athletic and Country Clubs, admission to which
can of course be had only through introduction by a member.
In many of the public parks, however, there are facil-
ities for a number of the more popular out-door sports, in-
cluding baseball, croquet, cricket, cross-country runs, foot-
ball, golf, lacrosse and tennis. Season permits may be ob-
tained from the Department of Parks, by any responsible
person or organization, upon payment of a nominal fee.
Application should be made to the following offices: Man-
hattan Office, Municipal Building, loth floor; Bronx Office,
Zborowski Mansion, Claremont Pk. ; Brooklyn Office, Litch-
field Mansion, Prospect Pk. ; Queen's Office, Forest Pk.
A list of the parks ayailable for the several sports will be
given under their respective paragraphs.
66 RIDER'S NEW YORK CITY
Athletics. The principal Athletic Clubs in New York
owning spacious outdoor grounds include the follwing: The
New York Athletic Club, cor. of 6th ave. and 59th st., has
private grounds and a country clubhouse on Travers Island,
Long Island Sound. The Pastime Athletic Club has grounds
at the foot of E. 90th st. The Irish- American Athletic Club
holds its games at Celtic Park. The Crescent Athletic Club
of Brooklyn, has grounds at the foot of 85th st., Brooklyn.
E^bets Field, the grounds of the Brooklyn Baseball Club,
are at Montgomery and Bedford aves., Brooklyn. The Polo
Grounds, where professional baseball and college football
games are held, are at Eighth ave. and 155th st. Other gym-
nastic societies include the following: New York Turn
Verein (Gerpian g3rmnastic society), Lexington ave., cor. of
85th St. ; Columbia University (see p. 270) ; St, George's Club,
207 E. i6th St.; St. Bartholomew (boys' club), 209 E. 42d st. ;
Young Men's Christian Association (p. 83) with grounds
at Mott Haven and several gymnasia (chief clubhouse at
215 W. 23d St., see p. 84). The Amateur Athletic Union
has its office at 21 Warren st.
Many of the principal public athletic contests, both
amateur and professional, including bicycling, walking, run-
ning, etc., take place in the Madison Square Garden, at Mad-
ison ave. and 26th st.
Among private gymnasiums may be mentioned: The
Savage Gymnasium, 308 W. 59th st.; The Berkeley Lyceum
Gymnasium, 19 W. 44th St.; The Downtown Businessman's
Gymnasium, 50 Church st.
Aviation. The principal Aviation club in New York
is the Aero Club of America (organized 1905) with head-
quarters at 297 Madison ave. It has a membership of 265
resident and 2&1 non-resident members. The Aviation field
is at Mineola, Long Island. The Aeronautical Society of
America was formed in 1914, with the purpose of furthering
the science of aeronautics. The club has branches in all
parts of the United States. Headquarters, 29 West 39th st.
Baseball is admittedly the great national sport, and one
in which all classes and all ages in the United States share
alike. In the big universities it is rivalled alone by the interest
in the annual intercollegiate football matches. But to the
general public the fascination of baseball is paramount. And
while there are countless amateur teams and minor pro-
fessional leagues, what a foreigner first visiting America
should understand is that when people talk of baseball they
SPORTS, GAMES, ETC. (^
may be presumed to be talking of the Championship Series
of games annually played by the picked teams of the two
Major Leagues, the National League and the American
League. There are eight teams in each league, upon each
of which the public has conferred a slang appellation. The
National League consists of: i. New York, "Giants";
2. Brooklyn, "Dodgers"; 3. Boston, "Braves"; 4. Philadephia,
"Phillies"; 5. Pittsburg, "Pirates"; 6. Chicago, "Cubs"; 7.
Cincinnati, "Reds"; 8. St. Louis, "Cardinals." In the Ameri-
can League are: i. New York, "Yankees"; 2. Boston. "Red
Sox" ; 3. Philadelphia, "Athletics" ; 4. Cleveland, "Indians" ;
5. Chicago, "White Sox"; 6. Washington, "Senators"; 7.
Detroit, "Tigers"; 8. St. Louis, "Browns." The schedule for
the series of championship games is arranged by a National
Commission consisting of three members, two of whom are
the respective presidents of the two leagues. At the close
of the championship series, the two leading teams proceed to
play the World Series for the championship of the year. The
choice of city for the first of this second series is decided
by the toss of a coin.
These leagues are highly organized business ventures, carried out
on a huge scale, and some of the salaries paid 'are large. One member
of the National Commission, as now constituted, is John K. Tener,
formerly Governor of Pennsylvania, who resigned that position in order
to become president of the National League, and whose present salary
is understood to be $25,000. The largest salaries paid to any of the
plavers range between $10,000 and $15,000. Among the highest paid
and most popular players should be mentioned "Christie"^ Mathewson,
manager (Cincinnati) ; "Jahnny" Evers, 2d base ("Braves"); "Hans"
Wagner, shortstop ("Pirates"); "Tv'* Cobb, outfield ("Tigers");
Walter Johnson, pitcher ("Senators**); *'Eddie" Collins, ad base
("White Sox"). It is generally understood that the highest price
ever paid for a player was paid for Collins, the owner of thei **White
Sox" being reputed to have given $65,000 to the owner of the
"Athletics" for his release.
The series starts between April loth and 14th, .usually on the loth.
After the championship schedule is completed, several days are allowed
the players in which to rest and prepare for the World Series, the
date being decided by the National (Commission (but in October). Such
games of the series as are played in Greater New York take place
either at the Polo Grounds, 8th ave. and iS5th St., at the end of the
Ninth Ave. El R. R., or at Ebbets' Field, Montgomery st. and Bedford
ave., Brooklyn (Brighton Beach El. to Consumers* Park Station).
Prices (at both fields): Upper boxes, $2.00; lower boxes, $1.50;
reserved seats, $1.00; grandstand, 75 cents; "bleachers,** 50 and
35 cents.
Bicycling. Bicycling as a sport has well nigh ceased to
exist in New York, and a bicycle is a rare sight on the city
streets, except when used by district messengers or as a
substitute for a delivery wagon. The motorcycle on the
contrary is steadily gaining in popularity.
68 RIDER'S NEW YORK CITY
Billiards and Pool. Billiard and Pool rooms will be
found in practically all the leading hotels. Among the better
known Billiard parlors may be mentioned Maurice Daly's,
1615 Broadway; George F. Slosson's, 1587 Broadway; Joseph
Thumbs, 1 241 Broadway.
Bowling. Among the many public bowling alleys of
New York may be mentioned, Joseph Thumbs, 1241 Broad-
way; Broadway Arcade Bowling Alleys, 1943 Broadway;
and the Grand Central Palace, Lexington ave. and 45th st.
Canoeing. Canoeing is practiced on both the Hudson
and Harlem rivers and on Gravesend Bay. On several of the
park lakes there are canoes to rent. The principal clubs, the
New Yorfs Canoe Club and the Brooklyn Canoe Club, have
their headquarters at Gravesend. The best nearby canoeing
river is the Passaic, in New Jersey. A good starting point is
Singac, where canoes can be rented.
Cricket. Cricket in America is not a public sport as it
is in England, but is confined almost wholly to private clubs.
The principal ones in and around New York are: i. Those
composing the New York and New Jersey Cricket Associa-
tion, which includes Bensonhurst, the Richmond County, the
Manor Field, the Bensonhurst Rovers, the Staten Island and
the Crescent Athletic Club; 2. The Metropolitan District
Cricket League, comprising the Manhattan, the Bensonhurst,
the Brooklyn, the Patterson, the King's County and the
Brooklyn Wanderers.
Driving. In New York, as elsewhere, driving as a pas-
time for the wealthy, is rapidly being superseded by motor-
ing. And on 5th ave., where less than a generation ago, one
of the sights of New York, any pleasant afternoon, was the
long procession of fashionable equipages with liveried coach-
man and footman, a private carriage today, in the endless
stream of automobiles, is almost a curiosity. The fashionable
drives, so far as the custom is still maintained, are through
Central Park and along Riverside Drive.
Owners of "fast trotters,'* less numerous than in former
years, resort chiefly to the Speedway (p. 353), which skirts
the W. bank of the Harlem River to the N. of 155th st.
Until comparatively recently 7th ave., above Central Park,
was also a daily scene of fast trotting, and was kept a soft
dirt road for the purpose; but it is now paved.
Public "Four-in-hand" coaches make daily trips through
SPORTS, GAMES, ETC. 69
northern New York into Westchester County, during April,
May and June, starting from the Holland House and the
Waldorf-Astoria (seats usually $5.00). Coaches may also
be chartered by the day for private coaching parties.
Fishing. Salt water fishing is practically the only kind
within convenient reach of New York City. There are many
near-by points along the coasts of Long Island and New
Jersey where striped bass, blue fish, weak fish, etc. may be
taken. In the spring, shad enter the Hudson River, and in
some seasons may be taken in abundance but they are netted
with seines. Steamers specially built for deep sea fishing,
make daily trips during the season, lying out at sea all day.
Some of them start from the neighborhood of the Battery,
but the majority have their headquarters at Sheepshead Bay
The average price is $1.00 per passenger, who is usually ex-
pected to provide his own luncheon. Lists of these steamers
are published in the daily papers. See especially the Sun and
Evening Telegram, which make a feature of their fishing
column. Fresh water fishing involves a railway trip of many
miles. Some of the railways, especially those in New Jersey,
issue Fishing Booklets giving distances, excursion rates and
the kind of fish to be caught at places along their lines.
Football. There are now practically no football games
in New York which attract those not immediately interested.
Columbia University has for the present ceased to play
intercollegiate matches, and the game has been given up
by the athletic clubs. Occasional intercollegiate games are
played at the Polo Grounds (not used for polo, by the way).
The Englishman must remember that American "football
is not "Rugby" or "socker** but quite a different game.
Golf. The principal golf clubs within convenient distance
of New York City makeupthe Metropolitan Golf Association,
the membership of which is limited to active and allied clubs
of the United States Golf Association within fifty-five miles
of the city, including the whole of Long Island (76 clubs
in 1915).
The following is- a partial list of the more accessible clubs:
Ardsley Club, Ardsley-on-Hudson, N. Y.; Brooklyn Forest Park Golf
Club, Brooklyn, N. Y.; Canoe Brook Country Club, Summit, N. J.;
Century Country Club, White Plains, N. Y.; Crescent Athletic Club,
Brooklyn, N. Y.; Dunwoodie Country Club, Yonkers, N. Y.; Flushing
Country Club, Flushing, L. I.; Fox Hills Golf Club, Clifton, S. I.;
Forest Hill Golf Club, Belleville, N. J.; Garden City Golf Club,
Garden City, L. I.; Hackensack Golf Club, Hackensack, N. J.; Inwood
Country Club. Inwood, N. Y.; Knollwood Country Club, White Plains,
N. Y.; Midland Golf Club, Garden City, L. I.; Ocean Country Club.
70 RIDER'S NEW YORK CITY
Far Rockaway, L. I.; Richmond County Country Club, Dongan Hills,
S. I.; Saegkill Golf Club, Yonkers, N. Y.; Stwanoy Country Club,
Mount Vernon, N. Y.; St. Andrew's Golf Club, Mt. Hope, N. Y.;
Sunningdale Country Club, Mt. Vernon, N. Y.; Wykagyl Country Club,
New Rochelle, N. V.; Baltusrol Golf Club, Baltusrol, N. J.; Nassau
Country Club, Glen Cove, L. I.; Fox Hills Golf Club, Staten Island;
Apawamis Club, Rye, N. Y.
All these, of course, are private clubs, and open to visitors only
when properly introduced by a member. The only public Golf courses
within Greater New York are in the following parks, where anyone may
play upon obtaining a permit, for which a nominal fee is charged: Van
Cortlandt Park, Broadway and 240th st. ; Pelham Bay Park, N. E. end
of city (reached by N. Y., Westchester and Boston, R. R.) ; Dyker
Beach Park, on Gravesend Bay; Forest Park, Woodhaven, L. I.
Horse Racing. The chief Horse Races near New York
are those of the Westchester Racing Association at Belmont
Park ; the Brooklyn Jockey Club at Gravesend, betw. Brook-
lyn and Coney Island; the Empire City Racing Association
at Yonkers; the Coney Island Jockey Club at Sheepshead
Bay; the Queens County Jockey Club at Aqueduct (L. I.);
and the Metropolitan Jockey Club at Jamaica. Now that
there is no official betting less interest is taken in the races
and they are run intermittently (see daily papers). Adm. to
grand-stand, $2; to field, 50-75C.
Steeplechasing is carried on under the auspices of the
National Steeplechase and Hunt Association and the United
Hunts Racing Association. Fox Hunting (with a "drag" or
carted fox) is carried on in Long Island and New Jersey.
Motoring. Motoring as a pastime has recently attained
a phenomenal popularity; and especially on Sundays and
holidays the ceaseless stream of automobiles along the main
arteries of travel to favorite suburban resorts, form one of
the most striking spectacles of the metropolis. The chief
organizations in connection with motoring are the Automobile
Club of America, S4th st., W. of Broadway, with a member-
ship of about 2300 (the aim of the club being to promote
the development of motor cars, and to secure improved high-
ways) ; and the American Automobile Association, at 437
5th ave., a national organization comprising 475 different
clubs, with an aggregate membership of 100,000. Both of
these Associations have admirably equipped garages for the
use of out-of-town members, at moderate rates. The forty-
mile Motor Parkway on Long Island has no speed limit. It
extends all the way to Ronkonkomo and has no grade cross-
ings. Charges for privilege of using it: Motor car, $1.00;
motor cycle, 50c.
The recently constructed Sheepshead Bay Motordrome
SPORTS, GAMES, ETC. 71
is now the scene of the principal automobile races taking
place in or around New York. The famous "Vanderbilt
Cup" Race, formerly the big annual event on Long Island,
has since 1910 been run elsewhere (Savannah, Milwaukee,
San Francisco, etc.).
Polo is played mainly at the country clubs (p. 74)-
The two important clubs are the Islip Polo Club, Bay Shore,
L. I., and the Polo Association, 17 Battery PI. The inter-
national polo matches are held at the Meadowbrook Club,
Meadowbrook, L. I.
Riding. Although horseback riding in New York has
lost much of its old time popularity, yet on any pleasant day
one of the sights of interest to strangers is the attractive
group of thoroughbred saddle horses, waiting with their
grooms at the main entrance to the Central Park Bridle-path,
at Broadway and 59th st. Because of the extent and ad-
mirable condition of this bridle-path, it is the principal resort
of the great majority of New Yorkers who still indulge in
this form of exercise, — especially since it adjoins the wealth-
iest residential section in the city. There are also bridle-
paths along Riverside Drive, extending nearly to Grant's
Tomb; in Van Cortlandt Park in the Bnonx; and in Forest
Park, Jamaica. Saddle horses may be hired by the hour for
out-door riding from any; of the riding academies. The fol-
lowing are among the best known : Durland's Riding Academy,
5 W. 66th St.; Central Park Riding Academy, 7th ave. and
59th st. ; Van Cortlandt Park Riding School, Van Cortlandt
Park. The private clubs in Manhattan devoted to this pas-
time are : The New York Riding Qub, with headquarters at
Durland's; and the Riding Club, at No. 7 E. 58th st. In
Brooklyn, near the entrance to Prospect Park, is the Riding
and Driving Club, one of the largest institutions- of the
kind in the country.
Rowing. Row boats for private use may be hired at
a number of boat houses along the Harlem River, at an
average price of 50 cts. per hour; also on the Hudson River,
although the boats are clumsy and the water is usually too
rough and the current too strong for comfort. Many of the
lakes in the city parks rent row boats and canoes. The two-
mile stretch of the Bronx River, where it passes through
Bronx Park, is especially popular during the summer months.
The following is a list of the other parks with boating
facilities: Manhattan: Central Park (special feature, the
so-called "Swan Boats"); Bronx: Crotona, Pelham Bay,
and Van Cortlandt Parks; Brooklyn: Prospect Park.
72 RIDER'S NEW YORK CITY
There are many rowing clubs with boat houses along
the Harlem River, and a few on the Hudson River, and on
the Brooklyn and Staten Island shores of the harbor. During
the summer, annual regattas are held on the Hudson River
(Woodcliff course), by the Hudson River Rowing Associa-
tion, and on the Harlem River by the New York Rowing
Association.
Sea Bathing. Public accommodations for sea bathing
are arranged at Bensonhurst, Dyker, and Seabreeze, all in
Brookl3m. All public park recreations are free. Private
commercial enterprises at the various beaches oflFer more
opportunities for sea bathing. For bathing, the tourist
should avoid Coney Island and the other nearer and more
crowded resorts. Rockaway Beach and the Staten Island
beach resorts are but little better, and Long Beach and points
east thereof are recommended.
Shooting. The famous rifle-ranges at Creedmore, Long
Island, 12^2 miles from the City Hall, now belong to the New
York State militia. There are several gun clubs for "trap"
and pigeon shooting in New Jersey.
Skating. Outdoor skating in winter can be enjoyed in
a number of the larger city parks; in Manhattan, at Central
Park; in the Bronx, in Crotona, Van Cortlandt and Bronx
Parks; in Brooklyn, at Prospect Park; in Queens, at Kis-
sena Park, Flushing, and Upland Park, Jamaica. The out-
lying parks are less crowded than the central ones. There
are a number of outdoor rinks throughout the city, and very
recently some of the large hotels have opened roof rinks.
The best-known indoor rink* is the St. Nicholas, at No. 69
W. 66th St.
ft
Tennis. Among the chief clubs are the New York
Athletic, at Travers Island, New Rochelle; the West Side
at Morningside Heights; and the Kings County, at Kingston
and St. Mark's aves., Brooklyn. From May to October
strangers may play in the Tennis Building, W. 41st St., near
Seventh ave. Indoor tennis is also played in the Seventh
Regiment Armory and in the Racquet and Tennis Club,
27 W. 43d St., betw. Fifth and Sixth aves.
Tennis Courts (several hundred) are found in the fol-
lowing parks : In Manhattan, Central ; in the Bronx, Van
Cortlandt, Bronx, Pelham, Crotona, Claremont, Franz Siegel,
Poe, St. James, St. Mary's, McComb's Dam; in Brooklyn,
Prospect Park; in Queens, Forest and Kissena Park.
CLUBS 73
XIV. Clubs
Clubs. The chief clubs, to which strangers can obtain
access only when introduced by a member, are the following:
Manhattan Club, at the corner of E. 26th st. and Madison sq.
see p. 209 (1500 members; democratic) ; Union League, Fifth
ave., corner 39th st, see p. 185 (1800 members; social) ; Union
I E. 51st St., cor. Fifth ave. (1600 members; social); Uni-
versity, Yihh Ave., cor. 54th st., for college graduates (3300 '
members); Century (p. 197), 7 W. 43rd st. (literary and artis-
tic; celebrated meetings on the first Sat. of each month);
Metropolitan. Fifth ave., cor. 60th st. (the "Millionaires*
Club"; initiation fee $300, annual dues $125) ; Lotos, no W.
S7th St. (art) ; Knickerbocker, 2 E. 62d st. (500 mem-
bers ; sporting and fashionable) ; Reform, 9 So. William
St. (for those interested in political reforms; 600 members) ;
City Club, 55 W. 44th st. (for those interested in municipal
reform; 1300 members); Merchants' Club, 106 Leonard st. ;
New York, 20 W, 40th st. ; St. Nicholas Club (p. 197) 7 W.
44th St. (250 members; confined to descendants of old
New York families) ; Republican, 54 W. 40th st. (political) ;
National Democratic, 617 Fifth ave. (political) ; Aero of
America, 297 Madison 2ive.; Automobile Club, 247 W. 54th st. ;
N. Y. Yacht Club, 37 W. 44th st; Salmagundi, 14 W. 12th
st (art). Authors' Club, 883 Seventh ave.; N. Y. Press
Club, 21 Spruce St. ; City History Club, 105 W. 40th St. ; The
Players, 16 Gramercy Park, with interesting pictures and
relics and the rooms once occupied by Edwin Booth (1833-
93), maintained as they were left at his death; Bar Associa-
tion, 42 W. 44th st; Lawyers' Club, 115 Broadway; Engineers'
Club, 32 W. 40th St., opposite the Public Library (2000 mem-
bers) ; Transportation Club, in the Manhattan Hotel ;
Machinery Club, 50 Church st. (p. 136) ; Railroad Club, 30
Church st ; Drug and Chemical Club, 100 William st ; Grolier
Club, 29 E. 32d st; (art, books and prints) ; Calumet Club, 12
W. 56th st (social) ; German Club (Deutscher Verein;
p. 230), 112 Central Park South; Progress Club, Cen-
tral Park West, cor. 88th st. (Hebrew) ; Harmonic, 10 E.
6oth st (Hebrew) ; Arion (p. 217), Park ave., cor. S9th
St. (German and musical) ; Freundschaft, 105 W. 57th st.
(German): Alliance Fran^aise, 200 5th ave.; 43 Cedar
st (1000 members); Aldine Club. Fifth ave. and 23d st
(social) ; Downtown Association, 60 Pine st. (these two lunch-
ing clubs) ; Harvard, 27 W. 44th st; Yale, 44th st. and Van-
derbilt ave.; Columbia University Club, 18 (iramercy Park;
Princeton Club, 121 E. 21st st. ; University of Pennsylvania
74 RIDER'S NEW YORK CITY
Club, 233 Broadway; National Arts Club, 14 Gramercy
Park; Lambs* Club, 130 W. 44th St.; Catholic, 120 Central
Park South; Army and Navy, 107 W. 43d St.; The Friars,
a club of press agents, no W. 48th st. ; Chemists' Club, 52 E.
41st St.; German Liederkranz Club, in E. 58th st; Physician^
and Surgeons' Club, 346 W. 57th st. ; Racquet and Tennis
Club, 27 W. 43d St.; United Service Club, McAlpin Hotel;
MacDowell Club (music, art and literature), 108 W. 55th st. ;
Technology Club, 17 Gramercy Park.
Among the women's clubs are the Barnard Club, 883
Seventh ave. (for men and women) ; Colony Club, for women,
Park ave. and 62d St.; Women^s Pen and Brush Club, 132
E. 19th St.; Women's University Club, 106 E. 52d St.;
Women's Municipal League, 4IS E. 29th st. (2100 members) ;
Women's City Club, Hotel Vanderbilt (new and growing). .
Among the chief Country Clubs near New York are:
Ardsley, Ardsley-on-Hudson, N. Y. ; Canoe Brook, Summit,
N. J. ; Century, White Plains, N. Y. ; Country Club of Lake-
wood, Lakewood, N. J. ; Siwanoy, Bronxville, N. Y. ; Meadow
Brook, Westbury, L. I.; Inwood Club, Inwood, L. I.;
Flushing Country Club, Flushing, L. I.; Knollwood Club,
White Plains, N. Y. ; Maplewood Field Club, Maple-
wood, N. J. ; Nassau Club, Glen Cove, L. I. ; Ocean Club, Far
Rockaway, N. Y. ; Piping Rock Club, Locust Valley, L. I. ;
South Shore Field Club, Bay Shore, L. I. ; Richmond County
Club, Dongan Hills, S. I.; Tuxedo Club, Tuxedo Park, N.'Y. ;
Wykagyl Club, New Rochelle, N. Y., and many others on
Long Island. See also Golf Clubs, in section on Golf, p. 69-70.
XV. Shops and Stores
The principal New York shopping district, including a ma-
jority of the leading department stores, extends from Greeley
Square east through 34th st. and north on 5th ave. practically
to Central Park. This whole section is a development of the
last fifteen or twenty years, in what was previously New
York's choicest residential district. The former shopping
centres, now almost deserted, were lower 6th ave., 14th and
23d sts., and Broadway in the vicinity of Union square. Be-
cause of its proximity to the East Side, 14th st. is likely to
remain for a long time a retail business street, catering
chiefly to the working classes; but 23d st. within the space
of a couple of years has been transformed from a retail
to a wholesale section. On 5th ave. north of 23d st. are
some interesting shops; but few transient visitors will find
any necessity, in doing their shopping, of going south of 32d st.
SHOPS AND STORES 75
Aside from the dcpartncnt stores, the chief treasnrcs of N(
York's retail stock are to he found in the Fifth are. stores and shoL
Here are practicallr all of the leading jeweDers and slreraniiths, the
Icadii^ dealers in fine pcircelain and glass, the galleries for the cx-
hfhition and sale of paiffrpgs and objects of art, the most exdnsiTe
house fnroishers and decorators. On the side streets adjacent to Fifth
aTCL aboTC 42d St., and aloi« Madison ave. are to be focnid a mnkitnde
of nmisiial shops, devoted to high-grade specialties, antiques, rare laces,
choice ^^'^"BgiF and cngrarings, etc.
But it wonld be qnite misleading, in a city of soch huge , pro-
portions as New York, to imply that the shops worth patronizing
are confined to any one locality. On the contrary, they are scattered
everywhere, ah»ng upper Broadway, on the cross-streets, and even in
the downtown business and financial districts. Not a few bargains of
an unusual sort may be picked up in the numerous arcades in the
larger ofiice boildings and the various railroad terminals.
Shofis fall into two general classes, the department stores
and the smaller shops carrying bat one line of goods. The
department stores offer goods of all grades np to the most
costly imported treasures. The following list, arranged in
geograi^ical order, indicates only the general mn of prices
and the especially good departments. WanAnukei's, betw.
8th and loth sts^ * Broadway and 4th ave. (Subway to
Astor place or snrface cars on Broad war or 4th ave.) Two
stores, connected by underground aisles and a bridge.
Especially good in silks, kitchen utensils. Japanese goods,
china. Carries a line of English imported coats, hats, etc
(Restaurant see p 25). Beam's 14th st.,. S. side, betw.
>th and 6th aves. Very low-priced goods; especially
large line of infants' clothing and boys' suits. Greenhut
Co., formerly two stores 6th ave. and i8th st, on
opposite sides of the street, but the store on the West
Side (originally Altman's) is now dosed. Low-priced
gocxb. wide range of departments. Gimbel's, Broadway and
33d St., one of the most recent of New York's department
stores. It carries a high-grade stock and has an especially fine
line of furniture and of silks and other dress goods. Its semi-
annual *^Promenade des Toilettes" is one of the familiar fea-
tures of New York life. (Restaurant see p. 25.) Macy's
(PI. Ill — C2) 6th ave., between 34th and 35th sts. 6th ave.
elevated to 34th st., or surface cars. Seeks reputation of
being a "price-cutter.", (iood grocery and delicatessen de-
partment, business stationery, glassware, dress trim-
mings. (Restaurant see p. 25.) The following stores have
no departments of grroceries. etc : McCreery's. (p. 183) 34th
st, N. side, betw. 5th and 6th aves. Somewhat higher grade
goods carried; specialt)- silks. Altman's, (PL III — J>2) 5th
ave. and 34th st, beautiful high-grade stock ; specialties, silks,
lingerie, rugs and house furnishings. Takes pride in the high
76 RIDER'S NEW YORK CITY
standard of its retail service. Lord &; Taylor (p. 184), 5th
ave. and 38th st. Is the newest and most beautiful of the
large stores. Prices not high considering the quality of the
goods. Specialties, costumes, suits, silk, stockings. (Res-
taurant see p. 25.) Stern's (PI. I— B3) 42nd st., N. side betw.
5th and 6th aves. Prices and goods similar to McCreery's
Specialty gloves. Best, Bonwit Teller, and Franklin Simons,
though as large as department stores, have been grouped with
the specialty shops, because their departments cover a nar-
rower range.
The following classified list of specialty shops makes no
pretense of being exhaustive; it merely suggests for the
benefit of the stranger in the city a few of the admittedly
leading stores in each line. The prices range higher than in
the department stores and much of the stock is imported.
Antiques and Bricsa-brac: Duveen Bros., 720 5th Ave.;
Charles of London, 718 sth Ave.; C. & E. Canessa, S47 ,5th Ave.;
Aimone Galleries, Madison Ave. and 45th St.; Boston Antique Shop,
275 Sth Ave.; Worch of Paris, 467 5th Ave.; Frank Bowles,, 422
Madison Ave.; House of Philip Oriel, 23 E. 4?th St.; Villoresi, 15 E.
47th St.; Olivotti & Co., 352 Madison Ave.; Russian Antique Shop,
I E. 28th St.
Booksellers: For a city of its size, New York is poorly supplied
with bookstores. The continental traveller will especially note the lack
of second-hand booksellers. New York has, however, a few bookshops
which, in sumptuous setting and equipment, are unrivaled the world
over. The *Scribner store is perhaps the most beautiful bookstore in
the world, and *Brentano*s the largest in New York. Charles Scrihner's
Sons, 597-599 Fifth Ave., with an extensive collection of all kinds of
books, fine bindings, rarities, etc.; G. P. Putnam's Sons, 2-6 W. 45th
St.; Robert H, Dodd, Fourth Ave. and 30th St., rarities; E. P.
Button & Co., 681 Fifth Ave.; Brentano, Fifth Ave., cor. 27th St.
(large foreign department); Fleming H. Revell Co., 156 Fifth Ave.
(especially religious); JVilliam R. Jenkins Co., 851 Sixth Ave.;
Lemcke & Buechner, 30-33 W. 27th St. (German books); Stechert, G.
E., & Co., 155 W. 2Sth St. (German); Steiger, E., & Co., 49 Murray
St. (German). The two newest bookshops, The Lord & Taylor Book-
shop, 5th Ave. and 38th St., and The Suntvise Turn, 2 E. 31st St.,
make a point of up-to-date methods. — S/econd-hand Booksellers: Smith,
48 Wall St., rare books only; Mendoza, 17 Ann St.; Schulte, 132 E.
23d St.; Malkan, 42 Broadway. — Maps: Hammond, 30 Church St.
Caterers: Louis F. Massetti, 103-107 W. 49th St.; Dean's, 628
5th Ave.; Cardani, 6th Ave. and 53d St.; Plasa Catering Company,
431 Park Ave.
China and Glass: Gilman Collamore & Co., sth Ave. and 30th
St.; Davis, Collamore & Co., 5th Ave. and 48th St.; Haviland & Co.,
II E. 36th St.; Higgins & Seiter, 9 E. 37th St.; Long Sang Ti Co.,
293 and 323 5th Ave.; Ovington Bros. Co., 314 sth Ave.; Plummer &
Co., 7 E. 35th St.; Royal Copenhagen Porcelain Co., 256 5th Ave.
Children's Clothing: Best cor. sth ave. and 36th st.; DePinna,
625 5th ave., W. side, cor. 50th st.
Druggists: Riker Drug Stores, 2 W. 14th St., 6th Ave. and 33d
St., 6th Ave. afld 42d St., 42d St. near 5th Ave., 7th Ave. and 34th
SHOPS AND STORES 11
St.. Broadway a«d 46th St.. i5 W 34^h S^^^
Manhattan and the Bronx; ^'^^''^^X^J'f^J^^''^^'^^^ Hetherinffton,
* Co ^%f\th Avc^i Kalish Pharmacy, 4th Ave. and 23d St.. 6 b
tvf 'i«d'?8U? SU and 6.6 Madison Ave. ^---/-^.V^J.r.r'Hotd
St. B<nxno* ;^/>o«*ircoo. The Anson^. j^j^^^^J^^'^'ls £%^^
Astor. also three other branches. Haas pharmacy, 30
^^ %*LORiSTst' Bof/flr*. 970 6th Ave ; M A Bowe ^3^ Vh Ave ;
Bards,, 341 Madison Ave. and 114 VV. 724 St ; T/ie M^C^Z'eU dli
t^Td St • V/^«c/»man, goo Sth Ave., 30 Church St.; JWcConwj«, ftn
5th Av^/u^Kenny ^^. iad St.; Myer. Madison Ave. and s8th St
fh'^-Wot^rAn^o^a/a^^S fo^r! K« S^^^s^rSttrr^^t JV^^^^^^
/*•., 541 5tb Ave. _ ^
Furs: C. G. Gunther & Sons. 391 Sth Ave.; Shayne & Co., 126
W. 42d St.; Revillon Frires, 19 W .34th St.;^. J<^ckel& Co 384
.Sth Ave.; Russek, 358 .sth Ave.; Mischo & Co., 29-35 W. s^d St.,
Konvalinka & Weiss, 36 Maiden Lane.
Gloves: C^tit^tn^W, 296 5tb Ave., W. side near 31st St.; Cross,
S. W. corner 5th Ave. and 37tb St. (heavy gloves).
Groceries: *Park Sr Tilford, 5th Ave. and 26th St., 784 5th Ave.,
Madison Ave. and 76th 'St., and nine other branches (make excellent
candies also) ; Acker, Merrali and Condxt Co., 135 W. ^f ^^u 366 5 th
Ave., 6th Ave. and 57th St., and 27 other branches; ^^^""^^^ ^ ^^•''^^^;'
43d St.; Macy's (see Department Stores); Vendowe, 10 E. 47th St.
(caviar and imported deUcacies) ; Maxson Frangaxse 4 E. 46th St.
(caviar, etc.); *Mouquin Rest, and Wire Co Ann St. near Broadway
^French canned goods, cheeses etc.); * fella Bros.. 15+ West Broadway.
(Italian cheeses, spaghetti, and canned goods).
Hats (for Men): Dohhs & Co.. 242 5th Ave.; Dunlap & Co., 180
Sth Ave. and 181 Broadway; Knox, 452 5th Ave. and i( J'Ofaway;
Wallach Brothers, 1201 Broadway, 647 8th Ave.. 248 W . i25tn M,:
Young Bros., 849, 903. "97. 1361 Broadway.
Laces: Sara Hadley, 9 E. 3Sth St.; Fertig, 34th St. near Madison
Ave* Pietro Cattadori (Venetian Laces and Linens), 734 5th Ave.;
Saleeby*s "Real Lace Shop," 14 E. 34th St.; Specialty Lace Shop,
3 E. 45th St.
Leather Goods (See also Trunks, etc.): Mark Cross Co., 404 .5th
Ave.; 253 Broadway; Epstein, 171 Mad'son Ave.; Gras & Co., 41 W.
.^2d St.; H. J., 64 Lisoenard St.; Lehman & Co.. 325 ';th Ave,;
London Leather Goods Shoppe, 240 sth Ave.; Wilcox & WUcox, 286
5th Ave.; Charles R. Wolff, 3^5 5th Ave.
Linens and Embroidepifs: *McCtttrhnnn. 345 5th Ave., cor ^A*h
St.; McGibbon, 1-3 W. 37th St.; Walpole Bros.. 373 Sth Ave.; Grande
Maison de Blanc, 540 5th Ave.; Gebruder Mpsse, 19 W. 45th St.;
Porto Rico Store, Madison Ave., near 47th St.
Men's Furnishing Goods: Samuel Budd, 572 5th Ave., 149
Broadway; Guryan's English Shop, 292 sth Ave.; Kaskel & Kaskel,
316 sth Ave.; Pinio. Bros., 63 W. 42d St., 713 and 858 Broadway;
jr. W. Ryan, Hotel McAlpin and Pennsylvania Terminal; Triplet &
Co., 35 E. 42d St.; Weber & Heilbroner, sth Ave. and 42d St.. 241.
345. 7S7f 1363 and 1505 Broadway, a? New St., 20 Cortlandt St.;
78 RIDER'S NEW YORK CITY
IV kite & White, 335 Broadway, 25 Cortlandt St., 49 Nassau St.;
Wolff's Shirt Shops, 317 Broadway, 139 Nassau St., 26 Cortlandt St.,
no Chambers St.; James P. Carey, Grand Central Terminal.. See
also Tailors, p. 79.
Music Publishers and Dealers: Breitkopf & Hartel,' 22 W.
38th St.; Ditson & do.: 8 E. 34th St.; Pond & Co., 18 W. 37th St.;
Schirmer, 3 E. 43d St.; Novello, Ewer & Co., 2 W. 45th St.; Schuberth
& Co., II E. aad St.; Witmark & Sons, 144 W. 37th St.
Oriental Goods: Vantine's, S. W. cor. of 5th Ave. and 39th St.;
Yamanaka, 259 5th Ave.; Noorian, 255 sth Ave.; Banta, 261 5th Ave.;
Long Sang Ti Chinese Curio Company, 323 5th Ave.; Oriental%Rugs:
Donchian & Co., 262 5th Ave.; Kent-Costikyan, 485 sth Ave.; Mum-
ford, 2 E. 41st St. — (in China-town; take 3d Ave. Elevated to Chatham
Sq): Wing Tong Fook, 5 Mott St.; Say Kee Company, 7-9 Mott St.;
Wing On Wo, 13 Mott St.; Quong Sun Chong, 30 Mott St.; Ching
Chong & Co. (Chinese jewelry, jade a specialty), 37 Mott St.
Opticians: E. B. Meyrowits, 237 and 615 5th Ave.; Paul A.
Meyrowits, 389 and 539 sth Ave.; Gall & Lembke, 5 W. 42d St.;
GaNun & Parsons, 13 W. 4ad St., M. H. Harris. 27 W. 34th St.,
S4 E. 23d, and four other br&nches; Yanss Optical Company, 3 E. 23d
St. (g^lasses only).
Photographers: Bradley Studios, 435 5th Ave.; Campbell Studio,
S38 5th Ave.; AimS Dupont, 574 5th Ave.; Falk, 580 sth Ave.; Toyo Kiku-
<^'»*i 437 5th Ave.; and 159 W. 99th St.; Afarc^aw, 258 5th Ave.; Af«>*'feiii
Studio, 467 sth Ave.; Pach, 570 5th Ave.; Sarony, 362 5th Ave.; White
Studio. 1546 Broadway; Pirie McDonald, $76 5th Ave.; Hollinger,
582 sth Ave.; Kazanjian, 707 5th Ave.; The Mtsses Selby, 628 5th Ave.
Picture Importers and Dealers: American Art Galleries, 6
E. 23d St.; Anderson Galleries, 284 Madison Ave.; Arlington Art
Gallery, 274 Madison Ave.; Duveen Brothers, 720 Fifth Ave.; Klein-
berger Galleries, 709 Fifth Ave.; D. B. Butler & Co., 601 Madison
Ave.; Snedecor & Co., 107 W. 46th S4.; Erich Galleries, 707 5th Ave.;
Fifth Avenue Art Galleries, 546 5th Ave.; Folsom Galleries, 396 5th
Ave.; Goupil and Company (of Paris), 56 W. 46th St.; Keppel & Co.,
4 E. 39th St.; Knoedler & Co., 556 5th Ave.; Montross Gallery, sso
5th Ave.; Macbeth, 450 5th Ave.; Mu:rray Hill Art Galleries, 17 E.
31st St.; Strauss, 285 5th Ave.
Silver. Jewelry. Watches: Formerly all silversmiths and jewe1e»-s
were in Maiden Lane, where some of the silversmiths still remain.
Later Union Square became the popular jewel market. Tiffany & Co.
were the first to move from there to their present building at 5th Ave.
and 37th St. in 1905. The large firms are now nearly all in this
neighborhood: Black, Starr & Frost, 594 5th Ave.; Carlton & Co.,
634 sth Ave.; Dreicer & Co., 560 sth Ave.; Guttle & Co., 634 5th Ave.;
Gorham Co., 5th Ave. and 36th St.; Gutmann, 303 5th Ave.; Howard
& Co., 624 5th Ave.; Kirkpatrick & Co., 624 5th Ave.; Kohn & Son.
321 5th Ave.; Lebolt & Co., 534 5th Ave., Mrs. Lynch's Son, Inc., 229
W. 42d St.; Marcus & Co., 544 5th Ave.; Pickslay & Co., 570 5th Ave.;
Reed & Barton, 318 5th Ave.; Theo. B. Starr, 576 sth Ave.; John
Wells, 307 sth Ave.
Sporting Goods: Abercrombie & Fitch, 53 W. 36th St.;
Spalding, 126 Nassau St. (wholesale and retail), 523 jth Ave.;
Crooke. 1166 Broadway, E. side, near 28th St. (fishing tackle); Van
Lencerke, 200 sth Ave., W. side, near 23d St. (guns); Franklin Simon,
Sth Ave., W. side, near 38th St. (women's riding habits).
Stationers: Dempsey & Carroll, ^31 5th Ave.; Tiffany, sth Ave.
and 37th St.; Gorham Co.', sth Ave. and 36th St.; Brentano's, sth Ave.
and 27th St (these are the leading houses for high-class stationery.
SHOPS AND STORES 79
wading invitations, etc.); H. K. Brewer, 503 Sth Ave.; Mayfair, 657
Sth Ave.; Tower Novelty Company (commercial stationery and novelties),
18 E. 23d St., main store, Broadway; Dennison Manufacturing Com-
pany, 5th Ave.' and a6th St. (fancy papers for decorative purposes, tags,
labels and other desk conveniences).
Tailors: The more exclusive men's tailors are to be found on Fifth
Ave., between Madison Sq. and 50th St. Among the better known may
he mentioned /. W. Bell, Soi^ & Co., 437 Fifth Ave.; John Patterson
& Co., 10 E. 33d St.; Everall Bros., 463 Fifth Ave.; M, Rock, 315 Fifth
Ave.; Wetzel, 2 E. 44th St.; Sandford & Sandford, 542 Fifth Ave. The
leading clothiers, carrying a large stock of ready-made garments are:
Brooks Brothers, 346 Madison Ave.; Brokaw Brothers, Broadway,
near 42d St.; George G. Benjamin, Broadway and 34th St.; Rogers,
Peet Co., 479 Fifth Ave., 1302 Broadway, 258 Broadway; Browning,
King & Co., Broadway, near 32d St. All these houses carry a full
line of men's furnishing goods.
Toys: F. A. O. Schwartz & Co., 303 Fifth Ave.; Strauss Toy Shops
Co., Inc., Grand Central Terminal, Penn. Sta. Arcade, and Hudson
Terminal Concourse. Mayfair, 655 Fifth Ave.; Maison Josef, The
Children's Shop, 8 E. 46th St. Also in the chief Department Stores,
especially around the holidays.
Trunks, Traveling Bags, etc. (See also Leather Goods): Catt-
nach, 23 W. 45th St.; Cherry, 388 Fifth Ave.; Crouch & FitJtgerald,
154 Fifth Ave., 177 Broadway, 14 W. 40th St.; Doyle Bros., 335 Fifth
Ave., 40 Cortlandt St.; Innovation Trunk Co., 339 Fifth Ave.; Likly
Luggage Co., 279 Fifth Ave.; Charles^ W. Wolf, 340 Fifth Ave., 15
Beaver St., 102 Nassau St., 22 Cortland St.
Umbrellas and Walking Sticks: Harrison, 353 Fifth Ave., £.
side, near 34th St.; also 1140 Broadwav, W. side, near 27th St.; Reid,
294 Fifth Ave.; also 1476 Broadway, E. side, near 42d St.
Women's Clothing: Franklin Simon & Co., 414 sth Ave.; Bonwit
Teller & Co., sth Ave. and 38th St.; Arnold, Constable & Co., 5th
Ave. and 40th St. The following shops carry only the choicest lines
of goods: /. M. Gidding & Co., 564 5th Ave.: L. P. Hollander & Co..
550 sth Ave.; Alice Maynard, 546 sth Ave.; Samuel Lorber, 1 E. 46th
St.; H. Bendel, Inc., 10 W. 57th St.; Hickson & Co., 661 5th Ave;
Bruck Weiss Millinery, Inc., 4 W. S7th S*.
XVI. Churches. Religious Services
For the convenience of visitors wishing to attend service
at churches of their own denomination, the following selected
list of more important places of worship is given, the de-
nominations being classed alphabetically.
There are in all ahout 1400 churches in Greater New York, in-
clusive of chapels and missions. They are divided between the separate
borougfis as follows: Manhattan, s^7i Bronx, 153; Brooklyn, S04;
Queens, 161; Richmond, $7- If we include the churches within easy
reach in Jersey City and Hoboken, the sum total is 1540, a number
slightly in excess of London. The different denominations are * rep-
resented as follows, in the order of their numerical importance: Roman
Catholic, 321; Protestant Episcopal, 213; Lutheran, 170; Methodist
Episcopal, 157; Presbyterian, 146; Baptist, 125; Reformed, los; Jewish,
97; Congregational, 57; Christian Scientists, 11; Unitarian, .g; Universal-
ist, 6; Society of Friends, 5.
The usual hours at which services are held are 11 A. M. and
either 4 or 8 P. M. Announcements of services at many of the lead-
ing churches, themes of the sermons, special musical programs, etc.,
are usually to be found in the Saturday papers.
8o RIDER'S NEW YORK CITY
I. MANHATTAN
Baptist: Judson Memorial (p. 175), Washington Sq. S., cor.
Thompson St. — Madison Avenue, cor. Madison Ave. and ^ist St.; Rev.
Charles A. Eaton, D.D., pastor. — Fifth Avenue, No. 8 W. 46th St;.
Rev. Cornelius Woelfkin, pastor; holds union services with Calvary
Baptist Church, 125 W. 57th St. — First Baptist, Broadway and 79th
St. — Central Baptist, Amsterdam Ave. and 92a St. — Hope, 104th St. and
Broadway.
Lutherans: Holy Trinity, 6sth St. and Central Pk. W. — St.
James, Madison Ave. and 73d St. — Adv,ent, Broadway and 93d St.
Methodist Episcopal: John Street (p. 132), No. 44 John St. —
Washington Square, W. 4th St., near 6th Ave. — Metropolitan Temple,
No. 48 7th Ave. — Madison Avenue, Madison Ave. and 60th St. —
Grace, W. 104th St., betw. Columbus and Amsterdam Aves.
Moravian: First, Lexington Ave. and 30th St.
Christian Scientists: First Church of Christ, Scientist (p. 243) t
Central Pk. W. and 96th St. — Second Church of Christ, Scientist,
Central Pk. W. and 68th St.
Congregational: Broadway Tabernacle (p. 173), Broadway and 56th
St.; Rev. Charles E. Jefferson, D.D., pastor. — Manhattan Congrega-
tional, Broadway and 76th St.
Society of Friends: East Fifteenth Street, Rutherford PI. and
iSth St. — Twentieth Street (orthodox), 144 E. 20th St.
Jewish: Temple Emanu-Bl (p. 196), sth Ave. and 43d St.;
Rev. Joseph Silverman, rabbi. — Beth-El, 5th Ave. and 76th St. —
Shearith- Israel (p. 243), Central Pk. W., cor. 70th St. — West Side
Synagogue (Shaaray Tefilla), 156 W. 82d St. — Temple Israel of Har-
lem, Lenox Ave. and 120th St. — Free Synagogue, Synagogue House, 36
W. 68th St.; Stephen S. Wise, rabbi; Sunday services 11 A. M., at
Carnegie Hall; Friday evening, at 8.15; Clinton Hall, 151 Clinton St.
Presbyterian: Fifth Avenue (p. 204), Fifth Ave., cor. 55th St.;
Rev. John Henry Jowett, D.D., pastor. Madison Square Presbyterian
(p. 206), Madison Sq., cor. 24th St.; Rev. Charles H. Parkhurst, D.D.,
pastor. Old First (p. 178), Fifth Ave. and nth St.; Rev. Howard
Duffield, D.D., pastor. Brick (p. 184), Fifth Ave. and 37th St.; Rev.
William Pierson Miller, D.D., pastor. Central, '212 W. 57th St. Good
Shepherd, 152 W. 66th St. Madison Avenue, Madison Ave., cor 73d
St. Rutgers, Broadway and 73d St. West End Presbyterian, Amster-
dam Ave. and 104th St. Park Avenue Presbvterian. Park Ave. and
85th St. West Park, Amsterdam Ave. anH 86th' St. Fourth, W^est End
Ave. and 9rst St. Scotch Presbyterian, Central Park W. and 96th St.
University Place, loth St. and University «P1. Greenwich, 145 W.
13th St.
Protestant Episcopal.: Cathedral of St. John the Divine (p.
257), Morningside Heights and 113th St.; Rt. Rev. David
Hummell Greer, D.D., Bishop of New York. Sunday services: 8 a. m,;
Holy Communion, 11 a. m.; first and third Sundays, Holy Communion
and sermon, second and fourth Sundays, morning prayer and sermon;
4 p. m., evensong and sermon. Weekday services: 7.30 a. m., 12 m.,
5 p. m. Trinity, Broadway, opposite Wall St. (PI. II — B4; p. 132),
Rev. William T. Manning, D.D., rector; Services: Sundays, 8, 10.15,
II a. m., 3.30, 8 p. m.; weekdays, 7.30, 9 a. m., 3 p. m. Special mid-
day service daily (except Saturdays). The following are chapels of
Trinity Parish: i. 5"*. Paul's Chapel (PI. II— B2; p. 137), Broadway
and Fulton St.; Rev. .William Montague Oer, rector; Sunday services:
2.30 a. m. (for night-workers), 8, 10.30 a. m., 8 p. m.; daily midday
services: 12.05 and 1.05 p. m.; 2. St. Luke's Chapel, 483 Hudson St.;
Sunday services: 8, 9.15, n a. m., 8 p. m.; 3. St. Augustine's Chapel
CHURCHES. RELIGIOUS SERVICE 8i
(p. 152), 105 E. Houston St.; Sunday services: 7.30, 10.30 a. m.,
8 p. m.; 4. Trinity Chapel, 15 W. 25th St.; 5. St. Chrysostom's Chapel,
Seventh Ave. and 39th St.; 6. St. Agnes' Chapel, gad St. W. of Colum-
bus Ave.; 7. Chapel of the Intercession (p. 345) » I55th St. and
Broadway; Sunday services: 8.45, 9.45> 10.30 a. m., 4, 8 p. m. Grace
Church (p. 155), Broadway and loth St.; Rev. Charles Lewis Slat-
tery, rector; Sunday services: 8 and 11 a. m. ; June to October, 8
p. m. St. George (p. 224), Stuyvesant Sq. and i6th St.; Sunday
services: 8, 11 a. m., 3.15 and 8 p. m. St. Mark's in the Bouwerie
(P- ^57h Second Ave. and loth St.; Rev. William Norman Guthrie,
rector; Sunday services, 8 and 11 a. m., 8 p. m. .9^ Bartholomew's
(p. 213), Madison Ave. and 44th St.; Rev. Leighton Parks, D.D.,
rector; Sunday services: Hol^ Communion, 8 a. m. and first Sunday
in the month, 11 a. m. ; morning prayer and sermon, 11 a. m. ; evening
prayer, 8 p. m. Heavenly Rest, 551 Fifth Ave., near 45th St. St.
Thomas (p. 203), Fifth Ave. and 53d St.; Rev. Ernest M. Stires,
D.D., rector; Sunday services: 8 and 11 a. m., 4 p. m.; Wednesday and
Friday, 10 a. m. Zion and St. Timothy, 332 W. 57th St. St. James,
Madison Ave. and 71st St.; Rt. Rev. Frederick Courtney, D.D., rector.
St. Ignatius, West End Ave. and 87th St. St. Michaels', Amsterdam
Ave. and 99th St.; Sunday .services: 7.30, 8 and 11 a. m., 4 and 8 p. m.
Reformed: First Collegiate (Middle), Second Ave. and 7th St.
Second Collegiate (Marble), Fifth Ave. and 29th St. (p. 181);
Rc^. David James Burrell, D.D., minister. Third ColleguUe (St.
Nicholas), Fifth Ave. and 48th St. (p. 198); Rev. Malcolm James
MacLeod, D.D., minister. Fourth Collegiate (West End), West End
Ave. and 77th St.; Sunday services: 11 a. m. and 4.30 p. m. Madison
Avenue, Madison Ave. and 57th St. Hamilton Grange, Convent Ave.
and W. 149th St« Harlem, Lenox Ave. and 123d St.
Reformed Episcopal: First, Madison Ave. and ssth St.
Roman Catholic: St. Patrick's Cathedral (PI. IV — Ei; p. 199),
Fifth Ave. and soth St.; His Eminence, John M., Cardinal Farley; Holy
Mass: Sundays, 6, 7, 8, 9, 10 and 11 a. m. ; Vespers, 4 p. m. St. Paul
the Apostle (Paulist Fathers) Columbus Ave. and S9th St. (p. 233) ;
Very Rev. John J. Hughes, C.S.P. St, Francis Xavier, 46-48 W. 16th
St. St. Leo, II E. 26th St. St. Patrick (Old Cathedral), Mott, Prince
and Mulberry Sts. (p. 152). Blessed Sacrament, 148-66 W. 71st, cor.
Broadway. Holy Innocents, 126 W. 37th St. Holy Name, N. W. cor.
Amsterdam Ave. and 90th St. St. Francis of Assisi, 139 W. 31st St.
5"*. Gregory the Great, W. 90th St., near Columbus Ave. St. Stephen,
149 E. 28th St. 5"*. Vincent Ferrer, S. E. cor. Lexington Ave. and
66th St. St. Malachy, 239 W. 49th St.
Unitarian: All Souls' (p. 215), Fourth Ave. and 20th St.
Messiah, 61 E. 34th St.; Rev. John Haynes Holmes, pastor.
United Presbyterians: First, Central Park W. and io8th St.
Second, 123 W. 12th St.
Universalist: Diving Paternity (Fourth), Central Park W. and
76th St.
Miscellaneous: Bowery Mission, 227 Bowery; Gospel meetings
every evening, and 11.30 on Sundays. Broome Street Tabernacle, 295
Broome St.; Sunday services: s p. m. (Italian), 8 p. m. (English.
Church of the Strangers (Interdenominational), 309 W. 57th St.
Five Points Mission, 62 Park St. Labor Temple (Institutional Church),
E. 14th St., at Second Ave. McAuley's Cremorne Mission, 216 W.
3Sth St. New Thought Church, no W. 34th St. Salvation Army, Head-
quarters, 220-230 W. 14th St.; Gospel services held nightly on the
streets and in 25 halls. Society for Ethical Culture, Central Park W.,
cor. 64th St.; Sunday services: ii a. m. Vedanta Society, 135 W.
80th St.
82 RIDER'S NEW YORK CITY
2.— BROOKLYN
Baptist: Baptist Temple, Third Ave., cor Schermerhorn St.
Emmanuel, Lafayette Ave., cor. St. James PI.
Christian Scientist: First Church of Christ, Scientist, New York
Ave., cor. Dean St.
Congregational: Plymouth (PI. XIII — A3; p. 407), Orange St.
near Hicks; formerly Henry Ward Beecher's church. Present pastor,
Rev. Newell Dwight Hilli^, D.D. Church of the Pilgrims (PI. XIII—
B4), cor. Remsen and Henry Sts. South, cor. Court and Presidents Sts.
Society of Friends: Friends, 'no Schermerhorn St. Frisnds
(Orthodox), cor. Lafayette and Washington Aves.
Jewish: Temple Israel, Bedford and Lafayette Aves.
Lutheran: St. Peter's, Bedford Ave., near De Kalb Ave.'
Methodist Episcopal: First (Sands Street Memorial), Henry and
Clark Sts. Hanson Place, Hanson PI., cor. St. Felix St. New York
Avenue, New York Ave., Dean and Bergen Sts.
Presbyterian: First, Henry St., near Clark St. Spencer Memorial,
Remsen St., cor. Clinton, Lafayette Avenue (PI. XIII — D2), Lafayette
Ave. and South Oxford St. Westminster, Clinton S*., cor. First PI.
Protestant Episcopal: Holy Trinity (PI. XIII — B4; p. 415),
Clinton St. cor. Montague St.; Rev. J. H. Melish, rector. Grace
(p. 411), Hicks St. and Grace Ct. St. Ann's (p. 413), cor. Clinton and
Livingston Sts. St. Paul's, cor. Clinton and Carroll Sts. St. Bartholo-
mew's, Pacific St., near Bedford Ave.
Reformed: First, Seventh Ave. and Carroll St. Reformed Church
on the Heights, Pierrepqnt St., near Henry St.
Reformed Episcopal: Reconciliation, Nostrand and Jefferson Aves.
Swedenborgian: Church of New Jerusalem, Monroe PI. and Clark
St.
Roman Catholic: St. James (Pro-Cathedral), cor. Jay and Chapel
St. (p. 401). St. Paul's (PI. XIII — C4), cor. Court and Congress S^s.
Queen of All Saints, cor. Lafayette and Vanderbilt Aves. (p. 438).
St. Francis Xavier, cor. Sixth Ave. and Carroll St. St. Agnes, co'r.
Hoyt and Sackett Sts. St. Joseph, Pacific St. and Vanderbilt Ave. St.
Augustine, 6th Ave. and Sterling PI. (p. 421).
Unitarian: Church of the Savior, cor. Pierrepont St. and Mon-
roe PI.
Universalist: All Sjonls', Ocean and Ditmas Aves.
3.-— FOREIGN CHURCHES
«
As a consequence of the almost unparalleled polyglot population of
New York, it is possible for visitors from a score of different countries
to hear divine service conducted in their native language. A selection
of the, foreign churphes in Manhattan is here given. It should be re-
membered, however, that there is quite as varied an assortment in
Brooklyn, and that Jersey City has several important German churches
and an assortment of Russian, Polish and other Slav places of worship
in the neighborhood of the big sugar refineries.
Armenian: Armenian Evangelical (Congregational), services held
in Adams Memorial Presbyterian Church, 207 E. 30th St. Armenian
services (P. E.) in St. Bartholomew's Chapel, Sundays, 4.30 p. m.
Bohemian: John Hus (Presbyterian), 247 E. 74th St. Our Lady
of Perpetual Help (R. C), 323 E. 6ist St.
CHURCHES. RELIGIOUS SERVICE 83
Chinese: FWst Chinese Presbyterian, 223 E. 31st St.
French: St. Vincent de Paul (R. C), 127 W. 23d St. French
Evangelical (Presbyterian), 126 W. i6th St. Saint-Esprit (P. E.), 47
E. 27th St. Notre Dame de Lourdes (R. C). Morningside Ave. and
114th St.
German: F^^ German (Bapt.), 334 E. 14th St. German Em-
manuel (Bapt.), 411 E. 7Sth St. St. Peter's (Lutheran), 631 Lexing-
ton Ave. St. Luke's (Lutheran), 233 W. 42d St. Washington Heights
(Lutheran), Broadway and 153d St. St. Paul's (M. E.), 308 E. 55th
St. First German Methodist Episcopal, 48 St. Mark's PI. Sixty-
Eighth Street German Reformed, 355 E. 68th St. German Evangelical
Reformed Ave. B and 5th St. St. John the Baptist (R. C), 209 W.
30th St. Most Holy Redeemer (R. C), 165 E. 3d St.
Hungarian: Fourteenth Street (Presby.), 244 E. 14th St. Hun-
garian Reformed, 121 E. 7th St. First Magyar (Presby.), 233 E. ii6th
St.
Italian: Calvary Chapel (P. E.), 346 E. 23d St. San Salvatore
(P. E.), 359 Broome St, First Italian Baptist, 1 Henry St. Most
Precious Blood (R. C), 113 Baxter St. St. Ann's (R. C), 308 E.
iioth St.
Japanese: Japanese Mission (undenominational), 330 E. 57th St.
Polish: St. Clemens (R. C), 552 W. 50th St. 5"*. Stanislas
(R. C), I Of 7th St.
Russian: Orthodox Cathedral of St. Nicholas (Greek Cath.).
15-21 E. 97th St.
Ruthenian Greek: 5"^ George's (R. C), 332 E. 20th St.
Slovak: St. John of Nepomuk (R. C), 350-54 E. 67th St.
Spanish: Our Lady of Guadelupe (R. C), 229 W. 14th St.
Spanish Evangelical Church (Presby.) in Chapel of Madison Square
Presbyterian Church. Madison Sq. and 224th St. Our Lady of Hope
(R. C), 1 5 7th St., W. of Broadway.
Swedish: First Swedish (Bapt.), 141 E. 55 th St. Swedish
Bethesda (Cong.), 138 E. soth St. Gustavus Adolphus (Luth.), 151
E.' 22d St. Swedish Methodist Episcopal, Lexington Ave. and 52d St.
Syrian: 5"^ Joseph's Maronite Chapel (R. C), 46 Washington St.
Among the chief churches for Colored Persons are 5"*. Benedict the
Moor's (R. C), Eighth ave., cor. of W. ';3rd st.; St. Cyprian's Chapel
(£piscoi)al), 171 W. 63rd St.; St. James^ (Presbyterian), 357 W. 51st st.;
Abys^nian, 242 W. 40th St.; and tbe Methodist Episcopal Churches of
St, Mark's (231 W. 53rd St.), and Bethel (233 W. 2Sth st.).
The Young Men's Christian Association of New York
City was organized in 1852 and incorporated in 1866 for the
physical, mental, social and spiritual improvement of young
men and boys. 27 of the 40 branches have buildings costing
a total of oyer $5,000,000. Among the activities provided in
these Associations are gymnasiums, swimming pools, hand-
ball courts, athletic grounds, summer camps, educational
classes, libraries, reading rooms, billiard rooms, bowling
alleys, social rooms, restaurants, dormitories, and social and
religious gatherings. There are over 2000 dormitory rooms;
26 gymnasiums with an enrollment of 16,995 ; 14,224 students
in educational classes at an annual expense, of $118,285 or
84 RIDER'S NEW YORK CITY
over $8.00 per student; an annual totaj at religious meetings
of over half a million; an average daily attendance at these
Association buildings of 15,467; and a total membership of
32,933. The organization is supported by voluntary contribu-
tions, membership fees, and rents. Membership dues are
about $12.00 per annum in the city branches, which can be
paid in installments. The New York Y. M. C. A, will extend
privileges to those holding membership tickets of out-of-town
Assocfations and is always glad to have such men visit any of
the local branches. Several of the branches have transient
rooms maintained exclusively for the benefit of visitors to
the metropolis, and any branch secretary will gladly direct
any young man, whether a member or not, to a clean
moderate-priced rooming house, or give him any other infor-
mation he may desire. Any young man 18 years of age or
over and of good moral character can join by presenting him-
self at the office of any branch, and paying the annual dues.
Most branches have a boy's division for boys 12 to 18 years
of age, with much lower fees. Most of the branches also
maintain an Employment Department in which they help men
to secure desirable positions.
The Twenty-third Street Branch was the first Association to have
what is considered a building of the modern type. The Railroad Branch
Building near the Grand Central Terminal cost $1,000,000 and is
the largest railroad Association building. Central Branch Building in
Brooklyn cost $1,700,000, and is the largest Y. M. C. A. building in
the world. The New York city branches are Bowery Branch, 8 East
3d St.; Bronx Union, 470 East i6ist st. ; East Side, 153 East 86th st. ;
French, 109 West 54th st.; Harlem, 5 West 125th st.; Italian Work,
322 East 1 1 6th St.; 23d Street, 215 West 23d st.; Washington Heights,
531 West issth St.; West Side, 318 West S7th st.; Young Men's In-
stitute, 222 Bowery; Grand Central Railroad Terminal, 309 Park ave. ;
Mott Haven Railroad, East isoth st. and Spencer pi.; West 72d Street
Railroad, Foot of West 72d st. ; West Shore Railroad, Near Durham,
N. J.; Pennsylvania Railroad, 8th ave. and 32d St.; Fort Jay Army,
Governor's Island; Fort Slocum Army, New Rochelle; Fort Wadsworth,
Staten Island; Columbia University Student, Earl Hall, Columbia Uni-
versity; College of City of New York Student, 139th st. and St.
Nicholas Terrace; New York University Student, University Heights;
Student Club, 129 Lexington ave.; Physician and Surgeon's Club, 346
West S7th St.; Colored Men's, 252 West 53d st. The branches in
Brooklyn are Bedford (menX* 1121 Bedford ave.; Central, 55 Hanson
Place; Eastern District, 179 Marcy ave.; Greenpoint, 99 Meserole ave.;
Prospect Park, 357 Ninth st. ; 26th Ward, 142 Pennsylvania ave.; Rail-
road, 47 Borden ave. (Long Islana City) ; .Army Branches, one at Fort
Hamilton and one at Fort Totten; Navy Branch, 167 Sands st.; Indus-
trial Branch at Bush Terminal; and Colored Men's, 405 Carleton ave.
The offices of the New York State Y. M. C. A. Executive Com-
mittee are in the 23d Street Branch, and the offices of the Y. M. C. A.
International Committee, which has general supervision of the Associa-
tion movement in North America, are at 124 East 28th Street.
LIBRARIES AND READING ROOMS 85
XVII. Libraries and Reading Rooms
Greater New York contains about 350 libraries, more or
less public. Important among them are the New York Public
Library (Astor, Lenox and Tilden Foundations), wih central
building at 476 Fifth ave., and 43 branches (free, 9 a. m.-io
p. m.) (p. iwS) ; Brooklyn Public Library, 29 branches (free,
9 a. m.-9 p. m.) (p. 416) ; Queens Borough Public Library,
20 branches (9 a. m.-9 p. m.) ; Academy of Medicine Library,
V7 W. 43d St. (ref. free, cir. for members, medical, 89,000 v.,
20,000 pmps., 10 a. m.-io p. m.) ; American Geographical
Society Library, 156th st. near Broadway (for members,
geographical, 50,000 v., 60,000 maps, 10 a. m.-5 p. m.) (p. 346) ;
American Institute Library, 19 W. 44th st. (visiting card
sufficient introduction, agricultural and industrial, 10,000 v.,
9 a. m.-6 p. m.) ; American Museum of Natural History,
Columbus ave. and 77th st. (ref. free, natural history, 63,000
v., 9 a. m.-5 p. m., Sat. to i p. m.) (p. 300) ; Library of Ameri-
can Society of Civil Engineers, 220 W. 57th st. (ref. free,
engineering, 12,000 v., 20,500 pmps., 9 a. m.-io p. m.) ; Library
of Bar Association of Nezv York, 42 W. 44th st. (members
only, law, 110,000 v., 8 a. m.-i2 midnight) (p. 198) ; Bryson
Library, Teachers' College, 525 W. 120th st. (for college,
educational, 56,000 v., 8:30 a. m.-io p. m.) (p. 275) ; Children's
Museum Library, 185 Brooklyn ave., Bedford Park, Brooklyn
(natural history, 1200 v., also models, 9 a.m. to 5p.m.) (p.
436) ; Library of College of the City of New York, 139th st.
and St. Nicholas Terrace (free for college and for public
school teachers, 43,000 v., 8 130 a. m.-4 p. m.. Sat. 9 130 a. m.-
12 m.) (p. ^344); Columbia University Library, Morningside
Heights (ref. and cir. for university, ref. to others with
introduction, 475»ooo v., 40,000 pmps., 30,000 Gernjan disserta-
tions, 8:30 a. m.-ii p. m.) (p. 265); Cooper Union Library,
Cooper square (free, 37,000 v., 8 a. m.-io p. m.) (p. 154) ;
Library of Hispanic Society of America, 156th st. near Broad-
way (Hispanic languages, 75,ooo v., 10 a. m.-5 p. m.) (p. 346) ;
Law Institute Library, Post Office, rooms 1 16-122, 4th floor
(members only, law, 60,000 v., 9 a. m.-io p. m.) ; Mechanics'
Institute Library, 16-24 W. 44th st. (privilege secured on
application, 110,000 v., 9 a. m. to 8 p. m.) ; Mercantile Library,
13 Astor place (subscribers only, 265,000 v., 8:30 a. m.-6 p. m.)
(p. •153) ; Library of Metropolitan Museum of Art, Central
Park at 85th st. (free, art, 7000 v., 30,000 photographs, 10
a. m.-5 p. m.) (p. 311) ; New York Historical Society Library,
170 Central Park West (members and their friends, American
history, 120,000 v., 120,000 pmps., 9 a. m.-6 p. m.) (p. 244) ;
86 RIDER'S NEW YORK CITY
New York Society Library, 109 University pi. (open, free,
daily except Sundays, 100,000 v., 9 a. m.-6 p. m.) (p. 179) ;
New Yofrk University Library (general, University Heights,
for university, 40,000 v., 10,000 pmps., 9 a. m.-5 p. m. ; Law
School, 100 Washington sq. East, ref. for school, 9 a. m.-ii
p. m.. Sat. to 9 p. m.) ; Pratt Institute Library, 215 Ryerson st,
Brooklyn (free, 105,000 v., Q a. 01.-9:30 p. m.) (p. 430);
Russell Sage Foundation Library, 130 E. 22d st. (free on pre-
sentation of credentials, social sciences, 10,000 v., 15,000 pmps.
8:4s a. m.-5 p. m., Mon., Tues., and Thurs. to 10 p. m.) (p.
221 ) ; United Engineering Societies Library^ 29 W. 39th st.
(ref. for members, engineering, 55,000 v., 9 a. m.-io p. m.) ;
Brooklyn Museum Library, Eastern Parkway and Washing-
ton St. (free, open 9 a. m. to 6 p. m., 21,600 v., Art, History
and Ethnology) (p. 427) ; Brooklyn Law Library, Room 29,
Court House (open 8.45 a. m. to 11 p. m. ; from June 15th
to Sept. 1st, from i to 5.30 p. m.; it contains over 40,000
volumes) ; Long Island Historical Society Library, cor. of
Clinton and Pierrepont sts. (81,762 v.; ref. for members and
those introduced by members; a temporary card may be ob-
tained through the Public Library ; open 8.30 a. m. to 6 p. m.,
Mon. and Thurs. to 9 p. m) (p. 416) ; Library of the Medical
Society of the County of Kings, 1313 Bedford ave. (free,
70,000 v., 29,000 pflets., open 8.30 a. m. to 6 p. m.) ^Library
of the New York Geographical and Biographical Society, 226
W. 58th St. (18,000 v., free to members; open weekdays, 10
a. m. to 6 p. m.; Mondays, 8 to 10 p. m.) ; Union Theological
Library, Broadway and 120th st. (ref. free. circ. for semin-
ary, theology, 80,000 v., 30,000 pmps., 9 a. m.-io p. m.) (p.
256). Other theological collections will be found in the
libraries of the General Theological Seminary, 175 Ninth
ave.; Fordham University, Fordham; the Jewish Theological
Seminary, 531 W. 123d st. ; and the College of St. Francis
Xayier, 30 W. i6th st. The Y. M. C. A. and Y. W. C. A.
maintain reading rooms in their various branches throughout
the city.
XVIII. Newspapers and Magazines
Newspapers and Periodicals. New York is the chief
periodical publication center of the United States, if not in
the world, printing and publishing ranking sixth among* the
City's industries in value of product. The periodicals in New
York embrace about 64 daily newspapers, 266 weekly papers
and periodicals, 460 monthly journals and magazines, and 98
periodicals issued at other intervals. Of the periodicals no
NEWSPAPERS AND MAGAZINES 87
less than sixty are published in foreign languages, a polyglot
output probably equaled by no city on earth. Daily news-
papers are published in German, French, Italian, Hungarian,
Slovenian, Bohemian, Croatian, Servian, Arabic, Yiddish,
and Greek.
Among the chief morning papers in circulation- are the
Herald (ic, independent, strong on "Society News,** shipping
and continental news). Times, (ic, independent, a model
newspaper, widely read by business and professional men)
the Tribune (ic, Republican, founded by Horace Greeley),
the World '(ic, independent democratic,, founded by Joseph
Pulitzer and has perhaps the most comprehensive editorial
organization of any of the papers) the Sun (i c, independent,
noted for its clever and cuttingly sarcastic editorials) the
American (ic, independent, owned by Wiliam Randolph
Hearst, one of the chief representatives of American yellow
journalism, has an immense circulation among the lower
classes.) The principal evening publications are the Evening
Post (3c., an excellent independent paper, with a high-class
clientele), The Mail and Globe (each ic. Republican papers),
the evening editions of the Sun and the World and the
Evening Telegram (the evening edition of the Herald), and
the Evening Journal (the evening edition of the American),
all IC each.
The chief German daily is the Staats-Zeitung (3c, independent and
excellently edited); French: Le Courrier des Etats-Unis; Italian: //
Progresso Italo-Americano ; Greek: Atlantis; Hungarian: Amerikai
Magyar Nepsaava; Yiddish: Vorwarts,
Newspapers from other cities may be bought at 1328 Broadway, at
the comer of 6th ave. and 42d St., and at several other points in the
hotel and theatre district.
For the foreign traveler in New York, a note on the periodical
publications of the United States will be useful. Most of the daily
papers publish voluminous illustrated Sunday morning editions, 5c.
each. Among the New York weeklies are the Nation, Outlook, In-
dependent and Literary Digest (each high-class review journals at
loc. each). New Republic, with a strong feminist and radical trend,
and Collier's, noted for its illustrations and fiction. Life is the best-
known and most typically American of the humorous journals. The
principal others are Puck and Judge, Among the important monthly
magazines are the trio, Century, Harper's and Scribner's, higher
priced literary magazines of established excellence. McC lure's, Ameri-
can and Everybody'Si^ cheaper, but little below in matter. Mention
should be made also of the North American Review, conservative,
the Forum, radical, the World's Work and System, both excellent busi-
ness periodicals, the former particularly noteworthy for its_ illustrations.
Also the Review of Reviews. Country Life in America is the princi-
pal country life periodical and The Ladies Home Journal (i>ub. in
Philadelphia), Woman's Home Companion and Good Housekeeping the
three chief women's journals.
88 RIDER'S NEW YORK CITY
A few publications of the first rank are published outside of New
York City, but only a few. Among them however should be men-
tioned the Atlantic Monthly, published in Boston, an unbiased literary
magazine of the first order, and the publications of the Curtis Publish-
ing Company of Philadelphia, chief of which is the Saturday Evening
Post, a 5c weekly with nearly 2,000,000 circulation, excellently edited.
XIX. Physicians. Dentists. Hospitals
Physicians. Strangers in New York who chance to need
medical attention will find that practically all first class hotels
have one or more resident physicians of recognized com-
petence. It is well however for travelers, especially if they do
not intend to stay at hotels, to obtain the name of one or
more reliable physicians from some New York friend or from
their banker, or in the case of foreigners, from their consul.
In case of emergency the addresses of some of the riear-by
practitioners can be obtained at any drug-store. Trained
nurses, when required, will usually be secured by the physician
in attendance.
Dentists. The same remarks apply in a general way to
dentists. A personal recommendation almost always results
in better satisfaction. Lists of both dentists and physicians
are to be found in the Classified Telephone Directory (the so-
called "Telephone Red Book"), from which it is easy to pick
out those in any given neighborhood; but of course there is
nothing to indicate their relative merit.
•
Hospitals. There are in Greater New York more than
seventy general hospitals, and almost as many special hos-
pitals, inclusive of the contagious wards at the foot of East
i6th St., and the various municipal hospitals on the islands
in upper East River. The following is a selected list of the
more important institutions.
a. General Hospitals
Bellevue Hospital (181 6), foot of E. 26th St., a general hospital
for the destitute sick and injured. Capacity, 1235 beds. Its branches
include Fordham Hospital (1907) Crotona ave. and Southern Boulevard;
Harlem Hospital (1907)1 Lenox ave. and 136th st.; and Gouverneur
Hospital, Gouverneur Slip and Front st.
New York Hospital (i770» W. 15th and i6th sts., near sth ave.,
a general hospital for pay and free patients. Private rooms, from
$3.50 to $10.00 per day.
Presbyterian Hospital (1872), Madison ave. betw. 70th and 71st
sts. For the care of the poor sick of any creed, nationality and color.
Capacity 250 beds.
Roosevelt Hospital (1864), 9th to loth aves. betw. s8th and 59th
sts. Capacity, 2S2 beds.
PHYSICIANS, DENTISTS, HOSPITALS 89
St. Luke's Hospital (1850), Amsterdam ave. and 113th st. Free
to those who cannot pay. Private rooms, $3.50 to $12.00 per day.
Capacity, 300 beds.
5^ Vincent Hospital (1849), 7th ave. betw. nth and 12th sts.
The 1 2th St. side is set apart for private patients; rooms from $20.00
per week upward. Capacity, 370 beds.
Hahnemann Hospital (incorporated in 1875 through the consolida-
tion of the New York Homeopathic Hospital and the New York
Homeopathic Hospital for Women and Children), Park ave. betw. 67th
and 68th sts. Private rooms, $20.00 to $60.00 per week. Capacity,
130 beds.
Mt. Sinai Hospital (1852), looth to loist st. betw. Madison and
5th aves. Board from $7.00 per week up, for those who can afford to
pay. Capacity, 509 beds.
Nejv York Polyclinic Medical School and Hospital (1882), 341 -Si
W. soth St.
Hospital of the French Benevolent Soc,iety of New York (1809),
450-58 W, 34th St. Indigent patients admitted free; others charged
according to circumstances.
German Hospital (1861), E. 76th and 77th sts., betw. Park and
Lexington aves. Free rtedical and surgical treatment, regardless of
ilationality, color or creed. Private rooms according to size and loca-
tion. Capacity, 328 ])eds.
New York Homeopathic Medical College and Flower Hospital
(i860), Ave. A, betw. 63d and 64th sts. A general hospital, maintaining
also a maternity ward.
Knickerbocker Hospital (incorp. 1862 as the Manhattan Dispensary,
later the J. Hood Wright Hospital), Amsterdam ave. and 131st st.
Capacity, 55 beds.
New York Post Graduate Medical School and Hospital (founded
in 1882 by members of the Post Graduate Faculty of the New York
University), 2d ave. and 20th sts. Private rooms $30.00 to $60.00 per
week. Capacity, 405 beds.
b. Special Hospitals
Society of the Lying-in Hospital (1798), 2d ave. betw. 17th and
1 8th sts., for the relief and cure of destitute women unable to procure
medical treatment during confinement. Private rooms, $35-oo per week
upward.
Shane Hospital for Women (1888), 59th st. and Amsterdam ave.
Capacity, 155 beds.
Babies' Hospital (1887), Lexington ave. and 55th st. For sick
children under three years of age. Capacity, 75 beds.
Manhattan Eye, Ear and Throat Hospital (1896), 210 E. 64th st.
Capacity, 150 beds.
New York Orthopedic Hospital (1868), 126 E. 59th st. For dis-
. eases of the spine and hip. Children are received between thg ages of
4 and 14. Capacity, 66 beds.
New York Skin and Cancer Hospital (1882), N. E. cor. of 19th
St. and 2d ave. Capacity, 100 beds.
New York Ophthalmic Hospital (1852), 201 E. 23d st. For the
treatment of the' eye, ear and throat. Private rooms, $20.00 per week
upward. Capacity, 80 beds.
Rockefeller Institute for Medical Research (1901), 66th st. and
Ave. A. Patients admitted only when suffering from certain specified
diseases, which from time to time are selected for observation and
treatment. Capacity, 70 beds-
90 RIDER'S NEW YORK CITY
XX. Banks
Banks and Trust Companies. (This list is merely representative,
the choice being partly governed by central location, in the midtown
and down-toWn districts). Bank of America, 44 Wall St.; Bank of
the Manhattan Company, 40 Wall St.; Bank of the Metropolis, 31
Union Sq. ; Chemical National Bank, 270 Broadway; Com Exchange
Bank, 13 William St., 4th Ave. and 29th St., 124 E. 86th St., 81 E.
i2Sth St.; Fifth Avenue Bank, 530 5th Ave.; Hanover National Bank,
cor. Pine and Nassau Sts. ; Metropolitan Bank, 271 and 565 Broad-
way, 4th Ave. and 23d St., 109 William St.; National Park Bank, 214
Broadway; New York Produce Exchange Bank, 10 Broadway, 651
Madison Ave., 83d St. and Columbus Ave., seven other branches;
First National Bank, 2 Wall St.; Second National Bank, sth. Av^.
and 28th St.; Garfield National Bank, 200 5th Ave.; Irving National
Bank, Woolworth Building.
Broadway Trust Company, 754 Broadway; Central Trust Com-
P<^**y> 54 Wall St., Madison Ave. and 42d St.; Columbia Trust Com-
pany, 60 Broadway. 358 5th Ave., two other branches; Empire Trust
Company, 42 Broaaway, 65 Cedar St., 580 5th Ave.; Equitable Trust
Company, 37 Wall St., 222 Broadway, 618 sth Ave.; Guaranty Trust
Company, 140 and 170 Broadway, 514 5th Ave.; Lincoln Trust Com-
pany, 413 Broadway, 204 sth Ave., Broadway and 72d St.; Union
Trust Company, 80 Broadway, 5th Ave. and 60th St
Private Bankers
Bankers. Bertron, Griscom & Co., 40 Wall st.; Blair & Co., 24
Wall St.; Brown Bros. & Co., 59 Wall St.; Henry Clews & Co., 500
Fifth ave. ; Harvey Fisk & Sons, 62 Cedar St.; Harris, Forbes & Co.,
Pine & William sts.; Kidder, Peabody & Co., 17 Wall st.; Lee, Hig-
(dnson & Co., 43 Exchange pi.; Spencer Trask & Co., 43 Exchange pi.;
J. P. Morgan & Co., Broad & Wall sts.
Foreign Bankers
French: Lazard Fr^res, 10 Wall St.; Credit Lyonnaise (agency),
52 William St.; Comptoir National d'Escompte de Paris, 100 Broadway.
German: Goldman, Sachs & Co., 60 Wall st. ; Heidelbach, Ickel-
heimer & Co., 49 Wall st.; Ladenbur|f, Thalmann & Co., 25 Broad St.;
Kuhn, Loeb & Co., 52 William St.; Speyer & Co., 24 Pine st.
Spanish: Banco Nacional de Cuba, i Wall st. ; Commercial Bank
of Spanish America, 20 Broad st. ; National Bank of Nicaragua, Inc.,
59 Wall St.
English: Bank of British North America, 52 Wall St.; Bank of
British West Africa, Ltd., 64 Wall St.; Bank of Montreal, 64 Wall st.;
Chartered Bank of India, Australia & China (agency), 88 Wall st. ;
London & Brazilian Bank, Ltd., 56 Wall st.; London & River Plate
Bank (agency), 49 Wall st. ; Merchants Bank of Canada, 63 Wall St.;
National Bank of Australasia, 60 Wall St.; National Bank of South
Africa, 60 Wall St.; Royal Bank of Canada, 68 William st. ; Standard
Bank of South Africa, 55 Wall St.; Yokohama Specie Bank, Ltd., 55
Wall St.; National Bank of India, 60 Wall st.
Italian: Banco di Napoli, 80 Spring st.
CONSULAR OFFICES 91
, XXI. Consular Offices
Foreign Consuls in New York City. Argentine Republic —
Ernesto C. Perez. Consul-Gencral; P2 Wall St.: 10 a. m. to 5 p. m.
Anttrla-Hnncary — Alexander Nuber de Pereked, Consul-General;
24 State St.; 10 a. m. to .1 p. m.
Belglnm — Pierre Mali, Consul; 2$ Madison ave.; 10 a. m. to 4 p. m.
BoliTla — Adolf 0 Ballivian, Consul-General ; 4 Stone St.; 10 a. m.
to 3 p. m.
Brazil — Carlos Henrique de Martins Pinheiro, Consul-General;
17 State St., Room 514; 10 a. m. to 3 p. m.
Chili — Ricardo Sanchea-Crua, Consul General ; 2 Rector st. ; 11 a. m.
to 4 p. m.
China — Yang Yu Ying, Consul; 18 Broadway; 10 a. m. to 4 p. m.
Colombia — Jorge Moya Vaques, Consul-Gencral; 24 State St.;
9 a. m. to 5 p. m.
Costa Rica — Prancisco Montero, Consul-General; 10 a. ra. to 5 p.m.
Cuba — Leopoldo Dolz y Arango, Consul-General; 82 Beaver St.,
10 a. m. to 3 p. m.
Denmark — Georg Beck. Consul; 8 Bridge st. ; to a. m. to 3 p. m.
Dominican Reirablic — Manuel de J. Camacko, Consul-General; Juan
Eta, Pittaluga, Chancellor; 17 Battery pi.; 10 a. m. to 3 p. m.
Ecuador — Enrique Galtardo, Consul-General; 11 Broadway; 10 a. m.
to 4 p. m.
France — G, Bosserand d'Anglade, Consul-Gencral; 10 Bridge st..
Room 910; 10 a. m. to 4 p. m.
Germany — Erich Hossenf elder, Acting Consul; 11 Broadway, Room
968; 10 a. m. to 3 p. m.
Great Britain — Charles Clive Bayley. Consul-General; office, 17
State St., 10 a. m. to 3 p. m.; office for Shipping S<eamen, 25 South st.;
10 a. m. to 3 p. m.
Greece — D. Botassi, Consul-General; 35 South William St.; 10 a.m.
to 4 p. m.
Guatemala — Dr. Ramon Bengoechea, Consul-General; 12 Broad-
way, Room 901; 9 a. m. to 3 p. m.
Hajrti — F, Charles Moravia, Consul-General; 33 Broadway; 10 a. m.
to 3 p. m.
Hondnras — R. Camilo Diaz, Consul-Gencral; 31 Broadway; 9 a. m.
to 3 p. m.
Italy — Giacomo Fara Forni, Consul-General; 226 Lafayette st.;
10 a. m. to 3 p. m.
Japan — Takashi Nakamura, Consul; 60 Wall St., Room 1707; lo a. m.
to 3 p. m.
Liberia — Edward G. Merrill, Consul; 59 Pearl st.. Room 606; 2.30
to 5 p. m.
Mexico — Alfredo Caturegli, Consul-General. 17 Battery PI.;
"M-ontLCO—Stanislas d'Halevyn, Consul; 10 Bridge st.; Room 910;
10 a. m. to 4 p. m.
Montenegro— ^n*/to«y V, Seferovitch, Consul; 105 W. 40th st.;
Netherlands — A. van de Sande Bakhuyzen, Consul; J. A. Schurman,
Vice-Consul; 11 Broadway, Room 909; 10 a. m. to 2 p. m.
Nicaragua — Ernesto Solorzano Diaz, Consul-General; 66 Beaver st.;
10 a. m. to 3 p. m.
Norway — Christopher Ravn, Consul-General; Ferd. Lunde, Vice-
Consul; 17 State St.; 10 a. m. to 3 p. m.
Panama — Saturnino Perigault, Vicc-Consul-General; 11 Broadway;
10 a. m. to 4 p. m.
Paraguay — W. W. White, Consul; 233 Broadway; 10 a. m. to
4 p. m.
93 RIDER'S NEW YORK CITY
Persia — Dikran Khan Kelekian, Consul-General^* 225 Fifth ^ave.;
10 a. m. to 3 p. m.
Peru — Eduardo Higginson, Consul-General; 25 Broad st.; 10 a. m.
to 3 p. m.
Portugal — Carlos Rangel de Sampaio, Consul-General; Carlos Olavo,
Vice-Consul; 17 State St.; lo a. m. to 3 p. m.
Russia — Michael M. Oustinoff, Consu\-Gencr&\; Baron Oskar Korff,
Vice-Consul; 22 Washington Sq., north; 10 a. m. to i p. m.
Salvador — Gretfbrio Arbizu, Consul; 42 Broadway, Room i545;
10 a. m. to 4 p. m.
Servia — Michel I. Pupin, Consul; 443 W. 22d st.
Siamr-F. Warren Summer, Acting Consul; 6 Wall st.
Spain — Francisco Salas, Consul-General; Fernando P. del Pulgar,
Vice-Consul; 18 Broadway, Room 513; 10 a. m. to 3 p. m.
Sweden — M. Clarholm, Consul-General; Charles G. Fredholm, Vicc-
Consul; 17 State st.; 10 a. m. to 3 p. m.
Switzerland — L. //. Junod, Consul; 100 Fifth ave.; 9 a. m. to 3 p. m.
Turkey — Djelal Munif Bey, Consul-General; A. Mourad Shah-Muir
Effendi, Vice-Consul; 59 Pearl st.; 10 a. m. to 3 p. m.
Uruguay — Mario L. Gil, Consul-General; Alfredo Mets Green,
Consul; 17 Battery PI.; 10 a. m. to 3 p. m.
Venezuela — P. R. Rincones, Consul-General; 82 Wall st.; 10 a. m.
to 3 p. m.
XXII. Planning a New York Stay
The most tireless sight-seer cannot hope to cover the
sights of Greater New York, even in a most cursory way, in
less than from two to three weeks, and only then by devoting
practically all the daytime to sight-seeing, uninterrupted by
shopping or social intercourse. It would be wise, especially
in view of time lost in covering the long distances between
points of interest, fpr the visitor to familiarize himself in
advance with New York*s topography and choose his hours
so as to give himself plenty of time to cover each exhibit
in a single visit. Excursions outside of Manhattan, whether
to the other boroughs or to the suburban towns of West-
chester County or New Jersey, should not be too long put off,
as a week of bad weather at the end of the stay might preclude
them altogether. But the traveler whose time is strictly
limited would be wiser to spend it mainly in the heart of
Manhattan and to devote a few days at least to learning the
life of the city, frequenting its indoor playgrounds, the big
hotels, restaurants and tea-rooms, and in general imbibing
its atmosphere, — all of which is quite as essentially a part
of the city's "sights" as is Trinity Churchyard or the Bronx
Zoological Garden. New York has many historical associa-
tions, many beautiful and costly buildings, and its museums of
art and science are unrivaled in America. Yet what the
visitor will chiefly remember is none of these, but the rush
PLANNING A NEW YORK STAY • 93
and surge of the city streets, the thronging crowds, the high
tension of life, the motley cosmopolitanism, that altogether
make New York unparalleled by any other city on earth.
a. Distribution of Time
The following suggested sight-seeing itinerary, which is
planned for a stay of two weeks, will aid the visitor in cover-
ing the principal points of interest with a minimum loss of
time. The distances in New York are so great, owing to
the long and narrow formation of Manhattan Island, that
each separate district should be seen as thoroughly as possible
in a single day, in order to avoid retracing, steps. The order
in which these fourteen trips are taken may be altered to
suit the visitor's convenience; but he should note carefully
the days and hours when the various musev**«s and public
buildings are open, also the free and pay-days; and above
all, he should familiarize himself in advance with the routes
followed by the Subway and Elevated lines, and the location
of their stations. It should be noted also that the trips
marked 3d and loth days in the present scheme are the only
ones which can be satisfactorily taken on Sundays.
1st Day. Preliminary Ramble (p. 96)-; combined with
a visit to Grant's Tomb (p. 253) ; Union Theological Sem-
inary (p. 256) ; Columbia University (p. 263) and Low Memo-
rial Library (p. 265) ; Cathedral of St. John the Divine (p.
257) ; Upper End of Central Park.
2d. Day. Madison Square (p. 164) ; Flatiron Building
(p. 164) ; Metropolitan Building and Ascent of Tower (p.
206); Fifth avenue from 23d to 42d sts.( p. 181); Church
of the Transfiguration (p. 181) ; the Waldorf-Astoria (p.
182) ; Side Excursion to Herald Square (p. 167) ; the De-
partment Stores (p. 75); Afternoon: Public Library and
Art Collections (p. 186).
3d Day. Fifth avenue from 42d st. to the Metropolitan
Museum: St. Patrick's Cathedral (p. 199); St, Thomas's
Church (p. 203) ; Pulitzer Memorial Fountain (p. 205) ;
Central Park Menagerie (p. 302) ; the Mall, Terrace, Lake
and Ramble (p. 303); the Obelisk (p. 304). Afternoon:
Metropolitan Museum of Art (p. 305) ; Return by Fifth ave.,
"Millionaires* Row'' (p. 329).
4th Day. • Broadway from Herald Square to Columbus
Circle (p. 167) ; Maine Memorial Monument (p. 174) ;
Central Park, W. side, to 77th St.; New York Historical
Society (p. 244) ; American Museum of Natural History
(p. 278).
94 • RIDER'S NEW YORK CITY
Sth Day. The Battery, (p. 119) ; the Aquarium (p.
120) ; the Custom House (p. 121) ; Trinity Church (p. 132) ;
Wall St. (p. 126) ; Stock Exchange (p. 126) ; Fraunces'
Tavern' (p. 123) ; St. Paul's (p. 137) ; IVoolworth Building
and Ascent of Tower (p. 138) ; City Hall (p. 141) ; Hall of
Records (p. 144) ; Municipal Building (p. 146).
6th Day. The Lower East Side: Gramercy Park (p.
220) ; Irving Place (p. 218) ; E. 14th St. and Tammany Hall
(p. 218) ; Cvoper Union (p. 154) ; St. Mark's in the Bowery
(p-. 157) ; the Foreign Quarters: i. Italian Quarter, Elis-
abeth St., Mott St., Mulberry st. and Park; 2. Chinatown,
Mott St., Pell St. and Doyers st. (p. 149) ; 3. Greek Quarter
(p. 149) ; Yiddish and Russian Quarters, Allen st. (Brass
and Copper Antiques: p. 150).
This excursion involves a rather long walk through narrow, sordid
streets, teeming with ah overcrowded population, but it is picturesque
and quite safe for strangers.
7th Day. Middle West Side: Washington Market (p.
136) ; St. John's Chapel (p. 158") ; Greenwich Village (p.
160) ; Washington Square (p. 174) ; Grace Church (p. 155) ;
University Place (p. 179) ; Lower Fifth ave.; Church of the
Ascension (p. 177) ; First Presbyterian Church (p. 178) ;
W. 14th St.: Chelsea Improvement Docks (p. 238) ; General
Theological Seminary (p. 233) ; New General Post Office
(p. 232) ; Pennsylvania Station (p. 116) ; Roosevelt Hospital
(P- 235) ; Church of the Paulist Fathers (p. 233).
Sth Day. Chapel of the Intercession (p. 345) ; Trinity
Cemetery (p. 345) ; Hispanic Society (p. 346) ; Geographical
Society (p. 346) ; Numismatic Society (p. 350) ; Spanish
Chapel of Our Lady of Hope (p. 350; ^SSth st. Viaduct;
Polo Grounds (p. 353) ; Speedway (p. 353) ; Jumel Mansion
(p. 351) ; College of the City of New York (p. 344) ; i2Sth
St. (Harlem's busiest street; see p. 340).
Note. — The visitor who is pressed for time should plan to make
a side excursion from the Jumel Mansion to High Bridge, then N.
across Washington Bridge (trolley car), to New Yark University and
the Hall of Fame. There are .many joints of interest in this section,
but the loss of time involved is prohibitive in a two-weeks' visit.
9th Day. Brooklyn: Brooklyn Bridge (p. iii) ; Bor-
ough Hall (p. 402) ; The Heights (p. 405)-; Navy Yard
(p. 439) ; Fort Greene Park (p. 436) ; Fulton street (Shop-
ping and Theatre District) The Plasa (p. 419) ; Prospect
Park (p. 422); Brooklyn Museum (p. 424); Grant Monu-
: ft^ent (p. 435) ; Children's Museum (p. 436).
PLANNING A NEW YORK STAY 95
Note. — Greenwood Cemetery may be reached from the Plaza in
about 15 minutes (p. 445). Flatbush (reached by trolley in 10
minutes) has a number of old landmarks. Prospect Park West is a
resfdential section which contains some points of interest to be reachevl
most easily from the Plaza.
The easiest and quickest return to Manhattan is* from the Chil-
dren's Museum to the Manhattan Terminus of the Brooklyn Bridge,
either by Elevated or trolley lines. Passengers on the Elevated would
do well to leave the Elevated at the Fulton St. Station and take
the trolley across the Manhattan Bridge (the -view is eltceptionally
good).
loth Day. The Bronx, East Section (reached either by
Bronx Subway or by 3d ave. Elevated (p. 33), and change
to Subway at 3d ave.): Fordham College (p. 381); Botan-
ical Garden (p. 377) ; Zoological Gardens (p. 366) ; Hem-
lock Forest, Bronx River and Lorillard Mansion (p. 381),
nth Day. A. (If in season) Coney Island (p. 446) ;
Brighton BeacH (p. 448) ; Sheepshead Bay (p. 448) ; B. Met-
ropolitan Museum of Art and American Museum of Natural
History (second visit) (easily reached by trolley across the
Park, through 86th st. cross-cut.)
I2th Day. Woodlawn Cemetery (p. 384) ; Trolley to
Yonkers (p. 393) ; Van Cortlandt Park and Manor (p. 363) ;
Inwood. Park (p. 355).
13th Day. Hohoken (p. 461); Jersey City (p. 453);
Newark (p. 461).
14th Day. Staten Island (p. 449).
A Five Dayi' Itinerary
For a five days' visit the following program is suggested :
First Day. Start at Madison square: see "Flatiron Build-
ing," Metropolitan Building, Appellate Court, Madison Square
Garden; walk up 5th ave. to 50th st, visiting Waldorf-Astoria,
Public Library and St, Patrick's Cathedral; take Riverside
Drive Omnibus to Grant's Tomb; visit Columbia University
and St. John the Divine; return by Subway to 50th st. and
walk down Broadway to Herald sq. (theatre and shopping
district).
Second Day. The Battery; Custom House; Trinity
Church; Wall street; St. Paul's Chapel; Woolworth Building;
City Hall; Hall of Records; Municipal Building. This ought
to be done in a morning. The afternoon may be devoted
to Brooklyn: cross Brooklyn Bridge by trolley; visit Brook-
lyn Heights and Plymouth Church; then by Flatbush ave.
car to Prospect Park and Brooklyn Institute.
Third Day. Central Park; the Obelisk; Metropolitan
Museum; take crosstown trolley at 86th st. to American
Museum of Natural History.
96 RIDER'S NEW YORK CITY
Fourth Day. Trinity Cemetery; Hispanic Society; Geo-
graphical Society; Numismatic Society. Take Subway to
i8oth St., then crosstown trolley line to Bronx Park, Zoolog-
ical Garden, Botanical Garden, Lorillard Mansion. It is pos-
sible to include Van Cortlandt by continuing in Subway to
end of line, and then crossing by trolley to Bronx Park; but
most tourists would find this too fatiguing for a single day.
Fifth Day. Fifth ave. below 23d st. ; Washington square
and Arch; Grace Church; Wanamaker's Store; Bible House;
Cooper Union; St Mark's in the Bowery; E. 14th st. and
Tammany Hall; Innng place and Gramercy Park. If time
permits, an excursion into Greenwich Village may be made
W. from Washington sq. From Gramercy Park take 3d
Ave. Elevated to Chatham sq. and visit Chinatown and Italian
quarter around Mulberry st. and Park.
b. Preliminary Survey of City
After finding an abiding place the first thing that a visitor
to any large metropolis needs to do is to acquaint himself with
his environment, and the relative location and distance of
the main points of interest. This may be done most quickly
by an excursion through the main arteries of the city, supple-
mented at the first convenient opportunity, by the ascent of
some high tower.
Owing to the long, narrow formation of Manhattan Island, the cir-
cuitous sort of initial excursion, such as is usually recommended for
London or Paris, is impracticable here. Any plan for starting from the
central hotel district, where the traveller will presumably be staying,
and covering the northern and southern sections in two long, irregular
loops would not only be too fatiguing for a single ramble, but would
involve wasting time upon much that is relatively of minor importance.
It has seemed best, therefore, to start the stranger at the Battery and
take him northward to Grant's Tomb, following for much of the dis-
tance the line of Broadway.
Take any Elevated or Subway Line S. to the South Ferry
Station; then walk N. through Battery Park, noting Castle
Garden on L. (p. 120) and U. S. Custom House on R. (p.
121); the Custom House faces Bowling Green (p. 121)
and Broadway; on R. is the Produce Exchange (p. 123),
on L. the Washington Building (p. 125) ; N. of Beaver
St. is the Standard Oil Building (p. 125). At Rector st.
facing Wall St., is Trinity Church (p. 132) ; walk E. on
Wall St. one block to Broad st., noting on L. Sub-Treasury
p. 126) ; on the R. the Banking House of /. P. Morgan
& Co. (p. 127) ; S. on Broad st. the N. Y. Stock Exchange
(p. 126). Continuing up Broadway, the visitor passes, at
Pine St., the new Equitable Building (p. 135) ; at Liberty st.
PLANNING A NEW YORK STAY 97
the Singer Building (p. 135) ; at Fulton st. St. Paul's Chapel
(p- 137) ; diagonally opposite, the Post Office (p. 139).
The block from Barclay st. to Park pi. is occupied by the
Woolworth Building (p. 138). Beyond, on R. is City Hall
Park, containing City Hall (p. 141) and Court House (p.
144), while facing it are the new Hall of Records (p. 144)
and Municipal Building (p. 146). Here take Broadway
surface car N. to loth st., reaching Wanamaker's Department
Store (p. 15s) and Grace Church (p. 155). Walk W. to
University pi., then S. to Washington sq., containing the
Washington Arch (p. 174). Here take 5th ave. — Riverside
Drive 'Bus (via 57th st.) (outside seat is possible: in summer
there is apt to be a big crowd waiting, especially in the
afternoon).
The omnibus passes at loth st. th^ Church of the Ascen-
sion (p. 177) ; at nth St. the Old First Presbyterian Church
(p. 178) ; at 23d St. the 'Tlatiron Building*' (p. 164) ; then,
on R., Madison sq. (p. 164), and across it, facing E. side,
the Metropolitan Building (p. 206), Appellate Court (p.
207), and Madison Square Garden (p. 209). At 24th st.
(L.) is the Worth Monument (p. 164), and diagonally op-
posite (R.) the Farragut Monument (p. 164). At 29th st.
(L.) is the Marble Collegiate Church (p. 181); from 33d
to 34th St. is th^ Waldorf-Astoria Hotel (p. 182). One block
W. on 34th St. is Herald sq. (p. 167), a shopping district
second only to that of 5th ave.
Opposite the Waldorf-Astoria, N. W. cor. of sth ave.,
is the Knickerbocker Trust Company (p. 183) ; N. JE. cor.
Altman's Department Store (p. 183) ; at 37th st. is Tiffany's
(p. 184) ; diagonally opposite, N. W. cor., the Brick Pres-
byterian Church (p. 184); 38th St., N. W. cor.. Lord &
Taylor (p. 184) ; 39th st., N. E. cor., Union League Club (p.
185) ; 40th St., S. E. cor., Arnold Constable & Co. (p. 185).
From 40th to 42d st. (L.) is the New York Public Library
(p. 186).
At 43d St., N. E. cor., is the Jewish synagogue, Temple
Emanu-El (p. 196) ; at 44th st., S. W. cor.. Sherry's (p.
197 ), and N. E. cor. Delmonico's (p. 197) ; at 48th st.,
N. W. cor., the Collegiate Church of St. Nicholas (p. 198) ;
at 50th St. St Patrick's Cathedral (p. 199) ; at 51st st. ; N. E.
cor., the Union Club (p. 202) ; opposite, 51st to 52d st, the
twin Vanderbilt 'Residences (p. 203) ; 52d St., N. W. cor.,
Residence of Wm. K. Vanderbilt (p. 203) ; 53d st, St.
Thomas's Church (p. 203) ; at 54th st., N. W. cor.. University
Club (p. 204) ; 55th St., S. E. cor., St. Regis Hotel (p. 204) ;
S. W. cor. Gotham Hotel (p. 204) ; N. W. cor.. Fifth Avenue
Presbyterian Church (p. 204).
98 RIDER'S NEW YORK CITY
At 57th St. the omnibus turns W. to Broadway, passing at
7th ave. the Carnegie Building, containing Carnegie Hall and
Lyceum (p. 231); and at No. 215 (N. side) the Fine Arts
Building (p. 231).
The omnibus now turns up Broadway, reaching at S9th
St. Columbus Circle. Note on L. the Columbus Monument
CP« 173 )» and on R., at S. W. entrance to Central Park, the
Maine Monument (p. 174). At 72d st. we turn W. to River-
side Drive. Observe N. on Broadway, at 73d St., the Verdi
Statue (p. 240), and (L.) the massive bulk of the Hotel
Ansonia (p. 240).
On Riverside Drive, 73d to 74th St., is the Residence of
Charles M. Schwab (p. 252) ; at 89th st. is the former resi-
dence of the late Bishop Potter (p. 252) ; opposite is the
Soldiers' and Sailors* Monument (p. 252) ; at looth st. is
the Firemen's Monument (p. 253) ; and at I22d st. we reach
Grant's Tomb (p. 253), where we leave the omnibus.
This trip should not have taken much more than three hours. It
would, therefore, be a wise economy of time to visit Grant's Tomb
and the adjacent sights, take luncheon at the historic Claremont (p.
254) and devote most of the afternoon to Union Theological Seminary
(p. 356) ; Barnard College (p. 274) ; Columbia University (p. 263) ;
St. Luke's Hospital (p. 256) ; and the Cathedral of St_ John the
Divine. Then either take a bus across iioth st. to 5th ave., or walk
through northern portion of Central Park; then take 5th ave. line
omnibus S., passing at 82d st. the Metropolitan Museum of Art (p.
305); at 71st St. the Residence of Henry C. Frick (p. 330); at
64th St. the Central Park Menagerie (p. 302) ; at 60th st. the Metro-
politan Club (p. 329) ; at 59th st the Plaza, Pulitzer Memorial Foun-
tain (p. 205), and Savoy, Netherlands and Plasa Hotels (p. 205).
0. A List of New York's Principal Attractions.
Drives: Central Park (p. 301) a 'Variety of routes;
Riverside Drive (p. 251) ; with Grants Tomb (p. 253), enjoy-
able from motor buses (p. 29) ; 5//1 ave. (p. 174), well seen
from the top of a motor bus (p. 176) ; Broadway (p. 166 seq.)
with its theatrical and hotel district brilliantly illumined at
night; Pelham Bay Park (p. 391) and Van Cortlandt Park (p.
359) with Bronx and Pelham Parkway (p. 359) and Mosholu
Parkway (p. 359) especially used for motoring; the Speed-
'^ay (P- 353) for fast horses; Seeing New York Automobiles
(p. 29). Parks: Central Park (p. 301) for driving, motoring,
riding or walking; the Botanical Gardens (p. 377); the
Zoological Gardens (p. 366) \P respect Park, Brooklyn (p.
422). Harbor: Governor's Island (p. 105); Ellis Island (p.
106); the Statue of Liberty (p. 105). Views: from the
BIBLIOGRAPHY 99
Palisades (p. 460) ; from the towers of the Singer Building
(p. 135) ; the Woolworth Building (p. 138) ; the Metropolitan
Building (p. 206). Engineering Feats: Brooklyn Bridge
(p. 140); Manhattan Bridge (p. m) ; Williamsburg Bridge
(p. Ill) ; Queensboro Bridge (p. no) ; the Hudson Tunnels
(P- 35) with their Terminal Buildings (p. 135) ; the Subway
with its Tunnel to Brooklyn (p. 30) ; the Flat-iron Building
(p. 164) ; the Equitable Building (p. 135) ; Notable Build-
ings: City Hall (p. 141) ; Hall of Records (p. 144) ; Muni-
cipal Building (p. 146); Custom House (p. 121); Public
Library (p. 186) ; Equitable Building (p. 135) ; Flat-iron
Building (p. 164); the._(7rani- Central Terminal (p. 114) J the
Pennsylvania Termii^COt^. 116) ^tht"StoW~ Exchange (p.
126). Famous Hotels: The Biltmore (o. 212^ ; the Waldorf-
Astoria (p. 182) ; the Ritz-Carlton jpT 214) ; the Pla^a
(p. 205) ; the St. Regis (p. 204;. museums: Metropolitan Art
Museum (p. 305) ; the Natural History Museum (p. 278) ;
the Hispanic Museum (p. 34^) ; the Aquarium (p. 120) ;
Brooklyn Museum (p. 424); N,Y, Historical Society (p. 244).
Churches : Cathedral of St. John the Divine (p. 199) ;
St. Patrick's Cathedral (p. 199) ; Trinity (p. 132) ; St. Paul's
(p. 137) ; ^i' Mark's in the Bowery (p. 157) ; Paulist
Father^ (p. 233). Universities and colleges: Columbia
University (p. 263) ; New York University (p. 360) ; Union
Theological Seminary (p. 256) ; College of the City of New
York (p. 344) ; College of Physicians and Surgeons (p. 236).
Historic Mansions : Fraunces* Tavern (p. 123) ; Jumel
Mansion (p. 351) ; Van Cortlandt Mansion (p. 363) ; Lorillard
Mansion (p. 381).
XXIII. Bibliography
Probably the most complete standard history of New
York City is R. R. Wilson's New York: Old and New ('02,
$3-5o), in two volumes, of which v. i gives the history and
V. 2 the topographical features. Mrs. M. J. Lamb's three
volume History of the City of New York (New ed. '10. $5)
is a close second. Leslie's History of the Greater New York
('98. $25) supplements Mrs. Lamb's history, and contains
material found nowhere else. Valentine's History of the
City of New York ('53), one of the most readable of the
early sources, contains many interesting old cuts and maps.
B. J. Lossing'« two volume History of New York City ('84)
and W. L. Stone's History of New York from the Discovery
to the Present Day, a 700 page volume C72) are both
standard, but perhaps more suited to the student or re-
100 RIDER'S NEW YORK CITY
searcher than to the visitor who wants something compact
and more or less popular. Such a work, brief and dependable,
is Historic New York, a compilation by Maude Goodwin
and others, in two volumes ('99. $1.50; $2.50), which tells
of slavery, schools, taverns and other unacademic matters.
C. Hemstreet has written in even more popular vein When
Old New York Was Young, a large print volume ('02. $1.50),
Nooks and Corners of Old New York ('99. $2.) and Literary
New York, Its Landmarks and Associations C03. $1.75), all
of which contain some material found nowhere else. As
the work of a newspaper man, however, they are possibly
more entertaining than accurate. The following period
histories are interesting and authentic: History of the City
of New York by Mrs. Schuyler Van Rensselaer ('09. $5),
in two volumes, ending with 1691 ; Last Days of Knicker-
bocker Life in New York by A. C. Dayton ('82. $2.50) ;
The Dutch Founding of New York by T. A. Janvier, quaintly
illustrated ('03. $2.50), and New Amsterdam and Its People
Under Dutch and Early. English Rule by J. H. Innes
('02. $2.50).
Alice Morse Earle's Colonial Days in Old New York
('01. $1.25), a discursive account of the customs and social
life of the Dutch settlers, is good of its' kind. Esther Single-
ton's Dutch New York ('09. $3.50) is of the same order,
describing furniture, fashions, china, plate and manners.
Laurence Hutton's delightful A Boy I Knew ('98. $1.25),
and J. F. Mines' A Tour Around New York ('01. $3), tell
of boyhood days in New York in the nineteenth century.
New York's two most famous streets have their in-
dividual biographies in F. T. Hill's The Story of a Street
('08. $1.60), tracing Wall Street's growth from 1640 to
1908, J. B. Kerfoot's Broadway ('11. $2) with drawings by
Lester G. Hornby and Stephen Jenkins' The Greatest Street
in the World ('11. $3.50), Broadway, old and new. S^rah
Comstock's recent Old Roads From the Heart of New York
('15. $2.50) is a charming, well illustrated account of the
quaint places still to be found near the city.
Sketches of New York by two widely known artists are
features of Charcoals of New and Old New York by F. Hop-
kinson Smith ('12. $5) and J. C. Van Dyke's The New New
Kor^, illustrated by Joseph Pennell ('09. $4). Theodore Roose-
velt's New York (New ed. '03. $i.2Sn.) traces the causes of the
city's growth. Of course the works of New York's greatest
writer, Washington Irving are filled with local associations,
►especially the famous burlesque A History of New York by
1
BIBLIOGRAPHY loi
Diedfich Knickerbocker and Dolph Heyliger, a legendary tale
of the Dutch.
F. B. Kelly's "Historical Guide to the City of New
York," compiled from original observations and contributions
made by members and friends of the City History Qub of
New York ('13. $1.50) is the standard work of its kind.
The following informal guides have been prepared for
the children: Esther Singleton's Children's City (*io $1.25);
C. Hemstreet's Story of Manhattan ('01. $1), and A. Ull-
mann's Landmark History of New York ('03. $1.25), ex-
plaining the street names, etc.
J. B. Reynold's exhaustive Civic Bibliography of New
York City ('11. $1.50) is evidence of the overwhelming
number of publications on New York government and social
conditions. It includes the publications of associations, city
departments, etc. Among the more popular sociological
studies on the city the following two are widely known:
J. A. Riis's Making of an American ('04. $1.50), the story
of the author's own life, and Lillian D. Wald's The House
on Henry Street ('15. $2), showing what settlement work
has accomplished. West Side Studies ('14. $2) gives an
interesting account of sociological research carried on under
the direction of Pauline Goldmark.
Among the Essays on New York, the following are of
interest: Belshazsar Court ('14. $1.25) by Simeon Strunsky,
Types from City Streets ('10. $1.50), in which Hutchins
Hapgood describes the Tammany man, the Bohemian, the
shop girl, etc., and Brander Matthews* Vignettes of Man-
hattan ('04. $1.50).
A volume of Poetry on New York, Manhattan ('09. $1)
is the work of Charles Hanson Towne. The Geology of the
city is compactly and popularly studied in Geology of the
City of New York ('09. $2.50) by L. P. Gratacap.
Since most American novelists live in New York for at
least part of their lives, and since there is plenty of
inspiration to be found in all the extremes the city covers,
there has been enough Fiction written about New York
to keep any reader supplied for mope years than he would
care to devote to the one subject. The following are selected
because they are recognized classics, because they reproduce
the atmosphere of some special locality, or because they are
of popular interest.
Comparatively few real classics have New York settings.
Two or three of Cooper's novels give a picture of old New
York— notably The Spy, a story of about 1780; Sanastoe, a
tale of the French and Indian war which gets its name from
102 RIDER'S NEW YORK CITY
an old estate near Hell Gate; The Water-Witch, centering
around New York Harbor and a smuggling brigantine in
Lord Cornbury's time, and Miles Wallingford, showing the
causes of the War of 1812. The scene of Washington Irving*s
Legend of Sleepy Hollow is Tarrytown, not very far north
of New York. From Cooper to Henry James few outstanding
works appear. Washington Square is distinctly a New York
story, of the days when the region of the title was New
York's social Mecca. George William Curtis's gentle Prue
and I is another classic of Washington Square in the old
days. Howells has many New York settings, notably in
A Hazard of New Fortunes, The World of Chance, The
Coast of Bohemia and Their Wedding Journey. F. Hop-
kinson Smith, a devoted lover of New York, brings back
the early days of the National Academy of Design in The
Fortunes of Oliver Horyi, brings to light the most quaint of
French inns in A Day at Laguerre^s, opens up the bywaj's
of Staten Island in Tom Grogan, and in his last book. Felix
O'Day, published at the time of his death in 191 5, makes
Fourth Avenue his background.
O. Henry and H. C. Bunner — almost classic writers, both
of them — were thoroughly at home in New York. From
the vast number of O. Henry stories it is hard to select the
most typical, but perhaps The Four Million with its comedies
and tragedies of the passing throng is the best of the author's
interpretations of the city. Bunner's The Midge and The
Story of a New York House (the house being No. 7 State
St.) are well worth reading.
New York's seamy side comes to light in D. G. Phillips*
Fortune Hunter, set in the lower Second Avenue neighbor-
hood, Helen Van Campen's At the Actors* Boarding House
picturing Chatham Square, Abraham Cahan's The Imported
Bridegroom, the Ghetto in 1880, James Oppenheim's Dr.
Rast, another Ghetto story, and, in the way of humor, E. W.
Townsend's Chimmie Fadden and Montague Glass's Potash
and Perlmutter, a clever character study of the cloak and
suit business of today.
The other extreme of New York society is the subject of
an overwhelming array of novels. The early days are
covered in any number of bright wholesome stories, popular
with young people, by Amelia E. Barr. Gertrude Atherton's
The Conqueror, with Alexander Hamilton as its central
figure, is an unusually good picture of his time. Coming
down to the present such novels as Edith Wharton's The
House of Mirth; Robert W. Chambers' books (for instance
King in Yellow and The Case of Mr. Helmer introducing
BIBLIOGRAPHY 103
Milliken Place) ; F. M. Crawford's Katherine Lauderdale
and Richard Harding Davis's Van Bibber and Others are
characteristic In The Goldfish, a recent book, Arthur Train
vigorously attacks the hollowness of New York society.
A good word should be spoken for W. P. Eaton's dainty
romance The Runaway Place in which Central Park provides
two lovers with a background.
The last year or two brought, among others, the folk)w-
ing good novels on the city: Leroy Scott's No. 13 Washing-
ton Square, a mystery story; George Bronson Howard's
God's Man, introducing little known Rupert Court, Beekman
Place, etc.; Rupert Hughes' Empty Pockets, with some of
its scenes laid in Batavia Street, "the most Dickensy street
in New York," and its neighborhood; Ernest Poole's The
Harbor, a sociological novel, widely read, showing how New
York Harbor influenced a man's life; C. G. Norris's The
Amateur, a sincere picture of artist life to-day; James Lane
Allen's A Cathedral Singer, backj^rounded by the Cathedral
of St. John the Divine on Morningside Heights, arfd Gran-
ville Barker's Souls on Fifth, a delicious littlp satfre nn
-Fliih Ave, crowds, fndiny in one 9f the strangest romances
of fictionT — y.
' New York's literary associations and traditions are /^
exhaustively described in New York of the Novelists by A.
B. Maurice ('16).
ENTERING NEW YORK
I. Via Ocean Steamship
The traveler arriving at New York on an ocean steamship
is first welcomed by the Nantucket Lightship (192 M. from
Sandy Hook Lightship) which reports incoming vessels by
wireless. The first land sighted is usually either Fire Island
or the Nave sink Highlands on the New Jersey coast, each
with ^ lighthouse. Sandy Hook Bar (PL A.— E7) runs N.
from the New Jersey coast toward Long Island, protecting
Lower Bay from the ocean. Three channels cut this bar and al-
low entrance to vessels. A strong ebb tide keeps these channels
open even in winter. They are the new Ambrose Channel,
40 ft. deep; Main-Ship-Bayside-Gedney Channel, 30 ft. deep;
and Swash South Channel, 22 ft. Ambrose Lightship is the
point from which the time of the voyage is reckoned. Sandy
Hook Beacon, with a white light, is at the entrance to the
Lower Buy of New York Harbor. The distance from Sandy
Hook to the Battery is 18 M. .
The Lower Bay contains two islands eiven up to hospitals for the
reception of travellers with contagious diseases. Swlnoarne Iiland
(PI. A — C6) the first, receives the very serious cases like bubonic plague,
cholera, typhus, etc. Hoffman IilandCPI. A — C5), nearer the city, pro-
vides for less dangerous diseases and shelters also the people who must
be detained because they have been exposed to infection.
On the S. of Lower Bay is the New Jersey coast, and the S. part of
the bay, adjacent to the Hook, is called Sandy Hook Bay (PI. A> — C7), and
near Staten Island, Raritan Bay (PI., A — A7) into which flows Arthur Kill
(PI. A.— A6). On the W. (left hand) of Lower Bay is Staten Island (PI.
A — Bs-6) with small suburban settlements along the coast among which
is the recreation grounds of South Beach. As the vessel approaches
The Narrows (PI. A — C5) a strait lying betw. Staten Island and Long
Island, the famous beach. Coney Island (at the S. point of Lonq Island)
is seen on the E. (right hand). On summer evenings the lights are
charming.
E. of Coney Island lies Barren Island (Pl.^ XII — Ds) where the city
garbage is reduced. Jamaica Bay (PI. XII — ^D4) is beyond.
The Upper Quarantine Station is about 3 m. from Sandy Hook at
Clifton (PI. A — C5) off which all vessels anchor until they have been
cleared by the officer of the Board of Health. About halfway between
the Quarantine Station and New York, to the W. is Robbins Reef,
with a lighthouse.
Passing through the Narrows which forms entrance to the Upper
Bay, Staten Island on the left has the fortifications Fort Wadsworth
and Fort Tompkins, while Long Island to the right has Fort Hamilton.
Just off Fort Hamilton is Fort Lafayette (PI. A — C5) used as a
storage place for ordnance. During the Civil War it was a prison.
As the vessel sails northward through the Upper Bay Brooklyn
(PP- 397-448) lies to the E. and Jersey City (pp. 4S3-457'i to the W.,
while New York lies straight ahead to the N.
The only water inlet on the E. side is Gowanus Bay (PI. A — C4).
On the W. side betw. Jersey and Staten Island is the water way
ENTERING BY STEAMSHIP 105
KUl van Kull, giving access to Newark Bay on which are situated
Elisdbethport And Newark (PI. A — ^A4). The Upper Bay is about 4 m.
wide and 8 m. long, and contains an area of 14 sq. m. safe anchorage.
Nearly in mid-channel lies Liberty or Bedloe's Island
(PI. A — C4) with the gigantic **Statue of Liberty. (Steam-
ers from the Battery every hour. Round fare, 25c.) The island
is federal property and a signal corps is stationed here. The
broad, star-shaped foundation of the statue was formerly
Fort Wood, 2L military post. Liberty Enlightening the World,
as the statue used to be called was the work of the French
sculptor August e Bartholdi. It was erected in 1886, and
was a gift from the French nation, to commemorate the
centenary of American independence. The pedestal was
designed by R. M. H^nt, the money for it being raised by
popular subscription in the United States. The* dimensions
of the statue are: foundation to torch, 305 ft. 6 in.; base
to torch, 131 ft. 6 in. ; length of hand, 16 ft. 5 in. The
statue faces the sea, welcoming incoming ships.
Follow the main path from dock to statue, entering a doorway in
the embankment, follow the dark passagofi^ay to stairway to the outside
or to Elevator. The stairway leads to a pleasant terrace.
The elevator runs, 9:30-12; 12:30-6:15, except Sat., Sun., and hoi.,
when it begins at 10:30. Above the balcony, the ascent is by a circular
stairway to the head. From here, and from the balcony is a fine view.
The lower end of Manhattan is seen from a picturesque angle, the
Singer Tower and the Woolworth Building are prominent; turning
always to the left we see Ellis Island with the Jersey coast in the back-
ground; Jersey, with the peninsula on which is situated Bayonne in
the foreground; Staten Island in the distance; the Narrows; Long Island,
with the elevation of Fort Hamilton, Governor's Island in the fore-
ground; Brooklyn Bridge. ("History of Bartholdi's Statue," loc, for
sale at souvenir stand on the first floor of the statue.)
Somewhat to the E. nearer the city, is a low, filled-in
island, originally 65 A. but enlarged to 120 A., called
Governor's Island. It is now Federal property and the
headquarters of the eastern division . of the United States
army is located here. Visitors must secure a pass by writ-
ing to the post-adjutant. Government Ferry, New York City
(near South Ferry) several days in advance. The island is
reached by ferry from the Battery.
This island was originally called Pagganck by the Indians, from
whom Governor Wouter Van Twiller bought it in 1637. He used it
as a goat-pasture and erected a saw-mill. It was named Nooten or
Nut Island by the Dutch, and did not acquire its present name until
1698, when it was set aside by the Assembly for tne benefit of royal
governors. It became a part of Niew York City in 1730, and from
1790 on was for a time in the possession of Columbia College.* le
1800 it was ceded to the Federal Government, and has been a military
headquarters since 1821.
The round brick building prominent from the water is Casth WU-
liatn, built 1809- iz and used in the War of 1812, now a military prison.
io6 RIDER'S NEW YORK CITY
The main building is Fort Jay, formerly called Fort Columbus. At the
S. . end of the original land is the Chapel of St. Cornelius^ one of the
Trinity Parish chapels, containing battle flags.
Ellis Island (PI. A — C4) is made up of three islands
joined by causeways. The Federal government bought the land
from the state in 1808, using it first as a magazine site. In
1891 the immigrant station was placed here. The present
buildings date from 1897. Although it is officially stated that
visitors can receive permission by written application to the
Commissioner, yet as a matter of fact it is necessary only to
apply for a pass at the ferry slip, on one's way. The island
is closed to visitors Sundays and holidays. The government
ferry leaves from the southernmost point of the Battery. The
waiting rootn and dock are entered by the last door in the
curved brick* building with the cloister front. (Ferry leaves
10, II, 12, I, and 2; returns at 10:30, 11:30, 12:30, 1^30, 2=30,
and 3:30.)
Third class passengers are transferred from the ocean liners at
their docks, on to barges and brought to the island for examination.
They usually arrive an hour ^r two after the ship has docked. The
main buildings are on the noftherly island and the Visitors' Entrance
is plainly marked. Guides are no longer furnished at the office^ but
signs and explanatory statements are posted everywhere. The visitor
first ascends the staircase to the gallery surrounding[ the Main Hall.
The immigrants come into the hall from the large stairway at the east
end of the room passing in long lines bv the inspectors. ^ From the
gallery a good view of proceedings is obtained. If the immigrant's
credentials and health are satisfactory he goes on to the railroad room.
If his desirability is questionable or if destination is uncertain, he is
held for further investigation. If it is finally decided that he cannot
enter the country he is sent back by the steamship company that
brought him.
Opening upon the gallery arc some of the Dormitories where the
detained immigrants sleep. The visitor returns to the main floor and
Sroceeds through the door marked "Special Inquiry Division, Deporting
>ivision, Immigrants' Dining Room" to see the Dining Room, at the
end of the passage. This part of the building is closed to visitors dur-
ing the noon hour from 11:45 to 1:30. Detained immigrants are fed
here at the expense of the steamship companies. Bills of fare are
posted to show the kinds of food.
Beyond are the Large Dormitories (also closed betw. 11:45 and
1:30). Friends of detained immigrants are allowed to call upon them
here.
The immigrant who passes the official inspection, goes on to the
Railroad Rooms on floor below the main examination hall. (Descend
the staircase in the N.W. corner.) In one room tickets are sold to all
points in the United States and Canada and the interests of the
stranger are closely safeguarded. Beyond is a waiting room from which
the immigrants are taken to the different railroad stations. Food is
sold here under government supervision for those who wish a supply to
eat on the train.
The visitor returns from the waiting room, through the ticket
office, and continues, by the offices of the missionaries and immi|n'ant
societies, to the Information Department (sign over the door). Friends
meeting immigrants or seeking information concerning them come here.
ENTERING BY STEAMSHIP 107
Beyond are the Waiting Rooms where immigrants and friends meet.
This is, next to the examination hall, the most interesting part of the
island. One of the pillars is known as the "Kissing Post." Any per-
son calling for an immigrant is subjected to a cross-examination and
identity must be proved oe^^ond question.
The remainder of the island is not open to visitors. It is taken
up chiefly by hospitals. Although those sick with contagious diseases
are removed from the ship at quarantine, many are left who need tempo-
rary medical attention. The hospitals also receive those who become
sick durine detention. The hospitals are under the care of the United
States Public Health Service and receive from eight to ten thousand
cases a year.
Upper Bay is continued in two rivers; the Hudson river
(the lower part of which is called in a confusing manner the
North river) on the W. and the East River on the E. The
two rivers together contain 135/^ sq. m. of anchorage. The
tide rises and falls an average of 43 in.
The apparent illogic of the popular designations, East and North
Rivers, is explained away when we remember that the names were
conferred at a time when all of New York lay well below Grand st.
(the point where East River turns N.), and consequently, while the
incoming tide flows N. in the Hudson, it flows at the start almost due
E. in the East River.
As the steamer rounds the Battery (PI. II — B6)a splendid ••View
of the high buildings of Lower Broadway is obtained, with Brooklyn
Bridge to the E. As the vessel proceods up the North (Hudson
river) the buildings which stand out most clearly are the high
cupola of the Singer Building, the towering, white, cathedral-like Wool-
worth Building, the massive, towered Municipal Building^ behind, the
square twin structures of the Hudson River Tunnel Terminal, and the
gilded dome of the Pulitser Building. ,
Arrival at the Pier. Custom house formalities are ex-
plained on p. 36 for the benefit of strangers arriving in
New York by sea. Steamships dock in Manhattan, New Jer-
sey or South Brooklyn. All the main steamship landings
in Manhattan are near surface, elevated, or subway lines (p.
29) and numerous hacks and taxicabs are always in waiting.
(See Hack and Taxicab rates, p. 28.) Transfer Agents
(see p. 2) are also on hand to receive trunks and forward
them to any address (40-7SC. ; not always delivered the same
day).
The principal steamship lines with docks in Manhattan are: Cunard
Line, Piers 53-56 North River (ft. of W. 14th st.); French Line, Pier 57
N. River (ft. of W. 15th st,); Atlantic Transport Line, Pier 58 (ft.
of W. i6th St.); Red Star Line, Pier 59 (ft. of W. i8th St.): White
Star Line, Pier 60 (ft. of W. 19th St.); American Line, Pier 62 (ft.
W. 22d St.); Anchor Line, Pier 64 (ft. W. 24th St.). All these lines,
except the last named, occupy the modern and commodious series of
docks known as the Chelsea Improvement (p. 238) ; passengers landing
here can conveniently reach any of the Elevated or Subway lines by
taking a 23d or 14th st. crosstown surface car (the 14th st. cars pass
all these docks, starting frpm 23d st.). The following Italian lines
dock at Pier 74 North River (ft. 34th st.) : La Veloce Line, Italia
Line, Navigazione Generale Italiana Line, and Lloyd Italiano Line.
Passengers landing he^e may take a 34th st. crosstown car, changing
to subway, elevated or surface line, as desired.
io8 RIDER'S NEW YORK CITY
The steamship lines which dock in Hoboken are: the Hamburg-
American' Line, ft. of ist St.: the North German-Lloyd Line, ft. of
3d St.; the Holland- American Line, ft. 5th St.; Wilson Line^ ft. 7th st.
Passengers may most conveniently reach Manhattan by taking Hudson
and Manhattan Tunnels (station reached by walking S. on River st.
to Hudson pi. ), either to Cortlandt st. or 33d st. Terminal. Scandina-
vian Line, ft. of 17th st. Take ferry to Desbrosses St., then Desbrosses
and 6th ave. surface car to 6th ave. and 4th St.; change to 6th ave.
surface line, or take Elevated at 8th st.
The following lines dock in South Brooklyn: Fabre Line, ft. of
31st St.; Austro-American Line, ft. of 42d st. Passengers may either
walk four blocks E. and take 5th ave. Elevated to Manhattan end of
Brooklyn Bridge (changing to Subway or 3d ave. Elevated), or take
39th St. ferry to foot of Whitehall st. (the Battery), within a few tteps
of all Elevated and Subway lines.
II. Via Long Island Sound Steamboats
The traveler arriving at New York by way of the Long
Island Sound steamboats traverses the Sound for 115 M. be-
fore entering the East River (PI. I — Ci-6).
Long Island is on the S. and on the N. is Connecticut the greater
part of the way. The New York State line comes just before Port
Chester. New York City begins at Pelham Bay Park (PI. A— Fa — 3).
On the New York side (right hand) are Pelham Bay (PI. A — Fa) and
East Chester Bay (PI. A — Fa) , and on the Long Island side (left hand) ,
Manhasset Bay, and Little Neck Bay. Huckleberry Island (PI. A~Fa)
and David Island lie outside the city limits. Within the city limits
are Hart's Island (PI. A — Fa) Hunter's Island and City Island, (p.
391) described in connection with Pelham Bay Park (p. 390- On the
Long Island side is Manha.^set Neck terminating in Sand'^ Point,
with a lighthouse (fixed white light). To the S. Great Neck (PI. A—
Fa), terminating in Hewlett Point.
The vessel enters the East River (PI. A. — F3) betw.
Willet's Point (PI. A— F3) on the Long Island side, with
Fort Totten (p. xviii) and Throgg's Neck (PI. A — F3) on
the New York side with Fort Schuyler (p. 390). The East
River is really a tidal channel connecting the sound with
Upper Bay.
We pass Old Ferry Point (PI. A—E3) on the right; IVhitestone
Point (PI. A— F3) on the left; Classon Point (PI. A— E3) on the
right; College Point (PI. A — E3) on the left; before the river widens
out with Flushing Bay (PI. A — E3) on the left, with the town of
Flushing (PI. A— Ej). The large island is Hiker's (PI. XI— F7) and
the other small ones are the Brothers (PI. A — E3) and Berrian. The
river now narrows somewhat and the shores are filled with city build-
ings. The Harlem River (PI. XI — A3-C8) enters the East River at
Bronx Kills (PI. A— E3).
The three islands following are given over entirely to
charitable and corrective institutions: Randall's, Ward's and
BlackwelVs. For permission to visit charitable institutions
apply to Department of Charities at the foot of 26th st. For
permission to visit corrective institutions apply to Department
of Corrections, 124 Leonard st
ENTERING BY SOUND STEAMBOATS 109
Randall's Island contains about 100 A. Here during the Revolu-
tionary War, in 1776, 250 Americans unsuccessfully attemoted to cap-
ture a British camp. The name comes from Jonathan Randall who
bought the Island in 1784. In 1835 the city bought it of him for $50.-
000. The island is now eiven up to the care of children. At the N.
end are the Children's Hospital, Feeble-minded schools and Custodial
Asylums.
The channel S. of Randall's is called Little Hell Gate. The reef
to the E. is Sunken Meadow (PI. XI — D8). At E. 112th st. is a city
Recreation Pier in connection with Thomas Jefferson Park (15.5 AV
Ward's Island (PI. I — Ci) reached by ferry from ft. of E. 11 6th St.,
was occupied by the British in 1776. After the Revolution it was
bought by the Ward brothers, Jasper and Bartholomew. It was at
one time the city Potter's Field. It now contains a state hospital for
the insane. The visiting hours of the Manhattan State Hospital are Sat.,
Sun., Mon., from i to 2. (Permission to visit and information concern-
ing terries should be obtained from the city offices at i Madison ave.)
The point of land on the Long Island side is Hallett's Point
with Hallett's Cove to the S.
The River Channel betw. Ward's Island and Blackwell's
Island is called Hell Gate (PI. I — Di), probably called from
the Dutch expression Helle-gat. This was an extremely dan-
gerous passage in early times. The worst of the hidden reefs
have been blasted out by the government. The work- of
clearing the channel began in 185 1. The largest rock half
way between the two islands is known as Mill Rock and the
one just S. of Ward's Island, as Hog Back,
^*The New York Connecting Railroad Bridge over Hell
Gate from the Astoria section of Queens, crossing Ward's and
Randall's Islands to the Port Morris region of the Bronx,
is now in process of construction.
Starting from the yard of the N. Y., N. H. and H. R. R. at I4ad
St., Bronx, the line is to cross the Bronx Kills by a lift bridge 300 ft.
long. It will then be carried along the eastern shore of Randall's
Island by a viaduct half a mile in length to Little Hell- Gate which
will be crossed by a bridge 1,000 ft. long to Ward's Island. Across
this the road will run on a viaduct 2600 ft. in length to Hell Gate,
where will be erected the most massive bridge structure in this countnr.
It will have huge granite piers, 2^0 ft. high, and a span of 1,0x7 it.
The height above mean water will be 150 ft. The great steel structure,
rising in a parabolic arch, will be designed for tour tracks, two for
passen^r trains and two for freight. From the Long Island end of
the bridge, the tracks will continue to the Sunnyside yards of *the
L. I. R. R. in Long Island City, through Queens and the East New
York section of Brooklyn, to tne waterfront at 6th St. A future
tunnel may connect with Staten Island. Passenser connection betw.
the Pennsylvania system and the New Haven will be by the tunnels
of the former from New Jersey to Long Island, and uience bjr the
Connecting Railroad to Port Morris. The structure from Astoria to
Port Morris will be three miles in length, and the estimated cost is
$30,000,000.
The long narrow island is Blackw ell's Island (PL I — C2-
3). Except Sundays and holidays, city ferries, available only
to passengers with passes, leave the foot of £. 26th St., 10,
no RIDER'S NEW YORK CITY
9
10:30, II, 12, 1:30, 2:30, and 3:30; Saturday afternoon, 1:30
and 2 only; leave E. 53d st, E. 70th St., E. 120th, E. 125th st.
daily every half hour from 7 130 to 12 p. m. (Visiting hours,
Sunday 11 a. m. to 4 p. m. ; Wednesdays, Saturdays, 2 to 4
p. m.) The island extends from 50th st. to 86th st., and con-
tains 120 A.
The Indian name was Minnahanonck or Long Island. When
it was granted to Captain John Manning, in 1664, the name was
changed to Manning's Island. His step-daughter who inherited it, mar-
ried Robert Blackwell. The city bought it in 1828 for $<;0f00o. The
island is surrounded by granite sea walls and most of the buildings are
of granite, erected by convict labor. At the extreme south end of the
Island is the Training School for Nurses. The first large building at
the N. end of the island is the Mettopolitan Hospital, with its pavilions.
Tubercular patients are treated here. The Gothic stone building, with
wide wings near the middle of the island, facing the river, is the
Workhouse, to which are sent men and women convicted, in the
MajB^strates' Courts, of misdemeanors, vagrancy, and disorderly conduct
ana sentenced to terms from ten days to six months. The construc-
tion of the building is as mediaeval within as without, extremely pic-
turesque, but frightfully over-crowded and at best ill-adapted to benefit
the prisoners sent here for correction. To the S. are the many buildings
of the Neuf York City Home for the Aged and Infirm. About a third
of the inmates are bed-ridden. Special wards are set aside for the
blind and the incurable. The next buildings are the Penitentiary, where
are* sent male and female prisoners, convicted of minor crimes and mis-
demeanors, and committed by the Justices of Gen. Sessions and Special
Sessions. The Ci^y Hospital, which with the Metropolitan Hospital at
the N. end, receives general adult hospital cases, occupies the S. end
of the island.
The **Queenshoro Bridge (PI. I— C3) first called Black-
well's Island Bridge, crosses the island near the lower end. It
is, unlike the other East River bridges to the south, not a
suspension, but a continuous cantilever bridge with its central
towers resting on Blackwell's Island. It extends from 2d ave.
at 59th St., Manhattan, to Jackson ave., Long Island City. (The
Manhattan entrance is reached by the 2d ave. elevated to
57th St. ; tne 3d ave. elevated to 59th st. ; or surface cars.) It
is next to the largest cantilever bridge in the world and has the
largest carrying capacity.
Its length is 8,600 ft., inclusive of the Queensboro Plaza, an addi-
tional len^h of II 52 ft. The length of the spans are: W. channel,
1 1 82 ft.; island, 630 ft.: E. channel, 984. Clear height of bridge for
channel width of 400 ft. (both channels), 135 ft. above mean hi^h
water. It has been estimated that the steel and iron used in the main
bridge weighs upward of 54*200 tons, and inclusive of the approaches.
74,000. It was built 1 90 1 -9, and cost $17,900,000 for construction and
land.
S. of the island the Belmont Tunnel (PI. I — C3) now in
operation, and the Pennsylvania Tunnels (PI. I — Q4) run be-
neath the river.
From 29th St. S. to 25th st. are the buildings of Bellevue
and Allied Hospitals (PI. I— C4; p. 225).
ENTERING BY SOUND STEAMBOATS in
At 24th* St. is a- public Recreation Pier.
Around 17th st. are city hospitals for contagious disease
(PL I— C4; p. 224).
Recreation Piers jut out from each side beyond; irom
Metropolitan ave. in Brooklyn and from E. 3d st. in
Manhattan.
The ^Williamsburg Bridge (PI. I— D5) betw. the Man-
hattan and the Queensboro, extends from Delancey and
Clinton sts., Manhattan, to a large Plaza in Brookl}^ at the
junction of Broadway and Havemeyer st. (The Manhattan
entrance is reached by surface cars only.) The construction
was carried on during the years 1896-1903.
It is 7308 ft. long, with a middle span of x6oo feet, and two side
spans of 596 ft. each. It carries two roadways, each 20 ft. wide,
and two footwalks, each 17 ft. S in. wide. In laving the foundations
for the towers, it was found necessary, before finding bedrock, to sink
the caissons to an unusual depth: the N. and S. caissons on the Man-
hattan side descending, respectively, 55 and 66 ft. below mean high
water, and those on the Brooklyn side 107 and 91 ft. The clear heif^t
of bridge for channel width of 400 ft. is the same as the Queensboro
Bridge, 135 ft. The construction cost $14,000,000 and the land
$9,100,000. During the spring of 1914 ^ most interesting feat of
engineering was performed on this bridge. The 9-inch pins were
removed and 12-inch ones inserted to take their places, in order to
strengthen the bridge to meet the increased railroad traffic. The work
was done at midnight, when it would least interfere with traffic.
Below on the Brooklyn side opens Wallabout Bay
(PL III— Bi) with the United States Navy Yard (p. 439).
^Manhattan Bridge (PI. I— C6) to the N. of Brooklyn
Bridge, built in 1901-11, has now the distinction of being the
greatest suspension bridge in the world. It extends from the
Bowery and Canal st., in Manhattan, to Nassau and Bridge
sts., in Brooklyn. (Manhattan entrance may be reached by
the 3rd ave. elevated to Canal St.; or by surface cars on the
Bowery or Canal st.)
The bridge is of double-deck design, the first deck having a 35-foot
roadway in the center, two subwav tracks on each side, and 11 -foot
footwalk on each side, the top deck having four trolley tracks. It is
6,855 ft. long (about x 1-3 m.), with a main span of 1,470 ft. It
has steel towers. The center span is 135 ft. above the water in the
middle. The entire cost was $26,000,000 dollars, the construction
amounting to $14,000,000, and the land costing $8,000,000 on the
Manhattan side and $4,000,000 on the Brooklyn side.
**Brooklyn Bridge (PI. I — C6) extending from City Hall
Park, Manhattan, to Fulton and Sands sts., Brooklyn, is the
oldest and most beautiful of the four great bridges connecting
Manhattan and Long Island. (The Manhattan entrance may
be reached by subway to Brooklyn Bridge ; by 2nd or 3rd ave.
112 RIDER'S NEW YORK CITY
elevated lines, changing at Chatham square; by the 6th ave.
elevated to Chambers St., walk two blocks; by the 9th ave.
elevated to Warren st., walk 3 blocks; by Broadway surface
cars.) The ♦View from the bridge is one of the sights of
the city; Manhattan lying on the W., Long Island on the E.,
to the N. the crowded East River, and to the S. the Upper
Harbor. By night the scene is even more beautiful with
thousands of lights shining from the great buildings and
towers on land and moving with the ferries and vessels in the
river and harbor.
The bridge was opened in 1883. The orig;inal cost of construction
was $15,000,000. It was orieinally a toll bridge, but now only the
street cars pay toll. Nearly xour thousand trolley cars and the same
■number of elevated cars cross dail^. Although it was once the greatest
suspension bridjge in the world, it ia now surpassed in size oy the
other three bridges. The river span is 1,595 ft. 6 in., each land span
930 ft, the Brooklyn approach 098 ft., and the Manhattan approach
1^562 ft., giving a total length of 6,016 ft. The depth of the founda-
tion below high water is 45 ft. on the Brooklyn side and 78 ft. on
the Manhattan side, and the height of the stone towers is 272 ft. above
the water. The center span clears the water by 135 ft. in the middle.
The diameter of the cables is x^K .inches, and each contains 5>^96
parallel, galvanized steel, oil-coated wires.
Many of the sound steamers have their docks in this vicinity. (For
landing and transportation see p. i and 28). The Fall River and Provi-
dence lines round the Battery and dock in the North (Hudson) River.
(For description of Battery and Upper Bay see p. 119 and 104).
III. Via Hudson River Steamboat
This trip, if made in the daytime, affords by far the
most picturesque and historically interesting of all the ap-
proaches to New York City. The visitor passes for miles
within sight of highest peaks of the Catskill Mountains (on
W.), among which Washington Irving laid the scenes of
"Rip Van Winkle." Presently, we pass, on the L., Pough-
keepsie, known most widely as the home of that pioneer
women's college, Vassar College. At West Point is the
U. S. Military Academy, situated on a picturesque plateau,
just at the foot of Croufs Nest (1428 ft.), where Joseph
Rodman Drake laid the scene of *'The Culprit Fay" (p. 389).
Further S. the promontory of Anthony's Nose (E. shore), and
Dunderberg Mountain (W. shore), form the southern gates of the
Highlands. It was here, while breakfasting in a house on the £. shore,
that Benedict Arnold received the news of Andre's arrest. It is at
the foot of Dunderberg Mountain that Captain Kidd is supposed to
have buried some of his treasure. In Haverstraw, just below, Arnold
and Andr6 met to arrange for the surrender of West Point, and it was
after crossing the river irom here that Andr^ was captured. Diagonally
across from Haverstraw is Ossining, earlier Jmown as Sing Sing, a
name still preserved in the State prison there situated. Here the
river widens into the Tap^an Zee, its widest point (4 miles) being
opposite Tarrytown, the vicinity of which has been immortalized in
ENTERING BY RAILROAD 113
Washington Irving's "Sketch-Book." Irvington, just S. of Tarrytown,
was formerly Washington Irving's home; the old house is still stand-
ing. Four miles S., across the river, is Tappan, where Washington
had his headquarters, and where Major Andre was executed, Oct. 2,
17S0. Five miles S., on the E. side is Yonkers (p. 393). From the
Tappan Zee S., the chief object of interest, for a stretch of 20 miles,
is the 500-foot precipice of the famous Palisades, on the W. bank (a
formation of trap-rock, commercially valuable lor macadam roads),
which ha^e now been saved from threatened destruction by being
converted into a state park.
Below Yonkers, the steamboat passes Mt. St. Vincent, containing
the Convent of the Sacred Heart, amon^ whose buildings is a granite
structure, with six octagonal towers, originally built by Edwin Forrest,
the tragedian, for a dramatic school (an unfulfilled dream).
Just below, at Spuyten Duyvil, where the creek of that name
formerly emptied, is now the western opening of the United States
Ship Canal (p. 357), forming a channel through the Harlem River,
between the Hudson River and Long Island Sound. ^ To the S. rises
the lofty wooded knoll of Inwood, the northern be£;inning of Manhattan
Island.
The steamboat presently passes (L.) the long stretch of Riverside
Drive Park and Extension, lined with costly residences and apartment
houses. The historic "Hollow Way," at 129th st. (p. 343), now spanned
by a lofty viaduct, may be plainly seen from the river. Just below
at 123d St., is the square, conical-roofed structure of General
Grant's Tomb (p. 253). Diagonally across the river looms up con-
spicuously the flaunting sign of the Palisades Amusement Park (reached
by the Fort Lee Ferry). Opposite ^26. st. is Weehawken (p. 460),
where Alexander Hamilton was killed in a duel, by Aaron Burr. From
this point southward, the skyline of lower K«w York with its soaring
structures may be seen even more advantageously than from the Bay.
At 3 2d St. the tubes of the Pennsylvania Railroad pass beneath the river.
On the Manhattan side, £rom 23 d to 14 sts., stretches the system of
huge docks known as the Chelsea Improvement (p. 2:^), occupied by
the American, Red Star, White Star, Cunard and other transatlantic
Lines. Across the river, at Hoboken, is another series of big docks,
housing the Hamburg-American and North German Lloyd Lines. The
Hudson River Day Line and the Night Line of the Hudson Navigation
Company both make stops at 129th st. (take crosstown 125th st. trolley-
car, connecting with Subway and Elevated systems for downtown
points) ; the Day Line also stops at 42d st. (trolley-car connecting with
Elevated and Subway). The terminal docks of the two lines are,
respectively, Nos. 29 and 32 North River, near Desbrosses st. (Des-
brosses st. trolley<ar to 6th ave. and 4th st., then uptown by surface
or Elevated cars).
IV. Via Railroad
The only railroad stations on Manhattan Island in which
the traveler is interested are the Grand Central Station (see
p. 114) and Penn. Station (see p. 116).
The^ depots of the other great railway systems are on the New
jersey side of the North River, and passengers are conveyed to and
from them by large ferryboats or by the Hudson Tunnels (see p. 35).
The ferry houses, however, furnish the same opportunities tor the
purchase of tickets, checking bag;gage, etc., as the railway stations, and
the times of departure and arrival of trains by these lines are given
with reference to the New York side of the river. — Pennsylvania Kail-
114 RIDER'S NEW YORK CITY
road, Jersey City Depot (PI. I — ^A6), Montgomery st., Jersey City,
reached by ferries from Desbrosses st. (PI. I — B5), Cortlandt st. (PI.
I — B6), and by Hudson Tunnels (see p. 35), used by trains of the
Pennsylvania Railroad (for all points in the West and South), and also
by the Long Branch Railroads. P'or new station in New York, see p.
116 — Erie Railroad Depot (PI. I — A5), Pa vonia ave., Jersey City, reached
by ferries from Chambers st. and W. 23rd St., and the Hudson Tunnels,
used by the Erie Railroad and its branches, the New York, Susquehanna
and Western, the Northern R. R. of New Jersey, and the New Jersey
and New York R. R.—West Shore station (PI. I— A3), Weehawken,
reached by ferries from Cortlandt st., W. 42d st. (PI. I — B3),
used bv the West Shore Railroad (for the same districts as the N. Y.
Central Railroad) and the New York, Ontario & Western Railroad. —
Delaware, Lackawanna and Western Station, Hoboken, reached by
ferries from Christopher (PI. I — ^Bs), Barclay, and W. 23d sts., or by
the Hudson Tunnels, used by the Delaware, Lackawanna and Western
Railroad (for New Jersey, Pennsylvania, and Western New York). —
Central Railroad of New Jersey Depot, Communipaw, reached by
ferries from Liberty 'st. (PI. I— B6) and W. 23d sL (PI. I — B4), used
also by the Baltimore & Ohio, the Long Branch, the Lehigh Valley,
and the Philadelphia & Reading Railroads.
For Brooklyn station, see p. 419; for Long Island station, seep. 419.
a. Via New York, New Haven & Hartford R. R. {from
New England).
The visitor approaching New York from' the East by
the New York, New Haven and Hartford R. R. will have
many picturesque glimpses of Long Island Sound, especially
if he comes by the Shore Line branch. The near approach to
New York, however, . is without interest, the tracks being
sunken and running between high concrete or masonry walls.
The terminal in Manhattan is in the Grand Central Station
at 42d St.
Taxicabs and other conveyances can, of course, be secured at
any time. Visitors preferring to take a car, can readily reach any
desired part of the city. The 426. st. station of the Subway connects
directly with the Grand Central on the lower level.
The new **Grand Central Station, situated at 42 st, and
extending from Vanderbilt ave. to Lexington ave., is the
greatest railway terminal in the world. It was opened in 1913.
During the time that the new terminal was in process of
construction, the traffic was so planned and managed, that the
800 trains were kept running as usual, and from 75,000 to
125,000 passengers were handled daily. The new terminal
covers 79 A., and 30,000 people can be accommodated in the
public rooms at one time, without crowding.
The exterior finish is granite and Indiana limestone. The entrance
to the main building is in the form of a triumphal arch of monumental
proportions, surmounted b^ a statuary ^roup representing Pr(^ress
rising from the American Eagle, with Physical Force and Mental Force
at his feet to serve him. The style has something of the Doric motive,
modified by the French Renaissance. The outbound concourse is the
principal feature of the inain building. Its high vaulted ceiling is made
ENTERING BY RAILROAD 115
to represent the blue of the sky, and on it are depicted the constel-
lations of the heavens. It is lighted by enormous dome-shaped windows,
three at the E. and the same number at the W. end. This concourse
is used for throujp^h out-bound traffic only. Beneath it is the suburban
concourse, used for local out-bound traffic. The station for incoming
travel is located just across Vanderbilt ave. from the main building,
with direct exits to the subway and street. With the exception of the
stairways from the main concourse, leading to the surrounding galleries
and tiers of business offices, broad ramps or inclined ways are used
altogether, thus minimizing the danger and confusion of steps to large
crowds. All the usual facilities of a great station are to be found
here, including an excellent restaurant. This room is artistically treated,
with a series of Guastavino arches, and is to be found adjoining the
concourse on the suburban level. Passengers may pass directly froqi
the terminal to the subway without going to the street level. Elevated
and surface-car lines pass the door. In time, one general subway
station here will connect the present 4th ave., Broadway and Lenox ave.-
Bronx subway with the new Lexington ave.-Bronx line via the diagonal
route now under construction (beneath the surface of the site of the
Grand Union Hotel); also with the Steinway-Belmont ave. service to
Long Island City and with the McAdoo-Hudson tunnel trains to
Newark, N. J., which system is to be extended N. from Herald sq. via
6th ave. and 42nd st. to the terminal zone.
Trains of the New York Central and Hudson River Railroad, and
of the New York, New Haven «ind Hartford Railroad use this terminal.
All are operated by electricity. The trains of the Putnam Div. of the
New York Central start from 8th ave. and 155th st. (reached by the
6th or 9th ave. elevated). The Harlem River Branch of the New York,
New Haven and Hartford starts from Harlem River Station, i32d St.,
reached by shuttle train of 3d ave. elevated from 129th st. • station.
b. Via New York Central & Hudson River R. R. (from
New York State and the West).
Visitors entering New York by the New York Central
and Hudson River R. R..have, until Spuyten Duyvil is reached}
a similar but more restricted view of the points of interest
that are to be seen from the river steamboats. Here, how-
ever, the train curves to the L., following the upper side of
the U. S. Ship Canal (p. 351) and the E. bank of the Harlem
River.
^ On the L. the land rises presently in a steep bluff, University
Heights (p. 360'), crowned by the buildings of New York University,
including its Hall of Fame (p. 361). Opposite, on the- Manhattan side
of the Harlem, is the high ground of Washington Heights, terminating
on the N. in Fort George (p. 355), site of part of the Revolutionary
defences and now an amusement park. Below, along the water's edge,
is the Speedway (p. 353), hitherto reserved for fast trotting horses.
At i8ist St., the train passes beneath the lofty arch of Washington
Bridge, and just below it High Bridge (p. 353), which carries the
first Crotop Aqueduct across the Harlem. After passing the station
of Mott Haven, the tracks cross the river to Manhattan and continue
down Park ave., for the greater part of the way through a tunnel,
to the Grand Central Station at 42d st.
ii6 RIDER'S NEW YORK CITY
c. Via West Shore R. R. {from New York State and the
West),
For points of interest along the' line of the West Shore
R. R., see above, Hudson River Steamboat Lines (p. 112).
The Terminal Station is at Weehawken, opposite 42d st.
New York City is reached by ferry: i. to 42d St. (crosstown surface
car to Elevated and Subway Lines); 2. to Cortlandt st. (2, 3 and 4
blocks E., respectively, to 9th and 6th Ave. Elevated \ Lines and
Subway) .
d. Via Pennsylvania R. R. (from the West).
Travellers from South and West, approaching New
York on the Pennsylvania R. R., after leaving Philadelphia,
pass through Trenton, N. J., the capitol of the state (57 m.
from N. Y.) ; Princeton Junction (47 m.), from which a
branch line runs to Princeton (3 m.), the seat of Princeton
University; New Brunswick (31 m.), — Rutgers College may
be seen from the train; Rahway (ipj^ m.) ; Elisabeth (15^
m.) (PL A — A5), Newark (10 m. See p. 461;) then the
train, after crossing the Passaic River, proceeds over a
stretch of flatlands to Jersey City (p. 453), and thence
through tunnels under the Hudson River to the Pennsyl-
vania Terminal Station at 7th ave. and 3ist-33d sts.. New
York City.
The ^^Pennsylvania Station (PI. I — B4), from 31st to 33d
sts., was opened in 1910. It covers the entire area bounded
by 7th and 8th aves. and 31st and 33rd sts., with entrances on
all four sides. The structure is really a monumental bridge
over the tracks, for the highest point of the tracks in the
station is 9 ft. below sea level. The station is built after
the Roman Doric style of architecture, its facades being
designed to suggest the Roman temples and baths, with Ro-
man Doric colonnades, composed of columns 4J^ ft. in
diameter and 35 ft. high, on four sides. (McKim, Mead and
White, Architects.)
Above the central colonnade on 7th ave. and the one on each
of the two adjacent sides, is an entablature surmounted by a clock
with a dial 7 ft. in diameter. To L. and R. of the clock are symbolic
figures representing Day and Night. Day, a fully draped female figure,
faces the East and clasps to her breast a tall sheaf of sunflowers.
Night, partly draped, faces the West, half shrouding her head under
a fold of her garments; in. her arms is a bunch of poppies. Between
the figures is a winged wheel, emblematic of Speed, Progress and Com-
, merce iAdolph A. IVeinmann, artist).
The central entrance on the 7th ave. side leads through an arcade
225 ft. long, flanked on both sides by shops to the Grand Stairway
descending to the main waiting room. This stairway, nearly 40 ft.
wide, is constructed of Italian "Travertine" from the Roman Campagna,
near Tivoli. This is the kind of stone used in the construction of the
ENTERING BY RAILROAD 117
Coliseum and ^t. Peter's at Rome; its importation for use in the
Pennsylvania Station is said to be the first instanced of its employment
in an American building. At the head of the stairway in the Travertine
wall is placed the statue of Alexander Johnston Cassatt, president of
the Penn. Railroad Co., 1 899-1906, the dominant personality in the
Penn. Railroad tunnel and station project (by Adolph A. Weinmann).
At the foot of the stairway is the General \Vaiting Room, modeled
on the Roman Baths of Caracalla, and finished, like the arcade, stairway
and other waiting rooms, in the same mellow, cream-tinted Travertine.
Its dimensions are: length, 314 ft.; breadth, 108 ft.; height, 150 ft.
High up on the walls are six mural paintings by Jules Gucrin,
consisting of topographical maps in sky-blue and pale browns and
yellows, depicting chiefly the regions over which the Pennsylvania
Railway and connecting lines run: i. N'. Wall, Atlantic Ocean and
Coast; 2. E. Wall, left, Pennsylvania, Michigan, Illinois, Wisconsin;
3. E. Wall, right. New York and New England; 4. S. Wall, United
States and Mexico; 5. W. Wall, left, New York City and Vicinity;
6. W. Wall, right. Long Island.
Parallel to, and connected with the main waiting room is the
Concourse, directly over the tracks on which the trains arrive and
depart. Stairs descend from it to each of the train olatforms. Under-
lying the main concourse, and located between it and the tracks, is the
exit concourse, used for egress purposes only. Two stairways and
an elevator connect it with each train platform. The station is thor-
oughly furnished with all modern equipment. Surface cars pass the
door, and motor buses to 5th ave. and Riverside Drive run to and
from the station at frequent intervals. Direct connection will be made
with the 7th and 8th ave. subways when they are completed. The
station is used by trains of the Penn. Railroad, which pass to New
Jersey through tunnels under the Hudson River, and' of the Long
Island Railroad, the northern part of the station, separate ticket ofHces
and entrances, being devoted to that road. Long Island trains pass by,
tunnel under the city and the East River to Long Island City.
e. Via Erie R. R. {from New Jersey, Southern New York
State and the West).
Travelers from the West, arriving by the Erie R, R.,
pass for nearly eighty miles along the picturesque east shore
of the Delaware River. After leaving Port Jervis (89 m.),
the scenery offers little of interest. The line passes through
Tuxedo (39 m.), and the busy manufacturing towns of Pater-
son (17 m.) and Passaic (13 m.). The main terminal station
is in Jersey City, foot of Montgomery st.
New York Cit^ may be reached by ferry: i. to Chambers st. 6th
Ave. Elevated Station (two blocks E. at West Broadway; Subway lines,
five blocks E., from City Hall Pk.); 2. toi 23d st. (surface car E. on
23d St., reaching all Elevated and Subway lines) ; or by Hudson and
Manhattan R. R. Tunnels: i. to Cortlandt St.; 2. to 6th ave. ti))town
stations, with terminus at 33d St.
ii8 RIDER'S NEW YORK CITY
f. Via Delaware, Lackawanna & Western R. R. {from New
Jersey, Southern New York State and the West).
In approaching New York by the Delaware, Lackawanna &
Western R. R., the two chief points of interest are the famous
Delaware Water Gap and Lake Hopatcong, a popular nearby
summer resort. E. of Denville, the line has two branches,
that on the N. passing through Paterson and Passaic, and
that on the S. through the attractive and fashionable
"Oranges" (Maplewood, South Orange, Brick Church, etc.),
and through Newark, the 14th largest city of the U. S. in
population (p. 461). The Terminal Station is at Hoboken.
New York is reached either by Hudson and Manhattan Tubes,
to Cortlandt st. (downtown terminus) or to 3. id St. (uptown terminus);
or by ferry: i. to Barclay st. (two blocks E. to 9th Ave. Elevated;
three E., one N. to 6th Ave. Elevated at Park pi.); 2. to Christopher
St. (Christopher and 8th st. crosstown lines, reaching elevated and
subway lines) ; 3. to West 23d st. (crosstown surface line, reaching
all elevated and subway lines).
g. Via Central Railroad of New Jersey {from Pennsyl-
vania and the South and West).
Passengers approaching New York over the Central
R. R. of New Jersey, pass (30 m. from Jersey City), Bound
Brook on the Raritan River, the junction of the Philadelphia
and Reading R. R.i Plainfield (24 m.), an attractive resi-
dential town (population 22,755) ; Elisabeth (PI. A — A5)
(iij^ m. ; pop. 82,411); Elizahethport (10 m.), the juncture
of branches to Newark, and to New Jersey seaside resorts.
Sea Bright^ Long Branch, etc. The train now crosses Newark
Bay on a bridge 2 m. long; there is a view of Newark on
the L. and of Staten Island on the R. The railway terminal
is in Jersey City.
New York is reached by ferry to: i. Liberty st, within
a few blocks of Cortlandt st. elevated stations and Fulton st.
subway station ; 2. 23d st., taking crosstown trolley connect-
ing with rapid transit lines.
DOWNTOWN NEW YORK*
(From the Battery to Fourteenth Street)
I. The Battery and Vicinity
The Battery. At the southern end of Manhattan Island,
lies the Battery (PI. II — B6), a small park of about 21 acres,
bounded on the north and east by* Battery Place and State
street. Once a fashionable residential section, it is now the
favorite lounging place for hordes of Italians, Greeks and
Syrians who have colonized the lower west side.
The park consists almost wholly of made land, the island having
originally ended at Pearl Street, so named because of the pearly shells
found along the shore. As more land was reclaimed, Water, Front
and South streets, as their names suggest, successively marked the
southern boundary. Beyond this was nothing but a ledge called
Shreyer's Hook, and a cluster of jutting rocks, the Capske. In con-
sequen«"e of rumors in 1693 of a proposed French expedition against
New York, the "Whitehall Battery," mounting 92 cannon, was erected
upon Shreyer's Hook, and from this the present park takes its name.
Entering the park from Bowling Green (see p. 121), we
turn down State St. past the Custom House, following
the curving line of the Elevated Railway to its terminus at
South Ferry. The interesting old residences that once faced
the park have nearly all been replaced by modern office build-
ings, headquarters for the leading steamship lines and foreign
consulates. No. 21 State St., the Batterv Park Building,
contains the offices of the Cunard, the Anchor, and the Hol-
land-American Lines, and the Austro-Hungarian consulate,
while No. 17, the Cheeshrough Building, contains the Fabre
Line, the Finland Steamship Company and the Compagnie
Generale Transatlantique, as well as the offices of the British,
Brazilian, Norwegian, Portuguese and Swedish consuls. Only
four of the old private houses, Nos. 6-9, still survive and
are occupied by missions of various denominations. The
nfost interesting is No. 7, with curiously curved front and
upstairs balcony supported by Corinthian columns.
In 1806 it was the home of Moses Rogers, a prominent merchant
and connected by marriage with President Dwight of Yale. During the
Civil War it was taken by the Government for military purposes; later
it contained the office of the Pilot Commissioners. It is now the
* To the native New Yorker "New York" still means, popularly
speaking, "Manhattan Island," though Manhattan, the original city of
New York, is now but one of the five boroughs (see p. xv) of New
York City. The terms "Downtown New York," "Uptown New York,"
etc., as used in this guidebook mean therefore, in accordance with
local practice, the southern jrnd northern sections respectively of Man-
hattan Island.
120 RIDER'S NEW YORK CITY
Mission of Our Lady of the Rosary, a home for Irish immi^nt girls.
It contains some fine old mahogany woodwork and an English stained
glass skylight.
At South Ferry are the ferries to St. George, S. I., and
to Atlantic and Hamilton avenues and 39th street, Brooklyn.
Next, to the west, is the new United States Barge Office (igii),
a two-story structure of polychrome brick, with a curving
fagade above an arcade. This is the starting point of the
boats to Governor's and Ellis Islands, and here also are the
offices of the U. S. Coast Guard, the U. S. Shipping Com-
mission, and the U. S. Marine Hospital (the hospital itself
i^ at Stapleton, S. I.) To the west of the Barge Office is a
recently erected fountain and behind it a simple square granite
shaft, .^ Monument to the Wireless Operators who perished
at sea in fulfilment of their duty. Ten names are already in-
scribed on the shaft, that of Jack Phillips, of the Titanic,
heading the list. From this point a fine Sea Wall stretches in
a sweeping curve along the entire southern side of the Bat*
tery, affording an admirable view of the Bay and its islands.
Turning to the right, on a path leading towards the centre of
the park, we come to a bronze statue of John Ericsson, the
inventor of the screw propeller, and designer of the Monitor.
It was designed by /. S. Hartley and erected by the city in
1893. The granite pedestal bears panels in low relief com-
memorating the great inventor's chief achievements. A little
further west stands the monument to Giovanni de Verrazzano
(Ximens, sculptor), wTio, it is claimed, was Henry Hudson's
precursor in discovering New York Harbor. It was given
by the Italian colony of this city, largely through the efforts
of the Progresso Italo- Americano, and consists of a bronze
bust of heroic size, supported on a lofty granite pedestal, in
front of which a symbolic female figure points the path to
success.
At the western end of the sea wall stands a solid, squat,
circular structure, the **New York Aquarium. It is free to
the public and is open every day in the year (9 A. M. to 5 f*.
M. from April to October, 10 to 4 from November to March,
excepting on Monday forenoons, when only teachers with
classes and members of the N. Y. Zoological Society are ad-
mitted). There is no printed guide to the exhibits, but every
tank is carefully labeled, with many interesting additional
data as to the habitat of the different species, their maximum
size, length of life, their relative value as food, etc. The
central space on the ground floor is taken up Jjy one huge
circular tank, occupied at present by a school of Cape Hat-
teras porpoises, and several smaller tanks containing seals,
sea-lions, alligators, giant turtles and several of the larger
THE BATTERY AND VICINITY 121
species of fish. The main portion of the collection, however,
is contained in the wall tanks, extending entirely around the
circular wall in two tiers, one on the lower floor, the other
in the gallery above. Particular attention should be given
to the many brilliant-hued species from the semi-tropical
waters of Bermuda and the West Indies.
History. Castle Garden, the building in which the Aquarium is
now housed, has many historical associations. It was erected in 1807
by the U. S. Government as a fort called the West Battery. After the
War of 1 81 2 the name was changed to Castle Clinton. It nad a battery
of 30 guns, the embrasures for which still remain in the nine-foot outer
wall. In 1823 the building was ceded to the city by Congress, and
under the new name of Castle Garden became a place of entertain-
ment, capable of containing 8000 spectators. It was connected with
the Battery by a bridge, the intervening water space not being filled
in until many years later. General Lafayette was received here in
1824, President Jackson in 1832, President Tyler in 1843 and Louis
Kossuth in 185 1. It was here, in 1835, that Professor Morse, the in-
ventor of the telegraph, demonstrated the practicability of controlling
the electric current. Here alsp, in 1850, Jenny Lind made her Ameri-
can debut, under the management of P. T. Barnum. In 1855 Castle
Garden became the landing place for immigrants, and between that
date and 1895 no less than 7,690,606. foreign^ers passed through its
doors. It was opened as an Aquarium, Dec. 10, 1896, and in 1902
the management was transferred from the Department of Public Parks
to the N. Y. Zoological Society, a private organization with a member-
ship of 1796.
Bowling Green (PI. II — B5), on the N. of the Battery is
a tiny oval Park closed in by an iron fence brought from
England in 1771 ; in the middle is a bronze statue of Abraham
de Peyster, Mayor of New York from 1691-95 (G.E.Bissell,
sculptor), erected by John Watts de Peyster, 6th in direct
descent. Bowling Green derives it chief fame from the early
17th and late i8th centuries. It is believed by some that here
Peter Minuit purchased the Island of Manhattan in 1626. In
the early settler days it was a Dutch Market, and in 1732 it
was leased at i peppercorn a year for a private Bowling Green.
In 1765 the Stamp Act Riot occurred here, and here in 1770
the leaden equestrian statue of George III was set up to be
torn down by the mob on July 9, 1776, and turned into bullets
for the patriots. In 1797 the Green took on its present circular
shape. It is enclosed by the Washington Building on the W.,
the new Custom House on the S. and the Produce Exchange
on the E.
The Custom House. The new Custom House (PI. II —
B5), at the foot of Broadway, occupies the entire city block
bounded by Bowling Green, and Whitehall, Bridge and State
Sts. It is a large granite building in the modern French
renaissance style, erected in 1902-7 from designs by Cass
Gilbert, Including the ground, it cost more than $7,000,000;
and its seven floors contain an area of 300,000 square feet.
122 RIDER'S NEW YORK CITY
On the exterior a series of large granite columns, rising to
the cornice and crowned with* composite capitals, extends
around the four sides. From the centre of the fern leaves
of each capital looks out the sculptured head of Mercury, the
ancient God of Commerce. Cut in the granite lintel of each
window is a man's head, forming a series of eight racial
types repeated alternately around the building. On the Bowl-
ing Green fagade are a number of ^sculptures by Daniel C.
French and others that merit detailed inspection.
Borne on lofty granite pedestals, at the level of the second or
main floor are four groups of heroic size, by Daniel C. French, repre-
senting the FouK Continents. From left to right: i. Asia, gazing ahead
with fatalistic calm, beside her a tiger and the naked, suppliant people;
2. America, clear-eyed and hopeful, with the symbolic eagle and an
armful of Indian maize; 3. Europe, gravely reflective, with her right
hand on the prow of an ancient ship, and her left elbow on a globe
surmounting a pile of books; 4. Africa, asleep; beside her a lion and
the Sphynx.
Extending across the entire front of the sixth story are twelve
heroic statues in white granite representing the Commercial Nations,
in the following order, from left to right: i. Greece and 2. Rome, by
P. E. Ehvell; 3. Phoenica, by F. IV. Ruckstuhl; 4. Genoa, by Augustus
Lukeman; 5. Venice and 6. Spain, by F. M. L. Tonetti: 7. Holland, and
8. Portugal, by Louis St. Gaudens; 9. Denmark, by Johannes Gellert;
10. Germany, by Albert Jaegers; 11. England, and 12. P'rance, by
Charles Grafly.
On the seventh story is a Cartouche, by Karl Bitter, consisting of
two winged figures supporting the shield of the United States. One of
these figures holds a sheathed sword, typifying the great power of peace;
the other holds a close-bound bundle 01 reeds, symbolic of the strength
of perfect union.
Much of the ground floor of the Custom House is oc-
cupied by a branch of the Post Office. The only objects of
interest to the visitor are on the floor above. Ascending
the imposing flight of steps on the Bowling Green side, we
reach the main entrance. Directly opposite is the central
rotunda, which well merits inspection. At the west end of
the northern corridor (last door on the right) is the Col-
lector's Reception Room. Visitors are admitted on week
days during office hours. It is a spacious chamber, ornately
decorated, with a gilded ceiling and elaborate walnut carvings.
A walnut screen, delicately wrought and rising two-thirds of
the way to the ceiling, divides the ante-chamber from the
main room. Visitors are freely admitted to both sections, and
should give special attention to the series of ♦Paintings of the
Seventeenth Century Ports, by Elmer E. Garnsey, which
extend around the four walls.
The scries begins on the eastern wall next to the entrance door
with I. Amsterdam, Holland; then, continuing westward on the south
wall around the room; 2. CuraQoa, in the Caribbean Sea: 3. Port Orange
(now Albany), New York; 4. New Amsterdam, (now New York City);
5. La Rochelle, France; 6. London, England; 7. Port Royal, Jamaica;
THE BATTERY AND VICINITY 123
8. Plymouth, England; 9. Cadiz, Spain; 10. Genoa, Italir. Probably
the most interesting is the harbor of Amsterdam. The visitor should
notice the tower in the centre, known as the Weepers' Tower, because of
the farewells that took place at its base. To the right, beyond the
spire of the Old Church, is the dome of St. Nicholas, patron saint of
sailors. On the left is a war-ship, the Seven Provinces, displaying the
banner of Amsterdam.
The present Custom House occupies the site of Fort Amsterdam,
built in 1626 by Peter Minuit, probably on the site of a trader's fort,
the orif^inal log block house of 1615. The Governor's House and the
First Collegiate Dutch Church stood within its walls. Its successor.
Fort George, was demolished in 1790, and the Government House
erected as a presidential mansion, a purpose defeated by the removal
of the seat of government to Philadelphia. It was the residence of
several governors, among them George Clinton and John Jay. From
1^99 it was used as the Custom House, until burned down in 181 5. The
site was occupied by private residences, which eventually were con-
verted into offices of the leading steamship companies, until they in
turn passed to make way for the present edifice.
The Custom House has undergone numerous removals. From 1842
to 1862 it occupied what is now the. St'b-treasnry building on Wall
Street,' when it was transferred to the former Merchants' Exchange,
where it remained until the completion of its new abode.
The Washington Building (i Broadway, erected by Cyrus W.
Field) is on the. site of the house erected in 1760 by Archibald Kennedy,
Collector of the Port of New York, and afterwards occupied by the
British generals Cornwallis, Howe, and Clinton (memorial tablet).
Whitehall st. (PI. II — B5) runs S. E. from 2 Broadway
to the East river. Opposite the Custom House on Whitehall st.
is the Produce Exchange (PI. II — B5), Italian Renaissance
style^ 220 ft. long, 1 14 ft. wide, and 60 ft. high. The tower, 225
ft. high, commands a fine view of the city and harbor. If we
enter the Produce Exchange by the Stone Street entrance, on
the wall directly to the right of- the entrance is a tablet mark-
ing the site of the first schoolhouse ever built in New York.
Passing on through the hall to the rear wall facing the court,
we may see a tablet erected to mark the site of the first
Huguenot Church, built in 1688. The Visitors' Gallery in the
main hall of the Exchange is reached by N. side elevators to
third floor. Visitors freely admitted during business hours.
At 39 Whitehall St. is the U. S. Army Building, a red
brick structure, resting on a fortress-like two-story founda-
tion of granite. Over the entrance is the seal of the War
Department, hewn in the granite. The building is a depot
for quartermasters' supplies. To the E., at the S. E. cor.
of Broad St. and Pearl St., is the old
♦Fraunces^ Tavern (PI. II — C5), one of the oldest build-
ings in the city. It was erected in 1719, by Etienne Delancey, a
wealthy Hugenot who after residing there nearly half a
century, conveyed it in 1762 to Samuel Fraunces, who here
opened the Queen's Head Tavern, It was here, in 1768, that
124 RIDER'S NEW YORK CITY
the N. Y. Chamber of Commerce was organized. In 1775. it
was injured by a shell from the British ship Asia. Its chief
historic interest, however, is due to its having been the scene
of the farewell of Washington to his officers, Dec. 4, 1783.
Just a century later the reorganization of the Sons of the
Revolution took place in the same room. The building was
carefully restored in 1907 under the auspices of this society,
as a memorial to their former president, Frederick Samuel
Talmadge. It is open to the public daily, except' Sundays.
The lower floor is occupied by a restaurant (p. 20). On the floor above,
on the Broad Street side, is the Long Room, the scene of Washington's
farewell. On the south wall are portraits of Frederick Samuel Tal-
madge. President, and John Austin Stevens, founder of the Sons of the
Revolution. On the east wall are modern copies of old portraits of
Alexander Hamilton, Philip Schuyler, and Major General Alexander Mc-
Dougall, First President of the Bank of New York. In the middle of
the room is a handsome long table, constructed from splendid old
beams removed from the lower story when repaired in 1890.
On the next floor is thej museum. Over the mantel is a painting
by Edward Trenchard, Washington arriving at the foot of Wall Street
for his Inauguration, 1789. On the mantel, a miniature replica of the
Equestrian Statue of General Anthony Wayne at Valley Forge, by
Henry K. Bush-Brown, and a Bronze Medallion of Wayne, by James
E. Kelly. On right of mantel, The Old Mount Vernon, by Eastman
Johnson. On table by window, a small bronze, Paul Revere, by James
E. Kelly. In the centre of the room are four long ^lass cases contain-
ing a great variety of Colonial and Revolutionary cunos, portraits, auto-
graphs, old documents, ornaments and weapons. There are the original
deeds of conveyance of Fraunces' Tavern, including that of Delancey;
there is one case devoted to "Our French Allies." including an inter-
esting series of old engravings, autograph letters from Louis XVI. and
various distinguished Frenchmeh, also a small bound volume once be-
longing to Lafayette and containing his signature.
On the upper floor there is nothing of interest beyond a collec-
tion of nearly a hundred early portraits of Washington, both wood-
cuts and copper and steel engravings.
The restoration of the old building was conducted with the greatest
care and it is believed that its present state closely resembles what its
appearance must have been in the days when it was a favorite resort
for Colonial fashionable life. Some of the old tiles could be matched
only by sending to Holland, while the bricks needed for repairs on the
Pearl Street side were obtained from some old buildings in Baltimore
of almost exactly the same period, which happened to be in the course
of demolition.
The names of the streets in this vicinity preserve numef-
ous reminiscences of local history. Broad St., owes its width
(and name) to the fact that originally a canal ran through
the middle of it. Bridge St. commemorates the bridge which
crossed the canal at that point. Moore St. marks the site
of the first mooring place for boats. Stone St. was the first
New York street to be paved (with cobblestones, in 1657)-
Whitehall St. originally led to Governor Stuyvesant's house,
later known as the White Hall (erected 1658). In Dutch
times, it was called the Marckveldt, the memory of which still
BROADWAY TO WALL STREET 125
lingers in Marketfield St., the short block facing the court
of the Produce Exchange (Marckfeldt Steegie)^ which later,
probably because it was a favorite shopping center, was re-
christened by the English Petticoat Lane.
II. Broadway from Bowling Green to Wall Street
Broadway (PI. II — B5), the most important street of
New York City and probably the best known single
street in the world, starts at Battery Place and
runs N. through Manhattan, across the Harlem river,
through the Bronx and across the city line, a dis-
tance of 19 miles. The lowpr part is lined on either side
with huge loft buildings, divided into office suites for profes-
sional men. Banks, insurance offices, wholesale houses, news-
paper plants, and some factories are also found here. At noon
time and in the evening when the office workers are on the
street, the side walks are crowded. The subway morning and
evening is insufferably packed. Going N. the right-hand side
is E. and the left is W. The following buildings are men-
tioned either because of their size (indicated by the number
of stories) or because of the wealth of the firms they house.
No. I, W. side, is Washington Bldg. (p. 123) with the
19 story Bozvling Green Building adjoining.
Opposite is the Produce Exchange (p. 123).
No. 26, E. side, is the Standard Oil Bldg. The original^
building was 9 stories high and the additional 6 stories rest,
not on the old building but upon a cantilever projection from
a new portion of the building erected on one side of the
old building. •
No. 41, W. side, is the site of the first dwellings inhabited
by white men on Manhattan Island. They were erected in
1613, by Adrian Block, captain of the Tiger, to house his
crew after that vessel had been destroyed by fire, and until
he completed a new ship, the Unrest. A tablet erected by the
Holland Society, marks the spot.
No. 50, the Tower Building, is interesting as being the
earliest example of a skeleton-frame steel structure (1888-
89). The originator and designer was Bradford Lee Gilbert.
The commemorative tablet was erected by the Society of
Architecture and Ironmasters of New York.
Beyond, on the W. side, Nos. 53-61, is the Adams Ex-
press Co. (32 stories) and No. 71 is the Empire Building
(20 stories), the hall of which is an arcade to the Rector
St. station of the 6th Ave. elevated. Back of Trinity Church-
1
126 RIDER'S NEW YORK CITY
yard, at No. 2 Rector St. rises the United States Express
Building (23 stories). On the E. side, at the S. corner of
Exchange Place, No. 52, is Exchange Court Building, with
bronze statues of Stuyvesant, Clinton, Hudson and Wolf by
/. Massey Rhind; on the N. corner, No. 60, the Columbia-
Knickerbocker Trust Building; at No. 66 the Manhattan
Life Insurance Building, with a tower 348 ft. high; and at
No. 80 the Union Trust Building.
(Description of Broadway continued on page 132.)
III. Wall, Broad, Nassau and William Streets
and their Neighborhood
Wall st. (PI. II — C4) runs from Broadway to the East
river. The st. takes its name from a wall erected along this
line in 1653 by Gov. Stuyvesant, with gates at Broadway and
Pearl st It was not removed till 1699. In Revolutionary
times it was a fashionable residence neighborhood. It is now
the center of the financial- life of the country, some of the
greatest business firms in the world being housed in the high
buildings that rise on either side of the narrow thoroughfare.
At the N. E. corner of Wall st. and Broadway is the United Bank
Building, owned by the First National Bank and the Bank of the Re-
public and housing also several private banking firms, and southern
and western railway companies. No. 10 Wall St., opposite the end of
New St., is the Astor Building, on the site formerly occupied by the
First Presbyterian Church. Jonathan Edwards and George Whitefield
both preached here. In the same block, at the corner of Nassau st., is
the Bankers Trust Company building (39 stories), on the site of the
Gillender Building, demolisned only 15 years after its erection to be
replaced by a larger structure. The ground cost $825 per sq. ft., which
is said to be the highest price ever paid for land.
On the S. side betw. New st. (stopping at Wall st.) and
Broad st. (becoming Nassau st. on the N. side) betw. the
Mortimer Building and the Wilkes Building is the side en-
trance to the *Stock Exchange (PI. II — B4), its Main En-
trance being on Broad st. (Hours 10-3. A visitor must be taken
in by a member or obtain a pass from the Secretary at 13
Wall St.) It is a lo-story marble building, designed hy George
B. Post, finished in 1903 and costing $3,000,000. The frontage
on Broad st. is 138 ft., and on New st, 152 ft.
The first five stories are behind six Corinthian colums, 52 ft. 6 in.
high. The pediment sculptures were by J. Q. A. Ward, assisted by Paul
W. Bartlett. The central figure represents Integrity, tne group on the
right of the central figure represents Agriculture and Mining, and on
the left represents Motive Power, Scientific and Mechanical Appliances.
The New York Stock Exchange is not an incorporated body
hv\ a strictly voluntary association, organized in 1792 by a group
of brokers meeting under a buttonwood tree at what is now 70
W»ll St., and later in the old Tontine CoflFee house. The member-
WALL STREET AND NEIGHBORHOOD 127
ship is limited to iioo members, of whom about 700 are active. No
one but members are allowed on the floor. Memberships fluctuate in
value with eeneral business condition^. They have brought as high as
t 95, 000, and have been sold within a year for less than $5^,000. The
Ixchange does no business itself, but provides facilities to its members
and oversees their conduct. An elected committee of 40 members is
the governing board. Stocks and bonds of corporations and bonds of
governments are sold. Transactions must be completed and paid for
on the following day. In 1913 sales amounted to 83,2.83,582 shares of
stock, worth $5,921,462,680, and $501,155,920 bonds. The record day
in stocks was April 30, i9oi,when 3,190,857 shares were traded in, and
in bonds, Nov. 11, 1904, when sales amounted to $15,085,500.
On the N. side, at the corner of Nassau St., is the ♦United
States Sub-Treasury Building (PI. II — C4). The little old
building formerly adjoining it was the old Assay Office, re-
cently demolished. The Sub-Treasury is open from 10 a. m.
to 3 p. m. The building was erected in 1812 for a Custom
House and remodeled for its present use in 1862. It is of
marble with a Doric portico and the interior is quaintly
ornate. The vaults, which have held at one time $250,000,000
in gold and silver, are shown to visitors only upon presenta-
tion of a letter from a New York Bank.
The present building stands on an historic site. The Colonial City
Hall was here from 1699 to 181 2. In front stood the pillory and whip-
ping post. Many important events took place here. 1735, the Zenger
case was won here (p. xxii). 1765, the Stamp Congress met^ and in
1785 the Continental Congress met here. In 1788 the building was re-
modeled and named Federal Hall. Washington's inauguration took
place April 30, 1789. After being formally received by the two houses
in the Senate hall, he stepped outside in front of the buiiding to take
the oath of office. The stone on which he stood is preserved in the
building in the S. wall. He then attended divine service at St. Paul's
chapel (p. 137). He wore a complete suit o'f hothespun so finely
woven that it was "universally mistaken for a foreign manufactured
superfine cloth." Other officials offered "the same token of attention to
the manufacturing interests of their country." A tablet on the W. front
commemorates the passage of the Ordinance of 1787 by Congress. The
tablet on the E. front represents Washington in prayer at Valley Forge,
by /. E. Kelley, presented by Lafayette Post, No. 140, G. A. R. In
front of the building is a bronze statue of Washington by /. Q. A,
Ward, erected by public subscription in 1883.
To reach the present Assay Office pass through the
Sub-Treasury Building, to the Pine st exit. The Assay office
entrance is at the right, up a wooden inclined plane. The old,
closed building on Broad st. was erected in 1823 as a United
States Bank and Treasury. The new rear building is six
stories and equipped with modern machinery. (Visitors apply-
ing to the superintendent, desk near entrance, betw. 11 a. m.
and 3 p. m., will be shown the processes.)
This is a government office which handles gold and silver for
banks, private firms and individuals, etc. Anyone can bring here gold
or silver in any form (amounting in value to at least $100), have it
melted and assayed and receive for it its value in money. Banks send-
ing gold bullion abroad obtain it here. The loss in "sweated" coins can
be determined here and the purity of any gold or silver.
128 RIDER'S NEW YORK CITY
In the same block, on the N. side, among other buildings,
are two important banks, the Bank of the Manhattan Com-
pany, at No. 40, chartered in 1799. It is the second oldest
bank in the city. Its banking privileges were secured through
a clever ruse, by Aaron Burr, who, in an apparently harmless
measure incorporating a company to supply the city with
water, engrafted a clause providing that its surplus capital
might be employed in any capacity not inconsistent with the
laws of New York. The Merchants^ Bank, at No. 42, was
founded 1803, and is the third oldest bank.
On the S. side of the street, betw. Broad and William
Sts., are a' number of important companies. At No. 23 is
the beautiful new low building of the banking house of J. P.
Morgan & Co. This famous house, known earlier as Drexel,
Morgan & Co., owes its name to John Pierpont Morgan
(1837-1913), one of America's greatest financial geniuses, who
was an active partner from 1871 onward and the controlling
power in the firm during his later years. Mr. Morgan's spe-
cial ability as an organizer was displayed in his success in
establishing the United States Steel Corporation, the Northern
Securities Company, and the Atlantic shipping combination.
Mr. Morgan was also well known as an enthusiastic and dis-
criminating art collector and the owner of an unrivalled
private collection of unique books and manuscripts (seep. 210).
Next comes the Mills Building, with its main entrance
on Broad St. No. 37 is the Equitable Trust Co., No. 43 the
United States Trust Co., and at No. 49 is the Atlantic Build-
ing. On the next block, still on the S. side, from William to
Hanover St., is the huge granite structure of the National
City Bank, with' twenty-five million dollars capital, thirty
million surplus, and two hundred and forty million deposits.
The building now occupied by the bank covers an entire block
bounded by Wall, William and Hanover Sts, and Exchange Place. It
was origially erected as a Merchants' Exchange, on the site of an earlier
Exchange,! destroyed in the big fire of 1835. In 1862 it became the
United States Custom House. It is a massive structure, of blue Quincy
franite, in the Doric style, with a portico of granite columns 38 ft. high.
)imensions: 200 ft. deep by 144 to 171 wide; elevation to top of
dome, 124 ft. Cost, including ground, $1,800,000. {Isaiah Rogers,
architect.)
On the N. side at the E. corner of Wall and William Sts.,
the Bank of New York, the oldest New York bank and one
of the three oldest in the country, founded by Alexander
Hamilton and others in 1784. The cornerstone bears an in-
scription and the date 1797.
At No. 48 is a tablet marking one of the Bastions of the
original wall. Among other buildings, No. 54 is the Central
WALL STREET AND NEIGHBORHOOD 129
Trust Co., and on the N. W. corner of Pearl St. is the
Seaman's Bank, On the N. E. corner is the Tontine Building,
named for the Tontine Coffee House, which formerly stood
here'. The shore line originally ran' as far inland as the
present Pearl St., and here at the foot of Wall St. was the
Meal Market, used also as the city Slave Market.
At No. 56 Wall St. is a Memorial tablet to Morris
Robinson, first president of the Mutual Life Insurance Com-
pany, who here first established modern life insurance ■ in
America (erected by the Canadian Society of New York,
1903).
Hanover Square (PI. II — C4) located in this tangle of sts.
betw. William and Hanover, three blocks S. of Wall st., one
block S. E. of Beaver st, one block N. E. of Broad st, was
named for George I of Hanover. •
At the corner of William and Beaver sts. is the Cotton Exchange
(p. 130). A tablet marks the site of Bradf6rd's New York Gazette, iT^Sr
the first New York newspaper. Nearby at the corner of Beaver and S.
William sts. is the original Delmonico's. The marble pillars at the en-
trance are from Pompeii.
One block further S. on Pearl St. brings, us to Coenties
Slip, a popular corruption of the name of Coriraet Ten Eyck,
who lived here. The "Slip" (filled in about 1835) is now
occupied by Jeanette Park, so named in memory of the
Hdrald Arctic Expedition ship.
At the head of the present slip is the site of the first public hotel
erected in New York. Governor KieflF, of New Amsterdam, had been
in the habit of receiving ofiicial visitors in his own home, but finding
this custom burdensome, he erected in 1648, at the company's expense,
a plain stone tavern. This was later used as the Stadt Huys, or
City Hall.
Broad St. (Pl.II— C4) runs S. from 21 Wall St., curving
E. to the East River. The bbck betw. Wall St. and Ex-
change PI. contains the main entrance of the Stock Exchange
(p. 126). Opposite the Exchange is the Mills Building, one
of the earliest great office buildings built in 1882, now in-
conspicuous among far larger buildings, with an entrance
also on Wall St. At the S. E. cor. of Broad St. and Ex-
change PI. is 'the 20-story Broad-Exchange Building. The
Commercial Cable Building, with two domes, is 317 ft. high.
On the S. E. cor. of Beaver St. is the Consolidated Stock
Exchange; visitors' entrance on Beaver St. Tliis exchange,
though not as important as the main one, is well worth a visit
Visitors are admitted freely. Take the elevator to gallery at
the Beaver St. entrance.
The Consolidated Stock Exchange was organized as a mining
exchange in 1875, altering its nami and field in 1886. It deals
ijo RIDER'S NEW YORK CITY
chiefly in securities listed upon the main exchange, but also in shares
not listed there and some mining shares generally excluded from the
main exchange. It has 1,225 members, about 450 of whom are active.
Membership sells for from $650 to $2,000.
The three exchanges next in importance are the Produce (p. 123),
the Cotton (p. 130), cor. Beaver and William sts., and the Coffee (113
Pearl st.), with a business mainly speculation, consisting of purchase
and sales for future delivery, either by those who wish to eliminate risks
Or who seek to profit by fluctuating values. The Produce Exchange, the
most important of the three, was chartered in 1862. It has 2000 mem-
bers, some of whom are also connected with other exchanges. The busi-
ness includes dealing in all grains, cottonseed oil and other products.
Wheat is the chief subject of trading. The Cotton Exchange, incorporated
in 1 87 1, has 450 members and is the most important cotton market in the
world. It provides the means of financing about 80 per cent, of the crop
of the United States and arranges for its distribution. Traders and
manufacturers in Great Britain, Germany, France, Spain, Ejg^pt, Japan,
and India trade here. The Coffee Exchange, incorporated in 1885, has
320 members, of whom 80 per cent, are active. Four exchanges of minor
importance are the New York Mercantile Exchange, 6 Harrison St.;
The Real Estate Exchange, 14 Vesey St.; the Metal Exchange, 11 1
Broadway; and the Maritime Exchange, 78 Broad st.
At the N. W. cor. of Beaver St. is the Morris Building.
At the S. W. cor. is the American Bank Note Building.
A part of Broad st. just below the Stock Exchange, in
front of No. 44, is roped off for the *Curb Market, where
traders buy and sell stocks and bonds, shouting and ges-
ticulating in continuous excitement, amid the confusion of
passing traffic. The men in the street signal by a finger lan-
guage to clerks in the windows of surrounding offices, who in
turn are in telephonic communication *with unseen directors.
The scene is extraordinary.
The Curb Market has existed for some 30 years, but has
become important only since 1897. It has 200 subscribers, about 150
of whom appear on the curb. It is under less regulation than the
organized exchanges, and deals in securities not listed in the more
conservative exchanges.
Nassau St. (PI. II — B3) runs from 20 Wall St., continuing
Broad St. N. to Park Row, parallel with Broadway, i block
E. At the N. E. cor. of Pine St. is the Fourth National,
Bank. At the N. E. cor. of Cedar St. is the National Bank of
Commerce, with the Postal Life Building next door. Oppo-
site, on the E. side, betw. Cedar and Liberty Sts., is the
Mutual Life Insurance Building, on the site of the Middle
Dutch Church, built 1727-32. A tablet at the corner of
Nassau and Cedar commemorates the fact. It has not been
widened since it was laid out in 1692.
At the N. W. cor. of Beaver St. is a Tablet commemo-
rating "the gallant and patriotic act of Marinus Willett in
here seizing from the British forces (June 6th, 1775) the
muskets with which to arm* his own troops.'
u
WALL STREET AND NEIGHBORHOOD 131
In Cedar st, betw. Nassau and Broadway is the New York
Clearing House (PL II — B5) built of white marble, Italian
Renaissance style, elaborately decorated, with a dome. Visi-
tors are not admitted. The association is made up of 65 banks
and trust companies who daily balance their accounts with
each other here, determining by their system of exchanges
how much each must pay or receive from each of the others.
In 19 1 3 the clearings amounted to over $98,121,000,000, a daily
average of over $323,800,000. On Nov. 3,* 1909, the clearines amounted
to $736,000,000. In the cellar is a vault, 24 ft. wide, 20 ft. deep and 12
ft. high, capable' of holding 210 tons of gold, or about $105,000,000 in
coin. The vault rests upon concrete and iron. The outer walls are steel
plates 6 in. thick; each outer door weighs 10 tons. Both inner and outer
doors are fitted with time and combination locks. Around the vault,
four feet from the walls, is a fence with bars three inches thick. Elec-
tric signals give an alarm if anjr part of the walls is touched. There
are also arrangements for charging the fence with electricity and for
flooding the vault room with live steam.
At the N. E, cor. of Nassau and Liberty Sts. is the 31-
story Liberty Tower. Toward Broadway, on the N. side of
Liberty st. is the Chamber of Commerce (PI. II — B3) a
marble building on a granite base, elaborately ornamented,
built in 1902 at a cost of $1,500,000, designed by /. B. Baker.
(Adm. by member's card.)
The statues in front are Alexander Hamilton. DeWitt Clinton, and
John Jay. The statuary over the entrance and beneath the cornice is
symbolical of commerce. Within an impressive staircase leads to the
hall. Carved seats are built against the wall. On either side of the desk
are beautiful silver vessels presented in 1824 to Hon. DeWitt Clinton
"whose claim to the proud title of 'Public Benefactor' is founded on those
magnificent works the Northern and Western Canals." The walls are
hung with members' portraits, including a painting of Washington by
Stuart, The Atlantic Cable Projectors by Daniel Huntington, Alexander
Hamilton by Trumbull, and Cleveland by Alexander. The Chamber of
Commerce with 1,600 members today, organized in Fraunces* Tavern in
1768 and incorporated in 1770, is the oldest commercial organization in
the United States.
One block to the E., where Liberty and William Sts. are
cut by Maiden Lane, are several large insurance buildings, the
most noticeable of which is the 20-story building of the
German- American Insurance Co., in the triangular plot.
Maiden Lane was formerly the center of the jewelry and
silver trade. Some firms yet remain. At No. 17 is the
Silversmiths Building, and the Jewelers' Building adjoins it.
The S. E. cor. of Nassau and Fulton Sts. is the site of
the Shakespeare Tavern, once a favorite gathering place for
men of letters: Fitz-Greene Halleck, DeWitt Clinton, James
K. Paulding, etc. It was here that the 7th Regiment was
organized, August 25, 1724.
On the S. side of John st. opposite Dutch st. is the John
132 RIDER^S NEW YORK CITY
St. Methodist Church (PL II — C3), sometimes called the
"Cradle of Methodism" in America. The original church was
built in 1768, rebuilt in 1817, and in 1841. The building with
its quaint gallery, old-fashioned pews, memorial tablets and
relics is owned by the Church at large and managed by trus-
tees elected by the General Conference of the Methodist
Episcopal Church.
Somewhere in this vicinity, along William st. betw. John
and Ann, the first blood of the Revolution was shed by the
patriots in a quarrel following the cutting "down of their
Liberty Pole. The Fight is called the Battle of Golden Hill.
Little record is to be found of it in the histories beyond the
fact that it occurred Jan. 19, 1770. No one was killed but sev-
eral were wounded. The exact site cannot be determined.
At No. 126 Nassau St. was once the home of Mary
Rogers, who sold cigars at Anderson's store (Broadway and
Duane St.) and was known to Poe, Fenimore Cooper and
Washington Irving. It was her strange murder that sug-
gested to Poe his story of "The Mystery of Marie Roget."
The American Tract Society (organized 1825), at 125 Nassau St.,
interdenominational, has printed and circulated relirious literature in
175 languages for use in home and foreign mission fields. Over seven
hundred million books, pamphlets, and tracts have been put into circu-
lation.
IV. Broadway from Wall Street to City Hall Park
Returning to Broadway on the W. side, N. of Rector St.,
opposite the beginning of Wall st., is the famous old *Trinity
Church, a Gothic edifice of brownstone, by Richard Upjohn,
192 ft. long, 80 ft. wide, and 60 ft. high, with a spire 285
ft. high, built 1839-46. (Special noon services at 12 each day.)
History. The historic interest of Trinity parish is due to the fact
that it is the parent of the Episcopal Church in America. The first
Church of English services in this countr>' were held in a little
chapel near the Battery. In 1697 a grant of land "in or near a
street without the north gate of the city, commonly called Broadway"
was made to the Parish of Trinity Church; and in 1705 a further
grant was made of a tract west of Broadway, extending all the way from
Vcscy to Christopher Street, and known successively as the Annetje
Jans Farm, the Duke% the King's, and finally Queen Anne's Farm.
Excepting for the city streets and the St. John's Park tract, Trinity
Parish still owns practically all of this valuable property (estimated
now to be worth over $17,600,000).
The present Trinity Church is the third structure on the present
aSte. The first building was erected in 1696, burned in the great fire
of 1776; rebuilt, 1788-90. The first and second rectors were Mr.
Vesey and the Rev. Henry Barclay, whose names are commemorated in
Vesey and Barclay streets. During Mr. Barclay's ministry the growth
of the church necessitated the erection of St. George's Chapel, now a
separate parish (see p. 2?4). and in 1763 the second chapel, St. Paul's,
was erected. At the outbreak of the revolution Trinity remained
BROADWAY TO CITY HALL PARK 133
staunchly loyal, and because of the refusal to omit from the prayers
the customary words, "our most gracious sovereign, King George,"
the church was closed by the authorities and remained so until the
entry of the British into New York.
Trinity Parish to-day maintains eight chapels: The Chapel of the
Intercession (p. 34S), St. Agnes Chapel (p. 243)1 St. Augustine's
Chapel (p. 152), St. Chrysostom's Chapel (p. 230), St. Cornelius's
Chapel (p. 106), St. Luke's Chapel (p. 161), St. ifaul's Chapel (p.
137), Trinity Chapel (p. 165). It also gives aid to ten other
churches, all of which do mission work in the poor districts of the
city. Trinity Parish also appropriates $20,000 annually for beds in
St. Luke's Hospital, maintains a Cooking School, a Labor Employ-
ment Society, a Laundry School, an Industrial School, Drawing
Classes, Manual Training Classes, and various guilds for boys, girls
and young men and women.
The first objects of interest which invite the visitor's at-
tention are the three pairs of memorial bronze door». opening
on the front and north and south side entrances. They are
the gift of William Waldorf Astor as a rtiemorial to his
father, the second John Jacob Astor.
Main entrance doors, by Karl Bitter; right door, upper panel,
(Revelations VI, 15-17), The great day of God's wrath, when all men
shall hide themselves; middle panel (Luke I, 28-38), The Annunciation;
lower panel (Genesis XXVIII, 10-18), Jacob's ladder. Left door,
upper panel (Revelations IV, 6-1 1), The Throne of God, the four beasts,
and the twenty-four elders that fall down and worship; middle panel
(Matthew XXVIII, 1-8), The angel at the empty tomb; lower panel
(Genesis III, 23-24), The expulsion from paradise.
North entrance doors, by /. Massey Rhind: Right door, upper
panel (Revelations XX 11), "Blessed are they that do His command-
ments, that they may have right to the tree of life, and may enter in
through the gates into the city"; middle panel (Acts III. 1-2), The lame
man at the temple gate; lower panel (Revelations XIX, 1-6), God is
praised in heaven for avenging the blood of His ■ saints. Left door,
uoper panel, "Domine, Quo Vadis?"; middle panel (Acts XVI. 26-28),
Miraculous liberation of Paul and Silas; lower panel (Exodus XII, 23),
The passover.
South entrance doors, by C. M. Niehaus: Right door, upper
panel. Dedication of the Astor Reredos, June 29th, 1877; middle panel,
Consecration of four bishops in St. Paul's (Ilhapel, October 3i8t, 183a;
lower panel. Dr. Barclay preaching to the Indians, 1739. Left door,
upper panel. Consecration of Trinity Church, May 21st, 1846; middle
panel, Washington at St. Paul's (^hapel after inauguration, April 30th,
1789; lower panel, Henry Hudson off Manhattan Island, September nth,
t6o9.
Interior. The groined roof is supported by rows of -carved Gothic
columns. But the interest centres on the altar and reredos, memorials
to the late William B. Astor, erected by his sons. The altar is of
white marble with shafts of red, dividing the front and sides into
?anels. In the central panel are passion flowers, a Maltese cross, a
Ihrist head and symbols of the evangelists. The super-altar is red
Lisbon marble with the words "Holy! Holy! Holy!" in mosaic. The
reredos is of Caen stone, carved in foliated designs. Above the super-
altar are seven white marble panels showing scenes from the life of
Christ just before and after the Last Supper. Buttresses divide the
reredos into three bays, which contain statuettes of the twelve apostles.
Behind the reredos is a stained glass window, with figures of Christ
and the twelve apostles.
134 RIDER'S NEW YORK CITY
In a passageway, north of the channel, are an effigy of Bishop
Onderdonckf memorial windows to other bishops, and some ttonet
from the old edifice.
Graveyard. The dead are interred in vaults, the location being
marked by slabs set into the pavement and the erass. The visitor
encounters a host of old family names that have ngured prominently
for more than two centuries in the social and political history of New
York: Laights, Bronsons, Ogdens,. Lispenards, Bleeckers, Livingstons,
Apthorps, . tiofimans, to mention only a few. Many^ of the inscrip-
tions of the individual tomb-stones are quaint and interesting. But
for the hurried sight-seer, the following graves at least should be
visited :
Beginning at the N. E. corner of front vestibule, Samuel Johnson,
President of King's College (tablet in pavement); continuing west
along north side ot church, take first path to right, and note (on left)
grave of William Bradford, friend of William Penn and i>rinter of the
New York Gazette, the first newspaper published in the city. Keeping
still to right, follow easternmost curve northward, passing graves of
Ann Churcher and her brother Richard (oldest grave, 1681), and of
Sidney Breese, ancestor of Samuel F. Breese Morse, inventor of the
Atlantic cable. Diagonally opposite, on east side of path, Charlotte
Temple, popularly identified with the unfortunate heroine of the roman-
tic novel of that name. Further north, near the street, the Firemen's
Monument, and in the N. E. comer, the Martyrs' Memorial, erected
to the soldiers and patriots who died in British prisons during the
Revolution. It was placed intentionally at a point directly opposite
Pine Street, at a time when it was proposed to extend that street
westward across the Trinity property. Go west along the northern
path to the third turning; note on left stone marked "Pierre Perret.
preached to the French Church 17 years and died September, 1704."
Next, Benjamin Faneuil, father of Peter Faneuil, whose name is per-
petuated in Faneuil Hall, Boston. At end of path, near the N. W.
comer of the church, Michael Cresap, first captain of the Rifle Bat-
teries (died 1775). It was the men in his command who without
authorization exterminated the family of the Indian chief, Logan, "the
friend of the white man."
Directly in the centre of the northern half of the churchyard stands
the recently erected Trinitv Church-Yard Cross, by Thomas Nash, a
memorial to Mrs. William Astor, given by her daughter, Caroline Astor
Wilson (1914). The twelve panels of the shaft, three on each of its
four sides, set forth the genealogy of Christ, as given by St. Luke, the
series beginning with the lower panel on the east side and continuing
in rotation towar4s the right: i. Adam and Eve; 2. Seth; 3. Enoch;
4. Noah; 5. Shem; 6. Abraham; 7. Isaac; 8. Jacob; 9. Judah; 10., Ruth;
XI. Jesse; u. David. The cross above the shaft bears on one side the
Cruc'fixion, and on the other the Afother and Child.
Proceeding around the rear of the church to the south side,
we find, at the S. W. corner the vault of Anthony J. Bleecker. South-
west, near the rear fence, half hidden under bushes, the grave of Sir
William Alexander, Earl of Stirling, valued friend of Washingtoiu who
gave up a coronet in order to fight for American independence. Facing
the south wall of church, towards the east, in the following order:
Albert Gallatin, Secretary of the Treasury, 1801-1813; John Clark;
John Slidell; General Clarkson. Go south along western path: At S. E.
corner of first branch to left, Marinus Willett, famous "Liberty Bov";
directly opposite (west) General Phil. Kearney (in the Watts vault).
Continuing on path near Rector street side: (left) Rev. Henry Barclay,
second rector of Trinity; (right) memorial tablet to Robert Fulton;
Alexander Hamilton; the Danish consul, Nanstadt; (at east apex of
central green) John Watts, founder of the Leake and Watts Orphan
Asylum. Near S. E. comer of church: M. L. Davis, friend of Aaron
BROADWAY TO CITY HALL PARK 135
Burr and his second in the duel with Hamilton; Captain Tames Law-
rence, U. S. N., who fell, June tst, 181 3, in the action between the
frigates Chesapeake and Shannon, and whose dying words were "Don't
C'ye up the ship!" Captain Lawrence's widow and his executive officer,
ieut. A. C. Ludlow, are buried with him.
The United Bank Building stands on the N.E. corner of Wall St..
the low Scherraerhorn Building next, with the 33-story American Surety
Building on Pine st. comer. The owners of the American Stlrety
Building have protected themselves against the erection of any building
which would cut off their light by leasing the Schermerhorn for 99
years at an annual rental of $75,000.
On the W. side, N. of Trinity, stands the 21-story Trinity
Building, with Gothic fagades on Broadway and the Church-
yard. Adjoining this, in the same style, is the United States
Realty Building. The entire cost of the two buildings and
the lots on which they are erected was $15,000,000. Farther
on, at No. 141, is the Washington Life Building.
On the E. side, betw. Pine and Cedar Sts., is the new
^Equitable Life Assurance Building, replacing the building
destroyed by fire in January, 1912, 36 stories high and rated
as the largest in the world. In the next block, betw. Cedar
and Liberty Sts., on the E. side, No. 128, is the 16-story
American Exchange National Bank, a fine banking and
office building. This bank, founded in 1838, and nationalized
in 1865, has total resources in excess of $70,000,000, its capital
and surplus being nearly $10,000,000. Adjoining is the Gwir-
anty Trust Company.
On the W. side betw. Liberty and Cortlandt sts., is the
♦Singer Building (PI. II— B3) with its picturesque tower
(Ernest Flagg, architect), 41 stories (612 feet) high. It is
built without wood, contains nine and one-half acres floor
space, 552 vacuum cleaners, 600 lavatories, and 3425 miles of
wiring. The tower rests on 36 caissons sunk to bed rock 92
feet below the curb and is anchored to withstand a wind
pressure of 30 pounds per square foot. At night it is lighted
with 13,000,000 candle-power of electricity and is visible for
a distance of 40 imiles.
Next door is the *City Investing Building, 34 stories high
and contains 13^^ acres of floor space.
On the E. side, at No. 160, is the Lawyers^ Title Insurance
and Trust Company. On the corner is the Broadway-Maiden
Lane Building, while beyond is the low Title Guarantee Trust
Company's Building.
On the N. W. cor. of Dey St. is the Western Union
Telegraph Company. At noon, each day, a time-ball drops
down a pole on the tower.
In Church St., one block to the W. of Broadway, stand
the twin *Hudson Terminal Buildings (p. 17), Cortlandt
136 RIDER'S NEW YORK CITY
Building, between Cortlandt and Dey Sts., Fulton Building,
between Dey and Fulton Sts, 22 stories, and together forming
a huge office building joined in the upper stories by a bridge
across Dey St.
The primary object of the Hudson Terminal Buildings
is to provide a terminus for the Hudson Tubes but the
cost of the land was so high — from $40 to $45 a square
foot — ^that the huge office building was erected to pay
interest upon the land investment. (Jacobs and Davies,
engineers. Clinton and Russell, architects; George A. Fuller,
contractor.) The foundation is a marvellous piece of caisson
structure, for in addition to the problem of dealing with the
quicksands that lay betw. the surface and bedrock, the engi-
neers had to safeguard the surrounding buildings which
stood upon old and insecure foundations. Bedrock upon
which the foundation rests, is at the deepest point no ft.
below the surface.
The Concourse Floor may be entered from the ground floor of the
building, or from the streets on broad ramps. The exits and entrances
were calculated by a study of the movement of crowds during the rush
hours on Brooklyn Bridge. Ticket booths are conveniently located and
plainly marked near the train stairways. All trains are on the floor
beneath. The various New Jersey railroads have ticket oflices on the
Concourse Floor. Every variety of shop is here for the convenience of
the commuter, as well as all the conveniences of a large railroad
station. The finishing is glazed with terra cotta.
The two oflice buildinjss overhead are 22 stories high with a con-
tents of 15,000,006 cubic leet. The rental area, exclusive of the Con-
course Floor is 815,000 square ft. The buildings are connected by a
bridge over Dey st. on the 3rd floor and on the same floor with the
Cortlandt st. station of the Sixth ave. elevated. The enormous size of
the buildings is indicated by the amount of building material used,
17,000,000 bricks and 27,000 tons of steel.
Two large clubs occupy the upper floors: The Machinery Club is
housed in the 21st and 22d floors of the Fulton Building, and the
Railroad Club in the top floor of the Cortlandt Building.
The sculptured clock standards are by Karl Bitter.
Fulton St. (PI. II — 2) runs E. and W. ^cross Manhattan
from the East River to the Hudson, with a market at either
end. At the East River, adjoining Fulton Ferry, is Fulton
Market, where the fishing boats land in the evening and dis-
charge their cargo of fish, oysters, clams, etc. Early in the
morning the retail dealers come to purchase their supplies.
At the W. end is Washington Market (Pl.II — A2), formerly
important, but now almost replaced by Gansevoort Market in
wholesale trade. The business done here is mainly retail.
Washington Market occupies an entire city block. The structure
housing it has been recently entirely rebuilt and modernized. The
exterior is ornamented with a sort of frieze of animals* heads in terra-
cotta, bulls, rams, pigs, etc., recurring at regular intervals.
BROADWAY TO WALL STREET 137
On Broadway, at the S. W. cor. of Fulton St., is the
Mail and Express Building.
♦St. Paul's Chapel (PL II— B2) on the W. side of
Broadway, betw. Fulton and Vesey sts., was the third to be
built and is now, through the destruction of the first two
buildings, the oldest church edifice in the city. (Enter by
the E. door. Special service for night workers at 2 .-30 a. m.)
It was built, by McBean, in 1764-6, the steeple being added
in 1794.
The interior, less decorated than Trinity's, is heated by stoves in
the four corners. The pew occupied by Washmg^ton on the N. side is
marked by the shield of the United States on the wall, and on the S.
side of the church is the pew occupied by Governor Clinton, marked by
the shield of the State. Behind the chancel lies the body of General
Richard Montgomery, killed at the storming of Quebec on Christmas Day,
1775. The Cnurchyard is open to the public. On the N. side are the
graves of Dr. Wm. James McNevin, and Charles Mordeck, a Hessian
captain (1782X On the£. side of the church facing Broadway is a
memorial to General Montgomery. On the S. £. side, close by the
church is the grave of Thomas Addis Emmett, the Iriso patriot. The
oldest grave is on the Fulton st. side, near the fence to the W. of the
central path; Francis Dring (1767). On the opposite side of the path
nearby is the grave of John Holt, editor of the New York Gasette (1784).
Another interesting grave is that of George Frederick Cooke (1756-
1812), an English actor from the Theatre Royal, Drury Lane, the first
male star to come to America. He made his first appearance October 21,
1 810, at the Park Theatre (p. 140), not far from his place of burial.
His monument, situated in the middle of the western half of the church-
yard, was erected by Edmund Kean. The lines on the monument,
"Three kingdoms claim his birth;
Both hemispheres pronounce his worth,"
were written by Fitz-Greene Halleck. Further inscriptions show that
the stone was repaired by Charles Kean in 1846; by E. A. Sothern in
1874; and by Edwin Booth in 1890.
At the S. E. comer of Ann st. is the 26-story St. Paul Building.
Overlooking St. Paul's, on the north side of Vesey Street,
is the Evening Post Building (1903). It is built of gray
Indiana limestone, the main fagade containing bay windows of
cast iron, bronze-finished. The editorial offices are on the
loth floor.
The facade repays some study. The spandrils of the windows,
from the 3rd to the 7th story, are ornamented with oval reliefs, taken
from the marks of well known printers of the i6th and i7th cen-
turies: Namely, i. Elzevir of Amsterdam, 1620; 2. Jacopus 01 Strass-
burg, 1550; 3. Nicolaus of Francordia, 15 10; Thomas Brunnen of Paris,
X575» Aldus of Venice, 1540. (Models executed by Miss Harriet Clark.)
At the level of the 9th story are four heroic sized statues, in lime-
stone, typifying "Four Periods of Publicity." They are: i. "By Spoken
Wora," a male figure leaning forward to listen; 2. "By Written Text,"
a monk; 3. "By Printed Text," a printer of the period of Guttenberg;
4. "Indicative of the Potentialities of the Newspaper," shows an editor
in modern garb. Sculptors: Gutzon Borglum and Estelle Rumbold
Rohn (two each).
The block betw. Vesey and Barclay sts. on Broadway was occupied
until 19 1 3 by the famous old Aator House, the northern half of wnich
138 RIDER'S NEW YORK CITY
is still standing. This block was originally the site of the Church
Farm House, later turned into a tavern, the Drovers' Inn. Afterwards
it contained the home of J. J. Astor, J. C. Coster and Jacob Lydig.
The Astor House was built in 1834-38.
At the S. E. cor. of Barclay and Church Sts. is St. Peter's
Roman Catholic Church (PI. II — B2), the oldest Roman
Catholic edifice in the city, built in 1839.
On the block betw. Barclay and Park PI. rises the 60-story
** Wool WORTH Building (PI. II — B2), which takes its name
from being financed by Frank W. Woolworth, the head of the
5 and 10 cent store system. Admission to the observation
gallery 50c.; open 9 a. m. to 5 p. m.
This building is extremely interesting both as an engineering feat
and as a new architectural treatment of the loft building {Cass Gilbert,
architect.) The foundation is sunk through 115 ft. of quicksand to bed
rock, and consists of 69 piers of partly reinforced concrete. Each of
the main columns is 3 ft. 6 in. by 3 ft. 8 in. at the base and is designed
to carry a maximum load of 4750 tons. The engineering calculations
are based upon a maximum wind pressure of 30 lbs. per square foot
over the entire exposed surface ox the building and a total building
weight of 125,000 tons.
The height is 792 feet; the number of stories, 60; the total esti-
mated weight, 206,000,000 lbs.; the floor area, 40 acres; the number
of electric lights, 80,000; while the combined height of the 28 elevator
shafts is two miles. The architectural treatment is an extremely
original combination of office building and cathedral, and despite its huge
bulk, an extraordinary effect of grace and lightness has been obtained.
The exterior walls, up to seven feet above the curb line, are of polished
Maine granite; above that elevation, up to the 43d story, the material
is Bedford limestone; and above that, terra cotta — said to be the most
complicated architectural terra cotta in the world. The exterior carv-
ings, by Donnally and Ricci, deserve examination; notably, the arch of
the main entrance, the bas-relief heads, typifying Europe, Asia, Africa
and America, that repeat themselves along the line of the second story,
and the curious gargoyles on the 29th, 49th and 51st floors. Bats,
pelicans, frogs, owls, etc., disport themselves at these dizzy heights.
Entering from the Broadway side, we find ourselves in a broad and
lofty corridor glowing with an oriental lavishness of color. The walls,
stairs and balconies are of rich marble, mostly from Vermont; green-
veined cream Pavonazzo, contrasted with American Sienna. The
ornamental work is mainly of wrought iron covered with ,pure gold jeaf .
The vaulted ceiling, by Heinigke and Bowen, is of glass mosaic, delicate
traceries in different shades of green against a gold background in the
midst of w^jich resplendent red parrots disport themselves.
At the half-way point, where the transverse corridors diverge to the
Park Place and Barclay St. entrances, there are two mezzanine bal-
conies, on the rear walls of which are two lunettes containing mural
paintings by Paul Jennerwein; north wall, Labor, a female figure
enthroned, holding a distaff; on either side, kneeling hoys with offennn
of grain and fruit; south wall, Commerce, a female figure enthroned,
holding the globe; on either side, kneeling boys offer a ship and a
locomotive. These frescoes cannot be seen to advantage from below;
the visitor, however, caiL reach the northern balcony through the rooms
of the Irving Bank.
One quaint feature which sftiould not be missed is the series of
carved figures, half caricature, half portrait, which seem to be bearing
the weight of the cross beams of the side corridors upon their shoulders.
It is an open secret that these are portrait busts of Mr. Woolworth. Mr.
CITY HALL PARK AND VICINITY 139
Cass Gilbert, the architect, and various members of the construction
company. The first two mentioned are immediately beneath the south
balcony; Mr. Gilbert may be identified by the miniature model of the
Woolworth Building in his arms; facing him, Mr. Woolworth is con-
tentedly adding one more five-cent piece to the ample pile already
beside him.
In the Rathskeller below, in the basement, notice the mural decora-
tions by Frederick J. Wiley, picturing mediaeval hunting scenes, tower-
ing castles, wandpring troubadors, knightly horsemen, and wina-driven
galleons.
On the 9th floor is the Merchants Association, an organization de-
voted to the civic, industrial, commercial and professional interests of
the city.
The ^Observation Gallery is open 9 a. m. to 5 p. m. Tickets
(50 cents) may be obtained at the news-stand at the Barclay
St. entrance. Six express elevators, running at a speed of
700 feet per minute, the fastest electric elevator service in the
world, take the visitor to the 56th floor, from which a shuttle
elevator runs to the gallery.
The elevator^ are equipped with air cushions extending one-fifth
the height of the shafts. If an elevator should chance to drop from
the topmost story, it would be brought gently and harmlessly to rest
at the bottom. The massive steel doors, designed to re»st the tremend-
ous pressure of air, are of such weight that a special pneumatic device
had to be designed to open and close them. The roar produced by
escaping air, within the cushioned section of the shaft is rather startling
when first experienced.
Broadway now skirts the W. side of City Hall Park,
In the triangle of land at the S. end stands the old Post Office,
built in 1875, a renaissance building with a frontage of
89 ft, sides 280 ft., and rear, facing the pafk, 277 ft In
the corridor by the western entrance is a tablet commemo-
rating the raising of the Liberty poles and the Battle of
Golden Hill. S. E. corridor contains a tablet and bust to
Postmaster Pearson. The building has been long over-
crowded, and the new office on Eighth Ave., betw. 31st and
33d Sts., is now the main office. (Post Office Dept, p. 44.)
V; City Hall Park and Vicinity
•
Park Row (PI. II — B2) runs from No. i Ann st. N, E. to
Chatham sq., skirting City Hall Park. Near the intersection
of Park Row and Nassau st. are many of the New York
newspaper buildings. The Pulitzer Building, corner of Frank-
fort st, containing the World offices, is of brownstone,
with a gilded dome. The Sun Building formerly on the
opposite corner of Frankfort st., erected in 181 1 as Tam-
many Hall, has recently been demolished. The Tribune's
tall building rises to the W., in the same block, with a clock
tower. In front of the Tribune Building formerly stood a
bronze figure of its famous founder, Horace Greeley (1811-
140 RIDER'S NEW YORK CITY
72), by /. Q. A. Ward, erected in 1872 and presented to the
city in 1890. This statue has recently been moved to City
Hall Park and stands just south of the City Court. Opposite
the Post Office is the 30-story Park Row Building, which was
in 1899 the highest building in the world.
It occupies in part the site of the old Park Theatre, the memory
of which still survives in Theatre Alley, the narrow lane which passes
in the rear, from Ann to Beekman sts. and which was originally
the stage passage to the theatre.
The Park Theatre was first built in 1798, burned in 1820, rebuilt
and again burned in 1848. It was here that Junius Brutus Booth made
his debut; Edmund Kean and Edwin Forrest played here; it was the
scene of the Kean riot, Nov. 14, 1825; it was the scene of the first
Italian opera given in America, Nov. 29, 1825; the Ravels and Charles
and Fanny Kemble played here; and here also Fanny Elssler introduced
the Ballet into America. In 1842 a ball was given at the Park Theatre
in honor of Charles Dickens.
Opposite the newspaper offices, in the open called
Printing House Square, is a bronze Statue of Benjamin
Franklin, presented in 1867 by Capt. Albert de Groot to the
printers and press of New York. One block E. of Park Row,
at Spruce and William sts., are statues of Franklin and Guten-
berg on the front of the Staats Zeitung Building. Dolan's
Restaurant, 33 Park Row, contains a model of the buildings
on this block as they stood about 1800.
♦♦Brooklyn Bridge (PL II — Ci), stretching from City
Hall Park, Manhattan, to Sands and Washington sts.,
Brooklyn, was* completed in 1883, after 13 years* labor. The
bridge affords accomodation for two railway tracks, two
carriage roadways used also by electric cars, and a wide,
raised footway in the center. It was designed by John A.
Roehling (d. 1869), and was completed by his son. Washing-
ton Roehling. The surface and elevated roads of Brooklyn
cross the bridge to its New York terminus (fare to any part
of Brooklyn, 5 cents; fare to cross bridge only, 3 cents, or 2
tickets for 5 cents, on local bridge trains, p. iii).
From the S. E. cor. of the Park, Frankfort St., ("News-
paper Row") runs E. under shadow of the Brooklyn Bridge to
Franklin Sq. and Pearl St. It was named in honor of Frank-
fort, Germany, the birthplace of Jacob Leisler, executed for
treason in 1691 on his own farm in this neighborhood. His
memory is also preserved in Jacob St., adjoining Frankfort.
At the S. W. corner of Pearl St., facing Franklin Sq., is
the old established publishing house of Harper & Brothers,
founded in 1818 (present building;, 1854). Diagonally opposite
on the eastern pier of the bridge, in Franklin Sq., is a tablet
recording the fact that here was approximately the site of
CITY HALL PA^K AND VICINITY 141
No. 3 Cherry St., where Washington lived at the time of his
inauguration. This section was earlier known as Cherry Hill,
named from a cherry orchard belonging to Mayor Thomas
Delancey
At No. 5 Cherry St. was the home of John Hancock. No. 23,
formerly known as "The Well," was a favorite resort of captains of
privateers during the War of 181 2. No. 24 was the birth-place of
Wm. M. Tweed. No. 27 was the home of Capt. Samuel Chester Reid, com-
mander of the privateer General Armstrong, which he himself sunk
off the coast of the Azores, to keep it from falling into the hands of
the British, after a spirited engagement with six English vessels.
It was here that Capt. Reid designed the present American flag, with
13 stripes commemorating the 13 original states, and a progressive
scheme of stars to keep pace with the successive new additions.
Retracing our steps to City Hall Park we should note the
♦♦City Hall itself (PI. II — Ci), open to visitors from 10 to 4,
Sat. 10 to 12, containing the headquarters of the Mayor of
Greater New York, the Board of. Aldermen and Art Com-
mission. It is of Stockbridge (Mass.) marble in the Italian
Renaissance style, with a central portico, two projecting wings,
and a cupola clock tower; architect, John McComb. The cor-
nerstone was laid on the site of the old almshouse by Mayor
Edward Livingston in 1803. The building was first occupied
by the city government in 181 1, but was not completed until
1812. The cost of the structure was about half a million dol-
lars. The rear of the building was built of brownstone, be-
cause at that tirpe it was not anticipated that the city would
ever extend further north ( !), but is now painted white and
not readily detected from the marble.
Many celebrations have taken place here: the 200th anniversary of
the discovery of Manhattan by Henry Hudson; the visit of Lafayette in
1834"; the opening of the Erie Canal in 1825; the Croton Water open-
ing in 1842; the laying of the Atlantic Cable in 1858; the visit of the
Prince of Wales in i860: the centenary of Washington's inauguration
in 1889; the 250th anniversary of the City Charter, 1903; and the
Hudson Fulton celebration in 1909. The bodies of several persons
whom the city wished to honor have lain in state in the City Hall.
Among these were President Lincoln in April, 1865; General Grant in
August, 1885; John Howard Payne, author of "Home, Sweet Home,"
in 1883; General Worth, 1857; and Mayor Gaynor, 191 3.
Ascending the steps, either on the north or south side, the
visitor finds himself in a central rotunda, with curving stairs
ascending to right and left, to a circular gallery on the second
floor. In this gallery, on the north side stands a statue of
Thomas Jefferson, by David d' Angers, (the painted plaster
original from which was made the bronze replica in the
National Capital) presented in 1854 by Commodore Uriah
P. Levy, U. S. N. On the south side, opposite the stairs, is
the entrance to the *Governor^s Room, now known as the
Trumbull Room. In point of fact, it is now a suite of three
rooms, including the Grand Jury Room on the east and the
142 RIDER'S NEW YORK CITY
Council Chamber on the west, the doors to which were
not cut through until 1859. The furniture in these rooms, of
solid mahogany, consists of the original chairs and tables
used in the old Federal Building at Wall and Nassau streets
(see p. 127). Through a donation by Mrs. Russell Sage in
1909 and subsequent gifts amounting altogether to $65,000,
these rooms have been restored to their original severe and
simple dignity. The few ornaments, clocks, candlesticks, etc.,
on the mantel shelves, while not historically associated with
City Hall, have been sought out with much pains and are
strictly of the correct period and appropriate in style. One
of the valued relics here shown is a portion of a limb of
Feter Stuyvesanfs Pear Tree (see p. 157), which formerly
stood at the corner of Third avenue and 13th street
These three rooms now contain the following portraits: Trumbull
Room, beginning on west walj, by the window and continuing towards
the right: i. Peter Stuyvesant, Governor of New York, 1647-64;
2. George Washington; 3. Edward Livingston, Mayor of New York,
1801-3; 4. John Jay, Governor of New York, 1 795-1 829; 5. Alexander
Hamilton; 6. Morgan Lewis, Governor of New York, 1804-7; 7- Daniel
D. Tompkins, Governor of New York, 1807-17; 8. Richard Varick,
Mayor of New York, 17 89-1 801; 9. George Clinton, Governor of New
York, 1777-95* 1801-4; 10. James Duane, Mayor of New Yorl^ 1784-89.
All of these paintings are by John Trumbull (1756-1843). Note espe-
cially in the portrait of Washington the background, showing a view
of the lower end of New York more than a century ago.
Eatt Room, beginning on south wall and continuing around the
room to left: i. Joseph C. Yates« Governor of New York, 1823-25, by
John Vanderlyn; 2. James S. Morton, United States General, by Charles
Wesley Jarvis; 3. Gideon Lee, Mayor of New York, 1833-34, by Henry
Inman; 4. Washington Hunt, Governor of New York, 1851-52, by
Charles L, Elliott; 5. Horatio Seymour. Governor of New York, 1853-54,
1863-64, by Charles L. Elliott; 6. William L. Marcy, Governor of New
York, 1833-38, by William Page; t. John Young, Governor of New
York, 1847-49, by Henry P. Gray. In front of the east mantel is the
Desk of Thomas Jefferson.
West Room, beginning on north wall and continuing to left:
I. Enos Thompson Throop, Governor of New York. 1829-32, by Robert
W. Weir; 2. Martin Van Buren, President of the United States, 1837-
41, by H^nry Inman; 3. William C. Bouck, Governor of New York,
, ., ^.,..,.. . ..WW..... ^. j^^.^ ^.IgerSOU, ,.a..^J.v.u ua u<« JLU>t. XIM.
New York, 1820-39, Artist unknown; 7. DeWitt Clinton, Governor of
New York, 1817-23, 1828, by George Catlin. On west mantel is a
marble bust of DeWitt Clinton. In front of the middle window is
the Desk of John Adams; opposite against north wall, the Desk of
Alexander Hamilton.
Returning to the Rotunda gallery, we turn to the left into the
corridor leading to the west end of the building. This corridor con-
tains the following pictures: 1. Reuben E. Fenton, Governor of New
York, 1865-69, by William Page; 2. Hamilton Fish, Governor of New
York. 1849-50, by Thomas Hicks; 3. Alexander Macomb, Commander in
Chief of the U. S. Army, 1828-41, by Samuel L. Waldo; John A. Kine,
Governor of New York, 1869-72, by Jacob H. Laserus; 6. Myron H.
Clark, Governor of New York, 1855-56, by Francis Bicknell Carpenter-
2- Edwin D. Morgan, Governor of New York, 1859-62, by Daniel Hunt-
ington.
CITY HALL PARK AND VICINITY 143
On the north side of this corridor a door opens into the old Council
Chamber which contains the following interesting portraits: John A.
Dix, .Governor of New York, 1873-75, by Anna Sleritt inee Lea);
(Dix is best remembered for the oft-quoted remark, "If any one at-
tempts to haul down the American fla^, shoot him on the spot");
Thomas Jefferson, by Charles W. Jarvts; Andrew Jackson, by John
yanderlyn. The Aldermanic Chamber occupies the Eastern end of
the same floor, and is open to the public unless the Board of Alder-
men are in session. On the ceiling is a mural painting, New York
City receiving the Tributes of the Nations, by TaSer Sears, IVashing-
ton Breck and Frederick C. Martin, painted for the city in 1903. It is
an elliptical panel, 41 ft. by nearly 24, and in it New York, the eastern
gateway of the American continent, is symbolized by the central figure
who sits enthroned, while a group, of others lay their offerings before
her. On^ the walls hang the following portraits : Henry Clay, by Charles
W. Jarvis; George Washington, copied by M . Af. Swett from a Stuart
in Faneuil Hall; Christopher Columbus, copied by Prof. Samuel F. B.
Morse from a very old original; David Thomas Valentine, Clerk of
the Common Council 1857-69, by C W. Jarvis; George Washington, a
portrait woven in silk at looms in Lyons, France, at a cost of $10,000.
In the northeast corner is a recently erected tablet commemorating the
asoth anniversary of the establishment of a Municipal Government
under a Mayor and Board of Aldermen of the City of New York as
successors in office of the Burgomasters and Schepens of New Amsterdam.
At the southeast corner of the Aldermanic Chamber a door opens
into the Committee Room. Here, on the west wall, hangs a portrait of
George B. McClellan, Major General commanding the Army of the
Potomac, 1861-62, by William H. Powell. Opposite, on the east wall,
William Bainbridge. Commander of the Constttution. Dec. 29, 18x2, by
John IV. Jarvis. North wall, Robert Anderson, Commander of Fort
Sumpter, April 12-13, 1861; by W. H. Powell; Joseph Gardner Swift,
U. S. Surveyor, Port of New York, 1818-27; by J. W. Jarvis.
On the ground floor in the southwest corner is the Mayor's Recep-
tion Room. It contains the following portraits (with but one exception,
former Mayors of New York): North wall: Robert Hunter Morris,
Mayor 1841-44, by Frederick R.' Spenser; Andrew Hunter Mickle,
Mayor 1846-47, by Edward Mooney; West wall: Marquis de La Fayette,
by Samuel F. B. Morse; South wall: Cornelius Van Wyck Lawrence,
Mayor 1834-37, by Henry Inman; Aaron Clark, Mayor 1837-39, by
Henry Inman; East wall: Philip Hone, Mayor 1825-26, by John
Vanderlyn; William Paulding, Mayor 1823-25, 1826-29, by Samuel F.
B. Morse.
In the basement corridor is a marble tablet commemorative of the
architect and sculptor of the building. The Dutch and Federal standard
yard measure is on the opposite wall. Beneath the Mayor's window on
the outside wall is a tablet memorializing the reacing of the Declara-
tion of Independence to the army in Washington's presence, July p,
1776 on this spot. Sunk in the pavement in the front of the mam
entrance is a tahlet marking the first excavation for the subway by Hon.
Robert A. Van Wyck, 1900.
On the upper floor (reached by a circular stair-case in
the N. W. corner), are the offices of the City Art Commission.
The main committee room and that in which the records are
kept are on the southern side, above the main entrance, and
contain some interesting old furniture. They are not open
to the public, but anyone displaying interest in municipal art
works will be courteously received. In an enclosed gallery
surrounding the base of the dome hangs an interesting col-
144 RIDER'S NEW YORK CITY
lection of designs submitted in competition for sculptures,
fountains, bridges and other public works of art since the
creation of the Commission; and the visitor may cohipare
for himself the successful and unsuccessful competitors.
The Art Commission consists of ten members, four of them
ex-officio: The Mayor of New York; the President of the Metro-
politan Museum of Art; the president of the New York Public Library;
and the president of the Brooklyn Institute of Arts and Sciences.
The other members, appointed by the Mayor, must include at least
one architect, one painter and one sculptor.
To the N. of the City Hall is the County Court House, (on the site
of the old American Institute, in the upper story of which was Scud-
der's Museum,) a building of white marble with Corinthian columns, its
principal entrance on Chambers st. It contains the State Courts and
several municipal offices. The building, erected by the Tweed Ring
(p. xxiv.), cost $12,000,000, a large part of which_went into_the pockets
)i the ga
is the City Court, a brown stone building erected 1852.
of the gang. A million was spent on furniture. £. of the Court House
The new *Hall of Records, N. E. of the Court House, and
extending from Chambers along Centre to Reade St., is an
imposing granite structure in the French renaissance style,
erected at a cost of $7,836,146 (opened 1911; designed by the
late John R. Thomas; and completed by Arthur J. Morgan and
Vincent J, S lattery). The exterior is richly adorned with
sculptures. The granite employed for the building, inclusive
of the statuary, is from Hallowell, Maine.
Here are recorded the various public records and legal documents
for which provision is made by law, including: Conveyances and Mort-
gages of real estate; Chattel Mortgages; Wills, etc. The building
also contains the offices and Court rooms of the Surrogate's Court.
Chambers street facade: Above the chief cornice are eight granite
statues, heroic size, by Philip Martigny, The subjects are all prominent
in local history, (and in spite of their height from the grouna, ma^ be
readily distinguished by certain simple details). From left to right:
I. David Pietersen de Vries, Pontoon of a colony on Staten Island,
about 1640, (holds hat and gloves in his hands); 2. Caleb Heathcote,
Mayor ox New York, 1711-14, (in clerical garb); %, De Witt Clinton,
Governor of New York, 1817-23, (heavy overcoat hanging from dioul-
der); 4. Abram S. Hewitt, Mayor of New York, 1887-88. (iFeet apart,
left hand holds roll); 5. Philip Hone, Mayor of New York, 1825-46,
(pen in rieht hand, scroll in left); 6. Peter Stuyvesant, Director
General of New Netherlands, (wooden leg); 7. Cadwallader D. Colden,
Mayor, 181 8-21, (colonial dress); 8. James Duane, Mayor of New
York, 1784-89, (right hand on hip, cane in left).
Sculptures grouped about large central window in attic roof, by
Henry Kirke Bush-Brown: Above, Infancy and Childhood: below
them, four Caryatids symbolizing (from left to right) Sprina, Summer,
Autumn, Winter. Below: Philosophy (an aged man, half reclining,
gazes at a skull); Poetry, (a young man, half reclinins, holds a
medallion of Dante) ; Maternity, (a seated female figure, holding an
infant); Heritage, (a man seated, holding a child).
Centre Street Facade: On left and right of entrance, two symbolic
fibres, by Philip Martigny: i. Justice, with roll in right hand, and
with left on shield at her side; 2. Authority, with roll in left hand
and with right resting on fasces at her side.
Reade Street Facade: Four sculptures, by Henry K. Bush-Brown;
Above (left). Study; (right). Instruction; below (left). History;
CITY HALL PARK AND VICINITY 145
(riffht), Law. On. chief cornice: Eight granite statues, heroic size, br
PhUip Martigny: From left to right, i. Justice, female figure, with
sword and scales; 2. Electricity, temale fi^re with palm branch and
spindle-like object; 3. Printing, a man with a printing press behind
him; 4. Force, a nude male nffure, holding a club; 5. Tradition, an
old man with a crook and ^roll; 6. The D'on Age, a young man, with
ropes and pincers; 7. Painting, female figure holding a mirror,
brushes and palette; 8. Sculpture, a female figure holding mallet and
chisels, with her right hand on torso of a man.
West Elevation: Statues above the large Central Window, in attic
roof, by Henrv Kirke Bush-Brown: i. Industry, a young man with left
hand on anvil; 2. Commerce, a seated female figure holding rudder.
The beauty of the interior well repays the lavish expenditure it
entailed. The three vestibules and the large central and stately stair-
case (copied after the foyer of the Grand Opera House at Pans) are
finished in Sienna marble, of a warm and delicate yellow tone. In the
Chambers St. vestibule are two sculptured groups of white marble,
bv Albert Weinert: i. (on left), The Consolidation of Greater New
York, 1899^ in the centre is a youth, on his left a seated female
figure handing him a key, on his right another female figure with an
open scroll in her lap, and her left arm resting on the City Hall in
low relief; 2. (on right), Recording the Purchase of Manhattan Island;
in the centre a youth is holding out a bag of gold to a female fi^re
seated on his right, who holds tablet and stylus^; on his left is a
seated Indian.
Above and behind these groups are two elliptical lunettes in glass
mosaic, by William De Lefttuich Dodge; i. (left) Searching the Records;
a. (rignt) Widows and Orphans Pleading Before the Judge of the Sur-
rogate's Court. The vaulted ceiling is also richly decorated in glass
mosaic, red, green and blue on gold background, representing the
Signs of the l^odiac, also designed by Dodge, The vaulting allowed
space for only eight of the twelve ap^s: they are labeled with their
Cireek names and run in the following order: North side, right to
left. I. Didymoi (Gemini); 2. Leon G^eo)} Toxeutes (Sagittarius);
4. Aigokeros (Capricornus) ; 5. Parthenos (V*rgo); south side, 6. Knot
(Aries 'i ; 7. Hydrochoos (Aquarius); 8. Tauros (Taurus). At the four
corners are four Greek deities appropriate to the functions of Recorder
and Surrogate: i. Themis (Justice); 2. Erinys (Retribution); 3. Pen-
thos (Sop'otu); ^. Ponos (Labor).
A similar richness in material and finish has been consistently
carried out' throughout the entire building. But the two show rooms—
which the visitor should not miss — are the North and South Court
Rooms of the Surrogate's Court, on the sth floor. The North Court
Room (No. 509) is gorgeously finished in English oak; along the north
and south walls are huge panels in relief, presenting allegories of
Wisdom, Truth, Civilization and Degradation. On east and west sides
are handsome bronze-trimmed mantel-pieces of light green Easton
marble. Note the beautiful French renaissance chandeliers of cut fi[lass.
On the south wall, sunk in to give the effect of mural paintings,
are three portraits of former Surrogates. In the middle is Surrogate
Thomas, by C. Seymour Thomas; on either side, Surrogate Rollins
and Surro^te Fitzgerald, both by John W. Alexander,
The South Court Room is somewhat sombre, being finished in
Santo Domingo mahogany, with mantle^pieces of dark red Numidian
marble. Both court rooms are overlooked by spectators' galleries,
reached from a mezzanine floor.
The Register will allow visitors to inspect the old city records
and maps.
W. of the Hall of Records, on Broadway, extending
from Chambers to Reade St. is the Stewart Building, being
146 RIDER'S NEW YORK CITY
the original dry goods store of A. T. Stewart, pioneer in the
department store business.
The building dates from 1846, but was later extensively re-
modeled and, until the completion of the new Municipal Building,
contained many of the important city offices.
Facing the Hall of Records, on the east side of Centre
Street, stands the **Municipal Building, erected at a cost of
about $12,000,000. (McKim, Mead and White, Archs.) The
building is unique in shape and design, the ground plan being
a broad and flattened letter U, with the concave facing the
City Hall, and its walls so constructed that all its windows
are outside. The extreme dimensions of site are 450 by 300
feet. Its forty stories, exclusive of the statue surmount-
ing the tower, rise to a height of 564 feet. Its purpose was
to provide offices for a number of city departments, thus
saving over half a million dollars in annual rent. Some
idea of the magnitude of the structure may be gained from
the following figures: Five million pieces of steel were used
in its construction, also 705,000 cubic feet of granite; its
total floor area is 648,000 sq. ft., and its estimated weight is
377,320,000 lbs.
The sculpture decorations on the front and end facades
are by Adolph Alexander Weinman, and with the exception
of Civic Fame, are all bas-reliefs in North Carolina granite.
A massive colonnade borne on Corinthian columns extends
along the west faqade, like a string to a bow. It is broken
by a main central arch and two smaller arches on right and
left adorned with the following carvings:
In left spandril of central arch: Guidance, supporting a rudder
and a tablet of the Law; right spandril: Executive Power, holding
Fasces. Over north small arch, Progress, holding a torch and winged
ball; above south arch, Prudence, holding a mirror and a serpent,
symbols of reflection and wisdom. Directly below these medallions are
two long panels: On left. Civic Duty shows to a group of people a
scroll, symbolic of the law; on right, Civic Pride receives tribute from
the people.
Impaneled between the windows on the second floor are a series
of twelve symbolic figures representing the various city departments.
The series begins at the middle and repeats to north and south, making
in all twelve panels: (i) Board of Estimate and Apportionment; (2)
Civil Service; (3) Building Inspection; (4) Board of Elections; (5)
Water Supply; (6) Correction; (7) Accounts; (8) Records; (9) Licenses;
(10) Comptroller; (11) Sheriff; (12) Public Service.
Crowning the whole structure is a heroic figure of Civic Fame, in
copper, twenty feet high, and poised on a huge copper ball. In her
left hand she holds a mural crown composed of five parapets, symbols
of the five Boroughs, and surrounded by a band of aolphins, symbolic
of a seaport town. Her right arm holds a shield bearing the arms of
the city.
A wide vaulted passage allows for tfie continuation of
Chambers St. through the building, while in the basement is a
NORtHEAST OF CITY HALL PARK 147
spacious station in which subway systems of Brooklyn and
Manhattan converge.
At the corner of New Chambers and Duane Sts., E. of
Park Row is the Newsboys^ Lodging House (PI. II — Ci),
founded by J. Loring Bruce in 1853, now in charge of the
Children's Aid Society (United Charities building, p. 215).
N. of the Municipal Building, at Duane St. and City Hall
PI, stands the little red brick R. C. Church of St. Andrews.
Mass is said regularly at 2 a.m. for the benefit of printers and
other night workers. The rector is the Catholic Chaplain
for the City prison.
To the S. W. of the City Hall, facing Broadway, is a bronze
Statue of Nathan Hale (1755-76), by MacMonnies (1839^^, erected by
the Society of the Sons of the Revolution. To the S. E. of the City
Hall, near Park Row is a fountain erected about 1873, replacing a
near-by fountain which marked the opening of the Croton Aqueduct
in 184a. E. of the City Hall, on a granite monument, is a Tablet,
placed by the Mary Washington Colonial Chapter of the Daughters
of the American Revolution, marking the site of the old Register's
Office, built as a debtor's prison in 1758 becoming a military prison
during the British occupation.
VI. The Section North and East of City Hall Park
At the N. W. corner of Reade and Center Sts. is the
Manhattan Water Tank, now hidden from view by three story
office buildings, but visible through the rear windows of
these buildings. It was built in 1799 hy the Manhattan
Water Co., of which Aaron Burr was president. The preser-
vation of the tank full of water is one of the conditions of
the Charter of the Manhattan Bank. Specimens of the old
wooden pipes, made by boring logs, may be seen in the Man-
hattan Bank, 40 Wall St., (p. 127) and in the New York
Historical Society building (p. 244).
The approved design of the new Court House for New York County,
to occupy four city blocks at Center and Worth sts., is an adaptation ot
the Coliseum at Rome for modern uses. The architect, Guy Lowell, a
cousin of the President of Harvard, designed a structure with a diame-
ter of 500 ft. and about 200 ft. high. At the four entrances, one from
each point of the compass, porticos with massive Corinthian columns are
provided for. and 80 Doric columns surround the structure above. The
design calls tor a structure of 8 stories above ground and 2 below. The
new B. R. T. subAvay under Centre st. will run beneath the building
with a subway station in the basement, and elevators running directly
from the station platform to all the court rooms. The diameter of the
central lobby is to be 112 ft. and above the glass dome that will' be
its cover there is to be an open circular space, admitting light and air.
The ground floor is to be used for the public waiting room and offices;
the second for the City Court; and the next four stories for courtrooms
for the Supreme Court. There are to be no less than 51 court rooms.
In the block betw. Centre, Leonard, Lafayette, and Frank-
lin sts., is the Tombs, the city prison, shown by permit from
the Department of Correction, 124 Leonard st.
148 RIDER'S NEW YORK CITY
The original granite building built in 1838 of stone brought from the
Bridewell (or common jail, erected in 1775 and used as a prison by the
British) in City Hall Square, in ancient Egyptian style, was taken down
and a new structure erected in 1898. This building is already anti-
quated according to the new standards of prison architecture. A bridge
known as the "Bridge of Sighs" connects the prison with the Criminal
Courts, a large building in the N. Good mural paintings by E. S, Sim-
mons are placed in the room of the Supreme Court, in the northeast
corner on the first floor. The theme of the central painting is "Amer-
ica Offering Justice to the World." The faces in it are said to be
those of tne artist's wife and children. On the right panel are
the Three Fates spinning, weaving and cutting off the thread of life;
on the left are three male figures representing "Brotherhood Uniting
Science to Freedom." These murals were made under the direction 01
the Municipal Art Commission in 1895.
Nearby at 240 Centre St. is the main entrance to the new
Police Headquarters. (Description of dept. p. xxvi.)
The New York Police Headquarters, a granite structure
in the Georgian style of architecture, with marble trim and
ornamental iron, stands on a flatiron shaped lot bounded by
Broome, Grand and Centre Streets and Centre Market Place
(H. G. Thompson, arch.). On the first floor are the Night
Captain's room, the Museum, the Criminal Record Room, the
Rogues* Gallery, and the main Assembly Room of the Detec-
tive Bureau, where the daily line-up of criminals takes place.
On the second floor are the various clerical departments and
the Commissioner's private offices. The third floor contains
the Bureau of Complaints, the library, the Bureau of Pen-
sions, and the Trial Room.
Back of the Judge's desk is a panel containing a lar^e mural
painting depicting a rural scene in New Amsterdam at practically the
very spot wherp the Police Headquarters now stands.
The section bounded by Lafayette, White, Mulberry,
and Leonard Sts. was once a fresh water pond, 60 ft. deep
named Collect Pond, popular with fishermen. It was filled
in about 1821, the water being drained off by a cut made
to the North River through a canal which later becarne
Canal St. A sewer no.w drains the original springs still
living in the middle of the island.
To the E. of this group of city buildings lie an Italian
section about Mulberry Park, Chinatown, the once-famous
Bowery, and the crowded Lower East Side, inhabited chiefly
by Jewish immigrants; each neighborhood is distinct in its
characteristics.
Somewhat to the N. lies Mulberry Park, now called
Columbus Park, an open. space of 2.75 a. in the heart of the
Italian district, at what was formerly Mulberry Bend.
The opening of this park, due to the tireless efforts of Jacob Riis,
has changed the neighborhood from a disreputable, tumble-down dis-
trict to a respectable, though over-crowded, Italian quarter. The
sidewalk markets with their delicious and low-priced green vegetables
NORTHEAST OF CITY HALL PARK 149
and salads, the Italian women shopping, and the children playing about,
give an Italian atmosphere to the quarter.
The open space at the S.W. of the park, called Paradise Park or
Five Points (from the intersection of North, Baxter, and Park sts.).
was reputed the most dangerous spot in New York. Fourteen negroes
were burned here during the negro insurrection in 1740.
Chinatown centers in Mott, Pell, and Doyers sts., to
the W. of Chatham sq. (2nci ave. elevated to Chatham
sq.). The sight-seeing automobiles offer an evening trip in
which the visitor can enjoy the picturesqueness of the neigh-
borhood and visit joss houses and shops, without fear of
annoyance. (Restaurants, p. 24). A daytime shopping trip
is a simple matter to anyone.
The theatre is now closed. A josshouse at 16 Mott st. (adm. 10.) is
ornate with gold leaf, carved ebony and painting. Chinatown has
gained its reputation for lawlessness partly from the constant quarreling
between rival Chinese societies, "tongs'* and even more from the
criminal element of white people who make this their headquarters. The
visitor will see nothing of the real opium dens unless he can arrange
to accompany a police official.
The Bowery runs from Chatham Square N. E. to E.,
3d and 4th aves., just below Astor Place. Chatham Square
is mentioned as being fenced off for a cattle field in 1647.
It takes its name from William Pitt, Earl of Chatham.
The name of this famous street is a corruption of the. old
Dutch word "bouwerie," meaning "farm," the street having been
originally the road which led to the farms outside the city. A
few other Dutch words linger in this vicinity; the Jewish and
Italian immigrants learn to speak of the apartments on the ground
floor of a tenement as "on the stoop/* and the children in the park
playgrounds refer to the swings as "scups/' and call swinging in tnem
scupping." The Bowery was at one time the fashionable theatre
street, and within comparatively recent years has enjoyed a^ reputation
for the lawlessness attendant upon gambling dens and sporting houses.
That is now a condition of the past. The street became a dingy thorough-
fare of dirty saloons, small shops and vulgar theatres, offering little
danger and no excitement. The erection of the elevated in 1878 put
an end to the wild night life of the street. It is now becoming a
modern mercantile thoroughfare.
There is a tradition that Charlotte Temple, the heroine of the
romantic story by that name, who is popularly identified with the
grave in Trinity Church-yard, died in a house at the corner of Chatham
Square .and Pell St.
On the £. side of Chatham Square formerly stood the old
Chatham Theatre (demolished in 1862). A portion of it, with the
original fagade, still remains and forms a 'part of Cowperthwait's
Furniture Store. It was here that "Uncle Tom's Cabin** was first
performed in 185a.
South on New Bowery, cor. of Oliver St., is the quaint
old Jews* Burial Ground, the oldest Jewish cemetery in the
city; it was granted in 1656 and deeded to the Jews in 1729.
The commemorative tablet was given in igo2 by the late
Isidor Straus. To the S. E. along Madison St. and adjacent
cross-streets is the Greek quarter. The signs are all /in
150 RIDER'S NEW YORK CITY
Modern Greek, and shops abound in which Greek wines and
cordials, ripe olives, oil, tobacco and other eastern imports
may be procured.
This neighborhood was once the Rutgers Farm, the memory of
which is preserved in the street names: Rutgers St., James and Oliver
Sts., named from members of the family, and Division St. which
marks the dividing line between the Rutgers and the Delancey Farms.
Around the cor., at Oliver and Henry Sts., is the
Mariners*' Temple built in 1843 on the site of the old Oliver
Street Baptist Church originally erected in 1795 and rebuilt
in 1800 and 1812. At present services are conducted in
English, German, Italian and Greek. Across the street is
Public School No. i, successors to the first Free School of
New York; and two blocks east at Rutgers St. is Public
School No. 2. A tablet erected in 191 1 commemorates the
centennial of its founding, on land given by Col. Henry
Rutgers. Midway between them, S. W. cor. of Market St.,
stands the Church of the Land and Sea, erected in 1817;
there is a commemorative tablet.
A detour may be made from Chatham Square through
the crowded section E. of the Bowery and often referred
to as the "Ghetto." Its swarming population is made up
chiefly of Russian, Polish and Hungarian Jews. Go N. E;
along Division St, the centre of the East Side cloak and
garment makers. Many of the shops here have the same
names that are found on the uptown branch stores on lower
6th Ave. Salesmen (and saleswomen too) stand in wait
at the doors and attempt to stop passers-by and draw them
in. Follow Division St. eight blocks to Allen St., the centre
of the copper and brass antique shops.
To the Russian immigrant his family copper, often inherited
through generations, is as proud a possession as the family silver in
American households. But the struggle for existence in a new
country results in the passage of a large part of these rare old
utensils into the hands of second-hand dealers. Many bargains may
be picked up in these shops by the collector who has a moderate
I knowledge of the hallmarks of a genuine antique. Naturally, the
different dealers vary firreatly in their degree of scrupulousness. JojB^e,
at No. 6, is as reliable as any.
Three blocks E. on Canal St. bring us to the JVm. H.
Seward Park and open-air playground (3.3 acres). Facing
the park on the S. is the Educational Alliance (incorp.
1889), a Jewish institution primarily intended for the educa-
tion of the immigrant Jew.
The educational division includes lectures in English and Yiddish
on American history and civics; naturalization classes; a domestic art
school; a domestic science school; and manual training. The social
division includes auditorium entertainments ; boys' and girls* clubs;
summer camps; and various inter-settlement activities. There are be-
siaes religious and social service divisions.
NORTHEAST OF CITY HALL PARK 151
Returning on Canal St. to the Bowery, we see, half a
block S. facing the approach to the Manhattan Bridge (p.
Ill), the Thalia Theatre, formerly the Bowery Theatre, the
fifth playhouse of that name Erected on the same site.
The original Old Bowery Theatre was erected in 1826 on the site
of the Bull's Head Tavern (1760), at which Washington stopped to
rest on entering the city in 1783. This is the theatre in which Charlotte
Cushman played to fashionable audiences. It was the first in the city
that was lighted with gas. .The present structure, renamed Thalia The-
atre in 1879, was for a number of years a Yiddish playhouse, with
Bertha Kalish (who now plays in English) for leading woman, sup-
ported by Kessler, who now has a theatre of his own on 2d avenue. For
the last year, the Thalia has been an Italian playhouse.
One block N., opposite Rivingston St., stands the First Mile Stone,
the distance being measured from City Hall. When these mile
stones were first set the City Hall was in Wall St. Consequently,
when the present City Hall was completed in 181 2, the stones were
removed to their present positions in order to conform to the new
starting-point.
Rivington St. and its immediate neighborhood are said to constitute
the most crowded spot in the world. There are numerous social
settlements in^this vicinity, the best known being the Nurses' Settle-
ment, 265 Henry St., the Jacob Riis N eighhorhood Settlement. 48
Henry St., the University Settlement, Rivington and Eldndge Sis.,
and the College Settlement, 95 Rivingston St., each with its individual
lines of work. Visitors welcome.
Canal St. preserves the memory of the canal which once ran
through the middle of it to the North River, and drained the waters
of the Collect or Fresh Water Pond at Mulberry and Leonard S*^s.
Bayard and Hester Sts,, just S. and N. of Canal, are reminders of the
Bayard farm stretching along the W. side of the Bowery as far as
Bleecker St., and belonging to a nephew of Peter Stuyvesant; the
second of these streets was named after Hester Bayard.
Delancey St., recently widened and parked, to form an approaeh
to the Williamsburg Bridge, was originally a lane that led to the house
of James Delancey, Chief Justice, i733- Mills Hotel No. 2, cor. of
Chrystie St., approximated marks the site of the house. West of the
Bowery is Kenmare St., so named in honor of the East Side politician,
Timothy D. Sullivan, whose birth-place was Kenmare, Ireland.
The Bowery Mission, at 227 Bowery, reached by the 3rd ave.
elevated to Stanton street station, maintains a midnight service and
a distribution of free bread and coflFee at one o'clock at night. "The
Bread Line" exhibits in a mass the city's most wretched inhabitants.
VII. From Canal to Fourteenth Street East of
Broadway
The Downtown section from Canal to 14th st. contains, in
its lower part, little of interest to the visitor. On the E. is
the Jewish quarter (p. 150) ; in the center an Italian neighbor-
hood (p. 149) ; and W. of Broadway a hodge-podge of small
factories, shops, warehouses, and the shabby homes of people
of many nationalities. The few interesting buildings are up
toward 14th st. clustered about Astor Place, extending to
2nd ave. on" the E., and Washington Square on the W.
152 RIDER'S NEW YORK CITY .
Continuing up the Bowery, go W. on Prince St., to Mott,
reaching the old St Patrick's Church (R. C), founded in
1809, completed in 181 5, and partly destroyed by fire in 1869.
It was rebuilt the same year in 'its present form at a cost of
$200,000 (Henry Engelbert, arch.). The interior is in the
early English Gothic style of the 13th century. This church
was formerly the Cathedral of New York, until after the com-
pletion of the New St. Patrick's on 5th Ave. (p 199).
Among the graves in the surrounding church-yard are those of
Francis Delmonico, several of the Paulist Fathers, Monseigneur Pres-
ton, Vicar General Starr, Second Resident Bishop Connolly, Third Resi-
dent Bishop Dubois, John Kelly, the lawyers Brady and O'Connor, and
the bankers Hargous and Donnelly. The oldest tomb, that of Valentine
Sherry, is dated 1805.
Two blocks N., on East Houston St., near 2d Ave., is
St. Augustine Chapel, the fourth in order of time of the
Trinity chapels. The interior decorations, windows, etc.,
repay a visit. The chapel bell was cast in 1700 and was pre-
sented to Trinity by the Bishop of London m 1704. Beneath
the chapel are Sunday-school class-rooms which, with the
rooms in the adjoining mission house, have a capacity of 1600
scholars.
Further E. on Houston St., No. 257, is Little Hungary, a
widely known boheniian resort, where dinner is served in the
wine-cellars, in the midst of casks and barrels (p. 25).
It started in a modest way about 20 years ago, when four or five
men persuaded the proprietor to serve them Hungarian meals in his
cellar. The new idea caught the public fancy, and soon slumming
parties to East Houston St. became popular in the fashionable set. The
time to see Little Hungary at its best is on some gala night when a
Hungarian ball or wedding is in progress.
Continuing E. we reach, between Pitt and Sheriff Sts.,
Hamilton Fish Park, the site of two city blocks of notorious
tenements.
Willett St. which cuts the park in two, and Sheriff St. on the E.
both preserve the memory of Marinus Willett, a famous "Liberty Boy"
and at one time Sheriff of New York.
If we go N. to 2d St., we pass, E. of 2d Ave., the New
York City Marble Cemetery, dating from 1832. It contains
the grave of James Lenox; and here President Monroe and
John Ericsson were temporarily interred. There is a second
Marble Cemetery now completely surrounded by dwellinjfs.
The entrance is at 41 >4 2d Ave., but it is really not worth the
trouble of gaining admission.
Three blocks west on 2d St. we reach Lafayette St., which
since 1905 extends from Center St. to Astor Place, and in-
cludes what were formerly Elm, New Elm and part of Marion
St., as well as Lafayette Place. S. on the E. side, near Hous-
FROM CANAL TO FOURTEENTH STREET 153
ton St. is the extensive red brick Puck Building, where the
well known satiric weekly of that name is published. Note
the gilt-bronze figure of Puck above the entrance.
Two blocks N., at the N. E. cor. of Great Jones St., is the
St. Joseph Home for Industrial Boys. This admirable in-
stitution, the purpose of which is to provide a home at mini-
mum cost for self-supporting newsboys, is largely the outcome
of the tireless labors of the Rev. John C. Drumgoole; a
bronze memorial statue in bronze, by Robert Gushing, was
, placed at the cDrner of the building in 1892.
Nos. 428-3A Lafayette St. are all that remain of the old Colonnade
Row, once a fashionable residential center. From one of these old
houses President Tyler was married to Julia Gardiner, of Gardiner's
Island. Washington Irving and John Jacob Astor at one time lived
in the Row.
Opposite, on the E. side of Lafayette St., stands a lacge
red-brick and brown-stone building, formerly the Astor
Library, originally endowed by John Jacob Astor, who left
by will $400,000 for the purpose.
The library was incorporated in 1849, and its first home was at
32 Bond St., In 1854 ^be central portion of the present structure was
completed (Griffith Thomas, arch.). The side wings were added
respectively in 1859 and 1881. The original endowment was increased
by the founder's son, William B. Astor, with $550,000, and by the
grandson, John Jacob Astor, with $700,000. Tne original board of
trustees included Washington Irving. The Astor collection is now in
the N. Y. Public Library (p. 186).
Astor Place (named after John Jacob Astor), earlier
called Art St., is a short street slanting southward from 3d
Ave. to 744 Broadway. Its peculiar slant is due to the fact
that it follows the original winding course of the old Inland
Road to Greenwich. At No. 13 is the Mercantile Library,
a private library established in 1820, with a large number of
subscribers and excellent service.
The present building (the third Clinton Hall), stands on the site
of the Astor Place Opera House, the scene of the Macready-Forreat
riots in 1849, the culmination of a bitter quarrel between the two
actors. No less than 20,000 persons were involved, and the 7th
Regiment had to be called out to quell it.
The Mercantile Library was organized by the clerks of merchants,
at No. 40 Fulton St. The first Clinton Hall, erected at Nassau and
Beekman Sts., was so named because Dewitt Clinton gave the first
volume to the library when organized. In 1854 it removed to the
Astor Place Opera House, demolished in 1892, when the present build-
ing was erected. The library rooms have space for nearly 500,000
volumes. The annual dues are $5.00.
In the open space E. of the Library is a statue of S. S.
Cox, erected by the postmen in recognition of his efforts in
Congress to better their working conditions (Louisa Lawton,
artist).
154 RIDER'S NEW YORK CITY
The New York Women's League for Animals maintains
at 350 Lafayette St. a model free hospital and dispensary for
animals, well worth a visit by animal lovers.
Cooper Union occupies a plot bet. 3rd and 4th aves. at
their intersection, S. of Astor Place. It is an old-fashioned
brown sandstone building, founded in 1857 by Peter Cooper
(1791-1883), to furnish free education for persons employed
during the day. It contains a large library and a newspaper
room open to all from 8 a. m. to 9 p. m. with an extensive
assortment of newspapers and newspaper files. The reading
room contains a complete set of Patent Reports.
Both day and evening courses are given, without tuition, in dra'wing,
painting, modeling, telegraphy, stenography, etc. Young men and
women have been quick to avail themselves of these opportunities and
the classes are full every year An annex has been built betw. 6th and
7th sts. on 3rd ave., called tfee Abram Hewitt Memorial Annex. The
hall in the Basement of the old building is famous in the history of
political agitation and reform. Here Garrison, Phillips, and Beecher
pleaded for abolition. The hall has always stood for free speech and to-
day all sorts of political, social, and religious addresses are delivered
to alert, intelligent audiences of mingled nationalities. The phrase
"a Cooper Union audience" has become proverbial to describe the radi-
cal ana enthusiastic crowds that gather here.
On the 4th floor is the Cooper Union Museum for the Arts of
Decoration. Open (free) from Oct. 1st to May ist, 9 a. m. to 5 p. m.
daily, except Sunday and Monday (visitors obtain tickets at office) ; and
every evening except Saturday and Sunday, 6:30 to 9:30 (passes
obtained at Room 25). The visitor ascends stairs in S. E. cor. Note
in E. corridor, several memorial tablets: (i) Memorial to centenary of
Peter Cooper's birth, a bronze medallion by A. S. Haskell, in colored
marble frame; (2) A silver memorial tablet to Abram S. Hewitt; (3)
Bronze tablet to Prof. William A. Anthony (1835-1908); (4) Memorial
to Edward Cooper, son of the founder; (5) Marble bust of the Rev.
Robert Collyer.
The E. corridor of the museum contains the Pierpont Morgan
Collection of Textiles, in upward of. a dozen lar^e cases, including
brocades, printed linens, velvets, etc., many specimens dating back
to the 14th century. Of the rooms opening to the east of the corridor,
the more interesting are the following: Room 2, containing a Collec-
tion of Early Bindings; Room 3, containing the Defloux Collection of
English and German furniture of the 17th to i8th century; Room s.
Old French Furniture. 17th Century Wood-Carving from Flanders,
Italy and England; 1 7th- 1 8th century laces, and a_ few interesting old
Italian paintings. In the corridor is the Jacob Schiff Collection of i8th
century French and Chinese silks. The Northern corridor contains the
Thomas Smith Collection of laces and the Loan Exhibit of laces belong-
ing to Miss Eleanor Hewitt. The western rooms contain chiefly plaster
casts of foreign sculptures, fountain, vases, mantel-pieces, etc.
Just S. of Cooper Union, in the little triangular square
facing the Bowery, is the statue of Peter Cooper, by Augus-
tus St. Gaudens, with pedestal and canopy by Stanford White.
The new two-story Hewitt Annex occupying the block on the
E. from 6th to 7th Sts., was planned to relieve the crowded
rooms of the Cooper Union; but lack of funds has Relayed
the construction of the six additional stories originally pro-
jected.
FROM CANAL TO FOURTEENTH STREET 155
Directly north of Cooper Union, occupying the block
bounded by Third and Fourth avenues, pth and loth streets,
is the American Bible Society, founded in 1816, for the pur-
pose of "encouraging a wider circulation of the Holy Scrip-
tures without notes or comment." The society is non-sectarian,
and conducts work both in the United States and in foreign
countries. It prints scriptures for the blind in three different
styles. Its total issue of scriptures for 1914 was 5,251,176,
and for the past 98 years, 103,519,891.
The present Bible House was erected in 1852 at a cost of over
$300,000. U|>on request at the main office visitors are shown over
the entire building[, including the printing^ rooms and bindery, thus
witnes^ng the entire process of book-making. The society formerly
possessed an interesting collection of early Bibles, comprising a library
of 5000 volumes, but it has lately been given to the New York Public
Library.
John IVanamaker's Department Store, just N. of Astor
Place, occupies two city blocks between Broadway and 4th
Ave., 8th and loth Sts. It is the New York branch of the
much older Philadelphia store.
The two stores are connected at 9th St. by a bridge adapted
from the historic Bridge of Sighs at Venice, and also by an under-
ground passage. The northern building was formerly the uptown branch
of A. T. Stewart, New York's first '^Merchant Prince" (1823-76). It
was erected in 1862 (designed by John Kellum, architect of the County
(^ourt House). In the new, or south building the chief feature is the
second floor, which is ^ven over entirely to pianos. Each make has a
separate room, each finished in some characteristic style: e.g., there are
the Louis XIV, the Flemish, the Louis XV, the Louis XVI, the
Moorish, the Renaissance, the Empire and the Old Dutch Rooms.
There is besides on this floor an auditorium with a seating capacity of
1600. Every day, morning and afternoon, free concerts are given.
The organ is an especially fine one. The store has a Subway connec-
tion at Astor Place.
*Grace Church belonging to the Episcopalian denom-
ination, is nearby on Broadway, E. side, at the corner
of loth St., with church house and rectory. The building
(1843-6) is built of white limestone with a marble tower, in
the decorated Gothic style (James Renzvick, Jr., architect).
(Open 9 a. m. to ^5 p. m.) The corner plot has been pur-
chased, cleared of buildings and presented to Grace Church
within recent years. Herein is a "doliola" designed to hold
grain and excavated in Rome. The church has a choir
school and a remarkably fine boy choir adds to the beauty of
the service. The chimes are famous. They are played at
12 noon and at 4 in the afternoon.
Over the main entrance, in the central tympanum, is a bas-relief
representing The Healing of the Lame Man at the Temple Gate. In
the outer porch are tablets recording the donors of the several bells
composing the Chime, all of which are memorials. In the inner porch
are numerous tablets commemorative of the founding of the parish.
156 RIDER'S NEW YORK CITY
the completion of the present edifice, of various church officers, etc.
The altar and reredos were given by the late Catharine Lorillard Wolfe.
The central panel of the reredos shows Christ saying to his dicipies
"Lo! I am with you always." In the side panels are figures of the
evangelists. The pulpit, designed by W. W. Bosworth, has at the
angles figures of the great preachers of apostolic times. In the north
transept are two marble busts: (i) eastern corner, Bishop Potter , for
many years rector of Grace Church; (2) western corner, James Renxvick,
the architect of the church. Over the doorway in the south transept is
a memorial tablet inscribed "In thankful memory of Catharine Lorillard
Wolfe, oft-times and in many ways the helper of the Church."
The many beautiful windows, most of them memorials, were made
in England. Those attributed to Burne-Jones were really designed by
his pupil Holiday, although some of the faces may have been by
Burne-Jones himself.
Windows in lower wall: Beginning on north aisle, L. Jacob's
Dream, by Tilling hast ; (2) Ruth and Naomi, by Holiday; (3) Joseph
and Benjamin, by Holiday; (4) The Heavenly Hosts, by Booth; (5)
Six Gospel Scenes, by Loren (^ift of Renwick, the architect); (6)
Moses Smiting the Rock, by Burlxson & Grylls; (7) Elijah and Daniel,
by Clayton & Bell; (8) David and Aaron, by Clayton & Bell; (9)
Abraham and St. Peter; (10) St. Martin of Tours and St. Ferpetua,
by Henton, Butler & Bayne; (11) The Garden of the Resurrection, by
Booker; (12) The Nativity, by Clayton & Bell; (13) Fra Angelico's
Angels, by Sharp; (14) The Four Marys, by Holidav (gift of Grace
Church); (i.s) The Resurrection of Lazarus and of Jairus' Daughter,
by Holiday; (16) The Miraculous Draught of Fishes, by Booth.
Windows in the upper and clearstory wall: (i) over entrance, Rose
Window; (2) be^nning on north wall. The Prophecy of Enmity, by
Booth; (3) The Prophecy of Shiloh; (^) The Promise of a Greater
Prophet; (5) The Prophecy of Gentile Homage; (6) Continental
Thanksgiving; (7) The Patriarchs, by Clayton & Bell (large N. transept
window, a memorial to Peter Schermerhorn and Sarah, his wife) ; (8)
The Finding of Moses, by Clayton & Bell (as are all the following
windows to No. 21 inclusive); (9) The Offering of Isaac; (10) The
Baptism of Christ; (ii) The Resurrection; (12), (13) and the two
opposite windows, (15), (16), recently added when the chancel was
extended, contain numerous panels of early Church Fathers and Dig-
nitaries; (14) The Church Triumphant (large window over altar in
chancel; the gift of Miss Wolfe); (17) The Ascension; (18) The Trans-
figuration; (19) The Crucifixion; (20) The Nativity; (21) Witnesses
to the Incarnation (large S. transept window, a memorial to Peter
Augustus Schermerhorn and Adeline Emily Schermerhorn) ; {22) The
Annunciation; (23) Gloria in Excelsis.
Across Broadway from Grace Church at Fleischmann*s
Bakery and Restaurant (p. 20) is a second bread line
(p. 151), where bread is distributed at 11:30 p. m. each night
To the E., at 2d Ave. and 7th St., is the Middle Dutch
Church, successor to the original Church of St. Nicholas in
Fort Amsterdam and to the Middle Church, cor. Cedar and
Nassau Sts.
History: The Middle Collegiate Church was founded in 1729 on
Nassau St., on the site of the Mutual Life Building; in 1859 it re-
moved to Lafayette Pl.j in 1892 it occupied its present edifice, a lime-
stone structure in Gothic style, with a graceful spire. The pulpit is of
pure statuary marble, formerly in the Lafayette St. Church.
There is a tablet on the 2d Ave. side. Within the church are
pictures of the former churches; also memorial tablets to Peter Minuit,
FROM CANAL TO FOURTEENTH STREET I57
first Director-General and elder; to Sebastian J. Krol and Jan Huyck,
"Visitors of the Sick"; to the Rev. Jonas Michaelius, first minister;
and to J. C. Lamphier, who founded the Fulton St. Prayer Meeting.
The church has some interesting windows, and because it is shut m
by adjacent buildings they are continually illuminated by electric
lights. The church also contains a memorial to the victims (nearly
a thousand in number) who peiished in the Slocum disaster, in 1904,
in the £^st River.
At nth St. and 2nd Ave. stands St. Mark's-in-the-
BOWERY.
History: The old edifice was willed by Judith Stuyvesant to the
Dutch Reformed Church, with the proviso that the Stuyvesant family
vault should be preserved. Peter, the Governor's great-grandson, gave
the -land, chapel and a bequest of $2000, to which Trinity Church
Corporation added $12,500, with which the present structure was
erected. The steeple was added in 1829, and the porch in 1858.
It stands in the centre of what was once Bowery Village, laid out
on the farm which Peter Stuyvesant purchased from the West Indian
Company for a country seat. The old streets ran at right-angles,
forming oblong blocks quite similar to those of up-town New York.
The cross streets were named i^om. the male members of the Stuyvesant
family: Nicholas, William, StuyvesatU, Peter, and Governor Sts.; the
up-and-down streets from the female members: Judith,. Eliza and Mar-
garet Sts. The only survival of these streets, swept away by the City
Plan of 1807, when numbered streets and avenues were laid out,
is the short remnant of Stuyvesant St., preserved to keep open the
front approach to St. Mark's Church.
The church is open on week-days, but the front entrance is locked;
rear gate on nth St. open 9 to 5. Within are some interesting
memorial windows and tablets.
The subjects of the windows, beginning on west aisle at main
entrance, are as follows: (i) "He is not here but is risen"; {2\ "Suf-
fer little children to come unto Me"; (3) "The Sword of the Spirit is
the Word of the Lord"; (4) "Blessed are the dead in the Lord^*; (5)
"Mary sat at Jesus* feet"; (6) east aisle, "Follow Me"; (7) stained
glass portrait of Peter Stuyvesant, placed in 1903 by the Daughters of
Holland Dames (it marks the location of Stuyvesant's interment) ; (8)
Titular window, St. Mark; (9) St. Augustine. The 10th window is
plain. Between the 9th and loth windows are marble memorials to
Nicholas Fish and to his wife Elizabeth, daughter of Peter Stuyvesant.
Around the walls of the 'balcony have lately been hung twelve
monochrome designs in brown on unstretched canvas, suspended like
tapestries. The subjects are life-size enlargements of Blake's familiar
four-inch wood-cut illustrations of the Book of Job (done by Sperry).
In the Church-yard (where interments still occasionally talce place)
are a number of interesting graves: Among others. Dr. Harris, one of
the former presidents of Columbia, and first rector of St. Mark's;
Mayor Philip Hone; Thomas Addis Emmett: A. T. Stewart (whose
body was stolen in 1878); and Governor D. T. Tompkins (in the
Minthorne vault). On the eastern side of the church, under the
second window, is a tablet marking the vault where Peter Stuyvesant
and Cyovernor Slaughter are interred.
Governor Stuyvesant's Pear Tree, which he planted in 1644 as a
memorial 'by which his name might still be remembered,' stood for 200
years at the N.E. corner of Third Ave. and 13th st. (memorial tablet).
The church has recently instituted a most interesting series of
Sunday afternoon talks on literary or sociological topics at which well-
known writers may often be heard.
158 RIDER'S NEW YORK CITY
VIII. From Chambers Street to Fourteenth Street
West of Broadway: Greenwich Village
A. From Chambers Street to Grand Street.
The section of the city lying W. of Broadway, from Chambers St.
almost to Canal St., contains little of interest to the tourist. It is an
agglomeration of sad looking warehouses, wholesale business concerns
and manufactories, stamped for the most part with the marks of
shabby middle age, yet in point of fact this section is the youngest
part of the downtown district. The old Greenwich Road (now Green-
wich St.), which skirted it along the river bank, was borne on a raised
causeway where it crossed the swampy grounds at Canal st. (Lispen-
ard*s Meadows), and again near Charlton st. where Minetta Water
broadened into a marsh. Even so, the rdad was often heavy and in-
undated by high tides; so that traffic for the most part followed th(
Inland Road to Greenwich, along the Post Road (now the Bowery),
and across by Monument Road, remnants of which are the present
Astor Place and Greenwich ave.
Most of this western section was originally taken up by the
Annetje Jans Farm, which after her second marriage to Dominie Bo-
gardus, came to be known as the Bogardus Bouwerie. It was confiscated
in 1674 by the Duke of York, known thereafter successively as the
Duke's Farm, the King's Farm and the Queen's Farm, until finally,
in 170S, it was granted in perpetuity by Queen Anne to Trinity Church,
which still retains its title to most of the land.
IVest Broadway begins at Vesey st. and extends N. to
Washington Square. It has undergone several changes in
name, a portion of it having formerly been known as Laurens
St. (after a revolutionary officer), while the upper section
was until comparatively recently called South Fifth Avenue.
It is a narrow, depressing thoroughfare, darkened by the
elevated railroad structure, and largely given over to whole-
sale grocers, wine merchants, etc. About the only feature
of historic interest is the names of the cross streets, most
of them taken from former dignitaries of Trinity Church.
Vesey st., our starting point, was named after the Rev. William
Vesey, first Rector of Trinity. Continuing N., we reach next Barclay
St., (after Rev. Mr. Barclay, second Rector). Then comes Murray St.,
named after a distinguished officer and a dignitary of the Church; then
IVarren St., after Sir Peter Warren, a Commander of the British
naval forces, who married the daughter of James Delancey (see p. 162);
next. Chambers st., after John Chambers, a lawyer; then Reade st.,
after another prominent officer of the Church; four blocks N., Leonard
St., which, like Lispenard st., six blocks further N., is named after
Leonard Lispenard, owner of Lispenard's Meadows, acquired through
his wife, daughter of Anthony Rutgers who, in 17 10, succeeded in
draining the swamp which previously made this region worthless.
The visitor who noted the beginning of Pearl st. at lower Broad-
way may be surprised to find the other end of that meandering thoro-
fare also on Broadway, above Duane st.
At Beach st., four blocks N. of Leonard, is a small
triangular park, the onlj' surviving reminder of the Annetje
Jans Farm. One block W. on Beach St., then N. on Varick,
brings us to St. John's Chapel, the third in point of time of
the Trinity Parish chapels, and third oldest church structure
WEST SIDE TO GREENWICH VILLAGE 159
yet standing in Manhattan, the cornerstone having been laid
in ?8o3 by Bishop Benjamin Moore, and the edifice completed
in 1807, at a cost of $172,800 (John and Isaac McComb,
architects). It is antedated only by St. Paul's Chapel (1764-
66), and St. Mark's Church (1795-99).
In design this church is mainly on the Corinthian order, and
is copied freely from St. Martin-in-the-Fields, London, Its dignified
portico is supported on four Corinthian columns. Its dimensions are
13a ft. by 72 ft. wide, and it is surmounted by a three storied spire
314 ft. high, composed successively of Ionic, Corinthian and composite
orders. Extensive alterations in the rear were made in 1857 by R. M.
Upjohn and Company.
The interior is a simple parallelogram, with straight galleries ex-
tending along three sides; the dark gray cylindrical vault of the roof
is borne upon a double row of bronze-tinted Corinthian columns. The
galleries, columns and pulpit are original. The bell, clock and iron
lence were brought from London.
In 1915 St. John's narrowly escaped being demolished, during the
process of widening Varick st., in connection with the extension south-
ward of Seventh ave. and the excavations for the new subway. The
diflficulty was finally adjusted by allowing the four columns supporting
the portico to remain on the line of the new curb-stone, while the new
sidewalk passes within them, beneath the portico.
Opposite the church, on the W. side of Varick st. is the
site of St. John's Park, a private park for the exclusive use
of adjacent residents, as Gramercy Park still is. When the
church was first erected, there were many who thought it
a mistake to have located it so far out from town, and it .
was known as St. John's-in-the-Fields. But the opening of
the park in 1823 very soon made this a fashionable residential
section. In 1865, however, it was sold to the N. Y. Central
and Hudson R. R. Co., and the unsightly freight depot erected
on it caused a rapid migration of the better class of residents.
At one time Fenimore Cooper lived on Beach st. near the
park; and the former residence of John Ericsson, the in-
ventor, is still standing, No. 36 Beach st., and on the roof
of it can be seen a small superstrucure, in which he con-
ducted his experiments.
On the Varick st. side of the freight station is a colossal
ornamental pediment in bronze, intended as an allegorical
glorification of Commodore Vanderbilt's career (erected 1869).
It is ISO ft. long by 30 ft. high at the central point. In the
centre is a portrait statue of the Commodore, heroic size, (height,
12 ft.; weight 12 tons). On the left stretches the ocean overstrewn
with ihe Commodore's ships, while Neptune in the distance pays him
homage. On the right' is a bird's-eye view of the plains and the
Rockies, with swift trains doing the Commodore's bidding, and the
Goddess Liberty smiling her approval. The total weight is about 50 tons.
Near the foot of Leight st. (the next street N.) is the
spot where Washington landed, June 25, 1775, on his way
i6o RIDER'S NEW YORK CITY
to Cambridge, to take command of the American army. The
tablet formerly on West st, just S. of Leight, has been
removed.
Continuing N. on West Broadway, we pass near Grand
St. the R. C. Church of St. Alphonsus. It occupies the site
of the Lafayette Amphitheatre, built in 1826.
It was named in honor of Lafayette, on the occasion of his second
visit to America. The celebration ball given at the time of the opening
of the Erie Canal took place here.
B. Greenwich Village.
The section adjacent to Washington Square, and ex-
tending W. to the North River and N. to 14th st. is still
popularly known as Greenwich Village, from the name of
the early settlement in this locality. It is a favorite centre
for artists, authors and journalists.
History. With the exception of the immediate vicinity of the
Battery, Greenwich Village is the oldest habitation of white men on
Manhattan Island. Still earlier it was the site of an . Indian village,
Saf pokanican, in the neighborhood of the present. Gansevoort Market.
Sappokanican was one of the four farms set aside by the first Dutch
governor, Peter Minuit, to be reserved to the Dutch West India Com-
pany in perpetuity. His successor, Wouter Van Twiller, however,
appropriated it for his private tobacco farm. His farmhouse was the
first dwelling erected on Manhattan north of New Amsterdam. It was
the nucleus of a small hamlet that slowly formed and was known
by the Dutch as Bossen Bouerie, the "Farm in the Woods.'*
For about a hundred years, Bossen Bouerie remained a hamlet
"tucked into the edge of the woodland . . . and the hamleters doubt-
less had very fine trout fishing between the future Fifth and Sixth
avenues in the Minetta Water; and in the autumn good duck-shooting
over the marsh where later was to be Washington Square." Thomas
Janvier.
The nucleus of Greenwich Village as an English settlement .was the
IVarren Mansion, built by Sir Peter Warren on his 300 acre farm,
acquired in the early part of the 1 8th century. Among other early
residents of p/cminence were Oliver De Lancey (Warren's brother-
in-law), George Clinton, William Bayard and James Jauncey.
In the early years of the 19th century, repeated epidemics of
small-pox and yellow fever drove many New Yorkers to seek compara-
tive safety in the Greenwich section, which in consequence was rapidly
built up.
The checker-board scheme of New York streets, carried out in the
city plan of 1807, had little effect on the old Greenwich haphazard
criss-cross of streets and lanes, beyond a few anomalous and confusing
changes of names, in consequence of which a stranger is sadly puzzled
when he finds W. 4th st. suddenly turns north and presently crosses at
right-angles loth, nth and 12th sts. Far greater havoc has been
wrought by the recent extension southward 01 7th ave. from rath at.
until it meets Varick st. at the cor. of Spring st., ploughing a wide
diagonal furrow through the heart of the old village, leaving queer,
isolated triangles, and sweeping away numerous ancient landmarks.
At the S. E. cor. of Varick and Spring sts. stands the
Spring Street Presbyterian Church, organized in 1811, the
present structure dating from 1835. It escaped the recent
WEST SIDE TO GREENWICH VILLAGE i6i
widening of Varick St. with no more serious loss than a few
feet of church-yard. To the E. on Spring st, N. W. cor.
of McDougal, is the lofty Butterick Building, the head-
quarters of the Butterick Patterns, and containing the
editorial offices of the Delineator, the Woman's Magazine,
Everybody's Magazine, etc. *
One block N. is Charlton st,, where (at No. 4) there is
still standing a modest three-story red brick dwelling, the
first home of William Astor, brother of the first John Jacob
Astor. It is now occupied by an Industrial School.
Charlton st. is named from John Charlton, a surgeon in the
British Army, who settled here and later became President of the
Medical Society.
Four squares N. to Clarkson, then W. to Hudson St.,
brings us to Hudson Park, adjoining the Leroy st. Branch
of the N. Y. Public Library. The park occupies the site
of the St. John's Cemetery; it was converted in 1898, and was
first christened St. John's Park (not to be confused with St!
John's Park at Varick st. ; p. 159). Note the quaint Fireman's
Monument, the sole remainder of the use to which the
locality was formerly devoted.
Roaming through the adjacent streets, a visitor with an eye for
the quaint and picturesque will repeatedly come upon some venerable
old wooden house, with curious carved vestibules and wrought-ironwork.
Yet how comparatively recent the crowded city blocks or this section
really are is evidenced by the reminiscences of an octogenarian
(quoted by Janvier), who in 1822 sat at the window of his boyhood
hotae on Leroy St., and looking across the fields to the spot where the
Washington Arch now stands, watched the erection of a gallows, on
which a negro girl was hanged for murder (p. 174).
On Barrow st., two l>locks N. of Leroy, turn E. to Com-
merce St. The S. W. cor., now occupied by a modern loft
building, is the site of the recently demolished Broderick
House, the home (in the early "forties") of David C. Brod-
erick, who went to California, became a U. S. Senator and
was subsequently shot in a duel by Judge Terry.
Further E. on Commerce st. No. 15, is the former home
of Washington Irvinp's sister.
Continuing N. on Hudson st. to Grove st., we reach,
N. E. cor., the latest home of the old Grove Street School,
the third oldest school in the city (P. S. No. 3).
The earlier structure was destroyed by fire in 1905. On the Hud-
son St. facade is a tablet, commemorating Lafayette's visit to the ori-
ginal school in 1824, it having been "selected as the best example of the
public school system as established by the Free School Society of the
City of New York." (Gift of C. R. Lamb, a former pupil.)
Diagonally opposite on Hudson st. is the quaint old
structure of St. Luke's, formerly an independent church,
but now one of the Trinity chapels, the orierinal congrega-
i62 RIDER'S NEW YORK CITY
tion having moved uptown to their new church building on
Convent ave. The Home for Aged Couples, formerly occupy-
ing the building adjoining the old chapel, has also moved,
its new quarters being on W. 112th st.
Turning W. on Christopher st. to the river front, we find
in the narrow space between West and Weehawken sts. a
row of very old wooden houses (probably among the oldest
on the island), supposed to have been built before 1763. Note
their curious, sloping roofs and upstairs balconies.
Returning on Christopher st. to Bleecker, we reach the
former residence of Mme. Bonneville, No. 309 Bleecker st.,
where Tom Paine, author of "The Age of Reason," spent
his last years. Paine died in a small wooden house standing
in the rear, its site being marked by the present No. 59
Grove st. If we go N. W. on Bleecker st, we pass, in the
block bounded by Charles, Bleecker, Perry and West 4th sts.,
the site, hidden in the middle of the block, of the Warren
Matision, the starting-point of Greenwich village (p. 160).
Here Admiral Warren lived with his wife, Susannah De Lancey:
here their three daughters, Charlotte, Ann and Susannah, were born:
here the mother stayed on, educating her daughters and overseeing
the farm, after Sir Peter had returned to England, joining him only
in 1747, after his election to Parliament. The daughters all married
Englishmen: Charlotte married the Earl of Abingdon; Ann married
Charles Fitzroy, later Baron Southampton; Susannah's husband was
Col. William Skinner. When roads were cut through the Warren
acres, these three husbands' names were all represented: Skinner
Road was the present Christopher St.; Fitzroy Road ran N. from 14th
to 42d on the line of 8th ave.; Southampton road followed the
line of the i>resent Gansevoort St., continuing until it intersected 21st
St., then Abingdon road, and later known as Love lane.
Two blocks further N., Bleecker* terminates in Abingdon
Square, (1-5 acre), the only surviving memorial of any
branch of Admiral Warren's descendants.
W. of Abingdon Sq., on Jane St., No. 82, is the site of
William Bayard's house, where Alexander Hamilton died.
Five blocks N. on Washington st. we reach Bank st, so
called because during the great fever epidemic of 1822 much
of the New York financial business was suddenly shifted to
Greenwich, and a whole block of hastily' erected wooden
buildings were occupied as branches of the down-town banks.
Adjoining Bank st., on the river front, is Gansevoort
Market, a spacious open-air market place.
Most of this space is filled-in ground, where there was formerly
a bay, with a projecting point of land in the centre, occupied by Fort
Gansevoort (named from General Peter Gansevoort, an officer in
Washington's army). This fort was erected in 1812, and demolished
in 1851.
Immediately east of the market is the site of Sappokanican, the
"Carrying Place," an Indian village where, according to tradition,
Henry Hudson stopped to trade in 1609.
MIDTOWN NEW YORK
(Fourteenth Street to Fifty-ninth Street)
I. Broadway from Union Square to Columbus
Circle
Broadway crosses 14th st. at Union Square. Fourteenth
st, was only a few years ago an important shopping center,
spreading out to Broadway on one side and 6th ave. on the
other. H cam's Dept. Store (p. 75) between 5th and 6th
aves. on the S. side is the only important store left.
Broadway now skirts Union Square (PI. I — C4), 3.48 a.,
betw. 14th and 17th sts., Broadway and 4th ave.. This land
was set a§ide as a park in the city plan of 1807-11, and for-
mally laid out in 1832.
In it are a Central Fountain, dating from the introduction of Croton
Statue of Waskingion at the S.E. corner, a copy of Houdin's, erected
by the city merchants in 1856 on the spot vvhere Washington was re-
ceived by the citizens on Evacuation Day, Nov. 35, 1783; a Statue of
Lincoln, at the S.W. corner, by H. K, Brown, erected by popular sub-
scription in 1866; and Statue of Lafayette, by Bartholdi, and presented
in 1876 by the French residents of tne city.
In the square mass meetings have always been held bv political
parties and labor organizations. Many clashes have occurred here be-
tween the people and the police in the struggle for free speech. The
Socialists hold here their May-day meeting.
On the east side of the Square, S. E. corner of isth St.,
is the old Union Square Hotel, A bronze tablet on the f agade,
with bas-relief portrait of Henry George, the champion of the
Single Tax (by Richard F. George) y records his death here,
October 29, 1897. At the S. E. corner of 17th St., the West-
moreland Apartment House bears a similar memorial tablet
to William Lloyd Garrison, who died here May 24, 1879.
Diagonally across, on the N. W. corner of 4th Ave., the
sixteen-story Everett Building perpetuates the memory of the
Everett House, a favorite hotel of an earlier generation.
Forty years ago Broadway from 14th to 23d St was the
heart of the fashionable shopping district; but the old land-
marks are fast disappearing and the section now offers
very little of interest. At the S. W. corner of Union
Square and 15th st. is the former store of Tiffany & Com-
pany, jewelers, a gopd specimen of the heavy and ungainly
cast iron type of architecture that marked the early post-
bellum period. No. 33, the Union Building, now dwarfed by
surrounding structures, is interesting as having been the
first sky-scraper to offer the New York Fire Department some
new problems in fire-fighting.
i64 RIDER'S NEW YORK CITY
On the west side of Broadway, north of 17th St, is the
original Huyler^s, the first of the now famous chain of candy
stores.
Theodore Roosevelt was born at 28 E. 20th st.
At the intersection of Broadway and 23d st. is the oft-
pictured 20-story *FLAT-lRONor Fuller Building (PI. I — B4),
one of the city's engineering triumphs. The cost of building
and land was $4,000,000. The wind whirls around this build-
ing in a gale, catching passersby in an unexpected fashion.
The erection of the building on the triangular plot of land pre-
sented peculiar engineering difficulties, but eliminated the problem of
lighting. The thin edge of the wedge has been rounded off at a width
of six feet and the E. and W. facades are broken by eight-storv
hanging oriels. The fourth and attic stories are decorated with
terra cotta designs.
Twenty-third street, formerly a fashionable shopping
center, has, like the other streets of the vicinity, been
recently deserted by the large department stores and retail
shops. One of the last old landmarks to go was the Eden
Musee, a wax- works exhibition (demolished in 1916).
At 70 W. 23rd St. are a Tablet and Bust of Edwin Booth, marking
the site of the Booth Theatre.
Madison Square (PI. I — B4), at the intersection, of
Broadway, Sth ave. and 23d st., is a small park of 6.84 a. It
was the Potter's Field from 1794-7, was legally opened as a
park in 1844-, and lighted by gas in 1852.
Near the S. W. corner of Madison Square is a bronze
statue of William H. Seward, Lincoln's Secretary of State,
bv Randolph Rogers; at the S. E. corner, a statue of Roscoe
Conkling (1829-88), by /. Q. A. Ward, and a Drinking Foun-
tain by Emma Stebhins, given to the city by the late Catherine
Lorillard Wolfe. The park also contains a statue of Chester
A. Arthur, by Bissell. At the N. W. corner is the Statue
of Admiral (David Glasgoe) Farragut (1801-70), by Aug-
ustus St. Gaudens, presented to the city in 1881 by the Far-
ragut Memorial Association.
The statue, cast in bronze, resta upon a pedestal of North River
blue stone, from designs by Stanford White. The pedestal is flanked
by a curving wall beneath which is a seat; each of the arms are formed
by the curved back of a sea-fish. Adjoining the pedestal are allegorical
figures: on the left, Loyalty; on the right, Courage. The inscription
on the right win^ is biographical;" that on the left is a tribute to "the
memory of a danng and sagacious commander and gentle, great-souled
man, who served his country supremely in the war for the Union."
The buildings on the £. side of Madison sq., the Metropolitan
Building, Appellate Court and Madison Square Garden, are described
in Sect. V, pp. 205-209.
The Worth Monument, at the juncture of 5th ave.,
Broadway, and 23d st., by James C. Batter son, of Quincy
BROADWAY NORTH FROM UNION SQUARE 165
granite, 51 feet high, was erected in 1857 in honor of Major-
General Worth (1794-1849), who distinguished himself in the
Mexican war. His body lies beneath the monument.
On the south face of the monument is a hi^h relief of Major-
General Worth, in bronze; on the east face, cut in the stone, DucU
Amor Patriae: and on the west face, *'By the Corporation of the City
of New York, 1857 — Honor the Brave." The names of the battles in
which Worth was engaged are recorded in bands around the obelisk.
From this point north on Broadway hotels, office build-
ings, theatres, department stores, and small retail shops take
the place of the "loft" buildings which practically monopolize
it further south.
At 24th St., N. W. corner, the new Albemarle Building
marks the site of the Albemarle-Hoffman Hotel, demolished
in 191 5. On the north side of West 25th St., just off of
Broadway, is Trinity Chapel, built in 1856, from plans by
Richard Upjohn. It is a brown stone, Gothic structure, and
has been much praised for its fine proportions. It was the
fourth of the chapels established by Trinity Parish.
On the ground floor of the recently erected office build-
ing, S. E. corner of 26th St., is the Delmartin Cafi, marking
the location of the old cafe, first of Delmonico's and later of
the Cafe Martin. Opposite, at the S. W. corner, the St.
James Building preserves the memory of the old St. James
Hotel ; and similarly at 27th St., S. E. corner, the new Victoria
Building takes its name from a hotel recently demolished.
Between 28th and 29th Sts., on the W. side, is an entrance
to Proctor^s Fifth Avenue Theatre, the main entrance being
on i88th St.
Here in 1868 Apollo Hall was fifst opened. Five years later it was
transformed into the New Fifth Avenue Theatre, under the manage-
ment of Augustin Daly. Among the famous actors who have played here
are Edwin Booth, Clara Morris, Mary Anderson, Modjeska, Salvini and
Eleanora Duse. It is now a popular vaudeville house.
During the draft riots in 1863 this block, containing then the Provost
Marshal's ofi|ce, was burned.
At 29th St., S. E. corner is Hotel Breslin (PI. Ill— D4).
On the N. E. corner is the Gilscy Building, once a popular
hotel. On the N. W. corner is Weber^s Theatre, formerly
Weber and Field's. Daly's Theatre in the same block was
one of the first up-town flieatres erected.
It was first opened in 1867 as Banvard's Museum, and was the first
building erected expressly for museum purposes in New York. It con-
tained rooms for curiosities, and an auditorium. The following year
George Wood became the manager, and it was known as Wood's Musuem
until 1877, when it became the Broadway Theatre. September 7th, 1879,
it was opened as Daly's Theathe, and remained the home of one of
New York's most famous stock companies until Augustin Daly's death
in Z900.
i66 RIDER'S NEW YORK CITY
On the opposite side of the street are Shanley's Restaurant
and the Hofbrdu Haus, both popular for after-theatre suppers.
At 30th St., N. E. corner, there stood until recently an-
other famous old play-house, Wallack's Theatre, the second
of the two theatres successively owned and managed by Lester
Wallack, the actor. Nearly opposite, the sixteen-story Bijou.
Building marks the site of the former Bijou Theatre, long
the home of musical comedy.
Between 31st and 32d sts., on the east side, is the /w/>^na/
Hotel. In the bar-room is a well-known mural painting.
Bowling in Bowling Green, by Edwin A, Abbey. See also
Morning in the Lap of Night, by Thomas W. Deming,
At the N. E. corner of 32d St. is the Hotel Martinique,
built in 1897 from plans by Henry J. Hardenburgh, and con-
considerably enlarged in 191 1. The decorations repay a visit.
In the main restaurant are four panels by /. Carroll Beckwitk:
(i) Ronsafd; (2) Louis XV; (3) Voltaire; (4) Maurice de Saxe. Four
panels by Irving R. Wiles, representing Court Ladies of the Time of
Louis XIV. Other decorations by Charles M. Sheen and Charles Y.
Turner. The room itself is modelled after the Apollo Room in the
howvre.
Betw. 33d and 34th sts. is the 25-story *McAlpin Hotel
(PI. Ill — C2), one of the largest, newest, and most beautiful
of New York hotels (F. M. Andrews and Co., architects).
The exterior matrial is brick and terra-cotta and a large part of
the ground floor is occupied by shops. Witnin, the lobby is two stories
high and runs from the 33rd st. entrance to the 34th st. The mezza-
nine lounge contains 26 tapestries (from the Herter looms) illustrating
the city's history. The Main Dining Room is in gold; the men's cafe is
panelled in Circassian walnut; and the Rathskeller in the basement,
with a remarkable vaulted ceiling in tile, entered by heavy iron gates,
is decorated with a *series of panels depicting the commercial history
of New York City in glazed terra-cotta tiles. The hotel has a special
Men's Floor, a Women's Floor, and a "Silent Floor" for ni^ht-workers
who sleep in the daytime. The building contains 7 m. of heating appara-
tus and 115 m. of electric wiring.
Special features of this hotel include a fully equipped hospital
physician and graduate nurse; Turkish, electrical and hydrotherapeutic
baths for men under charge of a Carlsbad graduate; and an extensive
swimming pool on the upper floor. Couriers, shopping guides, and
chaperons are furnished upon request, and transatlantic steamers met
by representative. Rooms may be reserved by wireless at expense of
the management. (For rates, see p. 10; for restaurants, p. 20. "^
The United Service Club has its clubrooms in this hotel.
At 34th St. Broadway crosses 6th ave., with its elevated
railway. The southern triangle of land thus formed is named
Greeley Square. It contains a statue of Horace Greeley, by
Alexander Doyle, the joint gift of a Grand Army Post and
the Typographical Union After the building of the elevated
road, the Greeley figure, jarred by the vibrations, tried to slide
BROADWAY NORTH FROM UNION SQUARE 167
off its base and had to be fastened on. The main Hudson
Tubes entrance is here. The Pennsylvania Terminal is one
block to the west on 7th ave. The northern triangle of land
is called Herald Square, and contains a statue of William
E. Dodge, a famous merchant of the city. It was executed by
/. Q. A. Ward, and was the gift of New York merchants.
Sight-Seeing Cars start from here (p. 29),
On the W. side of Greeley Square, 32d to 33d st. is
Gimbel's Department Store (p. 75), one of the largest and
best equipped of the city's modern stores. In its construction
there were used 12,000 tons of steel, 5,000,000 bricks, and
30,000 tons of terra cotta ; the windows contain 100,000 sq ft.
of plate glass; and the building is lighted by 24,000 incan-
descent lamps.
On the same side of Greeley Square, from 33d to 34th
St. is Saks, another department store (finished articles only;
nothing sold by the yard) ; and from 34th to 35th St., R. H.
Macy & Co. On the E. side of Herald Square is the 20-story
Marhridge Building, costing, with ground, nearly $3,000,000.
On the N. side is the *Herald Building where the if ^ro/rf
(morning paper) and the Telegram (evening paper) are
printed.
Architecturally, it is an adaptation of the Palazzo del
Consiglio at Verona, and has long been one of the conspicuous
structures of the city. Its most notable single feature is
the elaborately sculptured bronze clock, which surmounts its
southern facade, with its mechanical figures striking the
quarter hours.
The design consists of a large bell, suspended between two artizans,
heroic size. The figure on the R. swings a twenty-pound hammer a
distance of two feet, the figure on the L. has a four-foot stroke with
a forty-pound hammer. The group is surmounted by a lofty statue
of Minerva. The whole clock was the work of a French sculptor,
Antonin Jean Carles, and the Minerva was exhibited at the Paris
Salon in 1894. When the clock was installed in 1895, it was con-
sidered an innovation to have a clock strike by electricity. Another
familiar feature is the row of bronze owls around the cornice, which
at night announce the time by winking their electric eyes.
The presses can be seen through the ground-floor windows on the
Broadway side. The largest ones start at midnight.
To the right of main entrance is a bronze memorial tablet, by L.
Bracony, given by the Italians of New York to the Herald "which by
relating the plain truth about the Italo-Turkish war, vindicated the
honor of the Italian Army and Nation."
Between 36th and 37th, W. side, is the Marlborough-
Blenheim Hotel (p. 10.)
At 38th St., N. E. comer, is the Knickerbocker Theatre,
Adjoining it, at 39th St, S. E. corner, The Casino,
The Metropolitan Opera House (PI. Ill — Ci) occupies
i68 RIDER'S NEW YORK CITY
the block between 39th and 40th Sts., opened 1883 and rebuilt
after a fire in 1893. For the history of the MetropoHtan,
prices of seats, etc., see p. 54.
On W. 40th St. between Broadway and 6th ave. are two
tall office buildings, the Wurlitzer Building on the north
side of the street, and the World's Tower Building on
the south.
Opposite the Metropolitan are the popular restaurants
Kaiserhof (p. 23), Lorher's (p. 20), and Browne's Chop
House (p- 22).
At 40th St. is the Empire Theatre.
Between 41st and 42d Sts., W. side, is a curious squat
tower, erected to exhibit advertisements but which proved
a commercial and financial failure.
At 42d St., S. E. corner, is the Knickerbocker Hotel
(p- 7)» erected by the late Col. John Jacob Astor at a cost of
$4,500,000 (^Trowbridge and Livingston, architects). It is an
elaborate structure, in the French Renaissance style, and
richly decorated with marbles, bronzes, tapestries, carvings, etc.
In the basement is an English grill room with fine oak ceiling;
the decorations are copies of Rembrandt's paintings, by H. B. Fuller.
In the adjoining bar-room is a painting by Frederic Remington. The
dining-room on the main floor is finished in Italian marble and Caen
stone, with a copper finished ceiling from Fontainebleau, and is hung
with tapestries by Streecken and Leefdael. The two electric fountains,
Sold Cupids poised on balls on black marble, are by MacMonnies. The
ecorations and mural paintings, notably The Masque of Flora, are by
James Wall Finn. The cafe is Louis XVI, in white and gold; and
back of it is the bar-room, containing Old King Cole, a *mural painting
by Maxfield Parrish. On the third floor is a huge banquet room
(Henri II style), white, blue and gold, and containing 600 chairs.
Prices high. Much patronized by the wealthy sporting class. This
house makes a specialty of caring for steamship travelers; reservations
for rooms received by wireless at hotel's expense; representative meets
steamers.
West, on 42d St., at the N. W. corner of 7th Ave., stands what was
once Hammerstein's Victoria Theatre, lately remodeled and rechristened
the Rialto, a high-class motion picture theatre. South on Seventh Ave.
west side, is one of the newer hotels, the Hermitage (mural decora-
tions by Louis ValHant).
Further west, on the south side of 42d St. (No. 214)
stands the New Amsterdam Theatre (Herts and Tallant,
architects). On the tall, narrow fagade is a mass of sculpture,
executed by George Gray Barnard. The figure in the center
of the arch above the 3d story is a personification of The
Drama, flanked on left and right by Pierrot (representing
Musical Farce), and Cupid (representing Love Comedy). On
either side, at the base of the arch, are figures : A Knight in
full armor, and a female figure holding distaff and a scroll.
In the main foyer are a series of Relief Panels, by R. Hinton
Perry, representing "Scenes from Classic Drama." They form a friexe
BROADWAY NORTH FROM UNION SQUARE 169
around the foyer, and the subjects, beginning on the left wall, are: (i)
Macbeth; (2) Richard III; (3) Hamlet; (4) As You Like It; (5) Mid-
summer Night's Dream; (6) (lunette: south end of lobby) Ancient
Drama; (7) (west wall) Rheingold; (8) Siegfried; (9) Walkyrie; (10)
Gotterdammerung; (11) Another scene from Rheingold; (la) (over
entrance) Faust.
In the small foyer beyond there are two fine reliefs of Ancient
New Amsterdam and The Modem City, also a symbolic panel, reprc-
gentative of Progress, filling the architrave over the entrance door.
In the arch above the stage, in the auditorium, there is a great
Sanel (18 by 45 ft.) designed by the late Robert Blum and carried out
y A, B. Wenzel. The central figure represents Poetry, with crowned
Tradition on her left, and on the right Truth, with Falsehood trodden
under foot.
Directly opposite the New Amsterdam is the Republic
Theatre, No. 209-11 (see p. 55), and next to it, No. 213,
the Lyric (see p. 55). On the south side, No. 200-24, rises
the twenty-four story white shaft of the Candler Building,
with the entrance to the C. & H. Theatre placed inconspicu-
ously in the western wing. (The architects of the Candler
Building were Willauer, Shape & B ready; the theatre was
designed by Thomas W. Lamb,)
Just beyond (No. 226) is Murray* s, one of New York's
unique show-place restaurants. It was originally designed as
a public school, by McKim, Mead and White; but the plans
proving unsuccessful were remodeled by Henry Erkins. The
earlier home of Murray's yr^s beneath the sidewalk at the
N. W. corner of Broadway and 34th St.
The first two stories of the fagade of the presient building are of
Portland cement and designed in French Renaissance as a replica of the
ancient hotel of Cardinal de Rohan, Paris (originally designed by
Robert Lorain). All the decorative features are reproductions of
classic masterpieces in the Louvre, the Vatican, etc. Over the entrance
door, are The Horses of the Sun, from the original by Lorain (Hotel de
Rohan). On the sides of the entrance are six panels from originals by
Jean Goiijon in the Fontaine des Innocents, Paris.
The interior court is the Roman Garden, decorated to carry out
the illusion of an open-air garden, with electric stars twinkling over-
head. In the S. W. corner is one-quarter of a circular Greek temple,
built against mirrored walls, whose quadrupled reflection completes the
temple and gives the illusion of great space. There is a balcony
divided into two rooms, one Roman, the other Assyrian. On the floor
above is the Eeyptian Room. The mural paintings are by IV. De L.
Dodge, James Klar and Meixeur.
Adjoining Murray's on the west is the Liberty Theatre
(see p. 56) ; in the lobby are some interesting portraits :
Richard Mansfield as "Baron Chevrial," by Louis Kronberg;
John McCullough as "Virginius," by Proctor; Ernst Possert,
by Theodor von Leiden. Next is the Eltinge Theatre (see p.
56), facing the uninteresting Evangelical Lutheran St.
Luke's Church. No. 254 is the Harris Theatre (p. 56) ;
and No. 260, the American Theatre and Roof Garden (see p.
58).
170 RIDER'S NEW YORK CITY
Returning to Broadway, we pass on the E. side betw. 426
and 43d sts., the main lobby of Cohan's Theatre (p. 56).
Note the ornate vaulted ceiling, the dado of Benson marble, and
the frieze of mural paintings, giving the history of the Four Cohans.
The chief facade is on 43d St., a combination of terra cotta, iron and
bronze in modern transitional Romanesque style. In the auditorium is
another frieze, showing George M. Cohan's successes in musical comedy
and drama.
At 43d St. Broadway intersects 7th ave., and in the triangle
of land formed by the three streets, rises the 28-story *Times
Building, designed by Eidlits and Mackenzie. It is built of
terra cotta and pink granite. Its solution of a unique engi-
neering problem is noteworthy: part of the building hangs
over the Subway, which cuts out parts of its basement.
The open space north of the building is called Times
Square, or Longacre Square (a name due to its having been
compared to London's Longacre Street when about 1872 the
square became the center of New York's carriage business.)
A fine view of the illuminations of Broadway can be obtained
from here in the evening. This portion of Broadway is
the heart of the theatrical district, and the brilliant night
lighting has given it its cognomen, "The Great White Way."
Betw. 43d and 44th st., W. side, is the Putnam Building,
containing Shanley's Restaurant (p. 21) and many the-
atrical offices. A Tablet over doorway at 1493-1505, W. side,
was placed by Sons of Revolution to commemorate the meet-
ing of Washington and Putnam, Sept. 15, 1776, the day
preceding the Battle of ■ Harlem (p. xxiii).
At the N. E. corner of 43d st. is Wallick's Hotel
(formerly the Cadillac and, before that, popular for many
years as Barrett House) ; and at the S. E. corner of 44th,
the Claridge Hotel, built by Rector and for a time called
the Hotel Rector. It is a fifteen-story structure of Bedford
stone and red Flemish brick, with a curving French mansard
roof (1910: D. H. Burnham, architect). Its various dining-
rooms when first equipped, had 16,000 pieces of silverware,
and in the large banquet room 550 pieces of gold plate.
Rector, who is a popular restaurateur, failed here and the
hotel changed hands and was rechristened. Rector has a
new restaurant at 1600 Broadway.
On the E. side of Broadway, opposite the Hotel Astor
and occupying the entire avenue block, is a group of theatres
and amusement halls, erected by Oscar Hamm^rstein as one
of his most ambitious enterprises and known as the Olympia.
At present it contains the Criterion Theatre (44th st. corner)
and the N'ew York Theatre (45th st. corner).
BROADWAY NORTH FROM UNION SQUARE 171
As originally planned, it comprised a large music hall, a concert
hall, a theatre, a roof-garden, an oriental cafe and smoking room, a
billiard room, lounging room and cloak rooms, all accessible for 50c.
But the enterprise soon went to pieces; in 1899 the music hall became
the New York Theatre; the auditorium at the S. corner underwent
several changes of management and in recent years has been the
I^Uagraph, one of the first high^class motion picture houses. In 191 6 it
reopened as a theatre, with a series of Shakespearian revivals.
Betw. 44th and 45th sts., on the W. side, is the *Hotel
AsTOR (PI. IV — B3), erected by Wm. Waldorf, Astor, one of
the largest and most elaborate hotels, especially used for con-
ventions, balls and social affairs. It is a French Renaissance
structure, o^ red brick and limestone, with a mansard of
green slate and copper {Clinton and Russell, architects).
Through the main entrance on the Broadway side we enter the
lobby, a spacious colonnade 22 ft. high, in marble and gold. It contains
four panels by William De Leftwicn Dodge, representing Ancient and
Modern New York. To the right of the lobby arc the Ladies* Restau-
rant, the Ladies' Lobby (Louis XIV), the Women's Reading Room
(Louis XIV). The 44th St. side is the bachelors' side and contains
the Hunting Room (German Renaissance of about 1560), surrounded
by a frieze seven feet high, composed of hunting scenes in bold relief.
The Banquet Hall, one of the largest in the city, is also on this floor.
Adjoining are an, Elizabethan Men's Lounging Room, a Flemish Bar-
room, a Pompeiian billiard room, and an Italian garden or "Oran^erie."
On the mezzanine floor, are the Palm Garden, the Japanese Midway,
and the Chinese and East Indian Alcoves.
The 9th floor is devoted to private dining rooms. Another Banquet
Hall (Louis XV style) measures 50 by 85 ft. On the ceiling are three
panels by Emens and Unitt. The College Hall, intended for college
reunions and society dinners, is colonial in type; the wall is divided
into panels by^ Ionic pilasters, and these panels contain 14 pictures by
A. p. -Rahm, illustrating the various College Sports. There are also a
series of Art Nouveau rooms, an Oriental Room, and three rooms
designed to represent a yacht's cabin. They contain a series of
window pictures by Carlton T, Chapman, representing a cruise from
New York to Larchmont.
/-In the basement are the Old New York Lobby, the American
Grill Room, and the great kitchen. A visit should be paid to the
wine cellar, the lobby, to which is guarded by two statues representing
monks: on the one hand "Bruder Kellermeister," with the cellar keys
and a huge tankard; and on the other, "Bruder Kuchenmeister," with
a basket full of garden delicacies. The wine cellar itself is a large
hall copied from the famous cellars at Eberbach-on-the-Rhine. Note
the beautiful hand-carving on the imported German wine casks.
The hotel possesses a collection of pictures and souvenirs of early New
York, and a painting showing the house of Medcef Eden, an English-
man who owned the property originally. The grillroom is a museum of
American Indian relics collected with the assistance of the American
Museum of Natural History and The Ethnological Bureau in Washing-
ton, including implements, garments, weapons, pictures, busts, baskets,
animal heads, trophies, masks, dishes etc. of eight types of Indians
living from Alaska to Mexico.
At the N. W. cor. of 45th st. is the Astor Theatre. W. on
45th St. is the Booth Theatre, erected in 1913, from designs
by Henry B, Herts (p. 57). E. on the N. side of 45th st.
are the Lyceum Theatre, the Tokio (an elaborate show
172 RIDER'S NEW YORK CITY
restaurant with Oriental cooking), the St, James Hotel
(No. 109) and at No. 107, the club-house of the Friars, an
actors' clubs. Diagonally opposite is the Palace Theatre.
At the S. W. cor. of 46th st. stands the Gaiety Theatre.
E. on the side-street, N. side, is the Church of St. Mary the
Virgin, the most ritualistic of Episcopal churches in New
York.
It was organized in x868 and its earlier church structure was at
aa8 W. 4Sth st. The present edifice extends all the way through the
block to 47th St. Note the sculptures over the entrance door by /.
Massey Rhind. The Lady Chapel contains two mural paintings. The
Magnificat and The Epiphany, by Elliott DtUngerfield (b 1859).
W. on 46th St. is the Fulton Theatre, with a highly
ornamental fagade in polychrome terra cotta. It was earlier
known as the Folies-Bergere.
The mural paintinn and other decorations were executed by
William De Ltftwick Dodge (b. 1867). Note especially the long,
narrow panel, extending almost the whole length 01 the facade. Just
below the cornice, represnting all the stock characters in drama crowding
forward to worship at the throne of Folies-Bergere.
On the W. side of Broadway, at the cor. of 46th st,
is the Globe Theatre, erected in 19 10, from designs by Carrkre
and Hastings. At 47th st, S. E. cor, is Keith's Palace Theatre
(1913; Kir chaff and Rose, architects). At the K. E. cor.
is the Columbia Theatre; it contains a mural painting above
the proscenium, by Arthur Thomas (who did the murals in
the Schwab residence). The northern triangle formed by
the intersection of Seventh avei and Broadway is OQCupted
by the Pekin Restaurant, another show-place similar to the
Tokio. Opposite, near the N. W. cor. of Broadway and 47th
St., is the Strand Theatre, built in 1913, from designs by
Thomas IV. Lamb, and now used as a high-grade moiion
picture house.
In the construction of this really beautiful playhouse no expenses
were spared, and it merits a careful study. Note especially
the desim of the foyer and staircases. The interior decorations are
by O. H. Bauer. The mural paintinjg; above the proscenium repre-
the desim of the foyer and staircases. The interior decorations are
1. n. Bauer. The mural painting
sents The Dreams of Life; the panels on the side walls symbolize
The Senses. In the lobby are three ceiling panels and one lunette,
all allegorical, by V. Maragliotti.
E. on 47th St. are a number of quiet family and bachelor
hotels: on the N. side, the Longacre, New Victoria and
Flanders; on the S. the Somerset and the Felix-Portland.
At 48th st, N. E. cor., stands Rector's, a ten-story build-
ing of brick and limestone, housing the famous restaurant
on the first and second floors. The upper stories are mainly
occupied by the New York offices of many of the leading
moving picture companies, among others the Vitagraph, Selig,
Lubin, Essanay and Universal Films Company.
BROADWAY NORTH FROM UNION SQUARE 173
W. on 48th St. is the Longacre Theatre, erected in 1913
(Henry B. Herts, architect). To the E., upper side are the
Forty-eighth Street Theatre and the Playhouse (built 191 1 ;
two allegorical lunettes by Arthur Crisp) ; lower side, the
Cort Theatre.
At 49th St., S. W. cor., is ChurchilVs restaurant; N. W.
cor., Maurice Daly's Billiard and Pool Rooms, one of the
oldest and best known establishments in the city. From this
point northward to approximately 66th st is the section
popularly known as "Automobile Row," comprising the New
York sales rooms of a majority of the leading automobile
manufacturers, tire makers and dealers in special automobile
parts or accessories.
At 50th St., N. E. cor., is the Winter Garden (Albert
Swasey, architect). All the interior decorations are by Wm.
De L, Dodge, At Broadway and 54th st. is the Cumberland
Hotel; E. on 54th st. is the Albemarle. At 55th st, S. E.
cor., is the Hotel Woodzvard, and opposite, N. E. cor., the
Sonoma Hotel.
The Broadway Tabernacle, at the N. E. corner of Broad-
way and 56th street, is the leading Congregational Church in
Manhattan. Its earlier edifice was long a familiar landmark
at Sixth avenue and 34th street (now occupied by the Mar-
bridge Building), and its former pastor. Dr. William Taylor,
was one of the most noted preachers in the city. The new
structure was erected in 1905.
In style it is a free version of late French Gothic; the materials
are cream-white brick and terra-cotta finishings. Seating capacity,
1500. In the massive, tower-like structure at the rear are the parish
house, the Bible-school and the Taylor Memorial Chapel. The
Bible-school is the most elaborate in Manhattan, having a large cen-
tral hall and twelve spacious class rooms. {Barney and Chapman,
architects.)
At the S. E. eor. of Broadway and 58th st. is the lofty
building of the United States Rubber Company, the oldest
manufacturers of rubber goods in America. '
Various relics connected with the company's history may be seen
upon request, and are sometimes exhibited in the windows on the
Broadway side. They include a portrait of Charles Goodyear, inventor
of vulcanized rubber (painted on hard rubber, by G. P. A. Healy of
Boston); a walking cane and a large desk, both of hard rubber, the
property of Mr. Goodyear (the desk was exhibited at the Crystal Palace,
London, in 185 1); also several autograph letters and other documents
giving the details of the transactions through which Ford & Co., acquired
in 1844 all rights to the Goodyear patent process (James B. Ford,
director of the present company being the son of the founder of the
original Ford & Co.)
At 59th St. Broadway intersects 8th ave. at the S. W.
corner of Central Park.
174 RIDER'S NEW YORK CITY
The open space is called Columbus Circxe. In the center
stands the Columbus Monument, by Gaetano Russo, erected
1892, the 400th anniversary of the discovery of America.
The monument itself is 77 ft. high and consists of a monumental
shaft of granite resting on a rectangular pedestal and surmounted by
a marble statue, heroic size. In front of the pedestal is a winged
figure of a youth studying a terrestrial ^lobe. Below, on S. facade of
pedestal, is a bronze tablet in high rehef, depicting The Landing ot
Columbus; a companion tablet on N. fagade, represents Columbus
leaving Spain. This monument was the gift of American Italians.
S. of 59th St. on the circle, is the Park Theatre, and at
8th ave. is Post's Grand Circle Cafi and Restaurant. Reisen-
Weber's Restaurant is on 8th ave., at 58th st. On the W.
side, 2d floor Far East Garden, excellent Chinese restaurant.
Ladies unattended find it very satisfactory.
Facing the Circle, at the Pioneers' Gate to the Park,
is the ^National Maine Monument, erected to the memory
of the naval officers and men who lost their lives on the
Battleship Maine, sunk in Havana Harbor, Feb. 15th, 1898.
(H. Magonigle, architect; Attillio Piccirilli, sculptor).
This monument, rising to a height of 44 ft., consists mainly of a
pylon flanked by two colossal groups, representing respectively the
Atlantic and Pacific coasts. In front, facing the Circle is another
group of sculptures, expressing the ante-bellum state of mind:
Courage awaiting the Flight of Peace, and Fortitude supporting the
feeble. A corresponding group, facing the park, represents the post-
bellum idea: Justice receiving back the sword which she has entrusted
to the Genius of War, and History recording its deeds. The pedestal
and carvines are of Craig dark pink Knoxville marble; the lower
courses and the basins are of pink Milford granite. The whole is
surmounted by a group representing Columbia Triumphant, in bronxe,
from the guns recovered from the sunken Maine. Total cost, approxi-
mately $175,000, contributed by more than one million persons.
II. Fifth Avenue from Washington Square to
Forty-second Street
A. Washington Square
Although a few blocks of 5th ave. lie below 14th st., the
avenue is distinctly an uptown boulevard. It starts at
Washington Square (PI. I — B5) a park containing about
9?/^ acres, of which 6j^ acres were at one time (1797-1823)
the Potter's Field, having been acquired by the City in con-
sequence of an epidemic of yellow fever. More than 100,000
bodies were buried here. The site was also used for the
town gallows. Rose Butler, a young negress, was hanged
here, July, 1819, near the site of the present Washington
Arch, before a large crowd, including many children. The
square was made into a park in 1827 and improved in 1870;
used for a training ground and camp for volunteer soldiers
during the Civil War.
FIFTH AVE. FROM WASHINGTON SQ. 175
The white marble *Washington Arch (1890-2), de-
signed by Stanford White, was erected in commemoration of
Washington's inauguration. The cost, $128,000, was defrayed
by public subscription.
It was originally a temporary structure, the expense of which was
defrayed by Wm. Rhinelander Stewart and other residents of Wash-
ington Sq., for the centennial celebration of Washington's Inaugura-
tion as President (April 30th and May ist, 1889). The temporary
structure was so much admired, that steps were taken to make it
permanent. The temporary arch reached from cor. to cor. across 5th
Ave., opposite the Park. The permanent structure stands 50 ft. S. of
the Ave.; its dimensions are 86 ft. high, with a span 30 ft. wide; width
of piers 10 ft each.
Recently (May, 19 16) two sculptured groups have been added to
the N. fagade of the arch, one on each flank. The central figure of
each is W^ashington, the one in military, the other in civilian costume,
to R. "and L. are symbolic female figures in classic drapery. All figures
are of heroic size. (H. A. MacNiel, artist.)
The statue of Garibaldi, by Giovanni Turini, was presented in
1 888 by the Italian residents. To the south of the park lies one of the
Italian districts of the city. The bust of Alexander Holley, who intro-
duced into America and greatly improved the Bessemer process, was
presented in 1890 by the Engineers of Europe and America. (7. Q. A.
Ward, sculptor,) On the S. Side of the square are old houses, many
of which are now studios.
At the W. cor. of Thompson st. is the Judson Memorial
Baptist Church, a Greco-Romanesque structure of buff brick,
flanked on the W. by a conspicuous campanile. It was erected
at a cost of $450,000 {McKim, Mead & White, architects).
This church succeeds the old Berean Baptist Church, organized in
1838, on Downing st. It is a meanorial to the Rev. Dr. Adoniram
Judson, the first American foreign missionary. The present building
comprises a Sunday School, a Day School, Young Men's Social Room,
Reading Room and Library. The Campanile is structurally part of the
Judson Hotel, immediately adjoining the church on the W., carrying
out the same general architctural scheme. The late Frank Norris, the
novelist, at one time occupied rooms in this tower. The revenue ^rom
the Judson Hotel supports a Children's Home and other charities.
On the E. Side is the New York University Buildin^;,
containing on the upper floors, the schools of Law, Pedagogy,
Commerce, etc. The main buildings are at Fordham (p. 360).
The lower floors are occupied by the American Book Co.
The present building, erected 1894-95, occupies the site of the
original (jothic structure, built in 1832-35, which for over 60 years
contained all the departments of the university, and also rented offices
and studios. It was here that Samuel F, B. Morse painted and experi-
mented with his telegraphic instruments, and here, also, Colt invented
the revolver, and Prof. John IV. Draper (181 1-82), wrote his "History
of the Intellectual Development of Europe," and did much to perfect
DaQuerre's photographic process. It was in the old University building
tl»t Theodore IVinthrop laid the scene of his powerful novel, "Cecil
Dreeme." On the N. side of the present building is a memorial tablet
to Adam Roelantsen, and other early New York school -masters.
176 RIDER'S NEW YORK CITY
The old University building was the cause, in 1834, of the "Stone-
cutters' Riot/' when the angry stone-masons of New York paraded to
the building, then in the course of erection, as a protest against the use
of stone cut by Sing Sing convicts. The 7th Regiment had to be called
out to disperse them.
The N. Side is lined with charming old brick residences many of
which are still occupied by well-known families.
On the W. Side are apartment houses and Hotel Holley (p. 8).
B. Lower Fifth Avenue
Just above Washington Square, to the E. of 5th ave., is
Washington Mews, an alley once occupied by the stables be-
longing to the houses fronting on Washington sq. and 8th st. ;
and to the W. of the avenue, but entered from Macdougal
St. is Macdougal alley.
In both streets the stables have been turned into studios. This
section of the city, popular with artists, is sometimes compared to the
Latin Quarter of Paris. Much of this property is leasehold from the
Sailors' Snug Harbor corporation which is now (19 16) remodeling the
block N. of Washington Mews into artists' . dwellings on a compre-
hensive plan.
The character of Fifth Avenue is changing constantly.
From Washington Square to 12th st. some of the old houses
remain, remodeled for the most part into boarding houses
or apartments. In some of the side streets, like W. loth,
W. nth, etc., many houses remain unaltered. This neighbor-
hood to the west of the avenue is still familiarly known as
"Greenwich Village." From 12th st. to Madison Square
the avenue is lined with loft buildings. At noon the
employees from the garment factories in these lofts stroll
up and down the avenue, rendering the sidewalks almost
impassable. A trip through here between 12th and 23d sts.
g^ives a suggestion of the extent of the garment trade and of
the foreign element employed therein. From Madison Square
to the Plaza, the old houses have been largely replaced by
fashionable shops. The merchandise displayed in the win-
dows is imported from all over the world. The last of the
afternoon, especially in winter, this section becomes a show
place. The showily dressed women, perfectly tailored men,
and prize dogs, on foot and in automobiles, are well worth
seeing. From the Plaza to Carnegie's house at 90th st.,
Central Park forms the west side of the street, while to
the east extends a series of palatial residences. The side
streets also contain beautiful houses. From 112th st. to
Mount Morris Park is a dreary stretch of better-class tene-
ments. These five sections present widely diverse aspects.
At the N. W. corner of Washington square and 5th
ave. is the Rhinelander House. Opposite, on the N. E. corner,
is the Delano residence. Immediately N., at No. i 5th ave..
FIFTH AVE. FROM WASHINGTON SQ. I77
is a spacious red-brick dwelling, with some interesting his-
torical associations. Here, for some years before and after
the Civil War, was the Misses Green's School for Girls.
This school, one of the most select and fashionable institutions
of the period, was conducted by the sisters of Andrew H. Green, '*the
father of Greater New York." Later, the school was taken over by the
Misses Graham. Among the pupils were Fanny and Jenilie Jerome
(the latter is now Lady Randolph Churchill, mother of Winston Churchill,
First Lord of the British Admiralty). The school's staff of teachers,
under the Misses Green, included the late John Bigelow, Professor of
Botany, whom the young girls of Washington square pronounced "so
handsome"; also Hon. Elihu Root, ex-Secretary of State. The Graham
School is now at 42 Riverside Drive.
No. 3 5th ave., former residence of the Comtesse Leary.
At 8th St. N. E. corner, is the Brevoort Hotel (p. 8),
standing almost exactly at the S. W. corner of the old Hen-
drick Brevoort Farm.
The founder of the family, from which the Hotel is named, was
Hgndrick Van Brevoort, Constable and Overseer of Haarlem, who
later removed to New York, and became an Alderman (170^-13). His
farm extended northeasterly to about 14th st. and 4th ave.
At No. 12 W. 8th St. are the Chesterwood studios of
Daniel Chester French, the sculptor. No. 33 (formerly 105
Clinton PI.), facing Macdougal st, was once the home of
Thomas Bailey Aldrich.
Here in the third story back hall room Aldrich lived as a clerk,
and wrote his "Ballad of Babie Bell." Here also his friend, Fitz
James O'Brien (1826-62), wrote "The Diamond Lens," one of the
most famous of American short stories. The house still has the
carved outer door illustrated in Aldrich's biography.
At 9th St., S. E. corner, No. 21, is the former residence
of Samuel Clemens (Mark Twain) ; on the N. E. corner,
the former residence of Maj.-Gen. Daniel Sickles,
The dwelling at the N. W. corner of 9th st., now occupied
by Mr. Charles de Rham, was formerly the residence of Henry
Brevoort, grandfather of James Renwick, architect of St.
Patrick^s Cathedral (p. 199).
This house was the scene of New York's first masked ball, held
in 1840. One of the guests was the daughter of Anthony Barclay,
the British Consul. Nothwithstanding the opposition of her parents, she
had given her heart to a young South Carolinian named Burgwyne.
She attended the ball dressed as Lalla Rookh, and he as Feramorst.
At 4:00 o'clock in the morning they stole away and were married,
still wearing their masquerade. The resulting scandal put this form
of "imported amusement under a ban for many years.
The building at loth St., N. E. corner, is the Grosvenor
apartment house. The brownstone church with square towers
across the street is the *Episcopal Church of the Ascension,
of which Percy Stickney Grant is pastor.
This church is well-known for its "Forum" held every Sunday night
in the parish house after the regular service, at which questions ot social
interest are discussed.
178 RIDER'S NEW YORK CITY
The church is open daily, and the interior is well worth a visit.
The adornment of the chancel (1889) is the work of several artists,
tinder the general direction of Stanford Whit^, John La Farge, D^
Maitland Armstrong and Augustus St, Gaudens, and is a memorial of
William C. Rhinelander and Mary Rogers, his wife. There is a richly
carved pulpit of Siena marble. It was designed by Charles McKim,
and is a memorial of the Rt. Rev. Manton Eastburn, first Rector of
the parish; Behind the altar is a spacious mural painting of The
Ascension, by John La Farge, generally recognized as the artist's master-
piece. It cost $30,000 and was the gift of the Misses Rhinelander.
The church contains twelve elaborate stained-glass windows, all of
them memorials. Their subjects are as follows:
North Aisle (beginning at east end), i. An Incident in the Flight
into Egypt, by /. Alden Weir; 2. Christ's Admonition to Thomas, by
Joseph Lauber; 3. The Women at the Sepulchre, by Tiffany Glass
Company; 4. Angel at the Sepulchre; 5. Da vies Coxe Memorial, by
La Farge.
South Aisle (beginning at east end), i. Women at the Sepulchre,
by John La Farge^ 2. The Child Jesus found by his Mother in the
Temple, by D. Mattland Armstrong; 3. The Presentation of Christ in
the Temple, by John La Farge; 4. The Annunciation, by D. Maitland
Armstrong; 5. Nicodemus coming to Jesus by Night, by John La Farge.
North Clerestory: The two Marys at the Sepulchre, by Humphreys
Johnston. §outh Clerestory: Vision of St. John, by Johnston.
One interesting historical association with this church is^ that it
was the scene of the marriage of President John Tyler to Miss Julia
Gardiner on June 26, 18442 the first marriage of a United States Presi-
dent during his term of ofnce.
Between nth and 12th sts., also on the W. side, is another
brownstone church with a square tower, 'the First Presby-
terian Church, successor to the early church on Wall . St.,
just E. of New St. «
The present edifice, dating from 1845, is a stately example of the
English perpendicular style of architecture. The main portion is modeled
after the church of St. Saviour, at Bath, England. The massive square
tower is copied from that of Magdalen Chapel, Oxford.
The tall office building at 12th st, N. E. corner, occupies
in part the site of the former residence of James Lenox.
W. on I2th St., No. 14, is the Salmagundi Club, organized
in 1875 for "the promotion of social intercourse among artists
and the advancement of art."
Between 12th and 13th Sts., west side, is the publishing
house of the Macmillan Company; and on the S. W. corner
of 13th St., the new Educational Building, certain floors ot
which are occupied by Ginn and Company, publishers.
The tenants are exclusively firms that supply the needs of educa-
tional institutions. They include school architects, school building
contractors, publishers of school books, school supply concerns, etc. On
the 7th floor is a permanent educational exhibit, including everything
that will go into an ordinary school room by way of equipment; also
designs for school construction, appropriate building materials, and latest
devices for heating, lighting and ventilating.
The juncture of 14th st. and 5th ave. was formerly the center
of the Spingler market-garden farm, covering about 22 acres. Here
FIFTH AVE. FROM FOURTEENTH ST. 179
Spingler lived until his death in 181 3. His barn occupied what is now
the S. W. corner. Mrs. Mary S. Van Beuren, his grand-daughter and
principal heir, built the brownstone-front hotise still standing midway
between 5th and 6th aves., the only surviving residence on the
block. The name Spingler still survives on two structures at the S. W.
cor. of Union sq., the Spingler Hotel and the Spingler Building.
C. Side Excursion on University Place
From the N. E. cor. of Washington Square, University
Place, seven blocks in length, runs N. to Union Sq. and 14th
St. At the S. E. cor. of 9th St. stands the Cafe Lafayette
(formerly CafS Martin), one of the oldest established and
best known French restaurants in the city. At the S. E.
cor. of loth St. is the University Place Presbyterian Church,
organized in 1845 by private subscription, and finished in
1849. Some good glass windows. At nth St. is the Hotel
Albert, an old-fashioned, somnolent house, but economical.
E. on I2th St. is the old Twelfth Street School, whose former
principal, Lydia Wadleigh, did much to promote free educa-
tion for girls. The second building N. of 12th St. is the
Neiv York Society Library (No. 109), the oldest public
library in America.
It was established by Governor Bellomont in 1700, in the City Hall;
incorporated 1754; chartered by George III in 1773 under its present
name, and removed to its present building in 1856. It is open, free,
daily (Sundays excepted) 9 a.m. to 6 p.m.; Saturdays during Summer,
9 to 12 noon.
The John C. Green Alcove, established and endowed in 1880,
contains a large collection of costly illustrated works on paintings,
costumes, and other branches of art. The most valuable books may be
borrowed by shareholders. Membership fee, $10; shares, $150.
At the S. E. cor. of 13th St. a tablet marks the former
headquarters of the Ninth Regiment, National Guard, S. N. Y.
(organized, 1779), which served in the Civil War as the 83d
New York Volunteers. "They marched away 850 strong. . .
They returned home with 17 officers and 78 enlisted men,
after having gone through 24 battles."
D. Fifth Avenue from Fourteenth to Forty-second Street
West of Fifth Ave., between 15th and i6th Sts., is the
New York Hospital, incorporated in 1771, the oldest hospital
in the city. It is a general hospital for pay and free patients.
Ward patients able to pay are charged $1.50 a day; private
patients from $3.50 to $10.00. The present buildings date
from 1877 {George B. Post, architect).
History. The New York Hospital received its charter from George
III, June 13, i77i«. Although it was not regularly opened as a hospital
until 1791, anatomical experiments were carried on until, in 1788, a
medical student threatened some peeping boys with a dissected human
arm. The frightened boys spread the information, and an angry mob
gathered, upon whom the soldiers were compelled to fire before they
i8o RIDER'S NEW YORK CITY
dispersed. During the Revolution the hospital building, at Broadway
ana Duane St., served for barracks. The hospital was first opened to
patients in 1791. Treatnftnt for mental disorder has always been a
feature of the society's work. But it was not until 181 6 that a farm
was purchased at Bloomingdale, where the Blqomingdale Asylum ^ was
completed and occupied in 1821. It accommodates about 400 patients
a year.
The New York Hospital has besides an Out-Patient Department^ at
W. 1 6th St., a Training School for Nurses, and Convalescent Cottages at
White Plains.
24 W. 15th St. was the home of Wm. Cullen Bryant.
Further on can be seen the Catholic Church and College of
St. Francis Xavier, with excellent buildings. Founded 1847;
moved to present site, 1850. Contains High School and
College Departments, in charge of the Jesuit Fathers. About
450 students. In E. 15th st. near the ave. is the central branch
of the Y. M. C. A.
E. on 19th St., No. 35, is the former home of Horace
Greeley, founder of the New York Tribune.
The New York Society of the Methodist Episcopal
Church, 150 Fifth Ave., maintains wholly or in part 32
churches and missions in the city, many of which are among
the foreign population.
At 20th St., N. W. corner, is the Methodist Book Concern.
The Historical Society, with rooms in this building, possesses
a collection of relics. At 28 E. 20th St., S. side, is the birth-
place of Theodore Roosevelt, and No. 53 was the home of
the Cary sisters. Alice (1820-71) and Phoebe (1824-71),
who achieved their first literary and social success through
the friendship of Horace Greeley, and for two decades were
prominent in New York literary circles.
W. 21 St St. was formerly called "Love Lane.** No. 34
was the home of Chester A. Arthur before he became president.
From 22d to 23d st., E. side, the narrow triangular block,
formed by the intersection of Broadway with 5th ave., is oc-
cupied by the Fuller Building (p. 164).
This corner is famous for the high winds that circle
about the building. The large structure extending from 23d
to 24th sts. is the Fifth Avenue Building, ' preserving the
memory of the old Fifth Avenue Hotel, formerly the favorite
gathering place of politicians from every state in the Union.
When 5th Ave. was extended N. from 23d St. in 1837, an old
building, the Horn Farmhouse, stood near the center of tne Ave.,
where it remained for a time. In 1839 it was moved to the present
site of the Fifth Avenue Building, and became a well known road
house, the Madison Cottage. In 1853 it was demolished to give place
to Franconi's Hippodrome, a two-story brick structure, containing an
oval ring 300 ft. long by 200 ft. wide, with a seating capacity of 6000.
It was nnancially a failure, and gave place to the Fifth Avenue Hotel,
FIFTH AVE. FROM FOURTEENTH ST. i8i
opened in 1859. It vras a six-story, white marble structure, equipped
with all the latest conveniences of that period, including the nrst
passenger elevator ever installed.
Among its distinguished ^ests were Presidents Lincoln and Grant,
the Prince of Wales, later King Edward VII, Dom Pedro, Emperor of
Brazil, and a long series of prominent Senators^ Congressmen, Am-
bassadors and distinguished members of the theatrical profession. For
a long time it was the home of Ex-Senatbr Thomas C. Piatt, the Re-
publican "boss," in whose "Amen Corner" weekly conferences of far
reaching political consequences were held.
The 14th floor of the present edifice contains the Head-
quarters of the Boy Scouts of America; also the club-rooms
of the Aldine Club.
This is a literary and social club, whose membership is limited to
printers, publishers, authors and artists. It was founded in 18S9, and
its earliest home was at No. 20 Lafavette Place. One of its former
presidents was the late Frank R. Stockton, the novelist.
The avenue here crosses Broadway and passes Madison
Square (23d to 26th sts. ; p. 164), on the east side of which
are the Metropolitan Tower Ip. 206), the Appellate Court
(p. 207), and Madison Square Garden (p. 209).
West on 27th, nos. 14-18, is the American Museum of
Safety, open, free daily (except Sundays and holidays).
Contains models of safety devices and sanitary appliances;
also extensive collection of photographs, broken wheels, ex-
ploded pipes, poisonous dust and other exhibits illustrating
dangers to workmen and the public that might be prevented.
On the N. W. corner of 29th St. is the Marble CollegicUe
Church, one of the six Collegiate Churches which trace their
origin to the first church organized by the Dutch settlers in
1628. A tablet commemorates its succession to "the Church
in the Fort" and in the yard is preserved the bell which
originally hung in the North Church. The hotel adjoining
the church is the Holland House, quiet and satisfactory (p.
9). In E. 29th st. N. side, is the *Church of the Trans-
figuration, low cruciform building in Gothic style, shaded
by trees, opened in 1856, popularly called "The Little Church
Around the Corner." It is best known from the many
funerals of actors and weddings of ordinary folk which
have occurred here.
The name is said to have originated from a remark of a curate
in a near-by church who, refusing Joseph Jefferson's request to conduct
the funeral service of George Holland the actor, suggested that "perhaps
the rector of the little church around the corner might be willing to
serve." From it have been buried also Wallack, Booth, and Boucicault.
The church contains a number of interesting windows. Begipning
on the S. side of the nave, the 2d from entrance door is a memorial
window to Richard Mansfield, and the 6th, a memorial to Regina M.,
wife of the Rev. Edward C. Houghton. Just beyond is the Mortuary
Chapel. The central window represents the Transfiguration; to the
right, Joseph of Arimathea; The Raising of Lazarus; to the left.
i82 RIDER'S NEW YORK CITY
Nicodemus; The Last Judgment. The chapel, contains a number of
tablets; one is to "Walter William Griffin, d. 1907, for 35 years post-
man for 29th Street." The next window is unique in character, con-
sisting of z-j panels illustrating the Compline Psalm. They are repro-
duced on glass from designs executed by Mrs. C. C. Houghton (wife
of the first pastor of that name) to whom the window is a memorial.
On the W. side of the south transept is the Edwin Booth Window,
given by the members of The Players in 1898, designed by La Farge.
Just beyond is a quaint memorial chapel to Jose Maria Mutioz, a
Spanish actor. The window is noteworthy from being studded over
with uncut diamonds. On the north side of the nave, the only window
of special interest is the memorial to the actor Montague (d. 1878).
In the extreme S.W. corner is a memorial chapel to Mary C. Houghton,
wife of George H. Houghton. Note below the altar a mosaic of the
Last Supper, executed in Rome.
On W. 31st St., No. 19, is the headquarters of Life, New
York's chief weekly of social satire (Carrere & Hastings,
architects). Diagonally opposite is the Wolcott Hotel, while
across the avenue at No. 12 E. is the La Marquise.
At 32d St., N. E. corner, was the Knickerbocker Club,
organized in 1871. Its membership is restricted to descend-
ants of original settlers of New York (now 2 E. 62d st).
E. on 32d St., No. 32, is the St. Louis Hotel; W. at No.
17 is the Aberdeen, and at No. 43 the Pierrepont,
Between 33d and 34th sts., W. side, rises the ♦Waldorf-
Astoria, built of red brick and sandstone in a German Renais-
sance style (p. 7). This was formerly the most magnificent
of the New York hotels, but it is now surpassed in taste
by newer ones. The Waldorf section of the .building on 33d
St., erected in 1893 by the Hon. William Waldorf Astor\,
occupies the site of the town house of his father, the late
John Jacob Astor; while the 34th st. section, known as the
Astor, erected in 1897 hy Col. John Jacob Astor, occupies the
site of the town house of his father, William B. Astor. The
buildings were designed by Henry J. Hardenbergh, under
the supervision of George C. Boldt, the first proprietor and
lessee of both. Guides are provided without charge (fee
expected) at the main office near the 34th st. entrance.
Main floor: The Waldorf Restaurant at the 33rd st. corner, with
good brass work and panelling. The Astoria Restaurant, at the^^ath
St. corner, with murals by Turner. The Main Foyer, 34th st. «ae:
statue of Vanity by Guarnerio; Statue of Night by Ives; a Clock valued
at $25,000, the work of the Goldsmith's Company of London, exhibited
at the Chicago World's Fair, with harmonious cnimes which ring every
Suarter hour. The Marie Antoinette Room, 33rd st. side; ceiling,
lirth of Venus, by Low; Furniture partly antique and partly reproduc-
tion. Turkish Rooms, 33rd st. side; Sword of Napoleon I. Small Ball
Room, 33rd St. side, ceiling bjr Fowler, Lunettes by Armstrong.
Bradley-Martin Room, 33rd st. side, named for the first social event
held here, the famous Bradley-Martin fancy>dress ball, 1897. Red
Room or Library; Wood-carving; Frieze by Maynard. Waldorf Palm
Garden, with Revolving Dome. Astoria jPalm Garden, Gentlemen's
Cafe, 34th st. and Astoria Court. Flnt floor (x flight up.) The Grand
i
FIFTH AVE. FROM FOURTEENTH ST. 183
Ball Room, Ceiling by Edwin H. Blashfield, representing Music and
the Dance (the largest single canvas in the world, 45 by 66 ft.) ; six
Lunettes by Will H. Low: (i) The Dance; (2) The Drama; (3) The
Music of the Sea; (4) The Music of the Woods; (5) The Music of
Peace; (6; The Music of War. West Foyer, adjoining; Statue, the
Flight from Pompeii, by Benzoni. The Astor Gallery (after the
Palais Soubise, Paris) 16 allegorical paintings by Edward Simmons, rcpfe-
sentine The Months and The Seasons. The Myrtle Room. The
East Room. The East or Caen Foyer, containing the Statues, Cleo-
patra, Jephtha's Daughter, and Undine, by Ives; the Reading Girl, by
Magni. Hekry IV. of France Drawing Room; Flemish Tapestries;
Painting of Margaret de Valois by Denman; antique Furniture. Fran-
cois I. Bedroom (after the Mus^e de Cluny) ; carved Furniture, Ameri-
can work. The State Banquet. Hall contains Mr. Boldt's Private Col-
lection of China valued at $35,000. The Astor Dining Room and ad-
joining Reception Room are located exactly above the original Astor
dining and reception rooms and decorated and furnished with the origi-
nal ceiling, woodwork, and furniture. Third floor (2 flights up). Tne
Royal Suite, the Fifth Avenue Corner Suites. Roof. Roof Garden.
open in summer, admission by ticket from the ofiice. Basement ana
Sub-Basement. Kitchens. Laundry. Electrical Plant. The hotel
contains also Barber Shop, Ladies' Hair-Dressing Rooms, Florist's Shop,
Photographer, Cigar Company, etc. The hotel is popular for conveu'
tions.
Between 34th and 35th sts., E. side, is *Altman's store,
recently enlarged to cover the entire block, back to Madison
Ave. The building, designed by Trowbridge and Livingston,
is of French stone.
The main store is 8 stories high and the addition 12 stories. The
first 5 stories are selling floors. The woinen's waiting room is on
the 5th floor. The general information ofBce is on the ground floor,
34th St side. The carriage entrance is on the 35th St. side. The
concern employs a force of about four thousand workers, and carries
on a welfare department for their benefit. A large amount of high-
grade stock is carried, the stock of the rug department alone repre-
senting a value of two and a half million dollars.
The avenue now crosses 34th St., with cross-town cars to
the East River and the Hudson. To the E. are small retail
shops and boarding houses. To the W., McCreery's store
(P- 75) is the most important.
On the N, W. corner of 34th St. is the Knickerbocker
Trust Company, occupying the site of the so-called "Marble
Palace," the home of A. T. Stewart, the first of New York's
merchant princes, who built the older of the two department
stores at Broadway and 9th St., now occupied by Wana-
maker's. At 35 St., N. W. corner, is Best & Co., formerly
] catering exclusively to children, but since their removal from
^ W. 23d St., having extended their scope to a general
clothing store.
At the S. W. corner of 36th street is the new Gorham
Building^ executed in Italian Renai3sance, after plans by
McKim, Mead and White, The structure is of creamy Bed-
ford (Indiana) limestone, and the columns are of gold-
flaked (Massachusetts) granite.
il
184 RIDER'S NEW YORK CITY
The first story is an arcade of massive Ionic columns. In the
limestone spandrils between the arches are a series of bas-reliefs, ,.
emblematic of the Arts and Industries, by Andrew O'Connor. There ;|
are eight spandrils on the 36th St: facade; the comer bas-reliefs and the
two central ones are repeated on the Fifth avenne facade.
Note the bronze ornamental frieze below the cornice, which like all
the rest of the bronze ornamentation was cast at the Gorham foundry,
and added very largely to the total cost. The entire building 11
estimated at about $1,250,000, and the stock on hand averages con-
siderably more than twice the assessed value of the building.
At 37th St., S. E. corner, is *Tiffany and Company,
for half a century the leading jewellers of New York. Their
former store on Union Square is still standing; but the
bronze figure of Atlas bearing a huge clock on his shoulders,
long a local land-mark, now adorns the facade of the new
edifice.
The building is of marble, from designs by McKim, Mead and White.
adapted from the Palazzo Grimani, Venice (now the Post Office), the
work of Michele San Micheii, — the structure of which Ruskin once
wrote: 'There is not an erring line, not a mistaken proportion through-
out its noble front."
The ground floor is especially spacious and di^ified. The famous
establishment is a museum of art objects, and visitors are welcome to
wander for hours about the store. Among the interesting objects are
antiques and curios, bronzes, and statuettes, the collection of Oriental
pearl necklaces, and the pottery and glass.
The clock deserves an additional word regarding its history. It is
of American make, dates from 1850, and for many years adorned the
front of the original Tiffany building at 550 Broadway, near Prince St.
It has been^ twice removed, first to Union squiare and later to its
present position.
On the N. W. corner of 37th st. is the Brick Presbyterian
Church, organized in 1767, the original building having been
in Park Row. The Lecture Room (open all day) contains
a collection of historical portraits and relics.
At 38th St., N. W. corner, is *Lord and Taylor's new
itore, a fine example of modern store construction and ad-
ministration. The architecture is Italian Renaissance and the
material Stoney Creek granite and vitrified gray brick, orna-
mented with limestone and terra cotta.
The vestibules are finished in Botticino marble and Travertine stone»
with ceilings of Guastavino tile. The show window floors sink to the
basement tor trimming. An extra show window rises in the front
entrance, when the store closes, entirely obliterc^tinff the entrance. The
carriage entrance is on ^8th st. On the ground noor the floor, walls,
columns, and vaulted ceilines are of Travertine stone, imported from the
vicinity of Rome. The Colosseum was built of this stone. The aisles
are bordered with black Egyptian marble. The floors back of the
counters are of cork. The wainscoting and counter fixtures are of Af-
rican mahogany. Careful attention has been paid to the artificial light-
ing, yellow rays of light being cut out by use of a special glsss. Pack-
ages are sent for wrapping to the mezzanine basement. The electric
delivery wagons are loaded in the basement, passing down an incline
{»lane from 38th st. and out to 39th st. The power which heats and
ights the store during the day is utilized at night for charging these
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FIFTH AVE. FROM FOURTEENTH ST. 185
cart. The cars are kept in the sub'basement. A special Men's Entrance
on 38th St. leads to the men's shop. A Men's fiarber Shop is in the
mezzanine basement. A Children's Barber Shop is on the fourth floor.
The mezzanine basement contains rooms where suburban customers may
• change to evenimr clothes; their afternoon clothes being sent home
without charge. The Women's General Waiting and Rest Room is on
the 5th floor, on the 38th st. side. The Concert Hall contains a $75,000
Welte Mignon Pipe Organ, which is played at concerts. The three res*
taurants on the xoth floors the Loggia, the Wedgwood Room and the
Mandarin Room are charmingly decorated. The employes are carefully
chosen and a high degree or efliciency is demanded. The intelligent
?lanning shown in eyery department extends to the employes' quarters,
'heir lunch rooms, gymnasium, hospital, etc., are well arranged and
administered.
At 39th St., S. W. corner, is Vantine's Oriental Store, a
veritable museum of costly and rare Eastern curios. On tiie
N. W. corner is the Union League Club, organized in 1863,
the first of the clubs of similar name established during the
Civil War.
Its avowed purpose was "to discountenance disloyalty to the United
States, and for the promotion of good government and the elevation of
American citizenahip." The presidents of the club include such eminent
names as Robert B. Minturn, Jonathan Sturges. John Jay, Joseph H.
Choate, Hamilton Fish, William M. Evarts and Chauncey M. Depew.
The club house, (built on the site of DickeVs Rtding Academy,
half a century ago the fashionable equestrian school of New York), is
in Queen Anne style, of Baltimore pressed brick, with brown ston:
trimmings (Peabody & Steams, Boston, architects). On the first floor
is the reading room, on the Fifth Avenue side, decorated in Pompeiian
style. Dining room on fourth floor. Decorations by La Forge. The
club's art collection includes Carpenter'* Inauguration of Lincoln.
Opposite the Union League Club, at the N. W. comer
of 39th St., is an old-fashioned brick and brown-stone resi-
dence (1856), the former home of the late John G. Wendel,
and now occupied by his three elderly sisters.
The original John G. Wendel, sreat-great-grandfather of the late
Mr. Wendel, was partner in the fur business with the first John
real
ever
_ , ^ _. holdines
in Manhattan were second only in extent to those of the Astors. He
had many eccentricities: He collected his own rents, he would never
sell a foot of his holdings, and would never lease to a saloon. Ad-
joining the house is a garden, hidden behind a high board fence, for
which, according to popular if unauthenticated tradition, Mr. Wendel
refused hundreds of thousand dollars because his sisters desired to use
it to exercise their dogs.
At 40th St., S. E. corner, on the site of the residence
of Frederick W. Vanderbilt (demolished, 1915) is tiie new
department store of Arnold, Constable & Co., (established
1827). It is, with the exception of Daniell's, at loth st, the
last of the old dry-goods houses to move up-town from the
old Broadway shopping district.
On the W. from 40th to 42d St., is the New York Public
Library.
i86 RIDER'S NEW YORK CITY
III. The New York Public Library
The **Central Building of the New York Public Library
stands on the W. side of 5th ave., betw. 40th and 42d sts.
(Open from 9 a. m. to 10 p. m. on every week day — including
holidays — and from i to 10 p. m. on Sundays.) It occupies
part of the site of the old Croton distributing reservoir, and
was built by the City of New York at a cost of about $9,000,-
000 (Carrere and Hastings, architects.) The cornerstone
was laid November 10, 1902, and the building was opened
to the public May 23, 1911. The material is largely Ver-
mont marble, and the style that of the modern renaissance,
more or less of the period of Louis XVI, with certain
modifications to suit th^* conditions of to-day. The build-
ing is rectangular in shape, 390 feet long and 270 feet deep,
built around two inner courts. It Mas a cellar, basement,
and three upper floors. Of the sculptural decorations, the
two lions on either side of the main approach are by E. C.
Potter. The groups in the pediments are by George Grey
Barnard; the one in the northern pediment representing
History, and the one in the southern. Art. The figures above
the fountains on either side of the main entrance are by
Frederick MacMonnies; the man on the northern side rep-
resenting Logic, and the woman on the southern side repre-
senting Inspiration. The six figures above the main entrance
are by Paul Bartlett; naming them from north to south
they are History, Drama, Poetry, Religion, Romance, and
Philosophy. The rear of the building should be viewed from
Bryant Park, as some critics consider the rear elevation
preferable to the front. The long windows in the rear are
to light the book stack.
The New York Public Library was formed in 1895 by the con-
solidation of the three corporations: "The Trustees of the Astor
Library" (originally incorporated in 1849), "The Trustees of the
Lenox Library" (originally incorporated in 1870), and "The Tilden
Trust" (originally incorporated in 1887). The Astor LibiHry was
founded by John Jacob Astor, whose gifts, together with tnose of
his sons and grandsons, amounted to about $1,700,000 (p. 153). The
Lenox Library consisted of the private library of James Lenox,
housed in its own building, formerly standing at 71st St. and sth Ave.,
and an endowment fund of $505,500. The Tilden Trust owned
Mr. Tilden's private library and an endowment fund estimated at
$2,000,000. To the library formed by the consolidation of these three
corporations was added, in 1901, the New York Free Circulating
Library with eleven branches. Various other circulating libraries
have also been absorbed. Further extensions of the Circulation Depart-
ment of the library resulted from the offer by Mr. Andrew (^rnegie,
in 1901, of $5,200,000 for the construction and equipment of more
circulating libraries, on condition that the city provide the land and
maintain the libraries when complete. As a result, branch libraries
THE NEW YORK PUBLIC LIBRARY
i88 RIDER'S NEW YORK CITY
have been built' from time to time throughout the three boroughs
served by The New York Public Library — Manhattan, the Bronx, and
Richmond (Staten Island). There are now forty-four branch libraries,
including the Central Circulation Branch in the Central Building
(4ad St. entrance). The latter is maintained by the Library and not
by the city. These branch libraries in 191 5 lent 10,384,579 books.
The director of the Library is Edwin H. Anderson.
The Central Building is mainly devoted to the work of the Refer-
ence Department of the Library, although it <:ontains the tceneral
offices of administration of both the Reference and Circulation Depart-
ments, the Central Circulation Branch, a children's room, the Traveling
Libraries' office, and the Library for the Blind. Most of the books
are for use within the building only. At the end of 19 15 there were
1,309,427 books and pamphlets, constituting the resources of the
Reference Department. Readers to the number of 827,664 made written
application for books in 1915, and were supplied with 2,289,436
volumes.
There are two entrances to the library, a side door on
42d St., giving admission to the basement floor, and a main
entrance on the 5th Ave. side. The visitor should enter by the
latter, in order to get the full effect of the stately ♦lobby,
rising through two stories, with broad stair-cases to right and
left, and a gallery with columns and arches in the rear.
(Qoak-rooms to R. and L. beneath the stairs.)
Opposite the entrance, beyond the lobby, is a spacious Exhibition
Room, finished, like the lobby and corridors, in fine white Dorset
(Vermont) marble, while the ceiling is supported by 24 columns of
green-veined marble. This room is devoted to exhibitions of rare books,
manuscripts, prints and other objects of interest. The exhibits are
usually changed several times a year. In the main corridor, at the
entrance to the Exhibition Room, are eight portrait busts, copied from
the antique: Titus, Sophocles, Socrates, Julius Caesar, Brutus,
Demosthenes, Solon and Pompeius Magnus.
To the S. on the main corridor, we reach the Current Periodical
Room (No. Ill, for readers only). To the N. is the Technology Room
(No. lis), and opposite (No. 116), the Library for the Blind. At the
W. end of the 42d st. corridor is the Patents' Room (No. 121). Along
the 40th St. corridor are the Administration Offices, not open to the
public.
The elevators are in the N.E. cor. We now ascend to the 2d
floor. Here, on 42d St. corridor, are the Public Documents Room
(No. 329) and the Economics and Sociology Room (No. 228). Along
the 5th Ave. corridor are the Science Library (No. 225), the Lecture
Room (No. 213), the Director's Office (No. 210) and the Reference
Librarian's Office (No. 211). A central corridor to the W. leads to
the Slavonic, Jewish and Oriental Collections (Nos. 216, 217 and 219
respectively).
In this corridor is a small collection of statuary: N. side: Ruth,
by Randall Rogers; Highland Mary, by Benjamin E. Spence; Sleeping
Shepherd, by John Gibson; S. side: Nydia, by Randall Rogers;
Abraham Lincoln, breaking the Bonds of Slavery, by Thomas Ball;
Cyparissus, by Francesco Poszi.
On the third floor at the rear is the *Main Reading Room,
occupying an area of half an acre. It is approached through
the Public Catalogue Room, whose walls are lined with cases
containing the card catalogue of the Library. The Infofma-
THE NEW YORK PUBLIC LIBRARY
igo RIDER'S NEW YORK CITY
THE NEW YORK PUBLIC LIBRARY 191
tion Division is also in the Public Catalogue Room. Appli-
cants for books file slips at this desk, and await their books
in the Main Reading Room. It facilitates service first to
select one of the numbered seats in the Reading Room and
indicate that number on the order slip. Any visitor is free
to ask for books. The Reading Room contains 768 seats,
and it is divided in the middle by a booth, from which
the books are delivered to readers. The shelves in this room
contain a reference collection of 25,000 volumes, including
many works of general literature. They are for the free
use of any one in this room, without the need of making
application.
From the north end of the room opens the Genealo^ and Local
History Division; and from the south end, the American History Divi-
sion. Underneath the Reading Room is the book stack of seven
decks, containing 334,530 feet (63.3 miles) of shelves, with capacity
for about 2,000,000 volumes (the special rooms have a capacity for
about 500,000 more- volumes). Also on the third floor, and opening
from the corridors in the front and sides of the building, are the
rooms devoted to reserved and rare books, the Art and Prints Division,
the Maps Division, the Stuart Collections, the General Gallery of
paintings, the Print Gallery, the Manuscript Division, and the Music
Division.
The Library owns a well balanced collection for research in prac-
tically all branches of human knowledge. It is strongest in American
history, in all topics connected with the American continents, in the
economic and social sciences, and in public documents and sets of the
publications of learned institutions. Less attempt has been made to
secure recent publications in the departments of law, medicine, the-
ology, and the biological sciences, since these subjects are covered by
special libraries elsewhere in the city. The inquirer is, however, cer-
tain to find the fundamental printed sources in nearly every branch
of knowledge represented in literature. Amon^ the rare and valuable
books the foremost treasures of the Library include: the Gutenberg
Bible (printed by Gutenberg and Fust about 1455, and probably the
first book printed with movable types); the Coverdale Bible (1535):
Tyndale's Pentateuch (1530) and New Testament (1536); and Eliot's
Indian Bible. In fact, the collection of early Bibles in Enfflish is
one of the great collections of the kind in existence. The Libriary
also owns four copies of the First Folio Shakespeare (1623); several
copies of the Second, Third, and Fourth Folios (1633, 1663-64, 1685);
eight works printed by William Caxton (147S-90); the Bay Psalm
Book, the first book printed in the United States (Cambridffe, 1640);
and the Doctrina Christiana, printed in Mexico in i544- 'Tbe manu-
scripts owned by the Library include: the original manuscript of
Washington's Farewell Address; an "Evangelistarium, sive Lectiones
ex Evangeliis," a French-Carlovingian manuscript on aoo vellum
leaves, date about 870 A. D. Another manuscript of special note is
the work of Giulio Clovio, his **Christi Vita ab Evangelistis de-
icripta," sometimes called "The ToMmeley Lectionary." It was made
for Alexander, Cardinal Farnese, and by him presented to Pope
Paul III. The prints include the Samuel P. Avery collection of
18,000 prints, mainly French and other modem etchings and litho-
fraphs; a large collection of modern American prints; a collection of
apanese prints in color; and a representative collection of old prints
illustrating the development of reproductive graphic art to the present
RIDER'S NEW YORK CITY
THE NEW YORK PUBLIC LIBRARY 193
time. The Prints Gallery is devoted to exhibitions of prints, changed
from time to time. The Stuart Gallery contains collections of books,
pictures, and other objects of art, bequeathed by Mrs Robert L. Stuart.
GENERAL ROOM.
(The numbers begin at the N.W. cor. and continue to R. on N.
wall).
I. F. E. Church (i 826-1 900), Cotopaxi, Ecuador; 34. (lately
moved, replacing No. 2) E. L. Vernier' (1831-87), Selling Shell-fish,
Coast of France; next picture unnumbered, John IV. Alexander, Por-
trait of Mrs. Henry W. Draper; 3. M. Munkacsy (1844- 1900), *BHnd
Milton dictating "Paradise Lost" to his Daughters; East Wall: Sir
Henry Raebum, "Portrait of Lady Belhaven; 6. Sir Edwin Landseer,
A Landscape, Sunset; 7. P. J. Clays (i 819-1900), Calm, Coast of Hol-
land; 8. Landseer, A Dog in a Stable; 9. Sir Joshua Reynolds, Portrait
of Miss Kitty Fisher; 10. George Morland (1764-1804), Revenue Cutter
in chase of a Smuggler; 11. Copy from Sir Peter Lely's Portrait of
Oliver Cromweil; 12. Peter Nasmyth (1786-1831) Woody Landscape,
with Mountains; 13. John Singleton Copley (1737-1815), "Portrait of
Lady Frances Wentworth; 14. James Peale (i 749-1 831), Portrait of
George Washington; 15. /. M, W. Turner (177S-1851), *Scene on the
French Coast, with an English Ship-of-war stranded; 16. Sir Joshua
Reynolds, *Mrs. Billington as St. Cecilia: (It is said that during one
of the last sittings for this portrait, Haydn the composer, who greatly
admired this distinguished singer, happened to be present, and re-
marked that the artist had painted the picture entirely wrong, since
it was the ang^s who should have been listening to Mrs. Billington,
and not she to the angels); 17. Rembradt Peale (1778-1860), Portrait
of George Washington; 18. Turner, "Staffa, Fingal's Cave; 19. Copley,
•Portrait of Mrs. Robert Hooper; 20-24. Sir Da^nd Wilkie (1805-41),
Five Landscapes; 25. Gilbert Stuart (1756-1828), Portrait of John
Campbell, of Jamaica, R. I.; 26. George Morland, Pigs in a, Fodder
Yard; 27. Stuart, "Washington; 28. John Constable (1776-1837), Cot-
tage on the River, "The Valley Farm"; 29. S. F. B. Morse (1791-
1872), Portrait of Lafayette; 30. F. R. Lee (1798-1879), Mill on the
River Teign, Devonshire.
South Wall: 31. Reynolds, A Boy in a Red Velvet Dress; An-
drea del Sarto (1488-1530), Tobit and the Angels; ^3. John Trumbull
(1756-1843), Portrait 01 a Lady; Unnumbered painting. Artist Un-
known, Lady with Roses; 35- Trumbull, Portrait of Robert Lenox, Esq.;
36. Horace Vernet (1789-1863), Siege of Saragossa, 1808; 37. R, E.
Pine (1730-88), Portrait of David Garrick.
West Wall: 38. /. B. Robie (h. 1821), Flowers and Objects of
Art; 39. Raimondo de Madrazo (1841-98), Woman Reading; 40. Simon
Saint-Jean (1808-60), Fruit and Flowers; 41. /. IV. Jarvis (1780-
1840), Portrait of a Lady; 42. Morse, Portrait of Fitz-Greene Halleck;
43« John Jackson (probably copied from Reynolds) ^ Portrait of Edmund
Burke; 44. Stuart, Portrait of a Lady; 45. Thomas Gainsborough
(1727-88), Landscape; 46. Stuart, "Portrait of George Washington;
47. Paul Delaroche (1797-1856), The Field of Battle; 48. Stuart, Por-
trait of a Lady; 49. Artist Unknown, Portrait of a Gentleman; 50.
Raebum, "Portrait of Van Brugh Livingston; 51. Solomon Ruysdael
(1616-70), Landscape; 52. William Collins, 1787-1847), View in Devon-
shire; S3. Stuart, Head of Mrs. Robert Morris.
STUART ROOM.
(In the following list many of the less important paintings are
omitted.)
West Wall (from middle door north) : 2. Leon y Escosura (b.
1834), Soldiers Resting; 6. Luis JimeneM (b. 1845), The Poet; 7.
194 RIDER'S NEW YORK CITY
Corot ( 1 796-1 875), Landscape and Figures; 8. Daniel Huntington (1816-
1906), Chocorua Peak, New Hampshire; 12. Jervis McEntee (1828-91),
Autumn, Mill-stream; 13. B. A. Desgoffe (1830-87), Objects of Art
used by Marie Antoniette; 15. 5. F. van Meier (about i85o)» Market,
Night Scene; 21. M. Munkacsy, Study of Flowers; 22. George Inness
(1825-94), Hackensack Meadows, Sunset; 23. G. H. Kotschenreiter (b.
1854), Puzzled; 26. Eastman Johnson (1824- 1906), Knitting for the
Soldiers; 27. G. H. Boughton (1834-1905), 'Pilgrims going to Church;
28. Adolph Schreyer, 'The Attack; 36. Luis Alvares (.1836-1901), May
Festival in Spain; 37. IV. Verschuur (1812-74), Belgian Horses; 40.
A. Siegert (1820-88), Saying Grace; 43. Hugues Merle (1823-81,
•Grandmother's Story; 46. William Hart (1823-94), Stirling Castle;
48. Carl Httbner (1814-79), The Jealous Lover; 49. Jos4 Jtmenes y
Aranda (1837-1903), The Presentation ; 52. A. Bierstadt (183JO-1902),
Indian Encampment, Shoshone Village.
North Wall: 57. E. Detaille (b. 1848), Napoleon I. and his Gen-
erals at the Battle of Austerlitz; 58. G. H. Durrie, Returning to the
Farm; 59. 7*. S. Cooper (i 803-1 902), Morning on tike Cumberland
Mountains; 60. D. Huntington, Portrait of Mrs. Robert L. Stuart;
62. /. G. Meyer von Bremen (1813-86), A Listener; 64. V. Brosik
(185 1 -1901), *Rudolph II., Emperor of Germany, in the Laboratory of
his Alchymist, A. D. 1576; 68. P. van Schendel (1806-70), Fruit Mar-
ket at Night, Rotterdam; 69. E. J. Verboeckhoven (i 799-1 881), Scoteh
Sheep; 70. S. J. Guy (b. 1824), Copy of Mandraso's Portrait of
Robert L. Stuart; 71. fV. Whittredge (1820-1910), A Window, House
on Hudson River; 74. /. G. Vibert (1840- 1902), A Theological Dispute;
75. /. P. Herring (1795-1865), The Stirrup-cup; 78. Cj froyon <i8io-
65), *Cow and Sheep.
East Wall: 79. /. P- Hasenclever (1810-53), Introducing the New
Scholar; 80. C. Baugniet (1814-86), Lost Illusions; 81. William Hart,
On the Esopus, Meadow Groves; 82. Louis Lang (1814-93 "J, Mary,
Queen of Scots, dividing her jewels; 83. H. Biirkel, Winter in the
Tyrol; 84. /. F. Kensett (1816-72), Nahant Rock and Seashore; 85.
H, J. Boddington (18x1-65), The River Crossing, Ledder Valley, North
Wales; 86. C. Baugniet, Letter of Recommendation; 87. W. A. Sou-
guereau (1825-1905), The Young Mother; 88. /. Akkersdyk (about
i860), Dutch Fish Market, Rotterdam; 89. M. F. H. De Haas (1832-
95). Wreck on the Isle of Jersey; 90. B. C. Koek-Koek (1803-62), The
Wayside Shrine; 91. F. E. Church, Cayambe (a mountain in Ecuador);
9J. C. F. Lessing (1808-80), Group of Diisseldorf Artists; 93. 7.
Dobbin (about 1850), Religious Procession, Westminster Abbey; 94.
Hugues Merle, Hope and Faith; 99. A. A. Lesrel (b. 1830),, The
Chess Players, Time of Louis XIII.; 100. R. Gignoux (1816-82),
Springtime; loi. E, H. May (1824-87), Moliere in the Greenroom,
the Quarrel; 102. /. F. Cropsey (1825-1900), View near Rome; 103.
G. M. Durrie, Wood for Winter; 105. A, V. Durand, White Mountain
Scenery, Franconia Notch; 107. W. L. Sonntag (1822- 1900), Moun-
tains in Virginia; 110. Louis Verwee (1807-77), Winter in Holland;
1x2. M. J. Heade, Study of an Orchid; 116. M. Munkacsy, Luncheon
in Garden; X17. E. Leutse (1816-68), Game; 119. Henry Inman (x8oi-
46), ' Portrait of a Young Man; 126. /. F. Cropsey, Sunset, Lake
George; 127. W. T. Richards (1833-1905), Germantown Woods; X30.
Henry Jaeckel (about 1850), Swiss Lake; 133. E. Boutibonne (about
1874), Traveling in Switzerland; 136. Henry Jaeckel, Swiss Village;
X39. Aaron Penley (106-70), Derwent Water; 140. E. Richardt (1819-
95), Frederikpborg Palace, Copenhagen; 141. W. S. Mount (1807-86),
Coming to the Point; 142. Edwin White (18x7-77), Spinning Flax in
Olden Times; X44. Th. Fr^re (1815-88), Market in Cairo; 146. /. L.
Girome (1824-1904), Runners of the Pasha; 148. N. Diaa (1808-76),
Hawking Party; 149. E. Dupri (about 1850), Girl at Toilet; isx. E.
THE NEW YORK PUBLIC LIBRARY 195
Detaille, Chasseur of the French Imperial Guard; 153. /. Coomans
(1816-91), Music, the Nine Muses; i54- V- Brdgik, The Rejected
Suitor; 156. /. F. Cropsey, Lake George; 157. Thomas Cote (1801-48),
Catskill Creek; 158. F. Richardt, The Fortress of Kronborg, at Elsi-
nore (scene of the play of "Hamlet"); 162. Ernest Korner (b. 1846),
Inundation in Egypt; 168. H. Rhomberg (1819-69), Children and Pup-
pies; 169. P. J. Clays, Dutch Shipping; 170. L. Bruck-Laojs (b. 1846),
Home Lessons; 171. Albert Zimmermann (1809-88), Lake Como; 172.
Isse Talbot (1807-79), Indian on a ClifiF; 173. Dedaests (about 1850),
Studio of Rembrandt; 176. W. A. Bouguereau, 'The Secret; 180.
Giuseppe Ferrari (about 1880), Selecting the Jewels; 181. Ludwig
Knaus (1829-1910), The Quarrel; 183. Gustave Brion (1824-77"^, The
Charcoal Furnace. ^
South Wall: 185. Louis Alvarez, The Obliging Suitor; 186. R.
Madraso (about 1848), Moorish Interior; 187. E. Leutze, Princess
Elizabeth in the Tower, 1554; ^89. /. F. Kensett, View from West
Point; 190. A. B. Durand, Woodland Brook.
No. 191. ♦Tapestry. Catalogued erroneously in the
Library's official guide book as follows: "Apollo and the
Muses in the Elysian Fields, with Helios, the Sun-god,
descending from the Clouds. Date, about 1750-70. Measure-
ments, 13^x215^. Made at the Gob£lin Tapestry Works/*
This really beautiful tapestry now known as the "Parnassus
Tapestry," was recently examined by the recognized expert,
George Leland Hunter, who identified it as coming from the
looms of Josse de Vos, who flourished in Brussels at the
beginning of the eighteenth century. The lower margin of
the tapestry has been repaired and turned down, so that now.
any visitor can see for himself the signature of the maker,
"I. DEVOS/* and also the Brussels mark, a shield between
two B|s, the first B standing for Brussels, the second for
Brabant, the province of which Brussels was then the capital.
South Wall (continued): 193. S. R. Gifford (1823-80), Lake
Maggiore; 194. /. F. Kensett, White Mountain Scenery.
West Wall (concluded): 196. G. H. Durrie, Farmyard, Winter;
199- /. A. Walker (d. 1898), Siege of Paris, Battery in Action; 300.
Edwin White, Thoughts of Liberia, Emancipation; 203. A. Schenck,
Sheep in Snow-storm; 204. E. Hamman (1819-88) Venetian Balcony;
ao6. A. F. Bellows (1829-83), Forest Life, Encampment on the Penob-
scot; 209. /. W. Glass (1825-57), English Horse (iuard. Sentinel; 211.
A. B. Durand, Franconia, White Mountains; 212. H. Herzog (b.
1832), Fiord in Norway; 214. /. Vollmering (1810-87), Landscape and
Windmills, Belgium; 217. F. W. Edmunds (1806-63), The Windmill;
219. Eastman Johnson, Sunday Mornino;; 220. Carl Becker (1820-
1900), The Petition to the Doge; 223. Meissonier (1815-92), Cavalier,
Portrait of the Artist; 224. /. F. Weir (b. 1841), View of the High-
lands from West Point; 225. Eastman Johnson, Old Kentucky Home,
Life in the South; 226. B. Sana (about i860), Seacoast, Holland; 2^9.
/. F. Kensett, Shrewsbury River; 230. Thomas Cole, Mountain Scen-
ery; 232. H. de Braekeleer (1830-88), Flemish Lace Makers; 233. V.
Bfcztk, Graiidmother's Birthday; 234. G. H. Boughton, Winter Twi-
light near Albany; 337. Rosa Bonheur (1822-99), Deer Drinking; 239.
Fwmm Ovratrd (b. 1838), Market Day in Brittany; 240. /. van Ruys-
dael. Landscape Mountain Stream; 243. W. KoekKoek (b. 1839),
Street IB Holmnd.
196 RIDER'S NEW YORK CITY
Sculptures: i. (at N. end) Isaac, by Randolph Rogers; 2. (at S.
end) Rebecca, by /. M osier; 3. (E. side middle alcove). Bust of John
Jacob Astor (all three in marble) ; 4. Bronze by Barye (beneath tap-
estry), Puma dragging down a Stag.
Visitors to the Library should also inspect certain rooms
in the basement (conveniently reached by the elevators, or
from the 42d St. entrance to the building). Here are the
Newspaper Room, the Central Circulation Room, and the
Central Children's Room. The rest of the basement floor is
not open to the public. It is occupied by the Library School,
the Printing Office and Bindery, and the ofive of the Trav-
elling Libraries. The Central Circulation Room is interesting
because of its activity. From this room in 1915 were borrowed
532,482 books. The Children's Room, with its collection of
brightly colored picture-books, its pictures, and floral deco-
rations, is both interesting and attractive, and has furnished
suggestions for similar rooms in different parts of the world.
It is visited by adults as well as by children, the former
seeking information about children's books. There are fre-
quent exhibitions on various subjects, and a quaint collection
of old-fashioned children's books.
For further information about the Library, see three of the Library's
publications: "Handbook of The New York Public Library," "Central
Building Guide," and "Facts for the Public." These give information
about hours of opening and other details, both for the Central Building
and for the 44 branch libraries which are located in different parts of
Manhattan, Staten Island and The Bronx.
IV. Fifth Avenue from the Public Library (42d
St.) to the Plaza (59th St.)
The avenue now crosses 42d St., the busiest of the cross-
town thoroughfares, with cars running to the East River
and the Hudson. To the E. are Grand Central Terminal
Railroad Station (p. 114), Manhattan Hotel (p. 10), Belmont
Hotel (p. 10). To the W., between 5th and 6th aves., the
Public Library and Bryant Park (p. 229) ; on the S. and on
the N., retail shops, of which Stern's (p. 76) is the largest.
At the N. E. corner of 43d St. is the Temple Emanu-El,
a highly ornate Jewish synagogue, a fine specimen of Sara-
cenic architecture. Note the two minarets on the Fifth Ave.
front, with artistic open-work (L. Eidlits, architect). The
materials are brown and yellow sandstone, with black and red
tiles alternating on the roof.
History. It was organized in 1845, the services being first held
in) the Grand St. Court Room; in 1850 it took over and remodeled a
small Unitarian Church on Chrystie St.; in 1856 it moved to a Baptist
Church in 12th St.; and in 1868 the present structure was erected at
a cost of $600,000. Seating capacity 2000. It is usually open week
FIFTH AVENUE TO THE PLAZA 197
days, and is worth a visit; massive columns, spanned by Saracenic
arches, support the lofty clerestory, the whole being elaborately deco-
rated with Moorish Traceries. Near the entrance are memorial tablets
to Dr. Leo Metzhacher, first Rabbi, 1845-56; and to his successors, Dr,
Samuel Adler (father of Felix Adler), 1857-74. and Dr. Gustav GottheU,
1873-1903.
West on 43d St., No. 7, is the Century Club, an Italian
renaissance structure, with basement of light stone and
superstructure of cream-colored brick. Note the graceful
loggia on second story. (Architects, McKim, Mead and
White.)
The club was organized in 1847 "to promote the advancement of
art and literature." It owes its name to the fact that the membership
was originally limited to one hundred. Among its incorporators were
William Cullen Bryant and William H. Appleton,
At No. 17 is the Academy of Medicine, a massive Roman-
esque structure of brownish red Kibbe stone, designed by
R. H. Robertson. It is not a club, but a building devoted
entirely to scientific purposes (founded 1847).
It contains a Medical Library of 10,000 volumes, which is open to
the public until 2 p. m. Open daily f Sundays and holidays excepted),
from 9 a. m. to 6 p. ro. and from 7 to 9 p. m. (After 2 p^ m. to
members only.)
At No. 27 is the Racquet and Tennis Club, an organization
devoted to "the encouragement of all manly sports among
its members."
At 44th St., at the N. E. corner is Delmonico's famous
restaurant, and diagonally across on the S. W., Sherry's, con-
taining a fine ballroom. On the S. E. is the Harriman
National Bank, and diagonally across, on the N. W., is
the Fifth Avenue Bank. In 44th St., between 5th and 6th
Avenues, is No. 7, the St. Nicholas Club, formed of descend-
ants of residents, prior to 1785, of either the City or State of
New York.
Its purposes are social, and also "to collect and preserve informa
tion regarding the early history of New York."
No. IQ is the old Berkeley Lyceum, formerly the property
of the Berkeley Military School for Boys. It is now the
Theatre FrenQais, with a French stock company. At No. 21
was the City History Club (now 105 W. 40th st), established
in 1896 to promote good citienzship through the study of his-
tory. The Mechanics Institute (GencrsA Society of Mechanics
and Tradesmen of the City of New York, instituted 1785) at
No. 16-24 maintains free evening classes for young men in
drawing, mathematics, modelling, physics, and electricity.
The Mossman Collection of Locks and Keys is displayed in the
gallery of tht first floor. (Open week days, 9 a. m. to 8 p. m.; free.)
The collection contains every variety of locks from the huge
mediaeval type to intricate modern time locks.
198 RIDER'S NEW YORK CITY
No. 23 is the Twelfth Night Club; a woman's club, the
membership of which is limited to ladies of the theatrical
profession. No. 27, the Harvard Club, designed by McKim,
Mead and White. The eighth story addition on the west was
built in 1915.
This club is noted for its spacious Lounge, extending the entire
width of the building and rising through a space of three stories; it
was formerly the dining-room, which has now been transferred to
the new part.
No. 30, diagonally opposite, was until 191 5 the Yale Club,
now in its new home at 44th St. and Vanderbilt Ave. No. 32
is the Phi Gamma Delta Fraternity House; No. 37-41 is the
New York Yacht Club, designed by Warren & Wetmore. This
club is the custodian of the famous America Cup. No. 42 is
the Bar Association (Cyrus L. W. Eidlits, architect).
History. The New York Association of the Bar (formerly at
No. 7 W. 29th St.), was founded in 1870, "for the purpose of main-
taining the honor and dignity of the profession of the law, of
cultivating social relations among its mem'bers and increasing its use-
fulness in promoting the due administraton of justice." It baa num-
bered among its presiHents surh famous lawyers and iun'sts as William
M. Evarts (1870-79), Stephen P.*Nash (t88i), James C. Carter ( 1884-5) t
William Allen Butler (1886-7), Joseph H. Choate (1888-9), Frederic
R. Coudert (1890-91), and Wheeler H. Peckham (1892-93). The Bar
Association Law Library contains over 60,000 volumes.
No. 49 is the Iroquois Hotel (see p. 11) ; No. 53 is the
City Club, the purpose of which is the improvement of mu-
nicipal government. No. 59 is the Hotel Algonquin; it con-
tains, on the east wall of the caf^ a mural painting by
William De L. Dodge. At 45th St., E. side of 5th Ave., is
the Church of the Heavenly Rest (P. E.), containing some
fine wood carving and stained glass windows. The walls are
richly frescoed by Johannes A. Oertel and others. The altar
piece is "Christus Consolator," by Ary Scheffer. West on 4Sth
St. are: No. 40, the Webster Hotel, No. 44. the Seymour
Hotel, and No. 59, the Schuyler Hotel.
Between 46th and 47th St. E. side was the site of the
Windsor Hotel, destroyed bv fire with a loss of 50 lives, in
1899, now occupied by the Windsor Arcade and the firm of
W. and J. Shane, the well known rug house. No. 4 W. 46th
St. is the Fifth Avenue Baptist Church.
At 47th St., E. side. No. 579, is the residence of Mrs, F. J,
Shepard (Helen Gould).
At 48th St., S. E. corner, No. 591, is the residence of
Mrs. Robert Goelet (Edward Hale Kendall, architect). On
the N. corner is the ^Collegiate Church of St. Nicholas, one
of the most elaborate churches in the city, in 14th century or
Decorated Gothic style.
FIFTH AVENUE TO THE PLAZA 199
The spire is crocketed and is 270 ft. high. Within is a tablet to
soldiers and sailors of the Revolution, placed by the Daughters of the
Revolution, collections of historical pictures and books. The b«ll
which hangs in the steeple was cast in Amsterdam in 1728. It 1M»
bequeathed by Abraham de Pcyster to the Middlfe Dutch Church on
Nassau Street. When that edihce became the Post Office in i845f the
bell was removed, successively to the 9th St. Church, the Lafayette
Place Church and later to its present location.
No. 604 is the residence of Mrs. Russell Sage.
Between 49th and 50th St., on the E. side., are Belgravh
Apartment House and the Democratic Club, and Buckingham
Hotel. On the W. side, No. 608 is the residence of Mrs.
Ogden Goelet (Edward Hale Kendall^ architect) ; John Innes
Kane; No. 612, Frederick S. Flower; No. 620, Chas. F. Hoff-
man; No. 622, August Hecksher.
♦*St. Patrick's Cathedral, occupying the block bounded
by Fifth and Madison avenues, 50th and Sist streets, is, with
the exception of the unfinished St. John the Divine, the most
important ecclesiastic structure in the city. It was designed
by James Renzvick, in the decorative and geometric order of
Gothic architecture; the corner stone was laid in 1858, and
the cathedral dedicated in 1879 hy Cardinal McClosky. The
Lady Chapel, with its two semi-octagonal side chapels, was
added in 1901-6 (Charles T. Matthews^ architect), and is
of white Vermont marble, the quarries which furnished the
dolomite for the Cathedral having in the interval become ex-
hausted. The residences of *he archbishops and canons, on
the Madison avenue side, harmonize with the design of th'»
main structure.
Dimensions: length, 33s ft.; breadth, 174 ft.; breadth of nave
and choir with chapels, 120 ft.; height of central gable, 156 ft.;
height of spires, 330 ft. The seating capacity is 2500.
Interior. The interior is cruciform, and is divided into a nave,
two transepts and a choir or sanctuary. The columns which divide
the central aisle from the side aisles are of white marble, 35 ft. high,
the arches between the columns rising to 54 ft. The sanctuary floor
is raised six steps above the main floor, and the high altar three steps
higher. The woodwork is of white ash.
The Windows. The visitor will find it convenient to
begin with an inspection of the windows, which may best '
be seen from the central aisle, before proceeding to make
the rounds of the chapels, paintings, and wall sculptures.
The cathedral contains seventy windows, of which 45 are
figured, and 14 of cathedral glass, in geometric patterns.
They were all made in France, some of them by Henry Ely,
of Nantes ; the others by Nicholas Lorin, of Chartres.
Beginning at the northwest corner of the nave: i. The window
of the Three Baptisms; in the centre the Baptism of Water (Our
Lord baptized by St. John), to the right the Baptism of Blood (a
200 RIDER'S NEW YORK CITY
martyrdom), to the left the Baptism of Desire (reclining figure con-
sumed with the desire for baptism; 2. St. Columbanus administering
^0 Thierry IL King of Burgundy, the rebuke which led to his con-
version; 3. Fapal approbation of the Constitution of the Brothers
of the Christian Schools by Benedict XIII, January 26, 1725 (gift
of the Christian Brothers); 4. The Martyrdom of St. Lawrence;
5. St. Bernard preaching the Second Crusade; north transept, west
wall: 6. St. Charles Borromeo (showing the Cardinal during the
plague at Milan); north wall of transept, to left and right of entrance
door: 7. St. Luke's window; 8. St. Matthew's window (four episodes
in the life of each saint); in the centre, above the entrance door:
9. The Window of the Blessed Virgin (one of the cathedral's
two Great Storied Windows), narrating her life in eighteen episodes.
There are threQ episodes in each of the six bays, and the series is
to be read upwards, beginning at the lower left-hand corner: i. Her
Nativity; a. Her Presentation in the Temple; 3. She is taught by
St. Anne; 4. She is espoused to St. Joseph; 5. The Annunciation;
6. An angel appears to St. Joseph; 7. She visits St. Elizabeth;
8. The Nativity of Our Lord; 9. The Adoration of the Shepherds;
10. The Adoration of the Magi; 11. Christ's Presentation in the
Temple; 12. The Flight into Egypt; 13. Joseph carrying Jesus on
the journey; 14. The Holy Family at Nazareth; 15. The Moth-r of
Sorrows; 16. The Descent of the Holy Ghost upon Mary and the
Apostles; 17. The Blessed Virgin's Death; 18. The Assumption.
Continuing /along east wall of transept: Window No. 10. St.
Augustine at the death-bed of his mother, St. Monica; 11. St. Paul's
window; 12-22, the eleven windows in the sanctuary, six lateral and
five in the apse: the lateral windows relate to sacrifices and are as
follows, beginning on the -north wall: 12. The Sacrifice of Abel;
13. The Sacrifice of Noah; 14. The Sacrifice of Melchisadek;
15. (opposite^ on south wall, left to right) The Sacrifice of Abraham;
16. The Eating of the Paschal Lamb; 17. The Sacrifice of Calvary;
in the Apse: 18. The Resurrection of Lazarus; 19. The Communion
of St. John; 20. The Resurrection of Our Lord; 21. The Giving of
the Keys to St. Peter; 22. Jesus meeting the Disciples going to
Emmaus.
We now make a detour behind the sanctuary, along the north
chancel wall, passing: 23. The Presentation of the Blessed Virgin
in the Temple; 24. The Adoration of the Child Jesus; 25. The Virgin
exposing the Infant to Veneration after his Birth; 26-28. Three
highly decorative windows containing a multitude of small medallion
fijg:ures, in the Chapel of St. Michael and St. Louis; 29-31. Three
similar windows in the Chapel of St. Elizabeth; 32. (in south chancel
aisle) The Death of St. Joseph; 33. St. Alphonsus Ligouri mirac-
ulously giving speech to a dumb youth; on right, St. Susanna; on
left, St. Teresa; 34. St. Agnes; on right, St. James the Greater;
on left, St. Thomas.
In south transept, north wall: 35. Window of St. Louis of
France (showing Saint placing holy relics in St. Chapelle) ; 36. Window,
of the Sacred Heart; on south wall of transept is the second Great
Storied Window:
37. St. Patrick's Window, the titular window of the cathedral,
containing^ eighteen episodes from the saint's life. As in the case
of the Window of the Blessed Virgin, the series is to be read upward
beginning at the lower left-hand comer: i. The Baptism of St.
Patrick; 2. He is taken prisoner at the age of thirteen; 3. An angel
reveals to him his vocation; 4. He preaches the Gospel on board
ship; 5. He is sold to King Milcho; 6. He is set at liberty at
Maestric; •7. He is made a cleric by his uncle, St. Martin, Bishop
of Tours; 8. He pursues his studies in the Island of Lerins; 9. He
• Wm-Hm^
4
I
FIFTH AVENUE TO THE PLAZA 201
•
is ordained a priest by Bishop Sancaut; 10. He sets out for Rome;'
t II. He receives the blessing of Pope Celestine; 12. He is conse-
I crated Bishop by St. Amateur; 13. He visits St. Germain d'Auxerpcs;
14. He converts Dichu and his family on his arrival in Ireland;
>^ 15. He gives Holy Communion to Princesses Ethna and Fathlena;
16. He raises Malfric from the dead; 17. The death of St. Patrick;
18. Angels singing his funeral dirge.
To left and right of St. Patrick's Window are, 38. St. John's
Window, and 39. St. Luke's Window (four episodes each); west
wall of transept: 40. St. Patrick preaching to an assembly of Irish
peasaiits. This window was the gift of James Renwick, the architect
I of the cathedral; and the scene below shows him submitting his
I plans to Archbishop Hughes; Cardinal McClosky stands in the fore-
I ground.
Continuing west along south wall of nave: 41. Window of the
Immaculate Conception, commemorating the proclamation of this
doctrine by Pius IX; 42. St. Henry in th« battle against the
Slavonians; 43. The Annunciation; 44. Window of St. Elizabeth, St.
Andrew and St. Catherine; 45. Window of St. Vincent de Paul.
The Chapels and Altars. There are nearly a score of
these, beginning of course with the High Altar. The reredos,
33 ft. wide by 50 ft. high, was carved and finished in Poitiers
stone at St. Brieuc, France. In the centre tower, in a niche,
is a statue of St. Patrick, by /. Sibbel. The altar proper
is by Sig. Carimini, and was made in Rome, Italy. Niches
and panels in front of the bottom part of the altar contain
statues of the evangelists and bas-reliefs of the Last Supper,
the Carrying of the Cross, and the Agony in the Garden,
all of the purest Carrara marble. The tabernacle is decorated
with Roman . mosaics ; its door of gilt bronze is set with
garnets and emeralds. The entire cost was $35,000, the gift
of His Eminence, Cardinal McClosky.
Other Chapels. The first chapel, beginning at the northwest
corner of the nave, is at present used tor baptisms. Behind the
font is a painting ef The ISaptism of Our Lord. Adjoining is the
Coleman Chapel, a memorial to the Coleman family. The altar, dedi-
cated to St. Bernard and St. Bridget, has for background a perfect
reproduction of the doorway of St. Bernard's Chapel, Mellifont,
County Louth, Ireland, built A. D., z 142. The marbles used are
Eschallion, Verde Calabrese and Sienna. (Architect, Henry Glent-
worth). 3. St. John de la Salle Chapel: the altar is Gothic, the
reredos of Eschallion, with columns of Mexican onyx. The statue
of the saint is of Carrara marble. 4. Chapel of St. Augustine: the
altar is of Carrara marble with decorations of Mexican onyx and
Sienna marble. 5. Chapel of St. Veronica: the altar is of Carrara,
trimmed with Pratrana onyx, from Mexico. ^ We have now reached
the north transept, on the north wall of which are niches for ei^ht
statues of saints, six of wihch are alreadv in place: in the upper tier,
west of portal, St. Dominic, founder of the Dominican Order; east
of portal, St. Thomas Aquinas, the greatest Doctor of the Church;
in the lower tier arc the tour greatest Fathers of the Eastern Church:
St. Athanaslus, St. Gregory Nazianzen, St. Basil the Great and St.
John Chrysostom, the four last named statues being 'by /. Massey
Rhind. In the northeast comer of this transept begin the fourteen
Stations of the Cross, three on each side of the portal, the seventh
on west wall of transept, and the rest of the series contiuing in cor-
I
202 RIDER'S NEW YQRK CITY
responding positions in the south transept. They are of the finest
flrrade of Caen stone, and were executed in Holland bv the Stolzen-
berg Company, from designs by Dr. Cuypers, at a cost of $10,000. :^
On the east side of the north transept is the Holy Family Altar,
designed by James Renwick. Containuing down the north chancel
aisle, we reach, at the extreme eastern end of the cathedral, the Lady
Chapel, flanked on north and south by the two semi-octagonal chapels
of (i) St. Michael and St. Louis, and (2) St. Elizabeth. The Lady
Chapel is at present lighted by plain glass windows; but a series
of figured windows have been planned, designed to set forth the
fifteen Mysteries of the Rosary. The altar in the St. Michael and
St. Louis Chapel is in the French Gothic style of the 13th century,
and contains statues of the two saints. It was designed by, Charles
T. Matthews. The altar of St. Elizabeth Chapel, also hv Matthews, is
in TSth century French Gothic and was executed by Paolo Medici of
Rome, Italy.
Return'ng west/ along the south chancel transept, we reach,
beneath the St. Agnes window, St. Joseph's Altar, the window and
altar both being the gifts of Mrs. Agnes Maitland. On the east
wall of the south transept is the bronze Altar of the Sacred Heart.
To n'eht and left are bronze statues of St. Peter and St. Pari, given
bv His Holiness, Pius IX. The altar" itself was the gift of Cardinal
McClosky.
On the south wall of the transept are eight statues. In the
upper tier arc, from left to right. St. Gregory the Great, St.
Francis de Sales, St. Ambrose, St. Jerome; in the lower tier: St.
Anselmus, St. Bernard, St. Bonaventure (the great Doctor of the
Franciscan Order>. St. Alphonsus Liguori ^founder of the Congre-
gation of the Most Holv Redeemer). These last four are by
Mr. Sibbel.
Continuing along the south aisle of the nave, we pass: the Chapel ^
of St. Stanislaus, designed by Peter Thin: the Chapel of St. John
the Evangelist, containing an altar of dark Sienna marble, designed
by Renwick: the Chapel of St. Anthony of Padua, also by Renvnck.
with an altar of Sienna and Carrara marble; and lastly a chapel
at present devoted to the Holy Water Well. Above the well is a
painting of the Marriage Feast of Cana.
On the south wall of the nave, near the main entrance hangs
The Flight into Egypt, by Pedro de Moya; on west wall (on each
side of central portal) good copies of the Sistine Madonna and the
Transfiguration, by Raphael; north wall. Doubting Thomas.
Opposite the Cathedral, on the W. side, No. 626, was
until recently the site of the residence of the late Benjamin
Altman. It is now occupied by the new De Pinna Building.
On 51st St.. N. E. corner, is the Union Club, the oldest
of the fashionable clubs, and the first in the city modeled
after the London clubs.
It was organized in 1826, and was first housed at 343 Broadway.
From here it moved successively to 376 Broadway, 691 Broadway aiid
to the N. W. corner of sth Ave. and 21st St., from which it removed
to its present abode. Its founders include many of the most
distinguished families in the early annals of the city, including the
Beekmans, Kings, Schuylers, Livingstons, Stuyvesants, Griswoldf, and
Astors.
No. 645 is the residence of Wm. B. Osgood Field; No.
647, Robert Goelet.
FIFTH AVENUE TO THE PLAZA 203
Between 51st and 53rd Sts., on the W. side are the
Vanderbilt twin residences, built by the late W. H. Vander*
bilt, brownstone buildings connected by s^n entrance struc-
ture, which were for years the largest and most costly
dwelling-houses in New York.
The northerly house was built for Mr. Vanderbilt's daughter,
Mrs. William D. Sloane; the southerly one was occupied by Mr. Van-
derbilt himself, and later by his widow. Mr. Henry C. Frick lived
in it for a time, while his own costly residence at 71st st. was being
completed. It is now undergoing extensive Alterations, and will be
occupied by Frederick W. Vanderbilt.
At .s;2nd St., N. W. corner, is the Indiana-stone house
of W, K. Vanderbilt, designed by R. M. Hunt, in the style of
a French ch&teau of the isth-i6th century design. The carv-
ings on the doorway and window above it are especially fine.
Mr. W. K. Vanderbilt, Jr., lives in the adjoining house.
On the W. side of 5th Ave. at 53d St. is the new *St
Thomas's Church (P. E.). built in 191 1, f rom olans by Cram,
Goodhue and Ferguson. The style is adapted French Gothic;
and carried out with a spirit and originality that make it
one of the few notable modern examples of this style in
the city.
The exterior is of white lime stone from Bowling Green, Kentucky:
the inteVtor is of Kentucky yellow limestone. The vaulting is ot
Guastavino tile. The lofty nave, with its heavy columns, is very
impressive.
H18TOSY. St. Thomas's Church was founded in i8a.^. In 1867
the present site was secured, and a new edifice erected, from" desisms
by Richard Upjohn. For nearly two generations this was the leading
fashionable Episcopal church of New York, and • especially notable
for its many aristocratic weddings. It was destroyed by fire in the
summer of 1905* the loss involving the beautiful art .works by La
Farge: in the chancel a representation in bronze of the Adoration
of the Cross; to right and left two paintings: i. Mary meeting the
Shining Angels in the Garden; 2. The Resurrection. In the autumn, six
wedcs after the building was destroyed, when the congrejg^tion re-
turned to the city, a wooden structure was ready to receive them. The
new church was built without interfering with the services during the
following years. One summer the wooden structure was removed and
again replaced in the fall when the church was again open.
The scheme of decoration is quite elaborate and when completed
will be of much interest. The left entrance is the Bride's Door, and
is surmounted with a garland of Gothic foliage composed of convention-
alized orange blossoms. Carved on each side of the niche above the
keystone is a "true-loverVknot." Few visitors note the sly touch of
irony which, by a few strokes- of the chisel has converted the lover's
knot on the northerly side into an unmistakable dollar sign. Eventually,
the doorway will be further decorated with a statue of St. Joseph,
patron saint of brides, and with two bas-reliefs, The Marriage of
Isaac and Rebecca, and the Marriage at Cana.
The great central door, undecorated as yet, is destined, according
to plans already announced, to be the most richly adorned church-
doorway in New York. It is to symbolize 'The Way"; and the
204 RIDER'S NEW YORK CITY
dividing pier will support a statue of < the Lord, and, together with
the tympanum, will symbolize the two natures (human and divine) in
the person of Christ. The thirty-three bosses in the molding of the
arch will contain scenes covering the entire history of the church.
On the E. side between 53rd and 54th Sts. live: 675,
Samuel Untermyer; 677^ Cornelius Vanderbilt; 681, former
home of the late Levi P. Morton; 683, the Criterion Club.
Between 54th and 55th Sts., W. side, live M. McK.
Twomhly at No. 684. Just off the Avenue, at 4 W. 54th St.,
is the home of John D. Rockefeller. His brother, William,
lives on the N. E. corner of 54th St., and John Rockefeller,
Jr., lives at 13 W. 54th St.
On the N. W. corner S4th St. is the University Club, a
granite building, decorated with 18 college shields, designed
by McKim, Mead, and White.
It was incorporated in 1865, "for the promotion of literature and
art, by establishing and maintaining a library, reading room and
gallery of art, and by such other means as shall be expedient for such
purposes." The membership is limited to graduates of colleges or
universities where a course of three years is required; to distinguished
men who have received honorary degrees: and to graduates of West
Point and Annapolis.
The S. W. corner 55th St. is occupied by the Gotham
Hotel (p. 11), a house especially admirable for guest«; re-
maining an extended period, and the S. E. by the 5*/. Regis
Hotel (p. 7), a superlatively luxurious house, planned and
run for the comfort of multi-millionaires. {Trowbridge &
Living ton, architects). In the Palm Room is a fine mural,
The Story of Psyche, by Robert V. V, Sewell. Among its*
other decorations the hotel possesses several 17th Centurv
Brussels tapestries, woven by /. Van Zeunen.
On the N. W. corner of 55th St. is the Fifth Avenue
Presbyterian Church, long known familiarly as "Dr. Hall's
Church," Dr. John Hall having been in his time one of New
York's most distinguished preachers. The edifice is of brown
stone, and in style is a simple adaptation of French Gothic
From 57th to 58th Sts., the block on the W. side is occu-
pied by the huge residence of Mrs. Cornelius Vanderbilt,
designed by George E. Post. It is a red brick edifice with
grey facings in the French chateau style of the i6-i7th cen-
turies, and contains a huge ballroom. Diagonally across,
S. E. corner of 57th St., is the new house of Henry E.
Huntington,
At 59th St., on the W. side of 5th ave., Central Park
begins. The large open square facing the main entrance
to the Park, and extending from s8th to 59th st. and westward
MADISON AVE. TO FIFTY-NINTH ST. 205
about 200 ft. is the Plasa. A large oval space in the centre
of the Plaza is occupied by the Pulitzer Memorial Fountain,
erected in 1915 to the memory of the late Joseph Pulitzer,
for many years proprietor of the New York Wold. {^Thomas
Hastings, architect; Karl Bitter, sculptor.)
From the brim of the lofty urn water falls in a fine spray, first
into an upper, and then into a lower octagonal basin, and thence, from
the lips of conventionalized sea-shells nows northward from basin
to basin in a series of cascades. The whole structure is surmounted
by a bronze figure of a nymph, bearing a basket laden with the fruits
of the earth.
Facing the fountain, at the entrance to the Park, is an
♦equestrian statue of William Tecumseh Sherman (1820-
1901), by Augustus St. Gaudens.
This statue is of heroic size, and of gilded bronze. In front
marches a winged figure, holding a palm-branch; her right hand is
uplifted and points forward.
The huge building on the W. is the *Plaza Hotel, perhaps
the highest-priced and most luxurious of all the hotels, erected
to supply to the travelers the same comfort which is enjoyed
by millionaires in their homes. It is patronized by the very
rich, both of America and Europe, and is popular for elabo-
rate social functions. The house contains many apartment
suites for permanent guests. The Tea Room, under a glass
dome, set with palms, is especially attractive (p. 8).
At the west end, on the 59th at. side, is the bar-room. The bar
itself is a monumental affair, finished in deeply carved Flemish oak
and surmounted by three great arches of solid woodwork. On the
wall between these arches are mural paintings representing three
celebrated castles on the Rhine by Charles M. Shean.
Facing the Plaza, on the E. side, S. E. corner of 5th ave.,
is the Hotel Savoy, another first-class hotel, built from
designs by R. S. Townsend (p. 12). Opposite, on the N.,
is the Hotel Netherland (p. 12). It contains two interest-
ing historical paintings: i. The Purchase of Manhattan;
2. Stuyvesant Receiving the English Terms of Surrender.
(For Central Park, see p. 301 : for Upper Fifth avenue,
p. 329).
V. Madison Avenue North to Fifty-Ninth Street
The sts. lying to the E. of 5th ave., and parallel, in the section
betw. 14th St. and Harlem are: Madison ave., 4th ave., becoming Park
ave. at 34th st.; Lexington ave.; 3d ave.; 2d ave.; ist ave.; ave. A;
ave. B (East End ave.). The most important of these, Madison ave.,
runs from E. 23d St. to the Harlem river at E. 138th st.
Madison avenue was formerly one of the finest residen-
tial streets in the city, ranking second only to Sth ave.
Indeed, when William Allen Butler wrote his famous poem,
2o6 RIDER'S NEW YORK CITY
•'Nothing to Wear," half a century ago, satirizing the vanities
of the fashionable set, he was careful to designate his heroine
as "Miss Flora McFlimsey of Madison Square," because
this at once stamped her social position. . In recent years,
however, the avenue has been invaded by retail shops; and
since 4th ave. has been given over to the modern business
loft, Madison ave. has already begun to follow suit.
On the E. side, at No. i Madison ave., rises the ♦Metro-
politan Life Insurance Building, one of the structural
wonders of the world (A/. Le Brun and Son, architects).
The tower was completed in 1908.
The main building, eleven stories high, occupies the entire block
bounded by Madison and 4th Aves., 23d and 24th Sts. The building
it of the early Renaissance style of architecture of blue-white Tuckahoe
marble. The floors are granolithic throughout, and almost no wood is
used in the building. The hallways of the lower stories are finished
with beautiful marble and bronze grillwork. Note especially the spacious
and beautifully carved marble foyer at the .main (Madison Ave.)
entrance, and spacious stairs leading to the Metropolitan Company's
main <>ffice on the second floor. A broad arcade traverses the building
from east to west, lined with attractive shops. More than 2000 per-
sons are ^aid to be employed in the building, two-thirds of whom are
women and girls.
The chief feature of interest, however, is the Tower, at the N. W.
corner of the structure. It is 75 ft. by 85 ft. at the base, and rises
700 ft., comprising (inclusive of the basement) 52 stones. Electric
elevators run to the 44th floor, from which steps lead to the Observa-
tion Gallery at the 45th. The view on a clear day is rivaled only by
that from the Wool worth Building. Admission, 50 c. Tickets may
be had in corridor, opposite the tower elevators. The best time to
choose is when the wind is from the northwest.
A conspicuous feature of the tower is its huge clock with four
immense dials, one on each side. It is driven by electricity, and is
placed 350 ft* above the sidewalk. Its dials, of reinforced concrete,
faced with mosaic tile, are each 26^ ft. in diameter, with figures 4 ft.
high. The minute hand, 17 ft. long, weighs 1000 lbs. and the hour
hand, 13 1-3 ft. lon^;, 750 lbs. A master's clock on the ground
floor controls its entire mechanism, and that of 100 other clocks
throughout the building. In connection with the clock is a chime
of bells: D flat, £ flat. F flat, and G, varying in weight from 7000
to 15,000 lbs. An impact of 200 lbs. on the D flat bell sounds the
hours while the Handel chimes ring out the half and quarter hours. At
night electrical flashes from the summit of the tower announce the
hour and quarter hour in addition to the chimes. The hours are
flashed in white, the quarter hours in i, 2, 3, or 4 red flashes, re-
spectively. These lights may be seen at a distance of 20 miles.
N. of the Metropolitan Building, at 24th st., is the Madi-
son Avenue Presbyterian Church, known as "Dr. Parkhurst's
Church," from its pastor. It was designed by Stanford White
and built in 1906, when the church had to leave the site now
occupied by the Metropolitan Building.
It was the last important buildins designed by the late Stanford
IV kite. Note the pediment in colorea faiance, by A. A. IVeinmonu;
MADISON AVE. TO FIFTY-NINTH ST. 207
also, as a minor detail, the unusual nature of the bricks used in the
outer walls, many of which are marked with the sign of the cross,
and so placed as to form ornamental patterns. The church contains
mural paintings and windows by Louis C. Tiffany.
£. on the N. side of 24th St. is the Metropolitan Life
Annex, containing, among other departments, its printing
offices.
Some idea of the magnitude of the company's operations may be
obtained from a view of its extensive press-rooms, which may be
seen through the windows at the street level.
One block north, at the upper corner of 25th St., wc
reach **The AppellatI: Court House. The edifice, the home
of the Appellate Division of the Supreme Court for the City
and County of New York, designed by James Brown Lord.
and completed in 1900, is architecturally one of the buildings
of which the city is justly proud. Its cost, including furnish-
ings, is estimated at about $750,000. At the main entrance,
on 25th St., are two symbolic statues, by Frederick W. Ruck-
stuhl: I., (west) Wisdom. A marble figure of heroic size,
with long matted beard, and an open tome in his lap:
"Every law not based on wisdom is a menace to the state."
2. (east) Force. A marble figure seated, dressed in armor,
with a sword across his knees: "We must not use force till
just law£ are defied."
The remaining exterior sculptures are as follows: On the asth street
facade: Above the windows within the portico, two groups by Maxi-
milian M. Schwartsott (1855 ): (i) west, Morning and Ni^ht, life-
size, half reclining nude figures of a man and a woman; to right and
left respectively, cartouches of a sun and a crescent moon. (2) Noon
and Evening, nude figures of a youth and a maiden; to right and left,
cartouches of a sun and a bat.
Pediment figures. In the centre of the pediment above the portico
is the figure of a woman enthroned in classic garb, holdine tablets:
In her right hand is "Lex Scripta," in her left^ "Lex Tradita." At
the sides of the throne are kneeling male figures in armor, one bearing
a sword and wreath, the other a sword and shield, symbolizing the
Triumph of the Law. (By Charles Henry Niehaus.)
Figures of roof balustrade, from left to right representing the
great law givers of history: (i) Mohammed, 570-632, founder of
Mohammedanism, by Charles Albert Lopes ( 1869- 1906) { (2) Zoroaster,
660-583 B. C., founder of Perso-Iranian Natural Relinon, by Edward
Clark Potter; (3) Alfred the Great, 849-901, King of West Saxons, by
J/}nathan Scott Hartley, (1845 ); Lycurgus, 9th century B. C,
Spartan Law Giver, by George Edwin Bissell (1839 ); (5) Justice,
heroic size, stands erect, and with outstretched arms holds two torches;
on her right, seated is a nude male figure typifying Power; on her left,
nude to tne waist, a figure typifying Study; (6) Solon, 638-559 B. C,
Athenian Law Giver, by Herbert Adams, 08s8 ); (7) Louis IX,
1215-1270, King of France, by John Donoghti€ (1853 ); (8) Manu,
by Henry Augustus Lukeman (1870 •); (9) Justinian, 483*565»
Byzantine Emperor, by Henry Kirke Bush-Brown (1857 )•
Madison avenue facade: From left to right, (i) Confucius, 550-478,
by Philip Mxtrtiny (1858 ); (a) Peace, by Karl Bitter (1868-1014):
^e holas a dove in ^er right hand; on her right is the nude figure
2o8 RIDER'S NEW YORK CITY
(1853 ); (4) Caryatides, supporting the Ionic capitols upon which
the cornice of the roof rests: from life to right, (1) Winter, (2) Autumn,
(3) Summer, (4) Spring, by Thomas Shields Clarke.
The Court House is open daily, but a visit should be
paid in the morning, since the decorations can be seen to
advantage only when the Court is not in session. The doors
open immediately into the ♦Main Hall, the walls of which
are lined with Siena marble, while the frieze space is filled
on all four sides with allegorical paintings. Facing the
entrance is a marble bust of Charles O'Connor, by James W.
A, Macdonald. ,
Mural Decorations, main hall, north wall: Transmission of the
Law, by Henry Siddons Mowbray. This frieze extends along the
entire north wall, composed of a representation of the Law herself
and of eight historical groups. These are joined by winged allegorical
female figures, each of whom holds a narrow scroll. The background
is of dark blue, decorated with the monogram in large letters of the
word LEX. From left to right the historic groups bear the inscriptions
"Mosaic," "Egyptian," "Greek " "Roman," "Byzantine," "Norman,"
"Common Law," "Modern Law."
Main hall, east wall: Justice, by Robert Reid. She is represented
by a central female figure holding sword and scales; on each side is a
winged female figure, the one suckling an infant, the other holding
cornucopias. Beyond are standing male figures, on left. Peace; on
right. Prosperity. The first ^oup to left of Peace represents Educar
tion; the second group. Religion. To the right of Prosperity are the
Fine Arts. The south wall continues the preceding group: (i) Poetry.
(2) Painting, (3) Sculpture, (4) Architecture, (5) a seated winged
figure representing Fame.
Main hall, south wall : To right and left of entrance are two lunettes,
by Charles Yardley Turner, the former representing Law, the latter
Equity.
Main hall, west wall: A group representing the Practical Administra>
tion of Justice through Law and Equity, bv Willard Lero^ Metcatf.
The Banishment of Discord, also by Metcalj, is a continuation of the
same theme.
Court room: This room, like thre entrance hall, is richly finished in
Siena marble; the furniture is of dark oak, and finelv carved. The
stained glass dome and side windows are inscribed with the names of
eminent American jurists, the prevailing tones being ereen and yellow
(designed by Maitland Armstrong). On the east wall are three large
mural paintings: from right to left, (i) The Power of the Law, by
Edwin Howland Blashfield (1848 ). The Law draws her sword
in behalf of appeal. On either side she is supported by magistrates and
figures typifying Roman Law, Canon Law and Common (Ang^o- Saxon)
Law. (2) Wisdom, by Henry Oliver Walker (1843 ). She is
attended by Learning, Experience, Humility and Love, and by Faith,
Patience, Doubt and Inspiration. (3) The Justice of the Law, by
Edward Simmons (1852 ). Justice stands, flanked by Peace at
her feet. Plenty at her right; Peace recoils from Brute Force withheld
by Fear. Plenty assists the Needy; Labor behind her hails Justice;
Mercy (a child) in foreground.
West wall: The Reign of Law, by Kenyan Cox.
North and South walls: The Judicial and Other Virtues, by
Jose^ Lauber.
The Courtroom contains five portraits in oil of distinguished New
York judges: (i) Noah Davis, Presiding Justice, Appellate Court,
1874-86, by Daniel Huntington; (2) Daniel Phoenix Ingraham, Justice
MADISON AVE. TO FIFTY-NINTH ST. 209
of the Supreme Court, 1858-74, by Charles L. Elliott; (3) Charles H.
Van Brunt, Justice of the Supreme Court, (1883 ) by Alfred O.
Collins; John R. Brady, Justice of the Supreme Court, 18^7-91, by
Thomas LeClear; (5) Daniel P. Ingraham.
On the S. E. corner of 26th st. is the Manhattan Club,
the leading Democratic Club of the city. The club-house is
of marble and Philadelphia brick with an elaborate iron
veranda, erected at a cost of $200,000, from plans by Thomas
R. Jackson. It was for a time the home of the University Club.
The Manhattan Club was founded in 1865; and its declared pur-
poses were "to advance Democratic principles, to promote social inter-
course among its members, and to provide them with the conveniences
of a club-house." Its first home was at 5th Ave. and 15th St.; in
1891, it purchased the "Marble Palace" of A. T. Stewart (now replaced
by the Knickerbocker Trust Company), and later removed to its
present abode.
At the N. E. corner of the square, occupying the Jblock
bounded by 26th St., 27th st., Madison ave., and 4th ave., is
Madison Square Garden (PI. Ill — E4), of buff brick and light
terra cotta, erected in 1890, on the site of the old Harlem
R. R. Station. At the time when it was built it was considered
a marvel of safety, size and convenience, but it has been sur-
passed in all these qualities. The structure was designed by
Stanford White, who at one time occupied rooms in the
tower, and who met his death in the Roof Garden in 1906, at
the hands of Harry K. Thaw.
The low granite building of the Society for the Preven-
tion of Cruelty to Animals, at the N. W. cor. of 26th st.
and Madison ave., is open day and night. It has animal
ambulances, and will remove sick animals upon request. It
maintains a free dispensar3' and hospital.
The society was founded in 1866 by Henry Bergh (1820-88), a well-
known humanitarian, as a result of his having served as Secretary
of the American Legation at Petrograd during^ the vears 1863-64.
Mr. Bergh was so deeply impressed by the Russian lack of humanity
towards animals that he awoke to the fact that the same indifference
to the suffering of dumb beasts existed everywhere, only to a lets
degree, even in America. On his way home, he stopped in London
and there consulted with the Earl of Harrowby, President of the
Royal Society for the Prevention of Cruelty to Animals (for Mr. Bergh
was not, as often stated, the pioneer in this field, England having
forestalled him by several years) as to the best lines on which to
establish a similar organization in the United States. The result was
the incorporation two years later of the first American society of this
nature, with a list of charter members, including such prominent names
as. Peter Cooper, James Lenox, Hamilton Fish, John Jacob Astor, Jr.,
August Belmont, the Harper Brothers, etc. Within comparatively few
years, similar societies had been formed in 38 other states, as well as
in Bras^l and the Argentine Republic.
E. on 27th St., No. 45, is the simple gothic Church du
Saint-Esprit, a French P. E. church, and lineal successor
of the original Huguenot Church, founded in Petticoat Lane
210 RIDER'S NEW YORK CITY
in 1688. W. on 27th St. is the Hotiel Brotzell, a quiet family
hotel; and W. on 28th St. the Prince George and the Latham,
At the S. E. cor. of 29th St. is the 17-story Emmet Building
(.Colt & Barney, architects), named from Dr. Thomas Addis
Emmet, whose home occupied this site, and who was grandson
and namesake of the famous Irish patriot. The present build-
ing is the property of Robert Emmet, another descendant, and
is unique in having the owner's residence on the top floor.
Directly opposite is the Hotel Seville.
E. on 29th St., No. 29, is the Martha Washington Hotel,
(for women exclusively). It is a twelve-story structure,
extending through to the next side-street, and containing 450
rooms. On the ground floor are the dining-room and tea-
room, open to men as well as women.
Between 30th and 31st Sts., on the W. side of the avenue,
stands what until lately was the home of the Colony Club,
the most fashionable of the women's clubs.
Architecturally, it is one of the noteworthy features of Madison
Ave. Its main facade, red brick, with white colonial columns, must be
numbered among the late Stanford White's successful adaptations of a
special style to suit a purpose. Interior decoration by Elsie DeWolfe.
E. on 32d St., No. 29, is the Grolier Club, (organized
1884), the chief purpose of which is to cultivate a taste for
artistic book-making*
The club takes its name from Jean Grolier (1479-1565)1 a French
bibliophile and connoisseur of book-bindings, a part of whose rare
collection is one of the prized possessions of the Bibliothique Nationale.
From time to time the club gives interesting exhibits (admission by
card only). Occasionally it publishes books that are models of typog-
raphy and are sold to members only.
At 48 E. 34th St. is the Woman's Suffrage Party head-
quarters. At 36th St., N. E. cor. is the residence of the late
/. Pierpont Morgan, Just behind, on E. 36th st. stands the
*J. Pierpont Morgan Library, a severely classic structure of
white marble, from designs by McKxm, Mead and White.
On the S. fagade, to R. and L. of entrance, are two bas-relief sculp-
tured panels, by A. A. Weinmann, symbolizing, respectively, Music
inspiring the Allied Arts, and Truth Enlightening the Sciences. Ac-
companying Music are Architecture, Sculpture, Painting and the Tex-
tiles; while Truth is accompanied by Literature, Philosophy, History,
Oratory and Astronomy.
Bronze doors of Sixteenth Century Italian workmanship
open into a loggia much admired for its quiet harmony.
The vaulted ceiling contains decorative paintings by
H. Siddons Mowbray, while the side walls have mosaic
panelings. The Loggia contains two Fifteenth Century chairs,
two dark inlaid coffers that for a while were on exhibition
MADISON AVE. TO FIFTY-NINTH ST. 211
in the South Kensington Museum, and a bronze portrait bust
of the Marquis of Pescari, ascribed to Benvenuto Cellini. At
the rear of the Loggia, facing the entrance, is the Librarian's
room. On the left or west side is the late Mr. Morgan's pri-
vate study, while on the opposite or east side is the stack room.
From floor to ceiling the walls are lined with shelves, and these,
as well as the floors 01 the galleries giving access to them are of
glass. The books, however, are not enclosed in ^lass, the only pro-
tection being a light ornamental grill. Special notice should be taken
of the ceiling, which is a fine example of Italian Renaissance, and is
from the Aldebrandini Palace in Venice. On the east wall of the
room is a beautiful Fifteenth Century fire-place, and above it hangs
a rare Flemish tapestry.
Among the chief features of this unrivalled private collection of
literary treasures should be mentioned the famous Ashbumkam Gospels,
said to have cost Mr. Morgan over $50,000; the Golden Gospels, given
to Henry VIII. by Leo A. (a manuscript dating from 670, and con-
tained in a superb binding attributed to Holbein; the Naples Offices,
which it took the great Clovis nine years to complete, in a binding
ascribed to Benvenuto Cellini; the Prayer Book of Charles VIII.: and
a Syrian Bible of the year 750. There are whole shelves of Aldines
and Elzevirs. The collection of Bibles includes a Hebrew Bible of
1483, two Gutenbergs and all the English Bibles from Coversdale down-
ward. There is a complete set of the Shakespeare Folios and- Quartos,
and a noble collection of Elizabethan and Jacobean first editions, in-
cluding Milton, Sidney, Spenser, Johnson, Sir Thomas Browne, Marvel,
and Waller.
But probably the most unique part of the Morgan collection is its
English manuscripts. These include nine of Scott's novels, notably
Ivankoe; ten volumes of Dickens* letters; Pope's Essay on Man: Mil-
ton's Paradise Lost; and practically all the manuscripts of Byron known
to exist, including Don Juan Werner and Manfred. Dickens' Christmas
Carol, Burns's Cotter's Saturday Night, Zola's Nana, and Dumas's
Trois Mousquetaires are also features of this inimitable collection.
The library is not open to the public. Admission may sometimes
be obtained by application by letter to the librarian. Miss Belle Greene.
The elevation of land betw. 34th and 426. st., 3d ave. and
Broadway is called Murray Hill, from Robert Murray, in
whose farm it was included.
A revolutionary battle occurred here on the isth of September,
1776, following General Howe's victorious attack on the Continentals at
Brooklyn, and Washington's retreat to Manhattan Island, landing at
Fulton's Ferry, and subsequent move to Harlem Heights. The British,
anticipating his move, tried to cut off the Continentals' retreat at Kip's
Bay (34th St.), where they had four ships. Under the fire of the
British ships, the Americans fled from their trenches to higher ground
in the vicinity of 38th st. and 5th ave. Washington, hurrying
S. from Harlem Heights, galloped directly into the midst of his
retreating troops, shouting, "Take to the wall! Take to the cornfield!"
While a desperate artillery fire was maintained from a knoll at about
the present intersection of 5th ave. and 38th st., Aaron Burr guided
the rallied Continentals safely through the meadows and woodlands to
Harlem Heights. Mrs. Murray is said to have entertained the British
Governor Tyron and Generals Cornwallis, Clinton and Howe with wine
and cakes, while Washington and his troops made their escaped The
last Continental soldier had scarcelv passed 39th st. when the line of
English was completely across the island.
212 RIDER'S NEW YORK CITY
At 37th St., N. W. corner, is the house of Mrs. Anson
Phelps Stokes; N. E. corner, Joseph DeLamar; S. E. corner,
the house of /. P. Morgan, adjoining his late father's resi-
dence at 36th St.
At 40th St., N. W. corner, are the Anderson galleries.
At 41st St., S. E.' corner, is the Aero Club. In 41st St.,
at No. 40, the Physicians' Club, and at No. 52 the Chemists*
Club. At No. IS is the Political Equality League, a women's
suffrage organization.
From 42nd to 48th sts. E. of the ave., lie the new Grand Central
Terminal Buildings and Train Yards.
Close by the station are three hotels all connected with the
station and the subway by underground passages.
The *Belmont (PL IV — E4), opposite at the cor. of 42d
st. and Park ave., {Warren and Wetmore, architects), is large
and well equipped, with pneumatic tubes, electric clocks,
vacuum cleaning plant, etc. Especially used by incoming
travelers. (Restaurants, p. 21). It is built of Harvard
brick, resting on a limestone base and broken by balconies
with terra cotta trim.
Interior: The Rotunda is finished in imitation Caen stone and
jasper marble; the Main Dining Room has a large panel decoration
between the windows by Henri Guillautne and M. Pxcard; the Palm
Garden is finished in Caen stone, with monolithic columns and pilasters
of Durance iparble; the dome and pendentives are enriched by paint-
ings of Titania's Dance, from the "Mid-summer Night's Dream (Af.
Picard, artist).
The Manhattan (PL IV — E3), at the corner of 42d st.
and Madison ave. (p. 10) has recently been entirely renovated.
It has mural decorations by well-known painters. {Henry J.
Hardenburg, arch.) The house is extremely comfortable.
Much patronized by politicians.
It contains a number of interesting mural decorations by well
known artists. In the lobby are a frieze representing The Triumph
of Manhattan, and a panel, The Gods of Greece, both by C. Y. Turner;
also lunette by Kenyon Cox, Peace and Plenty. In the restaurant is
a landscape frieze, by Frederic Crowninshield. In the bar-room. The
Dutch Water Gate, by Charles M. Shean.
The *BiLTM0RE (PI. IV — E3), one of the new so-called
'Terminal Buildings" at 43rd and Madison ave., entrance on
Vanderbilt ave. {Warren and Wetmore, architects) is the
newest and perhaps most beautiful of New York hotels.
The style is modernized Italian Renaissance, and the material
granite, limestone, terra-cotta and brick. The hotel is brought
into iJarmony with the other buildings of the group by being
recessed, on the Vanderbilt ave. side above the 6th story, in
MADISON AVE. TO FIFTY-NINTH ST. 213
a court which divides the upper portion of the building into
two towers. The court forms a charming garden with per-
golas and growing flowers. Tea is served here.
The interior is decorated and furnished in excellent taste by IV. &
J. Shane.
The Main Dining Room is especially beautiful. Pilasters of pink-
veined Norwegian marble run to a ceiling of gold,, gray and white. The
hangings and upholstery are dark red, and the furniture dark oak.
Three crystal electroliers light the room. The Lobby and Palm Room
are in Caen stone. On the 4th floor is a wonderful Presidential Suite,
entered by a private elevator from the station. The Ball Room on the
22nd stoiy is 3 stories in height, decorated in gold and blue. The
Banquet Room on the Madison ave. side of the same floor is in Italian
Renaissance style, with walls of Caen stone and two columns of green
Cipollino marble. The hotel being built directly over the incoming
station, lacks the basement room usual to a hotel, and is somewhat
differently arranged. The house contains every convenience and device
for comfort; no crowding, no noise, no dust, all kinds of electric and
pneumatic service, vacuum cleaning, special ventilation, specially filtered
soft water for bathing^ baseboards marble, elevator shafts stone, etc.,
Turkish baths, swimming pools, gymnasiums, hospital and operating
room with doctor and nurses.
On the walls of the main floor are nine valuable old tapestries;
in the main corridor east, two renaissance tapestries, (i) Warriors;
(2) A Court ■ Scene; at west end of main corridor, a Louis XIV
tapestry (3) The Marriage Procession; at entrance to the main dining-
room (4) Fire as the Source of Abundance; in north and south
corridors, (5) Venus rising from the sea, (6) The Marriage of Cupid
and P.syche; in south corridor facing office, three Medici tapestries,
(7) Venus escorting Aeneas from Troy, (8) The Interview between
Venus and Jupiter, (9) The Departure of Aeneas from Carthage.
Directly N. of the Biltmore on Vanderbilt ave. are two more of
the "Terminal group buildings," the Yale Club House at the N. W.
cor., and the yanderbilt Concourse Office Building at the S. W. cor.
of 4Sth St.
At the S. E. cor. of 44th St. stands the Church of St.
Bartholomew (P. E-), built in Lombardo-gothic style, with a
lofty, decorative front and a cupola tower, with open belfrey
{James Renwick, architect). Its congregation is one of the
wealthiest in the city, including among its members several
of the Vanderbilt family.
St. Bartholomew's was organized in 1855, in Lafayette PI. The
present structiu-e dates from 1876. Its chief architectural feature,
however, is its modern portico, with elaborate bas-reliefs and three
pairs of *Bronze Doors, that some critics regard as the finest of their
kind in the city. The materials of the portico include shafts of
cipollino, panels of darker green-veined marble, and red sandstone
delicately fluted.
Three sculptors were entrusted with the sculptures of the the
three entrances and doors: South Door, Herbert Adams; North Door,
Philip Martigny; Middle Door, Daniel C. French, who took as associate
Andrew O'Connor. The details of the bas-reliefs on the doors them-
selves and the stone carvings above them are sufficiently obvious,
without specific explanation, and well repay careful examination; the
middle pair of doors, for example, contain in their several panels:
I. Scenes from the life of Christ, the Annunciation, the Adoration,
etc. ; 2. figures symbolizing , the Delphic Oracle, the Lybian Oracle,
214 RIDER'S NEW YORK CITY
etc.; 3. figures representing the Four Evangelists, Matthew and
Luke on left, John and Mark on right; 4. The Prophets, Jeremiah,
Nehemiah, Isaiah and Joel. The portico is dedicated "to the glory
of God and in loving memory of Cornelius Vanderbilt." They were
the gift of his wife and children.
The interior is polychrome; the Triforium, gallery and clerestory
are carried on a series of massive columns of polished Scotch granite.
There are some fin^ memorial windows; and over the altar a fine
altar-piece. The Transfiguration, by the late Francis Lathrop.
The present St. Bartholomew's is soon to be vacated, plans for
a new edifice at soth St. and Park Ave. having already been prepared.
The bronze doors, however, and other art features will be transferred
to the new structure.
At 45th St. are the Tiffany Studios on the S. E. cor.
Public exhibits of new examples of windows, etc, in "Favrile
Glass,** an invention of Louis C. Tiffany, are not infrequently
given (free to Ithe public). At the N. E. cor. is the Railroad
Branch of the Y.M.C.A. (p. 83).
At 46th St. on Madison ave. is the *Ritz Carlton Hotel
(PI. IV — E2), one of the chain of 18 Ritz hotels extending
all over the world, managed by a central company. Largely
patronized by foreigners of distinction. The building is beau-
tiful in architecture, decoration, and furnishing. {Warren and
Wetmore, architects.)
The Palm Room, the Main Restaurant, the Ball Room, Banquet
Room, and the State Suites in the addition built in 1012 are worth
seeing. The service is perfect. The simplicity and good taste of this
hotel are in marked contrast to the extrava^nt ostentation upon which
some other of the large New York hotels pride themselves.
At the N. £. cor. of 49th st. and Madison ave., on the avenue
facade of the New Weston Hotel, is a Tablet marking the second site
of Columbia College.
At 50th St., back of St. Patrick's Cathedral, is the House of the
Archbishop of New York- across the street is the triple residential
mansion formerly occupied by Henry Villard and JVhitelaw Reid, the,
design of which was copied from a Florentine palace.
At 59th St. is the Uenox Lyceum, devoted to fairs, exhibitions, and
similar entertainments.
VI. Fourth Avenue and Park Avenue North to
Fifty-Ninth Street
Fourth avenue begins at the N. end of the Bowery,
at Cooper square, and runs to 34th street, where it changes
its name to Park avenue, which, interrupted by the Grand
Central Station,' (42d to 4Sth St.), continues to the Harlem River.
4th ave., betw. 19th and 30th sts., offers a fine opportunity
for viewing the huge modern loft buildings which are
peculiarly American architecture. During the last two years
some IS of these buildings from 15 to 20 stories in height
have sprung up. A partial list includes the Everett Building
(16 stories), at 17th st, N. W. cor. ; Germania Life Insurance
FOURTH AVE. TO FIFTY-NINTH ST. 215
Building (20 stories), at 17th St., N. E. cor. ; Clarendon Building
(20 stories); at i8th St., S. E. cor.; American Woolen Building
(19 stories), at i8th St., N. E. cor.; McClure Building {16
stories), at 20th St., N. E. cor.; Eagle Building (20 stories),
at 21 St St., S. E. cor.; Mills & Gibb Building (14 stories), at
22d St., N. W. cor.; Ashland Building (20 stories), at 24th st,
S. E. cor.; Hess Building (20 stories), at 26th St., S. W.
cor.; Passavant Building (16 stories), at 30th St., S. W. cor.
At the S. E. cor. of 20th st. stands All Soul's Unitarian
Churchj organized in 1819; the present building was erected
in 1858. William Cullen Bryant, Peter Cooper and Joseph
H. Choate worshipped here.
All Souls' is architecturally a conspicuous structure, being buik
of Caen stone and red brick laid alternately in horizontal courses.
In form it is a Greek cross, and is surmounted by a dome. It is
said to be the earliest example of Byzantine architecture in New
York. In the rear, on 20th st., is the parsonage, built of the same
materials and harmonizing in general design.
The church is open daily through the doof on «oth st. It contains
a full-length bas-relief in bronze of the former pastor. Dr. Henry W.
Bellews, by Augustus St. Gaudens; it is considered by some critics
as one of this sculptor's finest achievements.
At 2ist St., N. E. corner, is the Calvary Episcopal Church,
a brown-stone, three gabled structure, in early English style,
erected in 1847 at a cost of $80,000. (James Renwick, arch.)
The interior is interesting. Note especially the lofty groined roof,
supported on slender columns; the windows also deserve attention,
especially the one behind the altar; it is a large, monochrome window,
of rich crimson glass, in five panels, forming a semi-circle. It repre-
sents Mount Calvary, and the time is early morning, with the sun
just appearing over the horizon. The church is open daily.
Three low buildings and one sky-scraper mark the four
corner of 22d St.: on the N. W. corner, the Mills and Gibb
office building; S. W. corner, the Bank for Savings, the first
savings bank in the city; S. E. corner, the Church Mission
House; and on the N. E. corner, the United Charities Build-
ing, erected by John S. Kennedy, containing various charitable
organizations, including the Charities Organisation Society,
the Association for Improving the Condition of the Poor, and
the Children's Aid Society. Here are also the offices of the
Outlook and the Survey magazines and the School of Philan-
thropy, a training school for social and civic workers, con-
ducted by the Charities Organization Society, offering a two-
year course and affiliated with Columbia University.
. The Charities -Organisation Society gives relicdE to poor families
after careful investigations made bjr trained workers. Twelve district
offices are distributed through the city, and a woodyard and a laundry
are maintained to afford work for aole-bodied unemployed applicants.
At the central office at 105 £. ^ad St., the Joint Apphcation Bureau
(carried on -jointly with the New York Association for Improving the
Condition of the Poor) is open from 0 a. m. to midnight for immwliate
2i6 RIDER'S NEW YORK CITY
relief and later investigation and assistance to homeless applicants. A
Social Service Exchange keeps on file the records of all applicants jor
relief at the various agencies and societies, and under certain conditions
gives information to other societies.
The New York Association for Improving the Condition of the
Poor (organized 1843, incorporated 1848) is supported entirely by gifts.
While it maintains an active Department of Relief (open from 9 a. m.
to midnight), and the Joint Application Bureau (in conjunction with
the Chanty Organization Society), its most interesting features are
investigations into the causes of poverty and experiments in preventive
relief. It supports the Sea Breeze Hospital at West Coney Island for
little children with tuberculosis of the bones and glands. The salt-air
treatment for non-pulmonary tuberculosis has been excellently demon-
strated here. The home treatment of tuberculosis is being worked out
in the East River Homes in E. 78th st. by John Jay Park (p. 339).
An effort to reduce the cost of living is beins made by experiments in
co-operative buying. The Department of Child Welfare supervises the
school luncheons now being served at cost price in seventeen of the
grade schools. It also promotes the increase of dental work and nose
and throat surgery among school children.
The New York City Mission and Tract Society (organized 1827)
holds religious services in various mission churches in the poorer dis-
tricts and maintains philanthropic activities.
The American Missionary Association (organized 1846) supports
missions all over the world.
The building of the Society for the Prevention of Cruelty
to Children occupies the northern portion of the block.
This society, founded in 1875 through the instrumentality of Henry
Bergh, founder of the Society for the Prevention of Cruelty to
Animals, is said to owe its origin to a curious circumstance. In
1874, a social worker in the slums found a woman dying in an east
side tenement, who said that she could die quite happy, but for the
niehtly screams of a little girl known as Mary Ellen, wnose stepmother
habitually beat her. The social worker applied first to the police,
but was told that she lacked sufficient evidence: next^ she tried the
charitable organizations, but the case lay outside their jurisdiction;
private philanthropists said that "it was daneerous to interfere between
parent and child.' At last she appealed to Mr. Bergh, with the result
that Mary Ellen was rescued, the stepmother received a prison sentence,
and the society was so overrun with similar appeals that its own legiti-
mate work was hampered. The sequel was the founding of the new
society, which within the past 39 years has received and investigated
more than 326,000 complaints, cared for upward of 980,000 children,
and prosecuted more than 150,000 cases.
From 23rd to 24th sts., the W. side of the ave. is taken up by
the rear of the Metropolitan Life Insurance Building (p. 206), and from
27th to 28th sts. by the rear of Madison Square Garden (p. 209).
At 33d St. is Park Avenue Hotel (p. 9). This building, erected
by A. T. Stewart, was an early experiment in working-women's hotels;
but at that time such a hotel could not be made to pay. (John Kellum,
Architect).
The huge barracks, on the E. side, facing on 34th st. is
the Armory of the 71st Regiment and the First Signal Corps.
The original armory was burned in 1902. The present struc-
ture is valued at $450,000 and the land at $1,220,000. The
headquarters of the First Brigade is here.
Opposite is the ♦Vandepbilt Hotel (Warren and Wetmore,
PARK AVE. TO FIFTY-NINTH ST. 217
architects). Guides for the building are provided at the
office (fee expected). The house is built in i8th century style
of architecture and is designed and furnished in excellent
taste. It offers special facilities for automobile parties, dress-
ing rooms on Mezzanine Floor, garage for guests' cars, touring
cars rented by the week, day, or hour, special suite for private
entertainments (rates upon request), etc. (Rates, p\ 7; Res-
taurant, p. 20.) »
Note especially the tcrra-cotta Grill Room, the Lounge and -Entrance
Lobby, and the Japanese Room. In the Lounge is a Relief Frieze
sculptured by Beatnce Ast^r Chandler.
Opposite, N. W- corner of 34th St., is the Unitarian
Church of the Messiah.
CAt 34th St., 4th Ave. changes its name to Park Avenue
«nd widens into a broad thoroughfare with all car tracks be-
neath the surface, and charming beds of shrubbery in the
center. Betw. 34th and 96th sts. 8 are thus enclosed. The
surface cars run in a tunnel from 34th st. to 42nd st.. where
they emerge and contmue on Madison ave., via 42nd st. Be-
neath this tunnel is the tunnel of the subway which after fol-
lowing 42nd St. across from Times Square here turns S.
Dipping under both these tunnels is thai of the Pennsylvania
L railroad crossing the city at 32nd and 33rd sts.
In one of the park plots above 37th st. is a tablet to Mary Lindley
Murray (p. 211).
At 40th St. is Murray Hill Hotel (p. 10), and on 42d st.
the Belmont Hotel (description, p. ^212; rates, p. 10; res-
taurants, p. 21).
Park ave. loses the blocks from 42nd to 50th sts., the
street being filled in by the Grand Central Terminal and
track yards.
Above 52nd St., Park ave. is a delightful street with gar-
dens down the center over the sunken railroad tracks of the
New York Central, and huge, beautiful, modern apartment
houses on either side.
At the S. W. cor. of Park ave. and 59th st. is the Board
of Education Building. It contains portraits of De Witt
Clinton and former members of the Board. Opposite, S. E.
• cor., is the home of the Arion Society, a musical club formed
in 1854 by fourteen seceding members of the Deutscher
Liederkranz.
The lower story is of Berea sandstone; the remainder of buff
brick and terra cotta. At the upper elevation are two heroic groups
by Alois Locher: i. On Park ave. side, Ar=on on a hujye shell, borne
by dolphins and accompanied by tritons; 2. On 59th side, Prince Car-
nival with Terpsichore and the Genius of Music. »
2i8 RIDER'S NEW YORK CITY
VII. Irving Place and Lexington Avenue North to
Fifty-Ninth Street
Irving Place begins at E. 14th st., one block E. of 4th ave.,
and runs N. to Gramercy Park, at E. 20th st. On the other
side of Gramercy Park at E. 22d St., Lexington ave. begins,
running N. to the Harlem river at 132nd st. Irving Place has
changed from a fashionable residence district to a street lined
with loft buildings.
The block on 14th st., facing Irving place, was half a
century ago the centre of New York's operatic and theatre
district. A few of the old houses still survive, but cater
to a different element, the street being now an amusement
centre for the motley intermixture of the east side. ^
On the N. E. cor. of Irving place is the old Academy of
Music, dating from 1854, the home of opera in New York
until 1883 (see p. 54). It is now a photoplay house.
Adjoining the Academy of Music on the east is the un-
gainly, red brick stufcture, Tammany Hall, the fourth home
of the Tammany Society, the chief stronghold of the Demo-
cratic party in New York (see p. xxiv).
History. The origin of the society's name goes back to one
Tamanend, an Indian chief of the Delaware tribe famed for his
virtues and wisdom. The society itself grew out of an earlier asso-
ciation, the Sons of Liberty, an active member of which, William
Mooney, founded in 1789 the "Secret Society of St. Tammany." In xSii
the first building was erected at the corner of Frankfort St. and Park
Row, and after two other removals the society moved to its present
home in 1867. The original purpose of the organization was purely
benevolent. Its first active participation in politics was in 1800 when
it helped to carry New York for Jefferson. The first of the famous
Tammany "bosses" was the notorious William M. Tweed. His suc-
cessors have been John Kelly, Richard Croker, Lewis Nixon and Charles
F. Murphy.
The society possesses some valuable historical paintings
and prints. The "Wigwam," on the upper floor, contains the
emblems of the society. Note above the cornice, the statue
of St. Tammany, by Ernest Plassmann.
On 14th St., W. of Irving pi., at No. 109, the main office of
Steinway and Sons, piano manufacturers, was formerly Steintuay Hall,
the most famous concert hall in America. The auditorium was in the
rear extending 100 ft. on 15th St., and had a seating capacity of
2500. It first opened in October, 1866, with a concert including
Mme. Parepa and Carl Rosa. Other famous occasions were the Theodore
Thomas concerts, Charles Dickens' readings, lectures by Du Chaillu, the
explorer, and Christine Neilsson's American debut. The hall closed in
1^90, the firm needing the space for business purposes. The 14th street
entrance is still unchanged.
IRVING PLACE AND LEXINGTON AVENUE aig
Irving Place (named from Washington Irving) runs
north six blocks, terminating at Gramercy Park. At 15th St.,
S. W. cor., is the Irving Place Theatre (p. 62).
' It occupiea the site of the old Irving Hall (i860), in which George
Christy's Minstrels, Mme. Parcpa-Rosa, Artemus Ward, and other
famous performers were seen. The hall was torn down m 1888 and
the Deutsches Theater was erected by Gustave Ambcrg, former man-
ager of the Thalia Theatre. The name was chanwd to the Irving
Place Theatre by Heinrich Conrad in 1893. It is a high class German
play-house.
The Consolidated Gas Co., across the street, has erected
a 13-story building around and about the original 7-story
building. The upper floors of the center of the structure
do not rest on the old building, but are hung from
huge steel cross-girders, 63 ft. 8 in. long, weighing each 40
tons and themselves resting on steel columns, bedded m
concrete footings.
West on 15th St., No. 109, is the original home of the
Century Club, now the Brewers' Exchange. No. 105, a quaint
little house standing far back from the street, was the home
of Richard Watson Gilder. It was here that the Authors'
Club was founded. Diagonally opposite is the Hotel America,
a favorite resort of South Americans.
At l6th St., N. W. cor., the Borgfeldt Building occupies
the site of the Westminster Hotel, named after the Duke of
Westminster, whose coat of arms adorned its table service,
stationery and stained glass windows. It numbered among
its guests Dickens, Mme. Parepa-Rosa and Professors Hux-
ley and TyndsJl-
The large new building between i6th and 17th Sts., on the
same side, is the Washington Irving High School, one of the
finest school buildings in the country. On the first floor is a
large auditorium. The building contains admirably arranged
classrooms, laboratories, etc. The equipment is excellent. The
school has over 5000 students, and ranks high among educa-
tional institutions. At 17th st. S. W., stands the oldest
existing building on Irving Place, popularly known as Irving
House.
The present owners say that they have no knowledge of the house
eyer having been occupied by Washington Irving. Hemstreet, however,
states explicitly that it was once the home of John T. Irving, a nephew
of the' author. Here, in his later days, Irving spent some time, and
in the large room on the wound floor he wrote portioYis of Oliver
Goldimkh and the Life of Mahomet, and arranged the notes for fat«
last work, the Life of Washington.
At No. 55, five houses north, "O. Henry" Hvcd for a time.
Opposite, S. E. cor. of 18th St., are the extensive Huyler's
Ghocolate Works, headquarters of the well known chain of
220 RIDER'S NEW YORK CITY
Huyler's Candy Stores. Beyond, at No. 142 East i8th St.,
is the Stuyvesant, one of New York's pioneer apartment
houses (1869), and for many years the home of Bayard
Taylor.
E. on 19th St. is a colony of wealthy artists and architects,
known colloquially as "Pomander Walk." Many old houses
and stables have been remodeled into quaint studios, sugges-
tive of a block in some old Dutch or Flemish town. On the
S. side is the Pen-and-Brush Club.
♦Gramercy Park (PI. — C4), lying betw. 20th and 21st st.,
3rd and 4th aves., is a private park, surrounded by an iron
fence. Only members of the association made up of the
property owners who face the park and contribute to its
maintenance are entitled to keys to the enclosure, but resi-
dents of adjacent streets, if properly accredited, may acquire
the privilege upon payment of $30.00 per year.
• The name of the park is said to be derived from Krom Moerasje
(Crooked Little Swamp), formed by Cedar Creek, which formerly flowed
from Madison Square to the East River. In 1780 the present park
formed part of a 20 acre farm, known as Gramercy Seat, belonging to
James Duane, once Mayor of the city. Later it was owned by Samuel
B. Ruggles, who set aside 42 lots (December, 1831) as a private park.
See inscription in sidewalk at the west side of enclosure.
Many of the houses on and near Gramercy Park have interesting
associations. To the W. on 20th st., the rectory of All Soul's Church
was for many years the home of Dr. Henry W. Bellows (1814-82),
one of New York's leading clergymen of his period. No. 15 Gramercy
Park, now the National Arts Club, was formerly the home of Samuel
J. Tilden, one of the founders of the New York Public Library. Note
on fagade the terra cotta portrait madallions of Shakespeare, Dante,
Milton, Goethe and Franklin. No. 16, former residence of Valentine
G. Hall, is the Players' Club, founded in 1888 for "the promotion of
social intercourse between the representative members of the dramatic
profession and of the kindred professions of literature, painting,
sculpture and music."^ The club-house was the gift of Edwin Booth,
who made his home in the upper front room. It is still preserved
exactly as he left it at his death. The club possesses a valuable col-
lection of histrionic relics, including Booth's Shakespearean costumes,
prompt-books, and private library. Admission by member's card only.
The club has one annual Ladies' Day on April 23d (Shakespeare's
birthday) .
At No. 17 lived James W- Gerard, a distinguished lawyer ;
it is now the Technology Club. No. 18, corner of Irving
Place, once owned by Luther C. Clark, the banker, is now
the Columbia University Club, with a membership of over
1000. No. 21, second house east of Irving Place, was the
residence of John Bigelow, once U. S. Minister to France,
and joint editor, with Bryant, of the N. Y. Evening Post.
The Hotel Irving, Nos. 25-27, is one of the best of the few
down-town hotels.
On the E. side, the high Gramercy Park Building is one
of the cit/s well-known apartment houses.
IRVING PLACE AND LEXINGTON AVENUE 221
On the upper side of the Park, at the N. E. corner of
Lexington Ave., a large apartment occupies the site of the
homes of Cyrus W. and David Dudley Field. Opposite, on the
N- W. corner, is the Princeton Club, which, however, will
soon move away, having recently acquired land at the N. E.
corner of 58th St. and Park Ave. The present club-house was
formerly the residence of Stanford White. It was on the
steps of the adjoining house that David Graham Phillips,
the novelist, was murdered in 191 1. Further W. is the rectory
of Calvary Church, the former home of many distinguished
clergymen, among others Dr. Arthur C. Coxe, later Bishop
of Western New York, and Dr. Henry Satterlee, afterwards
Bishop of Washington.
Diagonally opposite, No. i Gramercy Park, is the house
once occupied by Dr. 'Valentine Mott, a distinguished physi-
cian (see tablet in Bellevue Hospital). During the Civil War,
the Comte de Paris was here entertained.
The small but exquisite office building at the S. W. corner
of 22d St. belongs to the Russell Sage Foundation, an institu-
tion aiming at the improvement of social and living conditions
in the United States. The civic library on the top floor is
especially full and valuable. It contains over 12,000 volumes
and 15,000 pamphlets. Free to the public on week-days from
9 :45 a.m. to 10 p.m.
The large dwelling-house on the opposite corner. No. 9
Lexington ave., was successivelj'^ the home of Peter Cooper
and of his son-in-law, Abraham S. Hewitt. E. on the upper
side of 22d st. is the new Children's Court (1914), a gray
limestone structure with an Ionic facade. Beyond is the
Swedish Lutheran Gustavus Adolphus Church, dating from
1887.
At S. E. cor. of Lexington ave. and 23d st. is the venera-
ble Gothic structure of the College of the City of New York,
unoccupied since that institution moved uptown to its present
home on St. Nicholas Terrace (p. 344).
Between 25th and 26th Sts., on the W. side, is situated the
armory of the 69th Regirnent. The land is valued at $940,000
and the building at $350,000.
The many important battles of the Civil War, in which the 69th
Regiment took part are inscribed on the main facade of the Armory.
This regiment is recruited mainly from the Irish- Americans. In i860
it refused to obey the order to march in a parade in honor of the
Prince of Wales (later Edward VII), on the occasion of his visit to
America.
Between 26th and 28th Sts., and adjacent side-streets, lies
the Armenian colony. There are three Armenian restaurants,
^
222 , RIDER'S NEW YORK CITY
several Armenian dubs, and numerous shops (among others,
the headquarters of Dr. Dadirian's "Zoolak").
At No. 123 Lexington Ave., between 28th and 29th Sts.,
President Chester A. Arthur took the oath of office as Presi-
dent of the United States on September 19, 1881.
On the S. W. corner is the First Moravian Church, estab-
lished 1748.
On the N. W. corner of 30th St. is the School of Applied
Design for Women, a beautiful modern structure, designed by
Pell & Corbett, The wall of the lower stories is of limestone,
on a base of Concord gray granite ; the upper story is of light-
face brick, with shafts of Quincy green granite.
Half-way, the two facades are adorned with a frieze copied from
the famous £lgiii Marbles, once the frieze of the Parthenon. These
reproductions were cast from the copies in the Metropolitan Museum,
and restored in accordance with the most recent archaeological views.
They are the same size as the originals and are placed at the same
level. The procession leads up to the seated gods, above the main
entrance.
At 35th St., S. E. corner, stands the Packard Commercial
Institute, an adaptation of the American Colonial or Georgian
style, built of Indiana limestone and Green River granite.
Packard Institute was fotinded in 1858 by S. S. Packard, and
started in the then new building of Cooper Union. In 1863 it moved
to its QVftx quarters at Broadway and 226. St., and after several re-
movals, took over the old building of the College of Physic'ans and
Surgeons at 23d St. and 4th Ave., whence it went to its present home.
Its scope is now greatly enlarged and it has ac<;ommodation for over
600 studentj. .
From 46th to 47th Sts. is the Grand Central Palace, one
of the new Terminal Buildings, with a large exhibition hall
and several smaller ones.
From 48th to 49th Sts. are the Adams Express Co. offices.
At 49th St. is the 8-story Bible Teachers' Training School.
At the corner of 52d St. is the Young Women's Christian
Association, and opposite the Swedish M. E. Church. At No.
106 E. 52d St.. near Park Ave., is the Woman's University
Club Building.
At 55th St. is a synagogue belonging to the Congregation
Shaar Hashomayim. Its former rabbi was Alexander Kohut.
The Babied Hospital at 55th St., for children under 3 years,
has a capacity of 75 beds. Visitors welcome Friday, 2.30 to 5
p. m. It operates a dispensary; a training school for nurses,
and a country branch at Oceanic, N. J.
At 126 E. 59th St., W. of the Ave , is the New York
Orthopedic Dispensary and Hospital, with a capacity of 65
beds, for the study and treatment of diseases of the spine,
MIDTOWN EAST OF LEXINGTON AVENUE 223
hip joint, and other bones and joints. On the N. side of the
same block is the *' Light House" of the New York Association
for the Blind, with salesrooms for the work of the blind.
VIII. Midtown New York East of Lexington
Avenue
(Between Lexington Avenue and the East River)
The remaining sts. on the E. side, running N. from E.
Houston St. to the Bronx, the Harlem or the East River are:
Third ave., from 395 Bowery across the Harlem River to
Pelham ave. in the Bronx ; Second ave., from E. Houston st.
to the Harlem River at 129th st. ; First ave,, from E. Houston
St. to the Harlem River at 127th st; Ave. A, from E. Hous-
ton St. to the East River at 93rd st, cut out. by the river from
23rd to 54th sts.; Ave, B (known also as East End ave. fr.
79th to 89th sts.), from E. Houston St. to East River at
89th St. (cut out by the river betw. 22nd and 72nd sts.) ;
Ave,. C, from E. Houston st. to East River at i8th St.; and
Ave. D, from E. Houston st. to the East River at i6th st.
These streets are lined with long rows of tenement
houses, with small retail shops on the ground floor. The
elevated lines on 2nd and 3rd aves., the heavy carting traffic,
the vendors' wagons and push-carts, the sidewalk markets,
and the crowds of pedestrians, all help to create a noise and
confusion that make these thoroughfares unattractive. 2nd
ave. is largely inhabited by Overmans, ist ave. is somewhat
rough and popular with "gangs." The upper end of all these
streets is populated by Italians to such an extent that the
neighborhood is called "Little Italy."
A few interesting old buildings remain in the ▼icinity of Stuyvbs-
ANT Square (area about 4 acres), betw. isth and 17th sts. Second
ave. passes through the middle. On the £. and W. respectively,
are Livingston and Rutherford pis. This square was formed xrom part
of the ori|;inal Stuyvesant farm knd was for a time„ like Gramercy
Park, a private park.
Two blocks south, at No. 180 2d Ave., stands the former
home of President Buchanan, now a relief house for Polish
emigrants. At the N. E. cor. of 2d Ave. and 13th St. is
the A^. Y, Eye and Ear Infirmary.
This institution dates from 1822; present building, 1893; Scher-
merhorn Pavilion, 1902. It gives free treatment to anyone certified
by a physician as unable to pay. Capacity, 175 beds.
On E. 14th St., No. 414, IS Grace Chapel (P. E.) and
Dispensary, a modern French Gothic structure, designed by
Barney & Chapman.
224 RIDER'S NEW YORK CITY
Over the entrance is a bronze lunette in high relief, representing
"Christ Healing the Sick." Among the activities of this branch of
Grace Church are an industrial school, gymnasium and swimming baths,
a club house in £. J3th St., and the Grace Chapel Music School.
Abutting on the park, S. E. cor. of 15th St, is the
Hebrew Technical School for Girls, See in auditorium a
large mural panel, by F, L. Stoddard, representing Woman-
hood. On the W. side of the park, 15th St. and Rutherford
PI., the quaint brick building of the Friends* Meeting House
(formerly on Pearl and Rose Sts.) At Rutherford PI. and
i6th St. stands St. George's Church (1845-48), successor to
St. George's Chapel, formerly on Beekman St.
The original Chapel of St. George (one of the Chapels of Trinity
Parish), dates from 1748. The first contribution to the fund which
built it was made by Admiral Sir Peter Warren; the Archbishop of
Canterbury was also among the donors. The ground occupied by
the present edifice Was donated by Peter G. Stuyvesant in 1846;
the first church built upon it was burned in 1865, and the present one
erected in 1867. The present church conducts extensive religious
and charitable activities, including an Evening Trade School
for Boys, a Kindergarten, St.^ George's Cottage, Rockaway Park (a
summer* ncme for poor parishioners), and a summer camp for boys,
named Camp Rainsford, in honor of the Rev. Dr. Rainsford, whose
zealous ministry did much to give the church its present strength and
prominence.
Diagonally across, N. W. cor. of 2d Ave. and 17th St.,
IS the Lying-in Hospital, a maternity hospital, with a capacity
of 196 beds and a far-reaching out-door department The
present admirably equipped hospital building was largely
due to the donations of the late J. Pierpont Morgan (R. H.
Robertson, Architect).
This hospital was organized in December, 1798. A consistent
feature of its work has been the aiding of women in their own homes,
with the result that, inclusive of indoor and outdoor service, the
Society cares for over seven per cent, of the annual births in the
Borough of Manhattan, and claims a maternity mortality of less than
one-half of one per cent, of the cases treated.
East on 17th St., No. 330, one of the early apartment
houses in this section, was once a literary colony, number-
ing among its tenants Richard Grant White, Henry Cuyler
Bunner, former editor of Puck, and Professor Brander Mat-
thews.
This section of the city forms the chief center of Manhattan
public and private hospitals. £. from Stuyvesant Sq., at the foot of
1 6th St., is the IVillard Parker Hospital, a group of pavilions to which
Bellevue Hospital consigns the contagious cases. A new eight-story
pavilion is now in course of construction. N. from Stuyvesant Sq., on
ad Ave., cor. 19th St., is the N. Y. Skin and Cancer Hospital (incor.
1882), with a capacity of 100 beds and an out-patient department which
cares for far the largest number of patients. Annual average, over
30,000 cases.
MIDTOWN EAST OF LEXINGTON AVENUE 225
Just below Z4th St., on the E. side, is the New York Eye and Ear
Infirmary, with a capacity of 175 beds and a special pavihon for the
treatment of contagious ophthalmia. The New York Infirmary for
Women and Children, at 321 £. zsth St., just back of Stuyvesant Park,
for medical and maternity cases, is in the charge of women physicians.
The New York Post-Graduate Medical School and Hospital, at 2nd
Ave. and 20th St., was founded by the Post-Graduate Faculty of the
University of New York to offer graduate work to advanced students.
*B£LLEVUE Hospital, at the corner of 26th st. and ist
ave., extends over to the river and back to 29th st. cover-
ing iij^ A. The hospital is under the Dept. of Charities
(p. 28) and receives the destitute, sick and injured of the
city, excepting contagious disease patients, who are sent to
the Willard Parker and the Scarlet Fever Hospital (under
Board of Health, p. 29), at the ft. of i6th st. Bellevue has a
capacity of 1235 beds, being the largest hospital in the city
and one of the largest in the world. Visiting days are : Mon.,
Wed., Fri., 6 p. m. to 8 p. m. ; Tues., Thurs., Sat., Sun.,
I p. m. to 4 p. m.
The city hospital, previous to 18 10, was in Cit^ Hall Park. In
i860 the first ambulance service in the world was inaugurated here.
The Main or Grey Stone Building was the original Bellevue Hospital
(so named because the land it occupies was once the Belle Vue Farm),
and its corner stone was laid in 18 12. The portico at the main entrance
is decorated with a wrought-iron railing, from the Federal Hall balcony
where Washington delivered his Tnaugural Address (p. 127).
In the lobby of the Main Building are a number of Memorial
Tablets to famous New York physicians of former generations : ( i ) Dr.
Austin Flint, 1812-1886; (2) Dr. Alfred L. Loomis, 1830-1895; (3) Dr.
Valentine Motl. 1785-1865; (4) Dr. Louis Albert Sayer, 1820-1900;
(S) Dr. James Rushmore Wood, 181 6-1882.
The hospital is being gradually rebuilt, the old buildings being one
by one replaced by new ones. In time the hospital win be ideally'
arranged. The new buildings already erected ana in use are on the
riverside. When the plans are fully realized the capacity will be 2,200
beds. The buildings will be connected, but arranged in wings around
courtyards. One wing in each group will be lower than the others, to
give a better exposure to the courts. The roofs will be utilized for
roof gardens and open-air wards. The alcoholic and psychopathic wards
will be especially nne. The main entrance will be on ist ave. instead
of as at present on 26th st.
In the same street are the buildings of the Faculty of
Medicine, with the Loomis Laboratory attached. The labora-
tory, costing $100,000, was donated on condition that the
name of the donor be kept secret.
At the end of the street are the pier and offices of the
Commissioner of Public Charities (p. 28).
JBetw. the pier and Bellevue is the old Morgue (N. side),
a gloomy one-story structure, with a dome-shaped roof. The
new mortuary chambers are in the recently finished addition
at the N. side of the hospital grounds.
The New York University and Bellez/ue Hospital Medi-
cal College, at 26th St. and 3rd Ave., is housed in four build-
226 RIDER'S NEW YORK CITY
ings; the College Building, erected by the Bellevue Hospital
Medical College in 1897, and later transterred to New York
University; the Carnegie Laboratory, 1885; the New Labora-
tory Building, built by the University in 1903; and the Car-
negie Laboratory Extension, all connected. The Edward N.
Gibbs Memorial X-Ray Laboratory occupies the entire base-
ment of the Carnegie Laboratory Extension. Other labora-
tories are those of Chemistry, Bacteriology, Pathology, and
Pharmacology.
The large, plain brick buildings on ist Ave., betw. 27th
and 28th Sts., belong to the Cornell University Medical School.
The shore along by 34th st. was formerly called Kip's
Bay, from Jacob Kip, who owned a farm here about 1655.
It was here that the British landed, Sept. 15, 1776, when they
took possession of Manhattan Island.
At 45th St. and ist Ave. was formerly Artillery Park,
the scene of Nathan Hale's execution.
Beekman Place, betw. 49th and 51st Sts., on the river-
bank, is a quiet spot, where the old residences have not been
replaced by tenements.
The name preserves the memory of the old Beekman House built
in 1763, by William Beekman, which during the Revolution became
Hadquarters of Howe, Clinton, and Carleton. It was here, in a green-
house, that Nathan Hale was tried' as a spy.
E. 59th St. is the main crosstown street of this section,
ending in the Queensboro Bridge (PI. I— C3). This neighbor-
hood to the N. is called Yorkville, from a village on the old
Post Road.
The Volunteer Firemen's Association (open free daily), at 220 E.
59th St., has a collection of old fire apparatus and other relics. At the
corner of 3rd ave. and 59th st. is Blooming dale's Department Store,
carrying popular-priced goods. Under Queensboro Bridge, at the
foot of the street, is a Public Market. The View up and down the
river from the bridge entrance is worth seeing.
IX. Midtown New York West of Fifth Avenue
and Broadway
(Between these Streets and the Hudson River)
A. Sixth Avenue
Sixth Avenue, the first parallel to sth Ave. on the W.,
runs N. from Carmine St., near Washington Square, to W.
59th St. ; beyond the park it becomes Lenox Ave. The 6th Ave
elevated runs the entire length (change at soth St. to shuttle
car for 58th St.) The lower part of the 5t. was a part of
the 14th St. shopping district, but the only larger store left
is the Greenhut Company (formerly the Siegel-Cooper and
the Greenhut stores), betw. i8th and 19th sts.
MIDTOWN WEST OF BROADWAY 227
Note the curioui angles formed by the cross streets on the west
side, from Carmine to nth St., necessitated by the original plan of
Greenwich Village (p. 160), 4th St., for example, bending northward,
and nth St. bending to the south, so that they presently intersect at
right angles
9th St. Stops at 6th Ave. At 8th St Greenwich Ave,,
part of the old pre-Revolutionary Inland Road to Green-
wich, branches off to the N. W., forming with 6th Ave. and
loth St. a triangle occupied by the Jefferson Market Police
Court, with its prison and market from which it is named
(the only surviving public market not on the waterfront).
The Court House is a familiar landmark, a red brick structure,
with a circular tower at its upper corner, surmounted by a pyramidal
top. One of the city night courts is held here (9 p.m.) and offers an
interesting glimpse of the sordid side of city life. The building also
contains the rooms of the Exempt Firemen's Organization, containing
a curious collection of old fire apparatus, pictures, etc. (Open to the
public, free; entrance No. 10 Greenwich Ave.).
N. of the Court House, note two curious little alleys, Patchen
Place, reached from loth St., and Milligan Court ^ reached through
a three-foot opening on 6th Ave., adjoining a saloon; they are interest-
ing survivals of portions of early lanes now closed.
E. on loth St., N. side, stands a time-worn brick struc-
ture, the Tenth Street Studio Building, the first erected in
the city exclusively for studio purposes. Formerly many
leading artists of New York had ateliers here, that of William
M. Chase being considered one of the handsomest.
Diagonally opposite the Studio, in the rear of No. 58
(residence of D. Maitlaild Armstrong, artist), there can
still be seen what remains of the white frame building once
occupied by the Tile Club, of which Abbey, Millet and other
distinguished American artists were members in their youth.
Mr. Armstrong's rear extension of his house has naturally
made serious inroads upon the old building. Some scenes
of Hopkinson Smith's **Colonel Carter of Cartersville" were
laid here.
Adjoining the S. £. cor. of nth St., within a small triangle, is
all that remains of the second Beth Haim, a Jewish cemetery, estab-
lished here in 1804-5. See tablet.
Continuing N., we reach, on 14th St., No. I07 W., the
Fourteenth Street Theatre, now a vaudeville house.
This theatre, as well as the Armory of the Ninth Coast Artillery,
adjoining it on the W., stands upon the grounds of an earlier amuse-
ment place, the old Cremorne Garden. It was first opened in 1866 as
the ThSatre Francois, and was devoted to Italian Opera and French
comic opera. Here occurred the American debuts of Adelaide Ristori,
z866; Charles Fechter, 1870; and Marie Seebach, 1871.
The armory belongs to the Ninth Coast Artillery Dis-
trict, Land valued at $470,000, building at $380,000.
Further W. on 14th st, Nos. 126-130 is the Cruger Man-
sion, now the National Headquarters of the Salvation Army.
228 RIDER'S NEW YORK CITY
It was originally the residence of William Douglas and his sister,
Harriet Douglas Cruger. Here Kossuth was once entertained. The
building is a copy of Boscobel House, in Scotland, seat of the Douglas
family. It was once the heme of the Metropolitan Museum of Art.
The Salvation Army National Headquarters is the center of the
work ' throughout the United States. The War Cry and other
periodicals are published here. Shelters and hotels are maintained in
various parts of the city, relief work is carried on and street meet-
ings held.
W. on 1 6th St., No. 126, is the French Evangelical Church
(Presby.) At the S. E. cor. is the Greenwich Savings Bank;
and E. on i6th St. the Church and College of St. Francis
Xavier.
At the N. E. cor. of 20th St. is the P. E.) Church^ of the
Holy Communion, erected in 1846, from plans by Richard
Upjohn.
This church was the gift of Mrs. Anna C. Rogers, in compliance
with the dying request of her husband. Her brother. Dr. William
A. Mtihlenberg, the founder of St. Luke's Hospital, was the first rector.
At the S. E. cor. of 23d st. on the fagade of what was
until recently the site of McCreery's Department Store, are
a tablet and bust of Edwin Booth (1833-93), marking the site
of Booth's Theatre, 1869-80. Diagonally opposite, at No. 55,
there stood until lately the Eden Musie, a collection of wax-
works, with a Chamber of Horrors, musical entertainments,
etc. W. on 23d St., No. 127, is the French (R. C.) Church of
St.' Vincent de Paul, and beyond it, No. 143, Proctor^s 23d
St. Theatre. In 24th St., No. 46, is the Masonic Club.
On the E. side of 6th Ave., near 28th St , is an old resi-
dence, recently remodeled and now occupied by Mouquin's
Restaurant.
It stands on what wa^ once part of the Varian farm, and was
built by Henry Varian, brother of Isaac L. Varian, one-time Mavor
of New York (1839-40). It was long known as the "Knickerbocker
Cottage," the Varians being a Knickerbocker family.
One block W. at 32d St. is the Pennsylvania Station
(p. 116).
At 34th St. the Ave. crosses Broadway diagonally. The
northern of the two triangular open spaces resulting is Herald
Square, which gives its name to this immediate section of
the city. The southern triangle is Greeley Square. (For
description of buildings, monuments, department stores, etc.,
see Broadway section, p. 166).
From 36th St. to 40th St., 6th Ave. is the centre of the
Midtown Greek colony, with numerous restaurants, coffee
and pool rooms, etc. At 40th St., S. E. cor., is the Beaux
Arts Restaurant (p. 21), and diagonally opposite is the new
building of the Union Dime Savings Bank, formerly at
MIDTOWN WEST OF BROADWAY 229
Greeley Sq. (the name of the bank being due to the fact that
originally an account could be started by the initial deposit
of ID c). On the E. side, from 40th to 42d St. is Bryant
Park (PI. I— B3), known until 1884 as Reservoir Square.
It occupies the western half of the tract extending from
5th to 6th Aves., the eastern half being taken up by the
New York Public Library (p. 186). This land was bought
by the city in 1822, and used as a Potter's Field until 1842,
when the site of the present library was occupied by the
first distributing reservoir for the Croton Aqueduct.
The Reservoir covered more than 4 acres, and was divided into
two basins, containing altogether 20,000,000 gallons. Its outward appear-
ance resembled that of an Egyptian temple. It was demolished in 1900,
to make room for the Library. Some of the old foundations may still
be distinfi^uished.
In the portion now devoted to Bryant Park (4.77 acres) there
formerly stood the Crystal Palace, a spacious exhibition hall, built
in the form of a Greek cross and surmounted by a graceful dome;
the materials were glass and iron. The statement is often made that
its prototype was the famous Crystal Palace at Sydenham, near London;
but the two structures differed radically in design; and in point of
fact the Sydenham Palace was not opened until 1854, while that in
New York was opened July 14, 1853, as a "World's Fair for the
exhibition of the arts and Industries of all nations." It was destroyed
by fire in 1858.
Immediately behind the Public Library is an imposing statue of
William CuUen Bryant (after whom the park is named), by Herbert
Adams, erected by the Century Association in 191 1.
To the W. of the Bryant statue is a Memorial Fountain to
Josephine Shaw Lowell, a social worker and philanthropist (erected,
1912). Ai tablet in front, iti the pavement, records the fact that
Mrs. Lowell was left a widow while still a bride, her husband, a
patriotic soldier, having fallen in the closing months of the Civil W^ar.
{Charles A. Piatt, architect.)
Other monuments in this park are: Dr. J. Marion Sims, by Fer-
dinand von Miller (erected by public subscription); and Washington
Irving, by Friedrick Beer (near S. W. cor.)
On 42d St., facing the Park, the twelve-story structure
of the Aeolian Building (Warren and Wetmore, architects),
extending through the block to 43d st. On the 42d st. side
is the entrance to the exhibition and sales rooms of the
Aeolian Company (Aeolian Organs and Pianola Pianos) ;
also other offices. On the 43d st. side is the main entrance
to Aeolian Hall (p. 62).
Further W. pn 43d St. is the new building of Stern's
Department Store, which also extends back to 43d St., with
a N. W. wing reaching to 6th Ave. lyOench and Yost,
architects). The N. E. cor. of 42d St. and 6th Ave., which
fills in the jog in Stern's L-shaped building, is occupied by
Fleischman's Baths (p. 17) and numerous small shops.
At the cor. of 44th st. is the Hippodrome, with a seating
capacity of 5,200. The stage can accommodate several hun-
230 RIDER'S NEW YORK CITY
dred performers at once, and includes a huge tank, permitting
water scenes. W. of 6th ave., on the S. side of the st., is
the Elks club house, costing a million dollars. At No. 107
is the Army and Navy Club, and near Broadway the deserted
Metropole Hotel, later called Miller^s Hotel, in front of which
the famous Rosenthal murder took place.
At Nos. 126-28 is the recently enlarged club-house of the
Lambs, one of the leading theatrical clubs in tne city.
Note on main faQade, in high relief,, two Frolicking Lambs, sjrm-
bolic of the annual "Gambols" for which the club is noted. The avowed
purpose of the association is to promote "the social intercourse of mem-
bers of the dramatic and musical profession with men of the world."
The New York Athletic Club, at 59th St., is housed in a beautiful
building, with a gymnasium, swimming tank, etc. Another house
belonging to the Club is located on Travers Island at New Rochelle,
fitted up for sailing and outdoor sports. The membership is 3,500.
No. no W. 57th St. is the new home of the Lotos Club,
formerly 556 5th Ave.
The Lotos Club was organized in 1870. Its professed purpose was
to "promote social intercourse among journalists, artists and members
of the musical and dramatic professions, and representatives, amateurs
and friends of literature, science and the fine arts."
To the W. on Central Pk. W., No. 112, is the Deutscher
Verein, or German Club, a five-story romanesque structure
of Indiana limestone, erected in 1890.
The club was organized in 1846, its first home being at No. 10 W.
34th St. Its membership is limited to Germans and to such others as
understand and speak the German language.
Further west, at No. 120, is the Catholic Club, in the
early Italian Renaissance order of architecture. The lower
stories are of rustic stone, the upper of Roman brick and
terracotta.
This club was founded in 1871, its avowed object being to ''advance
Catholic interests." It contains what is considered to be one of the
best Catholic libraries in New York.
B. Seventh Avenue
Seventh Avenue runs N. from Greenwich Ave., at about
I2th St., to W. 59th St. It begins again at iioth St. and con-
tinues to the Harlem River. It is now being continued south-
ward through the heart of Greenwich Village (p. 160), and
joins Varick St. almost in a straight line at Carmine St., in
the rear of the Leroy St. Branch of the Public Library.
The lower part of 7th ave. is inhabited largely by French.
At 215 W. 23rd St., W. of the ave., is the Young Men's
Christian Association Building (PI. I — B4), erected in
1913 at a cost, including site, of $750,000.
From 31st to 33d St., W. side, is the Pennsylvania
Station (p. 116). At the N. W. cor. of 35th St. is the State.
Arsenal,
MIDTOWN WEST OF BROADWAY 231
At 7th Ave. and 38th St., S. W. cor., is the Hotel
Navarre (p. 10). At 38th St, N. W. cor. is St, Chrysos-
tom's Chapel, one of the chapels of Trinity Parish (p. 132).
From 39th to 40th St., E. side, is the rear of the Metropolitan
Opera House. Just S. of the S. W. cor. of 42d st. is the
Hermitage, a recently erected hotel.
At 43d St., beyond the Times Building ' (p. 170), 7th
Avenue crosses Broadway and Longacre Square (for descrip-
tion of this neighborhood see pp. 168-172). Above 47th St 7th
Ave. offers few attractions to the visitor. As we approach
the Park there are a few high-class apartment houses, and
at 57th St, S. E. corner, is
Carnegie Hall (p. 62), a beautiful building, founded by
Andrew Carnegie in 1890 at a cost of $2,000,000. Its audi-
torium seats 3000.
Three smaller halls are for recitals. The institution was intended
primarily for orchestral concerts and productions of other classical
music, but is also used for other purposes, such as Conventions and
lectures. A sm^ler concert hall, called Carnegie Lyceum, adjoins
the other on the 7th Ave. side. The building also contain^ offices,
studios, etc.
W. on 57th St, No. 215, is the American Fine Arts
Society (incorporated 1889). < It was formed through the
joint efforts of the Society of American Artists, the Archi-
tectural League and the Art Students' League, for the purpose
of erecting a permanent home.
The National Academy of Design and the National Sculpture
Society have since secured quarters here; and here also are the
headquarters of the American Institute of Architects (New York
Chapter), National Society of Mural Painters, Artists' Aid Society,
American Water Color Society, New York Water Color Club, American
Federation of Arts and School Art. League. On the main floor are
four galleries, used for the annual exhibitions of the National Academy
of Design, the Architectural League and the N. Y. Water Color Club.
They are also occasionally rented to other societies for exhibitions.
C. Eighth Avenue
Eighth Avenue runs N. from Hudson St. to the Harlem
River, becoming Central Park West where it skirts Central
Park from 59th to W. iioth St.
At the N. W. cor. of 8th Ave. and 23d St. is the Grand
Opera House (originally Pike*s Opera House), formerly
owned by Col. James Fisk and Jay Gould. It was built
in 1867, from plans by Griffith Thomas,
The Grand Opera House opened Jan. 9th, 1868, with a performance
of // Trovatore, and for several years continued to be a home of
Italian opera. Here Pauline Lucca made her first appearance in
America, in 1873. The Erie Railway had its offices on the upper
floors, during the period that Gould and Fisk were systematically
demoralizing that road, to their personal profit.
232 RIDER'^ NEW YORK CITY
Architecturally, the building is interesting as representing a
pioneer attempt to adorn a privately owned edifice with external sculp-
tures. Note on the 8th Ave. fagade, on the third story, two female
figures, heroic size, representing respectively Tragedy and Music.
On the fourth story are two medallions containing portrait busts of
Mozart and Shakespeare.
From 31st to 33d St., E. side, i.s the rear of the Pennsyl-
vania Station (p. 116). Opposite, W. side, is the new *Post
Office (McKim, Mead and White, architects), built of
marble in severely classic style with a pillared facade of
extreme simplicity. Across the front runs the inscription
from Herodotus "Neither snow, nor rain, nor heat, nor night
stays these couriers from the swift completion of their
appointed rounds." The structure is 375 by 335 ft. and cost
$6,250,000. The congestion of the general post office (p. 139)
in City Hall Park has been relieved by placing here the
executive offices of the postmaster, inspectors and other
officials and the Railway Mail Service.
On the W. side of 8th ave, from 33d to 34th st., stands the huge
modern . Printing Crafts Building, a 22 story structure of granite and
buff brick. As its name implies, it is largely occupied by printers,
engravers, and allied arts and crafts, is necessarily very heavily con-
structed and is the largest and finest building of its type in the city,
if not in the world.
The buff brick building', diagonally opposite on 34th St.,
to the W., is the Manhattan Opera House.
The stately foyer is in Regence style, with walls of Yorkshire
stone and massive columns of Breche violet marble. Two wide stairways
of Italian marble deploy to right and left in the Grand Foyer de Luxe
(Louis XV style). The proscenium- boxes are crowned with an ornate
structure, forming the background for two sculptured groups: Genius,
flanked by the arts, Painting and Sculpture. The ceiling is 100 feet
high, with a huge elliptical dome which throws into relief a
sculptured group showing Apollo and the Muses, Euterpe, Calliope,
Melpomene and Terpsichore. The allegorical picture in the ellipse
represents Music attended by various deities, forty in number. Above
the proscenium is a mural painting (60 ft. by 20 ft.) representing The
Operas at the shrine of the Goddess Music.
This opera house, one of the many ventures of Oscar Hammer-
stein, enjoyed a brief but brilliant period of artistic success, becoming
for a time a recognized rival of the Metropolitan Opera Company.
Subsequently, an agreement was reached by the terms of which
Mr. Hammerstein was legally bound not to produce foreign opera in
New York for a specified term of years. The Manhattan has since
then suffered various vicissitudes, and is used for vaudeville, photo-
plays and miscellaneous entertainments.
From 34th St. northward, 8th Ave. offers nothing of
interest to the stranger.
MIDTOWN WEST OF BROADWAY 233
D. Ninth Avenue
Ninth Ayenue runs N. from Gansevoort st. to W. 59th st.
where it becomes Columhus Avenue and under that name
continues to Morningside Park at W. iioth st. (The 9th ave.
elevated runs on this st, joined by the 6th ave. elevated at
53d St., and swinging to 8th ave. at W. iioth st.)
The vicinity of W. 20th St., formerly called Chelsea, was once
the homestead of Captain Clark, a veteran of the French and Indian
Wars, who named his home Chelsea, after the Soldiers' Home near
London. It was later the home of Clement C. Moore, son of Bishop
Benjamin Moore and author of "The Night Before ChHstmas." The
homestead extended approximately from 19th to 34th St. and from
8th Ave. to the river. The old name is perpetuated in the Chelsea
Hotel on 23d St., and in Chelsea Square, the block between 9th and loth
Aves., 2oth and 21st Sts., occupied by the General Theological Seminary.
♦General Theological Protestant Episcopal Seminary
(PI. I — B4) in Chelsea Square was founded in 1817 and is af-
filiated with Columbia and New York Universities. The
group of buildings are especially good Gothic architecture.
The West Building was put up in 1835.
The Square, with its green lawns, its quadrangles and various halls,
refectory, library and chapel, has somewhat the atmosphere of an
English College, and well repays a visit. Admission through the main
entrance on 9th Ave. side. Note especially in entrance to Chapel.
the Bronze Memorial Doors, by /. Massey Rhind, in memory of
Eugene Augustus Hoffman, Jr., (i863-f>i). Left door: The Annuncia-
tion; The Baptism of Christ; The Last Supper; The Crucifixion; above
in triangle, The Resurrection. Right door: The Sermon on the Mount;
Fishers of Men; The Holy Ghost Descends Upon Christ; Chris'
Giving to Peter the Keys of the Church; above, in triangle, Christ Talk-
ing to His Disciples. Over doorway in ellipse: Christ the Good Shepherd.
In 20th St., to the E., is St. Peter's Church, with a
tablet to C. C. Moore, who gave the land for the seminary.
In W. 24th St., betw. gth and loth Aves., is a row of
small houses, built 1845, known as the Chelsea Cottages.
On W. 23rd St., betw. 9th and loth Aves., is a row of
old houses, known as London Terrace, built in 1845. Op-
posite, at No. 436, was the home of Edwin Forrest.
To the E. of the Ave., at 361 W. 23d St., is the Pasteur
Institute. The building was erected by Col. James Fisk for
Josie Mansfield, on whose account he was later murdered
by his business partner, Edward S. Stokes, in January, 1872.
Betw. 33rd and 34th Sts. is the New York Institute for
the Education of the Blind, opened in 1832, with a capacity
for 225. The children are trained to earn their own liveli-
hood. Visiting days, Wed., 9-12 a. m. and 1.30 to 4 p. m.
From 59th to 6oth St., W. side, is the R. C. **Church of
St. Paul the Apostle, and in the rear various offices, eccle-
siastical and secular, of the Paulist Fathers. The Church was
234 RIDER'S NEW YORK CITY
organized in 1859. The present edifice dates from 1876.
Artistically it is of much interest, some critics ranking it as
third among the New York churches, preceded only by St.
Patrick's and St. John the Divine.
This church, in its genesis, underwent some curious
architectural transformations. The original plans of the first
architect, C/Rourke, called for a structure on the order of
13th Century Gothic. But it was the peculiar good fortune
of this church that almost from the beginning Augustus
Saint'Gaudens, Stanford White and John La Farge were
advisers in its design and construction. It was the intention
of Father Heckcr to make the church a monument of
American art. Furthermore, O'Rourke soon gave place to
Father Deshon, formerly a military engineer at West Point,
and room-jnate of Ulysses S. Grant. Through the con-
sultations and suggestions of this group of advisors, the
original gothic structure was transformed into a Roman
l;asiHca, probably one of the most impressive specimens oi
its type in America.
The dimensions are: 285 ft. long, by 132 ft. wide, and
the seating and standing capacity combined is about 5000.
The lofty nave arches are carried on massive columns of
polished Syracuse limestone. The windows measure 27 ft. by
12 ft. Those in the Samrtuary represent the Queen of
Angels, surrounded by hundreds of angels, and flanked by
the four Archangels, all in adoration of the Blessed Sacra-
ment on the altar. These windows were made in Munich.
The fourteen tracery windows in the nave are by La Farge.
The *high altar, with lofty baldachino and canopy, was designed by
Stanford White, and has been favorably compared with the altars of
Santa Maria Maggiore and St. Paul beyond the Walls. The materials
are Numidian marble, onyx, alabaster and gold. Surmounting the altar
are three bronze statues representing the Adoring Angels, by Frederick
MacMonnies; the ponderous altar lamp was designed by Philip Martigny.
In the Sanctuary are two important paintings : the Angel
of the Moon, by John La Farge; and high above the central
altar a recently added companion piece, the Angel of the
Sun, by William Laurel Harris.
On the R. of the Sanctuary, at the end of the N. aisle,
is the Chapel of St. Joseph; on the L., at the end of the
S. aisle, is the Chapel of the Blessed Virgin. The altars in
both these chapels are by Stanford White, the mural paint-
ings by William Laurel Harris. (For several years, Mr.
Harris has been in full charge of the interior decorations,
which have not yet been completed. E. of the Blessed Virgin's
Chapel is that of St. Paul. The mural decorations are by
Robert Reid; the altar piece depicts St. Paul's Martyrdom.
r
MIDTOWN WEST OF BROADWAY 235
Other chapels on the S. aisle are: the Chapel of St.
Agnes, with decorations by Harris; Chapel of the Annuncia-
tion, containing a marble statue of the Virgin of the An-
nunciation, by Beta Pratt; also a fine copy of Michael
Angela's Annunciation, the original of which is at Bruges;
Chapel of St. Justinus Martyr, containing a bronze reredos,
by James Kelly.
The chapels on the N. aisle are: Chapel of the Sacred
Heart; Chapel of St. Catherine of Genoa, with a painting
representing the Crucifixion, by the Marquis Wentworth;
Chapel of St. Patrick, with two murals : i. on L. of altar,
St. Bridget; 2. on R. of altar, St. Columba.
At the £. end of nave are seven panels, embodying ancient symbols
of religious thought, such as the symbol of Christ after the Descent
from the Cross, with seven-branch candlesticks on either side; also, a
phoenix; and still another symbol, twelve white lambs, typifying the
twelve apostles.
Higher up is the Crucifixion, Harris's largest and most important
painting. In the group of figures at the foot of the cross may be
distinguished Mary Magdalene, Mary Salome and Mary Cleophas: on
the L., St. John the Evangelist, and nearer, kneeling, the Virgin Mary.
The Stations of the Cross are arranged along the side
aisles and across the E. end of the nave, on the piers sepa-
rating the several chapels. They begin at the S. W. corner.
On the sides of these piers, which form the side walls of the
chapels, Mr. Harris has planned a series of murals repre-
senting the prophets and the apostles. Those that are already
completed are as follows, in the same order as the Stations
of the Cross: i. St. Philip; 2. St. Thomas; 3. St. Luke;
4. St. John; 5. St. Mark; 6. St. Matthew; 7. Isaiah; 8. King
David; 9. Jonah; 10. Daniel; 11. Hosea; 12. Jeremiah; 13. St.
Andrew; 14. James the Son of Zebadee.
The dome is blue; studded with stars arranged according
to astronomical charts made by one of the Paulist Fathers.
Before leaving, the visitor should note the exterior sculptures at
the two main entrance doors: South Door, from L. to R. : i. St. John
of the Cross; 2. St. Theresa; 3. St. Philip Neri; 4. St. Benedict; 5. St.
Clara; 6. St. Anthony of the Desert. North Door: 7. St. Alphonsus;
8. St. Catherine; 9. St. Thomas; 10. St. Bonaventure; 11. St. Bridget;
I a. St. Vincent Ferrar.
In 59th St is a notable group of medical institutions:
on the S. side of the St. is Roosez^elt Hospital; on the N. E.
cor. loth (or Amsterdam) Ave., Shane Hospital; S. E. cor.
6oth St. and loth (or Amsterdam) Ave., Vanderbilt Clinic;
and on loth Ave., the College of Physicians and Surgeons,
Roosevelt Hospital was incorporated 1864. It has a spe-
cial operating building for aseptic treatment of operative cases
and large open air wards for the fresh air treatment of
medical cases.
236 RIDER'S NEW YORK CITY
The Sloane Hospital for Women was erected in 1886
and has received additions until it is now a 7-story building
surrounding a small court. (Founded by Mr, and Mrs. Wm,
D. Sloane. Architect, W, Wheeler Smith.)
The main entrance is on W. 59th st. A bronze tablet bears the
inscription, "In recognition of the wise liberality of William Douglas
Sloane and Emily Thorn Vanderbilt Sloane." On the right is an ob-
stetrical operating amphitheatre. The record room contains the his-
tories of 28^000 obstetrical cases. In the staff roipm is a portrait of
William J. Sloane by Eastman Johnson. The roof is arranged to form
several roof gardens. The capacity of the hospital is -173 beds for
adults and 100 cribs for infants.
The College of Physicians and Surgeons founded in
1807 is the medical department of Columbia University. The
college is allied with many of the hospitals in the city. The
closest alliances of the college are with Sloane Hospital and
Vanderbilt Qinic.
The South Building, erected 1886, was the nft of William H.
Vanderbilt. Architect, IV. Wheeler Smith. The faculty room at the
right of the entrance contains portraits of former ^ofessors: Samuel
Bard, by John Vanderlyn; John Watts, John B. Beck, by Augusta
Dudley; Alexander H. Stevens, and John G. Curtis, by W. T. Smedley.
The Students' Reference Library contains 1,200 volumes. In the Stu-
dents' Reference Room is a tablet to commemorate fourteen students
who "died of pestilential disease while servixig in the public hospitals
of New York," and one in memory of Drs. jT B. Gibbs, G. W. Lind-
heim, and H. A. Young, who "died in the discharge of duty during
the war with Spain, 1 898-1 899." There are portraits of John A. Smith
and Thomas Cock, two former presidents, by Frederick W. Herring;
and Joseph Moran, president of the Alumni Association. 1868, by
William 0. Stone. A bronze bust of William H. Vanderbilt, by /. Q. A.
Ward, is in the entrance hall.
The Middle Building, erected 1886, was the gift of William H.
Vanderbilt. Architect, W. Wheeler Smith. It is arranged to connect
the North and South Buildings, and contains the main staircases for
all three buildings. In the amphitheatre are portraits of former pro
fessors: Edward Delafield, Willard Parker, by Daniel Huntington;
Alonzo Clark, by Daniel Huntington; John C. Dalton, by Eastman
Johnson; Henry B. Sands, by Morgan Rhees; Thomas T. Sabine, J. W.
McLane, by Daniel Huntington; and T. Michell Prudden, by Sargeant
Kendall. The laboratory for surgical research, maintained by an anony-
mous fund, is on the second floor. It is devoted to the surgical treat
ment of animals, for the purposel of student instruction. It contains
operating rooms and an animal hospital, under the care of a regular
corps of surgeons and a trained nurse. The public may send here sick
animals, with the surety that they will be cared for as conscientiously
as human patients.
The North Building, erected 1886 (architect, W. Wheeler Smith).
faces W. 6oth St., but is entered from 59th st.
The Institute of Anatomy was erected in 1896, with funds provided
by Messrs. Cornelius, William K., Frederick W., and George W. Van-
derbilt. Architect, W. Wheeler Smith. It is devoted to laboratories
and museums of anatomy.
The Vanderbilt Clinic (the gift of Messrs. Cornelius,
William K., Frederick W., and George W. Vanderbilt. Ar-
r
MIDTOWN WEST OF BROADWAY 237
chitect: JV. Wheeler Smith) is on the S.E. cor. of W. 60th
St. and loth (or Amsterdam) ave., and consists of the West
Building and the East Building, surmounted by a clock tower.
The main entrance is on the loth (or Amsterdam) ave., and admits
into the waiting room for the clinical patients. There are many con-
sultation rooms, an operating room, laboratories lecture rooms, etc.
A milk station is kept here by the Dept. of Health. The Lefferts
Museum^ the gift of Prof. George M, Lefferts, Class of 1870, is de-
voted to diseases of the larynx. The roof, arranged as an outdoor
canijp, will accommodate a hundred tubercular patients. The JSoard
of Education here conducts a school for tubercular patients.
E. Tenth Avenue
Tenth Ayenue^ runs N. from West st. to W. 59th st., where
it becomes Amsterdam Ayenue, again becoming loth ave. from
W 20ist St. to W. 2i8th St.
From W. 27th to W. 28th Sts., betw. pth and loth Aves ,
is Alexander Hamilton Park, about 3 A., used for baseball.
At 30th St. in a rather "squalid tenement district is the
early terminal of the Hudson River Railroad, which is now
a part of the New York Central. A few passenger trains
still start here, going up nth Ave. and making a half-dozen
stops along the river up to Spu3rten Duyvil. Few people,
even native New Yorkers, are aware of the existence of this
30th St. station.
In W. 34th St. is the French Hospital; visiting days,
Tues., Fri., Sat., 2 to 4 p. m., and St. Mary's Free Hospital
for Children, accommodating 122 patients; visiting hours,
daily from 3 to 4 p. m.
On the Ave., betw. 58th and SQth Sts., is the DeWitt
Clinton High School for boys, erected in 1906, from plans
by C B. J, Snyder. In style it is an adaptation of Dutch
renaissance, with a many-gabled roof and flat-arched win-
dow heads. It has accommodations for 3500 students.
In the auditorium are two large mural paintings, on
the wall behind the lecture platform. They represent re-
spectively: I. The opening of the Erie Canal, and 2. The
Marriage of the Waters. They were executed by Charles
Y. Turner.
Betw. spth and 60th Sts. is the College of Physicians and
Surgeons. On 59th St., the Sloane Maternity Hospital on
the cor. of 59th St. and loth Ave. ; and the Vanderbilt Clinic
at the 6oth st. cor. (p. 112-113).
The Ave. here changes its name to Amsterdam Ave..
F. Eleventh Avenue
Eleventh Avenue starts at W. 23rd st. and runs N. to 59th
st where it becomes West End Avenue, joining Broadway at
238 RIDER'S NEW YORK CITY
W. 107th St. This St. is seriously injured as a street by the
tracks of the New York Central railroad which lie in the
roadway and over which freight trains move at a snail's pace.
An interminable controversy concerning the removal of these
tracks has dragged through the courts for years. The num-
ber of children killed climbing between and under these cars
has given the st. the name Death Avenue. The worst poverty
in the city exists here, and the atmosphere of desolate squalor
is in striking contrast to the lively congestion of the East
side tenement district. Very recently a plan for the per-
manent elimination of these tracks has been tentatively
adopted by the railroad company and the city.
From 52nd St. to 54th St., and extending to 12th Ave.,
lies De Witt Clinton Park, of 7.38 A., with playground, ath-
letic fields baths, band concerts, gymnasium, shelters and
children's gardens. (The Office of the School Garden As-
sociation is at 4852 Broadway.)
From s8th to 59th St., extending to 12th Ave., is the
Interborough Power House, where the subway power is
generated.
G. Twelfth Avenue
Twelfth Avenue, begins at the ft. of W. 24th st. as a con-
tinuation of West St., and runs N. to W. 6ist st The lower
part of the st. from 24th to 30th st. is sometimes called
Thirteenth Avenue (W. 38th, 40th, 47th, and 48th sts. are not
cut through to the river) . The ave. runs along the river front.
From 1 2th st. to 22d along West St., extend the splendid
Chelsea Piers erected by the city in 1902 to 1907 at a cost of
$15,000,000. They consist of 9 granite piers, 125 ft. wide and
from 800 to 853 ft. long, with 250 ft. of water between each
two. They are occupied from S. to N. by the Cunard Line, the
French Line, the Atlantic Transport, White Star, Red Star,
and American Lines (see Ocean Steamships, p. 42).
The plans for this huge enterprise, known collectively as the
Chelsea Improvefnent, were drawn by Warren and Wetmore. The
emaxnents in concrete along the cornice and above the entrance arches
were executed by H. W. Miller. They include symbols of Land Com-
merce, etc., the head of Aphrodite, goddess of the sea, on keystones of
main pier entrances; and of Mercury, god of commerce, on keystones
of bulkhead entrances. A tablet at the corner of the northern pier com-
memorates the completion of the Chelsea Improvement.
^ At the foot of 23d St. are the ferries of the Central
Railroad of New Jersey (PI. I— B4), Pennsylvania, Delaware,
Lackawanna and Western, and Erie Railroads (p. 117).
Bctw. 44th and spth sts. work has' begun upon a series of piers,
each ox which is to be a thousand feet long and each to cost three
millions.
UPTOWN NEW YORK
I. Broadway and the West Side Uptown from
59th to iioth Street
{Except Riverside Park and Drive, for which see p, 251)
From the Columbus Monument (PI. V — B6) at 59th street
north to 63d street Roadway offers a continuation of "Auto-
mobile Row."
At 63d st. Broadway intersects Columbus ave., from
Lincoln Square.
Between the two avenues, facing N., stands the Hotel
Empire (PI. V— B6). Betw. 65th and 66th sts. W. side is
Loezi/s Lincoln Square Theatre (PI. V — B6). Diagonally
across, at N. E. cor. of 66th St. and Columbus Ave., is
Healy's Restaurant. E. on 66th St., No. 69, is the St, Nicholas
Skating Rink, open until June; admission, 50 c. Beyond is
Durland's Riding Academy; and diagonally opposite is the
Armory of the First Field Hospital, N. G. N. Y. On the W.
side of Broadway, 66th to 67th Sts., is the Hotel Marie
Antoinette {C. P. H. Gilbert, architect). Diagonally oppo-
site, on the E. side, betw. 67th and 68th Sts., is the armory
of the First Battalion of Field Artillery. East on 68th St.,
No. 121, is the home of the Camera Club. Beyond it, at No.
IIS, is the College of Pharmacy of Columbia University,
started in 1829 and affiliated with the University in 1904.
The building, erected in 1894, is of light gray stone^ buff brick,
and terra cotta, in the Italian Renaissance style, and fireproof, six
stories in height. On the first floor are the Library, the Canby herba-
rium, the dispensing laboratory, and the Trustees' Room. The second
and third floors are mainly taken up by the lecture room. On the
upper floors are laboratories, etc.
On 69th St., No. 124 (E. of Broadway), is the pic-
turesque St. Stephen's Church (P. E)., founded in 1805.
The comer-stone of the original edifice in Chrystie St., buried and
forgotten under Jater structures, was recently unearthed and has been
set into the wall of the vestibule. The windows (some from England,
others by Tiffany) are interesting. That at the W. end of nave shows
the Ascensioh; above the altar: Women and Angel at the Empty Tomb;
to right: the Sermon on the Mount; to left: Jesus, Martha and Mary
(1916). ^
At the S. E. cor. of Broadway and 71st St. is the Church
of the Blessed Sacrament (R. C), and opposite, on the N. W.
cor., Christ Church (P. E.), a romanesque edifice of brown-
stone, red brick and terra cotta, with a notable octagon
tower and open belfry.
240 RIDER'S NEW YORK CITY
Broadway intersects Amsterdam ave. between 71st st. and
72d. The open space is called Sherman Square.
Facing upon or adjacent to the Square are several well-
known hotels; the Sherman Square Hotel, at 71st St., the
Saint Andrew at 72d St., the Hargrove at 112 W. 72d St., and
at the N. W. cor. of 73d St., extending an entire block along
Broadway, the huge bulk of the Ansonia (Henry J, Harden-
bergh, architect), one of the largest of the up-town apart-
ment hotels (p. 13). In the open triangular space betw.
72d and 73d Sts. is a Statue of Giuseppe Verdi (the com-
poser, 1813-1901), by Pasquale Civiletti, of Palermo.
The statue was erected by the Italian community, through the
efforts of Chev. C. Barzotti, editor of the Progresso, in 1906. On a
pedestal of polished dark granite is a figure in white Carrara marble,
heroic size; standing on the projections of the base are four figures,
also of Carrara marble, representing four of the composer's works:
"Aida," "Faistaff," "Otello," and "Forza del Destine."
The N. W. cor. of 75th St. and Broadway is the site of the historic
Somerindyke House. Here for a time Louis Philippe lived and taught
school. During the Revolution it was occupied by Hessians (razed,
1876).
At 76th St., E. side, is the Manhattan Congregational
Church.
At 77th St., S. W. cor., is Hotel Belleclaire (PI. V— A4).
W. on 77th St., cor. of West End Ave., is the West End
Church, the fourth of the nine Collegiate Churches main-
tained by the Reformed Church of New York City. It con-
tains a fine memorial window to Anna Van Nostrand, by
Clara M. Burd.
Betw. 78th and 79th Sts., W. side is the Apthorp, one of
the largest apartment houses in the world, built by the
Astors. At 79th St., N. W. cor., is the First Baptist Church,
a romanesque structure of gray limestone, built ,in 1891 ; it
is a lineal descendant of the Old First, organized in 1745.
W., on 81 St St., cor. of West End Ave.., is the (P. E.)
Church of All Angels.
There is a fine altarpiece in mosaic representing the Ascension;
also two side panels, all designed by Violet Oakley. Windows by
Louis C. Tiffany.
The Eighty-first Street Theatre, on Broadway, is one
of the few large modern theatres in the west side uptown
district. It contains two murals by Arthur Brounet, symbol-
izing Music and Dancing.
In a cottage which once stood on the £. side of Broadway at 84th
St., Edgar Allan. Poe and his wife, Virginia, boarded during the lum-
mers of 1843 and 1844. It was here that he wrote **The Raven," first
printed in the New York Mirror, January, 1845.
Betw. 85th and 86th Sts., E. side, is Bretton Hall (p.
THE UPTOWN WEST SIDE 241
12) ; W. side, Euclid Hall, an apartment house. Betw.
86th and 87th Sts., E. side, extending through to Amsterdam
Ave., is the Belnord, a huge apartment house.
W. on 87th St., S. E. cor. of West End Ave., is the
Church of St. Ignatius (Ritualistic), a simple Gothic struc-
ture of granite and gray limestone, erected in 1901 (C. E.
Haight, architect)'.
It is open daily. It contains a few good copies of Italian masters;
also a number of fine windows. The one over the altar represents the
Heavenly Country, and contains figures of the Apostles, Mary and
Elizabeth, and the Guardian Angels (made in Munich); in the north
wall is a large window representing the Life and Martyrdom of St.
Ignatius; and in the Lady Chapel are several memorial windows to
former members of the church.
At 93d St., N. E. cor., is the Lutheran Church of the
Advent {W. A. Potter, architect). On E. side of Broadway,
94th to 95th Sts., is the BontchNarragansett, a large, quiet
family hotel. Opposite, occupying almost the entire block,
is a recently opened model market, said to be financed by
Vincent Astor. The block from 96th to 97th Sts., W. side,
is occupied by two large theatres, the Riverside (lower cor-
ner) and the Riviera (upper corner).
At 98th St., S. W. cor., is Unter den Linden, a restaurant
with an open-air garden restaurant (p. 23). At looth
St., S. W. cor., is Carlton Terrace, another restaurant with
open-air garden.
At 104th St., N. E. cor., is the Hope' Baptist Church.
E. on 104th St., at S. W. cor. of Amsterdam Ave., is
the Society for the Relief of the Destitute Blind (founded
1869) ; and opposite (E. side) the Home for the Relief of
Respectable Aged Indigent Females.
The purpose of this association is to afford a home for indigent
gentlewomen. They must be 65 years of age or over, and must pay
an entrance fee of $300. None received who have lived as servants.
Capacity, 120. (Established, 181 5.)
At io6th St., W. side, is the site of the Bloomingdale
Dutch Reformed Church, recently demolished (1916). This
church celebrated its lOoth anniversary in IQ06. It was
founded in the Dutch mansion of Jacob Harsen, at 70th st.
and Amsterdam ave., and called "The Church at Harsen viHe."
The open space in front, formed by the juncture of Broad-
way and West End ave., which here ends, was named Bloom-
ingdale Square in 1907; but in 1912 the name was changed to
Straus Park, in honor of Mr. and Mrs. Isidor Straus, victims
of the Titanic disaster.
Note the Straus Memorial Fountain, a low, curving granite struc-
ture, bearing on its northern face an inscription commemorating the
242 RIDER^S NEW YORK CITY
death of "Isidor and Ida Straus, April 15, 1912," supplemented by the
following verse from II Samuel, i:23, "Lovely and pleasant were they
in their lives, and in their death they were not divided." In front,
on a granite bench, is a half-reclining female figure in bronze, sadly
brooding over the past. {Evarts Tracy, architect; sculptures by
Augustus Lukeman.)
Turn E. on io6th St., crossing Amsterdam Ave. and
reaching at No. 135 the Roman Catholic House for the Aged
of the Little Sisters of the Poor.
This society maintains homes for the aged, over 60 years old and
of good moral character. Its other branches are: No. 213 E. 70th St.;
Belmont Ave. and 183d St., Bronx; and i6th st. and 8th ave., Brooklyn.
Proceeding up Amsterdam Ave., we pass at 109th St. the
low brick building of the National Academy ' of Design,
organized 1826. The members bear the honorary title N. A.
(National Academician), or A. N. A. (Associate National
Academician). The Academy holds two annual exhibitions
of new works by its members at the American Fine Arts
Building, 215 W. 57th St. (p. 231). The Gallery of Portraits
of Artists and other works is at the 109th St. building.
The art schools in connection with the Academy are free.
Betw. 109th and iioth Sts., Amsterdam Ave., is the
Woman's Hospital, designed by Allen and Collins. This was
the first hospital in the world in which treatment of diseases
of women was undertaken as an especial branch of surgery.
The building is built in accordance with the latest hospital
ideals of antiseptic cleanliness. It contains a solarium for
convalescent patients and a chapel, the gift of John E.
Parsons.
(For description of the remainder of the street, see Washington
Heights section, p. 343.)
II. Central Park West
Above 59th St., 8th Ave. becomes Central Park West,
with a series of beautiful apartment houses, facing the park.
The *Century Theatre {Carrere and Hastings, archi-
tects) is at 62d St. (PI. V— B6; p. 58).
At the S. cor. of 64th St. is the Meeting House of the
Society of Ethical Culture, erected in 1910 from plans by
Robert D. Kohn (sculptures by Estelle Rumbold Kohn).
The society was established in 1876, "for the furtherance of a
new ideal of life, based on the supremacy of the ethical aim above all
other human aims, whatsoever." The New York Society has twenty-
three sub-organizations devoted to religious, educational, philanthropic
and social activities.
CENTRAL PARK WEST 243
At the N. W. cor. of 65th St. is the Evangelical Lutheran
Church of Holy Trinity (estab. 1868). The present structure,
erected in 1902, is in the French Gothic style, with a graceful
copper fteche. At the S. W. cor. of 68th St. is the Second
Church of Christ, Scientist, erected in 1899.
At 70th St. is the synagogue of the oldest Jewish con-
gregation in the country, Shearith Israel, founded in 1658 by
Spanish and Portuguese Jews. The original grave-yard of
this congregation may still be seen at Oliver St. and New
Bowery (p. 149).
At 72d St. is the Majestic Hotel, and at 74th the San
Remo (p. 13).
Betw. 75th and 76th Sts., at No. 170, is the Universalist
Church of the Divine Paternity,
Betw. 76th and 77th Sts. is the New York Historical
Society (p. 244) ; and from 77th to 8ist St., in Manhattan
Square, is the American Museum of Matured History (p. 278).
W. on 77th St. is the Manhattan Square Hotel. On W. 84th
St., near the Park, is St, Matthetx/s Church (P. E.), and at
the cor. of 88th St. is th^ Progress Club, a leading Hebrew
social club. W. on 92d St., just beyond Columbus Ave., is
St, Agnes Chapel, the youngest of the Trinity chapels,
erected at a cost of $800,000, from designs by William A.
Potter (PI. V— B3).
It ia a cruciform, romanesque structure, with a brown-stone front
and plain granite walls. The ceiling is gold, with heroic figures of the
Apostles done in rich colors. Glass by Tiffany, including a large
representation of Christ the Triumphant King.
At Central Pk. W. and 96th St is the First Church of
Christ, Scientist, an imposing structure of Concord white
granite, two hundred feet in height, erected in 1904. (Car-
rere & Hastings, Architects.)
At 395 Central Park W. (cor. looth st.) is the New
York Red Cross Hospital (non-sectarian; founded 1912). At
No. 19 W. 1 01 St. is the New York Medical College and
Hospital for Women (est. 1863) ; a homeopathic, non-sectarian
institution. Five blocks N. at No. 2 W. io6th st, is the
General Memorial Hospital (inc. 1887). For cancer and
allied diseases. Patients unable to pay are treated free, pro-
vided cases admit of cure or relief.
244 RIDER'S NEW YORK CITY
III. The New York Historical Society
The **New York Historical Society (PI V — B4), is situ-
ated on Central Park West, betw. 76th and 77th streets. Open
daily, except Sundays and in August. No cards are required,
but the visitor is expected to enter his naipe and address
in the register. The society was^ founded in 1004, its avowed
purpose being mainly the collection and preservation of
material relating to the history of New York. In the course
of time, however, it has gathered together a number of
valuable collections quite beyond the range of the original
plan, including the Abbott collection oi Egyptian antiquities,
the Lenox collection of Assyrian sculptures (consisting of
thirteen large marble slabs excavated by Layard from the
ruins of Nineveh), and a picture gallery which now includes
more than a thousand paintings. Catalogues of the antiquities
and the paintings are on sale, costing respectively 25 and 50
cents.
The catalogue of paintings contains many interesting notes regard-
ing the history of the various exhibits. It is, however, extremely
awkward to use, as it does not even pretend to follow tne order in
which the pictures are now hung, and nearly half its contents are
stored away in tjic basement or placed in inaccessible positions among
the book stacks. The following list attempts to give the principu
exhibits in their present order, but the collection is subject to frequent
change of position.
The nucleus of the Society's art collection was the private collec-
tion of Mr. Luman Reed, which after his death became the New
York Gallery of Fine Arts, and was presented to the Society in 1858.
Subsequent additions are the Bryan collection, presented by the late
Thomas J. Bryan in 1867; the Durr collection, presented in 1882 by
the executors of the late Louis Durr; and the Feter Marie collection
of miniatures. In the method of numbering the pictures the Bryan
and Durr collections are distinguished respectively by the capital
letters B and D.
The room to the immediate right of the entrance con-
tains a collection of interesting relics of local historic events.
At the northern end of the room is the table used by the
Federal Congress in 1789. Nearby is a section of the trunk of
the Peter Stuyvesant Pear Tree (a limb is preserved in the
City Hall; see p. 142). Above on the north wall are two
historic jpaintings, 276. Return of the 69th Regiment from the
Seat of War, by Louis Lang, and 442 Bowling Green, New
York, i860, by David Johnson. Other relics include the
Qock Dial from the Middle Dutch Church, corner of Cedar
and Nassau streets, 1731; the Iron Railing from the balcony
of the Federal Hall; four pieces of the Equestrian Statue of
George HI, with stone slab of pedestal, formerly in Bowling
Green (p. 121 ) ; Family Coach of James Beekman ; and an elab-
orate Punch Bowl, made in England for a dinner given at Castle
THE NEW YORK HISTORICAL SOCIETY 245
Garden in 1824, commemorating the landing of Lafayette in
New York City (p. 121).
Across the hall through the first door on the left we enter
the main Portrait Gallery. (Historical characters of general
or local interest, and other works of the leading early Ameri-
can portrait painters.)
* West wall, numbering from above downwards and proceeding
towards left: 347, 349, 350, 351. Artist unknown: portraits of Peter
Stuyvesant (1592-1672); Nicholas William Stuyvesant (1648-1698);
Gerardus Stuyvesant (i 690-1 777); Nicholas William Stuyvesant . (1722-
1780); 114. Artist unknown: Fernando Magalhaens; 486. Artist
unknown. Rev. Lazare Bayard (father-in-law of Peter Stuyvesant);
113. Artist unknotvn, Christopher Columbus; 487, Artist unknown,
Mrs. Lazare Bayard; B-293. Benjamin West^ Charles Wilson Peale;
Z72. Ashar B. Durand, Portrait of the Artist; 183. Charles L. Elliott,
Daniel Stanton; B-285. John Singleton Copley, Portrait; 198. William
O. Stone, Thomas J. Bryan, founder of the Bryan Collection; 127.
Grove S. Gilbert, Jesse Hawley; D-168, John Trumbull, Asher B.
Durand; 369. A. B. Durand, J. W. Casilear; 56. Durand, Luman
Reed, Founder of the Reed Collection; III. Artist unknown, Hernando
Cortes; 112. Artist unknown, Americus Vespucius; 488. Artist un-
known. Bayard Homestead at Alphen, Holland, with Portraits of
Samuel Bayard and Anna Stuyvesant, his wife, sister of Governor
Stuyvesant; 38. Durand, Copy of Stuart's Martha Washington in
Boston Athenaeum*; B-308. Kembrandt Peale, Mrs. James Madison;
73. John Trumbull, Portrait of a Revolutionary Officer; 193. J.H.
Laaarus, Copy of Stuart's Richard Bayley, M.D.; 119. Joseph Wright,
Chief Justice John Jay; 177. Artist unknown. General Anthony Wayne;
154, John Wesley Jarvis, John Randolph of Roanoke; 271. John Van-
derlyn, Roger Strong; 76. James H. Shegogue, Nicholas Fish; 196.
/. R. Lambdin, Gen. William Irvine; 484. Artist unknown. Gen. Eben-
ezer Stevens; 115. John Wesley Jarvis, Robert Morris; 301. Trum-
bull, Capt. Daniel Delaven; 257. Durand, Gen. Aaron Ogden; 123.
Thomas S. Duchi, 153. Artist unknown, James^ Riverton; 430. Artist
unknown^ John Alsop; 299. Artist unknown. Col. Johannes Knicker-
backer; 299. Artist unknown. Portrait of a Gentleman; 230. Artist
unknortm. Portrait of a Lady; 231. Artist unknown, Portrait of a
Gentleman; 300. Artist unknown, Herman Knickerbocker; 263. Artist
unknown. Portrait of a Ladyj^ 264. Portrait of a Gentleman (both from
Gov. Dongan's residence at Castleton, S. I. and are portraits of mem-
bers of his family); 286 and 287. Artist unknown, two portraits;
273. Vanderlyn, Henry Benson; 121. /. W. Jarvis, Myles Cooper, D.D.,
Second President of Columbia College; D-180. Artist unknown, Claleb
Heathcote; 272. Trumbull, Robert Benson.
South Wall, right to left: 95. /. C. Hagen, Gen. Joseph Reed;
B-301. Charles W. Peale, Pieter Johan Van Berckel, First Minister
from the Netherlands to the United States; B-302. Charles Wilson
and Rembrandt Peale, Gilbert C. Stuart; 457. Ralph Earle, William
Gilliland; 328. Artist unknown, William Walton; 266. Jan Van
Goossn, Cornelius Steenwyck, prominent in early annals of New York,
as Burgomaster, etc.; 265. the Same, by unknown Artist; 303 and 304.
unknown Artist, Rev. and Mrs. Alexander McWhorter; 307. Artist
unknown, Mrs. George Ogilvie (Ann McWhorter^; 251. Artist un-
known. Rev. John Rodgers, D.D.; D-174. Eastman Johnson, Mrs.
Alexander Hamilton; iq^. James Sharpless, Alexander Hamilton;
(Over Fireplace) 178. Artist unknown. Rip Van Dam; 327. Artist un-
known, William Walton; 179. Artist unknown, Mrs. Rip Van Dam;
(Left of Mantel) 308. Artist unknown, John Lawrence; 89. /. W.
246 RIDER'S NEW YORK CITY
Jarvis, Christopher CoUes; i6o. Vanderlyn, Aaron Burr; 105. James
Sharpless, Samuel L. Mitchell, M.D. ; D-i6s. Artist unknown,
Mattn-iw L. Davis; 329. Artist unknown, Mrs. William Walton (Cor-
nelia Beeirman) ; B-317. Rembrandt Peale, William Tilghman, Chief
Justice of Pennsylvania; B-307. Rembrandt Peale, Dr. Joseph Priest-
ley; 192. John Trumbull, Bryan Rossiter; B-300. Charles Wilson
Peale, John Beale Bordley; 431. Trumbull, John Alsop King.
East Wall: 135. Artist unknown, Philip Schuyler; 312. Artist
unknown, Mrs. Augustus Jay (Anna Maria Bayard); 190. John tW.
Bolles, John Watts (from Original by Inman) ; 133. Artist unknown.
Lewis Morris; 311. Artist unknown. Sir William Johnson, Bart, (copy
of original in possession of his great-grandson); 296. Charles W.
Peale, John De Peyster; 136. Artist unknown, Catalina Schuyler;
298. Artist unknown, Mrs. Christopher Champlin; 297. C. W. Peale,
Mrs. John De Peyster (Elizabeth Haring) ; 205. Rembrandt Peale,
rJeorge W. Be^^hune, D.D.; 186, James Bogle, John Wakefield Francis,
M.D.; 9. A. B. Durand, Thomas Jefferson (from original by Stuart);
7. Durand, John Quincy Adams (from life) ; 269. Robert M. Prait.
Nicholas P Trist; 6. John Adams, and 8. James Monroe, both by
Durand, from orij?inals by Stuart; 2^2. Samuel S. Osgood, Henry
Clay; 32. Durand, George Washington, from original by Stuart-
10. Durand, James Madison from original by Stuart; Durand, Andrew
Jackson (from life); 143. John G. Taggart, Fitz-Greene Halleck, from
original by C. L. Elliott; 146. Samuel S. Osgood, Edgar Allan Poc;
B-311. Rembrandt Peale, William Bainbridge, U. S. N. ; 247. Artist
unknown. William Shaler, U. S. Consul at Ali^iers and Havana; 181.
Samuel L. Wn!do, Peter Remsen; B-310. Rembfandt Peale, Jacob
Jones, U. S. N. ; 302. Charles Wilson and Rembrandt Peale, Gilbert
C. Stuart; 291. Sir Joshua Reynolds. A Portrait (in his earlier style);
B-309. Rembrandt Peale. Stephen Decatur. U. S. N. ; B-3T2. Rem-
brandt Peale, Oliver H. Perry, U. S. N. ; Cephas G. Thompson,
Charles Fenno Hoffman; 148. Samuel S, Osgood, Alice Gary;
147. Samuel S. Osgood. Fran^^es S. Osgood; 216. Henry Inman, Fitz-
Greene Halleck; 191. John W. Jarvis, John Stanford, D.D. ; 121. John
W. Jarvis, John C. Kunze, D.D.
North Wall: B-286. Thomas Sully, Guy Bryan; 821. George P. A.
Mealy, Daniel Webster; 210. 7. W. Jarvis. William W. Van Ness.
Justice of the Supreme Court, N. Y.; 94. 7. W. Jarvis, Gov. Daniel
D. Tompkins; 175. Henry Inman, Henry Rutgers (a copy): 211. 7. W.
Jarvis, Ambrose Spencer, C. J.; 334. Samuel L. Waldo, David Grim;
??>2. George P. A. Healy, Lord Asbburton; 292. Artist unknown,
Myron Hclley; 129. Cephas G. Thompson, Sebastian Cabot (from a
supposed original by Hans Holbein); .^s2. Gilbert C. Stuart, Petrus
Stuyvesant; 3j;3. Artist unknown, Nicholas William StU3rvesant;
354. Artist unknown, Peter Stuyvesant.
The hallways on the ground floor form a cross, the long
branches running north and south, and the short branches
east and west. The pictures in these hallways run as follows :
Eastern, or Entrance Hallway: North wall: B-299. Charles Wilson
Peale, George Washington; 424. Albert Bierstadt, View of Donner
Lake, California; B-306. Rembrnvdt Peale Thomas Jefferson; East
Wall: B-305. Artist unknown, Alexander Hamilton; 2<,z- V' Nehlig,
Cavalry Charge of Lieut. Harry B. Hidden; 6-304. Gilbert C. Stuart,
John Adams.
South Wall: D-166. Joseph S, Duplessis, Benjamin Franklin;
B-303. Gilbert C. Stuart, George Washington.
Southern Hallway, East Wall: B-237. Charles Le Brun, Portrait;
61. Jean Raoux, Flora; B-252. School of Greuse, Portrait of Louis
THE NEW YORK HISTORICAL SOCIETY 247
XVII, Dauphin; 8-355. Antoine fVatteau, Pleasure Party; 6-276.
Francois Boucher, A Voluptuary; B-275. L. /. Schaat, Portrait of a
Lady, as a Water Nymph; B-ioi. Phillippe de Champagne, Portrait
of a Jansenist; B-264. Jean Baptiste Greuse, Virginie (a Study);
B-244. Hyacinthe Rigaud, Portrait of a Marshal of France; B-226.
Nicholas Poussin, Portrait of Duchesnois, the Flemish Sculptor;
B-337. Sebastian Bourdon, Bacchanal; B-241. B-242. Jean Jouvenet,
Scenes from the Life of St. Charles de Borromeo; B-248. Jean Bap-
tiste Pater, Landscape, with Figures; B-277. Francois Boucher, Winter
Scene; B-340. Antoine Watteau, The Fortune Teller; B-260. Jean
Baptiste Greuze, A Nymph of Diana; B-240. Charles de la Fosse,
Christ in the Wilderness, ministered to by Angels; B-22t. Nicholas
Poussin, A Daughter of Pharaoh about to bathe in the Nile; B-246.
Antoine Watteau, A Venetian Fete, or Ball by Day; B-269, Horace
Vemet, The Duke of Orleans; 3-247. Watteau, Lanscape with Fig-
ures; B-72. Artist unknown^ Autumn; B-268. Horace Vemet, Napoleon
at Charleroi; B-379, B-380. fTafteoM, Fatigues of War; Relaxations
of War; D-ii. Artist unknown. Portrait; D-12. Piassetta, Assumption
of the Virgin; D-ss. Denner, Portrait of a Lady; B-229. Gaspare
Poussin, Hagar in the Desert.
South Wall: B-67. Salvator Rosa, Landscape,* with historical
figures.
West Wall: D-56. B. Denner, Portrait of a Gentleman; B-191.
Philip Wouwermans, Departure of a Hawking Party from a Baronial
Castle; B-349. /. B. Simeon Chardin, Still Life; B-2S1. Chardin, Still
Life; B-267. Pierre Paul Prud'hon, France Triumphant after the
Restoration of Louis- XVIII; B-270. Bellangel, Attack repulsed at
Constantine, Africa; B-274. Vellin, Nymphs and Cupid; B-253. Hubert
Robert, Park of St. Cloud.
North Hallway, West Hall: 365. A. B. Durand, Lake George,
View of Black Mountain from the Harbor Islands: B-298. Charles
Wilson Peale, Family Group (Members of the Artist's Family);
74. John Trumbull, Portrait of Dr. Maurice Swabeyj 59. William S.
Mount, Bargaining for a Horse; 440.* Albert Bxerstadt, Autumn
Woods; 391. Thomas Birch, Escape of the Constitution; 23. William
S. Mount, The Truant Gamblers; 475- R- C. Woodville, The Cavalier's
Return; 483. Artist unknown. Portrait of Henry Ward Beecher
(crayon); 474. John F. Kensett, Landscape; isp. Thomas Hicks, Por-
trait of Elisha Kent Kane; 295. Robert W. Wetr, Portrait of Sa-go-ye-
wat-ha, or Red Jacket'; 42. Thomas Cole, Autumn Scene — Conway Peak,
White Mountains, N. H.
North Wall: 164 to 171. St. Memin, Portraits of Eight Indian
Warriors (crayon).
East Wall: 57. William S. Mount, The Fortune Teller; 28. A. B.
Durand, The Wrath of Peter Stuyvesant on learning the capture,
by treachery, of Fort Casimir; 182. Huntington, The Sybil; 294. Artist
unknown, Mrs. Martha J. Lamb, seated in her library; D-176. Emil
Kosa, Portrait of James Riker; 103. Charles Wilson Peale. Alexander
Hamilton; i to 5. Thomas Cole, The Course of Empire; i. The Savage
State; 2. The Pastoral State; 3. The Consummation of Empire; 4. De-
struction; 5. Desolation. 44. Thomas Cole, View on Catskill Creek;
459. Rembrandt Peale, Portrait of George Washington; 482. David
B. Cronin, Fugitive Slaves in the Dismal Swamp (water color); 460.
Rembrandt Peale. Martha Washington; 152. William Dunlap, The
Artist showing his first Picture to his Parents; 423. Frank B. Car-
penter, Portrait of the Lincoln Family.
\yest Hallway: The door on rirht opens into a small room con*
taining the Edwin A. Cruikshank collection of early New York prints.
248 RIDER'S NEW YORK CITY
Near the door in the hall are two portraits, 360 and 361, by Charles
A. Whipple, Henry Dexter (a Patron of the Society) and his son,
Orrando Perry Dexter.
The door in the western wall, at the foot of the stairs,
opens into the Lecture Room (seating capacity, 360). It
contains a few good portraits, in the following order, be-
ginning south of entrance:
ass. Vanderlyn, Robert R. Livingston; Huntmffton, John A.
Dix; 420. litnttxngton, John Divine Jones; 120. Oliver Lay, Chief
Justice John Jay; iss- Etfra Ames, Governor George Clinton, 143.
Huntington, Earl of Carlisle: 60. Huntington, Sir Charles L. East-
lake; Charles Ingham, De Witt Clinton.
Stairway to Second Floor, right: B-160, Rubens, Portrait of a
Knight of the Order of the Golden Fleece; North Wall, over arch,
B-aop, Velasquejs, Portrait of the Infanta Margarita of Spain; First
Landing, B-X42. Jacob van Oost, A Carnival Scene; second stairs,
right, aoa, 203. John Trumbull, Two Views of the Falls of Niagara,
(x) from Table Rock, (2) from the road two miles below Chippawa;
B-isa. Rembrandt, Portrait: left, B-161. Rubens, Hercules strangling
the Nemean Lion; 194. Benjamin West, Hector parting with his
Wife and Child at the Scaean Gate; 195. Benjamin West, Cryscis
returned to her Father, Cryses.
On the second floor, to the right we reach The Main
Art Gallery. Opposite the entrance to this gallery, which
extends across the entire front of the building, is a bronze
statue, The Primitive Marksman, by Fernando Miranda,
a recumbent Indian of heroic size, shooting an arrow
from a bow gripped between his toes. The paintings, begin-
ning on the west wall, at the southern corner, are as follows :
First pilaster: B-197. Lucas Cranach, Portrait of a Lady; B-201.
Hans Holbein, Interior of a Private Chapel; B-s8. Guido Rent, Christ
crowned with Thorns; First Panel: D-28. Charles Le Brun, Triumphant
Entry of Alexander into Babylon (This and the upper pictures in the
succeeding five panels form a series of Scenes from the Life of
Alexander the Great); B-213. Murillo, The Vision of St. Francis;
B-48. Correggio, Virgin and Child; D-49. Tempesia, Landing of ^neas
in Italy; B-31. Giorgione, Prince of Palermo — In Disguise; B-323.
Copy of Spagnoletto's Adoration of the Shepherds; B-122. Copy of
Jan Memling's Annunciation; B-23. Leonardo da Vinci, St. John Weep-
ing; B-66. Sassoferrato, Virgin and Child; B-200. School of DUrer,
Triumph of Christianity; B-132. Jan de Mabuse, Virgin and Child.
Second Pilaster: B-^o. Petrus van Bloemen, Cattle Market; B-33.
Titian, Xhe Repose in Egypt; B-121. Jan Memling, Marriage of St,
Catherine; Second Panel: D-29. Charles Le Brun, Alexander and
Hephestion entering the tent of Darius; B-50. Giulio Romano, Virgin
ana Child, with St. John; D-isS. Bernardino Luini, the Three Marys;
D-38. Artist unknown. Virgin and Child; B-235. Pierre Mignard,
Holy Family; B-20. Antonio Dello, Triumph of Julius Caesar; B-330.
Artist unknown. Virgin and Child; B-6 and B-7. Simone Memmi,
Virgin and Child, and The Last Judgment; B-375. Artist unknown,
Vir^n and Child; D-43. Lucas Van Leyden, The Last Judgment;
Arltst unknoxvn. The Flight into Egypt; B-ii6. Jan van Eyck, The
Crucifixion; B-25. Raphael, Birth and Resurrection of Christ; D-99.
Dutch School, i6th Century, The Flight into E^ypt; 219. Juan de
Valdes, St. Peter after denying Christ; B-43. Artist unknoxvn, Virgin
and Child, with St. John; 218. Juan de ValdeM^ St, John \n the Deaert;
■».'
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THE NEW YORK HISTORICAL SOCIETY 249
B-35I. Renier Brakenburg, Village Fete. Third Pilaster: B-22. Peru-
gino. Adoration of the Infant Christ; B-45. Andrea Mantegna, Cruci-
fixion. Third Panel: D-30. Charles Le Brun. Defeat of Darius at
Arbela; B-37. Tintoretto, Portrait of a Presbyter; B-iio. Christian
IV. E. Dietrich, Abraham discarding Hagar; 0-44. Artist unknown,
Adorafion of the Shepherds; B-57. Dotnenichino, St. Paul borne to
Heaven by Angels; B-236. Eustache le Sueur, The Dead Christ sup-
ported by the Virgin; B-^73. Ludovico Mazsolino, St. Jerome at
Prayer; B-47. Ccrreggto, Virgin and Child, Mary Magdalen and St.
Jerome; B-iii. Van Dyck, Crucifixion; D-142. Leonard Bramer,
lagi going to Bethlehem; B-109. Christian W. E. Dietrich, Presenta-
tion at the Temple. Fourth Pilaster: B-204. Martin Schoen, Adora-
tion; D-39. Dutch School, isth Century, Adoration of the Magi; B-199.
Albrecht Durer, St. George and the Dragon. (Entrance Door) Fifth
Pilaster: D-83. Gerard Honthorst, Sealing the Letter — Effect of Candle
Light; B-3a5. Michael Van Musscher, Family Group of Artist. Wife
and Children; B-367. Matthew Van Helmont, Temptation of St. An-
thony; D-52. Bar end Comelis, Kitchen Utensils; Fourth Panel: D-31.
Charles Le Brun, Alexander cutting the Knot of Gordius; B-202. Hans
Holbein, Portrait of a Professor; jD-8a. John Van Ravesteyn, Portrait
of Lucretia Van der Meulen; D-84. John de Baan. Portrait of a X^dy;
B-329. Bartholomew Vander Heist, German Baron and his Family; 224.
Anthony Stevers, Music Party; D-ioi. Henry M. Rokes, Dutch In-
terior,— Washerwomen; B-i82. Gerard Terburg, Portrait of William,
Prince of Orange; B-36S. Gerard Terburg, Portrait of a Gentleman;
B-148. Francis Porbus, Portrait of Henry IV.; 215. Gerard Douw.
Doctor and Bottle; B-346. Godfrey Schalken, The Artist; B-134. Jan
Molender, Boors regaling; B-138, Jan van Neck, Portrait; B-366,
Gerard Terburg, Portrait of a Lady; B-149. Francis- Porbus, A Noble-
man and Lady; B-ioo. Adrian Brower, Robber examining Coin by
Candle-light; B-99. Adrian Brower, Study of a Man. Sixth Pilaster: 40
John Fyt, The Huntsman's Tent — Game and Dogs after a Hunt^
D-95. Egbert van Hemskerk the Younger, Interior of a Dutch Tavern;
D-ioo. David Teniers the Younger, Starting for tne Pasture; B-X25
Cornelius Huysmans, Landscape; D-118. /. F. van Bloeman, Italian
Landscape; Fifth Panel: D-32. Charles Le Brun, Porus brought to
Alexander after his Defeat; D-94. Adam Pynaker, Landscape; D-88.
Gerard Van Battem, Stag Hunt; D-128. Nicholas Berghem, Land-
scape, with Figures and Cattle; B-335. Jan Steen, Family Fete; B-354.
Adam Pynaker, Landscape; D-121. Adrian Brower, Dutch Interior —
Beggars carousing; D-103. Rembrandt, Combat of Cavalry; D-87. John
Wynants, Landscape; Ii-120. Bonaventura Peters, Storm at Sea;
B-173. Jan Steen, Interfor, Family Scene (Portraits of Artist, Wife
and Parents-in-Law) : B-z67. Jacob Ruysdael, Distant View of Haarlem;
B-144, Adrian van Ostade, Portraits of the Painter's Wife and Child;
D-as. Tempesta, Cattle Piece; B«374. Henry Goltsius, Family Group;
D-36. Tempesta, Cattle Piece; D<i32. Karl du Jar din. Landscape, with
Cattle; Seventh Pilaster: D.59. Van Westhofen, Still Life; D-im.
Simon van der Does, Hunting Party; B-78. Jacobus van Artots, Land-
scape; D-130. John van der Meer, Dutch Windmill; Sixth Panel:
D-33. Charles Le Brun, Passage of the Granicus; B-i66. School of
Rubens, Effect of Candle Light, copied from Etching by Rubens;
D-138. Van Dyck, Samson and Deli^h; D-7. Si>agnoletto, Portrait of
a Philosopher; D-14. Salvator Rosa, Landscape; D-65. Francis Francken
the Elder, Passage of the Red Sea; B-i 76. David Teniers the Younger,
Village Fete; D-140. Emanuel de Witt, Interior of a Church; B-X7S-
Davia Teniers the Younger, Incantation Scene; B-179. The Same.
Charles V. Leaving the Town of Dort; B-145. School of Ostade, Head
of a Boor; B-203. Joachim Uytenwael, Judgment of Paris; D-ios.
Isaac Van Ostade, Tavern Interior; D-xod — D-xio. Aarian Van Ostade,
Allegorical RepresenUtion of the Five Senses, — Sight, Hearing, Taste,
L
250 RIDER'S NEW YORK CITY
Touch, Smell; Eighth Pilaster: D-75. Jacob Vanloo, The Flute Player;
D-139. G. van den Eckhout, Historical Subject; B-126. Karl du Jardiat,
Portrait.
North Wall, First Panel: 226. Diego Velasquez, Portrait of Cinq
Mars; B-87. Nicholas Berghem, Italian Scenery. Alcove, Central
Picture: B-38. Francesco Zucco, St. Benedict. On the left: D-53.
Peter Bout, Halt at a Tavern; B-194, Henry Martin Rokes, Still Life;
B-205, Valkenburg, Landscape, with Figures; B-147, Cornelius Poelem-
burg, Lanscape, with Figures; D-104. Daniel Vertangen. The Deluge;
B-206. Valkenburg, Landscape; D-92. Ary de Voys, The Happy
Burgher. On Right: B-i 62. Rubens, Landscape, with Figures; B-89.
Nicholas Berghem, Cattle and Herdsmen; D-126. Egbert van der Poet,
Burning of a Cottage at Night; D-86. John Miel, Hunters Resting;
B-186. Adrian van de Velde, Landscape, with Animals; B-3S1. Renter
Brackenburg, The Village Fete; B-146. Isaac van Ostade, A Dutch
School. Last Panel: B-112. Anthony Van Dyck, Portrait of a Lady;
D-74. Otho Marcellis, Reptiles, Birds and Insects; B-114. Gerard Douw,
The Artist in his Atelier.
East Wall. First Pilaster: B-234. Pierre Mignard^ Portrait of
a Lady at her Toilet; B-183. Willimn van de Velde, Marine View;
B-178. David Teniers the Younger, Boors Regaling and Playing Skit-
tles; First Window Alcove: D-64. Solomon Ruysdael, Crossing tht
River; D-143. Matthew van Helmonty Musical Party; D-69. Jan van
Hughtenburg, The Riverside; D-9. Tintoretto, Martyrdom of St. Se-
bastian; D-123. John Lingelbach, A Sea Fight; B-107. Guillam Dubois,
Landscape, with Figures; Second Pilaster: B-291. Sir Joshua Rey-
nolds, Portrait; B-259. Robert Tourniire, Portrait of a Receiver-
General; B-141. Casper N etcher. Portrait of Madame de Montespan;
B«i292. Benjamin West, Pallas appearing to Achilles, after the Death
of Patroclus; B-26S. Jean Baptiste Greuee, Sketch of a Female Head;
Second Window: D-146. P. B. Ommeganck, Landscape with Sheep and
Figures; D-21. Francesco Albano, Nymphs disarming Cupid; D-98.
Daniel Vertangen, Women Bathing; D-116. John Horremans, the
Elder, Tavern Scene; D-122. L. Backhuysen, Seaport; D-119. Albert
Flamen, Birds and Fish; D-129. Albert Cuyp, Fruit Piece. Third Pi-
laster: B-249, Pompeo BaWoni, Portrait of the Cardinal de Rochechouart ;
B-262. Jean Baptiste Greuze, Portrait of the Due de Choiseul; 43.
George Morland, Dogs Fighting.
Third Window: D-145. John Wynants, Landscape; B-143. Jacob
van Ochterveldt, Lady Playing with a Dog; D-137. John van der
Heyden, Chateau and Park; D-79. William - Kalf, Kitchen Utensils;
B-185. William van de Velde, Marine Vie)|i; B-284. M. Dykemarts,
Portrait of an Old Man; D-134. John Tilius, Playing the Bagpipe;
D-148. H, Van Hove, Kitchen Interior; D-136. Artist unknown,^ The
Pedler. Fourth Pilaster: B-51. Agnolo Bronzino, Portrait of a Princess
of Florence; B-198. Balthazar Denner, Portrait; B-130. Nicholas Maas,
Portrait. Fourth Window: D-73. Anthony Waterloo, Landscape; D-131.
Leonard de France, Card Players; B-119. Albert Flamen, Birds and
Fish; D-i 27. Egbert van der Poel, Burning of a Cottage at Night;
B-157. Theodore Rombouts, Windmill on a Canal; D-S7. Andreas Both,
Miracle of the Loaves and Fishes. Suspended on Wall Brackets: B-5.
Giotto di Bondone, Knights at a^Tournament ; B-18. U cello. Birth of
John the Baptist. Fifth Pilaster: B-243. Nicholas de LargilUere. Por-
traits of Two Ladies; B-353. /. B. Simeon Chardin, Portrait; B-343.
Constantine Netscher, Portrait of Margeretha De Bije. Fifth Win-
dow: B-189. Jan Baptist Weeninx, Ruins, with Figures; D-89. Minder-
hout Hobbema, Evening Landscape; D-91. A. Verboom. Evening Land-
scape; B-360. Artist unknown. Marine View; B-250. Pompeo Battoni,
Head of a Boy; B-371. Artist unknown. The Lovers; 6-193. Jan
Wyants, Landscape; B-79. Jan Asselyn, Landscape; D-18. School of
THE NEW YORK HISTORICAL SOCIETY 251
Correggio, Holy Family. Sixth Pilaster: B-129. Sir Peter Lely, Por-
trait; B-326. Constantine Netscher, ^neas and his Son Ascanius visit-
ing Dido; D-60. School of Van Dyck, Portrait of a Gentleman; Sixth
Window: D-ias. Peter Verelst, Tavern Interior; B-80. School of
Asselyn, Landscape; D-124. John van Geel, Rendezvous of Smugglers;
D-70. L. Backhuysen, Marine; B-105. Albert Cuyp, Cattle and Figures
in a Landscape; D-117. John Horremans, the Elder, Tavern Scene;
Seventh Pilaster: D-3S. Hyacinthe Rigaud, Portrait of a French Gentle-
man; B-261 Jean Baptiste Greuze, Repetition of the L'Aveugle Dupe;
B-180. David Tenters, the Younger, Parable of the Laborer who re-
ceived a Penny (contains portraits of Rubens, Rembrandt and two of
Tenier's Children); Seventh Window: D-141. David Ryckaert, Dutch
Interior — Effect of Candle-light; D-144. Karl du Jardin, Farmyard —
Peasants Playing Cards; D-150. Barend C. Koekkoek, View on the
Moselle River; D-147. Jan Kobell, Pasture-field; D-iq£^ Anthony de
Lorme, Interior of a Church; D-153. Artist «nfen^om, Evening Land-
scape— Sunset; D-13S. Philip Wouwermans, Landscape with Figures.
Eighth Pilaster: B-158. Rubens, St. Catherine; B-266. Nicholas Bernard
Lepicie, The Sister.
South Wall: D-114. Lucas Cranach, Frederick I, Emperor of
Germany; D-44. Martin Van Veen Hemskerk, St. Paul preaching at
Athens; B-333. Artist unknown^ Triptique: B-ii. Giottino, A Taber-
nacle; (Centre Alcove) B-3. Guido of Siena, Virgin and Child, with
Four Saints; B-133. Quintin Matsys, Tryptique; B-15. Buonamico
Buffalmacco, A Tabernacle; B-28. Guadensio Ferrari, St. George and
St. Anthony of Padua.
The Reading Room, on the west side, above the audi-
torium, contains two memorial windows : The Arrival of the
Dutch Ship, given by the Daughters of Holland Dames, and
The Revocation of the Edict of Nantes, designed by Mary
Tillinghast,
In the Basement are about thirty original water-color
drawings by Audubon for his well known work on birds;
also a collection of fourteen oil paintings of the Incas of
Peru, said to be the original pictures from which the por-
traits were engraved for Herrera's Historia General de los
hechos de los Castellanas.
The collection of Egyptian Assyrian antiquities is dis-
tributed in cases along the corridors of the first and second
floors. They are in most cases adequately labeled.
IV. Riverside Drive to Manhattanville
{From 72nd to 130th Streets)
♦Riverside Drive, with the Park beside it (PI. V — A1-5)
extends along the high bank of the Hudson from 72d to
Dyckman st, affording fine views of the river and the Jersey
shore. On the river side of the broad tree-shaded boulevard,
with its speedway, brfdle path, and pedestrian walks, is the
long, narrow terraced park, with the Hudson below; on the
other side are a few detached residences and many beautiful
cipartment houses.
252 RIDER'S NEW YORK CITY
The Drive can be enjoyed from the top of a motor bus (p. 29)
or from a public carriage (p. 28) or on foot. The S. end is reached
from 72nd St. subwav station; by the 72nd st. station of the 6th and 9th
ave. elevated lines, here on the same track; or from Broadway or Am-
sterdam surface cars; The N. end can be reached from the 128th st. sub-
way station; the Broadway surface, and all Fort Lee ferry surface cars.
Beginning at the southern end of the Drive and going
north, on the right betw. 73d and 74th sts. is the Charles M.
Schwab Mansion, one of the most beautiful city residences in
the world, built in the French chateau style of 1500. The
house contains a famous organ. The land cost $860,000 and the
building cost $2,000,000 more. After the deaths of Mr. and
Mrs. Schwab the building and ground are to become the
property of the city.
At 76th St. is the Hamilton Fountain (Warren & Wet-
more, architects), a large, shell-shaped granite basin, intended
as a drinking-trough for horses.
At the S. corner of 89th st. is the residence of Schinasi,
the cigarette maker. It. was formerly owned by the late
Isaac L. Rice, who named it Villa Julia, after his wife, the
founder of the Society for the Suppression of Unnecessary
Noise. At the N. corner, the residence of the widow of
Bishop Potter,
The ^Soldiers' and Sailors' Monument, well placed on a
bluff overlooking the river, is a circular marble structure,
erected in 1902, at a cost of $250,000, to commemorate the
valor of the soldiers and sailors who fought in defence of the
Union from 1861 to 1865. (C. W. and A, A. Houghton,
architects; Paul E. Duboy, sculptor).
The monument is of white marble in the form of a small circular
Greek Temple, resembling the choragic Monument of Lysicrates, with
a peristyle of 12 Corinthian columns and a frieze of eagles. A clear
echo can be heard within. In front of the monument is a copy of
Houdin's statue of Washington, a gift from the school children. Fine
View here, of the Palisades and Ft. Washington Point.
Near 90th St. is the former residence of John H.
Matthews, who won a fortune from effervescent soda; it is
a noticeable house, with numerous balconies and a red-
tiled roof.
At Riverside Drive and 93d St. is the new Joan of Arc
Statue, an equestrian bronze figure, from models by Anna
Vaughn Hyatt, on a pedestal designed by John J, Van Pelt.
The Maid of Orleans is represented with the visor of her helmet
raised as she gazes upward, her slender arm holding her great sword
aloft. Part of the stone of the pedestal came from the recently demol-
ished prison in Rouen, in which she was confined. The statue was un-
veiled Dec. 6th, 1915*
RIVERSIDE DRIVE 253
At 96th St. and the Drive, upper cor., is the CHjf Apart-
ment House, a narrow, twelve-story structure of sandstone
and buff brick. At the second elevation is a frieze in low
relief, carrying out symbolically the idea of Arizona Cliff-
dwellers, mountain lions, rattlesnakes, buffalo skulls, etc.
At 96th St., on a hill N. E. of the viaduct was the site of the
Strykers Bay Mansion. In 1837 ^n old elm on the property was about
to be cut down, but was saved as a result of the familiar poem by
George W. Morris, "Woodman, Spare That Tree."
The large covered vessel lying at the foot of 97th st. is the old
wooden fri^te "Granite State," now occupied by the ist Battalion,
Naval Militia. -A sea-going naval vessel for practice is moored beside
her.
At looth St. is the Firemen's Memorial, erected in 1913
to commemorate the heroic deeds of New York Firemen,
(designed by H. Van Bur en Magonigle, with sculptures by
A ttillio PiccirilU) .
It is a simple oblong monument of limestone. On the river side,
.in low relief is a spirited rendering of a fire-engine with horses at
full speed. At the N. and S. ends are sculptured groups: (i) A female
figure clasping a man's dead body; (2) A female figure protecting a
little child.
At I02d St., the house set back and surrounded by a
garden, belongs to Mrs. Bertha Foster, the widow of the in-
ventor of the patent glove hook. The house is built entirely
of iron.
At io6th St. is an equestrian statue in bronze of General
Frans Sigel (1824-1902) by Karl Bitter, «
At io8th St. is the highest and most sightly part of the
drive.
From ii6th St. looking northward, one sees examples
of many new types of apartment house buildings.
At I22d St. Riverside Drive forks to R. and L., enclosing
a narrow central triangle, containing the chief monument in
point of interest on the whole length of the Drive
♦Grant's Tomb. Adm. free 10 a. m. to 5 p. m. The mauso-
leum is somewhat back from the bank of the Hudson, but
visible from many points in the harbor and river. The height
is 150 feet from the ground and 280 ft. above mean high
water. The tomb was built from design of /. H. Duncan
and finished in 1897. The material is white granite quarried
in North Jay, Me. Only large and flawless blocks were used.
The interior of the tomb is lined with snow white marble
from Lee, Mass. The cost was $600,000 donated by 90,000
subscribers, most of whom were New York citizens, none of
whom gave over $5000.
254 RIDER'S NEW YORK CITY
The entrance is on the south side, and is approached by steps 70 ft.
wide and a portico formed of double lines of columns. The first story is
Doric in style, 90 ft. square and finished with a cornice and a parapet,
at a height from grade 72 ft.; above this is a circular cupola 70 ft. in
diameter supported by Ionic columns, and surrounded with a pyramidal
top. The interior is cruciform in plan, 76 ft. at the greatest dimen-
sion; the four corners being piers of masonry connected at the top by
coffered arches, the top of wnich are 50 ft. from the floor level. On
these arches rests an open circular gallery of iio ft. inner diameter. The
surfaces between the planes of the faces of the arches and the circular
dome form pendentives which are decorated in high-relief sculpture,
the work of /. Massey Rhind, and emblematic of the oirth, military and
civil^ life and death of General Grant. (1822- 1885.) The sarcophagus
resting in the open crypt, is a single piece of red granite bearing the
name Ulysses S. Grant, supported by a granite pedestal A similar sar-
cophagus beside it contains tne remains of his widow. The stone for the
sarcophagi was quarried at Monteiro, Wis. The approach to the crypt
is by stairways which give access to a passage encircling the space
dedicated to the sarcophagi. This space is surrounded by sciuare columns
supportixig paneled marble ceilings and entablature. Adjoining rooms
contain fmgs of the Civil War.
(Grant's Tomb may conveniently be reached by Riverside Motor
bus running up 5th ave. to 57th St.; Broadway subway to ix6th St., or
128th St. (Manhattan st.'J, walk W.; or Broadway surface car to i22d-
st., walk W.)
Behind the tomb is a Gingko Tree, (Salisburia adianti-
folia), sent by Li Hung Chang, the Chinese statesman, and
planted by Yang-Yu, A tablet in English and Chinese reads:
"This tree is planted at the side of the tomb of Gen. U. S. Grant,
ex-President of the United States of America, for the purpose of com-
memorating ^is greatness, by Li Hung Chang, Guardian of the Prince,
Grand Secretary of State, Earl qf the ^irst Order Yang Hu, Envoy
Extraordinary and Minister Plenipotentiary of China, Vice-President
of the Board of Censors, Kwang Hsu, 23d year, 4th moon, May 1897."
N. E. of the tomb are Japanese cherry trees and a tablet presented
by the Japanese government in 19 12 in honor of General Grant.
To the N. of the Tomb is a fine Viaduct over Manhattan-
ville Valley, from which sweeping views of the Palisades,
the Hudson, and Fort Washington Point, can be obtained.
The square white house immediately north of Grant's
Tomb is the Claremont (PI. XI — A7), a noted al fresco
restaurant.
(Motor bus up Riverside Drive; Broadway subway to ii6th St.,
walk W. to Riverside, N. to i22d st. or remain on subway to 128th st.;
Broadway surface car to i22d St., walk W. 2 blocks.)
The house was built soon after the Revolution by
Michael Hogan and named after Claremont, the rojral resi-
dence in Surrey of Prince William (later King William IV.)
who was a fellow midshipman with Hogan in the English
navy and visited him in America (according to other authori-
ties, it was named after County Clare, Ireland, in which
Hogan was born). Later occupied by the Earl of Devon.
In 181S Joseph Bonaparte (later King of Spain) lived here.
It has been a restaurant since 1872. The trial trip of the first
MORNINGSIDE HEIGHTS 255
steamship, Fulton's Clermont, took place on the river opposite
this point.
Between The Claremont and Grant's Tomb is a child's grave
marked by a tombstone bearing the quaint inscription: "Erected to the
memory of an amiable child, St. Clair Pollock, died 15 July, i797» ^Q
the 5 year of his age. Man that is born of woman is of few years, and
ful of trouble. He cometh forth like a flower and is cut down; he
fleeth also as a shadow and continueth not." This child was the nephew
of George Pollock, a New York merchant who at one time owned Clare-
mont. In his conveyance of the property in 1800 he stated: "There is
small enclosure near your boundary fence within which lies the remains
of a favorite child, covered by a marble monument. You will confer
a peculiar and interesting favor upon me by allowing me to convey the
enclosure to you, so that you will consider it a part of vour own estate,
keeping it, however, always enclosed and sacred. There is a white
marble funeral urn prepared to place on the monument which will not
lessen its beauty."
V. Morningside Heights
{East of Riverside Drive from iioth to 125th Streets)
Morningside Park, W. and N. of Central Park, extends
from I loth st. to 123d st. It occupies rocky ground, rising to a
height of 100 ft., with the battlement and heavy staircases.
At 123d St. is Fort Laight, a blockhouse built to defend the
city in the War of 1812, marked by a tablet erected in 1904
by the Women's Auxiliary to the American Scenic and His-
torical Preservation Society. At 114th st. and Manhattan
ave., E. of the Park, is a statue group of Washington and La-
fayette, by Bartholdi, presented by Charles Broadway Rouss.
The Battle of Ha&lem Heights^ the great historic event of this
neighborhood, occurred Sept. 16, 1776. The American Army had re-
treated from Long Island, up Manhattan Island, to above what is now
Manhattanville Valley, around 125th st. and Manhattan st., then called
"The Hollow Way," with headquarters at Jumel Mansion. The British
had followed and encamped the night preceding the battle, about 104th
St. The Americans induced the British to advance into the valley. at>
tacked them in front and by a flank movement, driving them back to
the famous buckwheat fleld where Barnard College now stands. The
heaviest fighting took place here from la o'clock till 2 p. m. The Ameri-
can army was victorious in the engagement, the British retreating. The
Americans lost 30 men and had 100 wounded. On the west wall of the
Hall of Engineering of Columbia University is a bronze tablet with the
inscription: "To commemorate the battle of Harlem Heights, won by
fVashtngton's troops on this site, September 16, 1776. Erected by the
Sons of the Revolution in the State of New York.
Passing N. on Amsterdam Ave. from iioth st. the
traveller will note a number of imposing structures.
The Protestant Episcopal Cathedral of St. John the
Divine (PI. V — Bi) occupies the former site of the Leake
and Watts Orphan Asylum, extending from iioth to 113th
sts. and from Morningside to Amsterdam aves. (see p. 257).
The large marble building on Amsterdam Ave. from 113th
St. to 114th St. is St. Luke's Hospital. Its capacity is 300
ST. JOHN THE DIVINE 257
dormitory room and the Chapel. The chapel is the ^ft of Mrs. D.
Willis James, in memory of her husband. The nave is 100 ft. x 40 ft.
The chapel seats 400 on the floor and 100 in the gallery, beside the
faculty seats.
A commemorative limestone tablet is set in the N. wall of the
chapel vestibule. Opposite, on the stairway approach from the quad-
rangle entrance, is a tablet of dedication to Dr. William Adflms, taken
from the Adams Chapel in the old Seminary.
The memorial windows in the S. wall shows the twelve Apostles:
"Go ye into all the world and preach the Gospel to every creature,"
it is dedicated to "Daniel Willis James, 1822-1907."
In the chapel tower is a fully equipped infirmary. The seminary is
affiliated with New York University (p. 360) and is independent of
ecclesiastical control. The attendance is about 250 students.
Manhattan College, Broadway and 131st St. (PI. XI —
A8) is a Catholic institution first opened as an academy in
Canal St. in 1849. It moved to its present quarters in 1863.
Contains High School and College Depts.
VI. The Cathedral of St. John the Divine
**The Cathedral of St. John the Divine (Protestant
Episcopal) extends from iioth to 113th streets and from
Morningside to Amsterdam aves. (PI. 5^— Bi). This land was
acquired in 1887 at a cost of $850,000. (The Cathedral may
be reached by Broadway subway to Cathedral Parkway;
6th Ave. elevated to iioth St.; surface cars on Amsterdam
Ave. or Broadway and 5th ave. busses). The Cathedral is
open every day in the year from 7 a. m. to 5 p. m. Services
are held Sun., 8 a. m., 11 a. m., 4 p. m. Week days, 7:30 a. m.
and 5 p. m. The building was begun in 1892, and will not
be completed for some years. The plans, drawn by Heins
and La Farge, were chosen in a competition of 25 architects
in 1891. But upon the death of Mr. Heins the contracts with
this firm was ended. Upon the completion of the choir
in 1911 they appointed Ralph Adams Cram, of the firm of
Cram and Ferguson, whose new plans involve some radical
changes, as supervising architect.
In their report to the Trustees the new architects held that it
would be impossible to add to the existing Cathedral a nave and tran-
sept closely following the traditional lines ox French and English
Cathedrals, and consisting of a series of narrow bays extending with-
out variation to the N. S. and W. terminations. Their. new plans sub-
stitute a system of great sc[uares, the nave consisting of a sequence
of four of these squares, supported on powerful piers, with arcade,
triforium and clerestory pushed laterally to the: extreme limits of the
building. The original plans of Heins and La Farge contemplated a
single tower surmounting the central dome. The second important
change is embodied in an alternative scheme, submitted by Mr. Cram
and calling for a low crossing tower, flanked by two very lofty tran*
septal towers. The question is not yet decided and the nave has beei^
258 RIDER'S NEW YORK CITY
so designed that it will be possible later to carry out the crossing
treatment in either of the two suggested ways, or - perhaps in some
third way yet undetermined.
The cost of th'e building is expected to be about four millions.
The dimensions of the Cathedral as originally designed are as
follows: Length, £. and W., 520 ft.; Length of Transept, 288 ft.;
Height of Western Towers, 245 ft.; Height of Central Tower, 425
ft.; Length' of Choir, 120 ft.; Height of Choir, 118 ft.; Height of
Dome, 252 ft. ; Area of Cathedral, 99,500 sq. , ft. The new plans,
however, will involve some changes in these figures. The length, for
instance, of the finished structure will probably be over 600 ft.
The general architectural design of that portion of the
Cathedral already erected is Romanesque, with a Byzantine
influence. The material is in part a cream-colored granite,
from Lake Mohegan, N. Y. The interior facing is Frontenac
stone, from Pepin Co., Wisconsin. The Choir was com-
pleted by Mr. La Farge, after the death of his partner, Mr.
Heins, in 1907.
The Choir, which is now available for services, is less than
half the ultimate structure in lenjg^h and breadth. The dome, later
to be covered, according to the original plans, with a tower, was laid
without inside suppiort. At all times during the advance of the roofing-
in the dome was self-supporting and bore the weight of the workmen.
This was considered an extraordinary architectural feat. This laying
of the tiling of the dome was begun May i, 1909, and completed August
.16. The ceiling will later be concealed with mosaic. The material of
the dome is burnt clay slabs, is in. long by 6 in. wide and i in. thick.
There are six courses at the base, decreasing to three at the crown.
The method is an invention of Guastavino, a Spanish architect who
came to America about 1885. This is one of the largest masonry domes
in the world, having a diameter of 105 ft., and a height of 180 ft.
from floor level to crown. The following are the diameters of the
largest domes in European churches: the Pantheon, ^Rome, 142 ft.;
St. Peter's, Rome, and the Duomo, Florence, 139 *ft. ; St. Soph a,
Constantinople, 115 ft.; St. Paul's, London, 112 ft.
A striking feature of the choir is the eight Maine granite
pillars, set in a semicircle about the altar. Each pillar is
composed of only two pieces, the joining being two-thirds
of the way up. They are 54.6 ft. high and 8 ft. in diameter
where they rest on the base. Each weighs 120 tons. Three
30-horse-power engines were set up inside the building in
front of where the altar now stands to raise the columns.
Several weeks were consumed in making the calculations
for raising each, although the actual placing was done in
about fifteen minutes.
All the pillars are memorials, and on the base of each, on the
ambulatory side, are recorded the names with accompanying dates. It
is said that no structure in the world, with the exception of St. Isaac's
in Petrograd, has columns approaching them in size.
The Altar is of Vermont marble. The reredos, sur-
mounted by a cross, is of Pierre de Lens, resting on a base
of yellow Numidian marble. In the center is a majestic
ST. JOHN THE DIVINE 259
figure of Christ, by Leo Lentelli (7 ft. high). The other
figures represent Apostles and Prophets : on the S. or Epistle
side, the large figure represents Moses, the smaller figures
Isaiah, Jeremiah and Ezekiel; on the N. or Gospel side, the
large figure represents St. John the Baptist ; the three smaller
figures are the Apostles Peter, James and John. These
figures were made by Otto Jahnsen. The sixteen angels
occupying various positions in the reredos, are the work of
Leo Lentelli.
Near the front of the altar, imbedded in the marble
floor, is a fourteen-inch square red tile, from the ancient
Church of St. Jofen the Divine, built at Ephesus by Justinian
in 540 A. D., over the site of St. John's grave.
The Bishop's Throne and Choir stalls are of American
oak, hand carved, and are reproductions of the stalls in the
Cathedral of St. Domenico, Taormina, Sicily.
On the top of certain stalls are carved figures of great musicians:
South side (W. to £.) : i. King David; 2. St. Cecelia; 3. Palestrina
(1524-94); 4. Henry Purcell (1658-95; organist of Westminster Abbey);
5. Haydn (1732-1809); 6. Mendelssohn.
North side : 7. Asaph (King David's leading Chorister) ; 8. St.
Gregory the Great (540-604, introduced the Gregorian chant); 9.
Thomas Tallis (1515-85, father of English cathedral music); 10. Bach
(1685-1750); II. Handel (1685-1759); 13. Dimitri S. Bortniansky (1752-
1825), he systematized Russian church music). The sculptor of these
statues was Antonio Ifillar.
The most valuable artistic possession of the Cathedral,
aside from the sculptures and architectural adornments, are
the *Barberini Tapestries, the gift of Mrs. Elizabeth Under-
bill Coles. They formerly adorned the Barberini Palace at
Rome, and were the product of the manufactory formed
by Cardinal Barberini in the early part of the 17th century.
One of the tapestries, representing Jerusalem and its environs,
is not at present aisplayed; the remaining eleven are placed as fol-
lows: on tne walls of the Crossing: 1. The Last Supper; 2. Adoration
of the Shepherds; 3. Flight into Egypt; 4. Delivery of the Keys to
St. Peter. In the ambulatory (beginning on the left): 5. The Baptism;
6. The Annunciation; ^. The Adoration of the Magi; 8. (in the cen-
ter above reredos and underneath E. window), The Crucifixion; 9.
The Transfiguration; 10. The Resurrection; 11. The Agony in the
Garden.
Opening upon the Ambulatory Close about the Sanctu-
ary are the seven *Chapels of Tongues, representing seven
different rites. All are memorials, one of them dedicated
to the late Bishop Potter, who was one of the first and most
ardent friends of the scheme of having services conducted
in seven different languages.
The chapels are situated in the following order, be-
ginning on the north side:
26o RIDER'S NEW YORK CITY
1. St. Ansgarius; Scandinavian rite, a memorial to the
late William R. Huntington, former Rector of Grace Church,
and Chairman of the Cathedral Building Committee. The
design is 14th century Gothic (Henry Vaughan, architect).
Interior not yet completed.
2. St. Boniface; Holland chapel; German rite. Erected
by Mr. George Sullivan Bowdoin. This chapel is on the
order of 14th century English Gothic. The Altar and retable
are of gray Knoxville marble. Stained glass windows are
in preparation. In the western bays, which are without
windows, stand three statues, St. Boniface, Thomas a Kempis
and Erasmus (Henry Vaughan, architect).
3. St. Columba; Scot's chapel; British rite. Given by
Mrs. Edward King in memory of her daughter Mary. The
interior walls are of Frontenac stone with a base of polished
Mohegan granite, above which is a moulding of yellow
Verona marble. Just within the entrance in niches in the
pillars are twenty statues of prominent churchmen, repre-
senting the successive stages of the development of Christianity
in England. (IJeins and La Farge, architects).
North Side: i. St. Alban (d. 304); 2. Augustine of Canter-
bury (d. 604); 3. Venerable Bede lea. 673-735); 4. King Alfred
(871-900); 5. John Wycliffe (ca. 1324-84); 6y William of Wykeham
(1324-1404); 7. Richard Hooker (1554-1600); 8. Jeremy . Taylor (1613-
67)1 9. John Wesley (1703-91); 10. Reginald Heber (1783-1826).
South Side; 11. St. Aidan (d. 651); 12. Theodore of Canterbury; 13.
St. Anselm (1033-1109); 14. Stephen Langton (1150-1228): 15. Thomas
Cranmer (1489-1566); 16. Matthew Parker (1504-75); 17. (jeorge Berke-
ley (1685-1753); 18. Joseph Butler of Durham (1.692-1752); 19. John
Keble (1792-1866); 20. Frederick Denison Maurice (1805-72). Alf the
sculptures are b>* Gutson Borglum. The pictorial windows represent
(from N. to S.) : i. St. John; 2. The Baptism of Christ; 3. St. Paul.
The other windows, in the grisaille, are copied from the so-called
"Five Sisters,** the famous lancet-windows in the N. Transept of
York Cathedral, England. They were made by Clayton and Belt,
London.
4. St. Saviour's Chapel: Oriental rite. This chapel was
given by Mr. August Belmont, in memory of his wife, Bessie
Morgan Belmont. It is of the Gothic order of architecture
and designed by Heins and La Farge.
The interior walls are of Frontenac stone, with a base of red
Chrystalline stone; the Altar is of Carrara marble; the reredos
is of Siena- marble. The niches of the ambulatory arch are occupied
by angels. Those to R. and L. of the East Window contain figures
of Bishops, Saints and Scholars of the Eastern Church iGutson Borg-
lum, artist). The center East Window represents The Transfiguration,
Moses and Elias respectively on R. and L. ; North Window (above),
The Burning Bush; (below) Moses Lifting Up the Brazen Serpent;
South Window (above), The Angel Appearing to Elijah; (below), Eli-
jah's Sacrifices (made by Hardman, Birmingham, England).
ST. JOHN THE DIVINE 261
5. St. Martin of Tours; Huguenot chapel; Gallican rite.
This chapel is in memory of William P. Furniss, his wife
and their daughter Sophia. It was designed by Cram and
Ferguson, and is on the order of French Gothic of the early
part of the 13th century. Its chief interest lies in its care-
fully studied proportions, and its successful reproduction of
the essential qualities that distinguished the highest type of
Mediaeval work.
6. St. Ambrose. Italian rite. It was the gift of Mrs.
Sarah Whiting Rives, in memory of her father, Augustus
Whiting, and other members of the family. The chapel is
Renaissance in design (Carrdre and Hastings, architects).
The altar and retable are of white alabaster. On r. of reredos
is the figure of St. Ambrose: on 1. St. Francis; in the six
smaller niches are figures of St. Benedict, St. Agnes, Dante,
Fra Angelico, Galileo, and Savonarola. The marbles used
in the chapel are all from Italy. The floor is of gray Siena
and red Verona marble; the walls of Rosato, and the steps
of Cenere. In the wrought-iron screen at the entrance are
seven groups, representing seven scenes from the life of
St. Ambrose. Services are held in Italian.
7. St. James (the Great). Spanish chapel; Mozarabic
rite. Given by Mrs. Elizabeth S. Potter in memory of her
husband, Henry Codman Potter. The design is 14th century
Gothic (Henry Vaughan architect). The altar is of gray
Knoxville marble. On the front is carved a bas-relief of
Da Vinci's Last Supper. In the center of the reredos is a
high-relief of The Transfiguration; beneath this is a repre-
sentation of The Nativity. The windows from N. to S. repre-
sent St. Lawrence, St. James, St. Vincent (Kempe and Co.,
London, makers). In the blank panels formed by the mullions
are statues of Sts. Peter and Paul.
The chapel also contains the following statues: West Wall,
center niche, Christ with St. James the Great and St. James the Less;
East Wall, St. Augustine of England and St. Gregory the Great;
North Wall, William of Wykeham; West end of Aisle, Venerable Bede.
Three of the seven chapels, St. Saviour, St. Columba
and St. Ambrose, have been consecrated. Of the remaining
four, all but St. Ansgarius are practically ready for
consecration.
Bishop Henry Codman Potter (1834-1908), was consecrated in 1883
at Grace Church (p. 155), of which he had been Rector for fifteen
years. On Oct. 30, 1908, the 2Sth anniversary of his consecration,
his funeral waa held in Grace' Church and his body deposited in a
vault under the Sanctuary of the Cathedral.
262 RIDER'S NEW YORK CITY
His monument, the first to be erected in the Cathedral, consists
of a sarcophagus oi Siena marlble. Resting upon it is a recumbent por-
trait figure of Bishop Potter, done in Serevezza marble JiJames E.
Fraser, artist).
The Crypt has been closed to visitors since 191 1, when
the Choir was completed and opened for services. It is
popularly supposed to have been hewn out of solid rock,
including the supporting pillars, and this statement has
found its way into several guide-books. In point of fact,
as any visitor might have seen for himself, the pillars and
the rest of the visible stone work are of Maine granite, differ-
ing radically from any stone to be found on Manhattan
Island (p. XVII). The famous *Tiffany C/ia/>^/ (exhibited at
the World's Fair), made of mosaic glass, the altar being com-
posed of 150,000 separate pieces, is here, although not in its
complete and original form, the limitations of space neces-
sitating the omission of some important features, including
three out of the five elaborate stained-glass windows. The
present intention is to enlarge the crypt, so that the Tiffany
Chapel may be readjusted and extended to its original
dimensions.
^ The architectural scheme of the Cathedral includes an extensive
series of external ^ sculptures. Those that have been already com-
pleted and placed in position are as follows: a bronze statue of St.
Gabriel, surmounting; the choir; he faces east and is blowing a trum-
pet ^ iGutzon Borglum, artist) ; ten statues on the exterior walls of the
choir, heroic sizes as follows: i. St. Simon, with saw; 2. St.
Jude, with spear; 3. St. Matthew, with bag: 4. St. Andrew, with cross;
5. St. Peter, with key; 6. St. James the Great, with shepherd's crook;
7. St. Thomas, with square; 8. St. Bartholomew; 9. St. Philip, with
cross; 10. St. James the Less (all modeled by Gutzon Borglum).
The exterior statues on the chapels, so far as they are in place, in-
clude the following: St. Saviour's Chapel,i (at apex of gable) the
Child Christ; (on either side of the great window) The Angels of
the Resurrection; (below the window) Tne Virgin, between St. Simeon
and St. Zacharias. {Gutzon Borglum, artist). St. Columba's Chapel:
The four Patron Saints of the British Isles; St. George, of England;
St. Andrew, of Scotland; St. Patrick, of Ireland; St. David, of Wales
iGutzon Borglum, artist). St. Boniface's Chapel: Charlemagne, Al-
cuin, Gutenberg and Luther.
Immediately S. of the Crossing of the Cathedral stands
the Old Synod House, formerly the Leake and Watts Asy-
lum Building. Here, in a room fitted up as a chapel, religious
services were inaugurated January ist, 1892.
At the corner of Amsterdam Ave. and iioth St. is the
Nezv Synod House, erected in 1912, from plans by Cram^
Goodhue and Ferguson. It is used not only as administration
headquarters and meeting place for the Diocesan Conven-
tion and other ecclesiastical assemblies, but also as a peo-
COLUMBIA UNIVERSITY 263
pie's forum, where men may meet and hold discussions, ir-
respective of creed.
This building, constructed of a warm-colored West Virginia stone,
is architecturally noteworthy, being modeled upon the work of the
best period of French Gothic (13th century). Note especially the
sculptures of the west door (by John Evans and Company , Boston).
In the tympanum is shown Christ sending His Disciples into all the
World to preach the Gospel. In the triple molding of the arch are
three series of sculptured figures (reduced scale) representing human-
ity in the various walks of life: in the outer molding, kings and poten-
tates, civil and religious; in the second, the learned professions, doc-
tors, lawyers, astronomers, etc.; in the third, the crafts and trades.
The building contains a number of paintings, including portraits of
the deceased Bishops of New York; also • a marble bust of Bishop
H. C. Potter, by Leopold Bracony.
The Bishop's House and the Deanery (also by Cranir
Goodhue and Ferguson) occupy respectively the south and
southeast sides of the Cathedral close. They are French
Gothic, of a later period than Synod House, and with high
roofs of the chateau type.
At Morningside Ave. and iioth St. is the Choir School,
erected in 1913, from plans by Cook and Welch. The style
adopted is English Collegiate Gothic, but without excessive
formality. Note the intentionally unsymmetrical design of
the two gables.
Boys with fine voices are received here from all over the country.
They live here and receive both mn'^ical and academic education. The
choir numbers about 65. Betw. these two corner buildings are the
Bishop's Residence and the Training School for Deaconesses.
North of Synod House is the Open-Air Pulpit, presented
in memory of Caroline Phelps Stokes, by her sister, Miss
Olivia Phelps Stokes. .The idea was suggested by the sight
of the similar open-air pulpit attached to the Cathedral
Church of Perugia, Italy.
It is a Gothic structure, of Daytona stone, covered with a groined
vaulting and surmounted by an open spire forty ft. in height {How-
ells ana Stokes, architects).
VII. Columbia University
♦♦Columbia University extends from 114th to 120th sts.
and from Broadway to Amsterdam ave. The university
grounds also include the land to the west from Ii6th to 120th,
betw, Broadway and Claremont ave., upon which Barnard Col-
lege is situated; to the north the blocks from 120th to 121st,
betw. Broadway and Amsterdam ave. upon which Teachers
College and the Horace Mann School is situated; to the east
the block bounded by ii6th and 117th sts., Amsterdam ave.,
and Morningside ave^ upon which the president's house,
264 RIDER'S NEW YORK CITY
the Crocker Cancer Research Laboratory and the University
greenhouse are situated. "An Official Guide to Columbia
University," (25c.) is for sale at the university bookstore in
the basement of the Hall of Journalism, S. E. cor. Broadway
and ii6th st. A model of all the university buildings (20 ft.
X 35 ft), including those planned as well as those erected,
(gift of F. Augustus Schermerhorn, Qass of 1868) is in the
basement of Kent Hall, S. W. corner ii6th st. and Amsterdam
ave. Take elevator on left of vestibule. For permission to
ascend to the dome of the library apply td the Superintendent,
Room no, S. E. corner of basement of the library, betw. 10
and 4, except Sundays' and holidays. Apply to him also for
permission to see the trustees' room in the library. Chapel is
open to visitors 10 a. m. to 5 p. m. Services are held daily
except Saturday: Mon., Tues., Thurs., Fri., at 12 m. Wednes.,
5.10 p. m. ; Sun. 4 p. m., with sermon. Organ recitals are
frequently held in the afternoon.
(The university may be reached by Broadway subway to 11 6th at.;
by Fifth ave. motor busses, up Riverside Drive to 11 6th St.; by surface
cars on Broadway or Amsterdam ave. to 11 6th st.)
Columbia University was founded by royal charter from
George II. in 1754, under the name of King's College. The
name was changed to Columbia College in 1784; to Columbia
University in 1892. The first president was Rev. Dr. Samuel
Johnson. The first class, numbering seven, graduated in 1758.
Classes were held in the school house of Trinity Church.
The first building at Park Place and Church st., on what was
then the outskirts of the city, was entered in 1760. The first
move was northward to the block bounded by Madison ave..
Park ave., 49th and 50th st., in 1857, the number of students
being then 154. The change to the present site occurred in
1897. The various schools were founded as follows: Law
School, 1858; School of Mines, 1863; School of Architecture,
1881 ; School of Political Science, 1880; School of Philosophy,
1890; School of Pure Science, 1892; School of Journalism,
1912; School of Business, 1916; the original college for
men is now called Columbia College and a corresponding
college for women was established under the name of Barnard
College, in 1889; women are admitted to the graduate work on
an equal footing with men; Teachers College was established
in 1889; the College of Physicians and Surgeons, incorporated
in 1807 was consolidated with the university of 1891 ; the uni-
versity has a system of exchange professors with German,
French and other foreign universities; extension lecture
courses are given and alliances exist with Union and with the
General Theological Seminaries in New York City, the Drew
n r
COLUMBIA UNIVERSITY 265
Theological Seminary in New Brunswick, N. J., The American
Museum of Natural History, the Metropolitan Museum of
Art, the Botanical Garden and the Zoological Garden.
The main group of buildings cluster about the ♦♦Library
on the N. side of ii6th st. midway between Broadway and
Amsterdam ave. (The firm of McKim, Mead and White
erected the buildings, except where otherwise stated.) The
Library is set back from the street beyond the South Court
(330 ft. X 123 ft.). The court is enclosed on three sides by
walls and steps of granite and paved with brick and Istrian
marble, broken by squares of turf and shrubbery. On either
side are beautiful fountains of pink Stony Creek granite,
gift of an anonymous donor.
^ Directly in the center of the pavement is an inlaid bronze in-
scription to the chief architect which reads: Charles Follen McKim
MDCCCXLVII'MDCCCCIX. De suffer artificis spectant monumenta p«i
annos. (The monuments of an arttst look down upon us from round
about throughout the ages.) The library is approached by wide low
steps curving upward in the center after tne Greek fashion. In the cen-
ter of the upper steps is a gilt bronze statue of Alma Mater by Daniel
C. French, the gift of the widow of the late Robert Goelet (Class of
i860). To the J£. and W. of the upper terrace are two eighty-foot
flagstaff s, set in ornate bronze vases. The western - staff, capped by a
gilded eagle and bearing the national colors, was presented by the
Lafayette Post of the Grand Army of the Republic. The eastern staff
capped with a gilded crown, the symbol of King's College, and beadng
the University flag, a white crown on a blue field, was presented by
the Class of 1881 as its twenty-fifth anniversary gift.
The view of the university buildings from ii6th st, the
stately library rising above the broad entrance court with its
alternating paving and turf, set off by the terraces, the foun-
tains, the huge flags, and tall green poplar trees, with a back*
ground of the surounding halls, is dignified and impressive.
The * Library (open week days, not holidays, in summer 8.30
a. m. — 10 p. m., winter, till 11 p. m. ; erected 1895-7) was the
gift of Seth Low, Class of 1870. It is built of Indiana lime-
stone, in octagonal form with four short wings. It has a base-
ment, two stories and an attic, surmounted by a dome.
It is approached by a flight of steps on either side of which stand
two bronze torcheres, the gift of Samuel Sloan, in memory of William
Simpson Sloan (Class of 1882). The front facade is a two-story colon-
nade of fluted Ionic columns, 35. ft. high, on marble bases. Above the
columns is the inscription: 17^4 The Library of Columbia University
1897. Kings College. Founded in the province of New York by Royal
Charter in the reign of George II perpetuated as Columbia College by
the People of the State of New York when they became free and
independent, maintained ana cherished from generation to generation *or
the advancement of the public good and the glory of Almighty God
MDCCCXCVI. The Basement is entered by doors in the four corners,
the S. £. one being always unlocked. In the basement are: cloak rooms
for men and women, office of superintendent of bv.ildings and grounds
(near S. E. entrance), a sub-postoffice, and telephone booths.
266 RIDER'S NEW YORK CITY
The first floor is reached by four flights of stairs from the basc>
ment entrances, or by the front main entrance fiom the South Court.
The main entrance hall is two stories high, 30 ft. x 33 ft. In the pavement
is the following inscription: This building is a meinorial of Ahxel Abbot
Low, a citizen of Brooklyn and a merchant of New i^ork: born in Salem,
Mass., February VII, MDCCCXI : died in Brooklyn, N. Y., January
VII-, MDCCCXCIIL The white marble bust of Pallas Athene, a copy
of the head of the "Minerve du Collier" in the Louvre Museum was
the gift of J. Ackerman Coles, M.D., LL.D. (Class of 1864). About
its base in the pavement, are set the twelve signs of the zodiac in
bronze. On the east side of the doorway is a bronze copy of Otricoli
Zeus; on the west side, the head of a bearded Dionysus; gifts of Dr.
Coles. The two columns are green marble from Connemara, Ire. On
the W. side is the Secretary's Office containing the following portraits:
E. wall, Abiel Abbot Low, by H, S. Todd; Hamilton Fish (class of 1827),
Secretary of State under Grant and 34 years chairman of the Trustees
of the University, by Daniel Hunttngton; N. wall. Due de Loubat,
benefactor of the library, by Madraso; S. wall. Rev. John M. Mason,
S.T.D. (Class of 1789) Provost of Columbia College, 1811-16.
On the E. side is the Trustees' Room wainscoated in Irish bog oak.
The President's chair bears the inscription: "The Library chair of Dr.
Benjamin Franklin bequeathed to Dr. David Hosack by the late Mrs.
Catherine Bache Grand Daughter of Dr, Franklin and presented by Dr.
Hosack to the Literary and Philosophical Society of New York. January,
1S22. — Jacob Dyckman Rec, Sec." In the Cornerstone fireplace is set
the corner-stone of the first building erected in 1756 for King's College,
bearing the inscription: Hujus CoJlegii, Regalis dicti, Regio diplomate
constituti in honorem dei O. M. ATQ: %n ecclesiae reiq: publicae emolu-
mentum, primum hunc lapidem posuit vir praecellentissimus, Carolus
Hardy, Eques Auratus, Hujus Provinciae Praefectus Dignissimus Augti,
die 23* An. Dom. MDCCLVI. {The first stone of this College called
King's, established by royal charter to the honor of Almighty God and
for the advancement of Church and State, was laid by the Most Excel-
lent Charles Hardy, Knight, the very worthy Governor of this Province,
August 23, Anno Domini 1756.) The room contains the following por-
traits: over the fireplace, Samuel Johnson, S.T.D. , first President of Co-
lumbia College, 1754-63, probably by L. Kilburn; N. wall (center) Myles
Cooper, LL.D., second president of King's College, 1763-75, by Copley;
(left), William Samuel Johnson, LL.D., president, 1 787-1 800, copy by
Waldo after Gilbert Stuart: S. wall (left), Benjamin Moore, S.T.D.,
president, 1801-xi; E. wall (right), William Harris, S. T. D., president,
1811-29; (left) William A. Duer. LL.D., president, 1829-42, by Inman;
W. wall. Nathaniel F. Moore, LL.D., president, 1842-49. In the center
of the N. wall is a photograph of the Royal Charter granted to the
"Governors of the College of the Province of New York in the City of
New York in America," in the reign of George II (1754) for the found-
ing of "King's College."
The S. corridor contains two busts of Washington, probably works of
Crawford and of Greenough, gifts of General J. Watts de Peyster. The
S. W. corner lobby contains a drinking fountain, gift of the late Edward
A. Darling. From the W. corridor one enters the catalogue room on
the R. of which are two busts, Macchiavelli and Cxsar. On the left
is the Librarian's Room, containing a carved Chinese screen presented
by Ching Yun Sen and his fellow students in 1904 and portraits of
Creorge Ojrilvie (Class of 1774) and of Charles H. Wharton, LL.D.
president in 1801.
From the S. corridor one enters the General Reading
Room, an octagon, 73 ft. across covered by a dome 70 ft. in
diameter, 105 H ft. high, resting on pendentives, springing
from four stone piers. Between the piers are 4 green granite
COLUMBIA UNIVERSITY 267
columns on each side, 29 ft. high, from Ascutney, Vt., capped
by Ionic capitals of gilt bronze. 16 statues are to surmount
the columns.
Those in place are: N. side beginnine; at the left, Euripides,
a copy of the Giu^inian Euripides in the Vatican, the gift of
Charles F. McKim; a copy of the Vatican Demosthenes,- the g^ft
of W. Bayard Cutting (Class of 1869); Sophocles, a copy of the statue
in the Lateran Museum, the gift oi Dr. George G. Wheelock (Class of
1864); Augustus Caesar, a copy of the Louvre statue, the gift of F.
Augustus Schermerhorn (Class of 1868). *The busts upon the bookcases
in the four comers of the room are: N. W., Frederic de Peyster (Class
of 1 81 6); N. £., Tohn Watts (1749-1836), founder of the Leake and
Watts On>han Asylum; both bv G. E. Sisselh sculptor, the gift of Gen-
eral J. Watts de Peyster in 1889. S. E., Socrates; S. W., Hermes, copy
of the Hermes of Praxiteles at Olympia; on the central case, east side,
bust of Beethoven. The last two gifts of Dr. Coles. The clock in the
center is the gift of the Class of 1874. The room seats 152 readers,
5,000 reference volumes arc ranged on the shelves. The library contains
in all about 500,000 ^ volumes, beside pamphlets, manuscripts, and
30,000 German university dissertations.
From the N. corridor one enters the periodical room
61 ft. X 37 ft., two stories high, containing 5000 bound
volumes of periodicals and 600 current periodicals.
The bronze bust of Homer in the E. corridor is the gift of Dr. Coles.
The vase, four feet seven inches, with figures in relief, the gift of J.
Aburatani and a number of Japanese stuoents in 1904. From this cor>
ridor one enters the Exhibition Room, 39 ft. x 54 ft. A room to the
south contains engravings, manuscripts and maps.
The secbnd floor, reached by four staircases, is devoted
on the E. side to the social sciences, the W. side to modern
languages; the S. side is occupied by the upper part of
entrance hall. Room 307 on this floor (N. E. stairway)
contains a collection of Columbiana, The Third floor is de-
voted to history, philosophy, offices and workrooms.
S. E. of the Library is the Temporary East Hall con-
taining the offices of the Provost of the University; the
Alumni Federation and the Columbia University Press. S. E.
of the Library, on the corner of n6th street and Amsterdam
ave., stands Kent Hall (erected 191 o, with funds largely
provided by the bequest of Charles Bathgate Beck, Qass of
1877, College, and 1879, Law). The general design of all the
Halls is the same — overburned brick and limestone, set upon
a granite base. Kent Hall is inhabited by the Schools of
Law and of Political Science.
The entrance is on the north side. On the first floor is the Law
Library and Reading Room, extending the length of the building.
On the walls are portraits of Prof. Dwight, Prof. Burgess, President
Butler, and Chas. M. Da Costa, trustee 1866-1890. The recently
installed Memorial Window (1914), designed by Frederick S. Lamb,
contains a female figure symbolizing The Majesty of the Law. In the
268 RIDER'S NEW YORK CITY
small surrounding panels are the arms or seals of the original 13 states;
also the names of four great jurists: Kent, Jay, Marshall and
Livingston. The study tables accommodate 336 students. The law-
school library contains about 50,000 volumes.
To the N. of Kent Hall is the Hall of Philosophy
(erected 191 o, gift of an anonymous donor). On the first
noor is a large room for women graduate students, the Car-
ptnter Library, in memory of George Rice Carpenter, pro-
fessor of rhetoric and English 1893- 1909.
In this room is the mantelpiece from the room in Brennah House,
formerly at 84th Street near the Hudson River, in which Poe wrote
"The Raven." (See p. 240.)
On the third floor is the Brander Matthews Dramatic
Museum.
This contains a theatrical library and a collection of views of thea-
tres, masques, carrousels, outdoor performances and portraits of dis-
tinguished actors. It has also models of five of the theaters typical of
the more important epochs in the development of the drama, i. The
stage of the Mystery acted at Valenciennes in 1547 (the gift of Brander
Matthews, Class of 1 871). 2, An open place in an English village with
the pageant-wagon representing Noah's Ark. (The gift of Mr. Winthrop
Ames.; 3. The court-yard of an English inn with the platform on
which strolling olayers are performing ^'The Nice Wanton. '"^ (The gift
of Messrs. H. C. Chatfield-Taylor and Otto H. Kahn.) 4. The Fortune
Theatre, erected in London in 1600 (on the plan of Shakespeare's Globe).
(The gift of Mr. Clarence H. Mackav.) 5. The Palais Koyal, erected
in Paris in 1639 t)y Cardinal Richelieu (and occupied after 1661 by
Moli^re and his company). (The gift of Mr. E. Hamilton Bell.)
On the fourth floor is the Classical Museum containing
a collection left by the late Prof. Olcott illustrating ancient
Roman life, coins, and inscriptions.
In front of the Hall of Philosophy stands an ancient
Well-head, from the Palace of Ambassadors in Venice,
gift of Qass of 1887, on its 25th anniversary. Nearby is a
Marble Exedra with the inscription: To fellowship and love
of Alma Mater, Class of 1886, Arts, Mines, Political Science,
2Sth anniversary, 1911.
Next to the Hall of Philosophy is St. Paul's Chapel
(erected 1904, gift of Olivia E. P. Stokes and Caroline Phelps
Stokes, Architects Howells and Stokes.) (Services p. 264).
The building is in the shape of a short Latin cross prolonged at the
east by a semicircular apse and at the west by a vaulted portico of
four columns. The chapel is surmounted by a dome. Over the portico is
the inscription "Pro Ecclesia Dei" ("For the Church of God"). The
capitals of the columns are adorned with cherubs' heads by Gutson
Borglum. Above the doorway is the University motto, In lumine tuo
videbimus lumen ("In thy light we shall find light"). At the ends
of the porch are two bronze torcheres (eiven by Class of 1883 on its ssth
anniversary) by Arturo Bianchini. The interior walls are of salmon-
colored brick and the vaulting of pink-toned Guastai'ino tiling. The
dome has a diameter of 48 ft. and a neight of 91 ft. It is supported by
COLUMBIA UNIVERSITY 269
tivei on the four irehu of the CTDuing. The drum of (he dom*
1 nllery. The pulpir. n*lls. Bud orgm ftonii are of carved (ad
__„ ItaUn mJiiot, bj Copptdt Bralkiri in Florence. The pavement
il raarhle terrano, let with a pattern of porphyry* verd antique and jet-
la* marhlc fran an earl* Roinaa Chriatlan church The window* in the
Kfcf
; Genrd
- 817 ta
181JI Robert
L KingaUnd,
f. CheeanuD.
N, of the Chapel is the Aveby Library (erected 1911.
The gift of Samuel P. Avery, in memory of his son). (Open
weekdays, not holidays, g a. m. to 6 p. m. ; 7 p. m. to 11 p. m.
to architects and students of design.
On the ■tound Soor <■ tbe Avttr Architectural Librarr, 146 fL i
46 ft. conUininK 19,666 Tolumei and no current perlodiesl*.
In the Averr Librarr ia a Memorial Tablet to Henrj Ogden Avery,
deHgned hjr J. C. Ckaflain.
The ceiling U decorated with » aerie* of portrait medallion*,
repreaentini twelve famou* architect): i. Sirotiij a. Brunelleachii
" " '' L Lorenio the Ua«nificeaii ;. Milaieata; «. Urbino;
licbaelangelo: 9- Bramanie; id. Juliu* 11; 11. Feruul:
Behind the Avery Library, on Amsterdam ave. is Favek-
WEATHES Hall (erected i8q6, from bequest of Daniel B.
Fayerweather). It is ocupied by the departments of physics
and astronomy.
On Fayerwealber Hall on the Amiterdim ave. aide i* Che inacrip-
tion: Tb eommnntrali Ntai York CUy diftntii dvriita tk( Ifor d/
iSij: BarruT Gatt, McGetnn'l Paa. Barrirr Gat; Uanhattmitvillt,
Fortr CCuiton, Fiik, and Haight and three itom ioanrt. Alto tn honor
of Mai. Gen. Garrii Hopper StriMer (Mio captain), sih rigimtM, tn4
bfitadt. Brettei by U. S. D.. iBia, Empire Slate Society, Febmary
ttnd, I goo.
Next to Fayerweather on the N, is Schbrhuhorn Hall
(erected 1896. Gift of William C. Schermerhorn Class of
1840), occupied by the departments of geology, mineralogy,
botany, soology, and psychology. On the right of the en-
trance hall stands a bronze bust of the donor.
On the fir*t floor it the muieum of economic and phyeical seoloiy,
and the Egletton Miumm of mineralofy. The nuKum* and labor*-
bntei illndriting all the geoloficsl faoriiona of North America and
27a RIDER'S NEW YORK CITY
The second floor, immediately above the entrance, contains the gen-
eral laboratory of inorganic geology and petrography, special labora-
tories, the lecture-room and the library of the department. At the £.
end are the laboratories, lecture-room, and library of the department of
Ssychology, which also has a number of special research-rooms on the
oor above. The third floor is mainly occupied by the department of
botany, and contains a large general undergraduate laboratory, two
special graduate laboratories, the departmental library, and other rooms.
The upper floor is devoted to the department of zoology, which here has
its large general undergraduate laboratory, two graduate laboratories,
with rooma for special research, the library, and other purposes. A
teaching collection of zoological specimens and models occupies the
hallway.
Next to Schermerhorn in the rear center is University
Hall, still incomplete for lack of funds. (Begun 1896, and
burned down to the ground floor in 1914.) The grade of the
ground changes here, so that the building is two stories
higher in the rear than in front The basement is utilized
for the Power Plant and the Gymnasium, separated by a
driveway passing through the building. The gymnasium is
semi-circular in form, 168 x 113 ft., fitted with apparatus, a
running track and a swimming pool. Pending the construc-
tion of a theatre, the gymnasium is used for commencements.
The Power Plant is connected with the university buildings
by a system of eight foot subways. The upper story contains
the Commons and the offices of the Dean of the Faculties
of Political Science, Philosophy and Pure Science, the Di-
rector of the Summer Session and Extension Teaching, the
Registrar, the Bureau, the Director of University Adminis-
tration, the Secretary of Appointments and the Institute of
Arts and Sciences.
Behind this group of buildings is The Green, on a level
25 ft. lower, a charming spot of turf and trees. The small
Wilde Astronomical Observatory and Transit House is its
only building. It is surrounded by an ornamental all iron
fence with granite posts. The N. gate, on 120th St., designed
by McKim, Mead and White, was the gift of the Qass of
1S82. The W. gate, on Broadway, designed by Thomas Nash
(Class of 1882), was the gift of the Classes of 1890-92, (College
and Mines, and others, in memory of Herbert Mapes (Class
of 1890). The E. gate, on Amsterdam ave., designed by
Arthur Alexander Stoughton (Class of 1888) was the gift of
the Class of i888. At the N. E. corner is the Great God Pan,
by George Grey Barnard, set upon a granite exedra with a
background of evergreens, the whole being the gift of
Edward Severing Clark. The exedra and fountain were
designed by McKim, Mead and White.
To the W. of University Hall is Havemeyer Hall
(erected 1896). The gift of Frederick C. Havemeyer,
COLUMBIA UNIVERSITY 271
Theodore A, Havemeyer, Thomas J. Havemeyer, Henry C.
Havemeyer, Kate B. Belloni, Louisa Jackson, and Charles
H. Senff, devoted to chemistry.
Facing the entrance is a bronze bas-relief of Frederick C. Have-
meyer (Class of 1825) y in whose memory the building was erected.
On the right is a bronze bust of Prof. Charles Frederick Chandler,
for 40 years head of the department of chemistry, by /. Scott Hartley,
presented by the Chemists of America. On the left is a tablet to
Hamilton Y. Castner (Class of 1878) by C. F. Hamann. On the
first floor is the Chandler Chemical Museum, showing in specimen
forms the evolution, not only of the science of chemistry, but of the
chemical and allied industries.
Next to Havemeyer Hall comes the School of Engi-
neering Building (erected 1896). On the main floor is the
electrical engineering museum, and the museum of the civil
and mechanical engineering laboratory.
S. of the Engineering Building is the School of Mines
Building (erected 1904. Gift of Adolph Lewisohn. Arnold
W, Brunner, architect).
In the vestibule is an inscription to the donor and in the hall
a bronze bust of Thomas Egleston, one of the founders of the school,
by William Cooper. On the first floor are the mining museum and
the museum .of metallurgy containing models of mines, mine plants,
smelting furnaces, metallurgical appliances, and a collection of metal-
lurgical products. The bronze statue in front of the building Le
Marteleur (The Hammerman) by Meunier. It is a gift of the class
of 1889, Mines.
Between the last two buildings stands Earl Hall.
(Erected 1900. The gift of William Earl Dodge, in memory
of his son. Architects, McKim, Mead and White.) The
inscription over the door reads, Given to the students that
Religion and Learning may go Hand in Hand and Character
grow with Knowledge. The Hall is under the charge of the
Columbia University Christian Association.
In the corridor is the shell in which the Henley race was won
in 1878, and a bronze bust of Washington, gift of Dr. Coles. On the
second floor is the auditorium. In the lobby are portraits of William
Earl Dodge; Frederick A. P. Barnard, President i864>89, by East-
man Johnson, and Seth Low (Class of 2870), President 1 890-1 901, by
Daniel Huntington.
The basement contains the offices of the University Medical Officer,
the Graduate Manager of Athletics and the Graduate Manager of Stu-
dent Organizations. There is a rear entrance from Broadway.
The small red brick building near the corner of ii6th
St and Broadway is the Faculty Club.
S. pf ii6th St. lies a group of buildings in the South
Field, which was purchased in 1902. The athletic field,
running track, and tennis courts are in the center of the
plot. In the north center stands the Sun-Dial (the gift of
272 RIDER'S NEW YORK CITY
the Class of 1885), erected in 1912. The inserts on the base,
which were designed and prepared under the direction of
William Ordway Partridge (Class of 1885), represent a cycle
of one day: Torches of the Morning; Increase of the Dawn;
Chanticleer; Sun Rise; Love Awakening; Boiling the Pot;
Love Crowning the Hours; Love at Play; Love Tempers
the Night Wind; The Evening Star; Love Piping to the
Moon; and Voices of the Night.
At the S. W. corner of ii6th st. and Amsterdam avc.
is Hamilton Haix (erected 1906, gift of John Stewart
Kennedy, trustee 1903-10), housing the undergraduate school
for men, Columbia College.
The doorway is a gift from the Class of 1880. The bronze statue of
Alexander Hamilton, (student from 1774 to 1776), for whom the build-
ing ii named, was designed bv Willtam Ordway Partridag (Class of
1885); and presented by the Association of Alumni of (Columbia (Col-
lege. Above the grills are carved the seals of King's College, the Re-
gents of the University, and of Columbia College, also presented by the
Alumni Association. The cornerstone bears the same inscription as the
original one, now in the Trustees' Room (p. 266). In the vestibule are
a bust of the donor, the late John Stewart Kennedy, trustee 1903-10; a
bust of Dean Van Amringe, by Mr. Partridge; two replicas o£
classic heads, presented by Dr. Coles; a copy of Apollo Belvedere given
bv the class of 1777; & copy of a Greek statue given by the class of 1864.
The carved marble doorway and clock are the sift of the Class of 1884.
On the second floor is the Collegb Study. The east window, executed
by Maitland Armstrong & Co., is the gift of the Class of 1882. The
room also contains the following portraits: Charles Anthon (Class of
181 5), Jay professor of Greek language and literature 1857-67, by John
W, Ehninger; William Cochran, professor of Greek and Latin, 1784-89.
by John Trumbull, presented by him; Lorenzo Da Ponte, professor 01
Italian language and literature 1826-37, painter and source unknown;
Charles Davies, professor of mathematics of 1857^5, b^ Jos. O. Eaton;
Henry Drisler, jTay professor of Greek language and literature 1867-94,
by Daniel Huntington; John Kemp, professor of mathematics and nat*
ural history 1 799-1 812, painter and source unknown; John McVickar
(Class of 1804) professor of evidence of natural and revealed relisfion,
KJ. O. Eaton; and John Howard Van Amringe (Class of 1860).
ian of Columbia College 1896-1910, bv EastMan Johnson, presented
by the Association of the Alumni of Columbia College. In Koom ^01
are portraits of Robert- Adrain, professor of mathematics, natural his*
tory, and astronomy, 1813-25, painter unknown, presented by the Class
of i8a3; Henry James Anderson (Class of 1818), professor of mathe>
matics and astronomy 1825-4^, Trustee X85X-75, by J. O. Eaton; John
Bowden, professor of moral philosophv, 1 801- 17, presented by the
alumni of the College; Charles Murray Nairne, professor of moral and
intellectual philosopny and literature 1857-81, by Thomas Le Clear;
Henry Immanuel Schmidt, professor of German language and literature
1848-80, by Jacob Lauarus; and Peter Wilson, professor of Greek and
Latin 1789-02, painter not known,, presented by the alumni in 1822.
The remainder of the building contains the departments of modem hn-
guages, English, philosophy, economics, and politics.
Three dormitories have been completed, Hartley, Livings-
ton, on the £. side adjoining Hamilton, and Furnald on the
W. side.
COLUMBIA UNIVERSITY 273
Hartley Hall was erected 1904 by Mrs. Helen 'Hartley
Jenkins and Marcellus Hartley Dodge, Class of 1903, in
Memory of Marcellus Hartley.
The entrance leads directly into an Assembly Room 60 ft. tqumrc,
two stories high. The decorative windows, representing req>ectively
Sophocles and Virgil, were the graduation ^fts of the classes of 1885
and 1 89 1 and were in the 49th st. buildings. The painting r^re-
senting The Round Table of King Arthur, was the gift of the \Class
of 'oa (College). , The portraits on the walls are: Marcellus Hartley;
Alexander Hamilton, LL.D., (Class of 1777) Trustee 1 787-1 804, copied
by Mrs, James H. Canfield from the original by John Trumbull in the
Jossession of the Hamilton family, presented by the Class of 18^7;
ohn Jay, LL.D., (Class of 1764), a copy by Mrs. James H, Canfield
from the original by Gilbert Stuart and presented by Mrs. C^niidd
in 1904; Gouvemeur Morris (Class of 1768), Trustee i8o5-i6i6, painted
by Thomas Scully, loaned by the Morris family.
Livingston Hall (erected 1904 by the University and
named for Chancellor Robert R. Livingston) is planned like
Hartley.
The window in the Assembly Room, with a medallion portrait of the
Chancellor, is the gift of the Livingston family. The portraits are:
John D. Ogilby (Class of 1829), a copy by C. L. Elliott from the origi-
nal by Copley in the possession of Trinity Church; Daniel D. Tompkins
(Class of 1795) Governor of New York and Vice-President 01 the
United States; De Witt Clinton (Class of 1786^ Governor of New York;
and Rev. Manton Eastbum (Class of 181 7), lecturer on poetry (1830).
* FuRNALD Hall (erected 191 3, gift of Francis P. Furnald,
Jr. and Sarah E. Furnald in memory of their son Royal
Blackler Furnald, class of 1901), is on the same plan, except
that the basement is arranged for the use of athletic teams.
Dormitory rooms, furnished by the University, range from |ioo to
$180 for the academic year. The Halls are self-governing.
The School of Journalism is at the S. E. corner of
ii6th St. and Broadway (erected 1913, gift of Joseph PuHtzer,
who also endowed the school). The bronze statue of Thomas
Jefferson by William Ordway Partridge (Qass of 1885) was
presented by the City of New York under the will of the
donor of the building. The entrance is from a portico
of massive columns. In the basement is the University
Book Store. On the upper floors library, reading rooms,
lecture rooms, and The Politics Laboratory. The depart-
ments of anthropology and music are also housed in this
building.
The President's Residence is at the N. W. corner Morn-
ingside ave. and ii6th st. The university owns five houses
on 117th St., betw. Morningside aves. and Amsterdam: 413
occupied by the Chaplain and 415 occupied by the Dean of
the College; 419 is the Deutsches Haus, gift of Edward D.
Adams. .It contains a bureau of academic information, Ger-
274 RIDER'S NEW YORK CITY
man library and reading-room. It is the headquarters of the
Germanistic Society of America, and is provided with a suite
of rooms for the resident Kaiser-Wilhelm professor. 411 is
the Maison Frangaise. It contains collections of French
books, periodicals and documents. It serves as a home for
the visiting French professor and as headquarters for inter-
course with the French universities. The fifth house (No.
407) is at present occupied by the Carnegie Endowment for
the Advancement of Peace, for which President Butler is
acting as director, and by the American Association for
International Conciliation. In the same row are the resi-
dences of several University officers, and the chapter houses
of two Greek-letter fraternities.
Barnard College is the undergraduate college for women,
corresponding to Columbia College for men. It occupies the
land bounded by ii6th st, 120th st., Broadway and Claremont
ave. Neither 117th nor ii8th sts. are cut through.
Four buildings have been erected. The dormitory at
ii6th st, is Brooks Hall (erected 1906, Chas. A. Rich,
architect; named in honor of Rev. Arthur Brooks). The
entrance is on the N. from the quadrangle, under a two-
story colonnade. The first floor is occupied by parlor^*
dining rooms and assembly-room. Over the fireplace hangs
an oil painting of Miss Emily L. Gregory, professor of botany
from 1889 to 1897, by Henry R. Rittenberg, the gift of Dr.
Henry Kraemer. The floors above contain ninety sleeping
rooms and an infirmary.
Lying betw. Brooks Hall and the other buildings is
MiLBANK Quadrangle, gift of Mrs. Elizabeth Milbank Ander-
son. It is temporarily occupied by a garden, athletic field
and tennis courts. The Sun Dial was given by the Class of
1907; the marble bench by the Class of 1909; the Norway
maples, by the Class of 1910; the Flag Pole by the Class
of 1911.
The main group of buildings north of H9th st., were
designed by Lamb and Rich, architects. The center one,
Milbank Hall (erected 1890; gift of Mrs. A. A. Anderson
in memory of her parents) contains on the first floor the
offices of the dean, the secretary, the bursar, the provost,
the registrar, and the Trustees' Room.
The enti^ance hall contains a collection of Piranesi engravings, the
gift of Mrs. A. A. Anderson, several casts of sculpture by Florence
artists of the fifteentTi and sixteenth centuries, a cast of Verocchio's
David, a bas-relief of a Madonna and Child by Benedetto da Majano,
a bas-relief of a Madonna by Mine da Fiesole. On the, first stair
COLUMBIA UNIVERSITY 275
landing is a bas-relief of the Ascension by Liica delta Robhia, a group
from a tympanum in the church of San Jacopo di Ripoli at Florence,
and two fragments of a frieze, from the Forum of Trajan. In the
Trustees' Room are a bust of the Reverend Arthur Brooks, the first
chairman of the Board of Trustees, portraits of Miss Laura Drake
^Gill, dean of the College from 1901 to 1907, of President Frederick
*A. P. Barnard, and of Mr. Silas B. Brownell, chairman of the Board
of Trustees of Barnard College, painted by his daughter, Miss Matilda
Brownell, and a plan of the proposed buildings.
On the second floor are the Ella Weed Reading Rooms,
dedicated to the memory of Miss Ella Weed, . trustee and
chairman of the Academic Committee from the founding of
the College until her death in 1894.
On the E. is Brinckerhoff Hall (erected 1896; gift of
Mrs. Van Wyck Brinckerhoff). This contains a theatre. By the
door of the theatre is a bas-relief of Mrs. Craigie, the English
novelist, by A. Drury and the inscription : Pearl Mary-Teresa
Craigie (John Oliver Hobbes), Nov. 3, 1867- Aug. 13, 1906.
A tribute to her memory from her many friends. 1908.
On the W. is Fiske Hall (erected 1897; the gift of Mrs.
Josiah M. Fiske) similar in design to Brinckerhoff.
A Students!' Hall, given by Mr. Jacob H. Schiff, was
erected on Milbank Quadrangle near 117th st., in 1916; it
contains' the gymnasium, swimming pool, reading-room, lunch
room, doctor's and nurse's offices, and room for student
organizations.
Teachers College occupies the block betw. 120th st., 121st
St., Broadway and Amsterdam ave. It was incorporated in
1887 and later allied with the University. The Main Build-
IN(^ is on the N. side of 120th st. midway in the block (erect-
ed 1894; William A. Potter, architect.)
On the second floor is the Educational Museum, con-
taining exhibits relating to modern school appliances and the
history of education. On the third floor is the Bryson
Library, containing over 84,000 pedagogical books and pam-
phlets and about 225 educational periodicals.
To the west is the adjoining Milbank Building (erected
1897; gift of Joseph Milbank; William A. Potter, architect.)
containing the Milbank Chapel, a memorial to Jeremiah and
Elizabeth Lane Milbank. The chimes are a memorial to
Mary D. Runyan, instructor in the kindergarten from 1896
to 1905.
North of the Main Building and adjoining the Milbank
Building is the Macy Manual Arts Building (erected 1896;
1
276 RIDER'S NEW YORK CITV
gift of Mrs. Josiah Macy; architect William A. Potter) in
which is situated the School of Practical Arts.
To the E. of the Macy Building and adjoining is the
Household Arts Building (erected 1909, Parish and
Schroeder, architects) containing the work in domestic*
science.
On I20th St. W. of the Milbanjc Building is the Thomp-
son Building (erected 1904; gift of Mrs. Frederick F.
Thompson; Parish and Schroeder, architects) devoted to
the departments of hygiene and physical training.
In the entrance hall is a marble relief of Mr. Thompson,^ by
Augustus St. Gaudens, four relief panels in Caen stone by Domingo
Mora^ and a life;-sized copy in marble of the Discobolus. The building
contains gymnasiums, swimming pool, etc.
The Horace Mann School at the corner of 120th st and
Broadway (erected 1901 ; gift of Mr. and Mrs. V. Everitt
Macy; Howells and Stokes, and Edgar H, Josselyn, architects)
was established in 1887 in connection with Teachers College.
It has all grades from the kindergarten through the high
school. The building is brick and red sandstone, Georgian
style, and has been, since its foundation, both in methods and
equipment, not merely a model school, but a laboratory for the
practical trial and demonstratfon of new educational methods.
In the same block but facing on Amsterdam ave. are
three dormitory and apartment houses. In thei center,
Whittier Hall (erected 1901 ; Bruce Price and J. M. A.
Darrach, architects) is a residence hall for women students.
The adjoining Halls, Lowell to the S. and Emerson to the
N., are occupied chiefly by families of the University faculty.
Departments of the University situated in other portions
of the city are: The College of Physicians and Surgeons,
loth ave. and 59th st. (p. 236) ; College of Pharmacy, No.
115 W. 68th St., (p. 239) ; The Speyer School, No. 94
Lawrence st. (p. 343).
MUSEUM OF NATURAL HISTORY 279
38 of these leaflets, some of which are out of print). Most
of them describe exhibits of special importance. The price
is from 5 to 20c.
The checkroom and public telephone are W. of entrance.
The Lavatories are in the basement: Men, R. stairway;
Women, L. stairway.
During the season several courses of lectures are de-
livered in the large Assembly Hall (capacity 1500) on the
ground floor: one course, for members only, is given Spring
and Fall; another course, free to the public, is given Tues.
and Sat. evenings, under auspices of Board of Education.
Lectures for children (intended specifically for pupils of
the public schools) are given Mon., Wed. and Fri. at 4 p. m.
There are also special lectures for the blind, under the Thome
Memorial Fund.
All exhibits are carefully and very fully labelled, ren-
dering a minute guide-book almost unnecessary. The follow-
ing synopses will direct the visitor to the most important
exhibits. The floor area of the Museum is enormous, and
several days could be profitably spent here by even the most
casual sight-seer. It is not too much to say that in general
Jji the exhibits of this Museum, both in method of display and
tut actuating ideal, are models of their kind, no museum of
natural history in th^ world presenting their equal.
^ Beyond the Visitors* Room we first enter the South
^ Pavilion, known as Memorial Hall, In the centre, facing the
entrance is a marble statue of Morris K. Jesup, third Presi-
dent of the Museum {William Couper, sculptor).
Mr. Jesup was -a founder, a trustee, and for twenty-seven years
President of the Museum. It was he who donated the marble busts
which now occupy the wall niches of the Memorial Hall. These busts
represent noteworthy pioneers of 'American Science, and include, begin-
ning at the left: Commander Peary (b. 1856) explorer; Joseph Henry
(1797-1887), discoverer of electro-magnetic induction; Louis Agassis,
zoologist (1807-73); John James Audubon (1780-1851), naturalist; John
Torrey (1796-1873), botanist; Spencer Fullerton Baird (1823-1887),
zoologist; James Dwight Dana (1813-1859), geologist; Joseph Leidy
(1823-1891), anatomist; Edward Drinker Cope (1840-1897), naturalist;
Alexander von Humboldt (i 769-1 859), geography; Benjamin Franklin
(1706-90) printer, etc.
This room is also devoted to meteorites (showing the three types,
siderites, siderlites, and aerolites), the most interesting of which
Ahnighito or The Tent, at the west of the entrance, is the largest known
meteorite in the world, weighing 36^ tons. The Dog weighs 987
pounds, and The Woman about 3 tons. The other meteorites, proceed-
ing to the west from the entrance are: Mukerop (Animals), siderite, 665
Ibs^ from Amalia, South West Africa; Guffy, siderite, 682 lbs., from
Guny, Col.; Brenham, siderite, 218 lbs., a fragment, from Brenham,
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Kansas; Potest City, a fragment of an aerolite seen to fall with dazzling
light and thunderous noise, May 2, 1890, at 5.15 p. m. in northwestern
Iowa, and scatter in fragments over an area one by two miles in ex-
tent; Selima, an aerolite 310 lbs. from Selima^ Ala.; Tucson, a cast of
a meteorite of unusual shape in the National Museum at Washington;
Canyon Diablo, containing diamonds, siderite, 1087 lbs., from Canyon
Diablo, Ariz.; Long Island, pieces of the largest known aerolite
from Phillips County, Kans., near the town of Long Island; Estatado,
an aerolite, 268 lbs., near Lubbock, Texas. Knowles, a siderite, 355 lbs.,
from Knowles, Okla.; El Inca, a cast and a slice of a siderite from
Lagunas, Chile, So. Am.; the Wilamette Meteorite, the largest ever
found in the U. S., a siderite, from 19 miles south of Portland, Ore.,
weighing 15.6 tons; Mukerop (Gibeon) a cast and slice of a siderite from
Gibeon, South West Africa.
In the East Corridor are globe maps of Polar Regions,
sledges used by Admiral Peary and Amundsen on their re-
spective journeys to the North and South Poles, and a Seis-
mograph (Passage to South Central Wing) for measuring
earthquake shocks.
The Southeast Wing (Forestry) is devoted to the
♦Jesup Collection of North American Woods. At the right
side of the entrance is a bronze bas-relief of Mr. Morris K.
Jesup, depicting him in his favorite woods, at Lenox, Mass.
Along the north and south sides of the room are glass cabinets
containing specimens of different wood, showing trunk, cross-
section, polished sections, and foliage and fruit in water-
color plates and in wax reproductions. The "Lowest** trees,
evergreens, are on the N. and the "Highest trees" on the S.
side. On either side of the entrance are cross-sections of
California trees.
On the N. is a section of a Sequoia, the (Sequoia washingtoniana
iWinslow Sudworth) Big Tree of California, from King's River
forest, Fresno Co., Cal.. 16^ ft. in diameter inside the bark, the
section being taken 12 ft. from the ground. By the rings the tree
is 1 341 years old. They sometimes live 5000 years. This wood is it
small value as lumber. On the south side of the entrance is a cross-
section of the Coast Redwood {Sequoia sempervirens Endl.), vised
extensively for shingles, construction, and interior finish, and growing
from southern Oregon to Monterey County, Cal. Halfway down the
hall oii the South side, over the cases, is a section of a Douglas
Spruce or Red Fir (Pseudotsuga taxiforlia (Lam.) Britton) cut in
Oregon, '6 ft. in diameter, having 569 rings.
The South East Pavilion, or Darwin Hall is devoted
chiefly to invertebrate animals, and to groups illustrating
biographical principles. Facing the entrance is a bronze
bust of Darwin, the gift of The New York Academy of
Sciences, in 1909 (Darwin centenary), William Couper,
sculptor. This Pavilion contains a synoptic series of
specimens and models illustrating the Classes of Animals
aranged to illustrate, ist the various natural groups of
the animal kingdom and 2nd the various biological
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phenomena often common to animals and plants. The 12
alcoves follow the 12 natural groups or "branches" of the
animal kingdom in their arrangement of specimens, models,
and charts. Alcove i, The lowest animals ; 2, The sponges ;
3, The Polyps; 4, The flat worms; 5, The round worms; 6,
The Rotifers; 7, The Molluscoids; 8, The Starfish, etc.;
9, The Segmented Worms; 10, The Crabs, insects, etc.; 11,
The Mollusks; 12. The Highest Vertebrated Animals. The
General Biological Phenomena show i, Growth; 2, Repro-
duction; *3, Variation; 4, Coloration; 5, Distribution; 6,
Ethnological Biological Adaptation Phenomena.
Probably the most interesting series of exhibits in this
section are the Habitat Groups of Invertebrates, illustrating
the natural history of the commoner and more typical species.
TJiese groups show, above water level .a distant landscape view
of the surrounding country represented by an enlarged colored
photographic transparency. In the foreground, the shallow
water near the shore is represented in section, to expose the
animal life below the surface. The followin»y groups are
now on exhibition: i. Marine Worm Group, as seen in-
the Harbor of Woods Hole, Mass.; 2. Shore Mollusk Group,
at Cold Spring Harbor, L. I. ; 3. Wharf Pile Group, showing
the piles of an old wharf at Vineyard Haven, Mass. (sea-
anemones, hydroids, mussels, sea-mats and sea-squirts.)
In the Central cases are: a group showing the Struggle
foi^ Existence, in which animals prey upon each other; Madrepora
palraata Lamarck, Nassau, N. P. Bahamas (probabhr the finest speci-
men ever collected); 3 cases showing invertebrates of the Bahamas: An
Oyster Bed, A Sponge Crab Group, Corals and Echinoderms; 5 models
of the Malaria Mosquito enlarged 75 times (Larva, pupa, male and fe-
male adult, and life history). The table cases show varieties of the
common snail; color variation in a West Indian Sun Shell; Scallop
shell variations: Tiger-Cowry shells; Precious Coral and Sections of
Shells. Land Crabs of the Bahamas are also represented.
Returning to the entrance hall, we enter the South
Central Wing devoted mainly to Indians of the North Pacific
Coast, with an Eskimo collection in the corridor at the
northern end. Most of the North Pacific collections was
acquired by the Jesup Expedition of 1897-1900. In includes
also a part of the Terry Collection.
A notable feature of this room is its mural decorations.
Those of Arctic scenery are by Frank Wilbert Stokes. Note
especially The Land of the Midnight Sun, on Northern wall.
The mural decorations illustrating the industries and cere-
monies of British Columbia and Alaska, are by Will S.
Taylor; there are sixteen large panels on the E. and W. walls ;
note especially two instructive groups near entrance to the
Auditorium : i. Eskimo Woman cooking Blubber ; 2. Eskimo
284 . RIDER'S NEW YORK CITY
Woman Fishing through the Ice. The North Pacific Indians
are fishermen, clever workers in cedar, wood and bark; do
much weaving and little tanning; build large plank houses
and totem poles; make baskets, but no pottery. Down the
center of the room on either side and in the corridor beyond
is a large collection of Totem Poles.
These are posts from the entrances of houses, from the in-
terior, from graves, and other places, carved with the crests of the
householders and representations of the protectors of the families.
Taking the alcoves on the right in order we find Lilloset basket work and
clothing; Bella Coola Indians' ceremonial masks, and other articles; cere*
monials of Tsimshian Indians including rattles and gongs; ceremonials
of Haida Indians, slate dishes and boxes, and a model of a Haida
House, with carving representing the various myths; ceremonials of the
Tlingit Indians, including masks used in incantations representing guard-
ian spirits. Returning toward the entrance of the hall we pass the center
cases. The first contains a life-sized group illustrating the domestic
life of the Kwakiutl Indians of Vancouver Island; the family is at work
about a fire; an old man is cooking by throwing heated stones into a
box; a younger man, the head of the family, is painting a box; one wife
is making a mat and another shredding birch bark for weaving; a daugh-
ter is curing fish; a baby is in a cradle. The way the baby's head is
packed into the wooden box shows the method of forcing the head to
grow to a peak, the effect being seen in the woman beside the baby. The
next case contains a reduced model of a village of the Kwakiutl Indians
on Vancouver Island, showing the homes, surroundings, beach> etc. In
the center of the room is a huge canoe of the type used for ceremonial
visits, purchased of the Haida Indians living on Queen Charlotte Islands,
and filled with life-sized models representing a chief, his accompanying
officials, and slaves paddling. The canoe is 64^ ft. long .and 8 ft. wide.
The trunk is made of one cedar log, dug out, softened by water kept hot
with stones, and spread by means of thwarts. The first alcove to the
left of the entrance contains masques and tishing implements; the fol-
lowing alcoves contain: bark fabrics, toys, woodcarving, children's ar-
ticles, baskets, ceremonial articles. In front of the 3d alcove is a model
showing canoe making. In front of the fourth boxes mad» of cedar
wood for storing winter provisions. The alcove contains Kwakiutl cerC'
monial clothing, models of ships and examples of weaving. The next
one holds Kwakiutl fishing implements, boxes, carvings, and masks.
In the 6th alcove are Haida Indian handicraft implements and utensils
and in the 7th, Tlingit Indian clothing, ceremonial articles, implements,
horn spoons, and warriors' armor.
Corridor. Aleut, Siberian, Alaskan and Central Eskimo are repre-
sented. The articles were obtained by Commander Peary, Capt. George
Cromer, the Jesup Expedition, and Stefansson. The murals are by
Frank WUbert Stokes. The Eskimo are mammal hunters, clever workers
in bone and ivory and antlers. They do much tanning and little weav-
ing. They build snow houses and skin tents. Little pottery. The alcove
on the W. side contains models of men engaged in arranging the dif-
ferent parts of dog harness, etc. This method of sledding is shown by
various models, and over the cabinet is a full-sized dog sled. The prim-
itive snow goggles are also exhibited as well as many carvings in ivory,
bone and stone. Baskets, implements of various kinds, tools for dressing
skins, household articles, games and toys, are here. Nearby are models
of a winter camp and a summer camp. In the case# are shown a life-
sized woman cooking and a man fishing through the ice, while in the
MUSEUM OF NATURAL HISTORY 285
long wall cases are fishing implements and handiwork implements.
In one case is a collection of implements from the blond, blue-eyed
Eskimo discovered by the Stefansson-Anderson expedition. Bows,
arrows, and articles of clothing are also shown.
In the corridor is a bust of Prof. Bickmore. The Auditorium is
entered from here.
Returning again to the entrance hall, we pass through
a small IV est Corridor (containing temporary exhibits, and
on the staircase landing, the Demuth Collection of Pipes and
Smoking Material), to the three rooms of the Southwest
Wing, Pavilion and West W^ing, devoted to Indians of the
Woodlands, Indians of* the Plains, and Indians of the
Southwest. The collection in the first room was made
mainly by officers of the museum, but contains also articles
selected from the Bolton and Carver Manhattan Island Col-
lection, the Skinner Stat en Island Collection, the Booth Hud-
son Valley Collection, and the Tefft Collection.
Taking first the alcoves on the right or N. of the hall we
have from the Eastern Algonkin are canoes, baskets, clothing. The relics
from the early Indians were found in snell heaps and burial ridges.
They consist chiefly of stone hammers, arrow heads and bones. A
small model of a Kock Shelter in Westchester County shows how the
early Indians utilized caves for dwellings. Some of the bones and ar-
row heads found, in the dirt layers of the floor arei in the same case.
The table case in' the center aisle contains fine specimens of wampum.
The Penobscot-Delaware exhibit h a somewhat small one, showing has-,
kets, snow-shoes, etc The cases along the wall contain models of the
Thompson Indians, British Columbia: a winter village; houses being
built. In the O jib way collection the chief objects 01 interest are the
woven matting, the beautiful woven bags, the elaborate bead work,
and the fur articles. The last case on this side contains three canoes
of different construction and fishing raft of reeds. Returning to the
lower end of the room to follow the Iroquois exhibit, we have first a
life-sized model of a woman grinding co/n, a priest and a warrior,
before an elm-bark house. In the first alcoves on this side devoted
to the Iroquois, are: collections of arrow-heads, silver jewelry, tools
and implements, cradle boards, games, weapons, bead work, clothing,
masks and ceremonials. The center table cases in the aisles contain
especially choice specimens. Articles belonging to the Cherokee Semin-
oles of the same general sort. Among the Menomini objects notice
especially the bead-work, the woven mats and the medicine bags. In
the Sauk and Fox alcoves, the kitchen outfit is complete and the trunks
made of cowhide are effective. In the Winnebago section the bead-
Work, the buckskin clothes, and the small models of houses are
noteworthy.
The adjoining hall is devoted to Indians of the Plains.
Most of the articles were collected by museum expeditions;
others belong to the Leaders collection, the Tefft collection
or the collection presented by George Bird Grinnell.
The Indians here represented dwelt between the Mississippi
and the Rockies; depended much upon the buffalo and very little
upon agriculture; used dogs and later horses for transportation. Their
designs show geometric art and their ceremonials ,have a wide
range. Infc^rmation concerning the different tribes is hung on
286 RIDER'S NEW YORK CITY
the cases and maps show their localities. The first alcove on the W.
or right side is devoted to the Plains Cree. Several cases devoted to the
Dakotas follow. Here are especially fine buffalo robes with pictures and
designs painted on the skin side; one of the most beautiful of which is
the "black war bonnet" pattern, the rays of the design representing
feathers. The beadwork is marvellous. In the wall case the shoulder
garment of the woman and the bead cradle are fascinating pieces of
work. The Crow Indian ceremonials are worth attention; The Sarsi
jewelry and bead-work is noteworthy. The circular alcove contains some
of the Mills collection of Catlin Paintings. The entire number, 350 oil
paintings represent ^8 different Indian tribes . and were painted from
1832 to 1840. 48 additional ones represent South American Indians. In
the table-cases are specimens of the decorative arts, wonderfully beau-
tiful articles in bead work and the quill embroidery which preceded the
introduction of beads. In the case of the Gros Ventre Indians is a
shirt ornamented with a symbolic design of azure and stars, and in the
next case one ornamented curiously with feathers. The Arapaho Indians
have a great number of ceremonial dances. A wall case near the tower
alcove contains life-sized models of dancers and the floor cases de-
voted to this tribe show the costumes and ceremonies of the Fast
Dance, the Drum Dance, the Crazy Dance, The Dog Dance, and the
Buffalo Dance performed bv women. A floor case near the center of the
room contains a small model of the Arapaho Sun Dance, held annually
three days and nights, during which time the dancers neither ate nor
drank. Other floor and wall cases hold articles belonging to the Nez
Perce, the Shoshone, the Ute, the Kiowa, the Comanche, the Wichita,
and the Pawnee tribes. The Hidalsa-Mandan exhibit is especially full
and beautiful. The most noticeable object in the room is a huge
Blackfoot tipi, a tent made about 1874 in Montana; the fire is near
the center directly under the smoke hole; the man is sitting at the south
as customary, with his wife between him and the door, a grandmother
and a baby are on the other side; the door faces east. A near-by case
contains a Medicine Pipe.
The last hall is devoted to Indians of the Southwest.
The articles are from museum expeditions to New Mexico
and Arizona, from the Hyde Collection and from the L«w-
holts collection. The nomadic tribes are arranged on the
east or right and the pueblo tribes on the west.
The first division of the nomadic tribes is the Eastern Apaches.
These Indians formerly lived in Buffalo skin tipis. In dress and
outward life they resemble the Plains Indians, but in their myths and
ceremonies, are like their southwestern neighbors. Their most inter-
esting industry is basket making. The Museum contains a fascinating
display of Jicarilla basketry and some Jicarilla pottery. The table case
contains ornaments and bead-work of unusual beauty. Farther on is a
fine collection of Mescalero baskets. Next comes a collection of Navajo
blankets of wonderful color and design some of the smaller being still
on the looms to show the primitive method of weaving. A center table
case contains a small mod^l showing the Navajo industries. In an alcove
on the right is a Navajo Hogan or winter dwelling place set up in its
original form. ^ The Navajo silverwork in the center table cases
is more artistic in design and workmanship than any in the preceding
rooms. The Pima basketry is worth close attention. The floor and
table cases down the center of the room contain pueblo
models and relics. A model of the Pueblo of Acoma in western
New Mexico, on a mesa 357 feet above the surrounding plain,
shows the construction of rooms, one above another, reached by out-
side ladders. An ancient pueblo shrine is from a village not known to
have been inhabited later tnan 1540. A prehistoric blanket «found wraft*
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pcd around a naturally mumified body buried by a cave-in in Grand
Gulch, Utah, was made long before historical data of the people begins.
The square case contains beautiful turquoise beads found in Rooms 33
and ^8, Pueblo Bonito, Chicago Canyon, New Mexico. A model of tne
Pueblo of Taos looks like the ancestor 01 the New York tenement house.
On the left side of the hall is the pueblo exhibit. The end case con-
tains pottery; large bowls used for storage jars, mixing bowls, water
jars, etc., smaller ones used 'as dishes ana ceremonial containers. The
pottery of all the tribes is similar, although differences are observed in
the clay, paint and material. The table case contains implements and the
opposite case painted buffalo robes. The second alcove is devoted to
buckskin clothing, beadwork, ornaments, medicine outfits, ceremonials,
and specimens of food including the parer bread taking its color from the
color of the corn from which it is made, dried beans, seeds, etc. In the
third alcove is a large collection of prehistoric pueblo pottery. Spme-
what further along on the wall, is a model of the remains of a cave
town in the Lower Canyon of the Rio de Chelly, Ariz., perched in a
huge cave 75 feet above the valley. A second model is a restoration
of the village. The remaining alcoves show objects collected from other
tribes. The Hopi basket trays and pottery and the Zuni weaving and
pottery are noteworthy.
On the 2nd floor, close by the elevators in the Southeast
Wing, is the *Hall of Mammals of North America. This
collection of land mammals of North America is motmted
both in single specimens and in groups showing the homes
and habits of the animals. The mounting and setting is done
with such skill that many of the cases are strikingly beautiful.
On either side of the entrance are cases containing groups
of animals found within fifty miles of New York, including
the Weasel, in summer and winter garb and quarters, the Gray Fox,
the Red Fox, and the Opossum, the Wood Hare and Flying Squirrel.
On the left^ are the Musk-rat, the Mink, the Skunk, the Canadian Porcu-
pine, the Gray Squirrel, the Chipmunk, and the Flyinar Squirrel. Fol-
lowing the alcoves on the right down the hall, we nave the family
? roups, the Collared peccary (Tagassu augulatum humerale Merrlam)
rom Mexico, at home in sand and cactus; Grant's Barren Ground
Caribou (Rangifer granti Allen) from the Alaskan ' Peninsula group,
feeding from lichens and moss; Greenland Musk-ox (Ovibos moschatus
wardi)t specimens collected by Peary \ Pronghorn Antelope {Antilocapra
americana Ord.) graceful creatures from western North America; a
Virginia Deer (Oaocoileus virginianus Bodd) from Michigan; Califor-
nia Mule-deer {Odocoiieus hemionus californias Caton) from lower
California; the Wild Boar (Sus set of a Linnaeus) elaborately set in a
fighting tableau, from Germany; the Polar B&dir {Thalassarctos mariti-
mus Phipps) in snow and ice scene; Stone's Mountain Sheep (Ovis
stonei Allen) from near the Alaskan bounderv; and a hemisphere show-
ing the geographical distribution of North American Sheep. The end
cases contain groups of Roosevelt's Elk and the Bighorn, a
Mountain Sheep. Returning down the center of the room, the
center cases are: a large group of Atlantic Walrus (Odobenus
rosmarus Linnaeus), the male being a huge animal; American Bison or
Buffalo (Bison bison Linnaeus) some in summer and some in winter
coats, mounted in an autumn prairie setting; Moose (Alee americanus
Jardine) feeding in a charming fir and birch grove; and a single speci-
men of Alaskan Moose iParatces gigas Miller). On the left side are:
separately mounted mountain sheep and other animals, a large collection
of squirrels, hares and other rodents; a fine scene showing the Sonoran
Beaver (Castor canadensis frondator Mearns) from Colorada, at work
in the wood and water outside the house; and the Rocky Mountain
Goat (Oreamnos montanus columbianus Allen) from British Columbia.
MUSEUM OF NATURAL HISTORY 289
The Southeast Payillon, opening out of this hall, is at present
occupied as a work-soom.
In South Pavilion, on the 2nd floor, across the East
Corridor, Mammals from many countries, accompanied by
their skeletons, are ranged about the walls. The interesting
feature of this hall is the reptile habitat groups. On the
left-hand side, halfway down the hall is a doorway marked
*Home Life of North American Reptiles; in the semi-darkened
room within are marvellous reproductions of the Giant Sala-
mander, or Hellbender, performing extraordinarily cannibal-
istic feats; New England Bullfrogs in idyllic surroundings;
Lizards of Lower California amon? sand and desert vegeta-
tion; and a family group of Toads and their relatives of
Southern New England. So perfect is the reproduction that
the immobility seems uncanny.
In the main room the center cases contain equally admirable
pieces of mounting; the Gila Monster (Heloderma horridum Weiz-
man) from Mexico; a Copperhead den (Ancistrodon contortrix) ;
Florida or Diamond-backed Rattle-snake iCrotaius adamanteus
Beauvois); a den of the Banded or Timber Rattle-snake
iCrotatus korridus); Iguana (Iguana tuberciHata rhinolopha Laur.)
a large lizard-like creature; a Flying Dragon (Draco volans Gray)
a tiny creature which might have come out of a fairy story, from the
Indo-Malayan countries; the Deadly Moccasin (Ancistrodon piscivorus)
and harmless Water Snake (Natrix taxispilotus) ; The Water Monitor
iVaranus salvator); the Cobra {Naja tripudians) and Viper {yipera rus-
setlii) ; the Texas Rattlesnake (Crotalus atrox Baird and Girard) from
Brownsville, Texas; the Box tortoise iCistudo Carolina); and the Pine
Snake (Pituophis melanolucus). Some of these specimens are placed
among flowers, some in woodland pools and some in tropical vegetation;
in every setting the beauty of the reptiles is clearly brought out.
The South Central Wing on the 2nd floor is devoted to
Birds of the World. The Geographical collection begins
at the left and continues nearly around the room m the alcove
cases. The birds are arranged according to country; Aus-
tralian, Africa, Indo-Malay, Eurasian, Arctic, North American
Temperate, 'North American Tropical; ;South American
Temperate, Antarctic. The Synoptic Collection im the first
four main cases near the door on the right, contains typicaA
examples of each family of birds.
Albinos, Hybrids and other abnormal birds are in cases
in the center. The nests and eggs are in the alcove
cases on the right, toward the rear of the hall. The extinct
. and nearly extinct birds are in the first center cases. Groups
illustrating facts of structure and habits of birds begin on the left in the
first alcove, continue the length of the hall and part way down the cen-
ter. These are delightfully set, as are the groups in preceding halls.
They include: the Cliff Swallow {Petrochelidon luniferons Say,) found
throughout North America; the Bank Swallow (Clun'cola riparia Linn)
a migratory bird; the Black Duck (Anas obscura Gmel) of eastern
North America; the Double Yellow-headed Parrot (Amasona oratris
Ridgway), a good talker, from the low-lands of Mexico; the Clapper
290 RIDER'S NEW YORK CITY
Rail (Rallus longirostris crepitans Gm.); the Kingbird iTyrannus
tyrannus Linn) a migratory bird; the Pine Finch (Sptnus pinus Wils),
a migratory bird: the Maryland Yellow-throat iGeoth^pis trichas Linn)
a swamp bird; the Crested Cassique (Ostinops decumanus Pall) a |^r-
geous, large, yellow and black bird of South America, building haneins
nests like the oriole; the Chimney Swift (Chaetura pelagica L), which
builds in farmhouse chimneys; the Laughing Gull (Larus atricilla Linn)
with its nest among the grass; the Pied-billed Grebe (Podilymbus podi-
cefs L) living in both North and South America: two cases showing the
relation of the structure of birds and their habits; a case illustrating^
plumage; and a case with four sections showing the White Tailed Ptarmi-
gan (Lagoptu leucurus Swains) in four costumes for the four seasons
and illustrated also with photographs. A large case of Birds of Para-
dise is placed in the center of the hall. For further collections sec
West Cforridor on this floor (see below) and Gallery of this hall
described with 3d floor (p. 293).
The southern part of the hall of birds and part of
the Corridor of the Central Pavilion on 'the 2nd floor are
given up to the representation of the Marine and Fresh
Water Fishes of the Worlds It contains typical examples
of the various groups of vertebrates popularly comprised in
the term fishes, arranged in the order of development:
Lampreys and Hag fish, eel-like creatures, with round sucking
mouths and no jaws; Sharks and Rays, Fish with soft skeletons and
small bony scales (the most anoient type of fish) ; Toleosts or Bony
Fish, comprising about 10,500 species or over 9-10 of existing forms,
including the majority of game and food fish^ like bass, cod, carp, etc.
Most of the fish are displayed as single specimens in wall cases or, if
large, suspended from above. A few habitat groups arranged so that the
light comes through them from the window with a translucent effect,
are as successful as the mammal and reptile groups. They are: the
Shovel-Nosed Sturgeon and its Associates (Scaphirhynchus platorhyn-
chus Raftnesque) . from Iowa; the Bowfin (Amia calva Linnaeus) with
its "nests'* from Wisconsin: Chimaeroids or Rat fishes — a group of
"silver sharks," nearly scaleless, living mostly in deep sea; Lung
fishes — an ancient and nearly extinct group of salamander-like fishes from
Australia, Africa and South Amed-ica; Ganoids, bony-scaled fishes most
numerous in early geological ages now surviving in the sturgeon, Gar,
Pike, Paddlefish, etc.; Spawning Long-Nosed Pike (Lepisosteus osseus
Linn) from Wis.; Sea Lamprey (Petromyson marinus) from Long
Island; and the Paddlefish and its associates, from Mississippi.
A *case in a dark alcove shows luminous deep sea fish,
illustrating by an alternating electric current how they appear
by their own light and how they appear in full light.
In the West Corridor on the 2nd floor are Birds found
within 50 miles of New York City. The systematic collec-
tion, starting at the left of the door, contains all the birds
found in this region. The seasonal collection, on the shelves
near the window, changing from month to month, shows the
birds in the vicinity during the current month; sub-divided
into permanent summer, winter, and transient divisions. The
nests and eggs are in table cases near the window. The body
of the corridor is filled with cases of Habitat Groups, soitie
MUSEUM OF NATURAL HISTORY 291
of which were the first attempts at this method of displaying
specimens in this country.
The South West Wing, on the 2nd floor, shows the
Archaeology of Mexico and Central America. Of special
importance is the recently acquired Minor C. Keith Collection
of prehistoric gold ornaments and articles of pottery found
in the ancient graves of Costa Rica.
The gold ornaments are contained in three cases in the centre
of the room, and comprise: crude images of animals, including lizards,
frogs, turtles, crabs, armadillos, monkeys, vultures, butterflies, etc.;
gold jewelry, nose-rings, arm-bands, gorgets, etc.; ornaments of jade
and other precious stones; religious emblems, of fantastic design and
some of them several inches in extent, including: a Crocodile swallow-
ing a Snake, a Birdlike Figure with a Lizard in its Bill, a Man
devoured by a Vulture, etc.
The pottery and earthenware articles are in twelve large cases
arranged along the S. side of the room and show a surprising variety
in shapes and sizes.
The centre of the room is also occupied by huge casts
which are reproductions of the Stelae and Ceremonial stones
now buried in the dense tropical forests of deserted cities.
The upper central and right hand portions of the hall are
devoted to relics of Maya culture. *
The prehistoric stelae, altars and sculpture are from the ruins
of Copan, Honduras, near the southern frontier, in the valley of the
Copan River, (an overflow will be found in the portico of the South
Pavilion) and from the ruins of Quirigua, Guatemala. In the latter city
was found the Alligator's Head, and the Great Turtle, here reproduced
in casts. In Chichen Itza, the greatest of ancient Central American
cities, in Yucatan, is the huge reclining figure, and the beautifully col-
ored frescoes on the left-hand wall are copied from the Temple of the
Jagnars in the same city. The Sanctuary pf the Temple of the Cross,
reproduced halfway down the hall at the right, is in the ruins of Palen-
qvie. State of Chiapas, Mex. Along ^he £. Wall and in the alcove cases
are small sculptures, pottery, ornaments and implements, of gold, cop-
per, and jade, of different tribes.
The Southwest Pavilion, on the 2nd floor, is devoted to
the Archaeology of North America. Articles from mounds
and shell-heaps, like stone hammerheads, flint knives, arrow-
heads and bones, are arranged under the name of the State
in which they were found.
No evidence of the early occupation of either N. or S. America has
been found except in Trenton, N. J. This exhibit of Traces of Man
found in Glacial Gravel is in the wall case near the tower. In the
center aisle are displayed a Cache of Flint Disks, and models of the
Serpent Mound in Ohio, and the Cairns of British Columbia and Wash-
ington. The pre-historic mound builders appear to have been the an-
cestors of the historic Indian. (Special collections of pre-historic traces
in the vicinity of New York City and in the Southwestern Tribes are on
the I St floor in the Southwest Wing and the West Wing.) In the Tower
and the adjoining cases are relics proving the great antiquity of man in
the Old World, specimens from the ages of stone, bronze, and iron are
supplemented by reproductions of cavern paintings.
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The West Wing, on the 2nd floor, entered from the
North Ammerican Archaeological Hall, contains Native Tribes
AND Mammals of Africa.
Among the Mammals at the end of the hall are Grant's Zebra
Group, Antelopes, Waterbuck, Thomas' Gazelle, Hippo and "Caliph."
Transparencies in the windows show the living conditions of
African Tribes. Life-sized models, near the entrance, illus-
casting, bark weaving, etc., of the various tribefe. The choicest objects
are in the center cases.
On the 3d floor the rooms are the galleries of the 2nd
floor rooms. The Southeast Wing is the gallery of the
North American Mammal Hall. Here are displayed Mam-
mals OF THE World, typical examples of existing families,
being arranged to show their relationship and order in
geologic time and peculiarities of structure, how developed
and modifications for locomotion. The gallery contains also
models and skeletons of whales and other cetaceans. A huge
model of a Sulphur bottom Whale is the most striking.
In the Southeast Pavilion beyond is an Insect Collec-
tion (supplemented by a special study collection for the
identification of specimens, shown upon application to the
curator) containing Local Insects, Migratory Butterflies,
Observation Hive of the Honey Bee, Seventeen-year Cicada
group. Termite nests, etc.
The South Pavilion, -on the 3rd floor, reached by retracing
one's steps to the East Corridor, is given up to Primates
AND Birds. It contains an Orang-utan group. Chimpanzees,
Gorilla, and Small bird groups.
**The South Central Wing, on the 3d floor, entered from
the monkey room, contains Habitat Groups of Birds of North
America, geographically as well as ornithologically accurate,
these vivid and charming tableaux surpass those of the mam-
mal and the reptile rooms. They show the scenery, -setting,
nests, male and female adults, and young, reproduced from
close observation anci photographic study.
The groups were prepared under the immediate direction
of Frank M. Chapman, Curator of Ornithology, who col-
lected most of the specimens, travelling more than 60,000
miles while doing so. The backgrounds are reproductions of
specific localities, copied directly from nature by the follow-
ing staft' of artists: Bruce Horsfall, Charles J. Hit tell
(1861—), /. Hobart Nichols (1869--), Carl Rungius (1869—),
294 RIDER'S NEW YORK CITY
IV . P. Cox (1872—), Louis A. Fuertes (1874—). The foliage
and flowers were reproduced in the Museum laboratories
from material collected at the localities represented. Each
group is fully described on a placard conveniently attached
by a cord to the case, so that the visitor can draw it forward
within range of the light from the group. The alcoves run
in the following order:
Orizaba Group: distribution of birds, illustrated in the mounteins
of Orizaba, Mexico, showing from base to snow clad peak, how climate
influences the migratiln of birds. Cohh's Island Group: Virginia
coast, showing breeding places of terns and gulls. Duck Hawk Group:
The Hudson Palisades, showing nests of the duck hawk. Hackensack
Meadow Group: showing migrating swallows, blackbirds, rails and
wood duck. Wild Turkey Group: now rare, but once abundant in
the wooded regions of the eastern part of the U. S. Florida Great
Blue Heron Group: Reproduced from studies near St. Lucie, Florida.
Water Turkey or "Snake bird" Group: St. Lucie, Florida. Sandhill
Crane Group: reproduced from studies on the Kissimmee Prairies,
Florida. Brown Pelican Group: reproduced from Pelican Island, Indian
River, Florida, which is now a United States reservation, where these
grotesque birds may breed undisturbed. Snowy Heron or Egret Group:
reproduced from a rookery in South Carolina, one of the few spots
where this beautiful bird, sought for its "aigrette plumes," still survives.
Turkey Vulture Group: Plummer Island in the Potomac River, near
Washington. This bird is protected by law for its value as a scavenger.
California Condor Group: reproduced from studies in Piru Caiion,
California. The largest, and one of the rarest of North American
birds. Brandt's Cormorant Group: reproduced from studies in Monterey,
California. San Joaquin Valley Group: showing abundant bird life
since this section was irrigated. Flamingo Group: this group from
studies in the Bahama Islands, is the most brilliant and spectacular
of all the exhibits in this section. Booby and Man-of-War Group:
Bahamas Islands. Florida Rookery Group: from the Everglades of
Florida. The group comprises eight different species of birds, including
egrets, herons and ibises. Golden Eagle Group: from studies from
Brtes Hole, Wyoming. Klamath Lake Group: this lake, lying just be-
neath Mt. Shasta, Oregon, shows an astonishing abundance of bird life.
Arctic-Alpine Bird Life Group: the scene depicted is the Canadian
Rockies, above the timber line. Sage Grouse Group: from studies
of Medicine Bow, Wyoming. Prairie Chicken Group: from studies
near Halsey, Nebraska. Wild Goose Group: the scene is Crane Lake,
Saskatchewan^ Canada. Grebe Group: another study made at Crane
Lake. Loon Group; from studies at Lake Umbagog, New Hampshire.
Bird Rock Group: from studies at Bird Rock, Gulf of St. Lawrence.
The West Corridor on the 3rd floor presents lessons in
♦Public Health by realistic models of garbage barrels as
they should not be, cellars that bred rats, polluted bathing
pools and oyster beds, the before and after of a neglected
farm and other edifying objects, too realistic to be ignored.
A complete and satisfactory system of filtration is shown.
The inherent viciousness of the housefly is clear when the
magnified creature is beheld and the flea that carries the
plague is revealed a blackguard.
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The Southwest Wing, on the 3d floor, is the gallery of
the Mexican room and is devoted to Indians of South
America.
The floorcase by the entrance contains ornaments and other obierts
from Colombia, Ecuador, Peru, and Bolivia, showing rare skill of work-
manship prominent in the relics of Ancient Peruvian Empire. In the rail
case close by are knot records of the Incas, a method ox accounting still
employed in a crude fashion b^ herdsmen. In the right-hand wall case
are Prehistoric Peruvian textiles, found on mummies and in graves.
The desiffns, colors and texture are admirable. In the rail cases are
spindles, looms, thread, etc.', found in the work baskets buried with the
women. In the and alcove case are terra cotta cylindrical stamps used
for 'printing dress designs. Case after case of ancient pottery follows.
Far down the hall on this side is the body of an ancient Indian Miner
from Chuquicamata, Chile, wonderfully preserved, "mummified," by being
buried in a copper mine. The crude tools found beside him indicate
that he lived biefore the coming of the Spanish. At the lower end of
the hall is a case of *Nazca pottery — ^the most beautiful of all in color,
design, and firing. Returning down the hall on the opposite side, we
pass a Pictograph on a Boulder from Les Trois Rivieres, Island of
Guadeloupe^ West Indies. Farther on an alcove case contains a collec-
tion of ancient Inca musical instruments from mummy packs and pre-
historic graves. Another case holds many Trephined Skulls showing that
the operation of trephining was practised by the ancient Peruvians.
The wall case at the left of the entrance is devoted to Peruvian Mvm-
mies. On the floor of the case are 4 mummies, one of them extended
at length, the others folded in the usual position, with chin on knees.
The covers have fallen away from one showing the exact pos'tion.
Beside, are mummies of parrots and a dog. ^ On the shelf above are five
more in packs, four of which have the curious false head with the real
head separately covered. The coverings are crudely ornamented.
V The Southwest Pavilion, on the 3rd floor, is devoted to
Living Tribes of Asia. The cases on the left, halfway
around the room contain Chinese objects and the remainder
contain Liberian objects.
The Chinese articles are grouped in the following order: bamboo.
J>orcelain, pottery, inlaid work, mattins, metal industry, cloisonne and
acquer, blacksmith, carpentry, agriculture, carpets, harness, money^
pictures, medicine, wood and ivory carvings, weapons, fans, leather,
writing and printing, metal (in the tower: ancient bronzes, metal
mirrors), masks, household articles, tobacco, clothing and religion. The
Siberian articles are grouped according to tribes: Amoor River (2 cases
and model of village), Chukchee (6 cases), Koryak (4 cases and model),
Lamont (2 cases). Russianized Natives, Tungus (3 cases), Yukaghir (2
cases), Yakut (6 cases and model).
The West Wing, on the 3rd floor, is devoted to Conchol-
OGY, and contains specimens of some 15,000 species.
The greater part of the 4th floor is given up to fossils.
The Museum's collection of fossil vertebrates is claimed
to be the finest in the world, not only in number, but in
variety and improved methods of preparation. The collec-
tions of Permian reptiles and of Jurassic and Cretaceous
Dinosaurs are also of much importance. The specimens
MUSEUM OF NATURAL HISTORY 297
on exhibition represent less than ten per cent, of the entire
collection, the rest being in storage.
In the East Corridor, the most striking object is a Mosasaur or
Great Sea Lizard, set in plaster and hung against the wall. It is an
exceptionally complete specimen, found in the Bad Lands of the Smoky
Hill River, Western Kansas. The length is 30 ft. 4 in.
The Southeast Wing contains the fossil remains of the
Mammals of the Tertiary period, a geologic age reaching
from 100,000 to 3,000,000 years ago. The chief feature of the
hall is the collection of fossil horse skeletons, showing the
evolution of the horse in nature. It is claimed to be the
largest and finest series of its kind in the world, outnum-
bering the combined collections of all other museums.
The visitor will note, at each side of the entrance, charts indicating
the successive periods of time from the Triassic to the Tertiary age
and the animal life which pertained to each. The series of horse
skeletons are on the right, or south side of the hall. The modern
horse, walking on its middle toes, is believed to be a descendant of a
hypothetical five-toed ancestor. This museum possesses a unique
specimen of the earliest species yet found: the little four-toed Eohippus
which was no larger than a fox; the Protorohippus, also with four
toes on the fore feet; the three-toed Mesohippus; and the Proiohippus.
also with three toes. The specimen of the Eohippus is from the Wind
River beds of Wyoming. The water-color sketches of primitive horses
in their environment, as well as the plaster restorations, are by Charles
R. Knight. Opposite the horse collection are a series of specimens
illustrating the evolution of the camel, deer and other cloven-hoofed
animals. Near the centre of the hall, on the R., are the primitive
rhinoceros-like animals, once common in North Amer-ca. Opposite
these are the early fore-runners of the dogs, cats and other carnivora;
and further on are skeletons of Titanotheres and Vintatheres, huge,
homed animals, peculiar to North America.
The Southeast Pavilion contains the Dinosaur and other
Fossil Reptiles; also Fossil Fishes, belonging to the period
of 3,000,000 to 10,000,000 years ago. The Dinosaurs are
especially well represented. The first object which catches
the eye is the gigantic skeleton of the Brontosaurus from
the Jurassic beds of Wyoming. It measures 66 ft. 8 in. in
length. and is the only mounted specimen of its kind in the
world. Equally important is the recently mounted specimen
of the Tyrannosaurus, the most powerful of the carnivorous
Dinosaurs. This specimen is from Montana and is at present
to be seen in the South Pavilion.
In the wall case, to the L. of entrance, is a portion of a skeleton
of the Dinosaur Diplodocus, and on the R. a nearly complete skeleton
of a related species, mounted just as it had lain for 10,000,000 years
at the bottom of a western lake. Near the above-mentioned Bronto-
saurus is a specimen of the Allosaurus, carnivorous dinosaur here
mounted as though feeding on the fallen carcass of a brontosaurus
(Jurassic bed of Wyoming). On the L. are two complete specimens of
Trachodons, or duck-billed dinosaurs, thirty-three foot reptiles with
298 RIDER'S NEW YORK CITY
webbed feet and duck-like bill; and more interesting still, is the
''mummy" of a Trachodon, upon which the texture of the skin has been
preserved. On the S. side of the hall is a fine collection of fosnl
turtles.
In the Tower of the S. E. Pavilion are the Fossil Fishes, be^
longing to a still earlier period (twenty to thirty million years ago).
Above the entrance is a model of the jaws of a huge fossil shark,
with a spread of 9 ft. The collection of fossil fishes is arranged histor-
ically: I. The early plate-covered fishes; 2. The soft skeletoned Sharks:
3. ' The Lungfish and Ganoids (supposed to be the ancestors of all
land-living quadrupeds); 4. The primitive Bony-fish (the ancestors
of our modern herring, cod, mackerel, etc).
Resuming to the East Corridor, we cross the South
Pavilion, containing skeletons of Quaternary Mammals. The
chief features of this room are the skeletons of Mammoths
and Mastodons, the prehistoric relatives of the elephant; a
number of curious extinct animals which roamed South
America from 30,000 to 100,000 years ago; and a series of
modern skeletons, showing the evolution of the horse under
the hand of man.
On the left, horse skeletons: a draught horse poised to pull a heavy
load, the race horse Sysonby (1902-6), one of America's most brilliant
racers, an Arabian Stallion, a tiny Shetland Pony, and a giant Draught
Horse. A large group of Ground Sloths, an extinct South American ani-
mal, present an extraordinary sight. These creatures are related to the
living sloth and anteater. Beyond is a Case-tailed Glyptodont Pancchtus
unearthed near Buenos Ayres, Argentina. This was an armored mammal
related to the armadillo. Two extinct South American animals are rep-
resented by casts: the Macrachenia and the Toxodon. Near the cen-
ter stands a skeleton of a Great Sabre-toothed Tiger Smilodon, an ex-
tinct South American variety more powerful than any living tiger.
The famous Warren Mastodon (Mastodon americanus) found near
Newburgh, N. Y., in 1845, is almost complete. Length, 14 ft. 11 in.:
heighth, 9 ft. 12 in. The Columbia Mammoth {Elephas columln), founa
in Indiana, 1904. is the skeleton of a creature that roamed Nortb
America during the ice age. Length 13 ft, 3^ in.; height 10 ft 6 in.
The skeleton of the famous elephant Jumbo is preserved here. The
huge skull and tusks of the Imperial Mammoth were found in Victoria,
Texas.
The South Central Wing, on the 4th floor, is devoted
to Geology and Invertebrate Palaeontology. It contains
the James Hall Collection of Fossil Invertebrates, Fossilized
tree stump from coal mine. Cave material (Calcite, Aragonite,
Selenite) from near Chihuahua, Mex., Model of Copper
Queen Mine, Copper Queen Cave, Weyer's Cave and Local
rocks and minerals.
The West Corridor, on the 4th floor, is the *Morgan Hall
OF Gems. In the wall cases (on the right) the Jade, and
(on the left) the Calcite and Quartz including Agatized
Wood, are especially fine. In the table cases are shown an
Ancient Agate Axe-hammer, Babylonian Cylinders for print-
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ing, American Pearls, Amber, Amethysts, Crystal Balls, Tour-
malines, Topazes, Garnets, and 'other stones.
The Southwest Wing, on the 4th floor, is the Morgan
Hall of Minerals, including the Bement collection. To find
one's way intelligently among the 15,000 specimens, the visitor
is directed to examine first the introductory series in the first
table cases on the right-hand side. Here are specimens,
models and explanations of crystallization, reflection, refrac-
tion, double refraction, and polarization. After studying these
case, the visitor should begin his inspection of the collection
at the right hand side and follow the cases in order about
the room.
The Southwest Pavilion, on the 4th floor, is filled by
collections from the South Sea Islands — the tribes of the
Pacific Islands.
The large models are: Tahitian Fire-walker, walking barefoot over
hot stones; Tahitian Firemaker and Coconut Grater, pursuing their primi-
tive operations; Tahitian- Kava-Brewer and Roof -Maker, two women; and
a Maori Warrior dancing on a jade bowlder. A tower case holds a hor-
rible and interesting collection of real tattooed Maori heads.
The West Wing, on the 4th floor, is given up to articles
from the Living Tribes of the Philippine Islands.
Near the entrance is a full-sized model of a belt-weaving group;
beyond a small model of a house; and at the farther end a iull-sized
model of a tree-house with its occupant perched at the head of the
ladder. A Moro out-rigger sails full-tilt down the center of the hall.
On the walls are hung beautiful specimens of matting and panels of
Philippines woods.
There are no exhibitions above the 4th floor. The 5th
floor contains the Administrative Offices, a Library of 70,000
volumes on natural sciences, and Study Collections open to
students upon application to the heads of the departments.
The reading room of the library is open free daily from
9 a. m. to 5 p. m., excepting Sundays and holidays.
The more important study collections are in Anthropology,
Geology and Invertebrate Palaeontology, Ichthyology and
Herpetology, Invertebrate Zoology, Mammalogy and Orni-
thology, Mineralogy, Public Health and Vertebrate Palaeon-
tology. Each of these collections comprises large numbers of
catalogued specimens.
k*
-^f' X33aj.S
CENTRAL PARK 301
IX. Central Park
♦♦Central Park, the most beautiful and the most famous
of New York's many parks, extends N. from 59th St. to
iioth St. and from 5th Ave. on the E. to 8th Ave. on the W.
(which here changes its name to Central Park West). Its
dimensions are 2^ miles in length and Y^ mile in width, con-
taining 843 acres, of which 28i5 are occupied by la^kes and
reservoirs.
There are 9 miles of carriage drives, 6 miles of bridle
paths, many of which are sunken, and 30 miles of walks ;
there are 36 bridges or archways, and 12 tunnels; and there
are seats for 10,000 persons.
Central Park antedates its one rival. Prospect Park in
Brooklyn, by several years, work having been begun upon it
in 1857; and it owes it beauty to the same skilful hands,
having been designed by Lieut, (later General) Egbert L.
Viele, engineer, assisted by Olmsted and Vaux, landscape
gardeners. It was completed in 1858 at a cost of $415,000,000.
There are twenty-three ^tes to the Park, upon most of which fan-
ciful names have been officially bestowed. They are situated as fol-
lows: 4 on 59th St.: at sth Ave. (Scholar's Gate); at 6th Ave. (Art-
ist's Gate) ; at 7th Ave. (Artisan's Gate) ; at Sth Ave. (Merchant's
Gate); 9 on^sth Ave.: at 64th St. (Student's Gate); at 67th St.; at 72d
St. (Children's Gate).; at 7Qth St. (Miner's Gate) ; at 85th St.; at 90th
St. (Engineer's Gate); at 96th St. (Woodman's Gate); at io2d St.
(Girls' Gate); and at io6th St.; 6 on Sth Ave.: at 72d St. (Women's
Gate); at 79th St. (Hunter's Gate); at Ssth St. (Mariner's Gate); at
96th St. (Gate of All Saints); at looth St. (Boys' Gate); and at io6th
St.; and 4 on iioth St.: at 5th Ave. (Pioneer's Gate); at Lenox Ave.
(Farmer's Gate); at 7th Ave. (Warrior's Gate); and at Sth Ave.
(Stranger's Gate).
All of the E. side entrances can be easily reached by a 5th Ave. bus
or by a Madison Ave. surface car. The 3d Ave. elevated is 4 blocks to the
E. of the park. The S. side entrance can be reached by the 6th Ave.
elevated (changes at 50th st. for the shuttle train). The S.W. entrance
is close by the Columbus Circle station of the subway, and the iioth
St." station of the Bronx branch is close by a N. entrance. The W. en-
trances can be reached from the 6th and 9th ave. elevated roads (here
identical). The only sts. crossing the park are sunken transverse roads
at E. 65th to W. 66th st., E. 79th to W. Sist St., E. Ssth to W. S6th
St.; and E. to W. 97th st. The only car line is on Ssth st. Park car-
riages make the tour of the park in one hour; fare, 2sc. They start from
Sth ave. and 59th st.; and from Sth ave. (Central Park West) and ^9th
St.. and allow stop-over privileges. They follow the two main drives,
called the East Drive, near tne 5th ave. side, and the West drive»
near the Sth ave. side. The fashionable time for driving in the park is
in the morning and for riding in the afternoon from 4 to 7. Restaurants
at the Casino (good food, usual prices); also near the Mienagerie (64th
St.) entrance (food fair, prices low). McGown's Pass Tavern was
recently closed.
The best way, however, to see Central Park is on foot, because so
many of its chief characteristics are in the remoter corners, and their
303 RIDER'S NEW YORK CITY
main charm lies in the suddenness with which we come upon them
at a turn in a path, or on emerging from a tunnel. It is impracticable
to give a comprehensive itinerary, Decause in order to cover the whole
ground it would, be necessary to double back upon the trail repeatedly
and the distance would be much too long for a single day; while on a
second or third visit it would be advantageous to choose different points
of departure. Three visits could be profitably divided at follows: i.
The S. £. section, from the Plaza to the Belvedere, then £. to the
Obelisk and Metropolitan Museum: 2. the S. W. section, from Columbus
CircLe northward, taking in the Museum of Natural History; 3. The
upper portion, from any one of the upper 5th Ave. gates, passing the
Mere, McGown'd Pass, and emerging at Central Park West and iioth
St., in convenient proximity to St. John's Cathedral and Morningside
Heights.
The following tentative route covers the more essential points of
interest:
We enter from the Pla^a (5th Ave. and SQth St) through
the Scholar's Gate, passing the equestrian statue of General
Sherman, by Saint Gaudens (p. 205). At this entrance begin
the main Eastern Driveway and the Bridle-path ; here a group
of curious bystanders may usually be seen, watching tiie fine
thoroughbreds waiting with their grooms, for the arrival of
their masters or mistresses. W. across the drive is an un-
draped bronze bust of Von Humboldt (1769-1859), by Gustav
Blaeser, dated Berlin, 1869.
A jpath branching to the W. leads down to the Pond, 5 ac^es in extent,
lying m a deep depression, the rocky walls narrowing so sharply at cer-
tain points as to give the effect of a chain of diminutive lakes. The chief
attraction of the Pond for children ar« the "Swan Boats," a ride on
which costs 5 c.
Retracing our steps, we take the path to the E. of the
bridle-path, and reach the Menagerie, a small collection inade-
quately housed in cramped and gloomy buildings. Its chief
distinction has been its unusual success in breeding lions and
hippopotami in captivity. This was for many years New
York's only zoological garden: now that the Bronx Park
Zoological Garden (p. 366) has surpassed and largely super-
seded it, tourists, if possible, visit the latter, in which case
the one in Central Park may very well be passed by.
Strung along the path leading to the main collection are a series of
pens containing, i. a small herd of Bison; 2 Elks; 3. Red Deer;
4. more Elks; 5. Fallow Deer.
In the center qf the main group of buildings, and facing the 64th
St. entrance, is the Old Statg Arsenal, with observation rooms of the
Weather Bureau on the top floor. At the right is an Eagle Cage. The
side hill pens contain an Aoudad, Bactrian Camel, CaPe Buffalo from S.
Africa, and American Bison. Beyond is a yard devoted to Angoru
Goats. On the hill arc Bear Cages, in one of which which is an excel-
lent pair of Polar Bears. Directly behind the arsenal is an animal house
containing two Leopards, a Puma, two Hippopotami from the Nile and
a baby born May 14, 19 14, and the Lions. Most of the lions were born
CENTRAL PARK , 303
here and there are usually cubs of different ages on exhibition. Each lion
is known by name: Dewey, born Sept. 24, 1899; Miss Fulton, Aug. 36,
1909; Leo II., June 8, 1901; Akbar, Oct. 11, 1910; Helen, Oct. 17, »904.
The Primate House contains Monkeys and Lemurs. The 3rd house con-
tains two Zebra, a Gnu, an Indian Antelope, a Llama,' ^ tank of Alli-
gators, a Red Deer, and Axis Deer. One Aviary contains Pheasants and
other birds; the second, Pelicans and White Storks. Raccoons and Foxes
are housed in a long low set of pens and the low iron fence, curving
at the top, surrounds the Prairie pog's Village.
To the N., past the Eagle Cage, a winding path brings
us in a few minutes to the Mall. Midway on this path are
stationed a group of ponies and donkeys; rides, loc.
The Mall is a spacious avenue, about one- third of a mile
in length, and beautifully shaded with arching elms. To R.
and L. are numerous statues and busts, of varying merit, but
by no means negligible :
(i) At S. end of Mall on R., Columbus, bronze figure,
heroic size, by /. Sunol; (2) opposite on L., Shakespeare,
bronze figure, heroic size, /. Q. A. Ward; (3) and (4) N.
on Mall, Sir Walter Scott (on R.) and Robert Burns (on L.),
two seated colossal figures in bronze, by Sir John Steele;
(5) W. behind Burns, the Indian Hunter, in bronze, by /. Q.
A. Ward; (6) on R., Fitz-Greene Halleck, seated bronze
figure, heroic size, by John Wilson Alexander McDonald;
(7) N. end of Mall, Beethoven, bronze bust, by Henry Baerer
(gift of the Beethoven Maennerchor) ; (8) to the W., Eagles
and Prey, by Christian Fratin.
The Mall terminates at the Terrace, which commands a.
znew of the Esplanade and the Lake. The Terrace, an ornate
structure of yellow stone, leads down to the Esplanade by
three stairways, the central stairway being sunk beneath the
driveway, through a tiled and ornamental arch or tunnel.
The two side stairs are open and curiously panelled with
carved designs of birds, animals and fruits. In the center
of the Esplanade is the Bethesda Fountain.
It represents the^ story of the Pool of Bethesda, St. John, V, 3-4.
The central feature is an angel, poised as if just alighted on a mass
of rock, who with, outstretched arms is blessing the waters that fall
from tho upper to the lower basin, over the four symbolic figures ot
Purity, Temperance, Health and Peace.
The picturesque Lake on the N. well repays a trip
around it either in a row-boat or an electric launch. It is
about five acres in extent.
304 RIDER'S NEW YORK CITY
Fares: Electric launches, adults, loc; children, 5c. Party Bo
I, 2 or 3 persons, 35c. per half-hour; each extra person, adults i
children 5c.; with boatman, 25c. extra per half-hour. The boat-ho
is a few yards £. from Esplanade.
Continuing E. around the Lake, we reach the Rami
one of the most attractive sections of the park, containi
a' maze of tangled paths and stairways and bridges, z
zagging up the face of a cliff, or leading down into ravin
and at one point passing through a natural Cave.
In the Ramble, approximately opposite 76th St., is a bronze b
of Schiller, by C. L. Richter; it was the first gift to the park, wl
presented by the German residents in 1859.
N. of the Ramble, on the lower margin of the Old F
ceiving Reservoir, stands the Belvedere, an orijamen
structure of granite, with a 50-ft. Tower, from the top
which may be had the most extensive view in the park,
also gives opportunity to observe how the park is divid
into two parts by two reservoirs belonging to the Crot
system (p. xxvii). The large one holds 1,030,000,000' ga
and the small one 150,000,000.
Paths to E. and W. of the Belvedere lead quite direct
the one to the Obelisk and Metropolitan Museum, the oth
to the American Museum of Natural History.
Directly E. of the smaller reservoir and S. W. of tl
Museum rises *Cleopaxra's Needle (PI. V — C4; p. 304), j
Egyptian obelisk 69^^ ft. high, weighing 224 T., original
standing in Cairo, in front of the Temple of the Sun, ar
erected about 1500 B. C. by Thutmosis III. Augustus Caes;
removed it in 12 B. C. to Alexandria. The Khedive of Egy
gave it to the United States in 1877, and it arrived at i
present site in 1880.
Thfi obelisk is a single shaft of syenite. The inscription on the si
exposed to the desert sand storms was already blurred when the shs
reached us. Since then our changeful climate has further injured t
stone, but it is now coated with preservative. The hieroglyphics wei
inscribed by Thutmosis III. Others were added by Rameses II. sor
three centuries later, about the time of Moses. Two of the origin
bronze crabs which were under the corners of the obelisk are in the 13I
Egyptian Room (p. 309) of the Art Museum, together with prints shov
ing the obelisk in its Alexandrian surroundings. A companion obelii
is in London.
For the Metropolitan Art Museum to the east see p. 30:
The Harlem Mere (12 acres) is a charming lake. Near-b
are the green-houses opened in 1899 at a cost of $55»ooo.
I 1 1
i 3l| II
ii iiiii
CENTRAL PARK 305
McGown*s Pass Tavern (recently closed) is on the side
of a tavern erected about 1750.
This was a strategic point during the Revolutionary War and
a body of American soldiers pursued by the British passed this
point Sept. 15, 1775. The British erected entrenchments here. Nov.
16, 1776, the large number of American soldiers captured at Fort
Washington (p. 355) were marched through here on their way to
prisons. Nov. ai, 1783, the British evacuate the Pass. In 1814 Fort
Clinton was erected on the top of the hill above Harlem Mere, traces of
the earthworks being still visible. A memorial tablet, on a mount of old
cannon and mortar, erected by the children of the City History Club,
marks the spot. The Block House on the rocks by Warriors Gate
(7th ave. ana iioth st) was erected in 1814. It was one of four guard-
ing the roads from the N.
Among the other monuments in the park are an enormous bust of
Giuseppe Mazzini. the Italian Revolutionist, (West Drive, opposite
66th St.), modeled by G. Turini, and presented in 1876 bv the Italians
of the United States; Daniel Webster, by Thomas Ball (near W. 7'd
St. entrance), a colossal bronze ^gure on a granite base; Alexander
Hamilton, by Carl Conrads (on East Drive, N. W. of Metropolitan
Museum), a granite figure in colonial costume; The Pilgrim, by /. Q. A.
Ward (near yad St. entrance), a bronze figure on a rough-hewn granite
pedestal, erected by the New England Society in 1884; on the four
sides are bas-reliefs in bronze: "C\>mmerce," "The Mayflower," "Bible
and Sword," "Crossbows and Arrows"; Still Hunt, by Edward Kgmgys
( 1 843-1907), a crouching panther in bronze (East Drive, opposite 76th
St); Seventh Regiment Memorial, by J. Q. A. Ward (West Walk,
opposite 67th St.T, a soldier in bronze, heroic size, erected in 1869
by the Seventh Regiment; The Falconer, by George Simonds (near
7 2d St., west entrance), a bronze figure, heroic size, with falcon on
gauntleted left hand; Albert B. Thorvaldsen, a Danish sculptor, by
Himself (5th Ave. and 96th St. entrance), bronze figure, life size,
erected by the Danes of America.
Adjoining the park on the W. side is the American
Museum of Natural History at 77th St. (p. 278).
X. Metropolitan Museum of Art
♦♦The Metropolitan Museum of Art (VI — E3) is sit-
uated in Central Park, with the main entrance on 5th avenue at
82nd St. (The 5th ave. stage; Madison ave. surface cars, one
block east. West Side lines of cars at 59th and 86th sts.
The nearest 3d ave. elevated station is at 84th st.)
The Museum is open daily: Saturday, 10 a.m. to 10 p.m.;
Sunday, i p. m. to 6 p. m.; other days, including legal holidays. 10 a. m.
to 5 p. m. m winter, 6 p. m. in summer. On Mondays and Fridays only,
an admission fee of 25 cents is charged (except to members and stu*
dents). Admission is free on all legal holidays.
In the basement are a restaurant (W. side; moderate prices, a la
carte 10 a. m.-s p. m.; table d'hote 12 m.-s p. m.), and lavatories for
ladies (E. side) and gentlemen (W. side); there are other lavatories
close to the main entrance (ladies, S. side; gentlemen, N. side). Canes,
umbrellas, and parcels are checked at the stand to the right of the en-
trance (parcels, canes and umbrellas, free). Public Telephone at .sth
ave. entrance. Wheel-chair, apply at information desk. Information Desk
:\.r.
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1....J.J
METROPOLITAN ART MUSEUM 307
at 5th ave. entrance. Expert guides for parties (preferably by previous
appointment) 25 c. per person per hour, with minimum charge of $1 an
hour.
The Museum was originally an unpretending red brick
building with granite facings, erected in 1879-94, but since
then at various times a gray Indiana limestone facade and
wings have been added, almost concealing the first structure.
The museum was incorporated in 1870. Among the chief
features of the Museum is the Cesnola Collection of Cypriote
Antiquities (the largest in the world), found by Gen. di Ces-
nola (1832-1904) in 1865 et seq. : floor I; Rooms B 37, 41, 42,
D 14, 8 ; floor II : C 32. The collection of Greek and
Roman antiquities on floor I: Rooms D i, 9, 10, 11, 12
of ancient jewelry. The Egyptian Antiquities are housed on
floor I in a wing to N. of the entrance hall ; Floor I : Rooms
D 2, 3, 4, 5; E I, 2, 3, 4, 5, 6, 7, H I, 2. Modern sculpture is
represented by a choice collection of Rodin's works, Floor I,
Rooms D 7, 13. The Bishop Jade Collection, and the coUec*
tions of armor and musical instruments are also of unusual
excellence. The picture collection was begun in 187 1, with
174 paintings of the 17th and i8th centuries, and is now large
and excellent. The Rogers, Hewitt, Leland, Kennedy,
Hearn, Wolfe, Marquand, Dodge, Curtis, Amelia B.
Lazarus, Avery Memorial, Smith, and Egleston funds are all
available for the purchase of pictures. The collection includes
excellent specimens of the Old Masters and of the Modern
French, German, British and American schools. "List of
publications" free ; "What the Museum is Doing," 5c. ; "Sculp-
tures by Rodin," 25c.; "The Room of Ancient Glass," loc;
"The Wing of Decorative Arts," loc. ; "Catalogue of the
Paintings," 25c.; "Catalogue of Greek, Etruscan and Roman
Bronzes," $5.00; "Handbook of the Cesnola Collection of
Cypriote Antiquities," $2.50, etc.
Ground Floor. On entering by the principal door, we find our-
selves in a large Entrance Hall (IDi), 166 ft. long, 48 ft. wide, and
two stories high, out of which a staircase ascends to the upper floor.
The walls are hung with tapestries. On the N. are a few sarcophagi
belonging to the Egyptian collection, housed in the wing beyond. To
the S. some objects from the Greek and Roman collection housed in the
arc some oeauuiui oronzes: ine moaern statuary nere includes Bac-
chante, b^ MacMonnies, a Bear Tamer, by Paul Bartlett, the *Brazen
Age (Primitive Man), by Rodin, and the *Mares of Diomedes. bv
Gutson Borglum. (I.D6) contains the most recent acQuisitions, exhibited
here until assigned their permanent position in the galleries. Passing
through ID6, we approach the rooms of the N. Wing devoted chiefly to
the ♦*Egyptian collection, (I.Da, 3. 4. S; Ei, 2, 3, 4, 5, 6, 7; Hi, 2)
and clearly marked by signs on the wall in the order in which they
should be visited.
The first exhibit which attracts the attention of the vis-
3o8 RIDER'S NEW YORK CITY
itor to the Egyptian Collection is the Tomb of Perneb, the
most recent and most impoi:tant single acquisition in the
collection (1916). It occupies a space which was formerly
an inner court, an opening having been made through the
.solid masonry of the wall, through which the entrance to the
main chamber now passes. This room directly faces the
Entrance Hall, and is officially known as the Second Egyptian
Room.
The Tomb of Perneb was discovered by the Metropolitan Mu-
seum's Expedition of 1907, and purchased by it from the Egyptian
Government. The tomb was situated in the cemetery of ancient Mem-
phis, within 350 ft. of the "Step Pyramid" of King Zoser. It was
broken into and pillaged iu ancient times, the sarcophagus opened and
the mummy stripped of its ornaments. The sculptures, inscriptions
and mural paintings are in excellent preservation. From them we
learn that Perneb was an important personage at court, a Lord Cham-
berlain to the King, with the honorary title of "Sole Companion.** In
what reign he lived is nut known, but his date is conjecturally placed
at about the twenty-seventh century B. C.
The sculptures and decorations deserve carefu^ inspection. On
the main fagade, to R. and L. of entrance, are two large full length
portraits of Perneb, iu low relief, representing him in the full dress
of an Egyptian of high rank. Note on the lintel at the inner end
of the enta*ance passage an inscription in ornamental hieroglyphics,
"The Sole Companion, the Lord Chamberlain, Perneb."
The scene in -the first small chamber or vestibule shows Perneb
inspecting the cattle and produce which are being brought to his tomb;
in two of the registers cattle are being led forward; in the third are
representations of Perneb*s wife and sons.
In the passage between the vestibule and main chamber are fig-
ures personifying estates, which were to furnish in perpetuity the
Lord Chamberlain's mortuary income; in front of these figures are
inscribed the names of the estates: for example, "Figs of the Com-
panion, Perneb" and "Onions of the Companion, Perneb."
In the main chamber the feature of chief interest is the "False
Door," through which it was supposed that the deceased could enter
the room at will. The door itself is very narrow; on either side are
inscriptions giving a list of Perneb's titles; on the outer, taller panels
is a prayer to Anubis to grant that he may "tread the goodly , paths
which the honorable ones tread." Above the door is a square panel
showing the deceased seated before an offering table.
There are two other small chambers, reached by doors to R. and
L. of main entrance. In that on R. is an interesting wooden door,
a facsimile, as nearly as antiquarian knowledge would permit, of the
original door. In the small offering-room on L. is a narrow slit in the
wall through which may be seen a copy of a wooden portrait statue,
situated in an inaccessible inner chamber. The original statue of
Perneb had perished, the copy now shown being made from another
statue found in a neighboring tomb.
Outside, fronting the tomb are numerous photographs showing
the process of excavation and transportation of the stones which com-
pose it; also two large cases of antiquities, chiefly in fragments, that
were found within it. Passing through the door on the E. side we reach
the First Egyptian Room showing tne pre-dynastic period (about 4000-
3400 B. C.) and the Early Dynastic Period (I. & It. Dynastiies, about
3400-2980 B. C). The photographs in Window-frame I. show the open-
METROPOLITAN ART MUSEUM ^aog
ing of the ancient graves from which the material was obtained. Case F. :
flint implements; Case B., C, and D., pottery; Case. E., stone vases;
« Case N., ornaments, etc. All these articles belong to the earliest period.
The remainder ot the cases contain objects belonging to the second
period. Case G., flint implements; articles from the royal tombs at
Abydos; ivory figures, seal cylinders. Case H., a tomb group of pot-
tery from a tomb of the I. dynasty. Case I., Stone vases from the same
tomb. Cases J. to M., Vases, bowls, etc. from a cemetery of the II
dynasty. Through the north door we proceed to the
Third EfsvpTiAN Room. Old Kingdom (III.-VI dynasties, about
2980-3475 B. C.) Chiefly relief sculptures from the walls of the offer-
ing chamber in the tomb of the Prince Ra-em-ka at Sakkara. In the
center of the room is a portion of the shaft of a red-granite column from
the mortuary-temple of the pyramid of King Unas at Sakkara (about
2650 B. C.) North of the Third Room is the
Fourth Egyptian Room. Old Kingdom (III-VI dynasties, about
2980-2475 B. C.) and Intermediate Period (VII-XI dynasties, about
2475-2150 B. C). South wall, blocks of relief sculpture. Center of
room, monolithic column from pyramid temple of King Sahura (about
2740 B. C.) This column and the one in the preceding room are
among the earliest known columns in the history of architecture. Other
walls show painted reliefs and relief -sculpture from other tombs. Wall
case G, stoneware v^ses for cosmetics, alabaster offering table, set of
limestone model fkbles of offerings and dishes, .bronze dishes and tab-
lets, head-rests, linen shawls. Wall case S., types of pottery of
this period.
Fifth Egyptian Room (same period), reached from Fourth Room
through west door. Contains painted reliefs found at the Museum's
Expedition at Thebes, in the excavations of the pyramid-temples of
Kings Amenehat I and Sesostris I (about 2000 B. C).
Returning through Fourth Room, we enter through north door-
way, the Sixth Egyptian Room. Middle Kingdom (Xl) XIV dynas-
ties, about 2160-1700 6. C). Objects found in excavations at Lisht.
Ci^ns, funerary models of servants, painted wooden models of funer-
ary boats, Ci-.nopic jars and chests, weapons, sceptres, and staves,
statuettes of Merer.
Seventh Egyptian Room. Middle Kingdom (about 2100-1700
B. CV. Objects found by the Metropolitan Museum's Expedition in
excavations at Lisht in tomb of a woman of fifty, Senebtisi: cedar
coffin decorated with gold leaf, jewelry found on njummy, Canopic
jars, wooden bows, and ceremonial staves. Coffins and objects from
the coffins and mummy of Hapi Ankhtifi, an omcial of the XII dynasty.
Eighth Egyptian Room (reached through cast door of Seventh
Room). Middle Kingdom and Intermediate Period (about 2 100- 15 80
B. C.) Jewelry, solar and divine barks of Imhotep, statuette of
Sesostris I, perfume and cosmetic vases, household furniture, statuette
of horse and rider. From the Eighth Room we return W. through
Seventh Room and thence cross through the Hall of Armor, reach-
ing the
Ninth Egyptian Room not yet ready for exhibition.
Tenth Egyptian Room. The^Empire Dynasties (about 1580-945
B. C). Scarab seals, material from Palace of Amenhotep III (pottery,
amulets, pendants, fragments of vases), Canopic jar of Queen Tiy,
vessels of faience, glass, alabaster, and bronze.
Eleventh Egyptian Room. The Empire Dynasties (1580-945
B. C). *Offering-chamber of the Tomb of Schek-mes, reconstructed
in original form. Red quartzite portrait of King Akhenaten. Statue
of an official, Ini, and his wife, Renut, Ushabti figures and boxes.
310- RIDER'S NEW YORK CITY
jewelry, cofl&ns from Tomb of Sennczem, mummy and coffin of priest
of XX dynasty. On the walls are temple reliefs.
Twelfth Egyptian Room. Empire and Bubastite Period (about
1560-718 B. C). Copies of mural decorations. Coffins of Khelsher,
XXII-XXV dynasty, 'coffins of Ta-Bek-en-Khonsu, XXVI dynasty.
Basalt seated statue of lioness-headed goddess Sekhmat. Sandstone
window from Palace of Rameses III, at Medinet Haburin. Relief
showing Seti I in war. Granite door jamb from Temple of Rameses
II, Thebes, thirteenth century B. C.
Thirteenth Egyptian Room. Saite and Ptolemaic' Period (71b-
30 B. CV "Painted capital of fine-grained sandstone from Temple
of Hidis, excavated by Museum's expedition in the Kharga oasis.
Photographs in window-frame illustrate this excavation. Case A,
bronzes of the period. Case C, small objects. Case D, small amulets.
Case E, sculptors' models. Case F, ushabtis. In the corner by
Case A, carved head of a- priest. Diorite relief from temple at
Sebennytos.
Fourteenth Egyptian Room. Roman Period (30 B. C.-364 A. D.)
and Byzantine Eeliod (364-640 A. D.). On cither side of the doorway
the Roman bronze crabs from the New York obelisk. Case O, a scries
of plaster masks from mummies. Floor Case R, *a mummy with
portrait panel in position. Screens B and C, *detached portrait panels.
Floor Case S, *Mummy with mask, Artemidora, aged zj. Case F,
lamps, statuettes, vases. Table Case E, fine jewelry, sandles, wooden
combs, ornaments. Sculptured friezes, moldings, and capitals from
Monastery of St. Jeremias, Sakkara, illustrating the Early Christian
art of Egyptj Case P, beads, etc. Case Q, ostraca, papyri, writing
tablets, coffins and mummies of sacred animals.
We are now back at the Entrance Hall (IDi) ; on the S.
side (IDS to 12) we find Rooms of Greek and Roman
Antiquities. Room IDS contains figurines and terracottas
from Tanagra and other Greek sites.
Owing to alterations in the building, temporary changes have
been made in the arrangement of certain galleries. The frescoes from
Boscoreale are not at present on exhibition; the Greek and Roman
sculptures are shown in the Entrance Hall and Corridor ID14; and
the Greek, Etruscan and Roman Bronzes in C18, 20.
In the Corridor to the S. (ID9) are Greek marble statues
(Giustiniani collection); also ^Memonal Monument of E. A. Poe (1809-
49), erected by the actors of New York. Room 10, in the corner, contains
*Frescoes from the Pompeian villa at Boscoreale, (overwhelmed in 79
A.D. by the eruption that buried Pompeii and Herculaneum and un-
earthed in 1900) in the soft yet vivid colors that give Pompeiian frescoes
their charm. One cubiculum, or bedroom, has been reconstructed so as
to show the frescoes in their original positions; frescoes from the other
rooms of the villa. Room ID 11 contains: Archaic statue of a woman
from Paros, 6th cen. B.C.; Archaic statuette of a woman, found near
Sunion; head, probably a fifth century restoration, 6th cen. B. C; Torso
of a boy, Phidian school, 5th cen. B. C; Frag:mentary gravestcle of a
woman, 5th cen. B. C; Statue of a goddess (Giustiniani collj* 4th cen.
B. C; Relief of Young Horseman, 4th cent. B. C. Attic Gravestone,
4th cent. B. C: Statue of Goddess Eirene (Roman copy after
Kephisodotos), 4th cen. B. C. Room 12 ("Bronze Room") contains
Greek, Etruscan, and Roman bronzes from the Mycenxan to the
Graeco-Roman period. The cases are chronologicallly arranged and contain
small sculptures in bronze including: 6th cen. B. C. Statuette of Apollo,
METROPOLITAN ART MUSEUM 311
Archaic Greek; Girl holding lotus-bud, Archaic Greek ; Figurine of horse,
Archaic Greek; Mirror-stand, Archaic Greek; Statuette of youth carry-
ins[ a pig, Archaic Greek. In the middle is a bronze-plated Etruscan
*Biga, e triuniphal chariot dating from the 6th cent. B. C. in remark-
able preservation (wooden parts new). The panels are carved with
mythological subjects in high relief, and the minor ornamentation is
also noteworthy. Wall cases contain bronze and iron objects used in
the toilet^ such as mirrors, fibulae (safety-pins), needles, pins, sticks
for applying cosmetics: in the household economy, such as cauldrons,
pots, pans, shovels, ladles, lamps, hinges, keys, etc.; and in war, such
as helmets, greaves, swords, daggers, spearheads, arrowheads, and axe>
heads. Other obiects of interest are: Contents ox Etruscan lady's tomb;
stattie of a Camillus or boy-acolyte (Roman; ist cent. B. C.?); statuette
of a panther (Roman; Early Empire); car of Cybele (Roman; 2nd cent.
A, D.?).
We now return to the Entrance Hall and proceed to the
old building by Corridor ID 14, which contains Csrpriote,
Phoenician, Greek and Roman Antiquities. On the S. of
this gallery is the Library, open to visitors, with over 27,-
000 volumes and 37,000 photographs.
We now reach the old building and enter a series of
rooms containing Sculptural Casts (IA16-25; 30-36).
Room 16. Persian Casts. The S. E. stairway is decorated on the
landings with sculptures and bas-reliefs by St. Gaudens. Room 17
contains Architectural casts and Models, including a model of the
Hypostyle Hall of the Temple of Karnak and one of the Pulpit of Siena
Cathedral by Nic. Pisano (1266-68; marking fusion of Gothic and
Romanesque ideas in Italy). Here, too, are some stone fragments from
Trajan's Forum at Rome '(111-114 A. D.). We now turn to the right.
Rs. 18 to 25 contain casts of ancient sculpture arranged by nationality
and era. (Wing F is described separately p. 327). Ks. 26-29 contain
the Crosby-Brown Collection of Musical Instruments, arranged
according to countries and dates. Rs. 30'36 contain casts of Gothic
AND Renaissance Architecture and Sculpture.
R. 37 is the ♦Room of ANaENT Glass, the richest col-
lection in the world and one of the most important. 'Wall
cases i-ii are filled with glass from the Cesnola Collection,
all from Cyprus. The 5 floor cases hold the most important
pieces of the Charvet and Greau Collections (and some of
the Syrian vases. Wall cases 12-21 contain more of the
Charvet and Greau Collections. The 2 table cases are given
up to heads, reliefs, etc. The wonderful iridescence of the
glass is due to the partial disintegration caused by exposure
to damp and oxidation in the graves.
We now retrace our steps and enter the central Hall of Architec-
tubal Casts (IA36), which is lighted from the roof. Among the chief
objects reproduced here are the Pulpit of Santa Croce (Florence) by
Benedetto da Maiano; the Monument of Lysicrates; the Parthenon
(model), with full-size reproductions of parts of pediment and frieze
(on walls) ; topographical model of the Acropolis; the Pantheon (in-
terior accessible) ; Notre Dame. Here also are a few large sculptural
casts. Above, skirting the naileries, are casts of the tympanum sculp-
tures of the E. and W. pediments of the Temple of Zeus at Olympia,
and of the frieze of the Temple of Apollo near Phigaleia. We now pro-
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METROPOLITAN ART MUSEUM 313
cced through Coiaidok 39 containing a few pieces of modern iculpture to
Room IA40 a, b, e, which contains Greek and Roman Vases of the sth cen.
B. C. Rooms 41 and 42 contain the *Cesnola Cypriote Collection, includ-
ing heads and other fragments of statues, statuettes (many with traces of
coloring), statues (amongst others, an archaic Hercules), terracottas.
sepulchral steles, alabaster vases, inscribed lamps, etc. All forms of
ancient art, from Assyrian to Graeco-Roman# are represented in the ■cul|>-
tures. In R. 4a is a.noteworthy Sarcophagus from Golgoi, 650-500 B. C.
and^a Sarcophagus from Amathus, about 500 B. C.
We return to the Entrance Hall by way of Rs. 16 (already de-
scribed), 15 and 13. R IS contains * Barnard's marble, "I feel two
natures struggling within me" and a few of the *Rodin sculptures, most
of which arc in R. 13. They are: Plaster cast of The Thinken The
Hand of God, marble; Eighteen signed plaster casts. Study of Female
Torso, baked clay; Brother and Sister, bronze rephca; The Tempest,
marble relief; The Bather, marble statue; Eve, bronze statue;The Old
Courtesan, bronze statuette (E. wall); Study of The Caryatid, baked
clay; The Martvr, bronze; Sketch group for Triton and Nereid, baked
clay; Study of head of Balzac, baked clay; Portrait bust of Jules Dalou,
bronze: Orpheus and Eurydice, marble; Portrait bust of Puvis de Cha-
vannes, bronze: Cupid and Psyche, marble; Adam, bronze statue;
Portrait Bust of Madame X, marble; Pygmalion and Galatea, marble;
St. John the Baptist^ bronze replica.
We have now finished our tour of the ground floor, and
next ascend the Grand Stairway, ornamented with marble
busts, to the second floor Rooms IIDio, 9, 8, surrounding
the stair-opening contain Modern American Bronzes. Cor-
ridors IIDi and 7 contain Japanese Objects of Art. Room
IID6, the ♦Morgan Collecion of Chinese Porcelains. Cor-
ridors IID5, and 2, Chinese Objects of Art. Room IID4
is devoted to the ♦Heber R. Bishop Collection of Jades.
The room is fitted up so as to reproduce the ball-room of Mr.
Bishop's house (modelled after a room in the Palace of
Versailles) and contains a portrait of him by Bonnat. Rooms
IIE8 to 10 are devoted to Rare Laces.
The Morgan Collection on loan formerly occupied Rooms IIHxi
to 33. They were, howeVer, recently withdrawn (June, 19 16), and
9ther exhibits are to be substituted. The rooms are at present vacant.
The Paintings (I A 11-34) are on the second floor of
the original building, beginning in the room at the head of
the grand staircase. In the main, they are arranged accord-
ing to schools and periods. A few of the collections donated
have been kept intact: namely, the Vanderbilt^ Altnum,
Catharine Wolfe and Hearn Collections. The system of
numbering followed by the official guide book is an adapta-
tion of the library system, each picture being designated,
1st, by the initial letter or letters of the artist's name; 2d,
by numbers that designate his place in the collection, and the
relative time at which the picture in question was acquired.
For illustration, R 82-5, indicates the 5th Rubens picture
acquired by the Museum.
314 RIDER'S NEW YORK CITY
It is necessary to understand this somewhat involved method of
numbering, if one makes use of the official catalogue. For the sake
of simplicity, however, the present guide book disregards the numbers
and merely gives a list of the pictures in the order in which they
now hang. They are subject, however, to occasional readjustment.
Room A II. Marqi»nd Gallery: Masterpieces of Vari-
ous Schools. •
North Wall: Johannes Vermeer (1632-75), A Lady Waiting;
Paolo Veronese (1528-88), "Mars and Venus united by Love; Ver-
meer, *A Woman with a Water Jug.
West Wall: Gioztanni Bellini (1428-1516), *Madonna and Child;
Franz Hals, Portrait of a Man; Raphael, *Madonna of St. Anthony of
Padua; Fram Hals, Portrait of a Woman; Quentin Massys (1466-
1550), Adoration of the Kings.
Soucn Wall: Pieter de Hooch (1629-77), Two Women and a
Child in a Court Yard; Sir Anthony Van Vyck (i 599-1641), * James
Stuart, Duke of Lenox; Gabriel Metsu, A Visit to the Nursery.
East Wall: Jacob van Ruisdael (1628-S2) Landscape; John S. Sar-
gent (b. 1856), Portrait of Henry G. Marquand; Aelbert Cuyp (1620-
91), Landscape with Cattle; Rubens, St. Theresa praying for the Souls
in Purgatory; Tintoretto (1518-94), "A Doge praying before the Re-
deemer; Tiepolo, *Investiture of Duke Harold as Duke of Franconia
(s^udy for mural painting in the palace of the Wartburg).
Through centre door in W. wall, we now enter
■Room A 12 (American School).
North Wall: William Morris Hunt, Fortune (sketch for mural
decoration in State Capitol, Albany); George B. Bwtler (1838-1907),
The Grey Shawl; Eastman Johnson (i 824-1906), Portrait of Sanford
R. Gifford; John La Farge, The Muse of Painting; The Same, Foun-
tain in the Garden, Nikko; Thomas Eakins (b. 1844), The Chess Play-
ers; W. M. Hunt, Night (sketch for mural in State Capitol, Albany);
Alexander H. Wyant, An Old Clearing.
West Wall: Henry P. Gray, Greek Lovers; Samuel F. B. Morse.
* Henry Clay; John F. Kensett, Lake George; Gilbert Stuart, David
Sears; John N eagle. Captain John Walsh; Jasper F. Cropsey (1823-
1900)), Landscape; S. h. B. Morse, De Witt Clinton; Gilbert Stuart,
George Washin^on; Thomas Cole, Oxbow, on Connecticut River;
Stuart, 'Portraits of Josef de Jaudenes and his Wife, Matilde
Stoughton de Jaudanes; Kensett, Lanscape; Henry Inman, Martin
Van Buren; Stuart, Judge Joseph Anthony, Jr.; Stuart, "George Wash-
ington (Gibbs-Channing-Avery portrait); John W. Casilear, In the
Pasture; Samuel L. Waldo, Gen. Andrew Jackson; Stuart, Portrait
of Mrs. Joseph Anthony, Jr.; Charles W. Peale, "George Washington;
Ralph Earle (1751-1801), Lady Williams; 7. S. Copley, Rev. Daniel
Greenfield; Thomas Sully, Portrait of Mrs. Katherine Matthews;
Ashur B. Durand, Ariadne; 7. S. Copley, Mary Storer Green; Ben-
jamin West (1738-92), The Triumph of Love; Jonathan B. Black-
burn, Portraits of William Greenleaf and his Wife, Mary Brown
Greenleaf (two canvases with bullet-holes, which according to tradition
were made during the Revolutionary War) ; Henry Inman, William
C. Macready; Thomas Doughty (1793-1856), Cn the Hudson, near
West Point; Matthevv H. Jouett (1783-1827), John Grimes; Thomas
Sully, Mother and Son; John S. Copley, Mrs. John Murray; (next
two pictures are in doorway) Thomas A^ast (1840- 1902), Head of
Christ; Thomas Sully, Artist's Daughter, Rosalie; Washington III-
ston (1799-1843). A Spanish Girl; Benjamin West, Hagar and Ish-
mael; Matthew Pratt (1734-1805), The American School.
METROPOLITAN ART MUSEUM 315
South Wall: George L. Brown (1814-89) View at Amalfi;
Thomas Doughty, A River Glimpse; John Vanderlyn, Portrait of the
Artist; Frederic E. Church, "The Heart of the Andes; Thomas Sully,
Portrait of John Finlcy; IV. M. Hunt, A Boy; George Inness, Dela-
ware Valley; W. M. Hunt, Girl at a Fountain; The Same, A Girl;
Thomas Sully, Portrait of the Artist; Inness, Autumn Oaks; George
P. A. Healy (1813-94), Portrait of the Artist; George Fuller, Head
of a Boy (Artist's oldest son).
East Wall: Edwin White (1817-77), The Antiquary; John Smi-
bert. Sir William Pepperrell; John Trumbull, 'Alexander Hamilton;
Samuel S. Waldo (i 783-1 861), Old Pat, the Independent Beggar;
William M. Hunt, Landscape; Theodore Robinson (1852-96), Girl and
Cow; George Fuller, "And She was a Witch"; Joseph Kyle, Portrait
of the Artist; Elihu Vedder (b. 1836), The African Sentinel; Stuart,
Albert Gallatin; Thomas Sully, "Queen Victoria; Bolton H. Jones (b.
1848), Spring; George Fuller, Nydia; Daniel Huntington, *William
C. Prime; Sanford R. Gifford, Tivoli; William E. Marshall (1837-
1907), The Artist's Mother; C F. Ulrich, Glass Blowers of Murano.
The door in S. Wall opens into
Room B 13. George A. Hearn Collection : American
School.
North Wall: John G. Brown, Meditation; De Witt Parshall,
Catskills; Ralph A. Blakelock, The Pipe Dance; Louis P. Dessar, Wood
Cart; Elihu Vedder, Pliades; Homer D. Martin, Sand Dunes, Lake
Ontario; Horatio Walker, The Harrower, Morning; Charles H. Davis,
The Valley and the West Wind; Dwight W. Tryon, Moonrise at
Sunset; Edwin A. Abbey, *King Lear; Charles H, Davis, Sunset; E.
Ballard Williams, Happy Valley; George Inness, Spring Blossoms;
William Sartain, A Chapter from the Koran; George Tnnesj, Evening
at Medfield, Mass.
A\'est Wall: Henry W. Ranger, Spring Woods; James /. Shannon,
Magnolia; Alphonse Jongers, Harpist; A. H. Wyant, Glimpse of the
Sea; George Inness, *Peace and Plenty; William Sargent Kendall, The
Seer; A. H. Wyant, Lanscape in the Adirondacks; Alphonse Jongers,
Louise.
South Wall: Emil Carlsen, Surf; William Sartain, Outsido
Mosque, Algiers; Thomas W. Dewing, The Sorceress; Abbott H.
Thayer, Young Woman; Mary Hearn Greims, Stalheim, Norway;
Douglas Volk, Portrait of Little Mildred; William L. Lathrop, The
Meadows; William M, Paxton, Sylvia; Henry Oliver Walker, A
Morning Vision; Louis Kronberg, The Pink Sash; Thomas Eakins,
Pushing for Rail; Elliott Daingerfield, Christ Stilling the Tempest;
William S. Kendall, *Psyche; Irving R. Wiles, Portrait of George
Arnold Hearn; Louis Loeb, Miranda; Albert P. Ryder, The Bridge;
Horatio Walker, The Sheepfold; Harry W. Watrous. Passing of Sum-
mer; John W. Alexander, *The Ring; Frederick S. Church, Moon-
rise; Frederick Waugh, Roaring Forties; Francis D. Millet, An Old
Time Melody; D. W. Tryon, Moonlight; George Fuller, Quadroon;
A. C. Howland, New England Farmhouses; William G. Bunce, Early
Morning, Venice.
East Wall: George H. Bogert, Surf and Wind; Alexander H.
Wyant, Forenoon in the Adirondacks; Bruce Crane, Autumn Up-
lands; R. Swain Gifford, Barney's Joy Cliff; Ralph A. Blakelock,
Indian Encampment; George H. Bogert, Rouen; Alexander H. Wyant,
The Broad Silent Valley; /. F. Murphy, The Old Barn; Frederick W.
Kost. Frosty Morning; Horatio Walker, Turning the Harrow; Frank
M. Boggs, On the Thames; A. H. Wyant, Mohawk Valley.
Continue through door at S. E. cor., into
3i6 RIDER'S NEW YORK CITY
Room B 14. Hearn Collection continued; British, Dutch,
Flemish and PYench Schools:
North Wall : Sir J. Reynolds, *Mrs. Arnold ; Reynolds, Portrait
of a Lady; Isaac Von Ostade, Winter in Holland; Sir Godfrey Kneller,
Lady Mary Berkeley; George H. Harlow t Portrait of Himself; John
Crone, Sr., Landscape.
West Wall: John Hoppner, Portrait of a Lady; Richard Wilson,
Italian Landscape; Sir Thomas Lawrence, *Miss Baring, daughter of
Sir Francis Baring; Sir J. Reynolds, Portrait of Master Hare; Bart-
hold Jongkind, Sunset on the Scheldt; John Crome, Old Houses at
Thorpe; John Constable, Portrait of Mrs. Pulham; Reynolds, Duke
of Cumberland; Gainsborough, English Landscape; R. Wilson, Lake
of Nemi; Sir Thomas Lawrence, *Lady Ellenborough ; Reynolds,
Portrait of Mrs. Angel; Constable, Bridge on the Stour; Sir William
Beechey, Portrait of a Lady; Robert E. Pine, Portrait of Mrs. Reid
as a Sultana; Claude Lorraine, A Seaport.
South Wall: George Romney, *Lady Hamilton as Daphne;
Gainsborough, Mr. Borroughs; Pieter de Hooch, Dutch Interior;
Huysmans of Mechlin, Landscape with Figures; Jacques Blanchard,
Venus and Adonis; Gerbrandt Van der Eeckout, Destruction of Sodom
and Gomorrah; Jones Stark, Willows by the Water Courses; W.
Hogarth, Peg Woffington; Henry Raeburn, Portrait of Wiliam Forsyth.
East Wall: Adam Willaerts, River Scene with Boats; Gaspard
Dughet, Landscape with Figures; Daniel Mytens, Charles I of England;
Emanuel Murart, The Farm; George Vincent, Whitlingham, near
Norwich; CecU Gordon Lanson, Landscape; John S. Cotman, Worcester
Cathedral; Anton Van Dyck, *EsLrl of Arundel and his Grandson;
/. 5. Cotman, English Village; George Morland, Midday Meal; R. P.
Borrington, Coast Scene, Normandy; Sir Peter Lely, Portrait of Sir
William Temple; John Phillip, Gossips of the Mill; Sir Augustus Call-
cott. Landscape; Anton van Dyck, Baron Arnold Leroy; Richard Wil-
son, The Storm; Aelbert Cuyp, Young Herdsmen with Cows.
The west door opens into
Room B 15. Hearn Collection concluded; American School :
•North Wall: Albert L. Groll, Silver Clouds, Arizona; William
Gedney Boyce, Morning View in Venice; Jonas Lie, 'The Conquerors
(Culebra Cut^; Paul Dougherty, October Seas.
West Wall: Elliott Daingerfield, Slumbering Fog; Charles W.
Hawthorne, The Trousseau; F. W. Benson, Portrait of a Lady; ^r^liur
B. Davies, A Dream; Henry B. Snell, Lake Como; W. Elmer Scho-
field. Sand Dunes, Lelant; Winslow Homer, "North Easter; Homer,
Searchlight; Alphonse Jorgens, Portrait of Arthur Hoppock Hearn;
The Green Bodice; Arthur B. Davies, The Girdle of Ares; James M.
Whistler, 'Connie Gilchrist; Winslow Homer, Harvest Scene; Ralph
A. Blakelock. Sunset.
South Wall: William M. Chase, A Seventeenth Century Lady;
Robert Henri, The Spanish Gypsy; Childe Hassam, Isles of Shoals;
John S. Sargent, Tyrolese Interior; Sargent, "Portrait of Madame X;
Eugene Speicher, Morning Light; Gifford Beal, Mayfair; Milton Lock-
wood. Peonies; William M. Chase, Still Life.
East Wall: Cecilia Beaux, A Girl in White; Lillian M. Genth
Spring; Henry G. Dearth, Cornelia; Robert Spencer, Repairing the
Bridge; Richard E. Miller, The Chinese Statuette; Irving R, Wiles
Shelter Island, Summer; John H. Twachmann, The Waterfall; Robert
Reid, Fleurs-de-lys; Mary Cassatt, Mother and Child; Theodore Rob-
inson, Giverny; Ernest Lawson, Winter; James J. Shannon, Fairy
METROPOLITAN ART MUSEUM 317
Tales; Alexander, *A Study in Black and Green; Wiliam McG. Paxton,
Tea Leaves; John S. Sargent, Gitana; Guy C. Wiggins, Metropolitan
Tower; Emil Carlsen, Open Sea.
The door at the S. W. cor. opens into
Room B 16. William Vanderbilt Collection (Loan).
(Flemish, French, German, Italian and Spanish Schools).
North Wall: Jehan Georges Vibert, Committee on Moral Books;
Leopold Carl M tiller (1834-1892), Street Scene, Cairo; Maurice Le-
loir. The Recruit; Josi Villegas, A Dream of the Arabian Nights;
Francisco Domingo, Halt at the Inn; Mariano Fortuny, Arab Fan-
tasia at Tangiers; Adolf Schreyer, Arabs Retreating; Jose Villegas,
A Spanish Christening; Pierre Edouard Frh-e, Street in Ecouen,
Winter; Eduardo Vamacois, The King's Favorite, Emile van Marcke,
Cows in a Pool; Alfred Stevens, The Morning Call; Raymundo de
Madrazo, A Fete DuriM the Carnival; John Linnell (1792- 1882), The
Monarch Oak; Louis Gallait, The Prisoner; Alma-Tadema, The Pic-
ture Gallery; Thomas Faed (1826-1900), Rest by the Stilej Sir John
Millais, The Bride of Lammermoor; Lord Frederick Le%ghton, An
Odalisque; Alma-Tadema, The Sculpture Gallery.
Alcove: This alcove contains about thirty exhibits, chiefly water
colors, and for the most part of minor importance. Note however
to right and left in doorway three small canvases by Meissonier:
•Portrait of William H. Vanderbilt; Smoker Reading; An Artist at Work.
North Wall continued: Hugues Merle, Maternal Love; Meis-
sonier, "An Artist and his Wife; Ferdinand Roybet, A Musical
Party; Jean Lion Girome, "Reception of the Prince De Conde by
Louis XIV; Meissonier, The Ordinance; Meissonier, *The Arrival at
ahe Chateau; Thomas Couture, The Ralist; Jean Francois Millet,
The Shepherdess; Thiodore Rousseau, Farm on the Oise; Coret, Clas-
sical Landscape; Charles Francois Daubigny, Landscape, Evening;
Jean Frangois Millet, *The Water Carrier; Alexander Gabriel De-
camps, A Bashi-Bazouk; Diaz, *Cupid's Whisper; Rousseau, Edge of
a Forest; Decamps, An Italian Family; Millet, The Knitting Lesson;
Millet, *The Sower; Rousseau, Autumn, River Scene; Corot, Koad near
Paris; Diaz, Eastern Bazaar; Millet, Hunting in Winter.
West Wall: Jules Dupri, Shepherd Boy; Troy on, Group of
Cattle; Charles Emile Jacque, Sheep Stable; Diaz, Blind Man's Buff.
South Wall: Jules Dupri Midday; Eugkne Fromentin, Arabs
Watering Horses; Constant Troy on. On the Road; Rousseau, Gorges
D'Apremont, Evening; Diaz, Boy and Dogs; Fromentin, Crossing a
Ford; Thomas Couture, Volunteers of the French Revolution, 1789;
Rousseau, River Scene; Diaz, The Bathers; Diaz, Forest of Fontain-
bleau; Constant Troyon, Autumn Wods with Cattle; Eugene Delacroix,
Muley-abd-el-Rhamann; Bouguereau, *Going to the Bath; Jules Dupre,
Autuipn Sunset; Rousseau, Landscape, Morning; Detaille, Skirmishing
near Paris; Jules Lefebvre, Mignon; Henri Leyes^ Lucas Cranach
taking the Portrait of Martin Luther; Rousseau, Trees by a Pool;
Jules DuprS, River Scene; Girdme, 'The Sword Dance; Alma-Tadema,
Down to the River; Detaille, *The Arrest of an Ambulance Corps;
Cahanel, Pia De Tolomei; Charles Bargue, The Artist and his Model;
Bargue, The Almde; Alfred Stevens, Ready for the Fancy Ball; George
H. Bogert, Ladies of the First Empire; Bogert, Des Parisiennes;
Florent Willem^, TJie Dance, La Pavane; Emil van Marcke, Cattle
Resting; Johan van Kessel, A German Village Fete; Rosa Bonheur,
Ready for the Hunt; Alphonse de Neuville, *Le Bourget; Munkdcsy,
•The Two Families; Lud-juig Knaus, The Road to Ruin.
East Wall: Carl von Pettenkofen, Ambulance Wagon; Ludvtng
Knaus, The Rag Baby; Pettenkofen, Hungarian Volunteers; Knaus,
3i8 RIDER'S NEW YORK CITY
Female Head; Francisco Domingo, Card flayers; Domingo, Interior
of a Stable; Walter Florian, A Court Fool.
Continuing through door at W. end, we enter Room B 17.
Catharine Lorillard Wolfe Collection (Modern European
and American Schools).
North Wall: Eugene Delacroix (i 799-1863), The Abduction of
Rebecca; Fantin-Latour (1836-1904), Portrait of a Lady.
West Wall: Jules Lefebre, Graziclla; Jehan Georges Vibert
The Startled Confessor; August F. A. Schenck (1828-1901), Lost,
Souvenir of Auvergne; Constant Troy on (i 810-1865), Holland Cattle;
Jean Jacques Henner (1829-1905), *A Bather; Antoine Vollon (1833-
1900), A Farm Yard; Jules Breton, Religious Procession in Brittany;
Alfred Stevens (1828- 1906), The Japanese Robe; Emil van Marcke,
(1827-1890). The Mill; Theodore Rousseau, Edge of the Woods; Dagnan-
Bouveret (b. 1852), *The Madonna of the Rose; Alexandre Cabanel
(1823-1889), *Catherine Lorillard Wolfe; Daniel Huntington (1816-
1906), John David Wolfe; Diaz, Edge of a Forest; Jean Lion GSrome
(1824- 1904)* Boy of the Bischari Tribe; Dias (1807- 1876), Holy Family.
South Wall: Dias, Study of Trees: Jules Dupri, The Hay
Wagon; Charles Emile J cheque (181 3-1 894), The Sheepfold; Jules
Dupre (1811-1889), The Old Oak; Rousseau, Landscape; Charles
Frangois Daubigny (1817-1878), On the River (Dise, Evening; Thomas
Couture (1815-1879), Day Dreams; Rousseau (1812-1867), River
Landscape; Daubigny, On the Seine, Morning; Constant Troy on, Study
of a White Co\^; Corot (i 796-1875), Ville D'Avray; Dias, Landscape,
Daubigny, Boats on Shore.
East Wall: Berne-Bellecour (1829-19 10), Soldier in the Trenches;
John Lewis Brown (1829-1890), Fox Hunting.
Continue through door at S. W. cor. to Room B 18.
Wolfe Collection, continued. (British, Dutch, Flemish,
French, German, Italian, and Spanish Schools).
North Wall: Eduardo Zamacois (i 842-1 871), Sleeping Hunter;
Maurice Leloir, Opportunity makes the Thief; Raymundo de Madraso
(b. 184 1), Girls at a Window; Mariano Fortuny (1838- 1874), Camels
Reposing, Tangiers; Francisco Domingo (b. 1843), Interior with
Figures; Adolf Schreyer (1828-1899), Abandoned, Marshes of the
Danube; Atillio Simonetti, The Amateur; Meissonier, The Sign
Painter; Alberto Pasini (i 826-1 899), Entrance to a Mosque; Simon^
etti. The Miniature; Victor Chavet (1822-1906), In Full Dress.
West Wall: Anton Setts (1829-1900), The Discussion; Martin
Rico, Canal of Venice; Johann Friedrich Hennings (1839- 1899), Heidel-
berg by Moonlight; Gustavo Brion (i 824-1 877), Return from the
Christening; Johann Wilhelm Preyer (1803-1889), Grapes, Plums,
Nuts, etc.; Ludwig Knaus, Old Woman and Cats; Hans Makart (1840-
1884), The Dream after the Ball; Knaus (i 829-1 910), The Holy
Family; Oswald Achenbach (1827- 1905), Near Naples, Moonrise;
Munk&csy (1844-1900), *The Pawnbroker's Shop; Adolf Schreyer,
Arabs on the March; Frans von Defregger (b. 183s), German Peasant
Girl; Andreas Achenbach (1815-1910), Sunset after a Storm, Coast
of Sicily; Gabriel Max (b. 1840). 'The Last Token, a Christian Mar-
tyr; Pierre Edouard-Frdre (181 9-1 886), Visit of a Sister of Charity;
Wilhelm Riefstahl (i 827-1 888), A Wedding Procession in the
Bavarian Tyrol; Carl Theodore von Piloty (1826-1886), Parable
of the Wise and Foolish Virgins; Frans von Lenbach (1836-1904),
Edwin Emerson; Florent Wtllems (i 823-1905), Preparing for the
Promenade.
METROPOLITAN ART MUSEUM 319
South Wall: Jacob ^aris (1837-1899), Canal in Holland; Adolf
Wahlberg, A Day in October, near Waxholm, Sweden; P. Wilson Steer
(b. i860), Richmond Castle; George H. Boughton, A Puritan Girl;
Christoffel Bissckop (1828- 1904), The Sunbeam; Lord Frederick
Leighton, Lachrymae; Louis Gallait (1810-87), The Minstrel Boy;
Alfred Wahlberg (i 834-1 906), Moonlight, Port of Waxholm, near
Stockholm, Sweden; Cesar De Cock, Landscape, Spring; Leighton, Lucia.
East Wall: Sir John E. MUlais, 'Portia; Frederick J, VaUz,
Landscape; Josi Villegas, Examining Arms; Bakker-Korff, Bric-a-brac;
Hughes Merld (1823-81), Falling Leaves; Jules Breton, Peasant Girl
Knitting; Charles Bargue, A Bashi Bazouk; Felix Ziem, Inundation of
the Piazza of St. Mark's, Venice; Detaille, Skirmish between Cossacks
and the Imperial Bodyguard; Rosa Bonheur, A Limier-Briquct Hound;
The Same, Weaning the Calves; LSon Lhermitte, "Among the Lowly;
Frank de Mesgrigny ( 1 836-1 884 "i. River Scene; Charles Thiodore Frkre,
Cairo, Evening; Charles Chaplin (1825-1891), Haidee; Jean Lion
Girdme, Prayer in the Mosque; of Amrou, Old Cairo; Ernest Hibert
(1817-1Q08), A Girl's Head; Frere, Jerusalem from the Environs; P. A.
Cot (183 7- 1 883), The Storm.
The door in the N. W. cor. opens into
Room B 19. (American, Dutch, Flemish, French, Ger-
man, Italian and Spanish Schools).
North Wall: Fortuny, A Spanish Lady; Josef Israels (1824-
191 1 ), 'The Bashful Suitor; Julien De Vriendt (b. 1842), A Chapel
Scene; Old Antwerp; Anton Mauve, Changing Pasture; Israels, Ex-
pectation; Guillaume Koller (i 829-1 884), Hugo Van Der Goes painting
the Portrait of Mary of Burgundy; Anton Mauve, Return to the Fold;
Carl Marr (b. 1858), *Gossip; Antonio Mancini (b. 1852), Circus Boy.
West Wall: Joaquin S or o I la y Bastida, 'After the Bath; The
Same, Senora De Sorolla in Black.
South Wall: Ignacio Zuloaga (b. 1870), *Mlle. Lucienne Breval
as Carmen; Franz von Lenbach, Portrait of a Child; Hugo Van Haber-
mann. In the Studio; Anton Mauve, Twilight; Hans Thoma (b. 1839),
At Lake of Garda; Sorolla (b. 1863), Swimmers; Habermann (b. 1849),
Portrait of a Lady; WUhelm Trubner, Landscape; William Orpen (b.
1878), Leading the Life in the West; Augustus Edwin John (b. 1879),
The Way Down to the Sea.
East Wall: Emanuel Leutse (181 6-1 868), 'Washington Crossing
the Delaware.
Through the N. W. door, we enter the Southwest Stair-
way (Wolfe Collection, concluded) :
North Wall: Charles Marichal (1825- 1877), Evening in Alsace;
Eugene Verboeckhoven (1799-1881), Interior of a Stable with Sheep
and Poultry; Gustave Jacquet (1846-1909), Female Head; Albert Neu-
huys (1844-19 14), Dutch Interior with Figures; Emilie Freyer (b.
1849), Fruit, Flowers, etc.; Frederik Hendrik Kaemerer (1839-1902),
Study of a Girl's Head; Edouard Joseph Stevens (1822-1892), Surprise;
Pierre Louis Joseph de Coninck ,(1828-1910), Italian Children at a
Well; Benjamin Eugene Fichel, Awaiting an Audience.
West Wall: Jehan Georges Vibert, Palm Sunday in Spain; Vibert
(1840-1902), The First Babe; Attilio Simonetti, The Rendezvous;
Alexandre Louis Leloir, In his Cups; Gustave Dore (1833-1883), The
Retreat from Moscow; William T. Richards, A Rocky Coast; Pierre
Charles Comte (1823-1895), Lady at Her Toilet; Alexandre Louis
320 RIDER^S NEW YORK CITY
Leloir, Wandering Minstrel; Old Nuremberg; Luis Falero (1851-1896),
•Twin Stars; Detaille, French Cuirassiers.
South Wall: Alexandre Cabanel, The Shulamite; Louis Eugene
Lambert (1825-1900), Cat and Kittens; Arthur Georg von Ramberg
( 1 819-1875), The Meeting on the Lake; Charles Marchal, Morning in
Alsace; Gustaf Wappers (1803-1874), C)onfidences; Carl Graeb (i8i6-
1884), Interior of the Cathedral of Freiburg, Germany; Jean Baptiste
Jules Thayer (18^4-1908), Ribbon Peddler; Barend Cornelius Kock-
koek, Sunset on the Rhine.
East Wall: Leon Glaise (b. 1842), Before the Mirror; Eleonore
Escallier, Chrysanthemums; Victor Leciaire (i 830-1 885), Apple Blos-
soms in a Vase; Berne-Bellecour, The Intended; Wilhelm von Kaut-
bach ( 1 905-1 874), Crusaders Before Jerusalem; Charles Edouard Delort
(1841-1895), The Casque; Alexander Bida (1813-1895), Massacre of
the Mamdukes; Auguste Toulmouche (1829-1890), Homage to Beauty;
Koekkoek (1803-1862), Winter Landscape; Holland; Louis Eugene
Lami (1800- 1.890), Interior of a Museum; Blaise Desgoffe (i 830-1901),
Objects of Art; Louis Haghe (1806-1885), Guard-room; The Toast;
Maurice Leloir (b. 1853), The Drink of Milk; Louis Devedeux (1820-
1875), The Pride of the Harem; Escallier, A Basket of Flowers; Prio
J oris (b. 1843), Italian Courtyard and Figures; Vibert, The Reprimand.
Through the N. door we reach
Room A 20. (Amefican School).
North Wall: Jerome Myers (b. 1867), The Night Mission;
Albert P. Ryder (b. 1847), The Curfew Hour; Whistler, ♦Arrange-
ment in Flesh Color and Black; Theodore Duret; Ryder, The Smug-
glers' Cave; Whistler, Nocturne in Green and (jold; Cremorne Gar-
dens, London, at Night.
West Wall: Robert MacCameron (i 866-1912), The Daughter's
Return; Homer D. Martin (1836-1897), The White Mountains; Adams
and Jefferson; S. Seymour Thomas (b. 1868), Mrs. St Seymour
Thomas; Frederick J. Waugh, The Great Deep; Martin, Harp of the
Winds, A View on the Seine; George W. Bellows (b. 1882), Up the
Hudson; Thomas Alexander Harrison (b. 1853), Castles in Spain;
Sargent, William M. Chase; Henry W. Ranger, Highbridge, New
York; Gardner Seymour, The Opalescent River; New England; Weir,
The Red Bridge; Chase, Portrait of a Lady; Gari Melchers (b. i860).
Madonna; Leonard Ochtman (b. 1854), Winter Light.
South Wall: Edward Martin Taber (1863- 1896) Mount Mans-
field in Winter; Theodore Robinson (1852-1896), The Old Mill; Fred-
erick Carl Frieske (b. 1874), The Toilet; Childe Hassam, Golden
Afternoon, Oregon; Sargent, The Hermit; Eduard J. Steichen (b.
1879), Nocturne; Temple of Love; Alfred Q. Collins (1855-1903), The
Artist's Wife; Walter Gay, Green Salon.
East Wall: Charlotte B. Coman (b. 1833), Clearing Off; Kenyan
Cox (b. 1856), 'Augustus Saiht Gaudens; Sargent, Padre Sebastiano;
Homer (1836-19 10), The Gulf Streamy Whistler, Arrangement in
Black, No. 3, Sir Henry Irving as Phihp II of Soaln; Bmil Carlsen
(b. 1853), Still Life; Whistler, Cremorne Gardens, No. 2; William M,
Chase (h. 1849), Portrait of a Lady in Black; Cox, The Harp Player;
Homer, Shooting the Rapids; Sagufenay River.
The door in the E. wall leads to
Room A 21. (Frefnch School.)
Northeast Door: Honori Daumier, The Lawyers; Daumier (1808-
1879), Don Quixote; Constant Troy on. Shepherd with Sheep.
METROPOLITAN ART MUSEUM 321 •
North Wall: Paul Creatine (1839- 1906), The Poorhouse on the
Hill; Puvis de Ckavanncs, St. Genevieve as a Child, distinguished by
St. Germain d'Auxcrrc, as marked for high Distinction; Claude Monet,
Valley of the Ncrvia.
Southeast Door: Matthys Maris (i 839-1 872), Reverie; Daubigny,
Landscape with Storks; Corot, Environs of Paris.
West Wall: Puvis de Chavannes, *The River; Claude Monet,
•Rouen Cathedral, Sunlight; Edouard Manet, The Funeral; Puvis de
Chavannes, Beheading ot Saint John the Baptist; The Same, *The
Cider; The Same, Sleep; The Same, Child Gathering Apples; Manet,
•Woman with a Parrot; Cizanne, The Bouquet of Flowers; Manet, The
Dead Christ with Angels; Cizanne, Still Life; Manet, *Boy with a
Sword; Corot, *A Lane through the Trees; Adolphe Monticelli (1824-
idfe6), Court Ladies; Corot. *Souvenir of Normandy; Gustave Courbet,
Woman with a Parrot; Monticelli, The Court of the Princess; Rous-
seau, Path among the rocks; Corot, 'The Ferryman.
South Wall: Diaa, A Clearing in the Forest of Fontainebleau ;
Courbet, Snow Scene; Jules Bastien-Lepage (1848- 1884") *Joan of- Arc;
Rousseau, Meadow bordered by Trees; Daubigny, Banks of the Oise.
EoLSt Wall: Corot, A River Scene; Daubigny, Evening; Lher-
mitte (b. 1844), 'The Vintage; Rosa Bonheur, The Old Monarch;
Meissonier (1815-1891). **Friedland, 1807; Rosa Bonheur, ••The Horse
Fair; Cabanel, Queen Vashti refuses to come at the Command of King
Ahasuerus; Detaille, **The Defence of Champigny; Pierre Auguste
Renoir (b. 1841), 'Mme. Charpentier and her Children.
Gallery 23, which we enter from the N. W. door in R. 12,
or from N. E. door of R. 21, contains metal work. This gal-
lery overlooks the Architectural Court (p. 311). Gallery 22
(entered from the S. W. door of R. 12 or the S. E. door of
R. 21) contains portraits and memorials of Washington,
Franklin and Lafayette (including earliest known portrait of
Washington, a miniature), American silver, and some bronze.
From R. 21 continue through N. door to Room 24 (British
and French Schools).
North Wall: Grenlee, Study of a Girl's Head; Pierre Prud'hon,
Assumption of the Virgin; Thomas Lawrence, Lady Elizabeth Wynd- .
ham; Noel N. Coy pel, Venus and Sea Nymphs: Nicolas Poussin, Land-
scape; School of Boucher, The Rescue of Arion from the Waves;
Jean Marc Nattier, Princess de Conde as Diana; Frangois H. Drouais,
Portrait of Emperor Joseph II of Austria; Caspar d Dughet, Landscape
with Figures; Nicolas De Langillierre, Marie Margarite Lambert De
Thorigny; School of Le Nain, Mendicants; School of Poussin, Mytho-
logical Subject; Jean B, S. Chardin, Preparation for a Breakfast;
Francis Wheatley, View in Wales; Gainsborough, Portrait of Artist's
Daughter.
West Wall: Reynolds, Sir Edward Hughes; John Hoppner, Mrs.
Bache; Reynolds, Mrs. Baldwin; Joseph M. W. Turner, The Whale
Ship; John O pie, hady Hamilton; Reynolds, Lady Crewe; Charles H.
Shannon (b. 1865), Lilah McCarthy as "Dona Ana" in Shaw's "Man
and Superman"; Richard P. Bonington (i 801 -1825), Sea Coast; Rey-
nolds, Georgiana Augusta Frederick Elliott; Gainsborough, Portrait of
a Man; George Romney, The Hon. Mrs. Tickell; /. M. W. Turner, The
Grand Canal, Venice; Henry R. Morland, Miss Rich Building a
House of Cards; Romney (1734-1802), Mrs. Fitzherbert.
South Wall: John Hoppner, Mrs. Gardiner and her Children;
Gainsborough, A Child with a Cat; Sir Thomas Lawrence, John Julius
322 RIDER'S NEW YORK CITY
Angerstein; /. M. W, Turner, Saltash; Reynolds, Hon. Henry Fane
with his Guardians, Inigo Jones and Charles Blair; Sir Henry Raeburn,
Dr. Joseph Black; J. M, W. Turner, The Fountain of Indolence; SW
William Beechey (1753-1839), H. R. H. The Duke of York.
East Wall: Sir Martin A, Shee (1769-1850), Daniel O'Conncll;
Francis Wheatley, Taking Home the Bride; Patrick Nasmylh, At Pen-
hurst, Kent; George Frederick Watts (181 7-1904), Ariadne in Naxos;
John Constable, Tottenham Church; Sir Peter i^eiy, Nell Gwynn; Sir
Thomas Lawrence, Rev. William Pennicott; Richard Wilson, View on
the Arno; John Crome, Hautbois Common; John Opie, Portrait of a
Boy; George Romney, Portrait of the Artist; James Stark, The Mill;
George Morland, Country; Richard P. Bonington, Mantes on the Seine;
William Etty (i 787-1 849), The Three Graces; Joseph Silfrede Duples^,
Benjamin Franklin; George Morland, Town; Jonn Crome, A Roadway.
At the S. W. cor. of R. 24 a door leads to the
Northwest Stairway: George Inness, Pine Grove of the Barberini
Villa, Albano, Italy; William T. Bannat (b. 1853), A Quartette; Robert
F. Blum (185 7- 1 903), The Ameya; Henry M osier (1841), A Wedding
Feast in Brittany.
Recrossing R. 24, we reach, through N. doorway,
Room 25. Sketches and Water Colors (Subject to fre-
quent changes).
North Wall: Drawings by Charles. S. Keenc; Sketches by H. B.
Barbazon; The Laundress, by Degas.
West Wall: Various Studies by Kenyon Cox, Jerome Myers,
Whistler and Alfred Stevens; Ten Water Colors by Winslotv Homer
(Sloop, Bermuda; Tornado, Bahamas; Flower Garden, Bermuda; Shore
and Surf, Nassau; Palm Tree, Nassau; Taking on wet Provisions; A
Wall, Nassau; The Pioneer; Fishing Boats, Key West: The Bather);
Various Studies by Puvis de Chavannes and others; Convalescent by
Kenyon Cox.
South Wall: Puris^ de Chavannes. *The Balloon; The Same, The
Carrier Pigeon.
East Wall: Studies by Burne-Jones, Alphonse Legros and Augus-
tus John; Ten Water Colors by Sargent: (Idle Sails; Mountain
Stream; Spanish Fountain; Giudecca; Escutcheon of Charles V; In the
Generalife; Tyrolese Crucifix; Venetian Canal; Boats; Sirmione) ;
Studies by Mauru:e Sterne, Henri Matise, Jean Veber and others.
Return to Room 24 and through door in N. W. cor. enter
Room C 26. (Italian School).
North Wall: Flemish Scho-ol, Portrait of a Man; Adrian de Vries,
A Dutch Gentleman; Jan van Goyan, Panoramic View of the Environs
of Haarlem; Nicolaes Maes, Admiral Jacob Binkes; Jan z'an Goyen
(1596-1656), The Moerdyck; Aert de Gelder (1645-1727), Portrait of a
Man; Rembrandt, 'Portrait of a Man; Simon de Vlieger (1601-1653),
Calm Sea; Nicolaes Maes, The Betrothed of Admiral Binkes; Aert van
der Neer, The Farrier; Franz Hals (1854-1666), The Smoker; Pieter
Roestraten (i 630-1 698), The Old Rat comes to the Trap at Last; Jan
Davidsz De Heem (i 606-1 683), Still Life; Jan Bruegel, The Elder,
The Windmill.
West Wall: Samuel van Hoogstraten (1627-1678), Portrait of a
Lady and a Gentleman; Bartholomeus van der Heist, Jean Van Male;
Salomon van Ruysdael, A Country Road; The Same, Haarlem, Holland;
Frans Hals, Thel' Younger .(161 7-1623), "Hille Babbe; Salomon van
Ruysdael (1600-1670), Drawing the Eel; Philips Koninck, Landscape;
METROPOLITAN ART MUSEUM ^323
Rembrandt, *A Young Painter; David Ryckaert III (1612-1661), Farm-
house; Adriaen van Cstade (1610-1685), The Fiddler; Rembrandt, Man
with a Beard; Karel van Moor (1656-1738), A Bursomaster of Leyden
and his Wife; Jan van Goyen, A View of Rhenen; Rembrandt, Portrait
of a Young Woman; Bartholomeue van der Heist, The Musician.
Room C 27. (Flemish School.)
North Wall: Rubens, Wolf and Fox Hunt.
West Wall: Pieter Bruegel, The Younger (1568-1625), Gamblers
gluarrelins; David Teniers, The Younger (1610-1690), Temptation of
aint Antnony; Comelis de Vos, The Elder (i 585-1651), Mother and
Children; Jan Fyt (1611-1 66 1), Dead Game; Rubens, *The Holy Family;
Jan Fyt, Dead liare and Birds; Van Dyck, ^Portrait of a Lady; Jan
Fyt, Dead Partridges; Jakob van Oost, the Elder (i6oo-i67x). Portrait
of a Man.
South Wall: Jan Breughel, The Hill; The Same, A Flemish Vil-
lage; Van Dyck, Siint Martha interceding with God for a Cessation of
the Plague at Tarascon; The Same, Neptune; Rubens, Pyramus and
Thisbe.
East Wall: Jacob Jordaens, Sketch from Sacred History; Pieter
Neejfs, The Younger, Interior of a Church; Comelis de Vos (1585-1651),
Portrait of a Young Lady; Tenters, Landscape; Rubens, Cambyse's Pun-
ishment of an unjust Judge; Jacob Jordaens, The Philosophers — ^Demo-
critus and Herachtus; Teniers, The Good Samaritan; The Same, Land-
scape; Rubens, Susanna and the Elders; Van Dyck, Portrait of a Man.
Continue through E. door to
Room C a8. (Spanish School.)
North Wall: *Goya, Don Tiburcio Perez; Tintoretto, Miracle of
the Loaves and Fishes; Goya, *Marie Louise, Princess of Parma.
West Wall: Velaeques, Count Olivares; Francisco de Zurbaran
(1598-1662), St. Michael, The Archangel; Velasquez, Marianna of
Austria, Queen of Spain.
South Wall: Velazquee, Baltasar Carlos; Josi Francisco Go^a
( 1 746-1 828), A Jewess of Tangiers; Estiban BartolomS Murillo, *Samt
John the Evangelist; Goya, The Trial; A Scene of Sorcery; VetasqutM,
Portrait of Artist.
East Wall: Goya, Don Sebastian Martinez; El Greco (i 548-1 614),
The Nativity; Jusepe de Ribera (1588-1652), *Lucretia.
Pass through E. door to
Room C 29. (Italian School.)
North Wall: Giovanni Battista Moroni (i 525-1 578), Portrait of a
Man; Correggio, Four Saints; Tintoretto, Two Brothers.
West Wall: School of Tintoretto, Last Supper; Tiepolo (x696-
ijr7o), Crowning with Thorns; Luca Giordano (1632-1703), Nativity;
Francesco Guardi (1712-1793), Fete on Grand Canal, Venicej Giovanni
Paolo Pannini (i 691 -1768), Cardinal Polignac visiting the interior of
St. Peter's, Rome.
South Wall: CaHo Maratta (1625-1713), Portrait of Pope Clement
IX; Guardi, The Rialto, Venice; Bassana (1510-1592), Lazarua and the
Rich Man; Giotxinni Savoldo (i 480-1 548), St. Mathew and the Angel;
Guardi, Santa Maria della Salute, Venice.
East Wall: Carlo Caliari (1570-1596), Allegorical Figures: Sasso-
ferrato (i 605-1 685), Madonna; Tiepolo, The sacrifice of Abraham;
Canaletto (1697- 1768), Scene in Venice; The PiazzetU; Tiepolo, Alle-
gorical Sketch for a Ceiling.
324 RIDER'S NEW YORK CITY
The E. door leads to
Room C 30. (Italian School.)
North Wall: Sebastiano Dei Piombo (1485-1547), Christophef Co-
lumbus; FHipjbo Lippi, Descent from the Cross; Giovanni Bcfttista
(1460-15 17), St. Roch, St. Anthony and St. Lucy; Vittore Carpaccio
(i45S-i527)» Meditation on the Passion; Perugino (1446-1523), The
Resurrection; Bronsino (1502-1572), Cosimo De Medici.
West Wall: Carlo Cri/velli (1430-1493), St. George; Lorenzo di
Credi (1459-1537). Madonna Adoring the Child; Botticelli (1447-1510),
•Three Miracles of Saint Zenobius; Carlo Crivelli, St. Dominic; Am-
brogio de Predis, Girl with Cherries.
South Wall: Francesco Torbido (1486-1546), Portrait of a Man;
Bramantino, Virgin and Child; Morette Da Brescia, The Entombment;
Morette Da Brescia (1498-1554), Christ in the Desert; Lorenzo Lotto
(1480-15 5 6), Portrait of a Young Man.
East Wall : Carlo Crivello, Pieta: Fiorenzo Di Lorenzo, The Na-
tivity; Garofah, St. Nicholas asked to^ Revive Dead Child; Pinturecchio ,
Madonna and Child j Giovanni Battista Moroni. *The Prioress; Pin-
turecchio, Ave Gratia Plena; Francesco Bollicini (1446-1497), Three
Predella Panels: i. The Burial of St. Zenobius, 2. The Marriage of
the Virarin, 3. Tobias and the Angels; Sodoma (1477-1549), Mars and
Venus Trapped by Vulcan; Garofalo, St. Nicholas Reviving the Birds;
Jean Ferdinand Monchablon, Madonna and Child.
Continue through door on E. to
Room C 31. (Italian School.)
North Wall: Antonio Pollaiuolo, Saint Christopher and the In-
fant Christ.
West Wall: Pietro di Domenico di Pietro (1457-1501), Virgin
and Child, Saint Peter and Saint Paul; Piero Di Cosimo, Return from
the Hunt; Giovanni Di Paolo, Paradise; Simone Martini (i 283-1 344),
Saint Paul; Piero Di Cosimo (1462-152 1), Huntings Scene; Bicci Di
Lorenzo (1373-1452), Miracle of St. Nicholas of Ban.
South Wall: Italian School, St. Lucy Resisting Efforts to move
her; Pietro Di Domenico Da Montepulciano, Madonna and Child En-
throned with Angels; Italian School, St. Lucy Accused of Christianity;
The Same, The Taking of a City; The Same, St. Lucy giving Alms;
Lorenzo II Monaco (13 70- 1425), Madonna and Child; Italian School,
St. Lucy at the Shrine of St. Agatha; Sano di Pietro di Menico, King
Solomon and the Queen of Sheba.
East Wall: Matteo l)i Giovanni (1430-1495), Legend of Cloelia;
Benvenuto Di Giovanni (1436-15 17), Assumption of the Virgin.
Room C 32, on S., contains collections *of various objects
of art. The collection of paintings is continued, through E.
door, in
Room C 33. (Italian School.)
North Wall: Italian School, St. Giles; Mission of the Apostles;
Expulsion of the Devils from Heaven; Giotto. The Epiphany; Taddeo
Gaddi (1300-1366), Madonna and Child with Saints; Pietro Lorenzetti,
Saint Catherine; Giovanni Da Milano, Virgin arid Child with Donors.
West Wall: School of Pesellino, Scenes. from the story of the Argo-
nauts; Bartolo Di Fredi (1330-1410),^ Crucifixion; Gozzoli (1420-1498),
Saint Peter, Saint Paul; Saint Zenobius and Saint Benedict; School of
pesellino. Scenes from the story of the Argonauts.
METROPOLITAN ART MUSEUM 325
South Wall: Giotto, Scenes from Holy Subjects; Giambono, Christ
Rising from the Tomb; Luis Borrassa, Altarpiece dedicated to Saint
Andrew; Sano di Pietro di Menico (1406-1481), Madonna and Child;
Italian School, The Life of Christ.
East Wall: Italian School. Madonna and Child; Pesellino (1422-
1457) > Madonna with St. John the Baptist and St. John the Apostle;
Italian School, isth Century, St. Michael and the Dragon; Jaime
Vergos, II, Altarpiece; Six Scenes from the Passion; Italian ScIumI,
A Man and a Woman at a Casement.
South Wall: Mabuse, Madonna and Child: Conrad Faber, Por-
trait of a Man; Bruges Master of the Legend of Saint Ursula, Madonna
and Child; Ulrich Apt, The Elder (1430-1479), Portrait of a Man and
his Wife; Flemish School, Man with a Book; Jan Van Eyck, Thomas
A Becket; Holbein, The Younger, Erasmus; IVolf Traut, Girl Making a
Garland (Framed To^fether) ; Roger van der Weyden (1400-1464), The
Annunciation; Corneille, Portrait of a Man; The Same, Jean, Sire.Dc
Rieux, (Framed Together); Bemhard Strigel (1461-1528), Portrait of
a German Lady; Memling, Portriiit of a Man; Marten van Heemskerck
(r498-iS74), Jacob Willemz Van Veen.
East Wall: Adrian Isenbrant, Ecce Homo — Mater Dolorosa; Cor-
nelis Engelbrechtsen (1468- 1533), Crucifixion; Cranach, Portrait of a
Man; Holbein, The Younger (1497-1543), Portrait of a Man; Holbein,
The Younger, Archbishop Cranmer.
The next five rooms, 35-39, contain the Altman Collec-
tions, including porcelains, furniture, objects of art and
paintings. Through the E. door of Room 34, we enter
Room C 34. (Flemish, German Schools.)
North Wall: Petrus Cristus, The Deposition from the Cross; Jan
Van Eyck (1380-1440), Virgin and Child; Maitre De FlSmalle, Virgin
and Child with Angels; Lucas Van Ley den, Joseph Expounding Pha-
raoh's Dream; Gerard David (i 460-1 523), The Crucifixion; Jan Gos-
saert Van M(U)use (1470-1541), Adam and Eve; School of David, Ma-
donna Feeding the Child.
West Wall: Cranach, The Elder, Judith with th? Head of Holo-
f ernes; Hieronymus Bosch (1462-1516), Adoration of the Kings;
Jacques Daret, The Nativity of Our Lord; Flemish School^ The Last
Supper; The- Falling of Manna; Melchizedek and Abraham; Ludger
torn Ring, The Yiounger (i 530-1 583), Christ Blessing; Surrounded by
Donor and Family; David, Repose in Egypt; Barthel Behan (i 502-1 540),
Portrait of a Man; Flemish School, Scenes from the Life of a Saint.
Gallery C 35 (Altman Room No. 4) :
This room contains, among other objects of art, a fine tapestry,
Vertumnus and Pomona, by Frangois Boucher, Beauvais, France
(1757).
The East door leads into
Gallery C 36 (Altman Room No. 3) :
This room contains 14 wall cases and 6 center cases of Chinese
Porcelains, chiefly of the following periods: K'ang-Hsi, 1662-1 722;
Ch'eng-Hwa, 1465-87; and Ch'ien-Lung, 1736-95.
Pass through the South door into
♦Gallery C37 (Altman Room No. i) :
North Wall: Nos. 1-5 by Rembrandt: i. *01d Woman cutting her
326 RIDER'S NEW YORK CITY
Nails; a. Woman with a. Pink; 3. Pilate washing his Hands; 4. Man
with a Magnifying Glass; 5. Old Lady in an Arm-chair.
West Wall: 7 (sic). Johannes Vermeer (1632-75), Young Girl
asleep; 6. Rembrandt, Rembrandt's Son, Titus; 8. Jacob van Ruysdael,
Wheatfields; 9. Rembrandt, Toilet of Bathsheba, after the bath; 10.
Rembrandt, Young Man known as "The Auctioneer."
South Wall: 11. Rembrandt, A Young Dutch Woman; 12. Gerard
Terborck, Lady playing the Theorbo; 13. Rembrandt, Hendrickje Stof-
fels; 14. Pieter de Hooch, Interior with a Young Couple; 15. Aetbert
Cuyp, Young Herdsman with Cows; 16. Nicholas Maes, Young Girl
peelin|[ Apples; 17. Rembrandt, Portrait of the Artist; 18. Gerard Dou,
Portrait of the Artist; 19. Frans Hals^ Youth with Mandolin.
East Wall: 20. Rembrandt, Man with Steel Gorget; 21. Franz
Hals, A Merry Company; 22. Hobbema, Entrance to a Village; 23.
Fram Hals, Yonker Ramp and Sweetheart; 34. Rembrandt, Portrait of
a Man.
The W. door leads to
Gallery C 38 (Altman Room No. 5) :
This room contains tapestries, oriental rugs, old. furni-
ture and a number of sculptures and bas-reliefs in marble,
bronze, terracotta and stucco, chiefly of the Mediaeval Italian
School.
West Wall: Mino da Fiesole (1430-84), Portrait of a priest (mar-
ble bust); Germain Pilon (1535-90), portrait bust of Charles IX (mar-
ble) ; School of Verrocchio, bust of a Youth (marble) ; Venetian School,
XVIth Century, two bronze Andirons with statuettes of Venus and
Mars; Antonio Rossallino (1427-78), Julius Caesar (marble bust);
Benedetto da Majano (1442-97), The Virgin (painted terracotta).
South Wall: Jacopo Sansovino (1477-1 570), Charity (terracotta);
Luca detla Rabbia (i 399-1482), Madonna and Child (enameled terra-
cotta); Mino da Fiesole, YovXYiixxX St. John (marble).
East Wall: Gioz'anni Bologna (i 524-1 608), Virtue overcoming
Vice (marble); Alessandro Vittorio (1525-1608), War (bronze); The
Same, Peace; Antonio Rossallino, Madonna and Child; Donatelto (1386-
1466), Virgin and Child (terracotta); C. G. Allegrain (17*0-95), Nep-
tune; The Same, Amphitrite.
North Wall: Donatello, Infant St. John (stucco); Ancient Roman
Portrait Bust.
The room also contains a portrait of Benjamin Altman, by Ellen
Emmet Rand, the gift of the executor.
The South door leads to
Gallery C 39 (Altman Room No. 2) :
East Wall: 25. Velasquez, Christ and Pilgrims of Emm§us; 2<S.
Francia, Federigo Gonzaga; 27. Van Dyck, Marchesa Durazzo; 28.
Velasquez, King Philip IV of Spain; 29. Van Dvck, Portrait of Lucas
van Uffel; 30. Giorgtone, Portrait of a Man (perhaps Ariosto) ; 31.
Titian, Fillipo Archinto.
North Wall: 32. Albrecht Diirer, Madonna and Child, with St.
Anne; 33. Hans Holbein, *Margaret Wyatt (Lady Lee); 34. Bernard
van Orlev (1493-1542), Virgin and Child with Angels; 35. Holbein^
Lady Rich; 36. Hans Maler zu Schwaz (German School, about 1525),
Ulrich Fugger.
METROPOLITAN ART MUSEUM 327
Weet Wall: 37. Bartolotnmeo Montagna. A Lady of . Rank as St.
Bibiana; 38. Andrea Mantegna, The Holy Family; 39. Antonello da
Messina, Portrait of YouriR Man; 40. Fra Angelica, Crucifixion; 41.
Andrea del Vcrrochio, Madonna and Child; 43. Botticelli, Last Com-
munion of St. Jerome; 43. Sebastiano Mainardi. ^ Virgin and Child,
with Angels; 44. Cosimo Tura, Borso d'Este; /\s. Filippino Lippi,Y\Tf^r\
and Child*, with St. Joseph and a Child Angel.
South Wall: 46. Dirk Bouts, Portrait of a Man; 47. Memlina,
Marie, wife of Thomas Portinari; 48. Memling, Betrothal of St. Cath-
erine; 49. Memling, Thomas Portinari; 50. Memling, An (Jld Man.
The S. E. door of Room 39 opens upon
N. E. Stairs. West Wail: Walter Florian, Jozef Israels. South
Wall: Rousseau, River Landscape. East Wall: Albert Bierstadt, The
Rocky Mountains. North Wall: George de F. Brush, Portrait of
Henry George.
Continuing S. through Room 11 we come to the S. E.
stairs :
They contain numerous bronze and marble bas-reliefs by St.
Gaudens: 1. Bastien Lenage. in bronze. 2. M'l'-iana Van Rensselaer,
bronze. 3. Children of Jacob SchifiF, marble; Robert Louis Stevenson,
bronze.
One of. the most recently opened additions is the New
Tapestry Room D 6, which, pending the completion of the
South Wing, is the most southerly gallery on the Fifth ave.
side:
North Wall: (R. to L.) i. Ermin^a appears to the Shepherd
(Tasso's "Jerusalem Delivered," Canto VII, st. i), Rome 1739, by
Pierre Ferloni; 2. Garden Scene, Flemish, about 1500; 3. Supper at
Emmaus, Brussels, first half of 17th century.
East Wall: i. French Tapestry (Beauvais?), beginning of Louis
XVI period; 2. Hunting Scene, Franco-Flemish, about 1500; 3. French
Tapestry (Beauvais?) beginning of Louis XVI period.
South Wall: Five French Tapestries, from the Gobelins Atelier,
1773, after cartoons by Charles Coypel. i. Parting of Don Quixote and
Sancho Panza; 2. Don Quixote Saluting the Peasant Girl; ^. Don
Quixote and Sancho Panza encounter the Duchess; 4. Don Quixote
Served by Noble Ladies; 5. Don Quixote led by Folly.
East Wall: t. French Tapestry (Beauvais?) beginning of Louis
XVI period; 2. Expulsion of Vulcan from Olympus, English, Mort-
lake. 1663; 3. French Tapestry (Beauvais?'^, beginning of Louis
XVI period.
This room also has twelve glass cases containing early eccle-
siastical and other garments, brocades, etc. Among them are: A
Chasuble, Italian, i8th Cent.; Brocaded Cope, Italian, 17th Cent.;
Embroidered Chasuble, English, late 15th Cent.; Chasuble, Spanish.
i6th Cent.; Brocade, French, i8th Cent.; Italian Cope and Chasuble,
embroidered, i8th Century.
Addition F, the Wing of Decorative Arts, is in itself a
complete museum, especially inspiring to craftsmen. The wing
was planned by the late Charles F, McKim, and constructed
by the late Alfred R. Wolff, with special consideration for the
great Hoentschel Collection of works of French Decorative
Arts of the Middle Ages and i8th cen. which Mr. Morqan
purchased and sent to the Museum. The plan of this Wing
328 RIDER'S NEW YORK CITY
in'cludes a large central hall surrounded by two stories
of smaller galleries, making twenty-five exhibition rooms
in all. The wing is a masterly piece of architecture, not
only in beauty of design, but in lighting, heating and ven-
tilation. The temperature, humidity and quality of. the air
are tempered to the preservation of the ancient woods here
housed.
The Central Hall (IF-i) contains European Sculpture, lath to 17th
cen. ; at the S. end are works of the Italian Renaisspnce; at the N. end
French works of the Middle Ages. Adioininar the Italian collection is
the Spanish, while the German and N«therlandish are grouped near
the French. Note at the S. end the Umbrian Choir Stalls placed on
opposite sides of the hall. Above them. (L.), an Assumption of the
Virgin, by Andrea delta Robbia. There are two cases of Renaissance
bronze statuettes and plaquettes, including a Cleopatra, by a Sienese
artist; a Kneeling Venus, imitated from the antique, and a Kneeling
Man, School of Michelangelo. Note also the Virgin and Child, by
Verrocchio.
Included among the Spanish works is a large *Altarpiece in
alabaster, in five panels, considered one of the most important exhibits
in the collection.
Among the French exhibits, note especially the group in the
central doorway to the west representing the Education of the Virgin,
the Statue of St. Yvres, and a Gothic Window with St. Michael and
St. Martin on either -side. F 3, the ist Gothic Room, holds The En-
, tombment and a Pieta, masterpieces of French Sculpture from the
Chateau of Biron. F4, the 2nd Gothic Room, is designed to produce
the gloomy effect of a Gothic interior. F5, Italian Renaissance, 15th
and i6th cens. F6, French Renaissance, 15th and i6th cens., has a
dark background and the objects show the delicate relief of the early
French Renaissance, i6th cen. shows the characteristic elegance of
the French Renaissance. The Maearin Tapestry is especially note-
worthy. It was made for the Spanish Court, and later came into
possession of Cardinal Mazarin; it represents in several symbolic
scenes the glorification of the Church.
F7 is a continuation of French Renaissance. F8, Northern
Baroque, 17th cen. (Dutch, Flemish, German, and Italian) illustrates
the Dutch or Flemish interiors of the period. French Art of the 17th
and 1 8th cen. is illustrated in Rs. 9 to 17. Room F9, period of Louis
XIV (1643-1715) contains tWo great carved doors and overpanels from
the royal chateau of Marly. Fio, periods of the Regency and Louis
XV, contains on the left a large mirror and marble mantel of the
Regency. F 11 is a reconstructed *Swiss Room from the village of
Flims in Switzerland. Notice the fine wood carving, the huge tiled
stove, stained glass windows, etc. The floor alone is modern and th's
is secured by wooden pegs in the old fashion. The stairway in th"
N. E. corner of the wing holds the James Jackson Jarves Collection of
Venetian Glass, principally of the 18th cen.
At the head of the stairs, in Room IIF 12, some 17th and i8th cen-
tury tapestries cover the greater part of the wall space. Rooms F 16-1 7:
Period Louis XVI. Note the carved door, wall panel and moldings
originally in the Pavilion de Marsan, which fortunately escaped destruc-
tion when the Palace of the Tuileries was burned in 1871. In the S.
corridor, F18, are eight cases of Ormolu Mounts (French) chiefly of
the Louis IV period. Also three busts by Houdon: Benjamin Frank-
lin, in marble; Voltaire and Rousseau, in painted plaster.
EAST SIDE— UPTOWN. 329
Rooms F19-10 contain a collection of old English and American
Furniture. Room F19, English Furniture of the i6th and 17th cen-
turies, also an American Trestle Table, dating from 1650 (the oldest
known), the gift of Mrs. Russell Sage. Room F20, English Furniture,
Queen Anne period. Room Fai, English Chippendale and later i8th
century. Room F22, English Chippendale. Note the walls, hung with
Chinese wall paper, re-inforced with a linen backing, and elaborately
hand-painted. It hung for 200 years on the walls of an Enslish house.
Room ^ F23, American Furniture, showing the English influence and
including specimens in the styles of Chippendale, Heppel white and
Sheraton. Room F24, American Furniture, i8th century. North Cor-
ridor, F25, Porcelain and pottery, English, German and Italian, of the
17th and 1 8th centuries.
XI. East Side— Uptown
(From Fifty-ninth Street to the Harlem River)
a. Fifth Ayeniie
From 59th St. to iioth st., Fifth avenue runs beside
Central Park. It is popularly known, through the greater
part of its extent, as "Millionaires* Row."
Few streets in this city of rapid changes can show such a contrast
as Fifth Avenue within less than half a century. Before the park was
laid out it ran for three miled through a district so disreputable and
povert]r-istricken that it had come to be known as the "Squatters'
Sovereignty." I^ was a district of swamps and thickets and stagnant
pools. The squatters lived in shanties constructed from boards gathered
at the river front; the roofs were patched with tin from ^mpty cans;
and usually no rent was paid. The estimated number of the colony was
about 5000; and the largest and foulest settlement was "Seneca Village,"
near 79th st. and" the present Metropolitan Museum.
Beginning our survey of upper Fifth avenue at the Plaza
(p. 205), we pass at the S. E. cor. of 6oth st, the Van
Norden Trust Company. Opposite, N. E. cor., is the Metro-
politan Club, popularly known as the "Millionaires' Club."
This club was founded in 1891 by members of the Union Club. The
present building was erected in 190^, from plans by McKim, Mead and
White. The material is whitd marble, with halls of Numidian marble.
The site it occupies is land formerly owned by the Duchess of Marl-
borough.
Betw. 6ist and 626. sts. are the houses of: S. E. corner,
Elbridge T. Gerry; N. E. corner, no. 800, Mrs. Jabez A, Bost-
wick; no. 804, Wm. Emlen Roosevelt; no. 805, Wm, Lan-
man Bull.
E. on 626. St., no. 8, is the residence of Joseph H. Choate.
Betw. 626 and 63d sts. are the houses of: no. 810, Mrs.
Gustave Amsinck; no. 811, Francis L. Loring; no. 812, George
G. McMurty; no. 813, Hugh J. Chisholm; no. 814, Mrs.
Thomas Rutter; no. 816, Robert L. Gerry.
Betw. 63d and 64th sts. are the houses of : no. 824, James
Powell Kernochan; no. 825; Clifford V. Brokaw; no. 82(5,
Henry Mortimer Brooks,
330 RIDER'S NEW YORK CITY
Facing 64th *st. is the main entrance to Central Park
Menagerie (p. 302). The quaint old structure opposite the
entrance is the Arsenal.
It was completed by the State of New. York in 1848, at a cost of
$30,000, and was then the largest arsenal in the State. In 1857 it was
sold to the city for $275,000, and was for a time a museum of natural
history and office of the Park Department.
Bet\v. 64th and 65th sts. ; no. 833, William Guggenheim :
no. 934, Frank J. Gould; no. 835, John IV. Herbert; no, 836,
Mrs. Isador Wormscr, no. 838, Williams Watts Sherman.
Betw. 65th and 66th sts. ; N. E. corner, no. 840, Vincent
Aster, son of John Jacob Astor, who lost his life on the
"Titanic"; no. 845, Grant Barney Schley.
No. 3 E. 66th St. is the former home of Gen. U. S. Grant.
Betw. 65th and 67th sts. : N. E. corner, Mrs. Henry O.
Havemeyer; no. 852, Col. Oliver H. Payne; no. 854, Mrs.
Benjamin Thaw.
Betw. 67th and 68th sts. : N. E. corner, no. 857, George J.
Gould; no. 858, Thomas F. Ryan; no. 864, Mrs. M. H. Yerkes.
The 67th St. entrance to the park is known as the
"Strangers' Gate." *
Betw. '68th and 69th sts.: N. E. corner is the famous
Whitney, house, now occupied by Harry Payne Whitney,
no. 874, Mrs. Joseph Stickney; no. 875, Daniel Gray Reid;
no. 876, Frances Burton Harrison; no. 878, Mrs. Ogden Mills.
Betw. 69th and 70 sts.: Mrs. E. H. Harriman; no. 881,
Adolph Lewisohn, 883, Mrs. John Sloane.
At 70th St., on the Central Park side, is the Memorial
TO Richard Morris Hunt (1829-93), designed by Daniel
Chester French and erected by the leading art and architec-
tural societies of the city.
It is a semi-circular granite entablature, in the center of which, on
a pedestal, is a simple portrait bust in bronze. To'R. and L., on
lower pedestals, are two full-length figures in classic garb, representing,
respectively: i. Architecture; 2. Painting and Sculpture.
Opposite this memorial, on the site formerly occupied
by the Lenox Library (p. 331), and extending from 70th to
71st St., is the Residence of Henry C. Prick. The house itself
stands back some distance from the avenue, with an extensive
formal garden between, while a wing containing a library and
colonnade occupes the N. W. corner. The style is a free
treatment of i8th century English, modified by a touch of the
Italian spirit which at that time greatly influenced English
buildings. The architect was Thomas Hastings.
EAST SIDE— UPTOWN 331
The plot is reported to have cost $2,000,000 and the build-
ing $3,000,000.
Note the exterior sculptural lunettes in bas-relief bjr Attilio Pic-
ciritli, on N. and S. facades of library, representing the various arts.
The interior, decorations were in charge of Sir Charles Allan (the
only English decorator ever knighted), assisted by Miss Elsie de Wolfe.
The chief artistic feature is the famous series of Fragonard Panels
which surround the walls of the drawing-room on the Arst floor. They
are known as the Du Barry Panels, ffom the circumstance that they
were originally painted for Mme. Du Barry; but when they proved
unacceptable, Fragonafd placed them in his own home at Grasse.
The valuable collection of paintinn i0 a strictly private one, and
its contents are not generally known, Mr. Frick having been averse to
having a complete cataloc^ue published. But among his more important
possessions may be mentioned the following:
Italian School: Titian, Portrait of Aretino; Veronese, Wisdom and
Strength, The Painter pursued by Vice and Virtue.
Spanish School: El Greco: Man in Armor: Portrait of V. Anastasi;
Cardinal Ximenes; Christ driving the Money-changers from the Temple;
Goya: The Forge; Portrait of Count de Teba; Portrait of Senora da
Praga; Velasqwes: Portrait of Philip IV.; Murillo: Portrait of Himself..
Netherland School: Van Dyck: Portrait of Himself; Portrait of the
Artist, Snyder's; Portrait o^ Snyder's Wife; Portrait of Paola Adorno,
Marchesa di Brignoli Sala; Marchesa Giovanni Cattaneo; Frans Hals:
Portrait of a Burgomaster; Portrait of an Old Woman; Rembrandt:
Portrait of Himself; Portrait of a Young Painter.
French School: Corot: The Lake of Garda; Daubigny: The Re-
hearsal; Diaz: The Pond of Vipers; Manet: The Bullfight; Millet: The
Woman with a Lamp; Rousseau: Village of Bacquigney; The Edge of
the Woods; Troy on: Pasturage in Normandy.
English School: Constable: Salisbury Cathedral; Gainsborough:
Mrs. Hatchett; Lady Innes; Lady Anne Duncombe; Lawrerce: Ladv
Peale; Marquise de Blaizel; Raebum: Mrs. Cruikshank; Mr. Cruik-
shank; Reynolds: Ladv Margaret Beaumont; Sir George Howland Be*
mont; Mrs^ Taylor; Komnev: Lady Hamilton; Miss Frances Harford;
Miss Mary Finch Hatton; Lady Warwick and Children; Turner: Fish-
ing Boats leaving Calais Harbor; Van Goyen looking for a Subject;
Mortlake Terrace; Harbor of Dieppe; Cologne — Arrival of a Packet
Boat; Regatta — Beating to Windward.
American School: Whistler: Rosa Corder; Count de Montesquiou;
Valparaiso.
Historical Note. — ^The tract of land extending from 68th to 73d sts.
was in 1839 the farm of Robert Lenox, nephew of a British commissary
during the Revolution. Contrary to the belief of his generation, Mr.
Lenox had great faith in the future value of the land in this neigh-
borhood, and his tenacious hold upon it he passed on to his son, James.
It was here in 1877 that the Lenox Library was opened, through the
generosity of James Lenox. It was later destined to form one of the
three foundations of the present Public Library (p. 1R6). The old Lenox
Library, a solid, well-proportioned structure of white stone, was de-
signed b^ Richard M. Hunt, whose memorial appropriately faces its
former site.
At 72d St. is the Children's Gate entrance to the park.
Betw. 72d and 73d sts.: No. 8g8, Mrs. Abercrombie Bur-
den; no. 912, John W. Sterling; no. 914, Samuel Thome.
332 RIDER'S NEW YORK CITY
Betw. 73d and 74th sts. : no. 922, Nicholas F. Palmer; no. 923,
Mrs- Randolph Guggenheimer; no. 923, Philip Lewisohn; no.
924, George Henry Warren; no. 925, Mrs. Herbert Leslie
Terrell; no. 926, John Woodruff Simpson,
The brownstone house, at the S.£. corner of 74th st., was bei^n in
1875 by Wittiam Pickkardt, an eccentric German mUlicnaire. He re-
peatedly changed the plans, and when completed in 1889 he was dis-
satisfied with It and would not occupy it. In 1895 he put it up at auc-
tion, and the house upon which he had spent over $1,000,000 brought
$472*500. It was first occupied by the new owner in 1896, over 20 years
after it was begun.
Betw. 74th and 75th sts.: no. 930, Simeon B. Chapin;
no. 932, Mortimer L. Schiff; no. 033, Lamon F. Harkness;
no. 934, Alfred M. Hoyt; no. 936, Edwin Gould.
At 75th St., N. E. corner : Edward 5*. Harkness.
At the S. E. corner of 76th st. is Temple Beth-El, an
ornate synagogue, with some striking architectural features.
It is built of Indiana limestone, and its huge, gilt-ribbed dome is
a prominent landmark (1891). The congregation represents the first
German- Jewish congregation in the country, dating back to 1826.
The dwelling houses above 76th st. belong to: Mrs. /. /.
Wysong; no. 954, Samuel W. Bridgham; no. 955, Horace
Harding.
At the N. E. corner of 77th st. is the famous huge house
of the late Senator Wm. A. Clark of Montana, said to
have cost fifteen million dollars. Beyond are : no. 963, Charles
F. Dieterich; no. 964, Mrs. George H. Butler; no. 965,
Jacob H. Schiff ; no. 969, Wm. V. Lawrence.
Betw. 78th and 79th sts. are: no. 9/2, Payne Whitney;
no. 973, Carlos De Heredia; no. 2 E. 79th st., Isaac D.
Fletcher.
At 79th St. is the Miner's Gate entrance to the Park, with
the Egyptian Obelisk nearby (p. 304).
Betw. 79th and 80th. sts. are: Isactc V. Brokaw; no. 984,
Howard C Brokaw; no. 985, Irving Brokaw; no. 986, William,
J. Curtis; no. 987, Mrs. William Bateman Leeds; no. 988,
, Hugh A. Murray; no. ^989, Nicholas F. Brady.
Betw. 80th and 8ist sts. are: no. 990, Frank W. Wool-
worth; no. 991, David Crawford Clark; no. 993, Louis Stern;
no. 998 is a magnificent apartment house (McKim, Meade and
White, architects), where suites rent so high that it has
been popularly called the "Millionaire's Apartments." At
present Levi P. Morton, Elihu Root and M. Guggenheim are
among those living here. Betw. 8ist and 87th sts. are: no.
1007, Henry C. Timmerman; no. 1008, Capt. James Berry
Drouillard; no, 1009, James B. Duke,
EAST SIDE— UPTOWN 333
At 83d St., W. side, is the Metropolitan Museum of Art
(p. 305).
S. E. corner of 83d is no. 1014, James F. A, Clark.
Above 83d St, are no. 1020, William Soloman; no. 1025, Lloyd
Stevens Bryce; no. 1026, Mrs. William M. Kingsland; no.
1027, George Crawford Clark; no. 1028, Jonathan Thome.
Above 84th St. are: no. 1030, Miss Catherine L. Ham-
mersley; no. 1032, Comtesse Annie Leary; no. 1034, Herbert
D. Robbins; no. 1038, apartment house.
Above 85th St. are : /. B, Clews; no. 1041, Lloyd Warren;
no. 1043, Morton L. Adler; no. 1044, Mrs. James Hedges
Crowell; no. 1045, Mrs. Richard S. Dana; no. 1046, Michael
Dreicer; no. 1047, Henry S. Glover; no. 1048, an apartment
house.
Above 86th st. are: no. 1053, George Leary; no. 1056,
Charles Page Perin.
Above 87th St. are: no. 1063, Henry Phipps; no. 1068,
Leonard Stein; no. 1069, Mrs. James B. Reynolds.
N. E. corner 88th st. : Mrs. William Pollock; no. 1071,
Robert C. Leivis; no. 1072, Wm. W. Fuller; cor. 89th st.,
Benj. Duke.
Above 89th St. are : no. 1080, Percival Farquhar; no. 108 1,
McLane Van Ingen; no. 1082, Chas. S. Phillips; no. 1083,
Archer M. Huntington.
At 90th St. is the Engineers* Gate entrance to Central
Park.
Betw. 90th and 91st sts. is Andrew Carnegie.
At S. E. corner 92d st. is /. Toivnsend Burden; and
'opposite, no. 1109, Felix N. Warburg.
Above 93d St. is no. 11 16, Jacob Ruppert.
Mt. Sinai Hospital (PI. V — D2) betw. looth and loist sts.,
from 5th to Madison aves., has a capacity of 516 beds. About
8000 cases treated in the hospital and over a 100,000 in all,
in 1912. Dispensary, out-of-door relief; training school for
nurses.
Mount Morris Park (PI. XI — B8), between Madison and
Mount Morris aves., 120th and 124th sts., 20 acres, contains a hill
formerly known as Slang Berg, or Snake Hill, from the
rattlers that infested it. It is more than 100 ft. high, and is
now crowned by an observatory. An American, and after-
ward a Hessian, Battery were constructed here in 1776, com-
manding the mouth of the Harlem River.
One block N. is 125th st., the main business and amuse-
ment centre of Harlem (p. 340).
334 RIDER'S NEW YORK CITY
b. Madison Avenue
At Madison Ave. and 59th St., S. E. cor., is the Plasa
Theatre, now a motion picture house. At 60th st., N. E.
cor., is Madison Avenue Methodist Episcopal Church, a
rather good example of round-arched Gothic (R. H. Rob-
ertson, architect). At the S. W. cor. of 64th St. stands the
residence of the late Seth Low, one-time president of Co-
lumbia University. At 6sth St., S. W. cor., is the Synagogue
of B'Nai Jeshurun, a red brick and brown stone structure,
somewhat Moorish in design. This is the second oldest
congregation in New York, organized 1825.
Betw. 70th and 71st Sts. on the E. side, is an extensive
group of red brick buildings, comprising the Presbyterian
Hospital (incorp. 1868, opened 1872). The square, Roman-
esque tower at the S. corner is a familiar landmark.
This is one of the best known of the city * hospitals. Its avowed
purpose is "for the medical and surgical aid of sick and disabled per-
sons of every creed, nationality and color." Less than 10% of the
cases are Presbyterian. No contagious or infectious cases admitted.
Capacity, 238 beds.
At 71st St., N. E. cor., is the Protestant Episcopal
Church of St. James, founded in 1810. The present struc-
ture, dating from 1884, is on the order of very early French
Gothic (R, H. Robertson, architect) .
It contains a bronze memorial tablet, with portrait in relief, to
Cornelius Bishop Smith, Rector of St. James, 1867-95.
At the N. W. cor. of 72nd St. is the Tiffany House, de-
signed by McKim, Mead and White.
At 73d St., S. W. cor., stands St. James Lutheran*
Church, a brown stone edifice, on the Romanesque order.
Diagonally opposite, N. E. cor., is the Madison Avenue Pres-
byterian Church, in ornate Gothic. E. on 73d St., No. 49, is
the Presbyterian Home for Aged Women (incorp. 1866).
Applicants must be residents of New York City, 65 years of age,
and must give proof of a three-years membership of one of the city's
Presbyterian or Dutch Reformed churches.
At 77th St. the large brick house surrounded by lawns
is the residence of Seth Milliken.
At the N. W. cor. of 78th St. is the residence of Stuy-
vesant Fish, and at the N. W. cor. of 79th St. the house once
occupied by former Mayor Grace. On the E. side extending
from 81 st to 82d St. is the Institution of Mercy (incorp.
[854), maintaining also St. Joseph's Industrial Home for
Destitute Children, with accomodations for 750 inmates.
EAST SIDE— UPTOWN 335
The Institution of Mercy was founded "for the care and protec-
tion of destitute women and young girls of good character." It also
maintains an Infirmary (4th Ave. side), a Working Girls' Home in
io6th St., and a branch Home for boys only at Tarrytown.
E. on 89th St. is the P. E. Church of the Beloved Dis-
ciple, t
From 94th to 95 th Sts. is the Armory of 8th Regiment
and the ist Squadron of Cavalry. The two towers, 50 ft. in
diameter and 125 ft. high, are visible for miles.
There is little of interest N. of this point, except the
Mount Sinai Hospital (p. 333), and Mount Morris Park
(p. 3ZZ)'
c. Park Avenue
The two points of interest at 59th St., the Board of
Ekiucation and the Arion Society, have already been mentioned
(p. 218)..
The fortress-like building betw. 66th and 67th Sts., E.
side, is the Armory of the ,/th Regiment, a well-known regi-
ment, growing out of the New York City Regiment of Artil-
lery organized in 1806. The building and furnishings cost
$650,000, the land having been given by the city.
The 7th Regiment, bjr common repute the "crack" New York State
regiment J was organized in 1806 and has a long and honorable record
for service performed for the federal jg^overnment and the State. It
served in the War of 18 12 and in the Civil War. It was called out in
the Election and Abolition Riots of 1834; the Great Fire, 1833; the
Stevedore Riot, 1836; the Flour Riot, 1837; the Croton Water Riot.
1840; the Great Fire, 1845; the Astor Place Riot, 1849; the Police and
"Dead Rabbit" Riots, 1857; Quarantine Duty, 1859; the Railroad Riot,
1871; the Brooklyn Car Riot, 1895; the Croton Dam Riot, 1900. The
several companies occupied separate quarters tip to i860, when they
moved into an armory on Tompkins Market. The Regiment built its
own armory at a cost of $750,000 in 1880. The present value of the
building is $poo,ooo, and of the land $1,200,000. The regiment has a
fine record in rifle shooting, holds classes in riding, telegraphy and
signalling, ihakes biennial tours of camp duty at Peekskill, and gives
much attention to field work.
Between 67th and 68th sts. is th? Hahnemann Hospital,
incorporated in 1869, and in 1875 consolidated with the
Homeopathic Surgical Hospital and the Homeopathic Hospital
for Women and Children. Total capacity, 130 beds.
The Gothic building with the square tower at 69th st.
is Hunter College, formerly the Normal College, established
in 1870 as a free city institution to train girls for teachers.
It has about 3000 pupils.
This institution commemorates the memory of Dr. Thomas Hunter
(i 832-1915), who came to this country from Ireland at the age of 18,
and began his career of educator as junior teacher in the familiar
"Old Thirteenth Street School" (60 W. 13th St.), of which he later
336 RIDER'S NEW YORK CITY
became principal. In 1870, at the opening of the Normal School
(later Normal College), he was chosen as President, and held this
position until his retirement in 1906. Shortly afterwards the name
of the institution was changed to Hunter College. During Dr.
Hunter's presidency there were more than 10,000 graduates. He is
remembered as one of the foremost educators in the United States.
E. on 6th St., No. 130,' is St. Ann's Maternity Hospital,
established 1869.
This hospital is associated with the New York Foundling Hospital,
at 175 E. 68th St. Destitute married women, unmarried women (first
confinement) and strangers who can pay are received.
No. 752, between 71st and 72d sts., is the former residence
of Robert I, Collier. At the cor. of 72d st. is the Freund-
schaft Society, a German club, organized in 1879. E. on 74th
St. is the P. E. Church of the Resurrection. From 76th to
77th sts. is the German Hospital, extending through to Lex-
ington ave.
It is for the free medical aid and surgical treatment of the sick
poor, regardless of nationality, color or creed. Capacity, 328 beds.
Founded in 1861.
At Park ave. and 84th st. is the Church of St. Ignatius
Loyola, designed bv Schickel and Ditmars. The interior is
richly decorated.
The dome of the sanctuary is covered with a conventionalized vine
on a ground of gold mosaic, in the centre of which is the crucified
Saviour (by A. S. Locke). Below the ceiling and dome of the sanctuary
is a large fresco representing Christ Enthroned,
At 85th St. is the Dutch Reformed South Church, originally
established on Tuyen or Garden st. (now Exchange Place),
between Broad and William sts. The present edifice suggests
comparison with St. Chapelle, Paris, chiefly because of its
fleche {.Cram, Goodhue and Ferguson, architects).
Note especially the carving of the main facade. On the tympanum
are the Arms of the Dutch Church and tww mottos: "Nisi Dominus
Frustra" and "Een Drach Maakt Macht." Below are symbols of the
Twelve Apostles. In the archway are bosses representing the Virtues
overcoming the Vices the 'Latin names are carved on a ribbon that
twines about the figures: Largitas — Avaritas; Humilitas — Superhia;
Patientia — Ira, etc. Supporting the pinnacles on either side of the
porch are the crouching figures of Adam and Eve. On the left are
the Arms of the University of Heidelberg; on the right, the arms
of New Amsterdam. The lead fleche is 70 ft. high.
The seating capacity is 700. Note the beautifully executed wood
carving, by Irving and Casson. In the organ case no two panels
are alike.
The great building with the towers at 94th st. is the
Armory of the 8th Regiment, a copy of the Chateaux of
St. Andre at Villeneuve.
EAST SIDE— UPTOWN 337
d. Lexington Avenue
At the S. E. cor. of 66th St. is the R. C. Church of St.
Vincent Ferrar and the adjoining parochial school.
At 67th St. is the Institute for the Improved Condition
of Deaf -mutes (incorp. 1869), the purpose of which is to
educate children who, on account of deafness, cannot re-
ceive instruction in the public schools.
Speech and lip-reading are taught to all, the Oral Method being
used exclusively. Mentally deficient children are not received. Kind-
ergarten, common school, and industrial courses are offered. Children
from other states pay tuition. Supported by state and county funds,
membership dues and voluntary contributions.
E. on 67th St. is the New York Neurological Institute
(incorp. 1909), comprising a hospital and laboratory for the
study and treatment of nerve and brain diseases.
There are no free wards; l^ut in addition to the private wards
and rooms, there are special wards where male and female patients
are received at very moderate charges, less than cost of maintenance.
Nearby on the same block are the Headquarters of the
New York Fire Department (see p. xxvi). •
Betw. 67th and 68th Sts. is the New York Foundling
Hospital (incorp. 1869), the purpose of which is to receive
foundling and deserted children of New York City. Adja-
cent is St. Ann's Maternity Hospital (p. 336). Both insti-
tutions are under the control of the Sisters of Charity of
Mount St. Vincent.
Mothers who are willing to act as nurses are received with their
infants. Both institutions are under the control of the Sisters of
, Charity. Capacity, 700 children and 300 adults. Visitors received the
'ist Tuesday of each month from 2 to 4 p. m.
At 76th St is the marble Roman Catholic Church of St.
Jean le Baptist e, with an adjoining parcfchial school on the
E. ^
At 77th St. is the German Hospital, a general hospital,
with a capacity of 266 beds.
On the N. W. cor. of 82nd St. is the famous Richardson
"Spite House" on a lot 8 by 100 ft.
e. East of Lexington Avenue
At 2d Ave. and 59th St. is the Manhattan approach to
the Queensboro Bridge (p. no). This is the starting point
of trolley lines to Long Island City, Flushing, Jamaica and
other points in the Borough of Queens.
At 337 E. 60th St. is the white brick structure of the
338 RIDER'S NEW YORK CITY
Manhattan Maternity Hospital (incorp. 1901) ; it maintains
a school for nurses. In 6ist St., 421 E., is a quaint old stone
dwelling, popularly known as "Smith's Folly/'
It was built in 1799 by Col. William S. Smith, son-in-law of
Pres. John Adams, and first used as a stable (the date may be seen
on the rear wall). Later it was converted into a tavern, and in 1830
was bought by Jeremiah Towle, City Surveyor, whose descendants
lived there until 1908. It is said that the first owner lost it at a game
of cards.
At No. 222 E. 64th St. is the Baron de Hirsch Trade
School, one of the several benevolent institutions supported
by the Baron de Hirsch Fund (^headquarters, 80 Maiden
Lane.)
The chief purpose of this fund is to benefit the Russian, Roumanian
and Galician immigrants, and to Americanize and assimilate them
by teaching them to become good citizens. The Trade School prepares
young Jewish men for one of the following trades: Carpentry, Plumb-
ing, Electrical Work, House, Frescp and Sign Painting, Operating
Engineering, etc. Tuition free.
Rockefeller Institute for Medical Research, at 66th st.
and Ave. A, was founded and eydowed by John D. Rocke-
fellei* with $4,000,000, to advance the science of medicine
through laboratory investigations, clinical observations and
study in the Hospital of the Institute and through money
grants to persons engaged in medical research. The old
building on the grounds is a farmhouse built in 1747 on the
old Schermerhorn farm.
The capacity of the Hospital Department is 70 beds. Patients
are admitted only when suffering from certain specified diseases, which
are from time to time selected for observation and treatment. The staff
includes a number of celebrated scientists, among others, Drs. Flexner
(Director of Laboratories), Meltzer, Carrell, Nagutchi, Janeway*
and Loeb.
New York Trade School, ist Ave. and 67th St., founded
1881, to provide training for young men having a l^ent for
mechanics, offers both day and evening classes. The average
attendance is 600. It is open to visitors on weekdays, 9 a. m.
to 4 p. m., except Saturday, when the hours are 9 a. m. to
12 m,
N. of 67th St. is a Bohemian and Slavonic district. The
Bohemian National Hall is on 73d St. On the upper side of
68th St. betw. ist and 2d Aves. is the German Reformed
Church, an unpretentious red brick edifice, the fourth since
its organization in 1756.
The first edifice was on Nassau St., betw. John St. and Maiden
Lane. Among the active members were Baron Steuben and John
Jacob Astor, the latter being elder, clerk and treasurer about 1800.
In 1822 a second church building was erected on Forsyth St., the
EAST SIDE-UPTOWN 339
third removal in 1861 was to the cor. of Norfolk and Stanton Sts., and
the present church was erected in 1897. The following year, on the
occasion of the church's 150th anniversary, the bell now used was
presented by the German Emperor.
On the riverbank, from 76th to 78th sts., is John Jay
Park, surrounded by a group of interesting "model" tene-
ments, built to provide dwellings with sufficient light and air
and space at a moderate rent.
At 77th St. and the East River are the East River Homes, designed
especially for tubercular families. Mrs. W. K. Vanderbilt furnished
the money for this experiment. At 78th st. and East End ave. is the
Junior League House, a hotel for women, accommodating 350 guests,
at a board ranginyg from $5-7. This house is under tne City and
Suburban Homes Co., as is also the apartment house from ^ 78th to 79th
St., Avenue A, containing 1,014 apartments. This organization is an
incorporated company, with a capital stock of $6,000,000. The object
is to build good homes which will return a moderate profit on the in-
vestment. This company has been criticised because the rents, low
as they are, are necessarily higher than those of the old, unsanitary
tenements, and are therefore beyond the means of the very poor people.
On the other hand, the company's houses exert a strong influence in
raising the standard of tenements built for purely commercial purposes.
Other houses are situated on W. 68th and 69th sts, near Amsterdam
ave.; ist ave., 64th st and 65tb sts.; 415-9 E. 73rd sts.; 213-5 W. 62nd
St. (for negroes); 210-8 W. 63rd st. (for negroes). Similar houses
built by other investors are under their management. The company
also builds suburban homes and sells them on easy terms.
«
On the 79th St., east of ist Ave., is the R. C. Church of
St. Monica (Schickel and Ditmars, archs.). The windows,
28 in number, exclusive of the clerestory, are especially fine
(glass work by Arnold and Locke).
Between the windows are the fourteen Stations of the Cross,
in plaster relief, framed by a gilded gothic molding. The apse is
painted in rich colors, the walls being covered to half their height with
a simulated mosaic representing figures robed in blue, brown and red,
against a background of gold. The five larger windows represent the
main events in the life of Christ. The altar is of pure Carrara marble
with pavonazzo; in the centre of the altar above the baldachino is a
large statue of St. Monica. The finest windows are those behind the
large altar and above the side altars; note especially the one showing
the Death of St. Joseph.
The Electrical Testing Laboratories, 8oth st. and East
End ave., is a commercial enterprise, performing work
similar to that of the Dept. of Standards at Washington and
the National Physics Laboratory in London. It began as a
testing station for electric lights, and electrical equipment
and machinery generally, etc., but has widened its scope
until now practically any article can be sent here to be tested
for strength, durability, and other qualities. Publishers send
here samples of paper and leather; and coal is tested for
thermal efficiency by many large consumers. Private engi-
neering and electrical laboratories are also rented to research
340 RIDER'S NEW YORK CITY
workers and investigators. While the general public is not
admitted to the works, parties of students from various
institutions, writing for permission, have been shown through
the laboratories.
The area bounded by 4th and 2d Aves., 83d and 89th,
includes the site of the old village of Yorkville, once traversed
by the old Post Road. The name survives in the titles of
various local institutions: the Yorkville Casino, on 86th St.,
the Yorkville Theatre, etc. 86th St. is the social centre of
the up-town German Colony; here are several German res-
taurants; also the Aschenbrbdel-Vercin, a German musical
and singing society.
The East River Park (12.5 A.), sometimes called the
Carl Schurz Park, lies betw. 84th and 89th sts., along the
riverbank, overlooking the rough passage of water called
Hell Gate (p. 109) and Blackwcll's Island (p. no), lying in
the channel. In the northern part of the park is a house
now used for a comfort station, formerly the home of Archi-
bald Gracie, a prominent citizen, and built about 1813. The
point of land on which it stands is Horn's Hook.
• Washington Irving was a frequent visitor at the Gracie House,
as well as at the John Jacob Astor House, which formerly stood just
S. of the intersection of 86th St. and Ave. A. Horn's Hook, on which
the Gracie House stands, takes its name from the village of Hoorn,
in Holland, the birthplace of the Hook's first owner, Siebert Classen
W. on* 90th St., within the grounds of St. Joseph's
Orphan Asylum, still stands the old Prime House, now used
as one of the asylum's buildings. It dates from 1800. Nathan-
iel Prime, a merchant prince of that period, lived at No. i
Broadway (the Kennedy House), on the site now occupied
by the Washington Building (p. 123). He built the 90th St.
house as his summer residence.
f. Harlem
One Hundred and Twenty-fifth Street, extending from
the East River westward to Claremont Ave., is the busiest
business and theatrical centre on Manhattan Island, N. of
Central Park, and the main artery of the residential section
popularly known as Harlem.
The name of Harlem dates back to the founding by Gov. Peter
Stuyvesant, in March, 1658, of the village of Nieuw Haerletn. The
original boundary between this village and New Amsterdam ran in
a straight line from 74th st. on the East River, through McGown's
Pass (in Central Park), to the N. E. cor. of the Columbia University
grounds, and straight on to the Hudson River, thus making Columbia
the only one of New York's three higher seats of learning still
technically within the limits of the original Dutch city.
EAST SIDE— UPTOWN 341
The village of Nieuw Haerlem, however, centered closely about the
present intersection of lasth st. and ist ave. This region was originally
occupied by Indian encampments, one of the largest being located at
Pleasant ave. and 121st st., where a large quantity of arrow-heads have
been found. The present intersection of ist ave. and i2Sth st. is the
crossing point of the old Church Lane, marking the sites of the original
Dutch Church (1668), the house of the Vorleser^ or Reader of the
Dutch church, and just adjoining to the E., the Second Dutch Church.
Most of the relics of the original village, which survived
for nearly two centuries, are buried under the growth of
modern New York. The oldest landmark which still survives
is the Dutch Reformed Church on 121st st, just E. of 3d
ave., the fourth church building of this congregation. The
land it occupies was one of 'the original town lots, cleared
of lumber as early as 1666. In the belfry hangs the original
bell, removed from the first of the four churches. It bears
the inscription : Amsterdam, Anno 1734, Me Fecit. Just W.
of the church, running N. is a secluded little street called
Sylvan Place, lined with ancient trees ; it is the only surviving
mark of the old Eastern Post Road. Two blocks N. on
3d ave., S. W. cor. of 123d St., is the uptown branch of
Cowperthwaite*s Household Furnishing Store. The walls
surrounding the office, on the main floor, are hung with a
unique collection of rare old prints of New York streets and
buildings. West of 3d ave., on 125th st. begins the retail
business centre of Harlem. Most of the shops are small
and a large proportion of the dealers, and also of the pur-
chasers are Hebrews. As we cross 5th ave. we catch a
glimpse, on the S., of Mt. Morris Park (p. 3^z), known to
the early Dutch as the Slang Berg (Snake Hill), because
of its swarms of rattle snakes. The fire-tower surmounting
its central elevation is the last survival of the old New York
Volunteer Fire Department. Two blocks N., on 5th ave., cor.
of 127th St., stands the Protestant Episcopal Church of St.
Andrew, founded in 1829; the present edifice dates from 1889.
The interior is impressive; note especially the lofty nave. The
chancel is lighted by two lancet windows, between which is a large
mural painting: "The Call of St. Andrew,** the patron saint. The
St. Agnes window was designed by Joseph Lauber.
At Lenox ave. (the continuation of 6th ave. above the
Park), is the station of the Bronx branch of the interborough
Subway. West of this begins the real centre of Harlem civic
life. Midway in the next block is Harlem's chief Department
Store, H. C. F. Koch and Co., the first of the old established
firms on lower 6th ave. that had the sagacity to move north-
ward. At 7th ave., S. W. cor., is the recently erected Hotel
Theresa, the most modern and best equipped hotel in Harlem.
342 RIDER'S NEW YORK CITY
One block, on 7th ave., cor. of 126th st., is the Alhamhra
Theatre, a high class vaudeville house. To the S., N. E. cor.
of 124th St., is Locufs Seventh Avenue Theatre; it contains
among other decorations a mural painting by Harry Stoner
(1880). Just W. of 7th ave. is KeitWs Harlem Opera House,
which a generation ago was the most important of the up-
town theatres. For many years it was the halting place of
theatrical companies starting "on the road," after a success-
ful run on Broadway, and many frugal New Yorkers bided
their time until they could see the latest popular success at
practically half price. For the last few years, however, it
has been given over chiefly to moving pictures.
West of St. Nicholas Ave. is the West End Theatre, which
for a while succeeded the Harlem Opera House as the first
stopping place of road companies. For the last year or two
it has been closed most of the time. One Hundred and
Twenty-fifth st. now crosses Manhattan Ave. Two blocks
S. is Hancock Square, in which is a bronze portrait bust of
Winfield Scott Hancock, by James W. H. McDonald, sculptor.
Continuing W. past Morningside ave. the trolley tracks
and main line of traffic branch diagonally to the N., on
Manhattan ave., passing beneath the Subway Viaduct (at
Broadway), and the Riverside Drive Viaduct and ending
at 129th St. and Fort Lee Ferry.
WASHINGTON HEIGHTS 343
XII. Washington Heights (Northern Manhattan
Island — Southern Section)
(From 130th Street to i6oth Street)
North of Grant's Tomb (p. 253) and the Claremont
(p. 254) the ground drops abruptly into Manhattan Valley
This dip is crossed by the Riverside Drive Viaduct and the
Subway Viaduct. In early Dutch days this vicinity was
known as Widow David's Meadow. In Revolutionary times
it was called The Hollow Way and today is known locally
as Manhattanville. The Battle of Harlem Heights started
here and a commemorative tablet has been erected at the S.
end of the Drive Viaduct by the Knickerbocker Chapter,
Daughters of the Revolution. Fort Lee is directly opposite
across the Hudson.
The Washington Heights section, so-called, begins at
about 137th St., beyond the Manhattanville valley. It is built
up with long stretches of monotonous apartment houses.
The objects of special interest in this section are the College
of the City of New York at 140th St. and Amsterdam Ave.
and the group of buildings at 156th St. and Broadway.
Along Amsterdam Ave. are many charitable institutions.
Near 129th St., just west of Amsterdam Ave., at 94 Law-
rence St. is the Speyer School, a demonstration school for
the practice of students at Teachers' College (p. 275) and a
social settlement for the congested neighborhood.
The building, erected in 1902, was the gift of James Speyer, a
trustee of Teachers' College. The architect was Edgar H. Josseiyn.
The building is planned for the needs of a settlement, containing, in
the basement, a gymnasium with baths; on the first floor, librarv, read-
ing rooms, and kindergarten; second floor, doctor's and nurses office
and classrooms; third floor, classrooms; fourth floor, work rooms and
laboratories; fifth floor, living rooms for residents; roof, playground.
The afternoon and evening classes include a wide range of subjects;
social clubs meet here; and a flne library is available to the neighbor-
hood.
At 129th St. and Amsterdam Ave. is the Sheltering Arms,
incorporated in 1864, a temporary home for children betw..
6 and 10. The parents are expected to pay when able. The
children attend the public schools. Supported by voluntary
endowment, contributions, income from endowment and chil-
dren's board. Visiting day, Saturday.
At 131st St., somewhat to the east of Amsterdam Ave.,
betw. Convent Ave. and St. Nicholas Ave., is the Convent
of the Sacred Heart, one of the oldest and best known con-
vent schools in the country. It accommodates about 300
girls.
344 RIDER'S NEW YORK CITY
At 131st St. and Amsterdam Ave. is the /. Hood Wright
Memorial Hospital, with a capacity of 50 beds, and free dis-
pensary treatment given to the worthy sick poor.
At 135 St., east of Amsterdam Ave., is the Orphan's
Home and Asylum of the Protestant Episcopal Church, or-
ganized 1852, receiving 100 orphans and half-orphans from
3 to 8 years old.
Betw. 136th and 138th Sts., extending from Amsterdam
Ave. to Broadway, is the Hebrew Orphan Asylum, incor-
porated in 1832, accommodating 1250 Hebrew orphans and
half-orphans of both sexes.
From 138th to 140th sts. on Amsterdam ave. is the *College
of the City of New York (commonly known simply as "City
College") (Broadway subway to 137th St., walk i block E.
and I block N, ; surface cars on Amsterdam Ave. or
on Broadway to 138th St., walk i block E.), founded 1847 as
the Free Academy. It is part of the public educational sys-
tem of the City. of New York, with free tuition, and is the
largest school under municipal control in the world. It has
about 7000 students and 235 instructors, and costs about
$250,000 a year for its maintenance.
The buildings cost about $4,000,006. They were designed by George
B. Post and are on a fine example of bold and vigorous collegiate Gothic.
The architect was unusually successful in adapting mediaeval design
to the practical requirements of a modern school. The black rock
quarried from the hill was used for building material in combination
with terra-cotta. The main building, facing N. E. on St. Nicholas
Terrace, is impressive in its huge segmental sweep of front, its sguare
tower and tall buttressed flanks. It contains a well-proportioned
Assembly Hall, 175 ft. by 90 ft., with a large mural painting, f'Gradua-
tion," by E. H. Blash field. The bell in the tower weighs 3^ tons. The
Historical Museum contains a collection of rare prints and maps of old
New York. A tablet erected by the Sons of the Revolution commemo-.
rates the battle of Harlem Heights. The library contains 25^000 volumes.
The Chemical Laboratories are especially complete in equipment. The
arrangement of the tower of the Power House is excellently harmonized
with the general design by being projected from the wall and being
incorporated at the base in an- entrance porch. Each of the minor
buildings has its distinguishing features, all in harmony with the
general scheme. The block southeast of the college grounds has re-
cently been purchased by an admirer of the college and presented to
the city for an Athletic Field for the students.
On the W. side of this section, on Broadway, the Monte-
fiore Home formerly extended from 138th to 139th Sts. It
has recently removed to Gun Hill Road, near Jerome Ave.,
Bronx (p. 388).
Betw. 150th and 151st, is one of the city buildings of the
Hebrezv Sheltering Guardian Society. The Reception House
is at 507 W. 1 55th St. The society admits Jewish orphans,
half-orphans and destitute children, both sexes, from 7 to
WASHINGTON HEIGHTS * 345
10 years old. About a thousand children are in the Pleas-
antville Colony, New York, under self-government.
At 147th St., in the park space, is a tablet erected by the
Washington Heights Chapter, Daughters of the American
Revolution, marking American Intrenchment No. i, con-
structed across the Heights, Sept., 1776, used in the fight with
the British frigates, Sunday, Oct. 27, 1776, and agLin in defense
of the Heights, Nov. 16, 1776.
At 152nd St. and Riverside Drive, one block W. of Broadway, in
the Kiosk or Pergola, is a tablet erected, in 1912, to the memory of the
U. S. sailors of the New Hampshire, drowned in tne Hudson in 1909.
From 153rd to 155th, from Amsterdam to Riverside
Drive, cut by Broadway, is Trinity Church Cemetery (PI. XI —
A6) opened 1843. The gates are open from 8 a. m. to 6 p. m.
Among its many graves, that of most general interest
is where Aiidubon the naturalist is interred. It is visible
through the* 155th St. gateway.
The grave is marked by a monument, consisting of a lofty brown-
stone cross resting on a pedestal of gray limestone, erected in 1893 by
subscriptions rais^ by the New York Academy of Science. On the
north side of the pedestal is a sculptural portrait of the naturalist in
low relief.
Besides the grave of Audubon, the East Division contains: Dean
E. A. Hoffman (Lot Nos. 19-20); Gen. Striker (Lot No. 40); Mayor
Fernando Wood (Lot No. 217). Western Division: Gen. John A.
Dix, remembered for his historic phrase, "If any man attempts to haul
down the American flag, shoot him on the spot" (Lot No. 477A) ; also
his son. Rev. Morgan Dix, for many years Rector of Trinity Church;
Philip Livingston, one of the signers of the Declaration of Independence
(Lot No. 796) ; Clement C. Moore, who wrote "The Night Before
Christmas" (Lot No. 1168); Bishop Wainwright (I^t Nos. 557-80);
Col. John Jacob Astor (Lot No. 827); Madame Jumel (Lot No. 498;
her first husband is said to be interred in St. Patrick's Churchyard,
Mott St.)
The N. W. cor. of the Eastern division is occupied by the
*Chapel of the Intercession (Trinity Parish), an English
Gothic edifice of trap rock, erected in 1914 from designs by
Cram, Goodhue and Ferguson.
The first chapel of this name was founded by the Audubons and
Morewoods and stood at the cor. of Audubon Ave. and 154th St.
The second structure occupied the site of the present or third building.
The present ^roup includes (on the east) the Trinity Cemetery Parish
House, containing a great play-room, or grynmasium, a billiard-room,
reading and entertainment rooms, a cooking school, etc. Upstairs is the
Sunday school hall, with a capacity of 800 pupils.
Notable among the decorations of the Chapel is the fine seated
figure of Christ, in the tympanum (by Lowrie, who also did all the
other important figures). At the eastern end the vaulted ceiling is
blue, studded ytiih golden stars, emblematic of the Heavenly Kingdom.
In the center are three stars of the greatest magnitude, representing
the Trinity. The smaller stars contain emblems of the Archangels —
Michael, Raphael, Gabriel and Uriel — ^and of the Evangelists — Matthew,
346 ' RIDER'S NEW YORK CITY
Mark, Luke and John. (Thomas Bull, artist.) On the south side is
the Morning Chapel, recalling in design the chantries of Winchester
and Ely, England. The mural painting above the altar, representing
the Visitation of the Magi, is by Taber Sears.
A bronze tablet, by Charles R. Lamb, was placed in the wall of
the Parish House in 1915, to make the site of the redoubt of the
American army erected during the Revolutionary War. .
155th St. was the extreme northerly limit of the plan of
the city in 1807. *
At Broadway, between 155th and 156th sts., in Audubon
Park, is a highly important and architecturally attractive
group of four buildings: The American Geographical
Society, The Hispanic Society of America, The American
Numismatic Society, and the Spanish church of Our Lady
of Hope, To these will soon be added, in the S. E. cor. of
the grounds, a fifth building already in the course of erection,
and incorporated as The Museum of the Amexican Indian
(Heye Foundation). The architect of all these buildings is
Charles P. Huntington.
The ^American Geographical Society building (adm. free ;
9:00 a.m., 5:00 p.m.) contains a permanent exhibition of
ancient maps and globes, temporary exhibitions of current
interest and an extensive library of geographical literature.
The latter includes 45,000 books, 40,000 maps in sheets, and
hundreds of atlases, ancient and modern. The library is
available to accredited students for reference. Apply at the
desk for a card.
In the main exhibition room, near the entrance, are two full-
length portraits: I. Paul Belloni du Chaillu, presented by the artist,
Mrs. C de Cosse Conger; 2. Henry M. Stanley, presented by SeHor
Angel Ortez. Near-by, under glass, hangs the Map used by Von Hum-
boldt in exploring South America in 1798. It contains h[s autograph.
Elsewhere on the walls are numerous facsimiles of ancient maps, that
have been issued from time to time, eitl\er by the American Geograph-
ical Society or the Hispanic Society.
History: The American Geographical Society was founded in
1852, and formerly located at No. 15 W. 8ist St. Its early presidents
include the following distinguished men: i. George Bancroft; 2. Dr.
Franklin L. Hawks, who accompanied Commodore Perry to Japan; 3.
Henry Grinnell; 4. Chief Justice Charles P. Daly; 5. Hon. Seth Low;
6. Robert E. Peary.
The building of the *Hispanic Society of America is
situated on the 155th side of the grounds, about 200 ft. W. of
Broadway. The main facade, which faces the N., consists of
engaged Ionic columns, cornice and parapet, with a project-
ing entrance portico, surmounted by a pediment. When com-
pleted it will be 200 ft. long. The material of the building is
Indiana limestone, steel, brick and terra-cotta. No wood has
WASHINGTON HEIGHTS 347
been employed, the purpose being to make the structure abso-
lutely fireproof. The frieze of both the front and rear facades
is engraved with the names of Columbus, Cervantes, Camoens,
Loyola and other famous men of the Hispanic races.
The Society was founded in May, 1904, and, according; to its
constitution, its chief purposes are: i. The establishment of a free
public library, museum and educational centre; 2. Advancement of the
study of the Spanish and Portuguese languages, literature and history,
and advancement of the study of the countries wherein Spanish and
Portuguese are or have been spoken languages; 3. To promote the public
welfare by actively advancing learning, and providing means for encour-
aging and carrying on the before-mentioned work within the State of
New York; also oy issuing publications from time to time, and by
otherwise doing such things as may be necessary fully to accomplish
its work.
In other words, the Hispanic Society is not to be regarded pri-
marily as a Museum or as a Special Reference Library but as an
institution which, while including those and other purposes, aims in
its broadest sense to create a center for the stimulation of interest and
dissemination of knowledge of all kinds regarding Spain, Portugal and
Latin America.
The Library is open from lo a. m. to 5 p. m. daily,
Sundays and holidays excepted. It is strictly a reference
library, and no one under any circumstances can remove
books, maps or other material for outside use. The privileges
of the library are, in theory, limited to holders of cards that
have been issued by the Librarian upon personal or written
application and after endorsement by a responsible intro-
ducer ; practically, however, the library is quite free : and any
visitor of satisfactory appearance and manners will be ad-
mitted without question, and, furthermore, will receive most
courteous treatment and efficient aid.
The collection of books contained in the library numbers about
90,000, having almost doubled within the last eight years. It is
especially rich in: i. Works relating to Spain and her colonies, and
also to all lands which in thcS past were owned by Spain or Portugal;
2. Works bearing upon the early history and discovery of America (in
many languages); 3. A full and complete collection of the leading
Spanish poets; 4. An extensive collection of Spanish bibliography.
Special emphasis should be laid upon the fact that this library is uni<^ue
in the completeness of its collections of the leading Spanish classics. '
It claims, tor instance, to possess a copy of every known edition of
Don Quixote. From time to time the Society announces special public
exhibits of books after the manner of exhibits shown in the New York
Public Library; but with this distinction, that while those held in the
Public Library are largely loan exhibits, those of the Hispanic Society
are drawn exclusively from their own stacks.
Upon entering the building, the visitor finds himself in
a square and somewhat dimly lighted vestibule. On R. and
L. stairs ascend to the floor above, containing the gallery of
classic paintings. Beyond the stairs, on L., is the private
office of the Acting Manager; on R., a small room formerly
348 RIDER^S NEW YoIrK CITY
used by readers until the completion, in 1915, of the spacious
and well-lighted reading room adjoining the Museum on
the W. Directly facing the entrance is the doorway af the
Museum. To the R. of it, on the vestibule wall is a bronze
bas-relief of the late Collis P. Huntington, father of the
founder, to whose memory the building is dedicated (Bela
Pratt, sculptor) ; on the L., very badly lighted, a splendid
♦painting of the Crucifixion, by Jimenez Aranda, "Consum-
matum est.**
Passing through the door, we enter the Exhibition Room,
a spacious chamber, 98 ft. in length by 40 ft. in width, and
35 ft. in height, completely surrounded by a balcony and
lighted by skylights. The architecture of the room is Spanish
Renaissance ; and the visitor should note that on the keystone
of each arch supporting the balcony is an escutcheon bearing
the arms of one of the Provinces of Spain.
The original purpose of the collections contained in the Museum
was to furnish for the use of special investigators in the library con-
crete examples of the arts and crafts of Spain at various epochs. The
collection, however, rapidly outgrew the original design, and has de-
servedly taken its place as one of the foremost art exhibits in New
York. The collection proper includes: paintings; wood-carving; silver-
work; ironwork; Neolithic pottery; Phenician, Roman and Arabic carv-
ing, sculpture and pottery; objects of domestic use; Hispano-Moresque
metallic glazed pottery, etc.; Buen Retiro, Alcora and Talavera ware;
glazed tiles (azulejos); Roman mosaics; a lar^e collection of Spanish
incunabula; some Latin and Hebrew manuscripts and manuscripts of
George Borrow and of Robert Southey.
In the gallery to the east of the reading room are marble
tombs of Gothic and Renaissance ecclesiastical sculpture.
The *collection of paintings, though small, is one that no
visitor to New York can afford to overlook. Special mention
should be made of the SoroUas*.
In the Gallery. North Wall: i. Juan de ValSs Leal (1630-91), Via
Crucis: a-8. Spanish Primitives, Panels of an Altar Piece; 9-1 1. Spanish
Primitives (9. St. Gregory Enthroned; 10. Altar Piece in Six Panels;
II. St. Gregory Saying Mass); 12. Juan Antonio Escalante (1630-70),
The Annunciation.
East Wall: 13-16. El Greco (i 545-1 61 4) (13. Saint Jerome; 14.
Pieta; 15. Christ; 16. Holy Family); 17. Francisco de Preboste (1578-
1631), Holy Family; 18. Jorge Manuel TheotocopuU (1578-1631), Jesus
in the House of Simon; 19. Jusepe de Ribera (1588-1656). The Ecstasy
of Mafy Magdalene; 20. Ribera, Saint Paul; 21. Murtllo (?), The
Child Jesus as the Good Shepherd; 22. Murtllo (?), The Vision of
Saint Francis; 23. Luis de Morales, Holy P'araily.
South Wall: 26. Juan Carreno de Miranda (161 4- 168 5), Assump-
tion of the Holy Virgin; 27. Vicente Ldpes y Portafla (i 772-1 850),
Portrait of Ferdinand VII.; 28. Alonco Sanches Coello (15 15-1590),
Portrait of Rudolph II., Emperor of the Holy Roman Empire; 29.
Antonis Mor Van Dashorst (?), Portrait of Margaret 01 Austria,
Duchess of Parma; 30. Bartolomi Gons&les (1564-1627), Portrait of
Philip III.; 31. Artist Unknown, Portrait of Isabella of Portugal,
Empress of the Holy Roman Empire and Queen of Spain; 32. Juan de
WASHINGTON HEIGHTS 349
Pareja (?) (i 606-1 670), Portrait of Don Alonzo Mora y Villalta of
Malaga, Knight of Santiago; 33. Artist Unknown, Portrait of a Spanish
Lady; 34. School of Veldzquez, Portrait of Maria of Hungary, Empress
of the Holy Roman Empire; 35. Carreho de Miranda, Portrait of
Charles II.; 36. Mvrandf^ (?), Portrait of a Spanish Lady; 37. Mi-
randa (?), Portrait of Philip IV.; 38. Francisco de Zurbaran (159^
1662), Portrait of a Carthusian Monk.
West Wall: 39. Francisco Goya y Lucientes (i 746-1 828), Sketch
for Scenes of May 3, 1808; 40. Diego Veldzques de Silva (i 599-1660),
Portrait of a Cardinal (probably Camillo Pamfili) ; 41. Goya, Portrait
of the Duchess of Alba; 42. Goya, Portrait of Don Alberto Foraster;
43. Vel&zquee, Portrait of the Count-Duke of Olivares, Prime Minister
of Philip IV.; 44. Murillo (?), Portrait of a man; 45. Antonis Mor
Van Dashorst, Portrait of the Duke of Alba; 46. Rubens (?), Portrait
of Isabel de Borbon Queen of Spain; 47. Pareja^ Portrait of Don
Martin de Leyva; Veldzquez, Portrait of a Little Girl (granddaughter
of the artist?).
On the main floor: ^
West End of room, on columns supporting balcony: 49. Sorolla,
Portrait of His Majesty, Alfonso XIII (autographed by the King) ; 50.
Sorolla, Portrait of Her Majesty, Victoria Eugenia.
West Wall: 51. School of Carren de Miranda, Portrait of Charles
II. when a child; 52. Goya (?), Portrait of a Woman; 53. School of
Murillo, The Child Jesus with a Crown of Thorns; 54. Murilla (?),
The Child Jesus as the Shepherd; 55. School of Murillo, Portrait of an
Unknown Man; 56. M. Viladrich, Portrait of a Spanish Peasant; 57.
Viladrich, Portrait of a Franciscan Monk; 58. Artist Unknown, Clourt
Group, including Philip 11. ; 59. Artist Unknown, Portrait of a Man;
60. (joya (?), Portrait of a Young Girl; 61. School of Murillo, Saint
Francis; 62. Viladrich, Portrait of a Man; 63. Eugenio Lucas (1824-
70), Carnival Scene; 64. Lucas, Victims of War; 65. L. Barrau, Por-
trait of Don Pablo Bosch y Barrau; 66. School of Murillo, Portrait of
a Child; 6j. Francis Lothrop, Portrait of the Panter; 68. Daniel Du-
monstier. Portrait of Philip III., King[ of Spain; 69. School of Murillo,
Head of a Street Urchin; 70. Francisco la Vega, Coronation of Don
Carlos Borbon as King of the Two Sicilies; 71. Anglada Camarasa,
Charcoal Drawing; 72. Henry Humphrey Motore, No Rose Without a
Thorn; 73. Francisco Domingo y Marques, Portrait of the Artist;
74-82. Spanish Primitives.
Modern Spanish School. This part of the collection is not, hung in
the ordinary way, upon the walls, but framed in a series of hinged
screens which fold back into cabinets built into the south wall. Some
of these cabinets are single and some double; in the former the screens
are four deep, in the latter only two deep. The attendant will unlock
the cabinets upon request. The cabinets, from R. to L., contains the
following pictures:
First Cabinet: Screen i. Sorolla, Portrait of Don Vicente Blasco
Ibanez; Sorolla, Portrait of the Marques de la Vefira-Inclan; Screens
2-4 and rear wall: Martin Rico (1850-1908), Eighty Sketches.
Second Cabinet: Screen i (right). A. de la Gandara, Portrait of
Madame Y.; (reverse) R. Madrazo, Morel Fatio; A, Weir, Francis
Lathrop \Sonza Pinto, An Interior; Madrazo, Recuerda de la Capilla de
Seville; Screen 2. Madrazo, Henry Vignaud; Madrazo, R. Foulche
Delbose; Madrazo, Bartolome Mitre; Fortuny, Portrait, copied from
Original by Goya; (Reverse.) F. Domingo, Portrait of Artist's Mother;
Emtlio Sala, A Woman; F. Domingo, The Studio of Goya; Domingo,
Notables; Domingo, A Sketch; Sala, Four studies. Screen i (left),
A. de B cruet e. Landscape; Palette of Emilio Sala; Sala, Portrait of
Ram6n de Campoamor; Screen 2. A. de Beruete (1846-1912), Segovia,
350 RIDER'S NEW YORK CITY
from the Boceguillas Road; Beruete, Bridge of Alcantara; Berueie,
VMew of the Guadarama Mountains; (reverse) Fortuny, Six Paintings;
Rear Wall: Ignacia Zuloaga (1870-), Family of a Gypsy Bull Fighter;
Zuloaga, Portrait of the Artist; Pedro Ribera, Portrait of the Artist.
Third Cabinet: Screen i. Illuminated Royal Charter, 1283; Illum-
inated Royal Charter, 1385; Screens 2-4. Sorolla^ Sketches for the
Painting of Columbus. Rear Wall: Sorolla, Portrait of Don Aureliano
de Beruete; Sorolla, Portrait of Don Marcelina Menendez y Pelayo.
Fourth Cabinet: Screen i. (right V Sorolla. Maria and her Grand-
mother; Sorolla, Portrait of Benito Perez Galdos; (reverse) Sorolla,
The Peppers; Sorolla, Don Raimundo de Madrazo; Screen 2. Sorolla,
Senora de Sorolla; (reverse) Sorolla, Rocks of the Cape, Javea; Sorolla,
Cathedral and Gate of Santa Maria, Burgos; Screen i (left). Sortolla,
Portrait of the Painter; ^orc^/Zo, Portrait of Jose Echegaray; (reverse)
Sorolla, Antoine Garcia; Sorolla, Chandler Robins; Screen 2. Sorolla,
Le Due de Loubet; Sorolla, Jos6 Gestoso y Perez; Sorolla, Orange
Garden; (reverse) Sorolla, Jose Ramon Melida; Sorolla, Manuel B.
Cossio; Sorolla, Hou^of Greco in Toledo. Rear Wall: Sorolla. Leon-
ese Peasants.
Fifth Cabinet: Screen i. Three Ancient Maps: i. Vesconde de
Maiolo, 1512; 2.Bartolomeo Olives, 1552; 3. S. Petrus Roselli, 1468;
(reverse) Pinelli, Portrait of Jose de Medrazo; Medrazo, Sketches;
Francisco Prudilla y Ortez, Sketches; Screens 2-4. {Daniel Urrahiete)
Vierge (1851-1904), Sketches; Screen 4 (reverse), Frederico de Madraso
(1815-94), Young Man; Madrazo, Portrait of Senor D. Pedro de
Madrazo. Back Wall: Madraso, S. M. Isabel, Queen of Spain; Ma-
drazo, S. M. Don Francesco de Asis, King of Spain; Madrazo, El
Hi jo de Colmer, Arquitecto de Palacio; Madrazo, Eugenio de Ochoa;
Madrazo, Dana Maria Cristina de Borbon, wife ^f Ferdinand VIII. and
mother of Isobel II.; Portrait of Federico de Madrazo, by his Father.
Sixth and Seventh Cabinets at present contain no paintings. They
are occupied by old manuscripts and documents, chasuoles - and proces-
sional banners; also an interesting collection of Spanish lace.
The *American Numismatic Society (adm. free; 10
a.m. — 5 p. m. ; Sundays i p. m. — 5 p. m.) Permanent ex-
hibition and temporary exhibits of current interest.
Floor: wall cases contain specimens of contemporary medalic art,
arranged according to artists and nationalities. Swinging cases at the
four columns contain: S W. coiumn: British war medals and honorary
orders, including Order of the Star, the Garter, the Bath, the Victoria
Cross, etc. S. E. column: French decorations, including the pre-
Revolutionary orders of St. Louis, of Merit, of the Floly Ghost, several
medals relating to the French Revolution, the badge worn by members
of the National Assembly, and other later orders. This case also con-
tains German decorations, Holland, Belgium, Danish, Norweigian and
Swedish. N. E. column case contains Papal orders, decorations from
Spain, Portugal, Russia, Balkan States, Turkey, African States, China,
Japan, Persia, etc. N. W. column case is devoted to American medals
and insignia: Congressional Medal of Honor for Army and Navy, Good
Conduct and Service Medal, Civil War medals awarded by states and
cities, Mexican war medals, Spanish War medals and the insignia of
the various hereditary societies, Society of the Cincinnati, and a|l the
Revolutionary and Colonial societies. The floor cases contain specimens
of early shell money, Chinese paper money as early as 1368, early types
of money preceding coins, etc. The balcony contains collections of
coins of all nations, from the earliest Greek, some 600 B.C., to the
present time All exhibits are clearly labeled.
WASHINGTON HEIGHTS 35i
The Society issued in 1909 a noteworthy Hudson-Fulton Medal
(designed by Emil Fuchs)y distributed, in gold, to the heads of the
eight foreign nations which sent war vessels to the Hudson-Fulton
Celebration; and in silver and bronze to guests, both foreign and native.
On 156th St. ^ half-block from Broadway is the *Spanish
Roman Catholic Church of Our Lady of- Esperanza, stand-
ing on an elevation.
A charming structure, in adapted Italian renaissance order of archi-
tecture, designed, like the rest of the group, by Charles P. Huntington.
The windows and rich interior decorations are by Caryl Coleman.
At the entrance are two windows, one on either side, illustrating
Motherhood: i. Mary returning from Calvary, leaning on the arm of
John the Beloved; 2. St. Monica, Mother of St. Augustine, in her last
conversation at Ostia. The six large windows, of renaissance glass,
represent respectively: i. The Annunciation; 2. The Visitation; 3. The
Nativity; 4. The Adoration; 5. The Presentation; 6. The Marriage Feast
at Cana. The four windows looking into the sanctuary represent the
four archangels, Michael, Gabriel, Raphael and Uriel.
* The fourteen Stations of the Cross are by Henry Day. The high
altar is of Sienna marble and mosaic. Note 'the Sanctuary Lamp, pre-
sented by Aphonso XIII. The two smaller chapels each contain a
painting by a leading Spanish artist, one by Sorolla, one by Madrazo.
At 159th St., on Broadway, is a tablet erected by the Mary Wash-
ington Colonial Chapter, Daughters of the American Revolution, mark-
ing the third line of entrenchments, thrown up by the American troops.
XIII. Northern Manhattan — Northern Section
(From i6oth Street to Spuyten Duyznl, 225th Street)
The lower part of this section is built up with apartment
houses, growing more scattered toward the north. The high,
wooded land at the N. W. is Inwood Hill. The chief objects
of interest are: The Jumel Mansion, the bridges crossing the
Harlem river, Fort Washington Park and Isham Park.
The * Jumel Mansion (PI. XI — B6) is at i6oth st. and
Jumel Place. (Broadway subway to 157th st. walk 3 blocks
N. and E. Surface cars, Third ave. Fort George line to i6oth
St., walk I block E.) W. H. Sheldon, curator. History of
the house, 25c. Open free, 9 to 5 daily.
Built about 1765 by Lieutenant Roger Morris. Washington's
headquarters from .Sept. 14 to Oct. 19, 1776, during which time the
battle of Harlem Heights took place (p. xxiii). After the fall of Fort
Washington (p. xxiii) it was occupied first by the British Lieutenant-
General Sir Menry Clinton and later by the Hessian commanders.
After the war it became an inn and was the scene of a famous dinner
given Washington and his cabinet in 1790.
Stephen Jumel, a wealthy French wine merchant, bought the place
in 1810. From 181S to 1826 he and his wife were abroad in France
and the house was rented. His wife returned in '1826 and he two years
later. Jumel died in 1832, and the following year his widow mar-
ried Aaron Burr. The two soon separated. Mrs. Jumel was eccentric,
and during the later part of her life undoubtedly unreliable in her
stories of high life. To her vivid imagination are due the many legends
of the Bonapartes which cluster about this house. After her death
352 RIDER^S NEW YORK CITY
the house was occupied by a niece, who married Nelson Chase. The
married life of this couple was in reality a sordid enough affair, and the
romantic stories of litterateurs and wits entertained by them seem to
be as untrue as those of Mrs. Jumel's time. Unauthenticated legend
has it that Halleck wrote here his "Marco Bozzaris" — the very rock
on which he composed is pointed out. After the death of the Chases,
the house changed htinds several times and was finally purchased by
the city for $235,000. It is now a museum under the Washington
Headquarters Association of New York and the Society of the Daugh-
ters of the American Revolution.
The Court Martial Room (called by Mrs. Jumel the Council
Chamber) at the rear of the first floor is furnished in charming old
mahogany. With this room is connected the legend of the sachems
of the five Iroquis nations who offered their allegiance to Washington.
The Guard Room, first floor, L., contains a rare collection of Revolu-
tionary objects dug up in the neighborhood by Reginald Pelham Bolton
and Mr. Calver. The Dining Room, first floor, R., contains the famous
William Lanier Washington Collection of Washingtoniana. Mr. Wash-
ington is a descendant of Gen. Washington's brother. Miniatures of
his ancestors are in the collection. The Tea Room, first floor, front L.,»
contains antiques. On the second floor, in the Hall, is a copy of the
Colonial flag used by Washington the two and a half years preceding
the making of Betsy Ross's flag. It is the English flag with red and
white stripe substituted for the English plain red. In a case in the
front of the hall is a small flag made by Betsy Ross's granddaiighter.
The same case contains a British army blanket. In the Burr Roomh,
second floor, front, W., is an old Southier's map showing the house.
In the Lafayette Room, second floor, W., is one of the famous Lafayette
gloves. Washington's Bedroom and Office contains relics. On the
third floor are three interesting rooms arranged to show the processes
of candle-dripping, spinning, and quilting. In the grounds at the rear
is the Eleventh Milestone originally at 170th st. and Broadway.
Twelve bridges cross the Harlem river, Spuyten Duyvil
Creek and Harlem Ship Canal. From S. to N. they are :
Willis Ave. Bridge, from First ave. and 125th st. in Manhat-
tan, to Willis ave. and 134th st. with second approach from
133d St. and Brown Place in the Bronx. Elevated Railroad
Bridge (PI. XI — C7) from Second ave. and 129th st. to
Lincoln ave. ; footpassage and railroad only. Third Ave.
Bridge (PI. XI — C7) from Third ave. and 129th st., with
second entrance from 130th st. and Lexington ave. to 3rd
ave. and 136th st. New York Central R. R. Bridge (PI. XI
— C7) from Park ave. and 133d st. to Park ave. and '138th
St.; railroad only. Putnam Railroad Bridge (PI. XI — B6)
from 8th ave. and 157th st. tp Sedgwick ave. and i6ist st. ;
foot passage as well as railroad. Next to the north is the
Madison Ave. Bridge (PI. XI — B7) from Madison a e.
and 137th St. to Cromwell ave. and 138th st., with entrance also
from 138th St. and 5th ave. 145TH st. Bridge or Lenox Ave.
Bridge, from Lenox ave. and 145th st. to Exterior st. and 149th
St.; McComb's Dam Bridge or Central Bridge (PL XI — B6)
from St. Nicholas ave. and 155th st. to Jerome ave. and i62d
St., with another approach from 161 st st. and Cromwell ave.
T'
WASHINGTON HEIGHTS 353
(6th or 9th ave. el. to 155th st. Change to Ogden ave. surface
cars, which cross Central Bridge, proceed north and cross
back to Manhattan by Washington Bridge. To visit High
Bridge take Amsterdam ave. surface car south from Wash^
ington Bridge. The bridge has viaduct approaches from each
side. The name comes from the old McComb's Dam which
crossed the river near this point (PI. XI — B5).
The Speedway, reached fr. the 155th st. Viaduct, starts
here and runs north 3 miles, with 95 ft. width of roadway and
a total width including sidewalks of from 125 ft. to 150 ft.
Nearly 5 years were spent in its construction, and it cost the
city $3,000,000. Fast horses are exercised here, and fine speci-
mens of both trotters and pacers can be observed.
♦High Bridge (PI. XI — B5) most easily reached by 3d and
Amsterdam ave. surface cars to I72d st., from near Amster-
dam ave. and about 174th st. (not cut through) to Aqueduct
ave. and 170th st. ; foot passage only. This granite bridge
1460 ft. long, of 13 arches, carries the pipes of the first Croton
Aqueduct, roofed over to form a foot bridge, 116 ft. above th«
river. It was built in 1842.
High Bridge Park (PI. XI — B5) continued in Fort George
Park, extends along the Manhattan side of the river above
the Speedway from about i6oth st. to Dyckman st. At the
Manhattan approach to High Bridge is the Reservoir and
Water Tower. From the east terrace of the Reservoir
one obtains a fine *View of the Bronx. The upper gallery of
the Water Tower is 404 ft. above the river. Permission to
ascend must be obtained from the office of the Water Com-
missioner in the Municipal Building.
N. W. of the Putnam Railroad Bridge on the Manhattan
side are the Polo and Baseball Grounds.
♦Washington Bridge (PI. XI— B5), from Amsterdam
ave. and» i8ist st, to Aqueduct ave. and I72d St., (reached by
Broadway subway to i8ist st., walk E. i^ blocks; Third and
Amsterdam ave. surface cars from Park Row ; 6th or 9th ave.
elevated to 155th st, thence by Washington Bridge surface
cars. The two latter routes passing through the Bronx,
approaching the bridge from the Bronx side.
This is a beautiful cantilever bridge, 2,390 ft. long and 86 ft. wide.
Each of the two steel arches has a span 01 510 ft and a height of
13s ft. The cost was $2,700,000. At the west end of the bridge,
Amsterdam ave., betw. 181st and i82d st, is a fountain and memorial
tablet erected in memory of Andrew Jackson by the National Society,
U. S., Daughters of 181 2.
The remaining bridges are less impressive: University
Heights Bridge of Fordham Bridge (PI. XI — B3), from
354 RIDER'S NEW YORK CITY
W. 207th sL, to 184th St. Farmers' Bridge, Dyckman,
Free, or Queen's Bridge (PI. XI— B3), across Spuyten
Duyvil Creek from 223d St., West Kingsbridge Road.
Built first in 1759 to avoid the tolls at King's Bridge.
Destroyed by retreating American forces in 1776, rebuilt by
Hessians, again destroyed in 1778. Later rebuilt. King's
Bridge (PI. XI — B22), across Spuyten Duyvil Creek at Broad-
way and 230th St., established by Royal Grant of William
and Mary to Frederick Philipse in 1603. First built 20 yds.
to the east Rebuilt on present side in 1713. Destroyed after
Washington's retreat 1776, rebuilt by Hessians, abandoned by
Hessians and rebuilt as pontoon bridge to the west. Rebuilt
on present site after the Revolution. Foot Bridge (PI. XI —
B2>, across Spuyten Duyvil Creek just west of King's Bridge;
foot passage only. Harlem Ship Canal Bridge (PI. Xl —
B3), across Harlem Ship Canal at Broadway and 221st st.
The subway crosses here. Spuyten Duyvil Bridge (PI. XI —
A3), where the Harlem Ship Canal joins the Hudson River
is a railroad bridge. Here a fine Memorial Bridge is planned.
Leaving the Harlem River side of the island and going
north along the westerly section there are several points of
minor interest: At 163d st. and Fort Washington ave., is
the New York Institution for the Instruction of the Deaf
and Dumb, founded in 1870. DeWitt Clinton was its first
president. 4554 have been enrolled between its founding
and 1913. It accommodates 500 pupils.
The school is free to all deaf children, of both sexes, over 5 years,
living in the state, regardless of their parents' circumstances. Children
from other states are charged tuition. Lip-reading and articulation
are taught. The course of study is equivalent .to that of common
schools and academies, with mechanical trade teaching and cooking
for both boys and girls. Gymnasium instruction is provided. The
boys are given military drill. Supported by state, counties, and
voluntary contributions.
At 165th St. and Broadway is Audubon Theatre ^Pl. XI
— B5), with a seating capacity of 2,300.
At i68th St. and Fort Washington ave. is the Armory of
the 22nd Regiment (PI. XI— B5).
Fort Washington Park (PI. XI — As) lies betw. River-
side Drive and the Hudson from 171st st. (not cut through) '^o
i8ist St. (Broadway subway to i8ist st., walk E. to Riverside
Drive and S. to park entrance.) This height is the highest
land on the island, being 270 ft. above tide water. The three
forts, Fort Washington, Fort Tryon and Fort George, with
parallel lines of entrenchments stretching across the Island,
formed the Revoluticfnary defences of this part of Manhat-
tan, All 3 forts were taken by the British, Nov. 16, 1776. A
WASHINGTON HEIGHTS 355
boulder monument on the height in the park, erected by the
Fort Washington Chapter, Daughters of the American Revo-
lution, marks a redoubt well preserved. The peninsula, now
called Fort Washington Point, was formerly Jeffrey's Hock.
Ships were sunk in the river here to impede the progress of
the British. Directly across the river was Fort Lee, which
could be reached by boat. Fort George to the E. was con-
nected by a road.
After Washington's withdrawal to White Plains, following the
Battle of Harlem Heights (p. 255), the Hessians attacked Fort Wash-
ington, containing a garrison of 3,000 men and officers. The fort
surrendered after a nercely fought battle. Numerous Revolutionary
x'elics have been dug up from 181st to 187th sts.
To the S., at 179th st. and Fort Washington ave., is
tiolyrood Protestant Church, containing a tablet erected
by the Mary Washington Colonial Chapter, Daughters of
the American Revolution, in commemoration of Margaret
Corbin, who took her husband's place in the battle when he
was wounded.
To the N. of i8ist st., in Bennett st., was Death Gap, a strategic
point in the battle, where the Americans hurled down boulders upon
the ascending enemies.
At 183rd St. and Fort Washington ave. is a marble seat and tablet
erected b^ James Gordon Bennett under* the auspices of the Empire
State Society, Sons of the American Revolution, and the American
Scenic and Historic Preservation Society, marking the exact site of
Fort Washington. Traces of the earthworks are visible.
To the north is the estate of C. K. G. Billings, with its large house
and beautiful grounds. The house lies betw. Fort Washington and
Riverside Drive. The stables are on the ' east side of the ave. The
smaller brown stone house, built like a castle, near the stables was
built in 1864 by Wm. Alexander Richards, later occupied by Wm. M
Tweed, and afterward by W. L. Libbey, the partner of A. T. Stewart.
It is now a part of the Billings estate. To the north of the Billings
house is the site of Fort Trvon. A tablet, set in the rock at the side
of the north entrance, visible from the street, was erected by Mr.
Billings under the auspices of the American Scenic and Historic
Preservation Society. Heavy fighting took place at this spot.
To the N., near the end of the ave., is the Abbey Inn
(PL XI — A4) on the height. The ave. curves about here,
offering a fine *View of Inwood.
The Entrance to the Subway at 190th st. and Broadway differs
from the others. The subway runs under St. Nicholas ave. to the
east, at the level of Broadway, which traverses the lower slope of the
elevation. The station was reached by tunnelling from Broadway
under the hill, forming an underground street.
At 190th St. and Amsterdam ave., to the W. of Broadway, is the
Isabella Heimath, "For the gratuitous care of aged persons, chronic
invalids, and convalescents," without distinction of sex. creed, or
nationality, males over 65 and females over 60, established by Oswald
Ottendorfer, for many years owner and editor of the New-Yorker
Staats-Zeitung. The home has 172 beds.
Fort George Amusement Park (PI. XI— B4) (Broadway
subway to 190th st., walk up Fort George ave. at rear of Park ;
356 , RIDER'S NEW YORK CITY
or, surface cars marked "Fort George," every 2nd car on the
3rd and Amsterdam ave. line running from Post Office through
Park Row to Bowery, to 3d ave., to 125th st., to Manhattan
St, to Amsterdam ave., to 195th st.) is on the site of the
Revolutionary fortification. The casino stands on the site of
the old fort. After the surrender to the British in the attack
on Fort Washington, it became a British camp and was occu-
pied by British and Hessians from* 1777 to 1783 under the
name of Camp of Laurel Hill. The park now contains merry-
go-rounds, wheels, scenic railways, and shows. Fine views
can be obtained from here. To the east, the Hariem river,
with its bridges (pp. 331-33) and the Bronx; northeast. Marble
Hill; north, the upper part of Manhattan Island with Marble
Hill, and Inwood; west. Forts Tryon and Washington.
IsHAM Park (PI. XI — B3) is reached by the Broadway
subway to Dyckman st. Walk back down Broadway the distance
of about two blocks, passing on the R. the Marble Arch erect-
ed in recent years as an entrance to Marble House on the hil]
behind. This large, ungainly structure was built by Mr. Sea-
man, a builder.
At 215th St. a double flight of Stairs with lights has been
erected, connecting the lower and upper levels.
The Twelfth Mile Stone has been built ^nto the wall at the
entrance to Isham Park. The entrance is exceedingly modest. A
small brick lodge on the bank marks it. There is at present no car-
riage or motor entrance. The house is about 80 ^ears old, of no
particular beauty, but set in the midst of a charming lawn, with a
delightful view of Inwood Hill and the Hudson at the mouth of the
Ship Canal. Tea may be obtained, served on the veranda. From
the front one sees in the Bronx, from N. to S., the Catholic Orphan
Asylum (p. 362); Webb Shipbuilders' Academy (p. 363 '^; and New
York University. Later the house will be furnished as a museum by
some of the antiquarian societies A pleasant family garden is kept
up. The spot is historically connected with Indians. It was a haunt
01 the Weck-quas-keeks, and many Indian relics which have been
disintered will be on exhibition in the house. The land was first
owned by Tobias Teunissen, ^ a Dutchman, who was killed W the
Indians in 1665 and his family carried into captivity. The Hessian
army moved over the Park in the attack on Fort Washington. The
land and residence were purchased by IVilliam B. Isham in 1862. In
191 1 the house with six acres was given to the city for a Park by
Mrs. Julia Isham Taylor in memory of her father. The next year.
Miss Flora E. Isham added several acres to safeguard the views.
An interesting side trip may be made to the Cold Springs
or Spouting Spring, which is supposed to have given the name
to Spuyten Duyvil Creek. It may be most conveniently
reached by continuing down Broadway S. of Isham Pk. pass-
ing at Hawthorne Ave. the old Dyckman house, the second
(or perhaps third), residence of one of the leading local
families, whose name is preserved in Dyckman St This
house dating from 1787 is considered a typical speciman of the
WASHINGTON HEIGHTS 357
colonial farm dwellings in northern Manhattan. It has
recently been repaired. Note especially the old chimney on
the S. side.
At Academy St. we turn W. to Seaman Ave., where in 1907
some excavations in a market-garden, unearthed the buttons of several
British regiments, as well as Indian graves, weapons and stone imple>
ments, proving that this spot was successively an Indian village and
a British camp. The spot lies in the triangle formed by Seaman and
Prescott Aves. Turning N. on the latter some 150 ft. we reach on the
W. a steep woodland path ascending in a zig-zag line. It leads
through woods, over the hill and down into a valley, known as the
Clove, thence northward along the shore of Spuyten Duyvil Creek.
Here we reach a clearing, in the midst of which is the one conspicuous
landmark, a huge Tulip tree, 6V^ ft. in diameter, the largest on Man-
hattan Island. It has grown up through an ancient Indian shell-heap,
as any visitor may prove to his own satisfaction by scraping the
surface and noticing the histre of unearthed fragments. Note the
inscription placed on it in 191 2 recording the age of the tree and
history of the locality. About 200 ft. S. is an interesting Indian Rock
Dwelling, supposed to have* been occupied by tribes prior to their
scattering by the Mohawk Indians in 1673. I'he relics, including
pottery, tools, etc., are preserved in the Museum of Natural History,
Indian Room, case i.
The United States Ship Canal (PI. XI — A — B3) con-
structed by the government, was cut through Marble Hill at
the extreme northern point of Manhattan Island on the line
of two little brooks running east and west, which had been
enlarged into a small canal in 18 17. to make a channel from
the Hudson to the Harlem River. Vessels drawing nine feet
of water can pass .from the Hudson to the Sound without the
necessity of going around the Battery, a saving of 20 m.
The canal cuts off Marble Hill (PI. XI — A3) from the
rest of Manhattan, forming a small island. This elevation is
the site of the Revolutionary Fort Prince Charles, an earth-
work begun by the Americans and completed by the Hessians
after their occupation of Fort George. A flag pole at the
corner of Marble Hill ave. and 228th st. marks the site of the
redoubt.
THE BRONX
I. Introductory
The Borough of. the Bronx (see p. xv), like the river,
takes its name from Jonas Bronck who settled near Bronx-
kills in 1639. It includes Spuyten Duyvil (PI. XI — A2),
Riverside (PI. XI— Ai), Kingsbridge (PL XI— B2), Mott
Haven (PI. XI — C7), Morrisania (PI. X— C5), West Farms
(PI. XI— D4), Westchester (PL XI— D5), Eastchestcr,
Fordham (PL XI — B3), Williamshridge, City Island (PL
A — F2), and other villages which once had their own govern-
ment. The Bronx is traversed by several lines of sur-
face cars, by the Elevated Railroad (p. ^z)^ by the Subway
(p. 31), and by the New York Central and the New York,
New Haven & Hartford railroads (p. 38). The parks and
driveways are the chief objects of interest in this section.
History. The land comprising the Borough of the Bronx
was in early times inhabited by the Sewanoe tribe of the
Mohican Indians; and manj' of the early titles acquired by
settlers date back to purchases from Indian Sachems. The
first white settler, Jonas Bronck, erected near the Bronx Kills,
in 1639, a house which he christened Emmaus, and which,
in 1642, was the scene of the signing of a treaty of peace with
the Indian Sachems. The earliest community settled in the
Bronx was . Westchester Village, originally called by the
Dutch Wost-Dorp, and probably dating » from 1650. The
site was acquired from the Indians in 1654 by Thomas Pell,
whose purchases comprised about 10,000 acres.
The earliest settlers were Dutch. The English soon fol-
lowed, and many of their first titles were granted by Gov.
Nicolls. Among them was the unfortunate Ann Hutchinson
who settled near Pelham Bay in 1642 and whose family was
wiped out by an Indian massacre.
The Morris family came into prominence at the time of
the Revolution, their local memory being retained in that sec-
tion of the Bronx known as Morrisania. Lewis Morris, one
of the signers of the Declaration of Independence, attached
his signature at a time when a British fleet lay in the waters
just S. of his home in the lower Bronx. This Borough is
full of memories of the War of Independence, the dreaded
Neutral Ground extending from King's Bridge northward
into Yonkers. The battle of Westchester Creek and the
battle of Pell's Point are only two of the many engage-
ments in this region. The later history of the Bronx is com-
paratively uneventful. The western portion was annexed
THE BRONX— INTRODUCTORY ^ 359
in 1874, and the remainder in 1895. It is estimated that the
present population of the Borough is equivalent to that of
the State of New Hampshire.
Topography. The Bronx is, in the main, laid out on the
same checker-board plan as Manhattan, but with much less
regularity. The numbering of the cross-streets continues quite
regularly on the W. side up to 262d st. (near the Yonkers
line). In the eastern portion the numbering and spacing are
much more erratic, the northernmost street being 242d st.
In many localities streets dart off at queer angles, preserving,
as in the case of Greenwich Village in Manhattan, the memory
of the original villages. The only one of the numbered
avenues of Manhattan that is continued N. of the Harlem is
3d ave., which extends to Pelham ave., near Bronx Pk. Other
important thoroughfares are the following: Jerome
Ave., beginning at McComb's Dam Bridge (PI. XI — B6) and
running north to the city line, passes Jerome Park Reservoir
(154 m. by I m.) with a capacity of 2,000,000 gallons, a part
of the Croton Water System (PI. XI— B2). Westchester
Ave. runs from 3d ave., at E. 150th st., N. E. across the
Bronx River, through Westchester Square, the site of West-
chester Village (p. 390), across Westchester Creek to the
Eastern Boulevard at Pelham Bay Park. Boston Post Road
runs from 3d ave. at E. 164th st. N. K, through Bronx Park,
through Eastchester (p. 391) to the city line. Also important
is the Southern Boulevard, which, starting at 3d ave., runs at
first nearly due E.. then pursues an irregular course N. and
N. W., ending at Bronx Pk. It passes through a crowded
district of much activity, with many shops and places of amuse-
ment, and suggests a sort of modernized lower East Side.
Parks and Parkways. The Grand Boulevard and Con-
cX)URSE, 180 ft. wide, uniting Manhattan and the parks in the
N. part of the Bronx, begins ^t the corner of Mott ave. and
i6ist St. (PI. XI— C6), and extends thence (4^^ m.) to the
Mosholu Parkway.
The principal parks are Van Cortland Park (PI. XI— i),
1 132 acres, adjoining Woodlawn Cenetery and connected
by Mosholu Parkway with Bronx Park (PL XI— D3), 719
acres, which is in turn connected by Bron.v and Pelham Park-
way with the huge Pelham Bay Park (1755 acres), adjoining
Long Island Sound, 4 m. to the E. of Bronx Park and 15 m.
from the City Hall. Crotona Park (PI. XI— D4), 154 acres,
lies to the S. To the W. is Claremont Park (PL XI— C5),
3.S acres, containing the stone Zborowski Mansion, built 'in
1859, now the headquarters of the Park Department.
36o RIDER'S NEW YORK CITY
II. From Central Bridge to Van Cortlandt Park
This section is most readily reached by 6th or pth ave.
Elevated Roads to 155th st. ; change to Jerome ave. trolley
across Central Bridge to 161 st st. (as the distance is com-
paratively short a good pedestrian will find it almost as quick
to walk).
Central Bridge very nearly occupies the site of the old Macomb's
Dam Bridge, originally so called because of the nearby dam built to
convert the Harlem River into a mill pond and drive the wheels of the
Macomb mill at King's Bridge. In 1840 it was declared a public
nuisance and was destroyed.
At 161 st St. walk E. four blocks to the beginning of the
Grand Boulevard and Concourse. Here, facing southward,
stands the Heinrich Heine Fountain, by Ernest Herter
(1846—).
The monument, of white marble, consists of a female figure. Die
Lorelei, heroic size, surmounting a pillar. (.^n three sides of the
pillar are low reliefs: i. Heine; 2. A Sphynx holding a Young Man
in her arms; 3. A Young Ms[n killing a Dragon. The pillar stands on
a large marble base, ornamented with various aquatic animals. A large
basin surrounds the whole group. It was presented by the German-
American Societies of New York in 1900.
Just N. of the Heine Fountain is a statue of Louis J.
Heintz, "to commemorate the Founding of the Progress and
Prosperity of the Bronx."
Returning to Jerome ave., either walk or take trolley N.
to Featherbed Lane.
According to tradition, this street gets its name from an episode
of the Revolution, when*the Americans, surprised by the British, were
rescued by the women of the vicinity, who spread featherbeds along
the lane and deadened the noise of the retreat.
One block W. on Featherbed Lane, cor. of Macomb's
Road, is the Townsend Poole cottage, dating from 1782. The
date is affixed on the stone wall in iron figures, reading back-
wards. This cottage was for ^ time the lodging house of the
Esquimaux whom Lieut. Peary brought from the far North.
Continue W. to University ave. (formerly Aqueduct ave., be-
cause for part of its extent it follows the line of the old
Croton aqueduct). Here a trolley may be taken northward
to the New York University, removed here from Washington
sq. in 1894 (PI. XI— B4).
New York University
♦New York University, situated at University Heights,
on the E. bank of the Harlem River, may be reached in
a number of different ways: Broadway subway to W. 181 st
St. change to University ave. trolley across Washington Bridge
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CENTRAL BRIDGE TO VAN CORTLANDT PARK 361
to comer of University Campus at University ave. and 181 st
St., Bronx; or, Broadway subway to 207th st., by foot across
University Heights Bridge, by private path to the right, about
ten minutes walk ; or, by 2d or 3d ave. elevated to E. 177th st.,
change to trolley, to corner of University and Burnsides aves. ;
or, by West Farms Subway to 149th st., then by trolley to cor-
ner of University and Burnsides aves. (For down-town
branch at Washington Square, see p. I75)
The University must not be confused with the College
of the City of New York (p. 344), which is an entirely
separate institution, situated on the Manhattan side of the
Harlem River, a couple of miles further S.
This university was founded in 1830 and was a pioneer in offering
training for engineers, architects, teachers, and business men on the
same basis as classical training. When in 1838 the law school was
started, the idea that a lawyer could obtain his training in any othet
way than as clerk in an attorney's office was so novel as to cause oppo-
sition from some members of the bar. Later on the law school lapsed
for a few years. A medical school was started in 184X in connection
with the university, though not brought under its full jurisdiction for
many years. The faculty of the medical school secured the passage of
a legislative act in 1853, legalizing the dissection of dead bodiesj whvch
up to that time had been held a felony. Although the university
specialized in science, yet in the early years the majority of the gradu-
ates were ministers or lawyers. The present high status of the insti-
tution is due to Henry Mitchell MacCracken, Chancellor 1891-1910.
Under his guidance the schools were re-organized, other schools were
opened, an endowment was raised, the new home University
Heights was acquired, buildings raised, the present eleven-story building
on Washington Square put up, the library enlarged, and the number
of students increased to over four thousand. The university now ranks
twelfth in size among American universities.
The buildings on University Heights are best known from
the *Hall of Fame, a circular granite colonnade 500 ft. in length
sweeping around the Memorial Library and its adjacent halls,
the gift of Helen Gould. On bronze tablets are placed the
names of great American statesmen, jurists, soldiers, scien-
tists, septemi, teachers and authors, the names being selected,
five every five years, by a committee of one hundred promi-
nent persons. Statues of the men have been placed above the
tablets in some cases. From the Hall of Fame a fine Viev/ is
obtained of the Harlem River, the heights of Fort George,
Fort ^ Try on and Inwood Hill. A tablet on Chemistry
Building commemorates "Fort No. Eight," while about 80
yards to the S. W. a large stone under a tree marks the exact
site of the battery. Founders' Monument on the campus is built
of material from the original building. Gould Hall, the dor-
mitory, is on the E. of the campus. The campus covers abjut
40 A. The fraternity houses, professors' residences and pri-
vate dwellings to the north form a delightful suburb.
u
362 RIDER'S NEW YORK CITY
To the N., the Webb Academy and Home for Ship Build-
ers (PI. XI — B3) Sedgwick ave. and i88th St., supports aged
and indigent men of the United States who have worked on
the hulls of ships or marine engines for such ; and their lawful
wives or widows; also provides gratuitous education in ship-
building and marine engine building. This institution was^
established by the will of W. H. Webb, a shipbuilder. On
the front is affixed a figurehead taken from an old bark.
The large institution beyond is the Roman Catholic Or-
phan Asylum (PI. XI — B3) at Sedgwick ave. and Kings-
bridge Road. It receives orphans between 3 and 10 years of
age and houses a thousand inmates. It is on the site of
Revolutionary "Fort No. Five"
The asylum was organized in 1817 and> incorporated under its
present name in 1852. It formerly occupied two entire city blocks,
north of St. Patrick's Cathedral, the building allotted to boys standing
on the block between 5th and Madison aves., and that for girls on the
block between Madison and 4th aves.
University ave. ends at KingsbridgC Road, almost in face
of the Fordham Manor Dutch Reformed Church, which re-
places an earlier structure dating from 1706. Here took place
the funeral of Virginia Poe, the wife of the poet; and here
for a time she lay buried. Diagonally opposite is the Hebrew
Infant Asylum of the City of New York (organized 1832).
This institution is **for the. care of orphaned children of Jewish
birth from infancy to five years of age; for those left without proper
guardianship, or with a parent unable to care for them."
Continuing E. on Kingsbridge Road, we reach, at the
N. W. cor. of Jerome ave., a huge armory, now almost
completed (Pile her and Tachau, architects). It is to
be occupied by the 8th Coast Artillery, now at Park ave. and
94th St. The building, when finished will be the largest and
best equipped armory in the world.
The 8th Coast Artillery has a long and praiseworthy history. It
was organized in 1786, and is the oldest military organization ^n the
United States. It served in the War of 181 2, the Civil War, and the
Spanish War. It performed service for the State in the Flour Riot,
1826; the Stone Cutters' Riot, 1833; the Great Fire, 1845; *^® Astor
Place Riot, 1849; the Police Riot, 1857; the "Dead Rabbit''^ Riot, 1857;
the Sepoy Riot, 1858; the Draft Riots, 1863; the Orange Riot, 1877;
the Syracuse Railroad Riot, 1877; the Brooklyn Street Car Strike,
1895.
Further E., at the intersection of the Boulevard and
Kingsbridge Road at 1926 st. is Poe Park (2.3 acres) and on
Kingsbridge Road, opposite the park, and directly across from
the Poe memorial, is Poe Cottage where Edgar Allan Poe
lived from 1846 to 1849 and where his invalid wife, Virginia,
died.
- CENTRAL BRIDGE TO VAN CORTLANDT PARK 363
It was here that several of Foe's best-known poems were written,
including "Annabel Lee," "Ulalume," and "Eureka." The memorial
in the park, facing the cottage, is a Bust of Foe, modeled by Robert
William Gibson (1854 — ) and erected by the Bronx Society of Arta
and Sciences on the centenary of the poet's birth, January 19, 1909.
The visitor may now retrace his steps to University ave.
and take a north-bound University ave, car, which, after
skirting the Jerome Park Reservoir (which occupies the site
of the former famous Jerome Park Race Track), curves
down hill to the W., stopping within a few minutes' walk of
Van Cortlandt Park.
♦Van Cortlandt Park may also be reached directly in
any of the following ways: By Broadway subway, cars
marked Van Cortlandt; or 6th or gth ave. elevated to I55th
St., change to Putnam Division of N. Y. C. R. R. The park
(1132 acres) is now one of the cit3r*s chief playgrounds, being
supplied with motor roads, horseback roads, tennis grounds,
golf links, skating, ball fields, etc. The Van Cortlandt Man-
sion near entrance from subway is now a museum (free ex-
cept Thursday afternoon, when a charge of 25c is made and
tea served in the Colonial kitchen). Open 10 to 5; on Sundays
and holidays 2 to 5. The house is under the care of the
Colonial Dames. ("Historical Sketch of the Van Cortlandt
House," 25c. (not good as catalogue of its furniture) ; "The
Story of Van Cortlandt Park,*' 25c.)
The house was built in 1748 by Frederick Van Cortlandt. An
inscription on the wall commemorates the fact. Among the distin-
guished ^ests entertained in this house were: The Duke of Clarence
(later JKmg William IV), Rochambeau and Washington. The latter
stayed over night at least twice: i. In 1781, prior to his setting forth
to Yorktown; 2. November 12, 1783, before crossing King's Bridge to
enter New York. The room he occupied on the second floor is still
known as the Washington Roiom. During the Revolution the head*
quarters of the Hessian Jaegers was situated here. One tragic scene
connected with the iiouse was the death of Captain Rowe, an officer
of the Jaegers, who had been mortally wounded in an engagement in
the Tippett Valley, and who died in the arms of his betrothed. Van
Cortlandt Lake dates .from 1700, having been formed by throwing an
embankment across Tippett's brook, called by the Indians Mosholu.
The house is built of rubble stone, with brick about the windows.
Above the windows are corbels, quaint carved faces, probably brought
from Holland. Some of the window panes look like ground ^lass.
These are the original panes, which have changed from ordinary
transparent glass, and remind one of the old glass on Beacon Hill,
Boston, which has turned purple in the course of time. The house
has been refurnished in ancient fashion. The Parlor, on the
right of entrance, contains a fireplace with a curious iron back-piece
representing the fall of Adam and Eve. The Dining Room across
the hall contains a fireplace surrounded by blue tiles brought from
Holland, much pewter and oak furniture. The Rear Room is> used
for temporary exhibits. In the Kitchen in the basement, notice the
dresser filled with pewter, the three-cornered china closet^ the settle,
the flintlock gun over the fireplace, and the cooking utensils. On the
364 RIDER'S NEW YORK CITY
second floor, the bonnet boxes in the Hall over the cupboard were
made by hand. The Bedrooms 'contain quaint clothes, quilts, bed-
steps, spinning wheels, etc. Notice the curious cradle marked "Jacob
Hopp." In the Grounds to the south of the house is a beautiful,
formal Dutch garden. Directly behind the house is a statue of Major'
General Josiah Porter, presented by the National Guard, State of New
York. To the East stands a portion of wall, enclosing a small barred
window from *'Su£ar-house Prisqn,'* an old warehouse formerly stand-
ing in the citv in Duane street, built in 1763, and used by the British as
a prison for American soldiers. It was presented by T. J. Oakley Rhine-
lander to the Colonial Dames. The guns on either side were found at
Fort Independence, just W. of Jerome Park Reservoir, and presented to
the Colonial Dames by William O. Giles. To the north rises Vault
Hill, where the family vault was situated. It was in this vault that
the City Records of New York were hidden and preserved throughout
the Revolution.
III. The Bronx: Middle Section
(From Mott Haven to Crotona Park)
This excursion, following in the main the line of 3d Ave., may^ be
covered by a good pedestrian in about ij^ hours. It offers few points
of interest to the ordinary tourist; but it should appeal to the student
of modern sociological conditions, because it takes him through the
heart of what is probably the most rapidly developed business and
residential section to be found in any American city. (The starting
point may be reached by Bronx Subway, 3d Ave. Elevated R. R. or
Grand Central trains to Mott Haven.)
The visitor who crosses the Harlem River, by the 3d
Ave. Elevated, may look down to the E. on the extensive
R. R. freight yards, formerly the site of the home of the
Jonas Bronck, whose name the Borough bears.
Proceeding N. on 3d Ave., we reach at S. E. cor. of
136th St. a venerable wooden mansard-roofed dwelling, the
Mott Mansion, once the home of Jordan L. Mott, founder
of Mott Haven (1798-1868). It is now used as a two-tene-
ment house. At 140th St. we turn E. two bjocks to St. Ann's
Ave., then S. to St. Ann's Episcopal Church, erected in 1840
by Gouverneur Morris in memory of his mother, Ann Carey
Randolph of Roanoake, Va., a lineal descendant of Poca-
hontas.
The church is a simple specimen of English Gothic, and stands
some distance back from the street. In the crypt are vaults containing
the remains of many distinguished members of the- family, including
Gouverneur Morris. The Gouverneur Morris mansion, only lately
destroyed, stood at the S. E., at Cypress Ave. and 130th St. It was
from the Morris family that the village of Morrisania received its
name.
Returning to 3d Ave. we reach at 146th St., the Mott
Memorial Dutch Reformed Church, an unpretentious struc-
ture in semi-circular Gothic, erected by Jordan L. Mott about
1849. Three blocks further N., where 3d and Westchester
MOTT HAVEN TO CROTONA PARK 365
Aves. intersect, is the center of the Bronx theatre and shop-
ping district; also it is the point of transfer between the
Bronx Park subway and the 3d Ave. Elevated R. R. Two
blocks E. on 149th St. stands the Bronx Opera House;
N. E. on Westchester Ave. is Keith's Royal Theatre; one
block W. on 150th St., cor. of Melrose Ave., Keith's Bronx
Theatre. On the block bounded by 3d., Westchester and Ber-
gen Aves. and 149th St., is the extensive department store of
the Adams-Flanagan Co.
In the triangle formed by 3d and Brook Aves. and 161 st
St., stands the Bronx Court House, of Brookville, Maine,
granite, erected in 1906 from plans by Michael /. Garvin.
Facing S. above the main entrance, is a seated female figure
in granite, heroic size, symbolizing Justice; in her right hand
she holds a sword, and in her left is a law-code.
Boston Road which branches N. E. at 164th St. brings us,
at i66th St., to the Morris High School, an imposing struc-
ture of buff brick, gray lime-stone and white granite, occu-
pying, with its adjoining playground, the entire city block
bounded by i66th St., Jackson Ave., Hone St. and Boston
Road.
The massive, square, Victorian tower has been much admired, and
forms a landmark which can be seen for miles from many parts of the
Bronx. The school contains two mural paintings by Edward W. Detn-
ing: i. Gouverneur Morris addressing the Convention; 2. The Treaty
between the Indians and the Dutch at the House of Jonas Bronck in
1642.
At 169th St., Boston Road passes McKinley Square, in
the center of which is a triangular enclosure, containing a
flag-pole with tablet, in memory of the three "Martyred
Presidents, Lincoln, Garfield and McKinley"; also a Civil
War mortar and cannon balls and a bronze tablet com-
memorating the destruction of the Maine in Havana Harbor,
Feb. 15th, 1898, the tablet being cast from metal recovered
from the battle-ship.
One block N., Crotona Ave. branches off to the L., pass-
ing presently through the middle of Crotona Park (1545^
acres), a favorite Bronx playground, containing tennis courts,
croquet grounds and fields where base-ball is permitted. On
the northern side is the Crotona Athletic Field, containing
a grand stand. It is the property of the Board of Education,
and is open to pupils of the N. Y. public schools from 9 A. M.
to 6 P. M. on Sat, Sun. and Holidays ; and from 3 to 6 P. M.
on school days. Adjoining the N, W. cor. of the Park is the
recently erected Muncipal building.
366 RIDER'S NEW YORK CITY
IV. Bronx Park : The New York Zoological Park
**The New York Zoological Park (PI. XI— D3-4), the
most complete zoological park in America and one of the finest
in the world, is located in Bronx Park. It is under the manage-
ment of the New York Zoological Society, although the City
of New York co-operates in its maintenance. The net profits
from everything in the park to which a charge is attached
and all admission fees, go toward the purchase of animals,
by special permission from the city. The City of New York
provides funds for maintenance. All other expenses are
borne by the Zoological Society. It is open daily including
Sundays from 9 a. m. (Nov. i to May i, 10 a. m.) to half an
hour before sunset. Mon. & Thurs., adults, 25 cents; chil-
dren 15 cents; other days free. Reached by Bronx sub-
way to i8oth St. or 3d ave. elevated to Fordham station. An
entrance is located in each corner, Boston Post Road Entrance
(S. E. cor.) Crotona Entrance (S. W. cor.), Fordham
Entrance (N. W. cor.), Concourse Entrance (N. E. cor) and
two others on the E., Bronxdale Entrance and Buffalo
Entrance. The concourse, Bronxdale and Boston Post Road
entrances are open to vehicles. The latter two are on Boston
Post Road, from which one has a view of the Buffalo Range.
From the Concourse vehicles may reach Baird Court,
No vehicles are allowed in the center of the Zoo where the
animals are housed. This part must be visited on foot. Wheeled
chairs may be obtained at the entrances or at the Service Building
25 cents an hour, with attendant 50 cents. Report lost or found
children or property at the Service Building. The Rocking Stone is
a large boulder so poised as to be moved slightly by pressure on
the northern angle. Rocking Stone Restaurant is near the bear
dens. Boat house Restaurant, on Bronx Lake, 182nd st. and
Boston Road, serves a la carte and table d'hote Sunday antd
holiday evenings. Electric Launches make regular trips betw. the
Boathouse and Bronxdale Landing; round trip, adults 10 cents,
children s cents.- Rates for three-person rowboats: round-bottomed, 3Sc.
and flat-bottomed, 35c. per hour. "Guide book," 2Sc.
The first building of the New York Zoological Park was begun
in 1898. The grounds contain 204 acres of land and 30 of water.
The animal collection numbers 4827 mammals, birds and reptiles. The
object of th^ society is to secure herds of American animals and
flocks of American birds and place them, in ranges that will reproduce
their native haunts, where they will live and breed. The unusual
timber growth which covers much of the Park includes oak, tulip,
sweet gum, hickory, beech, sassafras, maple, wild cherry, hornbeam,
dogwood, tupelo, hemlock, cedar, and other species. In 19 12 the
number of visitors was 1,708,455. Curator, William T. Hornaday. ,
Among the smaller animals and birds, the locations in the buildings
are sometimes changed on account of new specimens, loss, change of
season, and new buildings, so that while this description follows the
BRONX PARK ZOOLOGICAL GARDEN 367
general arrangement, minor changes must be allowed for. No attempt
is made in this brief description to record the many generous donors
to the collection.
Since the greatest number of visitors enter the Park
from the Boston Post Road Entrance near the Bronx Park
subway terminus, the description follows a course beginning
at that gate, passing soon to the W., then N. and returning S.
through the center of the park. Visitors are warned not to
stand close to the wire fences, as they are elastic and a
charging animal is able to deal a person close by the fence a
serious blow. Feeding times are: Lions and Tigers, 2 p. m. ;
'Monkeys, 2 130; Wolves and Foxes, 3; Bears, 3.30.
Soon after entering, the visitor ascends a few stone
steps, whereupon the path divides N. and W. Formerl- there
was nothing of interest on the lower path until the Antelope
House was reached. Recently, however, a new building has
been erected connected with ranges for the Elahd (Tauro-
tragus oryx); the Yak (Pocphagus grunniens) ; and several
of the larger birds, including the Ostrich, the Emu, the Man-
churian Crane and the White-Necked Crane. It will be found
more profitable, however, to turn N,, passing on the L. the
Bison Range, containing the American Bison or Buffalo (Bos
atnericanus) .
The Buffalo House is arranged so that visitors can walk out
on the roof from the upper path and obtain a nearer view of the
animals. The herd numbers about 40. The American Bison was
formerly found all over the western prairies. The transcontinental
railroad built in 1867 cut the animals into two herds, both of which
were rapidly depleted by huntefs. About 2000 buffaloes are protected
in private preserves, but of the wild ones are left only about 20 in
Yellowstone Park and 300 to the south of Great Slave Lake.
Two Specimens of the rare and almost extinct European
Bison (Bos bonasus) were acquired from a small captive
herd in the forest of the Prince of Pless in Silesia, Germany.
One of these still survives in the corral near the Buffalo
entrance.
N. of the Bison Range is the Lydig Memorial Arch,
designed by Heins and La Farge.
The gateway consists of two massive pillars, surmounted by an .
arch of ornamental wrought-iron work. It was erected in memory of
Philip Mcsicr Lydig and Catherine Suydam Lydig by their daughter,
Florence Lydig Sturgis, in 1903. The inscription explains that "These
lands became the home of the Lydig family A. D. 1802, and by them
these forests were preserved and protected until acquired by the city,
A. D. 1888."
Following the path to the W. through the Lydig Arch,
368 RIDER'S NEW YORK CITY
Mountain Sheep Hill lies to the North. This piece of rock
turf, with shade and rock caves, is an- ideal home for the
animals.
The hill is divided into six enclosures, containing usually: Suleiman
Markhor; Arcal Mountain Sheep iOvis cycloeros), inhabiting the moun-
tains of northern India, Tibet, Afghanistan, Beleuchistan and southern
Persia (in small-deer house in winter) ; the Monflon (^Ovis musimon)
or Wild Sheep of Sardinia (in small-deer houses in winter); the
• Persian Wild Goat; the Himalayan Tahr (Hermitragus jemlaicus),
native to the Himalayas, but bred here in diis park; the Aoudad iOvis
tragelaphus) or Barbary Wild Sheep, native to Northern Africa. The
largest male was born here in 1902. At times the Big-horned Mountain
Sheep iOins canadensis) from the Rocky Mountains, and the Burrhel
(Ovis burrhel) from Northern India are on exhibition, but both species
are delicate and do not live long in this climate.
The Antelope House beyond Sheep Hill, to the S. of
the path, contains 24 compartments, all but one of which
have their spacious yards.
One of the most interesting occupants is the Nubian
or three-horned giraffe (Giraffa camelohardalis) , which came
from German East Africa. Among the antelopes, the Eland (.Tauro-
tragus oryx) is the most interesting. They were formerly plentiful in
Rhodesia and other parts of Africa, but are now almost extinct. The
house contains also the Leucoryx Antelope (Oryx leucoryx), from the
African desert, but breeding in captivity; the Beisa Antelope {Oryx
heisa), with straight horns; the Beatrix Antelope (Oryx Beatrix), a rare
si)ecies from the Arabian desert; the Sable Antelope {Hippotragus
niger), a creature of remarkable beauty; the Blessbok (Damaliscus
albifrons)t a purple and white antelope formerly common in South
Africa, but now nearly extinct; the Nilgai {Portax tragocamelus) , from
central Hindustan and northern India. This house contains also speci-
ments of the gnu: the White-tailed Gnu (Connochaetes gnu), formerly
abundant in South Africa, and the White-bearded Gnu (Connochaetes
albojubatus) , found chiefly in German East Africa and the southern
part of Uganda. •
The Small-Deer House is beyond the antelope house
to the west, with 30 compartments, which can be sub-
divided into 60 and 34 outside connecting corrals. This
house is specially adapted to the needs of small animals,
which suflFer from exposure and injury when placed in the
ranges.
These small animals are usually short-lived, but the house
generally contains the following species: the Osceola White-tailed
Deer (Odocoileus virginianus osceola), native to the southern
part of this country the Sinaloa White-tailed Deer (OdocoUeu^
sinaloae), from Mexico; the Marsh Deer {Blastoceros paludosus), from
Brazil; the Black-faced Brocket {Masauma tema), a very rare deer
from South America; the Hog Deer iCervus porcinus), from India,
beautiful despite its name; the Molucca Deer iCervus molucceniis),
from East India and extremely unlike a deer: the Muntjac or Rib-
faced Deer {Cervus muntjac), named from the bony formation-like ribs
in which its horns continue across its face, and also called the Barking
Deer from its curious cry; and the Musk Deer iMoschus moschiftnU),
The small antelopes are represented by the Black-Buck, or Sasin Ante-
lope iAntihpe cervicapra), from the central plains of Hindustan; the
BRONX PARK ZOOLOGICAL GARDEN 369
Reedbuck iCervicapra arundinum), from South Africa; the Coitlmoii
Duiker Antelope {.Cephalophus grimmt), a very small African antelope;
the Four-Horned Antelope (Tetraceros quadricornis) , from India, with
an extra pair of horns; and the Springbuck iAntidorcas euchore)^ from
South Airica» named from its habit of springing into the air when
running. The gazelles are represented by the I)orcas Gazelle (Gajsella
dorcas), from Arabia, and the Indian Gazelle (Gasella benneti)^ from
the ravines ' of India. Among the unrelated groups housed here are
the wild swine and the Kangaroos. The former are represented by the Red
River-Hog iPotamochaerus pencillatus), a good-loolcing West African
animal; the East African Wart-Hog iPhacochaerus aethiopicus)^ of
unprepossessing appearance, and the Collared Peccary iTagassa angu-
latum). The Kangaroos and Wallabies are from Australia.
The Prairic-Dog Village is to the north of the Small-
Deer House. This animal is also called the Prairie Marmot
{Cynomys ludovicianus) ^ and is noted for his happy disposi-
tion. The village contains about 50 inhabitants.
The Corral of the Mountain Goat is beyond the Small-
Deer House to the West. This Goat (Oreamnos montanus),
called also the White Goat, 6r White Mountain Goat, is found
on high mountains scattered from southwestern Montana to
Alaska. Two of the animals exhibited were bred in the park.
They properly belong on Sheep Hill, but the location is un-
suited to their health.
Turning from the path we are following for a brief
expedition along the shore of the Wild Fowl Pond, we find on
our left the Pheasants* Aviary,
The collection includes the Amherst Pheasant iChrysolophus am-
herstiae)t with its enormously long tail, breeding well in captivity; the
Golden Pheasant (Chrysolophus pictus)^ native to western and southern
China, but now thriving on the western coast of America; the Silver
Pheasant (Gennaeas nycthemerus), originally of China, but easly domes-
ticated; the Reeves Pheasant iSyrmaticus reevesi) , irom northern China,
also long-tailed; the Soemmerring Pheasant {Phasianus soemmerringii) t
called also the Copper Pheasant from Japan; the true Ring-necked
pheasant (P. ttorquatus), introduced into Great Britain and the continent
from southeastern Europe and Asia Minor; the Argus Pheasant {Argus-
iantts argus)f from the jungles of Borneo, Sumatra and the Malay
Peninsula; and the Impeyn Pheasant (Lophophorus impeyanus), from
the heights of the Himalayas. The second story of the aviary is de-
voted to Doves and Pigeons.
Along the edges of the Wild-Fowl Pond ducks and
geese build their nests, lay their eggs, and raise their
young.
Among the varieties are: the Mallard Duck (Anas platyshynchos),
the drakes distinguished by the iridescent green on their heads; the Pin-
tail Duck (Dafila acuta), colored soft brown and gray; the Gadwall
iChaulelasmas strepera), gray; the Baldpate (Mareca americana); the
Shoveller (Spatula clypeata), with its huge bill; the Canvas-back
(Marila vallisneria) ; the Red-Head (M. americana) ; the Lesser Scaup
(Marila affinis) ; the Paradise Sheldrake (Casarca variegata) , of Aus-
370 RIDER'S NEW YORK CITY
tralia; the Ruddy Sheldrake (Casarca casarca), lieht chestnut in color;
the Common or Tadoma Sheldrake iTadorna taaorna), and the Man-
darin Duck (Aix galericulata) .
Nearby is the Otter Pool, containing the American
Otter (Lutra canadensis).
In the northern part of North America the otter develops beautiful
fur, for the sake of which it has been almost exterminated by trappers.
In the south f where the fur is lighter and coarser, the animal has been
allowed to live. In captivity the otter becomes almost a pet animal,
although always restless and active.
Retreating our steps, we find the Camel House close
by Crotona Entrance, containing two specimen of the
Bactrian Camel (Camelus bactrianus), covered with long
shaggy hair in winter. One of them, during fine weather, is
stationed at Baird Court, to be ridden by visitors. The
Dromedary or Single Humped Camel (Camelus dromedarius)
is also housed in this building.
The Llama House, directly to the north, contains the
cameloids from South America. These species are so named
from their close relation to the camel family.
The specimens include the Llama (JLama glama), used as a beast
of burden; the Alpaca {Lama pacos) .bred for its wool; and the Vicunia
iLama vicunia), native to southern Ecuador, Peru and central Bolivia.
The Elk Range lies to the north of the Llama
House.
The American deer which it is possible to preserve for any length
of time in New York are the three kinds on exhibition here : the American
Elk or Wapiti iCertms canadensis), second in size to the moose only,
the males adorned with branching antlers which drop off in summer,
renewing themselves each year; the Mule Deer iOdocoileus hemionus),
taking its name from its large ears and called also the Jumping Deer
from its galloping jumps when running; and the White-Tailed Deer
(Odocoiieus virginianus) , still common in our forest regions.
The Fox and Wolf Dens are opposite the . Elk Range,
built along a granite boulder fringed with bushes.
The three most prominent species of foxes are: the Red Fox iVulpes
fulvus), with its two subspecies, the Cross Fox (Vulpes fulvus decus-
satus), and the Black Fox (F. /. argentatus), erroneously called the
Silver Fox, found nearly all over America north of the southern states;
and the Gray Fox iUrocyon virginiaus), living in the southern states
and peculiar in its ability to climb trees. The Gray Wolf iCanis nubilis)
is white in the north, black in Floriat, in British Columbia black or
white or gray, and even occasionally in Texas, red. In unsettled parts
of the country this creature is still a dangerous animal and the especial
enemy of stock-raisers. The Coyote or Prairie Wolf {Canis latrans),
in distinct contrast, is a coward, living by his wits.
The Zebra House lies to the N. of the Elk Range, at
the entrance to the service road.
^]
BRONX PARK ZOOLOGICAL GARDEN 371
It contain*^ generally specimens of the Prjevalsky Horses (.Equus
prjevalskii) f small, wild horses from Mongolia, especially interesting to
zoologists as the connecting link between zebras, quaggas, etc., and the
domestic horse; the Mountain Zebra {Equus sebra), a nearly extermin-
ated species from Cape Colony; the Grevy Zebra (Equus grevyi), from
Abysstnia and British East Africa; the Grant Zebra (Equus burchelli
granti), the commonest type; the Chapman Zebra (Equus burchelli
chapmani): and the Persian Wild Ass (Equus persicus), native to
Persia and Syria.
Deer Ranges occupy the entire northwestern corner of
the park. First, next to the Zebra House comes the Red
Deer (Cervus elaphus) Range. The game preserves of
Great Britain and Europe . are stocked with this species.
The subdivided range beyond contains various species of
Asiatic Deer. The Axis Deer {Axis axis), an extremely
beautiful tropical deer, occupies a range near Fordham
entrance.
In the north central portion of the grounds are grouped
a number of bird quarters under the name, Bird Valley;
here are the Duck Aviary, the Flying Cage, the Aquatic Bird
House, and, in Baird Court, the Large Bird House. The
Canadian Geese make their home in Cope Lake, The Goose
Aviary, formerly the Duck Aviary, is now given up to geese
and swans, the ducks having been removed to Wild Fowl
Pond.
The Goose Aviary consists of a pond with two islands divided
into twelve enclosures, usually containing about twenty of the thirty-
five known species of geese. Among them are the Common Wild, or
Canadian Goose (Branta canadensis), llow rare instead of common;
the African Spur-winged Goose (Plectropterus gambensis), named from
the long spur on the bend of the wing; the Gray-Lag Goose (Anser
anser), the original of the domesticated goose; the White-Fronted
Goose (Anser albifrons)^ the handsomest of North American Geese;
and the Bar-headed Goose (Eulabia indica), from the mountains of
central Asia. Of the seven varieties of swans, six are usually on exhi-
bition: the Mute Swan (Olor), the common swan, with a black knob
at the base of the bill; the Trumpeter Swan (Olor buccinator^,
known by its large size and snowy whiteness; the Black Swan (Chen-
opsis atrata), from^Sotlth Australia and Tasmania, black in color; the
Coscoroba Goose (Coscoroba coscoroba), the link between the goose
and the swan, with long pink legs.
Directly to the south is the Flying Cage, a gigantic bird
cage» 75 ft. by 152 ft. and 55 ft. high, taking in whole trees,
containing water birds.
Amonof them are: the American Flamingo (Phoenicopterus
ruber) t 01 scarlet color, from the Bahama Islands and Cuba; the
European Flamingo '(P. roseus), white, with pink wing coverts; the
Scarlet Ibis (Guara rubra), vermillion in color, found now chiefly on
the banks of the Orinoco; the White-faced Glossjr Ibis (Plegadis gua-
rauna); the Wood Ibis (Tantalus loculator), with black and white
plumage, from Florida; the White Stork (Ciconia ciconia), the stork
of Germany; the Great Blue Heron (Ardea herodias), from the
372 ' RIDER'S NEW YORK CITY
northern marshes; the Great White Heron (Ardea americana), from
southern Florida, exceedingly rare; the Little Blue Heron {Florida
caerulea), from Florida; the Louisiana Heron (Hydranassas tricolor
ruficollis). dark blue, with chestnut brown on the sides of neckp in
Central America and the Southern states; the Black-Crowned Night
Heron (Nycticorax nycticorax naevius), common in this vicinity: the
Snowy Heron or Snowy Egret {Egretta candidissima) , the most beau-
tiful white bird in the world, almost exterminated for the sake of the
fashionable egret worn on hats; the American Egret (Herodias egretta),
likewise slaughtered during the breeding season for its plumage; the
White Pelican (Pelicanus erytkrorhynchos) , large, with pure white
plumage and amber bill; and the Brown Pelican (Pelecanus occider^
talis). *he tamest of the birds, especially amusing at feeding time.
Directly to the south is the Aquatic Bird House, for the winter
housng of aquatic birds. The outside • cages contain owls; the
Giant Ea^le Owl iBubo bubo), from continental Europe, breeding well
n captivity; the Milky Owl iBubo lacteus), very rare, soft gray in
color; the Great Horned Owl (Bubo virginianus) , distinguishea by its
feather horns; the Snowy Owl {Nyctea nyctea), from the arctic re-
gions, kept in a cool i:ellar during summer; the. Screech Owl (^OtUA
asio), common to this vicinity; and the Barred Owl iSyminm vanum),
appearing in the daytime oftener than most owls.
Still further to the south is the Eagle and Vulture Aviary
with seven large flight cages, six smaller ones and a brick
building for winter quarters.
The finest specimens are: the Condor (Sarcorhamphus gryphus),
from the Andes, with a wing spread of over nine feet; the
King Vulture iGypagus fapa), native to Mexico, Central and northern
South America, body white, cream-yellow and black, head orange, pur*
pie and crimson; Black Vulture (Catharista urubu), common in our
Red-Tailed Hawk {Buteo boreaUs)^ called the Hen Hawk or Chicken
Hawk, migrates to the south in winter; the Harpy Eagle (Thrasaetus
harpyia), from South America, with unusually large claws; the Lam-
mergeyer or Bearded Vulture {Gypaetus barbatus), found in Asia;
the Golden Eagle iAquila chrysaetos), a cliff dweller in Scotland and
North America; the Bateleur Eagle (Helotarsus ecaudatus) , from Africa;
the Bald Eagle iHaliaetus leucocephalus), our National emblem; the
White Gyrfalcon (Falco islandus), from the far north; the White-
Breasted Sea Eagle (.Haliaetus leucogaster)^ from the East Indies;
and the Vulturine Sea Eagle (Gypohierax angolensis), from Africa.
A Pony Stand is arranged between the Aquatic Bird House and
the larger Bird House, where children can obtain rides.
The Large Bird House stands at the N. W. corner
of Baird Court. This is the largest bird house in exist-
ence, built on the theory that birds thrive best in flocks
in large cages. The death rate in this building is remarkably
low. The main hall, running E. and W., contains in the
center a Flying Cage, with running water and small trees.
Among the birds here, identified by the pictured labels, are
the Wood Duck, the Mandarin Duck, Black Skimmers, Common and
Sooty Terns, Teal, Curlews, Gallinules, Coot9, Lapwings, Snipe, Rv^s,
Quail, Francolins, Senegal, Turtle, Wonea-wonga Pigeons, Doves,
Skylarks, Robins, Orioles, Cardinals, Woodpeckers, Java, Fox, Tree,
BRONX PARK ZOOLOGICAL GARDEN 373
and other Sparrows and Weavers. On the N. side of the Main Hall
are tropical birds, the most beautiful of which is the Greater Bird of
Paradise (JParadisea apoda). The W. sides of both the Main Hall and
the Wing are given up to cages of Tropical Pigeons and Doves, of
which the Bleeaing Heart Pigeon {Phlogoenas lusonica)^ in which the
illusion of a wound often deceives visitors into the belief that the
bird has been injured. The S. side of the Main Hall houses miscel-
laneous tropical birds, among which are noticeable the Great Crowned
Pigeons, Concave-Casqued Hornbills, Toucans. The cry of the Giant
Kingfisher of Australia has given it the nickname, the laughing
Jaclrass. In the angle of the Main Building is a Glass Court, in which
are found the twenty-one families of eastern North American perching
birds: Flycatchers, Swallows, Wrens, Mockingbirds and Catbirds,
Thrushes, Kinglets, Vireos, Waxwings, Shrikes, Chickadees, Nut-
hatches, Brown Creepers, Tanagers, Warblers, Pipits. Horned Larks,
Sparrows, Honey Creepers, Blackbirds and Orioles, English Starling,
Crows. In the circular outer flyinsf cage are Robins, Bluebirds and
Jays, Thrushes and Woodpeckers. The Wing extending S. is Parrots'
Hall, and among the dwellers are the Blue and Yellow Macaw, the Red
and Blue Macaw, and the Green Macaw, Parakeets, Cuban Parrots and
Cockatoos. In the outside cages on the W. side are Ravens, Crows,
Jays, Magpies, Blackbirds, Meadowlarks, Cowbirds, Crackles, Yellow-
shs^ted Flickers and Red-Headed Woodpecker.
The Sea-Lion Pool is in the center of the Baird Court. The Cali-
fornia Sea-Lion or Barking Sea-Lion (Zalophus calif ornianus\ is a
lively and interesting creature. The Harbor Seal (Phoca vitulina) is
common alomg the Atlantic coast. The fur-bearing animal usually
called a fur-seal in reality belongs to the sea-lion family, and except
for its fur is similar in appearance to the California sea-lion.
The Lion House is situated in the S. W. corner of Baird Court;
it is 244 ft. long and 115 ft. wide, including the out-of-door cages; cost
$150,000, and is ornamented with animal sculpture by Eli Harvey.
The arrangements for handling the animals, the steel-wire netting in
place of iron bars, and the g^een tiling are extremely satisfactory de-
partures from the usual methods. In the 13 indoor cages are exhibited
to good advantage: Lions; Betigal and Siberian Tigers; a Jaguai
(Felis onea) from Paraguay; Leopards of various types; and Puma,
also exhibited in the Puma House.
The Primates' House, where the monkeys live, is situated
in the S. E. corner of Baird Court. It contains 10 large
cages, 22 small cages, and 11 exterior cages. Some of the
large cages contain groups of monkeys.
The house is well , ventilated. Of the Anthropoid Apes
in the North Hall, the Gorilla has so far proved impossible to keep
long alive in cajjtivity. The Orang-Utan seldom lives many years, but
is docile, affectionate and intelligent; the Chimpanzee (Anthropopi-
thecus catvus) lives longer than the others in captivitv and is easily
trained; several specimens are usually on exhibition. In ths summer
of 191 1, nine apes took their dinner every evening sitting at a table in
an outside cage and eating in a proper manner. The Giboon is a large,
timid ereature, specially noted for its swift flight through the tree tops.
The collection always contains some Baboons, usually a Mandrill and
a Long-Armed Yellow Baboon, both of which endure captivity philo-
^sophically. In the £^oup of Old World Monkeys are some nearly
tailless ones, falsely called apes: the Black Ape, the Margot or Barbary
Ape, the Japanese Red-Faced Monkey and the Pig-Tailed Monkey. Of
the African Monkeys, the following are usually on exhibition: the
White-collared Mangabey and the Sooty Mangabey, famous for their
374 RIDER'S NEW YORK CITY
9
«ood-natured dispositions; the Mona Monkey — quarrelsome: the Green
lonkey — quarrelsome; the Vervet; the Patas or Red Monkey — serious
in mien. Among the New World Monkeys, the best known are the
Sapaiou, with its long tail, freauently accompanied in the out-of-door
world by a hand-organ; the Black Spider Monkey and the Gray Spider
Monkey, difficult to raise; and the Souirrel Monkey, sometimes called
a Marmoset, requiring great care. The Lemurs and Lemuroids from
the Island of Madagascar are related to the monkey family.
The Elephant House, situated to the South of Baird
Court, is planned for the comfort of the huge animals,
with outdoor corrals and both indoor and outdoor bathing
tanks.
The large Indian elephant Gunda, formerly the finest specimen
in the collection, unfortunately developed so vicious a nature that
it became necessary to confine him in painful closeness and later
to put him to death. Two specimens of the somewhat rare
Soudan Elephant (Elephas oxyotis) represent the family to
which belonged the famous Jumbo.- They are still young and
will not attain their full height till 1927. They wander about their cage
in comparative liberty. The African Two-Horned Rhinoceros
(Rhinoceros bicornis) is represented by Victoria a female,
captured in German East Africa and carried, slung from a pole,
a six days journey to the coast on men's shoulders, and thence by
steamer, rail and steamer again she came to the Zoo where she has lived
since 1906 in amicable docility. The Indian Rhinoceros {Rhinoceros
unicornis) is "unbelievably pre-historic." The Hippopotamus {Hippo-
potamus amphibius) from East Africa weighed in 1909, aged five years,
3,114 pounds. He is still growing. The Pygmy Hippopotamus {Hippo-
potamus liberiensis) looks like the previous specimen seen through the
wrong end of a telescope. Three of them have lived in the Elephant
House since their arrival from Liberia in 191^. They cost $15,000.
The South American Tapir {Tapirus terrestris) and the Malay Tapir
{Tapirus indicus) are exhibited here.
The Reptile House is S. and is reached by the Service Road. This
is a large building of mottled brick and granite decorated with terra
cotta casts of reptiles by A. Phimister Proctor. Among the Rodents
exhibited in the Reptile House are some specimens of the Jumping
Mouse, Pouched Rat, Pocket Gophers, Dormice, Domestic Mice, Waltz-
ing Mice, and various varieties of rats. The Turtles are in a large tank
in the main hall, divided into ten compartments. Among those present
are: the Alligator Turtle {Machrochelys lacertind) the largest fresh- .
water turtle in North America; the Snapping Turtle {Chelydra serpen-
tina) a fighter; and the Painted Turtle (Chrysemys picta) a member of
the ordinary fresh-water family found almost everywhere in our
country; The Tortoises are in a glass-roo'fed hall at the eastern end.
The largest of the Giant Tortoises weighs over 235 pounds and is
from the Galapagos Islands in the Pacific Ocean {Testudo vidna).
The Gopher Tortoise {Testudo Carolina) is from Southern Florida.
The South American Tortoise {Testudo tabulata) is much smaller. The
Alligators in winter are in the large tank at the end of the hall
banked with tropical foliage; in summer they are in the Alligator Pool,
southeast of the Reptile House. Here are several specimens of the
American Alligator {A. mississippiensis) , and the Florida Crocodile.
The Tropical Lizards are in the Tortoise Glass Hall, the outside runways
and various parts of the house. Among the larger ones are: the
Mexican Iguana {Ctenosaura acanthura); the South American Iguana
{Iguana tubercnlata) growing as long as seven feetj the so-called
Horned Toad {Phrynosoma) ; the Tegus {genus Tupinambls^, quarrelsome •*
meat-eating and four feet long; and the Australian Monitor {Varanus |
BRONX PARK ZOOLOGICAL GARDEN 375
gouldii) which grow eight feet long and swallow eggs without breakinj?
the shell. Among smaller lizards are: the Green Lizard {Lacerta viri-
dis) strangely vivid; the Glass Snake (Ophiosauris ventralis) which is
not a snake; the Gila Monster (Heloderma susbectum) ; and the Cha-
meleon of the Old World (Chamaeleo vulgaris) in its changeable attire
The N. side of Reptile Hall is lined with glass cases in which Serpents
are di^layed. The Re^al Python iPython reticulatus) on exhibition is
22 ft. in length and weighs 170 pounds. These snakes come from Asia
and Africa. The Rock PytW (Python sebae) of Africa is the one
used by snake charmers. The Anaconda (Eunectes murinus) is an
American snake. The Black Snake (Bcucanium constrictor) is encour-
aged in our southern states because, harmless itself, it destroys harmful
rodents. The Garter Snake (Eutcienia sirtalis) is familiar to all. These
snakes are none of them poisonous; the danger of the first three lies in
their ability to crush. Of the poisonous snakes, the best -known are:
The King Cobra (Naja bungaris) the. bite of which is fatal ; the Cobra-de-
Capello (Naja tripuKans) which' kills some 26,000 persons annually in
India; the Water Moccasin (Ancistrodon piscivorus) found in the
Southern States; the Copperhead (A. contortrix) ; the Diamond
Rattlesnake (Crotalus adamanteus). The Batrachians or Amphibians
are in small aquarium cases along the south side of the hall. These
creatures are halfway between reptiles and Fishes. Among them are
the Bullfrog (Rana catesbiana) , the Common Toad (Bufo lentiginosus) ^
the Spotted Salamander (Salamandra maculosa) which will not live in
flame^ the Water- Dog or Hellbender (Cryptobranchus allegheniensis),
the Congo Snake (Amphiuma means), with tiny legs, and the Meno-
branchus or Mud Puppy (Necturus maculatus). An excellent insect
collection is housed in the Reptile House in winter and in summer in
the Pavilion near the Small-Mammal House.
The Alaskan House and the Totem Pole brought from
Alaska, are placed to the S. W. of the Reptile House, on
the shore of Wild Fowl Pond.
Close by is the Wild Turkey Enclosure holding a fine
flock of this fowl.
Near at hand is the Puma and Lynx House, a log
cabin with two yards. Pumas are kept here as well as
in the Lion House. A pair of Canadian Lynx (Lynx cana-
densis) are on exhibition here.
The Burrowing Mammals Enclosure lies directly S. of
the Puma and Lynx House. It is composed of 15 small *
yards, enclosed by walls reaching to bed rock and covered with
wire netting. The ground is especially adapted to burrowing
and rocks and stumps on the surface reproduce natural condi-
tions.
In the winter the tropical animals are taken into the
Small-Mammal House and the others retire into their burrows
to hibernate till spring. In the summer the following families
will be found among those represented here: the Sewellel
Family by the species called the Mountain Beaver, Farmer or
Showt'l; the Squirrel F?imily and the Rabbit Family.
376 RIDER'S NEW YORK CITY
The Small' Mammal House lies to the E. of the Puma
and Lynx House. This is the winter quarters of manv
of the animals that live out-of-doors in the summer as well
as the permanent home of others. This arrangement makes
the collection something of a mixture. • •
Among the most interesting of the inmates are some cat-like animals:
The Serval {Felts serval) from Africa; the Clouded Leopard (Felis nebu-
losa) a fine and rare specimen of vicious temper from jiorneo; the jun-
gle Cat (F. bengalensis) ; the Ocelot (Felts pardalis) of South and Cen-
tral America; the Margay Cat (F. tigrina) ; the Yaguarundi Cat (F.
yaguarundi) of Southern Texas and Mexico; the Bay Lynx, or Red
Lynx (Lynx rufus), better known as the Wild Cat; the Common Civet-
Cat (,i/iverra zibetha) and the Malayan Civet-Cat (V. mala^censis)
whose presence can be smelled; and many others. The New Mexico
Desert Fox (Vulpes macrotis neomexi'canus) or Swift or Kit Fox pre-
fers to live here rather than in the fox dens. The Arctic Fox (Vulpes
lagopus) which in the extreme north is a white fox all the year round
but further south becomes the well-known Blue Fox, is being extensive'y
raised for fur in Alaska. Amon^ the dog-like animals are the Dingo or
Austrahan Wild Dog (Canis dtngo) looking like a nice yellow cur;
the Red Coati-mundi (Nasua rufa) and the White-Nosed Coati-Mundi
(Nasua narica) more like a Raccoon; the Raccoon Dog (Nycereutes pro-
cyonoides) from Japan. The collection includes a large variety of
Squirrels. Porcupines are represented by the African Porcupine
(Hystrix cristata) and the Indian Crestless Hill Porcupine (H. lonni-
cauda). The Nine-handed Armadillo (Tatu novemcinctum) and the Six-
Banded Armadillo (Dasyptis sexinctus) are among the strangest ani-
mals. The real Ant-Eater (Myrmecophaga jubata) that seems to be
made hindside before and the Tamandua (Tamandua tetradactyla) a
sfialler. tree-climbing ant-eater are weird creatures. The Three-Toel
Sloth (Bradypus tridactylus) and the Two-Toed Sloth (Choloepus hoff-
mani) are sometimes in this house and sometimes in the Primate House.
The Ostrich House is connected with the Small-
Mammal House by a pavilion. The North African Ostrich
(Struthio camelus), known also as the Soudan, is the largest
species. A full-grown male is 8 ft. high and weighs about
300 pounds. It breeds fairly well in captivity. The South
African Ostrich (Struthio australis) is the species with
which the commercial ostrich farms of Arizona and Southern
California are stocked.
The Common Rhea cr South American Ostrich (Rhea americana)
is smaller and difficult to raise in northern latitudes. The two other
large birds of especial interest' are: the Common Emeu (Dromaeus
npvae-hollandiae) from Australia and the Ceram Cassawary (Casxia-
rius casuarius) from the Malay Archipelago. The Secretary Bird
(Serpentaritis serpentarius) receives its name from the illusion of pens
behind its ears. The Brush Turkey or Tellegalla (Catheturus lathami)
of New Guinea arid Australia is notable for laying its eggs in a sunny
spot, covering them with an extraordinary amount of dirt and debr.'s and
allowinp: the heat pf the . sun to hatch them. The Cranes are
found in this house and the Aquatic Birds House. The chief species ♦
are: the Whooping Ctane (Grus americana) the handsomest of the
American species; the Sandhill Crane (Grus mexicana) from the south-
eastern part of the ^Urjited States; the $.arus Crane (Antigone antigone)
from northern India; the Asiatic White Crskne (Sarcogeranus leucoger-
BRONX PARK ZOOLOGICAL GARDEN 377
anus); and the Paradise Crane {Tetrapteryx paradise), the Demoiselle
Crane (Anthropaides virgo) and the Crowned Crane (Balearica pavo-
nina), all three from Africa and all three described by their names.
The Bear Pits are reached by retracing our steps, pass-
ing between the Reptile House and the summer Alligator
Pool. These dens are constructed according to modern hy-
genic ideals of bears* needs and are a great advance on the
old-fashioned bear pit. Visitors are especially requested not
to throw food to the bears at it interferes with their proper
diet and is disastrous to stomach and disposition.
In 191 3, thirty-six specimens, representing no less than
eighteen species, were on exhibition. The most noteworthy
or these are: the Polar Bear iUrsus maritimus) named Silver
King, weighing 880 pounds, the largest polar bear ever captured alive,
and a female m near-by quarters; the Yakutat Bear (Ursus dalli) from
Alaska; the Peninsular Bear (Ursus gyas) from Alaska, one of the two
largest bears in captivity; the Admiralty Bear {Ursus eulophus\ from
Alaska; the Grizzly Bear or Silver-Tip Grizzly (Ursus horrihilis) the
most savage and courageous of bears,^ represented by three excellent
specimens; the Black Bear (Ursus americanus) represented by specimens
from several localities of North America; the Spectacled Bear (Ursus
ornatus) a rare animal from the Andes, named from the white circles
about each eye; the Andean Black Bear (Ursus ornatus thomasi) from
South America; the Brown Bear of Europe (Orsus arctos) represented
by a pitir that has raised some fine cubs; the Syrian Bear (Ursus syria-
cus) the bear referred to in the Bible; the Hairy- Eared Bear (ifrsus
piscator) from Central Asia; the Himalayan Black Bear (Ursus torqua-
fus) widely spread through Asia; the Japanese Black Bear (Ursus japon-
icus) one of the smallest of bears; the Sloth or Long- Lipped Bear
(Ursus labiatus) from India, and the Malay Sun Bear (Ursus malay-
anus) the smallest bear in the world.
The Raccoon Tree is at the S. end of the Bear Pits.
The Beaver Pond, some distance to the north of the
Bear Pits is worth the walk. The iron fence encloses
some three acres. The large trees have been protected from
destruction by wire netting, but the small ones are assigned
to the animals for food and buildings. The dam constructed
by the beavers is about 40 feet long and 4 feet high. The
house is ten feet in diameter, and the entrance is under \^ater.
The animals are the American Beaver {Castor canadersis)
formerly found in large numbers in the north, but now Jtom-
paratively rare.
378 RIDER'S NEW YORK CITY
V. Bronx Park : The Botanical Garden
The *New York Botanical Garden (PI. XI — D2-3) is
reached by 3d ave. elevated to Botanical Garden Station ; sub-
way passengers change at 149th st. and 3d ave. (take transfer) ;
also reached by Harlem division of the New York Central R.
R. from Grand Central station. Grounds open from 6 a. m. to
II p. m. Museum 10 a. m. to 5 p. m. in summer and 4:30 in
winter. Conservatories from 10 a. m. to 4 p. m. Guide book
25 cents A guide leaves the front door of the Museum Build-
ing every afternoon at 3 p. m. to escort all who wish to accom-
pany him. The routes are : Monday, Hemlock Forest and Her-
baceous Garden; Tuesday, Pinetum; Wednesday, Fruticetum
and North Meadows ; Thursday, Deciduous Arboretum, Nur-
series, Progagating Houses ; Friday, Public Conservatories ;
Saturday, Museums. The Garden was established in 1891.
Starting from the 3d ave. elevated entrance, one visits first The Con-
servatories, ist range (i). (See p. opp.) The house is 512 ft. in length,
with a central dome 90 ft. high and an entire area of about one acre. House
No. I contains palms, from West India, Central and South America, Bra-
zil, Mexico, Northern Africa, China, and Pacific Islands. The Chinese
bamboos opposite the entrance grow at the rate of about 8 inches a day.
House No. 2, on the right, holds smaller palms. House No.' 3, has
Monocotylcdonous plants of the tropical regions. House No. 5 ex-
hibits large tropical plants. The huge rubber plant in the center is the
variety commonly grown in pots. House No. 5 is devoted to Desert
plants. House No. 6 is also Desert plants. House No. 8 is filled with
miscellaneous plants from various countries. (If the end door is un-
locked, the most direct route is to cross the outdoor court and enter
the end door of the opposite wing; if the door is fastened it is neces-
sary to retrace one'a steps and reach the end of the opposite witkfi
through the conservatories. House No. 9 is the aquatic house; in the
pool are the Egyptian papyrus, sugar cane, bamboos, water lilies, etc.
House No. 10 contains specimens of the aroids, the most familiar of
which is the Calla lily. House No. 11 holds huge tropical plants be-
longing to the banana, ginger, and canna families. House No. 14 is ar-
ranged for the comparative study of plant families and genera. On the
west side are specimens of insectivorous plants, among which are several
varieties of the pitcherplant, sundews, etc. House No. 13 contains large
warm-temperate plants. House No. 14, like 12, contains plants arranged
in botanical sequence.^ House No. 15 is devoted to orchids. The Con-
servatory Court contains two tanks of water lilies, the hardy ones in
the east tank remaining permanently in place.
The Museum Building ( 7 ) Italian Renaissance in brick and terra-
cotta. On the first floor is the museum of economic botany (p. 383)- The
west hall is devoted to food and fibers. Cases 1-18, fibers. 19-20, India
rubber and allied products. 21-22, resins. 23-26, Spices and flavoring
agents. 27, Dye stuffs, 28-^0, Tanning Materials. 31-32, Fodder plants.
33-36, Tobaccos and Masticatories. 37-41, Beveragjes. 42, Soap, etc.
43-48, Fixed and volatile oils. 49-60, Plant constituents. 61, Starch.
62-63, Cork and paper. 65-66, Sugar. 67-84, Foods. The east hall
contains drugs in cases 85-102 and 185-2.2, and Woods in cases 103-184.
The entire second floor is given up to the museum of Systematic
Botany (p. 380) divided into (a) The general synoptic collection, in
cases I to 28; (b) A series of microscopes showing selected specimen,
on small stands in the west wing; (c) Illustrations of local flora, in
swinging frames.
General Plan of the New Yoek Botanical Garden
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BRONX PARK BOTANICAL GARDEN 381
On the third floor (p. 382) are the laboratories; the library, avail-
able by permission; and the herbarium also available by permission.
In the basement is the Museum of Fossil Botany (p. 385) arranged
by the sequence of the geographical time divisions. Eozoic and Pale-
ozoic Time, floor and wall cases 1-4. Early Mesozoic time, floor-case 5.
Later Mesozoic time, floor-case 6. Middle Cretaceous flora found in
vicinity, floor-case 7. Middle Cretaceous flora from the western states,
floor-case 8. Plants of the Upper Cretaceous (Laramie Group) floor-
case 9. Remains of Neozoic time, floor-cases 10 to 12 and wall-case 5.
The Pinetum ( 8 ) is about 30 acres surrounding the conservatories,
planted with cone-bearing trees, of many varieties. Somewhat to the
south lie the Herbaceous Grounds (10) in a small valley between the
main driveway and the hemlock grove. Here an endless variety of
plants is grouped by natural families in botanical relationship. To the
north, on the other side of the driveway lies the Morphologxcal Garden
( II ) illustrating the leaf-forms, venation and insertion on stem,^ kinds
of stem, methods of propagation, etc. Just beyond is the Economic Gar-
den ( 12 ) illustrating food plants and medicinal plants. Directly be-
hind is the Viticetum ( 13 ) where many kinds of vines run over a
strong arbor. Back of these fatter features is a small patch of Deciduous
Woodland (14) and a delightful *Hemlock Poorest (15) of Canadian
hemlock spruce. The Deciduous Arboretum ( 31 ) extends over most
of the space E. of the Bronx river. This collection is receiving constant
additions. In this woodland is situated the 2nd range of Conservatories
(32) holding the tropical ferns and their allies and the cycads.
A delightful stroll, about a mile long, may be enjoyed by
following the Bronx river down to Concourse entrance of the
Zoological Gardens. Near the Waterfall (18) is the Lorillard
Mansion, (free; 11-3 p. m.) now a museum under the Bronx
Society of Arts and Sciences, containing a scanty collection of
historical objects and prints relating to the Bronx. The house
is in poor repair. Continuing S. along the edge of the river,
one reaches. Pelham ave., opposite the Concourse Entrance of
the Zoological Gardens. (To return to town from here, walk
W. to Fordham Entrance afld take a Union Railway car; or
walk to Fordham station on the 3d ave. elevated a half mile
to the W.) The walk through the park can be continued by
turning E. upon reaching Pelham ave., crossing Linnaeus
Bridge and turning S. at the first roadway. This road soon
reaches Boston Road, near the Bronxdale entrance to the
Zoological Gardens and after crossing Boston Road becomes
a delightful path through the woods, along the E. side of
Bronx Lake and emerging at i8oth st. near the Subway.
Near the Botanical Gardens is Fordham University
(PI. XI — C^) reached from Fordham station on Harlem R. R. ;
or Fordham station on 3d ave. elevated subway passengers
change at 149th st and 3d ave., a Catholic institution under
the charge of the Jesuit Fathers, opened 1841. The grounds
cover 70 acres. The University includes St. John's College,
School of Medicine and School of Law.
St. John's College was founded ip 1841 by Bishop (subsequently
Archbishop) Hughes. The first president was John McCloskey, who
later became the first American Cardinal. In 1846, the college parsed
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384 RIDER'S NEW YORK CITY
into the hands of the Jesuits and the Seminary of St. John's was
founded under the name of St. Joseph's, which in 1864 was removed
to Troy, and in 1896 to Dunwoodie in the township pf Yonkers. St.
John's meanwhile had reverted to the control of Archb'fehop Hughes. In
1907 the name was changed to Fordkam University,
The buildings, grounds 'and athletic field occupy the site of the
Old Rose Manor House, which, including 98 acres oi ground, was
acquired at a cost of $30,000. Tradition says that this was the scene
of Fenimore Cooper's novel, "The Spy."
Fronting the principal college building^ and plainly visible from
the windows of the 3d Ave. Elevated trains, is a bronze statue of
Archbishop Hughes, heroic size, resting on a granite pedestal (unveiled
1891; IV. R. O' Donovan, sculptor). Archbishop Hughes was born in
Ireland, and came to this country as a poor Irish immigrant, a ^r-
dener by trade, who fought his way through colleges, was made priest
in 1825, Bishop in 1*838 andand Archbishop in 1850.
Nearby is a statue of the Virgin Mary, Regina Sodalium, erected
1887.
Nearby is Fordham Hospital (PI. XI — D3) Crotona ave.
and Southern Boulevard, for the destitute sick and i?;jjured,
has a capacity of 150 beds. Visiting days Mon. and F. 6 to 8
p. m., Wed. and Sat., 2 to 4 p. m.
IV. Woodlawn Cemetery
*JVoodla7vn Cemetery, covering 396 acres, extends be-
tween Webster and Jerome Aves., from 211th to 233d St. It
may be reached either by Harlem R. R. to Woodlawn Station
or by Bronx subway, transferring at .14th St. to 3d Ave.
Elevated, and to Webster Ave. trolley from Bedford Park
station (fare, 10 cts.). The main gateway is the N. E. cor.
on Bedford Ave.
All the avenues are open to carriages and automobiles (speed
limit, five miles per hour) ; but in order to enjoy at best advantage
the architectural and sculptural beauty of the monuments and mauso-
leums the visit should, if possible, he made on foot. For Woodlawn
will impress the tourist less as a peaceful city of the dead than as a
vast collection of costly works of art. The time required for a fairly
comprehensive circuit of the principal monuments is between i^ to 2
hours.
From the main entrance. Central Ave., starting south,
curves in a huge letter S diagonally across the grounds to
the S.W. entrance on Jerome Ave. By following Central
Ave., the visitor passes a majority of the chief points of
interest, with the added advantage that he will not lose his
way or waste time by retracing steps.
The Collis P. Huntington Mausoleum is the first notice-
able one S. of the entrance. (Robert Caterson, architect).
It is on the R., high up on a steep embankment, a Greek temple,
surrounded by sixteen columns and four massive corner pilasters of
red granite. It is approached by a stately staircase of 27 steps, with
terraces.
386 RIDER'S NEW YORK CITY
Continuing on Central Ave., we reach on L., where
Ravine Ave. branches off, the grave of Admiral Farragut
(1801-1870).
It stands a little back from the avenue, a simple broken mast of
marble, draped, on a granite base; at the foot of the mast are anchors,
ropes and other symbols of naval life. Erected by his wife and son.
Opposite, on the W. side of Central Ave., is the Mauso-
leum of Marshall O. Roberts.
It is a gothic structure of granite, with columns of polished red
marble. It occupies a wide circular lot, enclosed by a low balustrade
of granite. (JVilliam F. Dodge, architect).
Central Ave. here curves to W. On R., 100 yards further,
is the grave of Frank Leslie.
A*be monument is a simple granite sarcophagus. The inscription
proclaims him "The pioneer and founder of illustrated journalism;
his life work speaks through the artistic and literary monuments he
has left behind him; his aim was to popularize art and make it a com-
mon helper of men." His wife, who for many years continued his
work, lies beside him.
Continuing on Central Ave., we reach on L. a square
granite pedestal supporting an urn; it marks the grave of
the publisher, Charles Scribner (1821-71). Just beyond,
where Catalpa Ave. branches off to L., is the simple <Tranite
sarcophagus of Samuel Irenius Prime. (1812-85).
Dr. Prime was best known to the American public as editor of
the New York Observer. His epitaph proclaims him, "Faithful min-
ister of Christ for forty years, and a leader of the religious press. "^
Continuing S. on Central Ave., we reach Lake Ave.
To R. we come to grave of John Christopher Draper (1835-
85), Professor of chemistry in N. Y. University. Further W.
near lake is the Mattheison Mausoleum. Materials: colored
marble and granite; many stained glass windows.
Further S. on Central Ave., where Observatory Ave.
branches off, is the Sloane Mausoleum, a small Ionic temple.
Beyond, due S., on a spacious circular knoll, is the Jay Gould
Mausoleum, an exquisitely proportioned temple, surrounded
by thirty Ionic columns. Directly to W. is the monument to
Austin Corbin (1827-86), a simple block of granite. Still
further W. is the Whitney monument, a huge monolithic shaft
of dark gray polished marble' (McKint, Mead & White,
architects), iuirther S. on Central Ave., where it is crossed
by Lawn Ave.,' we reach, at the S. E. cor., the Mausoleum of
William F. Foster (1841-95).
It consists of a massive canopy of white granite, supported by 16
columns of polished pink marble so placed as to form a Greek cross.
WOODLAWN CEMETERY 387
Opposite, on R., is the tomb of John H. Hinton, M.D.
Beside the door a female figure is dropping lilies as a tribute.
To L. on Central Ave. is the Coster Mausoleum. (Archi-
tect, Charles J. Berg; bronze by John Williams).
In this vicinity (still on R. of Central Ave.), is the
Mausoleum of G. P. Morosini, the entrance guarded by two
^ lions. {Jardine, Kent and Jardine^ architects.) Beyond on
R. are the Everard and the Ehret Mausoleums. Next (still
on R., the last before we reach the S. W. gate) the Gates
Mausoleum.
The chief feature is the bronze entrance door: against the grilled
door leans, in high relief, a beautiful, partly draped female figure, with
outstretched arms and face hidden, symbolizing Grief.
Almost directly S., by West Border Ave., in the centre
of a circular elevation, is the Oliver H. P. Belmont Mauso-
leum, an adaptation from St. Hubert's Chapel, at Amboise,
France, — the last resting place of Leonardo da Vinci.
On the front facade is represented in relief the Conversion of
St. Hubert. In the tympanum above, in three sections, are^ shown
(as in the original), Charles VIII and Anne of Brittany his wife
prostrated at the feet of the Virgin and the Infant Jesus. Of the
stained-glass windows, sixteen are purely decorative; the three chancel
windows represent St. Raphael, St. Gabriel and St. Michael (by Helen
Maitland Armstrong). The material of the chapel is limestone. Note
the carved stag-horns and gargoyles on the spire (Hunt and Hunt,
architects) .
Return N. along West Border Ave. and turn E. on
Chestnut Ave. Note on R. Armour Mausoleum.
An ostentatious structure, designed by Renwick, Aspenwall & Owen.
Its chief feature is its dome, a solid mass of cast bronze, weighing z8
tons (bronze by John Williams).
Opposite, to L., is a lofty octagonal structure, still (1916)
unfinished. It is the Harbeck Mausoleum.
It is a three-story structure, octagonal in form, the lower story
being in the French Gothic order, with gargoyles, surmounted by a
story of composite design, with romanesque semi-circular arches and
Corinthian columns, while the whole is reinforced with flying but-
tresses. The structure is surrounded by a bas-relief frieze of dancing
children.
The visitor may leave the cemetery by the west gate,
taking Jerome Ave. trolley, or may return to starting point,
keeping near to the W. and N. boundaries, where there are
many monuments that repay a visit.
If time permits, look also for the Pulitzer Memorial iDundan
Chandler, architect: W. O. Partridge, sculptor) ; the Storrs Monument,
{New England Monument Co., architects) ; the Goelet Mausoleum
(McKim, Mead & White, architects; the McMilan Memorial (D'Oench
& Yost, architects). Also the grave of De Long, hero of the ill-fated
Arctic expedition; not far from that of Farragut.
388 RIDER'S NEW YORK CITY
A detour may be conveniently made to the Montefiore
Home (four blocks S. from W. gate of cemetery on Jerome
ave. to Gun Hill road ; also reached by Broadway Subway
to 207th St., then E. by Yonkers ave. trolley). It is a
home for incurables, established in 1884 as a Hebrew char-
ity, but became a city institution in 1914, after it had re-
moved from its former site at 138th st. and Broadway. It ,
consists of a group of eight buildings, of brick, terra cotta
and limestone, erected from plans by Arnold W. Brunnef
and Buckntan and Fox, at a cost of $2,000,000.
It is now a non-secretarian charity hospital, for patients whose
apparent incurability or the protracted course of their diseases pre-
vents them from being received at other . hospitals and asylums
Capacity, 450. Visiting days, Wednesdays, Saturdays and Sundays,
2 to 4 P. M. Patients who are able to leave the institution in an
improved condition are aided from the Discharged Patients' Fund.
VII. Eastern Section of the Bronx
Including Pelham Bay Park
The points of interest in this section are widely scattered, and
even with the help of the available trolley lines, involve considerable
walking. The Harlem branch of the New York, New Haven and Hart-
fort R. R. brings the visitor more quickly and conveniently than any
other line to practically all the places mentioned below, and for that
reason the descriptions here given will follow the cotM'se of this road.
Take the 3d Ave. Elevated to 129th St. and change to the shuttle
train connecting with the Harlem Division. The trip to Pelham Bay
Park occupies about an hour from downtown. Fare to City • Islana,
formerly called Bartow, loc. The recently opened New York, West-
chester & Boston R. R. has stations at corresponding intervals through-
out the Bronx section, and while they lie for the most part further
W. and involve more walking, they will save the tourist time because
of the greater frequency at which trains run (local trains every 20 min.)
Leaving the Harlem Rivet station the train runs for a
short distance along Bronx Kills. The first station is Port
Morris (.97 mi.), at 138th St. Port Morris, like Morrisania,
takes its name from the Gouverneur Morris family. It was
here, in the East River, that the Great Eastern anchored
after her first trip to New York. Here, also, a little further
S. the British war frigate, Hussar, laden with British gold
and American prisoners, sank in 1780. Off the coast here lie
North and South Brothers Islands. Near this shore was the
scene of the steamer disaster of the General Slocum, an
excursion boat that burned and foundered with terrible loss
of life, June 15, 1904.
Riverside Hospital on North Brother Island, is devoted to the care
of contagious diseases and advanced cases of tuberculosis. The Island
may be reached by boat from E. i32d St. every hour, and from E.
26th St. daily, about noon.
EASTERN SECTION OF THE BRONX 389
Casanova (1.96 mi.) at Leggett Ave.; few trains stop here.
The station takes its name from the famous Casanova
Mansion, which formerly stood a little to the W. at Southern
' Boulevard and Leggett Ave. (named from Mayor Leggett
of Westchester).
This dwelling was considered in its time (1859), one of the most
magnificent houses in the U. S. It contained secret rooms and under-
ground passages and its door-knobs were of solid gold.
The next stop is Hunt's Point (2.63 M.) A surface car
taken at the station runs to the Joseph Rodman Drake Park,
on the point, containing the grave of the poet for whom it is
named, author of "The American Flag" and "The Culprit
Fay," etc. (d. 1820).
The first street crossed is Lafayette Ave., formerly Lafay/;tte Lane.
When Gen. Lafayette came from Boston to New York in 1824, via
Fox Comers, he was met by a delegation and escorted up this lane,
which was afterwards named in his honor. It is told that he "paused
in silent meditation at the grave of Joseph Rodman Drake."
The "Culprit Fay" was written as the result of a wager made
by Drake with Fitz Greene Halleck and two other friends, following
a discussion in which Drake maintained that the Hudson River High-
lands afforded as romantic a setting for an imaginative poem as the
Highlands of Scotland. The tract of land recently, made a city park,
in memory of the poet, has not yet been improved. It includes the
quaint old ■ burial lot containing, in addition to Drake's grave, those
of the earliest members of the Hunt family, from whom Hunt's Point
was named. The Bronx Society of Arts ^ and Sciences has recently
placed on the simple shaft a tablet containing, in addition to the date
of the poet's death, Sept. 21st, 1820, the lines by Fitz-Greene Halleck:
"Green be the turf above thee,
Friend of my better days,
None knew thee but to love thee,
None named thee but to praise."
The next stop is Westchester Avenue (3.25 mi.) Take
Westchester ave. surface car and transfer to Clason's Point
car to reach Clason's Point Military Academy and Clason's
Park on the point.
Clason^s Point was settled in 1643 by Thomas Cornell. In
"Clason's Point Inn" there is the following inscription: "In the year
1643 Thomas Cornell bought this point from the Indians. Part of
this house is the original building constructed by him."
From here a Ferry runs to College Point. Screven's
Point to the N. with Castle Hill Park at the extremity is in-
accessible by trolley; it is reached from Westchester ave. by
Castle Hill ave. Farther to the N. lies Ferris Pont, without
trolley connections, reached from Westchester ave. by 177th st.
and Ferris ave. The railroad crosses the Bronx River before
reaching West Farms (3.93 M.) This section though still
within the limits of Greater New York begins to contain large
390 RIDER'S NEW YORK CITY
open spaces and even some cultivated land. The conventional
apartment houses rising in the midst of fields present an in-
congruous appearance.
The next stop is Van Nest (4.87 mi.) The large group
of buildings to the east of the station is the New York Catho-
lic Protectory where between four and five thousand destitute
or delinquent children under 16 are housed.
This institution was incorporated in 1862. It comprises a Boys'
Protectory in charge of the Brothers of the Christian schools; a Girls'
Protectory, in the charge of the Sisters of Mt. St. Vincent (in both
of these trades, agricultural and dairy work and domestic and other
industrial employments are taught) ; 5"*. Philips Home for Industrious
Boys, 417 Broome St.; and the Lincoln Agricultural School, at Lincoln-
dale, N. Y.
Westchester Square is reached by surface cars. " The land
on which Westchester Village is situated was purchased from
the Indians in 1654. Fighting occurred here October 12, 1776,
preceding the Battle of Pell's Point (p. 391).
The center of the original Westchester Village, the oldest in
the county is at the juncture of Westchester ave. and West
Farms and Williamsbridge Roads. On the E. side of Westchester
Square stands St. Peter's church, organized in 1700. Its chime of
bells is said to date back to the reign of Queen Anne. The oldest
tomb-stones in the church-yard are dated 17 13. On the bank of the
near-by Indian Brook it is said that George Fox, 1672, addressed the
first Quaker meeting held in America. A little to the N. is Westchester
Greek Causeway, where an important battle was fought, Oct. 12th, 1776,
the British being finally repulsed.
Fort Schuyler lies at the extreme end of Throgg's Neck
(known to the Indians as Quinshung). This tract was settled
in 1642 by John Throgmorton, who came here with thirty-
five Baptist families from Rhode Island and the Providence
plantations.
The trolley runs only a short distance along Fort Schuyler
Road (transfer at Westchester Square). A party of 15 adults
applying in advance to the Commandant, Ft. Schuyler, may
obtain a pass to go by governmenf boat on Tues., Thurs., or
Sat. to the Fort. The fortifications, are antiquated, having
been begun in 1833. The reservation is used as a training
station for recruits.
Morris Park (5.43 mi.) Flag station, train stops only on
signal.
Westchester (5.81 mi.). To the east on the shore is the
Westchester Country Club, reached by motor or other vehicle
from the Eastern Boulevard. The road crosses Westchester
Creek and goes under the Bronx and Pelham Parkway, the
boulevard which joins the two parks.
EASTERN SECTION OF THE BRONX 39i
Baychester (7.26 mi.) The tract of land to the right is
a part of Pelham Bay Park,
City Island, formerly Bartow (8.25 mi.) Alight here for
Pelham Bay Park. (The 3 other stations on this branch,
beyond the park, Pelham Manor, Woodside, and New Rochelle
are outside the city limits.) East Chester lies about midway
between the park and Woodlawn Cemetery. It can be most
directly reached by the New York, Westchester and Boston
Line.
Eastchester is one of the oldest of the group of villages in this
section and was originally an Indian settlement. The most interesting
of its old landmarJcs is St. Paul's church, dating from 1765, opposite
the site of the original church built in 1669. The church possesses an
old bell and other historical relics, which were buried for protection
during the war of the Revolution. The adjoining churchyard contains
about 6000 graves. Two tomb-stones have recently been erected by the
Bronx Chapter of the Daughters of the American Revolution:
I. "Here lie interred the skeletons of American Revolutionary soldiers,
found at Tuckahoe in 1909"; 2. "This marks the site of the sand pit
in which are buried those Hessian soldiers who died in the church while
used as a hospital in 1776.**
Pelham Bay Park contains about 1756 acres, only partly
improved. As a public play-ground it offers facilities for the
widest diversity of sports of any of the city parks, having
grounds for baseball, football, tennis, cricket and lacrosse;
an athletic field and facilities for bathing, boating, camping,
picnicking, cross-country runs, etc. The golf links lie
a quarter of a mile up the Pelham Bridge Road (Eastern
Boulevard) to the N. of the station. This road leads to Hunt-
er's Island and Twin Island beyond. No trolley. Take City
Island trolley from the crossroads a few rods from the sta-
tion. On a boulder to the right of the track about a mile from
the station is a tablet erected by the Mt. Vernon Chapter of
the D. A. R. commemorating the Battle of PelVs Point, Oct.
18, 1776, when Col. Glover with 550 men delayed the British
under Howe, to give Washington time to get the main army
to White Plains. Colonial Inn (a summer restaurant and
hotel) is a fine old mansion with white pillars, to the left of
the track, just before crossing the bridge. Nearby is the park
camping ground.
The Hutchinson River^ which flows through Pelham Bay Park, and
empties into Eastchester Bay, takes its name from one _ of the early
settlers, Ann Hutchinson, whose home was near the Pelfiam boundary
line, and whose entire family was wiped out in an Indian massacre.
See at upper end of park, on L. of Prospect Ave. "Split Rock,"
a gigantic boulder, with a large tree growing through the cleft.
According to tradition Ann Hutchinson's youngest daughter perished
on this rock.
City Island (which is not part of Pelham Bay Park, but
is privately owned), is said to owe its name to a project once
392 RIDER'S NEW YORK CITY
entertained of founding a city here which should outrival
New York. The quaint old streets, with their ancient and
picturesque dwellings, well repay a desultory ramble. The
Macedonia Hotel is perhaps the most interesting of the sur-
viving relics. It is reached by leaving the c^r at Ditmars
St. and walking to the eastern shore. A very old wing of
the hotel obviously built of ship's materials bears the inscrip-
tion : "This House is the remains of the English Frigate Mace-
donia captured on Friday, October 25th, i8i3, by the United
States Frigate United States commanded by Stephen Decatur
U.S.N. The action was fought Lat. 24 N. Long. 29' 36" W.
that is, 600 Miles N. W. of the Cape Verde. Islands off the
W. coast of Africa. Towed to Cowbay in 1874. Shore din-
ners 50 cents." Historians assert, however, that the ship was
another Macedonia of ^ later time, used as a training ship by
our navy. Long tables covered with white enamel cloth arc
set under cover in front of the house in foreign fashion.
Chowder 15 c. Directly opposite is Hart's Island, city prop-
erty, the present Potter's Field. (Pass from Dept. of Correc-
tion, 124 Leonard st. Ferries from foot of 26th st. daily at
10 a. m., except Sundays and holidays.)
Leaving the Macedonia and continuing down the island
by the one street, one passes on the left, first Miller^s
and later Jacob's Shipyards where the American Cup Defend-
ers go into winter quarters. The island is largely given over
to yacht building. Large numbers of small craft of all kinds
are anchored in the sound about during the summer, the own-
ers motoring out from the city. Boats of all kinds are to be
hired. Little bathing. At the point of the Island to the left
is the Norton House, a small frame building, the oldest house
on the island. To the right is Belden Hotel, formerly a resi-
dence. Food served on the veranda. Prices for simple food
are annoyingly high, but the View is delightful and the breeze
refreshing. Straight ahead is Stepping Stones Light.
This light takes its name from one of the so-called Devil's Stepping
Stones, a row of rocks projecting into the Sound. According to an
old Indian legend the Devil, retreating from Westchester county to
Long Island7 gathered up all the stones he could find in Long
Island and hurled them across at his red-skinned enemies. Hence the
abundance of boulders in Westchester and the lack of them in Long
Island.
? ^^JwlS^ ^' Oa*W«'l«limd I
Plate XV
\
\
YONKERS 393
Yonkers
Yonkers is not a part of New York City but a separate
municipality. Inasmuch, however, as it immediately adjoins
the Borough of The Bronx on the north it may be most
conveniently considered here.
Yonkers is reached by railway via New York Central and Hudson
River Railroad, from the Grand Central Station; single fare, 30 cents;
round-trip, 50 cents; or by Putnam Division, from 8th ave. and 155th
St.; single fare, 25 cents; round-trip, 40 cents. Most of the various
Hudson River steamers stof) at Yonkers, but the hours, early morning
and late afternoon, make this method of approach impracticable for the
tourist. Yonkers can also be reached in several ways by trolley; either
straight up Broadway from Van Cortlandt Park; from Jerome ave.
' or Webster ave., changing to McLean ave. car; or f rom .^ount Vernon,
the most picturesque of all these trolley routes. Also, most con-
veniently, by Broadway subway to Van Cortlandt Park, and thence
by trolley up South Broadway to Getty Square.
Hotels and Restaurants. The one hotel in Yonkers is the Getty
House, on Getty Square, an unpretending, old-fashioned commercial
hotel. In South Yonkers, in the restricted residential colony called
Park Hill, is the Pork Hill Inn, with a restaurant much patronized by
automobile parties. Just N. of this Inn, where South Broadwav and
New Main st. fork, is Francf art's, an old-establisUed road house (French
cuisine). Further S., near McLean ave., •is Skanley's a recently estab-
lished branch of the well-known New York restaurant of that name.
Yonkers, the sixth largest city in New York State, is
situated on the cast bank of the Hudson, 15 m. N. of the
Grand Central Station. Its principal residential section
stretches northward from Getty Square for about three
miles, to the village of Hastings. It is situated on a pic-
turesque slope, rising steeply from the river front, with a
succession of fine avenues, lying one above another, bordered
by many large estates, with comfortable old-fashioned dwell-
ings. Yonkers is also a prosperous manufacturing center,
and the influx of factory workers in recent years is largely
responsible for its present estimated population (1916) of
79,800.
History. Yonkers was settled about 1650, its name being
derived from a popular corruption of the Dutch title, De
Jonkheer, the "Young Lord," by which the first owner of
this territory, Adrian Van der Donck, was known. Van der
Donck retained title to much of the land which is now
Yonkers until 1672, after which it became included in Philipse
Manor (p. 395), until 1779. The part now constituting the
business center of Yonkers was then known as Philipsburg.
The township of Yonkers was first organized in 1788; the
village of Yonkers was incorporated in 1855; in 18;^ the
town was divided, and the southern portion, known as Kings-
bridge, was annexed to New York in 1874.
394 RIDER'S NEW YORK CITY
Going by Subway we pass along the W. side of Van Cort-
landt park, reaching at its upper boundary, the dividing line
between New York City and Yonkers. For the next 'mile there
is a succession of residential colonies : Caryl, Lowerre and
Park Hill, the latter situated on one of the highest elevations
in Yonkers, rising precipitously on the R. of Broadway
reached by a funicular railway). It is a high class residential
park, with numerous property restrictions, a Country Club,
and a small but attractive artificial lake.
South Broadway now curves to the L. and ascends a hill,
on the crest of which (to left) is the St. Joseph's Hospital
(founded i8qp), under the auspices of the Sisters of Charity
of Mount St. Vincent. Diagonally opposite is the recently
erected Saunders Trades School. A little further, half-way
down the hill, we pass on the right the Yonkers High School,
just W. of which is Washington Park, containing the new
City Hall and the Yonkers Public Library. The Library
stands at the S. W. cor. of the Park; it was donated by Mr.
Carnegie, designed iby E. A. Quick and Son, and completed
in 1904 at a cost of $50,000.
The City Hall, also designed by Quick and Son, stands
just N. of the Library, on the higiiest ground in the Park.
It cost in the neighborhood of $500,000.
The Common Council Chamber, on the 4th floor, contains eleven
mural paintings, by Vincent Aderente and Alonzo E. Poring er, illustra-
tive of the "History of Yonkers."
North Wall: i. Over entrance door, Yonkers Past and Present;
on R. : Laying the Corner Stond of the City Hall; on L. : The Pur-
chase of the Land by Van der Donck.
East Wall: in the centre. Industrial Science; on either side:
Views of the Palisades.
West Wall: Before the White Man.
North and South walls, in corners, four long, narrow panels, in
dull browns and yellows, presenting old historic buildings of Yonkers.
Directly opposite is Proctor's Palace Theatre, a spacious
vaudeville hall. Further N. on left, is the Hollywood Inn, a
club-house dedicated to the interests of working-men.
The club was started in 1894 by the Brotherhood of St. Andrew,
an association composed of members of St. John's Church (P. E.).
Two years later, through the generosity of William F. Cochran (1832-
ipoi; see memorial tablet), the present building was erected {George
Stirratt, architect). It contains a gymnasium, ■ bowling-alleys, billiard
and pool rooms, a library and an assembly hall with a seating capacity
of 500.
On the opposite (N. W.) corner stands St. John's Prot-
estant Episcopal Church, organized in 1694. The first church
YONKERS 395
edifice was erected in 1752; in 1791 it was partly destroyed
by fire; a year later it was rebuilt in the original form; the
present structure was built in 1870. >
A considerable portion of the original church (1752) still survives,
including all the south wall of the present building, with its venerable
door and windows; also the south transept and part of the east wall,
with two windows of the old chancel; and the ola bell.
One block further N. brings us to Getty Square, the cen-
tre of Yonkers* business activity and starting point for the
principal trolley lines to New York, Mount Vernon, Tucka-
hoe, Hastings, etc. On the E. side of Broadway are the
principal Yonkers banks; also the passenger station of the
N. Y. and Putnam R. R,, and on the cor. of New Main St.,
the Getty House, a commercial hotel. To the N. radiate Park
Ave,, Palisade Ave. and North Broadway, the chief residential
section, occupied by fine old estates with spacious grounds,
many of them commanding extensive views of the Hudson
River. W. from Getty Sq., Main St. leads down to the water
front and the N. Y. Central R. R. Station, crossing Warburton
Ave. midwa3'. One block N. on Warburton Ave. brings us to
the
**Philipse Manor Hall, erected in 1693 and granted by
royal charter to Frederick Philipse, First Lord of the Manor.
By act of Legislature of the State of New York, the Manor
was confiscated in 1779 and in 1785 was sold by the Commis-
sioners of Forfeiture. In 1868 it was purchased by the Vil-
lage of Yonkers, and became the City Hall in 1872. It is
now a colonial museum, under the auspices of the Yonkers
Historical and Library Association. (See memorial tablet,
by A. Weinert.)
The Philipses were originally a noble Bohemian family, who at an
early date settled in Friesland, Holland. They came to America about
the middle of the 17th century, perhaps in 1647 with Peter Stuyvesant.
The chief popular traditions of the old Manor centre around Mary
Philipse, the beautiful and talented daughter of the second Lord of the
Manor, grandson of the first Frederick Philipse. One day when visiting
at the New York home of her brother-in-law, Beverly Robinson, she met
Colonel Washington, who conceived a warm admiration for her. . The
story that he made her an offer of marriage is unauthenticated ; but the
tradition that he was a frequent visitor at the Manor gives an additional
glamor to its ancient rooms. Another visitor, of whose frequent presence
there is no doubt, since she later became his wife, was Roger Morris.
It was while riding back and forth between New York and Yonkers
that he became impressed with the beauty of the heights overlooking
the Harlem River at what is now 161 st St. Accordingly it was there
that he built the historic old Jumel Mansion (p. 351), to which he
brought Mary Philipse as his bride in 1758.
The Manor Hall suffered considerable damage during the years
when it was occupied by the offices of the various city departments. It
has since undergone extensive renovation, the rooms restored to their
original design and appearance, and furnished with chairs of the Colo-
396 RIDER'S NEW YORK CITY
nial period, all of American make: American Windsor chairs and set-
tees, and American Chippendale and Jacobean tables, all dating from
the third quarter of the i8th century.
The oldest portion of the Manor Hall faces the south. Note the
great massive door in the center of the southern facade, made in Hol-
land in 1 68 1 and imported by the first Lady Philipse in one of her own
vessels. A door in one of the u^per rooms swings on wooden hinges.
The first story' windows are provided with outer shutters, while those
in the second story have inside shutters. Every chimne^ has a deep
closet on each side. Note especially the Dutch fireplace in the south-
west room, second story. It has a cast iron fireback dated 1760, pictur-
ing the ravens bringing food to Elijah. The fireplace jambs are three
feet deep and lined with old Delft blue and white tiles, with scriptural
illustrations. (A "History of the Manor Hall" is on sale, price 50 c.)
Second only in interest to the historic old building itself
is the * Alexander Smith Cochran Collection of American
Historical Portraits which it now contains. The collection
includes works by forty-two different artists, twenty of
whom are not represented in the Metropolitan Museum.
First Floor, East Room: 1. Henry Jntnan, James Madison; 2. Rob-
ert Edge Pine, Gen. Horatio Gates, Major-General, Continental Army;
3. Edward Savage, Gen. Henry Knox, Major-General, Continental Army;
4. Benjamin West, Benjamin Franklin, "the Tuckerman Portrait;" 5.
James Herring, Col. Henry Lee, "Light Horse Harry" Lee, Continental
Army; 6. John Singleton' Copley, Henry Laurens, First President of the
Congress of the United States; 7. Gilbert Stuart, . Robert Gilmor; 8.
Gilbert Stuart, Charles Pinckney, Governor of South Carolina; 9. Stuart,
Robert Young; 10. James Peale, Washington; 11. Charles IVillson Peale,
James Monroe; 12. Matthew Jouett, Brig-G.en. George Trotter; 13.
Charles Peale Palk, Thomas Jefferson; 14. Rembrandt Peale, Washing-
ton; i^. C. W. Peale, Washington; 16. Rembrandt Peale, Washington;
17. Wxlliam Winstanley, John AdamsL; 18. Gilbert Stuart, Martha Wash-
ington; 19. Stuart, George Washington; 20. James Sharpies, Alexander
Hamiltoh^ 21. Asa Warren, George Washington; 22. Thomas Sully,
John Quincy Adams; 23. William B. Chambers, John Marshall; 34.
James Sharpies, George Washington.
First Floor, Hall: 25. Charles X. Harris, Andrew Johnson; 26.
William E. McMaster, James Buchanan; 27. Charles Bird King, Lafay-
ette; 28 Jane Stuart, Portrait of her Father, Gilbert Stuart; 29. Jacob
Eichholtz, William H. DeLancy; 30. John Vanderlyn, Tobias Has-
broucke; 31. John Trumbull, George III, King of England; 32. East-
man Johnson, Portrait by the Artist.
First Floor, Hall Room: 33. Eastman Johnson, Chester Alan
Arthur; 34. David B. Bechtel, James A. Garfield; 35. Eastman John^
son, G. V. L. Pruyn; 36. Charles Loring Elliott, Zachary Taylor; 37.
Thomas Eakins, Rutherford B. Hayes; 38. /. Beaufoin Irving, General
Washington calling upon Col. Rhalle.
Second Floor, East Room: 39. Alban Jasper Conant, Abraham
Lincoln; 40. William Edgar Marshall, William McKinley; 41. Eastman
Johnson, Benjamin Harrison; 42. Matthew Wilson, Abraham Lincoln;
43. Eastman Johnson, Grover Cleveland; 44. G. R. Lambdin, Franklin
Pierce; 45. William Edgar Marshall, Ulyms S. Grant; 46. Frank B.
Carpenter, John Tyler; 47. Frank B. Carpenter, Millard Fillmore.
Second Floor, West Room: 48. John W. Jarvis, Daniel M. Tom-
kins; 49. Chester Harding, William Wirt; 50. Samuel Waldo, Andrew
Jackson; 51. Bass Otis, William Henry Harrison; 52. Matthew Pratt,
Benjamin Franklin; 53. Benjamin West, Portrait of the Artist; 54.
YONKERS 397
John Trumbull, Portrait of the Artist; 55. James Peale. Major Hamil-
ton, Continental Army; 56. Henry Inman, Martin Van Buren; 57. John
N eagle, Henry Clay; 58. Thomas Sully, James K. Polk; 59. George B.
Butler, Thomas F. Bayard; 60. Rembrandt Peale, Zebulon Montgomery
Pike, Brigadier-General in the war of 1812-14; Discoverer of Pike's
Peak
Second Floor, Hall: 61. William Sergeant Kendall, William
Howard Taft.
Second Floor, Hall at top of East Stair: Two Unnumbered Por-
traits: I. James Blackwell, who at one time owned Blackwell's Island
( 1 748-1 881); 2. Eliza H. Wells, daughter of James Blackwell, and
wife of Samuel Wells, who once owned Manor Hall.
Directly in front of Manor Hall stands the Soldiers'
Monument, surmounted by a bronze statue of a soldier of the
Civil War. Below, on the four sides of the square granite
base, are other bronze statues, symbolic of Courage, Valor,
Patriotism and Endurance.
If time permits, the visitor should not fail to take the
picturesque trolley ride N. to the end of the Warburton Ave.
line. For three miles, the route commands a series of fine
views of the Hudson River and the Palisades opposite. As the
car nears Hastings, it passes "Greystone," once the home of
former Governor Samuel J. Tilden, one of the founders of
the New York Public Library.
BROOKLYN
I. Preliminary Information
History. The site of Brooklyn originally belonged to the
Canarsie Indians, one of thirteen tribes of the Algonquin
Nation which formerly possessed Long Island. The present
Borough of Brooklyn has been built up by the consolidation
of a number of small towns, which originated in a series of
purchases from thesfe Indians, the most important being
made between 1636 and 1638. According to the "Historical
Guide to the City of New York" the first authentic purchases
from these Indians were made June 16, 1636, and included:
I. Part of Flatbush; 2. Flatlands, S. of Paedergat (except
Barren Island) ; 3. Flatlands Neck.
More important than these are the following purchases :
in 1638, a tract of 930 acres of Gowantis, acquired by Jacques
Bent)ai and William Adriaense Bennett; the "Maize lands
of Meryckawick," acquired by Jan Evertsen Bout; and in
398 RIDER'S NEW YORK CITY
1637, 335 acres on Wallahout Bay (called by the settlers the
"Waalbogt"), bought by Joris Jansen de Rapelje, a Walloon.
In 1638, the West India Company bought a tract of land,
nearly E. of Wallabout Bay, on which the original hamlet
of Boszmjck (Bushwick) sprang up.
In 1642, a ferry was established across the East River,
between points approximately coinciding with the present
Peck's Slip, Manhattan, and Fulton st., Brooklyn; and a
hamlet, called The Ferry, sprang up at the Brooklyn end.
It was in 1643 that another group of settlers established
themselves along the highway of Flatbush, about a mile from
the ferry. It was this settlement that was named Breuckelen,
after an old town about 18 miles from Amsterdam, Holland.
In 1646 the "Five Towns" — namely, Breuckelen, Wallabout,
The Ferry, Gowanus and Bedford (an inland settlement)
were united under the name of Breuckelen, which in 1667
received a patent from Gov. Nicolls. In 1665, Midwout
(later Flatbush) was founded, and the first church built
there the same year, one year earlier than the erection of the
first Dutch church in Breuckelen.
The transfer from Dutch to English rule affected the
settlers very little. Under the English rule, Long Island
and Staten Island were called Ridings of Yorkshire, Kings
County, Newton and Staten Island constituting the West
Riding. This designation continued in use until 1683.
In 1675, Brooklyn's population included 60 assessed per-
sons, with a valuation of 5204 polmds sterling. In 1698, the
population was 509, including 65 slaves. At the beginning of
the Revolution, the population was about 3500.
After the outbreak of the Revolution, no town meeting
was held until 1784, when it was discovered that all the town
records had disappeared. It is supposed that they were re-
moved by the Rapelje family, who were British S3mipathizers
and whose estates had been confiscated.
The most important historical event in the history of
Brooklyn is the Battle of Long Island. When the British
landed on Long Island in August, 1776, the American forces
had protected three out of four roads leading to Brookl3m.
The fourth, a roundabout way on the Jamaica Road, was at
once recognized, by the British as of stratjegic importance.
The battle began on August 17, when Gen. Howe (British),
sending two detachments, respectively, by the middle pass and
the shore road to Gowanus, himself took the Jamaica road.
The short road detachment drove the Americans back to the
region now occupied by Greenwood Cemetery, while Howe
closed in upon them in the rear. In the subsequent retreat,
BROOKLYN— PRELIMINARY INFORMATION 399
Sullivan, the American commanding officer, was captured.
The one conspicuous exhibition of heroism was that of the
Maryland regiment, which at heavy loss held back the British
until the rest of the American forces were safely transferred,
under cover of a fog, to New York.
Brookl)ai was held by the British until 1783. During the
Revolution the British prison ships were moored in Walla-
bout Bay, and it has been estimated that approximately 11,500
prisoners died on board these vessels from fever, starvation
and ill treatment. The mortality on the notorious New
Jersey was exceptionally high.
After the evacuation by the British, Brooklyn slowly
pulled itself together. New ferries were started,^ new mills
were built, new churches and schools were organized, and a
fire department introduced. Brooklyn was incorporated as a
village in 1816 and received its charter in 1834. A disastrous
fire in 1848 swept away seven blocks of buildings on and near
Fulton St. In 1855, Williamsburg and Bushwick, including
Greenpoint, were consolidated with Brooklyn. New Lots,
including East New York, was annexed in 1886; Flatbush
and Gravesend in 1894 ; Flatlands in 1896, thus making Brook-
lyn co-extensive with Kings County and the largest city ter-
ritorially in the state, comprising 66.39 square miles. Under
the act of legislature of 1897, creating Greater New York,
the city became the Borough of Brooklyn.
Hotels. Owing to its proximity to Manhattan and its
character as essentially a city of homes. Brooklyn possesses
extremely few hotels in proportion to its population and ter-
ritorial extent. A majority of those of the first class are
situated on Brooklyn Heights, but a few are to be found in
the newer district in the vicinity of Washington, Bedford
and St. Mark's avenues.
♦Hotel Bossert (PI. XIII — B4) at Remsen, Hicks and Montague
sts. ; Brooklyn's largest and most modern hotel, with attractive res-
taurant, palm room, concert hall, etc. European plan; R. from $1.50,
R. with bath from $2.50, for two persons from $3.50.
♦Hotel Montague (PI. XIII — B4), Montague St., near Hicks;
American plan; from $1.50.
Hotel Margaret (PI. XIII — A3), at the corner of Columbia
Heights and Orange st. ; American plan, from $3.50; European plan,
from $1.50-
Hotel St. George (PI. XIII— A3), at Clark, Hicks and Pine-
apple sts.; European plan, from $1.00.
Hotel Touraine (PI. XIII — A3), Clinton st., near Pierrepont;
European plan, from $2.00.
Mansion House (PI. XIII— A4), on Hicks st., between Clark
and Pierrepont; American plan, from $3.00; European plan, from $1.00;
reasonable terms for families.
400 RIDER'S NEW YORK CITY
Clarendon Hotel (PI. XIII— B3), at. Fulton. Johnson and Wash-
ington sts. ; European plan, from $1.50.
The Hohawk at the corner of Washington and Greene aves. ; suites
of from five rooms with bath; American plan, from $4.00; European
plan, from $2.50.
St. Mark's Hotel at the corner of Bedford and St. Mark's aves.
Restaurants. The leading Brooklyn hotels have good
restaurants, notably the Hotel Margaret, Hotel Bossert, and
Hotel Clarendon. The following list will be found useful by
tourists for luncheon purposes:
*The Imperial, 360 Fulton st. *S^sbe's, 509 Fulton st. The
Severen, 32-34 Court st., corner Remsen st. SchummEs Cafe, 52 Court
St. Joe's, 332 Fulton st. Guinden's, 359 Flatbush ave. Palm Tea
Room, 82 Pierrepont st.
Lunch lA>om8. There are Child's Restaurants at Nos. 366, 530 and
633 Fulton St., 26 Court st. Baltimore Dairy, 389 Fulton st.
Theatres: The following is a selected list of Brookl3m*s
many theatres : v
Academy of Music (PI. XIII — D3), Lafayette Ave.,
near Fulton St. Opera and concerts. Seating capacity, 2200.
Boxes (six and eight seats'), $24.00 and $40.00; Orchestra, $5.00;
ist and 2d balcony, $3.00, $2.00, $1.50. In the spring there is usually
a short season of Grand Opera in English at popular prices: 25, 50
and 75c. and $1.00.
MoNTAUK Theatre (PI. XIII — C3), Livingston St. and
Hanover PI., capacity 1550.
Evenings: Orchestra, $1.50 and $1.00; balcony, $1.50, $1.00 and
75c.; second balcony, 50c.; box seats, $2.50, $2.00 and $1.00; mati-
nees: orchestra, $1.00; balcony, 75 and 50c.; second balcony, 25c.;
box seats, $2.00, $1.50 and $1.00.
Grand Opera Theatre (PI. XIII— C3), 14 Elm PI.
Seating capacity, 1600.
Evenings: 50 and 30c.; balcony, 30 and 20c.; box seats,- 75 and
50c.; matinees: orchestra, 2Sc.; balcony, 15c.; box seats, 50c.
Keith's Orpheum Theatre (PI. XIII— C3), 579 Fulton
St. Vaudeville. Seating capacity, 1800.
Evenings: All seats, 50c.; matinees, 2Sc.
Casino Theatre (PI. XIII — C3), 98 Flatbush ave.
Olympic Theatre (PI. XIII — B3), 348 Adams st.
Vaudeville and Photoplays.
Evenings: Orchestra, •75, 50 and 25c.; balcony, 50 and 25c.; box
seats, $1.00; matinees: orchestra, 50 and 25c.; balcony, 25c.; box
seats, $1.00.
Majestic Theatre (PI. XIII — D3), Fulton st. near Ash-
land PI. Seating capacity 1844.
$1.50, $1.00, 75, 50 and 25c. Box seats, $2.00.
Prospect Theatre, 327 Ninth st. Capacity 2453.
Evenings: Orchestra, 75, 50 and 35c.; balcony, 50 and 3sc.;
second balcony, 15c.; box seats, 7Sc.; matinees, 50 and 35c.; balcony,
15c.; second balcony, 15c.; box seats, 50c.
\
' .'. ' I
I
I
..«.>•. ..aarx
FULTON FERRY TO BOROUGH HALL 401
II. From Fulton Ferry to Borough Hall
Fulton St., extending eastward from Fulton Ferry to
Cypress Hills, a distance of about six miles, has aptly been
called the "Broadway of Brooklyn," since it passes successively
through the municipal, financial and business centres, and the
chief residential districts lie conveniently adjacent. It is
traversed by one branch of the Brooklyn Elevated Railroad
system and by several of the trolley lines which cross the
'Brooklyn Bridge to Park Row. The lower portion of it now
offers little to attract the sight-seer, the dingy shops are
many of them vacant, as the course of trade has moved up
beyond Borough Hall, or else they have made way for still more
dingy warehouses. Whatever landmarks of historic interest
were spared by the sweeping fire of 1848, disappeared more
recently before the wholesale clearance necessitated by the
terminal tracks and stations of the Bridge. Visitors would
therefore find it more profitable to turn at once to the right at
No. 20, up the steep ascent of Columbia Heights (if they have
come by ferry), or up Cranberry St. (if by the Bridge) and
follow the route outlined on page 406. At Sands St., just
below Cranberry, the cleared space where the bridge cars
turn into Fulton st, was formerly the site of the old Sands
Street Church and graveyard. Just above this point, where
Fulton St. bends sharply to the right, the way was lined with
a magnificent row of arching elms. Talleyrand, the famous
French cynic and diplomat, lived for a time on Fulton St.,
opposite Hicks, during his brief exile in America, and a daily
walk under those elms was one of his chief pleasures.
Three streets further E., on the N. side, brings us to
Concord st. Here a short excursion to the N. may con-
veniently be made. At the N. E. cor. of Concord and Adams
sts. we reach Public School No. i, a plain red-brick structure,
dating from 1842 and occupying the site of the first district
school of Brooklyn, established in 1816.
It was also in 1816 that the first (Union) Brooklyn Sunday School
was held here in the original school-house. Note the tablet in gable
of main facade.
Continuing on Concord St. two blocks N. to Jay St.,
we reach, at the N: E. cor. of Jay and Chapel Sts., St, James
PrO'Cathedral, the earliest Roman Catholic church on Long
Island.
The church stands in the midst .of the old Catholic graveyard
(said to contain about 6000 graves). Its unpretentious exterior in no
way prepares the visitor for the sense of spaciousness and rich coloring
which greets him as he enters. The interior is cruciform, and contains
numerous memorial windows. In the S. W. cor. of the church-yard
402 RIDZR'S NEW YORK CITY
is a bronze bust of Peter Turner (1787-1863), the founder of the church,
who according to the memorial tablet on the pedestal "on January ist,
1822, organized his seventy fellow Catholics for the purchase of this
ground." Among these seventy organizers was the father of the late
Cardinal McClosky.
To the E. of the Pro-Cathedral, across McLaughlin Park,
stands Public School No. 5, 2l large modern structure, con-
taining in its main auditorium a large mural painting (30X 10
ft), by Frederick S. Lamb. It is in three panels and repre-
sents Washington with his officers in the Fortifications of
Brooklyn, before the Battle, of Long Island.
Returning to Fulton st. and continuing eastward two
blocks, we reach the junction with Clinton St., on the
right, long considered the Fifth ave. of Brooklyn, and
still a favorite Sunday promenade. The clearing oppo-
site was once the site of St. Ann's Church and burial ground,
a name commemorated in St. Ann's stores, which in their turn
disappeared. Passing Tillary St., we come to Johnson, which
Drings us (one block north) to Washington St. On the
nearer left-hand corner is the Clarendon Hotel. Directly
opposite is the *Federa[ Building (PI. XIII — B3), a massive
structure of Maine granite, in the romanesque order of archi-
tecture. At the southeast corner is a tower 25 feet square and
184 feet in height. This building contains the Central Post
Office and the Federal courts and offices. The cost of building
and site was $1,671,651. It is a finely proportioned structure,
but disadvantageously placed. Opposite on the southeast
comer of Washington st. is the Brooklyn Eagle Building, the
home; of Brooklyn's most widely known newspaper, which in-
cludes the name of Walt Whitman in its line of editors.
Whitman was appointed in February, 1846, and resigned in Janu-
ary, 1848, the owners of the paper not approving of his vigorous anti-
slavery editorials. Whitman was at that time living on Myrtle Avenue
near Fort Greene, and it was largely owing to his persistent advocacy
that the old battle-ground was secured to Brooklyn as a park. The
Eagle office was at that time on Fulton Street, near Front.
The Eagle Building stands on the site of the Brooklyn Theatre,
opened 1871, and burned down, December, 1876, with a loss cf 295
lives. 1 00 unclaimed bodies are buried in Grcejiwood Cemetery (p. 445)-
Returning to Fulton St., we continue one block to the
point where Court St. branches to the right, at the intersection
with Montague, and forms with Fulton a long, narrow
isosceles triangle with its base on Joralemon St., constituting
Borough Hall Park. Borough Hall (formerly City Hall)
occupies an advantageous position at the eastern end of the
triangle, with its rear fagade on Joralemon St., and its main
approach facing the apex. It is the oldest of Brooklyn's
public buildings, its corner-stone having been laid in April,
1836, on ground acquired by the city from the Remsen estate.
FULTON FERRY TO BOROUGH HALL 403
the memory of which is preserved in Rem sen St-, whose north-
ern end adjoins the park midway on the Court St. side.
History. The City Hall, as first ambitiously designed, was to be
a triangular structure of stately dimensions, occupying the greater part
of the one and two-thirds acres that comprise the present park. Accord-
ing to a contemporary description the exterior was ''to be of marble and
to have porticos on all three fronts, with columns 36 feet in height,
ornamented with capitals of the Grecian order, from the desijs^ of the
Tower of the Winds, resting on a pedestal base 17 feet high. The
angles are to be surmounted oy domes. In the centre will . be a tower
125 feet high, enriched with a cornice and entablature, supported by
caryatides on pedestals." The severe commercial depression of 1837
interrupted the progress of the work, and for a decade the unsightly
foundations remained at a standstill. Finally work was resumed on
a much modified scale and the building completed in 1849. As it now
stands it is not t.iangular but an oblong rectangle; there is only one
portico, and its central tower (a late and inharmonious addition,
replacing the original well designed tower, which was destroyed by
fire) has no caryatides. But otherwise the early description applies
in a general way.
Directly facing the portico, in Borough Hall Park, is a fine
♦Statue of Henry Ward Beecher, by John Quincy Adams
Ward, a rugged bronze figure of heroic proportions, enveloped
in the folds of an ample cloak. On the left is a life-size
figure of a bare-footed negress, laying a palm' branch at the
feet of the statue; on the right are a small boy and girl, the
latter holding the end of a garland hanging from the pedestal.
Twenty granite steps lead up to the portico of. Borough
Hall. On entering the main doorway, we find ourselves in a
large, square lobby, two stories in height with a gallery facing
the entrance, sustained by a double row of Corinthian columns.
The lobby contains a rather interesting collection of portraits,
chiefly of former mayors of Brooklyn. (The light is usually
poor, and many of the paintings may be seen most advan-
tageously from the gallery.)
Wall on right of entrance: large, full-length portrait of
George Washington, artist unknown; above, Daniel D. Whit-
ney, Mayor 1886-87, by Thomas Jensen (1831-88) ; below,
bronze medallion of Edward Swanstrom, President of the
Board of the Borough of Brooklyn, by E, T, Quinn; on right,
Samuel Smith, Mayor 1850, by James Frothingham (1786-
1864) ; Conklin Brush, 1851-52, by Francis Bicknell Carpenter,
1839-1900; Charles A. Schieren, 1894-95, by Richard Creifelds
1853 — ; Daniel Booth, 1866-67, by Junius Brutus Stearns,
1810-85 ; on left, Edward A. Lambert, 1853-54, by F. B. Car-
penter; Henry C. Murphy, 1842, by John Barnard Whittaker;
John W. Hunter, 1874-75, by /. B. Whittaker; ♦Seth Low,
1882-83-84-85, by Wiiliam Merritt Chase, 1849—-. (On the
left wall : in centre, large, full-length *portrait of Henry Clay,
by P. Staunton, Above, Martin Kalbfleisch, Mayor 1861-63,
404 RIDER'S NEW YORK CITY
by /. B, Stearns; on right, Francis B. Stryker, 1846-48, by /.
Frothingham; Samuel S. Powell, 1857-60; Joseph Sprague,
1843-44; George Hall, 1855-56, all three by Frothingham; on
left, Cyrus P. Smith, 1839-41, by Frothingham; Jeremiah
Johnson, 1837-38, by William Sidney Mounts ( 1806-68) ; Ed-
ward Copeland, 1849, by Frothingham; Jonathan Trottpr,
1883-86, by Samuel L. Waldo, (1783-1861). In front of the
two central columns are two white marble portrait busts:
right, Martin Kalbfleisch, by /. McNamee; left, Samuel F.
Powell, artist unknown. Passing beneath the balcony we find
in right corridor, Frederick A. Schroeder, 1876-77 by
Thofhas Jensen; Alfred M. Wood, 1864-65, by Alanson
Fisher (1897-84) ; Thomas G. Talmadge, 1845, by F. B. Car-
pe;iter. '^.eft corridor: James Howell, Jr., 1878-80.
The central door under balcony opens upon stairs leading
to the rear exit upon Joralemon St., directly opposite the site
of the old Municipal Building (1878) that has just been
demolished to make way for a more modern structure. To
the right of where it stood is a wide grass-grown enclosure
marking the former site of the First Reformed Church, until
it moved to its present stately edifice at the corner of Seventh
Ave. and Carroll St. (see p. 41). To the left of where the
Municipal Building stood is the County Court House (PI.
XIII — B4), dating from 1861 and chiefly interesting to vis-
itors as the scene of the sensational Tilton-Beecher trial
forty years ago. An extensive Law Library is contained in
Room 29.
On the site now occupied by the Court House, there
was once a widely known pleasure-garden, called Du Flon's
Military Garden. It was here that musical and histrionic art
began in Brooklyn.
Adjoining the Court House on the L. is the *Hall of
Records, erected in 1886 at a cost of $275,000. The building
has recently (1902-5) undergone extensive alterations and ad-
ditions and now extends along Court Sq. all the way to Living-
ston St., forming one of the most stately and dignified edifices
in this group of public buildings. The County Clerk's Offices
are on the ground floor, the Surrogate's Court on the 2d floor,
the Register's offices on the 3d, and those of the Commis-
sioner of Deeds on the 4th.
To the S. on Livingston St., behind the site of the re-
cently demolished Municipal Building is the substantial red
brick group of buildings comprising the Polytechnic Institute
(PI. XIII — C3), an outgrowth of the Brooklyn Collegiate and
Polytechnic Institute founded in 1854, and consisting of two
BROOKLYN HEIGHTS 405
departments, a College of Engineering and a preparatory
school. It was. reorganized in 1890 and received a collegiate
charter. It confers the degrees of Bachelor and Master of
Arts and of Sciences, as well as of Civil, Electrical and
Mechanical Engineering. There is still a preparatory depart-
ment. The library contains over 15,000 volumes.
Before leaving Borough Hall Park, we should take a
glance at the banks, business and office buildings which flank
it, especially on tne Court St. side. Unlike New York, Brook-
lyn has not suffered from congestion in her business district,
and there has been no necessity or temptation to erect sky-
scrapers of the type of the Metropolitan or Singer buildings.
Accordingly the few ten or twelve story structures along
Court St. and the adjacent cross blocks leading west to Qinton
look qyite substantial and prosperous, by comparison. Such
are the Terminal Building, at the southwest corner of Court
and Joralemon, a twelve story structure .of stone and pale
brick. Yellow brick is also the prevailing material of Temple
Bar on the opposite corner, which with its three cupolas is a
conspicuous landmark. The western half of the block
between Joralemon and Remsen sts. is occupied by the four-
story building of the United States Title Guaranty Company,
the Corinthian facade of which is rather pleasing. Further
in the distance we note the Garfield Building, tiie Fidelity-
Phoenix Fire Insurance, the Equitable Life, and at the corner
of Fulton and Montague sts., the broad and curving facade of
the Mechanics' Bank.
III. Brooklyn Heights
The Heights (PI. XIII — A3), for nearly a century the
undisputed center of Brooklyn fashionable life, and still pre-
ferred to-day by the old conservative families to the more
modem residential sections, comprises a tract of elevated land
lying between Fulton St. on the north and east, Joralemon St.
on the south and the water front on the west, rising in an al-
most perpendicular bluff from 70 to 100 ft. above water level.
There is room at the base only for one narrow street
Furman St., and two rows of warehouses, those on the inland
side being built in excavations in the solid rock beneath the
gardens behind the residences on the upper level. Readers
of "The Harbor," by Ernest Poole, will recall the descrip-
tions of these streets.
History^ The tract now known as the Heights was in early times
called the "Maize lands of Meryckawick," where the Canarsie Indians
grew their corn. Later it received the name of Clover Hill, and prior
' to the War of the Revolution was still partly covered with woodland.
The last of the trees were cleared by the British soldiers for military
purposes during their occupancy of Brooklyn, and that portion of the
4o6 RIDER'S NEW YORK CITY
Heights included within Poplar, Hicks, Orange and Furman Sts.
was used during the War of the Revolution as a burial place for British
soldiers and sailors. At the time of Brooklyn's incorporation as a
village in 1816, the Heights were occupied by a number of farms of
closely the original boundary lines.
After the incorporation of Brooklyn as a village, building lots were
in demand and plans were made to lay out in streets the southern
portion of the Heights, as had already been done with the section above
Clark street. Hezdciah E. Pierrepont, a wealthy and public-spirited
man of his time, who then owned over sixty acres between the present
Love Lane and Remsen street, and who had been one of the com-
mittee that framed the act of incorporation, realized the mistake that
had been made in laying out the northern end of the Heights in small
two-hundred foot squares of about an acre each, with narrow streets.
Accordingly at his own expense he secured the services of the official
surveyor of New York City, with the result that south of Clark Street
the blocks are double the length, the streets more spacious attd better
suited for a residential district.
For the visitor, arriving by ferry the shortest way to reach
the Heights is to turn at No. 20 Fulton St. towards the right
up the short steep slope of Columbia Heights. But for those
crossing the bridge by trolley, or those who have gone first to
Borough Hall Park by subway and thence down Fulton St,
it is preferable to turn off at Cranberry St. (170 Fulton). It
was at the corner of Fulton and Cranberry Sts. that Walt
Whitman worked in a small printing shop during the summer
of 1855, and while there set up with his own hands the greater
part of Leaves of Grass. It was published in July. One block
west on Cranberry St. brings us to Henry St., at the s. w.
corner of which is the City Armory, an ungainly, five-story
structure of brick and brown-stone dating from 1858. Its only
interest is that it occupies the site of the first Apprenticed
Library, the origin of the present Brooklyn Institute of Arts
and Sciences (see p. 424). It was here that Lafayette laid
the cornerstone of the library building, July 4th, 1825. The
occasion was made a sort of festival for the Brooklyn school
children, and Walt Whitman, then a child of six, was present.
The armory is now a factory for machinery and supplies.
Continuing west, we pass a drab structure, the Catholic
Church of the Assumption. Two more blocks bring us
to "^Columbia Heights, the most desirable residential street on
the Heights. The houses on the west side and the gardens
behind them abut on the high bluff above Furman St., and
command some unrivaled views of New York City and Har-
bor. Five little parks, barely an acre in extent combined,
corresponding to the termination of the five streets from
Middagh St. to Clark St., afford openings in the Hne of
dwellings on the water side of Columbia Heights and furnish
a series of interesting vistas of the harbor.
BROOKLYN HEIGHTS 407
Turning south from Cranberry St. into Columbia Heights,
we come to Orange St., at the N. E. corner of which stands
the Hotel Margaret, a twelve-story structure of cinnamon
brick, stone and iron. Two short blocks east on Orange St.,
brings us to **Plymouth Church and the Beecher Mem-
orial Buildings (at the corner of Hicks and Henry Sts. ;
(PI. Xni — A3), enclosing three sides of a small park or
lawn, with the church on the East and an arcade on the
North connecting it with the Memorial Building on the West.
Plymouth church is an ungainly, barn-like structure of red
brick, erected in 1847-50. Here Mr. Beecher preached for
forty years, drawing crowds of strangers from miles around
almost to the day of his death.
Henry Ward Beecher, born in Litchfield, Conn., June 2d. 181 -?
was brother of Harriet Beecher Stowe, author of "Uncle Tom's Cabin,"
and like her a strong abolitionist. One memorable Sunday he thrilled
his congregation by leading to the pulpit platform a young colored
girl, almost white, whose own father haci sold her into slavery. With
his contagious enthusiasm, Mr. Beecher proceeded to auction her off.
mimicking the tricks of the slave auctioneer's speech and gesture, and
soon had his hearers aroused to such a pitch that the price of the
girl's liberty was promptly raised. "And that was only the beginning,"
wrote Mrs. Stowe, "My brother raised the price of many a slave's
freedom in his church." His services were recognized at thd* close of
the Civil War, when he, together with W-illiam Lloyd Garrison, was
chosen to rai^e the flag over Fort Sumter.
One»of Beecher's friends was Theodore Tilton, author and jour-
nalist. For a short time Beecher edited the Independent, but resigned
in Tilton's favor. Suddenly, in 1870 Mr. Tilton became jealous of
Mr. Beecher, accused him of undue intimacy with his wife, and there
followed a six months' trial such as has seldom been equalled for
sensationalism and partisanship. Mr. Beecher's lawyer, Thomas G.
Sherman, cheerfully donated his services, giving up his New York
practice and devoting himself to his pastor's vindication. The result
was a disagreement, with nine to three in Mr. Beecher's favor. Other
independent investigations were more unanimous, and Mr. Beecher
was undoubtedly stronger after his trial than before.
On week-days the front entrance to the church is closed.
Wo may enter through the grassy enclosure on the left,
which contains, close against the arcade in the rear, the
"Slave" Statue of Henry Ward Beecher, by Gutson Borglum
a virile figure in bronze, with a slave girl kneeling at his feet.
To the left, on the wall of the arcade, is a bronze panel,
life-sized, of Abraham Lincoln seated, also by Borglum,
erected by the Fort Greene Chapter of the D. A. R., in memory
of its founder, Mrs. S. V. White, a prominent member of the
church (the first of a projected series of memorial tablets).
Entering by the door at the eastern end of the arcade, we turn
to the right through a hall-way, and again to the right through
a small rear door into the auditorium of Plymouth Church.
The impression made by the interior is not unlike that of
1
t
f
408 RIDER'S NEW YORK CITY
Spurgeon's famous church in London. A large, steeply sloping
gallery forms a huge oval around the entire building, broken
only by the width of the organ behind the pulpit. A second
gallery extends across the street end of the building, bringing
up the total number of pews to 320, with a seating capacity of
about 2500. The church is little changed since Mr. Beecher's
time. There is the same organ, the same chair, the same
*pulpit made from a log of olive wood brought from the
Mount of Olives in 1867 by a member of the church. To the
left of the door through which we entered hangs a small
^'Portrait of Henry Ward Beecher, by F. William Herring,
probably the most forceful and lifelike of his many portraits.
The one important change since the installation of Dr.
Newell D wight Hillis, the present pastor, is the series of inter-
esting memorial windows, replacing the former plain glass,
and symbolizing the Progress of Civic and Religious Liberty
and the Spread of Education in America. The subjects treated
are as follows, beginning on our right at entrance door : i, The
Landing of the First Minister in New York; 2, Manassas
Cutler: Puritanism in the West; 3, Marcus Whitman, John
Tyler, Daniel Webster. On opposite side, continuing circuit
from front to rear: i. Haystack Meeting, Williams College,
1806; 2, Evening Prayer, The Huguenots, The Carolinas; 3, \
William Penn, Peace Movement, Pennsylvania; 4, Thomas
Hooker, the First Settlement at Hartford. The setond tier
of windows is best seen from the gallery. Passing through
the vestibule, to reach the stairs, we note the Beecher Me-
morial Tablet, unveiled January 13, 1893: "In memoriam,
Henry Ward Beecher, first pastor of Plymouth Church, 1847-
87; 'I have not concealed Thy loving kindness and Thy truth
from the great congregation.' " Entering the gallery, we pro-
ceed on our right as we face the pulpit, to the extreme rear
of the church. Beginning here, the subjects treated in the
Windows are as follows : i, John Milton writing his Plea for
the Liberty of the Press; 2, John Robinson praying on the
deck of the Speedwell; 3, The Landing of the Pilgrims ; 4, The
founding of Harvard College ; at front end of church : three
windows representing famous modern champions of liberty
and education, with Abraham Lincoln in the centre, a group of
four men on the left and four women on the right. The
technical skill with which the modern dress has been adapted
to the exigencies of stained glass work has been much admired.
West side of church : i, John Eliot preaching to the Indians ;
2, The signing of the Compact on board the Mayflower; 3,
Oliver Cromwell announcing to George Fox the personal
Liberty of Worship ; 4, John Hampden appealing for Bill of
Rights before Charles I.
i (
X
n?i
• a • ^m '■ •
BROOKLYN HEIGHTS 409
Behind the auditorium is the church parlor, containing an extensive
collection of Beechcr relics, including portraits, manuscripts, etc.
Among other things of interest arc the orignal clay model of /. Q. A.
Ward's Beecher statue, which stands in front of Borough Hall (see
p. 403), and the manuscript of Xorzi'o<yd, together with the quill pen
that Beecher dropped over the banister to the floor below, thrust
through a paper with the laconic message to his wife, "It is finished."
In the church parlor and the adjoining Ladies' parlor arc memorial
windows containing the following portraits: i, Jonathan Edwards;
2, Horace Bushnell; 3, Lyman Beecher; 4, Phillips Brooks; 5, William
E. Channing; 6, Ralph Waldo Emerson; 7, John Greenleaf Whittier.
All these windows, both in the parlors and in the church, are severally
dedicated to the memory of former parishioners, among others, to
John Tasker Howard, (1808-88), "Founder of Plymouth Church," and
to Abby Frances Hunter, 1837-1907, wife of Lyman Abbott, second
pastor of Plymouth Church.
Returning to the hall through which we entered, we pro-
ceed by way of the arcade to the Arhuckle Institute, erected
to the memory of Mr. Beecher by the late John Arbuckle,
a wealthy Brooklyn merchant and philanthropist. The edifice
was dedicated in December, 1914, and at the end of the first
six months the membership had reached three hundred. In
its general scheme the Institute copies many of the features
of the Young Men's and Young Women's (Christian Associa-
tions, with one important distinction : namely, that its founder
believed that greater advantages could be obtained at a de-
creased cost by having a single institution for the two sexes,
and by giving the young people an opportunity to associate in
congenial and properly guarded surroundings.
The present building, dedicated in December, 19 14, is a model of
its kind. Everything is in excellent taste, harmonious, artistic and
restful. The prevailing tones are brown and yellow. The entrance
hall, main parlor and library are on the ground floor, separate parlors
for the men and the women, writing rooms, smoking room, and hall for
dancing classes on the floors above. In the basement are the baths and
bowling alleys, from which a separate stairway leads to a well equipped
gymnasium.
The various industrial courses of the Arbuckle Institute will eventu-
ally be conducted in another building to be erected on Hicks St.,
when the present structure will be kept wholly for social purposes.
At present the classes in Accountancy, English Literature, Home Eco-
nomics, Social and Aesthetic Dancing and Efficiency are held in the
upper rooms. The annual dues are $9.00 for men ancl $5.00 for women;
limited membership, exclusive of gymnasium, $2.00. Separate fees
are charged for each course.
During his forty years' ministry Mr. Beecher changed his
residence several times. He lived successively at 126, 82, and
124 Columbia Heights. Then he moved to 124 Hicks, corner
of Clark St., where he died. The house has since made way
for a modern apartment building.
Continuing south on Columbia Heights, past Pineapple
410 RIDER'S NEW YORK CITY
St., welcome to Clark St. Turning east, we pass the
St. George Hotel, between Hicks and Henry Sts. At the
s. w. corner of Clark and Henry is the First Methodist
Episcopal Church of Brooklyn, or Sands Street Memorial
Church. An inscription in the vestibule records the fact that
the first Sands Street Church was erected in 1794, rebuilt in
181 1 and again in 1843, destroyed by fire and rebuilt in 1848,
and the present edifice erected on this site in 1889. The
present pastor is the Rev. Ira D. Henderson. In the next
block, facing Monroe Place, is No. 97 Clark St., the home
of the late novelist, Paul Leicester Ford.
South of Clark St., on the west side of Henry St., is the
First Presbyterian Church, long established and fashionable.
South of Clark St., on the east side of Hicks St., we
see the Mansion House, a comfortable family hotel, with what
looks oddly like a greenhouse in the centre between its two
win^s. In 1829 the Brooklxn Collegiate Institute for Young
Ladies was incorporated, and a substantial building erected;
but the enterprise spent itself in this effort, and it was not
until 1845 that another attempt was made which eventually
developed into the Packer Institute (see p. 414) and the
Polytechnic (see p. 404). The original building, however,
survives in the Mansion House. Just south of this point, and
running from Henry to Hicks St., is a short, narrow alley.
Love Lane, It marks the spot where the De Bevoise brothers,
two old bachelors, formerly owned a strip of land adjoining
the Pierrepont property, and where they grew the first culti-
vated strawberries ever sold in the New York markets. With
them lived a ward, Sarah De Bevoise, whose beauty won her
a host of devoted admirers. The lane is said to have received
its name from the many love-lines scribbled or carved on its
wooden fences.
Columbia Heights ends at Pierrepont St., one square
south of Clark.
Half-way down the block we pass the Standish Arms, an
eleven-story apartment hotel, whose upper windows command
a wide view of New York and the Harbor. No. 198 is the
residence of A. Augustus Healy, President of the Brooklyn
Institute (see p. 424). No. 201, at the corner of Pierrepont
Street, was formerly the home of Seth Low, when mayor of
Brooklyn. His sister, Mrs. H. E. Pierrepont, lives at No.
216. This short block, continued in Montague Terrace, con-
tains by far the handsomest residences on the Heights.
The visitor should walk to the prolongation of Montague
Street, forming a high bastion or look-out, supported by
massive arched masonry, (Minart Le fever, architect), be-
BROOKLYN HEIGHTS 411
neath which the trolley line descends to the docks. A fine
viev^s is afforded of the gardens in the rear of the houses
above the bluff, and of the warehouses at the base along Fur-
man St.
Proceeding along Montague east to Hicks, we reach the
Hotel Bossertf the largest and most modern of Brooklyn
hotels, and extending along Hicks all the way to Remsen.
Turning east on Remsen St. to Henry, we reach (N. E.
corner) the Congregational Church of the Pilgrims, organized
in 1844. Two years later, the Rev. Richard Salter Storrs was
called, and remained pastor of the church until his death
in 1900. Dr. Storrs was one of the half dozen most noted
clergymen in the city and was often called the "Chrysostom
of Brooklyn."
The church contains some good memorial windows, notably the large
window over the entrance representing the Ascension (best seen in the
afternoon), in memory of Dr. Storrs and his wife; and the lirst window
on the right aisle, in memory of James S. T. Stranahan, chief founder *
of Prospect Park (see p. 422). Note on Henry st. facade a small
projecting block of stone obviously unlike the rest in texture. It is
a piece of Plymouth Rock, the landing place of the original "Pilgrims."
Retracing our steps and continuing south on Hicks Street,
we come next to Grace Church, one of Brooklyn's most
fashionable episcopal churches. It stands on the S. W.
corner of Grace Court, with its rear facade on Hicks Street
and its front entrance reached through a side gate on the
Court. It is an outgrowth of an earlier organization, Emman-
uel Church, on Sidney Place, incorporated in 1841, which
showed such rapid growth that a larger and more costly
church was planned. Accordingly in 1847 Grace Church was
organized and the corner-stone of the present edifice was laid.
It is of the late middle pointed order, and contains some fine
modern memorial windows. Both Grace Church and the
Church of the Pilgrims were designed by Richard Upjohn,
architect of Trinity Church, New York.
The church is open daily from 9 a. m. to 5 p. m. Behind the altar
IS a large, richly colored window in four panels, representing St. Peter,
King David, St. Stephen and St. Augustine. On the left or Grace Court
wde: (i) The Adoration of the Magi; (2) Christ in the Temple; (3)
The Feast at Cana; (4) The Sermon on the Mount; (s) The Ascension.
On the right: (i) Faith, Hope and Charity; (2) The Women at the
Sepulchre; (3) The Madonna and Child; (4) Christ with Martha and
Mary; (5) "Suffer Little Children to come unto Me." These windows,
all memorials to former members of the church, are among the finest
m Brooklyn. A few are from England, the others from the Tiffany and
Lamb studios.
Grace Court is a quiet and attractive little street, with
dwellings on the southern side only, the opposite side being
412 RIDER'S NEW YORK CITY
occupied by the well kept gardens belonging to the houses
on Remsen Street. No. 2 Grace Court was once the home of
Mrs. Harriet L. Packer, founder of Packer Institute (see
p. 414).
Joralemon Street, the next to the south, and the first
street to form a break in the western front of the Heights
and to slope to the water level, was formerly Joralemon Lane
and formed the boundary line between the Pierrepont and
Joralemon estates, and in a restricted sense the southern
limits of the Heights. The term however has been extended
by custom, and residents of the adjacent streets for several
blocks further south consider themselves included in the
favored district.
At Atlantic Avenue, the next street south, the character
of the neighborhood suddenly changes and we find ourselves
in the centre of a small but crowded nucleus of a Syrian
colony that has lately drifted across from the earlier settle-
ment in Greenwich Street. This is left behind when at
Pacific Street we turn east to Henry, reaching the Hoagland
Laboratory and the Long Island College Hospital. The
Hoagland Laboratory, founded in 1887 by Cornelius Nevius
Hoagland, is, as the bronze memorial on the Henry Street
facade records, the "first laboratory in the United States
erected, equipped and endowed by private means for the sole
purpose of bacteriology." The original cost of the laboratory
was over $100,000, to which Dr. Hoagland added a further
sum of $50,000 as a perpetual endowment fund.
Cornelius Nevius Hoagland (1828-97), though a native of New
Jersey, was taken to Ohio at the age of nine, there studied medicine
and practiced for two years. When the Civil War broke out he offered
his services and served as surgeon throughout the war with the 71st
Ohio Regiment. After the war he developed unexpected business
ability, although he never lost his interest in the sciences, and was a
member of many learned societies both here and abroad. In 1889 he
became president of the Cleveland Baking Powder Company. He was
a resident of Brooklyn from 1868 until his death in 1897.
The main wards of the Long Island College Hospital-
(1857-1905), occupy the entire western side of Henry Street
from Pacific to Amity, the north wing being the Arbuckle
Memorial, while the central and southern portions are the
Henry W. Maxwell Memorial. Opposite, on the S. W. comer
of Henry and Amity Streets, is the Polhemus Dispensary
and Memorial Clinic, which contains also the offices and
lecture rooms of the College Hospital Medical School. The
Dudley Memorial, on the S. E. corner, completes the group.
At the next corner we turn east on Congress Street to
Clinton. On the S. E. corner is the Second Unitarian Church
BROOKLYN HEIGHTS 413
(founded 1851). The present structure, dating from 1857 is
cruciform in shape, in the Anglo-Italian style and has a
seating capacity of about 600. It is interesting chiefly for the
fact that the Rev. Samuel Longfellow, a brother of Henry
W. Longfellow and himself a poet of some merit, was pastor
of this church from 1853 to i860.
One block further east, at the corner of Congress and
Court Sts., stands the old Roman Catholic Church of 5"^
Paul's, a substantial red brick building, 125 feet long by 72
wide, erected at a cost of $20,000. The land was given by
Cornelius Heeney, who is buried at the rear of the church.
His monument may be seen through the fence on the Con-
gress St. side.
Cornelius Heeney, of Queen's County, Ireland, came to America
when 27 years of age. He obtained employment with a New York
merchant, Mr. Backhouse, where he met John Jacob Astor, then a
porter. Some time later Backhouse sold out to Heeney and Astor
who went into partnership, but disagreed and separated a year later.
Mr. Heeney, although a bachelor, was devoted to children and his
home was constantly filled with orphan girls and boys. To the Brooklyn
R. C. Orphan Asylum he gave $18,000; he was one of the founders
of the R. C. Half-Orphan Asylum in New York City: and he left
numerous other generous endowments. A good deal of the land on
the adjoining streets is still held in trust for these benevolent pur-
poses, the residents owning their houses but continuing to pay ground
rent.
Returning north by way of Clinton Street (six blocks)
we reach, at the N. E. corner of Livingston Street, St. Ann's
Church, the oldest Protestant Episcopal church in Brooklyn.
As early as 1784 the Rev. jGeorge Wright began to hold services in
a house on Fulton Street belonging to Garret Rapelje, then in, a barn
owned by John Middagh in the rear of his house at the corner of
Fulton and Henry streets, then in an old British barracks at the comer
of Fulton and Middagh. At last, on the 23d of April, 1787, the Epis-
copal Church of Brooklyn was incorporated. ^ Ei^ht years later it was
reorganized as St. Ann's Church, "a title which it had tacitly received
some years earlier in compliment to Mrs. Ann Sands, who with her
husband, Joshua Sands, had been its most liberal donor." The earlier
church stood on the old Episcopal burial ground, Fulton Street, opposite
Clinton. The corner-stone for the present church was laid in 1867,
but the cost of the ambitious structure was so heavy that the debt was
not cleared until 1880, when one of the parishoners, R. Fulton Cutting,
raised his subscription from $10,000 to $70,000, on condition that the
balance should be at once collected and all seats be made permanently
free.
The present edifice is a handsome specimen of middle
pointed Gothic, built of Belleville and Cleveland stone, its
dimensions being 126 feet in length by 75 in width, with a
height from floor to roof of 90 feet. The seating capacity is
2400. The memorial windows merit a visit. The doors are
open daily from 9 to 5. In the vestibule are two memorial
tablets, one to the church's most distinguished pastor, the
Rev. Charles Pettit Mcllvaine (1827-33), previously Professor
414 RIDER'S NEW YORK CITY
of Moral Philosophy and Chaplain at the United States
Military Academy at West Point and later Bishop of Ohio;
and secondly to the Rev. Benjamin Qarke Cutler, whose thirty
year pastorate ( 1853-63) was the longest in the church's history.
Diagonally opposite, at No. 133 Clinton Street, in an un-
pretentious dwelling house, is one of Brooklyn's leading cluhs,
the Excelsior Club,
One block north, to the right on Joralemon Street (No.
170) stands the venerable gothic structure of Packer Institute,
the last architectural work designed by Minart Le fever (see
p. 415). Packer Institute is an outgrowth of the Brooklyn
Female Academy, founded in 1845, which prospered and in
1852 had over 600 pupils. The following year it wa.i burned
down. Mrs. Harriet L. Packer seized the opportunity offered
to found the Packer Institute, in memory of her late husband,
donating $65,000 for the purpose. In 1886 an addition was
built to the east, 28 ft. by 100 deep, containing a gymnasium
on the ground floor. In 1907 Alumnae Hall was erected on
the west side, in a style harmonious with the original gothic
design, and with the college seal and motto "Macte Virtute"
carved on the facade. The Packer Collegiate Institute now
includes Primary, Preparatory, Academic and Collegiate De-
partments. The library has over 8000 volumes.
At the junction of Qinton and Remsen we have on the
right the Spencer Memorial Presbyterian Church, and on the
left the Hamilton Club, organized m 1880- It is an out-
growth of an older organization; the Hamilton Literary
Association of Brooklyn, dating from 1830. Ninety-two mem-
bers of this older body constituted themselves into the modern
club, which was incorporated in 1882. The present club
house standing at the corner of Clinton and Remsen Streets,
is a tall, dignified structure of brick and red sandstone, and
cost $100,000. In front of the entrance is a ♦Bronze Statue
of Alexander Hamilton, by William Ordway Partridge. The
club contains a good art gallery, including The Republican
Court, by Huntington, purchased from the A. T. Stewart
collection.
Remsen Street is a favorite centre of club life. To the
east of Clinton, at No. 170, is the Church Club of the Diocese
of Long Island; to the west are the former home of the
Brooklyn Barnard Qub (recently disbanded) at No. 132, the
Brooklyn Civic Club at No. 127 (formed in 1915 by the con-
solidatin of ";he Brooklyn League and the City (31ub), and
the Brooklyn Engineers' Club at No. 117. The Brooklyn
Club, long at the cor. of Pierrepont and Clinton Sts.,* has
recently moved to 131 Remsen.
BROOKLYN HEIGHTS 4i5
The next block on Qinton Street is given over to busi-
ness. We pass on our right the eleven story, light brick
structure of the Brooklyn Rapid Transit Company, the Brook-
lyn City Railway Company, at the corner of Montague Street,
. opposite which, on our left is the ornate nine-story building
of the Franklin Trust Company. On the northern side of
Montague Street, at the left-hand corner of Clinton, stands
*Holy Trinity, the leading Protestant, Episcopal church of
Brooklyn. It is one of the earliest examples of the Gothic
revival in America, the chapel dating from 1846, and the
church from 1847. Its style is decorated English, with flam-
boyant traceries. The material is red sandstone. The entire
cost of the church, nearly $175,0000, was donated by Edgar
J. Bartow (1809-64), a wealthy paper manufactured. It was
built from designs by Minart Lefever. A few years ago it
became necessary to remove the tall spire of the steeple.
Minart Lefever (1797-1854) was an architect of distinction in his
generation, and no less than fort^ churches, many of them in Brooklyn,
stand as monuments to his ability. In addition to Holy Trinity^ he
designed the Strong Place Baptist Church, the Church of^ the Saviour,
the Church on the Heights, and Packer Institute, his last work. He
is buried in Cypress Hills Cemetery.
The dimensions of Holy Trinity are: length 145 feet;
with chapel, 170 feet; with rectory, 195 feet; width, including
buttresses, 80 feet. The entrance doors are of black walnut
with deeply sunk panels, highly enriched with carvings. The
church contains some *Stained'fflass Windows of exceptional
richness of color. Note especially the large window above
the reredos behind the altar, representing The Ascension, the
upper segment of which is filled with symbols representing
the Saviour. The windows in the side walls of the chancel
illustrate the Sacraments of Baptism and The Lord's Supper,
The windows in the main body of the church are historical,
those in the clerestory representing historical incidents from
the Old Testament; those of the aisles, in the compartments
above the galleries dealing with events in the life of Christ,
while those below are illustrative of His genealogy. These
windows were designed by William Jay Bolton, of Bolton
Priory, Pelham. In the vestibule are several memorial tab-
lets: on the right-hand wall, "In memory of William Henry
Lewis, D.D., first rector of this church, died October nth,
1877." Immediately to the left, a bronze memorial portrait in
low relief of Dudley Buck, "American composer, for 25 years
organist of this church (1839-1909)." On left wall: "In mem-
ory of Edgar John Bartow and his wife Harriet Constable
Bartow, 1871." The church i« open daily from 9 to 5.
To the east, on Montague Street (No. 199) the ornamental
4i6 RIDER'S NEW YORK CITY
Gothic front of the Brooklyn Library is a conspicuous
feature. It was built in 1868 at the cost of $227,000 and was
considered at the time one of the handsomest buildings in the
city. It is now the Central Branch of the Brooklyn Public
Library System.
Continuing on Clinton Street to Pierrepont, we reach the
Long Island Historical Society, incorporated in 1863, with
the avowed purpose of discovering and preserving "whatever
may relate to general history, . . . and more particularly
to that of the counties, cities, towns and villages of Long
Island." The present edifice was opened to the public in
January, 1881. On the ground floor is an auditorium with a
seating capacity of 800. The reading room of the library is
on the second floor and is intended for the use of members
only (annual dues, $5.00). A card, however, available for
a week, will be issued by the Public Library, on application
at the Montague Street Branch. The Historical Society
Library has a small but interesting collection of pictures and
curios, mostly of local interest, and the attendants obligingly
show them. The library contains some rare books, among
others the original edition of Audubon's Birds of America,
and the Cabinet du Roy, in 49 volumes. The Society's first
librarian was Dr. Henry R. Stiles, author of the standard
"History of Brooklyn."
Directly opposite, on the northwest corner of Clinton and
Pierrepont Streets is the new home of the Crescent Athletic
Club. The earlier building, a much more modest structure,
on the opposite side of Clinton Street, half way down the
block, has been converted into an apartment hotel, but pre-
served a reminder of its origin iq its name, The Crescent.
One block to the west, on Pierrepont Street, brings us to
the Unitarian Church of the Saviour, on the corner of Mon-
roe Place. This, the first Unitarian church of Brooklyn, was
organized in 1833 ; but the present structure, of brown stone,
in middle pointed Gothic, dates from 1844. It was designed
by Minart Lefever, the architect of Holy Trinity. Just
beyond Monroe Place, on Pierrepont Street stands another
of the many churches due to Lefever, the Church on the
Heights, or Second Reformed Church, organized in 1837. An
earlier edifice, built in 1839, still stands on Henry Street, near
Clark, and is occupied by the Zion German Lutheran Congre-
gation. The present structure on Pierrepont Street dates
from 1850, having been begun soon after the installation of the
Rev. Dr. George W. Bethune, one of the most eloquent of
the old-time clergymen of Brooklyn, during whose brief
pastorate this church enjoyed a period of great prosperity.
BOROUGH HALL TO PROSPECT PARK 417
The church is in the Roman-Corinthian order of architecture,
with a portico supported by Corinthian columns; its depth is
100 ft. with a frontage of 70.
IV. From Borough Hall to Prospect Park
a. From Borough Hall to the Plaza
From Borough Hall eastward, along Fulton St., and Livingston St.
running parallel to it on the S., is Brooklyn's chief shopping and
theatre centre. In general character it compares not unfavorably with
the lower 6th Ave. shopping district before the general exodus uptown
began; and a good many New York women have learned that they
can often make better bargains by taking the subway across to one
or another of Brooklyn's big department stores. In the main, how-
ever, Fulton St. is a replica on reduced scale of a New York street;
the shops are largely branches of New York houses; we come across
the Beck, Hanover and Regal Shoe Shops, confectionery such as Huy-
ler and Schrafft, Riker Drug Stores, Acker Merrall & Condit, grocers,
etc.
At the N. E. cor. of Borough Hall Park, the meeting-
point of Joralemon St. and Court Sq., Fulton St. bends to
the L., continuing almost due E. Willoughby St. forks to the
N. E., forming practically a continuation of Joralemon. In
the distance on Willoughby St. rises the Martyrs' Monument
(P- 437)- On Fulton St., beyond Court Sq., are the Kings
County Trust Company and the National City Bank. Here
Red Hook Lane branches off to the R., ending at Livingston
St. It is all that survives of the old lane which formerly led
in a zigzag course to Red Hook, a district of South Brook-
lyn bordering on the Erie Basin.
Pearl St. here branches to the L. At the N. W. cor. of
Pearl and Willoughby Sts. is Loew's Royal Theatre. Con-
tinuing on Fulton, we reach Jay St. (L.), N. on which is the
Star Theatre, and a block beyond, the tall structure of the
Fire Headquarters. To the R. on Fulton, Smith St. branches
to the S., with the Bijou Theatre at the corner of Livingston.
Six blocks S., at No. 125 Dean st, stands the former
home of Estelle Anne Lewis (1824-80), a poet of some dis-
tinction in her day, whom Edgar Allan Poe once called "the
Rival of Sappho."
Mrs. Lewis for several years held a sort of salon in the parlors
of this house. Favorite visitors included Washington Irving, Fenimore
Cooper, Nathaniel P. Willis, and William Cullen Bryant, who here
recited his "Thanatopsis." This is also one of the houses where it
is claimed that Poe read "The Raven" for the first time. She was
popularly known as "Stella," because of her genius and beauty. After
her divorce, she went to Europe. Lamartine, whom she met in Paris,
named her "the female Petrarch." She died in London.
4i8 RIDER'S NEW YORK CITY
The next four blocks of Fulton St. on the R. are occupied
almost wholly by large department stores, excepting a few
small shops. From Smith St. to Gallatin PI. is Matthews*
(recently closed). From Gallatin. PI. to Hoyt St. is Abraham
and Straus, the largest of the stores (restaurant on 6th floor,
with model kitchen, inspection of which is invited during
morning hours).
It was in front of this store, between DuiEeld and Lawrence Sts.
that the old First Church (p. 421) stood. The department store occu-
pies in part the old graveyard. According to tradition, the church
was built upon the ruined walls of an old fortress, built as. a protection
against Indians.
Duffield St., branching off to the N., takes its name from
the estate of the Duffields, one of the oldest Brookljm fam-
ilies. Just a few doors from Fulton St. is the Duffield Thea-
tre, a high class photo-play house.
The last representative of her line, an elderly lady, stubbornly re-
sisted the proposal to cut a street through her property. But at last
advantage was taken of her brief absence from home, and the street was
run through, cutting off part of the kitchen of the historic old home-
stead, not far from where the theatre now stands.
S. on Elm pi. is the Grand Theater. From Elm pi. to
Bond St. is Loeser's, a high-class department store. Opposite,
where De Kalb ave. branches off to the N. E., stands the
two-story, Ionic structure of the Dime Savings Bank, Two
blocks N., on Fleet st., we glimpse the white,' triangular struc-
ture of the Department of Health Building. The next street
E. (on R.) is Hanson pi. S., cor of Livingston st, is the
Montauk Theatre, and on Livingston, facing the end of
Hanson pi., is Keeney's Theatre (see mural lunette in lobby,
allegorical design by Arnold Brouner),
At Nevins st. (R.), Flatbush ave., running S. E. from
the Manhattan Bridge, intersects Fulton st. slantingly. At
the S. W. cor. of Nevins st. stands the Smith-Gray Building,
with a lofty campanile that may be seen for miles, and has
often helped strangers to locate themselves. On the Fulton
St. fagade of the Smith-Gray Building is a memorial tablet:
"Line of Defense, Battle of Long Island, August 27, 1776, from
the Wallabout to the Gowanus. Erected by the Sons of the Revolution
in the State of New York."
Two blocks S. on Nevins st., S. W. cor of Schermerhorn
St., is the recently erected Harriet Judson Branch of the
Y. W. C. A., intended as an up-to-date lodging house for
young working women (1912).
On the Nevins st. facade, cor. State st., is a memorial tablet:
"1814-1914, on this block, midway b-tween Nevins and Bond sts.,
stood Fort Masonic, erected September, 1814, by members of the
BOROUGH HALL TO PROSPECT PARK 419
Masonic Fraternity, as part of the defenses of New York." This tablet
was erected under the auspices of the Temple Club of the Fourth
Masonic District of New York.
Continuing S. E. on Flatbush ave., we pass at the junction
with Schermerhorn St., the Administrative Building of the
Young Women's Christian Association. Around the corner,
No. 298 Schermerhorn st. was once the home of Edward
Eggleston; here he wrote "The Hoosier Schoolmaster.*'
Further on, to the L., on Ashland pi., is the Brooklyn
Academy of Music, a notable example of polychromatic brick
architecture, erected in 1906, from designs by Herts &
Tallant. The dimensions are 184 ft. by 201 ft., and the cost
was $1,500,000. In addition to the main auditorium it con-
tains a Music Hall with a seating capacity of 1372.
Diagonally opposite, 4th ave. branches off to the S. Here
is a station of the new Fourth Avenue Subway between City
Hall, Manhattan and Coney Island (p. 32). One block E.,
where Atlantic ave. intersects Flatbush ave. slantingly, is the
Atlantic Avenue Station of the Long Island Railroad, To the
N., on Hanson PL, is the new Central Branch of the Young
Men's Christian Association, a fourteen-story structure of
white marble and dull red brick, containing five hundred bed-
rooms. It is said to be the largest and finest Y. M. C. A.
building in the world, and anyone interested in the work of
the Y. M. C. A. should give it an inspection. From this
point E., Flatbush ave. offers little of interest until we
reach the Plaza.
b. Prospect Park Plaza
One short block beyond Eighth Avenue, Flatbush Avenue
crosses Plaza Street, which stretches right and left in an
elliptical curve, forming the outer boundary of Prospect
Park Plaza. At the next corner to the right on Plaza Street
we see the ornate four-story Montauk Club (1890), a roman-
esque stl-ucture in two shades of pale brick. Surrounding
the upper story is a bas-relief frieze in the Greek manner,
representing the life and deeds of the Montauk Indians. On
the left, the concave fagade of the mammoth Riding and
Driving Club, one of the largest of its kind in the country,
occupies the entire block from Flatbush to Vanderbilt Ave.
The inner side of Plaza Street is bordered by a grassy,
tree-grown embankment of irregular height, forming a huge
horse-shoe strip of park extending around the greater part
of the Plaza, an open, paved ellipse about 800 feet in length
and temporarily disfigured by an ungainly enclosure where
subway excavations are in progress. ' Within the embankment.
420 RIDER'S NEW YORK CITY
Flatbush and Vanderbilt Avenues meet at an angle; and the
double set of trolley tracks that here intersect follow the
inner curve of the Plaza and continue, the one on the eastern
side of Prospect Park, to Flatbush, Flatlands and Bergen
Beach, the other along Prospect Park West to Greenwood
Cemetery. Union Street leads west to the water front
and the Atlantic Basin; while the broad stretch of
Ectstern Parkway curves to the east and north to Cypress
Hills nearly three miles away. At the focus of these diverg-
ing avenues, and facing the main entrance to Prospect Park
stands the **Soldiers:' and Sadlors* Memorial Arch, a monu-
mental structure of granite, eighty feet high by eigh^ in width
and surmounted by a *Quadriga in bronze, by Frederick
MacMonnies, and two symbolic groups, on the park fagade,
representing The Army and The Navy, also by MacMonnies.
History. The Soldiers' and Sailors' Memorial Arch was the out-
growth of a suggestion made by Seth Low, when Mayor of Brooklyn, in
a speech at Greenwood on Decoration Day. Mr. J. Q. A. Ward was later
asked to prepare plans, but his design called for so large an expenditure
that it was abandoned and an open competition invited, the winner
being John H, Duncan. The cornerstone was laid in 1889 by General
Sherman, and the arch finished and dedicated in 1892, the day chosen
being that of the Columbian Celebration, October 21. $250,000 were
voted by the Legislature towards the cost, the balance being raised by
private subscription.
The material of the arch is gray Maine granite, resting on a founda-
tion of dark polished Quincy granite. The span of the arch is thirty-
seven feet in width by forty-eight in height. On the keystone is carved
the seal of the United States. In the spandrels on the northern side are
the coats of arms of the State and City, and on the southern q>andrela
are the figures of Peace and Victory.
The bronze quadriga is of heroic size, with a female charioteer erect
in her chariot, holding aloft a banner and an unsheathed sword. To
right and left are winged figures symbolic of Victory. These figures
can be studied to best advantage from the roof of the arch. 107 steps
lead from the Plaza level to the top. Open to the public, week days,
from I to 5 p. m. ; Sundays and holidays, from 9.30 a.'m. to 5 p. m.
Set into the inner side of the piers supporting the arch are two equestrian
figures of bronze, in high relief, representing respectively Lincoln and
Grant, the joint work of William Rudolf O'Donovan and Thonuu
Eakins. ^
Facing the arch in a curving line, and marking the entrance to
the Park, are four Doric fluted columns of granite, resting on rectangu-
lar granite bases and surmounted by bronze globes, each bearing an
eagle, with wings spread and curved upwards until the tips nearly meet
(also by MacMonnies).
Other memorial monuments in the Plaza are: i. that
to Alexander J. C. Skene, president, dean, and gynecolog^ist
of Long Island City Hospital (1829-1900) by Massey Rhind,
erected in 1905; at the north end of the Plaza; 2. the bronze
statue of Major General Gouverneur Kemble Warren (1830-
82), by Henrv Bacrer, presented to Brooklyn in 1896 by the
G. K. Warren Post of the Dept. of N. Y. G. A. R.; 3. a
BOROUGH HALL TO PROSPECT PARK 421
memorial portrait plaque, bronze, in low relief, of Henry W.
Maxwell (1850-1902), by Augustus St. Gaudens, the plaque
being set in the face of a large granite boulder. The last
two are situated respectively at the western and eastern ends
of the horse-shoe strip of park.
c. Side Excursion to Prospect Park West
This district contains some of the most costly residences in
Brooklyn; but it has neither thc^ social traditions of the Heights, nor
the spacious lawns, with fine trees and shrubbery, that form the chief
attraction of the section adjacent to New York and St. Mark's Avenues.
The more ornate and pretentious dwellings, suggesting adaptations of
French chateaux and Italian villas, arc to be found along Prospect
Park West (9th Ave.) and also on 8th Ave., one block W.
From Flatbush ave. turn S. on 6th ave., reaching at Ster-
ling pi. the R. C. Church of St. Augustine, occupying with
the Parochial Residence and Catholic High School an entire
city square. It has been claimed that this is the most costly
ecclesiastic structure in Brooklyn.
The interior is rich and impressive. Note especially the handsome
Sanctuary Lamp, made by Tiffany. The tabernacle, encrusted with
costly jewels is guarded by a specially constructed safe.
Two blocks further S., we pass at the N. E. cor. of
Lincoln pi. the Sixth Avenue Baptist Church, an unattractive
red-brick structure; and three blocks further S., at the N. E.
cor. of CatrroU st., the R. C. Church of St. Francis Xavier,
with Rectory and Parochial School. It is a granite structure,
designed on the order of early French Gothic. The interior
merits a visit. Turning E. on Carroll St., we reach at the
N.W. cor. of 7th ave. (one block E.) the "Old First" Dutch
Reformed Church, one of the handsomest churches in
Brooklyn.
This church dates back to 1660, the congregation holding services
in a barn; the^ first edifice, completed in 1666 and rebuilt in 1766, was
situated in the middle of what is now Fulton St., near Lawrence St.,
according to tradition on the foundations of an old fort. It is de>
scribed by early historians as "an ancient landmark, placidly obstructing
Jhe tide of travel on the Jamaica and Flatbush Road.*' The old church
was removed in 1807; and a new one erected on Joralemon St. (then
Lane), behind Borough Hall. The present edifice dates from 1891.
Its architectural order is a simple English Gothic, with a single grace-
ful spire over one side of the nave in front. The material is a* fine*
grained granite, as white and smooth of finish as marble. The interior
color scheme is distinctly pleasing. Note especially the large mural
painting (14 by 21 ft.) behind the pulpit, representing The Angels and
Women at the Empty Tomb iVergelio Tojetti, artist).
South on 7th ave., extending from 4th to 5th st., is the
Manual Training High School; diagonally opposite, at 6th
St., the squat, brown stone structure of the Greenwood Baptist
Church; and facing it, from 6th to 7th St., the extensive
422 RIDER'S NEW YORK CITY
grounds and buildings of the Methodist Episcopal Hospital
(incorp. 1881), including a Training School for Nurses.
Capacity, 225 beds.
The visitor may prolong his ramble southward as far as he pleases
but will find the constant recurrence of mediocre churches rather
monotonous. On the return trip, he should walk £. to the park a.iid N.
to the Plaza.
On President st., one block S. of the Plaza, No. 916, betw.
Prospect Park West and 8th ave., is the home of the once
"popular" novelist, Laura Jean Libbey.
V. Prospect Park
**Prospect Park (PL XII— B4), next to Central Park
the most picturesque of all the parks of Greater New York,
occupies 526 acres of rolling highland stretching southward
towards Coney Island and commanding at many points fine
views of Brooklyn and New York harbor on the one hand,
and of Long Island and the Atlantic coast on the other. Park
carriages make the circuit of the principal points of interest
(25 c. each). A good pedestrian, however, may cover the
same ground, and to even better advantage, on foot in about
an hour and a half.
History: Just at the opening of the Civil War, on April 17, i860,
the Legislature passed an act authorizing the creation of Prospect Park.
Mr. James S. T. Stranahan was chosen President of the Board of
Commissioners, a position which he held until 1882. They at once
retained Lieut, (later General) Egbert L. Viele as engineer, associated
with Olmsted and Vaux, landscape architects, to do for Prospect Park \
what he had lately done for Central Park. Owing to the hard times
resultinj^ from the war, the work of laying out the Park, and the
acquisition of a considerable part of the land, had to be deferred
until the close of the war. Consequently, the Park was not opened until
1 87 1. It is an interesting fact that the shape of the Park was deter-
mined by the relative cost of land in Brooklyn and in Flatbush. It
was found to be more economical to narrow and elongate the northern
end toward the city and spread out the southern portion over the
cheaper land on the Flatbush side.
At the Plaza entrance there are a central driveway
and a footpath on each side. Just within the entrance, to
the left of the drive, is an interesting portrait statue, by Mac-
Monnies, of James S. T. Stranahan, "Brooklyn's foremost
citizen," who did more than anyone else towards establish-
ing and beautifying this and other city parks. Keeping to
the left for about five minutes, we reach a fork in the path, the
left branch leading to steps descending to the Rose Garden
(a narrow rectangle 500 feet long, laid out in formal beds,
with three marble basins for aquatic plants), while the right,
passing through a wisteria arbor, commands a good view, far
below, of the Vale of Cashmere, with its artificial lagoon and
PROSPECT PARK 423
a profusion of tropical plants which in the springtime blos-
som in a riot of color. Following the path under the arbor
we reach the eastern drive-way, which here follows the line
of the old Flatbush turnpike. A boulder in a meadow on the
east of the drive, a few hundred feet to the south bears a
bronze tablet, marking the line of defence at Valley Pass, one
of the critical points m the Battle of Long Island, August 27,
1776. To reach it, the visitor must follow the drive or cross
the meadow, since there is no foot-path. Retracing our.
steps, we cross the drive and almost at once reach the Long
Meadow, stretching along the whole south-western side of the
park and forming the chief playground of the children of
Brooklyn. It is a pretty sight in the spring-time when May
parties are in progress and the whole expanse is filled with
brightly beribboned May poles and happy groups of school
children.
Continuing southward beside the Long Meadow and keep-
ing to the left we again reach rising ground, and on a little
knoll on the right we find the bronze Bust of John Howard
Payne, "actor, journalist, dramatist, and author of Home,
Sweet Home." It was erected by the Faust Club of Brooklyn
{Henry Baerer, sculptor).
Our path, curving to the left, now leads to the Menagerie,
a small and unimportant collection of animals and birds
although new and modern cages are in process of construc-
tion (the bear pits are roomy and contain some good speci-
mens). As the animal houses and pens are strung along a
single path we cannot fail, continuing south, to come out pres-
ently at the Band-stand and Picnic Grounds, whence a rustic
bridge and then a stone bridge, over northern branches of the
Lake, bring us to the Boat House (Restaurant for light re-
freshments, ice cream, etc.).
Electric launches make the circuit of the lake (60 acres in extent) ;
fare, adults, 10 c; children under twelve, 5 c. Party boats for one of
two, 25 c. per hour; 10 c. extra for each additional person.
The path curving to the left through a tunnel under the
driveway leads to the Flower Garden, a long shaded terrace
facing the main body of the Lake and adorned ^th bronze
busts of famous musicians and others.
They include Beethoven, by Henry Baerer; Mozart, by Augustus
M. J. Mueller; and Weber, by Beach; all three presented by the United
Singers of Brooklyn; Grieg, by Ashjornsen, presented by the Nor-
wegian Societies; and the poet, Thomas Moore erected by the St. Pat-
rick Society of Brooklyn {John G. Draddy, sculptor, 1833-1904). In
Elace of honor at the S. end of the Terrace stands a *Bronze Statue of
.incoln; by Henry Kirke Brown. E. of the Flower Garden, facing the
driveway, is a bronze bust of Washington Irving, by Henry Baerer. S
424 RIDER'S NEW YORK CITY
of the Flower Garden steps descend to the Lake. A few hundred feet
on path curving to the left we reach a bronze group strikingly realistic:
*A Lioness and her Cubs, by Victor Peter.
Steps ascending W. of Flower Garden lead to a wide
plateau, "the Old-fashioned Flower Garden" whose brilliant
display attracts many visitors. The drive- way here curves to
the right, crossing an arm of the Lake at a height of fifty or
sixty feet. Following the path beside it, we obtain, from the
bridge, an impressive first view of the Monument to the
Maryland heroes, who fell on Lookout Hill. The monu-
ment stands half-way up the slope of the hill. It is a shaft
of polished granite, resting on a square granite base, and
capped with a bronze Corinthian Capital, surmounted by a
white marble globe (Stanford White, architect). It was
erected in 1895 by the Maryland Society of Sons of the
American Revolution, and is simply inscribed "In honor of
Maryland's Five Hundred who on this field of battle August
27, 1776, saved the American Army." The bodies of these
gallant Marylanders were interred, not on the battlefield, but
on a small knoll two miles to the northwest. Third ave.
crosses the spot midway between 8th and 9th sts., but its
site is far below the present street level.
The Prospect Park Greenhouses lie on the west side near
the 5th St. entrance. Open daily from 8 a. m. to 5 p. m.
At the 5th ave. entrance on Prospect Park West, the
gateway is flanked by Twa Panthers, heroic size, surmounting
lofty pedestals. They stand alert, with heads raised and ears
pointed forward (Alexander Phinister Proctor^ sculptor).
At the Ocean ave. entrance, S. side of Park, stand *The
Horse Tamers, by Frederick MacMonnies. The details of
these two spirited groups may be best studied in the reduced
replicas in the Metropolitan Museum (second floor, S. side
of main staircase). The Horse Tamers are companion pieces:
they portray in bronze, heroic size, a pair of rearing horses; a
nude youth, brandishing a whip, bestrides one horse and is
striving to control the plunging animals.
, VI. The Brooklyn Museum
The **Brooklyn Museum (PI. XIII — F2) faces upon
Eastern Parkway just beyond the Brooklyn Reservoir. It is
open to the public on week days from 9 a. m. to 6 p. m., on
Sundays from 2 to 6 p. m., and on Thursday evenings from
7.30 to 9.45. Admission is free excepting on Monday and
Tuesday, when an entrance fee of 25 cents is charged;
children under twelve years of age, 10 cents.
THE BROOKLYN MUSEUM 425
The Brooklyn Institute of Arts and Sciences originated in the
Apprentices' Library Association, fojunded by Augustus Graham in 1823,
witn the co-operation of other leading citizens of that time, the purpose
being to found a free reading library for the apprentices of Brooklyn.
The comer-stone of the society's first building was laid by General
Lafayette (see p. 406) at the junction of Henry and Cranberry Sts.
on July 4, 1825. The ceremony was accompanied by festivities in which
the children of Brooklyn played a part. One of them was the poet
Walt Whitman, then six years old, who has left^ a vivid description of
his memories of the event. In 1835 the society had outgrown its
quarters and removed to a new building on Washington Street. Its
scope had been much extended, and its public hall was for many years
the scene of many important social and historic gatherings, in which
such eminent scientists and famous speakers as Agassiz. Dana and Morse,
Sumner, Garrison. Emerson and Beecher took part. In 1843 its charter
was amended and its name changed to the Brooklyn Institute. After
some years of stagnation, it was reincorporated in 1890, at which time
man^ other separate societies and clubs, such as the Brooklyn Micro-
scopical Society, the American Astronomical Society, the Brooklyn
Entomological Society and the Linden Camera Club voluntarily merged
themselves in the Institute as new departments. The possessions of the
Institute to-day include, in addition to the Central Museum, the Chil-
dren's Museum in Bedford Park (see p. 436), the Brooklyn Botanic
Garden (see p. 434), and the Art Building in Montague Street.
The design of the present museum building, as shown
by the model in the Hall of Statuary, calls ultimately for an
imposing rectangular structure, with a northern and southern
portico, a lofty central dome and transverse corridors dividing
the open inner space into four courts (M^im, Mead and
White, architects. Up to the present time only thr§e sections
have been erected (1897, 1905 and 1907), comprising the
v/hole of the northern fagade. The northeast section, facing
on Washington avenue, is now in process of construction.
The ♦♦Exterior Sculptures deserve especial attention, be-
cause, although elaborate ornamentation is not rare on the
outside of public buildings in American cities, a unity of design
on such an elaborate scale as that of the Brooklyn Museum is
almost unique. The plan calls for four symbolic groups in
high relief, one for each of the four pediments of the com-
pleted building, and twenty monolithic sculptures for each
of the four quadrants, or eighty altogether. The task of
working out a harmonious scheme was intrusted to Mr.
Daniel^ C. French, and he and the other sculptors associated
with him have been busy with their task since 1907.
The statues on the two fagades of the northeast quadrant
represent Oriental ideas; those of the northwest quadrant are devoted
to Greece and Rome; the southwest section will be aevoted to the Middle
Ages and the Renaissance, and the southeast to the ideals of modern
Europe and America. Since the north, and part of the east facade, are
fhe only portions of the Museum yet completed, the schemes for the
statues for the northeast and northwest quadrants have naturally been
worked out first. They include the following allotments: Egypt, 2;
Assyria and Babylonia, a; Persia, 2; India, 4; China, 4; Japan, i;
Old and New Testament, 4; Mohammedanism, z; Greece, 10; Rome, to.
426 RIDER'S NEW YORK CITY
At present (1916), one pediment group and thirty
of the monolithic sculptures are in place. They form a
noble gallery of sculpture, and it is a pity that there is no point
from whidi they can be closely studied. The photogravure
reproductions in the Institute Bulletin (accessible in the
Museum library) afford an opportunity for the study of de-
tails; but the visitor will do well to provide himself with a
good pair of opera glasses, so that he can examine these
colossal statues at a convenient distance.
The Northern Pediment, by Daniel C. French and Adolph A.
Weinmann contains two central figures — a man representing Science
and a woman representing Art. Between them they hold a shield
designed to bear the insignia of the Instituteu To the right of Art
is a group of three figures, symbolizing Painting, Sculpture and
Architecture. To the left of Science is a similar group, symbolic
of Astronomy, Geology and Biology. In the left-hand angle is a
peacock, the Oriental symbol of art, and in the right angle a Sphinx,
the Egyptian expression of Wisdom.
The statues now in position run in the following order: First, from
the Pediment westward: (1) The Greek Epic (Homer), by Daniel C.
French; (2) Greek Lyric Poetry (Pindar), by Daniel C. French: (3)
The Greek Drama (Aeschylus), by George T. Brewster; (4) The Greek
Statesman (Pericles), by George F. Brewster; (5) Grede Sdence
(Archimedes), by Kenyan Cox- (6) Greek Religion (Minerva), by^
Daniel C. French; (7) Greek Philosophy (Plato), by Herbert Adams;*
(8) Greek Architecture (Phidias), by Herbert Adams; (9) Greek
Sculpture (Praxit<^es) , by Herbert Adams; (10) Greek Letters (Demos-
thenes), by Herbert Adams; (11) Roman Law (Justinian), by John
Gelert; (12) The Roman Statesman (Julius Cssar), by John Gelert;
(13) The Roman Emperor (Augustus Caesar), by John Gelert; (14)
The Roman Orator (Cicero), by John Gelert; (is) The Roman Epic
(Virgil), by Charles A. Heher, Second, from the Pediment eastward:
(i) Indian Religion (Buddha), by Edward C. Potter; (2) Indian
Philosophy (Shankara)^ by Edward C. Potter; (3) Indian Literature
(Kalidasa), by Attilio Piccirilli; (4) The Indian Law Giver (Manu), by
Attilio Piccirilli; (5) The Persian Religion (Zoroaster), by Edmund
T. Quinn' (6) The Genius of Islam (Mohammed), by Charles Keck;
(7) The Hebrew Apostle (St. Paul), by Augustus Lukeman; (8) The
Hebrew Prophet (Isaiah), by Augustus Lukeman: (9) The Hebrew
Psalmist (David), by Augustus Lukeman; (lo) The Hebrew Law Giver
(Moses), by Augustus Lukeman; (11) Japanese Art (Many Artists), by
hfiss Janet Scudder; (12) Chinese Law (Many Statesmen), by Karl
Bitter; (i^) Chinese Art (Many Artists), by Karl Bitter^ (14) Chinese
Religion (Lao-Tse), by Karl Bitter; (15) Chinese Philosophy (Con-
fucius), by Karl Bitter.
The total cost of these thirty sculptures was $122,000.
On Sundays and holidays the main entrance is
used, but on week days admission is by small door
immediately to the right of the imposing stone stair-
way which forms the approach to the portico and main
entrance hall on the floor above. A narrow hallway leads
directly to the back of the building, where staircase and
elevator are situated. The collections contained in the
Museum are arranged as follows: Basement, Ethnology;
THE BROOKLYN MUSEUM 427
Ground Floor, First Floor, Ethnology and Sculpture and
Decorative Arts; Second Floor, Natural History; Third
Floor, Paintings and Sculpture. The basement, exhibit
may be conveniently disposed of first. It consists
chiefly of domestic, household articles of the Japanese,
the Ainus and Koreans, furniture, table ware, jewelry, articles
showing their skill in the applied arts, notably Japanese
wrought iron work inlaid with silver and gold; fans, pipes,
and lastly a curious variety of games, votive offerings,
toys, etc.
Ground Floor. The Eastern wing contains some richly
embroidered Chinese ceremonial robes and other wearing
apparel. A long gallery takes us through the print collection
whose exhibits are changed frequently to the Museum library
which contains 22,000 vols, on art, science and ethnology,
(free to the public at all hours when the Museum is open).
Returning to the entrance passage, we descend three steps
to the western wing, the first room of which is the Japanese
gallery, containing armor, weapons and more wearing ap-
parel, war horns, stone beads, musical instruments, fans, etc.
In the narrow passage leading to the second room are
the Burmese and Siamese collections, including porcelain
and enameled copper ware, lacquer work, images of Buddha,
of gilded wood and of brass, betel-nut boxes and weapons.
The second room contains exhibits from the Pacific Islands,
in the following order, beginning on the right: New Britain
Archipelago, Gilbert Islands, Hawaiian Islands, Fiji Islands,
Marquesas Islands, Samoa, Harvey Islands and New Zealand.
A winding stairway leads to the Second Floor, containing the
collections gathered from the Indians of the southwest
United States, of Central and Northern California, and of
the Northwest coast of . North America. Beginning at the
furthest room in the southwest corner, we find an extensive
assemblage of totems and other carved wood, from the
Kwakiutl and Nookta Indians of Vancouver Island, the Makah
Indians in the State of Washington, the Ehatisaht, Oiaht and
Salish Indians, also of Vancouver Island, and the Haida
Indians of Queen Charlotte Island.
Passing into the adjoining room, we find the Pomo Indian
collection, from Upper Lake, California, including feather
dance dresses, bows, arrows, and baskets, the product of the
Museum Expedition of 1907 r the Museum Expedition of
1905, from the Yurok Indians of Klamath River, California
(*Yurok baskets in central cases) ; the collection of the
Museum Expedition of 191 1 among the Yokuts Indians of
444 RIDER'S NEW YORK CITY
Peter Cooper (1791-1863) was bom of reTolutionary stock. In
boyhood he mastered several trades; subsequently he became engaged
in the manufacture of iron and various forms of machinery. He con-
structed the first American-built locomotive, and bore an important part
in the laying of the first Atlantic Cable.
Returning to the Plaza, the visitor should be sure to cross
to Manhattan by the Williamsburg Bridge, the *view from
which is regarded by many as the finest to be had from any
of the bridges.
Lying in quite another part of Brooklyn, but of great in-
terest to any traveler interested in the commercial life of
New York, is the Bush Terminal.
The Bush Terminal Company, whose docks and yards
extend from 40th to 46th street, South Brooklyn, controls
by far the largest docking and storage enterprise in the
vicinity of Greater New York. It has ten industrial service
buildings, all of reinforced concrete, 130 warehouses, 25
miles of private railway track, a completely equipped railroad
yard, seven 1400-foot covered piers, and a flotilla of barges,
car-floats, lighters and tugs.
Seventeen steamship lines are berthed at these piers, including
among others such important lines as the American Hawaiian, the
Austro-American, the Prince, the American & African, the Hansa, the
Hamburg-South American, the Norton and the American & Australian
lines. The magnitude of the piers may be realized frOm the following
dimensions of the new one, slightly larger than the others: It is 1400
ft. long, 50 ft. high and 270 ft. wide. Its two stories comprise about
15 acres. Its foundation piles extend 30 ft. below low water, are
grouped in lots from 10 to 30 and are capped with concrete
heads 11 feet in diameter. The total cost was about $1,000,000.
Prior to the war, the company which rented this pier arranged i
schedule so that three ships should always be at the pier; each vessel
had a capacity of a z 0,000 ton cargo, so that this one line alone could
handle 1,500,000 tons of freight per year.
GREENWOOD CEMETERY 445
X. Greenwood Cemetery
♦Greenwood Cemetery, second in importance to Wood-
lawn alone among the cemeteries of Greater New York,
occupies approximately a square mile of highlands in South
Brooklyn, overlooking New York Harbor. It is about 2]^
miles from Brooklyn Bridge, and can be best reached by the
5th Ave. Elevated line to 25th St. station (main entrance),
or by 7th Ave. trolley to N. E. entrance at 20th St.
History. In 1832, Henry E. Pierrcpont, returning from a visit
to the newly opened Mt. Auburn Cemetery (1831), took steps to have
a similar one established in Brooklyn, and suggested the wooded heights
of Gowanus, the historic ground where Stirling and his Pennsylvania,
Delaware and Maryland regiments made their brave stand. In 1837
the Greenwood Cemetery Corporation was incorporated, with a capital
of $300,000 and the privilege of purchasing 200 acres. The work of
surveying was begun in 1838, and the cemetery opened in 1840, at a
total cost of $281,684. The first interment was that of John Hanna,
Sept. 5th, 1840.
Opposite the main entrance is a lofty ornamental gate-
way, erected in i860, from designs by Upjohn & Co. It is
in the middle pointed English Gothic style, of Belleville
brown stone. It holds the offices of the administrators and
3 visitors* room.
Over the gateway are a series of bas-relief sculptures representing:
I. The Entombment of the Saviour; 2. His Resurrection; 3. The Resur-
rection of Lazarus; 4. The Restoration of the' Widow's Son. These
are executed in olive tinted sandstone. The designs, as wdl as the
four allegorical figures on the shields of each symbol are by John Moffat.
Opposite the gateway, on the L., is the Theatre Fire
Monument, beneath which lie the unidentified bodies of those
who perished in the Brooklyn Theatre fire in December, 1876,
in which nearly 300 persons lost their lives. The Soldiers*
Monument, erected to the memory of 148,000 soldiers who
died in the Civil War, stands on the plateau of Battle Hill
(so called from the part it played in the Battle of Long
Island). On Locust Hill, near Oak Ave., is a bust of Horace
Greeley, founder of the Tribune, erected by the printers
of America. A short distance S. of the entrance in Baywood
Dell, stands a colossal bronze statue of Governor DeWitt
Clinton. Nearby is the Mortuary Chapel, built of Indiana
limestone, in the French Gothic style (^Warren & JVetfnore,
architects.)
The grave of Professor Samuel F. B. Morse, inventor
of the electric telegraph, is on High wood Hill, a simple
triangular block marking the spot. One of the most notable
monuments is that commemorating John Matthews (1809-
70). It is situated at the S. end of Valley Water, and
446 RIDER'S NEW YORK CITY
consists of a sculptured sarcophagus, on the top of which is
a full-length figure of the deceased. It rests beneath an
elaborately carved canopy. ^ Cost, $30,000 (Carl Miller,
artist) .
Two other monuments should be noted: The Pilot's
Monument, erected by the pilots of New York to a heroic
comrade; and the Sea Captain's Monument, surmounted
by a statue of Captain John Correka (the sextant which he
holds in his hand is the identical one which he used in life.)
Among the graves of famous persons interred in Green-
wood are those of Henry Ward Beecher (see p. 407);
Brown Brothers, the bankers; and James (jordon Bennett,
founder of the New York Herald. The number of in-
terments in Greenwood has risen to more than 325,000 persons.
XI. Coney Island, Brighton Beach and
Sheepshead Bay
Coney Island may be reached: i. By water (Iron Steamboat Co.,
17 Battery pi.; fares, Round trip: adults 50c., children 30c.); 2. B>
new Fourth ave. (Brooklyn) Subway, from Centre St., Manhattan, in 40
min.; fare, 10 c. 3. By Brooklyn Elevated R. R. from Manhattan end
of Brooklyn Bridge: Culver Line. "Brighton Beach Line; fare. 10 c.
4. By surface trolley-car: from Manhattan end of Brooklyn Bridge;
Smith and Ninth St. Line, Union St. Line, Vanderbilt Ave. Line;
average time, i hour; fare, 10 c; also by ferry to 39th St. (Brooklyn),
then by trolley. There are surface lines running to Coney Island from
the Williamsburg Bridge Plaza, but the ride is tedious and uninteresting.
Coney Island, the most westerly of the series of popular
seaside playgrounds on the S. coast of Long Island, is, in-
cluding West Brighton, the oldest, most densely crowded and
most democratic of them all. It consists in the main of one
broad street, Surf Avenue, almost a mile in length, extending?
from Sea Gate at the W. end to Brighton Beach at the E.
The space between this avenue and the beach is mainly
occupied by hotels, bathing establishments, amusement parks,
etc., but at the midway point is a netyrork of narrow inter-
secting alleys and arcades, the chief of which is the Boivery,
densely packed with every imaginable catch-penny device :
shooting galleries, merry-go-rounds, refreshment booths, etc.
The time to see (3oney Island at its height is at night, when the
glitter of its myriad lights, the contagious merriment of its thronging
crowds cast a veil over the tawdry cheapness and vulgarity that are
painfully evident in the daytime. On the other hand, one misses at
night the interesting contrast offered by the successive sections of the
ditterent beaches, from Sea Gate to Rockaway, the types of summer
colonies, etc., all of which can be studied to advantage oy day.
CONEY ISLAND TO SHEEPSHEAD BAY 447
The Brooklyn Rapid Transit Depot opens on Surf ave.,
near the E. end. Just beyond (R.) is the "Rocky Road to
Dublin" ; diagonally opposite is the site of what was formerly
"Dreamland/* now occupied by a number of minor shows.
Near gth st. (L.) is the Cadillac Hotel, an economical res-
taurant, offering a shore dinner for 75 c. Further on (L.) is
Feltman's, an enormous restaurant, with an open-air motion-
picture garden, having a seating capacity of 2000 persons
(admission, 10 c. ; Sat., Sun. and hoi., 15 c.) ; In Feldner's
Deutscher Garten a "Shore Dinner de Luxe" is served, $1.50.
On the opposite side of Surf Ave. is Luna Park, an enclosed
amusement park containing scores of separate devices de-
signed to give a variety of breathless thrills. The lO-cent
fees exacted for each soon mount up to a costly total ; but
combination tickets may be bought at the entrance gate,
effecting a substantial saving.
Further on, extending through to the Bowery, is Hender-
son's Music Hall, Restaurant and Hotel; opposite, on the
Bowery, is StaucWs, a large dance hall and restaurant. Be-
yond, at the end of the Bowery, is Steeplechase Park, another
enclosed amusement park, containing among other attractions,
a swimming pool which, so the proprietors claim, is the largest
in the world ; also 5000 bath houses.
Admission to Music Hall : matinee, 10 and 25c. ; evening,
25, 50c.
Beyond Steeplechase Park are (L.) Hotel Ravenhall and
the Kaiserhof, both containing better class restaurants. W.
of this point come a series of better class bathing establish-
ments: the Majestic Baths, Washington Baths (2000 rooms).
Eureka Baths, etc. The average charge for the season is $5
for a locker; $20 for a room accommodating four persons.
In this vicinity on Surf ave. are situated: the Hospital
of the Brooklyn Children's Aid Society, and the same society's
Sea-side Home ; also the Health Home of the N. Y. Children's
Aid Society. Still further on W. is the St, John's Summer
Home, a branch of the Brooklyn R. C. Orphan Asylum Society,
Beyond this point is Sea Gate, a summer home colony,
containing several hundred dwellings, many of them costly.
There are no shops or places of amusement. To economize
time, it is well to take the Surf ave. trolley back to starting
point.
At the E. end of Surf ave. is a large municipal free bath
house, a conspicuous structure of concrete. Opposite is a small
park, bounded on the E. by Ocean Parkway, a broad carriage
448 RIDER'S NEW YORK CITY
road, flanked by bicycle and footpaths, and extending from
S. E. corner of Prospect Park, a distance of over five miles.
A few years ago, when the bicycling craze was at its height,
on Sundays and holidays an almost unbroken stream of
wheels passed hour after hour along these paths. Now an
almost unbroken stream of automobiles throng the Boulevard
going and coming on Sundays and holidays. On Ocean
Parkway, adjoining the park, is the Shelbourne Hotel (open
all the year). Facing the hotel is the Brighton Beach Casino
(Shore Dinner, $1.50) ; and adjoining it is the New Brighton
Theatre (vaudeville).
Admission : matinee, box seats, 50 c. ; other seats, 50 and
25 c. : evening, 25, 50, 75 c, $1.
Brighton Beach. This beach, quieter and less crowded
than the Coney Island section, has long been a favorite resort
of Brookljmites. It contains one large hotel, the Brighton
Beach Hotel (European and American plan), and an extensive
colony of small bungalows ; also a few restaurants and places
of amusement, including the "Giant Safety Coaster,** an
aerial railway, no ft. high and ij4 m- in length, aflFording* a
breathless "chase through the clouds."
Manhattan Beach, still further E., has recently been cut
up into building lots and is now a summer colony. Until
1910, it was the fashionable part of Coney Island.
Sheepshead Bay. Situated across the bay that sets in
behind the Manhattan end of Coney Island. It contains
numerous old-fashioned private residences and a few shore-
dinner restaurants; notably Tappan's. It is a favorite starting
point for fishing parties ; and there are a number of boats
that make daily trips during the season to points where deep-
water fishing is good. Average fare per passenger, $1.
Here also is located the Sheepshead Bay Motordrome.
Sheepshead Bay is reached either by the Brighton Beach Electric
Line from Brooklyn Bridge, or by Ocean ave. trolley from Williams-
burg Plaza (or Flatbush ave. trolley from Brooklyn Bridge and change
at Rogers ave.). Also by Long Island R. R., Manhattan Beach division,
from E. 34th St.
/
STATEN ISLAND
(The Borough of Richmond)
Staten Island (PI. A— B5-6) is distant twenty minutes
from the Battery by St. George ferry. (Fare 5 cents.) For
waters surrounding the island, see p. 104; for size, etc., p.
xvi. The highest point on the island is Todt Hill, 412 feet.
Richmond Terrace, to the west of the ferry landing, and Bay
St. to the east, are the principal streets from which other
streets run into the center of the island. Staten Island was
at one time the fashionable suburb of New York, and one
finds everywhere beautiful old pillared houses, built when
land, lumber, domestic service and fuel all were cheap. Most
of them are now abandoned and falling to ruin. The old
taverns have been taken over by the breweries and are run as
common saloons. One finds. scattered about French table d'hote
places popular with many classes of New Yorkers during the
summer. Land companies have attempted, with indiflFerent
success, to boom the island, but, despite its accessibility and
the quiet beauty of many of its sections, except among the
villiages near the ferry and portions of the center of the
island, a depressing atmosphere of past prosperity envelops
the island. A few of the old country places are kept up.
Trolleys to all the northern parts pf the island start from St. George
Ferry. The Staten Island Rapid Transit R. R. (steam cars) also starts
from St. George Ferry. It has three branches, along the N. shore W.
to New Jersey; along the E. shore S. to South Beach; and along the
E. shore to Tottenville.
History: Staten Island was originally occupied by the
Raritan Indians, a branch of the Delawares, who called it
Aqiiehonga Man-ack-nang, "The place of High Sandy Bank.*'
It is claimed that Verrazzano discovered the Island in 1524.
It was first seen by Henry Hudson on Sept. 2d, 1609, and
was named S fatten Eylandt in honor of the States General
of the Netherlands, in whose employ he was. The earliest
Dutch settlement is said to have been at Oude Dorp (Old
Town, now Arrochar), but this has been disputed. In 1639
some settlers were introduced by David Peterson de Vries, who
had obtained a grant from (5ov. Van Twiller; and a third
attempt was made at Oude Dorp in 1641, but the village was
destroyed by Indians. In 1664 the Island passed, with other
Dutch possessions, under the British rule of Gov. Nicolls.
In 1668 the Duke of York, to whom the King had given
New York, decided that all islands in the harbor, small
enough to be circumnavigated in twenty- four hours, should
belong to New York, the larger ones remaining part of New
Jersey. A certain Captain Christopher Billopp sailed around
450 RIDER'S NEW YORK CITY
Stateri Island in his own vessel within the prescribed time,
thus securing the Island for New York. During the Revolu-
tion Gen., Sir William Howe landed his forces on the Island.
July 3d, 1776, placing the Island under marti^il law, and
making his headquarters at New Dorp. The British vacated
the Island, Nov. 25th, 1783. In 1898 the various towns and
villages on the Island were brought together to form the
Borough of Richmond.
As the ferry approaches St. George (PI. A — B5), the
large- gray building on the height is the Curtis High School,
named after George William Curtis; it has about iioo pupils.
The large white, modern building nearby is an apartment
hotel The large building facing the ferry is Borough Hall.
Directly behind, at 154 Stuyvesant Place, is the Public
Museum of Arts and Sciences (open weekdays), contain-
ing on the first floor a collection of ancient iron articles —
locks, buttons, etc. — dug up in the vicinity, a collection of
Staten Island birds and other objects of interest. On the
second floor is a collection of Indian relics of bone and stone,
found on the island. Near the Ferry is Hugofs restaurant;
luncheon, 6oc. ; dinner, $1.
Returning to Richmond Terrace, the street skirting the
northern shore from the ferry, and proceeding west on foot
or by a Port Richmond trolley, one passes many of the fas-
cinating old houses, built usually of wood with wooden Greek
pillars, now in a sad state of decay. The huge barracks just
beyond Church street, uninhabited and windowless, was the
Pavilion Hotel, built in 1828. The old stone house at the
corner of Tysen street, with the gaudy gilt brewer's sign
and the unpardonable name Knickerbocker Hotel, was
Neville House, built in 1770.
The house owes its former name to the fact that it was at one
time the residence of Captain John Neville, U. S. N. The interior has
been cruelly maltreated with steel ceilings, but the doors and stair
way' have not been lost, and the arrangement of the barroom on one
side _and_ the parlor-dining-room on the other has a slight flavor of
English inns. . (Hot roast beef sandwich isc. is generous in size and •
excellent in quality.)
Sailors* Snug Habror is just beyond. (Inmates act as
guides ; a small gratuity or a cigar may be given in return for
their courteous attention.) Near the entrance is a monument
over. the grave of the founder, Capt, Richard Randall, and
to. the west, near the governor's house, a statue of him by
St. Caudens.
The institution was projected by Captain Thomas Ran-
dall and founded in 1801 by his son Robert Richard Randall.
STATEN ISLAND 45i
who bequeathed for the purpose his extensive property lying
S. of Union S(|. and known as the Minto farm. The trus-
tees, however, foreseeing the vahie of this location, decided
to rent the land and applied the income to acquiring and
maintaining the present Institution on Staten Island. Under
careful management the property in Manhattan now ap-
proaches $18,000,000 in value, and the whole income yielded
supports about 1000 sailors. Men who have served five years
under the American flag are eligible for admission.
Continuing W. along the Terrace, we pass, at Davis
ave., the De Groot-Pelton H'ouse, the stone or western end of
which dates from about 1730. Major Andre was once bil-
leted here. Further" to the W., is Bard ave., on which, two
blocks S., is an impretentious two-story wooden house, for-
merly the home of George William Curtis.
If one takes the Staten Island Rapid Transit instead of
the trolley, from the ferry, the stations are New Brighton
(i m.). Sailors' Snug Harbor (i^ m.), Livingston {2^ m.),
Port Richmond (4 m.). Tower Hill, Elm Park, Mariner's
F I arbor. On the E. coast, trolleys go as far as Richmond.
The steam cars follow the same track as far as Clifton.
The line to South Beach starts at St. George Ferry. The
first is Tompkinsville (i m.), where was once situated the
Harbor Quarantine , burned by the neighbors in 1858 on account
of the infection of the district from the hospital. Quarantine
is now on Swinburne Island (p. 104). On Paznlion Hill
(up Clinton and Church streets) are the remains of two old
fortifications. Back from the shore the S. R. Smiith In-
firmary, Castleton ave., Tompkinsville, a general hospital;
Crimes Hill, a residence district, reached by the Serpentine
Road, and Silver Lake Cemetery.
Stapleton (i^ m.) (PI. A— Bs). The early home of
Commodore Cornelius Vanderbilt (1794-1877) is at the N. W.
corner of Union and Bay sts. Somewhat farther along on
Bay St. is the United States Marine Hospital^ a huge stone
building with two wings. The Garibaldi House is at the
corner of Chestnut and Tompkins aves. The house for-
merly stood across the street. It was purchased by Bachman
of Bachman's Brewery, moved to its present position and
presented to the Italian Government: The government has
protected it by a huge and astonishing cement superstructure,
(iaribaldi lived in the house from 185 1 to 1855, with Antonio
Meucci, the inventor of a telephone system, who died here
in 1889. Lazzari's restaurant is on Chestnut ave., nearby
(Kood dinner $1). Fort Wadsworth (3^/^ m.) govern-
452 RIDER'S NEW YORK CITY
ment reservation (p. xviii). Cliff Cottage Hotel at the foot
of Cliff street. Arrochar (4V2 m.) the site of Oude Dorp„
the settlement made by the Dutch in 1641. South Beach (5J^
m.) connected by trolley with Midland Beach. These two
amusement resorts contain bathing pavilions, carousels,
amusement devices, and restaurants of varying excellence.
Returning to Clifton, and following the main line south,
we pass Grassmere, Dongan Hills {Garretson), Grant City
(6 m.), with the Moravian cemetery in which are manv an-
cient graves and the mausoleum of the Vanderbilt family.
New Dorp (Richmond) contains many old houses, a
group of which stands about the intersection of Richmond
Road and New Dorp Lane. St. Andrew's Church, cor. Mill
Road and Fresh Kills Road, was established in 1708 by Queen
Anne and still possesses a part of the silver communion set
which she gave. The queen also gave 153 acres in what is
now Stapleton, for the support of the church. Three mem-
orial tablets were erected in 1908, one for Queen Anne, the
others for former rectors of the church.
Revolutionary lore pertains to all this neighborhood.
Oakwood Heights {Court House), Bay Terrace, Great Kills
{Giffords, gVi m.), Eltingville, Annadale (Green Ridge),
Huguenot Park {Rossville), Terra Marine Inn, on the shore
a half-mile distant is a summer roadhouse. Princess Bay
(13 m.) is a fishing place. On the shore road about a half
mile from the station is Purdey*s Hotel, now called the Old
Homestead and adorned with a huge gilt brewer's sign.
The buildings are nearly 200 years old, well preserved and
little altered. . Pleasant Plains (Mt. Loretto), Richmond
Valley (Kreischennlle), Atlantic, Tottenville (16 m.) Ferry
to Perth Amhoy, N. J. To reach the Billopp House, from
Tottenville, follow the Perth Amboy Road S. around the turn
to Belmont ave. It was built in 1688 by Christopher Billopp,
who had received a grant of 1163 A., for circumnavigating
the island (p. 449). This house was the scene of an inter-
view between the English General Howe, and an American
committee, composed of Adams, Franklin and Rutledge, after
the battle of Long Island, but they failed to reach any
satisfactory agreement.
NEW JERSEY RIVER-SHORE
The New Jersey side of the Hudson (Red Book Guide to
Jersey City, Bayonne, West Hobo ken, Union Hill, Weehawken
and vicinity; maps; st. car schedules; 15c.) contains many
towns in which are the homes of New York business men.
They are reached by ferries (p. 36) and tubes (p. 15).
I. Jersey City
Jersey City (The Grand Hotel, 68 Montgomery st. Small
and shabby. Near Penn. Station. 30 R. Single R., $1 ; with
B., $2. Double R., $1.50; with B., $2.50) has a population of
267,779. It is a manufacturing city with immense sugar re-
fineries, glass works, machine shops, foundries. The resi-
dence streets are on higher land back from the shore. The
Pennsylvania Railway terminated here before the building of
its tunnel under the Hudson. The city is still the terminus
of the Central Railroad of New Jersey, the Reading, the Bal-
timore and Ohio, the Lehigh Valley, the New York and South-
western and the Erie railroads. The surface cars to the
various neighboring towns, start from the Pennsylvania sta-
tion at the foot of Montgomery street.
History. On July 12, 1630, Michael Pauw, Burgomaster of
Amsterdam, obtained through the directors and counselors of New
Amsterdam a deed from the Indians to the land now occupied by
Hoboken. On November 22, of the same year, he obtained from the
Indians. Paulus Hook. To these two tracts he gave the name of
Pavonia, from the latinized form of his own name, the Dutch pauw
and the Latin pavo both signifying a peacock. For nearly a century
and a half the region stagnated. In 1776 fortifications were thrown
up by Americans, but were soon captured by the British. On August
«9. ^77^* Lieut.-Col. Henry Lee, "Light Horse Harry," with 200 men
surprised the garrison, secured 159 prisoners and retreated in safety.
The British subsequently retook the fortress.
In 1802 the entire population of what is now Jersey City consisted
of 13 persons, residing in one house on Paulus Hook. In 1809 a town
was laid out an4 incorporated as the City of Jersey. It was rein-
corporated in 1820 as Jersey City, but remained part of the township
of Bergen until 1838. The really old portion of Jersey City is that
district on the Heights where Bergen took its origin, its inhabitants
receiving a grant of the land in 1661, from Governor Stuyvesant. The
first organized church and the first school in the State of New Jersey
were established in Bergen (p. 457). This pioneer town was annexed
by Jersey City in 1869; Hudson the same year.
Jersey City is the first large city in the East to institute a com-
mission form of government. The change was made in 1913. It con-
sists of five Commissioners, one of whom is chosen Mayor. The Mayor's
salary is $5500, the other four Commissioners receiving $5000. These
four commissioners are respectively known as the Commissioners of:
I. Public Safety; 2. Streets and Public Improvement; 3. Revenue and
Finance; 4. Parks and Property.
454 * RIDER'S NEW YORK tlTY
The Hudson Tubes (to Penn. R. R. Station) land the
visitor on Exchange Place, a broad and busy block which,
with its continuation as Montgomery St., forms the city's
financial and business centre. Newark Ave. (so named be-
cause it follows one of the principal old highways to Newark)
branches off to the N. W. two blocks further; it is the
shopping and theatre center of Jersey City, and in its mile-
and-a-half course to the Court House on the Heights passes
in close proximity the majority of points of interest to
strangers.
To N. and S. of Exchange PI., along the river front, there extends
a four-block strip of huee manufacturing plants, each several city
squares in extent, which form the chief source of Jersey City's pros-
perity. This section is sordid and dirty, the pavements dilapidated
and neglected, and the streets cumbered with long lines of freight cars,
criss-crossing on private tracks connecting with the big railway yards.
Nevertheless, it is" worth while to explore the neighborhood briefly, in
order to get an impression of the magnitude of the industries containe<I
in the long succession of huge six and eight-story structures, many of
them connected block after block by bridges that span the streets.
Two blocks from the Penn. R. R. Station, at the inter-
section of Montgomery and Washington Streets are (N. W.
cor.) the Lincoln Trust Company y (S. W. cor.) the Union
Trust Company, and (S. E. cor.) the Post Office, a two-
story, white granite structure, in modified Roman-Corinthian
style, extending throughout the block to York St. Continuing
south on Washington St. to Grand St. we reach, in the middle
of a small park, a modest brown stone obelisk, the Paulus
Hook Monument. It is inscribed as follows :
"Erected Nov. 2i, 1903, by the Paulus Hook Chapter, National
Society of the Daughters of the American Revolution, to commemorate
the Battle and Capture of Paulus Hook by Major Henry Lee Aug.
19. 1779."
This neighborhood, once the startinta: point of Jersey City,
is now the centre of the Russian and Slavonic colonies, and
many of the shop signs are in Russian, Bohemian or Polish. ^
S. E. at the cor. of Greene and Sussex Sts. is the interesting
Little Russian Greek Catholic Church of St. Peter and Paul,
a quaint Byzantine structure built in 1901 ; and W. from
the monument on Grand St. is the larger but less attractive
Orthodox Greek Church of St. Peter and Paul.
S. on Washington St. stand the huge brick refineries of
the American Sugar Refining Company; and to the E. be-
tween Greene and Hudson Sts. rises the eight-story, concrete
factory of the Colgate Soap Company, surmounted by a huge
electric sign and clock dial, 200 ft. long by 40 ft. high, which
makes a landmark that can be seen for many miles.
JERSEY CITY 455
Hitherto the Westminster dial in Tendon held the ^eco'-d. with a
diameter of 22]/^ feet, and an area of 398 square feet. Then came the
City Hall clock tin Ptiladelphia, 25 feet across, with an area of 490.
then That of the Metropolitan Life Building in New York (p. 206)
26V2 feet in diameter. The Colgate clock dwarfs them all, with a
diameter of 38 feeti and a total area of 113a square feet.
Within the offices of the factory are preserved the card on which
William Colgate advertised, more than a century ago, Soap, Mould
and Dipt Candles for Sale," and one of his first tax receipts, for the
year 18^6, to the amount of $6.64. The grov^th of the modern business
is indicated by the following figures: the firm now produces over 160
kinds of toilet soap alone, 600 perfumes, and with the various other
toilet preparations, a total of over 2000 different articles.
If we retrace our steps N. on Washington St. to Bay St.
we reach the F. Lorillard Snuff and Tobacco Company's
factories and warehouses, covering at present more than ten
acres (founded in 1760 but not removed to Jersey Gity unt.l
many years later) ; and adjoining them on the W. the ex-
tensive organization of the Atlantic and Pacific Tea Com-
pany. But for the visitor pressed for time, it will be wiser
to omit this and turn W. from the Paulus Hook Monument,
passing on Grand St. the stolid, red brick facade of 5"^
Peter's (R. C.) Church, founded in 1831 (present structure,
1866), and the adjoining St. Pete/s College and St. Peter's
Club. Go N. one block on Van Vorst St. to Gregory St.,
reaching the Academy of Music (burlesque). One block
to N. W. Gregory St. crosses Montgomery St. Follow the
latter one block to the City Hall, a four-story structure in
adapted Corinthian style, erected at a cost of $900,000. The
materials are gray granite and pale limestone. At the main
entrance are four lofty monolithic columns of polished rose
granite. Note the bronze bas-relief groups in the pediments
on the four sides, symbolizing the history and prosperity of
the city. In the small open plaza in front is the Soldiers'
and Sailors' Monument, representing a seated female figure
in bronze, heroic size. She is helmeted: in her right hand
she extends a laurel branch ; in her left is a sword.
The pedestal is inscribed: "Erected by the People of Hudson
County to commemorate the Valor of the Soldiers, Sailors and Marines
of the Civil War."
Opposite the City Hall, at the N. W. cor. of Mont-
gomery and Grove Sts. is the Majestic Theatre, one of the
most attractive modern theatres in the city, erected in 1907,
(John B. McElfatrick and Son, Architects). It is temporarily
used icg motion pictures.
Continuing W. on Montgomery St. to Jersey Ave. (N. E.
cor.), we reach, opposite a small park, the Public Library,
erected in 1899 at a cost of $360,000. It is a memorial to
456 RIDER''S NEW YORK CtTY
Dr. Leonard J. Gordon, M.D., a portrait bust of whom stands
on the lower landing of the main staircase. ^
If the visitor now goes N. to Wayne St., then E. to Varick, he
will almost any day become aware of a penetrating odor of cedar
wood. This is because he is passing throuRh the neighborhood of the
extensive Dison Pencil Manufacturing Company. Including their
graphite lubricating plant, they occupy approximately four city blocks.
Railroad Ave., the next street N. of Wayne, contains
the four-track elevated structure of the Pennsylvania Rail-
road. To the E., three blocks, is the Grove St. Station
of the Hudson Tunnels. Turn N. on Grove St. to Newark
Ave. The shopping centre is disappointing; there are no
large department stores in the modern sense; and, unlike
Brooklyn, the branch stores of well known New York firms
are comparatively few. On the R. we pass Keith's Theatre
(vaudeville) and the Bijou Dream (photoplays). The avenue
continues to become drearier and more shabby, until it passes
under the raised tracks qf the Erie Railroad, through a
wide stretch of freight yards, past the old City Cemetery
(of little interest), and begins to ascend the long hill to
Jersey City Heights.
To the R., commanding a most advantageous situation
on a high terraced bluff is the modern Jersey City High
School, built at a cost of $400,000. The school accommo-
dates about 4€00 pupils.
On the first landing of the steps forming the southern approach
to the school is a pedestal supporting a Bronze Bust of Robert Schu-
mann, modeled by F. O..Schweitser.
Continuing on Newark Ave. we next reach the *Hudson
County Court House, at Newark and Baldwin avenues, in
modern renaissance style, of Maine granite, erected in 1906
at a cost of $900,000. (Hugh Roberts, arch.). Within is a
lofty central rotunda with three galleries, all richly finished
in white green-veined marble. The walls of the galleries
above the mezzanine floor are tinted in orange-red and buff,
the general color scheme being supervised by Francis D.
Millet.
Decorations: Four winged figures of Fame, by E. H. Slash field,
each holding a shield with a medallion portrait, form pendentives to the
central dome. The ornamental decoration of the aome was carried
out under Blashfield's supervision, by A. F. Foringer and Vincent
Aderente.
The four semi-circular spaces on the walls of the upp<^ gallery
contain the following mural paintings (38 by 18 ft.): North wall.
The Repulse of the Dutch, Sept. 13, 1609, by F. D. Millet, south wall.
Paying for the Land, Jan. 30, 1658, by Millet; east wall (left), General
Washington at Fort Lee, Nov. 16, 1776 (right), Watching the Assault
JERSEY CITY 457
upon Fort Washington^ by C. Y. Turner; west wall (left), First Pas-
sage of the Steamer Clermont (right). To Albany on the Morning ot
Aug. 17, 1807, by Turner,
Around the walls of the gallery on the third floor are twelve
small oblong panels, by F. D. Millet, depicting scenes in the history of
Jersey City. In the vaulting of the corridor comers are eight small
lunettes, by Kenyan Cox.
In the Freeholders' room, on the second floor, directly over the
main entrance, are three large mural paintings by Howard Pyle, cover-
ing the greater part of three walls: (i) east wall. The Coming of the
Dutch. It shows the Half Moon floating peacefully in the North River,
while Indian canoes are approaching, and the ship's crew gather
together on deck to watch their coming. (2) South wall, A View of
the Early Settlement of New Amsterdam. (3) West wall. The Coming
of the English, showing old Peter Stuyycsant on a parapet of his fort,
watching with lowering brow the English vessels rounding to in the
harbor. North wall, on either side of the presiding officer's chair
two figures, a Dutch and an English soldier standing guard.
The principal points of interest in Jersey City Heights,
next to the Court House, are Bergen Square, site of the
oldest permanent settlement in the state; and the residential
section along the Hudson Boulevard. The Summit /hfc. Sta-
tion of the Hudson Tunnels is a convenient starting point
and can be reached from the Court House in about ten
minutes walk.
First, however, visit St. Joseph's R. C. Church, S. E. cor. Baldwin
and Pavonia Aves., organized 1S57. The present structure, erected in
^7^3* is of blue traprock and Belleville brownstone. The effective
richness of the * interior is due to some fine memorial windows. The
twelve in the nave show scenes from the life of the Saviour, while the
large one above the altar represents the Crucifixion. '
To reach the Summit Ave. station most directly, follow
Pavonia Ave. W. to Hudson Boulevard, and turn S. across
the bridge. To the W. of the station Bergen Ave. (three
blocks S.) brings us to Bergen Square. On the E. side
stands Public School No. 11, the lineal successor of the
earliest school in New Jersey.
To the right of the entrance is a bronze memorial tablet, showing
in bas-relief the early Columbian Academy, and containing, also the
following inscription:
"Bers^en was founded in 1660. The first church, also used as a
school building, in New Jersey, was erected at Tuers Avenu* and
Bergen Street, now known as Vroom Street. This site was dedicated
to the cause of education in 1668; on it was erected the Second School
House in 1708; the Columbian Academy in 1790, the Columbian
District School No. i in the town of Bergen in 1858, afterwards known
as No. II, Jersey City." The present building was erected in 1903.
In front of the school, facing to the S. W. is the fine
Bronze Figure of Pef.er Stuyvesant, heroic size, by /. Massey
Rhind. It surmounts a massive exedra, on whose curving
ends are Dutch frigates in bas-relief. . On the fagadc above
the bench are three inscriptions recording the history of
the founding of Bergen.
458 RIDER'S NEW YORK CITY
Continuing S. on Bergen Ave. we pass two quaint old
cemeteries, and reach, on R., the Bergen Reformed Church,
dating from 1662.
In 1 77 1 this church received a charter from George III. The
earliest structure was built of logs, and stood on Vrouin Si., E. ot
Bcr|ren Ave. In 1773 it was replaced by a new building at the comer
of Bergen Ave. and Vroom St. The present edifice dates from 1842.
The portal stones (see inscriptions) and many other stones of the earlier
building are incorporated in the present one.
At the S^ E. cor. of Bergen Ave. and Church St. is the
Fourth Regiment Armory, often used for fairs, balls, and
social gatherings. Opposite is a quaint stone structure with
an ancient shingled roof. A sign-board proclaims it to be
"the site of the Stuyvesant Inn, a noted hostelry in Colonial
and Revolutionary times." A detour should now be made
S. to the Hudson Boulevard, a broad and winding avenue
that extends nineteen miles, from Bergen Point to the
Bergen County line, thus covering the entire length of Hud-
son County. It contains, within the city limits, some of
the best and newest apartment houses and private residences
in Jersey City.
Following the Boulevard S. to Gifford Ave., we find a
broad parkway running W. to West Side Park, one of a
series of county parks (208 acres; not yet completed; plans
by Lowrie & Lay ton.)
The one conspicuous feature is a bronze fountain with aquatic
emblems, in the center of a circular basin over 150 feet in diameter.
To the right of entrance is the R. C. St. Ahysius Church, whose
square open belfry is a conspicuous landmark. The church contains
numerous memorial windows.
II. Hoboken
HoBOKEN, situated immediately N. of Jersey City,
{Meyer's and Naegeli's, opposite cors. of 3rd and Hudson
sts., same management. Small, quaint, shabby, with
German atmosphere. Tables on the sidewalk) contains little
to interest the stranger, beyond what he can see from the
ferry-boat: namely, the huge docks of numerous transatlantic
steamship companies and the picturesque old Castle Point,
home of the famous Stevens family, situated to the N., high
up on a commanding bluff.
History: The land occupied by the present city formed part of a
patroonship granted to Michael Pauw (see p. 453") in 1630. It was
called by the Indians "Hobocan Hackingh" (Land of the Clay Pipe).
The first house was erected in 16.^8; but the present city really dales
from 1804, when John Stevens, "founder of Hoboken," acquired the
HOBOKEN 459
laud and laid out a town. During the first quarter of the nineteenth
century, before the Coney Island summer resorts were even dreamed of,
:: I'lrge portion of Hoboken, now thickly populated, was occv.pied by
the Elysian Fields, a favorite resort of New Yorkers in the early
CJreenwich Village days, and was especially noted as a meeting-place for
Federal politicians.
The few points of interest may be seen in about half an
hour; from the Hudson Terminal the visitor turns north on
Hudson St., passing numerous German hotels and beer gar-
dens and on the left the German Club (which is unusual in
opening its doors not only to members but to their families).
Four blocks N. brings us to Hudson Park, containing a small
monument to the soldiers of the Civil War. Overlooking
the park on higher ground on the N. side, is the extensive
group of buildings constituting the Stevens Institute of
Technology.
This widely known institution was founded by Edwin A. Stevens.
( 1 795-1868), son of John Stevens, the noted inventor. He bequcathea
to it a block of land and $650,000. More recently, substantial endow-
ments have been received, notably from Henry Morton, the Institute's
first president, and from Andrew Carnegie. The curriculum embraces
a thorough training in applied mathematics, in the theory of machine
construction, mechanical drawing, experimental mechanics, physics,
chemistry, and applied electricity.
"Stevens Castle," the once fine home of the founder, approached
by quaint gateways, is on the riverbank, back of the college buildings.
Going W. on 5th St., we come to Church Square Park,
containing an unpretentious Firemen's Monument. Facing
the park on the E., is the recently erected High School; on
the N., is the Public Library; on the W., the (R. C.) Church
of Our Lady of Grace, at the time of its erection (1880) the
largest church in New Jersey. One block N. from N. W.
cor. of park on Willow St., we reach the picturesque (Angli-
can) Holy Innocents* Church, built and endowed by Mrs. Ed-
win M. Stevens as a memorial to her daughter, Julia Augusta,
who died in Rome in 1870. The church is absolutely free;
the music is exclusively Gregorian.
Returning E. to Washington St., we reach, N. E. cor. of
Seventh St., Trinity Church (P. E.) erected in 1S55. It con-
tains a tablet begun by the sculptor Crawford, and finished,
after his death, by Rudolph Rogers. The ship which was
bringing this tablet from Italy was sunk off the coast of Cor-
sica and the tablet lay submerged for six months before it
was recovered.
To reach the duelling ground of Alexander Hamilton and Aaron
Burr at Weehawken (11,228 inhab., railroad terminus of West Shore
and of New York, Ontario and Western railroads), take a Bergen sur-
face car at the Tubes station or on Washington St., get off at Ilighwood%
46o RIDER'S NEW YORK CITY
Terrace and walk to the right as far as the Boulevard. View of Man-
hattan. The shore boulder on which Hamilton fell has been elaborately
set on masonry by the side of the roadway, with a statue of Hamilton.
Back from the shore the sect'ons are called: West Hoboken,
Bergen, Town of Union, West New York, North Bergen.
The shortest route to the Palisades from Manhattan is by Fort Lee
ferry (PI. XI — A7) to Edge water taking the steep footpath up the
hill, or a car marked Fort Lee or Coytesville. One can get off any-
where after reaching the height and reach the cliff ed^e by walking
to the right, down the side streets. Many plots are privately owned,
and it is sometimes necessary to retreat to the road when walking
along the Palisades. The Palisades can be reached from Hoboken by
a Union Hill car (ask for transfer), transferring to a Palisades car.
The first half of the ride is tedious. They can be reached in the same
way from the duelling ground in Weehawken. Another route from
Manhattan is by the 42^ st. ferry (p. 36), taking the Palisade car,
which passes through the scattered, modest suburban settlements of
Woodcliff Hudson Heights and Grantwood. Change cars at Palisades
Junction for Leonia, Englewood, Tenafiy, Teaneck, Bogota, Hacbensack.
Maywood, and Paterson. At Palisades Junction is Palisades Park
(admission, 10 c), with roller coasters, and other "stunts," started by
a minister to provide harmless summer amusement for young people
in rivalry to the saloons and vicious dance halls.
NEWARK
Although not one of the immediate environs of New York, N-cwark
is now so readily and quickly reached, and so well repays the trouble
of a brief trip out from the greater city, that it has seemed appropriate
to include it within the scope of the present g^ide.
It may be reached by rail over the following lines; Pennsylvania
R. R., Central R. R. of New Jersey, Delaware and Lackawanna R. R.,
Erie R. R., Lehigh Valley R. R. Fare: single, 17 cents; return, 30
cents. Also by Manhattan and Hudson Tunnels to Park pi., Newark.
The trip may also be made by trolley from Jersey City: time, 50
minutes; fare, 10 cents. Cars start from terminus of Cortlandt and
Desbrosses st. ferries.
Hotels. *R9bert Treat Hotel, Park pi., facing Military Park.
Restaurants. Nankin Garden, Keeny Theatre Building, Branford
pi. Cabaret. Lunch, 35c.; dinner, $1.00. Kaiserhof Garden, 233
Washington st. Achtel-Stetter, 842 Broad st. Anheuier Busch Cajc
and Restaurant, cor. Market st. and Beaver. Washington Restaurant,
cor. Broad st. and Washington pi. Iffland's Cafi and Restaurant, 187
Market st. Reinhrau Brewery, Commercial Wharf, near Penn. R. R.
Music and Dancing. Also Child's Restaurants, 194 Market st. and
673 Broad st.
Newark, the largest city in the State of New Jersey and
fourteenth largest in the United States, is situated on the
western bank of the Passaic River, 8 m. W. of New York.
Latitude 40° 41', longitude 74° 10' W, of Greenwich. Area,
23K sq. m. ; estimated population (1916), 405,000. Greater
Newark (within an area of 30 sq. m.) 700,000.
Statistics. Finances: The assessed valuation of property
in Newark is $420,311,342; the annual tax rate is 2.28%.
The city's bonded debt is $39,556,200. Manufactures: The
total capital invested in * manufacturing, according to the
United States Census of 1910, is $154,233,000, distributed in
252 distinct lines of industry. The number of operatives
employed is 59,995, and the annual wages paid are upward
of $44,000,000. Churches and Institutions: Newark has alto-
gether 173 churches, 5 orphan asylums, 12 hospitals and 59
charitable organizations. Parks: There are 20 city parks
and 5 county parks, with a combined area of 665 acres.
History. Newark was settled in 1666 by a party of
thirty pioneers, who came from Milford, Conn., under the
leadership of Robert Treat, the latter having previously ne-
gotiated with Gov. Carteret for permission to settle. The
following years the new colony was increased by a second
company, which came from Guilford and Branford, as a
result of religious dissensions, ensuing on the then recent
consolidation of the New Haven and Connecticut colonies.
The leader of this second company was Jasper Crane, one
of the original settlers of New Haven. With the Bran-
462 RIDER'S NEW YORK CITY
fordites also came the Rev. Abraham Pierson, who became
the spiritual and civic head of the settlement, although Treat
remained the active leader. Just before Minister Pierson
died, in 1668, the settlement was named Newark after his
birthplace, Newark-upon-Trent, England. His son, the Rev.
Abraham Pierson, Jr., was later one of the most noted
pastors of the historic old First Presbyterian Church.
When the settlers first landed Indians appeared and angrily
demanded payment for the land. Treat negotiated with them
and finally purchased all the land from the Passaic River
to the Orange Mountains, in exchange for four barrels of
liquor, axes, swords, kettles and other commodities worth
altogether about $750.00, The government of the settlement
was a strictly religious one.
In 1668 the first churuch, called "Meeting House" by the
settlers, was built (p. 477). The same year Commissioners
of Newark and Elizabethtown met at "Divident Hill," (near
the S. end of Weequahic Park), to fix the boundaries be-
tween the two settlements. In 1673, when New York sur-
rendered to the Dutch, a transfer of allegiance to Holland
was demanded of Newark; but the following year New
Jersey was restored to England. In 1748 the College of New
Jersey, now Princeton College, founded the previous year
in Elizabethtown, was transferred to Newark, where it re-
mained for eight years, with the Rev. Aaron Burr as* Presi-
dent. In 1776 Washington was stationed in Newark with
an army of 5000 men for five days. Subsequently Newark
was occupied by the British, who 'destroyed much property.
In 1792 what was probably the first free school in America
w^s opened in Newark. In 1836 Newark was incorporated
as a city. In 191 1 the Manhattan and Hudson Terminal line
to New York was opened. In the summer of 1916 the most
extensive and elaborate pageant in the city's history took place
in honor of Newark's 250th birthday.
Principal places of interest. These may easily be seen in a single
(lay: City Hall, Essex County Court House, Public Library, New
Jersey Historical Society, First Presbyterian Church and Graveyard,
Prudential Building, and the various memorial statues in Washington
and Military Parks.
NEWARK 463
1. Northern Section: From Military Park to
Branch Brook Park.
The most convenient way to reach Newark from J^Iew
York is by the Hudson Tubes (see p. 461). The Park Place
Station lands the visitor at the northern end of Military
Park, a long narrow triangle extending southward about
three city'blocks, and bounded on the W. by Broad st., one
of the longest and finest of Newark's streets, and on the
N. and E. by the L-shaped Park Place. This park was the
original Common and Training Ground, dating from the first
foundation of the colony. The park contains the following
statues and other memorials : i. a bronze statue, heroic size
of Frederick T. Frelinghuysen (1817-1885), Attorney General
of New Jersey, U. S. Senator, and Secretary of State
(erected, 1904, by the citizens of Newark; Karl Gerhardt,
sculptor) ; 2. a life-size bronze statue of Philip Kearny.
Brigadier-General in the Civil War and, commander of the
First New Jersey Brigade, who died in the battle of Chan-
tilly, Sept. I, 1862 (erected 1880; Henry Kirke Brown, sculp-
tor) ; 3. a bronze trophy howitzer, from Morro Castle, at en-
trance to Santiago Harbor, captured 1898; 4. a boulder with
a tablet in commemoration of Colonel Peter Schuyler, a New
Jersey hero of the French and Indian wars, and of "The
Jersey Blues," first uniformed as such by Captain Hart, later
a signer of the Declaration of Independance (erected 1916,
by the New Jersey group, Society of Founders and Patriots) ;
5. a stone seat with bronze inscription recording the setting
aside of the present park as the town's Training Place, in
1669. (erected, 1916, by the Daughters of the Revolution of
New Jersey).
In the N. W. corner of the park stands the venerable old
Trinity Church, being in part the original structure erected
in 1743-44-
This, the first Episcopal church in Newark, was established mainly
through a prominent townsman, Col. Josiah Ogden (1679-1763), who
was angered at having been disciplined by the Presbyterian church
for having taken in his wheat on Sunday, when a storm threatened.
The corner-stone of the present (second) edifice was laid in 1809.
Of the earlier building the base is still standing, with walls five feet
thick. Also the old. front, with Grecian portico supported on missive
stone pillars, remains today as first constructed.
Note inscription erected in 19 14 by the New Jersey Society of the
Sons of the Revolution: "Commemorating the fact that Washington
and his army passed beneath the shadow of this tower in masterly
retreat, November, 1776, across New Jersey to the hills beyond .the
Delaware, where they gathered strength for the blow struck at Trenton
and Camden."
I
464 RIDER'S NEW YORK CITY
The church contains a bronze* medallion portrait of Phillips Brooks,
presented by the sculptor, William Clark Noble, in 1906.
Facing the park, at the cor. of Park st. and Park Place,
is the American Insurance Building, containing at the entrance
a pair of bronze doors, modeled by Andrew O'Connor, Jr.
The male figure on the right door represents Fire Under Control, —
here used as a torch to guide the footsteps of men; the female figure
on the left upholding flowers and scattering others, symbolizes the
upspringing of new life after the devastation by fire. •
In the next block N. in Park Place, is the new Robert
Treat Hotel (opened May, 1916), Newark's first thoroughly
modern hotel (Guilbert and Bettelle, of Newark, architects).
It is a fourteen-story structure containing nearly 300 rooms, almost
all with baths, large dining-rooms, a grill room and cafe, and on the
second floor one of the finest ballrooms in the state.
Before continuing N. on Broad st. the tourist will econo-
mize time by visiting a few points of interest in the imme-
diate neighborhood. Directly across the park, opposite the
American Insurance Building, is West Park st. ; half way
down the first block on the N. side, at number 18, is the
New Jersey Historical Society (marked above entrance, "Free
Public Library"). Open daily, 9 a. m. to 5 p. m.
The New Jersey Historical Society was organized at Trenton in
the City Hall, Feb. 27th, 1845. The roll of charter members was
closed on May 7th following, with a membership of 88, of whom 26
were residents of Newark. Many of the present members are sons
and grandsons of the founders.
The scope of the society includes History, Biography, Genealogy
and related branches. Students of local and national history, gene-
alogists and antiquarians will find a rich mine of documentary and
Dublished material; Naturally the history of Newark has received
special attention.
The society's collection contains a great variety of curios dating
from revolutionary and colonial days : Among others, the old colonial
grants from Charles II to James and from James to Carteret and Lord
Berkeley; a collection of portraits, extending all the way around the
fallery railing, and including portraits of Aaron Burr and of Captain
ames Lawrence; also Lawrence's hat and coat; a marble bust of
Pauline Bonaparte, by Canova; a case of rare auto^p'aph letteriE; house-.
hold articles, china, glass, silverware, etc. A bright day should be
chosen, as the light is poor.
Upstairs, in the gallery, is the Howard W. Hayes collection, pre-
sented by Mrs. Hayes in 1^05 as a memorial to her husband. Judsc
Hayes spent man^ years m collecting rare objects of art both in
Europe and America; and while the collection is small, it repays a
visit. It includes 60 specimens of pottery and porcelain, many of them
Chinese antiques, pink peach-blow, green peach-blow, etc.; 2B bronzes,
Chinese, French and miscellaneous, among them six by Antoine Louis
Barye; a special collection of books illustrated by ThomasI Bewick,
and works relating to him; eight antique rugs; and a score of paint-
ings. The latter include. No. %, Figure Bathing, by lienner; (10)
Landscape hy. Isabcy; (16) Landscape, by L'hcrmitte: (21) Landscape,
by A. H. IVyant.
NEWARK 465
No. 4 West Park st. was once the residence of Marion
Harland (Mrs. Terhune), and here she wrote several of heV
novels (see p. 480).
East of the Park PI. Station, two blocks down Centre
St., at No. 26 Mulberry St., we reach the R. C. Church of
St. John, (1838), the oldest church of that denomination in
Newark.
It is a brown stone Gothic structure, with heavy buttresses and a
square tower. In the stained glass windows various saints are repre-
sented. The high altar in the sanctuary is surmounted by a large
crucifix and contains figures of the Madonna and St. John.
A short walk down Saybrook Place, N. of the Park Place
Terminal, brings the visitor to the new Saybrook Place Park,
containing the Landing Place Monument, erected May, 1916,
and marking very closely the Landing Place of the Founders.
It is a monolith, showing on the southern face two founders, in
low relief, gazing down at a spring of water. The opposite face will
later bear an inscription, with the names of the 64 signers of the
Fundamental Agreements. At the top of the monolith, surrounding all
four sides, will be the scene of the landing carved in relief.
Returning to Military Park, and continuing N. on Broad
St., we pass, just above Trinity church in a small irregular
triangle called Rector Park, a bronze statue, heroic size,
of Monsignor George Hobart Doane, erected in 1908, by the
citizens of Newark (William Clark Noble, sculptor).
George Hobart Doane (i 830-1 908) was for nearly fifty years rector
of St. Patrick's Cathedral, and constantly devoted himself to the civic
betterment of the city.
Continuing N. on Broad st, past Rector and Central sts.,
we reach at the S. E. cor. of Broad and Fulton sts. the hand-
some modern First Baptist Peddie Memorial Church, a
massive brown stone structure, in the romanesque order, with
a dome-life roof.
This is by lineal descent the successor of the First Baptist Church
of Newark, organized 1801. The present edifice was erected through
the generosity of Mr. T. B. Peddie, a Newark merchant and one time
Mayor of the city, the cornerstone being laid in 1888.
One block further north is Washington Park, the second
of Newark's original public commons. Like Military Park,
it is a long, narrow triangle, but lies on the opposite, or west
side of Broad st. It is bounded on the S. by Washington
Place, and on the W. by Washington st.
At the S. E^ cor. of the park, on a sloping mound of turf,
stands a bronze statue of Washington, heroic size, a bequest
of the late Amos H. Van Horn (/. Massey khind, sculptor).
Washington is represented standing by his horse, and making his
farewell address to his army at Rocky Hill, N. J., near Princeton, in
1783. The statue was unveiled in 1912.
466 RIDER'S NEW YORK CITY
To the E. of the Washington statue, and facing Halsey
St., is a boulder with bronze tablet, commemorating the site
of Newark's first Academy (erected May, 1916).
The inscription is as follows: "The first Academy in Newark was
erected near this spot in 1774, by the gifts of generous citizens. Dedi-
cated to learning, it found in time of war a new mission in the cause
of liberty, giving useful service as a barracks and hospital for American
troops. On the night of Jan, 25th, 1780, it was burned to the ground
by a raiding party of British, who crossed from N*. Y. on the ice and
surprised the town. This school was the forerunner of the present
Newark Academy, which erected its first building in 1792, at the cor.
of Broad and Academy sts. Placed by the trustees, teachers, graduates
and students of Newark Academy, June, 191 6."
Near the middle of the park is a bronze statue, heroic
size, of the inventor Seth Boyden (1789-1879). Erected 1890,
by the citizens of Newark (Karl Gerhardt, sculptor).
The statue represents Boyden as a mechanic, with a leather apron
and with shirt sleeves rolled up. He stands beside an anvil, holding
in his hand the model of the first locomotive built in New Jersey.
Among Mr. Boyden's notable achievements were (18 10) a machine
for cutting wrought iron nails; (1813) a machine for cutting anrl
heading tacks; (181 6) a machine for splitting leather, which is still
used in splitting bookbinder's stock; (1819) the first patent leather
ever manufactured in the United States; (1826) a process for making
malleable cast iron; (1837) the first locomotive ever built in New Jersey.
North of the Boyden statue is a bronze bust of Dr.*
Abraham Coles, presented to the city in 1897, by his son, Dr.
J. Ackerman Coles (/. Q. A. Ward, sculptor).
Dr. Coles was born in 1813, at Scotch Plains, N. J. He
came to Newark in 1836. devoted himself to the practice of
medicine, and was for several years President of the Medical
Society of New Jersey. He was also author and translator
of numerous books, and is most widely known for his trans-
lations of Siabat Mater and Dies Irae (p. 474).
Facing the park on Washington PI., at the S. W. cor. of
Broad st, is the recently erected IVashington Restaurant.
The "Zone Room," in the basement, contains an interesting
frieze.
To the W., at the S. W. cor. of Halsey st., is the New
Jersey Automobile and Motor Club. Just opposite, on Wash-
ington St., almost at the angle, is the modern and well
equipped Young Women's Christian Association.
One block S. of the park on Washington %t., at the S. W. '
cor. of Central ave. stands St. Patrick's Cathedral (R. C),
established in 1850.
St. Patrick's is an unpretentious Gothic structure of painted brick,
and externally quite uninteresting. The interior, formerly adornet!
NEWARK 467
with a number of inferior mural paintings, has been recently re-
decorated in a somewhat ornate, but not unpleasing, color scheme of
conventional traceries.
To the left of the main entrance is a Memorial Tablet (erected
191 2) to John D. Gilmary Shea, "an eminent historian of the Roman
Catholic Church in America" (d. 1892).
The new cathedral, which is to be called, not St. Patrick's, but
the Cathedral of the Sacred Heart, in course of erection on the heights
E. of the southern end of Branch Brook Park, has been at a staiuistill
for some fifteen years, and although work has been recently resumed,
it will probably not be completed for several years longer. (See p. 47 1-)
Returning N. on Washington st., we reach, at the northern
apex of the park the * Newark Public Library, a spacious and
attractive structure in the Italian Renaissance order, erected
at a cost of $350,000.
Note above the main portal a bronze sculptured group, acquired
mainly through the efforts of Monsignor Doane. It represents a Wise
Man of Old Expounding to Youth {John Flanagan, sculptor).
The Free Public Library of Newark maintains, in addi-
tion to this main building, eight branches. It contains at
present (19.16) about 240,000 volumes.
The Library building is also the temporary home of the
Newark Museum Association (incorporated 1909) whose ex-
hibits, so far as space permits, are shown in the corridors and
upper floors of the Library.
The collections at present include: i. A few well-chosen casts of
the world's best sculpture, Assyrian, Egyptian, Greek and Italian, A
number of bronze and pottery figures representing good contemporary
sculpture. 2. A collection of minerals, the gift of Dr. Disbrow. 3.
A collection of objects of Japanese art, purchased, by the advice of
Sir Casper Purdon Clark, former director of the Metropolitan Museum.
4. A collection from Tibet, gathered by Dr. Alfred C. Shelton. s.
Sixty paintings, constituting the nucleus of a picture collection. 6.
Six models illustrating the habitations of man, and many objects illus-
trating the industries of man. 7. Cases showing the homes, the food
and proper treatment of New Jersey birds. 8. Cases treating the study
of insects from the standpoint of their relations to man. 9. Several
cases of objects forming a study of the Indians who. once inhabited
the site of Newark. 10. The nucleus of a collection, showing materials
and processes of the pottery industry. 11. A similar display of fibers
and textiles. 12. The beginnings of an exhibit of fish similar to those
of birds and insects. 13. A collection of objects suitable for use in
schools to aid in the teaching of geography, science and history.
The Museum Rooms are open daily from 12 to 6.30 p. m.,
and from 7.30 to 9.30 p. m. ; Sundays and holidays from
2 to 6 p. m. and from 7.30 to 9 p. m. (excepting during July,
August and September, when they are closed in the evening).
The visitor enters directly the spacious square inner court, open to
the roof, and surrounded by two arched galleries borne on twenty-four
marble columns. In the lower corridor are a number of bronze busts,
reproduced for the most part from marble antiques, the Apollo Bel-
vedere, etc. Also a bust of Ekiison (1904), and a bronze memorial
468 RIDER'S NEW YORK CITY
tablet to the Rev. Hannibal Goodwin (1822-1000), inventor of the
photograph film (e;rected by the Essex Camera Club).
On the landing of the central staircase and at the top* are a
number of small bronze fibres (30 to 36 in.)> being reduced copies of
well known works of American sculptors, (i) Peter Stuyvesant, reduced
copy of figure on monument in Jersey City, by /. Massey Rhind; (2) The
Youthful Franklin, by R. Tait McKensie (original on campus of Ihe
University of Pennsylvania); (3) The McKinley Group, by Charles
Albert Lopes (original plaster casie, metallized, made for group on Mc-
Kinley monument, Philadelphia) ; (4) Robert Burns, by /. Massev
Rhind (original in Pittsburgh): (5) Abraham Lincoln, by Daniel C.
French (original in Lincoln, Neor.).
The main Reading Room is on the second floor at the
rear or W. side. Readers interested in local New Jersey
history, biography, etc., will find especially valuable the ex-
tensive collection of newspaper clippings which the library
has diligently maintained for many years.
The Museum's collection of pictures is exhibited around the four
walls of the arcade, on the third floor. They represent, however, only
a portion of the collection, and are subject to frequent changes. The
fourth floor contains the main part of the art and science exhibits
enumerated above.
In the open space confronting the Library, and known
as Library Plaza, is the newly erected Founders' Monument,
dedicated May, 1916. It is placed in an isle of safety, with
large electric lights in globes of unique shape.
Two inscriptions, yet to be added, will commemorate, respectively:
(East face) "The bridging of the rivers eastward, and the rude road
built across the marsh .... an enterprise of ptatriotic citizens, an
epoch-making event"; (West face) the setting aside of the park as
the town's market place: "Never has it been put to any use other than
for the common good."
Opposite the Library, on the E. side of Broad st., on the
fagade of the Cadillac Company's building, is a bronze tablet
marking the site of the home of Joseph Hedden (1728-1780),
called by Gov. Livingston "the best magistrate in New
Jersey."
The inscription records the fact that on January 25, 1780, a British
force crossed the Hudson River on the ice, invaded Newark, and in
the dead of night seized Hedden, dragged him» scantily clad, into the
street and thence to prison in New York. He died shortly afterwards
from exposure. Erected, 191 6, by the History Classes of the Barringer
High School.
A little to the S., at the N. E. cor. of Broad and Lom-
bardy sts., is the Aldine Apartment House, the former home,
of Noah Brooks. It was here that he wrote his Life of
Lincoln, Boy Settlers and History of the United States.
One block N. of the Library, on Broad st. brings us
to Orange St., where in the rear of No. 30 Seth Boyden once
NEWARK 469
had his malleable iron factories. His memory is preserved
in Boyden st. (7th street west), and in the adjacent Boyden
Place.
Two blocks N., at the juncture of Broad and State sts.,
is the Lackawanna R. R. passenger station. At the N. W.
cor. of State st. is the venerable House of Prayer and ad-
jacent parsonage.
West on State st, at No. 57, lived Dr. Thomas Dunn
English (d. 1902), remembered chiefly for his song, "Ben
Bolt,** re-popularized through Du Maurier's "Trilby."
Two blocks N. of State st. Belleznlle avenue branches off
to the left. Here^ at the junction, formerly stood the old
Ogden Mansion. Continue N. on Belleville ave. past Clark
St., to Gouverneur st, then E. two blocks, in order to pay a
visit to the historic old Gouverneur House, at the corner of
Gouverneur st and Mt Pleasant ave.
This house is the Cockloft Hall of Irving's "Salmagundi." It
belonged to the Gouverneur family and descended to Gouverneur
Kemble. The latter, with Peter Kemble, Henry Brevoort, Henry Ogden,
James K. Paulding, Irving and a few others, made up the Nine
>Vorthie8, called by Irving "The Lads of Kilkenny." Shortly before
his death, Irving recalled his pleasant memories! of the place, and in
allusion to their bygone frolics, asked Kemble, "Who would have
thought we should have lived to be such respectable old gentlemen?"
Directly opposite Cockloft Hall, on Mt. Pleasant ave.,
was the home where Ray Palmer (1808-87) lived and died,
remembered chiefly as author of the familiar hymn, "My Faith
Looks Up To Thee."
Returning to Belleville ave., and continuing N., we reach,
on the E. side, facing Crittenden st., the Belleville Avenue
Congregational church, a simple cruciform structure of brown
stone, in the English Gothic order, but without tower or spire.
It is a curious^ fact that, whereas the so-called Old First Presby-
terian Church was for the first fifty years of its existence a Congre-
gational church, the Lafayette ave> church, also known as the First
Congregational Church, was originally Presbyterian. In 1834 a com-
pany of forty-nine persons \tit the First Presbyterian Church and
formed the Free Presbyterian Church. Later it became an independent
body, and in 1851, under the ministry of the Rev. Edward Beecher,
a brother of Henry Ward Beecher, it adopted the Congregational polity.
In May, 191 6, a tablet was unveiled in this church commemorating
the fact that the Founders of Newark were all members of the Congre-
gational faith.
Diagonally opposite, to the N., is a group of red brick
buildings comprising the Convent and Church of St. Michael
(R. C). Continuing on Belleville ave., we pass at the N. W.
4/0 RIDER'S NEW YORK CITY
cor. of Kearny st., the Park Presbyterian church, a Gothic
structure of brown stone with limestone trim. Opposite, on
the E. side of the avenue, is the extensive three-story structure
of the Nczvark Normal Training School, dating from 1912.
Continuing N. past 3d ave., Oriental and Harvey sts., we
reach on the R., Mt. Pleasant Cemetery, a somewhat irregular
rectangle, extending four blocks E. to a high bluff overlooking
the Passaic River, and bounded on the N. by the curving line
of Herbert Place, which preserves the memory of the brilliant
and unhappv author, Henry William Herbert (1807-58). His
home was at the N. E. cor. of the cemetery, a location chosen,
as he himself explained, "because the living were more
distant and the dead would not molest him."
Here, in a quaint, gabled cottage, which he himself erected, he
wrote twenty-three of his more than one hundred books, some of which
were published under the name of Frank Forrester. It was here that
he brought home the bride who deserted him within three months,^ and
whose final refusal to return resulted in his suicide. His grave is in
the adjacent cemetery, and is overgrown with ivy brought from the
seat of the noble English family from which he was descended. The
stone slab sums up his life with the single expressive word, "Infeli-
cissimus." ^
The cemetery itself well repays a visit, both on account
of the graves of many of Newark's most distinguished
citizens, and also because of its picturesqueness, and its
groves of splendid old trees. The main entrance is on Belle-
ville ave. On the L., just within the entrance, stands a
triangular brown stone pillar, in ornate Gothic, erected to
commemorate the incorporation of the cemetery, Jan. 24th,
1844. The cemetery contains few mausoleums. The largest
and most conspicuous is the Dryden Mausoleum, a large
square temple-like structure of white granite, with Ionic
columns. It stands upon a high knoll directly facing the
main entrance. Behind this mausoleum, a little to the N. E..
is the grave of Seth Boy den (1788- 1870). It is marked by
a modeist shaft of dark gray stone, surmounted by an urn.
His wife and children lie beside him. On the N. side of the
cemetery, near the N. W. cor. is the grave of Frederick T.
Frelinghuysen (p. 463). The monument is a lofty shaft
of granite, resting upon a massive and ornate base. On the
extreme eastern side, overlooking the bluff, is the grave of
Thomas B. Peddie, (1808-1889) merchant, one-time Mayor
of Newark and member of the 45th U. S. Congress. The
monument is a sarcophagus of dark granite. On the S. side,
almost opposite the end of Broad st., is the grave of Theodore
Runyon, at the time of his death in Berlin the first American
Ambassador to Germany.
NEWARK 471
Proceeding W. from Belleville ave. along 2(1 avc., past
Wakeman and Summer aves., we turn N. up Mt. Prospect
Place, which one block N. leads into Mt. Prospect ave. One
block N. we pass on left Abington Ave., W. on which, at
No. 58, was for over a quarter of a century the home of the
Ward family, including the late Dr William Hayes Ward,
the veteran editor of the Independent, his gifted sister,
Susan Hayes Ward, and also Herbert D. Ward, up to the time
of his' marriage to Elizabeth Stuart Phelps.
Continue four blocks N. to Elwood ave., then two blocks
E. to Summer ave., reaching Phillips Park.
This park is a portion of an old camping ground twice used by
the American forces during the Revolution — first in 1776, when Wash-
ington and his staff spent three or four days in Newark! during the
retreat to Trenton, and while part of his army went on to Springfield
to camp, one detachment encamped here; and. secondly, in 1779, CJen.
Anthony Wayne encamped on this ground for some time, and held
many conferences with his officers in the old Phillips farmhouse. The
triangular plot forming the present park was presented to Newark by
John Morris Phillips, a descendant of this family.
In May, 1916, a large boulder, bearing a bronze tablet as a
memorial to Gen. Washington, Gen. Wayne and the soldiers who
fought under them, was placed here by the Nova Caesarea Chapter of
the Daughters of the Revolution.
From this point, the northern end of Branch Brook Park
lies about 2-5 of a mile to the W. If the visitor has the
requisite time and energy, a walk down the length of this
park, with its numerous picturesque lakes and bridges, is
well worth while. It involves, however, a walk of about
two miles.
Branch Brook Park is part of the extensive park system of Essex
county, which already has a total acreage of 3233 acres. The system
is under control of a Park Commission, with authority to locate parks
througfhout the entire county, unlimited by the confines of single
municipalities. In point of fact, four of the Essex county parks com-
prise portions of several municipalities. Branch Brook Park comprises
a tract of 280 acres, lying in what was formerly a low and swampy
valley, between two high ridges, where the surface water collected in
stagnant pools. The whole locality was a breeding ground of frogs
and mosquitoes, and was locally known as Old Blue Jay Swamp.
Branch Brook Park has completely changed all this. In place of stag-
nant pools, is a brook of pure running water, widening into occasional
pools and ending in two large lakes, with a combined area of 23 acres.
Near the S. E. cor. of the park, and dominating the land-
scape from the highest ground in the neighborhood, stands
the imposing, but as yet unfinished structure of the new
Roman Catholic Cathedral of the Sacred Heart (see p. 467).
Nearby, bounded by 6th ave., Parker and Bridge sts., is the
Barring er High School.
»L
472 RIDER'S NEW YORK CITY
II. Central Section: From Military Park to the
"Four Comers** ; Market Street.
Broad street, south of Military Park, is Newark's business
centre, containing the finest of her modern office buildings.
Note especially the new Public Service Building near Park st.,
the United States Government Building, cor. of Academy st.,
containing the Post Office and United States Custom offices,
and just S. of it the Prudential Insurance Company, housed
in a group of buildings, occupying a large part of three city
blocks, two of them lying between Broad and Halsey sts.,
on the N. and S. side of Bank st., and the third in the rear
at the N. W. cor. of Bank and Halsey sts. The four build-
ings comprising the group, and erected successively (the latest
in 191 1 ) were all designed by George B. Post, and conse-
quently show a general uniformity of construction. The
style is in the main classic, with Romanesque detail, and a
blending of flamboyant French Gothic, all skillfully harmon-
ized.
The two lions supporting shields, over the Broad st. entrance to
the main building, arc carved in brown Indiana limestone, from designs
l)y Karl Bitter. The other external stone carvings, including the gar-
f[oyl3fl and the drinking fountain at the Bank st. corner, are also of
imestone, and were executed by George Brown & Co., of Newark,
from drawings by George P. Post 6* Sons.
The buildings contain some admirable mural jointings and other
features of artistic interest. For permission to visit them, apply at
the superintendent's office on third floor of main building.
The Prudential Insurance Company was founded in 187^ by the
Hon. John F. Dryden (later U. S. Senator), who was the pioneer in
America in the field of popular insurance at easy rates of payment,
thus placing insurance within reach of the masses. The com-
pany estimates that at the present time more than thirty million per
sons are protected by its policies. There are no branch offices, the
vast army of agents reporting directly to the headquartexs in Newark
The office staff comprises more than 3500 employees.
On the lower floor of the main building is a small library for the
use of the employees. It is affiliated with the Newark Public Library,
to the extent that any book contained in the latter may be borrowed
through the Prudential, as though it were a branch library. Its rooms,
situated in the S. W. cor., are worth a visit, for they contain models,
not only of the present buildings, but also of all their predecessors,
from the original humble beginning in the basement of a one-story
shop. Adjacent to the library, in the rotunda, is a full-length bronze
statue, heroic size, of John Fairfax Dryden, mounted on a pedestal of
pink New Jersey granite, presented in 191 3 as a "tribute of esteem
and affection from the Field and Home Office Force." {Karl Bitter,
sculptor.)
The chief point of interest is the Board Room, on the tenth floor.
From floor to ceiling, the walls arc lined with Caen stone, the entire
surface of which is covered with delicate hand carving, no two panels
being alike. The designs are ortlined with traceries in gold. On the
ceiling is a large central panel by Edwin H. Blaskfield, showing how
NEWARk 473
Increase, Foresight and Constancy, Thrift, Order and Temperance-
lead the People to Security. Security, the central figure, holds in one-
hand a shield, emblem of protection, and in the other an hour-glass,
a reminder that our days are numbered.
Around the walls are eight lunettes. At the south or window end
Prudence, with her shield, shelters the Family, while to left and righT
respectively Commerce and the Growth of Cities are symbolized by
men loading a ship and by architects in Romanesque costume. (Artist,
Siddons Alowbray). At north end are represented Intellectual and
Physical Force, the former pictured with' the features of Erasmrn
(a typical scholar), the latter as a young Roman. To right and lefi
are ngures representing the Arts and Ind,ustries. On the East or
main doorway side are three lunettes: Youth and Age, by Mowbray:
Prudence binding Fortune, by B lash field; and between them a panel
with an inscription from one of Senator Dryden's speeches: "A wonder-
ful Business; a Business with a Noble History; a Business with a
Lofty Aim; a Business with a Magnificent Purpose; a Business with
Splendid Results.*'
On the opposite side: Industry (a mother showing her child a
bee-hive), by Mowbray; Thrift driving the Wolf from the Door, by
Blashfield; and between them The Rock of Gibraltar, by Mowbray. In
the vaulting and pendentives are sixteen medallions and rectanrVs.
painted in cameo, white on blue iBlashfield and Mowbray). The
general color scheme, the dominant tones of which are gold and red,
was supervised by Elmer E. Garnsey.
The visitor should not fail to note the four lofty bronze ran
delabra, on either side of the mantel and the entrance door. They
are of Italian workmanship, the originals from which they were copied
being in the Church of San Giorgio, Venice.
The room contains four portraits: Hon. John F. Dryden, (1839
1911), by Madraso; Dr. Leslie Ward, Medical Director (1844-19 10),
by Madrazo; Edgar B. Ward, Second Vice President, by Madrono;
Noah F. Blanchard, Vice President, by Carroll Beckwith.
Adjoining the Board Room are two Committee Rooms, in French
Renaissance style, with hi^h wainscoting, elaborately carved in panels
and pilasters, the wood being imported from the Black Forest.
Before leaving the main buildings* note the front^ staircase of
pale yellow marble, richly wrought in delicate^ lace-like traceries.
On the first landing are three stained-glass windows representing
Prudence, Protection and Strength.
Across Bank street, in the new building, is the Assembly Room,
the chief- purpose of which was to afford a gathering place in which
the hundreds of traveling agents could receive systematic instruction
regarding their work. Its chief features are a ceiling of richly carved
and gilded work; an ornamental screen in the rear of the pre-
siding officer's platform suggestive of the reredos of a cathedral, and
two Targe lunettes, by Edward Simmons.
I. (North end) Insurance, symbolized by a husbandman planting
a fruit tree; beside him are (Teres with her sickle, and Hope with a
branch of blossoms; 2. (south end) Benefits, typified by Abundance, a
female figure be.-iring a Jlorn-of-Plenty, ministering to a Widow and
her Children.
Broad st. now crosses Market st. at right angles, form-
ing the historic "Four Corners," dating back to the earliest
days of the settlement. Here to-day is the heart of the shop-
y
i
474 RIDER'S NEW YORK CITY
ping district, and here also are clustered a majority of the
theatres and photoplay houses.
These four corners have numerous historic and literary
associations. At the N. E. cor. stands the new sixteen-storv
Firemen's Insurance Building. Note above the entrance
"Fireman No. 2/* a life-size statue of a fire chief in uniform,
trumpet in hand (erected 1910; Paul JViehle, sculptor).
"Fireman No. i" was a wooden figure which for 32 years
stood on the roof of the old building. On the S., or Market
St. facade of the same building is a bronze tablet erected by
the New Jersey Branch of the Sons of the Revolution, mark-
ing the route taken by Washington on his way from Phila-
delphia to Cambridge.
Opposite on the S. E. cor. of Broad and Market sts., is
the Kinney Building, occupying the site of the Newark Daily
Advertiser (now the Newark Evening Star), long owned
and edited by William Burnet Kinney, who on his death in
1881 was succeeded by his son, the late Thomas T. Kinney.
The Daily Advertiser was edited for a time by Noah Brooks,
and its staff included at various times, the Gilders and Stephen
Crane, the novelist. On the opposite corner was the office of
the Morning Register, edited by Richard Watson Gilder,
and later by Dr. English.
The Kinney Building has on its Broad st. fagade a
bronze memorial tablet, marking the site of the home of
Robert Treat, "the dominant spirit in the settlement of
Newark, 1666."
Robert Treat, as already stated (p. 461), was the founder of Newark.
In 1 66 1 he headed a committer from Milford that went to New Amster-
dam to negotiate for a settlement under Dutch rule.* In 1665 he
selected the site of Newark. In 1666 he brought the Milford settlers
up the Passaic River and arranged terms of purchase with the Indians.
It was Treat who planned the new town and laid out Broad and Market
sts. He remained the active leader of the colony until 1672, when he
returned to Connecticut. He died July 12, 1710, at the age of 84 years.
East on Market st. are no. 193, the Newark Theatre
and No. 211, the Lyric Theatre. At No. 222 formerly lived
Dr. Abraham Coles (p. 466).
One block to the W. of Broad st., occupying the greater
part of the square bounded by Market, Halsey, Bank and
Washington sts., is Bamberger's, Newark's largest depart-
ment store. Opposite, on the S. side of Market st., are, at
No. 136 Fox's Carlton Theatre, and No. 120 The Strand
Theatre, both motion picture houses, and at No. 116 is
Proctor s Theatre, a vaudeville house at popular prices.
NEWARK 475
This latter theatre occupies the site of the Old Park House, which
for years was the home of the poet Elizabeth Clemantine Kinney, one
of the most gifted women of Newark. She was the sister of William
E. Dodge, the philanthropist; and by her first marriage was the mother
of the- late Edmund Clarence Stedman, the banker-poet. Her second
husband was William Burnet Kinney, for many years editor and
proprietor of the Newark Daily Advertiser (now the Newark Evening
Star). When, in 1851, Mr. Kinney was appointed United States Min-
ister to Sardinia, she accompanied him to the court of Victor Emanuel,
and later lived for a time in Florence, frequenting the literary circle
that included the Brownings, the Tennysons and the sculptor Powers.
Her best efforts in prose and verse being to that period.
Continuing west, we reach (two blocks), at the juncture
of Market st. with Springfield ave —
**The Essex County Court House, a modern renaissance
structure, erected in 1906-8, from plans by Cass Gilbert. It
stands on rising ground, facing east towards the apex of a
long narrow trianjgle. A series of broad, low steps, in huge
semi-circles, lends dignity and height to the approach. To
the right, at the foot of these steps, is a memorial statue in
t)ronze of Lincoln, seated, by Gutzon B or glum.
Two seated figures in bronze, heroic size, by Andrew O'Connor.
flank the main entrance: North, Power; south. Truth. On sides of
granite bases are four reliefs in bronze, "When Law Ends Tyranny
Begins."
The exterior of the Court House is of South De^on marble, on
a base of Vermont granite. The main fagade is adorned with nine
sculptures, heroic size, by Piccirilli Brothers, from models by O Connor.
(i) At the apex, The Power of the Law. Along the entablature, from
left to right: (2) (Light) Reason of the Law; (3) (Maternity) Shelter
of the Law; (4) (Thais) Protection of the Law; (5) (C^in) Assault
upon the Law; (6) (Adam) Disobedience of the Law; (7) (Eve) Vic-
tim of the Law; (8) (Wisdom) Statutory Law; (9) (Learning) Author-
ity of the Law. Cost of sculptures and bronzes, $56,500.
The interior (open daily) deserves a detailed visit, being not only
architecturally interesting but literally a museum of American mural
paintings. The central rotunda, open from the ground floor to the
roof, receives its light through the stained glass of the spacious dome,
which is flanked by smaller domes to north and south. Encircling the
central glass sky-light is a narrow band formed of the Twelve Signs of
the Zodiac. Below these are f6ur pendentives containing symbolic
female figures, by E. Blashfield: (i) Wisdom Which Informs the Law
(symbol, the unraveling of a skein); (2) Knowledge Which Bases the
Law (symbol, searching the records for precedents); (3) Power Which
Supports the Law (symbol, a sword and rods); (4) Mercy Which
Tempers the Law (symbol, casting the vote of Mercy into the urn).
South dome: Four small pendentives, (i) Zeus, (2) Odin, (3)
Minerva, (4) Moses. North dome, four small pendentives, (i) Druid,
(2) Isis, (3) Siva, (4) Buddha.
In the court rooms on the 3d floor: (i) Supreme Court (east front);
The Beneficence of the Law, by. Kenyon Cox, "Under the Rule of Law,
Inspireil by Justice, Peace and Prosperitv Abide." (2) Circuit Court
rooni A vsouth) : The Landing of the New Englanders (on the banks ot
the Passaic River, May 17, 1666), by C. Y. Turner; (3) Motions Court
I
476 RIDER'S NEW YORK CITY
room (west) : Diogenes in Quest of an Honest Man, by JVill H. Low;
U) Circuit Court room B (north): The State Supported by Liberty
and Justice, by George W. Maynard.
Second floor: (i) Freeholders* room, The Landing of Carteret, by
Howard Pyle; (2) Grahd Jury room, The Foreman of the Grand Jury
Rebuking the Chief Justice of New Jersey, in i774. by Frank D. Millet;
(3) Criminal Court room, The Power and Beneficence of the Law, by
H. O. Walker. Combined cost of mural paintings, $41,000.
Opposite the Court House, N. E. corner of Market and
High sts., is the attractive P. E. Church of St. Paul.
Two blocks south of the Court House, on High St., is
the interesting old St. Mary's C/iwrc A. (German R. C), built
in 1854. The interior is highly decorated with mural paint-
ings and memorial windows.
Over the altar are figures of the Virgin Mary, St. Boniface and
St. Benedict; below are the four evangelists. The nave is supported
upon rows of arches, resting on massive pillars. ^ Above these arches
are paintings of the principal scenes in the life of the Saviour.
Above the arch of the sanctuary is The Coronation of the Virgin.
Above a side altar at the N. E. corner, is preserved under glass the
mutilated gilded figure of the Blessed Virgin, which together with
the earlier St, Mary's Church, on this same site, was destroyed by *a
band of rioting Orangemen from New York, Sept. 5th, 1854.
Side Trip. If we turn W. on 13th ave., starting from
behind the courthouse, we reach, about a mile distant, at
the N. W. cor. of 9th st. the Monastery of St, Dominic, a
massive three-story structure built of Newark brownstone.
It was the first cloistered monastery of the nuns of this order
built in the United States, and was established in 1880 by Archbisliop
Corrigan. It was planned by Jeremiah O'Rourke, after the old con-
vents of Europe, it occupies a quadrangle 150 ft. square, and encloses
a central court 66 ft. square, surrounded by a cloister 9 ft. wide. In
the centre of the court, as in all Dominican monasteries, there is a
well, 60 ft. deep. This is the strictest order in the United States.
III. Southern Section : From "The Four Comers"
to Weequahic Park
Continuing south on Broad St., we reach (one block) on
the left or E. side, the famous *Old First Church, commonly •
known as the First Presbyterian Church, dating from 1668.
The founders of this, the oldest church in Newark, were
all strict New England Congregationalists, and the church
itself was Congregational for at least the first fifty years
of its existence.
The plot of ground occupied by the church and surrounding
graveyard is literally the spot where- Newark began. For many years
the members of its congregation constituted the entire population, and
Its pastor was the most important official. Indeed, the church so
completely dominated the government of the new settlement that no
NEWARK 477
man who was not a church member had any voice in the colony's
government. The first church building, called "Meeting House*'
by the settlers, was built in 1668. It was 37 feet wide,
36 feet long, and fronted on Broad st. a little north of Bran-
ford Place. In 1708 a second church was erected, which stood
a little further south. The present building on the other side of
Broad St., was begun in 1787, and opened for public worship in 1791-
On its completion, the old second church was converted into a court
house, for which purpose it was used until i8o;r. The present edifice
is the third church (enlarged). The early ministers were many of
them men of note. Among them were Abraham Pierson, later the first
President of Yale College; the Rev. Aaron Burr, father of the statesman
of that name, an^ later the founder of Princeton College; Dr. Edward
Dorr Griffin, afterwards president of Williams College; and Dr. James
Richards, President of Auburn Theological Seminary.
Almost opposite the present First Church, just N. of
Branford PI., is the site of the earliest First Church and
burial "^round, which originally comprised three acres. Two
blocks W., on Branford PL, an isle of safety has been estab-
lished, which is to contain a monument, soon to be put in
place, commemorating in the inscriptions on its four sides
certain memorable events in Newark's early history.
The inscription on the east face will commemorate the fact that
"The first church and training place were located just below this spot,
beginning at Broad street. The founders one by one were laid to
rest behind the church, from whence their bones were removed to
Fairmount Cemetery in 1887-89." The south face commemorates the
Second Church, erected just S. of Branford PI., and later used as
a courthouse: "long a rallying place for the people in times of danger;"
the north face will record the fact that this Second Church Building
was the scene of the first commencement of Princeton College, held in
1748; and the west face inscription commemorates the westward spread
of the colony, which made Newark the "Mother of Towns."
S. at No. 840 is the Passenger Station of the New Jer-
sey Central Railway. Further S., No. 870, is the Kremlin
Building, marking the site of the historic Ailing Homestead.
A century ago or more, this old homestead was a "favorite gather-
ing place ' for distinguished foreigners, living in exile during the tur-
bulent years of the French revolution and Napoleonic period. Among
others were Talleyrand, the Bishop of Autun and Chateaubriand.
A little further S. on the right hand side of Broad st.,
three doors below William st., is a business building marking
the site of the old First Presbyterian Parsonage, the birth-
place of Aaron Burr, the statesman. Diagonally opposite
stands the new City Hall, a massive structure of gray granite,
erected in 1903-4, at a cost of $1,250,000 {John H. and Wilson
C. Ely, architects).
■
At the N. E. cor. of Broad and Walnut sts. stands Grace
Episcopal Church, a brown stone edifice, in thirteenth cen-
^
V
478 RIDER'S NEW YORK CITY
tury English Gothic, built in 1847 at a cost of $34»758.
Richard Upjohn, architect.
The church is cruciform in plan; the tower is square, surmounted
by an octagonal spire. Part of the ground occupied was the site of
Newark's first Hotel.
Turn E. on Walnut st. to Mulberry, then S. to Mulberry
Pi, No. 14, the birthplace of Stephen Crane, author of "The
Red Badge of Courage," and son of Rev. J. Townley Crane.
At 979 Broad st., cor. of Marshall, is the M. E. Church
of St. Paul, organized 1853. The present edifice was erected
the following year, at a cost of $78,000. It is a notable
structure of brown stone, in the perpendicular Gothic type
of architecture, having two mineret-towers upon its front.
The side door is usually open; if closed, the sexton may be
found in the adjoining house to the west.
Back of the pulpit, in the space between the organs, is a mural
painting of the Nativity, by JVill H. Low. He also designed the ten
side windows, consisting of three angels each, varying in attitude and
attributes, and carrying out a general uniformity of conception (exe
cuted by Heinigke and Bowen}. In the Broad st. faQade is a spacious
window (20 by 30 ft.), representing "St. Paul Preaching at Athens."
The window was designed by Walter Crane and executed by J. and R.
Lamb.
Two- blocks further S., Clinton avenue, one of Newark^s
finest residential streets, branches off diagonally to the S. W.,
forming with Broad st. the apex of a triangle occupied by
Lincoln Park. At the northern angle of this park is an
Indian Group in bronze (C B. Ives, sculptor).
This group, presented to the city in 1895, by Dr. J. Ackerman
Coles, is composed of three figures, a kneeling woman, an Indian chief
and a white girl in Indian dress. It illustrates an episode of Nov. 1764,
following a truce made with the Indians, when a large number of the
settlers, who had been captured as children, came back to their native
towns. In this group a mother succeeds by a song, in awakening
memories of childhood in the daughter who still clings to her Indian
husband. •
On the E. side of Broad st., facing the Indian Monument,
is the site lately acquired for Newark's projected Memorial
Building.
At the N. cor. of Broad st. and Clinton ave., is the South
Park Presbyterian Church, a brown stone structure with
a classic portico supported by four Ionic columns. Note also
the two towers, in three stories, the first and second octag-
onal, the upper circular.
Continuing on Clinton ave., we pass at W. cor. of Halsey
st.,«the Clinton Avenue Reformed Church, completed in 1872
at a cost of $200,000. Just beyond, on the R.. facing Lincoln
Park, is another smaller triangle, called Clinton Park. In
NEWARK 479
the middle stands the recently erected Bronze Replica of the
famous Equestrian Statue of General Bartolomeo Colleoni,
the original of which, by Andrea Verrocchio, is in Venice
(erected 1493)-
Verrocchio died after completing the model of the statue, which
was cast by a Venetian, Alessandro Leopardi, recalled for the purpose
from exile because of forgery. Leopardi designed the lofty and dipr-
nified pedestal on which the statue rests, and characteristically attempted
to claim the whole credit by inscribing his name on the horse's saddle.
Kuskin wrote of the Colleoni: "I do not believe there is a more
glorious work of sculpture existing in the world than the equestrian
statue of Bartolomeo Colleoni."
The task of making the replica was entrusted to Mr. J. Massey
Rhind. It is the gift of Mr. Christian W. Feigenspan, a citizen of
Newark. The .only other existing copy in bronze of this statue^ is in
Paris. -^
From the S. W. cor. of Lincoln Park, go S. one block
on Pennsylvania ave. to South st. Here Brunswick st.
branching off to the R. forms a triangle occupied by the inter-
esting (R. C.) Church of St. Columba.
This edifice is an adaptation of the Roman basilica order of church
architecture (erected 1897). At the main entrance is a semi-circular
portico, supported by six Corinthian columns; and in the interior a
similar arrangement divides the main body of the church from the high
altar.
Notice especially the series of ceiling decorations (all of them
gifts of members of the church): i. St. Columba; 2. The Resurrec-
tion; 3. The Ascension; 4. The Descent of the Holy Ghost; 5. The
Assumption; 6. The (Coronation. The church also contains some
rather good memorial windows, notably that of St. Columba, behind
the altar.
South on Brunswick st. at No. 77 is a modest wooden
structure, with a mansard roof, the former home of Richard
Watson Gilder, late editor of the Century Magazine .
Just S. of the Gilder house turn W. on Murray st. to
Clinton ave. At the S. E. cor. is St. Luke's Methodist Epis-
copal Church, an ornate Gothic structure, with a massive
square tower, having on each side three lancet-like openings.
Continuing S. on Clinton ave., on the S. W. cor. of Mon- .
mouth st. is the unpretentious Clinton Avenue Baptist Church
(organized 1871 ; present structure, 1895). Diagonally op-
posite, at the cor. of Wright St., is the First Congregational
Church. Just S. of Wright St., Elizabeth ave. branches off
to the left; and in the angle thus formed stands the simple,
yet pleasing R. C. St. Stephen's Church, a stucco structure,
covered with ivy.
Continuing on Clinton ave., we come next on the R., to
Stratford PI., one block N. on which, at the cor. of. Avon
48o RIDER'S NEW YORK CITY
ave. formerly stood the home of Edmund Clarence Stedman,
the poet and banker. The house has been removed from
its original site and now faces on Avon ave. Here Stedman
wrote many of his poems and part of his volume on The
Victorian Poets.
Diagonally across from Stratford PL, at the N. E. cor. of
Clinton and Johnson aves., stands the First Reformed Church,
a beautiful white granite structure, erected in 1893. The
church was organized in 1833. Among the church's former
pastors were the Rev. James Scott (1843-58), who wrote a
"Life of Pollok" (a Scotch poet, author of "The Course of
Time"), and the Rev. E. P. Terhune (1859-76) the husband
of Marion Harland.
Two blocks further S. where Clinton ave. crosses Bel-
mont ave., in a small triangular park on the W. side of the
avenue, there is a bronze statue, heroic size, commemorating
the Spanish-American War. It is entitled The Hiker, and
represents the type of American soldier in that war. (Allen
G. Newman, sculptor).
This statue, originally designed to be shown in the rotunda, of the
New York State Building at the Jamestown Exposition, was unveiled
on Memorial Day, 19 14, by the United Spanish War Veterans, in
memory of the soldiers, sailors and marines who lost their lives in
the Spanish war.
Facing the monument on the South side is the Central
Presbyterian Church.
To the southeast, distant about one mile, lies IVeequahic
F*ark, one of Newark's largest parks, and, like Branch Brook
Park, forming part of Essex County'* extensive park system.
Near the S. W. corner is the site of the historic "Divident
Hill," recently commemorated" by a monument (p. 462).
r"
INDEX
ERRATA.
Page 9, line 28, for "La Marquise" read **Le Marquis."
Page 20, line 52, for "26th St." read "36th St."
Page 64, line 22, for "Cloisters" read "Museum."
Page 86, line 25, for "Geographical" read "Genealogical."
Page 120, line 27, for "Ximens" read "Ximenes."
Page 122, line 24, for "Gellert" read "Gelert."
Page 135, line 42, for "Title Guarantee Trust" read "Title
Guarantee & Trust."
Page 163, line 14, for "Houdin" read "Houdon."
Page 210, line i, for "Brotzell" read "Broztell."
" " line 2, for "W" read "E."
Page 336, line 13, for "Robert I. Collier" read "Robert J.
Collier."
Page 344, lines 1-2, for "J. Hood Wright Memorial" read
"Knickerbocker."
V
INDEX
For explanation of abbreviations used see p. viii; most
of them are self -explanatory. The names of architects,
sculptors and artists {of mural works) are entered here in
italics, but no attempt has been made to index the works
of sculptors and artists in the various art collections proper.
"A. I. C. P.,« 216
Abbey, E. A., 166
Abbey Inn, 355
Abbott Collection
(Egyptian), 244
, Aberdeen Hotel, 9, 182
Abingdon Sq., 162
Abraham & Straus
(dept. store), 418
Academy of Medicine,
197
of Music, 218
-— — , Brooklyn, 419
Acierno's Italian Thea-
tre, 62
Adams, H., 207, 213,
229, 426
Adams, Dr. Wm., tab-
let, 25^
Adams Express Co., 50
, Bldg., 125
Adams-Flanagan Co.
(dept. store), 365
Adelphi College, 439
— Theatre, 61
Aderente, V., 394. 45^
Adler, M. L., res., 333
Administration, Depts.
of, xxv-xxvii, xxviii-
XXX
Advancement of Peace,
Carnegie Endow.,
274
Advent, Church, 241
Aeolian Bldg., 229
— Hall, 6^
Aero Club of America,
66, 73
Aeronautical Soc. of
America, 66
Agassiz, L., bust, 279
Aged & Infirm, Home,
no
Aged Couples, Home,
162
Aged of Little Sisters
of Poor, Home, 24;5
Aged Women, Home,
Pres., 334
Aged Women, Home,
St. Luke's, 256
Albano, S., 428
Albemarle Bldg., 165
— Hotel, 173
Albert, Hotel, 8, 179
Aldermen, Board, xxv
Aldine Club, 7z, 181
Andrews, F. M. & Co.,
166
Aldrich, T. B., home,
177
Alexander Hamilton
Pk., 237
Alexander, Sir Wm.,
grave, 134
Algonquin (hotel), 11,
198
Alhambra Theatre,
Keith's, 60
All Angels' Church, 240
All Souls' Unit.
Church, 215
AMaire's (res't), 23
Alhambra Theatre, 342
Alliance Frangaise, 73
Allen & Collins, 242,
256
Allen St., ISO
Alps (res't), 22
Alt Heidelburg (res't),
Altman Collection
(art), 313, Z2S-27
Altman 's (dept. store),
7Sy 183
Amateur Athletic
Union, 66
Ambrose Channel, 104
America, Hotel, 219
"American" (paper), 87
— Auto. Assoc, 70
— Bank Note Bldg.,
130
— Bible Soc, 155
— Book Co., 175
— District Telegraph
Co., 49
— Exch. Nat. Bk., 135.
— Express Co., 50
— Geographical Soc,
346
— Insurance Bldg., 464
— League (baseball),
67
— Miss'y Assoc, 216
— Music Hall, 58
— Sugar Refining Co.
Bldg., 454
— Surety Bldg., 135
— Theatre, 58, 169
— Tract Soc, 132
Amsinck, Mrs. (j., res.,
329
Amsterdam Ave., 2^7,
241-42
Andre, Major, 112, 113
Anderson Galleries, 212
An^elo's (res't.), 24
Animals, Soc, Pre-
vent'n Cruelty, 209
Annetje Jans Farm, 158
Ansonia, Hotel, 13;
res't, 22
Anthony, Prof. W. A.,
tablet, 154
Apartments, furnished,
1S-16
\pollo Hall, 1 6s
Appellate Ct. House,
207-9
Applied Design, School,
Women, 222
Apportionment, Board
of Estimate and, xxv
Apthorp (apart, house),
240
Aquarium, 120-21
Arbuckle Institute, 409
Archambault (res't.),
22
Archbishop, N. Y.,
house, 214
Architectural League of
N. Y., 64
Argentine Republic,
consul, 91
Arion Society, 73, 217
Aristide Fumey (res't),
23
Armenian churches, 82
484
INDEX
— cqlony, 221-22
— res'ts, 25
Armory (Brooklyn),
406
— , 8th Coast Artilcry,
362
— , Squadron C, 435
Armstrong D. M., 178,
182
Army & Navy Club, 74,
230
— Bldg., U. S., 123
Arnold, Benedict, 112
Arnold. Constable &
Co. (store), 185
Arsenal, 330
Art Students* League,
64
Arthur, Pres. C. A.,
home, 180; oath, 222
Asaki (res't), 25
Asbjornsen, 423
Ascension, Church, 177-
Aschenbrodel Verein,
340
Ashokan Reservoir,
xxvii
Assay Office, 127
Assoc, for Improving
the Condit. of the
Poor, N. Y., 216
Astor, Col. Jn. J.,
grave, 345
Astor, Vincent, mar-
ket, 241; res., 330
Astor Bldg., 126
Astor, Hotel, 8, 171;
res't., 21
— Library, 153
— Place Opera House,
153
— Theatre, 57» 171
Asylums (children),
xxxiii-xxxiv
Athens, Hotel, res't. ,
22
Athletics, 66
Atlantic & Pacific Tea
Co. Bldg., 455
— Ave., 412
— Ave. Terminal, 39
— Coast steamships, 43
Audubon, J. J., bust,
279; grave, 345
Audubon Theatre, 60,
354 „
Austria-Hungary, con-
sul, 91
Authors' Club, 73, 219
Automat (res'ts.), 26
Automobile and Motor
CIul), N. J., 466
— Club of Amer., 70, 73
"— Row," 173, 239
Automobiles, hired, 4
Avery Library, 269
Aviation, 66
B
Babies' Hosp., 89
Baerer, H., 303, 420,
423, 437
Baggage, 2
Baird, S. F., bust, 279
Baker, J. B., 131
Balkan (res't.), 25
Ball; T., 188, 30s, 346
Baltimore Dairy Lunch,
400
Bamberger's Dept.
Store (New'k), 474
Bank for Savings, 215
Bank of N. Y., 128
— St., 162
Bankers, 90
— Trust Co. Bldg., 126
Banks, 90
Banvard's Museum, 165
Baptist churches, 80, 82
Bar Assoc, 73^ 198
Barber shops, 17
Barberini tapestries, 259
Barclay St., 158
Barge Office, U. S., 120
Barnard, G. G., 168,
186, 270. 313
Barnard Club, 74
— College, 255, 274-75
— Museum, 64
Barney & Chapman,
173, 223
Baron de Hirsch Trade
School, 338
Barranca (res't.), 24
Barren Island, 104
Barrow St., 161
Bartholdi, A., 105, 163,
255
Barth's (res't.), 25
Bartlett, P.. 126, 186,
307
Bartow, 391
Barye, 196, 428
Baseball, 66-67
— Grounds, 353
Bathing, 72
Baths, 17
Batterson, J. C, 164
Battery, 107, 1 19-21
— Pk. Bldg., 119
Battle of Golden Hill,
132, 139
Bauer, O. H., 172
Baur, T., 428
Bayard St., 151
Beach, 423
Beach St., 158
Beaux Arts, Cafe des,
21
Beckwith, J. C, 166
Bedford Park, 436
Bedloe's Is., 105
Beecher,^ H. W., 403,
407; trial, 404, 407;
homes, 409; portrait,
408; memorials, 407,
408
Beekman PI., 226
Beer, F., 229
Beer, restaurants, 19
Beethoven, bust, 303
Belasco Theatre, 57
Belden Hotel (City Is.),
392
Belgium, consul, 91
Belleclaire, Hotel, 12,
240
Belleville Ave. Cong.
Church (New'k), 469
Bellevuc Hosp., 88, 225
Bellews, Dr. H. W.,
bronze, 215; home,
220
Belmont, O. H. P.,
mausoleum, 387
Belmont, Hotel, 10,
212; res't., 21
Belmont Tunnel, no
Belnord (apart.), 241
Beloved Disciple,
Church, 335
Belvedere (Central
Pk.), 304
Bement Collection
(minerals), 300
Bennett St., 355
Benzoni, 183
Berg, C, J., 387
Bergen Reformed
Church (J. 0, 458
— Square, 457
Berger (res't.), 23
Bergh, Henry, 209, 216
Berkeley Lyceum, 197
Bertha-Claire (tea
room), 26
Best & (Jo. (store), 183
Beth Haim (cemetery),
227
Bethesda Fountain, 303
INDEX
485
Bethune, Dr. G. W.,
416
Bianchini, A., 268
Bible Ttachers' Train-
ing; School, 222
Bibliography, 99-103
Bickmore, Prof., bust,
285
Bicycling, 67
Bigelow, Jn., home, 220
Bijou Bldg., 166
— Theatre, 417
Billiards, 68
Billings, C. K. G., es-
tate, 355
Billopp House, 452
Biltmore, Hotel, 8, 212-
13; res't., 21
Bishop Collection
(jades), 307, 313
Bishop's House (St.
John's), 263
Bissell, G. £., 121, 164,
207, 267
Bitter, a., 122, 133,
136, 205, 207, 253,
426, 472
Blackwell's Is., 109-10
Blaeser, G., 302
Blasfield, E. H., 183,
208, 344, 456, 472,
473, 475 ,
Bleecker, A. J., vault,
134
Bleecker St., 162
Blessed Sacrament,
Church, 239
Blind, Assoc, N. Y.,
Bloomingdale Dutch
Ref d Church, 241
Bloom ingdale's (dept.
store), 226; res't., 25
Blue Bird (tea room),
26
Blum, R., 169
B'Nai Jeshurun (syna-
gogue), 334
Boarding houses, 16
Boeardus Bouwerie, 158
Bohemian churches, 82
— district, 338
Boiler Squad, xxvi
Bolivia, consul, 91
Bonaparte, Joseph, 254
Bonnot, Cafe, 23
Bonta Narragansett
(hotel), 12, 241;
res't., 22
Booth, E., bust, 164,
228
Booth Theatre, 57, 171
Borgfeldt Bldg., 219
Borglum, G., a6o, 262,
268, 307, 407, 475
— , S., 428
Borough Hall (B'klyn).
402-4
— presidents, xxv
Boroughs, Greater N.
Y., xv-xvi
Bossen Bowerie, 160
%ssert. Hotel, 399, 411
Boston Post Road, 359
Bostwick, Mrs. J. A.,
res., 329
Bosworth, W. W.. 156
Botanic Garden, B'klyn,
434-435
Botanical Garden, N. Y.,
377-81
Bound Brook, N. J.,
118
Bousquet, Caf^, 23
Bowery, 149
— (C. I.), 446
— Mission, 81, 151
— Theatre, former, 151
Bowling, 68
Bowling Green 121
Bldg., 125
Boy Scouts, headquar-
ters, 181
Poyden, Seth, 466, 469,
Bracony, L., 167, 263
Bradford, Wm., grave,
134
Brady, N. F., res., 332
Branch Brook Park
(New'k), 471
Brander Matthews Dra-
matic Museum, 268
Ttrazil, consul, 91
" Bread Lines," 151,
156
Breck, W., 143
'Creese, S., grave, 134
Breslin, Hotel, 9, 165;
res't., 20
Bretton Hall, 12, 240
Brevoort, Hotel, 8, 177;
res't., 22
T^rewers' Exchange, 219
Brewster, G. T., 426
Brick Pres. Church,
184
Bridge Squad, xxvi
Bridges, Dept., xxviii
Bridges, Harlem River,
352
Bridgham, S. W., res.,
332
Brighton Beach, 446,
448
Casino, 448
Hotel, 448
Brinkerhoff Hall, 275
Bristol (hotel), 11
Broad St., 129-30
(New'k), 472
Broadway, 125-26, 132,
239-42
— Arcade Bowling Al-
leys, 68
— Central Hotel, res't,
20
— Photoplay Theatre,
61
— Pres. Church, 256
— Tabernacle, 1 73
Broderick House, 161
Brokaw, C. V., res, 329
— , H. C, res., 332
~, I., res., 332
— , I. v., res., 332
Bronck, Jonas, 364
Bronx and Pelham
P'kway, 390
— , Borough of, XV,
358-92
— Opera House, 365
— River, 381
Brooklyn, 397-448
— Baseball Club, 66
— , Borough of, xv-xvi
— Bridge, 111-12, 140
— Canoe Club, 68
— churches, 82
— Eagle Building, 402
— Hospital, 437
— Institute of Arts &
Sciences, 424-34
— Law Library, 86
— Museum Lib., 86
— Navy Yard, 439-41
— suijway stations, 30
— Theatre fire, 402
Brooks Hall, 274
Brooks, Rev. A., 274;
bust, 27s
— , H. M., res., 329
-T-, Noah, home, 468
— , Phillips, medallion,
463
Broome St. Tabernacle,
81
Brouner, A., 418
Brounet, A., 240
Brown, H. K., 163, 423,
463
— , Geo., & Co., 472
486
Browne's Chop House,
22, l68
Broztell, Hotel, aio
Brunner, A. IV., 271,
388
Bryan Collection (art),
244
Bryant, Wm. C, home,
180; statue, 229
— Pk., 229
Bryce, L. S., res., 333
Buchanan, Pres., home,
223
Buck, Dudley, memo-
rial, 415
Buckingham (hotel), 10
Buckman & Fox, 388
Bull, W. L., res., 329
Bull's Head Tavern,
151
Bunny Theatre, 61
Burden, Mrs. A., res.,
331
Burden, I. T., res., 333
Burnham, D. H., 170
Burns, R., statue, 303
Burr, Aaron, 460, 477;
wife, 351
Bush-Brown, H. K.,
124, 144, 145, 207
Bush Terminal, 444
Bushwick, 443
Bustanoby's (res't.), 21
Butler, Mrs. Geo. H.,
res., 332
Butter ick Bldg., 161
INDEX
C. & H. Theatre, 56,
169
Cables, 48
Cadillac Hotel, 170
Cadillac Hotel (C. I.),
447 ^
Cady, C, 54
Cake shops, 27
Calumet Club, 73
Calvary Church, 215
Rectory, 221
El is Church, 215
Camera Club, 239
Canal St., 151, 158
Canby herbarium, 239
( 'andies, 27
Candler Bldg., 169
Canoe Brook Country
Club, 69, 74
Canoeing, 68
Canova, 464
Capitol Lunch, Inc., a6
Carimini, Sig., 201
Carl Schurz Pk., 340
Carles, A. J., 167
Carlos (res't), 24
Carlton Terrace (res't)
22 f 241
Carnegie, A., res., 333
Carnegie Hall, 63, 231
— Laboratory, 226
— Lyceum, 63, 231
Carpenter Library, 268
Carrere & Hastings,
172, 182, 186, 242,
243, 261
Carriages, 28
Cary sisters, home, 180
Casanova Mansion, 389
Casino (Central Pk.),
301
— Theatre, 55, 167
Castle Cave (res't.),
22
— Garden, 121
— Point, 459
— William, 105
Caterson, R., 384
Cathedral. R. C,
(Brooklyn), 438
Catholic Club, 65, 74,
230
— Protectory, N. Y.,
390
C a t,s k i 1 1 Aqueduct
xxvii
— Mts.,112
. — Mt. System, xxvii
Cavanagh's (res't.), 22
Central Bridge, 352,
360
— Park, 301-5
Riding Acad., 71
West, 242-43
— Pres. Church (New-
ark), 480
--R. R., N. J., 118
— R. R., N. J., Ter-
minal, 38
Century Club, 65, 73,
197
— Country Club, 691
74
— Theatre, 58, 242
Cesnola Collection, an-
tiques, 307, 3»3;
glass, 311
Chamber of Commerce,
N. Y., 124, 131
Chambers St., 158
Chandler, B. A., 217
Chandler, D., 387
Chandler Chemical Mu-
Tongues,
seum, 371
Chapels of
259-62
Cbapin, S. B., res., 332
Chaplain, J. C, 269
Chapman, F. M., 293
Charles (res't.), 23
Charlton St., 158, 161
C h ar i t i e s , Dept.,
xxviii
— Organization S o c,
215
— Private, xxxiv
C h a r V e t Collection
(glass), 3"
Chatham Sq., 149
"Checking" baggage, 50
Cheesbrough Bldg.,
119
Chelsea, 233
-- (hotel), 9
— Improve. Docks, 113,
238
Chemists' Club, 74, 212
Cherry St., 140-41
Chesterwood Studios,
177
Chevalier (res't.), 23
Child Hy^ene, Divi-
sion, xxix
Children, Soc. Pre-
vent'n Cruelty, 216
Children's Aid Soc.
Hospital, B'klyn, 447
— Court, xxxiii, 221
— Gate, 331
— Museum, 435, 436
Child's rest's., 25
, (Brooklyn), 400
Chili, consul, 91
Chimney Corner (tea
room), 26
China, consul, 91
Chinatown, 149
Chinese churches, 83
— Delmonico' (res't),
24
— rest's, 24
Chisholm, H. J., 329
Choate, J. H., res., 329
Choir School (St.
John's), 263
Chop Houses, English,
22
Chorrera (res't.), 24
Christ Church, 239
Christian Science
churches, 80, 82
Christopher St., 162
INDEX
487
"Church in the Fort,"
tablet, 181
Church Lane, 341
Church Mission House,
ai5
Churcher, A., grave,
— , R., grave, 134
Churches, 79-83 .
For individual
churches see their
names, also names of
denominations.
Churchill's (res't.), 21.
173
Cilicia (res't.), 25
City & Suburban Homes
Co., 3# ^
— Art Commission,
— Club, 73 f 198
— Club of N. Y., 65
— Club (B'klyn), 414
"— College." 344
— Hall (J. C), 455
— Hall (N. Y.), 141-
— '^Ilall (New'k), 477
— Hall (Yonkers), 394
— Hall Pk., 139
— History Club, 29,
73, 197 ,
— Hospital no
— Investing Bldg., 135
— Island, 391-92
— -Tilission & Tract
Soc, N. Y., 216
— of N. Y.. College,
344
— Park (B'klyn, 441
— Prison (B'klyn), 437
Civiletti, P., 240
Claremont (res't), 22,
254
— Ave., 340
Clarendon Bldg., 215
— Hotel, 400, 402
Claridge, Hotel, 11,
170; res't., 21
Clark, D. C, res., 332
— , G. C.^ res., 333
— , Harriet, 137
— , J. F. A., res., 333
— , Sen. W. A., res.,
332
( iarke, T. S,, 208
Classen, S., 340
Classic Theatre, 61
Classen's Point, 389
Clearing House, N. Y.,
131
Clemens, S., home, 177
Clendening (hotel), 12
Cleopatra's Needle, 304
Clews, J. B., res., 333
Cliff Apart. House, 253
Climate, xxxvii-xxxviii
Clinton, De W., statue,
131, 445
Clinton & Russell, 136,
171
Clinton Ave. Bapt.
Church (New'k), 479
— Ave. Cong. Church,
439
Reformed Church
(New'k), 478
— Park (New'k), 478
Clubs ,73-74
Cob Dock, 441
Cochraft, A. S., paint-
ings, 396-397
Coenties Slip, 129
Coffee Exch., 129
Cohan's Theatre, 56,
170
Colaizzi (res't.), 23
Coleman, Caryl, 351
Coles, Dr. A., 466;
home, 4174
Colgate Soap Co. Bldg.,:
455
Collect Pond, 148, i5i
College Hosp. Med.
Sch., 4'2
— of City of N. Y.,
former, 221
— Settlement, 151
Cclleoni, statue, New'k,
479
Collier, R. J., res., 336
Collingwood (hotel), 10
Ccllyer, Rev. R., bust,
154
Colombia, consul, 91
Colonia (tea room), 26
Colonial (res't.), 22
— Inn (Pelham), 391
Colonnade Row, 153
Colony Club, 74, 210
Colored Persons,
churches, 83
Colt & Barney, 210
Columbia College, tab-
let, 214
— Hts. (B'klyn), 406
— Knilcike'Tbo.cker
Trust Bldg., 126
— Theatre, 58, 172
— University, 256,
263-74
Club, yzt 220
Columbus, monument,
174; statue, 303
Columbus Ave., 233
— Circle, 174
— Park, 148-49
Comedy Theatre, S5
Commerce, xxxi
— St. 161
Concert Halls, 62-63
(Concerts, free, 63
Concourse (Bronx), 359
Coney Island, 446-48
Jockey Club, 70
Confectioners, 27
Congregational
churches, 80, 82
Connecting K. R.
Bridge, N. Y., 109
Conrads, C, 305
Consolidated Gas Co.,
52
Co. Bldg., 219
— Stock Exch., 129
Constantinople ( res't. ) ,
25
Consuls, 91-92
Conveyances, 28-29
Cook & Welch, 263
Cooke, Geo. F., grave.
Cooper, Fenimore,
home, 159
Cooper, Peter, 443-44*,
statue, 154; memo-
rial, 154; home, 221
Cooper Park, 443
— Union, 154
Cope, E. D., bust, 279
Coppede Bros., 269
Copper Kettle (tea
room), 26 ^ . , .
Corbin, Marg., tablet,
355
Cornell Univ. Med.
Sch., 226
Corrections, Dept.,
xxviii _
Correka, Capt. Jn.,
statue, 446
Cort Theatre, 58, i73
Cosey Tea Shop, 26
Costa Rica, consul, 91
Costello Theatre, 61
Cotton Exch., 129, 130
County Ct. House
(N. Y. C), 144
Ccuper, W., 279, 281
488
INDEX
Courrier des Etats-
Unis, 87
Court, Children's, xxxiii
— House (Brooklyn),
404
(Bronx), 365
new (N. Y. C),
' Cowperthwaite's, up-
town, 341
Lox, K., 208, 426, 457,
475
— , S. S., statue, 153
— .. JV. P., 294
"Cradle of Methodism,"
132
Craftsmen, Nat. Soc.,
64 •
Cram, R. A., 257
— & Ferguson, 261
— , Goodhue & Fergu-
son, 203, 262, 263,
_ 336. 345
Lrawford, 266, 459
Crcsap, M., grave, 134
Crescent Athletic Club,
66, 69, 416
Cricket, 68
Crisp, A., 173
Criterion Club, 204
— Theatre, 56, 170
Crocker (3 a n c e r Re-
search Laboratory,
264
Crosby - Brown Collec-
tion (musical in-
strum.) 311
Croton Aqueducts,
xxvii, 353
Crotona Athletic Field,
366
— Park, 36s
Crowell, Mrs. J. H.,
^res., 333
Crowtnshield, F., 212
Crow's Nest, 112
Cruger Mansion, 227-
28
Cruikshank collection
(N. Y. prints), 247
Cushing, R., 153
Crystal Palace, 229
Cuba, consul, 91
Cumberland Hotel, 11,
173
Curb Market, 130
Curtis, W. J., res., 332
Curtis High School (S.
, I,). 450
^tjstom House, 121-23. |
Customs, xxxix-xli
Customs (baggage),
xxxvi
Cuyler, Rev. T., 437
Cuypers, Dr., 202
Daingerfield, E., 172
Dairy Lunch Rooms,
25-26
Daly's Billiard Rooms,
68, 173
— Theatre, 165
Dana, J. D., bust, 279
— , Mrs. R. S., res.,
333
d' Angers, David, 141
Darra^h, /. M. A., 276
Darwin, bust, 281 "
Davis, M. L., grave,
r. ^34-35
gay. H., 351
Deaconesses, Training
School, 263
Deaf and Dumb, N. Y.
Inst, for Instruction,
354 ,
— Mutes, Inlt. for Im-
proved Condition, 337
Deanery (St. John's),
263
"Death Ave.," 238
— Gap, 355
De Bevoise family,
410
~)ecloux collection, 154
D<; Heredia, C, res.,
332
De Lamar, J., home,
212
Delancey St., 151
Delaware, Lackawanna
& Western R. R,,
37, 118; ticket offices,
40
— Water Gap. 118
Delmartin Cafe, 165
Delmomco*s (re's't), 20,
21, 129, 197
Demingt E. W., 365
— , r. W., 166
Denmark, consul, 91
Dentists, 88
Denville, N. J., 118
Dept. store res'ts, 25
Department Stores, 75-
76. Vor individual
stores see their names
de Peyster, Ab., statue,
121
— , F., bust, 267
De Pinna Bldg., 202
de Rham, C, res., 177
Destitute Blind, Soc,
Relief, 241
— Children, Indust.
Home, St. Joseph,
334 .
Detective agencies, xxvi
Deutscher Garten,
Feldncr's, 447
— Verein, 230
Deutsches Haus, 273-
74
De Witt Clinton High
Sch., 237
De Wolfe, Bj^, 210
Dieterich, Cnzs. F.,
res., 332
Dime Savings Bank,
418
Divine Paternity,
Church, 243
Dix, Gen. 'J. A., grave,
345
— Rev. M., grave^ 345
Dixon Pencil Mfg. Co.
Bldg., 456
Doane, G. H., statue,
465
Docks, 107-08
— and Ferries, Dept.
xxviii
Dodge, WT^e L., 14s,
169, 171, 172, 173.
198
— , W. F., 386
D'Oench & Yost,
387
Dolan's Res't, 140
Dominican Repub.,
sul, 91
Donnally & Ricci, 138
Donndorf, A., 163
Donoghue, J., 207
Dorlon's (res't), 22
Downtown Assoc, 73
— Businessman's Gym.,
66
Doyle, A., 166
Draddy, J. G., 423
Drake, J. R., Park, 389
Dramatic Museum,
229,
con-
Bra n d e r Matthews,
L'68
Dreicer, M., res., 333
Driving, 68
Drouillard, Capt. J. B.,
res., 332
INDEX
489
Drug and Chemical
Club, 73
Drury, A., 275
Dryden, Jn. F., statue,
472
"Dual System" (sub-
way), 31
Du Barry panels, 331
Duboy, P. E., 252
Dudley Memorial, 412
Duffield St., 418
— Theatre, 418
Duke, B., res., 333
— , J. B., res., 332
Duncan, J. H., 253
Dunderbera; Mt., 112
Dunwoodie Country
Club, 69
Durland's Riding Acad.,
71
Durr collection (art),
244
Dutch Church, original
(Harlem), 341
— Ref'd Church (Har-
lem), 341
Dyckman Bridge, 354,
— House, 356-57
Dyker Beach Pk., 70
— Meadow Country
Club, 69
Eagle Bldg., 215
"Eagles and Prey"
(statue), 303
Eakins, X., 420
Earl Hall, 271
Earle (hotel), 8
East India Cafe, 25
— River 107
Homes, 339
Pk., 340
Eastchester, 391
Eastern Blvd., 391
— Dist. High Sthool,
442-43
— Parkway, 420
— Post Rd., 341
Ebbets Field, 66
Ebling's Casino (res't),
^23
Ecuador, consul, 91
Eden Musee, 164. 228
Education, Board,
Bldg .,217
• — , Dept., xxix
Educational Alliance,
150
— Bldg., 178
Eggleston, E., 419
Egleston, T., bust, 271
Egleston Museum, 269
Egyptian Antiquities,
B'lclyn Inst. Mus.,
428-29
Eidlitc, C. L. W., 198
- L., 196
— & Mackensie, 170
Eij^th Ave., 231-32.
— Regt., Armory, 335
336
Eighty-first St. The
atre, 60, 240
Electrical Testing La
boratories, 339-40
Electricity, Dept, xxvii
Elevated R. R. Bridge
352
— roads 32-34
Eleventh Ave., 237-38
Elizabeth, N. J., 116,118
Elks Club House, 230
Ellis Is., 106-7
Eltingd Theatre, 56, 1 69
Ehvell, F. E., 122
Emanu-El, Temple, 196-
97
Embroideries, shops, yy
Emens & Unitt, 171
Emerson Hall, 276
Emmanuiel Bapt.
Church, 439
Emmett, T. A., 137
Emmet Bldg., 210
Empire Bldg., 125
— City Racing Assoc,
70
— , Hotel, 12, 239
— Theatre, 55. 168
Plndicott (hotel), 12
Engelbert, H., 152
Engel's Chop House,
22
Engineering, School,
Bldg., 271
Engineers' Club, y^
-— (B'klyn), 414
— Gate, 333
English, Dr. T. D., 469
English bankers, 90
— Chop Houses, 22
Enrico and Paglieri
(res't), 24
Equitable Life Assur.
Bldg., 135
— Trust Co., 128
Ericsson, J., home, 159
— statue, 120
Erie R. R., 117; ticket
offices, 39
— Terminal, 37
Erkins, H., 169
Esplanade (Central
Pk.), 303
Essex Co. Court House
(Newark), 475-76
Estimate and Appor-
tionment, Board, xxv
Ethical Culture Soc,
81 ; Meeting House,
242
Euclid Hall (apart.),
241
Eugenie Granier
(res't), 23
Evans, Jn., & Co., 263
Evening Post (paper),
87
Bldg., 137
Everett Bldg., 163, 214
Excelsior Club, 414
Exchange Buffet, 25
— Ct. Bldg., 126
— Place, 454
Exempt Firemen's Or-
ganization, 227
Expenses, travelers',
xxxviii-xxxix
Express companies, 49-
51
Eye and Ear Infirmary,
"N. Y., 223, 225
"Falconer" (bronze),
305^
Fall River steamers, 44
Faneuil, Benj., grave,
134
Far East Tea Garden,
24
l^armers' Bridge, 354
Farquhar, P., res., 333
Farragut, Admiral,
grave, 386
Farrish's Chop House,
22
Faust's (res't), 2^
Favrile glass, 214
Fayerweather Hall, 269
Fav's Oyster and Chop
House, 22
Featherbed Lane, 360
I'elix-Portland (hotel),
ir, 172
!*eltman*s (res't), 447
Fernery (tea room), 26
Ferries, 36, 39, 1 13-14
iMeld, W. B. O., home
202
490
INDEX
Filth Ave., 17485, 196-
205, 329-33
(tea room), 36
Bank, 197
Bldg., 180-81
Pres. Church, 304
Res't, 22
Finance, Dept., xxvi
Fine Arts Soc, Amer-
ican, 231
Finn, J. IV., 21, 168
Fire Dept., xxvi
— Hdqrts. (B'klyn),
417
— Island, 104
— Prevention, Bureau,
xxvi
Fireman's Monument,
161
Firemen's Insur. Bldg.
(New'k), tablet, 474
— Memorial, 253
— Monument, 134
First Baptist Church,
240
Church, W'ms-
burg, 442
Peddie Mem.
Church (New'k), 465
— Battalion, Field Ar-
tillery, Armory, 239
— Church, Scientist,
243. 435
— Cong. Church
(New'k), 479
— Field Hosp., Ar-
mory, 239
— Moravian Church,
222
— Pres. Church, 1 78
— Pres. Church (New-
ark), 476
— Reformed Church
(Newark), 480
Church ( W'ms-
burg), 442
Fish, S., res., 334
Fishing. 69
Fiske Hall, 275
Five Points, 149
Mission, 81
Flagg, Ernest, 13S
Flanagan, J., 21, 467
Flanders Hotel, 172
Flat-Iron Bldg., 164
Flatbush ( Brooklyn) ,
95
Fleischman Baths, 229
Fleishmann's (res't),
20
letcher, I. D., res., 332
Florida (res't), 24
Florists, 77
F'lower Ciarden (Pros.
Pk.), 423-24
— Hosp., 89
Flushing Country Club,
69. 74
Folies-Berg^re (thea-
ter), 172
Food Inspection, Divi-
sion, xxix
Football, 69
Ford, Paul L., home,
410
Fordham Bridge, 353
— Hosp., 88, 384
— Manor Dutch Ref'd
Church, 362
— University, 381, 384
Foreign bankers, 90
— churches, 82-83
— railroads, 41
— theaters, 61-62
Forest Hill Golf Club,
69 ,
__ Park 70
Golf Club, B'klyn,
69
Faring er, A. E., 394
456
Forrest, Edwin, 233
Fort " George Amuse-
ment Pk., 353, 355-
— Greene Pk^, 436
— Washington Pk., 354-
55
Point, 355.
Fortications, xviii-xix
Forty-eighth St. The-
atre, 58, 173
Forty-fourth St. The-
atre, 56
Foster, Mrs. B., house,
253
Founder's Monument
(New'k), 468
Foundling Hosp., N. Y.,
3Z7
Four Corners (New-
ark), 473^ ^
lourteenth St. Theatre,
22y
Fourth Ave., 214-17
— Nat. Bk., 130
Fowler, 1 82
— , Brig. - Gen. Ed.,
statue, 437
Fox Hills Golf Club,
69
-- Hunting, 70
Fragonard panels, 331
France, consul, 91
Francfort's (res't), 393
Franconi's Hippodrome,
180
Frankfort St., 140
Franklin, bust, 279,
328; statue, 140; me-
morial, 321
Fraser, J. E., 262
Fratin, C, 303
Fraunces' Tavern, 20,
123-24
Freehorne, Skirah M.,
428
Freight agents, 41
French, V. C, 122,
213, 265, 330, 42s,
426, 468; studios, 177
French Art, Museum,
— bankers, 90
— Benev. Soc. Hosp.,
89, 237
— churches, 83
— Evangel. Church, 228
— res'ts, 22-23
Frend, D. C, 428
Freundschaf t (club),
73
Soc. 3'^6
"Friars" (club), 74
— , club-house, 1 72
Frick, H. C, res., 330-
31
Friends, Soc, churches,
80, 82
Fruit, shops, 28
Fucks, E., 351
Fuertus, L. A., 294
Fuller, W. W., res.,
333
Fuller Bldg., 164, 180
Fulton, R., tablet, 134
Fulton Market, 136
— St. (B'klyn), 401
— Theatre, S7y ^7^
Furnald Hall, 273
Furnished rooms, 14-15
Furriers, 77
Gaiety Theatre, 57, 172
Games, 65-72
Gansevoort Market, 136,
162
Garages, 3-4
Garden City Golf Club,
69
— of Cathay (res't), 24
INDEX
491
— St., 336
Garibaldi, statue, 175
— House, 451
Gamsey, E. E., 122-23,
473
<jarrct (res*t), 20
Garrison, W. L., me-
morial, 163
Garvin, M. /., 365
Gas, Dept., xxvii
Gaston (res't), 23
"Gazette," N. Y., 129
Gelert, J., 122, 426
General Theological
Seminary, 23^
Geology, xvi-xviii
George, H., bas-relief,
163
George R. F,, 163
George, Fort, 354
Gerard, Hotel, 11; res't,
21
Gerhardt, K., 463, 466
(jerman - American In-
sur. Bldg., 131
— bankers, 90
— churches, 83
— Club, 230
— colony, uptown, 340
— Hosp., 89, 336, 337
— Ref'd Church, 338-
39
— • res'ts, 23
— theatre, 62
Germanistic Soc, 273
Germany, consul, 91
Gerry, E. T., res., 329
— , R. L., res., 329
Getty House, 393
— Square, 39s
"Ghetto," ISO
Gibbs Memor. X-Ray
Laboratory, 226
Gibson, J., 188
— , R. W„ 363
Gilbert, B. L., 125
— , C. P .H., 239
— , Cass, 121, 138, 475
Gilder, R. W., home,
219, 479
Gilsey Bldg., 165
Gimbel's (dept. store),
75, 167; res't, 25
Gingko tree, tablet 254
Ginn & Co., ofEces, 178
Giolito (res't), 23
Glass, B'klyn Inst.
Mus., 428-29
Glentvxorth, H., 201
Globe Theatre, 57, 172
Glover, H. S.', res., 333
il
home.
(Cloves, shops,
Goelet, Mrs.
199
— , R., home, 202
— , Mrs. R., home, 198
Golf, 69-70
Gonf arone (res't) , 24
Goodwin, Rev. H., tab-
let, 468
(lordon. Dr. L. J., 456
Ciorham Bldg., 183-84
Gossler's Campus Res't,
22
Gotham, Hotel, 11, 204
Gould, E., res., 332
— , F. J., res., 330
Gould, Geo. J., res., 330
— ,• J., mausoleum, 386
Goujon, J., 169
Gouverneur Hosp., 88
— -House (Newark),
469
Governor's Is., 105, 106
i Gowanus Bay, 104
Grace, Mayor, home,
33^
Grace Chapel apd Dis-
pensary, 223-24
— Church (B'klyn), 411
(N. Y. C.),' 155-
56
— Ct., 41 1-412
— E p i s c o p a 1 Church
(Newark), 477-78
Gracie, House, 340
Grafly, C., 122
Graham, A., 437
Gramercy Pk., 220
'Jlrand Blvd., 359
— Central Palace, 222 ;
bowling, 68
Station, 37, 1 14-15
— Hotel, 9
— Opera House, 231-32
-Theatre, 418
'Granite State" (frig-
ate), 253
(jrant. Gen. U. S.,
home, 330; statue,
435; tomb, 253-54
Tirant's Tomb, 253-54
Great Britain, consul,
91
— Northern (hotel), 12
Greau Collection
(glass), 311
Greek quarter, 149-50,
228
Greeley, Horace, home,
180; statue, 139;
bust, 445
Greeley Sq., 166. 228
Greene, J. C, library,
179
Green Tea Pot, At the
Sign of, 26
Greenhut Co., 75; res't,
25
Gre enough, 266
Green's, Misses, School,
177
Greenwich Ave., 227
— Road, 158
— Savings Bk., 228
— St., 158
— Village, 160-62
Greenwood Bap.
Church, 421
— Cemetery, 95, 445
Gregorian (hotel), 10
Grenoble (hotel), 12
Grimes Hill, 451
Groceries, 27, 77
Grolier Clbu, 65, 73,
210
Grosvenor (apt.), 177
Grove St. School, 161
Guarantee Trust Co.,
^ '35 .
iruarnerto, 182
Guastavino, 258
([Guatemala, consul, 91
Guerin, Jules, 117
Guffanti, Cafe, 24
— Res't, 23
Guggenheim, M., res.,
332
— , W., res., 330
Guggenheimer, Mrs. R,.
res., 332
Guides, Historical, 29
Guilbert & Bettelle,
464
GuUlaunte, H., 212
Gustavus Adolphus,
Church, 221
H
Haan (res't), 20
Hackensack Golf Club,
69
Hahnemann Hosp., 89,
335 ^
Haight, C. E., 241
Hair - dressers, ladies',
17
Hale, N., statue, 147;
execution, 226
Hall, J., Collection (i]
vert.), 298
— , Dr. John, 204
492
INDEX
Hall of Fame, 361
— of Records (Brook-
lyn), 404
(N. Y. C), 144
Halleck, F. G., statue,
303
Hallett's Pt., 109
Halloran's (res't), 20
Hamann, (7. -F., 271
Hamilton, Alex., 460;
death, 162; tablet,
1 34 ; statues, 131,
272, 305, 414
Hamilton Club, 414
— Fish Pk., 152
— , Fort, xviii, 104 "
— Fountain, 252
— Hall, 272
— Theatre, 60
Hammersley, Miss C.
L., res., 333
Hancock, Fort, xix
— Sq., 342
Hanover Lunch, Inc.,
26
— Sq., 129
Harbeck Mausoleum,
Harbor Squad, xxvi
Hardenhergh, H. J.,
166, 182, 212, 240
Harding, H., res., 332
Hargrave (hotel), 13,
Harkness, E. S., res.,
332 '
— , L. v., res.j 332
Harland, Marion, 465,
480
Harlem, 340-42
— Hosp., 88
— Mere, 304. 305
— Opera House,
34a
— Hts., Battle,
351; memorials,
344
— Ship Canal Bridge,
354
Harmonic Club, 73
Harriman, Mrs. E. H.,
res., 330
Harriman Nat. Bk., 197
Hariris, W, L., 234,
23s
Harris' Theatre, 56, 169
Harrison, F. B., res.,
330
Harsen, J., 241
" irtford Lunch Co., 26
'■tley, J. S., 120, 207,
I
60,
2S5»
256,
Hartley Hall, 273
Hart's Island, 392
Harvard Club, 73, 198
Haskell, A. S., 154
Hastings, T., 205, 330
Hats, men, stores, 77
Havemeyer, F. C, me-
morial, 271
— , Mrs. H. O., res.,
330
Havemeyer Hall, 270-
Hnverstrav/. 112
Hayti, consul. 91
Healey's (rest), 22
Health, Dept., xxix
— , — Bldg., (B'klyn),
418
Healy, A. A., 410
Hearn Collection
(paintings), 313, 315-
17
Hearn's (dept. store),
75, 163
Heavenly Rest, Church,
198
Heber, *C, A., A2b
Hebrew Orphan Asy-
lum, 344
Heeney, C, 413
Heffley School of Com-
merce, 439
Heights, Church, 416-
17
— , Brooklyn, 405-17
— , Jersey City, 457
— Theatre, 61
Heine fountain, 360
Heins, 258
— & La Farge, 257,
260, 367
Heintz, L. J., statue,
360
Hell Gate, 109
Henderson's Res't, 447
Henry, Jos., bust, 279
Herald (paper), 87
— Bldg., 167
— Sq., 167, 228
(hotel), 10
Herbert, H.. W., home,
476
— , J. W., res., 330
Hermida & Palos
(res't), 24
Hermitage (hotel), 168
Herter, E., 360
Herts, H. B., 57, 170
— & Tallant, 168, 419
Hess Bldg., 215
Hester St., 151
Hewitt, Miss £., laces,
154
High Bridge, 353
— Pressure System,
xxvii
"Hiker," statue, 480
Hillis, Dr. N. D., 408
Hindoo res'ts, 25
Hippodrome, 59, 229-
30
Historical Museum, City
College, 344
Hispanic Soc, America,
346-50
Historie^il Soc, L. I.,
416
^, N J., 464
, N. Y., 180, 244-
51
History of N. Y., xix-
xxiv
Hittell, C. J., 293
Hoagland, C. N., 412
Hoagland Laboratory,
412
Hoboken, 458-60
Hoentschel Collection
(art), 327
Hofbrau Haus (res't),
23» 166
Hoffman, Dean £. A.,
grave, 34 5
Hoffman Island, 104
Hogan, Michael, 254
Holland House, 9
Holley, Alex., bust,
17s
Holley (hotel), 8
Hollow Way, 343
Hollywood Inn, 394
Holt, J., grave, 137.
Holy Communion,
Church, 228
— Innocents* Church
(Hoboken), 459
— Trinity (church), 415
Church, Evang.
Luth., 243
Holyrood Protest.
Church, 355
Homeopathic Medical
College, 89
Honduras, consul, 91
Hopatcong, Lake, 118
Hope Baptist Church,
241
Horace Mann School,
276
Horgan, A. J., 144
Horn's Hook, 340
Horse racing, 70
" — Tamer s," statiift,
424
Horsfall, B., 293
Hospitals, 88-89
— , City, xxxiii
— , State, xxxiii
Hotels, 6-14
For individual hotels
see their names
tJoudon, 163, 328
Houghton, A. A., 252
— . C. W.. 2S2
House of Prayer (New-
ark), 469
Household Arts Bldg.,
276
Howells & Stokes, 2.63;
268, 276
Hoyt, A. M., res., 332
Hudson Boulevard, 458
— Co. Court House,
456-57 , , .
— Fulton Medal, 351
— Park, 161
— River, trip, 1 12-13
Day Line, 43
Rowing Assoc, 7a
steamers, 43-4
— St., 161
— Terminal Bldg., 35.
136
— Theatre, 57
— Tunnels, 35f .19
Hughes, Archbishop,
statue, 384
Hugo's (res't), 24
Hugot's (res't) (S. I.),
450
Huguenot Church, tab-
let, 123
Hungarian churches, 83
— res'ts, 25
Hunt, R, M., 203, 331;
memorial, 331
— & Hunt, 387
Hunter, Dr. T., ^35-
36
Hunter College, 335-
36
Huntington, A. M., 333
Huntington, Charles P.,
346, 351
— , Collis P., bas-rehef ,
^48; mausoleum, 384,
386
— , Mrs. Collis P.,
home, 204
— , W. R., memorial,
260
Hunt's Point, 389
INDEX
Hurtig & Seamon's
Theatre, 61
Hutchinson, Ann, 391
Huyler's or'ginal store,
164
— Chocolate Works,
219-20
Hyatt, Anna V., 252
I
Imperial (res't), 400
— , Hotel, 166; res't, 20
Indian Brook, 390
"— Hunter" (statue),
303
— Monument (New-
ark), 478
Industrial Boys, St. Jo-
seph Home, 153
Infant Asylum, He-
brew, 362
Information desks, i
Institute, N. Y., £duc.
of Blind, 233
Institutions, Charitable,
xxxii-xxxvi
Interborough Power
House, 238
Intercession, Chapel,
345
International Concilia-
tion, Amer. Soa.,
274
Inwood Country Club,
69-70, 74
— Hill, 351
Irish-American Athletic
Club, 66
Iroquois (hotel) , 1 1
Irving, W., 340; home,
113; sister's home,
161 ;. bust, 229
Irving, Hotel, 9, 220
— House, 219
— Place, 218-20
Theatre, 62, 219
Isabella Heimath, 355
Tsham Pk., 356
Islip Polo Club, 71
Italian bankers, 90
— churches, 83
— res'ts., 23-24
— theatres, J62
Italy, consul. 91
Itineraries, 92-98
Ives, 182, 183
Ives, C. B., 428, 478
Ivy (tea room), 26
"J. B. G." (res't.), 23
Jack's (res't.), 22
493
Jackson, A., memorial,
353
— , r. /?.. 209
Jacob's Shipyards, 39J
Jaegers, A., 122
Jahnsen, O., 259
Jamaica Bay, 104
Tapan, consul, 91
Japanese churches, 83
— res't., 25
Jar dine, Kent & Jar-
dine, 387
Jarves, J. J., Collection
(glass), 328
Jay, J., 131
Jay, Fort, xviii, 106
Jefferson, T., statue,
273
Jefferson Market Po-
lice Ct., 227
Jeffrey's Hook, 355
Jennerwein, P., 138
Jerome Ave., 359
— Park Reservoir, 363
Jersey Central R. R.,
38, 118
Jersey City, 453-58
Terminal, Penn.,
37
Jesup, M. K., 277, 279;
bronze, 281
— Collection (woods),
281
Jewelers' Bldg., 131
Jewelry, shops, 78
Jewish Synagogues, 80,
82
Jews' Burial Ground,
149
Joan of Arc Statue, 252
Jockey Club, Brooklyn,
70
Joe's Res't. (B'klyn),
400
John Jay Park, 339
— St. Method. Church,
131-32
Johnson, Dr. S., 264;
tablet, 134
Joralemon St., 412
Josselyn, E. H., 276,
Journal (paper), 87
Journalism, School, 273
Judson (hotel), 8
— , Harriet Bldg., 418
— Memorial Bapt.
Church, 175
Jules Peck (res't.), 2:
Jumel, Mme., grai
345
494
INDEX
(res't.), 23.
— Mansion, 351-52
52
/unior League House,
339
K
Kaiserhof
168
— - (hotel, C. I.), 447
Kalil's (res't), 20
Kearney, Gen. P., 134
Keck, C., 426
Kaeley, P., 438
Keen's Chop House, 22
Keency's Theatre, 418
Keith's Palace Theatre,
172
Kellum, Jn., 155, 216
Kelly, /., 235
Kelly, J. E., 124, 127
Kemeys, E., 305
Kendall, E. H., 198, 199
Kenmare St., 151
Kennedy House, 340
Kent Hall, 267
Kernochan, J., res., 329
Kill von Kull, 104-5
King Edward (hotel),
II
— Hong Lau (res't.),
24
King's Bridge, 354
— Co. Tennis Club,
72
Kingsland, Mrs. Wm.
M., res., 333
Kingston Ave. Hospi-
tal, xxix
Kinney family, 474, 475
Kip's Bay, 226
Kirchcff & Rose, 172
Kit-Kat Club, 65
Klar, J., 169
Knickerbocker Club,
73. 182
Knickerbocker Hosp.,
89
— , Hotel, 10, 168;
res't., 21
— Theatre, S4-55» 167
-- Trust Co^ 183
Knollwood Country
Club, 69, 74
Koch (dept. store), 341
Kohn, Rstelle R., 242
— , R. D., 242
Boh^me (res't), 23
kbor Temple, 81
Ices, shops, 77
Lackawanna Terminal,
37
La Farge, J., 178, 185,
203, 234, 258
Lafayette, memorial,
321
— Amphitheatre, 160
— Ave. Friends*
Church, 439
Pres. Church,
437
— , Cafe, 22, 179
— , Fort, 104
— st.» 152-53
Laight, Fort, 255
Lake (Central Park),
303» 304
akew.i
Lakewood, Country-
Club, 74
Laloy (res't.), 23
Lamb, C. R., 346
— , F. S., 402
— , T. W., 169, 172
— & Rich, 274
Lamb's Club, 74
— Club-House, 230
Lamport & Holt steam-
ers, 42
Land & Sea, church,
»50
Landing Place Monu-
ment, 465
La Parisienne Rotis-
serie, 22
La Petite Bretonne
(res't.), 23
Latham, Hotel, 9, 210
Lathrop, F., 214 *
l.auber, J., 208
Laurel Hill, Camp, 356
Laurens St., 158
Law Dept., xxvi
Lawrence, Capt. J.,
grave, 135
— , W. v., res., 332
Lawton, Louisa, 153
I-,awyers' Club, 73
Lazarri's Res't, (Staten
Is.), 451-52
Leake & Watts Orphan
Asylum, 255, 262, 267
Leary, Comtesse, home,
172. 333
— , Geo., res., 333
Leather goods, shop,
77
Le Brun, M. & Son,
206
Le Chat Noir (res't.),
24
Lecuycr (res't.), 23
Leeds, Mrs. Wm. B.,
res., 332
Lefever, M., 411, 414,
415. 416
Lefferts Museum, 237
Lehigh Valley R. R.,
38
Leidy, J., bust, 279
Leight St., 159
Le Marquis (hotel), 9
Lenox, J., grave, 152
Lenox Ave. Bridge, 352
— Collection (Assyr-
ian), 244
— ^ Library, 330.
— Lyceum, 214
Lent e Hi, Leo, 259
Leonard St., 158
Leonori (apt. hotel) ,
Leopardi, A., 479
Leroy St., 161
Leslie, Frank, grave,
386
Letter boxes, 45
Lewis, Mrs. E. A., 417
— , R. C, res., 333
Lcwisohn, A., res., 330
— , P., res., 332
Lexington Ave,, 221-
23, 337
Libbey, L. J., home,
422
Liberia, consul, 91
Liberty, Cafe, 25
— Is., 105
— Theatre, 56, 169
— Tower, 131
Libraries, 85-86
L i b r a ry (Columbia),
265-67
Liederkranz Club, 74
"Life," offices, 182
— in N. Y., xxxix-
xli
"Light House," 223
Lighting, 52
Lincoln memorial
(B'klyn), 407
— Park (Newark), 478
— ScL, 239
^Theatre, Loew's,
60, 239
Linens, shops, 77
Linnaeus Bridge, 381
Lion d'Or (res't.), 23
Liquor shops, 28
Lispenard's Meadows,
158
Little Church Around
the Corner, 181-82
INDEX
495
— Hungary (rcs't.)i 25,
152
"— Italy," 223
— Re8*t, 24
— Theatre, 56
Livingston, P., grave,
345
Livingston Hall, 273
Locker, A., 217
Locks, Mossman coIi
lection, 197
London Terrace, 233
Loeser's (dept. store),
418
Loew's Royal Theater,
417
Long Branch, N. J.,
118
steamers, 44
— distance telephones,
52
— Island, Battle, 398-
99, 423
City Terminal, 39
Long Is. College Hosp.,
412
Histor. Soc. Lib.,
86
R. R., Pcnn. Ter-
minal, 37
R. R., ticket of-
fice, 40
Longacre Hotel, 11, 172
— Square, 170
Longfellow, Rev. S.,
Loomis Laboratory, 325
Loop Subway, 35
Lopez, C, A., 207, 468
Lorain, R., 169
Lorber's (res't.), 20
Lord, /. B., 207
— & Taylor's (dept.
store), 76, 184-85;
res't., 25
Lorillard Mansion, 381
— Snuff & Tobacco
Co. Bldg., 455
Lorin^, F. L., res., 329
Lorraine (hotel), 10
Lost and Found Dept.,
2
Lotos Club, 6s, 73, 230
Love Lane, 410
Low, A. A., 410
Low, W, H., 182, 476,
478
— , Seth, 410; res., 334
Lcwell, Guy, 147
—.Mrs. J. S., memo-
rials, 229
Lowell Hall, 276
howrie, 345
Luc car di, V., 428
Lucco (res't), 23
Lucerne (hotel), 12
Liichow's (res't.), 33
Lukeman, A., 122, 207,
242, 426
Luna Park, 447
Lutheran churches, 80,
82
Lyceum Theatre, 57,
171
I^ydig Memorial Arch,
367-68
Lying-in Hosp., 89» 224
Lyric Theatre, 55, 169
M
McAIpin, Hotel, 10,
166; res't., 20
McAuIey's Mission, 81
McBean, 137
Macchiavelli, bust, 266
Machinery, Club, 136
McClure Bldg., 215
McComb, I., 159
— , J., 141, 159
McComb's Dam Bridge,
352; 360
McCreery's (dept.
store), 75; res't., 25
Macdonald, J. W., 208
McDonald, J. W. A.,
303
— , /. W. H., 342
Macdougal Alley, 176
— St., 176
MacDowell Club, 64-
65, 74
Macedonia Hotel (City
Is.), 392
McElfatrick & Son, J.
^A' 455 ^
McGown's Pass, 305
Tavern, ?os
McKensie, R. T., 468
McKim, C. F., 178, 327
— , Mead & White,
116, 146, 169, 175,
183, 184, 197. 198,
204, 210, 232, 265,
270, 271, 329, 332,
334, 386, 387, 425,
icmi
178
McKinley Sq., 3^5
Macmillan Co. Bldg.,
MacMonnies, F., 147,
168, 186, 234, 307,
420, 422, 424, 428,
435
McMurty, G. G., res.,
3|9
MacNeil, H. A., 175
Macy Manual Arts
Bldg., 27$'76
Macy's (dept. store) ,
75, 167; res't, 25
Madison Ave., 205-214,
334-35
Bridge, 352
M. E. Church,
334
Pres. Church,
206-7, 334
— Square, 164
Garden, 209
Magazines, 87-88
Maggi (res't.), 24
Magni, 183
Magonigle, H. V, B.,
Maiden Lane, 131
Mail & Express Bldg.,
137
— (paper), 87
Maillard's (tea room) ,
26
Maine (battleship),
441; tablet, 36s
— Monument, Nat.,
174
Maison Arthur (res't),
23
— Frangaise, 274
— Jeanne (res't). 22-23
— Mollat, (res't), 23
Majestic, Hotel, 12, 243
— Theatre (J. C), 455
Mall (Central Pk.), 303
Manhattan Beach, 448
— , Borough of, XV
— Bridge, 11 1
— churches, 80-81
— Club, 73, 209
— College, 257
— Co. Bank, 128
— Cong. Church, 240
— Eye, Ear & Throat
Hosp., 89
— , Hotel, 10, 212;
res't, 21
— Life Insur. Bldg.,
126
— Opera House, 232
— Sq. Hotel, 243
— State Hosp., 109
— Subwav stations, 31
— Transfer, 38
— Water Tank, 147
Manhattanville, 343
Manicures, 17
Mansfield, Fort, xh
4g6
Maplewood Field Club.
MaragSolli, f.. ■?»
Marble Cemttery, N.
— "Coitegiale Church,
— Hill, 3sfi. 3S7
— HouM. 356
Marbridge Bldg. 167
MSrcelior (re8^>. as
Marie Ant
Mari6. Pen
Martha Washin
HOKI. T4. J"
Morii9"y, P-. '
— Tomb. 43?
Mary EliiB[>rth (tea
Maryland Monument.
Club. jaS
le. 438
V Hasp., 1
e Ellioll Thea
dl, H. W,. 1
Co., Li
:'(BronxPk-).
— (Brooklyn).
— (Cenlral Pk.
Men's funiishir
utile Libri
Merchau
— Club.'
— E<cha
Milligan Ct., saj
Milliken. S., res.. 334
■■Millionaires' Club,"
■■—Row." 129
Mills, Mrs. O., res..
Mills'' Bidg., ij8, iM
• 39
Can-
— Epis. Churches, 80,
— Epis, Church, N. Y.
-'«*;.';„„,,..
Metropole Hotel, 230
Metropolitan Club, 73.
— H(
: lusu
Bldg.
Middle' Dutch Churc
ijS-.Sj; lahlet. .30
Midland Beach, 45a
— IJolf CItib, 69
Moffat. J..
Mohawk, H
Montau
— Theal
Montenegro, consul. 91
Monument Road. 158
";"". 'c"''(f..%on,.,
"gai. rpV=77
— "— .'&^Co„ ii8
[organ Collection, te-
tiles. 1541 gems, 298-
Mor^n, J, P., Library.
;ue, old, !2f
liugside H eights.
f'%>.. .„
Mrior buuea, 28-19
Slotordome (Sliieps-
head Bay), 70-1, 448
Molorinit, 70-71
Molt, Dr. v.. h^
— Heraorial Dutch I
Rerd Church, ]««
Mt, Morris A^ 333
— Clly Bank, tag
— Dfmocratic Club, 73
League (baMhall),
(Ntwark), .
— St. Vinceni
— . S., 4J3
Mueller. A. M. J.
Mulberry Bend. i,_
Municipal Art Gallery
(IrviSg H. S.), 64 .
— BIdg., 146
— Sanitarium, N. Y.
c. joiiit
Murray, H. A.,
— f^ary L.. table
Murray Hill, an
Hotel, 10
Music pub1iEhers,j8
Mutuaf Life Iniur. i
Bldg,, 130
N
NaegU'a Res't CJ. C.).;-
458
Nanstadt. grave, 134
Nantucket T-iBhtBhip,
Na^Iitana, RiMoran
avy Yard (Brooklyn),
«9-44'
- Settlement, Jacob
- Eng^and^ Monument
Co.. 387
- Hampshire, tablet.
R. R., 3;
- Thought
- Ave. Epi».
burch, 435
- Canoe Club, 68
Central &
il R. R.
ern R. R., ticket of-
fieei, 40
Polyclioic Hoip.,
ig
-— Press Club. 73
- — Public Library,
186-96
-_ Hiding Club, 71
■ Rowing AiBoe.,
-— Soc, Lib., a6, 179
. Susquehanna h
Weslern B- R., 37
-—Telephone Co., si
Theatre, Loewa,
— '■ Trade School, 338
- Univ. Bldg.
lowntown), i75-'76
- Univ. Lib., 86
oiton r' R.. 38
- Yacht Club. 73.
-J8
— 8%,' 10s, 118
Neivman, A. G., 480
Newsboys* Lodging
a„
Norway, conauE, 91
Notre Dame de
Lourdes, ChuTcb. zj6
Obelisk, 304
69- ro, 74
— Parkway. 447-448
O'Coimor, A.. 184, aij,
-r-i.j,,...
O'Donntmn, W. K.,
384, 430
Oertei, J. A., 198
"O. rfmry." hom., an
(lid Dominion S. S.
Co., 43
— First Church
(N.*ark), 4:-6.77
■' ■• Dutch Eef,
Church, 411
— Rom Manor House,
384
OliTcr St. Bap. Church,
Oiympia Bldg., ,70
Oiympio Theatre, 61
, BTtlyn, 400
Onderdonck, Bishop,
aiir Lady of Esperan-
za. Church, 351
of Grace, Church
(Hoboken), 45?
of the Rosary.
Mission, 110
P
Pabst's (res'l.). y
— Grand Circle Rest.,
PaXrd Commercial
Packer,' Mrs. H. L.,
Packer * Colleg. Inst..
Palnel i'om, home. i6i
Paintings, exhibitions,
63-6S
Palace Theatre (photo-
p'»J"^Al
Paradise Pk., 14<>
Inn, 393
— Pres. Church
(New'k), 4?o
— Row, 139
Bldg., 140
Park Theatre, 58, 174
— Theatre, former, 140
Parkhurat, Dr., cbnrch.
Parks, Dept., ixviii
Parritli, M., 168
Parlridat, W. O., 3ji.
Pastime Athletic Club,
Pal Chen Place, mi
Patterson, N. J., iij,
118
Pfltii's (res't.), !4
Paulus Hook Monu-
Pavilinn Hill (S. I.).
— Hotel {S. I.). 450
"jn"'H,'. «3
— , Cf
Peabody & Steal
H.. I
eg Woffinglon
room). 16
■ekin (res'l.), 14,
Pell & Corbelt, ill
Pell's Point, Battle, joi
Pen & Brush Club, 6;,
wie's Line 43
Theatre, Jacob Ad-
er's, 6i
:in, C. P.. res., 33J
y, R. H.. 168
;oat Une/ilj
nscy. College, ^39,
Phi'Gamma DelU Frst.
Philipse, Manor Hall.
Ph^iSfSTc. S., res.. 333
rhiUips Park (New'k),
Philosophy. Hall. =6B
Phipps. H„ res.. 333
Photoftraphtr., 78
Photoplay houses, 58-61
-& Surgeons, College,
-^t lurgtons' Club.
Fkard, M,. 113
Pkcirilli. A., 17
PLckhardt." Wm.
Piping Rock Club, 74
plainfield, N. J., nS
PlaimanK. E.. 218
Hall, C. A.. iiS.
Playhouse (tbiatre).
"P'uyers'' (club), 7,
-"l-rospecl Pk.). -
- (Williamsburg),
Poe, Virginia, jfis
Poe Cottage. ,ii5»-63
~ Park, 36a
Polhsmus Dispmsar
INDEX
Political Equality
League, Jia
Polloct, Mrs. Wm.,
Polo,"? I
— Grounds, 66. 353
Folvtechnic Institute
(■^•klyn), .04-5
■Pomander Walk," 2i
Ptnd (Central Pk.), 31
- ■ S8
:, Townsend, eo
e, 360
Med, Sch. &
Hosp., N. Y., i35
Post Office, 44-4?
(Brooklyn), 40:-
46; foreign, 47
Postal Life BIdg., 130
— Telegraph-Cable Co.
Poughkeepsie, iia
P™erJ, H., 4JS
Pt-sii, P.. 188
Pratt' Institute, 43!
Lib,, 86, 439
George, Hotel,
ince*to"N. J., 1.6
! Proctor's Fifth Avei
j Theatre, i5s
I— i2sth St. Thea'
- Museum of Art. 4
Sciences (S. I.), 4So
- School No. t, 150
No. 1 (B'klyn),
Puck Bide., 153
Pnlitier, J,. 173
Pulitier BIdg., 139 .
— Memor. Founlai
QueensW.ro
— Market,
O-Kick. E. .
Club, 7i, ?4, 197
Raknt.A. D., 171
Rghway, 116
Railroad Club, 73, 136
Railroad Suiioiis, t-i,
RalfrMds not touching
N. Y. C, 40-4"
— . urban,
"Raini
6
Rami
CCenlr;
Pk.>.
Ravrnhail, Hotel, 447
Reade St., 158
Real estate , Valuatja
of, XXX
Recreation Piers, iii
Red Hook Lane, 4
Reform Club, 73
Reformed cburches,
Rrij; R., ;o8, Vj^-'
Remington (hotel), .
Dnmck. "jamtt. J
~,%pe«wan 6r Oae
387
HepubUc Theatre, ;
Club, 7'
Ml. Pri
•). 3S3
Revenues, Sources
Reynold^ Mrs. J.
ao, 4S8, 465, 468,
RichinoDd (bolel), it
-(S. I.). 451
— , Borougb of, xvi,
— ■'^.'ciub, ?4
— Co. Country Club,
RickUr, C. L., 304
Riding, 7.
— and Driving Club,
RiU-Carlton 'llotel. j,
River«de 6rive, 113.
— — '■Juduct, 34a
Rivington St., 151
Robhm»,H.D.. res.. 33,1
Robert Treat Hole]
(Newarit), 461, 464
Roberts, H.. 456
Roberts. M. O., mau-
soleum, 386
Roberlton, R. H., lOJ,
Robin8,^'s. M. (rea'O,
Rockefeller Inst
33S
Roeking Stone
Raebiing, J. A.,
—. tV., 140
Rogers, I., ia8
428; 459 '
Sw^'GLiSry," xxvi
.._._ d (hotel). 13
RoTna (rei't). a3
Roman Cath. churches,
Rooi Tree Inn, i6
" isevelt, Theodore,
irthplace, 164'
Root, EKhu, res., 33a
Rose Garden (Pros,
Pk.), 4aa ^
'(.«;, G.. 4=8
RV^kaihC?. W.. taa.
Rupperl.' J.;'re^ 333
Russell Sage Founda-
— lympbooy^Soc., 63
" >, G., 173
■rs I'jjllege, 116
irches, S3
r, Mrs. Th., res.,
Rya'n, Th. F., res., 330
s
d Heart. Convent,
SaVgkill Coif Club, 70
'■--e, Mrs. Russell,
12: home, 199
ors- Snug Hnrbor,
St" "Agnes Chanel, 143
— Aloysius Cliureli
(J. C), 458
■ Alphonsus, R. C,
Church. 160
Ambrose ChE|M^!,=6i
-Andrew (h^iel). ^40
Church (S. I.),
Golf Club, ?o
R. C. Chnrch. i«
— "-Epii. Church
(Broni). 364
Maternity HoBp.,
336
— AnsgsrLus Cbap«l.
— Augustine Chapel,
— — Church,
— Banholom
66
w (clul
— Boniface Chapel, afio
^- ChrysosIom'sChaptl,
— ''?;olumb« Chapel,
—'—Church (Newark),
— Denis Hotel. 8;
— Dominic, Diooaitery,
4?6
Saint - Eaprit. Church,
INDEX
- John'i Chapel, 158-
- — Church (Newark),
46 s
^M. E. Church
(Wmaburg), 442
P. E. Church
(Yonkers,) 394
Pk., 159
Summer Home,
-Joseph's Church
(J. CO, 457
Hospital (Yon-
kers). ]04
-Louis Hotel, iSa
-Luke's Chapel, 161
Church, 169
Hoap., 89, 155,56
M. E. Church
(N««-ark), 479
- Mark's Hotel. +00
(church),* 5? """^
-Martin of Tours
Chapel, 261
- Mary the Virgin.
Church. 172
-Mary's Church
(Newark). 4?6
164. 178, 'iOi, ais,
"34, 276, 30a, 3",
St. c'avdeii, L., 12a
St. George (dnh), 66 -
— Hub^rl '(hotel), '"* '
— Ignatius, Church, a
-%mn, BIdg,
Chapel. 1
— — Church, ■
Hotel, 1
— K^chael, Con<
-Vichael, Chu
(Newark). 469
n Chui
C. Church
-'^egis H
UiUiU
ScbooL 3g,|
Sairaae Gym.
Savarin Res'
^''eYi^
\i
■"ho
Park
pital,
ScheJmcr
hiru
*H
II.
Schicktt
<re
'Si
23-24
h^i:y
p. E. Chui
Pro. Catl
(B'klyn), ioi I
— Jean le Baptist e.
Church, 337
— John the Divine, Ca-
thedral, 255, 2SJ-fij J
.-Thfalre.fi' ^
Sheltering Arms
(home), 343
t^'S^'U.%..
sAllk M. M..
— Guardian Soc, He-
Sh™*i.'''Mrs. F. J.
388; memorial. 157
sXZAi'r. F. 0.. 4S6
.£■:;!■■!!.. «...
SheVman^Sq,. 240
Slosson's (biUUrds), 68
Slovak churches, 83
Smith, C, B., tablet.
33<
Setrider. J.. 4i6
Smith, W, W,, 136, 237
Smith, Th., (^Jlfection,
Soulplurt. B'klyu Ium-
Sherry.''' V.,'lomb, 152
Museum, 4^8
Sea Bathing. 72
Sherry's (res'l).ji, 197
bhip Canal. U. S., 357
5|i;fe'!Jl
l:fc"?«....,
Shops, 74-79
Fur individual tkept.
"Soda Water Foun-
£?^i;i;f;Ml[«.
^■kr/d', 'h"'m'T»
lains," a6-i7
Soldiers' & Saik>r>' Me.
|:SSk^i"e-"^'?va.^'
Shreyer's Hook. 1.9
jhubert Theatre, s6
morial Arch, 420
_,^i;-^Seatre, David
I<4rii-5'°,i".'
Kessler'B. 6=.
Siekfes, " Maj. Gen,,
sl"-i;,»W, ,...
— Church, Seienl.st,
home, 177
— Unitarian Church
Sigel, Gen. R. statue,
Somirindyke House,
E'klyn).4'3-'3
Sight-seeing yachts, 36
,- '*" „ .
Seeing N^ V. Automo-
Silsbe'B Kes't., 400
Silver Lake Cemetery,
Seniprini (res't), 23
Sonoma Hotel, 173
Sons of the Revolution.
'■Senfca VLlUge," 329
'24
lSr;r.":;'i'io.i"..
'SirK^onl. E.. .83;' W8,
South American Steam-
ships, 42-43
-E. S.. T4e
~ Beach {S, I,). 45".
i™¥.Fs' ■&"■..
Simpson, '}. W., tes..
—■"church, D. Refd,
60, 342
— Regt. Armory, 72.
,,5T memorial. 305
S^enly-first Regiment
Sim»? Dr. J. M.. statue
— Fifth Ave.. 158
-P»;t^P™ Church
s^sr<v.'A'>....
Seville (hotel). 9
Siwanoy Country Club,
-i "Sh"?e Fittd Club,
— — Bap.*'Chiireh, 421
— Blvd.. 359
El«vated. 33-34
Spam, consul. 92
Seymour (hotel). ..
Sixty-ninth Regl. Ar-
Spanish bankers, 90
— churches, 83
Shakespeare, ^tue. 303
mory. 221
^;il . ,. c.
Special Delivery letters.
, I'.
■'"'n. ^.!^^g!^'n^'"^"
Speedway. 353
Spenc^. B. E., 188
"^iang Berg. 333
Spencer Memorial Pres.
ablet,
Church, 414
=.peyer -School, 276, 343
'—" s'latue"(B'klyn),
Spingler family. 178-
Sylia-
407
si^ivonic rtislrict. 33B
■Sp^K Hou«," 337
,48
«lo™e, Mrs. Jn,. res,.
Sporting goodl, shops.
Sports, 6;-7i.
Spoutina Spring, 356
Sprina St., 160
-- — l-reB. Church. 16
Spujien Duyvil. 113
Creek. 356
Bldg.. 140
sfaSaJ'd Oil BIdg,. 1;
— Theatre. 60
-, Old, 3Di
Stalen Iiland, 104, 44S
Stationers, 78-79
Staliona, railroad, i-a
Statue of Liberty, 105
Ptauch's Re>'t, 447
Stitli. Sir J.. J«
Steeplechase Park. .
Sleeplechasmg, 7o
St^n«ay'& si"'' '
SleiDway Tube, 3a..»"_
Stepping Stonei Light,
Stern's (dept. Btore),
Sievins Castle, 459
Ste«nson,'' R. i-
Blewart feidg.. MS-46
Slickney, Sfta. J., re»-.
"StiUHutll" (broni.
Sixrralt. C, 394
Stock Exchange. ia6
5(orfiiariJ, F. t-. '
home, 3ia '
— . E. S., 333 .
Sloktt, F. »'., iSs
SlBughton. A. A., i}0
Stranahan, J. S. T.,
Strand Roof (res'!.). "
— Theatre. 59, '7'
Strangers. Church, 81
— "Gate," 330
"tralford (hotel), 9
trauB Pk., 141-42
Ireel Cars. 34-3!
- Cleaning Dept..
, tPee"t».' N, and S., 3
Striker. Gen., grave
Strykers B»y Mansion
— So.. 223
Sub-Treasury Bldg., U.
S., 117
Subways, 30-31
Suey Jan Low (res't),
Suites, 15-16
SulliTan, T. D., 131
-jn" (paper), 87
Bldg., T39
Sunday observance. )
Taltyrand, 401
any llflll,
Taylor, W' S., 183
Tea Rooms, 36
Teachers' College, 3?s
■Telegram" (paper), 87
eT^enlral Pk.),
Swedish churches, 83
- ■ burne la., 104
eriand. coanil, 9a
,....n Place. 341
. Symphony Soc. of N '
Synod Ho UK, a6i
Syrian churches, 83
h'evgJty'* Th«a-
lOD Bidg., 276
INDEX
nwai'l, 34-35
Preal^'Wob!, "(ahlet, 4
rrenlon, N. J.. 116
'Tribuns" (paper).
Jniied Bk. Blda.. 135
- Chsritie» BldTg.. ai;
TLckew, theatre, S3 163-64
Tiffany, L. C, aol
Tiffany & Co.. il*
(Newark),!
Oub,
- Ctapel, 161
J„ : rurini, .
Turkey,
Turkish
MS :— Hall, 270
,. _ Uving- — His. Bridge, 353-54
68, iSj^ ao4 !— of_ Penn. Club, 73-74
1™-n(. iji"
Trust Co. Bldg., (N.
rokio (rts'l!), n, I?!
-03. aaB, 41",
R. M., * Co
n St., 336
Twelfth Ave., 238
— Nigtit Club, 158
— St. School, 179
Twenty-second Re
Armory, 354
Twenty-third Regt. .
478
Van Cortlandt Man
.^— "p^./7i,V3-64
c Club (B'li
>'(N. Y. OJ-
Collcctian (paint-
ings), 313. 3'M8
I Vanderbilt Hoti
Vm^jf Fair (tea
Van Neet, 39a
Van Norden Trus
yin%U. Jn. J..
Vin ReaswUer
Kii. a
Vantine'i (grJeni
pwds), 1B5
Van Twiller, Wi
Viaduct, as*
Victorim BMg., 165
— Theatre, 168
\'iele. Gen. E. L., 30
vinMnt "Fe"»r.
Church, 337
Volunteer PLre Dep
N. v.. 341
— Firemen's Aisoc,
Ton Humboldt, A..
busts, 279. 301
i-OB Miller, P.. 119
w
Wadleigh, Lydia. 179
Wadswonh, Tort, xviii,
-'?-1,ea.re, .„
Waffle Lunch and Tea.
as
Wainwtigbt. Bishop,
wSdoS-inoria (ho-
■ tel), 7, i8j-3; res't.,
Watktr, H, 0., 208,
Wall St.,'ia6-2!»
Wallabout Canal, 44a
— Market, 441-4^2
Wallack'a Theatre, 16I
Wallick's Hotel, ir, 17
Walton (hotel), la
Wanamaker-s (dept.
INDEX
Ward, J. Q. A..
, West Broadway, 158
- End Ave.. ajy-JS
Church, i40
Theatre, lie*'*,
1 — i'armt Road, 390
-- Point, HI
. — Shore R. R., 116;
1 Terminal, 37; ticket
-"sidI'Mrt (J. C),
4S8
- & Lsfayelle, sUtue
-.'^Vin. Lanier, Collec
WaXnllo^'n Arch, 173
, — Bridie, 353
igh Sch.,
— Utt Bldg,, 135
— Marktt, 136
— Mews, 176
"irk (Newark), 46s
- Sq., I
'*-?6
- Playeri
"■lealre. d.
r Color Cluh, K,
- Theal
Vans, jT, ,67! grave,
\!tib Academy, 361
Weed, Ella, 175
Weehawken, 460
Weequahic Park (New-
ark), 480
Weill Fargo Expren
Co., so
=ndel, J. G., home.
■ Club
_. Ave
y Club,
— Racing Aim
- Village^ 390
390
Westmoreland H
163
White. Stanford,
Whitehall St.. 123, 11
Whitman, Walt, 4(
wt?tney, H. P., re
330
— , >., resj 3J2
Whittier Had, 176
Whyte'a Res't.. 20
Wid(
Davii
ilcoit (hotel), a Weidbonsr, no
cub., tfollee- "World" (piper), 87
._._.,__., ... •Vonnssr. Mrs, I., re«
tion (paintings),
318-21
II' Biff, A. a., 337
Woman's Hosp., 14^
— Sufirage Party, :
Women & Cbildren,
lirmary, N. V., 325
_ Painters & Sculp-
lofs' Assoc, 64
Women's cloihing, 79
— hotels, 13-U.
— Municipal Lragu«,74
— Pen S Brush Clnb,
— "oiv. Club, 74, 222
Wood, Mayor F., gra'
Woodlawn Cemetei
Wright. Fort H. G. .
"y! W- C. k." '(Bit.
lyn), 419
"y. W. C. A." (New-
ark) 4«
Yale dlub, 73
Ye Oide Chop House.
s