Sally, a new musical play in three acts

UNIVERSITY OR

lLL;NOIS LIBRARY

AT .URBAiMA-CHAMPMGN.

MUSIC

GEORGE GROSSMITH and J. A. E. MALONE present

SALLY

J\ l?eu) musical Plap

IN THREE ACTS.
BOOK & LYRICS BY

GUY BOLTON

AND

CLIFFORD GREY.

MUSIC BY

JEROME KERN.

Vocal Score

12/6 net.

CHAPPELL & CO., LTD.,

50. NEW BOND STREET. LONDON. W. 1.

SYDNEY

T. B. HARMS CO.,

62-64. WEST 45th STREET.
NEW YORK.

COPYRIGHT MCMXX ft MCMYXI BY T. B. HARMS CO.. NLW YORK.

ALL RIGHTS RLSLRVED.
Thus droits rcsen-rs.

1-KINIh.U IN I Nl.LA.Nl).

The Play produced by GEORGE GROSSMITH

■yyi ^> 5 /.

SALLY

CHARACTERS

(In on

r of their appearance)

Sascha (Violinist at the Alley Inn
Jimmie Spelvin

Otis Hooper (Of the Anglo-American Vaudeville Agency,

Squantumville)
Rosalind Rafferty (a Manicurist)
Sally of the Alley (a Foundling)
Mrs. Ten Brock (A Settlement Worker)
" Pops " Shendorff (Proprietor of the Alley Inn, New York) . .

Constantine (Grand Duke of Czechogoviuia, a waiter at the
Alley Inn) . .

Blair Farquar (An only Son)

Admiral Travers (A Gay One)

Richard Farquar

Alta

Betty

Billie

Gladys

Janet

Emily

Rhoda Rhinelander

Vera Vanderbilt

Cissie Circle . .

Bessie Bryant

Audrey Audubon

Mamie Madison

Billy Porter. .

Harry Barton

Footmen

Foundlings

Lady Visitors, Guests, etc.

Mr. Herbert Fireman
Mr. Seymour Beard

Mr. George Grossmith
Miss Heather Thatcher
Miss Dorothy Dickson
Miss Molly Ramsden
Mr. Alaric Arnef

Mr. Leslie Henson
Mr. Gregory Stroud
Mr. Leigh Ellis
Mr. Ernest Graham
Miss Vanity Fair
Miss Mary Leigh
Miss Doris Patston
Miss Dorothy Deane
Miss Molly Vere
Miss Aileen Grace
Miss Dorothy Hurst
Miss Dorothy Field
Miss Molly Gilmour
Miss Gracie Turner
Miss Grace Baker
Miss Winifred Shotter
Mr. Jack Bradley
Mr. Derick Glynne
Mr. R. Wilkinson
Mr. Jack Glyn

ACT HI.— Scene

SYNOPSIS OF SCENERY

ACT I.— The Alley Inn, New York.
ACT II. — The Garden of Richard Farquar' s House, Long Island.
I. —The Butterfly Ballet at the Follies Roof Garden.
IF— Sally's Dressing Room at the Amsterdam Theatre after the Follies Premiere.
Scene 1 1 1. —The Little Church 'round the Corner.

" The Butterfly Ballet Music " by Victor Hi ki;i ki
Musical Director : John Ansell. Stage Director : Chari es A. Maynard

Dances and Ensembles by Jack Haskell Scenery bj Joseph am. Phil Harkek

SALLY

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ACT I.

NO.

1 Opening Number

2 Song (Jimmy) and Chorus... "The Night Time" ... (It's the night walk that we love)

3 Song {Otis) ... .■■ ■■■ " On with the Dance ! " ... (In Squantamville, Maine) •••

4 Entrance of Sally & Girls

5 Song (Sally) "You can't keep a good

girl down" ... ... (Joan of Arc was on her own)

6 DUET (Sally and Blair) ... "Look fortheSilver Lining" (Please don't be offended)

7 Song and Dance (Sally) ■•• Silver Lining Dance ... (A heart full of joy and gladness)

8 Song (Blair) & Chorus of Men "Sally" (There's someone that I can't forget).

9 Eccentric Dance •••

10 Finale ... ■•• ■•• ••■ ••• ••• ••• (On with the dance!)

PAGE

1

7
14
20

23
29
32
39
44
47

ACT II.

11 Opening Chorus

12 Song (Sally) and Chorus of

Men ... '" Wild Rose "

13 SONG (Constantine)

14 Duet (Sally and Blair)

15 TRIO (Rosie, Jimmy and Otis)

16 Duet (Rosie and Otis)

17 Finale

18 Opening Number

18a Incidental Music

19 Finale

The Schnitza-Komisski "

' Whip-poor-Will "

' The Lorelei "

' The Church 'round the
Corner"

ACT III.

" The Butterflv Ballet "

(To a celebration so remarkable as this) 54

(You'll pardon our intrusion)... ... 68

(I'm a Duke from a wonderful clime)... 83

(Mem'ry takes me back away) ... 87

(I remember reading) ... ... ... 92

(There's a church 'round the corner) ... 101

(Our anxious eyes) ... ... ... 106

117

123

(Dear little church 'round the corner)... 129

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OPENING NUMBER.

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On with the dance, Let me twirl in the whirl to - night.
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™ Moderato.

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SONG. (Blair) & CHORUS OF MEN.

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ECCENTRIC DANCE.

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Piano.

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N910.

FINALE- ACT I.

Words by
CLIFFORD GREY.

ROSIE (spoken).

You're won-der-ful, Sal-ly that's, all.
Tempo di Valse.

OTIS (spoken).
What a ri - ot you 11 be at the

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Dont you

On with the dance,

On with the dance!

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know it's your one big

chance?.

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£=£?

£

1 11 be a won - der - ful star.

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Real - ly, how clev - er you are!

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heart there I mean to en - trance.

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sim - ply di

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dance.

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We've on - ly had half a glance. But we are cer-tain Sal-ly Knows the way to lead a bal-let;

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SALLY (while Sas/ia plays and exits).

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I mean to try, rbr I must make the most of my

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When the peo-ple see you, Pav - lo - va na - poo! At the^

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BAK.
BASS.

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dance. So on with the

dance !

m

So on with the

dance!

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So on with the

dance!

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She wrote her

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name on the na - tion's roll of fame.

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great re - nown.

Tho' her Pa and Ma, poor fish-es, Tried to

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Allegretto.

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{Curtain)

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And try to find the sun-ny side of life.

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END OF ACT I.

54

N? 11.

Act H.

OPENING CHORUS.

Words by
CLIFFORD GREY.

Allegretto moderato.

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Moderate (Flunkeys make announcement.)

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Andante raoderato.

GIRLS.

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To a ce- le-bra-tion so re- mark- a - ble as this, Of course we're all in

TENORS.

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We

BASSES.

are

glad

that

we've been in

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Such an in- vi - ta-tion we could not af- ford to miss, So

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Not

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bad;

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we are quite de - light - ed. Ev-'ry - bo-dy who is some-one, Who wants to keep in

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fact_ we're de - light - ed. Ev-'ry- bo-dy who is some-one, Who wants to keep in

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fact— we're de - light - ed. Ev-'ry- bo-dy who is some-one, Who wants to keep in

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So we're all here,

CHO.

v\, ?■ [Upir^

view,

I

Has to call hen-

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So we're all here,

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view, Has to call lvre;

So we're all here,

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WVro ve - ryglad to think that we're in - clu - ded too. For it's

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We're ve- - ryglad to think that were in - clu - ded too. For it's

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We're ve - ry glad to thinkthat we're in - clu - ded too. For it's

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nice to know you count in the ex - clu - sive few!.

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nice to know you count in the ex - clu - sive few!.

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nice to know you count in the ex - clu - sive few!.

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Does-n't she look thin, dear?

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TENORS.

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CHO.

How did he get in
BASSESL

hi-re?

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How did he get in here?''

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CHO.

Allegro vivace.

GIRLS.

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^ U_— „ . .^.. L«„.-,| (t.i4 f/^ tVia. T>nl-^ w^Vo n-ninn- *r» ha r>ro _ con

Have you heard that to the Duke we're going to be pre - sen - ted

Have you heard that to the Duke we're going to be pre - sen - ted?

BASSEV? ft , r 1 7 c p g i?

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Have you heard that to the Duke we're going to be pre - sen - ted?

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'Pon my word. hoV splen-did that His High-ness has con - sen - ted!

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'Pon my word, how splen-did that His High-ness has con - sen - ted!

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'Pon my word, how sp!en-did that His High-ness has con

sen - ted!

CHO.

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They say he's a ref - u - gee from some ro - man - tic place.

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He hit

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He led them a

some

pace.

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mer

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chase. They've

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27487

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Is it true? oh, tell us, do, The gos - sip of the case.

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CHO.

Left with

as

ii

out the

slight

i

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est

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trace Yes, he's

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since

seen his

face Yes, he's

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real - ly a Duke.

But it's dis - closed,

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real- ly a Duke.

But it's dis - closed,

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Not long a - go .

M c P

Itj was his fate

to be de - posed.

A

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£

Not long a - go .

**

It was his fate,

A

to be de -posed.

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GIRLS.

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Oh.what a shame!

Who was to blame?.

TENORS.

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CIIO.

Well, such is fame!
BASS.

tW M F

Well, such is fame!

a

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Czeck - o - go - vin

ia, That's the name.

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CHO.

For in that fo -reign state he made

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His

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For in that fo- reign state he made

* — f-

His

try.

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For in that. fo -reign state he made

A A A

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fry.

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27487

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He is some

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my s - t ry ;

ft

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lea - deryoud be reck-oned, You must ne - ver lose a se - cond, But

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al - ways en - ter in with some- thing new.

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JIM.

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day you'll keep your eye on A - ny like - ly so - cial li - on;, Find a

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fresh at-trac-tion ev - 'ry month or two.

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love - ly fo - reign la - dy, — Who is pic - turesque - ly sha - dy. She will

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keep you in the spot - light for a while !

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want to play the so - cial

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on - ly thing to do is to show them some- thintr new. In So

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- ci - e - ty va - ri - e - tys the key to no - to - ri - e - ty. A

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F^t

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Duke will bring you lots of

fame;

He's a

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pic - ture in a gold - en

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27487

68

N? 12.

SONG.- (Sally) & CHORUS OF MEN.

"WILD ROSE?

Words by
CLIFFORD GREY.

Voice.

Piano.

I

Allegro con brio.

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par - don our in

tru - sion, our con - fu - sion is sub - lime; We've

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p

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MEN.

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zt

nev - er seen a girl at all like you..

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type that must ap - pear as ul - tra - new.

You're

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like a sp]en-did flow - er, not from our do-mes - tic clime;

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SALLY.

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or - chid that can thrill us with de - light..

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^ i> ii r ^ i. ^ i j ii j I, .h J' i *p- p s

las, I'm nut a bios- ^om so or

i - gi - nal; .

An

Jill J 35 J i-
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ft

or

chid bloom will not des - cribe me quite..

You'rt-

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no - thine tame, You're like a burn - in? flame,

We

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SALLY.

™\lh p il. J' J_ J J1 ^ J' ^^

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know your name..

But all the same,.

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REFRAIN.
SALLY.

SAL.

^

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I'm

just

wild

rose,

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prim and mild

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you

can;

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rose to

suit a - ny man..

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flow

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er,

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BE

£

This

is my

hour;

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t

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wild,

wild

rose!

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just

a wild

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rose,

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Tame her if you

can;

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rose to suit a - ny man.

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her No - one knows.

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SALLY.

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I'm Iran -tic - ro-man-tic, Ex-cit-ed- de-light- ed. It's thrill-ing-

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just kill- ing; I'm will- ing to play my part

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Shall I lose my heart?.

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It's a ma - gic spell.

en - chant- ing.

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You're charming- a- larm-ing, So slen - der- so (en- der, Ca - pri - cious-

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We love you- You're just com-plete;

We are at your

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de - li - cious,

BASS.

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We love you
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You're just com - plete;

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You're such a wild,

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She's

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83

N? 13.

SONG-(Constantine)
"THE SCHNITZA-KOMISSKL

Words by
CLIFFORD GREY.

Constantine

Piano.

&

Moderato.

M

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Im a Duke from a won -de r - ful

The tel - e - phone there is a

There's no ser - vant prob-lem out

t

^m

Tf

m

rrr

clime,

joy. —

there,.

m

rrr

^5

Where 1 ve had a re

Not mere-ly a

We've house-maids e

rrr

£

^

f f

i

mark - a
trou - ble
nongh and

f=»

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ble
some
to

FT

time;
toy, _
spare,

^

FT

My

A

The

H

£

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peo - pie are

call is - n't
cooks and do

m

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t

£

splen-did, but

Sim - ply a

■ mes - tics are

±=±

ra - ther u
mat - ter of
al - so u

nique; They
chance; You
nique; They

like rev - o
don't have to
work like the

i

lu - tions at
write them a
dick - ens for

f

tt

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tm

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a

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least once a

week in ad

five bob a

t

week, On
vance, The
week, To

Sun - day you
girls are so
stick in one

may bo a
sweet and po
place is their

h #J J

King;.

lite;

pride;

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nry

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27487

85

REFKAIN.

| I J J I

JLf

On the
On the
On the

banks
banks
banks

i

i

i

of
of
of

the
the
the

Schnit - za
Schnit - za
Schnit - za

Ko
Ko
Ko

mis - ski,
mis - ski,
mis - ski,

They're
All the
We

$

all just as
rents are as
haven't a

wild as can
cheap as can

liq - uor con

m

be,_

be,

trol,

P^3

-Str-

A - ny
Plum-ber's
When you

time_
mates
dine

with - out
do not
you can

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£

rea - son or

stay out to
just swim in

S

rr

^

rhyme.You may
lunch, From e
wine, And at

i

fc

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find it far

lev - en o

break-fast get

1

FT

wis - (T to
clock un - til
clean up the

P

flee. .
three,
pole.

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In the
For a
All the

Pp
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night-
flat _

drinks^

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they may rouse you and chase you, And prod you with bay -'nets like
there'sno pre - mi - urn there, And if land-lords op - pres-sive should

have a won - der - ful kick For they like 'em as strongas can

f

f

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And they'll cut down in haste All your Gov-ern-ment waste,Where the
While the po - pu-lace cheers They just lop off their ears, Where the
There's a cute na-tive brew Made from vit-rol and glue; Where the

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Schnit - za flows down to the
Schnit-za flows down to the
Schnit -za flows down to the

sea!,
sea!,
sea!

JL

ir

m

m

Un the
On the
On the

sea!

|^^1

ZlkHl

87

N914.

DUET.- (Sally and Blair.)

"WHIP-POOR-WILL."

Words by
BUD DE SYLVA.

Con moto.

Voices,

Piano.

a

\

f 9 J' g

bALLY. 1. Mem-'ry takes me back a
BLAii<.2.\Vhilc the dusk-y night-bird

I

£

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TT

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- way
flew

To an ear - ly child - hood
To the eve - ning ren - dez

r •

day,
vous,

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When I stood_ with - in a lit - tie wood As day was

In the dell . I've heard the ves-oer bell So soft - ly

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I re - mem - ber oh, so

As its mu - sic died a

well
way,

PI

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Stroll -ing in the dusk-y
And the sky be - gan to

ft

p' p mm m

dell,
gray

I would thrill be-cause the

All was still and then the

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whip -poor - will Was ser - e - nad -

whip -poor -will Would start his sing -

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both. Tril - ling while
both. Tril - linar while

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stars were rap - id - ly
stars were rap - id - ly

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fill - ing the

fill - ing the

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I u«ed to love to hear vou

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call

to

me.

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I know he meant the world and all

to me.

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When the sun had gone to rest,_

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I could hear you

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N915.

TRIO- Rosie, Jimmy and Otis.)

"THE LORELEI."

Words by
ANNE CALDWELL & CLIFFORD GREY.

Andantino

Jimmy.

Piano.

^m

JIMMY.

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1 . I re - mem - ber read - ing in an old myth - ol - o - gy,

2. Now - a - days a rest - ful rock is ve - ry hard to reach,

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Of the love - ly, lur - ing Lor - e

Sail - or - men not ea - sy to re

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ROHK

In the old - en times she was a si - ren of the sua;

Maid - ens of to - day can on - ly pose up - on the beach,

t

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is

The - da Ba - ra
In a snap - py

P k*1

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f^

IE

"of the days gone by._

one - piece bath - ing suit.

T^f

m

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m

£

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~Ti~

JIM

ROSIF.

^

sil - ver stars were jeal - ous of her
Bri-tish Tar from Portsmouth Town, who

gleam - ing gold - en hair;
sight - ed her at sea,

^

f^l

She
Said

r-prr

^

f

f

f

HOMK

** J J J

I

won the heart of ev - 'ry man who saw her beau - ty rare.

'I'm no swank- er; heave my an - chor! Here's the lass for me!

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i

She
I'm

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was a cho - nis
ve - ry glad I've

la - dy,
met you;

with
but

rep - u
don't let

ta - tion
Ep - stein

sha - dy.
get you.

She
He'll

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ALL.

^^

OTIS

?

dress'd like Eve, with
put you as a

out the what . nots
stat - ue in his

E - va used to
fa - mous gal - ler

wear.

*

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Up

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on a rock she
on a rock she

sat all day, the
sat all day, the

4rf

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love - ly Lor - e
love - ly Lor - e

4l-

zk

lei-,
let;

■&■

£

No
No

£

m

m

f

f

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ALL

sail - or - man who
sail - or - man who

*=£

saild her way could ev
sail'd her way could ' ev

i

er pabs her
er pass her

a.

by.
by.

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She

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once he heard her call - ing,
loved to tan - ta - lize 'em,

3

lor her hed soon be fall .- ing, The

and then she'd soon cap - size 'em, The

AM.

DANCE.

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All the na - vy men for you would fall.

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An - y man who

her when he went to see the sea,

:to

i

a

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Nev - er came home to his wife at all.

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A fel - low on a li - ner, full of ten - der heart -ed - ness, Cried

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OTIS.

JIM.

Through my glass 1 see a lnss who's lost her bath - ing dress.

Left

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or

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go to her as - sis - tance; for judg- ing at this dis - tance, I

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real - ly think it is a Brigh-ton flap -per in dis - tress

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sail - or - man who sail'd her way, could ev - er pass her by.

She'd

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ALL

OTIS.

£

£

$

fon - die 'em and pet 'em, and then the shrimpswould get 'em; The

i

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love - ly, lur - ing, ly - ing Lor - e - lei

DANCE.

pi
mm

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Up - on a rock she sat all day, the love - ly Lor - e - lei,

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all. 35F5

te£

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sail - or- man who sail'd her way, could ev - er pass her by.

She'd

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fon - die 'em, and pet 'em, and then the shrimps would get 'em,

The

ALL.

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love - ly, lur - ing, ly - ing Lor - e

$* j j n

27487

101

N? 16.

Words by

1'. G. WODEHOUSE

and CLIFFORD GREY.

DUET- <Rosie&Oti>>.

THE CHUKCH 'ROUND THE CONNER'.'

Tempo di Valse

Voice.

Piano.

p ROSIE.

HOri

M

V

v

i=^=f=i

church'ruund the cor- ner that's wait - inp fur us, It's just a - bove Mad- i- son

won- der - ful churchwe will go, you and I; We'll be quite the hap - pi - est

S

S

W

t — %

5

y — P

£

m

-m — 0-

^m

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4^1' ft

Square,
pair. _

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fe

OTIS.

SiMr r r ir r

Ve - ry soon to the al - tar, my neck in a hal - ter, My
My fate I must meet it, there's no time to beat it, Be

Pi

P^=E

u

m

rf

i

M

'.'7487

104

OTIS

£

w

£

i

HOSIK.

^

£

love, you'll be lead- ing me
-sides it's my du - ty— so

m

there,
there.

All the bells will be ring- ing, so
I feel so ex - ci - ted, I

>h^

*PW

i

s=J=

m

f

s

^

^

/

ZZI

ft

^

i

^f^

^

OTIS.

^rV^Mp

uos.

£

don't make a
just want to

fuss; Just
die, ni

fan - cy how
nev - er get

hap - py we'll
left on the

be. _
shelf:

&h i, J J J

Tm

I'll

i

i

*#^

rrr

TTT

7

77

r

(5^=-

9^=»

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4^" r r r

r r r i r r

OTIS.

I

sure I am
look so se

pluck - y, and
raph- ic, I'll

youre ve - ry
stop all the.

luck - y To top such a

traf- lie. They'll think I am

Is n J j=f

**

^^

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f=

s

tS-=-

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OTIS.

i

s

p

£

3EEEE

fe

W?f3

bride - groom as
Cu - pid him -

me..

self.

I

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27487.

103

BOTH.

fe

REFRAIN.
BOTH.

J i, J J | |

M

?EZ3

rg1^ ^

Dear lit - tic, dear lit- tie church'round the cor - ner, Where so ma - ny
Dear hi - tie, dear lit- tie church'round the cor- ner, Where cou - pies run

U t -fee 3—e^

M-l

^

^

ij

w

£

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BOTH. S

&E

,*

lives have be - gun.
off to be wed.

4-'

Se

^^

#-^t

KOSIK.

w^m

3e$

OTis.

±±

a

Where folks with- out mo-ney See no - thing that's
I'll swear to be ten - der, And if I sur-

1

IB

I

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i

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r

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$

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otis. a

n J J

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fun- ny In two liv - ing cheap-er than one..
-nn-der, Will you bring my break- fast to bed?_

<i:osie.) Of dull care, of

'otisj Let a smart Mai - son

fe

ROS.

^^

m

E*EE5

course, I'm a
Lew - is a

scorn - er_

I ^ 't r. r

w^

i u

dorn her, .

* ii

'otis.) We're bust - ed, but what do we
irosie.) My mous - lin de - soir I must

i

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E

l v4

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27*87

104

OTIS.

tm

carei*.
wear. .

m

^^

^=?

ROMt

b^ Otis, a*

r i r r r i r$a J i^ r J i M

B4+TH.

Ill be dieted all in white, I'll he dy - ing of fright, At the
All the peo-ple will think, Here's an - oth - er poor gink, At the

±E±

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mm

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Y-

Z.ZZL

BOTH.

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chiiich'roundthe cor-ner, It's just 'round the cor- ner, the cor - ner of Mad- i - sun
thurch'roundthe cor-ner, It's just 'round the cor-ner, the cor-ner of Mad- 1 - hon

— ^ — &■

i/iinai Organ.

V

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Square.
Square..

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2. To that Square.

J— P

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AC. £»

2-7487

r<fe£E

DANCE.

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31487

106

N? 17.

FINALE- ACT II.

Allegro moderate

Piano.

t^ffiff

ii

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rii?

m

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I

Pi

Trrt

P

wi

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ALL.

> ^eid b r i p n r p

Our anx-ious eyes a-wait this

i

7 t> i];«=^a=r:^=*:

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f

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MEN. . .

JB I^JJJ^M

P — t

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ALL

F

great sur - prise.

She is not here; will the ap - pear?.

;<to ifjH

mi

$

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71 1 ji j- — mi

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7 *•- 7

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27487

107

• fl I ■ GIRLS-

*=

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Where

is this wild

rose?

M V

m

T35

95

sa

S¥

^H7

.She's no prim and

i

l-.^F=.e

0=

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^sr

^^

S3

mild

rose.

CHO.

i

Tame her if you can;

MEN.

*£=

m

VJ'J^ JO

We are glad we have

ga

p p p P p

^

-J Ak "^ ^^

^■v | ..... -i

^

— ^

We are glad we have

3>^ y f » H

7 .£. 7 f~

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7 :t 7 :f

• •

7 . 7

■#■ -•

_i_2 ,^L_

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'il eJ '

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is&

tefel

8gp

i.-i, j j, j>i j g^g

She's a rose to suit an - y man.

i-h n J' f) .hi J^

JiJU) J J^ p p p \0t

CHO.

f

met her She's a rose.

We have all loved her from the start;She's

•m ft p- fip^

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We have all loved her from the start;She's

met her She's a rose.

27487

108

■>

?=£

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Soon

pas - sion flow

er;

This

is her

HEEj;

fr I h . N IV-h

CHO

I

won

?^N

ev - 'ry heart. We can't for-get her. This

is her

«

r

p ' p 7 p p=

We can't lor- get her.

"\

won

ev - 'ry heart.

&frV

m

i

3

This

is her

I t

=3^t

CT

^^

7 C 7 #

Hi

y

1=1

>

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5

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3

fc^

hour.

Who'll get

her, no one knows.

m

i

CHO.

1

hour. .

1»

%k

Who'll get

her, no one knows..

-I

BE^EE

/ho'll se

\

§hM

hour

{Sally enters.) u£

Who'll get her, no one knows.

a

1 "«t

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f=

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^

Allegro.

H

Kyr

J^ 7 *

Shes such a wild,

wild

Ro-e!

m

m u •> i

CHO.

e^fp

She's such a wild,

^MMiV

wild

Rose!

&g ^ ^ *

She's such a wild,

PpfPf

W r r I*3

"^~

wild

-s-

Rose!
(During this music Sally descends tie steps!)

Allegro

j, l a negro.

m

s

Savage

2*487

109

f=f

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(SAe dances)
Broad, (a la Czardas.)

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Allegro. A

kwc-f r I

27487

110

(BLAlR)"Stop
Andante.

Dialogue.

m=^B^

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jj'u'llgg g

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Allegro moderato .

j*! 1 .J

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27487

mm

Allegro con fuoco.

ALL. (addressed to Salty.)

Ill

» i r i tv

m

We

w

Get on with the dance, We have had but the mer - est glance.

I^fl

tm

sf

^m

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m

/

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GIRLS. (/o o«« another)

^~5

MEN. Tenors& Basses.

JjlJ J"P

3

41 J j J 1^,1 M'lf Tr HA

Mb

CHO.

Why is she wait-ing like this?-

H

Something is clear- ly a - miss^

IT

i

s

^^

Something is clear- ly a - miss.

^^

n

m

m

^F

E

W

fl

W

f

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JOtsi

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Dialogue

JU^4-44

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27487

112

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+

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(CONSTANTINE.)

^

^

ll

On the banks

t

m g

J

r^

of the Schnit-za - Ko - mis - ski, My dar - ling, you

FTF

?

i p* *

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rrr

r p 1 1

P^f

f^*-^

wander d with me;

t

fc=f=f

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Pi

J |J «j i J r i

Till the niirht,.

I f T

5

i

rn

^

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when the big shin - dy

J ^ #3*

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start-ed, We thought it was bet - ter to flee.

i**W

j j j

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^

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You re - call

IT

ftf

how they

*

27487

113

CON.

^

1

3

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roused us and chased us. You fled a - long my bal - con -

:*

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:on.

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When you

♦

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FT

5;

ran thro' the

J J J

jp

i=y

trees In your best B. V.

E±

^7

I

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P

f
4=i

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AM..

CON.

m

t < =*

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D's Where the Schnitza flows down to the sea.

i

On the

r

*«=*

i

1 — g"^

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* — m-

i t i

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A LL,

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banks.

of the Schnitza - Ko - mis - ski, My dar - ling, you

fTT

f

v j r *

r ft*

r fr> j

PP

*i7487

114

ALL.

i J i r

^

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?

g

wan- der'd with me.

'Till the night, when the big shin - dy

m

*

vrj •

fefe

^

F

^

f

FF

■*— *

is

M

3^5

ALL.

Moderate Dialogue.

(f3=F^

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ALL.

flee.

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m$m

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FINALE — ACT III.

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