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HERBERT
THE RCjSE OF ALGERIA
{^^^^â– â– â– â– â– ^^^â– â– â– â– â– â– â– â– H
'K w:mm
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sponsible for its return to the library from
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Latest Date stamped below.
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the University.
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UNIVERSITY OF ILUNOIS LIBRARY AT URBANA-CHAMPAIGN
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U. OF I.
LIBRARY AT
URBANA-
I CHAMPAIGN
I4USIC
1,161—0-1096
M? LEW Fields' preheats the Musical V\^<.
s-2q,7
NIVLKSIIY OFJiLilNUli
LIBRARY [
^' Book And Lyrics by
m MMDONOUGH
Ma^ic by
VICTOR HERBERT
■•«S6^
lie Perjormm^ And
^HAsW^- Harris
New York. ChiCd^o London
S-20 7
UNIVERSITY OF ILLINOtS'
LIBRARY
Rights of Performance and for Mechanical Instruments Reserved
Lew Fields'
Production of
The Musical Play
The Rose of Algeria
Book and Lyrics by
GLEN MacDONOUGH
Music
by
VICTOR HERBERT
— -*â–
cal Score
^2.00 net
PUBLISHED BY
CHAS. K. HARRIS
NEW YORK CHICAGO LONDON
Copyright liK)9 by Cha.s. K. Harris. Inter/i(ilional Copyright. Seenred.
The Rose of Algeria
Book and Lyrics by Music by
GLEN Mac DONOUGH. VICTOR HERBERT.
Cast of Characters.
Zoradie: Sultana of the Barakeesh, a powerful desert tribe. Seen in Act Las Miriam the
fortune teller.
General Petitpons'. Governor General of Algeria and uncle of Captain de Lome.
Millicent Madison, M.D. An American doctress in charge of a corps of imported trained
nurses.
Captain de Lome: Commandant of a French military post near the Algerian sea coast.
Barninn Sells: ) Xwo young .American circus men, forced by the stranding of their cir-
Bailev Rin""!!!;"-:) '^"^ '" -Algiers to enlist in the Foreign Legion of the French arm)'.
Lieut. Bertrand: Aide to Capt.de Lome.
Mr. Billings r. Cooings: ^ \ recently married couple upon their honeymoon and bound
Mrs. Billings F. Cooings:
Mirzah :
Zaphirie:
Mimi: From Paris.
ACT L — A French military post near the coast of Algeria
ACT II. — Exterior of anoldpalace in the outskirts of the city of Algiers.
time: The Present.
\
Staged by NED WAYBURN
"S^- I A recently married couple upon their honeymoon
jjjjp-g.J for nowhere in particular.
Ladies in waiting to the Sultana.
Ml-
CONTENTS.
The Rose of Algeria.
Act I.
Pa,-,",
1. OPENING CHORUS ^
2. THE SAME OLD TWO . 19.
3. THE BOULE' MJCHE' 23.
4. iVe been decorated 28.
6. you'll feel better THEN 34,
6. THE GREAT WHITE EASIEST WAY 33.
7. ROSE OF THE WORLD ' ^
8. FINALE. .
Act II.
9. OPENING CHORUS 57
10. LOVE IS LIKE A CKiARETTE 71.
11. .ASK HER WIHLE THE RAND IS PLAYIN(; 76.
la. ONLY ONE OF ANYTHING .jg
13. ENTRANCE OF SULTANA 82.
14. TWILIGHT IN BARAKEESH . . e=
lo. THE FOOLISH GARDENER 90.
16. LITTLE BIRD OF PARADISE 94
17. FINALE j,g
15. ADDENDA. (GOODBYE, BOHEMIA) 103.
\^
\
5
ACT I.
NQl.
Opening Chorus.
Piano.
J" ' i. ii.rn
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Lento.
(Trumpet on stage)
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Copyright MCMITII by Chas. K.Harris.
Rights for Mechanical Instruments Reserved.
International CopjTight Secured.
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(Trumpet on stage)
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Op.Cho.Act I.
i
WATER CARRIERS
TENORS. p
^
^
Oh
BASSES.
S
-> i' i^ Ji
broth-er of the
^5
prophet pence to
thee!.
SWEETMEAT SELLERS. j"_
N
Oh
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COOINGS. ^'jW.
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Pray si -lent be!.
li
â– n P p p P I P^^ ^
p 1 t
broth-er of the proph-et buy of me!.
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can you not see .
the la - dy sleeps.
the la - dy
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33
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sleeps.
IP
SWEETMEAT SELLERS.
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the la - dy sleeps.
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Op.Cho.Actl.
#
(A Storyteller enters)
b^ U U
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THE STORYTELLER.
i y J I J-i J: K h
Pro - tect-or of the
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Friend -less bid me tell.
An East- em tale and I will tell it
^^S
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I HI
I II i
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COOIN«S.
^
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122:
well.
Be off, I pray,.
up -on your way_
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Op.Cho.Actl.
^m
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the la - dy sleeps
the la - dy sleeps..
BASSES.
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The 1.1 - dy
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31
^
Meno niosso.
/: THE BAYADERES.
vN
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Bay - a-(ieres from an - cient lands, far be-yondthe
ft p- F r 1 ^
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track - less sands, Lands of palm and scent - ed breeze!
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^â–
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£
p p I p- p r IP M p I p- ^
Fain would we for small re-ward, dance be- fore the Frank - ish lord.
Op.Cho. Act I.
10
i
> ff i»=ff
P i^ P i^ I U '-:
m
thus per- chance his lord-ship please.
Ah!
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Ah!.
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Ah!
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COOINUS.
(Tempo I.)
Pill niosso.
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We at your
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With our dance
m
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his_ lord-ship please.
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,^ra-.
Pin mosso.
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Op.Cho.Act I.
11
Tempo {j!;iusto
Come, mas-ter, view our wares
. Teniijo giusto.
JEWEL MERCHANTS.
J' J' P c r
MP p r
Fab
rics ex-ceed - ing fine!
Gems
of the pur - est • ray
Jqt
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Op.Cho.Act I.
12
Both groups of Merchants.
h\!' r P p F P
m
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Sil - - ver of quaint de - sign Come
to my shop,
do not
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COOINGS.
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Less rack - et make, she will a - w-ake.the la - dy
find
tis too late.
^ J b ^ J ^ ^
t=^
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Op Cho.Act I.
18
^^^^
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Grazioso.
MRS.COOINUS.
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1^ J i^r P I f p
And where my dear is here?I
i y \ \^
V y
dear- est you are here!
Op.Cho.Act I.
14
Allegro.
(Enter Miriam)
rnr
A for-tune for the Prankish la-dy
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a tempo
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Lento. MIRIAM
MIRIAM . ^^ O
,v p p P p J^ ,>, J^Ji y :â– I I
A f ,.^ ♦..,*,,,• — „,,. „„;^t_i,.i (bus)
ALL WOMEN.
A cup of wa - ter brings me quick- ly!
P^
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Lento.
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Op.Cho.Actl.
15
Molto lento
^^^^^pi
As this cup is o - vtT - flow- ing:
i- i' i' i' p \ f
So with joy shall be thy life.
4'- V p p F p \! ^p I P r- I •' F F M ' ' ^ ^
Nev-er pain or sor-row know-ing
Learn-ingnaughtof woe or strife
S"
| 4 '■' h }' > > > •^' I J' J- I '' > ^' -^i ^ ' ^' ^§
All that waits for thee here - af - ter
Comes from for-tunes treas-ur - y.
\ ,}• JJi j'ini i fll V J- I ■■i' i' i'ii'g i 'rl 'J l l»
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'rv shadow fr
hours a-glow with love and laughter, Years from ev -'ry ;â–
Op.Cho.Act I
\ lh^&f PPp
16
^
Go.
hap-py bride
SO-
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STORYTELLERS & MERCHANTS. PP
hap-py bride up -
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Foul Frank- ish flag
foul Frank-ish
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on thv way, thi
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on thy way, this charm_ with - in thy bo-som wear,
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flag thy
doom— is close— at hand_ no more_ the Moor— shall be thy
^m
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And from thy side
thy
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a
f Pfff ffp |^=^^
love shall ne'er stray
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slave,
thy cur - sed folds _ a - bove our ho
ly land.
no
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Go hap-py bride se-rene and fair!.
^
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ppr pp
^
more shaU wave thy
cur sed folds _
no more shall
^
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^
^
Op.Cho. Act I.
17
J
bO=
' ^ ^' ^ -J % 1 - • =
Go.
hap - py bridf
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go.
h-
hap - py bride _
up
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m
p==if
Hap
py
bride
h^^
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thy
way.
^
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vv^ y^ vpp t^ i^
i'nvt> !
Foul Frank - ish flag
foul Frank - ish
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Up - on thy way.
on thy way this charm.
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— this charm with - in thy
with - in thy bos - om wear,
with - in thy bos - om wear
" J J J-
£
:£
^
DOS - - om we.i
and.
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>„ the Moor shall
flag thy
doom_ is close_ at hand_ no more
be thy
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and from thy side
and from thy side
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love — shall neer stray,
love shall ne'er stray,
go
— frc
p p > .
^^
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rom thy side
thy
7 r
cur-sed
love
folds
shall
bove
neer stray,
our land,
^ c1 IT**
N»^-^^g
r-Ff rJ_e
oove our lai
g
go
no
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r— g'F
slave.
thy cur - sed folds a - bove our ho'
Iv land, no
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Op.Cho. Act I.
18
cresc.
I f\ u
^
■B-- rit. i»-- -j*--
hap - py bride ser
^ m
ene.
and fair.
= ^
cresc . _ .
rit.
-J- i-
up-on .
thy
^
^
r---f r
^
hap - py bride ser
and
fair_
up-on.
cresc.
J-
more
> > ^- ^^t- f - f
jr-=sr?- J-
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thy
ft
= ^
more shall wave no
more.
shall
shall
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m
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Op.Cho.Act I.
19
Ni?2
The Same old Two.
Mrs. CooingH and Chorus.
Piano. J
i
Grazioso con ben marcato.
f— «
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Day-time Is for play- time For trou - bir and f(ir schemos.
Mom-ing At the dawn - ing Is bright and fair to see.
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Ni^ht-timc Is the riKht-timc For slum-bor and f(ir dreams.
Sweet - er And s'oin - plet - er The snn - set hour may be.
Cupyripht JICMVIII by Chas.K. Harris.
Right.s f(/r Mechanical Instruments Keservc.1.
International Copyright Secured.
.â– 20
p' J^ J-' . Ji i'l 1 1' h ^ y. I p ^- p p
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All things Great and small thinj(s At cor- tain times are best. And
Moon-light Ami the twi - light Have beauties all their own, But
P P p ^"p I P p J'' > I ^ p p P I f
E
eve-ninii; star time is for love When fire-flies danre a - bove.
dear, est is the hour by far When gleams the ev'- ning star!
Lisfosso ten>.]>o ma niolto tranquillo.
J J ij J i
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#
■0 — #
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Ev - 'ry where that star shines down on sea-shore, moun-tain field and town
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pp
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There it sees the same old two the love lorn lad and sweet-heart true,
P
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The Same oJU Two-4
•21
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Oct the face of count- less lands 'tis
32=
tlius thoy wan-der
m\
h
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f=^
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hold- iii^ hands,
^m
p
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M-4
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.' I ' I I II
/)Ot:o rit. ^^
a tfwpo
P^' PPr '-r i r ^
y „ By
^
All they do is
this,-this,_this,_And all they say is "I love j'ou! —
(Three Kisses)
i
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/» a tempo
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1^ ten.
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J /^ I ^/i
<,^ ^" !â– ^' ^ J
field and town.
J » d » » g
r r r r
sea- shore, moun-tain.
Ev - 'ry- where that
r- F f r
tar shines down on
i
^=^=^
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m â– â–º
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The Same old Two - 4
22
same old two the
f ^ f f
love l.iorii lad .iiid
swet't-hcarl true.
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f" I * F " *F" te "fe 1 > =jl
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count - less lands tis
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thus they wan- dor
r r r
hold - ing hands,
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fioco rtf
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a tempo
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And
this, this, this,
(Three Kisses) ^
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t
poco rit.
'a tempo
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Fine
w
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The Same old Two - 4
â– 23
NO 3
The Boule" Miche'.
i^De Lome and Chorus.)
Allegro
•>'ifM »jT r^
De Lome.
m
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f
E^fe
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Through the Quartier Lat - in in Par-
Ev - 'ry girl j^ou may hap -pen to
f
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^
t^
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see.
i^s
^
^
^
Runs the bou - le - vard known as Mi - chel ..
On that bou- le - vard known as Mi - chel ._
Know it
All your
^
â– â– J y^
^P^
i^t
fei
33;
^= l=y
^^
r
i^
Copyright MCMVIII by Chas. K. Harris.
Rights for Mechanical Instruments Reserved.
International Copyright Secured.
>-24
^|'l. r » ii^' J' I r ^^fe^
y i r pPi
once know it well From it's spell,
praise \vill corn-pel, She's a belle
You will strug-gle in vain to be
^Tio is more than en - tran - cing-ly
^-^-Hj
3
^
^
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^
^
^
^3
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^m
f
^
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^
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S
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r r ir- p
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free ,
sweet!.
Your thoughts ev- er back to it fly_
It's com- rades have ne'er wel-comed yet .
And 'twere
The
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rrpf
V \ , i I;'
^
^^
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£
v-^^ ^^
^
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a
teEfc
sEEfeEi
a
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Â¥
id - le to hold them in
cad or the loud nou-veau
leash,
riche.
For the
For 'tis
dear- est street
on - ly good
n; r y* p
rit.
^
^
un - der the
fel - lows are
Is the old
On the old
Boule'
Boule'
The Botle'Miche 5
Tempo di Marcia
O rit.
a tempo
S
) ^ P J'
P P J' P
^
Miche'!.
Michel
Bon jour Mi - mi.
Come dine with
k=s
feS
S
Oi
1
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=5=i
f==f
pp
^^
-rit.
a tempo
#
S
marcato
I
^
S
p ^1^ p I P P V p
^
me .
Hen - ri and Georg;e and An - toin
^m
^
:^
-^ ' i ih I
I ff
2?il
E
tF=?
S
^
p p i p ^P r i p p P' p I
Panth
e - on for just one petit verre.
of an - i
TheBoule'Miche'S
26
k P
s
f^^— ^
p p ^^ p.
sette.
'twas thus it went.
in hours long
-i rr-t?!
^^
S
^
h-
* ^ *
s
1
It*
^
^=t
t/iarcato "w
t
te
CI
P ' 1 ^ P I M P" P
spent .
hap - py those days for - ev - er
^tm
^
t=t
-' W j' I
^
^m
i=t
^mm
£
on the
p
^
rif.
a tempo
S
^
^^
gay
^^^
Boule' Miche' And we all were
fe
twen - ty one.
^
^
" J J:
E^^
^
^
r«^.
fa tempo
4
■f • •»•
TlK- Boule' Miche' 5
a?
All.
Bon -jour Mi -
a tempo
^H^r-i^-^
£
m
Come dine with
: >P n t^
221
£e
^
^
1
£
^^
=3=*
I II
II I
j^:'-''^"
^m
a tempo
^
=^:^
viarcato
J
k=f
a
J ||I|J\ ^
rit.
a te7npo
%
/r\
SEa=E
p^l
gay Boule'
§^
Miche' And ^ve
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The Bimle'Miche'5
28
I've Been Decorated
N9 4
Lyric by
GLEN MAC DONOUGH
Music by
VICTOR HERBERT
m
Marcia (Allegro Giocoso)
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With trump and drum
I thank you for
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your wel - come cheers,.
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state I've come
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can greet
your
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ears,.
fe ' nn
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Copyright MCMIX by Chas. K. Harris
Rights for Mechanical Instruments Reserved
International Copyright Secured
29
m
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Thoug-h reb - els g'ath - er nigh
It shows, I beg- to state,
To
That
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34
Nl? 5.
You'll feel better then.
Millicent and Female Chorus.
Tempo di Valse Moderate.
it
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you,
dieu.
i
When hair of ^ol*^ <iid ^y^s of blue Are false to
When For - tune frowns and friends once true Bid you a
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Seek not an end with knife or rope For there is
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Copyright MCMVIII by Chas.K. Harris.
Rights for Mechanical Instruments Reserved.
International Copyright Secured.
35
^^
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g-et Go search and seek
note That sor - row sim
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Doc- tor Mad- i - son says.
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NURSES.
You 11 feel bet-ter then
With.
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Ydu'll feel lietter then. 4
37
NURSES.
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in an hour a change you'll see and con-val-es-cent you will be if this istak-en as we
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rem-e-dy is such a hit that patients sim-ply cry for it we guar - an - tee
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N«G.
The Great White Easiest Way.
Lyric by
GLEN MAC DONOUGH.
Music by
VICTOR HERBERT.
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WeVe a
We're far
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long, long jour-oey from a well made Mar - tin - i, From a
from the jun - gle where the gay young Welsh rare -bits By the
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chop and a tax - i - cab.
side of the ale mugs play.
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From the plac - es where they roi -sterWith the
From the din - ing and the win-ingWherea
Copyright MCMIX hy Chns.K. Harris.
Rights for Mechanical Instuments reserved.
International Copyright Secured.
39
PP^^^^=^pf^
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f
can-vas bark and oy - ster And make mer - ry with the soft shell
mil -lion lights are shin - ing From the twi -light till the break of
##^rir^=ndHr^
With a deep, deep yearn-ing, all our thoughts are turn -ing To a
We in fan - cy wan - der to the streets o'er yon - der. And in
^
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spot a - cross the spray,
fan- cy down it stray,
If they fin - ish us by shoot -ing,Soon our
As the eve-ningshadesare fall - ing We can
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spir-its will be scoot-ing For the Great White Eas - i - est
hear the lob- sters call - ing From the Great White Eas - i - est
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Way!
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The Great White Easiest wav. 3
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40
Dance.
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world thou art
and (iosf thv tt'rwlrils twiiic a - Imut inv li>'art _
Rose ot the Worlil
N9S.
Finale.
ACT I
Allegro moderato.
to
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ADJUTANT.
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A let-ter for me
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ADJUTANT
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from ov- er the sea
And one for you, too
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BOTH
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let-fcr for me, from ov- er the blue A let-ter for you.
from
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International Copyright Secured.
^m^
{olhcr Nurxcx enter.)
46
(all nurses.)
E
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ov- or the blue .
Oh if you please is there some-thing for me
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47
te
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Tempo di Valse Lente.
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Finale- Act I.
48
rf
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tear of pi - ty glis - ten .
And while of hope - less
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Poco Meno.
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does he say
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Fiii.-ile-Actl.
49
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Please
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Kiiiale-Act I.
50
i
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IS
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Please
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Fitiale- Act I.
T
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UNlVtRSlTY OF ILLINOIS
LIBRARY
sfpP
crcsc. molto
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gate Lock it fast The de- sit
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nig-ht must they pris - - on-ers be..
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53
^
J==Mi==^M
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night must they
T
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MIRIAM. Poco Meno.
DE LOME.
^
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.et me pass I must be go - xx^g 'List anc
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and hear the tem-pest
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Finale -Act I.
]\Iolto AiJ;itato.
/. MIRIAM. I
53
f p P T' p
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(S/ie kneels.)
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Bid them un-lork the gate I beg of thee.
on bend-ed knee
for
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p I P' PP7 1 r
p I P "p T' ^ ;
;oon twnll be
g
soon'twill be too late, ^-''^t — ^kfrom an un-hap-py fate /^!^^J) I go to sa ve a
pfa
s
m
U
^3
]E ^:< d d -l =iig
^^^
f
%
7
\
tr-
S
^
i
MPr P
^
/^
^^
i^
\^ %' ^p i^ 1^
p -f â– r
^
^
com- rade brave let me no long- cr wait.
(ALL.)
Finale- Act I
'r^
ad lib.
54
^ rpppp i p-p^
fe;
Why do you hold irtT,' pri-son-er_
a
Oj\-iF?1
J^tfi
^
*
Andante.
t » 1 ^ g ..
^
« tempo.
m
r\
ff-
€fz
^Jf^t
'^ffi
Paprc'^';.
h r - UN
^
^
a
^^
S
MIRIAM. ppp>- nf.
T'"--X'\
molfo csprcs.s.
ff ^
^
y-n?
DE LOME.
Ah,
'll t V i J. J'£
i*^
li
_ I hear your
^
^
Be-cause I love
thee be-cause I love thee well.
'4^
. Oh hear my
;5E
^3
?=
S
Ah! ho a
ff ^
m
, r\_
• loco 0^
m
plead - ing' don't turn un heed
a. tempo.
fe^
ing and take me to your
Pesaittc. ^ ^ I '?'
^^
:^
s
dores you
«_
to stay im -
plores you
^
m
m
a tempo.
^
ff
^ F^^-^
#^^
.'///// sforza.
Firrile- Act I
55
nnimato.
finale-Act I. v^
56
.V'
ra.
Kiri;vl(;-Aet I.
57
ACT II.
Nl? 9.
Opening Chorus.
Moderato .
i
ti
B^^^ i
Pi
s £ f
jr r
W^^
Oi
i
7-
T2j-^
?
rmj
, ^ J J
•— ••
r p
j9^
'i?
8-
m=^
1
C\
P
t- , ??yfli JI
E
>_^j*-i
s
rsn
y
^
o
p
^
^= # j
gg] n il
?£?
?^J-J
J
li
Os
^/A
tt
^^-^^
Tempo di Valse.
# '^
'»'»
^^
^j^
«
J^g
rrff^Ti
/
l ;>'b-i-J'^J J
ii /
*
i
f
«ff-*l^
t=t
f^
^1
?=
tt
f ^'e f
?=
t4?
sempre cresc.
^
2
i
is:
Copyright MCMVIII by Ch;is. K.Harris.
Rights fnr Mi'chanical [nstrumonts reserved.
International Copyright Secured.
58
CHORUS, (l^t Group)
^M ^^F ' t b^ ^ i
M;ir-(li (iras from ,
^M
o\ oo
U
%
E^
I
^m
r\
fa tempo brillante
0\ 0\ iS-
fe^EB^
^^
y0^=
.^" p h ^ - F^^' i r f Mf f r I 'f f ^
far To this court we have brought in Al - giers 'tis a cus - torn that's
i
i
â– St
M
cVw*-
s
p^pf
s
' # ^ J^.r*
^
^
^
a g
i
p.llF ^gUf^ ^
All are we from Par - ee So to - day in a
^ £j
^^
:!=
ii*
f â– I - gf i r ^
^
^
\\ e will
)|i.l'ho. Act 11.
"I
59
t\. \ '-i' I I- h U^ t- ''i' If- P f
daiu'f
loco
t
4^
.IS in France Mak - ing gay same as they
tJ
I
w
M
A
m
For on
M^
zzz
l l^l' f f 'f 1 ' ^ f 'f I'f f^^^^lf"p^^
blue there.
Glide a
4^r r f ir
r F i r r j
long
with a song Let it ring as we swing Sing - ing
^
»=»
N-F-^
ff = ^4y
?
^
t
^
^
S
S
j'JW'j'ij' lii'^ m
n , ^ ^ »
tra la la la la la
S'L"
la la la la la la la..
^m
prrn-
m
'f
EtE
i=^
brillante
i
^^
Op.Cho.Act U.
6'0
i
ALTOS. (3i!£l(Troup)
m
^
w
s
^ #- — •- — 0-
-m • m —
Hail tht- gay -est day of the year Day of the year
i
Hail, Mar - (ii Gras.
loco
j n i
^m
f
m
^
^
^5
^^
^
;<•> rf M'lt- f
Â¥5t^=*
^
Till it be done Slaves of Fol - ly all are wu here All are we here
f H^
S i i i i
tj J j
1
^
s
:^
p
^
^
^5
^
^
*
^
# « *
Wbr - ry and care.
Till the mor - row dare not ap - pear Dare not ap - pear
J j J J J
m
1
r^rri
^
i —u^
i u r
(.hi.t'lio. ActlJ.
61
^
I i' J- J- . j^
^
^
^
^
^
ah ah ah ah ah ah Hail! Mar- di Gras Hail the gay- est day of the year
j n ^ i.j M
^^
â– i j ^ J J
s
i
4 J ji Jm N J' j^
*^
m
B^i
* —w
^
W
Day of the year Till it be done Slaves ofFol-ly all are we here All are we here
I
i- ^Hi -
1^33
w=i=^
-» -m -m
m
^
?=
^
i
J ,m I r » ^' ^
^
^
Wor - ry and care.
Till the mor - row dare not ap - pear Dare not ap-pear
I j r; ;
i J nn
i
U * i
^^^^i^^
S
i
;4''^P p Pf-p-^' jyj'j'j- j' l ^.
(Both Groups)
^
*=
w
£
Banished all are they and pleas-ure ev - er shall hold sway.
Mar- di
Op.Cho. Actn.
62
g ^^' I F H
^
V'^\f' f f
Gras
from a - far
to this •=°"i't
£ c
I
I — ^ 4
we ha\'e brought
i
i2.
•5-
In Al
M
j(r
m
^
P
^
^
S % V
P
giers tis a
S'L"
cus - torn thats new there .
All are
i' P ^ ^F 'f'
u p 7 : ^^ "i t
m
^
i
i
^
h
I ^J M' f f
s
5
i
we
from Pa - ree
So to - day
in a way
\Ne will
SI
w
^
^^3
S
szr
Op.Cho. ActU.
63
i
zsr
3E
p^' If- h i >h ^ ^^' ir
^
5
dance
,Sm--
as in France Mak - ing gay
same as they
For on
i
p
^*
^3
^
^^
z:
IS' r f 'f i T ^^
i
3
gi
Mar - di Gras No
S'L"
one is blue there.
P^^
(ilide a
W^ r . I ' i r 1 ^
r ir r J I
long with a song Let it ring as we swing Sing - ing
jfi'rr _ _.._ ; _ :
m
A
p=»
w
I
i
^
E
*
m
i
ff •' gp i
£e
Jj ^ i- j' J- j. J, J, 1 7^ ^
(Short)
JSl.
^ , i || ^"l^
tra la la la la la la la la la la la
la.
f ,\n Tn
m
^
^^
brillaiite
^
i
i
altacca.
^:
^^
^
Op.Cho.Act n.
64
i
^
Tempo di Marcia.
fr
^M
^l^=r
^
axE
TTÂ¥ i : ^
^
P^^
~rr
•''^' • ■^•^^'
i^S
s
s
^
m
i'H^m
m
:;3E
S
£
g
^^3
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^
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5
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i
J^j^j^j l j ^i
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rtrg'
1 f
T^y?
ii i. p fi .
efeffi
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b!^
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f «-#-•-
f
£
^
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/
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s
m
m
CHORUS.
Op.Cho.Act U.-
65
GOVERNOR .
'
^P
?=ft
\'? % k^ 7 i^
^^
^ ' P i^ =p y X
Queen Zo - ra - die has quite hur-ried-ly sent for me
I v \ > \
S'
^iii
See!
^
ife
Tempo giusto.
^ i-' 7 I ]
i»
^S
^ 1 y
^
-y — y-
iS
^^
f» f
/2» .1
> a
mz
^y-iw P r p f) i r r j'Ji i p p p f P i > , ^^
Her to ad - vise • on my clev-er-ness she re - lies
For at fin -
#
^
^
lies'
«
Op.Cho.Att n.
pnco a poco
a tempo
i
Well its known
that I stand quite a - lone! Ah
^
'^^^ = ^
?a^J' | h^y,jiJ'i,^j^.n^/.r I
Oft its shown that youstand nuite .i - lone!
^^
â– *\f. f.
# n^ #
I
^^
m
Tho'Ima
^^ ^
i' \> V
Poco meno.
'J-M p f p M p P .7PP,P l f P ;-'ippp I P "p ^^
^
ge-nius mil-i - ta - ry Na-po-le - on - ic, Mytal-ents va - ry In an-y
^
i
ii
^i
^
^
"Ljii
rsi
1^
1
^
;h''i> pPp F ipP^ppP i r p^pipp P I p ^P p J ^
^
oth-er line Icl be fine And as a dip -lo- mat no doubt IB bright -ly shine So when be-
PP.
^ '^ h y
f
F=*
^
Hed shine !
s
^
^
te
a
P^^
T
^
UIU
J ^ y
^^
^
Op.CliD.AcilK
67
'.W p P c r I p P 4'F I'' MP P »'ip p P I P"p W'p ^ p
set by doubt or wor - ry The Queen for me sends and bids me hur - ry For with such
m
fefe
^
^
m
^
^
f
y== ^
^
3z:
ii^^ — i
1^
i
^
;>^i,|' i > p r '« M p P ^ ^ P p p B i |^~F' p i O--7 V i i A #
»
tact I act what e'er the trouble be 'tis end-ed by a word from me
^ Z
;ia^
^^^SM
^
^
Tho'he's a
M4
^
^
^ ^^^ ^g
i
i^
o>
ii^
f ii rfr
1
w.m
mt
ifca:
s=p[
^
3
l:i/
s^ — *
r;y.
;^^^"i> ii^
o
a tempo .
eft
3ff=r
ti f^f*
g »ii' » ^' ^ ^- ^
^
^' j ^ -U
f-M4ft
^
^^
^
ge-nius mil - i
ta - ry Na-po-le
on - ic his tal-ents
4
^iii
va - ry In an - y
^ ? H f
H##
â– ^
â– ' I- y ^'
^^ ^
:? ^^ f b'
A=e
^
i z g f ^f. rp â– r\\
fdi-
e
/ *
4
^m
i^
Op.Chii. Act II.
68
mrftti:
^m
*
1 % n*« i
I n >. it
'f "g 1 f i'
^
p — r-r
dip - lo - mat no doubt he'd
# « 1» 1» -#
oth - er line hed
7 ^: h H ^'^~
be fine_ And as a
bright-ly shine, So.when be
^r r
m
f n ^1^ 1 ^
g
« — i^ — &
t=it
-u.
•^ ■=
g gggg gg^^^, f ; g tg
I
m
?^i
»i!>
S
^i
h^
A % ;. ^' ^' ^'
^
^^
^
^#f^
^
^
set b}- doubt or
wor - ry TheQueenfor
him sends, and bids him
hur - rv And with such
'> % t f ^'
k
M •
' ^ 7 n
? \' ■? ^ p £
^:^if
Op. Chi.. Act II.
W-^^44
3^
brought in Al -
r f 'f
giers 'tis ;i
3
cus - torn thats
^=M^
H
in'W there-
^
Glide a
g
i2.
5"
\ve Have brought 'tis a cus - torn that's new there.
M
r^ < i ^
^S
^
^
P^
^
long with a
^^
song Let it
m^^
ring as wt
^
^
^m
swing Sing-ing
^^PP
tra la la la la la
(ilide a - long with a song
Sing-ing tra la la la
^m-
^
^-i-i
^
*
«— -y
^1^
4
ffv&i» «
i
P^
f f f T '^ r
la la la la la la
la la la la la
7-
a a
A119 molto._
■|S>—
(Can Can) General Dance .
3J
la.
g=s^
3^
^^
^^
la..
#
^(•rt-
AllPsro molto. (Can Can)
; loco
ccef
m
7 J-i -J^'
5e:
^Z
?::=â– :
EEE*
I
sempre
t-
=^=^
Op.Chci. Act II.
70
^
i
Uf^^ ?
^fT
^jffLfJf_^ =
'^^-^^^, dL
^
* — »
^
_«p <:
y . »
P
^
•^:^^
i
E3E
(Shout)
m
^
^
> # £ V ff ^
â– i/o
£#i^£? £ ^f
^
g
J^ t
.«_ ^E
f %
S
^^
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e=B
» I »
f #*£ f f ll?^:p^
.* Q#
E|i
J^^
#
i
^
i
g^
CJ 1 ^' CJ 1 1-^ CI
^
i
F i* P- • -F
i
tf^^i f^##f ^
%
^
s
^^
^#
i^
ffccf/ molto
m
^^
^^^
<^<'«=-
loco
^
i2:
loco
o
:r O
^^^*=^
^
= ^^
^
l/f^
^
^
^
i
^y^
r\
^m
r\
^ i7^7
m^
7 i 7
^
Op.Cho.Ai't II
N910
71
Love is like a Cigarette.
De Lome and Male Chorus.
oderato grazioso.
A
r\ DE LOME.
i â– > >
i^^
'•/
?^'t''i>^^
*
^=^
^pf
p
w^
m
My ci - gar- ette, Sweet
My ci - gar- ette, Thou
^m
o
^W
i^^
^
P
j''' i ''' rP p r^' p I ^ '''I f 'r IT r^^^-^^^-^
so-lacebringto me! Thy mys- tic mists Are filled with fan-ta-sy In thee I hold A
art a mag-ickeyUn - to thelock That pris - ons mem-o-iy! A touchfromtheeWiU
j '''!â– '- i' J'l i' p p p I p" p r J' I p 'i^' p p T^P
nee- ro - man- cers wand, FVom lead- en care 'Twill sev - er ev-'ry bond. Thy
o - pen wide the door, And ghosts re-lease Of days that are no more. Be -
j I-'-'' fYu n
m
rit.
^
m
Copyright MCMVITI by Chns. K. Harris.
Rights for Mechanical Instruments reserved.
International Copyright Secured.
73
^
Ji—ri'C ^
3*
^^^^
^
f
in- cense mounts
witch -ing shades!
In swirl- ini^ curves a-bove,
Each sad - ly smiles at me,
P P P ''P
And as I
With^TT— jsach I
P^
V P P- P
£
dream My fan - cy turns to Love!
swore - — ~-^ To^ry — ->^ove e - ter - nal - ly!
fe
m
m
{He mils a cfgarette.)
Poco Meno Mosso.
^^''l> r! I
U;— 1;
S:
t:— J
^
fl
g >
J'L!/Lj
^n^
^r^
^r^
t^^j^ f^
ppr ^'U'l-^'p^^
£
Love is like a ci-gar-ette (A ci-gar-ette may last as long.)
8'^'^-
#
^
^
?ii n
1 1 1
f^
molto delicato.
V-fe f jy/f f
^ff^^
^
;^
> E
Love is like a cigarette.
73
f'' i > P P r p i p p r p p i p- -J' i- J'
Light- ed at
a heart a - flame Fbr a time it's fire i>
IS
^m
m
m
â– j^
w^
â– >-l.l'l> ? f j ^
f v^)M
F f f 1 f
*
tFt=P
m
Mf^f-f
it
strong.
Fra-grant clouds then from us veil
Ev-'ry
^
•):,l.,^ f f ff f I
^
i
^^
t t t
^r-t
^ ^^ I
*w
^^
* 1»!
^
rif.
^^^^
i
sor - row, ev-'ry doubt,
S""' -
Till we wake
at -
iSfe
• »
»
I
^
E
v^'i> r ^
w
r//.
^^f^ ^
^
• 9-
^.
s
^
a tempo.
Kit.
a tempo.
^
feSE2
^mm
^
last to find That our ci - gar - ette
*"«â–
IS
out.
Love is like a cigarette.
DE LOME.
^^
74
E
If i' P !â– > p ^
^^
Love is like
*
-flii
TENORS.
a ci - gar- ette
(A ci - gar- eite may last as
^
^^
P p p p
^i
Love is like
BASSES.
ci - gar - ette
(A
ci - gar- ette may last as
^
P ip p r
^
^
long.)
^
Light -ed at
^^
a heart a - flame
^
For a
^
^
long.)
Light- ed at
i i J
heart a - flame
m
^
For
m
^^
^
' ): i l. i. L
•>-^'> ^ ■y J'^
W
fe
ifc
^
1^
H- i n
iM
time it's fire is
ft=PE
^
P
^
strong.
Fra- grant clouds
then
^^
^
F
time it's fire
IS
;trong.
•J--^h> ^■. J JJ
4.
Fra- grant clouds then
p- g P P
r=r^
=?=
i
S
^
^
I ^ I
:£;
^
M
fff ff f
^ ^- f F f
Love is like a cigarette.
Love is like a cigarette
76
N« 11.
Ask Her While The Band Is Playing.
Jlillicent and Female Chorus.
Moderate .
/ . ncctl.
t \
^
;e
^m-
^m
J-' J' j. I j.^ j' ii ^i i! I
#
»^^
If you a - dore a fros - ty
If with your spe-cial pre-cious
maid
pet
And are a
YouVe chanced to
<F=^
I
V r~i
r
[ZE
s
h
f
^
s
^^! Ji I ^ ji F P J' I J'
[' J' h
S
â– fraid
get
Your love to
In - to a
spealcTI If when you meet your own - est
spat, Then for a week of dark dis
S
3
^^
f
K
^
^
fe # ^
^ ^^
i J I r p '^^i
e
*"-*^
"^
girl.
Your sens-es whirl,
-tress Youve failed to
Your knees grow weak>.
guess, "VMiere you are at,
This is I
If woe and
Copyright MCMVm by Ch^a.K. Harris,
Rights for Mfchanical Instruments Reserved.
International Copyright Secured .
79
N?12.
Only One Of Anything.
Governor General.
Comniodo
m
p
fe
^
^^
hap - py, lad, And
charm -er once And
m
some when they're con - tent.
all in black was she .
In
A
#
^
*
r
^S
p
T
mm
^
^
learn - ins; arts and
sim - pie tim - id
SCI - en - ces
lit - tie elf
The lives of some are
Who won my sym - pa -
^
m
^""^^
^
w
^
Cnpvrip-ht Mr\fVIir bv Chns. K. Hnrris.
Rights for Mechanical Instruments Reserved.
International Copyright Secured.
80
m
't
m
^^
m
spent
-thy
Though know- ledge has ten
My heart and for -tune
thous-and forms
fol - lowed fast
m
Tray
Soon
m
^
s±
^it^
note this
sor - i-y
^^
on your
was my
cuff_
plight.
The
And
m
^
hard - est thing
I know
now
^
to
" a
^
~g
m
^rr
i
^
^
^ — f-
r
mr^^i ^
i
/>oco n't.
know my lad,
thing or two ,
^
TV-
Is when you've got e
A - bout the wid - ows
nough !
might !
poco ri'f.
^:
#^ T.J
-TT"
-rr
a tempo
m
i:
^
^
TT-
On - ly one of an -y- thing is quite e - nough for me.
On - ly one of an-y-thing is quite e-nough for me,
a tempo
4^
^m
^^
pp Molto delicato e grazioso
m
%
Only om- <if anvlhinir. 'i
81
\^h r P r
On - ly one of
Oil - ly one of
^
£
I
an - y - thinj^ is a suf - fi
an - y -thing is a suf - fi
oien-
cien
^rit
I
*
r
~# '^
?"
s
s
^
33
11
i
JU Jl
^^
P
^
P
i
3
£
f
With a mil - lion dol-lars
Wien I see a wid-ow I
I,
m
could
pro -
^t
i ^i
SI
n
rtl.
pnco rit.
r\
S
^3
^
-^ o ^"''"'"/^ o
P ^ ^-^ n f ^^p â– / ^ I I
wor - ry me, On - ly one,
sec - ond yet, On - ly one,
^
Just
Just
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N9 13.
Entrance of Sultana.
Allegro marcia.
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Entr. of Sultana . a
85
X9 14.
Twilight in Barakeesh.
< Zoradie and Full Chorus)
i
SL'LTAN'A.
^
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Crimson the min-ar-et Grows in the west-em glow Twi-light in Bar-a-keesh
Tam-bour and cas-ta-net Join in the ser - e - nade, Stars ov - er Bar-a-keesh
I
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Rights for Mechanir.U Instruments reserved.
Internationil Copyrig;ht Secured.
86
^ I P p p i ppr I f I f
^^
throng be-low Clear there the mu-ez-zin Calls!
moun-tainrill, Winds of- the ev- en-tide Blow!
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The sil-vercres-cenl swini^ Un-to his love
The night it's man-tie flings Un - to his love
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An Ar-ah rnv-er sings.
An Ar-ab rov-er sii»s.
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True as the blade
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Staunch ;is the steel of the shield that I wea---
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TwiUtrh' in Barakf-esh
87
love, Oh, Gal- nare!.
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the love that I j^ivetheeGul
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marcatissimo.
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And when my sword on the en- e - mys rings.
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When 'gainst my shield swift his ar- rows he wings .
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May
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th^ death to me b*ar.
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TwUtcht In B»rakee!>h.
marca'tissimo-
88
Should I false to thee be Giil - nare!
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Ah!
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And when mv
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Whon 'gainst my
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Twilight in Barakecsh.
89
\i' y
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Jim
Gtf=!^
Ah!.
('â– U>.\\) (dash) fi-l.ish)
f<la>hi (clash; (rlashj
Twiliitht in Baraki-'-sh
90
The Foolish Gardener.
N9 15
Duo.
Lyric by
GLEN MAC DONOCGH.
P
Animato.
^
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Mu-,ir by
VICTOR HKRBEk'
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was a fool - ish gar - den - er A
was a fool - i>h gar - den - er A
fool - ish li.i'
fool .»ti ^a:
I'-n had.
ThH
-*— *
SE ^^^^ ;)-fi ^^g^^;::. ^ r-^ â– p^^^p ^-^ =^
flow - ers in it all were wild, the veg - e - ta - blo'. in ^
things that grew with- in it went com- plete - Iv ' .il.
He
The
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Cnpyripht MCMIX hy Chas. K- Hnrris.
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Interrational Cnpvrinht Secured
91
I J', il J,. ]] U > j>. p I J'., j) ,[,. j) I r^
put be-neath his on - ion bed a per -feet set of springs, And
wat - er - mel - on broke the pledge and got to tak - ing nips On
^m
^'' J) ip - p p - p ^ '" â– ^'' I
s
^
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all his car - rots grew a - round in eigh - teen car - at rings, He
ra - ces the as - par - a - gus went in for giv - ing tips. At
fci
h V i' V
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£
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In Grand opera Style.
^I'p- p p- p J'- J) Ji. Ji iJ'-i'p-J^ J A J^
threw a - way his string beans but he al-ways kept the strings; For his
po - ker the po - ta - toes playedwith Sar-a - to-ga chips And the
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TOGETHER.
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broth-er was a drug-gist and he
peas be - gan a shell game with the
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need - ed 'em,
rad - ish - es.
"Oh, its
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The Foolish Gardener. 4
92
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Yo heave ho! Pay the an - chor, let it go, And
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neat - ly splice the gus - set to the miz-zen!
Thus the
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gard - 'ner sang a - way all the live long day, In the
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fool - ish lit - tie gar - den that was his - 'n!
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The Foolish Gardener. 4
93
Dance.
sfancatinsimo. .
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The Foolish C.irdcner. 4
94
NO 16.
Little Bird of Paradise.
(Van and Female Chorus.)
te
Tempo di Marcia.
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I am the own - er of a small men - ag - er
That I am luck - y in one way you must a
gree,
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This is what I
I don't have to - ®"»ie)
-J' I J- ^i' > J' I J
kept^ it ^ in. And here you see the key.
(Bottle) .JO* â– , X '
go a - broad Strange an - i - mals to see.
(Glass)
E
J'- i' J''
• — ♦
When- e'er the
For I can
P' M I'' I ^
pro - per use of both of these Ive made,
prom - e - nade right thro' my pri - vate zoo
Copyright MCMVIII by Chas. K. Harris.
Rights for Mechanical instruments reserved.
International Copyright Secured.
95
n l ;Jl -Jr
h }^ J \ il
i
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love the hip - po - pot - a - nius with pur - pie spots,
love thecrim-son el - e-phant with sky blue feet,
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like the or - anf:^e kan - ga-roo with pol - ka dots
yel - low boa - con - strict - or, too, I think quite sweet.
poco
But
But
I ril. ,
piu rit.
MP P P M P
most of all I prize,
most of all I prize.
My Bird of Par - a - dise.
My Bird of Par - a - dise.
m
Little !: :il «\ Piirailisi;.
96
a Icm-po
Lit - tie Bird of- Par - a - dise .
GIRLS Sfl time only
am
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ver - y fond of you .
Spread your gold - en wing
Spread your gold - en win^
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Spread your gold - en
\fV - y fond of ynu .
fe
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Come to me and sing
Come t(i me and sins
With
Wth
your coo-ey coo-ey oo!.
your coo-ey coo-ey on^
tl '"' j liJ J N J
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winy-
Come to me and sing Your coo-ey coo - ey oo .
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LiltluHiid <il raradlse.
97
Lit
I
Lit
J I P P P
-tz.
tie Bird of Par - a - dise .
With your
i
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tip Bird of Par - a _ diso
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With
^^
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eyes of sap-phire blue,.
Pause up-on your flight,
Pause up-on your flight
And my soul de
And my soul de â–
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Pause up- on your flight
(â– yes elf sap- jihii'f Hue.
my
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light Sing-ing coo-eycoo-ey coo-ey coo-ey oo!.
coo-ey coo-ey coo-ey coo-ey
o-ey coo-ey coo-ey coo-ey
oo!.
oo_
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^^
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soul de-Light With coo-eycoo-ey coo-ey coo-ey
Little R'. I uf Paradise.
^
IV'? 17.
98
Finale.
ACT IT.
ZORADIE.
till the day
when from the skies the stars shall pass a - way .
p^
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My life I
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111 love thee 'till the day.
the stars shall pass a - way.
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t
My life I
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CHORUS. My life I
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a loco '^
Copyright MC^MVm by Ch.is, K. Harris.
Rights for Mechanical Instruments Reserved.
International Copyright Secured.
99
lovu
p ^' J'
thee
love
till
^
the day when from the
^1
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thee
till
the day when from the
^
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love thee
^
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Rose nf the
world thou art
and close thy
t { I f t' i M
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Tempo di Marcia.
E
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skies the stars shall pass a
_______ — O
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way.
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skies the stars shall pass a
way.
fc=^^=e
:;â– }i 1 1'
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ten - drils twine a - bout my
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Finale -Act II.
.-100
PRINCIPALS and CHORUS.
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de - CO- ra- tort, do - co - r.i- tod
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He's been
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Ho's boon
high-ly ra-tod,high-ly ra-tod
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em - u - la - ted, el - e - va - ted
eel - e - bra-ted, im - i - ta - ted.
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â– in - car- na - ted Cae - sar, Pla - to,
Cy- rus,Ca- to, thence his sta-tinii
^=^11 F' P^P' P^P" P P- p
high, that's why.
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Finale- Aft II.
â– loa
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con - cen-tra - tod, con - cen-tra - ti'd
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in - car- na- ted Cao sar, Pla- to,
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Hur
Cv - rus, Ca - to thence his sta - tion
high that's why!
rah! .
Hur
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Finale -Act II.
103
M914.
Bohemia, Good-bye!
Millicent, De Long, Sweet, Mrs. Cooiiigs.
Allegro Commod*
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A sad eyed youth was stand-ing' in a silk lial and a frock, 'Twas
I met an a - ged ronnd-tT wi(li a rn - by tint - ed nose, He
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plain he was the vie
wore a look of ter
tim of a most ter - ri - fie shock,
ror and a brand new suit of elothes,
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cried what is j'our sor - row, I will help you if
said "Take cour - ag:e, com - rado, I'll not leave you in
I can.
the lurch!'
He
He
Copyright MCMVin by Chas. K. Harris.^
Rights'for Mechanical Instruments reserved.
International Copyright Secured.
104
C ji J'. Ji p- p p- J, I ;,. p n ^^
sighed "Too late with in an hour, I'll be
cried "Mv boy, I'm hooked and she is wait
*
a mar
ing- at
ried man" And
the rhdrch!" And
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colla voce.
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Con dolore
^^EEEk
J'l I JV i l J'- >4- J' 1^
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as he turned a - way_
as he crawled a - way-
m^
I plain - ly heard him say. "Bo
I heard him sad - ly say.
u
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SloTner
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nwlto rit.
Til
Tempo di Marcia.
TT ,| J <i' t i'
j^ I Jv Ji J'^ ^m
he - mi - a g-ood - bye.
Bo - he - mi - a g-ood -
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pp poco a poco III tempo
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Fare - well to the land of the mid - nig:ht sun, Where the
bye,
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Bnliemia, Good-bye! 4
105
^' »J^ i iJ' i-uTJi I J' ^' ^' ^'
TO - sy riv- ers of the red ink run, Bo - he
mi - a g^ood
i
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m
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in
bye,
J^ I J\ ^jl J-' tl^-' I ^
Your plea _ sures I must ban,
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love your pace but you're no place for a reg-- u - lar mar - ried
k
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Jo - he
mi - a good
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Bohemia, Good-bye! 4
106
Jv .J^ i
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he
mi - a good - bye
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Fare - well to the land of the
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unison.
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mid - nig-ht sun, Where the
ro - sy riv- ers of the
if^
red ink run Bo
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he - mi- a good - bye
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Yotir plea - sures I must ban.
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love your pace but you're no place for a reg--u-lar mar-ried
man..
^m
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m
h^
m
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^Bohemia, Good-bye ! 4
n
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M1503H56A5
UNIVERSITY OF ILLINOIS-URBANfl
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