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NOT TO BE TAKEN FROM THE LIBRARY
TftC
N fR.4NCISCAN
w^S^M
jga
^sSSSLti^^^
Sflv^SlS-
.NUARY 1928
F. Ray Comstock & Morris Gest
present
BALIEFF'S CHAUVE-SOURIS
The Unique Show of the World
Artistic Triumph of Paris,
London, Moscow and Berlin
coming to
CURRAN THEATRE
December 26
A^ A^^^^^^^A^A^ A^^
I
I
III
II
I
I
HOTEL
MARK
HOPKINS
atop nob hill
SAN FRANCISCO
The place to stop when
you're in town.
Easy to reach
New ■"' Quiet
Dine and Dance in
Peacock Court
Excellent Cuisine
Anson Weeks'
Orchestra
r*!N
.Music
Janlarv (.1, 8, Afternoons, Curran
Theatre. Los An^^eles Symphony,
Schneevoigt conducting.
Janl'arv 7, Saturday Evening, Civic
Auditorium. Los Angeles Sym-
phony. Schneevoigt conducting.
January Q, Monday Evening, Civic
Auditorium. Georges Enesco, Ru-
manian violinist. (Oppenheimer at-
traction).
Janl'ary 12, Thursday Evening,
Civic Auditorium San Francisco
Symphony. Alfred Hertz conduct-
ing. Georges Enesco. guest artist.
Janlar"!' 13, 27, Friday afternoons,
Curran Theatre. San Francisco
Symphony, Wheeler Beckett con-
ducting. Young People's Symphony
Concerts.
January 15, 20, 22, Afternoons, Cur-
ran Theatre. San Francisco Sym-
phony, Alfred Hertz conducting.
January lb, Monday Afternoon,
Fairmont Hotel. Eva Gauthier.
Seckels attraction).
January 20, Friday Evening, Scot-
tish Rite Auditorium. Alary Lewis,
soprano. (Elwyn attraction).
January 22, Sunday Afternoon,
Civic Auditorium. Y ehudi M enuhin ,
violinist. (Oppenheimer attraction)
January 2Q, Sunday Afternoon,
Scottish Rite Auditorium. Waller
Gieseking, pianist. Oppenheimer
attraction) .
The Theatre
The Curran : Baileff's Chauve Souris.
Caviarof Russian vaudeville. Open-
ing December 2bth.
The Lurie: "Hit The Deck. Hear 'em
sing "Hallelujah." To be followed
by "Laugh, Clown, Laugh uith
Lionel Barrymore.
The Columbia: The Cradle Song.
Eva Le Galliene's Civic Repertory
Company in the gem of her last
season's offerings.
Plaier's Guild: Bull Dog Drum-
mond. Cameron Prudhomme as
"Bull Dog." Woof! Woof! A mys-
tery show.
The President: The Gossipy Sex.
We're going to find out which is
which.
The Alcazar: Neiv Brooms. By
Frank Cravens which means laugh-
ing and guffawing. Robert Mc-
Wade in his original role.
The Orpheum: X'audeville. Always
worth-while and sometimes more
than that. Fanny Brice arrives the
week of January 7th.
La Gaiete Francaise: Productions
in French. Attraction unannounced
as yet for January.
Movies
Embassy: Old San Francisco. We'll
all enjoy this. Dolores Costello in
the lead. Vitaphone too!
California: The Private Life of
Helen of Troy. Helen in a few of her
loser moments. Screaming.
St. Francis: Lovelorn. The immortal-
ization of La Beatrice Fairfax. It
should never have happened.
Warfield: Weekly change of first-
run pictures for conscientious movie
fans.
Granada: Same here.
Imperial: And here.
Art
(Due to the fact that at the time of going
to press the art exhibits have not de-
finitely been announced, we merely list
the galleries)
Paul Elder Gallery: January 9:
Selected exhibition of wood-blocks,
lithographs, Japanese prints and
special prints.
California Palace of the Legion
OF Honor: Water color exhibit.
Beaux Arts Galerie:
California School of Fine Arts.
Crock of Gold.
Dining and Dancing
The Mark Hopkins: The Peacock
Room. Hobnobing with the Reign-
ing Dynasty on Nob Hill.
Tait's-at-the-Beach: On Sloat
Boulevard. Looking West at the
Far East while dining and dancing.
The Saint Francis: The Garden
Room, Good Music and smart
people. What more?
Cabiria: 530 Broadway. A revue
with very informal people vxatching
it. Inexpensively amusing.
Jungletown: 502 Broadway. For a
good time and atmosphere, we
recommend it.
The Aladdin Studio: 3b3 Sutter.
Coeducational. Classes conducted
by the Misses Mooser.
Francis Tea Room: 315 Sutter. De-
lightfully delicious food, delight-
fully served.
The Palace: Rose Room. The danc-
ing crowd seems to be moving this
way — and with reason.
The Loggia: 127 Grant. Luncheon,
tea and dinner, before, during and
after shopping.
Temple Bar Tea Room: No. 1 Till-
man Place. One of the best places
in town for luncheon. No foolin'.
ESTABLISHED 1S52
SHREVE & COMPANY
JEWELERS and SILVERSMITHS
Post Street at Grant Avenue
San Francisco
Time Pays Tribute
to Colonial Furniture
EARLY American Furniture is cherished more and more as the years
go by. There is something wholesomely domestic about its simple
lines and well-balanced proportions.
hi the Sloane displays are innumerable Colonial reproductions, and
those of other periods, which will give distinction to your home.
ORIENTAL RUGS . CARPETS . DRAPERIES , FURNITURE
Freight Paid to any Shipping Point in the United States and to Honolulu
w:
SUTTER STREET NEAR GRANT AVENUE / SAN FRANCISCO
GIUORrAIIN
EVERY ^KIN LOOK/ BETTED
WITH THE riNE/T FILM
or POWDED OVED IT .
AND EVERY HAT 1/ MORE
BECOMING ir THAT POV/
DER HA/ A RICH AND
WARM COLOR . FOR
THE/E REA/ON/
WE RECOMMEND
^LA ROUDRE^'
// G'EJ"T^'
// MQI ''
Tamara Ge\a
The dashing ballerina of the Chauve-Souris. Her work in this brilliant company
of Russian artists headed by the famed Baileff, which comes direct to the Curran
Theatre the day after Christmas, has charmed New York audiences.
TttC
SAN rR,4NCISCAN
San Francisco
America's Arch-Critic Pays Tribute
By H. L. MENCKEN
Editor's Note: Before it was decided to hold the next
Republican Convention in a foreign country, Mr- H L.
Mencken in an effort to secure the GOP. gathering for
San Francisco wrote this article. As we believe it to be
one of the finest tributes paid this city, we consider it a
privilege to reprint from the San Francisco Bulletin the
following excerpts:
I CONFESS to a great weakness for
San Francisco. It is my favorite
American town, as it is of almost
every one else who has ever visited it.
It looks out, not upon Europe, like
New York, nor upon the Bible belt,
like Chicago, but upon Asia, the
ancient land, and the changeless.
There is an Asiatic touch in its daily
life, as there is a touch of Europe
[and especially of the slums and bag-
nios of Europe] in the life of New
York. No doubt it has its go-getters:
if so, they are humanely invisible. Its
people take the time to live, and they
are aided in that laudable enterprise
by the best climate in the world.
"The earthquake of April 18, 1906
[To San Francisco editors: All right,
call it a fire if you want to], gave San
Francisco a dreadful wallop, and for a
decade or more thereafter it seemed
in peril of succumbing to the stand-
ardization that prevails everywhere
else in America. Many of its most
picturesque quarters were wiped out,
and in the rebuilding there ■was little
effort to reproduce them. Worse, the
work of reconstruction attracted a
great many strangers, and some of
them came from the evangelical wilds
of the middle west.
THE result was a long effort to con-
vert San Francisco into a sort of
Asbury Park. Wowsers arose with the
demand that the town be made safe
for Sunday school superintendents.
Anon came prohibition, and a fresh
effort to iron it out. But though its
peril, for a while, was anything but
inconsiderable, it managed to survive
this onslaught, and today it seems to
be out of danger. Most of the wowsers
have moved to Los Angeles, where the
populace welcomes and admires them.
San Francisco has returned to its more
spacious and urbane life. It is agree-
ably wet, sinful and happy. A civilized
traveler may visit it today without
running any risk of being thrown into
jail or ducked in a baptismal tank.
The rise of Los Angeles, indeed, has
been a godsend to the whole San
Francisco region, though the San
Franciscans once viewed it with
alarm. It has drawn off the middle
western morons who flock to the
coast, and concentrated them in the
south. The weather down there is
warmer — an important consideration
to farmers who have been chill-
blained and petrified by the long
harsh winters of Iowa. And more
attention is paid to the perils of the
soul — always an important matter to
agronomists. In San Francisco there
seems to be very little active fear of
hell. The unpleasantness of roasting
forever is sometimes politely dis-
cussed, but no one seems to get into a
lather about it.
IN Los Angeles the hell question is
always to the fore, and so the
yokels find the place more to their
taste. There are more than 10,000
evangelists in the town, all of them
in constant eruption. They preach
every brand of theology ever heard
of in the world, and many that are
quite unknown elsewhere. When two
eminent pastors engage in a slanging
match, which is very frequently, the
combat attracts as much attention as
another set piece by Dempsey and
Tunney. There are lowans in Los
Angeles who go to church three times
a day, and to a different basilica
every time. It is a paradise of Bible-
searchers.
No such frenzy to unearth and em-
brace the truth is visible in San
Francisco. As I have said, the in-
fluence of Asia is upon the town, and
Asia got through all the theological
riddles that now engage Los Angeles
a thousand years ago. San Francisco
takes such things lightly. It conse-
crates its chief energies to the far
more pleasant and important business
of living comfortably on this earth.
It is one of the most agreeable great
cities in the world.
T 1 1 r San F" r a n c i s c a n
[10!
Now It Can Be Told
VKRiLV, verily the age of inno-
cence remains. And contrary to
the cynical brethren its age is con-
siderably over the four year mark.
To all doubters we submit the case of
t he new hweds w ho recently shattered
the composure of the Fairmont
Hotel. Coming from Sacramento they
had arisen, on this first dav\n of the
honeymoon, and were proceeding to
erase the fingers of sleep. While the
girl arranged her hair, her husband
began his preparations for shaving.
Retiring to the bath room he lathered
his face generously when he re-
membered his razor was still in his
bag. As he entered the room, to get
it he was espied by his wife who at
once let our a blood chilling screech
and rushed out of the room. Down
the corridor she ran screaming and
shrieking. Eventually a bell boy
blocked her path and signalled frantic-
ally for the desk. And when an army
of assistant managers of the hotel had
brought everything from smelling
salts to soothing syrup, she informed
them between shudders and gasps
that her husband had all of a sudden
begun to froth at the mouth.
THE possibilities of a new game
recently developed in San Fran-
cisco are nothing short of astounding.
A thorough resume of the rules and
by-laws of the recreation are too
lengthy to give here; but one of the
unique effects of it shall be chroni-
cled. At a very popular bachelor apart-
ment the boys and girls were playing
and paying the game and its penal-
ties. The penalties, public, are minia-
ture cyclones themselves. For this
particular e\ening there were a series
of telephone conversations to be
made by the loser to whomever the
winners decided upon. And one of the
calls — was made the Hon. Rabbi
X by a very dainty young man
whose delicate tenor might be called
elsewhere a masculine contralto. On
being connected with the Rabbi he
asked in his sweetest tone: "Hello!
hello! Is this the King of Kings?
There w as a moment of silence. Then
from Rabbi X "Ah, yes! And
this I presume is the Queen of
Queens?"
? « I
WE take this opportunity,
briefly, to commend the City
feathers for their rapid abeyance to
suggestion of The San Franciscan
in the matter of illuminating
the City Hall. In a recent issue we
suggested that the display of no less
that eight columns of variously
colored lights be removed and a
simpler method used. And how —
hallalujah — it has been done. We are
happy. No longer will the stranger
flock to our Civic Center with the
impression that the Sid Grauman riot
of color before them is a Los Angeles
Movie Palace or a Piggly Wiggly
store gone havwire.
AND while we are polishing our
monocle, there s the story of a
very-much-celebrated danseuse and
her naive correspondence with George
Bernard Shaw. The beautiful lady
had been growing intensely weary of
an endless resume of handsome dogs
w ho w ined her, and jeweled her. And
in this depressing mood she reached
out for a mental sunburst — and
received it. She wrote George Ber-
nard Shaw and told him all about it.
The time had come, the danseuse
wrote, to take a fling at revolutionary
things. She explained that there was
nothing under heaven as glorious as
beauty and intelligence, ivhen it grew
together. And, she explained, that
while she had beauty, he possessed,
literally, gobs of intelligence. Then
she outlined the scheme. They would
have a child, — ah! — a phenomenal
child. The infant would possess her
body and his brain. Miracle of sim-
plicity ! The letter was dispatched and
anon came an answer from the vener-
able literateur: He had read her
epistle with grave interest. It was
true, he v.rote, that she was beautiful
and that his brain not exactly blank.
Further, if the plan developed accord-
ing to specifications, the baby would
astound this common earth. But —
and there was the rub — what if the
little rascal developed his face and
her brain!'
WE are minded these brisk
frozen days of the brilliant
repartee developed in our Latin
countries. It all began when Marcois
Huidubro, the former Consul of Chili
and one of the most distinguished
members of the diplomatic corps, was
about to return for leave to his native
country. The Marcois of the circular
cap and the sideburn. In the lobby of
an important hostelry the gentleman
was bidding farewell to a horde of his
cronies. Scattered here and there were
plump dowagers and impressive hus-
bands. The occasion, really and truly,
was not one of light nothing, nor was
it one of banter and giggle. Marcois
was liked, and he was not at all
unimportant in diplomatic circles. So
the parting was tinged with sadness
and dim regret. And the words were
gentle and sincere. And in the midst
of it all the gentleman from Palestine
worked in his nice lack of breeding.
None knew where he came from, but
he was there as huge as life and thick
as his sample case. He wrung the
senor's hand with a wide smile. He
smelled of cigars and toilet water.
And he was quite evidently resolved
to make the moment jovial. For on
releasing the gentleman's hand, he
asked with a sparkle and a flip:
"I wonder, Senor, if you know we
call sideburns in my country mutton
chops!'"
"Ah, yes," replied Marcois, "and I
wonder do you know if you wore them
in my country we would call them
pork chops?"
« « i
THE follow ing illustrates the French
conception of American history:
"In lbQ5," writes an extensively
circulated Paris newspaper, "while
some of the settlers in America were
dying of hunger, others had marvel-
MFC San r^RANCISCAN
1111
loLis crops and were able to come to
the rescue of their distressed breth-
ren. Very religious himself. President
Lincoln saw in this a miracle, and
named a day of Thanksgiving."
Hence, lads and lassies, our National
Holiday- in November! And as the
current gossip seems to wander in
channels of vital information, we want
to further the system so we are ap-
pending a little note hereto on another
of our National Holidays: In 1910 —
and what good citizen will ever forget
that date? — as President Monroe was
passing through a little Harlem
restaurant, a black girl dashed dizzily
through the crowds and up a flight of
stairs leading to a balcony. When she
got there she sprinkled a table with
bits of excelsior and burst out singing
'The Rosary. The President, a re-
ligious fanatic, immediately removed
his cap and in so doing contracted a
severe cold from which he later died.
The public at large, in order to com-
memorate the occasion went to the
colored girl and on learning that she
had already buried three men and
that her name was Julie, immediately
set aside the day as "The Fourth For
Julie" day — which has since been
shortened into "The Fourth of July."
Ne.xt month we shall tell the gripping
events which led up to "Colombus
Day."
It's high time our elders informed
us, to have a little fling and see the
Married Virgin, that naughty comedy
now being unravelled at the Green
Street Theatre. So we prepared our
ear mufts and after sending the cook
to a movie ventured to Little Italy.
We sat a little ashamed and utterly
alone. We discovered the married
lady's lover, on learning she is a vir-
gin, asks her to consummate her wed-
ding contract with hubby before de-
positing her individuality in his
^^^<i
bachelor apartment. But the maiden
is timid about this. She cannot sum-
mon the courage, it seems to bring
herself to a consumation with her
very bewildered and adoring husband.
So the lover hands her a white car-
nation from his lapel and in no mean
speech implores her to think of this
carnation in the moment of stress, to
let it be her strength. We were vastly
interested. We felt it was a high falu-
tin idea and were impressed. And as
the virgin crushed the flower to her
bosom and staggered off stage, we
were on thepoint of hysteria. But just
then, in the intense dramatic silence,
the ancient dame in the row before us
who had gone through town on a
crutch when Lincoln was a boy and
undoubtedly knew the labels of all the
earth's corn liquor, turned about in her
chair and bellowed "Mother's Day! "
« * *
WE compliment the rare civic
spirit shown in the awards
given certain tickets at the recent
Junior League Follies. The lucky in-
dividuals whose stubs corresponded
with prize numbers were given hams.
They were given slabs of abalone and
parcels of hair pins. They were pre-
sented with pumps and poodles,
cheeses and chessmen. But the huge
and outstanding prize was handed
one of Dan O'Brien's Braves. And
now, we are faced with the problem
of finding the San Francisco Cop
who sports a water-proof wave. Our
burden has been doubly strenuous
because our policemen are famous for
keeping their hats on their heads. So
we are asking M'seu O'Brien to call
his children in blue together and
have — a bare headed review. With
our entire staff, including Mr. Gar-
funckle, we shall arrive and present
the winner of the Junior League's
permanent wave with a great bowl of
triangular pretzels.
« I >.
WE drop the stock ticker a
moment to consider the
Player's Guild and its importation of
outside talent. Not that we resent
their productions — nor presentations.
But we naturally resent the Guild's
selection of actors and actresses who
are not at all San Francisco's own.
When we review the extraordinary
genius San Francisco has given the
boards; when we review that great
army of excellent thespians who have
had to toddle toward New York for
appreciation — then we are most pro-
perly astounded. Surely Los Angeles,
for instance, cannot deliver us talent
of higher worth than that developed
among ourselves? Nor do we feel that
glamour of professional names is
sufficient wool to cover the eyes of
those who have come to regard the
excellence of the Guild Productions of
first importance. And finally, we do
believe the proud regard for San
Francisco's drama importance is con-
siderably lowered when it becomes
necessary for the Guild Directors to
consider and engage foreign talent,
to the exclusion of our own.
« *. «
THE Exalted Spirit of the Christ-
mas festivities sends us the
following: A gentle lady with many
hesitant murmers approached her
youngest just before Christmas. She
fooled with the lace curtain and ran
nervous fingers over the piano, and
finally when Junior romped up to bid
her goodnight, she asked:
"Tommy, how would you like a
little baby sister for Christmas? "
Tommy fiddled with his wisdom
tooth. He gave the matter intense
thought. He ruffled his brow and
gathered in the loose threads on his
little night-dress, and finally said:
"Well mother, if it doesn't make
any difference to you and Dad, I'd
just as soon have a Shetland pony."
•i i -a
WITH huge bundles of chrysan-
themums, Harry Thaw
arrived in Los Angeles. Pretty speeches
were delivered by mayor, pretty curt-
sies were delivered by Harry's girls,
pretty flashes were delivered by the
press persons — and a handful of
pretty quips were delivered by Eve-
lyn Nesbit's ancient flame. The party
proceeded in busses to Hollywood,
and then began the tour through
Movie Yard's asphalt. This building
and that tea room were pointed out to
Mr. Thaw. And all went well until the
party reached Sid Grauman's new-
Chinese Theatre, Hollywood's latest
and most bewildering two-dimen-
sional celluloid tomb. As they alighted
to inspect the temple, Mr. Thaw-
made ghastly noises in his throat.
He clutched the door of the car and
stared with bulging eyes upon the
heap of gold and marble before him.
And with a sudden and spasmodic
scream cried, "My God! I shot the
wrong architect' "
The San Franciscan.
The San Franciscan
A Portrait In Ethics
Defining Scientifically the Laws of God and Man
By ROBERT JOYCE TASKER
•he vision of a swaddled
prelate, with baggy,
eyes, waved a
forefinger, and
T
JL worldly
sense-blunted
said:
"Thou shall not steal'"
In his room, before a dust\'
glass, a grim-lipped man saw
the nebulous cloak of youth
split and tall away from him
Grim-lipped he stared at him-
self reflected, meeting his own
troubled eyes.
There are three things I may
do, he thought. Because of the
carriage bequeathed to me, and
perfected by my father and my
mother, I have it in my pow er
to approach some stranger, and
ask for aid — enough to send
word that I am destitute, and
enough more to live upon until
the money comes. I know that
e\en though my father has
nothing but his gentleness, and
a few small, fine things saved
from the days of his wealth,
some one of those fine things
will be sold, and I shall have
my money.
But even as the thought
entered his mind, grief and
pain flooded his eyes. He
could not confess to his father,
abo\e all others, an inability
to cope with life; the lack of
being able to accomplish what
the most helpless somehow
contrived to do. From child-
hood he had been taught that good or
bad, honest or dishonest, he must, be-
fore all else, be a man.
"Thou shall not steal!"
So he thought of another course. I
can go out into the streets, he mused,
and tell my story to every man I
meet. Some will revile me and drive
me away. Some will admonish me to
find work w hich does not exist. Others
will doubt and ignore me. Some few
will reach into their pockets. Some
will, I know, for I have done it my-
self. Then, when I have garnered
enough to satisfy my belly, I can go
to a mission house and beg a bed for
the night . . . When he had formed
the thing so far in his mind, the
corners of his mouth drew down in a
contempteous smile; contempteous
CAROLINE AND VIRGINIA
By Madefrey Odhner
They are the dancers of the slow delight:
Of lou' ivinds blowing, saturate with musk
On ivhite savannahs heavy in the dusk
\('here petaled dreamers, sleepless, moan all night
A muted music. They may never quite
Elude an envelope of silk for brusque
Release, full silenced on the thorny tusk
When deep-gored emerald cries have taken flight.
Petals — petals — petals, no petals torn,
But they shall count and murmurously say:
Here, here, hidden in my body is the lovely thorne,
Tear, dear, here. Petals — petals for thorns to mark.
Petals of roses in the sombre day.
Petals of lilies in the shining dark.
that he had so much as entertained
the idea.
"Thou shalt not steal!"
But I will be honest with myself,
he swore. Then he grew silent, even of
thought, and things were born in his
mind — darksome things. In the end
he made a vow to his own eyes,
extinguished the light, pulled open a
drawer, fumbled, closed it, and left
the room. ? * *
FOR an hour he tramped the night
streets. The fresh, clear air had a
new significance, and he drew it in, re-
taining it in his lungs as though he
rolled fine wine on his tongue. Each
time he passed some lighted shop
which catered to the evening crowds,
he would slow his pace, and gaze in at
the store keeper, noting movement,
and condition, and a thousand
new things about shops which
are open at night. And then he
would go on, with a little
keener relish for open places,
and shaded lanes, and sweet,
cool winds.
There was one shop which
mesmerized him. Time after
time he doubled and hovered
near it. But his knees were
turning to water. Suddenly,
before a darkened show-
window, he caught his own
reflection. He drew near, until
his fear-contorted face stood
out like a wound in the glass.
I am a failure — a coward
with milk in my veins — a fool,
he thought. Then he went back
to the shop. He entered through
the doorway. There was an old
man. A little boy entered with
a sticky dime. The little boy
bought a cone, and went away.
The old man stared. Suddenly
they were together behind the
counter. The old man was cry-
ing out. A gun was in his
stomach.
This is a fearful thing. My
heart bleeds for him. Not that
he will loose money to me, but
that he is terrified.
"What do you want? Oh,
what do you want?" The old
man was grappling for the
muzzle of the gun. They
strained together,
i must go on. This is the proof . . .
I do not owe this to my father. Good
God — if he should see this! ... I
do not owe it to some viscious Arab
god. I owe it to something greater
than all these. . . . I am part of
the seething mass — the protoplasm
of evolution. I have come to the test.
1 must fight and scratch and claw my-
self to the surface now — or I will sink.
1 want to sink! ... I will put him
in this back room. He does not seem
to realize that I am robbing him. He
thinks I have been sent to kill him.
"Be quiet, you old fool!"
"Oh, what do you want?"
I am a beast. . . . But success
will not tolerate pity. . How
can I open this thing? Ah — here —
Christ ! — what a noise it makes — and
(Continued on Page 37)
SAN FRANCISCV
PUBLIC LIBBAHY
III. San Franciscan
1131
The Curtain Between The Acts At "The Junior League Follies"
Reading any way you wish: Mr. and Mrs. George Pope, Mr. and Mrs. Gordon Hitchcock, Mr. and
Mrs. Charles G. Norris, Dr. and Mrs. Mark Gerstle, Mr. and Mrs. Hooper Jackson, Mr. and Mrs.
Walter Martin, Mr. and Mrs. Peter Bea\er, Mr. and Mrs. Spencer Grant, Mr. and Mrs. Ralston
Page, Mr. and Mrs. William Hendrickson, Mr. and Mrs. James Moffitt, Kliss Alice Moffitt, Mr.
Edward Pond. Mr. and Mrs. Fred St. Goar, Miss Cynthia Boyd, Mr. Decker McAllister, Mr. and
Mrs. Willard Willamson, Mr. and Mrs. Warren H. Clark. Mr. and Mrs. Andrew Talbot, Mr. and
Mrs. Michel, Weill, Mr. and Mrs. A. B. C. Dohrmann, Mr. and Mrs. William Shuman, Mr. and Mrs.
Selah Chamberlain, Mr. and Mrs. Alfred Hendrickson, Mr. and Mrs. John Boyden, Miss Claire
Knight, Mr, Alfred de Ropp, Mr. and Mrs. Bliss Rucker, Mr, and Mrs. Jerd Sullivan, and Mr.
and Mrs. John Drum.
The
San Franciscan
1141
Sparta, Sparta, Wis.
Being a Rich and Rare Example of the Mock Heroic
Editor's Note: While the following is a private com-
munication, not intcndeJ for publication, we feci that it
is too meritorious a piece of literature ni-)t to be given
publicity- The epistle of Mr Carroll, Vice-President ol
the Pacific Telephone and Telegraph Company, was
w riitcn by him to his I lonor. Judge S, M. Spurrier
DO you remember, Judge, in
those days of our early
struggles in the profession.
before the period of accumulated
fortune and established clientage,
that on those infrequent occasions
when our offices were not crowded
with importunate litigants, conversa-
tion would drift to various subjects —
our earlier lives and experiences and
other matters of homely interest?
You, of course, remember that our
thoughts and discussion would often
turn to the subject of our respective
birthplaces and those communities in
which we first saw the light of day.
Mr. Fairall, with satisfaction and
exultant pride, would tell us of the
grandeur and wonders of White
Cloud, Kansas; Mr. Adams, quaintly
and brilliantly, gave us of the folk-
lore of Napa Junction; modestly, I
might have referred to an obscure
mining camp amid the mountains of
Siskiyou; but you. Judge, with the
quiet fervor of a devotee at his shrine,
spoke of a little hamlet in the Middle
West. Judge, I never knew — but, like
the youghful Roman listening to
martial tales at the knee of his grand-
sire, I heard you with burning cheeks,
as with quivering lip and moistened
eye you carried my thoughts with
yours, telling of the beauties and
glories of Sparta — of Sparta, Wis.
Judge, I never knew, I never knew,
until a short time ago on a late
Eastern trip the arrangements of my
itinerary found me on one of the
magnificent limited trains of the
Northwest speeding through the night
to Chicago. At peace with the world,
after a good dinner, v\ith a fragrant
Henry Clay, I was availing myself of
the luxury of the buffet car. Chancing
carelessly to pick up a train schedule,
without purpose I ran my eye over
the list of stations on this particular
line of railroad, when suddenly my
senses left me. I was told afterwards
by sympathetic fellow passengers
that I gave utterance to a hoarse, in-
articulate cry. A chaos of conflicting
emotions filled my breast. Judge, the
time-table showed that in a few hours
the train was to pass through Spar-
By B. C. CARROLL
ta — through Sparta, Wis. I was to be
actually, personally, physically, in
Sparta, in Sparta, Wis.
I hardly know how the intervening
time passed, but the minutes approach-
ing 1 :37 A.M., the figures standing out
in letters of light on that time card,
found me on the rear platform of the
last car clutching the railing in
feverish anxiety, striving to pierce the
darkness with my eyes and at my side
a bribed railway henchman who was
to announce the moment when we
entered the city limits of Sparta, of
Sparta, Wis.
A moment of joy, rapture, bliss!
I carelessly tossed the brakeman a
purse of gold and he left me with my
thoughts. It mattered not to me that
the speed of the limited through the
night was not checked; that I only
saw the faint outlines of the stereo-
typed railway station and water tank,
and, in the near distance, blurred and
indistinct, what may have been a
barn — but to me it was the sky-
line of Greater Sparta, of Sparta, Wis.
Oh, wise and just Judge! You will
recall, from your reading of the
scripture, that Sheba, when the
glories of the Kingdom of Solomon
were unfolded before her, exclaimed:
"The half is not told." But I say unto
you. Judge: "Younevermentioned it."
Having eyes to see and ears to hear,
as far as experience, knowledge and
progress are concerned, the aggregate
wisdom of the world is ours. We all
have the magic carpet of Bagdad and
the lamp of Aladdin in our possession,
to know or understand what has gone
before. I had thought that I had
appreciated to the limits of a poor
understanding the precious heritages
of poets, painters, historians, scho-
lars, and all those who have handed
down to use the songs and stories of
.human events and human hearts. We
all have lived the ages, rejoiced —
suffered.
* \ »
IN imagination I have quailed be-
fore the sorrowing anger of God Al-
mighty as He ran Adam and Eve out
of the Garden of Eden ; I have felt the
renewed courage and rejuvenated
spirit of the children of Abraham
when their eyes fell upon the Pro-
mised Land after the thunderings of
Moses from Sinai ; I had a place-card
at the table of Belshazzar the evening
Daniel called attention to the hand-
writing on the wall; my blood has
surged through my veins at the fierce
excoriations of the Macedonians by
Demosthenes ; I stood in the pass with
Leonidas facing the Persian hosts; I
entered that lowly stable with the
Wise Men, guided by the wonderful
star; defiant with Rienzi, I stood be-
fore the Tribunes, and with Regulus
in the chains of the Carthaginians
mocked the enemies of my country;
breathless, I watched Spartacus fac-
ing on the bloody sands every shape
of man or beast the broad empire of
Rome could furnish, and knew that
with such a name he could not lose; 1
was coxswain of Cleopatra's barge; 1
know the exaltation of Hannibal at
the head of his Afric hordes, when
from the icy passes of the Alps he saw
below him, bathed in golden sunshine,
the fert ile fields of the Piedmontese ; I
was at the stirrup of Richard of the
Lion Heart when after the dangers of
sea and desert his standards waved
before the Holy City; I was beneath
that oak at Runnymede when freed-
men first knev\- that they were free ; 1
heard the clang of the tocsin adown
the alleys of Paris; I was on the poop-
deck of the Santa Maria with Colum-
bus when after days of mutiny and
despair the palm-covered isles of the
new world lay before him; I held the
tacks for Martin Luther, nailing his
placard on the door of the Diet of
Worms; I saw Balboa, standing in the
sands of the Pacific, with a flash of his
sword give an empire to his imperial
master; I heard Freedom shriek when
Kosciusko fell; I assisted William
Bradford to climb on Plymouth Rock ;
I saw Arnold von Winkelried fill his
chest with spear heads and make way
for liberty ; I heard the mocking laugh
of William Tell in the teeth of the
tyrant Gessler; as a soldier of the
republic, I forgot danger and fatigue
at the stirring sentences of Napoleon
from the foot of the Great Pyramid. I
was warmed and cheered by the fires
of patriotism kindled by the burning
words of Washington at Valley
Forge; I know the relief of the Iron
Duke, when through the battle smoke
he saw on the horizon of the Belgian
marches the glittering bayonets and
waving shakos of Blucher's approach-
ing regiments; with back to the
(Continued on Page 28)
The San Franciscan
1151
A Group of Famous Characters of San Francisco
Top Row: Street Dentist — Washington Combs — The Dandy
Second Row: Fritz, Maguires Fat B3y, Emperor Norton
Third Row: J. L. Mattel — Unknown — Leon Chemis
Fourth Row: Gutter Snipe — Bummer and Lazarus — Drummer Boy.
Tin Types
Emperor Norton I of the United States
HISTORY books, history
teachers and university pro-
fessors will solemnly tell you
that the United States has always
been a republic and has never had any
royal rulers. But these eminent au-
thorities are all wrong. They suffer
from a lack of facts and imagination.
The United States did have an
emperor-one, Emperor Norton I, and
San Francisco enjoyed the distinction
of being the capital city of this
picturesque despot.
Our Emperor Norton came to the
city in 1849. At that time he was
known as Joshua A. Norton, an
English Jew of some capital and
mercantile experience. This fact, of
course, was a mere diplomatic detail ;
his hour had not yet struck. To bide
the time profitably until he should
officially assume the duties of
emperor, the future ruler set up as a
merchant. More than ordinary success,
attended this venture, but in 1853
Norton's establishment and all his
material assets were wiped out by fire.
This was a blow that would have
placed a less resourceful man in the
By ZOE A. BATTU
down and outer ranks. Norton, being
a resourceful man rose triumphantly
, above such disaster. Mercantiling, at
best is a prosaic pursuit, subject to
failure through the uncontrollable
whims of fires, high wind storms,
earthquakes or fluctuating money
markets. At Norton's time kings and
other royal personages still enjoyed
sizeable prestige and were apparently
reasonably secure from the vagaries
of fortune that befall mercantiling.
Norton decided that he would be an
emperor.
Forthwith he announced in the San
Francisco newspapers to an astounded
citizenry that he would thenceforth
be known as Emperor Norton I of the
United States. Presently he added the
title Protector of Mexico. His ac-
complishments in the latter office
remain to this day vague and un-
certain. Still this must not be held
against him for many a capable man
has sought without success to direct
the destinies of Mexico. His powers,
position and privileges as Emperor of
the United States, however were
stated in no uncertain terms; neither
were they ever executed in any waver-
ing manner. He took it upon himself
to levy taxes, to issue money, to give
forth orders, declarations and pro-
nouncements of policies and otherwise
guide the affairs of a great empire.
% « «
THE insignia of his royal rank was
his uniform. This was gorgeous to
behold, consisting of bright blue
trousers and a green coat. On his
shoulders were gold epaulets. He wore
a general's hat adorned with a green
plume. On special occasions the
Emperor carried a sword, but more
commonly a stout walking stick. In
his lapel there was invariably a red
rose or cluster of small flowers.
Tradition has it that the Emperor's
shoes were never becoming to one of
royal rank. He suffered fearfully from
corns and his footwear was cut and
slashed to make comfortable
allowance for this pedal affliction. It
was a point of pride with Emperor
Norton that he never took a bath.
Thus accoutred he went about the
city attending in person to his govern-
(Continued on Page 28)
Miss Dorothy Mein
From the porlrail by Bradford Johnson
Following her London and Washington debut the daughter of Mr. and Mrs.
William Wallace Mein will be presented to San Francisco and New York.
The San Franciscan
f 171
The Reigning Dynasty
FOR those embittered few, who
have tersely commented from
year to year that in "their day"
charity was charity and the daughters
of the idle rich became pale at the
very word! They did their hit to
make amends by depositing baskets
in doorways on snowy (?) nights and
sewing innumerable, long, even,
seams . . . and knitting .
oh! how they loved to knit. Those
lovely ladies it seems, found other
means than kicking up their heels to
aid the cause of sweet charity! For
those few, however let it be said
that the long laborious weeks of re-
hearsals, the painful hours of severe
exercise that enabled the Junior
Leaguegirlstoproduceamusicaleshow
for one week at a downtown theater,
was more sacrificial than a thousand
doorways on winter nights, roadsters
being what they are! .
From the opening Monday night
performance to the ending one on
Saturday, the Reigning Dynasty
filled the house night after night. All
sorts of dinners took place before and
a very gay supper party the first and
last nights drew them on to the Fair-
mont after. Little Eleanor Lerman,
who has recentlygone into the League,
literally ran away with the show.
Very Small, with a deep, husky voice,
reminiscent of Florence Mills, she
twinkled across the stage with all the
show girl swagger of Ann Pennington.
Jack Quealy, another new addition
did a bit of mimicry in portraying a
howling spoiled infant, that was true
comedy, an almost unbelievable ac-
complishment for an amateur. Then
of course there was lovely, slum-
brous, Virginia Phillips as the Nautch
dancer, whose every movement was
exquisite grace. Her black hair casca-
ding to the waist, her white skin, the
huge molten gold skirt and the strings
of emeralds dripping here and there,
completed an exotic fragment of
charm. Helen Wills as the Oriental
Lady has little to do but add to the
decor which little she achieved very
well. Buck Edwards appeared in a
most enlightening "feet" imperson-
ation of a starting locomotive the
shuffling sound of which was danger-
ously realistic. Jack Heffernen as the
comedian aroused much hilarity for
he has quite a professional smack, but
those who know the rich beauty of
his voice were keenly disappointed
that he at least did not "render" us
one number. It would be quite
impossible to account for all the
clever acts or the many versatile
"Ladies and Gentlemen of the En-
semble, "but the applause that greeted
the curtain pronounced the verdict
finished work.
The boxes first night were a galaxy
of brillant gowns and were taken by
Mrs. Helen Irwin Crocker, Mrs. Harry
Hill, Mrs. Selah Chamberlain, Mrs.
Fred Sherman, Miss Jennie Hooker,
Mr. and Mrs. Atholl McBean, Mr.
and Mrs. George Pope, Mr. and Mrs.
Charles Norris and Mr. and Mrs.
Joseph Thompson. The women and
young girls over the entire audience
were conspicuous for the beautiful
and the constrained smartness of their
gowns and wraps and between acts
the foyer seemed literally to blaze
with handsome jewels. Among the
charming costumes noted at the Fair-
mont after were Mrs. Joseph Thomp-
son who always manages somehow to
look like some ones very chic little
sister, wore silver and a ermine wrap.
Mrs. Mark Gerstle was frocked in
black lace and Mrs. William Cannon
wore a bouffant black point d'esprit
and a garland of white gardinias from
the shoulder. Miss Emily Searles
wore a powder blue fringed frock and
Helen Wills came in with Fred Moody
looking very distinguished in a silver
wrap lavishly trimmed with white
fox. Harriet Brounell, that lovely
willowy young person whose big eyes
always seem to be amused over a
secret of sorts, wore crisp black taf-
feta with a voluminous skirt that
ceased only to show the most frivo-
lous cubist sandals in silver and black
with jeweled heels. Harriet Wirtner in
blue chiffon was with a group that
included Florence Bostwick in black
velvet and Laura Coffee in pink satin.
Mrs. Edward Holt (Rose Marie
Brunn) wore peach tulle and chiffon.
Mrs. Frances Ann Alford wore or-
chid and her sister Miss Evelyn Mc-
Laughlin appeared in a charming robe
de style of flesh and pale blue taffeta.
Mrs. Kenneth Monteagle looked very
sleek in a beaded frock of gold.
Margaret Fuller's gown was white
and silver and Mrs. Stuart Hellman
wore a wrap of gold, Frances Sher-
man's wrap was light blue velvet
lined and banded in white ermine.
Mrs. Howard Park wore black lace
and Mrs. Henry Stevenson as always
was very charming in a tulle period
gown Jacqueline Keesling, one of the
most beautiful brunettes in society
was a vivid flash in crimson velvet.
Little Elizabeth Raymond, a deb of
this month was in white. She has that
delightful quality Edna St. Vincent
Millay would term "knots in her
voice." Mrs. Jerd Sullivan wore pale
pink and drew many eyes as she
entered. It is pleasant in this day of
slouches to see her charmingly held
head. Betty Knight Smith was in a
gown of flesh chiffon and black lace
and Phylis Fay wore bouffant chiffon
of shaded rose. Mrs. George Tallant
(Idabelle Wheaton) in black tulle
made a lovely picture with her silvery
blonde hair. Barbara Bailou is a
smart sports type and carries her
mode into the evening. She wore a
two piece metallic frock with a
pleated skirt for all the world like a
tennis dress. Mrs. Starr Bruce wore a
v.'ater-lily green lame wrap banded in
beige fox. The bewildering whirl of
dancing figures lent much atmos-
phere and color to a most frivolous
scene of gaiety.
* « «
THE entire month has been an
unending whirl of debut balls
and receptions and on all intervening
days the now thriving and lusty
group of debs flit from a luncheon to
a bridge party , then on to a tea, only to
fly home in time to dress for a dinner
somewhere. By spring the poor dears
will be crying for mercy and no doubt
will spend Lent rest curing, a true
proof of their season's success.
One of the most delightful balls
was the one Mr. and Mrs. Alexander
Hamilton gave at the Burlingame
Country Club presenting their
daughter Grace. The entire lower
floor of the club was converted into
an Italian garden with rows of cypress
trees and murmuring fountains and
moonlight that filtered through leafy
boughs in a most realistic manner.
The bud deviated from white and
wore flame velvet and carried an arm-
ful of gardinias. Mrs. Hamilton was
particularly gracious in a black velvet
gown with which she wore many
diamonds and yellow orchids. There
were many gowns worth noting
among the Dynasty. Mrs. Ross
Ambler Curran appeared in American
velvet and silver. Mrs. William
Crocker wore canary velvet. Mrs.
Joseph Grant was in black velvet and
Mrs. Fred McNear wore garnet vel-
vet, Mrs. Rennie Schwerin in black
velvet wore a diamond tiara. This
(Continued on Page V)
lilt; San I'ranciscan
1181
The Hollywood Hydra
Not Yet Slain But Well Into Its Death Rattle
By J. LYDELL PECK
HOLLYWOOD — like news of the
perennial unsaddling of our
world famous royal eques-
trian—is an effervescent topic of
interest no matter how little remains
to he added to that already chron-
icled. Certainly no other plot of
ground in the world is more helo\ed
by the children of fortune than this
bizarre shrine of the great Goddess of
Chance. It is the universal mecca —
the road to which is pa\ed with lost
ambition, disillusionment and broken
hearts. Cheap, gaudy, artificial, sensa-
tional, the home of the most fascinat-
ing of all bastard arts — the movies.
The most satisfactory method of
\ isualizing a motion picture studio is,
I believe, to picture a tract of land of
live to twenty acres completely sur-
rounded by a high impenetrable wall
and guarded at its \arious entrances
b\' dictatorial police. Within is a king-
dom. Here, during a few hours of each
day, in an office so ornate that even
one's sense of humor is insulted, rules
a Hebrew suzerain with all the pomp
and glory of an ancient Pharoah or
pusillanimous Louis. It is into this
thickly carpeted, meticulously
arranged lair that each ambitious soul
would set his or her foot and, in pass-
ing before a fat-jowled producer King,
do homage in such artifice of flattering
superlati\es as would abash the most
susceptible egoists of the silly French
rulers, in the hope of rew ard for such
keen appreciation of one so truly
great. For here it must be remembered
that in Hollywood the truth must be
a\oided as the plague. The most cer-
tain way to incur the wrath of a
motion picture god is to be unwary
enough to say "yes " when the answ er,
according to the Czar, should be "no" .
It is impossible to state a more fatal
breach of studio etiquette and the
mere fact that the negative might
save the stockholders of the corpora-
tion se\ eral hundred thousand dollars
is, at best, insignificant.
Waste is the one particular virtue
of the Hollywood Monarch. With a
mere nochalant gesture he can spend
a million dollars ordering the con-
struction of sets that, when photo-
graphed, cannot possible reach the
screen. He can laughingly place a
production costing half a million
dollars or more on the shelf, w hich, in
the \ernacular of the common people,
is the "waste basket."
Fortunately his day is about over
and another year will see many a
throne quiver and fall. A revolt has
taken place in the treasury and ere
long his gentleman "Angels" in Wall
Street w ill issue an ukase sending him
back to the suit and cloan, barber
shop, motor car, or ham acting
business from whence he sprung, a
mere ten years ago. Perhaps no other
business in the world could have
survived such a cataclysm of gross
mismanagement. The answer is that
in the past, irrespective of the vast
sums spent or, better put, sums
wasted, the producer has seen a co-
losal return on his investment. Com-
petition has changed all this and to-
day some eight hundred pictures are
made each year to be absorbed by a
six hundred picture market. The tide
has turned and the return is now
infinitesimal with most of the larger
studios facing loss and some — ruin.
* * «
WALL Street has recognized the
movies as a business and a
profitable one if operated as any other
legitimate enterprise. Those, "on the
street," know that three hundred
thousand dollar productions can be
made for from seventy-five to one
hundred thousand dollars and this is
being proved daily by the independent
studios.
These manufacturers of so-called
"Quickies" (pictures made in ten or
tw elve days) put every dollar into the
production in an effort to give the
public a dollar's worth of entertain-
ment. They build no useless sets.
They waste little or no footage in
shooting scenes that cannot possibly
appear upon the screen and they
carry no one not absolutely essential
to the making of the picture. Shoot-
ing schedules are so arranged that the
scenes containing the high priced stars
are filmed first and within a very few-
days, thus eliminating the tremendous
chargeofmaintaining these luminaries
during the entire time of production.
The picture is then completed with
the lesser satellites. In other words,
they prove that some degree of
efficiency is possible in this new art
and their proof is further substanti-
ated by the fact that many of these
"Quickie " productions are infinitely
superior to those made by the larger
concerns. To pause for illustration
witness "The Blood Ship" which cost
some seventy thousand dollars, and
filmed in approximately twelve days
as compared with "The Yankee
Clipper" another sea picture far less
entertaining, yet made at a cost well
above three hundred thousand dollars
and involving shooting that ran into
months.
Some of the more important pro-
ducers would reply to this, that it is
impossible for a big producer to shave
his production. The answer can he
placed in the work of one of their own
officers, the brilliant James Cruze,
who consistently produces splendid
entertainment in his large studio at
minimum production costs.
Motion pictures are entering the
dawn of a new era — and a bright
one — yet I doubt whether there is a
producer in Hollywood who will admit
that he is one of those chosen for
Madame Guillotine. They have no
more vision now than they had w hen
they were carrying spears over the
tank town circuit or embellishing a
piece of fabric with a botton hole in
some cloak and suit factory on the
"West side." Their conceit is impreg-
nable and reminds me of an incident
concerning a well known actor who
for years has been trying to drink it
faster than it can be made. His wife, a
screen star, was stricken and sent to
the hospital for a serious operation;
for two weeks she lay wavering
between life and death, yet during all
that time her handsome debauchee,
beingconcernedinentertainment else-
where, neither visited or called her on
the telephone. One day it occurred to
him that after all, he was married, so,
stepping to the telephone he called
his wife and said: "Don't worry about
me baby, I'm all right." And that is
just what every producer w ill tell you.
« )! «
WITHIN the next year the con-
stellation of vamps and sheiks
will be replaced by new faces at
salaries somewhat commensurate with
their ability. The day of the five and
ten thousand dollar a week pay check
is a thing of the past, and the same
applies to directors and writers. There
will be no little wailing, moaning,
cursing and gnashing of teeth by these
(Continued on Page 32)
Theatrically Speaking
A Few Reflections On Some Current Bookings
Ih ARNOLD SPENCE
'I' H F, S A N f ^ K A \ CISC A N
ONCE upon a time the very men-
tion of an art theatre brought
sympathetic tears to our eyes.
We thought of persecuted little
colonies of actors who played small,
beautiful dramas before small, beauti-
fuil audiences all for art's sake. And
Mi.ss Dolores Costello
"Old San Francisco" serv-es as Miss Costello's
\chiclc at the Embassy Theatre.
we used to like to go to these plays.
On a certain chilly afternoon once in
New York we were one of the five
spectators at the Theatre Guild's
production of "The Tidings Brought
To Mary. " Shapely ladies dragged
graceful veils around among Simon-
son settings, beautiful poetry was
spoken and Bach fugues played on an
organ, and we came out on Broadway
later feeling a new consolation for
having been born in a machine age.
But when we went back to the Guild
a couple of years later we found them
ensconced amid several thousand tons
of Italian Architecture producing
"Gaesar and Gleopatra as though it
w ere Barnum and Bailey s circus, and
the house was packed.
Time, space and imitation being
what they are it seems that these
phases of the "little theatre" are just
beginning to be illustrated in San
Francisco, if you go out to Andre
Ferrier's French theatre. La Cjaite
Francaise. on Washington Street you
are apt to find the seats a little hard
and the audience rather slight, but on
the stage you are almost certain to
discover a fine play and a sensitive
production of it. the only thing of its
kind being done anywhere in America,
in short theatrical cavier. So far this
season they have played Moliere's
"George Dandin," Gopee's graceful
play in verse "Le Passant," Ghekov's
gorgeous farce "The Marriage Pro-
posal," and de Musset's witty, subtle
comedy "II ne taut Jurer de Rien,
and soon we are promised Glaudel s
"The Tidings Brought To Mary" to
be done both in English and in
French, and later Racine s fine com-
edy, "Les Plaideurs." The short
comings of this theatre seem obvious.
It is part of a dramatic school so
some of the minor actors are still a
bit amateurish, the stage is small, and
the director has not the time nor
economic freedom to bring his pro-
ductions to the perfection he would
like. Also there are undercurrents of
discouragement, and one hopes that,
considering the large number of
people here who at least understand
French, this original theatre will not
only be tempted to stay in San
Francisco but also will be allowed to
grow.
Miss Fanny Brice
Ametica's forcmosl comedienne who comes to
the Orpheiim the week of January .Se\-cnlh.
THE atmosphere at the Players'
Guild in the Women's Building
is entirely different. There one sits in
very upholstered seats and breathes
a lu.xurious aroma ot fur coats and
expensive perfumes I he Velvet cur-
tains part revealing Junius Gravcn's
colorful settings adorned with the
best furniture the downstairs' antique
shops have to offer. So far everything
is hotsy-totsy but suddenly the action
Mr. John Breeden
Mr. Breeden makes his professional San
Francisco debut at the Alcazar in
"New Brooms".
begins and you find you are watching
only a fairly good "stock company
\ersion of second-rate plays. Maybe
that's all the Guild wants to do and if
so all is well, but somehow we
expected mor? from them. Besides we
do not grudge them their success;
nowhere is it more important than in
the theatre. Also, the more com-
mercial and the more professional
they get, the better for us all pro-
\ided the results justify it. Unfort-
unately their recent productions do
not. Their own actors, the amateurs,
have been notoriously better than the
specially engaged professional's. The
noted guest stars in "The Jest" de-
claimed their lines so vociferously
that it was a genuine relief when
Gameron Prud'homme and some of
minor characters came on the stage
and, although it is rather mean to say
so. one wished that the guest actress
of "Fata Morgana " had known
enough even to be declamatory.
.As for the plays it seems too bad that
since the Guild is supposedly an in-
(Continucd on Pa^c 1^)
.f-;Jj.Rjj,v|#^ ^
i'-'ii -}'--
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GOLDEN GATE
1^ .>: l^
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/te*^:^--;^^ t* 111
„-&;
'/ '^strW'^ E S E Pt VATS ©M „..-J^i f^'
_ Sil. -^ 'Hk ;«■ ,
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eurr
"^^^i^jk^'^^r.^^
"'Sir./'*" 1 &W(&SiSXi'i
It is with pleasure that we
reproduce the first humorous
and historical map of San
Francisco
Designed
and
executed
by
Harrison Godwin
It is the first of a series of
maps he has planned of Ameri-
can cities
The original requiring three
months of steady work will be
on display in the Lobby of the
Palace Hotel
T H R
S A N Franciscan
122}
Hints for Hunters
Wherein Alice Segregates the Gold from the Glitter
By ALICE-IN-WONDERLAND
TEN days before Christmas and
all through the town every
creature is shopping — includ-
ing myself! It's a sometimes weary
hut always wide-eyed Alice that
w iggles her way through the throngs
to seek, to find, to price, and — the
tjreat God Wallet willing — to buy.
It s a waste of Waterman to sug-
gest what you might put in Aunt
Susie s stocking. "You've no time now
to peruse my hunting hints. It's open
season in the shops and you re out
for Big Game. Well — here's luck and
a word to the sapient seeker to pay
heed to Rule XX in "Alice's Guide
Book Through Wonderland."
Rule XX: The hunter should pro-
ceed with caution. Any premature
decision or recklessness is more than
likel\- to be paid for at too dear a
price.
It may not be pleasing to point out
that you are apt to ha\'e to purchase
presents after the red-lettered 25 is
scratched from your calendar pad.
But the truth is often depressing
Mar\-Lou with whom you roomed
that year at prep school, and have
quite forgotten, is going to pick the
fifth of January (with customary evil
taste) for a w edding date. And there s
father's birthday on the eighth.
There you are. Two gifts to be had
while the fragrance of your spicy
Christmas fir still hovers in the
corners of your house.
Perhaps I can help you out. for in
the grab-bag-like Jumble of fine or
fearful gifts-to-be that spill from shop
shelves like swollen streams at this
time of the year there are things
whose beauty and worth will endure
long after the tinselly ones are shoddy
and discarded.
i i «
AT John Newbegins Book Shop
are several old ship models. Not
gaudy galleons slashed w ith paint by
eager, inaccurate hands but slender
clippers, classic in their purity of line.
carefully e.xact from weather-beaten
copper bottoms to the topmost spars.
I have been told that :
"There is a memory slays upor\ old ships,
A weightless cargo in the musty hold —
0/ Bright lagoons and f>roiv caressing lifjs.
Oj stormy midnights — and a tale untold.
They have remembered islands in the dairn.
And windy ca(>es that tried their slender sf)ars.
And tortuous channels where their keels have gone
And calm, blue nights of stillness and the
stars."
. and I KNOW if to be true.
Even these miniature models give the
eerie feeling that they have known
"bitter seas, and winds that made
them wise"
Prowling about Vickery. .Atkins
and Torrey's restful shop the other
day I eavesdropped while two men
paused before the superb head of a
bronze horse. "That's a magnificent
piece of work, Paul," said one and
his comrade's answer came swiftly,
imaffected, warm with enthusiasm,
■Qh, but you should have seen the
model'" That is why Paul Fair's
animal figures tug at one"s heart. The
hand that shapes them is guided by a
heart that loves them. May I recom-
mend that you spend a bit of time
examining them!" But let me warn
you that nine chances out of the pro-
verbial ten you'll spend more than
time before youre through.
Also at Vickery"s are a few fine
bronzes of that tragic great one,
.\rthur Putnam. These need no com-
mendation but the fact that they are
there is worthy of emphasis.
In Gump's print rooms is a Warren
Davis etching, a nude that is breath-
takingly beautiful. A lovely lady
floats through the sky her supple
body curved so that at a distance she
appears to be a slim young moon.
There is a romatic idealism and peace
about the drypoint, which Mr. Davis
calls "'Evening," that is refreshing in
this day of disturbing grotesques.
« « «
ONE cannot check an ironical
smile at the big parade of ac-
cessories for the drinker in all the
shops. They vary from the many
pocket sized patents to incredible
proportions. There is a cork-like de-
\'ice that is mechanically geared so
that one can decide upon the size
drink he wishes to bestow upon his
companions and thus treat them w ith
utter impartiality. By pouring out a
sample and then pressing a wee button
each succeeding drink measures the
same to a drop. There is a massive,
metamorphic trunk which then be-
comes at will a business-like bar com-
plete to the brass foot rail ! At Shreves
is a rock crystal owl with silver head
and wise agate eyes. Decapitating
him one learns that he too belongs to
the jolly procession for inside is a
stopper to hold the ambrosial nectar.
There s a well known Bohemian or
two in this tow n who would welcome
him into his home!
Have you too been amused by the
feathered and furry things in C^ertrude
Woods window!' Whenever the el-
bows of the do-your-Christmas-shop-
ping-early crowd became too pointed
and painful Eve fled to that spot to
recreateajaded senseof humor Here a
baby monkey from Java, if you please,
and a more matronly one from the
Congo enchant a constant audience
by de\'iling two tropical cockatoos
perched just out of their greedy reach.
Once, as I watched, the battle waged
dangerously near the point of real
tragedy for the juvenile Javanese with
youthful abandon climbed an un-
healthy inch too near the nervous birds'
In the flurry that followed I was cer-
tain that the monkey market was
burdened by one monk minus an eye.
Actually a triumphant little beast
swaggered to his corner w ith a hand-
ful of gay feathers, while up above an
enraged cockatoo screamed its anger.
Inside Mrs. Wood has window
w reaths that suggest nothing so much
as the tinkle of sleigh bells from the
land of Donder and Blitzen. Made of
while holly from our California
deserts and tied with great silver
bows they are ghostly with a frosty
loveliness.
Around the corner Foster and Orear
have candies imported from Sorotti
in Berlin. Pert chocolate animals and
figures challenge attention and share
honors with sets of dominoes,
checkers, playing cards: amusing and
amazing in their precision of detail.
Remarkable indeed is the fact that if
one is willing to munch upon a work
of art, these dainties are delectable!
¥ « «
IF you happen to belong to the van-
ishing race of long-haired women
you have more than likely discovered
La Du Barry. Who else is there who
can design a hat to conceal coils or
even braids a yard long- How many
ha\'e been the women w ho ha\e gone
to her looking for all the world like
good Queen Mary and w ho have come
away chic as their shingled sisters!"
Those w ho have grown used to the
deft Du Barry touch will he interested
to know that she has also a shop in
Piedmont (four blocks from the Key
Route Inn) and another in gilded
Hollywood (four blocks from the
(Cuntinucd (in PaKc- 33)
The San I-ranciscan
123 1
Alfred Hertz
A Layman's Impression of a Great Conductor
By ELVA WILLIAMS
Ci\ili:ations are horn,
they flourish and die,
apparently without rea-
son. Man is merely a glorified
animal. "1 have dissected a great
number of corpses but have
never found a trace of the soul."
Thus speaks an eminent German
scientist. Man is just, law-abid-
ing only from necessity. All of
this is reasonable, may be true,
but there are moments, brief /
perhaps, when reason seems in- f
adequate and jejune. When an
orchestra of one hundred men,
dominated by a fleshy, swaying,
brutal figure, a forest of slender
bows, a glitter of brass, and this
mass is working, laboring with
eyes, ears, fingers to bring forth
Sound, to produce something
not material but something in-
tangible and evanescent, then,
one returns to mysticism.
In Who's Who. we find that
Alfred Hertz, conductor of the
San FranciscoSymphony Orches-
tra, uas born at Frankfort-on-
the-Main, Germany, in July
1872. After graduating from the
Frankfort Gymnasium he went
to the Raff Conservatory for his
musical training. At the early
age of twenty he was conducting
at the Hoftheatre in Altenburg.
In 1^02 he came to the United
States to become conductor of
Wagnerian opera at the Metro-
politan Opera House in New-
York. During his second season at the
Metropolitan he conducted the first
performance outside of Bayreuth of
Wagner's "Parsifal. " After remaining
at the Metropolitan for thirteen con-
secutive seasons Mr. Hertz resigned
in the early part of 1915 to come to
California to conduct the premiere of
Parker's "Fairyland " in Los Angeles.
He was then engaged to conduct a
three day's Beethoven Festival in San
Francisco at the Panama Pacific
International E.xposition. uhich in-
cluded on its programme the great
Ninth Symphony. While in San
Francisco on this occasion he was
engaged as conductor of the San
Francisco Symphony Orchestra, in
which position he has remained, the
present season being the thirteenth.
1-or two summers Hertz was en-
gaged as conductor of the famous
"Bowl Concerts" in Hollywood, Cali-
Alfred Hertz
fornia. These concerts marked the
unique achievement of being the first
time in musical history that a season
of symphony concerts was given with
the expenses paid entirely from the
box office receipts.
* ^ «
HERE and there, vaguely, one
hears that Hertz is heavy, a
little coarse; one should hear Tos-
canini, Muck, Bruno Walter; they
are more subtle, elegant, refined. But
it is just possible that in this day of
emaciated emotions, we need great
nuances and brave, unadulterated
sensualism. Hertz is something be-
yond the correct. From the first
moment, even the average listener
feels the presence of genius. One sees
his shoulders writhe in ecstasy for
three bars of Wagner's "Dream", and
Russians weeping unashamed through
the fourth movement of the
"Pathetique". During Mouss-
orgsky's "Night on the Bald
Mountain" ancient blood races
through one's veins. And then,
the back of Hertz looming, large
and meaningful, in awkward
amorousness — "The Leibestod.
In this last, he is the quintes-
sence of the nympholept. There
are old men who become terri-
fied at the "Death and Trans-
figuration," adolescents who
seem ravished with "L'Apres
Midi d'un Faune"; and Erudi-
tion with compressed lips sits
formally appreciating Brahms.
¥ * f
THE genius of Alfred Hertz
is not limited or confined
as some of his critics would have
us believe. Witness the man's
ability to conduct the winter
and summer season of the San
Francisco Symphony; to direct
a season of German opera, when
called upon ; to arrange and con-
duct municipal concerts and
Spring music festivals; and to
offer during the summer months
at San Mateo a delightful pro-
gramme of appropriate music.
Surely there is no other conductor
in this country today who could
meet thedemandsthatSanFran-
cisco makes upon Alfred Hertz.
New York critics found it dif-
ficult to decide the comparative
merits of Koussevitsky and
Stravinsky and ended by declaring
that each had a tailor. That is divine-
ly superficial. But one may not dis-
cuss Hertz in this manner. Music is
the language of the emotions and if
latterly we are ashamed of emotions
and profundity is vulgar, as Marcel
Proust would have us believe, then
Hertz will not qualify. But Hertz
gives an almost physical thrill as well
as an auricular one and if the cele-
brated virgin huntress, Diana, could
have been resuscitated to attend the
performance of "Tristan and Isolde'
given during the last opera season; if
she could have watched the magical
figure in the pit and the bewitched
Isolde in her sensual whiteness,
would the virgin not have been dis-
mayed, would she not have pondered
a bit and felt an answering throb
through her cruel, cold boy, a painful
throb that only love could mitigate?
The San Franciscan
124}
We Recommend
A Few Recent Books Worth Reading
THE Stories in the "Arrested
Moment" are primarily Ameri-
can. At a time w hen European
■'stream of conciousness" methods,
applied to xaguc character si<etches.
fragmentary memoirs and bits of local
color try to pass for short stories it is
highly noteworthy that Mr Charles
Caldwell Dohie s stories contain the
last refinements of a fine traditional
style which comes dow n from Poe and
O. Henry. With this superb craft at
his disposal he brings out a \ ariety of
American types and human kinds.
The fruit grower, the immigrant, the
artist, the society woman, the beggar,
the business man, the housewife, the
prospector, the con\ict are all in-
cluded in the sure range of his
obser\ation, and he has been able by
a versatility of his own to present all
these people with the same interest-
ing probability'. It is this very in-
clusiveness which distinguishes these
stories especially. It is not enough to
read one or two. Occasionally they
are too dependent on a type char-
acter or a trick of plot, and some,
'"The Hands of the Enemy" and "The
Cracked Teapot" for instance would
be more effecti\e rewritten as one act
plays. To really understand Mr.
Dobies art one must read all the
stories, for only then is one aware of
the large fabric of human observation
upon which they are constructed.
Only then, too, does one feel the gor-
geous background of California, the
rarest treat of all. Mr. Dobie applies
the same inclusiveness he used in
choosing human types to California
as a country, so that he conveys as no
one else the feeling of the rich natural
resources of this place where the sea.
the desert, the mountain, the valley
and the city share the same delicious
subtleties of climate.
"The Arrested Moment" by
Charles Caldwell Dobie — {John Day
Co) i )( »
THE Bridge of San Luis Rey" is
the sort of novel for w hich cer-
tain adjectives seem specially made —
esoteric, charming, intelligent, so-
phisticated So you can just take any
one or all of them to describe Mr.
Wilder s book. To be more specific it is
an historical romance built around
La Perichole, the great Peruvian act-
ress in the eighteenth century, and
certainlv no one w as e\'er better fitted
B>' JOSEPH HENDERSON
to recreate the flavor ot a past epoch
than this young author. From the
first page he catches you in a terse,
conversational style full of refined
humour and subtle erudition from
which it is impossible to escape until
the \ery end, and for all who want it
there is a variety of genuine wisdom.
The first chapter is partly concerned
with Mme. de Sevigne carefully dis-
guised as a Peruvian marquesa. No
more decorative character study nor
more subtle criticism of life and art
has been written since — Oh, well,
it doesn't matter when. What Im
trying to say is that I think it would
be an excellent plan if you read this
novel as soon as possible.
The Bridge of San Luis Rey.
By Thornton Wilder. {A. & C. Bom)
■i % t
The Bullfighters" is an in-
teresting and often exciting
novel. Its author, Henry de Monther-
lant is (1) a writer of excellent
imaginative prose, (2) he is a bull-
fighter himself and (3) he is a French-
man. Turn a French writer loose on
any subject no matter how trivial and
he usually makes it sound important,
but when such a Frenchman as M. de
Montherlant gets his teeth into any-
thing so intrinsically important as
bullfighting and all you have to do is
sit back and watch the sparks fly.
And with it all he manages to be pro-
foundly instructive. Once for all he
has resolved that perennial question,
"Is bullfighting brutal? " For him it is
not a mere sport hut glamour, tradi-
tion, art and religion — but you d
better read his book and find out for
yourself.
The Bullfighters. By Henry de
Montherlant. (The Dial Press.)
i I I
E\E, like Margot Asquith and
Queen Marie seems to have
decided that it is the fashionable
thing to make the conquest of
America, and like them has learned
the proper publicity methods, I
suppose she argued that the Bible and
'Back to Methusalah" were all right
in their day but if one wanted to be
assured of any really progressive
immortality one should get into a
couple of good, hundred percent
American books. And so she chose,
w ith that fatal propensity for choice
that has alwa\'s distinguished Eve,
the two best sellers on hand, "Some-
thing About Eve" by James Branch
Cabell and "Adam and Eve" by John
Erskine. As a matter of fact there
is really nothing about Eve in the Ca-
bell book, and she gets no more
publicity from Erskine than Adam
and Lilith do. but after all, I had to
begin my paragraph somehow, and
I'd just as soon talk about Eve as
anything else. In fact I'd much rather
talk about her than these two novels.
Of course there are a lot of nice things
I might say about them. For instance
I might defend Cabell against his
censors and congratulate Erskine on
coming closer to reality than he ever
has before, but what would be the
use? Nothing I can say will affect
their sales one way or another so I
think I'll just take this occasion to
get rid of one of my worst inhibitions
and admit that I cannot abide either
Cabell or Erskine. You can explain
this any way you like but after about
twenty Erskine epigrams I begin to
doze and it only takes about three of
Cabell's phallic symbols to make me
snore loudly. Well, as I was saying, it
seems that Eve .
Adam AND Eve. By John Erskine.
(Bobbs-Merrill.)
Something About Eve. By James
Branch Cabell (McBride.)
* * *
Now that the first popularity of
"The Sun Also Rises " is pass-
ing one wonders just how valid Hem-
ingway's fame as a novelist is. Those
famous character studies and econo-
mical descriptive passages which most
everyone found so "revealing " caused
a few lonesome souls to doubt whether
there was anything behind them
worth revealing. All one came away
w ith in the end was a rather unplea-
sant aroma of disillusionment — and
the recollection of some gorgeous,
living dialogue. The Stories in "Men
Without Women" are largely com-
posed of dialogue and for that very
reason are superior to the novel.
Hemingway's art is a very narrow
thing when you examine it closely,
but in the limited range of the short
story it reaches a perfection which
ought to exact everyone s admiration
and justify at least a part of his fame
as a true literary artist.
Men Without Women, By Ernest
Hemingwav. (Scribners.)
The San Franciscan
125 1
Courlesy of Robertson DexChainps Ga Icri^s
Glory of the Dance, by Warren Davis
The San Franciscan
I2t>l
Nadzalid Nonnezoshi
A San Franciscan Describes the Land of the Navajo
By RAYMOND ARMSBY
FOR one who Ii\es by the sea, the
contrast hetw een the sea and the
desert is all the more pro-
nounced— And this, combined with
the beauty of the Arizona
desert country, especially
that part of .Arizona called
the Painted Desert, makes
the lure all the more potent
A few years ago, when
1 first visited Arizona. I
passed through this desert
on my way to the Rainbow
Bridge. The trip was filled
with ad\enture and excite-
ment : and when I heard the
story of the Bridge, and how
it was first disco\'ered in
I'-^O'^. I became fired with
the idea that this discoxery
should be properly recorded
at the Bridge itself. With
this in mind, I had a bronze
plaque made, representing
Nasi ah Bega\-. the Indian
w ho lead the first white man
to the Bridge. Jo Mora, a
California sculptor, w ho has
li\ed in the desert country
and has the "feel" of it,
made the plaque. And this
September w ith the co-oper-
ation of the National Park
Service, I organized an ex-
pedition for the purpose cf
taking the plaque to the
Bridge.
The caravan, consisting
of sixteen people — friends,
guides.cowboysand Indians,
with a complete pack train — started
from Ben W'etherill's camp on the
southeastern slope of N'avajo moun-
tain. The old trail was chosen — the
trail o\er which the first white man
w as led by Xasjah Begay to view the
majesty and beauty of Rainbow
Bridge. After three days of unparalle-
led danger my caravan arrived at the
Bridge and a suitable location was
chosen.
After the plaque had been set in the
w all of the canyon near the foot of the
Bridge, a dedication ceremony was
held, and I presented it to Mr. Frank
Pinkley, who is director of national
monuments in the southwest Then
with lighter hearts and with much
lighter packs, my caravan began its
exodus from wonderland.
For the information of those who
do not know the location, Rainbow-
Bridge is in southern Utah, just over
the Arizona border. It lies at the foot
Bronze plaque presented by E. Raymond Armsby.
commemorating the Indian who led the first white
man to "The Rainbow That Spans The Canyon"
of the sacred Navajo Mountain, in
the midst of the massive wonderland
that is known vaguely to the rest of
the United States as "the Southwest."
For generations it was only a legend
among the Indians. In the surround-
ing canyons a race that is now dust
built their walled cities under the cliffs.
Perhaps the cliff-dwellers watched
the bridge being built by the forces of
nature: frost and wind and water.
Perhaps it was for them that the
Bridge was built, an eternal re-
minder of the eternal promise: That
the rains w ill return again to the dry
land; that the rivers will rtin in the
canyons, and the parched earth don a
new coat of green.
Nadzalid Nonnezoshi. the Indian
name for the bridge, has special charm.
Literally, it is "The Arch
That Spans the Canyon."
Words cannot describe the
beauty and grandeur of this
natural wonder.
Built of red sandstone, the
Bridge is a perfect arch,
spanning Bridge Canyon
with a sweeping grace that
is truly magnificent. It is
like a dream, in the quiet,
clear air, with the blue sky
above, the high narrow walls
of many colored sandstone
drawn close about, and the
green of the canyon floor be-
neath. It is 30*^ feet from the
top of the bridge to the bot-
tom of the canyon. The dis-
tance between the bases is
275 feet, and the width of the
top is thirty feet.
Round about are hidden
valleys where the cliff-dwel-
lers' houses still stand; six
miles to the westward the
swift Colorado winds through
its deep ways; southward lie
the wide mesas purple
mountain ranges and the
Painted Desert.
Here nature paints her
pictures with a passionate
hand; colors flaming like
swords under the fervid sun;
colors delicate as the mother
of pearl; colors blue-somber as a
dreamof smoky shadow . . . colors
that are caught from the cliffs and
echoed by flower and sand and
chapparal .
Along the water-courses is found
the pinon, the sturdy pine tree of the
southwest. And in the dryer places,
sage-brush thrives, and mesquite and
the eternal cactus. There are flowers
in profusion in this arid country; the
spire-like yucca with its crown of ivory
blossoms, the delicate evening prim-
rose, purple wild asters, yellow sage,
rabbit brush, scarlet bugler .
and in the late summer the rich gold
and flame red of the cactus blooms on
every hand.
This is the land of the Navajo: a
(Continued on Page lb)
'I" n H San Franciscan
f27 1
The Dawes Plan
Will It Prove To Be a Success or Failure ?
By N. V. GRIMSDITCH
THERE has been considerable
discussion over the last few
months as to what the out-
come of the Dawes Plan will be, and
some concern as to whether it is a
feasible and workable proposition.
Only about a month ago Mr. S.
Parker Gilbert, Agent General for
Reparations, brought to notice the
increase in salaries of certain German
Civil Service and public officials.
Some few weeks ago he submitted a
general protest to the German govern-
ment against extravagant spending
and excessive borrowing from foreign
countries. These undesirable ten-
dencies can be curtailed to a large
extent by the German government it
is claimed by Mr. Gilbert. What
appears to be American interference
with Germany's internal affairs is re-
sented by Germans in some quarters
of the country. In regard to this ap-
parent interference, it is well to
remember, that when the Dawes Plan
was drawn up the German govern-
ment agreed to do everything possible
to create conditions which would en-
able her to transfer money to her
creditors.
Another thing to bear in mind is
that Mr. Gilbert is not acting as a
representative of the United States.
He is really the official spokesman for
France, Great Britain and the other
Allies, and an ex-officio representative
of the German government since all
these countries are parties to the
reparation agreement. Therefore it is
unfair to concluded that the United
States has any large part in the
reparations dispute. In fact it would
be wrong to say that the Dawes Plan
is an American plan. The details
were determined by Allied repre-
sentatives, principally of Great
Britain and France, and at the Allies'
request Mr. Dawes acted as a pre-
siding officer.
t « ?
REGARDING the working of the
Dawes Plan, there has been a
great deal of superficial optimism
over the last few years. In some ways
it has worked in the sense that its
adoption has had a tendency to im-
prove business conditions in Europe
and the rest of the world. But unless
Germany meets the huge payments
that are scheduled for the next few-
years the Dawes Plan will not, liter-
ally speaking, work. The vital ques-
tion in one's mind who is a student of
these affairs is: Do the German
people intend to pay in full according
to the schedules provided in the
Dawes Plan, or, do they hope the
whole matter will develop into a
farce"? Naturally enough, each in-
dividual citizen of Germany will not
like to pay. For that matter neither
would we if we were in the same con-
dition as it would mean a tightening
of our belts and having to be satisfied
with lower wages or lower profits
than if nothing were paid. Supposing
the Dawes Plan does work literally,
then there will be no room for the
Socialist's dream of higher wages and
lower profits. Both must be lower.
Wages and other production costs
must be relatively low in order that
exporters can sell goods abroad at
lower prices. The obvious thing to pay
reparations is to increase exports and
curtail imports. This means re-
latively low wages and a relative cur-
tailment in the consumption of
imported goods. The prospect in view
for Germany in general is by no
means a pleasant one. But one can
say this, that in some quarters
there is a section of the German
people who hope that Germany will
make some attempt to do the right
thing. Bringing one case to mind we
can quote from the Frank Furter
Zeitung, a well-known financial paper,
states that the government must en-
courage and accomplish a thorough
housecleaning. It argues that the
future prosperity of Germany will
depend on them gaining credit abroad
and that this can only be done by a
readjustment of expenses and income
so that a surplus will be available to
pay reparations.
BUT many bankers and economists
believe that the Plan will not
work literally. They maintain that
Germany has too many other foreign
obligations and will not be able to pay
in full. In the first place she must pay
for merchandise needed every year.
Cotton, coffee, silk, rubber and other
commodities must be imported.
Possibly a tax upon imported food
products would compel economy on
the part of the German public, but
raw materials will be needed in con-
nection with industries which are
expected to expand their exports and
build up their foreign trade balance.
After that it will be necessary to pay
the interest on the $200,000,000 loan
floated in connection with the adop-
tion of the Dawes Plan. France, Great
Britain and the other Allies agreed
that Germany should meet this
obligation before beginning to pay
reparations, but, France has never
agreed they should pay interest on
other securities sold abroad, before
paying reparations. In Britain, how-
ever, it seems to be assumed that
Germany must pay interest on securi-
ties sold abroad privately, leaving the
Allies to take what is left.
For instance, J. Henry Schroeder
& Co. of London, declares that priori-
ties of Germany's payments abroad
should be as follows:
(1) The Dawes Plan $200,000,000
loan.
(2) Service on all loans and ad-
vances in foreign currencies
made to the States, Munici-
palities and other borrowers in
Germany, including all busi-
ness loans.
(3) Reparations payments.
As against this London opinion, the
Paris correspondent represents the
French opinion as follows: "It is the
French view that reparations remain
a prior claim on Germany's re-
sources and while on the one hand
there is a realization of the inadvisa-
bility, from a general point of view of
Germany's credit, there is, on the
other hand, also a realization from
the view point of the French Nation,
which is mostly interested in repara-
tions, of the undesirability of having
France's first mortgage on Germany
become a second or third mortgage
to benefit those holding what the
French claim are weak claims on
Germany. The French take the view
that there is no need for this, since
the Dawes Plan, in making an excep-
tion for priority for the initial loan
to set up the Reich Bank, showed
that those interested in reparations
come next in line for transfer pay-
ments. The French never would have
accepted the Dawes Plan if they had
understood that reparations pay-
ments were to come after all the other
German foreign obligations were
l,Concinued on Page 34)
The San Franciscan
I 28 I
Sparta, Sparta, Wis.
^CAintinufd Irum PaBC 14)
adohe. I was at the Alamo with Davy
Crockett; on the crumbling ramparts
of Lucknow I saw in the distance the
flash of the scarlets of the K lacgregors
and heard the pibroch of the Camp-
bells; with Lincoln at Gettysburg, 1
saw the last ripple of ci\il strife die
away; even yet 1 hear the banzais of
the soldiers of Nippon at the crest of
203-\leter Hill.
« )! «
I KNOW the w ild joy of the Moham-
medan as his eyes rest upon the
turreted spires and glittering mina-
rets of his sacred Mecca — the fanati-
cal enthusiasm of the Hindoo pilgrim
rushing to lave in the turbid Ganges.
I know the noise of Bedlam and the
quiet of Warsaw, the confusion of
Babel and the silence of a peak in
Darien. Dumb, enthralled. I have
roamed in the shadow s of the columns
of Luxor and have sat at the feet of
the Colossi of Memnon as "they keep
watch o\er the centuries. Archi-
tecture? I know the charm of fretted
\ault and dim cathedral aisle; Egyp-
tian, Ionic, Corinthian. Byzantine,
Arabesque, Gothic, Flemish, Nor-
man, Renaissance, Louis the Quinze
— its wonders are mine, from the
Pyramids of Gizeh to the delicate
details of the Chateau Blois or Asay-
le-Rideau. Literature^ From the first
Babylonian brick to "When We Two
Were Maying." Philosophy? Mother
Eve to Kant. Art? From the rude
buffalo hide markings of the Ojib-
ways to "The Angelus." All is mine.
Music' I have been swayed by the
folk-song of the peasant, the weird
czardas of the steppes, and the swell-
ing augments of the grand recessional.
From the kettle-drums and tom-toms
of the Matabele to the symphonies of
the masters of harmony, it is mine
With Channing, I have listened to
stars and birds, babes and sages; with
Stevenson, I have earned a little and
spent a little more. I have been
exceeding glad and sore afraid; have
pointed with pride and viewed with
alarm.
In short. Judge. I thought I had
enjoyed the pleasures of the senses.
the heart and the brain, but no feel-
ing worthy of the name of emotion
has ever vibrated in my bosom — my
soul was never awake — until that
moment in Sparta, in Sparta, Wis.
Judge, to me now the rest of the
world is but the skeleton at the feast.
I see all else as through a glass darkly.
As a photographer may inadvertently
take a picture upon a plate already
used, so e\-er\thing appears to me
now throughja film of Sparta, of
Sparta, Wis.
Why speak of the Vales of Tempe,
Avoca, Cashmere, and Chamounix?
Why speak of Killarney's lakes and
dells, of Fujiyama, the Rhine, the
Tyrol, the Staubbach, our own Yose-
mite' Judge, they are but the halluci-
nations of disordered fancies, the
chimera of deceiving imagination, the
vain imagery of w andering intellects.
A bas, conspuez la Golden Fleece, the
Golden Gardens of the Hesperides,
the Fountain of Youth, the Elysian
I'ields. Have we not Sparta' Judge,
Ur of the Chaldees, where is it' What
of it' Palmyra, Nineveh, Babylon,
Tyre, Troy, Hundred Gated Thebes,
Carthage' Gone. Their sites dis-
puted— the sport of shifting sands,
doubtfully identified by the habita-
tions of nomadic Bedouins. What of
it' We have Sparta, Sparta, Wis.
Judge, perhaps in the future some
Corot may find in Sparta a fitting
subject for his masterpiece — some
Moore be honored in honoring it with
the touches of his fancy — some Schu-
mann find in its peace the dominant
note of his theme — but what will it
avail' The ideal, compared with the
truth, will be but the fire of St. Elmo,
a will-o'-the-wisp. It will be as im-
potent as swearing Vanderdecken on
the quarter deck of the "Flying
Dutchman," striving to weather the
point he never will make.
« \ f.
IT is true that the villageof Nazareth
takes a certain justifiable pride in
one of its earlier families. Possibly
the fisherman of Ajaccio may look
upon the white stucco of Bonaparte's
birthplace with some satisfaction. The
yokels of Stratford are no doubt grati-
fied at the continuous pilgrimage of
the world's intellect to that shrine in
their midst. As an American you
know your feelings as you stand upon
the porch at Mount Vernon and look
across the expanse of the broad Poto-
mac. But, Judge, Judge, consider the
pride of the citizen of Sparta, of
Sparta, Wis., as he awakes daily in
the glorious consciousness that his
town is your birthplace.
Judge, do not think that 1 have
attempted to give expression to my
thoughts. Accept this as a feeble
effort to express the inexpressibility
of it all. What brain can reflect such
surging emotions of the heart? To
what avail is the marshaling of
phrases — "the graces and ornaments
af the schools"? How powerless the
occepted contrivances of speech. If in
the realms of rhetoric or word-paint-
ing it were given to me to add a hue to
the rainbow or a tint to the lily, in
speaking of Sparta, of Sparta, Wis., I
should still feel that mentally I was
chained to the floor in the darkness of
some medieval donjon keep.
1 f the shadows of poverty, sickness,
misfortune, despair and sorrow, even
to the multiplicity popularly attri-
buted to the leaves in Vallombrosa.
fall about my path — pooh-pooh and
two fudges. In the memory of that
moment in Sparta the slings and
arrows of outrageous fortune and the
shafts of Fate will fall from me even
as the bullets rolled from the wings
of the angel in the fairy tale.
* X *
AND when, eons hence, the last
trump is sounded, and no echo
returns because Cosmos is not, when
timbrel and cymbal swell that grand-
est chorus of celestial praise mid the
hosannas in the highest of cherubim
and seraphim. 1 shall leave the other
angels, and with folded wings, neg-
lected harp, and wilted halo, in some
unnoticed niche of the jasper walls I
will be thinking of that moment of
ecstasy — the only paradise to me —
1 :37 A.M. of the December day when I
was in Sparta, in Sparta, Wis.
Tin Types
{Continued from Page \^)
mental duties. He was always on foot,
being democratic with that fine
democracy attained only by your
genuine aristocrat. He lived for years
in comfortable enough quarters above
a saloon on Clay Street just below
Montgomery. When he walked into a
bank or any one of the larger business
houses of the day to collect his taxes,
he brooked no trifling. He announced
pompously his purpose and the sum
assessed — amounts varying from
$2.00 to $10.00 according to the
needs of the imperial exchequer at the
moment. If the subject dared refuse
there was a dignified quoting of the
law and pertinent threats, which in-
variably produced capitulation and
the desired sum. If the sum were
quite a large one, the subject received
a signed receipt to which w,as affixed
a large gold state seal. At various
periods the Emperor issued dollar
bills, printed on pink paper and bear-
ing his signature. These were gener-
ally received gravely and without
question throughout the city and
previous to the fire of 190b adorned
the walls or were pasted on the wall
paper of many San Francisco homes.
When the Emperor desired lood, he
entered a restaurant or hotel'
(Countlned on Page 30)
'I" 1 1 B San Franciscan
([291
^
^^4
m
TO FUTURE ADVERTISERS - - -
Q[ the end of the first year brings the
san franciscan definitely out of the
class of experiments — it has become a
permanent expression of western
culture, a meeting ground for excel-
lence of product and excellence of
taste. Of advertisers, like misery, love
company — look at the quality of ser-
vices and products advertised in these
pages — and you will see that you,
too, belong in the san franciscan —
now the ONLY class magazine
published in san francisco
♦ ♦ ♦
Orders in stocks, bonds, and com-
modities executed in all markets.
Quotations and statistical
data upon request
ANDERSON & FOX
317 MONTGOMERY STREET
SAN FRANCISCO, CALIF.
Davenport 2612
member s. f. stock exchange
Cunard and Anchor
Lines
1928 SAILINGS ANNOUNCED
BOOK EARLY
Special Dc Luxe and Fastest Service from New York
to Southampton and Cherbourg
((
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"Bercngdrid"
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Nine new oil-burners trom 16,700 to 20,000 tons,
gross register.
Ten oil-burning cabin liners from 13,500 to 20,000
tons, gross register.
CUNARDLR ,\1 ALIKL i ANl A
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A New Cabin Class Service between New
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By "Caronia and "Carmania" 20,000 Tons
"Lancastria" 26,500 Tons
"Tuscania" i6,yoo Tons
Tourist Third Cabin Vacation
Specials Throughout the Year
A special college partv in Tourist Third Cabin, eastbound. Berengaria,
June bth; westbound. Berengaria. July 28th. accompanied by a popular
orchestra of one of the principal universities of California. A limited
number of reservations are still open to students, teachers, professional
people and California tourists m general. Attractive tours have been
arranged throughout Europe; descriptive literature, now on the press,
will be released shortly.
Apply to Local Agent or
CUNARD AND ANCHOR LINES
ANCHOR DONALDSON LINE
501 Market Street San Francisco, Calitornia
The San Franciscan
1301
Tin Types
(Continued from Page 28)
summoned a waiter and ga\e him
minute instructions. As befitted a man
of imperial rank, the Emperor was a
connoisseur of viands and wines. If
anything about the ser\ice displeased
him. he upraided the waiter roundly
and sent the offending dish back to
the kitchen. Upon completion of the
meal he often called for the pro-
prietor, courteously requesting if a
receipt or payment w ere required but
neither of these w ere ever insisted up-
on, since it w as obviously an honor to
wine and dine so royal a guest. More
frequently, however, it was his custom
to rise from the table and without a
word walk with dignity- from the
place. In similar fashion the Emperor
Norton entered and left theatres and
other places of public amusement.
The tax money obtained was used
for personal expenses and numerous
charities, for Emperor Norton dis-
pensed charity with an open hand.
While he haunted the stock markets,
the w ater front and other places where
the business men and politicians of
the day foregathered, he kept largely
to himself and cultivated no inti-
macies. Upon meeting a lady he
always removed his hat and bowed
with courtly grace. He was a great
favorite with the school children,
chatting with them pleasantly and
giving them flow,ers from the cluster
in his coat lapel. But in the main he
lived and moved about the city in
majestic aloofness, never closely con-
tacting with it save to supply his
imperial wants. When he needed a
new uniform he announced the fact
in the public prints and the uniform
was forthcoming, at one time the
Public
Utility
Securities
G L. Ohrstrom 6 Co.
•■COBPO*«rcD
WALLACE CAMPBELL
MANACJEK
1667 Russ Bldg. Douglas 7797
"Ten
Commandments
for
Investors"
Sent on RequeA
No Obligation
Sdwd)acher
Investment fJ> i^f\
Securities CT KAJ
, PALACE HOTEL BUILDING
665 MARKET ST. DOUCL/iS JOO
Jan prancitco
HOEFLING -^
HENDRICKSON
h- COMPANY
fnyeftment
Securities-^
CROCKER FIRST
NATIONAL BANK
OUILDING • • •
San Francirco
Santa Barbara
The San I-" r a n c i s c a n
nil
Board of Supervisors \otcJ him
complete new regalia.
His only close companions were
two dogs, Lazarus and Bummer.
These canines by special decree of the
Board of Supervisors had the run of
the city. The story is told that at one
time Bummer was ill and Lazarus
went around to the restaurants
patronized by the trio and obtained
food, which he bore to the ailing
Bummer. Finally Lazarus died and
his funeral was an occasion of pomp
and ceremony, attended by children,
the notables and near notables of the
day. A newspaper cartoon of the
event now in the De Young Museum
shows Emperor Norton, clad magnifi-
cently in priestly robes and presiding
over the last rites. Bummer's final
fate is not definitely known.
S t ^
THE Emperor Norton's activities
and interests were more than
local. They were national and inter-
national. He claimed relationship
with the royal families of Europe and
always spoke of Queen 'Victoria as
"my dear cousin." He also claimed
connection with the royal houses of
Austria and the Bourbons of France.
For Napoleon he had vicious hatred.
When European politics headed to-
ward any crisis, he wrote lengthy
letters of advice to his royal relatives.
At one time uhen the Republican
National Convention uas in session
in Chicago, Emperor Norton tele-
graphed Grant, forbidding him to
refuse a nomination for a third
presidential term.
During his life, he never missed a
session of the state legislature, where
he sat through all proceedings, nod-
ding sagaciously and making copious
notes. Upon one occasion while mak-
ing the trip to Sacramento he went
into the diner, instructing the waiter
to bring him French chops, fried
oysters, vegetables and a bottle of
Rhine wine. This menial went so far
as to ask the Emperor if he had money
to pay for his dinner. Directly thunder
and brimstone broke loose. Here was
treason and damned insolence. The
waiter was threatened with immedi-
ate execution and the road with loss
of its franchise.
In the face of this latter calamity
to a vital artery of the state's
transportation system, several San
Francisco men uho were on the train,
drew the undiplomatic waiter aside
and instructed him to provide the
Emperor with anything that pleased
his fancy. Somewhat placated the
Emperor ordered a sumptuous repast
including several bottles of cham-
{Continued on Page 32)
Xi;it/iVlTAPHONE
Beginning Satu7'ddy, December z^tli
at THE EMBASSY
Market above Seventh
A ROOS
TUXEDO
IS a wonderful pal
for joyous hours
At holiday time a chap simply has
to feel joyous in a Roos "Gold
Crest" Tuxedo .... why not? ....
expert tailors have left him noth-
ing to worry about .... they've
done all the fussing necessary ....
fact is, our needle-workers look
with almost sinful pride on the
"Gold Crest" tuxedo.
$
50
Correct Evening
Dress Accessories
I Ask about our Extended Credit ScmccJ
Six-Store Buying Power
Tvlillincry
Importers
•♦■♦•S<>t>»-
233 POST STREET
and
243 POST STREET
■•♦a<>i;+»-
SAN FRANCISCO, CALIF.
The San Franciscan
f321
Instead of Words
THE eloquence ot flowers
surpasses speech — they
speak for vou poetically, just
like a lovelv dream.
Orders telegraphed
anywhere
THE VOICE OF A THOL'SAND GAROENS
224-226 Grant Avenue
Phone Sutter 6100
SAN FRANCISCO
^THL(p
IDGGIA
' INC.
LUNCHEON.
AFTERNCDN
L TEA. -j
^ DINNER^ .
127 Grant Avknue
Kearney 7997
pagne, w hich he shared w ith his fellow-
diners. The conductor apologized pro-
fusely in behalf of the company and
disaster was thus narrowly averted.
At another time Emperor Norton
attempted to hoard without a ticket
the steamer Yosemite bound for
Sacramento. He was put off and his
rage ran out of bounds. He issued
orders that the steamer was to be
blocked in her dock by U. S. Naval
\essels in the harbor until the rebels
surrendered. The rebels surrendered
without further delay and the com-
pany issued a life pass to the Emperor
good on any of its vessels.
$ « I
IN January 1880 Emperor Norton I
weighed down w ith charities, good
works, advancing years, corns and
the cumulative results of no baths
passed from this earthly plane. His
funeral was a public event, attended
by some 10.000 people and a pro-
minent San Francisco club provided a
costly coffin. He left no successor and
the United States reverted — or should
we say degenerated into a republic.
We will never know another Emperor
Norton. If any one among us deve-
loped similar symptoms, we would
set upon him an army of alienists,
scientists and psycho-analysts, vvho
would promptly put him away. That
these well intentioned souls did not
find their voices until a much later
day is cause for rejoicing. If they had
existed and had a place in Emperor
Norton's sun, The United States, San
Francisco would never have known
the brief glory of such an emperor;
the history books and university pro-
fessors would beunromantically right
— a thing sad indeed, to contemplate.
The Hollywood Hydra
(Continued from Pas-- !H|
prodigal satellites but with the pass-
ing of the King, so passes the courtiers
and courtesans of his court. Sound
business methods will take the place
of those studio intrigues that would
have made the coups of DuBarry and
de Pompadour appear elementary and
childlike. Ability will take the place
of the bootlicking, back-biting syco-
phants who ha\e for years groveled
be fore the producers in their at tempted
\enality.
This, I believe, is the tomorrow of
pictures and briefly represents the
Hollywood Hydra — not yet entirely
slain but well into its death rattle.
The experiences of the past have been
sorry, yet valuable and the future w ill
blossom from a decadent thing into
an intelligent monument of true value
and magnificient artistry.
Sunset
Trail
through 'Romance
You may see the pictur-
esque Southwest and old
South at no additional
fare on your trip East.
You'll enjoy so much the Sunset
way east, the colorful route of
"Sunset Limited" to middle west
and eastern points, via New Or-
leans. Apache Trail highway de-
tour. New Mexico, Texas, lux-
uriant Louisiana.
"Sunset Limited," famed round
the world, carries you swiftly and
comfortably over this fascinating
route. Its appointments are su-
perb; as fine as a first-class hotel
or club.
That is the Sunset journey east.
Read the new booklet describing
it in detail. From New Orleans,
you can continue by train or go
to New York aboard Southern
Pacific steamship. Meals and
berth on the boat included in
your fare.
Return via another of Southern
Pacific's 4 great routes across the
continent — Golden State. Orer-
land. or Shasta. A choice matched
by no other railroad.
Southern
PaciMc
F. S. McGINNIS
Pjn. Traffic M^r.
San Francisco
Ill-; San
I-' R A N c I s c A N
■331
Hints for Hunters
((_x^ntinucd from PaRf 22)
Ambassador). Such a problem as be-
in;^ caught in the rain is possible even
in gentile Piedmont and vacations
often find one in Hollywood. In such
cases one can repair damages or
match a costume without trusting
one's precious head to alien hands.
For those of our friends we wish to
remember who aren't fortunate
enough to be with us for the holidays,
I've a suggestion and it's a good one
too. Mr. Harrison Godwin has pre-
pared a humorous, a historical and a
decorative map of San Francisco (in-
cidentally, it is reproduced in this
number). The original will be on dis-
play in the Palace Hotel Lobby and
for one dollar and a half, a reproduc-
tion (28x32 inches), in five colors,
will be yours or your friend s at the
City of Paris, Paul Elders New-
begin's, or any of our leading book
shops or department stores for that
matter.
How often have you wished for
scent bags that preserved the original
odor of fresh roses? In Butte, Mon-
tana, there is a small factory in the
center of a great rose farm. Here
special roses are raised to answer your
v\ish. By a secret process of freezing
they are able to send rose bags to you
that smell as though they had just
come from a sun-drenched garden.
What is more they are guaranteed to
hold their fragrance for five years!
The fat chiffon bags that hold the
rose leaves are exquisitely made and
they arrive in trim white satin boxes.
Perfect gifts for so many occasions. A
w ire to the Carney Company in Butte
will bring these sachets to you in
hardly any time at all. There are
tv\o sizes, a medium one priced at five
dollars and a much plumper one for
ten.
t « «
SPEAKING of flowers, I wonder how-
many San Franciscans ever stop
to consider the brilliant flower stands
that blaze on our city corners^ Today
I did. Roses, white, red, yellow, pink;
blue bachelor buttons, orange mari-
golds, purple pansies and violets,
shaggy, rainbowed chrysanthemums,
scarlet berries and holly wreaths! I
bought some roses and a waxy bunch
of Poet's Narcissus for a song.
bancy . . rose and narcissus sold on
the streets on the eve of Christmas'
Cruise
to
Romantic
Spanish America
Blue seas. Balmy air. Sparkling
sunshine. The rainy season is over.
Palm trees and mangoes, tresh anti viv-
idly green. Brilliantlv plumed birds flash
ing in their branches. Berries glowing red on tens
of thousands of cofl^ee trees. Bananas, pineapple and papayas
sweetening in the sun. Volcanoes purpling against the azure sky.
And the air, soft and perfumed, quieting rushing steps and sooth-
ing frayed nerves. That is December and January in Central
America — springtime in the tropics.
Cruises Sail Mon th ly
Forget the drag of business this year. Join one ot the Panama
Mail ships sailing December, January or February. Enjoy
twenty-four indolent, beguiling days cruismg from California to
Cuba — fourteen at sea, and ten ashore in bewitching cities cen-
turies old, in Mexico, Guatemala, Salvador, Nicaragua, Panama
and Cuba. \'iew the gay night lite ot cosmopolitan Panama and
of neighboring Colon, the crossroads ot the Western World.
Thrill to the wonders ot the Panama Canal by daylight. Make
your winter vacation this year a Panama Mail cruise. There wi
be a brighter sparkle to life thereafter.
Cost is Small, Pleasure Great
You can leave the ship at Havana staying as long as you wish
there, then tour through Florida and home to California by any
direct route. Or you can go with the ship to New York and take
your choice ot direct rail lines home. The price is the same— ^350
up, first class. This covers bed and meals on steamer and rail-
road tare on train home (diner and sleeper not included).
Panama Mail cruise ships are modern liners built for tropical service. Com-
fortable, well ventilated. P'lecfric fans and running water in every room. Sim-
mons beds instead of berths. Thoughtful attentive service and the best of food.
Broad decks for resting or rollicking. Swimming tank. Orchestra, dancing. The
cost is low — less than $9 a day. Only a limited number of reservations are avail-
able. So don't delay. You can get full information and booklets today from
Panama Mail Steamship Company
1 Pine Street, San Francisco
588 South Spring Street, Los Angeles
<-^
THii San Franciscan
1341
artcC
The Dawes Plan
(ConlinucJ ironi Pasc 27)
taken care of. We are all well aware
that se\'eral hundred million dollars
of German bonds have been sold in
the United States during the past
few years and during the past two
months the prices of some of these
issues have declined from 2 to 5
points. Evidently the reparations dis-
pute has had some psychological
effect on investors who fear that
reparations payments may take prio-
rity over these private obligations as
there is no doubt that a good deal of
selling has come from purchases of
German bonds. Even some of the
prime German bonds have depreci-
ated quite a little. Take for instance
Free State of Bavaria bj^'s, 1945, the
high for 1Q27 was 100^ and the low
Q33 1 : the price around November
I'-^th was Q^3^
UNTIL the amount of German
reparations is fixed at a definite
figure there is no definite basis for
judging future prospects. As things
are at present it must be admitted
that under the Dawes Plan the sche-
dule of annual payments is some-
what excessive, with reference to
Germany's ability to transfer funds
to foreign countries, and there are
provisions for increasing the annual
payments if Germany should ever
show ability to pay more. Thers is no
doubt that eventually the Dawes
Plan will have to be revised and a
total maximum of reparations agreed
upon. Until this is done, and until
France ratifies debt agreements with
Great Britain and the United States,
no one is justified in arriving at a final
conclusion regarding the status of
German bonds sold abroad during the
past three years, with the exception
of the $200",000,000 loan to the Car-
man government provided for by the
Dawes Plan. It was specifically agreed
that this issue should take priority
over reparations In France, however,
there is a general feeling that repara-
tions should take priority over all
other subsequent issues of bonds by
German municipalities and industrial
concerns. An act by France which
would cause temporary repudiation of
such bonds would adversely effect the
delicate mechanism of bank credit and
the foreign exchanges, so that France
directly or indirectly would suffer
more than she would benefit from an
attempt to prevent payment of Ger-
man bonds held abroad. We believe
that this is the attitude of the French
Government.
for 1926
JLo our custom-
ers, friends, and
associates, we r^•
extend the ^^
season's r>V
greetings. ,^
GIFTS
f 0 r Ghristrnas
t
Chosen by
Kfilph K. Crawford
at . the. . studio . shop . of
"Ralph Cr'DorothyCf'^'wford
BURLINGAME "O CALIFORNIA
111'. San I'" r a n c I s c a n
f351
ALBERT
DETER/EN
EXPONENT
OF MODEKN
PHOTOGRAPHIC
PORTKAITUKE
:22 THIRD AVE
SAN MATEO CALIF
PHONE 634
ALe bvE
BOOKS
Old and New
PALO ALTO
542 Ramona Stret
Phone P. A. 1960
KENNETH CARNAHAN, Mgr.
Thcacrically Speaking
(Continued from Page 9)
dependent producing group they con-
tinually try to reproduce certain
minor New York successes, instead of
giving us unusual plays of strong
value which have not found produc-
tion elsewhere. Besides, would not the
latter plan enlarge their fame and
importance'' For instance "The Jest,"
although a good melodrama, demands
exceptionally good acting and the
mere fact of knowing that the Barry-
mores played it in New York starts it
off here with a disadvantage. There is
talk of producing Pirandello's "Right
You Are" soon. "Would it not be more
interesting to do "Naked," which is
excellent theatre and practically un-
known in America^
We didn't really mean to become so
furiously critical of the Guild but if
we have laid it on a bit thick it is
because the increasing popularity of
this theatre will not suffer by it. Like
the Guild in New York we hope that
they will learn to combine their
artistic and commercial successes. In
fact already we hear very nice things
about their production of "Young
Woodley" and that its star, Douglas
Fairbanks, Jr., is behaving himself
very well indeed on the legitimate
stage. I ^ ,
LONG ago during undergraduate
days when we realized for the
first time that chorus girls were not
the quintescense of beauty and charm
we made a solemn vow ro devote our-
self to higher things than musical
comedies. In fact we never expected
to find another one which could
possibly tempt us again. And yet here
is "Hit the Deck" and we have been
twice. The principals aren't much
good, the story is the usual thing
built around a poor but pretty waif.
There are sailors, debutantes, comic
relief and a great deal of talk about
honour and love and money, but you
forget about these things for three
reasons, namely the male chorus, the
acrobats and "Hallelujah." There is
really no explanation to give why
these things are so good. Certainly
one would think that all the combin-
ations of male choruses and acrobats
had been exhausted by this time.
Least of all is there any explanation
for the excellence of "Hallelujah."
Whistle it for five minutes and it
turns to ashes in your mouth, hear it
on the victrola next door and see it
you can keep from going mad after
two renditions and yet as it is sung in
"Hit the Deck" one is inclined to
think that the art of making melodies
Antique (fealleriesi
525 g)Uttcr Street
Antiques
Period Furniture
Ob jets d'art
lit. Colonel
,Af "Palo ^^Ito
•«*»■
An exceptional portrayal
of true Californian charm
. . . Graciousness and dis-
tinction expressed for
those of exacting taste . . .
^yl home — of nine rooms, four bed-
rooms, sun room and solarium, rich-
ly tiled baths, door mirrors,
electric refrigeration, separate
servants' apartment . . .
partial detail only
. . and newh completed . .
what better Xmas gift?
Price $2f;,000
WILLIAM H. MYER
B0X482rPAL0 ALTO, CALIFORNIA
T H F. San I " r a \ c: i s c: a n
PATTERSON
WULLIVAN
QJ[llwdrciUon6
and ^ypogrcipkj
235
PINE JTREET
/AN FRAN CI/CO I
can tjo no further. According to one
woman we know, it is important as
mari<ing the time when jazz became
metaphysical.
WE weren't the least surprised
to hear that the "Chauve
Souris ' is coming to San Francisco
because wherever we have ever been
in the world the "Chauve Souris"
seems to have made a point of coming
too. We are very glad that it has
developed this habit because there is
no entertainment to which we would
rather go more often. The principal
trouble is that most everywhere it is
considered not as entertainment but
as art. Maybe it is art, but we contest
that that is too austere a word for this
delicious Russian fooling. Of course
sometimes they do get kind of serious
and sing the "Song of the Volga Boat-
men" but you can forgive even that
when they deliver their clever thrusts
at Italian opera or when Balieff, all
compact of gaiety and spontaneity,
talks to you in a language all his own.
\ \ «
THE Cradle Son" the brilliant
comedy of Gregorio and Maria
Martinez Sierra, has been chosen as
the first play to be offered by The
Civic Repertory Theatre of New
York to San Francisco audiences.
The San Francisco engagement of
"The Cradle Song" which opens at
the Columbia Theatre on December
2bth, will bring local playgoers into
understanding contact, for the first
time with the most interesting of
present day developments in the
American Theatre. Should the San
Francisco engagement be successful
it is the intention of The Civic Reper-
tory Theatre to present a selection of
the finest plays in its repertoire to
this community each season.
Nadzalid Nonnezoshi
(ContinUL'd from Page 21^)
land of strength and a land of ever-
lasting beaut>- ... a land that lifts
the heart and holds it in a thrall that
is a mixture of joy and awe. And of
this land Nadzalid Nonnezoshi is the
abiding symbol.
BWILELOEI^S
239 PosrSfreetSan Francisco
Gabriel Moulin
\
Photographer
SIX HUNDRED SIX WILEY B. ALLEN BUILDING
ONE FIFTY THREE KEARNY STREET
TELEPHONE FRANKLIN 3533
H
VALDESPINO
PAINTING
PICTURE FRAMING
PRINTS
345
o'farrell street
SAN FRANCISCO
Dorothy Moore
PHOTOGRAPHER
STUDIO & HOME
PORTRAITS
Telephone Kearny 253
127 GRANT AVENUE - San Francisco
Frank Carroll GifFen
Teacher oj S'uiging
976 CHESTNUT STREET
SAN FRANCISCO
Telephone Gr.^vstone J320
By Appointment Only
The San I •' r a n c i s c a n
137 1
To Travelers
This Emblem Means Hotel
Headquarters in the Film
Capital oj the World
The Hollywood Plaza is hotel headquar-
ters in Hollywood, California.
When on your next trip to Southern Cali-
fornia, make this famous hostelry your ob-
jective.
Situated in the heart of Holly wood, the
hotel is most centrally located for either
pleasure, business or shopping in Los
.Angeles.
Every room is a parlor during the day
time — a luxurious sleeping quarter at night.
In-a-door Beds make this possible.
Strange people, exotic sights, theatres,
and entertainment are but a step away from
the door of this famous hostelry.
Write or wire us for reservations in ad-
vance. Appoint this hotel now as your head-
quarters while in Southern California.
THE
HOLLYWOOD PLAZA
HOTEL
Hollywood, California
tcnbsf tf)E
frienbfi anb clientele
. laose iieurct) ex=
Season's greetings.
iJFW
THE EXCHANGE GIFT SHOP
FOUR FIFTY GRANT AVENUE
^^ -iJ- -llf- -^ -^ -fr Ttf- -A- -fr -A- Tfr l]^ -^ -^ -^ -^ T|f- T|f- T)^
■^■^j^^j^j^j^.^j^j^.^j^.^.^.^.^j^j^j^j^j^j^j^.^j^'^-^-^
A Portrait in Ethics
(ditntinuc^l from Page 12)
only twenty or thirty dollars in it.
. I must hurry. A man is
crossing the street and may he com-
ing in. . . .
IN his room, before a dusty glass,
a grim-lipped man met his own
eyes. They were troubled, but har-
boured a new strength. Behind the
reflected image came the vision of a
swaddled prelate, with baggy, world-
ly eyes. He waved a sense-blunted
finger, and said:
"One-tenth of thy wordly goods be-
longs to the Lord"
And with that he reached through the
glass and plucked up a tenth part of
a heap of money on the chiffonier.
Then he waved his finger and opened
his mouth again, but the grim-lipped
man spat at the vision so that it
disappeared and spittle ran a wet
cour.'e down through the dust.
The Reigning Dynasty
(Continued from Page 17)
group proved conclusively that this
fabric with its new supple texture
holds highest favor. Mrs. Helene
Irwin Crocker adhered to simple
white satin of Paris decree, with low
cut back and the complement of
many jewels. Preceding the ball Mr.
and Mrs. Ross Ambler Curran honored
the deb at a large dinner for the
younger set at the San Mateo-Burlin-
game Polo Club. Mrs. Helene Irwin
Crocker also gave a dinner at her
newhome in Burlingame. The Richard
McCreerys entertained for Count and
Countess Wurmbrand.
No other hostess has so diligently
helped to make the emerging
debutantes season a whirl of enter-
taining as the ever charming Mrs.
Fred McNear. Hardly a week passes
that she does not entertain for this
very diverting group.
Mr. and Mrs. Selah Chamberlain
will give a large dance on December
twenty-third in honor of Elizabeth
Raymond and Heath Hamilton who
made their bow this month. Miss
Dorothy Kierulff the debutante
daughter of Mr, and Mrs. Thomas
ivierulff has chosen New Years eve
for a ball she will give at the San
Francisco Golf and Country Club
entertaining several hundred of the
younger married set and debs.
Jm latacffd cnAranev
— known ronnii ttie world
Incomparable Chocolates
for those who seek the Highways
and Byways for the unusual.
KRATZ GIFT BOXES
Priced from $J
DeLuxe Assortments — S5, ?6, J7,
^8 and $10 the pound
KRATZ ESTABLISHED AMERICA 1879
NOW at 276 POST STREET
SAN FRANCISCO
One Recital Only
MARY LEWIS
Soprano
A'fetropoltUin Oliera Company
Scottish Rite Hall
Friday Evening, January Twentieth
AT eight thirty
Tickets One, One and a Half and
Two Dollars, Plus Tax. Now on
Sale at Sherman. Clay & Co.
management elwyn artist series
FKAneis
T€ACQO]T)
LuncH€on
DTrinfeE
3 ■ -1 ■ s>
SUTTCa ST
8- 1 T T
iiilli !(^it!titit!>. ^itititititititititititHitit
The San F-" r a n c i s c a n
E381
This Space Reserved
for
Rudolph Schaeffer
Rhychmo Chromatic
Design Classes
Spring Classes
MARCH to JUNE
1 2-^ Grant Ave, San Francisco
PETER P. CONLEY
BOX OFFICE SHERMAN, CLAY & CO.
San Francisco Symphony
Elwyn Artist Series
Municipal Concerts
Persinger String Quartet
fl^NTHE MIGMWAY <AT^
.^ JBERE$FX>RDtCALIKj
JrT.'souTH. or SAN MATEO .
WHO is to be queen of this sear's
Mardi Gras bain Will she be
a debutante, or one of mellower
charms!'
In the instance of the selecting of
the sovereign of the annual charity
classic it may truly be said that the
chase is more exciting than the catch,
for the night of the counting of the
ballots is often infinitely more fun
than the ball itself.
Last year Mrs. Alanson Weeks,
presided over the fete v\ ith a gracious-
ness that was regal and yet not too
austere, with the result that the hall
was not too stately as the evening
wore on, but exactly what a Mardi
Gras was meant to be when the term
was first coined. It is the final fling
before the repentance of Lent sets in
and if the merriment becomes a bit
hilarious, all the better for the con-
trast which follows.
GERTRUDE Wood's cxotic little
flower shop has been a rendez-
\ous for members of the Dynasty,
particularly those hours after lunch-
eon and preceding tea. It was here
one found the exhibit of Mrs. Edward
Pringle's Chinese and Persian screens
and panels in tempra. Her work is
most unusual in color and imagi-
native in design and has untold
decorative value. Mrs. Pringle is still
another of that fact growing group of
society women who do things and do
them superlatively well.
MR. and Mrs. Starr Bruce
(Florence Welch) gave a Sun-
day evening buffet supper in honor
of the George Tallants, who now are
settled in their apartment on Vallejo
Street for the winter. Like most Sun-
day evening parties this was very in-
formal and amusing, about thirty of
the younger set dropping in.
Phone Kearny
664Z
H
ENRY H. Hart
Oriental Arts
3^8
Post
Street ■ San Franci.sco
r>iirt;->>»>»>>>^/.^y>J<././^-'/^/»./-i/.i»'/*$j I
NEW BOOKS at
1:
Newbegin's
is already a slogan with the
discriminating book buyer in
SanFrancisco and Bay region.
Our own slogan is
New Books as Published
Qood Books Always
To the intelligent reader in
California, anywhere on the
Pacific Coast in fact, we offer
a Book Club service that en-
tails no fees, involves no ob-
ligations and the only charge
is the list price of the book or
books you decide to keep. We
prepay all delivery charges.
You may have
S^ A BOOK A WEEK OR A BOOK
X A MONTH in any department of
{( literature that interests you, as the
X books are published.
A Write for free membership card.
I NEWBEGIN'S
^v ?58 POST ST Opp. Union Sq.
SINCE 1870
THE ONLY
CUSTOM SADDLE
SHOP IN THE
BAY REGION
MEXICAN SADDLES and BRIDLES
Riding Boots - Polo Sticks - Riding Crops
ENGLISH SADDLES and BRIDLES
VISALIA STOCK SADDLE
COMPANY
2117 MARKET 2123 SAN FRANCISCO
TOWN
UCUTtJ
SALES '^I.CASCS
RESIDENTIAL DEPARTMENT <
FEBRUARY, igzS
-^
SAN FRAWCISCO
»^"i^l IC LIBRARV
THE
SAN
2$ Cents a Copy
FRANCISCAN
VAN DfOJtN-
I
I
I
HOTEL
MARK
HOPKIN!
atop nob hill
SAN FRANCISCO
III
II
I
I
The place to stop when
you're in town.
Easy to reach
Neiv '■'■' Quiet
Dine and Dance in
Peacock Court
Excellent Cuisine
Anson Weeks'
Orchestra
Extravaganzas Every
Tuesday Night
TheDansant Every
Saturday Afternoon
Ira.ru/^LuLCQrL't tuuLLlgKt..
Ko LLP of CQlQ^tlaL bLuLQ . .
-toncLo^ and pomaatic Koar
ojjKQrL PKoQbuv" CLpoLLo-
pLungQV" Kl^ ^KLrtlrxq-
^uru cKcLrlot nncLcLLy Irvto
tKQ uuoLconrtlrLg ^qcl.^^
Llq U-LdL 1 1 LcLg Ic . . .Cd u.q r-LcLLrxy^
[Hqupq BLqu-q . .cKcirnaQcL qj--
yonCQ of toj^qolCq. tuulLLght
young., g Lad.. hjQ art dlstupbiag
...and 5uuQQt,bQyond tKo PQoch
ofonoy inrLaglnatlon but not
beyond tKo irLUQntLUQn.Q.>o^ of
IAIN
i
UQ^Ialn Po/TfumG^ ara blondod and ./xsalsd in Pariy' and y'old only in iho original boftlo^./:
1>x
THE THEATRE
The Clrran : BroaJway. An excuse for New
York's night life.
The Geary (alias Luric) : The Scarlet Woman.
Pauline Frederick in something which is not
quite as frank as it sounds.
The Columbia: .Sunny. Musical show to be
followed by the picture "Wings " in couple
of weeks.
Players Gl'ILd: The Goal Song. This Werfel
is done and will be followed by the Pulitzer
Prize Play "In Abraham's Bosom."
The President: l\'ighlstick. One of the best of
this season's crop of melodramas from New
York.
The Alcazar: \'eu' Brooms. This may run
until e\eryone in San Francisco is spring
cleaning.
The Green Street : The Bridal Bed is sand-
wiched in between two Bourdet plays. The
bread being unusually thin.
The Orpheum: Charlotte Greenwood heads
the new list of favorites at this two a day
house.
Pant ages :Mumau"s spectacular picture ' 'Sun-
rise" is in the immediate future.
La Gaite Francaise: La Mascolle. Audran's
immortal operetta giving Mr. Ferrier's
musical as well as dramatic, an ample
opportunity to cavort.
MUSIC
February 6, Gigli with San Francisco orches-
tra— Civic Auditorium.
February 7, Gigli in recital — Scottish Rite
Hall.
February 1 1 , Curran Theatre — Popular Con-
cert of San Francisco Orchestra.
February 17and 19, Curran Theatre — Second
Symphony.
February 23, Civic Auditorium — Menuhin
with San Francisco Symphony Orchestra,
MOVIES
Embassy : Al Jolson in two hours of good enter-
tainment called "The Jazz Singer" in which
he sings, dances, and jokes over the Vita-
phone.
California : The Student Prince. With Ramon
Navarro and Norma Shearer and "Gentle-
men Prefer Blondes" are the offerings of the
month.
St. Francis: Douglas Fairbanks in "The
Gaucho" with the Chaplin opus "The Circus '
lurking in the background.
Warfield : Consistently good weekly offc-ings.
Granada: Same here.
ART
Courtesy of The Argus
Beaux Arts Galerie — Feb. 3 to 17, draw-
ings by artist members. Feb. 18 to March 3,
paintings by Valere de Mari.
Bohemian Club — Feb. 20 to March 4.
annual exhibition.
California Palace of the Legion of
Honor — Drawings in red chalk, life size, by
the sculptor Arturo Dazzi of Rome. Perma-
nent collection.
East West Gallery — Through Feb. 6,
Kiang Family Collection ofancient and modem
Chinese paintings. Feb. 8 to Feb. 29. seventy-
five modem French prints from the Albert
Rouiller Galleries, Chicago.
Paul Elder Gallery — Until Feb. 18. land-
scapes and portraits in oil by Trevor Haddon,
R. B. a.
Junior League Shop — Pastel portraits of
children by Miss Wyn George.
Vickery, Atkins & Torrey — Etchings by
Frank W. Benson. Though Feb b. antique
Georgian silver and old Sheffield plate from
the Brainard Lemon silver collection of Louis-
ville, Kentucky.
DINING AND DANCING
The Mark Hopkins: The fourteen months'
old prodigy. What tricks it could teach its
elders!
Jungletown: 502 Broadway. San Francisco
may be blanketed in fog or drenched with
rain but there's always this tropical refuge.
Belle De Graf: Around comer from Palace.
A lady practicing what she has so long
preached.
Fairmont: Rudy Seiger's fiddle, the perennial
attraction.
Aladdin Studio: 363 Sutter. Bohemianism a
la carte. Noisy but nice, if you know what
we mean.
Temple Bar Tea Room: No. 1 Tillman Place.
Try to get in.
St. Francis: The spring cleaning in progress
pro\es promising.
Tait'sattheBeach: It's lure cannot be denied.
The Palace : The Rose Room blossomed earlier
than usual this season.
Russian Tea Room: 1001 Vallejo Street.
Russian food, cigarettes, candy and dancing
at western charges.
Julius' Castle: 302 Greenwich Street. Hang-
ing off the side of Telegraph Hill. We'll
watch the food and view against anything
else in town.
Francis Tea Room: 315 Sutter Street. To go
once is to go again.
Mamnaru Tei : 540 Grant avenue. Japanese
food in the heart of Chinatown.
The Loggia : 1 27 Grant avenue. The place is
as charming as its hostess. We can't say more.
The Clift Roof Lounge: With the whole
world at its feet.
ESTABLISHED 1852
SHREVE & COMPANY
JEWELERS and SILVERSMITHS
Post Street at Grant Avenue
San Francisco
1 he Dining Room, the forum of family Ufe and the center of
hospitality, deserves furniture of merit. The Sloane stocks pre-
sent a select assemblage of the best productions
of furniture craftsmen.
ORIENTAL RUGS > CARPETS - DRAPERIES - FURNITURE
W: 6i J. SLOANE
SUTTER STREET NEAR GRANT AVENUE / SAN FRANCISCO
GIFTS OF LASTING MERIT -i- A CONTINUOUS
EXHIBITION OF ETCHINGS Sd OTHER GRAPHIC
EXPRESSIONS By JOHN STOLE -i- TUESDAY &
THURSDAY AFTERNOONS FROM TWO TO FIVE
AND BY APPOINTMENT IN THE STUDIO -;- ONE
FOUR ONE SAN PABLO AVENUE -J- ST. FRANCIS
WOOD -I- SAN FRANCISCO -,'- CALIFORNIA
TELEPHONE -I- SUNSET FIVE ONE SEVEN THREE
Photograph hy Johan Hagemeyer
COLONEL CHARLES ERSKL\E SCOTT WOOD
Soldier, Lauyer, Pagan and Poet, George Sterling called him Zeus — Father of Gods. Relinquishing
his Army post when still a young man he has battled gloriously — not for reform's sake — but that a
vision of hunuxn freedom and beauty might be brought nearer fulfillment. A development of that rare
type, an Aristo-democrat, we salute you.
TttC
SAN f R,/XNCISCAN
The Constitution and Citizenship
Wherein A Young Solon Outlines the Civil Duties of An American
By TALLANT TUBBS
Editors Note : State Senator Tallant Tubbs was elected
to the Call forma Legislature in 1 124 when twenty-seven
years old, and is the youngest member of the upper
house at Sacramento. It is expected that he will be a
candidate for re-election this year. Senator Tubbs's
articles on local and national politics have caused con-
siderable comment in the political world
IT should be clear to thinking people
that the duties and rights of Ameri-
can citizenship as established by
the United States Constitution, and
as previously expressed by the deter-
mined and high-minded patriots who
framed the Declaration of Indepen-
dence, either have been forgotten or
never were known by many men and
women who not only claim to be good
citizens, but who actually believe that
they are fulfilling their obligations to
their community and to their country .
The immediate purpose of the
Declaration of Independence was to
call the American colonists to arms in
an attempt to end the tyranny of a
British king. It created no rights for
the people, either legal or political,
but its sentiments have proven to
have a most important value in our
country's life because it is instinct
with love of country and of liberty. It
shows a purpose to make any sacri-
fice at any time to preserve for all
times those possessions. The Declara-
tion of Independence is, indeed, the
inspiring creed of our national life.
The United States Constitution, on
the other hand, is the sober and
thoughtful plan of a political structure
intended to make possible the realiza-
tion of the high ideals of the Decla-
ration of Independence. It sought,
through a union of the states, to per-
petuate their legal and political rights,
and those of their citizens, and to
create a solid national government
with as little impairment as possible
of the sovereign rights of states. The
Constitution was framed upon an his-
torical background of many centuries
of struggle; and the chief thought of
the framers was to form a government
which would protect the people against
any attack upon their liberties.
^ t %
THE first twelve amendments to the
Constitution, which for the most
part protect the rights of citizens,
were adopted shortly after the ratifi-
cation of the Constitution. The
Thirteenth amendment, coming later,
abolished slavery ; the fourteenth pro-
tected the immunities of citizens; the
fifteenth prevented discrimination in
the matter of voting on account of
"race, color, or previous condition of
servitude ;' ' the sixteenth provided for
a federal income tax, and the seven-
teenth made possible the election of
United States Senators by direct vote
of the people instead of by the state
legislatures. The eighteenth or Pro-
hibition Amendment, has gone so far
in affecting the local habits and cus-
toms of communities that I need not
dwell upon its provisions. It raises the
highly important question as to how
far the Federal Government should be
permitted to extend its police regula-
tions in the interest of personal liberty
and of general welfare. This is the one
amendment to our Constitution which
might be repealed by a direct vote of
all the people, but the Constitution
makes no provision for a referendum
to be conducted in this manner. The
nineteenth amendment gave politi-
cal rights to women; the twentieth,
which regulates Child Labor, has
passed both houses of the Congress,
but thus far has failed in ratification
by a sufficient number of the state
legislatures.
The provisions of our governmental
structure should be studied by all
citizens to the end that they may thor-
oughly understand that our govern-
ment belongs to them, and that it will
suceed if they will support it.
Citizens should conscientiously and
consistently avail themselves of the
privilege of voting ; they should take a
serious interest in public affairs to the
extent that they know something
about the candidates whose names
appear on the ballot; they should not
be satisfied to devote their time and
energy solely to their money-making
interests; they should be prepared to
displace unworthy or dishonest public
officials by means of the"recaU" ; they
should be willing to make the jury
system a useful instrument in the ad-
ministration of j ust ice by not attempt-
ing to escape jury duty. The citizens
who talk the most and the loudest
(Continued on Page 28)
The San Franciscan
f 101
Now It Can Be Told
A PROMINENT debutante was tak-
ing up social service. The select
little group of w orkers with w horn she
has associated herself go out to San
Bruno every other Tuesday and at-
tempt, in a not paternal or maternal
way, to soK e some of the tragic prob-
lems that confront the lower strata.
There was the case of one Thomas
lEit^^i^
Dorgan. Dorgan is one of those low-
browed individuals with bushy black
eyebrows grow ing straight across the
bridge of his broken nose. Dorgan was
summoned before Judge , and
accused of being the father of four
illegitimate children. It developed
during the trial that the children were
all born within a day of one another.
This the deb could not understand
and requested an explanation. In the
hearing Mr. Dorgan testified that he
was the possessor of a bicycle. Case
dismissed.
i f «
WE recall a voyage we made to
the South Seas some twenty
years ago. On board we had a motley
assortment of Cook tourists and two
black-cowled Sisters from Paris. If our
memory of tw enty years does not fail
us, they were traveling to Tahiti to
chaperone one of the many native
princesses. The Sisters sat discreetly
in the shadow of the smoke-stacks day
after day, and their lips fluttered their
devotions. But they spoke not, neither
did they smile. One stood in awe be-
fore such solemn virtue. However, we
do recall skirting a tin-roofed hovel in
Tahiti one early morning to find our
Sisters squatting on the stoop of the
hovel, smoking corn-cobs. The picture
delighted us; it was sane and normal
and not without dignity. But still,
after twenty years, we cannot accus-
tom ourselves to this younger genera-
tion. It was not so bad to see Miss X
walking down Crant avenue smoking
a cigarette. But w hen we saw her flick
the ashes through the window of a
parked limousine we objected — what
we mean is, she was walking and the
limousine was empty.
« )> «
A LONDON print informs us that
pigeons have been using bits of
sheet metal and steel grindings from
a Greenwich metal merchant for build-
ing their nests. Bicycle spokes, dis-
carded frying pans and even mis-
cellaneous assortments of iron washers
have been used by the more dec-
oratively inclined birds. Naive little
homes have been discovered that
weigh from forty to eighty pounds, all
nice and mechanical. We scan the item
with grave interest that gives way to
fear. We have no doubt the birds
should be allowed individuality. We
feel they are modern little persons,
simply conforming with the Age of
Steel. But nonetheless, and this is
perturbing, we deliberate^on just how
far they will carry it. What if they
should venture a bit further and be-
come small machines themselves. We
have the ghastly vision of them de-
positing cute little ball bearings for
eggs. We shudder to think of the hor-
rific experience of the commuter being
suddenly knocked flat by a ball of
metal coming out of nowhere.
Alicia, our office girl, just loves to
_/Vmeet new people. She tells us it
is declasse! to talk about "old fami-
lies," that when a city is old enough
to have "old families" it begins to
pride itself on its new blood. That is,
Alicia says that goes for every place
but Boston, and of course everybody
knows what Boston is. Anyway, Alicia
went down to The Enchanted Circle,
the mecca of "These Charming
People," we mean Del Monte, Just as
she w as driving off the 2nd tee a deep,
splendid basso-profundo said ;
"Swell day !Aint it. Kid:""
He was a charming man, a member
of the Electrical Supply Jobbers Con-
vention. They are having so many of
these Charming People clown ihere this
spring. The fruit-canners convention
and the wholesale grocers, and simply
charming, the retail plumbers !
Alicia says she simply couldn't
breathe, she was so charmed^
She said: "Yes, it is," and then to
show that there is nothing up-stage
about her, she added: "Aint it^"
He was a lovely fellow. One of the
most charming people of El Centro.
OLR Hollywood Correspondent
sends us the following: A pro-
ducer had sent one of his companies
to the Truckee regions, where snow,
ice, bridge, Scotch, and log fires made
it all the world like St. Moritz, The
scene the company was shooting was
the episode where the young heroine
was to be chased by a pack of wolves.
After searching for three days the field
director wired the producer stating
that the nearest thing to wolves that
could be found were the Truckee boot-
leggers and requested that a pack of
wolves be rented and dispatched at
once. The Los Angeles office wired
that wolves were too expensive, the
rental being $20 per head. They stated
that they could get lions at $5 per
piece and would ship a carload. The
field director upon receiving the mess-
age wired back that one did not find
lions in Alaska. To which the erudite
Los Angelean producer replied via
Western Union "They could migrate,
couldn't they^ "
% « %
THE pendulum swings back! We
have sailed the tide of intimate
theatres and escaped with no greater
misfortune than the crushing of sun-
dry packets of Lucky Strikes. Little
theatres seating 500! Delightfully in-
timate! Small theatres crowding 300!
Tiny theatres benching 50! And now
the pendulum swings. We are to have
an opera-house, ^'es, dear Alicia, our
own opera-house, a gilded palace of
music and art and culture, if you know
what I mean. Marble cupids over the
proscenium! And this and that! The
question arises: shall our opera house
seat three thousand ^ Or five thousand ?
Or ten thousand^ We know how in
San Francisco! Shall we not build the
grandest and the greatest opera-house
in the world, where all may come and
look^ Of course we will have an inti-
mate corner where one may pay as
much as one wishes for seats. But the
great mass, the dear public, shall they
not come and pay as little as they can ?
See great music ! See great conductors !
A magnificent San Francisco gesture!
The San Franciscan
But, says our friend of the Art,
Letter and Music group— but ean we
hcai'^
And the answer, between great
guffaws and naive giggles comes from
our exponent of Verdi : "Certainly we
shall — we will equip our opera-house
with loud-speakers distributing the
noise to all corners of the edifice.
« « >•
REMINISCING the Other evening
^about the old places, Zinkands,
Sanguinettis, Marchands and Del-
monicos! brought to mind the fate of
The Philosophers. It was only last
year that we swapped cigarettes across
the table at The Philosophers, and
poured libations from those quaint,
pot-bellied flasks that have brought
fame to a monastery. Well, the Philo-
sophers went the way of all pure joys.
But this morning we found a card in
our mail from the charming hostess
who used to sing "Water Boy" and
that under-graduate song about the
philoprogenitive bachelor. The card
said that the philosophers are dis-
banded "but I will still furnish them
their Laughing Water and Giggling
Syrups from Canada. Please give me
a ring when you feel the need of Up-
lift and it will be delivered to you
promptly at regular prices. You know
the quality. The phone number is. . ."
Unfortunately our cat spilled our ink
bottle over the phone number.
* « «
OUR society reporter thinks the
west is most vague. She was ask-
ing about Idaho. It seems there was
an item in the local press about the
"social director" of the new ocean-
palace that plies to the islands. The
lady, we mean the "social director"
has "social prestige from one of the
first families of Idaho." She did not
know that there were any first families
of Idaho, and we explained to her that
there was a difference between "first"
and "oldest" and she said of course
she had never thought of that. Any-
way, the fact that the Malolo is now
dominated by a social arbiter re-
minded one of the affair on the ill-fated
Titanic. It seems the gold-braided cap-
tain was pacing the broad deck of his
ship just before sailing on the fate-
marked voyage. He approached an
important personage with more gold
braid than he himself wore. The per-
sonage was caparisoned in a stunning
uniform of blue; his naval cap was
niftily tilted on the side of his skull;
his buttons glittered and his braid was
untarnished. He saluted the captain,
and the captain saluted and asked
him what his official duties were on
the Titanic.
"LSire," replied the personage, "am
the ship's gardener."
« * «
HUMAN nature does not change.
Whence were small boys back
in Junction, JWisconsin, we used to go
to the City once a year to see Bar-
num s Circus and visit the side-shows.
Best of all for us were the side-shows
with their incomprehensively terrible
human freaks ! But the big-time vaude-
ville has supplanted Barnum's. There
we can see the woman who murdered
her daughter with a flat-iron; the girl
who failed to fly the Atlantic; the
sixteen-year old harpie who was "se-
duced" by a white-haired millionaire;
the man who married twelve wives —
and all the rest of them. The local press
announces the latest acquisition to the
freak-house. We read; "Cecil (Buck)
Lieuallen, state traffic of^cer of Ore-
gon and Tom Gurdane, chief of police
of Pendleton, Oregon, captors of Wil-
liam Edward Hickman, accused Los
Angeles slayer, will make exclusive
stage appearances at the Wigwam
Theatre for a weekstarting tomorrow."
We wonder if the boys will do a song-
and-dance act or just tell funny bits
about the criminal-insane and things
like that. Or possibly a talk on "How
Five Hundred Pounds of Blubber Un-
aided Trapped an Imbecile Boy "would
prove fascinating to the thousands of
morons who like a bucket of blood
with breakfast. That is, who adore
wallowing through the daily press.
Exciting abortions of nature! The
audience, we mean, not the yokel-
constabulary.
i t t
SPEAKING of the dear local press,
you know what we mean ; not real
tabloids such as clutter the ash cans
of the eastern metropolis, but pages
of pictures with captions! Awfully
funny captions: Pictures of child-
murderer, with caption: "He wins the
fur-lined rope!" Picture of man who
stole loaf of bread to feed his starving
progeny, with caption: "Loafers!
Picture of old-fashioned mother of
murderer, with caption: "She raised
Cain!" Picture of funeral of man
named Joy, with caption: "Joy-rid-
ing!" Picture of destruction of city by
earthquake, caption : "Hootchie Koot-
chie!" Pictureof mother of child killed
by hit-runner, caption: "Red-Hot-
Mama," And yet they say we Ameri-
cans are lacking in a sense of humor!
Rise! sing the Star Spangled Banner!
« « ■».
EATING Russian cutlets in the Rus-
sian Tea Room on Russian Hill
reminds one of Sadakitchi Hartmann.
We remember when the Russian Tea
Room was called the Spanish-Castle-
on-the-Hill. Sadakitchi leased it and
produced Ibsen's Ghosts. It was dur-
ing the third act that he set the house
on fire over the heads of his audience
to make the orphanage-fire in the
play more realistic. Sadakitchi was a
man of ideas. Again we recall the time
that we were dining in Bigin's old
Bologna restaurant on Kearney Street.
It was just after Sadakitchi had bit-
terly denounced the local art colony.
Sadakitchi came in the back door, his
slouch black fedora tilted over his curly
black hair, his right hand clutching
his black portofolio — (No one ever
knew what it contained) — the other
twirling the three oriental hairs that
that sprouted from his chin. Bigin
asked him uhat he wanted and Sada-
kitchi said: Food. Whereupon Bigin
took him firmly by the collar of his
coat and the keel of his trousers and
gave him what, in the parlance of the
Emharcadero they call "The Bum's
Rush," through the restaurant and
out on to Montgomery. Bigin never
did like any one who criticized San
Francisco artists.
Then the war came and Sadakitchi
was drafted. He said he wouldn't fight
.Fe-
SO they sent him to the ship-yards.
He sat — (and one did not sit in the
ship-yards in 1Q18) — on an iron drum
and wrote verse. They hauled him
beforeold Judge Buck down Redwood
way and the judge said that he was
probably a better poet than a man,
and sent him on his way. We wonder
what has become of Hartmann. He
was a good poet, a good actor, a good
musican and a wonderful critic. To
say nothing of his paternal attributes.
The San Franciscans.
The San Franciscan
1121
Clair De Lune
Being a Story Wherein Music and Moonlight Cast Black Shadows
By KATHRYN HULME
FROM the sihcr linked belt at her
waist down to her shiny high-
heeled slippers, Bim's mother was
entirely familiar to him. He was too
short in stature to be able to look
squarely at her oval face and slender
torso — the part most people saw. His
roundsailorhatcame juston alinewith
the siKer belt; but he knew all about
his mother through the rustle of her
taffeta swishing along close to his ears.
On sunny days, as they loitered
through Hyde Park, it made a lan-
guorous singing noise that sometimes
died down to a mere w hisper of con-
tent. \\ hen they went out to decorate
his father's gra\e. the taft'eta made a
broken wrinkling sound, as though
some of it had got crushed between
his mother's knees. And at concerts it
lay black and quiet about her, except
when a certain kind of music was
played . . . then it seemed to sigh
restlessly, remotely, as though trying
to answ er a ghost-thing floating in the
air about them.
Trotting along beside her skirt this
evening Bim wondered what caused
the disturbance in the smooth flow of
sound coming from it. Above the
rumbling of buses and scuffling of pe-
destrians, his accustomed ear caught
a thin nervous crinkling he had not
heard before. Strange and new, he had
no way of knowing what it meant.
Presently he sav\' the Frenchman
who came so often to play w ith him
and his mother in the nursery. The
big man stood w ith his hat in his hand,
wavy hair stirring in the breeze. Quite
far above him, Bim heard them talk-
ing. The skirt was quiet now. All of
its rustling music had crept upwards
into his mother's voice.
It wasn't until he was left alone
with his mother, walking slowly home-
wards, that Bim heard a little singing
sound out of the silky skirt. At least
he knew his mother was happy.
That night, when she tucked him
into his bed, she told him she was go-
ing away for a little while and then
would come back and get him, and
take him away, too. The taffeta moved
against the rail of the bed and in the
dark he reached out and clung to a
smooth cool fold of it. He fell asleep
while she was leaning over him. When
she turned to go, she felt the clutching
fist holding on to her skirt. C^ently she
unloosed the fingers, putthehand back
between the bars under the covers.
One afternoon many days later, Bim
heard the door of his nursery open
slowly. A radiant creature all dressed
in filmy white stood on the threshold.
For several seconds he did not realize
it was his mother. Not until she called
his name softly did he drop his toys
and run over to her. She knelt to put
her arms about him and she was cry-
ing just a bit.
Bim cried too, because she felt so
strange to his touch. The filmy dress
was not smooth like the talking taffetas
she had v\orn ever since he could
remember. It was delicately rough like
lace and it made not a whisper of a
sound as she crushed him to it.
Nothing was ever quite the same
again. The Frenchman lived with them
now and his mother was a new person,
laughing and talking with a burning
in her dark eyes. When the three of
them walked in the park, Bim was
more lonely than ever, for all com-
munication with his mother had been
cut off. Her skirts ruffed and danced
in the wind and sometimes blew in a
white caress against his bare knees;
but they had nothing to say to him,
nothing of all this vast secret which
had made her so happy.
A shapeless solitude, impenetrable
to his fellow mortals, surrounded him
with the quietude of unspeakable grief.
Kerneled in this incommunicable
sphere, he watched the forms of things
gesture their living way, outside of it,
mute and wide-eyed as a water creature
gazing through the aquarium glass.
He was still grieving when they
moved to Paris, but one day he dis-
covered the gorgeous playground of
the Champs Elysee. Marionette shows,
merry-go-rounds, gauffrette kiosks
under chestnut trees . . . after a
time he became accustomed to the idea
of belonging to the dazzling white lady
whose slim gloved hand held his so
tightly. But he could never adore her,
as in the old way when he knew all
about her.
Something had happened to his real
mother, the quiet sad-eyed mother
fused somehow with memories of Lon-
don and black silk . . . but that
was long ago, now, and he had quite
forgotten why it was he wept in such
panic when she first came to him all
secretive in a cobwebby lace dress.
A GAIN ... a shapeless soli-
A^tude, impenetrable to his fellow
jL V.mortals, surrounded him.
Sensationsblunted themselves against
the glassy walls of his indifference
. . . all save one. That, somehow,
had got through to him.
Far back on Commercial Road he
both heard and saw her go by him — a
blowzy old woman in a baggy black
taffeta dress. A curious almost for-
gotten sense of peace seeped into him,
turned him gently as a tide can turn a
flotsam and carried him quietly after
her, heedless of everything except the
sound of her moth-eaten old taffeta
that made London seem all at once
very familiar to him.
It was strange that London should
seem familiar to him — an English-
man raised in Paris, so much part of
it that he had fought with the French
and, from the front, sent back grief-
stricken word to have his English
mother buried in a white lace dress in
Pere La Chaise cemetery.
Nothing had been familiar since he
had been gassed. It was as though all
his memories had taken on the vapor-
ous quality of gas — drifting plumes of
grey ether, blurred, with outlines in-
secure, subject to the vagaries of winds
which sometimes moulded them into
remembered shapes, sometimes into
things of horror.
Down East India Dock Road, just
beyond a small green, he knew with-
out looking she had turned. The sound
of silk bending to a corner, a thin
sound as immaterial as that of wind
changing direction ... he didn't
even wonder how he knew. He turned
into Three Colts Street and saw her
plowing ahead into the fog blowing in
from Limehouse Reach.
Automatically he climbed the stairs
of the house he saw her enter. An old
harridan in rusty taffeta. A witch who
had conjured up a desire from below
the threshold of his consciousness, a
desire as secure and definitely limned
as a century plant w ith roots sunk in
the forgotten past.
« i i
IN a stuffy Victorian parlor the
blowzy woman sat beside him on a
stiff-ribbed davenport while he told
her what he wanted. Her flint-grey
eyes ran in quick appraisal over him
as he talked — the pallid gas-bleached
(Continued on Page 38)
MARY GARDEN
To Miss Garden, San Francisco is grateful. As Director General of the Chicago Civic Opera Company she brought to this city the first
Season of modern opera. This year Mary Garden comes with the Chicago Company to Los Angeles, Fresno, Oakland and Sacramento.
"The San Franciscan" suggests that Miss Garden asks the gentlemen who control the San Francisco Opera Association why this city
was omitted.
The San Franciscan
f 141
They Were San Franciscans
A Few of Our Distinguished in the Reahii of the Fine Arts
By HOMER HENLEY
Actresses — Opera Singers
Hopper, Edna Wallace. Born San
Francisco 1874. Married De Wolf
Hopper 1893 and made debut in Star
Theatre, New York shortly after. A
veteran player in many roles and long
a member of the Charles Frohman
Company. Now of New "^'ork
O'Neil, Nance. Born Gertrude
Lamson. Oakland 1874. First stage ap-
pearance in San Francisco in 18Q3 in
.Sara/i. Weber & Fields Theatre, New
"^'ork, 18Qb in The Long Strike.
London appearance as Leah in The
Jeicess, 189Q. Toured United States
in The Passion Flower 1920-2 1. Now
of New York.
Fay, Maud. Native San Francis-
can. Attended local schools and studied
with local vocal teachers. Completed
professional education in Dresden
and Sa.xony . Made debut with Munich
Royal Opera in 190b as Marguerite in
Faust. Her acceptance by European
audiences was instantaneous and she
was immediately engaged for five
years by the Munich Royal Opera
Company. At the termination of this
contract she appeared frequently in
London. Now with the Metropolitan
Opera in New York and a resident of
that city.
Actors
Blinn, Holbrook. Born San Fran-
cisco 1872. Educated at Stanford,
where he took part in student pro-
ductions. Has had long, varied and
successful stage career. At one time
headed own company in New York,
producing more than 30 one-act plays.
Now of Nev\' Y'ork.
Beban, George. Born this city
1873. First public appearance at age
of eight with Reed & Emerson Min-
strels, this city. For many seasons a
Weber & Fields star. Now identified
with the moving picture industry and
notable as a screen character actor.
Brady, William A. Born San Fran-
cisco 1 872 and educated in city's pub-
he schools First appearance 1889 in
Old Wigwam Theatre. New York in
1 890, where he appeared at The Casino
and with the \Veber & Fields Com-
pany. Starred by Belasco in The Auc-
tioneer, The Music Master and as Shy-
lock in The Merchant of Venice.
Present home New York.
Artists
Janin, Louise. A native of San
Francisco and one of the most distin-
guished painters of the young school.
Her interpretations of Oriental sub-
jects have won her high recognition
in both Europe and America. Miss
Janin went to Paris in 1923 to estab-
lish her studio and in the following
year the French government did her
the honor of purchasing one of her
canvases for the Luxembourg. Her
Editors Note: Wandering through the Hall of Fame,
u'e perceive that this tnstttutton would po.^sess hut a
fraction of its present notables, ij it were not Jor the San
Franciscans Iti'ing and dead, who are worthy oj a place
in Its archnvs. A full list oJ the men and women who
have been born in this city. who. though born elsewhere
have been markedly influenced by its lije and spirit,
who have known their first successes here and later be-
come famous takes us into every line o/ human endeavor .
and would fill a volume much more ponderous than this
slender publication. Obviously the list given here had
to be limited We mention but one or two of the most
distinguished personages largely in the realm oj the
fine arts, who are now living and working away jrom
the city oJ their inspiration and beginnings In so doing
we belittle not the achievements o/ the dead, nor cast
aspersion upon the fame of those who still labor and
live among us We merely honor, as space permits, the
following notables, m order that the cities and countries
they now grace uith their presence may perchance be
properly reminded oJ the part San Francisco plays in
Iheir success and not make the overt error oj taking all
the credit unto themselves.
Study of Buddha is pronounced by
French critics to be the finest of its
kind in existence and is the cherished
property of the Paris Theosophical
Society.
Pages, Jules. Native San Francis-
can and received early art training in
this city. Was sketch artist on The
Examiner for some years. Has exhib-
ited in numerous Paris salons and
been awarded several medals at home
and abroad. Now of Paris and occa-
sionally exhibits in San Francisco.
Peters, Charles Rollo. Born this
city 18b2. Ecole des Beaux Arts six
years. Famous for his studies of the
California Missions. Several works of
this sort are now the possessions of
notable New York galleries. Home
and studio Monterey.
Peixetto, Ernest. Born San Fran-
cisco, 18b9. Art education in Paris,
Has held many noteworthy public and
private exhibitions in New York and
Paris. His works include canvases,
murals and book illustrations of
exceptional excellence. A member of
the Bohemian Club ; a resident of New
"^'ork and Paris.
Authors
Burgess, Gelette. Born Boston,
Massachusetts 18bb, Railway con-
struction engineer in California 1887-
'90. Instructor in Topographical
drawing U. of C. 1891-94. Following
resignation from U. of C. forsook
engineering pursuits for literary career
in which he has been uncommonly
successful. Was editor of The Lark
from 1895-'97, a childrens' literary
magazine published in San Francisco
and early forerunner of the present
Treasure Chest. The man who made
the word "Bromide "■ famous by his
humorously satirical little book Are
You a Bromide? appearing in 190b.
Now of New York.
Irwin. Will. Born New York 1873
but passed childhood and youth in
San Francisco. A. B. degree from Stan-
ford. Began career on San Francisco
new spapers as writerof special articles.
The author of numerous short stories,
articles, several books and novels and
one book of verse. Member of Bohe-
mian Club. Residence New York.
Irwin, Wallace. Brother of Will
and also born in New York. Graduate
of Stanford. Special writer on The
Examiner 1900; editor Overland
Monthly 1902. Important staff posi-
tions on several Eastern publications
and newspapers. Author numerous
articles, short stories, books and some
verse.
Cartoonists- Illustrators
Fisher, "Bud" H. C. Born in Illi-
nois 1877. Began career on San Fran-
cisco newspapers as cartoonist in 1905.
Creator of Mutt and Jef^'; portrayer
of the antics of these redoubtable
gentlemen on the screen. Illustrator
of numerous books for children. Now
of New York.
Fisher, Harrison. Born in New
Y'ork. 1877. Educated in San Fran-
cisco and Paris. His original Harrison
Fisher girl instigated the craze for
glorifying The American Girl, the first
model of which is said to be a local
society woman of many adventures,
amours, escapades and intrigues.
Present habitat New Y'ork.
Dramatic Producers
Belasco, David. Born this city
1859 and one of our most illustrious
members of the Hall of Fame, since
he is ranked as the dean of American
dramatic producers. He is the pro-
motor of more plays than could pos-
sibly be mentioned here. Every
American actress and actor of con-
temporary days has at some time in
his or her career passed under the
hands and influence of Belasco and
legion are the thespians he has "dis-
(Continued on Page 36)
Famous Clubs oj San Francisco as Visualized by One Who Has Never Been in Them
THE FAMILY
The San Franciscan
llbj
As To Books
Biography Moves to the Syncopation that Pervades all Literature
By UFFINGTON VALENTINE
E\ EN its old name has become de-
moded "Portraiture' is one of
the popular present synonyms
lor it. It seems better to express what
biographers like Emile Ludwig, Gue-
della. Maurois and other admired
members of the "new school aim to
give us before all else, the veritable
soul of a subject, arid by processes
that discount much of that external
data on w hich the w hilom biographer
rested his case. One speaks of the
school as new, though Ludwig. in a
foreword to his "Genius and Char-
acter." asserts that his methods are
only a recurrence to those of Plutarch,
whomhe considers the criterion of bio-
graphers. Just how much pretense
mixes with all this attempted soul-
painting is a question, but at least one
must grant the increased brightness
of modern biography. It is generally
easy enough reading, easier, indeed.
than many a to-day novel, and the
partition between these "portrait-
ures" and fiction is thin. In a Barring-
ton "novel" a sense of category even
grows confused,
« « t
Arthur D. Howden Smith's
^"V Commodore Vanderbilt," which
is subtitled "An Epic of American
Achievement." is one of these rather
hybrid productions ; w here fictionizing
is plentifully employed to hold the
interest in the founder of the Vander-
bilt millions. "Corneel V'ander Bilt."
as it appears he was called, was the
first of the line w ith a soul to paint, if
one may rely on Mr. Smith's rankings
into Vanderbilt origins, represented
by him as "a miserable set of farmers,
fishermen and laborers, noses close to
the grindstone and clods never shaken
off their boots — when they could afford
boots, " whose reason for emigrating
from Holland was an early colonial
mystery. His biographer allows the
Commodore a "soul", though not a
particularly large one, and combats
the popular conceptions that he was
stingy, mean-spirited, deceitful de-
pite "technical grounds" for that be-
lief. In such tales of his accredited
parsimony as his protest over his
physician's prescription of a pint of
champagne a day for his dyspepsia —
"Oh, no, doctor, I can't afford cham-
pagne! Won't sody-water do? " — he
finds "the instinctive reaction of a
mind bred in the traditions of poverty
and self-denial. Money, to "Corneel,"
he contends didn't connote luxury,
"It was power, a means to an end. It
mustn't be abused or w asted. " It is the
romance of early American finance ; of
a man who began life as a poor Staten
Island ferryman and ended his days
in the purple of railroad kingship;
who, as described by his biographer,
was picturesque, magnetic, less open
Recommended Reading
A President is Born, by Fanny Hurst.
.^n exuberantly drawn picture of a Middle W'c*^!
family to whom is born a predestined occupant ol
the White House. {Harper li Bros )
Cups, Wands and Swords, by Helen Simpson
A refreshing narrative of undergraduate Oxford
and London's la vie de boheme iAIJred A. Kr\opJ )
Iron and Smoke, by Sheila Kaye-Smith,
Human nature dissected with the author's usual
expert surgery, (H, P DuUon c^ Co.)
Due Reckoning, by Stephen McKenna.
More about Ambrose Sheridan, his domestic
affairs and English parlamentary life,
{Cade. Brown iri Co 1
The Last Post, by Ford Madox Ford
The conclusion of the author's series of Christo-
pher Tiet Jens stories, {Albert Of Charles Bor^i)
Fhe Ugly Duchess, by Lion Feuchtwanger
An historical romance with an interesting main
character by the author of "Power "
[The Viking Press)
Eden, by Murray Shechan.
Lilith and a philosphic paraphrase of the second,
third and fourth chapters of GenesiS-
(£, P. Dutlon i'i Co )
MISCELLANEOUS
The American Novel Today, by Regis Michaud
A searching study of contempDrary American
fiction {Little, Brown C" Co )
Alfred E. Smith, by Henry F. Pringle,
A keen critical study of New York's governor
{Macy-Masius)
Man Rises to Parnassus, byHenry Fairfield Osborn
A fascinating story of the evoluii ins of mankind
{Princeton University Press)
Tinker's Leave, by Maurice Baring.
A rewarding record of travel and temperament
{Doran <Uf Co )
Peace or War"", by Lieutenant Commaner Ken-
worthy, With introduction by H. G. Wells.
The chancesof a future war weighed by a militar\'
expert {Bom <^ Liveright)
to aspersions than almost any Ameri-
can of an era that saw capital climb-
ing to arrogant authority in national
affairs; one who symbolized the
spiritual forces that drove the country
forward, (Commodore Vanderbilt, By
Arthur D, How,'den Smith, New York:
Robert M, McBride & Co. , Publ ishers.
« \ \
WHILE the railroad magnate was
wielding his scepter a certain
Lady Augusta Stanley was busy in
England penning epistles about a
court-life with which one of his des-
cendents was destined to mingle,
thanks to his dollars. The "Letters "
are edited by the wTiter's nephew, the
Dean of Windsor, who admits that he
has expunged some of Lady Augusta s
too frank criticisms of her sovereign.
As they stand, the letters convey the
impression that Victoria had, with all
her faults, a "loveable side ' ; and as
her lady-in-waiting, Lady Augusta
was in the way to judge. The main
merit of the book is its intimate
glimpses of the Queen's domestic
circle and its period aquarelles.
(Letters of Lady Augusta Stanley. A
Young Lady at Court. 184Q— 18b3.
New York: George H. Doran,
V * t
THE Citroen Expedition across
Central Africa is graphically re-
corded in "The Black Journey, " a
collaboration by two of its members,
Georges Marie Haardt and Louis
Audouin-Dubreuil. The trip, taken by
motor, was from Morocco south to
the Belgian Congo and thence east to
Lake Victoria and Madagascar and
demonstrated the possibility of estab-
lishing rapid communications between
Algeria and 'western Africa ; of making
the motor car a means of world
exploration. Though the practical pro-
blems involved in the journey are kept
in view, the authors tell a fascinating
tale of the darkest side of the Dark
Continent from a purely travel point-
of-view. All the strangeness of Afri-
can savagery passes in review. There
are descriptions of the "Kolo " dance
performed by Kanembou women; of
the ritual deformations among the
Sara-Djine and other tribes, char-
acterized by monstrous "lip plates " ;
of the sorcerers of the Tchad region
and the weird ceremonies performed
at their secret societies: of the pigmy
people known as Tick-Tick ; one reads
of hippopotamus and other big game
kills; of gigantic ant-hills; colossal
mangrove trees and other wonders of
equitorial nature; of all the diverse
sights and hazards of an expedition
that extended over 12,400 miles of
desert, brushwood, savanna, marsh-
land and forest. To trained, scientific
observation the authors add the art
of vivid 'writing. The Black Journey.
Across Central Africa with the Cit-
roen Expedition. New York: Cosmo-
politan Book Corporation. $4,00.
* * *
EVER since his one prime dramatic
success, "The Servant in the
House ", Charles Rann Kennedy has
restricted his play-'^vriting talents to
the same didactic humors. Except for a
few productions like "The Madonna,"
(Count ined on Page 36)
The San Franciscan
117}
Assassination of James King of William, corner of Montgomery and ^"ashington Streets, San Francisco
W'"hen one first hears the
name, James King of Wil-
liam, his curiosity flames.
Who was the man: what was he king
of; what didhedo!' The imaginatively
inclined quickly scent a "story ". The
man, who bore such a name could
have been no ordinary person; could
have lived no dull, neutral life. The
feeling that there must be a story
behind the name is fully borne out,
for the man played a part in early
San Francisco history as remarkable
as his name.
James King of William was born in
Georgetown, D. C. in 1822, where his
boyhood and youth were spent and
where he received, as a young man, a
very good education. The acquisition
of his name is significantly expressive
of the man's character and career. His
father's first name was William and
within his immediate family circle
there was a second James King. In
order to definitely establish his own
identity, young King designated him-
self as the son of William, his father —
hence the formjames Kingof William.
He always wrote his signature in this
fashion and such was the force of the
Tin Types
James King of William
By ZOE A. BATTU
man, that the public never alluded to
him save by his self given name.
For several years before coming
West, he was associated with a Wash-
ington banking house, Corcoran &
Riggs, but upon being overtaken with
ill health, departed in 1848 for Chile
and Peru. In 1849, attracted by the
gold rush, King of William embarked
for California and upon arrival took
up his residence in Sacramento. In this
city he made connections with a mer-
cantile firm, Hensley, Reading &
Company and within a year was a
partner in the concern. About 1851 in
partnership with Jacob B. Snyder, he
opened a bank in San Francisco,
known as the house of James King
William & Company.
This bank subsequently merged
with Adams & Company, banking and
express concern and in the move there
lay trouble. The years 1853, '54 and
'55 were years of rapidly gathering
storm clouds in San Francisco's com-
mercial and social life. The first high
tide of the gold stream was slowly
ebbing, but its intoxication and reck-
lessness still gripped the public. So
steadilv had the swollen flood of the
metal poured through the city, that
the idea that it might some time lessen
or cease was unthmkable. Few indeed,
were the business men or houses that
had not fallen victims to the over
expansion fever that permeated the
air. The speculator, that gentleman of
the fluid imagination and persuasive
tongue, but none too sound j udgement
and financial responsibility, waxed fat
and in great numbers.
In 1854 the crash came and in this
year and the one following, scores of
San Francisco business houses failed
and practically every bank in the city
was threatened with extinction in the
general panic. Adams & Company with
whom King of William had become
identified had a run on its bank and a
failure that were among the most not-
able and disastrous in American bank-
ing history. Though a member of the
failing house. King of William's per-
sonal honor was above reproach.
Directly after the bank closed he wrote
a series of newspaper articles and
pamphlets exposing the methods and
manipulations, which had brought
ruinous loss to thousandsof the bank's
(Continued on Page 30)
MISS HARRIE HILL
Daughter of Mrs. Harry Hill of San Francisco. From the portrait by Rudomine of Paris
SAN FRANCISCO
PUBLIC LIBRARY
The San I-'kanciscan
f 191
The Reigning Dynasty
As the season, which has been
/-\ such a spontaneous thing of
Ji jLgayety, draws to a discreet
close with the approach of Lent we
turn our attention to the final fling of
frivolity — the Klardi Gras hall To be
sure the background of substantial
civic tone is not indicative of the soar-
ing nature of the ball itself, but no
doubt our disappointmentcanbedealt
with as the boxes have already been
spoken for with surprising rapidity.
Among the list of holders are Mrs.
Latham McMuUin, Mrs. Henry Kier-
sted, Mrs. Peter McBean, Mr. and
Mrs. Milton Esberg, Mr. and Mrs.
Waldo Coleman. Miss Persis Cole-
man, Mrs. Talbert Walker, Mrs. Harry
Poett, Mr. and Mrs. George Bowles,
Mr. and Mrs. Alan Lowrey, Mr. and
Mrs. Augustus Taylor, Mr. and Mrs.
George Pope, Mr. and Mrs. George
Newhall, Mr, and Mrs. John Drum,
Mr. and Mrs. Richard McCreery, Mr.
James Phelan, Mrs. Herbert Fleish-
hacker, Mr. and Mrs. Andrew Welch,
Mrs. Helene Irwin Crocker and Mr.
and Mrs. Julian Thorne. The indis-
pensable KoslofT will of course be in
direction ofthe tableaux and will dance
with the ever lovely premier danseuse
Vera Fredora. We like very much the
thought of "wings" uhich will guide
the night to its destiny. It is amazing
what an aviator's helmet will do to
solve costume problems in the case of
a demurring man and such be feathered
opportunities for the damsels with an
eye for dramatic entrance. February
twenty-first should be a spectacle of
gorgeous beauty before we drop our
lashes and don our sackcloth and ashes
and yea, verily drop into sweet, restful
slumber .
\ \ \
THERE has been much happening in
honor of the visiting polo teams.
While they practiced, house parties
thrived. The eastern team composed
of George Gordon Moore, Thomas
Hitchcock, Jr., Averill Harriman and
Captain Roach will play against the
San Mateo team. Will Tevis, Arthur
Perkins, Jean de St. Cyr and Cyril
Tobin at two exhibition games Feb-
ruary 3 and 5 at the San Mateo club.
On the evening of the opening match
Jean de St. Cyr will give a large ball
for Thomas Hitchcock, Jr. at the Polo
club. The clubhouse will be converted
into a Parisian cafe and the guests
will appear as Apaches. On the night of
the 5 th he will honor the GeorgeGordon
Moores at a dinner dance which
will take place at the St. Cyr estate.
MISS Barbara Sesnon and her
fiance Mr. Frank Cartan were
complimented at a dinner given by
Miss Josephine Grant at her town
house. Among the guests were Mr.
and Mrs. Harry Hush Magee, Miss
Elizabeth Magee, Miss Elizabeth
Moore, Miss Adrianne Sharpe, Mr.
Charles Fay, Jr., Mr. David Saunders,
Mr. Frank Fuller and Mr. Porter Ses-
non. Miss Grant has been attending
the polo at Del Monte where she was
the guest of Mr. and Mrs. George
Gordon Moore.
\ \ %
WITH all chit chat ending sooner
or later with the approaching
Mardi Gras ball one hears much dis-
sension as to the change of locale. One
wonders vaguely, if perhaps the man-
ager of the famous hostelry on the hill
which usually harbors the enthusias-
tic revelers, found that last year the
complete upsetting of a floor whose
inhabitants were striving for a bit of
sleep around five in the morning and
the subsequent huffy departure of
several important guests was perhaps
. . . not worth while after all.
t r «
WORD drifts back now and then
from Paris, as to what the
California colony does to amuse itself.
Somehou' one usually manages to
worry along in Paris. Recently the
now internationally known Jay
O'Briens gave a smart dinner at their
home in the rue Francois ler at which
it was interesting to find the Reigning
Dynasty so generously represented,
Mr. and Mrs. Edmonds Lyman, Mr.
and Mrs. Joseph Oliver Tobin, Mr.
and Mrs. Nion Tucker, Mr. and Mrs.
George Cameron, Miss Kathleen
Thieriot, Mrs. Cole Porter, Prince and
Princess Aage of Denmark, the Baron
and Baroness Eugene de Rothschild,
Sir Charles and Lady Mendle, Conte
and Contessa Puccini, Mrs. Regi-
nald Vanderbilt, the Princess Hohen-
lohe, the Marquesa de Fuenta Her-
mosa and Mr. Rene Lacoste.
? r «
THE John Somavias (Edith Von
Rhien) have left New York where
they have been tarrying at the Plaza
all winter and are now at the Ritz in
Paris. They crossed with New York
friends on the Leviathan and after
staying a month in Paris will take a
villa at Cannes for the season. Mrs.
Somavias delicate blonde beauty at-
tracted much attention in New "York
where she was painted by two eminent
portrait painters.
THERE has been much commen*'
over the recent visit of His Excel-
lency the Archduke Leopold of Aus-
tria, nephewof the late Emperor I- ranz
Joseph. He turned out to be the most
disarmingly informal person who has
spent the past ten months "doing "
the United States just as one might
expect a Yale or Princeton youth to
do. He had a fling at Hollywood and
acted in several pictures himself. His
comments on the San Francisco debu-
tante were far too flattering for print.
« \ \
MR. and Mrs. Fred McNear de-
parted for the south with a group
of friends in a private car where they
will spend much time at Coronado.
Another group to go dow n in a private
car were Mr. and Mrs. Walter Filer,
Mr. and Mrs. George Newhall, Mr.
and Mrs. Alexander Hamilton, Mrs.
Rudolph Spreckels and a number of
the debs, Harriet Brownell, Eleanor
Weir, Alma Walker, Alice Eastland
and Grace Hamilton.
\ \ \
IN spite of the fact that Mr. Paul
Elder did not provide an elevator
to his charming and quaint Gallery,
the Dowagers, to mention nothing
of the younger matrons and the "debs '
faithfully climbed the flights to the
opening of the Trevor Haddon Exhi-
bition, where many nice things were
overheard with regards to the por-
traits of Miss Jacqueline Keeslingand
Miss Vail Jones. Although a new
comer to San Francisco, Trevor Had-
don has done several portraits of
members of the Dynasty. Many of the
canvasses now on exhibit Mr. Haddon
painted in London. At a special exhib-
ition he painted portraits of each
member of the famed "Savage Club. "
His portraits are remarkable for their
vitality and convincing quality of
character.
\ \ \
The wedding of Mr. Paul Bancroft,
Jr., and Miss Rita Manning will
take place the middle of this month in
New ^'ork City. Miss Manning is the
daughter of Mr. and Mrs. Daniel
Manning of New York, and passed
part of the summer in California with
her parents. She was graduated from
the Todhunter school in New York
and later completed herstudies abroad.
She was a debutante in New York
society last winter.
Bancroft belongs to the well known
Bancroft family of California and is a
grandson of the late Hubert Howe
(Continued on Page 38)
The San Franciscan
[201
Goal!
The Sport of Emperors Moves Westward
By JEAN F. HOBBS
To China and the Chinese, we
of San Francisco are indebted
for many things. There is our
own Chinatown, glowing as a scarlet
poppy on the breast of a haughty
beauty, the decidcJK- ultilitarian in-
stitution of the laundry, and the
savory mess called chop suey, but the
greatest thing the Celestial Kingdom
has done for the smart modern hap-
pened more than two thousand years
ago. and has to do with the preserva-
tion of the game on w hich our present
day polo is founded.
During the T'ang dynasty, which
reigned in the bth and 7th centuries
A. D.. the emperor Hsi Tsung decreed
that the court dignitaries should play
polo as a part of their official duties,
thus assuring himself plenty of com-
pany in his favorite sport, and at the
same time giving the game an added
prestige by thus stamping it with royal
favor. Now we have had Tennis Cabi-
nets in our day and generation, and
we ha\'e even been threatened with
Golf Cabinets, but the possibilities of
a Polo Cabinet is a highly diverting
improbability to ponder. Imagine —
the Secretary of State madly riding
off the Postmaster General, while the
Secretary of the Treasury, with a
terrific backhand swat, lifts the ball
out of danger so quickly that the Sec-
retary of Wars' pony, swerving too
sharply after it, throws that dignitary
to the ground with a dull thud. Or to
come nearer home. Fancy the far
reaching possibilities of settling local
political questions on the polo field.
Though it might necessitate such a
regrettable thing as his Worship the
Mayor nursing a cauliflower ear while
dispensing pearls of oratorical wisdom
to the multitudes, from his retreat be-
neath the dome — "35 feet higher than
the dome that graces the capital build-
ing at \\ ashington, ladies and gentle-
men"— ne\'ertheless, such a program
would have its advantages.
Pursuing further the political
aspects of the galloping game, history
records that again in China "a general
was compensated for the loss of an eye
in a spirited chukker by being pro-
moted to President of the Board of
Works." The emperor's responsibility
for this highly commendable act is
later recorded as having caused the
death by hanging of an over-zealous
member of the court who objected to
his polo playing. The possibilities of
these precedents become highly im-
portant when we realize what might
happen if Big Bill Thompson of Chi-
cago took to polo.
UNTIL 1914 it was generally con-
ceeded that the supremacy of
polo in the United States rested un-
disputably in the East. Then Eric
Pedley, Arthur Perkins, Ted Miller
and Carleton Burke went from Mid-
wick to Rumson, N. J., for the Junior
Championship with a string of thirty
California ponies. The invasion is
memorable for two reasons. First they
carried the Junior event, then in true
western style decided to "rush their
luck" and enter the Open Champion-
ship at Meadowbrook, where they
emerged victorious for the second
time. Only once before had any team
acquired both titles in the same year,
perhaps for the reason that the Junior
Chamiponship is limited to 20 goal
teams and suchoutfitswouldordinarily
have little chance in open events
against much higher rated players.
Team work and condition are gen-
erally credited as having "wrought the
miracle " in this instance, clearly dem-
onstrating thata well trainedorganiza-
tion, playing together as a unit, is far
superior to individual play, however
brilliant. Polo in California gained
notably with this victory, and players
began to develop. Some remarkable
mallet wielders, notably Eric Pedley,
rated with the ten best players of
America, can safely be claimed by
this state.
It takes two to make a polo player.
Careful study will show that with the
acqusition of better ponies many
players rate higher handicaps w ithout
any noticeable impro\ement in their
form. And that brings us to the heat-
edly argued question: can California
players be adequately mounted with
California ponies? Thirty years ago
when the running horse wSs at the
height of his popularity, the best
blooded stallions that Europe or the
United States produced were placed
on stock ranches in California. The
colors of man v of the big ranch owners
of the state were seen on famous tracks
all over the country giving a credit-
able account of themselves. As the
race tracks were closed, the progeny
of these blue blooded thoroughbreds
necessarily confined their activities to
home tracks. When these too , became
history, the runner seemed doomed.
Stallions and mares whose progeny
had flashed under the wire on a hun-
dred tracks a winner, were sold at
auction at ridiculous prices and scat-
tered throughout the state. At this
point the polo pony stepped in. The
thoroughbred, if he had been raced was
found of little use in polo, but when a
youngster was found that had never
faced a flag his natural speed and
gameness proved to be just what was
needed for the fast game. So a new
vista was opened to the thoroughbred.
One of the best known sires of the
race horse class was Judge McKinstry.
Innumerable ponies, such as Topo,
Hay Seed, Juanita, Dolly Varden and
High Life have proven beyond a doubt
that players need not go far from
home for mounts.
Just now there is a remarkable work
being done by the Army Remount
Association. Between 12 and 15 tho-
roughbred stallions have been placed
on various ranches throughout the
state and are producing hunters, army
remounts, and polo ponies from whom
there is sure to be a high average of
embryo record makers.
i It ^
IT is said with decreasing accuracy,
happily, that polo is a rich man's
game. The western clubs are encour-
aging play among the youngsters,
many of them are arranging cut-in
games for the benefit of the beginners
which enable them to go through
several periods with seasoned players
from whom they quickly pick up the
finer points. The Army is doing much
to encourage polo, chiefly because of
its value as an exercise. Colleges, too,
are recognizing the value of the gal-
loping game. And one of the most
recent interesting developments is the
pronounced activity of women, parti-
cularly at Santa Barbara and Burlin-
game. Who can foretell what crowds
polo may draw when its qualities as a
game become generally recognized.
The San Franciscan
f21 I
\
',f
4 '^-'^;*
.^A-^-
icii^
T/ie Po/o Player, by Baroness Dombrowski
Couricsy of Schifartz Galleries
The San Franciscan
f221
The Ideal City
We Advocate an Art Commission for San Francisco
Editors Note; The editorial policy of The San Fran-
ciscan has hcen to refrain from publishing articles of a
political or economic nature. BclicvinB the need of a
special body to direct and control the artistic growth of
San Francisco, wc depart from procedure and advocate
the plan outlined in the following article.
BEALTY specialists aidvise, "When
in the twenties prepare for the
thirticsand, when inthethirties,
prepare for the forties if you w ant to
be beautiful." They know full well
that wrinkles may be prevented but
not easily eradicated.
Recognition of this principle as
applied to cities, is at the root of the
present mo\ement for the establish-
ment of an art commission to perpet-
uate the beauty of San Francisco.
Nature has undoubtedly endowed
San Francisco with a lavish hand. And
man has built on nature's gift with
intuitive haphazardry until the in-
tangible thing that is San Francisco's
fascination has established itself. But
San Francisco is young. She has yet
the eager eyes of youth, the fresh,
seeking lipsof tremulous development.
The few uglinesses that have crept in
are forgiven her. But as years go on,
bringing benign maturity, her loveli-
ness must stand scrutiny for perfec-
tion in detail. It is then that the
ornaments donned recklessly in the
exuberance of youth will be examined
for true worth. It is then that her
public buildings, her statuary, her
public decorations will be questioned.
But then it will be too late to elimin-
ate and rearrange ill-advised acquisi-
tions. Only now, while things are still
in the flux of growth, can the right
forces mold and shape her artistic
expressions satisfactorily.
Most of the larger cities of the
United States have delegated matters
of public taste to an art commission
which passes upon all public buildings
and artistic acquisitions. Such a com-
mission is composed of an unsalaried
group of artists and laymen of dis-
crimination whose duty it is to pass
upon the designs for all structures
erected on or over city property — such
as buildings, bridges, facadesandstreet
lighting fixtures — and to decide up-
on the acceptability and advisable
placement of all monuments, statues,
mural paintings and public decora-
tions or works of art.
AX Francisco has no such com-
mission at present. Some of the
duties of such a body are incorporated
By ALINE KISLER
w ith the many offices and obligations
ot the park commission. The park
commission acts directly on all works
of art given to or acquired by the parks
and, when requested by the mayor,
the board of supervisors, the board of
public works or the board of educa-
tion, it may serve in the more general
functions of an art commission.
SIGHT
By Beth Wendel
She sees a diamond ring
I see the sparkling dew,
She craves the sapphire thing,
I look for starlight blue.
He fondles golden hair,
I ivalk in golden corn,
He laughs amid the glare,
I revel in the morn.
They see the peacock proud.
I see the little wren,
They count their gold aloud,
.And 1 have but my pen.
Such provisions were adequate when
the city was small and when her parks
entailed less strenuous supervision.
But now- the park commission is
burdened with the details of operat-
ing and maintaining the many parks
and squares throughout the city be-
sides the magnificent Golden Gate
Park known the world over. It is not
feasible to exact of it the extended
duties that could be required under
the existing charter provision. Espe-
cially is this true in the face of the
projected park program which in-
cludes the recently begun John Mc-
Laren Park with its five hundred and
fifty acres and the Larson Park in the
Sunset District.
Surely the artistic needs of San
Francisco are important enough to
have a commission composed of
specially qualified members devoted
solely to art interests.
The establishment of an art com-
mission in San Francisco does not
invoh-e. to any great extent, the exten-
sion of governmental power in private
affairs It is chiefly the transferring to
a new commission, powers and juris-
diction already granted in the charter
to the existing park commission. Even
the proposed organization is not an
entirely new venture as the park com-
mission from time to time hasappointed
an unofficial advisory committee com-
posed of architects, sculptors and
painters to assist the commission in
its decisions on works of art.
To understand the responsibilities
resting on a commission such as
the one proposed for San Francisco,
one has but to read the annual reports
of the commissions in New York,
Philadelphia, Pittsburgh, Milwaukee,
Los Angeles or any other of the six-
teen or more leadingcitieshavingdirect
art supervision. There one finds that
careful consideration is given all the
ci\ic structures and works of art.
In Los Angeles alone, for the first
nine months of 1927, the art com-
mission considered seven hundred and
ninety-five projects. The plans sub-
mitted brought an approval of
expenditures amounting to $10,415,-
982 and disapproval of applications
involving $853,810 — a total control
of$ll. 179,630.
If the same situation were trans-
ferred here, under San Francisco's
existing provisions, but a small per
cent of the matters brought before
the Los Angeles commission would be
under the direct jurisdiction of the
park commission. Responsibility for
the major matters could be assumed
by our commission only on the request
of the ma\or or one of the controling
boards.
Surely San Francisco is coming to
the place where artistic responsibility
can no longer be a side issue. It must
protect and perpetuate its natural
advantages by wisely supervised
artistic development.
George Douglas, in an address
on "The Ideal City" stressed the
need of such a body.
He said: "What is hung on the walls
of private homes concerns the indi-
vidual alone but surely whatever is
placed on public \iew must become a J
community responsibility. And how 1
can such a responsibility be taken if
a city have no specially selected group
to assume it!"
"With San Francisco it certainly is
not a matter of making her beautiful —
nature has attended to that. For her J
it must be an assurance that ugliness f
will not creep in."
The San Franciscan
123}
("ameron Prud'Homme
< hw of San Francisco's
ohlcst young actors.
u hose distinguished
work uith ihe Players
Cittld hax heen an
outstanding achievement
Portrait by
J ueptner-Stuarts
A Reviewer at Large
Some Notes and Comment on Music and Drama
By JACK CAMPBELL
EVERYONE seemed to enjoy the
local end of the symphony inter-
change- At times civic pride
threatened to crush musical apprecia-
tion, but by the conclusion of each
opus, sheer enthusiasm triumphed
Our musicians marshalled by the
redoubtable Dr. Hertz invaded the
southland with matchless success,
evoking loud "bravos" and "holas"
from the taciturn Philharmonic. This
was to be expected for our conductor
has long been an idol of the Angele-
nos because of his deep love for the
Hollywood Bowl.
At the Curran Theatre, however,
an entirely different situation pre-
vailed. Georg Schneevoigt, preceeded
by a phlegmatic publicity campaign,
faced a cold, critical nucleus of the
northern musical world. Receptive to
the extreme, it nevertheless issued a
challenging attitude which was not
conquered until late in the program.
At the second rendition of the con-
cert, Schneevoigt reversed the order
of his numbers and opened with the
Brahms. Three days had taught him
much. Had this rearranged program
been effected the opening day, he
would have had less difficulty winning
his audience.
Instead, he offered San Francisco
the Prelude to the M eistersinger as
the initial illustration of the brilliance
of the southern orchestra
Such an assault on the noble Hertz
citadel might almost be termed sacri-
lege. More so, considering the
di fference of the approach to the works
of the great Bayreuther.
The opening bars had an electric
effect on the audience. Like a flash —
heads commenced to nod, eyes spark-
led. Here and there were found rank
dissenters.
The division resembled the Reich-
stag. On this side could be located the
conservatives. Across the way a few-
reactionaries might be uncovered
Scores were unwrapped; facts of
importance were noted as meat for
weight y discussion at the intermission
After the Resphigi, had Schneevoigt
continued his course as a splendid
conductor, triumph would have been
his. A momentary acquiescence to the
domestic, however, threw his audi-
ence back into that morass of doubt.
Then, only the Brahms First played
as magnificently as it was by the Phil-
harmonic could account for the out-
burst of cheers at the conclusion of
the afternoon.
Given but lethargic assistance by
the management of the Philharmonic,
it is small wonder that the popular
concert was so poorly attended. It
demonstrated more fully the brilliance
of the southern aggregation but pro\ed
that a belligerent rather than a subtle
Wagner was necessary in the larger
Civic Auditorium.
» « ?
AN important month on the con-
^cert stage and in the recital halls
palled somewhat in the lustre of this
interchange. Our own ^'ehudi Menu-
hin wrecked the matinees, emptied
the boulevards and almost capsized
the spacious Auditorium on the after-
noon of January 22d. After rendering
the Devil's Trill and the Chaconne,
this interest was manifestly repaid.
Eva Gauthier once more showed
her leadership of the concert stage.
Firm, fearless, and bizarre, she easily
won an ultra appreciative group.
Carryingabanner bearing "Depuis Le
Jour," Mary Lewis likewise evoked
much praise.
« * «
BECAUSE the Chicago Opera Com-
pany failed to include nine Pucci-
nis and six V'erdis in the repertoire,
tContinued on Page 34)
The San Franciscan
I 24 I
As I ciro\e out Windsor Boule-
aA \ard chat charming, wine-
JL V.l1i-ished twilight, I could not
but reflect upon the nature of the
woman whom 1 was to see at the end
of my journey. It was an unusual
journey, to say the least. A lady had
called that morning at the office and
had. in a rather gushing and florid
voice, enquired for me. She had then.
with a great flow of words, told me
that she knew Mr. X . a com-
parati\ely well known no\elist and
play w right residing at the time in Paris,
and with whom I had had consider-
able correspondence of a literary sort
Mr X had requested that she call me.
Something about her manner sug-
gested, in that very intangible and
mysterious way that voices sometimes,
do, the charlatan. It was not entirely
the bold assert iveness of her voice
but the insistence of it when suggest-
ing that I call. I might say the voice
was desperate, frantic. I acquiesced
in her wish, not out of any very high
regard for Mr. X, but because 1 was
intrigued by her voice. I had been
called before by strange women on
literary missions and never, no, not
once, had I been disappointed, for
though we were never literary it can-
not be said that our hours were mis-
spent. For literature, with women, I
had come to realize, was a means, not
an end
And then her home . .It was
a small house in a fine residence sec-
tion, set far back from the street,
covered with vines, shaded and
secluded. The little glow of amour
which the recollection of prior literary
affairs had kindled now lept into a
flame of reality The ideal setting for
a romance, engendered, say, by a
mutual admiration for Mr. Cabell's
work Mr. Cabell had always been so
valuable in such matters in the past,
and though I was personally bored by
his endless vanity, a feigned admira-
tion for his works had brought me great
joy on numerous occasions and 1 con-
sidered him, therefore, not entirely
negligible.
? » ».
A SOFT light from a rose-colored
lamp was making magic on the
carpet and furnishings within, and I
pausedatthedoortoallow my thoughts
a moment of joy ful anticipatory specu-
lation before announcing my presence.
"Goliath''
Or What Price Power
By CAREY N4cWlLLlAMS
A blonde'? Vivacious, thirty, w idowed
. Yes, perhaps, but without
children, for they always cast an
exceeding pall upon my emotions and
the duty of admiring them was an
exercise in distaste as far as 1 was con-
cerned. But better a sad-eyed matron
of the near — forties, with a passion
for heavy wines, and deep emotions.
In my imagination I could see such a
creature, one of Jurgen's loves,
approaching me through the rose-
magic light, swathed in diaphanous
robesof an unambiguous design, I was
so elated by my dreams that I hesi-
tated to ring the bell; I was loathe to
summon my love, and was on the verge
of turningaway, when that voice of the
morning sang out from above "Oh,
there you are! " It sounded, this time,
inadequately girlish.
The next moment the door swung
open, and a pair of diluted blue eyes
ogled in the dusk, and an old bony
claw of a hand reached out to greet me.
Love left me abruptly and I trembled
v,ith ague. The damned old hag! I was
on the verge of saying that it was all a
mistake and retreating from this for-
bidding grandmother, when she
smirked again and drew me into the
interior with a certain and decisive
gesture. Her hair was once grey and
now. by virtue of drug store magic,
was an uninviting yellow that covered
a skull, not a head. She limped, more-
over, and were she a virgin of unearthly
beauty she could not survive a limp.
A limping lady! Impossible; unthink-
able! It suggested surgical appliances,
wooden legs, bolts, screws, steel con-
traptions, mechanical engineering, oil-
ing, and what not. She was in a
dressing gown and the suggestion of
old breasts was visible.
\ \ \
WITH masterly tact I succeeded in
avoiding the intimacy of a tete-
a-tete divan, maneuvered far from a
small settee, and managed to get us
both established in chairs comfortably
remote. Jurgen, lucky fellow, in his
most unsuccessful romance had only
encountered goats, but I had been be-
trayed by the splendor of those former
amours into the hands of an ageless
hag. Damn that fellow X ' To hell with
his play. But my lady of the rose-light
was talking. Oh, she loved art, and
young artists. In fact she was an artist
herself, yes, indeed, an artist, 'Would
you believe it,shepainted!One would
not, but then one could hardly say so.
She had found, so she said, a big
powerful man to play the role of Timo-
thy in Mr. X's play. All her life she
had admired that character of Timo-
thy: big, powerful, the incarnation of
the masculine, the apothesisof the
manly. Ah, big, brutal Timothy! And
now she had found the man to play
the part, a God of a man, atrociously
masculine, tawny, leonine. Her old
eyes actually glittered so excited did
she become; the dressing gown slipt
from one shoulder; her breathing be-
came comparable to that of La Cjloria
Swanson in the last act of "Mad Love' ;
and she radiated towards me an aroma
of vibratory enthusiasm.
Would I like to see her paintings^
Thinking that the paintings would be
safer than this talk about masculine
actors, I acquiesced. We proceeded,
she limping, I staggering, into an
improvised studio. She brushed closely
past me to turn on a switch, and an
aroma of very flapperish perfume
flouted my nostrils. I was thankful
indeed that the electrical system was
in good order and that the flood of
illumination came so quickly to my
rescue. It revealed a half dozen paint-
ings strewn about the room. Two huge
ones were most prominent. One wasof
a tawny, ruddy colored Mexican labor-
er. A man of gigantic proportions, and
the old lady had managed to get con-
siderable verisimilitude into her can-
vas. Yes, indeed. I replied to her
entreaty for praise, it was charming.
That lucky, useable, ubiquitous word
"Charming"! The other canvas was
of a Roman Gladiator, A monstrous
man, aGoliath, atowerof beef, asuper-
fullback, "I call this picture Power."
she sighed, "isn't it superb? The man
who posed for it was an extra in Ben
Hur and it took us a month to com-
plete it," I could very readily under-
stand this, and my admiration for the
fortitude of this figure, "Power." in-
creased. A month — thirty days —
\ \ \
LIKE unto Napoleon retreating from
J Moscow, did I back step by step
towards the hallway and towards the
door which meant escape, freedom and
release for me. She was, shall I say, in
hot pursuit. The phrase, despite the
unfortunate double entente, is not
tContinued on Page 28)
Gulls at Ferry Tower San Francisco
Courtesy oj Ciiy'p/ Pans
The San Franciscan
I 2b J
W. J. Z. New York
Broadcasting the Talk of the Town
By JOSEPH HENDERSON
Among the New '^^ c a r
AA gifts which New ^'ork
jL iLsecms to have merited
is a quantity of mild, almost
California weather, about ten
theatre openings a w eek and a
lot of resounding steel skeletons
w hich promise interesting new
architectural angles Of these
latter the growing New York
Central Building is the most
revolutionary just what the
completed product will he is
still uncertain but so far it is
the most exciting place in tow n
A great steel-ribbed monster
has flung itself down on two neiDancers
large blocks and the width of
Park Ave. between Forty-fifth
and Forty-sixth streets. The
ground floor will easily carry
two roaring streams of traffic
and several hundred shops. But
that is only one and there are
to be about forty-five more
Hereafter one will have to hire
a Cook's guide or take up Ge-
ology to find the Grand Central
Station or the '^'ale Club. The
next important changes in the
skyline, to put it mildly, are to
be found on Fifth Ave. culmin-
ating at Central Park. San
Franciscans returning to New
York after a year or two of
absence will find buildings of
astounding new altitudes and
proportions in much the same
way as Medieval crusaders re-
turning to France found that
undreamed of Gothic towers
were replacing the flat Roman-
esque churches they left be-
hind. The conservative brown-stone
or Renaissance elegance of upper Fifth
Ave. has been permanently blasted
by a number of great monolithic pro-
tuberances bolstered up with all
manner of boxed-up terraces from
twenty to fifty stories above the street.
New Yorkers are generally hostile to
these new comers and pretend that
the effect produced is more or less
what little Rollo might have done
with his Christmas blocks after
having seen the Grand Canyon, but to
us from the land of long vistas these
buildings are full of excitment and
interest. The square long famous by
the Plaza Hotel and the old Vander-
B.v Arthur B Dm
NAMELESS
By William E. Scotten. Jr.
/ He long lazy afternoons
Amid the weedy lusciousness of lilies
That lift their white wise-nodding
heads to heaven;
In my nostrils
Smells of crushed stalks,
The good brown earth,
And summer:
In my eyes
The chiaroscuro
Of leafy patterns
On a pale dry blue;
But to my floating consciousness
The yearning harmony of
faint-heard traffic
Trickles maddeningly.
Links me ivith a world
Almost forgotten.
N'
bilt house is now completely reformed.
The architectural motif fortunately
furnished by the Plaza itself (white
facade and green slanting roof) is re-
peated in buildings which either
crouch low like household pets or
spring into amazing towers like moun-
tain peaks and fireworks. There is
plenty to quarrel with taking The Sa-
voy Plaza, The Serry Netherlands and
the Bergdorf Goodman building separ-
ately (their very names indicate their
over-conscious elegance) but the
general effect is good and at night
with the Heckschertower_addij]g back-
ground it is sheer magic. To predict
the motif of the future architecture of
New York is sheer folly.
EW YORK seems to have
gone completely German
this season. Max Rcinhardt is
here with a formidable list of
German stars to show us how
the classics should be acted;
Count Keyserling has arrived
apparently to diagnose our
social ills and tell us what com-
panionate marriage means;
Emil Ludwig stands before
learned audiences tw ice a week
withnotebooksfullof Bismarck,
The Metropolitan is weekly
opulent with splendid Rosen-
kavaliers, Walkures, Tristans
and Tannhausers ad infinitum.
Jeritza has Teutonized Car-
men, everywhere concert pro-
grams are full of Handel, Mo-
zart, Beethoven, Brahms, and I
Schumann transmitted tousby
such patriotic interpreters as ■
Fritz Busch, Harold Bauer,
and Ignatz Freidmann, and 1
Ferenec Molnar is the season's •
favorite dinner guest. All we
need is a few good beer gardens
and Alfred Hertz's picturesque
profile to make the illusion
complete Of these German co-
horts most worthy of San
Francisco's interest, as it has
been of New York's, is Herr
Reinhardts theatre. The criti-
cal interest aroused by the.
Dempsey-Tunney fight, the:
Miracle or Ruth Elder, was-
tame beside the Reinhardt pro- ■
duction of A Mid Summer'
Night's Dream,, and like the.
Dreyfus Case or the French'
War debt it created two dis--
tinct and bitter factions. There _were;
those who said Shakespeare's play,
was not much good anyway. Rein--
hardt s production a miracle of poetic .
beauty and himself a genius; and those
who said the play was a miracle ofi
poetic beauty, the production a mess,
and Reinhardtanidiot. Like Aristotle,
your correspondent chose a mean
somewhere between these two opposi-
tions. Reinhardt is probably not the
greatest Cjerman since Goethe nor his
productions the greatest since Sopho-
cles' time, but one feels a genuine
excitement in following his amazing
repertory of plays from the lightest
Goldoni farce to the heaviest Tolstoi
(Continued on Page 3 5)
The San Franciscan
127 1
The Curb
San Francisco's New Security Market
By R. F. BERKELEY
ORGANIZATION of a Curb Ex-
change, under the auspicesand
aegis of the major Stock Ex-
change of San Francisco, mai<es a dis-
: tinct and eminently desirable forward
I step in what may, without exaggera-
: tion, be described as the triumphal
i march of our financial district to the
second place in the nation's security
markets. For New York only can now
claim precedence over the City by the
Golden Gate, in the volume of and
.magnitude of business transacted in
stocks and shares.
Curb Exchanges presenting a case
!i where past history is in varying de-
'gree a guide to the present. A few
words regarding the best known curb
market of the country, that of New
Y'ork, will serve to explain the one in
which most of us are now chiefly
interested.
There was for many years in Broad
Street, New York, an unduly self-
determining stock market, with sky
for roof, which, in a decidedly free-
and-easy — and often unmannerly —
manner dealt in securities, good, bad,
and indifferent. Rope a-plenty the
curb traders allowed themselves (a
rope it was which served, indeed, for
walls), their rules and regulations
functioning through an old-time
member, whose decisions were final.
There was nothing of the nature of
listing; quotations often represented
"wash sales " ; the business was of a
rough-and-tumble order; morality
was dependent mainly on personal
tenets. Notwithstanding which, it
must be said that the bulk of the trans-
actions, as of the securities admitted
to quotation privileges, left nothing
to be desired. Yet the admittedly in-
significant leaven of evil sufficed to
affect the public attitude towards even
the greater institution, and the
Governing Body of the New York
Stock Exchange found it necessary to
confine the Curb within walls, and to
inaugurate simultaneously strict con-
trol over the transactions therein
conducted.
The misapprehensions under which
the investing public and speculating
public have labored regarding curb
exchanges will, from the foregoing, be
readily understood, and one cannot
be too thankful that the New York
situation has been completely
changed. The New York Curb Market
stands now, to all intents and pur-
poses, on the same footing as the New
Y'ork Stock Exchange, the only differ-
ence being that of thesecurities deal tin.
* « «
SAN Francisco had not exactly the
same problem to deal with, but it
might possibly have had, but for New
York's experience. For, until this year,
we have had no curb market, properly
or improperly, so-called. There was a
market in which to some there seemed
at one time latent germs of a secon-
dary market, though it was not taken
very seriously by those qualified to
judge the situation. The old Mining
Exchange did for a short time venture
into fields unknown, but the ad-
venture was short-lived, its success
not conspicuous.
The leading exchange in San Fran-
cisco (in Montgomery Street) was,
however, confronted with one problem
which was on all fours with that which
the New York Stock Exchange faced ;
the need for a separate market, in
strong hands and under strict control,
to deal in a class of securities which
might be regarded as less seasoned
than their fellows, or for other reasons
not in every respect eligible for listing
on the Stock Exchange. The San Fran-
cisco Stock and Bond Exchange — the
title under which the leading exchange
of the Pacific Coast operated since
1 882 and until December 8th last, had
maintained a department which dealt
in unlisted securities, but the unlisted
department had always presented a
more or less difficult problem. On
October 20thof last year, an announce-
ment was made that the major ex-
change proposed forthwith to create a
Curb Exchange. 1 1 would be separately
housed and independent of its parent ;
so started, however, on life's journey
as to leave no doubts as to its future
well-being.
With December 8th, came detailed
announcement of the entire program;
a double baptismal ceremony, too ; the
proud father undergoing smilingly the
ordeal of water, at the same moment
as he tenderly immersed his newly-
born. The San Francisco Stock and
Bond Exchange emerged, stripped of
titular superfluities, to be known of
all men in days to come as plain San
Francisco Stock Exchange. The Curb
Exchange found itself at birth in pos-
session of a fine home; the Stock Ex-
change authorities having purchased
the handsome building recently
erected on Bush Street by the Mining
Exchange (which has, perforce, be-
taken itself to new quarters).
I i i
Under the present plan, the Stock
Exchange, composed of the
membership and organization of the
old Stock and Bond Exchange, will
deal only in listed stocks and bonds
which meet the very rigid require-
ments of the Exchange. All other
securities will be traded in on the Curb
Exchange only ; the Mining Exchange
will not deal in securities admitted to
trading on the Curb Exchange or listed
on the Stock Exchange.
The stock market situation in San
Francisco has thus been finally and
completely clarified, and the Curb Ex-
change has been established, from
initiation, on a firm foundation, and
with a sound constitution (modeled
largely upon that of the old Stock
and Bond Exchange).
All members of the former Stock
and Bond Exchange hold member-
ships in the new Curb Exchange, as
Charter Members. There are 100
Members of the Curb Exchange;
Charter Members totaling b7, 33 seats
beingavailableforsale to new members.
The chief economic function of a
Curb Exchange being that of a pre-
liminary market, it will be found that
every city in the world which boasts
a really large organized security mar-
ket, has some kind of a preliminary or
curb market. Its status and value will
be found to vary with the extent to
which it recognizes the need for a sound
constitution and strict regulations for
the conduct of its business. There is a
considerable number of sound securi-
ties which, for reasons which do not
reflect in the slightest degree on their
character, may not be eligible for list-
ing on the major exchange of a city.
Yet the public is entitled to have a
market where fair prices for such
securities may be readily obtainable,
and these are secured through the
establishment of a secondary market,
or "Curb ". It is an obvious advant-
age to such a market to have its con-
stitution framed on principles which
have stood the test of experience, and
to start its career under the sponsor-
ship and guidance of a major market
of long standing. The San Francisco
Curb Exchange has been launched
under the most favorable auspices; it
has already, young though it is, shown
The San Franciscan
128}
its mettle, and its \aluc to the invest-
ing public, in w hose service it is
enlisted.
.At the time of writing the follow ing
firms are members of the new San
Francisco Curb Exchange:
J. Barth & Co.
Newell. Murdoch. Railev & Co.
H. J. Barneson &• Co.
Wm. Cavalier &' Co.
Cl RRAN & DwVER
J. B. Alvarado
Anderson & Fox
E. A. Holt
McCreery, Finnell & Co.
Freeman-Parrish & Co.
Grimes & Swift
Bllmberg & Kehlenbeck
Leib-Keyston Sl' Co.
SUTRO & Co.
Max 1. KosHLAND
Chapman De Wolfe & Co.
Frank C. Shalghnessy & Co.
L. H. Van Wyck
Walsh O'Connor
Lundborg, Colemann & Stever
ACHARD & McGaHEY
Hellmann-Wade & Co.
Strassburger & Co.
E. L. Stralss
Lewis & Broy
T. J. Flynn & Co.
Robert C. Bolton & Co.
G. M. Greenwood
Filmer, Bradford & Maxwell
A. F. Coffin & Co.
Alanson Bros. & Co.
Wardell. Taylor & Dunn
Duisenberg, Wichman & Co.
Edwin W. Coe
Pll'nkett, Lilienthal &i Co.
Edward Pollitz & Co.
Public
Utility
Securities
G L Ohrstrom 6 Co.
WALLACE CAMPBELL
MANAGER
1667 Russ Bldg. Douglas 7797
Constitution and Citizenship
(Continued from Page 9)
against office holders, against jury
N'erdicts. and against recently enacted
legislation.arcusually those w ho them-
selves ha\'e failed in their duty as good
Americans and citizens. The des-
tructive critics are most frequently
those who do not vote, but who sa\'e
theirpolitical energy for vehement out-
bursts w hen they have been displeased.
« t %
A strong government may exist
for a time, but it cannot long
endure unless it be sustained by love
of country, by devotion to noble tra-
ditions, and by intelligent patriotism.
We do not want the patriotism which
expresses itself in extreme sentimen-
tality, in boisterous demonstrations,
or in inactive eulogy. We must instill
in the hearts of our people the love of
country which will lead our citizens in
an attempt to understand the duties
and rights which have been imposed
upon them. From this kind of patriot-
ism, we will become a nation of men
and women who know their duties,
but who also know their rights, and
who, in knowing, dare maintain them.
« « «
Announcement
THE San Franciscan takes
pleasure in announcing that each
issue of the magazine will include an
article on finance. It will be our
endeavor to secure the foremost local
authorities to write such articles. We
trust our efforts to provide a monthly
review of the financial situation will
meet with the approval and sanction
of our readers.
San Francisco
Bank Statistics
December 31 Statements
Comparisons with calls as
of Tune 30, 1927
Comparative earning
and market price ra-
tios
available on request.
LEIB, KEYSTON
AND COMPANY
Members San Franasco Stock Exchange
50 POST ST.
SAN FRANOSCO
Goliath
(Continued from Page 2o)
entirely unappropriate. "My dear
boy she cooed, as she converted a
handclasp into a caress by marvellous
gymnastics, "you must make this your
home." Even with the possibilities of
a breach of promise suit in the offing,
I vowed that I would indeed make
that my home, that 1 thought her
artistry "superb" and "charming,"
that my pleasure at making her
acquaintance was unspeakable, and
that I would haunt her salon evermore.
With this I staggered out into the last
vestiges of day, out into the blessed
air of evening.
Once home, 1 burned all of Mr. X's
printed works; wrote him three
haughty letters only to tear them up
in turn ; took three stiff, bracing drinks
of "Antique," and then sat down to an
evening of meditative boozing. 1 soon
fell into a fit of slumber, as the old
writers said, and was aroused with a
start by a hideous nightmare. I can-
not tell you its details — not all of
them — but it had to do with that figure
"Power!" and the old artist who was
enamoured of masculinity. To this
day the memory of that nightmare
shocks me and whenever I think of it
I seek solace in mild into.xication. And
inasmuch as the writing of these pages
has brought the memory of the
"Power!" nightmare again before me,
I trust that you will excuse this abrupt
termination, dear reader, as 1 seek
again my cups for solace.
and
avtoTi.
Member
0an Francisco
Stock. Exchange
* ♦ *
8500
The S'a n Franciscan
A BEAUTIFUL MONTECITO ESTATE
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L J W. S. SEAM AN. S y. J DON B. SEBASTIAN
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. PAtACE HOTEL BUILDING
065 MARKET ST. DOUGLAS JOO
San franc itto
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SAN FRANCISCO
Telephone Douglas xiio
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SAN FRANCISCO
433 CALIFORNIA STREET
OAKLAND
BERKELEY
The San Franciscan
1301
Tin Types
(0>ntinucd from Pasc 17)
depositors and stockholders, and
explaining w hy he had been pow erless
to prevent the mismanagement he had
seen going on about him.
« « «
THESE writings attracted a great
deal of attention and when their
author announced his intention of
starting a newspaper, he had no dif-
ficulty in finding financial backing.
The first issue of The E\ening Bulle-
tin appeared in October 185 5 and its
publisher was fairly launched in his
unrelenting fight for civic justice and
righteousness in a city that knew them
not. It w as a large order that this man
had undertaken, for the city's ma-
chinery of law and order w as an empty
joke. Xlurder, arson and thievery
flourished without let or hindrance.
There w as an average of 20 murders a
month and the saying, "a man before
breakfast " was the too literal truth.
Every man went about armed and
prepared to defend his life and prop-
erty should the need arise. All forms
of commercial swindles were brazenly
pre\alent.
Seldom was even an arrest made
and when it was, no judge or jury
could be found to convict the criminal
no matter how revolting or outrageous
HOEFLING "
MENDRICKSON
h- COMPANY
fnveftment
Securities^
CROCKER FIRST
NATIONAL BANK
BUILDING • • •
San Franc irco
Santa Barbara
his crime. The entire police force, the
judicial system and the legal profes-
sion gave their talents not to uphold-
ing the law and protecting life and
property but to finding loop holes
through which the wrong doer might
escape. From all accounts this evasion
and manipulation of the law was most
profitable and lucrative to those
gentlemen who practiced it.
Early in 185b there occured a
murder and King of William's e.xpose
of it was so thorough, that it set in
motion events, which within a few
months led San Francisco's people to
take the law into their own hands.
William Richardson, a United States
marshall, became involved in a saloon
argument with the city's most no-
torious gambler, Charles Cora.
Richardson berated Cora for his bal-
lot box stuffing and Cora highly en-
raged, shot the officer without giving
him a chance to defend himself.
Excitement ran high. Cora w as the
lover of Annabelle Ryan, undisputed
queen of the underworld. She was
better known as Belle Cora, having
taken the latter name in exchange for
the funds she supplied this creature
of abominable life. No expense would
be spared to manipulate and "fix "
judge and jury and hire expert defense
counsel for Cora. All these facts King
of William was quick to point out in
his paper. The trial ended as he pre-
dicted. Thejury, bought by Belle Cora
disagreed, and the defense counsel,
thinking that public disapproval
would subside delayed the new trial
forsixmonths, Itwasdeemedexpedient
to keep Cora in prison for that period,
rather than allow him liberty on bail
as would ordinarily be the case. He
would be safe from lynching in jail.
King of William's efforts were taking
effect.
Four months after the Cora trial,
King of William attacked a James P.
Casey, former inmate of Sing Sing for
his election frauds in obtaining the
office of supervisor. Casey resented
this reference to his past history and
visited the Bulletin office, not to deny
its truth but to protest at its being !
mentioned. He was ordered without
ceremony from the building. That
same evening, May 14, 185b, as King ;
of William w as crossing Montgomery
Street at Washington on his way home, .
Casey stopped him and, after some :
wordsofparley, shot him. The wound--
ed man was able to stagger into the :
offices of the Pacific ExpressCompany
near by, where a bed was improvised
and surgeons summoned.
\ \ \
THE hour for action had come. San
Francisco was not slow in taking
it. The shooting had occured about
The San Franciscan
1311
five o'clock in the evening. By mid-
j night there had been formed the
Second Vigilance Committee, headed
by William T. Coleman. Temporary
' headquarters were in a building at
I 1053/2 Sacramento Street, known as
I the Know Nothing Hall. Within two
days the Committee had enrolled
: about 4000 men, divided into infantry,
calvary and artillery companies. On
. the third day following the shooting,
King of William's wound was pro-
nounced fatal.
Several divisions of the Committee
marched to the county jail, demand-
' ing both Casey and Cora. Sheriff
Scannel at first refused to surrender
them, but his sense of legal duty waned
when he saw the assembled throngs
: and the armed ranks of the Vigilantes.
Pulling out his watch, Coleman gave
the sheriff exactly five minutes in
I which to surrender the prisoners or
risk battle. It is told that every man
in the Vigilantes stood with watch in
hand, counting off the minutes — a
stern and impressive spectacle. On
the fourth minute Scannel surrendered
his men.
On May 20, 185b King of William
died and for him the entire city was
draped in mourning. Immediately up-
on his death, the Vigilance Committee
sat continuously for two days and
nights, reviewing the evidence for and
against Casey and Cora. Never did
■ two criminals receive a more impartial
trial. This Committee was no band of
disorderly characters, incensed by
mob hatred and blood lust, but a com-
pany of level headed, cool leaders,
1 intent on justice and the bringing of
order out of civic chaos, and openly
favowing responsibility for its acts.
Casey and Cora were sentenced to
[hang for their murders. It was decided
to execute them on the day of King of
William's funeral. May 23rd and while
:the public was occupied with these
'rites. But the mob, whose morbidity
'is always stronger than its reverence,
got wind of this and the greater part
•of the funeral procession, half way to
I the cemetery, turned back to witness
the hangings.
At the eleventh hour, high church
officials interceded to minister absolu-
tion to the condemned men. Cora
received the full rites of the church
upon being married to Annabelle Ryan
and this lady denied wifehood by the
man she had so long sheltered and
fought for, possibly found consolation
in being his legal widow. That night
:the final scenes of this pioneer drama
'Were enacted in the burial of the two
hanged men in the hallowed ground
of the Mission Dolores church yard.
Cruise
to
Romantic
Spanish America
Blue seas. Balmy air. Sparkling
sunshine. The rainy season is over.
Palm trees and mangoes, fresh and viv-
V/ // idly green. Brilliantly plumed birds flash-
v>*-' ing in their branches. Berries glowing red on ten
of thousands ot coffee trees. Bananas, pineapple and papaya
sweetening in the sun. Volcanoes purpling against the azure sky
And the air, soft and perfumed, quieting rushing steps and sooth
ing frayed nerves.
Cruises Sail Mon th ly
Forget the drag of business this spring. Join one of the Pan-
ama Mail ships sailing every three weeks. Enjoy twenty-fou
indolent, beguiling days cruising from California to Cuba^ — four-
teen at sea, and ten ashore in bewitching cities centuries old, in
Mexico, Guatemala, Salvador, Nicaragua, Panama and Cuba.
View the gay night life of cosmopolitan Panama and of neigh-
boring Colon, the crossroads ot the Western World. Thrill to
the wonders of the Panama Canal by daylight.
.■^nd as for golt en route. There are sporty courses in Guata-
mala City, San Salvador, Balboa and a never-to-be-forgotten , - ^,
links around and on Gatun dam, near Cristobal. Guest cards to ^'^|\
all these courses are available to Panama Mail passengers.
Cost is Small, Pleasure Great
You can leave the ship at Havana staying as long as you wish
there, then tour through Florida and home to California by any
direct route. Or you can go with the ship to New York and take
your choice of direct rail lines home. The price is the same--?38o
up, first class. This covers bed and meals on steamer and rail-
road tare on train home (diner and sleeper not included).
Panama Mail cruise ships are modern liners built for tropical service. Com-
fortable, well ventilated. Electric tans and running water in every room. Sim-
mons beds instead of berths. Thoughtful attentive service and the best of food.
Broad decks for resting or rollicking. Swimming tank. Orchestra, dancing. The
cost is low — less than Sio a day. You can get full information
and booklets today from
Panama Mail Steamship Company
2 Pine Street, San Francisco
548 South Spring Street, Los Angeles
The San Franciscan
[ 32 1
In t e r e s t
/
LIFE pavs her highest inter-
'est tor friendly thought.
We never forget those who
have cheered us with a box of
beautiful /7ojcrr.f or a
pretty plant
Orders telegraphed
anywhere
THE VOICE or A THOUSAND GARDENS
224-226 Grant Avenue
Phone Sutter 62c»
SAN FRANCISCO
Esther Rothschild
Millii\ery hnporter
announces the remodeling
of her shop
to include an exclusive
Gown Department
251 Geary Street
Telephone Kearny 4374
San Francisco , Calif.
As Seen By Her
Spring! The very sound of the
name suggests such luscious
things: moonlight and the frag-
rance of dew -drenched roses, laughter
and lo\e. and How ery frocks.
Don't scoff! Has Jack Frost nipped
yourdispositionaswell as you're nose''
Of course it s cold — stingingly cold —
but go ye to the shop windows and
take courage. Do they hint of balmy
days that lurk around the corner^ My
darling, the\- shout it at you. Pro\e
it? Easy! ^ ^ ^
D.\::li\g sand drifts in both of
Ransohoff's great windows.
There is a tantalizing glimpse of palm
tree, gaudy beach umbrella, piles of
gay pillows, a carelessly dropped
bright covered magazine and brilliant
beach coat. We do not see the owner
but it's fun to bury a cold nose in one s
furs and fancy her splashing in the
warm blue surf be\ond the sand dune.
Red tulips in quaint Dutch shoes
bloom beyond the pane's of Podesta
and Baldocchi's shop w hile inside the
rainbowed profusion of flowers is a
decided tax on one's botanical know-
ledee.
MILES of summery silk festoons
the Geary and Grant .'\venue
display of the White House. Nothing
extraordinary in that, you say .Ah. but
the silk is! Tony Sarg's merry mari-
onettes run rampant o\er it. The
"Chauve Souris wooden soldiers
march gayh' up and dow n one piece
w hile on another is pictured the tragic
tale of "Little Red Riding Hood " In-
tended for tiny tots the amusing prints
have been gobbled up so greedily by
the debutante age it looks as though
the wee ones are apt to ha\e to go
without.
One reason for the \ogue tor the
swanky silk may be found at the
Bootery. Here are slippers made of the
same material. W hat could be more
effecti\'e for Spring and a debutante^
? i «
MAGMNS, too, has a w indow that
will lure \ou inside — that is if
you are interested in frocks made of
the sheerest handkerchief linen, trim
and crisp but none-the-less di\inely
feminine. There is a rare and precious
combination! j j j
SPEAKING of frocks, particularly- the
flowery ones that bloom in the
Spring, on you're w ay down tow n from
the Athletic Club — no! it's worth a
special trip up to see it — there is a
daffodil yellow and apple green sport
outfit in Hyman's window that you
w ill ha\e the dex'il's own time resist-
Style
in Furs
Jlhe reigning styles
perfectly interpre-
TED with FURS TH.AT PRO-
\ IDE E\ERY L.AST
DEGREE of ELEG.ANCE
A PRESENTATION DISTIN-
GUISHED for ORIGIN.ALITY
CHARM of LINE and
QUALITY of PELTS
f-^L.
Jouis^dssnei
^"^^^^^^^ # / INCORPORATED
112-114 GEARY STREET SAN FRANCISCO
BEAUTY SHOP
Arcade Floor
M.'^iRK HOPKINS
HOTEL
Davenport
6300
Douglas
499 ^
The San Franciscan
f33 1
It is an inviolate truth
that the taste and
culture of the
giver is un-
alterably
bound
in the
gift.
The Chocolate*
Sin Fraaclseo.
To Travelers
nis Emblem Means Hotel
Headquarters in the Film
Capital of the World
The Hollywood Plaza is hotel headquar-
ters in Hollywood, California.
When on your next trip to Southern Cali-
fornia, make this famous hostelry your
objec ive.
Situated in the heart of Hollywood, the
hotel is most centrally located for either
pleasure, business or shopping in Los
Angeles.
Every room is a parlor during the day
time — a luxurious sleeping quarter at night.
In-a-door Beds make this possible.
Strange people, exotic sights, theatres,
and entertainment are but a step away from
the door of this famous hostelry.
Write or wire us for reservations in ad-
vance. Appoint this hotel now as your head-
quarters while in Southern California.
THF
HOLLYWOOD PLAZA
HOTEL
Hollywood, California
ing. If you don't resist you wont be
sorry; if you do you probably will be,
for you are not going to find many
such in an entire season.
\ \ \
MAY Walsh's stoci< of Liberty
scarfs needs none of my ad-
jectives to help it vanish from her
shelves but supposing you were told
that she has a fat shipment newly
arrived from England, wouldn't you
be one of the wise ones w ho are mak-
ing early selections:" Well — she has'
Lois Martin is a neighbor of May
Walsh's and her's is a linen shop in
case you do not know. To her window
the San Franciscan pays honest hom-
age for there is not a more attractive
one in town. A great, deep-shelved,
mahogany linen press is filled with
piles of towels and tablecloths — sheets
and pillow cases, enough for a family
all neatly tied with chintz linen
holders. There isanundeniablecharm,
a snug homeliness, about the Colonial
highboy with its store of snowy linen.
\ \ \
ACROSS the street at Vickery's is
an enchanted mirror. At least you
will think it is bewitched if you test it
in this fashion. On a day when you
are desperately tired and every chance
glimpse of yourself proves painful, go
there and gaze into the depths of an
oval mirror banded in lacquer and
gold. You will find a vivid and vital
reflection staring in amazement at you.
The mystery of the mirror is simply
solved. I nstead of being silver the mer-
cury on its back is gold and everything
that is reflected in it has a warm, rich
tone. Nothing seems cold and flat as
in ordinary looking glass. What a bless-
ing it would be toown the magic mirror.
\ \ \
OL R monthly vote of praise for the
window that is "utterly other and
frightfully modern and mad" goes to
The City of Paris, Al Dupont is the
artist responsible for the startling dis-
play of art moderne. The noisy floor
design of scarlet and black and the
curiousd warf tables, underslungchairs
and crooked lamps are worth more
than a passing glance. Go upstairs and
see the entire e.xhibit that is now on
display. It's fearfully interesting. If
you don't find it so, ask for the buyer.
If her fresh enthusiasm and fund of
information can't change your mind
then it's packed away in moth balls.
On you're way inside The City of
Paris notice the lacy valentines that
deck the windows on either side of the
entrance.
You still persist that spring is far
behind? Now I'll tell you a truer one.
There are none so blind as those who
will not see.
llntique Galleries;
525 Gutter Street
Antiques
Period Furniture
Objets d'art
at. Colonel
ebtoarb J^ifafaert
TVLillinery
Importers
233 POST STREET
and
243 POST STREET
SAN FRANCISCO, CALIF.
r 1 i 1-; ^ A N I ■" R A N C I S C A N
134 1
-if^^
11 Tillman Place
At 11
Tillman Place
the
discriminating
shopper
will
find
1)istinctive
Qifts
The
JUNIOR LEAGUE
SHOP
A Reviewer at Large
(ContinucJ from PaKc 2i)
San Francisco has barred the way to a
local engagement. "Resurrection, "
"TheSnow Maiden, " "C]ioconda,"and
"Tannhauser," are among the works
which they will scatter to the Califor-
nian hinterland, easily within a day's
reach of local music lovers.
^ « «
SOLIDITY has been the keynote of
the entertainment paraded before
the footlights during the past month.
An attractive array of established
successesdrew the majority of theatre-
goers from their homes on chilly even-
ings and showed San Francisco's power
as a show town.
"The Cradle Song, " delicate and
picturesque ;"ChauveSouris "heralded
and novel; and "Aren't We All" with
its dignified high comedy reaped the
harvest of the spurt in attendance.
Of the incoming attractions "Broad-
way " fascinates by the sheer power
of its limited panorama. Almost every-
thing within the scope of the imagina-
tion occurs during the brief two hours
it occupies the stage.
i t \
A RRiviNG seventy weeks after its
^/\_initial appearance, the play re-
tains asurprising freshness. The action
moves at a breath taking speed.
People are shot, jazz bands play off
stage. Sentiment, hate, love, mys-
tery— ingredients usually segregated
into individual works — brush side by
side in the Abbott-Dunning play.
Rather a brutal philosophy is
expounded. Maybe it isn't a philoso-
phy at all. Life is held leisurely, no
one cares about anything at all. On
with show — "t'hell with everything."
Pay Telephones, surprisely vivid
dressing rooms, night club life — they
all e.xude the actor proof parts. As
well as the scintillant, wise-cracking
dialogue.
Next door, a superb puppet show-
tenants the Lurie. During his recent
sojourn in Hollywood, Lionel Barry-
more has worked over the script of
"Laugh, Clown Laugh" adding a great
deal to the original Pagliacci plot. In
his diligence, however, the play has
become little more than an expression
of the actor's own reactions to life.
His role is large, and offers a variety
of moods. As played by the star, it
becomes a brilliant bit of character
delineation. Barrymore pleads at all
times for the tragic; mediocrity is the
red flag of his vision. Happiness
occupies a somewhat smaller portion
of his being; from the morbid comes
virtually all the art of the world, he
believes.
Sunset
Trail
through '^otnance
You may see the pictur-
esque Southwest and old
South at no additional
fare on your trip East.
You'll enjoy so much the Sunset
way east, the colorful route of
"Sunset Limited" to middle west
and eastern points, via New Or-
leans. Apache Trail highway de-
tour. New Mexico, Texas, lux-
uriant Louisiana.
"Sunset Limited," famed round
the world, carries you swiftly and
comfortably over this fascinating
route. Its appointments are su-
perb; as line as a first-class hotel
or club.
That is the Sunset journey east.
Read the new booklet describing
it in detail. From New Orleans,
you can continue by train or go
to New York aboard Southern
Pacific steamship. Meals and
berth on the boat included in
your fare.
Return via another of Southern
Pacific's 4 great routes across the
comment—Golden State, Over-
land, or Shasta. A choice matched
by no other railroad.
Southern
Pacific
F. S. McGINNIS
Pass. Traffic Mgr,
San Francisco
The San Franciscan
1351
If "The Play's the Thing" then this
attraction is negligible; if the actor is
all important, it is a master stroke.
Certainly in their propinquity,
"Broadway" and "Laugh, Clown
Laugh" offer manifold contrasts.
> ? «
ON our theatrical horizonanumber
of striking attractions loom with
varying shades of hope. The Players
Cjuild have chosen their mainstays
well and find themselves in the unique
position of being able to cast almost
any play with discretion. Ben Legere,
RonaldTelfor, Cameron Prud'homme,
and Zeffie Tilbury form a quartet
which would be a formidable back-
ground to any group.
Occasional guest art istssuch as Allen
Connor and Frank Dawson suit speci-
fic roles and round out the casts. "The
Goat Song" and "In Abraham's
Bosom" — as different in subject
matter and intrinsic value as the
poles — are the next productions.
It is specious to believe that when
eminent authorities deliver orations
on a play or when the Theatre Guild
in New "\'ork sponsors its American
premiere, that there should be merit.
"The Goat Song " is the strange para-
do.x. \ ^ X
W. J. Z. New York
(Continued from Page 26)
tragedy performed by an equally ver-
satile troupe headed by at least one
really great actor, Alexander Moissi,
(which the Times says you should
pronounce the way a Brooklynite pro-
nounces mercy).
A
/AN FRAN CI/CO
s for the American theatre there
is also plenty to attract. The
Theatre Guild is on its very best be-
havior this season and is playing with
large, justified success Porgy, about
negroes in Charleston, Shaw's Doctor's
Dilemma, and Eugene O'Neil's Marco
Millions and Strange Interlude. To the
latter you have to go at five-thirty in
the afternoon, take time out for
dinner, then come back for the even-
ing, and the funny part is that you
really do it. Eva Le Gallienne's Civic
Repertory Theatre continues its pro-
cession of good plays of which the best
addition is a new Swedish play called
2 X 2=S- Among the hardy commer-
cial successes the choice seems to be
for The Trial of Mary Dugan. Co-
quette, The Rackett, Pans Bound, The
Royal Family, The Command to Love.
and the modern dress Taming of the
Shrew. In the musical comedy arena
Mr. Zeigfeld is leader with Show Boat
and Rosalie. The former is unques-
tionably the ne plus ultra of music
(Continued on Page 37)
G) 1 liL Qj
LOGGIA"
INC.
LUNCHEON,
AFTERNCDN
L TEA. j
^ DINNLR^ .
127 Grant Avenue
K cam ey 7997
jgQEiiaiyjiiiMPi
NE,miDBA3(i,liN
^TiP^^^te23
itK%iii[%Kifiifitt^-ci^iimtittm
FCAneis
T€ACa)lT)
LuncHeon
DTnTTeR,
SUTTCR. ST
8- 1 T T
itii^iit^it itit^ii^^^^ifci^^^^^^^itit^^
The San Franciscan
1 3c. 3
NEWBEGINS-BOOK-SHOP
;OHN • ) 'fJEWBEOIN
NEW-OLD-& KARE BOOKS
Private Press Items £ Choice Sets i
35* ^ost Street
Son Troncisco. California
Gabriel Moulin
%
Photographer
t
SIX HUNDRED SIX WILEY B. ALLEN BUILDING
ONE FIFTY THREE KEARNY STREET
TELEPHONE FRANKLIN 353?
H.VALDESPINO
PAINTING
PICTURE FRAMING
PRINTS
345 o'farrell street
SAN FRANCISCO
As CO Books
(('onlinucd Iroiii Page {*■••)
with their popularizing spectacular
effects, these "morality plays" of his
represent practically the only fruits
of an archaic field. They are admir-
able examples of a genre that finds its
appreciation in thoughtful audiences,
though rather too sober and action-
less to suit the average theatre-goer.
Under the title of "Plays for Three
Players" Mr. Kennedy has published
a trilogy, written for Edith Wynne
Matthison, Margaret Gage and him-
self, of which the first piece, "The
Chastening," is a kind of infant-Christ
theme, with its application in family
relationships; the second, "The Ad-
miral," considers national ambitions,
w ith special reference to empire-build-
ing and war, and, under its 15th
century veils, suggests the role the
United States is destined to fill in
mediations of international peace;
while in "The Salutation," where the
figures of Dante and Beatrice are
presented, Mr. Kennedy deals with
the idealization of human passion as
personified by that immortal pair.
The plays are finely w ritten and offer
the stimulus of their transcendental
reflections on contemporary life.
(Plays for Three Players. By Charles
Rann Kennedy, Chicago : The Univer-
sity of Chicago Press.
* x *
They Were San Franciscans
(Continued from Page 14)
covered" in obscurity and brought
forth into fame. Owner of the Belasco
Theatre. New York. Also the author
of a score of successful plays. Now of
New York.
TuLLEY, Richard Walton. Born
Nevada City, California 1877. Grad-
uated from U. of C. 1901. Author of
The Bird of Paradise, Omar the Tent-
maker and numerous other plays; also
the author of several original and not-
able screen productions, as well as
screen versions of his legitimate
dramas. Was for a period associated
with Belasco in New York produc-
tions. Member of Bohemian Club.
Home Sierra Madre.
Sculptors
AiTKEN, Robert I. Bom this city
1878. Student of the old Mark Hop-
kins Institute. From 1901-04 was
Professor of Sculptor in the same
school. He is universally acclaimed as
the foremost living American exponent
of the sculptural art and certainly he
is one of the most prolific. He has been
honored at home and abroad many
times by societies and organizations
of high repute in the art world. He
ALe bvi&
BOOKS
Old and New
PALO ALTO
542 Ramona Street
Phone P. A. 1960
KENNETH CARNAHAN, Mgr.
We specialize in COPYING Daguerreotypes,
tin-types, newspaper cuts, paintings, etc.
restoring to original brilliancy with-
out damage to original.
Studio
441 Powell St., Garfield 2j66
San Francisco
Phone Kearny
6642.
Henry H. Hart
Oriental Arts
328 Post Street ■ San Francisco
The San Franciscan
137 1
ALBERT DETER/EN
EXPONENT
OF MODEP.N
PHOTOGRAPHIC
PORTKAITUKE
22 THIRD AVE
SAN MATEO CALIF
PHONE 634
EMBASSY^ —
THEATRE
MARKET HeSCrve CALL
NEAR Scats NoiV MARKET
SEVENTH for 374
Midnight Premiere
Thursday, Feb. 9
AL JOLSON
in
The Jazz Singer
on the
VITAPHONE
KNINjij|.^R
WCUJIJ
S4.LCS* LEASEES
RESIDENTIAL DEPARTMrNT *
DOUOLftS 524-
has done a bust of practically every
man and woman prominent in Ameri-
can life during the present era. while
his list of monumental works is well
nigh endless. Notable examples in San
f^rancisco are the monument to the
American Navy, Union Square and
the city's monument to Bret Harte.
Putnam, Arthur. Born Mississippi
1873 but came here at an early age
and has long been identified with the
art life of the city. He has held several
Paris exhibitions. He is the sculptor
of the Sloat monument in Monterey
and received a gold medal at the
P. P. I. E. for his sculptural work in
that exposition. Member of the Bo-
hemian Club and at present a resident
of the city.
Publishers
Hearst, William Randolph. Born
San Francisco 1853. Studied at Har-
vard. First exponent of the famed
"Yellow Journalism", which has re-
volutionized newspaper publishing
throughout America. Now controls a
chain of 20 daily and monthly publi-
cations, located in all the larger and
principal cities in the United States.
At present is variously located in New
York, Chicago, San Francisco and Los
Angeles.
Poets
Frost, Robert. Born in this city
1875. M. A. from Harvard, Litt. D.
from Yale. Professorships in English,
Literature and Psychology in several
Eastern universities. Winner of Pul-
itzer Poetry Prize 1 Q24 and the author
of several books of verse. At present a
fellow in Letters, University of Michi-
gan. Home Shaftsbury, Vermont.
« « «
W.Y.Z. New York
(Continued from Page 35)
shows and the latter has Marillyn
Miller and Jack Donahue so that's
that. But then Funny Face has the
Astaires and Gershwin music. She's
My Baby has Beatrice Lillie, Manhat-
tan Mary has Ed. Wynn, and Good
News has a lot of things so when you
come to New York for a few jazzy
evenings bring all your Bank of Italy
stock and try to get seats for these
shows.
RWILELDER^S
239 Posf Sh-eeh San Francisco
PETER D. CONLEY
BOX OFFICE SHERMAN, CLAY & CO.
San Francisco Symphony
Elwyn Artist Series
Municipal Concerts
Persinger String Quartet
The San Franciscan
[38 1
1
• • • A v-^ • • •
ADVERTISERS
Sound intelligence
ordinarily indicates a
similarly sound financial
background.
The readers of this maga-
zine possess an unusually
rare share of both.
The Reigning Dynasty —
the socially, financially
prominent, read the San
Franciscan regularly —
because it supplies an
otherwise lacking intel-
lectualstampingground.
The editors appreciate
this, with the realization
that advertising in this
magazine offers a gen-
uinely valuable circula-
tion to the advertiser, not
to be elsewhere dupli-
cated.
The San Franciscan -
now the ONLY class
magazine published in
San Francisco.
Clair De Lune
(Continued from Page 12)
face, the unseeing, uncaring eyes, the
nervous explorations of empty hands.
She had seen a lot of it these post-war
days.
"That's all right. 1 can fi.\ you up."
Her plump damp hands stilled his rov-
ing ones for a moment. "You go on
upstairs. Room at the back. I'll get
one of my girls dressed and send her
up — a thin one like you want."
He swung the door wide to her timid
knock. A twisted smile flashed momen-
tarily across his face as the girl walked
past him clad in the aged talTeta dress.
"My name's Claire," she advanced
uncertainly, "The madame said you
wanted me this way . . ." She
looked down uponthemisshapendress
then up at him with puzzled eyes.
"And just . . . to walk around?"
"Yes, that's it , , . just . . , "
His voice expired.
Claire sipped the drink he poured for
her, staring wonderingly as he flung
himself on the bed. When his blond
head finally sunk in the pillow, she rose
from her chair and commenced walk-
ing around.
The rustle of the skirt was the only
sound that broke the stillness of the
room. In the dim rosy lamp light the
slender figure was only a shadow-thing
but the swish of silk crisping about
her body was the murmur of life and
muted passion.
The young man's face grew calm.
Under the drooping lids the wide
excited focus of his blue eyes dwindled
down to a mere pinpoint of remote
reflection. The slow swishing of the
taffeta skirt, moving indolently about
the room, was the music of a very deep
river. On the bosom of this singing
stream he floated down spaces of years.
Pictures slipped in and out of mind,
flowing with the smoothness of water.
Paris ... a slender woman to
whom he had belonged, achingly — his
mother. The queer notion troubling
all his boyhood that she was not his
mother. A Frenchman, his stepfather.
The lyc'ee where he went to school and
the aged instructress in musty black
silk whom all the boys tormented save
himself. Down year, down year, he
floated.
Back . . . back . . . before
Paris. Could he slip back that far on a
streamer of sound, thinner even than
a thread of silk :>
THE streaming sound was agitated
now . . . back . . . back,
excitedly it was thrusting him back to
its source. It swished and swirled,
broke and ran and the drifting plumes
of grey ether twined softly around one
another forming pictures .
briefly sustained. Running, eddying,
tumbling . . . through the memory
smoke images flung themselves, to be
blotted out as new ones flung through
. . . in quick-running treble arpeg-
gios the stream sang out its song,
explaining all . . . alH 'Wait!
Where was his beautiful mother in all
this? She belonged . . . but how :'
. where^ Where .
Churned soft and white, river foam
fell like cobwebby lace over his wild
staring eyes.
From across a chasm of time he
drifted back to the tawdry room where
the girl walked to and fro.
"Claire!" Bewildered, remorseful,
he called to her. "You're pale as a
ghost. Come over here and rest. I for-
got . . ."
While she sat quietly beside him, his
fingers played restlessly in the folds of
her taffeta, rising and falling w ith its
undulations like those of a blind man
tumbling familiarly across a forgotten
face.
"I'm dead weary. Feel I might sleep
a bit. You can take that money off the ,
tableandslipout. ^'ou've been awfully ■
kind . . . You looked like a moon-
creature wandering about the room.
Claire . . . dair de lune they should
have called you. Moonlight ..."
His eyes closed tightly over the image.
He smiled in his dream.
"Clair de lune ... I remember
my mother used to look like that, long
ago, when I was very little." Drowsily
he talked with eyes still closed. "She
always dressed in white then .
always .
Other words died in his throat and
his lips closed in a faraway smile.
Presently his hand came to rest clutch-
ing a fold of the taffeta skirt in the
tight unconscious grip of sleep.
» * «
The Reigning Dynasty
(Continued from Page 19)
Bancroft, the California historian. He
is the son of Mr. and Mrs. Paul Ban-
croft of San Francisco and a nephew
of Miss Lucy Bancroft, Mrs. Charles
O. Richards of San Diego, Philip Ban-
croft and Grif^ng Bancroft of the same
city,
* « «
ONE of the most brilliant and inti-
mate affairs given this season was
the ball that Mr. and Mrs. Ross Fax-
on held in honor of their daughter.
Miss Elsie Faxon, at the Menlo Coun-
try Club. The clubrooms were hand-
somely decorated with flowers and
greens.
^ ^^--au^te;
Q^yMarcL.1928
Ill
II
I
I
MAKE
HOTEL
MARK
HOPKINS
SAN FRANCISCO
Your Town House
Spare yourself that late
trip home. We provide
every comfort for the
overnight stay.
A FEATURE PROGRAM
EVERY TUESDAY
EVENING
,rv
THE THEATRE
The Curran: Broadway. "Broadway's Bran-
died Babies " will relinquish their long tenure
of the theatre to the bold bad Riff ehorus
of "The Desert Song."
The Geary falias Luric, alias Wilkes, alias
Columbia} : Burlesque. Back stage at a
honky tonk show. Bessie Love is the princi-
pal reason for the trouble.
The Columbia : "^'ings." A Picture about the
air. The last word in fancy cinemcto-
graphics.
Players Guild: "In Abraham's Bosom."
Negroid tendencies of this little theatre off-
spring are coming to the fore. "Appearances, ' '
by the bell boy prodigy is next. It won't be
long now.
The President: ""The Shannons of Broad-
way.'" Amusing tactics of a pair of small
time vaudevillans in a still smaller town.
The Alcazar: "New Brooms."" The bets are
fifty to one that this will run till Henry
Duffy takes over the Green Street Theatre.
The Green Street Theatre: '"Love a la
Carle." A typically American-Jewish pro-
duction of a French play in the centre of the
Italian quarter.
MOVIES
Embassy: AI Jolson in "The Jazz Singer." A
two-hour entertainment on the marvelous
Vitaphone which allows you to sec and hear
the characters at the same time.
California: "The Divine Lady." It's Greta
Garbo this season.
St. Francis: "Ramona. " Dolores Del Rio is
the principal excuse for the new version.
Warfield: If you don't go this theatre will be
filled nevertheless. It's that kind of a show-
place.
Granada: Fanehon and Marco expend their
most powerful brain waves at this theatre.
MUSIC
March 2 and 4, Symphony Pair — Hertz, con-
ductor: Berkova, solist.
March 5, Sigrid Onegin in recital — Audito-
rium.
March 6, Pop Concert at Auditorium — Bauer,
solist.
March 10, Pop Concert.
March 15 and 17, Symphony Pair — Hertz,
conductor.
March 13, "Aida," in Oakland — Chicago
Opera Co,
March 14, "Resurrection," in Oakland —
Chicago Opera Co.
March 15, "Gioconda, " in Oakland — Chicago
Opera Co.
March lb, "Snowmaiden, " in Oakland —
Chicago Opera Co.
March 24. Pop Concert at Curran Theatre.
K'Iarch 27, Persinger String Quartet at Com-
munity Playhouse.
March 30, Symphony Pair — Curran Theatre
— Hertz conducting.
ART
COURTESY OF THE ARGUS
Beaux Arts Galerie: Through March 5,
water colors and pastels by Valere de Mari.
March lb to 20, oils and drawings by Ham-
ilton Wolf. Starting March 2 1 , water colors,
drawings and wood carvings by Robert
Boardman Howard, Charles Houghton
Howard and John Langley Howard.
Bohemian Club: To March 4, annual exhibi-
tion by artist members.
California School of Fine Arts: March 5
to 17, wood carvings and drawings by Gjura
Stojana.
East West Gallery : March 6 to 26. sketches
and paintings by Chiura Obata. Starting
March 27, paintings by Harold English.
Paul Elder Gallery: March 5 to 17, etch-
ings, paintings and pencil sketches by Jan
and Cora Gordon.
Junior League Shop: Pastel portraits of
children by Miss Wyn George.
Persian Art Centre: Persian Fine Arts from
the collection of Dr. Ali-Kuli Khan.
DINING AND DANCING
The Mark Hopkins: The fourteen months'
old prodigy. What tricks it could teach its
elders!
Juncletown: 502 Broadway. San Francisco
may be blanketed in fog or drenched with
rain but there's always this tropical refuge.
Belle De Graf: Around corner from Palace
A lady practicing what she has so long
preached.
Fairmont: Rudy Sieger's fiddle, the perennia
attraction.
Alladin Studio: 363 Sutter. Bohemianism a
la carte. Noisy but nice, if you know what
we mean.
Temple Bar Tea Room: No. I Tillmin Place
Try to get in.
St. Francis: The spring cleaning in progress
proves promising.
Tait's at the Beach: Its lure cannot be denied.
The Palace: The Rose Room blossomed earlier
than usual this season.
Russian Tea Room: IOOI Vallejo Street. Rus-
sian food, cigarettes, candy and dancing at
western charges.
Julius' Castle: 302 Greenwich Street. Hang-
ing ofi the side of Telegraph Hill. We'll
watch the food and view against anything
else in town.
Francis Tea Room: 315 Sutter Street. To go
once is to go again.
Mamnaru Tei : 54b Grant Avenue. Japanese
food in the heart of Chinatown.
The Loggia: 127 Grant Avenue. The place is
as charming as its hostess. We can't say more.
The Clift Roof Lounge: With the whole
world at its feet.
ESTABLISHED 1852
SHREVE & COMPANY
JEWELERS and SILVERSMITHS.
Post Street at Grant Avenue
San F
rancisco
As seen
Her
Hat pins!
I saw them today Inthreedif-
ferent stores ... in a dozen different
shapes and sizes.
Su'itches!
Hundreds of them plus all manner
of methods for disguising that female
folly . . . the sha\ed neck.
Corsets!
Windows full ofthem. Shops stocked
with them. Dow agers and debutantes
being fitted to them.
Bustles!
Every other e\ening gown has or
hints of one.
Waistlines!
Ubiquitous as flower stands on
Grant Avenue.
The meaning of it all? That well
known pendulum, my darling, is
swinging back with a \engeance
A few months ago a prominent girl-
about-town would sw agger from party
to night club, from night club to
speakeasy. Shorn of hair, flat of
figure, alwaysacigarette in her mouth,
her monogramed flask on her escort's
hip. Her talk bristled with round
oaths. She was nothing if not wise
and worldly. The favorite lass to
drink with the lads.
Last night she , . . wafted . , . is
the word . . . into a party. Her hair
swept her shoulders, held back by
two childish combs. Her rustly rose
taffeta touched the floor. Wee black
velvet bows banded her wrists. She
w as quaint and cunning. What s more,
most fearfully in style.
For ... to be fashionable this
Spring is to be FEMININE. Kip-
ling's famous "lamb-like, pick-me-
up-or-I-die " type is the wistful aim
of the vanishing mad-modern.
It s been many a moon since the
shops had such a chance and they're
making the most of helping the so-
called weaker ones emphasize their
sex.
At the White House I even saw
fans. Not bizarre feathered ones in
scarlet or purple but tiny real lace
ones, suggestive of shy, downcast
eyes and the tricks of another genera-
tion.
And to complete the picture Frank
Mores Shoe Shop shows stockings
w ith inserts of sheer lace, or embroi-
dered, and a few, daintily patterned
in pearls.
Le.xy Graham's shop, catering to
the youthful mode, has fluffy-ruffled
frocks galore. Answers to any maiden's
prayer. Lexy Graham, by the way, is
a newcomer, a pretty and gracious
addition to the Avenue, with a sure
sense of what is smart.
Another small shop worth looking
into is Esther Rothschild's on Geary
Street. Yes, it s the same Esther
Rothschild you've bought so many
clever hats from for so many years.
She's out to add another feather to
her cap for she has remodeled her
shop to include an exclusive gown
department. If \ou want to know the
full meaning of that word . . . exclu-
sive ... let her show you her Spring
stock. Refershing as flowers you'll not
find their duplicate anywhere in town.
Speaking of the vogue for the quaint
and old fashioned. Have you a faded
old daguerreotype tucked away in a
drawer. Every one has' Mine was of
a great, great, great aunt, a lovely
lady with prim curls and long droop-
ing gold earrings. The picture was
blurred to a misty shadow until a
friend suggested I get better ac-
quainted with her by taking her to
Holly Todd's Studio. I did. Now she
smiles down at me from my bedroom
wall, every tendril of her curls as clear
as though the picture had been taken
yesterday.
Both Esther Rothschild and Lexy
Graham are going to have to look to
their laurels for the fact that "Ernes-
tine's " shop in opening in The City of
Paris is of more than passing interest.
"Ernestine's " has a gold star after it
in the rating of the shopper for the
thing that is "too perfect, my dear! "
Down in Palo Alto another member
of the Reigning Dynasty seeks to
outdo her more professional competi-
tors. Gertrude Gregory has opened a
sports wear shop at 472 University
Avenue. It's small but can boast of
quality for anything that it might
(Continued to Page 36)
{2/1 that a Jewelet^ should cany
.,,at^ priced mutuaiiy just.
SHREVE, TREAT &
EACRET
ONE-THREE-SIX GEARY STREET
The House and Its Master
In the Middle Ages, trophies and banners were hung in the great
halls to tell oi the achievements of the lord ot the castle.
Today, in a less ostentatious way, the home reflects the accom-
plishments and culture of its owner. Our decorators have at their
command rarely flne collections of furnishings from which
selections may be made, and the skill and taste to give individ-
uality to the decorative scheme.
ORIENTAL RUGS - CARPETS ' DRAPERIES ' FURNITURE
w: 6l j. sloane
SUTTER STREET near GRANT AVENUE / SAN FRANCISCO
raS2&^2esciesi:;ie:S3:2es3:2esj:2Ssi;2S:S3:5te^2e^;i&^2:&ss:
CITIZENS
OF SAN FRANCISCO!
The 107 relief and welfare agen-
cies making up the Qommunity
Qiest require $2,250,000 to carry
on their work this year. Thou-
sands of needy families are aided.
Girls are cared for in rescue
homes. Boys are kept from paths
of crime. The ill and unfortunate
are nursed back to health. Your
contributions make this human-
itarian work possible. The an-
nual appeal is now under way.
PLEDGE
ALL YOU CAN
Payments may be made in installments
Community Qhcst
Campaign Headquarters: 500 Post Street at Mason
Permanent Headquarters: 20 Second Street
[ BY COURTESY OF THE SAN FRANCISCAN 3 fi
^Plwlograph of a forlrai: /-aimed fcv Joseph Stgall
GERTRUDE ATHERTOX
Sf"'"/?;^ ""^'^ ''"'^'T anrf c/«//n^^ia5/i^d ivoman. With the praise of her last novel -The Immortal Mar
nage ^^Mnng,ng,n the lar^d Ars. Atherton has pluriged into wrU.ng a sequel to be eld Th Jealou
Gods. It IS the life of Alcibiades ivhom she calls -the play boy of the ancient ivorld ■
TttC
SAN fliANCISCAN
Once Again The Opera
We Make A Plea for Fresh Modernity for the 1928 Season
By CARTER MILLIS
THE San Francisco Opera Asso-
ciation is, of course, already oc-
cupying itself with this year's
season affairs. One cant, it seems,
grasp their forelock too early; for the
history of opera-producing is charac-
terized hy uncertainties, and managers
have to begin betimes to harden them-
selves properly to the series of rear-
rangements in repertories and singers
that inevitably prelude anything like
finality. One sprinkles the salt of con-
tract on the song-bird's tail only to
find, at the last moment, that its cap-
turing effect is dissipated by the cas-
ualties which so strangely seize the
species at a critical moment. Where it
is not a matter of afflicted vocal cords
and sudden physical collapses there
looms some sensibility that expresses
itself in a nicely worded regret-I-
cannot-be-with-you telegram. And so
the cards have another shuffle, and
re-announcements take their usual
course of treading on each others'
heels, leaving one to speculate, up to
the brink of the season itself, as to
who and what one is actually going to
hear
The sense of grievance that this en-
genders in the public, not properly
appreciativeofall the hazards of roster
and repertoire making, has no doubt
something to do with the policy of our
local organization not to "give out'
any too premature information as to
season designs. It is not pleasant to
the conscientious-minded individuals
who compose the direction to be taxed
with not fulfilling what they promise,
and last year was not without its
thorns in that respect. Yet for all this
tongue-tiedness certain rumors as to,
at least, their intentions for the season
have taken broadcast form. There is,
after all. that little bird which, from
time immemorial, has been so discon-
certingly active in bringing resolves of
muteness to naught.
It I ■i
According, then, to its pipings.
jC~\_ one may count on an extension
of the season, if not on an increase,
over last year, in the number of oper-
atic performances. This will be wel-
come to everybody and especially to
season subscribers. Grand opera, as
some maintain, may be the consum-
mate expression of musical art, pos-
sessing, as it does, a combination of
sense appeals, but the fact does not
lessen the tax imposed by having to
drink in its joys practically every
night for two weeks, which is what
has so far been asked of its main sup-
porters here. The effect was like the
oft-instanced pheasant-a-day diet,
leaving one, when the orgy was over,
with a sense of satiety that, this year,
recorded itself, it may be, in the in-
difference with which San Francisco
opera devotees viewed the omission
of their city in the California tournee
of the Chicago Civic Opera Company.
One still rested under the burden of
the last season strain. If it is only a
rumor that the coming season will be
spread over a great area of time, it is
devoutly to be hoped that the rumor
is true — that the Association will at
last have mercy on season-subscriber's
limitations of opera endurance. One
should not expect more of them than
what New York or Chicago opera
companies do of their box-holders.
Many of them prefer less old-school
Italian opera than they are likely to
get. The Association has, of course,
to consider an Italian element here
that expects it and unfortunately ex-
tends its patronage to nothing beyond
native art. Its problem remains that
"balanced" repertoire which aims to
please everybody and too often suc-
ceeds, instead, of satisfying no one.
With the inevitable old Verdi favorites
some repeats of previous seasons in
other fields must, too, be anticipated,
especially where the sets and costumes
have represented great outlay. For
that reason "Vladame Butterfly" —
the costly scenery of which, the work
of the Japanese artist, Obati, is as
charming as any owned by the Asso-
ciation— may figure among the "re-
vivals." And "Turandot" certainly,
not only by the same token but
because, as hearsay has it, Jeritza is
to sing and the public will wish to
hear her in the princess role, which
owes its fame mainly to her vitaliza-
tion of it. Her presence will also ensure
the giving of some of her other lead.
(Continued on Page 32)
The San Franciscan
1101
Now It Can Be Told
PASSING the Montj^omcry Street
entrance of the Palace the other
day we found a ragged newsboy w ith
a huge dog of careless parentage under
his arm. We asked him if he wanted
to sell it. He said ' '^'es." We asked
the price and he said $1000. We de-
clined to purchase, although we
appreciated that the \alue of a dog is
often in the point of \iew However
5
that was Monday. Wednesday we
stopped again to buy a morning paper ;
we have to buy so many papers since
we acquired that share of Bancitaly.
The dog was gone but the boy had
two scraw ny alley cats. We asked him
what had happened to his hound-dog
and he answered that he had sold it
for $1000. We gasped. "Do you mean
to say, " we demanded, "that you got
$1000— for that dog:'"
"Not exactly," said the boy as he
handed us our paper. "You see I
traded him for these two $500 cats."
« « «
FROM our Hollywood correspon-
dent: It concerns the same ex-
tremely important producer who
when informed of the difficulties of
producing "The Captive" on account
of the chief character being a Lesbian
instructed the intellectuals of the
scenario department to change the
woman's nationality.
Recently this producer was being
sued by a prominent author who
charged his scenario department was
guilty of plagarism. The case having
been tried by the court the decision
was given. The attorney for the pro-
ducer rushed to the studio and breath-
lessly informed the producer "that
justice had triumphanted."
Minutes of intense thought. Then
with lighted face and a large smile,
"Repeal the case!" ordered the
producer.
t i «
RICHARD Cramer, w ho approaches
^ genius in "Broadw ay," por-
traying Detective Dan McCorn of
the homicide squad, has been made a
full-fledged member of the San Fran-
cisco Police Force by Chief Dan
O Brien, w ith the knowledge and con-
sent of the police commission.
"Most stage stuff makes the cop a
dumb bell, but Cramer could fit in
with our department any time," the
chief is quoted as commenting, upon
the occasion of administering the
Police Offlcer's Oath to the actor.
And never was truer word spoken!
Cramer played his part in a manner
to bring fear and trembling to any
criminal who might have been among
the audience. What is more, during
the entire performance of three acts
he makes no arrest whatsoever, there-
by perfecting the dramatization of a
typical detective.
« * »
WHEN we do not attend auctions
our favorite weakness is listen-
ing to street-spielers. Alas, the day of
Indian Tiger Fat, guaranteed to cure
kidney trouble, than which, gentle-
men, no disease has so cut down our
manhood, is gone. But there remains
the vacant lot merchants who operate
off the Civic Center. There was one,
the other day, up near a pet-store
depot, who was leisurely and with
surgical finesse, skinning an ex-boa
constrictor. We watched him as he
stripped enough tough boa hide to
cover a thousand potential cigarette
lighters,
"I've go no use for boa constric-
tors, " he remarked, as his knife skill-
fully traveled down the tesselated
skin "They're worthless except for
their hides. I don't mind skinning
rattlesnakes, though. There's meat
on them. Rattlers are the real table
snake "
*■ « «
WALKING through the lobby of
the Fairmont last week we
were intrigued by the paintings of
Josef Sigall. "^ ou know he has a one-
man show up there of his most recent
canvasses, ^'oung society matrons
and things like that. Also a canvas of
Calvin Coolidgc. Very interesting' In
fact we overheard the conversation of
a dowager who reads without glasses
but cannot see a painting without her
lorgnon. She stopped before the Cool-
idge painting and then turned with
an air of approval to her companion.
"Excellent, " she said with finality.
"Excellent! Really remarkable! 'A'
speaking image! "
Simply another case of the imita-
tion being truer to life than the origi-
nal.
* i »
SPEAKING of the arts, we feel that
next to humoring a tempera-
mental prima donna, the greatest
task of an actor-manager must be to
control the vagaries of ambitious
society thespians. We sometimes
wonder that "Reggie" Travers and
his ilk do not die in their youth. The
strain must be terrible,
Travers, however, is a genius of
tact.
It was only the other night that a
post-debutant with histrionic urge
peered over the footlights at rehearsal
and said:
"Oh, Mr. Travers, I have the most
awful habit of protruding my neck,
if you know what I mean "
"Reggie, " his consciousness in-
volved in myriad details, went right
on adjusting the rising of the moon as
he replied:
"O, that can easily be broken."
Which makes us wonder what has
happened to Nazimova.
t I ^
An enlightening picture of life and
J\ culture in San Francisco in old
copy of the "Daily Alta California,"
printed in April 18bl.
Civic pride in San Francisco in
18bl is demonstrated in the columns
of the Alta with the announcement
that "Another fire engine has been
imported. San Francisco now has
three steam fire engines. "
The conductor of the "city items"
column, bemoans the good old days
of San Francisco in 1852 when the
gentlemen of the press "had a pair of
navy colt's and sometimes a bowie
for our inseparable companions.
Then," he wrote, "San Francisco
was as noisy all night as it is by day
now (1861). Rows of lights along the
streets marked the public gaming
saloons and barrooms, whose doors
never closed. Con\ival parties roamed
the town, making night hideous with
their drunken brawls. . . . The dulcet
note of the pistol could he heard at
intervals, particularly when the inde-
pendent citizens were preparing for
their annual political forays at the
ballot bo.\."
Special note was given to the price
of liquor of the early fifties. "Then,"
the reporter declared, "spirituous
liquors were 25 cents a glass. Now
they are somewhat reduced in price —
and quality."
The advertising columns, which
monopolized half of the paper, if re-
produced today, with their numerous
advertisements of tonics, champagne
and barrels of whisky, would carry a
healthy shock to Volstead.
Auction sales, mining notices and
announcements of the sailings ol
"Clipper Barques" made up most of
the advertising matter.
One ad announced that "the camels
w hich arrived last year are now thor-
oughly acclimated and can be pur-
chased upon application." In another
ad, the superiorities of the services of
one "Smith O. Neal, chimney sweep"
are set forth in verse.
The society columns carry a para-
graph announcing that "The Dash-
aways Society uill have a meeting
this evening and George Barstow,
Esq., will address the members on
"Drunkenness and Delirium Tre-
mens .
"There is no local news of im-
portance. David Webber, shot by
Howard in a street fight about a
town lot, died on the 3rd inst. Web-
ber, who was a man of violent and
turbulent habits, was considered to
have provoked the dif^culty and,
Howard was by public consent ac-
quitted of blame. Seven balls were
cut from the body of the deceased,
two of them having been shot in by
Howard, and the balance on previons
occasions, he having been engaged in
frequent brawls and fights."
* « «
Among our mail this morning we
y~V found a letter from a Los Ange-
les correspondent suggesting that we
the Teutonic president of a European
Birth Control League became the
parent of triplets. Not that we suggest
Los Angeles has spinster-like attri-
butes, nor a philoprogenitive urge,
but when we consider the fate of mi-
gratory lowans who needs must ford
the gutters of the southern city in hip
boots during "high mists" then we
can't help but feel their lack of un-
derstanding when they persist in
bellowing "Cloudburst" when a deli-
cate haze diffuses the San Francisco
sunset.
* t. «
WE spent a horrible hour attend-
ing the oratorical fireworks of
one of our local high schools as editor-
guest of the P. T. A. last week. We
say horrible because our gentle nature
shri\'els up when we see the panther
^v^ OR -Y HOR
change our name from The San Fran-
ciscan to "The Fog Horn." History
repeats itself. Spinsters become pedi-
atrists; and it was only yesterday that
■7—1 — » V > \ V \ \ V, ^
eyes of the mothers guarding their
young. There uas one feline mother
whose neighbor s son was reading a
profound treatise in the manner of a
Victorian rendition of "The Light
Brigade." The two mothers watched
one another with kindly fire in their
eyes during the reading, the mother
who was not the mother of the lad
pinching her neighbor's arm during
the dissertation to whisper "I do hope
he doesn't forget his lines " And then,
to exemplify a true Christian enthu-
siasm, when the reading was com-
pleted she cried: "Author! Author! "
« « « .
Alicia says that San Francisco is
./\_ not what it used to be. There
was a time when one met interesting
people and went interesting places,
but now The City is trying to grow up
and its growing pains haven't done it
any good. She says she remembers
when Will Irwin and Frank Norris
used to eat up at the Tour Eiffel.
"And," she asked, "do you recall the
night we climbed Russian Hill with
Clarence Urmy^ "
Indeed we remember! Clarence
Urmy in his quaint little black fedora,
his sensitive white hands and his
piercing, all-seeing eyes! We used to
call him the California Troubadour;
folks said he was the first native-born
Californian to publish a volume of
California poetry. Of course in those
days Urmy was publishing his verse
in every important magazine in the
The San Franciscan
till
land. It was only yesterday that we
met Austin Sperry coming out of the
Palace and he stopped to tell us that
this is the seventieth anniversary of
the poet's birth, and that some of his
old friends, — he and Dean (Jresham
and Carton Keyston and others are
even now planning a Clarence Urmy
Memorial. It is to be known as the
Clarence Urmy Award and is to be in
the form of an annual cash prize for
the best original poem submitted to
the English Department by a student
of Stanford University. The fund is
being raised among Urmy's admirers
and the contributions are unsolicited,
but it seems that everybody who
counts has been sending their share
in to Austin at his office, 30 1 Brannan
Street, and Sperry asked us to pass the
word along. It is a wonderful thing
to remember the good and kindly
dreamers who lived to make life a
little more sane. These are the things
that make us think Alicia is wrong;
The City has not changed so very
much after all.
SOME of us tune for distance on our
radios; some of us trump our
partner's tricks, and others leave our
cigarettes smoking in the ash-trays.
We all have a besetting sin. However,
we put above all other weaknesses the
craving to attend auctions. We are
weak to a painful degree; we have
even been tempted to bid when our
pocketbooks were empty and have
sighed with moral relief when a more
courageous customer has outbid us.
We once hid Ten Dollars for a set of
Benvenuto Cellini that was knocked
down for Two Hundred Dollars. We
didn't even blush. But to get to our
story:
We attended an auction on Sutter
Street recently. The sale articles
included a portion of the famous
Marshall Field Collection of Antiques.
We were particularly intrigued by
two lost souls who could not under-
stand why a particularly lovely old
chest brought such a high price. But
the erudite salesman suavely ex-
plained that that was not a high price
for such a choice specimen. "Why, " he
explained, "that's genuine Marshall
Field!"
(Continued on Page 37)
The San Franciscan
1121
Amor Amour Amore
Proving That All Things Come to Him Who Waits
By HOWARD G. MANNING
THE shadow of ash blonde hair
on her cheek was like the
breath of October on a rose
tree. Autumn, a little tragic, her hair
was beautiful, and all beautiful
things are a little tragic. She had
autumnal hair and eyes, eyes incred-
ibly gray at whose corners the flesh
was tinted a sepia brown. A mouth
like a nocturne, twisted a little as
though from some sweet pain, a noc-
turne of Chopin drenched with moon-
light
He was becoming abnormal, he
thought. He was in love, he guessed.
"I am in love with you, ' he said to
her. "I love you. I think I know
really nothing about you except that
you had a husband once, and that
you like chamber music which bores
me unutterably. (But these facts
don't matter much in love do they?
Whether you had freckles, or a crip-
pled grandmother, lived in Texas or
Turkestan, what matter. Besides I
want to talk about you and me — not
just you.) At first I thought you in-
teresting and amusing, not because
of your intellect. I haven't the slight-
est idea that you have an intellect —
you say so little, "^'ou are like autumn "
— he checked himself and laughed a
little. "I am getting lyrical. In all my
years at school I loathed poetry, now
I think of nothing but Swinburne and
Verlaine. That is because of you. At
first I was curious — about — your
embrace. Now that doesn't matter.
I've got to own you; I'm jealous of
you. I've got to own you, for then it
wouldn't bother me if you were beau-
tiful. I want you to marry me" — he
rushed on. "I know nothing of your
life except that you like chamber
music and — " "Chicory salad," she
interposed. "Yes. Imagine, we should
never have met, most probably if
you hadn't liked chicory salad. You
wouldn't have been in that little
Italian restaurant. And if I hadn't liked
absinthe I shouldn't have been there.
I don't need absinthe now, for I'm
not bored. Will you marry me? You
know all about me. Decent family.
1 m not terribly rich as some people
seem to think. But enough" — He
was young and nonplussed. "I'm in
love with you. My mother would
like you, I'm sure. I — "
"I am, at least, five years older
than you, silly. "
"What difference does that make^
That doesn't matter. I love you."
She laughed. That hurt him. He
did not like that. "I am highly hon-
ored by what you say but — ' He
made a gesture of annoyance. "I am
so accustomed to older men, men
with the lines of — of life about their
eyes. I've never thought of \ou in
that way."
* « t
HE was horribly hurt. Her awfully
gray eyes looked into the dis-
tance. What did they express ^Stupid-
ity, perhaps. No, he loved her. She
was cloaked in a feminine quietness
that suggested great knowledge of
mysterious womanly things that no
man could ever understand. "How-
have you thought of me, then''" he
was anxious to ask, but was afraid
to. Manifestly, she had not thought at
all, had just tolerated him. He was
someone to have tea with, to dine
with, to take her to concerts, some-
one to dispel loneliness, she seemed
to know none else. He was miserable.
"I'm sorry I cant dine with you
tonight, as I promised,' she said,
with that far-away look in her gray
eyes that was either stupidity or —
or autumnal. He was going mad.
Where had he got that word ~!
■"But we had planned tonight, " he
argued, ashamed of his lack of dig-
nity.
"Some night next week. I'm sorry.
Telephone me,"
He put her in a cab. He had not
ruffled her placidity with his declara-
tion. He hated her, loathed her, al-
ways calm, unruffled, like her hair.
He could not imagine her with a
wrinkle in her dress or a spot on her
glove. He could not imagine her with
a fire in her eyes, or arms outstretched,
desiring something. That's why he
wanted to see it. Why did he want
her^ She was flat and dull, most
likely. He was in a blind fury. \'es,
he would see her next week But un-
til next week, a long week end. Next
week, he'd see. But next week was
four days off. How could he live?
What to do!' Home, sleep. If he took
enough veronal to sleep for four days.
No, four days and nights with noth-
ing to do. How had he passed the
days and nights before he had met
her? Besides he could not call her on
Monday. He'd have to wait until
Tuesday at least. She had done worse
than refuse his proposal. She had not
even bothered to say, "No, I don't
love you. So young, silly." It was a
disgrace to be young. Each year of
life must be a service stripe. He could
understand that, if life was like this,
bruising one's self esteem, if love w as
like this! It must be love — for how
could one suffer more. It was like
stretching one s arms to the utter-
most, then straining more and more,
uselessly, not grasping anything, and
still unable to cease the straining and
reaching and stretching. A lashing
would help. Some physical pain. But
this was physical pain, too. The heart
was a definite load to carry and one
could actually feel the exact spot
where it throbbed out its dull misery.
? i I
THREE absinthes, four. They took
a long time to work. The cafe
was deserted. It was late afternoon.
He stared at the table where he had
first seen her, eating a chicory salad.
He could not believe she had been
there once. His entrails writhed with
a sudden spasm at the thought that
once she was right over there with
her hair that was like a whisper of
autumn to the pale roses that were
her cheeks and her mouth like a noc-
turne, twisted a bit. She had sat
there resembling those medieval ladies
imprisoned behind lattices in fan-
tastic lands.
Autumn, A little tragic. Another
absinthe. He was insane. His fingers
grasped things tensely. This was an
obsession. He'd get drunk. Who was
she^ A woman who had had a hus-
band. She had said that with a laugh.
A woman who liked chamber music
and chicory salad. No, she was more
than that. She was He, the more vital
half of him. She was his being, him-
self. He was a shell drenched w ith her
like a nocturne was drenched with
moonlight.
A woman with white hair, dressed
in a brown and yellow printed dress
opened the door for him.
He shuffled in, '"Fm drunk, Marie.
I'm horribly drunk. Drunk maybe
with absinthe, maybe w ith something
else. Anyway — "He started to cry.
""Stop that ! Get over here. It's been
a long time since you came to see me,
I thought you'd probably been mar-
(Continued on Page 35) fl
i
The San
Franciscan
:i3i
Camera Portrait by Hagemeyer
NICOLA I ORLOFF
One of the most talented pianists of the modern school. From teaching in tht conservatories of Moscoiv this young man wan-
dered westward to the United States. He has been here two years, delighting the natives with his individual technique as well
as his agreeable personality. While here he played with the San Francisco Symphony Orchestra
The San F r a n c i m.. a n
f 141
Believe It Or Not
The Moral Being Never Argue With a Jrenime en Deshabille
Ba' kathryn hulme
FUMBLING ncrvousl\' with her
large blonde coif, jerrs' managed
to pull a lacey underslip down
over Diana s head. Quite innocently,
he had oftimes imagined himself
dressing a lady, just for the disinter-
ested joy of examining at close range
the miraculously tucked and he-
ribboned things ladies wear. Now he
was actuall\- realizing his wish but,
contrary to his daydreaming, it was
under the most trying of circum-
stances
The newsboy on the corner was
watching him with the faintest sug-
gestion of a leer on his unshaven face.
A passerby stopped to press a wet
nose against the window while Jerry
tied numerous small bows down the
front of Diana's camisole, his fingers
turning unaccountably into many
large and inflexible thumbs as he
went along.
Diana was unconcerned with his
tribulations, intent as she was on
reaching for what was doubtless her
rightful heritage — the moon
"You know, my dear," Jerry
abased his voice to a mutter. "If
you'd quit reaching out like that, I
might do something with this chic
little import you've got to have on
under your gown. " It steadied his
quadrupled thumbs, talking with her
like that.
Diana lowered one blue-limned
eyelid ever so slightly.
"It pays to reach!" she whispered
w ith flapper wisdom.
"But until I get some sort of slee\e
over that bare arm, I think it a bit
indecent to stretch out so boldly.
You can't see over my head, but
there are at least six lecherous men
craning to get a look at you. "
"Why?" Diana's eyes stared wide
w ith enquiry.
"Because you're beautiful," mum-
bled Jerry, slightly overcome himself
with the realization. He reached up
to adjust a strap over her shoulder
and his fingers trembled.
"Don't . , ." Diana tittered, wig-
gling out from under his adjustment.
"It tickles. I can't stand to be tickled.
Can you?"
Jerry pretended not to hear her,
but the auburn down on his arms
lifted perpendicularly just as though
someone were running a shiny finger-
nail over the vertebral bumps along
his spine.
"Wait till 1 get this dress on, then
I'll answer you, " he said, grimly
searching through the folds for an
opening. The gown appeared to be
sewed up back, front and sides. When
he found the oblong aperature at the
neck, he looked speculatively at the
great undulating coif of blonde hair
that had cost so much money to be
installed with all its carefully con-
trolled waves and whorls. His eyes.
THE DREAM
By HAMILTON Breeze
O, if you dream lo see a (plumed hearse.
A sword and lule ufion the casket laid.
And on the casket s side inscribed ihii verse:
"Here lies a fool: for folly has he paid :
And if you dream of one who walks before
\Vi//i shoidders bowed and mourning in his
tread:
^' ith face like to a face you knew of yore
Yet strangely masklike, deathlike but un-
dead:
And if you dream these pass across the wold.
Into the coldness of the U'ind torn night.
.■\nd that their passing makes the cold more
cold.
,\nd tvild wind ivilder in its screaming
.I'ighl:
0, if they go out quite beyond your ken
Then knoiv my dream has died, and only
then.
bleary with measurements unto the
fourth dimension, fell hack hopelessly
upon the one-dimensional hole.
"You couldn't step through it,
could you?" It was a forlorn appeal.
"Man alive, I've got hips. Do you
think I'm a snake!' "
Jerry blushed, 'till his red hair was
all one with his face. He concealed
his embarrassment as best he could
in a long professional scrutiny of the
outstretched arm. There was that to
be considered, too. Man-wise, he
decided to start the dress on over
that horizontal obstruction.
"If only you'd lower your arm for
just a moment," he murmured sadly
"It pays to reach. Women are born
reaching. They reach out all their
lives. They're not dead till they
reach the grave. It's instinctive, like
the floating tentacles of the octopus. "
Jerry shuddered slightly at her
simile as he stood ready to lift the
dress over her head. Diana looked
archly into his worried face.
"Be careful, now y she whispered pro\'-
ocativelv, "Don't muss mama s hair! "
HE tugged t he dressdown abruptly
to shut out the blistering glint
of her eyes. Turmoil ensued. Out of
the folds of the dress came moans.
He gave it another desperate pull and
it fell over her shoulders like a circu-
lar scarf.
Diana, blonde hair streaming into
her outraged eyes, was \ery angry
indeed.
"Did you think you were stuffing
potatoes into a sack^ " she asked
sarcastically. "Just look at my hair!
It's ruined. It's ruined! You clumsy
farmer!"
"Please . . . I'm sorry. I can fix it,
honestly."
"With a rake, I suppose."
"No, with my hands. Truly, I can
find a way.""
"Find a way indeed. No' I" 11 tell
you what you can do, though, "^'ou
can find a hair-dresser. And then you
can find the money to pay the hill,
since you're in such a Christopher
Columbus frame of find!"
"All right. And please forgive me.
It"s just that I"ve never dressed you
before. I know Fm clumsy . . . but
. . . Fm a bachelor."" Painful as the
admission was, Jerry felt it ought to
clear up everything.
Diana pondered the revelation
silently. Something in the simple con-
fession seemed to mollify her.
""So youre a bachelor," she mur-
mured in needless repetition.
Jerry nodded his head mutely as he
bent to arrange the skirt. Dianas
lips came close to his ear.
'"Does one have to marry to be-
come acquainted with womens
clothes^"" It was as though she had
poured hot oil in the tingling ear.
All shakey and perspiring, Jerry
knelt hurriedly out of hearing and
busied himself with the disentangling
of the long train on the gown. The
hand of Diana's outstretched arm
hung just over his copper-colored
hair. The pink ovals of her finger-
nails sunk themselves in his burnished
locks and ruffled them loxingly, leav-
ing little streaks of sensation burning
across his scalp,
■'Tit for tat! "
Jerry heard the siren laugh gayly
as he jumped like a shy horse offered
sugar. Ere he regained his feet, he
felt the teasing hand lift out of his
(Continued on Page 34)
i
dAN FRANCISCa
Pl^BLfC LIBRARY
The San Franciscan
([15 1,
III r/ -^^ri^^ - J ' ' "^ ' "■
Famous Clubs of San Francisco as Visualized by One Who Has Never Been in Them
THE PACIFIC UNION
The San Franciscan
f 161
Ears As Long As Horns
Upton Sinclair's Left Handed Bid for Sterling's Legacy
By MADEFREY ODHNER
FRIENDLINESS sometimes is car-
ried to a point at which it be-
comes a nuisance. The Bookman
reached this point, and went a space
farther, in its January number, when
{<: published twenty-nine sonnets
written by the late George Sterling
to "Craig." a lady who may not be
an immortal subject for an immortal
poet, but who at least has afforded
her husband an opportunity to make
an immortal ass of himself.
Upton Sinclair has taken ad\an-
tage of the community property law
in his attempt to share with his wife
the glory of having received the beni-
son of a great poet. One suspects that
Mr. Sinclair is self-congratulatory
about the matter, for he seems to
point to Sterling's regard for his wife,
and then triumphantly to exclaim:
""But she is mine!" But husband and
wife will not share alike. The left-
handed bid for immortality will re-
main in the wife's name; the assi-
ninity already has attached itself
firmly to where it belongs.
Upton Sinclair had distinguished
precedent in his attempt to trade on
the \'alue of Sterling's name. Let him
issue no more "Brass Checks" at-
tacking the newspapers, his blood
brothers in callous exploitation of the
intimately personal. Not even Upton
Sinclair can exceed the rapacity of
the San Francisco Call in permitting
itself to hold its malodorous George
Sterling suicide contest, for which
readers of the Call were invited to
write for the Call their opinions on
the subject of suicide. That ghoulish
contest in which the Call stated that
no "pessimistic " views of Sterling's
act would be printed, but only those
which found life worth while living
under any circumstances, will not
soon be forgotten. The Call was con-
tent not merely to erect spectral
effigies of Sterling at its corner news-
stands, but it compelled these tragic
figures to sell its papers, garbed in
the tainted pink of its own dishonor.
tit
DURING his life the most serious
attacks Sterling had to meet
were directed mainly at his poetry.
Inferior poets insisted upon ranking
him as one of their number, but born
a century too late. It was only shortly
before his death that that claque of
"hundred per cent American poets,
whose antics for a time had held the
public eye, and who had imprudently
claimed for themselves a spiritual
descent from Walt Whitman, had at
last become tired of applauding them-
selves. And they had tired not only
of this, but of everything else. They
had tired even of emiting the peculiar
TANCRED
By Madefrey Odhner
The berserker of Beauty, consecrate
As high avenger of unravished years.
His songs were fanfares and his
glees were spears
Flung into darkness at a ivestern
gate
Where pain is solace; joy. ex-
cruciate.
A ivoman^ Loved he woman, he.
whose tears
The cries of ivounded sunsets in his
ears
Could start at morn^ \('oman. you
blush too late.
She that is Lilith — apple Jilching
Eve! —
Knew well that warm-wombed wo-
men U'ould receive
His biddings to his awful paradise:
The deathless one, his paramour in
grief.
Shall answer swiftly what to you
were lies.
Aye, hasten to him. Life, for love
was brief.
cacophony they were pleased to call
American poetry. They had tired
even of relegating George Sterling to
the position of an inferior poet born
a century too late.
Sterling died at the very time that
this pack of "\'ip-yap-yaping" poet-
publicists were emiting their dying
snarls They who had accused him of
membership in the word-mouthing
"Lo!" school of poetry died with
him. not the physical death, but that
death which is the fate of all artists
who are preoccupied with their own
"Modernity. " They have won for
themselves places in the specimen
jars in the laboratories of the analysts
of literary periods, while to Sterling
has been accorded a dateless acclaim
w hich is Life.
It may be that these assaults on
Sterling, dead, will prove as innocu-
ous as those on Sterling living, but
the Bookman and Upton Sinclair
should be called upon to explain the
astonishing note which accompanied
the publication of the sonnets to
"Craig."
To quote the Bookman: "The fol-
lowing sonnets were written by the
late George Sterling (whose tragic
death occurred a year ago in Novem-
ber) to Mary Craig Kimbrough, later
Mrs. Upton Sinclair. They are a
selection from a series of one hundred
sonnets which Sterling addressed to
"Craig"' during a single year (1911),
following his meeting her in New
^'ork. Some of the sonnets were writ-
ten in New York and Sag Harbor,
some en route to California where
Sterling lived, and most of them
from San Francisco, Oakland, and
Glen Ellen. They formed part of the
text of letters written to "Craig."
This is the first publication of any of
this long sequence; later they will
appear in a book. The publication is
with Sterling's permission. "Some
day,"" he wrote in a letter, "when
doing so can hurt neither yourself
nor another, you may give them to
the world. '"
It t %
The publication is with Sterling's
permission!" The publication of
what^ Of the sonnets? Obviously!
And the name of Mary Craig Kim-
brough, later Mrs. Upton Sinclair,
and the all too unelahorated state-
ment of the circumstances which
prompted the sonnets^ Was this with
Sterling's permission!" It would seem
not, since he wrote, "when the doing
so can hurt neither yourself nor
another, you may give them to the
world. Sterling there referred to his
sonnets, not to the circumstances
which prompted the writing of them.
It is strange that Sterling's own pre-
cautionary advice, "When the doing
so can hurt neither yourself nor
another," could have been so mis-
read. Does it not seem possible that
"another " might be the memory of
Sterling himself!"
Friends of Sterling in San Fran-
cisco maintain that the Bookman was
guilty of making a dangerous omis-
sion in not stating exactly the nature
of the friendship that existed between
(Continued on Page 30)
The San Franciscan
ff 171
A Plea for Marriage
Scene: Late afternoon on Mount
Oiymlyus. Juno, the sl:>ouse of
Jove, the omnipotent, autocrat of
the Gods. Ruler of All. gives a tea. Her
palace is somewhat like herself. There
is nothing aerial about it. nothing
strained or bizarre. Its pure columns
and unalloyed whiteness are soundly
sublime, as its mistress is sublimely
sensible. Juno sits near a tea table
that is laden with golden spoons and
amber tea cups. She is clad in a heavy
u'hite stuff so draped as to inspire awe.
Sitting above her are the divinities
Venus, looking bored and superior in a
rose-colored goivn, Psyche in blue,
placid and happy. Diana in green,
Ceres in magnificent yellow, Pallas, a
little overdone in shining tissue, Hebe
in a color of crushed grapes, and Iris
in all shades of chiffon, betraying her
inconstant and frivolous nature.
Juno: {to Venus with sugar tongs
poised over a cup) How many!'
Venus: None, thanks.
Diana: (to Venus) You must take
more exercise.
Venus: {stretching herself) I am not
fat — the same as always.
Diana: If you e.xercised more in-
stead of lying about trying to ap-
pear voluptuous you could afford
the luxury of sugar.
By ANTONIA PIA
Venus: I have no desire for sugar,
Diana.
Iris: Don't worry, Venus gets enough
exercise looking for lovers. They
are scarce nowadays, especially if
one is like Venus and has used up
all this generation and the one
before it. She'll have to wait for
the next.
Venus: From your remark, I judge,
you yourself have a difficult time.
Juno: I dislike this conversation. We
were to drink tea together and
have a pleasant hour. Iris, you are
young and suffer from suppres-
sions, but kindly be well bred
enough to hide it. And Venus, cease
throwing out your chest, thinking
all of us are jealous of you. Look
to mortal \vomen for that. Each
of us is satisfied with herself.
Venus: Yes? Well, you are satisfied
with yourselves for the most part,
but there come moments (oftener
as you grow older) when you wish
you were I. When you realize that
I am the most primitive and the
most civilized goddess; the most
spiritual and the most carnal; the
most necessary and, oddly enough,
the most pleasant. Necessary things
are usual. y unpleasant, but I am
necessary and the most pleasant
thing in the Universe.
Pallas: ^'ou may be necessary and
you may be pleasant, but you are
not the most important thing in
the Universe. Men give up homes
and wives and loves and children
to go to War.
Iris: {scrutinizing Pallas' tissue robe)
Listen to the goddess of war. You
are always in bad taste.
Ceres: If you think, Pallas, that war
is very important and serious, you
are mistaken. Human beings are
becoming civilized. Soon there will
be no more wars. War is obsolete
now. The Trojan War will be the
last Great War. People are fed up.
Pallas: So long as there is flesh there
will be hatred and so long as there
is blood it will flow.
"Venus: Your war. Ha! What caused
the Trojan War? I, Love. All the
world went to war for a woman.
Ceres: Don't be ridiculous. There
will be no more wars. Economics,
the value of crops and labor, will
prevent such a senseless waste.
Tillers will think too much of their
land to fight. Economics, I say,
will prevent battles,
Pallas: There will always be war.
Speaking of economics as a pre-
ventative, the Trojan War was
not caused by a woman, it was
(Continued on page 33)
The S a n \' r a n c. i s c a n
How To Write
With Apology to Henry S. Canby, Department of English, Yale
By WILLIAM SAROYAN
Editor's Notf. : "Bad writinR may he due to a had
idea, or it may he due to a failure in exi->ression that
comes fixim had thinkmn or bad lingli^h or Nith ! f the
idea is had. nolhitln ean he done except hurn the nianu-
scnpl and discouraRC the writer froin inflicting inore
wandering words up(>n a society already written and
talked to the point of distraction,""
Page 25 of Mr. Canby's book. Better Writing
FIRST you must have a had idea —
something trite, such as a man
falling in love with a chorus girl.
Next, of course, these two people
must be given names. The matter of
names is simple, almost anything
will do. So the man may he disposed
of as John Brow n and suitable com-
ment made upon him, such as, "He
was one of those men who helieved
that even if you couldn't fool some
of the people some of the time, you
could certainly fool yourself all of
the time."
Next the girl, although her mere
identification as a chorus girl is some-
thing of a name in itself. But then she
does have to have a name and in a
sudden hurst of inspiration you chris-
ten her Maisie, adding that it is none
of the reader's business what her last
name happens to be. Maisie's moral
nature may be revealed by stating
that she had been loved twice; once
by the Army; once by the Navy.
(This, of course, will make the reader
laugh, or at least, smile, as it will in-
dicate that the chorus girl isn't much
when it comes to several of the more
important commandments.)
If you like and you find you have
the space, you can jot down a few
lines about Maisie's girl and boy
friends. Tell where she was born, but
not why. Have her pass a few remarks
so that her English will remain in
history as one of the \arious kinds of
American being spoken by the flam-
ing youth of her time. And you might
add, should you care to, that as far
as love is concerned Maisie has ideas
of her own without ever ha\'ing read
Madame Glynn
^. t i
NOW you are well started. \'our
foundations are in. Here is a
man, John Brown or Hopkins by
name, who is among other things a
bookkeeper and an ignoramus; and
here, on the other hand, or more cor-
rectly in the first row, second from
the left end is Maisie, who among
other things is a chorus girl. Now
every male reader above the age of
eleven has at some time or other
fallen in lo\c with a chorus girl, or
with a whole front row of chorus
girls. To read about sotne poor, de-
luded victim who is in exactly the
same dilemma as he was once at one
time, pleases him immensely. From
the vantage point of his superior
sophistication, he will anticipate in
high glee the spectacle of John Brown
tiiaking a damned ass of hitnself.
PLAN FOR A SMALL GARDEN
By Anita Day Hl'bbard
/ sow my fields with proper grain
Against the winter's needs.
I dig the lares from out the wheat
I'm ruthless loith the iveeds.
But in a little hidden place
I grow ivild oats and yew.
With primroses along the paths,
And rosemarw — and rue.
So far so good. You have disposed
of this tnuch with neatness and dis-
patch. What to do with Maisie and
John? That will be the meat of your
story. Now as anybody: knows, who
has ever read about writing short
stories, all that has to be done is to
get these characters to do and say
things. Their actions and conversa-
tion must tell the story. What they
do and say must explain itself to the
reader and its part in the tale and
its plot sans trimmings, embellish-
ments and explanations by the w riter.
Ah yes, but it seems to you that in
most stories the writer himself says
considerable that his characters have
nothing to do with. Is there any rea-
son why you can't do the same!'
Apparently there isn't and you pro-
ceed to do just that, writing a little
of something about very thing.
Several paragraphs may be ac-
counted for in this fashion. Splendid!
You are getting on fine; you warm
up. You haven't as yet brought in
any action, but at the same time your
plot show s symptoms of beginning to
unfold itself. Now there ought to be
some psychology in the story at this
point. Nice sounding word, psychol-
ogy, an erudite acquisition to one s
vocabulary about the second year in
high school, and it is a v,ord and idea
that goes over big with readers who
likewise achieved the second year in
high school, or who go in for that
sort of thing.
So you have a feeling that the best
part of your tale, or at least one of
its best parts, is when you mention
that John Brown, the bookkeeper,
has to see the show twice to fully
convince himself that it is Maisie he
is in love with, rather than the red-
headed, adorable young thing next to
her. Aha, that's psychology for your
reader — pure, simple, unadulterated.
There will be readers who will stop
reading when they come to that and
look around to see if anybody is
watching them. At this point, you
have to have something to bring
them back. Some remark, conveying
the idea that this fellow Brown is a
poor sort, or — shall we say of ques-
tionable intentions^ That never fails
to hold wandering readers. They will;
go on in spite of theinselves and spec-
tators to see what happens to Brown.
« % -i
AFTER the second show John has
^to do something to attract the
little chorus girl's attention, so what
does he do but sneak up on her as she
leaves the stage entrance and ask her
out to lunch or something of that
kind. This is really about the best
way to have the would be suitor at-
tract the attention of his admired
lady of the chorus. Thus this method
is recommended in preference to any
other. It is safe.
The chorus girl, Maisie, of course,
is or isn't overcome with joy; or she
imtnediately does or doesn't fall
madly in love, according to what you
intend to take place or what effect
you intend the story to have. It is
hound to have some kind of an effect
one way or the other, whether you
intend it to or not.
If you are a good Baptist, or even
if you are a down-right had one, you
will have Maisie identify herself as a
lady— emphasis on the lady, and
with suitable remarks she will send
John Brown hack to his little mother,
who lives in a small cottage (the cot-
tage must always be small) some-
where or other. Don't try to describe
the cottage small, or tell a long story
about John's mother, because the
story happens to be about her son
such as he is.
tContinued on Page 30)
The San
Franciscan
1191
NEW
ABSTRACTIONS
CUT IN SOAP
These striking figures,
carved in soap by art stu-
dents of the Polytechnic
high school, cast ajresh
light on the sophistica-
tion oj the rising genera-
tion. NaiK>ely simple but
startlingly clever, these
casual carvings reveal
the artistic attitude oJ
our youth. —
For years members oJ
the adult generation
have torn their hair over
what artists "dared" or "dared not" do.
Metaphorical blood has been shed on the
question oJ abstraction versus represen-
tation. Now we find that the rising gen-
eration has settled the question, at least
Jor itself, by calmly making representa-
tions that are abstract and abstractions
that are representative.
Nothing could more surely mark the
calm acceptance oj ideas Jought Jor by
advanced artists. For these miniature
sculptures are created in a zest oJ imag-
ination and crystallized in an ephemeral
medium. In them Youth says with a
superior smile, "Surely you don't call
this 'daring.' We are only playing with
ideas that we have long taken Jor
granted."
The San Franciscan
120!
HELEN E IRWIN CROCKER
From a recent camera portrait by Albert Petersen o' San Matei
The San, 'Franciscan
f211
The Reigning Dynasty
BOL'RN on the "wings" of night
and departing on the "wings"
of morn, the Reigning Dynasty
conducted themselves to the magnifi-
cent Mardi Gras ball given February
21 at the Civic Auditorium. A ball
breathing the very fluttering of wings,
beautifully adapted itself to this past
year of superb achievement of man
made wings. From the first hush'that
descended over the dazzling boxes
when the lights v\ere dimmed and the
fireflies filled the stage with eerie light
to the last, when the crumbled butter-
fly drove away in the dawn, the spirit
of the air predominated. Kosloff and
Fredova arranged with their fine artis-
try a pageant of originality and beauty.
After the bats and silvery little mos-
quitoes gave their touch of professional
dancing the prettiest members of the
debutante and younger married set
appeared in gorgeous feathered cos-
tumes in every conceivable blend of
colors with a woodland scene for a
background.
Other groups of t he younger set took
the parts of peasants and courtiers
who join the birds in running to the
shelter of the trees at the sound of the
approaching areoplane. Like a silver
bird it "swooped" from the sky bear-
ing, standing aloft, the slim boyish
figure of Mrs. Kenneth Monteagle,
Queen of the Mardi Gras. It v\as in-
teresting that with the abandonment
of regal ermine and queenly robes, a
brilliant avatri.x costume of silver and
rhinestones was designed with a j aunty
flare at the hips, dazzling leggings,
gauntlets, cap, belt and lapels of bril-
liant "diamants" for a queen who is
the last word of modernity and smart-
ness. Somehow we cannot quite see
Estelle Monteagle in an ermine train!
The king wore an aviator's garb of
white satin and silver so the ball began
gayer than ever and more original
with its scope of airy costumes. The
w hite peacock, which won first prize,
gave the traditional hint of mystery
which takes us back to Nice and the
fete of roses where lovely ladies of
mystery invariably arouse the curi-
osity. This was indeed a lovely lady,
Jean Clayton, from prosaic Seattle,
rather than perhaps Venice, but for
all that with her white wig and black
paradise headpiece surmounting a
white bejeweled costume with an
enormous train made of tulle ruffles
she well belonged in a Venetian moon-
light. Mrs. Irwin Crocker, stunning as
always, wore a fascinating costume
representing static. On a silver wig
she wore a headpiece with darts strik-
ing in all directions, these same silver
darts shot her moonlight blue tulle
skirt. Miss Louise Boyd wore a white
tulle ballet costume with an amazing
headpiece forming a lofty silver wind-
mill. Mrs. Fentress Hill was a lure for
opium as a red poppy. Mrs. Bliss
Rucker "Pieretted" in red and black.
Miss Persis Coleman represented birds
of flight uith sky blue tulle, white
doves winging their way across it.
Mrs. Thomas Page Maillard went
in a white tulle ballet costume and
Mrs. Esenburg wore the same in black
tulle. Joe Thompson was a most amus-
ing British ambassador, his accent so
excellent and his monocle so well be-
haved, we wondered quite if he hasn't
missed his calling. Mrs. William Roth
wore a lovely yellow bird costume and
Everette Glass with a gilded face and
swirling fan toyed with a telltale pea-
cock feather. Beautiful Virginia Phil-
lips wore a lovely Spanish costume,
authentic of the mountain peasants.
Mrs, Howard Renshaw wore a lovely
snowball gown made of silver and
dozens of puffs of white ostrich. Mr.
and Mrs. Clinton Walker were also
prize winners with colorful crepe paper
Dutch costumes. Mrs. Lawrence Irv-
ing Scott went as a bat inshaded brown
with cobwebby wings. Mrs. Charles
Huff looked very handsome as the
black bird of paradise with the gown
of black woven j et and wing and head-
piece of black feathers. Among the
hundreds of revelers, however, there
was none who looked as beautiful as
Vera Fredova when she danced the
snowbird with skirts and bodice en-
tirely of white swansdown.
VAGUELY intelligible to the stay-
at-homes is the enthusiasm
shown by Reigning Dynasty scions
now up to the neck in snow at St.
Moritz. We hear that Nion Tucker
and Edmunds Lyman are popular
figures in the bob run there. Tucker
is number two man on the American
bob, Satan, steered by William Fisk
of New York. The Satan is credited
with the fastest run of the season.
Lyman is the "brake " on a bob steered
by M. Lambert, a Frenchman. Lyman
plans to take an all-California crew
over there next year to man his own
bob sled.
Mr. and Mrs. George Cameron have
left St. Moritz for Morocco. The end
of the season will see Mr. and Mrs.
Loring Pickering in their Paris home,
Mr. and Mrs. Nion Tucker in Italy
and Egypt, Mr. and Mrs. Hill Vincent
in their Riviera villa and other snow
sport enthusiasts scattered to various
pleasure ports.
« « «
P RE-SPRING SPORTS interests in-
cluded the Oakland Horse Show
which brought many social affairs in
its wake. A group of the younger set
from town and peninsula enjoyed the
hospitality of Miss Grace Hamilton,
daughter of Mr. and Mrs. Alexander
Hamilton, one afternoon of the show,
and Miss Ethel Nichols entertained
in the box of her parents, Mr. and
Mrs. Henry Drew Nichols, another
day. Mr. and Mrs. William Volkmann
entertained the Piedmont Trail Club
at their Piedmont home. Mrs. William
P. Roth, a San Francisco exhibitor,
was honored at the hunt breakfast
given by the Women's Athletic Club.
Others of the Reigning Dynasty who
entertained in their boxes are Mrs.
William Matson, Mrs. Philip E.
Bowles, Mr. and Mrs. Alexander
Hamilton and Mr. and Mrs. William
P. Roth.
« * «
MRS. Louis Kuhn, of South Bend,
Indiana, who is spending the
early spring months in San Francisco,
was honored by an elaborate luncheon
given by Mrs. Harry Johnson and her
sister, Mrs. Alfred W. DuBois, at the
Marin Golf and Country Club re-
cently. Among those invited to meet
Mrs. Kuhn were Mrs. Ernest Bradley,
Mrs. William Babcock, Mrs. J. E.
Armsby, Mrs, Robert Menzies, Mrs.
Thomas Scott Brooke, Mrs. William
Palmer Horn, Mrs. Rex Sherer, Mrs.
Walter F. Lees and Mrs. Andrew-
Pope Talbot.
« * «
John Van Druten, playwright and
lecturer, who came to San Fran-
cisco to give an address before the
Junior League, was honored by a
dinner given to him and to Miss Elsie
Arden, of Paris, by Mr. and Mrs. J.
Downey Harvey in their home in
Broadway. Among the guests were
Senator James D. Phelan, Mrs.
Eleanor Martin, Mrs. Harry Hill,
Noel Sullivan, Dr. and Mrs. Jau Don
Ball, Charles Caldwell Dobie and
Colonel Harry Howland.
« « «
THE Reigning Dynasty is looking
forward to the completion of the
new San Mateo-Burlingame Polo
(Continued on Page 3 1 }
The San Fra n'c'i scan
1221 "
James Cruze
A Closeup of The Great Dane of Hollywood
By}. LYDELL PECK
A \isiT to Hollywood can he
/A climaxed hy no greater happi-
jL JLness than an acquaintance
with James Cruze, the most lo\able
personage in the tremendous picture
industry. This sage of Filmdom is the
outstanding figure of this, the first
generation of pictures. The future
must wait a long time for a more im-
pressive and able man. He is one of
those that in describing one con-
stantly calls upon the list of superla-
tives only to sadly realize that words
are bankrupt mediums of worthy
JStimation.
James Cruze was horn in the State
ot Utah forty-five years ago of Dan-
ish parents. His mother and father
were strict adherents to the Mormon
("aith and tilled the soil under the
canner of Brigham Young. The senior
Cruze was a hard-muscled giant w ho
"could kill an ox. and did, w ith one
punch on the head." His brothers and
sisters were many, and. as Cruze says,
"I was related to everyone in the
town."
At the age of fourteen the young
Jimmie grew tired of the copper col-
ored dust of his native street, and
decided to run away. This he did,
and in rapid succession became hobo.
sailor, waiter and actor. To acquire
proficiency in the latter of these he
parted with his last forty dollars to a
dramatic instructor but, after a few
days, gave this schooling his dis-
gusted farewell because, he says, "I
knew more than the professor."
After several lean years of barn-
storming on which excursions his
repertoire included the leading roles
from the playsof Shakespeare tothose
of Ibsen, he settled down in the land
of moving pictures. This was not the
fertile field of today, and Hollywood
was, with the exception of a studio
or two, far out in the country. His
efforts here were for the most part,
limited to a five-dollar-a-day pay
check injected constantly with the
typical movie disappointments that
would have led most men to give up
in despair. But not Cruze. His faith
in his ability to get there carried him
through this period of reversal and
disappointment until suddenly he be-
came a national figure as the hero of
the greatest picture serial ever pro-
duced "The Million Dollar Mystery."
From acting he turned to directing.
During his first years with the mega-
phone, people at the studios took ad-
\antage of this quiet, good-natured
man to such an extent that he was
assigned a series of poor and difficult
stories. But no matter what the story
was his complete understanding of
human nature, coupled with his quick
brain and keen sense of story value,
always enabled him to turn these
weak narratives into strong, interest-
ing stories of profitable box office
value.
* % t
HIS reminiscences of these pioneer
days are scintillating gems full
of humor and pathos. To hear him
tell of the early pictures when a mob
scene of one hundred people excited
nation-wide publicity, and how the
producer would call upon his family's
family and their friends to come,
bring their lunch, and act in "pic-
tures," are extremely ludicrous when
one compares them with the larger
productions of this day. I remember
his telling one about directing a great
"high brow" epic of the sea. This
picture was to be the greatest thing
of its day, and where the story called
for the dynamiting of a yacht, a real,
honest-to-goodness yacht was to be
used. The gentlemen of Judea were
going to give the public something for
their money in this great melodrama
even if they only made a hundred per
cent profit on the production. Elabo-
rate preparations were made for the
shooting of the scene at the thereto-
fore unheard-of cost of many thou-
sand of dollars. The camera and
Cruze were to be stationed on another
yacht, and the camera angle was to
be looking out the port hole on this
craft. Unfortunately the last men-
tioned Hesperus was rather anti-
quated and dusty, and the porthole
in front of the camera had to be
propped open with a stick. Every-
thing on both ships was perfectly
timed so that at a given moment the
yacht to be destroyed was directly
opposite the porthole and room con-
taining the camera and Cruze. The
time for the great scene arrived.
Guests and producers were aboard
the camera craft, and Cruze, below,
eagerly awaited his big moment. At
last the ill-fated yacht hove into view
and the cameras started to crank. In
another minute the yacht would be
opposite the porthole and camera.
With a sudden blast that rocked the
sea the story craft blew into a thou-
sand pieces. But the sudden jolt had
loosened the stick that held the port-
hole open in front of the camera and
before it could be restored it had
snapped shut. The explosion, as well
as the big moment, was over and,
"We didn't get a g — d — thing."
Since this memorable day in his
career he has witnessed many other
pathetic incidents. Only recently,
while he was finishing another large
"sea opera" entitled "Old Ironsides"
did fate again remind him that he
was not entirely master. At this time
Cruze had a fleet of boats manned by
several thousand men located some-
where off the island of Catalina.
These "extras" were costing the Para-
mount Company something like
thirty thousand dollars a day and at
the time the weather had been so
poor that shooting was impossible,
and the cost of production was gradu-
ally engulfing the second million of
dollars. The scene to be taken was a
night scene, that is, taken by day-
light but so developed as to give the
impression of night time. At last the
sun shone through a broken sky and
the signal was given to get ready for
"action." About this time some mo-
ronic "extra" threw a box lunch over-
board and this much to the delight
of the nearby sea gulls who assembled
for the feast in droves. Cruze forth-
with was advised that sea gulls do
not frolic during the night and that,
as this was to be a night scene, it
would be impossible to include these
scavengers of the sea. Attempts were
made to drive them away. Nails,
bolts, shots and blocks of wood were
thrown in an effort to dissuade them,
but of no avail. Finally a launch ar-
rived with loaves of bread and scat-
tered crumbs away from the scene of
action in an attempt to divert the
birds from thecamera angle. But these
gulls stuck to their box lunch like a
Los Angeles realtor sticks to his Iowa
farmer. The day was lost and Cruze
ever maintains, "That was the most
expensive box lunch in the world."
* * *
THE maker of the magnificent
"Covered Wagon," "One Glori-
ous Day," "The Fighting Coward,"
(Continued on Page 28)
The San Franciscan
f23I
The Ccbweh Palace, and menagerie at the foot of Pouell Street - then Meigg's ^'harf - somettnw in the 70' s and So's. Abe Earner is the gentleman
wearing the high silk hat.
Tin Types
Abe Warner
By ZOE A. BATTU
WE always were strong for zoos,
for the delightful diversions
found in feeding peanuts to monkeys,
hobnobbing with bears and attempt-
ing acquaintances with elephants,
tigers, lions, giraffes, camels, hippo-
potamuses and what not. We have
persisting memories of zoos in other
cities, and though we never openly
confessed it to the citizens thereof,
we had to admit in our secret mind
that San Francisco lacks a compre-
hensive collection of animals, grouped
in one convenient, accessible local-
ity. So we hailed our Mayor's idea as
a triumph and were altogether en-
chanted by it.
For one thing it started us off on a
thread of memories and led us back
to somewhere in the '70s and to the
name of Abe Warner. Abe Warner,
we offer as a man of unusual parts,
since he maintained what may be
rightfully considered San Francisco's
first zoo and collection of divers
curios. This accomplishment alone,
would have guaranteed him a secure
place in the city's Hall of Fame, but it
is rendered still more notable by the
fact, that he combined with this pur-
A WHILE back we had a city
election. After the ballots
^were counted and our Hon-
orable James Rolph was assured that
he was again chosen to preside over
the destinies of our incomparable
city, he published a statement in the
public prints of all the things he had
in mind to do for the city within the
next year or so. As a matter of form
we ran our eye over the rather for-
midable list, dealing with traffic prof -
lems, street railways, water works.
Bay bridges and numerous other
controversial issues.
We yawned slightly — these things
we have always with us. They never
do get themselves settled. We were
on the point of depositing the paper
in the office wastebasket. when a cer-
tain part of the Mayor's statement
caught our eye and justified the wis-
dom of the way our ballot had been
cast the day previously. The Mayor,
it seems is of the opinion that San
Francisco needs a zoo and came right
out and said so. Now, here was an
idea worth while, a cause to which
we could heartily bend our energies,
while mantaining our sense of humor.
suit the keeping of a saloon where he
dispensed fine liquors to those who
had achieved the status of super-
connoisseurs in such matters.
His place was located at the end
of the Powell Street car line, now
Fisherman's Wharf, then Meigg's
Wharf. It was a low, rambling build-
ing, containing several rooms and a
commodious yard adjoined the struc-
ture. The animals that Warner kept
about his place, his curios and his
liquors were in themselves mighty
attractions, but to these was added a
fourth attraction, which we venture
to state positively was the only one
of its kind that ever existed before or
since in this city or any other. The
interior of Warner s place was com-
pletely upholstered in cobwebs.
Neither brush nor broom ever vio-
lated the sacredness of those cobwebs
and the dust they collected during
the owner's lifetime. It appears that
some strange, tropical spiders, re-
markably industrious in the spinning
of webs, had found their way into
the place and took possession of it.
They had been concealed, no doubt,
(Countined on Page 31)
The San Franciscan
f24l
White Wings
In Which We Review the Yachting Season
By JEAN F. HOBBS
TiiF. Easter Dress Parade marks
the undisputed coming of Spring
for the smart New Yorker, hut
San Francisco has a surer and more
interesting w ay of knowing w hen that
much heraldedexent is actuall yuponus.
When you begin to notice the dart-
ing white sails of trim racing craft on
the sunlit hay ; when there's gallons of
paint, and miles of rope and acres of
canvas being used in the process ot
Spring cleaning at the yacht clubs:
w hen you hear the enchanting lure of
the old rhyme from a brine bitten
skipper:
/ hear the call of the wanderlust.
And God knoics ichy, but go I must;
L'ntil my bones are drifting dust
rilfolloii- the sea-gulis cry.
The boic-wash song to the dog watch bell.
The kick o' the wheel and the chanty's
spell
Get hold of a man in spite o' Hell,
And a better man than l!
Then, and then only, can you be
sure that Spring and its bosom com-
panion, the yachting season, have
come to add the luster of their glory
to life in San Francisco.
In 1869, some fifty years ago, when
the waters of San Francisco Bay came
to \ lontgomery Street, the San Fran-
cisco "^ acht Club made its infant bow
to the w orld. The Club made its head-
quarters on the San Francisco side of
the bay, near Mission Rock, and thus
yachting on the Coast began in ear-
nest. It is something to the credit of
the city that this club was the third
organization of its kind in America,
the New York Yacht Club founded in
1 844 being the oldest, with the South-
ern Yacht Club of New Orleans second.
As the city grew commercially, it
was only in the nature of things that
the yacht club should find it necessary
to select a new location, w hich would
permit them greater freedom and
would be better adapted to the needs
of the growing membership. A com-
mittee, headed by Charles (Cappy)
Chittenden, made ane.xhaustive study
of available locations, and reported
that the best deep w ater frontage, to-
gether w ith the innumerable requisites
for a site had been found at Sausalito.
t t i
THOSE were the days w hen yacht-
ing was THE sport of San Fran-
cisco— when yachtsmen owned and
sailed picturesque two-masted
schooner yachts with their acres of
canvas. The old schoonerracing course
was around Fort Point, at the inside
entrance of the Golden Gate on the
city side, to a market somewhere off
Hunter's Point. Meiggs wharf, at the
foot of Powell Street, was the usual
start and finish. Social activities went
hand in hand with the actual purpose
of the club, and it was generally con-
ceded to be a distinct social achieve-
ment to attend the many formal and
informal affairs of the organization,
which enlivened the social season. The
younger generation, inevitably draw n
by the fascination and romance of the
sea, soon began to take an acti\e and
interested part in the doings, both
social and sailing, with the result that
those of more limited means than
could afford the then popular schooner
type, began to build a smaller yacht.
The rapidly achieved popularity of
this smaller yacht was responsible for
the association of a group of Francisco
^'acht Club members sailing the
smaller craft, who formed a club, with
by-laws limiting the size of yachts en-
rolled in the fleet. This club is known
today as the Corinthian Club of San
Francisco, w ith a splendid club house
and anchorage located near the San
Francisco \'acht Club, in Belvedere
Cove, on the Marin side of the Bay.
Since the founding of this club, others
have followed in rapid succession, until
now we have the Aeolian, the Saint
Francis, the South Bay, Vallejo, and
Sunset Clubs, all active.
Class Yacht racing, the mainstay
of yachting interest, has been given
considerable impetus during the last
few years. Outstanding in this devel-
opment on the San Francisco Bay,
are three men, rated with the best rac-
ing yacht skippers in America. They
are: Arthur Rousseau, owner of "Ful-
ton G, a yaw 1, the champion "Ace,
the 20-rater w hich has defended the
San Francisco perpetual challenge cup
for the past two years, and the new
six-meter international champion
"May-Be," due to arrive from Sweden
in time for the Los Angeles Regatta;
Charles Langlais, one of the group of
Corinthian yachtsmen, who will be
skipper of the new six-meter "Corin-
thian ///; and Stuart Haldron of the
St. Francis ^'acht Club, w ho has pur-
chased the six-meter "Ayaya, " sister
ship to the "May-Be"" and the
"Marotte," now moored off the Cor-
inthian yacht Club at Tiburon.
« t t
OF inestimable value and assis-
tance to the progress of class
racing, has been the organization
"After-Guard," a club to which only
skippers and owners of racing yachts
are eligible for membership. This club
has as its motive the promotion of
class-racing on San Francisco Bay
and the study and interpretation of
rules governing class yacht racing here
and throughout the world. Already
the organization is responsible for the
la>'ingout of seven courses on the bay,
so that match races without weather
handicaps can be held throughout the
year.
The Pacific Coast Yachting Asso-
ciation recently completed its fifth
year in the service of "more and bet-
ter ' yachting. This organization has
been a dynamic force in the improve-
ment of yachting conditions on the
coast, and has done much to encour-
age the work of individual clubs in
the junior movement, assisting them
in the financing and owning of boats,
and encouraging competition by hold-
ing a junior Pacific Coast Champion-
ship at least once a year. Prominent
San Francisco yachtsmen who have
assisted in the work of this organiza-
tion are Clifford A. Smith and Commo-
dore Piver, both well known in yacht-
ing circles. The first championship
regatta and water carnival of the asso-
ciation was held on San Francisco Bay
in August, 1923 and resulted in draw-
ing the attention of the yachting world
to this coast.
The "official" seasonal yachting ac-
tivities for 1928 in San Francisco Bay
will open April 29th with the Pacific
Coast Yachting Association Spring
squadron cruise. San Francisco yachts-
men take their yachting seriously and
from then on their lives will be a suc-
cession of races, cruises, and sundry
other events. The first long cruise
under Inter-Club auspices will be
May 12-13, when the annual cruise to
Vallejo and race home w ill take place.
The Pacific Coast Championship re-
gatta will be held at Vancouver July
4th. and will be well represented by
Inter-Cluh craft. The Clear Lake race
meet at Lucerne Yacht Club will be
(Continued on Page 31)
The San Franciscan
1251
THE INVADER
Winner of the Honolulu Race. Owned by Don Lee
The San Franciscan
lib}
The Field of Finance
Being Some Random Topics of Interest to the Investor
By JUSTUS S. WARDELL
SOME seer ventures the prediction
that in the next thirty years the
advance in the industrial and
economic channels will be greater
than in the generation just passed. I
heard no reference to the social or
moral conditions of ci\ilization. The
social relations today are different
from those which pre\ailed at the
opening of the Christian era. There
is a closer relation between the dif-
ferent classes and the chasms are now-
easier bridged. This condition is par-
ticularly true in our country and the
old feudal system in the European
and Asiatic nations is rapidly reced-
ing in the face of the gigantic waves
of democracy engulfing the world.
An oligarchy or communism of course
cannot thri\e w hen men and women
are freed from barriers which stopped
their progress in other years. Char-
acter and brains are alone the requi-
sites in advancing to a sphere of
prominence and power. We have
found that splendidly exemplified
in the case of Colonel Lindbergh. In
less than a year this young man has
advanced from an air mail flyer to
one of the most honored and con-
spicuous individuals in this decade.
Morals, of course, enter very
largely into the framework of char-
acter. Things are done today with
equanimity which would have shocked
in their youth men of graying hairs.
Paternalistic and sumptuary laws
which invite men to defiance con-
tribute in no small measure to a situ-
ation which alarms a very consider-
able number of people. Intolerance
is the bane of republics. Though we
are living in a different age these
symptoms, which are today callous-
ing the souls of many of the youth
of the moment, every one hopes will
give way to the fundamental virtues
and that rationalism will again con-
trol the acts of the American people.
In a real crisis the native common
sense of our people always asserts
itself. Bigotry and intolerance have
been material factors in our political
and social life before and when the
country was genuinely aroused its
people smote the ogre with blows
which kept it silent for half a century
or more.
So the prediction of the seer well
may be true, but it is doubtful if the
progress is not confined to the devel-
opment and broadening of those in-
\entions and policies which have
already been revealed. This is an
electric age and the era of combina-
tions. The United States will be the
genesis and the scene of the greatest
achievements. It has already led the
way in most accomplishments and
with the perfection of schemes, now
in their infancy, it w ill further startle
the world.
« i «
IN the matter of business and finance
there is no question that this coun-
try will continue to head the proces-
sion. This ought to be qualified, how-
ever, by the ever present thought
that the moral fibre of its people must
not be further weakened. It is true
that all standards are changed and
it is now wholly a survival of the
fittest. But we are the great creditor
nation of the world and we no longer
talk in millions but in billions. That
is the age we are now living in. A
generation ago a man of moderate
means today would be classed as a
rich man. Men and women then
thought a one-time millionare an
object of reverence, at least among
those who were largely governed in
their estimate of men by the extent
of their wealth. Men retired with
$50,000 and lived in ease and com-
fort. Today the proceeds from such a
fund would hardly pay the rent of an
apartment of a man living under
similar conditions. Everything is
altered and in most directions for the
better. The artisan and laborer today
gets fully three times in wage what
he obtained thirty years ago. But he
has to have it in order to acquire the
necessities and keep up the comforts
to which he has become accustomed.
However, it seems to me to win
success in these modern days one
must follow the big brained men.
They will bring about the consolida-
tion of interests and there w ill con-
stantly be a diminunition of small
competitive enterprises in each group
of industries.
The mergers will result in mam-
moth concerns, the margin of profits
will be small and the economies in
production coupled with superior
management will be the measure of
success. Competition will be keen,
but it will be between large interests
and the consumer will ultimately be
the beneficiary. Much of the savings
of the American people will be in
these various enterprises and nearly
every man and woman will eventu-
ally be a partner in the great banks
and the great retail and wholesale
businesses of the country.
The spirit of intelligent unification
and cooperation will even extend in
my opinion to the farming industries.
Owing to its absence may be attrib-
uted much of the distress which has
been associated with the food produc-
ing areas of the country.
So the investing public ought not
to be alarmed if some of these com-
panies reach values extending into
the billions. It will not be long before
there will be a number of corporations
whose stock value at least will be in
excess of a billion. There are quite a
few already.
« « «
HOWEVER, it is well to caution
the thoughtless speculator or
the innocent investor. Sharks are still
roaming in the sea of hope. They as-
sume different guises but are always
ruthless. It is well to be guided in
assuming any activity in the stock
market to confine one's interest to
such enterprises which are backed by
substantial assets and whose affairs
are managed by men of integrity,
vision and character. Earnings,
though of course important, should
be of secondary influence. Too many
men today who are the head of insti-
tutions fail to see the new light of
day. They are men of earnest pur-
poses but they still believe that the
old principles associated with segre-
gated activities should fix the course
of modern business. They live in the
past. And though the simple virtues
of a generation ago do not govern
too many of our homes I confidently
believe that the major number of
men of today in places of mastery in
finance and trade have higher stand-
ards of ethics than prevailed when I
was a young man.
Such a man is that distinguished
Californian, A. P. Giannini. He has
climbed the hill tops and is on the
broad plain watching the rising sun.
Back of the hills still remain many
good men who do not even see the
glare. Here is a man who is challeng-
ing the attention of the world. With
(Continued on Page 28)
The San Franciscan
([271
The Wall Street of the West
Montgomery Street, San Francisco. From an etching by Howard Simon
The San Franciscan
1281
The Field of Finance
(Continued from Page 26)
a great mind he seizes opportunities
and uses them solely for the advan-
tage of those who ha\e placed their
faith in him An unselfish man, with
no personal ambitions, gentle and
yet strong, he has in his corporations
unequalled resources. The place these
institutions w ill occupy in the field of
finance is e\en beyond the realm of
prophecy One is now the largest in
the world and the other is not far
from a like position. His accomplish-
ments amaze his competitors and
sometimes enlist untriendly criticism.
But on he goes He fears no contest
and gives no quarter and yet there
is no man more willing to accommo-
date his differences with a fair foe.
Well may California be proud that
A. P. Giannini is a product of its soil.
So if the young men of today could
attach themselves to men of this type
their future would be more secure.
This does not imply that there should
be a deadening of individual efforts.
Merged corporations have become in
many instances so large that there
are usually dozens of executives who
are in receipt of salaries and bonuses
which far surpass any income which
could possibly be acquired in a minor
enterprise of like character. In the
Giannini institutions it is the purpose
of the founder to ultimately make
the employees owners of the Bank of
Italy. So the youth in every line of
activity must become masters of a
distinct phase of specialized opera-
tions in order to go ahead. Their goal
Public
Utility
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G. L. Ohrstrom 6 Co
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WALLACE CAMPBELL
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will be the attainment of great execu-
tive offices in these businesses or dis-
tinction in the many professional
fields.
The day of the segregated indi-
vidual effort is gone. This epoch is
material and the quest for the spirit-
ual will only again attain ascendency
when this absorbing combat for
dominancy meets a crisis in our na-
tional life.
James Cruze
(Continued from Page 22)
"The Beggar on Horseback," "Old
Ironsides " and fifty other successes
never allows misfortune to dull his
sense of humor. That is why today
he can look back over his life, at
forty-five years of age, and adjudge
it a full and happy one. That is why
he can collect one thousand dollars
a day throughout the year as the
highest priced director in the world
and, with a twinkle in his dark eyes
and a rougish grin, admit that his
friend Elmer Henderson is correct
when he says: "Directing is ninety
percent getting the job."
If the land of motion pictures
boasts a genius it is certainly James
Cruze, yet he lacks the ego of even
the most stolid failure. No matter
where he is, whether surrounded by
great or insignificant, he is always
himself — just Jimmie — and he is
richer in friends than any man I have
ever known. If he has enemies, and I
suppose he has, I have never had the
misfortune of meeting them. Some
San Francisco
Bank Statistics
December 31 Statements
Comparisons with calls as
of June 30, 1927
Comparative earning
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available on request.
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Members San Francisco Stock Exchange
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SAN FRANCISCO
do not like his method of picturing a
story, but even these few will unfail-
ingly acclaim Cruze, the man.
Nlr. Cruze's one great pride is his
beautiful estate at Flintridge. He
calls it his "road house" and the doors
are never closed. If you are not wel-
come he will bluntly acquaint you
with that fact, but, for his friends, it
is the mecca of happiness. About the
mansion is a garden of several acres •
harboring many rare plants. Horti-
culture is his hobby.
He is extremely well versed on
modern literature, especially plays.
Jesse L. Lasky once sent him Theo-
dore Drieser's great work "An Ameri- 1,
can Tragedy" and, as he did so, told
him that it had taken Drieser four
years to write it. Cruze took one look
at the two volumes and, throwing
them aside, replied, "Yes, and iti;
would take me four years to read it."
Cruze had already read the brilliant
work.
Eugene O'Neill is his particular
delight, and he thoroughly enjoys thei
friendship and works of the red-J
headed cynic, Jim TuUy.
* « «
HE possesses a marked timidity
and dislike for new faces and,,
strange as it may sound, he literally
runs from any demonstration of pub-
lic acclaim. The roar of the crowd
makes him panic stricken. On the
night of the opening of his last big
picture, "Old Ironsides," all filmdom
turned out en masse to attend the
opening at Grauman's Egyptian
Theatre of this widely heralded pic-
(CZontinued on page 36)
Q^acon
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The San Franciscan
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San Francirco
Santa Barbara
The San
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:3oi
Cruise
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Blue seas. Balmy air. Sparkling
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Palm trees and mangoes, fresh and viv-
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of thousands ot coffee trees. Bananas, pineapple and papaya;
sweetening m the sun. Volcanoes purpling against the azure sk
.'\nd the air, soft and perfumed, quieting rushing steps and sooth-
ing traved nerves.
Cruises Sail Monthly
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View the gay night life of cosmopolitan Panama and of neigh-
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the wonders of the Panama Canal bv daylight.
.And as tor golf en route. There are sportv courses in Guata
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links around and on Gatun dam, near Cristobal. Guest cards to
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How CO Write
(Continued from Page IH \
On the other hand, if you are not '
a good or bad Baptist, "you will go
right ahead allowing your imagina-
tion free reign. This is a free country
for people who have imaginations,
provided their imaginations don't
run out of all the bounds properly
prescribed for this quality of the
mind, so 1 warn you to be careful.
^'ou are liable not to say the right ,
thing at the right time, and alas younl
story is shattered. ;
But by and large, about this time
you will find that events have pro-
gressed beautifully; that spectacular,
sins are being committed right and left, i
and you are saying this clever thing
and that in almost every paragraph.
* « *
WHEN you find you have enough.i
pieces of paper covered with-
typewriting, you quickly bring thei,
story to a close by saying whatever.,
happens to come into your mind ati-
the moment. You can send the talef
to any magazine you like and if youi
enclose a stamped, self-addressed en-i,
velope with your script the editor of
the publication so honored will mail
it back to you promptly.
The ivriting of stories, as you can
readily see is simple, remarkably
simple. One thing is indispensable —
that is a typewriter and by way of
second thought, the ability to operate
it. Wherefore, what better suggestion
— why not dash right out and buy a
typewriter^ Why not ^
« « *
Ears as Long as Horns
(Continuedfrom Page lb)
him and Mary Craig Kimbrough.
They are not, however, of the opinion
that other women, to whom Sterling
addressed poems, should attempt to
gain a fleeting notoriety by revealing,
in such a manner as to leave too much
to the imagination, those circum-
stances which won for them a poem
from a poet who so frequently w rote
in the terms of passion.
Were they to follow that method
which has made the name "Sinclair"
lamentably familiar, the name of
George Sterling would no longer be
associated with his hero "Tancred"
who worshipped the cruel beauty of
"Lilith," but would stand out, even
in the colorful history of poets, like
a may-pole plastered with these crim-
son implications of passionate affairs, '
flimsy, as May-pole ribbons, with no
profounder basis than a poem from a
poet who wrote passionately for but
one woman — Lilith.
The San Franciscan
1311
Tin Types
(Continued fnim PaKC 23)
in some curio Warner had gotten
'from a remote corner of the world.
There were webs upon webs, long,
sweeping strands of them, tangled
masses of them, inverted mountain
systems of webs, weighted down with
the dust of years. This feature earned
for the place the name Warner's Cob-
.web Palace. It was one of the sights
'of the town at the time, and people
came from far and wide to see it.
* s *
THE several rooms of the Cobweb
Palace were filled with curios of
■every kind and description, given to
Warner by seafaring men and sailors
whose vessels touched alien and far
lands. There were elephant tusks
and tiger teeth, plain or carved.
There were great and small pieces of
/wood, hearing legends and symbol
writing whose meaning was known
•only to those who had laboriously in-
'scribed them thereon. The imple-
ments of hunting and warfare of
'many tribes and their native cos-
tumes were in the collection, which
; verily was endless. All this conglom-
■ eration was strewn and heaped about
; without regard for order — never dis-
turbed, never dusted. Among the
'debris played cats, dogs, birds, par-
irots — all treasured and sacred to
their owner. Tables, also were in the
'rooms at which the guest was served
crabs, clams and various other sea
.foods, Warner being noted for the
'excellency of his sea food dishes.
Wading through this confusion, the
'visitor finally arrived at a rear bar
I room. Here Warner served the finest
■imported liquors — French brandy,
Spanish wines, English ales, all in the
I original wood. He would have no
f traffic in anything that did not repre-
isent the best that could be obtained
i and fine scorn for those who might
; be so indiscreet to ask for common
stuff. If one wanted ordinary whisky,
he could get it at any corner saloon.
i Warner catered to gentlemen who
i were connoisseurs of experience and
discrimination. In passing, may we be
permitted to remark, that it was the
omniscience of a high intelligence
that took him from this world well
' before sentiments of prohibition were
broadcast upon it^
« « «
ON the grounds of the place a
veritable menagerie held forth.
; There were monkeys of assorted sizes,
! a bear, various other strange and
familiar animals and more parrots
and birds. These, as well, were mostly
gifts of sea-faring men.
To the children, of whom Warner
was very fond, his place and animals
were a perpetual delight. An old
friend of my family relates how as a
child a Saturday afternoon or Sunday
trip to the Cob-Web Palace was an
event to be anticipated. You went
out on the Powell Street cable, which
rattled and swayed along with even
more gusto than it does now, con-
spiring to make the trip a prodigious
journey and adventure. Amusement
places in those days were few, so on
pleasant Saturday afternoons, Sun-
days and holidays there were always
crowds about Warner's place. You
looked at the animals; fed the mon-
keys peanuts; rejoiced in their antics,
untroubled over the puzzles of evolu-
tion; marveled at the cobwebs;
watched the fishermen on the wharf;
maybe fished some yourself; lunched
happily on peanuts and something
bought of old Abe and rumbled home.
A gloriously satisfying holiday!
According to the best recollections
of old timers Abe Warner rounded
out a good life span among his cob-
webs, his animals and choice liquors.
Upon his death his place was closed
never to be reopened; in time to go
the way of all old landmarks and
traditions. But you must agree, con-
genial reader, that Abe Warner was
not of the common run of men. It is
because we live in an age which pro-
duces no such enterprising individuals
that our Mayor must take up the
cause of providing us with a zoo.
t ^ *
The Reigning Dynasty
(Continued from Page 21)
Club on the Borel property at Beres-
ford. One of the largest stables being
built in connection with the club
house is that of Mr. George A. Pope,
Jr. The three polo fields at Beresford
will augment the field maintained by
the club at San Mateo and will pro-
vide the much needed space for com-
ing tournaments.
The polo season at Del Monte has
been declared the most brilliant ever
seen in California. The world of fash-
ion turned its interest to the exploits
of the famous Sands Point, Los Pir-
atas, Midwick, San Mateo and the
sporty Junior teams. Del Monte
Lodge has been gay with dinner parties
and the galleries have been filled with
smart people. Among the frequenters
of the events are Marquessa de Port-
ago, whose husbanci shared largely in
the honorsof the victorious "Pirates " ;
Mr. and Mrs. S. F. B. Morse, Mr. and
Mrs. Francis McComas, Miss Jo-
sephine Cjrant, Mrs. F. de Sainte
Phalle, Dr. Allister McKenzie, Mr.
Faster
Than
Ever
6IV4 Hours to
Chicago
Now the famous "San Francis-
co Overland Limited" saves
nearly two hours between San
Francisco and Chicago.
You can leave San Francisco at
the same time as formerly, 6p.m.,
yet arrive in Chicago one hour
and 45 minutes earlier, 9:15 a.m.
This is the second reduction in
time east made by Southern Pa-
cific in recent months, making a
total saving of 6 hours and 45
minutes over previous schedules
from California to Chicago and
affording better connections east.
Diners, club cars, Pullman and
observation cars of the "Over-
land" are of latest design.
Shower-baths, barber, valet,
ladies' maid.
San Francisco
Overland
Limited
Southern Pacific
F.S. McGINNIS, P.T.M.
San Francisco
The San Franciscan
[32 1
•^
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•^
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•^
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•
it
it
it
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LIPSTICK
as JO rencn as
ranee itselt I
I j 1 PiS ol mystery
...of soft encnanttnent
... of raaiant color. How provocative tney are! And Kow serene in tke
consciousness of their allure are tne voinen ol tne fasnionaole world. CJ^For
tney nave learned from tne Pansienne. . . w^itn ner passion for exquisite Leauty
...the secret of sucn loveliness. €l,It's tne magic of Lipstick Tussy, of course.
Discovered generations ago by distinguished ^vomen on tlie Continent ... and
know^n lor years to American w^omen traveling abroad! For Tussy is a creation
oi Alaison Lesquendieu . . . tbe most famous nouse of cosmetiques in France.
fJU Subtly scented, Tussy keeps tne lips sott and smootk. An indelible lip-
stick ... of unquestioned purity . . . eacK of its six fascinating snades in a
diiierent colored case. iSucn gay little galalitne cases... witb a tiny reducing
niri:or at one end il desired! Ana noWy Lesquendieu also presents Lipstick
Fussy in a smart selection of imported FrfencK gilt cases. TKey are as FrencK
A& the country from wnicn tney come . . . for tbey are made complete in
X ranee . . . and are obtainable here at your favorite shop.
A VNIQVE nOOKLETon cojmcli.,,.e,r'l,y Les.i„^,nhfH
■ . . trnnslaleJ from lite French . . , ■rent to you on re14ur.fl.
PKONOUNCCD
L E 5-K A W N-D U H
For iLin as smootn as a rose petal . .
uie Veloute Je Reine. a peack-sceniecl
foundation cream for powder. For coloi
tliat is delicate, lasting and natural . .
there s Farjoli Crcme Rouge and Rouge
Famosa Compact. For eyes that are
distinctive . . . L>a Oourctlla is a Harm-
less liquid cosmetique for eyebrows and
.y.l.,1.... J. LESQUENDIEU, I,.c.
Howard L. Ro.s. Pn,iJ,nl, AS Wcit
45tli Street, New York City,
TIISSY
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and Mrs. Harry Hunt, Mrs. William
Parrott, Mr. and Mrs. W. W. Crocker
and Mr. and Mrs. James C. Parrish.
« « «
MR. Richard M. Tobin, Ameri- '
can Minister to Holland, has
been widely entertained during his
visit to his sister, Mrs. Tobin Clark,
at "El Palomar" in San Mateo. Mrs. '
Clark gave a musicale for her brother, \
Mr. and Mrs. John S. Drum enter-
tained at a dinner in his honor and
Captain and Mrs. Edward McCauley
were hosts to a dinner for him at their
home in Burlingame.
* « »
MRS. George N. Armsby, chair-
man of the music committee of
the Philharmonic Society of San
Mateo, recently returned from New >
York where she was able to arrange <
for Albert Coates, Bernardino Moli-
nari and Ossip Gabrilow itsch to con-ij
duct concerts in the summer series of n
concerts.
Other members of the committee
are Mrs. Selah Chamberlain, Mrs
Eli H. Weil, Mrs. Celia Tobin Clark,
Mrs. Theodore Lilienthal, Dr. Wil-
liam Otis Callaway, Milton Esbergf
and Mrs. George N. Armsby. Mrs,;
Armsby, as chairman of the musici
committee, heads a group composed
of Mrs, George T. Cameron, Mrs.
Tobin Clark, Mrs. Eli H. Weil and
Mortimer Fleishhacker. These prom-
inent patrons will direct the coming
season's activities, which will include
eight concerts the first of which is
scheduled for June 24.
\ 1 t
Once Again the Opera
(Continued from Page 9}
ing successes-La Tosca, Thais, Sapho
— and may induce the Association, it
is said, to produce "Salome" as its
crowning sensation of the season's
repertoire. The Strauss piece, though
often presented in Germany, has re-
mained shelved for the last twenty
years by the Metropolitan as the
result of the religious hostility it ex-
cited whenoriginally presented. Alfred
Hertz directed it then and would
naturally direct it again, which will
mean a perfect rendition.
« i «
THAT there will be no "Tristan " or
other heavy German opera this
year seems positive. It appears to be
too much of an undertaking for the
Association, from the point of view of
expense, unless Los Angeles shares
the burden ; and, among the hearsays,
is that our sister organization is dis-
inclined to include any Wagner in a
repertoire of the coming season that
T n E San Franciscan
133 I
■vill also know a cut in number of per-
formances. The cause of the disfavor
is o le of the mysteries of manage-
nent. lor "Tristan" was attended
here last year with all the eclat that
Viarked its San Francisco presenta-
,:ion:j.
' There has always been a certain
demand among us for opera in English,
[and the Association will be conceding
'10 it if, as is understood, Deems Tay-
■or's "The King's Henchman" figures
'n the repertoire as a suitable new-
vehicle for the art of Laurence Tib-
3ett, who was too eminent a success
ast year not to be on next season's
■ester. In any case his coming will
ball for a repeat of "The Jest" if not
bf "Falstaff." Besides "The King's
Henchman," which at all events, will
have the appeal of novelty for us, the
Association, stimulated by the enter-
prise of the Chicago Civic Opera in
:hat direction, may add to its reper-
■■.oire a few other such examples of
fresh modernity in which it will reap
the gratitude of no few opera-goers
;wearied with the stereotyped.
I % % It
j A Plea for Marriage
' (Continued from Page 17)
caused because that woman had
land, a kingdom. We all know
Helen was richer than Menelaus
or Paris.
Juno: Was I not right ^ Each of us
I is satisfied with herself, thinks her-
i self most in importance.
Venus: Bah! I am worshipped every-
where. Old men think of me with
I regret. Young men burn for me.
Everywhere! What difference the
name they call me! Cytherea,
Aphrodite, Venus. I am the only
j pleasure, the only power.
,Diana: You weren't as successful
i with Adonis. Thanks to the powers
! that be. But these things do not
interest me. No intrigues. I go to
the hunt in clean, pure air. I fly
through the green fields and bathe
in nature's pure streams. None of
your scented unclean baths. My
beautiful, pure nymphs, with me,
free from men and lust. 'Virginal.
I shall not suffer the pangs of un-
requited love nor the pain of child-
birth, nor the tragedy Ceres had to
endure on account of her daughter,
Prosperine Fm free, free and clean.
Venus: You'll grow bored.
[Ceres: The joys of motherhood
more than compensate,
Diana: (interrupting) I am glad I am
I— Men— filth'
Venus: Diana you are a — I could
call you a nasty name. Your purity
Qeary, Stockto/i^ and O' Farrell Streets • Douglas 4^00
'^^Lyj.nnouncin g an
exclusive J\(zw Shop
with a complete collection
of new
Costumes
of Distinction
for' every daytime
& evening occasion
0 • a 9 99 9
Ull
"Ernestine's" xvill open March izth
dcr the direction of Mrs. Qeorge M. Nickel,
formerly of Burlingame
CITY OF PARIS
Third F I o o 1^
Tun San Franciscan
1134 1
Traditions ofQeiitility
SLOWLY but graciously Fashion has taken up her abode on
Nob Hill. The trend was gradual. At first the old man-
sions of the bonanza and railroad kings caused NOB
HILL to be named; after the great fire came the Fairmont
Hotel; then the Pacific Union Club; later superb apartments
L'nmistakablv the trend became a definite movement. Fi-
nalh' the I'ARK LANF. marks the established supremacy of
the Nob Hill neighliorhood. It is the aristocratic residence
section of the City.
The PARK LANF, was created for those who really live.
Its five, six and seven-room suites are the complete modern
version of the most luxurious way to live minus the cares of
a detached residence.
The PARK L.ANK appeals to gentlefolk who value social
tradition and make it. Some desirable suites (both furnished
and unfurnished) now available.
Eugene N. I<'ri iz, Jr., Managing Owner
1100 Sacramento Street (corner of Mason)
NOB HILL
is impure. A hypocrite, you are,
calling yourself Selene at night
and cowardly caressing poor Endy-
mion. The moon goddess, so cold,
so pure Bah! So perverse!
Psyche: I am happy I have my hus-
band whom I love
Iris: Of course you are happy. You
lack a brain. You have the most
priceless of all gifts, stupidity.
Venus: ^'ou are unhappy. Iris, be-
cause you have no one to love. You
are as beautiful as I, but you have
no sex appeal.
Iris: What is that^
Venus: Naturally you don't know.,
You have none of it. I am, I say,,
ever present, with mortals and
immortals. I am responsible for^
both good and evil. I am funda-i
mental — elemental.
Juno: (quietiy) Perhaps you are not)
so clever as I, Venus. In the Bookl
of the Divinities, my name is first. f
I am the most feared by mortals!
and immortals. I am above andi
beyond you. Why!' Because I havei
a husband, a husband who rules'
the entire Cosmos. He is unfaithfuli
to me. Yes, but he endeavors to
hide it, and is afraid when I suspect
him. I make a sneak out of the-
God of Gods. The Almighty Jove is
afraid of me — because I am simply
his wife. Men are afraid of that
little word. He gives me whatever
I desire when I trap him in an
amour and moreover promptly for-
gets the female who thinks she has
replaced me. He returns home like
a lamb, the omnipotent Jove. He
is afraid of the little word — wife..
I have made a coward of the Al-
mighty simply because I am mar-
ried to it.
Ceres: She is the most respected of'
us all, that's true.
Venus: But what real good. Where
is the warmth in respect? How cold
it is.
Juno: (ivith a sly ivink) When one
marries a powerful man one's
lovers do not dare to boast.
i « *
Believe It or Not
)Cont[nucd from Page 14)
rumpled hair and he looked up just
in lime to see Diana leaning coyly
tow^ard the window.
The delicate rosebud fingers of the
outstretched arm waved him an airy
farewell as she plunged head first
through the glass. A shattering
shower followed after her and three
of her tapering fingers that had been
cut off in the crash rollcLl idly down
the street.
Jerry stood for a brief instant.
Till-: San F r a n c; i s c a n
f351
paraUzed. The scenes on the side-
walk shifted through his brain like
the unrelated flashes on a News Reel
film. The gathering erowd. The traffic
policeman galloping up to the curb.
A dog sniffing the three pink fingers
that had rolled quite far out on the
sidewalk. Diana, skull crushed on
the pavement, her feet sticking in
through the rent in the window. The
deformed stump of her beautiful hand
held up reproachfully for him to see.
And finally, the dog carrying off one
of her fingers in its drooling mouth.
« * »
At the Grant Avenue entrance to
y\_the big store, the uniformed door-
man was Master of Ceremonies.
People in the crowd, gathered to
watch workmen at the ticklish busi-
ness of installing a ten by fifteen-foot
pane of plate glass, assailed him with
questions. To those whom he recog-
nized as Good Customers, he touched
his hat politely and said:
"Early this mornin'. Ma'am A
w indow-dresser drapi n' the figures.
One of the ladies got away from him. "
\ t ^
White Wings
(Continued Ircini Pa^c 24)
held at Clear Lake August 11-12 and
the joint cruise to Redwood creek with
the South Bay Yacht club as host,
will be held August 18-19.
« « «
THE greatest event of the year,
however, is acknowledged to be
the International Star Races to be
held at the Newport Harbor Yacht
Club, Balboa. This is the first time
that this event has come west and
thereby hangs this season's most sur-
prising yachting story. Two young-
sters, Edwards and Hubbard of the
Newport Club, betook themselves
quietly and without the accompani-
ment of pomp, brass bands or glory, to
Narragansett Bay last August, where,
in competition with seasoned skippers
and crews representing almost every
country in the world including the
seasoned Easterners, they very mod-
estly carried away the championship,
bringing the lQ28meet automatically
totheirclub. SanFrancisco^'achtsmen
will attend this event en masse and
having the race on the coast will mean
a wider and greater interest in Star
Class racing.
Another event that is being looked
forward to by local skippers and crews
is the Ocean Race to Honolulu taking
place May 30th. Honolulu has a splen-
did club, The Pearl Harbor Yacht
Club, w hich possesses equipment and
sails a fleet that is envied by many
older clubs. In the International Star
Class Championship at Narragansett
Bay this year the "Hoku," Honolulu's
entry, skippered by E. W. Bogardus
and carrying Bob Purvus as crew,
took fifth place.
Preparations to welcome the Coast
yachtsmen are now well under way in
"The Paradise of the Pacific " and
since Don Lee has intimated that he
may enter the "Invader," with her
enviable record of having won the
race to Honolulu and back to San
Diego in 1926, it can be truthfully
stated that excitement is most liber-
ally mi.xed with the anticipation of
again enjoying the matchless hospital-
ity of the Honolulu club, with con-
siderable speculation as to the prob-
able new records that will result from
the race.
% It f
Amor Amour Amore
(Continued from Page 12)
ried. 'What'll you drink:' Scotch:' Al-
right. "Well, I thought you were mar-
ried, but there, that doesn't prevent
you from coming to see Marie. "
She drank with him. He told Marie
about his misery, about the autumnal
hair and the corners of the eyes tinted
with sepia. He cried more.
"There's always a cure for a wo-
man trouble, "she said slyly. "Another
woman. Sexuality is a poor substitute
for love. But it is a substitute "
"No—"
She argued with him, then leaning
over whispered in his ear.
"Yes."' He began to cry again
while the figure in brown and yellow-
left the room to telephone. He stared
about him. Marie was a good sport.
Her presence quieted him, somehow.
She knew such an infinite amount ;
was so capable and understanding.
The lights were dim in the stuffy
room. He clutched the bottle and
poured himself a drink. There was a
mysterious activity in the hall out-
side. There was something tragic
about the house, something of des-
pair in the looks of the still piano with
the whisky bottle on it. He enjoyed
his tears.
Marie returned and they drank
and talked and waited.
The doorbell rang. "Show her in
here,"" Marie said to the negro girl
who appeared.
On the threshold stood a woman
with pale hair that kissed her face
like the breath of autumn on a rose
tree and whose mouth was like a
nocturne, twisted a little as though
from some sweet pain, a nocturne ol
Chopin drenched with moonlight.
FASHION
■ s me
new story
Qassner's
in Ihc^
Spring
.ihoii'tiuj flj
di 'esj^es, CI I .rem b les,
coals, /iir.rc nullincii/
ouis^assner
(A INCORPORATED
II2'II4 GEARY STREET SAN FRANCISCO
AT YOUR HOME
THE BRIDE AND WEDDING
DECORATIONS
PHOTOGRAPHED BY
GABRIEL MOULIN
one five-three kearny street
Telephone Kearny 4366
HE San I'ranciscan
♦^^4#^#4#
Tin-
City of Paris
prescnls
Mr. Milton
C. Work
---world auth()rit\
in a series of lectures
Auction Bridge
Contract Bridge
Botli games will be dis-
cussed in their various
phases; the series of
5 lectures is but $S :
single lectures %\'l" each.
Reservations shoukl be
made asearlyas possible
to assure favorable
position at the tables.
Qeary, Stockton Ct O'Farrcll Sts.
^^m*^m*^
James Cruze
(Continued from t^agc 28}
ture Huf^c sun arcs, and other lif^hts,
turned the night into day so that the
seventy thousand movie fans v\ho
lined the streets for blocks could
\ icw the arrival of his or her favorite
star. It was a night such as even
bizarre Hollywood had never known.
Never before has such respect been
shown a director. What man would
not have been proud to see his efforts
thus crowned!' James Cruze is the
onl\- one I can name On this night,
when thousands were cheering his
name he was, with that clever di-
rector, Mr. William K. Howard, and
myself, at the home of a friend talk-
ing, not of his own great work, but of
"Bill" Howard's splendid picture
"White Gold." His dread of the pub-
lic is such an obsession that he has
only viewed five of his si.xty pictures
in popular theatres.
In the studio and on the set he has
but one idea — work. He is brutally
intolerant of idleness, but will never
ask a co-worker to produce any more
than he is willing toundertake. Cruze
calls his people at nine in the morning
and that does not mean nine five or
even two minutes past that hour. He
is always there and e.xpects his work-
ers to be equally prompt. He shoots
fast and the actors are usually
through work at three in the after-
noon. "This," he says, "gives them
time to get home, bathe, and get
drunk if they want to."
Recently Cruze and the Famous
Player-Lasky Corporation came to
the parting of the way. Ericson was
put to sea. During these final ueeks
the suzerains who constituted the
new regime of the corporation made
lile miserable for the old servant who
so longed for peace and quiet. They
tried in every way to destroy his
organization and Cruze, still harbor-
ing a warm affection for his old Chief
— Jesse L. Lasky — took it all, un-
complainingly. He had only one de-
sire, to give them a picture of James
Cruze's standard.
James Cruze is a big man with a
big heart. There is no evidence of
delicacy in his stature nor in anything
he says or does. He will fight an army
for a friend and will not condemn a
foe. He has a profound pity and
sympathy for the misfortunes of
others, yet is an unmitigated realist.
I have heard it said that he has an
inferiority complex. This is gross
accusation. Ouze seldom speaks he-
cause nine times out of ten he knows
more about the subject in question
than the one making all the noise,
and his silence is merely an evidence
of consideration. I
The spirit of the "Covered Wagon"
is the driving pioneer spirit of Cruze. r
The immortal "One Glorious Day"
is, if needs be proved, the testimony
of his artistry. He has, among many
others, two ambitions, namely; to
appeal to the sense of phantasy by
making "D. U. R." and, secondly;
to wring a few proud tears from the
heart with a pieturization of the
O'Neill masterpiece "The Straw."
Thus is James Cruze, the one truly
great man of pictures.
As Seen by Her
(Continued from Page 4)
lack in quantity. Gertrude has always
been a young person with a dashing
style herself in sport clothes and one
sees traces of this taste in her stock
of splashy scarfs and swanky sweaters.
Now what else is there I've seen
that might amuse or interest you""
A boy with a nice twinkle in his
eyes buying a graceful golden snake
to be used as a belt for a sport dress.
"Because, " he confided to the beau-
tiful blonde beyond the counter, "her
name is Eve!"
Evening slippers made of pigeon
feathers dyed green. Too lovely to
describe adequately. Too perishable
to risk buying.
A debutante buying a tight little
turban of silver wool that turned her
into a gay little aviator (Mrs. Mont-
eagle's Li ndbergian turban of brilliants
in place of the usual crown as queen
of the Mardi Gras, I suspect as being
responsible both for the turban and
the deb's desire to own it.)
A long, slender cigarette holder
from Czecho Slovakia fashioned of
brilliant bits of enamel, like fragments
of a stained glass window. Ends in a
pipe bowl just big enough to hold the
cigarette.
Beach pajamas. Giddy with colors,
bold in design. Who's giddy and bold
enough to start thai ball rolling?
The predominance of sage-green,
honey-beige, and lake blue in every-
thing from nighties to motor coats.
The Tussy famous lipstick in fancy
dress of mother of pearl. Comes in an
exquisite jewel box. Looks like a mil-
lion dollars. Costs five.
Heigh-ho. And a dull young person
asked me petulantly in the midst of
my prowlings yesterday if I thought
there was anything new under the
sun. Having just left Titania's palace
at the Emporium I answered.
I DO!
The San Franciscan
1371
Now It Can Be Told
(C-onluiLicd from PaRC II)
WE were talking the other night
w ith old Mrs Q, . .
it was at the Menuhin concert anJ
she had asked us to walk around with
her during the Seheherezade. She
doesn't like the Seheherezade; she
'■ says it makes her feel so old. She says
everything conspires to make old
people feel old these days. Why, she
;said to us, just take the case of those
two young men who announced their
engagements in the press to the
X . . . girls. Of course there was
nothing in it and the X . . . family
^ indignantly denied the betrothals.
"What I can't see," said old Mrs
Q . . ., "is that it makes any differ-
I ence or not. In fact quite the con-
i trary. When I was a girl young people
would say 'Now we are engaged and
that gave them the privilege of doing
almost anything they pleased. Today
engagements seem to build up restric-
tions. Personally I think engagement-
less marriages are preferable. Do you
I remember the time when the affianced
I maiden would receive a hundred tea-
; cups and saucers of a hundred varie-
ties'" Absurd !
"At any rate, in this era of chap-
eronless promiscuity, I fail to see
I what difference it makes whether
I there is an engagement or not. What
I feel is that ..."
We never found out w hat old Mrs.
Q . . . felt for just then the trumpet
sounded and we went back to our
i seats.
WE sometimes wonder of what
stuff immortals are made, Take
' the case of our San Francisco boy,
: Frank Mandel. You know he is
responsible for No, No, Nannette and
: The Desert Song and other darlings
': of Broadway. Yes, indeed, Frank is —
or was a San Franciscan. We remem-
ber when he was writing solemn blurbs
about "Every woman " for a local
, Woman's Club. But Frank got over
j that. Yes, indeed ; his name is as often
\ coupled with Broadway titles as our
own Herbert's is coupled with local
industry. On the way to becoming
the Fleishhacker of Broadway, he
stopped en route to write "The High
Cost of Loving" for Messrs. Kolb and
Dill. At that he was some fifteen
years ahead of the Green Street
Theatre. And while we are on the
subject of the high cost of loving, we
understand that a Russian Hill apart-
ment house advertises: "No Children
or Bootleggers."
(Continued to Page 39)
ff~
~^
' ry-^hc Hawaiian Islands are the most colorful of all
\^ places I have ever visited. It is a new world for
mainlanders; worth anyone's while at any time. The
steamship service between the mainland and Honolulu is
now satisfactory, indeed . . . .yes, the Malolo is in keeping
with the attractions of Hawaii."
EXECUTIVE VICE-PRESIDENT
SOUTHERN PACIFIC RAILWAY
T/ie JVialolo is a Qiant Yacht
Accommodations for 600 first class passengers. Seven decks for passengers' use.
Elevators serve all decks. Motion picture theatre. Ballroom, completely equipped
gytnnasium, children's playroom and huge Pompeian swimming pool. J telephone
at the head of every bed. 150 private bathrooms. More deck space for its size than
any ship afloat. Excellent meals. Dining room seats all passengers at one time.
There are one or more Matson sailings from San Francisco to Haivaii everv week.
Frequent sailin^sfrom Seattle. Regular sailings from San Francisco to Samoa^FiJi
and Australia via Honolulu. Inclusive Hawaiian tours from $2"/^ for 21 days.
niatson line
Hawaii • South Seas • Australia
G E N E R .\ L offices: 2 I 5 MARKET STREET, SAN FRANCISCO
also NEW -l- O R K • CHICAGO • SEATTLE • I, O S A N G E I. E S
The San Franciscan
1381
RAPHAEL WEILL & COCllNC./ rv.
No\V It Can B^
STROLLING notables . . . sophisti-
cates on their way to Paris,
Biaritz. the Southern Isles . . princes
incognito . . motion picture stars
the smart San Franciscan with her
famed complexion and chic . . . per-
haps it is the charm of the people one
regularly meets at The White House
that instincti\ely pleases. Certain it is
that to cosmopolitans San Francisco
and The W hite House are synonymous
terms And for the less traveled among
us there is a tingling sense of anticipa-
tion ... a pleasurable certainty in the
thrilling newness of gowns that bear
the romantic authenticity of Paris.
10\v voiced distinguees in the
jFrench Room . . , calmly appre-
ciati\'e of exclusive creations . . .
wisely aware of correct styling. Well
bred exclamations . . . for this season
they really seem to have achieved
something exquisitely different, my
dear' "J{i:garde.z. Annette, the black
lace Molyneux. of course I saw
nothing better in Paris at the open-
ings. And that adorable sweet pea
print Bertha s. I know." And so it
goes, all day long. No wonder visiting
Europeans enthusiastically proclaim
the chic of San Francisco women
"T'm so glad you like it" . . . the
J. inevitable rejoinder of the wo-
man who buys in the shop for
"Dresses Under $30 " And, if the
compliment comes from one of her
dearest friends, the answer is . . .
"My dear, you'd never guess what 1
paid for it." Which is perfectly true,
for e\'en the highly rated feminine in-
tuition is going to lose confidence in
its infallible powers when it comes to
judging prices on the stunning dresses
that come from this newest apparel
section. Every dress is actually under
thirty dollars, and it is significant of
their styling that women accustomed
to paying any price for individuality
in their clothes are transferring their
patronage to the new shop for
"Dresses Under'$30."
^P^^.
\
ONCE upon a time, maybe, sports
clothes weremeant for the sports-
woman alone ... but nevermore! And,
by the w ay, where is the sports w oman
as we once knew her. Sagging Jerseys,
battered hats . . . run-down heels . . .
undoubtedly she enjoyed life in her way
. . . but what a way ' We have pro-
gressed far in beauty's pursuit. "Such
perfect loves, "the Junior Leaguer says.
"A dream of a metal threaded sweater
in sort of greyish white and adeep band
of dull blue Oh, wonderful with a gre>'
ensemble. And look! A three-quarter
flannel coat with just gobs of riotous
hand embroidery. My dear, don't you
love just everything^ " Thus sports
clothes today. Belgart hand embroi-
dered Jerseys and flat crepes . . . wide
sleeved with feverishly brilliant designs
. . . hand loomed silver shot coats that
gleam like chain mail. We pardon the
debutante her hysterical approval.
THE younger generation must be
served! . . and to that purpose a
very definite change took place re-
cently in the vicinity of the erstwhile
Juniors' and Misses' Shop. Margy,
that sweet child, and her particular
triends, may be trusted to make un-
guided choice in a new section that is
now their very own ... for even un-
cultivated taste could not go wrong
on the costumes assembled for thir-
teen, fifteen and seventeen year-olds.
Antique Galleries;
525 Gutter Street
li
Antiques
Period Furniture
Objets d'art
«. lit. Colonel
f Cbtnarti J^ibbert
A O \' K R T 1 S E M E N 1
All Alone
"Y^HP^N one is alone, the
s\^to{ flowers refreshes
the spirit— a happy thought
for you, for your friends.
Orders telegraphed
anywhere
THE \'OlCl£ OK A THOUSAND (JARDEN.S
224-226 Grant Avenue
Phone Sutter 6200
^i^T" SAN FRANCISCO
The San Franciscan
Now k Can Be Told
(t'ontinucj ironi Prge V)
HOW fashions and habits change.
We remember when we cut
school lor a month to usher in a local
stock company theatre. We got fifty
cents a clay and saw four shows ten
times each. We knew the "My King-
dom For a Horse" speech verbatim
and we were always two lines ahead
of the villain in "Shore Acres."
But, alas for the youth of the land,
ushering has become a profession.
Gaudily caparisoned drum majors
now escort us to our pew in our favor-
ite palace of the silent drama. Be the
picture a story of Old Madrid, then
art decrees that the usherettes shall
be garbed as potential Carmens. And
when Douglas Fairbanks leaps across
the silver screen the usherettes are
pirates and when the action of the
play is set in the Garden of Eden, the
usherettes ....
Well, to get to the point. The usher-
ette does not usually overdress her
part. Her garb is restricted to regions
:well above the patella. This gives her
ifree motion of limbs when dashing up
and down the dark aisles, and aids
her to take her place as one of the
main attractions of the performance.
It is told that one T. B. M. remains
in the lobby during the vaudeville
parts of the bill. He frankly states
that he likes to stand there and smoke
his Three Castle, and furthermore he
explains that the nether limbs of the
usherettes outclass those of the
chorines. Moreover their owners are
I prohibited by managerial regulation
Trom twitting him about his baldness
■...an invariable practice of the
lemales on the stage v\hen he graces
a seat in the front row.
! « J *
I
MUCH interest and comment has
been provoked by the Automo-
bile show. There was a time when
an automobile show was a real event
and one went arrayed in a new bow-
ler and fresh spats to stroll about
among sleek Minervas and Pierce Ar-
rows at the Palace Hotel. But this
year to achieve any chic one goes to
■ the local Ford agency where the new
^flivver is making its debut in lonely
'plutocratic grandeur. If the Dodge
and Chevrolet companies wish to
'compete with such swank the only
thing left is for them to give their little
vehicles coming out balls at the St.
I Francis or the Burlingame Country
Club!
The San Franciscans
(t is an inviolate truth
that the taste and
culture of the
giver is un-
alterably
bou nd
in the
gift.
The Chocolates
Sin Francisco.
RUDOLPH
SCHAEFFER
fPRINO CLAffEf
OPENING
MARCH IS
RHYTHMO-CHROMATK
DESICN
127 CRANT AVENUE • f AN FRANdfCO
&r/^
The Sax [•" r a n c i s c a n
14011
NEWBEGINS-BOOIC-SHOP
;OHN • ; •^J EWBEGIN
NEW" OLD "6 RARE BOOKS
Private Phess Items 6 Choice Sets
3SS Sosi Streti
Son 'Truiicuco. California
FCAneis
ITCACOOID
Luncfleon
SUTieiiST.
8- 1 T T
^.liiimni inmiiniiiim
Henry H. Hart
Oriental Arts
Phone Kearny 6642.
328 Post Street ■ San Francisco
J\s to Books
BIOGRAPHY continues to run its
course with the rejoicefuinessof
the hiblical giant^ Among recent
productions of the i<ind is Andre
Maurois, "Benjamin Disraeli'" (Ap-
pleton) in which, after some sketchier
"portraits" and romance writing that
fell rather fiat, as far as the English-
speaking public was concerned, the
author seems, like Browning's thrush,
to have recaptured some of the "fine
rapture " of his "Ariel." From this
French writer one expects delights of
style, and one not only has them in
his newest work but a solidness of
treatment that not always accom-
panies those happy qualities. The
combination has resulted in a biog-
raphy of England's most phenomenal
of statesmen that stands high, if not
wholly ranking with some of his many
predecessors, in lives of Disraeli.
Though Disraeli's political career is
duly traced, it is his subject's human
side that seems most to have appealed,
and the pages devoted to painting it
are the most arresting side of the book.
It is pointed, too, by an impartiality
towards Disraeli which has not always
been the most conspicuous feature of
his chroniclers. 'With the presentation,
giving a genuine flesh-and-blood figure,
we get a generous canvas of the times.
A NOTHER notable biography, which
J~\_ will be particularly relished by
Californians, is that of Fremont, sub-
titled "The West's Greatest Adven-
turer"; the portly two volumes being
penned by Allan Nevins (Harpers).
Admirably written, and animated by
judicious esteem for the picturesque
pathfinder, the book — enhanced by
numerous rare prints — is not merely
a full account of Fremont's chequered
career but an epic of a period that
witnessed our country's expansion
from a mere strip of Eastern civiliza-
tion to all that composes its present
continental vastness. Outside of Fre-
mont's own memoirs, from which the
writer liberally draws, no work con-
cerning Fremont is more valuable
than this new production, represent-
ing, as it does, a substantial monu-
ment to a memorable actor in the
drama of our country's making.
BObte
RWILELDEICS
239 Posf Sfreer. San Francisco
^0^ mx. (c)aAiujp
Millinery
Importers
•♦•m-o-s**-
233 POST STREET
and
243 POST STREET
■♦4-a<>i»-»-
SAN FRANCISCO, CALIF.
^T'w' ^r "w* "W* Th "w ^"^D^ "w" ^r "W* "w* ^r ^* ^^ "It "w* *ljh "It ^fr ^^ 1^
■^■^■^■^•^^^^^^■i^j^^^^J^^^^^^^j^_j^j^_j^^M
The San Franciscan
([4I|
1 1 Tillman Place
At 11
Tillman Place
the
discriminating
shopper
will
find
^Distinctive
Qifts
The
JUNIOR LEAGUE
SHOP
ANEW life of Robert Louis Stev-
enson by G. K. Chesterton is
less of an appreciable asset in the lit-
erature of the moment. Its raison
d'etre, as voiced by its author, is that
present Stevenson reactions are as
disproportioned to his proper de-
serts as perhaps the excesses of lauda-
tion which he once received. Chester-
ton's labors to place him where he
rightly belongs — and he finds him a
figure of permanent significance in
letters — are attended by his usual
characteristics, ingenuity rather than
soundness of argument, and a passion
for glittering phrase. It is a sympa-
thetic tribute to Stevenson, the value
of which is mostly in the forensic.
« « «
PARTi-PRis is even more emphatic
in the enlarged reprint of Robert
Harborough Sherard s life of Oscar
Wilde (Dodd, Mead & Co.) which,
giving scant attention to the artist,
contribute some new light on the
Wilde ancestry, marked by sundry
cases of eccentricity and ill-balance,
and makes no attempt to overe.xploit
his trial. The contention of the biog-
rapher is that his subject had periodic
attacks of insanity, of which he cites
some convincing enough evidence.
Besides his own portrait of Wilde,
Mr. Sherard includes, among various
addenda, a sketch of him contributed
by one of the prison wardens of Read-
ing Gaol who occupied that post dur-
ing Wilde's incarceration there.
«^ « t
NEW York's thrice-made gover-
nor is the theme of multiplying
pens, the latest of these productions,
wherein political prospects of their
subject are duly considered, is "Up
From the Streets: Alfred E. Smith."
by Norman Hapsgood and Henry
Moskowitz. The collaborators by their
close personal contact with Governor
Smith are in the position to speak
authoritatively of his personality, and
in the preparation of the biography
have had access to much interesting
and fresh data.
I J ^
A BOOK that is likely to be in most
reader s hands ere long is Charles
Mertz's "The Great American Band-
wagon" (John Day) which deals with
the evolutions of our national exis-
tence in a genial sport-making spirit
that the author backs up with elabor-
ate researchfulness in a wide field of
material. As a comic saga of Ameri-
canism it has the merit of uniqueness,
and can only be resented by country-
men whose chauvistic feelings are en-
joyed at the expense of a sense of
humor and open-mindedness in self-
criticism.
D. C. HEGER
Men's Apparel to Order
444 POST ST., SAN FRANCIS CO
Shirts - [Pajamas - Underwear
Ct Robes coSpecialTMeasure
You may buy your apparel in
many places but at the D. C.
Heger Establishments you are
positively assured of extensive va-
riety.
— Your favorite colorings.
— Your particular selectionot style.
— A pertec t fi t wi th faultless needle-
work.
Neckwear, Handkerchiefs and
Hosiery to harmonize.
D. C. HEGER
Paris ■■ San Francisco ' Los Angeles
TELEPHONE FRANKLIN 3533
H. VALDESPINO
5
PAINTING
PICTURE FRAMINC
PRINTS
t
.^45 O FARRELL STREET
SAN FRANCISCO
We specialize in COPYING Daguerreotypes,
tin-types, newspaper cuts, paintings, etc.
restoring to original brilliancy with-
out damage to original.
Studio
441 Powell St., Garfield 2 J 66
San Francisco
T H F. S A N F-" R A N C I S C A N
H2]
PATT[RSON
MULLIVAN
oJllu^draUoTM
(Mid ^ypographij
233
PINE iTREET
^ougia6\\\lQT>^
i f-^H FRAN CI/CO
IN connect ion with all it touches one
can read with profit Philip Ciued-
della's "Conquistador. y\merican Fan-
tasia" (Harpers) where that shrewd
and brilliant w riter holds up a mirror
to our national human nature as ex-
hibited against such backgrounds as
\'ew \'ork. Boston and Chicago. The
fantasia is cast in a series of essays,
the art of writing which is so high a
possession of the writer. To the sub-
ject Mr. Gueddella brings a foreign
mind that is all the more praiseworthy
n that it is speculative rather than
too conclusive, a rarity among those
who \isit us.
B-i UFFINGTON VALENTINE
THE Goat's Hoof, subtitled a
Novel for Wives Only, is doubt-
less the germinating seed of a new sex
w ar Women will read it and paw the
air, for it is the story of the female
huntress, the Lorelei Lee, the Gold
Digger, done from the man's point of
view. The heroine is the Mud Hen —
the lumpy, frowsy women who live in
the great mansions in any city and
ride around in the costly motors sup-
plied by their husbands, "furred and
chauffeured . . . oozing respectabil-
ity and virtue, and entirely lacking in
sex appeal." The huntress, the Lorelei
Lee, the Gold Digger, stands on the
curb and looks enviously through the
plate glass at the Mud Hen who owns
the car and the mansion it is heading
toward, whilst she, the husband's
mistress, owns only a few passionate
love notes and the menus from some
costly but altogether ephemeral lob-
ster dinners "Men are not the fools
women think they are. " These run-
ning Rabelaisian comments on the
much disputed institution of marriage
explain w hy the mud hens wear sables
and the mistresses the grey squirrel
coats. The triumph of Flaming Youth
is a mess of ashes out of which the
mud hen wife rises triumphant as the
phoenix, ready to nurse the erring
husband through his dotage and in-
cidentally inherit his motors, his coun-
try houses and sundry gold-edged
securities. The book is a cocktail, after
all the pish-posh that has been w rit-
ten about marriage, but it is a cocktail
strong w ith bitters. And most women
like their cocktails grenadine-sweet.
The Goat's Hoof. By Algernon
Crofton. Publisher, Pascal Covici.
$2 50.
The San Franciscans
ALBERT PETER/EN
EXPONENT
OF MODERN
PHOTOGRAPHIC
PORTIIAITUKE
22 THIRD AVE
JAN MATEO CALIF
PHONE 634
THE
I
1
lliW
f ?«>
i
rm
yA,
<^ Sentinel over
San Francisco s beauty
HOTEL
MARK
HOPKINS
GEO. D. SMITH
Matiaging Director
The quiet and comfort of home for the
permnneyit or overnight stay. . . . The
color and life oj the great city epito-
mized in Peacock Court., where chef,
maitre d' hotel and Anson Weeks'
orchestra cater to the tastes
of every guest.
E takej) pleasurej> Iru Announcing
thej> Opening Inj San^ Francisco of
Herbert Heyes Studios
SUMMUM IN HISTRIONIIS
for fundamental and thorough professional training
in dramatic art as applied to the present-day theatre.
The course of instruction is designed to equip pupils
to qualify successfully for professional engagements.
CfMr. Heyes' distinguished career on both screen and
stage, coupledwith his extensive directorial experience
and wide acquaintance with directors and producers,
affords graduates invaluable opportunity
for recognition and preferment.
mm
COMPLETE DETAILED INFORMATION WILL
BE GIVEN GLADLY UPON REQUEST TO
H. H. WOOLPERT
Qeneral Manager of Business Administration
220 POST STREET •• SAN FRANCISCO
THE THEATRE
Orpheum: "A San Francisco Institution that
never fails to attract."
Cl'RRan: "The Desert .Sonfi." Operetta takes
its spats and male chorus to the Algerian
Desert. Delightful songs and on key singing.
Geary: "Interference. " In which nice ladies in
the latest pajamas make mekxJrama for the
other ladies' husbands. It's English and ot
the Du Maurier school.
Columbia: "\('ings" An epic of the air. in
which four youngsters of the screen take
one step onward toward fame.
Community Playhouse: "Apjjearances." At-
tempted assault on Sutter Street will gi\e
way to "The Mikado" on April 25. This will
revivify the Community Guild.
President: "The Shannons of Broadu-ay. "The
Glcasons pour forth comedy into the mouths
of Henry Duffy's competent troupers.
Alcazar: "The Easy Mark" More whimsy on
O'Farrell Street with Emerson Treacy, Ann
McKay, and Irving Mitchell.
Green Street: "Love a La Carte " This might
have been another "Captive, " but then it
isn't.
Fulton (Oakland): "Paid in Full." "The
Green Hat. "The Mirage." and "Madame
A." All to be powerfully revived by the
distinguished Marjorie Rambeau. and the
handsome Allan Vincent.
MOVIES
Embassy: A1 Jolson has been seen and heard
by virtually 250,000 San Franciscans in the
past nine weeks.
California: Harold Lloyd in "Speedy."
St. Francis; Richard Barthelmess achieves
another masterpiece in "The Patent Leather
Kid."
Warfield: The weekly pay check for K Y A
and West Coast Theatres, Inc. Always an
elaborate show.
Granada: The advent of the Publix Revues is
making this theatre a most popular hangout.
ART
COURTESY THE ARGUS
Beaux Arts Galerie: Through April 4,
drawings, paintings and carvings by the
three Howard Brothers, Charles Houghton,
John Langley and Robert Boardman. Start-
ing April 5, water colors by Charles Hovey
Pepper of Boston.
California School of Fine Arts: April 25
to May b. Fiftieth Annual E.\hibition of the
San Francisco .Art Association.
Californla Palace of the Legion of
Honor: Through May 13. foreign section
of the Carnegie Institutes Twenty-Sixth
International Exhibition of Modern Art.
East West Gallery of Fine Arts: Until
April 17, paintings by Harold English and
Gale Tumbull. members of "The Group of
.•Xmerican Painters in Paris. '" April 18-21,
Arts and Crafts exhibition. April 23-May
10, water colors, etchings and drawings by
Richard Lahey.
Paul Elder Gallery: April 2 to 14, pictorial
photographs of San Francisco by W. E.
Dassonville. April 23 to 28. imaginative and
creative work by children, pupils of Mme.
Galka E. Scheyer. April 30 to May 12, oils,
drawings and wood blocks by Agnes Park.
Persian Art Centre: Persian Fine Arts from
the collection of Dr. Ali-Kuli Khan.
"Vickery, Atkins &l Torrey: Etchings by
contemporary artists.
Women's City Club: Through April 14,
Decorative Arts Exhibition, sponsored by
San Francisco Society of Women Artists.
Gertrude Wood Gallery: Paintings by
Bertha Stringer Lee.
WoRDEN Gallery: Paintings by California
artists. Etchings and mezzotints.
MUSIC
April 3, Harold Bauer in recital, Civic Audi-
torium.
April b. Music Festival at Auditorium.
April 1 1, Music Festival at Auditorium with
San Francisco Symphony Orchestra and
Kathryn Meisle, Paul Althouse among the
soloists.
April 17, Farewell recital of the Persinger
Quartet.
DINING AND DANCING
Tails at the Beach: Modern lure backed by
yesterday's mystery.
The Mark Hopkins: On top of the world in '
more senses than one.
Courtyard Tea Room: 415 Grant Avenue.
Service inside by the fire or outside under
rakish sunshades.
Russian Tea Room, 1001 Vallejo Street.
Luxuriesof the Czar sregimemadeaceessible.
Jungletown: 502 Broadway. A tropical I
refuge for those who like em hot or cold.
Belle de Graf: Around the corner from the
Palace. Food that is food.
Fairmont: Soft carpets — and Rudy Sieger.
Alladin Studio: 363 Sutter Street. Where
the Misses Mooser beat the tom-toms of
bohemia.
Temple Bar Tea Room: No. 1 Tillman
Place. If you don't mind the jam.
Post Street Cafeteria: 62 Post Street.
Luncheon served with apple blossoms.
St. Fr.\ncis: Where smart people entertain.
Marth,'^ Jean's: 270 Sutter and 340 Mason.
Artistic atmosphere and enticing food.
Mamnaru Tei : 546 Grant A\enuc. Food from i
Nippon, served in Chinatown.
The Palace: In Spring youth's fancy turns to
the Rose Room.
Francis Tea Room: 315 Sutter Street. Plenty <
of air and fresh, crisp food.
La Casa .Alta: 442 Post Street. The click of
castanets — and popovers.
The Clift Roof Lounge: Refreshingly aloof
from the city.
Julius' Castle: 302 Greenwich Street. Ro-
mantically perched on the side of Telegraph
Hill. Local color guaranteed.
LECTURES
Ernest Bloch: "The Meaning of Mv Creative
\V"V/t."PaulElder's.April9and23, 2 :30p.m.
Upton Close: "The Revolt of Asia," Paul
Elder's. April 5, 8:15 p.m.
Mary Proctor: "The Wonders of the Heav-
ens," Paul Elder's. April 14, 2:30 p.m.
Rudolph Schaeffer: " Rhylhmo-Chromalic
Design," 127 Grant Avenue, Thursdays,
April 12 to 17, 10:30 a.m. and 7:30 p.m.
Mme. Galka E. Scheyer: "Survey of Modern ■
Art." Y. W. C. A., Monday evenings, 8:00.
ESTABLISHED 1852
SHREVE & COMPANY
JEWELERS and SILVERSMITHS
Post Street at Grant Avenue
San Francisco
W. Sl J. SLOANE
SUTTER STREET near GRANT AVENUE / SAN FRANCISCO
ORIENTAL RU
/^UR OWN COURIERS travel to the rug weaving districts of the Far East
^-^ to seek out the rare weaves and uncommonly beautiful specimens seldom
found in dealers' hands. Buying and importing directly, we can offer excep-
tional values and an incomparable selection of authentic and meritorious rugs-
Scatter-Size Rugs
Several thousand rugs in many weaves,
including genuine antiques :
$30 --$45 -$50 --$55
$65 ~ $75 and up
Room-Size Rugs
9xl2ft. Ak-Hissars $105
9xl2ft.Zarifs $197
An immense collection of large rugs
in notable weaves up to 28x15 feet
at $12,500
W. & J. Sham guarantee every
Oriental Ejig exactly as repre-
sented. It is often wiser to select
the dealer than the rug itself.
CHARGE ACCOUNTS
INVITED
Freight paid to any
shipping point in the
United States.
"// there were
Dreanxs to sell.
And the crier
Rang the bell.
WTia; ivould
You buy?"
From Dream Pedlary
By Thomas Lon'ell Beddoes
(1803-1849)
Let's leave the "if " out of it. There
are dreams to sell. I don't
^mean that you can saunter
into any big department store
and ask. the suave and sapient floor-
walker for the shortest cut to the
dream counter and ha\e him answer:
"Two aisles to your right, Madam,
and there are a few shop-worn ones on
the bargain counter in the basement. "
No, you don't find dreams that
way. You stumble on them in the un-
expected places. Sometimes on the
avenue. More often in an out of the
way corner that the average mad
mortal rushes past in that bewilder-
ing follow-the-leader game that is
shopping.
Break away from the "madding
crowd" and stroll with me. Yes, 1
know that it's a pace that's out of
step with the throng, but you can't
charge at dreams in the same manner
that Nou battle to buv a pair of hose
reduced to $2.98!
Come, saunter up Grant Avenue.
At 2 Tillman Place a dog of indefinite
parentage but most definite person-
ality will wag a friendly tail in wel-
come and lure you into Hargen's Old
Book Shop.
As seen
Her
No dreams for sale^ Why, the
shelves bulge with them! After all,
isn't every book a dream ? There are
old ones, new ones, gay ones and
wistful ones. And the nicest dream-
seller you've ever met will let you
poke about and brouse as long as
you've a mind to.
Many of the books are not for sale,
rare old darlings too dear to Mr.
Hargen's heart to ever place a price
on them. If you chance to fancy one
of these, as 1 did, you'll have a unique
experience. Tempt him with fat
sums. It will do no good. The book
is simply not for sale. But you may
take it home, read it at your leisure
and return it when you will — for
though he won't part with a pet book
he will share it with you.
(Incidentally a signed, framed
photograph of Gertrude Atherton
was stolen from The Old Book Shop
recently. How anyone could steal
anything from Mr. Hargen's is be-
yond our comprehension or vocabu-
lary. He'd give or lend anything he
owns to anyone. We do not imagine
that this "meanest thief" is a reader
of this magazine, but should he stray
upon a copy and see this paragraph
we suggest that he mail the picture
to the San Franciscan office. We'd
take such pleasure in returning Mrs.
Atherton to Mr. Hargen, and The
Old Book Shop's walls!)
« « «
OUT of the lazy, tarry-awhile
atmosphere of a bookshop into
the bustle and surge of the White
House is a startling study in contrastsi
but I've a "dream" to show you herei
if there ever was one.
Do you see those glinting silvers
balls? Those, my sweet, are ice!;
I-C-E. Silver ice. Si.x dollars a dozen.
Filled, by a vacuum system, with
water. Place them in your Frigidaiic
or electric ice box and freeze them.
For five hours afterwards they will
serve you as no cubes of slippery ice
ever did. They'll never be guilty of
downing you're highball. What's
more, they may be neatly laundered
and put away to be used as often as
you are fortunate enough to nee»:i
them.
Upstairs the kitchenware depart-
ment has its surprise. Here are rain-
bowed utensils in every size and
shape. If you are a brunette there are
shiny black enamel pots and pans
lined with a brilliant tangerine to
suit your sophisticated type. If you
are a blonde (by any means) there
are delft blue ones lined w ith daffodil
yellow to favor your hair and eyes.
Matching spice bo.xes and ruffled
curtains will turn your sterotyped
kitchen into a thing of beauty and a
joy forever. It's death to the cry
"Come out of the kitchen," an^
birth to the plea: "Come, see my
kitchen."
In search of the thing that is dis-
tinctive, dream-like, a visit to Kratz ;
is inevitable. The wee shop on Post
Street is one of the brightest jewel;
in the crown of San Francisco's shop-
{Continued on pa^c 41)
Quality Merchandise Only
JEWELERS
Shreve Treat or
EACRrr
Gem Pieces of INDIVIDUALITY
136 GEAIiY St
Photograph by white
HON. JAMES T>. THEJ^A:J^
Whose great love J or Calijornia is only exceeded by Calijornia's loi'e for him
TttC
SAN f RANCISCAN
I Remember
Being Some Forgotten Stories of Twenty-Two Years Ago
By JAMES D. PHELAN
THE anniversary of the San
Francisco disaster will always
recall the extraordinary condi-
tions created by the earthquake and
fire. In view of the fact that there
were no premonitions, that the people
were taken by surprise, and had had
no experience in emergencies of that
kind, it is remarkable how orderly
the work of salvage, fire-fighting and
reorganization went on.
The Citizens Committee, organized
on the very day of the disaster, took
a firm hold. In a few weeks the Relief
and Red Cross Corporation was
formed, under the laws of the State,
and the work of collecting and con-
serving the funds contributed for the
rehabilitation of the city was con-
ducted as a business concern, with
an executive committee of five, each
member thereof having a specified de-
partment and field of labor.
First and last, unlimited supplies
(whose values were not estimated be-
cause they were promptly distrib-
uted) and about ten million dollars
in cash were collected. And, under
these auspices, the city proudly arose
from its ashes. Railroads gave free
transportation from the city, and
about 70,000 people took advantage
of it, to later return in greater num-
bers.
History will record that the great
loss of property was due, almost
entirely, to the conflagration, which
raged, practically unchecked, on ac-
count of the destruction of the water
mains; and that comparatively few-
lives were lost — estimated not to
have exceeded one thousand.
The conspicuous tragedy of the
earthquake was the death of Dennis
Sullivan, Chief of the Fire Depart-
ment, upon whom a wall had fallen
while he slept. In his head, the plan
of meeting such emergency, which
he had elaborated, perished.
There being no water, it was neces-
sary to secure dynamite from the
Army depots, and store it out of
range of the flames. On the night suc-
ceeding the earthquake, my residence
having been destroyed by fire, I
brought members of my family to
Burlingame for safety, and returned
to the city about eleven o'clock. The
whole distance was illuminated by
the flames. Orders had been issued to
allow no one to enter the city, and
one prominent committeeman, Mr.
Tilden, was killed in running by a
guard.
i \ i
I HAD reached, in my automobile, a
point near Twenty-fifth and Val-
encia Streets, when a man rushed out
and obstructed my way, demanding
that I surrender my car. It turned
out that he was a fireman, and said
he had authority to commandeer it.
I told him that I was engaged in com-
mittee work, and made my identity
known. When I asked him what he
desired to do with my car, he said:
"To carry dynamite to the fire-
fighters at the front!" My chauffeur,
John Munford. afterwards employed
by James L. Flood, nudged me vigor-
ously not to consent; but, considering
the demand a legitimate and im-
portant one, I told the fireman to get
aboard and direct the car.
We drove over a rough part of the
city to the Kentucky Street car-
barns of the United Railroad Com-
pany, where men began noiselessly to
fill the tonneau with sticks of dyna-
mite. They evidently expected trans-
portation. Not being familiar with
dynamite, I asked the fireman, who
had perched himself on top of the
cargo, whether there was danger of
its explosion by the jarring produced
by the rough roads, and he said he
thought not; that it could only be
ignited by the caps, which he held
aloft in his hand, and which he
promised to hold aloft until the end
of the journey ! Hearing e.xplosions in
the distance, I asked if a piistol or
gunshot could ignite dynamite, and
he thought "probably."
He directed the car to the corner of
Twenty-first and Dolores Streets, and
when we drove there — the crowd sep-
arating— the curious asked what was
going on, and when I informed them
that I had a load of dynamite, they
dispersed as if by magic.
(Continued on Page 37)
The San Franciscan
f 101
Now It Can Be Told
IOL'NGiNG in a tailor shop, await-
j ing, with characteristic patience
the convenience of the fitter, we hap-
pened upon the follow ing, a recipe for
success concocted by David Belasco
in one of his rare expansive moments
"Never believe a thing can't be
done until \ou ha\-e proved it. You'll
find that obstacles are rare when one
ignores them. Life reminds me of the
signs in a French theater. Once in
Paris I hunted up the leading lady of
a play. I asked the doorman how to
find her, because I didn't know the
ropes in the French playhouses.
"The doorman said, 'Follow this
passage until you see the sign, "No
Admittance." Open that door and
climb the stairs '^'ou will see a sign,
"Entrance prohibited." Open that
door and follow the corridor to the
sign which says 'Silence. ' Then yell like
the devil and the call boy will show
you to mademoiselle's apartments. '"
Our memory harked back over the
gulf of time to that era when the
San Franciscan put out so bravely
to navigate a course to the apart-
ment of Mam'selle Fortune.
Tears gathered in these old eyes as
we reminisced upon the "Don't's "
and "Can't's" and "Mustn't's " which
marked the way. Yet, strangely
enough, ours were tears of laughter,
for these obstacles have become ludi-
crous, viewed in retrospect.
We recalled the head-palsied pessi-
mists who said, "San Francisco isn't
big enough, or wise enough, and
doesn't care enough to sustain a mag-
azine of the San Franciscan's type."
A low chuckle escaped us as the fitter
approached.
"What may I do for you, sir, " he
inquired.
"You may," we replied, "widen
the cuffs of our coat sleeves, that we
may more easily laugh up them."
Ignoring his amazed stare, we
stalked majestically into the street.
« » I
THE San Francisco campaign for
truth in advertising grows like a
rolling snowball. Misrepresentation
by means of paid printed words comes
in for its share of criticism, as well as
actual deception.
Two of the most recent converts to
the cause are young flappers who dis-
patched substantial portions of their
allowances in answer to an advertise-
ment sponsoring a book: "What
Every Woman Should Learn Before
Marriage. "
As they swung on the gate, waiting
for the postman, the book arrived:
"One Hundred Cooking Recipes. "
■ ^ t t
Charles Caldwell Dobie and
Idwal Jones, contributing edi-
tors of The San Franciscan, and
best known here for caustic com-
ments on innumerable subjects, blos-
somed forth last month in The Amer-
ican Mercury, in direct opposition to
the wishes of Horace Greeley.
Although the association with such
persons, who frequent hangings, stock-
yards and such, bodes no good for the
newcomers, they are to be complimen-
ted, nevertheless. They have shown
the way to evade the clutches of the
Americana.
A demure little damsel, with the
eye of a startled fawn, dropped
in a downtown hotel today and re-
quested the cashier to cash a check
made out in her favor. The cashier
referred the matter, and the check,
/'f^-
to the assistant manager. After a
lengthy conversation, that official
rendered his verdict:
"I am sorry, madame, but I can-
not honor this check. The bank in-
forms me that the gentleman whose
signature is attached has insufflcient
funds "
"Then I am ruined!" cried the
innocent child hysterically. "I have
been made the victim of that which
is worse than death! Where is the
nearest newspaper office? "
Which reminds one that it took a
flood of astounding proportions to
wash Sally off the front page.
BOOKSELLERS cxercise a peculiar
prerogative. While vendors of the
lower castes are content to sell what
the customer may desire, now and
then venturing a suggestion in the
way of more expensive articles, the
clan of booksellers takes it upon itself
to fashon the taste of its patrons.
It is also a tradition of this folk to
decry audibly any manifestation of
poor judgment exhibited by the cus-
tomer in his selection. "The gall of a
book agent" is a just paraphrase.
Not long ago a gentleman of our , .
acquaintance stepped into a book-
store to purchase a gift for a friend.
"That green book, please," he
ordered the clerk.
"Shouldn't recommend it, sir," re-
plied that lordly one needlessly. "The
critics hadn't a good word for it, and
it had practically no sale at all.
Besides — "
"I know, " said the gentleman,
sadly. "I wrote it. "
ON A murky wall off Mission
Street, half-obscured by dust
and weather, clings a tenacious little
sign, "Opera Alley." It is the head-
stone of the old San Francisco Opera
house.
Before the demise of the old play-
house in 1906, the little alley gave
access to the stage entrance, through
which the performers passed to cos-
tume, sing their songs, speak their
lines, and plunge through the nightly
gamut of emotions.
Grand opera, light opera, heavy
drama and the ever-gripping melo-
drama spiced with comedy — all found
their place on the stage of the old
Opera house Many a young player
trod the boards there on his march to
fame. Many an old trouper returned
there for his one last try.
Yet success or failure never could
be measured by applause in those old
days. The players took their bows,
then hurried to their dressing rooms
to change into street clothes, pre-
, paratory to learning the verdict of
the crowd.
And that verdict was rendered in
the iittii alley beyond the stage en-
trance. There, as the players emerged,
; the audience, w hich always lined the
I street, showed its appreciation, or
lack of it.
Kisses were blown to the pretty
I heroine. A shout of huzza greeted the
j hero, if he had played his part like a
: good man and true. And a rock,
bounding off the head of the villain
as he made his exit to the accompani-
ment of a chorus of hisses, raised not
I an ordinary bump, but the true mark
of success.
1 Happy the stage villain who could
■ show such honorable scars in those
blunt times.
« * *
C"i iNiCAL persons aver that the one
sure way to dodge a San Fran-
ciscan is to enter a San Francisco art
gallery. The criticism has not been
confined to San Francisco, but is
none the less galling, and not less
fallacious for its general application.
We rise in defense of the local art
lovers. Last Sunday 21,852 men,
women and children attended the
League of American Pen Women
exhibition in the de Young Memorial
Museum. We refuse steadfastly to
concede that this number can be sum-
marily classified as itinerant. We are
convinced, on the contrary, that the
de youngsters have scored over
Babbitry.
At the California Palace of the
Legion of Honor the attendance has
been even greater of late. Art lovers
are herded in droves into the wing of
the building devoted to the foreign
section of the Carnegie Institute's
International Exhibition. Two hun-
:3s
dred and seventy-eight pictures, rep-
resenting fifteen leading nations of
Europe and their most noted artists,
are on display. The group was col-
lected by Homer Saint-Gaudens, di-
rector of Fine Arts of the Carnegie
Institute at Pittsburg. The spirit of
the exhibition as a whole is contempo-
rary, and the interest manifested in
its display is no more than deserved.
As the crowd mills through the gal-
lery, clipped comment drops here
and there to soothe or scathe the ears
of eagerly listening exhibitors. Com-
pliments are too flowery for repro-
duction, but, of the other sort :
"Anto Carte, hmmm ^ Second prize,
hmmm^ Bet it would have taken
first if he'd been dead '
One esthete, pausing before Henry
Matisse's prize winner, called deri-
sively, "Look there, Mabe! 'Still Life.'
You see any still? You can't trust
them Bohemians!"
* * «
WE POINT with pride to the as-
cension of Mr. Richard Doyle,
late of the Players' Guild, to the
ranks of play producers. Although we
cannot lay claim to having sponsored
c<3^^,.
rwjj'
o
Ji^^v^-^
Mr. Doyle in histrionic achievement,
we mark him, nevertheless, as a
protege.
Mr. Doyle, in company with Mr.
Ben Legere, made his debut as an
impressario by presenting Henrik
Ibsen's "Ghosts " at the Theater of
the Golden Bough in Carmel-by-the-
Sea, in commemoration of the birth-
day of the great Norwegian master.
It may be that the ghost of Ibsen
himself hovered overhead. Or perhaps
it was the moaning of the waves.
Castigation of the precocious Mr.
Doyle is our privilege, earned from
long association. One summer, hav-
ing pried the gentleman away from
the summer home of Senator Phelan,
we had the pleasure of his company
on a protracted tour of Lassen Park.
We shall never forget that trip, and
we doubt not that it engraved itself
on the memory of Mr. Doyle.
At a particularly torrid spot in the
volcano country an integral part of
our costly motor disintegrated, largely
through our carelessness, as we were
told by the caustic Mr. Doyle. Our
foodstuffs were miles away, and for
five days, while waiting for the offend-
ing part to be replaced, we subsisted
entirely upon eggs, of which we had a
full crate.
Culinary arrangements were han-
dled entirely by Mr. Doyle, and it is
a tribute to his ability to say that at
the end of our period of isolation, we
were still able to look a fried egg in
the eye without dropping our glance.
It is our contention that any genius
who can so camouflage an egg as to
make it edible after a week of straight
yolk and albumen diet, should have
Till-: San Franciscan
III I
no difficulty in cooking up morsels of
drama in such a style as to be nothing
short of delectable.
Upon this scrambled premise we
base our prsdiction of a bright future
for Mr. Doyle.
» * «
WHEN William Hale Thompson
extended his hand, at a recent
funeral in Chicago, to William E.
Dever, defeated candidate for mayor,
hardy western folk remarked adver-
sely because Mr. Dever placed his
hands behind his back.
"Poor sportsmanship, " was Mayor
Thompson's sole comment. Not "Jolly
well like him! " or "The chap's an
utter cad, " or even "I say, old fellow,
that's not cricket."
* « ?
HUMAN window displays are a
successful innovation. Articles
w hich elicit not a passing glance from
the window shoppers in their own
right, attract legions when demon-
strated by living models.
A Market Street electrical concern
recently staged a complete home-
laundry scene. Starchy laundresses,
smiling hypocritically, demonstrated
washing machines, dryers, manglers
and what not. A throng of idlers,
largely male, swarmed at the pane.
An immigrantish person paused to
join the loiterers. His apparel bore
the unmistakable marks of a steerage
passage. His shirt collar flaunted the
decoration of protracted service. He
sidled through the multitude, his
swinging suitcase, with its Stockholm
sticker, bumping a hundred knees.
Despite harsh glances, he reached the
w-indow.
There he abruptly dropped the
valise, and made frantic signs of
recognition to a Nordic demonstrator
within. She uttered a cry of joy, beck-
oned him into the store and both dis-
appeared in the rear.
Shortly afterward the model re-
turned to her task of washing. A few
minutes later she again retreated out
of sight. A moment later the immi-
grant emerged on the street, sporting
with an air of triumph a freshly
laundered shirt.
Which proves that opportunism
has a root in all nations, including the
Scandinavian
The San Franciscans
The San Franciscan
I12I
Puppy Love
Wherein the Mills of the Gods Grind Swiftly
By ROWENA N4ASON
THK BREAKFAST rooiTi was painted
yellow as a canary's w ing. The
furniture green . . . cool and
comfortable On the table laid for
two, chilled grapefruit nested in beds
of ice on black pottery plates. The
silver and crystal gleamed in the sun.
It was altogether as a breakfast room
should be Dr Sumners settled him-
self behind his morning paper.
Overhead the sound of footsteps
hurried to and fro. He smiled at the
scurrying It meant that in a mo-
ment Lindy Lou would be down.
There would be a w hirl of skirts, the
tinkle of her heels across the tiled
floor and the faint brush of her
shadowy morning kiss across his
cheek. Then she would be sitting
opposite him with one diminutive
foot pulled up vmder her.
Between jabs at the fruit in front
of her she would chatter. The dance
of the evening before would have
been ""heavenly" or ""an utter waste
of precious time " Lindy Lou could
draw no line between the two ex-
tremes. But he found no fault with
her attitude, for though it was a long
look back he too could remember the
time when things were either divine
or terrible. He knew now that it takes
years to teach youth to compromise
The door to the breakfast room
opened. He looked over the top of
his paper. Lindy Lou in riding togs!
Her white linen habit was fresh and
crisp. Her boots and spurs flashed in
the light. A twist of sapphire silk
bound her tawny curls, the color re-
peated in her tie and eyes. She came
towards the table slowly. Dr. Sum-
ners was puzzled. Lindy Lou never
moved slowly. Now she walked as
though her boots were too heavy for
her. A tiny line furrowed itself be-
tween her eyes. He watched her
closely. It wasn't like Lindy Lou to
be out of sorts either mentally or
physically. She seated herself opposite
him quietly and the eyes that she
finally raised to his were tired
troubled.
""And why, my dear, such a dismal
face on such a lovely lady so early in
the morning!" " His bantering tone be-
lied the way in w hich his heart con-
tracted at sight of her.
Her smile was one-sided, wistful
Her low-pitched voice with its queer
little husky minor note was lower,
huskier than usual.
"I don't feel exactly jubilant, " she
said.
"And that's not like you, Lindy
Lou. Early morning generally finds
youasbright asthat proverbialdollar!'
"I know Uncle Roger, but neither
is it like me to lie awake half the
night planning to hurt someone for
whom I care. "
And what horrible thing do you
plan to do!' Refuse to go to tea with
someone!'"
"Don't, Uncle Roger!" She pressed
her little heart-shaped face in the cup
of her hands as though to steady her-
self and leaned across the table
towards him. ""Don't tease me. I'm
solemnly serious this morning. I'm
. . . I m going to break my engage-
ment to Larry"
Break her engagement to Larry ! It
was like saying that she was going to
buy some stars to string for a neck-
lace. Some things are just not done,
that's all. Lindy Lou and Larry were
made for each other. The boy wor-
shipped her. To lose her would come
near killing the lad. There never had
been anyone else for him, and Dr.
Sumners knew that there ne\-er
could be.
"Lindy Lou . . . you're joking
with an old man before he's had any
breakfast . . . and that's not fair."
She shook her head and something
in her strained young face made his
heart skip a beat. It's not easy to
love a child as utterly as I love Lindy
Lou, he thought . . .or the way that
Larry loves her . . . both of us so
completely at her mercy.
"But . . . why . . . you've grown
up together . . ." How foolishly in-
adequate It wasn't what he meant
to say. Why were the right words so
hard to find? Were there any words
that would make her see that Larry
was as fine a boy as she was a girl?
One couldn't say more for him. She
couldn t throw away his love as she
would an old glove. It wasn't that
kind of love. She might make the
gesture, but she would never alter
his complete devotion to her.
How curiously helpless fifty feels
before the brave, confident eyes of
eighteen!
"That's just it' 1 don't think Larry
and I really love each other. We're
just habits . . . nice, comfortable
habits. Oh, I know how good and fine
he is . . . how devoted he's been . . .
would be if I married him. But I
think it'd be better if we both mar-
ried utter strangers, who would
neglect us a bit perhaps, but who
would make us stand on tip-toe for
their love. "
i « t
An utter stranger neglect Lindy
U~\. Lou? He looked across at her.
It would be hard to imagine anyone
ever neglecting her. Beautiful women
are rare and Lindy Lou was beauti-
ful. It was her birthright. He was
sure that her stunning Southern
mother, who died that Lindy Lou
might live, looked down on her at
that moment from the place w^here
lovely ladies go, and felt that the
price had been none too high.
His heart said that she could not
do what she was saying that she was
going to do. His head knew that she
would. Her voice was quietly deter-
mined. As she talked, it grew more
positive.
""I tell you. Uncle Roger, I think
it's been a bad case of puppy love
which we didn't outgrow as we should
have. Larry and I passed from the
mudpie stage into the days when we
first noticed the moon together.
■"We had to fall in love. We
couldn't help ourselves. I don't mean I
to say it wasn't serious ... it was "
... it is. I'll always love Larry! I
don't care whom we marry.
"But we've taken each other for
granted so long I don't think I love
him the way I should. Marriage
would merely he a deepening of the
rut we're in. It might be deadly dull!
|p "And oh, Uncle Roger, I couldn't
stand that. Maybe I'm a selfish little
beast, but I want Life to be strange
and new. I . . . I . . . want to marry
someone who didn't know me when
my legs were too long and half my
(Continued on Page 3 J)
'W
Jf'e had prepared a beautiful caption to accompany this beautiful photograph. Howet'er, Jliss Eagels dei'eloped a sudden case
of temperament and cancelled her San Francisco engagement. The editor, not to he outdone, also de^'eloped a case
oj temperament and blue penciled all the nice things v.'e were going to sai/ about JIiss Eagels.
The S a n~ [-^r a n c I s c a n
Vale et Ave
Proving That the Prophecy of 1906 Is Fulfilled
By WILLIAM MARION REEDY N
Km tor's NciTH The followinK arlitU-, written after
the FlRi; nf hX)o, wa^ published in The f'ra The dream
that eame thniugh the Miiokv Kales of that red dawn,
April 18. |y<H\ has been fullilled hy the building iif a
mighty metropolis on the charred rumanec of the past
» I *
FRISCO it was called in that affec-
tion which prompts expression
in diminutives.
Shaken to the shards in the dawn.
gulped in part by a mad sea, swept by
flame Ruin coxering agony, crowned
by hunger, thirst, fever, pest. Death
over all.
Beautiful, soft Frisco, luscious as
a great pear or a cluster of grapes
City of romance, strife, where the
strange odors of the East come in to
sweeten the winds of the West.
Town of wild, strange, tumultuous
memories to one w ho saw its streets
or sensed its paradisal bay or felt the
subtle, passionate stirring of its more
than Italian, curiously blent "quat-
trocento"' and ultra-modern atmo-
sphere.
There gathered the seekers of the
Golden Fleece to scatter their shear-
ings, to gamble, carouse, steal, murder
and build a mighty town. The village
a hell, and then — the Vigilantes.
Judge Lynch was its first lawgiver —
more rigorous than Draco.
Croesus came in and builded banks,
his palaces rising in uncouth ostenta-
tion, setting up insane speculation,
developing rivalries that flowered
into duels and into remorseless com-
bines to drive one man, thinking him-
self broken, into the sea. Names were
heralded from there that meant gold
in mountains: Flood, O'Brien, Mac-
kay, Fair, Sharon — and a score more.
They leagued with or fought one
another. They plundered one another
and the public. They died.
Business, politics, the law, all life
was picturesque and blood-color. Then
out of the aureate din and dust came
the const ructives — Stanford, Crocker,
Huntington, Hearst, Sutro, taking
mighty chances on building railroads
across the continent, dazzling the
uorld with their daring, buccaneer-
ing the plains, piercing the mountains
and grabbing subsidies that made
imperial domains look like kitchen-
gardens.
Out of Frisco came the gambler
Keene to teach lessons to Gould and
Fisk and Daniel Drew, to break and
be broken, to win and fail, and win
and finally hold his own and much
more against the most frenzied of
frenzied financiers of a third of a
century later.
The daughters of rough-and-tumble
barkeepers and wrangling washer-
women married the sons of princes
whose lines ran back to the time of
Michelangelo and beyond.
THE WOMAN of the camp queened
it in London, and offered to buy
the Arc de Triomphe in Paris because
it obstructed her view of a parade.
The grubstake prospectors built pal-
aces filled with the spoil of Italy on
Fifth Avenue. Their daughters set the
pace for the Four Hundred. The con-
tests over their wills by wives they
forgot to mention clogged the courts.
Supreme justices of the nation were
assaulted by the champions of these
wives, and the United States marshal
slew Sara Althea Hill Terry's attorney
husband to save a justice who had
decided against her.
There came from the sandlots the
cry that "the Chinese must go." It
stirred the country fiercely, was for-
gotten only to revive again thirty
years and more later as a result of the
war with Spain.
Out of golden Frisco came the
raucous voice of Dennis Kearney, an
agitator to live in history with Wat
Tyler and Jack Cade, to inspire the
thinking of statesmen who would not
have wiped their feet on him. Dennis
Kearney's mad, snarling, obscene
mouthings are translated today into
profound, statesmanlike argument
against the Yellow Peril.
Stormy men and sudden wealth
and grow ing cosmopolitanism with all
the colorful low life of a great port,
the poetry of ships from strange seas,
the babel of all earth's tongues, made
the world forget the good old mission
times "before the Gringoes came."
Burst from 'Frisco the tender-
tough singer of the "Heathen Chines,"
the historian of "The Luck of Roaring
Camp," the wildly luxuriant genius
of Bret Harte, He gave us the West
fixed forever, as Scott and Burns gave
us Scotland; Dumas, France; Cer-
vantes, Spain.
With the romance that headquar-
ters in 'Frisco, Mark Twain savored
his message of fun to the world and
developed his talent until he became,
not perhaps, but undoubtedly — our
chiefest man of letters, his gift
immortalizing ""Tom Sawyer" and
"Huck Finn, "'classicizing "The Jump-
ing Frog," vindicating "Ariel"' Shelly
and interpreting for us the sanctity
of Joan of Arc.
In Frisco, Richard Realfe sang a
few songs unforgetable, and, harassed
by misfortune, slunk away to die to
the music of "De Nortuis Nil Nisi
Bonum," a poem ranking surely with
"Thanatopsis."" For 'Frisco had the
esthetic atmosphere. It was another
Florence. In "Frisco, the greatest
modern romanticist, Robert Louis
Stevenson, hungered and wrote im-
mortal lines. Hundreds of our later
stage's best actors come from 'Frisco,
where the theater rose early and
flourished e.xotically.
In "Frisco, Kipling's manuscripts
were turned down by editors, and he
avenged himself somewhat on the
town, though before he closed his
deprecation he had to be little less
than just to the place, if for no other
reason than that had there been no i
Bret Harte, and "The Luck of Roar- •
ing Camp"" and "M"liss"" and ""Ten- •
nessee"s Partner,"" there had been no i
"Soldiers Three " and perhaps no i
"Kim" and eke no "Recessional. '
Artists, poets, novelists, scientists,
teachers lent the population a tone of '
devil-may-care.
THIS TOWN sent a boy to New York
to challenge the supremacy of
Pulitzer journalism, and to frighten
Wall Street with a red flag having
just a touch of yellow, and to compel
by sheer audacity attention to his in-
tention to be President — Mr. Wil-
liam Randolph Hearst.
Life was lived in 'Frisco. It was a
little of Paris, of Rome, of Florence,
of Pekin. It was a town of tempera-
ment in which lightsomeness blent
with a native beauty sense.
Winds of the sea came in and met
with winds of the desert. The fog,
(Continued on Page 38)
•THE CITY THAT IS
Howard Simon's impression oj San Francisco twenly-lwo years ajler
The San Franciscan
Ilbl
Show Them The Town
Hints on a Conducted Tour for Out-of-Towners
By MARY MADRIGAL
Now that summer is well upon
us and the out-of-town rel-
ati\es are enroute to San
Franeisco to take advantage of the
early summer rates, it would not he
out of place to point out some few of
the Beauty Spots on the face of our
smiling city.
Let us assume that \ou have upon
your hands for entertainment an
uncle from "*l'uba County, a pair of
aunts from Inyo County and a fourth
cousin-b\-marriage from Tehachepi
Pass. Naturally, the first question to
be asked around your breakfast
table will be "What'll we do!'" There
is no emergency, no crisis on earth
that is not immediately succeeded by
a moment of suspense, punctuated by
that simple utterance — "What'll we
do:'"
The most sensible point of depar-
ture for a sight-seeing expedition is
the Embarcadero. Emharcadero, pro-
nounced with the true Castilian ac-
cent, suggests palm trees, floating
mantillas and mandolin music drift-
ing in fragrant semitropic air. The
lumpy cobbles, the second-hand cloth-
ing stores and the seamen's oaths on
our ow n Embarcadero will be a great
surprise to the visiting relatives, and
if there is a clammy fog blowing along
the unprotected waterfront (as doubt-
less there will be) — the disillusion
will be complete.
From the Embarcadero, it is quite
simple to circle around to Pacific
Street, to point out the old dives of
Barbary Coast. The aunts from Inyo
will get a great thrill from being so
close to the smelly carcass of Sin. and
a sly wink at the uncle from Yuba
will tell him that the carcass is not so
dead as it looks. The Tehachepi
cousin-by-marriage will be sniffling
along behind, having caught pneu-
monia from the chill Embarcadero
fog and will not have to be con-
sidered.
« « «
FROM Pacific Street, it is but a
step to Chinatown. If you have
fortuitously picked a day when the
Chinese fishermen have caught an
octopus, then the success of your
party is assured. Show them the octo-
pus hanging by two tentacles to a
hook in the butcher shop window and
explain that the Chinese eat it. The
little funnel-shaped suckers on the
ocotopus' tentacles will cause the
aunts from Inyo to faint and the
Tehachepi cousin to go into a trance
of horror after which anything will
be acceptable. By the time you have
shown them the Chinese drug-store
with its three-headed chicken pre-
served in alcohol, their luncheon
appetites will he gone completely and
you will be in pocket just that much
money.
The next spot of course is Twin
Peaks, the geographical center of our
city. Being April, you can promise
plenteous buttercups and, with this
horticultural delight in view, they
will not mind the long walk diagon-
nally across the city. Having scaled
the heights, first attend to all cuts,
abrasions and skinned knees. (It
might be foresighted to carry along
a small bottle of iodine for this pur-
pose; but have the Yuba uncle carry
it, for of course it will smash in the
pocket in the stumbling ascent, )
Then, while the ladies of the party
are mooing at the view, allow the
Yuba uncle time to carve his initials
in the Twin Peaks flag-pole. It will
give him something to brag about for
the rest of his Yuba days. Before
starting downhill, don't forget to
point out Sutro Forest and be sure to
tell the aunts from Inyo about the
crazy man who ran naked in those
woods a few years ago, terrifying the
goats which are pastured in the
grassy hollows on the fringes of the
forest.
The descent to Stanyan Street is
happily brief. You will start afoot
but ere you arrive, the Yuba uncle
will have torn the seat from his
trousers and the Tehachepi cousin
will have become hopelessly en-
meshed in the wild blackberry vines
that clamber so profusely over that
side of the hill. As for the Inyo aunts,
you will find them sunk to the arm-
pits in the yellow gumbo at the foot
of the hill. Explain to them as you
pull them out that the mud is due to
seepage which has been going on all
Spring, and they will understand
instantly it was nothing put there
deliberately by you.
f t i
DOWN Stanyan Street at an easy
trot brings you soon to the
Haight Street entrance to Golden
Gate Park. Don't let the ladies re-
main too long watching the swans
grease their feathers, but head straight
out for the Bear Pits. If you can get
there in time to see the bears being
fed great soppy loaves of bread
soaked in milk, you can then pass
through the Japanese Tea Garden
with impunity, for no one will think
of eating. From the Bear Pits, it is
but a short stroll to the Aviary — and
in case one of the relatives was un-
affected by the feeding bears, be sure
to point out the naked-necked vul-
tures in the Aviary, perched haught-
ily over a stenching pile of purpling
meat cubes. The owl cages might do
the work, however, since owls like-
wise are carnivores.
Now the long easy lope downhill
toward the Beach. Don't neglect
stopping at the Buffalo Paddock—
this is one of San Francisco's far-
heralded attractions. Numerous
mangey buffalo will be grouped about
picturesquely, scratching the matted
hair on their flanks against each
other's horns. This sight always
evokes much merriment from visiting
onlookers, impaled on the spike fence,
and for your own relatives would do
much to offset the unlovely memory
of the naked-necked vultures so re-
cently viewed in the Aviary.
As you jog beachward with your
amiable group, allow the ladies of the
party plenty of time to pick the
flowers on the way. There are some
wonderful cinararia beds halfway to
the beach and while they are gather-
ing their multicolored bouquets of
these carefully cultivated blooms,
they will be arrested by a park
policeman and will have the addi-
tional fun of paying each other's fines.
Thus to the Beach. 'What a roaring
bedlam of joy in which to wind up
your sight-seeing excursion ! Let them
try everything . . . once. The Yuba
uncle can be taken care of right at
the start — just park him in front of a
(Continued on Page 32)
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lt56
OGt
Famous Clubs of San Francisco as J'lsua/i'zed hi/ One Jf'lio Has Ne^'er Been m Them
THE UJ^FE'T^irr
The San Franciscan
Alien Planet!
"We Shall Not Acknowledge that Old Stars Fade, or Alien Planets Arise"
By ANITA DAY HUBBARD
CAN a city with a past ha\e a
future!" Is San Francisco to he
forever looking baci<\\ard at
the greatness of her sires, or may she
consider their accomplishments as a
basis for more impressive gestures of
her o\\ n "!
At the risk of a lifted and incredu-
lous eyebrow, I state that San Fran-
cisco has only just outgrown her
infancy, and is embarked on a quite
impractical and wholly delightful
experiment. We are trying to develop
a private type of civilization, not
founded on any precedent, European
nor American. By the grace of geog-
raphy, accident, and the youth of the
pioneer builders of the town, we have
escaped the rubber stamp of the
standardized American city. We had
our childish and adolescent years in
the pleasant secrecy of the 70's and
80 s. emerged in a triumphant victory
in IQOb, and have been engaged for
the past tw.0 decades in growing up
into a mature community.
In a country of cities cut carefully
by Saturday Evening Post and Ladies
Home Journal patterns, San Fran-
cisco joins the party as remarkably
original. Her habit of being different
is so well established, that the at-
tempts of even her own children to
reform her into a conventional com-
munity are quite futile. We may sigh
for the democratic excellencies of the
Middle West, for the civic conscious-
ness of Kansas City and Los Angeles,
but we will never have them. San
Francisco lifts a bored lorgnette and
considers each proposed item long
and with a satiated discrimination
before she accepts it into her civic
housekeeping. Her point of view is
neitherdemocratic nor, in the accepted
meaning, aristocratic It is only that
she is rather interested in individuals
than in groups, in being selfishly
amused than in patronizing Culture
with a capital "C."
? )f ?
IN SPITE of the retrospective and
pleasant light cast backward by
our elders at the "good old days,"
justice demonstrates that in those
swift years, San Francisco was guilty
of all the follies she refuses to accept
from other American cities. The best
surety of a brilliant future for the
town is in the recognition that we
have tried and discarded most of the
ideas that are being held up to us,
largely by ourselves, as to what we
ought to do as a community.
A glance at the newspapers of the
se\enties will prove that San Fran-
cisco then was not very different from
Los Angeles now,', except as a pre-
cocious youth differs from a case of
arrested development.
We had a long era of devotion to
spiritualism, with seances held in
various socially important homes. We
had gangs (a la Chicago) originating
in different localities of the city (Tar
Flat, Hayes Valley, Telegraph Hill et
al.) which did quaint deeds around
election time. Witness the Rock Roll-
ers from the slopes of Telegraph. We
made the editing of newspapers a pre-
carious occupation, and destroyed
several of the most enterprising of the
editors.
Lest the present city officials grow
discouraged of equaling' the record, 1
merely refer to the civic and state
records of that memorable year 1870.
The most ruthless politician, would
turn away in tearful futility at the
activities of his esteemed predeces-
sors. Our ecclesiastics admit reluc-
tantly that San Francisco is not given
to church going. There were more
than the proportionate number in the
good old days, engaged in the pleas-
ant pastime of scrapping with each
other over the eternal religious ques-
tions of how much to pay for the
church property, and who should
decide on the naming of the minister.
We had lynchings, and racial in-
tolerance (vide Kearney's sand lot
activities), and we managed to pro-
mote horse racing into an epic enter-
tainment. Ask the old timers about
the great race of '76, when all of San
Francisco and most of California,
travelled the Corbett road to see
Thad Stevens, California bred, run
four laps of four miles each to defeat
the field of Kentucky horses. A care-
ful historian noted as an amazing fact
in 1875 that the St. Patrick's Day
parade proceded from the Mechanics
Pavilion to the Dolores Mission with-
out more than a few bricks being
thrown, and with not one real fight.
« « «
Our realtors swept aside as little
matters the wildest dreams of the
Angelenos when they subdivided San
Francisco. Even now old houses in
the Sunset and Richmond regions
yield bullets in the wooden walls, in
evidence that the squatters objected
to being ejected summarily. As early
as 1878 a sand lot dealer, scratched
a square block smooth at Pt. Lobos
and Geary, by means of a mule and a
sand scraper, loaded a char-a-banc
with credulous would be home seekers,
fed them at a barbecue and sold them
the sand lots. He took them back to
town just in time, for the afternoon
zephyr came up and blew the sand all
back again. One of our best citizens
changed the course of a creek on a
stormy night to give his land an acre
or so more than he had bought.
I cite these matters, not in criti-
cism, but in praise. We have no need
to do these things again, for we have
done them. We even invented most of '
them for ourselves.
Why should we want the biggest ;
this or that. We who had an Adolph
Sutro to nip a piece of the Pacific
Ocean for a swimming pool, and to
invent a type of sea wall for just that
occasion. We built Golden Gate Park
deliberately a quarter of a mile wider
than Central Park in New York, and
our City Hall dome higher than the
Capitol at Washington. Our young
engineers invented the cable car to
conquer the hills, knowing our people
and their unfailing courage in the face
of adventure. Where can you show
the duplicate of the Powell street line
in the present world? We have our
archaic moments.
* * *
A ND where else will you find the city
y~\ that for twenty years grew by
itself on the edge of a continent, pop-
ulated only by youths hardy enough
to stand the trip across the continent
orby the trip around Cape Horn, or the
Isthmus of Panama on mule back, for
there was not any railroad to Cali-
fornia until !8bQ, with no old nor
timid people to tell them what
couldn't be done. No wonder they
invented all of the faults and virtues
that other American cities were to
have in later years, and emerged, like
children past the measle age, ready
for new.- adventures, and with ado-
lescence well in the past.
Now this is my contention, that
San Francisco will never again be
subject to either the excellencies nor
Cuntinued on Page 1?)
The San F
RANCISCAN
[191
Hildreth Miere
A San Francisco Woman Wins America's Highest Painting Award
WITH woman's entrance into
practically every field of
endeavor one is rarely sur-
prised at fresh honors that come her
way. Women have won recognition in
politics. Women have become a factor
to be reckoned with in business. They
have earned a place of undoubted im-
portance in education, administra-
tion, religion and other lines of activ-
ity. But the creative arts have been
chary of feminine favors. More rarely
than in any other vocation do we
hear of high honors being given a wo-
man for attainments in painting or
other fine arts.
Because of this and because of the
memory of Hildreth Miere herself,
San Francisco more than pricked up
its ears when it learned that the
Architectural League of New York
awarded her the Gold Medal in
painting.
The Architectural League Gold
Medal is the highest honor given for
painting in the United States. It is
awarded for the best painting of the
year, judged from work submitted in
the annual League competition. The
honor is such a coveted one that
entries are made not alone from all
By ALINE KISTLER
partsofthe United Statesbutalso from
Paris and other art centers in Europe.
However, high as the honor is and
unusual as is the distinction, espe-
cially when given to a woman, it was
not a surprise when the Medal went
to Hildreth Miere for during the past
few years her work has been acknowl-
edged time and again as among the
most significant mural decoration in
America today.
Miss Miere has executed some of
the largest commissions in mural
painting and decoration given in the
United States. Among the most note-
worthy are the decorations in the
Academy of Science building in
Washington, D. C in the apse of St.
Bartholomew's Church in New York
City and in the Nebraska State Capi-
tol now under construction at Lincoln .
« ¥ *
THE illustrations on this page are
from the Nebraska Capitol deco-
rations. They give an inkling of the
beauty of design and the strength of
line characteristic of Miss Miere's
work. And when one realizes that
these striking figures are done in
creamy and black marble, one catches
a glimpse of the eternal loveliness of
the decorations.
But even these pictures give little
idea of the exquisiteness of the fin-
ished panels for they give no hint of
the subtle modeling of the mosaic
surfaces. Photographs show only the
contrast of black against white. They
can not reveal the texture of the skil-
fully designed linesof marble chips that
give a roundness and feeling of breath-
ing reality to the flat stone surfaces.
The illustrations show three of the
seven or eight panels that decorate
the floor of the Capitol entrance and
rotunda. And between these panels
there is to be an interlacing proces-
sion of the prehistoric animals found
in Nebraska. The research for this
procession alone entails a stupendous
amount of work in which Miss Miere
is assisted by the State University.
Besides these unusual mosaic floor
decorations, Miss Miere has made
marvelous mural tiles for the cham-
ber of representatives, which is called
the Indian Room, and for the foyer
ceiling. She has yet to do a decoration
for the dome over the rotunda which
is not yet built.
This one commission at Lincoln.
Nebraska, could well be considered a
"life work," but to Hildreth Miere it
is only one of a number of decorations
under way in her New York studio.
« \ «
IN 1913, when the Miere family
came from the East to make their
home in San Francisco, Hildreth was
a mere slip of a girl. But there was a
certain quality of determination in
her very boyish carriage as she
climbed Nob Hill to study with Frank
Van Sloan and Spencer Macky that
presaged her later accomplishment.
Her study here laid a foundation
for her development while at the Art
Student's League in New York.
(Continued on Page 42)
The San Franciscan
120 1
La Prisoniere
It Receives It's Western Premiere In the City of the Angels
Bt STANLEY GRAHAM
INTO the peaceful life of our sister
city, Los Angeles, a fearful ogre
did sneak. This horror was none
other than Edouard Boudet's much
discussed play, "The Capti\'e." Struc-
turally, the angel's camping place
tottered. But bravely to the rescue of
undefended .American youth came
the stalwart Hearst journals, the in-
defatigable women's clubs, and one
hundred thousand — nay, five hun-
dred thousand choice morons.
At the time of writing, the pro-
ducers and the cast have been ar-
rested and prominent persons who
attend are threatened w ith incarcera-
tion for \'agrancy. What a delightful
affair! With defaulting alimonists,
reckless movie speedsters and quan-
tities of the stage luminaries being
jailed, it should compel the Masquers
or the Actor's Equity Association to
establish branch offices near the
courthouse.
"The Captive" ran for more than
a year in Paris, The French accepted
its delicate subject with a shrug of
their shoulders and thought no more
of it. New York critics praised it^
value as a piece of dramatic writing
and a few, including George Jean
Nathan, admired its qualities but
abhorred a public production when
open to the entire mass of humanity.
It closed on Broad way after twenty-
two weeks of capacity attendance.
The remainder of the season the pla>-
was constantly retained in the public
eye by sporadic murmurings of pro-
ductions throughout the country.
Not until recently, in Baltimore, was
"The Captive " resuscitated, it pro-
ceeded unmolested for a fortnight.
A month in Cleveland followed.
For more than a year the Los Ange-
les press publicized its eventual coast
production. The majority of theatri-
cal producers were quoted at one
time or another as possessing the
western rights. No alarm was raised.
No fears expressed. Its presentation
was awaited.
« « «
THE Mayan Theater — the site of
the Los Angeles debacle — adver-
tised the showing in the Examiner
and the other journals. Columns of
publicity were given its premiere.
But with Aimee, quietly ensconced
in her autobiography, and Hickman
behind prison bars with his scrap
books, something had to be done to
augment subscriptions.
Consequently the premiere on
March twenty-first was followed by a
storm of protests from the Hearst sob
sisters. Marjorie Driscoll was given
the choics position on the front page
in which to expound her denunciation
of the horror. Gems from this tuneful
score include:
"Ministers, clubwomen, and social
leaders interested in the protection of
public morals attended last night's
performance and were outspoken in
their indignation at the showing here,
denouncing the performance as in-
decent and unfit to be shown on any
stage."
Continuing to show how the inter-
ested audience sat spellbound until
the final curtain:
"Last night's audience rather en-
joyed the predicament of the young
man who had an incipient love affair
wished on him; laughed at the father
with his futile efforts at domination
and liked the \'ivacious little sister. "
With biological exactitude she
declared:
"At the end of the first act, they
said it was pretty good. At the end
of the second act, the idea back of
the play began to penetrate. And at
the end of the play, when the stone
was wrong side up and the unpleas-
ant creature was wiggling in full
view, many of the audience went
away with an appreciation of the
fresh air outdoors,"
Just an innocent gathering of great
big he-men and women from the wide
open west.
The truth of the matter is that
nine-tenths of the first night audience
knew the play thoroughly, either
through the printed copy or tea cup
elaboration. The entr' actes revealed
a parade of odd types which had not
been seen since the opera season. It
might be said that the club women
directed their attack upon the audi-
ence at the premiere rather than at
the play itself.
Alongside of the epochal de-
J\ nunciation, couched for a large
part in vaudeville parlance, a screech-
ing editorial was placed. In large let-
ters, it read:
City Should Stop "The Captive"
Unclean Play — Immediately.
.And yet the production of this
work was announced in the columns
of the same journal for over a year.
For two weeks advertisements were i
placed in the columns of the dramatic ;
page. And for six weeks the editor has ;
sanctioned columns of the press mat-
ter of the play.
The choice article, nevertheless, ■
remained to Florence Lawrence. Shei
commenced:
"The Camelia has lost its prestige i
as a stage symbol. The Violet hasj
taken its place.
"And this, if you please, because a.
French playwTight seeking the eter-
nally demanded 'something new"
discovered a way to present on the :
stage a suggestion of vice unnatural,
degenerate, and one of the two rela-
tionships to which even France takes ■
exception." (Hollywood must have
tittered as this gal disclosed her
familiarity with these vicious matters).
"As a dramatic production 'The
Captive' would have a small chance
for success cleansed of its filthy sug- ■
gestions. It is talky, dull, and oppor-
tunities for laughter, unless of the
obscene variety, are practically nil.
(Again the audience instead of the :
play seems to have led her astray.)
"As entertainment for men and
women of refinement, as a meeting i
place of girls of susceptible age, "The :
Captive' becomes a menace to the
community.
"Bourdet's play is a plunge into i
stark clinical report. It concerns the
marriage of a man to a woman he
loves. That all wedlock happiness is
denied because his wife's heart inter-
ests beat to a Sapphic rhythm proves
a tragedy unthinkable in its portent
both for man and woman."
« » »
And yet this very subject has
j[\ been the principal topic of
table talk in Los Angeles and Holly-
wood's supposedly sophisticated '
circles for the past five years. The
night of the premiere everyone looked
askance at his or her neighbor. Book-
(Continued on Page 39)
Eugene 0':^(ei//'s Satiric Tageaiit ''^Marco zMil/ions"
"The Prologue" and "The Deck oj the Roi/al Junk," scenes from the New York Theatre Guild's flaring production oj
O'Neill's savage get cool-headed lampoon of the American Babbitt. Rouben Jlamoulian's amazing resourcefulness in
its staging, Lee Simonson's lavish settings and costumes and Alfred Lunt's artistrg in his impersonation oJ that Inter-
national "Babbitt," Marco Polo, have made this the most brilliant spectacle of the Ne<^- York season.
The San Franciscan
{22}
The House of Mystery
Wherein an Ancient Yarn is Spun Once More
Iw ONDER \\ hat is the true story
behind this old piace^"
Tea-tiins at "Tait's At The
Beach." The snug crackle and fra-
grance of fat logs in the great fire
place. Beyond the window pane
t\\ isted cypress hung w ith festoons of
grey lace dripped from the trailing
fingers of the fog — and the blue Pa-
cific stretching lazily to the edge of
the world. My host, an old San Fran-
ciscan, whose memory holds many a
tale of forgotten days.
"Of the fifty-seven versions," he
said, "most of them are ninety-nine
per cent fancy and the other per cent
fact. At least my yarn claims the
virtue of being as correct as a greedy
curiosity can determine
"Away back in 1857 a ship was
wrecked on property belonging to
Bela Brooks, an attorney, w ho ow ned
rnany Seres of land fronting the ocean.
Newspaper accounts of the wreck
termed the steamer 'a palace of the
seas ' To judge by the sumptuous
fittings which Brooks was able to sal-
vage they weren't far wrong. He
used them to good advantage, for he
built a roadhouse on his land which
he called "Brook's Folly,' and he
decked it out in the finery cast up
by the sea.
'In those days it rose from the
oand dunes, imposing — magnificent,
but somehow somber, for it was the
only house for miles. In the place
where we now park our new Fords
or old Rolls Royces, Brooks had a
trotting track. Here, too, his guests
stabled their mounts for the most
usual means of getting to the place
was to wait until the tide was out
and gallop down the hard sand to
where it stood a stone's throw from
the ocean.
? it
■"About 1868 Brooks closed the
jI\_ place, and it remained un-
enanted for several years. I remem-
J'tr while jogging down the beach one
iay about this time, asking my com-
panion if anyone was living in the
ierie, out-of-the-way house. 'Bats
jnd bums," was his answer, and he
Aas just about right, to say nothing
of thieves who carried away every-
thing that could be moved. Even
doors and windows disappeared.
"Dilapidated and empty, the house
was bleak and gaunt, siriisterly un-
ByF.R. ADAMS
friendly to the casual passerby. The
title "House of Mystery" was in-
evitable, for it seemed so surely a
place 'where almost anything was
more than likely to happen at any
time.' It always reminded me of a
deserted ship afloat on its billows of
white sand. All manner of weird
legends were whispered about it, not
a few containing a lurid suicide, or a
healthy murder or two.
MOSAICS
"CONTINENTALE"
By HELEN STANFORD
* ? « * ?
ITALY
A crucifix.
A cypress tree,
A snatch of song,
A beggar's plea.
FRANCE
An argument,
A tattered flag,
A soft kid glove,
A market bag.
ENGLAND
A cup of tea,
A flock of sheep,
A red brick wall.
A lion asleep.
"Then a man from Omaha, Clifton
E. Wayne, purchased the property
for use as a residence. I remember
well the 'Examiner's' account of him
at the time. It told of a charming
wife, wealth, fine horses and carriages
and of twenty thousand dollars that
was spent in immediate repairs to the
damaged house.
"But this fling at gentility was
short lived, for it wasn't long before
a Mrs. Gertrude Rayfield, opened its
doors again to the public as 'The
Oceanside House.' Mrs, Rayfield was
the divorced wife of a mayor of
Tuscon, a much talked of woman.
Not a little of her claim to fame was
due to the fact that she was the mother
of a young and attractive daughter.
"In 1902 she sold the place to Mrs.
Alexander Russell and Mrs. Elise
Dre.xler whose ownership provided
the most colorful chapter in its vivid
history 'and the one exploited and
distorted most by story tellers.
"They also had the house com-
pletely renovated and furnished with
the exquisite things their good taste
had prompted them to collect in their
travels to the far corners of the earth.
Among the art treasures I recall 'The
Resurrected Christ' and 'Christ and
the Rich Young Man' by Hoffman;
a bronze reproduction of Guide
Reni's Crucifix; Theodore Wore's •
'Light of Asia,' and a Japanese tea
set, the gift of Shaku Soyen, Lord High
Abbot of the Zen sect of Buddhism.
« « «
FOR two years a gardener with
Golden Gate Park experience
tried to make a garden grow about
the house, but with absolutely no
success. Then a Japanese gardener
was secured who immediately sug-
gested a fourteen-foot fence. The
fence solved the problem, for it held
at bay the destructive west wind, and
the famous gardens were planted.
"To share this home with them,
Mrs. Russell and Mrs. Drexler took
seven children to care for and raise.
It was their belief that environment
mattered more than heredity, and
whatever they lacked in heritage
their foster mothers proceeded to off-
set by the atmosphere in which the
children were surrounded. They were
provided with tutors to train them
and all the other advantages cus-
tomary to the fortunate young person.
"Praiseworthy as the venture was,
for each of the children grew to be a
fine man or woman, the experiment
was the cause for unbridled comment.
The fact that the two women were
mistresses of the lonely house by the
sea provided tea parties with an end-
less topic of conversation.
"It is a grave indictment against
gossip, for the truth of the matter is
that California has no two women of
whom it should be more proud, for
the seven children for whom they
provided a home, an education, and
a start in life, are far from being the
extent of their good work.
"But the petty talk meant nothing
to them. They were too busy with
their lives of service — too busy living
their religion.
"I have often wondered if a good
part of the charm of this old house is
not the lingering blessing of the hours
they spent in it.
(.Continued on Page 27
TiiF, San Franciscan
123 1
'''EBasar— •■'■^' .,i
1?:
t«i ■.. . ji^^asi^^'rTTf ^^::,,-r,
B^w^^,
Financial dixtncl oj San Francisco, showing the Bank of California at the time of \\ illiam Ralston
Tin Types
Willi
mm
C. Ralston of the Bank of California
By ZOE A. BATTU
IN THESE days when we are kept
in a frantic fever of excitement
over the daily, almost hourly reports
of the rise and rumored rises of Bank
of Italy and Bancitaly stocks, and
the eyes of verily the entire financial
world are following the fortunes of
these two collosal San Francisco
enterprises, we may be wont to think
that all this excitement is a phe-
nomena, peculiarly and exclusively of
this day. Such however, is not the
case. History merely repeats itself,
for San Francisco in the late seventies
was gripped by a tide of speculation;
swayed by the financial genius of a
single man in a manner fully as spec-
tacular, if not more spectacularly
than it is today.
The super banker of that day was
William C. Ralston — a native of
Ohio, born in 1825 and educated in
the public schools of his native state.
In 1850 he set out for California by
way of Panama. At Panama he was
offered the agency of a line of steam-
ships plying between New York and
San Francisco and remained on the
Isthmus until 1853 when he was sent
by his company to represent it in this
city. Later this same concern orga-
nized a bank and Ralston's associates,
realizing his abilities, took him in as a
partner. The house was known as
Garrison, Morgan, Fretz & Ralston.
In the panic of 1854 and '55, this
bank along with all others in the city,
was threatened with annihilation, and
it was only through Ralston's abilities
that the business was saved. Itthence-
forth operated under the name Fretz &
Ralston.
In 1864 the young banker in com-
pany with several other financiers,
organized the Bank of California —
an institution whose fortunes have
been various, but which still flour-
ishes among us. D. O. Mills was
named as first president of the house,
but presently Ralston succeeded to
that office. Events moved unevent-
fully for the new bank until 1872 —
that is, what was termed unevent-
fully in those days when the city was
growing by a series of abortively
violent spasms of greater or less in-
tensity. During this quiet period
Ralston's fame as a shrewd financier
grew, and his talents placed the Bank
of California in the foremost ranks of
western financial houses.
« f *
THE YEAR 1872 marks the dis-
covery of the Comstock Lode in
Nevada, a virgin area of silver ore to
which hosts of miners and mining
companies promptly rushed. The
most famous of these concerns and
their stock issues being California
Consolidated Virginia, Crown Point,
Belcher, Raymond and Ely. While
the discovery of the lode magically
turned Nevada and her silver fields
into scenes of seething activity, the
excitement in these quarters was as
nothing in comparison with the
deluge of speculation that swept San
Francisco and her citizens. The gold
rush days had been ones 'of terrific
and extravagant excitement. The
speculations of the Comstock Lode
days far surpassed them; went be-
yond mere excitement ; became a rip
{Continued on Page 30)
CAMERA PORTRAIT BY PETERSEN
The daughter oj Jlrs. John B. Casserly of New York and Burlingame
'flNCJSCO
The San Franciscan
125 1
The Reigning Dynasty
THE Reigning Dynasty has been
attending weddings of late ' The
first intimation of Springcomes
synonymous somehow, with orange
blossoms and white satin, and so
frocked in their smartest "Printemps"
chiffons and silk-hatted and spatted
the Dynasty manned the ferry boats
on Saturday, the twenty-fourth, and
made one of those rare and always
gratifying pilgrimages to Piedmont.
There has been perhaps, no more
lovely or youthful a wedding in many
seasons, than that of Alma Walker,
debutante daughter of Mr. and Mrs.
Clinton Walker of Piedmont, and
niece of Mrs. Willis Walker of San
Francisco, and young Billy Hearst,
Jr., son of Mr. and Mrs. William
Randolph Hearst of . . . shall we
say Europe, North America and
wayside points? All during the week
previous to the wedding, people
seemed to arrive from impressively
distant places. First in her private
car came the groom's mother, Mrs.
William Randolph Hearst, from New
York, bringing several members of
Manhattan society whom she since
has entertainsd at San Simeon. From
Palm Beach came the George Hearsts,
(Mr. Hearst standing as best man for
his brother) who, incidentally are
departing with the Gerald Hermans
for Europe in a few days. The bride's
grandfather, Mr. T. B. Walker, of
Minneapolis, was also present, and
William Randolph Hearst, Sr.
A thousand guests were bidden,
and the charming little Interdenomi-
national Church in the Piedmont
hills with its patio garden, was so
completely filled that the outer steps
were crowded with the overflow. An
aisle of pink plum blossoms with
fluttering petals led through the
church to a bower of the same blooms
beneath which the ceremony w'as
read by Bishop Wesley Burns. Along
the arches of the walls were blooming
hawthorn trees and potted camel-
lias, and within the chancel were
urns of Easter lilies and almond blos-
soms. The only light came from hun-
dreds of wax tapers shedding their
soft glow, a truly lovely setting for
the little bride who looked so young
she might well have been wearing a
confirmation rather than wedding veil.
Her gown was heavy ivory satin
made with a panel of rose point lace,
a flounce of which edged the full skirt
and enormous peacock train. Long,
tight sleeves with deep points over
the hands gave a note of severe sim-
plicity and the veil which was her
mother's, was drawn in a demure cap
of lace about her fair hair and floated
for yards behind her. In her arms she
carried a shower of lilies-of-the-valley.
The only attendant was her sister
Harriet, who wore a period gown of
yellow tulle and a large droop hat.
Her bouquet was mauve and blue
hyacinths. The ushers were Allan
Chickering, Brooks Walker, Calvert
Moore, Leon Walker and George
Rosenberg. A reception at the Walker
home followed, and here the beauti-
ful floral decorations were repeated
in blossoms, tulips, roses and pink
peonies. All the guests sat at small
tables. The bride's table was covered
in apple green satin and decorated in
lilies-of-the-valley and gardenias. Eda
Sherman, one of this winter's debs
caught the bridal bouquet. The going
away frock of Mrs. Hearst was a chic
ensemble of gayly printed silk with
beige background and small beige
hat. They are at present motoring
through the south.
Mrs, George McNear wore black
chiffon and Miss Adrianne Sharp was
in wine color, Alice Moffitt wore a
charming plaited print made in
flounces, and Mrs. Wallace Mein was
in black and tan velvet.
« « «
ANOTHER wedding this month
which will be long remembered
for its loveliness, took place at El
Palomar, the beautiful estate of Mrs.
Tobin Clark, when her niece, Made-
leine Raoul-Duval of Paris, became
the bride of Mr. William Grant
Black. Miss Raoul-Duval came with
her mother, Mrs. Charles Raoul-
Duval to San Mateo this winter for
the debut of Agnes Clark, and during
the debut gaieties met Mr. Black. The
ceremony took place at high noon,
and was read by Archbishop Edward
Hanna. It was held in the drawing
room which looked like a little French
chapel of an old chateau. An altar,
covered with silver brocade, was
erected, and on either side were hung
almond green velvet Fortuny drapes
painted with silver grapes and leaves,
and a silver crucifi.x flanked by urns
of Easter lilies was placed on the
altar. White flowering trees were
around the walls, and small orange
trees were along the chancel rail,
which was made of wrought iron. All
the doors opened out on the formal
garden, and the doors were flanked
by heavy Fhmish candlesticks.
The bride was given in marriage
by her uncle, the Honorable Richard
Tobin. Her gown was white velvet,
embroidered in pearls, and had long,
close fitting sleeves. The velvet train
was very long, and the tulle veil ex-
tended still further. The veil was
edged with silver lace and held in
place by a band of orange blossoms.
Her only jewel was a brooch of dia-
mond leaves, the gift of her parents.
She carried a sheaf of Easter lilies,
and made a classical, stately picture,
on her uncle's arm. Her cousins, the
Misses Agnes and Mary Clark, and
Aileen Tobin, formed the bridal
party. Mary Clark, the maid of
honor, wore light green chiffon, and
the two bridesmaids were frocked
alike in peach chiffon. All wore broad-
brimmed hats, and carried hyacinths.
The ribbon bearers were Barbara
Tobin and Elizabeth 'Vincent, and
Paul Clark and Richard Tobin. Mr.
Richard Raoul-Duval was the best
man, and the ushers were Mr. Mar-
shall Haines, Mr. Benjamin Hayne,
Mr. Brewster Davison, Mr. Graham
Cranston. Seated at the bridal table
beside the wedding party were Mr.
and Mrs. Blair Foster, Miss Mariana
Casserley, Miss Ethel Lilley, and
Mr. Harris Carrigan. Miss Casserly
caught the bouquet.
The Honorable Richard Tobin will
return soon to The Hague, where he
will entertain Miss Helen Wills, who
leaves shortly for Europe with Mrs.
Gordan Hitchcock, of Burlingame.
* « ?
WORD comes back from England
of the approaching marriage of
Miss Lettice St. Maur, daughter of
Lord and Lady St. Maur of London,
to Major Richard L. McCreery whose
brother. Captain Walter McCreery,
has recently returned to England from
Del Monte, where he has spent the
polo season. The wedding will take
place April eighteenth at St. Marks,
wit h a reception following at the home
of the bride's aunt, the Duchess of
Somerset. Major McCreery is well
known to San Francisco society, being
the son of the late Walter McCreery
of this city, and Mrs, McCreery of
Sto well House, Templecomb, England,
and the nephew of Mr Richard Mc-
Creery of Burlingame, Mrs. Richard
McCreery has left for England where
she and her daughter Ysobel, will
attend the wedding.
T
« « *
HE marriage of Mrs. Conchita
Supulveda Chapman, and Prince
(Countined on Page 36)
The San f ■" r a n c i s c a n
I2bl
Enter The Woman Buyer
Her Influence Is Felt on the San Francisco Stock Exchange
By THOMAS MacMAHON
There's a million dollars of easy
money for the psychological
statistician who can gauge ac-
curately the influence of women on
the buying and selling of California
securities on the San Francisco ex-
changes.
Women, in the San Francisco stock
market, are brisk bu\ers and tardy
sellers. Their influence annually is be-
coming more important.
There appear to some to be two
corollaries to women's emergence as
financial factors:
1. San Francisco is the only big
money mart in the world w here there
are no traders: a trader, in broker's
parlance, is he who knows how and
when to take a loss and has the
courage to abide by his own know 1-
edge or convictions.
2. San Francisco's listed common
stocks show less hazards and more
appreciation in value than the aver-
age stocks bought and sold on Ameri-
can exchanges w ithin the decade.
Now these developments may not
be corrolaries at all to the entry of
women into the game of profit and
loss on the big boards. Financiers are
too wary to mistake event and se-
quence for cause and effect. The big-
gest admission brokers make is that
unwillingness to take a loss is a
feminine trait and that such a trait
characterizes San Francisco's markets.
The assumption that actual buying
and selling done by women locally
has sufficient volume or value to
govern the market's trend is certainly
not warranted. But exchange mem-
bers have noted something on falling
markets that makes them wonder
what gives masculine buyers the
afore-mentioned feminine trait. That
trait is so strong here that a trader, a
loss-taker, has never been developed.
Can it be that w hen brokers call on
their marginal buyers for more money
the customers run home to mama, tell
her all about it and abide by her
advice?
Circumstantial evidence convicts
the customers of doing that very
thing. At least, they usually dig up
the money and purchase the stock
outright. They w ill not take a loss.
In every other large financial center
in the world, a chartable percentage
of brokers' patrons will sell at a loss
rather than post more marginal
money on a declining market. But
not in San Francisco! Why? Answer
the question with something better
than circumstantial evidence and
brokers will bless vou.
OBViOL'SLY, if buyers won't sell on
a breaking market, the bottom
will never drop out of that market
because the bottom will never be
reached. Somebody, or a group of
stubborn somebodies, will always
continue to hold their stock. Precipi-
tous plunges dow nward are not gen-
eral possibilities when stocks are
tightly held. If sharp declines are
generally preventable and prevented,
it follows that the temporal hazard,
or time in which a potential seller
may exchange his holdings for cash
without peril of loss, is not great or
prolonged.
That is exactly the condition of the
San Francisco markets. A chart
graphically illustrates the safety of the
local investor compared with the
national average. From 1916 through
1925, San Francisco's listed common
stocks appreciated almost 100 per
cent with a temporal hazard of only
5 per cent. During the same decade,
the national appreciation of stock
values was about 60 per cent with
two swift-striking time hazards of
approximately 15 percent.
Now no one pretends to credit
women with taking the perils out, and
putting the profits in, to the common
stocks listed on the San Francisco
Stock Exchange. The facts are
there and the incureable deducer
can write his own ticket. But before
uttering his conclusions, he would do
well to talk with the brokerage house
which bars all women's marginal
accounts. Why!'
"Well," answers the genial floor-
man, "did you ever try to explain to
a woman why her marginal money is
all gone, wiped out? Eight out of ten
of them will weep and berate me for
letting them pick a loser. They forget
that if 1 could pick a winner every
time, I wouldn't have to work for a
living. "
The genesis of the stock market
woman here is attributed by many to
the generous dividend policy of a cer-
tain bank. The lure of almost certain
profits induced her to put a little of
her savings into the bank's stock.
Lavish disbursements by the finan-
cial institution made her anxious to
increase her holdings. The buying of
bank stock became a habit. It also
made her talk and a woman's talk
has advertising potency.
"I was never in a city, " said a
world-travelled financial writer, a re-
cent guest, "where so many stenog-
raphers hold bank stock."
The profit gradually spilled over to
the benefit of other stocks. It sowed a
crop of buyers, male and female,
which has made San Francisco second
only to New York in value of its ex-
change trading. The rest of the na-
tion gapes enviously as the growth of
the San Francisco Stock Exchange in-
creases prodigiously every year. In
1927 sales of stocks totalled 15,552,-
607 shares with a market value of
$653,521,804, a gain of 80 per cent in
number and 82 per cent in value over
the preceding year.
o
F COURSE, there are many fac-
tors underlying the comparative
safety of California industrials as
stock investments. The strength of
the company which issues the stocks
is due to management. And if any-
body thinks that nimble wits are not
basic essentials to successful conduct
of business in this chameleon era of
commerce, let him consider the
market for horses and hairnets.
Markets vanish, as it were, over
night. Just a few days ago, an alien
cable company operating in Pacific
territory woke up to the fact that 64
per cent of its business has disap-
peared and that a United States
radio group had gobbled it. Each day
brings the problem of keeping mental
pace with the new tempo of acquisi-
tive America. If a business man
misses a couple of steps, he is shoved
out of line, entirely off the road to
progress and profits.
California has no monoply on agile
brains, but it seems to have more than
the usual per capita commercial
endowment of the ability to survive.
A San Francisco finance company,
doing a big coast business in auto-
mobile purchase contracts, saw one
recent morning the bulk of its poten-
tial profits go glimmering. Two large
(Continued on Page 3b)
The San Franciscan
127 1
Alien Planets
tC>>ncinucd from PaKC 18)
1 the outrageous behavior of the stand-
,ard American city. We will continue
to develop as an individual commun-
'ity, a delight to the knowing, a thorn
in the side of our would be reformers.
We will refuse to accept any program
as a whole, but will embrace indi-
vidual ideas with enthusiasm, if it
should be that they strike our fancy.
We will trust our old friends because
■ we know them, and like all mature
'people, we will look with suspicion on
anything that is too new, or too dif-
ferent.
, Our past years were magnificent,
' without question, but they were years
rather of precocious youth than of
complete maturity.
It is quite amusing to "make walk
preposterous ghosts of the glories we
once created," and they were glories
indeed, but I do not believe that they
were the glories of completion. It is
only that San Francisco has devel-
oped so swiftly that she has passed
the other cities in years gone, and
they are only just now catching up,
and repeating our own gestures, the
media of modernity — making the
only difference.
San Francisco will make her own
future, good, bad or indifferent, by
her own pattern, and by grace of her
own good-natured pagan gods, with a
sense of humor.
The House of Mystery
(Continued from Page 22)
CIRCUMSTANCES made it advis-
able for the lovely old house
with its blossoming gardens to be
sold, and in IQlQJohnTait obtained a
lease on the property, buying much of
the Oriental furnishings, and "Tait's
At The Beach" came into being.
"Even here the hand of romance
touched the place, for John Tait
leased it because he says that the
house had interested and intrigued
him for years. This ownership brings
us down to the 'reigning dynasty.'
People throng to it, of course, for its
exotic history has a way of advertis-
ing itself. The traveler knows it as a
show place — but the old San Fran-
ciscan loves it for its ghosts of other
owners and other days.
"Looking back at its past it is only
natural to wonder what the future
holds of drama and of romance for
the storied house. I always wonder,
too, how much that is said of it is un-
true . . . and . . . hou> much that is
unsaid is true'"
Round the town
they're talking
kUUUL
1 he Imported Dry (_jinger J\le
You hear it in the cafes, the clubs, the hotels, you
catch it on the streets : "E-Swan," . . . "E-Swan."
A new word from the Philippines. A word you'll
hear in all of the better places.
For Isuan has given ginger ale an entirely new
and joyous meaning. It is made oi fresh limes, fresh
ginger, with the marvellous water from the Isuan
Springs at Los Bancs in the Philippine Islands.
Isuan in the native language means the "Spirit of
Joy." Mix with Isuan: it has a glorious way of mak-
ing tonight a big night and tomorrow a whole day.
IMPORTED
Isuan Dry
Ginger Ale
Isuan, the Spirit of Joy
It may be had at the leading hotels and from the better grocers.
The San Franciscan
1281
Send
25c
(Slumps or
coin)
for this
map in
lull color
done in the i
old style, size'
23 X 32 inchei
and printed
on parchment
paper.
This is but a
fraction of thi
cost of this
unusual map.
Address,
F.S.
McGlNNIS,
Passenger
Traffic
Manager,
Dept. 4,
Southern
Pacific
Company,
65 Marker ;
Street,
San FranciscOi
^4 Complete Investment
Service
BOND & BROKERAGE
DEPARTMENTS
Members
San Francisco Stock, Exchange
San Francisco Curb Exchange
ORDERS ACCEPTED FOR EXECUTION
ON ALL LEADING EXCHANGES
Wm. Cavalier & Co.
INVESTMENT SECUR I TIES
SAN FRANCISCO
433 CALIFORNIA STREET
OAKLAND
BERKELEY
IL A IK IE T A H O E , C A L I IF O IR N
FOR SUMMER SPORTS
TAHOE TAVERN OFFERS
HORSEBACK RIDING
SWIMMING
HUNTING
BOATING
FISHING
TENNIS
GOLF
Opens Tuesday, May 2.g, 192,8
I. T. MATHEWS
RESIDENT MANAGER
The San Franciscan
f 30]
Qrulse
to
Romantic
Spanish America
Blue seas. Balmy air. Sparkling
sunshine. The rainy season is over.
Palm trees and mangoes, fresh and viv-
V/ // idly green. Brilliantly plumed birds flash-
v>*-" ing in their branches. Berries glowing red on tens
of thousands of coffee trees. Bananas, pineapple and papayas
sweetening in the sun. Volcanoes purpling against the azure sky.
And the air, soft and perfumed, quieting rushing steps and sooth-
ing frayed nerves.
Cruises Sail Monthly
Forget the drag of business this spring. Join one of the Pan-
ama Mai! ships sailing every three weeks. P^njoy twenty-four
indolent, beguiling days cruising from California to Cuba — four-
teen at sea, and ten ashore in bewitching cities centuries old, in
Mexico, Guatemala, Salvador, Nicaragua, Panama and Cuba.
View the gay night life of cosmopolitan Panama and of neigh-
boring Colon, the crossroads of the Western World. Thrill to
the wonders of the Panama Canal by daylight.
.And as for golt en route. There are sporty courses in Guata-
mala Citv, San Salvador, Balboa and a never-to-be-forgotten
links around and on Gatun dam, near Cristobal. Guest cards to
all these courses are available to Panama Mail passengers.
Cost is Small, Pleasure Great
You can leave the ship at Havana staying as long as you wish
there, then tour through Florida and home to California by any
direct route. Or you can go with the ship to New York and take
your choice of direct rail lines home. The price is the same — 3380
up, first class. This covers bed and meals on steamer and rail-
road fare on train home (diner and sleeper not included).
Panama Mail cruise ships are modern liners built for tropical service. Com-
fortable, well ventilated. Electric fans and running water in every room. Sim-
mons beds instead of berths. Thoughttul attentive service and the best of food.
Broad decks for resting or rollicking. Swimming tank. Orchestra, dancing. The
cost is low — less than SIO a day. You can get full information
and booklets today from
Panama Mail Steamship Company
2 Pine Street, San PVancisco
548 South Spring Street, Los Angeles
Tin Types
(Continued from Page 23)
tide of mad finance that hurled its
victims to secure safety or cast them
up battered and financially spent, as
they had happened to be caught in
the swirl of the flood.
The three years, 1872-75 saw men
win and lose, not one, but perhaps,'
several fortunes. Flood, Fair, Mackay
and O'Brien were the famous bonanza'
kings. Mackay was the discoverer of,
the lode, and when he came upon a^
rich vein of silver in a shaft he was
working, he took no chance of losing
the benefits of his findings through
premature rumors spread by his
workmen. He imprisoned his miners
within the shaft; left them with a
week's supply of food and water and"
rushed to San Francisco. James Fair,;!
another practical miner, was his part-:;
ner, and the two had a partnership'
with Flood and O'Brien, San Fran-'
Cisco saloon keepers who had beeni;
financing the mining operations. Be-.'
fore the story of the imprisoned min-i'
ers and the existence of the rich silver '
fields had leaked out, this resourceful^
quartet was in a position to reap the;
cream of the Comstock boom. Such'
is the lust for sudden wealth.
Once the excitement was well under :
way, there was no man or woman in'-
all San Francisco who resisted the'
temptation to buy mining stocks. ■
The stock exchange opened at 1 1 :00.
As early as 8:30 trading began. It was
the habit of crowds of early morning ;
traders to gather on the north side of '
California at Leidesdorff and hold an
open air curb market, where orders
were given and taken for thousands
of dollars worth of stocks. Police were
regularly delegated to this corner to
keep the street reasonably clear for »
traffic. Other policemen were sta- 1
tioned in and around the stock ex-
change building, then on the south .
side of Pine at Leidesdorff, to keep i
paths clear in order that those who [
had business within the building j
could reach it. The board was finalh'
opened at 9:30 to relieve this conges-
tion. Within the stock exchange
building and the board room proper,
sheer madness held sway. Brokers
rushed about hatless, coatless. per-
spiring, cursing or rejoicing as the !
occasion demanded, and were often-
times forced to leave the scene from
exhaustion. i
A FRIEND of mine, Mrs. A. B.
Ruggles, still a resident of this
city and whose husband for some
years was president of the Stock Ex-
The San Franciscan
1311
fchange, has a fine fund of Comstock
Lode memories. She used to regularly
buy any one of the lode issues as high
as $300. On the way home she might
be enriched or made poorer by sev-
eral hun^lred dollars. If the latter
i'instance were true, it was a detail of
no moment. The next day the money
'and some more besides could be re-
covered. Maids, while serving their
;master and his guests picked up
'"tips," which were forthwith passed
.about the servants' quarters and
over back fences and the following
day played. Newsboys, sellers of lot-
'tery tickets, street car conductors
.'made lucky buys and retired with a
; competence for life. Five dollar tips
'were nonchalantly tossed to messen-
■ger boys. Money meant nothing and
-everything. It flowed in vast streams
and was flung about as grains of sand.
'Millionaires were made; millionaires
I beggared.
At the rising pinnacle of this tide
stood William C. Ralston. His bank,
made so by his brilliant mind, was
now the great one of the day. Every
broker and business house of im-
portance banked with the Bank of
California. It was the agent of the
Rothschild interests in London. The
public looked upon it as something as
solid as mountains of granite. It was
inconceivable that a structure so
great could be undermined.
To Ralston's office all paths con-
verged. Every celebrity visiting the
city — diplomats, international bank-
ers, publishers, inventors, writers,
actors, artists of every description
bore personal letters to the banker.
He is described as a large, powerfully,
impressively built man, the power of
whose personality was overwhelming.
He could penetrate a man's inner
motives in a flash and required but a
minute to come to a decision in mat-
ters involving millions.
Never has California seen a more
lavish host. He built himself a mag-
nificent 100-room mansion at Bel-
mont; furnished it gorgeously and
staffed it with 100 Chinese servants.
In the dining hall a feast was always
spread. It was Ralston's custom and
his delight to load a dozen or so
guests into a four-horse carriage and,
w'ith himself driving, would careen
along the peninsula roads, whether
by noon or midnight, to land his hu-
man load breathless and disheveled
beneath the porte cochere of the Bel-
mont place. This mansion and its
grounds, by the way, are still intact.
They are the property of, and in daily
use as a school by the Notre Dame
College. Some of the furnishings and
art treasures remain, and in the main
the house stands as in its first owner's
day. The ballroom, once the scene of
worldly revels, is now a quiet chapel
given over to contemplation of the
things of the spirit. The dining hall
serves its original purposes. The
Notre Dame sisters are adding a
group of other buildings to accommo-
date their growing school, but this
fine, beautifully built old home, will
be preserved intact and incorporated
in the general campus scheme. There
remain some places in the land where
reverence is served, not scorned.
1 t %
FOR the development of San Fran-
cisco as a world metropolis and
industrial center, Ralston was par-
ticularly zealous. With the great re-
sources at his command he organized
and financed the Mission Woolen
Mills, The Kimball Carriage Works,
The Cornell Watch Factory, West
Coast Furniture Company, Grand
Hotel, Hunter's Point Dry Dock,
San Francisco Sugar Refinery, Rin-
con Hill Cut, Extension of Mont-
gomery Street, Reclamation Works
at Sherman's Island, Irrigation Works
in San Joaquin Valley, The California
Theater, the Palace Hotel (a project
completed by William Sharon) and
scores of enterprises of lesser fame.
But great as was the man Ralston's
vision and wide-spread as was his
power, no human force could stem
the tide that had brought all these
things into being, once that tide
turned from paths of constructiveness
to those of destruction. It was in-
evitable that the Bank of California
and its guiding mind would have to
come to a sane moment of reckoning.
The underlying causes that led to
that moment are too many and deep
to more than touch upon here. For
one thing the Nevada lodes began to
play out; there were millions of dol-
lars loaned to and borrowed of other
banks and individuals. Suddenly —
almost without visible warning these
factors headed up and lent their com-
bined strength to undermine the Bank
of California in an hour of weakness.
On the afternoon of August 27,
1875, the seemingly impossible hap-
pened— the Bank of California had a
run on its tellers' windows and sus-
pended operations. San Francisco
held its breath. Practically every
other financial house in the city
closed temporarily to see what would
happen and how it might be affected
in the general panic. Ralston's asso-
ciates agreed to refinance the bank
from their personal fortunes, and this
they did, paying everyone concerned
Fares Cut
for Summer-time Travel
Again this year Southern Pacific
offers reduced roundtrip fares to the
east. Plan your summer trips now.
Tiike advantage of the big savings
in travel costs. Any Southern Paci-
fic agent will gladly help you plan
your itinerary
to the East
May 22
Opening sale date, and daily thereafter until
Sept. 30. Return before October 51.
FOR EXAMPLE: roundtrip to
Atlanta. Georgia $113.60
Boston. Mass 157.76
CHICAGO 90.30
Cleveland, Ohio 112.86
Dallas. Texas 75.60
Denver, Colo 67.20
Detroit, Mich 109.92
KANSAS CITY. MO 75.60
Louisville, Ky 105.88
Memphis, Tenn 89.40
Minneapolis. Minn 91.90
New Orleans. La 89.40
NEW YORK CITY. N. Y. . . . 151.70
Niagara Falls, N.Y 124.92
Omaha, Neb 75.60
Pittsburgh. Pa 124.06
St. Louis. Mo 85.60
St. Paul. Minn 91.90
San Antonio. Texas 75.60
WASHINGTON. D. C 145.86
Four Great Routes
for transcontinental travel
It costs no more to go one way, re-
turn another except through the Pacific
Northwest (slightly more.) Only South-
ern Pacific offers this choice.
Sunset Route; San Francisco via
Los Angeles and El Paso to New Or-
leans. "Sunset Limited," famed round
the world.
Overland Route, Lake Tahoe Line:
San Francisco via Ogden and Omaha
to Chicago. "San Francisco Overland
Limited." 6114-hour transcontinental
aristocrat.
Golden State Route: Los Angeles
via El Paso to Kansas City and Chicago.
"Golden State Limited," 6ll/t-hour,
flyer.
Shasta Route: California to Paci-
fic Northwest and east over Northern
Lines. The "Cascade ' and 3 other trains.
Great Circle Tour
— around the United States slightly
higher fare than via direct routes. Ask
about this greatest summer travel
bargain.
Southern
Pacific
F. S. McGINNIS, Pais. Traffic Mgr.. San Francisco
The San Franciscan
f 32 1
JNew
LaSalle
5-Passenger Family Sedan
See J/ie new
models —
completely
equipped —
$2350
to
$2875
f. o. b. Detroit
IN ONE year LaSalle has seen
1 the triumph of its vogue
spread throughout the world.
It has been the most widely-
copied car in recent years.
But matching LaSalle perform-
ance and value is not so easily
done — and today, with a wider
variety of models and substan-
tially lower prices, LaSalle
stands out more than ever as a
matchless motor car investment.
Th e new LaSalle 5-passenger
Family Sedan is priced at' $2350
f. o. b. Detroit.
D>
>2^
Operating Radio Stations KFRC and KHJ
1000 Van Ness Avenue, at O'Farrell Street
Prospect 100
San Francisco
in the failure dollar for dollar. But of
Ralston they would have no more;
they demanded his resignation as
president.
He complied about 4:00 o'clock on
the afternoon of the 28th. Taking his
hat in his hand and turning his back
upon the scene of his triumphs, he
made his way to North Beach, as it
was his custom to take a daily'swim
in the Bay. The day was very warm,
Ralston was worn in body and mind
by the stress of the previous twenty-
four hours, but efforts to keep him
from entering the water were useless.
Within an hour of his resignation, his
dead body was borne from the waters
o( the Bay. "Suicide" the papers
cried. Maybe so: maybe not. There
appears to be good evidence to sup-
port us in the more charitable view
of his death. So let us be charitable
to this man, whose life and the man-
ner of whose death exemplified the
element of chance that seems so often
and fatally interwoven in the careers
of men who rear great institutions
only to have them shattered by the
very forces employed to create them
■i \ t
Show Them the Town
(Continued from Page lb)
Shooting Gallery and he will spend I
the rest of the day trying to plug the
bulls-eye with a rifle "that has a cun-
ning little curve in it somewhere
midway down the barrel.
Start the ladies out on the merry
go-round. This is a nice easy way to
work into the speed of the other con-
cessions. The aunts from Inyo will
of course fight over the wooden bull
to ride and you will have to intercede
here. Point out to one of the aunts
the merits of the Rocky Mountain
goat and when she sees the long spiral
horns of that carven creature, she
will leave her sister in undisputed
possession of the bull. The Tehachepi
cousin will already be contentedly
mounted on the saffron lion. Explain
to them all that as the merry-go-
round goes round, they must try to
reach for the gold ring which ensures
another ride free. They will all break
their inde.x fingers against the metal
arm of the ring slot and will be much
more manageable for the remainder
of the day.
« \ t
THE NEXT attraction, in the careful
work-up of speed accustoming,
is the chute-the-chutes. After a dizzy
climb in a fiat-bottomed gondola, the
boat takes a chute down into a tank
of mustard-colored water, and since
the gondolas are very aged, they will
I
Ti]h e San Franciscan
133 1
Srobably fall apart on the impact
A'ith the water, providing an unex-
:iected thrill for which you do not
have to pay.
! Then the Scenic Railway. Select
the one that has the tooth-pick sub-
i'structure (there are two "scenics")
for this one has been known to sway
{on its flimsy underpinning, which
provides a horizontal movement to-
tally terrifying when you are roaring
around the topmost loop. After this,
xhe ladies can be herded quietly into
.Noah's Ark and you can sit outside
on a bench and smoke your pipe, for
,thev will be gone a long time.
. Buy their w ay into the Bug House
;next; this will give you another long
rest and things will happen to the
ladies in there which they will never,
inever forget. By the time they have
ridden on the jerky, liver-displacing
'Caterpillar and swooped dizzily in
.the Sky Racer aeroplanes, they will
I have had enough of the beach conces-
, sions and not even the Ferris Wheel
iwill tempt them.
; Take them all to lunch now . . .
■you have procrastinated long enough.
Rescue your Yuba uncle from the
perplexing mystery of the Shooting
Gallery and lead your now reunited
party to the enchilada counter down
near the kiddies' playground. The en-
chiladas, wrapped in brown butcher-
paper and served by a three-hundred-
pound Mexican lady, are truly appe-
tizing. They taste best when washed
down with magenta-colored soda
pop. Thence to the hot dog stand —
any one of them — there are dozens
of stands in each block.
Gypsying around like this, buying
taffy here, hamburger sandwiches
there, root beer and waffles some-
where else, enables one to tuck away
a most amazing assortment of food,
so that by the time you get the rela-
tives aboard a Geary Street car, they
will all be slightly green about the
gills with incipient ptomaine.
Following this carefully planned
tour of the Beauty Spots will net you
two very gratifying rewards. One is
that the visiting relatives will lie at
Death's Door for the remainder of
their stay in San Francisco, and the
other — that you will never see them
again for the rest of their \'uba. Inyo
and Tehachepi lives.
^ t I
Puppy Love
(Continued from Page 12)
missing. Why, Larry
teeth missing. Why, Larry and .
haven't an illusion about each other !'
"Lindy Lou, you can't do it, that's
all. You'll hurt Larry more than you
will ever realize."
<'J^/-s. Qertriide Atherto?i says:
We will all search to the ends of the earth for the
thing that is unusual — the place that is exotic.
Californians need not travel far to satisfy this
age old yearning, not with the Hawaiian Islands
at our very door step.
Tht JVialolo . . . ^ days to iiawdii
Accommodations for 600 first class passengers. Seven decks for passengers' use.
Elevators serve all decks. Motion picture theatre. Ballroom, completely equipped
gymnasium, children's playroom and huge Pompeian sii^imming pool. A telephone
at the head of every bed. I $0 private bathrooms. More deck space for its size than
any ship afloat. Excellent meals. Dining room seats all passengers at one time.
\
%
There are one or more Matson sailings from San Francisco to Hawaii every week.
Frequent sailings from Seattle. Regular sailings from San Francisco to Samoa, Fiji
and Australia via Honolulu. Inclusive Hawaiian tours from $^T5for 2t days.
TQatson line
Hawaii • South Seas • Australia
GENERAL OFFICES: IIJ M.-iRKET STREET, S.-iN FR.-^ NCI SCO
also NEW YORK. • CHICAGO • SEATTLE • LOS ANGELES
te-_
The San F r a n c i s c a'n
134 J
For a Certain Fezv San Franciscans
Who "Recilly J^vel
HE Park Lane presents for the approval of a few disciminat-
ing families an exclusive type of apartments that is referred
to by the New Yorker as the 'Maisonnette.' It is a new depar-
ture in apartment living — a step — if you please — just beyond and
above the plane of existence enjoyed by most of our nobby families
on Nob Hill.
The Park Lane affords a home life of repose and tranquility amid
aristocratic environments and yet, reflecting the very complete-
ness of this intensely living age ... . with theaters, the shops,
the arts, leading hotels — with cosmopolitan life at high pressure —
whirling about this hub of San Francisco's "Social Quarter" —
your motor car is within five minutes of everything worth while.
Apartments, five to eight rooms,
unjurnished and jurnished (in-
comparably) $2jo up. Leasing
now. Occupancy immediatelw
Eugene N. Fritz, Jr., Managing Owner
1100 Sacramento Street {corner of Mason)
NOB HILL
"Don't say that, Uncle Roger! I
think 1 realize everything. I know
that it will be hard on both of us at
first. But time will take care of that.
After a bit it won't hurt so much . .
then . . . not at all . . . and we'll find
other people to play around with. It
shouldn't take long. After all, there
are plenty of husbands and wives to
go round "
Plenty of husbands and wives to
go "round! Larry wouldn't think so.
Lindy Lou would be hard to duplicate.
"Lindy, sweet, are you sure that
you've thought it all out . . . that
you're not just restless? Perhaps a
trip . . ."
"No, Uncle Roger, Lve made up
my mind. Now the ne.xt thing is to
tell Larry. That's not going to be easy
but it's got to be done . . . because I
care too much for him not to let him
know how I feel about it."
"When are you going to tell him'
"Right away, ^'ou see, when I
made up my mind definitely I called
Larry and woke him up and asked
him to go riding with me early, I lay
awake last night and thought and
thought about the best place to tell
him. Somehow I ... I don't think I
could do it at night. But in the bright
sunlight, on horseback . . . " She
laughed, "Don't you think I could be
quite merciless then?"
"Oh, Lindy child, you musn't. Let
me take you away from Larry on a
nice long trip . . . Honolulu. "You've
always wanted to go to the Islands.
I'll make you a sporting wager that
you 11 love Larry more than you could
ever love some mysterious stranger
before we even get back to him"
The bell sounded in the outer hall.
Lindy Lou rose. "No, Uncle Roger,
I've got to tell Larry.""
That was like Lindy Lou. She
would do as she planned, right or
wrong. Larry's voice in the hall re-
assured him. Perhaps he could make
her see differently. Youth has a wa\
with youth!
"Morning, Dr. Sumners. Why
don't you come along with us? It's a
gorgeous morning. " Behind Larry's
back Lindy Lou shook her head and
spoke before he could answer.
■"Sorry, Larry, but I don't think
you and I need Uncle Roger this
morning. You see, I want your whole
and undivided attention v\hile I talk
to you."
"I don't like the way you say that."
"Wait until you hear it all before
you pass judgment. We're going to
ride to Dumbarton Hill, park our
beasts . . . and . . . then ... I'm
going to reconstruct our lives. Bet
you a dollar I can beat you there."
The San Franciscan
135 1
' He watched them from the win-
dow. Lindy Lou was out the gate and
down the road before Larry was even
in his saddle.
' She was superb on horseback. No, it
: wouldn't be easy on Larry at any time.
« « i
THE HANDS of the ciock on his desk
covered each other and pointed
to the number twelve. Dr. Sumners
rose. Noon, at last! He tore through
the traffic home. Lindy Lou would be
there . . . and Larry. What had she
told him^ How had they settled it?
Inside the house he heard a terrible
sound. Good Lord! It was a man sob-
bing! In the living-room Larry leaned
against the mantle and sobbed hide-
ously.
"Larry! Great heavens, you musn't
take it this way."
The boy looked up. His face was
pitiful.
"Dr. Sumners . . . Lindy Lou". . .
"I know ... I know . . . but
you'll get over it. "
"Get over it! She was everything
to me! Oh, Dr. Sumners, she was so
lovely today. I ve never seen her look
more beautiful. We were racing to
Dumbarton Hill. She said she was
going to reconstruct our lives . . .
and then . . . Dr. Sumners, I'm not a
coward, but I . . . I . . . can't see how
I can stand it. Life without her . . . "
"But you will, Larry. This sort of
thing has happened again and again.
After fifty-four years of watching this
funny business of living I actually
think man's heart was made to be
broken. Here now, brace up. It won't
be so bad in a while. You'll meet
some one else."
"Dr. Sumners . . . that from you!
You ought to know me better than to
say that. I'll never care for anyone
else. No one could take Lindy Lou's
place with me . . . ever. "
Poor boy! The next year wouldn't
be easy on him. But it wouldn't do to
tell him that he knew it, too.
"You musn't take on this way,
Larry. Come, I'll mix you a drink . . .
I think you need one " At the door he
hesitated. "Where s Lindy Lou^ '
The answer was scarcely above a
whisper. "In the library. "
"Wait here, Larry. I want to see
her alone for a moment."
He opened the door. Perhaps even
now he could make her see differ-
ently. If he only could'
There was a man bending over the
divan. He straightened up as Dr.
Sumners entered.
Lindy Lou lay there ! Dust streaked
her white habit. Her eyes were closed
and one hand hung limp across the
(Continued to Page 37)
s^
'=fe?iw
s=
X
HIM au* •(«*■».
Nuaiiii ■{•«■■■■». s-
■ ■ ■■•■ "JS — Wi— Mfc -
— i»b::»
A
n*^
To the Man of Discriminating Taste
IVe^ AnnoLincej>
The arrn'alon the S.S. Paiir of oiirSitmmer I mpoiialionsoj choic-
est falnics from the Looni.r of all luirope. These to be fashioned
into made-to-measiire Shirts, Pajamas, Undeiwear and Robes.
We hope to hai^'e this assemblage ready for a prei'tea' by
April twenty -third. To this you are cordially invited when
you may choose smartly and authoritatively Jrom the
unrestricted selections in both apparel and accessories.
There is a new note in the Handkerchiefs, Hosiery and Tiesdks,
as well as in the fabrics, which will be of great style interest to you.
Special to Order
Shirts ------- $4.00io Si'i.OO
Pa/ama.r - S6.00 to $60.00
Jhiderwear ----- $4.00 to $"kOO
Rohe.f $9.^0 up.
For Selection to Harmonize
Hosiery ------ $2.00 to $7.50
Handkerclilefs - - - - $1. 50 to $6. 50
Ties ------- $2.50 to $7.30
D. C. HEGER
444 Post Street, San Francisco
IN LOS ANGELES
614 South Olive Street
IN PARIS
12 Rue /Imbroise Thomas
r 1 1 F. San Franciscan
136 1
W RAPHAEL WEILL & OOCllNC./ r^
\ No^V li Can B^ TW.-.V
THE bride's chosen month ap-
proaches. . . and while the ad-
vent ol' June means nothing more to
most of us than the usual round of
golf and business, there are those for
whom some certain day in June
stands forth with startling solemnity.
We mean our June brides, of course,
in whom a very old (and sometimes
weary) world continues to take a
tender and romantic interest.
REALLY, the bride of this decade.
^ has a much better chance than
her traditional grandmother of get-
ting the fullest measure of once-in-a-
lifetime enjoyment out of her pre-
matrimonia! shopping. To fully ap-
preciate this, just imagine yourself a
bride (again ... or for the first time)
as you stroll through the treasure-
laden aisles of The White House.
Hand-woven linens . . . quaint Col-
onial comforters . . . petit point
chairs . . . Persian rugs of melloued
antiquity . . , kitchen ware suffi-
ciently modern to tempt even kitchen-
shy brides . . . and clothes . . .
clothes . . . clothes! If one of those
men whom you just can't make up
your mind about should opportunely
happen along the balance of favor
would have an awful struggle to keep
from falling in the direction of
matrimony.
SALESWOMEN, whose pleasure it is
to help the bride-to-be in her
selections, are always thrilled to aid,
in the smallest way, toward her hap-
piness. And the bride, herself, who
ordinarily would be desperately
bored at such endless shopping, finds
the time not nearly long enough in
making ready for her new life.
THE VEIL ... the bride's most
definitely bride-ish accoutrement.
And now, not only of romantic inter-
est but of decided style significance
for this season's bride. Tulle, simple
and voluminous ... if one is con-
cerned w ith chic ... is correct. P'ol-
lowing the silhouette of the moment,
the cap is close-fitted, outlining the
head in smooth contour. These are the
strategic points of the Spring mode on
which the artist in The White House
millinery shop bases the draping of
each bridal veil. For this talented young
woman creates only forthe individual.
WHAT a terrible thing it would
be forthe busy moderne whose
full life is set spinning at still swifter
speed by wedding plans, if she had,
to take time off for the countless little
details involved in the many engrav-
ing and stationery needs at this time.
But, of course, there is always The
White House, as usual, anticipating
problems of progressive people. In
the course of an afternoon's shopping,
one steps into a quiet room for a brief
half hour . . . selects one's preferred
type and stationery . . . accepts
with confidence the expert's advice
on current engraving styles . . . and
viola . . that is settled!
AND another thing . . . think
.what a blessing the permanent
wave has conferred on newlyweds.
No longer need the first bitter dis-
illusionment of paper curlers or the
stringy aftermath of an erstwhile
marcel awaken the enraptured bride-
groom to the first shock of imperfec-
tion in his beloved. Today's bride,
probably no wiser in the art of ap-
pearance than brides of other genera-
tions, but with infinitely more means
at easy command, assures the honey-
moon's success with the particular
type of permanent that enhances her
particular type of beauty. At The
White House, in the Georgian Salon,
she takes her first step toward lasting
happiness ... a Nestle wave . . .
Circuline . . . Frederic (Vita Tonic)
. . Realistic . . . complete with
shampoo and finger wave at $10 . . .
and the famous Piero-Paris $15.
ADVERTISEMENT
Reigning Dynasty
(Continued from Page 2'))
Valerio Pignatelli came as a distinct
surprise to the Reigning Dynasty.
The service was read by Archbishop
Hanna in Los Angeles, and Mrs. |
Vlargaret Gaffey was the only at-
tendant. As Conchita Supulveda, the
daughter of Judge Ingnacio Supul-
veda, Princess Pignatelli was one of
the most beautiful women in Cali-
fornia. When she became Mrs. Chap- I
man she lived in San Francisco.
« i! tf
SPRING and the famous young j
man's fancy have truly not been
idle this year, for daily the announce-
ments come more rapidly and every-
one's suspicious of everyone else, and
the excitement is quite like the races.,
. . . after all . . . The most harmless li
party is furtively pounced upon, and.;'
if one dares to have the poor taste -i
not to announcea betrothal its chance 'l
of success has vanished. There were ■
many surprised at the luncheon given
by Miss Louise Burmister, however,
when she announced to a score of
friends her engagement to Mr. Jeffrey
Kendall Armsby of Ross. The hon-
ored guests were Miss Barbara Bal-
lou and her sister, Mrs. Evan Fisher,
who are going to New ^'ork.
« i *
Enter the Woman Trader
(Continued from Prge 2fc))
manufacturers of autos had decided
to finance their own paper at lower
interest rates than an independent
company could hope to meet and
survive. The San Francisco company
was apparently faced with ruin. But
only apparently. Nimble-witted man-
agement saved the day by loaning
money on listed stocks instead of on
its customary cars. The company
continued to pay dividends.
« 1! ?
A CALIFORNIA wholesaler was wor-
ried by traffic congestion. His
deliveries in San Francisco and Los
Angeles downtown areas were so
slow as to impair profits. A San Fran-
cisco auto-body builder got the idea
that two bodies for each truck chassis
might help solve the problem. The
wholesaler agreed. Now while the
truck is making deliveries, its other
body is back at the warehouse, being
loaded scientifically for its next roll
around the city. The chassis of the
emptied truck discards and parks its
unloaded body within a minute,
backs under and attaches itself to the
filled body in the next minute.
Truly, only the fittest survive in
the strenuous competition of modern
business. And survival requires more
than good guessing.
The San Franciscan
137 1
Puppy Love
C'onlinucd from Pa^c 3^)
carpet. On her forehead, from which
the hair was brushed clean, he saw a
great ugly gash.
Eons later a voice was saying: It
must have been instantaneous. The
boy says they were racing. She was
in the lead and rounded a turn ahead
of him. When he came on her she was
lying in the road. He didn't see how
it happened. Probably a limb from
a tree . . . "
Good God! What had he said to
Larry!
"You'll get over it!"
"This sort of thing has happened
again and again . . .
"It won't be so bad in a while . . ."
"You 11 find some one else . . . "
"Man's heart was made to be
broken ..."
At least that last was true.
« « ?
I Remember
(Continued from Page 9)
By the judicious use of dynamite,
the fire was stopped almost at that
point, the slender houses having been
razed to the ground by repeated small
explosions, and, when the flames ap-
proached, there was nothing left upon
which to feed their fury. Were it not
for the dynamiting, there would not
probably have been left a house in
San Francisco, because there was
nothing to prevent the fire from
roaming on at will — as an invading
army strips the country through
which it passes.
The proud and eager fireman re-
assumed command, and directed the
automobile to return to the car-barns
for another load. It was then very
late, and I was exhausted, after the
labors of the day, and sought rest;
so, firmly refusing him, I said : "There
is no reason why your work should
not be continued, but you will have
to commandeer another automobile,
and allow me to go my way." So, we
parted, after an exciting incident,
fraught with peril.
* * «
THIS terrifying experience was re-
peated, a few nights after, when a
soldier, with a gun in position, com-
mandeered my car for his own use. I
made my identity again known, asked
him to lower his gun and talk it over.
While we were talking, in the dis-
tance, at right angles, another car
hove in sight, and I begged him, on
account of the importance of my
mission that night, to direct his atten-
tion to the other fellow, a suggestion
which he speedily adopted. The next
The Store on the Square
Telephone Douglas 45 o o
Olds, WoRTMAN 61 King B.F.Schlesinger6( Sons, Inc. RhodesBros.
Portland
Oakland
T^he Easter Ensemble
As early as February 9, the City of Paris advised the tout ensemble, not
only the coat and dress matching as in other seasons, but every detail of
the costume chosen in harmony. To simplify your search for the tout
ensemble, this store specializes on color and style themes in harmony
As the first step toward
the selection of one
particular ensemble a
coat of black moire
silk with satin facing
and bow and cuffs of
blue fox, priced $165.
Coat Salon
Third Floor
The dress is of black
chiffon, with flaring
skirt and Modern Art
stitchery designs in old
blue and black . . .
admirable companion
to the moire coat, $135.
[Qoiun Salon
Third Floor
The hat, a Paris
model of black, balli-
buntl at 537-50
The shoes of black,
suede, French heel,
$iz.}o and $16. $0
The stockings of
beige all-silk chiffon
lidth shadozv clox,
$z.gs
The gloves of beige
suede, slip-ons uAth
scalloped tops, .S5
The bag of old blue
suede, an eccentric
pouch shape, $32.50
The necklace, copy
of Patau s boiu neck-
lace, at $2.5.00
This is one ensemble we have selected at random, but the keynote of our service is the mer-
chandisewehave prepared that you mayassemble youroum ensemble for Easter-'and after!
The San Franciscan
138 1
Antique (^alkvitsi
525 gutter Street
Antiques
U Period Furniture
Objets d\irt
Ut. Colonel
Cbtoarb !l?ibbert
Davis
Schonwasser Co.
Grant Avenue at Sutter
OUTFITTEKS TO THE
INFAT^TS £7- CHILDKEN
or SAN FRANCISCO
== -SINCE i86g
day this same soldier quarreled with
and struck the Chief of Police at
headquarters on Fillmore Street, and
was, 1 believe, adjudged demented.
It is surprising that we fared so
well, under the circumstances — those
who were obliged to go hither and
thither at night. The soldiers, for
instance, had orders to prevent the
burning of lights in any residence,
and it was their practice to demolish
the glass where the light blazed with
a rifle ball. As the work of my com-
mittee continued at night, it was
necessary to get a special order from
the regular Army ofiicer in command
to permit lighting.
I do not believe, in the history of
the world, has ever a generation seen
the destruction of a great city, and
its complete rehabilitation, as in the
case of San Francisco: "Rising with
its tiara of proud towers!" As seen
from the Bay, either north or east,
the Peninsula stretches out like a
hand bedecked with jewels. It is the
emblem of prosperity. But at best it
is the e.xpression also of greeting and
gratitude.
« * *
Vale et Ave
(Continued from Page 14)
mostly pearly-gray, but often sun-
tinged to opaline, hung over the
town and gave it rare values to the
esuriently artistic eye.
It was opulent and of a mighty
oriency of brightness, but with dark-
ness to heighten the picture.
Its glamour always had a sort of
hidden foreboding in it. There was
ever the same suggestion of lethal
malefic genius behind all the story
that was told of its curiously "mor-
bidnessa" amorousness of the day,
and its childlike desire to forget the
night. It was too fair, as it sometimes
seemed, and in the glory in which it
lay, and in which it lingered in
thought, there seemed something of
a light that held pale tone of bale
back of all its bliss. Its people loved
it with that intensity with which we
love what we are like to lose.
There ran through and beneath the
town many a little tremor that the
town personified might have super-
stitiously interpreted as does the
individual the slight shudder as he
talks with a friend — some one walks
or dances over my grave. But the
gongs and mad fiddles kept going in
Chinatown, and the orchestras in the
multitudinous, gorgeous, "risque"
restaurants never ceased a strain, and
the women walked with an added
lure in their motions and a deeper
softness in their eyes, and, as in the
old fable. Love and Soul blent to
make the climax of Pleasure, and the
town was wrapt in a voluptuous,
semi-oriental autolatry, and —
^ » )!
THEN the earthquake came. And
Hood. And fire. And death in his
most fantastic disguise burst in on
the dream that came through the
ivory gate of dawn. The passional
city learned to pray. Suffering paid in
a flash for each pulse of joy.
But the men of the city met in their
ruined forum and said, "The city
shall rise again more beautiful than -
before." The hungry tatterdemalion
crowd, shelterless, wan, haggard,
smoke-grimed, joked the soldiers over
their dole of bread and water. The ■
women rallied each other on their
bizarre, bisexual garniture. Life had .
been pleasure. Ruin was fun. Death —
well, to have died in the fall of 'Frisco :
was something like coming home *
from, battle on the Spartan shield.
Will 'Frisco stay fallen;* No! A new
'Frisco shall uprear itself and laugh
at the sea, and when old atlas again
shifts the globe a little on his shoul-
ders it will laugh and dance and fight
and drink and make love as before,
and be proud that among its other
claims to greatness is that of having
met and conquered a calamity that
stilled and chilled the whole world's
heart for a day.
'Frisco fallen shall flower again
from disaster and desolation and
death, and it shall realize the dreams
not only of those who have vowed
their dreams shall not be defeated,
but the unfulfilled ambition of those
lovers of the city who went down in
the ruin to the realm where is not
light, nor laughter nor song nor weep-
ing nor dreaming more.
It will be a great city, for it is a
great city even today. It has given,
it still gives us the joy of life, the
throb of passionate story, the sense
of love and beauty in all its forms,
the thrill of an unparalleled catas-
trophe, the inspiration of indomitable
cheerfulness before the most implac-
able fate.
« « i
VALE ET Ave," "Frisco the beau-
tiful, the glad, the strong, the i
stricken, the invincible' Down with
her went our hearts, up with her will
go our souls. The country's hope and
faith and love are more fixed than
the shuddering earth, and all these are >
in the tear-brightened eyes of Frisco
looking out from the wreck over the >
Pacific, where lies the future big with
mighty fates for her beyond prophecy.
i
The San Franciscan
f39 1
I La Prisoniere
I (Conlinucd from Page 20)
\ shops on Hollywood Boulevard have
been unable to supply enough copies
of this cobra-like play. The rush
slackened during the last eight months
but it V, ill surely become the principal
best seller now. And it is a well-known
fact that women's clubs and news-
papers have entertained discussions
of the play.
Distinguished Los Angeles citizens
are quoted :
Dr. Gustav A. Brieglab says:
"Those who like such spectacles
should go to Lincoln Heights jail.
They will see the same thing there in
action without paying for it."
Earl T. Waugh, professor of psy-
chology, University of California:
"The play shows that such a con-
dition exists. It shows no cure is fruit-
less and doesn't accomplish anything.
Up to the very last I expected that
some attempt would be made to de-
pict a remedy for such a pathological
condition (although psychologists
know of none).
There was no salacious word or ad-
vertising employed by the theater.
It was billed as a "play for intelligent
people," and as such would have run
a scant four weeks to mediocre busi-
ness. But no, here was an opportun-
ity to boost sales in subscriptions of
both newspapers and clubs. It was a
dull season.
On succeeding days after this
initial onslaught of the flower-loving
Examiner, twelve policemen visited
the play. They thought it rather dull,
quite harmless, and not at all up to
the standard of "Gay Paree."
Other than ruinning the violet
market, the attack of the Los Angeles
Examiner has borne little good. They
discuss "The Captive ' in the select
schools for girls as freely as elsewhere.
An amusing sidelight was the bene-
fit matinee for the flood sufferers
which the Mayan gave two days
after the opening. Capacity house
and the fund from this monstrous
entertainment was larger than a num-
ber of collections at women's clubs.
Quite coincidentally on the same
page with the phiUipic arguments of
grand-dames Driscoll and Lawrence
is an account of the recent senate coal
investigation, "We read with dismay:
"Schwab was mentioned as a con-
trolling factor in the Bethlehem Steel
Corporation which was said to oper-
ate 'captive mines' through the
Bethlehem Mines Corporation. My,
My, My — maybe an injunction
against steel in Los Angeles will foUovs !
The Loudest Speaker
A
FLOWER never says a word;
it onlygives its all;but that
is why the whole world loves
to see the blossoms call.
Orders telegraphed
anywhere
"the voice of a thousand gardens
224-226 Grant Avenue
Phone Sutter 6200
SAN FRANCISCO
RUDOLPH
SCHAEFFER
SUMMER CLASSES
ROSE BOGDONOFF
Assisting
Color — Design
Interior Decoration
Plastic Form
Stagecraft
July 5 to August II
Rudolph Schaeffier
SCHOOL OF
RHYTHMO-CHROMATIC
DESIGN
127 «RANT AVENUE • SAN FRANCIfCO
ur^eyors of
C o nfe cti o ns
worthy of thej>
most dlscrura nate
C oniparLSoru
4^
FOSTER c^-OREAR
City of Paris • 137 Grant Ai'enue
B.F.Schlesinger • Oakland
Arcade oj Russ Building
Treasure Chest • 438 Geary Street
Ferry Building
The San Franciscan
1401
NEWBEGINS-BOOIC-SHOP
; O H N
W B E G I N
NEW" OLD "6 RARE BOOKS
Private Press Items £ Choice Sets
3SS ^osl Street
Son jranciseo. Cahfornio
?M ** M M* ****» ***** «TmTT*T
FCAOeiS
T€AB00in
LuncH€gn
.3 1 S
SUTTeR. ST.
DCU<3L^«kS
8- 1 T T
Henry H. Hart
Oriental Arts
Phone Kearny 6642.
328 Post Street • San Francisco
As to Books
THE production of Eugene
O'Neil's' 'St range Interlude" by
the Theater Guild this ssason
has caused intelligent N;w Yorkers to
go mildly insane. In the first place, it is
seven acts long and begins at 5:30 in
the afternoon. That, in itself, was
enough to stimulate New York's
blase theater-going public, and with
all this time at his disposal, O'Neil
has managed to say more unpleasant
things about life than all the other
«a^5^5^
American dramatists put together.
So, the play's success was assured.
For ssveral weeks we of the Provinces
have been made to feel our country-
cousin inferiority at not being "up"
on this latest theatrical phenomenon
of effete Broadway. But we need no
longer be unsophisticated, for the
play is now available in book form.
Yes, in addition to the play's
direct action, the characters deliver
lengthy "asides," containing their
secret thoughts. Ay, there's the rub'
And yet, it is precisely this artificial
technical device that has allowed
O'Neil to combine in a single play all
his former moods and ideas. For, of
course, there are many O'Neils. There
is the sordid O'Neil of "Anna Chris-
tie," the O'Neil of suppressed New
Englanders in "Desire Under the
Elms," the romantic O'Neil of "The
Fountain," the metaphysical O'Neil
of "Lazarus Laughed," and O'Neil
the satirist of Babbitry in "The Great
God Brown" and "Marco Millions."
All these general themes are gathered
in one way or another into the great
symphony of "Strange Interlude."
Anyone really interested in O'Nsil's
plays will need no introduction to this
one, but let the casual reader be
warned that he must bz prepared to
accept almost as many improbabili-
ties in "Strange Interlude" as in a
Wagnerian Opera. But the point of
the thing is just there. You should
read this play just as though you were
lybks
BWILELDEI^S
239Pos^S^ree^,San Francisco
Do You Have Your
Xuncfjeon
where there is
=a breath of Spring
==cool green tables
"tempting delicacies
7
You can have all these
coupled with instant
self service from a lav-
ish assortment of en-
ticing foods at the ....
post Street Cafeteria
62 Dost 8tT«t
3^nfranneco
Ci
c
wm^mm
mmS,
t:^\BeRE$FORD,:CAIilF-'j
W^-SOUTH OF^^j^N MATEO',
(J^fajects of ^rt
anb
^rccioug 0lh ^ftotograpfjg
REPRODUCED BY
GABRIEL MOULIN
PHOTOGRAPHER
one-five-three kearny street
Telephone Kearny 4366
The San Franciscan
141 1
listening to Wagner's "Niebelungen
Ring," that is primarily by looking
for themes and rhythmic develop-
ment, using O'Neil's ideas and plot
only assomewhatcontemptible though
necessary signposts.
^''Strange Interlude," by Eugene
I O'Neil. {Boni & Liveright).
I « « «
LIKE "Strange Interlude," every-
jthing seems to be against "What-
ever We Do" on first glance. It is
about expatriate Americans on the
French Riviera, they all get very
drunk at least once (in fact, some of
them never get sober), they have the
usual sexual impulses and suppres-
sions, about five of them are addicted
; to rather shady language, and they
li are all somewhat sick of body and
disillusioned of mind. As if that
j: weren't enough, the book is written
'i for the most part in a "stream of
consciousness" style, full of subtle
allusions to Ancient Greece and
Twentieth Century America. So, you
see, if I didn't tell you the contrary,
you would think that "Whatever We
Do" is merely a rehash of James
Joyce, Norman Douglas, Ernest Hem-
; ingway, Aldous Huxley and Carl
Van Vechten. Well, the only thing to
: do is get over that attitude as soon as
possible, for whatever its influences
are this is a vastly sntertaining novel,
capable of standing on its own feet.
There are numerous characters, all
of whom may be classed with impun-
II ity under that quaint term "Ameri-
' can types." Peleus is a sensitive,
i shattered survival of the war; Ro-
: berta is the pretty, suppressed wife of
George who is a stupid, stubborn,
self-sacrificingMissouri Babbitt; Alice
is the adventurous American odalisk,
; at bottom merely an emancipated,
■ Puritan old-maid, and the Duchess,
formerly Mimi somebody, from Okla-
homa, lives in an expensive world of
', French chateaux, champagne and
i Paris divorces. Mr. Updegraff brings
these characters together near Cannes
for a few days, with the magic result
! that neither the characters nor the
setting become trite or dull. It is a
gay, hectic, amusing, tragic few days
for these nervous people and, when
towards the end, Peleus dies of lung
trouble on the Mediterranean shore
after a midnight swim, the book ex-
presses a kind of desperate, humour-
ously cruel poetry. No realistically
treated death scene, I know of, out-
side "The Doctor's Dilemma " con-
tains less sentimentalism and, at the
same time, less bitterness.
But I haven't yet mentioned
Henry-Oh, and that is a shame. Be-
cause I can't imagine "Whatever
(we'd) Do" (not so bad, eh?) without
Henry-Oh. Henry-Oh is rich, fat,
jolly, and enormously appreciative of
strong drink. He is a Gargantua, a
satyr, a Falstaff, a Twentieth Cen-
tury Silenus, but above all he is his
own clever colloquial American self.
I think the high point of the book is
the evening Henry-Oh spent being
kind to others. He tried to arrange
for his poor friend Peleus to marry his
rich friend Mimi; the suppressed
Roberta passed out on his hands, so
he tried to take her home. On the way
he found her husband, also passed out
and smelling of bad Brandy, so he
placed a package of breath removers
in his pocket. At a restaurant nearby
a cocotte was drinking his cham-
pagne. The world was full of such
interesting and delightful things. He
tried to account for his humanitarian
behavior by creating a benevolent
little philosophy of five virtues, which
he decided to call his Hsnryonian
Pentagon. But he left out of his
Pentagon the great virtue which
makes him live most fully in these
pages — humor.
"Whatever We Do," by Allan Up-
degraff. {John Day).
By JOSEPH HENDERSON
I « «
As Seen by Her
ping district. Here, in the most aristo-
cratic surroundings, may be found
the chocolates that have made Kratz
famous the world over. Stop for a
moment and listen to the customers.
A bright-eyed Spanish senorita.
She is greeted as an old customer.
"A small box," she says, "small, be-
cause I must carry it to Oakland to-
night to the opera. Not that / need
chocolates to enjoy Mary Garden,
but my guest does, and if she must
nibble I much prefer that she nibble
Kratz. Somehow it lessens the incon-
gruity of eating at the opera. "
« « t
ABIT farther up the street is V. C.
Morris' Antique Shop. The
lamp in the window has a base fash-
oned from an old sextant with a
shade of creamy skin. Inside they'll
tell you it's called "the astronomical
lamp." Now you're in . . . look about.
You won't know either the name of
nor the use for half the things you see.
The glass globes are witchballs. In
another generation fishermen used
them for floating their nets. Super-
stitious fishing folk believed that to
own one brought good luck to a home.
Silly? Perhaps . . . but there is still a
market for the globes! That fact gives
food for thought.
TELEPHONE FRANKLIN 3533
H. VALDESPINO
5
PAINTINGS
PICTURE FRAMING
t
3 45 O FARRELL STREET
SAN FRANCISCO
We specialize in COPYING Daguerreotypes,
tin-types, newspaper cuts, paintings, etc.
restoring to original brilliancy with-
out damage to original.
Studio
441 Powell St., Garfield 2j66
San Francisco
//
"lion
Voyage
If Your
Friends
are the
Traveling Sort
Nothing could puc the "bon" more
securely in their voyage than for you to
drop into Goldberg- Bowcn and get
them a Gift Basket to cheer them on
their way. The baskets are from $5 up,
and contain delicacies of unbelievable
Epicurean delight.
And as for you
If you must stay home, whether or no
you feel your dilapitated constitution
needs a rest, be of good cheer ! There is a
tonic for you called Egg-O-Nog that is
more than a tonic. It will put a sparkle
in your eye and pep in your step. Just a
word to the wise. Try it! Egg-O-Nog.
GOLDBERG-BOWEN
The Home of Fine Qroceries
242 SUTTER STREET PHONE SUTTER 1
The San Franciscan
[42 1
PATTERSON
MULLIVAN
PINE JTREET
/AN FRANCI/CO
The mammoth matches are for
firesides. Their hriiiiant heads and
f^ay boxes make them decorative,
while the great length of them pre-
\ents sooty or burned fingers
The giant "flip" glass . . . capable
of holding a generous quart is some-
thing to be eyed openly with awe.
Silent testimony that our granddads
excelled in a vanishing art.
The modest saucer, about three
and a half inches across embossed
with a picture of Lafayette's ship the
"Cadmus" is not to be passed with-
out its word of explanation.
In the good old days English
gentlemen drank their tea from cups.
But in the shuffle that drove English-
men to brave ths Atlantic and dare
the wilderness of America the free-
dom that they sought took more than
the accepted history-book form of
government. These adventurers, for
example, drank their tea from saucers.
Early American china factories man-
ufactured saucers specially to satisfy
the novel demand. Said saucer is
priced at $200!
If I can tear you away from the
Chippendale mirror brackets with
the gallant tale of George and the
dragon carved on its wooden border
I've another shop that holds equal
delights.
The Children's Book Shop on Post
Street! Before you bury yourself in
its stock of dreams let me tell you the
intriguing story behind these fasci-
nating maps for children.
This one: "The Ail Mother Goose
Panorama" was drawn and painted
by Lu.xor Price, the distinguished
New York artist. Mr. Price has a
small son, and for the child's amuse-
ment he drew all the figures from
Mother Goose on a great sheet of
paper, placing them wherever the
youngster suggested. The finished
map was hung in the lad's nursery.
Mr. Stokes, of the Stokes Publishing
Company, happened on it one eve-
ning while visiting the Prices. He pre-
vailed upon the artist to allow him to
print it and place it on the market for
general sale. Mr. Stokes' idea was a
good one, for they've sold like the
proverbial hot cakes.
i i i
BEFORE I turn you loose, this shop
has an attraction that I think is
too little known. A sort of book of the
month club for children. The theory
behind it is sound. Too often a young
mind is crowded with but one type of
literature . . . fairy tales! This serv-
ice supplies a child with a balanced
literary 'diet. A little poetry and a
little drama; stories of animals and
stories of adventure; with plenty of
history and fairy tales, of course.
Pass the good word on. It deserves
repetition.
What's that you've pounced upon'
"The Naughty Kildeen." Ten dol-
lars. A fairy tale by the Queen ol
Roumania. illustrated by the French
artist, Job. Out of print. A col-
lector's item.
No, I shan't try to pry you away
if you will only admit that there are
"such things as dreams are made of"
all ticketed with price tags and beg-
ging for a dream-buyer!
f « «
Hildreth Miere
(Continued from Page 19)
During the war Miss Miere studied
map making. Then she studied archi-
tecture. She made extensive study of
mural painting. And rapidly her con-
centrated application brought sound
results. She has made several trips to
Europe but not for study, so America
can claim her work as essentially its :
own product. i
Her first big opportunity to show
what she could do was when she
worked with Bertram Goodhue, the
architect, on the Academy of Science
building at Washington. The decora-
tions there are very elaborate, being
executed in raised tile, that is, in tile
that has a relief design in jesso before
it is colored and fired.
Hildreth Miere counts San Fran-
cisco her home, although the stupen-
dous amount of work she has laid out
for herself leaves her little time for
anything but her studio residence in
New York where the majority of her
work is. Her father lives in Los Gatos
and her sister, Mrs. Wilder Bowers, is
one of our own Reigning Dynasty.
San Francisco has few examples of
her work, but in the Woman's City
Club in Post street there hangs a
beautiful curtain which Hildreth
Miere did in memory of her mother.
Other examples of her work in this
region are the two paintings of Little
Saint Teresa, the one was recently
dedicated by the archbishop in the
Menlo Church, the other is in the
private possession of J. A, Donahoe.
With the years of concentrated
preparation behind her and the heavy
schedule of work ahead, the accom-
plishment of the moment becomes
but a stepping stone to further attain-
ment. And as such, even the Gold
Medal, the highest award America
gives its painters, becomes not a
final seal of judgement but a marker
on her road to achievement.
ISAM FRMCJSCAI
MAY 19!18 -f VRIC
5 CET^T
VAM oeu;c^
^Sentinel over
San Francisco's beauty
HOTEL
MARK
HOPKINS
GEO. D. SMITH
Managing Director
Ihe quiet and comfort of home for the
permanent or overnight stay The
color and life of the great city epito-
mized in Peacock Court, where chef,
maitre dr hotel and Anson Weeks'
orchestra cater to the tastes
of every guest.
iB^&*(i>(*iiAS2,i<iCij,
r^'//r:-m/jrmiMiJ^ii^kii^h-ii^/:^2i^^
NE\a/ YORK 576 MADISON AVE.
ThE Chic ThE VERVE TMAT \f PARI/
TME MY^TERiOUy; COMPELLING
ALLURE THAT \j THE GRJENT^
TME iN^PiRED ADMIX-
TURE or BOTH ~~ THAT \J
. — VH^\LiM^AR TME
UNFORGETTABLE.
P.^R|^
^.^ E M U E
C H ^^ M P^
ELV^ EE^
THE THEATER
Ai CAZAR : Take My Advice. An innocuous
little farce with that very personahlc juve-
nile, Emerson Trcacy.
Capitol : Appearances. Whereby a faith play
ousts a bevy of sex pictures from this erst-
while citadel ot the drama.
CuRRAN : The Desert Song. Last weeks of this
production which, as yet, has not been the
scene of any "revolt."
Geary : E.xcess Baggage. Backstage life given
a movie hero and a circus stunt.
Columbia: Wings. Popular picture to be fol-
lowed by Kongo, drama of the wilds.
Fulton (Oakland): Marjorie Rambeau's last
month of revivals in Ttic .^iirage, Eyes of
Youth. Craig's Wife, and .\ladame X.
Green Street ; The .Married JJirgin and The
Maternal Instinct. Two plays which arc
guaranteed to aid the digestion of any
spaghetti eater.
Players Guild: The .Mikado, to be followed
by The Young Idea with new cast of Guild
youngsters.
President: The Baby Cyclone. George M.
Cohan conducting a puppy race near the
Civic Centre.
MOVIES
Embassy: Tenderloin, talking melodrama of
the underworld with Dolores Costello and
Conrad Nigel. Abe Lyman and his orchestra
also on the Vitaphone.
Granada: Prominent stage acts and feature
pictures.
Warfield : Feature stage acts and prominent
pictures.
St. Francis The Circus with Chaplin, to be
followed by Murnau's "song of two hu-
mans" entitled Sunrise.
California : Drums of Love, to be followed
by Emil Jannings as a gangster in the Salva
tion Army picture Streets of Sin.
VAUDEVILLE
Orpheum : Elsie Janis, Eugene O'Brien, Claire
Windsor, and Alia Nazimova. A powerful
quartet for any theatre.
Pantages : Maurice Costello, to be followed
by Dressed to Kill, one of the best crook
dramas of the year.
PUPPETS
Blanding Sloan's Puppet Theatre: Ralph
Chesse's version of Hamlet, to be followed
by Sloan's own I^astus Plays Pirate.
Puppet Players' Theatre: Alladin and the
Wonderful Lamp, directed by Vera Von
Pilar.
MUSIC
May 7, Henri Dcering, pianist, in recital.
May 14 and M.'ky 17, Henri Dzering, in
recital.
May 22, La Somnamhula — Capitol Theatre —
Arturo Casiglia production.
ART
Courtesy of The Argus
Beaux Arts Galerie — May 7 to 21, new
oils by John O'Shea.
California Palace of the Legion of
Honor — Through May 13, foreign section of
the Carnegie Institute's Twcnty-Si.xth Inter-
national Exhibition of Modern Art. Permanent
collections.
Casa de Manana (Berkeley) — California
Society of Etchers shovA/ until May 12, fol-
lowed by paintings by Mary de Neale Morgan.
De Young Memorial Museum — Pernia-
ncnt collections of painting and sculpture by
American and European artists.
East West Gallery — Through May 10,
watercolors, etchings and drawings by Richard
Lahcy. Watercolors by Alberte Spratt. May 11
to 25, group exhibit by members of the Mod-
ern Gallery.
Paul Elder Gallery — Through May 16,
oils, drawings and wood block engravings by
Agnes Park. May 17 to June g, wood block
prints by Rockwell Kent.
GumpGalleries — Through May 21, minia-
tures by Yoreska. Work by California Artists.
Persian Art Centre — Rare Persian minia-
tures, tiles, rugs and textiles from the collection
of Dr. Ali-Kuli Rhan.
Augustus Pollack Gallery — Chinese
paintings and ceramics.
Swedish Applied Arts — Hand-woven tex-
tiles, glassware, pewter and pottery.
VicKERY, Atkins & Tohrey — Prints by
Hokusai.
DINING AND DANCING
The Mark Hopkins : On top of the world in
more senses than one.
Post Street Cafeteria: 62 Post Street. Lun-
cheon served with apple blossoms.
Courtyard Tea Roo.m : 415 Grant Avenue.
Beguiling Sunday dinners and week-day
meals in a charming roof patio.
Francis Tea Room: 315 Sutter Street. Plenty
of air and fresh, crisp food.
Martha Jean's: 270 Sutter and 340 Mason.
Artistic atmosphere and enticing food.
Temple Bar Tea Room : No. 1 Tillman Place.
If you don't mind the jam.
Russian Tea Room. 1001 Vallejo Street. Lux-
uries of the Czar's regime made accessible.
Tait's at the Beach: Modern lure backed by
yesterday's niystery.
JuNGLETOWN : 502 Broadway. A tropical
refuge for those who like 'em hot or cold.
Belle de Graf : Around the corner from the
Palace. Food that is food.
Fairmont: Soft carpets — and Rudy Sieger.
Alladin Studio: 363 Sutter Street. Where the
Misses Mooser beat the tom-toms of
Bohemia.
St. Francis: Where smart people entertain.
Mamnaru Tei : 546 Grant Avenue. Food from
Nippon, served in Chinatown.
The Palace: In Spring youth's fancy turns to
the Rose Room.
The Clift Roof Lounge : Refreshingly aloof
from the city.
Julius' Castle: 302 Greenwich Street. Ro-
mantically perched on the side of Telegraph
Hill. Local color guaranteed.
LECTURES
FjERiL Hess : Chechoslovakia in Tale and Folk
Song, Paul Elder's, May 26 at 2 o'clock.
Rudolph Schaeffer: RJiythmo-Chromatic De-
sign, 127 Grant Avenue, Thursdays 10:30
A.M. and 7 :30 p.m.
Major-General Hunter Liggett: A. E. p.,
Ten Years Ago in France, Paul Elder's,
June 2nd, 2 :30 p.m.
Mrs. Eda Bruna Fallows: Coquette, by
George Abbott and Ann Preston Bridgcrs,
Paul Elder's, May 22, 2:30 p.m.
ESTABLISHED 1852
SHREVE & COMPANY
JEWELERS and SILVERSMITHS
Post Street at Grant Avenue
San Francisco
'Jhe Bedroom
is distinctly the
personal room -~- a
refuge where one
may read, rest
or sleep in
complete
repose.
Correct design in
the chamber suite
and appropriate
colors in floor cov-
erings and draperies
are essential to
a pleasing
effect.
••e-
-t5+*
Our staff of trained decorators will gladly assist
you in the arrangement of a charming bedroom
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-ij-f*
ORIENTAL RUGS - CARPETS - DRAPERIES - FURNITURE
W: &L J. SLOANE
SUTTER STREET near GRANT AVENUE / SAN FRANCISCO
M
VoV
lU
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1918
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A^ S-- ^i, b. ^^^^^^^^.^-^
» s to Bo"'^ ^^-s^^^^'^^^ed f"°
_--:=?=*=^^^ubU*'='i Sharon ° J pubVisV^<='
THE SAN FRANCISCAN
HE.'^(RI DEEJil.T^g
Hagemeyer
" Th,- .Ice oj Jmerlcan Ptanl.cU" i.r what John JlcCormnck .rjiJ of Hrnri Dccrliuj in ,i recenl intcivicu' Iflcr a foarlh
succcujul European lourJoUowcd h), a series oJ Eastern and Middle Western appearances, Deerimj has come West to
appear as soloist anth the Persinffer String Quartette. This month San Franciscans will Lwe the opporluniti, oJ
hearimi Deerinci plai/ three distinguished proarams oJ classic, romantic and modern music.
TttC
SAN fHANCISCAN
Prisons vs Literary Bureaus
In Which We Review the Case of the Convict Writers
I AM not cynical enough to believe
that the field of beautiful letters will
grow bare and desolate as a result of
the literary blockades at Folsom and
San Quentin penitentiaries^ But it is not
outside the bounds of reason that litera-
ture may suffer. If the Texas State Peni-
tentiary had shoved a literary gag in the
mouths of all convict authors a number
of years ago we might never have heard
of O. Henry. There are better writers
than O. Henry in both California prisons.
The convict authors, you understand,
may continue to write. They can write
to their hearts' content. They can write
stories, articles, essays, plays, novels or
even movie scenarios. The only differ-
ence is that now they can't send out any
manuscripts for publication. They can
keep their stuff and market it when they
return to freedom — say, five, ten or fifty
years hence.
From a purely literary standpoint
there is manifestly something to be said
for this new penitentiary rule. A convict
author doing a stretch of maybe fifteen
years will certainly have plenty of time
to rewrite and polish up his copy. It
would be a delightful idea if a lot of us
were forced to live with a story fifteen
years before perpetrating it on an editor.
Obviously, however, this new regu-
lation cannot be very satisfactory to a
convict author serving a life term What
does he care about fame and fortune
after he's dead?
But the new rule is not a thing of
official maliciousness. The penitentiary
authorities are faced with a real problem.
For example, the convicts at San Quen-
tin Prison receive about 1200 letters
every day. Before they are delivered each
By MORROW MAYO
letter must be caretully read, scrutinized
for pin holes, studied for word codes.
All outgoing mail must be similarly
examined There are just four censors to
do this work.
Moreover, since Robert J. Tasker,
Ernest Booth and a few others have
achieved some recognition as writers
about half the inmates of both prisons
have taken up the sport. They have
swamped the censors with copy and most
of it has been terrible stuff — illiterate
love stories and blood and thunder im-
becilities. Try to imagine, if you can
without becoming ill, the task of read-
ing thousands and thousands of words of
puerile fiction, most of it written illeg-
ibly in pencil on cheap tablet paper.
▼ ▼ T
PRISON authorities contend that con-
victs are not supposed to commer-
cialize their talents while they are in the
penintentiary. After a convict shoe-
maker works at his trade all day he is not
allowed to make shoes in his cell at night
and sell them. Why then, they argue,
should a writing man be permitted to
follow his trade at night and make out-
side money?
They also claim that censored manu-
scripts are frequently altered after they
leave the prison and before they appear
in print. The inference is that a convict
will write an article and send it to a
friend; that subsequently the friend visits
the convict and receives further material
orally which he inserts in the manuscript
before mailing it to a magazine. In this
way confidential information about
prison conditions may find its way into
public print.
I talked with Tasker at San Quentin a
few days ago He tells me that young Jo
Mackin is the most promising writer in
either prison. For three years, in his cell
at night, Mackin has been waging a
hand-to-hand struggle with the Ameri-
can language. He has recently received
letters trom several magazines offering
to buy some of his stuff Mackin is doing
fifteen years flat for robbery. Perhaps we
may see some of his stories in 1940.
Tasker's first novel "Grimhaven"
was sent out with several magazine
stories before the literary ban. It will be
published by Knopf in the fall. Tasker is
doing a jolt of from five years to life. A
couple of young versifiers in Folsom
have been sending their poems to college
English departments for criticism. In the
future, or rather now, they will have to
be their own critics.
One of the members of the board of
State prison directors was quoted as say-
ing ; "We are running prisons not literary
bureaus." That is true, of course I may
quote myself as saying that, moreover,
so far as 1 know, none of them ever won
a medal for appreciation of the fine arts.
▼ ▼ ▼
THEORETICALLY evcry consistent effort
is made to help a convict better him-
self. These men are not going to be in
prison forever. The longest sentence ever
served at San Quentin was 29 years. You
would think that the more money a
prisoner could make by writing or in
any other way the better the prison
authorities would like it, A convict is
less apt to rob a bank if he comes out of
prison with a little money on deposit in
it than he is if he comes out of prison a
pauper. Furthermore, the State is doing
Continued on page 41
10
THE SAN FRANCISCAN
Now It Can Be Told
As IS usual with navy stories, this
j\^ t""'^ place ashore.
During the stay of the fleet in San
Francisco harhor, a number of officers
attended a la\'ish reception at the Pacific
avenue residence of a lady well-known
for her hospitality A doctor from the
hospital ship "Relief," attired in the
correct evening garb of a civilian, was
present with his hrothers-in-arms.
In the course of a conversation an
inquisitive damsel, marking his lack of
gold braid, inquired his occupation.
"I am a naval surgeon," he replied.
After a tell-tale pause she observed,
blushingly, "Do you know, I think the
medical profession is becoming over-
speciali-ed."
▼ ▼ T
HOW beautiful is faith! It blossom-
eth like the naive violet and wax-
eth like the magnolia. It maketh rail-
magnates of newsboysand playwrightsof
Negro elevator boys. If you don't be-
lieve us ask Garland Anderson Says
Garland: "I was sitting one day at the
phone desk — just a thinkin' — and along
came Peter B. Kyne. A man stopped
Peter and asked him where he was going
to spend the summer. Peter said he was
going to Europe for two months, and
while he was there he would write two
books."
"And now look you," says Garland,
"If Peter B Kyne who was born with
nothing that I was not horn with can
decide to write two books, then why
should not I decide to write a play?"
What matter that Garland acknowl-
edges he had had no education? What,
after all, is education among play-
wrights? Garland had faith. So he wrote
"Appearances." Then he had the faith
to induce the Olympians to produce it.
And the moral? Have faith — and you
too shall write a play. Faith — and we
all will be writing plays. Faith — and
the Olympians will fight to put up the
cash to produce the child of our ego.
Faith — and — Oh, well, you see what we
are getting at.
▼ ▼ ▼
A WORTHY contemporary, which re-
cently withdrew from the San
Francisco field to dedicate itself, among
other things to the high mission of con-
vincing the rest of the world, that Los
Angeles and environs have "culture"
and that the movies harbor the seeds of
a "great art," notes sadly in a recent
issue that Baileff played his Chauve-
Souris to half empty houses in Los
Angeles, whereas in San Francisco he
played to capacity houses and did ^g^,-
ooo worth of business. In Baileff's own
phrasing he made a colossal error in
attempting to entertain a provincial
audience with such a sophisticated per-
formance.
Nor is this all. With humility that is
unknown and strange in the southern
regions, the publication named com-
ments that the incident is indicative of
San Francisco's superior understanding
and appreciation in matters of the
drama and of the glaring provincialism
ot Los Angeles in the same realm. Never
did we suppose that we would live to
see the day of such an admission as this.
But la, the miracle comes to pass before
our eyes. It betokens the faint, feeble
dawn of perception and intelligence. It
is a tiny germ in an alien soil. Not to be
patronizing, but merely to act in the
spirit of camaraderie which prevailsinthe
world of art and letters, may we suggest
that he who has at last grasped this
thought guard it tenderly, nurture it
carefully and protect it from annihila-
tion among the rank weeds that South-
ern California feeds, supports, gloats
over and honors with the name of art?
While upon the subject of San Fran-
cisco's generally recognized leadership in
issues of the intellect and the arts, we
cannot forbear to compliment a late
issue of The Argonaut in which the
editors set down a few timely and
pointed observations on the vaunted
wisdom of George Jean Nathan, dra-
matic editor of The American Mercury
and the school of thought this publica-
tion is producing. Mr. Nathan by his
sharp, vitrolic style of reasoning and
writing has become the Great High God
of American criticism, dramatic, lite-
rary and otherwise His utterances have
been swallowed whole. To question
them has seemed sacrilege, for patently
the king can do no wrong. It is high
time some one examined into his words
and thoughts to find the stuff whereol
they are actually made. And it is a
thought of some significance that a
group of able San Francisco editors sets
itself to this work.
▼ ▼ T
ONCE upon a time the owner of a ^
Ford met a friend and asked himj
what kind of a car he was driving. The'
friend said he drove a Pierce Arrow and
the Fordite acknowledged that that, too,
was a good car.
However, that was before the days
of caste.
Last Tuesday we were waiting the
"go" signal at the corner of Post and
Grant Avenue when that stunning His-
pano Suiza that you have seen gliding
around the city turned the corner and
successfully blocked the cross-traffic.
Directly in the front line trench was a
24-carat gold-plated Rolls Royce. The
chauffeur of the Rolls glared at the
owner of the hand that guided the des-
tiny of the Hispano and said: "Where in
the hell do you think you are driving?"
The guiding spirit of the Hispano
elevated an effete eyebrow.
"Aw," he sighed, "take that pile of
tin and park it in the alley."
As Seen By Him
WUh Apologies to "As Seen By Her"
THERE was in the air that freshness
and clean vigor which left its im- •
press upon the crowd along the
street as I went into my Blunderland.
There were so many cheerful good
mornings that I noticed the day myself
and, reaching up, took my worry from
my head and threw it in the gutter. If
tomorrow is dark one will have to look
for a new one, won't one? I passed into
a prominent sweetshop and bought my-
self one of those dear little imported
chocolate cigars and as I walked briskly
down Montgomery to Columbus I felt
a new interest in life as I sought the
cunning and unusual which filled the
shop windows about me. One of the
real estate concerns comes in for more
than passing mention. Pictures of neat
and tasty homes fill their show windows
at prices attractive from seller to buyer.
Dear little guitars, spy glasses so useful
where distance lends enchantment, cam-
MAY, 1928
11
eras of antique leachcr and a real olJ-
fasliioneJ four-pound watch 1 found so
I prettily displayed among spoons, guns
and clocks in a neighboring haberdashery.
Havf you ever tasted a window fish?
1 saw one today most limp-fatcally
displayed as I walked watchfully along
:enjoying the aroma of my secgar,
I stopped and looked him straight in the
eye. One is not in the slightest danger
! since a platter of thick white tile holds
him in leash and, besides, the window-
glass windows him from one. 1 have
never tasted the window fish but that
:you may get to know him better, he's
red, a charmaine red, with brown, plead-
ing eyes and a bristle of thick spines
along his graceful back. Yes, graceful; I
noticed it. He followed the curve of his
platter. As I looked I fancied that he,
; too, had his dreams of islands far away,
of coral keys which would unlock his
haven of desire, but my day was gone
, and as evening drew near I joined the
hurried home-going crowd. Try as I
. would, I could not forget. I put my new
, worry on my head and sighed as I drew
. my keychain and tried to put my well-
i worn key into the lock upside down. I
[ could not forget those pleading eyes and,
besides, my new worry doesn't fit. I
( shall change it tomorrow. — CM.
SUPPRESSED desires crop out in peculiar
whims, and take devious paths in
the cropping. A certain pompous young
man has never been known to pay his
social obligations. He was many times
a guest but never, in the memory of his
acquaintances, a host. At last his invi-
tations dwindled and he lost even his
[ guest status. Then he gathered unto him-
I self his belongings and set forth to tour
: the world.
! Before he left San Francisco he ap-
] parently experienced some sort of pre-
monition. He called his lawyer to him
and demanded that all his wealth be be-
queathed to a caterer to pay for one
■ grand party, should his demise occur at
sea. And the guests were to be all of his
hosts of the good old days who had cut
him off their lists so crassly. Champagne,
and all manner of liqueurs, for which he
\ had a penchant, were to be provided in
i oceanic quantity to contribute to their
( chagrin. Just an interesting spring inno-
' vation in the mode of wakes. But to
date no word has come of the adventu-
rer's doom, and the prospective guests
can be seen daily poring over the shipping
reports of the local press.
▼ ▼ ▼
IT IS decidedly no longer fashionable to
reveal a deep, serious interest in elec-
tions and things political. For anyone to
venture the ghost of a suggestion that
he holds an unshaken and abiding faith
in the justness and integrity of the men
who occupy the high places of the land
because they are ostensibly the chosen
men of that great, mystic, divine, all
wise body — the Common People — is to
bring social ostracism upon oneself. He
who holds such opinions is nothing more
or less than a simple PoUyanna, a Bab-
bitt, an unperceiving fool.
Yet in the face of this danger, we
hereby call attention to the vote polled
by Alfred E. Smith in the recent primary
elections. That the Democratic electors
of California, at least, are committed to
give their support to this man at the
forthcoming national nominating con-
vention, is evident. His election to the
presidency is, of course, problematical.
But the fact that he has polled such a
vote upon this occasion is encouraging,
since he is the one presidential candidate
who does not hesitate to state his inner
convictions on the prohibition question.
Though this, admittedly, is not the only
issue, it will not be possible to avoid it
indefinitely by blandly declaring that it
does not exist. It is impossible to say to
what extent Al Smith's prohibition
sentiments influenced the vote he re-
ceived, but the mere fact that he received
the votes he did is, at least, something to
ponder over.
T T T
WITH considerable temerity we ap-
proach the subject of the Daugh-
ters of the American Revolution black
list. We feel that our own position is
none too secure, for, to our infinite
chagrin, we escaped mention on the
honor roll.
Yet we must criticize, for we believe
that the D. A. R.'s gesture is amiss. It
lacks the scope, the bigness, shall we
say, of the perfectly executed publicity
maneuver.
Then, too, this weapon of the mili-
tant daughters is directed against mere
individuals. It thrusts, rendering a single
soldier hors de combat, when, with a
well-executed sweep, it might decapi-
tate a legion. Its victims should be classi-
fied in groups, not named alone.
In the spirit of constructive criticism
we venture to add some classifications
t)f our own, hoping breathlessly that the
D A R. will append them to the list of
condemned speakers. They are general :
I All radio announcers.
2. Actors who say, "Well, folks, it
sure is great to be back home in old San
Francisco, and I want to thank you for
the way you received our little offering
and next week we hope to have some-
thing even better — "
1,. Political candidates who say,
"Dearly beloved voters."
4. Trans-oceanic flyers, with the pos-
sible exception of the slim one, who has
little to say, anyway.
T T T
THERE comes to hand from some
mysterious source a copy of an early
San Francisco publication, bearing the
date 1S69. Fingering over its pages, we
find among other things, an account of
an holiday in the Chinese quarters. In
the interests of maintaining approxi-
mate satisfaction with our lot and our
present day city, we had no business to
read the thing. But our weakness for
scenes that are now forever gone is a
treacherous mania and to what dubious
end it may finally bring us, we cannot
say.
From all details of this tale, a Chinese
holiday in the year 1S69 was a momen-
tous occasion. In point of fact, it
stretched over several days and was
marked by splendor, ceremony, pomp,
music, color, brass bands and prodigious
feasting the like of which exceeds any-
thing in our poor experience and imagi-
nation. We became delirious and in-
sensible with the effort of trying to
visualize it all. Our imagination was
working like opium. But such ecstacy
cannot last. Suddenly we shot from re-
mote, rarified heights into the lowlancb
and a chilling drizzle of reality. The
curse of literal fidelity to all facts dogged
the pen of that long departed writer.
He tactlessly relates that as a result of
their happy and prolonged indulgences
our Chinamen suffered from stomach ,
aches, headaches, biliousness and the
divers unprosaic ailments that follow a
plentitude of revelry and too little sleep.
Our interest died We dropped the book
and withdrew brokenly into whatever
solace could be found in the philosophy,
that the present cannot be escaped and
even — yea even, the past very likely had
its iiTiperfections.
The San Franciscans
12
THE SAN FRANCISCAN
The Story of Janet Strange
A Legendary Lady Learns Something About Life
THIS was going to he a great night,
Don kit it in his small quaking
bones. The road-warning lanterns
in the deserted contractor's shack threw
an unholv scarlet light over everything,
lit up his pale phantom face with an
unreal pink But the boys were coming
. . actually they had invited him to
their attcr-school doings. Two years of
persecution had ended that morning
u'hcn the hulking leader of the school
gang had asked him to join their crowd
to get his contractor father to give him
the key of the shack for a meeting place.
Two years of being "sissy" — the butt
of their jokes — the outcast in a class of
boys who lived in a shouting, scuffling,
bcasty-smelling world of their own.
Don lived in a different world . . . the
fantastic dream-world of adolescence.
Sometimes he wished he were a girl —
not one like the ruffianly hoydens in his
neighborhood — hut a girl who was
descended from the legendary ladies he
was always reading about. He could
easily think of that kind of a girl. In-
stinctively, he knew how she would
walk, Vk'rapped in simple dignity, remote
from the rough-and-tumble world, im-
mured in her own elegance. Girls like
that were let alone. They weren't forced
to witness gang fights and listen to the
crack of knuckle on kunckle and the
sickening sound of stomach thumps
They were protected . . . for some rea-
son they made men aware of the plumes
in their helmets and the swords in their
mailed fists. Don was always chosen to
act the part of a girl in the school plays
because he knew so unerringly how it
should be done. But the teasing after-
wards . . .
He shivered, perched on a nail keg,
waiting for the boys. He wondered
what they would talk about. Maybe if
the fellows took him on as one of them,
his brothers would treat him differently.
His father, too They were as bad as his
school-mates for teasing; he was afraid
of them, too. He must remember all
the big boys did and said ... he would
brag a little around home . . .
T ▼ ▼
THROUGH the deserted residential tract
on the outskirts of Brooklyn, he
heard an automobile honking. Tim
Flannery's old Ford . . . the gang
leader. They were coming! Brakes
shrieked out front and the noisy irre-
sponsible voices of his friends shouted to
him to open the door. Feet tramping
up the wooden walk, laughter, a squeak
of running-board as others descended . .
Bv KATHRYN HULME
a medley of sounds that pitched him
into a trembling inchoate excitement.
Don was never to forget the terror of
that first awful moment after he had
pulled open the sagging pine door, when
two of the biggest fellows came in lug-
ging the inert body of a young girl, limp
in a faint. The stuffy little room, the
swinging lanterns with their uncertain
scarlet flickerings, the couch with its
tumbled sacks where a watchman used
to sleep, and the figure of the young girl
dumped rudely upon it . . . all the rest
was engulfed in premonitory horror
Don stood with his back to the door,
speechless, wide-eyed, ignored com-
pletely. The lanterns shadowed dreadful
effigies of the boys on the walls, loom-
ing shapes of diabolic intent that clus-
tered, separated, swayed together . . .
There was a plan on foot — some
frightful, unheard-of plan that Don per-
ceived intuitively, — blurred, insecure in
outline but somehow shocking. Sud-
denly out of the melee of black shadows
on the red wall, one long distorted arm
protruded itself, with a crooked finger
. . pointing . . . pointing . . . down-
ward toward the girl in a faint on the
couch. A roar of laughter seemed to
blow him out through the door into the
night. He ran hatless down the road
'till his throat bled with his panting in-
takes of breath. Then he sat down on a
cement bench marking the yet uncharted
trolley stop of the deserted home site.
His head was whirling. He was
frightened in a way that animals become
frightened, sensing a dread situation
through inexplicable channels. The boys
thought he had run from their ridicule;
but he hadn't. He had run from the
sight of a shadow on a wall — an evil,
pointing apparition whose meaning he
didn't want to know.
T ▼ T
A PALE moon climbed into the
_/\ heavens and looked down on the
huddled figure in the forlorn tract of
land. It was a wan legendary moon, the
home of his legendary ladies who lived
in their dreams untormented by the un-
knowable things of the world below.
An old newspaper blew against his
knees, startled him as though the skirts
in the moon had rustled. Idly he picked
it up — the Summer Resort Section of
the New York Times — nervously, for
want of anything else to do, he read the
printed words.
Suddenly he shivered, as though a
great darhmed up flood of thought had
broke loose in his mind His wild bright
eyes ran up and down the Summer Re-
sort columns, stopping now and then to
rest on some gaudy illustration of a
beach-side hotel, a-flutter with flags and
awnings He knew a lot about hotels.
Every summer when his mother was
alive, he went with her to some quiet
resort where she rested during the hot
months But he wasn't looking for any- j
thing quiet and obscure this time. Some- !
thing magnificent . . distant . . his
frightened eyes stopped at the picture of
a famous resort, far down the Jersey
coast, which advertised "miles of beach
front" "famous cuisine" and "restricted
clientele" Then he sat silent and stupi- ^
fied for a long time, with little tag-ends 'i
of thought running through his head
like scared rabbits.
T ▼ ▼
THE room-clerk of the Seaview Hotel I
was a trifle taken aback when Janet :
Strange walked to the desk and de- -
manded her accommodations, reserved i
by telegram in advance. Instead of the
school-teacher he had been expecting,
he was confronted with a slender young ;
girl with a markedly pale face and grey,
cool eyes. When he queried politely
about her guardian, he learned that her
father was engineering in Guatemala
and wouldn't join her until the end of
summer. She had come up from Central
America alone because she needed a rest
from the tropics. The room-clerk agreed.
He thought he had never seen a whiter,
more wistful face. He was so engrossed
in the thought that he didn't notice how
smooth and new was her luggage which
the porter carried to the elevator. Serious
and businesslike, she paid for a month
in advance before she went to her room.
The story of Janet Strange circulated
through the hotel with rapidity, and
each time it was passed from mouth to
mouth, it gained a little in pathos.
There was something about this slip of
a girl that stimulated the imaginations
of the sentimental summer crowd The
elderly ladies crooned of her motherless
state. The mothers of girls her own age
ached because of her mature self-suffi-
ciency And the well-fed, cheery old men
who sat about in youthfully cut golf
togs had an irresistible impulse to father
her, which was, however, quite thwarted
whenever she levelled her fathomless
grey eyes on them. No one came to know
her. She had a cool inflexible way of
turning from proffered friendships that
bespoke the person long accustomed to
the solitary, companionless road.
Continued on page 39
yiAY, 1928
1.5
COURTESY VICKERY, ATKINS a TORREY
T>^TiK ^JlLLET^mrj.W. WIU^L £'7^
One oj the etchings oj San Francisco which has won this city a place in the artistic graces oj European Art Centers.
14
THE SAN FRANCISCAj;
HAGEMEYER
SATiAH mAT^ FIEJ^p
" The name-poem oj Sara Raid Field's latest hook — The Pale 11 oman — is hi/ Jar the best poem oj these recent years Jrom ani/
pen wrilini) in English. It is an astonishini/ poem; and many a poet oivr this wide land u'ill hare been eniyinij thai rush oj
sheer inspiration that whirled the poet into such heautijul-terriblc lines. The book as a whole has a remarkable homogeneily oj
"timbre" and a fine recoipiizable touch, firm yet impassioned, but this Pale Woman one is like the head oj the statue — the
look, the , glance, the ewpression oj the whole figure emanates Jrom it in one
sad, lingering, haunting regard." — John Cowper Powys
llAY,
1928
PUBLrC LIBRARY
IS
Behind the Screen
Wherein a Famous Authority Tells What He Thinks of the Films
Editor's Note: Max Rcinhardt. in spite of contrary
npinions is one who looks upon the screen as a major
artistic force of unprecedented influence and has its
development at heart. The following was delivered by
Professor Reinhardt before the National Board ot
Rc\'iew.
FOR many years I have been following
the astonishing progress of motion
pictures with passoniate interest. As
yet I am still standing on the opposite
shore and I speak here only as a man of
the theatre. For that reason I am perhaps
looking through a telescope at many
things which may appear quite different
upon closer inspection. But I am prepar-
ing for my transition from the old world
of the theatre into the new world of the
motion picture.
Perhaps I should call it an excursion
rather than a transition, for I do not
intend to abandon the theatre to which
I have devoted my life. Neither am I in
: any position to discuss now what I may
accomplish when I reach that further
shore of motion pictures. For of what
' use are present plans and preparations?
\ To paraphrase an old saying: Man
proposes, the studio supervisor disposes.
Nevertheless it is to be hoped that the
dispositions of a supervisor are neither
inscrutable nor unalterable.
Before turning to the screen, however,
I must state my credo ; I believe in the
i immortality of the theatre. The passion
i to give plays and to watch them, the
spontaneous interaction between actor
and spectator is one of man's natural
instincts which can never become atro-
phied. In its present form the theatre is
suffering from a peculiar condition. The
; sticks and stones and talents necessary
( for its existence are still to be found in
the noisy, hectic life of our super-cities.
But the theatre has lost its festival aspect,
its kinship with the play-instinct, its
quality of being always a unique, spon-
taneous creation of the moment. This
momentary element of the theatre has in
fact become one of the worst signs of its
failure. And yet this unique, ultimate
ecstasy which binds player and spectator
in a dionysic union is one of the primal
elements of the art of the drama. The
theatre has not yet found its organic
place in the enormous feverish growth of
the modern metropolis. It is a very old
institution and therefore more conserva-
tive and more ponderous than the mo-
tion picture, which is a child of the
metropolis.
T ▼ ▼
BUT the theatre is already on the road
to occupying its apportioned place.
I do not doubt that it will succeed, per-
haps even in combination with tha
By MAX REINHARDT
screen. Many signs point that way. The
so-called prologues, dance interludes and
vaudeville acts with which so many of
your film presentations have of late been
garnished may be an expression of this
tendency, though personally I regard
them as a questionable makeshift. On
its part the theatre, which from the be-
ginning sought to include music and the
dance, in fact, all the other arts, within
Editor's Note; Of the following Helen Everett
(Mrs. Alexander Meiklejohn) said: "I really
think that this is one of the greatest poems
ever written about the conflict of women.
It has a universality which takes away ones
breath."
2 hej> Pa lej> JVomaru
By Sara Bard Field
Woman, why so pale and thin?
A swan and a raven strive within.
From battling of beak am I wan and worn;
From grappling of white with black wing
torn.
Woman, I hear no clash of iving.
In awful silence is done this thing.
They lie on my breast when weary of fight —
Swan on the left; raven on the right.
The left breast burns like a fiery cross;
The right breast blights like frozen moss.
If the white, the black heart slay,
1 shall be a nest for day.
But if the swan should vanquished be,
The raven with night will feather mc.
Daily 1 rise and lay me down.
1 comb my hair and sijnooth my gown,
And, basket on arm, go into town.
The neighbors see nothing strange or new —
A woman marketing, as they do;
Butter and eggs and a fish or two . . .
For who would dream my narrow clay
Could hold the whole of night and day?
Or that the birds of boundless space
Would strive in such a little place?
its domain, has recently attempted to
include even the motion picture. To
such a union the theatre would bring
priceless gifts, because it has certain irre-
placeable advantages over every other
art. The greatest of these advantages is
the real and actual human being, with
his hot breath, his warm tears, his infec-
tious laughter and, above all, the living
force of his voice, the manifold melodies
of his speech. That is something quintes-
sential.
Remember that the theatre has a his-
tory running back for thousands of years,
whereas the motion picture still is at the
beginning of its development. It there-
fore cannot be fairly judged except on
the strength of its highest achievements,
rather than according to its average
marketable factory product which proves
nothing as to its future. We know the
theatre and every other art can both
reach the heights of artistry and sink to
the lowest commercial prostitution.
Degradation will always result when
art merely panders to the lowest stand-
ard of public taste. But in the end you
will not win your public by pandering to
it; you will lose it.
T T T
I DO not wish to be misunderstood.
Neither in the case of the theatre or
the motion picture do I believe in art for
art's sake. I do not believe that the
motion picture, whose greatest virtue is
its power to speak to all just because it
is bound to no speech, should be made
for the few. "Better Films!" I hear all
around mc. Certainly! But not better
films for the "better few." The divine
Shakespeare in the overpowering variety
of the figures of his imagination created
an entire world, but he also created it
for the entire world. The most spiritual
as well as the most primitive tastes were
equally satisfied. His theatre welcomed
both spoiled lord and simple sailor, and
brought enjoyment to each, but most of
all it brought joy to its own creator who
united alt humanity in himself and
created his figures after his own image.
T ▼ T
IN THE final analysis the motion picture
is only another one of the many forms
which have evolved from drama in the
course of time. It is, indeed, the youngest
form, the form of today, capable of and
calling for its own natural evolution. In
its immediacy and its compactness, in its
uninterrupted change of scene, it has
captured the rhythm of our times.
Whereas the theatre still echoes the tra-
dition of royal courts, the motion picture
has democratized the auditorium, ex-
tending to every spectator the equal
privilege of the eye. It carries him, as on
a magic carpet, to far away lands, or in
turn comes to him to the smallest and
most distant hamlet, without ever losing
its original quality. It can represent
ultimate truths or the phantastic aspects
of naked reality. It can represent land-
scapes, mountains, the ocean, con-
flagrations, earthquakes, battles, revolu-
tions, where the theatre must and should
content itself with suggesting them. Yet
in the art of the screen as of the theatre,
man ^s the centre of interest. To repre-
sent man in form and spirit is the most
Continued on page 33
16
THE SAN FRANCISCAN
Flying Dutchman: Retold
In Which the Devil Forecasts the Rise of San Francisco
Editor's Note: Mr. DeNoyer assures us that ihis
"true" version of the "'Legend of the Flying Dutchman"
has been passed down the ages in esoteric circles, it is
only now. since the world is s<.)mewhat freed from what
Mr OeNoyer calls "a puritanical horror of truth. " that
we are allowed to publish this account of that fabled
Dutchman so often, in days gone by, reported standing
on the poop of his flimsy galleon shaking his fist in help-
less fury at the storming skies. We hope the romanticists
will forgive us for destro>ing their quaint picture of a
cursed man seeking the io\'e of a woman whose self-
sacrifice would sa\'e him.
THE galleon lumbered through the
storm For the titth time it
struggled in that same latitude
only to be thrown back on its course,
unable to pass the dark hulk ot the Horn.
In the cabin was seated the Captain,
he who was destined to become the
tabled Flying Dutchman. Bottle of rum,
half-emptied, at his elbow he stared
before him at the table-top on which
was spread a chart But the Captain was
not looking at the chart Nor was he
thinking ot the ship's time, position or
course Nor was he worrying the least
damned bit about the defiance he had
hurled at the diety that afternoon.
The Captain was thinking of Gretilda,
the wife of his passenger In fact, he had
been thinking of her constantly ever
since she had stepped aboard at Amster-
dam, her timid foot crying the rough-
hewn plank, her eyes questioning the
crude waters. And, if truth be told, as
we've promised it shall, his very defiance
of the Almighty had been but a pardon-
able attempt to strut before her as a
weather-beaten, hearty, old salt worthy
of her glances
The Captain sighed and refilled his
glass. He drained it in one gulp. Damn
that husband ! The fellow was a nuisance
The door banged open A sailor stood
in the doorway, cap in hand, white of
face. The Captain looked up.
"Well'"
"Ship approachin' otf to port, sir. All
lighted up she is Looks like a light her-
self, sir.AU bright like . a g/iosf ship.sir."
"Hell!" said the Captain, a sailor's
fear rising in his throat. His jaw dropped
as the form of an angel appeared in the
doorway The seaman shrank to one side
and the heavenly visitor, shining with a
pure inner light, entered the cabin
The Captain slumped in his chair.
"Our Heavenly Master," began the
Angel sternly, "heard your blasphemous
defiance of His power this afternoon.
However, being all-merciful, He offers
you opportunity to redeem your soul by
retraction and penitence. On that mis-
sion I come. Retract your rash defiance or
be forever doomed to sail these seas in
fruitless attempts to round Cape Horn.
Plead for pardon •. or stand sentenced
never to make your passage around this
Ih WILLIAM DeNOYER
continent and never to retrace the course
you have come "
Perspiration broke out on the Cap-
tain's forehead His brain staggered
But suddenly his mounting fear was
checked. At the edge ot the doorway
behind the Angel he caught the flash ot a
skirt Gretilda! His blood rose. What?
Lose his character of an old sea-dog
right betore her eyes? Gallantly the Cap-
tain rose to the occasion
Sdeath ! What do you mean, clown,
by entering a shipmaster's cabin in this
fashion? Know you not that I am cap-
tain here . . .?"
THE Angel recoiled before the blas-
phemous outburst Behind him Gre-
tilda showed herself in the doorway and
cast soultul eyes at the Captain. He
swelled visibly This was keeping his
character! He would have continued but
that a new voice spoke as a suave face
rose from behind Gretilda's shoulder.
"Quite right, Captain, quite right
Reprove him ..."
"The devil!" exclaimed the Captain.
"Yes," said His Satanic Majesty,
bowing Gretilda's pardon and advanc-
ing into the cabin "It is I."
The Angel started back in horror He
made the sign of the cross and mumbled
an incantation. The proud dark one cast
upon him a disdainful smile and turned
to the Captain
"I, too, heard your defiance ot this
afternoon. It causes me to rejoice and
rebuilds my failing faith in mankind to
learn that there is at least one member of
it who is not bowing in ignoble servi-
tude to my opponent. As for sending
this fellow to invade your privacy with
his silly threats ot making you sail these
seas forever . . ."
"Accursed outcast from Heaven!"
fumed the Angel. "Wretch deprived of
heavenly bliss by our Holy Father! What
dost thou here'"
"To talk to one ot my liking, clown"
He borrowed the Captain's phrase as the
devil will do. The Captain glowed at the
compliment and smiled as the devil
again addressed him. "Heed not this
tellow. Captain. Even though his
Master carries out his ridiculous threat
what of it? Certainly it is nothing to
daunt an old sea-dog like you. And if
you do inhabit these seas forever — at
least, you will be near Gretilda . . ."
"So she's in on this, is she?"
"Eh'':
"It is well known, your majesty,"
explained the Captain, "by all master
mariners, naval historians and learned
maritime philosophers that only a woman
can bring the devil aboard a ship."
"Ordinarily, yes," agreed the devil.
"But even if Gretilda had not been here
1 would have visited you, my dear Cap-
tain. To come to the heart of the matter,
the age-old war between myselt and my
Enemy above is rapidly approaching a
cliniax A few more centuries will decide
the issue. But I need a lieutenant and
this is what I propose; continue your
defianceto Him whoclaimsto have never
been thwarted and compel Him to grant
you eternal lite Under His own laws,
you know, He cannot but tulfill His
word and niake good His threat It will
be several centuries before it will be^
necessary tor you to take up your duties
as a peer of Hades under my direction
In the meantime you will be sailing
these seas in the fruitless endeavors to
round the Horn to which He is sentenc-
ing you. When the time is ripe you can
enter the Pacific, proceed to port and enter
upon a career as the Duke of Limbo."
"But," hesitated the Captain, "thci,
sentence is that I shall never be able to
round the Horn to enter the Pacific."
THE devil smiled. "More proof of
the necessity of another Ruler for
the universe. Surely, senile decay is over-
coming the present One. With all His
toreknowledge ot events, one of the little
tricks on which he bases his preposterous
claim ot being the Creator of All, He ;
has actually overlooked the future activ- ■
ities of Man. My friend, in not more :
than three centuries it will no longer be :'
necessary to weather the Horn to enter (
the Pacific."
"What?" gasped the Captain.
"No. Man flabbergasted God once.
Man proved the earth to be right when i
His followers declared that it was flat.
Mankind will win again. To the North-
ward a channel is to be dug by Man to ■
connect the two great oceans. Through
this man-made channel great ships will
pass to and fro. And through that chan-
nel, after a paltry few hundred years of
sailing these seas, you will pass and,
once on the bosom of the Pacific, you
will sail yet farther north where a great
city will have risen on the outpost hills
of that now little known shore. And
there will be our rendevous, even in the
shaded valleys of that city which shall be
named for one of His saints. There will
I hail you — milord, Duke of Limbo."
The Captain hesitated.
Continued on page 38
MAY, 1928
17
Famous Cluh.f oj San Francijco as J'isualized hi/ One Who Has Ne^'er Been in Them.
THE 'BOHE.ML^U^
18
THE SAN FRANCISCAN
Long Live the Puppets
They're Never Dead When Their Strings Are Pulled
By KENT CAVARLY
THK marionettes got tircJ ot hang-
ini:, from hooks, limp and gcsturc-
Icss, with nobody to pull their
strings. In their own peculiar idiom,
thcv spoke to Rlanding Sloan ahout it —
so he moved his puppet stage over to the
little Modern Art Gallery, 71S Mont-
gomery Street, and organized a cluh to
rescue all the hay region marionettes
from abysmal ennui Anyone who owns
marionettes can join the club and give
their shows. The marionettes are tremb-
ling on their strings, frantic with joy.
On May tenth. The Marionette
Theatre opens with Ralph Chesse's pro-
duction of "Hamlcc." Mr. Chesse, in
collaboration with Mr. Shakespeare, is
going to give the town a great surprise.
*'or more than a month now, they've
been rehearsing the puppet play. For
more than a month, Mr. Chesse (who
made the puppets) and four faithful pup-
peteers have been leaning over the bridge
above the puppet stage, dangling Ham-
let and Ophelia down upon the boards
five feet below, reciting the lines in im-
passioned \'oices (even though the bridge
rail cuts squarely into their stomachs)
and pulling the strings which endow the
eighteen-inch actors with a trembling
tragic lite.
Mr. Shakespeare, still several ethers
above the bridge of the puppet stage,
has nodded a hoary-headed approval of
Mr. Chesse's cications. It was a morbid
knife that carved the pale gaunt face of
Hamlet, with soul -sick lavender eyelids
and faint green hollows under the cheek-
bones. It was a knowing hand that
painted the evil Queen's face grey- blue
with accumulating terror and gave the
scary-haired Ophelia the elongated pre-
Raphaelite head suggestive of madness
in its most tragic wistful form. And the
King, Hamlet's uncle, with his bad red
beard and sinful horizontal eyes, is
truly a man to make the royal couch of
Denmark a "bed of incest."
▼ ▼ ▼
So CONVINCINGLY are the characters
carved, you will forget Mr. Chesse
and his assisting puppeteers, up on the
bridge above the stage, with the rail
sawing into their stomachs as they lean
over, reciting the lines and plucking, as
though on aerial harp-strings, at the
black threads connected with the limbs
of the puppets below. On that night of
May tenth, and seven succeeding times,
you will forget that Hamlet is made of
wood and leather hinged together, and
when he stands alone on the little stage
giving his famous soliloquy, the words,
coming from Mr. Chesse on the bridge
above and from Mr. Shakespeare still
several ethers above, will seem to come
straight from the sad vermilion circle
that is Hamlet's mouth. And when,
closeted with his mother, Hamlet raises
his sword and strides toward the tell-
tale moving curtain, what matter if the
wooden blade does not pierce the te.xture
actually? What matter? The eavesdrop-
ping Polonius falls dead anyhow . . .
pitches right out on the stage, horribly
convincing. The play's the thing, after
all. ' ^
Following the production of "Ham-
let," Blanding Sloan will march out his
marionettes and give his play — "Rastus
Plays Pirate." Rastus is a naughty little
nigger boy who rides a saggy-bellied
mule that has the most gaunt and ex-
pressive hindquarters. The play concerns
the marrying of Rastus' Mammy to his
"uncle" — Nicodemus . . . which, if you
took at it in the right way, is rather an
incestuous affair in itself. Mr. Sloan, who
wrote his own play, says there are sub-
tleties in it which saved it from the police
in a previous presentation, so we may
all get a chance to see it sometime
between May 24th and June 2nd.
The marionettes for the Rastus play,
being negros, can do anything from the
shimmy to the Varsity Shuffle. Mammy,
despite the implication of the spectacles
perched on her flat black nose, has a
wicked pair of hips, mobile unto the
fourth dimension. Nicodemus, the mys-
terious "uncle," prances with great Nu-
bian glee (even though he has a peg-
leg) and his beautifully huge red mouth
opens so far you can see his Gargantuan
glottis. Nicodemus carries a banjo and
when his black fingers skim the strings,
you hear real banjo music . . . which
might be someone out back playing a
banjo, or it might be the black rascal
himself. Pibby, the little white boy in
the play, has a nose that looks like a ball
of pie-dough stuck squarely in the
middle of a lumpy apple pie, and he
blows on a mouth-organ — a curious
hybrid instrument got by crossing a
harmonica with a Jew's Harp.
Undoubtedly, the police-saving fea-
ture in Mr. Sloan's marionette show is
the negro preacher — as holy and godly
as anything black can be — who raises
his Bible and decently marries Rastus'
Mammy to his uncle — Nicodemus.
T T T
PL.A.NS further than the definite pro-
duction of "Hamlet" and "Rastus"
are not yet matured; but it is hoped that
Lucien Labaudt will give a marionette
fashion show, with himself out front
in a sort of BaliefT role, interpreting the
creations draped on his puppets.
Furthermore, Blanding Sloan has de-
signs on Charles Erskine Scott Wood's
"Heavenly Discourse" for a marionette
show. Colonel Wood gave gracious con-
sent to have his work so used and Mr.
Sloan is already dreaming of the puppets
leaning over the heavenly parapets,
spicing the skies with their remarks, and
of the queer floaty things he could have
for God and the Archangels.
Since the aim of the Marionette
Theatre is to provide a place of showing
for those around the bay regions who
have marionettes hanging up in their
closets, but no place to show them,
other talent will doubtless come forth.
At any rate, there is enough in store
already . . . and those of us who planned
to go to Paris this summer for the ex-
press purpose of seeing the puppet shows
in the Champs Elysee, can stay right
here in San Francisco and see the same
thing, or better, down in Montgomery
Street, for a nickel car-fare and seventy-
five cents admission. Think of the
money saved!
THE PUPPET SHOW, WOODCUT BYBLANDING SLOAN
MAY, 1928
19
The Bender Collection
A San Francisco Bid for the Key to Oriental Art
By ALINE KISTLER
IN THE full swing of commerce few
pause to think of art.
In the surge of modern art "pat-
ter" few, thinking ot art, recall the heri-
tage of the past.
And among those who remember the
past fewer still consider the viewpoint
of civili::ations other than our own.
Yet here ami there one finds someone
who realizes the worth ot the instru-
ment of understanding placed in our
hands by the art of peoples whose ways
differ from ours. One finds a patron
with a vision of the bonds that may be
forged between alien attitudes by artistic
understanding. Onz who fashions his
dream into a nucleus around which an
immense structure may crystallize out
of the solution of our cultural growth.
Leaving the rush and vigor of the
city streets behind — climbing from resi-
dential valleys to the top of a green-
sward hill overlooking the Golden Gate
— one enters the Palace of the Legion of
Honor and there, passing through gal-
leries of Occidental treasures, one comes
to a room where he is calmed to con-
templation by a tangible gesture toward
an institution that shall some day aid
understanding between the eastern and
vi'estern shores of the Pacific.
Here, facing that large Japanese
painting of the death of Shaka and beset
on every side by fragments of Oriental
culture, one sees the possibility of widen-
ing contacts with our Oriental neighbors
until differences of creed and viewpoint
shall be minimized.
From the potteries and vases, the
paintings and statues of ancient China,
Japan and Thibet, there rise hopes of not
one room in a museum, otherwise de-
voted to things of the Occident, but of
an entire museum devoted to the art of
the Orient alone. And in this dream
museum one finds place for treasures of
the past, representing the highest expres-
sion of Oriental thought, and for lec-
ture and research rooms where students
may gather to consider and compare
products of the past in an effort to under-
stand the present Oriental mind.
Such a museum would be pervaded
by the calm of Mongol thought. Under-
lying it would be the depth of Eastern
contemplation. For through the art of
past dynasties one would reach a closer
understanding of the spirit of those
civilizations whose history is as a tale
that is told in a mystic tongue.
T
HE dream of such an institution as
this lies in the mind of Albert M.
AMITA-NYORAI
Bender whose gift of this Oriental col-
lection to the Legion of Honor has been
heralded as a gesture toward giving San
Francisco the key to the culture of the
Pacific.
The gift itself is regarded by many as
one of outstanding merit though its
giver minimizes its importance by com-
parison with what he hopes will some
day be accomplished.
The collection as it now stands num-
bers more than a hundred and fifty works
of art, representative of the cultures of
China, Japan and Thibet. Some of the
objects are dated as early as the Han
dynasty (206 B.C. to 221 A.D.) Others
represent various periods from the
seventh century down to comparatively
modern times.
On entering the room one is faced by
the painting, "Niavana" the Death of
Shaka. This iSth century Japanese pic-
ture depicts the grief of the followers at
the death of their Buddha. The Buddha
was painted by Kano Sokkuyo while
the remainder of the painting was done
by Kansuiken Umeda.
On the right of this striking picture
there is a stone carved Buddha blessing
souls. On the left a similar carving of
Buddha with two lions. Both of these
are attributed to the T'ang dynasty.
The dignity of line and solemnity of
form in both these pieces make one
pause with instinctive reverence. Even
now that time has pitted the stone until
the modeling is indistinct, the carving
carries the spirit of the background from
which it sprung.
▼ ▼ ▼
IN ONE corner of the room there stands
the statue of Amita-Nyorai, one of
Mr. Bender's most recent additions to
the collection This piece, which has
created more comment than any other
part of the collection, is in itself an in-
vitation'to silent contemplation.
Amita is worshipped as the personifi-
cation of boundless light by followers of
the popular Old Jodo or Shin-Shu Sect
of Buddhism, a sect formerly founded
by Genku (1133-1567) also by the True
Jodo and later by Shinrai. This deity is
believed to have taken a vow to save all
beings and to prepare for them a place
to which any one who believes in his
mercy and invokes his name shall be
taken, even from this life, to participate
in the communion of the saints.
The Amita frequently appears accom-
panied by twenty-five Bodhisattvas but,
in this statue, he appears alone and in
the attitude of blessing. One hand is
directed toward his worshippers while
the other induces to enlightenment and
felicity all beings who are his followers.
Even without the religious explana-
tion, the form of this Japanese God as
conceived by its artist creator invites
consideration of a spiritual meaning.
From the paintings that circle the
room there comes a feeling of strange-
ness. Then, as one examines each more
closely, the inter-relation of ideas pre-
sents itself. One sees symbolic gestures,
stylized emotions, the spiritual part of
ancient creeds.
Among the twenty-two paintings of
the collection there are portraits of Chi-
nese Mandarins, paintings of the Goddess
of Mercy, from both the Chinese^ and
Thibetian point of view, and significant
compositions showing the Buddhist's
Continued on page 41
20
THE SAN FRANCISCAN
Retrospection in A Minor
Or a Few Random Notes on Musical San Francisco
BvJACK CAMPBELL
Wrni die linal digital triumpli
ot Ignace PaJcrcwski, San
Francisco's musical self em-
barked on its annual spring vacation.
And a well deserved one, too. Seven
months ot strenuous activity — October
to April — warrants this brict respite All
the muses, one by one, ha\e been paid
suitable and just homage A civic repu-
tation tor musical supremacy has been
upheld
Where culture, drama, and literature
lived on the reputation of another day,
music adjusted itself to the life of the
moment and proved an intrinsic part of
San Francisco's 1928 existence.
Many depressing truths were forecast
during the season An equal number of
pleasant trends ot the tuture were
gleaned. Opera, concert, recital, sym-
phony, choral music, and radio shed the
fetters of the past and commenced to
embrace the doctrines of the new day.
Or is it too maudlin to state that the
season of 1927-1928 has proved the
dawn of a new era in the musical lite
in San Francisco? Is this too common a
manner to state the simple verity that
our musical life is progressing, keeping
astonishingly abreast of the times.
The Symphony Orchestra, nucleus of
our hibernal life in music, deserves the
initial consideration. Under Doctor
Hertz's more than able baton, another
series of triumphs were realized. And yet,
only when we consider the shortcomings
Attendance was not always up to the
mark. In many cases the lean crowds
were to be deplored. The programs were
frequently ill selected but on whom does
this fault lie? No one but ourselves. We
sacrificed capacity at a few of the Cur-
ran Theatre concerts tor tremendous
outpourings at the Civic Auditorium
series. Music became popularized
Many maintain that the large gather-
ings on the Civic Centre were due pri-
marily to the presence of soloists. Yet
these same few admit that when such
figures as Albert Spalding, Edward
Johnson, and Ravel appeared, attend-
ance remained far from capacity at the
Curran. Here is a strange paradox And
a pleasant one. It pro\'ed that San Fran-
cisco was becoming conscious of music
in all quarters. An admirable evenness
of enthusiasm was noted
Those who worked throughout the
week and rested on Sunday were loath
to attend matinees They preferred their
symphony concerts to be events in their
lives. These musical treats warranted
something more than a few hours in a
split afternoon. Mr. and Mrs. Public
demanded their music as the big thing
in their day. They wanted it at hours
when they could attend and take it seri-
ously and still not endanger their pocket
books. They demanded the best there
is — and still more strangely — they real-
ized their dreams.
INSTRUCTIONS FOR THE
BURIAL OF AN ASCETIC
By ChALLISS SlLVAY
yind noiv that death, outimtting soul,
Has draivn to earth this brittle crust
And remnant of the crslivhile zvholc.
Let him luho, living, conquered lust,
Be borne udth care to ivaiting dust;
Of him ivho nursed the nervous sparks
Of spirit into halloived fire,
JKlloiv no doubting zvord to mark.
This passage as the latent sire
Of flesh ivhich yielded to desire;
For he would have it so, this death:
Uncolored by the thought that blood
Was ever victor or that breath
Of passion had usurped the mood
Of abstinence and rigid good . . .
THIS season witnessed an interchange
of two great California orchestras,
resulting in an electrifying local effect.
Doctor Hertz deserves to be con-
gratulated. His work principally has
brought our orchestra to its present con-
dition Consistant in its brilliancy, it sel-
dom flares like a skyrocket, to explode
into thin air. The orchestra was and is
ever uppermost in the Doctor's mind.
He is abroad at the moment, garnering
ideas, revisiting the scenes of his former
triumphs, and collecting a stimulus with
which to push the orchestra into a higher
position next year. His trip augurs well
for San Francisco, and its results are apt
to smother a sneering minority.
Dividing solo honors throughout the
season. Hertz gave his men much oppor-
tunity to express themselves. And with
surprising vigor and virtuosity, they
replied. The violin section becomes a
still greater joy to hear. And there is
Piastre, Penha, Fenster, young William
Wolsku and dozens ot others tor whom
to be thankful.
The concert stage senses its demise.
Its idiosyncrasies and uncertainties will
no longer be tolerated. A prominent
figure in the musical world here said to
me only last week, "The concert racket
is shot.',' Which proves incidentally, that
even maestros can employ the latest
slang of the day to express a truth.
ATi;.-\R is shed as one recalls the dis-
banding of the meritorious Per-
singcr Quartet. But hope is reborn with
the advent ot the Abas and other Cham-
ber Music Quartets which we may more
selfishly claim as our own.
Many treats are promised for the
opera season. Jeritza, Rcthburg, and
Johnson. "Salome," "The King'sHench-
man, " "Turandot," "La Cena Delle
Beffe" and others. Yes, and opera en-
joyed a good season last year. What a
triumph "Tristian and Isolde" proved
to be. The lengthiest and most difficult
of the season became the most popular.
Who said mediocrity'
The Chicago Opera Company went
to Oakland And Oakland went to the
Chicago Opera Company. The third
party of this delightful eternal triangle
was the music loving public of San
Francisco. And, it made a good co-
respondent. The trial was brief, lasting
only four days. Hosannas filled the air.
So did doubts. Many relished the offer-
ings, some enjoyed a few. San Francisco
did not respond so completely. What
the reasons were, few can tell dispas-
sionately.
The customary rumours forecast an
early erection of the Civic Opera House.
Prayers are offered that these may be
true. Gone then, will be the draughts
and hard seats.
A new opera company under the
baton of Arturo Casiglia has reached its
adolescence. One more season and then
maturity. Things develop swittly. With 1
this organization comes the prophecy of
a permanent opera company. One which
will function throughout the entire year, ,
becoming part of the city's life rather ■;
than two breathtaking weeks of activity ■*
which now leaves San Franciscans pantr
ing tor eleven months. With our new
opera house, the musical life of the city
will become more organized. More
centralized. More concentrated. The
Italians will be able to give their gala
offerings. The long heralded German
light opera company can revive Strauss,
Lehar, Fall, Kalman, or even Jean Gil-
bert. The French Theatre can give "Mas-
cottc," on the Opera Comique scale. '
T T T j
AND San Francisco has become ;
more partially inclined to its
institutions. We now have Yehudi Men-
uhin a mere mention of whom thrills
local managers. And then Ernest Bloch.
Local music lovers adore their "Rienzi,'
"Heldenlebcn," and "Death and Trans-
figuration," These orchestral blasts are
Continued on page 41
MAY, 1928
21
De FORREST
Unlike the traditional Locium-ar. this i/ounfl actor has mioraled from out of the East into the West. His training with t/ie Hedge-
row Players under Jasper Deeter qualified him for the brilliant work he has done here at the
Alcazar Theatre in "Pigs" and in the current "Take Jig Advice."
22
THE SAN FRANCISCAN
Lest We Forget
The Girl Who May Wine and Dine but Who Never Never Could Mine
Too much publicity has been given
the mining maidens while prac-
tically nothing at all has been
written about the pining maidens. The
modern girl is claimed to be a gold-
digger — that terrible huntress whose
weapons arc broad hints or subtle sighs,
depending on whether she be blonde or
brunette —and in this rash generality,
our sociologists have ignored completely
the existence ot the modern girl who
may wine and dine but who most cer-
tainly never could mine.
Even our current literature leads us
astray. The miner maiden is the heroine
ot the hour. Be she the garden variety ot
peach or the hothouse \'aricty ot pome-
granate,.her story is the tairy tale we are
given to read — the old Cinderella legend
improved by omission ot the pumpkin
and the mice. For Science has demon-
strated that no motor-car, returning the
victorious gold-digger to her lair, could
ever turn into a pumpkin and it is com-
mon knowledge that mice disappeared
when skirts drew up out ot reach, hlence
the new story is better than the old and,
therefore, the griet of those maidens
unskilled in mining is doubly unbearable.
It is high time we learned how the
other halt lives and grieves. To get down
to vital statistics — for every girl born
with a prospector's pick in her hand,
there are two born empty-handed It is
only because of the alluring publicity
given the prospectors that one thinks all
girls are out staking their claims As
usual, the shouting minority completely
drowns out the sobbing majority.
Testimony notwithstanding, the fact
remains that most girls cannot gold-dig.
They may be blonde — the preferable pig-
ment, they may even be named Lorelei;
but they would swoon in their tracks
rather than give away to their escorts by
hint or sign that it is agony to walk so
briskly by a candy or a floral shop. And
they have been known to actually run
past a jeweller's window rather than
risk the suggestiveness of a normal-gaited
pace by the diamonds.
This peculiar timidity is a mystery
e\'cn to the pining maidens themselves.
The text-book on mining methods, so
recently published by Miss Loos, has
given them all the pointers. From the
hrst prospective tapping of the rock,
down to the final sinking of the shaft,
they are acquainted with every step of
the procedure, and yet, — an inability, a
spiritual paralysis, a traumatic seizure or
a what-have-you — prevents them from
shouldering the shovel and joining the
trek to the new Klondike.
By MARY MADRIGAL
ONE of these strange creatures ot
denial is Loretta, who rules a great
suite ot offices in the role ot private secre-
tary down in Montgomery Street Her
Klondike is the boss who calls her into
his office a dozen times daily for confer-
ences which have nothing to do with
the international finance he represents
Her surx'cy ot the mine is his personal file
which she keeps in order — heartrending
letters from needy Nellies, written on
tragic violet stationery, and bills from
purveyors of every feminine appurtenance
hsting the charitable gallantries of this
kind-hearted man of affairs, Loretta
knows that by the lift of one handsome
eyebrow she could have any or all of
these things The boss takes her out often
because his wife is in a sanatorium and
he gets lonely. Out ot sheer gratitude tor
her good comradeship, he is anxious to
buy her something; but Loretta is an
unusually distinguished looking girl,
with singular and exquisite tastes, and
he feels that his gift must be of an unique
and original character. So he exhausts
himself, lying in wait for her to speak a
preference.
Jewels, rare books, objcts d'art are
tossed in her path like so many stumbling
stones; but Loretta circumnavigates the
temptations without even looking at
them and the frustrate boss goes home to
curse whilst Loretta goes home to weep.
Each trip through the bazaars is a cruel
Calvary for her because she loves all
things rare and beautiful. But she will
never speak. She cannot speak Her case
verges on the pathological.
Flora is another sacrificial sister. Her
passion is the theatre. When she was only
a casual friend of the dramatic critic on a
leading newspaper, she accepted theatre
tickets from him joyfully and saw all the
plays. Possibly it was her very exuber-
ance ot acceptance which drew him to
her; but now that she has him securely in
tow as a swain, she finds it a physical
impossibility to voice the words which
wouldsecureherthe desired theatre tickets.
He, like most persons who reach
Paradise, has forgotten the road which
took him there and he never thinks of
offering her the tickets which lie about
on his desk in such common clutter.
Flora has missed most of the good plays
this season simply because she is not the
kind of girl who can hint.
When the new theatre season com-
mences, Flora is going to give up her
swain, for she has come to the bitter con-
clusion that a dramatic critic in the hand
is not worth two theatre tickets in the
bush.
IovE and the assertiveness born of
J possession ha\'C nothing to do with
the ability to dig. It is either there or
absent, no matter how assuring th: cir-
cumstances. Take the case of Jaqueline
who recently set up a connubial love-
nest on Telegraph Hill. In her pre-
nuptial days, Jaqueline worried intelli-
gently over her inability to make known
her little lu.xury- wants; but she com-
forted herself with the belief that mar-
riage would change all that.
Jacqueline is very sensitive to color
and her husband courted and won her
because he wore a mauve necktie that
was like the shadows under cypress trees.
There was none other like it in all of San
Francisco. So Jaqueline married . . .
and then found she couldn't even stroke
the coveted scarf as of yore, let alone
speak of it in connection with a low-
collared shirtwaist she sometimes wore.
The husband, sensing some affinity
between his ravishing bride and his
ravishing tie, wears the scarf every day
because it brings such a strangely beauti-
ful light into his wife's eyes. Jaqueline
haunts the haberdasheries selecting new
neckties which niight win her husband
away from the mauve colored one
before it becomes too threadbare. The
husband now has a drawer filled with
stunning new cravats but with adorable
bridegroom sentiment he goes on wear-
ing his old mauve tie.
Jaqueline has developed lavender
circles under her eyes and her dark pupils
seem to reflect the graveyard green of
cypress trees. Naturally, her husband is
worried.
Thus they are to be found in all walks
life, in every social strata — these mute
ladies whose larynxes are not formed to
say the words "I want." They pine, while
their sisters mine, and tor the many who
are out in the business world, there is the
additional griet of knowing their policy
is economically unsound. Nothing that is
free in this world is worth much. Even
as little girls they learned this when they
sent out for free samples of tooth-paste.
The tiny emaciated tubes they received
were as nothing compared to the fat
squeezable tubes they could buy in a
drug-store for twenty-five cents. Miser-
ably they understand that for the man,
who is primarily an economic animal,
comradeship which costs him an orchid
or a box of Sherry's candy is quite a bit
more valuable than that which costs him
a bunch of sweet peas or a chocolate bar.
Continued on page 33
llAY, 1928
23
Steamer Day in San Franci.rca. From an Old Print
Tin-Types
William T. Coleman, the Greatest of the Vigilantes
IN the study of James King of Wil-
liam, which appeared in the Febru-
ary issue of The San Franciscan,
there was told in part the story of Wil-
liam T. Coleman and the second Vigi-
lance Committee. This account, though
it deals with vivid days in the early life
of San Francisco does not quite suffice
to paint a complete picture of the Vigi-
lance Committees and Coleman's con-
nection with them. The conditions
which led to the formation of these
organizations, their leaders and the work
they accomplished are in themselves a
study worthy of more detailed exposi-
tion than was possible in the King of
William article.
Of intimately personal data regarding
William T. Coleman the historians of
the period do not give us a great deal.
Gertrude Atherton in her History of
California relates that he was born Feb-
ruary, 1824, in Kentucky, where he
worked as a youth on an uncle's farm.
By his own efforts Coleman put himself
through the University of St. Louis and
earned a Bachelor of Science degree.
Upon completion of his university
course, he joined the overland gold rush
to California, arriving in Sacramento in
August, 1S49.
Coleman's intentions were to go to
the mines, but he quickly observed that
all the gold was not in the hills and
stream beds, and forthwith embarked
upon an humbly amusing but financially
profitable venture, namely ; the making
of pies from favorite recipes of his Ken-
By ZOE A. BATTU
tucky aunt. The pies enjoyed a lively
demand on the part of pie hungry min-
ers at the astounding price of $10.00
each. However, the opportunistic young
pie vendor was fated for higher callings
and within a few years appeared as one
of the leading merchants of San Fran-
cisco. After the business panic of 1854
and '55, of which there will be more
in later paragraphs, Coleman organized
a line of clipper ships to ply between
New York and San Francisco, primarily
to furnish transportation for the huge
crops of grains and cereals.
Thus, in the business life of the grow-
ing city, Coleman was one of the out-
standing figures, but his abilities were
never confined to the narrow tracks of
commercialism. He lent liberally of his
mind, talents and purse to every civic
movement of importance in his day, al-
though he would never consent to hold
office. He is, therefore, marked in the
history of the city not merely as one who
headed important commercial projects,
but rather as one whose life and name
are inseparably bound with a combina-
tion of social, economic and financial
adjustments, such as few men have been
confronted with and few have solved
with such admirable justice and straight-
forward action.
Examining into the conditions that
prevailed in San Francisco during and
immediately following the peak of the
gold rush period, we find a truly amaz-
ing state of affairs. Alongside of them
even the current classics in crime and
misdeeds now taking place in Chicago in
connection with the conduct of elections
in that great metropolis of the Bible belt
are anemic and wish-washy.
▼ T T
THE gold rush brought to California
not only thousands of men and
women of unquestionable integrity and
sterling principles who were not above
selling pies as our Mr. Coleman did in
the pursuit of the honest dollar, but also
equal thousands of those who fatten
upon the weakness, the vanity, desire
for quick gains, loneliness, greed, stupid-
ity and cupidity to which flesh is heir.
Accordingly, there were within the
city, two or three well defined criminal
groups and colonies, thoroughly sea-
soned in the brutalities of murder,
thievery, assault, battery and arson.
Notable among these were the citizens
of Sidney Cove, located at Clark's Point
and so called because it was a settlement
largely composed of British convicts
who had been exiled to Australia and
from there had been free to make their
way to San Francisco. Besides these out
and out law breakers, there were the
hordes of those of more subtly suave
and sophisticated tactics — the shyster
lawyers, unscrupulous politicians, opera-
tors of gambling houses and saloons and
their lady attaches of dubious virtue,
dishonest promotors of real estate, min-
ing and stock selling schemes.
Between these two roughly divided
groups of undesirables the city was kept
Continued on page 31
24
THE SAN FRANCISCAN
^=Q^
'Tbree
Trom'nieiit
^Members of
Still Francisco' s
yniiior jQeagNc
^^
'T^produced
from the
Original
rJ^iniatures
by Yoresl{ii
MISS HELENE LUNDBERG
MRS. HOWARD PARK
MISS MARY REDINGTON
T»lii:»-"
MAY, 1928
25
The Reigning Dynasty
WEDDINGS
April 14. Miss Margaret Power, dausluer ot Mr,
Charles B. Power, to l-'rank Drum, son of the late Mr,
and Mrs- Frank G Drum, tn Helena, Montana,
April 14. Miss Olive MiJdIeton Watt, daughter of
Mr and Mrs. William Watt, to Thomas Hamilton
Breeze. Jr . son of Mr. and Mrs. Thomas H. Bree:e.
April 14 Miss Emilv Hall, daughter of Mr. and Mrs,
William Huhhard Hall of Santa Barbara, to Baron
Maximillian Hugo Converse Wilhelm von Romberg of
Weisbaden Germany, son of the late Captain Baron
von Romberg and Mrs. Richard Wayne of Nice, at the
Church of the Transfiguration, New York,
April 17, Miss Phyllis Fay, daughter of Mr. and Mrs,
Philip j Fay, to Arthur Stevenson, son of Mr, and Mrs,
William M, Stevenson, in San Francisco.
April 23, Miss Catherine Dunn, daughter of Mrs.
H. P. Dunn to Arthur Rau. son of Mrs. J. Rau of
London, in Oakland.
May 18, Miss Mary Bernice Moore, daughter of Mr.
and Mrs C. C. Moore, to Lieutenant Edward J . Moran.
in San F^rancisco.
Mav 19 Miss Ruth Mary Davis, daughter of Judge
and Mrs. John F. Davis, to Walter Paul Busher, son of
Mr. Lawrence Busher, in San Francisco.
June ; Miss Muriel Johnston, daughter of Mr. and
Mrs James A. Johnston, of Ross, to Albert Rowland
Chapman, at St Johns Episcopal Church, in Ross.
June <5. Miss Agnes von Adelung, daughter of Dr. and
Mrs Edward von Adelung to Charles A Noble J r^ son
of Mr and Mrs Charles A. Noble, at St. Paul s Epis-
copal Church, Oakland.
June 2b. Miss Lucy Anderson, daughter of Mr. and
Mrs Thomas Helm Anderson, to Stanley Stillman. son
of Cir and Mrs, Stanley Stillman, in San Francisco.
ENGAGEMENTS
BURMISTER-ARMSBY. Miss Louise Burmister,
daughter of Mr and Mrs Robert B. Burmister of San
Francisco, to Jeffrey Kendall Armsby. son of Mr. and
Mrs. James K Armsby of Ross.
BURNS-HAMMERSMITH. Miss Dorothy Burns,
daughter of Mr and Mrs Paul M Burns of San Fran-
cisco and Pebble Beach, to Alfred S. Hammersmith Jr .
son of Mr. and Mrs. Alfred S. Hammersmith of ban
Francisco.
LONG-WILSON. Miss Nettie Sexton Long, daugh-
ter of Mr. and Mrs Percy Vincent Long of San Fran-
cisco, to Stokeley Wilson, son of the late Dr. and Mrs.
Frank P, Wilson of San Francisco
PARTRIDGE-PEARCE. Miss Muriel Partridge,
daughter of the late Mr. E. B Partridge and of Mrs^
E. B, Partridge of San Francisco, to Ralph Edward
Pearce. son of Mr. and Mrs. C. C. Pearce of Spring
Lake. New Jersey.
Weir-Tilden. Miss Eleanor Whittier Weir, daughter
of Mr. and Mrs. William Boyd Weir of San Francisco
and Menlo Park, to Heber Voorman Tilden, son of Mrs
George Forderer and the late Mr. Heber Tilden of San
Francisco.
BIRTHS
FULLER. In San Francisco, March 1^!, to Mr and
Mrs Dana Fuller (Maxine Miller) a son, Dana Fuller.
Jr.
McLAREN. In San Francisco, March 27, to Mr. and
Mrs. Richard Ashe McLaren (Evelyn Poett), a daugh-
ter, Leslie,
ROSEKRANS In Napa, March 27, to Mr, and Mrs.
John Newton Rosekrans (Alma Spreckels), a son.
VISITORS ENTERTAINED
Mr. and Mrs Marshall Garland of Los Angeles, enter-
tained at dinner during Easter Week by Mr. and Mrs.
Kenneth Monteagle at the Monteagle house at Pebble
Beach.
Mr. and Mrs. Walter Scott Hobart, Jr. (Helen Au-
brey Thomas) . guests of honor at a dinner given by Miss
Florence Loomis at the Frank B. Loomis house in
Burlingame.
Mr. and Mrs. John Borden of Chicago, dinner guests
of Mr. and Mrs. Stewart Lowery at their apartments
on Powell street.
General James G. Harbord, U. S. A., guest of honor
at a Sunday luncheon given by Mr, and Mrs. Piatt Kent
at their home in San Mateo.
Former Governor and Mrs. Horace White of New
York, entertained at dinner on April 11 by Mr. and
Mrs. Alexander Hamilton on Washington street.
Mr. and Mrs, Moseley Taylor (Emily Pope) of Bos-
ton, honor guests at a futuristic. Oriental dinner dance
given at the San Francisco Golf and Country Club by
Mr and Mrs. Horace D. Pillsbury,
Mr. and Mrs. Henry Cheney of Portland, week-end
guests of Mr. and Mrs. Walker Kamm of Burlingame,
and also entertained at Del Monte by Mr. and Mrs.
Peter Cooper Bryce of New York.
Miss Blanche Green of Philadelphia, niece and guest
of Mr. and Mrs Spencer Grant, guest of honor at a
luncheon given at the Francisca Club by Mrs. Grant
on April 1 1 .
Mrs. Arthur Curtiss James of New York, entertained
at luncheon by Miss Johanna Volkmann at the Wo-
man's Athletic Club. Among the guests, Mrs. William
H. Crocker, Mrs C O G Miller, Mrs Louis Mont-
eagle, Mrs. William B. Bourn and Mrs Philip E Bowles.
Miss Olive Lake, the fiancee of Mr, Albert Drown
Boardman, entertained at the home of her mother, Mrs.
Edna Scott Lake in Ross, in honor of one of the brides-
elect. Miss Lake and her mother shortly after left for
Schenectady. New York.
Honoring Mrs. Einer Hanson of Hartford. Connecti-
cut, a house guest for several weeks of Mrs Edward O.
Pringle. Mrs Ralston Page entertained with a tea at
her home on Pacific Avenue. Among the guests. Mrs
Ralph Cebrian. Mrs. Ashlield Stow, Mrs William
Ekiwes, Mrs. Howard Fleming, Mrs. George Pinckard
and Mrs Gloucester Willis.
Miss Cynthia Bovd, whose marriage to Mr. Jack
Hollister of Santa Barbara will be an important event
of the summer, was guest of honor at a tea that Miss
Virginia Phillips, the daughter of Mrs Grattan Phillips,
gave at her home. Miss Phyllis Fay, whose marriage to
Mr. Arthur Stevenson took place a few days later, and
Miss Kathleen Musto, who will become the bride of
Dr E. J. Morrisey in June, shared the honors with
Miss Boyd.
Mr. and Mrs, John Borden of Chicago, honored at
dinner by Mr and Mrs Stewart Lowery at their Powell
street apartment early in the month.
Mrs. Arthur Curtiss James of New York and Mrs.
Lewis Edward Hanchett, honored at a luncheon at the
Town and Country Club Among the guests, Mrs.
Joseph D Grant, Mrs Charles N Felton, Mrs, Horace
D. Pillsbury, Mrs Louis F. Monteagle, Mrs J. Downey
Harvey, Mrs. William Devereaux, Miss Emily Carolan
and Miss Caldwell of New York.
Mr. and Mrs. Charles Brewster Stevens of Green-
wich. Connecticut, on a trip around the world, guests of
Mrs. Stevens' mother, Mrs Eugene Freeman, in San
Francisco. Traveling with Mr. and Mrs. Stevens are
the Count and Countess de Fontanar of Madrid. Guests
at a luncheon given by Mrs Freeman at the Francisca
Club for Mrs Stevens included Mrs, Covington Pringle,
Mrs. Jerome Politzer, Mrs Voorhies Bishop, Mrs Roy
Somers, Mrs, William Devereaux, and Mrs. Lewis
Luckenback.
HERE AND THERE
Mr and Mrs Frederick W McNear entertained at
their apartments at the Hotel Mark Hopkins recently.
Their guests included Mr. and Mrs. Clifford Weater-
wa.x. Dr. and Mrs Max Rothchild, Mr. and Mrs.
Robert Henderson, Mr. and Mrs William P. Roth,
Mrs. Charles McCormick and the Messrs. Templeton
Cnjcker, Roger Lapham and George Carter, the latter
of Honolulu.
At the Burlingame Country Club Mr. and Mrs
Robert Hays Smith gave a large luncheon in honor of
Mrs Mountford S. Wilson. Forty guests were enter-
tained, including Mrs Kit Wellman of New York, a
house guest of Mr and Mrs. Smith. Mrs. Alexander
Hamilton and Mrs Samuel Knight also gave parties
for ts4rs. Wilson who will spend the summer abroad.
In honor of Miss Patricia Clark, daughter of Mrs.
Tobin Clark of San Mateo, Mr William Tevis J r enter-
tained at lunch at the Devonshire Country Club where
his guests included the Misses Patricia, Agnes and Mary
Clark and the Messrs. George and John Talbot, Jr ,
George Newhall, Jr Miss Patricia Clark is on a brief
visit home from Oxford where she is studying literature.
Miss Dorothy Burns, the fiancee of Alfred S Ham-
mersmith Jr, and Miss Eleanor Weir, who is to marry
Mr Heber Tilden, were honor guests at a dinner given
by Miss Grace Hamilton, previous to her departure for
Europe with her mother, Mrs Alexander Hamilton
Dr and Mrs John A Sperry gave an Italian dinner
party, a costume affair, at their home on Green street,
to celebrate the fifteenth anniversary of their wedding
Mr. and Mrs John Boyden (Margaret Buckbee)
observed the fifth anniversary of their wedding with a
dinner dance at Tait's-at-the-Beach.
SAN FRANCISCANS IN THE SOUTHLAND
Count and Countess Degenard von Wurmbrand
(Lawton Filer) were recent visitors at Palm Springs
where they were entertained by Mr, and Mrs. John
Borden of Chicago, Later they went to Santa Barbara
and spent a fortnight at the Biltmore.
Mr and Mrs. Richard Heimann were also guests at
the Santa Barbara Biltmore during April.
Miss Jean Boyd and Miss Barbara Donohoe passed a
week-end in Santa Barbara, attending a meeting of the
Santa Barbara Garden Club. They made a tour of the
beautiful gardens of the Montecito district.
Mr and Mrs. frying Lundborg and their daughter.
Miss Helene Lundborg, were Santa Barbara visitors,
and Miss Dorcas Jackson was one of their party.
Mr and Mrs Mark L. McDonald motored to South-
ern California for two weeks, visiting Santa Barbara,
Coronadtj and Palm Springs. Miss Marcia McDonald
prolonged her stay in Southern California,
Mrs. Vincent K. Butler Jr. and her sister. Miss Alice
Hanchett, passed several weeks at O^ronado,
The Consul General for Denmark, Mr Fin Lund, and
Mrs. Lund were in Southern Califcjrnia for two weeks,
most of the time being spent with Prince and Princess
Eric of Denmark, who have a ranch at Arcadia.
Mr. and Mrs Alfred D Hendrickson were visitors at
the Santa Barbara Eiiltmore recently. Mrs. Hendrick-
son has engaged a cottage at Montecito for the summer.
Mr. and Mrs John D Breckenridge. who have been
making an extensive honeymoon trip, spent Easter at
Miramar in Santa Barbara On their return North they
were the guests for a few days of Mr. and Mrs. George
Harry Mendell Jr in Los Gatos. Mr. and Mrs. Brecken-
ridge will live in England.
Mr, and Mrs. John G. Johnson spent several weeks
in Los Angeles where their son and daughter-in-law.
Mr. and Mrs. Rowland Johnson, make their home.
Mrs. Ernest Folger was in Hollywood recently, the
guest of her son-in-law and daughter, Mr. and Mrs.
Cyril McNear.
Mr. and Mrs Clift Lundborg spent some time at
Coronado Beach and en route North were in Holly-
wood for a few days, the guests of Mr and Mrs. Philip
Hurn.
El Mirasol in Santa Barbara attracted many during
the month of April. Among the sojourners there were
Miss Helen Chesebrough of San Mateo. Mr. and Mrs
Latham McMullin, Mrs George Lent, Mrs, Frances
Clift Donahue and Mrs D. Armstrong-Taylor.
SAN FRANCISCANS IN NEW YORK
Mr. and Mrs. Curtis Hutton (Sophia Brownell) are
now permanently established in New ^'ork and have
taken apartments at the Park Lane on Park Avenue
Mrs. Dunn Dutton will pass the month of May in
Baltimore arid New York. In New York she will make
her home at the Plaza.
Mr. arid Mrs. Browning Smith are spending two
months in New Y'ork and Virginia.
Miss Mary Emma Flood was on one of the com-
mittees for the Rainbow Ball, held in New York on
April 21. Miss Flood shared her committee duties with
ts^iss Mary Auchincloss. Miss Aurelia Murchison. Miss
Ruth Ledyard. Miss Evelyn Fahnestock and several
more of New York's leading debutantes.
Henry Cowell, the California pianist, is being warmly
received in the East. He was one of the artists at a
musicale arranged recently by Mrs. Charles Seacombe
and the list of those present includes the leading names
of New York's Social Register.
Mr and Mrs Charles Crocker enjoyed a visit to New
York recently and took part in the Easter festivities.
Mr. Crocker's brother-in-law and sister, Mr and Mrs.
Henry Potter Russell are established in their Park Lane
apartment after passing several delightful weeks in
Burlingame and Pebble Beach.
Mr and Mrs Paul Felix Warburg (Jean Stettheimer)
were in the wedding party of Miss Jean Ickleheimer and
Donald Stralem, who were married at Sherry's early in
April. Miss Dorothy Duveen, daughter of the famous
art collector. Sir Joseph Duveen and Lady Duveen,
also entertained for the couple prior to their wedding.
Mr. and Mrs. Oscar Cooper gave a dancing party in
New York recently for thei r daughter. Miss J ane Cooper.
Mrs. Tobin Clark was in New York for some time
with her two younger daughters, awaiting the arrival of
Miss Patricia Clark from England.
Mrs. Clement Tobin, another Burlingame residents
has spent the spring season in New Y'ork where she ha,
been entertaining extensively.
Mr. and Mrs. George P. McNear of Petaluma. spent
a short time in New York and are sailing for the Conti-
nent on May 5.
Among the Californians who attended the dinner
dance given recently by Mrs. Winslow Bixby were Mrs.
Adolph Spreckels, Mr. Jerome Landfield and Mr, and
N4rs, Lawrence Tibbett,
The Honorable Richard M, Tobin, Minister to The
Hague, sailed from New York a few weeks ago. after
passing some time in New York and in California, where
he attended the wedding of his niece. Miss Madeleine
Raoul-Duval to Mr, Grant Black. Mrs. Claus Augustus
Spreckels sailed for Europe on the same boat with the
Netherlands Minister.
Mr. and Mrs A. B. C. Dohrmann and their daughter.
Miss Edith Dohrmann. spent some pleasant weeks in
New York prior to sailing for Europe the latter part of
April.
T ▼ T
SAN FRANCISCANS ABROAD
Dr. and Mrs. Mark Gerstle and Dr. Joseph M. Me-
herin have been visitors in London during the early
part of April.
Continued on page 42
26
THE SAN FRANCISCA^ii
Untrue To Type
In Which Wc Review the Case of An Unworshipped Hero
ih ROBIN McDowell
A YOi^NC. American - modest, retir-
/■A ing, cultured, kind ot reading,
JL v. eager tor intellectual compan-
ionship — a red-blooded man whose
worst vice is his preference of isn'( for
ain't — and, with all that, a man who
has won the world's highest honors in
his profession, the mere pursuit of which
is generally regarded as a well considered
bid for American popular (avor.
But this man wears the official crown
unaccompanied by the laurels ot public
adoration Andsogrosshas been America's
breach ot hero-worship etiquette that
we ha\e set ourselves to investigate the
situation — to indite the "hero" himself
if the fault be his, or to chide the public
if it be possible that it has betrayed itself
by faulty judgment.
Lindbergh is not censured because he
prefers not to indulge in petty vices.
Bobby Jones is not criticized because
he uses correct English
Douglas Fairbanks is not looked
askance when he entertains royalty or
courts the otherwise elite.
But Gene Tunney, twice crowned
champion of the sport voted the world's
most popularby single event gate receipts,
is ignored by hero worshippers because he
insists on being a gentleman as well as a
boxer.
Gene Tunney has done more spectacu-
lar things in an offhand manner than any
pugilist in the game today, but fans for-
get this in remembering his attempts to
cultivate faultless diction
Tunney knocked out Tommy Gib-
bons, one of the ring's cleverest defensive
boxers, a trick that his predecessor, Demp-
sey, failed to do, vet, because he does not
drink from his tingerbowl or unbutton
his vest at the table, the champion is
called "punchless "
He has given away a small fortune to
genuinely worthy charities but, because
he refused to let the fact be broadcast by
publicity agents, Tunney is called a tight-
wad and attention is called to his canny
dickering for match terms and his shrewd
outwitting of one Boo-Hoo Goff' a day
before the battle of the Sesquicentennial.
Sport fans forget the facts of Tunney 's
accomplishments in the face of their ob-
servation of his private life because their
champion has disappointed them.
Just how keen this disappointment is
can be seen readily enough on a review
of the situation
THE pubhc, after all, has a right, has
It not, to a hero that is at least logi-
cal. John Jones and Jim Dough may be
illogical if they want to because their
lives arc their own, or their wives', at
least the public doesn't have to be con-
cerned with them But a hero is a hero
And even in these days when heroes are
developed with comparative ease by a
radio, newspaper and moving picture
stimulated public, they are still rare
GENE TUNNEY
enough to bear a certain responsibility
toward public opinion.
Helen Wills never disappoints her pub-
lic by displaying any emotion inimical to
her reputation as "poker face." Even
when vacationing, President Coolidgc
never forgets his duty toward upholding
the New England characteristics with
which he is labeled by the populace.
Edison never disappoints his public by
sleeping more than four hours. Even one
so inexperienced in the art ot being wor-
shipped as Giannini at least sustains the
public's idea of his beneficence.
But Tunney refuses to take seriously
his responsibility of providing America
with a consistent hero. And it is this in-
considerate attitude which has damned
him with that deathly damnation of
public apathy that is worse than hatred
which at least has a substantial value at
the gate.
And Tunney should have known bet-
ter. Does he not go to the movies? Does
he not read the magazines and news-
papers? Does he not surely know that
"prize fighters" are "great big diamonds
in the rough?" Does he not know that
they are supposed to have the "killer"
instinct evident in all press photographs?
Does he not know that they are "heroes
of the people" and as such should thrill
the sports feature readers with picturesqw
bravado or braggadocio, with indiscreei
but forgivable drinking bouts, with prim'
itivc display ot emotions, with senti-
mental moonings over home and mother;!
Of course he knew all this. Yet he ha;;
insisted on behaving like a gentleman 1
▼ ▼ T
HE ARRIVED at his last great bout witl-
Dempsey via airplane only a few
hours before the sounding ot the gong
He was a self-contained, well-controlled
individual whose calmness testified fot
his self-mastery. He knew perfectly well
that a challenged champion should radi-j
ate the restlessness of a caged tiger await-i'
ing a meal but he deliberately cheated
his public. With full knowledge of their
expectations, he refused to give way to
the hysterical emotion of the moment.
Undoubtedly Tunney knows that merv
of his profession are popularly believed'
to have literary preferences no higher
than the Police Gazette, yet he does not
even blush when admitting a familiarity
with Shakespeare.
He must know that ninety-five Amer-
icans out ot a hundred expect one in his
position to relish the society of chorus
girls and bootleggers, yet he continues to
accept invitations to dinners and recep-
tions given by the recognized socially
elite. And he does not attend these affairs
as an outsider, but plays his part as!
though to the manner born.
Even Tunney 's charities are not done
with the expected flourish of a five or;
ten dollar bill pressed in the hand of a
seedy individual and the prescribed hom-
ily uttered in a loud voice.
▼ T ▼
THUS the case resolves itself into a
clear indictment of the champion,
surely the public is not to blame if
Tunney fails to take advantage of pre-
cedents, if he ignores standards laid down
for the type of hero he has chosen to be
Had Tunney taken up tennis, golf,
swimming or the movies, the public
would have understood his desire to be a
gentleman; but since he has chosen his
profession, the least he could have done
was to live down to people's conception
of pugilistic champions
As it is, having attained pugilistic
eminence, having proved that he intends
to retain the title, and also having stuck
by his determination to be a gentleman,
we fear that he will have to take his
medicine with gentlemanly resignation
and bow his head to receive the decision
that he is convicted of the heineous sin
of running untrue to type.
MAY, 1928
27
A New Trust Idea
The Fixed or Non-Discretionary Form of Investment Trust
DLiRiNG the past tew years the at-
tention of the American investor
has been directed towards what
to him is a comparatively new type of
security. Reference is here made to In-
vestment Trusts, both discretionary and
non-discretionary, in all of their various
types, forms and ramifications.
The fi.xed or non -discretionary trust
form may be defined as holdings of
specified securities by one or more
trustees for the benefit of the holders of
shares or certificates, all subject to the
terms and conditions ot a trust agree-
ment. To put it in another way, it is
merely a group ownership of securities
diversified in character and represented
by certificates in bearer form or registered
in the name of the owner. Each such
certificate represents a participating in-
terest in a unit of specified securities
which are held in trust by a designated
trustee or trustees.
The most successful non-discretionary
form of trust today is that in which
underlying securities are composed of
common stocks representing the leading
and foremost enterprises in the country.
Few of us are able to hold securities of
25, 50 or 100 different organizations,
but the investment trust provides a
means for this end.
▼ ▼ T
EXPERIENCE and statistics tend to in-
dicate that group holdings of rep-
resentative common stocks purchased
today and held for a period of years will
show a tremendous appreciation in value
and investment return.
The progress, prosperity and economic
condition of a nation is no greater or
different than the individual prosperity
or condition of a group of representative
and diviersified industrial organizations
operating within that political unit.
During times of panic or depression
it has been found that certain of such
companies will continue to prosper and
that during periods of normal growth
or development, practically all will
prosper and build soundly for the future.
To perhaps better indicate the truth
of this last statement, we can take cer-
tain figures which have been compiled
showing the regular and extra dividends
paid on 30 of the leading common
stocks during the last 23 year period.
This period includes the panic ot
1907; the period of industrial expansion
and trust formation and disintegration
up to 1912; the European War boom of
1916-1920 and subsequent severe reac-
tion in 1921-1922. During this time an
B^JOHNH. OUHRING
average of 3 or more of these 30 com-
panies declared an "extra" in some form
or other every year. The number of such
extras were not less than 2 in 1905 to a
high of i6 in 1927.
T » T
IN 1912 Professor Irving Fisher of Yale
University pointed out the fact that a
list of American common stocks selected
without the application of practical in-
vestment intelligence or skill, if pur-
chased and held as a group, would over
a period of years, give a high average in-
vestment return and show an apprecia-
tion in principal. This, notwithstanding
certain losses of principal or earning
power in some stocks included in the
original group.
Naturally, such a group had to con-
tain stocks of companies that were more
or less basic in character and which
might be termed investment stocks.
The explanation of this finding is
that common stocks as a group benefit
from the policy of good management
in "plowing back" a portion of earnings
through addition to surplus.
Inasmuch as the return from common
stocks is in the nature of a wage, and
increases as the cost of living or com-
modity prices increase, the reaction from
above is indicated in the increase in the
market value of such common stocks.
Since Professor Fisher's original state-
ment to this effect, a series of tests by
other economists have borne out and
strengthened his findings.
The non-discretionary type of invest-
ment trust is an Americanized adaption
of the English plan of balanced diversi-
fication and was first suggested as a re-
sult of the studies of the dividend returns
from common stocks above mentioned.
Many criticisms have been directed
at the non-discretionary form of trust
for the reason that it does not and can
not take advantage of market situations
thereby buying when stocks are cheap,
selling when stocks are high, and thus
enabling the investor in the trust to take
advantage ot market fluctuations.
NON-DISCRETIONARY ttUStS, howeVCt,
pin their faith upon the theory
that an investment ot a diversified group
will always tend to move forward. The
group will, ot course, be influenced by
market fluctuations, but the curve or
trend of the unit extended over a period
of time will always have an upward
movement.
In the fixed or non-discretionary type,
a group of balanced and diversified
common stocks arc deposited with an
independent trustee. Certificates or par-
ticipating shares, the total value of
which are equal to the value of deposited
stocks, are then issued.
The trust agreement usually provides
that the entire return on the deposited
stocks will be paid to the trustee and by
him distributed at certain intervals to
holders of certificates or shares, less a
certain designated cost for maintenance
of the trust.
No substitution or change can be made
in the underlying security or deposited
stocks, nor can discretionary powers be
vested either with the trustee or the
shareholders. As a result, the investor
knows exactly the stocks in which he has
a participating interest.
This rigid non-discretionary quality
accordingly gives the trust an aspect, to
a certain degree, ot a first mortgage bond
secured by mortgages on several specific
properties. In either instance the under-
lying security cannot be substituted
notwithstanding a certain increase or
shrinkage in the value of part of the
security. The investor in both instances
is protected by the diversification of the
underlying security.
▼ T T
IN THE establishment and maintenance
of either a discretionary or non-
discretionary form ot trust much is de-
pendent upon competent supervision and
management. This is particularly true
of the former type due to the power of
substitution that is vested in the man-
agenient.
In other words, the chief difference in
the operation of the two types is that
one involves the human factor to a cer-
tain extent, whereas the other is self-
operating and practically automatic.
The non-discretionary or fi.xed type of
investment trust is growing in popular-
ity in direct ratio to the general recogni-
tion of its inherent and fundainental
soundness. Its one acknowledged weak-
ness has been in the apparent unbalanced
year to year return due to such return
being based upon "extras" declared
upon the stocks of the underlying com-
panies as hereinbefore outlined.
One method of continued realization
and stabilization of the year to year re-
turn has been advantageously worked
out in some of the more recent trust
agreements whereby an average mini-
mum return is practically assured.
This has been taken care of by the
setting up of an adequate reserve fund
Continued on page 28
28
THE SAN FRANCISCAN
Suprcmacy^^
. \0 \0\1 lire making your home at the Palace?" said Sir Albert to his
American friends. flJ^"Ah, yes. Interesting place to dine and dance-
You'll see a lot of very smart people. Not the quieter type; not, so to say, the
'best of us' — not the Park Laners." (r"Park Laners" in San Francisco will
find the service that they appreciate at Park Lane. (TPark Lane took long
to build and took long to select its staff of help. (TPark Lane was not designed
for a short stay, but rather — if you please — for those who really live. (TPark
Lane's location on Nob Hill is the aristocratic center — extraordinary —
and yet it is within six mimtf.s of the theaters, arts, shops and banks.
Apartments, five to eight rooms,
unfurnished and furnished {in-
comparably) $2§o up. Leasing
now. Occupancy immediately.
Eugene N. Fritz, Jr., Managing Owner
1 100 Sacramento Street {corner of Mason)
NOB HILL
Why I Came to San Francisco
IREDERICK BLACK
WHY did 1 come half across the
world to live in San Francisco? If
1 am to answer in one sentence ; "Because
I was intrigued by the sound of a name."
Merest trifles have such tar-reachine
influences A kettle sings over the heartn
. . . and great railroads span continents.
A meek-looking chemist quietly mixes a
few elements and half an army is
destroyed by an enemy it never saw
What Elbert Hubbard called "the frou-
frou of a silk petticoat" (Hubbard wrote
this in those days) . . . and a man has
found a mother tor his children, A gov-
ernment says; "Thou shalt not drink"
and . but you already have my idea.
The lilt of a strange name aroused the
original urge that set a romantic little
Irish boy to dreaming of a land tar beyond
the horizon. The queer sound of the
name !Strange? Yes, to you who have lived
here so long among so many musical
Spanish names But suppose you were a
wee tad in Ireland where there are such
dissniant places as Aughrim, Kana-
togh r, Ahascragh, Drogheda. The word
would fascinate you too. For me . . .no
name ever tasted quite as satisfying.
In case I give you a wrong impression,
not all Irish place-names are unmusical.
Lisdoonvarna, Tralee, Conemara . . .
might well arouse travel urge in a Cali-
fornian but, unfairly or otherwise famil-
iarity breeds contempt. What's more,
that word San Francisco had me hypnO'
tized.
San Fran-cis-co ! A city not only across
the big Atlantic, but across America as
well. Ships from the seven seas. Sailor-
men. The great Pacific. With China and
Japan just on t'other side. Well, a little
boy, in a land of leprechauns and ban-
shees, read of such a place and fancied it
a promised land. For twenty years that
dream held good until, as sometimes
happens, the port of desire was finally
reached.
That was three years ago. Today?
That imaginative picture place has not
dulled but brightened . . . but as Mr.
Kipling has said: "... that is another!
story . . .".
A New Trust Idea
Continued from page 17
and a system of dividend equalization
so that in years of high earnings, pro-
vision will be made for years of low
return.
The idea is based upon the practice of
corporations to build up a surplus in
years of prosperity to protect their divi-
dend requirement during periods of light
earnings.
MAY, 1928
29
YEARS ago Wallace Irwin sang his
unforgetable song of "San Fran-
cisco's Fog." A fragment of it
recalled the days when :
"Old Chinatown was greasy
And Market Street was wood,
When half the town ivas restaurants
And all oj 'em ivere good!"
Well . . . surely the scenes have
shifted, for the town is far from being
composed half of restaurants . . . nor
are all of those we do have . . . good.
The fact is, I know of several that are
distinctly and decidedly bad. On the
other hand I also know of a few that are
good . . . very good . . . and I propose
to do my Boy Scout deed this day by
telling you of a place or two that I've a
fancy for.
Go east on Union Street, turn at
Montgomery where a cliflF-like street
will bring you . . . out of breath, or
gasoline, or both ... to the exact spot
where Telegraph Hill stands on tip-toe
and cranes its Bohemian neck at the
sweep of bay and city and distant hills
spread out at its feet There at the end
of a jagged lane is Julius' Castle clinging
rakishly to the steep hillside. Don't
backup for there's a turnstile to face
your dubious motor about
Julius, king of this Castle, will greet
you graciously . . . if you have a
reservation. Otherwise he'll put his
turnstile to use and suggest that you call
Davenport 3202 next time you plan to
dine with him.
Julius serves a dinner that is a tax on
any fund ot adjectives. He is king, not
As seen
Hep
only of his castle, but of his profession
as well. His tagliarini with sweetbreads
and mushroom sauce is something to
shout from the housetops about while
special mention of his famous banana
fritters should be placed in all "Come-
To-California" circulars.
He is a jolly king proud of his castle,
his cooking and his collies. He deserves
and appreciates praise of all three, while
the collies appreciate being patted and
fussed over. Yes, they wander about
among the tables, so if you object to
dogs in a dining-room you must pay
for your fastidiousness by missing the
unique experience that dining at Julius'
always is.
▼ ▼ ▼
OUR Chinatown presents two para-
doxes tor epicureans. At 546
Grant Avenue is the place that is called
Manmaru Tei. In the very heart of
Chinatown, and it boasts the best Japa-
nese dinner in the west !
Here a veritable Madam Butterfly
will serve you the while explaining the
savory mysteries ol Japanese cooking.
She will tell you first, in the quaintest of
English, that a Japanese dinner is pre-
pared not only to be eaten but to be seen.
Every meal . . . every dish ... is con-
sidered both as to how it tastes and how
it looks. All their bowls, cups, trays
and "wan" (wooden bowls and covers)
are made with an eye for their beauty
as well as their practicability. What is
more, each season has its set of dishes.
Go there this merry month ot May
and you will find the bowls and trays
gay with colors symbolizing the "sea-
son and spirit of flowers." The autumn
will find them replaced by quiet ones,
glowing with burnt orange, subdued
with leaf brown.
"They are for the season of calmness
and contentment," I was told the other
night. Also that; "... if you look
sharply you will recognize the poem
that is in every Japanese meal."
Intriguing? But that's only half the
fun of climbing the narrow stairs to
Manmaru Tei. Order "Namaunagi"
and "Yakinari." Eat it and you will ex-
claim at the piquant flavor. You have
eaten, my friend, imported eel and dried
seaweed !
The piece de resistance ot any Japanese
dinner is "Sukiyaki" To the table is
brought bits ot raw chicken, noodles,
green onions, eggs ... all things that
are intelligible to an American. They
are mixed together in a sort of chafing
dish and cooked before your very eyes.
With the aid of soy sauce and other
Oriental delicacies they are so disguised
you v/ould never dream what you are
really eating. But it matters little, for
"Suskiyaki" is not only mystifying but
satisfying !
▼ ▼ T
F.11RTHER down the street perched
above the shops where silk and jade
are sold is "The Courtyard" . . . where
East is most undeniably West! A girl
with energy and imagination has turned
a Chinese rooftop into a fascinating
Occidental tea room. Her "Courtyard"
is aptly named, for it is just that . . .
30
THE SAN FRANCISCAN
Your Name
"IXThatever accompanies
your name should do you
the highest credit a point we
consider at ten tivcly when send-
ing^ourrs for you.
Orders telegraphed
anywhere
THE VOICE or A THOfSASD GARDENS
224-226 Grant Avenue
Phone Sutter 6100
SAN FRANCISCO
Purveyors of
Confections
\\ortl\v of the
most discriminate
Comparison
FOSTER ci' OR KAR
Cdj/ 0/ Pans • I)? Grnnt /h-enue
B.F.Sc/ile.nnffer • Oakland
Arcade of Ru.rx lluilding
Ferry Bui Id in 1/
holding cool, green tables sheltered by
gaudy sunshades to keep our lar-famed
(California sun from flinging golden
freckles down at you as you dine.
And if there is no sun . . . our Cham-
ber of Commerce to the contrary . . .
we do have olT-days, grey with fog, she
has an open fireplace that can sputter
the warmest welcome to a shivery guest.
Luncheon, tea or dinner, in the sunlight
or by the fireside arc all worthy of your
investigation. And may I recommend a
late tea or an early dinner at sundown's
fieet hour . . . when the brilliant blue
sky of a May day fades to twilight's
eerie green and the first evening star
twinkles down at you?
T T ▼
C.\rETF.Ri.-\s with their counters of
steaming food can be depressing
affairs leaving a dreary taste in one's
mouth. I know of one on Post Street
that is an exception to all rules. In
through a jade-green door and up a
ilight of bright stairs and you find your-
self in what seems for all the world a
blossoming garden. Flowers everywhere
. . . great feathery masses of them.
Birds . . . canaries that trill tunefully,
love birds that add color and gossipy
chatter. While a flower-banked fountain
has a song all its own. The airy charm
of the place and the excellent food is
turning many feet toward Post street
these days.
T T »
JULIUS may reign supreme on Tele-
graph Hill, hut there is another
dynasty on Russian Hill. At 1001
Vallcjo Street is the Russian Tea Room
where one may be initiated into the joys
and surprises ot Russian cooking . . .
all to the measure of native music
played and sung and stamped by men . .
so the story goes . . . who knew the
splendors of the Czar's court.
Being greedy minded it isn't just the
exotic food and music that has lured me
again and again to 1001 Vallejo Street
(though heavens knows they are reason
enough). The walls have a story to tell
that I've now learned to interpret.
For example, there is the Griff^on
motif. Why? Because these fabulous
beasts were believed, according to Hero-
dotus, to keep watch over the gold of
Scythia (ancient Russia). The Griffon is
represented as a bird with a woman's
face. These mythical beings, both
benevolent and malicious, were zealous
guardians of the natural resources of the
country, symbolizing perhaps the ances-
tors of the race as rightful masters of
the land, stern directors of its destinies
and protectors of the home.
And the Firebird, another motif, is
also a mythological creature. Its duty
was to guard the wonderful Garden of
Life and Happiness and its crop of
golden apples. (It corresponds to the
Dragon, keeper of the Garden of Hes-
At the Smartest
Places You
Will Find
^^44AXUL
The Imported
T)ry Qinger ^le
For years Isuan Dry Ginger
Ale has been the exclusive
choice of those bon vivants,
those citizens-of-the-world,
who dominate the social life of
the Orient
Discriminating people in the
United States have quickly
appreciated its distinctive
merit and delicious flavor.
Tangy/;r.v/? limes .... spicy
Jresh ginger . . .in sparkling
Isuan Water.
Insist upon Isuan Impurled where you
dine — or from the belter grocers.
In Manilla they say
"E-SWAN"
ISUJX DRY GINGER JLE
MAY, 1928
31
pcridcs in the Hercules myth.) Like the
Phoenix, it sprang trom fire and possessed
' eternal life. The acquisition of a single
feather endowed a man with super-
natural powers and, incidentally pro-
vided him with an incandescent light.
Then there is the Plant ot Life, a
motif common to all fairy tales. It is
pictured as a rather insignificant looking
herb. They believed that it grew in in-
accessible places where enormous treas-
ures were buried. The eye in the flower
that smiles down at you so ironically is
meant to be leering at those who prefer
wealth to health.
The Babayaga riding in a mortar
corresponds to the European witch. She
played, however, a more important role
as a personification of the evil powers of
Nature. She is not only associated with
the Devil, but is related to him, being
his grandmother! And the mournful
aspect ot the Raven is explained by the
greatness ot the burden of wisdom he is
carrying. He is supposed to have had
access to the Fountain of Lite and many
are the heroes who pay him homage tor
the success of their martial careers.
In the corners ot the room the Coq
d'Or of Rimsky Korsakov's ballet fame,
and sunflowers, are represented. The sun-
flower as a symbol of the beneficient
effects of the sun upon the earth. The
Coq d'Or signifying the influence of fate
upon our lives
The balance ot the pictures on the
wall depict the pcacefulness and myste-
rious calm ot old Russia; the castle of
Koshchei the Deathless on a "windy
Russian hill"; the forest with its quiet
pond and its mushrooms, so well appre-
ciated by the natives, esthetically and
gastronomically; the patriarchal aspect
ot the trading towns; and the white
beauty ot the birches on the shore ot the
bottomless sea.
You will take away much more than
just a casual speaking acquaintance with
native dishes from the Russian Tea
Room if you will but chat with the
charming hostess who has transplanted
a bit of her own country to the top ot a
hill in San Francisco.
Julius' Castle! Manmaru Tei! The
Courtyard! The Post Street Cafeteria!
The Russian Tea Room ! May I mis-
quote Mr. Irwin and say that :
". . . all of 'em <27-e good!"
Tin Types
Continued from page 2?
in an uproarous turmoil ot crime, dis-
order and corruption. For one thing,
there was the matter of five large fires,
which occurred between December 1S49
and June 1S52, each one of which de-
stroyed the greater part of the business
and residential areas of the city. Five
times within the three-year period a new
and more substantially built city rose
upon the ashes of the old one — such was
the intense energy of the community.
There appears to be no existing rec-
ords to show that any miscreant was
openly caught starting any one of these
fires, but still the harassed population
had active suspicions that they were not
all caused by ordinary carelessness. If
specific evidence as to the origin of the
fires were lacking, there was certainly no
lack of evidence that the city sheltered
plenty of people thoroughly capable of
such deeds. This evidence was upon
every hand, for the citizens of Sidney
Cove and others of like ilk went about
plundering, shooting down, outraging
life and property at their pleasure; mur-
dering on slight provocation, or none
at all. Business failures, large money
losses, and illegally seized land titles
through devious manipulations were of
daily occurrence. Relatively speaking,
such crimes were trifles. To protest about
them was to make a ridiculous hue and
cry about nothing.
THERE had been considerable talk of
the citizens organizing themselves
to take the law into their own hands.
Those who had the most to fear from
such a plan never supposed that it would
ever come to pass. But there are limits
to the patience of even a gold-crazed
city, and conversation suddenly mate-
rialized into action with the formation
of the first Vigilance Committe in June,
1851. Its organization followed a trial of
two accused murderers, James Stuart and
Joseph Windred, in which a committee
of citizens made every effort to prevail
upon the authorities that proper justice
be done. During the trial it developed
that Stuart was the wrong man, while
Windred who was clearly guilty, drew a
14-year sentence. He made good his
escape within a few days of imprison-
ment.
Thereupon the ablest, most capable
and upright citizens ot San Francisco
lost no time in organizing their Vigi-
lance Committee and choosing head-
quarters at the corner ot Battery and
Pine Streets. William T. Coleman was
one of the most active organizers and
leaders. It was agreed that the tolling of
the Monumental Engine Company's
bell was to be the signal for the assem-
bling of all committee members for
service. On the evening ot June 10th the
bell slowly tolled and San Francisco to a
man made its way to Committee head-
quarters, where it was learned that John
i THE ULTIMATE
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ENCHANTMENT i
CHOCOLATES I
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from the finest of ingredients: M
fashioned by the best of M
candy makers. ^
GOLDBERG-BOWEN
^^ "T/ie Home of Fine Qroceries'* ^^
^ 242 SUTTER ST. PHONE SUTTER 1 ^
Delightful
Ocean Days
— a voyage that ends all too
Suuii when you sail the
"LASSCO luxury way" over
the popular Southern Route
from Los Angeles to en-
chanting—
HAWAII
On LASSCO s famous liners you have a wide
choice of outside staterooms — most of them
with beds and private or connecting baths.
Hot and cold running water — telephone connec-
tions— electric heaters in every room. Broad,
airy, inviting decks. A sea trip of constant en-
joyment in an irresistible atmosphere of friend-
liness and delightful relaxation.
DINE and DANCE
—as you sail to LOS ANGELLS and
SAN DI EGO on one of the super-
express liners —
HARVARD & YALE
4 sailings weekly — low round trip and
one wav fares.
LOS ANGELES STEAMSHIP CO.
685 Market St — Tel Davenport 4210
OAKLAND BERKELE"
412 13th Street . 2148 Center Street
Tel. Oak. 1436 — =• Tel. Thorn. 60
32
THE SAN FRANCISCAN
Fares Cut
to the East
May 22
Opening silc date, and daily thereafter until
Sept. 30. Return before October 31.
FOR EXAMPLE: roundtrip to
Boston. Mass 157.76
CHICAGO 90.50
Cleveland. Ohio 112.86
Denvet. Colo 67.20
Detroit. Mich 109 92
KANSAS CITY. MO 7'S.60
Memphis. Tcnn 89.40
Minneapolis. Minn 91.90
.Vcw Orleans. La 89 40
NEW YORK CITY, N. Y. . , . 151.70
Otnaha. Neb 75.60
Pittsburgh. Pa 124.06
St. Louis. Mo 85.60
San Antonio. Texas 75.60
VXASHI.NGTON. DC 145.86
Four Great Routes
for transcontinental travel
It costs no more to go one way. re-
turn another except through the Pacific
Northwest ( si ightly more. ) Only South-
ern Pacific offers this choice. Sunset
Route: San Francisco via Los Angeles
aiid El Paso to New Orleans. "Sunset
Limited," famed round the world.
Overland Route, Lake Tahoe Line:
San Francisco via Ogdcn and Omaha
to Chicago. "San Francisco Overland
Limited," 6114-hour transcontinental
aristocrat. Golden State Route:
Los Angeles via EI Paso to Kansas
City and Chicago. "Golden State Lim-
ited," 61 14-hour, flyer. Shasta Route :
California to Pacific Northwest and
cast over Northern Lines. The "Cas-
cade" and 3 other tr.iins.
Oreat Circle Tour
—around the United States slightly
higher fare than via direct routes. Ask
about this greatest summer travel
bargain.
Southern
Pacific
F. S. McGINNIS, Pa„. Traffic Mgr. San Francisco
Icnkins of Sidney Cove wa.s on cri,il for
his lilc
The trial took place immediately it
moved forward without ceclinicalities,
alibis, delays or evasions Every fact and
hit of c\'idcncc on both sides of the case
was laid upon the table and considered
with utter justice. At midnisbc Jenkins
was pronounced guilty and the death
sentence imposed By two the same
morning he was dead. The balance of
the Sidney Cove population was ordered
to leave the state, and many of them
were herded onto vessels and returned
to Australia
▼ T ▼
IN no par: of these proceedings was
there any secrecy The names of the
committee members, their motives and
methods were openly published and
were common knowledge The com-
mittee had no legal right tor being and
no legal status for any of its acts. It had
wrested the cleaning up of the city and
the punishment of criminals from those
with legal authority for such work But
such was its openness and impartiality,
that the committee had the support of
the greater majority of the population
After maintaining itself about si.K
months, it disbanded of its own accord,
lest having outlived its emergency pur-
poses counter forces and manipulations
might creep into its own ranks.
For some three years following the
work of the committee San Francisco
knew freedom from, at least, the more
violent and dastardly crimes. Memories
of the committee lingered, but not even
these were strong enough to prevent the
development of a new crop of crime and
civic corruption. By 1S56, when the
second committee was formed, condi-
tions were fully as bad if not worse than
in 1S51 Murder again flourished as a
popular pastime and though killings
averaged twenty a month, arrests were
seldom made and convictions were un-
known. Gambling house proprietors
and women of commerce flaunted bra-
zen defiance of any law They owned
the press through the liberal advertising
contracts they gave, and the police like-
wise; while the ballot box existed that
only men favorable to their interests
might be assured of office. Those who
went to court seeking redress for any
grievance were treated with insolent
scorn and subjected to the indignities of
trying to obtain justice from uncouth,
ignorant, contemptuous officials
Moreover the business life of the city
was in a bad way. Over expansion and
over speculation, coupled with dimin-
ishing returns from the gold fields
brought the city to the very brink of
commercial ruin
A
c;ainst this solid wall of crime
and corruption, James King of
William took the lead in launching his
spectacular but wholly truthful expo-
sures of the several large bank failures
and the farcial trial of Charles Cora, the
city's iTiost notorious gambler and adept
ballot bo.x stuffer, who had murdered
William Richardson, U S Marshall,
when he called the gambler to account
for his election activities. Subsequently,
King exposed the election frauds of a
James P Casey, former inmate of Sing
Sing Casey in revenge shot down King
of William and thereby was the im-
mediate cause for the formation of the
second Vigilance Committee.
This body was larger, more powerful
and better organized than the first had
been It was more or less secret, every
member being known by simply a num-
ber. Close to 4,000 men comprised it,
and were divided into infantry, artillery
and cavalry companies There were also
legal and judicial departments A build-
ing on lower Sacramento Street was
finally chosen as permanent headquarters
and was known as Fort Gunnybags,
since it was barricaded and fortified with
sacks of sand This committee doggedly
set itself to a thorough renovation of
the city and left no loop holes in its
organization or preparations. William
T ColeiTian was elected to head the
body without a single dissenting voice,
and for several inonths thenceforth he
represented the Law of San Francisco.
The first move made was the forcible
taking from the county jail of Casey and
Cora, both confined there in the gesture
of upholding the law. Upon the death
of King of William the committee im-
mediately began the trial of Casey and
Cora There was no nonsence in the pro-
ceedings of this tribunal. Neither in-
tiiTiidations nor dollars could touch it.
At the end of two days and nights the
wretched pair were sentenced to death,
and within another day were dead.
Two more men paid the death pen-
alty for their misdeeds. The efficient
policing of the city by the Vigilantes
shortly quelled riotous disorder in the
gambling and public houses, and the
citizens of San Francisco once again
came into the assurance that they would
die in their own homes of natural causes
The election system was taken hold of
and the frauds fearlessly exposed San
Francisco, in fact, became more thor-
oughly purged of crime and petty poli-
tics than she has ever been in her bois-
terous, headlong, hectic existence
However, the work of the second
Vigilance Committee was not accom-
plished without opposition. A group
calling itself the Law and Order Party,
composed largely of lawyers and city
officials, who very obviously did not
relish this demolition of the sources of
their income and powers, undertook to
block the work of the committee. But
MAY, 1928
33
( public opinion as a whole was not on
the side of the Law and Order Party,
and it was able to gain but little
strength Several difficult situations were
created by the maneuvers ot the opposi-
tion, but with all authority vested in
Coleman he was able to handle them
openly and capably and proved himself
fully worthy ot his phenomenal re-
sponsibilities
After accomplishing its emergency
: purposes the committee dissolved of its
own volition, and we do not Jnear again
' of its leader until 1876, when one Den-
nis Kearney startled the city with a
spectacular labor agitation. In the June
I issue will be discussed the gentleman
Kearney's misguided abilities.
T ▼ T
Behind the Screen
Continued Irom page lo
tempting and the most essential task in
the development of the motion picture.
One great artist has already done great
things in this direction I refer to Charles
Chaplin, an artist very dear to my heart.
f4is achievement is of historical impor-
tance and will never be forgotten.
Chaplin is poet, director and actor all in
one. He does not adapt novels or plays.
He creates directly in terms of motion
pictures . He has enriched the Commoedia
del Arte with an immortal figure Around
this figure he has created a modern fairy
tale which, despite its silence, makes us
laugh and cry. But the figure itself neither
laughs nor cries Chaplin's artistic integ-
rity is admirable. It is impossible to
speak of the motion picture without be-
ginning and ending with him. For in the
beginning of this wordless art was
Charles Chaplin.
▼ T T
Lest We Forget
C^ontinued Irnm page 22
HISTORY, that eternal fount of com-
fort for all creeds, all colors, has
nothing encouraging to offer these poor
pining girls with the affected larynxes.
They read that the queens and courtesans
who gave all for love, and made no
demands, were usually beheaded, while
those who pouted and wheedled, whined
and mined, always got what they
wanted and lived to write their memoirs.
The "left-handed queens" were called so
because their right hands were always
out of sight, digging.
Something of course should be done
for these unwept, unsung heroines of re-
nouncement— the Lorettas, the Floras
and the jaquelines and all the rest of
their pining sisters whose cases are alto-
gether too poignant for utterance. They
are beautiful, they are young, they are
oftimes charming and talented; but they
are pining away, defeated on the threshold
of life so to speak by two of the shortest
words in any language — je veux, ich
luill, I want.
Hawaii Is The New Island Playground
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As to Books
fiv JOSEPH HENDERSON
WiiiN your reviewer found
chat he was co write about
l^osc Macaulay's new novel,
■■l)ais\ and Daphne," he was deeply
i-mharasscd to realize that although the
lady in question is a very well-known
ifnglish authoress, not only had he never
read any o( her seven novels hut n:ither
had he c\'er heard any trustworthy criti-
cisms ot them. So thinking that 1 owed
it to my public to be more au courant,
i sat down at my little telephone and
called upon my literary triends to en-
lighten me. "Have you ever read any-
thing by Rose Macaulay," I spoke
amiably into the mouthpiece. "She has
a light touch," was my first reply. That
was encouraging, because I could there-
fore spend a nice tat paragraph compar-
ing her to everybody troni Lawrence
Sterne on. The second reply was more
lengthy. According to this authority she
could hardly be a novelist at all since
she was characterized as "an exquisite
expressionistic artist working in the
pastels and cut glass of modern life."
This was a little disturbing, but I fore-
saw that it might become the nucleus
of one of my finest "purple passages."
The receiver buzzed and quaked with the
next reply which declared that Miss
Macaulay was a blank-blank-neurotic
modernist and that she had quite rightly
named oneot her novels, "Told By An
Idiot " By this time 1 was rather flus-
tered, and sent my fourth appeal fever-
ishly over the wire. The carefully modu-
lated answer came back, " 'Told by An
Idiot' is fine, but of course that is her
early manner, and 'Mystery in Geneva'
is indispensible in understanding her
growth and transition to 'Potterism'
which I may say ranks her as one of the
two or three really important wonien in
English letters." This made me feel
dreaduUy uneducated, but I tried once
again. This time the receiver insisted
chat "Miss Macaulay is one of the great
iailures in English literature. IF . . .
but it's too late for her to do anything
important now. By the way, have you
read 'The Bridge of San Luis Rey' . . .?"
! hung up the receiver with a few polite
imprecations and sat down to read
"Daisy and Daphne" with no arricrc
pcnsce. Ifam therefore in no position to
say whether "Rose Macaulay's new
novel is typical of the brilliant, shrewd
Dobb
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PAINTINGS
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p Gabriel iHoulin |
I 153 llearnp street |
X (Eelepljone Xleatnj> 4366 5
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MC(Si>T(ICEi«a;(ICc^>Ja>ICcJ«ia3(ICiiJ«Jij3(IC6J««;i3(l^^
MAY, 1428
35
THE
Herbert Heyes
STUDIOS
»'
e^ WILL ACCEPT
LIMITED NUMBE
OF STUDENTS FOR
INTENSIVE TRAIN-
ING IN DRAMATIC
ART DURING THE
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SUTTER 4Z97
SUMMUM IN HISTRIONIIS
An
Enticing
l^uncfjeon
'mid May Blossoms
A>vaits You
Men and Women of exacting
taste climb the green stairs
to avail themselves of instant
self-service from abundantly
laden tables of delicious food
at the
^ost Street Cafeteria
62 ^ost Street
S>an Jf canttgco
A
humor chat sets off what pubhshers con-
sider her best story since 'Potterism,'"
or whether "the tenseness of the drama
in the latter part of this novel has not
been equalled in any novels of recent
years," but I can say truthfully that i
thought it a mundane, intelligent, senti-
mental, charming little book which may
be read by almost anyone with a good
deal of pleasure and a little profit as well
The novelty of "Daisy and Daphne"
is revealed along about page loo when
we are told that "Daisy and Daphne,
these apparently two young women,
P*were actually one and the same young
woman; Daphne being Daisy's pre-
sentment or phantasy (as the psycholo-
gists call it) of herself as she appeared to
others . . ." At first this duality pro-
duces some very pleasant psychological
gymnastics, but toward the end one
can't help thinking that Miss Macaulay
has placed an unnecessary limitation on
her otherwise light, brilliant style, by
persisting in a Dr.-Jekyl-and-Mr.-Hyde
trick which isn't so novel after all.
"Daisy and Daphne," by Rose Macau-
lay. (Boji! and Liveriglit) .
T T T
WHEN the present New York theatri-
cal season was about to "fold its
tents . . .," the Actor-Managers sud-
denly produced "Mava," and afforded
Broadway another tragi-comic side show
between producers and policemen to
match last year's superb misconception
of "The Captive." "Mava," a play by
Simon Gantillon, also came from
France, and not all that Lindy, La
Fayette and the Rue de la Paix ever did
to foster brotherly love between two
countries coidd stop New York's rever-
end play-going committee from im-
mediately purging the American stage
of "Mava's gross, French sensualism."
But although "Mava" has melted
into thin air for the stage, it may still be
purchased quite materially in its little
yellow paper cover at any of our best
book marts. The play is good both in
construction and content and anybody
looking for "gross sensualism" had bet-
ter stick to Rabelais and "Mile, from
Armantiere, parlez-vous." ... In fact
it's a little too nice. Mava, or Bella-
Mava, as she is called, is a prostitute,
but like most of Eugene O'Neii's fallen
ladies, she "has a good heart," or is "a
victim of circumstance" or "the great
mother" I've no doubt that the pic-
tures O'Neil and Gantillon give us are
the accurate results of carefully observed
portions of numerous red-light districts,
and that such women as Bella do in fact
exist; but why do these dramatists cause
their heroines to display such virtuous
sentiments? I should think that the most
representative prostitute and the one
most worthy to symbolize her ancient
profession would be she who delivered
RUDOLPH
SCHAEFFER
SUMMER CLASSES
July S to August II
Color — Design
Interior Decoration
Plastic Form
Rose Bogdonoff
Stagecraft
Costume Design
Masks — Lighting
Fritz von Schmidt
Windo'wr Display
Rudolph SchaeSfer
SCHOOL OF
RHYTHMO-CHROMATIC
DESICN
I2T «RANT AVENUE • SAN FRANCISCO
36
THE SAN FRANCISCAN
Davis
Schonwasser Co.
Grant Avenue at Sutter
OUTFITTERS TO THE
INFANTS Cr CHILDREN
OF SAN FRANCISCO
SINCE 1869
GOWNS
LINGERIE
TROUSSEAUS
^yf/
ma
Cxctusii>cy<iM^odis/c '
COLESON BUILDING
212 STOCKTON STREET
SAN FRANCISCO
the most sin for a man's money with a
minimum ot respectahihty But these
ladies before their lovers and their audi-
ences create httle more than the pallid
impression of "fallen virtue," which is
neither gross, sensual nor picturesque.
Imagine Hedda Gahler in a red-light
district, for instance. There would be
something ivnrtli censoring! However,
that may be the prejudice of one who is
less well acquainted with the lower
depths than M. Gantillon and the truth
remains that out of "Maya's" eight or
nine scenes, at least four are pieces of
admirable modern stage technique and
good strong symbolism
Maya, by Simon Gantillon. (English
Acting version published by the
Actor-Managers) .
I SPENT considerable time searching
some dependable books for Spring
use, something nice and snappy for the
v\'hole family; perhaps a good biography
tor father, a bit of practical psychology
for mother, a nice aeroplane thriller for
the kiddies and some red hot aesthetics
or comparative religions for the younger
generation. But suddenly I came across a
handsome volume decorated very trick-
ily in black and gold with fine big print
which seems to me the Ail-American
family book of the age.
"Business, the Civilizer," by Earnest
Elmo Calkins, sounds like the sort of
book grandfather might send to Jimmy
at graduation, but one look inside is
enough to convince you that there is
plenty of good, live meat in these pages
for each and every one of us
Take a few of the chapter headings,
for instance : The Rising Qeneration
Asks a Question, What Makes Busi-
ness, The Amelioration of the House -
ivije's Lot, The New Morale, Where
Do We Qo from Here, The Artist's
Qreatest Medium, or Fashion is a
Wayward Hussy. Or take the index.
By all means, let us take the index! If
you have a predilection for A's you've
only to turn to the listed pages after:
Advertising Work, Potentiality of, Aeo-
lian Hall, Aesop, or Agriculture in
Touraine The E's are also very good,
including, Ederle, Qertrude; Edison,
Thomas; Electric Refrigerators, Emer-
son and England Modernized. The Q's
are short and to the point, consisting
simply of. Quantity Production and
Queen Marie, while the V's promise
illuminating pages on. Vacuum Clean-
ers, Valentino, Rudolf; Value of Qood
Will, Victor Talking Machine and
Vinci, Leonardo da. Judging further
from the index, Mr. Calkins seems par-
ticularly interested in certain large ab-
stractions.
Three Centuries of
PIANO MUSIC
INTERPRETED BY
Henri Deering
Classical Program
Monday afternoon
May seventh, at four o'clock
Romantic Program
Monday afternoon
May fourteenth, at four o'clock
Modern Program
Thursday evening
May seventeenth, at 8:30
At the Gallery, California
School of Fine Arts, Chestnut
and Jones Streets
Tickets of Sherman, Clay &
Co., or at the hall. Series, $5.
Single concert, $2
You tire cordially invited to subscribe
for the scries or individual programs
■*^ Tin
Specialize in Copying Daguerreotypes,
-Types, NewspaperCuts. Paintings, etc. ^
Restoring to Ortgtnal BrtUiancy T^
iK'ithout Damage to the Original
I-
Studio
441 Powell Street : Garfield 2^66
SAN FRANCISCO
f>!SBS^ r^ISS^ r^&^ t^SISi^ p^B&v fiSSISJ^
FCAneis
T€AC00in
DnmcR, ''
3 • 1 ■ S
SUTTeaST
8- 1 T T
'>.i.t.i.\\X\.XX\\XX\ X\XX\i.\\\\\\i
MAY, 1928
37
From
The hionolulu Correspondent
HONOLULU, T. H. — Californians
are arriving in shoals on every
boat trom the Coast, both b)- the
northern and southern lines Included
among the latest newcomers are a num-
ber ot Hollywood motion picture stars
. . . always objects of twice as much
attention here as on the mainland
The Malolo sailed into port bearing
Richard Barthlemess and his brand new
, bride The fat, tropical moon that is
swinging so low over our islands these
nights is surely a gracious addition to
^ any honeymoon '
We have also had Laura La Plante
and Colleen Moore as representatives
, from the cinema capital
[ Earle C. Anthony of Los Angeles and
San Francisco, and Chester Rowell,
editor, writer and publicist, were two
. distinguished names that helped to make
the Maiolo's passenger list read like a
' page from "Who's Who."
Mrs. Charmain London, widow of
'Jack London, was a recent interested and
i interesting visitor.
Mr and Mrs. Howard Park and their
attractive children are here from Burlin-
game for the month. Miss California
Breuner, one of San Francisco's debu-
tantes of the past winter, has been vaca-
•tioning in Honolulu tor some time She
was recently joined by her grandmother,
Mrs. William Cluff. The two will re-
turn to the mainland together shortly
Mr. and Mrs John L. Deahl, of
Woodside and San Francisco, will be
here until mid-May when they will re-
turn to California to open their Wood-
side country home for the remainder of
the summer
' Mrs Grattan Phillips and her daugh-
KT Miss Virginia Phillips of San Fran-
cisco may go on trom here to the South
Seas and Australia. Miss Phillips has
been the object of much admiring com-
ment, tor she is a very beautiful girl.
Her dark loveliness has graced many
Junior League and other amateur pro-
ductions in San Francisco where she is
greatly sought after, as she is a dancer
'and actress of no little ability.
T ▼ T
THE Steamship City of Los Angeles
recently brought a large number of
interesting Los Angeles personalities to
'the Islands on vacations bent.
Mr and Mrs James D. Bridges and
Miss Eleanor Bridges were among the
irrivals, also Mr and Mrs. Leland
Driver, Mrs Peggy Hicks of Beverley
Hills, Mrs. Mary Bell of Pasadena, Mrs.
Viola Gunnerson of Monrovia, and the
Misses Marion and Sara Sherman of
•^Itadena are among the Honolulu visi-
tors who come from communities out-
ride of Los Angeles.
i=«39£^
*i-
m
A. Famous Doorway
in Hollywood that means home to travelers
The doorway ot this hotel means home — personal
comfort — service — pleasant surroundings. It also
means that you are convniitiilly located in Holly-
wood— Him Capitol of tht^ world — amusement center
of Southern California.
Good Food a Feature
.A French chef has made the dining room famous.
Club breakfasts, luncheons or dinners at popular
prices. Also a la carte service.
_ Write for reser\'alions or free booklet entitled,
"Hollywood," — today!
The Hollywood Plaza Hotel
— xvherc (fie doortt'a\ mt'an.s home to iravcXers
Vine St.. at Hollywood Blvd.. HoIIvwood, California
^•*=^M-r>i^
--M
mi'^-"
^S^^E" =~«
ray -. m^\y k mw'
hi Ji
li
111''
<:yno3
^^rr
^5 ^C.
not ac/€4^3t^o o7
.^ayyi^ cy/^aJtc<y^.
■'
38
THE SAN FRANCISCANil
w.}
Cruise away /^k to New Vacation
Scenes
See the
Romantic
Spanish Americas
6* New York
A panorama of jungle-clad, surf-
fringed shores, of purpling volcanoes,
■^ ^"X/i/l of adobe-white cities basking in the sun-
VJ / light with " manana" always one day ah«
^^-^^ sbps by the broad, shaded decks of your modern
liner — colorfully-clad native women sell juicy bananas at the
windows of vour train before it valiantly puffs away to conquer
another palm-covered slope that hides an azure lake or a cath-
edral crowned town -in such moments lies the " romance " of
a Panama Mail vacation cruise through the Spanish Americas.
The trip that misses nothing
Forget business this summer in the charms ot this trip that
leaves nothing missing. It is a vacation in itself or makes a rest-
ful and fascinating start for a vacation in New York and the
Fast. Panama Mail cruise ships leave California every three
weeks. Enjoy thirty-one carefree, beguiling davs before you
reach New York — eighteen at sea and thirteen ashore in the be-
witching cities of Mexico, Guatemala, Salvador, Nicaragua,
Panama, Colombia and Cuba. \'isit the inland capitals of
(juatemala and Salvador. It's the only trip from California to
New York that allows you two days at the Panama Canal and
visits ashore in eight foreign ports.
Luxurious travel at low cost
You travel first class on a ship built specially for tropical serv-
ice. Every cabin has a Simmons bed instead of a berth. .All rooms
have electric fans and running water — are comfortable and well
ventilated. Music and food is of the best. .\ swimming tank sup-
plements broad cool decks.
The cost is low— you can go from your home town to New York
via California and the Spanish .Americas for }!380 up. (This fare
includes bed and meals on the steamer and railroad transporta-
tion). If you wish, you can go to New York by rail and return
by water. Write today for full information and booklets from
Panama Mail Steamship Company
2 Pine Street, San Francisco
548 South Spring Street, Los .Angeles
Flying Dutchman Retold
ContinuL-J fri»m page lb
"And while you are in these waters'
awaiting the digging of the channel,
"the devil continued, "there will be the
lovely Gretilda who, I take it, would
deny little to the Duke ot Limho, Lord
of those broad and fertile fields recog-
nized by Dante as the plcasantest region
in Hell — for, think you, she would
retuse the Chief Lieutenant in Mankind
of the rebellious one who is some day to '
wrest the control of the universe fromi
the One who now has it?"
"But Gretilda's husband . . ." The
Captain was visibly weakening. I
The devil smiled. "That little detail
is easily arranged." He turned toward
the doorway. Gretilda, smiling coyly,'
entered the cabin and tripped toward him. j
He cupped her chin in his dark palm and'
turned her toward the Captain to whosej
side she softly nestled. I
The Captain surrendered. He put his
arm around her and would have drawn
her into a kiss but that she shrank back
in teasing shyness, tremulous fingers!
screening her face from his.
"My husband . . ."
▼ ▼ T
THE devil shrugged his shoulder at heti
Vi'himsy He flashed one swift glance,
toward the doorway. Outside a crash'
was heard. 1
A moment later a sailor appeared,
gesticulating wildly. "Block fell . . .
killed passenger ... hit him on . . ."
Then he saw the devil and the Angel and,
as became one well grounded in super-
stition, fell to the floor in a fit.
"Ooooh!" shrieked Gretilda andl
swayed into the Captain's arms.
"Damn me, your majesty," he
panted, ". . . your off^er is attractive!"!
"And accepted?" The devil raised one.
eyebrow. He bowed "I salute the Dukei
of. . ," _ '
"Accursed ones!" shrieked the Angel,
coming to the surface as it were. "Ex-,
communicants!" He plucked a crucifixi
from beneath his wing and shook it at
them as he fled the place.
A blare of light Then sounds of the,
phantom ship putting olT from the gal-;
leon's side.
The devil laughed. "You observe, my
dear Duke, how easily I best this Enemy
of mine? So will it be from now on until
I rule the 'stars."
"Was there aught else you wished of,
me?" The Captain still held the coy one;
andillconcealedhiseagernessforseclusion.
The devil's eyes smiled knowingly
but his mouth was inverted in the scorni
of too easy victory. I
"Until we reach the western port. .
He bowed and vanished.
The Captain, pardon me, the Duke -
picked up the unconscious seaman,'
slung him out on deck and closed the door.
• MAY, 1928
39
The Story of Janet Strange
C'ontinucd from page 12
BUT Janet Strange was not unhappy.
Seeing her in the great sparkUng
lobby after the dinner hour, her slender
form almost lost to sight in the embrace
of a big stuffed chair, her eyes burning
with the pleasure of the fine scene before
her, one always had the impression she
was completely happy, simply to be let
alone. She always chose the chair, be-
tween two potted palms, from which
she could see a corner of the shining
dance-floor and hear the orchestra faintly
insistent over the humbling of pleasant-
voiced human chatter. Everything was
so perfectly as it should be . . .it was
like living in a fairy tale 'mongst legen-
dary ladies superbly dressed, in a palace
that had pink marble pillars and huge
twisted gold electroliers shedding magic
brilliance over the royal throngs. Each
night's vigil in her stuffed chair was a
potion that sent her off to a dreamless
sleep. Often the night-maid stole into
her room, just to look at the cropped
boyish head on the pillow and the
strange, half-smile of deep and simple
contentment on the sensitive mouth.
Daytime hours were spent entirely
out of doors. Janet Strange found dozens
of things to do. Sometimes she played
croquet with the younger girls; but they
usually frightened her away with their
unexpected eccesses of feeling. One
little girl in particular would follow her
around the croquet ground, adoring her
with round, unblinking blue eyes, and
another invariably wound a friendly
arm about her waist, causing her to
stiffen uncomfortably and look for the
nearest avenue of escape.
Seven idyllic weeks slipped by as
softly and uneventfully as the fluffs of
summer cloud slipped over the sea's
horizon. Those of the hotel guests who
had stayed on, commented on the imi-
provement in Janet Strange's appear-
ance. Her face had grown a ruddy tan
from long afternoons on the sunny
beach. Her grey eyes took on a bluish
tinge as though some of the content-
ment of the summer sea lay mirrored
in them.
She knew, too, that something had
happened to her. For more than a month
she hadn't been afraid ot people. It was
a queer, happy sensation not to be afraid.
She could laugh at people, even ! The
simple way they could be taken in . . .
they only saw the outside of you, after
all. Not even the cleverest of them could
see more than a camera would register
... a dress, a hat, a smile on the lips . . .
and behind those, you were alone with
yourself and all the secrets about yoLirself
you didn't want people to know. Alone
... as safely alone as though locked in
a closet . . . they could only see the out-
side play-acting, after all. Realizing this
40
THE SAN FRANCISCAN
r
K.
v. RAPHAEL WEILL B COMPANY/ fu ,
\No^VI4CanB^T(l^Ia^\^
PtRHAPS vou have noticed a certain
distastetulness lur the regular routine
ol work intensified hv increasing interest
in things lar afield a hungering for
the great open spaces . . . you hear most
distinctly the call of the open road
whether it lead to Cannes or a far-off
camp in the highest Sierras The dustiest,
sootiest railroad terminal holds peculiar
fascination for you , . you find your-
self day dreaming before tropical posters
in steamship company windows Clothes
become important only as they hear rela-
tion to a suddenly recognized vacation-
urge!
-M^^i
1V*EUj>j^'
WHEREVER you go.whcthcr by land
or sea, you must have correct
travel apparel Of course, the modern
wayfarer needs no lesson on the eternal
triangle of taste, comfort and chic in her
costume en rowge. Yet an intimate
knowledge of a sometimes bewildering
fashion array tempts us to stress the
never-too-often reiterated caution of
comfori as first and last consideration in
clothes for the traveler If wisely chosen
the same outfit will fit itself nicely into
the frame of all your vacation activities
Thomas Cort shoes in formal oxford
tie or one strap street pumps in a creamy
shaded reptile would be well chosen^ A
Knapp-lelt because of its unquestioned,
ultimate cachet suggests itself as the
sensible choice in hats.
ALMOST the first thing that goes into
^ the vacation kitbag is the bathing
ensemble . . . please note the word
ensemble ! It is just as important in beach
costumes this season as in every other
style aspect. Suit . . . cap . . . scarf
■ jacket . . slippers and accessories
are each integral parts of the tout en-
scmbU. And it is gorgeous fun putting
together the various units or selecting a
completely assembled set. Choose, for
instance, a peony red suit embroidered
in tiny blue flowers accompanied by
matching Jersey jacket. Slippers, cap and
rubber scarf in red and a red striped, rub-
ber lined zipper case. Though you might
easily prefer a huge rubberized bag of
vivid cretonne ... or comfortable
beach cushion with a zippered entrance
into its capacious water-proof interior.
WITH the ideal travel ensemble in
mind a three-piece sweater cos-
tume knitted in glowing Grecian rose
silk reveals itself as thoroughly practical
supremely wearable, and smart.
An ample, deep pocketed coat of
angora tweed built on very British lines
has an easy insouciant grace that goes
well with vacation moods And there is
a guileful note of femininity in the soft
yellowish beige shade that belies a
rather rugged silhouette.
A D V E » T 1 s I
WHAT is a vacation without a tennis
dress? A fickle frock, true to its
name only in that it is worn as success-
fully in tennis as forevery other informal
occasion of a summer day. Pique is more
than attractive in this type of sports
dress ... it is positively practical ' It
launders with such irreproachable fresh-
ness that one is tempted to fill this need
of the vacation wardrobe with a different
colored pique for each day of the week
Light weight flannels are excellent and
sleeveless crepe- de -chine dresses with
narrow stitched pleats are the very essence
ot ttie light-hearted summer months
1 hese vacation ideas are found in ideal
interpretation at The White House
gave her an odd comforting sense of
knowing something about liYe. Maybe
all things— even shadows on walls —
had a simple solution, once you could
play-act you weren't afraid of them
So she mused, munched her taffy and
promenaded the boardwalk . . . until
one day, for no accountable reason, she
realized she had had enough. Propped
up against a sliding hump of sand, she
was watching two boys come down the
beach, arm in arm, swinging deep sea
tackle from their free hands, their heads
leaned together in earnest important
conversation, their heedless boots scuffed
deep scars in the wet, hard-packed sand,
vandal boy-marks on the smooth sur-
face of things. And the lordly way in
which they shouted out some imperti-
nence to her' . . . free, insolent, owning
the world, they had no use for girls who
sat quietly far up on the dry sand.
The following morning, Janet Strange
walked through the hotel lobby, out
upon a sunny porch and across a pungent
lawn to where the station-wagon waited.
The telegram she had sent to herself was
folded in her bag. She was meeting her
father in New York. She looked neither
to right nor left; but filled her eyes with
visions of sand stretches, a scooped-out
throne far down the beach and a vast
blue bosom of ocean that rose and fell
gently like a sleeping mother.
Many hours later, a red-cap slammed
her bags down on the zinc-topped
counter of the Grand Central checking
stand. She watched them being stowed
away on a hidden shelf, far down a bag-
gage-lined corridor. When she emerged
f^rom the station, her slender brown
fingers tore up the baggage-checks,
slowly, deliberately, and the first rush
of wind caught them, scattered them —
irredeemably as wind can scatter things.
Then she went down the steps to the
subway. She boarded a Brooklyn train
that would take her out to a newly
developed residential tract where, in a
deserted contractor's shack, were the
carefully folded clothes of a young boy,
hidden under the floor boards.
» T T
THAT evening, the back door of the
yellow frame house where his father
and brothers lives, creaked and slammed
shut as Don stepped into the kitchen
and playfully sniffed at the dinner smells.
He pretended not to notice his aunt who
regarded him speechlessly. Quietly, her
thin arms stretched out to him and he
embraced her, for the first time in his
life. With his arms about her, he thought
of the many times she had interceded
for him with his family that was so
boisterously male. And suddenly, he
knew he would never again need that
sort of help from her. He could even
march alone into the dining-room to
greet his father and brothers. He didn't
Continued on page 42
MAY, 1928
41
The Bender Collection
C-ontinufJ Iroiii page l"-*
conception ot Hell and the Japanese ver-
sion ot Buddha vvelcomintj the faithful
to Paradise There are compositions or
flowers and hirds showing the Oriental
mind's attitude toward sheer loveliness.
And all, bearing the seal of having sur-
vived through past generations, plant in
us the seeds ot comprehension
In the glass cases around the room
and on the well arranged pedestals one
finds fragments of sculpture or carvings,
small potteries of gorgeous coloring,
vases and bowls, each reflective of the
civilization which produced it
LOOKING from one painting to the
J next, from one object to another,
the atmosphere of the room cloaks ones
mind.
A calm settles over nerves tingling
with the rush of every day events
Contemplation pervades minds tired
with details of modern lite.
A step has been taken toward under-
standing the heritage of sister shores of
the Pacific.
Prisons vs Literary Bureaus
Continued frnm paKt' ^^
a very unwise thing, in my judgment,
when in addition to exacting the penalty
of the law — which calls for a period of
penal servitude — when in addition to
this it starts arbitrarily penalizing artistic
ability and creative intelligence
It seems to me that the decent, the
humane thing for the prison authorities
to do is to work out this matter in a
more intelligent fashion. In a spirit of
Service I offer them one solution. They
might make Booth and Tasker read all
convict manuscripts, rejecting all stories
palpably impossible, and submitting the
balance to the prison censors. This, I am
sure, would practically eliminate the
censor's literary task. And the work
would certainly be as hard on Tasker
and Booth as pounding rock
▼ ▼ T
Retrospection in A Minor
Continued from page 20
anticipated and cherished. They consti-
tute the foundation of a great spirit.
Next year stimuli will arrive from all
parts of the globe to further the musical
tradition. Hertz is now in Europe; so is
Rethburg; Jeritza is creating something,
somewhere; Piastre is in New York;
Fenster is in Hawaii When gathered to-
gether their forces will emit something
An electrifying influx of energy will
make musical 192S-1929 more glorious.
The lull is now present. Musical
critics can spend a few nights at home
by the fire.
THE SAN FRANCISCAN
The Reigning Dynasty
L.»>iiunucU Iruin piit(<>* 2^
Mr li vrrcii N Bcc spent a week or so in Loncton on
hu return from South Africa Mr lice »uilej for home
on the Bcrenjiaria.
Mrs Frederick W Boole of San Francisco was re-
cently ho*teM to Lady Deane, whose son-in-law and
daughter are in the retinue of the King and Queen of
Afghanistan
Miss Louise l)oyd of Sun Francisco was among the
Califomians who attended the Grand National at
(^heMer.
Consul Ccrwral of Great Britain and Mrs. Gerald
Campbell arc >pervJtnK the :>ummcr in England On
their trip they uere accumpunifd by Mrs C^umpbcll's
sister. \1r% Alan Scruttun, who pushed a part of the
winter in San l*rancisco
Ntrs Julius KruitM:hnilt of San Mateo is passing the
scaM>n in Lnglund. visiting her daughter. Mrs, Henry
Oiff W'oodhousc NIrs Kruttschniti \hill not return to
her home on the peninsula until late summer.
Mr and Mrs C^^sscll S Auhyn. who make their home
at the Huniington when in San J-'runtisco, ha\'c taken
a house in London for a period of months Later they
will travel on the C^)niincnt 'Ihcir stay abroad will be
of irKlefinitc duration While in re^idcnce in London
ihey entertained the 0)unt and Countess of Firmian.
who was Miss Isubelle Aubyn. the sister of Mr. Cassell
Aubyn The Count and C>)untess have both visited San
F->ancisct> in the past Their marriage took place in
FlorerKe, April lO. Their future home will bein San
Rcmo
Miss Joyce Bt>rden Turner, who visited San Fran-
cisco a few years ago in company with her stepfather
and mother. General and Mrs Spears of England, will
be presented at the Cx>urt of St. James's in Nlay Owing
to the large number of presentations to be made this
season, live courts will be held instead of the usual four.
This prolongs the London season considerably, as the
dates for the royal functions are May 8, 9 and 23 and
June 12 artd I 3.
Sirs .Andrew Welch and her daughter. Miss Marie
N^'elch are established in Mrs. Welch's apartment in
Paris for the summer.
Mr. Raymond Armsby and Mr Stanford Gwin are
in Pans, after a leisurely trip along the Riviera.
Mr and Mrs Drank G. Drum are honeymooning on
the Continent and will divide their time between
France. Italy and Hngland Mrs. Drum was the former
Miss Margaret Power of Helena. Montana.
A Complete hivestment
Service
BOND & BROKERAGE
DEPARTMENTS
Members
San Francisco Stock. Exchange
San Francisco Curb Exchange
OKDERS ACCEPTED FOR EXECUTION
ON ALL LEADING EXCHANGES
Wm.Cavalier&Co.
INVESTMENT SECURITIES
SAN FRANCISCO
43J CAIJFOHNIA STREET
Mr and Mrs, Georges de L(it()ur and iheir son.
Richard deLattiur. occompanied by Miss Mary JollilTc
sailed recently on the S S Paris for France. The party
will reman abroad until autumn, and it is expected
that the deLatours* son-in-law and daughter. theComtc
(.nd Cxjmtesse de la Pins, will return to California with
them. Miss JoliilTe, however, may remain abroad until
next year.
An interesting party comprising Mrs, Duane Bliss.
her niece. Miss Ruth Langdon and the Misses Brnestinc
and Verc de Vere Adams, arc now on the Continent
The Misses Adams will not return to California until
early autumn.
Among the Californians motoring on the C^ontinent
this summer are Mr. and Mrs. George Hearst and Mr.
and Mrs, Gerald Herrmann. The party plans a trip of
two months.
Mr, and Mrs, Frank P. Deering and their daughter,
Miss (-"rancesca Deering, will spend the summer in
Furope. returning to San Francisco in September. Miss
Barbara Ballou. the daughter of Judge and Mrs, Sidney
Ballou who for a number of years lived in San Francisco
hut are now established in New York, will accompany
the Dcerings abroad. A visit to Bayreuth during the
performance of Wagner's "Ring" is a part of the itin-
erary.
Mrs William H. Crocker is now in her Paris apart-
ment Mrs, Irwin Crocker, accompanied by Mrs. Robert
B Henderson (Jennie Crocker Whitman) is also passing
the summer in Paris.
Mr. and Mrs Robert C. Bolton and their debutante
daughter. Miss Betty Bolton, will spend the summer in
I'lurope. returning to California late in September.
Mrs Samuel Von Ronkel and Miss Barbara Von
Ronkel are enjoying the beauties of Italy at the present
writing, Mr, and Mrs. Warren Spieker also spent the
first part of their trip abroad in Italy and are now in
Paris where they have joined Mr. Spieker's brother-
in-law and sister. Mr, and Mrs. John S. Drum.
Count and Countess Andre de Limur (Ethel Crocker)
are now in Paris, also Mr. and Mrs, Sheldon White-
house, who are visiting Mrs. Whitehouse's mother. Mrs.
Charles B, Alexander.
Mrs. Alan Lowrey. her uncle, Mr. James D, Black and
Mrs. John V. Bishop of New Jersey are traveling to-
gether on the Continent this summer.
Mrs. Harry Horsley Scott and Mrs Walter Scott
Martin are in Paris where they met Mrs. Martin's
brother. Mr. Prescott Scott, who has been in South
America.
Mr, and Mrs. Henry Cartan Jr. (Barbara Sesnon)
who are on their honeymoon, were in Spain at last ac-
counts. They were in Seville for Easter week, after hav-
ing been in Cairo. Later in the month they will visit
Paris and the Riviera.
The Story of Janet Strange
C'ontinuud from page 40
feel the least bit afraid, though they
were shouting noisily, as they always did
just before the food was brought in.
He swung open the door and stood
on the threshold, grinning. He looked
so vigorous, so brown, so buoyant and
so sure. His father had never believed
his note that said he was running away
to sea for a little while. Yet there he
stood, weathered as a sailor, eyes shining
and untroubled — a little mysterious,
perhaps, with the knowledge of horizons
none of them had seen.
There was a shout of welcome, the
inevitable back-thumping and a tidal
wave of questions. For a moment, Don
felt as though he were going to be car-
ried under. Then the voice of his father
boomed out above all the rest ;
"But Don . . . they've made a man
otyeh!" . . . and the big man's eyes flamed
through incredulity to swift pride.
With his father's pronouncement
ringing in his ears, Don sat down to spin
them a sailor's yarn.
Mr. and Mrs. Willard Chamberlin (Inez Kesney) are i
sailing for tfie Continent in May. Their home is now in
Pittsburgh.
Mrs. H. Percival Dodge, formerly Miss Agnes Page-
Brown of San Francisco, is greatly enjoying life in the
diplomatic and social circles of Copsnhagsn. Mr. Dodge
is the American Minister to Denmark. Recently Mr.
and Mrs, Dodg: entertained at a dinner given in honor
of Prince Gustave and Princess Thyram, brother and
sister of the King of Denmark.
OAKLAND
BERKELEY
THE SAN FRANCISCO BANK
SAVINGS COMMERCIAL
INCORPORATED FEBRUARY tOTH. 1868
One of the Oldest Banks in California,
the Assets of which hare never been increased
by mergers or consolidat ions with other Banks
MEMBER ASSOCIATED SAVINGS BANKS OF SAN FRANCISCO
526 California Street, San Francisco, Cal.
DECEMBER 31st, 1927
Assets $117,394,234.04
Capital, Reserve and Contingent Funds 4,850,000.00
Employees' Pension Fund over $600,000.00,
standing on Books at 1.00
M'S^!'7'iJ?'^'^'^CH Mission and 21st Streets
.'^^^-f '^ES'D'O BRANCH Clement St. and 7th Ave.
J,',il*i'*J^STREET BRANCH Haight and Belvedere Streets
WEST PORTAL BRANCH West Portal Ave. and Ulloa St.
Interest paid on Deposits at the rate of
FOUR AND ONE-QUARTER (AH) per cent per annum,
COMPUTED MONTHLY and COMPOUNDED QUARTERLY,
AND MAY BE WITHDRAWN QUARTERLY
■ VAI< DILIJiN-
THE
r SAN iRANCISCAN
>
• •25 CENTS
II II
■I— ^ m:
si
^ Se fit me I over
San Francisco's "Beauty
HOTEL
MARK
HOPKINS
GEO. D. SMITH
Managing Direclor
The quiet and comfort of home for the
permanent or overnight stay The
color and life of the great city epito-
mized in Peacock Court, where chef,
maitred' hotel and Anson Weeks'
orchestra cater to the tastes
of every guest.
CABLE ADDRCaS
"3ICNARF SAN FHANCUfCO-
fVeSTEfIN UNION TELBCRAPMIC CODE
)TEL SxrKANaS
-lAMAGEf^ENT -JAMES H McCABE
SAX rKAXCISCO
Roger I
Arrived a week ago. May is my pet month.
San Francisco my pet city. The two combine as well
as wings on an angel.
Ten years away - changes are inevitable.
(Jigantic office buildings and New Yorkish apartment
houses etch themselves against the sky. But a dozen
square miles of these couldn't alter the things that
are San Francisco's - the things the traveler loves
and looks for.
It's the same old hilly town with its
brilliant curve of sapphire bay and its tonicy fog.
Take this hotel. It's a symbol of the
growth, the changes and the curious permanency of
the place. I remember it when it was half its
present size. A slim, eager, young hostelry. I
knew it as a plump matron wise in the ways of
pleasing the world. And now, though they've spent
a fortune in refurnishing and redecorating the Gods
be praised - they haven't destroyed the atmosphere
that has lured the vagabond here from every corner
of this fascinating globe. She reminds me now of a
handsome dowager who has refused to step aside and
be content to merely vatch the Big Parade go by.
She's had her face lifted, freshly painted. Her
dress is of modern swank. One admires her for it -
the while blessing the fact that she has somehow
retained all the graces that are the benediction
of age.
Like "laces or ivory or gold" she has
grown lovely growing old. The proof of the pudding
is this - I came to stay two days. When will I
leave? I should like to say - never.
Faithf
THt THEATRE
Ai CAZAK The Lady .\'cxt Door. Dale Winter
returns in triumph to San Francisco bringing
eight splcnJid troupers with her.
Capitol Appearances. Last evidences of faith
will be June \o. Mr. Brehany promised much
of the frivolous after that.
CoLUMniA The Detour. Last olTering of the
Moroni Olscn group to he followed by
Kongo, a torrid drama of the tropics.
Cu»RAN ; The Constant Wife. The Barrymore
tradition gives way shortly to the Shubert
in A .\teht of Spain.
Fulton (Oakland) : Charles Ruggles as guest
star in musical comedy successes. A^o, No,
Nanette is promised shortly.
Geary: The I^acket. Newspapermen and the
police force take the stage and entertain
solidly for two hours. To be followed by
The Command to Love with Mary Nash.
Basil Rathbone, Violet Kemblc Cooper and
Henry Stephenson.
Green Street: Ten Nights in a Barroom.
Should be a priceless brawl.
Players Guild : Craig's Wife. The Guild close
their season with a fine cast in a Pulitzer
Prize offering.
President: Chicken Feed. Some weak oats to
be followed by that charming play of
adolescence called Tommy.
MOTION PICTURES
Embassy : The Lion and the Mouse. The first
all talking picture. An adaptation on the
Vitaphone of the old play and story with
Lionel Barrymore, Alec Francis, May
McAvoy, and William Collier, Jr. speaking
their roles. Don't miss it.
California: Rumored as closed till a tenant
can be located.
Granada: Light pictures and Publix stage
acts.
St. Francis: Sunrise, to be followed by Four
Sons. Both arc gems.
Warfield: Light pictures with such stage
luminaries as Sally Rand, Bessie Love, Ann
Pennington, and Fatty Arbucklc to cheer
the populace.
VAUDEVILLE
Orpheum : Marion Harris, Eugene O'Brien
and Jeanne Eagcls head the new stars.
Pantaoes: Mabel Taliaferro and others on the
stage. Good Fox screen features.
Golden Gate: Six acts of Vaudeville and a
picture
MUSIC
June 24: San Francisco Symphony Orchestra
at Hillsborough in Woodland Theatre.
Albert Coatcs, conductor.
June 26: San Francisco Symphony Orchestra
at Civic Auditorium. Albert Coates, con-
ductor.
LECTURES
Mrs. Guy U. Purdy: Contract Bridge En-
semhtc, Fairmont Hotel, June 5, 12, 19 and
26.
Sheridan Bickers : Vital Problems of Modern
Life, Paul Elder's, evenings of June 7, 17,
21 and 28 — afternoons of June 5, 12 and 19.
Hon. James D. Phelan : I{eviciv of "Love and
7", by Ednah Aiken, Paul Elder's, afternoon
of June 9.
Charles Cai dwell Dobie: Review of "Sal-
vage All", Paul Elder's afternoon of June 16.
DINING AND DANCING
The St. Francis, Rumors are abroad that Art
Hickman is about to return to his first love.
Fairmont, Rudy Seigcr and his orchestra play-
ing in luxurious and quiet surroundings.
Mark Hopkins, The Peacock Court is still
the smart rendezvous.
The Clift Lounge, Delightful atmosphere
with charming people.
Julius's Castle, One of the institutions that
make the town famous.
Courtyard Tea Room, 450 Grant Avenue.
Where one can dine inside or out. Especially
recommended for Sunday evenings.
Jungletown, 502 Broadway, Josephine Baker's
idea of Paradise.
Manmaru Tei, 546 Grant Avenue, Where a
Madame Butterfly will serve you Japanese
cooking.
Alladin Studio, Collegiate, but amusing,
although a bit rough.
Temple Bar Tea Room, No. 1 Tillinan, Try
and get in.
Russian Tea Room, 1001 Vallejo, a bit of
old Russia transplanted to our own Russian
Hill.
Post Street Cafeteria, 62 Post Street, The
"Grand Dame" of the Cafeterias.
Cafe Marquade, For informal spirit and
casual entertainment.
New Shanghai Cafe, 332 Grant Avenue, One
of those places that every San Franciscan
and every out of towner should see.
Aledeane Tea Room, 275 Post Street, A new
find, excellent food, with a view of Union
Square that is reminiscent of Paris.
ART
courtesy of the ARGUS
Beaux Arts Galerie — Through June 8,
water colors, pastels and drawings by Ray
Boynton. June 11 to 15, paintings and draw-
ings by artist members of the Club Beaux Arts
(to be drawn for June 12 by patron members)
June iS to 30, group show by artist members.
California Palace of the Legion of
Honor — June 1 to 15, paintings by Henrietta
Shore, under auspices of the San Francisco
Society of Women Artists in co-operation with
the Legion Palace. Rare Persian art from the
collection of Dr. Ali-Kuli Khan. Permanent
collections.
De Young Memorial Museum — Perma-
nent collections of painting and sculpture by
American and European artists.
East West Gallery of Fine Arts — June i
to 15, eighteenth century colored French en-
gravings. June 16 to 30, modern Chinese
finger paintings by Kwi Dun.
Paul Elder Gallery — Through June 9,
woodblock prints by Rockwell Kent. June n
to 30, old maps of the 16th, 17th and iSth
centuries. July 2 to 28, lithographs, wood-
blocks and etchings by C. A. Seward.
S. & G. Gump Gallery — June 1 to 30,
etchings by Max Pollock of Vienna. Paintings
and etchings by California artists.
Persian Art Centre — Rare Persian minia-
tures, tiles, rugs and textiles from the collec-
tion of Dr. Ali-Kuli Khan.
Augustus Pollack Gallery — Chinese
paintings and ceramics.
Swedish Applied Arts — Hand-woven tex-
tiles. Glassware, pewter and pottery.
VicKERY, Atkins & Torrey — General exhi-
bition of etchings.
Gertrude Wood Gallery — Paintings by
Bertha Stringer Lee.
Willard E. Worden Gallery — Until
June 10, etchings by Anton Shutz and others.
Paintings by California artists.
ESTABLISHED 1852
SHREVE & COMPANY
JEWELERS and SILVERSMITHS
Post Street at Grant Avenue
San Francisco
.1<
,t,i]ii'3'i%i>l
k-^.^.^
. — iwA
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XO KNOW what to use in a room comes from study and experience. The
possession of good taste is not sufficient in itself; it must be coupled with
knowledge of the decorative arts and familiarity with the materials available.
W. &J.SLOANE offer the advisory services of a staff of interior decorators and
designersof acknowledged reputation, mature judgment and long experience.
They will gladly, and without charge, suggest decorative schemes ot any
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Charge Accounts Welcomed. Freight paid to any Shipping Point in the United States and to Honolulu
RUGS • CARPETS • FURNITURE • DRAPERIES • INTERIOR DECORATING
W: bi J. SLOANE
SUTTER STREET ntar GRANT AVENUE / SAN FRANCISCO
MODifiN
The much-maligned younger set of today are the
buyers . . . brides and bridegrooms . . . little home
builders and furnishers . . . well clad, well shod, well
fed young men and women • To appeal to these
denizens of this modern world . . . sophisticated . . .
( alert . . . wise and discriminating — advertising art
must be in step . . . fresh . . . different . . . unusual #
Modern advertising, modern type faces and type
treatment, modern art and above all modern service
— quick and dependable — these are some things
this organization brings Pacific Coast business
PATTERSON & SULLIVAN
235 PINE STREET • • Phone DOUGLAS 1117 & 1118
ILLUSTRATORS AND TYPOGRAPHERS
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CaUJorn,a:iaer_aryRo^,al Famil,, CMe. G. and Kathleen NorrU. captured /„ . regal moment by a k-'^
PORTRAIT Bt BOLESLAW JAN CREOEKOWSKI
easel eceperl. These charming
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TttC
SAN fliANCISCAN
The Supreme Art
Being Some Notes on the Nature of Poetry
Editor s Note: Miss Field composed these notes on
the nature of poetry for a lecture which she gave re-
cently. A further excerpt from the same lecture will be
published next month.
MY ATTITUDE toward Poetry is not
esoteric or aristocratic. It is
democratic. It is a mistake to
think of the poet as detached from the
rank and file of humanity. Rather poetry
exists and poets continue to be born be-
cause poetry is man's thought, feeling
and experience raised to the nth degree.
Poetry is the concentrated essence of the
human soul. The poet differs from his
fellows only in this; that in him are
heightened those faculties and sensi-
bilities common to all to such a degree
that he is able to give exciting or magi-
cal utterance to what man, as individ-
uals and as a mass, dumbly yearns to say.
One is not drawn toward his book-
shelf of poetry because poetry is alien to
him but because it is part of him. It lies
within him in an unresolved and form-
less state. Vague intimations of it stir
him to incomprehensible longings.
"Man shall not live by bread alone, but
by every word of God" and what word
does he thunder at this Universe more
often that Beauty. So long as one has a
flower garden or even a flower box he
makes a poetic confession. For until the
time of some vegetarian Utopia comes
when we may eat sun flowers for break-
fast and evening primroses for supper, a
flower garden is of no practical use. It is
merely beautiful. Since, then, we are all
of the stuff that poetry is made of and
our little lives rounded by poetry, it may
be of interest to examine its nature. It
will be a most unsatisfactory thing It
will be, at the most, a superficial brush-
By SARA BARD FIELD
ing of the surface. We shall never fully
understand it. The poets have tried and
failed. Science has tried and failed. Like
the gods, poetry keeps its significant dis-
tance from the ground of full under-
standing. When all the books about it
have been written and read and all the
light of human intellect turned full upon
it, we shall still have to cover it with
that word so hated by exact science —
magic.
▼ T T
POETRY is the supreme art. There
seems to be no quarrel about that.
This is not true because poets possess
any arrogant superiority over other art-
ists Far from it It has nothing to do
with the superior character, mentality
or creative power of the poet Indeed it
has nothing at all to do with the poets.
Beethoven and Wagner were creators of
the same proportion as the great epic
and dramatic poets; Schubert and Cho-
pin with the greatest of the lyric. The
pre-Raphaelites were painters large,
mystical and significant as Dante
Michael Angelo was a titan of Dante's
own stature Donatello gave us as ten-
der yet severely modeled form as Pe-
trarch's exquisite formality of sonnet
form In our own day, to turn to another
art, Isadora Duncan was as important
and revolutionary a creator in the art of
the dance — an art that affected all artists
who came into contact with it — as any
poet our time has produced.
No, it is not the artist, nor the creator,
who determines the pinnacle place ot
Poetry. It is some thing for which the
poet is no more responsible than the
sculptor for his marble. It is his medium.
You can readily see that pigment, clay,
stone, a musical instrument, the human
body or throat are none of them as flex-
ible an instruinent as words. Look at
the very source of words. They do not
come from beyond us — not through an
external instrument. One might say
language is the only medium that is not
objective. It is so identified with man's
inner being as to be subjective matter.
1 3nguage itself is a profound work of
the imagination. Poetry, then, is the only
art that is produced through an unma-
tcriil medium. It is iTian's imagination,
in terms of a work of man's imagina-
tion. No wonder it is the art closest to
the soul of man. Language is bone of his
bone, flesh of his flesh. Nothing is closer
to him except silence, the ultimate
Voice. Man carries language with him,
and has down through the centuries, in
such close proximity to the faculty we
call thought that they seem one and in-
separable and the old controversy goes
on : Can a man think without words!'
Man has bent and shaped this delicate
and powerful medium of communica-
tion to his need for expression till it has
taken on infinite shades and degrees of
meaning. In the true poet's hand it can
follow swiftly as ones own shadow, the
thoughts and caprices of the soul — fol-
low but never overtake. No poet nor all
the poets and other artists combined
could do that. The soul of man is the
well that art can never fill to the top nor
exhaust to the bottom.
▼ ▼ ▼
POETRY, then, comes nearer than any
oth^r art to expressing man's life
only because of its soul-made, flexible,
Continued on page 34
10
THE SAN FRANCISCAN
Now It Can Be Told
WE sHoi'LD perhaps have looked
about for guiding or forbidJing
sign But our thoughts lor the moment
floated in the ether ot aesthetic enjoy-
ment and we had no eye tor such earthly
things Before our eyes opened a room,
fantastically, mythically yet exquisitely
done in the mode of the modern French.
Its colors were enchanting, daring and
many. Its furniture and ornamentation
perfect expositions of the futuristic as
now expressed in the practical and
decorative.
We strayed in and sinking into a chair
proceeded to revel in the scene through
the heightening haze of cigarette smoke.
A lady entered and broke our reverie.
She seemed slightly startled at the
presence of a mere male. Conversation-
ally inclined, we passed a few light re-
marks upon the effectiveness of the dis-
play Could she enlighten us as to its
purpose in the Fairmont lobby? Yes, she
could. The lady became just a trifle em-
phatic as she informed us that ; "This is
the ladies' dressing room!"
In a day in which the equality of the
sexes is a loud and not to be disregarded
note, it seems hardly fair to us that this
room should be for the ladies alone. We
suggest that the management of the
Fairmont set aside one night a week
when all males may legitimately enter
these rooms that are so "utterly other — ■
so frightfully modern and mad." Such a
dispensation would somewhat relieve
the sting and indignity of the invasion
of our favored barber shops by the fair
sex.
T T T
LOST, strayed or stolen I
J Cameron Prud'homme ! !
Somewhere in Los Angeles or its
vicinity Finder kindly return to The
Players' Guild, San Francisco.
Reward: the honest gratitude of his
admirers who recognize his unique abil-
ity to lift Player Guild productions out
of their present deep and dreary rut.
We shudder at the dismal thought
that he has strayed or been stolen i erma-
nently
T » T
A CERTAIN gentleman whose strivings
to attain the high places in the
social ladder have been the main spring
of much sly wit among those who se-
curely occupy its higher pinnicles has
unwittingly revealed the secret of his
technique in the upward climb. The as-
piring one it seems was about to em-
bark upon an extended European tour.
Now just a plain European tour in
these days produces not a surface ripple
on the social seas. Movie stars, oil
barons, school marms, snap fastener
kings, and others of like obscure sources
of suddenly acquired wealth depart daily
for Europe and swarm over its surface.
To make one's European tour a social
asset one must lift oneself above these
plebian hordes.
The gentleman of our consideration is
as resourceful as he is aspiring. For the
ready reference of those haughty god-
desses, the society editors, he had neatly
typed complete outlines of his depar-
tures, arrivals, stop-overs and sojourns
on the proposed tour. Upon such and
such a date he would attend a certain
London function and mingle with cer-
tain named elect of the British capital.
Then would follow a state reception
given by the Royal Family of Belgium.
For so many weeks he would travel in
company with or be the house guest of
Count and Countess de Somebody of
France. No point was overlooked; no
glamorous resort or personality omitted.
In the eleventli hour rush of departure,
and no doubt while he was personally
conveying these sacred documents to the
several society editors in town, our am-
bitious friend had the misfortune to lose
them on the street.
The tour which was to have been
such a well heralded triumph is now but
the unsung itinerary of another plebian
tourist.
T T T
THAT the sweetly altruistic ideal of
internationalism may in the not
distant future find tangible expression
among the masses and that San Fran-
cisco may be the birth place of this
worthy end appears possible in recent
festivities to which our Little Italy gave
itself with true Latin gusto. Chancing
through its thoroughfares on the day in
question, we found its stores closed. In
the cigar stands, restaurants and other
corners of convivial congregating the
citizens of the quarter surrendered to re-
joicing and merrymaking. Wine, con-
versation and gesticulation flowed at a
great rate.
Some sort of a national holiday,
thought we. To satisfy our curiosity we
inquired what event in Italy's history
occasioned this outburst. The one to
whom we addressed our queries looked
at us with pointed forebearance and con-
descension. We began to have the
humiliating suspicion that we had be-
trayed ignorance in some timely and
weighty matter. This, we were informed
grandly, was no mere national holiday.
Such restricted concepts are distinctly
out of harmony with the broad spirit of
the day. This was an International Holi-
day. It was the birthday of Amadeo P.i
Giannini.
WE BECOME kin to Cicero — that im-
mortal and mighty orator, who
mourned the disintegrating Roman Em-
pire and wept that small and inconsc-
quental things should creep into the high
places of a once great and majestic city.
We are sensitively conscious of how the
man felt; how the futility about him
saddened and broke him.
We have read of the unseemly wrangle
in which our august Board of Super-
visors engaged in when certain members
offered a resolution protesting against
the plan of the musical interests of the
city presenting the Summer Symphony
programs in Dreamland Pavilion in-
stead of the Auditorium. To what bru-
talizing depths we may yet be dragged
is mirrored in the arguments of those
supporting this resolution, who held
that the musical leaders are bent on dese-
crating a great shrine of the fistic art.
Where is the vaunted wisdom of these
erring ones that they do not see that the
musical interests are driven to this course
because the Auditorium is dedicated
throughout the summer to the blare and
rush of convention hordes'
But even so, a Cicero appears in the
person of Supervisor Alfred Roncovieri,
himself a musician of no despised skill.
Supervisor Roncovieri ably defended the
melody of his trombone against the
deadening thud of padded gloves on
naked bodies But he was drowned out;
his eloquence prevailed not. By due and
solemn form of voting the resolution
was upheld. Well may we cry O Tem-
pores, O Mores!
] JUNE, 1928
WE HEARD a man ask his dinner
partner if she was famiUar with
!' the New Yorker. "I'm not," she said.
I (Remarkable answer! A tribute to the
honesty of one woman We seem to
have the evil luck of always sitting next
to women who refuse to admit not be-
l ing familiar with anything.) "What is
it," she asked, "another Town Topics?"
Her companion laughed "On the con-
trary! The one I'd pay to keep my
name out of. The other I'd pay to
squeeze my name in!"
As HARD working journalists we
y\^^i^^£ often wondered upon the way
and power of those suavely clever ones,
who discourse learnedly upon occult lore
and mysticism. A certain gentleman of
this clan who has been operating ex-
tensively of late in this city with the
usual flurry among those who are ren-
dered insensibly smug by the acquisition
of spiritualistic qualities. The qualities
are attained, of course, through parting
with the necessary amount of low and
common lucre. The attainments of this
Messiah are many. He modestly admits
being a renowned author, traveler and
lecturer. He has plumbed occult depths
not even suspected by lesser mortals.
His childhood, he related impressively
to open-mouthed audiences was spent in
company with an aged and learned
Indian seer. He does not know who his
parents were.
As a dirty-faced youngster the now all
wise one haunted these scenes and par-
ticularly the tents of gypsy fortune tel-
lers. Presently swathed in a long robe,
his head in a turban, his face hennaed,
he himself squatted in a tent and told
fortunes. He held the hands of innumer-
able Mamie Babbitts from the mid-
West hinterlands and assured them that
their truck driver boy friends were true
to them or perchance that they would
achieve dazzling fame and handsomely
dark lovers in the movies.
But all this was amateurish and simple
truck. Discontent and ambition stirred
the soul of the budding lecturer, author
and traveler. He applied himself digil-
gently to mysticism, occultism, rein-
carnation and the higher branches of his
calling. These mastered, the Mamie
Babbitts are abandoned, despised and
forgotten. Instead he is elegant, impres-
sive and scholarly among fine ladies, clad
in furs, diamonds and soft silks.
WHEN we were very small and re-
garded a down town shopping
trip with our mother as quite an event,
our father had the delightful paternal
custom of bestowing upon us a dime
upon promise that we would not ask too
many questions nor clamor to come
home before the shopping was com-
pleted The motive behind this gift was
nothing we ever quibbled over A dime
was a dime and represented wealth and
one large bubbly ice cream soda, it be-
ing in the days before Mr. Rockefeller
attached such ironic significance to the
small coin.
Clutching our dime we boarded the
street car with high expectations. Now
the window ledges on those street cars
were diabolical contraptions. They were
hinged and never could we resist explor-
ing the mysteries of those hinged ledges.
Likely as not we paid for our curiosity
with the loss of our dime, which disap-
peared beyond recovery in the aperture
beneath the ledge. Powell Street cars of
a vintage no longer in service possessed
a particularly healthy appetite for juve-
nile dimes.
Never have we ceased to wonder
what became of all those dimes and
whom they finally enriched when the
cars were wrecked. Many times in far
away, heartless and less delightful cities
our fancy strayed back to those lost
dimes. We conjured up visions of the
coffee and cakes that could be bought
with them, having by this time learned
the folly of squandering dimes on sodas
There were moments when we won-
dered desperately if it would do any
good to write to the street car company,
imploring the restoration of our lost
and sorely needed wealth. Now that we
have reached the part of age we resort to
philosophy. Most likely the man who
wrecked the cars and found our long
mourned dimes had juveniles of his own
whose hearts were gladdened by this
manna from heaven. Who knows? At
least, it is a comforting thought.
T T T
JUST as faces mirror the hidden
thoughts within a mortal's mind so
houses reflect the personality of their
occupants. There is a house that holds
rainbowed tiers of rare books, quan-
tities of old furniture and prints . . .
and quite the loveliest lady we know
lives there!
Tea-time in her drawing-room is
guaranteed re-creation for any jaded
11
soul We told her as much yesterday as
the fire sputtered and a brass kettle
hummed a merry little tune. We told
her of our sincere response to the books,
the furniture and the prints.
"They are very dear to me," she said,
"but nothing means quite as much as
this tea set. It has been in my family for
two hundred years and there is not a
piece missing Fancy that."
We did .. . as well as the quaint
eight-sided blue tea things. We picked
up a cup to examine it more closely.
How did it happen? Don't ask ! We only
know that suddenly it lay on the floor
in fragments We stared at it hypno-
tized and our ears thundered the echo:
. . . not a piece missing . . ."
". . been in my family for two
hundred years . . ."
Our agonized eyes turned to our
hostess in time to catch a quick motion
of her hand. Another cup scattered into
blue bits upon the hearth.
"There," she said, "now we're part-
ners in crime"
▼ T T
Oauntering along Montgomery
O Street we chanced to note a crowd
thronging the newly opened quarters of
a financial house in one of the newer
buildings gracing that thoroughfare.
Having nothing better to do, we stepped
in and there greeted our amazed gaze
convincing proof that Big Business
throbs sensitively to light, color, to art
and abstract beauty. There are flowers in
profusion There are vases and urns in
classic shapes strewn about. But the
walls and ceilings — ah, these are a last-
ing triumph. Gorgeous murals run
around three sides of the room. The
ceiling is splendid in soft shades and
illusive lighting. Evidently this firm had
retained its own architects and deco-
rators and given them a generous hand.
Our impressive daze was shattered
by a youth, bearing all the earmarks of
being schooled in the modern University
of Service. "Is there something I can do
for you?" he inquired solicitously. Com-
menting upon the exc^ellence of the new
quarters, we inquired whom the- archi-
tect, painter and decorators might be.
Bewilderment flooded the face of the
youth. Plainly this was not on his list of
questions and answers. "The ar-chi-
teck," he informed us, "Maybe he wuz
the guy what jumped off the building."
The San Franciscans
THE SAN FRANCISCAN
12
Grace Cathedral
San Francisco Aspires to a Spiritual Crown
RisiNO with magnihcciu dignity
from the crest of Noh Hill
Ciracc Cathedral will cast a
spiritual benediction o\cr future San
Francisco its cross-tiprtJ spir*^' ^ ^yrn-
hol of mankind's eternal seeking, will
surely beckon tomorrow's throngs to
momentary' peace For today the relig-
ious forces of the city are uniting to
build a monument to spiritual progress.
Cathedrals have alvvays been more
than the expressions of a single creed
The great stone structures that rose out
of the Middle Ages were animated by
the aspirations of the entire community
And since each community subscribed to
a single creed, the cathedral used the
forms and modes of expression of that
doctrine, but the structure itself has
always superceded canons of doctrine
and ministered to humanity with a spirit
born of the contributions ot the people
that built it
in the same way cathedrals built to-
day are dominated by the spiritual pulse
of the age irrespective of the forms of
service used by their custodians The
same call of idealism which resulted in
the great edifices of the past today effects
an amalgamation of spiritual elTort al-
most incredible in this day ot pigeon-
holed religion
The very fact that San Francisco, with
its hundreds of creeds and its thousands
of people who subscribe to no creed at
all, should unite under the leadership ot
dnc denomination to erect a cathedral
demonstrates the immutable quality of
humanity's faith For Grace Cathedral
will never be a copy of any Old World
structure It could not be even a revival
of a spirit that is past Even as houses
can be copied, while a home must grow
out of the spirit ot its builders, endowed
churches can be uprooted from foreign
soil and transplanted in reminiscent
entirely but-a cathedral is inevitably the
result of the forces gathered in its
making
The idea of building a cathedral may
germinate in the soul of an individual.
its cause may be forwarded by a single
group but, if it is truly a cathedral, its
hnal form must be a communal expres-
sion This is very truly the case v\ith
Grace Cathedral
The cathedral seat was first establi.shed
in San Francisco by Bishop Kip in 1S63
when, as first Bishop of California, he
placed his Episcopal chair in Grace
Church It is historically interesting to
note that this was the first cathedral
designation rnade by the Protestant
Episcopal church in America.
Bv IRWIN St. JOHN
Years passed without definite efTorts
toward a cathedral building Then came
1Q06 and the fire And from the rebirth
of the city at that time of travail, which
gave San Francisco the impetus mani-
fest in the commercial development ot
today, there resulted also the germina-
tion of the idea of Grace Cathedral.
T T T
WHILE San Francisco's ashes still
smouldered, William Ford Nich-
ols, the second Bishop of California,
dreamed of a supreme spiritual structure
rising out of the ruins to symbolize the
city's indomitable aspiration He climbed
the slope of San Francisco's proudest hill
and chose for the future cathedral a spot
then weighted with the ruins ot two
magnificent homes
Bishop Nichols told his dream to the
owners of the land and without hesita-
tion they deeded an entire block as a
cathedral site.
From that time until his death in 1924
Bishop Nichols bent every effort toward
the fulfillment of his dream. In 1907 the
Cathedral Chapter corporation was
organized. In 1910 the corner stone was
laid and four years later the crypt was
opened for services.
This crypt has continued as a tangible
reminder of the project under way and
has provided a meeting place where the
functions of the future cathedral could
be performed in preparation tor the final
structure
And throughout these years while the
cathedral crypt has pertormed its Episco-
pal Church functions and drawn its own
band of worshippers into closer harmony
it has also reached out into the commun-
ity and ministered to the people irre-
spective of creed or organization
It has become an interdenominational
meeting place where ministers of vari-
ous faiths have joined with the lEpisco-
palians in preaching the Word ot God.
The hospitality of the Cathedral has
been given important weltare organiza-
tions Leaders like Robert E. Speer of
the Presbyterian church, Rabbi Newman
of the Jewish faith and the Reverend
Theodore Bell of the San Francisco
Federation of Churches have preached
before congregations in which men and
women of every nationality and taith
have been received with equal welcome
However, the crypt has not proved
adequate for the great gatherings at
times oi public rejoicing and worship
It is in answer to the community need
for both a proper place for general civic
congregation and a fitting spiritual mon-
ument that the cathedral forces have
combined with the spiritual factors
throughout San Francisco in a drive to
raise the $3,600,000 necessary needed to
build Grace Cathedral.
T T T
FOR weeks now the city has reflected
this spiritual ferment. A great
municipal mass meeting resulted in the
definite organization of representatives
from almost every creed to collect funds
for the project. Gifts are pouring in daily
from individuals and trom groups in
various parts of the city until, interpreted
into modern idiom, the scene is veritably
that of the Medieval village where
everyone gave of his substance that the
Cathedral might be the expression of a
united people.
On every hand one sees pictures and
drawings of the magnificant structure
that is to rise from the brow of Nob
Hill Its imposing entrance, its mount-
ing arches, its lofty spirit are firing the
city's imagination creating impatience
for the passing of the five years estimated
as necessary for its completion.
Ralph Adams Cram, consulting archi-
tect of Grace Cathedral and recognized
first authority on Gothic Architecture in
the United States has said:
"Grace Cathedral is unquestionably
of America, and of the 20th century; yet
with equal certainty it proclaims not
only the vitality of the religion that
brings it into existence, but also the un-
broken continuity of this force as it
follows backward, century after century,
to the great moment when, in Europe,
Christianity became fully selt-conscious,
and so expressed itself through the art it
had brought into being.
"Disassociating myself wholly from
the part 1 have been privileged to play as
consulting architect, I can truthfully say
that Mr. Hobart has produced one of
the most impressive, convincing, and
promising schemes for an American
Cathedral that has thus far been brought
forward during the process of creating
in America a logical and consistent
architectural expression of the Christian
faith and the Christian polity. Not only
the Diocese, not only the Church in the
United States, but also the entire com-
munity must be grateful for what prom-
ises to be one of the great works of
religious architecture in this country.'
T ▼ ▼
THE Cathedral as designed by Mr.
Lewis P. Hobart, an eminent San
Francisco architect, will be built almost
entirely of local material by local labor.
Continued on page 38
SAN FRANCISCO
PUSLIC LiaRAHY
JUNE, 1928
13
Le.ns P. Hobart . ,ra.in, oj the in.,.oln, entra^.^ot,u^,a,nific.nt structure i,ai I. io ri.e Jro,n t,u ,ro..
THE SAN FRANCISCAN
14
Yvonne
Being a Dissertation on Parisian
By CAREY MC WILLIAMS
Lili
To Victor D'Aurill acq the sicua-
tton savored of unique pleasant-
ness He JiJ exr"icncc, however,
some qualms about the propriety of such
plcasaW emotions on such an occasion.
He was naturally squeamish about such
matters, and it troubled him to note the
analogous gaiety of his emotions over
the death of his mistress For Yvonne
was dead, Yvonne the golden-haired, the
divinely formed, — Yvonne ol the luxu-
riant emotions. They had been intimate
for years, Victor and Yvonne, and it
gave Victor great pleasure to gloat over
this realization and to recall the endless
hours of their passion The basis ot this
pleasure, he realized, was selfishness. He
hadworked untiringlv to eliminate rivals
and to keep the prize which his zeal had
won. And there had been rivals! Such
rivals! Artful fellows with no end of
wily tricks, sweet flatteries and droll con-
ceits They had taxed every artifice that
that his nature possessed, but he had
bested them! Yvonne had belonged to
him alone
He could not but speculate, as he
walked leisurely down the boulevard
that charming April morning, on the
dramatic figure that he, Victor D'Auril-
lacq, was going to create at the funeral
which awaited him at the end of his des-
tination. Yvonne had been known in the
best circles of Paris for years as a famed
beauty of the stage, and his intimacy
with her, (again this thought gave him
great pleasure), was equally well known
His romance, technically it was hardly
that, with Yvonne had brought him no
end of fame and love, or rather, loves.
It was whispered about; furtively dis-
cussed (that is in a manner that would
assure its repetition); and had, in the
course of time, become an established
scandal. Everywhere he was pointed out
as the lover of Yvonne. He adored this
notoriety and revelled in its glamorous
sensationalism.
At Yvonne's funeral would be as-
sembled the charmed circle of Parisian
celebrities. He had no doubt but that
they would be assembled by now, since
his arrival at such a late hour would have
all the dramatic possibilities of a stage
entrance, which, in fact, it was. He
would enter her apartment, th.: apart-
ment of their love, and every eye would
be upon him. It was a unique role, this
part of playing the grief stricken lover of
Yvonne. It was unique for the reason
that he would be supposed to experience
genuine sorrow, something unheard of
at most funerals. A husbanJ, for
example, would naturally mourn for a
deceased wife, but only, as everyone wel
knows, pcrfunctorilv Secretly the rascal
would be filled with joy at the thought
of her departure, particularly if she were
aging. But a lover's position was differ-
ent. He had lost a mistress (and such a
divine one!), no wonder that he should
sorrow. That which society had blandly
winked at during Yvonne's life, could
TahoeJaU^ Dawn^
By Nancv Buckley
I once had memories of lovely things —
The sudden flash of rapid, shimmering
wings,
Hills brighc with April's green; a lyric tree.
And the gold of sunset on a tropic sea;
But these delights have vanished now, since I
Have gazed with eager eyes on Beauty's face
And gazing, thrilled on visioning the grace
That marks — that is Tahoe, Lake of the
Sky!
Around it circle emerald pines that fling
A net of silken shadows; soft winds bring
And stir to harmony the trembling air —
Like calling from a distant belfry tower to
prayer.
In the splendid silences my soul stands free '
The moon is hanging low — a silver flower;
The stars are blossoms; in this sacred hour
There comes a vibrant voice — God speaks
to me.
now be made visibly the subject of com-
ment in the grief of her lover, for his
appearance so obviously arrayed as the
lover would reveal to all the truth of a
subject about which all had speculated.
T T T
I EST their be any question of the illict-
j ness of the affair in the minds of the
mourners, Victor had prepared for the
occasion with elaborate care. He wanted
to impress each of them with the thought
that he, Victor D'Aurillacq, had been
for years the lover of Yvonne Hence the
drama which he saw in his appearance
at her funeral. He had dressed that morn-
ing with great care; not a detail of his
attire but that was eloquent of grief. He
was splendidly funereal. He had even
painted slight circles under his eyes, and,
to heighten the effect, had consumed
nothing but thimbles of wine at inter-
vals for a day.
Those rivals, Paul and Gilbert, would
be vetitably green with envy, he mused.
In other affairs they had given him much
trouble, but he had avenged himself for
all time in this triumph. For he had
stolen Yvonne from before their covet-
les
ous eyes, before they had had so much as
a chance to fondle the jewel of her beauty
or to bask in its refulgent splendor. At
this moment he knew that they would
pay any price to exchange lots vi/ith him,
for the chance to play the role of lover to
such a divine mistress, and in such a
highly proper, but conspicuous, manner.
Yes, she had been a divine mistress, com-
bining in a miraculous unity the joys of
the body of a chorus girl with the deli-
cate charms of hypothetical virginity.
Prior to her affair with him, she was
noted as being one of the few chaste
beauties of the stage, and this very ele-
ment had added an esoteric quality which
his other affairs had lacked. Just as she
had been faithful to herself prior to their
affair, so she had remained faithful to
him unto death In this there was pathos,
Such fidelity touched the heart, particu-
larly in Paris where it had all the appear-
ance of an emotional abnormality.
Ah, it was a glorious morning to be
strolling along to the funeral of one's
mistress! The air was soft, and strangely
sweet, and it was borne to him out of an
immaculate day. A song of sweet sad-
ness was in his heart, and he let himself
revel in its music to such an extent that
he almost forgot his grief. It would
never do, this gaiety. He could not enter
the apartment smiling, for this would
give rise to some miasmatic rumour
that she had been untrue to him or that
they had quarreled. To keep his thoughts
of a melancholic cast, he mused over thel
lines from Swinburne he had selected as
the most fitting expression of his grief,
and which he intended to recite as his
own should he be called upon to make
some verbal offering to the memory of
the departed, the dear departed. The
lines went, so his memory assured him;
"Time takes them home that we
loved, fair names and famous.
To the soft, long sleep, to the broad
svveet bosom of death ;
But the flower of their souls he shall
not take away to shame us.
Nor the lips lack song forever thai
now lack breath;
For with us shall the music and per
fume that die not dwell.
Though the dead to our dead bid wel
come, and we farewell."
T T T
HE KNEW he would be asked fo
some verses about his grief. Hac
it not always been this way? The mos
intimate acquaintance was called upoi
to bid the dead farewell, and he knew,
beyond peradventure of a doubt, that h'
Continued on page 30
15
Famous Clubs of San Francisco as J'isualized by One Who Has Nei'er Been in Them
THE W0ME:N^S ^ATHJ^EriC
16
THE SAN FRANCISCAN
A Promised Fiesta
Don Caspar Again We Hope to Salute You
Ih WINIFRED WHITE
^o.MN mounted upon a
proudly splendid
charger vou shall ride
through streets, which you as
the first beholding white man,
saw only as wind swept hills
above a lower lying, broadly
flung harbor You shall see the
same hills but upon them a
gay, gray city, swathed in
clouds of red, yellow and
green Its now lordly towers
shall fling banners from their
tall heights to do you honor
The populace will hail you
and again proclaim the glory
of your discovery with cheers
and laughter There will be
pageantry, parades, music,
feasting to the provocative
click of castencts and the low
roll and jingle of tambourines.
Chivalrous Dons shall escort
you and ladies at once haughty
and gracious in revived and
cherished mantilla shall vie
for your favor
You may think Don Gas-
par, that we ha\e all but tor-
gotten you Twice before in
1909 and 1912 we enacted the
drama of that day of October
25, 1709 when you and your
little band of soldiers, priests
and followers toiled up these
self same hills and came upon
the site where now stands this
tragedy-scarred city, San Fran-
cisco Mad are the memories
of those two previous cele-
brations in the intoxication
of the revelry we promised
how solemn and tight are our
vows —that we would thus
greet and make obeisance to
you every three years
T ▼ ▼
PERHAPS though, Don Gas-
par in the six months you
lingered here you ground and
rooted into these hills undying
traces of the gospel and phi-
losophy of manana There al-
ways seemed so many things
to be done tomorrow There
was an exposition — a fantasti-
cal, bewildering, pagan pro-
cession which surely was not
lost on your adventurous soul !
There was a war a grim
business of steel, machines an
timed with terrible accuracy
death and devastation, but
without its hours of tragic ex
"JIusic Ifi^ tlicjH Ills''
By Mrs George N Armsby
CEJDWDS coming to hear symphony music move
through the country roads of the Peninsula on
their ivay to the Woodland Theatre — motors
whirl by — the pedestrians traveling under the arching
houghs of trees and busses briyig their passengers up to
the theatre from the highway.
The symphony patron soon finds himself strolling
through the gates of the Hillsborough school grounds and
across the broad square ivhich leads to the amphitheatre-
His eyes feast upon tall poplar trees and brilliant blue
skies and next he steps dowm into a natural out door
theatre luhere 7nagnificent oak. trees throw their shadoivs
upon tiers of seats which extend down the gentle slope of
a wooded ravine. A classic stage on the far bank of the
howl is enriched with vines of ivy and boxes of laurel.
Beneath the oak trees — brilliant colored flowers gloiv
against the natural greens, there friends and groups of
music lovers listen to glorious music. The informality of
country life is everyivhere impressed upon the scene — men
in golf togs, or white flannels, lounge about smoking and
relaxing after their Sunday morning golf or tennis. Music
floats through the soft breezes as violins and cellos pour
their song across the ravine, while brasses send their in-
sistent and triumphant tones far over the hills and one
falls today dreaming while again the hillsides seem to be
peopled u'ith the Qods of yesterday. California so steeped
111 beauty adds one more laurel to her fame for noble deeds
-in initiating and supporting summer concerts in the
Woodland Theatre at Hillsborough.
The opening day of igzS on Sunday afternoon, June
Z4th, at three o'clock, I'JiH again see music lovers enthusi-
astically arriving at the theatre to greet Albert Coates of
England, ivho gives us tivo concerts. He is followed by
Bernardino Molinari of Bfime, and then our own well-
known Qabrilowitsch comes for the last three concerts.
The Sayi Francisco Symphony Orchestra re-assembles and
Mishel Piastro assumes the position of concert master.
Programs will be made of familiar symphonic works to-
gether ivith the more modern music and once more those
xvho enjoy music out of doors will steep themselves in
harmonies while lounging in the shadovus or revelling in
the splendor of the sun.
Francisco forgets not her dis-
coverer, her saints, her heroes,
her builders nor yet her sinners.
She has bred alike saints, sin-
ners, empire builders, poets
They are all her children, the
blood and sinews of her tradi-
tions The spirit of their
swaggering, prodigal, gallant
deeds and lives have blazoned
her a history at once magnifi-
cently epochal and humanly
sordid; have made her a world
beloved city
T T T
IN HER heart of hearts she
knows that all will not be
well with her should she stray
too far from that spirit.
Periodically she grows dis-
dainful of and restless with
the smooth flow of things as
they are She yearns to taste
the salt and the leaven of the
days of Dons and Argonauts,
To kill a fatted calf, to spread
a feast for re-incarnated heroes,
to drench the city in light,
song and laughter, to gown it
regally in the trappings and
pomp of streamers and ban-
ners —nothing less will sate
the hunger of her memories
And so it happens on a day
just gone the fathers of the
city council pushed aside for
the moment divers clamorous
and weighty matters and with
fitting and commendable gen-
erosity voted a round sum for
a Portola Festival to be held
this coming October. The de-
sire thus becomes a certain
reality Already the work of
laying the feast, of setting the
fire, of fattening the doomed
calf, of assembling the pagean-
try goes forward. Committees
are formed. They meet in
discussion and are rendered
tense with ambition This
festival must surpass all others
and be of such success that
neither wars, famines, earth-
quakes, plagues or other such
dire calamities shall stand in
the way of holding the event
every three years as originally
intended.
d wheels. Even your San Francisco grew haggard
to spread and forgetful in that way.
still not But now in this present, Don Portola
haltation. we find time to remember you San
THE planning of such a fiesta is for
San Francisco not a laborious thing,
but a release. She plunges into the work
Continued on page 33
JUNE, 1928
17
■■aw^g.; !JiesMi;s}^-
^^^^^^''•''^^^^'^^'^•B^'
As Chairman oj the Music Committee of the Philharmonic Society oj San Mateo, Mrs. Armshx, has earned
tlie distinction oj being one oJ the Jew women impresarios oj the world
ALBERT PETERSEN
18
THE SAN FRANCISCAN
Olympic Contenders
Some of the Records Held by Americans in Field Events
By WALLACE W. KNOX
DiRiNC. the next month hundreds
o( aspiring track and field ath-
letes scattered from Maine to
California and including way points
from Canada to Mexico will he putting
on the finishing touches to their train-
ing, which they hope, will carry them to
places at the final Olympic Games try-
outs, and to one of the ninety berths on
the United States Olympic Games track
and field team. A new ruling limits the
number of athletes to three that a coun-
try can enter in any event. An alternate
will be taken for each event, and six
men will be taken along to compete in
the most gruelling of all races, the mara-
thon Besides the marathon twenty-one
events are on the track and field program
Sunday morning track experts are still
wondering when records will cease to be
broken, but the boys with the Mercury
shoes and the strong arms are not worry-
ing a bit about this problem, but are
going right ahead crashing mark after
mark with surprising regularity Never
before have there been so many poten-
tial record breakers as there are this sea-
son, and in several instances it will take
a mark better than the existing Olympic
record to quality for a place on the
United States team.
This is particularly true in the shot
put, where Bud Houser, formerly of
use, holds the Olympic Games
record of 49 feet 2}/^ inches Houser,
who now has a "Dr " prefixed to his
name, has been spending the last year
putting silver and gold in hollow teeth,
and has not had much opportunity for
putting the lead ball dangerously near
the world's record as he was wont to do
in the past it is doubtful if he will get in
shape for the coming Olytnpics A flock
of youngsters, however, are clampring
to take his place, and all of them can
throw the shot more than 50 feet.
Probably the best of the lot is John
Kuck, formerly of the Kansas State
Teacher's College, but now a member of
the Los Angeles Athletic Club. Kuck
has twice bettered the 51 foot record
that Ralph Rose set in 1912, and his
work shows no sign of slackening.
Eric Krenz and Harlow Rothert, two
Stanford sophomores, are Kuck's most
dangerous opponents At the recent
I. C. A. A. A. A. Krenz shattered
Houser's I. C. 4. A mark with a put of
go feet 1 inch. Rothert caused the stands
to gasp in amazement on his next throw
when he landed the ball just half an inch
short of Krenz's mark Rothert scarcely
knew what a shot was when he was m
high school, and he was a mediocre per-
former until mid-season of this year
Then, tor no apparent reason, he jumped
into the Big League and began putting
consistently over 49 feet Dink Temple-
ton, the Stanford coach, says his form is
perfect and it would not be a bit sur-
prising if Rothert put two more feet
onto his tosses before the summer isover.
He has not been working with the shot
long enough to have acquired any bad
habits, and with Templeton to watch
him he is not likely to slip into any.
▼ ▼ T
THEN there is H J Schwartz, former
Wisconsin star, who is enrolled
un er the Illinois Athletic club banner,
who has an indoor record of 49 feet
6^-^ inches, and who has several times
exceeded 50 feet. And up in Washing-
ton H Brix has thrown the shot 50 feet
9 inches He was heralded as a coming
champion the day he set that mark, but
some painstaking individual measured
the shot and found it was half a pound
light; so his Northwest record was not
allowed. Nevertheless, Brix is good for
better than 49 feet A dark horse, who
may upset some of the favorites is David
Adieman of Georgetown. Adieman took
third in the I. C. A A. A A. with a put
of 46 feet 95-4 inches, but most of his
marks during the season have been 48
feet or better. Adieman has not had
much experience and is apparently a
"comer "
A high school youth and a 140-pound
college boy are setting the pace in the
javelin throw. The high school boy is
Jimmy Demers, and in a recent high
school meet in Portland he streaked the
spear through the air for a mark of 213
feet 6 inches He has been doing almost
this well all season, and last year he won
the National Interscholastic title at
Chicago.
Wilmer Rinehart, who tips the beams
at barely 140 pounds, and is an "A"
student in the junior class at Indiana
bettered Kuck's national collegiate jave-
lin mark on May 5, when he threw the
javelin 215 feet 4 inches Kuck's mark,
set in 1926 was 214 feet 2/ s inches
Kuck is by no means out of the running
and stands as a potential record breaker
himself
Creth B Hines, Georgetown, twice
winner of the I. C. A A A A. javelin
championship set a new I. C A. A. A. A.
record at Boston on May 26 of 210 feet.
In that same meet Anthony Ghillany,
Columbia, threw 199 feet 4 inches; Leo
Kibby of Stanford did 195 feet 2 inches,
and Bill Sparling, also of Stanford, did
192 feet 6 inches Sparling has done over
200 feet all season and should be good
for that much in the Olympic trials.
▼ T T
THF L A A C has two of the lead-
ing javelin throwers in the country
in Chuck Harlow and Chuck Eaton.
Harlow gaitned his reputation at Stan-
ford and Eaton gained prominence
while at Pomona. Both of them can
do 205 feet.
Eric Krenz stands out as the most
prominent discus thrower in the coun-
try Krenz in practice threw the platter
161 feet, bettering by three feet the
existing world's record held by Bud
Houser. He broke Houser's I C A. A.
A A. record on May 25 setting a new
mark of 154 feet 11 inches Houser can
probably get into top discus throwing
form and may be a leading contender in
this event at the finals These two men
stand out head and shoulders above the
others Other likely platter men are
Irvine Phillips, California football cap-
tain elect, Gibby Welch, Pittsburgh All
American halfback, and Rasmus, Ohio
State This trio can better 145 feet
In the hammer throw, Fred D. Too-
tell, former Bowdoin ace, who set the
hammer throw record in the 1924
Olympic Games at 174 feet io}4 inches
is the favorite to win out again this
year Matt McGrath, who was starring
at Olympic games when most of the
present competitors were wearing swad-
dling clothes, will again be a hard man
to keep off the team. McGrath com-
peted in the games in 1908, 1912, 1920,
and 1924 Jack Merchant of the Olym-
pic clut, who was at the games in 1920
and 1924, has a mark of 170 feet y^^
inches in this event.
T T ▼
TURNING to the jumping events, De
Hart Hubbard, wonder negro ath-
lete, is again expected to excel all others
in the broad jump, Hubbard, jumping
on a weak and injured ankle, in the last
Olympics set a new record of 24 feet 6
inches. He holds the world's record of
25 feet 10,?^ inches, and a year ago
cleared 26 feet, but it was not allowed.
He has been national A A U. winner
for six years, never failing to clear 24
feet Wiry and nervous, Hubbard has
run the hundred yard dash in -.09 315,
and in his jumps gets tremendous dis-
tance from his famous scissors kick after
getting into the air.
A. H. Bates of Penn State is almost
Continued on page 40
JUNE, 1928
19
A Cub Among Bears
Being a Back-Stage View of a Producer, a Player and a Critic
By LLOYD FARRINGTON WILSON
A PRODUCER, according to the Ameri-
can creed, is a large fat man who
wears diamond studs and when not giv-
ing parties to the leading lady of his
current vehicle, stands around the hox
office gloating o\'er the receipts^ He
STANLEY MACUEWEE
knows absolutely nothing about the
theatre and selects only plays that cater
to low-brow crowds.
A player is a hypocrite. Should the
one under discussion be an orchestra
leader, it is a safe bet that he is insuff^er-
ably egotistical. The smile he wears on
the stage fades as the curtain drops, re-
vealing him a fiend feared by his musi-
cians and associates. He was originally
a third rate musician who was lucky
enough to marry the theatre owner's
daughter. His only hobbies are clipping
press notices and nursing a tempera-
mental disposition. When found he is
usually participating in an interchange
of anecdotes more distinguished for their
freedom from Freudian inhibitions than
for their wit
A critic is considered the most
malicious and offensive member ot the
unorganized militia of literature. He is
regarded as one who forces his opinions
on the public, spoiling simple enjoyment
and creating personal discomfiture with
his authoritative edicts His criticism is
analized on a physical basis. If he is mild
in praise or condemnation he is believed
to be editorially browbeaten. Emphatic
praise means that he is subsidized. Harsh
criticism indicates the state of his diges-
tion or condemns him as another calam-
ity-howler at war with the world.
To America at large, the inhabitants
of Mazda Land, like animals in a zoo,
are to be regarded with a mixture of
suspicion and contempt and much mur-
muring of Nurse Publicity's tales
But there are some individuals who
really like to poke their fingers through
the bars and speculate on the possibility
that the animal on display might hate
the gilt on the bars of his cage. For these
few and to satisfy his own curiosity this
cub ambled into amusement's cage to
see what he could see.
▼ T ▼
PROBABLY due to the fact that the
Players' Guild has had a splendid
season or maybe because the subscribers
have increased from two to thirty-one
hundred — anyway people have been
talking about Stanley MacLewee, the
Guild producer.
An interview would stop that so 1
hunted him down, finally tracing him to
his office where he sat reading while
waiting for the men to come for his
office furniture — those pieces he had
loaned to some society or such for stage
gear.
Evidently resigned to the fate ot hav-
ing to lay aside his book to meet my
questions with replies he never expected
to see in print anyhow, he disregarded
PHIL LAMBKIN
my notebook and pencil and refused to
make startling observations about either
Belasco or Shakespeare.
A pleasant talker, is Mr. MacLewee.
He has an assurance of bearing savoring
slightly of oratory. The hint of grey in
his black hair and the glint of amuse-
ment in his dark eyes speak of experience
tinged with a sense of humor.
I am convinced that he reads every
play that comes out And worse, he
writes some — little skits that have a
habit of winning small prizes and large
EDGAR WAITE
favors He is a consecrated apostle of
applied drama and shuns the ways of the
so-called dramatic purist.
Like no other I have ever found, he
likes amateurs and delights in develop-
ing them An associate insists that he
has never turned away an applicant
without a trial Furthermore he reads
every manuscript wandering playwrights
choose to send him and returns them
with long letters of comment.
He didn't mention ever having eaten
poi or laulau and probably he can't play
the steel guitar or dance the hula — but
he says he can sing. However, no song
followed, so that is merely hearsay
What his secret vice is we never found
out At a recent opening of a Guild play
he was seen in the audience disporting
himself in a most husbandly manner
we must write our Congressman about
this man
T ▼ ▼
THE Granada posters said, "He's
New! He's Good!" So I went to
see how Phil Lambkin, this newest
master of ceremonies, behaves behind
the drops.
But first 1 went out front to get a
moron's-eye view. And what I saw
made me reserve judgment until later;
Paul Whiteman joggles his tummy.
Paul Ash wiggles the tonneau of his
Continued on page 37
THE SAN FRANCISCAN
The Summer Season
We Forecast Some of the Goings on About Town
By JACK CAMPBELL
S\N Franciscans nibbled rather
LinsuiJly at the theatrical anti-
pasto oliercJ Jurinn the past lcv\'
summers In the warm months, they re-
fused to tolerate mediocrity behind the
footlights and spurned the theater with
out a tempting morsel
Such an adamant attitude threw the
managers into a decidedly bilious condi-
tion out of which, however, has exuded
a most healthy phenomenon.
There will be no hiatus on the stage
this year Nor will there be a lull in the
motion picture or \aude\ille houses. A
brilliant summer has been arranged The
general exodus trom New York has
stimulated immigration into the coastal
region The winter season of the eastern
Broadway is being transported bodily to
the western rialtos of entertainment. En-
thusiasm is ubiquitous
Caviar is promised for the seasoned
playgoer. Of a higher grade, morco\'er,
than was offered by the tashionable
"Chauve Souris " Producers on the Pa-
cific will cease their own efforts and
concentrate on booking established at-
tractions across the continent. Actors,
whose breakfasting resorts are even
known to a tiring public, will be per-
mitted to return to the silent drama. For
three months there will be no such term
as "coast defender " Tradition and talent
will supplant mediocrity while the
amateur and the dilletantc will be
routed.
The only ghosts which will be gi\'cn
up are those of the Little, Art, and Guild
Theatres, in the mad rush of brilliant
attractions, the general public will have
no time for charlatans or dope peddlers
of the drama. Schools, colleges, and
temples of the half-way play will close
simultaneously
At the top of the new menu are listed
current attractions Ethel Barrymore is
closing a delightful engagement at the
Curran in "The Constant Wife," con-
tended by many to be her best vehicle
of the past decade. The adjacent Geary
houses "The Racket," with the original
New York cast headed by John Crom-
well, Edward Robinson, and Gladys
Lloyd
The first of these offerings presents a
tradition, an institution, and a popular
playwright; the second otTers the life
blood of the moment Something which
is teeming with the spirit of 192S. A
play which gives to this season what
"Chicago" gave to last year's calendar.
T T T
THE thought is encouraging that two
plays of distinction and agreeable
variety are being given on Geary Street
with their original companies. How
sweet is their presence after some of the
ninth and tenth rate productions of
established successes which have been
in these same theatres throughout the
winter.
Moroni Olscn with his repetory
group closed a brief season with "The
Detour." His success has realized more
of a future than a present value. A foun-
dation has been established for future
seasons when the organization will be
better known The hope is still extant
that the company will tarry in the city
and occupy a smaller house for the re-
mainder ot the summer. San Francisco
needs an experimental theatre.
With the closing of the Owen Davis
play, the Columbia has scheduled
"Kongo." Headed by Charles Middle-
ton, this most "meller" of melodramas
will revive memories of the tropic lands
so well liked in "White Cargo." How-
ever uninspiring the play, Middleton is
said to give a magnificent performance
of the role created two years ago by
Walter Houston in New York.
Ralph Pinckus has booked three other
attractions of distinction to follow
"Kongo" through the summer. The first
is "The Trial of Mary Dugan" with
Phoebe Foster and Raymond Hackett.
This work is now enjoying success in
Los Angeles, New York, London, Ber-
lin and other places where The New
York Times may be bought.
Following the Veiller hit, "The Dra-
cula" will arrive in its entirety from the
east. Dramatized from the Bram Stoker
novel, this "vampire" drama has been
one of the middling successes of the
year. Comparable in drawing power to
"Interference."
A return to repetory will then follow
these established offerings into the Col-
umbia. Robert Mantell, Walker White-
side, and Genevieve Hamper are sche-
duled to join forces and present a series
of works, the foremost of which is to be
"Othello." Such a move should draw
every imaginable class of clientele into
the theatre during the warm months and
provide sufficiently diverting fare.
Homer Curran has arranged for "A
Night of Spain" to follow Ethel Barry-
more. Nothing like variety. The Shubert
revue, led by Ted Hcaly, Aileen Stan-
Icy, and Phil Baker has been most suc-
cessful in Chicago and will be the first
"girl" show on Geary Street in many
months. "Good News," the collegiate
musical comedy which first popularized
"The Varsity Drag" is the next on the
list.
Despite the ankles fractured by its in-
tricate numbers this show has been a hit
throughout the country.
T T ▼
At the Geary, the same impressario
y~V has arranged for "The Command
to Love" to succeed "The Racket."
This attraction is from the German of
Rudolph Lothar and deals in a thor-
oughly naughty manner with intrigue
and amour at the Italian and Spanish
embassies in Madrid. Its stars are many
and distinguished. Performances are
contributed by Mary Nash, Violet
Kemble Cooper, Basil Rathbone, Henry
Stephenson, and Lou Gottschalk which
have taxed the adjectivial capacity of
critics throughout the east.
After this delicious tid bit, San Fran-
cisco is promised "The Spider." A
spooky affair, somewhat belated in its
arrival, which will doubtlessly be excel-
lent summer froth. Once this ordeal is
finished, another sensational success is
assured.
This is "The Royal Family." Every-
body in the country has been considered
for the cast. So far Marjorie Rambeau,
Henry Hull, Zeffie Tilbury, Ian Keith,
Mary Duncan and a score of others have
been mentioned, but Homer Curran is
now in the east collecting a few more
possibilities. Those who have read the
Kaufman and Ferber comedy, know its
delights which should be doubled in the
playing.
At the end of the warm months, "The
Bachelor Father" of David Belasco is a
likely contender. The original New York
cast headed by Geoffrey Kerr and June
Walker are rumored to possess their
tickets already.
Should time permit, a regular list of
Erlanger road shows will also find homes
on Geary Street. Their names and rating
are at the moment, unfortunately, not at
hand.
Another producer to step out for the
sumiTier is Henry Duffy. He has gath-
ered the New York casts of "Tommy"
and "The Wooden Kimono" to follow
local attractions. On his payroll he has
enscrolled the names of Marjorie Ram- .
beau, Leo Carrillo, Berton Churchill, |
Continued on page 35
JUNE, 1928
21
gEO'KGE o''B'I(ie:^c
Police CliieJ Dan O'Brien /?(;.■• always been a niofie enlltu.tiasl. But more than ei>er since his popular son enlered pictures. Starting
as an athlete, George " physiqucd" his way into the studios and soon won the notice oj the Foxofficuils. The high point
oj his career has been his truly magnif/icent perjonnance in "Sunrise" how playing at the St. Francis
Theatre. Under the tutelage oj the director Jlurnau, George is becoming interested in the
directorial end of pictures, into which field he will shortly matriculate
22
THE SAN FRANCISCAN
Fog House
A Romance oF a Unicorn and a Castle in the Air
Ih KATHRYN HULME
SOME nights seem to he made for lov-
ers but this was net one of those This
one was a foggy night Clammy
grey vapours tilled the lovser beach road
and turned the scraggy little pine trees
into weird misshapen creatures ot dark-
ness Below the blurt that carried the
road, unseen breakers hissed along the
beach, as though the tog had actually
mulled their customary boom Every-
thing was stilled by the throbbing grey-
ncss except the two hgures walking arm
in arm under the fog-hlled arcade ot
trees.
The deep sand of the road swallowed
up all sound ot their toottalls and the en-
croaching mists kept trying to fuse their
two swaying shapes into one, to make a
ghost-thing of them as it had done to
the trees, the sand dunes and the hissing
suppressed sea.
But the boy and the girl could not be
made ghosts of — not this night They
were achingly alive and looking tor
something The boy's eager tace cleft the
fog, indisputably vibrant and questing,
and the girl's head rested lightly, trust-
ingly, on his shoulder They were in love
so that their locked arms trembled and
their bodies seemed to float tar abo\c the
sands that made them plod and the tog
that made them shi\'er Yet there was no
place tor them to go No place in all this
tog where they could hnd warmth and
;ecurity and soft lights so that they could
see each other's face.
The boy knew another way of finding
things As they trudged along, he made
the girl stop before a summer cottage set
back in a garden among trees They
.eaned against the rustic gate and he
tilted her chin so that her eyes stared up-
A'ard at a window through which
streamed a soft mellow light The light
riowed out into the night and made a
gold pathway straight up to the window
For a long while they looked silently
It that magic window tramcd so simply
■n a commonplace summer cottage Then
the boy described what could lie behind
such a golden pane of glass. His low
siory-tellcr's voice conjured up old medi-
eval walls enclosing warmth and hushed
grandeur, and a burning back-log send-
ing red sparks like kisses into the black
throat of a great Gothic chimne> He
described a rich old tapestry he saw hang-
ing down the length of one wall and he
told the girl the story of chivalry that
was woven into it, and pointed out to
her, down in one corner, the spiralled
horn and laughing muzzle of a unicorn
peeping out from a flowered thicket
WiiKN the girl saw the unicorn, the
same thing happened to her as
happens to anyone who sees a unicorn
Queer, une.xplainablc things occurred.
The garden gate seemed to melt out Irom
under her elbows and she was walking
up the pathway ot light, clutching the
boy's hand only because it tclt strange to
be walking on gold globules ot tog The
boy went right on talking, as though
nothing extraordinary had happened.
Si//i>
By H. L. Johnson
The damask rose thac blooms upon the tap-
estry
Is fallen in the wine. By candclight I see
A miniature before it hang, suspended
By swinging chains of gold set in the mar-
quetry.
The tc.\t that it conceals is wisdom meant
for mc,
"The song that thou wouldst sing cannot he
ended."
But still I sing. Each cadence of my serenade
Is heard upon the balconies of Aragon.
Ah, love, can 1 believe it, hast thou meant
for mine
The roseof favor falling Irom thy balconadc^
But, as it falls, it fades and touches not the
lawn.
The threaded rose I see is fallen in the wine.
but, when he came to describe the four-
teenth century bed, the girl was already
in the room . . . and then she saw it
tor herself. . . .
It was a huge black wood bed with
garnet drapes suspended somehow from
the shadows of the ceiling. Pillows were
piled luxuriously against the carved
headboard and when the girl turned her
shining eyes to the boy, he lifted her
lightly and dropped her into this nest of
silk and swansdown. Then he curled up
beside her and together they peered into
the yet unexplored corners of the great
room.
On a table lighted by fat dripping
candles they saw a jug of Venetian lace
glass mounted in arabesqued silver and
two old Flemish goblets with carved
crystal bowls and silver stems. The boy
rose to pour her some of the wine that
was the color of the garnet drapes over
the bed Someone had warmed the wine
for them As they sipped it a lovely leth-
argy crept over their tired bodies and
they drowsed in the firelight, making up
delightfully imaginative stories about
the medieval antiquities in the room.
The window beside the bed gave out
onto a sounding surf that lashed its re-
llected moonligtit into a creamy opales-
cent foam and then stormed the rocks
below in futile destructive rage. The
sea's furore without only intensified the
peace and remoteness of the room, made
it seem ultimately beyond the reach of
time and tide and futility. Only the
moonlight slipped through the window
-—a silver fantasy belonging no more to
earth than the gargoyle shadow thrown
writhing on the walls by the strangely
twisted andirons.
▼ T ▼
ONCE the girl pulled herself to her
elbow, just to look around the
mellow room for reassurance. The big
back-log smouldered on the hearth. The
candle flamesswungsinuous in the gloom
like dancers unwearied of their body's
rhythm, and shadows swayed on the
ceiling in a magic metamorphosis ot
ever-changing shape Everything was
quite intact — even the jug stood where
the boy had put it on the table, its silver
rim gleaming in the flux of candle and
hrclight. Deeply she sighed and fell back
once again into the protecting hollow of
the boy's arm. Then they both went
soundly to sleep, smiling their way into
dreams that were only a continuation of
the reality left behind them.
The last spark had danced its ghoul's
dance over the body of the dead log and
the spent candle wicks were guttering
like strangled things in their pools of
molten tallow. All the mysterious
shadow-shapes had fled from the walls
and the only signs of life now were the
quiet breathing of the two who slept,
and the urgent pounding of the sea out-
side the window.
The sea had something to say to them.
Far out beyond the breakers, its great
green gullet boomed forth a throaty
challenge and the waves running inshore
came all hurried and noisy with their
news — like advance messengers from
some very important monarch. The
ocean, whose soul is owned by the moon
was annoyed with these two who had
found a way to possess their own souls.
Jealously it sought to awaken them.
T ▼ T
THE waves reared up into gigantic
combers, hurled themselves toward
the beach and when they could go no
further, flattened themselves out on their
watery bellies and slid across the sands
to spend their last strength in derisive
hissing. Again and again the waves re-
peated their onslaught, falling back into
Continued on page 22
JUNE, 1928
23
Panorama of San Francisco in 1877 , .tliowinci Xo/^ Hill and part of the business district
1 in lypes
Dennis Kearney of Soap-Box Fame
By ZOE A. BATTU
BY NECESSITY and profession, Dennis
Kearney, whose career we are now
considering was a drayman. By
natural instincts and avocation he be-
longed in the ranks of those who, pro-
fessing a heart rending, deep interest in
the cause ot their downtrodden fellow-
men, rise to the not mean eminence of
public attention, which is their inner
but never admitted ambition Kearney
was a native of County Cork, Ireland
and came to San Francisco in i86S. In
187S he received his naturalization
papers He was a man of no great educa-
tion, but he had amassed a considerable
fund of assorted and superficial informa-
tion. He possessed, in addition, a facility
in coining plausible sounding platitudes,
a gift which stood him in good stead
during his career as a social and political
reformer In this capacity, he threatened
for a time total destruction of an institu-
tion, without which San Francisco
would net be San Francisco, namely ;
Chinatown. That the Chinese be swept
from the city was the major melody of
Mr Kearney's agitation. That he failed
in his ends merely proves the folly of
seeking to annihilate a subtle race by un-
subtle means, and the wisdom of a city
whose citizens, in the final analysis, ably
discriminated between genuine issues
and the catch slogan palaver of the agi-
tating Kearney.
Shortly after becoming a citizen of
the country Kearney opened his labor
agitation with nightly outdoor meetings
held in various sand lots He had no
difhculty in attracting large and recep-
tive audiences. California and San Fran-
cisco were then in the midst of a critical
social and economic period. The orgy of
Comstock Lode speculations, climaxed
by the failure in 1875 of the Bank of
California, had left its train of unsettled
financial issues San Francisco banks,
merchants and hnanciers were recuperat-
ing from their late stock debauches. In-
dustrial and building developments were
at a standstill. The northern interior val-
leys, their cities and towns were suffering
from a lack of capital, high interest
rates, disputed land titles and difhculties
over water rights. Thousands of agricul-
tural workers had poured into San Fran-
cisco, seeking work that did not exist.
The Central Pacific Railroad, the hrst
trans-continental line, had upon its com-
pletion in 1869, been hailed as an eco-
nomic triumph, which would bring
speedy wealth to cities and agricultural
districts alike But by the middle 1S70S
public sentiment had changed and the
railroads and all other corporations were
painted as monsters, swollen by ill gotten
subsidies and monopolies and fattening
upon the land and substance of the
people
T T T
TO THE thousands of unemployed in
San Francisco Kearney represented
himself as an heaven sent Messiah.
Mounted upon a soap box he nightly
harangued the restive and discontented
mobs with noisy and explosive oratory.
To his audiences his arguments seemed
models of logic. The unemployed had
no work because the Chinese put them
out of jobs. The millionaire railroad
builders, Crocker, Huntington, Hop-
kins and Stanford had brought thousands
of Chinese into the country on contract
to build and maintain their roads, be-
cause they could hire them cheaper than
white men. For the same reason the
Chinamen held secure favor as doinestic
servants in the homes of bloated wealth.
Sweep the Chinese from the country and
give the white man the jobs, which were
rightfully his. So reasoned Kearney
lucidly and simply. He wound up all his
discussions with the slogan, "The
Chinese Must Go."
Had Kearney been a seasoned student
of economics, he would have perceived
that the relation of the Chinese to the
labor question, while by no means of
minor iinportance, was after all but one
phase of a many sided problem of politi-
cal and hnancial mismanagement, faulty
organization and control. But he could
not, of course, see this and the Chinese
served conveniently as an instrument
with which to incite mob hysteria, vio-
lence, hatred and racial prejudice. The
very virtues of the race became vices
under his eloquence Chinese industry,
frugality, faithfulness and thoroughness
were branded as but the hypocritical de-
vices whereby an alien and different,
hence corrupt and immoral race ousted
the poor but honest wcrkingman from
his jobs and strengthened the power and
position of the capitalists Kearney took
no note of the tact that the menial and
heavy labor in railroad building and
other industrial lines was scorned by the
white man but efficiently perforined by
the Orientals. He ranted unceasingly
against the Chinese monopoly of the
laundry business and saw only evil in
their ability to grow and sell garden
truck and serve restaurant meals at un-
believably low prices.
Toward Kearney's torch light proces-
sions and oratorical fareworks the public
took a faintly amused attitude That the
wisest course lay in letting him talk
himself out was the general opinion of
the police and city council. The police
did not interfere with him until June
1877, when he made his first violent
and disorderly move. News came over
the wires from the East of railroad
strikes in Philadelphia, Pittsburg and
Baltimore. Kearney had little difficulty
in convincing his overwrought mobs
that these events conhrmed the fact that
their hour had struck. He urged them to
rally to the standards of the working-
man's world and hold themselves in
readiness to seize the government and
railroads; to put all corporations, finan-
Continued on page 28
24
THE:SAN FRANCISCAN -
neJormer.UarM Bernice Moore daughter oj Mr. and Airs. Charles C. Moore. u'ho.re marriaoe to Lieuten
J.dward J. Moran oj the United States Navi/ was an event Jor the Reic,ning Ih/nasti/
JUNE, 1928
SAN FRANCISCO
PUBLIC LiaRARy
25
The Reigning Dynasty
WEDDINGS
May I . Miss Lilizabcth Pattiani, daughter ot Mr. and
Mrs. William Louis Pattiani of Piedmont, to Mr, Ed-
ward Aihclstonc Howard, son of Mr. and Mrs. Wilfred
Norman Howard of Los Angeles.
May 2. Miss Mary Young, daughter of Mr. and Mrs.
Alexander J. "I'oung of San Francisco, to Mr Gordon
Murray, son of Mr. Joseph A. Murray of Little Rock.
Arkansas.
May 3. Miss Ailcen Waldron, daughter of Mr, and
Mrs. William Berrien Waldron of San Francisco, to
Mr. Harry Alexander Burton Brown, son of Mr. and
Mrs. Harry Alexander Brown of Aspen, Colorado.
ENGAGEMENTS
JOHNSON-MACONDRA^'. Miss Jacqueline John-
son, daughter of Dr. and Mrs. Llewellyn Johnson of
Stockton, to Lieutenant .^therton Macondray, U. S N ,
son of Mrs William Otis Edmands and the late Ather-
ton Macondray.
GRIFFITH-MILLER. Miss Alice Griffith, daughter
of Mrs. Charles L. Griffith and the late Mr. Charles
Griffith, to Mr Richard Putnam Miller, son of Mr. and
Mrs. Guy P Miller of Bridgeport. Connecticut.
MACDONALD-HENRY. MissKatherine Elizabeth
Macdonald. daughter of Mr. and Mrs Royal P. Mac-
donald to Lieutenant George Edlcv Henry. Aviation
Corps.U S A.
VISITORS ENTERTAINED
Mr and Mrs Henry Potter Russell (Helen Crocker)
(if New S'ork. entertained at a dinner given at the Burl-
mgamc Country Club by Mr and Mrs. Robert Watt
Miller.
Major-General Sir George Richardson and Miss Rich-
ardson lately of Western Samoa, entertained by Acting
British Consul-General and Mrs. Cyril H. Cane at
luncheon at the Hotel Fairmont.
Mrs Maud Shoobert Dunsmuir of Paris, entertained
at luncheon at the Town and Country Club by Mrs.
-Mfred Baker Spaulding,
Miss Jean Buchanan of Kentucky, honored at a
luncheon given by Mrs Bernard Ford at the Ford
house in Burlingame.
Mrs. Moseley Taylor (Emily Pope) guest of honor at
a dinner given by Mr. and Mrs. Robert Gay Hooker in
San Mateo.
Mrs, Warren Childs of Boston, entertained at an in-
formal tea given by Mrs. Horace D. Pillsbury at her
home in Pacific Avenue.
MissBoody Donaherof Salt Lake City, guest of Miss
Emily Clift Searlcs at the Clift Hotel.
Mrs Allen Gouverneur Weltmanof New York, enter-
tained at dinner given by Mr. and Mrs. George N.
Armsby of Burlingame.
Mrs. Percy Madeira of Philadelphia and Mrs. Fred-
erick Clark Sayles of New "^'ork, honor guests at dinner
given at the home of Mr. and Mrs Frank B. King.
HERE AND THERE
The Annual Del Monte Tennis Championship held
on May 25-2b with May Sutton Bundy. Bill Johnston
and Phil Neer among those present. At the same time
the Fifth Annual Dog Show was held with entries from
the best kennels and private owners in California-
Opening of the Menlo Park Country Club celebrated
by golf tournament and dinner dance,
San Francisco Yacht Club held cruise on the bay to
Keil's Cove, with all yachts filled with guests.
P. E. N Club entertained at luncheon at the home
of Senator James D. Phelan at "Villa Montalvo."
Miss Elizabeth Magee gave an invitational song
recital at Hotel St. Francis.
Menlo Park Circus date changed from June 23 to
June 30. A County Fair, in charge of Mrs DeLancey
Lewis, will be a feature of this year's show.
Mrs. John S. Sutton will entertain with another large
bridge party for the benefit of the Emergency Fund of
the Doctors' Daughters The bridge to be given at the
Sutton house in Menlo Park.
Piano recital given in San Rafael by Henri Deering,
followed by a supper at Marin Golf and Country Club.
Mrs. Rafael G. Dufficy hostess at large breakfast at
the new Meadow Club of Tamalpais, the breakfast fol-
lowed by bridge
Mrs Henry Potter Russell gave a "Wild West" din-
ner party at the Burlingame Country Club in honor of
Mr. Russell's birthday.
Mrs Ward Barron, returned to San Francisco after
an absence of several years, entertained at dinner by
Miss Mary Louise Phelan at her home in Washington
street.
I lonoring Miss Louise Burmister, the fiancee of Jcff-
frcy Kendall Armsby, Mrs Ralph Palmer gave a
luncheon at the Woman's Athletic Club.
invitations issued for the marriage of Miss Nettie
Sexton Long and Mr. Stokeley Wilson, the ceremony to
take place June 4 at Grace Cathedral at 4 in the after-
ncxjn To be followed by a reception at the bride's home
on Lake Street.
Miss Barbara Kirkpatrick of Palo Alto, entertained
ai luncheon in honor of Miss Eleanor Weir, the fiancee
of Mr. Hcber Tilden.
Mr. and Mrs Howard Spreckels have purchased a
home in Burlingame, the former Newhall place.
Mr and Mrs. Kenneth Walsh (Marie Spreckels) have
bought the old home of Captain Barncson in San Mateo
Mr and Mrs Richard Heimann will build a home on
the Irwin tract in Burlingame.
Mr. and Mrs. Edmunds Lyman, who retijrned a few
weeks ago from a long stay abroad and who are domi-
ciled at the Mark Hopkins, were week-end guests re-
cently of Mrs Frances Elkins at her Carmel Valley
ranch.
Miss Elizabeth Raymond, a debutante of the past
winter, has returned to her home after a visit in the East
with friends.
Mr and Mrs. Nion Tucker and Mr. and Mrs. George
Cameron have returned to Burlingame after spending
several months in Europe
Mr. and Mrs, Charles Blyth, who passed many
months in New York are again at their home in San
Mateo.
Miss Alice Helen Eastland, who returned to her home
on the peninsula recently after a visit East, was honor
guest at a luncheon given by Miss Frances Stent at the
Ernest Stent house on Pacific Avenue Mr. and Mrs,
Stent and their two daughters are now in the Eats, en
route to Europe.
As a farewell to Miss Katherine Deahl who will pass
some months in Europe, Miss Eleanor Weir entertained
at a luncheon at her home in Menlo Park.
Mrs. Tobin Clark and her daughters have returned to
California after an extended visit East and Europe
They are coming West by way of the Canadian Rockies
Mr. and Mrs. Cyril McNear (Elena Folger) visited
in San Francisco for a few days, staying at the Mark
Hopkins Hotel. They make their home in Beverley
Hills.
Mr and Mrs Milton Esberg and Mrs. H. Clay Miller
have returned from the East where they spent three
weeks.
[n honor of Mrs, Daniel C, Jackling who recently
completed an interesting world tour, Mrs. Frederick W,
McNear entertained at a luncheon at her apartments
at the Mark Hopkins recently.
Mr. and Mrs. Stewart Edward White plan a summer
cruise in their yacht in the far northern waters, Mr. and
Mrs Barnaby Conrad will join Mr and Mrs. White in
the North and proceed to Alaska \\ ith the party.
Before her departure to Buffalo to attend the Junior
League Convention, to which she was a delegate, Mrs.
1 louard 1-leming was entertained at a number of affairs,
including a tea given by Mrs George Pinckard.
Mr, Joseph H. Donohoe and his daughters, the Misses
Katherine, Christine. Mary and Barbara have taken
possession of their summer home at Menlo Park.
Mr and Mrs, Stewart Lowery entertained at dinner
recently at their summer place at Menlo Park, Mr
and Mrs. George Bowles spent the week-end as guests
of Mr and Mrs. Lowery
Mr. and Mrs. George A. Pope were hosts at a luncheon
given at the new clubhouse recently erected by Mrs.
Pope at the Beresford Country Club Mr and Mrs.
Edmuntl Lyman were guests of honor. Later the party
attended the polo match on the Beresford field.
Mrs Alfred B Ford gave a farewell tea in honor of
her grandniece. Miss Barbara Berkeley of London, who
sailed for her home in England a few days later on the
S S California.
Mrs Theodore H(jovcr has returned to her home in
Palo Alto after a visit in the east, in the course of which
she visited her brother-in-law, Mr Herbert Hoover and
Mrs. Hoover at their home in Washington,
Mrs Norman Heath of Los Angeles and her daughter
Miss Heath were recently in San Francisco. Mrs. Fleath
and her daughter are leaving shortly for England to
attend the London Season.
SAN FRANCISCANS IN THE SOUTHLAND
Mrs, Robin Hayne has been a visitor at Montccito,
the guest of Mr. and Mrs. Robert N, Neustadt at their
home.
Mrs, Benjamin P. Brodie has opened her Montecito
home for the summer season. She has as her guest Mrs.
Constance Peters who plans to open a studio in Santa
Barbara,
Mrs Norris King Davis, who passed the winter at
the Mark Hopkins Hotel has reopened her Santa Bar-
bara home. Her daughter. Miss Nancv Djvis. who is
studying in Carmel, will join her mother in the South
this month. Miss Margery Davis, who is taking a course
at Columbia, will remain in New York this summer.
SAN FRANCISCANS IN NEW YORK
Mrs James Potter Langhorne is visiting in New York
for a time with her son-in-law and daughter. Lieutenant-
Commander and Mrs. H. Calhoun. The party will sail
for England soon.
Mrs. William Delaware Nielson will be in the East
this summer for the greater part of the time. She will
first visit in New York with her daughter. Mrs. Paul
Iccaci.
The portrait painted by Sheldon Pennover of the
three beautiful daughters of Mrs. Adolph Uhl, Mrs
Theodore WeickerJr , Miss Ernestine and Miss Verede
Vere Adams, created a sensation when it was shown in
New York. Miss Ernestine and Miss Vere de Vere
Adams are prolonging their visit in the East, where
their sister, Mrs. Weicker now makes her home.
Mrs. Horace Van Sicklen, also a delegate to the
Junior League Convention, visited for a time in New-
York at the close of the session and then went on to
Greenwich, Connecticut, where she was the guest of
Mrs. Holt Perry.
Mrs, William S. Kuhn will remain in New York until
the end of June. She will spend a great part of her visit
with her sister Mrs William Scaife at the latter's home
in Southampton Mrs Kuhn will also visit with her
daughter Mrs Jefferson Coolidgc, in Boston.
SAN FRANCISCANS ABROAD
Miss Laura McKmstry was visiting with friends in
Lausanne. Switzerland, when last heard from Miss
McKinstry will not return to San Francisco until
August.
Mr and Mrs. S. F. B, Morse are cruising off the
coast of Spain. Mr. and Mrs. Arthur Hill Vincent arc
their guests on the famous yacht The Dolphin which
Mr. Morse has chartered.
Mrs. Frederick Myrtle of Ross will pass the summer
abroad.
Mr, and Mrs George P. McNear who left for Europe
last month will visit for six weeks in London before
going to the Continent.
Mme Charles Raoul-Duval has rejoined her family
at the Raoul-Duval apartment in the Rue Reynouard.
in Paris.
Mr. and Mrs. James Rupert Mason were cruising the
Mediterianean at last accounts.
Mrs Covington Pringle and herdaughter Miss Kath-
leen Pringle will tout Europe this summer Miss Pringle
will make her debut next season.
A party comprising Mr and Mrs C, O. G. Miller and
their son, Mr Albert Miller and Mr and Mrs William
Walt, left for New York early in June en route to
I'Airope. They plan an interesting trip through Germany.
Mr and Mrs. Mark Gerstle are now in London where
they havejoined their son and daughter-in-law. Dr. and
Mrs, Mark Gerstle.
Mrs. William Younger, who now makes her home in
Paris, recently enjoyed a sojourn in Spain.
Mi, and Mrs. A. K. Macomber are cruising the
Mediterranean on their yacht The Crusader.
Mr. and Mrs Loring Pickering have taken a villa at
Grasse for the summer. They will entertain Mrs, Pick-
ering's aunt and brother, Mrs, Mountford S. Wilson
and Mr. Douglas Alexander, this summer.
26
THE SAN FRANCISCAN
Hearst
Wc Review a Book Concerning an American Phenomenon
B> JOSEPH HENDERSON
HIKI .It l.ist is tlic biHil
will crv tor, die trut
William RanJolph He
face Hearst, An A
ik b.ibics
til about
Icarst. On
Che surtace ticarst, .'in American
Phenomenon is a snappy expose ot the
famous journalist's career Irom the time
"Willie" Hearst played practical jokes
at Har\arJ until the time William Ran-
dolph Hearst exposed lalse lettersagainst
the Mexican i;o\ernment thus indirectly
5tarcini; Lindbergh on his good-v\ill
flight Mr. Winkler is a writer ot simple,
clear English with a genius for piling up
exciting tacts You will look far in these
pages betorc you find anything resemb-
bling panegyric or satire, and it is fine
tor a change to be allowed to torm your
own opinion ot this extraordinary man.
Here is Hearst's career as journalist,
politician and eccentric described with
impersonality and a strict regard tor sig-
nificant generality or detail which is just
about the opposite ot the didactic rheto-
ric employed in the editorials of the
Hearst papers. And whatever its ulti-
mate merits, and however much (as will
undoubtedly be claimed) it has been
directed or encouraged by Hearst him-
self, it is for the moment an amazing
book, amazing by what it tells, by what
it omits, and by what it inters
What it tells is comprchcnsixe in lay-
ing bare Hearst's methods and policies
as a public man since he took over the
San Francisco Examiner in 18S7. There
is description of the phenomenal rise of
The Monarch of the Dailies under his
management, his fight vvitih Pulitzer and
most ot the presidents One chapter
heading reads, J901; Burned in Effigy;
J 902. Elected to Congress; 1^04: Boomed
for President, followed by h^earst Ouns
a Political Party. Then came detailed
accounts of his famous revelation of the
Archbold-Forakcr letters, his y\dven-
turcs with Magazines and Movies up to
The Rise of A I Smith which Mr. Wink-
ler seems to place as the unhappy dcnou-
menc of Hearst's career Most interest-
ing perhaps are the pages devoted to
Hearst's activities during the Spanish
American and World Wars. In both in-
stances the bare truth of Mr Winkler's
subject matter with its international
overtones lifts the whole hook to a high
level of topical interest Here indeed is
politics in the grand manner and the
author could hardly have chosen a better
model in Talleyrand or Louis XIV.
One of the most colorful episodes
during the Spanish American War is re-
ported as follows; The proprietor of
the Journal rushed to Washington when
war was declared and otTered to equip a
regiment McKinlcy politely declined
Hearst then oilered his yacht, the Biica-
neer, without cost. This otTer was ac-
cepted and Hearst was given an hono-
rary commission of Ensign in the navy.
He chartered the British steamer Sylvia
W. R. HEARST
By RALPH BARTON
and a whole fleet of tugs and led twenty
correspondents, artists and photographers
to the scene of strife.
T ▼ T
HEARST was in his element He fed
raw meat to his men and roused
even the dignified Richard Harding
Davis to extraordinary etforts Edward
Marshall, one ot the Journal's corre-
spondents, was shot down at El Caney
A comrade knelt in the grass beside him
and took down his story of the battle.
Hearst got the story out in time to score
a scoop that boosted circulation a hun
dred thousand in New York
The Sylvia hovered in the offing dur
ing the bombardment of Cervera's ships
by the American fleet. At daybreak . . .
Blue of the Texas came alongside and
reported the destruction of the Spanish
fleet Blue said to Hearst "There are
some Spanish sailors trying to land on
the beach We are going to get them."
Some time later the naval boat reap-
peared. Hearst . . . was told that it had
been determined to let the prisoners go.
Hearst, his eyes dancing . . . exclaimed
"Let's get them" ... A steam launch
was lowered and ran to the shore . . .
Hearst pulled off his pants and leaped '
into the surf. Brandishing a huge re-
volver, he drove twenty-six wet and be-
fuddled Spaniards into his launch. . . .
Back on the Sylvia. Jack Hcmment
made the frightened, dripping prisoners
kneel and kiss the flag while he photo-
graphed them to his heart's content.
Then Hearst had hoisted the signals ;
"Wc have prisoners for the fleet" and ^
the Sylvia proceeded through the re-
formed line of American battleships and i
delivered the prisoners to Admiral
Schley. The American sailors cheered, ,
Hearst took his bow like any matinee
hero and the Journal served up the
luscious details to a hungry populace . .
T ▼ ▼
THE numerous omissions, notably on
tlic side of Hearst's personal or pri-
vatcjlife, are understandable. *The author
acknowledges them in his foreword :
"This volume is not a definitive biog-
raphy For the activities of our absorb
ing subject, at three score and five, arc
still as incessant as the sea. Not until
the last curtain closes upon one of the
most mystifying products of our times
may W. R. Hearst be conclusiveK'
placed within the covers of a book,"
But when all this is said, there still
remains the most interesting side of the
book, namely the things one is allowed
to infer. Whether you belong to the side
which calls Hearst a thief and a traitor,
or to the opposition which regards him
as great, good and benificent, you some-
how have to grant that he is more nearly
a symbol ot modern America and of
ourselves than any one person. At least
if you read Winkler carefully For Hearst
has set out to accomplish not so much a
complicated set of selfish or even arbi-
trarily altruistic ends as to live out a
destiny which would have to have been
given form by other elements even if he
ConLlnucd un page 3*)
UNE, 1928
17
Speculation
The Outward Sign of a Mental Condition
By R. F. BERKELEY
▼"n describing Speculation as the great-
I est thing on earth, 1 have in mind, of
1. course, the material viewpoint only;
ibserving, in passing, that the basis of
II religious beliefs, as of every true spec-
ilation, being a well-grounded faith,
he speculator has no cause to be
ishamed of the foundation of his opera-
ions.
For Speculation is the outward and
/isible sign ot a mental condition, (ap-
iroaching conviction) without the con-
inuous activity ot which, not commerce
inly, but the whole terrestrial scheme
A'ould cease to function Speculation has
supported the entire fabric since the day,
;acred to every well constituted male,
ivhen the father of mankind, we were
:aught to believe, ventured his whole
future happiness (and that of the conse-
quences of his action) by petitioning for
a partner to make his life less lonesome.
Regard the whole story as an allegory,
and the case is but strengthened; evidence
derived from a type being stronger than
that which rests on an individual.
The fewer speculators, the more spec-
ulative, actually, each and every element
of life. The speculator may be conserva-
tively regarded as the guardian angel of
all, because by taking intelligently risks
which are inherent in every order, he
takes from speculation the sting. The
speculator is in truth the Great Sta-
bilizer.
The bigger an individual or institu-
tion, the easier the target it presents to
those — the great army of cravens — who
would not venture their arrows on any-
thing they feared to miss So, too, the
more obviously beneficial a practice,
the greater the likelihood of lack of ap-
preciation— if the force of depreciation
is to be measured by mere numbers It
was, therefore, to be expected that
Speculation should be a public butt, the
goat whenever things gang agley; the
outstanding evil, with which men are
cursed, being ignorance.
▼ ▼ ▼
THE spectacular will always attract
(for praise or blame) if only because
the multitude is constitutionally pur-
blind. Even the wisest and most level-
headed are, now and again, afflicted
with a film over the eye Hence snap
judgments, hasty explosions, such as
that of Lincoln's, "I wish that every
devilish head of them could be shot
off," when temporary Wall Street ex-
travagances proved too much for his
unsophisticated mind. He was, after
all, however, but making the common
mistake of confusing speculation with
gambling, a pastime which is too often
viewed as an exaggerated form of specu-
lation, whereas it is an entirely different
kind of animal. When we come to think,
it is not so long ago — if the length of
mankind's evolutionary period is con-
sidered— since the commonplace and
very sober-sided merchant of mediaeval
times was regarded by the economist of
his time as a bandit, carrying on his
trade under the protection of the law
It has been said, quite truly, that it
the taking of risks incurs inevitably the
brand of immorality, all business is
more or less immoral; business as con-
ducted now-a-days eminently so. Be-
cause the assumption of risks, Specula-
tion is the marrow of industry's every
bone, indispensable to the whole frame.
Every economist, other than the Rip
Van Winkle type, recognizes the specu-
lator as one of the most desirable mem-
bers of the "Public Benefactor" species.
It was Henry George, 1 think, who
described Speculation as Industry's Bal-
ance Wheel, regulating the whole ma-
chinery. Speculation it is by means of
which commodities are carried from
where they are in superabundance to
where it is known possibly that some
will be required, expected that a few
more can be absorbed, hoped only that
a varying portion may be disposed of to
advantage The entire system of credits,
too, is based on the speculative spirit,
and it is really needless to add that
without the workings of this system
there would be very little industry to
be carried.
▼ T ▼
HOW many critics of speculation
have taken the trouble to think
what must have been the history of this
country had there not been men willing
to be dubbed speculators, for its devel-
opment What has been done in some
four hundred years could not, otherwise,
have been achieved in four thousand
years; for it is no small tract of territory
to which we have fallen the fortunate
heirs. The nucleus of the world's great-
est empire could be made comfortable
three times over in California alone; a
larger job than theirs, that of our for-
bears. Can we overestimate the service
they rendered co us and to the cause of
civilization? By what other means than
that of following in their wake, on the
path of courageous speculation, can we
show our gratitude?
Yes, painful though it be, let a little
further thinking strain our minds The
average citizen, being (one may at least
hope) the proud possessor of an open
mind, wants the truth. The risk in-
volved in said assumption may be
taken, and a further dose administered.
When you or I are out to buy or sell, the
price to be given or received figures
largely in our thoughts Value counts,
of course, but we know too well that its
influence on the price of the moment
cannot be exercised, unaided. If the
sellers sought by the buyers, or the buyers
needed by the sellers, are in either case
few and far between, real values will
make a poor show in the bargains that
must eventuate. Each party will be, to
some extent, at the mercy of the other;
more or less, as the numbers on each side
are few or many. Fairer prices would be
fixed if there were a sufficiency of
competitors — sellers and buyers Hence
the market-place; a natural outgrowth
of necessity. Markets assure what may
be called fair, true, or scientific prices,
and your abused speculators are the
active agents in every market, through
whose bidding and counter-bidding, a
price balance is maintained Rather
small it seems, to examine so closely
mouth of gift-horse
This brings me to the principal target,
the stock exchanges; the mark for every
soap-box orator, because their transac-
tions are always in the public eye^are
participated in by millions of ordinary
people; by, indeed, quite a number of
the bleaters Can it be said that the off-
times hectic proceedings, witnessed in
any of the leading stock exchanges on
many occasions, are to be classed with
public benefits?
T T T
JUST in so far as these rough-and-
tumble operations have knowledge,
real or believed to be real, for basis, it is
true that they perform a very useful
function. In so far as they are inspired by
a mere urge to flirt with Chance, they
do little good to anyone, much harm
sometimes to the hardy sportsmen — the
dainty sportswomen too in these days —
who must have their fling. But these
people are not speculating, they are just
gambling. As justly, damn the reading
of fiction, because of that portion of it
Continued on page 41
28
THE SAN FRANCISC/l
the fairmoiit hotel
FAMOUS AS THE PLACE WHERE VISITORS
FROM ALL THE WORLD MAY ENJOY THE
BEST THAT CALIFORNIA HAS TO OFFER
THE FAIRMONTS PROGRESSIVE SPIRIT
IS REFLECTED IN THE MODERNISTIC DECORATION
OF THE NEW DIANA LOUNGE
FAIRMONT ATTRACTIONS INCLUDE
MUSIC BY RUDY SEIGER AND HIS ORCHESTRA
CONTRACT BRIDGE UNDER A FAMOUS EXPERT
AFTERNOON TEAS IN LAUREL COURT
DINNER IN THE VENETIAN ROOM
the fairmont
san francisco California
D M. LINNARD. MANAGING DIRECTOR
LeRoy Linnard, manager
Tin Types
f'dntinucd frfim page 23
ciers and capitalists into their prop
place This ringing call fell also upon ti
cars of the police who rushed to tl
scene, making it expedient to delay tl
seizure until a more opportune momen
BUT only action of some sort ecu
now satisfy the tense mob. On Ju
23rd a gang of Kearney's follower
burned a Chinese laundry and demolishe
several others The triumphant San
Lottcrs, as they had been nicknamec
then paraded through the streets, threai
ening loudly to fire and burn the who
of Chinatown The danger of this threa
to the entire city served to arouse tl"
populace to immediate action. TH
police force had but 15c members an
was quite inadequate to cope with th
violence crazed rabble To supplemen
the police there was organized on Jull
24th the Committee of Public Safety,
volunteer body of 5000 citizens. Willia'n
T Coleman, ex-Vigilante and acknowl
edged expert in quelling riots, disordc
and lawlessness was named head of th
committee. A $70,000 emergency fun<^
was subscribed by the city's merchants
and business men. The U. S. govern]
ment sent down five warships froni
Mare Island and anchored them in thij
Bay and Coleman was free to call upoi
their officers and men for any needed as
sistance By July 26th organization wx
complete and the committee members
equipped with arms and 6000 pick
handles of stout hickory— simple but'
effective weapons as events proved
While the work of organization haiii
been going forward there were numerous!
pitched and street battles between the
volunteers and Sand Lotters San Fran-
Cisco was an armed camp for the time|
being Little time was spent in sleep bv
the population, who spent most of its
time on the hill tops with its treasured
household possessions packed in prepara-
tion to flee the city On the night of
July 26th the hill top watchers saw
flames leap from the Pacific Mail Com-
pany's docks, a concern which had trans-
ported from China practically all of the
contract laborers. This fire was quickly
extinguished and from the distant
dimmed shouts and occasional shots the
watchers knew that Coleman's Pick
Handle Brigade was making short dis-
posal of Kearney's army. Gradually the
shouts and shots ceased. San Francisco
was assured that the Sand Lotters were
routed and went home to bed. In exub-
erant thankfulness it was vowed to erect
a monument to Coleman The monu-
ment is yet to be erected.
UINE, 1928
29
r/' KARNEY, however, was not dismayed
[^_ by this defeat and shortly was hus-
ly engaged in organizing the Working-
nan's Party of California, whose plat-
orm demanded termination ot railroad
nd corporation monopolies, deporta-
ion and exclusion of the Chinese
lighcr wages and general improvement
if labor conditions, Kearney continued
lis sand lot sessions. The police stood by
)ut did not interfere so long as nothing
horc drastic than talking was done.
Occasional Chinamen were attacked in
ihe streets or their laundries threatened.
The public began to tire of the show and
|he W. P. C. rejoiced that opposition
'vas thoroughly broken down
Accordingly on the night ot October
■•.8, 1877 Kearney and 3000 of his fol-
lowers marched on Nob Hill. Mounted
ipon a wagon in a lot adjacent to the
')ld Crocker residence and in the very
nidst of the enemy Kearney proceeded
o denounce all the owners of nearby
nansions, the railroad operators, capi-
alists, merchants and stock and bond
lolders He called them each by name;
tronounced self righteous judgment on
'heir misdeeds and infamies; consigned
hem to eternal damnation and generally
eviled them in the good old fashioned
iproarous manner. He loftily alloted
,~harles Crocker just three months in
'vhich to discharge each and every Chinese
in the railroad and replace him with a
vhite man This ultimatum delivered
\.earney and his band took themselves
iff, unmolested by the police. After two
•jr three more such demonstrations,
"lublic patience wore thin and while
lolding forth on the Barbary Coast,
■Cearney was dragged from his soap box
ind with two or three of his leaders was
:,hrown into jail.
> While in prison he could do little and
A'ithout his leadership the mob could do
ess. The city fathers therefore permitted
lim to sojourn indefinitely and ponder.
He shortly came to the conclusion that
mediation and diplomacy are not with-
out their value. He wept, repented of
lis sins and promised no further trouble.
His freedom was granted and upon
being released from jail found his dray
waiting outside the door. He was gar-
landed with flowers; hoisted aboard and
sent hilariously upon his way.
I T T T ^
BY THIS time San Francisco's leaders
and business men had had enough
of nonsense, foolishness and vain prom-
ises. They succeeded in having a law
passed by the state legislature, which
made the inciting of riots and mobs a
felony, punishable with a state prison
sentence. Kearney was now badly fright-
ened, for he well realized that he had
been twice released from prison because
there had been no law to cover his
,ofFense. About this time it came to light
Continued on page 33
Individuality
^^
f alifornia's sunshine kissed by grey clouds rising from their
^^passageovertheGoldenGate cast a mellow halo ot golden light
on the Pompeiian vase that stands in the patio ot Parle Lane. It
is just one of those individual touches ot beauty that has caused
PARK. LANE to be Selected by a certain few San Franciscans.
Apartments, five to eight rooms,
unfurnished and furnished [in-
comparably) $2^0 up. Leasing
now. Occupancy immediately.
Eugene N. Fritz, Jr., Managing Owner
1100 Sacramento Street {corner of Mason)
NOB HILL
30
THE SAN FRANCISCA^,
W
Cruise away i^h^ to New Vacation
Scenes
See the
Romantic
Spanish Americas
6* New York
■^&s&
A panorama of jungle-clad, surf
fringed shores, ot purpling volcanoes,
of adobe-white cities basking in the sun-
light with "manana" always one day ahead,
slips by the broad, shaded decks of your modern
liner— colortully-clad native women sell juicy bananas at the
windows of your train before it valiantly puffs away to conquer
another palm-covered slope that hides an azure lake or a cath-
edral crowned town — in such moments lies the "romance" of
a Panama Mail vacation cruise through the Spanish Americas.
The trip thai misses nothing
Forget business this summer in the charms of this trip that
leaves nothing missing. It is a vacation in itself or makes a rest-
ful and fa.scinating start for a vacation in New York and the
East. Panama Mail cruise ships leave California every three
weeks. Enjoy thirty-one carefree, beguiling days before you
reach New York — eighteen at sea and thirteen ashore in the be-
witching cities of Mexico, Guatemala, El Salvador, Nicaragua, y \
Panama, Colombia and Cuba. Visit the inland capitals oi ^■\^.
Guatemala and Salvador. It's the only trip from California to ^^^
New York that allows you two days at the Panama Canal and ^*\.
visits ashore in eight foreign ports.
Luxurious travel at low cost
You travel first class on a ship built specially for tropical serv-
ice. Every cabin has a Simmons bed instead of a berth. .All rooms
have electric fans and running water — are comfortable and well
ventilated. Music and food is of the best. A swimming tank sup-
plements broad cool decks.
The cost is low — you can go from your home town to New York
via California and the Spanish Americas for 3380 up. (This fare
includes bed and meals on the steamer and railroad transporta-
tion). If you wish, you can go to New York by rail and return
by water. Write today for full information and booklets from
Panama Mail Steamship Company
2 Pine Street, San Francisco
548 South Spring Street, Los -Angeles
Yvonne
Cunlinucd from page 14
would be selected to play that role thi:j
morning. It would contribute to hi
fame, this scene, and lend an air c
grandeur to his talents for armour. 1
He could see the entrance to her apart
ment now, and it was surrounded b)
motor cars. How many times he hat
entered and left chat apartment; how
significant it was to his soul; how tende j
had been the scenes within its cloistered
walls; how passionate his memory of iii
was! But enough of this, or he woulci
actually feel sad which would never do
To he effective as an actor, he realized
with the fine histrionic insight of thi
Gallic race, one must look sad but fee
gay He must be objective; detachedijl
able to act this situation as its uniqu(r
character merited. He recited the lines oil
verse again to assure himself of a sorj
rowful mien, and entered the apartmencil
The scene was exactly as he had en-
visaged The apartment was crowded
Flowers banked the walls and their odoi
was heavy and sad, and poignant. Littif
crescendos of talk swept across the rooir:
animated by flurries of nervous tension |
Victor's figure immediately became tht
focal point tor every pair of eyes. H(
was imperturbable His grief was grand
He gave a slight shudder, (ah, bethought
how perfect!), and walked across tht
room, deliberately and sadly as befittec
a lover whose heart was broken, to the
casket at the far end. His eyes were low-
ered and his lace downcast; his grief wa;
almost audible. Ah, divine grief! Sad-
ness was so lovely thus to experience —
for a moment before a crowd. As he
reached the open casket, he raised hij
eyes and across its wreaths of flowers he
saw for the first time the sumptuously
attired figures of his rivals, Paul and Gil-
bert, a slightly painted circle under each
eye! There was an awful hush in the
murmur of voices. The three men looked
deeply at each other over the dead body
of their priceless pearl. And in chat deep,
surprised, gaze there was much of un-
derstanding and humility, for it brought
to them in a moment the realization of
the identity of their positions. For
Yvonne was dead, here amidst her
flowers, between her lovers, in the sight
of her admirers, — she who had been
faithful to all of them but to none ot
them
But of this, of course, there was
nothing said.
31
UNE, 1928
'he shops along the street are hke
consulates of different nations. ''
,«_ Robert Louis Stevenson said it
of the city he loved so passionately.
Now 1 know what you are thinking :
she is going to pilot us through China-
town where "the goods they offer for
sale are as foreign as the lettering on the
sign hoard of the shop : dried fish from
the China seas; pale cakes and sweet-
meats, the like, perhaps once eaten hy
Badroulboudour; nuts of unfriendly
shape; ambiguous, outlandish vege-
tables' . . . telling of a country where
the trees are not as our trees, and the
very back garden is a cabinet of curi-
osities."
No, it's not to the cool, narrow streets
of Chinatown; nor to our authentic bit
of Japan; nor to hilly, fog-drenched
"little Italy", nor to where, within the
shadow of its church— Our Lady ot
Guadalupe— the Mexican quarter clings
like a child to its mother's skirt; not to
any of these do I choose to lure you . . .
though in each quaint place the San
Franciscan may "visit an actual foreign
land, foreign in people, language, things
and customs."
Instead I've a rarer treat tor you A
visit to Persia! Persia on Post Street!!
Here Dr. Ali-Kuli Khan, as colorful a
character as you'll come upon in many
a day, has established an art center that
is one of the most delectable "truffles in
the pie" of San Francisco's famed foreign
shops ,
Many of you will know ot Ur Khan
whose record as a diplomat is most
As seen
Her
worthy of mention. He was the chief
diplomatic representative of Persia to
the United States until 1919 when he
was called to Paris as a member of the
Persian Peace Delegation.
T T T
LATER Dr Khan was Minister Pleni-
jpotentiary to Poland, the head of
the Persian Embassy at Constantinople,
and Grand Master and head of the
Court of H. 1. H , the Crown Prince,
Regent, of Persia Before returning to
Arnerica he was Minister and Diplo-
matic Representative to the Republics
of the Caucasus in Russia.
Besides his capacity of statesman and
diplomat Dr Khan introduced modern
American methods into Persia, and was
instrumental in securing the first Ameri-
can Financial Adviser. He has been
known in America since 1901 as an
orator and lecturer on Persian general
culture, including Persian fine arts on
which he is considered the toremost
authority in America. As a collector and
art connoisseur his private collections
have been exhibited in the leading mu-
seums and galleries in this country.
San Francisco has a special spot in her
heart for Dr. Khan for in 1915 he repre-
sented his government as Commissioner-
General at the Panama-Pacific Interna-
tional Exposition. He built and directed
the famous Persian Official Section.
Dr Khan's collection ot Persian Art
contains many masterpieces that are the
result of generations of wealth, taste and
research Their value is a king's ransom.
Through knowledge and experience he
is qualified to differentiate between truly
important and rare objects and mediocre
examples of Persian Arts and Crafts
Come now, can you deny that a visit
to a shop run by such a man could be
anything but an adventure! It is . . .
and more It is a delightful and liberal
education What will you see there?
Some of the most precious Persian art
treasures in the world
T T T
A PRICELESS pottery bearing the por-
traitofShah Abbas Theceremonia
tapestry of Kirman Mosaics, inlaid
with ebony, ivory and metal Glazed
tiles glowing and gorgeous with color
A mirror encased in lacquer, formerly
the property of the King of Persia in the
seventeenth century A pair of rose and
green and gold doors from one of the
palaces of Ispahan in the time ot Shah
Abbas Katai brocades of silk and golden
threads, hand woven Kashan velvets in
rose and blue.
Rugs ' One from the sixteenth century
Ispahan period. Another of early seven-
teenth century Joshegan weave. A small
silk one from Samarkand and a seven-
teenth century Geordez rug with double
prayer design. And painted panels trom
many Persian palaces.
There is a copy of the Koran written
five hundred years ago and illuminated
in pure gold leaf with several pages ot
multi-colored design. You will marvel
at this manuscript, at its beauty, its
state of preservation and the fact that it
has not been placed in some museum
Quality Merchandise Only
Gem Pieces or individuality
JEWELERS
SiiREVE Treat s-
EACRE_T
136 G£AR.Y St
^^^^^•^twI^M
JP'ariis
INCH Ihc 'carlie.fUiaysafSaiu
Francisco, bride j' hui'CJ turned
to tliit^ City oj Paris for the.^
loveliest^ laces, th<L-> finest^
lii^'^nsand homely furnishings.
The discerning I) rides oJ to-
morrow not^.only havej> thein
trousseaux come^yjrom thej>
City of Paris, but^ have our
'i'-'coratorsperfect^dhejhonie
artistically as well, making
iL^one thaU. will surround
them with harmony and
happine.ij in, color and
liney.. purchasing Jrom
the start the things that
will bej> heirlooms
Jo r the^i coming
■vy generations
■^^OiixiietusitDiui.
THE SAN FRANCISCA
And you will marvel again when yo
see another prize of Dr Khan's coUcc
cion This IS a manuscript of the fiv
hooks of Jami, Persia's great mysti
poet illustrated by Behzad, "the Raphae
ot the East," for the ruler of Persia ii
the year 934 A. H.
How did such a work of art comi
into Dr Khan's possession? It was giver
by Path Ali Shah Kajur, the Persiar
Shah contemporary with Napoleon I
to Path Ali Khan, the poet laureate
author of Shahin Shah Nameh, the epii
of the later kings, that is comparable tc
the Shah Nameh of Firdusi the great cpic
of Persia written in the tenth century.
It is easy to understand how the man-
uscript could have been loved and valued
by many kings and then bestowed upon
one of Persia's greatest poets as a royal
gih. k IS beyond doubt the work of a
master hand and represents years of care-
ful, tedious work. The full page illus-
trations have the beauty and color of
stained glass windows in a cathedral.
T T T
AFTER examining it one can well ex-
. plain its perfect state of preserva-
tion despite the fact that it was inscribed
in the sixteenth century. To damage it
would be a sacrilege ! The care that' was
given it as a treasure of the Persian court
is easy to fancy. And to watch Dr.
Khan's reverent and loving way of
handling it today one knows that it will
leave his keeping as perfect as when he
received it.
Don't be frightened away when I tell
you that one of the tapestries is valued
at one hundred thousand dollars and one
of the manuscripts at seventy-five
thousand. A cat may look at a queen,
you know! Besides there is much that
you and I may buy as well. Persian fab-
rics both of silk and of cotton— hand
blocked and effective for a dozen differ-
ent purposes
There is "Marjan" the spicy essence
of some Oriental blossom. That is the
exotic perfume of the East. It is illusively
alluring and, what is more, it comes in
containers big or small enough to fit any
pocket book.
And just yesterday a man complained
to me ot the circumstances that held him
fast within the city limits of San Fran-
cisco. "Life looks as short as a mush-
room to me," he said, "and there are so
many things I have never seen. All the
glamorous places, for instance, India and
Persia and Arabia ..."
Well, Mr. Man, here's a trip all ready
and waiting for you before Life shrinks
another single inch. And you'll see things
that even an actual trip to far away
Persia might easily deny you.
How Stevenson, who did so much
traveling in San Francisco, would have
enjoyed a visit to Ali-Kuli Khan's .
to Persia on Post Street !
j^,
1928
33
Tin Types
(■.omiiuicJ fioiii page 2''
jc he had betrayed his own party by
ccpting money from the interests he
■nounccd The W. P. C. expelled him
om its ranks. His power was quite
•oken but to prevent any tresh activities
nong the more radical, unbalanced
id rabid labor factions the man was
lally disposed of by a clever piece of
sychological strategy. A group of busi-
:ss men" set him up in a business of his
wn and made him a capitalist in a
linor way. The plan worked admir-
■oly. Kearney turned from radicalism to
jnservatism, as befits a man who is
eset with the problems of keeping his
aterprise solvent in the always fluctuat-
ig conditions of supply and demand, in
rder, that among other things he may
leet the payroll of short sighted and
hiftless employees, who upon slight
revocation would seize the fruits of his
.■ision and industry. Thus engaged the
rstwhile denouncer of all things capital-
Stic lived out a comfortable life span
nd even achieved before he died some
neasure of solid respectability.
T T T
Fog House
Continued from page 22
he sea with dry-throated gulps, rushing
)n again with renewed fury as though
,ome fierce creature were flogging them
It the rear. And after a while, they did
iwaken the sleepers. . . .
The boy and girl were lying, in the
sand, in a little scooped-out hollow under
a twisted pine tree The world was dim
with early morning and fog still clung
to the rusty branches overhead. Their
bed of sand was not so sott now, and
they were cold — for their only blanket
was a lacey texture of glistening moisture
the fog had dropped lightly upon them
While they slept. So they rose to go.
Down the fog-filled arcade of trees
the two figures walked, arm in arm,
swaying together in a oneness that was
inot the work of the fusing mists.
A Promised Fiesta
Continued from page 16
with high zest and even now there are
discernible undertones, promises and
prophecies. On a morning in October,
Don Caspar Portola, all will stand in
readiness. You are bidden to the rendez-
vous, to the rediscovery of a gay, gray
city swathed in gold, purple, green, red,
orange, scarlet. San Francisco will rise
again to salute you; to bow low and
sweepingly before you; to feast and dine
with you as becomes a city which forgets
not her discoverer, her saints, her heroes,
her builders, nor yet her sinners.
f-.
\tiniE WHltEllHDUSE^
\V RAPHAEL WEILL 8 COMPANY/ n
\ No\V It Can B^
h
December has no
[-? -^^^ monoply on
r^^ gift-giving . . .
.just six months
away t r o m
Christmas is
another "gift"
month. June, of
course . . . the
harvest time of girl graduate and bride.
There is, however, a vast difference in
choosing the specialized individual gift
for one or two girl graduates and one or
two brides (unless your friends are liter-
ally legion) as contrasted with the un-
limited holiday Use of assorted relatives.
Whether it be an unsuspected Pollyanna
complex or the vicarious pleasure of
selecting a coveted possession destined
for another, the fact remains that every-
one of us sincerely enjoys gift searching
Even if you truly believe that this semi-
annual gift-giving festival is the most
boresome of bores, just try an experi-
mental cruise through the brimming
highways and byways of The White
House, and as the romance of gift-
merchandise is skillfully revealed to
your prejudiced gaze, you will find your
scepticism magically dispelled
Blessed be the
US =^ gift-giver (from
^^"^ S^S the recipient's
_^_ ■■ - ^= viewpoint) who
'- "^ lingers and is lost
^^^^^ >, = amongtheobjects
<^ M of art on the third
^^« floor. Lalique
'bottles and bowls
with a moonstone lustre of almost ethe-
real loveliness . . the brilliant newness of
mirrored bibelots . . Steuben glass in
rare shades of opalescent subtlety . . a
crystal ball lamp imprisoning a million
winking bubbles . . all prove the fallacy
of the "gift problem" as it is misnamed.
Many a post matrimonial dinner invita-
tion will be directly traced to your
choice of the boudoir bottle set of cut
crystal and French bronze. And a pastel
painted booterie chest (something
new and decorative for shoes, hosiery
and incidentals) is good for a lasting
friendship. Once you get into the spirit
of the thing you find the only real diffi-
culty is limiting yourself to one choice.
For instance, there is a French type vanity
set that looks exactly like a slim-legged
table until the center partition is opened
to disclose a mirrored back that tells you
instantly you have found the ideal gift
for somebody's graduating daughter . .
until you sec a lapis-blue enamel dress-
ing set of fourteen exquisite pieces.
Rugs from the
--=— ^=-^=-^= thrilling phrase,
E invoking fairy-
tale memories of
Eastern splen-
dours. The mod-
ern wedding
guest, too, brings
to the nuptial feast more than a passing
suggestion of Arabian Night's glamour
with his offering of Hamadans, of vel-
vety Mousouls or the ancient dignity of
rare Baluchistans . . rugs directly from
Asia Minor, with the mellowness of age
subduing opulent colors.
Linens of fabulous fineness . . embroi-
dered by peasant artists . . adorned with
laces of incredible delicacy. Fit for the
tables of kings and worthy of the dearest
bride you know. Banquet sets embroi-
dered in Spain that represent years of
painstaking workmanship. Cocktail nap-
kins from Italy . . bridge sets with in-
sertions of filet-terre.
How surely, and with what fine in-
stinct, The White House develops this
age-old art of giving.
ADVERT! SEMENT
34
THE SAN FRANCISCAll
^
Hawaii 7s The 7\lew Island Playground
Th
^Jter a ^-J^Calolo Trip
Mr. and Mrs. Arthur B. Stevenson say:
"The Hawaiian Islands have been recommended as a refuge
for tired business men and a paradise of inspiration for writers
and artists. May we recommend them for the purpose that
they seem so surely to have been created— a honeymoon!"
jdWiimTu
The new Malolo, sailing from San Francisco every second Saturdav, makes the
voyage to Honolulu in only 4 days. Seven decks, 150 bathrooms, elevators,
swimming plunge, gymnasium, one entire deck devoted to public rooms
X
One or more Ma/son sailings every week. Regular sailings
from Seattle, too. Ask for brochure describing the Malolo
^ niatson line
Hawaii • South Seas • Australia
GENERAL offices: 215 MARKET STREET, SAN FRANCISCO
also NEW YORK . CHICAGO . SEATTLE .LOS ANGELES
The Supreme Art
Continued from page 9
subjective and unmaterial medium. Lan
guage is defined sound. Whatever mer
sounds may have meant to our ancej
tors, they now mean nothing, A grun
is a grunt — nothing more but if I mak
the word flower it is defined sound. On
can see why the nature of music and th
nature of poetry are so closely akin. The
are both, through different media
wrought out of formless sound.
Having seen the reason why the poe
is at a great advantage over his fellov
artists, let us try to glimpse some of th
elements that compose poetry. It is ver
ditficuk. There are as many definition
ol: poetry as there are poets. Carl Sand
burg alone had, I believe, forty-eight
James Stephens goes so far as to sa
"Poetry is a grace, not an art." There i
also a wide difference of opinion as tc
the names which should be given to th
elements constituting poetry. In m-
own crude, unscholarly way, I breal
poetry loosely into four parts; i
Thought; 2. Imagination; 3. Emotion]
4. Form.
Now thought is not imagination, no
in its strict sense is imagination thought
Yet both are functions of the brain
Thought is an orderly movement, ana
lytically examining and establishing th)
relation between things and betweei
ideas. Imagination is a sublimely cha
otic movement bringing together syn
thetically, after a manner highly in
dividual, a new juxtoposition of ideas
Thought is the solid edifice of reasonec
knowledge which the race painfull)
builds up only to have the darlings o
mankind — the wundetkinder, the poet:
knock it down and rearrange it into ;
bewildering palace of Kubla Kahn. Lei
us take a simple illustration. Thought
says ; a sponge is an elastic, porous mas;
of fibres representing the internal skele-
ton of a certain, fixed marine animal |
remarkable for its capacity to absorfci
water without losing its toughness; anci
thought says again ; April is a Spring
month in which there is the greatest
rainfall so that the ground becomes more
moisture soaked than in any othei
month. And the Divine Child reck
lessly recombines these painfully stated
truths into the brief, immortal phrase
"spongey April." Yet right here in spite
of the prosaic garb it wears, we must
remember that thought is the very subi
stance of poetry. Underneath the color'
lent by imagination, the richness lent by
feeling or emotion, the sensuous pleasurei
lent by perfection of form, there musti
be the element of thought. The more
profound that thought, the larger,!
firmer and more noble, the poetry.
Thought is the white light common to
all brain power. Imagination is thei
prism through which the white light of|
JUNE, 1928
35
Vacation
trips
IS^w at low fares
This Pacific play-land is
yours — just a few hours
away. By train you can reach
its world-famous resorts
quickly, saving vacation
days. Great national parks
of the West, Los Angeles,
Portland, Seattle and the
"evergreen playground" of
the Pacific Northwest are
easily reached by Southern
Pacific trains.
Go now, at low cost. For
example, l6day limitround-
trip from San Francisco to:
Los Angeles .... $22.75
Del Monte .... 6.00
Yosemite 17.00
LakeTahoe .... 13.25
Santa Barbara . . . 17.75
Portland 36.00
Seattle 46.75
Vancouver, B.C. . . 56.25
North, south or east. South-
ern Pacific's vast network ot
lines intimately explore the Pa-
cific Coast. Stopover anywhere.
Yot4r vacation starts when you
board the train. Relaxed, care-
free, you're on your way to play.
Southern
Pacific
F. S. McGINNIS, Passenger Traffic Manager
San Francisco
thought is broken into a color arrange-
ment differing with every poet. If the
white light of thought be but a star, the
refraction will be feeble. If it be a moon,
the refraction will be pallid though
lovely. But if it be the white light ofa
sun, the refraction will dazzle us with
rainbow glory. Great imagination play-
ing upon great ideas swept by vast emo-
tions, and given colossal form makes
major poets; Aeschylus, Sophocles and
Euripides; Dante, Goethe, Shakespeare
and Shelley, There have been poets
whose powerful thought overbalanced
their imagination or some or all the
other elements of poetry and their poetry
has suffered in consequence Lucretius is
to me, at least in translation, an example
of such and much of Browning's work
is overweighted by thought. But I know
of no poet of supremely powerful imagi-
nation like Blake who did not have
equally massive thought to project, A
weak thought passing through a corre-
spondingly weak imagination becomes
merely fancy which is a pretty daisy of
the field whereas imagination is an
asphodel of the air. To me the three
most beautiful lines in English Poetry
achieve their profound effect because a
super thought passes through a super
im.agination :
"Life, like a dome of many-coloured glass,
Stains the white radiance of Eternity,
Until Death tramples it to fragments."
The Summer Season
Continued from page 20
and Louis John Barrels, From Olga
Printzlau, he has extracted two original
manuscripts which he will attempt to
include in a busy schedule.
T T ▼
THE Players' Guild is destined to
undergo its monthly reorganization
thrice during the warm weather and it
may find time to sponsor an esoteric mo-
tion picture or two. Sam Hume has
taken Alice Brainerd's place for the sum-
mer in Berkeley and is as yet, undecided
on any definite production. The Fulton,
in Oakland, will present musicalcomedies
of another day with Charles Ruggles as
the guest star for the present,
John Barrymore's long awaited pro-
duction of "Hamlet" will arrive at the
Greek Theatre in September. The French
Theatre will rest while concentrated
activity is the plan for both Chinese
citadels of the drama.
Eugene O'Brien, Claire Windsor, Tom
Mix, and others are planned for personal
appearances at the Orpheum,
And "Appearances" continues at the
Capitol.
This is most certainly a remarkable
season.
o
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36
THE SAN FRANCISCAN
NEWBEGIN'S'BOOIC-SHOP
; o n N •
E W B E G
NEW"OLD"€. RARE BOOKS
Private Press Items 6 Choice Sets i
3SS ^t Street
San Tronclsco. California
Entire Libraries &
Small Collections
PURCHASED FOR CASH
Experienced valuers sent to
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purchases speedily removed
without publicity, inconven-
ience or expense to sellers.
Correspondence Invited
Our Ship Came In!
and brought a most
'wonderful cargo
Modern Presses
Kelmscott, Ashendene,
Doves, Nonesuch, etc.
First Editions
Hardy, Moore, Kipling,
Harte, Stevenson, etc.
Association Copies
Etchings and Prints
DOG ETCHINGS
by Marguerite Kirmse
You ivill be most ^^elcome!
Gelber , Lilienthal, Inc.
336 SUTTER STREET
SAN FRANCISCO
From the
Honolulu Correspondent
The shower trees are in bloom ! They
j^low against our high summer skies like
so many incredible pink skyrockets. The
Islands in their nicest "Sunday-Go-To-
Mccting" gown all preened and prettied
for the admiring visitors that every boat
brings from the mainland.
Mr. Jean de St. Cyr of San Mateo is
here with Mr. Robert Burroughs. The
two men made the trip over on the
Malolo.
On the same boat were Mrs. Clarence
J, Ballreich and her little daughter, Miss
Barbara Ballreich, who have come to
joint Lieutenant Ballreich. Mrs. John
Rogers Clark, Mrs. Ballreich's mother,
and Miss Barbara Clark also made the
trip.
Miss Ella Tenney and Miss Helen
Garritt of San Francisco have been our
guests for the past several weeks.
Those who were here during the visit
of the Pacific Fleet (and it seemed to us to
be the world and his wife) were doubly
in luck. They not only saw Honolulu at
its famous flowering season but at its
gayest and most hospitable.
The great fleet at rest in the harbor
. . . illuminated o'nights made the is-
lands a veritable story book place . .
unearthly in its loveliness. The hundreds
of sailor men ashore brought laughter
and life and the spirit of carnival.
The arrival of the S.S. City of Los
Angeles, with its gay and charming
groups from Los Angeles is always a
gala event. Among the visitors from
Southern California were Mrs, Dorothy
Hill, and her daughter, also Miss Mary
Peace, the daughter of Colonel and Mrs.
Willis G. Peace. Mr. and Mrs. F. Nash
Cartan are here from Pasadena.
Never before in all the colorful his-
tory of the Islands have we enjoyed so
many and so enthusiastic visitors.
Hawaii is delightful any time. But if
you ever visit these delightful shores
plan to come here this August.
ly^b
R\\ILEU)EIV;S
239 Posh srreeh San Francisco
■a »•
SEND FOR OUR
New Catalogue
OF ENGLISH
LITERATURE
•3 »•
FIRST EDITIONS
RARE BOOKS
John Howell's Bookshop
434 POST STREET, SAN FRANCISCO
nob hill School
oS tlie fiairmont hotel
ANNOUNCES THE OPENING OF A
SUMMER COACHING SCHOOL
JUNE 18 TO JULY 27
PRIMARY AND GRAMMER GRADES
FEE, FIVE DOLLARS PER WEEK
mrs. ilia b. s^^indler, director
833 po'well street
san francisco
kearny 79* • fillmore 6981
JUNE, 1928
37
A Cub Among Bears
Continued from page 2*^
panteloons; Rube Wolf holds his nose
and displays a mass of anti-Painless
Parker propaganda. So far Phil Lamb-
kin seems to confine himself to coy man-
nerisms and sophisticated swishes of his
stick.
The job of wooing and flattering the
childlike undependable public is a real
one So when Phil Lambkin acts as
though he swallowed a button when a
baby and ne\'er completely recovered —
one hopes it's part of the "script " After
all, the out-front pre-view didn't help
, much.
The first afternoon performance was
over so I hurried back stage to interview
I the new orchestra leader. After evading
the jam at the stage door, accompanied
■ by a nod from the doorman who was
; trying to make more than "four spades"
out of the handful of cards a dozen
I people seemed to want to be taken to
"Phil Lambkin," "Mr Lambkin" or
'"Phil," I hurried on to the dressing
(room
I The door was open — the mob scene
(prevented its closing. One man was
'tooting on a trumpet. Another sawed
'the "imprisoned Clowie" out of his
! cello Another was Cousin Harry, a
typical "1 remember you when" boy.
.And in the heart of this bedlam, com-
posedly smoking a cigarette, Phil Lamb-
"kin sat talking tennis with a friend.
i Four shows daily and five on Satur-
iday and Sunday don't leave Phil worry-
ing over spare time, but he uses what
odd moments he has on the tennis court
or at the beach or in some remote spot.
And as we talked I felt the undercurrent
of his restlessness. There was sincere
liking for his work and just as sincere a
hatred for the superficial mesh of cir-
jcumstances surrounding it.
1 The conversation revealed a boyhood
continually connected with the theatre —
peanut boy, usher, musician. For a time
there had been a closely cherished am-
bition for a medical education but cir-
cumstances swung him back toward the
theatre. And once in the clutches of its
enticements and lured by increased earn-
ings Mr. Lambkin did not again let his
ambitions wander to foreign fields
So this young man works with en-
thusiasm while in the theatre but, as he
leaves the stage door, he drops his pub-
Jic cloak and becomes a normal, care-
free boy swinging a racquet or indulging
pis fancy for the out-of-doors.
f T ▼ T
THE way to the desk of Edgar Waite,
dramatic critic of The Examiner,
iroved a devious one. And on the way
here was time to read one of his current
riticisms. Most sane writing it was.
Neither timid nor assertive — neither
A Pleasant Reminder
Y'
'OUR friends in other cities
let them hear from you
through the loveliestof message
bearers: beautiful FLOWERS.
Orders telegraphed
anywhere
THE VOICE OF A THOUSAND GARDENS
224-226 Grant Avenue
Phone Sutter 6200
SAN FRANCISCO
CONCERTS
IN THE OPEN
WOODLAND THEATRE
HILLSBOROUGH
Sunday afternoons at 3 o'clock
June 24 July 22
July 1 July 29
July 8 Aug, 5
July 15 Aug 12
Enlirej) Personnel
SAN FRANCISCO
SYMPHONY ORCHESTRA
GuesL^' Conductors
Albert Coates
Bernardino Molinari
Ossip Gabrilowitcsh
Single Admission: $1. and $2.
TICKETS AT
Sherman, Clay & Company
\
A Famous Doorway
in Hollywood that means home to travelers
The doorway of this hotel means home — personal
comfort — service — pleasant surroundings. It also
means that you are convenierjtly located in Holly-
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of Southern California.
Good Food a Feature
A French chef has made the dining room famous.
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Write for reservations or free booklet entitled,
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— u'hcre the dooru-ay means home ia ixaveXers
Vine St., at Hollywood Blvd.. HoUvwocd, California
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38
THE SAN FRANCISCA>
w
Persian Art Centre
founded by
Ali-Kuli Khan, N. D.
Persian Fine Arts
Fine Rugs : Miniatures :Textiles
Rare Perfume "Marjan"
Cotton Prints
455-457 Post Street, San Francisco
50 East 57th Street, New York
m
Sa,_
-rfCS
THE
Herbert Heyes
STUDIOS
e=s WILL ACCEPT A
LIMITED NUMBER
OF STUDENTS FOR
INTENSIVE TRAIN-
ING IN DRAMATIC
ART DURING THE
SUMMER MONTHS
AT A GREATLY RE-
DUCED TUITION FEE
220 POST STREET
SUTTER 4297
SUMMUM IN HISTRIONIIS
bare nor pretentious. Surely it denoted
neither a poor digestion nor the heavy
hand of editorial policy.
And the fair haired, pink skinned
youth vigorously chewing the frayed end
of a cigar dispelled none of the illusions
created by his writing. As conversation
progressed he revealed himself even as
you and I, delighted in a good play, fond
of a well-played hand ot bridge, a bit
doubtful of the tax demanded by strenu-
ous golf — and, above all, a person easily
intrigued by his own fireside, with its
well stocked library and cheerful Chinese
furniture.
Among things he lists as treasures and
kindred whatnots are an Elk tooth, a
diamond lodge pin — and a charming
little wife. He likes to dance and says
his steps are neither intricate nor alco-
holic. He plans gradually to purge him-
self of his critical sins and write plays.
We talked of plays and players, for-
getting for the moment that he is a pro-
fessional and I but a member of the great
American public. And soon we had
drifted into a lively discussion of Bab-
bitt baiting.
". . . they make me sick," Waite bit
harder on his cigar, "these people who
sniff at things with the sole purpose of
calling their neighbors 'Babbitts.' There
are Babbitts of course, and they are often
amusing, but everything they enjoy and
everything they do isn't necessarily
damned by their approval.
"It's all such a matter of values. And
no one standard will do. Each produc-
tion makes its own standard by what it
sets out to do. I would pan Emil Jan-
nings for work that I consider praise-
worthyinanartistofsmallercalibre. . . ."
Then came a discussion of standards and
purposes, and we were lost. It was no
longer an interview. It was conversa-
tion.
And, having stepped across the
imaginary line between private and pub-
lic life, I returned, glorying in being a
cub not obliged to growl according to
the public's expectations.
▼ T T
Grace Cathredral
Continued from page 1 2
Standing 278 feet above sea-level, with
twin towers that stand 158 feet from
the ground an idea of its impressive size
may be gathered from its exterior mea-
surements. It will be 340 feet long with
the width of the main front 119 feet
from buttress to buttress. The height
and width of the nave are exceptional,
being greater than those of such famous
English Cathedrals as Canterbury, Ely,
Lincoln, and Durham The height of
the nave will be eighty-seven feet and
its width forty-two feet and six inches.
The greatest interior width will be from
Continued from page 40
Travel Avhere vou
may ^ this symbol
reflects the utmost
in confections
FOSTER d'OREAR
Citi/ oj Paris • 137 Grant Avenue
B.F.Schiesinger - Oakland
Arcade oJ Russ Buildtng
Ferry Building
COURSES IN
Cosluniej Deslgnj
Fashion Illustration
Commercial Art~^
Foremost School of
Costume Design and
Illustration in the West
Fashion Art School
SCOTTISH RITE TEMPLE I
Sutter at Van Ness
Henry H. Hart
Oriental Arts
Phone Kearny 664Z
328 Post Street • San Francisco
ijUNE, 1928
RUDOLPH
$CHAEFFER
SUMMER CLASSES
July S to August II
COLOR — DESIGN
INTERIOR DECORATION
PLASTIC FORM
Rose Bogdonoff
STAGECRAFT
COSTUME DESIGN
MASKS— LIGHTING
Fritz von Schmidt
WINDOW DISPLAY
Rudolph Schaeffer
SCHOOL OF
RHYTHMO-CHROMATIC
DESICN
I 127 CRANT AVENUE • tAN FRANCISCO
39
FIELD STUDIO
1057 SUTTER STREET
CHILD STUDIES IN THE HOME
A SPECIALTY
Telephone Franklin 8 6 $ g
anb ■
REP RODU C ED
Gabriel iWouUn
153 KEARNY STREET
TELEPHONE KEARNr4366
Hearst
Continued from [HiKc 26
liad not lived. It is not so much that he-
invented yellow journalism, j^overnmcnt
scandals and the Spanish American War
as that they invented him. There is
something of his love of excesses in all
of us, something which found its su-
preme human form in this remarkable
Calitornian This idea leads to disturb-
ing but exhilerating speculation. Not
only were we ready and avid for tab-
loids, sob stories and political corrup-
tion (and in this respect Hearst was very
i<^ZZ age way back in the 'nineties) but
even his flamboyant and sometimes
destructive inconsistencies have their
counterpart in us all. In vain did John
Hay and Woodrow Wilson oppose a
high degree of English rationalism and
sophisticated statesmanship to this rene-
gade publisher. They were opposing the
organic, progressive masses of America
itself and even Machiavelli could not
have stopped Hearst's impetuous course.
The America of Hearst will always be
noted for its extreme vulnerability to
and eagerness for any sort of striking
irrationalism. There is divinity in this
maelstrom from which have emerged
our new skyscrapers, our enormous
apartment house population, our mu-
seum show-case knowledge of European
culture, and our tremendous, colorful
systems of advertising, transportation
and amusement. America is perhaps the
only great country left which still has a
little of the spirit of the Dioysian Festi-
val, and if anyone can be said to be in
the center of and to have given form to
this hectic, kaleidescopic young spirit
it is certainly William Randolph Hearst.
▼ ▼ T
MR. Winkler has given Hearst
credit for all his most obvious
inconsistencies but the most startling of
all has been overlooked. To carry out
his ideal for bringing back the democ-
racy of Jefferson and Lincoln, to make
the people once more free and equal by
his methods Hearst would have had to
be — in fact, he was mistakenly born to
be — an emporer.
TELEPHONE FRANKLIN 3533
5
PAINTINGS
PICTURE FRAMING
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3 45 o'farrell street
san francisco
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40
THE SAN FRANCISCAN ,
'."Pssstl
what do they say
///J^anila?'
How this pointed question
has caught on/ Bankers,
bookkeepers, and college
boys — everybody's asking:
"fF/iat do they sav in Manila?"
It is today's "what'll
you have," a subtle hint
to pour a drink, isuan,
thepassword,started it all
For this marvelous ginger
ale from the Philippines has
given mixing an entirely new
and joyous meaning. The fla-
vors of fresh limes, fresh ginger,
blended where they grow, with
the whispering waters of the
famous Isuan Mineral Springs
produce a ginger ale like no
other ever sold here
A
THE IMPORTED DRY GINGER .iLE
It may be had at the leadinghotels ,
cajes, and from the better grocers
In Manilla they say
"E-SWAN"
Grace Cathedral
C'onlinucd on page 38
one transept window to the opposite
transept window, a distance of 140 feet.
The height of the side aisles will be fifty-
six feet. The cross on top of the central
tower will stand five hundred teet above
the water-front This will be lighted at
night and will be visible all over the city
and across the bay. The completed
cathedral is designed to accommodate
4500 people to provide a natural center
tor the collective spiritual impulses of
the city. What Notre Dame is to Paris —
what St. Paul's and Westminster Abbey
are to London — what the Cathedral of
St. John the Divine is to New York —
what the National Cathedral is to Wash-
ington, D. C. — Grace Cathedral should
be to the people of San Francisco and the
bay region, — a shrine of inspiring
beaucy — a source of pride and joy to this
and future generations.
T T T
Olympic Contenders
Continued from page ! 8
certain of a place on the team. He is
consistent and is present I. C. A. A.
A. A. record holder with a mark of 24
feet 10^^ inches. Kim Dyer, of Stan-
ford, placed second to Bates, with a
jump of 24 feet 5^ inches. Before leav-
ing for the East Dyer jumped 24 feet
10^ inches to set a new Pacific Coast
intercollegiate record at the Olympic
Games trials at Stanford on May 12.
He had changed his jumping form be-
fore the meet and it seems to have added
a good foot to his jumping. He may
approach 25 feet before the final trials.
William Droegemueller of Nort-h
western is a likely candidate for a place
on the United States team. He won the
Big Ten pole vault on May 26 with a
mark of 13 feet 3 inches.
Three men are outstanding in the
high jump. They are Harold Osborne of
the I. A. C, world's record holder, W.
C. Haggard of Texas University, inter-
collegiate record holder, and Bob King,
of Stanford, National A. A. U. and
twice I. C. A. A. A. A. champion Os-
borne was the winner at the last Olym-
pics with a jump of 6 feet 6 inches.
Haggard beat King at the N. C. A.
A. A. in Chicago in 1926, setting a new
intercollegiate mark of 6 feet j}/^ inches.
King is consistent at 6 feet 6 inches.
Tne United States stands supreme in
the field events. On the track it is a dif-
ferent story and Uncle Sam's runners
will have their hands full when they
attempt to take points from Nurmi,
Ritola, Wide, Peltzer, and Lowe. It is
likely, however, the Americans can pile
up enough points in the field events to
carry the United States to another vic-
tory in the track and field division, con-
sidered as a whole.
Efficient
S
Work
Let your lunch-time bring you relaxation
and fresh vigor for afternoon hours . . .
Forget the city streets and business grind
. . . Leave the dull pavements and enter
the green doorway that leads to enticing
arrays of Spring vegetables, Summer
fruits and other delicacies to tempt your
appetite : : When the June sun begins to
make you think of vacation and you find
yourself day-dreaming of the country
and all out-of-doors . . . remember
that noon -time holds a breath of gay
flowers as well as satisfying food at the
treet Cafeteria
62 Post Street = = ^an Jfrantigco
"Ten
Commandments
for
Investors"
Sent on RequeA
No Obligation
Sdmabacher
Investment ^J> i^g\
Securities CT KAJ
PALACE HOTEL BUILDING
665 MARKET ST. DOUCLAS 5OO
Jan prantitco
JUNE, 1928
<1
A Complete Investment
BOND & BROKERAGE
DEPARTMENTS
Members
San Francisco Stock Exchange
San Francisco Curb Exchange
ORDERS ACCEPTED FOR EXECUTION
ON ALL LEADING EXCHANGES
Wm.Cavalier&Co.
INVESTMENT SECURITIES
SAN FRANCISCO
433 CALIFORNIA STREET
OAKLAND
BERKELEY
and
aycoTL
speculation
Continued from page 27
which derives its inspiration from any-
thing but workings of clean imagina-
tions, as damn speculation when your
thoughts are of gambling.
Coming nearer home, can any really
sane person contend that the develop-
ment of the West owes nothing to the,
at the times distinctly lively, gambols
(print, carefully, please) of the worthy
members of our local exchanges? 1 do
not hesitate to say that the San Fran-
cisco Stock Exchange is responsible for
the strides we have witnessed, to a de-
gree not approached by any other of the
great financial institutions of which we
are justifiably proud, and that a career
of inestimable utility lies before its
sweet babe, the Curb Exchange. Of
what use for bankers to conserve the
spare funds of the people, and utilize
them for the development of infant in-
dustries, to the stage when the invest-
ment bankers take hold and offer the
securities of these industries to all and
sundry, if there were no market for these
securities?
A SUBJECT which, properly treated, in'
volves a discussion of the whole
modern economic structure, cannot re-
ceive its deserts in a magazine article.
Only a few highlights have been un-
covered, and these but partially. Much
has been left unsaid, because of its lack
of interest to the average reader ot a
magazine of this character; more, be-
cause space is limited, and there are
other topics of interest besides that
erroneously described as the "dismal
science" of economics. I hope, however,
that the brief presented may induce
some to undertake a more intensive
study of a subject, than which none
offers more alluring delights (to the
happy possessors of simple common
sense) than that of Economic Science
and Finance.
BANKITALY
MORT«A«E
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Real Estate First Mortgage
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ToMatureJuly 1, 1948
Bank of Italy N. T. 8C S. A., Tnutee
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the entire capiul stock of which (ex-
cept directors' qualifying shares) is
owned by Natio.nal Bankitaly Com-
pany, is closely affiliated with Bank
of Italy National Trust and Savings
Association through deposit of the
entire capital stock of National Bank-
italy Company. The Company has ac-
quired approximately ^22,000,000 real
estate first mortgages, being a portion
or ^225,000,000 mortgages theretofore
held by Bank of Italy National Trust
and Savings Association for invest-
ment of its own moneys and trust
funds, and have been sold by the
Bank incident to its conversion into a
national bank.
National Bankitaly Company
unconditionally guarantees, by
endorsement on each bond of
this issue, the prompt payment
of interest and principal when
these shall become due and pay-
able, whether at the stated matu-
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thereof, by declaration, call for
redemption, or otherwise.
Price 100 and Interest to Yield 5%
Complete descriptive circular upon request
BOND DEPARTMENT
BankTofltalvi
NATIONAL TTJUST AND SAVINGS ASSOOATION^
Bonds may be purchased through any branch
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&anI'ran.cisco
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SAN FRANCISCO i
^4)E»< r^&^ l>SSES^ iJSES-l lOES-l ►SSES^
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Memher San Francisco Stock Exchange
Telephone Douglas 3620
RUSS BUILDING
SAN FRANCISCO
42
THE SAN FRANCISCAN
PUBLIC
UTILITY
SECURITIES
G. L.Ohrscrom &'Co.
INCORPORATED
WALLACE CAMPBELL, Manager
1677 RUSS BUILDING
DOUGLAS 7 7 9 7
50
Post Street
Stocks
AND
LEIB'-KEYSTON
AND COMPANY
The continued cooperation our advcr
tiscrs arc Riving convinces us of their eager
ncss CO please San Franciscan readers.
For your convenience we arc indexing
their displays so you may easily cum to the
page to get information.
For Afyartmcnts
The Park Lane ------ 2g
For An
Henry H. Hare 38
The Persian Arc Centre - - - - 38
H. Valdespino ---,-- ^g
For B<x>ks
Paul Elder ------ ^ - ,6
Gelher, Lilienchal - ----- 36
Hargens - 36
John Howell's 36
Newbegin's 36
For Candy
Fosccr & O'Rear ------ 38
Goldberg lV Bowen ' ' - - - 35
Kracz Kitchen Table 44
For Clothes
The City of Paris - - - - 32
The White House 33
For Drugs
H. L. Ladd Pharmacy ' ' ' ' 39
For Finance
Bacon fi' Brayton ----- - 41
Bank of Italy ------- 41
William Cavalier & Co. - - - 41
Hendrickson, Shuman & Co. - - 42
Leib, Keyscon - 40
G. L. Ohrstrom ------ 42
The San Francisco Bank - - - - 42
Schwabachcr lX Co. ----- 42
Wardcll, Taylor & Dunn - - - 41
For Food
The Courtyard Tea Room - - - 39
The Post Street Cafeteria - - 40
Kracz Kicchen Table ----- 44
For Qinger Ate
Isuan 40
For Hotels
The Fairmonc ------- 28
The Hollywood Plaza - - - 37
The Mark Hopkins - - 2
The Sc. Francis ----- - 3
For Interior Decoration
W. &: J. Sloanc 5
The Cicy ot Paris 32
The Whice House - ----- 33
For Illustrations
Patterson & Sullivan 6
For Jeiuelry
Shreve & Company 4
Shreve, Treat 6; Eacret - - - - 31
For M.usic
Woodland Theacre 37
For Photographs
Field Scudio 39
Gabriel Moulin 39
For Schools
Fashion Arc School 38
Herbert Heyes Studio - - - - 38
Nob Hill School 36
Rudolph Schaeffer ----- 39
For Travel
Don Lee — aucomobiles - - - - 43
Los Angeles Steamship Co. - - - 35
Macson Navigation Co. - - - - 34
Panama Mail Steamship Co. - - 30
Southcfn Pacific Co. ----- 35
^^BTt*T AND Q^;,^
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*>
'::xi-\-'*:'yL':dmy.':':A-^^-^'\.Mt:
Posed hjj M is.r Pe,)f}\i < )'Nci I
Program Director KP RC
e
IF.RY LaSalle is completiLT'.KHth all modern^
et/u ipnienL^', much of a'liicli is usually
obtainable ' on olhei'^cars only at extra fos/^>
OPERATING RADIO STATIONS KFRC AND KHJ
1000 Van Ness - atO'Farrell - Sax Francisco
ANNOUNCING
THE OPENING OF
Kratz Kite hen Table
and adjoining Gift Shop
ON OR ABOUT JUNE 28, 1928
Here In the very kitchen made famous by Kratz himself — creator of the
famous Chocolates Kratz — you will be served at a rough-hewn kitchen
table adjacent to the massive old brick oven whose doors open to pour
forth the aroma of home made pies and cakes and old-style Boston
baked beans. Tucked in a corner stands the quaint rookery with its
moss-green kitchen pump. A welcoming fire blazes in the depths of the
cobble-stone fireplace inviting one to linger in its homely warmth and
lose oneself in the atmosphere of rare olden times.
Among the CHOCOLATE CREATIONS to be
featured are the incomparable Hot Chocolate
Kratz, a different chocolate malted milk, a
chocolate ice cream soda, a chocolate ice cream
sauce and home made chocolate layer cake.
Other features of the service will be
KRATZ WAFFLES with Kratz Cream
Waffle Syrup— real BOSTON BAKED
BEANS with BROWN BREAD—
unusual SANDWICHES — OLD
FASHIONED CANDIES & numerous
other surprises.
555-565 Turk Street Near Polk
iriY ion* ^ Pitic
15 C U W T §
Ml
A
RRIVING
Geo. D. Smith,
President d" Manager
in San Francisco by
airplane or motor
Mark Hopkins hospitality
beckons you. ... It vvel-
welcomes you into the at-
mosphere of a well-ordered,
cultured home. ... If you seek
relaxation you will find it in the
seclusion of the rooms and suites far
above the city streets At home
amid tasteful surroundings you are
part of the city yet aloof from the busy
panorama spread before you. . . . On the
other hand — you can step from that quiet
security into the sparkle of life in Peacock
Court where there is dancing, music and the
gayest of San Francisco night life . . . Whether you
are here for a day or for an entire season you find both
gaiety and relaxation within your reach at
HOTEL MARK HOPKIN
WHERE ANSON WEEk's ORCHESTRA PLAYS FOR DANCING
EVERY NIGHT THROUGHOUT THE SUMMER
ROOMS $4 AND UP
f 6.
NEW YORK 576 MADISON AVE.
TME Chic TME VERVE TMAT \f PARI/
TME MY_rTERiOuy;COMPELLiNG
ALLURE TMAT \J THE GRJENT-
p,Z^R|^ 66 A\/ENUE DE^ C H x^ M P^ ELV^EE^
^^l^ANY of our customers of today are the grandchildren
of those we served when San Francisco was young.
It is gratiling to know that we have given satisfaction
to three generations ot California home-owners.
ORIENTAL RUGS • CARPETS • DRAPERIES • FURNITURE
W: 6i J. SLOANE
SUTTER STREET near GRANT AVENUE r SAN FRANCISCO
,TVi
THE THEATRE
Alcazar: Emerson Trcacy returns in Howard
Lindsay's Tommy. Then, too, there is Sidncv
Toler.
CuRRAN : A .Vi^/it m S/)dm, .1 torrid sal.id with
— or without dressing.
Columbia: Victor Hugo's T/ie Man Who
Laughs on the screen — lollowcd by New
York cist in The Trial of Mary Dugan.
Geary : Messrs. Shubert's interpretation of The
Command to Love is scheduled to give way to
Jane Cowl in The I{pad to l{pme.
President: The Wonden Kimono — not a bed-
room farce, but a typical Henry Dufly thriller
with Dudley Clements, Leslie Austen, Clara
Verdera, Earl Lee, John Breeden and others.
MOTION PICTURES
Granada : Jenks returns to add his bit to sched-
uled attractions.
Embassy: Replaces The Lion and the Mouse
with Qlorious Betsy — advertised as some-
thing the stork dragged in.
St. Francis: Heralded features to follow the
sentimental pour Sons.
Warheld : Summer fancy — screened for those
who are kept in the city during the accepted
vacation month.
VAUDEVILLE
Orpheum : Lowell Sherman and Johnny Hincs
start the month — Lcrdo's Mexican Orches-
tra follows and, in turn, gives way to other
summer promises.
Pantages ; Everything from Mexican Cossacks
to A Thief in the Night every day from noon
to midnight.
Golden Gate: Si.x acts of Vaudeville and a
feature picture.
▼ T ▼
MUSIC
July i, 8, 15, 22 and 29: San Francisco Sym-
phony Orchestra at Hillsborough in Wood-
land Theatre. Coatcs, Molinari and Gabril-
owitsch, conductors.
July 3, 9, 16, 2? and 30: San Francisco Sym-
phony Orchestra at New Dreamland. Coates,
Molinari and Gabrilowitsch, conductors.
Advance notice of Opera Season:
September 15: Aida.
September 17: La Cena Delle Beffe.
September 19: Tosca.
September 21 : Madame Butterfly.
September 22 : Turandot.
September 24 : L'Amore Dei Tre l{e.
September 25: Fedora.
September 27 : Andrea Chenier.
September 29 : Matinee, Tosca.
September 29 : Night, Faust.
October 1 : Carmen.
October 3 : Cavalleria E^usticana, Pagliacci.
DINING AND DANCING
Aldeane Tea Room; 275 Post Street. A new
find, excellent food, with a view of Union
Square that is reminiscent of Paris.
The St. Francis: Rumors arc abroad that Art
Hickman is about to return to his first love.
Fairmont : Rudy Seiger and his orchestra play-
ing in luxurious and quiet surroundings.
Mark Hopkins; The Peacock Court is still the
smart rendezvous.
The Clift Lounge: Delightful atmosphere
with charming people.
Julius's Castle: One of the institutions that
make the town famous.
Courtyard Tea Room; 450 Grant Avenue.
Where one can dine inside or out. Especially
recommended for Sunday evenings.
JuNGLETOWN ; $02 Broadway. Josephine Baker's
idea of Paradise.
Manmaru Tei; 546 Grant Avenue. Where a
Madame Butterfly will serve you Japanese
cooking.
Aladdin Studio: Collegiate, but amusing,
although a bit rough.
Temple Bar Tea Room: No. i Tillman. Try
and get in.
Russian Tea Room: looi Vallejo, a bit of
old Russia transplanted to our own Russian
Hill.
ESTABLISHED 1852
Post Street Cafeteria: 62 Post Street. The
"Grand Dame" of the Cafeterias.
Cafe Marquard; For informal spirit and
casual entertainment.
New Shanghai Cafe : 332 Grant Avenue. One
of those places that every San Franciscan
and every out of towner should see.
ART
courtesy of the arc us
Beaux Arts Galerie: 116 Maiden Lane.
Closed until September.
California Palace of the Legion of Honor:
Paintings by Nicolai Fechin and Giovanni
Troccoli. Three landscapes by William Keith.
Rare Persian art loaned by Dr. Ali-Kuli
Khan. Permanent collections. Work of F,
Luis Mora.
De Young Memorial Museum : Golden Gate
Park. Permanent collections of painting and
sculpture by American and European artists.
Art lectures Wednesday and Sunday after-
noons.
East West Gallery : 609 Sutter Street. July 1
to 15, photographs by Edward Weston and.
Brett Weston.
Paul Elder Gallery : 239 Post Street. Through
July 28, Lithographs, woodblocks and etch-
ings by C, A. Seward.
S. & G. Gump Gallery: 246 Post Street.
Through July 14, English and Americam
etchings. Etchings by Armin Hansen.
Persian Art Centre: 557 Post Street. Rare
Persian miniatures, tiles, rugs and textiles
from the collection of Dr. Ali-Kuli Khan.
Augustus Pollack Gallery: Chinese paint-
ings and ceramics.
Swedish Applied Arts: Hand-woven textiles.
Glassware, pewter and pottery.
VicKERY, Atkins & Torrey; General exhibi-
tion of etchings.
Gertrude Wood Gallery; Paintings hy
Bertha Stringer Lee.
Worden Gallery: 312 Stockton Street. To,
June lo, etchings by Anton Schutz and
others.
SHREVE & COMPANY
JEWELERS and SILVERSMITHS
Post Street at Grant Avenue
San Francisco
t\A
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>So. 7
Vol
11
3^^
1918
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• VAN OtO(€N.
CAMERA PORTRAIT BY HAGEMEYER
JF/io shares ii>i//i Co/one/ Charles Lindherph the distinction of being America' s International
Ambassador oj Good will
Tttt
SAN fdANCISCAN
Bacchus Behooves
Being Some Reflections on a Classical American Subject
THE Eighteenth Amendment sug-
gests a new paradox ■. That all
drinkers shall cease drinking in
order to obtain a drink. Through this
method Prohibition in this country
which is poisoning and vulgarizing the
people will be overcome. If everyone
would spurn bootleg gin we should soon
have gin and bitters on melancholy
mornings to give courage for the day;
the numberless millions that are in-
volved in bootlegging would have no
influence in the Congressional heaven
and officers of Justice would find their
incomes impaired. Countless federal
politicians would, suddenly, be with-
out jobs, speak-easys would perish like
flies in October, many women would
suffer without mink coats and jewelers
would begin to sense a panic; gamblers
would be mendicants and soft water and
"headache" corporations would de-
corporate; reformers would be bored
with nothing to do and through their
desire to be "different" go in search of a
vice that could not be found; their
distress might prove rather amusing.
The whole nation would certainly feel
the lack of any gaiety whatsoever and
a great, petrific, ennui would settle on
us which could only be followed by
the emigration abroad of all people with
educated nervous systems and enough
money to accommodate them, leaving
us a dull workhouse called a nation, sub-
ject at any moment to a suicide epi-
demic It is then that the Eighteenth
Amendment would cease to exist, not
By DAVID R. HARVEY
because of emigration, but because of
economics.
▼ T ▼
THE question of alcohol is a compli-
cated one, as complicated and as in-
soluble as the question of love, as old as
history The need of alcohol seems to be
as universal as the need of God, for both
are stimulants and the need of stimu-
lants is a result of Man's weakness, shall
we say, or his weariness, or, most prob-
ably, the result of some sound chemical
necessity To prove this it has been
shown that in the uttermost, savage
islands the natives have concocted an
intoxicating drink. People who are
scarcely human celebrate with intoxica-
tion. Is it possible that they, too, suffer
from boredom? They have their wine
as they have their gods. Wine to make
pain less painful, and wine to make
pleasure more pleasant.
The inherent characteristics of Man
cannot be legislated against, successfully
Alcohol is as innate as selfishness, or
lust, or love. As it is we hug the Bacchus
that is left to us like a man gone mad
over the loss of his love, who in a bawdy
house, closes his eyes, tightly, while
carressing a harlot.
That all the bibulous, all the epicures
of alcohol, all the weary who need wine
in order to bring dim things a little
nearer, all hypochondriacs who want to
suffer beautifully, all philosophers who
know that happiness is a sop, all lovers
of conviviality and the cup, should
preach a temporary temperance in order
to overcome Prohibition, THAT ALL
DRINKERS SHOULD CEASE
DRINKING IN ORDER TO OB-
TAIN A DRINK, is a paradox with
possibilities.
T T T
IT IS a proud and courageous gesture
that we Americans should adhere to
the old tradition that an amendment of
the Constitution of the United States
has never been struck out, for what are
the constitutions of the people in com-
parison with the Constitution of the
State? That the stomachs of most of
our children shall be ruined in order that
a few younger, barefoot, children may
have shoes is literally unbelievable. "A
little child shall lead them," in decently
made shoes. It is hardly sensible, but is,
notwithstanding, inordinately Quixotic,
when everyone knows that a stomach is
far more important than a foot, not only
to the individual but to the race. The
weak has conquered the strong. A para-
dox come true.
Two things in life are vitally impor-
tant, good stomachs and gaiety. We can-
not have good stomachs if we are not
gay and we cannot be gay without the
grape. We are like little children placed
in confinement. We must be obedient
and abide by the law in order to be
released. Virtue was always wisdom.
Cease drinking, ye drinkers and ye shall
be given a drink. Because, after all,
economics are economics and certainly
not ideals or ethics.
10
THE SAN FRANCISCAN
Now It Can Be Told
UPON returning from the front after
the war, a French soldier came
upon his wife in the garden of their
humble hut idyMic rural cottage. The re-
united couple with arms entwined,
greeted each other fervently. The wife
with proper Latin invective explained
that she was repairing their treasured
nest which had been occupied at various
times by German and English soldiers.
She hinted ever so \'agucly of some
secret The husband ground his heel; and
cursed all Germans roundly.
The scene was suddenly interrupted
by a small boy, who unperceived came
up and tugged at the woman's skirt. "1
say, Mother, Old Dear" piped the juve-
nile, "who is this bally old ass?"
Now no less a person than George
Bernard Shaw takes up cudgels
and enters the arena to do battle for the
monkey race which in all this evolution
and gland grafting wrangle has been
faring badly. It seems that some doctor
denounced Voronoff's monkey gland
grafting on human beings on the ground
that the person so operated upon acquired
the characteristics of the anthropoid
apes, namely: cruelty and sensuality.
In a London newspaper appeared a
reply to this charge signed "Consul
Junior," who, be it known, is a world
famous performing monkey now in re-
tirement at a London zoo. "Consul
Junior pointed out that no monkey had
ever torn out human glands to graft
upon another monkey to unnaturally
prolong life; that the monkey race had
never found it necessary to form a
Society for the Prevention of Curelty to
Monkey Children; that the late war was
a war of humans and not of apes. The
writer, speaking through, "Consul
Junior" is none other than George
Bernard Shaw, so claims the London
Times.
We look upon this latest move of
Shaw as an act of stalwart justice. Per-
sonally we have always looked upon
monkeys as kindred spirits and cherished
the fond hope of some day owning one.
Withal what better addition could we
make to our staff? To the members
thereof a monkey would be a perpetual
source of humorous inspiration.
Wii.\T Mr. Calvin Coolidge will
do after March 4th next has been
an issue of no small conjecture Now the
matter appears settled with reasonable
certainty It is rumored that Mr William
Randolph Hearst with his customary
palpitating desire to open to his beloved
readers fresh vistas of sweetness and light
and imbue them with the sterling pre-
cepts of good old Americanism will
offer the President the position of Dra-
matic Critic on the New York Ameri-
can, which position is now open due to
the recent death of Alan Dale.
Upon the demise of Dale, so the tale
goes, Hearst instructed the editor of The
American to find out what wage George
Jean Nathan would want to fill the
\'acant chair. Nathan was haughtily
upstage and not at all impressed with
talking to the alleged 3,000,000 Ameri-
can readers. "Never mind him," Hearst
wired back, "after March 4th we can
get Coolidge "
In this instance Mr. Hearst's idea
amounts to pure genius. For some years
this New York publication has stood on
dubious financial ground, earning in
newspaper circles the humorous designa-
tion, The Vanishing American. Mr.
Coolidge during his presidency has ren-
the board and the room plunged in dark-
ness. Under its benevolent cover the
spoon could be returned. This was done.
In a few moments the lights were
dered all things propituous for the coun-
try's citizens to conjure dollars where
none grew before. Without question
Mr. Coolidge is precisely the right figure
to transform The Vanishing American
into The Flourishing American.
▼ ▼ ▼
At a recent dinner party, attended by
_/\_ the cream of San Francisco's fash-
ionable and wealthy, the host at the end
of the feast suddenly rose and demanded
silence. In a voice agitated, but firm he
announced to his astounded guests, that
there was missing a silver spoon, intrin-
sically of great value and rendered of
greater value through having been in his
family for several generations. On the
point that the missing spoon must be in
possession of some one of the guests
present, the host was emphatic.
With fine diplomacy, however, he
suggested a plan whereby his guests
would be spared the indignity of indi-
vidual search and the guilty spoon lifter
would have an opportunity of returning
the same sans revealing his identity. A
silver tray would be set in the center of
snapped on again. The amazed assem-
blage perceived that the tray also was
missing.
T ▼ ▼
THERE lately prevailed among a cer-
tain selt-selected, exclusive group
in one of our forward looking women's
clubs, a high and frenzied excitement.
The ladies were all a-flutter. They had
extended to Ethel Barrymore an invita-
tion to be their luncheon guest and by
wondrous good fortune Miss Barrymore
had assented. To the board were bidden
not the ordinary run of mortals, but
only those of delicate discernment, of
cultivated appreciation in erudite mat-
ters of the letters and the drama; among
these, of course, the Society Editor, and
the Dramatic Critic of the foremost
evening press.
Upon completion of the repast, the
presiding officer asked the guest of honor
for a short talk. The languid Ethel is
resourceful, if nothing. In that gor-
geously froggy voice of hers she replied,
"Rully, I hawdly know what to talk
about. Why don't you awsk me some
questions?"
Silence and slight! consternation. By
unspoken, yet unanimous decision it fell
upon the Dramatic Critic of the leading
evening paper to supply the lovely Ethel
with food for inspiration. The elected
spokeswoman put a question and Miss
Barrymore rambled along pleasantly for
a moment or two in answering it.
Suddenly she shot and held a barbed
glance upon her questioner. She had
caught the lady taking notes. The pointed
look had no effect. Finally La Barrymore
stopped short. "Who are you?", she
demanded. "Are you a newspaper
woman'" The charge meekly admitted,
Miss Barrymore whirled upon the chair-
woman. She had been given to under-
stand that no newspaper people would
be present. She had been imposed upon
crudely and flagrantly. She spoke right
up and said so. "I despise newspaper
persons," she flared, — "for newspaper
ivomen, BAH!" And with these plain i
words there went, also, my dears, the
famously eloquent Barrymore gestures.
JULY, 1928
A ND now, dear citizens, it comes to
y~\this! The King of Fist Blows and
the Man ot Letters lock arms, shoulder
packs and amble through unfrequented
by-ways of the Old World in quest of
Culture. Paradox ot Paradoxes! The
millenium arrives. The lion and the
lamb lie down together. The Rotarians
shall have cause to send up mighty
choruses of Hosannahs. Our Men of
God, proficient in intermingling Big
Business and Religion, will rejoice upon
the superior order ot these United States
that give rise to such hitherto unseen
phenomena as this.
We refer to the recent press announce-
ment that Mr. Gene Tunney of surpass-
ing ring prowess and Mr. Thornton
Wilder, author of The Bridge of San
Luis F{cy, which was awarded the 1928
Pulitzer Prize will spend the summer in
a hiking tour through Europe. Mr.
Tunney, who among other honors, has
acquired that of a connoisseur of all
things literary and an able judge of
Shakesperian lore, ranks Mr. Wilder a
scant notch below the Avon Bard and
the approximate equal of Eugene
O'Neill. In that, we must agree, he
shows good judgment. Nor would we
go so far as to interfere with a budding
friendship.
%i',
But then! Well, this walking tour
business seems to start a dangerous pre-
cedent. What will become of a good,
sturdy, upstanding, husky sport of he
men, if its favorite sons take to flitting
about the country to track down histori-
cal uncertainities and to split infinitives
instead of busting an opponent's nose
wide open.
DURING the Republican pow-wow
in Kansas City, a certain senator
delivered himself of a speech —
lengthy, pompous and praiseworthy.
Upon all the great men and minds of his
own party, past and present, living and
dead — Lincoln, Taft, Hoover, Coolidge
— the senator let loose Niagaras of praise
for their virtues and deeds.
Nor was this all. The senator in ques-
tion possesses a capacity strange among
one of his kind — that of perceiving some
worth in even his opponents. He waxed
wordy and tender upon some of the not-
ables of the Democratic party. Toward
the maligned Wilson he was justly gen-
erous.
But naught but a loud silence greeted
the senator's effusion. He had forgotten
— inconceivable, unforgivable, dastardly
omission — to mention in his luminous
remarks on the Republicans, Theodore
Roosevelt. In the audience were Alice
Roosevelt Longworth, Nicholas Long-
worth and Theodore Roosevelt, Jr., off-
spring and survivors of the redoubtable
statesman. How fleeting is fame and
verily the sins of omission are more dis-
astrous than those of commission !
WE BETOOK us, with evet ready
copy sheets and pencil, to the
address of a literary man we know from
the east who had preceded us here, to
carry out an idea he had cherished always
of devoting most of his time to his
books. After climbing the steepest,
cleated streets, at last we found the loca-
tion we sought; then back through a
long vestibule to the door marked
"Silence," and after knocking three
times and enunciating the pass word
clearly, were admitted to our friend's
library. Perhaps here, in recalling con-
genial days and talks, we might happily
collaborate upon an all comprehensive
phrase to spin a yarn around.
The room was lined with books, as
the walls of a library should be.
Books, books, all sorts and conditions
rare old sets, illuminated manuscripts
from monasteries, Coptic scrips on vel-
lum, decorative caligraphs from Persia,
unexpurgated tales from Arabia, sup-
pressed pamphlets, confessions that con-
fess, little bibelots and big quartos.
We talked for a long time and listen-
ing to all that he considered of sufficient
interest and noteworthy, took many
hours. Somewhere, we rather hoped, he
would stumble across something to take
down. Presently he pointed out two sets
of books, opposite each other over the
fireplace, with wood burning, one set
containing all the short stories of O.
Henry and the other, in a special bind-
ing the epics of Norris. Over each a
small clock had been placed with a dis-
crepancy of several hours in their time.
"These — " said our friend, "I have
placed there as representing New York —
O. Henry with his 'Four Million' and
11
San Francis:o in Norris's 'McTigue.'
Then there's the difference in time- -".
▼ » ▼
WE CLEANED out out ccdat-chcst
Sunday and came across a copy
of the San Francisco Bulletin just sixty-
five years old. We were particularly in-
terested in the account of a voyage made
by Leiand Stanford, at that time Gov-
enor of the State of California. Accord-
ing to the press the Governor had "had
hard luck." To quote :
"Yesterday afternoon about three
o'clock, soon after the sham battle was
over at Kennedy's farm, Governor
Stanford and staff rode down to the San
Antonio landing to take passage on the
Oakland steamer to this city. In this
purpose the party were disappointed,
there being no room for the horses on
board, and they had to take passage on
the San Antonio which left at 5 o'clock.
Fate, however, still continued unpropi-
tious, as the San Antonio on coming to
her dock, got stuck in the mud when
about thirty feet from the wharf, where
she lay for nearly an hour to the intense
disgust of all on board."
TFT
WITH the object of providing choice
solace for a friend who was con-
fined in a local hospital and who is a dili
gent and expert student of French, we
purchased, upon visiting him, several
current copies of French humorous publi-
cations. To have assured the confined
and helpless one reading matter for his
personal and private use we should have
taken him Sunday School leaflets, the
Congressional Record or something of a
similarly innocuous order.
Upon visiting our friend a second
time, what was our astonishment to dis-
cover that he had barely seen the books.
The nurses had fallen upon them and
carried them away. Patients in adjoining
rooms, learning by some telepathy of
the presence of the periodicals, had cried
for them, although they knew no
French. The battered remnants of our
gifts lay by the recipient's bedside,
looted of their choicest pictures and car-
toons by the informal borrowers. The
language of the French is, in truth, a re-
markable tongue. One does not always
need to speak it to understand it. It is the
language of not one nation, but of the
world.
The San Franciscans
12
THE SAN FRANCISCAN
Marco Polo
Proving Once More that Bores and the Bored are not New to Mankind
Bv ELVA WILLIAMS
Editor's Note: This brief dLx:umcnt has been ex-
humed, deciphered and transluted lo prove thai even
in ihc old. rtamK>yanl days ot purple-bannered ualleys
ihere *as one thai sutTert\J from the indefaiiKuble am-
bition of a bore and who had neither blue laws, nor
machinery. rK>r any of the appendages of modern civili-
zation to blame it on It may somewhat palliate our
misery if we are reminded that boredom is an ancient
and honorable disease of which times and inventions
are not the causes, but that it is a penalty those of a
certain mentality must pay for having any mentality
at all.
SCENE -. A cell in a gloomy prison of
Qctioa. Marco Polo paces about
the cell %vith the precision of an
ageing schoolmaster . He is not beyond
fifty-five years of age but his strenuous
life has given him a multitude of ivrinkjes
u'/iic/i he thinks bespeak manliness and
nobility of soul, as though ivrinkles ivere
the privilege of travelers alone. He is
bent and tired. His eyes are those of a
fanatic. His fellow -prisoner and scribe,
l^usticien, sits at a rough table ivith the
implements of his office before him. He is
also old, much older than Polo.
Polo: (dictating) White peacocks and
fine purple cloth were the chief lux-
uries of this most noble city. Para-
graph. The females have much beauty
as has been remarked and are brought
up with delicate and languid habits.
Now we shall go on to the province
of Amu. Amu is also under the juris-
diction of the Great Khan. "The in-
habitants live upon the flesh of their
cattle and the fruits of the earth."
They pay an annual revenue of —
(Polo scratches his bald head in per-
plexity) of sixty-thousand saggi. Let
me think. Was it sixty thousand?
In the name of the Saints, can it be
that 1 have forgotten?
Scribe : {dully) Forgotten what'
Polo : The revenue ! The revenue ! Let
me think. Was it sixty or thirty-five
thousand.
Scribe ■. What difference does it make?
I'll put down thirty-five.
Polo; Difference, laggard. There is
thirty thousand saggi for a difference.
Scribe: Wrong, brother. Twenty-five.
But if you're not sure no one will be
able to dispute you, so why torture
yourself. No one knows. No one can
dispute you.
Polo: I know and posterity will know.
If I make one mistake the veracity of
all the rest of my work will be
doubted.
Scribe; When posterity has arrived the
revenue will, probably, no longer
exist. The Great Khan will be dead.
The saggi will have a different value,
if any at all, and you'll be dead and
I'll be dead, so let posterity do its own
traveling.
Polo: {ignoring him) It is thirty-five
thousand. Yes, thirty-five. Put that
down. The women of this country
are noted for the beauty of their hair
which is long and heavy. They spend
the greater part of the day perfuming
it with sweet-smelling oils.
Editor's Note : Rex Smith will be remem-
bered by readers of the San Franciscan for
his brilliant article on Edgar Saltus which
was published in this magazine. His verse,
which has earned considerable praise from
literary critics in this country and England,
is about to be published in book form under
the name of "The Moon of Minstrelsy".
Venturer
By Rex Smith
Tfiere was a day
Wfien youth went fortfi to venture
Dream of fife and wondrous rendezvous.
Dark clouds of doubt were spurned.
And through a crystal dawn
Bore brave-winged chariots of flame '
Love-drawn and glorious with radi-
ance . . .
The more for having happy grace
Than power '
A lark
Wheeled, singing, toward the great,
white sun :
Life of light and goal of the living
course . . .
Where, all untangled, ways of wan-
derers end.
Wheeled
And, blinded, fell through wailing
spirals.
God, bereft, wept o'er a broken
tongue . . .
On Jordan's bank a requiem touched
the shore !
There were those
Who murmured craven names.
And sneered askance that daring hearts
are mad!
Pale, envious ones
Who whimpered platitudes . . .
While God, bereft, wept o'er a broken
tongue;
On Jordan's bank a requiem kissed the
shore !
Scribe: How do you know?
Polo; I asked the priests and husbands.
The women, one rarely sees.
Scribe: You are an unhappy man. I pity
you.
Polo : What do you say?
Scribe; You are a fool.
Polo ; Do I hear aright?
Scribe: You arc mad.
Polo: Malefactor! Scoundrel! Shall I
allow you, an ignoramus, to call me,
Marco Polo, mad? I whose words
have been heeded and written down
as wisdom by the Great Khan, King
of Kings. The Great Khan whose
rubies are bigger than your two
squinty, scrofulous eyes? I, who sat
at the right hand of an Emperor, on a
throne of gold — gold — GOLD! Do
you hear? 1, who —
Scribe; {interrupting him) I've heard all
that before. I am satiated with it.
Polo ; Your poverty of imagination does
not permit you to dream of such
magnificence, offspring of the dark.
Scribe; I have been imagining magnifi-
cence for so many months here with
you I am surfeited with splendor. 1
am weary of rubies and pearls.
Polo : I care not for your weariness You
must continue to write. My cause is
a sacred one.
Scribe; You blaspheme.
Polo: Where were we? Oh! yes. The
province of Amu. The city of Amu
in the province of Amu is a very
interesting one. Through the busy
streets caravans were continually pass-
ing bearing cargoes of amber and
musk. Armies of great elephants,
richly caparisoned, carried precious
stuffs to the noblemen of the city.
Scribe ; Why did you leave such a para-
dise to rot here in a Genoese prison
with an ignoramus like me.
Polo ; {oblivious) Birds of brilliant plum-
age were to be seen in great numbers.
The women of this province are
notoriously loose. She is accounted
the handsomest who has the greatest
number of lovers to her credit.
Scribe: Be intimate. You have already
said the women have long hair, that
one rarely sees them and still they are
very immoral. Have you no intimate
recollections. Were you never the
lover of any ot these women?
Polo ; I was a man with a mission. I did
no more than taste their wine, from
curiosity, and their women meant
nothing to me.
Scribe : You are either simpleton or
hypocrite.
Polo: Your opinions are worthless.
Scribe ; I am wiser than you, brother.
Where is your wisdom? I cannot
detect it.
Polo; I display it to you daily. I've
given years of my life to learn these
things that I am going to impart to
the world through you.
Scribe : To a world that doesn't want
to know. You have learned nothing.
You've seen a few strange, misty
Continued on page 28
JULY, 1928
13
I
mSNJ^^MIJ^H. J^R^hC^J^^
Camera portrait by Hagemeyer
Novelist, Lecturer, Projessor oj English at the University oj California; Benjamin Lehman is one of Calijornia s
most brilliant and charming literary figures. His last novel "The Lordly Ones" has been
enthusiastically received by his devoted jollowers who extend from
the California Campus to Columbia University
14
THE SAN FRANCISCAN
Keye Luke
A Performance and a Promise
By CHARLES CALDWELL DOBIE
SOME twenty-five years ago, a young
Chinese merchant who was horn
in San Francisco, upheld his native
tradition by returning to China
for a bride. He chose, or possibly
his parents chose for him, a maiden with
the charming name of Golden Chrys-
anthemum who lived in a village just
outside of Canton, bearing the equally
charming name of Joyous People. The
bride had back of her a long ancestry of
scholars with the added and culminating
distinction ol a father who had taught
classics at the tender age ot fourteen.
As a result of this union, during the
Festival of Rice Cakes, the little village
of Joyous People found its population
increased by the arrival of a prospective
male citizen who was given the name
of Keye Luke. For three years this di-
minutive gentleman basked in the sun-
shine of his home town only to be carried
away one day to the bustling American
city of Seattle. And at that moment
there was set in motion an interesting
problem in art development of which
the accompanying illustration is the
latest but by no means the final testi-
mony. Can Oriental and Occidental art
be blended successfully? It remains for
Keye Luke, perhaps, to be the proving
ground for or against this question.
T ▼ ▼
THAT the progress of a racially
blended art is hedged with diffi-
culties and dangers for the artist is
abundantly proved by the statement of
Mr. Laurence Binyon who writes thils
from the Department of Prints and
Drawings in the British Museum :
"Mr. Keye Luke has obviously great
lalent. He has the secret of the nervous
ihythmic line of his country's art. . . .
But I very much fear for the future of
this young artist, if he remains in the
West. I fear that like some of the
Oriental artists and poets I have known
he may become a double exile — at home
neither in his own country nor in the
West. I would like to see him back in
China bringing new life and inspiration
into Chinese art. ... I do wish this
young artist fruition and success, but can-
not help being anxious about him. . . ."
Mr. Binyon's anxieties were more or
less occasioned by some of Keye Luke's
earlier attempts which bore unmistak-
able signs of a strong Aubrey Beardsley
style. Happily, however, this phase of
Mr. Luke's art-expression has passed
and it would be interesting to hear Mr.
Binyon's reaaion to a group of illustra-
tions for Oscar Wilde's "The Happy
Prince" of which the third is here repro-
duced. The first and second of these
illustrations bear evidence of Oriental
and Occidental influences which, while
charming, are distinctly recognizable.
The virtue of the accompanying picture,
showing the angel bearing to Paradise
the dead swallow and the Happy Prince's
leaden heart, is that the blend ot the two
influences is so perfect and subtle as to
Requests to a New
Mistress^
By H. P. Preston
Could we not, my dear,
Eliminate this chatter
Of Art and Love?
Must the eternal clatter
Of thin teacups
Always chime accompaniment?
Let us be forthright.
Meeting our ennui
Quickly.
defy analysis. Perhaps, however, the
term "defy analysis" is too strong; any
structure can be torn apart and cata-
logued. But the picture in question gives
a swift impression of being a perfect
entity. It is like a rare flower, suddenly
achieved through the tireless crossing
and re-crossing of strains that have been
both obstinate and irresolute until the
final achievement has fixed a new
"type-"
ONE would have had to follow each
step of Keye Luke's development
to get the full significance of the perfect
blend of simplicity and detail in this
creation. It foreshadows a complete
mastery of new and satisfying combina-
tions, filled with involved Oriental
reticences and frank Greek purity. Look-
ing at it, one can well understand the
artist's statement that the various art
manifestations of mankind have found
him an assiduous student, especially
those of his own Cathay and ancient
Greece. He feels that by reason of his
wide study his work bears a touch of
eclecticism and his prayer is for a wider
and wider catholocity.
To those who insist that great art is
of necessity provincial art, one may
safely point out that the day of pro-
vincialism is past. For the niomtCnt, the
breaking down of physical barriers that
made for peculiar people has resulted in
standardization. But is it too much to
hope that a world, adjusted to an in-
creasing annihilation of distance with
the attendant accessibility of sight
and sound, may execute even more dar-
ing and varied art-forms by virtue of
the richness of the treasures open to it?
Does the original source of Keye
Luke's artistic urge suff^er because it has
incorporated into it a sense of Greek
proportion? Is he, indeed, in danger of
being what one of his well-wishers has
termed "an exotic, impoverished by his
isolation?" . . . Had he slavishly con-
tinued his worship of Beardsley this
might have been so. For the genius of a
Beardsley raises itself by wanton origi-
nality to unsubstantial heights. It lacks
the roots wherewith to nourish an en-
during art.
T T ▼
BUT our young aspirer has outgrown
the narrow vision of his first artistic
love. Environment and a natural breadth
have rescued him and, although, in spite
of his long residence in the United
States, his work is still without a definite
American touch, we have every reason
to hope that it will one day be subtly
incorporated into his creations. That he
is still vividly and conservatively of his
own people is attested by the following
written word picture of a year spent in
China when he was eight years old :
"To this day memories of my home-
land are very sharp and vivid. The
witchery of the nights, their stillness
disturbed only by the chirping of crickets
and the murmur of bamboo leaves stir-
ring in the warm breezes; the rice fields
with their waving grain lying like
squares on a gigantic chess board; the
burning sun glinting off^ a sea of bronzed
faces; these and countless other bygone
iiTipressions I remember of China."
From these sharply etched visions of
his native Cathay he returned to America
to spend twelve months in Battle Creek,
Michigan. His impressions of this town
which turns out predigested breakfast
foods have not been recorded either by
his word or by his art, but the day will
doubtless come when Battle Creek will
as assuredly be woven into his patterns
as the glory of Greece or the burning sun
of China "glinting off a sea of bronzed
faces." And in that day we shall know
whether Keye Luke is an exile from two
civilizations or a citizen of the world.
JULY, 1928
15
IjQjCUSTI^TION FOT^ WIjCP^'S H^TTT T'KINCe
Th,
le Angel Carries the Dead S^valbw and the Leaden Heart oj the Happy Prince to Paradise A conception l,y Keye
Luke oj the Village oj Joyous People; Canton, China; Battle Creek, Michigan;
Seattle, Washington; San Francisco and Way Stations
16
THE SAN FRANCISCAN
Notes on The Supreme Art
Wherein Wc Conclude the Article of a Celebrated Poet
By SARA BARD FIELD
THESE two elements which wc have
been consiJcring — thought and
imagination — are ot the brain.
The next element is, loosely speaking ot
the heart It is emotion — feeling.
Feeling is the element that gives
depth to poetry. It is the surge ot
the poem It is the most human
of its values it, too, employs
the imagination, but this time
not as a prism but as a
magnifying glass. The poet sut-
fers and, passing his suffering
through the magnifying glass of
imagination we gain an Oedi-
pus Rex or a King Lear. The
poet loves with the passion of
youth and we gain the Song of
Solomon — the Song of Songs in-
deed, since it is the love song of
all Youth. The poet's love is
frustrated and !:his frustration
passing through the magnifying
glass becomes a Fflmco and Juliet.
The poet experiences false love
and he sings thjg song of all false
love: "Take, O take those lips
away." if the poet is glad the
gladness is magnified into a burst
of ecstacy "Hark, hark the lark
at Heaven's gate sings "
Feeling is emotional sensitiv-
ity as form is aesthetic sensitivity.
With the artist, emotion is the
invisible but powerful cable con-
necting him with the heart of all
humanity. The most stupendous
symbol of poetic feeling raised to
the nth degree comes straight
from the heart of humanity and
not from the bulk of poetry. It is
the symbol of the cross. The
figure of Christ has not affected
humanity more than humanity
has affected the figure of Christ.
The whole story of Gethsemane, the later
flight and fright and amazement of his
disciples show that all were wholly un-
prepared for the tragic denouement of
their master's career It was later inter-
pretation from the heart of suffering
humanity that saw in that solitary,
anguished figure on the cross the body
of all suffering humanity. The atone-
ment— what does it mean? It means at-
one-ment. Was there ever such an ocean
rush of feeling, of emotion through
imagination as that — that, out of^ the
millions who have lived and died, out
of the hundreds of thousands who have
been tortured to death in every conceiv-
able way, including crucifixion, this
single, lonely figure could stand for the
at-one-ment of all human agony for
time past and to come' Not the con-
templative Buddha, not the gracious
Kwan Yin. symbolic though they be.
By Charles Erskine Scott Wood
Sing a song of Summer — of leafy, stieafy Summer,
Coming froiTi cool mountains to walk the dusty way;
Her petticoat upgathcrcd, filled with woodland fragrance
Tasseled pine, madronya, wild grape and bay.
She lifts hrown arms to the piled, celestial masses,
Invoking their blessing : shadow and showers.
.She wades waist-deep the wind billowed meadows
Where grasshoppers fiddle the brittle hours.
Birds arc sunk deep in the deep wood sanctuaries
But goldfinches glean the fcncerow seed ;
Thistle, dock and ripe blackberries
Which Summer offers to their vagrant need.
Sing a song of Summer — leafy, sheafy Summer,
Grass in her hair, her smock much torn
By sharp sweet briar as she rides the rustling harvest
Of well-bound sheaves to the wheat stack borne
On creaking wagons in high-piled loads.
Hot noon by the wayside among purple asters
And goldenrod shaking yellow plumes now.
Drooping-eyed, she dozes, nodding, nodding.
Stroking the car of a cud-chewing cow.
While in the ditch with seven pink piglets.
Summer-drunk and snoring, sleeps a hcavy-dugged sow.
Sing a song of Summer. O I have often seen her
Where the hawk's shadow runs on the bouldered steep,
Under an oak, seeking sweet seclusion.
Around her couched the new-fleeced sheep
Softly bleating to the sun-burnt One;
O.xen far below in the broad yoke swaying,
Their dust a cloud of gold in the sun.
I have seen her naked with the colts beneath the willows,
A dark pool spread on the shining sand;
And a green heron posing on one leg, stately
Where the ripples cease and the rushes stand.
Sing a song of Summer — bumblebees' low thunder;
And wings of butterflies throughout the land.
carry the enormous, human significance
of the symbol of the cross.
▼ ▼ T
FEELING is not only important in its
relation to the magnifying power of
imagination but in its relation to form.
Feeling, more than any other element,
I think, dictates form and form in turn
makes a channel for the flow of the
feeling that cuts its boundaries. Form is
the task master. It stands saying "So
far and no more." Imagination, emo-
tion, thought itself in its superabundant
rush would overflow the banks of poetry
and poetry itself be wiped out but for
the confining austerities of form. Form,
too, gives balance and cohesion. Just as
thought and imagination are of the
brain and emotion of the heart, so form
is of the senses — it e.xprcsses the sensu-
ous element in man. It is the form of the
poem, more than any other one thing,
that gives the sensation of aesthetic
pleasure. Form is the anatomy of
the poem — the boney structure on
which it is built. One might
liken a perfect poem to a tree.
The wood and bark, its sub-
stance is thought; the leaves and
flowers, imagination; the color of
flower and leaf, of changing light
and shade, emotion. The shape
or anatomy is form. Curiously
enough, though form is appar-
ently the more obvious element,
I find it harder to explain than
any other. How does it come?
Ask of the wind. No poet can
tell He iTiay, he will try, digging
with serious honesty into his sub-
conscious activity but he will
never fully know why and when
and how the peculiar music, the
rhythm — the subtle considera-
tions of form were conceived
from the mating of subject with
its emotional reaction. Some-
where deep within him the mys-
terious conception takes place.
The idea and the emotion meet
in a swift, passionate embrace
and form arises. Dramatic, epic,
lyric forms are the inevitable
bodies which their subjects seem
foreordained to assume. Human
character unfolding from human
action necessitated an action
body — dramatic verse. Human
life unfolding from the lips of a
narrator necessitated a narrative
body — epic verse. The cries of
the human heart, glad, sad, wist-
ful, pensive, mad, agonized or
ecstatic necessitated a song body — lyric
verse. So the Ode, the sonnet, the ballad,
the modern free verse are the inevitable
bodies of the subjects they include and
the emotion that swept through them.
And now that I am done, I have
JY Slid nothing. You must consider
such words mere dots on the line of in-
finity— dull sparks from a cosmic fire.
Mystery and magic can only be indi-
cated. That which arises from the
depths of man's soul will always be
veiled as will the soul from which it
comes. It can never be trapped and con-
fined in definition and analysis.
In closing I return to my original
Continued on page J3
JULY, 1928
17
A member oj the dislinLiuished theatrical Jamily u'/io (> iHsiting San Francisco Jor the first time infii'e years. She is now seen in " The Com-
mand to Loi'e," the audacious comedy, adapted jrom the German of Rudolph Lothar, which is now
running at the Geary Theater
18
THE SAN FRANCISCAN
Heights Plus Towers
Being a Prediction of the Architectural Future of San Francisco
THE hard realism of mechanism
carried to the nth degree. This
comhiiieJ with overvvhehning
splendor of fantasy, of the very essence
of beauty and dreams Such are the cities
projected upon paper hy those ha\'ing a
Hair for the architecturally futuristic. We
look upon these creations in wonder.
They are ot the strange unknoun, ot the
concretely material They tcrrity; they
magnetize. When and where has such a
city existed? Will such cities ever exist?
In promise, in suggestion, even in
some measure of fact, not one but sev-
eral such cities exist today in America.
Wc will not dwell upon them in detail,
since we would concern ourselves with
the San Francisco of tomorrow, of fifty
years hence. In thus concentrating our
attention, we act in the manner of those
who are above trafficking in details and
we dismiss with fitting dispatch lesser
and minor pretenders to architectural
impressiveness, for San Francisco by
benign dispensation of the Gods is ir-
revocably and naturally predestined to
occupy, in this sphere, a pedestal of lofty
eminence.
An arrogant statement this. But to
justify it, all and sundry have but to
gaze upon our hills — hills that rise above
a broad expanse of Bay, terrace upon
terrace like some stairway for giants. A
city upon hills is set up and apart It can
be like no city upon the flats and plains,
great as that city may be to behold.
About a city upon hills there is some-
thing potent; something that heralds a
regal destiny; something that lures and
draws people in spite of themselves.
San Francisco's hills have brought her
fame. They are fated to bring her still
greater fame.
San Francisco tomorrow — fifty years
hence will be a city of towers upon ma-
jestic hills. Great heights set upon great
heights! Tall shafts — masses, rows,
blocks of them, beginning with the
financial and business districts and
marching up the slopes of the city's in-
rrumerablc hills. Springing up from their
sides and their tops. The futurist's fan-
tasy will be no dream, but a reality.
T ▼ T
NEW York— it is architecturally
gigantic. Its buildings have, to
be sure, height. They rest, alas, not upon
hills, but upon flats. By their numbers,
by sheer individual and collective mass,
they overcome the natural limitations
of the city's site. The same is true of
Chicago, Detroit, Cleveland. San Fran-
cisco with growth will achieve collective
mass; height is likewise predetermined.
By LYLE HART
These two to rise from the heights of
her hills. Therein she will tiiumph
architecturally o\'er lower and lesser
cities.
Evidences of magnificent phalanx ot
buildings that will, in future years, greet
the eye of those who approach the city
by water already exist The Nob Hill
and Pacific Heights sections of the city
Iru thej> Park ^
By Edna Keough
I saw a golden peacock
Come preening down the path.
I saw a lapiz ostrich
And a jasper elephant.
To these three stately strangers
I gravely tipped my hat,
And to my consternation,
I heard a turtle laugh!
number a score or more of lofty, beau-
tifully proportioned structures — hotels,
apartment houses and hotel apartments.
Nor in this section must we fail to men-
tion the Grace Cathedral. There are in
Europe, and to some extent in America,
church buildings of notable and deserved
fame for their architectural beauty; the
magnitude and grandeur of their scale.
But where, traveling the world over,
will there be found a cathedral like San
Francisco's future Grace Cathedral —
vast in conception, dignified and com-
manding in appearance and occupying a
site so high and remote above a great
city?
That the type of building housing
many people will increase in numbers is
inevitable. The city proper is limited in
area, measuring approximately seven
miles by seven miles. Building sites on
the Northern hill sections are now worth
the proverbial king's ransom and are
daily increasing in valuation. They are
becoming too expensive for the single
family to occupy, but the multiple
dwelling structure makes it possible for
many families to afford and enjoy the
advantages of view, light and air,
offered by these hilly sites.
In order that individual and mass
construction in this Northern area and
in other high points of the city may
evolve to assure the continuance of un-
obstructed views, sunlight and air, and
to finally preserve the architectural har-
mony and beauty, it appears advisable
that some sort of zoning law be devised
and put into operation. No such law
exists to guarantee these ends. The need
of it as a forethought, rather than an
afterthought is now acutely manifest.
▼ ▼ ▼
TURNING from the land to the water,
San Francisco has for years been in-
dustriously bridging the Bay — on paper.
Every aspiring young architect, every
ambitious young engineer has drawn a
Bay Bridge plan and laid it away as his
practice and sense of futility grew upon
him. But not entirely for nothing have
the visionary ones labored. The Bay
Bridge may be built at a not too distant
date. Without question, it will be a
monarch of its kind. A thing monu-
mental and massive to incite the rest
of the world to envy and despair, for
what other city has such a waterway as
San Francisco Bay to bridge?
This much we see taking form and
shape before our eyes. We are sowing
the seeds of stupendous masses. Future
generations, San Franciscans fifty years
hence will struggle that they may not
be wholly the trapped slaves of the
masses we are creating. The Bay Bridge,
several bridges, will be but so many
small, crowded avenues of escape. Future i
San Franciscans will be forced to devise; |
to add to the unwieldy bulk of the city,
systems of rapid transportation by air
and underground lines to reach the
lower peninsula suburbs.
We have even now forerunners of this
necessity in the several tunnels of the
city. Valuable as they are, none of them
eliminate the necessity of cars having
to make their way through miles of
crowded city streets before the tunnel
entrances are reached. This problem is
one that will have to be met by some
means combining practicality and speed
in handling heavy incoming and out-
going traffic. Personally we take no joy
in contemplating the day (if we live to
see it) when we shall be shot beneath
the hills in order to reach the Peninsula
communities and suburbs. It is in no-
wise comparable to riding over them.
But then, what Progress wills, it will
have on its own terms.
So much for the land and the water!
What of the air? That fifty years — that
twenty-five years will see wide indi-
vidual and commercial use of air craft;
that planes will be perfected to the point
where only a relatively small area will
be necessary for their landing and taking
Continued on page 30
JULY, 1928
19
S^^^ FJ<^^ISCO I^ iggo
A prophetic view of our city's towering heights as conceived by E. V. L. A
20
THE SAN FRANCISCAN
The House That Marian Built
Or What Happened to a Little Cape Cod Cottage By the Sea
MARIAN Davies cold hcf archi-
cccc CO build a small Cape
Cod coccagc by chc sea. She
wanccd a simple, comtorcable place
builc on chac screech of vxhicc sand jusc
bencach che palisades ac Sanca Monica.
This decision scarced che socialiracion
of chac parcicular beach. The place is
now a long row ot high walls backed
againsc che speedway.
Plans were drawn up by a young
archicccc They were submictcd and im-
mediacely an army of workmen and a
fleec of crucks swarmed over che sand
dunes.
Several weeks lacer Marian remem-
bered chac she was building a house
Gathering a car full of friends she cook
them down co look ic over.
An hour later che licde Cape Cod
Coccage was no longer in exiscence.
Orders were given for walls co be corn
down, cwo more scories co be added.
Larger excavacions had co be dug. A
secrecary cook noces co cable Europe . . .
Carpencers scarced co erect a huge
whice wall around che place and lacer
che encrance was guarded by cwo villian-
ous looking wacchmen.
Forcy guesc rooms wich as many bachs
were added. Marian was delighced. She
was going co have room for all her
friends. Alchough Beverley Hills is only
twenty minutes away from Sanca
Monica, chac is a long discance co drive
lace ac nighc . . . now chere would be
no need ot ic.
LMosT a year was consumed in
building chis licde house by chc
A
sea
An Irish inn was picked up bodily
and broughr over. A piccuresque four-
ceench cencury inn. Now ic is called chc
"rachskeller " Ic was inscalled on che
firsc floor opening onco che marble
swimming pool.
Wich che inn came all che furnishings,
delightful panelled walls, old benches,
tables softened wich age . . . and an old
bar. Even che flag scones were carefully
lifced from che Irish sod and senc over.
The inn is so old chac che locks on chc
doors are made from small pieces of
wood, carved and fashioned very much
in che same way che metal locks of co-
day are made. Putting the place together
again took months It was a gigantic
puzzle. It took research to understand
even the uses of some of the quaint
equipment.
By MARCELLA BURKE
Yet this inn is hue a detail ot the com-
pleted scruccure. Ic is here, wich gay
lounging robes over cheir baching suics,
that chc favored people of Hollywood
gather before or after a swim.
There is a long marble porch running
chc entire length ot the house. It is filled
wich low chairs, gay cushions. You can
sit there and look down into a marble
swimming pool. A slender white marble
bridge — such as Dance might have
Just Above a Whisper
By Harry M. Coverly
To a beam ot light
chac whicened for a space
che baffling cracery
of my life . . .
For your love
more exquisice than dreams,
yet made, I think,
of the stuff of dreams . . .
More for che deep, low harmony
scruck by render memories
on my hearc-scrings . . .
Mosc for che ascecic peace
and sombre happiness
that reigns in the simple region
I call my soul.
bribed Beatrice to cross — makes a
speedy runway from one side to the
other.
You step from the porch into a long
sun-filled room. Bright chintzes, huge
divans, cwo lovely fireplaces give chis
room grcac charm
The dining-room is abouc che same
size. Two black Irish mancels grace
eicher end. Two rare, original Gains-
boroughs hang on che wall. A hundred
and fifcy guescs are seared as casually
and graciously as cwency ... for din-
ners and luncheons.
A chapcer could be wriccen abouc che
differenc collections ot old silver There
are special people assigned to che care of
chac alone.
T ▼ ▼
THE library is very beauciful, broughc
from an old English casde famous
in hiscory. The oak panelling feels like
velvec to che touch . . . Florentine
velvec Deep red prcdominaces in chc
coverings of che ancique pieces of furni-
cure broughc from che same casde.
Book cases reach che ceilings, pro-
cecced by silver wiring wichouc the use
of glass, a choroughly ancient custom.
A hidden button, when touched, causes
two book shelves to slide back, another
touch and a projection screen slides up
without a sound from the floor It is in
this fireproof projection room, hidden
behind the panelling, that Marian pre-
views her pictures
The entire house is magical — Aladdin
might easily have builc ic.
Upscairs the long spacious hallways
are hung with costly panoramic wall
paper — beautiful prints brought from
Europe.
To the right on chc first upper hall-
way is a breakfast room which is a de-
light. The walls here cell che scory of
Venus rising from the sea. The furni-
ture is painted in tones of grey and green.
The room is pervaded with a soft grey
accentuated by pearl colored taffeta
drapes.
The bedrooms are charming — each
with its own fireplace. Four poscer beds
and ocher exquisice pieces of early Am-
erican furnicure concrasc delighcfuUy
wich che modern seccing.
Then chere are elevacors — daincy as
jewel boxes — which cake you smartly
down to the Pompeian baths, in case
you feel that way.
Unexpectedly you come to doors
which open upon scairwaysrunningdown
to the tennis court or to gardens from
which the distant brilliant blue of the
sea is softened by palms, vines and
fragrant flowers.
Even the kitchen is magical in its
appointments. The butler's pantry has
dozens of shelves electrically heated for
the hot plates — dozens of other shelves
electrically cooled for che chilled dishes
— a filing syscem — astonishing conveni-
ences everywhere. Two housekeepers
with assistants — about twenty perfectly
trained servants — run the huge house as
smoothly as if it were the originally de-
signed cottage presided over by a com-
petent New England maid.
Just a little Cape Cod cottage which
got intrigued with a few foreign ideas
and grew up to be a mosc sophiscicaced
villa — on which mighc more appro-
priacely gleam chrough che crees on che
Riviera.
JULY, 19;8
21
THe TOW^ ^NT> CO UNTTiT
Famous Clubs oj San Francisco as Visualized by One JFlio Has Never Been in Them.
n
THE SAN FRANCISCAN
The Sport of Pioneers
Which Epitomizes a Dramatic Phase of the West
«vJACK MASON
MAKOi Gras time in New Or-
leans! Paris and the noisy
Beaux Arts Ball' Madrid
and the breathless throng about a bull-
tight! The glitter and gleam of a New
York debut ' Oberammergau's Passion
Plav' Each has its charm, its romance
and tradition, each its pleasure-seeking
followers.
But none ot them ha\'e more color,
more romance or more devout followers
than our rodeo . . . that gay, brave
symbol ot another day
What is a rodeo? "A great carnival
which epitomizes the most dramatic
phases ot the pioneer days ot the West
. . . and its spirit There the real, prac-
tical work of the trail, cowcamp and
range is shown, through the sport of the
pioneer, for the play of a people is usu-
ally but a normal outgrowth and expert
expression ot its work "
It you arc one of those that mourn the
passing ot the old West, the loss of its
distinction, its trcshness, its sturdy cour-
age, just trek to Salinas July the eigh-
teenth tor they've a brand of authentic
rodeo there that's a guaranteed antidote
for the tune that the dear days are dead
beyond recall.
You'll find the quaint Calilornia town
bright with banners and hunting, its in-
hahitants booted and spurred all ready to
pay homage for five thrilling days to
those quiet men who rode their plains
and roped their cattle in the days when
roping and riding meant everything and
the plunging price of Bank of Italy not a
thing in the world.
You wont have to ask where to go.
There is just one direction in Salinas on
rodeo day. Follow the jolly crowd that
jostles its way to the bleachers standing
on the floor of the cool, green valley that
stretches away to misty hills As pretty a
piece of land as God ever lay his hand to '
T ▼ T
DiRKCTLY in front of the grandstand
the halt-mile track circles a fenced
in arena . . the stage upon which the
"great epic drama of the West " is pre-
sented annually. Beyond the stout pad-
dock fences the animal actors mill and
snort as though impatient for their cue
to buck and bow their backs for the ap-
proval of the expectant onlookers
Suddenly, from behind a row of euca-
lyptus trees on a low rise of ground in
the near distance, the rest of the cast
appears. A great silent tile of cowboys
and cowgirls riding in pairs mounted on
horses of every hue.
Broad brimmed sombreros. Chapps.
(Editor's Note: This verse, first published in
Roosevelt's time by a writer using the name of
"Rorodore Theovclt," has become part of
rodeo lore and is recited or chanted in cowboy
style at all rodeo campfires. The form given
here is that used on the program of the last
Salinas Rodeo.)
'TheJ> Cowboi/'<) 'Keturn^
Backwafd, turn backward, oh Time,
with your wheels,
Aeroplanes, wagons and automobiles
Dress me once more in sombrero that
flaps,
Spurs, and a flannel shirt, slicker and
chaps.
Put a six-shooter or two in my hand.
Show me a yearling to rope and to
brand,
Out where the sage brush is dusty and
gray.
Make me a cowboy again tor a day.
Give me a broncho that knows how
to dance.
Buckskin of color and wicked of
glance.
New to the feeling of bridles and bits.
Give me a quirt that will sting where
it hits.
Strap on the poncho behind in a roll.
Pass me the lariat, dear to my soul.
Over the trail let me gallop away,
Make me a cowboy again for a day.
Thunder ot hoofs on the range as I
ride.
Hissing of iron, and smoking ot hide
Bellow ot cattle and snort ot cayuse.
Shorthorns from Texas as wild as the
deuce.
Midnight stampede, and the milling
of herds.
Yells of the cowmen too angry for
words.
Right in the thick of it all I would
stay.
Make me a cowboy again for a day.
Under the star-studded canopy vast,
Campfire and cofi^ee and comfort at
last,
(Bacon that sizzles and crisps in the
pan
After the roundup smells good to a
man.)
Stories of ranchers and rustlers retold.
Over the pipes as the embers grow
cold—
These are the tunes that old meinories
play
Oh, make me a cowboy again for a
day.
Gaudy shirts ; blue, green, scarlet, purple.
Rainbowed kerchiefs Dainty heeled
boots with bright stitching Horses
groomed until they shine like satin.
Saddles: hand-tooled, inlaid with silver
medallions that flash in the sun.
The clamp of bits, retch of leather and
soft jingle of spurs.
Cowmen and wonien on parade ! Sons
and daughters of those men who rode
with the thousands of head of cattle
from the Texas Panhandle over the
Chisholm trail to Abelene.
Why is it that this pageant of riders
has the power to dim our eyes with quick
tears and cause our throats to contract?
Is it the grace and gameness of them
. . . the cleanness of them? Is it because
we realize their modest bravery? Is it
because, like the Indian, they represent
something splendid that is dying . . .
something that the pressure of a new age
is crowding out ot the scheme of things?
Watch them now. Businesslike for all
their gay trappings. There's work to be
done and they know the full measure of
the day's duties. Relays to be run. Creak-
ing old stage coaches to be managed.
Wild steers to be roped. Famous bucking
horses and bulls to be mastered. Trick
riding and tancy roping to please the
eager spectators many of whom regard
the whole show as a picturesque open-air
circus little reckoning the risks they run
or the sudden skill with which tragedy
is avoided.
▼ T T
SCAN your program It's a sober humor
that prompts the naming of the un-
broken horses. Dynamite, Skyrocket,
Cyclone, Monkey Wrench, Grave Dig-
ger, Windmill, Flying Devil, Leather-
neck. They II give you your money's
worth of thrills while the buckaroo
aboard flirts with Death. Should he lose
the skirmish and a limp, broken body be
carried otf the field his comrades will
ride all the harder and the band play
louder and faster to make you forget
that after all a rodeo is a grim business.
They only want you to enjoy their
brilliant costumes, the beauty of their
mounts and the ability with which they
ride and rope and race. They'll do the
worrying about the danger of it all. And
if a horse should fall in a grotesque
manner and the crowd laugh the thrown
cowboy will laugh too. He wouldn't
want you to know of the pain in his
wrenched back. And if the doctors in the
first aid tent will let him he'll ride again
for your pleasure reserving the pain for
Continued on page }g
JULY, 1928
23
From the etching by Edward Borein
24
THE SAN FRANCISCAN
The daugliler oj Jlr. and Jlrs. Horace D. PilLfbury. Reproduced especially jor The San Franciscan
Jrom the portrait by the Spanish artist, Jose Moya del Pino
JULY, 1928
The Reigning Dynasty
25
WEDDINGS
June h, Miss Kathleen Mu^ut, dauKhuT of Mrs
Clarence H, Musto of San Francisco, to Dr Kdmund j.
Morrissey, son of Mr. and Mrs, Patrick Morrissey of
San Francisco,
June '^l Miss Agnes von Adelung, dauRhrcr of Dr and
Mrs. Bdward von Adelung of Pictlrnont , to Mr Charles
A, Nohle, Jr , son of Professor and Mrs Charles A.
Nohk- of Berkeley
June *^^ Miss Anne Dorothea Nagel, daughter of Mr
and Mrs Charles Nagel of St, Louis. Mo., to Mr \Vil-
liam Leiand Barrett, son of Mr. and Mrs. Charles
Barrett of San Francisco. At Christ Church Cathedral,
St Louis
June 12 Miss Margaret Turner Partridge, daughter
of Mrs. E, B. Partridge of San Francisco, to Mr Ralph
Edward Pcarce, son of Mr. and Mrs. C. C. Pearce of
Spring Lake. New Jersey.
June 14 Miss Nettie Sexton Long, daughter of Mr.
and Mrs Percy V. Long of San Francisco, to Mr, Stoke-
ley Wilson, son of the late Dr, and Mrs. Frank P. Wilson
of San Francisco
June 23 Miss Cynthia Boyd, daughter of Mrs, George
Boyd of San Rafael, to Mr, John J Hollister of Santa
Barbara,
June 2t:i Miss Lucy Anderson, daughter of Mr. and
Mrs Thomas H Anderson of San f-rancisco, ttt Stanley
Stillman. son of Dr. and Mrs, T Stanley Stillman of
San Francisco.
June 2p. Miss Dorothy Burns, daughter of Mr. and
Mrs, Paul M. Burns of San Francisco, to Mr. Alfred
Hammersmith, son of Mrs. Alfred Hammersmith of
San Francisco,
Miss Jacqueline Johnson, daughter of Dr. and Mrs
Llewellyn Johnson of Stockton, to Lieutenant Atherton
Macondray, son of Mrs. William Otis Edmands
June 28. Mrs Jean Wheeler White, daughter of Mr.
and Mrs, Charles Stetson Wheeler of San Francisco, to
Mr, Robert A Chambers of New York. In New York.
ENGAGEMENTS
McCANN-BICELOW. Miss Jane Potter McCann-
daughter of the late Mr and Mrs William D McCann-
to Winsor Drury Bigelow. son of Mr. J. E. Bigelow of
San Francisco.
ROBERTS-ROUNTREE, Miss Jeanette Roberts,
daughter of Mr. John T. Roberts of Piedmont, and the
late Mrs Roberts, to Walter Sage Rountree, son of Mr.
and Mrs. Walter Benjamin Rountree of San Francisaj.
VISITORS ENTERTAINED
Mrs. Caesar Hawkins of England, entertained at a tea
given by Mrs Empey Robertson.
Miss Janet Coleman of New York, entertained at a
luncheon at the Francisca Club given by Miss Edith
Slack
Mrs Robert Greer of Seattle, guest of honor at a
luncheon given at the Woman s Athletic Club by Mrs,
Edward Erie Brownell
Mrs Alice Ames Robbins of New York, honored at a
tea given by Mrs Alden Ames
Mrs Charlemagne Tower of Philadelphia, entertained
by Mrs. Leroy Harvey.
Mrs, Edward Shearon of New York, guest of Mr. and
Mrs Daniel C Jackling. entertained at dinner by Mr.
and Mrs John S Drum
Mr and Mrs William O Molony of Geneva, enter-
tained at luncheon at the Menlo Country Club by Miss
Florence Faxon
Mrs Hobart Prince of New York, entertained by Mr.
and Mrs Walter Scott Hobart Jr at Pebble Beach.
The Earl of Altamont, entertained by Mr and Mrs.
Joseph D Grant and Miss Josephine Grant at the Grant
home at Pebble Beach
Mrs Richard Hudnut of New York and Juan-les-
Pines, France, guest of Mr. and Mrs R F, Oakes.
Colonel and Mrs, William Stephenson of New York,
entertained at dinner by Major and Mrs. Haldimand
Putnam Young
Mrs Lawrence Metcalfe Symmesof New York, visit-
ing with Mr. and Mrs Ralston White at Mill Valley.
Mrs. Theodore Tuttle Smart of Portland, visiting
with Mrs William Hinckley Taylor
Dr and Mrs Lewis Smith of England, guests of honor
at a dinner given at Orinda Country Club by Mr. and
Mrs E, I de Laveaga
Mr and Mrs Woodworth Selfridge of Los Ang. les,
visiting Mr and Mrs Russell Selfridge in San Mateo.
Mrs Sydney Cloman of Philadelphia and Mrs Wilson
Pritchett, visiting Mr and Mrs George T Cameron in
Burlingame,
Mrs Thomas Joyce of New York, visiting with Mr,
and Mrs Walter Martin in Burlingame
Miss Jean Ferris of London, entertained by Mrs.
Rudolph Spreckels and Miss Claudine Spreckels at
Sobre Vista
HERE AND THERE
I'lrst concert of the Philharmonic Society of San
Mateo, given on June 24 at the Woodland Theater,
Hillsborough^ Followed by a tea given at the Sun
Mateo Polo C lub by Mr, and Mrs Charles BIyth in
honor of Mr Albert Coaics. visiting English amducior.
Menlo Park Circus, on June 30. followed by three
aays ol pf)lo games and ending on July 4 with an
amateur racing meet, also held on the ground* of the
Circus Club
Mrs Frank Tirnbcrlakc gave a luncheon at the
Woman s Athletic Club in honor of Miss Louise Bur-
mistcr. hancee of Jeffrey Kendall Armshy,
Mr, and Mrs, George A, Newhall celebrated their
twenty-hfth wedding annivcrsarv with a luncheon and
garden party at the Newhall home in Burlingame on
June 17. One hundred guests were in attendance,
Mrs, Frederick Husscy, given a luncham by Mrs.
Albert Simpson of Burlingame previous to Mrs
Hussey's departure for the East.
Mr and Mrs Nion Tucker, guests of honor at a din-
ner given by Mr. and Mrs Clifford Weatherwa.^ at the
Burlingame Country C:iub.
Miss Helene Lundborg elected to president of the San
brancisco branch of the Junior League. Miss Martha
Ransome and Mrs, Vincent Butler Jr.. added to the
Board of Directors.
Miss California Bruner. entertained at luncheon in
honor of Miss Frances Stent just before the latter s de-
parture for Europe Miss Stent was also entertained by
Miss Eleanor Weir.
Mr and Mrs Thomas Eastland gave a luncheon at
their home in Burlingame in honor of Colonel Charles A.
Lindbergh
A bridge tea was given at the Woman's Athletic Club
by Miss Mildred Long in honor of her sister. Miss Nettie
Long, now Mrs Stokeley Wilson.
Miss Ethel Barrymore was a week-end guest at the
home of Mr and Mrs Bulkly Wells at Mt Diablo
Mr and Mrs T B Crane have returned to San Fran-
cisco and arc, at the Palace Hotel Mr and Mrs. Crane
have been abroad more than a year.
Mr and Mrs John S Drum are now at Lake Tahoe
for the summer They entertained a large house party
over July 4,
Formal opening of the new Meadow Club in San
Rafael took place June 9, Many dinner parties were part
of the inaugural festivities
Mr and Mrs. Silas Palmer celebrated the twenty-fifth
anniversary of their marriage by giving a garden party
at their summer home in Menlo Park Two hundred
guests attended.
Mr. and Mrs. Lawrence Harris gave a barbecue at
their summer home at Woodside attended by all of the
residents of the summer colony.
Miss Cynthia Boyd, and her fiance, Mr. John J. Hol-
lister, honored at a week-end party given at Bolinas by
Mr. and Mrs. Aimer Newhall. Mr. and Mrs. Benjamin
Foster of San Rafael gave a Sunday evening supper
party for Miss Boyd and her fiance at the Foster ranch
in Sonoma county.
Mr. and Mrs. Erie Osborne (Cecile Brooke) have re-
turned from their European honeymoon and are at the
home of Mrs. Osborne's parents, Mr. and Mrs. John
Franklin Brooke.
A bridge tea was given at the country home of Mr.
and Mrs, John G. Sutton of Menlo Park for the benefit
of the Emergency Fund of the Doctors' Daughters.
Mrs. Ernest Leopold Heebner of New York is visiting
in California this summer and is occupying the home of
her mother, the late Mrs. Eugene Breese, on Washing-
ton street.
Mr. and Mrs, William Roth entertained with a large
buffet dinner at their summer home in Woodside, the
occasion celebrating the fourteenth anniversary of their
wedding.
Mr. George A. NeA'hall Jr. entertained at dinner at
Tait's-at-the-Beach in honor of Miss Alice Helen East-
land, debutante daughter of Mr. and Mrs. Thomas
Eastland.
Monday luncheon at the Hotel St. Francis assembles
smart groups from Burlingame and town each week.
Among the constant attendants at this weekly gathering
are Mrs. Jerd Sullivan, Miss Francis Ames, Mrs. Linsay
Howard, Mr«. Bliw Kueknr. Mm. Alfr#'H Mi'nrlrirk«on.
Mrfi. Jairifw Jankrnan. Mr«. Edrniinflu r ^•■"
Helen Oarritt, Mr*. Kichard flcinuinn. ':
Murphy. Miw* Clniidtn*- .SprcckcJH, .\Ir»i '.
bone, Mrs. Kudolph Hpn.rkcl«. Miwi l),„. ;.,„
Mrs. Warren Clark. Minn Marianne Cwwerly nnd Mnl
retcr Heaver, among otherfi.
SAN FRANCISCANS IN THE SOUTHLAND
Mrs George M Lowrey of Burlingame has taken
aniage at Santa Barbara for a month
Mr. and Mrs Alan Clinc and iheir daughter arc visit-
ing in Los Angeles, during late June and July,
Mr and Mrs Samuel Knight r.f Burlmgame will pass
the summer months in Santa Barbara where rhcy will
occupy the home of Mrs Edith Newlands Johnv.n
Mr and Mrs Webster Jones arc visit ing at the Bik-
more in Santa Barbara for several weeks
Mrs Rcnnic P Schwerin is at El Miramar Santa
Barbara, for a month s visit.
Mr and Mrs Leigh Syphcr of San Mateo will pass the
summer m Santa Barbara.
Mrs Randall Hunt is the house guest of her daughter
Mrs H Kent Hewitt, wife of C^immander Hewitt of the
U S S California. Cx)mmandcr and Mrs Hewitt make
their home in Los Angeles
Mrs Eleanor Doe will spend the summer in Santa
Barbara Her son-in-law and daughter. Mr and Mrs,
Geoffrey Stuart Courtney of Santa Barbara, arc on a
trip to South Africa
Mr and Mrs Thomas Alexander I£ast of Berkeley
have been visitors in Los Angeles during the month of
June.
Mr and Mrs Richard \ leimann have taken a house
in Montecito for the months of July and August.
Mrs. George Thierhach will he at the San Ysidro
Ranch during July Others who will be in Santa Barbara
and the vicinity this summer include Mr and Mrs,
Lewis Carpenter and their familv. Mr and Mrs. Ed-
munds Lyman. Mr and Mrs Redmond Stephens and
Mrs, Ruth Fisher.
SAN FRANCISCANS IN NEW YORK
Mrs. Roy Bishop is in New York, having made the
trip East by way of the Panama Canal.
Mr and Mrs, William S, Kuhn will visit in Chicago.
Southampton. Pittsburgh and New York this summer,
visiting relatives.
Mr and Mrs. Ross Ambler Curran are visiting in New
York and Cambridge In C^ambridge they attended the
graduation of Mrs Curran's son. Clarence Post lev. from
Harvard.
Mrs Clement Tobin was in New York for a brief
period before sailing for Europe
Mrs Adolph Spreckels entertained at dinner at the
Ritz recently where her guests included several Call-
fornians. also Madame de Gama
Mr. and Mrs Ralph Ellis of Berkeley are spending
the summer at their country place at Jericho, on Long
Island.
Mrs. Warren OIney Jr . accompanied by Miss Con-
stance Olney and Miss Florence Olney. is in New York
for a month.
Mr and Mrs Timothy Hopkins are in New York
after a long cruise around the world and are at the St.
Regis.
Mrs Berrien .'\nderson is visiting in New York and
b^ing honored at a number of luncheons and dinners-
Mrs Prentis Cobb Hale visited in New York and
Lawrenceville where her son graduated from prepara-
tory school.
Miss Aileen Tobjn and Miss J anet McCook Whitman
were bridesmaids at the wedding of Miss Frances
Tenney of New York to G. Morgan Browne,
The Honorable Barbara Bagot. who spent much time
in San Francisco and San Rafael last summer, is in New-
York with her mother. Lady Bagot. visiting at the home
of Lady Bagot s brother. Colonel Henry May. on Long
Island
Mrs George Pope of Burlingame was at the Plaza for
a visit before sailing for Europe
Mrs Albert Ehrman of San Francisco is a guest at
the St. Regis during her stay in New York.
Jeffery Armsby of Burlingame was in New York in
June and was usher at the wedding of Miss Angela
Stevenson to Lewis McComb Herzog at St. Thomas s
Church,
Mr and Mrs Laiwence Fck Jr. spent two weeks in
New York late in June.
SAN FRANCISCANS ABROAD
Mr and Mrs Danforth Boardman and Vliss Kate
Boardman and Mrs Boardman s sister, Mrs. Alexander
Keyes. are at Biarritz
Mr and Mrs St, John McCormick and Miss Virginia
Crossett are in Madrid where they are being entertained
by relatives. Mr. and Mrs Louis Cebrian.
'Mr. and Mrs. J O. Tobin. Mrs, Thomas Magee and
Thomas Magee 3rd were also in Madrid at last accounts.
Continued on page 33
26
THE SAN FRANCISCAN
Tin Types
David C. Broderick, the Senator from California
By ZOE A. BATTU
UPON the death, as the outcome
of a ducl.ot David C. Brode-
rick, early Calitornia senator,
a San Francisco editorial writer asked,
"What was this man's crime? What
child did he rob? What widow did he
plunder? " The question was the query
ot a man, who like the slain Broderick,
saw clearly beyond the hysteria of the
hour Broderick in his career was charged
with every high crime on the political
calendar Nay, he admitted the crimes
with which he was charged The public
had seen the ways ot his practices Yet
at the hour of his death, the same public
perceived that he had committed no
crime at all, save that of speaking too
realistically obvious and unpleasant
truths; that of rending too violently
outworn sentimentalities Such was the
paradox, the strange contradition of
Brodcrick's whole life.
The man was originally active in the
politics of New York, where he was
born as the son of an Irish family in
lowly, modest circumstances. His father
was a stone cutter and as a boy Brode-
rick learned the same trade. But the
craft of stone cutting held no lure for the
youth As a mere adolescent politics
claimed his attention and he abondoned
his trade to join the New York city fire
department. This was in the days before
science and efficiency were known to fire
departments A man rose in their ranks
and won his spurs by his dashing reck-
lessness in action and by his fistic powers
to lay low all who might block his path.
Broderick quickly demonstrated that in
both respects his abilities were of a
superior order and shortly he ruled as
chief of an East Side engine company.
This position gave the young man
entrance into ward politics and it was
not long before he left the fire depart-
ment to busy himself with the affairs of
the 69th Ward and win a name in
Tammany Hall circles. When he was
barely 21 years old Broderick was elected
to the New York city council from the
69th Ward. There had now taken sub-
stance in his mind the ambition that
was never to leave him during his
earthly existence — that of occupying a
seat in the United States Senate.
To supply funds necessary for his
pohtical life Broderick established an
East Side saloon. Of his own wares,
however, he was never known to touch
a drop. His personal habits were frugal
and exemplary to the point of asceticism.
He wasted neither the substance of his
mind, his body nor his purse on frivol-
ity, dissipation, profligate companions
nor anyone of the female sex. His im-
mediate family died while he was in his
teens and he made few intimates among
his associates He found satisfactory
diversion in living with his ambitions
and preparing himself to fulfill them.
Every available hour was spent in the
study of law, economics, history and
the classics of literature. His living
quarters were above his saloon, and not
infrequently of an evening, Broderick
would be called down to oust some in-
toxicated rowdy. The inebriate having
been bounced by his powerful right
arm, Broderick would hasten back to
his books and classics.
▼ ▼ T
UPON completion of his term in the
city council Broderick was candi-
date to the United States Senate from
New York. He was defeated and some
irregularity in this campaign definitely
closed his Eastern political career and
swept away his financial resources.
Whereupon Broderick departed for Cali-
fornia arriving in San Francisco in the
fall of 1S49 and at the height of the
gold rush period. With a borrowed capi-
tal of $3500 he entered into a partnership
with one named Kohler and the pair
opened a combination assayoffice, jewelry
making and coin minting establishment.
The jewelry department was gener-
ously patronized by the innumerable
women of commerce within the city and
did a flourishing business. The minting
department secured several contracts to
make coins for banks, then busily en-
gaged in putting private coinage into
circulation. This last activity was highly
profitable, for merchants, banks and
citizens were vainly struggling to keep
their accounts straight, while employing
loose gold and nuggets as mediums of
exchange. Broderick's $10.00 slugs,
clumsy as they were, considerably sim-
plified the problems of doing business
on the basis of so many ounces of gold
dust for three fingers of whisky, a restau-
rant meal, a miner's pick or other needed
commodities. The coin maker was, ac-
cordingly hailed as a substantial, pro-
gressive citizen and was soon on the
high road to fortune.
For the moment Broderick had had to
lay aside his ambition of a senate seat,
but he had in nowise forgotten it. One
hand was occupied with money making;
the other with things political. Within
a few months of his arrival in San Fran-
cisco Broderick organized a much needed
fire department He found time to apply ,
himself to building up a political ma- ;
chine and in barely a year his control of
city affairs was practically undisputed. I
In Sacramento, in the legislature and in '.
the state Democratic party he also j
created a powerful following. At the |
hour his financial affairs warranted it, |
Broderick disposed ot his manufacturing li
interests and devoted himself solely to ,
politics. He had made a number of i
fortunate real estate investments and j
the income from these supplied funds '
for all political emergencies. ^
T T T
HIS methods in San Francisco and .|
throughout his career were bra- [
zenly unscrupulous and ruthless, but
quite without hypocrisy. His ends hen
always held as constructively worthy, 1
and in principle, it must be admitted .|
that they usually were so. A man would .]
go to him seeking a certain office —
judge, tax collector, chief of police, as
the case might be. If Broderick were
satisfied with the applicant, he agreed
to see that he obtained the desired office.
If the post were an elective one, Brode-
rick had no scruples about seeing that
the required votes were obtained by pur-
chase, by intimidation of opposition
votes and ballot box stuffing. Proceeds,
gained from padded accounts, money
for private "services" and like dubious
devices were split equally between the
two men.
That these methods were reprehensible
Broderick was the first to openly admit.
But his end was the important thing to
be gained at all costs. Realist that he
was, he wasted no energy bewailing the
discrepancy between the aim to be
realized and the means available by
which to realize it. He seized whatever
means presented themselves. Without
illusions or apologies were the public
policies of this man of righteous, almost
puritanical personal ways. Those who
embraced and profited by his views fol-
lowed him with the unquestioning devo-
tion of so many dogs. For all his grim,
humorless, forbidding manner Broderick
had that quality of leadership which
never fails to attract lesser men to do the
bidding ot a stronger mind. This devo-
tion he rewarded with suitable spoils
and it was said of Broderick that he
rarely broke an election promise.
Continued on page 29
JULY, 1928
27
Out Of Wonderland
With Notes on the Rude Awakeing of Too Eager Speculators
By COVINGTON JANIN
THE dance halls of the North Beach,
the restaurants, and the streets of
San Francisco at large echo the
strainsof a popular tune called poignantly
enough, "The song is ended" — to which
however, is more happily addended —
"The melody lingers on." It is a song of
disarranged hopes, of new castles rudely
tumbled before they could be lived in . . .
3. song of material happiness unfolded for
a brief moment before eyes unused to the
apparition of sudden wealth — then
snatched away. It is a song that told of
an easy way to wealth through an over-
night holding of the stocks of Giannini's
magic corporations, which could not go
down.
The singer of this wild and stirring
melody was a vague and undefined being
called, afterwards, the Speculator, who
upon unkind analysis becomes almost
anyone of us — the investing public.
And the piper who eventually was paid
for this frenzied lay of enchantment was,
oddly enough, the same indistinct per-
sonage; for it is obvious that whatever
anyone lost in the precipitous tumble of
the Giannini stocks, some earlier and
more fortunate buyers had made and
converted into cash.
No one really cares very much how it
all started, for after all the damage is
already done. In view of the long and
almost unchecked course of these stocks
upwards and Mr. Giannini's frequent
statements that they were selling at
ridiculously inflated prices the majority
, of buyers of Bank of Italy and Bancitaly,
1 and Bank of America and Security Bank
stock for many weeks would readily
i have told any close friend, — "Of course
i I think it is too high, but what good
I stocks, in this market, are not? Besides,
1 everyone says it is going higher."
I The stock purchased at very nearly
■, the top price was usually bought from
some former buyer who, sufficiently
! dazzled by his new wealth, sold out and
\ pocketed his profit. Later on he probably
i called himself a fool for selling out too
. soon, and bought back his stock at a
. still higher price, consequently allowing
the second purchaser, who at this point
was going through the same mental
sequence, to collect an eminently satis-
factory gain for himself.
The chief characteristic of the Giannini
I stocks in the past has been, quite ob-
1 viously, that everybody wanted to buy
! and nobody wanted to sell. There cer-
i tainly could be found no one on the hori-
' zon who was brave enough, or demented
enough to sell these stocks short in face
of the overwhelming public demand.
Prices could go only one way upwards.
It was in effect something like a game
played by three persons who could not see
each other, each selling something to the
other in rotation, every time at a higher
price. Let one drop out and the chain is
broken. Like Florida real estate several
years ago the last purchaser pays an ex-
orbitantly high price, and no subsequent
purchaser can be found who will pay
him anything like an equal amount of
money. t t t
BECAUSE of the almost irristible pro-
clivity of the average human mind to
personify a complex abstraction of forces
the Street buzzes with loose talk of un-
friendly and jealous "Interests" in Wall
Street, or summons the potent ghost of
a mythical Jesse Livermorc, clothed in
the foul and shaggy coat of the bear
raider. The wholly natural malignity of
the big looset fastens itself at random
upon an individual, a bank, a broker as
the cause of the cataclysm. Several car-
loads of statistics could probably be col-
lected to prove that a sudden and over-
whelming financial loss can produce
more hysterical and illogical thinking
than ever was reflected upon the unfortu-
nate New England witches in their most
unhappy days.
Once the break had started — Giannini
stocks had fallen 20 to 35 points in New
York before the frantic and tremendous
opening of the Exchange in San Fran-
cisco, where most of the stocks were
held — neither logic, or loyalty to Gian-
nini, nor any other lesser cause could
stop it from going much further. Hun-
dreds of people simply had to sell. Buyers
could not be mustered so quickly, nor
would they commit themselves readily,
now that the price movement was ob-
viously downward. Stop-loss orders,
which have the effect of dumping stock
at any price when the "stop-loss" limit
is reached, precipitated the selling of
those who had predicated their long
paper profits into Lincolns and Packards
and houses and jewelry. Margin clerk
selling-out of unfortunate speculators
whose entire wealth had been obliterated
in the general stampede in all prices
which followed the rout of the Giannini
stocks, and lastly the mysterious "escrow
stock," all operated to simply swamp
the market with selling orders. It is to be
wondered that Bank of Italy eventually
stopped at 125, against the previous
day's close at 285 and one wonders
where the sufficient buying orders came
from to balance the great volume of stock
to be sold "at the market."
According to the concensus of opinion
the forced selling of "escrow stock" was
primarily to blame for the greater part
of the fall. Before June 11 the word
"escrow" would have evoked in the
mind of the average householder practi-
cally no impression at all An escrow
agreement is simply an arrangement
between a person who has money to
lend and another person who wishes to
borrow money to buy something, both
parties jointly employing a bank as
trustee to guarantee each against deceit
or loss. The stock bought is held by the
trustee as security and the trustee is
authorized to sell in case the money of
the lender becomes endangered. A
twenty point drop was the basis of most
selling arrangements, so that when the
violent New York market drop had
already made even lower prices inevit-
able locally a great volume of this stock
had to be sold "at the opening" of the
San Francisco market.
T T T
ON THE Black Monday of June 11,
the banking and brokerage district
provided a spectacle which was hardly
equalled even by the historic day when
war was declared against Germany. E.x-
cited and bewildered men and women
gathered and gesticulated in swarming
groups outside of stock brokerage offices.
There was little need of going inside, for
quotations were relayed with violent fre-
quency the length of the financial district,
only to be met with new ones from some
more distant ticker. The gallery of the
San Francisco Stock Exchange was
closed to visitors. Brokerage houses sta-
tioned special policemen at their doors to
keep out those who had no other busi-
ness than to watch, with a sort of in-
duced terror, the precipitous dropping
and changing of prices. The new "trans-
lux" illuminated and magnified ticker
tapes outbid every moving picture reel
out of FloUywood, both for audience
and thrills produced per inch of celluloid.
Finally the hysteria of the movement
subsided somewhat, most of the "dis-
tress selling" was over, and comparative
Concinued on page 40
2S
r
\V RAPHAEL WEILL 8 COMPANY
\No\VltCanB4T(lild
^
NONE of US have yet reached the place
where \vc can speak with compo-
sure of a week end trip to Honolulu hy
plane. But the days when one spoke with
hated breath of a sky-trip to the Atlantic
sea coast are long past And many of us
are taking advantage of convenient air
routes that bring Western cities close: by
dozens ot hours.
A LL of which means that travel by
jL\. air has become an established fact
and as such calls for specialized costum-
ing (a truth not as frivolous as it sounds) .
THE best guide is the code of the day,
nonchalance! So when the woman of
now decides overnight to keep a luncheon
engagement two hundred miles away
from wherever she happens to be at the
moment she would feel decidedly out of
touch with the times it she allowed her-
self to make excited preparations. Per-
haps her nerves are tingling with excite-
ment, but this is a representative picture
of what she actually does.
THE lightest, most compact luggage
she possesses is packed as frugally as
possible. For a fortnight's visit or longer
a 28 or 30 inch taxi trunk that comes
under the classification of hand luggage,
built of almost feather light wood and
tough fabricoid covering, is the logical
choice. A zipper pouch or bag holds all
that is necessary for chic week ending.
So much for the luggage . . a very
simple matter, as it should be. And
the traveling costume is just as unaffected.
One of the chief joys of air travel for the
feminine voyager is that the dress she
plans to wear on arrival may be worn en-
route! In this particular case a black and
yellow jacket ensemble is unquestionably
correct, with a little buttercup yellow
collar of crepe-de-Chine and lace as deli-
cate advertisement for the vogue of
femininity. The small print is decidedly of
the moment . . the color harmony is de-
clared a summer success by no less an
authority than Vogue.
All important details, because the pas-
senger must be as smart as the manner in
which she travels. This costume, when
completed by a very necessary top coat
of warm tweed in muted reddish brown
checks, with deliciously soft beaver on
the raised collar and wide cutfs and the
inevitable close fitting felt hat, (prefer-
ably Knapp-felt) meets the occasion with
almost dramatic suitability.
BUT, if you aspire to really pilot a
ship, the piece de resistance of femi-
nine aviators is the Aviatrix Ensemble
Fascinatingly new, it makes the most of
its unique opportunity for boyish trim-
ness and practical smartness Either
knickers or long, loose trousers, with the
most debonair of fitted coats and hel-
mets, are made entirely of supple glove
leather in red, brown or green.
THOSE faint hearts who have yet to
sail the currents of the air will find
their timidity give way before these im-
pressively modern outfits. Thus The
White House plays its part in the shift-
ing panorama of progress.
ADVERTISEMENT
THE SAN FRANCISCAN
Marco Polo
Continued from page 1 2
mountains and listened to the words
of a bandit, whose father and his
father before him were most successful
bandits You have sacrificed your years
for the satisfaction of one little ig-
noble emotion, curiosity. You haven't
lived, you've observed. That is all.
Why did you come back' Surely not
to pace about this dungeon like a
madman and to plague me with your
recollections. No. You came back
because of another emotion, more
ignoble than curiosity. Bragadoccio.
You could not die without telling.
The magnificence meant nothing to
you. You do not know the value of
rubies. You only know how they
widen the eyes of other people. You've
spent the years of your lite watching
the others and forgot to live yourself.
Polo; You are right I've had no per-
sonal life. But 1 am a man with a
mission greater than personal things.
A man's work, that is the important
thing. 1 shall live for centuries
Scribe: You are greater than personal in-
terests, still you are vain that you will
live for centuries. Why, brother . . .
Polo; {interrupting him rudely) Yes,
yes. Now we shall write about the
province where musk is found, namely
Erginul. This country consists chiefly
of idolaters and Mohamedans.
{The scribe bends to his scribbling
Sloivly a sly smile curls his lips. Polo
paces up and down dictating in a
loud, important voice. Suddenly he
stops and says:) Read that last to mc,
{The scribe rises and makes much
formality of straightening his papers
When at last he reads his voice is
soft and whimsical .)
Scribe; Marco Polo, you are mad.
Everyone is mad about something.
The musician about music. The
dancer about the dance The painter
about color and the philosopher about
thought. The world worships these
madmen.
The truly wise are like me. At birth
1 realized the futility of ambition, of
enthusiasm, of creeds. The truly wise
are lazy, for they know the craziness
of effort It takes a sturdy courage to
remain aloof from the world. It takes '
a stout courage and also a deal of'
wisdom to be lazy and laugh when j
the rest of the world is busy eulogizing I
tears and endeavoring to make life j
important and solemn. The wise are
born bored. They realize it isn't im-
portant.
The difference between you and mc,
Marco Polo, is simply this. 1 am a 1
wise man, for I know that nothing!
really matters. You are foolish and ;
a bore, for you think that everything '
matters !
JULY, 1928
29
Tin Types
, Continued from page 2(i
'! About 1S53 Broderick was elected
; ./v. CO the state senate and his greater
: aim now seemed within tangible reach.
I But it was not gained until 1857 ^nd
' only by dint of a terrific struggle.
. Broderick's great opponent was William
Gwin, who had been senator from Cali-
j fornia since 1S50 and desired re-election
j together with a colleague favoring his
• own views, which were decidedly pro
slavery. Gwin was a politician of the
: Southern school, able, suave, experi-
enced, diametrically opposite by birth,
I training and tradition to the rough and
I tumble graduate of Tammany. The con-
test between the rivals became a pitched
battle of daring, high-handed tactics.
It was only when they saw the Demo-
. cratic party hopelessly split by their
wrangling, that Gwin and Broderick
[ came together and struck a bargain.
Gwin could not gain re-election with-
! out the votes Broderick controlled.
Broderick could not win his coveted
senate seat without the votes Gwin
controlled. One agreed to support the
other that both might win. The docu-
ment to this pact, suggested by Brode-
rick, issued from Gwin's hand. It later
gained notoriety as The Scarlet Letter.
j Misfortune and misunderstanding fol-
I lowed Broderick into the United States
Senate. President Buchanan, a Northern
man of Southern sympathies and inti-
I mate of Gwin received the junior Cali-
fornia senator insolently and rudely. In
: the greviously devisive issue of the
Kansas-Nebraska Bill and the discussion
over slavery, which flared out during
Broderick's second year in office, he set
, himself solidly and alone against any
' further extension of slave territory.
Gwin was openly pro-slavery. Both
i houses of Congress favored any compro-
' mise measure that would save the peace
.■ of the nation Broderick, bringing disa-
greeable facts and figures to prove his
contentions, stoutly championed and
glorified the cause of free labor, as
, against slave labor. For his uncompro-
; mising attitude he was roundly reviled.
For his sharp, penetrating analyses and
; observations on the questions of^ the day
and his annihilation of sacred and vene-
rated, of tottering traditions, his col-
leagues denounced him as crude and un-
couth. The aloneness and isolation of
the man were truly pitiful.
IN 1859 Gwin and Broderick returned
to California to rally their neglected
home machines. Both entered upon a
state-wide speaking tour, and each sav-
agely thrust at and denounced the senate
actions and policies of the other. At a
psychological moment Broderick re-
vealed the existence and the nature of
NEW TRAVEL COATS
in
Llama cloth — from the Andes
Tweeds — from the Highlands
^69.50/^*79.50
The Llama Cloth is absolutely without dye — in natural-rock color and Ox-
ford gray like mountain dusks. It comes in a lovely open basket weave with
a pile like a bloom. The tweeds are in the new beige which the French call
"toast,"in some cases shot with brown or combined with orange. Occasionally
the selvage has been used as trimming. Racoon and beaver are the furs used.
City of Paris Coat Salon — Third Floor
30
THE SAN FRANCISCAN
J[^mited
^3
Gi.oRiFviNG Nob Hill, PARK LANE is conceded, if you
please, to stand supreme among San Franciscans on account
of its "LIMITED" number of apartments. It is large enough to
express "quality" and "service" but "limited" in the number or
apartments.
Apartments, five to eight rooms,
unfurnished and furnished {in-
comparably) $2^0 up. Leasing
now. Occupancy immediately.
Eugene N. Fritz, Jr., Managing Owner
1100 Sacramento Street {corner of Mason)
NOB HILL
The Scarlet Letter. Knowledge of this
document threw press and public into a
furore of printed and verbal combat.
The rage of Broderick's opponents rose
to an intense pitch. It became plain that
the man's enemies were determined to
do away with him. By a series of
maneuvers he was forced into a position
where he laid himself open to receiving
achallenge to aducl, which could not well
be ignored. His challenger was David S.
Terry, e.\-justice ot the State Supreme
Court and at one time a stanch ally of
Brodcrick.
Broderick and Terry met on the morn-
ing of September 13, 1S59 in the Marin
County hills. Broderick was certainly no
coward nor amateur with firearms, but
he was in no shape for such a contest.
He rose from a sick bed to keep the
fatal engagement. Moreover, the duell-
ing pistols were of foreign make, un-
familiar to Broderick but familiar to
Terry. Broderick's pistol went off pre-
maturely and the bullet bored into the
ground a few feet away from him, while
Terry's struck a mortal wound in Brode-
rick's breast, from which he died two
days' later.
Few men of San Francisco have been
mourned as sincerely and deeply as
David C. Broderick. His death made
him the hero of the hour. San Francisco
rose almost as a body to sorrow at his
untimely passing and to ask herself,
"What was this man's crime?" A query
for which there is perhaps no answer.
Heights Plus Towers
Continued from page 18
ofl, is by no means improbable. Air ports
for passenger and freight craft already
exist on the outskirts of the city. More
will be provided and developed along,
the principles of railroad stations to
provide the same convenience in han-
dling passengers and freight as do these
structures. Within the city proper,
though, how will planes be accommo-
dated and parked? On the roofs of build-
ings? On platforms raised high above
the buildings? j
, . . I
THESE ideas sound strange. Whatevci|
the solution, in San Francisco th(i
total effect will be infinitely intensified
infinitely magnified. It cannot be other-
wise. By her hills the city is committee
to stand architecturally and fantasticall)
aloft from lower and lesser cities. Sht
will escape by one high notch the leve
of their ultimate standardization. Here
is a realm with which to conjure. It
final version we leave to those whosf
minds and sketching pencils reel, spir
and snatch visions from the vague work
of unborn, gestating things.
NEW York; This may not be
what you expect from AS
SEEN BY HER ... but
there was not a damned thing to be
seen in the New York shops . . . they've
taken out of the windows all of the
astonishing things and put in the usual,
so as not to shock the summer hicks.
However, Eugene O'Neill's play
"Strange Interlude" is a thing to cause
one to pause . . . and is truly knocking
old New York for a string of curtain calls.
Blithe and hopeful, I started out
innocently to buy tickets, because every-
body I met in New York was talking
about it. The man in the box-office did
not exactly laugh in my tace. He told
me they were completely sold out for
the coming month. There were no
tickets to be had in any of the agencies,
either. Curiosity to see the play propelled
me on a tour of the "scalpers' " bureaus
up and down Broadway. New York
doesn't usually go mad like that over
a play. The hard-boiled scalpers, be-
ing not so well-bred as the box-office
man, did laugh in my face. Harsh,
ridiculing laughter for the absurdity of
my request. Tickets for "Strange Inter-
lude!" Then came one who didn't laugh
. . . a little Jewish man who was pay-
ing five hundred dollars monthly to rent
a telephone-booth-sized office with a
door giving out upon the pavement of
Broadway at Forty-fourth Street. My
husky plea touched him. "You'll have
to pay big," he said. He reached into
his safe and drew forth a pair of tickets,
fanning them open with his dirty thumb
as a poker-player cautiously spreads his
aces. The tickets were actually worn to
woolley-edged thickness. The seat num-
bers on them nearly obliterated. The
price was something one could never
never admit and be believed. But they
were the only two tickets to be had in
all of New York City . . .
▼ T T
THE play commences at five-thirty
and those who are not in their seats
by the sixtieth second of that last minute
stand in the rear for the duration of the
first act. To see that audience behave as
only the Theatre Guild can teach it to
behave! Scared into an obedience that
one would never expect even from a
credulous small-town audience, the
mixed throng viewing New York's
most talked-of play sits through the
nine long acts in a strained frenzy of
taut-nerved attention. At seven-thirty
there is dinner intermission. The head
usher bawls out, "Keep your programs
and seat checks. Anyone not in their
seats by nine o'clock sharp will stand
for the duration of Act Six." Fifty-
eighth, Seventh Avenue and Fifty-
seventh Streets swarm with nervous
people, clutching programs and seat
checks, looking for a place to eat. Alice
Foote MacDougal's famous "Sevilla,"
on Fifty-seventh fills quickly with a
dinner- interlude crowd. By five minutes
to nine, the audience is back in place,
babbling crazy conjectures about the
last four acts of the play. A buzz, a
rumble, a high-pitched twitter merging
into one gigantic query of excited hu-
mans. Sound is wiped out as suddenly
as though everyone fell dead in his seat
simultaneously. The curtain has risen.
WHAT of the play? Like any master-
piece it has a separate meaning
for each separate mind that views it. it
is the story of a woman who needs three
men to fulfill her destiny on earth — a
lover to give her a child, a husband to
give her a home, and a comfortingly
asexual father-by-proxy to give her a
telepathic understanding For one type
of person, the play describes only the
havoc and ruin a woman with a ro-
mantic imagination can bring to three
separate lives. For another type, the
woman-character in the play (superbly
acted by Lynne Fontanne) rises to a
cosmic significance, the eternal and
universal Female who, through the
strange jungle of her intuitions, ap-
proaches God with her life-giving force.
Another type of person could see in the
play only a careful and clever sequence
of events that cause the human pawns
to act as they do, wills powerless before
the material facts confronting them.
The technique evolved by Eugene
O'Neill is undoubtedly the most revolu-
tionizing that has been given to the
American stage. The characters have
their lines — spoken to and heard by
one another; but interspersed among
these are the asides to the audience —
long soliloquies spoken from out their
unrepressed, uncivilized minds . . . the
honesties we all of us would like to
express, but never do, because being
"civilized" means sustaining a hypo-
critical human intercourse of platitudi-
nous "white lies." It is these asides to the
audience which put everyone on edge.
Frequently spoken in mumbled under-
Continued on page 39
Gem Pikes of individualitv
JEWELERS
Stll^EVE TRE4T Or
EACRE.T
136 Gt AliY St
32
THE SAN FRANCISCAN
Join the
Qhonisfor
Jy Imported
Dry Ginger Ale
Isuan is an experience — a
sparkling, thrilling, new dry
ginger ale that comes, bottled,
from the Philippines!
Tasting of fresh ginger, tangy
with the juice of fresh limes, its
bubbles cascade into your glass.
And the taste is real; for spicy
ginger root grows in the Philip-
pines; limes ripen but a stone's
throw from Isuan Mineral
Springs, whence comes the
sparkling water that distin-
guishes this ginger ale.
Meet Isuan this very night.
Smart cafes, the best hotels and
restaurants, solicitous grocers
— all feature it.
ISUAN THE SPIRIT OF JOV
IMPORTED
Isuan Dry Ginger Ale
In Manilla they say
"E-SWAN"
Vrom Our
Honolulu Correspondent
San Francisco honcymooners have
been brought to our flowery shores by
every boat Ac the present writing Dr.
and Mrs, Edmund J Morrissey, who
was Miss Kathleen Musto, are sojourn-
ing in Honolulu, caking crips co all ot
che beauty spots ot che islands.
Also, Mr and Mrs Francis Knorp
Jr , are honeymooning in Honolulu
Mrs. Knorp was che former Miss Ruch
Bloch.
An interesting party thac arrived here
late in June, was comprised of Mr and
Mrs. Garcon Keyscon, Mr. and Mrs.
Edward H. Micchell, Miss Marian and
Mr. Archur Micchell. They made che
crip on che new liner, Malolo, and will
noc cecum co che coast uncil mid-July.
Honolulu folk have enjoyed meeting
Mrs Ralson Page of San Francisco We
are already aware of the many calencs
and capabilicies of chis accraccive young
macron, having heard again and again
of her successful managemenc ot many
San Francisco Junior League encerprises.
Mrs. Carlecon Earle Miller of Palo Alco
came co Hawaii wich Mrs. Page. To-
gecher chey awaiced che arrival ot Mr.
Miller's yacht, che Talayha, which was
encered in che trans-Pacific yacht race
which absorbed everyone's inceresc here
lace in June.
Mrs. John Rodgers Clark is so ac-
cracced by che beaucies of che Islands —
now ac cheir besc, wich the gorgeous
shower trees in bloom — chac she has
caken a house for a month Her daugh-
ters, Mrs. Clarence J, Ballreich (Dor-
othy Clark) and Miss Barbara Clark,
are with her.
Mrs. Alexander Warner of San Fran-
cisco and her sister, Mrs. George Abbocc,
were also visicors in Honolulu during
the past few weeks.
The S.S. Cicy of Los Angeles, broughc
a host of incerescing visicors co Hono-
lulu on one of her recenc crips.
Among che prominent ones on che
ship's passenger Use were Miss Ruch
Beasley of Beverly Hills, Mrs Kacherine
Hamburger of Los Angeles and her
family, Roderick and Herbert Keenan
of che same cicy, William McClincock
of Los Angeles, Donald Spring of Souch
Pasadena, and Miss Frances Griffith of
Hollywood.
Confections appear
alike . . . many may
even taste the same.
Candy is as candy
is made. You are
always certain of
Foster c^ Orear
confections because
they carry this dis-
tinctive stamp.
FOSTER ^5" OREAR
Ciit/ oj Paris • iJZ Grant Ai^enue
B.F. Schlesinijer • Oakland
Arcade oJ Russ Building
Ferry Building
Delightful
Ocean Days
— a voyage that ends all too
Soon when you sail the
"LASSCO luxury way" over
the popular Southern Route
from Los Angeles to en-
chanting—
HAWAII
On LASSCO's famous liners you have a wide
choice of outside staterooms — most of them
with beds and private or connecting baths.
Hot and cold running water — telephone connec-
tions— electric heaters in every room Broad,
airy, inviting decks. A sea trip of constant en-
joyment in an irresistible atmosphere of friend-
liness and delightful relaxation.
DINE and DANCE
—as you sail to LOS ANGELES and
SAN DIEGO on one of the super-
express liners —
HARVARD & YALE
4 sailings weekly — low round trip and
one way fares
LOS ANGELES STEAMSHIP CO.
685 Market St — Tel Davenport 4210
OAKLAND BERKELE'^'
412 13th Street 2148 Center Street
Tel. Oa/c. 1436 -•■ ■' Tcl. Thorn. 60
JULY, 1928
The Supreme Art
I Continued on page 16
{ theme; the poet is your own magnified
sclt. Condemn him for madness, for
breaking conventional bonds, tortured
' as he is by super sensitivity, and you
j condemn yourself. He whose faculties
j are raised to a higher degree than the
I average man's so that he may voice
i humanity's cry, will be driven and
tempted in ways the average man never
knows. The poet pays tor the singing
which is yours by reacting to a quivering
; nervous system and a soul played upon
by every subtle emotion. If he knows
ecstacy beyond others he knows agony
I also. His temptations will take different
forms. He will be dangerously tempted
; to many loves as Byron was or he may
' be tempted to an equally dangerous
repression and seclusion as was Emily
Dickinson. He may be tempted to love
, life to excess as de Musset or he may
. love it too little having suffered too
I much as did Arthur Clough. But his
, temptations come from the same source
' as his songs. If you want his songs, you
} must accept him as he is.
I ▼ T T
COME to the poets as the Greeks of
old came. They are your priests
, with whom, not apart from whom, you
commune. As priests they stand in your
I midst breaking for you the bread and
offering you the wine of the mystical
body of Beauty which they, with you,
worship, but which they alone, by
divine power of transubstantiation, can
reveal. Meeting in this way with the
poets, the communion of the saints with
Beauty will continue even unto the day
when the gods once more may come
down to dwell among men.
Reigning Dynasty
Continued from page 25
Mrs. Philip Van Home Lansdale was recently in
Cologne, en route to Brussels and The Hague
Mrs Covington Pringle and Miss Kathleen Pringle
are passing the summer on the Continent
Mr- and Mrs Frank P. Deering and Miss Francesca
Deering will pass late June and July in London and will
then pioceed to Switzerland where they will be guests
of Mr- and Mrs, Ignace Jan Paderewski. Later they will
visit Bayreuth.
Mr. and Mrs. Edgar Walter are in Paris after touring
Italy.
Mrs George Nickel of Burlingame is passing the
summer months abroad.
Mr and Mrs. Dean Witter and their children are at
present in Paris.
Mr. and Mrs, Daniel Volkmann are also in Paris at
the present time.
Mrs, Norman Livermore and her two sons are on their
way East en route to Europe where they will pass the
summer.
Mr, and Mrs. W. W. Crocker will leave for Europe
early in July, first going to Paris where Mrs William H.
Crocker has already established herself for the summer.
Later Mr, and Mrs Crocker will tour Italy and Spain,
Mr and Mrs, Randolph Hearst Jr {Alma Walker)
are enjoying a motor tour of the Continent Miss Harriet
Walker is in Paris with her aunt. Mrs Willis Walker-
Mr and Mrs Edward H Clark are passing the
summer abroad.
Mrs Duane Bliss and her niece. Miss Ruth Langdon.
are in London for the summer,
Mr and Mrs, Warren S Palmer are enjoying an ex-
tended stay abroad and will visit every point of interest
on the Continent before returning home.
Mrs Richard McCreery of Burlingame is now at her
villa at Lake Como.
Continued Co page 38
33
*./
H^w^ii Is The New Island Playground
'Oijier a <^Calolo Trip
John N. Willys says:
For several years I had read the alluring advertisements
about Hawaii, and friends had told me of this delightful coun-
try. Mrs. Willys and I were delighted with our sojourn there
and regretted being unable to remain longer.
The accommodations at the Royal Hawaiian Hotel left noth-
ing to be desired, and the ride on the "Malolo," both going
and returning, was most enjoyable.
^- ^^^.
'-'^
PRESIDENT OF THE WILLVS-OVERL-AND COMPA.W
The new Malolo, sailing jrom San Francisco every second Saturday, makes the
voyage to Honolulu in only 4 days. Seven decks, i§0 bathrooms, elevators,
swimming plunge, gymnasium, one entire deck devoted to public rooms
\ !»> X l*:
One or more Matson sailings every week. Regular sailings
from Seattle, too. Ask for brochure describing the Malolo
mats on line
Hawaii • South Seas • Australia
GENER.'iL offices: 215 MARKET STREET, SAN FRAN CI SCO
also NEW YORK • Ch'iCAGO • SEATTLE • LOS ANGELES
34
THE SAN FRANCISCAN
^/l
Cruise away /--^ to New Vacation
Scenes
See the
Romantic
Spanish Americas
6* New York
*^ ^///g;\ l^ panorama ot jungle-clad, surf
h^''l//^ fringed shores, ot purpling volca
'HL^// of adobe-white cities basking in the
canoes,
le sun-
light with "manana" always one day ahead,
slips by the broad,'shaded decks of your modern
liner — colorfully-clad native women sell juicy bananas at the
windows of your train before it valiantly puffs away to conquer
another palm-covered slope that hides an azure lake or a cath-
edral crowned town — in such moments lies the " romance " of
a Panama Mail vacation cruise through the Spanish Americas.
The trip that misses nothing
Forget business this summer in the charms of this trip that
leaves nothing missing. It is a vacation in itself or makes a rest-
ful and fascinating start tor a vacation in New York and the
East. Panama Mail cruise ships leave California every three
weeks. Enjoy thirty-one carefree, beguiling days before you
reach New York' — eighteen at sea and thirteen ashore in the be-
witching cities of Mexico, Guatemala, El Salvador, Nicaragua,
Panama, Colombia and Cuba. Visit the inland capitals of
Guatemala and Salvador. It's the only trip from California to
New York that allows you two days at the Panama Canal and
visits ashore in eight foreign ports.
Luxurious travel at low cost
You travel first class on a ship built specially for tropical serv-
ice. Every cabin has a Simmons bed instead of a berth. All rooms
have electric fans and running water — are comfortable and well
ventilated. Music and food is of the best. A swimming tank sup-
plements broad cool decks.
The cost is low — you can go from your home town to New York
via California and the Spanish .'Americas for 3380 up. (This fare
includes bed and meals on the steamer and railroad transporta-
tion). It you wish, you can go to New York by rail and return
by water. Write today for full information and booklets from
Panama Mail Steamship Company
2 Pine Street, San Francisco
548 South Spring Street, Los Angeles
<-A.
The Marathon Dance
By KENT CAVARLY
ONE o'clock in the morning, in
Madison Square Garden, and
8,ooo spectators are still sitting
fascinated, watching the marathon danc-
ers swing into their 3 1 5th hour of con-
tinuous dancing. Thirteen days ago, 135
couples started out to win the $5,000.00
prize offered the winning pair in this en-
durance contest. Tonight, as the clock
pushes slowly toward the hour marking
the fourteenth day, there are twelve
couples left on the floor. Twelve couples,
twenty-four dancing fools, who, with
but a fifteen-minute rest period in every
hour, have managed to keep on their
feet in some semblance of a shuffle for
nearly two weeks.
The air is a forget-me-not blue with
cigarette smoke. With insane persis-
tence the orchestra plays over and over
again the same pieces . The twelve couples
stagger around and around the hard
travertine floor, in a stupor of fatigue
that now no longer registers more than a
dumb instinct to keep going. Their
mouths hang open; their eyes are sight-
less-like sleepwalkers'.
One girl glides along in carpet slippers.
Another has been going it for thirteen
days and nights in French heels. One
couple drags around, reading over each
other's shoulder the story of their exploit
in a newspaper. Some read letters and
telegrams while they dance.
AT ONE end of the huge dance floor is
^ an enormous dial, clocking off the
hours danced. Already these twelve
couples have beaten any known mara-
thon dance record. They have gone
eleven hours over the Pittsburgh nigh
mark of 304 hours. Fronting the bal-
conies on either side of the hall are large
electric signs; "This derby continues in-
definitely until but one couple remain on
the floor to be crowned World's Cham-
pion Couple" . . . then there is a
blank, awaiting the name of that pair.
The dancers face this blank each time
they turn on the floor. Each couple sees
its name emblazoned there. They will
keep on 'till they go mad, or drop in
their tracks. They have lost the imagi-
native energy to reckon what the
$5,000.00 prize could do for them.
They're thinking now only of the cham-
pion's crown. The $5,000.00 is nothing.
It isn't even one twentieth of what the
gate-receipts have already been. It
wouldn't even pay the hospital bills for
the last couple that staggers on its feet.
And New York is wild with enthu-
siasm for this stupendous show of sheer
pluck. The spectators have favorites.
They offer prizes to this couple, for a
JULY, 1928
35
superb burst inco a dizzy fox-trot at the
310th hour, to that couple for the agon-
ized persistence registered on their drawn
faces, and to another couple for the
steady smile they have maintained con-
stantly tor thirteen days. Between eleven
and twelve each night, the after-theatre
people come in. They offer dozens of ten
and twenty dollar prizes for bursts of
stunt dancing . , . $20.00 for a "smile
sprint" at the 3 nth hour, $50.00 for the
best two-minute fox-trot at the 312th
hour. And the automatons, prancing
through their nightmares, spurt to win
the prizes announced through the micro-
phone.
T ▼ T
FROM one to four each morning, the
night-club crowd comes in to bait
the dancers still more. Texas Guinan
offered $200.00 to the couple that would
stop dancing. From the faded spectres on
the floor came a loud howl of protest; no
one took that prize.
At the last quarter of each hour, a
gong sounds the fifteen-minute period.
The couples run like rabbits to their little
red and white striped tents along the
edge ot the floor. They fall drunkenly
upon the narrow army cots. Occasion-
ally a girl is carried in the arms of her
trainer. Nurses visit the striped tents to
take pulse-counts of the dancers in snor-
ing stupors. The gong sounds again. The
rest period is over. Out from under tent-
flaps they stumble, lock arms and dance
away again. Sometimes they change
clothes in the interim. That seems to help.
They eat while dancing and stop at a
water-cooler on the floor for drinks . . .
stop, but they must keep their feet mov-
ing in dancing time.
Four o'clock in the morning is the
zero hour for the marathon dancers.
Then there is no great arena full of
people to watch them, and offset prizes
. . . only a few hangers-on and reporters
and referees. They go slightly mad in
those grey hours of dawn, trying to keep
on their feet 'till a new day, when new
crowds will come to applaud. The men
hold up their drooping partners, talking
with them all the time in a pathetic
coaxing way. Sometimes the girl holds
up her man, slapping his face and chafing
his neck to keep him awake; sometimes
she gets angry and kicks the stumbling
hulk in the seat of his pants. In the morn-
ings, the men shave while dancing.
Couples stand, shimmying from one foot
to the other, drinking black coffee and
chewing on cold clammy rolls. Later in
the morning, an occasional social worker
drops in to gaze disapprovingly upon
the spectacle of self-imposed human tor-
ture. Doctors come in to look with pro-
fessional interest upon specimens of ex-
haustion such as they could never see in
Continued on page 40
r-
•.^jKSTvi
-^^^^
A Famous Doorway
in Hollywood that means home to travelers
The doorway of this hotel means home— personal
comfort— sendee— pleasant surroundings. It also
means that you are conveniently jocatecT in Holly-
wood—film Capitol of thi! world— amusement center
of Southern California.
Good Food a Feature
A French chef has made the dininj; room famous.
Club breakfasts, luncheons or dinners at popular
prices. Also a la carte service.
^^ Write for reservations or free booklet entitled,
Hollywood," — today!
The Hollywood Plaza Hotel
— inhere the tfooru'ay means home to traitfcrs
Vine St., at Hollywood Blvd., Hollywood, California
oOeai^nera and rna^er^ ^jf/7(^
ySayny e^/j^2^^
aCc/-o7^rzMZ^
36
THE SAN FRANCISCAN
there never
was a substitute
for quality
not youth . . not eagerness . . not
even the best ot good intentions.
When you take time to read you
want to have at hand
pithy articles
by such writers as H. L. Mencken,
Max Rcinhart, Sara Bard Field,
Idu'al Jones, the Hon. James D.
Plielan, Qeorge West and others
whose analysis of life and contempo-
rary situations appear in The San
Franciscan trom time to time . . .
and
stimulating stories
chat reflecc unusual phases ot modern
thought . . such as the delightfully
done bits by Katharine Hulmc,
Charles Caldivell Dohic and Elva
Williams ... or strong writing
such as that of Efihert Joyce Tasker
. . then for contrast
vivid cartoons
of society and its members from the
satiric viewpoint of K_alph Barton,
Peter Arno or Sotomayor . . . illus-
trations, etchings, wood cuts and
reproductions of the art of Zorack,
Stella, Bellou's, Rjvera, Sasportas,
Davies, Winkler and Dreives . . .
as well as significant camera work
by Steichen, Hagemeyer, Arnold
Qenthe, Francis Bruguiere, and
[{udomine.
All this and more has been given
San Franciscan
subscribers during the first year and
a half of the magazine's life. .
Even more worth while will be the
offerings of the coming months. . . .
Don't lay yourself open to future
regrets when friends remind you of
what you have missed in not re-
ceiving every issue.
As to Books
B>' JOSEPH HENDERSON
A BOUT a year ago it seemed ap-
/■^parcnt that Elinor Wylie's novels
jC JLsuffcrcd trom too much imagi-
nation (Oh, welcome fault!) We never
discovered what The 'Venetian Qlass
J^ephexv was all about except that its
pages sounded like the inventory of a
good Italian antique shop. The idea of
The Orphan Angel, in which Miss
Wylie sent Shelly on a walking tour of
America, was as refreshing as an April
breeze tor the first fifty pages but despite
the most subtle persuasions of style we
never got a sufficiently convincing pic-
ture of Shelly in Arizona It was a laud-
able effort, but English Romantic poetry
and nineteenth century America are as
bad a mixture as Greek vase painting
and twentieth century Los Angeles, Even
a historical phantasy needs to have one
foot in reality. Miss Wylie has not tailed
us. Her new novel, Mr. Hodge and Mr.
HazZi^rd, shows a vast improvement
both in form and in style. The subject is
still English Romantic poetry, but this
time she has given it the right propor-
tions by placing it where it belongs in
nineteenth century England Mr. Haz-
zard is a poet who primarily suggests
Byron, but Miss Wylie has wisely
avoided writing any more biographical
portraits a la Barrington or Maurois.
Hers is a different, more subtle talent
We have had enough raw history and
aesthetic nostalgia of this age and she
gives us rather her own precious, sophis-
ticated, sympathetic, omniscient trans-
lation of it, embodying, as she says, in
"the central character, a composite mini-
ature of the whole generation of nine-
teenth century Romantics. . . " Mr.
Hodge and Mr. Hazzdrd has flavor in-
stead of facts, pictures instead of ideas,
moods instead of explanations, and best
of all, wit instead of irony.
"Mr Hodge an Mr. Hazzard," by
Elinor Wylie. (Alfred A.Knopff).
The San Franciscan "^ ToRM.iVN Douglas who casually
221 Sharon Bldg , San Francisco. Calif -LN tossed the world a classic ten
Inclosed find check for $2.50 for a ^^^^ ago called Souf/> Wind came out
one year subscription to be sen? to f*?'' "^°"^t ^"/"^^ ^"P"'' "f/^T^^"^
■^ like me who thought he was dead, with
[vjan^g a new novel entitled In the Begim.xing.
He also casually tossed this one to the
Street world, but 1 doubt if it will be swal-
lowed up as greedily by anthologies as
City its elder brother. In the Beginning is
HEWBEGINS-BOOK-SHOP
;OHN • ) 'N EWBEGIN
NEW-OLD-& RARE BOOKS
Private Press Items 6 Choice Sets
«V
3SS Post Street
San Tranctsco. California
Entire Libraries &
Small Collections
PURCHASED FOR CASH
Experienced valuers sent to
all parts of the State, and
purchases speedily removed
without publicity, inconven-
ience or expense to sellers.
Correspondence Invited
I
M.I5.3
21Z^ PoAt 5tl-e«t
^rotn the
Orient
Co.s-tun\c .JcWell-y
Lic|o CoA-tvirrve*
Fab^'ic Great ioK-s
JULY, 1928
37
Fascinating
for the writer or artist in search
of a home of distinction in ideal
surroundings in the heart of Bur-
lingame . . there waits a place
ot artistic individuality in a
Romantic
setting ... In idyllic gardens
— entrancingly set with an
island dotted pool, entwining
paths and unexpected little
nooks — is built a
Japanese
house containing dining room,
kitchen, living room and cham-
bers— a delightful Guest House
— a quaint Play House — a Gar-
age— and servant quarters . . .
Charmingly imbedded amidst
fruit trees, roses and floivering
shrubs it becomes a
Home For Sale
enticing to the appreciative
owner. . . The price is indeed
low. . . Phone the owner —
San Mateo 3043 for appoint-
ment.
terribly general The place is Heaven
and Earth, the time excessively B C,
and the characters are gods, half-gods,
satyrs and here and there an occasional
man The gods are hedonistic, malig-
nant, and forgetful, the half-gods only
less so, and the men are simply nobody
The satyrs are rather benevolent, but
they arc nearly extinct. And yet it is a
fascinating world that Mr Douglas,
himself something of a god in such mat-
ters, has created. At first his success is
not so apparent and one is inclined to
regard In the Beginning as one of those
philosophical lists Englishmen are al-
ways drawing up of the 57 varieties of
truth or beauty without having experi-
enced any of them; or else the opening
pages might seem to indicate just
another pre-Raphaelitic outpost of pa-
ganism On the contrary Norman Doug-
las is a highly rationalized modern
European with a bitter, courageous
skepticism, a belief in the natural func-
tions of the body, an excellent sense of
humor and a very clever tongue — all ot
which virtues added to the highest rate
of copulation to be found in any novels
of recent years ought to make In the
Beginning a worthy best seller.
"In the Beginning," by Norman
Douglas. {John Day.)
▼ ▼ T
hiM" is a play by e. e. cummings,
and I assure you that my type-
writer is in ok. condition. Mr, Cum-
mings' emancipation from capital let-
ters is full of significance because it
threatens to alter our pet little ideas of
english usage, from here it is only a step
to the abandonment of punctuation,
syntax and separate words and just run-
everythingalonglikethiswithoutabreak.
Here I admit my nerve fails me because
it we get that far we may as well un-
shackle ourselves from expressing any
thought as well, and from there it's only
a little push into complete inanity. But
after reading /nj?i 1 think it might be a
good plan for him is delightfully insane
As produced in New York this season
it (or maybe i ought to say he) must
have presented the aspect of a series of
circus side shows, some funny, some
tragic, some tender but all of them
swift, chaotic, stimulating and Ameri-
can Chiet among these scenes is a dra-
matic representation of the Frankje and
Johnny song, brutal, sensual, and ugly
hut with lots of power. At other times
there is a debonair, wistful, spontaneous
charm expressed in the lines of Anne
&m
RWILELDEIV^S
239 Posf Shi-eeh San Francisco
Vacation
trips
ISlpw at low fares
This Pacific play-land is
yours — just a few hours
away. By train you can reach
its world-famous resorts
quickly, saving vacation
days. Great national parks
of the West, Los Angeles,
Portland, Seattle and the
"evergreen playground" of
the Pacific Northwest are
easily reached by Southern
Pacific trains.
Go now, at low cost. For
example, 1 6 day limit round-
trip from San Francisco to:
Los Angeles . .
. $22.75
Del Monte .
6.00
Yosemite . . .
. 17.00
Lake Tahoe . .
. 13.25
Santa Barbara .
. 17.75
Portland . . .
. 36.00
Seattle . . .
. 46.75
Vancouver, B.C. .
. 56.25
North, south or f
>ast. South-
ern Pacific's vast network of
lines intimately explore the Pa-
cific Coast. Stopover anywhere.
Your vacation starts whenyou
hoard the train. Relaxed, care-
free, you're on your way to play.
Southern
Pacific
F. S. McGINNIS, Passenger Traffic Manager
San Francisco
J8
THE SAN FRANCISCAN
I tf)c JSrilie anli Mebbing |
I Becorationg |
^ $ljologcapf)eb bp A
I (Gabriel itloulin |
I 153 llcarnp Street |
X tTelcpfjone iLtarnp 4366 X
I I
Brecon which Mr. Cummings (pardon
mc, mr. cummings) quotes on the title
page :
looking forward into the past or looking
backward into the future i
walk on the highest
hills and
i laugh
about
it
all
the way
"him," by e. e. cummings. {Boni and
Liveright.) ^ r r
HOME TO Harlem is the most meri-
torious novel of negro life I have
ever read. That is not so omniscient as
it sounds because I don't suppose I've
read a quarter of those which have been
written. Anyway now I know I never
shall, and I think nobody remotely in-
terested in American negroes will want
to miss 'Home to harlem. The negroes
have been a fad and therefore subjected
to a lot of French pastry writing a la
Van Vechten or the melodramatics of
Lidn Belle. Supposedly we have learned
all about the negroes, their passions,
their music, their aspirations, their in-
feriorities but none has touched them
half so well as Claude McKay. Mr.
McKay, it seems, has long been the
body and soul of the negro literary
renaissance, but that is one of the least
interesting things about him. Every
now and then there are purple passages
which fall a little ponderously from a
negro's pen, and certain Joycian or
Chekovian observations make one wish
that McKay had been influenced by his
American contemporaries if he had to
be influenced at all. But just the same
Home to Harlem stands solidly among
the best novels of the year and it ought
to teach us once for all never again to
over-praise or over-depreciate books for
having been written by negroes.
' ' Home to Harlem , " by Claude McK Ay .
(Harpers.)
The above books may be purchased
at Paul Elder's on Post Street near
Grant Avenue. ., , ^
Reigning Dynasty
Continued from page 33
Mrs. Andrew Welch and her daughter. Miss Marie
Welch, are in Pans.
Mr. and Mrs. Harry B Allen were in Southern France
during the latter part of June.
Mrs Horace P. Howard spent the late June in Eng-
land. . ,
Mrs. George R. Wells and her daughter. Mrs Mane
Wells Hanna. were recently in Constantinople and were
planning to go from there on to Athens.
Mr. and Mrs. Harry Todd are en route to Vienna
where they will be the guests of the Baroness Strauf-
lesen.
T ▼ T
BIRTHS
To Mr and Mrs. Merritt Olds (Dorothy Stevenson)
a daughter-
To Mr. and Mrs. Charles Oelrichs Martin (Caroline
Madison) a daughter.
To Mr and Mrs. Egbert Osborne (Kathryn Masten)
a son.
To Mr and Mrs. William Magee (Edith Grant) a
daughter.
'lo Mr. and Mrs. C. C. Trowbridge Jr. (Margaret
Perkins) a son.
cYsaXo r
— ^'xTn'porT&Y
V its Cj ow "^s
^\, sutler 33<?r
Fashion Art School
SCOTTISH RITE TEMPLE
Sutter at Van Nes
COURSES IN
Costumes Desigru
Fashion Illustration
Commercial Art^
Foremost School of
Costume Design and
Illustration in the West
TELEPHONE FRANKLIN .^5 33
5
PAINTINGS
PICTURE FRAMING
PRINTS
t
H.VALDESPINO
345 o'farrell street
san francisco
JULY, 1928
39
Instead of Words
•~NoHE eloquenceof FLOWERS
(9 surpasses speech .... they
speak for you poetically, just
like a lovely dream.
Orders telegraphed
anywhere
THE VOICE OF A THOUSAND GARDENS
224-226 Grant Avenue
Phone Sutter 6200
SAN FRANCISCO
^ We
* Tin
Specialize in Copying Daguerreotypes.
-Types, NewspaperCuts, Paintings, etc.
Restoring to Original Brilliancy
i^'itltoul Damage to the Original
^
f
^
f
Studio
441 Powell Street : Garfield 2^66
SAN FRANCISCO V^
rSSSS^ pSSES^ r4SS&^ r^&^ r^Sl^ r-!S)S2^
I Ove
IB
■ Am
Li'
Overlooking San Francisco'
beautiful Union Square
The
ALDEANE
257 Post Street
Luncheon - Tea - Dinner
Phone Sutter 7573
Hostesses: Sunday Dinner
Anna Allan 4 :00 to 8 :00
Deane Dickey p.
^1
J
As Seen by Her
C_x)ntinucJ from page 3 1
tone, their import is so fantastically
opposed to the urbane progress of the
play that one leans forward in the seat
as though actually seeing the warring
subconscious complement of each char-
acter on the stage. The strangeness of
these "asides" is accentuated by the fact
that when they are spoken, every char-
acter remains in a position of suspended
animation and Time itself seeiTis to
stand still while the mind speaks out the
flashes of its thought.
SOMETHING magical has been accom-
plished in the direction of this play.
The action takes place over a span of
more than twenty-five years. The actors
age before your very eyes. Even the
mental stuff of which they are made
undergoes this awful decomposition of
age. Revolt subsides into complaisance,
complaisance into lack-love . . . and
then, at the end of the play, they are all
smoothly afloat on the great placid sea
of old age, peaceably drifting into the
sunset. Time and the aching Present
seem then to be truly nothing more than
a "strange interlude in which we call
upon the Past and the Future to testify
to our being alive,"
▼ T T
The Sport of Pioneers
Continued from page 21
later . . . when the band and banners
are gone.
It will be late afternoon when the last
outlaw has "sunfished" for you and the
last angry bull has crashed through the
corral fence charging straight for the
bleachers only to be neatly roped and
thrown by a watchful cowman.
Then will come the fattest pluin in
any rodeo's pie. The wild horse race!
A dozen bronchos are freed from the
paddock. A dozen mad, bad actors to be
roped, saddled, and with help of all the
High Gods mounted and forced to run.
It's a frenzied fight between agile,
steely-nerved men and biting, twisting,
kicking beasts. Two break away and go
bucking saddleless and riderless about
the track. One rolls and refuses to rise.
Another submits to the strange saddle
and merely tightens his muscles as a man
swings himself into it, then stands per-
fectly still . . . perfectly docile. The
watchers laugh good naturedly at the
would-be rider's amazed disappoint-
ment.
At length through the cloud of heavy
dust a half dozen infuriated horses can
be seen saddled and mounted. Then the
crazy, reckless race is on. Down the
track the six sullen stars of the day's per-
formance present every known buck and
whirl and twist in a desperate attempt
to remove the determined riders from
their backs.
Continued on page 40
VMA.
M}\H QMINN ;
has recently returned from
Europe with a collection of
furniture, engravings and
fabrics — to be seen by ap- |'
pointment only.
Antique and mod-
ern interiors deco-
rated by John
Quinn formerly
with WARING &
GILLOW, London
and Paris.
confrere
JOSE MOYA DEL PINO
member of the
Royal Spanish Fine Art Society
Murals ♦ Portraits
525 Sutter Street, San Francisco
Telephone Kearny 4663
NELLY CAFFNEY
I r^ c,
• noporter
3J4 po^t street
modeJs
of
di stinction
costume jewelry
hats by Juanita Oldham
Henry H. Hart
Oriental Arts
Phone Kearny 6642
328 Post Street ■ San Francisco
40
THE SAN FRANCISCAN
The Sport of Pioneers
A ND before you know it it's all o\cr
ji\_ and you're wanJcrini; hack to
town under a twilight sky . , back to
a cowtown in holiday dress The old
bars are open and though they may only
have soda pop to oRer the stories of
"ranchers and rustlers" they tell arc
genuine. So are the poems ot the plains
that some soft voiced vacquero will
repeat (or you. While outside there is a
shadow ot voices singing a shy little
song weighted by that wistful minor
note of sadness that haunts all cowmen's
voices.
And down the street a dance hall band
is jazzing an old, old roundup tune . . .
and another generation dances to the
measure of a sterner one !
T ▼ ▼
Out of Wonderland
Conlinued from page 22
sanity began to assert itself once more.
Excited sellers ruefully watched prices ot
the shares which they had sold at bottom
prices slowly regain some ot their lost
ground, and alert statisticians discovered
that the low prices recorded in the
market were about as far from true
values as were the top points reached in
the height of the period of blind and un-
reasoning buying It was demonstrated.
A Complete Investment
Service
BOND & BROKERAGE
DEPARTMENTS
Members
San Francisco Stock Exchange
San Francisco Curb Exchange
ORDERS ACCEPTED FOR EXECUTION
ON ALL LEADING EXCHANGES
Wm.Cavalier&Co.
INVESTMENT .SECURITIES
SAN FRANCISCO
433 CALIFORNIA STREET
for instance, that an average of the big-
gest National Banks in New York sold,
alter the market break, at about 2.40
times their respective book values,
which would make Bank of Italy worth
about $250 a share, while the financial
liquidity of the bank itself was in gen-
eral quite substantially higher than that
ot comparative institutions
Soaring prices and sound reasoning
are seldom found together, however,
and a complete recovery of old levels
will be at least slow. Giannini repeated
time and time again in the past that his
stocks were selling at levels out of all
reason, and anyone who bought stocks at
the peak certainly has no one but him-
self to blame. It is remarkable that in
the face of overwhelming losses suffered
by some hundreds ot people, not one
voice has been raised in criticism of the
great Italian banker.
T T ▼
COMPLETE re-establishment of old
prices may take time, but few con-
test its probability. The faint melody of
the sirens' song of overnight wealth still
may be heard in quiet and undisturbed
places, and its potent lure may not
always fall upon ears deafened at the
moment by the crashing of top heavy
market prices. The public had indeed
made its first rough and perilous journey
out of Wonderland, but some day it will
inevitably return.
uiy in
San Francisco
is different from July in other
places. The cool trade winds bring
invigorating mists with a keen
salty tang But even brisk
breezes and stinging fogs can not
keep the vacation feeling out of the
air Toward noon one for-
gets the freshness of morning and
thoughts of the golf course — the
mountains — the sunlit seashore in-
trude themselves.
Don't try to stifle these longings
.... take luncheon where there
are flowers and an atmosphere of
summertime relaxation. You'll be
refreshed and ready for a strenuous
afternoon if you spend your noon
hour at the"
^ojEft Street Cafeteria
OAKLAND
BERKELEY
The Marathon Dance
Conlinued from page lb
their laboratories. Some people talk ot
the marathon being stopped by the
police; but that is a very remote possibil-
ity Tex Ricard, promoter and owner of
the Gardens, is making too much
money. And the newspapers get too
many daily feature articles from the
sepulchral parade down on the traver-
tine floor.
T ▼ T
Two o'clock in Madison Square Gar-
den, and five thousand spectators
are still sitting fascinated, watching the
marathon dancers swing into their 316th
hour of continuous dancing. The Gover-
nor of Massachusetts sits in a box. The
ex-Postmaster General of the United
States sits in another box. Scores of un-
announced celebrities occupy other choice
ringside seats. The arena shows un-
broken rows of spectators. Hot dog
vendors climb over sprawling legs. . .
"Hey! Hey! Skinless and boneless I{ed
Hotl" The orchestra grinds out "Blue
Heaven" for the nth time. The dancers,
falling against each other, sustain their
dance posture in defiance of any known
laws of fatigue-poisoning, mental break-
down or muscular paralysis. They've all
broken the world's record They'll all
get theatre contracts. But they'll keep on
dancing 'till but one couple remain
Continued on page 42
62 ^ost street = - g)an Jftantigco
JULY, 1928
41
Memories of San Francisco
Bv JOSEPHINE RINGWOOD
RED. Blue. Yellow. Green Purple
Color patches across a midnight
sky. Swirling. Gleaming. Twinkling.
Twirling. Lights — big, round eyes laugh-
ing at the night !
Ferry boats rest in the slips. Steamers
ready to put to sea. Spaniards, Portuguese,
Chinese, Mexicans — husky, bronzed men
hauling cargo. The indescribable smell
of cargo that haunts the docks Sailors.
Adventurers. Men from the Orient, Ar-
gentine, South Seas. Adverturers drawn
on again — on to new ports, distant !
Along the Embarcadero, through quiet
cobble-stoned streets. A tootfall rings on
the pavement. An officer "doing his
beat." On over the hill to Fisherman's
Wharf. Steaming kettles along the side-
walks. Fires glowing in the darkness
Gold-ear-ringed Italians drawing in their
nets. Fish! The salt, biting smell of
freshly-caught fish!
On through the Latin Quarter. Blank
windows stare at the darkness. A lone
figure crouches in the shadows. Eyes,
bright, staring. Face, grizzled with gray-
ing beard. Tattered. Worn. "Gutter-
rat" of the city !
Columbus Avenue to Dupont Street
— then, Chinatown! Narrow alleys.
Cobblestones Stale incense drifts through
an opened window. A slim figure glides
past a doorway Parted lips smile for a
moment, then she is lost in the dark.
Over California Street. The midnight
blue fades to gray — then rose. Morning
sounds of a city, begin. Milk wagons
rattle along the street. A motor-car
whizzes past. A whistling paper-boy
starts his route.
Down Mason Street. The city looms,
brilliant ! The sun strikes a signboard —
color — magnificent — radiating in every
direction. Shafts glance the St. Francis
walls; the gray walls, live! Stirring,
vibrant, the city wakes to a new day !
The City Romantic! The City Glorious!
San Francisco !
DUISENBERG-
WICHMAN
6^ CO.
Members
New York Stock Exchange
San Francisco Stock Exchange
San Francisco Curb Exchange
Honolulu Stock and Bond Exchange
New York Curb Market (Associate )
Chicago Board of Trade
Manila Stock Exchange
SAN FRANCISCO
35 Post Street
Phone Sutter 7140
HONOLULU
115 Merchant St.
Phone 1285
OAKLAND
426 13th Street
Lakeside 101
and
aycou.
Member
ffanl'ran.cisco
Htock' Exchange
♦ • ♦
Miser BMJG;
8500
42
THE SAN FRANCISCAN
The
: JUNIOR LEAGUE
SHOP
the
_ discriminating
shopper
will
find
TXsdnctivc
Qifts
At 11
Tillman Place
The Marathon Dance
Continued from page 40
Standing. And New York will go on
paying to sit out the vigil of days and
nights yet to come. Maybe it's the epi-
tome of a jazz-mad age Maybe it's just
another spectacle of sheer human pluck
and will-to-do such as has captured the
imagination of the crowd since the
gladiatorial days in Roman arenas And
maybe it can all be summed up in the
frankfurter vendor's cry: "Hey! Hey!
Skinless and boneless! I{ed Hot\"
San Franciscan Advertisers
Listed for Your Convenience
For Apartments
The Park Lane - 30
For Oriental Art
Miss Clayes 36
Henry H. Hare ------ 39
For Book.s
Paul Elder 37
Hargen's -_ 37
John Howell's 36
Newbegin's 36
For Confections
Foster & Orear 32
Kratz Kitchen Table 44
For Fashion Designing
Fashion Art School 38
For Floiuers
Podcsta & Baldocchi 39
For Finance
Bacon ty Brayton 41
Wm, Cavalier &: Co. - - - - 40
Duiscnberg-Wichman bi Co. - - 41
Hendrickson, Shuman - - - - 40
The San Francisco Bank - - - - 41
For Qinger Ale
Isuan - ^2
For Qoicns, Hats, Sports-wear
The City of Paris ------ 29
Nellie Gaffney 39
"Polly" 38
The White House ----- 28
For Hotels
The Hollywood Plaza - - - - 35
The Los Angeles Biltmorc - - - 42
The Mark Hopkins 2
For Illustrations
Patterson 6; Sullivan 43
For Interior Decoration
Penn Furniture Shops - - - - 35
John Quinn ------- ^g
W. & J. Sloane - 5
The City of Paris 29
The White House ----- 28
For Jewelry
Shreve & Co. 4
Shreve, Treat & Eacrec - - - - 31
For Luncheon, Tea, Dinner
The Aldeane 39
Courtyard Tea Room - - - - 38
Kratz Kitchen Table ----- 44
The Post Street Cafeteria - - - 40
For Picture Framing
H. Valdespino 38
For Photographs
Gabriel Moulin ------ 38
Holly Todd 39
For Tickets
Peter Conley -------38
For Travel
Los Angeles Steamship Co. - - - 32
Matson Navigation Co. - - - - 33
Panama Mail Steamship Co. - - 34
Southern Pacific Co. 37
KMTS
Ai
Geo. D. Smith,
President d" Manager
RRIVING
in San Francisco by
airplane or motor
Mark Hopkins hospitality
beckons you. ... It wel-
welcomes you into the at-
mosphere of a well-ordered,
cultured home. . . . If you seek
relaxation you will find it in the
seclusion of the rooms and suites far
above the city streets At home
amid tasteful surroundings you a
part of the city yet aloof from the b
panorama spread before you. . . . O
other hand — you can step from tha
security into the sparkle of life in Peaco
Court where there is dancing, music and
gayest of San Francisco night life . . . Wheth
are here for a day or for an entire season
gaiety and relaxation within your reach at
HOTEL MARK HOPKIN
WHERE ANSON WEEk's ORCHESTRA PLAYS FOR DANCING
EVERY NIGHT THROUGHOUT THE SUMMER
ROOMS $4 AND UP
Yhe penalty of leadership ... in merchandising . . .
is sometimes the imputation of high prices. This store
modestly admits its leadership, but accepts with it
the responsibility of setting generous values
in the goods it offers its patrons.
FURNITURE • ORIENTAL RUGS • CARPETS • DRAPERIES
W: 6i J. SLOANE
SUTTER STREET near GRANT AVENUE / SAN FRANCISCO
the personality
of a city depends on
the hold it keeps on the
imagination oS people in
general, san firancisco^s ro'
mance— her traditions— her
signs o£ development are
transcribed each month in
both serious and humorous
vein in *'the san ranciscan'^
.... you o^re it to yourself
to keep in touch ^^ith the life
oS the most romantic city
oS the Mrest.
GOINGS ON ABOUT TOWN
THE THEATRE
Alcazar : Sidney Tolcr and Emerson Treacy
go into the second month with Howard
Lindsay's amusing comedy Tommy.
Columbia : The Trial of Mary Dugan as
reviewed in "Pacific Coast Showdom" on
page 39-
CuRRAN : Conway Tearle of movie fame and
Anne Davis, formerly ot La Frisonicrc,
starred in Mid Channel under Irving Pichcl's
direction.
Geary: Wilham Courtenay in The Spider — to
be followed by the long waited for Qood
President : The Wooden Kimono continues to
send shivers down the backs of San Francisco
visitors.
MOTION PICTURES
Granada : Diverting acts accompanied by the
clowning of Frank Jenks — incidentally mo-
tion picture features.
Embassy : Lights of New York, — the first all-
talking Vitaphonic picture.
St. Francis : Still Street Angel with Janet
Gaynor and Charles Farrell.
Warfield; Pictures and girls — girls and pictures
—and Rube Wolf.
VAUDEVILLE
I Orpheum : Clever teams — with Jeanne Eagcis
in the offing.
I Pant AGES :Morc and more for your money.
I Golden Gate: A "second chance" at some of
I the good headliners.
I MUSIC
1 August 5 : Summer Symphony directed by
' Gabrilowitsch in the Woodland Theatre.
August 7: Duplicate program in Dreamland
Rink.
August 12; Final concert of Woodland Sum-
mer Symphony Series.
August 14: Last concert directed by Gabril-
owitsch— Civic Auditorium.
; August 21 : Symphony directed by Piastro at
Dreamland.
I August 28 : Final concert of Summer Sym-
j phony series, directed by Hans Leschkc, at
I Civic Auditorium.
Advance notice of Opera Season:
September 1 5 : Aida.
September 17: La Ccna Delle Beffe.
September ig: Tosca.
September 21 : Madame Butterfly.
September 22 : Turandot.
September 24: L'Amore Dei Tre I{e.
September 25: Fedora.
September 27 : Andrea Chenier.
September 29: Matinee, Tosca.
September 29: Night, Faust.
October 1 : Carmen.
October 3 : Cavalleria T{usticana, Pagliacci.
ART
Beaux Arts Galerie: 116 Maiden Lane.
Closed until September.
California Palace of the Legio.n of Honor:
Jacob Stern Loan Collection of paintings and
bronzes. Paintings by Nicolai Fechin and
Giovanni Troccoli. F. Luis Mora work still
promised.
De Young Memorial Museum : Golden Gate
Park. Permanent collections. Art lectures
open to the public each Wednesday and
Sunday afternoon.
East West Gallery: 609 Sutter Street, West-
ern Women's Club Building. Paintings,
drawings and prints by Wah Ming Chang
through August 10. Watercolors by young
Indian artists of Oklahoma reservations
August 11 to 25.
S. & G. Gump Gallery: 246 Post Street.
English and American prints and European
reproductions of Modern Paintings.
Persian Art Centre: 557 Post Street. Rare
works of art from the collection of Dr. Ali-
Kuli Khan.
Augustus Pollack Gallery : Chinese paint-
ings and ceramics.
VicKERY, Atkins & Torrey: 560 Sutter Street.
Rare collection of i6th and 17th century
woodcuts and engravings.
Modern Art Gallery: 716 Montgomery
Street. Collection of Czecho-Slovakian
bookplates.
RADIO
Pacific Network, National Broadcasting
Company: Every Wednesday evening at
8:30 — Bill, Bertie and Jeeves in Japan,
Honolulu, on board the S. S. Malolo and
back in San Francisco — all to the pop of
Isuan corks.
DINING AND DANCING
Aldeane Tea Room : 275 Post Street. Unex-
pectedly good food — served in rose colored
glass. Overlooking Union Square.
The Mark Hopkins: The Peacock Room.
Hobnobing with the Reigning Dynasty on
Nob Hill.
Tait's-at-the-Beach: On Sloat Boulevard.
Looking West at the Far East while dining
and dancing.
The St. Francis: The Garden Room. Good
music and smart people. What more?
Courtyard Tea Room: 450 Grant Ave. Up-
to-date filling station.
Cafe Marquard : Geary and Mason. Contin-
entally exciting. It's fun !
Cabiria: 530 Broadway. Informality in the
heart of the Latin Quarter.
The Aladdin Studio: 363 Sutter. Oski!
Wow ! Wow ! — and that means collegiate.
New Shanghai Cafe: 332 Grant Avenue.
Oriental. You'll enjoy it.
Post Street Cafeteria: 62 Post Street. It's
August and the flowers arc still fresh — food
for summer appetites — luncheon only.
The Palace: Rose Room. The dancing crowd
seems to be moving this ^A^ay — and with
reason.
The Loggia: 126 Grant. Luncheon, tea and
dinner, before, during and after shopping.
Temple Bar Tea Room: No. 1 Tillman Place-
One of the best places in town for luncheon.
No foolin'.
Russian Tea Room: 1001 Vallejo Street.
Where balaika's struni to accompany real
Russian food.
ESTABLISHED 1852
SHREVE & COMPANY
JEWELERS and SILVERSMITHS
Post Street at Grant Avenue
San Francisco
Western Women's Club
Building
San Fraruiscd* s Unique Monnment to the Ability
and Knterprize of IVomanhood
Besides the luxurious rooms for the convenience ot club members, the Western
Women's Club Building houses a number ot significant institutions which ofter un-
usual opportunities to San Franciscans and the public in general. Among these are
/ Sutter Street's New Shopping Center in the Building Arcade.
.■\ completely equipped and acoustically correct Theatre where the
Players Guild productions are given.
Three other beautiful auditoriums tor lectures and meetings.
The East West Gallery of Fine Arts which has become a center ot
San Francisco's art lite.
The^People's .Assembly — an institution ot .Adult Education.
Headquarters for the California Historical Society.
Quarters for twenty-four Women's Organizations — whose com-
bined membership includes 15,000 women.
It is estimated that an average of TWO THOUSAND WOMEN
enter the doors of the Western Women's Club Building liaily.
6og Sutter Street • Sati F)-a?icisco
^-^^Qi^-
A DRAWIN'C OF A CORNER IN THE WESTERN WOMEN S CLUB Bl'U.DINr, LIBRARY
.^
vo-
TM E
SAN FPANCISCM
JOSEPH DYER, Editor &^Publisher
RowENA Mason, Associate Editor
Contributing Editors
Charles Caldwell Oobie Mollie Merrick
Anita Day Hubbard Idwal Jones
Joseph Henderson George Douglas
Kathryn Hulme Elva Williams
Vol. II AUGUST, 1928 No. 8
CONTENTS
Jane Coivl, pliotograpfi -------- g
The Upad from I^omc, by August Qrahavi - - - - g
Qreed, verse by Edith Summers Kelly lo
Peggy and Cortez, photograph 1 1
Nozv It Can Be Told - - iz
The Yellow Shaud, by Charles Caldwell Dobie - - - 14
Base of Telegraph Hill, photograph by John Paul Edwards - 25
Sail On, Sail On, Sail On, by Irene Cowley - - - 16
.Marie Jeritza, photograph ------- 27
Tully vs. Sinclair, by Hugo - - - - - - - 18
Villanelle of a Spanish Dancer, verse by W. Adolphe Roberts ig
The Modern Age, photograph by Brett Weston - - - 18
So This is Love, by Elva Williams zz
Hfibert Pollak., photograph by Hagemeyer - - - - zi
Tin Types, by Zoe Battu zo
San Francisco as visualiLed by the famous, drawing by
Sotomayor ---------- 23
Elii.abcth English M.aQee, from a drawing by Louis Hcls - Z4
The I{eigning Dynasty Z5
The Tennis Controversy, by Blanche Ashbaugh - - - z6
Empty Houses, verse by Elizabeth Leslie Efios - - - 25
Finance, by Edivard K. Black. 27
As Seen By Her 35
^5 To Books, by Joseph Henderson - ^S
Pacific Coast Showdom, by Jack. Cambell - - - - 38
The San Franciscan is published monthly by The San Franciscan Publishing
Company, Sharon Building. San Francisco. Cai . Douglas InlO
Joseph Dyer. Publisher.
H Lauterbach. Circulation Manager
Subscription price, one year S2 50 Single Copies 25c.
Copyrighted 1928
The San Franciscan Publishing Company
7^JYf cow II
For two years now Miss Jane Cozvl has stopped Hannibal eight times a week from entering Bfime. As Amytis, the udfc
of the I{oman Dictator, she has, ivith the help of Egbert Sherwood, the dramatist, and Sir Quy
Standing, her present Hannibal, taught I{pman history in a most delightful
manner to the theatre going public
TttC
SAN fliANCISCAN
The Road From Rome
In Which We Dissect Romance in the Light of History
UPON a figure and personality that
must ever elude the confines of
reason, upon an historical mys-
tery, shrouded in myth, legend, fantasy
and hence a vast wilderness for conjec-
ture, Robert E. Sherwood has builded
that admirable drama. The Tioad To
T{omc. One sees it and is immediately
lost in the maze of his own questions.
Do the facts of history follow the facts
of the play? Is it cold historical truth
that Hannibal of Carthage did battle his
way to the gates of Rome only to turn
his back upon the city and march away,
without so much as trying to scale its
walls, which he knew full well were
poorly protected? If recorded history,
indeed, proves that Hannibal did so
retreat, how can that fact be reconciled
to the picture history paints of him — a
driving, cruel, ruthless warrior of colos-
sal determination and ego? Can it be, as
the play suggests, that Hannibal became
as modeling wax in the hands of a
gracious, charming, brainy, altogether
persuasive and delightful woman nom-
inally of the enemy city?
Let us briefly outline the actual facts
of the case as history preserves and inter-
prets them for us. The period with
which The T{pad to T{pme concerns itself
is that of the Second Punic War between
Rome and Carthage, which began in
218 B. C. and lasted until 204 B. C For
several years Hannibal and his armies
had been campaigning in the Spanish
Peninsula. They were seeking to gain in
this country, land, seaports and cities to
compensate Carthage for the losses sus-
tained in Asia Minor during the First
Punic War. Hannibal's efforts had been
notably successful and he controlled
By AUGUST GRAHAM
every city and section of strategic im-
portance in Spain by 220 or 219 B. C.
His later and ultimate ambition was to
march upon Italy and Rome and possess
them both.
To THESE Spanish maneuvers the
Romans at first paid but slight
attention. Spain was well removed from
Italy and then a comparatively unde-
veloped land. Rome and its subject terri-
tories in the East Mediterranean were
recovering from the First Punic War
and not anxious for another conflict.
The Carthaginian administration had no
particular objection to Hannibal's con-
quests in Spain, but at the same time it
was disposed to give him a little volun-
tary support. It was more concerned
with paying off the heavy debts and
indemnities of the previous war and
gave these its first attention. Rome
realized these facts and so matters
marked time
But as Hannibal began to gain solid
strength he and his government entered
upon their customary policy of restrict-
ing trade by Roman ships in any ports
or waters they controlled. Accordingly,
Roman merchants found their vessels
barred from Spanish harbors and their
movements restricted in the West Medi-
terranean. Rome's policy was strictly a
free seas one. By 21S B C. the closed
port issue had come to quite a crisis. In
that year also Hannibal laid seige for
eight months to Sagantum, a Roman
ally city, and finally captured it. It was
then that Rome became acutely con-
scious of Hannibal's intentions and
moved to take steps against him.
Hannibal's campaign is a long re
cital of marches, counter marche
and sieges. Suffice it for this purpose to
say, that by 216 B. C. the Roman and
Carthaginian armies had met in three
major battles, Trebia, Lake Trasimenus
and Cannae. Hannibal in each case, by
superior strategy simply led the Romans
into slaughtering pens and wiped them
out At Cannae (200 miles from Rome
and in 216 B. C.) 70,000 Romans were
killed in one day.
This latter victory put Hannibal in
complete command of the situation.
His armies were large, well trained, per-
fectly disciplined. The Roman armies
were torn by inner dissensions, poorly
disciplined and scattered. The great am-
bition of all his thirty years of life, the
capture of Rome was apparently realize-
able.
But when Hannibal actually arrived
at the city gates, he made not the
slightest attempt to storm Rome. He
rode around the city, hurled his javelin
into one of the great gates and departed
without waiting to see if his strategic
ruse had the desired effect. He passed by
his final opportunity. Thus we perceive
that the central incident of Sherwood's
play has a sound basis in fact. Hannibal
did turn his back upon Rome, without
making so much as an attempt to gain
the object to which his life was dedi-
cated.
THERE are various historical and mili-
tary reasons given for this. It is
pointed out that it was the major prin-
ciple of Hannibal's policy, throughout
the time he was on Roman soil, to stir
10
THE SAN FRANCISCAN
up revolt amnnj; her subjects aiiJ u'iii
their support lor his own cause hiLuul,
in Cipua and Syracuse he was successlul
in this. It was to the interest o( isolated
or dissatisfied states and cities to throw
their weight with the supposedly stronger
power. In many cases these tactics did
not entirely succeed. Hannibal could
offer no greater freedom, advantages or
protection to the states or cities than
they enjoyed under Roman rule They
accordingly remained loyal to Rome
it is further pointed out that Hanni-
bal was e\er conscious ol the lact that
his mother country did not look with
unqualified approval upon his cam-
paigns If, after Cannae, he had tried and
failed to seize Rome, the censure would
ha\'C been severe, indeed. His career
would have been definitely finished
Moreover, he had no battering rams,
without which he could make no ade-
quate attacks And it he entered the city,
he might ha\'C cut himself oft from his
bases of supplies and reinforcements, and
so have been caught in a difficult trap.
So much for the historical and military
reasons put forth
Somehow, individually and coUcc-
ti\'ely these reasons lack the ring of con-
viction. They do not sufficiently explain
anything. Upon the occasion of his
proximity to Rome, Hannibal knew
that the city was not well garrisoned
(His spy system history sets down as
perfect.) Other well walled ancient
cities had been taken by storm under
similar circumstances Rome was the
pivotal center of the entire empire. If it
had fallen, the whole confederation
would have been demoralized. The
intrepid, calculating Hannibal surely
realized all these factors and certainly
was brave enough to undertake the long
chance of scaling Rome's mighty walls
He had taken long chances before. Yet
he turned away.
▼ T ▼
SINCE reason does not wholly explain
this strange perversity, we arc free
to conjecture as to the nature and pos-
sible unknown motives of the man,
Hannibal In this connection it may be
of some significance to note, that Han-
nibal was of an Oriental and Semitic
race. He came of the East and of a city
and country, where art, philosophy and
the abstractions of thought had flowered
and flourished to an infinitely greater
degree than they had in the Roman and
Italian world, then little more than a
provincial outpost, drawing scorned,
belittled but indispensable sustenance
from older, riper civilizations.
At the tender age of nine, history and
legend agree that Hannibal had been
led by his father, Hamilcar to the altar
of Baal, and there swore undying hatred
and revenge upon all Romans The
entire project had the earmarks of a
family affair In Hannibal it became a
driving obsession and back ol tlic obses-
sion was perhaps the rankling knowl-
edge that his own country held his
efforts lightly; was not properly appreci-
ati\c of his victories in its behalt. His
war in that light became something of a
free lance war — a magnificent, haughty
proud gesture of a man of indomitable
will and high spirit. For Hannibal u'ds
Greed
Bv Edith Summers Kellev
I h.ivc the finest webs of lace my sister
made for me.
Sewing late by candleliKht till dawn
was in the skies,
Sewing by the window till it grew too
dark to see.
I took the needle when she'd done and
pierced out both her eyes.
And I have robes the loveliest that ever
came from loom.
Colored like beryl and amethyst and
rich with ruby sheen.
1 locked my sister's children in a close
and sunless room.
And they wove me golden tissue and
peacock blue and green.
And I have milky pearls that glow like a
white rose half blown.
Tender and twilit pearls like mist
on silver filigree.
Pearls colored like a clouded moon. To
have them for my own,
I drowned my sister's husband in a
cold cave of the sea.
a mighty warrior, diplomat and states-
man Even his enemies conceded that
and history confirms it.
▼ ▼ T
,s TO the woman, Amytis, wife of
_ the Roman Dictator, Fabius,
whicli Sherwood so skillfully and charm-
ingly injects into his drama, as one who
influenced Hannibal to turn from his
objective — she is as plausible as any
other factor. It was not wholly impos-
sible for a Roman woman to make her
way to the Carthaginian camp after
Cannae. Women have lent themselves
to such expeditions frequently enough
Men such as Hannibal have received
them and talked with them. Neither the
man or woman may have had the
slightest illusion about the other, or
about any man or woman for that mat-
ter. They may have met, talked,
measured each other in the free region
that is above delusions and falsities and
found mutual mental, even physical
satisfaction in the exchange and equality.
Possibly Hannibal was brought face
to face with a sense of utter futility by a
Roman woman, whose wit, intelli-
gence, powers of penetration and ulti-
mate understanding were equal to his
own. Perhaps for the certain love of
some woman within Rome, Hannibal
may have abandoned the city. Perchance
he detested the woman; saw through and
beyond any shallow, small, material
motives she might have had Yet by
some strange code of a world that lives
by no ordinary codes, he may still have
spared the woman and the city? Who
knows? Such things are in the realm of
human equations, which though they
exist, can hardly be charted.
Again perchance, there was no wo-
man, at all. Hannibal was a man who
dealt in worlds and relative values, and
as such and in view of previous facts,
he stood pretty much alone. He was
unlike other men. In another sense, is
it not possible, that the man was torn
between the stated, immediate hatred of
his life and his Oriental bent to speculate
upon the abstractions ot lite? He may
never have been able to rationalize
these two forces of his mind. He may
have asked himself to what end was iti
all? Could not a man of the evident
intelligence, mental endowments and
accomplishments of Hannibal come of
himself to a complete and baffling
sense of the futility of all wars and his
own in particular? There are times in
history, when it seems that this has hap-
pened.
Hannibal listened to his blustering
officers, to his clamoring troops. They
saw only as crushed and possessed what
they laid their hands and swords to. It
is just possible that Hannibal realized
this and saw them for exactly what they
were — his dupes and tools. He may;
have despised them with the cynical
contempt of the wise man for the fools
of the rabble and the mob. He may have
turned from Rome with something akin
to disgust, with his tongue in his check
for the stupidity of his armies. i
T . T j
WHAT his feelings, motives and
emotions were as he turned
twice from Rome is given to no man to
know. The pan holding conjectures
balances evenly enough with that hold-
ing reason and logic. All that we can
ever know, is that as a matter of his
torical record, there is no well defined
account dealing with events immedi-
ately after the battle of Cannae. Up tO;
this point the narrative is well sus-i
tained. At this point there is a break inj
fabric and threads.
Possibly Hannibal, as the play sug-'
gests, tore up the work of the scribe,
covering these incidents; deliberately
willed that history and subsequent gen-j
erations should remain always in dark-'
ness and doubt as to the genuine, inti-;
mate, true reasons for the march from
Rome.
AUGUST, 1928
11
CORTEZ JND PEGGY
Following th^ dose of "A J^ight in Spain" these clever dancers have remained m San Francisco to dance at the Hotel
Mark Hopkins. They have entertained the King of Spain at San Sebastian, the Prince of Wales
at Deauville and Biarritz and other notables at Nice, Paris, London,
New York. — and now San Francisco
12
THE SAN FRANCISCAN
Now It Can Be Told
UPON completing a talk before a
Frank Norris Club in a local high
school, Charles Caldwell Dobie was
surrounded by a group of shy, but eager
to talk and question ju\'eniles. In spite
of his august accomplishments as an
author, the voungsters tound their guest
ijuite an approachable, human, talkati\e
fellow. The little informal gathering
made splendid headway.
Dobie, who is possessed of a com-
mendably helpful spirit toward the
future of letters suggested that the club
ask Charles G. Norris, surviving brother
of the great Frank Norris to talk to
them. This idea provoked silence and the
interchange of glances. At length one
resourceful juvenile spoke up. There was
in his manner diffidence, doubt and the
hesitancy of one who asks a favor with
the feeling that he is requesting some-
thing of which he is not worthy. "We
:ould never," quoth the young spokes-
man,"hopetoget any one as good as that.'
▼ T T
FROM sources that are unquestionably
reliable we glean the information
that the Republican battle cry in
the forthcoming contest for the presi-
dency is to be "Onward Christian Sol-
diers," while that of the Democrats will
be "Throw the Rascals Out."
With the Democratic slogan we have
no quarrel. There is a forthright direct-
ness about it that delights us
The Republican slogan, on the other
hand, obviously does not possess these
homely virtues. As anyone knows, who
is in fair possession of his senses, the
administrations of this party during the
past several years have wallowed in a
black, oily sea of all that is unchristian,
if gainful, and opposite to sound, old
fashioned American Democracy. But
Mr. Coolidge and now Mr. Hoover are
men whose names fairly shine with
piety, Godliness, goodness, honor, vir-
tue, staunch and solid integrity. On this
fact their party names them and bases
its battle cry. A naive paradox !
We hereby suggest that the Republi-
can party change its slogan. It may say
anything it chooses about its Christian
Generals. But as to the soldiers and the
army, let there be found, in the interest
of the things the party professes, a way
to leave them out of the picture.
ENTERING the lobby of a down town
hotel, a local matron, fashionably
and expensively gowned, looked about
her in the manner of one who expects to
find a waiting friend. From her expres-
sion it was evident that the friend had
not yet put in an appearance, but the
lady's eye had been caught and held by a
second woman, whose gowns, furs,
flowers, perfumes, jewels, handbag and
other small incidentals to the wardrobe
were as costly and as chicly correct as
her own. Upon this person the matron
gazed for several moments, her features
swept with hesitancy and curiosity.
Finally she approached the second
woman and addressed her quietly and
not without a degree of poise. "You
will pardon me," she said, "but you are
my husband's mistress, are you not?"
The lady so interrogated looked upon
her questioner lengthily but with no
anger or rancour. In time she sweetly
drawled, "Your husband's mistress —
and what did you say the name is?"
ORDINARILY we are calm, peaceable
people not given to violence, fist
blows or mouth frothing. We have, we
believe, fair tolerance for the solemn
trifles and bulTooneries of the day, such
as, the Rotary Club, election speeches,
evangelistic and psychological cam-
paigns, lovelorn columns, the attempts
at prohibition enforcement, Sunday
magazine sections, bridge lessons by
mail or lecture, the philosophy of per-
fumes or what have you.
But there is one thing that invariably
disturbs the steady norm of our days.
It is when some would-be clever scribe
and idiot refers to our beloved city as
"Frisco. " When we encounter this sense-
less abbreviation our being rocks with
anger. We are enveloped in a lurid haze
of bloody hue. Could we lay hands upon
the fellow, we would twist his miserable
neck and chuckle with insane glee at our
work. We seriously contemplate plans
for forming a league, hiring a public
relations counsel, stumping the country
and storming Washington, D. C. to
have a law passed against the outrage.
In the moment of sane reaction that
presently follows our frenzied tumult,
we realize, of course, the futility of such
a law. We are shortly mollified and our
good opinion of ourself restored by the
thought that, the rascals who so refer
to the city are inferior dubs, corrupted by (i
the low level of current journalism.
Plainly, they are not of the stuff of which
genius is made and are people of no
discernment, who will never amount to
a damn. So why should we, San Fran-
ciscans, after all, bother?
THE occasion was the recent farewell
dinner given by the Bohemian Club '
to Alfred Coates, visiting Russian direc-
tor Joe Thompson rose to render the
honorary speech of the evening. We
MtS'Tm^ — WwiMtnilMinitlifl^^
settled back and lit our cigarettes. Sud-
denly we sat up. Thompson was speak-
ing not in English but in Russian. His
remarks were delivered in a flowing,
rippling, easy manner. The thing was
incredible. Where had Joe learned to
thus speak Russian? A terrible sense of
inferiority, of wasted opportunities bore
in upon us. Hitherto we had taken no
stock in correspondence school ads. Now
we decided the matter was surely worth
looking into.
After the party left the table, we
reconnoitered a bit, bent upon obtaining
as diplomatically as possible the name of
the school the speaker had patronized.
Finally the mystery was solved by a
fellow guest, familiar with the Russian
tongue. Joe was a fraud. He had
obtained a Russian primer and rattled off
its first several lessons, consisting of such
simplicities as "I see the cat. The cat
sees me. The baby loves Mama. Mama
loves the baby," etc., etc. Our self
respect, needless to say, was immediately
restored and our scorn of coupons
greatly added to.
T T T
INCiDENT.'VL to these days of multi
tudinous divorces, there has grown
up quite a code, relating to the politi
and diplomatic deportment betwcer
erstwhile husbands and wives, wher
some social emergency throws them intc
contact and perchance seats them in dost
proximity at a dinner party. Books ol
etiquette have even been known tc
include chapters on the acquisition ol
pleasant nonchalance for these some
times difficult contacts and meetings
Perusing some of these volumes, we fai
to find a solution to the difficulty below
i
I AUGUST, 1928
r
and we suggest that something be done
[ about it by those who are expert in such
i matters.
The small son of parents, who had
parted shortly after his advent into
, this world, was one day informed by his
' mother that his paternal parent had just
I passed away in circumstances most
j tragic and harrowing. Junior had spent
j all of his seven years of life with his
I mother. He had seen his father upon but
j a few fleeting occasions, and had pos-
i sibly been given the impression that he
j was anything but a desirable person. Yet
, in his brief life span Junior had also
! made a few observations anent one's
conduct upon the passing of parents.
, Upon receiving the news in question he
[ was not a little puzzled. He stood first
on one foot, then on the other and sol-
; emnly regarded his shoes. He squirmed
and thrust his hands deeply into his
pockets. Finally he asked, "Well, Mother,
what shall I do? Am I supposed to cry?"
T T T
DURING the war a distinguished
American surgeon was billeted to
take his meals in the home of a French
peasant woman. One evening the after
dinner conversation drifted around to
^families and children. "I 'ave," said
_Marie, the hostess, "two sons, joost two
!sons."
j "Two sons," repeated the surgeon
ubsently, "and that is all the children
70U ever had, Marie? It is too bad you
jhad no daughter."
j At this point the good Marie started
jto say something and stopped. She
(Searched for words and started again in
the way of a person who has informa-
icion to be conveyed carefully and dis-
'creetly. "Non, mon docteur," said
Marie, "I will tell you ze truth. I 'ave
two an' one half children. That last he
Igive me more trouble than the other two
jail together."
T T T
FROM our New York correspondent we
learn that bootleggers, speak easies
and night clubs in that great metropolis
are now employing chemists to taste the
liquor they purvey. Here is a practice of
merit and significance both in its prac-
tical and humanitarian aspects. It
smacks of the comforting and the
poughtful. We are convinced of what
|we always suspected, namely, that
bootleggers and speak easy keepers are
men of heart and good sense, who have
ino desire to kill off their customers, as is
commonly alleged, but merely to cheer
them. They are engaged in an infant
but lusty industry, and are hounded and
hunted at every turn. Naturally, it has
taken an unduly long time for them to
adequately solve all their problems. But
as the skies clear and they find their
footing, these gentlemen show every
inclination to eliminate undesirable
features from their calling and wares and
to generally better their service to the
consumer. What more eloquent proof
does one require of this than the afore-
mentioned innovation, now in vogue
in New York and certainly destined to
spread throughout the land?
T T T
WE HAVE never been so fortunate as
to hear the inside story of how
San Francisco came by the Steinhart
Aquarium, and so far as we recall, none
of the public prints hereabouts have
ever done their duty in the matter of
singing the praises of this remarkable
structure and the finny inhabitants
thereof. We lately spent a happy hour
within its walls.
We gazed awestruck and bereft of
coherent speech upon little fishes and big
fishes, upon infant crocodiles, alligators,
turtles, fish eggs about to be fish, ducks,
seals, eels, water snakes and the whole
tribe of denizens of the briny and fresh
waters of the earth. We beheld swim-
ming creatures that are flat, fat, oblong
and inclined to the octagonal in shape;
fish with convict stripes, pin stripes,
polka dots or with wondrous combin-
ations of all three; fish that are pink,
green, gold, purple and otherwise futur-
istically decked out.
We had supposed that such beings
existed only for those afflicted with
delerium tremens or otherwise overcome
with too much bad gin. But what is
more, we were convinced that, if being
overcome with this unfortunate afflic-
tion, we would not be seeing uncanny
and unearthly visions in the creatures
that would spin before our terrified
gaze. For such apparitions do exist in
the flesh and are palpably harmless and
well meaning. In short, we had a brief,
but satisfactory psycho-analysis. Having
seen such visions while cold sober, we
will have no fear of them when not
so sober. Wherefore, we pronounce
the Steinhart Aquarium, among other
things, a noble boon to mankind in a
bleak age of dubious refreshments.
13
IN THE matter of hidden meanings, in
skill at reading between lines, we will
ordinarily match our powers with any
man, regardless of his learning, his
reputation, his sophistication or his
knowledge of the world and its people.
But upon our desk lays an advertise-
ment of the Hotel Del Monte which
frankly mystifies us. We read among
other things that, sports fixtures of
major importance follow each other in
rapid and brilliant succession.
What the deuce, we ask, are sports
fixtures? We are aware that at Del
Monte one may look upon and partake
of tennis, golf, polo, bathing, fishing,
yachting, motoring, aeroplaning, bridge,
fair women, secret and amorous de-
lights and pastimes and forbidden
beverages. Does this ambiguous phrase
refer to some new and "lately born
frivolity? Or is it just a come on, the
hollow humbug of an ad writer at the
point of arid and wordless desperation.
We would have more specific enlighten-
ment on this puzzling phrase. ^We await
anxiously later bulletins from the house
of Del Monte and from that worthy
host, Mr. Sam Morse.
BY A traveler who has just returned
from that camping ground and
rallying point of those afflicted with
bodily and spiritual chilblains, that
happy hunting ground of the swamis
and messiahs, that paradise of hot dog
vendors, that stronghold of all who
seek to save us from our sins, that rising
Athens, to wit: Los Angeles, we are
informed that, certain forward looking
gentlemen who are starting yet another
chain of cafeterias and lunch rooms in
that cafeteria ridden city require that,
all females in their employ shall wear
their skirts very conspicuously above
their knees. Be it known, also, that the
wenches chosen for service in this enter-
prise are, in toto, very agreeable to look
upon; while their knees are master-
pieces of a beneficent, if betrayed,
creator.
The food dispensed in the places under
discussion is unspeakably bad and noto-
riously lacking in flavor. But these are
details of no moment to the denizens
and yokels of the hinterlands. Thus is
art, beauty and, incidentally, good busi-
ness served in this great Southern
metropolis.
The San Fr.^nciscans
14
THE SAN FI^VNCISCAN
The Yellow Shawl
Wherein Virtue Tangles in the Fringe of Vanity
By CHARLES CALDWELL DOBIE
IT WAS during one ol her noon-hour
rambles .ihout San Franciseo that
Chiquita Garcia liad seen the yellow
shawl, in the window ot SanoH's An-
tique Shop on Sutter Street She remem-
bered it afterwards when she got home
to her dull, faded room with the vivid-
ness with which one remembers an
intense summer day.
Standing bctorc her mirror, she let her
hair fall about her face and she thought;
"If 1 could only have that yellow shawl
to wrap about my shoulders, so — ah,
yes! One needs something bright it one
has black hair." And she pushed her hair
back from her face with a gesture of
abandon, letting her scarlet lips part
hungrily. . . .
The next day at noon she went from
the factory where she worked, and she
stood opposite the yellow shawl. It lay,
draped gracefully, across the back of an
antique chair, and near its fringe a
spangled fan had been dropped with
studied carelessness. Again she thought;
"If I only had that yellow shawl against
my dark, colorless skin, and the fan to
hide my lips! ... If I only had the
shawl, the fan would not matter so
much, still — yes, it would be very pleas-
ant to have both."
That night, before her mirror, she
thought once more of the yellow shawl
and the spangled fan. "Yes," she said to
herself, "yellow is my color." Then she
put a thin yellow ribbon about her neck
and her eyes began to flame faintly, like
street lamps at twilight.
All next day while she worked at her
trade the vision of the yellow shawl
pursued her. She thought also of the fan,
but it was the shawl that held her cap-
tive. She looked down at her dull blue
dress, and at the dull blue dresses of the
women about her, — cold, cheerless blue
dresses that matched their cold, cheerless
blue eyes — remembering that they had
not even seen this wonderful shawl And
even if they had seen it, how could they
hope to wear it, since yellow was not
their color?
And she went again at evening to
look at the shawl. Even in the twilight
it lit up the window. Yes, it was still
there, and near its fringe was the span-
gled fan, and, at one side, lay a huge,
flaring tortoise-shell comb.
Chiquita began to think; "On the
first day I saw only a shawl. Yesterday
1 saw a shawl and a fan. To-day there is
a comb. Who — "
Looking up quickly, she saw Sanoff
peering over the shawl at her, and, at
once, she knew that he had been waiting
for her to come again. Hi
Well,
Chiquita Garcia knew by the greedy
smile on his lips. . . .
Her mirror told her the same tale once
she got back to it. "Yes, yes," she said,
"a yellow shawl tor my shoulders, and
a spangled fan to hide my red lips, and a
Baring comb for my hair." And she
caught up her dark hair and spread it
fanshape back upon her head. . . .
The next night Chiquita shivered
through a fog to take another look at
the dazzling things in the window. But
when she came to the shop they were all
gone. Instead, the window displayed a
hideous piece of horsehair furniture, a
bit of cold, blue tapestry, and a dreary
jet bag that even the street lights could
not call into life. She stood still and
wondered. Then she went inside.
Sanoff saw her and came forward.
Yesterday, in the distance, his eyes had
sparkled so that she had been tricked into
thinking him young — well, he was
young still, after a fashion, but age is not
always a matter of years. She looked at
his crafty face, his evil smile, and his
snake-like fingers. But she did not walk
out. Instead, she said very boldly ;
"Last night I saw a comb in your
window." And she stopped short, won-
dering what next to say, since she had no
money.
Sanoff looked her over carefully.
"Oh, yes, a tortoise-shell comb shaped
like — " he lifted his hands and made a
fan-shaped gesture. "Yes, yes, here it is."
And he picked it up as if by magic.
Chiquita had been hoping to get a
glimpse of the shawl, but it was no-
where to be seen. Had it been sold, she
wondered. She fingered the comb rather
coldly.
Sanoff smiled and pushed a chair to-
ward her. He said nothing, only smiled.
But she understood and sat down.
"If you will take off your hat," he
suggested.
She felt for the hatpins and drew
them out, setting her battered headgear
in her lap.
He bent over her, and she felt his
fingers pressing down upon her head as
he slipped the comb firmly into her thick
black hair.
She took the gilt hand-mirror from
him and looked — it was just as she had
imagined. What she needed was a flaring
comb for her hair.
Impatiently she thrust the mirror
from her. "Yes — this is it. But 1 have no
money. Why should I trouble you?
Really, I am a fool!"
His hand, sliding away from the
comb, swept her neck. She shuddered
slightly and rose.
Sanoff was still smiling disagreeably
as he bowed to her.
"The comb is yours," he said, show-
ing his teeth.
She drew back a little. "But I cannot <
pay for it," she insisted.
"I have touched your hair, it is
enough," he answered. . . .
T ▼ T
CHIQUITA Garcia did not go again i
to the shop-window for a week.
She said to herself;
"Don't be silly! You have the comb.
Because this man was a fool once is no
sign he will be another time. Besides, z
comb is a small matter, and perhaps he|
has already sold the yellow shawl. . .
But at the end of the week, one Sat-
urday night, she thought;
"1 shall walk past the window just
once, perhaps he has put the shawl back]
again."
But the window was as she last hadi
seen it — cluttered up with horsehair fur-
niture and cold blue brocade, and a
hideous black beaded bag. So she went;
into the shop again, and Sanoff came:
forward smiling as before, showing hisj
white teeth.
"Well," she began with bravado, "I
am back again. And do you know what
I have come for?"
SanofiF's smile widened, but he said
nothing.
"Shall I speak about the shawl?" she
asked herself. But her heart began to
beat fast, and she felt a sudden fear that
he would tell her it was gone. So she put
off the question and said ;
"I have come for the fan — the fan
that was in the window last week —
with spangles on it."
Sanoff did not even look for the fan,
because, curiously enough, it was in his
hand; he threw it open with a quick
downward gesture and it glistened in
the light.
Chiquita took the fan from him and
held it at arm's length; then, with a
sweep, she brought it close up against
her l^ace, hiding the brightness of hei
lips.
Sanoff smiled again, greedily. Sheshui
the fan in sudden petulance.
"I have no money," she said bitterly
throwing the fan down.
He bent over and picked up tht
bauble, spread it out carefully, held ii:
against her face as she had done. Ther
suddenly he thrust the fan quickly to om
side and kissed her lips.
Continued on page 34
AUGUST, 1928
15
zAT rue "BAse of reuiEGiiAPH hijiji
An unusual viciv of this part of San Francisco photographed by John Paul Ediuards whose interesting camera work.
is attracting iyitemational attention
16
THE SAN FRANCISCAN
Sail On! Sail On! Sail On!
Wherein Aimee McPherson Goes Down to the Sea in Ships
AiMiE Semple McPherson returned
AA CO Angelus Temple, Los Ange-
Ji JL Ics tor the present season after
an extensive tour in "China, Honolulu,
Japan, Australia, Wales, England, New
Zealand and Canada, in fact practically
all o\er the world," as she told her
audience ot five thousand and her micro-
phone at the gorgeous, hallelujah Sunday
night pcrtormance celebrating her return.
So Aimce now broadcasts :
"This is Angelus Temple — America,
which enormously tickles the funny
bones of the fi\c thousand.
Aimee loves her microphone. With
one arm (a right shapely one, too) curved
tenderly about it, she exclaims in a voice
still husky trom hundreds ot evangelistic
sermons made on the world tour :
"Come on, folks, all together! Let's
sing our old favorite, 'On the Four
Square Gospel Ship.' Everybody sing!"
She claps her little hands with an en-
couraging smack. Simultaneously, the
organ sounds the tamiliar strain and the
audience sings the sprightly tune,
"On the Four Square Gospel Ship,
Soon we'll set sail.
The cable cannot fail
In any sort of gale
For it is anchored on the solid rock
Jesus will prevail
Ship ahoy! We'll all set sail!"
Aimee steps to the front of the plat-
form, and scoffs ;
"Well, I must say, that's pretty weak.
You sound as stifl as an Episcopal
Church! " Titters and guffaws greet this
bit of brilliant raillery. "How many
sang that time' Raise your hands." Sev-
eral obey. "What! " exclaims Aimee,
aghast. "Only a few hundred out of five
thousand?" (This last into the mike.
Publicity agents take careful note. This
is what you might call a good gag.)
"This is ridiculous!" The five thousand
get a big kick out of this scolding from
their idolized Sister. "All together this
time. We'll get the orchestra to help.
Come ! 'On the Four Square Gospel
Ship, Soon we'll sec sail.' " The hand
clap again, and with a boom like the
roar ot many waters they all set sail,
accompanied by a forty-piece orchestra
(including xylophone, drums and French
horn) whose members are arrayed in
sailor costumes and white duck hats.
The joyful acclaim swells, and the
temple timbers totter on their founda-
tions as che audience shrieks, "Ship
Ahoy! We'll soon sec sail."
"Aaaaaaaa-men!" shouts Aimee, as
they cease. "Everybody say 'Amen'."
By IRENE COWLEY
"Aaaaaaaa-men!" comes back the
obedient chorus, excited by song.
"Everybody on the main floor say
'Amen'," commands Aimee.
"Aaaaaaaa-men!" bleats the main
floor contingent.
"In the first balcony," directs the
lovely leader, her pretty chin raised in
that direction.
"Aaaaaaaa-men!" shouts the first
balcony team, its competitive spirit
completely aroused.
"In the second balcony," encourages
Aimee.
"Aaaaaaaaaa-men," shriek the second
balcony worshippers, up near the sky-
tinted dome.
"Now the newcomers," coaxes the
hospitable Aimee sociably.
"Aaaaaaa-men !" bray the newcomers,
catching the spirit of the thing. And now
that everybody feels thoroughly ac-
quainted, their friendship cemented by
the glad 'Amen', the evening's program
can begin.
The big bill-board on top of the
temple has promised "A gorgeous musi-
cal sermon, followed by an illustrated
evangelistic sermon by Aimee Semple
McPherson," and, flushed with antici-
pation, the audience sits up and feasts its
eyes on the radiant Aimee (fresh from
China and Wales) and wonders what she
has in the way of entertainment up the
sleeves of her black silk cloak, lined with
white.
T T ▼
FIRST of all, Aimee informs us, we're
to have the pleasure of hearing some
darling little children, who will stand in
a tiny boat and sing in their sweet treble
the very same song that the grownups
have just sung. Accordingly, a curtain is
raised behind Aimee, and there, sure
enough, in a cardboard boat, stand the
dear little tots.
"Ah," murmurs the audience mater-
nally, and the children sing sweetly,
"On the Four Square Gospel Ship
Soon we'll set sail"
Etcetera,
while throats tighten and unashamed
tears (according to the papers) flow from
the eyes of the adorers. So dear! So
sweet ! In every aisle sits a young woman
garbed in white dress, white shoes, and
black cloak. There are eight hundred
scattered through the temple, and at the
conclusion of the first number they
become an animated claquerie. Imme-
diately, every pair of hands in the temple
joins in thunderous applause, and Aimee
turns the mike to the audience.
The mistress of ceremonies follows
this up with a solo by a graceful child of
perhaps ten years, who faces the vast
audience unafraid, with a song about
"Jesus in a little boat. On darling Gali-
lee," while the children in the cardboard
boat rock ever so cutely, in the frail
craft.
Next a youth, dressed in the uniform
ot a naval officer, recites in a wavery,
baritone voice, "Sail on. Sail on. Sail
on, and on." Above him, in front of the
choir, in a boat larger than that formerly
occupied by the children, stand eight
stalwart sailors, striped jerseys, blue caps
'n everything. Each holds an oar. The
stroke is a husky youth, but since there
isn't any coxswain, the crew gets rather
careless with its oars, with the result
that the rowing motions which accom-
pany "Sail on," become a bit erratic,
each sailor setting his own pace, which
adds a piquant touch of variety to the
picture.
By this time the audience sees che
subtle connection between the illustrated
sermon that is to come, "When My Ship
Comes In," and the musical program
which is preceding it, tor a pale-eyed girl
nearby whispers to a pimply young man
beside her,
"I guess it's going to be all about ships
and sailin' on account of the sermon."
Aimee announces that due to the hun-
dreds of requests that she has received,
what do you suppose, our organist is
going to play the "Volga Boatman"!
The organist smiles modestly, seats her-
self at the organ, and notwitlistanding
the fact that the Volga boatmen didn't
row, the unorganized crew up above
pulls right lustily on the oars to the tune
of the Russian folk-song.
Next, the tuba player from the orches-
tra bashfully faces the audience, and,
wrapped in his huge instrument, attempts
a tuba solo which Aimee asserts is en-
titled, "When the Bell in the Lighthouse
goes Ding, Dong." But the player
missed a few dings, or dongs, and alto-
gether this number was a flop. Well, on
any circuit, three good numbers out of
five is a fair average, and the entertain-
ment is gratis, so the audience passes
over this lightly, even magnanimously.
Meanwhile, children are lying fast
asleep in parents' arms, and parents are
getting the biggest thrill they've had
since the Welsh Quartet sang at the
church supper back in Keokuk.
Aimee announces that the choir of
fifty members "will sing for us Mrs.
Coolidge's favorite song, the President's
Continued on page 28
AUGUST, 1928
17
TheVieymese Prima Donna in the gorgeous trappings of "Turandot," one of the roles in which San Frar
xvill hear her during the coming opera season
18
THE SAN FRANCISCAN
TuUy vs Sinclair
A Hopeful Sign in the Progress of American Letters
UPTON Sinclair has once more
gone into liis ammunition hag
tor one ot those frightful gren-
ades loaded with documentary proofs.
This time Jim TuUy is to he the
victim — or at least the target.
TuUy, who would have written a
blasting report on Elbert Hub-
bard, has appropriated that dab-
cr's bon mot, "E\ery knock is a
boost." No doubt the Irishman
welcomes the impending duel.
The quarrel began when Tully
confideti to Sarah Harrdt the in-
formation that Sinclair had once
turned the budding hobo author
from the door, and that right
smartly, to the tunc of baying
watch dogs. Miss Harrdt repro-
duced those revelations in The
American Mercury. A few weeks
later Sinclair, in his customary
manner, leaped forward with a
rebuttal. This time he is to pro-
duce in The Haldeman Julius
Monthly excerpts from the grate-
ful notes indited to Upton Sinclair
by Tully himself, and they tend
to prove that Upton Sinclair
stepped for Tully, and stepped
high, wide and handsome.
The question is, perhaps, which
one of them is lying — and are
cither of them gentlemen?
But no. That is not the ques-
tion. Such minor considerations
should interest no one but the
combatants. Sophisticated folk
are not notable enthusiasts or
champions. In the Sinclair-Tully
row they, the Sophisticates will
be charmed and amused; doubly
so if it proves to be a lively affair.
And it gives promise of being a
dandy.
On the side of Sinclair seem to be sev-
eral very significant missives, and the
able seconding of Mrs. Sinclair — she
whose toasts from the Pen of George
Sterling, Sinclair made bold to vend.
On the side of Tully is another thing.
As to the verity of his original charge, as
made to Miss Harrdt, it is dubious, in a
recent issue of The American Mercury
Tully said of his mother, "She had an
unconcious sense of drama." It would
seem that Biddy Lawler passed on to her
son that sense of drama. When asked if
Upton Sinclair had ever helped him, this
thought probably flitted through Tully's
mind, "How dramatic if the avowed
'Champion of the under-dog' would be
charged with being a snob who rebuffs
By HUGO
struggling young writers!" When that
thought was transmitted to his inter-
viewer it became, according to Sinclair,
a lie. But who, except Sinclair cares!
VUlanellej^ of a Spanish
Dancer'
By Walter Adolphe Roberts
Heat that is fused to flesh for my despair,
Spark from the flint that is the soil of Spain,
Her art has stripped the body of beauty bare.
She dances to the mad guitars, aware
That in her rapture is a core of pain —
Heat that is fused to flesh for my despair.
The hoofs of goats upon a rocky stair
Beat in her castanets a fierce refrain.
Her art has stripped the body of beauty bare.
A poppy glows like blood upon her hair,
And her wet mouth is as a fiery stain —
Heat that is fused to flesh for my despair.
Lust on those lips, but in her eyes a prayer !
Of a vast ecstasy her soul is fain.
Her art has stripped the body of beauty bare.
Though I should die for her, she would not care.
She is so young she loves to flaunt disdain.
Heat that is fused to flesh for my despair.
Her art has stripped the body of beauty bare.
Who, among the Sophisticates, gives
a damn whether an author is a gentle-
man or not ! Gentility in the truest sense
of the word, never had a great vogue
among writers. Think of Villon — he slit
a few throats, but what a delightful heri-
tage he left the world ! Byron was a rake
and a blackguard, but "Childe Harolde"
is charming. Byron's uncle, Thomas
Carlysle, was an old prig, but his "His-
tory of the French Revolution" is stu-
pendous. The politely-withheld frag-
ments from the history of Oscar Wilde,
as they were brought to light by Samuel
Roth in ' 'Two Worlds, ' ' was not hideous
or obscene. It was as rich in humor as a
chapter from the works of Rabelais.
THE truth is that the row between
Tully and Sinclair is a hopeful sign
in the progress of American letters. It is
not, of course, the first time it has oc-
curred, but is thus more encour-
aging, since it shows a tendency
to re-occur. The fertile periods of
any great literary era have been
notable for the brawlings of
authors The best writings, unlike
the best carpentry, are done when
clever men are in the heat of
battle. England received a definite
boon in the long and acrimonious
struggle of Swift and DeFoe
against Steele and Addison.
Nor need the combatants be
models of decorum. A writer of
belles lettres is usually either a
loud-mouthed babbler who can
not keep to himself his own
struggles and defeats, or else he is
a scoundrel who betrays the con-
fidences of the dear lady who was
so sweet to him the night before.
Like Lawrence Sterne he is apt to
cut capers on the bed where he
was conceived. The business of
being a gentleman is too exacting
and tedious. Struthers Burt has
taken so much time out to prove
that he is a gentleman, and that
Mr. Mencken is a boor, that
Burt's reputation as a writer of
something interesting has begun
to pale. Mr. Burt, proven a
gentleman, can now crawl up on
his dusty shelf and stay put. Mr.
Mencken, proven a boor, will
continue to hold our grateful at-
tention until he becomes a disciple
of Emily Post.
M"
R. Sinclair, if he continues
to burst into print with
charges reeking with "dastardly deeds"
will continue to hold his audience. It
will make little difference to coming
generations that Sinclair was, or was
not, sincere in espousal of the under-dog.
Even as a prophet of the Socialistic Age
he will not count — he is too rambunc-
tious for that. If he is read it will be
because he is fervent and sparkling, and
has unconsciously acquired much that is
interesting and amusing in his work.
Tully, as a historian, will be impos-
sible. As a fairy tale teller he will prob-
ably live. He has some exceptional stuff
in his sketch, "Shanty Irish." (It is safe
to prognosticate that "Shanty Irish" is
the ground work of Tully's next book.)
Continued on page 30
AUGUST, 1928
19
This striking composition shows the essential beauty of modern mechanical structure. It demonstrates the truth of the epigram
Function begets form" and forecasts unlimited possibilities for art based on factors of modern life. It is the
work, of Brett Weston a young photographer ivhose prints were recently exhibited with
those of his well known father, Edward Weston
20
THE SAN FRANCISCAN
Tin Types
Troopers of the Golden Era of San Francisco Drama
UPON San Francisco the quick, full
flooJ of the gold rush, the hirth
of the drama hurst simultan-
eouslv, lustilv, suddenly Here the dra-
matic art. as is usually the case, waited
not until the city had put its pioneer
period tar and dimly behind it; had at-
tained a certain secure mellow point of
leisure, tradition and means before it
turned to the theatre and the cultivation
of the things of the mind Properly
speaking the city never grew. It sprang
to wise and fearful v\isdom o\eriiighc
Men of every race, color, station and
mental endowment under the sun, within
a hrict space of time, lived closely with
hunger, plentitude, wealth, poverty,
hardship, luxury, life, death, tragedy,
humor -scaled quickly, consumed and
cast aside the entire gamut of human
emotions. Contrasts, intense and power-
ful swept through their days as the ebb
and flow ot tides
Ot such was the pageant and drama ol
the gold rush. Those who were of it
lived as spectators and actors to a vast,
many sided spectacle, which threv^ emo-
tions and imagination into a seething
furore and bred a strong sense of theatri-
cality. Nothing save another glamorous
world could possibly suffice to provide
amusement, recreation and release for
those who lived and sought wealth amid
scenes as tumultous as those ot the gold
rush The cause of the playhouse was
helped along by the tact that there were
almost as many actors in San Francisco
as there were miners They sought the
town with an unerring instinct for the
intensely dramatic, the extremely para-
doxical Nor were they unmindlul of
rumored generous and golden rewards
Early San Francisco drama, as it thus
sprang to vigorous youth truly mirrored
the temper, life and tastes of the popu-
lace Each man tound what he sought.
The plays of Shakespeare, the master-
pieces of French writers flourished within
earshot of tawdry, noisy slap stick.
Opera, when it appeared found ready
support Every gambling house and
saloon had its stage; every play house its
bar Tlie QolJcn Era, a San Francisco
weekly publication established the first
page ot dramatic criticism in 1S52.
Every mining town sheet had a similar
department and these columns were
devoured, discussed and warred over
with high gusto
A forming tradition so fraught with
variety as was this one naturally gave
prominence to actors and actresses of
striking personality —to those whose
instinct for the unexpected and unusual
By ZOE A. BATTU
walked with them through the streets as
well as upon the stage Of such was
Adah Isaacs Mencken, Lola Montez, the
Elder Booth, Edwin Booth, Jr , Mrs.
Judah and Tom Maguire
The last named was not an actor but
a theatrical promoter with an amazing
penchant for building Jenny Lind
Theatres He built three in all, on the
site of the present Fiall of Justice. The
tirst, erected in 1850 was burned to the
ground in 1852. The second, a costly
and munificent structure went up in
smoke exactly nine days alter its open-
ing Nothing daunted, Maguire raised a
third Jenny Lind house, a feartul and
wonderful masterpiece in glaring red
plush, gold, gilt, plaster of Paris orna-
ments and gaudy hangings This intrepid
builder of playhouses could neither read
nor write. In spite of his lack of erudi-
tion he deserves front rank among San
Francisco's immortals. He contributed
solid foundations to a fine and ancient
tradition. t » ▼
A MONO the actresses Lotta Crabtree
^/\_ was the most notable, not because
of any special excellence of her talents,
but because she so easily captured and so
long held the popular fancy. She was
brought from her native New York to
California in 1S52 at the age of five. Her
father had preceded his wife and daugh-
ter to the state and had settled in Grass
Valley, where his family joined him. In
this hamlet Mrs Crabtree opened a
boarding house to supplement the family
fortunes, then at a low ebb, and here the
small Lotta, impish and red headed,
made friends with the notorious Euro-
pean dancer, Lola Montez, at the time
sojourning in Grass Valley. Lola took a
liking to the child and she was quick to
imitate Lola's dancing By the time
Lotta was eight years old she was rated
as a finished thespian. She danced,
warbled sentimental ballads and picked a
banjo with uncommon facility for one
so young She gave presentable and not
unprofitable local performances
There was just then a craze for child
actresses. Mother Crabtree, who always
had an opportunistic eye for business per-
ceived in her first born escape from the
grind of a boarding house She formed a
partnership with one Mart Taylor,
stranded actor and saloon keeper. Father
Crabtree, a shiftless prodigal was with-
out ceremony deserted. He returned
home one evening to find that his wife
and eight-year-old daughter haddeparted
upon a dancing tour of Northern mining
camps.
This initial itinerary was a grand suc-
cess Lotta was the show's leading lady.
She thumped her banjo, sang her songs
and danced her way into the heart of
every town visited In those isolated
niining camps, inhabited almost ex-
clusively by men, a child was a rarity
and a child actress akin to a divine being.
The miners howled raucous approval of
Lotta and showered dust, nuggets and
divers coin on the stage Lotta removed
her dancing slippers and scooped her
gains into them, threw kisses and dis-
appeared amid more resounding ap-
plause.
▼ T ▼
MOTHER Crabtree's subscqucnt
storming of San Francisco was
not exactly an easily won victory, but
gradually Lotta acquired a loyal and large
following that stood by her through long
years. Whenever she appeared in San
Francisco or in any remote mining
region, the community turned out en
masse to pay homage to La Petite Lotta,
as she had come to be called on account
of her dimunitive stature. As a child
actress her position was secure and en-
during throughout her Western and later
Eastern career. She apparently lacked the
capacity and inclination for serious or
heavy roles. What tew plays she appeared
in were of no consequence in themselves
and Lotta plainly showed that she had
no grasp of more complex drama.
Moreover her mother was a practical
person. In her eyes people who aspired to
do Shakespeare were destined to come tO'
poor and unseemly ends. She looked with
scorn on young Edwin Booth, then;
struggling with the difficult business oh
gaining a name as a Shakesperean actor
He was plainly a harum-scarum, un-
balanced fellow, since he dashed about
town on a prancing white horse. His'
father had spent the best part of his life
in Shakespearean roles and what had he;
come to? He had arrived in San Fran-
cisco, an itinerant carpet bag trouper, ofj
honor and prestige to be sure, but of no
financial standing. He disappeared sud-
denly and met a mysterious death on a
Mississippi River show boat. All these!
things were, in Mrs Crabtree's sight,
evil omens. She saw to it that her
daughter did not fall into such trifling
ways.
Mother Crabtree put her faith in
comedy, patter and the sweet little girl
illusion. Lotta was the Mary Pickfordof
her day. If there had been any movies or
Hollywood, Mrs Crabtree would have
speedily sought them out Perchance her
Continued un page 31
AUGUST, 1928
21
TiOBERT TOJlXjiK^, VlOJlJ^Sr
•John Hagemeyer presents the picturesque characteristics of the man in this camera portrait of T{pbert Pollak- -Mr. Pollak. is now
in Uienna where he goes each summer to continue the instruction of students ni the virtuosa class at the
Vienna Conservatory of Music xvhich he left three years ago to become the head
of the violin department in the San Francisco
Conservatory of Music
22
THE SAN FRANCISCAN
So This Is Love
Proving That There is a Destiny That Shapes Our End
ByELVA WILLIAMS
Scene: A flippant suite in a very
iiftr Ncii' York hotel. A young
man of ahout tiuenty-nine is try-
ing to arrange recalcitrant tulips in a
jar, the tulips also have an air oj being
veiy new and professionally gay. On a
tatle is a quart of luhiskey in a black
evilly black bottle, apparently also very
ntw. The young man paces indecisively
betiveen the flowers and the bottle, drops
a lighted cigarette on the bright carpet
and runs his flngers through his shining
hair.
It is late afternoon. The ivhole
atmosphere is one of ivaiting and the
tico little beds seen through the door
seem to be waiting too docilely, and a
little self-conscious. There is a timid rap
at the door. It is opened and there ap-
pears a slender young woman frocked in
one of Patou's precisities.
She: Good afternoon. One would have
so much more poise it it were even-
ing, wouldn't one?
He: Yes, yes, I suppose 1 don't know.
Will you be seated, have a chair.
She: Thank you. 1 wish you wouldn't
shake so. We must be very self-
possessed.
He: 1 thought we were to be just the
opposite.
She: Oh! no. (She removes her fur and
hat and pats her hair into precise
waves.) You seem so surprised, or
shocked, or something. Didn't you
expect me to be like this?
He: No, 1 thought you'd be very much
older and blonde, most awfully blonde
and stouter, you know, quite horrible,
in fact.
She: (with a laugh). Why is it taken for
granted that intelligent women are
ugly, wives are ugly, virtuous women
are ugly And now you took it for
granted that your co-respondent would
be ugly. How is a pretty woman to
live? For, I am pretty, don't you
think?
He: (gasping). Extremely, yes, ex-
tremely. Will you have a drink? (He
offers her a good fraction oj the
whiskey bottle.) I'm quite drunk
myself.
She: Not really! You carry it well. Yes,
I'm afraid 1 must take one. In this
profession one does need poise. As a
rule I'm perfectly calm but (she drinks)
you're such a handsome person.
He : Is that last a part of the profession
too?
She: No!
He: I'm sorry. But good Lord, how can
you do this? Doesn't it shatter your
nerves?
She : No, not my nerves, perhaps my dig-
nity. But it enables me to dress like a
lady. One must he a lady in some way,
in the heart, in the head or in the hat.
You see a professional co-respondent's
work is really very simple. I come
here this afternoon at the arranged
hour, disrobe, (please don't look M me
like that), your wife accompanied by
two witnesses will knock at the door,
also at the arranged hour. I will ask :
"Who is it?" She will answer: "The
maid." and sliding a key into the
lock, (key previously given to her by
you) open the door and find us in the —
in the — clasp ot Cupid. I always blush
for a moment but look at my brace-
lets. When is a bracelet not worth a
blush! Besides your wife's attorney
has an exclusive following. The men
I work with are always gentlemen.
I'm paid well and who knows? Men
are always caught on the rebound.
That's a platitude, but you men are a
business to women, so we have to
have some fundamentals to work on.
Shall we have another drink? How
much time have we?
He : Yes, yes. Would you like some ice
and soda with it? I was afraid to face
even a waiter, but you've given me
courage.
She: Not me. Your courage came from
the bottle. Why not take it in its pur-
ity. (T/ie>' drink.) Tell me is your
wife pretty?
He: Why?
She : Who wants the divorce?
He: She.
She: She's a tool. You are too attractive.
I should never divorce you.
He: Oh! She's fond of me, but she
wants to marry someone else. She's
almost thirty, and with only one mar-
riage to her credit. So she's embarrased.
She says she'll be glad to remarry me,
someday.
She : Do you want her to?
He: I don't know. There's a lot of evil
in the world, isn't there? Ambition
makes people evil and deceitful. Love
doesn't last Turns to deceit
She: If love lasted I shouldn't have a
job.
He: Hmm. Hmm. Above all things 1
loathe deceit. Ugh! This mockery. If
she doesn't want me why are we forced
to play this cheap game. 1 hate deceit
I hate the law for making deceivers
of us. I believe in companionate
marriage.
She: But that sounds cheap too, like the
installment plan. You're a very moral
person, {a pause) I'm not very legiti-
mate, am I?
He: You're very extraordinary. :
She: You see, 1 have a passion to be a lady. I
I did so want to be like Madame
de Sevigne, the only virtuous woman
ot her time. Instead I make my living
by appearing immoral. Do you believe
in love at first sight?
He: I don't know, why? '
She: I do, do, do.
He: You're adorable. You mustn't go
on in this — er — profession.
She: Please don't moralize I'm quite
nice, really.
He: I know. j
She : Shall I — is it time — for me to re- 1
move my dress?
He: I don't know.
She : We are getting tight
He : You shall not drink anymore.
She: I couldn't go through with it if I
didn't. Your wife to see us, ugh! like
that.
He: It won't last but a second. I shall
be ever so —
She : It's not that. If she sees me she may
want you back. She may not have
realized I'd be so pretty and she may
have forgotten how handsome youare.
He : (going to her) Let's forget about her.
She: Help me with my dress. (With a
long siveeping geature her dress goes
over her head and is flung in a chair.
She stands there, high-heeled in rosy
chiffon, looking very disconsolate.)
He: (looking at her, incredulously).
What is your name?
She : Hope. What is yours?
He: Michael.
She: (still standing). Beautiful name.
(A long pause) . What shall 1 do?
He: I'm afraid you know the technique
of this better than I.
She : (starting to cry) . Ooooh ! —
He : (rushing to her) . Forgive me, please,
I'm so obtuse. Shall we drink?
She: Yes. It will give me more poise.;
You look more beautiful every minute. I
He: It's the bottle.
She: Bottles are great.
He : Yes.
She : Do you think that is why we are
tailing in love?
He : What is why?
She: The bottle.
He: No. (They drink). But it helps us
to do it more quickly and less pain-
fully.
She : Is it painful for you, Michael?
He : What?
She: Falling in love.
He: I don't know. This is my first.
She: You're lying to me
Continued on page 3 i
AUGUST, 1928
S/iW FRANCISCC
PUBLIC LIBRarv
23
Sa)i Francisco as Visualized by Famous People Who Have Never Been Here
IJl T>UCE "BENITO .MUSSOLINI
SLIZABETH ENGLISH rJ^AGEE
The charming and talented daughter of Mr. and Mrs. William Magee
has been spending the summer at Lake Tahoc
FROM THE DRAWING BY LOUIS HELS
The Rci^nin^ Dynasty
WEDDINGS
July b. Miss Edilh Dohrmann, daushter of Mr and
Mrs. A, B C. Dohrmann, to Dr. Harry Garland, son
(it Mrs. Margaret Garland of Dublin
July 23 Miss Mary Martin, daughter of Mr. Herbert
Martin and granddaughter of Mrs Camillo Martin, to
Wilson Chamber lin McCarty, son of Mrs Barclay
McCarty of New ^ork.
July 28. Miss Dorothea Margery Day. daughter of
Mr Edwin Herbert Day of Santa Cruz, to Mr. Robert
H. Rcnebome Jr., son of Mr. and Mrs. R. H. Rencbome
of San Francisco and San Rafael-
August O Miss Louise Burmister. daughter of Mr
and Mrs, Robert B, Burmister, to Jeffrey Kendall
Arinsby. son of Mr and Mrs James K Armsby of Ross
ENGAGEMENTS
SAVAGE-HALE Miss Helen Savage, daughter of
Mr. and Mrs Otto Savage of Denver, Colorado, to
Marshal Hale Jr . son of Mr and Mrs Marshal Hale of
San Francisco.
ALLEN-BONNESTELL, Miss Jean Christy Allen,
daughter of Mr. and Mrs Sidney DeWitt Allen of
Alameda to John Hamilton Bonestell, son of Mr and
Mrs Horatio Bonestell of Piedmont
HOUGHTON-DAVIS. Miss Clarisse Almcda Hough-
ton, daughter of Mr and Mrs Edward Tomkins
Houghton of Berkeley, to William Rude Davis, son of
the late Mr. and Mrs William Rude Davis of Oakland
VISITORS ENTERTAINED
Mrs. Emory Sands of Washington. D C was the
house guest of Mrs Dunn Dutton of Burlingame for a
fortnight, later visiting Mrs. Raymond Welch, who is
Mrs Sands' sister.
Mrs. Zell Hart Deming of Warren, Ohio, and Mrs.
J. H. Fitzgerald of Milwaukee, honor guests at a
luncheon given in Woodside by Mrs, Samuel Pond The
visitors were also entertamed by Mrs Chauncey Board-
man and Mrs, Stewart Elliott
Miss Lily Polk of New York, honored at a dinner-
dance given by Captain and Mrs, Edward McCauley of
Burlingame at the Burlingame Country Club; a debu-
tante and sub-debutante affair. Also. Miss Polk shared
honors with Miss Manuelita Boldt of Montecito at a
dinner given by Miss Janet McCook Whitman at the
home of her godmother, Mrs. Robert B, Henderson, in
Burlingame.
Mr. and Mrs. Arthur Scully (Mary Julia Crocker) and
their two children, of Pittsburgh, Pennsylvania, house
guests of Mrs. Henry J. Crocker at the latter's summer
home at Cloverdale,
Mrs. Arthur Comstock and her daughter, Miss Mabel
Wilson, and Miss Lavinia Riker, ail of New York, were
guests at the Burlingame Country Club during July
Miss Alice Helen Eastland of Burlingame entertained
at dinner at her home in Burlingame for Miss Riker
and Miss Wilson.
Mr. and Mrs George Baker Robbins of Burlingame
entertained at tea in honor of Signer and Signorina
Bernardino Molinari
Mr. and Mrs William O'Molony of Geneva were
guests of Mr and Mrs Charles Oelrichs Martin in
Menlo Park before the O'Molony's return to Switzer-
land.
In honor of Mrs. George Lufc of New York, Mrs,
William Cluff of Menlo Park entertained at a luncheon
Mrs Luft mado her home at the Mark Hopkins during
her visit in this city.
Honoring Manuel Quezon, president of the Philippine
Senate, Senator James D Phelan entertained at dinner
at the Pacific Union Club.
Baroness Jan Carel Van Eck of New York was guest
of honor at a luncheon given by Miss Janet Coleman.
HERE AND THERE
Mr. and Mrs. William W. Crocker celebrated the
fifth anniversary of their wedding by giving a dinner
at their home on the peninsula on June 2b.
Albert Coates. the English conductor, was enter-
tained by the English-Speaking Union during his visit
in San Francisco. William H. Crocker gave a dinner in
Burlingame in honor of the noted musician.
The entertainment committee of the Burlingame
Country Club gave the first party of the summer season
late in July, the occasion being a dinner dance. The
committee comprises the Mesdames George Leib.
Robert Watt Miller. Archibald Johnson. John Clark
Burgard and Miss Claudine Spreckels.
Mr and Mrs Roger Lapham were hosts to more than
200 of their friends at a buffet luncheon given before the
July 4th Race Meet at the Menlo Circus Club
A no-host party was arranged at the Burlingame
Country Club by Mrs. Austin Moore and Mrs. Philip
Patchin, The quests included members of the debutante
group and those of the older married set ,
Subscription dances for the younger set on the penin-
sula have been arranged by Mrs George N Armsby,
Mrs Lewis Carpenter, Mrs R Walker Salisbury, Mrs
Thomas B, Eastland. Mrs. Orvillc Pratt and Mrs
Henry W. Poetl. Each of the dances is preceded by a
number of dinner parties for the young people.
The return of Mr, and Mrs Warren Spieker from
Eurcjpe precipitated many pleasant functions in town
and on the peninsula Mr and Mrs Latham McMullin
and Mr and Mrs John S Drum were among those who
welcomed the Spiekers on their return,
Mr and Mrs. Howard Spreckels gave a large dinner
dance at the Burlingame Country Club in honor of Mr
Spreckels* young kinswoman, Miss Jean Ferris
The San Francisco Branch of the Junior League will
hold the first of a new series of Fasfiion Show Teas at
the Hotel Mark Hopkins on August 27 Mrs. Ralston
Page is arranging the tea.
Empty Housed
By Elizabeth Leslie Rods
Enipcy houses arc like empty hearts;
When love is gone, a vacant room,
But a cold heart, no fire darts
To warm and light the tw/ilighc
gloom.
One day, quite suddenly you'll pass
The house where once wc lived, and
say
'How shabby it now looks, the grass
Needs cutting,' and go on your way.
Mr and Mrs Alfred Whittell entertained at a large
dinner given at the Menlo Country Club in honor of
Mr and Mrs Earl Oshorn who have recently returned
from their honeymoon abroad.
Mrs James Athearn Folger gave her usual elaborate
and enjoyable party at her Woodside home in honor of
her grandchildren who include the children of Mr and
Mrs Joseph A Donohoc. Mr and Mrs Piatt Kent and
Mr. and Mrs J. A Folger Jr It was a garden party
with all manner of entertainment provided for the host
of youngsters-
Mr, and Mrs Nion Tucker gave an attractive dinner
party at their home in Burlingame to celebrate the
tenth anniversary of their wedding, Mrs, Tucker was
Miss Phyllis de S'oung.
Mr and Mrs Charles G Norris are entertaining con-
stantly at their country home at Saratoga Their niece,
Mrs. Gerald Herrmann has been passing most of the
summer with them
The greater part of the entertaining done during the
past two months has taken place at the vaious Country
Clubs The Menlo Circus precipitated many affairs at
the Circus Club An invitational golf tournament at the
Menlo Country Club was the occasion for many dinner
parties and no-host dinners have been taking place
every week-end at the Menlo and Burlingame Clubs
and at the Marin Country Club.
SAN FRANCISCANS IN THE SOUTHLAND
Mis^ Janet Whitman of New York and Burlingame
will pass Fiesta Week in Santa Barbara with Miss
Manuelita Boldt
Mr. and Mrs DeLancey Lewis spent some time in
Montecito in July
Dr. and Mrs Langley Porter have been passing part
of the summer at Monterey. Dr. and Mrs. Lewis Smith
of London were their guests for a time,
Mr and Mrs. Ralph Palmer and Mr. and Mrs.
George D Roberts are among the members of the Ross
colony who have been summering in Santa Barbara and
Los Angeles.
A large no-host party at the Montecito Club was
attended by many San Franciscans who were in the
vicinity at the time. Among the number were Mr and
Mrs D G BromfteId,Dr and Mrs Walter Scott Frank-
lin, and Mrs Thomas Joyce (Mary Martin).
Mrs Paul Clagstone has taken a house in Santa
Barbara for the summer Mr and Mrs Oliver Dibble
have also taken a cottage in Santa Barbara, at the San
Ysidro Rancho.
Miss Josephine (jrant was ai ihe Biltmor^; in l^)s
Angeles for a week Miss Oani was with the parly that
incluJeJ the Karl of Altamont, the Yion Michael
Knatchbull and Lady I>)reen Knatchbult
Mr and Mrs, Irving Lundborg and Miss Helen
Lundborg were guests at the Biltm:»re in Santa Barbara
for a week during July Mr and Mrs Maurice Sullivan
were also guests at the Blltmore for a weck.
Thc Baroness J C Van Eck, the former Agnes Till-
man of this city is passing the summer at the Tillman
horn.: at Aptos Baron Van Eck will join his family
shortly before they return to their home in Greenwich.
Connecticut
Mr Horace Blanchard C^ihase and Miss Ysabel Chase
of Palm Beach arc summering at Pebble Beach Addison
Misner will join the Chases soon
Mr and Mrs, Henry Foster Dutton were among the
many San Franciscans who spent weeks at Miramar
during the summer season Also at Miramar were Mr.
and Mrs F-rank King and Mrs William S Perkins and
her grandchildren, the children of Mr and Mrs. Alfred
Oyster
Mrs Bernard Ransome and her daughter. Miss
Martha Ransome motored to Santa Barbara recently
and visited Mrs William Bull Pringle.
Miss Mariana Casserly and Miss Ines Mejia spent a
pleasant week with Miss Cecily Casserly at the latter's
Montecito home, Mr William Kuhn Jr. and Mr Bruce
Kelham motored down later and attended the house
party that Miss Cecily Casserly gave over July 4th
Mr and Mrs Kirkwood Donavin are at the present
writing in Coronado where they have taken a house for
a month.
Mr. and Mrs James Jackman spent a fortnight at
Hotel del Coronado.
Mrs, Frederick B. Kcllam has taken a house in
Mission Canyon, Santa Barbara for the summer.
Among those attracted to Santa Barbara for the fiesta
were Mr and Mrs George Leib, Mrs Arthur Comstock.
Mr and Mrs Nion Tucker. Mr and Mrs Edmunds
Lyman, Mr and Mrs Alfred Swinerton. Mr. and Mrs.
John Polhemus. Mrs Harold Casey and Mr. and Mrs,
William F Breeze,
Mr and Mrs Richard Heimann are occupying Wil-
burn Lodge in Santa Barbara for the summer. They
entertained Mr and Mrs. Nion Tucker during the week
of the Fiesta.
SAN FRANCISCANS IN NEW YORK
En route home from Europe. Mrs Robert Hays
Smith of Burlingame spent several days at Newport
Mrs James K Pryor. who is visiting in New York,
was the complimented guest at a luncheon given at the
Park Lane by Mrs. E, G. Babcock.
Mr Raymond Armsby was in New York for a fort-
night on his return from Europe Mr. Armsby has just
completed a trip around the world,
Mr and Mrs Eugene Freeman are visiting various
points of interest on the Atlantic Coast this summer,
Mr and Mrs Cyril McNear (Elena Folger) are in
New York where they will make their home for the
present.
Mr and Mrs Walter Scott Hobart will leave this
month for New York,
SAN FRANCISCANS ABROAD
Mr. and Mrs Charles Rodulph were in Paris when
last heard from, guests of Mrs. William Griffith Hen-
shaw
Mr and Mrs. Henry Percival Dodge sailed for Den-
mark at mid-July Mr Dodge is the American Minister
to Copenhagen-
Mr and Mrs Georges DeLatour of San Francisco and
Burlingame and their son-in-law and daughter, Comte
and Comtesse de Pins, attended the tea given by Dr.
and Mrs Mark Gerstle at their charming apartment in
London.
Mr and Mrs Frank Drumm, who are honeymooning
abroad, were among those who attended the races at
Ascot
Among the San Franciscans who enjoyed the London
midsummer season were Mr. and Mrs Gordon Hitch-
cock, George Pope Jr , Mrs. Percy Morgan and Mr.
Jack Morgan.
Mrs Alexander Hamilton and her daughters, during
early July, were visiting in Ireland, They purchased a
handsome hunter while there.
Miss Elizabeth Oyster was the guest of Mr. and Mrs.
Alfred Tubbs in Paris recently.
Mr. and Mrs Richard McCreery of Burlingame are
now occupying their villa at Lake Como,
Mrs Duane L Bliss, Miss Ruth Langdon and Miss
Vere de Vere Adams are taking an interesting trip this
summer through Norway. Sweden and Denmark. They
also plan to visit Russia before returning to this country
early in September.
Mrs William B Bourn of San Mateo is in Ireland,
visiting at Muckross Abbey, the home of Mrs Bourn's
daughter, Mrs. Arthur Rose Vincent,
Mr and Mrs. William W. Crocker are in France with
Mr. Crocker's mother, Mrs. William H. Crocker.
2b
THE SAN FRANCISCAN
The Tennis Controversy
TilJcn's Suspension and Its EflFect Upon the Game
IT IS probably the first time in history
that diplomatic relations between
two countries have been threatened
because ot spores and it all came about
over the disbarment ot William T. Til-
den from the Da\'is Cup play on the
CN'C ot the final ot the inter-:one, with
Italv and the challenge round tor the
international trophy with France.
Tilden, because of a violation ot the
plaver-writer rule, was withdrawn from
the Davis Cup team representing the
United States in which he was captain
and leading player. The United States
team v\'on the American Zone of the
international tournament and, in body,
embarked tor Europe where its mem-
bers played through the Wimbledon All-
English championships preparatory to
the mectuig with the winner ot the
European rone, and then, if they were
successful, to meet the French players in
the challenge round.
Great preparation had been made by
Captain Tildcn tor the intcr-zonc and
challenge round matches, but he became
o\'er-~ealous and in the middle ot the
Wimbledon tournament he wrote sev-
eral syndicated stories commenting on
the play of his team in the Wimbledon
matches and the probable effect such
play would have on their chances ot
regaining the Davis Cup, and it was
right there that Tilden made his big
slip
The Player-Writer Rule in tennis is
about as senseless as our prohibition law
and just about as big a joke C^ne has to
go around explaining in detail just what
Tilden did that he has not always been
doing. Tilden has been writing tennis,
and making his living doing so, almost
as long as he has been playing, Helen
Wills writes lengthy syndicated stories
about tennis and gets paid for them;
other members of the Davis Cup team
write tennis stories for a consideration,
most of the great French and English
players do likewise — so why make Til-
den the goat and why make France
suffer?
The Player- Writer Rule, over which
all the controversy has arisen, was
adopted in the summer of 1924 and
went into effect in February, 1925. It
was drawn up as a compromise when
Tilden, who admitted he was making
quite a bit of money writing tennis and
Vincent Richards who also was under
contract to write a certain number of
tennis stories during the tennis season,
resigned from the Davis Cup team
when told they should choose between
playing tennis and writing it
By BLANCHE A. ASHBAUGH
The contention ot the powers that be
was that Tilden and Richards, as well as
others, were being paid for the drawing
power of their names and not for the
value of their writings.
T T ▼
THREATENED with the loss ol the
Davis Cup by the withdrawal ot
Tilden and Richards, a committee ot
pros, antis and neutrals on writing
question was appointed and the Player-
Writer Rule was the result. Tilden and
Richards withdrew theirresignationsand
the play went on.
In the Player-Writer Rule, all con-
tracts then standing were allowed to be
completed, but, after February, 1925,
no player was to use his titles or state-
ment of his reputation won on the tennis
court in connection with his writings.
Nor was he to write for pay or for
a consideration "current newspaper
articles covering a tournament in which
he is entered as a competitor." It was
the violation of this last rule that caused
Tilden's suspension.
Tilden has been skating on thin ice
tor some tiiTie. There is not a question
but that he makes his entire living off
his tennis. He does nothing but play
tennis, and though his books and tennis
stories are very much worth while and
instructive, it is rather doubtful that
they would have the same cash value
were they written by any one not so con-
tinuously in the public eye.
That he is a professional at heart is
the claiin of Dr. Sumner Hardy, presi-
dent ot the Calitornia Lawn Tennis
Association, who filed the tormal pro-
test that caused his removal from the
team, and as such does more harm than
good to the game of tennis.
Dr. Hardy filed his protest when the
Wimbledon article appeared and, as a
member of the National Amateur
Rules Committee, asked that Tilden be
"barred from future Davis Cup play and
tournaments in this country."
A hasty meeting of the available
members of the amateur committee was
called in New York and it was decided
that Tilden had at last technically vio-
lated the Player- Writer Rule and they
voted to remove him
The removal came at a rather unfor-
tunate time. The inter-sone final had not
been played, but the United States was
sure to win, and France had gone to
great expense for the challenge round.
Rene LaCoste, France's leading player,
had clearly demonstrated his superiority
over Tilden by twice winning our
American championship and the tennis
people ot France wanted to see the
world's two greatest players meet on
French territory and of course see La-
Coste again prove his superiority.
▼ T ▼
WITHOUT Tilden, the challenge
round would be a failure. The
French Tennis Federation stood to lose a
great lot of money and was getting edgy
about it, the United States Consul was
appealed to and so Samuel H Collom,
president of the United States Lawn
Tennis Association, using his power of
veto reinstated Tilden that he might
play in the challenge round
However, his reinstatement is far
troin permanent Dr. Hardy is on his
way east, and will be in New York when
the Davis Cup team and its officials
return from Europe and promises to
fight to a finish. He teels that the Asso-
ciation has sacrificed a principle tor gate
receipts.
Maybe, when the smoke of battle has
cleared away, the game of tennis will be
back where it started — strictly amateur,
at least there will be an understanding.
The tennis situation, as it now stands,
certainly needs a lot of clearing Some
method of training and developing
promising players will have to be de-
vised so that they will not have to resort
to technicalities to play tennis and still
stay on the sate side, or so that they can
work at their gaines and at something
else, too and do, justice to both.
Any game that is big enough for
thirty-three nations, and that is just
what the Davis Cup draw included this
year, to send players halfway around the
world to compete for a silver bowl, the
intrinsic value of which is small com-
pared with cost of the competition and
which threatens diplomatic relations
when things go wrong should have iron
clad rules that no one would dare vio-
late or question, and its play and players
should be above reproach.
▼ ▼ ▼
TILDEN came in for censure when he
recruited his Davis Cup team.
|"|j Leading young players were requested
I by him to report at Augusta, Georgia,
UM Continued on page 33
AUGUST, 1928
17
Financial Flickerings
A Resume of Conditions of Interest to the Investor
THE LOCAL MARKET
THE San Francisco market has
shown some signs of shaking ofF
the lethargy into which it sunk
atter those hectic days in June, The
volume ot trading is still light but, one
by one, various stocks are coming out of
their twilight sleep, if not into the lime-
light, at least into a benevolent sun-
shine. Sentiment, though still tempered
with caution, is slowly improving, and
there has been a better demand for
stocks like Paraffine, Caterpillar, Byron
Jackson, Atlas Diesel, Calitornia Ink,
Illinois Pacific Glass, National Auto-
mative Fibre, and Kolster. What the
market is going to do today, tomorrow,
the next day, and even the day after
that is anybody's guess. But one thing
is certain, in a growing country like this,
sound common stocks may always he
bought for profitable investment. It is a
moral certainty that the investor who
buys sound local common stocks like
Caterpillar, Paraffine, Pacific Lighting,
Union Oil, and Standard Oil of Cali-
fornia has only to hold on and sit tight
to rdll up eventually a handsome profit
and obtain a generous return on his
investment.
RICHFIELD
Richfield's statement for the six
^ months ended June 30, makes
rather cheerful reading for its stock-
holders. That considerable improveinent
[ has taken place in the oil industry is
"evidenced by the fact that final net
J for the first six months of this year
totalled $3,210,683 against net of
$1,483,547 for the same period of last
;year. President Talbot in submitting
I the report states, "We believe the past
'six months to be the greatest period of
forward development in the history of
ryour company." It remains to be seen
[whether the full developments of the
past few months will bear fruit during
;the remainder ot the year. Net earnings
for the first six months, previously re-
ferred to, were equal to $2.28 per share
on the average amount of common
stock outstanding, roughly indicating
net for the year of $4.56. In view of the
company's energetic development work
;and prospects for further moderate im-
(provement in the oil industry, it would
not be surprising if the final showing for
the year exceeded this latter figure by a
[jvery comfortable margin.
By EDWARD A. BLACK
KOLSTER
Kolster's statement covering oper-
ations for the four months ended
April 30th coming out as it did the same
day that the stock inade its initial bow
on the New York Stock E.xchange, was
from a reader's standpoint published at
rather an inappropriate time. After
opening up on the Big Board at 57/^ the
stock was hammered down to 54 .Vg
finally closing for a net loss of 2^
points. The following day was worse,
the stock selling down to a low of 51^4.
Despite the, in some respects, disap-
pointing nature of the report which
showed a net operating loss for the
period of $243,727, it requires no great
perspicacity to find grounds for optim-
ism where the future is concerned. In the
first place, the deficit part of the state-
ment is "water under the bridge" and
quite clearly has no bearing on what
showing the company will make during
the remaining eight months of the year.
In the second place, the bulk of sales and
profits come during the third and fourth
quarters, bookings 100% greater than
at this time last year. The earnings out-
look for the rest of the year hardly con-
tains much food tor pessimism. To
quote Sutro & Co; "As net income was
$715,863 last year and as loss for first
tour months was $22,500 less than for
the same 1927 period, while bookings
for last half are twice those of similar
1927 period, it is logical to suppose
that net income for 1928 will be more
than double 1927, or appro.ximately
$1,500,000."
FORD
REPORTS from Detroit state that to
^ date the Ford Motor Car Co. has
shipped approximately 200,000 of the
new model A Cars and trucks, and that
within the next few weeks a quarter ot
a million of the new cars will be on the
road. Orders on hand total 800,000 and
there is naturally some lack of under-
standing on the part of the public as to
why Ford production now averaging
around 3,000 cars daily cannot be
stepped up to the old production rate ot
7,000-8,000 cars daily. The answer,
apparently, is that since the new models
were first otfered to the public some
months ago, the need for further mechan-
ical refinements has developed. Ford's
time and energy have been concentrated
more on perfecting the new model than
on attaining volume production, but by
September it is believed that the com-
pany will be ready to "go after" pro-
duction, and Ford executives believe
that during 1929, volume will exceed
comfortably the old Ford record of over
8,000 completed cars in one day.
A
GENERAL MOTORS
RECENT Dow Jones dispatch la-
conically announces that General
Motors earned $161,267,974 for the six
months ended June 20, against $129,-
250,207 for the same period of 1927.
What the next six months will show is
anybody's guess, but it is a fairly safe bet
that with their genius for organization
and correctly guaging the likes and dis-
likes of a critical public, the General
Motors management will be able to
more than hold their own despite the
even increasing competition in the auto-
mobile industry. Unless the unexpected
happens General Motors should earn at
least $18 a share in 192S, and with its
fine record of constantly increasing
earnings, and its impregnable financial
position, nobody can say that it is over-
valued below 200. Broadly speaking, it
is a poor policy to call stocks on rising
earnings, and nothing has yet occurred
to suggest that the earnings of this giant
corporation have reached a peak.
▼ ▼ ▼
TALKING MOVIES
After years of costly development,
y\_ talking motion pictures have
finally taken the film industry by storm,
and are expected to be the outstanding
development in the amusement field
this coming season. Some four hundred
theatres have already been equipped
with sound reproducing apparatus, and
it is understood that nearly one thousand
will be similarly equipped by the end
of the year. American Tel & Tel ,
Western Electric, Warner Brothers, and
Radio Corporation of America will be
the companies in a position to benefit
most from the popularity of sound films
as, directly and indirectly, these four
companies own the basic patents of the
talking movie systems that so far have
been perfected. The possibilities ot
future profit are undoubtedly tremen-
dous, and it may well be that the stocks
of companies connected with this indus-
try are in much the same position as
were the aeroplane stocks a year or so
ago.
T T ▼
ATLAS
WHEN Atlas first came out at $31
per share, traders showed little
interest in it. Now the stock is selling
in the high 70's.
28
THE SAN FRANCISCAN
(xJ\\zrz lemons
are scorned for
limes, where
ainaer o;rows
Jy Imported
UUMML
is bottled
In Manila, that land of
tropic thirsts and connois-
seurs, they mix with limes
of course. Tree-ripened
limes! And their ginger
ale is one that's brewed
from hesh Umes and the
juices of fresh cut ginger!
These flavors smoothly
blended in the water from
Isuan Mineral Springs!
It's Isuan Dry Ginger Ale.
The very "E-Swan" you
hear ordered everywhere
these days.
•:• •:• •:•
Ask for Isuan tonight
where you dine. Or get it
from a nearby store. Isuan
— from the Philippines.
•> ■> ■>
ISUAN THF. SIMRIT Ol JIIV
Sail On! Sail On! Sail On!
Continued from page 10
IMPORTED
Isuan Dry Ginger Ale
In Manila they say
"E-SWAN"
wife," her grammar pardoned in view
of" the spcecacular nature ol the declara-
tion So the choir sings something called
"Silcnc Sea."
It is now S;20 P.M. The show started
at 7 :30, and still the biggest act has not
yet been put on. Aimee arises, blonde,
robust, magnetic, and makes the an-
nouncements. Among other bits ol
church news she tells them that she is
going away for a ten-day evangelistic
campaign up in heathenish Oregon And
that her work in Canada was not un-
truittul.
"How many have enjoyed the musi-
cal service tonight?" asks Aimec naively.
"Raise your hands " The audience be-
comes a birch-tree forest of hands.
"How many want the program to go
on?" probes Aimee. The hands remain
raised.
"All right," Aimee chortles, triumph-
antly. "Put your hands right down in
your pockets and give!" The audience
chuckles, puts its hands in its pockets
while Aimee huskily beseeches Heaven
to bless the gift and the giver. Amen.
While they are giving, to the encour-
aging strains of the orchestra, one of
Aimee's girl friends comes from out
back-stage and adjusts Aimee's white
collar with a couple of pins, in prepara-
ticin for the sermon which is to come
immediately. A little homey touch.
A ND now for the illustrated sermon,
jLiL. and the eloquence for which Aimee
is famed.
"When my ship comes in! When my
ship comes in!" tremuloes Aimee. "What
dreams, what desires, what sometimes
fruitless ambitions have been expressed
in these simple words. The artist, in his
garret, painting away on picture after
picture — in his heart he is saying, 'Just
you wait — wait, till my ship comes in
I'll show them.' The writer, sending out
manuscripts by the dozens. 'Just you
wait,' he says, 'till my ship comes in '
The little mother, with all her little ships
around, says it too. The inventors, the
actress out there in Hollywood, the busi-
ness man, all, all who have hopes and
dreams and ambitions are saying over
and over again — 'Just you wait. Wait
till my ships comes in.' I think, my
friends, that the reason why so many
ships never come in is because they are
never launched."
The five thousand nod their heads
approvingly.
"Ah, I hope so many ships will be
launched tonight to sail life's sea glori-
ously and arrive safely in the harbor of
Jesus Christ, Amen."
Chorus of "Aaaaaaaaa-men!"
"There are only two ports, my friends
One is Heaven and peace and happiness •
forever. The other is Hell and ruin.
Some are sailing home to a safe harbor
beyond the skies. The others are drip-
ping, dripping over life's sea. Look!"
She points to the screen behind her, on
which is painted a choppy ocean. A spot-
light is cast on one side. "See, here comes
a ship bobbing over life's sea!" The
audience follows her pointed finger and
sure enough, here comes a cardboard
boat, propelled by an unseen hand behind
the scene.
"Ship ahoy!" yells Aimee, with her i
hands cupped about her mouth. "Ship
ahoy, little boat. Whither are you going,
with your gaily painted sails? See, my
friends, the gay colors on this little boat.
See the peacock painted on the sail, the :
peacock, symbol of pride and vanity.
See also the playing cards, the wine-cup
painted on the sail. In this boat are those :
of the racy class. They're out at Long
Beach tonight, in Venice, out on joy
rides tonight. This is the ship called
Pleasure I See how gaily it sails ! Its motto
is 'eat, drink and be merry, for tomorrow
we die'."
Aimee's audience, especially the farm
ers, guffaw, completely off the track of
the little boat called Pleasure, but Aimee
rounds up their attention again by the
simple expedient of pointing to the boat
behind her, now more than halt way [
across life's ocean.
"What port is it headed for!" exclaims
Aimee scornfully. (Remember, there are
only two.) See, it is nearing the edge of a
waterfall. Nearer it goes to destruction.
Nearer. Nearer to destruction. It's on the
edge. (Water is heard falling, off-stage.)
It is going to ruin!" Bang! The drums
crash thunderously. The lights go out.
Sound of water and splintering wood is
heard. Smash! Children wake up at the
noise. Even the youngest can see what's
happened. The little boat called Pleasure
went straight to hell ! What drama ! What
stirring words ! What a lesson — especially
tor the young people!
The lights are turned on, and the spot-
light returns to pick out the ne.xt ship of
Aimee's imagination.
"Ah, my friend, take on board the
Real Pilot. See, here comes the ship Paul
sailed on, laden with the good things of i
life. Ship ahoy !" She cups her hands about i
her mouth. "Ship ahoy, proud vessel.
What is thy name?"
"I am the Good Ship Four Square,"
Aimee answers her own question.
"What cargo do you carry?"
"I bear wheat for the granary of the
Master. I bear a cup of cold water, typi-
fying Service. I bear a cross which I will
exchange for a crown. Ah, my friends,
AUGUST, 1928
29
tlmnk God I'm sailing on that ship!"
"Aaaaaaaaa-men!" says a man in die
(rone row tcrvcntly.
"Sec, sec the dove on the sail, typify-
ing the baptism !"
"Aaaaaaaa-men!" exclaim a few
Do YOU believe?" Aimee turns upon
the audience tensely, almost sav-
agely. She hasn't made any specifications
in her question, but a thousand voices
reassure her that they're with her in
everything.
"Bullets," says Aimee, "have scarred
the Four Square Gospel ship, bullets
aimed by my enemies, but it has gone
right on, heading for its eternal harbor.
Look! It's going home. It's taking the
proper turning! It's heading for the
cross! Oh, how about your ship, my
friends. I wonder if your ship will go
into the harbor of peace? Those who are
on the ship ot Jesus, say 'A-men'."
"Aaaaaaaaaa-men !"
"With Jesus at the helm and faith at
the rudder, you cannot go on the rocks.
See! The ship is turning in! There it
goes! Safe! Sate into the arms of Jesus!"
And the Four Square Gospel ship turns
into a brightly-lighted harbor to the tune
of muted violins and the xylophone.
"Oh, it's glorious. Comrades, is He
yours? Have you taken Him aboard? If
not, tonight's the night." The audience
breathes its admiration of the McPher-
son metaphor. Now would be a good
time to quit and haul aboard the floun-
dering sinners, but no, Aimee is to
launch a thousand ships, more or less,
before the evening's over.
There is the ship of the tight-fisted
business-man which Aimee states is steer-
ing down Broadway and Spring Street,
: curiously enough, with a dollar sign on
] its sail, so laden down with gold that it
I has no room for good thoughts. Crash,
; bang, and he's sunk, money and all.
j Then there is the puny little row-boat
I of the mere church member, satisfied to
: sail along without working for Jesus,
I without winning any souls, without
I giving any testimony, rowing away for
■ dear life, content to go alone, without
I any other souls aboard, no trophies what-
i soever. Well, the row-boat just about
i made it, friends, but that's all. No toot-
> ing of horns when he made his landing,
] no sirree !
I Next there comes, with doubts and
! questioning, the Sinner Ship, on one of
■ its sails a monkey. The audience laughs
derisively as Aimee makes this scientific
allusion.
"Here, on another sail of the Sinner
Ship, is a pair of scissors, cutting out the
virgin birth," says Aimee. This opera-
tion sounds a bit gory to us, but it's
some kind of a dig at the godless fellows,
that's plain. And there's not a bit of
doubt when the Sinner Ship shoots the
waterfall that it got just what was com-
ing to it.
▼ T T
NOW, while all heads are bowed
and eyes closed tightly, I want
you to tell me which ship you want to
sail on through lite. Who wants to sail
with Jesus? Who wants to sail on the
Four Square Gospel ship — with me? 1
am going to ask you to raise your hands
high, while every eye is closed, and show
me if you want to embark on this glor-
ious ship." She claps her hands suddenly.
There is a breathless hush, then heavy
breathing. "Raise your hands high.
That's right, God bless you One, two,
three, four, five, six, seven. There are so
many — so very many, that I shall have
to count in sections, my friends. All
those on my left who wish to sail with
me, raise your hands. That's fine. One,
two, three, four, five, si.x, seven, eight,
nine, ten — Amen, Amen, Amen —
twenty, twenty-one, twenty-two, God
bless you, and you, twenty-five, twenty-
six —
We sneak a peep and see four trem-
bling hands in that vast temple. It
doesn't check up with Aimee's count,
but there is no one to call her on it, as
every eye is closed, every head bowed —
and who are we? Anyway she is speeding
to the center section with the frenzied
invitation.
"Raise your hands high, high up in
the air," Aimee exhorts. "Now! One,
two, three, four, five, six. God bless you,
and you, and you, ten, eleven, twelve.
Amen, Amen. Another. Eighteen, nine-
teen— "
Again we gaze. Of approximately six
hundred in the center section, six have
raised timid hands.
"Now on my right," exults Aimee,
huskily. "Oh, my friends, if you only
knew how happy this makes me. I'm
sure Jesus is smiling with joy. Now!
Raise your hands. Every head is bowed,
every eye closed in reverence.
The actual count on this side is eight
or ten Aimee's is appro.ximately thirty.
Her count reminds me of my golf score.
I keep two — one for the whitfs.
Then the balconies get their chance.
"Oh, my friends, it's glorious, glori-
ous," she sings, in between balconies. "I
love the way the hands are going up
tonight, so high and straight, as if you
were so proud to be with Jesus. Oh, my
friends, my friends. Twenty-eight,
twenty-nine. Everybody stand!"
Immediately, several hundred obey
the command.
' 'Everybody who raised his hand, stand
up," amends Aimee — which causes sev-
eral score to sit down. That was a low
trick on Aimee's part; a few resent it.
They aren't quite ready to take the
supreme step. But a great many more
remain standing than had previously
raised their hands. Of course, eight hun-
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30
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drcd of them arc the trained students of
Aimee, most of whom embrace a weep-
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"Those who want to sail with Jesus,
stand up! Board the ship tonight," per-
sists Aimee. Several dozen more gather
courage, and arise while Aimee in a
frenzy of excitement shouts,
▼ ▼ ▼
PRAisi God! Hallelujah! Come to
the altar and pray with me Come
down the aisles. Oh, dear friends in
radio-land (to the mike) they're throng-
ing down the aisles, running to the feet
of Jesus Come! Come! Come!" The
students put their arms about the neo-
phytes and gently lead them down the
aisles to the altar of Aimee
"They are coming — coming by the
hundreds, crowding the aisles," Aimee's
voice breaks, exults, falls to a whisper,
rejoices again. The mob is as one, and
spurred by the information that hundreds
are coming — hundreds do come. There
are sobs all over the house, Amens, and
indistinct murmurs — and always Aimee's
husky voice hypnotizing, urging, pulling
them towards her.
"Kneel !" she commands them, "kneel
and we will pray together." They kneel.
"Repeat after me." She throws back
her head and prays in phrases which are
chokingly repeated by the penitents,
"Oh, Lord, the great Captain . . .
1 freely confess my sins to thee . . I
repent of my sins and renounce them
. . . And oh, dear Lord ... I am
happy tonight to embark with Thee . . .
Guide me safely into thy harbor . . .
Deliver me from the rocks . . . For
Jesus' sake. Amen. . . ."
And great this night is Aimee's
renown tnroughout America, for before
she dictates this closing prayer, she has
quickly adjusted her greatest advertising
medium, the McPherson mike.
▼ T ▼
Tully vs. Sinclair
Continued from page 18
And again, if he takes up the challenge
and gives Sinclair mud pie for mud pie,
insult for insult, bash tor bash, he may
live as a master oi repartee, or as the
scoundrel who had the impudence to
deny his benefactor.
It is largely the idea that Tully is an
ex-scamp which wins him popularity
and should he prove an ingracious churl,
how long may live his name ! For it will
not change from other days. The wicked
history of Villon lends sap to his verses.
It is a happy moment. Heaving muck
at one another, they may yet incite a
holocaust among American authors —
There is more than a bare possibility that
the Sinclair-Tully fracas will touch off
an era which will be known as The Age
of Vituperations. And if that era is dawn-
ing, then lovely letters are returning.
AUGUST, 1928
31
So This is^Lovc
(lonlinued from page 22
He: No, honest.
She: You're drinking to torgct her.
He: I swear not.
She: You may kiss me, Michael.
He: I? Is it right?
(They cling together. He discovers a
fresh mouth willing to be devoured, a
little trembling, siuift white hand
pressing his shining hair. They sigh
and utter incomprehensible words.)
She : Do you beUeve in love at first
sight, Michael?
He : Yes, my love.
She : Michael, is it right for us to despoil
our love with drink?
He : No, love. Not this once. The bottle
helped us to realize. Let us not revile
it. Just one more? Yes? (They drink)-
I love you, love.
She : Love is a very old word, but 1
love it.
He: Love is the only word for love,
love.
She: Michael, we're being immoral,
and not at all business-like. She will
be here any minute. {He almost car-
ries her into the other room.) Michael,
she'll be here any minute! Stop,
Michael !
Tin Types
Continued from page 20
ideas had merit. As fame goes, Lotta
Crabtree knew it for many years. Upon
her death but a few years ago she left a
fortune of $7,000,000. She bestowed
upon the city of her early triumphs a
memorial fountain, still standing at
Market and Kearney Streets. In 1915,
after an absence of decades, she returned
to San Francisco. She was an old, feeble
woman but the city retained gracious
and pleasant memories of former days.
T T T
CONSIDERING the Career of Lola
Montez, teacher of Lotta Crabtree,
we are struck with the fact that the
desire for gain makes strange bedfellows.
To the starched and upright Mrs. Crab-
tree Lola was doubtless a wicked person,
indeed La Montez of Spanish and Irish
parentage had attained purple notoriety
in every European capital before coming
to America. She had early espoused an
English lord, gaining thereby the title,
Lady Landsfield and a neat fortune. Her
dancing was realistic; her beauty ravish-
ing and devastating. She had been the
open consort of Balzac, Dumas and
Louis of Bavaria.
As the favorite of Louis she was per-
mitted to wear the crown jewels and
their affair was one of the moving causes
of a revolution. Louis' ministers ordered
her to leave the country and demanded
the crown jewels. Lola supposedly
yielded them up and departed forthwith
v. RAPHAEL WEILL 8 COMPANY/ r.
\ No\V \i Can B^ T
To be or not to be
modernistic is the
burning question
now under con-
sideration by con-
scientious mod-
erns. In a world
that has suddenly
re-arranged (or disarranged) its perspec-
tive and fallen into an apparently mean-
ingless jumble ot angles and slanting
geometries, it may sometimes seem
easier to accept without further parley
rather than struggle to find a way out.
But what is one accepting?
When one considers that this seeming
chaos has been brewing since 1913 in
this country alone and that it passed all
through civilized Europe before reaching
the United States, one realizes the mag-
nitude of the movement and the back-
ground that it has accumulated in its
lengthy travels . . that out ot this
seething maelstrom of ideas there is a
great deal ot good, if one could find it.
And that is exactly what White House
specialists in decorative furnishings and
modern costumes have set themselves to
do with results that appease and charm
the most conservative tastes.
Those whose pride
of generation
prompts them to
give the creations
of their age a fair
trial have never-
theless approached
this newest phase
with some misgiving, due entirely to the
exploitation of certain products of the
faddist schools.
But trust these practical United States to
pick the wheat from the chaff . . to
raise the unpromising infant and way-
ward child in wholesome American
fashion to well formed maturity
Though modernism has not yet reached
the zenith of its possibilities.
And that is half the thrill of it to a race
that thrives on sturdy memories of a
pioneering past. We who cherish a
vision of the magnificent proportions of
this period . . its overwhelming tor-
rent of fierce beauty masterfully con-
trolled in soaring towers of concrete . .
in chaste outlines of steel . . we who
have a prophetic faith in this era have
also the courage to wear its colors.
And unconsciously, everyday, more than
we realize, we flaunt the symbols of our
generation in the most prosaic necessities
of our attire, and more and more in the
appointments of our efficient dwelling
places.
Consider the scarfs
that are an invari-
able part of each
day's costume . .
what more modern
than the expressive
colors and unique
designs? What more
definitely linked with today than the be-
comingly slanted necklines . . the ani-
mated irregularity of hems . . the pleas-
ing and rational simplicity of geometric
trimming on shoes, hats and clothing . .
the complete absence of superfluity . .
the importance ot line! And recently, in-
comparable furniture in which the lithe,
free bodies of true moderns find com-
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their eyes are rested and their minds re-
freshed by the vigorous coloring.
Fully aware of its responsibility as a pio-
neer in a matchless age The White
House points the way with discriminat-
ing selections of modernity chosen from
a world market.
ADVERTISEMENT
32
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for America. What was the consterna-
tion of the royal house to discover too
late that its jewels were paste duplicates
that Lola had had made. The originals
remained in her secure possession.
Immediately upon her arrival in San
Francisco she gave several performances
and was well received. But jealousy
burned in the breasts of rival favorites.
They put on shows burlesquing and
humorously distorting Lola's art. In the
face of this she retired to Grass Valley,
bought a home and quickly gathered a
circle ot dubious French counts, exiled
English royalty and questionable German 1
barons. Her soirees, studio teas and
amateur theatricals were highly colored
affairs. The editor of the Grass Valley
paper denounced the woman and her
doings as scandalous. Lola went to his
home with brimstone in her eye and rid-
ing whip in hand and gave the fellow a
sound thrashing. She had been the play-
mate of kings and princes and would
have no nonsense from such oafs as
country editors. In San Francisco she had
wed one Patrick Hull, editor of a mining
sheet. Life in Grass Valley was much
too strenuous for Hull. He fled uncere-
moniously within a few months. His
abandoned spouse managed nicely with-
out him for four years, when she sailed
for Australia.
After a year or so, Lola returned to San
Francisco and again invaded its stage.
This time she was tremendously success-
ful and filled a long engagement in the
Tivoli Beer Garden. Possibly public
taste had improved, for her Spider
Dance, previously quite unappreciated
was now hailed as a triumph. It was a
veil dance woven about a great cobweb
and spider built upon the stage. Lola's
home on Telegraph Hill again became
the rendevoixs of Bohemia and she was
a familiar sight on the streets of the city.
She always wore simple, black, demure
gowns and went about with a white
talking cockatoo perched on her shoulder.
Finally she sailed for Europe never to
return.
T T ▼
Adah Isaacs Mencken was another
jr\_ lady who added appreciably to the
gayety of a gay city. She was the wife of
John Heenan of Benicia, who was then
the world's champion heavyweight.
When San Francisco heard that she was
on her way to the city even the blase
sporting element had doubts as to the
advisability of her visit. The clergy was
certain of her deadly and demoralizing
influence upon the young and impres-
sionable. The late incident of T/ic Cap-
tivt found an early counterpart. The
righteous of the town took steps to
prevent Adah's landing. Whereat the
unregenerate, the scofl^ers, the iconoclasts
and pagans rose in a body, hired a brass
band and met her at the docks. They
prostrated themselves before her and
AUGUST, 1928
33
delivered the entire city into her hands.
Her first perfomance fell flat. In the
final scene she was supposed to dash
across the stage on a spirited charger.
Preferring safety to realism Adah chose
for a mount an undertaker's steed, lum-
bering, perverse and slow ot movement.
The audience recognized the horse and
sent up a chorus ot ribald jeers. The next
evening Adah dashed across the stage in
an approved manner and on a lively
mount and merited instantaneous ap-
proval. Her acting was really excellent,
but her physical charms were of such
quality as to inspire common men to
rapture and ecstacies. Her figure was
voluptuous, sumptuous and of marvelous
shapeliness. In the matter of legs the
Gods had been exceedingly kind to Adah.
Fantasies, poems, lyrics and what not
grew up around these members of her
anatomy, and this in an era in which no
lady openly acknowledged possession of
such useful bodily parts. The mystery is
no doubt explainable in that Adah,
properly thankful of the Almighty's
gifts, did not exactly hide her light
beneath a bushel.
Off stage she was the good fellow
about town. She drank highballs at
public bars; played faro and set up drinks
for the house when she won. She went
along the streets in riding togs and
smoking cigarettes. She rode astride,
then a monstrous sin, and was utterly
oblivious to the charged glances of the
Godly. In truth she was a woman of
parts. She wrote poetry, painted in oils
and rendered Chopin in piano recitals in
addition to acting and dancing. In time
the powerful but unintellectual Heenan
palled upon Adah's finer sensibilities.
She left him suddenly and went off to
London to enjoy new triumphs and to
acquire incidentally several new hus-
bands.
The Tennis Controversy
Continued from page 26
for try-out for the team. Most of these
young players took the request for a
command and left college or school to
be on hand else they might not have
another chance.
At the present writing Tilden stands
victorious over the officials who voted to
remove him, and the United States and
France are still friends. It sounds foolish
to think that a game of tennis could
cause a break between two countries but
when Ambassador Herrick requested
that Tilden be permitted to play against
France, the United States Lawn Tennis
Association in a statement said :
"Inasmuch as our Ambassador to
France is the personal representative of
the President of the United States, to
nave refused his request would have
been an ungracious act and a discourtesy."
Hawaii is the Smart Place to Cjoi
William H. Crocker, San Francisco banker and Republican
national committeeman, says ot the Malolo in an interview
appearing in the HonoluUi Star-Bulletin :
"I ivds told by Territorial Senator lipbert W. Shingle of
Honolichc that I could come down to Honolulu for a brief
visit, and get back home within eleven and a half days, so
here I am. The Malolo is a splendid ship, as fine and
steady a vessel as I have ever traveled on. She is a credit to
the Matson Line and the Territory of Haivaii."
^^
To Honolulu by the luxurious Malolo, sailing every other
Saturday from San Francisco, is a voyage of only four days.
Hawaii is delightful in September and October — surfing,
motoring, fishing, moonlit nights. A string of jewels set in
a sea of jade and turquoise. At Waikiki the water is as balmy
as the air. The golf courses are excellent, but you'll need
will-power to keep your eye on the ball rather than the
tempting views. Take your car along, too, as baggage; no
crating necessary. Hawaii has marvelous highways.
Matson Line
Hawaii • South Seas • Australia
GENERAL OFFICES: 215 MARKET STREET, SAN FRANCISCO
also PORTLAND- SEATTLE • LOS ANGELES
CHICAGO • NEW YORK
34
THE SAN FRANCISCAN
Tradition
^D
HE BADGE of a gentleman is appreciation of "Tradition."
Generations of leading families have regarded Nob Hill as
San Francisco's most select address.
Park Lane Apartments undoubtedly occupies the most
advantageous corner on Nob Hill.
The Best People" have stamped their approval tor an
address of social value on Park. Lane.
Apartments, five to eight rooms,
unfurnished and furnished [in-
comparably) $2^0 up. Leasing
now. Occupancy immediately
Eugene N. Fritz, Jr., Managing Owner
1100 Sacramento Street {corner of Mason)
NOB HILL
The Yellow Shawl
ConLinucd from page 14
She stood very still and watched him
smiling opposite her.
"The fan is yours," he said.
She snatched it from him savagely
and walked out.
▼ T T
A WEEK passed, ten days in fact, and
every evening Chiquita Garcia,
standing before her mirror, took down
her thick black hair, put it up again and
crowned it with the tortoise-shell comb.
Then she opened the fan with a flourish
and let her red lips hide behind its fas-
cinating glitter. But she did not forget
the shawl, and, every night, she tanta-
lized herselt by encircling her throat
with a scrap of thin, yellow ribbon.
"Yes," she would declare again and
again, "yellow is my color. I have a
flaring comb for my hair and a spangled
fan to hide my red lips. All I need now
is a yellow shawl for my shoulders."
She would begin to think about the
shawl — whether it had been sold, or
whether she could buy it, or whether —
"Don't be silly!" she would say to
herself. "Because a man has been a fool
twice proves nothing. Let me see — the
first time he touched my hair; the second
time he kissed me on the lips; I wonder
what — "
And suddenly her eyes and cheeks
would flame — Chiquita Garcia was
young, but she was no fool.
Well, at the end of the tenth day, she
went to the shop. It was a bright
evening, not a trace of fog in the sky,
but clear and sharp and metallic. She
walked briskly and the blood flew at
once to her cheeks.
She waited some time for Sanoff. He
was busy selling a silly trifle to a cus-
tomer, but he watched her from the
corner of his eye. She looked up and
do'wn the shop; the shawl was nowhere
to be seen.
Presently the customer left. Sanoff
came toward her smiling his evil smile.
She did not have to speak this time.
"You have come for the shawl," he
began. "The yellow shawl I had in the
vv'indow two weeks ago. Well, suppose
1 have sold it?"
Chiquita grew very bold, because she
knew that he had not sold it. "You have
done no such thing," she answered.
"Don't keep me waiting — letmeseeit."
Sanoff drew a chest toward the center
of the shop — a black chest with heavy
brass trimmings. Bending over, he threw
back the lid and drew out the shawl. A
heavy odor of musk floated toward
Chiquita Garcia.
she gave a little cry of delight and
put out her hand, fie drew back, hold-
ing the shawl aloft — it was yellower
than noonday, and on its border blos-
Continued on page 38
AUGUST, 1928
35
S'
! HE Who Sees is still traveling which,
in itself, is not remarkable; but
here is one remarkable feature of
her loiterings about Manhattan^ She
has discovered that Mr. Mencken told
the truth about something! In his edito-
rial in the July Mercury, Mr. Mencken
writes about the rare wines and liquors
one can easily obtain in New York City,
and, in especial, about the topaz flow of
champagne under Hell Gate Bridge.
I have not turned into a cocktail
courier but simply in the ordinary run of
an observer's life I have discovered that
there is much champagne in New York
City. It is real champagne. It is not
antiquated apple cider with a shot of
carbonated water in it. It is the cham-
pagne that has toasted heroes and been
broken with a sigh over the bows of new
ships. It has the same quality as that
which bubbled through the lives of our
grandsires in an age when roccoco gilt
ceilings, red plush divans and juicy
bustled blondes were appreciated. And
like a river that has burrowed down to
a hidden bed — then sportively gushes
forth again after a decade or so, this fine
flow of champagne comes at us again,
out of a cavern of years, bringing with
it all the mauve memories of an earlier,
headier time. And New York, frorri
whose granite caverns the stream has
burst forth, asks no questions, tells no
lies, but merely points proudly to the
Statue of Liberty down the harbor which
in turn points proudly down the bay.
N
ow 1, who attained the age of con-
_ . sent just when Prohibition went
into effect, had never before tasted cham-
pagne. I had only read about it. As I
tipped my first goblet of this beady
beverage toward my lips, I remembered
with a quaver that Mr. Mencken pro-
claimed (July Mercury, page 296) that
champagne, for all the songs that have
been sung about it, has but one function
which is — "to awaken and inflame the
baser nature." I drank my first goblet of
champagne . . . and my baser nature
was awakened. I drank my second gob-
let .. . my baser nature was inflamed.
I drank my third goblet . . . and went
out into the streets,
T T T
THE night sky was a mauve canopy
spotted with little yellow bubbles
of stars. The trees in the tiny square
fronting the Plaza flung a fine green lace
of leaves over the naked stone Tady atop
the fountain there. The summer night
processional on Fifth Avenue was like a
pageant of America's automobile indus-
try roaring past. The light from the
Plaza arcade washed the pavement
yellow, and black enameled limousines
swept slowly round the circle, carrying
expensive people to expensive places, in
the approved manner of this fanfare
year of our Lord. But this rubber-tired
elegance had nothing whatever to do
with the mauve mood that was upon us.
Over on the Fifty-eighth Street side of
the Plaza, we found a carriage standing
— one of those low-hung barouches with
twinkling wheel-spokes and fawn-col-
ored upholstery. The old horse harnessed
to this fin-dc-siccle vehicle twitched a
remembering nostril when he smelled
our breath and pawed the curb with a
neatly oiled hoof. The cabbie held his
whip at attention while, with a strange
atavistic grace, we climbed into the
carriage. His tall silk hat gleamed like
the spokes of his cab, like the oiled
hooves of his horse — a yellow highlight
like a long slim glass of champagne
shone down the crown of it We settled
with a sigh into the fawn upholstery.
Central Park was a verdant fairyland
mysteriously veiled in humid mists. The
boulevard lamps, strung at interval
through the trees, peopled their pools of
light with strolling couples, children at
play and old men sitting on benches
looking wistfully down vistas of green
lawn where the undefined shapes of trees
made shadow-stages for their memories.
The cabbie kept well to the right of the
road and somehow, above the roar of
motor traffic on the left, came clear and
insistent the patient clopping of those
oiled hooves on macadam One could
feel, in the slightly uneven progress of
carriage, the stout old horse-heart that
was its one cylinder. And as though that
sensation were not quaint enough, there
were flung on the lawns occasional
shadows of our equipage — a distorted
long-legged horse, a cab-man sitting so
high on the box as to touch the distant
trees with his shadow, and the little
shell-shaped barouche swung like a
cradle between four huge shadow-
wheels.
T T T
Again and again we laughed hap-
u\. pily at the grotesqueric we threw
on lawns; like our crinolined grand-
mothers innocently excited, we laughed
and clapped out hands as we watched
ourselves grow tall amid our wheels.
Continued on page 41
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36
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As To Books
Bv JOSEPH HENDERSON
EMiL Ludwig's life of Christ, The
Son of Man, is the last word in
modern skepticism. Others have
i.lciiicd that Jesus was the Messiah which
rather tended to indicate that they halt
helicx'cd it, hut Ludwii; uncmphatically
accepts the whole conception merely as a
dead article ot tlic Icwish creed or as an
co's ^M
J
incidental aspect of Jesus' belief in him-
self. For any Christian The Son oj Man
will he a terribly sad, if not a repulsive,
book and even many unbelievers are
likely to find it depressing. For Herr Lud-
wig, not content with discounting
the resurrection and explaining away the
miracles psychologically, never even
mentions the virgin birth nor anything at
all about Jesus' boyhood because he re-
gards the sources of our knowledge as in-
adequate and contradictory. Ludwig is of
course an intensely German, post-war
writer and that partly explains his level-
ing criticism of any legendary life. The
Son of Man is both Spenglerian and
Freudian. Just as Spengler in The
Decline of the West attempted to pre-
sent what he called "the physiognomic
portrait " of Classical, Magian and
Faustian cultures, in the same way
Ludwig reconstructs the life of Jesus
with such historical perfection that he
might add in blunt finality, Ecce Homo\
Then somewhat in the Freudian manner
he has taken the Saviour as a significant
subject tor psychological experiment and
might have placed a neat little Q E D
in the place of Fiyiis. These methods are
strict and exacting. There is very little
toying with shades of meaning, only the
meagerest effort to delight the mind
with glimpses of local color, and no
sentimentahty All is subordinated to a
bitter search for the truth That is laud-
able and certainly what most of us want
but the thing has its disadvantages. A
biographer cannot he entirely impersonal
and the result is, for all its psychological
exactitude. The Son of Man errs on the
side ot pessimism; it glowers and de-
nounces occasionally in spite of Lud-
wig's integrity. For even the most
skeptical ot us Jesus Christ remains, if we
think ot Him at all, an essentially great
man and one who gave fresh spiritual
bread to the world, if that is neither true
nor important (and Ludwig hardly gives
Him credit for more than a few very
human conversions, attributing much of
his work and doctrines to religious fan-
NEWBEGINS'BOOIC-SHOP
;OHN •/•NEWBECIN
NEW-OLD-& RARE BOOKS
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<^
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San Troncisco. Calijornio
Entire Libraries &
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PURCHASED FOR CASH
Experienced valuers sent to
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without publicity, inconven-
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"^ 441 Powell Street : Garfield 2j66
}A SAN FRANCISCO
rSS&^ ras&^ r^lES^ rSSISS^ ras&^
AUGUST, 1928
37
acicism) one is inclined to ask what is the
importance ot writing such a hook at all
But of course that is begging the ques-
tion because this is not an unimportant
book On the contrary, its qualities are
too numerous to pass over, but it is
significant to notice that these outstan-
ding qualities arc found on pages where,
in spite of himself, Ludwig is assuming
that Jesus is great in something of a
supernatural way He says ot Jesus that
"he notices everything which may help
to unlock the mystery of the human
heart"; that he had "an eye lor hidden
resemblances" and that "the hills and
the rocks, the river and the castle, the
catastrophes ot nature and the fJower-
clad slopes all breathe a meaning to
Him . "At least such faculties can
hardly be called unreligious^ At other
times Herr Ludwig is able to give us a
rich, imaginative analysis ot character,
the taculty Goethe called exact percipient
fancy. The scene of Jesus' meeting with
Pontius Pilate is particularly brilliant:
"For a moment they stand face to face,
the Jewish prisoner and the Roman
governor . . , One of them is armed
and clad in a short toga; the other is
weaponless and wears a long grey
mantle They confront one another as
though they were not accused and
judge, beggar and lord . , . exchanging
thoughts . . . rather as though the beg-
gar were king, and the governor an
emperor's envoy, but nothing more than
the poor servant of his duty Thus do
Jesus and Pilate confront one another,
reflective, waiting on one another's
words, questioning —until one of them
speaks of 'truth', and thereby the man of
the world and the prophet are torn
asunder "
In any case The Son of Man is a
worthy successor to Ludwig's already
famous lives of Napoleon and Bismarck
The choice he has made of the savings of
Jesus and His disciples make splendid
reading in themselves (particularly since
most ot us are too lazy to read the Bible
any more) and the volume is pleasantly
filled with reproductions of Rembrandt's
wonderful etchings of the life of Christ.
The Son OF Man. By Emit Ludwig
{Boni and Liveright)
▼ ▼ ▼
THE celebrated Margot Asquith, now
inconveniently known as the Coun-
tess of Oxford and Asquith, has deliv-
ered herself of a novel, her first to my
knowledge I enjoyed parts of Octavia
C^nnlinucd on page 40
R/\VILELDEI^S
239 Pos^ Sheet San Francisco
The
JUNIOR LEAGUE
SHOP
the
discriminating
shopper
will
find
T)istinctive
Qifts
At 11
Tillman Place
38
The Yellow Shawl
(V>nlinucJ from page M
sonicJ a brilliant embroidery of crimson
and i»rcen roses Her lips parted, her
breath came qiiickiv, her eyes gleamed
Sanort Hashed a smile, baring his cruel
teeth as he threw the shaul at her She
caught it joyfully and wrapped it about
her shoulders and across her hips.
"There!" she cried, throwing her
head back, "is it not so? Yellow is my
color Come, what is the price?"
He mo\'ed close to her. "You could
not buy that shawl —with money." he
said And he looked at her sidewise.
She watched him through her half-
closed eyelids, noticing his crafty face,
his e\'il smile and his snakclikc fingers.
Slowly she unwrapped the shawl from
her body.
"Who said I wished to buy it?" she
asked insolently, as she let it slip from
her hands back into the black chest.
▼ T T
CHiQL'iT.\ G.'\RCi.'v waited another
week, fretting away the hours at
the factory, passing and repassing San-
ofF's shop at evening in the hope of
glimpsing the yellow shawl, nightly
tricking out her hair with the huge,
flaring comb and hiding her red lips
behind the glittering fan as she stood
before her mirror. She could not forget
the shawl; somehow it seemed to her
that once she owned the yellow shawl
everything else in life would come more
easily.
In the mornings when she put on her
laded blue dress she would say to her-
self:
"How can 1 get anywhere in such a
bundle of rags? Men like something gay.
No wonder they look another way -
blue is not my color. It may do well
enough for some women." And she
remembered her companions at the fac-
tory and she laughed, thinking how
terrible they would look in yellow,
granting that they had courage to wear
such a shade .
Finally, in the end, she did just what
she had known all along she would do
— she went back to Sanoff's shop and
stood in the doorway.
SanofF was standing with his back to
her, intent on serving a customer.
Chiquita narrowed her eyes and looked.
Yes, the customer was looking at the
yellow shawl — her yellow sha^A'l. She
put out a hand to steady herself.
"Now," she said to herself, "you
have made a mess of it ! Why didn't you
listen to him a week ago? Chiquita
Garcia, you will never get another man
foolish enough to give you such a thing
at any price. And you will go on work-
ing forever in a cold, cheerless, horrid
blue rag of a dress."
She was so frightened at the thought
that she forgot everything else and she
-i^^^s^E^i-
,«^P
1
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i
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A Famous Doorway
in Hollywood that means home to travelers
The doorway of this hotel means home — personal
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Write for reservations or free booklet entitled,
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(f^""
^'•HS^^'^
THE SAN FRANCISCAN
went up to SanoH and said quite ab-
ruptly :
"I forgot last week to give you my
address, I live at Broadway and Stock-
ton the second house from the Py-
rcnnes Cafe. The number of my room is
five —up two flights". . . .
She remembered afterwards that the
woman had stared at her and that SanoflF
had only smiled his crafty smile, showing
his teeth unpleasantly. He had said
nothing.
So there was only one thing for her
to do — to walk out of the shop and go
home.
CHIQUITA waited up that night until
after twelve o'clock but Sanoff did
not come. She waited the ne.xt night and
the next. At the end of the third day she
gave up hope.
"He has sold it," she said bitterly to
herself. "Well, and no wonder! Why
should any man be fool enough to dance
to my tune?"
But, nevertheless, she passed Sanoff's
shop one day at noon, and what did she
see but the yellow shawl in the window!
She walked by quickly and her heart beat
until she heard a thundering in her ears.
When she got back to the factory she I
wept —great angry tears. It would not
have been quite so bad if Sanoff had sold
the shawl, but to discover that he still
owned the thing and would not bring
it to her moved her to sudden fury.
"Perhaps someone prettier than I has
looked at it," she muttered to herself.
"Well, we shall see. Because I wear a
blue rag of a dress now is no reason 1
shall do so all my life. . . ."
When she got home that night she
made straightway for the mirror. Why
had Sanoff tricked her so? Her hair was
as blue-black as a raven's wing, and it
shone like polished ebony in tne light,
and her eyes had plenty of fire. Yes, and
she had red lips, and her teeth glistened
when she smiled.
She tried to remember the customer
who had been looking at the shawl
when she had last spoken to Sanoff. But
she could remember nothing about the
woman except that she wore a curious
brooch that sparkled when the light
struck it.
Chiquita took out the comb, and the
fan, and the thin yellow scrap of ribbon,
for her neck, and she wept again. Andl
all night she thought. About the flaringi
comb^ Or the glittering fan? Or the
yellow shawl? No, she thought all night
long about Sanoff.
In the morning she got up, bathed
her red eyes and dashed a bit of powder
on her nose. This made her feel better.
Then she tied the scrap of ribbon about
her neck, wrapped the comb and the
fan in a rumpled newspaper, and made
straight for Sanoff's shop.
Continued on page 41
AUGUST, 1928
39
Confections appear
alike . . . many may
even taste the same.
Candy is as candy
is made. You are
always certain of
Foster c? Orear
confections because
they carry this dis-
tinctive stamp.
FOSTER £5" OREAR
City oj Paris • 137 Grant Ai'enue
B.F.Schlesinger • Oakland
Arcade oJ Russ Building
Ferry Building
Pacific Coast Showdom
By JACK CAMPBELL
SAN Francisco and Los Angeles are
dividing equally the honors this
summer of presenting plays on the Pa-
cific Coast for the first time In an effort
to retain active theatrical hubs, both
centres are interchanging the best of the
dramatic tare and successfully entertain-
ing their public through the warm
months.
Perhaps the most successful drama
in California is "The Trial of Mary
Dugan." It opened recently at the Co-
lumbia tollowing a sensational two
months engagement at the Mason
Theater in Los Angeles.
This Bayard Veiller play is an amaz-
ing piece of dramaturgy. Interesting in
theme, dramatic in development, it
is as well knit in construction as any
play seen in the theatre for some time.
The entire action transpires in a court
room; the exterior and the foyer of the
theater are likewise re-arranged to
heighten this effect.
The curtain never rises. As the audi-
ence enters, the stage is already set.
Scrubwomen and policemen are atten-
ding to the preliminary duties of the
day.
Gradually the courtroom fills. The
judge enters. The house lights are dim-
med and the play commences. For two
and a half hours, a complete drama is
unfolded in this setting. Two life stories
are enacted with a galaxy of types
parading the stage in an endeavor to
solve the mystery
Many men contend that the play is
inaccurate in its courtroom detail. They
further state that "Mary Dugan" is a
woman's show. True, it is less of a
trial than a murder investigation after
the first act, but the suspense and the
entertainment which are ever present
certainly justify this slight dramatic
liberty.
I saw the play twice and enjoyed it
equally at both sittings. The implau-
sibilities of the plot pale in the rush
toward the climax.
But as George Jean Nathan has aptly
stated, " 'The Trial of Mary Dugan' in
which a left-handed murderer was made
to betray his left-handedness like all
right-handed baseball players."
And yet we can forget these small
details when a play is given such splen-
did direction by Guthrie McClintic or
when Al Woods lavishes such care on
JIIL(19ieAJG11
1718 MONTGOMERY
:^ANERANoiroo ::
;::t>AVENPonT::::
PERrORMANCET
BtRYTHUR.FRI.&/AT
BILjLCUANGEr
EVIRYrOURWEEK/
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f
•Q>»
*-<Ri.
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HENRY H. HART
O R I E N TAL ARTS
328 POST STREET
Kfurn-v 6642
;(S?T(
ir<sS);
((Objects! of ^rt I
iinb I
recious (!^lb J3i)otosrapl)s!
R EPRODUCED
BY
(Gabriel iWouIin
153 KEARNY STREET
TELEPHONE KEARNY 4366
40
THE SAN FRANCISCAN ;
[he production. And withal arc some
splendid performances.
As the young lawyer, Raymond
Hackett jiLstilies the hopes which ha\e
been held tor him during the past four
years. His v\inning manner and pleasant
boyishness bolstered by genuine enthu-
siasm makes his performance outstand-
ing. As Mary Dugan, Phoebe Foster is
likewise excellent. Her role is limited to
a dramatic twenty minutes and two
hours of suppression. That slight period
of emotion, however, brings all of the
family "hankies" into full play, and 1
can still hear the \'arious inflections of
her voice while she was on the stand
One of the choice lines of the play
occurs when the district attorney asks
a chorus girl it she knows tor certain
that the murdered man gave Mary
Dugan a Rolls Royce. She replies, "My
God, Mr. Galwey, you can't expect a
girl to go to hell in a wheelbarrow."
▼ T T
THE ever active firm of Belasco and
Butler have two of the best attrac-
tions ot the season on their books; "The
Road to Rome" at the Geary in San
Francisco, and "The Spider" at the
Belasco in Los Angeles. In several weeks,
these companies will interchange.
"The Spider," is the most unique ot
the "Thrillers." As Chatrand the magi-
cian, William Courteney with his sooth-
ing voice and unctuous manner makes the
play seem a lot better than it really is.
At the Music Box in Los Angeles,
J\ Conway Tearle and Margaret
Lawrence are rehearsing in "Midchan-
neT'by Pinero Under the direction of
Irx'ing Pichel, the play will doubtlessly
appear less antiquated and when it opens
at the Curran, it should present as elab-
orate a production and as superb a cast
as has ever been collected on the Pacific
Coast.
Destined for a late summer entrance
into San Francisco, "Dracula" con-
tinues at the Biltmore The general con-
sensus ot opinion is that one should see
the play and then read the Stoker novel,
that is, if one is sufficiently interested.
It concerns human vampires and Hun-
garian pantominists and convinced New
York with moderate success this season
T "r T
An .^l.arminCi welcome was given
.X\. "Good News" by Los Angeles at
the Mayan Theater Fresh and youthful,
this collegiate musical comedy will run
here until the middle of September at
which time Mr, Curran will assume its
guardianship until Christmas at one of
his Geary Street houses.
Two ot Henry Duffy's San Francisco
successes, "The Show Off" and "Why
Men Leave Home, " occupy his theaters
in the south. Another, "The Baby
Cyclone" opens next week while Terry's
August gesture is to be the grasp of the
reins of still another house. Of his two
present hits in San Francisco, "The
THE SAN FRANCISCO BANK
SAVINGS COMMERCIAL
INCORPORATED FEBRUARY lOTH. 1868
One of the Oldest Banks in California,
the Assets of which have never been increased
by mergers or consolidations with other Banks
MEMBER ASSOCIATED SAVINGS BANKS OF SAN FRANCISCO
526 California Street, San Francisco, Cal.
JUNE 30th, 1928
Assets $118,615,481.57
Capital, Reserve and Contingent Funds 5,000,000.00
Pension Fund over $610,000.00,
standing on Books at 1.00
MISSION BRANCH Mission and 21st Streets
PARK-PRESIDIO BRANCH Clement St. and 7th Ave.
HAIGHT STREET BRANCH Haight and Belvedere Streets
WEST PORTAL BRANCH West Portal Ave. and Ulloa St.
Interest paid on Deposits at the rate of
FOUR AND ONE-QUARTER (4^S) per cent per annum,
COMPUTED MONTHLY and COMPOUNDED QUARTERLY,
AND MAY BE WITHDRA\VN QUARTERtY
Wooden Kimono" will arrive at El
Capitan in the fall while "Tommy" has
already enjoyed nine prosperous weeks in
the south
And then, ot course, John Barrymore
will play "Hamlet" in Berkeley on Sep-
tember 4th and 5th
▼ T ▼
As To Books
CnnlinueJ from pa^c ^7
and found it a relief to hear about the I
English upper classes from one of their
number. In Octavia the authoress tells
us with considerable wit, exactitude and I
literary tact all about fox hunting, poli- I
tics, English country houses, marriage, |
love and religion, all refreshingly un- i
Michael Arlen-ish. Also she tells a good I
deal about herself though not so much
nor so well as she did in her splendid
Autobiogra|^l^y. She says ot Octavia :
"Fearless, quick and truthful she was too
busy with life to care very much what
other people thought of her." and "she
always skipped the prefaces to people."
Such "Margotisms" are always bright
and entertaining but for some reason or
other you get just a little bored with
Octavia's militant demeanor. 1 think
perhaps it is because we have passed
beyond the period Margot Asquith still
represents when women felt impelled to
Ctinlinucd on page 42
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AUGUST, 1928
41
The Yellow Shawl
( lontinucd from page 3^
As a matter of course she arrived long
before the shop was open, and she stood
in the damp morning fog, kicking her
heels together and trying to keep back
her tears.
Sanoff came along finally, and when
he saw her he did not even lift his eye-
brows. Instead he smiled and threw open
the door for her.
She went in and Sanoff followed. The
morning sun began to filter through the
■ fog and it lit up bits of brass and copper
[ about the shelves, and as Chiquita laced
Sanoff a sunbeam played about the
, bedraggled ribbon at her throat.
"I suppose," she said with a sneer,
"that you think 1 have come tor the
I yellow shawl. Well, I have come tor
I nothing ot the sort."
Sanoff did not speak. She threw her
I bundle down upon a table and began to
rip off the covering of newspaper.
Sanoff smiled until his teeth glistened.
She drew out the comb first, threw
it on the floor and trampled it into a
thousand pieces. Then she picked up the
glittering fan, tore it into shreds and
flung it in Sanoff's face.
I He began to laugh. Chiquita fell
back, panting with rage.
' Sanoff reached forward and lightly
ran his finger under the yellow ribbon
at her throat. His touch burned her like
a coal. She shook him off.
"Well, well," he mocked, "yellow is
your color, after all. And where did you
say you lived?"
Chiquita caught her breath. "At
Broadway and Stockton — "
"Oh, yes, yes. The second house from
, the Pyrennes Cafe — up two flights. Now
I remember."
▼ T T
CHIQUITA did not go back to the fac-
tory that day. Because it was too
late, for one thing.
And she did not go to the factory the
day after, either. Instead, she rose
languourously at ten o'clock and threw
' the yellow shawl about her shoulders.
"What shall I say if they send from
, the factory for me?" she mused "Shall
I tell them I am not coming to the fac-
. tory again? . . . Shall I say I am sick,
or tired or work, or just nothing at all?"
And she caught up her hair and stood
in the bright sunlight, drawing the yel-
low shawl more tightly about her curv-
: ing figure.
"Yes, yes," she laughed, "Sanoff is
right — after all — yellow is my color!"
▼ T T
As Seen By Her
Continued from page }^
then flatten out 'til the horse got lost in
the harness, the cabby in his box and we
j among the wheel-spokes which were
! last to fade. There seemed no other dis-
tortion in the world than that tenebrous
image we flung on misty lawns.
Headier than champagne was the
experience of finding this old grace of
carriage-riding still left in New York
City A mood of elegance descended
upon us Long voluminous taffeta skirts
rustling atop layers of petticoat seemed
to fall over our ankles and we uncrossed
our knees and placed our feet demurely
in the bottom of the carriage. Indolently
we waved imaginary fans , . . and smiled
behind them with well-bred under-
standing when, from the midst of dark
clumps of bushes, came the murmurs
of lovers who too were in harmony with
the night. When our road wound round
the lake, we looked with hoop-skirted
longing upon the free girls of a new age
who were allowed to row with their
swains in a boat that did not always
keep within the broad beams of search-
lights thrown out from the shore.
Through the murmuring woodlands
of the North Drive we clopped along,
listening to the fine tenor voices of
Italian troubadors who serenaded unseen
audiences from the little grassy mounds
that are Central Park's hills The night
was sultry, moist, tropical. The night
was full of people whose revelry came
decently to our ears from behind discreet
little hedges of flowering shrubs. And
the night was full of magic.
SEEMINGLY like a little island, the park
floated between the clanging avenue
of Central Park West and the roaring
confusion of Fifth avenue . . . floated,
misty and unreal, on the very bosom of
Babylon, offering its haven of blossomy
bushes to lovers, trees and benches to old
men, wet lawns to children and their
dogs and safe passage on a dim wood-
land road to an old horse with blinkers
shading his eyes.
Over the treetops off to the right
towered twenty- and thirty-story phan-
toms of apartment-houses, dimly out-
lined hulks across the humidity, standing
shoulder to shoulder like a row of granite
Arguses with a million yellow eyes.
Mauve and gold in the mists, terraced up-
wards to points that terminated in odd
little meuzzin towers, wedding-cake
ornaments and toy roof-gardens, the
wall of dwellings marched parallel with
us as we drove south through the park.
It was fantastic and ethereal enough to
have been but a phantasmagoric pro-
phecy of what New York would one
day be. We were not terrified by those
rows and rows of steel and granite pyra-
mids looming over the treetops. We
merely smiled behind our fans and knew
we had had one glass too many of cham-
pagne ....
Presently trees closed in over the road
as though gallantly offering us protec-
tion from our hallucinations. All that
Summer
Bachelors
and others seeking food as good or
even better than at home, come to
62 Post street. . . . Upstairs, in a
delightfully summery atmosphere,
there are tables laden with a wealth
of deliciously flavored foods. . . .
Crisp salads — tempting hot breads
— savory meats — buttered vege-
tables— pies, cakes and incompar-
able puddings.
They tell us it is the "best food in
town " . . . certainly we strive to
make it so . . . but we leave the
decision to you when you take
luncheon with us at"
^osft Street Cafeteria
62 ^ost Street = = g)an Jf rantisco
In t e r e s t
Tiff, pays her highest interest
-'-^ for friendly thought. We
never forget those who have
cheered us with a box of beau-
t\^u\ flowers or a pretty
plant.
Orders telegraphed
anywhere
THE VOICE OF A THOUSAND GARDENS
224-226 Grant Avenue
Phone Sutter 6200
SAN FRANCISCO
42
THE SAN FRANCISCAN
DUISENBERG
WICHMAN
6^ CO.
Members
New York Stock Exchange
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SAN FRANCISCO
35 Post Street
Phone Sutter 7140
HONOLULU
115 Merchant St.
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OAKLAND
426 I3th Street
Lakeside lOI
was visible was our horse's broad rump,
undulating sensuously as it trotted
downhill \Vc lay back in the fawn up-
holstered seat and wondered how ever
we were going to manage our hoop-
skirts when came the time to climb out
ot our barouche
T T T
As To Books
(.."^nlinucd Irurn pagL' 41)
work dreadfully hard for individualism
One can't help being grateful to Mrs
Asquith tor her vigor, her intellectual
curiosity and her blunt cheer, but I felt
about much of Octavia the way she did
in describing Mrs. Daventry as having
"a teline, disarming small talk which
was intellectually depressing."
Octavia, by Margot Asquith {Stok.'is)
K.ecommcndcd Kcuding
The Son of Man, by Emil Ludwig (Boni antt
Livcright) .
Octavia, by Margot Asquith {Slol^cs).
NOVELS
Swan Song, by John Galsworthy (Scribncrs) .
The Window, by Alice Grant Rossman
(MinCon, Balcli).
Brook Evans, by Susan Glaspel (Stokes).
The Old and the Young, by Luigi Pirandello
(Boni and Livcright).
Mr. Hodge and Mr. Hazzard, by Elinor
Wylie.
Home to Harlem, by Claude McKay.
MYSTERY STORIES
The Double Chance, by J. S. Fletcher (Dodd,
.Mead) .
Juggernaut, by Alice Campbell (Duuhtcday,
Doran) .
GENERAL
An Intelligent Woman's Guide to Scxtial-
isM AND Capitalism, by George Bernard
Shaw (Brctitano) .
HouDiNi : His Life Story, by Harold Kellock
{Harcourt, Brace).
Sunset Gun, by Dorothy Parker.
The Greene Murder Case, by S. S. Van Dine.
But Gentlemen Marry Brunettes, by Anita
Loos.
Tammany Hall, by M. R. Werner,
Hearst, An American Phenomenon, by Wink-
ler.
A Complete Investment
Service
BOND &. BROKERAGE
DEPARTMENTS
Members
San Francisco Stock. Exchange
San Francisco Curb Exchange
orders accepted for execution
on all leading exchanges
Wm. Cavalier &Co.
INVESTMENT SECURITIES
SAN FRANCISCO
^jj CALIFORNIA STREET
OAKLAND
BERKELEY
|f»VE»lBER I9ZS • PRICE KJ CEWVS
r
f^\
♦/
jimt'^iii'i-i '•■jv.i ^^'vV'-'--' .■
i» « ■ ■ f
T
f
"^-^v
/*
A
c-^j:^-^^'
m^
Jil^K nOPIilNS
When you dine and dance in Peacock Court life
throbs to the gay rhythms of music by Anson
Weeks Orchestra — every night and on Saturday
for tea there is a sparkling musical background
for the smart gatherings — and Tuesday evenings
there are feature programs to delight
the most exacting.
Where
Hospitality
Begins'
The center of the city's life
and color --the hub around
uuhich San Francisco's
social and business
interests revolve
Hotel St. Francis
facing U n i on Square
San Francisco, California
Management • • James H. McCabe
to be really sophisticated
one should knoi^ir^
— the latest news of the literary, political
and dramatic worlds and the eccentricities
and idiosyncrasies of world personalities.
Every Tuesday evening, beginning October Second, at 8 o'clock,
JOHN D. BARRY will discuss the news of the week, giving his
own inimitable sidelights.
one should hear^
— the finest plays.
Every Friday morning at 11 o'clock, beginning October Fifth, Mrs.
Hugh Brown will read the works of Eugene O'Neil, the playwright
of the century.
one should knoi^v about ^
— the latest in books. (Surely no one has
time to read them all.)
Every Friday afternoon, Josephine Bartlett will review the latest
in literature, beginning September Twenty-eighth.
one should be able to converse
fluently about the above -^
—So every Monday afternoon, at 2 :30, ETHEL COTTON will
lead a cultural conversation course — also Monday evening, at
8 o'clock, beginning September Seventeenth.
one should learn to speak ^^the
language of the diplomats^' at a
tender age
— in order that your children may do this, Mme. Jeanne Lowen-
berg will teach them the French language via the conversation
method and colored lantern slides, every Saturday morning, at
10 o'clock — class starting September Fifteenth.
^where and ho^w?
at the Western Women's Club o€ course
609 SUTTER STREET PROSPECT 9000
GOINGS ON ABOUT TOWN
THE THEATRE
Alcazar: More Tommy with Sidney Toler in
the part of the practical politician and Emer-
son Trcacy as the young hero.
Columbia: Martin and Osa Johnson record
four years in the African jungles in the
photoplay, Simba, which follows Dracula
September gth.
Curran : Follows the farcical Oli What a Man
with the heralded Qood Neivs.
Geary: The Spider gives way to The Eftyal
Family, Edna Ferber and George Kauffman's
comedy of stage life.
Greek Theatre : Berkeley. Margaret Anglin
plays Sophocles' Antigone Sunday, Sep-
tember 16, 6 p. m.
President: Daisy Mayme is to be repriced by
Daddies Scpteinber 9.
Blanding Sloan's Puppet Theatre : Fairmont
Hotel, Thursday, Friday and Saturday eve-
nings during September, Ralph Chcsse's pro-
duction of Hamlet.
MOTION PICTURES
California: Re-opened August 31 with Emil
Jannings in The Patriot. Ne.vt comes Wings
and possibly The Wedding March and In
Lilac Time.
Granada : Popular picture features accompa-
nied by vaudeville ensembles accompanied
by the clowning of Frank Jcnks.
Embassy; Another talking feature with Irene
Rich in Women They Talk About.
St. Francis ; King of Kings at popular
prices.
Warfield : Rube Wolf masters the ceremonies
that accompany pictures hot from the
camera.
LECTURES
September 5: "A Spring Floral Pageant in
• England," by Juliet James, at Paul Elder's.
( September 15: "Why People Travel," by Earle
G. Lindsley, at Paul Elder's,
ART
Courtesy of "The Argus"
Beaux Arts Galerie: xi6 Maiden Lane.
Sept. 10 to 24, paintings by Walt Kuhn.
Group by Beaux Arts members. Sept. 11 at
2:30, lecture by Vaclav Vytlacil on "Mod-
ern Art."
Bohemian Club : Senator James D. Phelan Prize
Competition of Figure Paintings, Sep. 8 to 15.
CouRVoisiER Gallery: 474 Post Street. Etch-
ings, woodcuts and lithographs.
California Palace of the Legion of Honor :
Sept. 9 to 30, paintings of the neo-classic
school, by Lorser Feitelson and Natalie
Newking. Sept. 16 to Oct. 8, exhibition of
pictorial photography, sponsored by the
Pictorial Photographic Society of San Fran-
cisco. Jacob Stern loan collection of paint-
ings and bronzes.
De Young Memorial Museum: Golden Gate
Park. Permanent collections. Art lectures
open to the public on Wednesday and Sunday
afternoons.
East West Gallery : 609 Sutter Street.
Through Sept. 5, paintings and drawings by
Lucretia Van Horn; wood sculpture by Col.
Robert O. Van Horn; drawings by their
daughters, Margaret and Lucretia Van
Horn. Sept. 6 to 26, paintings by Rockwell
Kent, to be opened with a reception mark-
ing the first anniversary of this gallery.
Paul Elder Gallery: Sept. 4 to 25, paintings,
drawings and wood blocks by Howard
Simon.
S. & G. Gump Gallery: Sept. 4 to 16, eigh-
teenth century mezzo-tints from the private
collection of Augustus Pollack, Etchings o(
European architectural subjects by Samuel
Chamberlain. Sept. 17 to 29, wood block
prints by Judson L. Starr.
Persian Art Centre: 557 Post Street. Rare
works of art from the collection of Dr.
Ali-Kuli Khan.
Augustus Pollack Gallery: 453 Powell
Street. Chinese paintings and ceramics.
Schwabacher-Frey Gallery : Etchings, mezzo
prints and wood blocks.
Vickery, Atkins & Torrey: 550 Sutter Street.
Sept. 10 to 24, annual exhibition of the
California Society of Etchers.
H. Valdespino Gallery : 347 O'FarrcU Street.
Color etchings and modern German prints.
MUSIC
The Opera Season:
September 15: Aida.
September 17: La Cena Delle Beffe.
September 19: Tosca.
September 21 ; Madame Butterfly.
September 22 : Turandot.
September 24: L'Amore Dei Tre I{fi.
September 25: Fedora.
September 27 : Andrea Chenier.
September 29: Matinee, Tosca.
September 29: Night, Faust.
October 1 ; Carmen.
October 3 : Cavalleria I{usticana , Pagliacci.
DINING AND DANCING
Aldeane Tea Room: 275 Post Street. Unex-
pectedly good food — served in rose colored
glass. Overlooking Union Square.
The Mark Hopkins: The Peacock Room.
Hobnobing with the Reigning Dynasty on
Nob Hill.
Tait's-at-the-Beach: On Sloat Boulevard.
Looking West at the Far East while dining
and dancing.
The St. Francis : The Garden Room. Good
music and smart people. What more?
Courtyard Tea Room; 450 Grant Ave. Up-
to-date filling station.
Cafe Marquard; Geary and Mason. Contin-
entally exciting. It's fun!
Cabiria; 530 Broadway. Informality in the
heart of the Latin Quarter.
The Aladdin Studio: 363 Sutter. Oski!
Wow! Wow! — and that means collegiate.
Post Street Cafeteria: 62 Post Street. It's
August and the flowers are still fresh — food
for summer appetites — luncheon only.
The Palace; Rose Room. The dancing crowd
seems to be moving this way — and with
reason.
The Loggia; 126 Grant. Luncheon, tea and
dinner, before, during and after shopping.
Temple Bar Tea Room: No. 1 Tillman Place.
One of the best places in town for luncheon.
No foolin'.
ESTABLISHED 1852
SHREVE & COMPANY
JEWELERS and SILVERSMITHS
Post Street at Grant Avenue
San Francisco
/Character in furniture originates in the taste, knowledge and
L/ inspiration of the designer. Such furniture is worth more but
does not always cost more — an elaborate piece of poor design will
often sell at a higher price than a really tine article ot simple char-
acter. (j[Our decorators may be trusted to suggest those furnishings
which time will prove to be enduring in style as
as well as in quality.
°v
FURNITURE » ORIENTAL RUGS •> CARPETS ^ DRAPERIES
W: Si J. SLOANE
SUTTER STREET near GRANT AVENUE / SAN FRANCISCO
^w
m
{ .'
TT Ki E
,^
>T
:Tre^oa]Er^
^^^^
SAM FRMCISCM
JOSEPH DYER, Editor & Publisher
RowENA Mason, Associate Editor
Aline Kistler, Assistant Editor
Contributing Editors
Charles Caldwell Dobie Mollie Merrick
Anita Day Hubbard Idwal Jones
Joseph Henderson George Douglas
Kathryn Hulme Elva Williams
Vol. II
SEPTEMBER, 1928
No. 9
CONTENTS
The New Opera House, hy Dr. Arthur Upham Pope
The Peacock, verse by Edna Keough - - -
Johan Hagemeyer. camera portrait by Edward Weston
Now It Can Be Told - - - _ _
Dean David, by John Parker - - - - _
Jean Lacoste's Wt/e. story by Charles Caldwell Dobie
Epilogue, verse by Ralph Westerman - - - _
Tin Types, by Zoe A. Battu - - _ _
Third Street at Night, verse by Beth Wendel - - -
Wooden Davits, etching by Armin Hansen
The tgz8-2g Art Season Opens _ _ _ _
Trash, story by Marcella Burke - - _ _
Amor Gitano, verse by Rex Smith - _ _ _
Leone Nesbit. camera portrait by Mary Dale Clark
Football Prospects, by Wallace W. Knox - . .
The Right Place but the Wrong Night, cartoon by Sotomayor
These Here Fairs, humorous article by 0. BR.
Albert Coates and G. B. S., photograph - - .
Reigning Dynasty -_-___
Miss Helen Horst. crayon sketch by Jose Moya del Pino
Mere Animals, verses by Flora J . Arnstein - - -
Are We Learning to Read, by Joseph Henderson
People We Know. byH.S. -
As Seen by Her — Chinese Snuff Bottles, by Henry H Hart
Pacific Coast Showdom, by Jack Campbell - _ _
As to Books - - - - -
10
11
12
14
15
1?
Ih
Ih
17
17
18
18
19
20
21
22
23
24
25
2t)
27
29
31
33
3b
The San Franciscan is published monthly by The San Franciscan Publishing
Company, Sharon Building. San Francisco. Cal.. Douglas 3610.
Joseph Dyer. Publisher.
H. Lauterbach. Circulation Manager
Subscription price, one year $2,50. Single Copies 25c.
Copyrighted 1928
The San Franciscan Publishing Company
;^>yjiL
_-,a»-«^-'»'|l l'\ I '/M I 1,11--—-.
tl — 't it
<uirchitectural 'Drawings of the San Francisco Opera House
UpperView : Skozving the "Van T^css Avenue entrances to the Opera, House, on the left, and the War ?^iemorial mi the right.
Lower View : From the rear of the Opera House, on the right, and the War Memorial, on the left.
Memorial Court is shown zvith the City Hall in the background.
THE
SAN niANCISCAN
^
%^m
The New Opera House
Being the First Official Account of Its Plans
(Editor's Note: We are proud to publish the first
official article which gives in detail the plans for
San Francisco's new Opera House, which we con-
sider a great cultural milestone in the city's prog-
ress. Furthermore, we are particularly glad that
this article should be written by an authority
such as Dr. Arthur Upham Pope who, in his posi-
tion as technical advisor, is probably better
qualified to discuss the Opera House than anyone
else connected with its inception.)
THE Opera House is at last under
way. The whistles are screaming
and the steam shovels are groan-
ing. If the day has seemed to most people
long in coming, that is because they have
not appreciated the difficulties involved.
All in all, with the possible exception of
an Art Museum, an Opera House is the
most difficult of all buildings to design.
The great opera houses in Europe have
required from ten to fifteen years from
their inception to their inauguration.
Only a few of the smaller houses have
been built in as brief a time as six years.
The task of building the San Francisco
Opera House, serious enough under the
most favorable circumstances, has been
complicated by problems of site, by
intricate legal questions arising from the
fact that some of the money was pri-
vately subscribed and some appropriated
by the City. All of these problems and
many more have been finally met. The
steel plans will soon be ready for con-
tract and in a few months the riveters
will make clamorous music in the Civic
Center.
Although every feature that can be
improved will be subject to criticism
and refinement up to the actual moment
of contract or construction and though
much detailed work remains to be done,
the major plans for the Opera House
may fairly be said to be finished.
By Dr. ARTHUR UPHAM POPE
EVER since the first successful season
held in the Opera House of New
Almaden in 1832, Californians of the
bay region have shown an exceptionally
lively interest in opera. Nowhere in
America have operatic performances
been greeted by more discriminating and
enthusiastic audiences. Even in the 70 's
and So's the approval of San Francisco
meant a great deal to opera singers while
in the last few years, working under
harassing handicaps, San Francisco has
staged opera that has at points touched
international standards and has delighted
large audiences that have almost made
opera pay.
With such a background, San Fran-
cisco deserved and was properly destined
tor an opera house of the finest quality.
The universal desire to commemorate
the suffering and sacrifices of the Great
War, the praiseworthy impulse to make
the cessation of the conflict the occasion
for contributing to a better world which
was not achieved by military action or
diplomacy, have found a natural and
fitting fulfillment in the program for a
War Memorial that includes an Art
Museum and a Veterans' Building as
well as the Opera House, a group of
institutions that will contribute perma-
nently to the happiness and well being
of a large community.
Because opera has been so important
in this community, because the Opera
House is thus to be part of the Great
War Memorial and because, also, it is
to be an element in the superbly planned
Civic Center it will be one of the most
important buildings in the city, perhaps
the most important in its influence on
the taste of the general public. But be-
cause ot the number, variety and com-
plexity of the requirements that have to
be met, it has also been one of the most
difficult buildings to plan. Entirely aside
from the complications of the mechani-
cal equipment of approach and circula-
tion, there are numerous conflicting
problems in the planning of the audi-
torium proper each of which had to be
tuUy met.
T T T
THE auditorium must, of course, be
primarily adequate and satisfactory
for opera, but it has also to be available
for symphony concerts, organ recitals
and other musical occasions. The seating
must, for the sake of revenue, be as large
as possible consistent with the highest
dramatic and musical quality. Just what
this number is, is not readily determined
and has been the subject of vigorous dis-
cussion. In a building constructed for
musical performances the first requisite
is that every person in the audience be
able to hear perfectly Furthermore, for
operatic performances it is almost as
important to see as to hear. The exits
and levels must conform to rather rigid
municipal regulations. The engineering
has many especially difficult problems
created by long overhanging balconies
and in this particular case there is a great
additional perplexity, the result of sheer
accident, for in the center of the build-
ing plot boring has disclosed a spring
with a powerful up pressure which has
to be controlled. All of these structural
problems are in the competent hands of
Mr. C. H. Snyder.
An infinite amount of nonsense and
quackery has been dispensed in the name
of acoustics. Self appointed amateurs
10
THE SAN FRANCISCAN
have recommended surrounding the en-
tire auditorium with a thick water
jacket Ukc an automobile cylinder.
Others have asserted that satisfactory
acoustics are the result only o( some
unpredictable and mysterious magic
while still others have insisted that the
modern, scientific acoustician could de-
sign an auditorium with perfect musical
acoustics even though it had a seating
capacity often thousand, in order to get
an authoritative judgment on these
problems the committee brought out
from New York Mr. Clifford M. Swan
who is thought by competent judges to
be one of the greatest acousticians living
and the ablest man available for consul-
tation. Intricate problems of echoes,
dead spots, reverberations and various
types of interferences have all been
solved and while the exact acoustical
quality of the auditorium cannot at this
moment be predicted, it is safe to say
that it will be not only adequate but
superior. San Francisco has no audi-
torium in which the acoustics are really
satisfactory. The new Opera House will
be a revelation to most, not merely for
the audibility, but for the purity of
tones, for the delicacy of nuances and for
the clarity and ease with which tones
and passages close to the border line of
perceptibility can be appreciated .These are
all essential qualitiesofmusicalexcellence.
Such details as a specially constructed
resonant screen to serve as sounding
board for the symphony orchestra, and
the use of absorptive materials to elimi-
nate reflected sounds at the critical
points are but a few of the innumerable
provisions that have been devised to
deliver the most perfect musical sound
possible in so large an auditorium.
To provide an adequate architectural
form which will fully meet all these
conditions has at times seemed insuper-
ably difficult. The spaces and the wall
areas are all determined by considera-
tions entirely indifferent to the demands
of good architecture and apparently at
points in conflict with its elementary
requirements. The creation of an appro-
priate, rich and monumental setting
under these circumstances has taxed the
resources of the architects to the utmost.
Scores of painstaking studies have been
made.
The architecture of the corridors and
assembly rooms provide freer oppor-
tunities which have been admirably met.
The exterior is imposing and massive as
becomes a building which is essentially
a monument and is destined to serve for
centuries. Between the Opera House and
the Museum and Veterans' Building
will be a Memorial Court of great
beauty. Both these buildings seen from
a distance will function almost as wings
of the City Hall and they have been
developed in a harmonious and digni-
fied relation so that the City Hall, one
of America's finest buildings, will be
substantially enhanced. It has been of
great advantage to the final result that
the Opera House and the adjoining
building have been in the hands of the
same architect who scored such a tri-
umph in the City Hall, Mr. Arthur
Brown, Jr.
The Peacock
By Edna Keough
A golden peacock prancing
(That I had seen before).
To my door came a dancing
And paced upon the floor.
He spread his golden feathers.
And crossed his eyes to see
The flustratcd sensation
His beauty caused in me.
EVERY effort has been made to bring
the physical plant up to an excep-
tional degree of efficiency and economy
ot operation as well as comfort. Under
the Memorial Court between the two
buildings there will be a huge subway
permitting three lines of motors, one of
taxis and two of private cars, and pro-
viding four hundred and eighty feet of
loading and discharging space, all under
shelter, a great convenience in wet
weather. In this each section is num-
bered to facilitate the finding of cars.
The amplitude and convenience of
circulation are exceptional. On all floors
there are wide corridors leading to
every part of the building so that the
entr'acte promenades will naturally be-
come a feature. The smoking and public
dressing rooms and the cafe are all spa-
cious and permit of interesting decorat-
ive treatment. On the second floor there
is a magnificent assembly room, 40x140
feet, which will be especially suitable for
chamber music concerts but will also be
a valuable promenade and gathering
place during operatic performances.
Architecturally this room has possibili-
ties for a sumptuous and unusual treat-
ment
T T ▼
THE seats in comfort and size will
probably exceed anything now in
use in America. The rows are so far
apart it will be possible for late comers
to reach their places in the middle with-
out disturbing those already seated. The
distance from back to back of the chairs
is four inches more than in Dreamland
Auditorium and an inch between seats
counts more than on the end of one's
nose.
The total number of seats is 3450.
This includes 25 bo.xes each with eight
chairs. Every seat will command a clear
and unobstructed view of the stage in-
cluding the backdrop to a considerable
height. There arc some opera houses like
La Scala in Milan and the present Met-
ropolitan in which hundreds of people
cannot sec into the stage. The sight
lines, circulation and innumerable details
concerning theatre operation and design
have been planned by Mr. G. Albert
Lansburgh.
T ▼ T
THE plans for the stage block have
been prepared under the supervision
of Mr. Armando Agninni, the technical
expert for the Metropolitan Opera
House and one of the outstanding au-
thorities on opera and stage technicali-
ties. He has been advisor to a number of I
European houses also. The entire stage
equipment is so spacious, varied and
ingenious, it will represent to the aver-
age stage director Heaven itself. The
stage, one of the largest in existence, is
140 feet wide and 90 feet deep with a
proscenium 52 feet wide and 50 feet
high. The stage block itself is 116 feet
high, giving exceptional room for stor-
age and operations above the stage. Back
of the stage proper is a secondary stage
18x100 which permits of the setting up
of the decors so that they can be skidded
into place rapidly and noiselessly with
the minimum delay. Below the stage is
a double cellar for storing sets. The
cyclorama, which is a sort of permanent
back drop especially effective in scenes
calling for a wide expanse of sky, is
fixed, obviating the usual wrinkles and
cracks which are so destructive of illu-
sion and it is constructed on the curve
which gives the best optical and acousti-
cal effects combined.
The floor of the stage will be built in
transverse sections four and a half feet
wide, all of which can be elevated or
depressed. This permits a wide range of
adaptation in the setting of the stage
and it also gives the director full visual
control of the entire personnel, including
the singers at the very back of the set.
The section in the rear can be elevated
as high as 20 feet and those in the front
depressed as much as 11 feet.
▼ ▼ ▼
THE orchestra pit is on hydraulic lifts
so that it can be raised to the level of
the stage floor and thus be made avail-
able for symphony performances. In this
way the entire orchestra of 125 musi-
cians will be in front ot the fire curtain
so that it will be playing inside the audi-
torium, thus avoiding the dissipation of
sound in the flies and wings inevitable
when the orchestra is on a stage, and
also giving the intimacy of contact be-
tween the performers and the audience
so necessary for full aesthetic realization.
The lighting also is of the very latest
type, involving some apparatus ot re-
Contjnued on page 28
SEPTEMBER, 1928
II
yohan Hagemeyer
This modern artist whose camera zvorkhas brought htm the title of^the Steichen of The San Franciscan" is photographed
by Ldivard Weston, his most distinguished Western confrere. Weston has left his Los
Angeles studio to work for a time in San Francisco.
12
THE SAN FRANCISCAN
Now It Can Be Told
UPON visiting chc rc-cstahlishcJ
American household of a
friend, who had just completed
five years' residence in China, we com-
mented upon the fact that no Oriental
servants were in evidence about the
menage. We supposed that our tricnd
had come to look upon their \'irtues ot
faithfulness, discretion, thoroughness
and diligence as indispensible to the
smooth functioning of a home.
Speedily our friend informed us that
we suffered somewhat trom faulty im-
pressions. While in the Orient she had
nad in her employ an elderly Chinaman
who went by the name of Wong. Every
morning Wong bore breakfast to the
bedside of his mistress, and never once
did he open the door at an awkward or
embarrassing moment. His mistress
wondered if this could be due to some
intuition peculiar to the Oriental and
unknown to the Occidental. It was pos-
itively uncanny and finally she asked
Wong about it.
Wong looked at his mistress with
crahy impassiveness. But being a truth-
ful soul, he revealed the mystery of his
seeming sixth sense. "Missee," he in-
formed her, "I work tor many ladies,
many houses. 1 carry lotsa breakfast to
bed. 1 never come in wrong time. First
I take look through key hole."
▼ T T
BELIEVE it or not, but we were privi-
leged just the other day to behold
the phenomenon wherein one of the
younger generation celebrated her 21st
birthday by smoking her first cigarette.
And we will have you know that this
young person was no flat tire, nor had
she been educated in any French con-
vents, those strongholds of archaic,
hypocritical conventionalism.
Presently the child began to worry
about tobacco stains on her fingers, fear-
ing lest these evidences of her newly
acquired habit might offend her guests
at a party being given in her honor that
same evening. We assured her that, as
yet she did not have to worry about un-
sightly fingers, but we cautioned her
against gorging herself further from a
box of choice, expensive and delectable
chocolates that she had been dipping
into all afternoon. "Your breath," we
told the child a trifle impatiently,
"smells like a rum factory from those
candies yet you worry about your fin-
gers after one cigarette."
The juvenile gazed at us speechless,
incredulous. "Rum," she exclaimed,
"these candies had rum in them! 1
thought they tasted like mince pie."
THIS tale, which happened quite re-
cently, has to do with a horse and
buggy. We repeat emphatically — a horse
and buggy — and note again that the
time is the present, lest some of our
readers be inclined to think we are at-
tempting to force upon them a tale of
the good old days in modern tense. To
be even more specific, said horse and
buggy were standing in front of the
Fly Trap on Sutter Street, that establish-
ment so long and honorably associated
with the city's best gastonomical tradi-
tions. The sidewalk trap door, leading
to the basement of the restaurant, was
open. Suddenly the horse, whose driver
was absent, shied violently at some-
thing, reared, lost his balance and with
a resounding crash plunged through the
open trap into the basement.
Instantly the neighborhood was in up-
roar. An immense crowd quickly gath-
ered, avid to see the unfortunate steed
hopelessly and awkwardly dangled in
his broken and tangled harness. In
response to urgent summons, there
clattered up to the scene a horse ambu-
lance, or whatever it is that functions
in such emergencies. A hoist was rigged
and with a little maneuvering the ani-
mal was lifted out of the basement,
landed in the ambulance and borne
away . . . The show was over but,
instead of scattering, the laughing crowd
surged toward the window of the res-
taurant where the opportunist manager
had posted the sign; "Everybody Wel-
come— But Please Use the Front Door."
WE must with joyous spirit and fit-
ting comraderie welcome to the
publishing fraternity, San Francisco's
newest magazine. The Telegraph Hill
Washout, which has just appeared on
the news stands. As to the policies and
aims of this newest effort, we can do no
better than to quote its editors: "We
have no policy. Our aims are first, and
primarily, to amuse ourselves; second,
and incidentally, to amuse such other
human beings as happen to be blessed
(or cursed if you prefer) with somewhat
similar mentality.
"If we have anything properly des-
cribable as a general plan it is to mirror
the life of Telegraph Hill; . . not in
the limited geographical sense, but as
described in that oft-quoted definition,
'Telegraph Hill is not so much a loca-
tion as a state of mind.'
"We are, however, making no prom-
ises, except that we expect to be totally
unreliable. This goes for subscribers,
too."
How delightful all this. No sobbing
for service. No lofty presentations. No
yen for uplift. No clamor about bigger
and better things. Nothing save honesty.
If this gay bunch of Bohemians be
thieves, they are, at least, honest scoun-
drels, free of the cant of hypocrisy. We
wish them well and may they and their
Washouts find favor in the Devil's
sight.
▼ ▼ ▼
SPEAKING of new publications and
their policies, we squandered one
perfectly good dime on a sheet calling
itself The Financial Ti7nes and dedi-
cated, by its own admission, to telling
the terrible truth about Western finan-
cial operations and the way in which
unsuspecting innocents are shorn of hard
won shekels by the wolves who prowl
Montgomery Street. Like most people
who revel in the sewers of sensational- 1
ism, the editors of this publication have
a neat facility for presenting half facts
as whole stories. Like most reformers ;
they are notoriously deficient in under-
standing of the thing they would reform,
or else they falsify or suppress certain
facts relative to the case. •
Likewise in the manner of reformers i
these fellows are self endowed with spot- :
lessly white robes of virtue. Around
their heads are halos; in their hands
harps, hymn books, trumpets and all the •
paraphernalia of the righteous. The hosts '
of iniquity persecute and seek to tear
them to shreds. Every man's hand is
against them. Opportunistic ballyhoo
this! Bad luck to them and may the
Devil take the sheet.
SEPTEMBER, 1928
13
As apartment house and Hat dwellers
,/~V in a highly complex and urban
environment, we have known dogs to
acquire airs quite in keeping with their
surroundings. Their company manners
are really taultless. They become high
hat, detached, nonchalant, swank, so-
phisticated and contemptuous of lesser
mortals and canines, as befits aristocrats
who are well groomed, well ted and
tashionably collared. Apparently they
realize that the elemental instincts, the
healthy spontaneous desires of their
kind have no place in the refinements of
civilization.
But alas, these instincts will have ex-
pression. Even in the case of apartment
house dogs there is much which may be
said for Mr. Freud's theories of thwarted
instincts and compromise expression of
them. Civilization is, after all, but a
thin veneer, as we had occasion to ob-
serve in the apartment of a friend, who
owns one of these pampered pets. His
bed is a thing of elegance and costly
comfort — a low couch affair built espe-
cailly for him. Upon cleaning it, the
maid removed pillows and the mattress,
and lo, there was revealed a touching
secret, hlis dogship had cached beneath
the bed a goodly supply of rather smelly,
greasy bones.
T T T
A SLIGHTLY new version of the love
note business comes unexpectedly
to hand. It appears that the bridegroom
of a local and recent fashionable wed-
ding had, some weeks prior to his final
doom, allowed his attentions to wander
He had fallen impractically, idiotically
and insanely in love with a fair, lovely
and altogether worthy creature, who
was — well, of another race and unfortu-
nately lacking in the seasoned, local
ancestry and background enjoyed by the
formally betrothed young lady. It was
; necessary to apply considerable parental
'. pressure to bring the erring and wander-
■ ing one back into the prescribed fold,
; but despite parental vigilance the youth
,had sent his beloved several epistles
exquisitely idyllic in sentiment and
wording.
The lady who lost to realism and the
■ law of society perpetrated ironic revenge.
She gathered together the love notes,
'tied them daintily with a pink ribbon
and dispatched them Special Delivery to
arrive at the bride's home upon the
.morning of her wedding. How hollow
[the triumphs of literalism!
RETURNING to Los Angeles and en-
^ virons after an absence of twenty
years, a prominent opera star recently
watched 30,000 people file into the
Hollywood Bowl for a symphony per-
formance. Other thousands were turned
away in disappointment. This was al-
most incredible to the gentleman of the
opera. Only the evidence of his sight
could have convinced him that the mir-
acle actually existed.
The incident started him reminiscing.
Two decades previous our singer had
sung three solid weeks of opera in San
Francisco to packed houses. Los Angeles
was then in the tank town class. Holly-
wood did not exist. The available struc-
tures in which opera might be staged in
Los Angeles were few and inadequate.
But in spite of these drawbacks, the
company of which our singer was a
member decided to play in the Southern
community for one night.
The company's visit caused consider-
able flurry. The newspapers heralded the
one night stand as a momentous event.
And the first thing that greeted the eyes
ot the opera singers on their arrival in
Los Angeles was a flock of signs, posted
in every haberdashery, "Buy your stifl
shirt for the OPERA SEASON."
BY a late issue of The American Mer-
cury we learn that the highly di-
verting literary battle raging between
Messrs. TuUy and Sinclair has pro-
gressed to the point where the combat-
ants are agreed that Mr. Sinclair does
not own the dog who so vigorously set
upon Mr. Tully's messenger to the Sin-
clair domicile. The canine, Mr. Sinclair
makes plain, must have belonged to a
neighbor.
This agreement, as Mr. Brisbane so
often and sagely observes, is interesting.
It has been arrived at by a prodigious
amount of written (and paid for) argu-
ment. It establishes nothing, save that
two alleged mental heavyweights and
champions of the "Friend to Man"
doctrine have passed the buck to a de-
fenseless, inarticulate and most likely
harmless canine, who, at the time of the
messenger's visit, happened to be in the
vicinity of the Sinclair premises, and by
virtue of Tully's overwrought imagina-
tion becomes a bloodthirsty monster.
Mr. Sinclair, on his part, merely falsely
flatters himself in supposing that a
neighbor's dog would put himself out
to guard the Sinclair back yard, for as
anyone knows, who is at all familiar
with dogs, they are given pretty strictly
to minding their own business and the
business and possessions of one house-
hold and master only.
We therefore rise to the defense of the
dog and suggest that Messrs. Tully and
Sinclair find some other ground for
agreement more in keeping with their
vaunted talents and powers ot logic.
A SOCIETY woman late of New York
and now of San Francisco was
recently a guest at a dinner dance. The
liquid refreshments provided were plen-
tiful and excellent and under their influ-
ence the lady tended to lose something
of the formality of strict social custom.
As she was dancing, she espied a digni-
fied, portly gentleman, whom she took
to be a prominent Eastern physician of
her acquaintance, but who is really a
well known local judge.
Desiring to attract the attention of
her supposed physician friend, she gaily
waived her handkerchief at him from
the center of the dance floor. As she
and her partner approached the gentle-
man, the matron hailed him in jovial,
hearty, if unduly familiar terms. In-
stantly the judge froze. His dignity
bristled and crackled. To the well
meant, but mistaken greeting, he shout-
ed, "I dont wish to know you. I don't
wish to know you."
Such a rumpus did the gentleman of
the bench make that, the dancing was
halted completely. There were introduc-
tions, explanations and attempted arbi-
tration. The lady apolgized, contritely,
huiTibly. The judge, however, obsti-
nately refused to unbend. He would
accept no apologies, nor would he even
acknowledge having heard them. The
lady retired from the party, sobered but
cursing. The judge stumped out, wrap-
ped in his dignity
Unfortunate in the extreme. But we
caution tolerance on the part of the lady,
what with prohibition, divorce epi-
demics, Sally trials, graft trials, oil
investigations, etc., the gentlemen of
the bench have to do something — any-
thing to uphold a former, but now
vanishing dignity.
The San Franciscans
14
THE SAN FRANCISCAN
Dean David
Claiming "The Dean of American Producers" as a Native Son
ByJOHN PARKER
IN those tumultu-
ous years of the
Gold Rush a
city was born
the livest, the most
picturesque ot
American towns —
San Francisco. The
air was charged
with excitement,
gold flowed in from
the hills, wind-
jammers laden with
romance s 1 o w 1 y
ploughed their way
around the Horn to
the Golden Gate —
wearily and hope-
fully, caravans
crawled monoto-
nously across the
plains. San Fran-
cisco then was a city
of conflict, of con-
trasting nationali-
ties— M e X i c a n
greasers, American
squatters, Jesuits
from the Missions,
sailors, adventur-
esses— it was, in a
word, cosmopol-
itan.
In a cellar room
on Howard Street,
July 25th, 1853, a
son, David, was
born to the Belas-
cos. Humphrey Be-
lasco, David's fa-
ther, a well-known
harlequin in the
London theatre, too,
had answered the
lure of the Gold
Rush. It was in this
turbulent city amid
humble surround-
ings that David Be-
lasco laid the foun-
dation for his un-
usual career as an American producer.
He attended the Lincoln School then
at 5th and Market Streets. One of his
instructors, it is interesting to note, was
Miss "Nellie" Holbrook, mother of the
late Holbrook Blinn, a splendid actor
and a San Franciscan. David earned a
rather enviable reputation for himself as
an elocutionist during the period he was
under the tutelage of Miss Holbrook
and it was some years later that she
launched him in his first professional
engagement by introducing him to the
DAVID BELASCO
manager of the old California Theatre
on lower Sacramento Street.
During the "sixties" and "seventies,"
San Francisco was in every sense of the
word a theatrical metropolis. The en-
thusiasm of the time could not help
but give rise to what was fine in the
theatre. The very best players in the
country flocked here. It was here that
Lotta Crabtree, daughter of a Scotch
gold seeker, sang and played to thou-
sands and, incidentally, accumulated a
vast fortune — here that Modjeska
made her first Amer-
ican appearance in
1877 — Edwin
Booth, Jr., too
served his profes-
sional novitiate in
the San Francisco
theatre. Charles
Kean, Adelaide
Nielson, Clara
Morris, the elder
Sothern and innu-
merable others per-
formed here.
David Belasco's
childhood experi-
ences were varied —
newsboy, messen-
ger, shopboy, and
book clerk. In order
to enhance the fam-
ily fortune which to
be sure was a some-
what meagre one,
he would recite at
dives — and there
were many — such
pieces as "Curfew
Shall Not Ring to-
night," "The Mad-
man," and some of
his own composi-
tion. He was always
in direct contact
with people of the
theatre as he grew
older and learned
much from those
great troupers of the
time. He had an oc-
casional part in the
various productions
one of which was
"Emperor Norton"
in the Chapman
Sisters' production
of "The Gold De-
mon" which was an
outstanding success.
He played Armand
to the Camille ot
Mrs. Bates, well-known actress and
mother ot Blanche Bates.
It wasn't long before his entire time
was devoted to the theatre in the ca-
pacities of reader and reciter, mimic,
theatrical manager, teacher of acting,
scene painter, stage manager, advance
agent and playwright. At the age of
twenty-nine, it was a matter of "bigger
fields to conquer" so he left us to become
stage manager of the MadisonSquareThe-
atre in New York City for the Frohmans.
Continued on page 30
SEPTEMBER, 1928
15
Jean Lacoste's Wife
Wherein Red Hate Stains White Love
JEAN Lacoste's wife came suddenly
upon the three cypress trees that
marked the road to Moss Beach, and
she sat down. She was very tired But
Jean Lacoste's wife could not remember
when she had been anything but tired.
Life, to her, seemed just one long, un-
finished task, a succession of days that
came and went with dull regularity —
days ot toil, days of sickness, days of
fast.
Years ago, in her own country, she
had experienced an occasional feast day.
When she was confirmed there had been
feasting and much wine; when she was
married there had been feasting and
much wine; and when her child was
christened — yes, there had been feasting
and much wine again. The thought of
her child brought her to her feet. Jean
Lacoste's wife shook bits of dead cypress
from her skirt and started once more
toward the village.
From the three cypress trees the road
dipped, running thread-like along the
deep-bosomed California hills, naked,
unashamed hills, that rolled treeless to
the sandy flats below. A June trade-
wind ruffled the sea, and ran gayly
through the uncut fields. Jean Lacoste's
wife held her hat in place and dragged
herself wearily down-hill.
By the time she reached Moss Beach
she was fagged, but the thought of her
child gave zest to her errand. She passed
the church and, halting a moment before
the general store, crossed the street and
opened the bakery door, A pleasant
smell of fresh bread enveloped her. Jean
Lacoste's wife sank upon a bench by the
counter.
A German came out and stared at her;
she rose.
"Please," she faltered, "I wish to buy
a cake."
The man coughed. "A cake!' Well,
j here they are."
; She went closer to inspect the assort-
ment. The cakes were all small — piti-
fully small.
I "They — you have no more?"
The German motioned her to the
other side of the shop. She tollowed
dumbly. He reached up on a shelt,
brought down a box, opened it with a
flourish. A cake came into view — a
, round, white cake, with little silver
I sweetmeats scattered upon it. Jean La-
i coste's wife clasped her hands.
j "It — it is very beautiful," she said
fearfully, almost hopelessly, and put 50
cents on the counter.
The German sniffled scorniully. "Fifty
By CHARLES CALDWELL DOBIE
cents! I am not crazy! " He began to set
the cake back upon the shelf.
Her despair made her suddenly bold.
"But you do not understand, monsieur,"
she began pitifully "I have only 511
cents, and tomorrow is my child's birth-
day— she will be five years old. And I
have walked from Jean Lacoste's ranch
just tor a cake — a white cake like this
one !"
EpUoguej)
By Ralph Westerman
When dull, gray whispers brush againsc
the dark
Of wall too ominous to answer them,
I shall he intent upon this spark
Star-struck from some unholy diadem :
Enraptured with the triumph of this hour
I grant the right to you and yours to make
Gestures significant of ancient power
Before the eyes of gods yet unawake.
Concessions to your grim, unchanging
vows
Entail no greater loss than laughter. 1
Shall contemplate my virtues, and arouse
Enough of conscience's balm to satisfy.
.... Your righteous fury slays the
sympathy
1 might have given — had you lied to
me!
Her voice startled him. "From Jean
Lacoste's ranch? Are you "
"Yes, I am Jean Lacoste's wife. "
"Then why "
She interrupted him with a gesture
and began to speak rapidly, fearful that
her halting English would suddenly fail.
"Because we are very poor, monsieur.
Always there is something. Last winter
we lost four cows. Then in the spring it
rained and rained. We could not get milk
to town. I made cheese, but nobody
would buy . And I worked hard, monsieur
— so very hard! We have twelve cows,
and my husband has no time. He must
deliver the milk — and then he must be
pleasant with his friends. So these twelve
cows — I must milk them, and drive
them out to pasture, and mix their bran.
And then there is the housework. My
husband is a man and must eat. And
the child? No, the child is no trouble,
monsieur. Only the cows and my hus-
band!"
She stopped, terrified at her boldness.
Two bright spots burned on her cheeks,
and the sweat stood out upon her fore-
head. Slowly the German set the cake
back upon the counter. Jean Lacoste's
wife sat down.
The baker went over to a drawer and
took out five white candles. Jean La-
coste's wife shuddered. To her candles
were connected always with solemn
things — baptism, confirmation, death!
She watched him as he set each tiny
candle into a red sugar rose, and each
red sugar rose in turn upon the cake's
glistening surface. Why had he chosen
red roses, she wondered dully. They
were so like the drops of blood that had
stained a white pigeon Jean Lacoste shot
last spring! The pigeon was the child's
only pet, and the little one had cried
bitterly while Jean Lacoste looked on
and laughed. Yes, she had hated him
from the moment he had mocked at her
child's distress. Before, she had not
thought one way or another. She was
Jean Lacoste's wife, and drudgery, and
famine, and tears — these were a wife's
portion. But when he wounded her
child — it was then that she had thought
of the cake, and she remembered plainly
her very words :
"When you are five, Celeste — just
fancy! Something whiter even than the
pigeon — oh, very much whiter! You can
never imagine!"
But she had not counted on red sugar
roses . . .
The German finished wrapping up the
cake. Jean Lacoste's wife stood up and
received it solemnly, while two tears
glistened in her eyes and rolled down her
cheeks.
"Monsieur!" she said huskily. "Every
day I shall pray for you — every day —
every day!"
* * * *
As Jean Lacoste's wife trudged back
^/\_the long, winding slope toward the
three cypresses, her heart sang. Never had
she been so happy. The wind had fresh-
ened and the sun was sinking like a
squeezed ball into a line of westward
fog. She gathered her shawl tightly
about her hipless figure, hugging her
treasure close.
She did not know why a birthday
cake had suggested itself on that day
when Jean Lacoste held up the fluttering
pigeon bleeding at the breast. She did not
even remember the precise place where
she had first seen a birthday cake, but
some stray wind of chance was respon-
sible for the picture her mind had con-
jured up — the picture of a white, shin-
Continued on page 38
16
THE SAN FRANCISCAN
Tin Types
"The Big Four" Who Built the Transcontinental Railroad
IN the story of The Big Four, Charles
Crocker, Collis P. Huntngcon,
Mark Hopkins and LelanJ Stan-
ford, who built the Central Pacific Rail-
road across the high Sierras and Nevada
deserts, there were tour distinct phases-
engineering, hnancial, political and phil-
anthropical. All four phases were highly
spectacular, and to the reader we leave
ttic delicate responsibility ot placing
evaluation, as he may sec fit, upon the
project as a whole and in its several
phases.
Agitation tor a transcontinental rail-
way began as early as 1832. In that re-
mote year California was a Mexican
possession, and such few Americans as
were in the country were here only by
the indolent good grace of the Spanish.
The more populous Eastern centers had
a fair number ot railroads, but they were
short in length, uncomtortablc to patron-
ize and unreliable in service with en-
gines that emitted smoke and noise all
out of proportion to the speed made.
Yet the idea of a transcontinental road
over scarcely explored mountains and
deserts took the country by the ears. It
was a subject for rhetoric — an oppor-
tunity of first magnitude for the type ot
mind that deals in futures. By the time
California had been won from Mexico
and was admitted to the Union in Sep-
tember, 1S50, the railroad notion had
attained prodigious proportions. The
first representatives from the new state
to Congress had it made clear to them
that chances for re-election were slight
unless the proper attitude was shown
toward the road and definite steps taken
to secure its building. Their successors
were similarly instructed.
The wail, cry and controversy over
the Bay Bridge are as faint, uncertain
echoes in comparison with the clamor
California generally, and San Francisco
particularly, set up to obtain the right to
build themselves or to force the govern-
ment to build cross country tracks.
Mass meetings, conventions, parades,
fireworks, brass bands, windmill ora-
tory— all were brought to bear to fur-
ther the road issue. Politics, as may be
surmised, were responsible for the lack of
action. Politics, as may be surmised
again, accounted for the signing of the
Pacific Railroad Bill by President Lin-
coln in 1S62, authorizing construction
of the Central Pacific tracks from Sacra-
mento eastward and the Union Pacific
tracks from St. Louis, Missouri, west-
ward, and at a time when the country
was in the midst of the Civil War.
By ZOE A. BATTU
IF it had not been for the enterprise of
one man, Theodore Judah, an engi-
neer, it is highly probable that the
West's railroad would have remained a
subject for oratory tor many years longer
than it did. Judah, while building a
railroad between Sacramento and Fol-
som had his imagination challenged by
Third Street at NighU^^
By Beth Wendel
Dark streets
Cheap hotels
Weary souls
Coming out.
Sad signs
Money loaned
Tired hearts
Going in
the possiblity ot building one over the
Sierras. At his own time and expense he
undertook to survey the Sierra ranges for
possible routes. He made, in all, 22 sur-
veys, working in the swelter of summer
and the dead of winter when the moun-
tains lay under 30 feet of snow and ice.
Judah finally charted a route, (the one
the road followed) over which he was
convinced tracks could be laid at a fairly
reasonable cost.
Figures and data in hand, the engi-
neer set out to interest men of sufficient
capital or daring in his plan. His pro-
posals were generally considered fool-
hardy and lacking in reason. At length,
Crocker, Stanford, Huntington and
Hopkins listened to Judah, absorbed his
ideas and ended up by committing
themselves to the gigantic task.
Off hand one would have said that
the quartet was most unpromising in
relation to the work to be done. All four
men were Sacramento shop keepers,
having come to the city in the gold rush
days. Crocker and Huntington were men
of no academic education to speak ot.
Stanford and Hopkins had been educated
tor the law. Crocker and Stanford were
partners in a dry goods establishment,
while Huntington and Hopkins were
associated in a hardware and miners'
supply house. Individually and collec-
tively the group had made an average
comfortable success in an average man-
ner. Their combined personal fortunes
totalled around $50, dog. They were no
longer young, but neither were they old.
Under the fire of Judah's enthusiasm
the erstwhile store keepers became em-
bryo railroad kings and swung into the
problems of road building with admir-
able dispatch. In August, 1861, the
Central Pacific Company was born into
the world. Its founders immediately
busied themselves with selling 48,000
shares of capital stock at $100 a share,
with laying plans to secure the coopera-
tion of Congress and convincing that
body of the worthiness ot the work to
which they had set their hands.
Speedy division of duties was made.
Judah was named Chief Engineer. Hop-
kins was general legal counsel. Crocker
took charge of construction. Huntington
represented the road at the national capi-
tal and in the East. Stanford, who at the
time the company was formed was can-
didate for governor, was subsequently
elected to that office. He represented the
road at the state capitol. This machine
functioned with remarkable harmony
and unity of purpose throughout the life
of its members. Without doubt there
were times when The Big Four were torn
by inner dissensions but the group kept
its family quarrels strictly to itself. On
all questions of major importance it pre-
sented an unbroken front to the public.
▼ T ▼
THOUGH the pooled personal resources
of The Big Four were trifling this
was a matter of no moment and cer-
tainly nothing at which to stop, as the
resourceful Judah pointed out. A hard
put but benevolent Federal Govern-
ment, under proper persuasion, would
provide generous and abundant subsi-
dies with which to finance so costly a
road. Furthermore, as the portions of
the track which ran through Northern
California and the Nevada silver fields
were completed, they could be put into
service to yield revenue which would
help in financing more easterly stretches
of road.
Huntington absorbed the subsidy idea
with astounding celerity and complete-
ness. His lobbying campaigns in the
national capital have perhaps never been
matched tor daring, astuteness — and re-
sults. Lincoln's Pacific Railroad Bill of
iSfi2 provided suitable subsidies for
beginning construction and the first
tracks were laid in Sacramento in Feb-
ruary, 1863. In 1S64 Congress passed
two bills whereby the Central Pacific
Company received title to 12,800 acres
of land for every mile of track laid. In
mountainous country the acreage was
Conl.inuci.i on page 41
SEPTEMBER, 1928
17
' Wooden Davits", an etching by Armin Hansen, a member of the California Society of Etchers.
The 1928-29 Art Season Opens
THREE especially significant anni-
versary events that open the com-
ing season in the San Francisco
art galleries are the Fifteenth Annual
Exhibition of the California Society of
Etchers; the opening of the Fifth Galerie
Beaux Arts Season with paintings by
Walt Kuhn, the New York modernist;
and the first Pacific Coast showing of
paintings by Rockwell Kent, which
celebrates the first anniversary of the
founding of the East West Gallery in
the Western Women's Club Building.
The California Society of Etchers
exhibition opens at the Vickery, Atkins
and Torrey print rooms, 550 Sutter
street, September 10 to extend through
September 24. The prints already ac-
cepted for hanging represent over thirty
of the leading etchers of California and
include Society members who are work-
ing abroad as well as those now in Cali-
fornia. A pre- view of the ninety-some
prints is convincing of the quality of
the exhibition. Certainly the California
Society of Etchers deserves credit tor the
manner in which it has stimulated pro-
duction in the exacting mediums of
etching, dry point, lithograph and
woodblock.
The Walt Kuhn exhibition at Galerie
Beaux Arts, 116 Maiden Lane, may
prove a test of San Francisco's boasted
appreciation of modern art. Kuhn was
the organizer of the Armory Hall exhi-
bition which first introduced modern art
to New York several years ago. His
paintings and drawings are well repre-
sented in the John Quinn Collection of
Modern Art and his work is generally
conceded as among the most interesting
done by modern American artists. If San
Franciscans flock to the Beaux Arts to
see this exhibition it will go far toward
proving the statement of Beatrice Judd
Ryan, director of Beaux Arts, that "San
Francisco is more akin to New York in
temperament than is any other Ameri-
can city."
Further test of the sophistication of
San Francisco will be given by the exhi'
bition of Rockwell Kent's paintings at
the East West Gallery, September 6 to
26. When Mildred Taylor, director of
the Gallery, first talked about showing
Kent's paintings she was discouraged on
every hand by people who knew Kent
personally and knew that he did not
take the West seriously as an art public
and did not intend to send his more
earnest work west of the Rockies. How-
ever, Miss Taylor had already accomp-
lished the "next to impossible" within
the short year of the East West Gallery's
existence so we were not surprised when
she telephoned us that the Kent work
had actually arrived in San Francisco.
Rockwell Kent's reputation may go far
toward making the exhibition a success
but it can not carry the full weight of
honors because, in the last analysis, the
reaction of San Francisco itself will de-
cide whether Kent was right or wrong
in risking to send his paintings to, the
"unsophisticated West."
18
THE SAN FRANCISCAN
Trash
In Which Star Dust Smarts the Eyes of a Director
He came into the story conference
at rather a critical moment
Shy, short in stature, his
clothes wrinkled. His hands ner\ously
reached tor a handkerchief every few
seconds, a handkerchief more wrink-
led than his clothes.
He sat with one loot on top ot the
other. His round face looked like a
full moon in perplexity. His eyes
might have been blue but the color
>;a\'c out before it happened.
And he stuttered slightly. Some-
way it made him more pathetic than
if he hadn't.
Before he came, we had heard
about him. Someone who knew had
told us that he was going to be one
of the big directors of tomorrow,
"Watch what I say about that guy,
he's got the thing. He knows stories
and he knows his camera."
A living contradiction in appear-
ances, he sat and talked and we sat
and listened. He had the habit of tell
ing everyone his ideas when everyone
else wanted him to listen to theirs.
it rained stories the whole afternoon.
Harry Gentle worried his handker-
chief and he worried me. He must
have gotten tired of doing it because
he suddenly walked over to the old
Steinway in the corner and com-
menced to play. This gave the rest of
the men a chance to talk. They talked
until they listened to Harry's playing.
It was so bad they forgot their ideas.
His music had a strange blending of
half harmonies. He played looking
'out of the long casement windows,
over all of Hollywood.
WHEN the drinks were mi.xed and
we had had too many for our own
good, Harry told us about his love affair.
He did it apologetically but he had kept it
to himself for so long it had to come out.
The fact that he didn't know us very
well seemed to make it easier, ^4aybe
he thought we wouldn't booby him
His eyes looked at us in such a way that
we couldn't have done it, if we had
wanted.
"You should have seen her, that kid
when I first discovered her. Talk about
being elemental, why she was so nat-
ural she wasn't worried about anything.
The girl we had signed for the part had
been taken sick. 1 was frantic. Then 1
looked up and saw this kid looking at
me, her eyes jumped up at the corners.
She sort of scared me, she was such an
out-of-a-forest creature.
By MARCELLA BURKE
"She was all rags, one dress to her
name. But 1 talked to her and she seemed
to have a lot of sense. 1 took the first
shot of her coming out of a can marked
Amor Gltano
By Rex Smith
I watch the dawn
Put out the star-lamps, one by one,
. . . And curse the morning.
Even ac noon
I weep when I hft up blinded eyes
To its glory.
But of dusk.
When falls the purple veil of twilight,
I am strangely glad.
For the night brought me you !
My wooing is not: wonderful by day;
My face is ugly, and my hands
Arc coarse with clay.
1 want you to know
Just that Romany knight
Who came in a dream
Of crimson plumes
And armor of azure.
That was the soul of me.
My lips be ill-shapen,
But my love is fair in its strength.
God breathed a wistfullness of fairyland
Into my heart . . .
And then, perhaps, forgot.
Oh, I am afraid, ac awakening, you will regret
. . . And cringe from my clumsy hands!
That's why I watch the dawn
Put out the star-lamps, one by one,
. . . And curse the morning!
'TRASH.' There she was, just that I
seemed to know how to catch her spirit
with the camera.
"She wouldn't have gone in vamping
scenes, or in satin scenes. She only be-
longed in trash cans, in alleys. She was a
bit of fascinating dust.
"Well," Harry wiped his round face
awkwardly, "time passed and one day
she scared me to death. She came up and
put her arms around my neck and said,
'I love you, Harry,' that was all the kid
said, 'I love you,' and in her language
that meant I was her man. Yes, I was
her man for the time being, without any
notice or any warning, 1 found her
clothes hanging in my closet. Just one or
two shabby pieces, but there they were.
No explanations, no anything.
"I was adopted and I liked it. I liked
it a lot. I was lonely as hell anyway. 1
never make many friends."
Harry took another drink and reached
for his handkerchief and kept right on
talking.
BUT I made a mistake. I spoiled
her. 1 bought her some new
dresses and other things women like.
At the studio I took a lot of pains
shooting her. I got the electricians to
'light' her so she photographed like a
million dollars. Finally 1 made a swell
scene. She was lovely in it. You see
I knew what the kid had. I knew it
was the stuff that would spell her
name in star dust across the skies.
"All this was hard work though.
She hurt me like the devil. She would
mimic my stuttering, made fun of me
when I worshipped the beauty of her.
For no reason at all, she would haul
off and sock me one between the
eyes. I tried to find her soul, but she
didn't have one. She was a little
alley cat.
"After she would hurt me more
than usual I tried kindness. I sur-
prised her with presents, perfume,
silk things." He looked aghast at
having told so much.
"Then one day I got damned mad.
She threw something at me and 1
licked her. I picked her up and
slammed her across my knees and
gave her the worst spanking she had
ever had in her life. Did it work? It
did not. She took her shoe off and
darned near put my eye out with the
heel.
"And do you know, I wanted to
kill her then." He smiled. Harry
smiled at us, looking as though it
would mak3 him ill to see a spider
hurt. "Yes, I wanted to kill her then
but 1 couldn't. I went and talked to her
mother about her. She told me to try
treating her like a lady and 1 said, it's
no use, I have, but she didn't react to
that even."
He fidgeted, taking one foot off the
other, and reached for another drink.
"Well, things went on like that, with
me making no headway and going to
the studio with gadgets all over my
face. I knew I was being a fool hut I
couldn't stop.
"This one scene with Mia looking
like a ten years contract was run one
night in the projecting room. All the
big guys were there, trying to choose a
girl for a new picture. My girl got all
the votes. They called me over and
Continued on page 3 5
SEPTEMBER, 1928
19
^one V\(esbit
A San Francisco pianist who has earned recognition in New York inhere she islchief assistant to Alexander
Soloti, the teacher of Rachmaninoff. Miss Nesbit returned here last season in the
capacity of soloist with the San Francisco Symphony Orchestra.
20
THE SAN FRANCISCAN
Football Prospects
Stanford and U. S. C. Will Vic for Coast Grid Honors
WITH :hc orticia! opciiint; o\ the
Pacific Coast contcrcncc fooc-
hall season less clian two weeks
away, words ol cheer are hein>; emittcJ
from most ol the warring camps Stan-
ford and U S C have the stulT and
arc prone to admit it Calitornia is
"cautiously confident," admitting that
the Cards and Trojans alone are capable
of defeating the Golden Bear, but still
expressing the firm hope that Calitornia
v\ill win one or both ot these important
games. Washington is throbbing but
weakly because ot the loss ot most of
last year's lettermen.
Practice will start officially on Sep-
tember 15. Most ot the teams have light
practice games arranged for September
22, and by September 29 the season will
be in full sway with Southern Califor-
nia taking on Dick Romney's Utah
Agricultural College outfit in the first
intersectional game The Aggies have
long been leaders in the Rocky Moun-
tain Conterence and should give the
Trojans a good test ot power
Oregon State and U. C. L. A have
picked the toughest schedules. Neither is
a leading contender; so the hard games
they have arranged will not materially
affect the conterence standing anyway
Oregon State will rival Notre Dame tor
travel honors The Aggies have trips on
successive Saturdays to Los Angeles,
Pullman, and Seattle. C^n Thanksgi\'ing
Day they u'ill appear in New York City
in an intersectional game with New
York University.
U. C. L. A. has a six game conference
schedule, which requires successive trips
to Palo Alto, Moscow, and Portland.
In Portland U. C L. A. will meet Wash-
ington State, a team that is reported
powertul Bets are being made that
Washington State will take the measure
of Washington when these two teams
meet.
T ▼ ▼
THE U S. C. schedule is the nearest
perfect. The Trojans have five con-
ference games, and the hard games have
been set tv\'o weeks apart giving the men
of Troy plenty ot time to rest in be-
tween. Southern California meets Ore-
gon State, California, Stanford, Wash-
ington State, and Idaho in the order
named. The Trojans are not meeting
Washington this year, largely because
Enoch Bagshaw didn't care to tackle
them after the 3^ to 13 rout his men
took last year in the Coliseum
California and Stanford are both
meeting Washington and both will play
U S C Stanford tangles with Wash-
iJv WALLACE W. KNOX
ington in Palo Alto the week before the
Big Game, This will be the only game of
major importance in the Stanford sta-
dium this year, since the Cards have
four games away from home
The usual colorful Big Game will be
in Berkeley on No\'ember 24. Tickets
lor this game are in greater demand than
ever before. Reports from the Stanford
ticket office are that less than one thou-
sand seats are available for alumni out
of Stanford's quota of 27,000. And the
football season hasn't started yet! It is
just going to be too bad tor alumni who
haven't paid their dues They can only
amuse themselves that day listening to
jack Kcough over the radio. It's a cinch
that there won't be any pasteboards left
tor them.
In addition to meeting the other three
members of the "Big Four" in coast
football, California is also playing St,
Mary's, this game being on October 6.
U, S, C. has also given Madigan's Irish
a chance to carve their niche in the hall
ot tame; the Trojan-St. Mary's game
will be in Los Angeles on October 13
In fact all of the Trojan's games are in
the Coliseum with one exception, name-
ly that with California which will he at
Berkeley on October 20.
▼ T ▼
BESIDES the Oregon State-New York
University game, two other post
season battles are already slated, both on
the same day. U. S. C. will meet Notre
Dame in Los Angeles, while Stanford
and the Army will have it out on the
other side of the continent, playing in
the Polo grounds in New York. Both ot
these games are set for December 1
The Stanford-Army game has been fav-
ored by the National Broadcasting Com-
pany hook-up and will be broadcasted
by that company throughout the nation
So, considering the schedule, U. S. C
has the advantage; Washington and
California are on a par, and Stanford has
the worst of the lot. This is because
Stanford meets the other three leading
teams and because it has three confer-
ence games away from home, Oregon,
U. S. C, and California,
Turning to a survey ot the available
talent, which can only be indefinite at
this early time, U, S. C. and Stanford are
clearly ahead. These two teams were on
top of the list last season and it looks as
though they will be fighting it out for
first honors again.
Stanford lost Capt. Hal McCreery,
Chris Freeman, Mike Murphy, Dick
hlyland and Don Hill All ot them were
good football players, but their places
will he filled by men equally as good, if
not superior in some respects. At center
Warner will have pudgy little Walt
Heinecke, who was a general handy man
last season. Heinecke is only 5 feet 6
but he's built close to the ground and
can handle himself with the best of
them. To fill Freeman's place at tackle,
Corwin Artman, the former Long Beach
heavy, has returned to school. Artman
weighs just seven pounds less than a
house; his exact weight is unknown, for
he has long since given up scales for
some reason best known to himself.
Anyway he is big, fast, and has a good
bit of experience.
In the backfield, Lud Frentrup, Frank
Wilton, and Bob Sims form a halfback
trio that will be every bit as efficient as
the combination of Hill and Hyland.
Last season many figured that Wilton
and Sims had the edge of the Hyland-
Hill combination, and this year Frent-
rup should be ahead of them both.
Frentrup should be the leading ground
gainer in the conference, figured on a
basis of minutes played. He is a depend-
able kicker and plays a smart game at
safety. If he weren't on the same team
with Dynie Post and Biff Hoffman he
would be a good man to boost for Ail-
American,
Mike Murphy leaves a vacancy at
quarter which will be easily taken care
of by Spud Lewis, who is a two year
Icttcrman, Herb Flcishhackcr or Chuck
Smalling, the two latter players being
moved from full to quarter.
▼ ▼ ▼
OTHER veterans who are back at
Stanford include Don Robesky
and Dynie Post, guards; Tiny Scllman,
tackle; Spud Harder, Mush Muller, Dick
Worden, Johnnie Preston, and Hodge
Davidson, ends; Ale.x Cook, center; and
Captain Biff Hoffman and Harlow
Rothert, fullbacks.
Rothert was held out last season but
he has plenty of latent ability, is big
and fast, a good kicker, and a good pass
tosser. He will prove a reliable substi-
tute for Captain Biff Hoffman, who is
expected to play his greatest football
this season. It has always been my
opinion that Rothert has the makings of
Continued un page 41
^^"^"^fi.inj.
SEPTEMBER, 1928
21
llDIT^EAfMJILAf^a!)
AVUdpDit'fjpiH'OaJM
TON/Ghfl /
M.E"
The T^ght T/ace but the Wrong iSTight
Qus: Say, who's this guy Carmen:'
Nick: ygot me. I don't know nothing about the fights since Tunney took uf "'''^'' society.
22
THE SAN FRANCISCAN
These Here Fairs
Revealing How It Feels to be Overtaken by One
Hv O. B. R.
ONF views an iii\ication to the
State Fair with ner\'ous dis-
trust; particularly when the in-
vitation— nay, the command, comes
from a seasoned Fair-goer like my uncle
Me, I am a person who can take his
Fairs or leave them alone. Nor do 1
have to linger over every exhibit in
order to do the right thing by potential
grandchildren who, when told the story,
would undoubtedly yawn something
about a grandfather who lived in such
a droll age But to Uncle John a person
who refuses to go to the State Fair is a
heretic, an unbeliever at the shrine
erected to the labors of God's noblemen
In fine, a person who held these alarm-
ing tenets could not be reasonably ex-
pected to manage any money which he
might inherit
We entered the fair grounds at ten
o'clock Uncle John led the way, his
head thrown back to sniff the old famil-
iar smell of roast peanuts and sawdust,
vegetables and buttered pop-corn. 1
didn't ask him where we were going I
was afraid to speak; for if his eyes, glar-
ing fanatically, were the result of a brain
equally distorted, I assure you that con-
versation would be futile
So he led the way, following the
crowds of slowly moving men and wo-
men whose grim faces betrayed grimmer
hearts. These people take their fun seri-
ously, I thought, as I watched their
faces through the dusty haze of a hot
morning.
We moved in a slow religious proces-
sion, led by a couple that paused to gaze
at things so near them that raising their
heads was unnecessary. The woman,
whose calico dress accentuated the lines
of toil woven into her body, seemed to
see everything with glazed, incurious
eyes Only once did I see her smile. It
was at the sight of a washing machine
Her husband ambled along at her side
When she paused too long he would say
something which recalled the strong,
reassuring "So, so, boss," spoken at
milking time to a fractious cow. We
passed them while he gazed apprecia-
tively at a cigar lighter.
T ▼ T
WE went into a long, barn-like
shed which contained at least
ten people for every cow — gentleman
cow, one should say to be precise. What
ugly beasts they were 1 Great heads,
thick necks and bodies as wide as a
church door. Their eyes looked out on
the world trom beneath a mass of
tightly curled hair, that is, 1 suppose
it's hair At any rate, it's curly, what-
ever it is that covers the brutes. They
stand in their pews, stalls, stanchions, or
such, weaving their heads back and
forth like a boxer waiting for an open-
ing. One lunge and you're through.
What ugly beasts!
One of the bulls caught my atten-
tion. He was a red and white thing and
either came from or belonged to a fam-
ily called Hereford (my uncle told me
that). This fellow looked like Charley
Buck, an old drinking companion of my
school days with whom I had shared
more than one alcoholic headache. We
did most of our drinking in a bar run by
Adolph, a German who sold the best
beer in New York. On hot days Adolph
would sit at our table and lecture us
about the evils of drinking Scotch with
beer chasers. Beer, he would tell us was
a gentleman's drink; Scotch, a bar-
barian's. Huge seidcls of cold, foaming
Pilsener that would cool
"Come on," said Uncle John. "We're
going to see the chickens now."
Well, we saw the chickens, cage after
cage of the silly things reeling past my
tired eyes. White chickens and black
chickens, red chickens and gray chickens.
Roosters, hens, pullets and cockerels.
Chickens with feathers on their legs that
looked like pantalettes, leaving one with
a strange feeling of outraged decency —
they should have worn their hoop-
skirts. Chickens whose head feathers fell
in their eyes like the hair on the head of
a sheep dog. Absurd bantams fighting
their neighbors through the netting,
crowing over their vicarious conquests.
Big roosters with livid combs the color
of a wild orchid and little roosters simu-
lating importance as they ran up and
down their cages And every one of the
bloody things crowing about something
which, of a certainty, could not have
been the unholy odor that filled the air.
We left the chickens to themselves —
their better selves, I hope.
T T T
BY this time Uncle John was all hot
and bothered. He was ablaze with
enthusiasm. I'd never seen the man so
happy Of all things to get excited
about! Chickens! Why, since then, I
haven't looked an egg in the face.
"Come on," he said, "we'll see the
farm implements"
So on to the farm implements I went,
with a leg that limped and a heart that
mutely protested. After trying to get
sun stroke or death under the heels of
the crowd, I tound myself under a huge
tent, the temporary home of some of the
queerest things I've ever seen. Disc-
harrows and teeterers, cream separators
and mowing machines. Binns of tools,
trick wrenches and axes. A dingus for
milking that resembled a gargantuan
permanent waver. Devices for grinding
corn and for planting it. Tractors, trail-
ers, cultivators and plows. Machines
painted red (a note for the Freudians)
and machines painted blue. People care-
fully examining articles on display, care-
ful not to miss a thing in order to make
Continued on page 28
SEPTEMBER, 1928
23
lAlberi Qoates and Q. S. S.
In lohichzoc catch both celebrities tn an informal mood. It reminds us of the exuberance of the director ^uho ot,ened the
San Franc^sco Summer Symphony Series and gives us another version of Qeorge LnaTshazvZhoTs
very muchinthepubUc mM at this time-u. hat u^ith his talHnimotiotpictuTshiZv
book Intelligent Women's Quidc to Socialism and Capitalism" and his
more recent approval of Tunney's retirement.
24
THE SAN FRANCISCAN
The Reigning Dynasty
WEDDINGS
AuRUM "^ Miss Louise Burmisicr, dauRhicr of Mr
and Mrs Robert B Burmistcr. to Mr Jeffrey Kendall
Armsby son of Mr and Mrs James K Armsby
August 20 Mrs IsabcHc McCrackin. daughter of the
late Dr and Mrs Maynard McPherson. to Mr Carrol!
G«>rBe C^mbrnn
» T ▼
ENGAGEMENTS
PL'LLER-lXmST Miss MarRarei Helen l"ullcr.
daughter of Mrs Frank Whittier I'uller and the late
Mr Frank W Fuller, to Mr Warrington Dorst, the
son of Mrs James l>>rst of Warrenton. Virginia, and
the late (x>Ionel CX»rst. L' S A
SMITH-B(lSWORTH Miss Libbv Moffitt Smith.
daughter of the late Mr and Mrs John Francis Smith
of Piedmont, to Mr Carl Bt^sworth. the son of Mr
and Nlrs Charles J B<isworth of Piedmont
LAKE-BOARDMAN Miss Olive Frances Lake,
daughter of Mrs Edna Scott Lake of Ross. California,
to Mr Albert Drown Boardman. son of Mrs Samuel
H Boardman and the late Mr Samuel B<iardman
HORST— del PINO Miss Helen Horst. daughter of
Mr and Mrs E Clemens Horst. to Mr Moya del Pino
of Madrid
COPE-MOULDER Miss Anne Cope, daughter of
the late Judge Walter Cope and Mrs Walter Cope to
Mr Malcolm Moulder, son of Mrs Charlotte Clark
FENNER-EDDV Miss Mary Fenner. daughter of
Mrs Carloita Fenner of Alameda, to Mr Selwyn Eddy.
son of Mr and Mrs Edwin Eddv
HUIE-HASTINGS Miss Lillian Huie. daughter of
Mr and Mrs W H Huie to Mr Harry C Hastings, Jr.
son of Mr and Mrs Harry C Hastings
VISITORS ENTERTAINED
Miss Mabel Wilson and Miss La\inia Rikcr of New
York were honor guests at a dinner given in Burlingame
by Miss Alice Helen Eastland
Mrs. Arthur Scully of Pittsburgh visited in San Fran-
cisco for a time with her mother. Mrs Henry J. Crocker,
Mrs. Crocker and her daughter divided their time be-
tween the Crocker house in town and the ranch home
at Cloverdale
Mr and Mrs Marklove Lowery of New York visited
in Burlingame where they were entertained by Mr
Lowery's brother and sister-in-law. Mr. and Mrs,
Stewart Lowery. Manv affairs were given on the penin-
sula for the New York visitors.
Mrs. Pearl Landers Whitney and her daughter Miss
Betsy Whitney who now make their home in Holly-
wood, returned to San Francisco for a brief visit during
the summer, staying with Mrs William Whittier at
the latter's apartments at Stanford Court
Mr, and Mrs Chilion Heward of Montreal were
guests of Mrs Heward's mother, Mrs James Potter
Langhorne at the Langhorne home on Pacific Avenue
Nfiss Jane Cx)wl was guest of honor at a dinner party
given by Mr and Mrs. Harry Horsley Scott during
Miss Cowl's engagement at one of the San Francisco
theaters in "The Road to Rome "
Mr arni Mrs, Charles Blyth of Burlingame gave a
dinner party at their home following the symphony
corKert at the Woodland Theater in Hillsborough
which Ossip Gabrilowitsch conducted Mr and Mrs
Cabrilowitsch were guests of honor at the dinner
HERE AND THERE
In honor of the birthdav of her M»n. I Walton ! iedges.
Jr . Mme Lclia Butler Hedges of San Juan liauiisia
entertained at an elaborate week-end party concluding
with a barbecue supper for abf)ut three hundred friends
The festivities took place at Mme, Hedges rancho.
1 iacienda de Justo,
Mis Ora Brooks of Ross entertained at a luncheon for
thirty-two at the Brooks home in Ross in honor of
Miss Olive Lake, the fiancee of Albert Drown Board-
man
Mrs Kenneth Montcagle entertained at a picnic
luncheon in the Carmel Valley, the group including a
number of Burlingame society folk who were pa^^ing a
week-end at Del Monte and Pebble Beach
Mrs. I R D Grubb has returned to San l-'rancisco
after a visit at the Grand Canyon. Mrs Grubb is again
domiciled at the Canterbury.
Mr and iMrs Arthur Stevenson (Phyllis Fay) have
returned from their honeymoon abroad and are for the
lime being making their home with Mrs. Stevenson's
parents, Mr and Mrs. Philip J Fay. until they take
possession of their new apartments
Mrs Burbank Somers and Mr and Mrs Bradley
Wallace were among those who entertained at a dinner
party at the Menio Country Club on the first day oj
the tennis tournament
In honor of Mr and Mrs. Warren Spieker who re-
cently returned from an extended tour of Europe,
Mr and Mrs. Evan Williams entertained at a dinner
party at their home in Woodside
Mr and Mrs Charles G. Norris were honor guests
at a garden tea that Ednah Aiken gave at her home in
Palo Alto Vir and Mrs. Norris are moving into their
new home in Palo Alto soon.
In honor of her daughter. Mrs. Theodore Carter
Achilles, Mrs Paul Benson Cleveland gave a luncheon
at her Los Gatos home Mrs Gertrude Strong Achilles
assisted.
Miss Claudine Spreckels entertained frequently dur-
ing the summer at the Spreckels ranch at Sobrc Vista
Sixty guests enjoyed a tea gi\'cn in the garden of
Mrs Percy Pettigrew's home in Palo Alto
Mr and Mrs Edward Engs, Jr gave a large tea at
their home in Piedmont on a recent Sunday afternoon
m honor of Miss Mary Chickering and Miss Kaiherine
Brantingham. the latter a vistor f^rom C-hicago
Mrs John I' Neville and Mrs Paul Hunter were
joint hostesses at a barbecue given on the grounds of
the Harold Mack place on Del Monte Mesa The affair
was in honor of Mr Neville and Mr Hunter who had
returned from Portland where they attended the
Oregon-California Golf Match
Raymond Armsby has returned to his home in Bur-
lingame after a year's absence abroad
Mr and Mrs Alexander Hamilton and their two
daughters. Miss Grace and Miss Happy Hamilton, will
spend the late summer season at their country place in
Menlo Park, going there directly on their return from
abroad.
Mr Edward Duplessis Beylard has sold his San
Mateo home and will make his home in France
Honoring Miss Louise Burmister and her fiance. Mr
Jeffrey K Armsby, Mrs William Cannon gave a large
luncheon party at her home in Woodside The guests
numbered about sixty.
OUR CORRESPONDENT IN HONOLULU
WRITES:
So many of you San Franciscans and Southern Cali-
fornia visitors have trodden our welcoming shores dur-
ing the past month! It must have become noised abroad
that the lunar rainbow was due to do its stuff The
lunar rainbow is a gay lady of uncertain temperament;
we can never accurately predict when she may appear
But when she does! All is forgiven at the sight of her
weird beauty.
Mrs Charles B. Henderson and her son, Mr. Charles
J Henderson, who. we hear, is one of San Francisco's
most popular bachelors, arrived here on a visit, and
first to greet them was Mrs Henderson's other son,
Mr Wellington Henderson, who makes his home on
the Islands Mrs Henderson occupied a cottage at
Waikiki during her stay here.
Another pair of thoroughly appreciated bachelors
from California's shores were Mr George Kleiser. Jr
and his brother John. The young men were here a
month and there was little that the Islands had to offer
in the way of entertainment that they overlooked
Mrs. A B Spreckels, of whose magnificent gifts to
the citv of San Francisco we have heard much, was a
visitor here with her daughter Dorothy and her son.
young Adolph B. Spreckels
Just before she returned to the Coast, Mrs. Spreckels
returned the many courtesies shown her by giving a
most elaborate dinner dance at the Waialae Golf Club.
The setting for the affair might have been taken from
Verne's "Ten Thousand Leagues Under the Sea;" the
decorations were of coral and shells, huge fish formed of
flowers and mermaids, all arranged in a beautilul sea of
blue and green tulle that copied the tints of the Ha-
waiian waters There was the usual native entertain-
ment after dinner, interspersed with the fox trots.
Princess Kawananakoa was among the guests.
In arrny. naval and official circles, the arrival of a
party of Congressmen and also of Major-General Amos
Fries, created a ripple of excitement and the usual out-
burst of hospitality
Governor and Mrs Wallace Farrington entertained
the distinguished visitors in Washington. D C-.. gi\'ing
a dinner for twenty-four
Here on the Islands Mrs Fries came in for special
attention A large tea was given in her honor at the
Royal Hav^aiian Hotel by the wives of other officers of
the Chemical Warfare Division Nearly a hundred at-
tractively gowned women thronged the lanai of the
hotel on this occasion
San Francisco army folk will be interested to hear of
the debut of Miss Imogene Shannon, daughter of Lieu-
tenant-Colonel and Mrs Joseph F Taulbee The occa-
sion took the form c)f an elaborate ball given at the
Infantry Club at Schofield Barracks, Many dinner
parties preceded the dance
Miss Shannon has many friends at Fort Winfield
ScotL in San Francisco She is the great grand-daughter
of General Rene de Russy for whom Fort de Russy is
named.
Mr. and Mrs George Beckley are being warmly wel-
comed on their visit here Mrs Beckley and her hus-
band both belong to old Island families Senator and
Mrs Robert Shingle gave a luau for the Beckleys
shortly after their arriva
SAN FRANCISCANS IN NEW YORK
Bishop William Hall Moreland was a guest at a num-
ber of country homes on Long Island during his recent
visit to New York,
Mr, and Mrs Oscar Cooper went to the Savoy Plaza
on their return from Europe Mr and Mrs Oxjper will!
take apartments in (jnc tjf the new Fifth Avenue apart- j
ment houses not yet completed
Miss Helen Wills has been e\tensively entertained in i
New York and on Long Island durmg her visit in the
East fresh from her triumphs abroad i
Mrs J. O'Hara Cosgrave returned to New 't'ork latel
in August after a visit abroad Dr Millicent CA)5gravc,
now divides her time between Pans and Deauville.
Miss Agnes Clark came to New 'I'ork from her home
in Bar Harbor to meet her niece. Miss Patricia Clark
nn the latter's return from Europe Miss Clark left
lor her San Mateo home a few days later
Mrs Roy Bishop and Miss Celia Bishop, also Miss
Dorothy Cahill have been visiting Mrs Bishop's
mother. Mrs Thomas Wheeler, at her summer home
on Thousand Islands
Ogden Mills has returned from France where he was
recently decorated by the French government
Mr and Mrs Andre Ferrier passed a few days in the
metropolis before sailing for France
Mr. and Mrs William R Hearst. Jr. returned to New
York from their European honeymoon and lingered in
the East- Mr and Mrs George Hearst who also toured
Europe this summer, returned on the same boat with
the honeymoon couple.
Mrs James Flood and Miss Mary Emma Flood, whc
have been summering in the White Mountains, spent
an enjoyable week-end recently at Bretton Woods.
Miss Florence Loomis of Burlingame visited with
Mr. and Mrs Charles Crocker at their home in Ne*
York during August.
▼ ▼ T
SAN FRANCISCANS ABROAD
Mr and Mrs Frances MeComas are on a sketching
trip that will take them through Spain, Italy anc
France-
Mr Kenneth Pope and his cousin. Mr. Augustu.
Taylor. Jr . have been touring Switzerland and Italy]
Mr and Mrs Robert C, Bolton and their two daughl
ters were last heard from while they were in Florencei
Italy, J
Mrs. Eugene de Sabla has been traveling abroad thij
summer with her daughter Mrs Clement Tobtn ana
Miss Aileen Tobin.
Mrs Charles Hopkins, who has been abroad for somt
months, was at Baden Baden for a part of the season-
Mrs Hopkins^vill return to her Paris apartment for thi
winter-
Mr and Mrs. Paul Horst entertained a number o
San Franciscans recently at their home on the Aveniu
Ely^ee-Reclu in Paris Miss Beatrice Horst and Mrs
William Younger were among the guests
Mrs, Barton Cuyler was still at her villa in Biarrit:
at last accounts, entertaining her son-in-law and daugh,
ter the Comte and Comtesse Albert de Mun
Mr- and Mrs Chester Weaver were among those wh(
attended the dance given by Mr. and Mrs JosepI:
Oilier for their debutante daughter, Gertrude
Mrs. Aldrich Barton enjoyed a stay at Saint Jean-iit
Luz during August -
Herman Rohlfs was a recent visitor to Heidelberg
Mr. and Mrs. C O. G Miller had arrived in Bcrln
at last accounts.
T ▼ T
SAN FRANCISCANS IN THE SOUTHLAND
Mr. S F B Morse and his son and Mr Stanfon
Gwin sailed for Santa Barbara and Coronado on Mi
Morse's yacht "The Waterwagon"
Mr- and Mrs Curtis Hutton are spending two mnn i
in Montecito at the guest house on the Christian Holnn
estate- Mr- and Mrs Holmes and Mr and Mrs Huii i
plan a yachting trip to Mexico later
Mrs "Carl Wolff and her son and daughter have bttp
passing a few weeks at the San Ysidro ranch nea'
Santa Barbara
Miss Ysabel Chase and her guest. Miss Mary Browr
Warburton, spent fiesta week m Santa Barbara Mis
C-hase's uncle, Mr Addison Mizncr. is also m Sant.,
Barbara, superintending the building of a new home ii
the Montecito district
Mr and Mrs Deming Wheeler of Santa Cruz am.
San Francisco have been passing several months ii
Santa Barbara.
Mr. and Mrs Alexander Isenbergof Menlo Park wer
also among those who enjoyed Fiesta Week in Sant !
Barbara
Mrs Pollock Graham visited for a time in Sant
Barbara where she stayed with her son-in-law ari'
daughter, Mr and Mrs, Charles Dabnev
Mrs. Edward R. Bacon enjoyed a visit at the rand;
home of Mr and Mrs Bernard Alfs near Santa Mon"-
Mr, and Mrs. James A, Folger. Jr spent a^'^*-'
Santa Barbara visiting with Mrs, Kenneth Mclni^
Mr. and Mrs, Nion Tucker and Mrs George Cu:.
eron enjoyed a week at El Mirasol in Santa Barbarj
recently, . , '
Mrs Harry H. Scott was the guest of Mr, and Mf
Joseph G Coleman in Montecito for a fortnight Mr
Joel Remington Fithia gave a luncheon for Mrs, V
during her visit.
Miss Lily O'Connor spent several weeks at ^j'"
Ynez. the guest of Major and Mrs William Holm
McKittrick.
SEPTEMBER, 1928
25
Helen Horst
This crayoyi sketch of Miss Horst loas done by her fiance, Jose Moya del Pino, the Spanish artist, tvho has
recently established his studio in San Francisco,
26
THE SAN FRANCISCAN
Mere Animals
Dealing With Their Subtleties in Random Verse
By FLORA J. ARNSTEIN
The Turtle
The. turtle crawls crab-footed.
One long-nailed padded paw after
another;
His shell ill-fitting like some borrowed
armor.
Clumsy and inflexible;
His silly head outstretched,
Rubber yet unresilient; peering to right
and left.
He moves along, sloii'ly portentous and
inane.
The Moth
The moth pads blindly on the xvindow
pane,
And blindly, heads through the open
sash,
Blundering into the room, —
On ceiling and ivall he pads,
Flappijig is thudding ivings.
He knozvs the light
Dully, as some primordial brute
The mating urge;
He ivins it blindly, and as blindly
hums —
Or, baffled by a light encased in glass,
Hovers obsessed and immobile and dumb.
^
p
1^
■\^
^
^.^
>
1
N. y
f.
^
m
kV
/■
'-> i
The Mouse
The mouse is a bit of a pun:
He ruiis both ways.
And erect on his seat, he has all the taut
immobility
Of a miniature Buddha carved jrom the
shell of a nut.
His little snout is sharp with perpetual
scenting.
His little pazvs have the competent edge
Of a flutist of practised bravoura .
His tail has a lyrical turn.
And sways to the curve of its line.
Like a tapering pennant
Afloat mi a negligent breeze.
The mouse is compact in completeness.
The point of a quip.
The dot at the end of a sentence.
The Cat
The cat is an interrogation point.
Qreen eyes unfathomable in the dark,
Blunt eyes unfathomable in the day.
She is sinuous and suggestive.
Allusive ayid provocative —
Her tad, a tantalizing bit of irony, —
Her paivs are padded threats.
Her coat escapes the hand — ivater that
does not ivet.
Her purring escapes the ears, as words
that have no sense.
The cat has all the Sphinx's art.
Age-old. Her ivays are silent and ob-
scure,—
She has her ritual, her witches' rites;
Tenacious as a tendril's grasp.
Elusive too, as water's phosphorescence.
The cat is cryptic, passionate and wise,
The smothered question at the core of
each domestic hearth.
The Camel
The camel is a comic philosopher.
He rises like a bolster and rocks
Like a run-away wagon of hay.
He munches in pensive withdrawal.
Balancing his ascetic head, he slowly
surveys,
With regal and arrogant glance, his con-
tiguous world.
He scorns it, ivith shameless appraisal,
ivith sneer undisguised,
Then, straddling and gaunt, and un-
kempt,
With pendulous lipping, affirms
His ribald convictions — immune, unper-
turbed and unshriven.
SEPTEMBER, 1928
Are We Learning to Read?
Voicing a Hope for American Letters
By JOSEPH HENDERSON
27
^Vbout six months ago there ap-
/"^ peared a new novel by a young
■J. X. author practically unknown
outside a tight little circle of dilletantes
and artists in the East. This novel con-
tained an abstruse, somewhat skeptical
philosophy of life, a lot of extremely
subtle comment on Catholic theology,
Mme. de Sevigne and her letters to her
daughter, Spanish classical drama and
contrapuntal music, and Peruvian man-
I ners and customs in the early Eighteenth
Century. The book was further written
in a cultivated, highly personal style
which depended for its effects largely
upon a great sophistication of metaphor,
and showed that the writer had an un-
■ jl usually precocious acquaintance with
the classics in about half a dozen dead
and living tongues. And yet this novel
has become a best-seller, received the
Pulitzer Prize and is probably by now
safely headed towards Hollywood and
Broadway, which will about complete
the temporal honors that can be con-
! ferred on a work of fiction in this
i Republic.
|j: There are several rather homely rea-
H sons for the success of The Bridge of San
Luis I{ey. First of all, perhaps it is a
literary freak like Qullivcr's Travels,
which thousands read for the ingenuity
of its form without at all comprehend-
ing its profundity of human observation.
The scene of The Bridge is laid in
: Spanish Peru therefore giving it the
romance of distance in a Latin coun-
try, something which the Anglo Saxon
masses, naturally adore. Lastly, the
theme of the book, frustrated love, is
of universal interest particularly in as
; highly mechanized and inhibited a civi-
[ilization as ours.
» T T
BUT none of these reasons is sufficient,
to account for The Bridge's wide
popularity because any of the above
virtues may be had in much greater
variety and for a cheaper price at the
Movies or in the magazines. The only
inference I can see is that the American
public has learned to admire beautiful
writing, sound characterization, the in-
telligent representation of human weak-
nesses, and intellectual explanations of
the universe — for these are the only
other elements of which The Bridge of
San Luis K.ey is composed.
I If it is true that people like this novel
(tor its intrinsic qualities, the ever-lively
question of whether or not the arts can
wvive and multiply in the United
;5taccs presents new and hopeful aspects.
jJne might have supposed even as late
as fifteen years ago that the arts in
America were definitely perishing. The
theatre contented itself with reproducing
the tawdriest London and Parisian suc-
cesses, operas, and symphonies of doubt-
ful excellence merely held their own
under the patronage of decaying aris-
tocracies, and architecture was almost
entirely abortive. Literature had fared
a little better and for this very reason
seemed to be the most serious failure of
all because when there had appeared a
major writer such as Whitman or Wil-
liam James, Americans, as a people,
hardly ever heard of them except
through the admiring comment of in-
telligent Europeans. It would be a long
story to tell how and why this condi-
tion of artistic sterility has changed but
we all know that it has become a com-
monplace to talk of the thriving condi-
tion of music, architecture and the
theatre in America. And the greatest sur-
prises of all have come from literature.
Thornton Wilder's case is significant.
An extremely cerebral young man in his
earliest thirties, accustomed to a small
esoteric audience, he may well wonder
where his sudden popularity will lead
him. After the limited, though unex-
pected success of his first novel. The
Cabala, he dissuaded his publishers from
spending extra money on advertising
because he insisted that his next novel
would not be half so attractive to the
public, and that it would be so "Freu-
dian" and so subtle as to be understood
by only a very few. In writing The
Bridge of San Luis liey Mr. Wilder was
in fact just as "Freudian" and as subtle
as he wanted to be; he wrote freely with
an eye for the highest literary qualities
and — the public liked it.
T T T
THERE should no longer be the same
excuse for the misunderstood young
"genius" who cannot find an audience
in America. Let the young writer follow
Mr. Wilder's example and learn to
write beautifully in the English language
and he ought to get a good hearing. He
need not write well even in a traditional
style as Willa Cather and Edith Wharton
have done; he may speak openly and be
accepted if he has important, human
things to say in the right words.
In speaking of the Marquesa de Mont-
mayor's letters Mr. Wilder says that the
function of literature is to record "the
notation of the heart," and that style is
"the faintly contemptible chalice that
holds the bitter liquid." To many people
in the world these sayings are not new,
but they have seldom been heard in
r
What a
BAND
What a /
SETTING/
SAN Franciscans may well
X - rejoice m the new Palm
sr * Court, of the Palace Hotel, "Amer-
— S ica's Most Beautiful Dining Room."
Redecorated . . . with special lighting
effects, and a maplewood spring dance
floor . . . this is San Francisco's smartest
setting for Dinner and Supper Dance
(held nightly except Sundays, from 7
p. m. to 1 a. m.) and Tea Dances, Sat-
urday afternoons, 3.30 to 5.30.
To cap the fascination , we have engaged
Gordon Henderson
and his
Palm Court
Dance Orchestra
Without peer in San Francisco, this
dance aggregation plays the kind of
music that cantalires and commands
your distinct approval. Rhythm, synco-
pation, melody, harmony and special
effects . . they have them all.
Prices will remain as heretofore.
Table d'hote dinners ($1.75 and $2.50)
and a la carte dinners without couvert
charge. For non-diners every eve-
ning but Saturday, a couvert charge
of 50 cents after 9 p. m. ; Saturday,
$1. Dinner served at 6 p. m.
Instrumental music 7 to S
p. m. Dancing 8 p. m.
to 1 a. m.
PALACE '»
HOTEL
SAN FRANCISCO
M-anagcmcnt, HalseyE. Manwaring
28
THE SAN FRANCISCAN
The Store on the Square
Telephone "Douglas 4^00
Olds, Wortman * Kjno. B. F. Schlesinoer a. Sons, 7gf. Rhodej Bros.
Tacoma
JIeds
;o
le de vivreJ
At the extreme warm end of the spec-
trum, red is associated with open fires,
with holly berries, with flaming sumac
and oak and sunsets. It is the color of
cheer, the color of joy. It flatters the
wearer, making the skin seem whiter and
enriching the personality with its own
verve.
Reds for Fall run the whole gamut of
coIor.Chanel sponsors raspberry red.The
American silk manufacturers are show-
ing peony, Zouave and wild cherry. The
Fall Fashion Show in New York starred
guava red, which is like sunlight seen
through a glass of mellow claret. Look in
our salons. There you will find all
the moderne reds.
America, and since, as seems to he the
case, we at last have ears to hear them,
let us hope for a body of literature com-
posed of chalices no less contemptible
and containing an even more bitter
liquid than Mr. Wilder's.
▼ » ▼
The New Opera House
Conlinucd from page 10
cent invention, with resources and facil- I
ities unprecedented in stage illumina- I
tion The cyclorama is illuminated, not
merely from the top and sides, but also
from a specially designed trough in
front. This will greatly enhance both
the aesthetic and the realistic effects. In
addition to many other unusual fea-
tures in the forestage illumination there
arc eight rows ot border lights, instead
of the usual two, each with full range
of color equipment and every degree of
intensity control, and this permits of
every conceivable quality of atmospheric
effect.
Around the stage block there are un-
usual facilities for building sets, a huge
and perfectly equipped carpenter shop, a
well designed electric shop and spacious
studios for preparing the drops.
Dressing rooms and offices are pro-
vided in the same generous scale. There
are 22 rooms for stars, each with its now
bath, and they are large rooms, 16x22,
feet, and all day lighted, looking out
onto the Memorial Court. The ballet
and chorus dressing rooms are unusually
commodious and there are fine practise
rooms for these units. Immediately ad-
joining the stage there are large and well
equipped offices for both the opera and
the symphony organizations. 1
' ' ' !
SAN Fr-'^ncisco will soon come into '
possession of one of the world's
most magnificent and most perfectly
equipped opera houses. If it is adminis-
tered with the imagination and energy
that we have every reason to expect and
if it is supported with the understanding
and enthusiasm of which San Francisco
is capable, it will be one ot the city's
finest assets and will in sober tact make
opera history.
▼ T T
These Here Fairs
Continued from page 22
a faithful report to the less fortunate at
home. Serious business, this, to the men
and women. "O ! You should have been
to the State Fair! there was a new — '
and then would be related the wonders
of the latest invention. ■
T T T [
DUST everywhere. Dust and a breath-
less heat. Ox-eyed women, turn-
ing unflinchingly from the vision of an
electrical dish washer in order to join^
their husbands in scrutinizing a hoe or a
Continued on page 32
SEPTEMBER, 1928
29
People We Know
ByH.S.
THE BACK-SEAT DRIVER
... is a female of ripe years and ner-
vous temper that is truly a great griev-
ance to the person at the wheel. She will
caution her spouse at every corner, and
by her sudden shrieking she will cause
him to swerve irom contact with an
ice-wagon, only to graze the tender of
the florist's boy. She instructs him in
his steering twixt the Scylla ot the
street-car and the Charybdis ot the pass-
ing Cadillac, and her concern is ever
the avoidance of the baby-carriage and
the vacillating bicycle. It were charity to
call her a victim ot hallucinations, for
she is forever beholding phantoni stop-
signals and is continually pursued by
invisible motor-cops that terrify and
frighten her out ot herselt. She has no
quarrel with the road-map, but she pre-
fers to ask the way of every country
yokel. There is no remedy for the infirm-
ities of such an one, unless she be let to
manipulate the vehicle herself.
AN INVETERATE BRIDGE-
PLAYER
... is a matron of years and social sta-
tion that has a natural dislike to her own
company and her own thoughts. She
betakes herself to the society of others
of her kind in hope to get diversion from
the combination of so many boredoms,
like a voter that hopes to get good gov-
, ernment from the combination of so
; many ignorances. The affairs of nations
are beyond her sphere of interest, and
the taking of a town in war is less im-
I portant than the taking of a trick. She
had rather interpret one obscure word in
I a book on Auction Bridge than to read
. the wit and wisdom of the ages. Her
I conversation is confined to a discussion
•: of the hand just finished, and she will
j suffer none to speak while she is making
; game. Her glance will never wander
j from the table, save to appraise a
i neighbor's hat, and her afternoon is
spent and gone with nothing but a jar
i of bath salts to account tor it.
THE GIRL-SLAYER
[ ... is a young female of uncommon
: beauty who has a natural aptitude for
I shooting husbands. Purveyors ot public-
i ity are most desirous of her photograph,
' and she is greatly sought after by the
magnates of the cinema. Both country
louts and city swains make application
; for her hand in wedlock, and she has
I much ado to make decision amongst
' them. Her name is to be found in every
daily publication, and her type is the
delight and wonder of the stage. Verily
she has bewitched the magistrates, and
Miss Virginia Phillips who adds to her fame as an actress and
dancer the reputation of being San Francisco's
most beautiful Society girl.
Miss Phillips ivrites:
A trip to the Hatvaiian Islands aboard that giant yacht, the Malolo?
One of those rare experiences ivhere the actuality far exceeds the
dream of it!
,\.^v
People who know, book on the Malolo to Hawaii. Among your
fellow-travelers on the four-day voyage are persons of social and
professional prominence who take this magnificent new ship because
it is the smart way to go. The Malolo gives you all the delightful
luxuries and grateful comforts that newness and size alone can pro-
vide. Let it come as a pleasing afterthought that the cost is most
moderate.
One or more Matson Liners sail from San Francisco every week
— the Malolo sails on alternate Saturdays.
Matson Line
Hawaii • South Seas • Australia
GENERAL OFFICES: 2I5 MARKET STREET, SAN FRANCISCO
also PORTLAND • SEATTLE • LOS ANGELES • DALLAS
CHICAGO • NEW YORK
30
\V
r
TtTHE WHITEHHHUSE^
W RAPHAEL \VE1LL 8 COMPANY/ fi.
\No^vIi'CanB^Ti)la^V
^
AN F R A N C I S C O O II
opera nights! Picture
the great bulky out-
line of Dreamland
Auditorum crouch-
ing under its misted
halo of lights, cahs
darting in and out like automatic toys,
horns, little and big sotto voice, sound-
ing their way through the traffic. Sway-
ing crowds, then here and there an
exquisitely costumed woman standing
forth individually until the whole pulsing
sceneenfolds like a night blooming flower.
pENiNG NIGHT Sep-
tember fifteenth, will
also bring forth the
first Fall styles in a
sudden and spectacu-
lar burst of splendor.
And fashions, this
season, are particularly worthy the most
sparkling, sophisticated background any
city can afford. Fabrics and furs are
regally splendid Simplicity is the pitch
note, but it is a simplicity of elegance
rather than naivete, evolved from most
intricately manipulated lines.
ALL EVENING WRAPS
resemble each other
in one point only . .
and that is width.
Aftert hat they branch
out into delightful
discoveries of what
to do with this unaccustomed gener-
osity of line . one resorts to unexpected
groups of shirrings alternated between
folds . . an ombre green velvet gathers
all its fulness into the sleeves . . another
glories in sleeves that are shirred at the
shoulder and drop in a loose water-fall
line to the wrist.
'H E PERFECT UPdct-
"standing between
* fabric and silhouette
will be quite as much
a treat to the style-
sensitive woman as
the gifted Viennese'
voice scaling the heights of Turandot.
Of course, fabrics, in this season of
studied formality decide the silhouette.
Laces . . light-hearted tulles . stiff
taffetas . . supple satins . . and above
all, velvets, are the established fabrics
for fashionable opera attendance.
■ HE BOUFFANT TYPE haS
risen to heights of
dignity in stiff satins,
taffeta faced velvets
and moires that were
merely ambitious
dreams in last year's
lighter weaves. Frivolous tulles, in spite
of their sober browns and carbon blues
continue the support of youthful period
frocks aided by perennial taffetas So-
phisticated satin surprisingly appears as
a demure Victorian with severe front
contrasted by a billowy bustle . .
, OLOR ENTERS into the
scheme of things with
a royal flourish. Re-
splendent purples and
reds that melt into
petunia and violet
shades and from these
into the lovely indefinite blues. Greater
care must be taken with the matching
slippers that are the invariable rule for
evening. It is interesting and profitable
to know that The White House not
only has a dye repertoire of one hundred
and ninety-nine shades but also guaran-
tees every one.
A D V L H T 1 S li M E N T
THE SAN FRANCISCAN
with her inciting tears and honied
smiles she calculates to turn the pates ot
twelve good men and true. She is
exempted from the prison and the death
penalty because of her good looks and
femininity; otherwise she has as good a
title to hanging as another.
▼ T T
THE BOND SALESMAN
... is a well-born youth of plutocratic
ancestry who has recently received his
degree of Bachelor of Arts and is there-
by qualified to hawk securities about the
town. He differs froin the vendor of
broomsticks or of pious tracts in that
he may not so easily be got rid oh He
will suffer none to say him nay; tho
twenty times the master of the house be
out, yet will he come again to button-
hole him on the twenty-first. The
maiden lady or widow is his special joy ;
with winning smile and sugared speeches
he prevails upon her to accept of his
advice, nor will he take his leave until
she change her four per cents to Irriga-
tion District No. lo.
For all his guile he is unhurtful in the
main, and so is let to roam at liberty
until he wed a debutante or till his
father take him in the business.
▼ ▼ T
A WOMAN NOVELIST ,
. . . is a female that, having the good I
fortune to publish a book or two, goes ;
forth to lecture to the clubs on how she ;
did it. She is thought a wonderful t|
accessory to any tea or luncheon — the !
more so if she can be got to speak, for «
she is Lady Oracle, and when she opes
her mouth let no cat meow. The ado- i
lescent literati cluster round about her to
inquire the way to fame, but all the
satisfaction she will allow them is ad-
vice to marry early or to go upon the
stage. She is most susceptible to flattery,
and the surest way to win her approba-
tion is to bring her her own novels to
be a\itographed.
T T T
Dean David
Continued from page 14
His first great success was his produc-
tion of "The Heart of Maryland" with
Mrs. Leslie Carter, whose stage career
he made possible and whom he trained
for the stage. Blanche Bates first attained
success under his sponsorship, as did
David Warfield, Frances Starr, Lenore
Ulric.
Much idolatry has been laid at his
teet for his thoroughness, his invaluable
contributions to the technique of play ,
production. He and Stanisla visky , I
founder of the Moscow Art Theatre, j
have been compared on the basis of their
realism.
David Belasco, a native of San Fran-
cisco, is, in truth, the "Dean of Ameri-
can Producers."
SEPTEMBER, 1928
31
POKING about the town for the un-
usual it is easy to find one's steps
turned toward the shop ot Henry
H. Hart on Post Street Here the rare,
fine objects ot Oriental Art may always
be found. What is more, Mr. Hart is a
recognized authority on the subject. He
has at his tongue's tip the answer to
questions you may ask him concerning
the history ot anything in his shop.
We are sorry to admit that this is not
always so. There is a shop-keeper or two
in our fair city that would do well to
follow Mr, Hart's very excellent ex-
ample.
For instance yesterday 1 picked up a
fat lapis snufF bottle, colored like the
bay at Monterey, Now snuff bottles
have always intrigued me and I went
to Mr. Hart brimming with questions.
He was busy with a customer but he
said, "Come in tomorrow and I'll tell
you all about them."
"Tomorrow," I answered, "I am go-
ing out of town."
"Stop in anyway tonight. I'll jot
down a tew notes which you may read
as you run."
Mr. Hart is a man of his word for
the next day a neat sheaf of typewritten
notes accompanied me on my journey.
I am going to share them with you
for they are informing, interesting facts
upon a fascinating subject. He wrote ;
THE collecting of Chinese snuff-bottles
is one of the most interesting phases
of curio-hunting. It leads the collector
along fascinating paths of art, folk-lore
and history, knowledge of stones and
porcelains, lacquers and metals. In fol-
lowing it specimens of Chinese art can
be gathered which would be far too
costly to collect in larger pieces, at least
for the average collector.
Although tobacco was brought to
China from Manila in 1530, it was not
until 16S7, during the reign of K'ang
Hi, that snuff was first imported from
Japan. Immediately the demand for con-
tainers tor snuff became insistent. As the
Europeans of the same period produced
marvels of artistry and craftsmanship in
snuff-boxes, so the Chinese showered all
their ingenuity and imagination on
snuff-bottles.
The fad of collecting snuff-bottles
immediately sprang up in China, and
has continued down to the present day.
Unfortunately, with the decline of snuff-
taking and the wars and revolutions
which have swept over China of late
years, the production of good bottles has
practically ceased, and fine, artistic spec- j
imens are becoming scarcer all the time.jB
and correspondingly more costly. M.
Bottles are found in porcelain, glass,
crystal, jade, amethyst, agate, lapis — in
fact in every imagainable material. The
porcelains are usually of fine paste, ex-
quisitely modelled and decorated.
Some of the most interesting bottles
are of glass, in the making of which the
Chinese equal, if they do not surpass the
glassblowers of Europe, the greatest of
whom admit their indebtedness to the
Chinese for both execution and tech-
nique. They are most original in their
modelling and in their mastery of deep
carving ot plain and vari-colored glass
with flowers, animals, legendary figures
and every other design which only the
tertile imagination of the sons of Han
could evolve. Other glass and crystal
bottles are painted with flowers, land-
scapes and martial scenes on the inside.
It is only by a prodigy of patience and
skill that the artists paint these pictures
in full, though almost microscopic de-
tail. They lie on their backs while doing
this work, painting through the narrow
neck of the bottle, and using tiny, right-
angled brushes.
A volume could be written about the
wealth of Chinese religion, history,
folk-lore and mythology to be found in a
collection ot these bottles. These few
paragraphs can but suggest the kingdom
of fascination and pleasure which one
enters through the collecting of Chinese
snuff-bottles.
Is it any wonder I am a frequent visitor
to the colorful shop ot^ Henrv H
^Hart'
^cvju^TELECHROH CLOCKS J^PEmm
^o
^
^^
JUST PLUG IN
ON YOUR LIGHT SOGKET
AND THE MASTER MECHANISM OF THE
ELECTRIC LIGHT COMPANY WILL DO THE REST
JEWELLERS
Sni^EVE Treat e.
EACRET
136 GEARY St
32
THE SAN FRANCISCAN
Cruise to
vn
y Mexico ^ Central
America '* Panama
South
America
&
Haifa na
en route
to
NEW YORK
A panorama of jungle-clad, surt-
fringed shores, of purpling volcanoes,
of adobe-white cities basking in the sun-
light with "nianana" always one day ahead,
slips by the broad,'shaded decks of your modern
liner — colorfully-clad native women sell juicy bananas at the
windows of your train before it valiantly pufFs away to conquer
another palm-covered slope that hides an azure lake or a cath-
edral crowned town — in such moments lies the "romance" of
a Panama Mail vacation cruise through the Spanish Americas.
The trip that misses nothing
Forget business this autumn in the charms of this trip that
leaves nothing missing. It is a vacation in itself or makes a rest-
ful and fascinating start for a vacation in New York and the
East. Panama Mail cruise ships leave California every three
weeks. Enjoy thirty-one carefree, beguiling days before you
reach New York- — eighteen at sea and thirteen ashore in the be-
witching cities of Mexico, Guatemala, El Salvador, Nicaragua,
Panama, Colombia and Cuba. Visit the inland capitals of
Guatemala and Salvador. It's the only trip from California to
New York that allows you two days at the Panama Canal and
visits ashore in eight foreign ports.
Luxurious travel at low cost
You travel first class on a ship built specially for tropical serv-
ice. Every cabin has a Simmons bed instead of a berth. All rooms
have electric fans and running water — are comfortable and well
ventilated. Music and food is of the best. A swimming tank sup-
plements broad cool decks.
'f/ie cost is low — you can go from your home town to New York
via California and the Spanish Americas for 3380 up. (This fare
includes bed and meals on the steamer and railroad transporta-
tion). It you wish, you can go to New York by rail and return
by water. Write today for full information and booklets from
Panama Mail Steamship Company
1 Pine Street, San Francisco
548 South Spring Street, Los Angeles
These Here Fairs
( jjntinucd from page 28
spade. A spade. Double a spade. No bid.
One no trump. Playing at the club — a
cool drink in a cool, high ceilinged
room
"Come on," said Uncle John.
Into a blazing sun, headed this time
toward lood past rows of ice cream
stands, pop-corn stands and orange
drink stands. We entered a screen en-
closed lunch room. Over a cooling glass
ot buttermilk I watched my uncle eat
fried chicken, corn bread, apple pie and
coffee. Such coffee! What men they raise
in Kansas!
After lunch I was told that it we hur-
ried we would be in time for the first
heat. I thought this uncle of mine was
crazy when we started. From thence-
forth I was certain. Hurrying toward
some place where we would find heat!
But when we reached the place where
this heat business was to take place, I
discovered he had been talking about
horse racing. At the track, we pried our
way to the fence rail where we settled
down to a jolly afternoon of watching a
few horses and wagons create an un-
earthly dust.
Running my finger around my neck
which seemed to be an integral part of
a sodden shirt, I wondered how these
drivers in their sulkies could survive an
afternoon's program. Merely being seen
in a linen duster, goggles and gloves
should be enough to overcome them.
Fancy wearing this ensemble in the face
ot a hot September sun. For sport, too!
T ▼ T
WE left the race track at threeo'clock.
At three-five I would have been
taken on a stretcher. My feet ached, my
back ached, my throatached andthe angry
piece of sunburned flesh, which had
been a neck, ached from peering over
people's shoulders.
The judging of the cattle was over, I
discovered after niy uncle had stitf armed
and side stepped through a crowd which
would have treampled a man less in-
domitable. Did I care which one of the
surly beasts won the prize? Could it matter?
▼ T ▼
I HEARD myself express the opinion
that the Fair was wonderful. Yes, I
lied, wasn't it too bad that we couldn't
take in the midway or the art exhibit or
the food show; but so many automobile
accidents occur after dark that a person was
v-rise in leaving while there was daylight.
Uncle John said it was a shame we
had to leave so early in view of the
wonderful day we had had. There were
so many things to be seen (didn't I
know!). Still, one's life is more im-
portant than a tew hours of pleasure.
Ne.xt year, he consoled me, we would
leave home earlier in the morning. Then
we would have a day of it !
SEPTEMBER, 1928
33
Pacific Coast Showdom
By JACK CAMPBELL
Now that Rome has been saved;
Mary Dugan acquitted; Count
Dracula exterminated; Tom-
my married; Chatran the Great exoner-
ated; Shubert's chorines undressed; Span-
ish diplomacy purified and Conway
Tearle rehabiUtated behind the toot-
lights, what more can the stage offer?
Do the portents spell a long dull
period of inactivity for the San Fran-
cisco theaters? Indeed, no !
■ss^
Our rialto will be a veritable caravan-
serai for a long list of superlative attrac-
tions wending hither from all parts of
the world.
Toward the Geary Street emporiums
of entertainment, two distinctive gems
of amusement have already entrained.
They are "The Royal Family" and
"Good News." Both survived an entire
season in New York, enjoying in their
respective categories, the cream of criti-
cal and lay praise.
By Edna Ferber and George Kauff-
man, "The Royal Family" has been
termed the finest of all plays possessing
the stage for a background. Those who
have admired "Trelawny of the Wells"
for the past three score years may now
delight in a more amusing though less
sentimental tale of theater folk.
Herein is portrayed a family of self-
centered and conceited, albeit delightful,
descendants of the great stage tradition.
There is grandmother, who despite ex-
treme age and countless infirmities re-
tains a passion for trouping, especially
through the "tank towns" of Idaho and
Nebraska. Her daughter, riding the crest
of popular favor, is over-indulgent in
both generosity and vanity and is result-
ingly compelled to toil without rest.
And there is the brother who has been in
Hollywood and is at the time enjoying
a hide and seek game with some vicious
schemestress from his latest movie.
Around these three hover some mem-
bers of the younger generation, a play
producer who has long been a friend of
the grandmother, and a pair of relations
who have finally succumbed to a tour
of the vaudeville circuits until the New
York stage regains its erstwhile nor-
mality.
For three acts these eccentric indi-
viduals parade the stage, making mag-
nificent entrances and e.xits, duelling
with the servants, bickering among
themselves, threatening retirement, and
showing generally to what impossible
^ o otker cars in all tke i^orlj like tk
ese
ew
CADILLACS
The ^]\(ew
La SALLES
ew
TheXe
FLEETWOODS
THE MOST COMPLETE
AND EXTENSIVE LINE EVER
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Yon Muil Drive These Cars to Appreciate Their New aii/1 ^evohttionary
Perjormame, Control, Security aitJ Miml-Ease Features
1 . . . jV4.ore Powerful — 90 degree, V-Type, S-Cylinder Engines.
2... New Cadillac-La Salle <Syncro-]Vi.esli Silent-Shift
Xransmission.
3...rNew Caoillac-La Salle Duplex JMecKanical System
of Effortless FourW^keel Brakes.
4 . . . Security-Plate Glass.
5 . . . rN ew Adjustable Front Seats.
O . . . Pneumatic Control in Cnassis and Body Engineering.
7 . . . New^ jV\.odernity in xinisn and Appointment.
8 . . . Cnromium Plating.
FIFTY BODY TYPES AND STYLES BY FISHER AND FLEETWOOD
Operutiiig 'R^i/io Stdtioits KF^C ami KHJ
1000 VAN NESS AVENUE AT O'FARRELL, SAN FRANCISCO
34
THE SAN FRANCISCAN
^
A lour storv fireproof building is being added to our
present Shops. This will give us the most modern
and complete studio and workshops on
the Pacific Coast to better serve
our many patrons.
PENN FURNITURE SHOPS, INC.
SAN MATEO
A. Famous Doorway
in Hollywood that means home to travelers
The doorway of this hotel means home — personal
comfort — service — pleasant surroundings. It also
means that you are convinitnlly located in Holly-
wood— film Capitol of thi world — amusement center
of Southern California.
Good Food a Feature
A French chef has made the dining room famous.
Club breakfasts, luncheons or dinners at popular
prices. Also a la carte service.
_^ Write for reservations or free booklet entitled,
Hollywood,*' — today!
The Hollywood Plaza Hotel
iffiere the dQoT%Ajay means fiome lo travelers
Vine St., at Hollywood Blvd.. Hollywood, Califonua
,4^
"♦iSsSBM^
*^®
level the public can elevate a set of
stringless puppets.
Dear Emelie Melville is to he the
grandmother! This role admirably suits
her grandiose manner and florid address.
San Francisco will delight to see its fav-
orite resident actress in so splendid a
role.
From New York, Charlotte Walker
has been engaged to enact the stage
mother. Judging the glowing notices
which she received on the road last
season with "The Constant Wife," one
must admit that she has developed into
an actress of consummate skill in whose
hands this current role should fit like a
glove. A gentleman named March, who
once "emoted" for the New York The-
ater Guild in its pre-O'Neill days has
studied fencing and is quite adept in the
other requirements of the brother's part.
The play is caviar which is palatable
to all tastes and within the reach of all
purses.
▼ ▼ T
GOOD news" arrives with the collegi-
ate season. It exudes the campus
and contains the customary quota of j
inexplicable "rah-rah" persons so rarely .•
found outside the pages of Warner i
Fabian. From its melodious score comes {
"The Varsity Drag" which created such )
a vogue in slipping cartilages and col-
ored ankles. The leading roles are satis-
factorily played by talented easterners
although the chorus with its western
beauties and the excellent work of the
ensemble really stamp the entertainment
as a success.
Torrid nights are also promised Geary
street by the advent of "The Squall,"
that petulant drama of Spain and se.x in
which Blanche Yurka starred in New
York for an entire season. Other road
shows on the way include "Runnin'
Wild," "A Pair o' Docs" and the new
shows of the highly successful Louis
Macloon and Lillian Albertson.
Impressario Duffy has settled on a
permanent routine. Each month he will
essay two complete trips of the Pacific
Coast, open three new shows, one new
theater, and break ground for another
"Duffwin" proscenium.
In San Francisco he is introducing the
distinguished actress, Emma Dunn to
his President Theater audience. She por-
trays the title role in George Kelly's
little known play "Daisy Mayme."
Again the young Philadelphian drama-
tist explores the field of women and
painstakingly presents a set of somewhat
uninteresting people.
The play lacks the buffoonery of "The
Torchbearers," the character of Aubrey
Piper, and the tenseness of many mo-
ments of "Craig's Wife" but it as-
sumes a more engrossing shape in the
talented hands of Miss Dunn. In any
case it is a better play than "Behold the
SEPTEMBER, 1928
35
East via
the Overland
Route
September 30
last day for
Low Fares
East
You can still go east at low cost.
Low summer roundtrip fares are
good for return until October Jlst.
For Example, roundtrips to:
Chicago S 90.30
Kansas City .... 75.60
New York 151.70
Washington .... 145.86
If you want the best in travel
you'll choose the "San Francisco
Overland Limited." Modern as San
Francisco this great train speeds
you in luxurious comfort along
the historic Overland Trail of '49.
From San Francisco to Chicago
in 61% hours.
The "Gold Coast Limited" and
"Pacific Limited" also over this
route.
Southern
Pa^Mc
F. S.McGINNIS
Pass. Traffic Mgr.
San Francisco
Bridegroom," the author's recent
happy venture.
Ttns month will also witness the re-
opening of the Players Guild on
September 20. The opening production
will be "Window Panes," a new play by
Olga Printzlau The announcement that
Sara Padden will appear in this produc-
tion forecasts well for the Guild season
which is to follow.
A mid-September event of import
ance will be the opening of the new
Duffwin Theater in Oakland with the
possibility that Terry and his charming
wife Dale Winter will co-star in the
inital attraction.
Trash
Continued from page 18
asked me a lot of questions about her.
1 knew it was up to me to boost her
and I did. 1 told 'em she was smarter
than hell and meaner than hell. But she
could act like a young Duse if they
handled her right.
"I liked helping her along. Thought
mebbe this might bring her closer to me.
I wanted her for mine for the rest of my
life. She meant all loveliness to me.
THEY finally decided on her for the
part. They gave me the job of di-
recting her which was wise of them on
her first big picture because I understood
her tantrums pretty well by then.
"The day before we started I had a
long talk with her. It was up in our
little place on the side of the hill, up
Pinehurst Road. I had gotten some
flowers, a lotta of 'em. Long stemmed
tuberoses because Mia said she had
smelled some once at a funeral and
she had never forgotten the thrill they
gave her. They smelled more like a wed-
ding to me, but then I had never been to
a funeral of that sort. I had some wine
for our dinner, pretty good wine. Some
old California wine with a wallop.
"I told the kid what was expected of
her, this was her big chance and to make
good because it meant so much to both
of us. Then she looked like such a little
girl, sitting across the table from me, in
a little white dress, I pushed the table
away and held her on my lap. I put
some tuberoses in her hair. I was so
damned happy I thought the end ot the
world could come and it wouldn't mat-
ter .. . if we could just snuff out like
we were . . . together ..."
Harry got up suddenly. "Let's have
another drink," his eyes defied our sym-
pathy. "Let's drink to the thing that
makes the world go round . . . and
makes it stop . . . Here's to 'trash,'
fellows."
Che "wise men"
of the Orient
perfected
Jy Imported
DRY GINGER ALE
Evening after evening
those connoisseurs who
gather in Manila ckibs
passed judgment on a
ginger ale — till all pro-
nounced it worthy of the
name: "Isuan." In all the
world they had never
tasted a mineral water like
Isuan. So tonic, so re-
freshing. Then came the
juice of /res/i ginger; of
tangy, jrtslx limes in vary-
ing proportions until fi-
nally there was brought to
them the blend supreme.
♦ •:• •:•
Now, Isuan Dry is here !
It is imported for you,
bottled and foiled from
the Philippines.
•:• •:• •:•
ISUAN THE SPIRIT OF JOY
IMPORTED
Isuan Dry Ginger Ale
In Manila they say
"E-SWAN"
36
THE SAN FRANCISCAN
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JOHN -J'^vlEW BEGIN
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328 POST STREET
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KEARNY 6642
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508 powell, off sutler
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telephone garfield 4234
As to Books
THE Viking Press with its excellent
propensity tor uncovering obscure
masterpieces, has just published as
rare and charming a series ot little vol-
umes as we have seen tor a long time.
They include three volumes of short sto-
ries and one novel by H. H. Munroc who
wrote under the pen-name of Saki. Mr.
Munroe was an Englishman killed dur-
ing the war and his work has received
little attention from the general public
until very recently. The present collec-
tion of his books is all the more auspi-
cious by having as sponsors, A. A.
Milne, Hugh Walpole, G. K. Chester-
ton, H. W. Nevinson, Lord Charnwood
and Maurice Baring who have written
delightful, soundly critical introductions
to each of the volumes.
It is such a good bet that having read
one of these books you will hasten to
the book store full tilt for the other
three. I advise you to purchase them all
at once — they're only $1.75 apiece. As
A. A. Milne puts it, "I introduce you to
SAKI, confident that ten minutes of his
conversation will have given him the
freedom of your house." If, however,
you still can only carry away one, let it
be The Unbearable Bassington, Saki's
only novel. It may be read during the
shorter part of an evening, but the longer
it takes you to read it the shorter that
evening will seem. The plot is simple,
ingenious and relevant, the observa-
tions of London society laughable and
ironic, and the epigrams, many of them
excellent, are numerous. Also there is a
carefully restrained, most terrifying little
macabre theme, and towards the end,
according to (or in spite of) your par-
ticular temperament The Unbearable
Bassington makes you cry.
It should be said of course that not
only literary snobs but even quite re-
spectable cognoscenti will find this
novel, as well as Saki in general, aes-
thetically "middle class," but I doubt it
there are any critics who can spoil him
for the rest of us, or even for themselves
secretly. Saki belongs to that group of
artists who are justified in almost any-
thing they do by the undeniable pleasure
they give to many people. Walter
Pater's brilliant apologia may well be
applied to Saki; ". . . But beside these
great men, there is a certain number of
artists who have a distinct faculty of
their own by which they convey to us a
Confections
embrace all the
wholesome nutriment
Candy should ... by
reason of the fact
that pure ingredients
are used in every
instance by
FOSTER e/OREAR
Citi/ of Paris ' 137 Grant Avenue
B.F.Schlesinger • Oakland
Arcade oj Russ Building
Ferry Butldi ng
H.VALDESPINO
has opened a Gallery
& new Show Rooms at
347 O'Farrell Street
above his Workshop
which remains at
345 O'Farrell Street
San Francisco
Franklin 3533
\
^t Jour ftome |
I t()e JStibc anb Mebtiing |
I iSctorations |
X J9l)oloBcapl)tli bp \
I Gabriel iWoulin |
I I53ilearnpg>treet I
X ®clcpt)one itearnp 4366 \
\ I
SEPTEMBER, 1928
peculiar quality of pleasure which wc
cannot get elsewhere; and these, too,
have their place in general culture, and
must be interpreted to it by those who
have iclt their charm strongly, and are
often the objects of a special diligence
and a consideration wholly affectionate,
just because there is not about them the
stress of a great name and authority."
Besides The Unbearable Bassington
the short stories are grouped under The
Toys nj Peace, Beasts and Siif^er-Beasts,
and The Chronicles of Clevis.
T ▼ ▼
MR. John Galsworthy has, 1 think,
suffered a little from the disease
which seems to affect most writers of
continued novels, that of pushing a
story somewhat beyond the limits suited
to contain its best literary qualities, and
in an effort to tell you all he knows about
life ends by telling you a little more than
he knows. Swan Song, as the last in-
stallment of The Forsyte Saga, has all
the merits and defects of the last novel
of a lengthy series. For "the faithful" it
is of course compulsory reading and
there will be many justified tears of
All Alone
WHEN one is alone,
the sight o{ flowers re-
freshes the spirit — a happy
thought for you, for your
friends.
Orders telegraphed
anywhere
THE VOICE OF A THOUSAND GARDENS
224-226 Grant Avenue
Phone Sutter 6200
SAN FRANCISCO
BObb
nWILELDEI^S
239 Posr Sheet San Francisco
parting with such old friends as Soames
and Fleur and Winifred and Jon. For
those who have never read any of the
Forsyte hooks, Sivan Song is even more
compulsory because here at last one can
learn what this Forsyte business is all
about and talk like an adept without
the fear of getting involved in future se-
quels. But for the rest, those who admire
or at least know his work but who are
not Galsworthy enthusiasts, Sivan Song
is just another estimable novel which
may or may not be read.
Briefly, Sivan Song, like The White
Monkey and The Silver Spoon, is an ex-
cuse to bring the Forsytes up to modern
dress. Thus a lot of urbane talk about
the General Strike, sex, modern paint-
ing, speed, jazz and America. The
trouble is that most of us would rather
not hear these things discussed urbanely.
It is a little like the lady who had always
described things so beautifully that even
after she had become insane she des-
cribed nonsense beautifully, too. Gals-
worthy, like Soames Forsyte, is superb
in his adaptation to the Victorian, or at
least the traditional, England and he is
37
likewise very well "up" on the young
post-war England, but he presents the
latter from a traditional angle and in a
corresponding style which is a little
depressing for a book published in 1928.
Soames Forsyte is decidedly the most
living character in the book and he
stands there like an outcrop above wind-
swept sands. He is a perfect Galsworthy
character, perhaps the Galsworthy char-
acter. The minor characters, June and
old Gradman particularly, still have
their topical or reminiscent charm and
some scenes such as the Committee
meeting and the Stainford encounters
are done in the author's best "high
comedy-problem play" manner But
Fleur Mont with her heavily emphasized
chic and her unfortunate passion for Jon
(the major theme of Sivan Song) is so
much more than the author can handle
that he has to call in Soames to save the
day in a melodramatic blaze of glory. In
fact there is a very real blaze. We are
told that Fleur had set fire to Soames'
picture gallery with a careless cigarette.
Later when they are fighting the fire
she is standing in the garden and Soames
38
THE SAN FRANCISCAN i
; JOHN QuiNN ■;
is showing a collection of
furniture, engravings and
fabrics recently brought
from Europe — to be seen
by appointment only.
Antique and mod-
ern interiors deco-
rated by John
Quinn formerly
with WARING &
GILLOW, London
and Paris.
confrere
JOSE MOYA DEL PINO
member of the
1 Royal Spanish Fine Art Society
g Murals' Portraits
r
■ 525 Sutter Street, San Francisco
■Z Telephone Kearny 4663
do you know
chat you can now insure
your Silverware
separately — blanket
policy — no appraisals —
at the low rate of
$1 per $100
Robin J. P. Flynn
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737RussBldg.
Sutter 2.134
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seeing her life is imperiled by a falling
picture, "The Goya," pushes her out of
the way taking the blow which kills
him. It is intimated that by her father's
death and sacrifice she is to be purged
ot her passion for Jon. The symbolism
is obvious and effective. Tradition saves
youth from destruction. But since Fleur
is a symbol of modern youth, Mr. Gals-
worthy might have given her a chance
to save at least her own soul. I think she
might have done it rather well. On the
contrary it was Jon who needed saving
Only imagine! He indulged himself in
an inevitable outburst or passion for a
woman he adored and who adored him
— then ran home to tall at his wife's
feet in a fit of remorse, swearing eternal
fidelity. Yet Mr. Glasworthy, with all
his polite omniscience does not seem to
regard this situation as unnatural or rep-
rehensible. Well, perhaps that is the way
things happen like that among the For-
sytes but surely, Mr. Galsworthy, you
owe us another sequel to tell us some-
thing about that young man's lugubri-
ous future.
"Swan Song," by John Galsworthy.
Scrihncrs.
T T ▼
Jean Lacoste's Wife
Continued from page 1^
ing, spotless cake. As the day had drawn
near she felt a sick anxiety. Suppose such
a cake did not exist? And if it did — sup-
pose her pitiful hoard would not pur-
chase such a treasure? Suppose her hus-
band
But now she possessed it, a reality
more wonderful than the anticipation, a
cake — all white and silver, like a hel-
meted knight she had once seen at a
marionette show in San Francisco And
the five little candles — how they would
gleam, like diamonds in a crown !
She halted at the three cypresses. In
her own country such a spot would have
harbored a shrine where she could have
knelt and poured out her thankful heart
She bowed her head slightly. Tomorrow
she would come down to the three
cypresses, she and the child, and they
would nail a little box against the
centre trunk, and set her little image of
the Virgin in it. Yes, tomorrow her
child would be five years old, and they
would do this very thing. She toiled on,
a bent, shrunken figure, harassed by the
wind.
She passed a long stretch of stubble,
surprised a group of blackbirds into
flight, and came upon her home. It was
a faded habitation, gray and warped
As she swung open the tottering gate, a
line of bedraggled ducks waddled ex-
pectantly toward her; a dog barked; the
cows began to low.
She started to call eagerly, "Celeste!
Celeste!"
A child appeared — a large-eyed, sor-
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SEPTEMBER, 1928
39
rowful apparition, that even the fresh
evening breeze could not color. The
child raised her pallid lips to receive a
kiss, but did not speak. Jean Lacoste's
wife went into the house.
She decided to hide the cake behind a
platter in the kitchen cupboard, but a
fright seized her. Suppose her husband
were to see it? No, the attic — that was
the only safe place; Jean Lacoste seldom
went there.
She climbed the stairs to the attic,
dusted a rude bench, and set the cake
down. Even in the dimness the shining
surface gleamed, and she threw a piece
of white netting over it so that it looked
for all the world like a bride, with
cheeks blushing red as roses, she told
herself as her eyes fell with some mis-
giving on the five red spots below the
candles.
The child was waiting at the foot of
the stairs. Jean Lacoste's wife caught her
up eagerly.
"Celeste — Celeste, just think — to-
morrow! and can you believe? Some-
I thing whiter than the pigeon. Oh, yes,
; very much whiter!"
] "White, all white, like the pigeon
I before "
I Jean Lacoste's wife stood back. "Oh,
; well, it is silver, too. White and silver.
! And red — red like roses. Celeste — like
i roses."
But the child shook her head. "I do
not like red," she said mournfully.
"But not like the red upon the pig-
eon's breast. Celeste. Red, like roses,
like roses. Oh, you shall see — tomor-
i; row!"
[, ▼ T ▼
JEAN Lacoste came home at six o'clock.
His wife heard him at the door and
she trembled. When he entered the
house his huge frame threw a shadow
which darkened the room. He did not
speak, but he rattled his plate and she
brought food. She heaped his plate
twice, three times, again. Still he ate,
with noisy, animal enjoyment. She
poured out wine; he drank it greedily.
; Once she overturned his cup and he
swore at her. But she did not hear him;
, her thoughts were upon the joys of to-
morrow— the joys of her child made
glad, the hope of a smile from Celeste's
prematurely sad lips.
Finally he shoved his plate and cup
from him. His eyes were lit with fero-
cious good humor; he smiled.
"Now," he said gleefully, rubbing
his hands together, "let us have the
cake!"
She shrank into the shadows; her
heart beat heavily.
"Cake?" she echoed. "I do not
know "
He kicked back his chair. ' ' What ! You
tell me a lie. You "
She braced herself against the wall.
"I tell you no lie," she said distinctly,
"I have no cake."
Jean Lacoste gave her a sidelong
glance. "The baker said you come in
today to buy a cake," he grumbled.
She covered her terror with a bold,
defiant face. "I tell you I have no cake.
The baker must be drunk. He lies!"
SHE woke shortly after midnight When
she turned, Jean Lacoste was not
at her side. She stopped shivering and
listened, Jean Lacoste was clattering
about the kitchen. She rose and crawled
upstairs The attic door creaked on its
hinges as she opened it and went in. A
sense of disaster smote her even before
she held up a spluttering match that dis-
closed the ugly fact — the birthday cake
was gone! She felt smothered, as she
had once, two years before, when Jean
Lacoste had thrown a blanket over her
head so he could laugh at her struggles.
She drew herself up and beat upon her
withered breasts. This physical action
revived her.
Standing in the dark, empty room,
she had an extraordinarily clear picture
of that spring day when Jean Lacoste
had shot Celeste's white pigeon. She
could see the blue sky, the green fields,
the swift, white flight of the pigeon, the
child's joy at the spreading wings, circ-
ling above the dovecots in a wild spring
frenzy. Even now, after all these weeks,
she still could hear a sharp report from
Jean Lacoste's rifle, mingled with the
cruel yelp of his dog, and the long pierc-
ing cry of her child. Then followed
visions of the wounded bird fluttering
in the dust; Jean Lacoste holding it up
by one pink leg; the silent tears stream-
ing down the child's face; Jean Lacoste's
white teeth, bared in a cruel flash of
laughter.
"When you are five, Celeste, just
fancy — something whiter even than a
pigeon. Oh! very much whiter. You can
never imagine!" She remembered the
words perfectly.
Jean Lacoste's wife crept downstairs.
Her heart had almost ceased to beat;
her hands were cold. Her heart quick-
ened. In the centre of the room upon the
table stood the cake, white and resplen-
dent, wreathed in its circle of sweetmeats,
like a bride robbed of her filmy veil.
And opposite stood Jean Lacoste, his
lower hp distended, his stubby fingers
crooked. Jean Lacoste's wife closed her
eyes . . .
When she opened her eyes again she
saw four objects standing out with super-
natural clearness — the kitchen table,
Jean Lacoste, the birthday cake, and at
its side a gleaming knife. No knife had
ever gleamed so brightly, she thought,
as she watched it catch and reflect the
candle's rays, and no knife had ever
seemed so sharp, or so cruel, or so per-
fect a plaything for a despairing woman.
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THE SAN FRANCISCO BANK
SAVINGS COMMERCIAL
INCORPORATED FEBRUARY 10TH, 1868
One of the Oldest Banks in California,
the Assets of which have never been increased
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MEMBER ASSOCIATED SAVINGS BANKS OF SAN FRANCISCO
526 California Street, San Francisco, Cal.
JUNE 30th, 1928
Assets $118 ei5 431 57
Capital, Reserve and Contingent Funds 5,000,000.00
Pension Fund over $610,000.00,
standing on Books at 1.00
MISSION BRANCH Mission and 2]st Streets
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THE SAN FRANCISCAN
It was a knife for cutting a birthday
cake, or a white pigeon's throat, or
She took a deep breath . . .
The cake no longer was white, it
seemed to her; all she could see were the
five red roses, spreading, spreading,
slowly over the cake's glistening sur-
face, for all the world like blood upon
a white pigeon's breast.
Jean Lacoste picked a silver sweet-
meat between thumb and forefinger,
cocked his head critically, while his jaws
crunched. Jean Lacoste picked a second
sweetmeat — a third. Jean Lacoste's wife
crept closer. A fourth sweetmeat fell
upon the floor. A fifth sweetmeat went
into his mouth — a sixth. A cry broke
from Jean Lacoste's wife, her hand shot
out toward the gleaming knife. Jean
Lacoste half turned, and he laughed.
She gave a scream and darted swiftly
at him. The knife, gleaming in her hand,
flashed above her head. There was a
groan, a crash. Jean Lacoste lay face
downward in a crimson pool.
She was recalled by the long, piercing
wail of her child. She went upstairs.
The child lay back upon her pillow
gasping for breath.
"The pigeon," Celeste sobbed plain
tively. "See — it flew in — there!"
She pointed her transparent fingers
coward the doorway. Jean Lacoste's wile
bent over to comfort.
"Hush! Just fancy — you are five years
old. And downstairs Oh, you can
not imagine — something so white and
beautiful!"
The child stopped crying. "Let me go!
downstairs," she said.
Jean Lacoste's wife shrunk back. "No!
no — . Wait. I will go. I will get it."
She went into the kitchen again, with;
a light tread, stepping gingerly over Jean j
Lacoste's body. She took the five candles.'
and the five red roses from the cake, set,,
them into the soft redwood table-top,
and, striking a match, watched them!
sputter into life. ,
Then she picked up the cake, stole out
again, and locked the door. !
Tin Types
Continued from page lb
increased. In addition the company re-l
ceived credit in United States 6% gold;
bonds from $16,000 to $48,000 for every
mile of track laid, depending upon the
nature of the country through which the
road ran.
The state legislature was not far be-
hind the national government in grant-
ing road subsidies. In 1S64 it authorized
the Central Pacific Company to issue
$12,000,000 in 7% first mortgage, 20-
year bonds and provided that the state
should pay the interest for twenty years
on the first $1,500,000 issued. Various
counties and cities of Northern Califor-
nia through which the road ran granted
■ SEPTEMBER, 1928
41
: rights of way, water front and terminal
I facilities and casli sums, these latter
alone totalled $1,500,000. Thus did
,' The Big Four become rulers over a king-
' dom beside which the domain? ot royal
1 houses were as two by four back yards.
On May 10, 1S69, the crews of the
Union Pacific Company and Central
Pacific Company met at Promontory
Point, Utah, where the last rails were
laid with impressive ceremonies. The
■ last spikes were ot silver and gold.
So much for the construction of the
Central Pacific — an episode in its
history not without elements of the ro-
' mantically colossal, but withal a mere
episode as events shortly proved. While
. the road was building Californians one
and all entertained a notion that its
completion would magically banish all
ills and handicaps besetting the state.
Everybody would be rich and happy.
: California would be wealthy, mighty,
' populous and delivered from the bond-
age of isolation.
Finally Hiram Johnson annihilated
this notorious combine. The road inter-
ests were thrown out of politics and
have made no attempt to re-enter on the
old basis, having discovered the possi-
bilities inherent in service, customer and
employee stock ownership, public rela-
tion counselors and so on. Gone are the
old days when pirates of commerce
blustered and flourished and knights of
the people charged and did battle against
them.
LOOKING at the Central Pacific and
J The Big Four from yet another
angle, we perceive that San Francisco
and California possess a world famed
university, a park, an oil painting and
divers other small monuments and ad-
vancements to learning, culture and
aesthetic enjoyment as a direct result of
the prosperity of The Big Four. Indi-
rectly it would very likely be impossible
to reckon the bequests that the city and
state have fallen heir to through wealth
accumulated by people who acquired
stock holdings in the road along with
other possessions. San Francisco has a
street named after the indomitable Ju-
dah, instigator of all this. From the
university there issued a man who, dur-
ing the war, persuaded us to eat all
manner of tasteless, but apparently nour-
ishing things in order that most of
Europe might not perish of starvation,
and who now threatens to be our next
president. Well, as we said in the begin-
ning, we leave the reader to bring his
own brand of logic to rationalizing this
contradictory cycle. Our own feeble
/ntellect is not equal to the task.
Football Prospects
C'ontinucd from page 00
a better football player than Hoffman.
Right now he lacks experience, and it
may take him quite a while to get it,
considering that Hoffman is captain and
a pretty sweet player himself. Only one
man can play fullback at a time and
that man is likely to be Biff Hoffman.
At U. S. C. the Big Problem will be
jL\So find a successor for the nonpareil,
Morlcy Drury, the almost unanimous
choice for captain and quarter on last
year's All-American selections. Howard
Jones builds his team around one man
in the backfield, and if that man is good
he has a wonderful chance to make a
national name tor himself. Last year
it was Drury; the year before it was
Morton Kaer; this year it will probably
be Russ Saunders, former San Diego
captain and quarterback, who was a
good interfering halfback at U. S. C. as
a sophomore. Saunders weighs 180
pounds, is powerfully built, and is par-
ticularly adept at smashing the opposing
tackle out of the play. Right now he
looks like the fair haired child who will
replace Drury, and who stands a good
chance of making All-American, with
the power of the Los Angeles press be-
hind him.
Otherwise U. S. C. is in good shape as
far as veteran material is concerned.
McCaslin and Tappan, last year's best
wing men will be back. Hibbs, the All-
American tackle will be on hand as will
Anthony, who played lett guard last
season, but who has been changed into
a tackle. Two men from the right side
ot the line are gone, Heiscr and Sche-
ving. Charlie Boren, an end, has been
given a trial at Heiser's running guard
position and seems capable ot filling the
bill in good style. Another change has
been that of Alvin Schaub, a Ictterman
in 1926 as a guard, who has been turned
into a ball packer.
In the backfield Lloyd Thonias, reg-
ular half is still eligible, as is Harry
Edelson, regular fullback. Clif Thiede,
who hails from Long Beach, and played
on last year's freshman team looks like a
likely bet. Hersh Bonham, who subbed
tor Thomas last year should have a good
season. Another good man returning is
Steponovitch, who plays end.
WASHINGTON and California can
not present near the paper front
that the Trojans do. When Washington
lost Bill Wright, guard, Louie Tesreau,
halt, and Captain Pat Wilson, fullback,
it lost most of its team. In addition
most of the other lettermen are gone.
Enoch Bradshaw seems to have a lot of
♦►■sa^
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. . . the King himself
would approi>ej
I
of out''
King Tut
Cakes
our chef's new creation
filled with chocolate,
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GOLDBERG-BOWEN
i
242 Sutter St.
Phone Sutter 1
They say it's the "best food in
town" —
W hen you see the bright rows
of cool crisp salads —
When you sniff the warm,
juicy aroma of browning
entrees —
When you taste the c<3^es, light,
melting, delicious — and the
tempting puddings — we
feel sure you'll
Come Tomorrow
for luncheon
at the
^ost Street Cafeteria
62 Post Street ■ ■ &an jftantisito
42
THE SAN FRANCISCAN
San Franciscan Advertisers
Listed for Your Cotii'cnicncc
Automobiles
Don Lcc
PAHh
Prints and Art Objects
Hcnrv H Hart \(t
H. Wiliicspino ^6
John Qiiinn ,V^
Books
Paul Elder .^7
Newbegin's ?6
Litdc Pierre Library .... 36
Confections
Foster ft Orear 36
Goldberi^ Bowen .... 41
Krat: Chocolate Shop ... 43
Flowers
Podesta fi Baldocchi .... 37
Finance
Bacon fv Braycon 42
Wm. H. Cavalier ft Co. 40
Duisenberg Wichman fv Co. 42
Hendrickson. Shuman ... 40
The San Francisco Bank ... 40
Ginger Ale
Isuan 35
Gowns, Hats, Sportswear
The City of Paris 28
The White Flouse 30
Hotels
The Biltniore Hotels .
The Hollywood Plaza
The Mark Hopkins .
The St. Francis
Palace Hotel
37
34
2
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Interior Decoration
Penn Furniture Shops, Inc. . . 34
John Quinn 38
W. tv J. Sloane 6
Jewelry
Shreve 6; Co
Shreve, Treat & Eacret .
Luncheon, Tea, Dinner
The Aldeanc . . . .
Courtyard Tea Room
Julius Castle . . . .
Kratz Kitchen Table .
The Post Street Cafeteria
Lectures
People's Assembly .
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31
38
38
39
43
4'
Opera Seats
San Francisco Opera .... 44
Peter Conley 38
Picture Framing
H. V'aldespino .
36
Photographs
Gabriel Moulin 36
Holly Todd 38
Travel
Los Angeles Steamship Co. .
Matson Navigation Co. .
Panama Mail Steamship Co.
Southern Pacific Co. .
39
■29
,!2
.4 5
trouble developing the best in his men
and without much to start with he is
i^oing to be in hot water all season.
Nibs Price and his cohorts have been
issuing a lot ot jubilant propaganda all
year, but just how it is going to develop
is a question. The Bears lose Captain
Frit:: Coltrin and Ned Green, tackles,
Jim Dougery, left end, and Ralph
Dougery, tullback. Price will, however,
have a wealth of material.
California had a fairly successful sea-
son last year, losing the important games
by narrow margins. However, the boys
got the breaks and were playing over
their heads for the most part, and it is
doubtful if they will be able to do a
great deal better this season. California
must be considered the dark horse and
very much in the running.
▼ ▼ T
Reactions
Editor's Note : — From time to time we receive il-
luminating and interesting communications in
reaction to what we have published. We have de-
cided to pass some of them on to you. The fol-
lowing is the first one. Let us have your reaction
— on this or any part of the magazine.
Mr. Joseph Dyer, Jr.,
Publisher, The San Franciscan,
Sharon Building,
San Francisco.
Dear Jo ; —
On page thirteen of your August edi-
tion appears an editorial relative to Del
Monte advertising. The advertisement
to which you refer must have been clever
or it could not have called forth the half
column of further advertising and good
publicity in your highly esteemed peri-
odical. If it arouses as much curiosity in
the minds of others, it is accomplishing
what is usually sought for in advertising.
Incidentally, the article which you
wrote was so illuminating as regards
Del Monte that it gave me a great deal
of information which up to this mo-
ment I have never had. So attractive do
you make all the things that our humble
hostelry offers, that I am impatient to
return and investigate the treasure house
with which I thought I was familiar.
I hasten to write you because of the
tact that you state you are an.xiously
awaiting later bulletins. This is one of
them. If you publish it, I will be much
obliged. I feel a good deal as Jim Cor-
bett does; I don't care what you say as
long as you keep on saying something.
And now that I have the above off
my mind, I might refer you to Web-
ster's Dictionary, where you will find
under the word "fi.xture" the following
definition; "A settled date or time for
anything to take place, especially in a
series of sporting events,"
With kindest personal regards,
Very sincerely,
Sam Morse,
President Del Monte Properties Co,
and
avcoTL
Member
fiian J'ran.cisco
Htock- ^xchairge
♦ ♦ ♦
8500
DUISENBERG-
WICHMAN
Alembers
New York Stock Exchange
San Francisco Stock Exchange
San Francisco Curb Exchange
Honolulu Stock and Bond Exchange
New York Curb Market (Associate )
Chicago Board of Trade
Manila Stock Exchange
SAN FRANCISCO
35 Post Street
Phone Sutter 7140
HONOLULU
115 Merchant St.
Phone 1285
OAKLAND
426 13th Street
Lakeside 101
iKJ'SiKf*
nOTEL
MAI^Ii nOPIiINK
fl
When you dine and dance In Peacock Court life
throbs to the gay rhythms of music by Anson
Weeks Orchestra — every night and on Saturday
for tea there is a sparkling musical background
for the smart gatherings — and Tuesday evenings
there are feature programs to delight
the most exacting.
w:
6i
J.
SLO AN K
SUTTER
STREET
near
GRANT AVENUE / SAN FRANCISCO
15F
ORIENTAL RUGS
RUGS colored as softly and patterned as delicately as an old
L, Persian garden seen by moonlight — works of art with the
practicable durability that makes them the most permanent
investments in all the category of home furnishings.
SucA are the rugs our couriers have
sought out on their journeys to the
Far East, and assembled in the finest
collection we have ever presented.
Direct importations
and immense
volume permit
surprisingly
low prices.
Freight paid to any
shipping point in the
United States and to
Honolulu.
CHARGE ACCOUNTS
INVITED
cdohngs on aibout town
THE THEATRE
Alcazar: Antoniit. Henry Duffy brings a new
star, a new play and a new note of naughti-
ness CO O Farrell Street.
Berkeley Playhouse: A'ed McCobb's Daugh-
ter. The first Pacific Coast performance of
Sidney Howard's engrossing play.
Capitol: The PLiy's the Thing. Guy Bates
Post filling the soles and heels of the late
Holbrook Blinn hut allowing the arches to
sag. To be followed by Kongo.
Columbia: Closed momentarily because of the
lack of bigger and better things but reopen-
ing shortly perhaps with another engage-
ment of The Trial of .\lary Dugan.
CuRRAN : Qood A'eifS. The younger set of
Actor's Equity taking out the knickers and
gay sweaters to disport themseUes on the
campus. Should run till Xmas, then all good
students take a vacation.
Fulton (Oakland) : The Country Cousin. The
last of Grace Valentine's starring vehicles to
be followed by The Spider.
Geary : The Rpyal Family. Two great acts,
three immense performances, some humor-
ous lines, and an uproarious evening to those
who know more actors than they care to
admit.
Players Guild: The Witch. John Mascfield's
stirring adaptation from the Norwegian.
To be followed by The Demi in the Cheese,
Tom Cushing's droll fantasy of Greeks,
monks, monasteries and bandits.
President: Daddies. Robert McWadc, Zeffie
Tilbury and a host of youngsters in a human
little document which has been phenomen-
ally well received.
Temple Playhouse: The Dybbuk. opens Oct.
agth. Indications lead us to e.xpect the most
artistic production of the year.
Green St. Theatre: Easy for Zee Zee. An im-
pure play about purity.
DuFFwiN (Oakland) : In Love xvith Love open-
ing October 9 with Henry Duffy and Dale
Winter co-starring. A lovely play, a new
theater, and two charming stars. To be
followed by Tommy with the original cast.
PICTURES
California: Still happy at having made a new-
start.
Embassy: San Francisco's Home of Talking
Pictures showing Al Jolson in The Singing
Fool.
Granada : Weekly changes.
Warfield: Ditto with Fanchon and Marco to
boot.
ART
courtesy of the ARGUS
Beaux Arts Galeries: Through Oct. 15,
paintings by Rinaldo Cunco. Oct. 16, water
colors by European, Eastern and California
artists.
Ci^LiFORNiA Palace of the Legion of Honor
Through Oct. 15, paintings by Rockwell
Kent. Through Oct. 8, Pictorial Photo-
graphic Society of San Francisco. Jacob
Stern loan collection of paintings. Perma-
nent collections.
Courvoisier's: Oct. 1 to 15, group show by
Santa Fe artists.
East West Gallery : Oct. 7 to 22, prints from
the collection of Dr. Ludwig Emge. Oct. 22
to Nov. 4, semi-annual exhibition by the
Modern Gallery group. Oct. 29 to Nov. 10,
African sculpture.
Palil Elder Gallery: Oct. 1 to 15, portrait
drawings of children by Dorothy Richer
Joralemon. Oct. 22 to Nov. 3, Etchings
football subjects by Rosamond Tudor.
Gump Gallery: Oct. i to 15, French and
German color prints, after modern masters
— lithographs by Honorc Daumicr. Oct. 1 5
to 27, paintings by Emelie Sievert Weinberg.
ViCKERY, Atkins & Torrey : Water colors by
Stanley Wood.
H. Valdespino Gallery: 347 O'Farrell Street.
Color etchings and modern German prints.
DINING AND DANCING
The Mark Hopkins : Where those who have
not yet made their debut, nevertheless suc-
ceed in being "out."
The St. Francis: Still the vogue for luncheon
(under the clock at one). No dancing at
present but rumors ot redecorating the
Garden Room for that purpose.
The P.alace : The Rose Bowl for dancing, after
dinner in the Court.
The Clift : Dancing in the Roof Garden , under
the moon 'n stars 'n everything.
Taits-at-the-Beach: Atmosphere. Nice for
dinner and dancing after the foot-ball games.
Jungletown: 502 Broadway. Marvelous mu-
sic. Buck 'n Wing dancers at whom even
you will impulsively toss coins.
Deauville: 1516 Stockton. No longer the
Silver Slipper, but there is still "tarnish "
about, after midnight.
Fred SoLARi's: 19 Maiden Lane. When you feel
like dining or lunching in a quiet little alley,
hut only when your conscience is clear.
New Frank's: 447 Pine. For a "regular din-
ner."
Russian Tea Roo.m : 1001 Vallejo. Large red
caviar to start.
Ye Mayflower Tea Room : 465 Geary St.
Even your best friend will not tell you about
the biscuits and cake — if you're dieting.
Post Street Cafeteria: 62 Post Street. The
"Grand Dame" of the Cafeterias.
Cafe Marquard : For informal spirit and
casual entertainment.
Katinka: Sutter between Stockton and Grant.
Balaikas and Russian food downtown.
Aldeane Tea Room: 275 Post Street. A new
find, excellent food, with a view of Union
Square that is reminiscent of Paris.
Courtyard Tea Room : Delightful atmos-
phere, with charming people and real food.
LECTURES
Beyond Behaviorism: A series by A. R. Orage,
at the Beaux Arts Galerie, Friday evenings,
8 :30 o'clock.
The Art of English Literature: A course of
four lectures by A. R. Orage, former editor
of The New Age, (London). To be held at
Paul Elder's Gallery, beginning Wednesday,
October 3rd, at 3 P. M.
Art Life, Europe in 1928: A series of illus
trated lectures by Mme. Galka E. Scheyer at
Y. W. C. A., Monday evenings.
ESTABLISHED 1852
SHREVE & COMPANY
JEWELERS and SILVERSMITHS
Pose Street at Grant Avenue
San Francisco
Where
Hospitality
Begins
The center of the city's life
and color — the hub around
zuhich San Francisco's
social and business
interests revolve
Hotel St. Francis
facing U n i on Square
San Francisco, California
Management < • James H. McCabe
ANNOUNCING THE NOVEMBER SAN FRANCISCAN
ERBERT Hoover the Man, an
article by Kathleen Norris
will be featured in the November
San Franciscan.
Mrs. Norris will give her person-
al opinionof Mr. Hoover inmuch
the same way that Gertrude
Atherton has written of Alfred
E. Smith in "Political Impulses,"
the leading article in this issue.
We are particularly happy to be
privileged to publish these ex-
pressions of opposite viewpoint
by such eminent novelists as
Mrs. Norris and Mrs. Atherton.
Both are women of wide-reach-
ing fame whose opinions com-
mand respect and consideration.
The November issue will also
feature the second of a series of
dramatic criticisms by Charles
Caldwell Dobie. He will com-
ment on current dramatic events
in San Francisco and analyze
present theatrical tendencies.
Marcella Burke will "unveil Van
Vechten's Spider Boy" in that
issue. Conversant with Holly-
wood and it's familiars, she will
reveal the characters who appear
in Van Vechten's book under
sophisticated disguise.
Salient cartoons, smart com-
ment, delightful stories, poems
and articles on sports, finance
and interesting personalities
will complete one of the most
fascinating issues The San
Franciscan has ever offered.
Let us save you the trouble of
searching among the news
stands - - let us prevent all possi-
bility of your being disappointed.
Subscribe NOW and know
that throughout the coming
year you will be kept in touch
with the fascinating, stimulat-
ing life of the most beautiful and
sophisticated city of the West.
The San Franciscan
SUBSCRIPTION PRICE $2.50 A YEAR
25c A SINGLE COPY
Address: H. LauTERBACH
221 Sharon Building San Francisco
SM FPANCISfM
JOSEPH DYER, Editor Gr Publisher
RowENA Mason, Associate Editor
Aline Kistler, Assistant Editor
Contributing Editors
Charles Caldwell Dobie Mollis Merrick
Anita Day Hubbard Idwal Jones
Joseph Hende«son George Douolas
Kathryn Hulme Elva Williams
Vol. II
OCTOBER, 1928
No. 10
CONTENTS
Governor Alfred E. Smith, photographic etching by T{eade - 8
Political Impulses, by Qertrude Atherton - - - g
Now It Can Be Told - - - - - - lo
The Confess Lady, by Kathryn Hulme - - - 12
Katharine, verse by H. L. Johnson - - - - 12
From Portsmouth Square, photograph by Dassonvillc - 13
Spotlight, by Charles Caldwell Dobie - - - 14
Geraldinc Farrar, photograph by Mishkeei - - 15
The City That Knows How, by Claudia Colonna - - i6
Curtain, camera study by Edward Weston - - 17
Movie Realism, by Jo Pagano - - - - 18
Invitation, verse by Helen Stanford - - - 18
Art Obsessions, by Aline Kistler - - - - 19
Transients, by Jack. Campbell - - - - 20
Marjorie Rambeau, photograph by DeForrest - - 21
Reminiscences Inebriata, by Carey McWilliams - - 22
A Human Heart, i;crse by Elizabeth Leslie I{oos - - 22
Miss Jacqueline Keesling, portrait by Trevor Madden - 24
Reigning Dynasty - - - - - - z$
Tin Types, by Zoe A. Battu - - - - 26
Foreign Bonds vs. Common Stocks, by Leland S. Upss - zy
As Seen By Her, Paris Letter ■ - ■ - 31
Concerning Bridge, by Paul W. Black. - - '34
As To Books, by Beth Wendel - - ' - 37
The San Franciscan is published monthly by The San Franciscan Publishing
Company, Sharon Building, San Francisco, Cal.. Douglas 3610.
Joseph Dyer. Publisher.
H. Lauterbach, Circulation Manager
Subscription price, one year S2.50. Single Copies 25c.
Copyrighted 1928
The San Franciscan Publishing Company
^fv^
■ rfii'ii I I I
QoverTior ^Jllfred £. Smith
PHOTOGRAPHIC ETCHING BY READE
TttC
SAN fRANCISCAN
4
^*U
Political Impulses
A Famous Novelist Discusses Presidential Nominees
IT seems but a very shore time ago
that women were fighting for the
right to vote. They won, finally, by
wearing out the patience of the men.
They committed all kinds of petty acts
of violence, from breaking into the
sacred precincts of legislation, to stuffing
the post-office boxes in the streets. It was
feared that the exercise of the elective
franchise would e.xpress the same im-
pulsive and irresponsible conduct; but
the arguments for the basic sex equality
prevailed, and perhaps the men thought
that their power would be increased by
their control of the women of the house-
hold, in matters of that kind. They had
been schooled in tantrums. It has turned
out that the wild women of the cam-
paigns are an insignificant minority in
the elections. But the majority of women
do not take their politics from their men
bread-winners, and the army of women
who are their own bread-winners con-
sider themselves free and independent.
But what is the accusation against
women in political action? That they are
influenced by the personalities of the
candidates. That they have not yet
learned to grasp, as fundamental, the
great issues, which are presented for dis-
cussion and decision. This is possibly
true ot the mass — of all but the thinking
minority. And even so — only the other
day I heard a woman whom I had taken
to be exceptionally bright say that she
wouldn't vote for Smith because he was
not aristocratic enough for the White
House !
The electorate is the jury of a nation,
and should not be moved by personal
pulchritude or gracious manners. Other-
wise, the "matinee idols" and "carpet
By GERTRUDE ATHERTON
knights" would have too great an ad-
vantage over the blunt, sincere and seri-
ous, who have no particular appeal for
women. I should like to lift women
above the allure of adventitious attrac-
tion, and it is a matter of very grave
importance that women, who now com-
mand the deciding vote, should study
the history of their country, and think
(which they are quite capable of doing,
as in the bringing up of their family and
the management of their home) of the
present and future needs of their coun-
try. "History is the politics of the past.
Politics is the history of the present."
It is appalling to me, as I look back
to only a few generations ago, what
might have been the fate of Andrew
Jackson under woman suffrage. He was
a rough frontiersman, of questionable
domestic relations, a hard fighter and a
ruthless foe, from whom women might
well shrink, but who was raised up —
doubtless by the Providence who guides
us — to save the Union in his time.
JOHN HAY, in his "Life of Lincoln" tells
how he received "the great emanci-
pator," when he arrived in Washington,
and was horrified at his uncouth man-
ners and his reckless and ribald talk.
Hay was a gentleman of refinement, and
he wept for his country when he saw
that "monster from the West," of
questionable origin and ungainly appear-
ance, to express it mildly ! How many
good people in those days had their
honest misgivings. But those who knew
Andrew Jackson and Abraham Lincoln,
great men of dual personalities, saw
only the side of the men, when they
elected them to office, which gave cer-
tain assurance of magnificent courage
and determined, patriotic purpose. In a
drawing room, they would have lost
the vote of every woman. So, today,
with Governor Alfred Emanuel Smith:
there are evidences that women object
to him because he was born — and his
father and mother, before him, were
born — in one of the lower wards of New
York, where there were — as, indeed,
there were in all great cities at that time
visible evidences of rampant vice. What
has become of those who exclaimed ;
"How can so much good come out of
Nazareth?"
When you tell the women that the
character of Governor Smith is empha-
sized by his ability to rise above his
early environment, they will pause in
their judgment His good parents called
him "Emanuel," which, in the old He-
braic, means "God with us" or "God-
given" — a happy intimation, if he is
destined to rank in the service of his
country, with such men as Jackson and
Lincoln.
It might be unjust to the women to say
that if they had enjoyed suffrage earlier
in the life of the Nation, they might,
unwittingly, have caused the destruc-
tion of the American Union. It takes
rough men to do rough work, certainly
not popinjays and molly-coddles, who
look pretty and talk sweet, who cajole
and flatter. Poor Harding was "the
handsomest man in Washington," and
polled a phenomenal vote, which must
have included the vote of the women;
and yet he was the most misdirected and
incapable of statesmen.
Continued on page 30
10
THE SAN FRANCISCAN
Now It Can Be Told
WITH this issue we must express, to
Gaetano Mcrola, and the San
Francisco Opera Association our thanks
and appreciation of the splendid Opera
Season they made possible to the city's
devotees o( opera and music. By reason
ot the brilliantly able artists brought to
the city for the occasion, their excellent
performances, the fine conducting of
Merola, the artistic and scenic ctfects
achieved, San Francisco's 192S season
has been rendered one of the most mem-
orable in an opera tradition dating back
to the beginnings of the community — to
be exact, back to iS53-'54.
T T T
UPON being recently in Hollywood
one ot our staff was privileged to
attend a huge gathering in that city's
LOS ANGELES
CHAMBER OF COMMERCE
far-famed Bowl. The program con-
cluded with an appeal to subscribe to a
$3000 fund for the relief of some cause,
which, according to the speaker was
urgently in need of relief.
The audience, however, displayed
only slight interest in the appeal It re-
mained listless even in the face of coax-
ing, but finally by dint of moving
eloquence the required $3000 was raised
among the unwilling givers. His end
having been realized, the leader of the
appeal raised his arms for silence and
delivered himself of a convocation.
"You have," he intoned solemnly, "giv-
en to the glory of yourselves, the glory of
the cause, the glory of God and the glory
of the LOS ANGELES CHAMBER
OF COMMERCE." The audience not
to be outdone, nor to slight the impres-
siveness of the occasion, spontaneously
burst into the singing of "Praise God
From Whom All Blessings Flow."
▼ T T
WE HAVE passed in and out of the
Russ Building goodness knows
how many times. To us it was simply
thirty stories of electrically, automati-
cally operated modernity. So what was
our astonishment one morning to dis-
cover right on the column that divides
in two the main entrance, a quaint, old
fashioned door bell, one of those plain,
unpretentious door bells that call to
mind humble cottages, old homesteads
or the old family flat where we lived
before the fire.
Wc fell to regarding the door bell
with wonder. It seemed so charmingly
strange to find it here in this building, so
slick, so shiny, so new, so cockily mod-
ern. We wondered what this bell could
be for, but found no placard that solved
the mystery. We are now seized with
wild and periodic desires to push the but-
ton and find out. Only extreme caution
stays our hand. Suppose the some 3000
tenants of the building should rush to
the door in answer to our ring? How, if
at all, could we explain our curiosity to
them?
▼ ▼ ▼
INTO the home of a couple of the young
married set there had entered a son
and heir. The youngster was the first
grandchild to be born to either the ma-
ternal or paternal side of the house, so
naturally his coming was a great event.
The fond parents made all haste to
inform the grandparents of the child's
safe arrival.
One of the grandfathers had evidently
imbibed too freely of ultra modern doc-
trines of love and marriage with the
result that he was the victim of that
amusing affliction of being rather ad-
vanced in years but having young ideas.
The gentleman, upon being informed
that he was a grandfather, promptly
wired acknowledgement on this honor,
but added reservations to his rejoicings.
He off^ered no objection to being grand-
father to so fine a boy, yet there was one
point to which he did object strenli-
ously. He just could not bear the idea of
being married to a grandmother.
THE people who make political and
patriotic speeches would have us
believe that, in departed years the run-
ning of the country was on high, fine
planes, and that elections were sacred
days, viewed by the citizens with none
of the deplorable jeering, the sad cough-
ing behind hands indulged in by the
present generation. Such was not the
case. To prove it we have only to turn
to an account of a San Francisco election
of 1850, as recorded in an old and inti-
mately written history of the city.
The issues of that election were as
numerous as in the present instance.
They were obscured with all the usual,
high sounding rhetoric, which, it is evi-
dent, neither impressed nor misled the
public. For we find scattered through
this ancient account phrases with a
markedly familiar ring, such as, "The
old ones are so tat they can't eat any
more. Let's give another set a chance at
the public trough."
▼ ▼ ▼
A PROPOs of elections, the same
ji\_ volume yields diverting details of
the manner in which the office of Sheriff
was won in the self-same election.
A Colonel Bryant, proprietor of the
Bryant House was Democratic candi-
date. During the campaign his hotel was
gaudy with streamers and bunting; a
band played daily upon the balcony.
Sumptuous lunches and fine liquors were
dispensed with free and open hand. The
opposing candidate was Colonel John C.
Hayes, former Texas Ranger, who was
running on an independent ticket.
The evening before election day both
candidates held torch light meetings in
the Plaza and paraded through the city
at the head of brass bands.
By noon of election day Colonel
Hayes was leading the balloting. The
Bryant forces rallied, marched upon the
Plaza, where was located the polling
place, and proceeded to stage a second
demonstration more elaborate, eloquent
and musical than the one of the night
previous. Crowds cheered this effort
wildly, but just when it looked as if the
tide of balloting had, indeed, been
turned, the Bryant thunder was rudely,
ingloriously stolen.
Right into the midst of the crowds,
into the center of attention dashed
Colonel Hayes upon a blooded, power-
ful and splendid black charger. He gave |
a demonstration of Texas horsemanship
such as sent the crowd into mad frenzy.
The Bryant cohorts sneaked off the scene, j
Hayes, of course, won the election. '
Could such horsemanship, we ask, be
resisted?
' ' ' . I
WE DO not know from what city '
the idea was borrowed. It seems
that we have heard of such things being ■
done in Hollywood upon the nights ,
when all Movieland, lay, professional I
and aspiring, turns out to view a pre- !
miere showing of some screen produc-
tion of more than ordinary importance.
We refer, of course, to the cordon of
OCTOBER, 1928
11
police that was this year, during the
Opera season, detailed to the streets ap-
proaching Dreamland, and whose sev-
eral members mounted the running
board of cars bearing the city's finan-
cially, social and artistically prominent
and megaphoned the ownership ot the
car and the identity of its occupants to
the assembled throngs. A pleasant cus-
tom, adding to interest and gaiety of the
scene; a provincial familiarity, as the
reader will have it and according to his
tastes as a spectator or the occupant of a
chosen car.
But anyway, we could not help re-
flecting that the custom provided a sort
of verbal and oral Who's Who, and we
were not a little pleased to note that,
among those megaphoned were a goodly
number of our own advertisers. This
fact added immeasurably to a growing
good opinion of ourselves and our
works.
» T T
THE University of California and in-
cidentally Berkeley celebrated A
BIG DAY in the home-coming of the
victorious Olympic crew. The town
was hung with banners ,the schools were
given a half-holiday, the children were
lined up along the street with flowers for
the heroes — for as the Associated Mer-
chants kindly reminded us "Peace hath
her victories," etc.
Unluckily these heroes were as dis-
appointing in aspect as is the common
run of supermen. Just off the train, in
their neat traveling suits, with their
dark hair slicked smoothly back, they
looked nothing at all like the husky, be-
sweatered rough-necks of the movies.
They passed unrecognized, and the mari-
golds and asters, wilting in hot little
hands, were finally thrown at any good-
looking youth. This, however, did
nothing to detract from the glories of
the band, which, with a drum-major in
an enormous white fur cap was the true
belle of the ball.
Of course within the college gates
recognition was emphatic — probably
needlessly so in the opinion of the em-
barrassed young heroes who, shuffling
and stuttering were dragged forward one
by one, on the stage of the Greek theater
to speak their little piece. They must
have remembered with envy that other
half of the crew who still lingered in
Europe, unplagued by speeches and
banquets, but within easy reach of the
flowing bowl.
THOLUin we have read several times
that admirable book of Charles
Erskine Scott Wood, Heavenly Dis-
course, we periodically pick up the
volume and wander through it. Each
time we find fresh delight in its incom-
parable dialogue. Of certain passages we
never tire. We read them repeatedly
with the frantic desperation of a man
who glimpses a paradise which he may
not enter. We quote a few sample sen-
tences ;
"Beer, the liquid bread of the ancient
Egyptians. . . . A jug of Normandy cider
and a flagon of rich old Rhenish, smell-
ing of grape leaves and sunshine. . . .
The golden sweat from those sunny
slopes of the Rhine, The Moselle."
'mr^
The fragrance ot these phrases both
intoxicates and casts us down. We are
consumed with regret at having been
born as of The Younger Generation,
hence condemned to blistering and fear-
ful synthetic gins, whiskies and raw
wines in the vain attempt to escape the
mediocrities of standardization. How
heavenly to have lived in a time when
fine and mellowed beverages were ac-
corded deserved honors; when remnants,
at least, of civilization were to be found
in the Republic,
T ▼ ▼
THROUGH its association with the re-
doubtable Mr. Al Smith, the Brown
Derby comes into its own again. This
tact was proclaimed to us by a window
display of these masculine headpieces in
a well known, fashionable haberdashery
shop on Montgomery Street. We paused
our headlong rush to view the display
and observe what the well dressed Smith
man will wear. Here, we thought, is the
most sensible fashion that hard pressed
hat manufacturers have brought to life
in a long time.
About a brown derby there is some-
thing vastly intriguing. It instantly sug-
gests departed politics, large cigars.
Congress gaiters, suspenders, side whisk-
ers and a fine old school gentlemanliness
and dignity. A brown derby brings up
the picture of a man who is a rakish and
charming fellow, who dares depart from
the rubber stamp in his dress, in his phil-
osophy, in his politics. Our fathers and
their fathers before them wore brown
derbies and were forthright and virile
men, who built empires and tolerated no
pious nonsense. Evil days fell upon the
land when such head gear became quite
unknown among us.
THE Hollywood Bowl has proved
that, when musical culture is pre-
sented with proper magnitude and fan
fare, the rank and file of the masses are
as enthusiastic over it as over new mod-
els in motor cars. Consequently, the
originator of this worthy idea, a certain
Mrs Carter, is inspired with an even
more Sublime and Broader Vision Re-
cently the lady was in San Francisco,
where she presented before a prominent
organization the aims and purposes of
her enlarged viewpoint.
Briefly, Mrs. Carter proposes to am-
plify the Civic Symphony Orchestra
idea. If these organizations work so well
for individual cities, why not have every
state in this broad land create its official
state orchestra and provide a suitable
official structure for its performances?
Well, why not? We for one offer no
serious objection to this proposal — in
principle. We raise just one question —
will either or both houses of the state
legislature have anything to say about
making up the programs of the California
State Symphony Orchestrai"
▼ ▼ T
IN SUCH hours as we can spare, we are
given to wandering about that district
of the city known as, South of Market.
Being one Saturday night so engaged,
we chanced into a "Mission."
where salvation is dispensed to unfor-
tunates by others in seemingly similar
condition.
Directly in front of us was seated one
in a swaying state of intoxication from
the effects (plainly smelled) of wood
alcohol, canned heat or some other such
potent stuff. Under the stimulus of
hymn singing the unfortunate man was
moved to friendliness and sentimental-
ism. He turned about, solemnly shook
hands with us and assured us that he had
had some of the "best champagne." He
offered to guide us to the source of the
beverage, an offer politely declined.
With an eye to aiding a mortal in
distress we gave the fellow two bits in
change and instructions to buy strong
coffee. At this generosity, the bum wept
plentifully and damply, necessitating
the second gift of a spare handkerchief.
Presently, the collection plate came
along. We feared that the object of our
charity being so overcome by emotion
and alcohol would give away our coffee
fund. But no! Craftily pretending to be
lost in tears, he just didn't see the collec-
tion plate. — The San Franciscans.
12
THE SAN FRANCISCAN
The Confess Lady
Wherein a Sink of Iniquity Proves to Be a Purifying Bath
MISS Matimia Maxwell, writer
ot magarinc "con(cssions,"
picked her way cardullv along
the dusty walk that was the main street
ot Choteau, Montana. She Irowncd and
rotated her parasol slowly. She had
struck a snag in her latest story. Some-
how, her heroine- -unconscious of dan-
ger— had danced right through the para-
graph in which her imperilled girls
usually awakened to the temptor's evil
intentions, and had been all ready to sin
joytully v\hen Miss Matilda left oft
writing.
Under her spinning parasol, Miss
Matilda sadly considered the paragraph
of penance which must finish her story.
Life was full ot pitfalls for young girls
and it was her duty to lead them through
unscathed, proving to her readers that
virtue was its own reward It lite v\'cre
otherwise than this, then certainly she
would never have sold her many stories.
The post office provided an interrup-
tion in her troubled thoughts. She was
always welcomed with respect by the
townspeople, for it was generally under-
stood Miss Matilda knew a lot about
the world one could never learn in Cho-
teau, Montana The important-looking
envelopes coming from faraway New
York were always thin with a check
instead of being thick with returned
manuscript — which was plain testimony
of her greatness.
This morning, the customary thin
envelope was handed her, but instead of
the usual check it contained a letter from
her publisher. She was so agitated with
its contents that her parasol whirled into
a blur of pink as she hurried back to her
cottage.
The editor was asking her to come to
New York! He needed serial stories
badly and wanted to discuss with her the
possibility of writing a soul-gripping
drama of the country girl in the big city,
her struggles, near-defeats and final
triumphs. Miss Matilda was dismayed.
New York? . . . she shuddered. Her
knowledge of the metropolis had been
gleaned from a book of missionary
reports, published sometime in the late
eighties, which told of the shocking
human wreckage in the twenty-five cent
rooming houses along the Bowery, of
chorus girls whose brief light ot splendor
made only more terrible their final fall
into the unspeakable trade, of white
slave dens and of the annual disappear-
ance of just so many girls, fresh from the
country, who saw no more of New York
than the Information Booth in Grand
By KATHRYN HULME
Central and then were spirited away
mysteriously never to be heard from
again. Miss Matilda had an implicit
taith in the integrity of the written
word . . . and an imagination as
boundless as the prairies on which she
had been reared.
KatharlneJ
By H. L. Johnson
Keys to Vulcan's secret gardens,
where.
Caught in nets of carven ruby chain
Set among the brazen roses' bloom.
Bathed in tears. Love lingers in the
snare.
Love, ah, let me tree him from his
pain,
Ere a graven wall conceals a tomb;
Never will I find one half as fair
As thee, and sweet, to let love die
in vain,
Has spun regrets on sad Arachne's
ON THE train. Miss Matilda kept
strictly to herself. How many
times had she written about girls whose
first misstep came from speaking with
handsome strangers on trains ! She spent
much of her time jotting down the
beginning of a story about a girl's
temptations on a Pullman, and her local
color was marvelously realistic. She was
immensely pleased with what travelling
had already done for her style.
Not until she reached Chicago, the
locale of so many of her fearful "white
slave" stories, were her expectations of
danger realized. It was while waiting in
the terminal there, between change of
trains, that she actually saw her first
white slaver in action.
Ever so often he would disengage
himself from the pillar against which he
leaned and go forward toward some girl
as though about to speak to her Each
time he did this, he would raise his hat
politely when the girl passed on, nose in
air. Again and again he went forward,
with a gleam in his eye, only to fall back
against the pillar, defeated. Tingling
with suspense. Miss Matilda almost
wished some girl would acknowledge
his salute It would be just like having
one of her own stories acted out for her !
But though the stage was all set, the
right actress wouldn't come on and
when the warning bell for her train
sounded, Miss Matilda trotted after the
porter feeling somehow cheated, though
nonetheless excited by her proximity to
intended evil. Her excitement was short-
lived, however. It turned into a com-
plete paralysis of fright when the porter
deposited her baggage on the seat of
lower berth, section ten, and she discov-
ered the hat-raising white slaver calmly
occupying the seat of upper berth, sec-
tion ten.
Her hand shook as she paid the red-
cap; but she sat down courageously and
tooik out her note-book . . . tor com-
fort. To steady her nerves, she com-
menced writing down a minute descrip-
tion of the first human vulture she had
met face to face. Immensely proud of
her cool analysis ot this bird of prey, she
was looking fondly at the closely written
page of notes when suddenly he snapped
his paper shut and stared at her with the
most piercing brown eyes.
"This your first trip to New York?"
he asked abruptly.
Miss Matilda looked at him squarely
and pronounced the first lie she had told
in all of her thirty-one years;
"No, I go there every year ... on
business."
That "on business" was a very good
afterthought. It showed him she was a
woman of atfairs who always knew
where she was going and why. If only
her heroines could think of things like
that to say, what anguish they would be
spared !
"Well, I wish I could say the same.
I've never been there, and would you
believe it? . . . I'm scared!"
No, Miss Matilda would never
believe it, but she encouraged him to go
on with his story because she thought
"Railroad Rape" would be a wonderful
title for it. She told him all the horror
stories of New York she had ever heard
or written and when his face went
simply blank with amazement, she
mentally patted herself on the back for
so having impressed him with her
knowledge of that sink of iniquity. To
thus pluck the pinions trom a vulture on
one's first encounter was a triumph that
made her cheeks glow and her eyes shine.
This unexpected victory, so early in the
journey, filled her with an exultation
such as Saint George must have felt
when the dragon lay bleeding and be-
headed at his feet.
Continued on page 30
OCTOBER, 1928
13
From T'ortsmouth Square
A recent impression of San Francisco's mounting skyline by W. E. Dassonville whose exceptional
photographs are recogniz'-d as the best pictorial interpretations of the city as she is today
14
THE SAN FRANCISCAN
Spotlight
Wherein the Caliph Returns Wearing a Critic's High Hat
By CHARLES CALDWELL DOBIE
WE have ne\cr been
especially kecntor
playswhich include
the audience in their cast ot
characters and after seeing
"The Spider" wc have lost
the slight enthusiasm we once
possessed. Plays were designed
to be perlornied within a
frame. They arc meant, in
other words, to be acted, and
acting means artifice. Sojlong as they
keep within their setting we accept this
acting, this artitice as a reality, but once
let the actors step trom the audience and
the spell is broken. The actors at that
moment are seen to come from a real
world, a world we know, and their
gestures and diction and heroics become
the sham that such gestures and diction
and heroics are in reality.
There is always a good reason back ol
a convention if we look far enough and
the frame which we call the stage, and,
even the rising and falling curtain, have
a definite excuse for existence. They sep-
arate the real world that we sit in from
the world of fancy which we have
placed ourselves in a position to accept.
In addition to destroying illusion, the
inclusion of the audience into the stage
business of "The Spider" soon reduced
the play to the level of pure farce, which
is perhaps what the authors intended.
Even so, it was about as puerile a
farce as it was ever our misfortune to
sit through and it makes us wonder
what the dramatic critics in New York
were thinking of when they cook the
play seriously. If the average mental age
of a theatrical audience is twelve years,
then the audience that sat and applauded
"The Spider" could not have risen above
the mentality of a five year old child. As
tor ourselves, we sat through the entire
performance in a complete daze as to
what it was all about, and wc came
away with not the slightest idea of why
the culprit betrayed himself in the last
act. The San Francisco production had
not even the saving grace of good acting
or competent stage business to recom-
mend it William Courtenay is
an actor of experience, but the
play was too much for him,
single-handed, to put over.
With indifferent support and a
ridiculous play it was a won-
der to us how he ever got
through the part every night
without breaking down and
having a good old-fashioned
cry.
FOR the past five years, plays of theat-
rical life have run the gamut of front
and back stage emotions. Nothing has
been left to the imagination of the
playgoing public concerning what went
on behind the scenes, except the home
life of the mummers. This has been
happily, or unhappily, corrected, accord-
ing to one's viewpoint, by "The Royal
Family," which comes to town via Los
Angeles. The seal of this last named city
sent us to the Geary Theatre with some
trepidation the other night. For we re-
membered "Burlesque" and "Excess
Baggage" and numerous other plays
upon which New York had split its now
figurative gloves, and which emerged
from the blight of poor casting and stage
direction, sad and indifferent offerings.
Mr. Curran, whom we understand is the
father of this production, has done infi-
nitely better by our Nell than his prede-
cessors in the field who run down and
capture theatrical casts far from the
glare of Broadway. We cannot compare
his production with the New York cast,
not having been to New York these two
years, but we should say that it lives up
to the requirements of the lines fairly
successfully. "The Royal Family" is not
strong dramatic farce, but it has amus-
ing moments and a vital portrait of an
actress of the old school to help get it
across. Being an atmospheric play, rather
than a play of clearly defined plot, it de-
pends on perfect casting for its complete
success. In this regard the honors fall
easily to Emilie Melville, playing the
matriarch of the Cavendish tribe, and
Frederick Sullivan doing a warm hearted
Hebrew producer with fine restraint and
lack of offensive exaggeration.
Indeed, Mr. Sullivan was so
convincing that we experi-
enced a shock on consulting
the program between acts to
find him boasting such a fine
old Celtic monicker. Charlotte
Walker, attempting an imita-
tion of Ethel Barrymore,
somehow was not particularly
convincing. This was our first
introduction to Miss Walker's histrionic
art and we came away with a feeling
that she is not essentially a comedienne,
even though, for some unknown reason,
she kept reminding us throughout the
performance, of Fanny Brice. Frederic
March, in an alleged impersonation of
John Barrymore, brought great gusto to
his characterization. Too much gusto
perhaps, but we understand that Otto
Kruger did the same thing for the New
York production. Therefore we have an
idea that the sin of overacting lies on the
head of the director more tnan on the
head of Mr. March.
Like most third acts of plotless plays,
the third act of "The Royal Family," is
its weakest. Its authors felt that the only
logical thing for them to do was to get
the whole Cavendish family back into
the theatrical business, and the methods
they employed were the good old ones
that obtain in every musical comedy.
The curtain came down on everybody
happy even if a slight strain was appar-
ent in the means employed to bring this
about. True, old Fanny Cavendish was
dead in her chair, but in view of the
enforced retirement in store for her and
her devastating energies we can think of
no happier denouement.
T ▼ ▼
WE went with the jewelless throng
to Dreamland Auditorium the
other night, in a rather reluctant mood,
to hear "Madame Butterfly." Our mem-
ories of this Japanese opus of the late
Mr. Puccini did not seem to ensure an
evening of unalloyed pleasure. To be i
truthful, we had never heard an adequate
production and the inadequate perform-
ances that had come our way
brought us to the black-
crowish conclusion that "even |
if it was good we wouldn't
like it." However, the curtain
hadn't been up five minutes
before our hopes rose, and,
with the first off-stage notes
issuing from the throat of
Elisabeth Rethburg, we knew
that all our preconceived no-
Continued on page 39
OCTOBER, 1928
15
Qeraldine Farrar
Who WillzAppear in Concert Here This Season
16
THE SAN FRANCISCAN
The City That Knows How
Being a Parable of Its Place in the Kingdom to Come
Sckne; Before the Qate of Heaven.
It is the hour tvhen daiirn ap-
proaches, the outlines of the Qate
can he seen but faintly. A large croxvd
is assembled before the Qate. They
knock repeatedly and receiving no answer
they try to crash the Qate.
A Voice of the Crowd -.(knockingimper-
iously) What ho wichin there! Ad-
' mittance ! {the croivd ivaits a moment
then blows rain upon the gate.)
St. Peter: (u'ho has been sleeping —
hearing the din, wakes, rubs his eyes
and rising pushes aside the covering
of the keyhole and peers through the
opening) Who are ye? What do ye
seek?
The Crowd. Admittance! Open the
Gate!
St. Peter; (raises his hands and the
angels spring into action. The Qate
opens sloivly. The crowd pushes up
eagerly St Peter holds up his hands.
The light now groivs strong and the
radiance from ivithin almost blinds the
assembly). A moment, my brothers,
till I question ye for ye must know to
enter the Gaie of Heaven first ye must
qualify.
A Voice ■. (looking at the Qate to Heaven
critically) So this is the Gate to
Heaven
St Peter; It is, my brother
Another Voice ; Our Golden Gate is
much better
St Peter ; (picking up his ears) Golden
Gate! Is there a Qolden Gate?
Same Voice; (derisively) Just think, my
friends This is Heaven and he
doesn't know about the Golden Gate.
The Crowd ; (all laugh and murmur) .
St. Peter; Where is this^Golden Gate?
Same Voice; The. Gate through which
all ships must pass to enter San Fran-
cisco
St. Peter ; (soni^what awed by the pomp-
ous manner of the speaker, inquires
timidly) And what is San Francisco?
The Crowd ; (in a mighty voice) THE
CITY THAT KNOWS HOW!
A Voice on the Edge of the Crowd;
Yes, ask Bill Taft.
St Peter; (now completely befuddled)
KNOWS HOW . . . WHAT'
The Crowd; KNOWS HOW' So be
quick old man, let down the bars
St Peter ; But a moment my brothers,
.friends, I beg you give me time to
talk with God.
The Crowd ; You let us in, we'll do the
talking. WE KNOW HOW'
St. Peter ; (puts his hands to his ears to
deaden the mighty sound, signals to
Bv CLAUDIA COLONNA
the angels and the gate begins to
swing to.) Peace, but a moment,
friends
A Voice in the Crowd; Well, what do
you think NOW?
Another Voice; I'm almost sorry that
I came
Still Another Voice; And so 1 am
I've a feeling the place has been over
press-agented
Another Voice; It'll never live up to
the reputation it's achieved.
First Voice ; They seem to have a
pretty good lighting system.
Another Voice ; I don't believe that's
pure gold on those streets. (Mean-
while St. Beter hurries up the Street
of Qold in great agitation, reaches
the Qreat White Throne on which sits
Qod looking slightly bored. At his
right hand sits His Son. Peter flings
himself prostrate on the first steps of
the throne )
St. Peter; (in a iveak voice). My
Father '
God; Rise my Peter Why art thou so
greatly agitated Be at Peace. (He
stretches forth his right hand.)
St. Peter; (rises and slowly ascends the
long flight of alabaster steps. When
he is near enough he seizes the hand
of Qod and kisses it, a tear falls upon
Qod's hand. St. Peter wipes it away
with his robe)
God; (gently). A tear! You weep, my
Peter. Tell iTie, wherefore weepest
thou.
St. Peter ; Oh Father, I fear.
God ; Fear, my Peter? Know ye not in
Heaven there is no fear. Tell me,
what has transpired to agitate thee so
But first be seated.
St. Peter; (sitting at Qod's feet).
Father, outside the Gate awaits a
strange mob. It's components utter
words I do not understand.
God ; What are these words?
St. Peter ; They demand admittance.
God; That is not strange.
St. Peter; No Father, but they speak o«
a Gate, a Golden Gate they call it,^
which they say is better than that of
Heaven.
God; (somewhat disturbed). A gate
better than the Heavenly Gate It
cannot be Continue
St. Peter ; I questioned them where this
gate could be and they answered in
great pride —
God ; (interrupting) . Pride? That is a sin,
my Peter.
St Peter ; Yes, Father. You will hear
them They speak with pride and say
their gate opens the way to San
Francisco. That also puzzled me and
I made bold to question them and all
replied in voices so loud and strong 1
trembled lest it shake you off your
throne— SAN FRANCISCO, THE
CITY THAT KNOWS HOW!"
God; (puzzled). But what do they
mean?
St Peter ; Father, 1 do not know and
so I came to you.
Goo ; (turning to His Son) . My Son, you
know the ways of these Earth people
better than we, what think you they
mean?
Jesus; (sorroivfully) . I think My Father,
they know not what they mean.
Peter; (rising). Shall I deny them ad-
mittance?
God; (rising also). No Peter, I will
question them, (puts his arm around
St. Peter's shoulder and together they
walk down the Street of Qold. When
they reach the Qate, Peter signals the
angels who throu) it ujide open. Qod
stands in the center. The croivd make
a rush toivard him. He holds up his
hands. Behind him is a mighty reful-
gence of light) .
St. Peter ; (to the Croivd). Fall back. It is
HE
The Crowd ; (stepping back a bit). HE?
WHO?
St. Peter; he is GOD.
The Crowd; (in a disappointed tone).
Oh
God; Tell me, my children, is it your
wish to enter here?
The Crowd; It was
God ; What good deeds have ye done on
earth, I fain would know.
The Crowd ; (fliyiging up heads answer
proudly) ALL our deeds were good
God (patiently). Well, say ye so. This is
unusual
The Crowd; WE are unusual too
God; Came ye from Earth, ye say?
The Crowd ; Yes Father
God; Know ye my Son?
The Crowd; (slightly bored). We've
heard of him.
God; (with faint irony). And me?
The Crowd (listlessly). Oh yes.
God; (aside to St. Peter). Ye took note,
my Peter, that they did not recognize
me. (Again speaking to the people).
My gateman here, (pats Peter's hand)
tells me ye speak strange words
incomprehensible to him. (Pause).
What were those words?
The Crowd ; (look at each other)
St. Peter; My Father, they said "We
Continued on page 28
OCTOBER, 1928
17
Qurtain
As the. gods see the boys and girls of the "Qood News" company from between the rafters of the Curran
Theatre. Edward Weston, the famous photographer , represented the
deities in this glance from the empyrean
18
THE SAN FRANCISCAN
Movie Realism
Is the Unhappy Ending an Artistic Necessity
SOME years ago a Los Angeles news-
paper columnist who has since
become a Hollywood title-writer,
was lamenting the existing magazine
situation in characteristically vitupera-
tive terms, (the gentleman has aspira-
tions toward achie\ing his self-conferred
title of "satirist"); and his chief com-
plaint was that American magazines
would publish no stories with unhappy
endings. The implication of his remarks
was that no story could be artistic unless
it ended unhappily; and a further infer-
ence to be derived was that all stories
thus tragically endeding were, ipso facto,
necessarily possessed of merit. This atti-
tude for a long time was, and still is,
prc\'alent among certain members of
that indefinite group vaguely referred to
as the intelligentsia. The reasons for its
existence are conjecturable; but its mani-
festations are familiar to us all. Not
only has there been the necessity for un-
happy terminations of tales, but the
stories themselves must he told with a
heavily sordid treatment. How many
sins of brutality have been committed!
how many foetuses of personal bitter-
ness aborted! in the name of Realism?
From a discussion of word-stories,
our remarks turned to stories of the
screen. On this subject he became par-
ticularly incensed. After sundry excori-
ations and lamentations about the gen-
eral stupidity of the motion pictures, he
exploded with some excessively heated
epithets anait the familiar fadeout re-
vealing the handsome hero and the har-
monious heroine clasped in a fond and,
by intimation, eternal embrace, which,
as every movie-goer knows, was once
the ending of almost every picture. The
gist of his opinions was virtually the
same as his remarks about short stories;
he possessed, it would seem, a veritable
obsession for unhappy endings; and the
mere fact that a picture ended happily
was in itself enough, apparently, to con-
demn it in his eyes as a piece of trash.
This attitude is not an unfamiliar
one. Among the various criticisms
hurled at the developing art of the mo-
tion pictures by those men who steadily
have refused to concede its existing
merits, as well as its potentialities, the
lamentation of the happy ending has
been exceedingly common. And yet, the
viewpoint which holds that a happy
ending destroys the merits of, or an un-
happy ending redeems, any picture, is
obviously fallacious upon even the most
cursory examination. The argument
advanced in favour of the unhappy
By JO PAGANO
ending is usually, of course, that it is
"more true to life." This argument is a
popular one among the disciples of the
school of so-called "realism," whose
masters have long dominated the
thought and literary flavour of the coun-
try— such men as Theodore Dreiser with
his "pachydermous reporting of the
ImntatLoru
B> Helen Stanford
This moonlight is Olympian nec-
tar poured
From out a golden goblet raised
on high
To flood the world and over-
flow the sky.
And turn the heads of mortals on
the earth.
Drink deep of this intoxicating
light
Before the golden bowl is emp-
tied quite;
Drink down the sparkling bubbles
of the stars
Before they melt away into the
night.
obvious," Sherwood Anderson with his
mock humility and affected unaffected-
ness, John Dos Passos with his absorp-
tion in unpleasant odours, and Jim
Tally, the self-styled critic of Holly-
wood.
▼ ▼ T
IT is a subject for philosophers and
psychologists to attempt to deter-
mine the reasons for this passion for
the unpleasant, as exampled by unhappy
stories told in an indelicate manner.
The protestations of the "realists,"
(which term in their eyes seems to be
synonymous with drabness, futility,
misery, sordidness, and so on), that they
are revealing Life is childish; life is
everything and anything. The writer
who is imbued with the desire to repro-
duce life within his pages is confronted
with a complex spectacle composed of
a multitude of phenomena. He is faced
with the initial necessity of choosing
what it is he wishes to write about; and
further, with the manner, the spirit, in
which he wishes to write it. It must be
obvious that every writer reveals but
one little part of life — himself.
But regardless of the merits of the
"realistic," or the "romantic," style of
literature, regardless of how a story is
told, or what the story may be, it is,
if a novel, the record of a life, or of a
number of lives. This, at least, is the
skeleton which it is the duty of the
writer to animate. The history of any
life is a record of a sequence of beautiful
and miserable hours, of heights and
depths, of happy, and of unhappy,
moments. Except in a certain type of
story whose ending furnishes the reason,
and gives significance, to the entire
story, and is therefore by necessity inex-
orable, any story may stop at one point
or another, without in any way destroy-
ing the merit of the story. For example,
the story of Napoleon might have
ended with his bitter youth, his later
triumphs, the debacle of Waterloo, or
at St. Helena.
▼ T T
ONE of the most common complaints
of those people who insist upon
a fixed ending, usually unhappy, is that
stories are very often "twisted" in one
way or another in order to satisfy the
taste of those whom they term "the
morons." Such a thing as this theoreti-
cal "twisting" in reality does not exist.
If the ending seems false, thus justifying
their scornful accusation, it is merely
indicative of poor craftsmanship; for if
enough factors had been introduced into
the story to make these developments
seem logical, the ending would have
appeared the natural one — the only end-
ing, in fact, seemingly possible.
Of course, if the purpose of the story
is to prove, say, that life is futile, or
tragic, or sordid, or miserable, it might
be said that an unhappy ending is "nec-
essary." But is not such a concentra-
tion upon one phase of existence, to-
gether with a submerging of all the
other parts, in itself a condemnation of
the work? Any novel which is written
to prove such a narrow theme is as
"untrue" as a work written in propo-
gation of an equally narrow, though
autonymous, viewpoint.
In the majority of cases the objectors
to the happy ending have been aroused
to violent protestations not because of .
the stupidity of the happy ending as an |
aesthetic or philosophical idea, but be-
cause of the asinine way in which it has
been presented in the bulk of pictures,
which, like the bulk of works in every
artistic medium, have been, as we all
know only too well, very bad indeed.
Continued on page 42
OCTOBER, 1928
19
"Jeanne d'Arc," a mural by Herman Struck, which ivas given first honorable mention m the Jamei D. Phclan
Figure-Composition Competition at the Bohemian Club.
Art Obsessions
A Proposal that We Should Not Take Art Exhibits Too Seriously
THE general wave of condemnation
agitated by the recent Exhibition
ot Figure-Composition Paintings in Oil,
sponsored by the Hon. James D. Phelan
at the Bohemian Club, has served to air
a number of pet artistic resentments. It
has also served to call attention to a
peculiar psychology of the local art
audience.
It appears that everyone had a good
[ time — the critics and disgruntled ones in
airing their grievances — the painters,
I whose work was accepted, in admiring
. their work and explaining why it did or
did not get a prize — and the people gen-
erally in seeing in one room pictures
which both pleased and disturbed. So all
had a good time — but no one was sat-
' isfied
[ The exhibition, culled trom one hun-
l dred and forty canvases submitted in
competition for three prizes ranging
trom two to five hundred dollars, was
somewhat omniverous. It included can-
'. vases by highly respected technicians,
i pictures by imaginative and allegorically
' minded painters, compositions by those
I in the throes of theories and abstractions.
Everyone should have been pleased
And they would have been could they
By ALINE KISTLER
have gone to the exhibition, seen what
they liked and forgotten the other things.
But such a thing seems impossible for
San Francisco art audiences at the present
time Just why, I can not say. I can only
liken it to the good old religious fervor
which made stake burnings a festival or
to the enthusiasms which not so long
ago wrecked lives over the significance
between a few ounces of sprinkled water
and the several gallons needed tor im-
mersion.
T ▼ ▼
THE modernists, recalling the former
contretemps of the Bohemian Club
versu^ certain types of contemporary
art, went to the exhibition with blood in
their eyes to denounce the "old fogies
who closed eyes and understandings to
progress in art." But finding that almost
a third of the paintings were modern in
feeling, they were surprisingly disap-
pointed, criticized the prize awards and
decried the whole exhibition because it
included the two-thirds which repre-
sented the type of work the Bohemian
Club has always welcomed.
A similar reaction was given by those
of traditional attitude toward painting
Dissatisfied with having two-thirds of
the exhibition — which quite fairly repre-
sented their point of view — they refused
to enjoy it because of the presence of the
other irritant third.
All this brings us to an analysis of the
exhibition considered entirely aside from
the factors involving loyalty to any art
theories.
A novel is judged as a novel. A biog-
raphy is compared to other biographies.
Free verse is not usually considered in
relation to classical measure. And,
except for intellectual consideration,
neither the individual novel, biography
nor book of verse is discussed in relation
to its place in the abiding literature of all
time. We enjoy our reading in its minor
classifications and seldom bother about
its teleology.
▼ ▼ T
BUT in San Francisco, at the present
time, no one seems able to visit an
art exhibit without gravely considering
each picture as offering itself as a con-
tribution to the ultimate body ot time-
less art. All sense of art as. a cumulative
movement which, like history, is a mat-
ter of growth and converging factors,
far more than of any chain of recognized
ConLinucJ on page 29
20
THE SAN FRANCISCAN
Transients
Being an Intimate Portrait of Lawrence Tibbett
Editor's Note : The color and romance of San Fran-
cisco draw visitors of prominence and siRnificancc from
all over ihc world. They come, mingle with San Fran-
ciscans and return to their activUics leaving viviJ
menwnes of a stimulating contact This is the first of a
series of interviews with outstanding personalities who
visit San Francisco.
0
such a r
Ni V in San Francisco and for the
throngs o( his admirers here
would Lawrence Tibbett give
such a pleasant little repertory season ol
opera by himselt. Never ha\'e resident
gourmets ot opera been previously satis-
fied with his sporadic appearances and
ever have they clamoured for verdicts
from the gods such as transpired this
year
Beyond the supreme enjoyment of
singing before San Franciscans, Tibbett
is not particularly jocular over his per-
formances He is disgruntled by the
scant approval given his efforts by the
critical brethern He is a trifle upset by
the unwillingness ot either the public or
the press to receive new interpretations
of divers roles. And he is thoroughly
determined to continue the development
of these parts and to return to San Fran-
cisco some day to prove his contentions.
For he is a modernist. He realizes the
tottering skeleton upon which opera is
constructed. He understands the dearth
of really great librettos. And he appreci-
ates the stringent conventions which
hover over the production of musical
drama.
But withal Tibbett is tolerant He
respects the operatic tradition Secretly
he adores the fanfare and adulation
which encompasses any figure of the
Metropolitan And he will work ad
infinitum for an appreciative audience
He is proud of his youth. Proud of his
state. And proud of his figure. He hopes
for a glorious career in which he will be
able to inject a new note into a series of
operas. He aspires to sing through an
interim wherein musical drama will
undergo drastic changes in librettos,
scores, staging, lighting and costuming,
in all of which he is mildly interested.
IT has been the abject fate of this bari-
tone never to have received the full-
est opportunities at the Metropolitan
Opera in New York His greatest suc-
cess "La Cenna delle Beffe" has never
been a howling success on Broadway
other than when performed by the
Barrymores His other major role and
incidentally his first favorite is Ford in
"Falstaff" and this work has glimmered
and faded with surprising irregularity
during the last few seasons. "The King's
Henchman" has won its place in the
By JACK CAMPBELL
repertory but the test ot a few more
seasons remains to place its ultimate
importance.
Into L'Amore Dei Tre Re," "Lohen-
grin," "Aida," "Tannhauser," and
"Pagliacci" he is growing. With ma-
turity in a set of such roles, he will
realize the fame which has been long
awaiting a rendezvous with him
Outside of New York, however, Tib-
bett is becoming a name ot importance.
Throughout the east and middle west
Lawrence Tibbett
his concertizing has been both remuner-
ative and valuable. With the exception
of Tito Schipa, he is the only opera
singer who is devoting a large portion
of time to this field of endeavour
In the west, and in California, in par-
ticular, he is an idol. He has "Neried"
his way into the hearts of every person
who has seen him during the past two
seasons. Following the recent somewhat
frequent announcements that he would
sing in place of "so and so," wild out-
bursts of applause rose in a crescendo to
dust the acoustics of the Dreamland
Auditorium » t t
TIBBETT feels equally at hoiTie in
either the Bohemian Club of San
Francisco or the Writers and Mayfair
Clubs of Hollywood In both he is
known as "Larry" by the leaders of the
theater, cinema, and business worlds
He attends the Grove plays in the sum-
mer whenever it is possible and the suc-
ceeding evening finds him entertaining a
large party at the Hollywood Bowl to
hear "Le Sacre du Printemps."
He is the playboy of the Metropoli-
tan Consequently he enjoys the mature
rcla.xations of San Franciscans and the
adolescent enjoyments of Hollywood
and Beverly Hills He revels in the
solidity of our city, at the saiTie time
retaining a large warm spot in his affec-
tions for the fairy land of the south with
its beaches and hot sun
Nor is he without a wild imagina-
tion. With the advent of the talking and
singing motion picture, he finds a new
field opening to him Neighbors such as
Louis B Mayer, Joseph Schenck, Irving
Thalberg, and Jack Warner are anxious
to secure his services for the animated
cinema
And he relishes such attention Down,
not so very deep in his heart, he cherishes
the curious ambition to earn anywhere
from two to ten thousand dollars a week
for three months This is to be an inter-
lude. He will forget opera for this period
and become, perhaps a silent or conver-
sational satelite
With his newly earned wealth he
wants a Rolls, several butlers, a litter of
diatonic puppies, other major domos, a
beach castle, and a trunkful of the most
bizarre and paradoxical clothes which he
can cull from the opalescent windows of
Hollywood Boulevard.
But again this is only a whim, ex-
pressed on Nob Hill, as he looked out
over the Bay Tibbett brought this slight
albeit pleasant digression to a close by
reiTiarking vigorously as he poked his
cane into the nozzle of a fire hose :
"San Francisco, God, but this is a
fascinating city."
Even the last cable car stopped at this
ejaculation. A two or three second trib-
ute of absolute silence was further paid
the baritone before the jangle of the bells
indicated that this was a busy city no
matter how beautiful And that the
cables were the busiest of all the inhabi-
tants.
T T T
WITHOUT a rehearsal he sang Scar-
pia for us He dared to present
a subtle villain But realizes now that
perhaps Sardou even did not discern any
such sterling quality in his brain child.
Tibbett desires to denude the operatic
villain of his moustachios and bom-
bastic gestures And substitute a certain
amount of charm and gentility. He
hopes to humanize his roles.
But for the time he realizes that this is
futile. As the swaggering Neri, he won
his plaudits Without the gusto, power,
and melodrama of this Bennilli charac-
Cuntinued on page 42
OCTOBER, 1928
11
DE FOREST
California born and still the loveliest of American Actresses. After a year's absence, Miss 'Rambeaii has
returned to San Francisco under the aegis of Henry Duffy. She is playing the title role in "Ayitonia,"
a sophisticated tale of ayi opera star with a setting laid in Hungary. Both the star and the
theme of the play are new to O'Farrell Street but are being
enthusiastically received
22
THE SAN FRANCISCAN
Reminiscences Inebriata
And the Renaissance of Alcoholics in America
WE were dining very quietly at
the Royale, Milan and 1. It was
an evening of hushed splendor.
The day had been warm, quiet, ncr\c-
less. Then evening came and its cool
presence could he felt among the
tables, around gay groups. Noises were
about us: a slight clattering ot crystal
a hum ot voices with high notes ot
teminine laughter, and, occasionally,
the pop ot a bottle as some waiter newly
versed in the ritual of bottle-opening
would break the quiet of our dining.
Milan was fingering his glass and gaz-
ing out into the street in a pensive
manner. I could see that a soliloquy, or
perchance a contession, was forthcom-
ing, so I beckoned our waiter and had
the glasses brimmed. Milan glanced
gratetully in my direction and launched
into speech. A proper sense of historical
values prompted me to make copious
notes on the table cloth as he talked and
I was thus enabled to preserve the gist
ot a con\'ersation that would have other-
wise passed into the limbo of lost talk.
"It has often occurred to me," began
Milan in that meaningful voice of his,
"that some energetic professor just out
ot Columbia with a desire to win a
Pulitzer prize and a position on the
staff of The Nation, should write tor us
a history of the drunk with special ref-
erence to American social life. The diffi-
culty is, ot course, that professors could
not be e.xpected to understand a state of
being which they had never experi-
enced, and the gentlemen who really do
understand intoxication," (he blushed
modestly), "would never care to write
about so personal a matter."
The encircling shadows of evening
spread across the opening on the boule-
vard and came creeping into the cafe.
Glasses were lifted against the grey-
violet haze of the street lights, and then
talk was resumed.
"You see, the first thing that would
have to be cleared up would be our
attitude towards into.xicants. We would
have to rid our minds ot the obsession
that intoxicants have any significance in
and of themselves; we would have to
realize that they are, like beautiful
women, neither harmful nor useful in
their essence, their beauty and signifi-
cance depending entirely upon the uses
to which the imagination may rightly
subject them."
Milan, I realized with pleasure, was
becoming interested in his own ideas.
"The importance of this prelude to
any discussion of alcohol, is that until
Bv CAREY McWlLLIAMS
it is done we can never rid ourselves of
the nightmare of reason known as pro-
hibition, nor will we ever be able to do
justice to the drunk as a social type.
C^ur so-called liberals, as, tor example,
Mencken, Will Rogers and Al Smith,
make the fatal mistake of trying to
evade the significance ot alcohol by
yi Humaiij Hearts)
By Elizabeth Leslie Roos
To really hold a human heart.
To watch it palpitate and start;
How strange to think this may be
true.
And yet they say great surgeons do.
It they should take my heart to test.
How quietly t' would lie at rest;
So heavy it would be with pain.
It could not bear to beat again.
apologizing tor the drunk. They adopt,
in their discussions of the subject, a very
spiritual tone : alcoholics, they preach,
should be used in moderation. It is only
a yokel, to paraphrase Mencken, who
gets drunk. In other words, we can
never face the issue properly until drink-
ers en masse abolish their inferiority
complex and boldly assert the right ot
intoxication.
"Mencken," continued Milan, "being
a drinking gentleman of no mere ama-
teur standing, knows that the purpose
of alcohol is to intoxicate. The moment
a man takes a drink he is, to that extent,
intoxicated, and thereafter it is merely
tool's nonsense to quibble over the
degree. He might just as well say that
the only raison d'etre of woman's
beauty was to give us the inestimable
privilege of imparting an occasional kiss
ot affectionate lightness upon the cheek
ot beauty, as to maintain that the pur-
pose of alcohol is to give us a mildy
pleasant glow before dinner. That
Mencken secretly knows better may be
shown by a reference to the bulletin
which he sent out a few years ago solicit-
ing membership in the Friends ot the
Saloon.
"The drunk, then, considered in the
light of reason, is the only rational
drinker. The drunk looms up in history
as the free-thinker of the intoxicated.
the man who puts alcohol directly to its
ordained and historic use and wastes no
highfalutin talk about moderation. He
doesn't know who Dr. Raymond Pearl
is, and, moreover, a distrust of statistics
and mortality tables is ingrained in his
nature."
▼ T T
MILAN finished this portion of his
discourse with great gusto. For
a moment there was silence as we medi-
tated over destiny and our glasses. The
quiet ot the night was occasionally
shattered by our sighs as we permitted
the contents of our bottles to grace our
glasses, and the contents of our glasses
to speak eloquently to us of the many
things that remain unsaid, the many
forgotten dreams, mirages, vistas, that
alcohol induces but cannot sustain.
"Conceding, then, that the drunk is
not the besotted wretch of current leg-
end, but an idealist among drinkers,
how has America viewed the drunkard?
In the solution of this question lies
much of sociological import. Instead of
discussing miscegnation, overpopula-
tion, and companionate marriage, our
Great Intellects should consider why it
is that we have for so many years
slandered the drunkard. But our atti-
tude is changing and I propose to give
you the history of that change, for I am
myself a drunkard and speak from the
depths of experience.
"I began to drink, professionally, at
or about the close of the late , World
War. Prior to that time it cannot be
said, technically, that I was a drinker.
There was a conspiracy of unreality
about those days: life was unsettled,
chaotic, fictitious. We all experienced
to a degree the sensation of mild insanity
and out of a due regard for aesthetics we
turned to alcohol to lend an air of the
poetic to something that was essentially
prosaic, i. e. existence. Our taste in
those unregenerate days was appalling.
We drank anything, and, I hesitate to
add. everything. It was a time of road-
houses, and ungainly pint bottles, and
furtive stills up lonely alleys. The cock-
tail was unheard of, and wines and beer
were eschewed as a waste of time and
ati insult to thirst. Of these first years
ot prohibition little can be said save
that they were awful. Prior to the War
we had regarded intoxicants as a part
ot life; after prohibition we became
drink-conscious and apologetic."
The recounting of this part of his
reminiscences caused Milan to shudder
Continued on page 42
OCTOBER, 1928
23
Brother — Where you gain' sis?
Sister — 'Rj.ding with Bill. Think, I'll need a coat?
Brother — Hell, no. Better take a fan.
24
THE SAN FRANCISCAN
cJ^zVx yacqueline I^eesling
The daughter of Mr. and Mrs. FrancisV. Keesling of San Francisco. From the portrait by the
eminent British painter, Trevor Hadden
OCTOBER, 1928
25
The Reigning Dynasty
WEDDINGS
HALli-SAVAGH t)n September 8, Miss Helen Sav-
age, daughter of Mr- and Mrs. Otto Savage, and Mr
MarshallHale Jr.. son of Mr. and Mrs. Marshal Hale.
In Denver, Colorado.
CHAPMAN-VON HOLT. On September 8. Miss
Hilda von Holt, daughter of Mrs H. M. von Holt of
Honolulu, and Mr Sherwood Chapman, son of the late
Mr and Kirs W. B Chapman,
EDDf-FENNER, On September 8, Miss Mary
Fenner. niece of Mrs T G Hull of Alameda, and Mr
Selwyn Eddy, son of Mr and Mrs Edwin Eddy, in
Alameda
BOARDMAN-LAKE- On September 11, Miss Olive
Frances Lake, daughter of Mrs Edna Scott Lake, and
the late Dr Edward Hills Lake, to Mr. Albert Drown
Boardman, son of Mrs. Samuel H. Boardman and the
late Mr Samuel H, Boardman.
DORST-FULLER. On September 12. Miss Margaret
Helen Fuller, daughter of Mrs. Frank Whittier Fuller,
to Mr Warrington Dorst. son of Mrs. James Dorst and
the late Colonel 0)rst
MVERS-MASON. On September 14. Miss Rowena
Steirly Mason, daughter of Mr. M C. Mason and the
late Mrs Bonnie Mason, to Mr Robert Pearce Myers,
son of Mr and Mrs. H E. Myers of Los Angeles
SCOTT-SWINNERTON. On September 15 in Palo
Alto, Miss Mary Elizabeth Swinnerton. daughter of Mr.
and Mrs James Swinnerton, to Mr Ralph Winfield
Scott son of Mr. and Mrs. Winfield Scott.
MEJIA-HARBAUGH On September 15, in St
Louis, Miss Elise Harbaugh. daughter of Mr and Mrs
Simon J. Harbaugh of St Louis, to Mr. Edwin Mejia-
son of Mrs Encarnacion Mejia of San Francisco.
HENDERSON-GRAHAM On September 18, Miss
Martha Graham, daughter of Mrs Chalmers Graham,
to Mr Herbert Scott Henderson, son of the late Mr and
Mrs. Hugh C Henderson
ROLPH-BATES On September IQ. Miss Mary Bates
daughter ol Mr. and Mrs Frank D. Bates to Mr. Tom
Rolph
BOSWORTH-SMITH. On September 22. Miss Libby
Moffit Smith, daughter of Mr, John Francis Smith, to
Mr. Carl Bosworth, sonofMr and Mrs. CharlesJ. Bos-
worth.
ENGAGEMENTS
Miss Katherine Wigmore. daughter of Mrs. John
Wigmore of Los Angeles and the late Mr Wigmore. and
Atherton Eyre, son of Mr and Mrs Edward Liliburn
Eyre of San Francisco and Menlo Park.
MissJessieKnowles. daughter of Mr and Mrs. Henry
J. Knowles of Piedmont and Mr. Francis Connell, of
Piedmont and Philadelphia.
Miss Dursley Baldwin, daughter of Mr. and Mrs.
Orville Raymond Baldwin of Berkeley, and Mr. Carlos
Boshell of Bogota. Colombia
Miss Helen Louise Langley, daughter of Mr. and Mrs.
Charles F. Langley, to Mr. Murphy Cobb, son of Mr
and Mrs James F. Cobb.
VISITORS ENTERTAINED
Mrs Cyril McNear visited her parents. Mr and Mrs-
Ernest Folger, during the past month at Del Monte Mr
and Mrs McNear now make their home in New York
Miss Elizabeth Moore entertained at luncheon for
Mrs Raymond Phelps, the former Miss Katherine
Bentley. who now lives in Vancouver.
Mr, and Mrs, Chilion Heward of Montreal were house
guests of Mrs. Heward's mother, Mrs. James Potter
Langhorne. at the latter 's home on Pacific Avenue.
Mrs, William J. Younger of Paris is visiting in San
Francisco and is a guest at the Hotel Fairmont
Comte and Comtesse Andre de Limur who have been
living in London for two years, were visitors in Burlin-
game at the home of Mme de Limur's parents. Mr, and
Mrs William H. Crocker, They were entertained by Mr
and Mrs Nion Tucker, among others, during the past
month
Mrs. Joseph Coleman of Chicago was honor guest at a
luncheon given at the Hotel St, Francis by Mrs. Pollock
Graham
Mr. and Mrs. Francis Burrall Hoffman of New York
were guests of Mr, and Mrs Henry Potter Russell at
Burlingame and Pebble Beach,
Mr and Mrs. Charles Miller of Los ,'\ngeles were en-
tertained by their son-in-law and daughter. Mr. and
Mrs Dana Fuller, at their home in Burlingame,
Mrs, Eugene Kelly (Marie Louise Baldwin) visited
San Francisco for the first time since her marriage five
years ago Mrs, Kelly's home is in New York and the
south of France.
Mr, and Mrs, Benjamin Sprague and Miss Evelyn
Sprague of Savannah. Georgia, were honored by an in-
formal tea given for them by Mrs. William Hinckley
Taylor. They also spent some time with Mr, and Mrs.
Robert Oxnard at their camp on the Feather River.
Mrs. Robert J. Dunham of Chicago was the house
guest of her sister, Mrs Harry Horsley Scott, for a fort-
night, Mrs Dunham and Mrs Joseph Coleman, also of
Chicago, shared honors at a dinner given by Mrs. Scott
Honoring Countess Lea Lelli of Rome. Miss Virginia
Phillips entertained at a dinner at her home in Clay
Street. Countess Lelli was the house guest of Miss Anne
Porter, daughter of Dr. and Mrs Langley Porter,
Mr. and Mrs Robert B, Henderson of Burlingame
were hosts at a luncheon given in honor of Mr, and Mrs.
Jay Gould of New York, guests of Mrs, Irwin Crocker.
HERE AND THERE
Mr. and Mrs, Jerome f^olitzer have taken possession
of the Pennoycr house on Green Street and will make
it their future home.
The Junior League plans a "'Soiree Moderne" as their
annual big charity show, to take place at the Hotel Fair-
mont on December 7.
Mr. and Mrs E L. Bowes have returned to town for
the winter afier passing several months in San Anselmo
Mr and Mrs. William Howard Taylor were hosts to
several hundred of their friends at a large dinner dance
given in honor of the hostess' brother and sister-in-law.
Captain and Mrs. Lester M. Kilgarif of Springfield,
Illinois.
Mr and Mrs Frank Drum (Margaret Power) were
complimented at a dinner given by Miss Josephine
(irant at the Joseph D. Grant home in Burlingame Mr
and Mrs Russel Wilson also entertained for Mr. and
Mrs Drum who are temporarily living at the Burlin-
game Country Club
An affair of late summer on the peninsula was the
luncheon given by Mr. and Mrs. Warren Spieker at their
Menlo Park home.
Mr and Mrs Athol McBean were hosts at a hunt
breakfast at their Woodside home Guests were chiefly
members of the Woodside Trail Club, the Hillsborough
Frail Club and the young people of the Menlo Park
Circus Club.
Mr and Mrs Arthur Stevenson (Phyllis Fay) have
returned from their honeymoon abroad and are for the
time living at the home of Mr. and Mrs Philip Fay,
Mr. and Mrs. Augustus Taylor and Miss Evelyn
Taylor have returned from Canada and Miss Taylor's
debut date is set for September 29.
^ A large no-host dinner at the Marin Golf and Country
Club celebrated the dedication of the Babcock tree.
Mr. and Mrs Michel Weill have returned to San
Irancisco from Paris where they have been occupying
an apartment since early spring.
Mr. and Mrs .Albert J Dibblee will present their
daughters. Miss Peggy and Miss Polly Dibblee, at a
dance to be given at the Fairmont on November 3.
Mr. and Mrs. Joseph A. Donohoe Jr. and their chil-
dren will reopen their San Francisco home on October I .
They have been passing the summer with Mr. Joseph A.
Donohoe at Menlo Park.
Mr and Mrs. William Henry Pool have closed their
Menlo Park home and have returned to Warrenton, Vi r-
ginia. They will pass the winter abroad.
Miss Eleanor Weir, the fiancee of Heber Tilden, is
being honored at a round of affairs. Among her hostesses
have been Miss Katherine Deahl, Mrs Merrill Mors-
head and Mr, and Mrs, Edward de Laveaga,
Miss Lupita Borel has returned to San Mateo from
Lake Tahoe where she enjoyed a vacation during Sep-
tember.
Mr. and Mrs. Arthur Redington and their daughters.
Miss Mary and Miss Margaret Redington, have re-
turned to San Mateo from Santa Barbara.
The annual Grape Festival at the Kent estate in
Kentfield. Marin County, will take place October 6. The
affair is given annually for the benefit of the Presby-
terian Orphanage and Farm at San Anselmo.
Mr. and Mrs, Theodore Carter Achilles have sailed
for Japan where they will live for the next year.
SAN FRANCISCANS IN THE SOUTHLAND
Mr, and Mrs Samuel Knight, who passed several
\\ ceks in Santa Barbara, were hosts at a dinner given at
the Biltmore in honor of Mr and Mrs. Adoiph Miller of
Washington, D. C.
Mr. and Mrs, Orville Pratt and their two sons, en-
joyed a holiday at Miramar recently.
Mr. and Mrs, Dixwell Hewitt were guests at El Mira-
sol in Santa Barbara recently-
Thc visitof I \. M.S Durban precipitated much enter-
taining in Del Monte and Santa Barbara At the former
resort Mr and Mrs. S. [■' li, Morse entertained at a
dinner party and also at a barbecue in honor of Prince
George of England
Mrs. Ddultr^n Mann visited for a few days in Los
Angeles
Mr. and Mrs Frederick Johnwjn (Pauline Wheeler)
were visitors at Montecito during the month of Septem-
ber,
Mr. and Mrs Frank King of Menlo Park were guests
at the Sam a Barbara Biltmore for three weeks
Mrs. William M Klink and Miss Betty Klink spent
two months at 1 lotel del C>>ronado.
Mrs, Virginia Maddox and her sfjn, Mr Knox Mad-
dox. occupied one of the bungalows at El Mirasol in
Santa Barbara for a few weeks.
Mrs. George N. Armsby and her son, Mr. Newell
Armsby, recently visited Mr. Raymond Armsby at
Santa Monica
While visiting Mr, and Mrs, George Washington
Smith at their Montecito home, Mrs Irwin Crocker was
guest of honor at a luncheon given by Mrs, Edward Cun-
ningham at the Little Town Club in Santa Barbara.
Miss Cecily Casserly was among the guests.
Mrs. Amasa Spring sojourned in Beverly I U\h for a
fortnight during September.
Miss Emily Carolan was a guest at San Ysidro Rancho
in Montecito for several weeks She has returned to her
apartments at the Fairmont
SAN FRANCISCANS IN NEW YORK
Miss Helen Wills and other California tennis stars
were the chief attraction at a tournament held early in
September at Forest Hills
Mrs. Oscar Cooper and Miss Jane Cooper were at
Newport for the ball given by Mrs, Vanderbilt at The
Breakers Mrs George Boiling Lee. Princess Miguel de
Braganza and Mrs James B Haggin were among thoe.s
present who are well known in San Francisco.
Mrs John S, Drum and Mr John Drum Jr were at
the Ritz Carlton in New York and also visited in New-
pf.irt.
Mrs- Mountford S. Wilson spent some time in New-
York on her return from Europe and before journeying
on to California
Mrs Ferdinand Thieriot is arriving in the East next
month. Mrs Joseph Oliver Tobin will travel from France
with Mrs Thieriot Mrs. Thieriot does not plan to come
to California this winter.
Miss Vere de Vere Adams and Miss Ernestine Adams
are in New York, having passed the summer abroad.
They plan to pass the winter East.
Miss Cornelia Armsby has returned to her apartment
at the Savoy-Plaza,
Mrs. Clement Tobin and Miss Aileen Tobin will
return to New ^'ork next month, having passed the sum-
mer with Mrs Eugene de Sabla in France.
Mr. and Mrs Cliff Weatherwax went East for the
polo matches at Meadowbrook. They stayed at the Ritz
Carlton in New ^'ork.
Mrs. William Bourn, who is in the East, has been
dividing her time between the Ritz-Carlton and New-
port.
Mrs. Tobin Clark and her son, Mr, Paul Clark, will
pass the winter at the Ritz Tower in New York.
Dr, and Mrs Henry Kiersted are in New York and
Washmgton for several weeks.
Mrs, F. W. Leis and her daughter. Miss Helen Stine.
are in the East, They made their home at the Plaza
Miss Stine is attending Smith College.
Mr. and Mrs, Charles Crocker were honor guests at a
dinner given in New York recently by Mrs. J. Winslow
Bixby at the St. Regis.
Mr. and Mrs. Roy Bishop have been sojourning at
Alexandria Bay. Thousand Islands, the guests of Mrs
Bishop's mother. Mrs. Thomas Wheeler, of New York.
SAN FRANCISCANS ABROAD
Mr. and William P. Roth will spend the next three
months in Europe.
Mrs. Gustav Ziel and her daughter. Mrs. Ziel Rath-
bun are in the Continent and do not plan to return to
San Rafael until some time in November.
Mrs George Page and Miss Margaret Foster of San
Rafael will return from Europe next month. They made
the trip abroad with Mrs. George W, Starrof Grass Val!e>'
Mrs. Walter Filer is on her way East, en route to
Europe where she will later join Mrs John- Drum
Mr and Mrs Frank Deering and Miss Francesca
Deering and Miss Barbara Ballou. who have been in
Europe for se\eral months, were recently guests of M
and Mme, Ignace Paderewski at their villa in Switzer-
land.
Mrs. Ruth Fisher and her young daughter are at the
Lido and will shortly proceed to Paris. Their return to
California is indefinite.
Mrs Samuel von Ronkel and her daughter. Miss Bar-
bara von Ronkel. are at present in Paris They have
been abroad ^ince last January and plan to spend Octo-
ber in England, The remainder of the winter will be
spent in Rome
Miss Marianne and Miss Cecily Casserly plan to
spend the winter abroad,
Mr. and Mrs Eugene de Sabla were at Dinard at last
accounts.
26
THE SAN FRANCISCAN
Tin Types
Stephen C. Massccc, San Francisco's First Impresario
WITH the late comingand goins
ot The C^perj, there has heeri
olHciallv usliercd in San Fran-
cisco's usual tall and winter musical
season — an augustly weighty business to
the city's music patrons, who move
through these seasons as they come and
go in a manner that blends
solemnity and critical percep-
tion with nonchalance and de-
tached sophistication accord-
ing to a predetermined, rigid
code. To display any other
attitude is noticeably bad so-
cial and artistic taste, and the
one who does so marks him-
self as an uninitiate, who
manifestly has not become
acutely sensitive to a city with
an air ot being horn to such
things, and, which by reason
of this fact, thinks very well of
itself.
Which spectacle leads us to
wonder, has it always been
thus and how did this state
of affairs come about? As a
tradition and in point of time,
San Francisco's devotion tti
things musical dates back to
the very beginnings of the
community. We find upon
searching through old annals
that the first musical concert
held in the city after California
had become an American pos-
session was on the evening of
June z±, 1S49 We reproduce
herewith the program of that
evening's entertainment. It
speaks, we believe, more or less
eloquently and not unworthily
for itself.
At the time this momentous
event was announced the gold
rush was well under way
The admission of California
to the Union as a state was a
pending and vigorously agi-
tated issue As to San Fran-
cisco— it had sprung overnight
from nothingtoapopulationot
some 20,000 to 30,000 souls
It was racked hectically, tragically, dra-
matically by chaos and birth Properly
speaking, it could not be called a city
It was a busy, seething, noisy phenome-
non, born of the crazed lust of the races
of all the earth for gold; born of Europe
and America; of the Orient and C^cci-
dent It was old while it was yet youth-
ful. It lived violently by the sheerest
materialism. By the same token, and
paradoxically, it craved "culture, " and
By ZOE A. BATTU
the announcement of a concert was
hailed with rejoicing
Getting back to the particulars of this
first musical event, one Stephen C
Massett appears as the pronotor, the
composer of the program's main offer-
ings, and the show's sole actor and lead-
spirit Harrison loaned the instrument for
the concert The Custom Fiouse where
it was stored was also on the Square,
directly opposite the concert hall. The
charge tor transporting the piano across
the Square was $16.00.
ON MONDAY EVENING NEXT
A CONCERT
will be given at th; Courthouse, Portsmouth Square
h-\ Mr. Stephen C. Massett
Composer of When the Moon on the Lake Is Beaming
ond other popular ballads
PROGRAMME
PART I
1 — Song, "When the Moon on the Lake," words and music
by S. C. Massett.
2 — I{ccitation, Mr. Massett: "The Frenchman, The Ex-
quisite and the Yankee," in Richard III.
3 — Song, Mr. Massett: "My Boyhood's Home," from the
Opera Amilie.
4 — Song, "When a Child 1 Roamed," words and music hy
S. C. Massett.
3 — An imitation of an elderly lady and German girl who
applied for the situation of soprano and alto singer in
one ot the churches of Massachusetts, S. C. Massett.
PART II
1 — Song, Mr. Ma.ssett: "When Time Bereft The," from
Gustavus 111.
2 — Mr. Massett, "Loss of the Steamship President,
Espes Sargent.
3 — Mr. Massett, "I'm Sitting on the Stile, Mary,
W. R. Dempster.
4 — An Imitationof aNcwYork Razor Strap Man . JohnSmith.
5 — Ballad, "She Wore a Wreath of Roses (Mr. Massett).
J. P. Knight.
6 — Ballad, "List While 1 Sing, " composed hy Stephen
Massett.
7 — Yankee Imitation, "Deacon Jones and Seth Slope," S. C.
Massett.
8 — To conclude with the Celebrated
YANKEE TOWN MEETING
111 which Mr. Massett will give imitation of seven different
persons, who had assembled for the purpose of suppressing
the press.
Tickets $\ oo each to be had at Dr Robinson's, Chemist and Druggist,
on the Plaza: at the Parker House of Mr Massett: at the office ofCol.
D J Stephenson and at the door on the night of the performance
N B Front seats reserved for ladies
hy
by
A.
The
program of the first musical concert held in San Francisco
California had become an American property.
ing man An incredibly versatile person
was this N4assett, as shall presently be
revealed in greater detail. The concert
was held in a building on the southwest
corner of Portsmouth Square, which
seems to have served variously as a
court house, school house and general
public meeting place E Fiarrison, Col-
lector ot the Port, at the time, owned
the one and only piano in the entire
countryside. With commendable public
s noted on the program,
tickets to the event were
$3 oo each From all accounts
extant the public tought tor
them and the improvised con-
cert hall was packed to the
doors. Massett netted over
$500 oo from the affair. At
the bottom of the program
there appears a special and
emphatic notice to the effect
that, tront seats were reserved
tor ladies Four ladies were
present at this event of such
profound significance in the
musical history of San Fran-
cisco
Diligent searching fails to
bring to light any manuscripts
of the several feature ballads
on the program as composed
and rendered by Massett.
Their titles, however, would
indicate that they tell into a
classification somewhere be-
tween Carrie Jacobs Bond's
The End of a Perfect Day and
the popular ditties ot the pro-
lific Mr Irving Berlin Such
pleasantly woozy jags of sen-
timentality as they must have
produced in the audience were
offset and balanced by several
humorous numbers —the con-
versation between an elderly
Massachusetts lady and a Ger-
man girl seeking a choir posi-
tion. Deacon Jones and Seth
Slope, A Yankee Town Meet-
ing Called To Suppress The
Press. Plainly, the sly and per-
chance ribald baiting of the
New Englander for his obsti-
nate literal mindedness, his
fanaticism for good works and
uplift, his lack of pleasant,
small sins was a favorite sport of the in-
telligentsia even in those remote days.
In adjusting the program to the prob-
able temperament and capacity ot his
audience, Massett is revealed as the per-
fect showman, a fact supported by every
incident in his glamorous career. His
abilities as a composer, singer and elo-
cutionist were supplemented by those of
an author and poet. Fiis output in these
Continued on page 3^
ifter
OCTOBER, 1928
27
Foreign Bonds vs. Common Stocks
Discussing New Phases of Present Financial Problems
MANY issues, totalling millions of
dollars ot foreign bonds have
been placed in the hands of
conservative investors within recent
years. The high yields are undoubtedly
the magnet which has assisted Invest-
ment Bankers in disposing of their huge
commitments During the same period
another large body of investors has se-
lected common stocks as its means ot
realizing a satisfactory return on the in-
vested capital Serious economic factors
have to be considered, in the justifica-
tion of either group, not the least of
which is the effect and result of the
Dawes plan.
Mr. George P. Auld, former Account-
ant General of the Reparation Commis-
sion, in his address to the National For-
eign Trade Conference, at Houston last
April, contributed an able defence of the
Dawes plan, which has enjoyed nearly
four years of successful operation.
However, there seems to be a growing
doubt among economists in England
and the United States as to whether
or not it is going to continue to function
when the period of large instalment pay-
ments arrive this fall. In fact, even
France is not without worry lest the
Transfer Committee adopt the proposal
that Germany's obligation be fixed at a
figure considerably lower than the esti-
mated value of the present annuities. A
serious stumbling block then, would
immediately appear in the path of the
debts owed by the allies to this country.
▼ ▼ ▼
BUT to quote Mr. Auld ; "The Dawes
plan is morally well grounded; and
it was an advantageous settlement for
all concerned. At bottom, therefore, it is
sound and vigorous. We are told how-
ever, by a school of English economists,
that the plan is impractical. It works
but the Keynes school tells us that it
cannot continue to work when the
period of maximum payments arrives
this fall. It is a fair and advantageous
arrangement, drawn up, accepted and
supported by reasonable and intelligent
men. But the economists tell us that
there is an economic law with which a
settlement of such character is in con-
flict, and which will compel the plan
to give up the ghost. They tell us of a
new economic something recently come
into the laws of international exchange,
. called the transfer problem, which pre-
I vents a willing and solvent debtor from
■ paying or a willing and needy creditor
from receiving, without harm to him-
i self, the installments on any interna-
'■ tional debt as large as the reparation debt.
By LELAND S. ROSS
"The Dawes plan functions in a very
real and definite sense as a part of the
world credit system. Its operation today
depends upon the American investor. It
is the dollar exchange being made avail-
able to Germany through American loans
which furnishes the means of transferring
the payments out of Germany This pro-
cess at the present stage of the recon-
struction of Europe is a wholly natural
and healthy one for all concerned, and in
normal conditions seems due to continue
for a long time to come. But the Keynes
school is determined that the American
investor shall believe it to be a danger-
ous and unnatural process. If the in-
vestor should take these ideas seriously
and stop loaning our surplus capital to
Europe, the result undoubtedly would
be a political and commercial crisis of
considerable proportions, affecting this
country, as well as Europe. The dis-
coverers of the transfer problem are
playing with forces of a highly explosive
nature, both economic and political, and
their ideas ought to be clearly recognized
and tagged for what they are, a body of
doctrinaire theory possessing no solid
foundation."
T ▼ T
A SIMPLE explanation of this agitat-
ing transfer problem follows. The
United States is now the creditor nation
of the world. Many foreign countries
are deeply in our debt, and oddly enough
we are holding them in virtual subjec-
tion by allowing them no means of
paying that debt. Unless some means of
redemption can be found these nations
are doomed to pay us perpetual tribute
This is a situation they do not contem-
plate enduring indefinitely.
There are four ways in which a coun-
try can be relieved of debt. First, the
debt can be forgiven. To some slight
extent we have forgiven the debts of
foreign countries but there appears to be
little liklihood of further action along
these lines at present. Secondly, debts
can be repudiated. This method has been
used in the past, and effectively, al-
though it is not regarded as a highly
honorable practice. We should prepare,
however, to see it used in the future.
Thirdly, a nation can pay its debts in
trade; and finally, it can pay in money.
To pay us in goods, the debtor nation
must get by our tariff wall, which we
steadfastly refuse to lower. To secure
money with which to pay us the na-
tions must sell goods, if not here, then
in foreign countries. This means stiff
competition for us abroad, curtailment
of foreign trade and then cut-throat
competition at home No matter how
we are paid we arc going to be hurt in
accepting payment. A veritable flood is
being dammed up, which, sometime,
somewhere, will break loose and cause
damage. Shall we wait until the levees
break or shall we do a little judicious
dynamiting and control the water as
best we can? Of places where dynamite
might be helpful, may we suggest just
one, to wit, a moderate and gradual
reduction of our tariff.
Then comes the gold or money prob-
lem, providing of course that by some
other means these debtor countries do
procure the credit to pay us in gold. The
table (page 42) of gold holdings of the
leading nations of the world throws
some light on this subject and demon-
strates practically the economists' theory
that whenever any country's supply of
gold has a rapid and unusual increase,
the value of exchange depreciates ac-
cordingly with the over-supply as with
any other commodity. The purchasing
value of the dollar has accordingly de-
preciated in very accurate proportion to
our increase in gold from 1913. Our gold
supply has a little more than doubled and
according to Professor Fisher's commod-
ity index the cost of necessities has just
about doubled during this period. If the
Dawes plan continues in its uninter-
rupted way we will surely have more
gold and further depreciation of dollar
buying power. If it should fail then the
redemption value of foreign bonds
would be threatened.
Investments in foreign or domestic
bonds or other dollar obligations are
inflexible to the economic laws of the
varying value of currency. Insurance
companies, trustees of large endowment
funds and bankers it seems arc just
beginning to realize this.
▼ T T
THERE seems but one solution to the
problem. Individuals' dollars must
be made to earn a larger return than
just their rental value. Borrowers rent
dollars because they can earn a profit
over and above their rental cost. In-
vestors then must interest themselves on
the side of the borrower and share in his
greater profits.
In this country the common stocks of
well managed fundamental industries
offer the investor the easiest means of
participating in the earnings. The policy
which he should follow, therefore, is to
acquire these stocks over a period of
time, purchasing individual issues when-
ever they reach prices that seem attrac-
ConLinued on page 42
28
THE SAN FRANCISCAN
^^ RTIPHAEL WEILL 8 COMPANY/ a ,
\NovVliCanB^TW:,.V;3
WITH October birly brimming
o\cr at chc edges with hostess-
wise plans for Fall and Winter enter-
taining it means a great deal to know
of the services maintained by The
White House for its clientele in at least
three \erv useful departments
HAPPY is the home-entertainer who
has discovered the Party Favor
Shop on the Fourth floor of The White
House. What a boon to be able to tap
this rich source of party inspirations
and to have that blessed feeling from the
very first that your party is an assured
success whether it be a bridge luncheon,
formal tea, costume ball or birthday
celebration for an excited tour year old
. . to have your own original ideas car-
ried out with every detail perfect . . or
when you find your mind an utter blank
on the eve of an important event and
wish you could live in some uninhab-
ited country where parties were unheard
of, to be able to hand the whole hope-
less business over to a talented group
of young women and suddenly find
yourself possessed of the cleverest favors,
the most individual ideas for prizes, the
most stunning table decorations, and
yourself proclaimed as the most inter-
esting hostess of the season ! All without
a bit of effort on your part.
IT is no wonder that the Party Shop is
kept busy every minute of the time
creating a fairy-tale world in crepe-
paper. A whimsical setting of wizened-
faced gnomes, brownies and elfin folk
springs to life almost over night for a
child's party under the deft fingers of
these crepe-paper artists. Real Hans
Christian Anderson fairies with gauzy,
wings poise for flight on each place card
with a pastel posey bed lovely as a mid-
summer night dream for center piece. A
recent character party setting carried out
in the days of '49 presented a colorful
picture with tiny, whiskered miners
searching for gold in a crystal mirror
stream that ran the length of the table
Amusing costumes were created for the
guests to bring them into harmony with
their picturesque background.
THE home service organization con-
nected with the rug and drapery
departments can do much toward mak-
ing your home an abiding place of per-
manent charm and livable beauty, inter-
preted in restrained modern manner or
in classic period styles . . Your own ideas
are carried out to the letter by a skilled
group of artist craftsmen. Or compe-
tent advisors in interior decoration will
submit original plans without charge.
A specific list of some of the servicing
includes custom draperies and bedspreads
made and hung, furniture re-upholstered
and re-conditioned, new furniture made
to order, screens made and covered. Ori-
ental rugs repaired and cleaned.
ON the fourth floor of the Post Street
building where needlecraft of all
kinds is taught daily, three expert dem-
onstrators are at your disposal. One who
teaches hooked rug making in modern
adaptations of that charming Colonial
art, in Oriental, modernistic, nursery
and bathroom iTiotifs . . one who knows
all the embroidery arts, also knitting,
crocheting, needlepoint and the fascinat-
ing art of handweaving . . one who
assists those whose interest lies in home
decoration, the making of lamp shades,
pillows and all the objects that go into
the making of the home beautiful.
A HELPFUL spirit of personal interest
and trained service pervades every
one of the ninety-eight departments that
make up this great, modern institution
at Sutter, Grant and Post Streets.
ADVERTISEMENT
The City That Knows How
Continued from page lb
are from San Francisco, THE CITY
THAT KNOWS HOW.
The Crowd : (repeating in mighty chor-
us). SAN FRANCISCO, THE CITY
THAT KNOWS HOW!
God (covers his ears until he sees their
lips arc still). KNOWS HOW . .
HOW WHAT?
The Crowd. KNOWS HOW. That's
all there is, KNOWS HOW. (They
show their annoyance at not being
understood)
God ; Just a moment, my children, have
patience.
The Crowd; (among themselves). Is it
possible that HE questions our right
to enter here?
(St Peter and Qod draiv a little apart.)
St Peter ; What sayest thou, my Fa-
ther, shall I deny them admittance?
God ; Oh no.
St Peter; Then shall I go bid them
enter? (he viakes a start, Qod plucks
at his sleeve.)
God; My Peter, think you it is wise to
let them enter here when they
KNOW HOW?
St. Peter; (shakes his head). Then 1
shall send them down to —
God; (smiling fondly) Foolish Peter.
Would it be wisdom to send them
there and let my rival learn some-
thing that WE perhaps should know?
St. Peter; But Father, you know all.
You are omnipotent, omniscient,
omnipresent.
God; (shaking his head thoughtfully) . It
seems, my Peter, that I am not. Bur
come with me, 1 have an idea. (They
go again to the Qate. Qod raises his
hands and calls). My children, my
children from San Francisco, THE
CITY THAT KNOWS HOW,
attend to me while I speak.
The Crowd; (gather close to listen.)
God ; Ye are possessed of great wisdom,
great knowledge has been given to
thee; ye have lived in a certain atmos-'
phere of thine own creating; tell mft,
my children, fear ye not that Heaven
will prove somewhat disappointing
after that?
The Crowd ; (puzzled not knowing
whether He is serious or jesting at
their expense). You deny us the right
to enter here? You mean to send us
to —
God; (holding up his hand). No, my
beloved children. I but had a thought
and it was this ; perhaps ye would
prefer a heaven of thine own. There
is a space, near here, unoccupied as
yet, where ye could be together and
alone; would this please thee?
The Crowd ; (delighted) . Oh Father we
thank thee for thy Divine under-
standing of our needs.
God ; (smiles to himself. Beckons several
OCTOBER, 1928
29
¥
dngds, gives them xt'/iispcrcci instruc-
tions, after ivhich the angels come
through the Qate and motion to the
croiva to jolloiv them. They do so all
chanting the refrain, SAN FRAN-
CISCO, THE CITY THAT
KNOWS HOW.
(After a pause Qod turns to St. Peter):
Think you no: my Peter, it were wise
to keep them where we may watch
over them.
St Peter : And so learn what it is —
God ; (interrupting, patting Peter's
shoulder fondly). How well you di-
vine my purpose, Peter.
St. Peter: But Father, one thing still
troubles me.
God ; And what is that?
St. Peter . Possessed of this secret, is
there not danger they may set up a
heaven to rival our own?
God: (smiling). They cannot make a
heaven better than this, my Peter . . .
but they will think, they can, thus all
are satisfied.
St. Peter : (looking his overfloiving ad-
miration). Oh my Father. You ARE
omniscient, omnipotent, omnipresent.
God : (patting his hand) . Do you know
Peter, sometimes I think I am.
The chanting becomes fainter and
fainter and tuhen at last there is silence
Qod arid St. Peter look, at one another and
smile; then Qod returns to His Throne
and Peter again takes up his position
before the Qate. The Curtain falls .
Art Obsessions
Continued from page \'^
events, seems to have been forgotten.
We have forgotten that the accomplish-
ments of past art periods are merely the
outstanding things pushed to the top by
the force of all the art produced at that
time.
People refuse to look at paintings as
paintings or at etchings as prints from a
copper plate. Each must be "a work of
art,"' soiTiething sacred to the centuries
and either accepted as such or damned
with the stigma of utter dross.
The announcement that this figure-
composition exhibition was designed "to
encourage figure drawingasdistinguished
from landscape and still life" should have
saved the event from the artistic tele-
ologists. But they refused to regard the
exhibition as a collection of figure-
compositions, of oil paintings of the
human figure and of contemporary work
of Californian artists. And so they were
disappointed.
And so will the San Frandscan public
continue to be disappointed with each
and every exhibition that it attends ex-
pecting to find "vital, timeless art"
where only paintings, etchings, draw-
ings, or watercolors have been announced.
Continued on page 42
^^^-,<3^l^^^»^^ The Store on the Square
San Francisco
j)^
TKis model ot beige
satm IS trimmed
with three self bows
me at tbc neckline
two on tbe tiers
at tbc bip, $39 50
Patou says '—'
IBOWS ARE SMART
And our representatives who have personally attended recent
Paris openings say:— "Bows are everywhere in evidence . . in
every Paris collection. Bows placed low on the nip, nigh on
the shoulder . . or at the point of the decollete in back . . large
bows, small bows . . all are smart. At the City ot Paris,
bows are likewise inevitable in late Autumn it -5 /^. CO
arrivals, many of which are moderately priced y y
City of Paris — Gown Salon — Third Floor
(5«>
30
THE SAN FE^ANCISCAN
RH/iPSODY
in LIGHT I
Political Impulses
DEVOTEES of the Dance find their
one perfect setting in the new
Pahn Court of the Palace Hotel
America's Most Beautiful Din-
ing Room.
The rhapsody of light . . . the sym-
phony in decorative color . . the
maplewood spring dance floor .
and the sweetest jazz imaginable
. . . combine to create an atmos-
phere nowhere equalled.
And how Gordon Henderson and
his Palm Court Dance orchestra
can play! Rhythm, syncopation,
melody, harmony and special ef-
fects they excel in them.
Dinner and Supper
Dances
Nightly except Sundays from 7
p m to 1 a. m. Tea Dances, Sat-
urday afternoons 3.30 to 5.30
Prices remain the same as hereto-
fore. Table d'hote dinners ($1.75
and $2.25) and a la carte dinners
without couvert charge. For non-
diners, every evening except Sat-
urday a couvert of 50 cents
after 9 p. m; Saturdays, $1. .^
Dancing j^^-
8 p. m to 1 a m f>p^
JrvL
PALACE
HOTEL
SAN FRANCISCO
JAanagemcnt, Hai sey E. Manwaring
TuERi; are many women who know a
great deal of government and pub-
lic life, for instance, Ida M Tarbell In
discussing the two presidential candi-
dates, she states that she sees, in Governor
Smith, the salvation of democracy She
concludes her convincing argument with
these words, comparing the tendency
and the trend of the times, the issues and
the candidates; "No; it is the trend, not
the candidate alone, by which the men
must decide how to cast their votes this
coming Fall. * * * For myself, I feel
with Governor Smith, that democracy
is so eternally right that almighty God
is our strength." The able daughter of
the Republican leader, Henry Cabot
Lodge, now dead — as a voice from the
grave — warns the country against the
policies and pretensions of Hoover
The women say; "Isn't Hoover a
good family-man, a graduate of a uni-
versity, who has spent all of his years in
the pursuit of his profession as a mining
engineer, internationally known, meet-
ing many people in distant lands?" The
latter appears, to many, to be one of his
troubles: they say he has lived too long
away from this country; that he has been
weaned away from democracy by his
environment; that — as Ida Tarbell states
— "in this country there is now a belief
that there is one party in power at the top
from page ''
and the other party is in the mass below ' '
There is a dangerous drift to centrali-
zation; the rights of the States and the
individuals are imperilled; the great
charter of freedom is losing its hold
among the so-called intelligentia. "Boot-
ed and spurred," the upper class, who
affect superiority, must be put in the
saddle. This is a grave mistake. Democ-
racy must rest upon the broad tounda-
tion of the rights of the people Our
Revolutionary sires fought and bled for
the principles cherished and dear to
every American heart; and fanatical
morons, pretentious parsons, for the
most part ignorant of the affairs of the
world, corrupt bureaucrats and a sub-
sidized press — the facile instrument of
purse-proud patrioteers — must be sub-
ordinated by the great, pulsing masses of
the people, who seem to yearn, in this
crisis, for a common man, like them-
selves, whom they understand and who
understands them
The women must enlist in this tight
and vindicate their new-born power.
I, personally, think that the election
of Governor Smith will do much to pre-
serve and perpetuate our democracy.
While it many not eff^ect immediate
results, still, those who govern us, the
plutocrats and the press, may heed the
warning!
The Confess Lady
( ;ont inued t'rcmi page 1 2
Far into the night she regaled him
with all that she knew of the sinful city,
while he sat silent and stupified, watch-
ing the color come and go in her fresh
smooth cheeks. When he finally slunk
down the aisle to the smoking car, she
felt almost sorry that her denaturing of
the villain had been so complete.
It was indeed a bewildered man who
stumbled into the smoking car and
mumbled ;
"My God! My Qod! . . . and so
pretty, too."
▼ ▼ ▼
MISS Matilda had been in New
York for three days, and nothing
had happened to her. Once her hat blew
off from the top of a Fifth Avenue bus;
but six men sprang out into the dangers
of the traffic to rescue it for her.
Finally she went out to look for Sin.
One night she ventured onto the Great
White Way . . . but found it a bril-
liant parade ground where the only
danger seemed to be in getting knocked
down by someone hurrying for a last-
minute theatre seat. On another night,
she bought a ticket for the Follies and
sat in the fifth row center so she could
read the portents on the chorus girls'
faces But there were no portents to read
-—only expressions of joy and assurance
for the beauty they so undeniably pos-
sessed.
Cautiously, in the broad light of day,
she explored the Bowery and discovered
it to be just a dismal street lined with
hardware stores under an elevated trestle.
The gutters were guiltless of drunks.
The final revelation came on a morn-
ing when she rose early to ride in the sub-
way with the working girls. They were
all well-dressed and prosperous and,
searching hopefully up and down the
rows of them. Miss Matilda could not
find one who looked as though she had
sold her soul for the fur coat she wore.
Miss Matilda was dumbfounded. She
stood beside a young girl, diligently
reading in a magazine, and when the
subway lurched Miss Matilda lurched
with it and discovered that the girl was
reading one of her own "true stories" —
reading the paragraph, in fact, where the
heroine, jabbed in the arm with a hypo-
dermic needle, faints in the crowd, and
the villain — claiming her as sister —
Continued on page 33
OCTOBER, 1928
31
AS SEEM
by HER
fiua
PARIS
Paris, September loch.
LEAVES coated brown by a long sum-
mer of Paris sunshine are dropping
i^from the trees along the boule-
vards. Gutters rustle with the autumnal
fall. And up in the Channel ports, ships
weigh anchor every day, carrying capa-
city loads of Americans back to their
native land.
Like a returning army, the homegoing
horde goes laden with stories — an
anthology of Paris including, "Sensa-
tions on a Ride Through the Paris
Sewers," "Mona Lisa IsNot So Hot For
Looks," "Junk in Bookstalls Along the
Seine," "Ascent of the Eiffel Tower,"
"Mistinguecte's Legs" and "Napoleon's
Grey Coat Hanging in the War Muse-
um." Peep-shows, casinos, cathedrals,
the dens of Montmartre and the palaces
of Versailles . . . there is so much to
talk about, so much salivary foam to be
worked up, that no one need mention
the real tragedy that stalks at the heels
of Americans in Europe. It remains for
those who have stayed abroad, and who
must face it, to tell the truth.
The tragedy is that the majority ot
Americans did not know how to enjoy
their wines and liqueurs. The truth (it's
hard to write) is that they really didn't
like their liqueurs. The cause of all this
is the decade of prohibition we have
lived through, resulting in the total
atrophying of that finer gustatory sense
reserved for the understanding and
appreciation of old wines.
It was sad to see our fellow country-
men over here this summer, trying so
hard to drink and be merry, ordering
the finest wines, the frothiest cham-
pagnes and the thickest and greenest of
liqueurs, whose fascinating names sug-
gested such fascinating possibilities. The
looks on their faces, as they guzzled or
sipped, were like the expressions on
children's faces when they learn there is
no Santa Claus after all. For they had
the associative areas in their brains to
cope with — these thirsty tourists — and
chat spoiled everything. Packed away in
those remembering cerebral cells were
recollections of a terrible fluid called
synthetic gin, on which — the past many
years — they had been forced to regale
themselves co sickening surfeic. Every-
ching chey drank over here reminded
chem of che gin ac home, ics nauseous
resulcs and che morbid day-afcers chey
had CO live chrough.
A DELEGATION rcptesencing "50,000
American women," arrived in
Paris CO "find ouc che imporcance of
women in European affairs." Afcernoon
ot chac day found us siccing in one ot
chose uncompromising iron chairs of a
large cafe near che Opera, sipping our
porco as we raked che crowd wich our
eyes, looking for one chic woman. A
gendeman, born and dyed in Paris,
joined our cable. We calked of Paris, ics
women. "Where are che dashing chic
Parisicnncs one reads abouc, sees pic-
cured in magazines and on che screen,"
we asked him. We confessed co a fearful
disillusion. We hadn'c seen one smarc
woman on che boulevards who was noc
American. Only hordes and hordes of
dumpy middle class hausfraus dressed in
mismaced pick-me-up clothes chac even
our Woolworch salesgirls would scorn.
"Les Parisiennesl ... in Sepcember'
Never! Nobody comes back to Paris
until October. And then . . . you see
them . . . but not on the boulevarcb.
Not in the sidewalk cafes." "But where,
then?' "At che Opera (hue Friday nighcs
only- che subscripcion nighc) in che
salons de the, ac che dancings . . .
buc in che screecs . . . jamais'." "Then ic
is bad taste for ladies to promenade the
boulevards and take their aperitif in
public cafes?" "For you Americans, noyi !
For our Parisiennes, oui\ They take
their pleasures in their homes, or in the
drawing rooms of friends."
The true Parisienne, he told us, leaves
the boulevards to the men, to tourists
and to the middle classes. Even the
Parisienne who is in business, often
making more money in her establish-
ment than her husband in his office,
heeds this class ruling, becomes a "lady"
when she shuts up shop, goes directly
home where she belongs. Though the
streets of Paris are as safe as a nursery,
she never goes unescorted to the the-
atres, or to dine in even the exclusive
restaurants She must await the pleasure
of her man to escort her.
The visiting delegation will find
scores of women successfully conducting
their large establishments and they will
find here the same equality in business,
between French men and women, as
they find at home . . . but here the
equality ends. The Parisian business
woman is a Cinderella when the shut-
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of -wedding and other
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correctly composed
in the latest
accepted forms
32
THE SAN FRANCISCAN
Cruise to /"i;;^ Mexico
America
at
A panorama of jungle-clad, surf-
'/lY 1' fringed shores, of purpling volcanoes,
of adobe-wiiite cities basking in the sun-
light with "manana" always one day ahead,
slips by the broad, shaded decks of your modern
liner— colorfully-clad native women sell juicy bananas at the
windows of your train before it valiantly puffs away to conquer
another palrn-covered slope that hides an azure lake or a cath
edral crowned town — in such moments lies the "romance" o
a Panama Mail vacation cruise through the Spanish Americas
The trip that misses nothing
Forget business this autumn in the charms of this trip th
leaves nothing missing. It is a vacation in itself or makes a rest-
ful and fascinating start for a vacation in New York and the
East. Panama Mail cruise ships leave California every three
weeks. Enjoy thirty-one carefree, beguiling days before you
reach New York — eighteen at sea and thirteen ashore in the be-
witching cities of Mexico, Guatemala, El Salvador, Nicaragua,
Panama, Colombia and Cuba. Visit the inland capitals of
Guatemala and Salvador. It's the only trip from California to
New York that allows you two days at the Panama Canal and
visits ashore in eight foreign ports.
Luxurious travel at low cost
You travel first class on a ship built specially for tropical serv-
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The cost is low — you can go from your home town to New York
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-^J
ters roll down in her shop Her equality,
her independence disappear at closing
time like Cinderella's hnery, and she
scurries home to take her place in the
waiting line of the dependent weaker sex.
It's all the more amazing when one
stops to consider that in Paris there are
about five women to every man, in
other words — not half enough cavaliers
to go around. And the boulevard cafes
are. so alluring, the sunset walks such a
fitting reward after a hard Jay's labor.
Shopgirls, tourists and demi-mon-
daines own the boulevards and cates of
Paris in partnership with the men; and
that great tribe of interesting women
who come under the category of "stu-
dent" or "artist." It is these latter who
save the thoroughfares from becoming
a great bourgeois parade of dowdy
ladies with paper parcelsundertheirarms.
T ▼ T
A POEM, first printed in the New
Yorker, was copied in the saucy
Boulavardier which is published in i
Paris. The keynote of this poem called 1
"Montparnasse" is — "You've got to i
look odd, by God." The awful middle-
class sameness of the Parisian crowd is ■
mitigated by these people, from the '
student and artist quarters, who feel I
they've got to look odd, by God. Their •
adherence to the principle of oddity is <
what makes the Left Bank a thousand t
times more amusing than the much
advertised Place de I'Opera.
In the student stamping ground of
Cafe du Dome, any night of the week
those who are not Parisian ladies may
go and have a riot of a time . . . just
looking. There are women who frighten
you because they look so much like men.
There arc men who rouse your envy
because they look so much more like a
woman than you do. Artists with hair
coflFed like a Fiji Islander, trotting about
importantly with empty portfolios under
their arms. Girls with bare legs and
nothing but comely nakedness under
the thin silk dresses they wear. Men
iDuttoned to the chin in heavy wool
Cossack blouses, sporting monocles on
wide black ribbons. And every one — i
male, female or otherwise — has a .
twitchy face that looks as though it has
seen God.
"You've got to look odd, by God.
You never come out in the streets be-
fore noon.
You're living in sin with a Belgian
quadroon,
(Or a Russian dragoon, it you think ,
you'd as soon) ^^ j
'Cause that's pretty odd, by God!"
We humbly thank E. B. W. of the |
New Yorker for putting to words the ;
war-cry of those Montparnasse multi-
tudes who have saved one corner of
Paris from the deluge of deplorable
mediocrity.
— Mary Madrigal.
OCTOBER, 1928
a
leads her staggering away to the waiting
taxi.
The usually unconcerned subway
travellers wondered why the little lady
swaying on a strap had blushed so furi-
ously and got off so precipitately at the
next stop.
Miss Matilda walked the safe streets
haunted by the desire to apologize to
someone. Every happy alert face caused
her a new twinge of conscience. She
wanted to stop and tell each newsboy
that Horatio Alger was much more
truthful than she. "Up and Coming,"
"Do and Dare," "From Newsboy to
Newspaper Editor" . . . those were
the true titles. With shame she thought
of some of her own — "The Scarlet
Road," "The Lure of Silk Stockings,"
"Vulture's Prey" . . . and then the
"Railroad Rape" she was going to write.
She bumped into a young man in her
agitation and he lifted his hat and
apologized.
Miss Matilda wanted to apologize
too. She'd like to apologize to that
cheery taxi driver who looked as though
his very last thought on earth would be
to deliberately drive an intoxicated girl
to a house of evil. She'd like to apologize
to that solid-looking stock-broker, so
busy reading the latest curb reports that
he didn't raise even one eyebrow when a
saucy little shop-girl nudged him and
said flutily; "Oh, I beg your pardon!"
But she ended by confessing it all to
the hat-raising white slaver, the Human
Vulture, the Underworld King, the
Travelling Seducer she thought she had
foiled four nights ago on the train.
Just at the desperate moment, when
Miss Matilda started forward to apol-
ogize to a pink-faced chestnut vendor
(who never by any stretch of imagi-
nation could have been a dope peddler on
the side) . . . the crowd opened up like
a good friend and deposited her travel-
) ling companion squarely in front of her.
I He was just a big man with hat set
I slightly to the back of his head so that
nothing in this enthralling city should
' elude his enthusiastic gaze. And he was
lonely.
i It was down in Greenwich Village,
1 across a barbaric red table lighted by one
pagan candle, that Miss Matilda con-
, fessed. It was the final and best story of
I her literary career.
Comment Upon the Appearance
of an Editor
Yes, young's his face,
But old's his heart;
He's had the grace
To keep apart
Those two elite.
For he knows well
That once they meet.
He'll look like hell.— B.W.
JVLrs. Qertrude Athcrton says:
We will all search to the ends ot the earth for
the thing that is unusual — the place that is
exotic. Californians need not travel far to
satisfy this age old yearning, not with the
Hawaiian Islands at our very door step.
People who know, book on the Malolo to Hawaii. Among your
fellow-travelers on the four-day voyage are persons of social and
professional prominence who take this magnificent new ship because
it is the smart way to go. The Malolo gives you all the delightful
luxuries and grateful comforts that newness and size alone can pro-
vide. Let it come as a pleasing afterthought that the cost is most
moderate
One or more Matson Liners sail from San Francisco every week
— the Malolo sails on alternate Saturdays
Matson Line
Hawaii • South Seas • Australia
GENERAL OFFICES: 21 C MARKET STREET, SAN FRANCISCO
also PORTLAND • SEATTLE • LOS ANGELES • DALLAS
CHICAGO • NEW YORK.
34
THE SAN FRANCISCAN
♦^#*#^#*##
SPECIAL
OFFER
for
Limited
Time
only
With each one-year sub-
scription to THE SAN
FRANCISCAN we oflfer
a copy of
AUCTION
BRIDGE
OUTLINE
by
PAUL W. BLACK
Mr. Black is an authority
on Auction Bridge and his
OutUne is much in demand.
To insure your getting a
copy, sign the following
coupon and mail
immediately.
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221 Sharon Building
San Francisco, California
Inclosed find $2.50 for which you will
send me THE SAN FRANCISCAN for
one year — and a copy of Paul A. Black's
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Name
Address
^m*^m*^^
Concerning Bridge
The Statue of Liberty Bid in Auction
By PAUL W. BLACK
THERE arc three essentials tor a good
player ot auction or contract bridge.
If a player is proficient in all he is an
expert. The first essential is a sound bid-
ding system. The second is knowledge
o( conventions ot play. The third is an
ability to accurately interpret the minds
ot the other three players and utilize this
interpretation effectively. The last essen-
tial is the subject of this article.
The other day four men sat at the
bridge table when an unusual deal oc-
curred which permitted of the use of the
camouflage bid or "Statue of Liberty
Bid," as 1 call it.
The dealer bid one no trump and
second hand held the following cards;
Spades, A-K-x-x; Hearts, Q; Diamonds,
A-K-io-x; Clubs, A-x-x-x. The distri-
bution of suit lengths of 4-4-4-1 is un-
usual, unbalanced, and second hand felt
that there might be another unbalanced
hand in the deal. Dealer had indicated
with the no trump bid a balanced hand
as far as suit lengths were concerned. It
was comparatively easy to judge the
probable holding of the dealer by second
hand. If third hand held an unbalanced
suit length hand the no trump would
probably be taken out and trie most
likely bid would be in hearts. If third
hand were balanced the no trump would
probably stand with a pass by third and
also a pass by fourth hand.
Second hand wished to make the most
of the situation as far as points were
concerned and it was obvious that most
could be made by inducing the oppon-
ents to bid further in no trump or in a
suit and then double the bid.
To prevent third hand from naming
the heart suit second hand bid two hearts.
Third hand holding a heart stopper con-
tinued with a bid of two no trump.
Fourth hand was an optomist, especially
with his holding, and bid three hearts.
Dealer held heart strength and, with a
declared stopper in partner's hand,
doubled the three hearts. Second hand
was surely in a precarious position. He
had three outs and the proper procedure
was to name the lower valued suit first,
then the next higher, and finally the
highest valued suit, if doubled. He chose
a shift to four clubs.
Third hand had no club stopper so he
passed as did fourth hand. Dealer having
club strength doubled the four clubs. It
looked as though second hand might
best make the shift to diamonds at once
but on second thought it occurred that
if third hand did not make a mistake
that fourth hand might be able to sub-
gest another bid. Second hand therefore
passed.
Now third hand did not have any
cards that would materially assist dealer
in making his double count for much
and he interpreted second hand's holding
as a real two-suiter composed of hearts
and clubs, a powerful holding, so he fell
into the trap set for him as nicely as
could be and bid four spades.
Fourth hand passed and dealer also
passed. Second hand felt the situation
was opportune tor a double and made it.
There was no suit to which they could
shift without increasing the contract and
the possibilities of further losses.
Senior adversary, fourth hand in the
deal, now became the leader and opened
with hearts J. When the dummy went
down this was the holding on which the
one no trump was made. Spades, Q-10;
Hearts, A- 10-x; Diamonds, Q-J-x;clubs,
K-Q-J-10-x. Declarer concealed his own
holding by playing the heart A from
dummy and senior adversary looked a
bit surprised with the encouragement
card falling under the A, the Q. De-
clarer decided to lead out trumps so he
led the Q. Junior adversary played the
K and took the trick and led clubs A fol-
lowed by a small club to otfer his part-
ner a chance to ruff, it he could, the
second round of clubs, tailing this, to
place the lead in dummy. Senior adver-
sary could not ruff the second round so
dummy took the trick. Declarer led
spades again losing to the A from junior
adversary. Junior led a third club which
was taken in dummy.
No suit offered a better possible entry
into declarer's hand tharr hearts because
he held the K. He therefore led hearts
which was just what junior adversary
wished. Junior trumped the lead. Senior
adversary was completely floored, also
relieved at the outcome of the camou-
flage bid of hearts by junior. It is need-
less to recount that junior now took in
his high cards and set the contract three
tricks, netting three hundred points, a
better result than could have been ob-
tained in any other way.
The Statue of Liberty Bid, the con-
cealed bid, the camouflage bid, is a
weapon dangerous to wield. Possibilities
for its use come up rather infrequently
but when it does come up it usually
works beautifully. The player must have
at least one out, better two, or even
three, and strength to continue the bid-
ding over any preference shown by his
partner.
OCTOBER, 1928
35
The Qhoice
of the
Qonnoisseurs^
J^y Imported
UWLCML
DRY
GINGERALE
A ginger ale that tastes of
limts, ripe limes. Of fresh,
bland ginger root. That
brings you the health of
sparkling water from
Isuan Mineral Springs.
How you will enjoy this
most unusual ginger ale!
And you will bless its re-
markable faculty of mak-
ing your tomorrow a
whole day. The "Spirit of
Joy, of Health" is in it.
ISUAN THE SPIRIT OF JOY
Tin Types
IMPORTED
Isuan Dry Ginger Ale
In Manila they say
"E-SWAN"
C>)ntinucJ from page 26
several lines was continuous and copi-
ous. Some of his composicions, it may
be said, were really excellent An auto-
biography, Drifting Along, is a volume
both fascinating and irresistible. In it
the writer is revealed as a prodigal of
charming, polished manner, an hapny,
irresponsible vagabond, who made fife
one long Gypsy trail, a philosophical
iconoclast, whose insight into human
nature rendered him a satirist and hu-
morist of delicate and rare subtlety.
Massett's word pictures of early San
Francisco as set down in this book are
nothing less than superb.
▼ ▼ ▼
FROM Drifting Along we gather that,
he began his journeying life adven-
tures as an adolescent, when he left his
birthplace of Liverpool, England and
wandered vicariously about Europe for
several years. He found his way to New
York; spent some time there and set sail
for San Francisco in the fall of 1848 and
landed here early in 1849. The expenses
of the trip wrought havoc with Mas-
sett's finances. He arrived in San Fran-
cisco with $6.00 in his pocket and a
debt of $260.00, which had been con-
tracted on ship board for gastronomical
dainties not included in the vessel's fare,
such as ham, cheese, crackers and the
like. A supply of these delicacies had
been laid in at Panama by an enterprising
German passenger, who retailed them
to his fellow passengers at arbitrary
prices From the proceeds of this ven-
ture the German bought water front
lots and was shortly rated as a financial
pillar of the community.
Massett's capital speedily dwindled to
one lone dollar, $5.00 having been ex-
pended, upon landing, for a meal for
himself and an even less solvent fellow
passenger. By veriest chance, Massett,
during his first day in San Francisco, ran
into Colonel D. J. Stevenson, whom he
had known slightly in New York, and
who had just launched a real estate and
land development project.
The Colonel greeted the newcomer
with gusto, clapped him on the back,
bought him a drink and inquired into
his plans. Massett had no plans. Imme-
diately the Colonel took charge of his
career. He painted a rosy word picture
of his land project. He was building a
new city — The New York of the Pa-
cific. Massett was just the man he needed
in the office to meet the public and act
as confidential advisor. He (the Colonel)
would pay the young man's ship debt,
secure his appointment as Alcalde, No-
tary Public and Commissioner of Deeds
for New York on the Pacific at a salary
of $150.00 a month. Later he might
make him mayor of the embryo city.
Check
your car
to Del Monte
CGo the restful way~hy train. "Tl
Avoid the crowded highways.^
You can check your car
just as you do your trunk.
Drive your car to 3rd St.
Station by half an hour be-
fore the "Del Monte"
leaves and turn it over to
the Baggage Master.
$12 Per Car
Down the Peninsula— no
heavy traffic to fight, no de-
lays—the fast "Del Monte"
speeds you in restful com-
fort. The "Del Monte"
leaves San Francisco (3rd
St.) 3:00 p.m. arrives Del
Monte 6:20 p. m. Equip-
ment includes parlor obser-
vation car, smoker and
chair car, and now an au-
tomobile baggage car.
The 8:00 a. m. "Shore
Line" and the 6:15 p.m.
"Sunset Limited" will also
carry you to Del Monte.
Southern
PaciMc
F. S. McGINNIS
Pass. Traffic Aigt.
San Francisco
36
THE SAN FRANCISCAN
Would Massetc accept' The recipient o(
this offer was dazzled beyond coherent
speech He silently assented pronto Bv
actual record he v\'as appointed a Notary
Public and Commissioner of Deeds tor
New York on the Pacific by Miiitarv
Governor Riley.
Within a few days Massett was in-
stalled in Stevenson's office, busily
engaged in notarising documents, copy-
ing abstracts, registering deeds and dis-
pensing information about San Fran-
cisco and environs with the positiveness
of a well-informed veteran of long resi-
dence. Atter office hours he devoted him-
selt to aesthetic pursuits and the amuse-
ment ot kindred spirits with his \'aricd
gitts. This group pre\'ailcd upon him to
promote the aforementioned and first
public concert.
▼ T ▼
IT is altogether likely that the reasons
for this undertaking were as practi-
cal as idealistic, for the land office busi-
ness had developed limitations It
seemed that the Colonel's lots were not
all he claimed them to be In too many
instances thev were inaccessible, remote
sand dunes, in other instances they were
aqucously submerged, sv\'ampy areas in
possession of mosquito armies. In the
manner of subdividers, the Colonel had
undertaken to build hoases and imported
from New York a consignment of port-
able homes, which by some strange
principle of construction were mostly of
iron. Two of these, being assembled and
placed upon sandy, swampy sites, sank
from \'iev\', carrying their occupants to
death and near death This unfortunate
catastrophe halted activities in the land
business and Massett did not return to
Stevenson's office after his concert.
He went, instead to Sacramento, hav-
ing received from Sam Brannan an offer
to preside over a merchandise auction for
that gentleman of the maligned N4or-
mon faith He arrived in Sacramento
after an arduous, si.x-day trip to find that
the auction had already been held. He
promptly organized an auction company
of his own, Massett & Brewster The
partners bought up sundry clothing and
supplies, hired a draughty warehouse, a
two-piece band and song and dance en-
tertainer to enliven the occasion. Massett
mounted the auction block and within
a few hours took in $1000 and cleaned
out his stocks.
To give full account of the man's
varied activities would make a tale
much too lengthy for these pages. We
can only note briefly that, he left Sacra-
mento to troupe through the mining
towns and into Oregon. For a time he
edited the Marysville Herald. Later
journeyings took him on a visit to the
Hawaiian Islands; (then called the Sand-
wich Islands) to Australia, New Zea-
land, India and Egypt; to the eastern
United States; to England, Ireland,
France, Italy and Spain. Between trips he
returned to San Francisco, which he held
in most affectionate regard. His depart-
ures and arrivals were signals for the
gathering of all Bohemia. The town's
newspaper editor's immortalized these
occasions in prose and verse. The man's
friends were legion and loyal. The final
end of Stephen Massett is somewhat
obscure, but as nearly as can be deter-
mined his death occurred in New York
some time in the iSgo's and when he
was between 80 and 90 years of age.
You are invited to make
reservations now for the
Pacific Coast Premiere of
S. Ansky's Internationally
Famous Folk-Play
The Dybbuk
(In English)
by the Temple Players
with Irving Pichel
Directed by Nahum Zemach
(Founder of the Moscow
Habim.ih Players)
and Paul Bissinger
The Temple Playhouse
First Avenue Ct Lake Street
Nightly (except Friday) with
Sunday Matinee
Beginning Monday Oct. zgtii
Seats $2.00 and $1.50
Mail Orders Received Now
Tickets on sale forall performances
except Opening Night at Temple
Playhouse, (Bayview 3434 and
Bayview 4030) and Sherman, Clay
& Co. The public is welcome at all
productions by the Temple Players
OCTOBER, 1928
37
The name
FOSTER ei'OREAR
is everywhere acclaimed
as conclusive evidence
of unequalled value in
all that goes into the
making of fine candies.
FOSTER d'OREAR
City oj Paris • 137 Grant Avenue
B.F. Schlesinger • Oakland
Arcade 0 J Russ Building
Ferry Building
H.VALDESPINO
has opened a Gallery
& new Show Rooms at
347 O'Farrell Street
above his Workshop
which remains at
345 O'Farrell Street
San Francisco
Franklin 3533
I Ovc
■ Am
Overlooking San Francisco'
beautiful Union Square
The
ALDEANE
275 Post Street
Luncheon - Tea - Dinner
Phone Sutter 7573
Hostesses: Sunday Dinner
Anna Allan 4 :00 to 8 :00
ane Dickey p. m
As to Books
By BETH WENDEL
CHARLES Pettit has again placed
the cup of freedom at demure
Chinese lips, but this time she
sips western wine. The Elegant Infidel-
ities of Madame Li Pei Fou arc even
more amusing than those perpetrated by
The Son Of The Grand Eunich's untir-
ing vjifc.
CO s ^B
J
If Madame Li Pei Fou were not orien-
tal, we might term her a wide-eyed
young matron, or mention the complete-
ness of her stylish sunburn. But as Louis
Untermeyersaid, "East is east and west is
west, and the middle west is terrible."
Madame Li Pei Fou's young man is
entirely delightful. Anyone would like
him. Madame Li Pei Fou is different
than anyone he has ever known. Therein
lies the naughty story.
If Mr. Pettit goes to Hollywood, he
will instantly be kidnapped for a Title
Writer, and then 1 will come forth with
"Octopus Lad," to rival Mr. Van
Vechten's "Spider Boy." Here are a few
of his chapter titles ;
How A Genius Can Be Unbearable
To His Wife When Seized By An Inspir-
ation.
How Useless It Is For A Man Who
Finds His Wife Stupid To Seek Intelli-
gence Among His Concubines.
Reasons Why A College Education Is
Indispensable In Love.
Concerning The Impudence Of A
Man Who Drinks A Cup Of Tea Hav-
ing Witnessed An Infidelity.
"Elegant Infidelities of Madame Li
Pei Fou," by Charles Pettit. {Horace
Liver ight).
T ▼ ▼
THE Strange Case of Miss Annie
Spragg is not a mystery story,
though the enigmas of both love and re-
ligion are probed. Either subject is baf-
fling, and combined they present an in-
tellectual fog, that only a Louis Brom-
field could permeate with skill.
The setting moves from Italy to Lon-
don, and thence to the far off prairies.
Hemingway could not have covered
more territory.
Annie Spragg, despite the untravelled
sound of her name, dies in an Italian
Palace. The surviving characters are suf-
ficient individually to make solid short
stories.
There is Father d'Astier, to whom the
NEWBEGINS-BOOR:SHOP
; O H N •
E W B E G
NEW" OLD "fe RARE BOOKS
Private Press Items 6 Choice Sets
«9
3SS Post Sireet
Son 7rancisco, California
Entire Libraries &
Small Collections
PURCHASED FOR CASH
Experienced valuers sent to
all parts of the State, and
purchases speedily removed
without publicity, inconven-
ience or expense to sellers.
Correspondence Invited
f
s^
it^is:
HENRY H. HART
O R I EN TA L ARTS
328 POST STREET
Kearny 6642
I.
fb>^
r<s9;
from T*ans
.■^RE NOW SHOWN BY
'^iUiuery Importers
2J3 Po.sT Street and 243 Post Street
S .X N FRANCISCO
38
THE SAN FRANCISCAN
lustjjtoMec you know where we
arc locatedf
Our patrons do our advertising
for us atter enjoying either
Lunch Dinner
(12 to 2) "'■ (6 to 8:30)
together with our incomparable
view
Julius Castle
Greenwich and Montgomery
Telegraph Hill
Closed on Sundays
Please reserve your table
DAVENPORT 3202
i r ^ - ^ ^^
It is an inviolate truth
that the taste and
culture of the
giver is un-
alterably
bound
in the
gift.
Tbe Chocolate*
S«o FrtBcltco.
very rich confess their exclusive mis-
demeanors and elite crimes There is also
one Sister Annunziata who sately but
unsatisfactorily falls in love with a saint
There is Princess d'Orobelli who is an
American nevertheless, and a Mrs.
Weatheby who founds a new religion, as
if there weren't too many all ready.
Louis Bromfteld has never written
better — not even in "Early Autumn."
"The Strange Case of Miss Annie
Spragg," by Louis Bromfield Stokes.
Edna St. Vincent Millay, after an
unkind silence of several years, has
at last come forth with a new book of
collected verse. It bears the title ''A
Buck I" the Snow," and has the same
rare quality and full beauty of her earlier
works. None of the charming delicacy is
gone, though in the lovely lines there is a
pronounced feeling of meditation The
themes are more deliberate and the exe-
cution less fleet. Miss Millay seems to
have the reins of genius even more
firmly in her hands, and she does not
allow the twists and turns of former
days. Her undisputed place as the fore-
most American poetess remains un-
assailed.
Last winter Miss Millay's libretto of
"The King's Henchman" received ar-
tistic recognition, equal to the music
thereof, composed by Deems Taylor.
The opera was immensely successful at
the Metropolitan.
The Buck in the Snoiv is the most sig-
nificant poetic contribution of the
moment, but of almost equal impor-
tance is Dorothy Parker's "Sunset Qun"
As in "Enough Rope" Miss Parker is
clever, bitter and terse. Her flare for beau-
tiful imagery is quickly sprayed with
vitriol. Her romanticism is promptly
submerged in icy water, but occasionally
it bobs up again, and sits in the sun
grinning, half ashamed.
Miss Parker has an ironic humor that
is almost involuntary. She has a shrewd
sagacity incongruous with the general
conception of what poetry should be,
yet she is very definitely a poetess, in
spite of herself.
The Buck in the Snow and Other
Poems," by Edna St. Vincent Millay.
(Harper.)
"Sunset Gun," by Dorothy Parker.
Boni CT Liveright, Publishers.
R\\ILELDER>S
239 Posh Sh-eeh San Francisco
Experts approve of the
acoustics of the
Women's City Club
Auditorium
which is now available
to individuals and organ-
izations for Concerts,
Recitals, Lectures and
Entertainments. It has
an informal atmosphere
and will seat 700 people.
It also has effective light-
ing facilities.
•:•
An attractive
AUDITORIUM
on the ground floor
♦
465 Post Street, San Francisco
Telephone Kearny 8400
Learn to Play
Auction or
Contract Bridge
Lectures and classes day or
evening in your home or club
by appointment
PAUL W. BLACK
Author "Auction Bridge Outline"
Editor The San Franciscan's Bridge
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Make appointment now
Bridge Studios — Hale Bros. Inc.
daily 1 1 to 5 o'clock
Sutter 8000
a long winter
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INSURANCE BROKER
737 Russ Bldg.
Sutter 2.134
ALL FORMS OF INSURANCE
OCTOBER, 1928
39
I
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Using pure color in bright, stimu-
lating tones, the Post Street
Cafeteria has achieved an atmos-
phere that is as modcrne as its food
is delicious. The combination is
both charming and satisfying —
for one enjoys all the homely old-
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lated blues and greens keyed to
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Come today and you'll come
again tomorrow to
^ost Street Cafeteria
62jPo2iti^tr£et - = ^an Jfrantisto
The Loudest Speaker
/
y7^ FLOWER never
K,.yA. says a word; it only-
gives its all; but that is
why the whole world loves
to see the blossoms call.
Orders telegraphed
anywhere
THE VOICE OF A THOUSAND GARDENS
224-226 Grant Avenue
Phone Sutter 6200
SAN FRANCISCO
Spotlight
Cxintinued from page 14
tions were in the process of being cast
into the dust heap. At stated intervals,
we go intelligentsia and decide that
opera is tripe and not for us. Last year
this happened after the successive dis-
couragements of "Manon Lescaut,"
"Falstaff," and "Turandot." But along
came "Tristan and Isolde" and we re-
turned to the operatic fold of our youth,
even in the face of Tristan's tedious
death. This time it was Rethberg's
"Butterfly" that made us repentant and
brought us to the mourner's bench.
Next to last season's performance of
"Tristan and Isolde," we should say
that "Madame Butterfly" is the most
poignant thing that the San Francisco
Opera Company has achieved. We were
in hopes it would be repeated for the
benefit of our friends who missed it. But
to date the opera association seems to be
cold to the matter of extra perform-
ances. Many captious critics in the lobby
sighed for the petite Madame Takamura
in the role. "Rethberg," said they, "is
marvelous, but she is not Japanese." For
which fact we were duly thankful. We
have seen the Japanese lady in the role
and our opinion is that she threw the
whole opera out of scale. If one could
have a complete Japanese cast for the
Japanese characters, all would be well.
But, even if this were possible, none of
them would be vocally adequate to the
requirements of Puccini's music. Cer-
tainly Madame Takamura was not. One
has only to hear a Rethberg to realize
that. We are old-fashioned to put singing
before every other requirement of opera.
And a perfect voice makes up for lack of
complete visual satisfaction. Jertiza as a
Japanese doll might tax our credulity
but we were able to grant all manner of
license to the more normal height of
Rethberg. However, we shall have no
opportunity of testing our reactions to
the first named lady in the role because
she has already insisted that the part is
too emotionally devastating for her to
sing. If we were not a gentleman we
might be inclined to greet this statement
with a good wide smile.
"Fedora," on the other hand, reduced
us to fresh despair. All the enthusiasm
which "Butterfly" poured into our back-
sliding operatic spirits was promptly
cut down in its perfect flower. With so
many gripping stories abroad in the land
one wonders what possesses composers
to waste time upon such a banality as
"Fedora." To our mind an opera sce-
nario should be as easy to follow as a
moving picture. We defy anyone to
guess what "Fedora" was all about.
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PRIVATE WIRES COAST TO COAST
even after reading the libretto. Well,
perhaps that is going a bit far, but we
defy anybody to care what happens.
The stage directions promised a thrill
at the beginning ot the third act, with
the heroine leaping out ot a swing into
the arms ot her lover, Wc had visions of
Jeritza bearing down upon Johnson with
portentious accuracy having, only a few
moments before, watched her hurl that
gentleman in front of the footlights to
take a solitary curtain call. But the di-
rector thought otherwise. After having
borne up tor two dull hours in anticipa-
tion of the flying trapeze act, our hopes
were dashed to the ground by seeing the
curtain rise with no swing in sight. We
consoled ourselves mildly at the intro-
duction of a tea wagon — the first we
have ever seen in opera. But, as Jeritza
passed the tea and bit into the toasted
stage muffins we grew more and more
alarmed. What if a crumb should lodge
in her vibrant throat, thought we, and
bring on a choking fit? But luck was
again with the lovely Viennese. No un-
toward accident arose to mar the vitality
of her vocal outbursts or stand in the
way of some of the most spectacular
tails we have ever seen outside the prize
ring. And, as the sinewy Fedora writhed
in her death agony, we couldn't help
wondering why somebody on the stage
didn't run for a physician instead of
calmly taking off their hats and awaiting
the end. It may be good form to antici-
pate death politely but we should like to
see more efficiency. Alas, there never is
any. Let any beautiful heroine swallow
poison and you might just as well order
the casket. There are neither doctors, nor
campfire girls with first aid remedies,
within call.
All of which is not to intimate that
"Fedora" was badly done. The singers
got all they could out of the material
provided. But, for our part, we couldn't
take it seriously. We are always glad to
see an unfamiliar opera if only to scratch
one more off the list. "Fedora" is now
blue-penciled for all time by us alone
with "Manon Lescaut," "Falstaff,"
"Turandot," "L'Amico Fritz" and
"The Girl of the Golden West." And
our only real regret in attending the per-
formance was that it interfered with our
seeing the opening bill of the Players
Guild. Thus we shall be unable to com-
ment upon it. But the fact that they
open with a play translated from the
Danish by John Masefield is reassuring.
The Guild's excuse for existence is
bound up in its ability to give us plays
outside the province of the commercial
theatre. An opening bill, therefore, of a
poetic play is proof of its determination
to supply this need. It is up to San Fran-
cisco to show its appreciiition by gener-
ous support.
OCTOBER, 1928
41
Reminiscences Inebriata
with horror. Presently he had regained
his composure and resumed.
"Eventually there came a day, in the
renaissance of alcoholics in America,
when the drunkard passed beyond the
stage of complete disapprobation. Polite
society began to take cognizance of his
presence without ex^periencing sensa-
tions of horror. Latefthey laughed at the
drunkard, and the cause was won. hii-
mediately people became intoxicated,
entire cities and states went over to the
wets without even conscious design.
Intoxication became the theme of every
cinema of the period. Ernest Heming-
way, Lee J. Smits, F. Scott Fitzgerald
and Frank B. Elser, and other acute
young novelists of the time, used intoxi-
cation as the central idea of their novels.
The stage was literally saturated, and
social life itselt was unmistakably far
gone in liquor.
"Two prominent factors in bringing
about this change were the Campus and
the Convention. The university came to
the fore in American social life about
1920. It has been holding the center of
the stage ever since. It is incredible the
influence that collegiate ideas have had
on this mighty and puissant nation. Mr.
Mencken's tremendous vogue, for ex-
iiirA\Y
membsry
San r?ancisco
Stock Exchange
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LOS AnGEUES
Continued frDm page 20
ample, is traceable directly to the uni-
versity, to the college humor magazine
with its idealization of the drunk, and
to the drunk himself. The Campus
meant idleness, girls, and something to
drink. The Convention came to mean
the same thing to the business world.
"The next cycle of change is our own.
Today we erect great beach clubs in the
southland dedicated to the politely in-
toxicated. Private bars are supplied by
every competent architect in New York
and San Francisco. Yachts are designed
to meet this common need. Specially
designed lockers for golf clubs are every-
where in evidence. Drunkenness has
triumphed. Gradually wines have made
their re-appearance in society and one
actually hears rumours of beer!"
THE couples were dispersing from the
cafe; the loud sibilant rushes of talk
had subsided, and there was only an
occasional flutter of laughter to remind
us that we were not alone. Out of doors
the lights were gleaming and the night
was as cool as it was splendid.
"And Milan," I made enquiry, "what
ot the future?"
"I trust that you remember Mrs.
Tanqueray's dictum on the subject to
the effect that there is no future, only
the past under a new name. As long as
life is stupid and man a bore, wise men
will drink. America today begins to
realize this, and we have only to justify
the drunk to complete the cycle. The
drunk need no longer slouch or creep up
dark alley-ways, or lie prostrate on the
curbstones to shock the ladies and edify
the young. He can now join a club and
booze with immunity. There is not a
strata of civilized life that he cannot
penetrate and be happy in its environs.
Prohibition was the result of an attitude
of squeamishness towards the drunk.
That attitude we have outgrown. We
can now wake up in the morning with a
heavy head and thick tongue and not
blame the result on a visitation of the
evil spirit or a sick conscience, but accept
the fact with the philosophic calm of
those who realize that the pendulum of
life and gay spirits must ever swing, as
one George Sterling remarked, between
the antipodes of pleasure and pain."
Out into the night we ventured, with
flushed features, eager eyes, and an elo-
quent disdain of moderation in our
hearts — out into the night we ventured
to seek our avatar.
THE SAN FRANCISCO BANK
^■""""'^ ,...= COMMEROAL
INCORPORATED FEBRUARY lOTH. 1868
One of the Oldest Banks in California,
the Assets of which have never been increased
by mergers or consolidations with other Banks
MEMBER ASSOCIATED SAVINGS BANKS OF SAN FRANCISCO
526 California Street, San Francisco, Cal.
JUNE 30th, 1928
n^^A i>- $118,615,481.57
^apital. Reserve and Contingent Funds 5,000,000.00
Pension Fund over $610,000.00,
standing on Books at 1.00
PARK°P^ ESm'm RR A mV-h- Mission and 21st Streets
HAIGHT STR^^T I^A'tSili Clement St. and 7th Ave.
WEST POR?l^ RR^m'^u*^" "^'eht and Belvedere Streets
Wtbl RORTAL BRANCH. West Portal Ave. and Ulloa St.
Interest paid on Deposits at the rate of
r./^.^^^J^n-i'^'^ ONE-QUARTER (AH) per cent per annum,
COMPUTED MONTHLY and COMPOUNDED QUARTERLY,
AND MAY BE WITHDRAWN QUARTERLY
42
THE SAN FRANCISCAN
Movie Realism
Continued from page 1 8
There is never, except in a very few
cases, an absolute necessity for a story
ending one way or another. It can end
unhappily and be a fine work. It can
end happily and be a fine work. To say
that the one ending is "more true to
life" is childish, everything happens
in life, incredible things which tax the
imagination and the credulity; it is the
duty ot the writer and director to make
their stories seem possible and probable;
and if they do their jobs well, there can
be no objections. There is not a single
argument upon which the advocators
of the unhappy ending, as an artistic
necessity, may rest their case. The merits
of a picture, it would appear, depend
upon other factors.
Transients
Continued from page 20
ter, audiences refuse to accept him as the
real Tibbett So again he bows to con-
vention, if only momentarily.
As Manfredo, he hoped to produce a
new note in "L'Amore Dei Tre Re."
Here was another role which demanded
gentility. A character confronted him
whose closing words were "Why can't
e^^'iQk
Post Street
Stocks
AND
Bonds
LEIB, KEYSTON
AND COMPANY
I hate?" But no! He fears that for the
time at least, he must continue as Neri.
Tibbett has three favorite librettos.
They are "The King's Henchman,"
"L'Amore Dei Tre Re," and "The
Jest." Those also viewed in pleasing
light are the Wagnerian song stories. He
loathes the inanity of the average opera
script, but he relishes the sentiment of
Puccini.
He hopes to play Neri on the stage
shortly and from this new medium de-
vise some method of uncovering the
subtleties in the musicalized version of
"The Jest" without insinuating te his
future audiences that he is not the Law-
rence Tibbett of 1928.
Art Obsessions
Continued from page 29
We are told by visitors, whom we
would like to believe are sincere — and
not talking merely to be quoted, that
San Francisco is a city from which great
things may be expected in art. Be that as
it may, it is impossible for any one city
at any one time to correctly judge the
products of its contemporaries. This has
been historically proved time and again.
So let us enjoy our art exhibits — buy
what means something to us individually
— and for comfort's sake stop taking
our art exhibits so seriously.
Foreign Bonds vs. Common
Stocks
Continued from page 27
tive. At the present time only those
issues should be purchased which are
moderately priced in relation to earn-
ings and which are so priced that they
will be able to withstand any marked
reaction in the stock market.
In conclusion then the problem is not
whether the Dawes plan works or not,
or whether the investor should loan his
ant I
REP ROOU CED
BY
(Gabriel i¥loulin
153 KEARNY STREET
TELEPHONE KEARNY 4366
surplus dollars to foreign countries or
domestic corporations but how he can
offset the depreciation of his capital
which will continue to some extent
with the rapid increase of wealth in this
country. The recognition of the prin-
ciples outlined in this subject will de-
velop and has already become a stab-
ilizing factor in a selective group of
American equities.
To the skeptic's remark about "paper
profits," "speculation" and "wait until
the market declines," we have only to
say that the application of economics to
investing is just as sound as the applica-
tion of economics to business.
Leading Nations of the World
Comparative Amounts of Gold
Holdings, 1913-1927
Gold Held Gold Held
Dec. 31. 1913 Dec. 31.1927
USA $1 904.694,000 *$4, 379.000.000
England 830,100,000 751,868,000
France 1200,000,000 711.106,000
Japan 64 963,000 561,810,000
Spain 92 500,000 500,098,000
Argentina 292,600,000 435,830,000
Germany 915,700,000 395,675,000
Italy 265.000,000 220,732.000
Canada 142,500,000 202,633,000
Holland 60.900,000 166,161,000
Russia 1,011,500,000 84,597,000
-World Total $7,789,000,000 $9,621,645,000
♦Report of Director of Mint Dec . 1927,
-Estimated.
.%a8 vka%ki:ikca%k
^ ^W/''i #• ''
'/:-?'i
%\v
f
/,
Not the way you arrive . . .
but your comfort after you
are here concerns us. This
results in hospitality that
is more than service.
Rooms from $4.00 a day
HOTEL
MARK
HOPKINS
Come once and you'll agree
with the host of smart people
who consider Hotel Mark
Hopkins the one place to stay
while in San Francisco.
Geo. D. Smith, Pres. & Mgr.
You don^t really need
to worry ....
You never do worry about the big gifts, do you? Not about
the individually chosen things that, after all, give Christ-
mas its deeper meaning. It is in the detail of the numerous
little gifts that one usually finds himself tangled in the
skein of Christmas shopping. But even here it is not neces-
sary to become involved in hectic searches for the smaller,
impersonal yet meaningful presents.
Instead of frantically rushing along with the throngs of
people who really enjoy shopping and who are doing it for
the very thrill they get out of the yearly excuse to buy
everything and anything you, to whom Christmas looms
a bit fearfully, sit back in vour easiest chair and finger the
pages of THE SAN FRANCISCAN That article by Kath-
leen Norris that you quoted to Jack last evening . . . those
snappy bits in "Now It Can Be Told" — the story about the
young couple at the license bureau the bit about the
modern artist who couldn't make head or tail to his own
canvas . . . the dramatic criticism by Dobie . . . the discus-
sion of Gordon Craig. . . . Somehow each of these things
brings to mind someone you'd like to share it with. That
financial article, for instance, gives another aspect to the
very thing you were discussing just last week. You'd like to
show it to those friends and see what they think of it.
Well -why don't you? Why don't you send them THE SAN
FRANCISCAN- not just this issue— why not send it to them
for the entire coming year? You've enjoyed it each month,
haven't you? You've found it fresh and full of spirit and
somewhat sophisticated. You have watched it develop dur-
ing the past two years and you've seen it rapidly crystallize
into a smart expression of San Francisco's cultural life.
But it is still young. Many of your friends, who really
would enjoy it, don't see it regularly. Why don't you solve
the problem of your smaller Christmas gifts and, at the
same time, share the kick you get out of San Francisco's
own real magazine?
In celebration of its second birthday (The December issue
will be the Second Anniversary Number) THE SAN FRAN-
CISCAN is offering three one-year subscriptions (regularly
$2.50 each) for only $5.00.
Fill out the attached blank and send it to us with your
check for five dollars and at Christmas time three of your
friends will receive the first of their twelve issues of THE
SAN FRANCISCAN accompanied by a holiday greeting
from you.
THE SAN FRANCISCAN,
221 Sharon Bldg., San Francisco, Calif.
Inclosed is my check for $5.00 for three one-year subscriptions to
THE SAN FRANCISCAN to be sent with my Christmas greeting to
Name Address
(Signed)
Your address
Where
Hospitality
Begins'
The center of the city's life
and color — the hub around
%uhich San Francisco's
social and business
interests revolve
Hotel St. Francis
Sacing Union Square
San Francisco, California
Management • • James H. McCabe
OOIINOS OM ABOUT TOWN
MUSIC
November 2 : San Francisco Symphony Or-
chestra in opening concert of season at Cur-
ran Theater. 8:15 p.m. Alfred Hertz, conduc-
tor.
November 3 : San Francisco Symphony Or-
chestra in concert at Dreamland Auditorium.
8:15 P.M. Alfred Hertz, conductor.
: November 4 : Fritz Kreisler at Civic Auditor-
ium. 2 130 P.M.
John Philip Sousa and Band at Dreamland
, Auditorium. Afternoon and evening,
t San Francisco Symphony Orchestra at Har-
f mon Gymnasium, Berkeley. 3 p.m.
I November 5: John Philip Sousa and Band at
I Dreamland Auditorium. Afternoon and eve-
ning.
I Mary McCormic, soprano, in recital at the
' Fairmont Hotel.
November 8 : San Francisco Symphony Or-
chestra at Exposition Auditorium. Alfred
Hertz, conductor. George Liebling, guest
artist.
November 9 : Kathryn Mcisle — Scottish Rite
Auditoiium.
'; November 10; First Pop Concert — Dreamland
Auditorium.
November i5: Second Symphony Concert —
Curran Theater.
November ig: Louis Graveure — Dreamland
Auditorium.
November 22 : Second Civic Pop Concert —
Elsa Alscn, soloist.
November 24 : Second Popular Concert —
Dreamland,
November 30 : Third Symphony Concert —
I Curran Theater.
THE THEATRE
Alcazar : In Love With Love. Vincent Law-
j rence at his best. Dale Winter at her love-
I liest, and Terry Duffy, the producer, far
; outshining Duffy the actor.
; Berkeley Playhouse : The School For Scandal
to be followed by Enter Tiiadame. Everett
! Glass trying his best to go back as far as pos-
I sible for his plays.
I Capitol: Kongo. Sex, satisfaction, and sadism
causing the box office till to play a symphony
' of joy.
Columbia: Happy Days. May Boley, Dick
Carle, and Max Dill bringing their com-
bined youthfulness to a locally written
comedy of rejuvenation.
Curran : Qood ?^eivs. The campus shrieks
will become desert sheiks on November 12
when The Desert Song brings back its popu-
lar company.
Fulton : (Oakland) The Spider to be followed
by White Collars.
DuFFwiN (Oakland): Tommy. The same cast
doing the same things they did on OTarrell
Street.
Geary : The Squall. Something that happens in
all regulated households to which come a
storm, a siren, and sex appeal.
Players Guild : Fallen Angels. One of the
notable attractions of the season. A Noel
Coward Play with Charlotte Walker and
Sarah Padden in the leading roles.
La Gaite Francaise : French Theater reopen-
ing this month.
Green Street : Easy for Zee Zee. The oldest
profession doing a rushing business.
President: Daddies. To be followed by May
Robson in .Mother's .Millions.
MOTION PICTURES
Embassy : Al Jolson singing and talking in The
Singing Fool, a most noteworthy picture.
California: Lilac Time to be followed by
.Mother Knows Best.
St. Francis : Our Dancing Daughters. A Cos-
mopolitan story of our newly discovered
youth.
Warfield: Still the hub of the city.
Granada : With Paul Whiteman's pet trum-
peter, Henry Busse, as house leader, this
show place should enjoy many a "When Day
is Done."
ART
Courtesy of The Argus
Beau.x Arts Galerie : 116 Maiden Lane,
November 5 to 19, oils by John Burnside
Tufts; water colors by Florence Ingalsbc
Tufts. November 20 to December 4, oils
water colors and drawings by Ina Perham.
California P-4LACE of the Legion of Honor:
November 1 to December 31, paintings by
New Mexico artists. Jacob Stern loan collec-
tion. Permanent collections.
Courvoisier's: 474 Post Street. Starting No-
vember 10, wood block prints in color by
Elizabeth Norton; sculpture and drawings by
Alice O'Neill.
Ea.st West Gallery of Fine Arts: 609 Sutter
Street. Through November 10, Theatre Arts
collection of African sculpture. November
12 to 27, international group of stage
designs. November 27 to December 1 1 ,
Lucien Labaudt collection of post-Cezanne
paintings.
Paul Elder Gallery : 239 Post Street. Through
November 3, football etchings by Rosa-
mund Tudor.
Gump Gallery : 246 Ppst Street. Through No-
vember 3, etchings by Max Pollak; water
colors by Gonen Sakaguchi. November 5 to
17, New Zealand landscapes by F. S. Brown.
November 19 to December 1, paintings by
Gustaf F. Liljcstrom.
DINING AND DANCING
The Mark Hopkins: Where those who have
not yet made their debut, nevertheless suc-
ceed in being "out."
The St. Francis: Still the vogue for luncheon
(under the clock at one). No dancing at
present but rumors of redecorating the
Garden Room for that purpose.
The Palace : The Rose Bowl for dancing, after
dinner in the Court.
Taits-at-the-Beach : Atmosphere. Nice for
dinner and dancing after the foot-ball games.
Deauville: 1516 Stockton. No longer the
Silver Slipper, but there is still "tarnish"
about, after midnight.
Fred Solari's: ig Maiden Lane. When you feel
like dining or lunching in a quiet little alley,
but only when your conscience is clear.
New Frank's: 447 Pine. For a "regular din-
ner."
Russian Tea Room: 1001 Vallejo. Large red
caviar to start.
Post Street Cafeteria : 62 Post Street. The
"Grand Dame" of the Cafeterias.
Aldeane Tea Room: 275 Post Street. A new
find, excellent food, with a view of Union
Square that is reminiscent of Paris.
Courtyard Tea Room : Delightful atmos-
phere, with charming people and real food.
ESTABLISHED 1852
SHREVE & COMPANY
JEWELERS and SILVERSMITHS
Post Street at Grant Avenue
San Francisco
_
I
1
Q^^'
*
li
4-
AN INVITATION
PVERYONE is welcome to visit our store, to acquaint
^ themselves with the trend in furniture and rug
design, and to see how reasonably priced really good
home furnishings can be. Compare the values
you see here with those offered
elsewhere
Furniture ▼ Oriental Rugs ▼ Carpets ▼ Draperies
W: 6i J. SLOANE
SUTTER STREET near GRANT AVENUE / SAN FRANCISCO
p
»
SAN VRAMCISCAN
JOSEPH DYER, Editor £r Publisher
RowENA Mason, Associate Editor
Aline Kistler, Assistant Editor
Contributing Editors
Charles Caldwell Dobie Mollie Merrick
Joseph Henderson Idwal Jones
Kathryn Hulme
Raymond Armsby
George Douglas
Elva Williams
Vol. II
NOVEMBER, 1928
No. 11
CONTENTS
Herbert Hoover, portrait bust by Haig Patigian - - 8
Hoover the Man, by Kathleen Norris - , - g
Now It Can Be Told - - - - - -lo
Three Sad Stories, by Carey T^cWilliams - - 12
Studies in Love, verse by Ai. I. - - - '12
Hotel Sir Francis Drake, photograph - - 13
Spider Boy, by Marcella Burke - - - - 14
Janet Gaynor, photograph - - - - - 15
Spotlight, by Charles Caldwell Dobie - - - 16
Farewell, verse by Rex Smith - - - - 16
Holly^A^ood Love, cartoon by Sotovnayor - - ' 17
Gordon Craig, by Lilian Qibson - - - - 18
Sketches of "Macbeth" settings by Qordon Craig - - 19
Transients, Nahum Zemach, by Jack Campbell - - 20
Josephine Dunn, photograph by I{uth Harriet Louise - 21
Those Were The Days, by Zoe Battu - - - 22'
The Alaska Packers, tvoodblock. by Judson Starr - "23
The Reigning Dynasty ----- 24
Mrs. Leon Roos, camera portrait by Hagemeyer - - 25
Berlin — 192S, by Arndt Qusti - - - - 26
The Life of a Football Player, cartoon by Sotomayor - - 27
Teams and Coaches, by Epllo - - - - 30
Concerning Bridge, by Paul W. Black - - - 33
To My Lady, verse by Jesse Thompson - - - 34
As Seen By Her, by Frances Francesca - - '3^
As To Books, by Beth Wendel - - - - 38
Honolulu Correspondent - - - - ' 41
The San Franciscan is published monthly by The San Franciscan Publishing
Company, Sharon Building. San Francisco. Cal-. Douglas 3blO.
Entered as second class matter October 1928 at the Post Office
at San Francisco, California, under the act of March 3. 1879.
Joseph Dyer. Publisher,
H. Lauterbach. Circulation Manager
Subscription price, one year $2 50. Single Copies 25c.
Copyrighted 1928
The San Franciscan Publishing Company
I
JloaU:
Herbert^' Hooi>er
From the bust sculptured by Haig Patigiaii^
SAN rRJkMCISGAN
Hoover the Man
Being the Personal Opinion of a Noted Novelist
EIGHT years ago, when we were a
good deal nearer to the thought of
food commission work, at home
and abroad, than we are now, I remem-
ber, as an extremely new-fledged voter,
being confident that Herbert Hoover
would be the Presidential nominee of
both parties It didn't seem possible that
either party could put up a candidate
who would stand any chance at all of
beating him.
When, at those conventions of 1920,
Mr. McAdoo was shelved by the Dem-
ocratic party, and Mr. Hoover by the
Republican, and when, after hot days of
aimless shouting and much serpentining,
each party named a man who meant ab-
solutely nothing to the average woman
of America, and very little to most of
the men, I experienced that painful, be-
wildering and affronting baptism of fire
that, I learned later, is the inevitable
experience of the amateur politician.
Male politicians, on all sides, laughed
affectionately at the women who were
puzzled and baffled by these suave pro-
cedures. They assured us cheerfully that
real men didn't get into high office, that
only professional politicians did. That
road, for a genuine, hard-working, ideal-
istic, direct, intelligent public servant
was forever barred. Party, machine,
policy, — everything conspired to keep
the real man out, and put the blatant
demagogue in.
To get the party in was the main
object of every single man at those boil-
ing, ineffectual, confusing gatherings,
and any promise — any lie — any evasion
went, with some of them at least, as
long as it served that end.
I retired from the scene discomfited,
By KATHLEEN NORRIS
for the persons who seemed to be best
qualified to pronounce upon the question
assured us baffled, crumb-snatching
women that there wasn't much differ-
ence between the two parties, they had
changed planks and ideas and principles
completely in the last generation, any-
way.
Consequently, millions of women
didn't vote at all in 1920, nor in 1924.
It was only in the beginning of 1928
that there began to be felt a sudden
stirring and agitation, a certain tug of
the current, and with it, the political
birth of the country's womanhood.
Women are keenly, poignantly inter-
ested in what is to happen at the polls
next November, All the logical persua-
siveness in the world won't make them
feel that our Chief E.xecutivc's attitude
toward certain great national issues isn't
important, whether the solution of these
problems lies directly in the line of his
own responsibility or not. One million
American women are going to vote for
the first time, this year, and they know
just exactly how they're going to vote.
That vote is not unanimous, of
course. But I believe it is so nearly a
Hoover vote that it may swing the elec-
tion
Because, for the first time since they
were enfranchised, and for the first time
in many electoral years, they know the
two candidates. This year it isn't a ques-
tion of being told facts that may or may
not be true, by men who may or may
not be unprejudiced.
The Democratic candidate's name
says two words to American women,
and they don't care for either "Tam-
many," and "wet."
HERBERT Hoover's name says a great
iTiany other words. It says "Bel-
gium," with all that means to com-
forted little children, and mothers wild
with gratitude. It says "food," and
American women remeiTiber that through
Herbert Hoover's tact, when war-ridden
Europe was having its food riots, peace-
ful America had been led to make its
food sacrifices with dignity and with
joy. It says "engineer," when the thought
of dams or railways come up, and
"world citizen," when there is any
question of international problems. It
says simplicity, obscurity, hard work,
loyalty to the Constitution, belief in
America. It says "dry."
Dry hoiv? Well, we don't know. But
we know that Hoover has never failed
before, in any great national undertaking.
We know that up to this point, every-
thing concerning the Eighteenth Amend-
ment has been done against an indiffer-
ence, stupidity and hostility, generally
speaking, that might well wreck any
amendment, or any constitution. We
know that his methods are not violent,
and that they cleave through red tape
and bureaucracy and humbug and hypoc-
risy straight to the point, with just that
simplicity of inspiration that women
use in their households every day, and
that men miscall "intuition."
Not in fifty years has either party
nominated any man who in straightfor-
ward human values compares to him, —
not as a politician, but as a man. It is
uTipossible to imagine that America, or
the world, holds the man who could
defeat him.
10
THE SAN FRANCISCAN
Now It Can Be Told
LET US assure you chat v\c ucrn't there
^with any matrimonial intent, it's
just that we have a friend in the county
clerk's office and while we were visiting
him the other day, two timid young
creatures appeared to applv for a mar-
riage license
The girl was a mere slip ot a young
thing — and the hoy seemed hardly more
able to cope with life's problems. The
license clerk looked from one to the
other then asked the groom the obvious
question ;
"Have you the consent ot the girl's
parents?"
"1 suppose so," returned the young
man ruefully, as he indicated with his
thumb a large man who had escaped the
clerk's observation. "That's her old man
leaning on that shotgun over there in the
corner."
WE SEE by the local newspapers that
there has been established in one
ot the halls ot Mills College a smoking
room, where the young ladies who
attend that shrine of idealism and
scolarship may puff their cigaretts
in peace and comfort Formerly such
delights were forbidden save within five
miles of the campus, and it is also an-
nounced that the purpose of this innova-
tion is"to furtherthecauseof education."
This latter announcement we laud as
thoroughly commendable. It is a splen-
did gesture against the social hypocrisy
so prevalent in educational institutions
throughout the land While noting this
bit ot news we cannot help recalling the
founding of the present Mills College in
1852 as The Young Ladies' Seminary by
one Mary Atkins, graduate of Oberlin,
Ohio From all accounts Mary Atkins
was a sternly puritanical, upright soul,
as was Susan Tolman Mills, who pre-
sided for many years over the college
and for whom it is named Surely these
two righteous pioneers would turn over
in their graves, should news reach them
of a campus smoking room. But then,
how times do change I
At some spot in Paris, we are told,
j[\^ one can see the world and his wife
pass by if one waits long enough Could
it be the Parisian equivalent of our Ferry
Building' On one Sunday night it was
our privilege to walk by the side of an
elderly gentleman resplendent in evening
clothes and silk topper. As he tried to
cross CO the left of us he stumbled in the
path of a party of six sportsmen bur-
dened with surt rods and camping equip-
inent. The elderly gentleman iTiust have
been in a hurry for he continued toward
the cars, unawarechataturbaned Hindoo,
in overalls, was immediately behind him.
When che car left the terminal the elderly
gentleman was seated next to a tall
sinuous Negress and her boy friend, a
replica of Florian Slappey. Three col-
legians made subdued whoopee to the
evident amusement ot their girl friends.
And staring at the inebriated sextette
were two young Orientals, in knickers
and hiking outfits.
TOILING and puffing up the steep slope
of one ot the city's steepest hills to
the studio ot an artist whose originality
and versatility have startled even the
most modern of the modernists, we sus-
tained our strength with a comforting
thought. We would look upon canvases
of such superior order and advanced
symbolic significance as to render them
impossible of understanding by inferior
and lesser minds.
Our host received us, pressed tea upon
us and brought forth his latest master-
piece done in che manner of the German
school (so he said). He set it upon an
easel and stepped back. We gazed upon
it in bewildered silence, venturing
neither comment nor criticism lest we
reveal the limitations of our knowledge.
Our host squinted at the thing with one
eye closed and over the top of a sheet of
paper. He was annoyed and puzzled at
something. Finally he took up the can-
vas again, turned it this way and that
and at last restored it to its easel. The
ends were reversed froiTi their original
position and che artist was still plainly
puzzled.
But then, that is the way with mod-
ern art — not even its creators can always
be certain which is face up or face down.
BEING scill in chac absurd juvenile state
where birthdays are events to be
announced loudly to the world, we
mount the stump and call attention to
the fact chac with the next issue we are two
years old. Two years ago next December
The San Franciscan made its appear-
ance in a world where there were too
many publications, too much traffic, too
many Fords, too many devices of one
kind or another, seeking to amuse or
educate the public, as the case might be.
The competition was heavy, but by
the kindly providence that takes care ot
foolhardy journalists and publishers,
who rush in where angels. Big Bankers
and Good Business Men fear to tread,
we have survived. Nay, after a fashion,
we have flourished. Through our pages
a score or so ot Western writers who
were languishing in neglect have found
cheir firsc voice and larger recognicion in
Eastern publishing circles. Several artists
have likewise been "discovered." We
have been quoted in other fairly respect-
able journals. We recently landed in
Herr Mencken's incomparable Ameri-
cana— a signal achievement. We are
therefore, more than certain that we are
"made"; that we have "arrived."
▼ ▼ ▼
AWHILE back we found in our mail
box a small book called The
Cellar Builder, sent to us by a certain
colony of Italian grape growers, which
has brought fame to the Sonoma Valley.
From the little volume we learned
that a Cellar Builder is a man, who will,
upon request, call upon us, investigate
the needs of our cellar and to remedy its
shortcomings will deliver as great a
quantity and as many varieties ot grape
juice as we care co purchase. This, che
book states is strictly legal. We can, with
immunity, thumb our nose at anyone
who attempts to prevent us from buy-
ing, selling, receiving, having or trans-
porting grape juice. With this informa-
tion the book ends.
But our knowledge of the mysterious
ways in which cellars are nowadays re-
stocked leads us to suspect that, the Cel-
lar Builder will obligingly furnish in-
formation as to how our grape juice may
be converted into beverages of light,
sparkling body, delicate odor and other
exhilarating properties. Very fine all
NOVEMBER, 1928
II
this C3ur unly lament is that the grape
growers producing this juice must, of
necessity, depart so sadly from the
simple honesty ol their lorefathers and
native land in the matter ot restocking
cellars.
▼ ▼ T
WITHOUT any other calendar, the
end ot a perfect Sabbath might
still be marked by the remains ot the
Sunday paper, scattered liberally over
the landscape Pink sheets on the green
lawns ot the parks, green sheets on the
dusty hillsides of Marin; funnies and
rotogravure szctions slapped into one's
face or blown trickily about one's ankles
by a roguish wind. Many residential sec-
tions of San Francisco resemble the
paper-chases of our childhood. Chewing-
gum wrappers, peanut bags, the tinfoil
ot departed candies, the pink covers of
sunkist fruit reinforce the mass-attacks
of iTiorning and evening news , . . The
householder sweeps them from her yard
onto the sidewalk; the small-store owner
sweeps them from his sidewalk into the
street; the wind, behind his back, picks
them up to scatter again on yards and
sidewalks.
Two years ago Vienna looked at its
littered sidewalks with disgust. It had
already provided numerous iron baskets,
attached inconspicuously to the poles of
street-lamps (a vast improvement on
the garbage cans of our parks) ; but still
trolley-tickets and chestnut shells con-
tinued to drop like rain, A city ordinance
was passed, fining with fifteen cents the
careless scatterer. And it was enforced.
Did you drop but a tear on Kaertener-
strasse or the Ring, a hand blocked your
way. "Onemoment, aschillinge, please."
And you might pay or gather up your
cast-off trifle.
▼ T ▼
AS NATIVE born San Franciscans, we
,, pride ourselves on the complete-
ness of our knowledge of the city. Con-
sequently, it was quite a blow to our
pride to discover upon reading a con-
densed city directory gotten out for tour-
ists and strangers that, there are some
facts and places about the city of which
we were unaware.
We found, for instance, several build-
ings in the heart of the financial district
that we did not know existed — The
Dividend, Academy, Vulcan, Marvin,
Carmen Johnson and Grape Growers
Buildings. The last named greatly in-
trigued us. We speculated idly that it
ought to be better known.
We noticed also that 47 foreign coun
tries maintain consular offices in the
city Among them such places as Es-
thonia, Latvia, i-iberia, Dominican Re-
public, Monaco and an office where the
Serbs, Croats and Slovenes may tell their
troubles. These we must sadly confess
are little more than names to us, vaguely
associated in our minds with revolutions
with great whiskered men and women
who wear bright colored shawls. Pre-
sumably, however, they and their citi-
zens are factors ot some importance in
the world,
▼ T ▼
IN ONE of our Bigger and Better Down-
town Business buildings devoted to
Service and Self-immolation, a small,
middle aged man strode into the ele-
[\
^(V~^~~\::
0
0
\
"\
^M
^.i^A
C
^
f^ni
vator smoking a cigaret. After the car
left the ground floor, the operator turned
and grunted, "no smoking here."
Abashed, the culprit stepped on his cig-
aret and said something about being
sorry but he had nor seen the sign.
"That's all right," admitted the operator.
Then confidentially, "but we don't per-
mit smoking here, I got asthma."
I
N THIS business of first printing the
works of young and talented writers
there is always an eleinent of chance and
probability that lends it a great zest.
Back in the iS5o's Bret Harte was
drudging in obscurity at a type case in
the old Qoldcn Era composing room,
Charles Henry Webb, a New York jour-
nalist, came to San Francisco and in a
burst ot enthusiasm tor the town and its
then turbulent scenes conceived the idea
of founding a literary journal, Tlie Cali-
fornian.
Webb invited Harte to contribute to
his first issue and received from him a
poeiTi and humorous article. Both works
were unsigned, as the editors and staff
had a quaint idea that the paper should
be impersonal Any faiTie should belong
to it alone, rather than to any one con-
tributor. Later the policy was aban-
doned. Mark Twain was another writer
who also printed his first work in this
pioneer publication.
After a wavering, hectic career of
some twelve years, Tlic Calijornian died
an untimely death. However, its short
existence was more than justified in that
it introduced two writers whose names
and fame are inseparably linked with
San Francisco's oldest and best literary
traditions. Who knows but what we
(The San Franciscan) may yet discover
authors, who will eventually equal the
records of Mark Twain and Bret Harte?
▼ ▼ ▼
THIS one from The San Francisco
Irihunc, a political publication
with headquarters in the North Beach
District The lines parody an old, famil-
iar nursery rhyme to provide an exact
and feeling expression of pertinent
thought
Four and twenty Yankees feeling mighty
dry.
Motored to Vancouver, to get a shot ol
rye:
When the rye was opened the Yanks
began to sing
To Hell with old man Volstead- -GOD
SAVE THE KING!
T
wo old-fashioned small boyshearing
whispers to the effect that there
"ain't no Santa Claus," took the matter
under advisement, and being much per-
turbed, finally submitted the question to
that oracle of childhood, "mamma
Mamma assured them that there is
a Santa Claus in no uncertain terms, and
tor a time they were content.
Further rumors reached their ears
however, until at length two full-
fledged doubters were born. Still there
was enough of the old faith left to cause
them to determine to investigate first-
hand
Christmas Eve arriving, they made a
covenant to remain awake to watch
developments. Full two hours they
rolled and tossed and whispered when
Morpheus won his battle with the
younger lad. Sonny, who then began to
give vent to juvenile snores.
But the other lad. Tommy, was made
of sterner stuff. Another hour passed
before things began to happen
Tommy watched with bated breath
while the tree was dressed, and then,
satisfied, he turned over and went to
sleep.
Next morning. Sonny was all agog.
"Did you see Santa? Oh, Tommy
what did he look like? Why didn't you
wake me, Tommy?"
Tommy was adamant at first but
finally tiring, after the youngster had re-
peated his questions, in the same identi-
cal order, for upwards of an hour, he
growled an answer to all three
"Yeah, I saw him, and he didn't look
like much, and I didn't wake you up
because all he did was crawl into bed
with mamma and go to sleep!"
12
THE SAN FRANCISCAN
Sad Stories
A Sympathetic Reporter Records Three American Tragedies
By CAREY McWlLLlAMS
I MET the Fowlers in Europe \Vc
crossed on the same liner 1 got co
know them quite well A most amaz-
ing pair, they were I have never met a
couple so utterly fatuous They knew
nothing; they had no definite interests;
they could discuss nothing; they
were nothing. For days on end 1
endeavored, out of a purely scien-
tific interest, to find something
that the male Fowler knew and my
failure was as abysmal as his ignor-
ance. 1 could gain no clew as to
who he was, what he was or what
he did. His inanity was of a pecul-
iar variety : it was not merely irri-
tating, it was nihilistic It destroyed
your faith in native intelligence.
He was mindless Yet the couple
were well-groomed, had an abun-
dance of money, and seemed quite
happy.
Once, on our return trip, Fow-
ler did make an admission. I was
getting morbidly curious about the
man and was bent on finding out
something about him 1 said; "1
suppose you are one of those for-
tunate fellows, Fowler, who either
inherited a fortune or married
one." He only smiled and then an-
swered ; "No, I am not guilty Per-
haps in a sense 1 did marry one, but
only indirectly You see we have a
very talented daughter who is a
great success on the stage, has been
in fact for years, and she is very
generous with us We owe our leisure
and independence to her " I hastily
searched my memory for an actress
whose name was Fowler
"Does you daughter have a stage
name?" I asked.
He was a trifle hesitant in replying,
but finally said; "No — she is known as
Lou Fowler." And then he added; "She
is a great comfort to us and we're quite
fond of her " I thought it rather unusual
that a couple of the approximate age of
thirty should have a daughter who was
so great a theatrical success that she
could retire her parents in such a lavish
manner.
We parted at New York and I did not
see them again. One night, a few weeks
later, I was in a cinema palace in Los
Angeles. The audience was being enter-
tained by a so-called "prologue " It was
tedious stuff, for a few minutes. Then
the stage cleared, and a tiny infant
danced out from behind an immense
curtain and began to dance. She had on
pink tights; was only inches tall and had
big blue eyes and golden hair Her age
would have been difficult to estimate,
other than to suggest that she seemed to
have escaped from a nursery. She was
less than a child; she was a baby. Her
dancing made you nervous Wasn't she
going to break her back? Wouldn't some
Studies in LoveJ
By M. I.
Platonic
And so, my dear, lo keep our friendship calm
I go lo seek lo^'e e/seu'/iere Only thus
With heart assuaged and lips bereft of fire.''
.Mag I bend near gou, meet gour ege.f KK'ith mine
Sacred
Although I'd I'erg much prejer
To loi'e and still be free,
I cannot bear to think of gou
Not being bound to we_'
So come: Let's dance to "Lohengrin,
r II risk the chains to keep gou in!
Profanej>
With gou I dare acknou-ledge what is true.''.
That loi'e is LOJ'K, and little it matters who
The loved one is Ah ges, mg dear, with gou
I dare — At home, it would be follg to!
one stop it ! At times she became in-
volved in contortions that can only be
described as painful The mob roared its
applause for her performance.
Later, outside the theater, I scanned
the posters. "Baby Lou — the Kid
Dancer — All this Week." And then
electrically illuminated against the sky;
"Baby Lou Fowler — All This Week."
I learned later from the newspapers
that my friends the Fowlers had acquired
a charming new home in Beverly Hills
and were leaving again that fall for
Europe.
THE Passion Play in Europe became
the Pilgrimage Play in Aurora
The burning cross on the hill-top,
back of Woodland, the suburb of Aurora
where the play had its home, beckoned
to the sinners to ascend, kneel and be
cured of vice. But if Woodland failed to
attend, the tourists never did. It was "a
nice place to take people — something
out of the usual." If your Aunt Willie
from Plattsburg or Cousin Jo from St.
Louis appeared on the scene, and all your
native ingenuity (ailed to suggest what
to do with her and how to keep her from
talking about the affairs of her neighbors
in the east, you took her to the Pilgrim-
age Play one night and the Mission
Play the next. Failing in other
divertisements, you could repeat
the process, for visitors never
wearied of seeing these two heavily
subsidized institutions of the local
chamber of commerce.
It was my duty as a dramatic
critic for the Morning Sentinel to
give the Pilgrimage Play an occa-
sional notice But what to write
about it^ What to say about a play
that had been kept running for
years bv local houses of commerce?
About the only thing for the de-
spairing critic to do was to com-
pare this year's performance with
that ten years ago and mystify the
living by discussion of the dead.
This ancient ruse, used year in and
year out by critics addicted to the
use of cliches, failed me. 1 refused
to continue in the tradition of
banal comparison. I would write
something new ; an interview with
Jesus. I would interview the man
who enacted the role of Jesus and
write a story about him.
Accordingly I arrived at the
scene of the Pilgrimage Play at an
early hour and made my way into
the dressing room of the actor who was
that year enacting the role of Jesus. He
received me warmly, too warmly in
fact, and I became immediately suspi-
cious of his breath? Was he intoxicated?
It seemed incredible He began a lengthy
monologue about this phase of the play
and then about another, the while he
donned his costume and made ready for
his appearance.
"Would you care for a drink?" he
asked in a slightly abashed manner, and
feeling myself in good company, I as-
sented. We drank to the success of each
other.
"How do you really like your part in
the play?" I asked him.
"It's awful. Simply too awful, too
damned awful, for words. It sickens
unto death. I've played Caesar, Marc
Anthony, Hamlet, and Cyrano, and
done them all with grace, but there is
something uncannily depressing about
this role of Jesus. I can't make a go of it.
I confess that it has driven me to the
constant use of intoxicants. The eye-
Continued on page 35
NOVEMBER, 1928
13
Hotel Sir Francis Drake
Descendinfl Poivell Street lull one is confronted with the mounting tower of this most recent notch
in San Francisco's skyline.
14
THE SAN FRANCISCAN
Spider Boy
Being a Few Notes on Carl Van Vechten and His Hollywood Opus
Bv MARCELLA BURKE
How can one "un\cil" Van
W'clitcn's Spider Boy? Or why
should it he inncilcd is proh-
ahlv a better question^
To crv to tell you just iclio the difter-
cnc characters arc in the novel would be
an act of indelicacy Then too, it would
be slightly diilicult to explain that in
many cases, Van Vechten , knowing
just such curiosity was being aroused . . .
buried his famous people with strange
names into a composite person with
various characteristics
And then, too, the \'ery thing which
Carl has done would be made more
damning h\ me
The adroit Van Vechten has taken
the outstanding short comings ot several
actresses, rolled them none too neatly
into a flamboyant creature and called her
Imperia Starling.
One following the unbelievable antics
of the neurotic Imperia, can at times see
a fragment o( Pola Negri, then on
another page, this amazing woman
seems possessed with the moods of
Greta Garbo, and her gowns are quite
like the ones Marion Davies wears . . .
or Gloria Swanson and so on
It is needless to whisper the true name
of that "gentleman with the face like an
old Greek coin" who does unlovely
things with his fingers and nose — for the
betrayal puts one in the same class
Van Vechten has been none too subtle
when it came to his description ot Ariane
Norvell . . . "with strange green eyes,
coils of pink hair arranged in a coronet
about her head "
And could Ambrose Deacon be any
other than the novelist himselP Ambrose,
shy, and cursed with Fame and being a
man at the same time . , shows thruough-
out the book just how tar one can go in
Hollywood.
Ambrose listens to Ariane at a dinner
party given by Imperia. It is a mono-
logue in the approved style of the Lady
who made "Three Weeks" interesting
to shop girls so many years ago.
A monologue deliciously like Madam
hands out in real life. . . . "They are
drinking too much. They are smoking
too much. Slaves! Slaves! I shall never
become a slave. I hate slaves! One is
obliged to decide whether to live for the
moment or to become immortal. I have
chosen to become immortal. I shall leave
behind me a message to make ten million
people better, ten million people happier.
Recently I reread 'Love is Too Much,'
my best novel. A masterpiece, Mr.
Deacon, a beautiful, immortal master-
piece."
And then Van Vechten becomes caus-
tic, rusty-edged in his cartoons, verbal
cartoons of different producers and direc-
tors in Hollywood.
He tells you that they arc a stupid lot
with only money, vast amounts of
money with which to buy up Fame.
T T T
Or COURSE Hollywood leaps at Suc-
cess. It has to specialize with
success. What of it if many of these men
have no cultural background' What of
that? They still have an enviable quality.
They have made good at their own
game. They have tremendous ability to
Organize. Even if at times they are like
mad generals leading armies into un-
known fields . . . the indomitable fact
remains . . They lead on. . . .
Van Vechten has been lavishly wined
and dined by the most famous He
became infuriated when some ot the
celebrities played a joke on him . . . the
time they introduced Madelon Hurlock
to him as a charming young octaroon. . .
Upon discovering that he had been
made the target of a practical joke . . .
which he undoubtedly deserved ... he
became so enraged that he announced
then and there that he would write up
the morons who invade the golden con-
fines of Holly wood. He said many things
in his rage. . . . "Spider Boy" is his threat
brought to life. He has deliberately
burlesqued his best friends in the social
and business world. He has hoped to
swing into greater popularity by thumb-
ing his nose at former hosts and host-
esses. . . .
The effect has been the opposite. It is
a bad book, a very bad book written in
very bad taste.
To quote Wei ford Beaton in "The
Film Spectator " . . , "Louella Parsons
complained that 'Spider Boy' was not a
true picture of Hollywood, and that the
author had been ungracious in his treat-
ment of a community that had been
Continued on page 42
NOVEMBER, 1928
Janets Gaynoi^
Hmnng aauUed to stardom in "Seventh Heaven" and subsequently done exceptional work in "Sunrise"
and "Street Angel," Jliss Gay nor is now engaged in the filming oj
"The Street Fair" by Tristam Tupper
16
THE SAN FRANCISCAN
Spotlight
Wherein the Caliph Reviews Some Current Attractions
KoNf. n" ac tlic New Capitol
Theatre might be set down as a
. Scotchman's idea of a perfect
play. It pro\'ides a thrill from every
known melodrama that has flaunted
itsclt on Broadwav these last ten seasons
Any man who through thritt or financial
incapacit\' has passed up the theatre tor
the aforementioned period may recover
all his lost ground by attendmg one per-
formance of "Kongo " There is the
background from "Cobra," the black-
and-tan charmer trom "White Cargoes,"
the tom-tom beating from "Emperor
Jones," the boomerang daughter froni
"Shanghai Gesture," the phosphorescent
spook from "The Spider," the mission-
ary grown rather human, trom "Rain,"
the skeleton trom "The Wooden Ki-
mono" and the inexitable cockney come-
dian from almost any British colonial
drama worth mentioning The pathos
and thrills are provided by a lady of set-
upon virtue with a tropical disease which
attacks the intestines, a renegade doctor
who is a dope fiend, an operation per-
formed on the stage, the shooting of a
black ea\'esdroppcr, the wearing down
of a man's ncr\c to the point of insanity
by espionage, a maddened pack of black
savages bent on sacrifice in the name of
voodooism, a spiritual seance, a native
girl on the point of having her tongue
twisted, the escape of the hero and
heroine through a malarial jungle after a
ten days' battle with murder, sickness
and sudden death, and the most relent-
less, doggoned, black-snake wielding,
persecuting hero-villain in a wheel chair
that we has encountered outside the
pages of Alexandre Dumas or Uncle
Tom's Cabin. If you are one to be
afl^righted by so much nerve-racking in-
tensity take heart-. Comic relief in the
shape of a cockney retainer is constantly
at hand to save the evening from be-
coming too exciting or too lofty. An
actor named Buddy Clarke performs this
service with unction and an authenti-
cally humorous touch throughout the
entire play. Mr. Clarke is a comedian
born and we suspect that his training has
been extremely competent The only
clever lines in the play fell to his lot and
he wrung e\'ery one of them dry Wc
further suspect, from the gentleman's
nimble footwork, that he could shake a
festive hoof. Musical comedy should be
his oyster, or we miss our guess
One thing has worried us, however,
since we came away from the perform-
ance. Did the lady with the tropical
disease ever swallow the medicine that
IH' CHARLES CALDWELL DOBIE
the magnificent black runner brought
for her salvation? It was very precious
medicine and yet, once it arrived, no-
body seemd to take the slightest interest
in it. However a medicine-taking scene
was the only dramatic situation which
the authors missed Wc are not com-
Farewell
By Rex Smith
/ sit by a (J ale '
Inhere roads wind ouf~^
Toward loneliness.
The niflhl conies down.
And stars peep, wondering
If I am wean/
People pass me and smile/
E' en there are those who sneei^
As they wander hi/
When theii are pone awai/
I close mi/ ei/es
To the terror of lonfl silences . . .
And hold a hroken hearts'
In outstretched hands . . .
As I sit hi/ a (/ate
Jf'here roads wind ouL^'
Toward loneliness,
Just waitmfl
To tell i/ou, "Good-hi/e!"
plaining, we got more than the worth of
our passes, but we should like to feel
that the hero averted the disaster which
threatened the intestines of the lady of
his heart. t t t
IF THE opening bill of the Players
Guild had done nothing more than
confirm our impressions of the ex-
ceptional talent of Beatrice Benadarct it
would have served its purpose so far as
we were concerned. But the production
of "The Witch" went infinitely further.
It provided good poetic melodrama and
by the same token, a nnson d'etre for the
Guild's existence Even with the gloom
spread almost too thickly over four acts,
the compensation of real dramatic thrills
repaid the audience for its fictitious suf-
fering We think the author might have
managed, with a little ingenuity, to
bring his climax within the range of the
third act and spared us the lugubrious
cathedral scene Personally, we should
rather see a witch burned at the stake
than attend a funeral service of any kind
and, when the curtain rose upon an in-
terior resembling a mortuary chapel, we
felt distinctly trapped However, as soon
as the bells stopped tolling and the peas-
ants had their cry out the family began
to row and things looked up There is
nothing so dramatically heartening as a
good family rumpus, especially one that
involves a mother-in-law and her son's
wife. But, unfortunately for all mothers-
in-law, tried and true, the period in the
world's history when daughters-in-law
could be bundled off to the faggot pile as
a witch has been dishearteningly brief.
But if there is one function in which the
drama excels it is in providing vicarious
thrills for its audience and we are sure
that many a mother-in-law had a happy
ten minutes before the final curtain in
identifying herself, through the compe-
tent art of May Nannery, with an old
lady who could triumph so completely.
The only comic interlude in the play
produced an astounding bit of portrai-
ture by V. Talbot Henderson. We never
remember seeing a better bit of inebriety
on any stage. Mr. Henderson's very
breath seemed wafted across the foot-
lights, and the applause which nightly
followed his exit was a testimony not
only to his art but the love that the
v./orld holds for genial tipplers. Ranged
along side the God-fearing, witch-burn-
ing, exemplary characters that dragged
their tiresome consciences across the
stage, the drunken priest of Fane stood
out like a bright and shining angel of
commendable human frailty and good
will.
It is many moons since we have been
so uneasy and worried as we were in the
scene where the son and his attractive
stepmother indulged in a prolonged pet-
ting party. By the time the slam of an
outer door came to warn them that
father had returned, the palms of our
hands were moist, anticipating the usual
unpleasantness. But the author happily
descended to no such commonplace trick
as a couple surprised at love-making He
had a much greater shock in store for
friend husband, of which we shortly
became dramatically aware.
The mob off-stage gave vocal evi-
dences of virility quite at odds with the
petticoats that swarmed over the garden
wall to their witch baiting. And in the
last act the absence of any males except
the clergy at the funeral services sug-
gested that the masculine rank and file
of Bergen felt the same way about obse-
quies as we did.
▼ ▼ ▼
THE second production of the Guild,
"The Devil in the Cheese," was a
much merrier opus than" The
Witch" but chat is about all we can say
Continued on pa^c 40
NOVEMBER, 1928
17
France — The Parisian's mistress of the moment is supposed to
be smoking French cigarettes, of course, but at the Talkie pre-
hear, the frantic director realizes that he has stupidly starred a
Lucky Strike contralto.
Canada — Again we get mixed up on the accents. The plaid
shirt, coonskin cap and other paraphernalia turn Luigi into a
convincing canuck until he opens his mouth and speaks in true
North Beach.
18
THE SAN FRANCISCAN
Gordon Craig
His Influence and Art at Last Reach America
After having rung the changes ot
AA theatrical c\'olution throughout
^ \.Europe the influence ot Gordon
Craig has at last reached America, v\ here
his work is about to find "a local habita-
tion and a name" in Mr. Douglas Ross'
production ot the British artist's present-
ment of "Macbeth " tor George C.
Tyler.
Visiting Mr. Craig in his secluded
villa on the coast of Genoa a few weeks
ago, I had the opportunity of realizing
the versatility ot his genius, the spon-
taneous gaiety ot his spirit, and the force
ot his intellectual integrity. For a series
of delighttul hours, 1 was his guest at his
home at the Villa della Costa di Ser-
retto.
1 approached his gate in fear and
trembling for a photographer who, un-
invited, had tried to penetrate the day
before, had been chased from the scene
of action by a very convincing exhibi-
tion on the part of Mr. Craig's faithful
but ferocious guardian bull dog who
happens to be a retriever.
But Mr. Craig was expecting me, had
even invited me to lunch; I was relieved
at seeing his tall spare erect figure in an
immaculate white duck suit, move down
the avenue to meet me. His silhouette
under the glancing shades ot the vine-
clad pergola had the precision and deli-
cacy of some eighteenth century portrait.
Archpriest of the theatre, revolutionist
and recluse, suave and austere, a devoted
father to his grownup children, gay and
light-hearted as a boy, meditative and
eloquent as a preaching monk, his per-
sonality is as genuine and sincere as is his
straightforward yet mystery- fraught art.
It was high midday and we lunched
in the cool of the ground floor dining
room. Lobster, fried "fish fruits," salad,
spinach, figs and melon formed the
courses of the light but luscious meal
Mr. Craig; Mr. Jeffcott, British archi-
tect, his triend and collaborator; and
Mr. Ross drank the rubicund wine, "del
paese." Mr. Craig chatted in his smooth
incisive voice of theatre and theatrical
celebrities. He has known them all. His
favorites are those whose "voices are as
harmonious as their movements."
"I agree with Mussolini that the
human voice is generally ugly," he said
referring to a statement of the Duce
about his preference for the silent drama.
In comedy it is all right that it should be
so very queer — queer is a favorite word
of Craig's — but in tragedy it becomes
. . . well a tragedy. Another problem is
to reduce the speeches of the said ugly
By LILIAN GIBSON
voices to a minimum. If they had the
poignancy of conviction, they could
convey in three hundred and thirty-tour
words the whole atmosphere of a
tragedy like "Othello" which has three
thousand three hundred and thirty-four.
▼ ▼ T
WE PASSED out on to the terrace
where a table had been set out in
the shade of Mr. Craig's favorite mag-
nolia tree. Beyond through the filigree
fretwork of the olive groves we glimpsed
the scintillating serenity of Italy's sap-
phire sea. A thick cigar between his long
spatulate fingers, the aureole of his white
hair moving gently in the breeze — for in
this setting I had the unusual privilege of
seeing Mr. Craig's head deprived of its
traditional wide-brimmed black felt, in
which this indefatigable roaming theatre
reformer, Don Qui.xote and Sancho
Pancha rolled into one, has visited the
most remote corners of the world — Mr.
Craig continued to entertain us in the in-
imitable manner of the veritable "grand
seigneur." Just as we were all bent over
one of his rarest drawings, to which he
was giving an explanation of mathe-
matical exactitude, Gretchen, the Ger-
man maid, appeared on the threshold,
her widespread fingers, ten impacts on
the motionless air, a gesture that had all
the directness of drama ;
"The Goldfish have cot out!" she ex-
plained laconically.
With one bound Gordon Craig was
on the topmost terrace of his craggy
garden — the movements of this youth of
fifty-six have all the sprightliness and
surprising alacrity of those of a boy of
sixteen. Breathless, we followed more
slowly and tound, to the general dismay,
that the tank had burst and the condition
of his favorite goldfish fully corrobor-
ated the dramatic indications of the
sprawling-fingered maid. They were left
more dry than high. They lay wiggling
in the slime. Most of the afternoon was
devoted to the gathering of the goldies
to their native element. But Mr. Craig
has to a high degree that characteristic
gift of genius of doing its work in a
spirit of play; far from being upset by
such domestic happenings, generally sup-
posed to devastate the inspiration of
genius, he seemed actually stimulated
With his native genius for the stage, Mr.
Douglas Ross, rising to the spirit of the
occasion, directed operations with a
broomstick promising me that — revenge
is sweet — he would suppress this "prop-
erty" from the witches' scene in the
forthcoming production of "Macbeth."
The faithful, ferocious bull dog re-
triever barked approval during the im-
provisation. Then it was time for tea
which we took in the living room under
the shadow of a red staircase, fretted and
panelled by Craig's art to a gleaming
and distinct individuality, a living bridge
of communication between the scenes of
his labors and his repose. With a second
aereal bound Mr. Craig was upstairs in
the library, adjoining his private den;
crammed with valuable first editions
and rarest books, prints and masks from
all climes — the fruit of Craig's wander-
ings. One of his most delightfully whim-
sical essays is "Mules and Books" in
which he describes his ideals of ha\'ing
six mules on which to travel with his
son across Italy in search of literary
curios. T T T
CRAIG only produces these treasures
for privileged guests. Decidedly he
does not believe in throwing his pearls
before the swine. As 1 was gingerly fin-
gering an early Italian volume of Drama
he volunteered "The Italian Theatre is
still the most perfect."
"Why?" I asked.
Passing without a word into his den,
he took from the writing table a new
volume, his own book, on "Books and
the Theatre" and with a few strokes of
the pen on the fly leaf gave a prompt,
though apparently belated reply to my
question.
"You ask?" he wrote with a flourish-
ing query mark. "Well, the Italian
Theatre is still the most perfect because
its roots are that."
After I had thanked him for this inter-
lude, delightful and profitable to the
book lover, my attention was drawn to
a bewildering profusion of immaculately
sharpened pencils, drawn up as if for
review on the writing table. "1 never
start work before I have sharpened at
least twelve," he explained. "A good
workman is known by his tools."
Mr. Craig is as lavish with his draw-
ings as with his pencils and many a table
cloth and marble-topped table in the
"osterie" round Genoa and Florence
have experienced profane and unex-
pected washings as the result ot the pro-
jection of his unappreciated genius on
their unprepared surfaces. But the story
has it that the shirtfront of a more be-
mused waiter of "11 Ristoro" will go
down to posterity as the canvas on
which Craig improvised a much cherished
drawing of the forbidding lineaments of
Macbeth's three witches.
Continued on page 31
NOVEMBER, 1928
19
Draa'ini/,r hi/ Gordon Craig Jor the AngLin-Lyn Harding reiu\'a/ oj "Jlacbeih"
These stage settings of tlie lofty and steep rock which is JIachetli's Castle and the bridge, on which Macbeth first
meets the witches, coin>ey Gordon Craig's interpretation oJ the mysterious beauty
and splendor of Shaftespeare' s great tragedy
20
THE SAN FRANCISCAN
Transients
Nahum Zemach of the Habima Theatre of Moscow
BvJACKCAMBELL
Two geniuses of the theater have
blenjcd their talents to imbue
"The Dybhuk" with its highly
efficacious presentation at the Temple
Playhouse where it is now being given a
two-week engagement Rabbi New-
man, another many faceted phenomenon
with spectacular sense ot showmanship
wedged in between a rich intellectual
background and an incense religious tra-
dition, is the force which brought the
pair together.
In Zemach one discovers the age old
tradition of Eastern Europe, steeped in
folk lore and the uncommercial theater.
Here is a spirit which founded the
Habima Theater of Moscow and which
has starved to enjoy its fulfillment.
With "The Dybbuk," the director
has matured. He has consorted with this
Galician folk play. Ansky, the author,
was his friend and attended the prelim-
inary rehearsals. Into the tradition and
background of the work he has probed
deeply, eliciting theretrom not a national
outlook but a broader viewpoint, which,
when reflected through his actors, has a
universal aspect.
Zemach has made many productions
of "The Dybbuk." The reactions of the
publics of Moscow, Berlin, Paris and
New York to this extraordinary drama
have been recorded. So that to San Fran-
cisco, he has brought no work in an ex-
perimental stage.
Not infrequently have the curious de-
manded how the director has been able
to transplant the locale and the spirit of
the middle age in Galicia to the Temple
Playhouse. This was not an infertile
field, having a background of both feel-
ing and tradition for the sentiment of the
play, but placed in its highly modern
environment, it might appear somewhat
out of place.
Included in his production of "The
Dybbuk," however, Zemach brings his
own atmosphere. In the place of much
of the dialogue, he has substituted pag-
eantry and music. Drama to him is
movement And whether it is expressed
by word or by picture, is not of supreme
importance.
As he traversed the continent, the
director mused on a leisurely presenta-
tion of the play which might be fully
prepared sometime in the spring From
these dreams he was rudely awakened as
he discovered that it was scheduled to be
given in a brief ten weeks.
T ▼ T
IT IS the constant wail of the American
director that he is allowed insufficient
time to prepare a play. But what would
some of our impressarios o( the foot-
lights do with ten weeks? The majority
would tremble at such a prolonged fa-
miliarity with the actors, in which a
mutual disinterest might grow.
But Zemach quivered with doubt at
the thought of a short ten-week period
in which to stage "The Dybbyk." He
desired six months. Late in August,
however, he assembled the cast.
Those players who merely appeared
were the first to meet the director. No
matter how brief their stay on the stage,
he gave them two or three hours pri-
vately. Into the history of every person
before the footlights he plunged. If the
character were an inconsequential gypsy,
then he traced her entire life to the time
of the play for the speechless actor.
Where was all this in the script? It was
nowhere to be found as Zemach carried
this in his mind. Then to clarify his
theories, he enacted the entire work in
pantomime for every member of the
cast. And it may be remarked that he is a
very splendid actor.
The majority of the cast at the Temple
are amateurs. Or at least, they were
amateurs After ten weeks with Zemach
any one of them should be entitled to
professional consideration. In this brief
space of time he has given them a year's
training in stock and a couple of seasons
in repertory. Stranger still, they all seem
to realize this and have demonstrated
the most amazing loyalty.
▼ T ▼
ZEMACH is modern. He belongs to the
theater of the moment He believes
in "style" above all else and condones no
arty pretensions which are employed to
deceive the audience. There is a rhythm
in his work. This is a rhythm which he
imparts to the cast and which they in
turn must pass over the footlights to the
audience. If the spectators fail to suc-
cumb to the spell, then there is no play.
The work has failed.
In speaking of the theater in Russia
today, Zemach has naught but praise for
Stanislavsky. There are four principal
theaters there, though all of these are
offshoots of the great master. The most
recalcitrant, the Meirhold, is the one
which is returning at present to the orig-
inal ideas of the founder of the Moscow
Art Theater.
The director dodges a lengthy discus-
sion ot the American theater. There is
O'Neill CO be sure But he believes that
the theater of this country lacks as yet
any definite style. Americans can dress a
stage, but fail to fill it adequately. He
admits he knows little of the American
theater and bases his remarks solely on
general observation.
The actor is the supreme tool of
Zemach's art. The staging, lighting,
and the play itself pall before the im-
portance of the actor. Here is no puppet,
but a living force The director stated
that he didn't care for detail A window
might be demanded in the script and yet
he didn't care if this was made of glass
or of tissue paper on the stage There
need be no window at all so long as the
actor plays as if there were a window '
there
T T ▼
IT HAS often been stated that artists :
have no business acumen. But to )
attend one of Zemach's rehearsals is to i
see the modern business man directing :
the destinies of an extremely sensitive .
work. Here sits the magnate with his •
many helpers. He jots copious notes. He
demands attention, silence, and precision.
The slightest misstep calls for a repeti-
tion.
Whether the director will progress on
the Pacific Coast beyond "The Dybbuk"
is a question. He has brought the play to
San Francisco and it is enjoying rare
success.
Soon he plans to depart for Holly-
wood to essay a career in the cinema. He i
will also retain an interest in several
stage productions in the south. But
whether or not he will find California a
fertile field for his art beyond "The Dyb- |
buk" is not certain.
Perhaps like Dantchenko and Janis
Muncis he will await his opportunity.
But unlike these predecessors, he should i
not fade from public view. I
Alone his opportunities are limited.
But backed by the ideals and the spirits
of Irving Pichel, his future is wide. He
could supply the tradition and Pichel
could furnish the ground upon which to
plant the past
Irving Pichel is California of 1928. A
much younger, a much more vital, and a
much more healthy American than that
of New York. Nahum Zemach isj
Russia of 1928, tinctured with the Yid-
dish tradition. Together they could pro-
pel a magnificent gesture to the front for
our theater.
NOVEMBER, 1928
21
Josephine Dunru
Tlu.f charming i/oung actress is atlraclinq attention playing opposite Al Jolson in "Tlie Singing Fool" now at the
Embassy. She is here caught in an injormal pose backstage by the camera oj Ruth Harriet Louise
22
THE SAN FRANCISCAN
Those Were The Days
Some Forgotten Stories of San Francisco's First Stock Exchange
BACK ill September 1S62 a hanJtul
o[' San Francisco stock brokers
called a meeting, as a result ot
which, there came into being three days
later, the San Francisco Stock Exchange
Board, the first organization of its kind
in the city. The first board room was a
single room in the Montgomery Block;
three transactions comprised the first
day's business The original membership
numbered forty and the initial price of
seats was $100. Within a year member-
ship had doubled and scats sold at # 1 000
Within ten years the exchange was
housed in its own building and was one
of the most spectacular in the country.
Financial powers and investors in New
York, Paris and Berlin held their breath
over the fluctuations ot the San Francisco
stock market, then in the midst of the
tamous Comstock Lode Boom of
iS72-'75.
During the inter\'ening years the
exchange has continued its growth. But
its size is of minor importance beside a
certain psychological factor. It has pro-
vided San Franciscans with a gigantic
gambling pit, an indispensable necessity
to a city which came into being by a
wholesale speculation; was founded by a
race of gold seekers and empire builders
One by one slot machines, taro and
poker tables, roulette wheels, Chinese
Lotteries, prize fighting and horse racing
have been legislated into oblivion. Only
the stock market has survived and is
happily reasonably safe from the raids of
those who seek to save their fellow men
from erroneous and reckless ways.
in the days of the bonanza kings the
Pine and Leidesdorft corner saw financial
history of large dimensions made; saw
fortunes by the hundreds won and lost
by the veriest chance. Our present "Big
Board" trading will again center such
activity in haunts made famous by the
events of halt a century ago, although
there are plenty of old timers along the
street to tell you that, stock trading has
degenerated sadly. System, science, chart-
ing, graphing and card indexing has
robbed it of its old flair, bravado and
chance.
The Stock E.xchange Board grew out
of the discovery in 1859, of Nevada's
Comstock Silver Lode, which unrolled
virgin horizons for miners, mining com-
panies and attendant speculators Mont-
gomery Street and the thoroughfares
crossing it from Market North to Wash-
ington sprouted broker's offices. Where
there had been one there appeared two.
These offices dealt almost exclusively in
By ZOE A. BATTU
mining stocks and it was also customary
tor them to sell actual feet or yards in
any given claim or mine. Thus John
Smith would give his broker an order to
buy, outright or on margin, or sell ten
teet in the Silver Pit Mine. There was
no central market or exchange upon
which stocks or mine feet were listed,
uniform prices fixed or orders executed.
So the broker would take Smith's order,
together with several other orders to buy
or sell and shop around among his
brother brokers to see what they might
have to buy or sell. By bargaining here
and there, he would finally execute his
orders at figures satisfactory to his
clients.
T ▼ ▼
THIS was in the days well before those
messiahs of service, safety and finan-
cial sanity had found their voice. Public
education was deplorably deficient in the
superior wisdom of salting away a
goodly portion of one's capital in bonds,
in diversifying one's wealth, in buying
stocks whose probable future value had
some basis in fact and finally in desisting
from the hazardous pastime of buying
on margin unless possessed of unlimited
resources. In the case of bonds, it was
vaguely understood that they existed
and were bought by banks, insurance
companies and timid souls whose moss
back conservatism made them satisfied
with a measly three, four and five per-
cent. For the first class operator, they
were obviously a piker's game. This
scandalous condition prevailed among
the rank and file of San Francisco's in-
vesting, or rather speculating public
until well up to the beginning of the
present century, and prior to that time
it is said that, a bond could be dropped
on Montgomery Street and anyone find-
ing it would not know that he had tound
anything ot value.
Such speculative, open handed meth-
ods naturally created in Montgomery
Street a rare spirit ot intormality, daring
and camarderie which kept the high
finance of the day agreeably tree of the
tedium and tense solemnity that now
attends such matters. For instance wc
are willing to place a large bet that never
again will Montgomery Street see a loan
made with such large nonchalance as
that made by William C. Ralston of the
Bank of California to James R. Keene,
broker,
Keene was noted as one of the shrewd-
est iTien on the early board and possessed
of a sort of sixth sense for rises or falls in
the market. At the beginning ot the
Comstock Lode Boom he foresaw a
phenomenal opportunity for profit, but
required ready cash tor his operations.
He went to Ralston, then at the height
ot his power as the West's great banker,
and noted tor the dispatch with which he
granted or retused loans. Keene made
his request. Ralston listened. "How
much do you want?" he asked the appli-
cant.
Keene was vague. He didn't like to
limit himself to any set amount.
"Well," said Ralston, "you can draw
until I call a halt."
Keene drew $1,300,000 before halted
and repaid the entire sum.
T T ▼
AMONG the cherished anecdotes of
the old street are the practical
jokes played by board members upon
their fellows. A certain Jack Rabbit
story is typical and choice. Joseph King,
board member, had purchased a ranch in
Marin County. He carelessly mentioned
one day the possibility ot raising rabbits
on it. Instantly all sorts of chaff and
nonsense swept the Board Building halls
about King's rabbit ranch. One morning
he took his seat in the board room, and
opened the chamber beneath his chair tor
the deposit of a top hat. Out jumped
one large, very scared, long eared Jack
Rabbit. The bunny bounded to the
middle of the room. The entire board
membership gave chase. For the better
part of half an hour upwards of 100 able
bodied men dodged around furniture
and through corridors before the agile
prey was cornered. He was solemnly
presented to King by a panting, dis-
heveled group. One dignified old gentle-
man had lost his wig in the scuffle.
Another favorite diversion was the
placing of bets as to whether certain
stock prices would go up or down. Ot
these the most famous was one made at
the height of the Conistock Lode Boom.
Bill Brown bet Jack McKenty $5000,
fifty cases of champagne and a dinner at
Martin's Cafe tor all witnesses to the
wager that. Consolidated Virginia, then
selling around 300 would go to 500.
Consolidated Virginia ultimately sold
at 700 (Bank ot Italy and buyers please
take note). When it touched the 500
mark, about ten days after the bet was
made, McKenty without humming or
hawing sent Brown his check for $5000.
A large crowd had witnessed the placing
of the bet and McKenty rounded them
up, hired Martin's Cafe (seemingly noted
tor the excellency of its cuisine) tor the
Continued on page 31
NOVEMBER, 1928
23
Courtesy oj the GUMP galleries
The Alaska Packers
In Ihis woodblock Judson Starr recalls to mind the days when San Francisco Bay was thronged with incoming and
outgoing sailing ships, the last remaining fleet of which now lies at anchor in the
Oakland estuary ajter its last trip in Alaska waters.
24
THE SAN FRANCISCAN
Jlrs. Leon Roos
JOHAN HAGEMEYER
who has recenlhi been acclaimed a poetess oj merit Already distinguished jor her heauti/ and charm, Jlrs Roos
becomes, with this added attribute, a unique figure in San Francisco societg
NOVEMBER, 1928
25
The Reigning Dynasty
WEDDINGS
BIGI:LOW-McCANN. (in October II. Miss Jane
PcitLcr McCann, daughter of the late Mr and Mrs
William D McCann, to Mr Windsor D Fiicclow son
of Mr and Mrs. J. K. tiiscluu
FENWICK-LEDVARD, C1n (ktohcr IJ, in New
York. Miss Dorothy Lcdyard. daughter of Mr and
Mrs. Lewis Cass Ledyard of New ^ ork to Mr, Hugh
McLeod Fenwick. son of Mrs Agnes [~cnwick of San
Francisco.
MILLER-THOMAS On October II, Miss Mary
Emma rhomas. daughter of Mr and Mrs Benjamin
Franklin Thomas "of C)akland. to Mr Harr>' ti^ast Miller,
Jr . son ot Mr and Mrs Harry East Millerof Piedmont.
BREEDEN-YARD On October 23 Miss Janice
"^'ard. daughter of Mrs. Willis S. Yard of San Francisco,
to Bernard A. Breeden. Jr , son of Mr. and Mrs. B. A.
Breeden,
FULLER-SHARP. On October 17. Miss Adrianne
Sharp, daughter of Mr. and Mrs. Arthur Maxwell
Sharp, to Mr. Frank W. Fuller. Jr.. son of Mrs Frank
W Fuller and the late Mr. Fuller.
RULE-PACKER. On October 17. Miss Carlotta
Jane Packer, daughter of Colonel and Mrs, Gouverneur
Packer to Arthur Richards Rule, Jr., son of Mr, and
Mrs Arthur Richards Rule of Westfield. Long Island.
WILBUR-JORDAN On October 20. Miss Ruth
Esther Jordan, daughter of Mr. and Mrs Benjamin
Ely Jordan, to Dr Dwighc Locke W'jiber, son of Presi-
dent and Mrs. Ray Lyman Wilbur of Stanford Uni-
\ersity.
ENGAGEMENTS
Miss Betty Downey, daughter of Mr and Mrs Perry
Cumberson of Menio Park, and Mr. Richard Herold
Westphal. son of Dr. Edward Westphal of San Fran-
cisco.
Miss Beatrice Horst, daughter of Mr. and Mrs. E.
Clemens Horst. and Mr, Edward Phys of Antwerp,
Belgium.
Miss Elizabeth Anne Whitney, daughter of Mr, Vin-
cent Whitney and Mrs. Landers Whitney, and Mr.
Novvin Gable of Los Angeles.
Mrs Stephen H. Tyng. Jr , daughter of Dr. and Mrs.
Homer Wakefield of New York, and Mr. Donald
Clampett. son of the Rev. Frederick W. Clampett of
San Francisco.
VISITORS ENTERTAINED
Sir Austen and Lady Chamberlain and Miss Diane
Chamberlain were guests of Mr. and Mrs. William H.
Crocker at "New Place." in Burlingame during October,
Miss Katherine Wigmore of Los Angeles, the fiancee
of Mr Atherton Eyre of MenIo Park, was the guest of
Mr. and Mrs, Edward Lilliburn Eyre at their home on
the peninsula.
Miss Jean Ferris of London, niece of Mrs. Alexander
Hamilton, is spending the winter with her kinsfolk in
San Francisco-
Mrs. Cyril McNear. whose home has been in Los
Angeles for several years, was entertained by her
brother-in-law and sister, Mr. and Mrs. Robert Watt
Miller in Burlingame, previous to Mrs. McNear's
departure for New York.
Mrs Joseph Forbes of Biarritz, and her daughters,
the Misses Madeleine and Joan Forbes, visited for
several weeks in Burlingame. the guests of Mr. and
Mrs. George T. Cameron, also with Mr. and Mrs. Nion
Tucker.
Mr, and Mrs. Harold Chase of Santa Barbara were
guests of Mr. and Mrs. Archibald Johnson of Burlin-
game during the past month.
HERE AND THERE
Miss Mary Clark, daughter of Mrs Tobin Clark
entertained at the family home. "El Palomar." at
dinner, in honor of Miss Diane Chamberlain, daughter
of Sir Austen and Lady Chamberlain.
Honoring Mr. and Mrs. Alexander Hamilton, re-
cently returned from abroad. Mr. and Mrs. Latham
McMullin gave a dinner party at their Menlo Park
home.
Miss Daisy Bell Overton, who is to be one of the
winter's debutantes, was guest of honor at a large
luncheon given by Miss Laura McKinstry at the
Western Women's Club,
The San Francisco Branch of the Junior League gave
a Fashion Show and tea at the Hotel Mark Hopkins in
October. Another tea will be given in November.
On the third Friday in October the first meeting of
the Junior Assembly took place at Century Club. The
patronesses for the season include Mrs Bruce Corn-
wall. Mrs. John Pigott, Mrs. Effingham Sutton and
Mrs. Frank Somers.
Mr. and Mrs. Howard Spreckels gave a "circus"
dinner at the Burlingame Country Club in October,
entertaining a hundred guests.
Mr and Mrs Alan Lowry were dinner hosts at ihcir
home on Washington Street where they entertained
fricnd.s who had joined in being guests of Mr and Mrs
Nion lucker at a house pariv given by the latter on
the Rogue River,
Miss Evelyn Taylor, daughter of Mr and Mrs
Augustus Taylor of Menlo Park and San Francisco,
was presented to society at an elaborate ball given by
JX^T parents at the San Francisco Golf and Country
Club on the evening of September 29.
Among the affairs given for Miss Adrianne Sharp and
her fiance Mr. Frank Fuller, was a dinner in Burlingame
given by Miss Josephine Grant.
Incidental to the racing season that opened at Tan-
foran, Mr and Mrs Archibald Johnson were hosts at a
large luncheon given at the clubhouse at the track on
the day the race meet opened. Mr and Mrs. Alexander
Hamilton have also been entertaining incidental to the
racing events.
Mr and Mrs. Lindsey Howard entertained at dinner
at the new San Mateo Polo Club, where thev enter-
tained sixteen guests.
Mr. and Mrs William G Parrott entertained a group
of their Burlingame friends at their ranch in the
Cacahaqua Valley near Del Monte,
The St. Francis \'acht Club celebrated "boat owners'
day" bv holding a bay cruise that ended with a barbe-
cue at Paradise Cove. Mr. Hiram Johnson, Jr.. enter-
tained a party of one hundred aboard his yacht, the
Kemah.
Mrs George S. Garritt entertained a group of friends
in the Jackling apartments at the Hotel Mark Hopkins
where she gave a musicale of her own compositions.
Mrs. Charles N. Feiton was hostess at a luncheon
at her country home near Los Gatos. later taking her
guests to the garden party given that afternoon by
Dr. Harry Tevis at his home near Alma.
Mr. and Mrs. Edward L. Eyre have closed their home
at Menlo Park and are now occupying their town house
on Pacific Avenue
Other prominent San Francisco society folk who are
again established in town for the winter are Mr. and
Mrs. Warren Spieker. Mr. and Mrs, Frank King. Mr.
and Mrs, Charles McCormick, and Mr. and Mrs
Stewart Lowery.
Mr. Templeton Crocker has taken the George T,
Marye home in Burlingame for the winter. His own
home in San Mateo will be occupied during the coming
season by Mr. and Mrs, William W. Crocker whose
peninsula house "Sky Farm" was destroyed by fire
early in October,
Mrs, Phil Ward entertained Mrs. A. S. Lindstrom,
Mrs. J. H. Young and Mrs. L. M DuCommon at a
luncheon in honor of her house guest, Mrs, Ivan Ward,
at Walter's Oriental recently.
Mrs. William B. Bourn has returned from abroad
and is in her home in Burlingame Hills. Her daughter
Mrs. Arthur Rose Vincent and Miss Elizabeth Vincent
are expected to spend the winter in California. They
have been dividing their time between the Continent
and their home in Ireland.
Mrs. R. P. Schwerin will spend the winter at the
Western Women's Club in town.
Mr. and Mrs James Jackman have returned to San
Francisco after a visit in New York with Mr. Jack-
man's kinsfolk,
Mr. and Mrs. Rudolph Schilling of Woodside have
taken an apartment on California Street for the winter.
Miss Ysabel Chase has been entertaining house
parties every week-end at her Pebble Beach home.
Mr. and Mrs Malcolm Moulder (Anne Cope) are
now established in their new home on Russian Hill.
Mr. and Mrs Heber Tilden (Eleanor Weir) have
taken possession of their new apartment on Pacific
Avenue.
Mr. and Mrs. Dana Fuller were hosts at a dinner
dance given at the Burlingame Country Club, following
one of the race meets at the Tanforan Jockey Club
Mr and Mrs Fuller are now occupying their new home,
formerly the Kenneth Monteagle residence on Edgehill
Road, San Mateo.
Mr. and Mrs. Georges de Latour. their son-in-law
and daughter. Comte and Comtesse Galcerand de Pins,
little Miss Dagmar de Pins, are again in California.
They will be at Beaulieu, the country home of Mr. and
Mrs. de Latour. until early November when they will
come to town-
Miss Jennie Blair has returned to San Francisco after
a year's residence abroad and is again making her home
at the Clift Hotel.
SAN FRANCISCANS IN THE SOUTHLAND
Mrs. George Stevenson has gone to Los Angeles
where she and Mr, Stevenson wilT make their home for
some time to come.
Mr and Mrs. Aimer Newhall and Mrs. Hall Mearn
Newhall spent several days in Los Angeles. Young Mr
Hall Newhall will attend a bovs' school on Catalina
Island this winter. Mr, Scott Nfewhall is in his second
year at a boys' school in Claremont.
Mr. Lansing Tevis is in Los Angeles for an extended
period. He recently visited with his father Mr William
S. I evis, Sr . at the latter's home on the peninsula
Mr. and Mrs Albert Drown iitjardman are tn Sche-
nectady, New York, where they will spend a year
while Mr. Boardman completes a study course. M^^.
Boardman was the former M«s Olive Lake of Ross
Mr. and Mrs
on a visit.
Kenneth Kingsbury are in New York
Mi>s Maye Colburn i
in New York
a guest at the Hotel Chatham
Mrs- E, O McOjrmick and her daughters, the Misses
Mary and Margaret McCormick will spend the greater
part of the winter with relatives in New York.
Mr. and Mrs, Warren Dearborn Clark spent a few
weeks in New York, guests at the St. Regis.
Mrs. Lalor Crimmins and her little son are in New
York where they will visit with Mrs. Crimmins' rela-
tives. Mrs Crimmins was the former Miss Mary
Averill of New York.
Mrs. Samuel Austin Wood is in New York for an
extended visit. Mr. Holman Wood, the younger vjn of
the family, has resumed his studies at Yale,
Miss Virginia Phillips, the daughter of Mrs. Grattan
Phillips. Sr.. has gone to New York and will attend a
dramatic school preparatory to becoming a professional
actress.
Mr and Mrs. Wil
ing in New Y-
apartment in the Ritz Tower.
Iliam Randolph Hearst. Jr. are
wintering in New York where they have taken an
Miss Harriet Brownell is in the East and will be a
bridesmaid at the wedding in New York of Miss Ruth
Ledyard and William K. H. de Rahm.
Miss Dorothy Mein has gone East to be one of the
bridesmaids at the wedding of Miss Dorothy Vilas of
Chicago and Mr. John Towne. Jr.
Mrs. Tobin Clark was in Newport recently, the guest
of friends. Mrs Clark has taken apartments at the
Savoy Plaza in New York until the first of the coming
year-
Mrs. E. W. Bullardof San Francisco has been visiting
Mrs. Frederick Kellam at the latter's home on East
Seventy-seventh Street. New York.
Mrs. George P. McNear. who is now in New York,
entertained a number of friends at a luncheon at the
Plaza recently,
Mr. and Mrs. William Boyd and Miss Hope Bliss
were in New York for a few days prior to sailing for the
Mediterranean,
Mr. and Mrs, Robert Pearce Myers (Rowena Mason)
are established in an apartment in New York. They will
make their home in the East for an indefinite period.
Mr. Myers has an important position with the Radio
Corporation of America.
Mr and Mrs. E. J. Tobin are again at their apart-
ments at the Ritz after a visit to Newport.
Mr. and Mrs, Henry C. Breeden sailed from New
York recently to pass two months in Italy.
Senator Tallant Tubbs was in New York for a few
days before sailing for Europe
Miss Jane Cooper, daughter of Mr and Mrs Oscar
Cooper, has been visiting Miss Nadjeda de Braganza
at the latter's home at Newport Miss de Braganza is
the grand daughter of the late Mrs. Jean de St Cyr of
San Mateo
Mrs. Benjamin fdc Wheeler tarried in New ^'ork for
a few days on her return from Europe Then she ac-
companied her son Benjamin Webb Wheeler to Ann
Arbor where he is a student.
Judge and Mrs. Sidney Ballou and their family are
now established in their new home in Sutton Place.
SAN FRANCISCANS ABROAD
Count and Countess Andre de Limur (Ethel Crocker)
are again established in their home m London after
passing the summer and early autumn with the Count-
ess' family in Burlingame.
Mr. and Mrs. Sidney Ehrman and Miss Esther
Ehrman will spend the greater part of the winter tn
England.
Mr. and Mrs Daniel C Jackling are ha\ing their
yacht, the Cyprus, put in readiness for another long
tour that will include the Mediterranean ports and
Africa.
The Misses Cecilia. Maud and Cornelia O'Connoi
are in their apartment in Paris for the winter.
Mr. and Mrs Oscar Cooper are sailing soon on ihu
Isle de France and will pass the winter abroad
Mr and Mrs Jlohn S. Drum and Mrs. Mountford
S. Wilson will sail from Havre early this month en
route to California.
26
THE SAN FRANCISCAN
Berlin Today
A View of the German Capitol Ten Years After
By ARNDT GIUSTI
IT IS very pleasant Under Jen Linden,
and as you stroll idly about you can-
not help but notice it — the German
nemutlichkcit. It is everywhere in evi-
dence. No one appears to he in a hurry.
True, the taxicahs travel svvittly, but
that is because the tariff is so low that
they must needs be busy all the time in
order to make both ends meet. Few
people own automobiles. For the most
part, they are not rich enough, and then
they ha\'e not the American outlook on
life. The German knows the difference
between what is luxury and what is
necessary to his well-being ; the Ameri-
can, all too often, does not Besides, dur-
ing the war, and atterwards during the
financial inflation, the German people
ha\'e suffered so much that now, like one
recovering after a severe illness, or, per-
haps more apt, like a prisoner who has
regained his liberty, they find great joy
in little things, they live more poig-
nantly, thankful merely that they are
alive.
But now you reach the great Branden-
burg Tor, a frowning gateway that
might well guard the entrance to some
grim prison. Instead, through it, you
pass into the Tier Garden. Summertime
is lovely in Germany. You are reminded
of a painting by Cezanne, which, that
morning, perhaps, you saw in the Na-
tional Gallerie. The colors seem hardly
natural, and the whole effect, with the
background of intense green, is inde-
scribably beautiful. Then, if you are a
sentimentalist, you feel a little pang in
your heart, and looking round you
notice two lovers, quite oblivious ot
their surroundings, lost in each other's
embrace. Passionately they kiss and so
they stand until, with a trilly laugh, the
girl pulls herself away and, suddenly
startled, sees you watching them. She
blushes and her cheeks are like two red
apples. The boy smiles happily and pouts
his chest. You cannot refrain from laugh-
ing, and, lifting your hat, you leave
them to their happiness.
It takes about an hour to walk across
the Tier Garten, after which, tired and
thirsty, you stop in one ot the little cafes
on the Kurfurstendamm for a glass of
beer, frothy and golden, a drink for the
gods. There are in every town in Ger-
many numerous small cafes, or kondi-
tereien, and they all do a thriving busi-
ness. Here, by the hour, you can sit and
dawdle with your drink and watch the
people passing in the street, or else you
can write, or dream, or, perchance, fall
into conversation with someone sitting
near-by. Here, too, in the evening, come
the ladies of the town, the Daughters of
Joy, as the French say. Some ot them
you recognize at once, but others are
girls of breeding, the daughters of good
A Prayer
By B W.
.Make me seem .fitjnificanl^
To her, whom I admire,
Pretty and prevocativej
To him , whom I desire!
JForthy to tlie wortliy.
And shrewd to those that he.
But never, ne^'er let me seem
The way I seem to mej).
families impoverished during the war
and in the hard times that followed.
These seldom give their real names, and
if you are sensitive you can detect the
tragic resignation underneath their gaiety .
They are like virgins of old sacrificing
themselves at the altar of Priapus. But
to the artist tragedy is sometimes more
inspiring than happiness, and so, espe-
cially at the more bohemian locales, you
are often present at the birth of poem or
painting conceived over a glass of beer
at one of the little marble-topped tables.
T T T
BERLIN has, of course, its artistic
freaks. These, with their long hair
and ragged clothes, are to be seen every
afternoon and evening in the Roman-
isches Cafe, which is situated opposite
the Gedachtniskirche. Sitting there, you
are reminded of the Quartier Latin of
Paris or the Greenwich Village of New
York. Like the gypsies, the hobohemians
are the same wherever you find them.
Their conversation is, for the most part,
glib and amusing, and for the price ot a
drink they will tell you of their work and
their dreams and their love affairs, sordid
like their lives, but for them covered
with the patina of illusion. The art of
young Germany, more so than the liter-
ature, is nearly all ultra-modern, or cubis-
tic, or futuristic, or whatever you care to
call it. It may be seen to best advantage
in the tower of the National Gallerie.
But now it is getting dark, and, hav-
ing paid the bearded Ganymede, you
stroll out into the street. Perhaps you
have a taste for spaghetti or ravioli, a
pleasant change from the German cook
ing, and you find an Italian restaurant
just around the corner from the Hotel
Eden. Here, over your simple meal and a
bottle of chianti, you while away an
hour or two listening to sentimental
Neapolitan love songs played very well
by three temperamental musicians in
shabby tuxedos and flowing black ties.
Afterwards you drink coffee and cognac
in the Cafe Eden, and then, if you are
not too tired, you look in at one of the
night locales. J
T T ▼ *
BEFORE the war the night life of Berlin
rivaled, if not actually outdid, that
of Paris. But now the sporting blood of
Germany is impoverished. In place of
the old aristocracy, the dashing officers
with a cultured taste for wine and
women and song, you find a baser crop.
Then, too, the venue is different. Before
the war the night life of Berlin had its
centre in the neighborhood of the Fried-
richstrasse, while now you must go to
the Kurfurstendamm to find it. Here are
the largest motion picture theatres, the
most expensive stores, the popular res-
taurants, the chic cafes. It does not take
you long to find out that in its night life
Berlin is thoroughly Americanized. The
waltzes of Strauss have given way to
jazz. When you go to the variete you are
certain to find two or three American
numbers. The German gemutlichkeit is
gone. There are numerous American
bars, such as might have been found in
the old Bowery, where, if you are so dis-
posed, you can get drunk in the company
of vulgar barmaids. There are various
other places, where, in the tourist season,
lewd performances are put on for the
benefit of visiting Americans. But you
soon tire of all this. You feel a little sad,
and, thinking of the glorious past that is
no more, you wander home through the
tree-bordered streets, very peaceful and
quiet after the cacophony of the local.
From your room you overlook a trim
little square, deserted at that late hour
and rich with the mystery of moonlight.
Before going to bed you stand at the
open window and smoke a last pipe.
Three streets give on the little square,
and you idly watch an occasional taxicab
rushing past, the honk of its horn break-
ing incongruously upon the stillness.
Suddenly, glancing down, you notice
two lovers who have come to a stop on
the sidewalk and are kissing each other
good-night. In the light of a street lamp
you recognize the plump little house-
Continued on page 32
NOVEMBER, 1928
17
I
August 15th
September 1st
September ISth
October 1st
OcTOBER'lSth
No\'EMBER 1st
.*-^-
^— ^
(^ ol \ 1^^
^in^\/^^
^Ly
■1
Eve of Big Game
Big Game 3:00 p. m.
5:05 p. M.
The Life of a Football Player
28
THE SAN FRANCISCAN
Red and Blue Chips
Or the Financial Game of Musical Chair
SCENE : The scene is laid in any large
American city, in a ivide diversity
of places: a croivded street corner;
a man sitting in an office, telephoning; at
the bar of a men's club; or any place
iihere tivo bright young business men
might chat together.
First Bright Young N4an (brightly)
Hi, there! How's everything Making
any money these days'
Second Bright Young Man ; Not doing
much, {in a different imcc, slightly
loivered) Say . . . what do you hear
about this new stock Campbell & Co.
is putting out?
First B Y M. : {also dropping his voice)
Hear it's pretty hot I applied for 500
shares and got alloted 20, but I may
be able to get 10 more thru a fellow in
their office who knows my wife's
sister.
Second B. Y. M.: You're lucky. I only
got 10 shares, {as an afterthought)
What does the company do, anyway?
First B. Y. M.; Darned if 1 know.
These new stocks all seem to go up
anyway . . . Well, see you again.
Hope we make some money.
Second B. Y. M.; {brightly) Me too.
S'long!
T T ▼
THE sequel of this story is not that
these opportunists suffered the usual
extinguishment of their cash reserves,
but ironically enough, that the stock in
question, buoyed up by the entirely typi-
cal psychology of the financially-minded
public at the present time, actually did
open ten points above its offering price,
and moreover, stayed there Nor was
there, in all probability, anything spec-
tacular about this particular stock issue,
for in doing completely what was pre-
dicted by everyone it was acting in no
wise differently than a dozen other stock
issues in as many months
The psychology surrounding the amaz-
ing phenomenon of public appetite for
new stock issues is as interesting as it is
complex, but it is by no means new.
Grammar school histories tell of the
times when the new South Sea Company
solemnly contracted with the British
Government to pay off the National
Debt, and record, as the culmination of
this unprecedented period of speculative
mania the formation of one company
which actually sold many shares of stock
to the public in "a project the nature of
which was to be revealed at a later date."
in view of this precedent some of the
stock issues recently sold arc overbur-
dened with information.
By COVINGTON JANIN
IT IS very doubtful, however, if any in-
telligent modern financial organiza-
tion, fully cognizant of the hazards of
business operation and the fickleness of
the open market would either buy, or
sell to its clientele a stock that had not a
reasonable chance, in their own best
judgment, to pay and maintain a fair
competitive investment dividend. The
enormous initial demand and the conse-
quent skyrocketing on the stock exchanges
is at once a demonstration and a func-
tion of a peculiar and totally unconscious
"whispering conspiracy" between com-
peting buyers, which has developed more
or less accidentally from the various fac-
tors that comprise the present speculative
mind
The fabric of this psychology is, of
course, predicated primarily upon the
phenomenal rise of all stock prices on all
of the exchanges in America during the
last few years. A representative list of
stocks, selling in 1923 at an average
price of $100 per share, may now be
sold on the New York Stock Exchange
any day for more then $370 per share.
The conventional measure for the
market price of a stock is usually con-
ceded to be ten times its earning rate per
share, but stocks now frequently sell for
twenty-five or thirty times their present
earnings.
Thus it becomes evident that, although
a corporation engaging in public financ-
ing would find difficulty in inducing a
high class banking firm to pay more for
its stock, on an investment basis, than
ten times its earning rate, the public that
scrabbles to buy this stock at its initial
price is not acting illogically in expect-
ing it immediately to follow the rise of
securities in general
T ▼ ▼
10GICAL as such a public reaction may
J be the immediate cause of the char-
acteristic frenzied opening sales on the
stock exchange is the immutable law of
supply and demand The great majority
of issues recently offered to the public
have represented relatively small com-
panies just emerging from the family
ownership stage, and have a small num-
ber of shares outstanding, the total com-
mon stock capitalization usually being
between 20,000 and 120,000 shares,
only a small portion of which are ac-
tually available for public subscription.
Once it became, of a sudden, the definite
fashion for new stocks to be immediately
bid up far above their original price a
public demand was automatically created
for these new issues that made it impos-
sible to fill all orders. The unit of invest-
ment and the unit of trading are very
different things indeed. Imagine the em-
barrassment, for instance, of a man who
applied for 500 shares of stock being
offered at $50 a share if he were required
to make an immediate and cash outlay
of $25,000. If his contemplation was
really investment his application would
probably have been for less than one-
twentieth of this amount. He now
simply transfers the bill to his broker
and carries his new "investinent" on
margin.
THE net result of this buying of in-
vestment media for purely specula-
tive purposes is first, a volume of demand
quite disproportional to the available
supply, and second, a complete indiffer-
ence on the part of inost persons as to the
nature of the business, earnings or in-
herent worth of newly offered stock. It
has simply been a question of how many
shares one was fortunate enough to be
allotted, if indeed any stock is available
for outsiders at all, and it is this indirect
competition of buyers between them-
selves that causes stocks to make their
inevitable advance upon the stock ex-
change. The prelude of the street-corner
"whispering campaign," quietly but
none the less insidiously played upon the
fibres of public imagination, swells into
the violent openingchorusof theensuings
stock market drama.
Now all this is obviously an unstable
state of affairs Highly paid bond sales-
men, whose bread has been buttered very
thinly in recent months, now find them-
selves in the position of a Mr. Ricker-
fellow giving away his dimes, and their
services could apparently quite easily be
dispensed with entirely The hard-
pressed investment house becomes quite
unexpectedly the pulchritudinous pater
familias who dispenses alluring cinna-
iTion sticks to all his good little boys and
girls. Although it is quite obvious that
somebody will become the eventual in-
vestor in the maze of newly financed
Continued on page 45
NOVEMBER, 1928
29
CARACUL
in a new iicred
ef^d' ' created i'y
ourjii^kim 5taf.
H.LIEBESGbCQ
61(6 E. COLOR A
PA6ADE
ADO 6T. r? C\''^'tV*>\ 2.16
6 W. SrVCNTH 8T.
06 ANOCLr*
KtNoWh Al-outid tke World
GRANT AVE. AT POST
SAN FRANCISCO
You who know the Chocolates Kratz
will be delighted to (earn of
a two pound assortment of
these rare chocolates
that may now be had
at the Special
pricing of
$5.00
San Francisco
1 his Gift Box. formerly known as the Red Seal
assortment, is the one that first made the name of
Kratz famous. Write or telephone your orders to...
KRATZ CHOCOLATE SHOP
276 Post Street ' Telephone Sutter 1964
30
THE SAN FRANCISCAN
THE'SALAD BOWL"
»
'^San Francisco
Overland
Limited
Crisp, savory salad— as
many servings as you wish
—deftly lifted from the big
Salad Bowl to sparkling
china . . . dining cars re-
stocked daily with freshest
produce of the countryside,
and through the window —
clicking past, a review of the
Overland Trail country
famous since the days of
'49. Direct to Chicago.
Overland Route trains
give thru Pullman service
to Kansas City, Omaha, St.
Louis and points enroute.
Only Southern Pacific of-
fers four great routes to the
East, with 12 fine trains
daily. Go one way, return
another.
Southern
Pa^Mc
F. S. McGINNIS
Pan. Traffic Mgr.
Sao Francisco
Teams and Coaches
By ROLLO
THE general public is not aware of
the trials and problems of a coach
preparing for a game when his
team is to meet another well versed in
all the science and tricks ot tootbali
Space will not allow a discussion of
all teams ot the conference, so we will
limit ourselves to a brief discussion ot
some of the paramount questions con-
tronting a coach on the eve of the big
game.
The first question is man power. Take
the California ends — Avery and Captain
Phillip — (Subs — Thornton, Norton,
Brown) — the first two mentioned are as
good ends as there are on the Coast and
will compare favorably, if they are not
actually superior, to the Stanfordites —
Yes, we dare say superior to either
Hunter, MuUer, Warden or Bush.
As tor Tackles — Stanford has Sell-
man, Artman or Klaubau — while Cali-
fornia has on its line — Fitz, Timmerman
and Bancroft. Although we will give
Stanford an edge with Seiiman, Price
has two comers in Bancroft and Tim-
merman — both young — yes,"very"young
in their positions but how they can fight
and dig in.
Now for guards we are faced with
Stanford's veterans, Robesky and Post,
while California has as its mainstays.
Schwartz, Koch, Gill and Beckett — it
given a chance, watch this man Beckett
— anyone that saw him play against the
Cougars will write his name in the hall
of football fame.
▼ ▼ T
IN THE center position we inust give
Pop Warner the first choice in
Henicke, as up to the present tiiTie he
has shown more than cither Miller or
Reigles although the latter two might
improve considerably before the Big
Game.
At quarter. Price shines with Eisen —
this we all know — give Pop Fleishhacker
or Lewis, the Big Boy has our choice in
the present Warner system — we admire
hiiTi but he must take second place to
our little wonder — Eisen is more versa-
tile with more finish and experience.
For half-backs — Lorn, Barr, Rice and
Gill compare favorably with cither Wil-
ton or Lewis — giving Lom first place as
a triple threater and giving Wilton and
Lewis a little better than an even break
when compared with the other Cali-
fornia men.
^t no other place
in the world could
Jy Imported
DRY
GINGERALE
he produced
For from Isuan Springs
at Los Bancs in the Phil-
ippine Islands comes its
marvelous health-giving
water that the natives
named — "The Spirit of
Joy" and there near the
Springs grow the /res/i
ginger root and the /res/j
limes which give to Isuan
Ginger Ale its exquisite
flavor.
♦ •:• ♦
That is why the connois-
seurs in America have
demanded that it be
brought over thousands
of miles of ocean for
their gratification.
*:• *:• ''.'
I.SUAN THE SPIRIT OF JOV
IMPORTED
Isuan Dry Ginger Ale
In Manila they say
"E-SWAN"
NOVEMBER, 1928
31
At full back wc must give HofT-
./V. man the choice as Calitornia in
this position has shown little as yet this
season — but to offset Hoffman's punting
and passing the boys from Berkeley have
Lom, whom we consider Hoffman's
superior in this part of the game.
Now to proceed : We have compared
man power and we find little difference
except in weight in which we must give
Stanford a big edge. In studying foot-
ball we have seen the heavy teams beaten
and otten badly defeated by smart light
weight teams that have an offensive
consisting of speed and deception.
So, Price, with your man power give
these men plays, work out an offense
like you did against Penn. Neglect your
defense a little, let the other fellow score
but give these boys plays — scoring plays
— well executed — then surely California
will place your nanie with that of our
old friend, Andy Smith.
Gordon Craig
Continued from page IS
An evening in a popular beer garden
with Mr. Craig and Mr. Jeffcott threw
further light on the unquenchable spon-
taneity of this great artist, who has the
simple gaiety of a child. With sheer
delight he kept peering in to the great
empty hall where preparations were
being made for a performance by some
star company of comedians. It was at
this moment that I realized that reality
for Mr. Craig is the Theatre (with a
capital), the Theatre, and Nothing But
the Theatre. His fertility of ideas make
scene presentments one grand sweet
song, one tremendous improvisation.
He was at pains to e.xplain to me how
the witches' scene in "Macbeth " might
be done in fifteen different ways. He is
writing a booklet on the subject. He has
the spirit of that great period of the
theatre, the "Commedia dell 'Arte,"
when, as he remarked, "The Italian
Tragedians were so sharp of Wit that in
an hour of meditation they could per-
form anything in action." The possibil-
ities of the modern stage, given equal
genius, are, Mr. Craig contends, just as
great. Once the principle is set, the vari-
ations are infinite. It may be that this is
the spirit of America, the spirit of im-
provisation based on forethought, which
atter all is another name for vision
Those Were the Days
Continued from page 22
evening and a full orchestra. Reading
the layout of tood and wine for the least,
we were swept by turns with rebellion
and weak tears. There were rare, exotic
and Parisian sounding viands. There
were white wines and red wines. There
,1 Cruise
the Route of Romance
to NEW YORK
THE land of perpetual spring beckons just over the southern
horizon . . . Gorgeous tropical flowers are blooming . . . Lazj'
surfs lose themselves on a thousand shores. Verdant mountain
sides race up from fertile valleys . . . Coral-like cities bask and
dream in the noon-day sun . . . Over all is the color, the peace,
the irresistible charm of the tropics.
Now is the time to go. The chill winds of winter are unknown
in lovely Latin America. Commodious Panama Mail liners
intensify the delightful transition. Airy, spacious cabins — all of
them outside — assure home comforts and conveniences in eleven
ports in seven foreign lands between San Francisco and New
York. Absorbing days ashore spent in the dim aisles of musty
cathedrals or in the enchanting tropic outdoors, end aboard
ship where splendid orchestras wait to entertain during dinner
or beguile to dance or lounge.
If you would see Mexico, Guatemala, Salvador, Nicaragua; if
you would linger two days in the Canal zone and sail on under
the Southern Cross to Colombia in South America — if you would
know Havana and the joy of arriving at New York from the Sea,
there is only one way to go — the cosmopolitan Panama Mail way
— the choice of experienced travelers the world over.
Write now for reservations. Sailings from San Francisco and Los
Angeles every two weeks. First class fare to New York, famous
meals and Simmons beds — not berths — included, as low as $250.
STEAMSHIP COMPANY
2 Pine Street
SAN FRANCISCO
54S S. Spring Street
LOS ANGELES
32
THE SAN FRANCISCAN
TVTVTTTTTTTTVTTTVTVTTTTTTVTVVTTTTVVTTTTTTTTTTTTTVVTVTTTTV
The Store on the Square
Telephone "Douglas 4^00
Olds. WoRTMAN « King, B. F. Schlesinger* SoNS,/»f. Rhodes Bros.
Portlaa J
Oaklaod
Tacoma
.//•/ Jlodcrnc
Aiitujiic '
Repiicaj
Jeweliy
at lei "
llie niannei^
of Ihc '
leadint]
COIl/ll/U'/J
▼ ▼
T
Lighter
Moments
in a m
oder
n
young person s
life ....
It's not so much a question these days if one
smokes as hoiV. The knowing young person
does it gracefully . . . and will be quick to do
the honors if carrying the miniature and
very lovely cloisonne lighter sketched ($8.50)
a similar one in cloisonne ($7.50) ... or a
smart sterling silver one, ($6)
A young man's fancy
will be gratified and his vanity flattered with
an all sterling vest pocket model lighter . . .
and he'll keep his temper, too, for there are
no springs to get our of order. ($6.50)
A perfect host
is quick on the trigger with a table lighter of
nickel and leather, with a new automatic
lighting principle ($5.00)
Jewelry and SiU'erware first floor
were wines of which we have not the
\aguest knowledge by name, let alone
by m:mory or taste — Margoux, La
Fitte at $8.00 a bottle and a bottle of
champagne for everybody. The orchestra
was served with the same food and
drinks as the guests.
At two A M. it was noticed that the
party had lost its orchestra. A committee
ot one was solemnly appointed to locate
the music makers. They were discovered
in a small banquet room — every fiddler,
trombone player and drum beater among
them fast asleep with the remains of his
$8.00 bottle ot La Fitte betore him.
Brown still had coming to him his
fifty cases of champagne. The ne.xt day a
drayman delivered them to his home,
and since he had'neglected to tell his wife
about them, she and the maid refused to
take them in The women were certain
that there must be some mistake; that
Brown would never order so much
champagne. The drayman, however,
was bent on following his instructions
and he stacked the whole fifty cases in
the front yard, where Brown found them
when he came home that evening.
What finance! What a bet! What a
party ! What days when bets were made
and collected in champagne; when fifty
cases of it was such a trifling matter that
one forgot to tell one's wife about it;
that the whole fifty cases rested safely for
hours in one's front yard. Verily, the old
timers win. We yield them the palm.
Those wcriL golden days, whose like will
never again be seen.
Berlin Today
Continued fri)tn page 26
maid who every'^morning brings you
bread and coffee. Her lover is a police-
man, a strapping young fellow with a
ferocious black mustache. Tomorrow
you will ask her about him, and you
smile a little as you imagine her con-
sternation. But a church bell tells you
that it is three o'clock. Your pipe^has
gone out. You stand there a moment
longer, watching the policeman striding
ponderously through the moon-patterns,
take a deep breath ot the sweet summer
air, and suddenly you realize that for
this brief space of time you have been
happy. Perhaps you think again of the
red-cheeked, plump little housemaid.
But the great German featherbed is very
soft, and with a contented sigh you close
your eyes.
NOVEMBER, 1928
33
Concerning Bridge
A Discussion of Advanced Auction and Contract
THE conventions in contract are yet
in the making. While auction
bridge has many standardized
conventions for both the bidding and
playing, contract is too new to have
many good conventions developed.
Many of the conventions ot auction
bridge may be carried over into the new
game ot contract.
One of the proposed new conventions
for contract is the two bid to show a two
suit hand. It was suggested by a well
known writer first without claiming the
authorship but when he found a number
ot players trying it out and writing in ot
its success later he claimed the author-
ship of it and advocated it as a good
convention.
The convention may be stated as fol-
lows : A bid of two diamonds if made
when not required to overcall an adverse
bid so as to be distinguished as a con-
ventional bid means the bidder has a
major two suiter. A bid of two clubs
means under like conditions a minor two
suiter hand The partner ot the two bid-
der is then supposed to bid one of the
two suits called tor in which lies the
greater length.
Let us see it the convention proposed
has enough good points to make it ot
practical application. We would have to
discard the well tried out auction con-
ventional two bid to show a holding of
at least six cards in a suit, the tops ot
which are A-K-Q, a type of holding
coming up often enough to be of advan-
tage in showing.
Ih PAUL W. BLACK
Two suits hands occur in any combin-
ation of the four suits about 56% of the
time. The fact that the two bid limits
the two suit combinations in the one
case to majors and the other to minors
cuts the chances ot this occurrence in
half, or to 28% High card holdings in
which there is a bid in either suit or
strength enough to justify the conven-
tion would turther cut the chances, say
one-third, so that perhaps in 1 % of the
hands would the chance to show the
holding occur. Further, there are four
players and the holder of such a com-
bination does not always get a chance to
show the holding with a two bid which
can be distinguished as a conventional
bid. It would seem that a tair estimate
ot the chances to hold and show com-
binations of this character will be in per-
haps about one halt of one percent of the
hands.
The two bid to show a two suiter
holding is therefore not recommended
In lieu of the conventional two bid used
in auction a two bid may be used much
tnore frequently than the one just dis-
cussed to show any style of holding
which, with just the proper help trom
partner, may have slam possibilities.
Holdings which may develop slam bids,
if made known early in the bidding
rounds, will offer possibilities for bid-
ding around in the various suits to deter-
mine whether a slam bid is safe. Very
powerful hands with certain weaknesses,
of very unbalanced hands are of this
class. When using this convention the
partner will of course always make a bid
If weak he will give a courtesy raise in
the first bid. If he hold an ace he will bid
that suit to show the top card If he hold
a void suit he will bid that suit to show
no losers in it and so on until by the bid-
ding it can be determined if a slam bid
can be ventured upon safely.
Two suit hands wherein there is a bid
in either will take about four tricks more
if the suit best supported by partner be
trump, than would be possible on the
average if there were not present the
second long suit. This fact is often over-
looked by players and is an added argu-
ment for disqualifying the two bid to
show the holding because both suits may
be safely shown even though the bidding
gets to a high point. The following inci-
dent in a recent contract game will suf-
fice to illustrate the point
Dealer opened with one no trump.
Second and third hand passed Fourth
hand held the following cards: Spades,
x; Hearts, x; Diamonds, K-J-io-x-x-x;
Clubs, A-K-Q-x-x. Both sides were vul-
nerable.
It tourth hand makes a defensive bid
for a lead it may find the no trump
Houston, Gilmore & Co.
Fine Jewhxry
Post and Stockton Streets
San Francisco
34
THE SAN FRANCISCAN
rfMl^
The Fastest, Finest Way
to Hawaii
OF course you're going to Hawaii ! And the way to go
is on the swift and luxurious Malolo, sailing from
Portland November g on her special voyage to Honolulu
and Hilo, carrying representatives of Oregon and Wash-
ington chambers of commerce on the Pacific Northwest
Cruise-Tour to Hawaii. The Malolo will resume her
regular service from San Francisco to Honolulu on Decem-
ber 29, sailing that day and every other Saturday there-
after. Other Matson liners sail every week from San
Francisco as usual during November and December.
The Malolo speeds to Honolulu in four days — saving
nearly two days -and enabling you to enjoy cosmopolitan
San Francisco This splendid ship is one year old this
month
Discriminating travelers prefer the Malolo because of
her newness — her style and size — the smartest ship serving
Hawaii. A telephone and reading lamp at the head of
each bed. An entire deck for luxurious public rooms and
motion-picture theatre. Another deck exclusively for
sports and promenade Pompcian swimming pool, gym-
nasium, children's playground on the sun deck, electric
thermal baths, elevators. Meals that delight the most
fastidious.
You'll be proud to say "I travelled on the Malolo."
The schedule of rates is pleasingly moderate, $125 and
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and Australia, every 21 days.
215 Market Street, San Francisco
NIatson Line
HAWAII
SOUTH SEAS. . .AUSTRALIA
v\'ithout a stopper in the club suit and a
possible game in one of the majors. It
fourth hand passes there is little chance
that either diamonds or clubs will be
opened and the no trump player may
secure game before the two suits may be
put into effective operation. Fourth hand
decided to chance a bid of two clubs.
The no trumpet held the J with three
other clubs and bid two no trump.
Second and third hand again passed and
fourth hand ventured three diamonds.
The no trumper did not have a diamond
stopper so bid three hearts. Second hand
bid four diamonds. After two passed the
no trumper bid tour hearts. Fourth hand
continued with five clubs, and the no
trumper with five hearts. Fourth hand
bid si.x clubs and got a double from the
no trumper and then second hand shifted
to six diamonds which was doubled by
dealer.
The opening play was the K of spades.
Dummy went down with the following
holdings: Spades, A-x-x-x-x; Hearts,
x-x; Diamonds, A-Q-x-x; Clubs, x-x.
The spade was taken with the A fol-
lowed by two rounds of diamonds to
draw all from opponents. Then four
rounds of clubs were taken, on the third
round one heart was discarded trom
dummy and on the fourth the club was
ruffed from dummy. Returning to the
closed hand with a ruff of spades another
round of clubs permitted a discard of the
last heart from dummy and then a heart
lead for a ruff from dummy. Played in
this way the hand made all the tricks.
Being doubled when vulnerable the
following was the score;
Small slam bid and made . . 750
E.xtra trick 200
Making contract when doubled and
vulnerable 100
Game score 240
Rubber 5°°
Total points for the hand . 1790
To Jly Lady
(By a Hapless Copywriter
after reading Vogue)
,//i/ laJt/ ha.f a /ca.rha ffou-n hj/ Worth
Thai clings lo graclle skanlies hi/ Tiihize. . .
Her Ihigh-high hose by Gordon hints at knees,
And I'ici kids Ihe smarlesljcel on earth.
L'Odeur P u>er first ga\'e my Janci/ hirth
Enticing me with nameless mysteries. . .
Ilcr skin is pink, as Primrose House decrees,
While Pepsodenl enhances all her mirth.
Her tresses know the finger oj Emile,
Her shapely almond nails to Eclador
Do owe their sweet perjection and appeal.
But hold! Why prattle oJ these jrailties morel
They make my Lady reachle.es, I hatv learnt. . .
She's mine . . . hut I wi.fh to hell she weren't.'
— Jesse Thompson
NOVEMBER, 1928
35
Three Sad Stories
Continued on page 12
rolling, stupid throngs that come here;
the monotony of the performance; the
utter sordidness ot the management,
have disgusted me. I can hardly endure
ic
Thereafter he was quite melancholy.
The circles under his eyes were perhaps
of worry, perhaps of drink, perhaps just
paint. He looked a sick man I felt sorry
for the poor fellow and we drank on in
silence Then 1 had to leave By that time
he was feeling hctter ami 1 trust he lived
through the fifty-ninth performance tor
that year without too great pain I did
not stay to witness the performance as I
was unaccompanied and did not want to
have my religious sensibilities shocked
by the thought that the chief figure in
the spectacle was drunk.
The next day my story appeared in
the paper. It was the usual notice, in
which the Pilgrimage Play of that year
was compared with the performances of
former years, reviewing the entire organ-
ization since its inception, (long before
my birth) and then closed with a tribute
to the talent of the fine tragedian who
had enacted the role of Jesus that eve-
ning Peace to his ashes'
THE Hospital was perched on the
crest of a hill overlooking the City.
It was immaculately clean, moral,
modern and scientific. It fairly shone
with newness and was as cold as a blade
of steel. You might receive competent
surgical attention, of that you really had
no way of knowing, hut you were treated
by the authorities as though you were a
pestilence — which you probably were.
Hospital corridors at five o'clock : vis-
itors gone, inspections made, a morbid
quiet everywhere. The empty corridors
banked with flowers taken from the
rooms at five o'clock to be freshened
with water and restored as agents of
' mercy in the morning. (The flowers at
least looked kind )
I was thinking of all this, as I lay in
my room A doctor had done something
; to me : I did not know what and I think
■ he only suspected But it was over, now,
and there was time to meditate — be-
tween clean sheets and in an atmosphere
of ether and flowers. My thoughts had
settled down to the theme of how faith-
ful my loves were not being during my
illness, when a scream came from the
room next to mine And then another
scream — a childish scream. There was a
. flurry as nurses and attendants arrived.
1 Then the childish voice again in a plain-
1 tive note: "I'm going to walk! I'm
going to walk, walk, walk." My nurse
Continued on page 37
SAFETY
Photo coariesy Charing Cross Kindergarten
N
o other cars in all the world pos-
sess the safety features incorporated
in the new Cadillacs and La Salles.
Foremost among these, especially
appreciated by women drivers, is the
Security-Plate, non-shattering glass.
Now you can forever dismiss from
your mind thejfear of injury from fly-
ing fragments of glass.
LaSalle five-passenger sedan as low as
$2710 delivered here . . . Only $904 down,
balance in convenient monthly payments.
Don Lee
Operating Radio Stations KFRC and KHJ
California Distributor jor
CADILLAC and LA SALLE MOTOR CARS
Van Ness Avenue, at O'Farrell Street
^
THE SAN FRANCISCAN
1/
U^AS SHU
HEU
Winti:r hasLomcanJuithit th:
great indoors Sunburns ha\'C
faded and necklines lost cheir
horizon. Wardrobes have been selected
for a reason, rather than a season, for in
San Francisco, it is not when vvc go, but
where
The St Francis on Monday is our
most amusing gathering. Devout dis-
ciples ot I. Nlagnin, Ransahofl and
Maison Mendessole meet under the
clock and mentally glare at each other.
Copies ot models strut as if they were
originals, and copies of copies try to look
authentic. Late comers arrive with a
downward glance at orchids from Po-
desta Baldocchi, whose windows, by the
way, are more beautiful than ever
Rudic, wizh restrained adulation in-
dicates a table of unobstructed view and
promises to make our Welsh salad, him-
self. If we feel less caloric conscious than
usual, we indulge in the unbelievable
lemon pic, or Russian apple cake smoth-
ered in whipped cream
We talk ot Saturday's foot-ball game.
it was cold driving back to town, but
the new fur coat from Liebes made all
the world seem cozy It will be nice to
wear at the races, too, where bootleg
betting and synthetic tips are almost as
much fun as the bonded booking in the
good old days
T T ▼
After luncheon we stop at Newbegin's
_/\_ or at Gelbcr-Lilienthal to send
an undepressing novel to someone
who has the tlu. Teddy Lilienthal showed
me the new room ncaring completion
It will have comtortable chairs, a
Norman tire-place, and tempting book
cases to actually encourage browsing
From there we go to the City ot Paris
to see the English furniture in the Antique
Salon. On display is a set of lovely
Hepplewhite chairs and a three part
Sheraton table. They are grouped to-
gether waiting to enter some apprecia-
tive dining room The chairs are in ex-
cellent condition and the wood is beauti-
tuUy mellowed Slender ribs form the
graceful shield back and the delicate
carving is headed with acanthus cap-
pings The set was exhibited in one of
the well known London galleries last
spring.
T T T
THE aesthetic mood upon us, we pro-
ceed to Old Venice, where Mr,
Lanzoni shows us recent arrivals from
Murano, the "Island of Glass." We
wonder how the breath-like glass could
have been made by human hands, and
Mr. Lanzoni explains how the work-
man, seated upon a chair of the middle
ages, immerses a long hollow bar in
boiling liquid, then blows it into the air
When the desired size and shape is ob-
tained, an assistant, ready with another
bar, attaches a piece of molten glass.
Next he detaches the shape from the
original bar, and passes around the edge
of the object a point of cold steel with
which he pierces an opening All this
takes place in a few seconds The glass is
then put in a fire, to give it the necessary
plasticity for working in the various
designs.
We would like to listen to Mr Lan-
zoni indefinitely, but Venetian glass can-
not keep us blond That golden attribute
belongs to J Lesquendieu whose cos-
metic specialties from Paris arc to be
tound at the best shops. Flozor, for
brightening hair, is an easily applied
liquid, that subtly gains the desired
effect. The Lesquendieu creams and
lotions are fast becoming as famous in
this country as they are abroad. The
rouge Farjoli and lipstick Tussy are on
every smart dressing table. Beauty may
be only skin deep, but in this age of sup-
erficial appraisal, men do not delve.
MEN ! We hasten to the White House
to find a gift for Him, and have
difficulty in deciding which of the flannel
robes will be most brightening at the
dull breakfast table. We finally choose
one that is certain to bring forth good
natured sallies, and are about to depart
when a necktie proves utterly irresist-
ible It is part of a man's inheritance to
dislike neckwear selected by women, hut
there are ties at the White House now,
that will quickly establish feminine
equality in the haberdashery phase of
life.
It is growing late, and a woman's
place is really in the home — at least by
five-thirty. Joe Shreve is fondly patting
good-night the Cadillacs and La Salles
to which he has given police protection
despite red lines, yellow lines, and hy-
drants. Shreve is famous for diamonds
and pearls, but the real jewel of the
establishment is loc.
Ready for Christmas
iru
All Departments
Watches
Diamonds
Gold Tewelrv
SHREVE.TREAT &
EACRET
ONE-THREE-SIX UhARY STREET
Oui^ Assortment-^
Id
Ahm' Complete
Sil\ erware
Leather Goods
Stationery
I
NOVEMBER, 1928
Wc have jus: enough time to dash
into H. Lichcs & Co. for stockings and a
pair of gloves. The tahles piled with
Christmas gifts would he helpful if we
had our list with us. Oh well, the street
car ads say to shop early and avoid the
rush, so we will be downtown tomorrow
morning by nine.
Frances Francesca.
Three Sad Stones
Cunlinuec! frtjm pa^c 35
appeared just then : big, blonde, Swedish,
possessed of an amazing supply of risque
yarns.
" It is just that kid next door, ' ' she ex-
plained. "A queer case. You see some
big butter-and-egg-man, quite a fellow
here in town, got her in a bad way. She's
only sixteen or seventeen The baby died
and she's apparently lost her mind. The
man has been paying her bills, but now
that the baby is dead and she's insane, he
feels he can step out She keeps talking
that way about walking because some-
one told her she would have to walk the
streets the rest of her life."
The aroma of flowers and then quiet
again. The big Swede holding my hand
and telling me the one that the interne
told her before dinner.
Next day at noon I awoke from a fit-
ful nap. A considerable commotion was
audible across the corridor. A deputation
of ladies, big, matronly, and wealthy,
was visiting the occupant across the
way. My nurse arrived with a tray.
"What's that twitter about across the
corridor?" I asked.
"Oh, it's the funniest thing you ever
heard of! Guess who's over there? Mrs
Bivens! She's just receiving a call from
some Ladies Aid Society. They've come
to inspect the new baby and congratu-
late the mother."
"What's funny in that, darling nurse,
and who is Mrs. Bivens?"
"1 thought you knew —Why Mrs.
Bivens is the wife of the man who has
forgotten the kid who has the room next
to yours. They both had babies don't you
see — and Bivens the father of them both
— Isn't it funny the way they are here to-
gether?"
"Nurse, you must not use that word
funny so often and so improperly. Still
it is rather funny, isn't it?"
Flowers again. Ether. Sleep, drowsy
sleep, broken by the chatter of the ladies
leaving the mother across the corridor
And then they were alone ; the happy
wife who was now a mother, and the
girl who had lost her child, and mind,
and was not a mother.
37
IMPORTED
to accent u^\lc
lovely lips
1 lie la.snioiiaole Frencli
woman liiiuws tliat Lipstick
J-us.sy lenas nattiral glowing
color to tlie l»ps . • . tne
smootlines.s and fresnness of
youtn. (Six exquLsite ant!
inaeiible sliaaes Irom wliicK
to clioose. Eacli enca.ved in JL I 1^ ^ T I C^ 1%,
colorful galalitl.e— tl,e iileal TTW I ^I d^''^
lioiaer to retain ptirity and ^| ^| J ^^ ^^k ^B
freslwes.. * ^^ »-^ ^~^ *
*1.50
Lipstick Tusiy is just one of
many famous Lescjuendieu
beauty creations. A fascinat-
ing illustrated looklet, re-
printed fromtlie Frencli.will
tell you all atout tliem. Any
loilet goods department will
Le pleased to give you a
copy ot "Cosmetiques " ly
Alonsieur Lesquendieu.
\
A. Famous Doorway
in Hollywood that means home to travelers
The doorway of this hotel means home— persorell
comfort — service — pleasant surroundings. It also
means that you ar« convenifntly located in Holly-
wood— film capitol of thd world — amusement center
of Southern California.
Good Food a Feature
A French chef has made the dining room famous.
Club breakfasts, luncheons or dinners at popular
prices. Also a la carte service.
Write for reservations or free booklel entitled,
"Hollywood," — today!
The Hollywood Plaza Hotel
— tf/ierc t\v^ doorrway means \\ome to ixavcXcrs
Vine St.. at Hollywood Blvd.. HoUywood. California
' 1
1-
?vi)^^^H
38
THE SAN FRANCISCAN
The Travel-wise
Go LASSCO to
Direct from Los Angeles to Honolulu
THEY know the joy of sail-
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route ... at a speed consistent
with maximum comfort. They
want tlie best food... airy, well
veutiluted staterooms... luxur-
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And they want the
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class which is travel-
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their choice.
Specially Serviced 20-
Day Tours — »n 'he pala-
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17 and Dec. 15. Tour cost,
from S326, includes every
ship and shore expense.
For full particulars, apply —
LOS ANGELES STEAMSHIP Ca
685MarketSt.--T£(.DAi'enport4201
OAKLAND BERKELEY
41213thStreet 2148 Center St.
Tel. Oak. 1436 Tel Thorn. 0060
11-1
ilSBiOOlCS
do you know
that there are seven
burglaries to every fire
in this country yet
practically everyone
carries fire insurance —
think it over.
Robin J. P. Flynn
INSURANCE BROKER
737 Russ Bldg.
Sutter Z134
ALL FORMS OF INSURANCE
H.VALDESPINO
has opened a Gallery
£7" new Show Rooms at
347 O'Farrell Street
above his Workshop
which remains at
345 O'Farrell Street
San Francisco
Franklin 3533
By Beth Wendel
iM TuLLY takes actual
mmwssismm
"7,*iii'.^iiiiiiii.)'^M«j experience figura-
I ti\cly, and his writing
lis the dull throb ot
existence. The passing
I ot time and events
heightenhisperspective.
Perhaps Shanty Irish is
his best book, because
It is the far edge and
deep recess of his back-
ground.
The first and last part ot the book are
astounding. They are written with un-
deniable genius and the characterization
is truly great. Digression from that re-
markable realism, however, strikes a
false note. With the introduction ot
fantasy, Tully seems to mutter, "I'll
show 'em that I can even tell a tairy
story !"
The people ot the book are Jim TuUy's
family There is Biddy, his mother, who
"lived by ignorance and died by taith,"
leaving her young children only the
memory of tragic brown eyes and beau-
tiful auburn braids.
The father, "aware ot the trap in
which life had caught him, bowed to his
tutility like a gentleman."
TuUy's paternal grandfather, Old
Hugie, is a lovable, wild, iinaginative
drunkard whose passion tor whiskey and
aversion to beer brings humorous relief
to a sordid narrative.
The book has dramatic moments that
beseech a playwright to beg, borrow or
steal. The return of a horse thieving
uncle and the ostracism of an Aunt Moll
who "goes Methodist" already seem
behind the footlights That the horse
thief was forgiven but the aunt cursed
forever more is an interesting bit ot
Shanty Irish psychology and ethics.
The book is essentially sad. As in
Beggars of Life, Jarnagan, and Circus
Parade, Tully has built up an iron re-
sistance against every phase of life,
except its futility. To this futility, Tully
secretly bows his shaggy red head, then
lifts it to stare straight ahead with those
tragic brown eyes.
Jim Tully is a little man. His feet
seem too small to have tramped through
lite, and his hands seem too small for the
writing of great books. He is quite un-
accountable.
"Sh.'\nty Irish," by Jim Tully. {Albert
and Charles Boni.)
MAX Beerbohm has done A Variety
of Things. From scattered periods
ot his life are collected fairy stories,
Larvest fruits and
autumn leaves in abundance set the
stage lor the Thanksgiving festi-
val at the Post Street Cafeteria.
Throughout the month of No-
vember, pumpkin pie, plum
pudding, minced meat, cran-
berries, and other holiday
delicacies will be served
each day at noon.
A special Tlianksfln'iiiQ Lunc/ieoit'
u'l/l be j-en'ed Xoi'einber 2Slh
^ost Street Cafeteria
62 Post Street = ^an Jf rancisco
A f n' models selected hi^
Paris by Jlme.Dubarri/
.■^RE NOW SHOWN AT
-JYCilliuery Importers
233 Post Street aW 243 Post Street
S -'i N F R .A N C I S C O
Bridge Lessons
by
PAUL W. BLACK
author of
"Auction Bridge Outline"
Studio lessons at Hotel Mark
Hopkins Wednesday and Friday by
appointment. Dav. 6300.
Temple Bar Tea Room Classes:
Auction -Tuesday at 3:15 p.m.
Contract — Thursdays 3:15 p.m.
Sutter 8773
For Home Classes phone
Berk. 2018J
NOVEMBER, 1928
39
Experts approve the
acoustics of the
Women's City Club
Auditorium
which is now available
to individuals and organ-
izations for Concerts,
Recitals, Lectures and
Entertainments. It has
an informal atmosphere,
will seat from loo to 700
people comfortably — and
has effective lighting
facilities.
♦
An attractive
AUDITORIUM
on the ground floor
465 Post Street, San Francisco
Telephone Kearny 8400
memoirs, tributes, parodies and a play
They vary in vein and in quality
The fancitul conceptions ol an imaj^-
inative boy, naturally dilTer from the
sophistication of a travelled adult. Like-
wise the enthusiasm of early apprecia-
tions are later altered or subdued.
Beerbohm develops within his own
volume. A believing young person be-
comes a sceptic Combined irony and
tenderness grow more ironic and less
tender. The seeds of satire bear burlesque.
The young Beerbohm who thought,
"You aren't very nice," later shouts,
"You're terrible!"
Beerbohm is at his best in carica-
ture People jar him, and he says so
People are peculiar to him, and he visual-
izes them that way.
His drawing is more facile than his
writing, but many artists derive equal
pleasure from a secondary medium.
Beerbohm reaches his greatest height
as the bad boy of Brittania. He has been
very rude to frowning England, but
always as an affectionate member of the
family Perhaps that is why his drawings
are signed merely "Max." Just plain
"Max" could never be entirely mali-
cious. "Max" seems a bit of an apology,
too.
But all these ending comments refer
to his drawings, and as 1 said in the be-
ginning. Max Beerbohm has done A
Variety ot Things
"A Variety of Things," by Max Beer-
bohm. {Alfred A. Knopf)
▼ ▼ ▼
10UIS Untemeyer has excellent taste
J in poetry and in clothes. His anthol-
ogies are well tailored and his dinner
jacket has metrical perfection.
He is a successful business man, a
frothy lecturer, and now he has written a
novel that is a sociological achievement
Louis Untemeyer has succeeded in
making a definite personality of Moses,
the man who proposed the Ten Com-
mandments and made the whole civil-
ized world vote Yes.
Untemeyer holds aside the bull rushes
and lets lis peep. His startling brilliancy
blinds the reader to the historical research
behind the book. His spontaneous wit
quells any objection to the somewhat
shocking revelations
"Moses," by Louis Untemeyer. (Har-
court-Brdcc & Co).
T ▼ T
SO MANY modern writers are described
as "sophisticated" and "satirical,"
that the terms have nearly reached the
Continued on page 46
RWILELDEI^S
239 Posh Sh-eer, San Francisco
R#" THE
Courpyard
f
:ss>j'
HENRY H. HART
ORIENTAL ARTS
328 POST STREET
Kearny 6642
I
Q3>rt
ir<s95S
JENKS-BERETTA
OPTICAL CO.
6 th Floor Shreve Building
210 POST STREET
Alakers of
Eye Glasses and Spectacles
Exc/iisi\'e, high class
Optical seivice
40
THE SAN FRANCISCAN
S/w: You've been taking dancing
lessons on the q. t.
He: No. But why the accusation?
She: You dance so much better.
He: It's the music, child.
Not surprising, that . . . witli
Gorilon Henderson and his
Palm Court Orchestra! And,
the wholly capitivating lianct/
atmosphere!
Table d'hote dinners l$1.75 and
$2.50) and a la carte dinners without
convert charge. Supper evcrv eve-
ning except Sunday at 9 o'clock,
$1.50, and after-theatre supper 11
p. m. to 1 a. m. $1, without couvert.
For non-diners, a couvert of $1 on
Saturday evenings; 50 cents
other e\*enings idter 9 p. in. -«r-^
Dancing S p. m. to I a. in.
JruL
PALACE
nOTCL
SAN FRANCISCO
Management, HaiseyE. Manwarino
Spotlight
t Continued Irom page It)
tor ir. But, here again, as with the la-
neral scene of the opening play, our feel-
ini; may be attributed to bias Once,
when we were very young, fantasies
enthralled us But, little by little, our
delight in such dramatic fare wore away
until one day we went to see Maude
Adams in "A Kiss For Cinderella" and
we knew that our childhood had passed
True, when we last visited the Great
White Way, we were beguiled into see-
ing a performance ot "The Wisdom
Tooth," We went with high hopes chat
youth might have been recaptured but
the only comfort we had from our bore-
dom was that if youth had not been re-
captured at least second childhood
remained a comfortable distance away
The first act of "The Devil in the
Cheese" does not go fantastic until the
last ten minutes, but, even so it is not
what we should call plausible entertain-
ment. When the curtain went up we sat
confused for some moments, wondering
what was going on. We fancied that the
two men in the background walking in
circles were grinding corn. And when
the English speaking visitors began to
arrive we were further puzzled trying to
determine their sectionality, if not their
nationality. The Greek part of the en-
semble was fairly definite but the rest of
the cast had accents so at odds with
everyone else that it was a toss-up
whether the family involved was En-
glish, Mineola, or just plain Hollywood.
For all brands of the mother-tongue
were spoken, including alleged Cockney,
It is too bad that there can not be a sort
of Esperanto of stage diction evolved
tor the benefit of a long-sufTering Ameri-
can public. The only casts that hang to-
gether in the matter of stage diction
seem to be those that come to us via
London, All the rest is variety and con-
tusion.
We rather liked the old gentleman
that Talbot Henderson portrayed until
he asked the Egyptian god, whom he
had unwittingly released from thrall-
dom, to let him have a peek at his
daughter's biain. It seemed impossible
that any human could have been opti-
mistic enough to fancy that she had one.
We sat superior through the father's
request and the god's acquiescence, feel-
ing sure that the curtain would rise upon
utter darkness and continue so for the
normal time it takes to run over an aver-
age second act. But to our surprise the
daughter had something that passed for
mental equpment, and we found that
optimism ran in the family. The things
her brain conceived grew curiouser and
curiouser until the moment came when
she produced a baby painlessly in less
time than it would take a bootlegger to
Cf>nt inucd Dii page 4fi
Just to let you know where we
are located
♦
Our patrons do our advertising
for us after enjoying either
Lunch Dinner
(l2 to 2)
(6 to 8:30)
together with our incomparable
view
Julius Castle
Greenwich and Montgomery
Telegraph Hilt
Closed on Sunda\i
Pledsc reserve your table
^ ^^^^^^^^^^
YOUR NAME
ii^1lH,'\TEVER accom-
KjL/ panics your name
should do you the highest
credit ... a point we con-
sider attentively when
sending /?0Jcv'r.f tor you.
Orders telegraphed
anywhere
THE VOICE OF A THOUSAND GARDENS
224-226 Grant Avenue
Phone Sutter 6200
SAN FRANCISCO
NOVEMBER, 1928
From the Honolulu Correspondent
41
HONOLULU, October 30 — Every
boat brings more interesting
honeymooners to our flowery
shores. Recently we had the pleasure oi
welcoming Mrs. Howard Lee Schles-
ingcr and his beautiful bride, the tormer
Miss Emelie Wilson of San Francisco.
Their wedding was an event ot great
interest on the coast, and we can well
believe that Mrs. Schlesinger made a
regal picture in her bridal robes.
Another newly wedded couple whom
we have delighted to welcome were Mr.
and Mrs. Eldrege Douglass Mrs Doug-
lass was Miss Celeste Perry, a member
of a prominent Pasadena family. Mr.
Douglass is a son of Leon S. Douglass
of Menlo Park, Calitornia. The elder
Mr. Douglass amassed a fortune in the
building of the Victor Talking Machine
corporation and ot late years has devoted
himself to his latest hobby . color photog-
raphy.
Recently welcomed to the service set
here were Lieutenant and Mrs. Robert
Sylvester Nourse who arrived at Scho-
field barracks to take up their residence
for an indeterminate period. Lieutenant
and Mrs Nourse arrived on the Cam-
bria. The young officer graduated from
West Point two years ago and since that
time has been stationed at the Presidio
of San Francisco.
Two popular San Francisco debu-
tantes. Miss Ficttie Stephenson and Miss
Evelyn Lansdale, were visitors here dur-
ing September, always a lovely month
in Hawaii They were with Miss
Stephenson's lather, Mr. Ferdinand
Stephenson, and arrived, lei-laden, on
the Malolo. The party had a glorious
time while here, making the usual trips
to the volcano and to the sugar and pine-
apple plantations during the day, swim-
ming and enjoying the other Waikiki
sports and every night dancing at the
fashionable Honolulu hotels.
A charming Portland bride in our
midst was Mrs Frederick Sidney Haines,
Jr. who, with Mr. Haines, visited Hono-
lulu early in October. Their marriage
was an important occasion last Septem-
ber, now they have returned to San Fran-
cisco, which is to be their future home.
The many friends of Mrs. Eleanor
Hyde-Smith have delighted to welcome
and entertain her. Mrs Hyde-Smith is
with her son-in-law and daughter, Mr.
and Mrs. Harold Dillingham, and will
be the recipient of much social attention
while she is here.
Here, as on the mainland, football is
the all-absorbing topic of interest just
now. We do not have so many of the
"big" games that those on the coast
enjoy, but there is no lack of enthusiasm.
During October and November, Hono-
lulu is "football mad" and the games
are the central pivot about which all of
the social events revolve.
For Forty Years
IN THE seven States of the Pacific
Coast and Slope, two generations
of men. most particular of their
appearance, and distinctive in dress,
have turned to us for their made-
to-measure Dress Shirts, Tuxedo
Shirts, Sports Shirts, Neckivear,
Lounging Robes, Slumber Robes,
Underwear, Pajamas.
Do Co HEGEE
Men's Apparel to Measure
444 Post Street
Los Angeles ;
614 So. Olive Street
:: San Fr.\ncisco
Paris:
12 Rue .\mbroise Thomas
42
THE SAN FRANCISCAN
ttTHE WfilTEl^iiuaEO.
\V^ RAPHAEL WEILL 8 COMPANY/ r.
\No\vIiCanB^T(l^l4
FTEN and ottcn the
most carctul hostess
has to hear down
heavy on the will
' power to keep her
mind out o f t h e
kitchen and intent on
the conversation of
the man on her right. But as November
ncars that famous last Thursday ot the
month she can remove all inhibitions
and become as kitchen-minded as she
chooses with everyone aiding and abet-
ting her. Shopping and marketing
become a high adventure tinged with
blissful visions ot kingly feasting . . of
candle lit tables . . gleaming silver and
crystal . . all that Thanksgiving means
to the woman who lo\'es her home and
its appoinmients. The White House, ot
course, joins in the preparations.
Is the good old family roasting pan in
condition? So much depends on its co-
operation that at the first sign of insub-
ordination the best kitchens have it
deposed immediately and a new one in-
stalled. Wager Ware, solid, heavy, of
permanent qualities that endear it to the
cook of parts, is worthy of generations
of Thanksgiving turkeys.
UT this imposing
monarchotthekitchen
is in reality no more
important than the
lowliest sauce pan . .
for does not each pud-
ding dish, pie plate
and jelly mould con-
tribute its own specialty to the grande
ensemble^ Interpreted in the supreme
medium of Wagner Aluminum the most
humble utensil is lifted out of whatever
inferiority complex it may have devel-
oped. You will be enchanted, and inspired
to bigger and better kitchens when you
have seen the many helpful Wagner
Ware "little pans" of all shapes, sizes
and novel uses in the Household Depart-
ment. Kookin China is another helpful
convenience that dates your kitchen
ANY a Thanksgiving
party will gather
around a damasked
table whose snowy
linen has a White
■■House history. For
seventy-four years fine
linens have been thought of simulta-
neously with The White House. Stately
grandmothers who will preside at 1928
gatherings still have in their possession
White House linens that came to them as
brides, now valued as precious heirlooms.
In the dignified homes along Jackson
street. Pacific, Union and all those famous
up-and-down streets of Nob Hill this very
Thanksgiving will find the proudest
tables laid with White House napery
that dates back to an early period of San
Francisco society.
twentieth century.
HE Twentieth Cen-
tury vogue for pewter
^ finds an appropriate
^'Z place on the Thanks-
^^ giving table. Mellow
^^^ toned, smooth sur-
^^ faced metal in oval
-' platters, round bowls
of delightful simplicity, amusing jugs,
jars without handles, squat little candle
holders . . quaintly reminiscent ot that
first Thanksgiving day . . and so mod-
ernly attractive. The complete collection
of modern pewter (by the way, much
more pure and free from alloy than the
old) in The White House silver section
will give you many ideas in table decora-
tion.
Color always has been very much
present in the Thanksgiving scheme . .
in autumn foliage and flowers . . in the
brilliant fruits . . even reflected in the
perennial cranberry sauce and golden
pumpkin pies. Now it is welcomed in
transparent glass dinner services of am-
ber brown . . clear green . . glowing
rose . . light or dark blue . . deep ruby
red. Everything matches from tumblers
to vegetable dishes, giving a glamorous
quality to the cheerful scene. Richly
patterned Black Knight service plates
combine pleasantly with this service or
any plain colored sets. In so many inval-
uable ways The White House can help
you to make this Thanksgiving an au-
spicious opening to the holiday season.
ADVERTISEMENT
Spider Boy
Continued from page 14
gracious in its treatment of him. Mrs. I
Parsons intimates that it is time some-
thing was done about these writers who
come out here, accept our hospitality,
and then laugh at us on every page. I
agree with her. We might cease to fawn
on every one who comes within our bor-
ders. When a Van Vechten arrives we
strive to outdo one another in throwing
open our doors to him, and so enthusias-
tically do we pounce upon him that he
gets the impression that we are a lot of
hero worshippers. And that is exactly
what we are. The mass mind of Holly-
wood is sycophantic, and has a strong
tendency toward publicity madness."
Beaton ends his honestly intelligent
article by saying, "Those who come
among us, accept our cordial attention
and later hold us up to scorn, are people
with brains and no breeding, and the
presence of the one does not excuse the
absence ot the other. We should make a
practice of entertaining only those who
have both."
BUT at that Hollywood is funny,
"tunny as hell at times." There is a
certain pathos in the quality of its funni-
ness. It hurts. It is such a naive little
world with its emotions worn so casu-
ally. . . .
Without doubt any community of
celebrities, either social or otherwise . . .
could be satirized, burlesqued. It is easy
to ridicule, much more difficult to create _
beauty. I
And all of Hollywood could never be
more bizarre than the actions of this
same novelist . . . who seems to prefer
his negro friends to his white friends.
It was Carl himself who brought un-
invited . . . some negroes from Central
Avenue to a famous playwright's house.
He spent the evening dancing with one
and listening to the other one singing.
Later, as they left the party . . . one of
the tall young colored men stepped up to
the host and asked for sixty dollars.
Sixty dollars for having helped to enter-
tain.
The author of "Peter Wiffle," "The
Blind Bow Boy," and "Spider Boy"
should really have paid the bill himself
since he had enjoyed the entertainment
so much more than anyone else
So little Spider Boy . . . you who were
seduced so unwillingly into signing
motion picture contracts . . . run along
home and look long and seriously at
your image in a full sized mirror . . .
then try to laugh . . . try shouting to the
stars about what you see there. . . .
NOVEMBER, 1928
43
1928-1929 — Seventh Season
San Francisco Municipal Concerts
Five Evening Concerts at the Civic Auditorium
Presented by the City of San Francisco
SAN FRANCISCO SYMPHONY ORCHESTRA
ALFRED HERTZ, Conductor
DATES AND GUEST ARTISTS
November 8 — George Liebling, Pianist
November 22 — Elsa Alsen, Soprano
December 4 — Frieda Hempel, Soprano
February 7 — R. Werrenrath, Baritone
February 28 — Mischa Elman, Violinist
SEASON TICKETS NOW
Season Ticket covering the same Reserved Seat for each event
$1.00 - - $2.00 - - $4.00 - - No higher
Mail orders with check payable to Peter D. Conley and self addressed stamped envelope Sherman, Clay &
Co., San Francisco.
Branch Ticket Offices in Sherman, Clay & Co. Stores in Oakland, Palo Alto, and Miss Ball's Office, U. C.
Campus.
Direction: Auditorium Committee. James B. McSheehy, Chairman. Franck R. Havenner, Warren Shannon,
Thomas F. Boyle, in charge of Ticket Sale.
^' M *
- ' : \,
- .:-^-A^..
-" X
^d^^l
Under the direction of the
Plaza Operating Company
Savov* Plaza
Fifth Avenue, New York, 5Sth to 59th Streets
at Central Park
Henry A. Rost, President
Large and Small Suites T^ow Leasing
for Immediate Occupancy
THE ADDITION
offers
2 to ^ lipom Suites
Furnished or Unfurnished at Attractive Rentals
All of the emphatic advantages of the Savoy-Plaza
available in the Addition in identical interpretation.
44
THE SAN FRANCISCAN
6^/^^^€^ a^ .M?Dz^^s3>t^^^ or 0^7^
<:/rz.<x-
m
San Franciscan Advertisers
Listed for Your Convenience
PAGE
The Aldcanc ^6
Women's City Cluh Auditorium
Bacon & Brayton .
Bilcmore Hotels
Bridge Lessons, Paul W. Blac
Wm. Cavalier &: Co. .
City of Paris ....
Miss Clayes Studio
Peter D. Conlcy
The Courtyeard Tea Room
Rohin J. P. Flynn, insurance
Henry H. Hart
D. C. Heger . . .
Hellmann, Wade 6; Co.
Hendrickson, Shuman &: Co.
Hollywood Plaza Hotel
Hotel Mark Hopkins .
Houston, Gilmore & Co.
Isuan Ginger Ale .
Jenks-Beretta Optical Co.
Julius Castle
Kratz Chocolate Shop
La Du Barry ....
Don Lee
H. Licbcs & Co. .
Los Angeles Steamship Co.
Matson Line ....
McDonnell &.' Company .
Gabriel Moulin
The Palace Hotel . . .
Panama Mail Steamship Co.
Penn Furniture Shops, Inc.
Podesta & Baldocchi
Post Street Cafeteria
John Quinn Lectures
San Francisco Bank
Savoy-Plaza Hotel
Shrcve & Co. .
Shreve, Treat 6: Eacrct
W. W ]. Sloane
Southern Pacific
San Francisco Symphony .
Tussy Lipstick, Lesquendieu
Union Oil Co.
H. Valdcspino
Frederic Vincent be Co.
The White House
NOVEMBER, 1928
45
Ka\COS6(^
KltAWTIISi
member
San iPancisco
Stock Exchanoe
DOUGLA^y 6500
v/-/\ IN FR/KMCIJ~CO
Pacific Mutual Building"
LOS ADGEUES
INVESTMENT
SECURITIES
Inquiries
Invited
FREDERIC
VINCENT 6^ CO.
114 Sansome Street
San Francisco
OAKLAND
STOCKTON
LOS ANGELES
SANTA BARBARA
Red and Blue Chips
0>ntinucd from paRc 28
companies, no one has yet suggested who
this individual may be, and upon what
comparative scale he will weigh his in-
vestment.
THE admonitory finger has been
shaken at the public so many times
ot late by the financial press and by those
who sit upon the golden seats of the
mighty that one easily gains the impres-
sion that this callous lack of heeding is a
denotation of a public temporarily gone
mad over the spectacle of rising prices
Z^:^
that its own frenzied gaming has caused.
But this is not necessarily the case, for if
there is one fact that stands clearly forth
in the melee of the exchanges is that the
buyers and sellers whose volume now
makes the market are recruited from a
new kind of financial cognoscenti. They
are tough and wise and hard-boiled, and
they have made money enough to risk
the one final chance. Between them, each
watching the other for the first sign of
hesitation, each understanding clearly the
danger ot over-staying the market, there
is being played a sort of classic game of
musical chairs, which can only end by
someone being left out.
In the meantime the public is in the
game for all it is worth, and with its
tongue in its cheek is "investing" with a
will. The cry is often raised that only
fools are in the market now, but, with a
fine reversal of poetic justice, the fools
are the ones that are making the money.
MEMBERS
San Francisco Siock Exchange
San Francisco Curb Exchange
HELLMANN
WADE 6y CO.
(Formerly A. C. Ilellmann ci Co.)
ESTABLISHED 1883
Brokers in Stocks
and Bonds
R. H. Hellmann M. C. Wade Jr.
Victor Lewin M. C. Morehead
Cor. California and Montgomery Sts.
SAN FRANCISCO
Davenport 1030
MEMBERS: NEW YORK
STOCK EXCHANGE
SPECIAL
MARKET
LETTERS
ON RE Q_U EST
Direct pnv'ate u'/rtM" to Chicago
and Ne\.i^ York
San Francisco: 633 Market Street
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Branch: Financial Center Building
Oakland: 436 17th Street
Phone Glencort 8161
New York Office: 120 Broadwav
46
THE SAN FRANCISCAN
THE ALDEANE
275 Post Strict
Luncheon • Tea • Dinner
....served overlooking
San Francisco's beautiful
Union Square
T
Sundaj' Dinner 4 to 8 p. m.
Phone Sutter 7573
Anna Allan
Deane Dickev
1=
Your Christmas Cards
will carry a personal
message if they bear
a photograph of your
home, your fireside,
or yourself.
Gabriel . JIou/iii^
PholooraplH-r
153 Kearny Street
Telephone Kearny 4366
Wm. Cavalier & Co.
San Francisco Stock Exchange
San Francisco Curb Exchange
trading facilities, will enable
_vou to handle your security
transactions advanta-
geously. Current informa-
tion on any company in
which you are interested
will he sent on request.
Complete Investment
Service . . . Bond
and Brokerage
453 Calitornia Street
SAN FRANCISCO
417 14th Street, Oakland
American Trust Co. Bldg., Berkeley
As to Books
shelves of yesterview, where "interest-
ing" and "exciting" lie in a discarded
pile Likewise 1 am loath to call Ann
Parish "subtle" or "smart," tor I admire
her tremendously, and these words have
become the property of advertisement
writers. All Kneeling should not be
given the adjectives that a lipstick or
powder compact receive.
The story is of Cristabel, a beautiful
and charming person whose poetic soul
is authentic, but alloyed by a quantity of
worldly wisdom. The latter attribute
sails her to New York, where the under-
fed and over-read young aesthetes are
All Kneeling.
Ann Parish, in 1924, won the Harper
prize for her Perennial Bachelor. She
was cruising in the Mediterranean, when
she received news of the honor, and for-
tunately Sinclair Lewis was not aboard
to eclipse the joy of the occasion. What-
ever the plans for Miss Parish's near
future may be, 1 suggest that she cancel
them, buy a yacht and head straight for
the blue waters, just for luck.
"All Kneeling," by Anne Parish.
(Harper.)
▼ T T
Spotlight
Conlinued iriim page 40
manufacture imported Gordon gin.
Even the ease with which she put her
husband in the presidential chair was as
nothing compared to this. We left the
theatre just as the successful candidate
for the presidency was receiving the
plaudits of his fellow-townsmen. In
spite of a re-assurance on the part of the
program that the fantasy was over and
that the ne.xt act would swing back to
normalcy again, we had our doubts. Our
fears were not unfounded for a survivor
of the entire show told us the next day
that the Greek inmates of the monastery
turned out to be bandits. This may not
be exactly fantasy but it makes a noise
suspiciously like a trick ending and for
one night we had stood enough. Our
punishment for hinting that "The Devil
in the Cheese" is not Guild stuff will
probably be to have the management
inform us at the end of the year that it
was the best box office attraction of the
season But, granting this is so, we will
not withdraw our charge. Even if it had
been flawlessly done we should still pro-
claim is dramatic jello.
STATEMENT OF THE OWNERSHIP
MANAGEMENT, CIRCULATION, ETC
REQUIRED BY THE ACT OF CON-
GRESS OF AUGUST 24, 19:2,
ot The San Franclscan, published monthly ac
San Francisco, California for Oct. 1, 1928.
State of California \
County of San Francisco J^^'
Before me, a Notary Puhlic in and for the
State and county aforesaid, personally appeared
Joseph H. Dyer, Jr., who, having been duly
sworn according to law, deposes and says that
he is the owner and publisher of the San
Franciscan and that the following is, to the
best of his knowledge and belief a true state-
ment of the ownership, etc., of the aforesaid
publication for the date shown in the above
caption, required by the Act of August 24,
1912, embodied in section 411, Postal Laws
and Regulations, printed on the reverse of this
form, to wit:
1 . That the names and addresses of the pub-
lisher, editor, managing editor, and business
managers are :
Publisher: Joseph H. Dyer, Jr.
San Francisco.
Editor: Joseph H. Dyer, Jr.
San Francisco.
Sharon Bldg.,
Sharon Bldg.,
Managing Editor: (None).
Business Manager : Alfred H. Hendrickson.Russ
Bldg., San Francisco.
2. That the owner is: (If owned by a corpo-
ration, its name and address must be stated
and also immediately thereunder the names and
addresses of stockholders owning or holding
one per cent or more of total amount of stock.
If not owned by a corporation, the names and
addresses of the individual owners must be
given. If owned by a hrm, company, or other
unincorporated concern, its names and address,
as well as those of each individual member,
must be given.) Joseph H. Dyer, Jr., Sharon
Bldg., San Francisco.
3. That the known bondholders, mortgagees,
and other security holders owning or holding
1 per cent or more of total amount of bonds,
mortgages, or other securities are : (If there are
none, so state.) None.
4. That the two paragraphs next above,
giving the names of the owners, stockholders,
and security holders, if any, contain not only
the list of stockholders and security holders as
they appear upon the books of the company
but also, in cases where the stockholder or se-
curity holder appears upon the books of the
company as trustee or in any other fiduciary
relation, the name of the person or corporation
for whom such trustee is acting, is given; also
chat the said two paragraphs contain state-
ments embracing affiant's full knowledge and
belief as to the circumstances and conditions
under which stockholders and security holders
who do not appear upon the books of the com-
pany as trustees, hold stock and securities in a
capacity other than that of a bona fide owner;
and thLs atliant has no reason to believe that
any other person, association, or corporation
has any interest direct or indirect in the said
stock, bonds, or other securities than as so
stated by him.
5. That the average number of copies of
each issue of this publication sold or distrib-
uted, through the mails or otherwise, to paid
subscribers during the six months preceding
the date shown above is — (This information
is required from daily publications only.)
Joseph H. Dyer, Jr.
Sworn to and subscribed before me this 1st
day of October, 1928.
Mary F. Redding,
Notray Public in and for the City and
County of San Francisco, State of Cali-
fornia. (My commission expires July
14, 1929.)
VKKX
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Not the waj you arrive . . .
but your comfort after you
are here concerns us. This
results in hospitality that
is more than service.
Rooms from $4.00 a day
HOTEL
MARK
HOPKINS
Come once and you'll agree
with the host of smart people
who consider Hotel Mark
Hopkins the one place to stay
while in San Francisco.
Geo. D. Smith, Pres. & Mgr.
GOING/^ ON ABOUT TOWN
LEGITIMATE THEATRES
Alcazar — Lombardi Ltd. With Leo Carillo in
his perennial role this piece seenis set till
spring. A quartet of film beauties add lustre.
Berkeley Playhouse: The Swan to be fol-
lowed by The JMight of the Burning Pestle
as the annual Xmas show.
Capitol : O. D. Woodward, Jack Brehany, and
Ben Giroux promise a number of attractive
shows to open in the middle of the month
at this newly refurnished house.
Columbia: The \larriage Bed will quite ap-
propriately succumb to The Trial of M.ary
Dugan — also a mid month movement.
Curran : The Desert Song. This theatre again
becomes legitimate on the thirty-first of the
month when Nance O'Neil in The Silver
Chord arrives.
Geary: The .Merchant of IJenice. Geroge Ar-
liss in Shakespearian garb will dust the
stage of this house for the Stratford on Avon
reperetory company rumored to be arriving
in two weeks.
Gaite Francaise: San Francisco's most unique
and charming French Theatre is now show-
ing its first bill of the new season.
Players Guild: Closed until the first Monday
in January when Charlotte Walker in The
Tetter is promised.
President: Toother's Tvlillions — a running
mate to Lombardi with May Robson drag-
ging em in.
Puppet Theatre : Ralph Chesse's production of
T^acbeth. Opposition for Gordon Craig.
MOTION PICTURES
Embassy : Al Jolson in The Singing Pool to be
followed by another one hundred per cent
talking picture The Hometowners.
Granada : Weekly change. Paramount films
predominating.
St. Francis. Lilac Time and then who knows?
VAUDEVILLE
Golden Gate: Phototone, Pathe, and Panto-
mime are now ruling this garrison.
Orpheum. Conway Tearle in person followed
by Virginia Valli, Roy D'Arcy and sundry
other erstwhile picture stars.
Pantages : Consistently good pictures emana-
ting from Universal and Columbia with
vaudeville.
MUSIC
December 4 : Popular Concert. San Francisco
Orchestra. Frieda Hempel, soloist. Civic
Auditorium.
December 5: Yehudi Menuhin, violin prodigy,
recital. Civic Auditorium.
December 6:Elsa Alsen, recital. Dreamland
Auditorium.
December 8 : Popular Concert. San Francisco
Symphony Orchestra. William Wolski, so-
loist. Dreamland Auditorium.
December 10: Adelaide Harlan, soprano.
Scottish Rite.
December 11. Sorosis Hall. Ernest Bloch's
lecture on America.
December 14 and 1 5 : San Francisco Symphony
Orchestra. Carl Friedberg, pianist soloist.
Curran Theatre and Dreamland Audi-
torium.
December 16: Nicolas Rivera, violin recital.
Scottish Rite.
December 20 : Civic Auditorium. World Pre-
miere of Ernest Bloch's America. San Fran-
cisco Symphony Orchestra in the greatest
event of the season.
December 22 : Dreamland Auditoriuin. San
Francisco Orchestra. In Popular Concert.
December 28 and 29 : San Francisco Symphony
Orchestra. E. Robert Schmitz, soloist. Cur-
ran Theatre and Dreamland Auditorium.
DANCING AND DINING
St. Francis, where one learns the importance
of being Ernest.
Taits at the Beach, where you may win a
doll on Wednesday night.
Sir Francis Drake, where the traditional gal-
lantry lives up to its name.
The Palace, where an orchestra of personali-
ties provides irresistable dance rhythms.
Camille's, 441 Pine, where men may be with-
out women.
Mark Hopkins, where the Varsity drags its
girl friends.
Fairmont, where the dowager of Nob Hill
sits in marble halls.
Deauville, 1516 Stockton, where it is never
too late.
Solari's, 354 Geary, where food is taken
seriously.
New Frank's, 447 Pine, a French restaurant
with true Continental flavor.
California Market Restaurant, where the
Financial Figures get their need of golf.
Courtyard Tea Room, 450 Grant, where
East meets West.
Russian Tea Room, 1001 Vallcjo, where we
see the evolution of the revolution.
Oriental Restaurant, 41 Grant, where east
is west.
The Aldeane, 275 Post, where the noon hour
isn't in a hurry.
Temple Bar Tea Room, 1 Tillman Place,
where you'd better make a reservation.
Post Street Cafeteria, where Heaven helps
him who helps himself.
ART
Courtesy of the Argus
Beaux Arts Galerie: Through December 4,
oils, water colors and drawings by Ina
Pcrham. December 7 to 31, group show by
artist members of the Club Beaux Arts.
California Palace of the Legion of Honor :
Through December 31, paintings by artists
of the Southwest. Jacob Stern loan collec-
tion. Permanent collections.
De Young Memorial Museum: Permanent
collections. Free art lectures on Sunday and
Wednesday afternoons.
Courvoisier's: General exhibition of works
by contemporary artists of America and
abroad.
East West Gallery of Fine Arts: Through
December 11, Lucien Labaudt collection of
post-Ce;anne paintings. December 12 to 31,
Weyhe print collection.
Paul Elder Gallery ; Annual display of
Christmas cards.
Gump Galleries: General exhibition.
Public Library, Civic-Center : December 17
to 24, second annual exhibition by members
of the Bay Section of the California Art
Teachers Assn.
VicKERY, Atkins & Torrey : General exhibi-
tion of etchings by American and foreign
artists.
Ethel M. Wickes Studio: Water color paint-
ings of California wild flowers.
Worden Gallery : Paintings by California
artists. Etchings and merzotints.
ESTABLISHED 1852
SHREVE & COMPANY
JEWELERS and SILVERSMITHS
Post Street at Grant Avenue
San Francisco
Where
Hospitality
Begins'
The center of the city's life
and color — the hub around
zuhich San Francisco's
social and business
interests revolve
u^
Hotel St. Francis
facing Union Square
San Francisco, California
Management • • James H. McCabe
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W. 6^ J. SLOANE
216-228 Sutter Street, San Francisco
Home Furnishings
for the Discriminating ....
Oriental Rugs
Interior Decorating
Freight paid to any
shipping point in the
United States and
to Honolulu
Charge Accounts ....
Coni'eniently Arranged
AAAAAAAAAAAAAAAAAAAAAAAAAA44AAAAAAAA44AAAiiAAAAA4AA4AAA4AAAAA4AAAAAAAAAAAA4A4AAAAA4A4AAAA
1
^
i
^
^/Tive TimG/ aW^'c^/
Now that there are just a few short weeks before Christmas,
remember the last minute rush and avoid it by rending
this page, as no Caesar ever rent a scroll, from its secure hinges
and jot down the name of a friend, a relative — anybody to
whom you want to give tivelvc corking issues of San Fran-
cisco's keenest magazine. Drop it into the nearest mail box and
rest assured that your friends will receive your Christmas and
all-year-'round greetings. They'll thank you twelve times over
for keeping them in touch with the life of San Francisco.
Christmas Special
Three Qift Subscriptions to "The San Franciscan" for $^.oo
AT OTHER TIMES $2.50 A YEAR
SAN rRAMGISGAN
Sharon Bldg., San Francisco, Calif.
Please send The San Franciscan with my Christmas Greetings
to
and
and
and send the bill to me.
{Signed)
ROCKWELL KENT
E
SAN VRAMGISGAN
RowENA Mason, Associate Editor
Charles Caldwell Dobie
Joseph Hendeeison
Kathryn Hulme
JOSEPH DYER, Editor & Publisher
Contributing Editors
Raymond Armsby
Mollie Merrick
Carey McWilliams
Aline Kistler, Assistant Editor
Idwal Jones
George Douolas
Elva Williams
Vol. II
DECEMBER, 1928
Licutenanc Commander Neville, by Edward Weston -
"Grimhaven," by Sidney Herschel Small -
Now It Can Be Told
The Opportunist, by Charles Caldwell Dobie
Ecstasy, by Jesse Thompson - , , . .
Some Dramatists of International Importance, by Sotomayo
The Playboy of the Western World, by Halph Westerman
Natalie Morehead, by Herald Brown
Spotlight, by The Caliph . . . , .
Bay Region Miscellany, by Constance Ferris
Transients, Princess Maria Carmi Metchabelli, by Jack
Campbell ,--.,,,
Coward, verse by Sarah Litsey , , , ,
Toshi Komori, by Herald Broum - - - -
Those Were The Days, by Zoe A. Battu - - .
Clarence Mattei, by Raymond Armsby . - -
"Two Old Crownies," by Clarence Jvlattei
Musical Notes, by Duryea Lawrence - - ,
George Arliss, by Douglas Crane - . . ,
Mrs. Charles R. Blythe, by Clarence Mattei
The Reigning Dynasty ------
The Other Side of the Pacific, by Dr. John Q. Hill
Toward Nob Hill, by William Horace Smith
Security Distribution, by Leland S, Kpss - . .
The Spirit of Polo in Bronze, by Elza Knauth -
Concerning Bridge, by Paul W. Black, - - -
As Seen By Her -------
As To Books, by Beth Wendcl , . , .
9
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15
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17
19
19
20
21
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22
23
24
25
26
27
28
29
31
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39
No. 12
The San Franciscan is published monthly by The San Franciscan Publishing Company, Sharon Building. San Francisco. Cal.
Entered as second class matter October 1928 at the Post Office at San Francisco, California, under the act of March 3. 1879
Joseph Dyer, Publisher H. Lauterbach. Circulation Manager
Subscription price, one year 82,50. Single Copies 25c.
Copyrighted 1928, The San Franciscan Publishing Company
I
i
COURTESY OF THE S F. NEWS
Lieutenants Commander George^ 0. Ni%nlleJ, U.S.N.R.
This distinflui.i-hed San Franciscan, w/w u'as engineer wi//! Bi/rd on both his Xorth Pole and trans- Atlantic flights,
has recentltj left for Europe u'here he ii'ill studi/ aeroplane transportation In the capacity oj technical
sor lo a $10,000,000 Iran '-continental air .fen'lce to he launched ne.vl i/ear
This camera portrait is hy Edward IT eston
'(/I'l
SAN rRAMGISCJiN
''Grimhaven"
Some Notes and Comment on Robert Tasker and His First Novel
Editor's Note: Robert Joyce Tasker, whose articles
and stories have appeared in The American Mercury
and The San Franciscan, recently completed GRIM-
HAVEN, a stern realistic story of prison life In spite of
the literary blockade enforced at San Quentin, the man-
uscript reached Knopf and Company who published it
in book form. The literary world is indebted to Mr,
Small, the author of this article, for the encouragement
and assistance which made possible the publication of
Tasker's splendidly written human document
A PRISON, according to the warden
of the California State Peniten-
tiary at San Quentin, is primarily
a place for punishment. The gentleman
was correctly quoted in the press when
he madethatstatement Punish them, says
he, and you will keep them from ever
returning to jail, and frighten their crim-
inally-minded brethren who are still on
the outside
The warden is a firm believer in mak-
ing punishment fit the crime. Hang
murderers, naturally , . , oi unnaturally.
"Yes, sir, Hickman's death was an act
of God ■. he was strangled to death in-
stead of having his neck broken."
Whether the Lord saw to it that the
fingers of the hangman and his assistants
(twenty-five dollars extra for every
hanging) bungled, the warden does not
say, but the implication is there
Wife-beaters should be trussed up and
summarily paddled with the pickled
stick. Jim Tully, who committed lese
majesty by calling attention to the war-
den's one-time toothless condition (he
has a fine set of store teeth now) is to be
visited with all sorts of dire things if he
ever sets foot within the sacred portals of
San Quentin again "I'll boot the little
this-and-that clear down to Two-Post,"
is the promise waiting for Mr. Tully.
What the warden is going to do to me
I don't exactly know, for he holds me
responsible for the writing of Robert
Joyce Tasker's "Grimhaven."
What he has done to Bob Tasker I
don't know either Since publication
By SIDNEY HERSCHEL SMALL
date of the book, no newspaper man has
been permitted to see Tasker Whether or
not he is in "solitary," or the dungeon,
or has merely lost his privileges ot re-
ceiving vistors, the newspapermen do
not know, although they have all taken
their guess.
It is a sad state of affairs Authorship
throws a man into the black hole. For
holding up a light, Tasker is probably in
darkness . . with one meal a week,
bread, water, the stench of unwashed
bodies and unemptied pots, and, if my
memory does not fail me, cockroaches of
an unbelievable size.
* * «
GRIMHAVEN must be considered in
two ways : as a piece of writing,
and as a commentary upon prison life
and prisoners
It is clearly, often beautifully written,
and yet it is when Tasker approaches the
dramatic that he is at his best, for — pos-
sibly from prison itself — he has learned
restraint ;
"My eyes darted up to the sentry-
tower above There was a tense circle of
men, and in their confines two vicious
Mexicans faced each other. There was
murder in their faces. Each held in his
hand a small, slim knife, wicked things
ground from old files. Now I saw a third
figure, a beautiful Spanish boy ... I
thought of a time when I had seen a
coquettish girl standing aghast while
two men fought out a quarrel she had
provoked. . . .
"The thing was endless. I had been
there all day, it seemed. A horrible silence
hung over them. Nothing like the fights
I had seen, with a jeering audience.
Nothing to call the attention of the
guard These two men wanted to mur-
der each other, and the rabble about
them, respecting that wish, remained
silent so that it might be accomplished .
"Knives flashed. One man's cheek
was ripped from ear to chin. The flesh
flapped Sometimes his teeth showed
through the wound. Another slash.
Another ragged seam spurted blood. A
great brilliant cross from ear to chin, and
from eyes to jowl.
"The wounded fellow stared at the
pile of coagulating blood upon the
ground Then he ran through the gate
towards the hospital. Very, very calmly
a man rubbed a red spot from his hand
The victor and the Spanish boy had dis-
appeared, . . ,"
(And the newspapermen, not an hour
later, were told that "Everything's quiet
here , , . not a bit of trouble" Oh,
well . . .)
Which brings us to "Grimhaven"
as an account of prison life By some un-
accountable error, which no author will
easily understand, the jacket of "Grim-
haven" has not blundered The book
IS a stern, realistic story of prison life. It
does reveal the attitude of the prisoners
toward the outside world, the officials,
and each other. It does form a human
document which cannot, or should not,
be neglected by those interested in the
spectacle of what society is doing, if any-
thing, to its recalcitrant membeis.
« « ?
TASKER has shown the state of a pris-
oner'smind,upon entering jail, when
the prison spirit begins to leaven the
mass of men, and all through peniten-
tiary life. He has done this, for which
thanks should be given, with never a
snivvle and never a tear. Here, he might
have said, is what a prison is in 1928.
Take a look at it. Laugh, if you can; I
Continued on page 32
10
THE SAN FRANCISCAN
Now It Can Be Told
i
WE WERE one day recently passing
through a remote hamlet in the
mountainous regions ot the state, and
while making our way along Main
Street our contemplation of the Sierra
peaks and quaint rural scenes was broken
in upon by a great clatter of bells,
whistles and the pounding of horses'
hoofs. With considerable delight we
stood upon the curb to view the sight of
an old fashioned steam fire engine in all
the fiery glory of responding to an alarm.
Hard by us was a gentleman who
evidently had imbibed ot forbidden bev-
erages not wisely but much too gener-
ously. As the laboring and puffing engine
bore down upon us he took a coin from
his pocket. As the \xhicle passed by he
frantically attempted to hail its driver.
Failing to attract his attention, the in-
ebriated one ran unsteadily down the
street in the wake of the engine. Finally
he realized the hopelessness of catching
up with it and in disgust he flung the
coin in the direction of the disappearing
fire department and shouted, "To hell
with your old peanuts "
▼ T ▼
THE war at last is over.
This we announce solemnly, seri-
ously and without humor. For ten years
the war has been over officially Yearly
on Armistice Day, Christmas, Easter,
Fourth of July, Mother's Day and simi-
lar occasions there has been the boom
and hullabaloo of peace talk, good will
and friendship between nations.
But all this ceremony had a bogus and
hollow sound and we never had a really
certain and secure feeling that the war
was over until one morning, dismount-
ing from the Powell Street car, we saw
the restored sign The Hof Brau. We
could scarcely believe our sight. Still,
sure enough there it was as real, as new,
modern, red electric lights. We heaved a
sigh of relief. The war was at last over.
T ▼ ▼
ORDINARILY wc are much too indo-
lent to bother to read and make
sense to legal notices as published by the
government in obscure parts of the news-
papers. They are printed in exceedingly
small type and tucked away among
classified ads, statistics, weather reports
and ship sailings — matter which always
confuse and bewilder us
However by veriest chance we read a
notice of the Customs House, relating to
unclaimed and seized goods. We read it
from beginning to end Who wouldn't?
It stated that there was held tor identi-
fication and claiming some five hundred
cases and containers of choice liquor —
whisky, rum, cognac, champagne,
brandy, vermouth, claret, zinfandel,
Gordon gin, Ng Ka Pa and sundry other
liquids with entrancing and seductive
names. Hereafter we shall always read
such notices carefully. Perhaps the read-
ing will sometime inspire us with an idea
whereby we will be able to safely claim
some of these contraband delights for
ourselves and our friends.
T T ▼
OUR bootblack, Zeke, is a "cullud
gen'man from Alabamy," accord-
ing to his own testimony. His mahog-
any colored face has the lineaments of a
dusky Napoleon; his flashing eyes the
decision of a Mussolini.
We had often wondered how such a
man even though black, should be fill-
ing the menial post of bootblack. Ob-
viously he had a past.
The other morning it started raining
while Zeke was giving our shoes their
daily rub-a-dub-dub, which caused us to
linger.
Zeke was apparently in the clutches
of the blues. He went about his task
gloomily, silently — quite the reverse of
his usual genial huzzah.
"What's wrong?" we asked, with
ready sympathy.
He looked out at the falling rain.
"Dis heah rain always makes me feel
bad, boss" He became more confidential
as he went on. "Reminds me of de man
I kilt."
"The man you killed!"
"Yassuh. Dat's why I'se way off out
heah." He shook his head dolefully.
"But, boss, dat man didn't have no
sense. One cold, rainy day back home in
Alabam when 1 had a bad cold, and my
wife done run off wid the preacher, and
de lightnin' kilt my boss, and de mule
done up and died, and de sheriff was
lookin' fob me wid a warrant foh makin
rum, I told my troubles to one of dese
heah back-slappahs, and he say. "Cheer
up, Zeke, de wust is yit to come." So 1
just reached foh de fire pokah and killed
de dad-gummed fool!"
FINDING himself on the waterfront and
in need of a telephone, a well known
young man about town made his way
into one of the piers and prevailed upon
a husky attendant to let him use a con-
venient phone. He put in a call for a
companion, the son of one of our cap-
tains of finance, inviting him to lunch
at the Pacific Union Club and asking
him to meet him there directly.
To this conversation the pier em-
ployee had listened intently. As the
young man turned to go, the fellow laid
a detaining hand upon his arm. It was
evident that he had something on his
mind and was at a loss as to how he
might put it into words Presently, how-
ever, he cleared his throat and put the
timid question, "Beg pardon, sir, but at
that club where you are going to meet
your friend for lunch, is it true that they
eat gold fish?" J
T T T \
TO Pauline Jacobson, newspaper
woman who recently passed away,
we are moved to pay tardy tribute
through having looked up some of her
writings on old San Francisco. Seldom
have we read such newspaper writing;
seldom such honest, understanding and
vivid accounts of this city's history.
Miss Jacobson s material has the fine
ring of being authentic and first hand.
It was gathered in old and obscure
saloons, on the water front, in China-
town's alleys, from people in every walk
of life — rich men, poor men, thieves,
heroes, vagabonds, active and retired
prostitutes, police men, firemen, ex-prize
fighters, in short from whomever might
have rich memories and tales of San
Francisco in the heyday ot her making.
Besides being of a catholic mind. Miss
Jacobson was that very rare type of
newspaper woman who takes her facts
exactly how and where she finds them,
and scorns to mess them up with wish
washy, moonlight and roses sentimen-
tality. There is a naked, realistic and
straightforward honesty in her evalua-
tion of men and events. Than this we
can pay her no higher compliment.
▼ T T
WITH the resumption of racing at
Tanforan, the staff of The San
Franciscan is faced with a new, but not
unpleasant problem — that of acquaint-
ing ourselves_with]^the past, present and
DECEMBER, 1928
tuciirc ot cliis spore oi sports which CaU-
lornia followed with such singular de-
votion in the days before it was placed
under legal taboo. As we sit back and
listen to the tales that old timers and
followers of the track spin for our de-
lighted ears, we gather that the state in
its day has produced some good race
horse history.
Our every picturesque millionaire
(and who among our millionaires has
not been picturesque?) had his string of
racing ponies, and hereabouts was bred
horseflesh whose performances on differ-
ent tracks of the country are still events
to be remembered, recalled and talked
about by those who are authorities on
the subject. White f^at McCarthy, Gold
Smith Maid, Lucy, Occident — a whole
flood of strange and promising names
parade before us. We must know more
of all these and report upon them further.
T ▼ T
DURING the 90's and up until the fire,
there was located on Market Street
between Third and Fourth a permanent
display of life size wax figures. It had
been in the same spot and heki the public
interest for so long that it had achieved
the status of an "institution." Visitors
from out of town were taken to see the
wax works as a matter of course. In that
remote era people were easily amused
and satisfied with simple and natural
pleasures. Moreover, there was no social
stigma attached to openly patronizing
and rejoicing in such wonders and mar-
vels.
But in this day wax figure shows are
quite another matter. They definitely
suggest Main Street, small town and old
fashioned street fairs. They are gauche
and decidedly lacking in the shiny sophis-
tication of the movies, the musical com-
edy and what currently passes for legiti-
mate drama. Even the frothiest brained
flapper would be as adept as Freud him-
self, in "interpreting" them and putting
them down as infantile and puerile. We
had supposed that, a wax figure show in
San Francisco would languish and die
for want of paying customers.
Hearing there was one in town, we
made haste to visit it, lest it should
vanish in the manner of the well known
Arabs. It was located without difficulty
by the gaping swarms on the sidewalk
before one of those nondescript, usually
vacant shops so common to this neigh-
borhood.
We picked our way across the side-
walk to the show window display, and
fell back slightly startled betore the
waxy apparitions of P. T. Barnum, a
famous miser, a notorious dope peddler
and a long dead but notable queen of
prostitution. The figures arc life size and
dressed in the garments and styles preva-
lent during their life times The features
of the dope peddler, the miser, the no-
torious lady are incredibly ghastly and
ravaged by excesses They are natural-
istically and horribly exact. They are
mechanically and coldly artificial.
Before each figure is a printed placard,
giving the name and a brief history of
the subject in question. At the bottom of
this explanatory matter is invariably an
admonition against crime and evil ways
— "The wages of sin is death. No man
ever escapes from his own conscience.
Crime does not pay. The Law never
sleeps," etc., etc.
We dig up a quarter for admission
and enter the sacred portals. It is imme-
diately revealed that there are other
things in the world besides evil. To one
side Huckleberry Finn sits on a wax
bank and dangles a fish line into a wax
stream. Lindbergh beams down upon
us. The erstwhile German Kaiser scowls.
Abraham Lincoln is sweetly benign.
Jack Dempsey shadow boxes with an
imaginary opponent. Blackjack Pershing
is severe, military, yet humorous and
kindly. Henry Ford has an air of wheels
and wisdom. Buff^alo Bill is rakish,
rough, ready and very dashing.
But this group of great, good and
famous men receive but slight attention
from the spectators, easily two score in
number. Why waste time on minor in-
cidentals? The main show is to the rear.
We proceed to these quarters to see in
Twenli/-fu'e Dollars for a Laugh!
the next best thing to the flesh the perpe-
trators in all of our recent, best and big-
gest murders
Here is Hickman, Leopold and Loeb
(Leopold even has on his fatal glasses)
and Leo "Pat" Kelly of the Melius mur-
der Here are Rasputin and Jessie James
Here is Gustav Lutgart, Chicago sausage
manufacturer, who killed his wife and
ground her into sausage meat Here are
Sacco and Vanzetti Oddly enough, the
placard of their case history carries no
pious comments Here is a poor devil of
The San Franciscan will award a prize of
Tu'en/j/-Jife Dollars lo the person .nibmilting
llie most ami(sini) caption for this cartoon.
a Chinaman, whom we are ready to
suspect met death for no other reason
than that his Oriental impassitivity irri-
tated his prosecutors.
We engaged one of the attendants in
conversation. He was a gigantic fellow,
beefy, slow witted but shrewd He sat,
hunched over, upon a spindly legged
stool and took tickets. He talked in
broken snatches and incomplete sen-
tences. They had traveled all over the
country. Been going about five years.
Yeh, San Francisco was a pretty good
town. Been here a month or so already.
Stayed the longest down to Long Beach.
There thirteen months
What did the public like best? The
murders, bandits, bad men andWestern
story heroes. They always tried to keep
up to date on these items. We pointed
out that there was missing Ruth Snyder
and Judd Gray and the principals of the
Hall-Mills case The big man grinned
slowly and scratched his head. No, they
didn't have these. They cost too much.
Firm in Chicago manufactures wax
figures for such shows. Prices awfully
high on good murderers.
Turning to go, we paused again before
the largest and central feature of the
whole exhibit. It is a figure of Christ,
considerably larger than life and set upon
a high pedestal. Christ, evidently, comes
very reasonably. In one arm is a lamb; in
the other hand a shepherd's crook. At
His feet is a placard, bearing the First
Psalm..
▼ ▼ T
AS IS our frequent habit, we are wan-
,.dering through Little Italy. Our
companion is a Middle Westerner, who,
with our help is doing a thorough job of
making amends for the accident of his
birth hy becoming a San Franciscan by
choice and adoption. We point out to
him this alley, that hill and the other
land mark. We entertain him with bits
of history, and as usual lament that,
Continued on page 37
12
THE SAN FRANCISCAN
The Opportunist
A Little Story of Man's Security and Women's Fidelity
CL'RLED up on a divan, Estellc
Vardy looked at her luisband
with the halt-closed eyes of a
passi\elv alert cat As was his usual ahcr-
dinncr custom, he sat engrossed in a
neu'spaper. Against the amber light
thrown by a reading lamp, his profile
loomed with exaggerated intensity.
He had been handsome, in a rather
coarse, (lorid way, when she married him.
No doubt, she told herselt, he was hand-
some still, in the duller, more brutal
fashion that ten contented years give men
of Vardy 's stamp, but the yellow light
searched out tor her only his heavy,
paunch-like jowls, the roll of fat just
above the collar-line, his thick lower lip
dropped in torpid attention as he de-
voured his evening paper.
And to think that this probably would
be their last evening together! Their last
evening together! And he sat unsuspi-
ciously reading his newspaper as if the
years were to stretch on forever, made
up each day of three square meals, eight
working hours, his postprandial cigar,
and the evening devoted to the news-
paper and his wife — yes, his wife, curled
demurely among the cushions of her
divan, with the half-closed eyes of a
passively alert cat.
She could not help feeling a sort of
pity for Vardy as she lay hack in the
shadows, watching the contentment on
his face. He was what the world called
an alert man, and he was alert whenever
the spur of competition pricked him for-
ward. But he was too ponderously secure
about domestic matters to suspect his
wife. After all, it was this security that
stung her so deeply, and the physical
heaviness that the reading lamp and her
mood searched out was merely the ex-
ternal symbols ot his spiritual sleekness,
of his neglect of her — a self-sufficient
neglect that made him blind to the fact
that for at least six months she had been
planning to go away, out of his life —
with another. And now she stood upon
the threshold of a new sensation, a thrill-
ing experience. By tomorrow —
▼ ▼ T
QUITE suddenly she left off thinking
, about her husband, and she began
to think of Lemoyne. She remembered
distinctly his words to her at parting;
"Perhaps Wednesday evening if all goes
well — at least not later than Friday Any-
way, I shall 'phone Wednesday evening
before nine. So be prepared — for any-
thing!"
Wednesday evening before nine. Would
it be tonight, then? She twisted about for
By CHARLES CALDWELL DOBIE
a glimpse of the clock. Eight twenty-five!
She stifled a sigh and tell back upon the
pillows. It must be tonight. She could
not endure it another day — no, not even
until Friday. It must be tonight. She be-
gan to repeat the phrase over and over
in her mind, as one repeats a prayer,
endlessly, with vague childish faith.
Editor's Note : This verse in modern form is one
of an unusual series by Jesse Thompson soon Lo ap-
pear in book form under the title of "san francisco
arias and vistas."
ecstasy
by Jesse thompson
all night
fitfully
the rain fell
and splashed swishing
and the wind blustered
but this morning
a bar ot shy sunlight
caught a tilted windowpane
in the gilette building
zigzagged down thecanyon
and illumined
softly
a red sports dress
against a silver background
in the emporium window
the wind kept still
looked and
wondered
Her husband moved about, rustling
his paper, unbuttoning his vest. This last
act exaggerated the sense of vulgarity his
presence seemed to breed.
The telephone began to ring. She
started up suddenly.
"Yes, I think — yes — I am quite sure it
is for me," she said agitatedly, as her
husband looked up at her.
She rose a bit too eagerly. Then, with
an air of recaptured nonchalance, she
glided toward the writing-desk, reached
down and lifted the receiver to her ear. . .
She hardly remembered how she got
back to the divan ; she threw herself upon
it and began to think — quickly, fever-
ishly. So it was to be tonight, after all!
Well, everything — all the methodical,
prosaic things were done, had been for
days. Her grip was packed, the final
letter to her husband written.
What was Lemoyne planning? Would
they speed south from San Francisco to
perpetual sunshine and orange grovesor —
She sat up on the edge of the divan, ar-
rested from her musings by the curious
look her husband threw at her,
"At the St, Francis, not later than
eleven!" Lemoyne's message suddenly
recurred,
T ▼ T
SHE must act promptly. Being an op-
portunist, she always had scorned
futile planning, secure in the feeling that
solutions are tossed up in the wake of
any problein. And then, there was so
little need to plan any elaborate scheme
for her escape. Almost any excuse would
do for Vardy, she thought with irony, so
long as his newspaper and cigar were not
interrupted. Still, she had not counted on
quite the agitation that possessed her. If
she left the house at all, it must be soon,
before it grew too late. It was merely a
question of the most plausible pretext.
She rose and began to arrange some
magazines on the center table. Then she
drew a dead flower from a bouquet
that Lemoyne had sent her only the day
before. A deadfloiver! Yes, by tomorrow
every blossom would shrivel and die. A
sense of futility suddenly oppressed her.
"Her husband let his paper fall as he
looked up at her, and she was conscious
that he was speaking.
"Did you know," he said with almost
kindly gruffness, "that Dolly Atkins was
coming up from Los Angeles this after-
noon?"
Dolly Atkins? Why hadn't she thought
of Dolly Atkins before? Of course, she
knew that Dolly was coming up from
Los Angeles. She answered her husband
calmly, with just the shade of a drawl in
her voice.
"Yes. That was Dolly Atkins who
rang up. She wants me to run down to
the St. Francis. She wants to see me
tonight."
Her husband bent over and picked up
the newspaper again. He said nothing.
She could almost hear her heart beat.
Had she managed stupidly? Why did he
say nothing?
She cleared her throat. "Did you hear
me? I am going out — to the St. Francis.
To see Dolly Atkins. Would you mind
'phoning for a taxi?"
He did not even turn to look at her,
but she could sense the malignance of the
smile that must have curvecT his lips.
"Dolly Atkins is dead," he said dryly.
"The paper prints her name among those
killed in the wreck of the Los Angeles
Express at Tracy this afternoon."
Continued on page 33
DECEMBER, 1928
13
GEORGE BERNARD SHAW
GABRIEL D ANNUNZIO
FERENC MOLNAR EUGENE O NEILL
Sotnej> Dramatists of International Importances
By Sotomayor
^
14
THE SAN FRANCISCAN
The Playboy of the Western World
Being a Critical Review of Gertrude Atherton's Life of Alcibiades
By RALPH WESTERMAN
PERICLES has JicJ, and the Golden
Age of Greece is no more! But
Aspasia still entertains the intel-
lectuals; Socrates still forswears sandals;
and Alcibiades alternately fascinates and
discomfitsthe Demos."T/ic 7ea/oiis Cjods"
is not a brief novel, but 1 defy you to
cast it aside before the gods enact their
little tragedy that rings down the cur-
tain on Alcibiades' lite and likewise
brings the tale to a close.
The story opens eight years after the
death of Pericles Athens has enjoyed a
surceaseof wars; the Demos are in power;
the arts promise to put forth a new
growth. Upon this beautifully set stage
steps one Alcibiades, a young Athenian
famous for his physical beauty, his arro-
gance, and his mad caprices. Not being
satisfied with the gods' rich endow-
ments, he eschews a burning passion for
political power and its consequent rec-
ognition— public acclaim. The boy had
a natural gift for leadership; it was not
difficult for him to make violent love
one moment and issue a governm.ental
edict the next Both were effective.
How Alcibiades plots and conspires
to further his ambitions is con-
vincingly recorded by Gertrude Ather-
ton The son of Cleinias had an uncon-
trollable urge to lead Athens toward the
peaks. Naturally his star would rise with
the lesser lights; and what if Socrates
did advise more humility? What if his
enemies did pray to Zeus that this young
upstart would be exiled? Despite these
little handicaps that seem to be so indis-
pensable to politics Alcibiades prospered.
His magnetic personality, his inconsis-
tencies, his questionable conni\'ings all
merged into a character both lo\able and
disturbing.
Of course there are women The sex
question is adeptly handled The "two
kinds of loves" peculiar to ancient
Greece form an intriguing background
for the more serious if none the less hec-
tic, business of gov-
ernment The most
vivid fcmmc is Tiy,
an Egyptian who
has a flair for black
cats and the subju-
gation of her bro-
ther Setamon. Tiy
has but recently
come from the
land of the Sun
God, a country, by the way, that was
at that time governed by the less scrupu-
lous sex The conflict between the Egyp-
tian and Athenian social standards is
often to the fore. Not to be daunted by
standards, Tiy swallows much of her
pride, enters into the Athenian pastimes
of feeding and flattering the more im-
portant males, and finally gets what she
wants. Alcibiades' emotional life is en-
riched by the experience.
Then there is Alcibiades' wife. Hip-
parete has no bearing upon the political
situation in Greece, thus taking second
place to Helen of Troy. But the girl's
utter boredom, three weeks after mar-
riage, her revolt in the form of running
away with Tiy's brother — these little
slants contribute to the reader's delight.
And Setamon, of all people! Alcibiades'
pride suffered a severe blow. It is times
like this that the old Greek fatalism
proves to be an efficacious panacea.
Alcibiades quaffed deeply.
THERE is a faintly visible thread ser-
pentining through the lives of the
characters that is, in essence, of Grecian
vintage. I refer to the sense of futility
that hovers above the feverish activi-
ties of the political leaders; the incon-
stancies of the lovers; the instability of
the Demos. No sooner does Nicias gain
control of the people than he loses favor
because of his extreme caution and
peace-loving propensities. Then Alci-
biades flames across the low horizon to
thunderous applause, fades away, passes
into exile, only to return and again take
up the cudgels of state. It is a merry
game played by mad puppets. The gods
pull the strings — sometimes rather jerk-
ily.
You are in classical company with
"The Jealous Qods:" such names as
Diogenes, Socrates and Aristophanes
wink at you from every page. You hear
them talk; you see them triumphant,
outwitted, desolate. The immortal pro-
cessional is inspiring and just a bit de-
pressing. A bit too human, perhaps; a
shade too intimate . . .
The description of the ninetieth
Olympiad is superb. All the City-
States, except Sparta who is not in good
standing, take part in the athletic events.
Athens carries away the most honors.
Alcibiades enters seven chariots in the
races, thus breaking a precedent and
astounding the spectators. He wins and
is crowned with the customary olive.
Needless to say, his home-coming is a
most ear-shattering event. Then, too,
the banquet in honor of Diogenes is a
magnificent gesture of impudence. Alci-
biades commands his slave to procure by
hook or crook the rare foods that Diog-
enes carries with him. The slave com-
plies; and the robbed guest eats and ex-
claims at the excellency of his own
cuisine. The Thrasian wine proves too
much for the credulity of Diogenes; he
denounces his bandit host in great anger.
But his sporting instinct comes to the
front, and laughter sweeps away the
last shred of chagrin. Another triumph
for personal magnetism. There are many
choice instances of the capriciousness of
these Greeks. They are more like chil-
dren than statesmen; they are beautifully
abandoned, and reverent only when
some personal gain is to be had. It is
easy to understand why Greece was torn
by so many wars . . .
THERE is something substantial about
■ The Jealous Qods' ' that is most sat-
isfying. The reader is carried away by
Mrs. Atherton's capital story-telling.
Every one loves a daring leader; no one
can resist personal beauty and charm.
Alcibiades possessed both virtues, thus
rendering himself a fit subject for Mrs.
Atherton's skill. A story of similar set-
ting but dealing with a much less ro-
mantic personality would, we think, be
dull. So it is difficult to say just where
Alcibiades leaves off and Gertrude Ath-
erton begins. No
doubt they share
the olive branch,
with the balance in
the author's favor.
The story ends
with the death of
Alcibiades. He and
Tiy are lovers in
the shadow of Cy-
rus' power. One
Ctjntinued on page 4b
DECEMBER, 1928
IS
Natal iej JI ore head
Who comes Lo California, ajter stage triumphs in Manhattan, at the I'ehest of the Du/fwins. This camera portrait
IS the work oj Heratd Brown, late of Paris and Hollywood, and at present a San Franciscan
1
16
THE SAN FRANCISCAN
Spotlight
The Dybbuk Proves to be the Season's Greatest Offering
By THE CALIPH
i
i
Wi- WENT CO the Temple
Plavers' production of "Th":
D\hbuk" with trepidation.
W'c remembered, three years hack, going
to the Neighborhood Playhouses in New
York to see Mr Ansky's thrilling drama
and we were feartul lest in the wrong
hands it might turn into a mess ot unin-
telligible episodes. We had in mind the
San Francisco production of "Goat
Song," for one, gone starkly melodra-
matic and robbed of its poetry. And
"Craig's Wile" for another, divested of
all subtlety, and reduced to a very talky
and unconvincing play. Both instances,
the result of poor casting and mistaken
direction.
Our an.xiety for "The Dybbuk" went
deeper than the ordinary shortcomings
that afflict half-baked reproductions of
difficult plays. There was the racial ele-
ment, for one thing. Obviously, it
should be done by a group of people with
a racial response to its emotions. At
least its direction should be in the hands
of someone, it not to the ghetto born, at
least to the ghetto attuned. The name of
Nahum Zemach as guest director was a
partial reassurance that the atmospheric
verities would be properly established.
And, added to that, was the sponsorship
of a synagogue in connection with the
performance. Both these circumstances
fulfilled their promise. The production
was not only worthy but properly thrill-
ing It must have been racially stirring
to the Jew; it certainly touched the Gen-
tile to a point of fresh understanding and
sympathy. For, even in its meaner as-
pects, it was shot through with the
tragic dignity of Israel.
Repeating an artistic experience under
altered conditions always invites com-
parison. We would not say that the New
York production was better But, in
many ways, it was different. The Temple
Players gave a more robust performance.
Particularly was this so in the case of
Wendell Phillips, who played the hapless
student, Channon. . . . Albert Carroll
acted the part in the Neighborhood Play-
house production. We remember him as
a wraith-like, sombre figure, reduced to
a tender madness by his despair. But,
then, the whole first act in the synagogue
was keyed, in the New York perform-
ance, to something eerie and indescrib-
able. It passed before you in a dim splen-
dour that seemed dream-like and unreal,
as "Pelleas and Melisande" under the
spell of Mary Garden seems dream-like
and unreal. It was steeped in mysticism
and the vibrant dust of centuries Mr.
Zemach may have felt that with the
material in his hand it were best to
attempt something more forthright. Or
he may have leaned toward a more
forthright interpretation. In the hands ot
Wendell Phillips, Channon was more
flesh-and-blood like, more intense in his
rancor, less tormented by a desire to
tempt the mysteries. And, in a like
degree, the whole background of the
temple touched realism with a firmer
finger. . . . Carolyn Anspacher did sur-
prisingly well as Leah, especially in the
final act. The climax of the second act
she delivered rather too abruptly and for
that reason it lost force. And there was a
tendency to give Leah's character in the
first act too emphatic a mark of the
neurosis that was to follow, later. The
Messenger, in the hands of Martin Cory,
beginning magnificently, lost impressive-
ness as the play proceeded. It became
stiff and hurried, more a personality and
less a Presence.
T ▼ ▼
IRVING PicHEL, as Rabbi Azrael,
squeezed the part dry of its drama.
But, here, also, as in the first act, the
emphasis was rather more upon realism
than niysticism. Even the physical ex-
haustion of Mr. Pichel's first scene had a
force behind it that made the spiritual
vigor which finally carried him over his
appointed task — less of a contrast.
To comment individually on the
work of a cast of nearly fifty is impos-
sible. Suffice to say that the smaller roles,
smaller in the sense of being more inci-
dental rather than less exacting, were
done, not only well, but in many in-
stances brilliantly. Edward Wolden, as
the bridegroom, produced a portrait that
verged rather too much on caricature for
our taste. But, Conrad Kahn as Sender,
was properly material and self-satisfied
and Mr. Davidson as the bridegroom's
tutor brought an authentic note of com-
edy to the part. Mr. Bissinger, doubled
very acceptably in two diverse roles. Al-
together, we do not see how a group of
players, largely amateur, could have
given a more splendid sense of ensemble.
The production reflects credit on every
person great or small who had a finger in
it It could have run to packed houses
for months But that, of course, was
obviously impossible, in the face of the
personnel and aims of the organization.
T ▼ ▼
At the Guild, Noel Coward is
A-\ again proving himself the most
JL jL economical playwright in ex-
istence. His receipt for a play has less
ingredients than any other known for-
mula. In fact, the results are more like
dramatic souffle, achieved with not over
two eggs and expected to serve an entire
breakfast table. "Fallen Angels" has
enough and to spare for a one-act sketch
but to see the author drag it out into a
three-act opus is akin to watching a
sleight of hand performer take a dozen
rabbits out of an opera hat. We have not
seen every play that Mr. Coward has
written but this one conforms to the
general plan that he usually seems always
to follow, only more so. He takes a
single idea and builds the slightest pos-
sible structure to support it. We never
have gone to a Noel Coward play that
started much before eight forty-five and,
if we were ot a retiring disposition, we
could have been in bed and fast asleep by
ten- forty. And this, without recourse to
any faster common-carrier than a North
Beach cable car.
The single idea, in this instance, bobs
up in the second act and has to do with
the very pertinent question in these Vol-
stedian United States of two ladies get-
ting squiffy. It is an English play, of
course, but that would scarcely be in-
terred from watching the present pro-
duction, without consulting the pro-
gram. Still, it is a situation that
doesn't depend on Mayfair for its back-
ground and, since Mr. Coward has
thrown the traditional British figure of a
butler overboard, it could very well take
place in Park Avenue, Manhattan, or
Bush Street, San Francisco. You see, the
theme is that universal.
Some weeks ago, in commenting on
CharlotteWalker's performance in "The
Royal Family" we expressed doubts as
to her ability as a commedienne. We
take it back. The night we saw her, she
was delightful, even if her performance
was keyed a trifle too high for an English
lady with an accumulative souse. Miss
Padden began badly. For one thing, her
voice has lost its power of modulation,
which is not surprising since she has been
for many years past trying to push it into
the fartherest row of Junior Orpheum
playhouses throughout the country. But,
as she grew more and more soused, she
improved proportionately. Which is in
direct opposition to what happens to
most imbibing ladies of our acquaint-
ance.
T T T
THIS second act, undoubtedly has its
points. It shows femininity in all the
stages of inebriation. And in the final
analysis it isn't too reassuring. We have
yet to see women pass the "bun" stage
and get away with it. Sooner or later, if
Continued on page 41
DECEMBER, 1928
17
Bay Region Miscellany
Containing Some Episodes in the Lives of the hiconsequential
By CONSTANCE FERRIS
JOHN WILLIAMS
I did not mind the second story windows
Nor the rosebushes incident thereto;
The inconvenience of parked automobiles
Failed to daunt me.
I could have borne the wrath of outraged
husbands
And the fury of the cast-off matrons —
Whose odd-looking offspring sometimes
Stared at me disconcertingly;
And still retained my status
As the Bay Region's Don Juan.
But when Edith Harding starved herself
And became a scarecrow through love
of me
As a sacrificial gesture, to appease the
outraged gods,
I married the crosseyed Barnes girl !
GORDEN SMEED
If there be anything more colossal than
greed,
It is the conceit of women about their
virtue.
The drabbest of them live their lives
In the constant fear that it is assailed.
How bitterly they misjudged me, when
In my Marmon car, with my air of cun-
ning
I coasted the hills and cut the corners
Of Powell, Mason, Stockton and Grant.
I sought romance, dark and glowing
Which, I have found, is not compatible
With too much virtue.
I, whose name was a magic key
To the best side doors in San Francisco,
Where other men's wives awaited me.
Over the mound in Laurel Hill.
; Where I'm sleeping now, I should like a
slab
To inform the world in words like this ;
■ "I never took and never wanted
' An ugly woman's virtue."
t
VALERIE STEWART
; I moved among you, joining
■ In your myriad pursuits
And bearing the outward semblance
Of completeness.
How I deceived you!
At Carmel I killed a giant spider
And after I had thrown it out the win-
dow
I saw its hind legs lying on the bed
Gyrating grotesquely.
And so it was with me —
' My legs carried me to places,
' My arms received burdens.
My head bowed acknowledgements
, (And even my torso convolved)
Long after my heart was slain.
ROCKWELL KENT
MARIAN QUINCE
In my early youth there were two kinds
of women —
The kind men married and the other
kind —
I kept the faith and never became
The "other kind," but what did it
profit me'
The War came on and standards varied.
I remained faithful to my ideals,
While many of the "other kind" married
Substantial citizens,
And became leading women of promi-
nence and renown.
Still I clung to an outworn proverb and
learned alas!
That virtue is its o;dy reward.
And when I tried to conform with the
times
It was too late, for I found that I
Had dwelt so long in the fourth dimen-
sion
I could not cope with actualities, and so
remained
Virtuous to the end of my days.
PETER SHANNON
I was not rated a "go-getter" because
1 could not take seriously the business
Of selling bolts and screws
To men who did not need them.
They could not know that in my heart
1 carried a vision
Of "honor and faith and a sure intent"
And to sell the screws and "pass the
buck"
(Tho I could have done so) would have
been to me
A violation of the very principles
Upon which my life was based.
My wants were simple — all I asked
Was a belief in Santa Claus and the
virtue of women
Well — there is no Santa Claus.
EDITH HARDING
It was absurd that I at twenty-nine
Should have a torso like that of a walrus
And that my capacity for love should be
Gargantuan.
My husband became immersed in his
practice;
I was left to my own devices.
My amorous taste ran to the campus
youths,
But the outcome was always the same —
"Your voice is lovely, but you should
have
A streamline body.
You must pay attention to your
calories."
The cruel irony of this to me,
Who hungered so much more for love
than for food.
In my extremity, when I met . . .
Williams,
I heeded their advice and dieted.
But with a "zeal not according to
knowledge."
I walked the earth from that time for-
ward
With my skin flapping loosely about my
bones.
Continued on page 30
18
THE SAN FRANCISCAN
Transients
Princess Maria Carmi Metchabelli
Ih ]ACK CAMPBELL
QiiTi unbeknown to rcsiJcni; high
priestesses of the samovar,
^ Princess Maria Carmi Metcha-
heUi sojourned briefly in the city last
month. Herself a deity ot New York's
Lipton go\'crncd spheres, she carefully
manoeuvred her actions while here and
dextcrouslv eluded all social in\'itations.
Professionally, as a world renowned
actress, she tra\'eled incognito; domesti-
cally as the vvite ot a wealthy and dis-
tinguished perfume merchant, she was
lured under protest into the world of
affairs for a few moments daily.
For many seasons she remained the
cynosure ot the theatrical world as the
original Madonna in "The Miracle."
The portrayal of this Voelmoeller hero-
ine over so prolonged a period gave to
her career a zenith which would be the
envy of any actress. Unlike many others
she feared an anti-climax to this spec-
tacular role and resultingly closed her
stage life while still portraying Morris
Gest's statuesque favorite.
Maria Carmi was once a coruscating
protegee ot Hcrr Reinhardt. Long before
the war she became a member of his
companies in Berlin, and, rising to the
front rank of its members, was given
the auspicious role in "The Miracle"
when it was first performed She traveled
to London for the English production in
1912 and returned to the continent where
it was given for six hundred nights.
Later, she enacted the role in the him.
« « )!
Arriving in San Francisco, fresh
j['\_ trom hlollywood, the Princess
was in a more theatrically talkative
mood than is her wont This, at least,
was the remark of her husband. For in
the film capitol she had visited countless
friends of long standing, who, since her
retirement, have risen to fame.
She possesses an intuition which has
launched a hundred careers. Her pleas
during the war with an irate casting
director in Germany, gave Conrad Veidt
his initial opportunity She cajoled the
mighty Master of Salzburg into allow-
ing a youngster named F W. Murnau to
enact the Knight in "The Miracle "
Under her eagle eye two neophytes, Emil
Jannings and Ernst Lubitsch, crossed the
stage for the first time in a Moliere com-
edy More recently enthusiasm prompted
her to rush back stage on the opening
night of "The Shanghai Gesture" in
New York and whisper to Mary Dun-
can that she belonged on the screen. The
young girl laughed but four years later,
three thousand miles away, she admitted
that the prophecy had transpired.
But all that is of the past.
Now Maria Carmi has become Princess
Metchabelli. On a business tour with
her husband, she visited Hollywood for
Coward
By Sarali lAlsexi
I ivill not flo hack,
Tlioupk the wind to the west hlow.r hiijh
And Jog horns call
And inills set winfl to the ski/
There are tilted streets
Which cri/ a remembered name^^.
There are liarhor Itplxtii
Which always will he the same.
And tall ships pass
With crews of cursing meiL^.
Tall ships ha\'e passed
And not come hack again.
A shadowed dooi ''
Holds loi'ers on its sill . . .
Words are remembered
Ajter the iwice is still
I will not go back
Although mi/ heart is jreej.
I will hwe agaiiL,
Some place Jar in Jrom the sea.
the first time. And as the stranger, beam-
ing v^/ith curiosity rather than as the ex-
perienced actress, she was thrilled at her
first encounter with Greta Garbo and
John Gilbert. Over the dinner table at
the Lubitsch mansion, she was thrilled
by the Swedish siren and other rising
satellites, who, in turn had gathered to
admire her; a woman, whose career
spans the entire history ot the motion
picture on two continents.
Five years in America have manifested
their strength on the erstwhile European.
A sense of democracy has accentuated
even that natural freedom which asso-
ciation with the theater gave her. And
her charm has increased.
Hollywood filled her with an adven-
turous spirit to which she gave a free
reign while in San Francisco, Politely
she eluded three dashing hostesses, and
overruling her husband, mounted the
first cable car she saw. Together they
lurched and rolled over some of the most
fascinating hills of the city.
When there were no more mounts to
conquer, they alighted and investigated
the Embarcadero. Lunching at the fish
market, the Princess assumed an alias.
She whispered to her husband that for
the period of the meal she was to be a
tight rope dancer from one of the vaude-
ville theaters and he was to be an acro-
bat. The willing, though astonished
spouse, passed this tale to the excited
waiter, who, galloping to the kitchen,
clamoured tor a more savourous dish.
Later in the evening they boarded one
of the visiting ships in the harbor. To
impress the captain they retained the
aliases and were given the rule of the
boat.
« « »
SAN Francisco to the Princess is remi-
niscent of both Constantinople and
Naples at their best. It combines the
better qualities of the two cities and
lacks their squalor. Geographically, she
believes San Francisco represents the
apotheosis of what a city should be.
Here, however, it must have been the
woman, rather than the actress or the
princess who spoke, for she continued
about the propinquity of the shops.
In the Metchabelli itinerary, San
Francisco will be included semi-annually.
Her engagements in New York are few
because caprice rather than any great
ambition prompts her to play. Last year
she joined Allan Dinehart, Natacha
Rambova and other stars in an abortive
production ot "Creoles," the same play
which, when originally essayed here,
managed to reach the police courts.
With so many ot her old associates in
the southland, she feels herselt more and
more drawn to the Pacific. At the present
she is engaged in compiling a series of
her experiences in the motion pictures of
fifteen years ago for a Hollywood film
magnate. He believes that her statements
will have unusual worth in future years
as a chronicle of changing cinematic
ideas.
Nor arc these experiences limited. For
she has played in Italy coevally with
Duse on the stage and Francesca Bertini
on the screen. And she played in Ger-
many and England. Now she is pre-
pared for the great Esperanto film of
which one hears so much.
Life has given her a kind preparation
for almost any kind ot a talking picture,
even up to an ex-tailor's production of
"The Tower of Babel." For, at home
she spoke Italian; in school she learned
Spanish; Reinhardt taught her German;
the route of "The Miracle" brought her
C'onlinued on page 34
DECEMBER, 1928
19
HERALD BROWN
Tosh I Komori
Formerly of the Imperial Thealre in Tokio. and now the t-offue in Paris, this exotic Japanese dancer is constantly
sought for entertainment by important personages of Europe He plans to tour the United States
next season and include San Francisco in his schedule
20
THE SAN FRANCISCAN
Those Were The Days
An Account of Prize Fights and Fighters of San Francisco's Early Days
To DETERMiNF cxactlv how many
histories ha\'C been written upon
early San Francisco would be a
dirticult task To fix, even approxi-
mately, the number of novels, short
stories, articles, poems and what not
based upon or dealing with some phase
ot the city's history, legend, tradition or
anecdote would be a sheer impossibility.
For the past se\xnty-fivc years San Fran-
cisco has, without question, occupied a
spot light position in forming the Ameri-
can literary scene.
It would seem that, in all this frenzy
and industry to set the city down on
paper, to cast its spirit into type and bind
it between book covers, no factor of any
importance would be overlooked. Sad to
relate, however, something has been
o\'erlookcd. There is existent not one
small volume, not one connected, co-
herent account of famous prize fighters
and prize fights of San Francisco's early
days. Yet this was an activity and phase
of the city's life, which in its heyday
flourished with extraordinary vitality
and shed upon the community no small
measure of glamour and a certain glory.
Here is a chapter of history whose
angles of interest are many. Here is a
story whose psychological and dramatic
values are strong and intense; whose
contrasts are strange, bewildering and
parado.xical. It is a tale of muscularly
powerful men, who in the ring were
brutally cruel, but outside of the ring
were as naive, as sentimental, as impres-
sionable to vague and unknown fears as
children Moreover, they were drawn to
an environment ideal for bringing out
all the contradictions of their natures. It
is a history that never runs smoothly,
for it was continuously beset by stern
pressure from without and torn by dis-
sensions from within.
Yet the subject has never been touched
upon save in the sports departments of
the newspapers. Periodically one of the
dailies runs in its sports pages a series of
articles on the old fights and fighters.
Such material is largely valuable for the
things it suggests It is newspaper copy,
dashed off hurriedly. It is rich in snatches
and fragments of luridly colored tales
and anecdotes of men and e\'cnts, mov-
ing to an hectic tempo. It is poor in con-
necting links; bankrupt in explanatory
background and coherence. Its dates are
uncertain and frequently lacking alto-
gether It is, in short, unsatisfactory
material with which to work for an
article of this type.
By ZOE A. BATTU
BUT all that can be done is to make the
best use of whatever is available,
never forgetting that it is furnished bv
Tim McGrath, Billy Kennealy, Daniel
Leary, three men, who were participa-
tors in and are survivors of the days
when the game was in its best and lusti-
est days. Tim McGrath, promoter, be it
known still holds forth in the Loew
Building, and puts in his days and most
of his nights, as well, in arranging bo.x-
ing matches (modern and purified for
prize fights) is a man who ranks second
to none in this business. Certainly, he is a
veteran ot the game, for he admits to
being in it some forty years. During
these years he has discovered, trained
and handled practically every fighter of
any note. His fund of memories is re-
markable, colossal, inexhaustible and, of
course, he laments that fights and fighters
are not what thcv used to be.
PROPERLY speaking San Francisco gained
fame as a great place for prize fighters
simultaneously with the gold rush.
Nothing was more natural than that this
movement should attract men with an
inborn inclination to live and gather
glory by their fists. Once arrived in San
Francisco or the mining towns, the ten-
sion, the craving tor excitement and
amusement provided seekers of fame
and fortune with ideal and profitable
opportunities.
The most notable of these very early
fighters was one John Heenan of Benicia,
who during the iS5o's achieved national
and international recognition both for
his fistic abilities and his matrimonial
alliance with Adah Isaacs Menken, the
actress. La Menken was famous in her
own right long before her husband knew
that fleeting quality. She was rated as an
actress, dancer, pianist, poet, beauty and
painter in oils of no secondary abilities.
She visited San Francisco in 1S52 and
took even the populace of that blase day
by the ears through her flaunting ot the
social amenities. While she was engaged
in this pleasant pastime. Heenan was in
England, where he challenged a certain
Saver, idol of the British, and vanquished
him in 44 rounds. By reason of this feat
the British were forced to take serious
notice of the upstart city, San Francisco,
but Heenan 's personal fame was of short
duration His wife presently divorced
him, after which he appears to have
sunk into obscurity.
No doubt the 6o's and 70's produced .
their crops of famous fighters and ring
battles But of these no printed word
exists, and the spectators of the scenes
are for the most part dead. The news-
papers of that day were hopelessly un-
progressive and lacking in a live news
sense. Sports departments were unknown
and the news columns were given over
to saving the country, the speeches of
Congressmen and other such dull sub-
jects. The main thread of our story,
therefore, does not re-appear until ap-
proximately the middle and late So's.
▼ T ▼
ABOUT this time and during the go's
San Francisco appears to have
been struck by a flood tide of first class
fighters and fights. Froni Australia came
Bob Fitzsimmons, Paddy Gorman,
Shadow Meadows, Peter Jackson, Jim
Hall, Tommy Tracy, Dan Treadon,
Billy Murphy and George Dawson — all
formidable names in the annals of fis-
tiana. Corbctt, Fitzsimmons, Jeff^ries,
Johnson, Willard and Denipsey all held
the world's heavyweight championship
titles, and all gained their initial fame
and reputation in San Francisco. In addi-
tion the city was the accepted and ofiicial
headquarters for other such notables as
Abe Atell, Battling Nelson, Packey
McFarland, Spider Kelly, Al Hawkins,
Peter Marr, George Dixon and the re-
nowned John L. Sullivan, the great man
of them all.
Just why the game should flourish so
amazingly here is not difficult to explain.
San Francisco was then, perhaps, the one
city in the entire country which was
openly and boisterously sinful and took a
noisy delight in that fact. The Middle
Western regions and the Eastern regions
were in the grip of a puritanical hypoc-
risy. They were circumspect, conserva-
tive, respectable and beset by busy hordes
of reformers and upliftcrs and in many
states and large cities prize fighting was
forbidden by law. San Francisco suff'ered
from no such theories of righteousness.
Such reformers as there were in her midst
were powerless and ineffective. This was
the day of the wide open Barbary Coast
and a general spirit of large and free toler-
ance among the citizenry. An atmosphere
ot this sort was paradise for the arrived
or aspiring prize fighter. Here he found
skillful promoters and trainers and gen-
erous audiences, who rendered proper
honor to his talents and accomplish-
ments.
▼ ▼ T
TH.A.T the sport was marked by an
elemental directness now unknown
is evident in the account of a battle
between Joe Choynski and Jim Corbett
Ctuntinued on page 47
DECEMBER, 1928
21
"TiK'o Old Cionies"
In wlucli Clarence P. JIattei has painted his father with ajriend plai/ina cardr in the Jamiliar .rettinij
of ijiiamt old JIaltei\t I'ui'ern near Santa Barbara
Clarence Mattel
A Picturesque Figure Among California Painters
MANY artists are disappointing.
An artist whose work is strong
and virile may very possibly
have a weak chin. One whose canvases
epitomize romance in its most charming
vein may, in private life, be addicted to
a toupee. In fact quite rarely does one
find "the perfect artist type" in the per-
son of an artist of accomplishment.
It is this very rarity of finding a painter
whose appearance and personality carry
out the romantic ideal that draws our
attention particularly to Clarence Mattei
ot Santa Barbara, a portrait painter of
distinction. He is handsome in a strik-
ing, dark way. His eyes hold a southern
fire that lights with the zest of the occa-
sion, especially if the situation involves
amorous possibilities. A charming person
and an ardent seeker of beauty, he yet
holds himself somewhat aloof from life
and certain phases of responsibility. And
so we find in him the fluid artist type let-
ting life f^ow by and through him but re-
maining himself untouched and elusive
of the very forces he acknowledges and
records in his portrait commentaries.
By RAYMOND ARMSBY
CLARENCE Mattei's background is
romantic and his heritage is one of
picturesque origin. His Italian Swiss
father came to California when the state
was young and to San Francisco when
the city was in the first process of amal-
gamating the cosmopolitan elements
drawn by the dream ofgold and adventure.
It was here, in 1882, that Clarence
Mattei was born into the picturesque
atmosphere of old San Francisco. His
was the birthright of quaint cobble-
stoned streets, jangling cable cars and
other outward evidences of this young
adventuresome city.
At an early age he was taken by his
father to the delightful Los Olivas
Valley near Santa Barbara. There he
spent his boyhood in the warm clear
sunshine, his eyes filled with the blue of
the mountains and the glowing, rich
colors of that region. His father kept
Mattei's Tavern, a favorite retreat for
hunters and sportsmen from both north
and south. It may well be that it was as
a boy, listening wide-eyed to hunter's
tales, that he first felt the intense interest
in people's faces that later was to bring
him recognition as a portrait painter.
His parents were sympathetic with
his artistic ambitions and sent young
Clarence to the Mark Hopkins Institute
where he studied under the guidance of
the leading spirits of San Francisco art
at that time.
FROM San Francisco, Clarence Mattei
went to Paris — to Julian's Academy.
There he studied with Jean Paul Laurens
and started working out his career. In
1907 his work was accepted for exhibi-
tion in the Salon. His canvas, an oil por-
trait of an Italian, attracted attention,
word of which reached New York and
paved the way for interesting commis-
sions on his return to America.
Arriving in the United States, Mattei
established his studio in New York City
where he was welcomed on the basis of
both his artistic and social talents He
was commissioned to paint many of the
prominent people and there was an in- .
creasing demand for his work.
But the harsh coldness of the East
chilled Mattei. His mother's southern
blood flowing through his veins stirred
Continued on page 35
22
THE SAN FRANCISCAN
Musical Notes
Bloch s "America" Premiere Event of the Season
By DURYEA LAWRENCE
TEN years hence, those who care co
rcminesce on San Francisco's
musical past will doubtlessly
mention the season of 1928-11529 Here,
indeed, was a period ot change A tinic
ot cumulative developments in the mus-
ical life of the city, not the least im-
portant of which transpired in the
month ot December
Already this year's musical season has
made an auspicious start. Commencing
with a scintillant opera season, it has
burgeoned into a breath-taking series of
concerts and recitals given all over the
city
Possibly the outstanding event of the
month will be the local premiere of Er-
nest Bloch's tone poem "America." A
prize winning composition this work
was written here in San Francisco on
Russian Hill Enthusiasts who are al-
ready well familiar with its themes pro-
claim that a portion will in time be-
come the new national anthem of our
land
Of this new and serious work Red-
fern Mason speaks with authority ;
"Ernest Bloch, Jew by race, Switzer
by birth, American by choice, freeman,
composer by the grace of God, has writ-
ten an anthem which, when some well
graced poet raises the words to the level
of the music, will probably sweep the
land, finding its way into the hearts of
all kinds and conditions ot Americans
by virtue of its beauty and sincerity.
"Bloch came to America twelve years
ago He had read the Declaration of
Independence and the Federal Constitu-
tion, and their idealism thrilled him.
Here was, in very truth, a New World,
a world whose people had cast off the
leading strings of class privilege and was
free and able to realize its destiny as con-
science and common sense dictated.
"Bloch had put his belief in America,
his love and reverence for her, into
music. It was inevitable that he should
do so. The image of Lincoln had
stamped itself on his heart; Walt Whit-
man had imparted to him the vision of
the greater America that is to be
"So, when 'Musical America' offered
a $30,000 prize for the best symphony
written by an American, he was ready
to write it And write it he did, and,
while he wrote, there echoed within
him the words of Whitman : 'O Ameri-
ca, because you built for mankind, I
build for you ' "
And in conclusion Mason states: "In
his music, Bloch is a philosopher, a
seer; he sees Americans the slaves of
license and greed. His score is a revela-
tion of brute force; we sense the slow
grinding of levers that crush the spirit
ot the worker; it tells ot fortunes built
on selfishness and lives given up to in-
dulgence. And the composer hears, com-
ing from the depths ot the soul ot the
people, a cry of distress; he foresees col-
lapse and social disintegration, unless
men and women face live with clear
eyed vision."
"America" will be performed at the
Civic Auditorium under the auspices of
the city on December 20. On the same
date, five other cities will also offer the
work for the first time.
▼ ▼ ▼
SECOND in interest is the appearance of
Yehudi Menuhin, San Francisco's
own prodigy who will play at the Civic
Auditorium December 5 on the eve of
his departure on a long tour. The people
of this city have become devoted to this
young violinist; they took him to their
hearts and made him. Yet it seems al-
most unbelievable that four dollars and
forty cents should be asked of those few
who would sit closely to their favorite.
Not that he is not worth much more.
But after all, this is his home city
The third of the Winter Popular Con-
certs at the Civic Auditorium will pre-
cede the Menuhin recital by one even-
ing. For this occasion Frieda Hempel is
the soloist. These events are the talk of
all those visitors who chance to attend
They astound with their huge atten-
dances and their excellent programs.
Surely the attractive all-Wagner pro-
gram of last month could not be sur-
passed .
Which reminds us that Elsa Alsen re-
turns to the Dreamland Auditorium on
December the sixth for a recital. This
will mark the initial visit of this gifted
soprano on the concert stage although
advance reports indicate that she is no
less superb in this field than in Wagner-
ian opera Her numbers reflect a catholic
choice from Schubert, Jacobi, LaForge,
de Falla, Dvorak, Bertellin and many
others. To her credit may it be said that
she has engaged one of the most tal-
ented accompanists in the country. This
is Claire Mcllonino, who, before many
more seasons will be giving concerts of
her own at Dreamland.
THE Symphony Orchestra under the
vigorous baton of Dr Hertz is
continuing as the capable nucleus of the
city's musical life New additions to
several sections have strengthened the en-
semble work although the violin sector
remains one of the finest in the country.
Mishel Paistro the concert master is
the leading soloist of the month Those
who are well acquainted with his work
are unstinted in their praise while his
intimates list him among the first ten
violinists of the world. This year Piastre 1
will play the new Kreisler cadenzas ofj
the Beethoven Violin Concerto. On the
same program will be the initial Sanl
Francisco performance of "Jurgen," the'
symphonic poem of Deems Taylor on
the Cabell fantasy.
Which brings us to the pertinent
question ; What happened to the touring
company of "The King's Henchman"
which left New York two years ago and!
which was routed to the coast?
The remainder of the soloists with
the orchestra include William Wolski, z\
member of the organization who gave I
a spirited reading last season of a diffi- "
cult Paganini number; Carl Friedberg,!
pianist; and E. Robert Schmitz, founder 1
of Pro-Musica who was heard last sea-
son at the Fairmont in a recital and
whose exceptional work is modernj
music is well known.
T T ▼
Although the disbanding of the!
^X. Persinger Quartet was a distinctl
blow to the musical world, the Abas|
Quartet has been providing several ex-
cellent evenings of Chamber Music acl
the Scottish Rite Auditorium. Theirl
last program of Schubert was magnifi-
cent and it is hoped that their Decemberl
concert will equal in virtuosity and nov-l
elty its predecessors.
The last of the fall series of concertsi
in Berkeley will be given on the firsti
Sunday of the month. These semi-
popular afternoon programs have met
with much enthusiasm on the Cali-
fornia campus Their continuance in thel
winter and spring should develop al
larger audience for the orchestra forj
next season.
The Oakland evening series of con-
certs have been discontinued because the!
weekly night concerts at Dreamland have!
absorbed all of the allotted hours of the!
musicians contracts.
And so with the myriad of lesser
events and recitals, this month promises
almost a nightly assignment for that
energetic minority which never misses
an event.
DECEMBER, 1928
23
Georgej) Arllss
A character drawing of the eminent English actor by Douglas Crane His success in native London has been
no less than in America, to which he has de^'oted his art for over a quarter oj a century. Playgoers remember him
Jor Ins Disraeli, his Raja in "The Green Goddess" and his Sybanus Heythorp in "Old English" And now as
Shylock in "The Merchant oJ Venice' , Arliss acts his first important Shakespearean role, at theGeary Theatre
THE SAN FRANCISCAN
Mrs. Charles P. Bli/tfieJ
Reproduced Jroni the portrad by Clarence R. Jlallei
DECEMBER, 1928
25
The Reigning Dynasty
WEDDINGS
SMITH-TAFT. On Nuvcmber 10 at Si. Charles
Church in Oakland. Miss Bcity Taft. daughter of Mr
and Mrs j Maxwell Taft. tn Mr Fcn'Mick Smith son
of Mr John Henry Smith of Piedmont.
SIMMONS-PA^NE. On Novemher 2h. in Belvedere
Miss Dolly P^yne. daushter <.f Dr. and Mrs Clyde
Payne, to Mr. Bun (Vnn Simmons of I.o:, Aneeles.
ENGAGEMENTS
Miss Dorcas Jackson, daughter of Mrs. Charles
''fancis Jackson of San Francisco to Mr. Hendry Stuart
McKenzie Burns, son of Mr. and Mrs. John Stuart
Burns of Aberdeen, Scotland.
MissMiriaml.innell.daughierof Mr Allen S Linnell
and [he late Mrs I.innelltoMr Hmmett Lane Rixford
son of Dr. and Mrs Rmmett Rixford.
VISITORS ENTERTAINED
Mrs Rutherford Kearney of London was encertained
by Mrs. Viryinia Knox Maddox at the latter's home on
Pacific Avenue. Mrs Kearney has been dividing her
time between San f^>ancisco and Santa Barbara where
her sister. Mrs. J Langdon Erving makes her home.
Dr. and Mrs Milton Geyman of Santa Barbara were
house gues:s nf Dr and Mrs. Redmond Payne during
the week-end of the Big Game.
Captain and Mrs Clifford Erskine-Bolst of New York
and Paris were in San Francisco on a visit late in No-
vember and were entertained continuously. Mr. and
Mrs. George T, Cameron, and Mr, and Mrs. Edmund
Lyman were among those who entertained for them on
the peninsula
Mrs. Norman McLaren of Paris was honor guest at a
number of functions during her recent visit to San Fran-
cisco when she was the house guest of Mr and Mrs
Millen Griffith Mrs. McLaren is the sis.er of Miss Eliza-
beth Ashe of San Francisco.
Mr. and Mrs Harry Howard Webbof Santa Barbara
were San Francisco visitors and were honor guests at a
Lea given by Mrs. James Potter Langhorne.
Mr. Clarence Postiey. Mr Charles Pratt and Mr-
Howard F. Whitney, a trio of voung New 1 ork bache-
lors, were the guests of Mr. Postley's mother, Mrs Ross
Ambler Curran. in Burlingame. Thev left San Francisco
en route for the Orient, planning a tour of the world. The
three were guests of honor at a dinner given at the Polo
Club in San Mateo by Mr and Mrs. Lindsay Howard.
Senor and Senora Jorge Almada of Sinaloa, the latter
of whom is the daughter of President Cal!es of Mexico
were guests at the Fairmont during their stay here. The
couple were on their honeymoon and were complimented
by a number of functions given by members of the con-
sular group in San Francisco.
Miss Joan and Mrs Made'eine Forbes of Biarritz
w^ho have been visiting with Mr and Mrs. George T!
C-ameron in Burlingame. were honor guests at a dinner
party gi v-en at Tail's at the Beach by Mr. and Mrs
Richard Heimann.
Mrs. John J Lapham of New York was a visitor to
San Francisco during November She will pass the re-
mainder of the winter at the Hotel Huntington in Pasa-
dena.
Mr. Herold Brown of Paris was honored at an in-
formal tea given by Mrs. James Jackman at her home
Mr. Brown is an artist.
Miss Marjorie Davis of New York was entertained by
Mrs. Arthur Gibson at the latter's home. After a visit to
her mother, Mrs. Norris K. Davis in Montecito Miss
Davis will return to New York where she is engaged in
literary work.
HERE AND THERE
The San Francisco Horse Show celebrated the sixth
annual event early in November The show was spon-
sored by the Junior League and proceeds were turned
over to the League's Building fund.
Mrs, Hopkins Cowdin gave a large dancing party for
her debutante niece. Miss Evelyn Taylor at Tait's-at-
the-Beach. A hundred of the younger set attended.
Mrs. George E Bates entertained about two hundred
friends at a luncheon at the Fairmont given in honor of
Mrs J J, Spieker and Mrs. S C Denson who recently
returned from a trip abroad.
The debutante set were honor guests at a dinner and
theater party given by Mr Alexander Hamilton.
Mrs. Kenneth Mcintosh passed several weeks in
Pittsburgh, the guests of Mr. and Mrs. Arthur Scully
(Mary Julia Crocker.)
Mr. and Mrs Harry Poett celebrated the twenty-fifth
anniversary of their wedding by giving a dinner party
at their San Mateo home. Mrs. Poett was Miss Gene-
vieve Carolan.
Miss Helene Lundborg arranged a surprise dinner
party in honor of her brother. Mr. Clilt Lundborg's
birthday The dinner took place at the Lundborg home
at Cough and Washington streets.
Vlr and Mrs Brooks Walker have returned to their
home in Piedmont afier a st.journ in New York where
ihcy were eniertnincd bv Mr. Walker's sister, Mrs
William Randolph Hearst Jr.
Mrs, Riilx-rt Noble introduced her daughter. Miss
Beth Sherwood, to society at a large tea given at the
Lrancisca Club The tlcbutante shared honors with Mrs
Sherwood C'hapman. the former Miss I hida von 1 (olt
Maj:>r and Mrs Putnam Youn^ were the incentives
for a number c)f dinner parties before starting on their
round the world trip.
The Misses Peggy and Polly Dibblee twin daughters
of Mr. and Mr^ Albert J. Dibblee, were nresenied lo
society at a large ball given at the Hotel Fairmont by
their uncle and aunt. Mr. and Mrs. Benjamin Dibblee
on Nr)vember 9.
Miss June Shaw, daughter of Mrs. Nelson Shaw and
granddaughterofMrs Clinton Worden, made her debut
at a large reception given at the familv home on Wash-
ington Street on November 10.
Miss Harriett Browncll of San Francisco was one of
the bridesmaids at the wedding of Miss Ruth Ledyard
and William de Rahm at Grace Church in New Ytirk,
Mrs. Tobin Clark was among the many prominent
Californians in attendance upon the opera on the night
of Bori's appearance in "Traviata." Raymond Armsby
also took a box for this brilliant occasion.
Mrs Clinton Walker and her daughter. Miss Harriet
Walker, were guests at the Drake Hotel in New York
for several weeks
Mrs. Ernest Mott and her daughter, Miss Marjorie
Mott, are spending the winter holidays on the Atlantic
Coast.
Miss Maye Colburn is in the East, spending much of
her time with Mrs. John Biddle at the latter's home in
Washington.
Mr, and Mrs. Wyatt Eustis will pass the winter
months in New York. They have made the trip East on
the "California."
Mrs Gertrude Atherton is in New York where she
will visit for the next few months.
Miss Mary Emma Flood returned to New York after
coming to California to attend the funeral of her aunt,
the late Miss Cora Jane Flood.
Mrs. Washington Dodge is established at the Plaza
Hotel in New York for the winter,
Mr. and Mrs. George N. .Armsby have taken posses-
sion of their apartments at the Savoy Plaza for the
winter.
Miss Virginia Phillips, daughter of Mrs Grattan
Phillips Sr., of San Francisco, made her professional
debut in New York last month, appearing in "Much
Ado About Nothing," Mrs. Fiske's vehicle-
Mr, and Mrs, Milton Esberg are in New York and
will return to California for the Christmas holidays.
SAN FRANCISCANS ABROAD
Miss Romilda Musto, daughter of .Mr and Mrs,
Guido Musto. IS spending the winter m Rome, where
she is a student at the University.
Mr. and Mrs. George Perkins Raymond were in
Berlin at last accounts
Miss Mary and Miss Margaret Zane of Burlingame
will spend the winter traveling on the Continent
Mrs, John Gerlach and her daughter. Miss Louise
Gcrlach, are in Suttgart. Germany They plan a motor
trip through Italy later in the year.
Miss Jean Rutherford has been a visitor in Rome.
Mr. Stanley Powell was in Frankfort, Germany, at
last accounts.
Mr. Leon E. Bocqueraz was recently awarded the
Cross of the Legion of Honor, in recognition of his
friendship for the French Republic.
Mr George Baker Robbins spent the autumn in Paris.
Mrs. Alexander D Keyes. Mr. T. Danforth Board-
man and Miss Kate Boardman were recently enjoying
an interesting tour of Scotland.
Mr and Mrs, George Gordon Moore of San Francisco
and Carmei. have arrived in Paris.
Mrs Andrew Welch and her daughter. Miss Marie
Welch, who have been in Paris since last spring, plan to
pass the winter holidays at their home in San Francisco.
Mr and Mrs Gayle .'\nderton are in France where
they will place their children in school,
Mrs T. Edward Bailly was recently in London where
she was entertained by Mr. and Mrs, James George
Miss Dorothy Mein has been in London for several
months and was joined there by her parents. Mr. and
Mrs. William Wallace Mein. early in November.
Judge and Mrs James A Cooper are in Paris where
they have joined their daughter. Miss Ethel Cooper,
Later in the year the party will go to Egypt,
On the night of the Presidential election a large no-
host dinner was held at the Burlingame Country Club
with practically the entire society contingent of the
peninsula in attendance to dine and hear the election
returns.
hi
Honoring Miss Beth Shcrwo<.J. a debutante of the
winter, Mr and Mrs frederick McNear gave a dinner
>arty at 1 ait s-ar-the-Beach where I hey entertained the
luntlred young girls and bachelors who make up ihe
younger group.
Mr and Mrs Robert Hendcrwm of Burlingame gave
'i/i'fjner pariy at their home on the peninsula in honor
nj Mrs Mount ford Wilson who recently returned from
I-.urope.
Mr and Mrs Alfred Hendrickson were hrists at an
informal Sunday nighl sunper given at the home of Mrs.
Hcndricksfjn's parents. Mr. and Mrs. George N. Armsby
in Burlingame.
Mr, and Mrs Nion Tucker entertained at a luncheon
party in Burlingame honoring Mrs. George N. Armsby
who has left for the East.
Mrs Phillip Van 1 lorne Lansdale has returned to her
home on Broadway after a sojourn of nearly two years
in the East and in liurope. Before returning to San'
r-rancLsco Mrs Lansdale visited for a time with her
sister, Mrs. George 1 lood, in Philadelphia.
At a tea given by Mrs, John Bruener at the Francisca
Club on October 2b. Miss Katrina Breuner was pre-
sented to society. The debutante's aunt and cousin. Mrs
Edwin Janss and Miss Patricia Janss, came from L-os
Angeles to attend the afTair.
Mr. and Mrs Joseph Oliver Tobin were given a dinner
party at the home of Mrs. Tobin's sister. Mrs. George T,
Cameron in Burlingame, the occasion celebrating the
twentieth anniversary of Mr and Mrs, Tobin. Their
marriage was a brilliant event at St Mary's Cathedral
in h)08,
Mr. and Mrs, Joseph O. Tobin were also honor guests
at a dinner party given in Burlingame by Mr. and Mrs.
Ge(3rge A. Pope.
Mr and Mrs. Silas Palmer gave a Sunday luncheon
at their home in Menio Park recently to celebrate the
birthday of their nephew, Mr Palmer Wheaton.
Prior to their departure for their home in London.
0_)unt and Countess Andre de Limur were guests of
honor at a dinner party given in Burlingame by Mr.
Douglas Alexander.
Mr and Mrs. Alexander Hamilton gave a brilliant
dinner dance at the Tanforan Jocke>- Club where they
entertained two hundred of their friends.
Mr. and Mrs. C. C. Moore have been giving interest-
ing week-end parties during the autumn and early
winter at their country place at Santa Cruz.
Mrs George Herrman has taken apartments for the
winter at the Hotel Mark Hopkins.
Honoring Mrs Dean Witter on her return from
Europe, Mr. and Mrs Stanley Smith gave a dinner
party at their home in Washington Street.
Miss Jeanne Hughson. daughter of Mr and Mrs.
William L. Hughson, made her debut on November 7 at
a tea and reception given by her mother at the Francisca
Club.
Miss Frances Ames has gone to Chicago v/here she
will be the guest ofMr. and .Mrs. John Bt:)rden Mr. and
N-lrs Borden and their guest plan a trip to the Borden
plantation in Mississippi during the quail season.
\1r Pardow Hooper entertained at a dinner party at
the Bohemian Club, where he was a host to the various
couples at whose weddings Mr. Hooper has officiated as
usher, also a few additional guests.
In honor of Miss Dorcas Jackson whose engagement
to McKenzie Burns has been announced. Miss Adelaide
Sutro entertained at a luncheon.
Miss Sutro also gave a luncheon party for Mrs. Heber
Tilden (Eleanor Weir.)
Scores of dinner and dancing parties followed the
game between Stanford and California on the evening
of November 24. Hotels, clubs and private homes on
both sides of the bay, were the scene of gay and brilliant
gatherings.
Mr and Mrs. Georges de Latour and their son-in-law
and daughter. Count and Countess de Pins, are again
occupying their respective town houses after passing
several months at the de Latour ranch at Rutherford.
The debut of Miss Dominga Russell, daughter of Mrs
Atherton Russell, is planned for December 14 and will
be held at the Russell home in Green Street.
SAN FRANCISCANS IN THE SOUTHLAND
Dr and Mrs E E Brownell passed one of the recent
week-end holiday periods in Santa Barbara where their
son, William Browncll, is attending the Gates School.
Mr. and Mrs Harry Stetson will occupy one of the
cottages at El Mirasol during December.
Mrs. Robert Oxnard and Miss ! ily O'Connor recently
passed a week in Santa Barbara, guests at El Mirasol
Miss Sallie Maynard visited in Santa Barbara for a
month, the guest of Mrs. Harry Howard Webb of
Montecito.
Mr and Mrs. Frank Timberlake have gone to Los
Angeles where they will lu'e tor three months.
26
THE SAN FRANCISCAN
The Other Side of the Pacific
Concerning the Contrast of Neighboring Race Temperaments
By JOHN GODFREY HILL, PH.D.
Editor's Note: In these days of increasingly rapid
transit and amaringlv- shortened time distances, one
finds the lands of the Orient, formerly shrouded in mys-
tery, now quite next door neifihhors In the face of this
fact, we arc particularly pleased to publish this article
hy Or Hill, a distinguished Western psychologist who
recently returned from a trip around the world studying
racial and religious conditions.
DIFFERING civili-ations are very
largely a matter of Jivergina;
manners and we find that man-
ners are the strings by which our emo-
tions arc mo\'ed When we meet peoples
of very different manners trom our own
they give us emotional disturbances, it
not emotional offense, and we arc apt to
treat them rudely Upon the first clash
with foreigners we are likely, therefore,
to dislike them and they us on the flim-
siest ground ot ruffled emotions without
any basis of intentional offense, on either
side.
These emotional sets, or temperamen-
tal differences expressed in mannerisms,
keep races apart. Traveling proves at
once an emotional lure and a test in self-
control it becomes a series of problems
in understanding, for to get on with a
different mannered people we must learn
to appreciate the differences and pay
respect to the attitudes underlying their
actions
T ▼ ▼
THIS time last year, I set out upon a
journey from San Francisco looking
westward toward the setting sun Near
at hand, the sea was calm and glinting
blue On the far rim of the evening hori-
zon the waves were choppy, tossing the
foam into whitecaps. Beyond that the
blue waters sank into a bank of impene-
trable fog.
This Golden Gate picture at nightfall
is startlingly suggestive of the shores and
peoples we found beyond the white caps
and the sinking blue. When one pierces
the fog and rides the disturbing swells to
the endless shores beyond, one comes
upon peoples quite different from our
own We become foreigners among
people who regard our viewpoint as ex-
ceptional. The strange new manners
strike one oddly.
An ancient psychology stirs in their
brains and their customs are made on
other patterns than are ours And the
fact that these peoples beyond the swells
and the fogare temperamentally different
from ourselves, disturbs our equanimity
T ▼ ▼
THE first stepping stone to the Orient
is Hawaii. There one is bewildered
by tints and shades of race colors There
one finds a mongrel population on every
hand All the colored races meet, inter-
mingle, and inter-marry freely The cli-
mate being delightfully mild the year
around, and life made easy by perennial
fruition, they marry young Hence the
Islands swarm with children who dis-
play every color trom pale yellow to jet
black.
The prevailing temperament of these
mixed bloods is cheerily sanguine,
touched with a musical dreaminess. As
everyone loves the native Hawaiians
their blood has gone into some thirty
cross breeds, tincturing all — serious Jap-
anese, stolid Chinese, active Filipinos,
swarthy Singalese, factual Europeans
and driving Americans -with a touch
of dreamy Ughtness and untroubled ease
pleasantly apparent to the traveler. They
live on poie and hula music, dance about
the nerve-worn traveler and throw gay
colored leis about his neck. The saddest
visitors forget their griefs, listen to the
moon-touched music, swim in tepid
waters and roll on the balmy beach at
Waikiki — something to tell their tired
business friends at home. They have
made the Islands the "Paradise of the
Pacific," the American business man's
playground.
The native Hawaiian temperament
is a big factor in the mid-Pacific Islands'
charm. This lilting temper is as ingratia-
ting as the island climate. It is part of it.
▼ ▼ ▼
THE next great hop we made was to
Japan. We had to traverse a terribly
wicked sea for ten hectic days. The mer-
maids of the deep had a nasty way of
clawing at one's innermost and more
came up than we had ever thought of
before We were glad to step on solid
land at Yokohama and to be at internal
rest
In Japan we came upon a people of
quite a different temperament. There
were myriads of them — 2,600 to the
areable square mile. What a problem for
racial outlet! Korea has been grabbed,
Manchuria is clawed at, swarms flock to
the Philippines and South America.
The Japanese temperament is serious,
proud, ambitious — and reverent. Their
theatres seem to have nothing funny. We
found that the only scenes in the movies
that provoked their laughter were those
in which people fell into water or were
caught in dashing showers. Japanese
books are heavy with abstract philos-
ophy Their business places are beehives
of smileless enterprise
One is struck by their studied polite-
ness. The Japanese are schooled from
childhood in the art of pleasing but they
are sensitive and quick to get on the de-
fensive. They adapt themselves quickly
to outer forms of other people — in dress.
in social manners, in speech and out-
ward politeness — but, in the main, they
retain their old customs on the inside.
Therefore their modernization is not as
thorough as a superficial estimate would
make it seem Their women wear west-
ern clothes while their men still expect
of them the old obedience and servility.
In your presence they eat with knives
and forks but in private prefer chop
sticks. In their business places they often
have goods plainly marked but encour-
age bargain haggling.
With the Japanese courtesy is a matter
of good morals. In their temple proces-
sions and Buddha worship they are
politeness itself. The gods like good
manners.
It is evident that a people so polite
and so proud must be very deeply
wounded by our brusk diplomatic and
business dealings where no chance is
given them to "save the face." To them,
to lack politeness is to be both immoral
and irreverent.
The prevailing temper of Japan is
reflected on the painted screen and feath-
ery tan, the butterfly kimono, dancing
geisha, gorgeously masked actors, spring-
time flower festivals and dainty little
shops. They manufacture a million cute
little things for sale, made to attract, not
to last. They are flooding their own and
other markets with these attractive but
frail goods.
This airy and complex temperament
of Japan perhaps accounts for the popu-
larity of Buddhism, the religion of quiet
form, and their patriotic devotion to the
cult of Shinto, a system of nature and
ancestor worship known as "the way of
the Gods."
The florid grace of Japan colors all of
life and turns the very seasons into flower
testivals, the state into grove-worship
and the religion into flower display.
WHAT a strange sensation we had
in China! For instance, when we
were in a fuzzy hurry, desiring to catch a
train in forty minutes, and so informed
our Chinese hotel waiter urging him to
hurry up the serving of the meal, we
found that he moved with the same age-
old snail pace causing us to miss our
train. When we stewed about it, his sur-
prise was evidently great for he calmly
and blandly informed us that there was
another train tomorrow that would
leave at the same hour.
From his point of view, why should
anybody be in such a hurry as to spoil a
good meal of thirty-two courses when he
Continued on page 54
DECEMBER, 1928
V
rt^.Aiu^.j^ i
LIAM HORACE SMITH
Toward Nob HUl
From the ruins of the Victorian monstrosities of the Big Four have arisen the towering height
oj San Francisco' s Jlayjair
28
THE SAN FRANCISCAN
Security Distribution
Contrasting American and British Investment Banking Methods
IN THE early development of this coun-
try it was probably necessary tor
bankers to exert pressure in order to
procure capital from the investors for
new business \entures The corporate
form was practically born in this coun-
try . at least it received a great impetus
at the time the railroads were developed
and has since grown until there arc more
different types ot corporate form in this
country than in any other. The corpora-
tion or business that needed capital has
had to secure it usually from one or two
or three large organizations, and it has
been the business of these organizations
to procure the capital from a great num-
ber of small investors Thus investment
bankers or underwriters that have under-
taken to furnish capital to concerns
needing it, were organized to conduct
examinations of the companies they in-
tended to finance. They retain lawyers,
engineers and experts of different types
to study and investigate the properties of
corporations desiring financing Many
in\'estment bankers maintain experts to
sell their ser\'ices as financing agencies to
various corporations. There is a sharp
contrast and distinction between invest-
ment bankers and brokers, altho at
present we will define investment
bankers as any one who does financing
Many bankers already have connections
with corporations whom they have
financed for years For example, J P
Morgan and Company have certain rail-
roads When a corporation needs financ-
ing it usually resorts to its old connection
first Often we find that the investment
bankers have one or more men of their
firm on the board of the company so that
they know the situation constantly and
are ready when new funds arc needed
After the corporation has decided to
finance, investigations are made, and it
has to be decided how much the security
is going to sell for, whether they are
going to issue common stock, bonds or
preferred stock, whether they will have a
convertible feature and other factors.
Everything is arranged at that stage
from the point of view of the corpora-
tion which needs the financing. Of course
the investment banker does not overlook
his commissions The commissions vary
according to the reputation of the issuing
company, the present state of the
market, the type of security issued, etc.
THE investment banker buys the whole
issue, say $1,000,000 of bonds and
pays the corporation for them at once.
The bonds are sold to the public at par
By LELAND S. ROSS
With these bonds that are to be offered
at par are two separate items ; the
amount that the company receives
which, let us say, is 97 points, and the
amount which the banker recei\'es which
is T, points In that case the bankers turn
over to the corporation $970,000. They
are through with the Company except
as they intend to watch over their for-
tunes Then the bankers have a new
function to perform They have to in-
duce investors who have capital to take
up the securities which they own. The
bankers, having put their capital into
these securities, perform a service which
is worth something to investors and to
the corporations. They now have to act
in an advisory capacity. They know
more about that company than any in-
vestor, or than the ordinary investor,
and it is up to them to pass along the in-
formation. Very often it is not just the
fact that they pass along, but pieces of
advice or their opinions and feelings. It
is a "puffing" procedure now and then
However, they are performing a legiti-
mate function that is absolutely neces-
sary. We merely want to point out their
weaknesses. They are representing two
people on different sides of the fence
They are like an attorney who is repre-
senting both the plaintiff and the de-
fendant. This is not permitted in law
unless the representation is made very
clear to both parties In the case of the
investment bankers this is made very
clear but it is something that the average
investor rarely considers. We hear the
terms "underwriting" and "participa-
tion" very often in this country, but
"underwriting" does not mean here
what it means in England. Underwrit-
ing here is the responsibility assumed by
the original managers of the financing
syndicate in dealing with the company.
Participation is done by the bankers who
agree to share a certain part of the liabil-
ities of carrying and selling the securities.
THE British Companies Act gives
tremendous stability to the entire
security market. An entirely different at-
mosphere which arises from the very
inception of the issue, surrounds the
methods of security distribution There
are many more corporations, for instance
which invite public subscriptions directly
for their shares by means of prospectus
circulated and advertised in newspapers
than there are in America. It is probable,
however, that the American practice is
trending toward the English as has been
e\'idenced in recent years by the public
ownership campaigns of the public util -
ity companies. The English industries
instead of being guaranteed necessary
funds by an outright purchase of the
company's securities, resort to another
form of guarantee. The English banker
in the average underwriting transaction
acts like a professional man and not like
a merchandiser; by advising as to the
type of offering which should prove at-
tractive to the investing public, and then
insuring the company against the failure
of the offering, tor which service he is
paid a commission. The corporation
itself offers its securities for subscription,
the underwriters, in return for a commis-
sion or premium agree to take the unsold
portion after the public subscription
books are closed. The amount of this
commission or discount is disclosed to
the public and also the amount of the
issue remaining unsold after the books
have been closed. It is obvious that such
a transaction differs materially from the
American transaction. The acid test of
judgment, which is applied by the
bankers to securities before they are
offered to the public, is uninfluenced by
the knowledge that if wrong there is a
sales force to put the issue over English
methods have made unnecessary the
immense overhead of a sales force and
the cost of distribution is therefore low.
The saving has been passed on to indus-
try and investors, through a much
smaller underwriting cost than prevails
here. London can distribute securities
with more certainty and lower cost than
we can and unless we fit ourselves to dis-
tribute more cheaply, England will con-
tinue to have first call on most of the
attractive new issues of world impor-
tance
▼ T T
ANOTHER difference between English
selling methods and our present
methods is in the matter ot salesmen
approaching the investors. In England
the security salesman as we know him is
unknown. Investment bankers have
more of the professional attitude and
investors are more in the habit of going
to them for advice. Furthermore there is
another type of institution in England,
the solicitor There is much old wealth
in England running for generations and
these solicitors have the responsibility of
selecting the investments and managing
these estates It is their duty to determine
the securities which are best adapted to
the needs of their clients. They are dis-
interested from the commission stand-
point. They are experts who combine
Continued on page 49
I
I
DECEMBER, 1<)28
29
Warming Up
The Spirit
of Polo
in Bronze
Hoo
KING Sticks
The Offside Backhander
These amusing polo sketches ren-
dered in bronze by Elsa Knauth
have all the dash and the vim of
the actual game itself. They are
meant to be attached to fire screens
or used as ivall plaques.
30
THE SAN FRANCISCAN
,, Cruise
the Route of Romance
to^aEWYORK
THE land of perpetual spring beckons just over the southern
horizon . . . Gorgeous tropical flowers are blooming . . . Lazy
surfs lose themselves on a thousand shores. Verdant mountain
sides race up from fertile valleys . . . Coral-like cities bask and
dream in the noon-day sun . . . Over all is the color, the peace,
the irresistible charm of the tropics.
Now is the time to go. The chill winds of winter are unknown
in lovely Latin America. Commodious Panama Mail liners
intensify the delightful transition. Airy, spacious cabins — all of
them outside — assure home comforts and conveniences in eleven
ports in seven foreign lands between San Francisco and New
York. Absorbing days ashore spent in the dim aisles of musty
cathedrals or in the enchanting tropic outdoors, end aboard
ship where splendid orchestras wait to entertain during dinner
or beguile to dance or lounge.
If vou would see Mexico, Guatemala, Salvador, Nicaragua; if
yoii would linger two days in the Canal zone and sail on under
the Southern Cross to Colombia in South America— if you would
know Havana and the joy of arriving at New York from the Sea,
there is onlv one way to go — the cosmopolitan Panama Mail way
— the choice of experienced travelers the world over.
Write now for reservations. Sailings from San Francisco and Los
Angeles every two Mceks. First class fare to New York, famous
meals and Simmons beds — not berths— included, as low as $250.
STEAMSHIP COMPANY
2 Pine Street
SAN FRANCISCO
54« S. Spring Street
LOS ANGELES
East Bay Miscellany
Cont inued from page 1 7
MADELINE BOGGS
(Telephone Operator)
There were conversations I overheard
In the seven years I watched the switch-
board
That would have made rich men poor
And poor men rich;
That would have made widows of
wives
And bastards of children.
1 kept the secrets of the Bay Region
And went my way, ignored by all —
A middle-aged and rather stout woman.
There is the silence of the Sphinx
Strange and inscrutable;
There is the silence of the trees and sky
Vast and illimitable;
But the silence of the telephone operator
Is greater than all.
HENRY EDMONDS
When I grew tired of earnest men,
Zealous Rotarians, Lions, Kiwanians,
Who, with rolling cigars and stomachs
distended,
Decided my fate, when with eloquence
spent,
I awaited their verdict as to whether or
not
They would float the bond issue and
pave the street,
If I sought surcease in the home
Of some woman who, with a flair for
art
And mixing highballs, had power to
charm
And beguile the hours, was I less fit
To return to Laura when night came on
And take my place at the head of our
board —
A model husband and father?
Citizens of the Bay Region, I ask you
LIONEL VAUX
Out of a multitude of enterprises
I should have emerged well-to-do
Had even one of them prospered,
But they did not, for reasons unknown.
First came the garage on Powell Street
With Gordon Smeed — we lost it soon;
Then the patent gear grease with Peter
Shannon
(Idealist that he was!)
Then countless others, each more alluring
Than the one before.
But dying all, in the throes of birth.
While I grew older and somewhat bitter
Not for myself but for little Hazel,
Who had held up my hands and
heartened me.
And I sought forgetfulness more and
more
With wine and song and my battered
fiddle
Till "Ay Bane Swede from Nort'
Dakota"
Became the song of my soul
And I ceased to struggle.
DECEMBER, 1928
31
Concerning Bridge
A Discussion of Bridge Conventions and Mathematics
By PAUL W. BLACK
EVERY year tlie game of bridge is
being played more scientifically.
FroriT the standpoint of correct
bidding there are several good systems
of estimating the trick taking power of
a hand to make a bid or to assist the
partner. All ot these systems arrive at
approximately the same final estimate
within a half a trick or a whole trick of
each other.
The quick trick system has many good
features A quick trick is a high card or
combination of high cards that make
possible the taking of a trick on the first
or second, and sometimes the third,
round of play of that suit A whole
quick trick may be illustrated by an ace
or a king-queen combination
Due to the promotional power of
high cards for the low cards in long suits
in the hand of the bidder roughly double
the quick trick count of the hand and you
will arrive at the number of tricks the
hand will take if you get the contract.
It is conventionally recognized that
opening bids first, second, third and
fourth hand, when opened with a bid of
one in a suit or no trump, are indications
of quick trick holdings with minimum
probable playing tricks in each case as
follows ; first or second hand two quick
tricks, third hand two and one-half
quick tricks, and fourth hand three quick
tricks if the bid is in a suit of five cards
or no trump, and the double valuation
would give respectively, four, five and
six playing tricks.
For an opening bid in the various
positions wc want to know from a
mathematical standpoint how many
tricks are expected from the partner If
four playing tricks arc held for a con-
ventional opening bid by first or second
hand it suggests that three tricks would
be expected from the partner to make
the contract Likewise expectancy for a
third hand opening bid would be two
probable tricks, and for fourth hand
opening bids of one in a suit or no trump
one trick would be expectancy If a part-
ner of an opening one bidder holds
probable playing tricks in excess of these
expectancies, respectively he may raise
the bid as many times as he has probable
tricks in excess
A sound and conventional way of
estimating the trick taking power of the
assisting hand for a declaration by part-
ner in a suit is to take the quick tricks
above queens in suits other than the one
partner had hid and double these quick
tricks. If opponents have bid any suits
do not double the quick tricks in their
suits. To this total add for short or blank
suits the following-, blank suits, 2}/2,
singleton suits, i j/^, suits of two cards,
3/^, provided the hand has normal length
or strength in partner's suit. Normal
length is three cards Normal strength if
less than three cards is ace and a small
card, a king and a small card, or a queen
and a small card If the hand contains
tour or more cards in partner's suit add a
count of one for the excess length A
count of one may be added for each of
the top three honors in partner's suit, but
if honor count is taken do not add a
count for excess, or length of four or
more in trumps.
When bidding suits opening in any
position with a one bid and the suit is
one of four cards add one half a quick
trick to the minimum conventional
standards given above because four card
suits offer one card less in length for pro-
motion than five card suits and the added
quick trick strength is needed to make up
the probable playing tricks. A slight
shading of the minimums may safely be
made third or fourth hand at times if
one is a good player but it should not be
more than a half a quick trick and better
if shaded no more than a quarter of a
quick trick.
For convenience of reference the fol-
lowing table of quick trick count is sub-
mitted.
A 1 quick trick
K-Q 1
K-x H
Q-J-x
Q-x-x
K-J-io
Continued on page 38
^2
3X
style
performance comfort in th<
New STUDEBAKER President Eightl
Studebaker's exclusive
ball bearing spring
shackles gives greatest
comfort .
T T T
Van Ness Avenue at
Bush Street
The President proved
its durability and per-
formance by traveling
30,000 miles in 26,326
minutes.
T T T
Weaver-Wells Company
Oakland
CHESTER N. WEAVER CO.
DISTRIBUTORS
32
THE SAN FRANCISCAN
\^ RAPHAEL WEILL 8 COMPANY/ f,, ■
\ ^r^\<^'~ r wo/\\ 4
\No^VItCanB^T(^^la^V.I
Grim haven
WHO minds being tempted to give
and give . . and buy and buy
v\hcn Christmas is the year's one excuse
for a mad and thoroughly unreasonable
orgy of giving . there's the whole rest
of the year in which to be sane !
^.C\
THE old excuse about men's gifts
being so hard to find is out ot
fashion this year Selections are so com-
plete in the men's shop that the only
problem is to make a choice from the
great variety. House robes have never
been more attractive . . a superbly tai-
lored robe of long, fitted lines will be
monogrammed in any initial you wish . .
a three piece set composed ol terry cloth
robe, slippers and bath mat will rouse
the enthusiasm ot any man who loves
his creature comlorts (and what man
doesn't') initialed handkerchiefs of pure
Irish linen . . imported riding crops . .
good looking umbrellas are just several
of many suggestions.
-3
Ik^
IN THE corner between the men's shop
and main building an inviting little
smoke shop has just been established. It
is brimful of genuinely masculine
smoking accessories . . the type of thing
men always choose for themselves. A
special collection ot pipes includes
French briars . Peterson pipes from Ire-
land Prince of Wales type . . Silver
Sleeves with inner aluminum tubes . .
Meerschaums, and every other type
known to the pipe smoker. Then there
are Ronson, Douglas and Clark lighters
covered with genuine leather or snake
skins . . smart pressed glass cigarette
trays and boxes with etched designs . .
even novelty lighters that play a bit of
music while the smoker lights up.
WHEN in doubt give a motorist's
de luxe edition of the ideal bev-
erage set consisting of a hand sewn cow-
hide case fitted with every necessity for
assuaging thirst (with the exception of
the beverage itself). Four generously
sized cups and a shaker equipped with
fruit juice strainer are all ot gleaming
triple plate. For the liquid refreshment
there are four clear glass containers.
"Just a little different" is a smooth cow-
hide binocular set containing all the
equipment for proper liquidation ot pic-
nic party or motoring trip.
WHAT may seem frivolous trifles
to the masculine mind are ob-
jects of tremendous concern to fashion-
able feminines. A ravishing pajama set
of dreamy lotus pink satin banded with
deep point d'Alencon has universal
feminine appeal (yes, this is a hint, for
the sake of all beauty loving women
blessed with lovable but blundering hus-
bands, sweethearts, brothers and boy
friends). Furthermore, we are going to
give a definite list ot guaranteed-to-
please feminine gifts for those men who
approach the problem of women's gifts
with foreboding and alarm.
FRENCH lingerie, of course, comes way
at the top. Exquisitely hand made
bits of daintiness with lavish lace trim-
ming. One complete set has a gown with
a hand hemstitched hem . . Imported
perfumes come next (but be certain to
find out her favorite) . . satin mules . .
evening bags . . needlepoint footstools
. . boudoir slipper chairs . . objects ot
art. And if you take no chances what-
soever there is always a White House
gift order !
ADVERTISEMENT
(Continued from page 9
must. Pucker up your brows a bit about
some of the things; I dare not think
about them.
Not once has Taskcr descended to
pointing out reforms He has shown the
whole picture, nothing more; it isn't a
reforming book, and Tasker isn't a re-
forming man. Rather, he isn't a re-
former. As to the rest : "I was an ass," he
says; "and that's over now."
There again he is unique ; he is, so far
as I have ever been able to discover, the
only guilty man in San Quentin He
admits it, although he does not add that
his sentence — from five years to life — is
exhorbitant.
Here, briefly, is his story — his own.
Robert Joyce Tasker was born in Albee,
South Dakota, in 1903. Excellent educa-
tion. A fine-looking man, even in prison
uniform of columbia-blue. Tall, bright-
eyed, quick in gesture and words; mobile
lips; he looks very much like William
Ellery Leonard did in 1912 at Wisconsin.
He is in jail for having held up various
and sundry restaurants and dance-halls
in Oakland I never asked him why he
did it ; I don't know. Probably he needed
the money. And he used an empty gun!
But — even empty — the gun was con-
sidered by some mallet-headed J. P. as a
"deadly weapon" and he was so charged j
. . . found guilty . . . sentenced.
Under our indeterminate sentence
law, he still has a year to serve before he
will learn exactly how long he may stay
in jail. It may be for years, and it may be
forever.
Unless there is a change in policy,
"Grimhaven" will be the last oppor-
tunity any prisoner has for self-expres-
sion. It is now contrary to "policy" for
prisoners to sell manuscripts. "If," the |
statement has been made, "we permit a
man who writes to sell his merchandise"
— I still have my notes, and the word is j
just that — "it will only be a step to car-
penters wanting to make and sell desks." i
When it was pointed out that female j
prisoners may make towels and doiles
and tablecloths . . well, that is differ-
ent. So tar, we do not know why, except i
that possibly women and children come |
first
The first step in the present ban un-
doubtedly was the discontinuing of the
prison class in writing for no sufficient
reason. It was through it that I met
Tasker ; he submitted several manuscripts I
which had a deal ot promise. I said so to
him "His comment," Tasker writes in
"Grimhaven," "gave me grim satis-
faction. The very sketch which the i
English instructor and defender of the
American Magazine had condemned, he
marked as being the best of the lot. . .
"Grimhaven, "at first, was written |
everywhere, anywhere, but Tasker was '
DECEMBER, 1928
33
.It last ^ivcn peace to write in a cell hy
himsclt alter his day's work was over,
naturally.
"The celUtcnJer s-i^'i^ the cheerful in-
tormation that the man who had vacated
the cell had done so because of knife
wounds he had received the night before
The nerves in his neck were severed and
he would be torevcr paralyzed ... 1
looked on the pillow lor bloodstains. . .
"So now 1 sit down and write of what
1 see.
« » i
HERE is a picture ot the cell ; a stool,
a deal table, a broom, a bunk,
three blankets, a tew tattered books, a
sack of tobacco, all within four feet by
seven and one-half. While "Grim-
haven" is not bitter, between the lines
one may see the moments of pain which
have been the author's. Revolt at the
cell. At life.
"Grimhaven" is the story of men
in prison Taskcr might as well have
said, "Here we are. A lot of crooks.
Murderers, thieves, check passers. Yet
we are alive. We live this way because
we must. Here we are. Take a look at
us." Not once does he step himself above
the companions he is imprisoned with.
In this, as in everything else, "Grim-
haven" is an honest book Only a
fundamentally honest man, and an
honest craftsman, could have written it.
As to the title; "grim" the prison is;
"haven" it is not, save to those few men
who, without assistance, find a place in
which to readjust, to reconsider, and
then to leave better able to fit into the
mesh of society.
The Opportunist
C^onnnucd lri>m pagti 12
She stood quite still and drew another
dead flower from its place. Then slowly,
very slowly, she walked back and threw
herself upon the divan again . .
What was Lemoyne planning? Would
they speed south from San Francisco to
perpetual summer and orange groves,
or —
She looked toward her husband. The
yellow light searched out his heavy,
paunch-like jowls, the roll of fat just
above the collar line, his thick lower lip,
dropped in torpid attention as he de-
voured his evening paper.
And to think that this might have
_jC\_ been their last evening together,
when, as a matter of course, it was
merely one of many evenings that would
stretch out interminably — many evenings
devoted to the newspaper and his wife —
yes, his wife curled demurely among the
cushions of her divan, with the halt-
closed eyes of a passively alert cat.
PurtUnJ
OakUod
Tacoma
iA Djj^y^e F'T^ocA^
OF
TuLLe
Youth
$
39
o
0
Because of its gaiety, its
youthfulness, its cloud of
crisp tulle flares, its delicate
colorings, we suggest the
boulTant dance frock for holi-
day testivities.
Paris has decreed that only the young girl, slim and supple
as a shining sword, should wear the bouffant silhouette.
Seldom does it find a happier interpretation than in a dance
frock with quaint Princess bodice, tiers upon tiers of floating
rufHes and a slim belt which exists to hold a sparkling buckle.
CITY OF PARIS
Qoivn Salon
34
THE SAN FRANCISCAN
J.
T. Saunders writes:
The beauty and grace of the S. S. Malolo,
with its splendid appointments, comfortable
accommodations and riding qualities;
The charm and picturesque setting of the
Royal Hawaiian Hotel, with its unique ser-
vice;
The endless variety and beautiful vistas
coupled with the hospitality and charm of its
people, make the trip to the Hawaiian Islands
most fascinating and delightful.
Freight Traffic Manager of the Southern Pacific.
People who know, book on the Malolo to Hawaii. Among your
fellow-travelers on the four-day voyage are persons of social and
professional prominence who take this magnificent new ship because
it is the smart way to go. The Malolo gives you all the delightful
luxuries and grateful comforts that newness and size alone can pro-
vide Let it come as a pleasing afterthought that the cost is most
moderate
One or more Matson Liners sail from San Francisco every week
— the Malolo sails on alternate Saturdays.
Matson Line
Hawaii • South Seas • Australia
GENERAL OFFICES: 2I5 MARKET STREET, SAN FRANCISCO
also PORTLAND • SEATTLE • LOS ANGELES • DALLAS
CHICAGO • NEW YORK
Transients
Continued from page 18
English; she married a Russian; bur,
being a diplomat, she converses in
French
I I i
PRINCESS Metchabelli has been
wealthy and she has been poor. She
has smoked "Batscharis" and dropped
to "Luckies." Now she is wealthy again
and smokes both
Sometimes she regrets that the actors
and actresses of this country tread the
stage with insufficient training. She
abhors poor vocalization and immature
reading of lines But withal she respects
the American Theater more than any
other.
To its mandates of type she has ac-
quiesced. No longer does she visualize
herself in roles other than those demand-
ing the exact physical appearance and
expression which she offers From a
scant knowledge of the history of Cali-
fornia, she believes that she might em-
body some of the well known characters
of the past, should they be dramatized.
That Maria Carmi has become resigned
to being a domesticated, albeit charm-
ing, Princess is remarkable That she has
resigned herself to the pundits ot type on
the stage is also interesting. But how
much more extraordinary is the fact
that for years' this most, vivacious and
chatty woman washable nightly* to re-
main perfectly immobile for two hours
as the Madonna in "The Miracle."
■n \ \
Across the Pacific
Continued from page 2b
could eat it and take the journey on the
following day !
Our temperament is hurry — his is
waiting. Time is of the essence with us
— patience is a virtue with him. How
often I have heard American business
men out there say "The Chinaman can
wait, but we can't. We've got to do
business in a hurry and get out, that's
why the Chinaman can beat us." The
Chinaman buys our oil lamps but not
our watches. He doesn't count time by
the minutes or hours, but by moons and
seasons
This fact of temperamental differences
plants a vast barrier between East and
West — between the two sides of the Pa-
cific, Emotionally self-centered people
in this narrowing world of inter-travel
are finding it increasingly difficult to live
without emotional eruptions. The tele-
scoping of population and the iron-belt-
ing of continents force us to live and
move in crowds often made up of varied
race traditions. Serious economic and
political blunders are committed on both
sides of the great Pacific because we do
not grasp each other's racial point of
view.
I
DECEMBER, 1928
35
Check
your car
to Del Monte
t Go the restful way. — hy train. 11
Avoid the crowded highways. J[
You can check your car
just as you do your trunk.
Drive your car to 3rd St.
Station by lialf an hour
before the "Del Monte"
leaves and turn it over to
the Baggage Master.
$12 Per Car
Down the Peninsula — no
heavy traffic to fight, no de-
lays—the fast "Del Monte"
speeds you in restful com-
fort. The "Del Monte"
leaves San Francisco (3rd
St.) 3:00 p. m. arrives Del
Monte 6:20 p.m.
Its schedule and equip-
ment make it a favorite with
the experienced travelers to
Del Monte and Monterey.
Southern
PaciMc
F. S. McGINNIS
Pass. Tragic Mgr.
San Francisco
Clarence Mattel
flonlinued from page 21
indolent longings for sunshine and
warmth. With enviable success within
his grasp, he relaxed his hold on the
career that was his in the East and re-
turned to California.
His return to his father's home at
Mattel's Tavern was not for a mere
visit. He had learned that in the lazily
beautiful valley of Los Olivas near
Santa Barbara lay happiness and peace.
So he established a studio in his boyhood
home and worked happily, forgetfully.
And, having turned his back on the op-
portunities of the East, he found fresh
opportunities knocking on his California
door. Interesting people came to the Tav-
ern. Prominent people fromSan Francisco
and other Western cities came to be paint-
ed. Travelers from New York and abroad
stopped at his studio and sat for portraits.
Mattei made trips to Paris and New
York from time to time, but never for
long. The end of each journey has been
his studio in the quaint tavern in the
verdant Los Olivas Valley.
CLARENCE M.^TTEi's wotk is often
brusque and direct. Even in the
portrait of his father playing cards with
an old crony, the picture that is repro-
duced here, Mattei has not allowed him-
self to become sentimental. There is a
measure of sentiment in the environ-
ment in which he has enveloped the two
friends as they sit at the familiar table in
the Tavern, but other than that the artist
has been severely faithtul to actualities.
The portraits of Mrs. Herman Dur-
yea, J. Pierpont Morgan, Miss Marion
HoUins and Josef Hoffman are among
the outstanding canvases by Mattei. His
studies of men are particularly good,
especially those of E Palmer Gavit of
Santa Barbara. His black and white
drawings ot William Lcib, Clark Bur-
gard and Lewis E. Hanchett of San
Francisco are also keenly analytical.
Mattei has never married but this fact
can not be attributed to any lack of in-
terest in women. He has painted them
charmingly and it is not too bold to sur-
mise that the vibrant e.xpression caught
by his brush may have originated in the
lovely sitter's response to the artist's
graceful gallantry.
Mattei paints women from a very
modern point of view. He portrays the
strength and resourcefulness characteris-
tic of the finer type of women today. His
portrayal ot cultured poise is shown in
the portrait of Mrs. John Drum Other
interesting portraits are those ot Miss
Geraldine Graham, Mrs. Dabncy, Mrs.
Park Burgard, Mrs. Charles BIyth and
Mrs. Lawrence.
It is entirely to the credit of California
that her charm has drawn unto herself
and kept this man whose personality and
work both justify the name of artist.
Now
the
S.S.Virginia
comes to join the famous S.S. California
in the California-New York service of
the Panama Pacific Line, via Panama
Canal and Havana.
^Maiden 'voyage from
San Francisco December 29
Los Angeles December 31
Modern ocean transportation has no
finer example than this new liner— the
S.S. Virginia. She and her sister ship, the
California, are the largest steamers ever
built under the American flag.
Her interiors of early American inspira-
tion reflect a quiet charm. All her state-
rooms are outside— over lOo with private
bath. The outdoor life on board is made
particularly fascinating. Broad, beautiful
decks for promenading, deck golf, tennis
and shuffle board. A swim in tropical
sunshine can be enjoyed in either of two
built-in, open-air, deck swimming pools.
The fascination of dancing under clear
moonlit skies, in an outdoor ballroom.
And a most intriguing spot is a garden
cafe where the delights of a Panama
Pacific cuisine are doubly appreciated.
The S. S. Virginia will operate with the
California and the popular Mongolia in
a fortnightly service to New York. A
sailing every other Saturday from San
Francisco. Every other Monday from
Los Angeles. Accommodations for First
Cabin and Tourist passengers. Send for
beautifully illustrated book, "The New
Great American Fleet."
Panama Pacific Line
International Mercantile Marine Company
460 Market Street, San Francisco
715 West Seventh Street, Los Angeles
or your local steamship or railroad agent
36
THE SAN FRANCISCAN
AS SEEM
^ HER
WHAT are we co give, and
what are we to get? 1 f only
there were a Santa Clans!
His mortal representative is at The
White House to help us. By phoning the
Shopping Department, he will call tor a
list, make discriminating selections, sub-
mit them tor appro\'al, then send them
wherc\'er and whenever desired, wrapped
fancituUy with all the gala trimmings of
the season. Salespeople have always pre-
ferred men customers, because they
never come into a store without making
a purchase. Now they don't ha\'e to
come into the store at all. Neither do we
for that matter, but we love to !
Since the war, a dollar has seemed
merely "small change," but now it has
actual purchasing power again at H.
Liebes & Co. Tables are covered with
traveling novelties, golf accessories,
ornaments, and all sorts of novelties that
look triple the price. There are also pot-
tery banks, in case you know anyone
who is able to save money. Fitted suit
cases are really a marvelous present (not
for a dollar) and the toilet articles are
nice enough to use on our dressing table
at home. The leather of the Liebes cases
have all the latest wrinkles!
T ▼ T
HOW we would love to receive a
bracelet from Abler or one of the
tiny diamond wrist watches that seem
too small to run, but aren't. However,
if it doesn't seem likely to occur in our
particular stocking, ample consolation
may be found right across the street from
Abler, at Miss Clayes', where there are
less expensive but awfully nice bracelets,
rings and chokers.
Miss Clayes' charming gift objects
are useful things, made with beautiful
fabrics from the Orient. They combine
the artistry of the East and the practica-
bility of the West. Her artificial fruits
and flowers are lovely, and do not im-
press one as being mere money saving
substitutes for nature's originals.
Nothing is nicer than a new fur coat.
At one time, fur coats were bulky things
built to last forever, but now they are
slick graceful garments with style, and
style changes. Gassner's have all kinds,
for sport, for street wear, and for the
evening.
T ▼ ▼
UNDER the sport and day time coats,
peasant dresses are extremely at-
tractive. They are youthful and flattering
We are being very selfish, as usual,
and have nearly forgotten about Him,
but'it is really no great problem if D. C.
Heger assists with' His haberdashery. It
is such a comfort to go into a quiet spe-
cialty shop, where all the ties are in good
taste, and the selection does not necessi-
tate wading through tiers of revolting
color and design. The Heger belts and
suspenders will please any man. Just find
out his favorite method of trouser sus-
pension, and Heger will supply the im-
plement.
An etching is a flattering gift. It
ji~\. suggests that the recipient is ap-
preciative of the finer things of life.
and are made in many colors and ma-
terials. The vivid smocking is unique
and inimitable.
Gelber-Lilienthal have a particularly
good selection of old ones and new ones.
Color prints of sporting scenes are nice,
and so are old figures of quaint people.
Dog etchings are particularly popular
now, and there is a variety of them
this year.
Yes, it is easy to shop, but the bills are
bound to come! Bills, bills, bills, and
much larger than we anticipated ! What
chance has the poor house of being
painted? We would love to have Ze-
linsky redecorate, giving his usual lovely
tones to the walls and ceilings. The out-
side stucco should be painted, too. Oh,
well, maybe we'll receive a nice fat
check. Who knows? Maybe there is a
Santa Claus after all. . . .
Keady for' Christmas
All Departments
Watches
Diamonds
Gold Jewelry
SHREVE.TREAT &
EACRET
ONE-THREE-SIX GEARY STREET
Our' Assortments
id
Now Complete
Silverware
Leather Goods
Stationery
DECEMBER, 1928
37
Now It Can Be Told
CnntinucJ from pajjc 11
even Little Italy in these too standardized
days tails trom its old, picturesque ways.
To all of this our companion listens
with rapt attention. Suddenly he halts as
if struck by a great thought. We follow
his gaze across the street, but only to see
a building which has known better days.
"Old colored glass beer windows,"
murmurs our friend "To think they've
left 'em up In Chicago the W. C T. U.
had 'em all taken down."
His tones were reverent; his manner
awed. For us Little Italy takes on new
glory, Qoldcn State Brciv, Old Crow
Whisky, The Beer That Made Mil-
tvaukee Famous! Funny we never before
noticed how many of these old stained
glass saloon windows there are about
town to preserve magic names and
memories of other days. We brush away
our tears and take heart In comparison
with other places (miscalled cities) San
Francisco is an incomparably delightful
place in which to live.
▼ ▼ ▼
WHILE we are on the subject of pro-
hibitions comes the glad news
from Los Angeles of an organized move-
ment to reform and purify ginger ale
advertising and to purge it of dusky
maidens, grass skirts, moonlit beaches,
tropical palms, gentlemen and ladies in
evening clothes and all other such sug-
gestive devices of the advertising man's
art. It seems that a group of "good"
ladies in that virtuous metropolis are all
hot and bothered about these current evil
styles in ginger ale advertising, and have
taken it upon themselves to organize a
commission, send a letter to the mayor
and generally start a movement to do
something about it.
In our ignorance or simplicity, we
must confess that, never have we per-
ceived any morbid, hidden or obscene
meanings or dangers in the advertising
in question. But then, being mere San
Franciscans, we are both ignorant and
simple. It is presumptious for us to
assume that we could possess either
capacity or vision for Bigger, Better and
Purer Ginger Ale Advertising. Such
gifts and talents can arise and flourish in
Los Angeles, alone
T ▼ ▼
As LONG as we have lived in San
_l\ Francisco, as much as we have
ridden up and down her hills never have
we lost a freshly naive delight in cable
cars. We were born on a street where a
cable line ran — a fact which early gave
us an unreasoning and absurd sense of
aristocratic superiority to which we
cling to this day. In other and far away
cities it has been a great support to our
pride to reflect that, the citizens thereof
(poor things) lived on flat streets sans
Continued on page 50
UoiusCai
ouis^eissner
%^J INCORPORATED
112=114 Geary Street
The San Francisco woman says "this is from
Gassner's" just as the Parisienne says
"this is from Chanel or from Callot"
for the Gassner label is your complete
warranty oj aristocratic Jurs.
As a gift, Gassner Jurs add
quality and prestige to
sentiment and
regard
LAAAAAAAA
J8
THE SAN FRANCISCAN
A. F.
MARTEN
♦ CO ♦
IXTEKIOR
DECORATiOX
Distinctive
designs interpreted to
the individual
taste.
♦
501 SUTTER STREET
SAN FRANCISCO
do you know
that three
out of five men
in our penitentiaries
were put there
on burglary charges?
— be properly protected
Robin J. P. Flynn
INSURANCE BROKER
737 Russ Bldg.
Sutter 2.134
ALL FORMS OF INSURANCE
Concerningr Brid2;e
(."t>niimicJ from paj-c Jl
A-K-Q 2K
A-K-J 2X
A-Kor A-Q-J 2
A-Q-10 or K-Q-J or A-J-10 i>^
A-Qor K-Q-10 1^
X means any small card.
Hands that contain suits o( more than
lu'e cards when making an opening bid
in that suit may he estimated as worth
one playing trick each tor each card in
excess ot five cards.
Another rough way of estimating the
probable tricks a hand will take if the
contract is secured is to take each of the
suits and from the number of cards in
the suit deduct the missing honors, if
any, of the top three, that is the ace,
king and queen, and the result will be
the probable trick taking power of that
suit for declarer. Add the results tor the
tour suits and you have a rough estimate
of the tricks you can win if you get the
declaration.
Defensively, if you do not get the
contract the quick tricks are the only
ones on which probable tricks may be
won. Where the ttiur hands in a deal are
balanced as to suit lengths aces and kings
are defense cards. When one or more
hands are unbalanced, that is with miss-
ing suits or singletons, which will prob-
ably be the case when both sides are
bidding high, defense values may not be
so dependable for purposes of business
doubles due to the danger of ruffing.
To play a good game therefore it is
necessary to have a dependable bidding
and playing system seasoned with good
ludgment and some imagination in in-
terpreting the lay of the cards from the
bidding and play.
T T T
Winter"
Nighl, tin- dark Uh'er,
Comes .fooner each ci'c,
And holder each morninfl,
Takes later his leav'C.
B IF.
IN TUNE with the SEASON
YOUR individual taste
will find diftinctive
expression in the wide
variety of colorful flow-
ers and foliage we now
place at your disposal.
Ofi/t-rs Telegraphed Anywhere
THE VOICE OF A THOUSAND GARDENS
11^-116 Grant Avenue
Phone Sutter 6200
SAN FRANCISCO
CONTRACT er AUCTION
Bridge taught scientifically
MRS. FITZHUGH
EMINENT AUTHORITY
STUDIO - Women'sCity Club Building
465 Post Street
PRIVATE AND CLASS LESSONS
Phones: Dougljs 1 796— Grcystone 8260
Class Lessons
Ten Lessons $7.00, Single Lesson 75c
Private Lessons
Ten Lessons $25.00, Single Lesson $3.00
Williams and Berg Co.
Qeneral English Tailors
no Sutter Street
French American Bank Building
San Francisco, Calif.
DECEMBER, 1928
39
THE AUDITORIUM
"IN THE CENTER OF
THINGS"
Small, but not too small, with a
delighttully informal atmosphere,
is now available to individuals
and organizations for Concerts,
Recitals, Lectures, Receptions.
Card Parties, Dinners, Dances
and other entertainments.
This attrative auditorium has
effective lighting facilities and
will seat one hundred to six hun-
dred people comfortably. The
acoustics are approved
by experts.
t
WOMEN'S CITY CLUB
AUDITORIUM
{On the Qround Floor]
465 Post St. San Francisco
1
;ss>j"
*'<rs.
HENRY H. HART
O R I EN TA L ARTS
328 POST STREET
Kearny 6642
I.
'Sj>^
ir<sS);
H.VALDESPINO
has opened a Gallery
d^ new Show Rooms at
347 OTarrell Street
above his Workshop
which remains at
345 O'Farrell Street
San Francisco
Franklin 3533
iiS 1& ECCICS
wniiifisiwiiipi
/h Bh m WhNLJLL
|oHN Erskine is again
llippaiu with cradi-
cioii, and he playfully
/lokcs immortal figures
into our amused prox-
mity. He waves aside
egendary hokum and
xlls another great hero
:hat he's onto his tricks
The story is of Odys-
seus, husband of the
good house-keeper,
Penelope. After the siege of Troy, ended
by Odysseus' famous wooden horse, the
victor took ten years getting home.
Homer credits him with hazardous
adventures, and remarkable strength of
character, but Erskine waves all this
aside, and says that Odysseus was so
long en route, because he wanted to be !
He further accuses the hero of actually
steering his vessel here and there, instead
of being blown about by the savage
winds and treacherous tides. Odysseus
wanted a last fling, or number of flings,
before returning to his Penelope, and he
deliberately went in search of beautiful
women. Like a great many men who
have stayed away from home too long,
he had prepared an elaborate series of
alibies, accepted by history until the ex-
posure by Erskine. He discredits the
encounters with Circe, Calypso, the
Sirens and other wicked women, and
accuses Odysseus ot intentionally seeking
their acquaintance with dishonorable in-
tentions.
It is a naughty book, written in a dis-
arming way. The story is uproariously
funny, fast moving, combining clarity
and subtlety. It is based on profound
knowledge, yet written with a childlike
simplicity, more dangerous and devas-
tating than a more sophisticated mood
could possibly be.
The sub-title of the book is The
Homing Instinct, which Odysseus ex-
ercises here, there and everywhere.
This great figure of the Odyssey is
reduced with delicious humor to a petty
liar, a braggart, a glutton, and rather a
dull fellow. It is unkind of Erskine, but
should be a moral lesson to all married
men who travel.
"Penelope's Man," by John Erskine.
Bobs, Merrill, Publishers.
Through
we iTiay
wholesome is that
toward sex," for
DREISER Looks at Russi.a.?
his mind's eye? If so,
wonder just how
"healthy attitude
which he praises the Soviet system. Mr.
Dreiser likewise applauds the day nurs-
eries and community kitchens which
give women equal rights as soldiers and
I
I NTv'ouNciN&the enlargement of our shop!
.\ new room of ample proportions has
[been added, where rare books and prints
will be on exhibition. You are cordially m\ited
to inspect the new adiiition, where we believe you
will comfortably enjoy the hospitable atmosphere
of books, and the kindly warmth of a fire.
Jlodeb specially designed
for the stouter woman
are now shown at
eye iQu. T vjojLfu{^
■^illiuery Importers
2JJ Post Street and 243 Post Street
SAN FRANCISCO
40
THE SAN FRANCISCAN
DECEMBER 20th
SAN FRANCISCO
SYMPHONY
ORCHESTRA
He
Conductor
"AMERICA"
THE $3000 PRIZE SYMPHONY
by Ernest Bloch
This symphony in which Ernes:
Bloch has tr^cd to express the spirit
of this country and its people will
be given its premiere pertormancc
simultaneously by eleven great
American orchestras. The evening
ot December 20th it will be played
by the San Francisco, Philadelphia,
New York Philharmonic, Boston,
Chicago, Los Angeles Philhar-
monic, Rochester Philharmonic,
Seattle, Cleveland, Omaha and
Minneapolis orchestras, each in
their respective cities.
CIVIC AUDITORIUM
Reserved Seats: 50c and $1.00
Sherman, Clay & Co
Bay Cities Stores
Direction : Auditorium Committee
Jas B. McSheehy, Chairman
Fr..\nck R. Havenner
Warren Shannon
ditch diggers This altered status of
women educates them in the throwing
of bombs, the use of machine guns, the
art ot x'andalisni and other manners ot
communist technique
Mr Dreiser admits that the soviet is
tcx'erish and irrational. He comments
upon peasant tamilies living in squalor
within a mile of government agricul-
tural stations, conducted in an ultra-
modern and scientific manner. Corre-
spondingly inconsistent is the prudish
censoring ot the press and stage, by a
nation waiting to tear the world limb
trom limb.
Liberal Russia's taboos are even more
autocratic than pre-war Germany, It
fosters an even more destructive propa-
ganda.
As the invited guest of Soviet Russia,
Dreiser was given entire treedom of
movement, and an unusual supply of in-
formation. He warned host Russia, that
in his bread-and-butter note, he might
say unkind things, but Russia promised
to forgive,
Mr, Dreiser rudely remarked that the
hotels are poor and the train service un-
believably bad.
He believes that Soviet Russia is "too
much like replacing one tyrrany with
another," but he also believes that the
soviet form ot government will prob-
ably survive, in fact thrive, and perhaps
embrace other countries. He likens the
system to our chain stores, chain indus-
tries and combined interests. This, un-
fortunately, is only Dreiser's opinion.
"Dreiser Looks at Russia," by Theo-
dore Dreiser. Horace Liveright, Pub-
lisher.
T ▼ T
Anew edition of Sara Teasdale's
love lyrics by women has recently
been published. The Ansivering Voice
appeared twelve years ago, and to the
AS many mince pies as
1. you taste at Christ-
mas, so many happy
months will you have.
//n Old English Proverb
Mince pies — hot, juicy, aromatic
— are but one of the Christmas
treats offered during December
at the Post Street Cafeteria.
Here, each noon, surrounded
with berries, HoUday garlands
and Delia Robbia wreaths, you
may choose for your luncheon,
plum padding , pumpkin, mince
and cranberry pies and other
tempting Yuletide dishes as
well as our all-year-'round
specialties. - -
- - and on December 24th a spe-
cial Christmas Dinner will be
served at noon.
^osit Street Cafeteria
62 Post Street, ^an Jf rancisco
RWILELDER^S
239 Posh Shreer. San Francisco
AHLERS CO.
Importers of
DIAMONDS and PRECIOUS STONES
FINE WATCHES
245 POST STREET SAN FRANCISCO
DECEMBER, 1928
41
poems written beiorc that date, have
now been added a discriminating selec-
tion from the abundant offerings of the
past decade.
Since the war, more poetry has been
written by women than during any
period recorded. Its lasting value is yet
to be determined, but its psychological
interest is great.
The actual emotion of love remains
unchanged, but the modern expression
and reaction have entered poetry. Women
wear fewer clothes and are less reticent.
They have acquired independence and
seek to be satisfactory to themselves,
rather than ingratiating to their beloved.
Women have become analytical and
their emotions are consequently rational-
ized. Vows of eternal love are seldom
heard today, for devoiion seems to have
lost its feeling of permanence. This in-
dependence is yet so new, and the fear-
lessness still so transitory, that much of
the modern verse is self-conscious. The
fact, however, that such large numbers
of women are writing poetry, must mean
that they are still searching beauty. This
beauty has been found by some, particu-
larly by Sara Teasdale who unkindly did
not include her own delightful poetry in
The '\ns^vcring Uuicc.
Spotlight
Edna St. Vincent Millay, Elinor
Wylie, Aline Kilmer, Amy Lowell,
H. D. and many others of note are to be
found in the new section of the anthol-
ogy.
Among the earlier works are included
some of Elizabeth Barret Browning's
most exquisite sonnets, and several of
Christina Rossetti's. The Answering
Voice will delight lovers of love and of
poetry. It is not a maudlin book.
"The Answering Voice," Love Lyrics
by Women, Selected by Sara Teasdale.
The Macmillan Co., Publishers.
Continued from page 16
they drink long enough, they get nasty.
As the two ladies in Noel Coward's play
did. One can no more imagine two
females staggering along a street seeking
to support each other than nothing at all
They would probably be kicking each
other in the shins long before the stag-
gering stage. And one certainly cannot
imagine a group of convivial females
becoming sadly genial to the point of
"Sweet Adeline." Be that as it may, the
ladies in "Fallen Angels" were pleas-
antly lit until Miss Walker began to
demand the return of her slippers. After
that the tempo grew increasingly nasty.
We found ourselves out on the cold
street before ten-thirty declaring the
Guild had a good box office attraction.
At the same time puzzling over the hyp-
notic Mr. Coward who can give an au-
dience a one-act play and make them
think that they have received their
money's worth. Being half Scotch, our-
selves, we are always interested in
f:(?>J-
f
^it^;
r
shirt
wararobe .
Every sleeve the correct length
Every neckband a perfect fit
Every yoke sloped to the contour
of your shoulders
Every other measure to your exact
proportions
it rnade by
P. C. HEGEE
Maker of Exclusive Shirts
UNDERWEAR, PAJAMAS, ROBES
NECKWEAR
Shirts, $4 to $30; Pajamas, $6 to
$50; Ties, $2.50 to $6.50; Hose,
$2 to $7.50; Handkerchiefs, $1
to $7.50
444 POST STREET
In Los Angeles
614 So. Olive St.
i(Sp^
In Paris
12 Rue Ambroise
Thomas
.ir<s9i;
42
THE SAN. FRANCISCAN
AAAAAAAAAAAAAAAAAAAAAAAAAAAA
I'Al.McO. l; 1 POU 1 K.\ 1 1 S .NO I
Gordon Hcndcrion
V Lt:ader ami lr;ip^)
Gordon Henderson, impresario ot
the Palm Court Orchestra, was born
in the West . . . where men are
men and peaches arc sun kissed.
At the age of 2 he was taken to
a music shop, A trombone leaped
from its plush case, hit little Gor-
don and marked him tor music
forever. Now he drums and booms
and conducts . . . and how !
With GorJon Henderson and his Pahn
Court Orchestra playing the hcst dance
music . . . with the new HuhtinR, deco-
rations and dance floor . . . the Palm
Court is decidedly San Francisco's Dance
Without Convert: Tahlc d'hote dinners
($i.oo and $2.50) and a la carte dinners.
Supper 9 o'clock, (evenings except Sun-
day) $1.50; after theatre supper i i p. m.
to 1 a. m. $1 .
Coui'crt: For non-diners, $i on Satur-
day evenings; 50 cents other evenings
after 9 p. m. Dancing 8 p. m. to 1 a. m.
,^
054.
PALACE
HOTEL
SAN FRANCISCO
Management, Halsev E. Manwaring
▼TTTTTTTTTTTTTTTTTTTTTTVTTTT
economy. But Mr. Coward's is too baf-
fling to analyze. We respectfully give it
up. Even Harry Lauder w^irks harder
than that.
T ▼ T
At Tin; President, May Robson
/J^is romping to first base with a
JL jL play designed especially for the
"common peepulc." If there is one thing
that the rank-and-file citizen likes it is an
inxcterate grouch with a soft heart beat-
ing under the hard shell of his tyrannies.
In this case the Grumpy in question is a
woman. Supposedly, Hetty Green. Why
she is so grouchy, or grumpy, or what
you will, was never satisfactorily ex-
plained to us during the three hilarious
acts of "Mother's Millions," But it is
scarcely necessary. Nor do we know why
that pistol went off in the last act, nor
who shot it. The trouble with us is that
we suffer from emotionalism. We are so
carried away by drama that we lose our
bearing completely whene\'cr anything
startling happens.
We feel that there was an excessive
amount ot listening at keyholes and
from the shelter of high backed sofas.
We liked Harriet Breen and we didn't
think it quite nice of her to push her way
past the information desk in her business
rival's home and then listen at the door
of the library. . . . We were always
taught to enter a house with a song on
our lips if the door was open and the
push-button out of order. But, then,
maybe our parents knew all the dirty
things that were likely to be said about
us and so warned us for our own content
and happiness. . . . Nor did we cotton
to the spectacle ot a mother being a
party to the trapping of her own son
into an ungallant it not damaging admis-
sion. At this stage of the game we began
to rather wish that the young man would
express what we were sure must have
been in his mind concerning mother. As
it was, we suspect that he caught sight
of her scolding locks as she indiscreetly
peered around the corner of the sofa at
his entrance. His rebound to the villain's
dirty work was almost too swift to be
convincing. However, everything ended
with such complete satisfaction to the
audience that one must be a very cap-
tious critic, indeed, to find fault with the
ethics which produced so much happi-
ness and accord. We learned among
other things, that to he a successful play-
wright one should never feel called upon
to hazard a new joke. The line that drew
the greatest laughter was the old tried
and true declaration that "it was all a
matter of taste, as the man said as he
kissed the cow." Outside of May Rob-
son, herself, this observation was the
most colossal hit of the evening.
May I have
the pleasure . . .1
When you are
introduced to
J '7 Imported
DRY
GINGERALE
accept at once.
•:• •:• ♦
Those who have once
tasted its exquisite flavor
of spicy fresh ginger and
tangy /res/i linies need no
second invitation. It is so
different, so distinctive,
so deUcious.
♦ ♦ •:•
That is why those who
desire the finer things
have insisted that it be
brought to them from
thousands of miles over
the sea.
♦ •:• •:•
ISUAN THE SPIRIT OF JOY
IMPORTED
Isuan Dry Ginger Ale
In Manila they say
"E-SWAN"
DECEMBER, 1928
43
Feel the
Grlow o£ Satisfaction
— that comrs from knowing you have
selected THE BEST: For the .imooth-
est route — the smartest atmosphere
— the finest of accommodations and
service— book LASSCO for
P VERY day of this delight-
■^ ful voyage there will re-
cur to you an appreciation
of what it means to be sur-
rounded by elegant appoint-
ments— to enjoy the com-
panionship of charming,
interesting travelers — to be
served with the utmost cour-
tesy and skill!
Specially Serviced 20-Day
Tout — on the palatial liner
"City of Honolulu" sailing
from Los Angeles Harbor,
SATURDAY, Dec. 15.
LOS ANGELES STEAMSHIP CO.
685 Market St.-
Tel. DAvenport 4210
OAKLAND
BERKELEY
412 13lh Street
2148 Center St.
Tel. Oak. J436
12-1
Tel. Thorn. 0060
Bridge Lessons
hi,
PAUL W. BLACK
author of
"Auction Bridge Outline"
HOTEL MARK HOPKINS
Studio lessons Wednesday and
Friday by appointment
TEMPLE BAR TEA ROOM
Auction class — 3:15 p. m. Tuesday
Contract class — 3:15 Thursday
Sutter 8773
For Home Classes phone
Berk. 8018J
MOTOR,£pATENTS
INCa
Another Ten Strike I
The French Government, always quick to recognize
achievement, has issued
PATENT NUMBER 254574
to Paul Marchetti, covering the new Marchetti
aeronautical motor.
liighteen patents have been issued by the United States
F^atent Office on salient features of Marchetti motors.
An ojJt^ortunity to invest in the huge Marchetti plane
and engine factory to he built here — i.s yours today!
MARCHETTI MOTOR PATENTS
Incorporated
2121 RUSS BLDG. SAN FRANCISCO
Marchetti Motor Patents, Inc.
2221 Russ Bldg., San Francisco
Please send me further information regarding your
investment opportunities.
Name
Address ;.'
CUNARD and
ANCHOR LINES
1929 SAILINGS ANNOUNCED— BOOK EARLY
Special De Lu.\e and Fastest Service from
New York to Southhampton and Cherbourg
"AQUITANIA" "BERENGARIA"
"MAURETANIA"
T T T
Nine new oil-burners from 16,500 to 20,000 tons, gross register
Fourteen Oil-Burning Cabin Liners from 13,500 to
20f000 tons, gross register
T T ▼
A New Cabin Class Service Between
NEW YORK, PLYMOUTH, HAVRE, LONDON
By "Caronia," and "Carmania," 20,000 Tons; "Lancastria,"
16,500 Tons; "Tuscania," 16,700 Tons
A special Sailing to Liverpool via Balboa, Havana, New York and Boston
by the palatial Cruising oil-burner " FRANCONIA," 20,000 tons gross, from
Los Angeles May ISth — First Class only $480 upwards.
1929 Sailings have just been announced and early booking is very strongly
recommended. Maay of the liners regularly employsd in the
Atlantic services have been specially chartered for cruises
to Norway, to the Mediterranean, and to various
group movements. There is bound to be
an early shortage of accommoda-
tion during the rush
season. Book early.
SPECIAL TOURIST THIRD CABIN
Vacation Specials Throughout the Year
APPLY TO LOCAL AGENT OR
CUNARD and ANCHOR LINES
501 Market St. San Francisco Sutter 6720
44
THE SAN FRANCISCAN
THE ALDEANE
275 Post Street
^/
GEARY ™™
ULinUl FRANCISCO
2!!,;^;' Mon. Dec. 3
Luncheon • Tea • Dinner
....served overlooking
V
Winthrop Ames
presi-nts GEORGE
San Francisco's beautiful
A K 1 ^ 1 wNN
Union Square
1
▼
in SHAKESPEARE'S
Sunday Dinner 4 to 8 p. m.
MERCHANT
Phone Sutter 7573
OF VENICE
NIGHTS: 50c to $5;
Wed. Mat. 50c to $ 2;
Sat. Mat. SOc to $2.50
Anna Allan Deane Dickey
Your Christmas Cards
will carry a personal
message if they bear
a photograph of your
home, your fireside,
or yourself.
Gabriel JIoulitL'
Pholo,raplur
i 153 Kearny street i
ii Telephone Kearny 4366 Ji _
^distinctive Schools
^/
Fashion Art School
^. Scottish Rite Temple
Sutter & Van Ness
Courses in
Fashion Illustration
Commercial Art
Costume Designing
Millinery Designing
Day and Eveyiing
Classes
Prospect 6723
To PARENTS Of
PUPILS RKQUIRINC SPECHI, HELP;
MR. A. J. DOVE, M. A.
recently
head of the grammar school
Menlo School and Belmont School
will receive a few pupils
who need special help in upper
grammar or junior hkih school '.york
or who fi.nd their
high .school preparation defectivp;
at his study :
No. 12 Stanford Apartments
2401 Sacramento Street
Appointments may be arranged by
telephoning Walnut 3255
between HOURS of 1():.30 and 12 .noon
SAN FRANCISCO is well
known for her excellent
schools, including over fifty
private academies. . . Your
selection of one that meets
your particular needs pre-
sents a problem that we are
eager to help you solve. . .
Miss Betty Scoble, a young
woman of insight and back-
ground, is investigating the
schools of this region for the
benefit of SAN FRANCISCAN
readers. . . She will be in a
position to give you informa-
tion and advice without plac-
ing you under any obligation.
T T T
This month we recommend —
Anita Peters Wright
School of Dancing
The Fashion Art School
Lucien Labaudt
School of Modern Art
A. J. Dove
Private Coaching
T ▼ T
For further information about
these or other schools write
MISS BETTY SCOBLE
THE SAN FRANCISCAN
221 Sharon Bldg.
San Francisco
MODERN t\W)m
DECCRATICNS
52eP©WELL5fRIlT
5/^N TRANCISCC
CLASSES BEGIN JANUARY 7
ENROLLMENT LIMITED
TO FIFTEEN
RESERVATIONS NOW
The art oj rhythmic moi'e-
ment leads to grace in all
expression and to the har-
monious dei'elopment
oj the body
Anita Peters Wright
School oJ Dancing
Pri^'ate or class instruction
in alt types
Studio -2695 Sacramento
Telephone: Walnut 1665
I
I
DECEMBER, 1928
45
You who know the Chocolates Kratz
will be delighted to learn of
a two pound assortment of
these rare chocolates
that may now be had
at the Special
pricing of
$5.00
San Francisco
1 his Gift Box. formerly Itnown as the Red Seal
assortment, is the one that first made the name of
Kratz famous. Write or telephone your orders to...
KRATZ CHOCOLATE SHOP
276 Post Street ' Telephone Sutter 1964
AAM rRAMCIiCO
2 1IJ P06T fcTRrCT
6AMTA HAkllARA
17 CA6T CARRILLO iT.
Wfe5 '■":
I.06 Attaci.cf,
SCVrNTH *T.
A6ADCHA
t.nn r. COLORADO 6T.
^)]ecial f)rice.s for tke Koliijay.^ oh tke
tWo moat (jopular ito(\c4 of tke year—
Zi^-co^5 ^'^'^
Paatel coloCecl cKoker*
it>ccially fil-icccl
^12.7,3
Same Management as The Plaza
The
SaVOV' Pl axa
Fifth Avenue, New York, 5Sth to 59th Streets
at Central Park
Henry A. Rost, President
Large and Small Suites Tsjoiv Leasing
for Immediate Occupancy
THE ADDITION
offers
2 to ^ Bpom Suites
Furnished or Unfurnished at Attracti\e Rentals
All of the emphatic advantages of the Savoy-Plaza
available in the Addition in identical interpretation.
46
THE SAN FRANCISCAN
THE
^Ceur|yard
HENRY HEINZ
ARTHUR HEINZ
HEINZ BROS.
Manufacturing Jewelers
DIAMONDS, WATCHES
46 Stockton Street
High Grade Watch Repairing
Our Specialty
Phone Douglas 5752
Playboy of Western
World
ContinucJ from page 14
night their house is fired. They escape to
the grove only to meet a fusillade of
arrows. Alcibiades is mortally wounded—
murdered unromantically, sordidly . . Tiy
takes his limp form across her arms and
holds its aloft. It is her offering to the
Sun God -. a baptism of fire and a touch
of earth . . .
It is most difficult to tell an old, old
story in a new way. Gertrude Athcrton
has succeeded admirably. Not only has
she inspired a new interest in Greek
thought; but she has revealed several
new viewpoints of the glory that was
Greece.
Gesturej)
By B. jr.
All tilings, this life has given mej>
To keep until I die,
The motors that have driven me.
The pretty things I buy
Are meant but for the living,
And earthly must remain ,
So I shall be Jorgiving
IJ you marry once agaiixj.
With the hall day
season s approach
. .CANDY offers the
means of an ideal gift
. . . confections as
offered by F. & O.
truly represent food
of the highest
refinement.
FOSTER e^OREAR
City oj Paris • I j7 Grant Avenue
B.F.Schlesinger • Oakland
Arcade of Russ Building
Ferry Building
Wafted fumes of burning incense
— colorful decorations and fortune
telling all combine to form that
distinctive atmosphere of
Walter's Oriental Caje
where you may lunch, tea or dine.
Delectable American or European
dishes served — opposite Magnin's
at
f7^ 41 Grant Avenue f7^
fl Telephone Douglas 2956 jl
_j_Q Private Parties Arranged ■ Q
Members: San Francisco Stock Exchange - San Francisco Curb Exchange
Complete Investment Service
Bond
Department
417 Fourteenth St.
Oakland
Wm.Cavalier&Co.
INVESTMENT SECURITIES
433 California St.
San Francisco
Brokerage
Department
American Trust Co. Bldg.
Berkeley
DECEMBER, 1928
Those Were the Days
Continued Inini page 20
in July, 1888, which grew out of a feud
between the Jews and Irish ot Hayes
Valley. The fight began in a barn in San
Anselnio, but after five or six rounds an
hostile sheritl stepped in, pulled the prin-
cipals apart and scattered the spectators.
Nothing daunted they commandeered a
grain barge, anchored it in Carquinez
Straits and on its deck resumed the battle .
For gloves both men had only a pair
of ordinary riding gloves, the usual
equipment of the time. Choynski's
gloves were loaned to him by a ringside
spectator. At the end of twenty-seven
rounds both men were battered beyond
recognition. Corbctt was the winner and
had fought the last five rounds half
blinded. His purse was $2000; the loser
received nothing. Two hundred specta-
tors witnessed the battle. The twenty-
seven rounds were a mere trifle. Bouts of
thirty and forty rounds were common
and sixty round battles were not un-
known. The old time fighters were
mighty fellows whose strenuous training
built bodies and nerves of steel. They
tought to a bloody and pulpy finish.
Very plainly the sport and its person-
nel are not what they used to be. The
game is hedged about with official rules,
regulations, padded rings and pillow
size gloves. Prize fights have become
boxing matches. In California a certain
percentage of every gate goes to charity.
The cohorts of reform have gained a
high and fast upper hand and set down
laws against all bare knuckle tactics. On
the other hand the thing has achieved
the status and respectability of an in-
dustry. It has been rendered exciting and
socially desirable. The Dempsey-Tunney
match in Chicago was attended by hun-
dreds of thousands of spectators, who
paid huge admission fees to see two
battlers divide a million dollars. In the
audience were Congressmen, bankers,
legislators, judges, famous writers, ac-
tors, actresses and millionaires by the
score. Mr. Hearst wails for "reform" in
his news columns and in his sports
columns presents the exclusive features
of highly paid authorities.
▼ T T
UNDER the pressure of profits and
publicity promising men go
straight to pot. Champions and near
champions visit face specialists to have
deformed ears and noses rebuilt, storm
Hollywood and prance before movie
cameras. The latest and most recent
champion mouths convincing sounding
generalities on Shakespeare, hikes through
Europe with the champion novelist of
the year, marries an heiress, lands in the
social registry and generally seeks to
impress us as an embryo aristocrat and
intellectual of unappreciated depths and
capacities. The decline of a once virile
and manly sport has, indeed, set in.
47
THE present series of Cadillac open
cars express in a most satisfying
way, a happy association of youthful
appearance and age-old craftsman-
ship. ^Outstanding for mechanical
excellence coupled with newness of
design, these cars set a standard for
the whole world to follow
California Distributor Jor Cadillac
and LaSalle Motor Cars
Oakland
Fresno
SAN FRANCISCO
Los Angeles Burllngame San Diego
48
THE SAN FRANCISCAN
WALSH
O'CONNOR
&C0.
Members
NewYoik Stock Exchange
San Francisco Stock Exchange
RUSS BUILDING
Telephone Suinr 0700
SAN FRANCISCO
CENTRAL BANK BLDG.
Telephone Glencourt 0444
OAKLAND
LOS ANGELES
McNEAR&CO.
RUSS BUILDING
T T ▼ T
▼ T ▼
T T
▼
SAN FRANCISCO STOCK EXCHANGE
SAN FRANCISCO CURB EXCHANGE
A ▲
▲ ▲ A
▲ AAA
HONE DOUGLAS I163
THE SAN FRANCISCO BANK
SAVINGS COMMERCIAL
INCORPORATED FEBRUARY lOTH. 1868
One of the Oldest Banks in California,
the Assets of which have never been increased
by mergers or consolidations with other Banks
MEMBER ASSOCIATED SAVINGS BANKS OF SAN FRANCISCO
526 California Street, San Francisco, Cal.
JUNE 30th, 1928
Assets $118,615,481.57
Capital, Reserve and Contingent Funds 5,000,000.00
Pension Fund over $610,000.00,
standing on Books at 1.00
MISSION BRANCH Mission and 21st Streets
PARK-PRESIDIO BRANCH Clement St. and 7th Ave.
HAIGHT STREET BRANCH Haight and Belvedere Streets
WEST PORTAL BRANCH West Portal Ave. and UUoa St.
Interest paid on Deposits at the rate of
FOUR AND ONE-QUARTER (4^) per cent per annum,
COMPUTED MONTHLY and COMPOUNDED QUARTERLY,
AND MAY BE WITHDRAWN QUARTERLY
.MEMBERS
San Francisco Slock Exchange
San Francisco Curb Exchange
HELLMANN
WADE £^ CO.
{Formerly A. C. Hellmann ey Co.)
ESTABLISHED 1883
Brokers in Stocks
afid Bonds
R. H. Hellmann M. C. Wade Jr.
Victor Lewin M. C. Morehead
Cor. California and Montgomery Sts.
SAN FRANCISCO
Davenport 1030
DECEMBER, 1928
49
llAVC€ISi(?
KltA\Y
mem
bers...
San Francisco
Stock f xchange
Los Angeles
Stock ■Exchange
DOUGLAy' 6500
MOSBl^OMKItYiSi:
Lo^ /\naei_Es
INVESTMENT
SECURITIES
Inquiries
Invited
FREDERIC
VINCENT 6" CO.
114 Sansome Street
OAKLAND
STOCKTON
rancisco
LOS ANGELES
SANTA BARBARA
Security Distribution
C^tintinued from piigc 2M
special knowledge with judgment and
have the facilities and incentive to make
a thorough investigation.
In America, the mother of invention
is necessity, however, and true to our
Yankee spirit we have given birth to a
new profession, that of Investment
Counsel. This profession has selected the
best qualities of the English and Ameri-
can systems and it seems, so far, to have
none of the unsatisfactory ones. They
act entirely in a professional manner,
after the fashion of the English solici-
tors, handling large estates. Investment
counsel do not participate in the under-
writing commissions but collect a nom-
inal fee from the estates. In return for
this fee they apply all of the judgment,
experience and scientific knowledge of
their research staff to determine by com-
parison what industries are most desir-
able, what companies and securities in
those industries have the greatest possi-
bilities and to continuously supervise the
investments so selected. This profession
requires, perhaps, the most extensive and
far reaching specialized knowledge of
any profession or business.
So far, there has been too much reluc-
tance on the part of the investing public
to the idea of paying a fee for such a
service. It has been accustomed to receiv-
ing such advice tree. But once the princi-
pal has taken root and the investment
bankers and the public realize the neces-
sity for disinterested advice, the invest-
ment bankers will adopt the idea quickly
and the results will surely become appar-
ent in our financing system.
Heller Bruce
&Co.
Municipal and Public Utility
BONDS
Mills Building - - San Francisco
Phone Douglas 2244
Ryone
and Co.
Alemhers
San Francisco Stock Exchange
San Francisco Curb Exchange
Davenport 8240
315 Montgomery Street
SAN FRANCISCO
&(2'OMPA3S[Y
MEMBERS: NEW YORK
STOCK EXCHANGE
SAN FRANCISCO
STOCK EXCHANGE
SPECIAL
MARKET
LETTERS
ON RE Q_U EST
Direct pr'ii>ate u>lres to Chica()0
and Xe^v York
San Francisco: 633 Market Street
Phone Sutter 7676
Branch: Financial Center Building
Oakland: 436 17th Street
Phone Glencort 8161
New York Office: 120 Broadway
so
THE SAN FRANCISCAN
Index to iVdvertiscrs
FOR
Christmas Gifts
W'i refer you to tin foUuwing Uiivcr-
lisemcnts indexed here for your con-
venience.
Automobiles
Cadillac and La Salic .... 47
Studcbaker \,\
Confections umi Flotvers
Foster &■ Orcar 46
Kratz 45
Podcsta & Baldocchi jS
Book,s
Paul Elder 40
Ciclbcr, Lilicnchal J9
Furs
Gassncr 37
jKhneidcr Bros ^g
Jewelry
Shrcvc lv: Company 5
Ahlcrs Company 40
Shreve, Treat & Eacret .... 36
.AfiY/incry
La DuBarry 39
Oriental Art
Miss Clayes 45
Henry H. Hart 39
.Meri'5 Furnisliings
D. C. Hcgcr 41
Williams & Berg 38
Heady to Wear
City of Paris 33
The White House 32
Photography
Gabriel Moulin 44
Picture Frames
Valdespino 39
Theatre and Concerts
George Arliss 44
S. F. Symphony 40
Peter Conley 47
Bridge Lessons
Paul W. Black 47
Mrs. Fitzhugh 38
Qinger Ale
Isuan 42
Now It Can Be Told
CliMiliiiucJ frum page 37
cable cars, while we had been born iin a
hill where a cable line ran.
Our first curiosity in things mechani-
cal was aroused in wondering what
makes the cars run, and what happens
when the gripman throws in one lever
and pulls on the other. We never had
found adequate explanation to this
purzle, nor tired of trying to solve it.
Yet strange to say, we would refuse to
have thoroughly explained to us the
mysteries of the car barns, or an offer to
be taught how to pilot a cable car. It is
the part of wisdom som.etimes to leave
one's illusions strictly and severely alone.
Jladonna^
By JIary Avis Blayker
Antiquity s pure form survives
No doubt, because it's slonej.
But for the Renaissance I Jeai^
It' s Just plain flesh and bone!
Oh all the lovely ladies
Each one with a single child!
I have heard of ROMAN LAW but^ —
Fathers must have just run wild!
and APPLES
Cezanne who painted apples
Probably dreamed of lovely cheeks
But the Virgins prayed Jor hours
Apples can sit still Jor weeks!
Since when an apple's thrilling
Can one realize //; painL^ —
// a/1 apple can t be humane
Why neither could a saint!
Index to Advertisers
FOR,
All- Year -'Round Service
We refer you to the futtoiving adver-
tisements indexed for your convenience.
Financial Service
Bacon & Brayton 49
William Cavalier 46
Heller Bruce & Co 49
Hellman Wade & Co 48
Hendrickson f>: Shuman ... 48
McNear & Co 48
Ryone &! Co 49
McDonnell & Co 49
San Francisco Bank 48
Frederick Vincent 6; Co. ... 49
Walsh, O'Connor 48
Marchetti Motors 47
Furnishings and Decoration
A. F. Marten 38
John Quinn Lectures . . . 51
W. & J. Sloane 3
D. Zelinsky & Sons, Inc. ... 50
Hotels
Biltmore Hotels 41
Palace Hotel 42
St. Francis 4
Mark Hopkins z
Savoy-Plaza 43
Luncheon, Tea and Dinner
The Aldeane 44
The Courtyard 46
Post Street Cafeteria 40
Walter's Oriental 46
Travel
Cunard and Anchor Lines ... 47
Los Angeles S. S. Co 47
Matson Navigation Co. ... 34
Panama Mail S. S. Co 30
Panama Pacific 35
Southern Pacific 35
Schools
A. J. Dove 44
Fashion Art School 44
Lucien Labaudt 44
Anita Peters Wright 44
Insurance
Robin J. P. Flynn 38
Oil and Qasoline
Union Oil Company .... 52
j^^^^^^^^^i
[iljj^ljgili^ ^jitm'Mmw^Mw^m^MiM wiM'MMiM'miMi^w^^^MMi
INCORPORATED
Painters => O0C0rat©ra
Distinctive Decorating Services
irs in the
Telephone Market 721
165 GROVE STREET, SAN FRANCISCO
230 West 15th Street, Los Angeles
l^^^^^^^^^^^^^^^^MM MMM^^^M^M^^^M M^M-^^MM^^M^l
c>
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II