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THE LOEB CLASSICAL LIBRARY

FOL'SDED BV JAMES LOEB, LL.D.

EDITED BY
t T, E. PAGE, C.H„ LITT.D.

F. CAPPS. PH.D., LL.D. W. H. D. ROUSE, litt.d.

L. A. POST, M.A. E. H. WARMINGTOX, m.a.

HORACE

SATIRES, EPISTLES, ARS POETICA

HORACE

SATIRES, EPISTLES
AND AES POETICA

WITH AN ENGLISH TRANSLATION BY
H. RUSHTON FAIRCLOUGH

rRovBgsoK or classical literature ik stantobd urnvBRarrv

OALIFORNTA

IX)NDON

WILLIAM HEINEMANN LTD

CAMBRIDGE, MASSACHUSETTS

HARVARD UNIVERSITY PRESS

MCMXLII

FEB 1 1 1945

Virsi printed 1926

Revised and rtpritUed 1929

RepriMted 1932, 1936, 1939, 1942

Printed in Great Britain.

ALFREDO BAKER

TORONTONENSI

PROFESSORI EMERITO

AMICITIAE GRATIA

PREFACE

As is the case with many other volumes in the Loeb
Classical Library, it has been found necessary to
make this book something more than a mere trans-
lation — something approaching a new edition of
the poet.

Each of the Satires and Epistles has been provided
with its own Introduction, and, inasmuch as the
poet's transitions are not seldom rather abrupt, and
often it is no easy matter to re-establish the con-
nexion, a careful effort has been made to indicate
the sequence of thought. Numerous allusions have
been explained in the notes or Index ; many dubious
f)assages have been discussed, however briefly, and
the Latin text itself has been scrutinized in every
detail. All important variant readings have been
duly registered and considered, and the results of
both old and recent scholarship have been utilized
in translation or interpretation.

Acknowledgements are due to the general editors
of the series, one of whom. Dr. T, E. Page, has read
my manuscript carefully and offered many a timely

vii

PREFACE

and wise suggestion. Some explanations given of
puzzling passages are due to him,

H. R. F.

Harvard University,
December 15, 1925.

In preparing for a reprint of this volume, I take
the opportunity of thanking all who have offered
me helpful criticism, especially Professor Charles
N. Smiley of Carleton College, and Professor B, O.
Foster of Stanford University.

H. R. F.

February 4, 1929.

CONTENTS

Introduction —

A. Chronology of the Poems

B. Earlier History of Satire

C. Relation of Horace to Lucilius

D. Manuscripts and Commentaries

E. Editions and Bibliography

F. Abbreviations

satires-
Book I.

Satire I.
„ H.
„ III.
„ IV.
« V.
„ VI.
„ VII.
. „VIII.
„ IX.
„ X.

Book II. .

Satire I.
„ II.
„ HI.
„ IV.

PAOI

XIV

xvii
xxiii
xxvii

XXX

1-123

2
17
30
46
62
75
89
95
103
112

1 24-245

. 124
. 134
. 149
. 183
ix

CONTENTS

Satire V.
„ VI.
„ VII.
«VIII.

EPISTLES—
Book I. ,
ElMSTLE I.

« II.
„ HI.
„ IV.

V.
« VI.
„ VII.
„ VIII.
„ IX.

X.
« XI.
„ XII.
„ XIII.
„ XIV.
„ XV.
„ XVI.
„ XVII.
„ XVIII.
„ XIX.
„ XX.

Book II. .

Epistle I.

„ II-

ARS POETIC A OR Epistlk
Index of Proper Names

PAOR

196

208
221
236

24.8-391

. 248

. 260

. 269

. 275

. 279

. 284

. 293

. 3o:>

. 309

. 313

. 321

. 327

. 333

. 337

. 34.3

. 348

. 358

. 366

. 379

. 387

392-441

. 392

. 421

TO THE PiSONES . 442

. 491

INTRODUCTION

A. Chronology of the Poems

The First Book of the Satires is the first work which
Horace pubhshed, though it is possible that some of
the Epodes were composed before any of the Satires.
In Sat. i. 10. 45 Horace refers to Virgil's Eclogues,
which were published in 37 b.c, while the introduc-
tion to Maecenas {Sat. i. 6. 54 ff.) is commonly-
assigned to 38 B.C. Allowing some time for the
friendship between the poet and statesman to mature,
and for the general interest, referred to in Sat.
i. 6. 47, to be aroused, and keeping in view certain
passages in Satires ii. (e.g. 6. 40), we miay claim
35 B.C. as the probable date of the publication of
Book I. At this time the poet was in his thirtieth
year.

In 33 B.C. Horace received from Maecenas the gift
of his Sabine farm, which figures so prominently in
Book II. The Sixth Satire of this book makes several
allusions to pohtical events. In 1. 53 mention is
made of the Dacians, who in the struggle between
Octavian and Antony offered themselves first to one
leader and then to the other. At this time Octavian
was necessarily absent from Rome, and in 1. 38
Horace speaks of the administration of home affairs
as being in the hands of Maecenas. After the battle

INTRODUCTION

of Actium (31 B.C.) public lands were assigned to the
disbanded soldiers (1. 55). On the other hand the
absence of any allusion to the closing of the temple
of Janus or to the celebration of a triple triumph
shows that Book II. appeared before 29 b.c. We
may therefore claim 30 b.c. as the year of its pubhca-
tion.

In the intei'val between the appearance of the
Satires and that of the Epistles, Horace published the
Epodes (29 B.C.) and Books I.-III. of the Odes (23 b.c).
The next work to appear was Book I. of the Epistles,
the last verse of which {Epist. i. 20. 28) gives the
consulship of LoUius as the date of writing. This
would naturally imply that the book was finished in
21 B.C., but allusions to later events, such as the close
of Agrippa's Cantabrian campaign, the restoration
of the standards taken from Crassus {Epist. i. 12. 26 ff.),
and the triumphal progress of Tiberius through the
East (ib. i. 3. 144.), show that the book was not
published before the following year (20 b.c).

The three Literary Epistles which remain are often
classed together as the three Epistles of Book II.,
but the Mss. and Scholia recognize only two Epistles
in that Book, giving the third an independent posi-
tion and a special name as Ars Poetica. Of the two
the Second undoubtedly precedes the first in point
of composition. It is addressed to Florus, to whom
Epist. i. 3 had been sent, and who is still absent
from Rome in the suite of Tiberius. The occasion
for this absence need not be the same as for the
earher letter, yet in view of Horace's renunciation
of lyric poetry (Epist. ii. 2. 65 ff.), this Epistle can
hardly have been written in the years when the
Carmen Saeculare and Odes iv. were produced (17-13

INTRODUCTION

B.C.). It was therefore, in all probability, written
about 19-18 B.C.

The introduction to Epist. ii. 1 gives the main
reason for believing that the Epistle to Augustus was
■v\Titten after both the Epistle to Florus and the Ars
Poetica. Moreover, there are several passages in it
which indicate a connexion between it and Horace's
later lyrics. Thus 11. 132-137 refer unmistakably to
the Carmen Saeculare of 17 b.c, and 11. 252-256, as
Wickham has pointed out, show certain correspond-
ences with the political Odes of Book IV., which was
pubhshed in 13 b.c.

In the Mss. the Ars Poetica appears after either
the Carmen Saeculare or Odes iv. Its present position
is due to sixteenth-century editors, and Cruquius
(1578) first called it the Third Epistle of Book II. It
was perhaps pubhshed by Horace independently,
while Augustus was absent in Gaul, 16-13 b.c, but
the fact that it reflects so much of the influence of
Lucilius would indicate a still earlier date of com-
position." It is not certain who the Pisones (a
father and two sons) addressed in it are. According
to Porphyrio, the father was L. Calpurnius Piso,
praefectus urbi in a.d. 14. He was born in 49 b.c.
and became consul 15 b.c, but could hardly have
had grown-up sons several years before Horace's
death. It is more hkely that Piso pater was Cn.
Calpurnius Piso, who, like Horace, fought under
Brutus at Phihppi and was afterwards consul in
23 B.C. He had a son, Gnaeus, who was consul
7 B.C., and another, Lucius, who was consul 1 b.c.

" See Fiske, Lucilius and Horace, pp. 446-475. According
to Professor A. Y. Campbell, " the Ars Poetica was written at
some time between 23-20 b.c. inclusive " {Horac«, p. 235).

INTRODUCTION

B. Earlier History of Satire

The great litei'ary critic Quintilian proudly claims
Satire as a purely Roman creation, satira quidem iota
nostra est (x. 1. 93). This kind of literature had
originated in a sort of rustic farce, the mixed char-
acter of which had given it its name. As lanx satura
was a dish filled with various kinds of fruit offered
to the gods, and lex satura was a law which included
a variety of provisions, so, in the literary sphere,
satura {sc. fahuld) was a miscellaneous story, which
was originally presented as a dramatic entertain-
ment." After the introduction of the regular drama
from Greece, the dramatic saturae, like the mimes
and the Atellanae, survived as afterplays (exodid),^
but the saturae of Livius Andronicus and Naevius
were probably of the earlier, dramatic type.

Different from these were the saturae of Ennius
and Pacuvius. These, to be sure, were miscellaneous
both in subjects and in metrical forms, but they
were composed for reading, not for acting. The
Saturae of Ennius included the Epicharmus, a philo-
sophic poem ; the Euhemerus, a rationalistic treat-
ment of mythology ; the Hedupkagetica, a mock
heroic poem on gastronomy ; the Sota, in the
Sotadean metre ; and the Scipio and the Ambracia,
wliich dealt with contemporary persons and events.
Of the Satires of Pacuvius we know nothing, and

" It is here assumed that the account given of the origin
of the drama in Rome by the historian Livy (vii. 2), though
somewhat confused, is essentially correct. Certain writers,
however, notably Leo and Hendrickson, have regarded Livy's
account as pure fiction.

"" i.e. comio scenes performed separately after tragedies.

INTRODUCTION

those of Ennius were quite overshadowed by his epic

and dramatic poems.

The writer uniformly recognized as the founder of
literary Satire (inventor, Horace, Sat. i. 10. 48) was
Gaius LuciUus, who Uved from 180 to 103 b.c. He
was of equestrian rank and a man of wealth, the
maternal uncle of Pompey the Great and a member
of the Scipionic circle. His thirty books of Saturae,"
written partly in trochaics, elegiacs and iambics, but
mostly in hexameters, handled a great variety of
topics. Fragments, numbering over 1300 verses,
have been preserved, and are accessible in the splen-
did edition by F. Marx (2 vols., 1904., 1905), which
has supplanted all earlier collections. A study of
these throws a flood of light upon the important
question of the relation of Horace to his model in
the satiric field, and we are fortunate in having a
very thorough survey of the subject in LuciUus and
Horace, a study in the Classical Theory of Imitation,
by Professor George Converse Fiske,'' to which every
future editor of Horace will be much indebted, and to
which, therefore, we must often refer.

The Satires of LuciUus were largely autobio-
graphical,

. . . quo fit ut omnis
votiva pateat veluti descripta tabella
vita senis.

(Horace, Sat. ii. 1. 32 ff.),

and if they had survived intact we should to-day have

" Cited thus by grammarians but called by LuciUus him-
self ludus ac semiones (fr. 1039). Note that the latter term
sermones (or " Talks ") was adopted by Horace in his turn
as the title of his Satires.

* Published in University of Wisconsin Studies in Lan-
guage and Literature, Madison, 1920.

b XV

INTRODUCTION

as complete a picture of the poet's life and times as
any modern diarist has given of his. Lucilius por-
trayed not only himself but also his friends and foes,
and at the same time discoursed upon the follies and
vices of his day, as well as upon philosophy, religion,
literature, and grammar ; upon travels and adven-
tures ; upon eating and drinking, and the many
incidents of daily life.

In his criticism of others Lucilius was unrestrained,
and it is because of this Tvapp-qa-la or freedom of
speech that Horace makes him dependent upon the
Old Comedy of Athens {Sat. i. 4. 1 ff.). Lucihus
does indeed show an inexhaustible power of invective,
but in this he harks back, not so much to Aristophanes,
as to " the vivid and impromptu utterances of the
Cynic and Stoic popular preachers."" He was, it is
true, familiar with the whole range of Greek litera-
ture, and makes citations from Homer, Aristophanes,
Euripides, Menander, and Plato. He alludes to
Socrates and Aristippus, and draws freely upon the
Academy and later exponents of Greek philosophy.
Fiske aims at showing that " Lucilian satire is the
product of a highly sophisticated Hellenistic environ-
ment combined with the Italian penchant for frank,
vigorous, dramatic expression." In his diction,
Lucilius was quite unlike Terence, that puri sermonis
amator, for " GaUic words, Etruscan words, Syrian
words, and words from the Italic dialects, Oscan,
Pehgnian, Praenestine, Sardinian, and Umbrian, even
bits of Greek dialect slang, are found in his pages." ^

We must remember both the plebeian origin of
satire, and the chief characteristics of Lucilius, as
well as the ancient mode of adhering closely to

" Fiske, p. 128. ^ Fiske, p. tl6.

INTRODUCTION

literary tjrpes, if we are to understand some of the
features of later satire. Thus its excessive coarse-
ness, especially in Juvenal, is largely a sxu-\'ival from
early days, and this element in Horace's Satires,
strictly limited to Book I., is due to our poet's
following here too closely in the footsteps of Lucihus.
So, too, the fierce invective, which Juvenal has taught
us to regard as the main feature of satire, is a dis-
tinct inheritance from Lucihus.

G. Relation of Horace to Lucilius

In the Satires and Epistles of Horace, it is easy to
trace an interesting development in tone and char-
acter from the more pecuharly Lucilian compositions
to those that are more distinctly independent and
Horatian. Thus in the First Book of Satires, the
Seventh, which sketches a trial scene before the
court of Brutus, is to be closely associated with a
satire in Book II. of Lucihus, where Scaevola is
accused by Albucius of peculation in the province of
Asia. In the Second, deahng with a repulsive sub-
ject, not only " the satiric moulding of the material,"
but even the vocabulary is " distinctly Lucihan." "
Both of these poems, as well as the Eighth, were
probably composed before Horace's introduction to
Maecenas. The Eighth, however, is the only one of
this First Book which shows no obvious connexion
with Lucihus. It is a Priapeum — a late genre in
Roman hterature — but treated in satirical fashion.

The famous Fifth and Ninth Satires, though giving
personal experiences of the writer, are nevertheless
modelled somewhat closely upon Lucihus. Of the

» Fiske, pp. 271, 272.

INTRODUCTION

Fifth Porphyrio says, " Lucilio hac satyra aemulatuT
Horatius," and Horace's encounter with the bore ■will
lose none of its interest, even when we learn that
the Sixth Book of Lucilius contained a similar satire,
which was his direct model." The First Satire
handles two themes which were much discussed in
the popular philosophy of the Stoics, viz., discontent
with one's lot and the love of riches. Both of these
figured in more than one satire of Lucilius, the
scanty fragments of whose Nineteenth Book furnish
sufficient material to enable Fiske to reconstruct the
particular Satire which was Horace's model here.^

In the remaining Satires of Horace's First Book,
viz., the Third, Fourth, Sixth and Tenth, Horace is
on his defence against hostile criticism. He makes
a plea for satire as a literary form and tries to prove
that it should not be disliked because of its subject
matter. It is therefore not without reason that he
places the Third next to the Second in the collection,
so as to stand in direct contrast with it, for while the
Second is coarse, brutal, and extremely personal,"
the Tliird, dropping all abuse and invective, shows a
kindly and genial tone which must tend to disarm
all criticism. The Fourth and Tenth Satires still
further show that the poet is casting off the spell of
Lucilius. He is ready to criticize the very founder
of the satiric genus scrihendi and to set up standards
of his own. " In fact," as Fiske says,** " Horace's
Fourth satire may be regarded as an aesthetic and

• Fiske, p. 335. " Fiske, pp. 246, 247.

• " From no other Satire, as the commentators point out,
do we have such an extensive portrait gallery of contempor-
aries " (Fiske, p. 270).

" Fiske, p. 278.

INTRODUCTION

ethical analysis of the Lucihan theory of satire,"
while the Tenth, composed under the smart of
hostile criticism, is a vigorous polemic directed, not
so much against Lucilius himself, as against those
critics of Horace's owti day, who upheld the standards
or lack of standards illustrated by the Satires of
Lucilius. It is " only in the general recognition of his
predecessor as the originator of the poetical form, and
in acknowledgement of his skill in the employment of
the harshest weapons of satire," that Horace here
" treats LuciUus with consideration." " And as the
Fourth and Tenth Satires are a defence of his art, so
the Sixth is a defence of the poet himself, as well as
of his noble patron and the circle of friends to which
Horace has been admitted. The fragments show
that in the Thirtieth Book Lucihus had discussed
liis own relations to some patron, and had placed
the poet's calling above the lure of wealth, as Horace
places it above political ambition.* If we had the
whole poem, we should doubtless find that Horace
had drawn a contrast between his owti lowly birth,
and the aristocratic origin of Lucihus.*

In the Second Book of the Satires, published as
we have seen in 30 B.C., Horace finds it no longer
necessary to make a serious defence of his satire.
His position as a writer is now well estabhshed, and
the controversies underlying Book I. have been
settled in his favour. Yet the poet is not wholly

• Hendrickson, Horace and Lucilius, in Studies in Honor
o/B. L. Gild^rsleeve, p. 162 (Baltimore, 1903).

» Fiske, p. 318.

* See Sat. i. 6. 58, 59, where claro natum patre probably
refers to Lucilius, who, according to Cichorius, had estates
near Tarentum. Cf. Fiske, p. 320.

xix

INTRODUCTION

free from anxiety, for there were certain legal
restrictions that might prove embarrassing to the
writer of satire .'* Horace, therefore, in the First
Satire of this book, asserts his right to freedom of
speech, and makes an attack, however disguised in
its humorous form, upon the libel laws of Rome,
proclaiming at the same time that, as a satirist, he
is armed for defence not offence, and that he must
have the same privilege as Lucilius enjoyed, that of
writing down his inmost thoughts and his personal
comments upon the world.

The Second Satire of Book II. corresponds in
theme, as well as position, with the Second of Book I.
It applies the philosophic doctrine of " the mean "
to daily living, eating and drinking, just as the earlier
one applied it to sexual morality. It is strongly
under the influence of Lucilius, though, like Sat. i. 2,
it abounds in ideas which were common in the ser-
mons of philosophers.

Closely connected with the Second are the Fourth
and Eighth, which belong to a genre whose history
is outlined in the introduction to the Fourth. The
satiric SeiTrvov, of which the Cena Trimalchionis of
Petronius is the most famous example, was repre-
sented in Lucilius by at least five satires.

The influence of Lucilius is still strong in the
lengthy Third Satire, which deals with the Stoic
paradox, on 7ras ac^puiv /xatverat, a theme which it
would seem Lucilius had handled at least twice.* It
is interesting to find that even the scene reproduced

» See Lejay, pp. 289-292. In Book I. twenty-four con-
temporaries are criticized ; in II. only four. So Filbey,
cited bv Fiske, p. 416.

» Fiske, pp. 390 ff.

INTRODUCTION

by Horace (U. 259-271) from the Eunuckus of Terence,
was also utilized by Lucilius."

In the remaining Satires of Book II., the Fifth,
Sixth and Seventh, the influence of Lueilius seems
to be very slight. The Sixth, it is true, illustrates
the autobiographical element so conspicuous in
Lueilius, and epic parody, exemphfied in the Fifth,
was doubtless employed by Lueilius, even as it had
figured in the Middle and New Attic Comedy, but
Horace is no longer under his sway, and when in the
Seventh we find the poet professing to make himself
a target for the shafts of satire, we realize that now
at least he can be independent of his model.

The Epistles belong essentially to the same literary
class as the Satires. Both kinds are conversational : ^
epistulis ad absentes loquimur, sermone cum praesentibus,
says Acron. In subject matter the Epistles cover
much the same field as the Satires. They deal with
human foibles and frailties, discuss philosophic prin-
ciples, open windows upon the poet's domestic circle,
and give us incidents and scenes from daily life.

Lueilius had used the epistolary form in a satire
of his Fifth Book, and Horace came to realize that
this was the most satisfactory mould for him to
adopt, when expressing his personal feelings and
when passing judgement upon the hterary and social
problems of his time. As to thought and contents,
however, the influence of Lucihus upon the Epistles
is relatively very slight." These poems, indeed, are
the offspring of Horace's maturity, and themes

" Fiske, pp. 394 ff.

* Hendrickson, " Are the Letters of Horace Satires ? "
American Journal of Philology, xviii. pp. 312-324.
" See Fiske, pp. 427-440.

xxi

INTRODUCTION

already handled in the Satires are now presented in
more systematic fashion, the Avriter disclosing a
riper judgement and a more subtle refinement of
mind. " Good sense, good feeling, good taste," says
Mackail, " these qualities, latent from the first in
Horace, had obtained a final mastery over the coarser
strain with which they had at first been mingled.""
The Epistles, indeed, with their criticism of life and
literature, are the best expression of that " urbanity,"
which has ever been recognized as the most out-
standing feature of Horace.

The two Epistles of the Second Book are devoted
to literary criticism, which is an important element
in the First Book of the Satires, and which, we may
well believe, was first suggested to Horace by his
relation to Lucilius. Even in these late productions,
therefore, may be found traces of Lucilian influence,^
but Horace writes with a free spirit, and in his
literary, as in his philosophic, life, he is

nullius addictus iurare in verba magistri.*

As to the puzzling Ars Poetica, it is evident from
the researches of Cichorius*^ and Fiske that it is
quite largely indebted to Lucilius, who had a theory
of literary criticism " formulated according to the
same rhetorical cr^rnxara, and under substantially the
same rhetorical influences ... as Horace's Ars
Poetica." * Moreover, a detailed comparison of the
fragments of Lucilius with the Ars Poetica show
numerous and striking similarities. To the present

" Latin Literattire, p. 111.

^ Fiske, pp. 441-446. « Epist. ii. 1. 14.

"* Untersuchungen zu Lucilius, pp. 109-127.

• Fiske, p. 468.

INTRODUCTION

writer it would seem to be an obvious inference jfrom
these facts that the Ars Poetica was largely composed
some years before it was pubhshed. It may have
been -WTitten originally in the regular satiric form,
and afterwards adjusted, for publication, to the
epistolary mould.

D. Manuscripts and Commentaries

The text of Horace does not rest on as firm a
foundation as that of Virgil. Whereas the great
epic \vTiter is represented to-day by as many as seven
manuscripts ^^Titten in uncial or capital letters, all of
the extant Horatian manuscripts are of the cursive
type, and not one can claim to be older than the ninth
century. Yet, putting Virgil aside, Horace, in
comparison ^^■ith the other Augustan poets, has fared
very well, and his text has suffered comparatively
httle in the process of transmission.

The MSB. number about two hundred and fifty, and
have given rise to endless discussion as to their mutual
relations, their classification, their hne of descent
from a common original, and their comparative value.
Such questions have been rendered more uncertain
by the incomplete knowledge which we possess of the
four Blandinian mss. which were destroyed in 1566,
when the Benedictine abbey of St. Peter, at Blanken-
berg near Ghent, was sacked by a mob. These mss.
had, however, been rather carelessly collated a few
years earlier by Cruquius, who, beginning with 1565,
edited separate portions of Horace, and finally in
1578 published a complete edition of the poet at
Antwerp. Of these lost Blandinian mss. Cruquius

INTRODUCTION

valued most highly the one which he calls vetustissimus,
and wliich Bentley, Lachmann, and other later editors
have regarded as the soundest foundation for the
estabhshment of a correct Horatian text. Unfortun-
ately, doubt has been cast upon the accuracy of the
statements of Cruquius, and Keller and Holder
depreciate the value of this lost ms.

The two scholars just named, the most painstaking
editors of the Horatian text, have adopted a grouping
of the Mss. in three classes, each of which is based on
a lost archetype. The three archetypes are ulti-
mately derived from an original archetype of the
first or second century. The claim is made that a
reading found in the mss. of two classes should take
precedence over that found in only one. The three
classes are distinguished from one another by the
degree of systematic alteration and interpolation to
which they have been subjected.

This elaborate classification of Keller and Holder's
has proved too complicated and has failed to win
general acceptance. A simpler and more satisfactory
grouping has been attempted by Professor Vollmer
of Munich in his recension of 1906 (2nd edition 1912)
in which the editor, returning to the principles of
Bentley, endeavours to reconstruct the sixth century
Mavortian " edition, beyond which, however far this
may have departed from the original Horatian text,
one can hardly hope to go. Vollmer enumerates
only fifteen mss., which he divides into two groups,
I. and II, In Class I. he includes K, a codex not known

" The name of Mavortius, who was consul in a.d. 527,
appears in association with that of Felix, orator urbis Romae,
as an emendator or Stop^wrijs, in eight mss., including A,
\, I, and Goth.

xxiv

INTRODUCTION

to Keller and Holder. The vetustissimus {V^ he places
in Class II. along with a Vatican MS., R, of the ninth
century and the Gothanus of the fifteenth century,
wliich reveals its kinship ^\ith V. The readings of
Class II. are often to be preferred to those of Class I.
In 1912, in rexising for the Clarendon Press Wick-
ham's text edition of Horace, Mr. H. W. Garrod of
Oxford carried this simplification still further. He
adopts Vollmer's classification, but drops some mss.
which he finds to have httle significance, viz. from
Class I., A, which is a mere dupUcate of a, and K ;
while from Class II. he omits R, Goth., A (Parisinus
7972), and Z ( = Leidensis Lat . 28). On the other hand,
he recalls M, which Keller had overestimated but
Vollmer had rejected as of httle value. V, placed
outside the two classes, is held in high esteem.

The MSS. cited in this edition are as follows :

0 = codex Ambrosianus 136, from Avignon, now in Milan.

Tenth century. Available for Satires and Epistlet,

except from Sat. ii. 7. 27 to ii. 8. 95.
^ = Parisinus 7900 a. Tenth century. V se^ for Epistlesi.

(here by a second hand), and to supplement a.
B == codex Bernensis 363 ; in Bern, Switzerland. Written

by an Irish scribe at the end of the ninth century.

Available for Satires up to i. 3. 135, and for Ars Poet.

up to 1. 441.
C and ^= codex Monacensis 14685 (two parts). Eleventh

century. C is available from Sat. i. 4. 122 up to

i. 6. 40 ; for Sat. ii. 8 ; and for Ars Poet, up to 1. 441.

E is available for Satires and Epistles, except for Sat.

ii. 5. 87 up to ii. 6. 33 ; and for Ars Poet., except 11. 441

to 476.
D = codex Argentoratensis. Destroyed at Strasburg 1870.

Tenth century. Available for Saiires and Epistles,

INTRODUCTION

except from Sat. ii. 2. 132 to ii. 3. 75 ; from Sat. n. 5. 95

to Epist. ii. 2. 112. Not available for Ars Poet.
K = codex S. Eugendi, now St. Claude. Eleventh century.

Available for Satires up to ii. 2. 25, and for Ars Poet.
M= codex Mellicensis. Eleventh century. Available for

Satires, except from ii. 5. 95 and a portion of ii. 3 ;

and for Epistles, except from i. 6. 67 to i. 16. 35.
The above mss. constitute Class I.

R = Vaticanus Reginae 1 703. Ninth century. Available
for Satires and Epistles, except from Sat. i. 3. 28 to
i. 8. 4, and from Sat. ii. 1. 16 to ii. 8. 95.

S = codex Harleianus 2725. Ninth century. Available
for Satires up to i. 2. 114 ; and for Epistles up to
i. 8. 8, and from ii. 2. 19 to the end of Ars Poetica.

X = Parisinus 7972. Tenth century. Complete.

/ = Lcidensis Lat. 28. Ninth century. Complete.

a- = codex Parisinus 10310. Ninth or tenth century.
Available for Epistles and Ars Poetica, but for Satires
only up to i. 2. 70.

<p = codex Parisinus 7974. Tenth century. Complete.

^ = codex Parisinus 7971. Tenth century. Complete.

Goth. = Gothanus. Fifteenth century. This lacks the
Ars Poetica.
These constitute Class II.

Besides these, account must be taken (through the
edition of Cruquius) of the four lost Blandinian mss.
(designated as Bland.), the chief of which was F
(^=ivetustissimus). In a number of cases F alone (or
in conjunction with Goth.) preserved the correct
reading. The most striking instance of this is given
in Sat. i. 6. 126, but other examples are afforded by
Sat. i. 1. 108 ; ii. 2. 56 ; ii. 3. 303 ; ii. 4. 44 ; ii. 8. 88 ;
Epist. i. 10. 9 ; i- 16. 43. On the whole, however,
V was probably just as faulty as are most of the
xxvi

INTRODUCTION

extant mss., no one of which stands out as con»
spicuous for accuracy. Yet, as a group, the mss. of
Class I. are distinctly superior to those of Class II.,
though not infrequently the latter preserve correct
readings which the former had lost.

Collections of Horatian scholia, or explanatory
notes, have come down to us from antiquity under
the names of Porphyrio and Acron. These scholars
lived probably in the third century of our era, Acron
being the earlier of the two, but the scholia now
surviving under Acron's name are as late as the fifth
century. Both collections are largely interpolated.
Both, however, precede our mss. in point of time, and
are therefore valuable in determining the priority of
conflicting readings.

The term Commentator Cruquianus is given to a
collection of notes gathered by Cruquius from the
marginaha in his Blandinian mss.

E. Editions and Bibliography

The editio princeps of Horace appeared in Italy,
without date or name of place, about 1470, and was
followed by the annotated edition by Landinus,
Florence, 1482. Lambin's, which first appeared in
1561, was frequently repubhshed in Paris and else-
where. The complete edition by Cruquius was issued
at Antwerp, 1578. Modern editions may be said to
begin with Heinsius, Leyden, 1612. Bentley's (Cam-
bridge, 1711, Amsterdam 1713, and frequently re-
published) marks an epoch in Horatian study. Among
nineteenth-century editors may be mentioned Doring
(Leipzig, 1803), Lemaire (Paris, 1829), Peerlkamp

xxvii

INTRODUCTION

(Harlem, 1834), Dillenburger (Bonn, 1844), Duentzer
(Brunswick, 1849) and Orelli, whose text and com-
mentary (revised by Baiter 1852, then by Hirsch-
felder and Mewes — fourth large edition, Berlin, 1892)
became the standard. Ritter's edition is dated 1856-
1857, Leipzig. Keller and Holder's (editio maior,
Leipzig, 1864-70 ; editio minor, 1878) is based on an
exhaustive study of the mss. Vollmer's important
edition (2nd, 1912, Leipzig) has a serviceable ap-
paratus criiicus. One of the best annotated editions
is A. Kiesshng's, Berhn, 1884 and later ; revised by
Heinze, 1910. Another good one is that of Schiitz,
Berlin, 1880-83, and one by L. Muller, Leipzig, 1891-
1893. English editions are Macleane's, London,
1869 (4th, 1881) ; Wickham's, 2 vols., annotated,
Oxford, 1878 and I891, and the Page, Palmer and
Wilkins edition, London and New York, 1896.
Wickham's text edition, Oxford, 1900, was revised
by Garrod, 1912 (see p. xxv). In America the best
complete editions are tliose by C. L. Smith and
J. B. Greenough, Boston, I894, and by C. H. Moore
and E. P. Morris, New York, 1909. In France,
there is the Waltz edition, Paris, 1887. Of the
Plessis and Lejay edition only the volume of Satires
by Lejay has thus far appeared (Paris, 1911)- The
best complete edition in Italy is Fumagalli's, Rome,
5th, 1912.

Special editions of the Satires and Epistles are
numerous. A few that we may mention are those
by A. Palmer, Satires, London and New York, 1883 ;
A. S. Wilkins, Epistles, London and New York, 1885 ;
J. Gow, Satires, i. Cambridge, I9OI ; J. C. Rolfe,
Boston, 1901 ; P. Rasi, Milan, 1906-07 ; Sabbadini,
Turin, 19O6 ; E. P. Morris, New York, 1909-11.

INTRODUCTION

Among other •works of importance for the study
of Horace may be mentioned the follo^\^ng :

F. Hauthal, Acronis et Porphyrionis commentarii in
Horatium, Berlin, 1864-66.

W. Meyer, Porphyrionis commentarii in Horatium, Leip-
zig, 1874.

R. M. Hovenden, Horace's Life and Character, London,
1877.

O. Keller, Epilegornena zu Horaz, Leipzig, 1879-80.

W, Y. Sellar, Horace, Roman Poets of the Augustan Age,
Oxford, 1892.

R. Y. Tyrrell, Latin Poetry ; Jolms Hopkins Lectures, 1893.

J. W. MackaU, Latin Literature, New York, 1895.

Gaston Boissier, The Country of Horace and Virgil, trans-
lated by Fisher, New York, 1896.

A. Cartault, ttude sur les Satires d' Horace, Paris, 1899.

O. Keller, Psendacronis scholia in Horatium vetustiora,
Leipzig, 1902-4.

F. Marx, C. Lucilii carminum reliquiae, 2 vol., Leipzig,

1904-6.

G. Cichorius, Untersuchungen zu Lucilius, Berlin, 1908.
J. W. Duff, Literary History of Rome, London, 1909.

F. Leo, Geschichte der romischen Literatur, Berlin, 1913.
Courtand, Horace, sa vie et sa pensee d, I'epoque des

ipitres, Paris, 1914.
Lane Cooper, A Concordance to the Works of Horace,

Washington (The Carnegie Institution), 1916.
Mary Rebecca Thayer, The Influence of Horace on the

Chief English Poets of the Nineteenth Century, New

Haven, 1916.
J. F. D 'Alton, Horace and his Age, London and New

York, 1917.

G. C. Fiske, Lucilius and Horace : a Study in the Classical

Theory of Imitation, MadL-on, Wisconsin, 1920.
Grant Showerman, Horace and his Influence, Boston, 1922.
H. N. Fowler, A History of Roman Literature, New York,

1923 (2nd edition).
E. E. Sikes, Roman Poetry, London, 1923.

INTRODUCTION

A. Y. Campbell, Horace, a riew Interpretation, London,

1924.
Elizabeth H. Haight, Horace and his Art of Enjoyment,

New York, 1925.

There are also many pamphlets and periodical
articles, too numerous to record, which must be
consulted by an editor of Horace.

F. Abbreviations

A. J. V. = American Journal of Philology.

A.P. A. = Transactions and Proceedings of the American

Philological Association.
C.P. = Classical Philology.
C.R. = Classical Review.
C.W. = Classical Weekly.
¥iske = Lticilius and Horace, by G. C. Fiske.
Harv. St. = Harvard Studies in Classical Philology.
3. V. = Journal of Philology.
Rh. M. = Rheinisches Museum fiir klaasische Philologie.

Editions of Horace are often referred to by the
name of the editor alone, e.g. Lejay = the
Lejay edition of the Satires.

XXX

SATIRES

THE RACE FOR WEALTH AND POSITION

The opening Satire serves as a dedication of the
whole book to Maecenas, and deals with a conspicuous
feature of social life in the Augustan age.

Everybody, says Horace, is discontented with his
lot and envies his neighbour. Yet, if some god were
to give men a chance to change places, they would
all refuse. The cause of this restlessness is the
longing for wealth. Men will assure you that the
only reason why they toil unceasingly is that they
may secure a competence and then retire. They
claim to be like the ant, which provides so wisely for
the future ; but the ant enjoys its store when winter
comes, whereas the money-seeking man never
ceases from his labours, so long as there is one richer
than himself (1-40).

And yet what is the use of large possessions ? If
a man has enough, more wealth will prove a burden
and a peril. The miser claims that the wealthier he
is the more highly will men think of him, I will
not argue the point, says Horace, but will leave him
to his self-esteem. He is like Tantalus, tortured
with thirst though the waters are so near. Your
avaricious man suffers all the pain, and enjoys none
of the pleasure that money can buy. There is indeed
2

SATIRES, I. I.

no more certain cause of misery than avarice. Yet
one must not run to the other extreme, but should
observe the golden mean (41-107).

To return to the starting-point : everybody is
trying to outstrip his neighbour in the race for wealth.
People are never satisfied, and therefore we seldom
see a man who is ready to quit the banquet of life
Uke a guest who has had enough (108-119).

But enough of this preaching, or you wiU think
that I have rifled the papers of Crispinus (120, 121).

Palmer thinks that this Satire " was probably the
last composed of those in the first book," and Morris
speaks of its " maturity of style and treatment."
Campbell, however, points out " distinct signs of
immaturity," such as the Lucretian echo in 11. 23-26,
a passage which " smacks of the no\ace in satire-
writing " {cf. Lucr. i. 936 fF.), the weakness of 1. 108,
and the "lame conclusion" in 11. 120, 121 {Horace,
p. 165). Lejay thinks that our author composed
the discussion of avaritia (28-117) first, and later,
when dedicating his book to Maecenas, added the
beginning and the end. This is a very plausible
view.

A minute analysis of this Satire is given by Charles
Knapp in the Transactions of the American Philo-
logical Association, xlv. pp. 91 ff.

SERMONUM

LIBER PRIMUS

Qui fit, Maecenas, ut nemo, quam sibi sortem
seu ratio dederit seu fors^ obiecerit, ilia
contentus vivat, laudet diversa sequentis ?
" o fortunati mercatores ! " gravis annis^
miles ait, multo iam fractus membra labore. 6

coYitra mercator, navem iactantibus Austris,
" militia est potior, quid enim ? concurritur : horae
momento cita mors venit aut victoria laeta."
agricolam laudat iuri^lcgumque peritus,
sub galli cantum consultor ubi ostia pidsat. 10

ille, datis vadibus qui rure extractus in urbem est,
solos felices viventis clamat' in urbe.
cetera de genere hoc, adeo sunt multa, loquacem
delassare valent Fabium. ne te morer, audi
quo rem deducam. si quis deus " en ego " dicat, 15

1 fors V Mss. : sors B.

* annis mss. : armis conjectured by Bouhier and accepted
by Vollmer. * cantat B.

" The reference is not so much to the professional lawyer
as to the influential citizen, whose humble clients come
at daybreak to ask for advice. Such a citizen would
commonly have had a good legal training. With him is

SATIRES

BOOK I i^
Satire I

How comes it, Maecenas, that no man li\ing is
content with the lot which either his choice has
given him, or chance has thro^vn in his way, but
each has praise for those who follow other paths ?
" O happy traders ! " cries the soldier, as he feels
the weight of years, his frame now shattered with
hard ser\ice. On the other hand, when southern
gales toss the ship, the trader cries : " A soldier's
life is better. Do you ask why ? There is the battle
clash, and in a moment of time comes speedy death
or joyous victory." One learned in law and statutes
has praise for the farmer, when towards cockcrow a
client comes knocking at his door." The man
yonder, who has given surety and is dragged into
town from the country cries that they only are happy
who Uve in town. The other instances of this kind
— so many are they — could tire out the chatterbox
Fabius. To be brief with you, hear the conclusion
to which I am coming. If some god were to say : *"

contrasted a countryman, who is a defendant in some case
and must, therefore, come to the city against his will.

* Horace imagines a dramatic scene where a god appears
€x machina. C/. Sat. ii. 7. :24 ; Ara Poetica, 191.

HORACE

" iam faciam, quod voltis : eris tu, qui modo miles,
mercator ; tu, consultus modo, rusticus ; hinc vos,
vos hinc mutatis discedite partibus : eia !
quid statis ? " — nolint.^ atqui licet esse beatis.
quid causae est, merito quin illis luppiter ambas 20
iratus buccas inflet neque se fore posthac
tarn facilem dicat, votis ut praebeat aurem ?

Praeterea, ne sic, ut qui iocularia, ridens^
percurram : quamquam ridentem dicere verum
quid vetat ? ut pueris olim dant crustula blandi 25
doctores, elementa velint ut discere prima :
sed tamen amoto quaeramus seria ludo :
ille gravem duro terram qui vertit aratro,
perfidus hie caupo, miles nautaeque per omne
audaces mare qui currunt, hac mente laborem 30
sese ferre, senes ut in otia tuta recedant,
aiunt, cum sibi sint congesta cibaria : sicut
parvola, nam -gxemplo est, magni formica laboris
ore trahit quJWbumque potest atque addit acervo
quern struit, haud ignara ac non incauta futuri. 35
quae, simul inversum contristat Aquarius annum,
non usquam prorepit et illis utitur ante
quaesitis sapiens,^ cum te neque fervidus aestus
demoveat lucro neque hiems, ignis, mare, ferrum,
nil obstet tibi, dum ne sit te ditior alter, 40

Quid iuvat immensum te argenti pondus et auri
furtim defossa timidum deponere terra ?
" quod si comminuas, vilem redigatur ad assem."

^ nolent B.

* II. 22, 23 with order inverted BK.

* sapiens F, // ; patiens /.

' The sun enters the sign of Aquarius in Januarj-, the
chilHest month of a Roman winter, when the year's cycle
begins anew.

SATIRES, I. I. 16-43

" Here I am ! I will grant your prayers forthmth.
You, who were but now a soldier, shall be a trader ;
you, but now a lawyer, shall be a farmer. Change
parts ; away with you — and with you ! Well ! Why
standing still ? " They would refuse. And yet
'tis in their power to be happy. What reason is
there why Jove should not, quite properly, puff out
both cheeks at them in anger, and say that never
again will he be so easy-going as to lend ear to their
prayers ?

^ Furthermore, not to skim over the subject
with a laugh like a writer of -w-itticisms — and yet
what is to prevent one from telling truth as he laughs,
even as teachers sometimes give cookies to children
to coax them into learning their ABC ? — still, putting
jesting aside, let us turn to serious thoughts : yon
farmer, who A\ith tough plough turns up the heavy
soil, our rascally host here, the soldier, the sailors
who boldly scour every sea, all say that they bear
toil with this in \iew, that when old they may retire
into secure ease, once they have piled up their pro-
visions ; even as the tiny, hard-working ant (for she
is their model) drags all she can with her mouth,
and adds it to the heap she is building, because she
is not unaware and not heedless of the morrow. Yet
she, soon as Aquarius saddens the upturned year,"
stirs out no more but uses the store she gathered
beforehand, wise creature that she is ; while as for
you, neither burning heat, nor winter, fire, sea,
sword, can turn you aside from gain — nothing stops
you, until no second man be richer than yourself.

f^ What good to you is a vast weight of silver
and gold, if in terror you stealthily bury it in a hole
in the ground ? " But if one splits it up, it would

HORACE

at ni id fit, quid habet pulchri constructus acervus ?

milia frumenti tua triverit area centum, 45

non tuus hoc capiet venter plus ac^ meus ; ut si

reticulum panis venalis inter onusto

forte vehas umero, nihilo plus accipias quam

qui nil portarit.

Vel die, quid referat intra
naturae finis viventi, iugera centum an 50

mille aret ? " at suave est ex magno tollere acervo."
dum ex parvo nobis tantundem haurire relinquas,
cur tua plus laudes cumeris granaria nostris ?
ut tibi si sit opus liquidi non amplius urna
vel cyatho, et dicas " magno de flumine mallem^ 55
quam ex hoc fonticulo tantundem sumere." eo fit,
plenior ut si quos delectet copia iusto,
cum ripa simul avolsos ferat Aufidus acer.
at qui tantuli eget, quanto est opus, is neque limo
turbatam haurit aquam, neque vitam amittit in undis.

At^ bona pars hominum decepta cupidine falso 61
" nil satis est " inquit, " quia tanti jquantum habeas

sis."
quid facias illi ? iubeas miserum esse, libenter
quatenus id facit : ut quidam memoratur Athenis
sordidus ac dives, populi contemnere voces 66

sic solitus : " populus me sibilat, at mihi plaudo
ipse domi, simul ac nummos contemplor in area,"

Tantalus a labris sitiens fugientia captat
flumina — quid rides ? mutato nomine de te
1 ac B : quam aDEM.
* mallei: inalim, //, Bentley, Vollmer.
^ at K'^ : ut Mss. ; Vollmer.

<» Here and below, the miser speaks for himself.

■" The picture is that of a gang of slaves driven to the
market for sale. One of them carries the provisions for all.

' The Aufidus, a stream in Horace's native Apulia, at
times became a raging torrent, undermining its banks.
8

SATIRES, I. I. 44-69

dwindle to a paltry penny." " Yet if that is not
done, what beauty has the piled-up heap ? Suppose
your threshing-floor has threshed out a hundred
thousand bushels of grain ; your stomach will not
on that account hold more than mine : 'tis as
if in the slave-gang you by chance should carry
the heavy bread-bag on your shoulder, yet you
would receive no more than the slave who carries
nothing.*

*® Or, tell me, what odds does it make to the
man who lives ^\ithin Nature's bounds, whether he
ploughs a hundred acres or a thousand ? " But what
a pleasure to take from a large heap ! " So long
as you let us take just as much from our little one,
why praise your granaries above our bins ? It is as
if you needed no more than a jug or a cup of water,
and Avere to say, "I'd rather have taken the quantity
from a broad river than from this tiny brook." So it
comes about that when any find pleasure in undue
abundance, raging Aufidus sweeps them away, bank
and all ; while the man who craves only so much as
he needs, neither draws water thick with mud, nor
loses his life in the flood."

®^ But a good many people, misled by bhnd
desire, say, " You cannot have enough : for you get
your rating from what you have." What can you
do to a man who talks thus ? Bid him be miserable,
since that is his whim. He is hke a rich miser in
Athens who, they say, used thus to scorn the people's
talk : " The people hiss me, but at home I clap my
hands for myself, once I gaze on the moneys in my
chest."

^ Tantalus, thirsty soul, catches at the streams
that fly from his hps — why laugh ? Change but

HORACE

fabula narratur : congestis undique saccis 70

indormis inhians, et tamquam parcere sacris

cogeris aut pictis tamquam gaudere tabellis.

nescis quo valeat nummus, quem praebeat usum ?

panis ematur, holus, vini sextarius ; adde

quis humana sibi doleat natura negatis. 75

an vigilare metu exanimem, noctesque diesque

formidare malos fures, incendia, servos,

ne te compilent fugientes, hoc iuvat ? horum

semper ego optarim^ pauperrimus esse bonorum.

" At si condoluit temptatum frigore corpus 80

aut alius casus lecto te adfixit,^ habes qui
adsideat, fomenta paret, medicum roget, ut te
suscitet ac reddat gnatis^ carisque propinquis."
non uxor salvum te vult,* non filius ; omnes
vicini oderunt, noti, pueri atque puellae. 85

miraris, cum tu argento post omnia ponas,
si nemo praestet quem non merearis amorem ? ■*
an si^ cognatos, nullo Natura labore
quos tibi dat, retinere velis servareque amicos,
infelix operam perdas, ut si quis asellum 90

in Campo doceat parentem currere frenis ?

Denique sit finis quaerendi, cumque habeas plus,
pauperiem metuas minus et finire laborem
incipias, parto quod avebas,® ne facias quod
Ummidius quidam.' non Jonga est fabula : dives 93

^ optarem, /.
• adfixit K, so Bentley and most editors : adflixit most mss.
' gnatis reddat Goth. * te vult salvum D.

' an si] at si £": an sic Goth.
^ habebas B. ' quidam] qui tam Bentley.

SATIRES, I. I. 70-95

the name, and the tale is told of you. You sleep
with open mouth on money-bags piled up from all
sides, and must perforce keep hands off as if they
were hallowed, or take delight in them as if painted
pictures. Don't you know what money is for, what
end it serves ? You may buy bread, greens, a
measure of wine, and such other things as would
mean pain to our human nature, if withheld. What,
to lie awake half-dead with fear, to be in terror
night and day of wicked thieves, of fire, of slaves,
who may rob you and run away — is this so pleasant ?
In such blessings I could wish ever to be poorest of
the poor.

^^ " But if your body is seized with a chill and
racked with pain, or some other mishap has pinned
you to your bed, have you some one to sit by you,
to get lotions ready, to call in the doctor so as to
raise you up and restore you to your children and
dear kinsmen ? " No, your wife does not want you
well, nor does your son : every one hates you,
neighbours and acquaintances, boys and girls. Can
you wonder, when you put money above all else,
that nobody pays you the love you do not earn ?
Or, when Nature gives you kinsfolk without trouble,
if you sought to hold and keep their love, would
it be as fruitless a waste of effort, as if one were to
train an ass to race upon the Campus " obedient to
the rein ?

'^ In short, set bounds to the quest of wealth,
and as you increase your means let your fear of
poverty lessen, and when you have won your heart's
desire, begin to bring your toil to an end, lest you
fare like a certain Ummidius — 'tis a short story — so
" The Campus Martius.

HORACE

ut metiretur nummos ; ita sordidus, ut se
non umquam servo melius vestiret ; ad usque
supremum tempus, ne se penuria victus •
opprimeret, metuebat. at hunc liberta securi <
divisit medium, fortissima Tyndaridax-um. 100

" Quid mi igitur suades ? ut vivam Naevius aut sic
ut Nomentanus ? " pergis pugnantia secum
frontibus adversis componere. non ego, avarum
cum veto te fieri, vappam iubeo ac nebulonem.
est inter Tanain quiddam socerumque Viselli : 105
est modus in rebus, sunt certi denique fines,
quos ultra citraque nequit consistere rectum.

Illuc, unde abii, redeo, qui nemo, ut^ avarus,
se probet ac potius laudet diversa sequentis,
quodque aliena capella gerat distentius uber, 110
tabescat, neque se maiori pauperiorum
turbae comparet, hunc atque hunc superare laboret.
sic festinanti semper locupletior obstat,
ut, cum carceribus missos rapit ungula currus,
instat equis auriga suos^ vincentibus, ilium 115

praeteritum temnens extremos inter euntem.
inde fit ut raro, qui se vixisse beatum

* qui nemo ut V : nemon ut mss., Porph.: cum nemo ut
Keck, Vollmer. For other attempts to improve the text see
Knapp, loc. cit. pp. 102 ff.

2 suis aDEM.

* i.e. instead of counting it. The idea was proverbial,
c/. Xen. Hellen. iii. 2. 27 ; Petronius, Sat. 37.

* Clytemnestra, daughter of Tyndareus, slew her husband
Agamemnon with an axe. Possibly the freedwoman's name
was Tyndaris.

* Both of these names were used by Lucilius. The men
represent the spendthrift type.

SATIRES, I. I. 96-117

rich that he measured his money," so miserly that he
dressed no better than a slave ; up to his last hour
he feared he would die of starvation. Yet a freed-
woman cleft him in twain with an axe, bravest of
the Tyndarid breed."

101 " What, then, would you have me do ? Live
as a Naevius or a Nomentanus ? " " You go on to set
opposites in head to head conflict with each other."*
When I call on you not to be a miser, I am not
bidding you become a worthless prodigal. There
is some mean between a Tanais and the father-
in-law of Visellius." There is measure in all things.
There are, in short, fixed bounds, beyond and short
of which right can find no place.

^^ I return to my starting-point, how it comes
that no man because of his greed is self-contented,
but rather does each praise those who follow
other paths, pines away because his neighbour's
goat shows a more distended udder, and, instead of
matching himself with the greater crowd of poorer
men, strives to surpass first one and then another.
In such a race there is ever a richer in your way.
'Tis ^ as when chariots are let loose from the barriers
and swept onwards behind the hoofed steeds : hard
on the horses that outstrip his own presses the
charioteer, caring naught for that other whom he
has passed and left in the rear. Thus it comes that
seldom can we find one who says he has had a happy

' The figure is taken, not so much from gladiators, as
from rams or bulls. Knapp takes componere as " reconcile "
{loc. cit. p. 101).

• Tanais is said to have been a freedman of Maecenas.
The other person is unknown.

' This passage closely resembles Virgil, Georg. L 512 ff.

HORACE

dicat et exacto contentus tempore vita^
cedat uti con viva satur, reperire queamus.

lam satis est. ne me Crispini scrinia lippi 120

compilasse putes, verbum non amplius addam.

^ vitae D.

Cf. Lucretius, iii. 938,
Cur non ut plenus vitae conviva recedis.
Aequo animoque capis securam, stulte, quietem ?

SATIRES, I. I. 118-121

life, and who, when his time is sped, will quit life in
contentment, hke a guest who has had his fill."

120 Well, 'tis enough. Not a word more ^\ill I
add, or you will think I have rifled the rolls of blear-
eyed Crispinus.*

* The scrinia were the cylindrical boxes in which rolls
of manuscript were kept. Crispiniis, according to the
scholiasts, was an aretaloyus, one who babbled about virtue.
He wrote, we are told, in verse.

THE FOLLY OF RUNNING TO EXTREMES

Men seldom keep the golden mean, but run from
one extreme to another. Especially may this be
illustrated by \'ictims of sensual indulgence and by
people guilty of adultery, a vice which has become
a shocking feature of the age.

This immature and forbidding sketch, coarse and
sensational in tone, and doubtless one of Horace's
earhest efforts, is closely associated mth the Lucilian
type of satire. It abounds in personalities, freely
handled, and Horace liimself (in Sat. i. 4. 92) cites it
later as an illustration of the kind of writing which
had aroused enmity against the author. Even
Maecenas, if we are to believe the schohasts, is
tliinly disguised in the Maltinus of 1. 25.

In his introduction to this Satire, Lejay has sho\vn
how dependent it ultimately is " upon the erotic
literature of the Hellenistic period as expressed in
the popular Cynic philosophy, in the New Comedy,
and in the Anthology " (Fiske, p. 251). There is a
striking parallel between it and a poem on love in
the Oxyrhynchus Papyri by the Cynic Cercidas of
Megalopolis, who lived in the latter part of the third
century b.c. See Chapter I. of Powell and Barber's
Setv Chapters in the History of Greek Literature
(Oxford, 1921).

c 17

II.

Ambubaiarum collegia, pharmacopolae,
mendici, mimae, balatrones, hoc genus omne
maestum ac sollicitum est cantoris morte Tigelli :
quippe benignus erat. contra hie, ne prodigus esse
dicatur metuens, inopi dare nolit amico, fi

frigus quo duramque fameni propellere^ possit.
hunc si perconteris, avi cur atque parentis
praeclaram ingrata stringat malus ingluvie rem,
omnia conductis coemens obsonia nummis :
sordidus atque animi quod parvi nolit haberi, 10
respondet. laudatur ab his, culpatur ab illis.
Fufidius vappae famam timet ac nebulonis,
dives agris, dives positis in faenore nummis : ^
quinas hie capiti mercedes exsecat,"' atque
quanto perditior quisque est, tanto acrius urget ; 15
nomina sectatur modo sumpta veste virili
sub patribus duris tironum. " maxime " quis non
" luppiter ! " exclamat, simul atque audivit ? "at

in se
pro quaestu sumptum facit hic.^ vix credere possis

^ depellere, II.

* I. 13 { = Ars Poet. 421) rejected by Sanadon, Holder.

' exigit E^.

* facit. Hie ? some editors, hie] hoc S^i/'.

" The usual rate was one per cent a month, twelve per
18

Satire II

The flute-girls' guilds, the drug-quacks, beggars,
actresses, buffoons, and all that breed, are in grief and
mourning at the death of the singer Tigelhus. He
was, they sav, so generous. On the other hand,
here's one who, fearing to be called a prodigal,
would grudge a poor friend the where\\-ithal to banish
cold and hunger's pangs. Should you ask another
why, in his thankless gluttony, he recklessly strips
the noble estate of his sire and grandsire, buying
up every dainty ^\^th borrowed money, he answers
that it is because he would not like to be thought
mean and of poor spirit. He is praised by some,
blamed by others. Fufidius, rich in lands, rich in
moneys laid out at usury, fears the repute of a
worthless prodigal ; five times the interest he shces
away from the principal," and the nearer a man is
to ruin, the harder he presses him ; he aims to get
notes-of-hand from youths who have just donned
the toga of manhood, and have stern fathers.
" Great Jove ! " who does not cry as soon as he
hears it ? " but surely he spends on himself in pro-
portion to his gains ? " You would hardly beheve

cent a year, but Fufidius charged five times that rate,
and took it in advance as in discounting, so that the sum
actually received by the borrower was only forty per cent
of the amount borrowed.

HORACE

quam sibi non sit amicus, ita ut pater ille, Terenti 20
fabula quern miserum gnato vixisse fugato
inducit, non se peius cruciaverit atque hie.

Si quis nunc quaerat " quo res haec pertinet ? " illue :
dum vitant stulti vitia, in contraria currunt.
Maltinus tunicis demissis ambulat ; est qui 25

inguen ad obscenum subductis usque^ facetus.
pastillos Rufillus olet, Gargonius hircum.
nil medium est. sunt qui nolint^ tetigisse nisi illas
quarum subsuta talos tegat instita veste :
contra alius nullam nisi olenti in fornice stantem. 30
quidam notus homo cum exiret fornice, " macte
virtute esto " inquit sententia dia Catonis :
" nam simul ac venas inflavit taetra libido,
huc^ iuvenes aequum est descendere, non alienas
permolere uxores." " nolim laudarier," inquit 35
" sic me," mirator cunni Cupiennius albi.

Audire est operae pretium, procedere recte
qui moechis non voltis, ut omni parte laborent,
utque illis multo corrupta dolore voluptas
atque haec rara'* cadat dura inter saepe pericla. 40
hie se praecipitem tecto dedit ; ille flagellis
ad mortem caesus ; fugiens hie decidit acrem
praedonum in turbam, dedit hie pro corpore nummos,
hunc perminxerunt calones ; quin etiam illud

^ Punctuation after usque, Vollmer.
• nolunt aD. ' hac, II. * rata E.

"In the Heauton Timorumenos, or Self-Tormentor, the
father, Menedemus, seized with remorse for his harshness
to his son CHnias, punishes himself with hard labour.

* i.e., married women who dress as such.

SATIRES, I. 11. 20-44

how poor a friend he is to himself, so that the fathei
whom Terence's play pictures as having lived in
misery after banishing his son, never tortured himself
worse than he."

^ Should one now ask, " What is the point of all
this ? " 'tis this : in avoiding a vice, fools run into
its opposite. Maltinus walks 'with his garments
trailing low ; another, a man of fashion, wears them
tucked up indecently as far as his waist. Rufillus
smells hke a scent-box, Gargonius Hke a goat.
There is no middle course. Some men would deal
onlv with women whose ankles are hidden by a robe
x^ith low-hanging flounce ; * another is found only
with such as Uve in a foul brothel. When from such
a place a man he knew was coming forth, " A
blessing on thy well-doing : " runs Cato's revered
utterance ; " for when shameful passion has swelled
the veins, 'tis well that young men come down hither,
rather than tamper with other men's wives." " I
should not care to be praised on that count," says
Cupiennius, an admirer of white-robed lechery.*'

^ It is worth your while ,'* ye who would have
disaster wait on adulterers, to hear how on every
side they fare ill, and how for them pleasure is marred
by much pain, and, rare as it is, comes oft amid
cruel perils. One man has thro^mi himself headlong
from the roof ; another has been flogged to death ;
a third, in his flight, has fallen into a savage gang
of robbers ; another has paid a price to save his hfe ;
another been abused by stable-boys ; nay, once it

* Roman matrons dressed usually in white.

* Cf. Ennius :

audire est operae pretium procedere recte
qui rem Romanam Latiumque augescere voltis.

HORACE

accidit, ut quidam testis caudamque salacem 43

demeteret ferro. " iure " omnes : Galba negabat.

Tutior at quanto merx est in classe secunda,
libertinarum dico, Sallustius in quas
non minus insanit quam qui moechatur. at hie^ si,
qua res, qua ratio suaderet, quaque modeste 50

munifico^ esse licet, vellet bonus atque benignus
esse, daret quantum satis esset, nee sibi damno
dedecorique foret. verum hoc se amplectitur uno,
hoc amat et laudat : " matronam nullam ego tango.'
ut quondam Marsaeus, amator Originis ille, 55

qui patrium mimae donat fundumque laremque,
" nil fuerit mi " inquit " cum uxoribus umquam

alienis."
verum est cum mimis, est cum meretricibus, unde
fama malum gravius quam res trahit. an tibi abunde
personam satis est, non illud quicquid ubique 60

officit evitare ? bonam deperdere famam,
rempatris oblimare, malum estubicumque. quid inter-
est in matrona, ancilla peccesne^ togata ?

Villius in Fausta Syllae gener, hoc miser uno
nomine deceptus, poenas dedit usque superque 65
quam satis est, pugnis caesus ferroque petitus,
exclusus fore, cum Longarenus foret intus.
huic si mutonis verbis mala tanta videnti

^ at ^ : ut most Mss. * munificum K*.

' -ve uss., Porph.

" Galba was at once an adulterer and (according to the
scholiasts) a iu7-is consultus.

* i.e. of adulterer. The reputation of adulterer would
come from association with matronae, but not with mere-
trices.

' Meretrices wore the toga {cf. v. 82), in contrast with the
slola, worn by matrons, cf. v. 71. The ancilla is a slave-
girl who had become a meretrix.
22

SATIRES, I. n. 45-68

so befell that a man mowed dovm. with the sword the

testicles and lustful member. " That's the law," cry
all, Galba dissenting."

*' But how much safer is trafficking in the second
class — with freedwomen, I mean ; after whom
Sallustius runs just as wild as an adulterer. Yet he, if
he wished to be good and generous, so far as his means
and reason would direct, and so far as one might be
liberal in moderation, would give a sum sufficient,
not such as would mean for him shame and ruin.
But no ; because of this one thing he hugs himself,
admires and plumes himself, because, says he, " I
meddle -with no matron." Just as was once said by
Marsaeus, Origo's well-known lover, who gave his
paternal home and farm to an actress : " Never may I
have dealings with other men's wives ! " But you have
with actresses and with courtesans, through whom
vour name loses more than does your estate. Or is it
enough for you to avoid. the role,'' but not the thing,
which in any case works harm ? To throw away
a good name, to squander a father's estate, is at
all times ruinous. What matters it, whether with
matron you offend, or with long-gowned maid " ?

^ Vilhus, son-in-law of Sulla, was punished richly
and more than enough because of Fausta <* — by this
name alone was the ^\Tetch misled — being smitten
with the fist, assailed with the sword, and shut out
of doors while Longarenus was within. If while
facing such evils a man's mind were thus to plead on

■* The reference is to a scandal of earlier days. Fausta,
dausrhter of Sulla, was the wife of Milo, but had other
lovers, among them Longarenus and Villius, who is called
Sullae gener in derision. Fausta's name indicates her noble
birth.

HORACE

diceret haec animus : " quid vis tibi ? numquid ego

a te
magno prognatum deposco consule cunnum 70

velatumque stola, mea cum conferbuit ira ? "
quid responderet ? " magno patre nata puella est."
at quanto meliora monet pugnantiaque istis
dives opis natura suae, tu si modo recte
dispensare velis ac non fugienda petendis 75

immiscere. tuo vitio rerumne labores,
nil referre putas ? quare, ne paeniteat te,
desine matronas sectarier,^ unde laboris
plus haurire mali est quam ex re decerpere fructus.
nee naagis huic inter niveos viridisque lapillos 80

(sit licet hoc, Cerinthe, tuum-) tenerum est femur aut

crus
rectius, atque etiam melius persaepe togatae est.^
adde hue quod mercem sine fucis gestat, aperte
quod venale habet ostendit, nee, si quid honesti est,
iactat habetque palam, quaerit quo turpia celet. 85
regibus hie mos est, ubi equos mercantur : opertos*
inspiciunt, ne, si facies, ut saepe, decora
molli fulta pede est, emptorem inducat hiantem,
quod pulchrae clunes, breve quod caput, ardua cervix,
hoc illi recte : ne corporis optima Lyncei^ 90

contemplere oculis, Hypsaea caecior ilia
quae mala sunt spectes. " o crus, o bracchia ! "

verum

^ sectari matronas aBD.

* Housman {J. P. vol. xxxv.) conjectures aesque, Corintlie.
tuum. ' est omitted, most uss.

* This verse begins a neic serino in some usa. For regibus
Kiessling conjectured Threcibus.

* lynceis EK.

SATIRES, I. II. 69-92

his passion's behalf ; " What wouldst thou ? Do I
ever, when my rage is at its worst, ask you for a dame
clad in a stola," the offspring of a great consul ? "
What would he answer ? " The girl is a noble father's
child." But how much better — how utterly at
variance ^^^th this — is the course that nature, rich in
her own resources, prompts, if you would only manage
wisely, and not confound what is to be avoided with
what is to be desired ! Do you think it makes no
difference, whether your trouble is due to your own
fault or to circumstances ? Wherefore, that you
mav have no reason to repent, cease to court matrons,
for thence one may derive pain and misery, rather
than reap enjoyment in the reality. Though this
may not be your opinion, Cerinthus, yet not softer or
finer are a woman's limbs amidst snowy pearls and
green emeralds — nay, often the advantage is with
tlie strumpet. She, moreover, presents her wares
>vithout disguise ; what she has for sale she openly
displays ; and if she has some charm, she does not
boastfully show it off, while carefully concealing all
unsightUness. This is the way with the rich when
they buy horses ; they inspect them covered, so
that if a beautiful shape, as often, is supported by a
tender hoof, it may not take in the buyer, as he
gapes at the comely haunches, the small head, the
stately neck. In this they act wisely. So do not
survey bodily perfections with the eyes of a Lynceus *
and be blinder than Hypsaea, when you gaze upon
deformities. '* What a leg ! what arms ! " you crj^,

" The stola was a long over-garment, caught in at the
waist by a girdle.

* The keen-sighted Argonaut. Nothing is known of the
blind Hypsaea.

HORACE

depugis, nasuta, brevi latere ac pede longo est.

matronae praeter faciem nil cernere possis,

cetera, ni Gatia est, demissa veste tegentis. 95

si interdicta petes, vallo circumdata (nam te

hoc facit insanum), multae tibi tum^ efficient^ res,

custodes, lectica, ciniflones, parasitae,

ad talos stola demissa et circumdata palla,

plurima quae invideant pure apparere tibi rem. 100

altera, nil obstat ; Cois tibi paene videre est

ut nudam, ne crure malo, ne sit pede turpi ;

metiri possis oculo latus. an tibi mavis

insidias fieri pretiumque avellier ante

quam mercem ostendi ? " leporem venator ut alta 105

in nive sectetur, positum sic tangere nolit,"

cantat et apponit " meus est amor huic similis ; nam

transvolat in medio posita et fugientia captat."

hiscine versiculis speras tibi posse dolores

atque aestus curasque gravis e pectore pelli^ ? 110

Nonne, cupidinibus statuat natura modum quem,

quid latura sibi, quid sit dolitura negatum,

quaerere plus prodest et inane abscindere* soldo ?

1 dum, 11. 2 officiunt <pyp\l.

3 tolli VBK. * abscedere B.

' A kind of transparent silk was made in the island of
Cos.

* Horace makes use of an epigram of the poet Callimacluis
(Anthologia Palatina, xii. 102), in which the lover is compared
to a hunter who will go to great trouble to catch game, but
scorns it when it is caught and lies outstretched upon the
ground (so Orelli). The Greek runs thus :

uypevTTis, 'EiriKides, iv oOpiffi iravTa \ay<abp
5i(pq. Kal nd<T7]s fxj'ta SopKaXldos,

SATIRES, I. 11. 93-113

but there are thin hips, a long nose, a short waist and
a long foot. In a matron one can see only her face,
for unless she be a Catia, her long robe conceals all
else. But if you seek forbidden charms that are
invested with a rampart — for this it is that drives you
crazy — many obstacles will then be in your way —
attendants, the sedan, hairdressers, parasites, the
robe dropping to the ankles, and, covered with a wTap,
a thousand things which hinder you from a clear
view. In the other — no obstacle. In her Coan silk "
vou may see her, almost as if naked, so that she
may not have a poor leg, an unsightly foot ; you may
measure her whole form with your eye. Or would
you rather have a trick played upon you and your
money extorted before the wares are shown ? The
gallant sings how ^ " the huntsman pursues the hare
mid the deep snow, but declines to touch it when
thus outstretched," and adds : " My love is like unto
this, for it passes over what is served to all, and chases
flying game." Do you suppose that ^vith verses
such as these, sorrow and passion and the burden of
care can be lifted from your breast ?

m Would it not be more profitable to ask what
limit nature assigns to desires, what satisfaction she
will give herself, what privation will cause her pain,
and so to part the "void" from what is "solid" P"^ Or,
when thirst parches your jaws, do you ask for cups of

ffTl/Sj (Cat Vl<p€Tl^ K€XpyiH^VOi' i)V 84 TtS fllTTI,

" TTJ, rdde §eji\i)Ta.i dijpiov," ovk fKa^ey.

Xciifibs Ipws Toioade' ra fuv tpevyovra. SiwKew

oT5e, TO. 8' (V /iUffO'ifi Keifieva xapTrireTai..

The positum sic represents roSe /S^/SXt/tcu dtiplov, while in medio

posita translates eV ixeaat^ Keifjieva.

' A reference to Epicurean physics, according to which the
universe is composed of "void" {inane) and "solid" atoms.

HORACE

num, tibi cum fauces urit sitis, aurea quaeris
pocula ? num esuriens fastidis omnia praeter 115
pavonem rhombumque ? tument tibi cum inguina,

num, si
ancilla aut verna est praesto puer, impetus in quem
continuo fiat, malis tentigine rumpi ?
non ego : namque parabilem amo Venerem facilem-

que. 119

illam " post paulo," " sed pluris," " si exierit vir,"
Gallis, hanc Philodemus ait sibi, quae neque magno
stet pretio neque cunctetur cum est iussa venire.
Candida rectaque sit ; munda hactenus, ut neque longa
nee magis alba velit quam dat^ natura videri.
liaec ubi supposuit dextro corpus mihi laevum, 125
Ilia et Egeria est ; do nomen quodlibet illi,
nee vereor^ ne, dum futuo, vir rure recurrat,
ianua frangatur, latret canis, undique magno
pulsa domus strepitu resonet, vepallida^ lecto
desiliat^ mulier, miseram se conscia clamet, 130

cruribus haec metuat, doti deprensa, egomet mi.
discincta tunica fugiendum est et pede nudo,
ne nummi pereant aut puga aut denique fama,
deprendi miserum est : Fabio vel iudice vincam.

1 det D. ^ metuo, //.

• vae pallida mss. : vepallida known to Acron : ne pallida
Bentley. * dissiliat, //.

« These were priests of Cybele, who mutilated themselves,
cf. the Attis of Catullus. Horace is here quoting and sum-
marizing an epigram by Philodemus, a Greek philosopher,
and a client of the L. Calpurnius PIso who was assailed bv

SATIRES, I. II. 114-134

gold ? When hungry, do you disdain everything
save peacock and turbot ? When your passions
prove unruly, would you rather be torn with desire ?
I should not, for the pleasures I love are those easy
to attain. " By and by," " Nay more," " If my
husband goes out " — a woman who speaks thus is
for the Galli," says Philodemus ; for himself he asks
for one who is neither high-priced nor slow to come
when bidden. She must be fair and straight, and
only so far arranged that she will not wish to seem
taller or fairer than nature allows. When she and I
embrace, she is to me an Iha or an Egeria '' : I give
her any name. No fears have I in her company, that
a husband may rush back fi-om the country, the door
burst open, the dog bark, the house ring through and
through with the din and clatter of his knocking ; that
the woman, white as a sheet, ^^^ll leap away, the maid
in league with her cry out in terror, she fearing for
her limbs, her guilty mistress for her dowry, and I for
myself. With clothes dishevelled and bare of foot,
I must run off, dreading disaster in purse or person or
at least repute. To be caught is an unhappy fate :
this I could prove, even with Fabius ' as umpire.

Cicero in his In Pisonem, where Philodemus is characterized
in 68 ff. The epigram is discussed bv G. L. Hendrickson
in A.J.P. xxxix. (1918) pp. 27 ff., and bv F. A. Wright,
xlii. (1921) pp. 168, 169.

* Ilia, mother of Romulus, and Egeria, the nymph who
inspired Numa, here represent women of highest rank.

* Cf. Sat. i. 1. 14. This writer on Stoicism is said to
have been detected in adultery.

ON MUTUAL FORBEARANCE

The connexion between this satire and the preceding
one is indicated at the outset, for the musician
Tigellius is again introduced as a person who well
illustrates the foibles and inconsistencies of a large
class of people. But, says Horace, some one may
ask me, " Have you yourself no faults ? " Yes, I
have, though they may not be as bad as his. I trust
I am not like Maenius, who laid bare the faults of
others, but overlooked his own. Self-satisfaction of
this sort well deserves to be satirized, A man should
examine liimself and search out his own faults before
criticizing others (l-37j.

Think how blind is the lover to the defects of his
beloved, or how tenderly a fond father treats his
child's deformities. Even so we should be indulgent
to the weaknesses of our friends. On the contrary,
we often look upon real virtues as faults, calling for
example modest behaviour stupidity, and simphcity
boorishness. We must exercise mutual forbearance
and also discriminate between failings, for a mere
impropriety is not as serious as a heinous crime
(38-95).

In fact the Stoic paradox that all offences are
equal, " omnia peccata paria esse " (Cicero, Dejinibus,
SO

SATIRES, I. III.

iv. 19. 55), besides being repugnant to common sense,
is historically unsound, our social ethics being the
result of a process of evolution. Yet your Stoic
would punish all offences alike, if he were a king
(96-124).

" If he were a king," did I say ? \VTiy, according
to another of his paradoxes, the Stoic is already a
king, even as he is rich and handsome and everything
else that is good. " Yes," he would explain, " I am
a king potentially, even as Hermogenes is a singer,
though he does not open his Hps." " Well," repUes
Horace, " I cannot see that your crown wins you
esteem or saves you from ill-treatment. For myself,
not being a philosopher, I will remain a private
citizen, and live on terms of mutual forbearance with
others " (124^142).

In striking contrast with Satire II., this one is
kindly and genial in tone, and it would seem that the
author was disarming criticism by his assurance that
he was not disposed to be over-censorious, as we learn
from 11. 63 fF. Horace has now become acquainted
with Maecenas, and this improvement in his worldly
prospects may to some extent account for the change
of tone, and the doffing of the severity of Lucihan
invective.

Omnibus hoc vitium est cantoribus, inter amicos
ut numquam inducant animum cantare rogati,
iniussi numquam desistant. Sardus habebat
ille Tigellius hoc. Caesar, qui cogere posset,
si peteret per amicitiam patris atque suam, non 5
quicquam proficeret ; si collibuisset, ab ovo
usque ad mala citaret " io Bacche^ ! " modo summa
voce, modo hac, resonat- quae chordis quattuor ima.
nil aequale homini fuit illi : saepe velut qui
currebat fugiens hostem, persaepe velut qui^ 10

lunonis sacra ferret ; habebat saepe ducentos,
saepe decem servos ; modo reges atque tetrarchas,
omnia magna loquens, modo " sit mihi mensa tripes et
concha salis puri et toga, quae defendere frigus
quamvis crassa queat." deciens centena dedisses 15
huic parco, paucis contento, quinque diebus
nil erat in loculis. noctes vigilabat ad ipsum
mane, diem totum stertebat. nil fuit umquam
sic impar sibi.

^ Bacchae BE. * resonet \p\l.

' B omits I. 10; see C.R. xxx. p. 15.

" A dinner opened with the gustatio or promulsis, supposed
to whet the appetite. In this eggs played a part. Fruit
was served as a dessert just as with us.

* The refrain of a drinking-song.

' Editors commonly take summa and ima as defining the
position of strings on the lyre, summa = vTrdrrj and ima =
vrirrj; the former therefore being "lowest," and the latter
" highest," and voce being " the note." But see Clement L
Spiith in C.B. xx. (1906) pp. 397 ff.

Satire III

All singers have this fault : if asked to sing among
their friends they are never so inclined ; if unasked,
they never leave off. That son of Sardinia, Tigellius,
was of this sort. If Caesar, who might have forced
him to comply, should beg him by his father's friend-
ship and his own, he could make no headway. If the
man took the fancy, then from the egg-course to the
fruit" he would keep chanting " lo Bacche ! "* now
with highest voice and now with one responding in
lowest pitch to the tetrachord." There was nothing
consistent in the fellow. Often he would run as if
fleeing from a foe ; very often he would stalk as
slowly as some bearer of Juno's holy offerings.''
Often he would keep two hundred slaves, often only
ten. Now he would talk of kings and tetrarchs,
everything grand, and now he'd say, " Give me a
three-legged table, a shell of clean salt, and a coat
that, however coarse, can keep out the cold." Sup-
pose you had given a milhon * to this thrifty gentle-
man, contented with so httle ; in a week there was
nothing in his pockets. All night, till da^vn, he
would stay awake ; all day would snore. Never
was a creature so inconsistent.

•* A reference to the Kavr]<pbpoi., or basket-bearers, who
in religious processions walked with slow and stately stride.

' i.e. sesterces. The sum in question would amount,
roughly speaking, to £10,000 or $50,000.

D 33

HORACE

Nunc aliquis dicat mihi : " quid tu ? 19
nullane habes vitia ? " inimo alia et fortasse minora.^
Maenius absentem Novium cum carperet, " heus tu "
quidam ait, " ignoras te, an ut ignotum dai-e nobis
verba putas ? " " egomet mi ignosco " Maenius

inquit.
stultus et improbus hie amor est dignusque notari.

Cum tua pervideas- oculis mala^ lippus inunctis, 25
cur in amicorum vitiis tarn cernis acutuni
quam aut aquila aut serpens Epidaurius ? at* tibi

contra
evenit, inquirant vitia ut tua rursus et illi.

Iracundior est paulo, minus aptus acutis^
naribus horum hominum ; rideri possit eo, quod 30
rusticius tonso toga defluit et male laxus
in pede calceus haeret : at est bonus, ut melior vir
non alius quisquam, at tibi amicus, at ingenium ingens
inculto latet hoc sub corpore.^ denique te ipsum
concute, num qua tibi vitiorum inseverit' olim 35
natura aut etiam consuetudo mala ; namque
neglectis urenda filix innascitur agris.

lUuc praevertamur, amatorem quod amicae*
turpia decipiunt caecum vitia, aut etiam ipsa haec
delectant, veluti Balbinum polypus Hagnae. 40

vellem in amicitia sic erraremus, et isti
errori nomen virtus^ posuisset honestum.

1 B omits I. 20.

2 praevideas Bentley. * male Bentley.

* ac Mss. * aduncis Bentley.

• pectore, //. ' insederit, IT. * amici, II.

• victus Housman, in J. P. xviii. p. 3.

" Epidaurus was famous for the worship of Aesculapius,
whose symbol was a serpent or Spd/cw;', a word supposed to
come from SdpKOfun, " to see. '
S4,

SATIRES, I. III. 19-42

1* Now someone may say to me : " What about
yourself ? Have you no faults ? " Why yes, but not
the same, and perhaps lesser ones. When Maenius
once was carping at Novius behind his back, " Look
out, sir," said someone, " do you not know yourself?
Or do you think you impose on us, as one we do not
know ? " "I take no note of myself," said Maenius.
Such self-love is foohsh and shameless, and deserves
to be censured.

^ When you look over your own sins, your eyes
are rheumy and daubed ^\'ith ointment ; why, when
you view the failings of yoiu: friends, are you as keen
of sight as an eagle or as a serpent of Epidaurus * ?
But, on the other hand, the result for you is that
they, too, in turn peer into your faults.

^ " He is a httle too hasty in temper, ill-suited to
the keen noses of folk nowadays. He might awake
a smile because his hair is cut in country style, his
toga sits ill, and his loose shoe will hardly stay on
his foot." * But he's a good man, none better ; but
he's your friend ; but under that uncouth frame are
hidden great gifts. In a word, give yourself a shaking
and see whether nature, or haply some bad habit,
has not at some time so^vn in you the seeds of folly ;
for in neglected fields there springs up bracken, which
you must burn.

^ Let us turn first to this fact, that the lover, in his
blindness, fails to see his lady's unsightly blemishes,
nay is even charmed with them, as was Balbinus
with Hagna's wen. I could wish that we made the
like mistake in friendship and that to such an error
our ethics had given an honourable name. At any

" The scholiasts sugrgest that this may be a description
either of Virgil or of Horace himself.

HORACE

at^ pater ut gnati, sic nos debemus amici^

si quod sit vitium non fastidire. strabonem

appellat paetum pater, et pullum, male parvus 45

si cui filius est, ut abortivus fuit olim

Sisyphus ; hunc varum distortis cruribus, ilium

balbutit scaurum pravis fultum male talis.

parcius hie vivit : frugi dicatur. ineptus

et iactantior hie paulo est : concinnus amicis 60

postulat ut videatur. at est truculentior atque

plus aequo liber : simplex fortisque habeatur.

caldior est : acris inter numeretur. opinor,

haec res et iungit, iunctos et servat amicos.

at nos virtutes ipsas invertimus atque 55

sincerum cupimus^ vas incrustare.* probus quis

nobiscum vivit, multum demissus homo : illi^

tardo cognomen, pingui, damus. hie fugit omnis

insidias nullique malo latus obdit apertum,

cum genus hoc inter vitae versemur,^ ubi acris 60

invidia atque vigent ubi crimina : pro bene sano

ac non incauto fictum astutumque vocamus.

simplicior quis et est qualem me saepe libenter

obtulerim tibi, Maecenas, ut' forte legentem

aut tacitum impellat^ quovis sermone molestus^ : 65

" communi sensu plane caret " inquimus. eheu,

1 at] ac BDEM Vollmer. ^ amicis B.

• fugrimus B : furimus Goth., Vollmer. * incurtare BDE.

' ille V. * versemur V Bentley : versetur mss.

' ut] aut or haut, //.
' impediat Bentley. Some editors punctuate after sermone.
* modestus, //.

" The pet names used, viz. paetus, pullus, varus, scaurus,
are all adjectives denoting a less objectionable form of the
defect referred to, but they were also cognomina in well-
known family names. " Paetus " is associated with the
Aelii and Papirii, " Pullus " with the Fabii and the lunii,
*' Varus " with the Quintilii, and " Scaurus " with the

SATIRES, I. III. 43-66

rate, we should deal with a friend as a father with
his child, and not be disgusted at some blemish. If a
boy squints, his father calls him " Blinky " ; if his
son is sadly puny, like misbegotten Sisyphus of
former days, he styles him " Chickabiddy." One
with crooked legs he fondly calls " Cruikshank," and
one that can hardly stand on twisted ankles, " Curly-
legs." <* Is a friend somewhat close ? Let us call
him thrifty. Does another fail in tact and show off
a bit too much ? He wants his friends to think him
agreeable. Or is he somewhat bluff and too out-
spoken ? Let him pass for frank and fearless. Hot-
headed is he ? Let him be counted a man of spirit.
This, I take it, is how to make friends, and to keep
them when made. But we turn virtues themselves
upside down, and want to soil a clean vessel. Does
there hve among us an honest soul, a truly modest
fellow ? We nickname him slow and stupid. Does
another shun every snare and offer no exposed side
to malice, seeing that we live in that kind of a world
where keen envy and slanders are so rife ? Instead
of his good sense and prudence we speak of his
craftiness and insincerity. Is one somewhat simple
and such as often I have freely sho^wTi myself to you,
Maecenas, interrupting you perhaps while reading
or thinking with some annoying chatter ? " He is
quite devoid of social tact," ^ we say. Ah, how
Aemilii and Aurelii. For the passage as a whole we may
compare Plato, Rep. v. 474 d, Lucretius, iv. 1160 fF., Ovid,
Ars Am. ii. 657 ; and among modern writers, Moliere,
Misanthrope, Act ii. Sc. 5, e.ff. " lis comptent les defauts
pour des perfections."

" The expression communis sensus does not mean precisely
the same as the phrase we have derived from it, viz. "common
sense." It is rather social sense, a sense of propriety in
dealing with our fellows, or what the French call savoir fair*.

HORACE

quam temere in nosmet legem sancimus iniquam !
nam vitiis nemo sine nascitur : optimus ille est,
qui minimis urgetur. amicus dulcis, ut aequum est,
cum mea compenset vitiis bona, pluribus hisce, 70
si modo plura mihi bona sunt, inclinet, amari
si volet : hac lege in trutina ponetur eadem.
qui ne tuberibus propriis ofFendat amicum
postulat, ignoscet^ verrucis illius : aequum est
peccatis veniam poscentem reddere rursus. 75

Denique, quatenus excidi penitus vitiumirae,^
cetera item nequeunt stultis haerentia, cur non
ponderibus modulisque suis ratio utitur, ac res
ut quaeque est, ita suppliciis delicta coercet ?
si quis eum servum, patinam qui tollere iussus 80
semesos piscis tepidumque ligurrierit ius,
in cruce suffigat, Labeone insanior inter
sanos dicatur. quanto hoc^ furiosius atque
maius peccatum est : paulum deliquit amicus,
quod nisi concedas, habeare insuavis : acerbus^ 85
odisti et fugis ut Rusonem debitor aeris,
qui nisi, cum tristes misero venere Kalendae,
mercedem aut nummos unde unde extricat, amaras
porrecto iugulo historias captivus ut audit,
comminxit lectum potus, mensave catillum 90

1 ignoscat B. * B omits 76-80.

^ hoc omitted EM : deleted in V.

* Some punctuate after acerbus ; so Orelli and Ritter.

" According to the Stoics only the ideal sage, the sapiens,
is excepted from the class of stulti. Horace places himself
in the majority. '' Labeo was a crazy jurisconsult.

« Ruso, the usurer, has literary aspirations and writes
histories. The fate of the debtor, who is in Ruso's power,
and must therefore listen while Ruso reads to him from his
works, is humorously regarded as most horrible. Cf.
Macaulay's story of the criminal, who went to the galleys
rather than read the history of Guicciardini. ("Burleigh

SATIRES, I. III. 67-90

lightly do we set up an unjust law to our own harm !
For no living wight is without faults : the best is he
who is burdened with the least. My kindly friend
must, as is fair, weigh my \irtues against my faults,
if he wishes to gain my love, and must turn the scales
in their favour as being the more numerous — if only
my virtues are the more numerous. On that con-
dition he shall be weighed in the same scale. One
who expects his friend not to be offended by his
o\\Ti warts will pardon the other's pimples. It is
but fair that one who craves indulgence for faihngs
should grant it in return.

"^ In fine, since the fault of anger, and all the
other faults that cleave to fools " cannot be wholly
cut away, why does not Reason use her own weights
and measures, and visit offences with punishment
suited to each ? If one were to crucify a slave who,
when bidden to take away a dish, has greedily licked
up the half-eaten fish and its sauce, now cold, sane
men would call him more insane than Labeo.* How
much madder and grosser a sin is this : a friend has
committed a slight offence, which you would be
thought ungracious not to pardon ; you hate him
bitterly and shun him, as Ruso is shunned by his
debtor, who, poor vvTctch, if at the coming of the sad
Kalends he cannot scrape up from some quarter
either interest or principal, must offer his throat like
a prisoner of war and hsten to his captor's dreary
histories ! * What if in his cups my friend has wet
the couch or knocked off the table a bowl once

and his Times" in Critical and Historical Essays.) Cf.
Juvenal's

mille pericula saevae
Tirbis et Augusto recitantes mense poetas

{Sat. ilL 8).

HORACE

Euandri manibus tritum deiecit^ : ob hanc rem,
aut positum ante mea^ quia puUum in parte catini
sustulit esuriens, minus hoc iucundus amicus
sit mihi ? quid faciam si furtum fecerit, aut si
prodiderit commissa fide sponsumve negarit ? 95

quis paria esse fere placuit peccata, laborant
cum ventum ad verum est : sensus moresque repug-
nant
atque ipsa Utilitas, iusti prope mater et aequl.

Cum prorepserunt primis animalia terris,
mutum et turpe pecus, glandem atque cubilia propter
unguibus et pugnis, dein fustibus, atque ita porro 101
pugnabant armis, quae post fabricaverat usus,
donee verba, quibus voces sensusque notarent,'
nominaque invenere ; dehinc absistere bello,
oppida coeperunt munire et ponere leges, 105

ne quis fur esset, neu latro, neu quis adulter,
nam fuit ante Helenam cunnus taeterrima belli
causa, sed ignotis perierunt mortibus illi,
quos venerem incertam rapientis more ferarum
viribus editior caedebat ut in grege taurus. 110

iura inventa metu iniusti fateare necesse est,
tempora si fastosque veils evolvere mundi.
nee Natura potest iusto secernere iniquum,
dividit ut bona diversis, fugienda petendis ;
nee vincet Ratio hoc, tantundem ut peccet idemque

^ proiecit B.

* me, //: B omits 92, as well as 95-100, and 111-124..

' quibus sensus, vocesque, notarent Housman {cf. Lucr.
V. 1041 /•.)

° i.e. of great antiquity and consequently very valuable.
^ This was a doctrine of the Stoics ; cf. Cicero, Be fin. iv.
19. 55, " recte facta omnia aequaiia, omnia peccata paria esse."

* Appeal is here made to the Epicureans, whose moral
philosophy rested on a distinctly utilitarian basis.

SATIRES, I. III. 91-116

fingered by Evander," is he for such offence, or
because when hungry he snatched up first a pullet
served on my side of the dish, to be less pleasing in
my eyes ? What shall I do if he commits a theft, or
betrays a trust, or disowns his bond ? Those whose
creed is that all sins are much on a par * are at a loss
when they come to face facts. Feelings and
customs rebel, and so does Expedience herself, the
mother, we may say, of justice and right."

^ When living creatures ** crawled forth upon
primeval earth, dumb, shapeless beasts, they fought
for their acorns and lairs vnth nails and fists, then
with clubs, and so on step by step with the weapons
which need had later forged, until they found words
and names ' wherewith to give meaning to their
cries and feehngs. Thenceforth they began to cease
from war, to build towns, and to frame laws that
none should thieve or rob or commit adultery. For
before Helen's day a wench was the most dreadful
cause of war, but deaths unknown to fame were
theirs whom, snatching fickle love in wild-beast
fashion, a man stronger in might struck down, like the
bull in a herd. If you will but turn over the annals
and records of the world, you must needs confess
that justice was born of the fear of injustice.-^ Between
right and \\Tong Nature can draw no such distinction
as between things gainful and harmful, what is to
be sought and what is to be shunned ; nor yriW
Reason ever prove this, that the sin is one and the

* The doctrine of the evolution of society, as here set
forth, is based on Lucretius, De rerum natura, v. 780 ff.

* Or " verbs and nouns," the two main divisions of human
speech. Cf. A. P. 2^-5.

* According to the utilitarian theory of ethics, the sense
of right and wrong is not innate in us.

HORACE

qui teneros caules alieni fregerit horti 116

et qui nocturnus sacra divum^ legerit. adsit

regula, peccatis quae poenas inroget aequas,

ne scutica dignum horribili sectere flagello.

nam ut ferula caedas meritum maiora subire 120

verbera non vereor, cum dicas esse pare* res

furta latrociniis et magnis parva mineris

falce recisurum simili te, si tibi regnum

permittant homines.

Si dives, qui sapiens est,
et sutor bonus et solus formosus et est rex, 125

cur optas quod habes ? " non nosti quid pater " inquit
" Chrysippus dicat : sapiens crepidas sibi numquam
nee soleas fecit ; sutor tamen est sapiens." qui^ ?
" ut quamvis tacet Hermogenes cantor tamen atque
optimus est modulator ; ut Alfenus vafer omni 130
abiecto instrumento artis clausaque taberna"*
tonsor'* erat, sapiens operis sic optimus omnis
est opifex solus, sic rex." vellunt tibi barbam
lascivi pueri ; quos tu nisi fuste coerces,
urgeris turba circum te stante miserque^ 135

rumperis et latras, magnorum maxime regum.

* divum sacra aK. '^ qui B : quo other mss.

» ustrina V. * tonsor V: sutor mss., Porph.

* Beginning with 135, B is lacking up to the end of Book
II. of the Epistles.

" For another interpretation see T. G. Tucker in C.R.
1920, p. 156.

" The sixth Stoic Paradox according to Cicero, is " solum
sapientem esse divitem." The Stoics held that the truly
wise man or philosopher was perfect : he was therefore
rich, as well as beautiful, accomplished, and a king among
men. Horace ridicules these claims here and elsewhere,

SATIRES, I. HI. 116-136

same to cut young cabbages in a neighbour's garden
and to steal by night the sacred emblems of the
gods. Let us have a rule to assign just penalties to
offences, lest you flay ^\ith the terrible scourge what
calls for the strap. For " as to your striking with the
rod one who deserves sterner measures, I am not
afraid of that, when you say that theft is on a par
with highway robbery, and when you threaten to
prune away all crimes, great and small, with the
same hook, if men would but give you royal power.

^^ If the wise man is rich,* and a good cobbler,
and alone handsome and a king, why crave what
you abeady have ? * " You do not know," he
answers, " what our father Chrysippus ** means.
The wise man has never made himself shoes or
sandals ; yet the wise man is a cobbler." How so ?
" As Hermogenes, however silent, is still the best of
singers and musicians ; as shrewd Alfenus, after
tossing aside every tool of his art and closing his
shop, was a barber * ; so the wise man — he alone —
is the best workman of every craft, so is he king."
Mischievous boys pluck at your beard, and unless you
keep them off with your staff, you are jostled by the
crowd that surrounds you, while you, poor wretch,
snarl and burst with rage, O mightiest of mighty

as in Epist. i. 1. 106. Cf. the account of the wise man of
the Stoics given in Plutarch, Mor. p. 1057, and for St. Paul's
application of the principle see 2 Cor. 6. 4-10.

* The Stoic has just admitted that he is not a king.

** Chrysippus was regarded as the second founder of
Stoicism, the first being Zeno.

• The reading tonsor is preferred to sutor. As the Stoic
tries to prove that the wise man is a cobbler, he naturally
turns elsewhere for illustrations, e.g. to Hermogenes the
musician, and to Alfenus the barber.

HORACE

ne longum faciam : dum tu quadrante lavatum
rex ibis neque te quisquam stipator ineptum
praeter Crispinum sectabitur, et mihi dulces
ignoscent, si quid peccaro stultus, amici, 140

inque vicem illorum patiar delicta libenter,
privatusque magis vivam te rege beatus.

" Like a Persian king, ^affiXein ^aaCKitav.
» C/. Sat. i. 1. 120.

SATIRES, I. III. 137-142

kings ! " In short, while you, a king, go to your pennj
bath, and no escort attends you except crazy Cris-
pinus,'' my kindly friends will pardon me if I, yovur
foolish man,*^ commit some offence, and in turn I
shall gladly put up with their shortcomings, and in
my private station shall live more happily than Your
Majesty,

' i^. stultus, as the Stoics used it, the opposite of sapiens.

A DEFENCE OF SATIRE

The writers of Old Attic Comedy assailed the vicioug
with the utmost freedom. In Roman literature,
Lucilius shows the same spirit and boldness, but his
metrical forms are different, and his verse is un-
couth. He was careless and verbose, more interested
in the quantity than in the quality of his work (1-13).

Similar in this last respect is Crispinus, who
challenges the poet to a scribbling contest, but
Horace decUnes to compete with such poetasters,
even as he refuses to emulate the self-satisfied
Fannius by reading his verses in public, because
this kind of writing is not popular. Men do not
like to have their weaknesses exposed. " Give such
a poet a wide berth," they cry (14-38).

" Listen to my defence," says Horace. " In the
first place, a man who composes verses as I do, verses
that are really more like conversation, should not be
called a poet. The true poet has imaginative power
and lofty utterance. This is why the question has been
raised whether comedy is poetry, for even in its most
spirited passages, as rendered on the stage, we are
really dealing with pure conversation, such as would
be suitable to similar scenes in daily life " (38-56).

" So it is with the verses of Lucilius and my own.
Take away the metrical element, change the word-
order, and you have plain prose. But the question
whether satire is poetry must be postponed. At
present let us consider the question of its un-
popularity " (56-65).
46

SATIRES, I. IV.

" You look upon me as an informer, but even if
you are a rogue I am no informer. My friends will
acquit me of such a charge. I am not writing for
the general public, and my object is not to give
pain. Yet it is my habit to observe the conduct of
others, and to profit thereby, for I was trained to
do so by my father, and have always continued the
practice. To be sure, I jot down my thoughts, but
what of that ? Nowadays everybody writes, and
you, my critic, ■willy-nilly, will take to ^vriting
yourself " (65-143).

On the appearance of his first Satires (and it is
to be noticed that the carefully chosen subjunctive
habeat in 1. 71 does not preclude their publication),
the poet's critics had accused Horace of being a
malevolent scandal-monger. They also contrasted
him unfavourably with Lucilius, who in his open war-
fare used the weapons of Old Comedy, was famihar
with the Greek moralists and philosophers, and had
the pen of a ready writer. In his reply, Horace
maintains that his own satire is not personal, but
rather social and general in its apphcation. He does
not indulge in the invective of Old Comedy, but
rather follows the New in spirit as well as in style.
His teacher in morals, if not a great philosopher {cf.
sapiens, 1. 115), was a representative of the fine, old-
fashioned Roman virtues, even his own father. As for
the copiousness of Lucihus, that was his predecessor's
chief fault, which he himself would carefully avoid.

This is one of the early Satires, and in \iew of the
citation in 1. 92 is to be associated closely with the
Second. As there is no reference to Maecenas, it
was probably composed before the poet's introduction
to the statesman in 38 b.c.

4.7

IV.

Eupolis atque Cratinus Aristophanesque poetae
atque alii, quorum comoedia prisca virorum est,
si quis erat dignus describi, quod malus ac fur,
quod moechus foret aut sicarius aut alioqui
famosus, multa cum libertate notabant. 5

hinc omnis pendet Lucilius, hosce secutus
mutatis tantum pedibus numerisque ; facetus,
emunctae naris, durus componere versus,
nam fuit hoc vitiosus : in hora saepe ducentos,
ut magnum, versus dictabat stans pede in uno ; 10
cum flueret lutulentus, erat quod tollere velles ;
garrulus atque piger scribendi ferre laborem,
scribendi recte : nam ut multum, nil moror, ecce,
Crispinus minimo me provocat : " accipe, si vis,
accipiam^ tabulas : detur^ nobis locus, hora, 15

custodes ; videamus uter plus scribere possit."
di bene fecerunt, inopis me quodque pusilh
finxerunt animi, raro et perpauca loquentis.
at tu conclusas hircinis follibus auras
usque laborantis, dum ferrum molliat ignis, 20

ut mavis, imitare.
^ accipe iam, 7, but not in harmony with hora. " dentur, II.

" For the emphasis on poetae (denied by Uliman, A. P. A.
xlviii. p. 115) see Epist. ii. 1. 247.
" Proverbial for " doing without effort."
' For Crispinus see Sat. i. 1. 120. He offers to bet a

Satire IV *^

Eupolis and Cratinus and Aristophanes, true poets,*

and the other good men to whom Old Comedy belongs,
if there was anyone deserving to be dra\vn as a rogue
and thief, as a rake or cut-throat, or as scandalous
in any other way, set their mark upon him with
_reat freedom. It is on these that Lucilius wholly
iiangs ; these he has followed, changing only metre
and rhythm. Witty he was, and of keen-scented
nostrils, but harsh in framing his verse. Herein lay
his fault : often in an hour, as though a great exploit,
he would dictate two hundred lines while standing,
as they say, on one foot.* In his muddy stream
there was much that you would like to remove. He
was wordy, and too lazy to put up with the trouble
if \\Titing — of writing correctly, I mean ; for as to
quantity, I let that pass. See, Crispinus challenges
ine at long odds " : " Take your tablets, please ;
111 take mine. Let a place be fixed for us, and time
md judges ; let us see which can write the most."
Ihe gods be praised for fashioning me of meagre
wit and lowly spirit, of rare and scanty speech !
I>ut do you, for such is your taste, be Uke the air
-hut up in goat-skin bellows, and ever puffing away
until the fire softens the iron.

large sum against a small one on my part. Bentley con-
jectured nummo for minimo, i.e. "bets me a sesterce," that
being all his poverty would allow.

E 49

HORACE

Beatus Fannius ultro

delatis capsis et imagine, cum mea nemo

scripta legat volgo recitare timentis ob hanc rem,

quod sunt quos genus hoc minime iuvat, utpote pluris

culpari dignos. quemvis media elige^ turba : 25

aut ob avaritiam^ aut miisera^ ambitione laborat.

hie nuptarum insanit amoribus, hie puerorum ;

hunc capit argenti splendor ; stupet Albius aere ;

hie mutat merces surgente a sole ad eum quo

vespertina tepet* regio ; quin per mala praeceps 30

fertur uti pulvis collectus turbine, ne quid

summa deperdat metuens aut ampliet ut rem :

omnes hi metuunt versus, odere poetas.

" faenum habet in cornu : longe fuge ! dummodo

risum

excutiat sibi, non hic^ cuiquam parcet amico ; 35

et quodcumque semel chartis illeverit, omnis

gestiet a furno redeuntis scire lacuque

et pueros et anus."

Agedum, pauca accipe contra.

primum ego me illorum, dederim quibus esse poetas,®

excerpam numero : neque enim concludere versum 40

dixeris esse satis ; neque, si qui scribat uti nos

sermoni propiora, putes hunc esse poetam.

^ erue K, Vollmer : eripe 3 Bland. : arripe Bentley.

2 ab avaritia, see lialfe, C P. vii. p. 246.

=* miser K, II. * patet, //.

* non non, //, adopted by Vollmer and Garrod.

• poetis R and scholia on Sat. i. 6. 25 : so Vollmer.

" Fannius, a petty poet, brought his writings (kept in
capsae or cylindrical boxes), together with his portrait, into
prominence, but in what way he did so is now unknown.
50

SATIRES, I. IV. 21-42

^ Happy fellow, Fannius, who has delivered his
books and bust unasked ! " My writings no one
reads, and I fear to recite them in pubhc, the fact
being that this style * is abhorrent to some, inasmuch
as most people merit censure. Choose anyone from
amid a crowd : he is suffering either from avarice
or some A;\Tetched ambition. One is mad with love
for somebody's wife, another for boys. Here is
one whose fancy the sheen of silver catches ; Albius "
dotes on bronzes ; another trades his wares from
the rising sun to regions warmed by his evening
rays ; nay, through perils he rushes headlong, like
dust gathered up by a whirlwind, fearful lest he lose
aught of his total, olKaitSo add to his wealth. All
of these dread verses and detest the poet : " He
carries hay on his horns,** give him a wide berth.
Provided he can raise a laugh for himself, he will
>pare not a single friend^^nd whatever he has once
scribbled on his sheets he will rejoice to have all
know, all the slaves and old dames as they come
home from bakehouse and pond." *

^ Come now, listen to a few words in answer.
First I will take my owti name from the list of such
as I would allow to be poets. For you would not
call it enough to round off a verse, nor would you
count anyone poet who WTites, as I do, Unes more

Probably he presented them to private libraries. At this
time the only public library in Rome was the one founded
by Asinius Pollio in 38 b.c, and the only living writer whose
works were admitted to it was Varro. Another view is that
Tannius's admirers presented the poet with book-cases and
bust. * i.e.f Satire.

' The extravagance of Albius impoverishes his son (1.109).

* Dangerous cattle were thus distinguished.

• i.e. the common people, as they went to get bread from
the public bakery and water from the public tanks. Agrippa
set up seven hundred locus or reservoirs in Ptome.

HORACE

ingenium cui sit, cui mens divinior atque os

magna sonaturum, des nominis huius honorem.

idcirco quidam Comoedia necne poema 43

esset quaesivere, quod acer spiritus ac vis

nee verbis nee rebus inest, nisi quod pede certo

differt sermoni, sermo merus. " at pater ardens

saevit, quod meretrice nepos insanus^ arnica

filius uxorem grandi^ cum dote recuset, 50

ebrius et, magnum quod dedecus, ambulet ante

noctem cum facibus." numquid Pomponius istis

audiret leviora, pater si viveret ? ergo

non satis est puris^ versum perscribere verbis,

quern si dissolvas, quivis stomachetur eodem 56

quo personatus pacto pater, his, ego quae nunc,

olim quae scripsit Lucilius, eripias si

tempora certa modosque, et quod prius ordine

verbum* est,
posterius facias, praeponens ultima primis,
non, ut si solvas " postquam Discordia taetra 60

Belli ferratos postis portasque refregit,"
invenias etiam disiecti membra poetao.

Hactenus haec : alias iustum sit necne poema,
nunc illud tantum quaeram, meritone tibi sit
suspectum genus hoc scribendi. Sulcius acer 66

ambulat et Caprius, rauci male cumque libellis,
magnus uterque timor latronibus : at bene si quis
et vivat puris manibus, contemnat utrumque.

' insanit, //. * grandem, //. ' pueris, //. * versum, II.

" Who Pomponius was is unknown, but in real life he
corresponds to the prodigal in the play, and the language
used by his father under the circumstances would be similar
to that in the scene from Comedy.

" The passage cited is from Ennius and refers to the
temple of Janus, which was opened in time of war. It
is imitated in Virgil, Aen. vii. 622.
52

SATIRES, I. IV. 43-68

p.kin to prose. If one has gifts inborn, if one has a
>oul divine and tongue of noble utterance, to such
give the honour of that name. Hence some have
questioned whether Comedy is or is not poetry ;
for neither in diction nor in matter has it the fire
and force of inspiration, and, save that it differs
from prose-talk in its regular beat, it is mere prose.
" But," you say, " there is the father storming in
passion because his spendthrift son, madly in love
with a wanton mistress, rejects a wife with large
dower, and in drunken fit reels abroad — sad scandal
— with torches in broad dayhght." Would Pom-
ponius hear a lecture less stern than this, were his
father ahve ? " And so 'tis not enough to write out
a line of simple words such that, should you break
it up, any father whatever would rage in the same
fashion as the father in the play. Take from the
verses which I am >vriting now, or which Lucilius
wrote in former days, their regular beat and rhythm
— change the order of the words, transposing the
first and the last — and it would not be hke breaking
up:

When foul Discord's din
War's posts and gates of bronze had broken in,

where, even when he is dismembered, you would find
the limbs of a poet.''

^ Of this enough. Some other time we'll see
whether this kind of \VTiting is true poetry or not.
To-day the only question I'll ask is this, whether
you are right in vie-vWng it with distrust. Keen-
scented Sulcius and Caprius stalk about, horribly
hoarse and armed with wTits, both a great terror to
robbers, but if a man is honest of life and his hands

HORACE

ut sis tu similis Caeli Birrique latronum,

non ego sim^ Capri neque Sulci : cur metuas me ? 70

nulla taberna meos habeat neque pila libellos,

quis manus insudet volgi Hermogenisque Tigelli ;

nec^ recito cuiquam nisi amicis, idque coactus,

non ubivis coramve quibuslibet. in medio qui

scripta foro recitent, sunt multi, quique lavantes : 75

suave locus voci resonat conclusus. inanis

hoc iuvat, haud illud quaerentis, num sine sensu,

tempore num faciant alieno.

" Laedere gaudes "
inquit,' "et hoc studio pravus facis." Unde petitum
hoc in me iacis ? est auctor quis denique eorum 80
vixi cum quibus ? absentem qui rodit amicura,
qui non defendit alio culpante, solutos
qui captat risus hominum famamque dicacis,
fingere qui non visa potest, commissa tacere
qui nequit : hie niger est, hunc tu, Romane, caveto. 85
saepe tribus lectis videas cenare quaternos,
e quibus unus* amet^ quavis aspergere cunctos
praeter eum qui praebet aquam ; post hunc quoque

potus,
condita cum verax aperit praecordia Liber.

^ sum Porph. * non, //. ' inquis M, 11. * imus, II.
* amet 1 Bland., Bentley : avet mss. ; a subjunctive is
necessary here.

" Sulcius and Caprius are commonly supposed to have
been professional informers, hoarse from bawling in the
courts, but Ullman {A. P. A. xlviii. p. 117) takes them to be
contemporary satirists, who recite their long-winded poems
and carry about copies for free distribution.

" For Tigellius see Sat. i. 3. 129. The scholiasts iden-
tify him with the Tigellius of Sat. i. 2. 3, and i. 3. 4,
and Ullman convincingly upholds this view {C.P. x. pp.
270 fF.). He was now dead, but Horace treats him as the
poet of the volgus. See note on Sat. i. 10. 90. Book-stalls

SATIRES, I. IV. 69-89

clean, he may scorn them both." Though you be
like Caelius and Birrius, the robbers, I need not be
like Caprius or Sulcius : why should you fear me ?
I want no stall or pillar to have my httle works,
so that the hands of the crowd — and Hermogenes
Tigellius * — may sweat over them. Nor do I recite
them to any save my friends, and then only when
pressed — not anywhere or before any hearers. Many
there are who recite their writings in the middle of
the Forum, or in the baths. How pleasantly the
vaulted space echoes the voice ! That delights the
frivolous, who never ask themselves this, whether
what they do is in bad taste or out of season.

'* " You hke to give pain," says one, " and you
do so with spiteful intent." \Miere have you found
this missile to hurl at me ? Does anyone whatever
with whom I have lived vouch for it ? The man
who backbites an absent friend ; who fails to defend
him when another finds fault ; the man who courts
the loud laughter of others, and the reputation of a
■wit ; who can invent what he never saw ; who cannot
keep a secret — that man is black of heart ; of him
beware, good Roman. Often on each of the three
couches you may see four at dinner," among whom
one loves to bespatter in any way everyone present
except the host who provides the water, and later
him as well, when he has well drunk and the truth
ful god of free speech ** unlocks the heart's secrets

were usually in arcades, the pillars of which were doubtless
used for advertising the books within. One may compare
the Parisian kiosques.

* Three was the usual number, so that this was a large
party. Cicero speaks of five as a great crush : Graeci
stipati, quini in lectulis {In Pis. 27. 67).

■* The god Liber was identified with Bacchus. Cf. the
proverbs oTvos koX dXddta (Alcaeus), and in vino Veritas.

HORACE

hie tibi comis et urbanus liberque videtur, 90

infesto nigris. ego si risi, quod ineptus
pastillos RufiUus olet, Gargonius hircum,
lividus et mordax videor tibi ? mentio si quac^
de Capitolini^ furtis iniecta Petilli
te coram fuerit, defendas ut tuus est mos : 95

" me Capitolinus convictore usus amicoque
a puero est, causaque mea permulta rogatus
fecit, et incolumis laetor quod vivit in urbe ;
sed tamen admiror quo pacto iudicium illud
fugerit." hie nigrae sucus lolliginis, haec est 100
aerugo mera. quod vitium procul afore cliartis
atque animo prius, ut^ si quid promittei'e de me
possum aliud vere, promitto.

Liberius si
dixero quid, si forte iocosius, hoc mihi iuris
cum venia dabis. insuevit pater optimus hoc me, 105
ut fugerem exemplis vitiorum quaeque notando.
cum me hortaretur, parce frugaliter atque
viverem uti contentus eo, quod mi ipse parasset :
" nonne vides, Albi ut male vivat filius, utque
Baius inops ? magnum documentum, ne patriam rem
perdere quis veht." a* turpi meretricis am ore 111
cum deterreret : " Scetani dissimilis sis."
ne sequerer moechas, concessa cum venere uti
possem : " deprensi non bella est fama Treboni,"

* qua KM, II. ^ capitolinis DE, II.

' animo, prius ut, ( = ut prius) Housman. * aut E, II: at M.

" Cited from Sat. i. 2. 27. Hie in 1. 90 is Lucilius, who
must have described such a banqueting-scene (11. 86-89) in
the first person. See Sat. i. 10. (55, and note.

* The crime of which Petillius is said to have been
accused, that of stealing the gold crown of Jupiter on the
Capitol, was a proverbial one, as is seen from the allusions

SATIRES, I. IV. 90-114

Such a man you think genial and witty and frank
— you who hate the black of heart. As for me, if I
have had my laugh because silly " RufiUus smells
like a scent-box, Gargonius like a goat," " do you
think I am a spiteful, snappish cur ? If in your
presence somebody hinted at the thefts of Petillius
Capitolinus, you would defend him after ^o«r fashion :
" Capitohnus has been a comrade and friend of
mine from boyhood ; much has he done to serve
me when asked, and I rejoice that he is ahve and
out of danger here in Rome — but still I do wonder
how he got out of that trial." '' Here is the very
ink of the cuttlefish ; here is venom unadulterate.
That such malice shall be far from my pages, and
first of all from my heart, I pledge myself, if there
is aught that I can pledge with truth.

^^^ If in my words I am too free, perchance too
hght, this bit of liberty you ^\^ll indulgently grant me
'Tis a habit the best of fathers taught me, for, to
enable me to steer clear of follies, he would brand them,
one by one, by his examples." Whenever he would
encourage me to live thriftily, frugally, and content
with what he had saved for me, " Do you not see," he
would say, " how badly fares young Albius,** and how
poor is Baius ? A striking lesson not to waste one's
patrimony ! " When he would deter me from a vulgar
amour, " Don't be like Scetanus." And to prevent me
from courting another's wife, when I might enjoy
a love not forbidden, " Not pretty," he would say,

to it in Plautus, e.g. Trinummus 83, Menaechmi 941. The
cognomen Capitolinus gave a handle to his assailants.

' The hoc of 1. 105 refers to Horace's freedom of speech
(liberius si dixero), while the clause tU fugerem expresses
the father's purpose with notando.

" Cf. 1. 28 above.

HORACE

aiebat. " sapiens, vitatu quidque petitu 115

sit melius, causas reddet tibi : mi satis est, si
traditum ab antiquis morem servare tuamque,
dum custodis eges, vitam famamque tueri
incolumem possum ; simul ac duraverit aetas
membra animumque tuum, nabis sine cortice." sic me
formabat puerum dictis, et sive iubebat, 121

ut facerem quid, " habes auctorem quo facias hoc,"
unum ex iudicibus selectis^ obiciebat ;
sive vetabat, " an hoc inhonestum et inutile factu^
necne sit addubites, flagret rumore malo cum 125

hie atque ille ? " avidos' vicinum funus ut aegros
exanimat mortisque metu sibi parcere cogit,
sic teneros animos aliena opprobria saepe
absterrent vitiis.

Ex hoc ego sanus ab illis,
perniciem quaecumque ferunt, mediocribus et quis 130
ignoscas^ vitiis teneor. fortassis et istinc
largiter abstulerit^ longa aetas, liber amicus,
consilium proprium ; neque enim, cum lectulus aut me
porticus excepit, desum mihi : " rectius hoc est :
hoc faciens vivam melius : sic dulcis amicis 135

occurram : hoc quidam non belle : numquid ego illi
imprudens olim faciam simile ? " haec ego mecum
compressis agito labris ; ubi quid datur oti,

> electis M, II : electi E. ^ factum aDEM.

' vides, //. * ignoscat, IT. * abstulerint aDEM.

" A reference to the list of jurors, men of high character,
annually empanelled by the praetor to serve in the trial
of criminal cases.

SATIRES, I. IV. 115-138

is the repute of Trebonius, caught in the act. Your
philosopher \v\\\ give you theories for shunning or
seeking this or that : enough for me, if I can uphold
the rule our fathers have handed down, and if, so
long as you need a guardian, I can keep your health
and name from harm. WTien years have brought
strength to body and mind, you will swim without
the cork." With words like these would he mould
my boyhood ; and whether he were advising me
to do something, " You have an example for so
doing," he would say, and point to one of the special
judges ; " or were forbidding me, " Can you doubt
whether this is dishonourable and disadvantageous
or not, when so and so stands in the blaze of ill
repute ? " As a neighbour's funeral scares gluttons
when sick, and makes them, through fear of death,
careful of themselves, so the tender mind is oft
deterred from vice by another's shame.

^29 Thanks to this training I am free from vices
which bring disaster, though subject to lesser frailties
such as you would excuse. Perhaps even from these
much will be withdrawn by time's advance, candid J
finends, self-counsel ; for when my couch welcomes \^\^
me or I stroll in the colonnade,* I do not fail myself:
" This is the better course : if I do that, I shall fare
more happily : thus I shall delight the friends I meet :
that was ugly conduct of so and so : is it possible that
some day I may thoughtlessly do anything hke that?"
Thus, with lips shut tight, I debate with myself;
and when I find a bit of leism-e, I trifle with my

* The colonnades, or porticoes, were a striking archi-
tectural feature of ancient Rome, and much used for
promenading in. The lectulus was an easy couch for
reclining upon while reading, corresponding to our com-
fortable arm-chairs.

HORACE

illudo^ chartis. hoc est mediocribus illis

ex vitiis unum : cui si concedere nolis, 140

multa poetarum*veniat^ manus, auxilio quae

sit mihi (nam multo plures sumus), ac veluti te

ludaei cogemus in hanc concedere turbam.

^ incumbo, // : Rohl conjectures includo.
* veniet Acron, Bentley.

" Horace toys with his papers by jotting down his random
thoughts.

* For the eagerness of the Jews to proselytize cf. St.
Matthew xxiii. 15.

« Among the numerous articles that contain a discussion
of this Satire, reference may be made to the following : —

SATIRES, I. IV. 139-143

papers." This is one of those lesser frailties I spoke
of, and if you should make no allowance for it, then
would a big band of poets come to my aid — for we
are the big majority — and we, like the Jews,'' will
compel you to make one of our throng."

G. L. Hendrickson, " Horace, Sermones i. 4. A Protest
and a Programme," A. J. P. xxi. pp. 121 if.; "Satura
— the Genesis of a Literary Form," C.P. vi. pp. 129 If. ;

Charles Knapp, "The Sceptical Assault on the Roman
Tradition concerning the Dramatic Satura," A.J.P.
xxxiii. pp. 125 flF. ;

H. R. Fairclough, " Horace's View of the Relations
between Satire and Comedy," A.J.P. xxxiv. pp. 183 flf. ;

B. L. Ullman, "Horace on the Nature of Satire," A.P.A.
xlviiL pp. Ill ff.; "Dramatic Satura," CJ*. ix. pp. 1 ff.

A JOURNEY TO BRUNDISIUM

This Satire is modelled upon one by Lueilius, who in
his third book had described a journey from Rome to
Capua and thence to the Sicilian straits.

Horace's journey was associated with an embassy
on which Maecenas and others were sent in 38 b.c.
by Octavian, to make terms with Marcus Antonius,
who, notwithstanding the so-called treaty of Brundi-
sium, made between the rivals of two years earlier,
was again somewhat estranged.

The travellers left Rome by the Appian Way, and
made a night-journey from Appii Forum to Anxur
by canal-boat through the Pomptine marshes. From
Capua their road took them over the Apennines into
the Apulian hill-country of Horace's birth, whence
they passed on to Italy's eastern coast, reaching
Brundisium in fifteen days. The journey had been
pursued in a leisurely fashion, for if necessary it might
have been covered in less than half that time.

Although the mission of Maecenas was a political
one, Horace steers clear of political gossip. The
account reads like a compilation of scanty notes from
a diary, and yet leaves a delightful impression about
the personal relations of men distinguished in htera-
ture and statesmanship. Some of the character-
62

SATIRES, I. V.

istics of the sketch are doubtless due to Horace's
adherence to the satiric type. Thus the encounter
of the two buffoons (51-69) is a dramatic scene, treated
in a mock-heroic fashion, where the comparison made
between Sarmentus and a unicorfa recalls the Lucilian
description of a rhinoceros with a projecting tooth,

dente adverse eminulo hie est
rinoceros

(117f. ed. Marx.)

while the four disfiguring lines (82-85) are parallel to
a similar incident recorded by LuciUus. This close
dependence of Horace upon Lucihus throughout is
clearly sho^vn both by Lejay, in his introduction to
this Satire, and by Fiske in his LuciUus and Horace,
pp. 306 ff.

Professor Tenney Frank, in Classical Philology,
XV. (1920) p. 393, has made the plausible suggestion
that Heliodorus, the rhetor, Graecorum longe doctis-
simus, of 11. 2 and 3, is really Apollodorus, who was
chosen by Julius Caesar to be the teacher of Octa\ian,
and who is called by Wilamowitz " the founder of
the classical scliool of Augustan poetry." The name
Apollodorus cannot be used in hexameters, and
Hehos would be an easy substitution for Apollo.
This scholar would have been a not unworthy mem-
ber of the distinguished literary group who accom-
panied Maecenas to Brundisium.

Egressum magna me accepit^ Aricia Roma
hospitio modico ; rhetor comes Heliodorus,
Graecorum longe^ doctissimus : inde Forum Appi,
differtum nautis, cauponibus atque malignis.
hoc iter ignavi divisimus, altius ac nos fi

praecinctis unum : minus est gravis Appia tardis.
hie ego propter aquam, quod erat deterrima, ventri
indico bellum, cenantis haud animo aequo
expectans comites.

lam nox inducere terris
umbras et caelo difFundere signa parabat. 10

tum pueri nautis, pueris convicia nautae
ingerere : " hue appelle ! " " trecentos inseris."

" ohe,
iam satis est." dum aes exigitur, dum mula hgatur,
tota abit hora. mah culices ranaeque palustres
avertunt somnos, absentem ut^ cantat amicam 16
multa prolutus vappa nauta atque viator
certatim. tandem fessus dormire viator
incipit ac missae pastum retinacula mulae

^ excepitZ), 11. * linguae K,IL ' ut omitted by CDK.

" The " Market of Appius," for which see Acts xxviii. 15,
was at the head of the canal which ran through the Pomptine
marshes to Feronia.

* i.e. from Rome to Appii Forum, nearly forty miles. The
phrase altius praecinctis means literally "higher girt," of.
the Biblical " gird up your loins."
64

Satire V >^

Leaving mighty Rome, I found shelter in a modest
inn at Aricia, having for companion Heliodorus the
rhetorician, far most learned of all Greeks. Next
came Appii Forum," crammed with boatmen and
stingy tavern-keepers. This stretch '' we lazily cut
in two, though smarter travellers make it in a single
day ; the Appian Way is less tiring, if taken slowly.
Here owing to the water, for it was \-illainous, I
declare war against my stomach, and wait impatiently
while my companions dine.

' Already night was beginning to draw her curtain
over the earth and to sprinkle the sky with stars.
Then slaves loudly rail at boatmen, boatmen at
slaves : " Bring to here ! " " You're packing in
hundreds ! " " Stay, that's enough ! " What with
collecting fares and harnessing the mule " a whole
hour shps away. Cursed gnats and frogs of the fens
drive off sleep, the boatman, soaked in sour wine,
singing the while of the girl he left behind, and a
passenger <* taking up the refrain. The passenger
at last tires and falls asleep, and the lazy boatman

• The mule was to pull the boat through the canal.

"* Some take viator to mean a driver of the mule along
the tow-path, but, according to 11. 18, 19, it would seem to
be the boatman who drives the mule and who drops his
work to take a nap on the bank.

jr 65

HORACE

nauta piger saxo religat stertitque supinus.

iamque dies aderat, nil cum procedere lintrem 20

sentimus, donee cerebrosus prosilit unus

ac mulae nautaeque caput lumbosque saligno

fuste dolat.

Quarta vix demum exponimur hora.
ora manusque tua lavimus, Feronia, lympha.
milia turn pransi tria repimus atque subimus 25

impositum saxis late candentibus Anxur.
hue venturus erat Maecenas optimus atque
Cocceius, missi magnis de rebus uterqu&
legati, aversos soliti componere amicosf
hie oculis ego nigra meis collyria lippus 30

illinere. interea Maecenas advenit atque
Cocceius Capitoque simul Fonteius, ad unguem
factus homo, Antoni non ut magis alter amicus.

Fundos Aufidio Lusco praetore libenter
linquimus, insani ridentes praemia scribae, 35

praetextam et latum clavum prunaeque vatillum.
in Mamurrarum lassi deinde urbe manemus,
Murena praebente domum, Capitone culinam.
postera^ lux oritur multo gratissima : namque
Plotius et Varius^ Sinuessae Vergiliusque 40

occurrunt, animae qualis neque candidiores
terra tulit, neque quis me sit devinctior alter.

^ proxima a. * varus K, II.

<» The word soliti implies at least one previous experience
of this sort and probably refers to the treaty of Brundisium,
40 B.C.

* The Latin expression involves a metaphor from sculpture,
for the artist would pass his finger-nail over the marble, to
test the smoothness of its joints.

« The chief official at Fundi was doubtless an aedile

SATIRES, I. V. 19-42

turns his mule out to graze, ties the reins to a stone,
and drops a-snoring on his back. Day was now
da\vning when we find that our craft was not under
way, until one hot-headed fellow jumps out, and >vith
willow cudgel bangs mule and boatman on back and
head.

23 At last, by ten o'clock we are barely landed,
and wash face and hands in thy stream, Feronia.
Then we breakfast, and crawhng on three miles
chmb up to Anxur, perched on her far-gleaming
rocks. Here Maecenas was to meet us, and noble
Cocceius, envoys both on business of import, and old
hands at setthng feuds between friends." Here I
put black ointment on my sore eyes. Meanwhile
Maecenas arrives and Cocceius, and with them
Fonteius Capito, a man without flaw,* so that Antony
has no closer friend.

^ Fundi, \nth its "praetor"" Aufidius Luscus, we
quit with delight, laughing at the crazy clerk's gew-
gaws, his bordered robe, broad stripe, and pan of
charcoal. Next, wearied out we stop in the city
of the Mamurrae,"* Murena proxiding shelter and
Capito the larder. Most joyful was the morrow's
rising, for at Sinuessa there meet us Plotius, Varius,
and Virgil, whitest souls earth ever bore, to whom
none can be more deeply attached than I. O the

but as he gave himself airs, Horace dubs him " praetor."
Aufidius, Uke Horace himself, had once been a humble
tcriba at Rome. In his present exalted position he wears
a toga with a purple border, and a tunic with a broad purple
stripe. Burning charcoal is carried before him, probably
in case some ceremonial sacrifice is seen to be appropriate
on the occasion of this visit of Maecenas.

"* Mamurra, a notorious favourite of Julius Caesar, came
from Formiae.

HORACE

o qui complexus et gaudia quanta fuerunt !
nil ego contulerim^ iucundo sanus amico.

Proxima Campano ponti quae villula, tectum 45
praebuit, et paroehi quae debent ligna salemque.
hinc muli Capuae clitellas tempore ponunt.
lusum it Maecenas, dormitum ego Vergiliusque :
namque pila lippis inimicum et ludere crudis.
hinc nos Coccei recipit plenissima villa, 50

quae super est Caudi^ cauponas.

Nunc mihi paucis
Sarmenti scurrae pugnam Messique Cicirri,
Musa, velim memores, et quo patre natus uterque
contulerit litis. Messi clarum genus Osci ;
Sarmenti domina exstat : ab his maioribus orti 55
ad pugnam venere. prior Sarmentus : " equi te
esse feri similem dico." ridemus, et ipse
Messius " accipio," caput et movet. " o tua cornu
ni foret exsecto frons," inquit, " quid faceres, cum
sic mutilus minitaris^ ? " at illi foeda cicatrix 60
saetosam laevi frontem turpaverat oris.
Campanum in morbum, in faciem permulta iocatus,
pastorem saltaret uti Cyclopa rogabat : '

nil illi larva* aut tragicis opus esse cothurnis
^ praetulerim C.
• caudi BK Porph. : claudi most itss.
• miniteris DEM. * barba DR.

« The villula was probably a small house built for the
convenience of persons travelling on public business, where
officers were stationed whose duty it was to provide ordinary
necessaries. For these officers Horace uses a Greek word
(paroehi from irap^x^tv), the regular Latin word, according
to Porphyrio, being copiarii.

* In mock-heroic style Horace describes a battle of wit
between two buffoons, one of whom, Sarmentus, is a freed-
man of Maecenas, while the other, Cicirrus, or " game-cock,"
is of the native Oscan stock of Samnium.

Satires, i. v. 43-64

embracing ! O the rejoicing ! Nothing, so long as
I am in my senses, would I match \\ith the joy
a friend may bring.

•* The little house close to the Campanian bridge
put a roof above our heads, and the state-purveyors,"
as in duty bound, furnished fuel and salt. Next,
at Capua, our mules lay aside their saddle-bags at
an early hour. Maecenas goes off to ball-playing,
V'irgil and I to sleep, for such play is hard on the
sore-eyed and the dyspeptic. Another stage, and we
are t^en in at the well-stocked villa of Cocceius,
lying above the inns of Caudium.

^^ Now, O Muse, recount in brief the contest of
Sarmentus the jester and Messius Cicirrus, and the
lineage of the two who engaged in the fray.* Messius
was of famous stock, an Oscan ; the mistress of
Sarmentus is still hving : from such ancestry sprung,*
they entered the lists. And first Sarmentus : " You,
I say, are Uke a wild horse." We laugh, and Messius
himself, " I grant you," and tosses his head. " Oh ! '
says Sarmentus, " if only the horn had not been cut
out of your forehead, what would you do, when you
can threaten, thus dehorned ? " Now an unsightly
scar had disfigured the left side of his bristly brow.
With many a joke on his Campanian disease •* and
on his face, he begged him to dance the Cyclops
shepherd-dance : he would need neither mask nor

• The scholiast on Juvenal, Sat. v. 3, tells us that a certain
Sarmentus had been a slave, who on the proscription and
death of his master Favonius had been bought by Maecenas
and set free. If the Sarmentus of this scene is the same
man, the domina is the widow of Favonius.

■ The scholiast in Cruquius explains this of warts, which
left scars when removed.

HORACE

multa Gicirrus ad haec : donasset iamne catenam 65
ex voto Laribus, quaerebat ; scriba quod esset,
nilo deterius dominae^ ius esse ; rogabat
denique, cur umquam fugisset, cui satis una
farris libra foret, gracili sic tamque pusillo.
prorsus iucunde cenam producimus illam. 70

Tendimus hinc recta^ Beneventum ; ubi sedulus
hospes
paene macros arsit dum turdos versat in igni ;
nam vaga per veterem dilapso^ flamma culinam
Volcano summum properabat lambere tectum,
convivas avidos cenam servosque timentis 76

tum rapere atque omnis restinguere velle videres.

Incipit ex illo montis Apulia notos
ostentare mihi, quos torret* Atabulus et quos
numquam erepsemus, nisi nos vicina Trivici
villa recepisset, lacrimoso non sine fumo, 80

udos cum foliis ramos urente camino.
hie ego mendacem stultissimus usque puellam
ad mediam noctem exspecto : somnus tamen aufert
intentum veneri ; tum immundo somnia visu
nocturnam vestem maculant ventremque supinom. 85

Quattuor hinc rapimur viginti et milia raedis,
mansuri oppidulo, quod versu dicere non est,
signis perfacile est : venit vilissima rerum
hie aqua ; sed panis longe pulcherrimus, ultra
callidus ut soleat umeris portare viator. 90

^ domini C. ^ recte D, //.

» delapso CK, II. * terret CE.

' Altino is to-day the local Apulian term for the hot
scirocco, which Horace calls the " Atabulus."

'' The name is not recorded, at least correctly, but Horace
has in mind a passage in Lucilius, viz. :

SATIRES, I. V. 65-90

tragic buskin. Much had Cicirrus to say to this.
Had he yet, he inquired, made a votive offering of
his chain to the Lares ? Clerk though he was, yet
his mistress's claim was not less strong. At the
last he asked why he had ever run away, since a
pound of meal was enough for one so lean and so
puny. Right merrily did we prolong that supper.

'^ Thence we travel straight to Beneventum, where
our bustling host was nearly burned out while turning
lean thrushes over the fire. For as Vulcan slipped
out through the old kitchen the vagrant flame
hastened to hck the roof. Then you might have seen
the hungry guests and frightened slaves snatching
up the dinner, and all trying to quench the blaze.

" From this point Apulia begins to show to my
eyes her familiar hills, which the Altino " scorches,
and over which we had never crawled had not a \'illa
near Trivicum taken us in, but not without smoke
that brought tears, as green wood, leaves and all,
was burning in the stove. Here I, utter fool that I
am, await a faithless girl right up to midnight.
Then, after all, sleep carries me off still thinking
upon love, and evil dreams assail me.

®* From here we are whirled in carriages four and
twenty miles, to spend the night in a little to-WTi I
cannot name in verse, though 'tis quite easy to
define it by tokens.* Here water, nature's cheapest
product, is sold, but the bread is far the best to be
had, so that the kno^^ing traveller is wont to shoulder

servorum est festus dies hie
quern plane hexametro versu non dicere possis

(vi. 228, ed. Marx),
"This is the slaves' festal day, which one cannot freely
name in hexameter verse."

HORACE

nam Canusi lapidosus (aquae non ditior urna),
qui locus a forti Diomede est conditus olim.^
flentibus hinc Varius discedit maestus amicis.

Inde Rubos fessi pervenimus, utpote longum
carpentes iter et factum corruptius imbri. 95

postera tempestas melior, via peior ad usque
Bari moenia piscosi. dein^ Gnatia lymphis
iratis exstructa dedit risusque iocosque,
dum flamma sine tura liquescere limine sacro
persuadere cupit. credat^ ludaeus Apella, 100

non ego : namque deos didici securum agere aevum,
nee, si quid miri faciat natura, deos id
tristis ex alto caeli demittere* tecto.
Brundisium longae finis chartaeque viaeque est.

* Line 92 was deleted by Bentley. * dehinc, //.

» credet CK Goth. « dimittere BE.

" This implies that Gnatia had no springs. Pliny (N.H. ii.
Ill) mentions the miracle of wood, placed on a sacred stone,
taking fire spontaneously. The stone would seem to have
been at the entrance of a temple.

* The Jews, who were very numerous in Rome under

7«

SATIRES, I. V. 91-104

a load for stages beyond ; for at Caniisium, a place
founded long ago by brave Diomede, it is gritty,
and as to water, the town is no better off by a
jugful. Here Varius leaves us, to the grief of his
weeping friends.

^* Thence we come to Rubi, very weary after
covering a long stage much marred by the rain.
Next day's weather was better, but the road worse,
right up to the walls of Barium, a fishing town.
Then Gnatia, built under the wrath of the water-
nymphs," brought us laughter and mirth in its effort
to convince us that frankincense melts v\"ithout fire
at the temple's threshold. Apella, the Jew,^ may
beheve it, not I ; for I " have learned that the gods
lead a care-free life," * and if Nature works any
marvel, the gods do not send it dovvn from their
heavenly home aloft when in surly mood ** ! Brun-
disium is the end of a long story and of a long joiurney.

Augustus, were regarded by the Romans as peculiarly
superstitious.

* Horace is quoting from Lucretius, De rerum not. ▼. 82.

* Horace uses tristis of the gods as Virgil speaks of
Charon as tristis, Aen. \\. 315.

ON SOCIAL AND POLITICAL AMBITION

This Satire, addressed to the poet's patron, is mainly
autobiographical. Horace, now an intimate friend
of Maecenas, has become an object of suspicion and
envy to many people whose social and pohtical
aspirations were unsatisfied. He therefore disclaims
such ambition for himself, sets forth the principles
upon which Maecenas chooses his friends, and pays
a noble tribute to his o^ti father, to whom he is
indebted for all that he is, both in character and
education. Himself the son of a freedman, he has
no wish to change places with a man of patrician
birth. As it is, he lives a simple and care-free life,
and is far more happy than if he had the burden of
noble ancestry on his shoulders.

As this interesting Satire contains no allusion to
the Sabine farm, it was probably composed before
33 B.C., the year when Maecenas presented him
with the estate. In its subject and treatment it is
to be grouped with the third, fourth, and tenth
Satires. It is at once a defence of Maecenas, who
did not look down upon men of lowly birth, and of
the poet himself, who is not ashamed of his hiunble
origin, but is proud of his freedman father, who had
given him the intellectual and moral training which
won for him a place in the circle of his patron.

For the influence of LuciUus upon this Satire see
Introduction C.

VT.

Non quia, Maecenas, Lydorum quidquid Etruscos
incoluit finis, nemo generosior est te,
nee quod avus tibi maternus fuit atque paternus,
olim qui magnis legionibus imperitarent,^
ut plerique solent, naso suspendis adunco 6

ignotos,2 ut^ me libertino patre natum.*

Cum referre negas quali sit quisque parente
natus, dum ingenuus, persuades hoc tibi vere,
ante potestatem Tulli atque ignobile regnum
multos saepe viros nullis maioribus ortos 10

et vixisse probos, amplis et honoribus auctos ;
contra Laevinum, Valeri genus, unde Superbus
Tarquinius regno pulsus^ fugit, unius assis
non umquam pretio pluris licuisse, notante
iudice quo nosti populo, qui stultus honores 15

saepe dat indignis et famae servit ineptus,
qui stupet in titulis et imaginibus. quid oportet
nos facere a volgo longe longeque® remotos ?

Namque esto, populus Laevino mallet honorem

^ imperitarint, I, accepted by Vollmer.

* ignoto Palmer. * ut D: aut aM, II; aut ut C: at ut E.

* natus or natos aCDE.

* pulsus regno CK. * lateque Goth.

" Cf. Odes, i. 1. 1. The Etruscans, according to the
tradition commonly accepted in antiquity, came from Lydia.

'' The reference is to Servius Tuliius, the sixth king of
Rome, said to have been the son of a female slave. See,
however, Livy, i. 39. 5.

Satire VI "-^

Though of all the Lydians that are settled in Tuscan
lands none is of nobler birth than you," and though
grandsires of yours, on your mother's and father's
side alike, conunanded mighty legions in days of old,
yet you, Maecenas, do not, hke most of the world,
curl up your nose at men of unknown birth, men hke
myself, a freedman's son.

' ^\^len you say it matters not who a man's parent
is, if he be himself free-born, you rightly satisfy
yourself of this, that before the reign of Tulhus and
his lowly kingship,'' numbers of men, sprung from
ancestors of no account, often hved upright hves and
were honoured with high office ; that Lae\inus, on
the other hand, descendant of that Valerius through
whom Tarquin the Proud was driven from his throne
to exile, was never valued higher by the price of a
single penny, even when rated by the people — the
judge you know so well, who in folly often gives
office to the unworthy, is stupidly enslaved to fame,
and dazzled by titles of honour and waxen masks."
What, then, should we •* do, we who are set far, far
above the \Tilgar ?

^ For let us grant that the people would rather

* Waxen masks of ancestors ^^-ith accompanying in-
scriptions would imply the antiquity and nobility of one's
family.

' The plural is generic, meaning intelligent and educated
people.

HORACE

quam Decio mandare novo, censorque moveret 20

Appius, ingenuo si non essem patre natus :

vel merito, quoniam in propria non pelle quiessem.

sed fulgente trahit constrictos Gloria curru

non minus ignotos generosis. quo tibi, Tilli,

sumere depositum clavum fierique tribuno ? 25

invidia accrevit, privato quae minor esset.

nam ut quisque insanus nigris medium impediit^ crus

pellibus et latum demisit^ pectore clavum,

audit continuo : " quis homo hie est^ ? " " quo patre

natus ? "
ut* si qui aegrotet quo morbo Barrus, haberi 30

et cupiat formosus, eat quacumque, puellis
iniciat^ curam quaerendi singula, quali
sit facie, sura, quali pede, dente, capillo :
sic qui promittit civis, urbem sibi curae,
imperium fore et Italiam, delubra deorum, 35

quo patre sit natus, num ignota matre inhonestus,
omnis mortalis curare et quaerere cogit.^
" tune, Syri, Damae, aut Dionysi filius, audes
deicere de saxo civis aut tradere Cadmo ? "
" at Novius collega gradu post me sedet uno : 40

1 impediit Porph. : impediet uss. ^ dimisit DEK.

3 est aDE : et CK: aut Bentley. * et 0.

' inliciat CK Goth. * cogit^: cogat Af5S.

" A reference to the well-known fable of the Ass in the Lion's
Skin. P. Decius Mus, first of a plebeian family to become a
consul, sacrificed himself in the Latin war (Livj', viii. 9 ).

* The laticlave or broad stripe (c/. Sat. i. 5. 36) of purple
on the tunic was a mark of the senatorian order. Tillius,
according to the scholiasts, was removed from the senate

SATIRES, I. VT. 20-40

give office to a Laevinus than to an unknown Decius,
and that an Appius as censor would strike out my
name if I were not the son of a free-born father —
and quite rightly, for not having stayed quiet in my
own skin." The truth is, Vanity drags all, bound
to her gUttering car, the unkno^^'n no less than the
well known. What good was it to you, TilUus, to
assume the stripe once doffed and become a tribune ? '
Envy fastened on you afresh, but would be less,
were you in a private station. For as soon as any
man is so crazy as to bind the black thongs half way
up his leg,* and to drop the broad stripe dowTi his
breast, at once he hears : " What fellow is this ?
What was his father ? " Just as, if one should
suffer from the same malady as Barrus, and long to
be thought handsome, then wherever he went he
would make the girls eager to ask about details —
what his face was like, his ankle, his foot, his teeth,
his hair : so he who takes it upon himself to look
after his fellow-citizens and the city, the empire
and Italy and the temples of the gods, compels aU
the world to take an interest, and to ask who was
his father, and whether he is dishonoured through
an unknown mother. " Do you, the son of a S}tus,
a Dama, a Dionysius,'* dare to fling from the rock*
or to hand over to Cadmus citizens of Rome ? "
" But," you say, " Novius, my colleague, sits one row

by Julius Caesar, but after the Dictator's death resumed
this dignity and also became a military tribune.

* Senators wore a peculiar shoe, fastened by four black
thongs bound about the leg.

* These are common slave-names.

' i.e. the Tarpeian rock from which criminals were
sometimes thrown by order of a tribune. Cadmus was a
public executioner.

HORACE

namque est ille, pater quod erat meus." " hoc tibi

Paulus
et Messalla videris ? at hie, si plostra ducenta
concurrantque foro tria funera magna, sonabit^
cornua quod vincatque tubas : saltern tenet hoc nos."

Nunc ad me redeo hbertino patre natum, 45

quem rodunt onines hbertino patre natum,^
nunc, quia sim^ tibi, Maecenas, convictor, at ohm,
quod mihi pareret legio Romana tribuno.
dissimile hoc ihi est, quia non, ut forsit honorem
iure mihi invideat quivis, ita te quoque amicum, 50
praesertim cautum dignos adsumere, prava
ambitione procul. fehcem dicere non hoc
me possim,* casu quod te sortitus amicum :
nulla etenim mihi te fors obtulit ; optimus olim
Vergilius, post hunc Varius, dixere quid essem. 55
ut veni coram, singultim pauca locutus,
infans namque pudor prohibebat plura profari,
non ego me claro natum patre, non ego circum
me Satureiano vectari rura caballo,
sed quod eram narro. respondes, ut tuus est mos, 60
pauca : abeo, et revocas nono post mense iubesque
esse in amicorum numero. magnum hoc ego duco,
quod placui tibi, qui turpi secernis honestum
non patre praeclaro, sed vita et pectore puro.

Atqui si vitiis mediocribus ac mea^ paucis 65

* funera, magna sonabit ; so Palmer, Wickham, Vollmer.

* natus aD. " sum D.

* possunt com. Cruq., Bentley. * aut mea, //.

« Seats in the theatre were assigned according to rank,
knights occupying the first fourteen rows, and the senators
the orchestral space.

* Horace was a tribune in the army of Brutus, but each
legion had six tribunes.

SATIRES, I. VI. 41-65

behind me," for he is only what my father was."
" Do you therefore fancy yourself a Paulus or a
Messala ? Why, this Novius, if two hundred carts
and three big funerals come clashing in the Forum,
will shout loud enough to drown horns and trumpets :
that at least takes with us."

\*^ Now to return to myself, " son of a freedman
father," whom all carp at as " son of a freedman
father" — now, because I consort with you, Maecenas ;
but in other days, because as tribune I had a Roman
legion under my command.'' This case and that are
different, for though perchance anyone may rightly
grudge me the office, yet he should not grudge me
your friendship as well — the less so, as you are
cautious to choose as friends only the worthy, who
stand aloof from base self-seeking. Fortunate I could
not call myself as having won your friendship by some
chance ; for 'twas no case of luck throwing you in my
way ; that best of men, Virgil, some time ago, and after
him V'arius, told you what manner of man I was.
On coming into your presence I said a few faltering
words, for speechless shame stopped me from saying
more. My tale was not that I was a famous father's
son, not that I rode about my estate on a Saturian "
steed : I told you what I was. As is your way, you
answered little and I withdrew ; then, nine months
later, you sent for me again and bade me join your
friends. I count it a great honour that I pleased you,
who discern between fair and foul, not by a father's
fame, but by blamelessness of life and heart.

*^ And yet, if the flaws that mar my otherwise

sound nature are but trifling and few in number,

* i.e. Tarentine, Saturium being the district in which

Tarentum was founded. The adjective belongs quite as

much to rura as to caballo.

Q 81

HORACE

mendosa est natura, alioqui^ recta, velut si

egregio inspersos reprehendas corpore naevos,

si neque avaritiam heque sordes nec^ mala lustra

obiciet vere quisquam mihi, purus et insons,

ut me collaudem, si et vivo carus amieis ; 70

causa fuit pater his, qui macro pauper agello

noluit in Flavi ludum me mittere, magni

quo pueri magnis e' centurionibus orti,

laevo suspensi loculos tabulamque lacerto,

ibant octonos referentes Idibus aeris,* 75

sed puerum est ausus Romam portare, docendum

artis, quas doceat quivis eques atque senator

semet prognatos. vestem servosque sequentis,

in magno ut populo, si qui^ vidisset, avita

ex re praeberi sumptus mihi crederet illos. 80

ipse mihi custos incorruptissimus omnis

circum doctores aderat.^ quid multa ? pudicum,

qui primus virtutis honos, servavit^ ab omni

non solum facto, verum opprobrio quoque turpi ;

nee timuit, sibi ne vitio quTs^ verteret, olim 85

si praeco parvas aut, ut fuit ipse, coactor

mercedes sequerer : neque ego essem questus : at

hoc'' nunc
laus illi debetur et a me gratia maior^

Nil me paeniteat sanum patris huitis, eoque
non, ut magna dolo factum negat esse suo pars, 90
quod non ingenuos habeat clarosque parentis,
sic me defendam. longe mea discrepat istis

^ alioquin, /, hut cf. Sat. i. 4. 4.
• nee (mala) V: ac mss. : aut Porph., Bentley. ' et a.

* octonis . . . aera M, II, retained by Wickham.
^ si quis K, Goth. * servabat, II. ^ ad hoc n^s.

" The pupils paid their small school fee on the Ides of
each month. The reading octonis would imply that the
school-year lasted eight months.

SATIRES, T. VT. 66-92

even as you might find fault with moles spotted over
a comely person — if no one "will justly lay to my
charge avarice or meanness or lewdness ; if, to venture
on self-praise, my hfe is free from stain and guilt and
I am loved by my friends — I owe this to my father,
who, though poor with a starvehng farm, would not
send me to the school of Fla\-ius, to w^hich grand boys
used to go, sons of grand centurions, with slate and
satchel slung over the left arm, each carrying his
eightpence on the Ides" — nay, he boldly took his
boy off to Rome, to be taught those studies that any
knight or senator would have his own offspring
taught. Anyone who saw my clothes and attendant
slaves — as is the way in a great city * — would have
thought that such expense was met from ancestral
wealth. He himself, a guardian true and tried, went
with me among all my teachers. Need I say more ?
He kept me chaste — and that is virtue's first grace —
free not only from every deed of shame, but from all
scandal. He had no fear that some day, if I should
follow a small trade as crier or like himself as tax-
collector, somebody would count this to his discredit.
Nor should I have made complaint, but, as it is, for
this I owe him praise and thanks the more. |

^ Never while in my senses could I be ashamed
of such a father, and so I will not defend myself, as
would a goodly nmnber,who say it is no fault of theirs
that they have not free-born and famous parents.
Far different from this is what I say and what I think :

* I take this to mean that on going to Rome Horace's
father did as the Romans did. At Venusia Horace would
have gone unattended, carrying liis own books. Some, how-
ever, take the words in magno ut populo with vidisset, i.e.
" had anyone noticed — so far «s one could notice such things
in a great throng."

HORACE

et vox et ratio : nam si natura iuberet

a certis annis aevum remeare peractum

atque alios legere ad fastum quoscumque parentis 95

optaret sibi quisque,^ meis contentus honestos^

fascibus et sellis nollem mihi sumere, demens

iudicio volgi, sanus fortasse tuo, quod

nollem onus baud umquam solitus portare molestum.

nam mihi continuo maior quaerenda foret res 100

atque salutandi plures, ducendus et unus

et comes alter, uti ne solus rusve peregreve'

exirem, plures calones atque caballi

pascendi, ducenda petorrita. nunc mihi curto

ire licet mulo vel si libet usque Tarentum, 105

mantica cui lumbos onere ulceret atque eques armos :

obiciet nemo sordes mihi, quas tibi, Tilli,

cum Tiburte via praetorem quinque sequuntur

te pueri, lasanum portantes oenophorumque.

hoc ego commodius quam tu, praeclare senator, 110

milibus atque aliis vivo.

Quacumque libido est,
incedo solus ; percontor quanti bolus ac far ;
fallacem Circum vespertinumque* pererro
saepe Forum ; adsisto divinis ; inde domum me
ad porri et ciceris refero laganique catinum. 115

cena ministratur pueris tribus, et lapis albus
pocula cum cyatho duo sustinet ; adstat echinus
vilis, cum patera gutus, Campana supellex.
deinde eo dormitum, non sollicitus mihi quod eras

* si quisque, II. * (h)onustos.

■ peregre aut M8S.: Housman conjectures ne rus solusve
peregre. * vespertinusque.

" The fasces were insignia of the consuls and praetors ;
the curule sellae were a privilege of the aediles and censors
as well.

SATIRES, I. VI. 93-119

for if after a given age Nature should call upon us to
traverse our past lives again, and to choose in keeping
with our pride any other parents each might crave —
content >\ith my own, I should dechne to take those
adorned with the rods and chairs of state." And
though the world would deem me mad, you, I hope,
would think me sane for dechning to shoulder a
burden of trouble to which I have never been ac-
customed. For at once I should have to enlarge my
means, to welcome more callers, to take one or two
in my company so as not to go abroad or into the
country alone ; I should have to keep more pages
and ponies, and take a train of wagons. To-day, if
I will, I may go on a bob-tailed mule even to Taren-
tum, the saddle-bag's weight galhng his loins, and
the rider his withers. No one will taunt me with
meanness as he does you, praetor Tillius,^ when on
the Tibur road five slaves follow you, carrying a
commode and case of wine. In this and a thousand
other ways I live in more comfort than you, illustrious
senator.

^^ Wherever the fancy leads, I saunter forth alone.
I ask the price of greens and flour ; often toward
evening I stroll round the cheating Circus * and the
Forum. I listen to the fortune-tellers ; then home-
ward betake me to my dish of leeks and peas and
fritters. My supper is served by three boys, and a
white stone-slab supports two cups with a ladle. By
them stand a cheap salt-cellar, a jug and saucer of
Campanian ware. Then I go off to sleep, untroubled
with the thought that I must rise early on the morrow

' Apparently the man mentioned in 1. 24 above.
* The stalls in the outer wall of the Circus Maximus were
used by fortune-tellers, confidence-men, and the like.

HORACE

surgendum sit mane, obeundus Marsya, qui se 120

voltum ferre negat Noviorum posse minoris.

ad quartam iaceo ; post banc vagor ; aut ego, lecto

aut scripto quod me taciturn iuvet, unguor olivo,

non quo fraudatis immundus Natta lucernis.

ast ubi me fessum sol acrior ire lavatum 125

admonuit, fugio Campum lusumque trigonem.^

pransus non avide, quantum interpellet inani

ventre diem durare, domesticus otior.

Haec est
vita solutorum misera ambitione gravique ;
his me consolor victurum^ suavius ac si 130

quaestor avus pater atque meus patruusque^ fuissent.

^ fugio campum lusumque trigonem V^, Goth, (lusitque):
fugio rabiosi tempora signi ass. Porph. Bannier {in Rh. M.
Ixxiii. neue Folge, pp. 65 ff.) makes the interesting claim that
both readings are correct, the original passage having been
such as the following :

admonuit fugio campum lusumque trigonem
providus et fugio rabiosi tempora signi.
* victurus Goth.
' For patruus Biicheler conjectured praetor.

" A statue of the Satyr Marsyas stood in the Forum near
the praetor's tribunal. The usurer Novius had his table

SATIRES, I. VI. 120-131

and pass before Marsyas, who says he cannot stand
the face of No\aus Junior .<» I he a-bed till ten ; then
I take a stroll, or after reading or writing something
tliat will please me in quiet moments I anoint myself
with oil — not such as filthy Natta steals from the
lamps- But when I am weary and the fiercer sun
has w^'irned me to go to the baths, I shun the Campus
and the game of ball.* After a slight luncheon, just
enough to save me from an all-day fast, I idle away
time at home.

^^ Such is the life of men set free from the burden
of unhappy ambition. Thus I comfort myself with
the thought that I shall hve more happily than if my
grandfather had been a quaestor, and my father
and uncle Ukewise.

near by and so gives the poet an opportunity to put his own
interpretation on the attitude or facial expression of Marsyas,
who, after defeat in a musical contest with Apollo, was
flayed alive. Extant copies of Myron's Mars5'as show him
with right hand uplifted and a face expressive of pain.

* The trigo was a game of ball in which three players
took part. The phrase lusum trigonem means properly
"the playing of ball," and implies a transitive use of lud^re
(ef. " post decisa negotia," Ep. i. 7. 59 ; also Sat. ii. 3. 248).
See Jefferson Elmore, A.P.A. xxxv. p. xciL

VII

HO FOR A REGICIDE!

The incident recorded here occurred, probably in
43 B.C., at Clazomenae in Asia Minor, when Brutus,
as propraetor of the Pro\'ince, was holding court, and
Horace was ser\ing as tribune in his army. The
poem gives us a single scene, a battle of ^^it between
two litigants, RupiUus Rex, of Praeneste, a man
proscribed by Antony and Octa\'ius, and Persius,
a half-Greek, half-Roman merchant of Clazomenae.
The main point of the story is found in Persius' pun
on the name Rex (king), which he cleverly hnks up
with the propraetor and the propraetor's most
famous ancestor. The latter had driven out of Rome
the ancient Tarquin kings, and Brutus himself had
slain Caesar.

This little poem, similar, perhaps, to the farcical
and dramatic scenes of early Satura, is probably the
first of Horace's Sermones, and must have been com-
posed before the battle of Philippi (42 b.c ), and the
tragic death of Brutus.

VII.

Proscripti Regis Rupili pus atque venenum
hybrida quo pacto sit Persius ultus, opinor
omnibus et lippis notum et tonsoribus esse.
Persius hie permagna negotia dives habebat
Clazomenis, etiam litis cum Rege molestas, 6

durus homo atque odio qui posset vincere Regem,
confidens, tumidus,-"^ adeo sermonis amari,
Sisennas, Barros ut equis praecurreret albis.

Ad Regem redeo. postquam nihil inter utrumque
convenit (hoc etenim sunt omnes iure molesti, 10
quo fortes, quibus adversum bellum incidit : inter
Hectora Priamiden, animosum atque inter Achillem
ira fuit capitalis, ut ultima divideret mors,
non aliam ob causam, nisi quod virtus in utroque
summa fuit : duo si discordia vexet inertis, 15

aut si disparibus bellum incidat, ut Diomedi
cum Lycio Glauco, discedat pigrior,^ ultro
muneribus missis), Bruto praetore tenente
ditem Asiam, Rupili et Persi par pugnat, uti non

^ tumidusque, II.
' pigrior VKi pulchrior if 55.

« He was half-Greek and half-Roman.

Satire VII

How the mongrel " Persius took vengeance on the
foul and venomous Rupilius Rex (" king "), an out-
lawed man, is a tale well known, methinks, to every
blear-eyed man and barber.'' This Persius, a rich
man, had a very large business at Clazomenae, also
a troublesome lawsuit with Rex. A rough man he
was, the sort that in ofFensiveness could outdo Rex,
bold and blustering and so bitter of speech as to
outstrip a Sisenna or a Barrus with the speed of white
coiu-sers."

^ To return to Rex. When he and Persius could
come to no terms — (for quarrelsome folk all claim
the same right as heroes who meet front to front in
battle : between Hector, son of Priam, and the
wrathful Achilles, the anger was so deadly, that
death alone could part them, and for this sole reason
that the valour of each was supreme : if two cowards
chance to quarrel, or an ill-matched pair meet in war,
as Diomede and Lycian Glaucus,'* the less valiant
man gives way and sends gifts to boot) — well, when
Brutus was praetor in charge of rich Asia, Persius

* The shops of apothecaries and barbers were favourite
places of gossip.

* A proverbial expression, white horses being regarded
as the swiftest of their kind. Cf. Virgil, Aen. xii. 83 ff.

•* See Index under Glaucus. The reference is to a famous
scene in the sixth Iliad.

HORACE

compositum^ melius cum Bitho Bacchius. in ius^ 20
acres procurrunt,^ magnum spectaculum uterque.

Persius exponit causam ; ridetur ab omni
conventu ; laudat Brutum laudatque cohortem ;
solem Asiae Brutum appellat, stellasque salubris
appellat comites, excepto Rege ; Canem ilium. 25
invisum agricolis sidus, venisse. ruebat
flumen ut hibernum, fertur quo rara securis.
tum Praenestinus salso multoque* fluenti
expressa arbusto regerit convicia, durus
vindemiator et invictus, cui saepe viator 30

cessisset magna compellans voce cuculum.

At Graecus, postquam est Italo perfusus aceto,
Persius exclamat : " per magnos, Brute, deos te
oro, qui reges consueris tollere, cur non
hunc Regem iugulas ? operum hoc, mihi crede,
tuorum est." 35

^ compositus DK. ^ in ius] intus V.

* procurrunt VK, II : concurrunt aDEM.

* multumque, //.

" In par and compositum Horace uses terms appropriate
to gladiators, to which class Bacchius and Bithus belonged.

'' i.e. in some mountain gorge, which wood-choppers
cannot enter.

SATIRES, I. VII. 20-35

and Rupilius clashed, a pair « not less well matched
than Bacchius and Bithus. Keenly they rush into
court, each wondrous to behold.

^2 Persius sets forth his case : all the assembly
laugh. He praises Brutus, he praises his staff. The
" sun of Asia " he calls Brutus, and " healthful
stars " his suite — all except Rex, who had come like
tlie Dog-star, hated of husbandmen. On he rushed
like some winter torrent, whither the axe is seldom
borne.* Then, in answer to his full flood of wit, the
man of Praeneste flings back abuse, the very essence
of the vineyard, like some vine-dresser, tough and
invincible, to whom the wayfarer has often had to
yield, when loudly hooting at him " Cuckoo ! " *

^2 But the Greek Persius, now soused with Italian
vinegar, cries out : " By the great gods, I implore
you, O Brutus, since it is in your line to take off
" kings," why not behead this Rex ? <* This, believe
me, is a task meet for you."

• In calling out " Cuckoo ! " the passer-by implies that
the vine-dresser is late in his pruning, which should be
finished before the cuckoo arrives in the spring.

■* It was a Brutus who had driven out the Tarquins, and
it was a Brutus who had slain Caesar.

VIII

HOW PRIAPUS PUT WITCHES TO ROUT

Horace lays the scene of this incident in that part
of the Esquihne which lay outside the famous Agger,
or Mound of Servius, on the north-east side of Rome.
In this district there had long been a burial-place,
used especially for criminals and paupers, where,
among the tombs, witches practised their weird and
infernal rites. Here, however, Maecenas, co-operating
with Augustus in the work of city improvement, had
laid out beautiful gardens, in which he later built
himself a palace with a conspicuous tower."

The incident must be supposed to have occurred
before the transformation from a squalid and repul-
sive site had been completed. A wooden statue,
however, of Priapus, the god of gardens, had abeady
been set up.

The gruesome story of the witches' incantations
comes to a ridiculous end when the wood of the
statue cracked, and the noise of the explosion drove
the hags away in terror.

The Satire is closely connected in subject with
Epodes 5 and 17. Virgil's eighth Eclogue may also
be compared, as well as the three Priapea to be
found among the minor poems attributed to Virgil.

" Cf. "molem propinquam nubibus arduis," Odes ill.
29. 10.

VIII.

Olim truncus eram ficulnus, inutile lignum,
cum faber, incertus scamnum faceretne Priapum,
maluit esse deum. deus inde ego, furum aviumque
maxima formido ; nam fures dextra coercet
obscenoque ruber porrectus ab inguine palus ; 5

ast importunas volucres in vertice harundo
terret fixa vetatque novis considere in hortis.
hue prius angustis eiecta cadavera cellis
conservus vili^ portanda locabat in area ;
hoc miserae plebi stabat commune sepulcrum, 10
Pantolabo scurrae Nomentanoque nepoti.
mille pedes in fronte, trecentos cippus in agrum
hie dabat, heredes monumentum ne sequeretur.^
nunc licet Esquiliis habitare salubribus atque
Aggere in aprico spatiari, quo^ modo tristes 15

albis informem spectabant ossibus agrum ;

* vilis K, II. ' sequerentur K, IL ' qua Bentley.

« Cf. Isaiah xliv. 10 ff., especially 17 " and the residue
thereof he maketh a god."

* A wooden statue of Priapus, the garden-god, was used
as a scarecrow.

« On the Esquiline Hill, just outside the Servian Wall, was a
cemetery largely used for the pauper and criminal classes.
Here, however, Maecenas laid out his Horti, or gardens,
which became one of the beauty-spots of Imperial Rome.

<* This verse may come from Lucilius. It is repeated in
Sat. ii. 1. 22 and Nomentanus is mentioned in Sat. i. 1. 102.

Satire VIII

Once I was a fig- wood stem, a worthless log, when
the carpenter, doubtful whether to make a stool or a
Priapus, chose that I be a god." A god, then, I
became, of thieves and birds the special terror* ; for
thieves my right hand keeps in check, and this red
stake, protruding from unsightly groin ; while for
the mischievous birds, a reed set on my head affrights
them and keeps them from hghting in the new park."
Hither in other days a slave would pay to have carried
on a cheap bier the carcasses of his fellows, cast out
from their narrow cells. Here was the common
burial-place fixed for pauper folk, for Pantolabus
the parasite, and spendthrift Nomentanus.'' Here a
pillar assigned a thousand feet frontage and three
hundred of depth, and provided that the graveyard
should pass to no heirs.* To-day one may live on
a wholesome Esquihne, and stroll on the sunny
Rampart,^ where of late one sadly looked out on
ground ghastly vnth bleaching bones. For myself,

• Horace puts into verse form the common inscription,
which defined the dimensions of a plot of ground assigned
for burial purposes and often closed with the abbrevi-
ated formula H. M. H. N. S. {Hoc monument urn heredes non
tequttur).

' This is the famous Agger, an embankment and fosse
of nearly a mile in length, which on the Esquiline level was
a part of the Servian Wall system.

H 97

HORACE

cum mihi non tantum furesque feraeque suetae
hunc vexare locum curae sunt^ atque labori,
quantum carminibus quae versant atque venenis
humanos animos : has nullo perdere^ possum 20

nee prohibere modo, simul ac vaga Luna decorum
protulit OS, quin ossa legant herbasque nocentis.

Vidi egomet nigra succinctam vadere palla
Canidiam, pedibus nudis passoque capillo,
cum Sagana maiore ululantem : pallor utrasque 25
fecerat horrendas aspectu. scalpere terram
unguibus et pullam divellere mordicus agnara
coeperunt ; cruor in fossam confusus, ut inde
manis elicerent, animas responsa daturas,
lanea et effigies erat, altera cerea : maior 30

lanea, quae poenis compesceret inferiorem ;
cerea suppliciter stabat, servilibus ut quae
iam peritura modis, Hecaten vocat altera, saevam
altera Tisiphonen : serpentes atque videres
infernas errare canes, Lunamque rubentem, 35

ne foret his testis, post magna latere sepulcra.
mentior at si quid, merdis caput inquiner albis
corvorum, atque in me veniat mictum atque cacatum
lulius et fragilis Pediatia furque Voranus.
singula quid memorem, quo pacto alterna loquentes 40
umbrae cum Sagana resonarint^ triste et acutum,
utque lupi barbam variae cum dente colubrae
abdiderint furtim terris, et imagine cerea
largior arserit ignis, et ut non testis inultus

^ sint D. * pellere Heinsiua.

^ resonarint Bentley : resonarent uss.

*• The passage is mock-heroic and based upon the famous
scene in the eleventh book of the Odyssey (36 ff.), where the
blood poured into a trench brought the spirits up from
Erebus.
98

SATIRES, I. viii. 17-44

'tis not so much the tliieves and beasts wont to
infest the place that cause me care and trouble, as
the witches who with spells and drugs vex human
souls : these in no >vise can I bring to naught or
stop from gathering bones and harmful herbs, as
soon as the roving Moon has uplifted her beauteous
face.

^ My own eyes have seen Canidia walk with
black robe tucked up, her feet bare, her hair dis-
hevelled, shrieking ^vith the elder Sagana. Their
sallow hue had made the two hideous to behold.
Then they began to dig up the earth with their nails,
and to tear a black lamb to pieces with their teeth ;
the blood was all poured into a trench, that there-
from they might draw the sprites, souls that would
give them answers." One image there was of wool,
and one of wax, the woollen one the larger, to curb
and punish the smaller ; the waxen stood in suppliant
guise, as if awaiting death in sla\ish fashion. One
witch calls on Hecate, the other on fell Tisiphone.
You might see serpents and hell-hounds roaming
about, and the blushing Moon, that she might not
\%itness such deeds, hiding behind the tall tombs.
Nay, if I lie in aught, may my head be defiled by
ravens' white ordure, and may Julius and the weak-
hng Pediatia and the thief Voranus come to water
and befoul me ! Why tell each detail — how in con-
verse with Sagana the shades made echoes sad and
shrill, how the two stealthily buried in the ground a
wolf's beard and the tooth of a spotted snake,* how
the fire blazed higher from the image of wax, and
how as witness I shuddered at the words and deeds

* With this passage cf. the famous witch scene in Macbeth
IT. i.

HORACE

horruerim voces Furiarum et facta duarum ? 45

nam displosa sonat quantum vesica pepedi
diffissa nate ficus : at illae currere in urbem.
Canidiae dentes, altum Saganae caliendrum
excidere atque herbas atque incantata lacertis
vincula cum magno risuque iocoque videres. 50

100

SATIRES, I. VIII. 45-60

of the two Furies — though not unavenged ? For as
loud as the noise of a bursting bladder was the
crack when my fig-wood buttock split. Away they
ran into town. Then amid great laughter and mirth
you might see Canidia's teeth and Sagana's high wig
come tumbhng down, and from their arms the herbs
and enchanted love-knots.

101

AN UlSm^LCOME COMPANION

While taking a morning stroll, Horace is joined by
a mere acquaintance, who insists on accompanying
iiim, hoping through closer intimacy to secure an
introduction to Maecenas. The poet vainly en-
deavoiu-s to shake him off, and it is only when the
man's adversary in a lawsuit appears on the scene —
a genuine deus ex machina — that Horace is rescued
from his unhappy position.

The delightful humour, the skilful dramatic treat-
ment of the theme, and the poet's well-estabhshed
position in Maecenas's circle which is assiuned,
indicate that this is one of the latest Satires, in
point of composition, in the first book. It may be
compared with the sixth Satire, in which Horace
gives an account of his introduction to Maecenas.

For the connexion of this Satire with Lucilius see
Introduction C.

103

IX.

Ibam forte Via Sacra, sicut meus est mos
nescio quid meditans nugarum, totus in illis.
accurrit^ quidam notus mihi nomine tantum,
arreptaque manu, " quid agis, dulcissime rerum ? *'
" suaviter, ut nunc est," inquam, " et cupio omnia
quae vis." 5

Cum adsectaretur, " num quid vis ? " occupo. at ille,
" noris nos," inquit ; " docti sumus." hie ego, " pluris
hoc," inquam," mihi eris." miserediscedere quaerens,
ire modo ocius, interdum consistere, in aurem
dicere nescio quid puero, cum sudor ad imos^ 10

manaret talos. " o te, Bolane, cerebri
felicem ! " aiebam tacitus, cum quidlibet ille
garriret, vicos,^ urbem laudaret.

Ut illi
nil respondebam, " misere cupis," inquit, " abire ;
iamdudum video ; sed nil agis ; usque tenebo ; 15
persequar* hinc quo nunc iter est tibi." " nil opus
est te

^ occurrit.

* Bentley punctuated so as to take cum . . . manaret with
aiebam.

' ficos, //, Charisius.

* prosequar D, II, Bentley.

" The Sacra Via was the oldest and most famous street in
Rome, running into the Forum ; see Via Sacra in Index.

104

Satire IX

I was strolling by chance along the Sacred Way,"
musing after my fashion ^ on some trifle or other,
and wholly intent thereon, when up there runs a
man I knew only by name and seizes my hand :
" How d'ye do, my dearest fellow ? " " Pretty
well, as times are now," I answer, " I hope you get
all you want."

* As he kept dogging me, I break in with, "Nothing
you want, is there ? "' But he : " You must know
me ; I'm a scholar." To this I say, " Then I'll
esteem you the more." Dreadfully eager to get
away I now walk fast, at times stop short, then
whisper a word in my slave's ear, wliile the sweat
trickled down to my very ankles. " O Bolanus," I
kept saying to myself, " how lucky to have your
temper ! " while the fellow rattled on about every-
thing, praising the streets and the city.

^^ As I was making him no answer, " You're dread-
fully anxious to be off," said he, " I have long seen
that ; but it's no use, I'll stick to you ; I'll stay
with you to your joiu-ney's end."

" There's no need of your being dragged about ;

^ In view oi forte, Wickham rightly associates sicut . . .
mos with meditans, not with Ham. So too Lejay.

• The question num quid vis? is a polite formula of
dismissal.

105

HORACE

circnmagi : quendam volo visere non tibi notum ;
trans Tiberim longe cubat is, prope Gaesaris hortos."
" Nil habeo quod agam et non sum piger : usque
sequar te,"

Demitto auriculas, ut iniquae mentis asellus, 20
cum gravius dorso subiit onus..

Incipit ille :
" si bene me novi, non Viscum pluris amicum,
non Varium facies : nam quis me scribere pluris
aut citius possit versus ? quis membra movere
mollius ? invideat quod et Hermogenes, ego^antQ."

Interpellandi locus hie erat : " est tibi mater, 26
cognati, quis te salvo est opus ? "

" Haud mihi quisquam :
omnis composui."

" Felices ! nunc ego resto.
confice ; namque instat fatum mihi triste, Sabella
quod puero cecinit divina.mota^ anus urna : 30

' hunc neque dira venena nee hosticus auferet ensis
nee laterum dolor aut tussis nee tarda podagra ;
garrulus hunc quando consumet cumque ; loquaces,
si sapiat, vitet, simul atque adoleverit aetas.' "

Ventum erat ad Vestae, quarta iam parte diei 36
praeterita, et casu tunc respondere vadato
debebat ; quod ni fecisset, perdere litem.
" si me amas," inquit, " paulum hie ades."

^ mota divina Bentley.

<» These gardens, on the right bank of the Tiber, were
left by Juhus Caesar to the people of Rome.

^ Qualifications despised by Horace ; cf. Sat. i. 4. 12 fF.
0 See Sat. i. 4. 72.

106

SATIRES, I. IX. 17-38

I want to visit a man you do not know. He's ill
abed, a long way off across the Tiber, near Caesar's
gardens." "

" I've nothing to do, and I'm not a poor walker ;
I'll keep on with you to the end."

Down drop my poor ears hke a sulky donkey's,
when he has come under a load too heavy for his
back.

^ Then he begins : " If I do not deceive myself,
you will not think more of Viscus or of Varius as a
friend than of me : for who can WTite more verses
or write more quickly than I ? * Who can dance
more daintily ? Even Hermogenes " might envy my
singing."

^ Here was my chance to break in : " Have you
a mother or kindred who are dependent upon your
welfare ? "

~^^-Net-one ; I have laid them all to rest."

" O happy they ! now I am left. Finish me ; for
now draws near to me that sad fate, which a Sabine
dame, shaking her divining urn, sang for me in my
boyhood :

No wicked drug shall prove his end.
No foeman's sword shall death him send,
No cough or pleurisy or gout —
A chatterbox shall talk him out :
And if he's wise, as he grows old.
He'll steer quite clear of talkers bold.

^ fWe had come to Vesta's temple, a fourth of
the day being now past, and by chance at that
hour he was due to give answer to a plaintiff, on
pain of losing his suit, should he fail to appear.
" As you love me," he says, " do help me here a
while ! "

107

HORACE

" Inteream, si
aut valeo stare^ aut novi civilia iura ;
et propero quo scis."

" Dubius sum quid faciam," inquit, 40
" tene relinquam an rem." " me, sodes." " non

faciam," ille,
et praecedere coepit. ego, ut contendere durum^
cum victore, sequor.

" Maecenas quomodo tecum ? "
hinc repetit : " paucorum hominum et mentis bene

sanae.
nemo dexterius fortuna est usus. haberes 45

magnum adiutorem, posset qui ferre secundas,
hunc hominem velles si tradere ; dispeream, ni
summosses omnis."

" Non isto vivimus^ illic"
quo tu rere modo ; domus hac nee purior ulla est
nee magis his aliena malis ; nil mi* officit, inquam, 50
ditior hie aut est quia doctior ; est locus uni
cuique suus."

" Magnum narras, vix credibile ! " " atqui^
sic habet."

" Accendis, quare cupiam magis illi
proximus esse."

" Velis tantummodo : quae tua virtus,
expugnabis ; et est qui vinci possit, eoque 65

difficilis aditus primos habet."

" Haud mihi deero :
muneribus servos corrumpam ; non, hodie si
exclusus fuero, desistam ; tempora quaeram,

* ista re Verrall. * durum est. ' vivitur.

* mi omitted by VK Qoth. ' atque, //.

108

SATIRES, I. IX. 38-58

" Confound me if I either have strength to st-and
up," or know the laws of the land ! and besides I
must hurry, you know where."

" I wonder," said he, " what I ought to do, whether
to leave my suit or you." " Me, I pray ! " " No, I
won't," said he, and started to go ahead. As for me,
since 'tis hard to fight with one's master, I follow.

*3 " How stands Maecenas with you," he thus
begins afresh, " a man of few friends and right good
sense ? No one ever made wiser use of his luck.
You might have a strong backer, who could be your
understudy, if you would introduce your humble
servant. Hang me, if you wouldn't find that you
had cleared the field ! "

" We don't live there on such terms as you think.
No house is cleaner or more free from such intrigues
than that. It never hurts me, I say, that one
is richer or more learned than I. Each has his own
place."

" That's a strange tale, I can scarce believe it."

" And yet 'tis so."

" You add flame to my desire to get closer to him."

" You have only to wish it ; such is your valour,
you will carry the fort. He's a man who can be won,
and that is why he makes the first approaches so
difficult."

" I'll not fail myself. I'll bribe his slaves. If
shut out to-day, I'll not give up. I'll look for the

" As he would have to do in court. That this is the
sense of stare seems to follow from valeo. Some, however,
take stare as a synonym of adesse, " to appear in court," or
as meaning " to be successful," i.e. in law.

109

HORACE

occurram in triviis, deducam. nil sine magno
vita labore dedit morta'ibus."

Haec dum agit, ecce 60
Fuscus Aristius occurrit, mihi carus et ilium
qui pulchre nosset. consistimus. " unde venis ? " et
" quo tendis ? " rogat tt respondet. vellere coepi
et pressare^ manu lentissima braechia, nutans,
distorquens oculos, ut me eriperet. male salsus 65
ridens dissimulare ; meum iecur urere bilis.^ -
" certe nescio'quid secreto velle loqui te
aiebas mecum,"

" Memini bene, sed meliore .
tempore dicam ; hodie trieesima sabbata : vin tu
Curtis ludaeis oppedere ? "

" Nulla mihi," inquam, 70
" religio est."

" At mi ; sum paulo infirmior, unus
multorum. ignosces ; alias loquar."

Huncine solem
tam nigrum surrexe mihi ! fugit improbus ac me
sub cultro linquit.

Casu venit obviu's illi
adversarius, et, " quo tu turpissime ? " magna 76
inclamat voce, et " licet antestari ? " ego vero
oppono auriculam. rap^t in ius ; clamor utrimque,
undique concursus. sic me servavit Apollo.

^ pressare BK, Porph. : prensare V, Bentley. * bellis, //.

<» Probably a quotation from some poet. The sentiment
is found as early as Hesiod, Works and Days, 287.

* This is probably pure nonsense, no particular Sabbath
being intended. Perhaps, however, the Sabbath fell on the
thirtieth of the month.

« A bystander, consenting to act as witness, allowed the

110

SATIRES, I. IX. 59-78

fitting time ; 111 meet him in the streets ; I'll escort
him home.

Life grants no boon to man without much toil." "

^ While he is thus running on, lo ! there comes up
Aristius Fuscus, a dear friend of mine, who knew the
fellow right well. We halt. " Whence come you ?
Whither go you ? " he asks and answers. I begin to
twitch his cloak and squeeze his arms — they were
quite unfeeling — nodding and winking hard for him
to save me.; The cruel joker laughed, pretending
not to understand. I grew hot with anger. "Surely
you said there was something you wanted to tell me
in private."

" I mind it well, but I'll tell you at a better time.
To-day is the thirtieth Sabbath.* Would you affront
the circumcised Jews ? "

" I have no scruples," say I.

" But I have. I'm a somewhat weaker brother,
one of the many. You will pardon me ; I'll talk
another day."

To think so black a sun as this has shone for me !
The rascal runs away and leaves me under the knife.

'* It now chanced that the plaintiff came face to
face ^\ith his opponent. " Where go you, you
scoundrel ? " he loudly shouts, and to me : " May I
call you as witness ? " I off"er my ear to touch.*
He hurries the man to court' There is shouting here
and there, and on all sides a running to and fro.
Thus was I saved by Apollo.'*

htigant to touch the tip of his ear. The custom was an
old one and is referred to in Plautus.

"* Apollo was the god who befriended poets. The ex-
pression comes, however, from Homer {Iliad, xx. 443),
Tov 5" iirjpira^ev 'AjroXXuv, words which Lucilius had also used.

Ill

ON SATIRE

Horace resumes a discussion of the main subject
of his fourth Satire, which had brought down con-
siderable censure upon him from the critics, who
upheld the excellence of early Latin poetry, and to
these he now makes reply.

He reminds them that, while he had found fault
with Lucilius's verse, he had also credited it with great
satiric power. In this he was quite consistent, for
one may admire good mimes without holding them
to be good poems. You may make people laugh,
but you must also have a terse style and a proper
mixture of the grave and the gay, such as is seen
in the robust writers of Old Attic Comedy, whom
Hermogenes and his school never read. But LuciUus
is admired for his skill in blending Greek and Latin.
" Nonsense ! " cries Horace, " such a mixture is a
serious blemish, and no more acceptable in poetry
than in oratory " (1-30).

The poet here confesses that at one time he had
thought of writing in Greek instead of Latin, but
realized in time that this would be like carrying
faggots to the forest (31-35).

So while Bibaculus essays something grand and
lofty, Horace is less ambitious and turns to a more
modest field. If we survey contemporary literature,
comedy is pre-empted by Fundanius ; Polho has won
112

SATIRES, I. X.

fame in tragedy and Varius in the epic ; Virgil is
simple and charming in his pastorals. Satire alone
was open to Horace, for Varro Atacinus and others
had tried it and failed, while Horace has met ^nth
success, however short he may come of the first in
the field (36-4-9).

It is true that Horace had criticized Lucihus, just
as Lucihus had pointed out defects in Accius and
Ennius. His verse is faulty- — his stream is muddy,
he lacks finish, he ■wrote too freely. If we were to
compare him with a writer who is carving out a new
species of verse quite untouched by the Greeks, we
might attribute to him some pohsh, but the fact
remains that had he lived in the Augustan age, he
would have filed away his roughnesses, and learned
" the last and greatest art, the art to blot " (50-71).

A >\Titer should aim at pleasing, not the multitude,
but a small circle of good critics. If he wins their
approval, he may bid the cheap teachers of the
lecture-room go hang ! (72-91).

With this statement of his conviction, Horace puts
the finishing touch to his First Book (92).

In this satire Horace is a spokesman for the chief
^vriters of the Augustan era, setting forth some of their
ideals in contrast ^vith the ignorance and \'ulgarity
of popular scribblers, as represented by men like
Tigellius. Among the requisites of good satire
Horace speaks of the appropriate use of humour,
together Avith the qualities of bre\-ity, clearness,
purity of diction and smoothness of composition,
all of which are characteristic of the so-called
plain style, or genus tenue, of poetry as of orator)',
(For a full discussion see papers by Hendrickson and
UUman ; also Fiske, Lucilius and Horace, pp. 336 ff.)
I 113

[Lucili, quam sis mendosus, teste Catone
defensore tuo pervineam, qui male factos
emendare parat versus ; hoc lenius ille,
quo melior vir est, longe subtilior illo,
qui multum puer et loris at funibus udis 6

exoratus, ut esset opem qui ferre poetis
antiquis posset contra fastidia nostra,
grammaticorum equitum doctissimus. ut redeam
illuc : ]i

Nempe incomposito dixi pede currere versus
Lucili. quis tarn Lucili fautor inepte est,
ut non hoc fateatur ? at idem, quod sale multo
urbem defricuit, charta laudatur eadem.

Nee tamen hoc tribuens dederim quoque cetera ;
nam^ sic 5

et Laberi mimos ut pulchra poemata mirer.
ergo non satis est risu diducere^ rictum

^ LI. 1-8. These awkward verses are found in uss. of class
II only, but are not commented on by the scholiasts. Persius,
an imitator of Horace, begins his third satire with nempe.
In I. 4, vir, used by the writer as a long syllable, appears as
vir et in a few later uss.

* num aM, II. * dcducere K, II.

" The first eight lines are regarded as spurious, and the
only reason for reproducing them is that they are given in
many mss., though not in the best. The Cato referred to is
Valerius Cato, a poet and critic of the late Republic, but who
the grammaticorum equitum doctissimus was is not known.

114

Satire X i^^

[Lucilius, how faulty you are I will prove clearly by
the witness of Cato, your own advocate, who is setting
to work to remove faults from your ill-wrought verses.
This task is done so much more gently by him, as he
is a better man, of much finer taste than the other,
who as a boy was ofttimes gently entreated by the
lash and moist ropes, so that later he might give aid
to the poets of old against oxir present daintiness,
when he had become the most learned of pedagogic
knights. But to return •* :]

^ To be sure I did say * that the verses of Lucilius
run on with halting foot. Who is a partisan of
LuciUus so in-and-out of season as not to confess
this ? And yet on the self-same page the self-same
poet is praised because he rubbed the city down
with much salt.

* Yet, while granting this virtue, I would not also
allow Mm every other ; for on those terms I should
also have to admire the mimes of Laberius as pretty
poems.* Hence it is not enough to make your
It is surely impossible " by reaching back over the relative
clause intervening" to refer these words to Cato, as does
Hendrickson, who upholds the genuineness of these verses.

* In Sat. i. 4, which may be compared with this Satire
throughout.

' Mimes were dramatic scenes from low life, largely
farcical and grotesque in character. Laberius, a Pioman
knight, who was compelled by Julius Caesar to act in his
own mimes, was no longer living when Horace wrote.

115

HORACE

auditoris ; et est quaedam tamen hie quoque virtus :
est brevitate opus, ut currat sententia neu se
impediat vei-bis lassas onerantibus auris ; 10

et sermone opus est modo tristi, saepe iocoso,
defendente vieem modo rhetoris atque poetae,
interdum urbani/ parcentis viribus, atque
extenuantis eas consulto. ridicullim acri
fortius et melius magnas plerumque secat res. 15
illi soripta quibus comoedia prisca viris est
hoc stabant, hoc sunt imitandi ; quos neque pulcher
Hermogenes umquam legit neque simius iste
nil praeter Calvum et doctus cantare Catullum.

" At magnum fecit, quod verbis Graeca Latinis 20
miscuit."

O seri studiorum, quine putetis
difficile et mirum, Rhodio quod Pitholeonti
contigit !

" At sermo lingua concinnus utraque
suavior, ut^ Chio nota si commixta Falerni est."

Cum versus facias, te ipsum percontor, an et cum 25
dura tibi peragenda rei sit causa Petilli ?
scilicet oblitus^ patriaeque patrisque, Latine*
cum Pedius causas exsudet Publicola atque

^ urbane, //. ^ et, //.

' oblitos Bentley ; so Holder, Vollmer.

* Latine comm. Cruq. : Latini V, 7, Bentley.

" This, according to Porphyrio, is the Demetrius mentioned
in 1. 90 below. Hendrickson thinks it is Bibaculus (CP.
xii. p. 87).

* For cantare " to satirize " cf. Sat. ii. 1. 46. These words
are not, as commonly believed, said in depreciation of Calvus
and Catullus, for there was no opposition toward thera
on the part of the Augustan poets. See Rand, " Catullus
and the Augustans," Harv. St. xvii. p. 28, and Ullraan,
" Horace, Catullus, and Tigellius," C.P. x. pp. 270 ff.
116

SATIRES, I. X. 8-28

hearer grin with laughter— though even in that there
is some merit. You need terseness, that the thought
may run on, and not become entangled in verbiage
that weighs upon wearied ears. You also need a
style now grave, often gay, in keeping with the role,
now of orator or poet, at times of the wit, who holds
his strength in check and husbands it with wisdom.
Jesting oft cuts hard knots more forcefully and
effectively than gravity. Thereby those great men
who wrote Old Comedy won success ; therein we
should imitate them — vsTiters whom the fop Hermo-
genes has never read, nor that ape," whose skill lies
solely in droning Calvus and Catullus.*

^ But that was a great feat," you say, " his
mixing of Greek and Latin words."

O ye late learners ! " ye who really think that a
hard and wondrous knack, which Pitholeon of Rhodes
achieved !

" But a style, where both tongues make a happy
blend, has more charm, as when the Falernian wine
is mixed with Chian."-

^ In your verse-making only (I put it to your-
self), or does the rule also hold good when you
have to plead the long, hard case of the defen-
dant Petillius ? Would you forsooth forget father-
land and father, and, while Pedius Publicola and
Corvinus si^at over their causes in Latin, would

' Seri studiorum is a translation of ofifiaSeh, used of
those who make a show of their newly acquired knowledge.
In the words following, -ne should not be regarded as
interrogative. It is an affirmative particle, as Priscian held
it to be. Nothing is known about Pitholeon, but Bentley
plausibly supposed he was the same as Pitholaus, who
assailed Julius Caesar in verse (Suet. Jul. 75).

117

HORACE

Corvinus, patriis intermiscere petita

verba foris malis, Canusini more bilinguis ? ^^30

Atque^ ego cum Graecos facerem, natus mare citra,
versiculos, vetuit me tali voce Quirinus,
post mediam noctem visus, cum somnia vera :
" In silvam non ligna feras insanitis ac si
magnas Graecorum malis implere catervas." 35

Turgidus Alpinus iugillat dum Memnona dumque
defingit^ Rheni luteum caput, haec ego ludo,
quae neque in aede sonent certantia iudice Tarpa,
nee redeant iterum atque iterum spectanda^ theatris.

Arguta meretrice potes Davoque Chremeta 40
eludente senem comis garrire libellos
unus vivorum, Fun^ani ; Pollio regum
facta canit pede ter percusso ; forte epos aQcr,
ut nemo, Varius ducit ; molle atque facetum
Vergilio adnuerunt^ gaudentes rure Camenae. 45
hoc erat, experto frustra Varrone Atacino
atque quibusdam aliis, melius quod scribere possem,^
inventore minor ; neque ego illi detrahere ausim
haerentem capiti cum multa laude coronam.

^ atqui Bentley.

^ defingit, / : diffingit K, II, Porph.

* spectata K, II.

* adnuerant a : adnuerint D. * possim, //.

" At Canusium, in Apulia, both Greek and Oscan were
spoken. ^^

* A sarcastic reference to M. Furius BibacvRs, who wrote
an epic on Caesar's Gallic Wars, and also an Aethiopis, in
which Memnon is slain by Achilles. The references would
be more intelligible if the poems of Bibaculus were extant,
but his bombastic style is clearly parodied. See further.
Sat. ii. 5. 41.

* i.e. the Temple of the Muses, where new poetry could
be read. For Tarpa see Index, under Maecius.

'' A reference to New Comedy, as handled by Terence.
118

SATIRES, I. X. 29-49

you prefer to jumble with your native speech words
imported from abroad, like the Canusian's jargon <» ?

31 I, too, though born this side of the sea, once took
to writing verses in Greek; but after midnight, when
dreams are true, Quirinus appeared and forbade me
with words like these : " 'Tis just as foolish to carry
timber to a wood as to ^vish to swell the crowded
ranks of the Greeks."

^ So while the pompous poet of the Alps miu-ders*
Memnon and botches with mud the head of the
Rhine,* I am toying 'vnth these trifles, which are
neither to be heard in the Temple" as competing for
Tarpa's verdict, nor are to come back again and again
to be witnessed on the, stage.

*^ You alone of living poets, Fundanius, can charm
us ^v^th the chit-chat of comedies, where the artful
mistress and Davus fool old Chremes."* In measure
of triple beat Polho sings of kings' exploits .« Sur-
passing all in spirit, Varius moulds the valorous epic'
To Virgil the Muses rejoicing in rural life have
granted simplicity and charm." This satire, which
Varro of the Atax and some others had vainly tried,
was what I could vncite with more success, though
falhng short of the inventor " ; nor would I dare to
■wTcst from him the crown that clings to his brow
with so much glory.

• Pollio us^^he iambic trimeter in his tragedies.

f This was written before Virgil had composed his Aeneid.

' A reference to the Eclogues. Professor C. N. Jackson
has won wide acceptance for his view that in moUe atqu4
facetum, commonly rendered as " tenderness and grace,"
Horace refers to distinctive features of the genus tenu4, or
plain style of writing {Hare. St. xxv. pp. 117 ff.).

* Lucilius.

119

HORACE

^ p At^ dixi fluere hunc lutulentum, saepe ferentem 50
pliira quidem tollenda relinquendis. age, quaeso,^
tu nihil in magncf doctus reprehendis Homero ?
nil comis tragici mutat Lucilius Acci ?
non ridet versus Enni gravitate minores,''
cum de se loquitur non ut maiore reprensis ? 65

quid vetat et nosmet Lucili scripta legentis
quaerere, num illius, num rerum dnrfi negarit
versiculos natura magis factes^t euntis
mollius, ac^ si quis, pedibus quid claudere senis,
hoc tantum contentus, amet scripsisse ducentos 60
ante cibum versus, totidem cenatus ? Etrusci
quale fuit Cassi rapido ferventius amni
ingenium, capsis quem fama eft esse librisque
ambustum propriis.

Fuerit Lucilius, inquam,
comis et urbanus,^ fuerit limatior idem 65

quam rudis et Graecis intacti carminis auctor
quamque poetarum seniorum turba : sed ille,
si foret hoc nostrum fato delapsus' in aevum,
detereret sibi multa, recideret omne quod ultra
^p^fectum traheretur, et in versu faciendo 70

saepe caput scaberet, vivos et roderet unguis.

Saepe stilum vertas, iterum quae digna legi sint
scripturus, neque te ut miretur turba labores,

1 at or adj et \l^. ^ quaero, /. ^ minoris Ooth.

* altos Goth. * et a. ® urbanis, //.

' delapsus V, adopted by Vollmer and Lejay : dilatus one
Bland., Bentley and generally accepted : dilapsus mss.

" i.e. hexameters. ' On Cassius see p. 277, note *.

« Cf. Sat. 1. 4. 90. The coincidence implies that there the
hie is LuciHus. So Tenney Frank in A.J.P. xlvi. (1925)
p. 72. <• Cf. Quintihan, x. 1. 93 "satura tota nostra est."

• The phrase stilum verier e means to erase what has been
written on the wax tablet, because the blunt end of the
120

SATIRES, I. X. 50-73

^ But I did say his stream runs muddy, and often
carries more that you would rather remove than
leave beliind. Come, pray, do you, a scholar, criti-
cize nothing in the great Homer ? Does your genial
Lucihus find nothing to change in the tragedies of
Accius ? Does he not laugh at the verses of Ennius
as lacking in dignity, though he speaks of himself as
no greater than those he has blamed B' And as we
read the writings of Lucihus, what forbids us, too, to
raise the question whether it was his own genius,
or whether it was the harsh nature of his themes *
that denied him verses more finished and easier in
their flow than if one were to put his thoughts into
six feet <» and, content with thds alone, were proud •
of having written two hundred hnes before and two
hundred after supping ? Such was the gift of Tuscan
Cassius,*" more headstrong than a rushing river, whose
own books and cases, so 'tis told us, made his funeral
pile.

^ Grant, say I, that Lucilius was genial and
witty " : grant that he was also more polished than
you would expect one to be who was creating a new
style quite untouched by the Greeks,** and more
polished than the crowd of older poets : yet, had
he fallen by fate upon this our day, he would
smooth away much of his work, would prune oflP all
that trailed beyond the proper limit, and as he
wrought his verse he would oft scratch his head and
gnaw his nails to the quick.

■^ Often must you turn your pencil to erase/ if you
hope to write something worth a second reading, and
you must not strive to catch the wonder of the crowd,

stilus was used to smooth out the surface traced by the
sharp end.

^ 121

HORACE

contentus paucis lectoribus. an tua demens
vilibus^ in ludis dictari carmina malis ? 75

non ego ; nam satis est equitem mihi plaudere, ut

audax,
contemptis aliis, explosa Arbuscula dixit.

Men moveat cimex Pantilius, aut cruciet quod
vellicet absentem Demetrius, aut quod ineptus
Fannius Hermogenis laedat conviva Tigelli ? O^'*^*^
Plotius et Varius, Maecenas Vergiliusque,
Valgius et probet haec Octavius optimus atque
Fuscus et haec utinam Viscorum laudet uterque !
ambitione relegata te dicere possum,
Pollio, te, Messalla, tuo cum fratre, simulque 86

'vos, Bibule et Servi, simul his te, candide Furni,
compluris alios, doctos ego quos et amicos
prudens praetereo ; quibus haec, sint quaHacumque,
adridere vehm, doUturus, si placeant spe
deterius nostra. Demetri, teque, Tigelli, 90

discipularum^ inter iubeo plorare cathedras.

I, puer, atque meo citus haec subscribe libello.
^ milibus xj/Xl. ^ discipularum uss. Porph. : discipulorum.

" i.e. Aristius Fuscus. Octavius is Octavius Musa, poet
and historian.

* The phrase iubeo plorare is a satiric substitute for iubeo
valere ("I bid farewell to"). Cf. otVcofe in Aristophanes, as
in Plut. 257.

* In this paragraph Horace contrasts writers of low
literary standards, represented by Tiarellius, with members
of the three circles of Maecenas, Pollio and Messalla. He
himself, like Virgil, belongs to the circle of Maecenas.
TibuUus, a member of Messalla's circle, is perhaps at this
time too young to be named. (See Ullman, C.P. x. (1910)
pp. 270 ff.)

■* The last verse, addressed to the slave who acts as
secretary, serves as an epilogue to the whole book. " The
farewell (or rather * fare-ill ') to Tigellius is the last shot in
the war, and Tigellius is never mentioned again. The last
122

SATIRES, I. X. 74-92

but be content with the few as your readers. WTiat,
would you be so foolish as to want your poems
dictated in common schools ? Not so I. " 'Tis
enough if the knights applaud me " — to quote daunt-
less Arbuscula's scornful remark, when the rest of
the house hissed her.

"* Am I to be troubled by that louse Pantilius?
Or tortured because Demetrius carps at me behind
my back, or because silly Fannius, who sponges
on Hermogenes TigelUus, girds at me ? Let but
Plotius and Varius approve of these verses ; let
Maecenas, Virgil, and Valgius ; let Octa\-ius and
Fuscus," best of men ; and let but the Viscus brothers
give their praise ! With no desire to flatter, I may
name you, PoUio ; you, Messalla, and your brother ;
also you, Bibulus and Ser\ius ; also you, honest
Fumius, and many another scholar and friend, whom
I piu^osely pass over. In their eyes I should hke
these verses, such as they are, to find favour, and I
should be grieved if their pleasure were to fall short
of my hopes. But you, Demetrius, and you, TigeUius,
I bid you go whine * amidst the easy chairs of your
pupils in petticoats ! "

^^ Go,"* lad, and quickly add these Unes to my Uttle
book.*

line of the first book represents the triumph of an artistic
ideal " (Ulhnan, loc. cit. p. 279).

* In connexion with this Satire reference may be made to
articles mentioned on p. 61, as well as to the following:
Hendrickson, G. L., " Horace and Lucilius. A Study of
Horace, Serm. i. 10," in Gildersleeve Studies, pp. 151 ff. ;
" Horace and Valerius Flaccus " (three articles), C.P. xi.
and xii. ; B. L. Ullman, " Horace, Catullus and Tigellius,"
C.P. X. pp. 270 ff.; E. K. Rand, "Catullus and the
Aagustans," Hare. St. xvii. pp. 15 ff.; C. F. Jackson,
" MoUe atque Facetum." Harv. St. xxiv. pp. 117 ff.

123

BOOK II

HORACE'S PARTING SHOT AT HIS CRITICS

This Satire continues the subject of the fourth and
tenth Satires of the First Book. That book had
aroused much criticism, which the poet meets in this
prologue to his Second Book.

The Satire assumes the form of an imaginary
dialogue between Horace and C, Trebatius Testa, a
famous lawyer of Cicero's time, whose legal advice
on the subject of satiric writing Horace is professedly
anxious to secure. Trebatius advises him to give
up writing altogether, or if that is impossible, to
take up epic poetry (1-12).

" I have no gift for the epic," says Horace, " and
yet I must write, and must write satire, even as
Lucilius used to do. I belong to a frontier stock
but am armed for defence, not offence, using the
pen when attacked as naturally as the bull its horns "
(13-60).

TREBATIUS. Then you will come to grief. Some
of your great friends will freeze you to death.

HORACE. Did those of Lucilius desert him, when
he attacked great and small ? Nay, he lived on
intimate terms with Scipio and Laehus, and though

124

SATIRES, II. I.

I fall short of him in social rank and ability, yet I,
too, have illustrious friends (60-79)-

TRE. But let me remind you of the law. You
are forbidden to write bad — that is, Ubellous — verses
against anyone.

HOR. Of course not. But what if they are good,
hke mine, and win Caesar's approval ?

TRE. Then such a charge will be laughed out of
court (79-86).

In view of Caesaris invicti of 1. 11, it would seem
that this Satire was wTitten after the Battle of
Actiimi, and therefore shortly before the pubhcation
of this Second Book in 30 b.c. Horace is now thirty-
five years of age and has won recognition and an
assured position in Roman hteratiire. He no longer
finds it necessary to defend his satire very seriously,
but, as Lejay, in his introduction to this Satire, has
clearly sho^^Ti, " the legal conditions under which
satire could be produced in the Augustan age
formed a very real restriction upon the freedom of
speech traditional in satire. . . . There is a touch of
serious anxiety beneath the jest upon the inala and
bona carmina with which the Satire closes " (Fiske,
Lucilius and Horace, p. 370).

125

LIBER SEGUNDUS

Sunt quibus in satura videar^ nimis acer et ultra
legem tendere opus ; sine nervis altera, quidquid
composui, pars esse putat similisque meorum
mi lie die versus deduci^ posse. Trebati,
quid faciam, praescribe.

" Quiescas."

Ne faciam, inquis, 5

omnino versus ?

" Aio."

Peream male, si non •
optimum erat ; verum nequeo dormirey^

j^i Ter uncti

transnanto Tiberim, somno quibus e^ opus alto,
irriguumque mero sub noctem corpus habento.
aut si tantus amor scribendi te rapit, aude 10

Caesaris invicti res dicere, multa laborum
praemia laturus."

Cupidum, pater optime, vires
deficiunt : neque enim quivis horrentia pilis
agmina nee fracta pereuntis cuspide Gallos
aut labentis equo describat^ volnera Parthi. 15

1 videor 0i/'. * diduci, II.

» describat aEM: -it D, II: -et K.

« We may infer from one letter of Cicero's {Ad/am. vii. 22)
126

BOOK II
Satire I

HORACE. There are some critics who think that I
am too savage in my satire and strain the work
beyond la^\•ful bounds. The other half of them hold
that all I have composed is " nerveless," and that
verses as good as mine could be turned out a thousand
a day. Give me advice, Trebatius. What am I to do?

TREBATius. Take a rest.

HOR. Not write verses at all, you mean ?

TRE. Yes.

HOR. Confound me, if that would not be best !
But I cannot sleep.

TRE. Let those who need sound sleep oil themselves
and swim across the Tiber thrice ; then, as night
comes on, let them steep themselves in wine." Or
if such a passion for wTiting carries you away, bravely
tell of the feats of Caesar, the unvanquished. Many
a reward for your pains will you gain.

HOR. Would that I could, good father, but my
strength fails me. Not everyone can paint ranks
bristling with lances, or Gauls falling with spear-
heads shattered, or wounded Parthian slipping from
his horse.

that Trebatius was a hard drinker, and we learn from
another (»6. vii. 10) that he was fond of swimming,s<wdio»m»-
miM homo natandi.

127

HORACE

" Altamen et iustum poteras et scribere fortem,
Scipiadam ut sapiens Lucilius."

Haud mihi dero,
cum res ipsa feret : nisi dextro tempore, Flacci
verba per attentam non ibunt Caesaris aurem,
cui male si palpere, recalcitrate undique tutus. 20

" Quanto rectius hoc, quam tristi laedere versu
Pantolabum scurram Nomentanumque^ nepotem,
cum sibi quisque timet, quamquam est intactus, et
odit."

Quid faciam ? saltat Milonius, ut semel icto
accessit fervor capiti numerusque lucernis ; 25

Castor gaudet equis, ovo prognatus eodem
pugnis ; quot capitum vivunt, totidem studiorum
milia : me pedibus delectat claudere verba
Lucili ritu, nostrum melioris utroque,
ille velut fidis arcana sodalibus olim 30

credebat libris, neque si male cesserat,^ usquam
decurrens alio, neque si bene ; quo fit, ut omnis
votiva pateat veluti descripta tabella
vita senis.

Sequor hunc, Lucanus an Apulus, anceps :
nam Venusinus arat finem sub utrumque colonus, 35
missus ad hoc, pulsis, vetus est ut fama, Sabellis,
quo ne per vacuum Romano incurreret hostis,
sive quod Apula gens seu quod Lucania bellum
incuteret violenta. sed hie stilus haud petet ultro

1 recalcitret. * .que] -ve, //, Porph.

' cesserat K : gesserat mss.

" A line quoted, with change of case, from Sat. i. 8. 11.
" Coming as he doe^ of frontier stock, Horace humorously

128

SATIRES, II. I. 16-39

THE. But you might write of himself, at once just
and valiant, as -wise Lucihus did of Scipio.

HOR. I ^Wll not fail myself, when the occasion
itself prompts. Only at an auspicious moment will
the words of a Flaccus find with Caesar entrance to an
attentive ear. Stroke the steed climisily and back
he kicks, at every point on his guard.

^ THE. How much Aviser tliis than with bitter verse
to wound " Pantolabus, the parasite, and spendthrift
Nomentanus," " whereupon everybody is afraid for
himself, though untouched, and hates you.

^ HOR. What am I to do ? Milonius starts a-dancing
once the heat has mounted to his wine-smitten brain
and the lamps twinkle double. Castor finds joy in
horses ; his brother, born from the same egg, in
boxing. For every thousand hving soiils, there are
as many thousand tastes. My own delight is to shut
up words in feet, as did Lucilius, a better man than
either of us. He in olden days would trust his secrets
to his books, as if to faithful friends, never turning
elsewhere for recourse, whether things went well
with him or ill. So it comes that the old poet's
whole life is open to view, as if painted on a votive
tablet.

** He it is I follow — I, a Lucanian or Apulian,* I
know not which, for the settlers in Venusia plough
close to the borders of both lands. Thither they
were sent, as the old story goes, wlien the Samnites
were driven out, and to this end, that no foe might
ever assail the Romans through an open frontier,
whether the Apuhan race or whether Lucania law-
lessly threatened any war. But this, both my dagger

claims that this is why he is so pugnacious and takes to
satire.

M. 129

HORACE

quemquam animantem et me veluti custodiet ensis 40
vagina tectus ; quern cur destringere^ coner
tutus ab infestis latronibus ? o pater et rex
luppiter, ut pereat positum robigine telum,^
nee quisquam noceat cupido mihi pacis ! at ille,
qui me commorit (melius non tangere, elamo), 45

flebit et insignis tota cantabitur urbe. »

Cervius iratus leges minitatur et urnam,
Canidia Albuci quibus est inimica venenum,
grande malum Turius, si quid se iudice certes.'
ut quo quisque valet suspectos terreat, utque 50

imperet hoc natura potens, sic collige mecum :
dente lupus, cornu taurus petit ; unde, nisi intus
monstratum ? Scaevae vivacem crede nepoti
matrem ; nil faciet sceleris pia dextera : mirura,
ut neque calce lupus quemquam neque dente petit^
bos : 55

sed mala^ toilet anum vitiato melle eicuta.
ne longum faciam : seu me tranquilla senectus
exspectat seu mors atris circumvolat alis,
dives, inops, Romae, seu fors ita iusserit, exsul,
quisquis erit vitae scribam color.

" O puer, ut sis 60
vitalis metuo, et maiorum ne quis amicus
frigore te feriat." quid ? cum est Lucilius ausus
primus in hunc operis componere carmina morem,
detrahere et pellem, nitidus qua quisque per ora

^ distringere, //.

* telum Mss. : ferrum Priscian.

' quis . . . certet BK, II. * petat D(f>ipl.

* mala mss. : male E3I.

" The stilus, a pointed instrument, could be used either
as a pen or as a weapon. For the latter sense cf. stiletto.

130

SATIRES, II. I. 40-64

and pen,* shall never of my free will assail any man
alive but shall protect me, like a sword laid up in its
sheath. Why should I try to draw it, while I am
safe from robbers' assaults ? O Jupiter, Sire and
King, let perish with rust the discarded weapon,
and let no man injure me, a lover of peace ! But if
one stir me up (" Better not touch me ! " I shout),
he shall smart for it and have his name sung up and
do^^■n the town.

*' Cer\'ius, when angry, threatens his foes with
laws and the judge's urn ; Canidia \vith the poison
of Albucius ; Turius with a big fine, if you go to
court when he is judge. How everyone, using the
weapon in which he is strong, tries to frighten those
whom he fears, and how this is at Dame Nature's
own command, you must infer — as I do — thus : the
wolf attacks with fangs, the bull with horns — how
was each taught, if not by instinct ? Suppose you
entrust to the spendthrift Scaeva a long-lived mother :
his filial hand will commit no crime. How mar-
vellous ! no more so than that a wolf assails none
with his heels, nor an ox with his teeth ; but deadly
hemlock in drugged honey will carry the old crone
off. To be brief — whether peaceful age awaits me,
or Death hovers round with sable wings, rich or
poor, in Rome, or, if chance so bid, in exile, whatever
the colour * of my hfe, write I must.

®* TRE. My lad, I fear your life will be brief.
One of your great friends will strike you with a
killing frost.

HOR. \\'hat ! when Lucihus first dared to compose
poems after this kind, and to strip off the skin Avith
which each strutted all bedecked before the eyes of
* i-e. bright or dark, with good or bad fortune.

131

HORACE

cederet, introrsum tiirpis, num Laelius et^ qui 65
duxit ab oppressa meritum Karthagine nomen
ingenio ofFensi aut laeso doluere Metello
famosisque Lupo cooperto versibus ? atqui
primores populi arripuit populumque tributim,^
scilicet uni aequus Virtuti atque eius amicis. 70

quin ubi se a volgo et scaena in secreta remorant
virtus Scipiadae et mitis sapientia Laeli,
nugari cum illo et discincti ludere, donee
decoqueretur holus, soliti. quicquid sum ego, quam-

vis
infra Lucili censum ingeniumque, tamen me 75

cum magnis vixisse invita fatebitur usque
invidia, et fragili quaerens inlidere dentem
offendet solido, nisi quid tu, docte Trebati,
dissentis.

" Equidem nihil hinc diffindere^ possum.
sed tamen ut monitus caveas, ne forte negoti 80

incutiat tibi quid sanctarum inscitia legum :
si mala condiderit in quem quis carmina, ius est
iudiciumque."

Esto, si quis mala ; sed bona si quis
iudice condiderit laudatus Caesare ? si quis
opprobriis dignum latraverit, integer ipse ? 8fi

" Solventur risu tabulae, tu missus abibis."

» etD/T: aut aE.

* tributim aK : tributum DE.

' diffindere VDM, II, Porph. : diffingereo: diffundere JB? :
diffidere.

" The younger Scipio Africanus.

* In 1. 82 Horace uses the very phraseology of the XII.
Tables as cited by Pliny, " qui malum carmen incantassit"
{Hist. Nat. xxviii. 4. 18), and Cicero, "sive carmen condi-

132

SATIRES, II. I. 65-86

men, though foul within, was Laelius offended at
his wit, or he who took his well-earned name from
conquered Carthage ? " Or were they hurt because
Metellus was smitten, and Lupus buried under a
shower of lampooning verses ? Yet he laid hold
upon the leaders of the people, and upon the people
in their tribes, kindly in fact only to Virtue and her
friends. Nay, when virtuous Scipio and the wise
and gentle Laelius withdrew into privacy from the
throng and theatre of life, they would turn to folly,
and flinging off restraint would indulge with him in
sport while their dish of herbs was on the boil. Such as
I am, however far beneath Lucilius in rank and native
gifts, yet Envj", in spite of herself, will ever admit
that I have lived with the great, and, while trying
to strike her tooth on something soft, will dash upon
what is solid. But maybe you, learned Trebatius,
disagree.

'^ TRE. Indeed, I can take no exception to this. But
for all that, let me warn you to beware, lest haply
ignorance of our sacred laws bring you into trouble.
If a man write ill verses against another,'' there is a
right of action and redress by law.

HOR. To be sure, in case of ill verses. But what
if a man compose good verses, and Caesar's judge-
ment approve ? If he has barked at someone who
deserves abuse, himself all blameless ?

TRE. The case will be dismissed with a laugh."
You will get off scot-free.

disset" {De republica, iv. 10. 12). Horace is, of course,
punning on the use of malum, which can mean both
" libellous " and " of bad quality."

* Literally, "the ofScial rei'ords will be cancelled." See
Jefferson Elmore, C.R. xxxiii. p. 102.

A DISCOURSE ON PLAIN LIVING

Horace puts the discourse in the mouth of Ofellus,
an old neighbour of the poet's, and a representative
of the simphcity and other sturdy quahties of the
Apuhan farmers. As a whole, however, the Satire
is mainly a collection of commonplaces taken from
the teachings of the various philosophic schools,
though the theme and even the mode of handling it
were probably suggested by Lucilius. It stands
midway between dialogue and monologue, and
perhaps indicates that the author is still experi-
menting in regard to the form. It is probably the
first one of this book in the order of composition.

The argument is as follows : Learn from me, or
rather from my authority, Ofellus — a plain but
shrewd countryman — the value of simple living.
Let us learn the lesson before we break our fast.

A man never despises frugal fare after heavy
exercise, because the pleasure of eating lies, not in
costly food, but in oneself. The most tempting
dainties lose their flavour for the man who has no
appetite. People foolishly prefer a peacock to a
pullet, simply because it has a fine tail and costs
inore money. So, too, a three-pound mullet is
admired, while a big pike is scorned. The former
134

SATIRES, II. 11.

is an unnatural rarity, the latter is common, and the
well-fed stomach scorns things common. Some day
we shall find roast gulls in fashion (1-52).

Plain living is not the same as mean living, and
you must not avoid one fault merely to fall into
another. There is a happy mean between stinginess
and extravagance (53-69).

A simple fare means healtli of body, a good diges-
tion, sound and refreshing sleep, mental vigour. It
allows one to indulge himself occasionally, as when
the hohdays come, or in times of ill-health, or when
old age arrives. In the good old days dainties were
reserved for hospitality (70-93).

A luxurious life leads to disgrace and ruin. " That
may be true of others," says one, " but I can well
afford to be extravagant." Then why not use your
money for better ends ? And what about the changes
and chances of life ? Which of the two will meet
them best, the man accustomed to every comfort, or
the one who is content with little (94'-lll) ?

I knew Ofellus in my boyhood, when he was the
well-to-do owner of the land on which he now pays
rent. In those days he lived the same simple life
that he does now, and when misfortunes came, he
faced them bravely and in true philosophic fashion
(113-136).

Kiessling has pointed out how closely this Satire
reproduces some ideas found in the well-known letter
of Epicurus to Menoecus (Diog. Laert. x. 131), but
Lejay has also called attention to striking parallels
in Cicero's philosophical writings. Even the phrase
tenuis victus (1. 53) is Ciceronian (cf. Tusc. Disp. iii.
4.9. 5 ; V. 26. 89, etc.). " Ciceron," says Lejay (p. 380),
" est peut-etre encore plus completement I'inspira-
tion des grandes hgnes de la satire."

135

Quae virtus et quanta, boni, sit \avere parvo
(nee meus hie sermo est, sed quae praecepit Ofellus
rusticus, abnormis^ sapiens crassaque Minerva),
discite, non inter lances mensasque nitentis,
cum stupet insanis acies fulgoribus et cum 6

acclinis falsis animus meliora recusat,
verum hie impransi mecum disquirite. " cur hoc ? "
dicam, si potero.

Male verum examinat omnis
corruptus iudex. leporem sectatus equove
lassus ab indomito vel, si Romana fatigat 10

militia adsuetum graecari, seu pila velox
moUiter austerum studio fallente laborem,
seu te discus agit (pete cedentem aera disco) —
cum labor extuderit fastidia, siccus, inanis
sperne cibum vilem ; nisi Hymettia mella Falerno 15
ne biberis diluta. foris est promus et atrum
defendens piscis hiemat mare : cum sale panis
latrantem stomachum bene leniet. unde putas aut
qui partum ? non in caro nidore voluptas

^ abnormi aEK Acr. ; ab normis Vollmer and Lejay.

" For Romana militia, or training for the Roman army,
cf. Cicero, De nat. deor. ii. 64, " ut exerceamur in venando
ad similitudinem bellicae disciplinae," and for the contrast
with Greek games see Odes, iii. 24. 54 if.

* According to Macrobius, Saturn, vii. 12, the besi
136

Satire II

What and how great, my friends, is the virtue of
frugal living — now this is no talk of mine, but is the
teaching of Ofellus, a peasant, a philosopher un-
schooled and of rough mother'-wit — learn, I say, not
amid the tables' shining dishes, when the eye is
dazed by senseless splendour, and the mind, turning
to vanities, rejects the better part ; but here, before
we dine, let us discuss the point together. " Why
so ? " I will tell you, if I can.

* Every judge who has been bribed weighs truth
badly. After hunting the hare or wearily dismount-
ing from an unbroken horse, or else, if Roman army-
exercises " are fatiguing to one used to Greek ways,
it may be the swift ball takes your fancy, where the
excitement pleasantly beguiles the hard toil, or it
may be the discus (by all means hurl the discus
through the yielding air) — well, when toil has knocked
the daintiness out of you ; when you are thirsty and
hungry, despise, if you can, plain food ; refuse to
drink any mead, unless the honey is from Hymettus,
and the wine from Falernum.'' The butler is out ;
the sea, dark and stormy, protects its fish ; bread
and salt will suffice to appease your growling belly.
Whence or how do you think this comes about ? The
chiefest pleasure lies, not in the costly savour, but in

mead was made of new Hymettian honey and old Falernian
wine.

137

HORACE

summa, sed in te ipso est. tu pulmentaria quaere 20
sudando : pinguem vitiis albumque neque ostrea
nee scarus aut poterit peregrina iuvare lagois.
Vix tamen eripiam, posito pavone velis quin
hoc potius quam gallina tergere palatum,
corruptus vanis rerum, quia veneat auro 25

rara avis et picta pandat spectacula cauda ;
tamquam ad rem attineat quicquam. num vesceris

ista
quam laudas pluma ? cocto num adest honor^ idem ?
came tamen quamvis distat nil, hac^ magis illam^
imparibus formis deceptum te petere^ ! esto : 30
unde datum sentis, lupus hie Tiberinus an alto
captus hiet, pontisne inter iactatus an amnis
ostia sub Tusci ? laudas, insane, trilibrem
muUum, in singula quern minuas pulmenta necesse

est.
ducit te species, video, quo pertinet ergo 35

proceros odisse lupos ? quia scilicet illis
maiorem natura modum dedit, his breve pondus.
ieiunus raro stomachus volgaria temnit.

" Porrectum magno magnum spectare catino
vellem," ait Ilarpyiis gula digna rapacibus. at vos, 40
praesentes Austri, coquite horum obsonia. quam-

quam^
putet aper rhombusque recens, mala copia quando

^ color Goth. * haec,

» illam E Goth., Porph. : ilia aD, II.

* petere aDEK Porph. : patet D^M, Orelli.

* quamvis, //.

» Cicero {Ad fam. ix. 20. 2) implies that a peacock was
regarded as an essential feature of a banquet.

138

SATIRES, II. 11. 20-42

yourself. So earn your sauce with hard exercise.
The man who is bloated and pale from excess
will find no comfort in oysters or trout or foreign
grouse.

^ Yet, if a peacock be served,* I shall hardly root
out your longing to tickle your palate with it rather
than \\ith a pullet. You are led astray by the vain
appearance, because the rare bird costs gold and
makes a brave show with the picture of its outspread
tail — as though that had aught to do >vith the case !
Do you eat the feathers you so admire ? Does the
bird look as fine when cooked ? Yet, though in
their meat they are on a par, to think that you crave
the one rather than the other, duped by the difference
in appearance ! Very well. But what sense tells
you whether this pike gasping here was caught in the
Tiber or in the sea, whether in the eddies between
the bridges ^ or just at the mouth of the Tuscan"
river ? You foolish fellow, you praise a three-pound
mullet, which you must needs cut up into single
portions. 'Tis the look, I see, that takes you. Why
then detest a very long pike ? It is, of course,
because nature has made the pike large, and the
mullet hght of weight. Only a stomach that seldom
feels hunger scorns things common.

^ "But a big fish on a big dish outstretched!
That's what I'd hke to see ! " cries a gullet worthy of
the greedy Harpies. Nay, come in your might, ye
southern gales, and taint these gluttons' dainties !
And yet they are already rank, yon boar and fresh

* i.e. oS the Ins^ula Tiberina. The two bridges. Pons
Cestius and Pons Fabricius, connected the island with the
right and left banks of the Tiber.

• The Tiber rises in Etruria.

139

HORACE

aegrum sollicitat stomachum, cum rapula plenus

atque acidas mavolt inulas. necdum omnis abacta

pauperies epulis regum : nam vilibus ovis 45

nigrisque est oleis hodie locus, baud ita pridem

Galloni praeconis erat acipensere mensa

infamis. quid? tunc^ rhombos minus aequor alebat^?

tutus erat rhombus tutoque cieonia nido,

donee vos auctor docuit praetorius. ergo 50

si quis nunc mergos suavis edixerit assos,

parebit pravi docilis Romana iuventus.

Sordidus a tenui victu distabit,^ Ofello
iudice ; nam frustra vitium vitaveris illud,
si te alio pravum detorseris. Avidienus, 55

cui Canis ex vero ductum* cognomen adhaeret.
quinquennis oleas est et silvestria corna,
ac nisi mutatum parcit defundere^ vinum, et
cuius odorem olei^ nequeas perferre, licebit
ille repotia, natalis alios ve dierum 60

festos albatus celebret, cornu ipse bilibri
caulibus instillat, veteris non parcus aceti.
quali igitur victu sapiens utetur, et horum
utrum imitabitur? hac urget lupus, hac canis, aiunt.'
mundus erit, qua^ non offendat sordibus, atque 65
in neutram partem cultus miser, hie neque servis,
Albuci senis exemplo, dum munia didit,®

^ turn, II. ' aequora alebant EM.

' distabit early editors : distabat mss.

* ductum V: dictum mss.

5 fundere, //. « olet, //. ' angit D».

8 qui, //. » dedit DEAL

' Lucilius had satirized Gallonius for serving a huge
sturgeon at dinner.

'' According to Porphyrion, the reference is to one Rufus,
who set the fashion of eating storks, and who was defeated

140

SATIRES, II. n. 43-67

turbot, since cloying plenty worries the jaded
stomach, which, sated as it is, prefers radishes and
tart pickles the while. Nor is the poor man's fare yet
wholly banished from the feasts of kings, for cheap
eggs and black olives still have a place. 'Tis not so
long ago that by reason of a sturgeon the table of
Gallonius the auctioneer won ill repute." What ?
Was the sea less a home for turbots in those days ."*
The turbot was safe, and safe was the nest of the
stork, till a praetor's sanction taught you the lesson .''
So now, should someone decree that roasted gulls are
delicacies, our Roman youth, quick to learn ill ways,
will obey.

^ A mean style of living will differ, so Ofellus
thinks, from a simple one ; for it ^\^ll be idle for you
to shun one fault, if you turn aside into another
crooked path. Avidienus, to whom the nickname
" Dog " quite rightly clings, eats his olives five years
old with cornels from the wood, and is chary of
dra\\ing his wine till it has soured ; as to his oil, you
couldn't bear its smell, yet even if in his whitened
garb " he keeps a wedding or birthday feast or some
other holiday, he drops it on the salad from a two-
pound horn with his own hands, though his old
vinegar he does not stint. What style then will the
wise man adopt, and which of these two will he copy ?
On the one side, as the saying is, a wolf attacks, on
the other a dog. He will be neat, so far as not to
shock us by meanness, and in his mode of living ■will
be unhappy in neither direction. He will neither,
like old Albucius, be cruel to his slaves, as he assigns

for the praetorship. The word praetorius is therefore used
in irony.

' i^. in holiday attire, and wearing a freshly cleaned toga.

141

HORACE

saevus erit ; nee sic ut simplex Naevius unctam
convivis praebebit aquam : vitium hoc quoque mag-
num. 69

Accipe nunc, victus tenuis quae quantaque secum
adferat. imprimis valeas bene, nam variae res
ut noceant homini credas, memor illius escae,
quae simplex olim tibi sederit : at simul assis
miscueris elixa, simul conchylia turdis,
dulcia se in bilem vertent stomachoque tumultum 76
lenta feret pituita. vides ut pallidus omnis
cena desurgat dubia ? quin corpus onustum
hesternis vitiis animum quoque praegravat una
atque adfigit humo divinae particulam aurae.
alter, ubi dicto citius curata sopori 80

membra dedit, vegetus praescripta ad munia surgit.
hie tamen ad melius poterit transcurrere quondam,
sive diem festum rediens advexerit annus,
seu recreare volet tenuatum corpus, ubique
accedent anni,^ tractari mollius aetas 85

imbecilla volet : tibi quidnam accedet ad istam
quani puer et validus praesumis mollitiem, seu
dura valetudo incident seu tarda senectus ?

Rancidum api'um antiqui laudabant, non quia nasus
illis nullus erat, sed, credo, hac mente, quod hospes
tardius adveniens vitiatum^ commodius quam 91

1 anni et Bentley. * vitiaret VaEM.

" The phrase cena dubia (used by Terence, Phormio, 342)
had become proverbial. It means a dinner so varied that
you don't know what to take.

* Horace is usin}? the language of high philosophy. The
animus is a part of the universal divine spirit imprisoned in
the body; cf. Cicero, De senectute, 21. 78, "ex universa
mente delibatos animos." In adfigit humo Horace echoes
Plato, who, in Phaedo 83 d, says that every pleasure and

142

SATIRES, II. 11. 68-91

their tasks, nor, like careless Naevins, will he offer
greasy water to his guests: this too is a great
blunder.

™ Now learn what and how great are the blessings
that simple hving brings in its train. First of all,
good health. For how harmful to a man a variety of
dishes is, you may realize, if you recall that plain fare
which agreed with you in other days. But as soon as
you mix boiled and roast, sheU-fish and thrushes, the
sweet wll turn to bile, and the thick phlegm will
cause intestine feud. Do you see how pale rises
each guest from his " puzzle feast " * ? Nay more,
clogged with yesterday's excess, the body drags
down with itself the mind as well, and fastens to
earth a fragment of the di\'ine spirit.' The other,
when after refreshment he has surrendered his limbs
to sleep sooner than you can speak,* rises up in
vigour for his appointed tasks. Yet at times he will
be able to pass over to better cheer, whether the
revohing year brings some holiday, or he wants to
renew a shrunken frame, and when, as time advances,
the frailty of age looks for more indulgent treatment.
But as for you, if ill-health come, or enfeebling age,
what will you bring to add to that indulgence wliich,
while young and hale, you thus forestall ?

^ Our fathers used to praise a boar when high ;
not that they had no noses, but with this thought,
I suppose, that a guest arriving behind time could
more conveniently eat it when tainted than the

every pain is a sort of nail, which nails (t/xxtt/XoI) the soul
to the body.

* The proverbial expression dicto citius, "quicker than
a word," is hke the English " before you can say Jack
Robinson." The phrase curare membra or curare corpus is
often used of taking refreshment.

143

HORACE

integrum edax dominus consumeret. hos utinam inter
heroas natum tellus me prima tulisset !

Das aliquid famae, quae carmine gratior aurem
occupet^ humanam : grandes rliombi patinaeque 95
grande ferunt una cum damno dedecus ; adde
iratum patruum, vicinos, te tibi iniquum
et frustra mortis cupidum, cum derit egenti
as, laquei pretium. " iure," inquit, " Trausius istis
iui-gatur verbis : ego vectigalia magna 100

divitiasque habeo tribus amplas regibus." ergo
quod superat non est melius quo insumere possis ?
cur eget indignus quisquam, te divite ? quare
templa ruunt antiqua deum ? cur, improbe, carae
non aliquid patriae tanto emetiris acervo ? 105

uni nimirum recte^ tibi semper erunt res,
o magnus posthac inimicis risus ! uterne
ad casus dubios fidet sibi certius ? hie qui
pluribus adsuerit mentem corpusque superbum,
an qui contentus parvo metuensque futuri 110

in pace, ut sapiens, aptarit idonea bello ?

Quo magis hiscredaSjpuer"* huncego parvus Ofellum
integris opibus novi non latius usum
quam nunc accisis. videas metato* in agello
cum pecore et gnatis fortem mercede colonum, 115

^ occupat, II. * rectae V.

^ puer X Goth. : puerum, /. * metatum, II.

<• Horace says that their ancestors kept the boar till it
was " high," a practice which he attributes to their hospitality,
or desire to have something in store should a guest arrive.

'' In Latin literature the uncle is the regular type of the
stern and severe relative.

" This jest, found in Plautus, e.g. Pseud. 88, doubtless
conies from Attic comedy.

■* The word means "measured off," i.e. for confiscation.

144

SATIRES, II. n. 92-115

greedy master, while still fresh. Oh, that the early
world had given me birth among heroes such as
those ! <»

^* You set some store by good repute, which,
sweeter than song, charms the human ear. Big
turbots and dishes bring a big scandal and loss. Add
the angry uncle,'' the angry neighbours, your hatred
of self, your vain longing for death, when in your need
you lack a penny to buy a halter ^\ith.'' " 'Tis all
right," he answers, " for Trausius to be scolded in
such language, but I have large revenues, and riches
ample for three kings." Well, is there no better
object on which you can spend your surplus ? Why
is any worthy man in want, while you are rich ?
Why are the ancient temples of the gods in ruin ?
Why, shameless man, do you not measure out some-
tliing from that great heap for your dear country ?
You alone, of course, will always find things go well.
Oh, what a laughing-stock you will be some day for
your enemies ! Which of the two, in face of changes
and chances, will have more self-confidence — he who
has accustomed a pampered mind and body to
superfluities, or he who, content \Wth httle and
fearful of the future, has in peace, like a wise man,
provided for the needs of war ?

^^2 That you may give more credit to such words,
I will tell you how, when I was a little boy, this
Ofellus, as I well know, used his full means on no
larger scale than he does now, when they are cut
down. You may see him on his little farm, now
assigned to others,** with his cattle and his sons, a

It was assigned to the veteran Umbrenus (ii. 133). Probably
Ofellus was dispossessed of his farm when Horace, like
Virgil, lost his own property, in -tl b.c.

L 145

HORACE

" non ego," narrantem, " temere edi luce profesta
quiequam praeter holus fumosae cum pede pemae.
ac mihi seu longum post tempus venerat hospes,
sive operum vacuo gratus conviva per imbrem
vicinus, bene erat non piscibus urbe petitis, 120

sed pullo atque haedo ; turn^ pensilis uva secundas
et nux ornabat mensas cum duplice ficu.
post hoc ludus erat culpa^ potare magistra,
ac venerata Ceres, ita culmo surgeret alto,
explicuit vino contractae seria frontis. 125

saeviat atque novos moveat Fortuna tumultus :
quantum' hinc imminuet ? quanto aut ego parcius

aut vos,
o pueri, nituistis.'* ut hue novus incola venit ?
nam propriae telluris erum natura neque ilium
nee me nee quemquam statuit : nos expulit ille ; 130
ilium aut nequities aut vafri inscitia iuris,
postremum expellet certe vivacior heres.^
nunc ager Umbreni sub nomine, nuper Ofelli
dictus, erit nulli proprius, sed cedet in usum
nunc mihi, nunc alii.® quocirca vivite fortes, 135
fortiaque adversis opponite pectora rebus."

* tunc, / : turn, //, Priscian.

* culpa MSS.f Porph. : cupa Bentley, who also suggeated
nulla : captu . . . magistro Housman.

^ quantum DM, II: Peerlkamp conjectured quando.

* instituistis D^cpXl.

* From here D is wanting up to ii. 3. 75. * aliis X.

" Instead of the formalities of a banquet, where a magister
bibendi prescribed the rules, any shirking would be punished
by a forfeit.

' Usus is probably put for usus/ructus, which was the right

146

SATIRES, II. 11. 116-136

sturdy tenant-farmer, and tliis is his stor}'- : " I was
not the man to eat on a working day, \sithout good
reason, anything more than greens and the shank of
a smoked ham, and if after long absence a friend
came to see me, or if in rainy weather, when I could
not work, a neighbour paid me a \isit — a welcome
guest — we fared well, not \^-ith fish sent for from town,
but with a pullet or a kid; by and by raisins and
nuts and split figs set off otir dessert. Then we had
a game of drinking, with a forfeit to rule the feast,"
and Ceres, to whom we made our prayer — " so might
she rise on lofty stalk ! " — smoothed out with >\ine
the worries of a >vrinkled brow. Let Fortune storm
and stir fresh turmoils ; how much -v^ill she take off
from this ? How much less sleek have I been, or
you, my lads, since this new landlord came ? Nature,
in truth, makes neither him nor me nor anyone else
lord of the soil as his ovm. He drove us out, and he
will be driven out by villainy, or by ignorance of the
quirks of the law, or in the last resort by an heir of
longer life. To-day the land bears the name of
Umbrenus ; of late it had that of Ofellus ; to no one
will it belong for good, but for use it will pass, now
to me and now to another.* Live, then, as brave
men, and with brave hearts confront the strokes of
fate."

of using and enjoying property, but not of owning it. The
latter was called dominium. For the thought cf. the famous
verse in Lucretius (iii. 971), " Life is granted to none in fee-
simple, to all on lease,"

vitaque mancipio nulli datur, omnibus usu.

147

THE FOLLIES OF MANKIND

According to the Stoics, everyone save the wise
man is mad ; iroii a</>/>wv fiaire-ai,. Horace makes
this paradox his text and assails the folhes of the
world.

The Satire takes the form of a dialogue between
the poet and Damasippus. Horace is at his newly
acquired Sabine farm, to which he has retired to
avoid the excitement of the Saturnaha in Rome.
Damasippus, of whom we hear in Cicero's Epistles,
is a bankrupt speculator and dealer in works of art,
who, having fallen into the depths of despair, had
been rescued by the Stoic sage Stertinius, was con-
verted by him to philosophy, and so made into the
M-ise man he has now become. He reports a long
discourse of Stertinius upon the text, " all men, save
only the wise, are mad " (1-81).

The sermon of Stertinius may be divided into four
parts, dealing with avarice (82-157), ambition (158-
223), self-indulgence (225-280), and superstition
(281-295), all of which are phases of madness.

The avaricious are the largest class of madmen.
They beheve poverty to be the greatest possible
disgrace, and suppose that wealth can confer every
blessing (91-97). Avarice, as well as its opposite,

149

HORACE

prodigality, are illustrated by the story of the two
sons of Servius Oppidius (168-178).

The ambitious are mad. Agamemnon, slaying his
daughter for the sake of power and position, was
just as mad as Ajax, who slew sheep under the
delusion that they were his enemies (193-213).

The madness of self-indulgence is illustrated by
the spendthrift Nomentanus, who wastes the fortune
he has inherited (224-238) ; by the son of Aesopus,
who swallows the precious pearl of his mistress
which he has dissolved in vinegar (239-241) ; by the
sons of Arrius, who breakfast on costly nightingales
(243-246) ; and especially by the follies of lovers,
who are often as crazy as would be a grown-up man
if he indulged in the sports of children (247-254).
Better for them to follow the example of Polemon,
who listened to the voice of reason and cast away
the tokens of his malady (254-257). The love passion
may even lead to bloodshed, as we saw the other
day when Marius murdered his mistress and took
his own hfe (275-280).

The madness of superstition is illustrated by the
old freedman who prayed for immortality, and by
the mother whose sick son recovers only to be killed
through her foolish vow (281-295).

" And what," asks Horace, as Damasippus brings
tliis long sermon of Stertinius to a close, " is my
madness ? I think I am sane."

DAMASIPPUS. So Agave thought, when she was
carrying in her hands the head of her unfortunate
son.

HORACE. Well, what is my madness ?

DAM. You are aping the great, like the frog in
the fable. You write verses, you have a bad temper,
150

SATIRES, II. m.

you live beyond your means, you are always falling
in love.

HOR. You greater madman, spare the lesser !
(296-326).

Tliis is not only the longest, but also the best
constructed of Horace's Satires. Notwithstand-
ing the long discourse which makes up the main
body of the poem, the dialogue-form serves as a
framework for the whole, and allows the poet to
employ a light, humorous vein in both beginning
and end, where he turns the laugh against himself.
Note that while the ^Titer's main aim throughout is
to portray striking forms of human folly, a second
one is to ridicule the airs and manners of the Stoic
preachers of the day. The Satire was probably
written in 33 B.C., because in 1. 185 there is a reference
to the curule aedileship of Agrippa, held in that year
and distinguished by magnificence of display.

151

III.

" Sic* raro scribis,^ ut toto non quater anno
membranam poscas, scriptorum quaeque retexens,
iratus tibi, quod vini somnique benignus
nil dignum sermone canas ; quid fiet ? at^ ipsis
Saturnalibus hue fugisti. sobrius ergo* 5

die aliquid dignum promissis : ineipe, nil est :
eulpantur frustra ealami, immeritusque laborat
iratis natus paries dis atque poetis.
atqui voltus erat multa et praeclara minantis,
si vaeuum tepido eepisset villula teeto. 10

quorsum pertinuit stipare Platona Menandro,
Eupolin, Archilochum, eomites educere tantos ?
invidiam placare paras virtute relicta ?
contemnere, miser, vitanda est improba Siren
desidia, aut quidquid vita meliore parasti 15

ponendum aequo animo." di te, Damasippe, deaeque
^ sic : si E.
^ scribis M: scribes aE. Dentley read si scribes.

' at V, II : ah, I. * Bentley punctuated after sohrms.

" Parchment would be needed for the final form of his
words, after the poet had written and corrected his notes
on the tablets.

* Horace is probably thinking of Penelope's web.

" The wall suffers because the poet pounds it in his vain
efforts at composition.

■* Thougli Orelli supposed that Plato the philosopher is
here meant, it seems certain that Horace is speaking of
Plato the poet, leader of the so-called Middle Attic Comedy.

152

Satire III

DAMASiPPUS. So seldom do you write, that not four

times in all the year do you call for the parchment,'^
while you unweave the web of all you have written,*"
and are angry ^^•ith yourself because, while so
generous of wine and of sleep, you turn out no poetry
worth talking about. What will be the end ? \Miy,
you say, even in the SaturnaUa you fled here for
refuge. Well then, in your sober mood, tell some-
tiling worthy of your promises. Begin. Nothing
comes. In vain you blame the pen ; and the innocent
wall, begotten when gods and poets were angry,
must suffer." Yet you had the look of one who
tlireatened great and glorious things, if once you
were care-free and your country cottage welcomed
you under its warm roof. What was the use of
packing Plato <* with Menander, and of taking out
of town Eupolis and Archilochus, such weighty
comrades ? Think you to lay Envy low by deserting
Virtue ? You will earn contempt, poor wretch.
You must shun the ^^^cked Siren, Sloth, or be content
to drop whatever honour you have gained in nobler
hours.

HORACE. May the gods and goddesses give you.

Thus he would take with him to the country representatives
of Old (Eupolis), Middle, and New (Menander) Comedy,
as well as the great iambic poet, Archilochus.

153

HORACE

verum ob consilium donent tonsore. sed unde
tam bene me nosti ?

" Postquam omnis res mea lanum
ad medium fracta est, aliena negotia euro,
excussus propriis. olim nam quaerere amabam, 20
quo vafer^ ille pedes lavisset Sisyphus aere,
quid sculptum infabre, quid fusum durius esset ;
callidus huic signo ponebam milia centum ;
hortos egregiasque domos mercarier unus
cum lucro norani ; unde frequentia Mercuriale 23
imposuere mihi cognomen compita." novi,
et miror morbi purgatum te illius. " atqui
emovit veterem mire novus, ut solet, in cor
fcraiecto lateris miseri capitisve^ dolore,
ut lethargicus hie cum fit pugil et medicum urget." 30
dum ne quid simile huic, esto ut libet. " o bone, ne te
frustrere, insanis et tu stultique prope omnes,
si quid Stertinius veri^ crepat, unde ego mira
descripsi docilis praecepta haec, tempore quo me
solatus iussit sapientem pascere barbam 35

atque a Fabricio non tristem ponte reverti.

^ vafer, 7, Porph. : faber, //.
• -ve] -que a, II. ' verum, II.

" Being a philosopher, Damasippus grows a long beard.
See 1. 35 below.

* The temple of Janus stood on the north side of the
Forum, at the entrance to the street called Argiletum.
This street, centre of the banking business of Rome, is here
called " Janus " after the temple, and was probably lined
with a colonnade or arcade. Horace elsewhere uses the
expression lanus summus ab irno {Epist. i. 1. .54).

* He was a connoisseur in antiques and objets d'art.

154

SATIRES, II. in. 17-36

Damasippus, for your sound advice — - a barber " !
But how come you to know me so well ?

DAM. Ever since the ^^Teck of all my fortunes at
the Central Arcade, '' I have looked after other
people's business, after being flung overboard from
my own. There was a time when my hobby ' was
to look out for the bronze in which shrewd old
Sisyphus had washed his feet, and to see what work
of art was crude in the carving, what was too rough
in the casting. As an expert, I valued this or that
statue at a hundred thousand. As to gardens and
fine houses, I was the one man that knew hoAV to
buy them at a bargain ; hence the crowded streets
gave me the nickname of " Mercury's pet."<*

HOR. I know it, and am surprised to find you
cured of that disorder.

DAM. Nay, what is surprising is that a new dis-
order drove out the old, as is the way when the pain of
aching side or head passes into the stomach, or when
the lethargic patient here turns boxer and pimimels
the doctor.

HOR. As long as you do nothing of that sort, be
it as you please.

DAM. My good sir, don't deceive yourself; you,
too, are mad, and so, I may say, are all fools, if
there is any truth in the preaching of Stertinius,
from whom I took down these wondrous lessons that I
learned, the very day that he consoled me, and bade
me grow a wise man's beard, and go home from
the Fabrician bridge,* no longer sad. For after my

* Mercury was the god of gain ; cf. 1. 68.

• This bridge, between the island in the Tiber, and the
old Campus Martius, still stands. The inscription on it says
that it was built by L. Fabricius, curator viarum.

155

HORACE

nam male re gesta cum vellem mittere operto
me capite in flumen, dexter stetit et :

' Cave faxis
te quicquam indignum : pudor,' inquit, * te malus

angit,^
insanos qui inter vereare insanus haberi. 40

primum nam inquiram, quid sit furere : hoc si erit^

in te
solo, nil verbi, pereas quin fortiter, addam.

' Quem mala stultitia et quemcumque inscitia veri
caecum agit, insanum Chrysippi porticus et grex 44
autumat. haec populos, haec magnos formula reges,
excepto sapiente, tenet.

' Nunc accipe, quare
desipiant omnes aeque ac tu, qui tibi nomen
insano posuere. velut silvis, ubi passim
palantis error certo de tramite pellit,
ille sinistrorsum,hic dextrorsum abit, unus utrique^ 50
error, sed variis illudit partibus ; hoc te
crede modo insanum, nihilo ut sapientior ille,
qui te deridet, caudam trahat.*

' Est genus unum
stultitiae nihilum metuenda timentis, ut ignis,
ut rupes fluviosque in campo obstare queratur : 56
alterum et huic varum et nihilo sapientius ignis
per medios fluviosque mentis, clamet amica
mater,^ honesta soror cum cognatis, pater, uxor :
" hie fossa est ingens, hie rupes maxima : serva ! "

* angit 4 Bland. : urget, //. * si erit] siet, II.
' Titrisque EM, a not legible. * trahit.

* amica mater joined by Porph. Some editors separate
them.

' The discourse of Stertinius extends from here, 1. 38, to
1. 295.
156

SATIRES, II. III. 37-59

business failed, and I wanted to cover up my head
and fling myself into the river, he stood at my right
hand and said " :

" Beware of doing anytliing unworthy of yourself.
Tis a false shame that tortures you, for among
madmen you fear to be thought mad. For first of
all I will ask, What is madness ? If this is found in
you alone, I will not add another word to save you
from dying bravely.

" Every man whom perverse folly, whom ignorance
of the truth drives on in blindness, the Porch '' of
Chrysippus and his flock pronounce insane. This
definition takes in whole nations, this takes in mighty
kings, all save only the sage.

*^ " Now learn why all, who have given you the
name of madman, are quite as crazy as yourself. Just
as in a forest, where some error drives men to wander
to and fro from the proper path, and this one goes off
to the left and that one to the right : both are under
the same error, but are led astray in different ways :
so believe yourself to be insane only so far that he
who laughs at you drags a tail behind him, no whit
the wiser man."

^ " One class of fools fear where there is nothing at
all to fear, crying out that fires, that rocks and rivers
stop their course over an open plain. Another class,
diverging from this, but no whit more wisely, would
rush through the midst of fire and flood. Though a
fond mother, a noble sister, father, wife and kindred,
cry out : ' Here's a broad ditch, here's a huge rock,

* Tfie term Stoic is derived from the <rrod ( = porticus) in
Athens, where Zeno and his successors taught.

" A reference to the trick played by children of tying a
tail to people without their knowing it.

157

HORACE

non magis audierit quam Fufius ebrius olim, 60

cum Ilionam edormit, Catienis mille ducentis
" mater, te appello ! " clamantibus. huic ego volgus^
errori similem cunctum insanire docebo.

' Insanit veteres statuas Damasippus emendo :
integer est mentis Damasippi creditor ? esto. 65
" accipe quod numquam reddas mihi," si tibi dicam,
tune insanus eris si acceperis ? an magis excors
reiecta praeda, quam praesens Mercurius fert ?
scribe decem a Nerio^ : non est satis ; adde Cicutae
nodosi tabulas centum, mille adde catenas : 70

efFugiet tamen haec^ sceleratus vincula Proteus,
cum rapies in ius* malis ridentem alienis,
fiet aper, modo avis, modo saxum et, cum volet, arbor,
si male rem gerere insani est, contra bene sani,
putidius multo cerebrum est, mihi crede, Perelli 75
dictantis, quod tu numquam rescribere possis.

' Audire atque togam iubeo componere, quisquis
ambitione mala aut argenti pallet amore,
quisquis luxuria tristive superstitione

^ vulgum a : vultum <p\l/. * Anerio knoicn to scholiasts.

• hie E. * in iura a, II.

" Fufius played the part of the sleeping heroine in the
Ilione of Pacuvius, but when the ghost of her murdered
son (a part taken by Catienus) called upon her, he was so
sound asleep that he did not hear, though the audience,
taking up the actor's words, joined in the appeal.

" These words are addressed to the creditor, who is shown
to be more foolish than the borrower, for whatever notes
or bonds are involved in the transaction, they prove to be
worthless in the end. "With decem understand tabulas,
Nerius being, like Cicuta and Perellius, a money-lender.
They are all supposed to be uncommonly shrewd. Many
158

SATIRES, II. HI. 60-79

look out ! ' they would no more give ear than once did
drunken Fufius," as he over-slept the part of Ilione,
while twelve hundred Catieni shouted, ' Mother, on
thee I call ! ' Like such folly is the madness of all
the world, as I shall prove.

*^* " Damasippus is mad in buying old statues ; the
creditor of Damasippus, is he sound of mind ? Be it
so ! But if I sav to you, ' Take this sum which you
need never return to me,' will you be a madman if
you take it ? Or will you be more senseless if you
spurn the booty which propitious Mercury offers ?
' Write out ten bonds drawn up by Nerius.' * That's
not enough ; add a hundred of the cunning Cicuta —
add a thousand fetters ! yet your scoundrelly Proteus
will shp out from all these ties. When you drag him
to court, he ^vill laugh at your expense ; " he will
turn into a boar, then into a bird, then into a stone,
or, if he likes, a tree. If it be the mark of a madman
to manage an estate badly, but of a sane man to
manage well, then much more addled, believe me, is
the brain of a Perellius, who dictates the bond, which
you can never pay.

^ " Now give heed, I bid you, arrange your robes,'*
and whoever of you is pale with sordid ambition or
avarice, whoever is feverish with extravagance or

prefer to supply sestertia with decern, taking Nerius to
be a banker who pays out money on an order from the
creditor.

" Horace's phrase malls ridentem alienis, " laugh with alien
jaws," is an echo of Homer's yvadfioiai yeXoiiiji' dWoTpioicriv
(Od. XX. 347), which, however, referred to forced, unnatural
laughter.

** Stertinius now assumes that he is addressing a class,
and therefore bids his hearers prepare for a formal discourse,
such as Stoic teachers frequently delivered.

159

HORACE

aut alio mentis morbo calet : hue propius me, 80

dum doceo insanire omnis vos ordine, adite.

' Danda est ellebori multo pars maxima avaris ;
nescio an Anticyram ratio illis destinet omnem.
heredes Staberi summam incidere sepulcro,
ni sic fecissent, gladiatorum dare centum 85

damnati populo paria atque epulum arbitrio Arri,
frumenti quantum metit Africa. " sive ego prave
seu recte hoc volui, ne sis patruus mihi : " credo,
hoc Staberi prudentem animum vidisse. " quid ergo
sensit, cum summam patrimoni insculpere saxo 90
heredes voluit ? " quoad vixit, credidit ingens
pauperiem vitium et cavit nihil acrius, ut, si
forte minus locuples uno quadrante perisset,^
ipse videretur sibi nequior omnis enim res,
virtus, fama, decus, divina humanaque pulchris 95
divitiis parent ; quas qui construxerit,^ ille
claruserit, fortis,iustus. "sapiensne^?" etiam,etrex
et quidquid volet.'* hoc, veluti virtute paratum,
speravit magnae laudi fore.

' Quid simile isti
Graecus Aristippus, qui servos proicere aurum 100
in media iussit Libya, quia tardius irent
propter onus segnes ? uter est insanior horum ?

^ periret, /, adopted by Palmer.
* contraxerit, //, 3 Bland.
» -ne] -que DEM. * velut in, II.

" The ancient specific for insanity ; cf. Ars Poetica,
300. For Anticyra see Index.

" This unusual number would be exhibited at the funeral
feast. Q. Arrius entertained many thousands of people
at the extravagant funeral feast which he gave in honour
of his father.

« Cf. Sat. ii. 2. 97. Staberius means that his heirs are
not to criticize him for what may seem to them an idiotic will.

160

SATIRES, 11. III. 80-102

gloomy superstition, or some other mental disorder.
Hither, come nearer to me, while I prove that you
are mad, all of you from first to last.

82 " To tiie covetous must we give far the largest
dose of hellebore : " wisdom, I rather think, would
assign to them all Anticyra. The heirs of Staberius
had to engrave upon his tomb the sum of his estate :
should they fail to do so, they were bound to provide
for the people a hundred pairs of gladiators j** with such
a feast as Arrius would direct, and as much corn as
Africa reaps. ' Whether I am right or -wTong in wilhng
this,' he vvTote, ' don't play the uncle * with me.'
That, I take it, is what Staberius inhisvvisdom foresaw.
' Well,' you ask, * what was his intent when he
willed tliat his heirs should carve on stone the sum of
his estate ? ' All his life long he thought poverty a
monstrous e\il, and shunned nothing more earnestly,
so that, if haply he had died less rich by a single
penny, so far would he have thought himself the worse
man. For all things — worth, repute, honour, things
divine and human — are slaves to the beauty of wealth,
and he who has made his ' pile ' will be famous,
brave and just. ' And Mise too ? ' Yes, wise, and
a king and anytliing else he pleases.** His riches, as
though won by worth, would bring him, he hoped,
great renown.

^ ' ' What is the Ukeness between such a man and the
Greek Aristippus, who in mid Libya bade his slaves
throw away his gold, because, said he, freighted vWth
the burden, they journeyed too slowly ? Which of
the two is the madder ? Useless is an instance which

Hoc in 1. 89 refers to this censorious attitude, not to the
substance of II. 94 f., as Keightley, Wickham and Lejay hold.
* Cf. Sat. i. 3. 124 and note.

M l6l

HORACE

nil agit exemplum, litem quod lite resolvit.
si quis emat citharas, emptas comportet in unum,
nee studio citharae nee Musae deditus ulli, 105

si scalpra et formas non sutor, nautica vela
aversus mercaturis, delirus et amens
undique dicatur merito. qui^ discrepat istis,*
qui nummos aurumque recondit, nescius uti
compositis metuensque velut contingere sacrum ? 110

' Si quis ad ingentem frumenti semper acervum
porrectus^ vigilet cum longo fuste, neque illinc
audeat esuriens dominus contingere granum,
ac potius foliis parcus vescatur* amaris ;
si positis intus Chii veterisque Falerni 115

mille cadis — nihil est, tercentum milibus — acre
potet acetum ; age, si et stramentis incubet, unde-
octoginta annos natus, cui stragula vestis,
blattarum ac tinearum epulae, putrescat in area ;
nimirum insanus paucis videatur, eo quod 120

maxima pars hominum morbo iactatur eodem.
filius aut etiam haec libertus ut ebibat heres,
dis inimice senex, custodis ? ne tibi desit ?
quantulum enim summae curtabit quisque dierum,
unguere si caulis oleo meliore caputque 125

coeperis impexa foedum porrigine ? quare,
si quidvis satis est, periuras, surripis, aufers
undique ? tun^ sanus !

' Populum si caedere saxis
incipias servosve tuos,* quos aere pararis,

* quid DE. * iste, //. * proiectus.

* vexatur aE : pascatur M.
* tunc D : tu insanus M, II. * tuo Goth.

' « For 1. 122 cf. Od. ii. 14. 25 :

absumet heres Caecuba dignior
servata centum clavibus, etc.

162

SATIRES, II. III. 103-129

solves puzzle by puzzle. If a man were to buy
harps, and soon as bought were to pile them together,
though feeling no interest in the harp or any Muse ;
if, though no cobbler, he did the same with shoe-
knives and lasts ; with ships' sails, though set against
a ti-ader's hfe — everyone would call him crazy and
mad, and rightly too. How differs from these the
man who hoards up silver and gold, though he
knows not how to use his store, and fears to touch
it as though hallowed ?

^^ " If beside a huge corn-heap a man were to lie
outstretched, keeping ceaseless watch with a big
cudgel, yet never dare, hungry though he be and the
o^vner of it all, to touch one grain thereof, but rather
feed like a miser on bitter herbs ; if, with a thousand
jars — that's nothing, say three hundred thousand — K)f
Chian and old Falernian stored in his cellars, he were
to drink sharp \inegar ; nay if, when but a year short
of eighty, he should lie on bed of straw, though rich
coverlets, prey of moths and worms, lay mouldering
in his chest ; few, doubtless, would think him mad,
because the mass of men toss about in the same kind
of fever. Is it that a son or even a freedman heir
may drink it up that you, you god-forsaken dotard,
are guarding it ? " Is it that you fear want ? Why,
how tiny a smn will each day dock off, if you begin
with better oil to dress your salad, as well as your
head, foul with uncombed scurf ? WTiy, if anything
is enough for you, do you perjure, steal, plunder on
every side ? You sane !

128 " If you were to take to pelting stones at the
crowd, or at your own slaves, for whom you've paid

163

HORACE

insanum te omnes pueri clamentque puellae : 130
cum laqueo uxorem interemis matremque veneno,
incolumi capite es ? quid enim ? neque tu hoc facis

Argis,
nee ferro ut demens genetricem oecidis Orestes.
an tu reris eum occisa insanisse parente,
ac non ante malis dementem actum Furiis quam 135
in matris iugulo ferrum tepefecit acutum ?
quin ex quo est habitus male tutae mentis Orestes
nil sane fecit, quod tu reprehendere possis :
non Pyladen ferro violare aususve sororem
Electran, tantum maledicit utrique vocando 140

hanc Furiam, hunc aliud, iussit quod splendida bilis.

' Pauper Opimius^ ai-genti positi intus et auri,
qui Veientanum festis potare diebus
Campana solitus trulla vappamque profestis,
quondam lethargo grandi est oppressus, ut heres 145
lam circum loculos et clavis laetus ovansque
curreret. hunc medicus multum celer atque fidelis
excitat hoc pacto : mensam poni iubet atque
effundi saccos nummorum, accedere pluris
ad numerandum. hominem sic erigit, addit et

illud : 150

" ni tua custodis, avidus iam haec auferet heres."
" men vivo ? " " ut vivas igitur, vigila. hoc age."

" quid^ vis ? "
" deficient^ inopem venae te, ni cibus atque
ingens accedit* stomacho fultura ruenti.
^ Opimius Porph. : opimus, //.

2 quod B, II. « deficiant E. * accedat DX.

" The argument is ironical. Such an incident as this
matricide might savour of high tragedy, but, of course, in
the tragedy of Orestes both the place and the manner of
killing were different. As a matter of fact, these differences
are quite unessential.

164

SATIRES, II. III. 130-154

in cash, all would hoot at you as mad, lads and lasses
alike. When you strangle your -wife and poison your
mother, are you sound in head ? Why not ? You're
not doing this at Argos, nor killing a mother with a
sword, as mad Orestes did." Or do you suppose he
went mad after killing his parent, and was not
spurned to frenzy by the wicked Furies before he
warmed his sharp steel in his mother's throat ? Nay,
from the moment that Orestes was held to be of
unsafe mind, he did nothing whatever that you can
condemn. He did not dare to attack with the sword
Pylades or his sister Electra. He merely threw ill
words at both, calling her a Fmy, and him by some
other name which his gleaming choler prompted.*

"* " Opimius, a poor man for all his gold and silver
hoarded up within, would on holidays, from ladle of
Campanian ware," drink wine of Veii, and on working
days soured wine. Now once he fell into a lethargy
so deep that already his heir was running in joy and
triumph round about his keys and coffers. But his
physician, a man of very quick vrit and a loyal friend,
revives him by this de\ice. He has a table brought in
and bags of coin poured out, and bids many draw near
to count it. Thus he brings the man to, and adds,
' Unless you guard your wealth, your greedy heir
will be off >\ith it forthwith.' ' WTiat, while I'm
alive ? ' ' Well, if you mean to live, wake up. Come
now ! ' ' What would you have me do ? ' * You
are weak, and your veins ^^^ll fail you, unless food and
strong support be given yoiu" sinking stomach. Do

* The expression here used belongs to medical language.
Black bile, which the ancients supposed to be a cause of
madness {cf. Mf^a7xo^"i)» has a glittering appearance.

« Cf. Campana supellex {Sat. L 6. 118).

165

HORACE

tucessas? agedum, sumehoctisanariumoryzae." 155
" quanti emptae^ ? " " parvo." " quanti ergo ? "

" octussibus." " eheu !
quid refert, morbo an furtis pereamque rapinis ? "

Quisnam igitur sanus ? " qui non stultus.

" quid avarus ? "
stultus et insanus. " quid, si quis non sit avarus,
continue sanus ? " minime. "cur, Stoice?" dicam. 160
non est cardiacus (Craterum dixisse putato)
hie aeger : recte est igitur surgetque ? negabit,
quod latus aut renes morbo temptentur^ acuto.
non est periurus neque sordidus : immolet aequis
hie porcum Laribus : verum ambitiosus et audax : 165
naviget Anticyram. quid enim difFert, barathrone
dones quidquid habes an numquam utare paratis ?

' Servius Oppidius Canusi duo praedia, dives
antiquo censu, gnatis divisse duobus
fertur et hoc^ moriens pueris dixisse vocatis 170

ad lectum : " postquam te talos, Aule, nucesque
ferre sinu laxo, donare et ludere vidi,
te, Tiberi, numerare, cavis abscondere tristem,
extimui ne vos ageret vesania* discors,
tu Nomentanum, tu ne sequerere Cicutam. 175

quare per divos oratus uterque Penatis,
tu cave ne minuas, tu ne maius facias id
quod satis esse putat pater et natura coercet.
praeterea, ne vos titillet gloria, iure
iurando obstringam ambo : uter aedilis fueritve 180

* empti, II. 2 temptantur Priscian. ^ haec.

* insania, /, adopted by Orelli and Palmer.

• Of. 11. 82, 83, above.

166

SATIRES, II. 111. 155-180

you hold back ? Come now, take this drop of rice-
gruel.' ' What's the cost ? ' ' Oh, a trifle.' ' How
much, I say ? ' ' Eight pence.' ' Alack ! what
matters it, whether I die by sickness, or by theft
and robbery ? '

158 " ' Who, then, is sane ? ' He who is no fool.

* WTiat of the covetous ? ' He is fool and madman.

* Well, if a man is not covetous, is he then and there
sane ? ' By no means. ' ^^^ly, good Stoic ? ' I
will tell you. ' Tliis patient,' suppose Craterus to
have said, * is no dyspeptic' He is well then and
may get up ? ' No,' he will say, ' for his lungs or
his kidneys are afflicted -vdth acute disease.' Here's
one who is no perjurer or miser. Let him slay a
hog to the kind Lares. But he is ambitious and
headstrong. Let him take ship for Anticyra." For
what is the difference, whether you throw all you
have into a pit, or never make use of your sa\ings ?

168 " There's a story that Ser\ius Oppidius, a rich
man, as incomes once were, divided his two farms at
Canusium between his tAvo sons, and on his death-
bed called them to liim and said : ' Ever since I
saw you, Aulus, carrying your taws and nuts in a
loose toga, giving and gambling them away — and
you, Tiberius, anxiously counting them and hiding
them in holes, I have greatly feared that madness
of different kinds might plague you — that you, my
son, might follow after Nomentanus, and you after
Cicuta. I therefore adjure you both, by our house-
hold gods, the one not to reduce, the other not to
increase, what your father thinks enough, and what
nature sets as a limit. Further, that ambition may
not tickle your fancy, I shall bind you both by an
oath : whichever of you becomes aedile or praetor,

167

HORACE

vestrum praetor, is intestabilis et sacer esto.
in cicere atque faba bona tu pcrdasque lupinis,
latus ut in circo spatiere aut^ aeneus ut stes,
nudus agris, nudus nummis, insane, paternis ?
scilicet ut plausus, quos fert Agrippa, feras tu, 185
astuta ingenuum volpes imitata leonem." —

" ' Ne quis humasse velit Aiacem, Atrida, vetas
cur ? "

"Rex sum."

"Nil ultra quaero^ plebeius."

"Et aequam
rem imperito ; at^ si cui videor non iustus, inulto
dicere quod* sentit permitto."

" Maxime regum, 190
di tibi dent capta classem^ reducere^ Troia.
ergo consulere et mox respondere licebit ? "

" Consule,"

" Cur Aiax, heros ab Achille secundus,
putescit, totiens servatis clarus Achivis ?
gaudeat ut populus Priami Priamusque inhumato, 195
per quem tot iuvenes patrio caruere sepulcro ? "

" Mille ovium insanus morti dedit, inclitum Ulixen
et Menelaum una mecum se occidere damans."

" Tu cum pro vitula statuis dulcem Aulide gnatam
ante aras spargisque mola caput, improbe, salsa, 200
rectum animi servas cursum' ? insanus quid enini Aiax

^ et, //. * quaere V, Bentley. ^ at V: ac uss.

* quae D. * classem capta E. * dcducere.

' cursum Bothe : quorsum mss. and retainfd by Orelli,
Kiessling, Wickham, Morris, etc. : quorum Goth., Porph.

<• These would be given to the people by way of largess
by aediles and praetors. Such an expense might be serious
enough for people of small fortunes.

* The dialogue which begins here and continues to 1. 207

168

SATIRES, II. in. 181-201

let him be outlawed and accursed. Would you
waste your wealth on vetches, beans, and lupines,"
that you may play the swell and strut in the Circus,
or be set up in bronze, though stripped of the lands,
stripped, madman, of the money your father left :
to the end, oh yes, that you may win the applause
which Agrippa wins — a cunning fox mimicking the
noble Hon ? *

^*^ " Son of Atreus,'' you forbid us to think of
burying Ajax. Why is this ?

" ' I am king.'

" I, a common man, ask no more.

" ' And my conunand is fair, but if anyone deems
me unjust, I permit him to say freely what he thinks.'

" Mightiest of kings, may the gods grant you to
take Troy and bring your fleet safe home ! May I
then ask questions and answer in turn ?
Pray, do.'

" Why does Ajax, a hero second only to Achilles,
he rotting, though so often he won glory by sa\ing
the Greeks ? Is it that Priam and Priam's people
may exult in that man's lacking burial, through whom
so many of their sons were bereft of burial in their
native land ?

The madman slew a thousand sheep, crying that
he was slaying famed Ulysses, Menelaus, and myself.'

" And you, when at Aulis you brought your sweet
child to the altar in a heifer's stead, and sprinkled
her head with salt meal, O shameless one, did you
keep your mind in its sound course ? Why, what
did the madman Ajax do, when he slew the flock

is between the Stoic Stertinius and Agamemnon, and is
suggested by the scene at the end of the Ajax of Sophocles,
where Menelaus forbids Teucer to bury his brother Ajax.

169

HORACE

fecit cum stravit ferro pecus ? abstinuit vim
uxore et gnato : mala multa precatus Atridis
non ille aut Teucrum aut ipsum violavit Ulixen."

" Verum ego, ut haerentis adverse litore navis 205
eriperem, prudens placavi sanguine divos."

" Nempe tuo, furiose."

" Meo, sed non furiosus." —

' Qui species alias veris scelerisque'- tumultu
permixtas capiet, commotus habebitur, atque
stultitiane erret, nihilum distabit, an ira. 210

Aiax immeritos cuni^ occidit desipit agnos :
cum prudens scelus ob titulos admittis inanis,
stas animo et purum est vitio tibi, cum tumidum est,

cor ?
si quis lectica nitidam gestare amet agnam, 214

huic vestem, ut gnatae, paret aneillas, paret aurum,
Rufam aut^ Posillam^ appellet fortique marito
destinet uxorem, interdicto huic omne adimat ius
praetor et ad sanos abeat tutela propinquos.
quid ? si quis gnatam pro muta devovet agna,
integer est animi ? ne dixeris. ergo ubi prava 220
stultitia, hie summa est insania ; qui sceleratus,
et furiosus erit ; quem cepit vitrea fama,
hunc circumtonuit gaudens Bellona cruentis.

' Nunc age, luxuriam etNomentanumarripemecum :

^ Mss. have veri sceleris or veris celeris ( V) : (veris sceleris
Goth.). " cum immeritos D, //.

' et F. * posillam V : pusillam uss.

" Adverse litore : the shore refused to let the ships depart.

'' The species ( = (j>avTa<TLas) are ideas or mental concepts,
which may be true or false, and become confused when
some guilty impulse causes disturbance. At 1. 208 Stertinius
still addresses Agamemnon, but gradually slides into a
continuation of his lecture.

* Like Agamemnon. •* Like Ajax.

170

SATIRES, II. ni. 202-224

with the sword ? He withheld violence from wife
and child. His curses on the Atridae were copious,
but no harm did he do either to Teucer or even to
Ulysses.

But I, in order to free the ships that clung to
a hostile ** shore, purposely appeased the gods with
blood.'

" Yes, with your own, maniac.

My own blood ; but no maniac I.'

^'^ " He who conceives ideas that are other than
true, and confused by the turmoil due to sin,** will
be held distraught and, whether he go astray from
folly " or from rage,** it will not matter. Ajax, when
he slays harmless lambs, is insane. When you pur-
posely conmnit a crime for empty glory, are vou
sound of mind, and is your heart, when swollen with
pride, free from fault ? Suppose one chose to carry
about in a litter a pretty lamb, and, treating it as a
daughter, provided it with clothes, maids, gold,
called it ' Goldie ' or ' Teenie,' and planned to have
it wed a gallant husband : the praetor by injunction
would take from him all control, and the care of him
would pass to his sane relations. Well, if a man
offers up his daughter, as if she were a dumb lamb,
is he sound of mind ? Say not so. Thus, where
there is perverse folly, there is the height of madness.
The man who is criminal, will also be a maniac ; he
who is caught by the glitter of fame has about his
head the thunder of Bellona, who delights in blood-
shed.*

^^ " Now, come, arraign with me extravagance
and Nomentanus ; for Reason will prove that spend-

• Bellona's votaries were fanatics, who gashed their
bodies with knives.

171

HORACE

vincet^ enim stultos ratio insanire nepotes. 225

hie simul accepit patrimoni mille talenta,
edicit, piscator uti, pomarius, auceps,
unguentarius ac Tusci turba impia vici,
cum scurris fartor, cum Velabro omne macellum
mane domum veniant. quid tum ? venere fre-
quentes. 230

verba facit leno : " quidquid mihi, quidquid et horum
cuique domi est, id crede tuum et vel nunc pete vel

eras."
accipe quid contra haec iuvenis respondent aequus :
" tu^ nive Lucana dermis ocreatus, ut aprum
cenem ego ; tu piscis hiberno ex aequore verris.^ 235
segnis ego, indignus qui tantum possideam : aufer !
sume tibi deciens ; tibi tantundem ; tibi triplex,
unde uxor media currit de nocte vocata.^ "

' Filius Aesopi detractam ex aure Metellae,
scilicet ut deciens solidum absorberet,^ aceto 240

diluit insignem bacam : qui sanior ac si
illud idem in rapidum flumen iaceretve cloacam ?
Quinti progenies Arri, par nobile fratrum,
nequitia et nugis, pravorum et amore gemellum,
luscinias soliti impenso prandere coemptas, 245

quorsum abeant ? sani ut® creta, an carbone notati ?

' Aedificare casas, plostello adiungere mures,
ludere par impar, equitare in harundine longa,
si quem delectet^ barbatum, amentia verset.
si^ puerilius his ratio esse evincet amare, 250

* vincit, //. * tu Bentley for in of mss.

^ vellis, /, Acron.

* citata Porph., who knows also vocata.

* obsorberet a : exsorberet, //.

* sani ut] sani or sanii, //. ' dclectat, //. * sic E.

« Cf. Sat. ii. 2. 51.
172

SATIRES, II. III. 225-250

thrifts are fools and madmen. This man, soon as
he received his patrimony of a thousand tiilents,
decreed, in praetor-fashion," that fishmonger, fruit-
seller, fowler, perfumer, the Tuscan Street's vile
throng, cooks and parasites, the whole market and
Velabrum, should come to him next morning. What
next ? They came in crowds. A pimp was spokes-
man. ' Whatever I have, whatever any of these
have at home, beUeve me, is at your service. Send
for it to-day or to-morrow.' Hear the honest youth's
reply : ' Amid Lucanian snows you sleep well-
booted, that I may have a boar for dinner. You
sweep the stormy seas for fish. I am lazy and un-
worthy to possess so much. Away with it. You
take a milhon — you, the same — and you, from whose
house your wife comes running when called at
midnight, thrice that srnn.'

239 a 'j'f^g gQjj Qf Aesopus took from Metella's ear
a wondrous pearl, and meaning, forsooth, to swallow
a million at a gulp, steeped it in vinegar.** How
was he more sane than if he had flung that same
thing into a running river or a sewer ? The sons of
Quintus Arrius, a famous pair of brothers, twins in
wickedness, folly, and perverted fancies, used to
breakfast on nightingales, bought up at vast cost.
Into which hst are they to go ? Marked with chalk
as sane, or with charcoal ? "

2"*^ " Building toy-houses, harnessing mice to a wee
cart, playing odd and even, riding a long stick — if
these things delighted a bearded man, lunacy would
plague him. If reason prove that being in love is

^ The same absurd story is told of Cleopatra. See Pliny,
N.U. ix. 58. 117.

« White was associated with good fortune, black with ill-
luck.

173

HORACE

nee quiequam differre, utrumne in pulvere, trimus^
quale prius, ludas opus, an meretricis amore
sollicitus plores : quaero, faciasne quod olim
mutatus Polemon ? ponas insignia morbi,
fasciolas, cubital,^ focalia, potus ut ille 255

dicitur ex collo furtim carpsisse coronas,
postquam est impransi correptus voce magistri ?
porrigis irato puero cum poma, recusat :
" sume, catelle ! " negat ; si non des, optet. amator
exclusus qui distat, agit ubi secum, eat an non, 260
quo rediturus erat non arcessitus, et haeret
invisis foribus ? " nee nunc, cum me^ vocet* ultro,
accedam ? an potius mediter finire dolores ?
exclusit ; revocat : redeam ? non, si obsecret." ecce
servus non paulo sapientior : '' o ere, quae res 265
nee modum habet neque consilium, ratione modoque
tractari non volt, in amore haec sunt mala, bellum,
pax rursum : haec si quis tempestatis prope ritu
mobilia et caeca fluitantia sorte laboret
reddere certa sibi, nihilo plus explicet ac si 270

insanire paret certa ratione modoque."
quid ? cum Picenis excerpens semina poinis
gaudes, si cameram percusti forte, penes te es ?
quid ? cum balba feris annoso verba palato,

* primus V. ^ cubital PorpA. V: cubitale ifS5.

2 ne Goth. * vocat.

" Only eflPeminate men would wear these things.

* This was Xenocrates, whose lecture on temperance
converted the young profligate to a sober, philosophic life,
so that he afterwards succeeded his master as head of the
Academy.

* Horace here reproduces, almost literally, a scene from
the Eicnnchus (46-63) of Terence, where Phaedria debates
with Parmeno, his slave, whether he is to go back to Thais.

174

SATIRES, II. in. 251-274

more childish than such ways, that it makes no
difference whether you play at building in the sand,
as you did when three years old, or whine in anxiety
for love of a mistress, I ask you, will you do as once
Polemon did, when converted ? Will you lay aside
the tokens of your malady, garters, elbow-cushion,
neck- wrap," even as he, 'tis said, stealthily plucked
the chaplets from his neck after a carouse, the moment
he was arrested by the voice of his fasting master ? ^
When you offer apples to a sulky child, he refuses
them. ' Take them, pet.' He says, ' No.' Were
you not to offer them, he would crave them. How^
differs the lover who, when shut out, debates with
himself whether to go or not to where, though not
invited, he meant to return, and hangs about the
hated doors ? * ' Shall I not go even now, when she
inxates me of her own accord ? Or rather, shall I think
of putting an end to my affliction ? She shut me out.
She calls me back. Shall I return ? No — not if she
implores me.' Now hsten to the slave, wiser by
far of the two : ' My master, a thing that admits of
neither method nor sense cannot be handled by rule
and method. In love inhere these evils — first war,
then peace : things almost as fickle as the weather,
shifting about by blind chance, and if one were to
try to reduce them to fixed rule for himself, he would
no more set them right than if he aimed at going
mad by fixed rule and method.' Why, when you
pick the pips from Picenian apples,** and are glad if
by chance you have hit the vaulted roof, are you
master of yourself } Why, when on your old palate

■* If a lover could hit the ceiling with an apple-seed, shot
from between his thumb and finger, he supposed his love
was returned.

175

HORACE

aedificante casas qui sanior ? adde cruorem 276

stultitiae, atque ignem gladio scrutare. modo, in-

quam,
Hellade percussa Marius cum praecipitat se
cerritus fuit ; an commotae crimine mentis
absolves hominem et seeleris damnabis eundem,
ex more imponens cognata vocabula rebus ? 280

' Libertinus erat, qui eircum compita siccus
lautis mane senex manibus cun-ebat et, " unum,"
(" quid tam magnum ? " addens) " unum me surpite

morti,
dis etenim facile est ! " orabat ; sanus utrisque
auribus atque oculis : mentem, nisi litigiosus, 285
exciperet dominus,cum venderet. hoc quoque volgus'^
Chrysippus ponit fecunda in gente Meneni.
" luppiter, ingentis qui das adimisque dolores,"
mater ait pueri mensis iam quinque cubantis,
" frigida si puerum quartana reliquerit, illo 290

mane^ die, quo tu indicis ieiunia, nudus
in Tiberi stabit." casus medicusve^ levarit
aegrum ex praecipiti, mater delira necabit
in gelida fixum ripa febremque reducet.
quone malo mentem concussa ? timore deorum.' 295
Haec mihi Stertinius, sapientum octavus, amico
^ vulgo, //. " magne aD : magno E. * -que, //.

" Horace gives his own turn to the Pythagorean rule,
irvp /Maxaipt} fir] (TKaXeveiv, which probably means, " excite
not an angry man to violence."

* See Index under Hellas.

" According to the Stoics, crime and madness were
identical (see 1. 221). The different names given to them
{e.g. insania and scelus) were thus synonyms.

<* He would follow the ritual of fasting and ceremonial
washing, and pray at the shrines of the Lares of the crossways,
the Lares Compitales.

176

SATIRES, II. III. 275-296

you strike out baby-talk, how are you wiser than
the child that builds toy-houses ? Add blood to folly,
and stir the fire with a sword." The other day, for
instance, when Marius killed Hellas and then flung
himself headlong, was he crazy ? '' Or will you
acquit the man of a disordered mind and condann
him for crime, giving to things, as we often do,
names of kindred meaning ? *

^^ " A freedman there was who in old age, fasting
and with washed hands, would in early hours run to all
street-shrines and pray : <* ' Save me, me alone
(" Is it not a httle boon ? " he would add), save me
alone from death. 'Tis an easy matter for the gods.'
The man was sound in both ears and eyes ; but as to
his mind, his master, if selling him, would no^ have
vouched for that, unless bent on a lawsuit. All this
crowd * also Chrysippus will place in the prohfic
family of Menenius. ' O Jupiter, who givest and
takest away sore afflictions,' cries the mother of a
child that for five long months has been ill abed, ' if
the quartan chills leave my child, then on the morning
of the day on which thou appointest a fast,' he shall
stand naked in the Tiber.' Should chance or the
doctor raise the sick lad up from his peril, his crazy
mother will kill him by planting him on the cold bank
and bringing back his fever. What is the malady
that has stricken her mind ? Fear of the gods.* "

*•* Such were the weapons which my friend Ster-
tinius, eighth of the wise men, put in my hands, that

• i.e. the superstitious who are also insane, like Menenius,
of whom, however, nothing is known.

' This would be dies lovis, corresponding to our Thursday
(Thor's day). The Jews, whose practices are here referred
to, fasted on this day.

N 177

HORACE

arma dedit, posthac ne compellarer inultus.
dixerit insanum qui me, totidem audiet atque
respicere ignoto discet pendentia tergo."

Stoice, post damnum sic vendas omnia pluris, 300
qua me stultitia, quoniam non est genus unum,
insanire putas ? ego nam videor mihi sanus.

" Quid ? caput abscisum manibus cum portat^
Agave
gnati infelicis, sibi tunc^ furiosa videtur ? "

Stultum me fateor (liceat concedere veris) 305

atque etiam insanum : tantum hoc edissere, quo me
aegrotare putes animi vitio.

" Accipe. primum
aedificas, hoc est, longos imitaris, ab imo
ad summum totus moduli bipedahs, et idem
corpore maiorem rides Turbonis in armis 310

spiritum et incessum : qui ridiculus minus illo ?
an quodcumque facit Maecenas, te quoque veruni est
tantum^ dissimilem et tanto certare minoi'era ?

Absentis ranae pullis vituli pede pressis,
unus ubi efFugit, matri denarrat, ut ingens 315

belua cognatos eliserit : ilia rogare,
quantane ? num tantum,* sufflans se, magna fuisset ?

^ abscissum manibus cum portat Goth. : manibus portavit
V: demens cum portat Mss. Bentley restored manibus to
text.

^ tum, II. ' tantum V -. tanto MSS.

* tantum VE Porph. : tandem aD'^31, omitted in D'.

" A reference to the fable of the two wallets. We see
only the one in front which holds our neighbours' faults.
But cf. 1. 53 above.

* In the Bacchae of Euripides, Agave appears with the
head of her son Pentheus, whom she and the other frenzied
Maenads have torn to pieces.

178

SATIRES, II. HI. 297-317

no one thereafter might call me names \\ith impunity.
Whoso dubs me madman shall hear as mucli in reply,
and shall learn to look behind on what is hanging
from his back, that is never noticed."

^'^ HORACE. Good Stoic — as I pray that after your
losses you may sell all you have at a profit ! — in what
folly, since there are so many kinds, do you think my
madness appears ? For to myself I seem sane.

DAMASiPPUs. What ? When Agave is carrying in
her hands the head of her luckless son,* which she
has cut off, does she even then tliink herself mad ?

HOR. I confess my folly — let me yield to the truth
— and my madness too. This only unfold : from
what mental failing do you think I suffer ?

DAM. Listen. First, you are building,* which
means, you try to ape big men, though from top to
toe your full height is but two feet ; ** and yet you
laugh at the strut and spirit of Turbo in his armour,
as though they were too much for his body. How
are you less foolish than he ? Is it right that what-
ever Maecenas does, you also should do, so unlike
him as you are and such a poor match for him ?

^^* A mother frog * was away from home when her
young brood were crushed under the foot of a calf.
One only escaped to tell the tale to his mother, how
a huge beast had dashed liis brothers to death. " How
big was it .-^ " she asks ; " as big as this ? " puffing
herself out. " Half as big again." " Was it big
like this ? " as she swelled herself out more and more.

« Probably on his Sabine farm.

' For Horace's short stature see Epist. i. 20. 24, corporis
exigtd.

* Horace reproduces, with variations, the well-known
Aesopian fable of the Ox and the Frogs.

179

HORACE

' maior dimidio.' ' num tanto^ ? ' cum magis atque

se magis inrlaret, ' non, si te ruperis,' inquit,

' par eris.' haec a te non multum abludit imago. 320

adde poemata nunc, hoc est, oleum adde camino

quae si quis sanus fecit, sanus facis et^ tu.

non dico^ horrendam rabiem,"

lam desine !

" Cultum
maiorem censu,"

Teneas, Damasippe, tuis te !
" Mille puellarum, puerorum mille furores." 325
O maior tandem parcas, insane, minori !

^ tanto Mss. : tantum.
2 facis et] facies D, 3 Bland. * dicam D.

ISO

SATIRES, II. III. 318-326

" Though you burst yourself," said he, " you'll never
be as large." Not badly does this picture hit you
off. Now throw in your verses — that is, throw oil
on the fire. If any man ever wrote verses when sane,
then you are sane in writing yours. I say nothing
of your awful temper —

HOR. Stop now !

DAM. Your style beyond your means —

HOR. Mind your own business, Damasippus.

DAM. Your thousand passions for lads and lasses.

HOR. O greater one, spare, I pray, the lesser
madman I

181

THE ART OF GOOD LIVING

" Where is the man that can live without dining?"
In the Rome of the Augustan Age cookery seems
to have held the place it had occupied in Greece in
the degenerate days of the Middle and New Attic
GDraedy, when, as Mahaffy says," " it was no mere
trade, but a natural gift, a special art, a school of
liigher philosophy." This false importance given to
the subject is gently satirized by Horace, who repre-
sents himself as meeting one Catius, just as the latter
is hurrying home to arrange his notes upon a wonder-
ful lecture on gastronomy, which he has just heard,
and of which Horace induces him to repeat the main
points. Horace professes profound admiration for so
much learning, and begs his friend to take him to
hear the lecturer himself, who must be what Epicurus
was to Lucretius, the fountain-head of wisdom in
regard to right hving.

There has been much speculation, both as to who
Catius was or represents and as to the main purport
of this Satire. Among the Saturae of Ennius there
was one with the formidable title Heduphagetica,
which dealt with gastronomical matters and was based
on the 'H8inra^€ia of Archestratus of Gela. It is clear
« Social Life in Greece, p. 299.

183

HORACE

from his fragments that LuciHus handled the same
topic, and we find among the titles of Vario's
Menippean Satires that of Uepl eSecr/xaTotv. It is
probable therefore that Horace is simply trying his
hand upon a traditional satiric theme.

But it is possible that the Satire has a greater
significance than this. In the preceding Satire
Horace deals in his own humorous fashion with the
Stoics ; in this he seems to be playing Avith the
Epicureans. In the concluding verses the reference
to Lucretius is unmistakable, while scattered through
the Satire are philosophical terms, such as 7iatura
(7, 21, 45, 64), praecepta (11), ratio (36), and ingenitim
(47), which are conspicuous in Lucretius's great poem.
Palmer can see no reference to Epicureanism here,
because Horace was himself an Epicurean, but Horace
was never firmly wedded to any school. He was a
free lance,

nullius addictus iurare in verba magistri

{Epist. i. 1. 14),

and even if he was an orthodox Epicurean, what was
there to prevent his satirizing those of the school
whose idea of the vita beaia was to have good things
to eat and drink ? Even Metrodorus, intimate friend
of Epicurus, is reported to have said that " it is our
business, not to seek crowns by saving the Greeks,
but to enjoy ourselves in good eating and drinking "
(Plutarch, Adv. Col. 1125 d).

As to Catius, the scholiasts tell us that he was an
Epicurean and (like Lucretius) the author of a De
rerum natura, but in commenting on 1. 47 they also
refer to another Catius who had written a book on the
baker's art. There is a Catius, an Insubrian and an
184

SATIRES, II. IV.

Epicurean, spoken of by Cicero as lately dead (Ad
fnm. XV. 16; cf. Quintilian, x. 1. 124), and it is
highly probable that for this dramatic purpose Horace
here introduces a person of an earher generation in
much the same way in which he uses Trebatius in
the first, and Damasippus in the third, Satires of
this book.

185

IV.

Unde et quo Catius ?

" Non est mihi tempus aventi
ponere signa novis praeceptis, qualia vincent^
Pythagoran Anytique reum doctiimque Platona."

Peccatum fateor, cum te sic tempore laevo
interpellarim^ ; sed des veniam bonus, oro. 5

quod si interciderit tibi nunc aliquid, repetes mox,
sive est naturae hoc sive artis, mirus utroque.

" Quin id erat curae, quo pacto cuncta tenerem,
atpote res tenuis, tenui sermone peractas."

Edehominisnomen,simulet, Roman us anhospes. 10

" Ipsa^ memor praecepta canam, celabitur* auctor.

Longa quibus facies ovis erit, ilia memento,
ut suci melioris et ut magis alba rotundis,
ponere ; namque marem cohibent callosa vitellum.
caule suburbano qui siccis crevit in agris 15

dulcior ; irriguo nihil est elutius horto.

Si vespertinus subito te oppresserit hospes,

^ Vincent V, II : vincunt, I : vincant.

* interpellarem. * ipse 2). * celebrabitur, II.

" Socrates.

* The word canam suggests that the rules that follow are
to be treated like an oracle. They may be grouped roughly
under four heads : (a) the antepast, or gustatio (12-34) ;
(6) the main dinner, or mensa prima (35-69) ; (c) the dessert,
or mensa secunda (70-75) ; (d) details of service (76-87).

186

Satire IV

HORACE. Whence and whither, Catius ?

CATius. I have no time to stop, so keen am I to
make a record of some new rules, such as will surpass
Pythagoras, and the sage " whom Anytus accused,
and the learned Plato.

HOR. I confess my fault in thus breaking in on
you at an awkward moment, but kindly pardon me,
I pray. If aught has shpped from you now, you
will soon recover it ; whether your memory is due
to nature or to art, in either case you are a marvel.

CAT. Nay, I was just thinking how to keep all in
mind, for it was a subtle theme handled in subtle
style.

HOR. Tell me the man's name, whether he is a
Roman or a stranger.

^^ CAT. The rules themselves I will recite * from
memory ; the professor's name must be withheld.

Give good heed to serve eggs of an oblong shape, for
they have a better flavour and are whiter than the
round ; they are firm and enclose a male yoke.
Cabbage grown on dry lands is sweeter than from
farms * near the city ; nothing is more tasteless
than a watered garden's produce.

If a friend suddenly drops in upon you of an

° These would be irrigated artificially.

187

HORACE

ne gallina malum responset^ dura palato,
doctus eris vivam mixto^ mersare Falerno ;
hoc teneram faciet.

Pratensibus optima fungis 20

natura est ; aliis male creditur.

lUe salubris
aestates peraget,^ qui nigris prandia moris
finiet, ante gravem quae legerit arbore solem.

Aufidius forti miscebat mella Falerno,
mendose ; quoniam vacuis committere venis 25

nil nisi lene decet ; leni praecordia mulso
prolueris melius, si dura morabitur alvus,
mitulus et viles pellent obstantia conchae
et lapathi brevis herba, sed albo non sine Coo.

Lubrica nascentes implent conehylia lunae ; 30
sed non omne mare est generosae fertile testae :
murice Baiano melior Lucrina peloris,
ostrea Circeiis, Miseno oriuntur echini,
pectinibus patulis iactat se molle Tarentum.

Nee sibi cenarum qui vis temere arroget artem, 35
non prius exacta tenui ratione saporum.
nee satis est cara piscis averrere* mensa
ignarum quibus est ius aptius et quibus assis
languidus in cubitum iam se conviva reponet.^

Umber et iligna nutritus glande rotundas 40

curvat aper lances carnem vitantis^ inertem ;
nam Laurens malus est, ulvis et harundine pinguis.
^ respondet DEM : responsat a.
* mixto Mss. : niusto Bentley, widely adopted.
' peragit, /. * avertere DM.

* rcponit, II. * vitiantis.

" i.e., to continue eating. This is more probable than, as
taken by Palmer, " which ones being broiled, the guest, after
eating his fill of them, shall at length replace himself on his
elbow."

168

SATIRES, II. IV. 18-42

evening, and you fear that a tough fowl may answer
ill to his taste, you will be wise to plunge it ahve
into diluted Falernian : this will make it tender.

Mushrooms from the meadows are best ; others
are not to be trusted.

A man » will pass his summers in health, who will
finish his luncheon with black mulberries which he
has picked from the tree before the sun is trying.

Aufidius used to mix his honey with strong
Falernian— unwisely ; for when the veins are empty
one should admit nothing to them that is not mild.
With mild mead you will do better to flood the
stomach. If the bowels be costive, limpet and
common shell-fish will dispel the trouble, or low-
growing sorrel — but not without white Coan wine.

New moons swell the shppery shell-fish, but it is not
every sea that yields the choicest kind. The Lucrine
mussel is better than the Baian cockle. Oysters come
from Circeii, sea-urchins from Misenum, luxurious
Tarentum plumes herself on her broad scallops.

^ It is not everyone that may lightly claim skill
in the dining art, without first mastering the subtle
theory of flavours. Nor is it enough to sweep up
fish from the expensive stall, not knowing which
are better with sauce, and which, if broiled, will
tempt the tired guest to raise himself once more
upon his elbow.**

From Umbria, fed on holm-oak acorns, comes the
boar that makes the round dish bend, when the host
would shun tasteless meat ; for the Laurentian is a
poor beast, being fattened on sedge and reeds.*

* Cf. Macaulay, " Battle of Lake Regillus " :

From the I-aurentian jungle.
The wild hog's reedy home.

189

HORACE

Vinea submittit capreas non semper edulis.
fecundae^ leporis sapiens sectabitur armos.
piscibus atque avibus^ quae natura et foret aetas, 45
ante meum nulli patuit quaesita palatum.

Sunt quorum ingenium nova tantum^ crustula
promit.
nequaquam satis in re una consumere curam ;
ut si quis solum hoc, mala ne sint vina, laboret,
quali perfundat^ piscis securus olivo. 60

Massica si caelo suppones vina sereno,
nocturna, si quid crassi est, tenuabitur aura,
et decedet odor nervis inimicus ; at ilia
integrum perdunt lino vitiata saporem.
Surrentina vafer qui miscet faece Falerna 65

vina,^ columbino limum bene colligit ovo,
quatenus ima petit volvens aliena vitellus.

Tostis marcentem squillis recreabis et Afra
potorem coclea ; nam lactuca innatat acri
post vinum stomacho ; perna magis et^ magis hillis 60
flagitat immorsus refici, quin omnia malit
quaecumque immundis fervent allata popinis.

Est operae pretium duplicis pernoscere iuris
naturam. simplex e dulci constat olivo,
quod pingui miscere mero muriaque decebit 65

non alia quam qua' Byzantia putuit orca.

1 fecundae V: feciindi Mss.

* atque pavis. ' tamen, II.

* profundat. * vinum.

"^ ac EM. ' quae oD, //.

" The ius duplex, or compound sauce, consists of (1) the
simplex, viz. sweet olive oil, and (2) the other ingredients
named in 11. 65 if. The passage, however, is not clear.
Some prefer to take ius duplex as meaning two kinds of
sauce, one of which, the simplex, described in 11. 64-66,

190

SATIRES, II. IV. 4.3-66

Roes bred in a vineyard are not always eatable
The connoisseur will crave the ^\^ngs of a hare
when in young. As to fish and fowl, what their
qualities and age should be is a question never made
clear to any palate before mine.

Some there are whose talent lies only in finding
new sweets ; 'tis by no means enough to spend all
one's care on a single point — ^just as if someone were
anxious only that his wines be good, but cared not
what oil he poured upon his fish.

If you set Massic wine beneath a cloudless sky,
all its coarseness will be toned do^^•n by the night
air, and the scent, unfriendly to the nerves, will pass
off; but the same wine, when strained through
linen, is spoiled, losing its full flavour. Surrentine
vrine a knowing man mixes ^^'ith lees of Falernian,
and carefully collects the sediment -with pigeons'
eggs, for the yolk sinks to the bottom, carrying with
it all foreign matter.

A jaded drinker you will rouse afresh by fried
prawns and African snails ; for after wine lettuce
rises on the acid stomach. By ham and by sausages
rather does it crave to be pricked and freshened.
Nay, it would prefer any viands brought smoking
hot from untidy cookshops.

It is worth while to study well the nature of the
compound sauce." The simple consists of sweet
olive oil, which should be mixed with thick wine and
with brine, such as that of which your Byzantine jar

consists of oil, wine, and brine, while the compound adds
to these the chopped herbs, saffron, and \'enafran oil of
11. 67-69.

191

HORACE

hoc ubi confusum sectis inferbuit herbis
Corycioque croco sparsum stetit, insuper addes^
pressa Venafranae quod baca remisit olivae.

Picenis cedunt pomis Tiburtia suco ; 70

nam facie praestant, Venucula convenit ollis ;
rectius Albanam fumo duraveris uvam.
banc ego cum malis, ego faecem primus et allec,
primus et invenior^ piper album cum sale nigro
incretum puris circumposuisse catillis. 75

immane est vitium dare milia terna macello
angustoque vagos piscis urgere catino.
magna movet^ stomacho fastidia, seu puer unctis
tractavit calicem manibus, dum furta ligurrit,
sive gravis veteri craterae* limus adhaesit. 80

vilibus in scopis, in mappis, in scobe quantus
consistit sumptus ? neglectis, flagitium ingens.
ten lapides varios lutulenta^ radere palma
et Tyrias dare circum illuta toralia vestis,
oblitum, quanto curam sumptumque minorem 85
haec habeant, tan to reprehendi iustius illis,
quae nisi divitibus nequeunt^ contingere mensis ! "

Docte Cati, per amicitiam divosque rogatus,
ducere me auditum, perges quocumque, memento,
nam quamvis memori referas mihi pectore cuncta, 90
non tamen interpres tantundem iuveris. adde
voltum habitumque hominis, quem tu vidisse beatus

^ addens, //. ^ inveni aM : inventor E.

• movent, /. * creterrae V(p\l/.

^ luculenta, (l)\j/l. ^ nequeant Bentley.

* Byzantium was an important centre for the fishing
industry of the Black Sea, and the brine in which the fish
were sent was held in high esteem.

192

SATIRES, 11. IV. 67-92

smells so strong." When this, mixed with chopped
herbs, has been boiled, and, after being sprinkled
with Corj'cian saffron, has been left to stand, you
are to add besides some of the juice yielded by the
pressed berry of the Venafran olive.

Apples from Tibur yield to the Picenian in flavour,
but in look are finer. The Venuculan grape suits
the preserving jar ; the Alban you had better dry
in the smoke. This last you will find that I was the
first to ser\"e round the board vriih apples, as I was
the first to serve up wine-lees and caviare, white
pepper and black salt sifted on to dainty Uttle dishes.
It is a monstrous sin to spend three thousand
on the fish market, and then to cramp those ro\ing
fishes in a narrow dish. It strongly turns the
stomach, if a slave has handled the drinking cup
■with hands greasy from licking stolen snacks ; or if
vile mould clings to your ancient bowl.* Common
brooms, napkins, and sawdust, how httle do they
cost ! But if neglected, how shocking is the
scandal ! To think of your sweeping mosaic pave-
ments with a dirty palm-broom, or putting unwashed
coverlets over TjTian tapestries, forgetting that the
less care and cost these things involve, the more
just is blame for their neglect than for things which
only the tables of the rich can afford !

HOR. O learned Catius, by our friendship and by
the gods I beg you, remember to take me to a
lecture, wherever you go to one. For however
faithful the memory Asith which you tell me all, yet
as merely reporting you cannot give me the same
pleasure. And there is the man's look and bearing I

* If the bowl was an antique and therefore valuable, there
was all the more reason for its being kept clean.

o 193

HORACE

non magni pendis, quia contigit : at mihi cura

non mediocris inest, fontis ut adire remotos

atque haurire queam vitae praecepta beatae. 95

" Horace here parodies a famous passage in Lucretius :
iuvat integros accedere fontes atque haurire.

[De rerum nat. i. 927-8.)

194

SATIRES, II. IV. 93-95

You think little of having seen him, lucky fellow,
because you have had that good fortune, but I have
no shght longing to be able to draw near to the
sequestered fountains, and to drink in the rules for
living happily .<J

195

THE ART OF LEGACY-HUNTING

The practice of seeking legacies, especially from
those who had no family connexions, seems to have
been common in Rome at the beginning of the
Imperial period. Horace, therefore, in true satiric
fashion, undertakes to lay down rules for the guidance
of those who may need advice in playing the game.

The Satire takes the form of a dialogue, and is a
burlesque continuation of a fjimous scene in the
Eleventh Odyssey (90-149),where Odysseus (Ulysses),
in the lower world, learns from the Theban seer
Tiresias that he will return to his home in Ithaca,
but only when reduced to poverty. The hero, there-
fore, desires to ascertain how he may again enrich
himself, and the seer instructs him in the lucrative
ways of fortune-hunting.

From the obvious reference to Actium in tellure
marique magjius (1. 63) we infer that the Satire was
not composed before 30 b.c. The skilful parody of
epic style shows Horace's satiric power at its best,
and it is well to recall the fact that the travestying
of heroic themes is traditional in both satire and
comedy. The Amphitryo of Plautus, based on some
play of the New Attic Comedy, is a good example.
Both Lucilius and Varro made use of parody, and it is
196

SATIRES, II. V.

a prominent feature of the prose satire of Lucian, upon
which many modern satires have been modelled, such
as Disraeli's Ixion in Heaven and The Infernal
Marriage, and Bangs's Houseboat on the Styx. Lucian's
resemblances to Horace, which, according to Lejay,
are due to a direct knowledge of the Roman poet on
the part of Lucian, may really be the result of their
common indebtedness to Menippus of Gadara {cf.
Fiske, Lucilius and Horace, p. 401). Sellar describes
the poem before us as " the most trenchant of all
the Satires " of Horace, who doubtless conceived the
utmost contempt for the fortune-hunters of his day.
No analysis is necessary.

197

Hoc quoque, Teresia,^ praeter narrata petenti
responde, quibus amissas reparare queam res
artibus atque modis. quid rides ?

" lamne doloso
non satis est Ithacam revehi patriosque Penates
adspieere ? "

O nulli quicquam mentite, vides ut 5
nudus inopsque domum redeam^ te vate, neque illic
aut apotheca procis intacta est aut pecus ; atqui^
et genus et virtus, nisi cum re, vilior alga est.

" Quando pauperiem missis ambagibus horres,
accipe qua ratione queas ditescere.

" Turdus 10

sive aliud privum dabitur tibi, de volet illuc,
res ubi magna nitet domino sene ; dulcia poma
et quoscumque feret cultus tibi fundus honores,
ante Larem gustet venerabilior Lare dives ;
qui quamvis periurus erit, sine gente, cruentus 15
sanguine fraterno, fugitivus, ne tamen illi
tu comes exterior, si postulet, ire recuses."

Utne* tegam spurco Damae latus ? haud ita Troiae

* Tiresia M. ^ redeat. * aut qui, II. * visne.

" By doloso Horace translates iroXvTpoiros, or one of the
several Homeric epithets such as iroMfj.rjTis, To\vii.r)xo-voi,
ToiKi\6fxr]Tis, applied to Odysseus.

198

Satire V

ULYSSES. One more question pray answer me,
Tiresias, besides what you have told me. By what
ways and means can I recover my lost fortune ? Why
laugh ?

TIRESIAS. What ! not enough for the man of wiles " to
sail back to Ithaca and gaze upon his household gods ?

ULY. O you who have never spoken falsely to any
man, you see how I am returning home, naked and in
need, as you foretold ; and there neither cellar nor
herd is unrifled by the suitors. And yet birth and
worth, without substance, are more paltry than
seaweed.

TiR. Since, in plain terms, 'tis poverty you dread,
hear by what means you can grow rich.

Suppose a thrush or other dainty be given you for
your o\vn, let it wing its way to where grandeur
reigns and the owner is old. Your choice apples or
whatever glories your trim farm bears you, let the
rich man taste before your Lar ; more to be rever-
enced than the Lar is he.'' However perjured he
may be, though low of birth, stained \vith a brother's
blood, a runaway slave, yet, if he ask you to walk
with him, do not dechne to take the outer side.

VhY. What ! give the wall to some dirty Dama ?

* First-fruits were oflfered to the Lares.

199

HORACE

me gessi, certans semper melioribus.

" Ergo
pauper eris."

Fortem hoc animum tolerare iubebo ; 20
et quondam maiora tuli. tu protinus, unde
divitias aerisque ruam^ die, augur, acervos.

" Dixi equidem et dico : captes astutus ubique
testamenta senum, neu,^ si vafer unus et alter
insidiatorem praeroso fugerit hamo, 25

aut spem deponas aut artem illusus omittas.
magna minorve foro si res eertabitur olim,
vivet uter locuples sine gnatis, improbus, ultro
qui meliorem audax vocet in ius, illius esto
defensor ; fama civem causaque priorem 30

sperne, domi si gnatus erit fecundave coniunx.
' Quinte,' puta, aut ' Publi ' (gaudent praenomine

molles
auriculae), " tibi me virtus tua fecit amicum ;
ius anceps novi, causas defender e possum ;
eripiet quivis oculos citius mihi quam te 35

contemptum cassa^ nuce pauperet ; haec mea cura est,
ne quid tu perdas neu sis iocus." ire domum atque
pelliculam curare iube ; fi cognitor ipse ;
persta atque obdura, seu rubra Canicula findet
infantis statuas, seu pingui tentus omaso 40

Furius hibernas cana nive conspuet Alpis.
" nonne vides," aliquis cubito stantem prope tangens

1 eruam E. * seu. ^ cassa Acr. : quassa mss.

" Cf. Kpticraoffiv l(pi fidxecrdai {Iliad, xxi. 486), one of the
Homeric echoes in the Satire. Dama is a common slave name.

* So Odysseus speaks in Od. xx. 18 :

rdrXadi 87] Kpadirj' Kal Kvvrepov SXKo wot ^tXt;?.

• Horace makes satiric use of some verses from Furius
Bibaculus {cf. Sat. i. 10. 36, with note). In Bibaculus, as

200

SATIRES, II. V. 19-42

Not so at Troy did I bear myself, but ever was
matched with my betters."

TiR. Then you will be a poor man.

ULY. I'll bid my valiant soul endure this. Ere now
worse things have I bome.^ Go on, O prophet, and tell
me how I am to rake up wealth and heaps of money.

TIR. Well, I have told you, and I tell you now.
Fish craftily in all waters for old men's ^^•ills, and
though one or two shrewd ones escape your ^\iles
after nibbling off the bait, do not give up hope, or
drop the art, though baffled. If some day a case,
great or small, be contested in the Forum, whichever
of the parties is rich and childless, villain though he
be, who ^Wth wanton impudence calls the better
man into court, do you become his advocate ; spurn
the citizen of the better name and cause, if he have
a son at home or a fruitful wife. Say : " Quintus "
it may be, or " Pubhus " (sensitive ears delight in the
personal name), " your worth has made me your
friend. I know the mazes of the law ; I can defend
a case. I ^v^ll let anyone pluck out my eyes sooner
than have him scorn you or rob you of a nutshell.
This is my concern, that you lose nothing, and become
not a jest." Bid him go home and nurse his precious
self ; become yourself his counsel. Carry on, and
stick at it, whether

" the Dog-star red
Dumb statues split," •

or Fm-ius, stuffed with rich tripe,

" With hoary snow bespew the wintry Alps."

" Do you not see," says someone, nudging a neighbour

we know from Quintilian, viii. 6. 17, the second citation
opened with luppiter as subject.

201

HORACE

inquiet, * ut patiens, ut amicis aptus, ut acer ? *
plures adnabunt thynni et cetaria crescent.

" Si cui praeterea validus male filius in re 45

praeclara sublatus aletur, ne manifestum
caelibis obsequium nudet te, leniter in spem
adrepe^ officiosus, ut et^ scribare secundus
heres et, si quis casus puerum egerit Oreo,
in vacuum venias : perraro haec alea fallit. 50

" Qui testamentum tradet tibi cumque legendum,
abnuere et tabulas a te removere memento,
sic tamen, ut limis rapias, quid prima secundo
cera velit versu ; solus multisne coheres,
veloci percurre oculo. plerumque recoctus 55

scriba ex quinqueviro corvum deludet hiantem,
captatorque dabit risus Nasica Corano."

Num furis ? an prudens ludis me obscura canendo ?

" O Laertiade, quidquid dicam, aut erit aut non :
divinare etenim magnus mihi donat Apollo." 60

Quid tamen ista velit sibi fabula, si licet,^ ede.

" Tempore, quo iuvenis Parthis horrendus, ab alto
demissum genus Aenea, tellure marique

^ arripe a, //. * ut et] ut Goth. : uti Heindorf.

' si licet] scilicet aD.

• Cf. Epist. i. 1. 79, " excipiantque senes quos in vivaria
mittant." The ceCaria were artificial preserves. The tunnies
represent the rich fools who may be caught when needed,
cf. captes 1. 23, and captator in 1. 57.

* It was an old Roman custom for fathers to take up in
their arms such new-born children as they wished to rear.
Sublatus, therefore, might be rendered as " recognized."

' i.e. as substitute heir, to be called to the inheritance
in case the heir first named dies.

■* The will, it is supposed, would be written on wax tablets
and sealed. On the inside of the first tablet would appear
the name of the testator, followed in the second line by the
name of the heir.
202

SATIRES, II. V. 43-63

with his elbow, " how steady he is, how helpful to his
friends, how keen ? " More tunnies will s^^^m up,
and your fish-ponds swell."

*^ Again, if one with a fine fortune rears a sickly
son whom he has taken up,'' then for fear lest open
devotion to a childless man betray you, by your atten-
tions worm your way to the hope that you may be
named as second heir,* and if some chance send the
child to his grave, you may pass into his place.
Seldom does this game fail.

*' Suppose someone gives you his \n\\ to read, be
sure to decline and push the tablets from you ; yet
in such a way that with a side glance you may catch
the substance of the second line on the first page.**
Swiftly run your eye across to see whether you are
sole heir or share with others. Quite often a constable,
new-boiled into a clerk, will dupe the gaping raven,
and Nasica the fortune-hunter will make sport for
Coranus.*

ULY. Are you mad ? or do you purposely make
fun of me wth your dim oracle ?

TiR. O son of Laertes, whatever I say will or Mill
not be f ; for prophecy is great Apollo's gift to me.

ULY. But what means that story ? Tell me, if
you may.

TIR. In the days when a youthful hero," the
Parthian's dread, scion of high Aeneas 's hneage, shall

' In recocfus there is a reference to the legend of Medea,
who restored his youth to Aeson by boiling him in a caldron.
The quinqueviri were very humble police officials. Coranus
had been one of these, but later had become a public clerk,
like Horace himself {Sat. ii. 6. 36). In corvum hiantem,
there is a reference to the fable of the raven which the fox
flattered for its singing, and so caused it to drop the cheese,

' A burlesque on oracular utterances.

' i.e. the young Octavius, born 63 B.C.

203

HORACE

magnus erit, forti nubet procera Corano

filia Nasicae, metuentis reddere soldura. 65

turn gener hoc faciet : tabulas socero dabit atque

ut legat orabit ; multum Nasica negatas

accipiet tandem et tacitus leget, invenietque

nil sibi legatum praeter plorare suisque.

" Illud ad haec iubeo : mulier si forte dolosa 70
libertusve senem delirum temperet, illis
accedas socius ; laudes, lauderis ut absens ;
adiuvat hoc quoque, sed vincit^ longe prius ipsum
expugnare caput, scribet^ mala carmina vecors :
laudato, scortator erit : cave te roget ; ultro 75
Penelopam facilis potiori trade."

Putasne,
perduci poterit tarn frugi tamque pudica,
quam nequiere^ proci recto depellere cursu ?

" Venit enim magnum donandi parca iuventus,
nee tantum Veneris quantum studiosa culinae. 80
sic tibi Penelope frugi est ; quae si semel uno
de sene gustarit tecum partita lucellum,
ut canis a corio numquam absterrebitur uncto.

"Me sene quod dicam factum est. anus improba
Thebis
ex testamento sic est elata : cadaver ■ 85

unctum oleo largo nudis umeris tulit heres,

1 vincet a Goth. * scribit.

* nequivere MSS.

" The story, which was doubtless familiar to the readers
of Horace's own day, is now obscure. Nasica probably
owed money to Coranus, and gave him his daughter in
marriage, hoping that the son-in-law would by will free him
from his debt. This would seem to imply that the son-in-law
was older than the father-in-law.
204

SATIRES, II. V. 64-86

be mighty by land and sea, the tall daughter of
Nasica, who dreads paying up in full, shall wed
gallant Coranus. Then shall the son-in-law thus
proceed : to his father-in-law he shall give the tablets
of his will, and pray him to read them. After many
a refusal at length Nasica shall take them, and read
them to himself, and shall find that nothing is left to
him and his but — to whine."

''<' Here's another hint I give you. If it so chance
that some crafty dame or freedman sways an old
dot-ard, make common cause \\ith them. Praise
them, that they may praise you behind your back.
This too helps ; but far better is it to storm the
citadel itself. Will the idiot write poor verses ?
Praise them. Is he a libertine ? See that he has
not to ask you ; yourself obligingly hand over
Penelope to your better.

ULV. You think so ! Can she be tempted, — she
so good, so pure, whom the suitors could not turn
from the straight course ?

TiR. Yes, for the young suitors who came were
sparing of their gifts ; their thoughts were not so
much on loving as on eating. So it is your Penelope
is virtuous ; but if just once she gets from one old
man a taste of gain in partnership with you, then she
will be like the hound, which can never be frightened
away from the greasy hide.''

^* I will tell you something that happened when I
was old.'' A M-icked old crone at Thebes, by the
terms of her will, was buried thus : her corpse, well
oiled, her heir carried on his bare shoulders. She

* i.e. a hide to which pieces of fat still cling.
• The speaker, now long dead, is a shade in the lower world.

205

HORACE

scilicet elabi si^ posset mortua ; credo,
quod nimium institerat^ viventi.

" Cautus adito :
neu desis operae neve immoderatus abundes.
difficilem et morosum offendet^ garrulus ; ultra* 90
non etiam sileas. Davus sis comicus atque
stes capite obstipo, multum similis metuenti.
obsequio grassare ; mone, si increbruit aura,
cautus uti velet carum caput ; extrahe turba
oppositis umeris ; aurem substringe loquaci. 95

importunus amat laudari : donee ' ohe iam ! *
ad caelum manibus sublatis dixerit, urge,
crescentem tumidis infla sermonibus utrem.

" Cum te servitio longo curaque levarit,
et certum vigilans, ' quartae sit partis Ulixes,* 100
audieris, ' heres ' : ergo nunc Dama sodalis
nusquam est ? unde mihi tam fortem tamque

fidelem ? '
sparge subinde et, si paulum potes, illacrimare ; est*
gaudia prodentem^ voltum' celare. sepulcrum
permissum arbitrio sine sordibus exstrue : funus 105
egregie factum laudet vicinia. si quis
forte coheredum senior male tussiet, huic tu
die, ex parte tua seu fundi sive domus sit
emptor, gaudentem nummo te addicere.

" Sed me
imperiosa trahit Proserpina : vive valeque." 110

1 si] ut sic V. * extiterat. ' offendit <p\pl.

* ultro. * est deleted in a.

« prudentem. ' multum (pxj^l.

« Cf. " Davoque Chreraeta eludente," Sat. i. 10. 40.
206

SATIRES, J I. V. 87-110

wanted, of course, to see whether she could give him
the slip when dead. I suppose, when she was Uving,
he had borne too hard upon her.

^ Be cautious in your approach ; neither fail in
zeal, nor show zeal beyond measure. A chatterbox
will offend the peevish and morose ; yet you must
not also be silent beyond bounds. Act the Davus of
the comedy," and stand with head bowed, much hke
one overawed. With flattery make your advances ;
warn him, if the breeze stiffens, carefully to cover up
his precious pate ; shoulder a way and draw him out
of a crowd ; make a trumpet of your ear when he
is chattering. Does he bore you with his love of
praise ? Then ply him with it till with hands uplifted
to heaven he cry " enough ! " and blow up the
swelling bladder with turgid phrases.

^ And when from your long care and ser\'itude he
sets you free, and wide awake you hear the words,
" To one-fourth let Ulysses be heir," then, now and
again, scatter about such words as these, "Ah! is my
old friend Dama now no more ? VV^here shall I find
one so firm, so faithful ? " and if you can do a bit of
it, drop in some tears. If your face betray joy,
you can hide it. If the tomb is left to your discretion,
build it in style : let the neighbours praise the hand-
some funeral. If one of your co-heirs happens to be
older than you, and has a bad cough, say to him that
if he would hke to buy land or a house that is in your
share, you would gladly knock it down to him for a
trifle.

But Proserpine, our queen, calls me back. Live
and fare well 1

207

TOWN AND COUNTRY LIFE

This famous Satire, which has been so happily
imitated by Pope, contrasts the annoyances and
discomforts of hfe in Rome with the peace and
happiness enjoyed by the poet on his beloved Sabine
farm.

It is probably owing to its peculiarly personal tone
that for this Satire Horace does not set up a dialogue
framework, but reverts to the monologue form of
the First Book, although a large portion of the poem,
viz. the fable of the Town and the Country Mouse,
is put into the mouth of another speaker.

Kiessling has pointed out how the hours of morning
(1-23) and of evening (60-76), as spent in the country,
suggest the two side-pictures of a triptych, which
enclose the central and larger picture, that of a day
passed in Rome (23-59). The contrast thus pre-
sented between the peacefulness of rural life and
the restlessness of city life is then summed up in
the delightful allegory with which the Satire con-
cludes (79-117). Nothing could be more artistic
than such an arrangement.

Besides being one of the most charming of Horace's
compositions, this Satire is important for settling
some of the chronology of Horace's life. Thus 1. 38

208

SATIRES, II. vT.

seems to refer to the time which included the Battle
of Actium and succeeding events, when Maecenas,
in the absence of Octa\-ian, had full control in Rome
and Italy. The mention of the Dacians in 1. 53
reminds us that these people wavered between
Octa\ian and Antony and that Crassus was sent
against them in 30 b.c. Again, the assignment of
lands to the veterans, referred to in 1. 55, is doubtless
the reward promised for ser\-ices at Actium. In this
connexion some of the soldiers mutinied in the winter
of 31 B.C. The Satire therefore was composed late
in 31 B.C. or early in 30 b.c, and it follows from
11. 40 ff. that Horace entered the circle of Maecenas
in 39 or 38 b.c. The Sabine farm was given to the
poet some six years later.

209

VI.

Hoc erat in votis : modus agri non ita magnus,
hortus ubi et tecto vicinus iugis aquae fons
et paulum silvae super his foret. auctius atque
di melius fecere. bene est. nil amplius ore,
Maia nate, nisi ut propria haec mihi munera faxis. 6
si neque maiorem feci ratione mala rem
nee sum facturus vitio culpave^ minorem,
si veneror stultus nihil horum : " o si angulus ille
proximus accedat, qui nunc denormat agellum !
o^ si urnam argenti fors quae mihi monstret, ut illi, 10
thesauro invento qui mercennarius agrum
ilium ipsum mercatus aravit, dives amico
Hercule ! " si quod adest gratum iuvat, hac prece te

oro :
pingue pecus domino facias et cetera praeter
ingenium, utque soles, custos mihi maximus adsis ! 15

Ergo ubi me in montes et in arcem ex urbe removi,
quid prius illustrem saturis Musaque pedestri ?
nee mala me ambitio perdit nee plumbeus Auster
autumnusque gravis, Libitinae quaestus acerbae.
^ -ve] -que a Goth. * heu 0i/'.

" In the opening words Horace gives utterance to a feeling
of deep satisfaction as he contemplates the scene before him
in the morning sunshine. His former prayer has been
realized. Hence the past tense of erat.

* Mercury was god of luck and gain ; Hercules the god
of treasure-trove (see 11. 12, 13 below).
210

Satire VI '-^

This is what I prayed for ! " — a. piece of land not
so very large, where there would be a garden, and
near the house a spring of ever-floving water, and
up above these a bit of woodland. More and better
than this have the gods done for me. I am content.
Nothing more do I ask, O son of Maia,** save that
thou make these blessings last my hfe long. If I
have neither made my substance larger by evil ways,
nor mean to make it smaller by excesses or neglect ;
if I offer up no such foolish prayers as these : " O if
there could be added that near comer, which now
spoils the shape of my httle farm ! O that some
lucky strike would disclose to me a pot of money, like
the man who, having found a treasure-trove, bought
and ploughed the self-same ground he used to work
on hire, enriched by favour of Hercules " I— if what I
have gives me comfort and content, then thus I pray to
thee : make fat the flocks I own, and all else save my
wit, and, as thou art wont, still be my chief guardian I

" So, now that from the city I have taken myself
off to my castle in the hills, to what should I sooner
give renown in the Satires of my prosaic Muse ? Here
no wTctched place-hunting worries me to death, nor
the leaden scirocco, nor sickly autumn, that brings
gain to hateful Libitina.*

* The old Italian goddess Libitina, sometimes identified
with Persephone, presided over funerals.

21]

HORACE

Matutine pater, seu " lane " libentius audis, 20
unde homines operum primes vitaeque labores
instituunt (sic dis placitum), tu carminis esto
prineipium. Romae sponsoi'em me rapis : " heia,
ne prior officio quisquam respondeat, urge."
sive Aquilo radit terras seu bruma nivalem 25

interiore diem gyro trahit, ire necesse est.
postmodo, quod mi obsit, clare certumque locuto
luctandum in turba et facienda iniuria tardis.
" quid tibi vis, insane, et quam rem^ agis ? " improbus

urget
iratis precibus : " tu pulses omne quod obstat, 30
ad Maecenatem memori si mente recurras."

Hoc iuvat et melli^ est, non mentiar. at simul atras
ventum est Esquilias, aliena negotia centum
per caput et circa saliunt latus. " ante secundam
Roscius orabat sibi adesses ad Puteal eras." 36

" de re communi scribae magna atque nova te
orabant hodie meminisses, Quinte, reverti."
" imprimat liis, cura, Maecenas signa tabellis."
dixeris, " experiar " : " si vis, potes," addit et instat

Septimus octavo propior^ iam fugerit annus, 40

^ quam rem Bentley : mss, show quas res, which can be
kept if tibi or agis is deleted. Thus Orelli, Wickham, Lejay.
^ mel, II. ' propior E : proprior o.

" Cf. Milton's " Or hear'st thou rather pure ethereal
stream " {Par. Lost, iii. 6). The language is mock heroic,
and the apostrophe of the god of the morn, or of beginnings,
indicates the time of day when Horace was writing.

'' Horace gives an illustration of early morning duties in
Rome.

" The circles apparently traced by the sun get smaller
up to the winter solstice.

•* Probably the sponsor was directed by the court to speak
thus.

' i,e. this recognition of his intimacy with Maecenas.

212

SATIRES, II. VI. 20-40

^ O Father of the dawn, or Janus, if so thou
hearest rather," from whom men take the beginnings
of the work and toil of hfe — such is Heaven's >nll —
be thou the prelude of my song ! At Rome thou
hurriest me off to be surety '' : " Come ! bestir
yourself, lest someone answer duty's call before vou."
Whether the North-A^nd sweeps the earth, or ^vinter
drags on the snowy day in narrower circle," go I
must. Later, when I have said in clear and certain
tones ** what may work me harm, I must battle in
the crowd and do damage to the slow of pace.
" What do you mean, madman ? What are you
driving at ? " So some ruffian assails me with angry
curses : " You would jostle everything in your way,
should you be posting back to Maecenas, thinking
only of him."

32 That" gives pleasure and is like honey, I'll
not deny. But as soon as I come to the gloomy/
Esquihne, a hundred concerns of others dance
through my head and all about me : " Roscius begs
you to meet him to-morrow at Libo's Wall" before
seven o'clock." " The clerks beg you, Quintus, to
be sure to return to-day on some fresh and important
business of common interest.* " " Have Maecenas
put his seal to these papers." If you say, " I'll try,"
" You can, if you will," he adds insistently.

*° The seventh year — nay, nearer the eighth — wiU

' " Gloomy," because of the old associations of the place.
See Satire i. 8. 14, note c.

» The praetor's tribunal was near the Puteal Lihonis, a
place in the Forum, which, having been struck by lightning,
was enclosed by a wall, and regarded as sacred.

* Horace, being himself a member of the guild of scribae,
is addressed on familiar terms. He had been a member
of the quaestor's staff.

213

HORACE

ex quo Maecenas me coepit habere suorum

in numero, dumtaxat ad hoc, quern tollere raeda

vellet iter faciens, et cui concredere nugas

hoc genus : " hora quota est ? " " Thraex est

GalHna Syro par ? "
" matutina parum cautos iam frigora mordent ; " 45
et quae rimosa bene deponuntur^ in aure.
per totum hoc tempus subiectior in diem et horam
invidiae noster. ludos spectaverat^ una,
luserat^ in Campo : " Fortunae filius ! " omnes.
frigidus a rostris manat per compita rumor : 60

quicumque obvius est me consuht : " o bone, nam te
scire, deos quoniam propius* contingis, oportet,
numquid de Dacis audisti ?" '^nil equidem." "ut tu
semper eris derisor ! " " at^ omnes di exagitent me,
si quicquam." "quid? militibus promissa Triquetra
praedia Caesar an est Itala tellure daturus ? " 56
iurantem me scire nihil mirantur^ ut unum
scilicet egregii mortalem altique silenti.

Perditur haec inter misero lux non sine votis :
o rus, quando ego te aspiciam ! quandoque licebit 60
nunc veterum libris, nunc somno et inertibus horis,'
ducere sollicitae iucunda oblivia vitae !
o quando faba Pythagorae cognata simulque
^ disponunturiJ. ^ spectaverit. ^ luserit. ^proprius^^X.

* at Goth. : ad Mss. * miratur 4>->j/. ' hortis (p\f/.

" The reference is to some sporting event of the day.
The men mentioned were gladiators, one being armed like
a Thracian.

^ This colloquial use of noster ="I ", for which we have
examples in Plautus, enables the writer to avoid a tone of
egoism. Cf. dvijp oSe.

" Sicily. After the battle of Actium the soldiers who had
served with Octavius had lands allotted to them. The
expression used for Sicily is probably an echo of Lucretius
(i. 717) " insula . . . triquetris terrarum . . . in oris."

214

SATIRES, II. VI. 41-63

soon have sped, since Maecenas began to count me
among his friends — merely thus far, as one he would
hke to take in his carriage when on a journey, and
confide to liis ears trifles hke this : " What's the
time ? " "Is the Tlrracian Chicken a match for
Syrus ? " ** " The morning frosts are nipping now,
if people are careless," and such chat as is safely
dropped into a leaky ear. For all these years, every
day and hour, our friend * has been more and more
the butt of en\y,. Has he viewed the games, or
played ball in the Campus ^^'ith Maecenas ? " For-
tune's favourite ! " all cry. Does a chilly rumour
run from the Rostra through the streets ? Whoever
coiaaes my way asks my opinion : " My good sir,
you must know — you come so much closer to the
gods : you haven't heard any news about the
Dacians, have you ? " " None whatever." " How
you will always mock at us ! " But heaven confound
me, if I have heard a word ! " Well, is it in the
three-cornered isle," or on Italian soil, that Caesar
means to give the soldiers their promised lands ? "
When I swear I know nothing, they marvel at me
as, forsooth, the man of all men remarkably and
profoundly reticent.

^ Amid such trifling, alas ! I waste my day, pray-
ing the while : O rural home : when shall I behold
you ! When shall I be able, now with books of the
ancients, now ^vith sleep and idle hours, to quaff"
sweet forgetfulness of hfe's cares ! O when shall
beans, brethren of Pythagoras,** be serv'ed me, and

<* Pv'thasroras forbade the eating of beans as well as of
the flesh of animals, in the latter case because of his doctrine
of transmigration of souls. Horace humorously applies
this doctrine to beans as welL C/. Gellius, iv. 11.

215

HORACE

uncta satis pingui ponentur holuscula lardo !

o noctes cenaeque deum ! quibus ipse meique 65

ante Larem proprium vescor vernasque procaces

pasco libatis dapibus. prout cuique libido est,

siccat inaequalis calices conviva, solutus

legibus insanis, seu quis capit acria fortis

poeula, seu modicis uveseit^ laetius. ergo 70

sermo oritur, non de villis domibusve alienis,

nee male necne Lepos saltet ; sed quod magis ad nos

pertinet et nescire malum est, agitamus : utrumne

divitiis homines an sint virtute beati ;

quidve ad amicitias, usus rectumne, trahat nos ; 75

et quae sit natura boni summumque quid eius.

Cervius haec inter vicinus^ garrit anilis
ex re fabellas. si quis nam laudat ArelU
sollicitas ignarus opes, sic incipit : " olim
rusticus urbanum murem mus paupere fertur 80

accepisse cavo, veterem vetus hospes amicum,
asper et attentus quaesitis, ut tamen artum
solveret hospitiis animum. quid multa ? neque ille
sepositi ciceris nee longae invidit avenae,
aridum et ore ferens acinum semesaque lardi 85

frusta^ dedit, cupiens varia fastidia cena
vincere tangentis male singula dente superbo ;
cum pater ipse domus palea porrectus in horna
esset ador loliumque, dapis meliora relinquens.
tandem urbanus ad hunc, " quid te iuvat," inquit,
" amice, 90

1 humescit E. * vicino E : vicinos V.

' frustra E<f>\ Goth. : furta Peerlkamp.

" Another plausible interpretation of libatis dapibus is
" after due offering," i.e. to the Lares, before the mensa
secunda with its wine-drinking began.

216

SATIRES, II. VI. 64-90

with them greens well larded with fat bacon ! O
nights and feasts divine ! When before my own
Lar we dine, my friends and I, and feed the
saucy slaves from the barely tasted dishes." Each
guest, as is his fancy, drains cups big or small, not
bound by crazy laws, ^ whether one can stand strong
bumpers in gallant style, or with mild cups mellows
more to his Uking. And so begins a chat, not about
other men's homes and estates, nor whether Lepos
dances well or ill ; but we discuss matters which
concern us more, and of which it is harmful to be in
ignorance — whether wealth or virtue makes men
happy, whether self-interest or uprightness " leads
us to friendship, what is the nature of the good and
what is its highest form.

" Now and then oiu* neighbour Cervius rattles oflF
old wives' tales that fit the case. Thus, if anyone,
blind to its anxieties, praises the wealth of Arellius,
he thus begins : " Once on a time — such is the tale
— a country mouse welcomed a city mouse in his
poor hole, host and guest old friends both. Roughly
he fared, frugal of his store, yet could open his thrifty
soul in acts of hospitahty. In short, he grudged not
his hoard of vetch or long oats, but bringing in his
mouth a dried raisin and nibbled bits of bacon he
served them, being eager by varying the fare to
overcome the daintiness of a guest, who, \vith squeam-
ish tooth, would barely touch each morsel. Mean-
while, outstretched on fresh straw, the master of
the house himself ate spelt and darnel, lea%'ing the
titbits to his friend. At last the city mouse cries
to him : " What pleasure can you have, my friend,

" Cf. Sat. ii. 2. 123 and note.
<^ Fundamental questions of ethical philosophy.

217

HORACE

praerupti nemoris patientem vivere dorso ?

vis tu homines urbemque feris praeponere silvis ?

carpe viam, mihi crede, comes, terrestria quando

mortalis animas vivunt sortita, neque ulla est

aut magno aut parvo leti fuga, quo, bone,^ circa, 95

dum licet, in rebus iucundis vive beatus ;

vive memor, quam sis aevi brevis." haec ubi dicta

agrestem pepulere, domo levis exsilit ; inde

ambo propositum peragunt iter, urbis aventes

moenia nocturni subrepere.

lamque tenebat 100

nox medium caeli spatium, cum ponit uterque
in locuplete domo vestigia, rubro ubi cocco
tincta super lectos canderet vestis eburnos,
multaque de magna superessent fercula cena,
quae procul exstructis inerant hesterna canistris. 105
ergo ubi purpurea porrectum in veste locavit
agrestem, veluti succinctus cursitat hospes
continuatque dapes, nee non verniliter^ ipsis'
fungitur officiis, praelambens omne quod adfert.^
ille Cubans gaudet mutata sorte bonisque 110

rebus agit laetum convivam, cum subito ingens
valvarum strepitus lectis excussit utrumque.
currere per totum pavidi conclave, magisque
exanimes trepidare, simul domus alta Molossis
personuit canibus. tum rusticus, " baud mihi vita 115
est opus hac," ait " et valeas : me silva cavusque
tutus ab insidiis tenui solabitur ervo."

^ bene E. * vernaliter.

3 ipse Lambinue. * afflat ^^X,

218

SATIRES, II. VI. 91-117

in living so hard a life on the ridge of a steep wood ?
Wouldn't you put people and the city above these
wild woods ? Take my ad\ice : set out -with me.
Inasmuch as all creatures that hve on earth have
mortal souls, and for neither great nor small is there
escape from death, therefore, good sir, while you
may, live happy amid joys ; live mindful ever of how
brief yom* time is ! " These words struck home with
the rustic, who hghtly leaped forth from his house.
Then both pursue the journey as planned, eager to
creep under the city walls by night.

^^ And now night was holding the mid space of
heaven, when the two set foot in a wealthy palace,
where covers dyed in scarlet glittered on ivory
couches, and many courses remained over from a
great dinner of the evening before, in baskets piled
up hard by. So when the town mouse has the
rustic stretched out on purple covers, he himself
bustles about in waiter-style, serWng course after
course, and doing all the duties of the home-bred
slave, first tasting everj'thing he serves. The other,
lying at ease, enjoys his changed lot, and amid the
good cheer is playing the happy guest, when of a
sudden a terrible banging of the doors tumbled them
both from their couches. In panic they run the
length of the hall, and still more terror-stricken were
they, as the lofty palace rang with the barking of
Molossian hounds. Then says the rustic : " No use
have I for such a hfe, and so farewell : my wood
and hole, secure from alarms, will solace me with
homely vetch."

219

VII

ONLY THE WISE ARE FREE

The scene is laid in Rome during the Saturnalia, when
slaves were treated ^\■ith great indulgence (1. 4 and
Sat. ii. 3. 5). Davus, the slave of Horace, is
therefore permitted to speak his mind freely to his
master (1-5).

He remarks that some men are consistent in their
vices, others waver between vice and \irtue. Horace
is an inconsistent man. He praises the good old
times, but would not go back to them if he could.
In town he pines for the country, in the country he
longs for the town. If not in\ited out, he pretends
to be glad, but if an in%atation from Maecenas comes
at a late hour, off he runs in great excitement, lea\ing
his expectant parasites in the lurch, and proving that
he is no better than they (6-42).

" WTiat," asks Davus, " if you, the master, be
found to be a greater fool than I, your slave ? "
Such an audacious remark provokes Horace's wTath,
but Davus is allowed to report the lessons of wsdom,
which a servant of Crispinus had overheard at the
door of his master's lectiure-room, and had passed on
to him (42-45).

The so-called master, victim of his passions,
pursues intrigues, stoops to mean devices to gain his

221

HORACE

ends, runs all sorts of risks, and sacrifices character
and everything else that he has. He is a real slave,
whom no manumission can free, and his Davus is but
his fellow-slave. He is a mere puppet, worked by
wires that others pull (46-82).

Who, then, is free ? Only the wise man, who is
complete master of himself. He who is subject to
passion is never that (83-94).

Again, the so-called master is not above his slave
in other faults. The latter wastes time gazing on
crude posters, the former is crazy over some great
artist's paintings. The slave likes pasties and gets
a thrashing, the master loves grand suppers and
suffers from indigestion. The slave swaps the brush
he has stolen for a bunch of grapes, the master sells
off his estates to fill his belly. Why, this master
cannot bear his own company. He is a runaway and
vagabond, ever seeking, though in vain, to baffle care
(95-115).

This is too much for the angered master, who
threatens to send his slave out to liis Sabine farm
(116-118).

This Satire is a close companion of the third, and
deals with another Stoic paradox, viz. that only the
philosopher is free, on (lovos 6 aocfih'i kXevdepo<;. Both
Satires have the Saturnalia — a time of free speech —
as their setting, and are much alike in substance,
both dealing with the follies of mankind, and handling
the theme in a very similar dramatic fashion. Here
the Stoic teacher Crispinus corresponds to Stertinius.
The slave Davus, who finds that, being -wise, he is
free, takes the place of the social outcast Damasippus,
who discovered that he was no more mad than other
men. In both Satires Horace is the auditor of the
222

SATIRES, II. vn.

sermon, the lessons of which he must apply to himself.
In both he feigns an outburst of anger.

Though Horace thus allows his own name to be
used, the dialogue is really between any slave and
any master. It is true that, to heighten the humour
of the scene, he introduces, at the beginning and
perhaps at the end of the criticism of the master
(so 11. 22-35 ; 111-115), some of the atmosphere of
reality, but so far as the main features of the master's
portrait are concerned, it would be more correct to
regard the slave Da\Tis, the preacher of \visdom, as
the Horace of real life. That the poet is not describ-
ing himself with any consistency is clear from 11. 102,
ff., where he is accused of gluttony, whereas we
know that he was very abstemious (cf. Sat. i. 5. 7-9)-
The seeming self-accusation as to serious offences,
therefore, we may put down to dramatic necessity or
to comic exaggeration.

The dialogue form is maintained throughout,
though during the delivery of Crispinus's lecture it
is held in suspense.

2as

VII.i

" lamdudum ausculto et cupiens tibi dicere servus
pauca reformido." Davusne ? " ita, Davus, amicum
mancipium domino et frugi quod sit satis, hoc est,
ut vitale putes." age, libertate Decembri,
quando ita maiores voluerunt, utere ; narra. 6

" Pars hominum vitiis gaudet constanter et urget
propositum ; pars multa natat, modo recta capessens,
interdum pravis obnoxia. saepe notatus
cum tribus anellis, modo laeva Priscus inani,
vixit inaequalis, clavum ut mutaret in horas, 10

aedibus ex magnis subito se conderet, unde
mundior exiret vix libertinus honeste ;
iam moechus Romae, iam mallet doctus^ Athenis
vivere, Vertumnis, quotquot sunt, natus iniquis.
scurra Volanerius, postquam illi iusta cheragra 15
contudit articulos, qui pro se tolleret atque
mitteret in phimum^ talos, mercede diurna

^ The Bland, uss. make no division between this and the
previous Satire ; so too Bentley : not so aE\ or Porph.

* doctor V, II; so Lejay.

* pyrgum Goth. ; no doubt a gloss.

" The Satire begins like a scene in comedy. The slave
has had to listen to his master's preaching, and now would
like to have his turn at fault-finding.

* Alluding to the familiar saying that the good die young.

* During the Saturnalia, which came in December, slaves
were allowed great freedom, because, in the age of Saturn,
all men were equal.

** As senator, Priscus would wear a broad stripe ; as eques,

224

Satire Vll

DAvus. I've been listening some time, and ^^ishing
to say a word to you, but as a slave I dare not."

HORACE, Is that Da\^s ?

DAV. Yes, Davus, a slave loyal to his master, and
fairly honest — that is, so that you need not think
him too good to live.*"

HOR. Come, use the licence December allows,*'
since our fathers willed it so. Have your say.

DAV. Some mtn persist in their love of vice and
stick to their purpose ; the greater number waver,
now aiming at the right, at times giving way to evil.
Thus Priscus, who often attracted notice by wearing
three rings, but once in a while by wearing none,
was so fickle in his Ufe, that he would change his
stripe every hour.** Passing from a stately mansion,
he would bury himself in a den, from which a decent
freedman could scarcely emerge without shame.
Now he would choose to hve in Rome as a rake, now
as a sage in Athens — a man born when every single
V'ertumnus was out of sorts.* Volanerius, the jester,
when the gout he had earned crippled his finger-
joints, kept a man, hired at a daily wage, to pick

a narrow one. Rings were worn on the left hand {laeva) ;
only a fop would wear more than one.

• Vertumnus, god of the changing year, could assume
any shape he pleased. For the form of expression ef.
"lymphis iratis," Sat. i. 5. 97.

Q 225

HORACE

conductum pavit ; quanto constantior isdem^
in vitiis, tanto levius^ miser ac prior^ illo,*
qui iam contento, iam^ laxo fune laborat.' 20

Non dices hodie, quorsum haec tarn putida tendant,
furcifer ? " ad te, inquam." quo pacto, pessime ?

Laudas
fortunam et mores antiquae plebis, et idem,
si quis ad ilia deus subito te agat, usque recuses,
aut quia non sentis quod clamas rectius esse, 26

aut quia non firmus rectum defendis, et haeres
nequiquam caeno cupiens evellere plantam.
Romae rus optas ; absentem rusticus urbem
tollis ad astra levis. si nusquam es forte vocatus
ad cenam, laudas securum holus ac, velut usquam 30
vinctus eas, ita te felicem dicis amasque,
quod nusquam tibi sit potandum. iusserit ad se
Maecenas serum sub lumina prima venire
convivam : ' nemon oleum feret^ ocius ? ecquis'
audit ? ' cum magno blateras clamore fugisque.^ 35
Mulvius et scurrae, tibi non referenda precati,
discedunt. ' etenim fateor me,' dixerit ille,
* duci ventre levem, nasum nidore supinor,^

^ idem E\. * levius] est melius, //.

* ac prior] acrior aE Goth.

* illo <t>^ one Bland. : ille best ass., yet an error.

* iam . . . iam] tarn . . . quam (p^p : second iam omitted
E ; becomes quam a.

* fert El Vollmer. ' et quis E.

* furisque V. " supino, //.

' The source of the figure is probably an animal tied by
a rope, and pulled up with a jerk, as it tries to get free.

'' We are to suppose that Horace, who is already dining
at home, gets a late invitation from Maecenas to fill a vacant
place. The oil he calls for is needed for the lantern to light
him through the streets.

226

SATIRES, II. viT. 18-38

up the dice for him and put them in the box. As he
was the more persistent in his \-ices, so he was the
less unhappy and the better man, than the one who,
with rope now taut, now loose, is in distress."

HOR. Are you to take all day, you scape-gallows,
in telling me the point of such rot ?

DAV. 'Tis you, I say.

HOR. How so, villain ?

DAV. You praise the fortune and manners of the
men of old ; and yet, if on a sudden some god were
for taking you back to those days, you would refuse
every time ; either because you don't really think
that what you are ranting is sounder, or because you
are wobbly in defending the right, and, though vainly
longing to pull your foot from the filth, yet stick
fast in it. At Rome you long for the country ; in
the country, you extol to the stars the distant town,
you fickle one ! If so it be that you are asked out
nowhere to supper, you praise your quiet dish of
herbs, and, as though you were in chains when you
do go anywhere, you call yourself lucky, and hug
yourself, because you have not to go out for some
carousal. Let but Maecenas bid you at a late hour
come to him as a guest, just at lamp-lighting time :
" Won't someone bring me oil this instant ? * Does
nobody hear me ? " So you scream and bawl, then
tear off. Muhius and his fellow-jesters sneak off
with curses for you that I cannot repeat." " Yes,"
he would say, " 'tis true that I'm a fickle creature,
led by my stomach. I curl up my nose for a savoury

* Mulvius was a parasite, who had come to share Horace's
dinner and is now disappointed. His quoted remarks show
that Davus looked upon Horace himself as a parasite at the
table of Maecenas.

227

HORACE

imbecillus, iners, si quid vis, adde, popino.

tu cum sis quod ego et fortassis nequior, ultro 40

insectere velut melior verbisque decoris

obvolvas vitium ? ' quid, si me stultior ipso^

quingentis empto drachmis deprenderis ? aufer

me voltu terrere ; manum stomachumque teneto,

dum quae Grispini docuit me ianitor edo. 45

" Te coniunx aliena capit, mieretricula Davum.
peccat uter nostrum cruce dignius ? acris ubi me
natura intendit,^ sub clara nuda lucerna
quaecumque excepit turgentis verbera caudae,
clunibus aut agitavit equum lasciva supinum, 50

dimittit neque famosum neque sollicitum ne
ditior aut formae melioris meiat eodem.
tu^ cum proiectis insignibus, anulo equestri
Romanoque habitu, prodis ex iudice Dama
turpis, odoratum caput obscurante lacerna,^ 55

non es quod simulas ? metuens induceris atque
altercante^ libidinibus tremis ossa pavore.
quid refert, uri virgis ferroque necari
auctoratus eas, an turpi clausus in area,
quo te demisit^ peccati conscia erilis, 60

contractum genibus tangas caput ? estne marito
matronae peccantis in ambo'^ iusta potestas ?
in corruptorem vel iustior. ilia tamen se

^ ipse E. 2 incendit Goth. ' te, //. * lucerna E.
* alternante Goth. * dimisit, II. ' ambos.

" Roughly equivalent to £20, or $100, a low price for a
slave.

* Davus is a (nrep/xoKoyoi, " a picker up of learning's
crumbs," and he has picked them up, not from the Stoic
Crispinus himself, but at second-hand from his door-keeper,
who would be in a position to catch some scraps of the
lectures delivered in the school-room.

" The term index implies a citizen of good standing.

228

SATIRES, II. vTi. 39-63

smell. I am weak, lazy, and, if you like to add, a
toper. But you, since you are just the same and
maybe worse, would you presume to assail me, as
though you were a better man, and would you throw
over your own vices a cloak of seemly words ? "
What if you are found to be a greater fool than even
I, who cost you five hundred drachmas ? <* Don't try
to scare me by your looks. Hold back your hand
and temper, while I set forth the lessons taught me
by the porter of Crispinus.^

^ You are the slave of another man's wife ; Davus
of a poor harlot. Which of us commits a sin more de-
serving of the cross ? When vehement nature drives
me, she who satisfies mypassion sends me awayneither
disgraced nor anxious lest some richer or naore
handsome man possess her. You, when you have cast
aside your badges, the ring of knighthood and your
Roman dress, and step forth, no longer a judge," but
a low Dama, with a cape hiding your perfumed head,
are you not what you pretend to be ? Full of fear,
you are let into the house, and you tremble with a
terror that clashes with your passions. What matters
it, whether you go off in bondage,** to be scourged
and slain with the sword, or whether, shut up in a
shameful chest, where the maid, conscious of her
mistress's sin, has stowed you away, you touch your
crouching head with your knees ? Has not the
husband of the erring matron a just power over
both ? Over the seducer a still juster ? Yet she

See note on Sat. i. 4. 123. That Horace could claim
equestrian rank, and was even a " potential senator," is
maintained by Lilv Ross Tavlor in an article on " Horace's
Equestrian Career'" in A.J.'P. xlvi. (1925) pp. 161 ff. So,
too, Haight, Horace, etc. p. 38.

'' The word aitctoratus is technical, being applicable to
one who sold himself as a gladiator.

229

HORACE

non habitu mutatve loco peccatve^ superne,
cum te formidet mulier neque credat amanti. 68

ibis sub furcam prudens, dominoque furenti
committesrem omnemetvitam at cum corpora famam.

" Evasti : credo, metues doctusque cavebis ;
quaeres,^ quando iterum paveas iterumque perire
possis, o totiens servus ! quae belua ruptis, 70

cum semel efFugit, reddit se prava catenis ?
" non sum moechus," ais : neque ego, hercule, fur,

ubi vasa^
praetereo sapiens argentea. tolle periclum :
iam vaga prosiliet frenis Natura remotis.
tune mihi dominus, rerum imperiis hominumque 75
tot tantisque minor, quern ter vindicta quaterque
imposita baud umquam misera formidine privet ?
adde super* dictis quod non levius valeat : nam
sive vicarius est, qui servo paret, uti^ mos
vester ait, seu conservus, tibi quid* sum ego ? nempe
tu, mihi qui imperitas, alii'^ servis miser atque 81

duceris ut nervis alienis mobile lignum.

" Quisnam igitur liber? sapiens, sibiqui* imperiosus,
quem neque pauperies neque mors neque vincula

terrent,
responsare cupidinibus, contemnere honores 85

fortis, et in se ipso totus,^ teres atque rotundas,

^ peccatque, //. ^ quaeres El : quaeris, //.

■ visa V. * supra, //. " uti] ut est, II.

• quid Goth. : quod MSS. ' aliis, //.

* sibi qui I, Bentley : sibiqne V, mss.

' Bentley first punctuated after totus.

<* As the man had done, 11. 53, 54.

' i.e. like an unbridled horse.

« The vindicta is the rod used in the formal manumission
of a slave in the presence of the praetor.
230

SATIRES, II. vn. 64-86

does not change either garb or position," and she
is not the chief sinner, since she is in dread of
you and does not trust her lover. You with eyes
open will pass under the yoke, and hand over to a
furious master your fortune, your Ufe, your person
and repute.

^ Suppose you have escaped : then, I take it, you
will be afraid and cautious after your lesson. No,
you will seek occasion so as again to be in terror,
again to face ruin, O you slave many times over !
But what beast, having once burst its bonds and
escaped, perversely returns to them again ? "I am
no adulterer," you say. And, in faith, I am no thief
either, when I wisely pass by your silver plate.
Take away the risk, set aside restraint, and Nature will
spring forward, to roam at \vill.'' Are you my master,
you, a slave to the dominion of so many men and
things — you, whom the praetor's rod, though placed
on your head three or four times over," never frees
from base terror ? And over and above what I have
said, add something of no less weight : whether one
who obeys a slave is an underslave,'' as the custom
of your class names him, or a fellow-slave, what am
I in respect of you ? Why, you, who lord it over
me, are the MTCtched slave of another master, and
you are moved like a wooden puppet by wires that
others pull.

®3 Who then is free ? The wise man, who is lord
over himself, whom neither poverty nor death nor
bonds affright, who bravely defies his passions, and
scorns ambition, who in himself is a whole, smoothed
and rounded, so that nothing from outside can rest

■* The vicar ius was a slave bought by another out of his
peculium to help him in his work.

231

HORACE

externi ne quid valeat per leve morari,
in quem manca ruit semper Fortuna.

Potesne^
ex his ut proprium quid noscere ? quinque talenta
poscit te mulier, vexat foribusque repulsum 90

perfundit gelida, rursus vocat : eripe turpi
colla iugi, ' liber, liber sum,' die age ! non quis :
urget enim dominus mentem non lenis et acris
subiectat lasso stimulos versatque negantem.

Vel cum Pausiaca torpes, insane, tabella, 95

qui peccas minus atque ego, cum Fulvi Rutubaeque
aut Pacideiani contento poplite miror
proelia rubrica picta aut carbone, velut si
re vera pugnent, feriant vitentque moventes^
arma viri ? nequam et^ cessator Davus ; at ipse 100
subtilis veterum index et callidus audis.

" Nil ego, si ducor libo fumante : tibi ingens
virtus atque animus cenis responsat opimis ?
obsequium ventris mihi perniciosius est cur ?
tergo plector enim. qui tu* impunitior ilia, 105

quae parvo sumi nequeunt, obsonia captas ?
nempe inamarescunt epulae sine fine petitae,
illusique pedes vitiosum ferre recusant
corpus, an hie peccat, sub noctem qui puer uvam
furtiva mutat strigili ? qui praedia vendit, 110

' potestne, //. ^ morientes, II.

3 et omitted, II. * qui dum (t>\pl.

" The wise man of the Stoics is self-contained or in-
dependent of externals, avrapKrii, and is like the perfect
sphere of the k6<tij.os itself (c/. Plato, Tim. 33). In the
Protagoras 339 d, Plato also makes use of a figure of
Simonides, who calls the truly good man a square, rerpd-
yuvos. So too Aristotle, Ehet. iii. 11.

* These are names of gladiators. The last named is

232

SATIRES, II. vn. 87-110

on the polished surface, and against whom Fortune
in her onset is ever maimed."

^ Of these traits can you recognize any one as
your own ? A woman asks of you five talents,
worries you, shuts her door in your face, drenches
you in cold water, then— calls you back. Rescue
your neck from the yoke of shame ; come, say, " I
am free, am free." You cannot ; for you have a
master, and no gentle one, plaguing your soul,
pricking your weary side with the sharp spur, and
driving you on against your will.

^^ Or when, madman, you stand dazed before a
picture of Pausias, how do you offend less than I,
when I marvel at the contests of Fuhdus, Rutuba,
or Pacideianus,* ^\ith their straining legs, drawn in
red chalk or charcoal, just as lifehke as if the heroes
were really waving their weapons, and fighting,
striking, and parrying ? Davus is a " rascal and
dawdler," but you are called a " fine and expert critic
of antiques."

102 jf j'jjj tempted by a smoking pasty, I'm a good-
for-naught : but ^ow— does your heroic virtue and
spirit defy rich suppers ? Why is it more ruinous for
me to obey the stomach's call ? My back, to be sure,
pays for it. But how do you escape punishment
more than I, when you hanker for those dainties
which cannot be bought at small cost ? Why, that
feasting, endlessly indulged, turns to gall, and the
feet you've duped refuse to bear up your sickly
body. Is the slave guilty, who at fall of night swaps
for grapes the flesh-brush he has stolen ? Is there

borrowed from Lucilius ; the other two may be contemporary
with Horace. Pictures of gladiators were drawn on walls,
and served the purpose of modern posters.

233

HORACE

nil servile gulae parens habet ? adde, quod idem
non horam tecum esse potes, non otia recte
ponere, teque ipsum vitas fugitivus et^ erro,
iam vino quaerens, iam somno fallere Curam ; 114
frustra: namcomesatrapremitsequiturquefugacem."
Unde mihi lapidem ?

" Quorsum est opus ? "

Unde sagittas ?
" Aut insanit homo aut versus facit."

Ocius hinc te
ni rapis, accedes opera agro nona Sabino.
1 ut.

234

SATIRES, II. VII. 111-118

nothing of the slave about one who sells his estates
at his belly's bidding ? And again, you cannot
yourself bear to be in your own company, you
cannot employ your leisure aright, you shun yourself,
a runaway and vagabond, seeking now ^\-ith wine,
and now ^\•ith sleep, to baffle Care." In vain : that
black consort dogs and follows your flight.

HOR. Where can I find a stone ?

DAVus. What's it for ?

HOR. Or where arrows ?

DAVUS. The man's ra\ing, or else verse-making.

HOR. If you don't take yourself off in a jiff)', you'll
make the ninth labourer on my Sabine farm.

• Cy. OcUt iii. 1. 40.

235

VIII

A FIASCO OF A DINNER-PARTY

The poet describes a dinner at which Maecenas was
the guest of honour. Three men of letters were
also in the company — Fundanius, Viscus, and Varius.
The rest of the guests are undistinguished, and are
probably imaginary characters who could not be
identified. Porcius, for instance, true to his name,
eats like a pig. Balatro is a buffoon, and Nomen-
tanus is one of the traditional characters of satire.
Moreover, the host, Nasidienus Rufus, is otherwise
quite unknown.

These facts warrant us in acquitting Fundanius
(and therefore the author who introduced him) on
the charge of extremely bad taste in heaping ridicule
on a host whose hospitality had been accepted.
Horace, in fact, adopts a principle, which is illustrated
in the previous Satire, of securing a certain amount
of verisimilitude through the use of known facts,
and of drawing on his imagination for the rest of
his material. The Satire is directed, partly against
the ostentation and vulgarity sometimes displayed
by wealth, and partly against the curious and
affected erudition of pronounced epicures. In this
latter respect it resembles the fourth Satire of this
book.
236

SATIRES, II. VIII.

The party was arranged according to the following
plan :

Medius Lectus

1. Fundanius ; 2. Viscus ; 3. Varius ; 4. Balatro ; 5.
Vibidius; 6. Maecenas; 7. Nomentanus ; 8. Nasidienus ;
9. Porcius.

Fiske has sho^^•n that Lucilius was "the first to
estabhsh the traditions of the Sd-n-vov in Latin
Satire," and that in this Eighth Satire Horace keeps
in fairly close touch with the twentieth book of
LuciUus, where a banquet given by the praeco
Granius was reported to the satirist by L. Licinius
Crassus (Lucilius and Horace, pp. 408 ff.). But, as
Lucihus ^\Tote at least five satires on banquets, it
is not surprising to find that Lejay (p. 580) regards
his fifth book as the chief model followed here by
Horace.

237

VIII.

Ut Nasidieni iuvit te cena beati ?
nam mihi quaerenti convivam dictiis here illic
de medio potare die.

" Sic, ut mihi numquam
in vita fuerit melius."

Da,^ si grave non est,
quae prima iratum ventrem pacaverit^ esca. 6

" In primis Lucanus aper ; leni fuit Austro
captus, ut aiebat cenae pater ; acria circum
rapula, lactucae, radices, quaha lassum
pervellunt stomachum, siser, allec, faecula Coa.
his ut^ sublatis puer alte cinctus acernam 10

gausape purpureo mensam pertersit, et alter
sublegit quodcumque iaceret inutile quodque
posset cenantis ofFendere ; ut Attica virgo
cum sacris Cereris, procedit fuscus Hydaspes
Caecuba vina ferens, Alcon Chium maris expers. 15
hie erus : ' Albanum, Maecenas, sive Falernum
te magis appositis delectat, habemus utrumque.' "

1 dsi (l>^: die Bland, (da is the more unusual).

* pacaverit C : peccaverit E : placaverit ^\f/.

' ut C Priscian : ubi E.

" A dinner-party usually began at the ninth hour (about
3 P.M.), but an ultra-extravagant one might begin even earlier.

" The boar with relishes here formed the gustatio, and is
another sign of extravagant luxury ; cf. Pliny viii. 210, " in
principio (cenae) bini ternique mandantur apri." More
commonly it would appear as the piece de resistance. See
note on Sat. ii. 4. 11.
238

Satire VIII

HORACE. How did you like your dinner vnih the
rich Nasidienus ? Yesterday, when I tried to get
you as my o\\"n guest, I was told you had been
dining there since midday."

FUNDANius. So much so that never in my hfe did
I have a better time.

HOR. Tell me, if you don't mind, what was the
first dish to appease an angry appetite ?

FUN. First there was a ^^^ld boar.* It was caught
when a gentle south \vind was blowing, as the father
of the feast kept telling us. Around it were pungent
turnips, lettuces, radishes — such things as whet a
jaded appetite — skirret, fish-pickle, and Coan lees.
When these were removed, a high-girt slave with
purple napkin wiped well the maple-wood table,
while a second swept up the scraps and anything
that could ofifend the guests. Then, hke an Attic
maid* bearing Ceres' sacred emblems., there came
forward dusky Hydaspes with Caecuban wine, and
Alcon with Chian, unmixed with brine.<* Then said
our host : " If Alban is more to your taste, Maecenas,
or Falernian, we have both."

* i.e. like a Kavt)4>6po% in the rites of Demeter ; ef. Sat. i. 3. 9.

•* The Caecuban was one of the finest Italian, as Chian was
one of the best Greek, wines. The host's Chian being very
good, he did not do what was often done — add sea-water to
give it a tang. Columella (xii. 21. 37) gives directions as to
the proportions to be used. The phrase maris expers cor-
responds to ov Te6a\aTTUfjL^voy in Athenaeus i. p. 32.

239

HORACE

Divitias miseras ! sed quis cenantibus una,
Fundani, pulchre fuerit tibi, nosse laboro.

" Summus ego et prope^ me Viscus Thurinus et
infra, 20

si memini, Varius ; cum Servilio Balatrone
Vibidius, quos^ Maecenas adduxerat umbras.
Nomentanus erat super ipsum, Porcius infra,
ridiculus totas semeP absorbere placentas ;
Nomentanus ad hoc, qui, si quid forte lateret, 26

indice monstraret digito : nam cetera turba,
nos, inquam, cenamus avis, conchylia, piscis,
longe dissimilem noto celantia sucum ;
ut vel continuo patuit, cum passeris atque
ingustata mihi porrexerat ilia rhombi. 30

post hoc me docuit meUmela rubere minorera
ad lunam delecta. quid hoc intersit ab ipso
audieris melius.

" Tum Vibidius Balatroni :
' nos nisi damnose bibimus, moriemur inulti,*
et calices poscit maiores. vertere pallor 35

tum parochi faciem nil sic metuentis ut acris
potores, vel quod maledicunt liberius vel
fervida quod subtile exsurdant vina palatum,
invertunt Allifanis vinaria tota

Vibidius Balatroque, secutis omnibus ; imi^ 40

convivae lecti nihilum nocuere lagoenis.

^ pro V. * quas Goth. * simul E. * imis C, II.

" The umbrae were uninvited guests who came with a man
of high station.

* The cetera turba are the uninitiated guests as contrasted
with the knowing Nomentanus. The subject of porrexerat
is not the host, as commonly supposed, but Nomentanus,
who is doing the work assigned him. Palmer takes ingustata
to mean " untasted," implying that the odour was enough
210

SATIRES, II. VIII. 18-^1

HOR. O the misery of wealth ! But who, Fun-
danius, were those at dinner, with whom you had
so fine a time ? I am eager to know.

FU\. Myself at the top, then next to me Viscus
of Thurii, and below, if I remember, Varius. Then
Vibidius and Ser\ilius Balatro, the " shades " " that
Maecenas had brought -with him. Above our host
was Nomentanus ; below him, Porcius, who made
us laugh by swallo%\'ing whole cheese-cakes at a
mouthful. Nomentanus was there to see that if
anything perchance escaped our notice, he might
point it out ^\ith his forefinger ; for the rest of the
folk ^ — we, I mean — eat fowl, oysters, and fish, which
had a flavour far different from any we knew, as,
for instance, was made clear at once, after he had
handed me the hvers of a plaice and a turbot, a dish
I had never tasted before. After this he informed
me that the honey-apples were red because picked
in the light of a waning moon. What difference that
makes you would learn better from himself.

^ Then said Vibidius to Balatro : " Unless we
drink him bankrupt, we shall die unavenged," and
he calls for larger cups. Then did paleness over-
spread the face of the host, who dreaded nothing so
much as hard drinkers, either because they chaff one
too freely or because fiery wines dull the dehcate
palate. Vibidius and Balatro tilt whole decanters of
wine into Allifan goblets." All followed suit, save
the guests on the lowest couch, who did no harm to
the flagons.'*

to betray the nature of the food, but the point lies, not in
the badness, but in the novelty, of the dishes.

* i.e. large cups made at Allifae in Samnium.

' Porcius and Nomentanus would, of course, do nothing
to offend their host. They therefore " spared the bottle."

R 241

HORACE

" Adfertur squillas inter murena natantis
in patina porrecta. sub hoc erus, ' haec gravida,'
inquit,

* capta est, deterior post partum came futura.

his mixtum ius est : oleo, quod prima Venafri 46
pressit cell a ; garo de sucis piscis Hiberi ;
vino quinquenni, verum citra mare nato,
dum coquitur (cocto Chium sic convenit, ut non
hoc magis ullum aliud) ; pipere albo, non sine aceto,
quod Methymnaeam vitio mutaverit^ uvam. 50

erucas viridis, inulas ego primus amaras
monstravi incoquere ; illutos Curtillus echinos,
ut melius muria quod^ testa marina remittat.' ^

" Interea suspensa gravis aulaea ruinas
in patinam fecere, trahentia pulveris atri 55

quantum non Aquilo Campanis excitat agris.
nos maius veriti, postquam nihil esse pericli
sensimus, erigimur. Rufus posito capite, ut si
filius immaturus obisset, flere. quis esset
finis, ni sapiens sic Nomentanus amicum 60

tolleret : ' heu, Fortuna, quis est crudelior in nos
te deus ? ut semper gaudes illudere rebus
humanis ! ' Varius mappa compescere risum
vix poterat. Balatro, suspendens omnia naso,

* haec est condicio vivendi,' aiebat, ' eoque 65
responsura tuo numquam est par fama labori.

tene, ut ego accipiar laute, torquerier omni
sollicitudine districtum, ne panis adustus.
ne male conditum ius apponatur, ut omnes

1 motaverit, I. ^ quod mss. : quo V: quani Bentley.

^ remittas E : remittit C.

" i.e. Italian, not Greek.
S42

SATIRES, II. viii. 42-69

** Then is brought in a lamprey, outstretched on
a platter, with shrimps s^\■imming all round it. Upon
thds the master : " This," said he, " was caught
before spawning ; if taken later, its flesh would have
been poorer. The ingredients of the sauce are
these : oil from Venafrum of the first pressing, roe
from the juices of the Spanish mackerel, wine five
years old, but produced this side of the sea," poured
in while it is on the boil — after boiling, Chian suits
better than anything else — white pepper, and vinegar
made from the fermenting of Lesbian vintage. I was
the first to point out that one should boil in the sauce
green rockets and bitter elecampane ; Curtillus would
use sea-urchins, unwashed, inasmuch as the yield of
the sea-shellfish itself is better than a briny pickle."

^ Meantime the canopy ^ spread above came down
in mighty ruin upon the platter, trailing more black
dust than the North-wind raises on Campanian plains.
We feared a worse disaster, but finding there was no
danger recover ourselves. Rufus drooped his head
and wept as if his son had fallen by an untimely
fate. What would have been the end, had not
Nomentanus, the philosopher, thus rallied his friend :
" Ah, Fortune, what god is more cruel toward us
than thou ! How thou dost ever delight to make
sport of the Ufe of man ! " Varius could scarce
smother a laugh with his napkin. Balatro, who
sneers at everything, said : " These are the terms
of life, and therefore the meed of fame y\i\\ never
equal your labour. To think that, in order that I
may have la\-ish entertainment, you are to be racked
and tortured with every anxiety, lest the bread be
burned, lest sauce be served ill-seasoned, that all

* The aulaea were hangings used to decorate the walls.

243

HORACE

praecincti recte pueri^ comptique ministrent ! 70

<adde hos praeterea casus, aulaea ruant si,
ut modo ; si patinam pede lapsus frangat agaso.
sed convivatoris, uti ducis, ingenium res
adversae nudare solent, celare secundae.'
Nasidienus ad haec : ' tibi di quaecumque precerls^ 76
commoda dent ! ita vir bonus es convivaque comis ; '
et soleas poscit. turn in lecto quoque videres
stridere secreta divisos aure susurros."

Nullos his mallem ludos spectasse ; sed ilia
redde, age, quae deinceps risisti.

" Vibidius dum 80

quaerit de pueris num sit quoque fracta lagoena,
quod sibi poscenti non dentur^ pocula, dumque
ridetur fictis rerum Balatrone secundo,
Nasidiene, redis mutatae frontis, ut arte
emendaturus fortunam. deinde secuti 85

mazonomo pueri magno diseerpta ferentes
membra gruis sparsi sale multo non sine farre,
pinguibus et ficis pastum iecur anseris albae,'*
et leporum avolsos, ut multo suavius, armos,
quamsicumlumbis quis edit.^ tum^pectoreadusto 90
vidimus et merulas poni et sine clune palumbes,
suavis res, si non causas narraret earum et
naturas dominus : quem nos sic fugimus ulti,
ut nihil omnino gustaremus, velut illis
Canidia adflasset peior serpentibus Afris.' " 95

^ pueri recte C Goth. ^ precaris E Goth.

* dentur C^ Bentley : dantur Ef.

* albae V : albi mss. * edat Priscian. ' cum, /.

' Afris E Goth.: atris C, //, Bentley.

" Their light slippers were removed when the guests took
their places ; to call for them was to indicate a wish to leave
the dining-room.

244

SATIRES, II. VIII. 70-93

your slaves may be properly attired and neat for
waiting ! Then, too, these risks besides — the canopy
falUng, as it did just now, or a numskull stumbling
and breaking a dish ! But one who entertains is like
a general : mishaps oft reveal his genius, smooth
going hides it." To this rephes Nasidienus :
" Heaven grant you every blessing you crave, so
kind a man are you, so civil a guest ! " and calls for
his shppers." Then on each couch you might note
the buzz of whispers in secret ears exchanged.''

HOR. No play would I have rather seen ; but pray
tell me, what did you find to laugh at next ?

FUN. While Vibidius is asking the servants whether
the flagon also was broken, since cups were not
brought him when called for, and while we were
laughing at pretended jests, Balatro egging us on,
back you come, Nasidienus, mth altered brow, as if
bent on mending misfortune by art. Then follow
servants, bearing on a huge charger the hmbs of a
crane sprinkled with much salt and meal, and the
Uver of a white goose fattened on rich figs, and hares'
limbs torn off, as being more dainty than if eaten
with the loins. Then we saw blackbirds served with
the breast burnt, and pigeons without the rumps —
real dainties, did not our host unfold their laws and
properties." But off we ran, taking our revenge on
him by tasting nothing at all, as though the things
were blasted with Canidia's** breath, more deadly
than African serpents.

* The remarkable accumulation of sibilants in 1. 78
imitates the whispering.

* Nasidienus discourses upon the dishes with all the
seriousness of a philosopher lecturing de rerum natura.

* For Canidia see Sat. i. 8. 24.

£45

EPISTLES

TO MAECENAS

The First Epistle, which serves as an introduction to
the First Book, and is addressed to the poet's patron,
Maecenas, professes to explain why Horace has
given up the writing of lyric poetry. He is now too
old for such folly, and his mind has turned to another
field.

" Why," he asks, " should you wish the gladiator,
who has earned his discharge, to return to his former
training-school ? A warning voice within bids me
loose the old steed before he stumble at the end of
his course. And so I give up my verses with other
toys, and turn all my thoughts to philosophy, follow-
ing no special school but letting myself be borne
along as the breeze may set, now behaving as a true
Stoic, being all for action, and now relapsing into
the passiveness of a Cyrenaic (1-19).

" With impatience do I await the day when I may
devote myself to the serious problems of life ; mean-
while I must guide and comfort myself with what
little knowledge I possess. A cure for all diseases
of the soul may be found in the charms and spells of
philosophy, if the patient will but submit to treatment
(20-40).

" The first step in virtue and wisdom is to eschew
248

EPISTLES, I. I.

vice and folly. Men are anxious to avoid poverty
and ought to be quite as eager to escape from evil
desires, especially as the prize offered is so much
greater (41-51).

" True, the world takes a different view, but the
children who sing ' You'll be king, if you do right '
should teach us how much better than riches is the
power to stand erect and free and to fling defiance
at Fortune (52-69).

" If I were asked why I do not go along with the
world and share its opinions, I should recall the fable
of the fox declining the lion's invitation to enter his
den, because the footprints point in only one direc-
tion. The man who once gives in to popular opinion
becomes the victim of a hydra. Cutting off one head
does no good. Men are capricious, and even the
same man changes his views from hour to hour (70-93).

" I am as bad as others, but though you are quick
to notice some carelessness in my dress or appear-
ance, you fail to observe my graver inconsistencies
of life and thought (94-105).

" In short, the Stoics are right : only the sage
can be perfect, and even he may suffer from a cold ! "

249

EPISTULARUM

LIBER PRIMUS
1.

Prima dicte mihi, summa dicende Camena,
spectatum satis et donatum iam rude quaeris,
Maecenas, iterum antique me includere ludo,
non eadem est aetas, non mens. Veianius armis
Herculis ad postem fixis latet aTbditus agro, 5

ne populum extrema totiens exo'ret^ harena.
est mihi purgatam crebro qui personet aurem :
" solve senescentem mature sanus equum, ne
peccet ad extremum ridendus et ilia ducat."

Nunc itaque et versus et cetera ludicra pono ; 10
quid verum atque decens euro et rogo et omnis in hoc

sum ;
condo et compono quae mox depromere possim.
ac ne forte roges, quo me duce, quo lare tuter :
^ exornet (p\pS.

" The first Satire, the first Epode, and the first Ode are
all addressed to Maecenas.

'> Horace compares himself to an old gladiator, who has
often won approval, and received the wooden foil which
was a symbol of discharge from the school of gladiators.

" The defeated combatant would beg for his life. Veianius,
after his discharge, yielded to no inducements to return to
the arena.
250

:r.4- i?;-'^

. , 2, -^ ' S ik-

EPISTLES

BOOK I
Epistle I

You, of whom my earliest Muse has told," of whom
my last shall tell — you Maecenas, seek to shut me
up again in my old school, though well tested in the
fray, and already presented with the foil.* My
years, my mind, are hot the same. Veianius hangs
up his arms at Hercules' door, then lies hidden in
the country, that he may not have to plead with the
crowd again and again from the arena's edge." Some
one there is who is always dinning in my well-rinsed
ear : " Be wise in time, and turn loose the ageing
horse, lest at the last he stumble amid jeers and
burst his wind."

^*^ So now I lay aside my verses and all other toys.
What is right and seemly is my study and pursuit,
and to that am I wholly given. I am putting by
and setting in order the stores on which I may some
day draw. Do you ask, perchance, who is my chief,
in what home I take shelter ? I am not bound over **

•* Horace, still using terms applicable to a gladiator,
who took an oath to the master of his training-school, is
speaking of the acceptance of the formula of some school
of philosophy.

251

HORACE

nullius addictus^ iurare in verba magistri,

quo me cumque rapit tempestas, deferor hospes. 15

nunc agilis fio et mersor civilibus undis,

virtutis verae custos rigidusque satelles ;

nunc in Aristippi furtim praecepta relabor

et^ mihi res, non me rebus, subiungere conor.

Ut nox longa quibus mentitur arnica, diesque 20
longa videtur opus debentibus, ut piger annus
pupillis, quos dura premit custodia matrum ;
sic mihi tarda fluunt ingrataque tempora, quae spem
consiliumque morantur agendi naviter id quod
aeque pauperibus prodest, locupletibus aeque, 25
aeque neglectum pueris senibusque nocebit.
restat ut his ego me ipse regam~§blerque dementis,
non prfssis oculo^ quantum contendere Lynceus,
non tamen idcirco contemnas hppus inungui ;
nee quia desperes invicti membra Glyconis,'' 30

nodosa corpiis nohs prohibere cheragra.
est quadam^ prodire tenus, si non datur ultra.

P'ervet avaritia miserfoque cupidine pectus :
sunt verba et voces, quibus hunc lenire dolorem
possis et magnam morbi deponere partem. 35

laudis amore tumes ; sunt certa piacula, quae te
ter pure lecto poterunt recreare lihello.

> addictus, //: adductus aEM, I, yet addictus is surely
correct.

2 ac. ' oculos.

* Milonis knojpn to Acron. - ^ quodam, //.

" By agilis Horace translates irpaKriKds, and civilibus —
ToXiTi/coij ; the Stoics approved of an active participation
in public life.

* Aristippus founded the Cyrenaic school, which taught
that a man should control circumstances, not be controlled
by them.

* As he has not yet been able to take up philosophy

252

^»

EPISTLES, I. I. 14^37

to swear as any master dictates ; wherever the storm
drives me, I turn in for comfort. Now I become all
action," and plunge into the tide of civil life, stern
champion and follower of true Virtue ; now I slip
back stealthily into the rules of Aristippus, and
would bend the world to myself, not myself to the
world.''

^^ As the night seems long for one whose mistress
proves false, and the day long for those who work
for hire ; as the year lags for wards held in check by
their mother's strict guardianship : so slow and thank-
less flow for me the hours which defer my hope and
piu^ose of setting myself vigorously to that task
which profits alike the poor, alike the rich, but, if
neglected, will be harmful ahke to young and to old.
What remains is for me to guide and solace myself
with these poor rudiments." You may not be able,
with your eyes, to see as far as Lynceus, yet you
would not on that account scorn to anoint them, if
sore. Nor, because you may not hope for uncon-
quered Glycon's strength of limb, would you decline
to keep your body free from the gnarls of gout. It
is worth while to take some steps forward, though
we may not go still further.

^ Is your bosom fevered with avarice and sordid
covetousness ? There are spells and sajrings"* whereby
you may soothe the pain and cast much of the malady
aside. Are you swelling with ambition ? There are
fixed charms which can fashion you anew, if with
cleansing rites you read the booklet thrice. The

vigorously, his only comfort is to make the most of the little
knowledge of it that he had.

* The lessons of philosophy are compared to the magic
formulas which were used in the medical art of ancient days.

253

HORACE

invidus, iracundus, iners, vinosus, amator,

nemo adeo ferus est, ut non mitescere possit,

si modo culturae patientem commodet aurem. 40

Virtus est vitium fugere et sapientia prima
stultitia caruisse. vides, quae maxima credis
esse mala, exiguum censum turpemque repulsam,'
quanto devites animi capitisque labore ;
impiger extremes curris mercator ad Indog, 45

per mare pauperiem fugiens, per saxa, per ignis :
ne cure&ea, quae stulte miraris et optas,
discere^ et audire et meliori credere non vis ?
quis circum pagos et eircum compita pugnax
magna coronari contemnat Olympia, cui spes, 50
cui sit condicio dulcis sine pulvere palmae ?

Vilius argentum est auro, virtutibus aurum.
" o cives, cives, quaerenda pecunia primum est ;
virtus post nummos ! " haec lanus summus ab imo
prodocet, haec recinunt iuvenes dictata senesque, 55
laevo suspensi loculos tabulamque lacerto.
est animus tibi, sunt mores, est lingua^ fidesque,
sed* quadringentis sex septem milia desunt^ ; ^
plebs eris. at pueri ludentes, " rex eris," aiunt,
" si recte facies." hie murus aeneus esto, 60

nil conscire sibi, nulla pallescere culpa.

^ laborem Rdir. " dicere, //.

• est lingua E : et lingua other mss.

* si. ' desint (pxj/'Kl.

• The order of II. 57, 58 thus in E, reversed in other uss.
Housman would place I. 56 after I. 59.

~ For the thought cf. Sat. i. 1. 30 ; i. 4. 29 £f.

* Cf. Sat. ii. 3. 18. The arch of Janus represents the
banking world of Rome.

• Repeated from Sat. i. 6. 74. In this respect the old
still behave as school-boys.

* Enrolment in the equites implied a fortune of 400,000
sesterces.

254

EPISTLES, I. I. 38-61

slave to envy, anger, sloth, wine, lewdness — no one
is so savage that he cannot be tamed, if only he
lend to treatment a patient ear.

*^ To flee \'ice is the beginning of \'irtue, and to
ha\e got rid of folly is the beginning of >nsdom.
You see -with what anxious thought and peril of life
you strive to avoid those ills you deem the greatest,
a slender fortune and the shame of failure at the
polls. Ardent-trader that you are, you rush to the
furthest Indies, fleeing poverty through sea, through
rocks, through flame " : but that you may cease to
care for the things which you foolishly admire and
crave, \sill you not learn and listen and trust one
wiser than yourself? What wTcstler in the village
games and at the cross-ways would scorn being
crowned at the great Olympic games, who had the
hope, M-ho had the surety of victory's palm without
the dust ?

'^ Of less worth than gold is silver, than virtue
gold. " O citizens, citizens, money you first must
seek; \-irtue after pelf." This rule the Janus arcade
proclaims from top to bottom * ; this is the lesson
the old as well as the young are singing, " ^^ith slate
and satchel slung over the left arm." " You have
sense, you have morals, eloquence and honour, but
there are six or seven thousands short of the four
hundred •* ; you will be in the crowd. Yet boys at
play crj' ; " You'll be king, if you do right." * Be
this our wall of bronze, to have no guilt at heart, no
wrongdoing to turn us pale.

• The Scholiast gives the verse, which children sang in
their game, thus :

r^x erit qui r^cte faciei ; qui non faciei, non erit.

There is a pun in rex and recte.

255

HORA©E

Roscia, die sodes, melior lex an puerorum est
nenia, quae regnum recte facientibus ofFert,
et maribus Curiis et decantata Camillis ?
isne tibi melius suadet, qui '^fem facias, rem, 65

si possis, recte, si non, quocumque modo, rem,"
ut propius spectes lacrimosa poemata Pupi,
an qui Fortunae te responsare superbae
liberum et erectum praesens hortatur et aptat^ ?

Quod si me populus Romanus forte roget, cur 70
non ut porticibus sic iudiciis fruar isdem,^
nec^ sequar aut* fugiam quae^ diligit ipse vel odit,
olim quod volpes aegroto cauta leoni
respondit, referam : " quia me vestigia terrent,
omnia te adversum spectantia, nulla retrorsum." 75
belua multorum es capitum. nam quid sequar aut

quem ?
pars hominum gestit conducere publica ; sunt qui
frustis^ et pomis viduas venentur avaras
excipiantque senes, quos in vivaria mittant ;
multis occulto crescit res faenore.

Verum 80

esto aliis alios rebus studiisque teneri :
idem eadem possunt horam durare probantes ?
" nullus in orbe' sinus Bais praelucet amoenis,"
si dixit dives, lacus et mare sentit amorem
festinantis eri ; cui si vitiosa libido 85

^ optat Goth. ^ idem ERw.

* ne E. * et or ac, //. ' quem Rtt.

* crustis. ' urbe cfi^f/h.

« See Sat. i. 6. 40 and note.

* Cf. Sat. i. 4. 134, where see note.

" See the subject of Sat. ii. 5.

•* For excipiant cf. excipere aprum. Odes iil. 12. 12. Wild
animals were sometimes caught and turned into preserves
(Pliny viii. 52. 211). Cf. Sat. ii. 3. 44.
<256

EPISTLES, I. I. 62-85

'* Tell me, pray, which is better, the Roscian law "
or the children's jingle which oifers a kingdom to
those who "do right" — a jingle once trolled by
the manly Curii and Camilli ? Does he ad\'ise you
better, who bids you " make money, money by fair
means if you can, if not, by any means money,"
and all that you may have a nearer view of the doleful
plays of Pupius ; or he who, an ever present help,
urges and fits you to stand free and erect, and defy
scornful Fortune ?

™ But if the people of Rome should ask me,
perchance, why I do not use the same judgements
even as I walk in the same colonnades * as they, why
I do not follow or eschew whkt they love or hate, I
should reply as once upon a lime the prudent fox
made answer to the sick Hon :sJ" Because those foot-
prints frighten me ; they all lead toward your den,
and none lead back." You are a many-headed
monster-thing. For what am I to follow or whom ?
Some men rejoice to farm state-revenues ; some
with titbits and fruits hunt miserly widows,* and
net old men to stock their preserves ; ^ with many
their money grows with interest unobserved."

But let it be that men are swayed by different aims
and hobbies ; can the same persons persist for one
hour in Uking the same things ? " No bay in the
world outshines lovely Baiae." If so the rich man
has said, lake and sea suffer from the eager ^^ner's
fancy ; but if a morbid whim has given him the

• Money grows by the "unobserved" accumulation of
interest, just as a tree grows by the unobserved lapse of time,
"crescit occulto velut arbor aero," Odes i. \2. 45. The idea
that occulto here means " secret, in the sense of" unlawful,"
is absurd.

6 '257

HORACE

fecerit auspicium, " eras ferramenta Teanum

tolletis, fabri ! " lectus genialis in aula est :

nil ait esse prius, melius nil caelibe vita ;

si non est, iurat bene solis esse maritis.

quo teneam voltus mutantem Protea nodo ? SO

quid pauper ? ride : mutat cenacula, lectos,

balnea, tonsores, conducto navigio aeque

nauseat ac locuples, quern ducit priva triremis.

Si curatus inaequali tonsore capillos
ocourri,^ rides ; si forte subucula pexae 95

trita subest tunicae, vel si toga dissidet impar,
rides : quid, mea cum pugnat sententia secum,^
quod petiit spernit, repetit quod nuper omisit,
aestuat et vitae disconvenit ordine toto,
diruit, aedificat, mutat quadrata rotundis ? 100

insanire putas^ soUemnia me neque rides,
nee medici credis nee curatoris egere
a praetore dati, rerum tutela mearum
cum sis et prave sectum stomacheris ob unguem
de te pendentis, te respicientis amici. 105

Ad summam : sapiens uno minor est love, dives,
liber, honoratus, pulcher, rex denique regum,
praecipue sanus, nisi cum pituita molesta est.

^ occurrit or occurro. ^ meouiTi Rbtr Ooth.

^ putas, / Porph. : putat, //.

<■ The usual way to consult the auspices would be to observe
the flight of birds and other means of augurj-, but the rich
nan's own caprice is a sufficient guide for him. Cf. " an sua
cuique deus fit dira cupido ? " (\'irgil, Aen. ix. 185). Teanum
-vtas an inland town.

258

EPISTLES, I. I. 86-108

omen,* " My lads," he cries, " to-morrow you'll carry
your tools to Teanum." Is the bed of his Genius * in
his hall ? " Nothing," he says, " is finer or better
than a single hfe." If it is not, he swears that only
the married are well off. With what knot can I
hold this face-changing Proteus ? What of the poor
man ? Have your laugh I He changes his garret,
his bed, his baths, his barber. He hires a boat and
gets just as sick as the rich man who sails in his
private yacht.

^* If, when some uneven barber has cropped my
hair, I come your way, you laugh ; if haply I have
a tattered shirt beneath a new tunic, or if my go^vn
sits badly and askew, you laugh, \\1iat, when my
judgement is at strife ^\■ith itself, scorns what it
craved, asks again for what it lately cast aside ;
when it shifts like a tide, and in the whole system of
Ufa is out of joint, pulhng down, building up, and
changing square to round ? You think my madness
is the usual thing, and neither laugh at me nor deem
that I need a physician or a guardian assigned by
the court," though you are keeper of my fortimes,
and flare up at an ill-pared nail of the friend who
hangs upon you and looks to you in all.

^'^ To sum up<* : the \\-ise man is less than Jove
alone. He is rich, free, honoured, beautiful, nay a
king of kings ; above all, sound * — save when
troubled by the " flu " I

* The marriage-bed was dedicated to the Genius of the
family.

" Cf. Sat. u. 3. 217.

^ Cf. Sat. i. 3. 124 and ff.

« Horace plays upon the double sense of sarms, " sound "
and " sane."

259

TO LOLLIUS MAXIMUS

The poem is addressed to a young man who is
studying rhetoric in Rome, and who, if he is the same
Lollius as is addressed in Epistle i. 18, had already
served in the Cantabrian war of 25-24 b.c. Horace
seeks to interest him in moral philosophy through
Homer, whom the ancients perused, as we are told
to read the Apocrypha, " for examples of hfe and
instruction of manners."

The poet has been reading Homer afresh while in
Praeneste, and pronounces him a wiser teacher than
all the philosophers. The Iliad pictures for us the
follies of princes and the sufferings of the people.
The Odyssey shows us the value of courage and self-
control. Ulysses is the truly wise man, in contrast
with whom the worthless suitors of Penelope or the
idle youth at the court of Alcinous are but ciphers,
the undistinguished mass of mankind, mere consumers
of earth's products (1-31),

And such cipiiers are we. Surely it is time for us
to wake up to the importance of right living and
devote ourselves to study and virtue. To put off
the day of reform is to be hke the clown who waits
for the stream to run dry (32-4-3).

Men are eager to become rich, but riches will not

360

EPISTLES, I. n.

bring health, either of body or of mind. We must
clean the inside of the platter and make our hearts
sound (il-oi).

And so, in a Polonius strain, Horace gives a variety
of moral maxims. In this quest of wisdom, the
middle-aged poet must pursue his own quiet way,
and the youthful Lolhus must not expect him to be
either too indifferent or too enthusiastic (55-71).

961

II.

Troiani belli scriptorem, Maxime Lolli,
dum tu declamas Romae, Praeneste relegi ;
qui quid sit pulchrum, quid turpe, quid utile, quid non,
planius^ ac melius Chrysippo et Crantore dicit.
cur ita erediderim, nisi quid te distinct,^ audi. 5

Fabula, qua Paridis propter narratur amorem
Graecia barbariae lento collisa duello,
stultorum regum et populorum continet aestus.^
Antenor censet belli* praeeidere causam :
quid^ Paris ? ut salvus regnet vivatque beatus 10
cogi posse negat. Nestor componere litis
inter Peliden festinat et inter Atriden ;
hunc'' amor, ira quidem communiter urit utrumque.
quidquid delirant reges, plectuntur Achivi,
seditione, dolis, scelere atque libidine et ira 15

Iliacos intra muros peccatur et extra,

Rursus, quid virtus et quid sapientia possit,
utile proposuit nobis exemplar Ulixen,

^ plenius, //.

2 distinct, 77 E^ : destinet a : detinet E^M.

^ aestum V, I J. * belli censet E.

* quod, 77: hence Bentley quod Paris, ut. * nunc.

" i.e. study rhetoric under a rhetor, or professor who
made his pupils prepare speeches on the themes given them
and often taken from history or literature ; ef. Juvenal vii.
150 ; X. 166.
262

Epistlb II

While you, LoBius Maximus, declaim " at Rome.
I have been reading afresh at Praeneste the writer
of the Trojan War ; who tells us what is fair, what
is foul, what is helpful, what not, more plainly and
better than Chrysippus or Grantor. Why I have
come to think so, let me tell you, unless there is
something else to take your attention.

^ The story in which it is told how, because of
Paris's love Greece clashed in tedious war with a
foreign land, embraces the passions of foolish kings
and peoples. Antenor moves to cut away the cause
of the war.* WTiat of Paris ? To reign in safety
and to live in happiness — nothing, he says, can force
him.* Nestor is eager to settle the strife between
the sons of Peleus and of Atreus. Love fires one,
but anger both in common. Whatever folly the
kings commit, the Achaeans pay the penalty. With
faction, craft, crime, lust and WTath, within and
without the walls of Troy all goes wrong.

^' Again, of the power of worth and wisdom he
has set before us an instructive pattern in Ulysses,

* Cf. Iliad, vii. 350, where Antenor urges that the Trojans
restore Helen to the Atridae.

* This is, of course, ironical. If we read quod Paris, ut with
Bentley, it would go with cogi, so that, without any irony,
Paris would say that he could not be forced into doing that,
viz. giving up Helen, in order to reign in safety.

263

HORACE

qui domitor Troiae multorum providus urbes

et mores hominum inspexit, latumque per aequor, 20

dum sibi, dum soeiis reditum parat, aspera multa

pertulit, adversis rerum immersabilis undis.

Sirenum voces et Circae pocula nosti ;

quae si cum soeiis stultus cupidusque bibisset,

sub domina meretrice fuisset turpis et excors, 25

vixisset canis immundus vel amica luto sus.

nos numerus sumus et fruges consumere nati,

sponsi Penelopae nebulones, Alcinoique

in cute curanda plus aequo operata iuventus,

cui piilchrum fuit in medios dormire dies et 30

ad strepitum citliarae cessatum ducere curam.^

Ut iugulent hominem, surgunt de nocte latrones ;
ut te ipsum serves, non expergisceris ? atqui^
si noles^ sanus, curres* hydropicus ; et ni
posces ante diem librum cum lumine, si non 35

intendes animum studiis et rebus honestis,
invidia vel amore vigil torquebere. nam cur
quae laedunt oculum^ festinas demere ; si quid^
est animum, diflPers curandi tempus in annum ?
dimidium facti qui coepit habet ; sapere aude ; 40
incipe ! qui recte vivendi' prorogat horam,
rusticus exspectat dum defluat amnis ; at ille
labitur et labetur in omne volubilis aevum

Quaeritur argentum puerisque beata creandis
uxor, et incultae pacantur vomere silvae : 46

1 curam, /: somnum Eir Goth. Bentley read cessantem
ducere somnum. IF, R. Inge suggests cessantem ducere
noctem {C.R. 1921, p. 103).

* atque, i/, V. ' nolisX?. * cures, 77; so Bentley.

• oculum E, II : oculos aM Goth. * si quod (l)\p\l.
' qui recte vivendi E Goth., Porph. : vivendi qui recte

other MSS.
264.

EPISTLES, I. II. ia-45

that tamer of Troy, who looked with discerning eyes
upon the cities and manners of many men, and while
for self and comrades he strove for a return across
the broad seas, many hardships he endured, but
could never be o'erwhelmed in the waves of adver-
sity." You know the Sirens' songs and Circe's cups ;
if, along A\-ith his comrades, he had drunk of these
in folly and greed, he would have become the shape-
less and witless vassal of a harlot mistress — would
have lived as an unclean dog or a sow that loves the
mire. We are but ciphers, bom to consume earth's
fruits, Penelope's good-for-naught suitors, young
courtiers of Alcinous, unduly busy in keeping their
skins sleek, whose pride it was to sleep till midday
and to lull care to rest to the sound of the cithern.

^2 To cut men's throats, robbers rise up by night ;
to save your o'v^ti life, won't you wake up ? Nay,
just as, if you won't take up running in health,
you'll have to do it when dropsical ; so, if you don't
call for a book and a light before daybreak, if you
don't devote your mind to honourable studies and
pursuits, envy or passion will keep you awake in
torment, ^^'hy indeed are you in a hui-ry to remove
things which hurt the eye, while if aught is eating
into your soul, you put off the time for cure till next
year ? Well begun is half done ; dare to be ^^^se ;
begin ! He who puts off the hour of right living is
like the bumpkin waiting for the river to run out :
yet on it glides, and on it will glide, rolling its flood
forever.

*^ We seek money and a rich yrife to bear us
children ; the wild woods, too, are tamed by our

" This sentence gives a free rendering of the opening
lines of the Odyssey.

965

HORACE

quod satis est cui contingit,^ nihil amplius optet.
non domus et fundus, non aeris acervus et auri
aegroto domini deduxit corpore febris,
non animo curas ; valeat possessor oportet,
si comportatis rebus bene cogitat uti. 60

qui eupit aut metuit, iuvat ilium sic domus et res,
ut lippum pictae tabulae, fomenta^ podagram,
auriculas citharae coUecta sorde dolentis.
sincerum est nisi vas, quodcumque infundis acescit.

Sperne voluptates ; nocet empta dolore voluptas.
semper avarus eget ; certum voto pete finem. 56
invidus alterius macrescit rebus opimis ;
invidia Siculi non invenere tyranni
maius tormentum. qui non moderabitur irae,^
infectum volet esse, dolor quod suaserit et mens,* 60
dum poenas odio per vim festinat inulto.
ira furor brevis est : animum rege ; qui nisi paret
imperat ; hunc frenis, hunc tu compesce catena.^

Fingit equum tenera docilem cervice magister
ire viam qua^ monstret eques ; venaticus, ex quo 65
tempore cervinam pellem latravit in aula,
militat in silvis catulus. nunc adbibe puro
peetore verba puer, nunc te melioribus offer,
quo semel est imbuta recens, servabit odorem
testa diu. quod si cessas aut strenuus anteis, 70

nee tardum opperior nee praecedentibus insto.

^ contigit is VK * tomenta Bouhier. ' irani, //.

* et mens] exmens or amens.

* catcnis E Goth. * qua E : quam a.

' Such as the cruel Dionysius or Phalaris.

* Cf. " sapor, quo nova imbuas, durat " (Quintilian, i. 1. 5).
Un^lazed ware, which Horace doubtless has in mind, is
more absorbent than glazed.

i66

EPISTLES, I. 11. 4t>-7l

plough : but he, to whose lot sufficient falls, should
covet nothing more. No house or land, no pile of
bronze or gold, has ever freed the o^\■ne^'s sick body
of fevers, or his sick mind of cares. The possessor
must be sound in health, if he thinks of enjoying the
stores he has gathered. To one with fears or cravings,
house and fortune give as much pleasure as painted
panels to sore eyes, warm vsTaps to the gout, or
citherns to ears that suffer from secreted matter.
Unless the vessel is clean, whatever you pour in
turns sour.

^ Scorn pleasures ; pleasure bought with pain is
harmful. The covetous is ever in want : aim at a
fixed limit for your desires. The envious man grows
lean when his neighbour waxes fat ; than envy
Sicihan tyrants * invented no worse torture. He
who curbs not his anger will wish that undone which
vexation and WTath prompted, as he made haste
with violence to gratify his unsated hatred. Anger is
short-lived madness. Rule your passion, for unless it
obeys, it gives commands. Check it with bridle —
check it, I pray you, with chains.

" WTiile the colt has a tender neck and is able to
learn, the groom trains him to go the way his rider
directs. The hound that is to hunt does service in
the woods from the time that it first barked at a
deer-skin in the yard. Now, while still a bov, drink
in my words with clean heart, now trust yourself to
your betters. The jar will long keep the fragrance
of what it was once steeped in when new.'* But if you
lag behind, or with vigour push on ahead, I neither
wait for the slow nor press after those who hurry on
before.

267

Ill

TO JULIUS FLORUS

The Julius Florus, to whom this Epistle is addressed,
and to whom Epistle ii. 2 is later dedicated, was one
of a number of young literary men who accompanied
Tiberius to the East in 20 B.C., when the prince was
sent by Augustus to place Tigranes on the throne
of Armenia after the murder of Artaxias. Horace,
now forty-five years old, makes kindly inquiries
about his younger literary friends, and urges Florus,
whatever field of letters he is cultivating, not to
neglect philosophy.

269

III.

lull Flore, quibus terrarum militet oris
Claudius Augusti privignus, scire laboro.
Thracane^ vos Hebrusque nivali compede vinctus,
an freta vicinas inter currentia turris,^
an pingues Asiae campi collesque morantur ? 6

Quid studiosa cohors operum struit ? hoc quoque
euro,
quis sibi res gestas Augusti scribere sumit ?
V bella quis et paces longum difTundit in acvum ?
quid Titius, Romana brevi venturus in era ?
Pindarici fontis «flii non expalluit haustus, 10

fastidire lacus et rivos ausus apertos.
ut valet ? ut meminit nostri ? fidibusne Latinis
Thebanos aptare modos studet auspice Musa,
an tragica desaevit et ampuUatur in arte ?
quid mihi Celsus agit ? monitus multumque monen-
dus, 15

privatas ut quaerat opes et tangere vitet

^ Threcane E.
^ terras V: terres 5^ : terris R^.

" i.e. Tiberius Claudius Nero, later the Emperor Tiberius.

'' The towers of Hero and Leander, at Sestos and Abydos,
on either side of the Hellespont.

* In lacos et rivos apertos Horace refers to the artificial
pools and tanks from which anyone could draw water, as
contrasted with the natural springs in far distant hills, which

270

Epistlb III

I long to know, Julius Florus, in what regions of
the earth Claudius,*' step-son of Augustus, is now
campaigning. Does Thrace stay your steps, and
Hebrus, bound in snowy fetters, or the straits that
run between neighbouring towers,* or Asia's fertile
plains and hills ?

^ Wliat works is the learned staff composing ?
This, too, I want to know. WTio takes upon him to
record the exploits of Augustus ? Who ddown dis-
tant ages makes known his deeds in war and peace ?
What of Titius, soon to be on the hps of Romans, who
quailed not at draughts of the Pindaric spring, but
dared to scorn the open " pools and streams ? How
fares he ? How mindful is he of me ? Does he essay,
under favour of the Muse, to fit Theban measures to
the Latin lyre ? Or does he storm and swell <* in the
tragic art ? What, pray, is Celsus doing ? He was
warned, and must often be warned to search for
home treasures, and to shrink from touching the

one could reach only with difficulty. Apart from the
metaphor, the contrast is between those Greek writers who
could easily be reproduced, and the inimitable Pindar. For
the latter idea cf. Odes, iv. 2, " Pindarum quisquis studet
aemulari," etc

** The word ampullatur, translating XriKvdil^u, is from
ampulla, a flask, the swelling body of which led to the use
of the word for bombait. Cf. Art Poet. 97.

271

HORACE

scripta Palatinus quaecumque receptt Apollo,
ne, si forte su^s repetitum venerit olim
grex avium plumas, moveat cornicula^ risum
furtivis nudata coloribus. ipse quid audes ? 20

quae circumvolitas agilis thy ma ? non tibi parvum
ingenium, non incultum est et^ turpiter hirtum,
seu linguam causis acuis seu civica iura
respondere^ paras seu condis amabile carmen,
prima feres hederae victricis praemia. quod si 25

frigida curarum fomenta relinquere posses,
quo te caelestis sapientia dueeret, ires.^
hoc opus, hoc studium parvi properemus et ampli,
si patriae volumus, si nobis vivere cari.

Debes hoc etiam rescribere, sit^ tibi curae 30

quantae conveniat Munatius ; an male sarta
gratia nequiquam coit et rescinditur ? at^ vos
seu calidus sanguis seu" rerum inscitia vexat
indomita cervice feros, ubicumque locorum
vivitis, indigni fraternum rumpere foedus, 35

pascitur in vestrum reditum votiva iuvenca.

1 vulpecula Servius on Aen. xi. 522.

2 nee <}>\pd. * responsare E.

* Hitziff would transpose II. 26, 27 with each other, perhaps
correctly.

* si 5 : hence si tibi curae est Bentley, Orelli.

' ac Mss. '' seu . . . seu Acron : heu . . . heu uss.

" Celsus is urged to depend more upon himself, instead
of drawing so freely upon earlier writers, whose works he
consulted in the library of the temple of Apollo on the
Palatine.

* Strictly speaking, the ivy applies only to the poet.
For this c/ Odes, i. 1, 29.

272

EPISTLES, I. HI. 17-36

writings which Apollo on the Palatine has admitted " :
lest, if some day perchance the flock of birds come
to reclaim their plumage, the poor crow, stripped of
his stolen colours, awake laughter. And yourself —
what do you venture on ? About what beds of thyme
are you busily flitting ? No small gift is yours : not
untilled is the field, or rough-grown and unsightly.
WTiether you sharpen your tongue for pleading, or
essay to give advice on civil law, or build charming
verse, you \A'ill win the first prize of the victor's ivy.**
But could you but lay aside your cares — those cold
compresses" — you would rise to where heavenly
wisdom would lead. This task, this pursuit let us
speed, small and great alike, if we would hve dear
to our country, and dear to ourselves.

^ This, too, when you reply, you must tell me —
whether you esteem Munatius as much as you should.
Or does your friendship, hke a wound ill-stitched,
close vainly and tear open once more ? Yet, whether
hot blood or ignorance of the world drives you both,
\vild steeds with untamed necks, wherever on earth
you are living — you who are too good to break the
bond of brotherhood — a votive heifer is fattening
against your return.

' Horace seems to mean that the cares which weigh upon
Florus are like the cold bandages which physicians in his
day were prescribing for certain bodily ailments, cf. Suet.
Aug. 81. The curae chilled the fire of inspiration, and were
therefore far from beneficial, because Florus was continually
wrapping himself up in his troubles. Some, however, prefer
to take curariim as an objective genitive, so that curarum
/omenta means " remedies against cares."

273

TO ALBIUS TIBULLUS

AxBFUS TiBuixus, the elegiac poet, who died the same
year as Virgil, 19 b.c, when still quite young, had
returned from a campaign in Aquitania in 27 b.c,
and then perhaps read for the first time the Satires
of Horace. As the first verse of this Epistle refers
only to the Satires and not to the Odes, this short
letter seems to have been written before 23 b.c,
when the Odes (Books i.-iii.) were published.

TibuUus seems to have been of a sensitive and
somewhat melancholy disposition, like the English
poet, Thomas Gray. Horace here tries to divert
him, and concludes \vith an in\-itation to visit him,
a prosperous Epicurean, at his Sabine farm.

The commonly accepted view that the Albius liere
addressed by Horace is the poet Tibullus has been
rejected bv Cruquius, Baehrens and, more recently,
by Professor J. P. Postgate (Selections from Tibullus,
1903, p. 179). The identity of Albius and Tibullus
is upheld by Professor B. L, Ullman in an article
on " Horace and Tibullus " in the American Journal
of Philology, xxxiii. (1912) pp. 14-9 ff., to which
Professor Postgate replies briefly in the same volume,
pp. 450 fF. Ullman also holds that Tibullus is the
Albifilius of Sat. i. 4. 109, ^NTitten when Tibullus was
about sixteen years of age.

275

Albi, nostrorum sermonum candide iudex,
quid nunc te dicam facere in regione Pedana ?
scribere quod Cassi Parmensis opuscula vincat,
an taciturn silvas inter reptare salubris,
curantem quidquid dignum sapiente bonoque^ est ? 5
non tu corpus eras sine pectore : di tibi formam,
di tibi divitias dederunt^ artemque fruendi.
quid voveat dulci nutricula maius alumno,
qui^ sapere et fari possit quae sentiat, et cui
gratia, fama, valetudo contingat abunde, 10

■^ et mundus^ victus non deficiente crumina ?

Inter spem curamque, timores inter et iras^
omnem crede diem tibi diluxisse supremum.
grata superveniet, quae non sperabitur hora.
me pinguem et nitidum bene curata cute vises, 15
cum ridere voles, Epicuri de^ grege porcum.

^ bonumque Rtt. 2 dederant EM.

* qui EV Porph. : quin a, II: qun M.

* mundus, /: modus et, //: domus et Bentley.

* tumores . . . iram E. • cum E.

" i.e. the Satires. The word Sermonen means " talks,"

276

Epistle IV

Albius, impartial critic of my " chats," " what shall
I sav vou now are doing in your country at Pedum ?
Writing something to outshine the pieces of Cassius
of Parma * ? Or strolhng peacefully amid the health-
ful woods, and musing on all that is worthy of one
wise and good ? Never were you a body without
soul. The gods gave you beauty, the gods gave you
wealth, and the art of enjoyment. <= For what more
would a fond nurse pray for her sweet ward, if he
could think aright and utter his thoughts — if favour,
fame, and health fall to him richly, with a seemly
living and a never failing purse ?

Amid hopes and cares, amid fears and passions,
believe that every day that has dawned is your last.
Welcome will come to you another hour unhoped for.
As for me, when you want a laugh, you will find me
in fine fettle, fat and sleek, a hog from Epicurus's herd.

" conversations," and was adopted by Horace for his
Satires. See Introduction B, note a.

* The scholiasts identifv him with Cassius Etruscus of
Sat. i. 10. 61. So too Ullnian, loc. cit. p. 164.

« If Ullman's view is correct, Horace is here contrasting
the son Albius with the father of the same name.

277

•j^

a/r

TO TORQUATtrS ^

V ,r.^- ^

Horace here invites to a simple dinner, on the eve
of the birthday of Augustus, a member of the wealthy
family of the Manlii Torquati, probably the same as
the one to whom the seventh ode of the Fourth Book
is later addressed. Torquatus is asked to bring some
guests.

As to the hour set for the dinner Porphyrio
explains supremo sole (1. 3) as meaning hora sexta,
i.e. midday, and Professor A. J. Bell favours this
interpretation {Classical Review, xxix. (1915) p. 200.
But Horace's simple dinner is quite unlike the
extravagant one given by Nasidienus, which began
de medio die {Sat. ii. 8. 3), and people who have
spent a hot September in Rome will not think it
hkely that the sensitive poet would have invited his
guests to come at high noon in that unpleasant
month. As to the last two lines Torquatus is pre-
sumably a busy la-wyer, and some of his clients
might have to wait tiU late in the day in order to
consult him. If so, this would be another reason
why Horace would not expect his friend to come
before evening. Maecenas, also a busy man, dined
sub lumina prima {Sat. ii. 7. SS).

279

Si potes Archiacis conviva recumbere lectis
nee modiea eenare times holus omne patella,
supremo te sole domi, Torquate, manebo.
vina bibes iterum Tauro diffusa palustris
inter Minturnas Sinuessanumque Petrinum. 6

si melius quid habes, arcesse, vel imperium fer.
iamdudum splendet focus et tibi munda supellex.
mitte levis spes et certamina divitiarum
et Moschi causam : eras nato Gaesare festus
dat veniam somnumque dies ; impune licebit 10

aestivam^ sermione benigno tendere noctem.

Quo mihi fortunam,^ si non conceditur uti ?
parcus ob heredis curam nimiumque severus
adsidet insano. potare et spargere flores
incipiam, patiarque vel inconsultus haberi. 15

quid non ebrietas dissignat^ ? operta recludit,
^ festivam. * fortuna R : fortunas. * designat a(p Goth.

" Archias was a maker of unpretentious furniture.
According to Porphyrio his couches were small ones.
See note on 1. 29.

* 26 B.C. At that time the wine had been poured from
the large dolium into the smaller amphorae.

" According to the Scholiasts, Moschus, a rhetorician
from Pergamum, was accused of poisoning, and defended
by Torquatus as well as by Asinius Pollio.

'' September 23. September is one of the warmest months
in Rome.

' In dissignare the original idea of sealing seems to be

280

Epistle V

If you can recline at my table on couches made
by Archias," and are not afraid of " a dinner of
herbs " only, from a modest dish, I shall expect you,
Torquatus, at my house at sunset. You will drink
wine that was bottled in Taurus 's second consulate ^
between marshy Minturnae and Petrinum near
Sinuessa. If you have aught better, bid it be sent, or
submit to orders. Long has my hearth been bright,
and the furniture made neat for you. Dismiss airy
hopes and the struggle for wealth, and Moschus's
cause.* To-morrow, the festal day of Caesar's birth,**
gives excuse for sleeping late ; without penalty shall
we be free to prolong the summer night in genial
converse.

^ Why is fortune mine, if I may not use it ? He
who, from regard to his heir, pinches and spares
overmuch is next door to a madman. I shall begin
the drinking and the scattering of flowers, and shall
sutfer you, if you will, to think me reckless. WTiat
a miracle cannot the wine-cup work ! * It unlocks

negatived by the prefix dis-, and to " unseal " (a verb
appropriately used in the present connexion) signifies
(according to Porphyrio) to "open," i.e. reveal something.
Hence it is used of any strange effect. Cf. Terence,
Adelphoe, 87, "modo quid dissignavit ? " "What out-of-
the-way thing has he now done ? " For the general thought
cf. Od. iii. 21. 13 ff.

281

HORACE

spes iubet esse ratas, ad proelia trudit inertem,^
sollicitis animis onus eximit, addocet^ artes.
fecundi^ calices quem non fecere disertum ?
contracta quem non in paupertate solutum ? 20

Haec ego procurare et idoneus imperor et non
in Vitus, ne turpe tox-al, ne sordida mappa
corruget naris, ne non et cantharus et lanx
ostendat tibi te, ne fidos inter amicos
sit qui dicta foras eliminet, ut* coeat par 25

iungaturque pari.

Butram tibi Septiciumque,
et nisi cena prior potiorque puella Sabinum
detinet, adsumam.^ locus est et pluribus umbris :
sed nimis arta premunt olidae convivia caprae.
tu quotus esse velis rescribe et rebus omissis 30

atria servantem postico falle clientem.

^ inermem aM.
2 et docet E. * facundi E5ir Vollmer.

* et (pfXl. ^ ad summam a, II.

" See note on Sat. ii. 8. 23.

" Tliis unsavoury detail is meant to be jocular, but as it

282

EPISTLES, I. V. 17-31

secrets, bids hopes be fulfilled, thrusts the coward
into the field, takes the load from anxious hearts,
teaches new arts. The flowing bowl — whom has it
not made eloquent ? WTiom has it not made free
even amid pinching poverty ?

^ Here is what I charge myself to pro^^de — and
able and willing I am : that no untidy coverlet, no
soiled napkin ^vrinkle up your nose ; that tankard
and plate become for you a mirror ; that there be
none to carry abroad what is said among faithful
friends ; that hke may meet and mate with like.

^ Butra and Septicius I shall have to meet you,
and Sabinus, unless a better supper and a goodlier
girl detain him. There is room, too, for several
" shades " " ; but the reek of goats makes too
crowded feasts unpleasant.'' Write back, pray, how
many you would hke us to be ; then drop your
business, and by the back-door give the slip to the
client waiting in your hall.

was the warm season Horace does not want his small couches
to be too crowded.

S8S

TO NUMICIUS

Nothing is known about the person to whom this
letter is addressed, but the ideas expressed in it
have made it one of the most famous of Horace's
epistles.

The key-note is struck in the opening phrase, nil
admirari, a rendering of the to fj.r]8h' davfxd(eiv of
Pythagoras, or of rj ddavjMaa-Tia of philosophers in
general (Strabo, i. 3. 21). This ddavjxaa-TLa, identical
with the d6afj./3ia of Democritus (Cic. De Jin. v. 29.
87), the drapa^ia of the Epicureans, and the dirddeLa
of the Stoics, is a philosophic calm, a composure of
mind and feeling, a freedom from exciting emotions,
which ancient philosophy often regarded as the
summum honum and which Tennyson defines so well
in his Lucretius :

O thou.
Passionless bride, divine Tranquillity,
Yearn'd after by the wisest of the wise.
Who fail to find thee, being as thou art
Without one pleasure and without one pain.

This " wise indifference," says Horace, is perhaps
the only clue to happiness. If men can gaze un-
moved on the wonders of the firmament, they can
surely look calmly upon things of less moment, such
2b4

EPISTLES, I. VI.

as wealth and honovirs, neither craving their rewards
nor fearing their loss. " Nothing in excess " should
be one's rule even in the pursuit of Virtue. And
bear in mind that, however much you may long for
treasures of art, for fame and wealth, death must be
the end of all (1-27).

You think I am wrong ? If you are ill, you take
medicine ; if you want to " live well," and know
that Virtue alone can give you that boon, follow
her at all costs. If, on the contrary, you think \'irtue
a mere name, then make haste to get rich. Be not
like the Cappadocian king, who was so poor, but
rather be hke Lucullus, who didn't know how wealthy
he was (28-48).

If you have set your heart on office and honours,
stoop to all the tricks of the pohticians (49-55). If
" li\ang well " means for you good eating (56-64) or
love and pleasure (65, 66), then think of nothing else.

Such are my views. Have you anything better to
offer ? (07, 68).

985

VI.

Nil admirari prope res est una, Numici,
solaque quae possit facere et servare beatum,
hunc solem et stellas et decedentia certis
tempora momentis sunt qui formidin^ nulla
imbuti spectent : quid censes munera terrae, 6

quid maris extremes Arabas ditantis et Indos,
ludicra quid, plausus et amici dona Quiritis,
quo spectanda modo, quo sensu credis et ore ?

Qui timet his adversa, fere miratur eodem
quo cupiens pacto : pavor est utrobique molestus, 10
improvisa simul species exterret utrumque.^
gaudeat an doleat, cupiat metuatne, quid ad rem,
si, quicquid vidit melius peiusve^ sua spe,
defixis oculis animoque et corpore torpet ?
insani sapiens nomen ferat, aequus iniqui, 15

ultra quam satis est Virtutem si petat^ ipsam.

I nunc, argentum et marmor vetus aeraque et artcs
suspice,* cum gemmis Tyrios mirare colores ;
gaude quod spectant^ oculi te mille loquentem ;
navus mane forum et vespertinus pete tectum, 20
ne plus frumenti dotalibus emetat agris
Mutus et (indignum, quod sit peioribus ortus)

* exterret (-it R) utrumque, //: most editors exterruit
utrum aE.

* pciusne Rd. * petet aM.

* suscipe EXItt. ^ spectent E.

286

Epistle VI

" Marvel at nothing " — that is perhaps the one
and only thing, Numicius, that can make a man
happy and keep him so. Yon sun, the stars and
seasons that pass in fixed courses — some can gaze
upon these with no strain of fear : what think you of
the gifts of earth, or what of the sea's, which makes
rich far distant Arabs and Indians — what of the shows,
the plaudits and the favours of the friendly Roman
— in what \nse, with what feelings and eyes think
you they should be viewed ?

® And he who fears their opposites " marv^els " in
much the same way as the man who desires : in either
case 'tis the excitement that annoys, the moment some
unexpected appearance startles either. Whether
a man feel joy or grief, desire or fear, what matters
it if, when he has seen aught better or worse than
he expected, his eyes are fast riveted, and mind and
body are benumbed ? Let the wise man bear the
name of madman, the just of unjust, should he
pursue Virtue herself beyond due bounds.

^' Go now, gaze with rapture on silver plate,
antique marble, bronzes and works of art ; " marvel "
at gems and Tyrian dyes ; rejoice that a thousand
eyes survey you as you speak ; in your diligence get
you to the Forum early, to your home late, lest
Mutus reap more grain from the lands of his wife's
dower, and (oh the shame, for he sprang from meaner

287

HORACE

hie tibi sit potius quam tu mirabilis illi.
quidquid sub terra est, in apricum proferet^ aetas,
defodiet condetque nitentia. cum bene notum 25
porticus Agrippae, via te^ conspexerit Appi,
ire tamen restat Numa quo devenit et Ancus.
Si latus aut renes morbo temptantur acuto,
quaere fugam morbi. vis recte vivere : quis non ?
si Virtus hoc una potest dare, fortis omissis 30

hoc age deliciis.

Virtutem verba putas^ et
lucum ligna : cave ne portus occupet alter,
ne Cibyratica, ne Bithyna negotia pei'das ;
mille talenta rotundentur, totidem altera, porro et*
tertia succedant et quae pars quadret^ acervum. 35
scilicet uxorem cum dote fidemque et amicos
et genus et formam regina Pecunia donat,
ac bene nummatum decorat Suadela Venusque.
mancupiis locuples eget aeris Cappadocum rex :
ne* fueris hie tu. chlamydes Lucullus, ut aiunt, 40
si posset centum scaenae praebere rogatus,
" qui possum tot ? " ait ; " tamen et quaeram et quot

habebo
mittam : " post paulo scribit sibi milia quinque
esse domi chlamydum ; partem vel toUeret omnis.
exilis domus est, ubi non et multa supersunt 45

et dominum fallunt et prosunt furibus. ergo

* proferat aM. " et via, II.

■ putes AH Bentley. * et omitted aMS.

• quadrat aM. • nee E.

" Both were frequented by the fashionable world. The
portico of Agrippa, near the Pantheon, was opened in 25 b.c.
For the Appian Way cf. Epode iv. 14 and Sat. i. 5. 6.

* This is a proverbial expression, applicable to the material-

288

EPISTLES, I. VI. 23-46

stock !) lest you " marvel " at him rather than he at
you. Time will bring into the light whatever is
under the earth ; it will bury deep and hide what
now shines bright.^ When Agrippa's colonnade, when
Appius's way " has looked upon your well-kno\vn
form, stiU it remains for you to go where Numa and
Ancus have gone down before.

^ If your chest or reins are assailed by a sharp
disease, seek a remedy for the disease. You wish
to hve aright (and who does not ?) ; if then Virtue
alone can confer this boon, boldly drop trifles and
set to work !

'^ Do you think Virtue but words, and a forest * but
firewood ? Take care lest your rival make harbour
first, lest you lose your ventures from Cibyra and
Bithynia. Suppose you round off a thousand talents ;
as marly in a second lot ; then add a third thousand,
and enough to square the heap. Of course a wife
and dowTy, credit and friends, birth and beauty, are
the gift of Quee^ Cash, and the goddesses Persuasion
and Venus grace the man who is well-to-do. The
Cappadocian king '^ is rich in slaves, but lacks coin :
be not hke him. Lucullus, 'tis said, was asked if he
could lend a hundred cloaks for the stage. " How
can I so many ? " he answers, " yet I'll look and send
as many as I have." A httle later he writes : " I
have five thousand cloaks at home ; take some or
all." Poor is the house where there's not much to
spare, much that escapes the master and profits his

ists of the day, who were ready to cut down even sacred
groves.

* Viz. Ariobarzanes, of whom Cicero says, "erat rex
perpauper" {Ad Att. vi. 3). For Lucullus "see Plutarch's
Lives. Litcullus. ch. 39. Horace expands the story somewhat.

U 289

HORACE

si res sola potest facere et servare beatum,

hoc primus^ repetas opus, hoc postremus omittas.

Si fortunatum species et gratia praestat,
mercemur servum, qui dictet nomina, laevum^ 50
qui fodicet latus et cogat trans pondera^ dextram
porrigere : " hie* multum in Fabia valet, ille Velina ;
cui libet hie fasces dabit eripietque curule
cui volet importunus ebur." " frater," " pater "adde :
ut cuique est aetas, ita quemque facetus adopta.* 55

Si bene qui cenat bene vivit, lucet, eamus
quo ducit gula ; piscemur, venemur, ut olim
Gargilius, qui mane plagas, venabula, servos
difFertum transire** forum populumque' iubebat,
unus ut e multis populo spectante referret 60

emptum mulus aprum. crudi tumidique lavemur.
quid deceat, quid non, obliti, Caerite cera
digni, remigium vitiosum Ithacensis Ulixei,
cui potior patria^ fuit interdicta voluptas^
si, Mimnermus uti censet, sine amore iocwque 65

nil est iucundum, vivas in amore iocisqy.

Vive, vale ! si quid novisti rectius ifcis,
candidus imperti ; si nil,^ his utere mecum.

^ primum, 11.
" laevum E : saevum {i.e. scaevum) aM, 11% so Pithoeus.

* pondere, II. * liis or is Mdir.

* adapta 4>4'^l' * transferre Goth.

' campum Bentley. * patriae, //. * non, 11.

" A slave, called nomenclator, had the duty of informing
his master of the names of people he did not know.

'' The scholiasts explain pondera as the term applied to
the high stepping-stones used for crossing the streets as
may be seen in Pompeii. Horace, therefore, is picturing
the ambitious politicians as hurrying over these to greet
a voter on the other side of the street. Other interpretations,

290

EPISTLES, I. VI. 47-68

knaves. So if wealth alone can make you happy
and keep you so, be the first to go back to this task,
the last to leave it off,

*^ If pomp and popularity make the fortunate man,
let us buy a slave to call off names," to nudge our
left side, and make us stretch out the hand across
the streets.'' " This man has much influence in the
Fabian tribe ; that in the Veline. This man will
give the fasces to whom he will, or, if churlish, will
snatch the curule ivory from whom he pleases."
Throw in " Brother ! " " Father ! " — politely adopt
each one according to his age.

^ If he who dines well, Uves well, then — 'tis
daybreak, let's be off, whither the palate guides us.
Let us fish, let us hunt, like Gargilius in the story.
At dawn of day he would bid his slaves with hunting-
nets and spears pass through the throng in the
crowded Forum, that in the sight of that same throng
one mule of all the train might bring home a boar he
had purchased. Wliile gorged with undigested food,
let us bathe, forgetful of what is or is not seemly,
deserving to have our place in the Caere class,'' hke the
wicked crew of Ulysses of Ithaca, to whom forbidden
pleasure was dearer than fatherland. If, as Mim-
nermus holds, without love and jests there is no joy,
live amid love and jests.

^" Live long, farewell. If you know something
better than these precepts, pass it on, my good
fellow. If not, join me in follo^ving these.

such as that pondera means the weights on a shop-counter,
are pure conjectures.

« As deserving to be disfranchised. The people of Caere
were munteipes sine suffragii iure (Gellius, xvi. 13). The
word cera refers to the wax-covered tablets on which the
lists of citizens were entered.

291

VII

TO MAECENAS

Maecenas has apparently reproached Horace for
staying in the country longer than he had said he
would, when he himself had to remain in Rome,
and perhaps he had reminded the poet of his
obligations to his patron.

Horace makes a manly and dignified reply. He
assures his patron that he is not ungrateful for past
benefits, but he must consider his health, and he
refuses to surrender his personal independence. If
that is demanded, he is willing to give up everything
that Maecenas has conferred upon him.

The poet's attitude is illustrated by several stories,
the last of which — the tale of Philippus and his client,
Volteius Mena — takes up half of the poem. Of this
Swift has made a very humorous use in his " Address
to the Earl of Oxford."

293

VII.

Quinque dies tibi pollicitus me rure futurum,
Sextilem totum mendax desideror. atque^
si me vivere vis sanum recteque valentem,
quam mihi das aegro, dabis aegrotare timenti,
Maecenas, veniam, dum ficus prima calorque^ 5

dissignatorem decorat lictoribus atris,
dum pueris omnis pater et matercula pallet,
officiosaque sedulitas et opella forensis
adducit^ febris et testamenta resignat.
quod si bruma nives Albanis illinet agris, 10

ad mare descendet vates tuus et sibi parcet
contractusque leget ; te, dulcis amice, reviset
cum Zephyris, si concedes,* et hirundine prima.

Non quo more piris vesci Calaber iubet hospes,
tu me fecisti locupletem. " vescere, sodes." 15

" iam satis est." " at tu quantum vis tolle." " be-

nigne."
" non invisa feres pueris munuscula parvis."
" tarn teneor dono, quam si dimittar onustus."
" ut libet ; haec porcis hodie comedenda relinques.^ "

^ atqui E, but cf. {e.g.) Terence, Andria "225.

* colorque Va. ' adducet RSir.

* concedis E. * relinquis (p^j/Xl.

" Quinque is a round number here. Similarly, decern dies
may be used of " a long w eek."

294

Epistle VII

Only a week " was I to stay in the country — such
was my promise — but, false to my word, I am missed
the whole of Augast. And yet, if you would have
me hve sound and in good health, the indulgence
which you grant me when ill you will grant me when
I fear to become ill, while the first figs and the heat
adorn the undertaker \^-ith his black attendants,
while every father and fond mother turns pale with
fear for the cliildren, and while diligence in cour-
tesies ^ and the Forum's petty business bring on
fevers and unseal wills. But if %\'inter shall strew
the Alban fields with snow, your poet \^ill go down
to the sea, will be careful of himself and, huddled
up, will take to his reading : you, dear friend, he
vriW — if you permit — revisit along with the zephyrs
and the first swallow.

^* 'Twas not in the way a Calabrian host invites
you to eat his pears that you have made me rich.
" Eat some, pray." " I've had enough." " Well,
take away all you please." " No, thanks." " Your
tiny tots \\-ill love the little gifts you take them."
" I'm as much obhged for your offer as if you sent
me away loaded dowTi." " As you please ; you'll
be leaving them for the swine to gobble up to-day."

'' The phrase refers to social duties, such as attendance
upon the great.

295

HORACE

prodigus et stultus donat quae spernit et odit ; 20
haec seges ingratosi tulit et feret omnibus annis.
vir bonus et sapiens dignis ait esse paratus,
nee tamen ignorat quid distent aera lupinis.
dignum praestabo me etiam pro laude merentis.
quod si me noles usquam diseedere, reddes 25

forte latus, nigros angusta fronte capillos,
reddes dulee loqui, reddes ridere decorum et
inter vina fugam Cinarae maerere protervae.

Forte per angustam tenuis volpecula^ rimam
repserat in cumeram^ frumenti, pastaque rursus 30
ire foras pleno tendebat corpore frustra ;
cui mustela procul, " si vis," ait, " effugere istinc,
macra cavum repetes artum, quem macra subisti."
hac ego si compellor imagine, cuncta resigno ;
nee somnum plebis laudo satur altilium nee 36

otia divitiis Arabum liber rima muto,
saepe verecundum laudasti, rexque paterque
audisti coram nee verbo parcius absens :
inspice si possum donata reponere laetus.
baud* male Telemachus, proles patientis^ Ulixei : 40
" non est aptus equis Ithace locus, ut neque planis

^ ingrato E'^b'^ : ingratis (p\l/\l.

* nitedula Bentley : accepted by Lachmann, Kiessling,
Holder and others. ' cameram ir.

* at (pfSXl : aut Rir. ' sapientis E.

* i.e. real money and the imitation lupine seeds, used for
counters in playing games.

* For the beauty of a narrow brow cf. Od. i. 33. 5,
'* insignem tenui fronte Lycorida." Horace is becoming bald,
and is praecanus {Epist. 1. 20. 24).

* Bentley's conjecture nitedula, " shrew-mouse," has been

29()

EPISTLES, I. VII. 20-41

The foolish prodigal gives away what he despises
and dislikes : the field thus sown has always yielded,
and always will yield, a crop of ingratitude. Your
good and wise man claims to be ready to help the
worthy , and yet he knows well how coins and counters"
diifer. Worthy I, too, vn\\ show myself, as the glory
of your good deed demands. But if you will
never suffer me to leave you, you must give me
back strength of lung, and black locks on a narrow
brow ^ ; you must give back a pleasant prattle, give
back graceful laughter and laments amid our cups
o'er saucy Cinara's flight.

^ Once it chanced that a pinched little fox " had
crept througli a narrow chink into a bin of corn, and
when well fed was trying with stuffed stomach to
get out again, but in vain. To him quoth a weasel
hard by : "If you >^'ish to escape from there, you
must go back lean to the narrow gap which you
entered when lean." If challenged by this fable, I
give up all. I neither praise the poor man's sleep,
when I am fed full on capons, nor would I barter my
ease and my freedom for all the wealth of Araby.
Often have you praised my modesty, and have been
called " king " ** and " father " to your face, nor do I
stint my words behind your back. Try me, whether
I can restore your gifts, and cheerfully too. 'Twas
no poor answer of Telemachus, son of enduring
Ulysses * : " Ithaca is no land meet for steeds, for

widely accepted, because in real life the fox does not eat
grain. But the traditional text must be retained.

"* The term rex was used of a patron ; c/" coram rege suo,"
Epist. i. 17. 43.

• IntheOdy««t;2/('v. 601ff.). Telemachus, son of Odysseus,
declines the horses and chariot oflFered him in friendship by
Menelaus.

897

HORACE

porrectus spatiis nee multae prodigus herbae :
Atride, magis apta tibi tua dona relinquam."
parvum parva decent : mihi iam non regia Roma,
sed vacuum Tibur placet aut imbelle Tarentum. 45

Strenuus et fortis causisque Philippus agendis
clarus, ab officiis octavam circiter horam
dum redit atque Foro nimium distare Carinas
iam grandis natu queritur, conspexit, ut aiunt,
adrasum quendam vacua tonsoris in umbra 60

cultello proprios^ purgantem^ leniter unguis.
" Demetri," (puer hie non laeve iussa Philippi
accipiebat) " abi, quaere et refer, unde domo, quis,
cuius fortunae, quo sit patre quove patrono."
it,^ redit et narrat, Volteium nomine Menam, 66
praeconem, tenui censu, sine crimine, notum
et properare loco* et cessare et quaerere et uti,
gaudentem parvisque sodalibus et lare certo^
et ludis et post decisa negotia Campa,
" scitari libet ex ipso quodcumque refers : die 60
ad cenam veniat." non sane credere Mena,
mirari secum tacitus. quid multa ? " benigne,"
respondet.^ " neget'' ille mihi ? " " negat improbus

et te
neglegit aut horret."

Volteium mane Philippus
vilia vendentem tunicato scruta popello 06

occupat et salvere iubet prior, ille Philippe
excusare laborem et mercennaria vincla,

^ proprio. * resecantem E Goth.

» et, JI. * locum, //.

^ curto. * rcspondit 5 Goth. ' negat a Goth.

« i.e. such games as those of the Circus and the athletic
contests in the Campus Martins. ^ ^>^

298

EPISTLES, I. VII. 42-67

it has no level courses outspread, nor is it la\ish of
much herbage. Son of Atreus, I will leave you your
gifts, as being more meet for you." Small things
befit small folk ; my o\vn dehght to-day is not
queenly Rome, but qmet Tibur or peaceful Tarentvun.

** Philippus, the famous pleader, a man of \igour
and courage, was returning home from work about
two o'clock. Being now somewhat on in years, he
was grumbhng at the Carinae being too far from the
Forum, when (so the story goes) he caught sight of
a man close-shaven, sitting in a barber's empty
booth, and with pocket-knife quietly cleaning his
nails for himself. " Demetrius " (this lad was not
slow to catch his master's orders), " go, ask, and
bring me word, where that man's from, who he is,
and what's his standing, who is his father, or who
his patron." He goes, and comes back \nih the tale
that his name is Volteius Mena, a crier at auctions,
of modest fortime and blameless record, kno^vn to
work hard and idle in season, to make money and
spend it, taking pleasure in his humble friends and
a home of his own and, when business is over, in the
games and in the field of Mars." " I'd hke to hear
from his own hps all you tell me. Bid him come to
supper." Mena cannot really believe it ; he marvels
in thoughtful silence. To be brief, " No, thank you,"
he answers. " Would he refuse me ? " " He does,
the rascal, and either shghts or dreads you."

^ Next morning Phihppus comes on Volteius
selling cheap odds and ends to the common folk in
tunics ^ and is first to give a greeting. The other
makes work and the ties of his trade an excuse to

* The common people did not wear the toga in daily life.

299

HORACE

quod non mane domum venisset, denique quod non
providisseti eum. " sic ignovisse putato 69

me tibi, si cenas hodie mecum." " ut libet." " ergo
post nonam venies : nunc i, rem strenuus auge."
ut ventum ad cenam est,^ dicenda tacenda locutus
tandem dormitum dimittitur.

Hie ubi saepe
occultum visus decurrere piscis ad hamum,
mane cliens et iam certus conviva, iubetur 75

rura suburbana indictis comes ire Latinis.
impositus mannis arvum caelumque Sabinum
non cessat laudare. videt ridetque Philippus,
et sibi dum requiem, dum risus undique quaerit,
dum septem donat sestertia, mutua septem 80

promittit, persuadet uti mercetur agellum.
mercatur. ne^ te longis ambagibus* ultra
quam satis est moi*er, ex nitido fit rusticus atque
sulcos et vineta crepat mera, praeparat ulmos,
immoritur studiis et amore senescit habendi. 85

verum ubi oves furto, morbo periere capellae,
spem mentita seges, bos est enectus arando,
ofFensus damnis media de nocte caballum
arripit iratusque Philippi tendit ad aedis. 89

quem simul aspexit scabrum intonsumque Philippus,
" durus," ait, " Voltei, nimis attentusque videris
esse mihi." " pol, me miserum, patrone, vocares,
si velles," inquit, " verum mihi ponere^ nomen.

^ praevidisset. * est otnitted w.

^ nee RItt. * ambiguus Rir.

^ ponere VaE : dicere B, II.

' i.e. to pay his respects, in view of the invitation sent him.

* The^feriae Latinae were held annually on a day appointed
and announced — usually at the end of April or the beginning
of May. All legal business was suspended for the time.

300

EPISTLES, I. VII. 68-93

Philippus for not having come to his house that
morning," in fine for not seeing him first. " You're
to take it that I've pardoned you only if you sup
with me to-day." " As you please." " You wiU
come then after three o'clock. Now go, set to and
add to your wealth ! " On coming to supper, he
chatted about anything and everything, and then at
last was sent off to bed.

'^ When he had often been seen to run like a fish
to the hidden hook, in the morning a client and now
a constant guest, he was invited to come as com-
panion, when the Latin games were proclaimed, ** to
a country estate near Rome. Mounted behind the
ponies, he is ever praising the Sabine soil and climate.
Philippus notes and smiles, and what vrith looking
for his own rehef and amusement from any source,
and what with gi\ing him seven thousand sesterces,
and offering him a loan of seven thousand more, he
persuades him to buy a little farm. He does so.
Not to hold you too long with a rambhng tale, our
spruce cit becomes a rustic and chatters about
nothing but furrows and \ineyards, makes ready his
elms, nearly kills himself over his hobbies, and grows
old with his passion for getting. But when he has
lost his sheep by theft and his goats by disease,
when his crops have fooled his hopes and his ox is
worn to death A\-ith ploughing, fretting over his
losses, in the middle of the night he seizes his nag
and in a rage makes straight for the house of
Phihppus. He, soon as he saw him, rough and
unshorn, " Volteius," cries he, " you seem to me
too hard-worked and over-strained." " Egad ! my
patron," said he, " you would call me miserable
wretch, if you could give me my true name. But

301

HORACE

quod te per Genium dextramque deosque Penatis
obsecro et obtestor, vitae me redde priori ! " 95

Qui semel^ aspexit, quantum dimissa petitis
praestent, mature redeat repetatque relieta.
metiri se quemque suo modulo ac pede verum est.
» semel early editions : simul mss. ; taken from 1. 90.

302

EPISTLES, I. vn. 94-98

by your genius, by your right hand and household
gods, I implore and entreat you, put me back in my
former hfe."

^ Let him, who once has seen how far what he
has given up excels what he has sought, go back in
time and seek again the things he has left. 'Tis
right that each should measure himself by his own
rule and standard.

303

VIII

TO CELSUS ALBINOVANUS

This brief letter is addressed to the Celsus men-
tioned in the third epistle of this book as a member
of the staff of Tiberius Claudius Nero.

The poet confesses that he himself is out of sorts
and discontented, but the main point of his letter
hes in the admonition to his friend not to be unduly
elated by liis good fortune.

305

VIII.

Celso gaudere et bene rem gerere Albinovano
Musa rogata refer, comiti scribaeque Neronis.
si quaeret^ quid agam, die multa et pulchra minantem
vivere nee recte nee suaviter ; haud^ quia grando
contuderit vitis oleamque^ momorderit aestus, 5

nee quia longinquis armentum aegrotet in agris ;
sed quia mente minus validus quam corpore toto
nil audire velim, nil discere, quod levet aegrum ;
fidis ofFendar medicis, irascar amicis,
cur me* funesto properent arcere^ veterno ; 10

quae nocuere sequar, fugiam quae profore credam ;
Romae Tibur amem ventosus,® Tibure Romam.

Post haec, ut valeat, quo pacto rem gerat et se,
ut placeat iuveni percontare utque cohorti.
si dicet, " recte," primum gaudere, subinde 15

praeceptum auriculis hoc instillare memento :
" ut tu fortunam, sic nos te, Celse, feremus."

* quaerit a. * aut ir'. ' oleamve E.

* mihi E. * urguere ir.

^ venturus V, 11, Porph. {on Serm. ii. 7. 28).

S06

Epistle VIII

To Celsus Albinovanus greetings and good wishes !
This message bear, O Muse, at my request, to the
comrade and secretary of Nero. If he ask you how
I fare, tell him that despite many fine promises I
live a hfe neither wise nor pleasant ; not because
hail has beaten down my vines and heat blighted my
olives, nor because my herds are sickening on
distant pastures ; but because, less sound in mind
than in all my body, I ■will listen to nothing, will
learn nothing, to relieve my sickness ; quarrel with
my faithful physicians, and angrily ask my friends
why they are eager to rescue me from fatal
lethargy ; because I follow after what has hurt me,
avoid what I believe vill help me, and am fickle as
the wind, at Rome loxing Tibur, at Tibur Rome.

Then ask him how his own health is, how in estate
and person he is faring, how he stands in favour
viiih prince and staff. If he says " Well," first wish
him joy ; then by and by remember to drop this
warning in the dear fellow's ears : "As you bear
your fortune, Celsus, so we shall bear with you."

307

TO TIBERIUS

This charming letter of introduction is addressed to
the young prince Tiberius on behalf of one Septiniius,
probably the friend of Carm. ii. 6,

Septimi, Gadis aditure mecum et
Cantabrum indoctum iuga ferre nostra et
barbaras Syrtis.

The delicate tact of the writer, who would seem
selfish if he did not heed his friend's request, and
might be guilty of effrontery if he did, has often
been admired. The letter was probably written in
20 B.C., when Tiberius was preparing to set out for
the East,

309

IX.

Septimius, Claudi, nimirum intellegit unus,
quanti me facias, nam cum rogat et pi-ece cogit
scilicet ut tibi se laudare et tradere coner,
dignum mente domoque legentis honesta Neronis,
munere cum fungi propioris censet amici, 5

quid possim videt ac novit^ me valdius ipso,
multa quidem dixi cur excusatus abirem ;
sed timui mea ne^ finxisse minora putarer,
dissimilator opis propriae, milii commodus uni.
sic ego, maioris fugiens opprobria culpae, 10

frontis ad urbanae descendi praemia. quod si
depositum laudas ob amici iussa pudorem,
scribe tui gregis hunc et fortem crede bonumque.

^ ac novit aE Ooth : agnovit A\ II.
* non <f>\p.

310

Epistle IX

Only Septimius of course understands how much,
Claudius, you make of me. For when he begs and
by prayer forces me — mark you ! — to an endeavour
to commend and present him to you, as one worthy
of the mind and household of Nero, the lover of
virtue — when he deems that I fill the place of a
closer friend,! he sees and knows what I can do
more fully than myself. To be sure I gave him many
reasons for letting me go excused ; but I feared that
I might be thought to have made out my influence too
small, falsely hiding my real power and seeking favour
for myself alone . So to avoid the reproach of a graver
fault, I have stooped to win the reward of town-bred
impudence. But if you approve of my thus doffing
modesty at the bidding of a friend, enrol him in vour
circle and believe him brave and good.

TO ARISTIUS FUSCUS

According to the scholiasts, Aristius Fuscus, to whom
this letter is addressed, was a dramatic writer and
a scholar. He appears in the list of Horace's literary
friends given in Sat. i. 10. S3, figures in an amusing
role in Sat. i. 9- 61 ff., and is best known as the
man to whom the famous Integer viiae ode {Carm. i.
22) is dedicated.

The Epistle is a rhapsody upon the simplicity and
charm of country life addressed to a cultivated man
of the town. In the country Horace is perfectly
content, save for the fact that his friend is elsewhere.

SIS

Urbis amatorem Fuscum salvere iubemus
ruris amatores. hac in re scilicet una
multum dissimiles, at^ cetera paene gemelli
fraternis animis (quidquid^ negat alter, et alter)
adnuimus pariter vetuli notique columbi.^ 5

Tu nidum servas ; ego laudo ruris amoeni
rivos et musco circumlita saxa nemusque.
quid quaeris ? vivo et regno, simul ista reliqui
quae vos ad caelum efFertis* rumore secundo,
utque sacerdotis fugitivus liba recuso ; 10

pane egeo iam mellitis potiore placentis.

Vivere Naturae si^ convenienter oportet,
ponendaeque^ domo quaerenda est area primum,
novistine locum potiorem rure beato ?
est ubi plus tepeant hiemes, ubi gratior aura 15

leniat et rabiem Canis et momenta Leonis,
cum semel accepit Solem furibundus acutum ?
est ubi divellat' somnos minus invida Cura ?
^^^'deterius Libycis olet aut nitet herba lapillis ?

^ at VE : ad a, 11. ^ si quid E.

' vetulis notisque columbis V (corrected). Lavibinus had
conjectured the same reading, columbis being governed by
pariter. ■* effertis V : fertis Mss. ^ sic <f>\p.

* ponendaque one Bland. " depellat a.

" The slave in a priest's household was fed so much on
sacrificial cakes that he ran away to get plain fare.

314

Epistle X

To Fuscus, lover of the city, I, a lover of the
country, send greetings. In this one point, to be sure,
we differ much, but being in all else much like twins
with the hearts of brothers — if one says " no," the
other says " no " too — we nod a common assent hke
a couple of old familiar doves.

^ You keep the nest ; I praise the lovely country's
brooks, its grove and moss-grown rocks. In short :
I live and reign, as soon as I have left behind what
you townsmen with shouts of applause extol to the
skies. Like the priest's runaway slave, I loathe
sweet wafers ; 'tis bread I want, and now prefer to
honeyed cakes."

^2 If " to hve agreeably to Nature "^ is our duty,
and first we must choose a site for building our house,
do you know any place to be preferred to the blissful
country ? Is there any where winters are milder,
where a more grateful breeze tempers the Dog-star's
fury and the Lion's onset, when once in frenzy he
has caught the sun's piercing shafts ? '^ Is there any
where envious Care less distracts our slumber ? Is
the grass poorer in fragrance or beauty than Libyan,

* ofjioXoyovfUyus tj <f>v(rei ^qv : one of the Stoic rules of
life.

" The Dog-star rises July 20, becoming visible on July 26.
The sun enters Leo July 23. The constellation is compared
to a lion roused to fury when wounded with arrows.

315

HORACE

purior in vicis aqua tendit rumpere plumbum, 20
quam quae per pronum trepidat cum murmure rivum?
nempe inter varias nutritur silva columnas,
laudaturque domus longos quae prosplcit agros.
Naturam expelles^ furca, tamen usque recurret,
et mala perrumpet furtim fastidia^ victrix. 25

Non, qui Sidonio contendere callidus ostro
nescit Aquinatem potantia vellera fucum,
certius accipiet damnum propiusve^ medullis,
quam qui non poterit vero distinguere falsum.
quem res plus nimio delectavere secundae, 30

mutatae quatient. si quid mirabere, pones
invitus. fuge magna : licet sub paupere tecto
reges et regum vita praecurrere amicos.

Cervus equum pugna melior communibus herbis

pellebat, donee minor in certamine longo 35

imploravit opes hominis frenumque recepit ;

sed postquam victor violins* discesisit ab hoste,

non equitem dorso, non frenum depulit ore.

sic qui pauperiem veritus potiore metallis

libertate caret, dominum veliet^ improbus atque 40

serviet aeternum, quia parvo nesciet uti.

cui non conveniet sua res, ut^ calceus olim,

si pede maior erit, subvertet, si minor, uret.

^ expellas early editions.

- fastigia a, II : vestigia V. ^ propiusque a.

* violens victor E : victo ridens Haupf.

8 vehit E. « et <p^\l.

" i.e. the costly pavements of the great Roman houses.
* i.e. the marble columns of diiferent colours wliich formed
the colonnade surrounding the peristyle or inner court of a

316

EPISTLES, I. X. 20-43

mosaics " ? Is the water purer which in city-streets
struggles to burst its leaden pipes than that fWhich
dances and purls adown the sloping brook ? ^^Why,
amid your varied columns * you are nursing trees,
and you praise the mansion which looks out on distant
fields. You may drive out Nature with a pitchfork,
yet she M-ill ever hurry back, and, ere you know it,
will burst through your foolish contempt in triumph.

2*' The man who has not the skill to match \vith
Sidonian purple the fleeces that drink up Aquinum's
dye," will not suffer surer loss or one closer to his
heart than he who shall fail to distinguish false from
true. One whom Fortune's smiles have dehghted
overmuch, will reel under the shock of change. If
you set your heart on aught, you will be loth to lay
it down. Flee grandeur : though humble be your
home, yet in hfe's race you may outstrip kings and
the friends of kings.

^ The stag could best the horse in fighting and used
to drive him from their common pasture, until the loser
in the long contest begged the help of man and took
the bit. But after that, in overweening triumph, he
parted from his foe, he did not dislodge the rider
from his back or the bit from his mouthy So he who
through fear of poverty forfeits liberty, which is
better than mines of wealth, will in his avarice carry
a master, and be a slave for ever, not kno\ving how
to live on little. When a man's fortune will not fit
liim, 'tis as ofttimes with a shoe — if too big for the
foot, it will trip him ; if too small, will chafe.

Roman house. In this court, trees as well as shrubs, were
grown.

* A lichen found at Aquinum produced a colour like the
famous Sidonian purple.

HORACE

Laetus sorte tua vives sapienter, Aristi,
nee me dimittes^ incastigatum, ubi plura 45

cogere quam satis est ac non cessare videbor.
imperat aut servit collecta pecunia cuique,
tortum digna sequi potius quam ducere funem,

Haec tibi dictabam post fanum putre Vacunae,

excepto quod non simul esses, cetera laetus. 50

* dimittis i2ir.

318

EPISTLES, r. X. 44-50

** You will live wisely, Aristius, if cheerful in your
lot, and you will not let me off unrebuked, when I
seem to be gathering more than enough and never
to rest. Money stored up is for each his lord or his
slave, but ought to follow, not lead, the twisted rope."*

These lines I am dictating to you behind Vacuna's
crumbling shrine, happy on all counts save that you
are not with me.

" Probably a reference to some story of an animal being
led by a rope and running away with its keeper.

S19

TO BULLATIUS

BuiXATius, a friend of the poet's, has been travelling
in the Pro\-inee of Asia, and Horace, who seems to have
had httle of the Wanderlust himself, asks him whether,
tired of journeying by land and sea, he would Uke to
settle down at even so deserted a place as Lebedus.
That lonely spot, with its outlook on the raging sea,
appealed strongly to the poet, who would love to
live there,

The world forgetting, by the world forgot.

But after all a man's happiness depends, not on
his place of abode, but on his state of mind.

S21

XI.

Quid tibi visa Chios, Bullati, notaque Lesbos,
quid concinna Samos, quid Croesi regia Sardis,
Zmyrna quid et Colophon ? maiora minorave^ fama,
cunctane^ prae Campo et Tiberino flumine sordent ?
an venit in votum AttaUcis ex urbibus una, 6

an Lebedum laudas odio maris atque viarum ?
scis Lebedus quid sit : Gabiis desertior atque
Fidenis vicus ; tamen illic vivere vellem,
oblitusque meorum, obhviscendus et illis,
Neptunum procul e^ terra spectare furentem. 10

Sed neque qui Capua Romam petit, imbre hitoque
aspersus, volet in caupona vivere ; nee qui
frigus collegit, furnos et balnea laudat
ut* fortunatam plene praestantia vitam ;
nee si te validus iactaverit Auster in alto, 16

ideirco navem trans Aegaeum mare vendas.

Incolumi Rhodos et Mytilene pulchra faeit quod
paenula solstitio, campestre nivalibus auris,
per brumam Tiberis, Sextili mense caminus.

1 minorave uss. (-que E) : minorane Bentley.
^ cunctaque aRv. ^ ex <lR : et E. * et, II.

" The most important were Pergamum, Apollonia, and

Thyatira.

^ According to some editors, 11. 7-10 are supposed to be
spoken by Bullatius, perhaps as a quotation from a letter,
but \yhy may we not suppose that this lonely sea-sido place,
which Horace had probably visited when he served with

322

Epistle XI

'UTiat did vou think of Chios, my Bullatius, and of
famous Lesbos ? \\Tiat of charming Samos ? \Miat
of Sardis, royal home of Croesus ? What of Smyrna
and Colophon ? Whether above or below their
fame, do they all seem poor beside the Campus and
Tiber's stream ? Or is your heart set upon one of
the cities of Attalus ? " Or do you extol Lebedus,
because sick of sea and roads ? You know what
Lebedus is — a town more desolate than Gabii and
Fidenae : yet there would I love to hve, and for-
getting my friends and by them forgotten, gaze
from the land on Neptune's distant rage.*

Yet he who travels from Capua to Rome, though
bespattered Avith rain and mud, A^ill not want to
live on in an inn, nor does he who has caught a chill
cry up stoves and baths as fully furnishing a happy
life. And so you, though a stiff south ^^•ind has
tossed vou on the deep, will not on that account sell
your ship on the far side of the Aegean Sea.

^' To a sound man Rhodes or fair Mitylene is what
a heavy cloak is in summer, an athlete's garb when
snowy winds are blowing, the Tiber in winter, a
stove in the month of August. While one may, and

Brutus, appealed strongly to the poet? With 1. 10 ef.

Lucretius, ii. If.:

suave, mari magno turbantibus aequora ventis,
e terra magnum alterius spectare laborem.

S2S

HORACE

dum licet ac voltum servat Fortuna benignum, 20
Romae laudetur Samos et Chios et Rhodes absens.
tu quamcumque deus tibi fortunaverit horam
grata sume manu, neu dulcia differ in annum ;
ut^ quocumque loco fueris vixisse libenter
te dicas. nam si ratio et prudentia curas, 25

non locus efFusi late maris arbiter aufert,
caelum, non animum, mutant, qui trans mare currunt.
strenua nos exercet inertia : navibus atque
quadrigis petimus bene vivere. quod petis hie est,
est Ulubris, animus si te non deficit aequus. 30

1 tu V, II.

" Cf. "patriae quis exsul se quoque fugit?" {fides ii.
16. 19).

324

EPISTLES, I. XI. 20-30

Fortune keeps a smiling face, at Rome let Samos
be praised, and Chios and Rhodes — though far away !
And you — whatever hour God has given for your
weal, take it with grateful hand, nor put off joys
from year to year ; so that, in whatever place you
have been, you may say that you have lived happily.
For if 'tis reason and wisdom that take away cares,
and not a site commanding a \\-ide expanse of sea,
they change their clime, not their mind, who rush
across the sea." *Tis a busy idleness that is our bane;
■with yachts and cars we seek to make life happy.
What you are seeking is here ; it is at Ulubrae,^ if
there fail you not a mind well balanced.

* Ulubrae, called vacuae by Juvenal (^Sat. x. 101), was
a decaying town in the Pomptine marshes, where the frogs
were very clamorous (Cicero, Ad Jam. vii. 81).

825

XII

TO ICGIUS

Horace introduces Grosphus to Iccius, and in doing
so takes occasion to rally his friend on his discontent.

Iccius, whom in one of his Odes (i. 29) Horace
rallies for deserting philosophy to take part in a
military expedition to Arabia Fehx, has now, some
five years later, become the procurator or " agent,"
who had charge of Agrippa's estates in Sicily.
Apparently he had written to Horace, grmnbling
because he was not an independent landowner, to
which Horace rephes that the agent of a large estate
is able to hve on the produce very comfortably,
inasmuch as it is all at his disposal, though he is not
the actual o\\Tier. Then in a somewhat ironical
vein (12-20), Horace congratulates his friend on
being able, amid all his business cares, to study the
physics of Empedocles and the dialectic of the Stoics.

The letter closes with some bits of news, preceded
by the request to show some courtesy to Pompeius
Grosphus, whom we have also encountered in the
Odes (ii. 16), where he is spoken of as a wealthy
proprietor in Sicily.

327

XII.

Fructibus Agrippae Siculis, quos colligis, Icci,
si recte frueris, non est ut copia maior
ab Jove donari possit tibi. tolle querellas :
pauper enim non est, cui rerum suppetit usus.
si ventri bene, si lateri est pedibusque tuis, nil 6

divitiae poterunt regales addere mains. ,
si forte in medio positorum abstemius h^fbis^ •'''
vivis et urtica, sic vives protinus, ut te
confestim liquidus Fortunae rivus inauret,
vel quia naturam mutare pecunia nescit, 10

vel quia cuncta putas una virtute minora.

Miramur, si Democriti pecus edit agellos
cultaque, dum peregre est animus sine corpore velox ;
cum tu inter scabiem tantam et contagia lucri
nil parvum sapias et adhuc sublimia cures : 15

quae mare compescant causae, quid temperet^ annum,
stellae sponte sua iussaene vagentur et errent,
quid premat obscurum lunae, quid proferat orbem,
quid velit et possit rerum concordia discors,
Empedocles an Stertinium deliret acumen. 20

Verum seu piscis seu porrum et caepe trucidas,

1 temperat, II.

■» A reference to the main principle of Empedocles'
philosophy that the life of the world is due to a perpetual
conflict of the two principles of Love and Strife.

S28

Epistlb XII

If, Iccius, you are enjoying as you should the
Sicilian products which you collect for Agrippa,
Jupiter himself could not give you greater abundance.
Away with complaints ; for he is not poor, who has
enough of things to use. If stomach, lungs, and
feet "are all in health, the wealth of kings can give
you nothing more. If haply you hold aloof from
what is -within your reach, and live on nettles and
other greens, you will go on living in the same way,
though Fortune's stream suddenly flood you with
gold : either because money cannot change your
nature, or because you count all else below the one
thing, virtue.

^ We marvel that the herds of Democritus ate
up his meadows and corn-fields, while his swift mind
wandered abroad without his body ; though you, in
the very midst of the contagious itch of gain, still
have a taste far from mean, still set your thoughts
on lofty themes : what causes hold the sea in check,
what rules the year, whether stars roam at large of
their own \\ill or by law, what hides the moon's disk
in darkness, what brings it into light, what is the
meaning and what the effects of Nature's jarring
harmony ,<» whether Empedocles is doting or subtle
Stertinius.

*"■ However, whether it is fish, or only leeks and

829

HORACE

utere Pompeio Grospho et, si quid petet, ultro
defer ; nil Grosphus nisi varum orabit et aequum.
vilis amicorum est annona, bonis ubi quid deest.

Ne tamen ignores, quo sit Romana loco res, 25

Cantaber Agrippae, Claudi virtute Neronis
Armenius cecidit ; ius imperiumque Phraates
Caesaris accepit genibus minor ^.—smrea fruges
Italiae pleno defudit^Copia cornu.

1 defudit uss. : defiindit VA^.

" According to the scholiast, fish are here mentioned as
costly fare in contrast to a simple diet. In trucidas, however,
Horace makes a humorous allusion to the Pythagoreans,
whom Empedocles followed in regard to the doctrine of
transmigration of souls, for he asserted that he himself had
once been a fish {eiv a\l ^Woiros Ixdi^'s, Fr. 11 Miill.). To
eat a fish, therefore, might mean murder. This ban on
living things was extended even to vegetables, cf. Sat. ii. 6.
63 above, and Juvenal's well-known verse

330

EPISTLES, I. xii. 22-29

onions that you butcher," receive Pompeius Grosphus
as a friend, and if he asks aught of you, give it freely:
Grosphus will sue for nothing but what is right and
fair. The market-price of friends is low, when good
men are in need.

^ Yet, that you may not be ignorant how the
world wags in Rome, the Cantabrian has fallen before
the valour of Agrippa, the Armenian before that of
Claudius Nero. Phraates, on humbled knees, has
accepted Caesar's imperial sway.* Golden Plenty
from full horn has poured her fruits upon Italy.

porrum et caepe nefas violare et frangere morsu

(15. 9), with Mayor's note.

* The Cantabrians were conquered by Agrippa in 19 b.c,
shortly after Armenia had submitted to Tiberius. In
connexion with the latter event, Phraates, the Parthian
king, restored the Roman standards taken long before from
Crassus at Carrhae.

SSI

XIII

TO VINIUS ASINA

Horace is sending Augustus a copy of his poems,
probably the Odes, Books i., ii., iii., which were
pubhshed in 23 B.C. The volume is carried to court
by a messenger, one Vinius, whose cognomen is pre-
sumably Asina (1. 8), though the usual form of the
name is Asellus.

Instead of writing a formal note to the Emperor
to accompany the gift, Horace indulges in the fiction
of sending a letter of instructions to the messenger,
in which he humorously expresses his anxiety about
the reception of the poems.

BUS

XIIL

Ut proficiscentem docui te saepe diuque,
Augusto reddes signata volumina, Vini,^
si validus, si laetus erit, si denique poscet ;
ne studio nostri pecces odiumque libellis
sedulus importes opera vehemente minister. 5

si te forte meae gravis uret^ sarcina chartae,
abicito potius, quam quo perferre iuberis
clitellas ferus impingas, Asinaeque paternum
cognomen vertas in risum et fabula fias.

Viribus uteris per clivos, flumina, lamas. 10

victor propositi simul ac perveneris illuc,
sic positum servabis onus, ne forte sub ala
fasciculum portes librorum ut rusticus agnum,
ut vinosa glomus^ furtivae Pyrria lanae,
ut cum pilleolo soleas conviva tribulis. 15

neu* volgo narres te sudavisse ferendo
carmina, quae possint oculos aurisque morari
Caesaris. oratus multa prece, nitere porro.
vade ; vale ; cave ne titubes mandataque frangas.

1 vinni or venni mss. {but inscriptions favour the form
Vinius). ^ urit E : urat Priscian.

3 glomes (f>\/y\l. * neu a : nee E : ne, //.

" i.e. the books. Tliese, of course, could not be heavy in
themselves, though they might make " heavy reading."

" This is said to be an allusion to a scene in one of the
plays of Titinius.

" The tribulis, a humble man whom for political purposes
a richer member of the same tribe has invited to dinner, has

S34r

Epistle XIII

As I instructed you often and at length, when you
set out, Vinius, you will deliver these close-sealed rolls
to Augustus, if he's well, if he's in good spirits, ij"—
in fine — he asks for them ; lest you blunder in your
eagerness for me, and by officious service and ex-
cessive zeal bring resentment on my poor works.
If haply my book's burden gall you with its weight,
fling it from you, rather than savagely dash down
vour pack " where you are bidden to deliver it, and
turn your father's name of Asina into a jest, and
you become the talk of the town.

Put forth your strength over hills, streams, and
fens ; when once you have achieved your purpose
and reached your journey's end, you are to keep
vour burden so placed as not, for instance, to carry
the Uttle packet of books under your armpit, even
as a bumpkin carries a lamb, as tipsy Pyrria a ball
of stolen wool,'' as a poor tribesman his slippers and
felt cap, when asked out to dinner.* And mind you
don't tell all the world that you have sweated in
carrying verses that may win a hold on the eyes and
ears of Caesar. Though besought by many a plea,"^
press on. Be off ; fare well ; take care you do not
stiunble and smash your precious charge.

no slave to take his cap and sandals, which he would need
coming and going, though not in the dining-room.
•^ i.e. by inquisitive people.

835

XIV

TO THE BAILIFF OF HIS FARM

This epistle is professedly addressed to the slave,
whom the poet had promoted from low rank in his
town establishment to the position of bailiff or
superintendent of his small country estate. The
slave now hankers after city life, while the master,
detained in Rome by a friend's bereavement, longs
for the country, which he has always preferred. The
difference between the two is due to their tastes.
The slave still clings to his follies ; the master has
learned wisdom with advancing years.

The theme is essentially the same as in Epistles
viii. and x. of this book, while the setting of the
letter is in marked contrast with Sat. ii. 7, where it
is the slave who lectures the master.

837

XIV.

Vilice silvarum et milii me reddentis agelli,
quern tu fastidis, habitatum quinque focis et
quinque bonos solitum Variam dimittere patres,
certemus, spinas animone ego fortius an tu
evellas agro, et melior sit Horatius an res. 8

Me quamvis Lamiae pietas et cura moratur,
fratrem maerentis, rapto de fratre dolentis
insolabiliter, tamen istue mens animusque
fert et amat spatiis obstantia rumpere claustra.
rure ego viventem, tu dicis in urbe beatum. 10

cui placet alterius, sua nimirum est odio sors.^
stultus uterque locum immeritum causatur inique :
in culpa est animus, qui se non efFugit umquam.

Tu mediastinus tacita prece rura petebas,
nunc urbem et ludos et balnea vilicus optas : 15

me constare mihi scis et discedere tristem
quandocumque trahunt invisa negotia Romam.
non eadem miramur ; eo disconvenit inter
meque et te. nam quae^ deserta et inhospita tesqua
credis, amoena vocat mecum qui sentit, et odit 20

^ res E. * quae E, II : qua Va.

" These were probably coloni, who held their land in
lease under Horace. They would go to Varia (now Vico-
varo) to market and for local elections.

* Cf. Epist. i. ii. 27 and Odes ii. 16. 19.

338

Epistle XIV

Bailiff of my woods and of the little farm which
makes me myself again — while you disdain it,
though the home of five households and wont to
send to Varia their five honest heads " — let us
have a match to see whether I more stoutly
root out thorns from the mind or you from the
land, and whether Horace or his farm is in a better
state.

^ For me, though kept here by the love and
grief of Lamia, who is sighing for his brother,
grieving for his lost brother inconsolably, yet thither
thought and feehng bear me longing to burst the
barriers that block the track. I call him happy
who hves in the country ; you him who dwells in
the city. One who likes another's lot, of course
dislikes his o\\ti. Each is foohsh and unfairly blames
the undeserving place ; what is at fault is the mind,
which never escapes from itself.*

^* You, as a common drudge, used to sigh in secret
for the country ; now as a bailiff you long for the
town, its games and baths : as for me, you know
that I'm consistent with myself, and depart in gloom,
whenever hateful business drags me to Rome, Our
tastes are not the same : therein lies the difference
between you and me. What you hold to be desert and
inhospitable wilds, he who shares my views calls

339

HORACE

quae tu pulchra putas. fornix tibi et uncta popina

incutiunt urbis desiderium, video, et quod

angulus iste feret piper et tus oeius uva,

nee vicina subest vinum praebere taberna

quae possit^ tibi, nee meretrix tibicina, cuius 25

ad strepitum salias terrae gravis ; et tamen urges

iampridem non tacta ligonibus arva bovemque

disiunctum curas et strictis frondibus exples ;

addit opus pigro rivus, si decidit imber,

multa mole docendus aprico parcere prato. 30

Nunc age, quid nostrum concentum^ dividat audi,
quern tenues decuere togae nitidique capilli,
quern scis immunem Cinarae placuisse rapaci,
quem bibulum liquidi media de luce Falerni,
cena brevis iuvat et prope rivum somnus in herba ; 35
nee lusisse pudet, sed non incidere ludum.
non istic obliquo oculo mea commoda quisquam
limat, non odio obscuro morsuque venenat :
rident vicini glaebas et saxa moventem.
cum servis urbana diaria^ rodere mavis ; 40

horum tu in numerum voto ruis ; invidet usum
lignorum et pecoris tibi calo argutus et horti.
optat ephippia bos, piger optat arare caballus.
quam scit uterque libens censebo exerceat artem.

^ possit E, II : posset aR.
* consensum E. ' cibaria R Goth.

" In the mouth of the baihff, angulus is a term of con-
tempt. The same expression, however, is used elsewhere
by Horace of a place unique in his affections, " ille terrarum
mihi praeter omnis angulus ridet " {Odes ii. 6. 13).

* i.e. although you have no pleasures. From 1. 22 to
1. 30 Horace repeats some of the grumbling remarks of
the bailiff.

.^40

EPISTLES, I. XIV. 21-44

lovely, and hates what you believe so beautiful. Tis
the brothel, I see, and greasy cookshop that stir in
you a longing for the city, and the fact that that
poky spot" will grow pepper and spice as soon as
grapes, and that there is no tavern hard by that
can supply you with wine and no flute-playing cour-
tesan, to whose strains you can dance and thump
the ground. And yet * you toil over fields long
untouched by the hoe, you care for the ox after he
is unyoked, and you fill him up with fodder you have
stripped ; when you are dead tired, the brook brings
fresh work, for if rain has fallen, it must be taught
by many a mounded dam to spare the sunny meadow.
^ Now come, hear what makes the discord in our
common song. One whom fine-spun clothes became,
and shining locks, one who, as you know, though
empty-handed, found favour with greedy Cinara, and
in midday hours would drink the clear Falernian,
now takes pleasure in a simple meal, and a nap on
the grass beside the stream : nor is it shameful to
have once been foohsh, but not to cut folly short.
WTaere you hve, no one with eye askance detracts
from " my comforts, or poisons them vriih the bite
of secret hate. As I move sods and stones the
neighbours laugh. You would rather be munching
rations with the slaves in to\^Ti ; it is their number
you fain would join : my sharp-witted groom envies
you the use of fuel, flock, and garden. The ox longs
for the horse's trappings : the horse, when lazy,
longs to plough. What I shall advise is that each
contentedly practise the trade he understands.

* The verb limat (lit. " files away "), as used with obliquo
oculo, involves a play upon limU oculis {cf. Sat. ii. 5. 53).

341

TO VALA

Ordered by his physician to take the cold-water
cure, Horace writes to his friend Vala for information
about two seaside places, Veha and Salernum,
especially as to the climate, people, drinking water,
game, and fish. As such an interest in personal
luxuries may seem quite inconsistent with doctrines
he has often preached, Horace humorously admits
that he is hke the well-kRo^vn Maenius, who would
loudly proclaim the blessings of a simple life, but, if
he had the chance, would indulge his appetite to the
full.

The opening paragraph (1-25) is loosely framed, with
lengthy parentheses, giving an air of careless freedom
of style, after the fashion of conversation in real life.
Numonius Vala, who had a country house in southern
Italy, belonged to a family of some distinction in
Lucania, as is evidenced by coins and inscriptions.

S43

XV.

Quae sit hiems Veliae, quod caelum, Vala, Salemi,
quorum hominum regio et qualis via (nam mihi Baias
Musa supervacuas Antonius, et tamen illis
me facit invisum, gelida cumi perluor unda
per mediumi frigus. sane murteta relinqui 5

dictaque cessantem nervis elidere morbum
sulfura contemni vicus gemit, invidus aegris,
qui caput et stomachum supponere fontibus audent
Clusinis^ Gabiosque petunt et frigida rura.
mutandus locus est et deversoria^ nota 10

praeteragendus equus. "quo tendis ? non mihi Cumas
est iter aut Baias," laeva stomachosus habena
dicet^ eques ; sed equi frenato* est auris in ore) ;
malor utrum populum frumenti copia pascat ;
collectosne bibant imbres puteosne perennis 16

iugis^ aquae (nam vina nihil moror illius orae :
rure meo possum quidvis perferre patique ;
ad mare cum veni, generosum et lene requiro,
quod curas abigat, quod cum spe divite manet
in venas animumque meum, quod verba ministret, 20
quod me Lucanae iuvenem commendet^ amicae) ;

^ Clusinos VE. * diversoria EJR<pf.

' dicit E. * equis frenato w.

' dulcis VE. * commendat aB.

" Baiae was famous for its hot sulphur baths, but Musa
has prescribed the cold-water treatment, which is not to be
had there.
S44

Epistle XV

'V^Tiat's the winter like, my Vala, at Velia, what's
the climate at Salernum, what sort of people hve
there, what kind of road is it — for Antonius Musa
makes Baiae useless to me, and yet " puts me in ill
favour there, now that in midwinter I drench myself
in cold water. Of course the town murmurs at its
myrtle-groves being deserted, and its sulphur baths
despised, so famous for dri\-ing a hngering disorder
from the sinews, and takes offence at invahds who
dare to plunge head and stomach under the showers
from Clusium's springs, or who repair to Gabii and
its cold country-side. I must change my resort, and
drive my horse past the familiar lodgings. " \Miere
are rou going ? I'm not bound for Cumae or Baiae " ;
so will the rider say as he tugs in anger at the left
rein — but the horse's ear is in its bridled mouth*
— which town has the better supply of food, do they
drink rain-water from tanks, or have they spring-
water, welhng forth all the year — (for that region's
^^^nes I put out of court : in my country home I
can stand and suffer anything ; but when I go to
the seaside I need something generous and mellow,
to drive care awav, to flow with rich hope into veins
and heart, to find me a flow of words, and to give me
the grace of youth with the ladies of Lucania) —

* The rider might have spared his words, for the horse
is guided only by the bit.

345

HORACE

tractus uter pluris lepores, uter educet apros ;
utra magis piscis et echinos aequora celent,
pinguis ut inde domum possim Phaeaxque reverti,
scribere te nobis, tibi nos accredere par est. 25

^Maenius, ut rebus maternis atque paternis
fortiter absumptis urbanus coepit haberi
scurra vagus, non qui certum praesepe teneret,
impransus non qui civem dinosceret hoste,
quaelibet in quemvis opprobria fingere saevus,^ 30
pernicies et tempestas barathrumque macelli,
quidquid quaesierat, ventri donabat^ avaro.
hie ubi nequitiae fautoribus et timidis nil
aut paulum abstulerat, patinas cenabat omasi,
vilis et agninae,* tribus ursis quod satis esset ; 35

scilicet ut ventres lamna candente nepotum
diceret urendos correctus^ Bestius. idem,
quidquid erat nactus praedae maioris, ubi onine
verterat^ in fumum et cinerem, " non hercule miror,"
aiebat, " si qui comedunt bona, cum sit obeso 40

nil melius turdo, nil vulva pulchrius ampla."

Nimirum hie ego sum. nam tuta et parvola laudo,
cum res deficiunt, satis inter vilia fortis' :
varum ubi quid melius contingit et unctius, idem
vos sapere et solos aio^ bene vivere, quorum 45

conspicitur nitidis fundata pecunia villis.^

^ Here a new Epistle begins in all important Mss. except a.

^ certus two Bland.

* donarat V, II : donaret Bentley. * agnini oX.

' correptus ER : corrector Lambimis. * verteret E.

' In a 11. 43-4:4. follow 39 ; in w they follow 38.

* alio (f>\p. * vallis (j>\l/.

" As if he were one of the Alcinoi inventus of Epist,
i. 2. 28.

** The language is Plautine. Where food was concerned,
he swept everything before him.

346

EPISTLES, I. XV. 22-46

which country rears more hares, which, more boars,
which one's seas give more hiding to fish and sea-
urchins, so that I may return home from there a fat
Phaeacian " — all this you must write us, and we must
credit you in full.

2* Maenius gallantly used up all his mother and
father had left him, then came into note as a city wit,
a parasite at large, with no fixed fold, a man who
when dinnerless knew not friend apart from foe, but
would savagely trump up scandal against anybody,
the market's ruin, a cyclone and abyss ''—and so,
whatever he gained, he gave to his greedy maw.
This fellow, whenever he got little or nothing from
those who applauded or feared his wicked wit, would
sup on plates of tripe and cheap lamb, enough to
satisfy three bears, so as actually to proclaim that
prodigals should have their bellies branded with
white-hot iron — he, a Bestius reformed ! " Yet the
same man, if he ever got hold of some larger booty,
would turn it into smoke and ashes, and then, " In
faith, I don't wonder," he would say, " if some devour
their substance, since there is nothing better than a
fat thrush, nothing finer than a large sow's paunch."

*2 Such a man, in truth, am I. When means fail,
I crv up a safe and lowly lot, resolute enough where
all is paltry : but when something better and richer
comes my way I, the same man, say that only men
Uke you are wise and b've welH — whose invested
wealth is displayed in handsome villas.

' Nothing is known about Be&tius, but he may well have
been what Slaenius was, a figure in Lucilius. According to
Acron, he was severely frugal. Presumably he had been a
spendthrift in earlier life^ The corrector of Lambinus would
give good sense, Bestius being an example of the rake in the
pulpit. ** For bene vivere cf. Epist. i. 6. 56; i. 11. 29.

XVI

TO QUINGTIUS

The Quinctius addressed may be Quinctius Hirpinus
of Odes ii. 11. He is evidently a prominent man
(1. 18), who is perhaps in pubhc office (11. 33. 34),
but nothing definite is known about him. The
Epistle is the poet's commentary on the second Stoic
paradox, on avrapKi^'i rj aper^ tt/jos evSaifiovLav (Cic.
Parad. 2).

To save you the trouble of asking about the
products of my estate, my dear Quinctius, let me
describe it to you. It lies in a valley among the
hills, gets plenty of sun, has a good climate, grows
an abundance of wild fruit and foliage, and possesses
a copious spring of fresh water. In this charming
retreat I enjoy good health even in the worst season
of the year (1-16).

And now about yourself. Are you really the good
and happy man that people think you are ? Re-
member that popular applause is fickle, and often
insincere, and that those who give titles can also
take them away (17-40).

Well, who is the " good " man ? The world will
answer that it is he who keeps the laws, whose word
is a bond and whose testimony is trusted, but those
who live near him may know better. Such a man,

348

EPISTLES, I. xvi.

eager to seem good, but not to be good, may be no
better than the slave, wlio refrains from steahng
merely from fear of being found out (40-62).

The man who has set his heart on money is a
creature of desires and fears. He is a deserter from
the cause of Virtue, You might treat him as a
prisoner or put him to death, yet he may make a
useful slave (63-72).

No, the truly good and M-ise man will be as fearless
and independent as Dionysus in the play, for no
misfortunes — not death itself — can daunt him (7.S-79).

849

XVI.

Ne perconteris, fundus meus, optime Quincti,
arvo pascat erum an bacis opulentet olivae,
pomisne an pratis^ an amicta^ vitibus ulmo,
scribetur tibi forma loquaciter et situs agri.

Continui montes, ni^ dissocientur opaca 5

valle, sed ut veniens dextrum latus aspiciat sol,
laevum discedens^ curru^ fugiente vaporet.
temperiem laudes. quid si'' rubicunda benigni'
coma vepres et pruna ferant ? si* quercus et ilex
multa fruge pecus, multa dominum iuvet umbra ? 10
dicas adductum propius frondere Tarentum.
fons etiam rivo dare nomen idoneus, ut nee
frigidior Thracam nee purior ambiat Hebrus,
infirmo capiti fluit utilis, utilis^ alvo.
hae latebrae dulces, etiam, si credis, amoenae, 15
incolumem tibi me praestant Septembribus horis.

^ an pratis E Goth. : et pratis most usa.
' arnica E.

* si aE (sci A^). The lemma of Porph. gives si but the
note supports ni.

* descendens tt : decedens Bentley. ' cursu V.

* quod si a. ' benignae.
^ si omitted by a; et {/or si) w.

' aptus et utilis A^Iiw^).

" Ancient iiusbandry was chiefly concerned v.ith five
products, viz. grain, oil, fruit, cattle, and wine.

" i.e. the valley of the Digentia (see Epist. i. 18. 104),
350

Epistle XVI

Lest you, my good Quinctius, should have to ask
me about my farm, whether it supports its master
with plough-land, or makes him rich with oUves,
whether with apples or with meadows or vine-clad
ehns,* I will describe for you in rambling style the
nature and he of the land.

* There are hills, quite unbroken, were they not
cleft by one shady valley,* yet such that the rising
sun looks on its right side, and when departing in his
flying car warms the left. The climate would win
your praise.. Wliat if you knew that the bushes bear-
a rich crop of ruddy cornels and plums, that oak
and ilex gladden the cattle with plenteous fruitage,
and their lord with plenteous shade ? You would
say that Tarentum ^\ith its verdure was brought
nearer home. A spring, too, fit to give its name
to a river, so that not cooler nor purer is Hebrus
winding through Thrace, flows with heahng for sickly
heads and sickly stomaclis. This retreat, so sweet
— yes, believe me, so bewitching — keeps me, my
friend, in sound health in September's heat.

now called Licenza. Kiessling prefers the rival reading
si dlssocientur, with temperiem lavdes the main clause in a
conditional sentence, meaning : " if you picture a mass of
hills broken by a valley, you may imagine how pleasant
the climate is."

351

HORACE

Tu recte vivis, si curas esse quod audis.
iactamus iam pridera omnis te Roma beatum ;
sed vereor ne cui de te plus quam tibi credas,
neve putes alium sapiente bonoque beatum, 20

neu, si te populus sanum recteque valentem
dictitet, occultam febrem sub tempus^ edendi
dissimules, donee manibus tremor incidat unctis.
stultorum ineurata pudor malus ulcera eclat.

Si quis bella tibi terra pugnata marique 25

dicat et his verbis vacuas permulceat auris :
" tene magis salvum populus velit an populum tu,
servet in ambiguo, qui consulit et tibi et urbi,
luppiter," Augusti laudes agnoseere possis :
cum pateris^ sapiens emendatusque vocari, 30

respondesne tuo, die sodcs, nomine ? " nempe
vir bonus et prudens dici delector ego ac tu."
qui dedit hoc hodie, eras, si volet, auferet, ut^ si
detulerit fasces indigno, detrahet* idem.
" pone, meum est " inquit : pono tristisque recedo. 35
idem si clamet furem, neget esse pudicum,
contendat laqueo collum pressisse paternum,
mordear opprobriis falsis mutemque colores ?
falsus honor iuvat et mendax infamia terret
quem nisi mendosum et medicandum^ ?

^ pectus aRir.

* pateris Porph. : poteris aR : cupias E.

s aut. * detrahati?.

^ mendicandum lir : mendacem Ma (corrected).

" The ancients ate with their fingers.

^ According to the scholiasts the verses cited are from
the " Panegyric on Augustus " by Varius, Virgil's great
friend.
352

EPISTLES, I. XVI. 17^0

" And you — you live the true life, if you take
care to be what people call you. All we in Rome
have long talked of you as happy ; but I fear, as
touching yourself, that you may give more credit to
others than to your own judgement, or that you may
think someone other than the wise and good man
can be happy ; or that, if over and over men say
YOU are in sound and good health, you may, toward
the dinner-hour, disguise the hidden fever, until a
trembling falls upon your greasy hands." Fools,
through false shame, hide the unhealed sore.

25 Suppose a man were to speak of wars fought by
you on land and sea, and with words hke these flatter
your attentive ears :

May He, to whom both thou and Rome are dear.
Keep secret still, which is the fuller truth.
The love of Rome for thee, or thine for her !

vou would see in them the praises of Augustus.*
Wlien you suffer yourself to be called wise and
flawless, do you answer, pray tell me, in your own
name ? " To be sure, I hke to be called a good
man and •^^•ise, even as you do." But they who gave
vou this title to-day will, if they so please, take it
away to-morrow ; even as, if they bestow the hctor's
rods on one unworthy, they will hkewise vn-est them
from him. , " Put that down, 'tis ours," they say. I
do so, and sadly withdraw. If the same people were
to cry after me "Thief!", call me "Profligate,"
insist that I strangled my father, ought I to be stung
by such lying charges, and change colour ? WTiom
does false honour delight, whom does lying calumny
affright, save the man who is full of flaws and needs
the doctor ?

2a 353

HORACE

Vir bonus est qiiis ? 40
" qui consulta patrum, qui leges iuraque servat,
quo multae magnaeque secantur iudice lites,
quo res sponsored et quo causae teste tenentur."
sed videt hunc omnis domus et vicinia tota
introrsum^ turpem, speeiosum pelle decora. 45

" nee furtum feci nee fugi," si mihi dicat^
servus, " habes pretium, loris non ureris," aio.
" non hominem occidi " : " non pasces in cruce corvos."
" sum bonus et frugi " : renuit negitatque^ Sabellus.
cautus enim metuit foveam lupus accipiterque 60
suspectos^ laqueos et opertum niiluus hamum.
oderunt peccare boni virtutis amore.
tu nihil admittes in te formidine poenae :
sit spes fallendi, miscebis sacra profanis,--''
nam de mille fabae modiis cum surripis unum, 55
damnum est, non facinus, mihi pacto lenius isto.
vir bonus, omne forum quern spectat et omne tribunal,
quandocumque deos vel porco vel bove placat,
" lane pater ! " clare, clare cum dixit, " Apollo ! "
labra movet metuens audiri : " pulchra Laverna, 60
da mihi fallere, da iusto sanctoque® videri,
noctem peccatis et fraudibus obice nubem,"

Qui melior servo, qui' liberior sit avarus,
in triviis fixum cum se demittit^ ob assem,

* res sponsore V: responsore mss.

* introrsiis tt" : hunc prorsus, II. * dicit.

* negitatque VE : negat atque a.

* suspectus M, II.

• iustum sanctumque ^i^X.

' qui . . . qui V, I : quo . . . quo, II.

* demittit E : dimittit aM.

" LI. 41-43 are the reply of the person addressed by the
poet. This ought to be Quinctius, but the poet is now

354

EPISTLES, I. XVI. 40-64

^ Who is the " good man " ? " He who observes
the Senate's decrees, the statutes and laws ; whose
judgement settles many grave suits ; whose surety
means safety for property ; whose testimony wins
suits at law." " Yet this very man all his household
and all his neighbours see to be foul within, though
fair without, under his comely skin. If a slave were
to say to me, " I never stole or ran away " : my
reply would be, " You have your reward ; you are
not flogged." " I never killed anyone." " You'll
hang on no cross to feed crows." " I am good and
honest." Our Sabine friend^ shakes his head and
says, " No, no I " For the wolf is wary and dreads
the pit, the hawk the suspected snare, the pike the
covered hook. The good hate vice because they
love virtue ; you " will commit no crime because
you dread punishment. Suppose there's a hope of
escaping detection ; you will make no difference
between sacred and profane. For when from a
thousand bushels of beans you steal one, my loss in
that case is less, but not your sin. This " good
man," for forum and tribunal the cynosure of every
eye, whenever vrith swine or ox he makes atonement
to the gods, cries with loud voice " Father Janus,"
with loud voice " Apollo," then moves his hps,
fearing to be heard : " Fair Lavema,** grant me to
escape detection ; grant me to pass as just and
upright, shroud my sins in night, my lies in clouds ! "

^^ How the miser is better than a slave, or is more
free, when he stoops at the cross-roads to pick up

carrying on a dialogue with an imaginary interlocutor.
So " tu " in 1. 53.

* By Sabellus Horace means one of his honest Sabine
neighbours.

• i.e. the slave. ^ The goddess of theft.

355

HORACE

non video ; nam qui cupiet, metuet quoque ; porro, 65
qui metuens vivet, liber mihi non erit umquam.
perdidit arma, locum Virtutis deseruit, qui
semper in augenda festinat et obruitiu* re.
vendere cum possis captivum, occidere noli ;
serviet utiliter ; sine pascat durus aretque, 70

naviget ac mediis hiemet mercator in undis,
annonae prosit, portet frumenta penusque.

Vir bonus et sapiens audebit dicere : " Pentheu,
rector Thebarum, quid me perferre patique
indignum coges ? "

" Adiraam bona."

" Nempe pecus, rem, 75
lectos, argentum : toUas licet."

" In manieis ot
compedibus saevo te sub custode tenebo."
" Ipse deus, simul atque volam, me solvet." opinor,
hoc sentit " moriar." mors ultima linea rerum est.^

^ est omitted by E.

" We are told that Roman boys would solder a coin to
the pavement and then ridicule those who tried to pick it
up (so scholiast on Persius, v. 111).

* Such a man is really a slave, and should be treated as
such.

" As opposed to the man called bonus in 11. 32 and 57.

•* The dialogue following is paraphrased from Euripides,
Bacchae, 492-8, a scene where the disguised Dionysus defies

356

EPISTLES, I. XVI. 65-79

the copper fastened there," I do not see : for he
who covets will also have fears ; further, he who
hves in fear, will never, to my mind, be free. A man
has lost his weapons, has quitted his post with Virtue,
who is ever busied and lost in making money. When
you can sell a captive,* don't kill him : he will
make a useful slave. If hardy, let him be shepherd
or ploughman : let him go to sea, and winter as a
trader in the midst of the waves : let him help the
market : let him carry food and fodder.

^2 The truly good and wise man " will have courage
to sav:"* " Pentheus, lord of Thebes, what shame
will you compel me to stand and suffer ? "

" I will take away your goods."

" You mean my cattle, my substance, couches,
plate ? You may take them."

" I will keep you in handcuffs and fetters, under
a cruel jailer."

" God himself, the moment I choose, will set me
free." This, I take it, is his meaning : " I will
die." * Death is the line that marks the end of all.'

Pentheus, king of Thebes. The latter, intent on suppressing
the Bacchic worship, has made a prisoner of the Lydian
stranger, who, being really a god, sets the king's threats
at nought.

• The moriar does not belong to the scene. The Stoics
sanctioned suicide as an escape from life's evils.

' A chalk-line marked the goal in the race-course.

S57

XVII

TO SCAEVA

The subject of this and the following Epistle is
personal independence, as illustrated in the relations
of patron and protege. Horace's own happy con-
nexion with Maecenas, which he sets forth so ad-
mirably in Epist. i. 7, furnished him with an experi-
ence which possibly led others to seek his advice as
to their conduct toward men of high station. As
to Scaeva, however, nothing is known about him,
and it is quite possible that there was no such person
in real life, but that the name was chosen to fit an
assumed character, it being the same as o-kuios,
" awkward " or " gauche."

After disclaiming any peculiar right to give advice
on such a subject (1-5), and assuring Scaeva that if
he really wants to live a quiet, comfortable life, he
should retire from Rome altogether (6-10), Horace
proceeds in reality to defend himself against the
attacks made on him as a sycophant of the great.
He therefore contrasts the conduct of the Cyrenaic
Aristippus, who had plenty of savoir faire and
could adapt himself to any circumstances, with the
less sensible behaviour of Diogenes, the boorish
Cynic, who courted the common people and knew how
to live only amid sordid surroundings (13-32). To

358

EPISTLES, I. XVII.

gain distinction in life oneself is the highest ambition,
but it is also no mean achievement to win favour
with the great. He who succeeds in doing so is a
true man and plays a manly part (33-42).

Here the tone abruptly changes, and in the last
twenty lines (43-62) Horace lays down rules which the
young aspirant for favour is supposed to follow. In
this part the poet is far from serious, but, after his
fashion, is indulging in good-natured irony.

359

XVII.

Quamvis, Scaeva, satis per te tibi consulis et scis,
quo tandem pacto deceat maioribus iiti,
disee, docendus adhuc quae censet amiculus, ut si
caecus iter monstrare velit ; tamen aspice si quid
et nos, quod cures proprium fecisse, loquamur. 5

Si te grata quies et primam somnus in horam
delectat, si te pulvis strepitusque rotarum,
si laedit^ caupona, Ferentinum ire iubebo.
nam neque divitibus contingunt gaudia solis,
nee vlxit male, qui natus moriensque fefellit. 10

si prodesse tuis pauloque benignius ipsum
te tractare voles, accedes siccus ad unctum.^

" Si pranderet holus patienter, regibus uti
nollet Aristippus." " si sciret regibus uti,
fastidiret holus qui me notat." utrius horum 15

verba probes et facta doce, vel iunior audi
cur sit Aristippi potior sententia. namque
mordacem Cynicum sic eludebat, ut aiunt :

1 laedet aM, 11.
^ ad unctum Porph. ass. : inunctum V : adinunctum E.

" A quiet country town in the Alban region of Latium,
according to Professor W.B.M'DanielM.P.^.xliii. pp. 67 ff.).

*" According to the Epicurean precept, \6.de ^nvaas.

" This remark is made by Diogenes the Cynic. The story
referred to is found in Diogenes Laertius, ii. 8. 68. The
Cynic was cleaning vegetables for dinner, when Aristippus
passed by. Said the former: " if you had learned to put up

360

Epistle XVII

Even though, Scaeva, you look after your ovm
interests quite -wisely by yourself, though you know on
what terms, in fine, one should handle greater folk,
yet learn the views of your humble friend, who still
needs some teaching. It is as if a blind man sought
to show the way ; yet see whether even I have
aught to say, which you may care to make your own.

^ If pleasant ease and sleep till sunrise be your
delight, if dust and noise of wheels, or if tavern
offend you, I shall order you off to Ferentinum."
For jovs fall not to the rich alone, and he has not
Uved amiss who from birth to death has passed
unknovvTi.'' But if you wish to help your friends
and to treat yourself a httle more generously,
you in your hunger vvill make for a rich table.

^3 "If Aristippus could be content to dine on
greens, he would not want to Hve with princes." "
"If he who censures me knew how to hve with
princes, he would sniff at greens." Of these two
sages tell me whose words and deeds you approve ;
or, since you are the younger, hear why the \iew of
Aristippus is the better. For this is the way, as the
story goes, that he dodged the snapping cynic : " I

with this, you would not be courting princes." To this gibe
Aristippus replied, "and you, if you knew how to consort
witii men, would not be cleaning greens."

36 1

HORACE

" scurror ego ipse mihi, populo tu ; rectius* hoc et
splendidius multo est. equus ut me portet, alat rex,
officium facio ; tu poscis vilia, verum^ 21

dante minor, quamvis fers te nullius egentem."
omnis Aristippum deeuit color et status et res,
temptantem maiora, fere praesentibus aequum,
contra, quem duplici panno patientia velat, 25

mirabor, vitae via si conversa decebit.
alter purpureum non exspectabit amictum,
quidlibet indutus celeberrima per loca^ vadet,
personamque feret non inconcinnus utramque ;
alter Mileti textam cane peius et angui 30

vitabit^ chlamydem, morietur frigore, si non
rettuleris pannum. refer et sine vivat ineptus.
Res gerere et captos ostendere civibus hostis
attingit solium lovis et caelestia temptat :
principibus placuisse viris non ultima laus est. 36

non cuivis homini contingit adire Corinthum.
sedit qui timuit ne non succederet

" Esto.
quid, qui pervenit,^ fecitne viriliter ? " atqui
hie est aut nusquam, quod quaerimus. hie onus horret,
ut parvis animis et parvo corpore maius ; 40

' regibus (p^.

* verum or verum es, I, II : rerum {to be taken with vilia)
only inferior Mss.

' ioca, //. * vitavit aM. ' pervenerit, II.

" Scurror means " play the scurra." In effect, Diogenes
had taunted him with being a parasite.

" The cloak worn by the Cynics is called pannus in
contempt. They wore no under-garment, but doubled the
cloak instead. Hence it was called di-irXoU.

* The poet refers in a general way to the triumphal career
of Augustus.

362

EPISTLES, I. x\ai. 19-40

play the buffoon " for my own profit, you for the
people's. My conduct is better and nobler by far.
I do service that I may have a horse to ride and be
fed by a prince : you sue for paltry doles ; but you
become inferior to the giver, though you pose as
needing no man." To Aristippus every form of life
was fitting, every condition and circumstance ; he
aimed at higher things, but as a rule was content
with what he had. On the other hand, take the man
whom endurance clothes ^\^th its double rags * : I
shall marvel if a changed mode of hfe befit him.
The one ^vill not wait for a purple mantle ; he will
put on anything and walk through the most crowded
streets, and in no inelegant fashion will play either
part. The other ^^ill shun a cloak woven at Miletus
as worse than a dog or a snake, and will die of cold if
you do not give him back his rags. Give them back
and let him live his uncouth life.

^ To achieve great deeds and to display captive
foemen to one's fellow-citizens is to touch the throne
of Jove and to scale the skies. "^ Yet to have won
favour with the foremost men is not the lowest
glory. It is not every man's lot to get to Corinth.''
He who feared he might not win sat still.*

Be it so — what of him who reached the goal ? Did
he play the man ? Nay, but here or nowhere is
what we look for. One dreads the burden as too
big for his small soul and small body : another Ufts

* A rendering of the Greek proverb, Ov -wavTbi dt-Spos ^s
KSpivdof 1(76' 6 ttXoOs, which originally referred to the great
expense of a self-indulgent life at Corinth. Here, however,
the application is very different, viz. that not everyone can
gain the prize of virtue.

• i.e. never entered the race.

863

HORACE

hie subit et perfert. aut virtus nomen inane est,
aut decus et pretium recte petit experiens vir.

Coram rege sua^ de paupertate tacentes
plus poscente ferent^ : distat, sumasne pudenter
an rapias ; atqui rerum caput hoc erat, hie fons. 45
" indotata mihi soror est, paupercula mater,
et fundus nee vendibilis nee pascere firmus,"
qui dicit, elamat, " victum date ! " succinit alter,
" et mihi ! " dividuo findetur munere quadra,
sed tacitus pasci si posset corvus, haberet 50

plus dapis et rixae multo minus invidiaeque.

Brundisium comes aut Surrentum ductus amoenum
qui queritur salebras et acerbum frigus et imbres,
aut cistam effractam et subducta viatica plorat,
nota refert meretricis acumina, saepe catellam, 55
saepe periscelidem raptam sibi flentis, uti mox
nulla fides damnis verisque doloribus adsit.
nee semel irrisus triviis attollere curat
fracto crure planum, licet ilh plurima manet
lacrima, per sanctum iuratus dicat Osirim : GO

" credite, non ludo ; crudeles, tollite claudum ! "
" quaere peregrinum," vicinia rauca reclamat.

^ sua Bentley : suo Mss. ^ ferunt E.

" In comedy the term rex is used by a parasite of his
patron ; cf. Plautus, Capt. 92 ; Terence, PJiormio 338.
So ^aaiXeds in Greek comedy ; cf. Meineke, fragm. p. 774

^ Viz. getting as much as possible.

• As a result of so much begging no one gets a whole loaf.

364

EPISTLES, I. XVII. 41-62

it and carries it to the end. Either manhood is an
empty name, or the man who makes the attempt
justly aims at honour and reward.

*3 Those who in the presence of their patron ** say
nothing of their own need >vill get more than one
who begs. It makes a difference whether you take
modestly or snatch greedily. And yet this ^ was
the head and front of all. " My sister has no dower,
mv poor mother is a beggar, my farm is neither
salable nor able to support us." He who so speaks,
cries aloud, " Give us food." His neighbour chimes
in with " me too." So the gift will be divided and
the morsel split." But if the crow could feed in
quiet, he would have more meat, and much less
WTangling and envy."*

=2 The man who, when taken as companion to
Brundisium or lovely Surrentum, grumbles about bad
roads and bitter cold and rain, or moans over his
box broken open and his stores pilfered, recalls the
familiar tricks of a mistress who oft bewails a pretty
chain, oft a stolen anklet, so that by and by her real
losses and griefs win no belief. And he who has
once been fooled does not care to Hft up at the
crossings a beggar with a broken leg, though many
a tear flow down his cheeks, though he swear by holy
Osiris and cry : " Believe me, I'm in earnest ; cruel
men, lift up the lame ! " " Look for a stranger,"
the neighbours bawl back till they are hoarse.

^ The crow's cawing calls other crows to share in the
booty it has found.

365

XVIII
TO LOLLIUS

A true friend, Lollius, never plays the parasite,
yet on the other hand never shows his independence
by rudeness or by insistence upon trifles (1-20).

As protege, you must not try to emulate your patron
in his ostentation or other weaknesses, for you will
merely earn his contempt or hatred. Neither should
you pry into his secrets, though if he entrust any to
you you must keep them faithfully (21-38).

Do not emphasize your own tastes in contrast with
your patron's. If he wishes to go a-hunting, put
your books aside, even as Amphion gave up the
lyre to humour Zethus, The sport will whet your
appetite ; it is a national pastime and you have
always been a good athlete and soldier. You have
been cheered on the Campus Martins, and crowds
have witnessed your mimic reproduction of the
Battle of Actium (39-66).

Be discreet in your criticism of others ; covet not
your patron's slaves ; be careful to introduce only
people who will not humiliate you later, but should
you make a mistake, don't fail to acknowledge it,
so that, if necessary, you may be able to defend
those who really deserve your aid. Remember that
some day you yourself may be bitten by the tooth of

EPISTLES, I. xvin.

slander. A protege, you see, must be ever watchful
of his conduct. He must fall in w-ith his patron's
moods and at all times show a cheery face (67-95).

Above all, you must study the words of the wise
and learn the secret of a tranquil life. That is what
/ have found in my peaceful country home, where I
pray the gods for the blessings of life, for the means
of living, and for a goodly supply of books. The
aeqiius animus I will see to myself (96-112).

This Epistle is addressed to the Lollius whom we
have already met in the second Epistle of this book.
Yet the main theme of the letter is the same as that
already treated in the seventeenth, viz. the manner
in which a person should conduct himself in his
intercourse with the great. Lollius, however, is not
what Scaeva is conceived to have been, poor and of
lowly station. He has an ancestral estate, large
enough to be the scene of an historical pageant, and
he was probably the son of the Lollius who was
Consul in 21 b.c,'(c/. Epist. i. 20. 28).

It is commonly supposed that the young Lollius
is thinking of attaching himself to a man of great
prominence in the state, with whom he would be on
terms of confidential intimacy (11. 37 f. ; 68 ff.), and
that he has consulted Horace, who has himself been
so successful ^\ith a patron. But most commentators
take the letter too seriously. It is a satire and the
poet is in a playful mood (see e.g. 11. 72 ff.). So,
under the guise of a Professor of Social Philosophy,
he gives his young friend a lecture in Stoic fashion
on his favourite theme bene vivere, which here may
be taken to mean " How to get on in the world."

367

XVIII.

Si bene te no^^, metues, liberrime Ldlli,
scurrantis speciem praebere, professus amicum
ut matrona meretrici dispar erit atque
discolor, infido scurrae distabit amicus,
est huic diversum vitio vitium prope maius, 5

asperitas agrestis et inconcinna gravisque,
quae se commendat tonsa cute, dentibus atris,
dum volt libertas dici mera veraque virtus,
virtus est medium vitiorum et utrimque^ reductum.
alter in obsequium plus aequo pronus et imi 10

derisor lecti sic nutum divitis horret,
sic iterat voces et verba cadentia toUit,
ut puerum saevo credas dictata magistro
reddere vel partis mimum tractare secundas.
alter rixatur^ de lana saepe caprina,^ 15

propugnat nugis armatus : " scilicet, ut non
sit mihi prima fides, et vere quod placet ut non
acriter elatrem ! pretium aetas altera sordet."

^ utrumque aR.

* rixatur uss. : rixatus V : fixator Muretus,

^ caprina et Bentley.

« Cf. Epist. i. 17. 19 and note.

* fji,€<T6Tris Suo KaKidv (Arist. Nicomach. Eth. ii. 6).

• Cf. Sat. ii, 8. 40 f., where the scurrae were with the host
on the lowest couch.

Sd8

Epistle XVIII

If I know you well, my Lollius, most outspoken
of men, you will shrink from appearing in the guise
of a parasite <* when you have professed the friend.
As matron and mistress will differ in temper and
tone, so ^\•ill the friend be distinct from the faithless
parasite. There is a \'ioe the opposite of this —
perhaps a greater one — a clo^^^lish rudeness, awkward
and offensive, which commends itself by scraped
skin and black teeth, while fain to pass for simple
candour and pure virtue. Virtue is a mean
between vices,'' remote from both extremes. The
one man, over-prone to servihty, a jester of the
lowest couch," so reveres the rich man's nod, so
echoes his speeches, and picks up his words as they
fall, that you would think a schoolboy was repeating
his lessons to a stern master or a mime-player acting
a second part."* The other man \\Tangles often about
goat's wool,* and donning his armour fights for trifles :
" To think, forsooth, that I should not find credence
first, or that I should not blurt out strongly what I
really think ! A second life were poor at such a

* In the mimes the actor playing second part commonly
imitated the chief actor in word and gesture.

* The question whether the hair of goats could be
called lana or wool, was proverbial for a matter of no im-
portance.

2 b S69

HORACE

ambigitur quid enim ? Castor sciat an Dolichos^ plus ;
Brundisium Minuci melius via ducat an Appi. 20

Quern damnosa Venus, quern praeceps alea nudat,
gloria quem supra vires et vestit et unguit,
quern tenet argenti sitis importuna famesque,
quem paupertatis pudor et fuga, dives amicus,
saepe decem vitiis instructior, odit et horret, 26

aut, si non odit, regit ac veluti pia mater
plus quam se sapere et virtutibus esse priorem
volt et ait prope vera : " meae (contendere noli)
stultitiam patiuntur opes ; tibi parvola res est.
arta decet sanum comitem toga ; desine mecum 30
certare." Eutrapelus, cuicumque nocere volebat,
vestimenta dabat pretiosa : " beatus enim iam
cum pulchris tunicis sumet^ nova consilia et spes,
dormiet in lucem, scorto postponet honestum
officium, nummos alienos pascet, ad imum 35

Thraex erit aut holitoris aget^ mercede caballum."

Arcanum neque tu scrutaberis illius* umquam,
commissumque teges et vino tortus et ira.
nee tua laudabis studia aut aliena reprendes,^
nee, cum venari volet ille, poemata panges.® 40

gratia sic fratrum geminorum, Amphionis atque
Zethi, dissiluit, donee suspecta severo
conticuit lyra. fraternis cessisse putatur
moribus Amphion : tu cede potentis amici

1 docilis Mss. * sumit E. ' aget E : agit aM.

* ullius MSS. * rependes E. • pangas E.

" These were actors or gladiators.

* The story of how the brothers Zethus and Amphion
quarrelled about the rival merits of music and hunting was
set forth by Euripides in his Antlnpe, and was reproduced
in a play oiP the same name by Pacuvius.

870

EPISTLES, I. XVIII. 19-44

price." WTiy, what's the question in dispute ?
\\Tiether Castor or Dolichos " has more skill ; which
is the better road to Brundisium, that of Minucius
or that of Appius !

-^ The man whom ruinous passion or desperate
gambling strips bare, whom vanity dresses up and
perfumes beyond his means, who is possessed by an
insatiate hunger and thirst for money, by the shame
and dread of poverty, his rich friend, though often
ten times as well equipped with \ices, hates and
abhors : or if he does not hate him schools him and
like a fond mother would have him \^'iser and more
\'irtuous than himself. He says to him what is pretty
nearly true : " My wealth — don't try to rival me —
allows of foUv : your means are but trifling. A
narrow toga befits a chent of sense ; cease to vie with
me." Eutrapelus, if he wished to injure someone,
would give him costly clothes : " for now," said he,
" the happy fellow will, together ^^^th his fine tunics,
put on new plans and hopes, will sleep till dawn,
vnl\ postpone honest business for a wanton, ^vill swell
his debts, and at last ^\ill become a gladiator, or
the hired driver of a greengrocer's nag."

^ You \n\\ never pry into your patron's secrets,
and if one is entrusted to you, you will keep it,
though wine or anger puts you on the rack. Again,
you will neither praise your own tastes, nor find
fault with those of others, nor when your friend
would go a-hunting, will you be penning poems.
'Twas so that the brotherly bond between the twins
Amphion and Zethus parted asunder, till the lyre, on
Avhich the stem one looked askance, was hushed.''
Amphion, 'tis thought, yielded to his brother's mood :
do you yield to your great friend's gentle biddings ;

371

HORACE

lenibus imperiis, quotiensque educet^ in agros 45

Aetolis^ onerata plagis iumenta canesque,
surge et inhumanae senium depone Camenae,
cenes ut pariter pulmenta laboribus empta :
Romanis sollemne viris opus, utile famae
vitaeque et membris ; praesertim cum valeas et 50
vel cursu superare canem vel viribus aprum
possis. adde virilia quod speciosius arma
non est qui tractet ; scis, quo clamore coronae
proelia sustineas campestria ; denique saevam
niilitiam puer et Cantabrica bella tulisti 65

sub duce qui templis Parthorum signa refigit
nunc et, si quid abest, Italis^ adiudicat armis.*

Ac ne te retrahas et inexcusabilis absis,
quamvis nil extra numerum fecisse modumque
curas, interdum nugaris rure paterno :
partitur lintres exercitus, Actia pugna
te duce per pueros hostili more^ refertur ;
adversarius est frater, lacus Hadria, donee
alterutrum velox Victoria fronde coronet,
consentire suis studiis qui crediderit te, 65

fautor utroque tuum laudabit polHce ludum.

1 educit M : ducit or ducet, //.

« Aeoliis van Vliet. ' abest aliis ir.

* arvis Bentley. ' mole E.

" Probably a literary epithet, reminding the reader of
the mythical boar-hunt of Meleager in Calydon. The con-
jectural Aeoliis is explained as equivalent to Cumanis, because
flax, which made strong nets (Pliny, N.H. xix. 1. 10), grew
near Cumae, a colony from Cyme in Aeolia.

* Cf. " tu pulmentaria quaere sudando," Sat. ii. 2. 20.

« Cf. Sat. ii. 2. 10 f., where hunting is called Romana
militia.

<* i.e. the sports of the Campus Martius.

* In 20 B.C. Augustus recovered from the Parthians by

372

EPISTLES, I, XVIII. 45-66

and when he takes out into the country his mules
laden with Aetolian * nets, and his dogs, up with you
and cast aside the glumness of your unsocial Muse,
that you may share his supper with a relish, whereof
toil has been the price * — 'tis the wonted pastime
of the heroes of Rome," is good for fame as well as
for hfe and limb — especially when you are in health,
and can outdo either the hound in speed or the boar
in strength. Add that there is none who more grace-
fully handles manly weapons : you know how loudly
the ring cheers when you uphold the combats of the
Campus."* In fine, while a mere youth, you served in
a hard campaign, and in the Cantabrian wars, under
a captain who even now is taking down our standards
from the Parthian temples * and, if aught is still
beyond our sway, is assigning it to the arms of Italy.
^ Further, that you may not draw back and stand
aloof without excuse, bear in mind that, however
much you take care to do nothing out of time and
tune, you do sometimes amuse yourself at your
father's country-seat : your troops divide the skiffs ^ ;
with you as captain, the Actian fight is presented by
your slaves in true foemen's style ; opposing you is
your brother, the lake is the Adriatic ; till winged
Victory crowns with leafage one or the other chief-
tain. He who believes that you fall in with his
pursuits will with both thumbs " eagerly commend
your sport.

treaty the standards they had taken from Crassus ; cf. Epist.
i. 12. 28.

^ In a sham fight on their father's estate, Lollius and his
brother have represented the famous battle of Actium.

» A reference to the way in which the audience in the
amphitheatre expressed approval. The precise form of the
gesture referred to is doubtful.

S78

HORACE

Protinus ut moneam (si quid monitoris eges tu)
quid de quoque viro et cui dicas, saepe videto.
percontatorem fugito : nam garrulus idem est,
nee retinent patulae commissa fideliter aures, 70

et semel emissum volat irrevocabile verbum.
non ancilla tuum iecur ulceret ulla puerve
intra marmoreum venerandi limen amici,
ne dominus pueri^ pulchri caraeve puellae
munere te parvo beet aut incommodus angat. 75

qualem commendes, etiam atque etiam aspice, ne mox
incutiant aliena tibi peccata pudorem.
fallimur et quondam non dignum tradimus : ergo
quern sua culpa premet, deceptus omitte tueri,
ut penitus notum, si temptent crimina, serves 80

tuterisque tuo fidentem'^ praesidio : qui
dente Theonino cum eircumroditur, ecquid^
ad te post paulo ventura pericula sentis ?
nam tua res agitur, paries cum proxinuis avdet,
et neglecta solent incendia sumere vires. 85

Dulcis inexpertis cultura potentis amici :
expertus metuit.^ tu, dum tua navis in alto est,
hoc age, ne mutata retrorsum te ferat aura,
oderunt hilarem tristes tristemque iocosi,
sedatum celeres, agilem navumque remissi ; 90

potores [bibuli media de nocte Falerni^
oderunt] porrecta negantem pocula, quamvis
nocturnos iures te formidare tepores.

^ pueri dominus E, lemma in Porph.

2 fidens est 4>\p'\l : fidenter. ^ et quid A^ER.

* metuit aM : metuet E, II,

* Line 91 does not occur in any good ms. sinless inserted
by a late hand. Meineke deleted bibuli . . . oderunt and
retained potores.

" Proverbial for calumny, though the origin of the ex-
pression is unknown.

S74

EPISTLES, I. XVIII. 67-93

" To continue my advice, if you need advice in
aught — think often of what you say, and of whom,
and to whom you say it. Avoid a questioner, for he
is also a tattler. Open ears Nvill not keep secrets
loyally, and the word once let slip flies beyond recall.
Let no maid or boy within your worshipful friend's
marble threshold inflame your heart, lest the owner
of the pretty boy or dear girl make you happy with
a present so trifling or torment you if disobliging.
What sort of a person you introduce, consider again
and again, lest by and by the other's failings strike
you with shame. At times we err and present some-
one unworthy : therefore, if taken in, forbear to
defend him whose ovm fault drags him do^\Ti, in order
that, if charges assail one you know thoroughly, you
may watch over and protect the man who relies on
your championship. For when he is nibbled at with
Theon's tooth " of slander, don't you feel that a httle
later the peril will pass to yourself? 'Tis your own
safety that's at stake, when your neighbour's wall
is in flames, and fires neglected are wont to gather
strength.

^^ Those who have never tried think it pleasant to
court a friend in power ; one who has tried dreads
it. While your barque is on the deep, see to it lest
the breeze shift and bear you back. The grave
dislike the gay, the merry the grave, the quick the
staid, the lazy the stirring man of action : drinkers
[who quaff" Falernian in midnight hours] ^ hate the
man who declines the proffered cups, however much
you swear that you dread fevers at night. Take the

* The words bracketed in the Latin were probably intro-
duced an a gloss from Epist. i. 14. 3i.

875

HORACE

deme supercilio nubem : plerumque modestus
occupat obscuri speciem, taciturnus acerbi. 95

Inter cuncta leges et percontabere doctos,
qua ratione queas traducere leniter aevum,
num te semper inops agitet vexetque cupido,
num^ pavor et rerum medioeriter utilium spes,
virtutem doctrina paret Naturane donet, 100

quid minuat curas, quid te tibi reddat amicum,
quid pure tranquillet, honos an dulce lucellum,
an secretum iter et fallentis semita vitae.

Me quotiens reficit gelidus Digentia rivus,
quern Mandela bibit, rugosus frigore pagus, 105

quid sentire putas ? quid credis, amice, precari ?
sit mihi quod nunc est, etiam minus, et^ mihi vivam
quod superest aevi, si quid superesse volunt di ;
sit bona^ librorum et provisae frugis in annum
copia, neu fluitem dubiae spe pendulus horae.^ 110

Sed satis est orare lovem, qui^ ponit® et aufert,
det vitam, det opes ; aequum mi animum ipse
parabo."

^ num . . . num all good ass., V: ne or non.

2 et V, II : ut aEM Porph.

' spes bona E. * aurae.

* quae a, II. • ponit V, 11 : donat, I.

" i.e. philosophers.

* These are things which may be contrasted with virtue,
the summiim bonum, e.g. our possessions, classed by the
Stoics as a5id<popa, indifferent things.

' Whether virtue can be taugnt {8i5aKTri, cf. doctrina) is
discussed in I'lato's Meno.

876

EPISTLES, I. xviii. 94-112

cloud from your brow ; shyness oft gets the look of
secrecy, silence of sour temper.

^ Amid all this you must read and question the
wise," how you may be able to pass your days in
tranquillity. Is greed, ever penniless, to drive and
harass you, or fears and hopes about things that
profit little ? ^ Does wisdom beget virtue," or
Nature bring her as a gift ? What will lessen care ?
What will make you a friend to yourself ? What
gives you unruffled calm — honour, or the sweets of
dear gain, or a secluded journey along the pathway
of a life unnoticed ** ?

^^^ For me, oft as Digentia * refreshes me, the icy
brook of which Mandela drinks, that village -wrinkled
with cold, what deem you to be my feeUngs ? What,
think you, my friend, are my prayers ? May I have
my present store, or even less ; may I live to myself
for what remains of life, if the gods will that aught
remain. May I have a goodly supply of books and
of food to last the year ; nor may I waver to and fro
with the hopes of each uncertain hour.

^^ But 'tis enough to pray Jove, who gives and
takes away, that he grant me life, and grant me
means : a mind well balanced I will myself provide.^

" Cf. Epist. i. 17. 10.

• Cf. Epist. i. 16. 5, with its note b. Mandela, now
Cantalupo Bardella, is a lofty village, whose people came
down to the Digentia for their water.

' i.e. the gods may give me life, and the means of ex-
istence, but, as Henley says, " I am the captain of my soul."

877

XIX

TO MAECENAS

Writing shortly before the publication of this book,
in 20 B.C., Horace replies to the adverse criticism
which had been levelled against his Epodes and
Odes (Books i.-iii.). These, it was claimed, lacked
originaUty and were mere imitations of Greek ex-
emplars. Horace therefore contrasts the rude and
servile imitation, to which he has himself been sub-
jected, with his o^vn generous use of noble models,
according to rules followed by the great Greek poets
themselves (1-34.).

But the real reason why Horace has been assailed
hes in the fact that the poet has not tried to please
the general public or his offended critics. He refuses
to resort to the usual methods of winning approval,
and is therefore supposed to be arrogant. Tliis is a
charge which he dechnes to face (35-i9).

S79

XIX.

Frisco si credis, Maecenas docte, Cratino,
nulla placere diu nee vivere carmina possunt,
quae scribuntur aquae potoribus.^ ut male sanos
adscripsit Liber Satyris Faunisque poetas,
vina fere dulces oluerunt mane Camenae. 5

laudibus arguitur vini vinosus Homerus ;
Ennius ipse pater numquam nisi potus ad arma
prosiluit dicenda. " Forum Putealque Libonis
mandabo siccis, adimam cantare severis " :
hoc simul edixi,^ non cessavere poetae 10

nocturno certare mero, putere diurno.
quid ? si quis voltu torvo ferus et pede nudo
exiguaeque togae simulet textore^ Catonem,
virtutemne repraesentet moresque Catonis ?
rupit larbitam Timagenis aemula lingua,'* 15

dum studet urbanus tenditque disertus haberi.

1 potioribus ERir. " edixi E, Porph. : edixit a.

' ex ore <p^ : extore B. * cena aE.

• On Cratinus see Index. In his HvtIvt) he jested upon
his own intemperance.

* Cf. Iliad, vi. 261 av8pl 8i K€K/JL7]uyn ix^vos fj.4ya olvos a^^et,
and the use of epithets applied to wine, such as evTivujp, rjSvwoTos,
/xeXirjSris, ixe\i(ppuv.

" Ennius says of himself, "numquam poetor nisi si
podager."
380

Epistle XIX

If you follow old Cratinus," my learned Maecenas,
DO poems can please long, nor live, which are written
by water-drinkers. From the moment Liber en-
listed brain-sick poets among his Satyrs and Fauns,
the sweet Muses, as a rule, have had a scent of wine
about them in the morning. Homer, by his praises
of wine, is convicted as a winebibber.* Even Father
Ennius never sprang forth to tell of arms save after
much drinking." " To the sober I shall assign the
Fonun and Libo's WelH ; the stern I shall debar
from song." Ever since I put forth this edict,* poets
have never ceased to vie in wine-drinking by night,
to reek of it by day. What, if a man were to ape
Cato with grim and savage look, with bare feet and
the cut of a scanty gown, would he thus set before
us Cato's virtue and morals ? In coping with Tima^
genes, his tongue brought ruin to larbitas ' ; so
keen was his aim and effort to be deemed a man of

"* Cf. Sat. ii. 6. 35. The expression forum putealque
Libon in denotes a life of business.

• For the term used cf. Sat. ii. 2. 51.

' The precise meaning of rupit is uncertain. Porphyrio
takes it literally, as if the attempt to rival the eloquence
of Timagenes (a rhetorician of the day) made larbitas
" burst asunder." More probably the word has the general
sense of " ruined."

381

HORACE

decipit exemplar vitiis imitabile : quod si

pallerem^ casu, biberent exsangue cuminum.

o imitatores, servum pecus, ut mihi saepe

bilem, saepe iociim vestri movere tumultus ! 20

Libera per vacuum posui vestigia princeps,
non aliena meo pressi pede. qui sibi fidet,^
dux reget^ examen. Parios^ ego primus iambos
ostendi Latio, numeros animosque secutus
Archilochi, non res et agentia verba Lycamben. 26
ac ne me foliis ideo brevioribus ornes,
quod timui mutare modos et carminis artem,
temperat Archilochi Musam pede mascula Sappho,
temperat Alcaeus, sed rebus et ordine dispar,
nee socerum quaerit, quem versibus oblinat^ atris, 30
nee sponsae laqueum famoso carmine nectit.
hunc ego, non alio dictum prius ore, Latinus^
volgavi fidicen. iuvat immemorata ferentem
ingenuis^ oculisque legi manibusque teneri.

Scire velis, mea cur ingratus opuscula lector 35
laudet ametque domi, premat extra limen iniquus ;
non ego ventosae plebis sufFragia venor
impensis cenarum et tritae munere vestis ;
non ego, nobilium scrip torum auditor* et ultor,

1 pallerent R-k. « fidit ^/'Xi.

^ regit. * patrios, //. * obtinet II.

® Latinis \l, ' ingeniis. * adiutor.

" A pale complexion was supposed to result from drinking
cummin.

* i.e. in the Epodes.

" Sappho was worthy to rank with men. M. B. Ogle
argues (against Bentley) in fa%rour of construing Musam
with Archilochi^ and of interpreting temperat as " moderates "
(A.J.P. xliij. (1922) pp. 55 ff.).

•* A reference to Neobule and her father Lycambes, who
were assailed by Archilochus ; c/. Epod. vi. 13.
S82

EPISTLES, I. XIX. 17-39

wit and eloquence. A pattern •with faults easy to
copy leads astray. So if by chance I lost my colour,
these poets would drink the bloodless cummin."^-
O you mimics, you slavish herd ! How often yotlr
pother has stirred my spleen, how often my mirth !

^ I was the first to plant free footsteps on a virgin
soil; I walked not where others trod. Who trusts
himself will lead and rule the swarm. I was the
first to show to Latium the iambics * of Paros, follow-
ing the rhythms and spirit of Archilochus, not the
themes or the words that hounded Lycambes. And
lest you should crown me ^^ith a scantier wreath
because I feared to change the measures and form
of verse, see how manlike * Sappho moulds her Muse
by the rhythm of Archilochus ; how Alcaeus moulds
his, though in his themes and arrangement he differs,
looking for no father-in-law to besmear ^ith deadly
verses, and weaving no halter for his bride ** with
defaming rh}'me. Him, never before sung by other
lips, I, the lyrist of I^atium, have made known.* It is
my joy that I bring things untold before, and am read
by the eyes and held in the hands of the gently born.

^ Would you know why the ungrateful reader
praises and loves my pieces at home, unjustly decries
them abroad ? I am not one to hunt for the votes
of a fickle public at the cost of suppers and gifts of
worn-out clothes/ I am not one who, hstening to

* The poet referred to in hunc (1. 32) is Alcaeus, not
Arciiilochus, and Horace is now boasting, not of his Epodes,
but of his Odes.

' The poet here contrasts himself with the politician
seeking votes. Pie does not invite people to come together
to hear his poems, and then by unworthy means seek to
win their approval.

388

HORACE

grammaticas ambire tribus et pulpita dignor. 4.0

hinc illae lacrimae. " spissis indigna theatris
scripta pudet recitare et nugis addere pondus,"
si dixi, " rides," ait, " et lovis auribus ista
servas : fidis enim manare poetica mella
te solum, tibi pulcher." ad haec ego naribus uti 45
formido et, luctantis acuto ne secer ungui,
" displicet iste^ locus," clamo et diludia posco.
ludus enim genuit trepidum certamen et iram,
ira truces inimicitias et funebre bellum.

1 ille, II.

" I take nohiles as used in irony, not in seriousness, for
the opening words of Juvenal " Semper ego auditor tantum ?
numquamne reponam . . . ? " show what 1. 39 means as
a whole. Ultor is also ironical ; after listening to those
who called themselves nobiles scrlptores the poet takes his
revenge by reciting. Others take nohiles scriptores to mean
PoUio, Virgil, Varius, etc., so that Horace says, " I hear
such good poets that I neglect and so offend the professors
of literature." In this case, ultor is added by way of jest. _

* The grammatici, who lecture upon the poets from their
pulpita or platforms, are the professional teachers of litera-
ture. Tribus is said in contempt.

384

EPISTLES, 1. XIX. 40-49

" noble writers " and taking my revenge,^ deign to
court the tribes of lecturing professors. ^ " Hence
those tears."* If I say, " I am ashamed to recite
my worthless writings in your crowded halls, and give
undue weight to trifles," " You are in merry mood,"
says one, " and keep your lines for the ears of Jove."*
Fair in your o^vn eyes you are, and beUeve that you,
and you alone, distil the honey of poesy." At this
I am afraid to turn up a scornful nose, and lest, if
he wrestle with me, I be torn by his sharp nails,
" The place * you choose suits me not," I cry, and
call for a truce in the sports. For such sport begets
tumultuous strife and wrath, and ^vrath begets fierce
quarrels, and war to the death.

« This expression, first used literally by Terence in his
Andria (1. 1-25). where Pamphilus shed tears of sympathy at
the funeral of Chrysis, became proverbial in Latin literature,
and was used, as here, even when there were no actual tears ;
cf. Cic. Pro Gael. 25. 61.

* t.^. Augustus. Cf. Sat. ii. 6. 52.

* The battle of wits has become a gladiatorial contest.
In this, a combatant, if he thought his opponent had an
unfair advantage in position, might call for a pause in the
struggle (diludia), and an adjustment of conditions.

2c 385

TO HIS BOOK

This is an Epilogue to the collection of Epistles,
now ready for publication.

The poet addresses his Book, as if it were a young
and handsome slave, who is eager to escape from his
master's house and to see something of the great
world. There are untold perils in the path. After
a brief vogue, the book ■will be neglected or sent to
the pro\inces, and finally its doom ^nll be sealed
when it becomes a school-book for lads to learn their
letters from !

Yet, when the book finds an audience, the poet
would have it impart some information about his own
life and characteristics.

387

XX.

/ Vertumnum lanumque, liber, spectare videris,
scilicet ut^ prostes Sosiorum pumice mundus.^
odisti clavis et grata sigilla pudico ;
paucis ostendi gecpis et communia laudas,
non ita nutritus. fuge quo descendere gestis. 5

non erit emisso reditus tibi. " quid miser egi ?
quid volui ? " dices, ubi quis^ te laeserit, et scis
in breve te cogi, cum plenus languet amator.

Quod si non odio peccantis desipit augur,
carus eris Romae, donee te deserat* aetas ; 10

contrectatus ubi manibus sordescere volgi
coeperis, aut tineas pasces tacitm-nus inextis
aut fugies Uticam aut vinctus mitteris Ilerdam.
ridebit monitor non exauditus, ut ille
qui male parentem in rupes protrusit^ asellum 15

iratus : quis enim invitum servare laboret ?
hoc quoque te manet, ut pueros elementa docentem
occupet extremis in vicis balba^ senectus.

1 ut omitted by E. " nudus d\p\l.

* quid MSS. * deseret. * protrudit E. • bella E.

" i.e. the booksellers' quarters in Rome. There is a
double entendre in prostes, pumice mundus and in other
expressions in 11. 1-8.

" The pumice was used to smooth the ends of the roll.
For the Socii, well-known as booksellers, see Ars Poet. 345.

" Referring to the scrinia or cases, in which books were
kept under lock or seal.

■* As applied to the book, in breve cogi means " rolled up

SS8

Epistle XX

You seem, my book, to be looking wistfully
toward Vertumnus and Janus," in order, forsooth,
that you may go on sale, neatly poUshed with the
pumice * of the Sosii. You hate the keys and seals,"
so dear to the modest ; you grieve at being shown
to few, and praise a life in pubhc, though I did not
rear you thus. Off wth you, dovm to where you
itch to go. When you are once let out, there will
be no coming back. " What, alas ! have I done ?
What did I want ? " you will say, when someone
hurts you, and you find yomself packed into a
comer,"* whenever your sated lover grows languid.

^ But unless hatred of your error makes the
prophet lose his cunning, you will be loved in Rome
till your youth leave you ; when you've been well
thumbed by vulgar hands and begin to grow soiled,
you will either in silence be food for vandal moths,
or will run away to Utica, or be sent in Ijonds to
Ilerda.* Your monitor, from whom you turned away
your ear, will then have his laugh, hke the man who
in anger pushed his stubborn ass over the chff : for
who would care to save an ass against his will ? This
fate, too, awaits you, that stammering age will come
upon you as you teach boys their A B C in the city's
outskirts.

small." With reference to the slave, it means " brought to
poverty," ' i.e. sent to the provinces.

389

HORACE

Cum tibi sol tepidus pluris admoverit auris,^

me libertino natum patre et in tenui re 20

maiores pinnas nido extendisse loqueris,

ut quantum generi demas virtutibu? addas ;

me primis urbis belli placuisse domique,

corporis exigui, praecanum, solibus aptum,

irasci celerem, tamen ut placabilis essem. 25

forte meum si quis te percontabitur aevum,

me quater undenos sciat imple\isse Decembris,

collegam Lepidum quo duxit^ Lollius anno.

^ annos.

* duxit Mss. Porph. : dixit urged by Keller, accepted by
Wilkins, Rol/e.

890

EPISTLES, I. XX. 19-28

^^ When the milder sun brings you a larger
audience, you will tell them about me : that I was
a freedman's son, and amid slender means spread
wings too wide for my nest, thus adding to my merits
what you take from my birth ; that I found favour,
both in war and peace, with the foremost in the
State ; of small stature, grey before my time, fond
of the sun, quick in temper, yet so as to be easily
appeased. If one chance to inquire my age, let him
know that I completed my forty-fourth December in
the year when Lollius drew Lepidus for colleague."

• Lollius was consul in 21 b.c. The other consulship,
first intended for Augustus himself, was later filled by the
appointment of Lepidus.

391

B««K II
I

T© AUGUSTUS

In his Life of Horace, Suetonius tells us that the poet
composed this Epistle for Augustus after the em-
peror, on reading certain of his Sermones, had com-
plained because none of them were addressed to
him : " Augustus scripta quidem eius usque adeo
probavlt . . . ut . . . post sermones vero quosdam
lectos nullam sul mentionem habitam ita sit questus :
' irasci me tibi scito, quod non in plerisque eiusmodi
scriptis mecum potissimum loquaris. An vereris ne
apud posteros infame tibi sit, quod videaris familiaris
nobis esse ? ' Expressitque eclogam ad se cuius
initium est cum tot sustineas," '^ etc. It is quite im-
probable that the sermones here referred to are
either the Satires, which were published sixteen years
earlier, or the First Book of Epistles, published some

<» " Augustus appreciated his writings so highly that, after
reading some of his Sermones and finding no mention therein
of himself, he sent him this complaint : ' Know that I am
angry with you, because in your several writings of tliis type
you do not address me — me above all. Is it your fear that
posterity may deem it to your discredit, that you seem to be
intimate with me ? ' And so he wrung from ttie poet the
selection addressed to him, beginning cum tot sustineas."

392

EPISTLES, II. I.

six years before They must be the Epistles addressed
to Florus (ii. 2), and to the Pisones {Ars Poetica), the
present Epistie, therefore, being the latest of the
three in composition.

Burdened as you arc, 9 Caesar, with cares of
State, you must not be approached by me in a long
discourse (l-'i).

Unhke the demigods of story, whose benefits to
mankind were recognized only after death, your
great services to the world are acknowledged in
your Hfetime (5-17), but this principle is not elsewhere
applied by the Romans to contemporary merit, for
they admire only what is ancient, and defend their
attitude on the ground that the best works of the
Greeks were their earliest (18-33). But how can a
line be drawn strictly between ancient and modern
(34-19) ?

Take a list of the older poets, and note how secure
they are in the reputation assigned them by the
critics. Ennius, for example, their " second Homer,"
cares httle whether the promises of his Pythagorean
dreams are fulfilled. Naevius is as familiar to us as
if he were a recent writer. So with Pacuvius and
Accius in tragedy ; Afranius, Plautus, Caecihus, and
Terence in comedy (50-62).

This admiration should be more discriminating,
for these early wTiters are far from perfect and often
call for our indulgence rather than our approval.
It is really envy of contemporary merit that accounts
for this undue praise of the old writers and a
depreciation of the new (63-89).

How different was the attitude of the Greeks
toward novelty ! ©nee rid of war, they turned like
children from one amusement to another — athletics,

393

HORACE

sculpture, painting, music, and tragedy, but in Rome
we have been more serious, devoting ourselves to
practical affairs, and only now, in these late days,
turning to the writing of verses, as I am doing
myself (90-117).

This craze is not without its advantages. Poets
are free from many vices. They promote the educa-
tion of the young and serve the cause of religion
(118-138). Let us look at the history of dramatic
poetry. Beginning M'ith rude Fescennine verses,
whose scurrility had to be checked by law, it came
under the refining influence of Greek art, which led
to the almost complete elimination of the earlier
rusticity (139-160). For tragedy the Romans have
a natural aptitude, but they lack the finishing touch.
Comedy is supposed to involve less labour, but for
that very reason failure can not be so easily excused.
Plautus, for instance, is careless and slipshod, being
more anxious to fill his purse than to write good
plays (161-176). The dramatic writer depends for
success upon his audience, and therefore I renounce
the stage. The masses call for bears and boxers,
and even the educated care more for what delights
the restless eye than for good drama. If ©emocritus
were alive to-day, he would laugh, not at the scene
on the stage, but at the audience, who applaud the
actor before he utters a word, simply because of his
fine clothes (177-207) ! Yet don't suppose that I
undervalue an art which I cannot handle, for to me
a great dramatic poet, who can move my soul with
his airy creations, is a wondrous magician (208-213).

But I pray you, @ Caesar, to bestow a share of
your patronage on those who write, not for spectators,
but for readers (214-218).
394

EPISTLES, II. I.

We poets, I know, often behave foolishly. We
are tactless, over-sensitive to criticism, and expect
too much consideration. But, after all, great merits
call for great poets to celebrate them. Alexander
was a good judge of painting and sculpture, but in
poetry his taste was Boeotian, for he paid the 'WTCtched
Choerilus for his poor verses. You, on the contrary,
have chosen Virgil and Varius to sing your exploits,
and you know that no sculptor reproduces the features
of heroes more faithfully than the poet does their
souls (219-250). If I could do so, I should much
prefer to sing your exploits, but you are worthy of a
greater poet, and I will not run "the risk of bringing
discredit upon you as well as upon myself. I should
no more hke to have a poor waxen portrait of myself
offered for sale than to be sung in uncouth verses
which sooner or later must come to an ignoble end,
and provide wrapping material in a grocer's shop
''250-270) I

395

LIBER SECUNDUS
I.

Cum tot sustineas et tanta negotia solus,
res Italas armis tuteris, moribus ernes,
legibus emendes, in publica commoda peccem,
si longo sermone morer tua tempora, Caesar.

Romulus et Liber pater et cum Castore Pollux, 5
post ingentia facta^ deorum in templa recepti,
dum terras hominumque colunt genus, aspera bella
componunt, agros assignant, oppida condunt,
ploravere suis non respondere favorem
speratum meritis. diram qui contudit hydram 10
notaque^ fatali portenta labore subegit,
comperit invidiam supremo fine domari.
urit enim fulgore suo, qui praegravat artis
infra se positas ; exstinctus amabitur idem,
praesenti tibi maturos largimur honores, 15

iurandasque tuum per numen^ ponimus aras,
nil oriturum alias, nil ortum tale fatentes.

Sed tuus hie* populus sapiens et iustus in uno,
te nostris ducibus, te Grais anteferendo,

* fata Bentley. ^ totaque E.

' numen VE : nomen aM. * hoc Bentley.

<• Augustus initiated many social reforms, in an effort to
improve the morals of the people, cf. Odes iii. 24. 35 ; iv.
5. 22 ; iv. 15. 9. ' Hercules.

396

BOOK II

Epistle I

Seeing that you alone carry the weight of so many
great charges, guarding our Itahan state vriih arms,
gracing her with morals," and reforming her \vith
laws, I should sin against the public weal if with long
talk, O Caesar, I were to delay your busy hours.

* Romulus, father Liber, Pollux and Castor, who,
after mighty deeds, were welcomed into the temples
of the gods, so long as they had care for earth and
human kind, settling fierce wars, assigning lands,
and founding towns, lamented that the goodwill
hoped for matched not their deserts. He'' who
crushed the fell Hydra and laid low with fated
toil the monsters of story found that Envy is quelled
only by death that comes at last. For a man scorches
with his brilHance who outweighs merits lowlier than
his own, yet he, too, ^vill \sin affection when his
light is quenched. Upon you, however, wliile still
among us, we bestow honours betimes, set up altars "
to swear by in your name, and confess that nought
like you will hereafter arise or has arisen eie now.

^ Yet this people of yours, so wise and just in
one respect, in ranking you above our own,

* According to Suetonius {Claud. 11.), an altar was first
set up to Augustus at Lugdunum (Lyons) in 12 b.c, yet
this Epistle must be a year or two earlier than that date.

397

HORACE

cetera nequaquam simili ratione modoque 20

aestimat et, nisi quae terris semota suisque
temporibus defuncta videt, fastidit et odit ;
sic fautor veterum, ut tabulas peccare vetantis,
quas bis quinque viri sanxerunt, foedera regum
vel Gabiis vel cum rigidis aequata Sabinis, 25

pontificum libros, annosa volumina vatum
dictitet^ Albano Musas in monte locutas.

Si, quia Graiorum^ sunt antiquissima quaeque
scripta vel optima, Romani pensantur eadem
scriptores trutina, non est quod multa loquamur ; 30
nil intra est olea,^ nil extra est in nuce duri ;
venimus ad summum fortunae, pingimus atque
psallimus et luctamur Achivis doctius* unctis.

Si meliora dies, ut vina, poemata reddit,
scire velim, chartis pretium quotus arroget annus. 35
scriptor abhinc annos centum qui decidit, inter
perfectos veteresque^ referri debet an inter
vilis atque novos ? excludat iurgia finis.
" est vetus atque probus, centum qui perficit annos."
quid, qui deperiit minor uno mense vel anno, 40

inter quos referendus erit ? veteresne poetas,
an quos et praesens et postera respuat® aetas ?

1 dirat et 0/'Xi : dicit et Rtt.

^ Graiorum VE: Graecorum aM, II-

3 olea Bentley after some inferior mss. : oleaiii uss.

* scitius. * veteresne, //.

* respuat V: respuit M: respuet (t>\l/\l.

" The Twelve Tables, drawn up by the Decemvirs.

" A copy of a treaty made by Tarquinius Superbus with
Gabii and written in archaic letters on bull's hide was still
in existence in the time of Dionysius of Halicarnassus, i.e.
the Augustan age (Dion. Hal. iv. 58).

' Books of ritual and religious law.

398

EPISTLES. II. T. 20-42

above Greek leaders, judges all other things by a
wholly different rule and method, and scorns and
detests all save what it sees has passed from earth
and hved its davs. So strong is its bias toward
things ancient, that the Tables * forbidding trans-
gression, which the ten men enacted, treaties in
which our kings made equal terms %vith Gabii ^ or
the sturdy Sabines, the Pontiffs' records," the mouldy
scrolls of seers <* — these, it tells us over and over,
were spoken by the Muses on the Alban mount.

^ If, because among Greek wTitings the oldest are
quite the best, we are to weigh Roman wTiters in the
same balance, there is no need of many words. The
olive has no hardness ^\ithin, the nut has none
without * ; we have come to fortune's summit ; we
paint, we play and sing, we v.Testle with more skill
than the well-oiled Greeks.

^ If poems are like wine which time improves, I
should like to know what is the year that gives to
■wTitings fresh value. A wTiter who dropped off a
hundred vears ago, is he to be reckoned among the
perfect and ancient, or among the worthless and
modern ? Let some limit banish disputes. " He is
ancient," vou say, " and good, who completes a
hundred years." " What of one who passed away
a month or a year short of that, in what class is he
to be reckoned ? The ancient poets, or those whom
to-day and to-morrow must treat with scorn ? " He

•* Such as the Sibylline books.

* The Greeks and Romans may differ in the development
of their genius just as much as olives and nuts, both of
which are fruits, may differ in character from each other.
Moreover, though we have conquered the world, it does not
follow that we are superior to the Greeks in painting, in
music, and in wTiting.

S9.Q

HORACE

" iste quidem veteres inter ponetur honeste,

qui vel mense brevi vel toto est iunior anno."

utor permisso, caudaeque pilos ut equinae 45

paulatim vello et demo unum, demo etiam^ unum,

dum cadat^ elusus ratione ruentis acervi,

qui redit in^ fastos* et virtutem aestimat annis

miraturque nihil nisi quod Libitina saeravit.

Ennius et sapiens et fortis et alter Homerus, 50
ut critici dicunt, leviter curare videtur,
quo promissa cadant et somnia Pythagorea.
Naevius in manibus non est et mentibus haeret
paene recens ? adeo sanctum est vetus omne poema.
ambigitur quotiens, uter utro sit prior, aufert 65

Pacuvius docti famam senis, Accius alti,
dicitur Afrani toga convenisse Menandro,
Plautus ad exemplar Siculi properare Epicharmi,
vincere Gaecilius gravitate, Terentius arte.

^ etiam, 7: et item {or idem), II.

* cadet M. " ad E, Porph. * fastus aMRir.

" Horace makes use of the logical puzzle known as
sorites {a-wpds, a heap). How many grains of sand make
a heap or pile ? The addition of no one grain will make that
a heap which was not a heap before. He also seems to have
asked how many hairs make a tail. See Plutarch's story
of the two horses in his Sertorius.

* Horace is giving a summary of the conventional literary
opinions of his day as to the old writers. Ennius is called
sapiens because of his philosophical poems, and fortis,
because in his Annales he recounted the fortia facta
patrum. As to alter Homerus, this exaggerated phrase was
used of him by Lucilius (ed. Marx, frag. 1189).

" Ennius tells us that Homer, appearing to him in a
dream, informed him that his soul now dwelt in Ennius's

400

EPISTLES, II. I. 43-59

surely ■will find a place of honour among the ancients,
who is short by a brief month or even a whole year."
I take what you allow, and like hairs in a horse's
tail, first one and then another I pluck and pull away
little by Bttle, till, after the fashion of the falling
heap,<* he is baffled and thrown do\\Ti, who looks
back upon the annals, and values worth by years,
and admires nothing but what the goddess of funerals
has hallowed.

** Ennius,*' the v^ise and valiant, the second Homer
(as the critics style him), seems to care but httle
what becomes of his promises and Pythagorean
dreams." Is not Nae\'ius in our hands, and chnging
to our minds, almost as of yesterday ? ** So holy a
thing is every ancient poem. As often as the ques-
tion is raised, which is the better of the two, Pacu\ius
gains fame as the learned old writer, Accius as the
lofty one. The gown * of Afranius, 'tis said, was of
Menander's fit ; Plautus hurries along ' hke his
model, Epicharmus of Sicilv. Caecilius wins the
prize for dignity, Terence for art. These authors

body. This doctrine of transmigration of souls was taught
by Pythagoras.

* Naevius died in 199 b.c. He wrote both tragedies and
comedies, as well as an epic, the Bellum Ptinicum (this in
Saturnian metre). Of the other writers named here,
Pacuvius and Accius were tragic poets ; the rest comic poets.
For Livius see note a overleaf.

' Horace mentions the toga of Afranius, because that
writer's plays were called togatae, being comedies based on
Italic characters and customs, in contrj^ with the palliatae,
which were Greek throughout.

^ The verb properare implies rapiditj- of movement,
which we are to associate with Epicharmus, the great writer
of Sicilian comedv. This was " essentially burlesque "
(Jevons, Uist. of Greek Lit. p. 240).

2d 401

HORACE

hos ediscit^ et hos arto stipata theatre 60

spectat Roma potens ; habet hos numeratque poetas
ad nostrum tempus Livi scriptoris ab aevo.

Interdum volgus rectum videt, est ubi peccat.
si veteres ita miratur laudatque poetas,
ut nihil anteferat, nihil illis comparet, errat. 65

si quaedam nimis antique, si pleraque dure
dicere credit eos, ignave multa fatetur,
et sapit et mecum facit et love iudicat aequo,
non equidem insector delendave^ carmina Livi^
esse reor, memini quae plagosum mihi parvo 70

Orbilium dictare ; sed emendata videri
pulchraque et exactis minimum distantia miror.
inter quae verbum emicuit si forte decorum, et*
si versus paulo concinnior unus et alter,
iniuste totum ducit venditque poema. 75

Indignor quicquam reprehendi, non quia crasse
compositum illepideve putetur, sed quia nuper,
nee veniam antiquis, sed honorem et^ praemia posci.
recte necne^ crocum floresque perambulet' Attae
fabula si dubitem, clament periisse pudorem 80

cuncti paene patres, ea cum reprehendere coner,
quae gravis Aesopus, quae doctus Roscius egit ;
vel quia nil rectum, nisi quod placuit sibi, ducunt,®

^ ediscet JRtt. * -que, //.

* Livii M : lev! aE {hence Bentley read Laevi).

* et ilf, 7: omitted in aE. ^ ac E Goth. * necne] nee.

' perambulat aMRir. * dicunt Eir.

" Livius Andronicus, earliest of Latin writers, brought
out two plays, a tragedy and a comedy, in 240 b.c. He
died in 204 b.c.

* For recte perambulat cf. recto stet fabula talo (1. 176
below). The name Atta is said by Festus to have been a
nickname meaning " one with a light, tripping step."

* The stage was perfumed with saffron-water. In /lores

402

EPISTLES, II. I. 60-83

mighty Rome learns by heart ; these she views,
when packed in her narrow theatre ; these she
counts as her muster-roll of poets from the days of
LiWus " the >vriter to our own.

*^ At times the pubhc see straight ; sometimes
they make mistakes. If they admire the ancient
poets and cry them up so as to put nothing above
them, nothing on their level, they are wrong. If
they hold that sometimes their diction is too quaint,
and ofttimes too harsh, if they admit that much of
it is flat, then they have taste, they take my side,
and give a verdict vriih Jove's assent. Mark you !
I am not crying down the poems of Livius — I would
not doom to destruction verses which I remember
Orbilius of the rod dictated to me as a boy : but that
they should be held faultless, and beautiful, and
well-nigh perfect, amazes me. Among them, it may
be a pleasing phrase shines forth, or one or two hnes
are somewhat better turned — then these unfairly
carry off and sell the whole poem.

'* I am impatient that any work is censured, not
becavise it is thought to be coarse or inelegant in
style, but because it is modern, and that what is
claimed for the ancients should be, not indulgence,
but honour and rewards. If I were to question
whether a play of Atta's keeps its legs '' or not
amidst the saffron and flowers," nearly all our elders
would cry out that modesty is dead, when I attempt
to blame what stately Aesopus and learned Roscius
once acted ; either because they think nothing can
be right save what has pleased themselves, or

Porphyrio finds a reference to a play of Atta's called Matertera,
in which a great number of flowers were enumerated. Atta,
a writer of togat<ie, died in 78 b.c. He was, therefore, not
very ancient, though his fragments show many archaisms.

403

HORACE

vel quia turpe putant parere minoribus, et quae
imberbes^ didicere senes perdenda fateri. 86

iam Saliare Numae carmen qui laudat et illud,
quod mecum ignorat, solus volt scire videri,
ingeniis non ille favet plauditque sepultis,
nostra sed impugnat, nos nostraque lividus edit.

Quod si tarn Graecis novitas invisa fuisset 90

quam nobis, quid nunc esset vetus ? aut quid haberet ^
quod Icgeret tereretque viritim^ publicus usus ?

Ut primum positis nugari Graecia bellis
coepit et in vitium fortuna labier aequa,
nunc athletarum studiis, nunc arsit equorum, 95

marmoris aut eboris fabros aut aeris amavit,
suspendit picta voltum mentemque tabella,
nunc tibicinibus, nunc^ est gavisa tragoedis ;
sub nutrice puella velut si luderet infans,
quod cupide petiit, mature plena reliquit. 100

quid placet aut odio est, quod non mutabile credas ?^
hoc paces habuere bonae ventique secundi.

Romae dulce diu fuit et sollemne reclusa
mane domo vigilare, clienti promere iura,
cautos nominibus rectis expendere nummos, 105

maiores audire, minori dicere, per quae
crescere res posset, minui damnosa libido.

* imberbes uss. : imberbi Cruquius.

* haberes, II. ' Quiritum Ur sinus. * tunc, II.

* Line 101 gives a fair sense here. Lachmann, hotcever,
transposed it so as to follow 107 and most editors accept his
verdict. Vollmer puts it after 102.

" The hymns of the Salii, a priesthood of Mars instituted
by Numa, were almost uninteUigible to the priests them-
selves in the days of Quintilian ; "Saliorum carmina vix
sacerdotibus suis satis intellecta" (Quint, i. 6. 40).

* Probably a reference to the Persian wars, which were

404

EPISTLES, II. I. 84-107

because they hold it a shame to yield to their juniors,
and to confess in their old age that what they learned
in beardless youth should be destroyed. Indeed,
whoever cries up Numa's Salian hymn," and would
alone seem to understand what he knows as little of
as I do, that man does not favour and applaud the
genius of the deaa, but assails ours to-day, spitefully
hating us and everything of ours.

*^ But if novelty had been as offensive to the Greeks
as it is to us, what in these days would be ancient ?
What would the pubhc have to read and thumb,
each according to his taste ?

^^ From the day she dropped her wars,^ Greece
took to trifling, and amid fairer fortunes drifted into
folly : she was all aglow with passion, now for
athletes, now for horses ; she raved over workers in
marble or ivory or bronze ; with eyes and soul she
hung enraptured on the painted panel ; her joy was
now in flautists, and now in actors of tragedy. Like
a baby-girl playing at its nurse s feet, what she
wanted in impatience, she soon, when satisfied, cast
off. What hkes and dislikes are there that you
would not think easily changed ? Such was the
effect of happy times of peace and prosperous gales.

^^ At Rome it was long a pleasure and habit to be
up at daw'n with open doors, to set forth the laAV for
clients, to pay out to sound debtors money under
bonds, to give ear to one's elders and to tell one's
juniors how an estate might be increased and ruinous

followed by a wonderful literary and artistic epocfi in
Athens. In what follows Horace speaks of the various arts
and pursuits of peace from the old Roman point of view.
When the Iloman was not at war, he \vaj> at work (c/. U.
103 ff.).

405

HORACE

mutavit mentem populus levis et calet uno
scribendi studio ; pueri^ patresque severi
fronde comas vincti cenant et carmina dictant. 110
ipse ego, qui nuUos me adfirmo scribere versus,
invenior Parthis mendacior, et prius orto
sole vigil calamum et chartas et scrinia posco.
navem agere ignarus navis timet ; habrotonum aegro
non audet nisi qui didieit dare ; quod medicorum^ est
promittunt medici^ ; tractant fabrilia fabri : 116

scribimus indocti doctique poemata passim.

Hie error tamen et levis haec insania quantas
virtutes habeat, sic collige. vatis avarus
non temere est animus; versus amat, hocstudetunum;
detrimenta, fugas servorum, incendia ridet ; 121

non fraudem socio puerove incogitat^ ullam
pupillo ; vivit siliquis et pane secundo ;
militiae quamquam piger et malus, utilis urbi,
si das hoc, parvis quoque rebus magna iuvari. 125
OS tenerum pueri balbumque poeta figurat,
torquet ab obscenis iam nunc sermonibus aurem,
mox etiam pectus praeceptis format amicis,
asperitatis et invidiae corrector et irae,
recte facta refert, orientia tempora notis 130

instruit exemplis, inopem solatur et aegrum.
castis cum pueris ignara puella mariti
disceret unde preces, vatem ni Musa dedisset ?
poscit opem chorus et praesentia numina sentit,
caelestis implorat aquas docta prece blandus,^ 135
avertit morbos, metuenda pericula pellit,

* puerique inferior mss., Bentley.

* melicorum, melici Bentley : modicorum, modici /. S.
Phillimore. * puero vel cogitat E. * blandos a.

" Even while dining, they have an amanuensis ready and
they wear the ivy sacred to poets instead of the usual garland
of flowers.
406

EPISTLES, II. I. loS-136

indulgence curbed. The fickle public has changed
its taste and is fired throughout with a scribbling
craze ; sons and grave sires sup crowned with leaves
and dictate their lines." I myself, who declare that
I write no verses, prove to be more of a liar than the
Parthians : before sunrise I wake, and call for pen,
paper, and writing-case. A man who knows nothing
of a ship fears to handle one ; no one dares to give
southernwood to the sick unless he has learnt its
use ; doctors undertake a doctor's work ; carpenters
handle carpenters' tools : but, skilled or unskilled,
we scribble poetry, all ahke.

^^ And yet this craze, this mild madness, has its
merits. How great these are, now consider. Seldom
is the poet's heart set on gain : verses he loves ;
this is his one passion. Money losses, runaway
slaves, fires — he laughs at all. To cheat partner or
youthful ward he never plans. His food is pulse
and coarse bread. Though a poor soldier, and slow
in the field, he serves the State, if you grant
that even by small things are great ends helped.
The poet fashions the tender, lisping hps of child-
hood ; even then he turns the ear from unseemly
words ; presently, too, he moulds the heart by
kindly precepts, correcting roughness and envy and
anger. He tells of noble deeds, equips the rising
age with famous examples, and to the helpless and
sick at heart brings comfort, ^^'hence, in company
with chaste boys, would the unwedded maid learn
the suppliant hymn, had the Muse not given them
a bard ? Their chorus asks for aid and feels the
presence of the gods, calls for showers from heaven,
winning favotir \nth the prayer he has taught, averts
disease, drives away dreaded dangers, gains peace

407

HORACE

impetrat et pacem et locupletem frugibus annum,
carmine di superi placantur, carmine Manes.

Agricolae prisci, fortes parvoque beati,
condita post frumenta levantes tempore festo 140
corpus et ipsum animum spe finis dura ferentem,
cum sociis operum et pueris^ et coniuge fida,
Tellurem porco, Silvanum lacte piabant,
floribus et vino Genium memorem brevis aevi
Fescennina per hunc inventa- licentia morem 145

versibus alternis opprobria rustica fudit,
libertasque recurrentis accepta per annos
lusit amabiliter, donee iam saevus apertam
in rabiem coepit verti iocus et per honestas
ire domos impune minax. doluere cruento 150

dente lacessiti ; fuit intactis quoque cura
condicione super communi ; quin etiam lex
poenaque lata,^ malo quae nollet carmine quemquam
describi : vertere modum, formidine fustis
ad bene dicendum delectandumque redacti. 155

Graecia capta ferum victorem cepit et artis
intulit agresti Latio. sic horridus ille

^ et pueris E : pueris (et omitted) aR
invecta Poliziano, Bentley, ^ i

nata, //.

" In 11. 131-133, Horace is thinking chiefly of the chorus
of boys and girls who sang the Carmen Saecularc in 17 b.c. ;
in 11. 134-137, he sets forth the function of the chorus,
especially in association with religious ceremonies.

* This account of the development of a Latin drama from
a rustic origin may be compared with Virgil's sketch of the
rise of the drama in Georg. ii. 385 ff., and with the outline
given by Livy in Book vii. 2.

' Each man's guardian spirit ; cf. Epist. i. 7. 94.

"* These Fescennine verses, the earliest form of Italian
drama, survived in later times in the abusive songs sung
at weddings and in triumphal processions. They were so

408

EPISTLES. II. I. 137-157

and a season rich in fruits. Song wins grace with
the gods above, song wins it with the gods below .<*

^^ The farmers ^ of old, a sturdy folk >\'ith simple
wealth, when, after harvesting the grain, they sought
relief at holiday time for the body, as well as for the
soul, which bore its toils in hope of the end, together
>vith slaves and faithful \\ife, partners of their
labours, used to propitiate Earth with swine, Silvanus
with milk, and \vith flowers and wine the Genius '
who is ever mindful of the shortness of life. Through
this custom came into use the Fescennine hcence,
which in alternate verse poured forth rustic taunts •* ;
and the freedom, welcomed each returning year,
was innocently gay, till jest, now growing cruel,
turned to open frenzy, and stalked amid the homes
of honest folk, fearless in its threatening. Stung to
the quick were they who were bitten by a tooth
that drew blood ; even those untouched felt concern
for the common cause, and at last a law * was carried
with a penalty, forbidding the portrayal of any in
abusive strain. Men changed their tune, and terror
of the cudgel led them back to goodly and gracious
forms of speech.

156 Greece, the captive, made her savage victor
captive, and brought the arts into rustic Latium.

named either from the town of Fescennium in Etruria, or
from the fact that a symbol of life (fascinum) was often
carried in procession in order to ward oif the evil eye. Such
a phallic symbol was in common use among the Greeks,
and it is a well-known fact that the germ of Greek comedy
is to be found in the phallic songs sung in the Dionysiac
festivities.

* In the Twelve Tables, viz., as given by Cicero, De rep.
iv. 10. 12, " si quis occentavisset sive carmen condidisset quod
infamiam faceret flagitiumve alteri." Cf. Sat. ii. 1. 82.

409

HORACE

defluxit Humerus^ Saturnius, et grave virus

munditiae pepulere^ ; sed in longum tamen aevum

manserunt hodieque manent vestigia ruris. 160

serus enim Graecis admovit acumina chartis

et post Punica bella quietus quaerere coepit,

quid Sophocles et Thespis et Aeschylus utile ferrent.

temptavit quoque rem, si digne vertere posset,

et placuit sibi, natura sublimis et acer : 165

nam spirat tragicum satis et feliciter audet,

sed turpem putat inscite^ metuitque lituram.

Creditur, ex medio quia res accersit,* habere
sudoris minimum, sed habet Comoedia tanto 169

plus oneris, quanto veniae minus, adspice, Plautus
quo pacto partis tutetur amantis ephebi,
ut patris attenti, lenonis ut insidiosi,
quantus sit Dossennus edacibus in parasitis,
quam non adstricto percurrat pulpita socco.
gestit enim nummum in loculos demittere,^ post hoc
securus cadat an recto stet fabula talo. 176

Quem tulit ad scaenam ventoso Gloria curru,

^ numeris i2</>i/'. * peperere (t>^\l.

3 inscit(a)e a, II: inscriptis VEi inscitiae FVJ/,

* accersit o, II, Porph. : accessit VE.

^ dimittere aM.

" This ancient Italian metre, now generally believed to
be based on accent instead of quantity, was used by Naevius
in his epic on the Punic War, and is illustrated by numerous
inscriptions. With the introduction of Greek literature into
Rome, it gave way to the hexameter and other Greek
metrical forms.

'' The word vertere means not merely to "translate,"
but rather to " transfer," i.e. from the Greek to the Roman
stage.

''■ i.e. as Pope says of Dryden, he lacks " the last and
greatest art, the art to blot."

"* Dossennus, the sly villain, was one of the stock characters

410

EPISTLES, II. I. 158-177

Thus the stream of that rude Satumian measure "
ran dry and good taste banished the offensive
poison ; yet for many a year hved on, and still live
on, traces of our rustic past. For not till late did
the Roman turn his wit to Greek \^Ti tings, and in
the peaceful days after the Punic wars he began to
ask what service Sophocles could render, and Thespis
and Aeschylus. He also made essay, whether he
could reproduce * in worthy style, and took pride in
his success, being gifted with spirit and vigour ; for
he has some tragic inspiration, and is happy in his
ventures, but in ignorance, deeming it disgraceful,
hesitates to blot.''

168 "Tis thought that Comedy, drawing its themes
from daily hfe, calls for less labour ; but in truth it
carries a hea\ier burden, as the indulgence allowed
is less. See how Plautus plays the part of the
youthful lover, how he plays that of the close
father, or of the tricky pander ; what a Dossennus <*
he is among his greedy parasites ; with what a loose
sock * he scours the scene. Yes, he is eager to
drop a coin into his pocket and, that done, he cares
not whether his play fall or stand square on its feet.'

^" The man whom Glory carries to the stage in

in the Atellan farce of the Oscans. The nomen of Plautus,
viz. Maccius, is plausibly derived from another of these
stock characters, i.e. Maccus, the buffoon.

' The soccus, or low slipper worn by the actors, represents
Comedy, as the cothurnus, or high buskin, stands for
Tragedy.

f Horace, wedded to classical standards, could not
appreciate Plautus fairly. Thus he here imputes to him a
sordid motive for characteristics which were probably due
to the influence of native forms of drama. See the trans-
lator's edition of the Andria of Terence (Introduction,
p. xxviiij.

411

HORACE

exanimat lentus spectator, sedulus inflat :
sic leve, sic parvum est, animum quod laudis avarum
subruit aut reficit. valeat res ludicra, si me 180

palma negata macrum, donata reducit opimum.

Saepe etiam audacem fugat hoc terretque poetam,
quod numero plures, virtute et honore minores,
indocti stolidique et depugnare parati,
si discordet eques, media inter carmina poscunt 185
aut ursum aut pugiles : his nam plebecula gaudet.^
verum equitis quoque iam migravit ab aura voluptas
omnis ad incertos oculos et gaudia vana.
quattuor aut pluris aulaea premuntur in horas,
dum fugiunt equitum turmae peditumque catervae ;
mox trahitur manibus regum fortuna retortis, 191
esseda festinant, pilenta, petorrita, naves,
captivum portatur ebur, captiva Corinthus.
si foret in terris, rideret Democritus, seu
diversum confusa genus panthera camelo 195

sive elephans albus volgi converteret^ ora ;
spectaret populum ludis attentius ipsis
ut sibi praebentem nimio^ spectacula plura :
scriptores autem narrare putaret asello
fabellam surdo. nam quae pervincere voces 200

evaluere sonum, referunt quem nostra theatra ?
Garganum mugire putes nemus aut mare Tuscum ;
* plaudet, II.
* converterit Priscian, Bentley.
' nimio V, I: mimo, II Porph.; so Bentley, Orelli, Vollmer.

" i.e. always looking for something fresh. For the
knights cf. Sat. i. 10. 76. They occupied the first fourteen
rows in the theatre, in accordance with the law of Roscius.

* i.e. the performance continues. In the ancient theatre
the curtain was lowered into the floor at the beginning and
raised from it at the end of a play.

* i.e. the laughing philosopher. See Epist. i. 12. 12.
'' The camelopard or giraffe.

412

EPISTLES, II. I. 178-202

her windy car, the listless spectator leaves spiritless,
the eager one exultant ; so light, so small is what
casts do^vn or upbuilds a soul that craves for praise.
Farewell the conaic stage, if denial of the palm sends
me home lean, its bestowal plump !

^*- Often even the bold poet is frightened and put
to rout, when those who are stronger in number, but
weaker in worth and rank, unlearned and stupid and
ready to fight it out if the knights dispute with them,
call in the middle of a play for a bear or for boxers:
'tis in such things the rabble delights. But now-
adays all the pleasure even of the knights has passed
from the ear to the vain delights of the wandering "
eye. For four hours or more the curtains are kept
down,** while troops of horse and files of foot sweep
by : anon are dragged in kings, once fortune's
favourites, their hands bound behind them : with
hurry and scurry come chariots, carriages, wains,
and ships ; and borne in triumph are spoils of ivory,
spoils of Corinthian bronze. Were Democritus "
still on earth, he would laugh ; whether it were some
hybrid monster — a panther crossed with a camel •*
— or a white elephant, that drew the eyes of the crowd
— he would gaze more intently on the people than
on the play itself, as giving him more by far worth
looking at. But for the authors — he would suppose
that they were telUng their tale to a deaf ass.* For
what voices have ever prevailed to dro\\'n the din
with which our theatres resound ? One might think
it was the roaring of the Garganian forest or of the

* By introducing asello, Horace varies the old proverbial
.saying for wasted labour, surdo fahellam narrare {cf.
Terence, Heaiit. 222). There was a Greek saying, 6v<p tu
iXeye fivdov • b di to. Stra iKivei, "a man told a story to an ass;
the ass only shook his ears."

413

HORACE

tanto cum strepitu ludi spectantur et artes
divitiaeque peregrinae, qiiibus oblitus actor
cum stetit in scaena, concurrit dextera laevae.^ 205
" dixit adhuc aliquid ? " "nil sane." " quid placet

ergo ? "
" lana Tarentino \'iolas imitata^ veneno."
ac ne forte putes me, quae facere ipse recusem,
cum recte tractent alii, laudare maligne,
ille per extentum^ funem mihi posse videtur 210

ire poeta, meum qui pectus inaniter angit,
irritat, mulcet, falsis terroribus implet,
ut magus, et modo me Thebis, modo ponit Athenis.

Verum age et his, qui se lectori credere malunt
quam spectatoris fastidia ferre superbi, 215

curam redde brevem, si munus Apolline dignum
vis complere libris et vatibus addere calcar,
ut studio maiore petant Helicona virentem.

Multa quidem nobis facimus mala saepe poetae
(ut vineta egomet caedam mea), cum tibi librum 220
sollicito damus aut fesso ; cum laedimur, unum
si quis amicorum est ausus reprehendere versum ;
cum loca iara recitata revolvimus irrevocati ;
cum lamentamur non apparere labores
nostros et tenui deducta poemata filo ; 225

cum speramus eo rem venturam* ut, simul atque
carmina rescieris nos fingere, commodus ultro
arcessas^ et egere vetes et scribere cogas.

^ laeva, //. * imitare, //. ' extensum M.

* eo rem] forem Rn- : item fore venturum cpypXl.

* accersas E.

» i.e. the actor's dress.

* The library founded by Augustus in Apollo's temple on
the Palatine ; cf. Epist. i. 3. 17.

414

EPISTLES, II. 1. 203-228

Tuscan Sea : amid such clamour is the entertain-
ment \ae\ved, the works of art, and the foreign
finery, and when, overlaid vriih this, the actor
steps upon the stage, the right hand clashes with
the left. " Has he yet said anything ? " Not
a word. " Then what takes them so ? " "Tis the
woollen robe " that \ies with the violet in its Taren-
tine dye. And lest, perchance, you may think that
I begrudge praise when others are handhng well
what I decline to try myself, methinks that poet is
able to walk a tight rope, who ^vith airy nothings
wrings m}' heart, inflames, soothes, fills it with vain
alarms hke a magician, and sets me down now at
Thebes, now at Athens.

^* But come, upon those, too, who prefer to put
themselves in a reader's hands, rather than brook
the disdain of a scornful spectator, bestow a moment's
attention, if you wish to fill with volumes that gift
so worthy of Apollo,* and to spur on our bards to
seek with greater zeal HeUcon's verdant lawns.

^^ Wc poets doubtless often do much mischief to
our own cause — let me hack at my own vines "—
when you are anxious or weary and we offer you
our book ; when we are hurt if a friend has dared
to censure a single verse ; when, unasked, we turn
back to passages already read; when we complain
that men lose sight of our labours, and of our poems
so finely spun ; when we hope it will come to this,
that, as soon as you hear we are composing verses,
you will go so far as kindly to send for us, banish our
poverty, and compel us to wTite. None the less,

' Proverbial of doing something to one's own injury.
Horace humorously include himself among the poetasters
who are so annoying.

415

HORACE

sed tamen est operae pretium cognoscere, qualis

aedituos habeat belli spectata domique 230

Virtus, indigno non committenda poetae.

gratus Alexandre regi magno fuit ille

Choerilus, incultis qui versibus et male natis

rettulit acceptos, regale nomisma, Philippos;

sed veluti tractata notam labemque remittunt 235

atramenta, fere scriptores carmine foedo

splendida facta linunt. idem rex ille, poema

qui tam ridiculum tarn care prodigus emit,

edicto vetuit, ne quis se praeter Apellen

pingeret, aut alius Lysippo duceret aera 240

fortis Alexandri voltum simulantia. quod si

iudicium subtile videndis artibus illud

ad libros et ad haec Musarum dona vocares,

Boeotum in crasso iurares aere natum.

At neque dedecorant tua de se iudicia atque 245
munera, quae multa dantis cum laude tulerunt
dilecti tibi^ Vergilius Variusque^ poetae,
nee magis expressi voltus per aenea signa,
quam per vatis opus mores animique virorum
clarorum apparent, nee sermones ego mallem 250
repentis per humum quam res componere gestas,
terrarumque situs et flumina dicere, et arces
montibus impositas et barbara regna, tuisque
auspiciis totum confecta duella per orbem,
claustraque custodem pacis cohibentia lanum, 255
1 tui E. " Varusque V.

" Virtus, the sum total of a great man's merits, is here
personified, and poets are spoken of as the priests in her
temple.

* The Philippi were gold coins which bore the image of
Philip of Macedon, and circulated freely throughout the
Greek world. Choerilus was an epic poet of lasos in Caria,
mentioned again in Ars Poetica, 357.
4,16

EPISTLES, II. I. 229-255

'tis worth inquiring what manner of minis trants
attend on Merit,* tried at home and in the field,
and never to be entrusted to an unworthy poet.
Well-pleasing to the great king Alexander was that
poor Choerilus, who could thank his uncouth and
misbegotten verses for the philips ^ — good royal coin
— that he received ; but as ink when handled leaves
mark and stain, so ofttimes with unseemly verse
poets put a blot on bright exploits. That same king
who lavishly paid so dearly for a poem so foolish, by
an edict forbade anyone save Apelles to paint him,
or any other than Lysippus to model bronze in copy-
ing the features of brave Alexander. But call that
judgement, so nice for viewing works of art, to books
and to these gifts of the Muses, and you'd swear
that he'd been born in Boeotia's heavy air."

But Virgil and Varius, those poets whom you love,
discredit not your judgement of them nor the gifts
which, to the giver's great renown, they have
received ; and features are seen -with no more truth,
when moulded in statues of bronze, than are the
manners and minds of famous heroes, when set forth
in the poet's work. And for myself, I should not
prefer my " chats," that crawl along the ground,'* to
the story of great exploits, the tale of distant lands
and rivers, of forts on mountain tops, of barbaric
realms, of the ending of wars under your auspices
throughout the world, of bars that close on Janus,

« As the heavy air of the moist lowlands of Boeotia was
contrasted with the clear atmosphere of Attica, so the
Boeotians were proverbially dull, the Athenians sharpn
witted ; cf. Cicero, De fato, iv. 7.

■* Under sermones Horace includes both his Satires and
Epistles, which are inspired by a Musa pedestris {Sat. ii.
6. 17).

2b 417

HORACE

et formidatam Parthis te principe Romam,

si quantum cuperem possem quoque ; sed neque

parvum
carmen maiestas recipit tua, nee meus audet
rem temptare pudor quam vires ferre recusent.
sedulitas autem stulte quem diligit urget, 260

praecipue cum se numeris commendat et arte ;
discit^ enim citius meminitque libentius illud
quod quis deridet, quam quod probat et veneratur.
nil moror officium quod me gravat, ac neque ficto
in peius voltu proponi cereus usquam 206

nee prave factis decorari versibus opto,
ne rubeam pingui donatus munere, et una
cum scriptore meo, capsa porrectus^ operta,'
deferar in vicum vendentem tus et odores
et piper et quidquid chartis amicitur ineptis.* 270

* discet V. ^ porreptus E.

* aperta. * inemptis.

" For the closing of the temple of Janus in peace cf.
Odes, iv. 15. 9, and with 11. 252, 253 cf. "arces Alpibus
impositas tremendis," in Odes iv. 14. 11.

^ That Augustus was sensitive about being made the
subject of poor eulogies is stated by Suetonius {Augustus,
89).

* i.e. to have one's portrait in wax offered for sale.

* Horace means that sooner or later the work of a poor

418

EPISTLES, II. I. 256-270

guardian of peace," and of that Rome who under
your sway has become a terror to Parthians — if only
I had power equal to my longing ; but neither does
your majesty admit of a lowly strain,'' nor does my
modesty dare to essay a task beyond my strength
to bear. Nay, zeal is foolish to worry those it
loves, above all when it commends itself by numbers
and by art ; for men more quickly learn and more
gladly recall what they deride than what they
approve and esteem. Not for me attentions that
are burdensome, and I want neither to be displayed
anywhere in wax," with my features misshaped, nor
to be praised in verses ill-^^Tought, lest I have to
blush at the stupid gift, and then, along with my
poet, outstretched in a closed chest, be carried into
the street where they sell frankincense and perfumes
and pepper and everything else that is wrapped in
sheets of useless paper .<*

poet is found to be worthless, and his books can be used
only for waste paper. Thus, under the figure of a funeral
the poet is borne to his last resting-place — the grocer's shop !
Cf. Euphues' Anatomy of Wit : " We constantly see the
booke that at Christmas lieth bound on the stacioner's stall,
at Easter be broken in the haberdasher's shop." In 1. 269
there is an amusing pun on Vicus Tuscus, the name of a
street leading out of the Forum, along which were all kinds
of shops ; ef. Sat. ii. 3. 228.

419

TO FLORUS

If one were to offer a slave for sale, and declare
his defects, the purchaser would have no right to
complain of these later. So you, Florus, must not
grumble at my not writing to you, for I warned you
before you started that I never answer letters. And
then, over and above this, you complain of my
breaking my word, when you receive from me no
poems (1-25).

Let me remind you of the story of a certain
soldier of Lucullus. One night he had all his sa\ings
stolen. Upon this he rushed off furiously to storm
a castle, and won thereby both glory and a rich
reward. But later, when his general invited him to
repeat the exploit, he declined, and advised the
officer to send somebody who had lost his purse. I
am like that soldier. I lost everything at Philippi,
and took to poetry to make a living, but now that
I have a competence I should be mad if I did not
prefer ease to writing (26-54).

But there are other reasons why I do not write.
Time is stealing from me my poetical power, as it
has already taken from me my youth. After all,
too, tastes vary, and while you are asking for Odes,
others call for Epodes or Satires. Besides, how can

421

HORACE

you expect a man to write amid all the distractions
of Rome ? The poet must live in seclusion, and then
he becomes quite unfit for active life. If this is true
of Athens, how much more so is it of noisy Rome ?
How then can I deign to write poetry here ? (55-86).

" Deign," did I say ? Why, the only way to win
success here as a poet is to join some mutual admira-
tion club, and for my part I am no longer suing for
favour — I am no longer writing, and I can decline to
listen to the recitations of others (87-105).

Poor poets, however much derided, are well
satisfied with themselves. But the writing of good
poetry is a very serious matter, and demands a fine
taste and careful discrimination in the choice of
language. The result will seem easy, but that ease
is the product of much labour. Perhaps it is better
to be one of those self-complacent writers than to
be ever finding fault with oneself. The man at
Argos learned what a misfortune it is to be robbed
of one's illusions (106-140).

The truth is, it is time for a man of my years to
throw aside mere toys like poetry and take up the
serious business of life, that of philosophy. So,
beginning with the elements, I repeat to myself the
wise precepts that I have picked up. Avarice, for
example, is as much a disease as dropsy. For the
latter you consult a doctor, and when the course
prescribed brings no relief, you change the treatment
or the doctor. Should not avarice be dealt with in
like manner ? (141-154).

If wealth could make you wise, you ought to devote
yourself wholly to it. And yet what comes from all
this struggle to make money ? Ownership brings
no more satisfaction than the right to use and enjoy,
422

EPISTLES, II. 11.

and even the law recognizes the fact that this
usucapio is the same in the end as dominium or owner-
ship. As a matter of fact, there is no such thing as
out and out ownership, or o\vnership in perpetuity,
for Death prevents that (155-179).

In any case, wealth takes many forms, and some
care nothing for what others value so highly. WTiy
this is so, I cannot say, but for my part I hold that
Ufe's pleasures are to be enjoyed in moderation.
Let me but be free from squalor, and I shall be just
as happv saihng on hfe's sea in a small as in a large
ship (180-204).

But avarice is not the only e\il that may assail the
heart, and the wise man will free himself from all
disturbing passions and fears. If one cannot hve
well, he should give way to those who can. When
a man has had his share in the banquet of hfe, it is
time to \vithdraw (205-216).

The Florus of this Epistle is the Julius Florus to
whom Epist. i. 3 is also addressed. He is still in
the suite of Tiberius, and as there is a great similarity
of tone between this Epistle and the first of the First
Book, it is likely that it was \vritten shortly after the
pubhcation of that book in 20 B.C. At any rate, in
view of the writer's renunciation of lyric poetry in
this Epistle, it can hardly have been written in the
years when the Carmen Saeculare and the Fourth
Book of Odes came into being (17-13 B.C.).

423

II.

Flore, bono claroque fidelis amice Neroni,
si quis forte velit puerum tibi vendere natura
Tibure vel Gabiis, et tecum sic agat : " hie et
candidus et talos a vertice pulcher ad imos
fiet eritque tuus nummorum milibus octo, 6

verna ministeriis ad nutus aptus erilis,
litterulis Graecis imbutus, idoneus arti
cuilibet ; argilla quidvis^ imitaberis^ uda ;
quin etiam canet indoctum sed dulce bibenti.
multa fidem promissa levant, ubi plenius aequo 10
laudat venalis qui volt extrudere^ merces.
res urget me nulla ; meo sum pauper in aere.
nemo hoc mangonum faceret tibi ; non temere a me
quivis ferret idem, semel hie cessavit et, ut fit,
in scalis latuit metuens pendentis habenae : 15

des nummos, excepta nihil te si fuga laedit* " :
ille ferat pretiium poenae securus, opinor.
prudens emisti vitiosum ; dicta tibi est lex^ :

^ quavis E. * imitabimur, II. ^ excludere V, II.

* laedit V, Bentley : laedat mss. Orelli. * est tibi lex, /.

" Tiberius Claudius Nero, the future Emperor Tiberius :
c/. Epist. i. 3. 2. ^ i.e. iioine-born, not foreign.

' i.e. the strap which was hanging up where all could
see it.

^ i.e. because he has not represented the slave as faultless,
but has expressly mentioned {excepta) a defect. Cf. Sat.
ii. 3. 286. Editors who {e.g. Orelli) read laedat (1. 16) make

424

Epistle II

My Florus, loyal friend of great and good Nero,*
suppose someone by chance should wish to sell you
a slave, born at Tibur or Gabii," and should deal
with you thus : " Here's a handsome boy, comely
from top to toe ; you may take him, to have and to
hold, for eight thousand sesterces ; home-bred he is,
apt for ser\ice at his owner's beck, knows a bit of
Greek learning, and can master any art ; the clay
is soft — you \vill mould it to what you will ; more-
over, he will sing for you over your cups in a sweet
if artless fashion. Too many promises lessen con-
fidence, when a seller who wants to shove off his
wares praises them unduly. I am under no con-
straint ; I have slender means, but am not in debt.
None of the slave-dealers would give you such a
bargain ; not everyone would easily get the like
from me. Once he played truant, and hid himself,
as boys \sill do, under the stairs, fearing the hanging
strap." Give me the sum asked, if his running off,
duly noted, does not trouble you " : the seller, I
take it, would get his price without fear of penalty.**
You bought him with your eyes open — fault and
all ; the condition was told you ; do you still pursue

the speech of the seller close with line 15, so that both des (1.
16), and ferat (1. 17) provide the apodosis or conclusion to
«i quis forte relit (1. 2). We prefer to follow Bentley in
including 1. 16 in the seller's speech.

425

HORACE

insequeris tamen hunc et lite moraris iniqua ?

dixi me pigrum proficiseenti tibi, dixi 20

talibus officiis prope mancum, ne mea saevus

iurgares ad te quod epistula nulla rediret.^

quid turn profeci, mecum facientia iura

si tamen attemptas ? quereris super hoc etiam, quod

exspectata tibi non mittam carmina mendax. 25

Luculli miles collecta viatica multis
aerumnis, lassus dum noctu stertit, ad assem
perdiderat : post hoc vehemens lupus, et sibi et hosti
iratus pariter, ieiunis dentibus acer,
praesidium regale loco deiecit, ut aiunt, 30

summe munito et multarum divite rerum.
clarus ob id factum donis ornatur honestis,^
accipit et bis dena super sestertia nummum.
forte sub hoc tempus castellum evertere praetor
nescio quod cupiens hortari coepit eundem 35

verbis quae timido quoque possent addere mentem :
" i, bone, quo virtus tua te vocat, i pede fausto,
grandia laturus meritorum praemia. quid stas ? "
post haec ille catus, quantumvis rusticus : " ibit,
ibit eo, quo vis, qui zonam perdidit," inquit. 40

Romae nutriri mihi contigit atque doceri
iratus Grais quantum nocuisset Achilles,
adiecere bonae paulo plus artis Athenae,
scilicet ut vellem^ curvo dinoscere rectum
atque inter silvas Academi quaerere verum. 45

dura sed emovere loco me tempora grato

1 veniret (pfXl. * opimis V.

' possim, II: possem.

* LucuUus commanded the Roman forces in the war with
Mithridates, king of Pontus, from 74 b.c. to 67 b.c.
^ He studied Homer's Iliad.

4.26

EPISTLES, II. n. 19-46

the seller and annoy him with an unjust suit ? I
told you when you were lea\ing that I was lazy ; I
told you that for such duties I was well-nigh crippled,
lest you should angrily scold, because no letter of
mine reached you in reply. What good did I then
do, if when right is on my side you still attack it ?
And then, over and above this, you complain that
the verses you looked for I fail to send, false to my
word.

^ A soldier of Lucullus,** by dint of many toils,
had laid by savings, but one night, when weary and
slumbering, had lost all down to the last penny.
After this, furious as a wolf, angry ^nth himself and
his foe ahke, and fiercely showing hungry teeth, he
dislodged, they say, a royal garrison from a strongly
fortified site, rich in vast treasure. Winning fame
therebv, he was decorated with gifts of honour, and
received, over and above, twenty thousand sesterces
in coin. Soon after this it chanced that the com-
mander, wishing to storm some fort, began to urge
the man with words that might have given spirit
even to a coward : " Go, sir, whither your valour
calls you. Go, good luck to you ! — to win big rewards
for your merits. Why stand still ? " On this the
shrewd fellow, rustic though he was, replied : " Yes,
he will go — go where you -wish — he who has lost his
wallet."

*•■ At Rome I had the luck to be bred, and taught
how much Achilles' wrath had harmed the Greeks.'
Kindly Athens added somewhat more training, so
that, vou know, I was eager to distinguish the
straight from the crooked, and to hunt for truth in
the groves of Academe. But troublous times tore
me from that pleasant spot, and the tide of civil

427

HORACE

civilisque rudem belli tulit aestus in arma

Caesaris August! non responsura lacertis.

unde simul primum me dimisere Philippi,^

decisis humilem pennis inopemque paterni 50

et laris et fundi, paupertas impulit audax

ut versus facerem : sed quod non desit^ habentem

quae poterunt umquam satis expurgare cicutae,

ni melius dormire putem quam scribere versus ?

Singula de nobis anni praedantur euntes ; 55

eripuere locos, Venerem, convivia, ludum ;
tendunt extorquere poemata : quid faciam vis ?
denique non omnes eadem mirantur amantque :
carmine tu gaudes, hie delectatur iambis,
ille Bioneis sermonibus et sale nigro. 60

tres mihi convivae prope dissentire videntur,
poscentes vario multum diversa palato.
quid dem ? quid non dem ? renuis tu, quod^ iubet

alter ;
quod petis, id sane est invisum acidumque duobus.

Praeter cetera me Romaene poemata censes 65
scribere posse inter tot curas totque labores ?
hie sponsum vocat, hie auditum scripta, relictis
omnibus officiis ; cubat hie in colle Quirini,
hie extremo in Aventino, visendus uterque ;
intervalla vides humane commoda. " verum 70

purae* sunt plateae, nihil ut meditantibus obstet."

^ philippis (p\p\l.

* defit O.W. Mooney in Hermath. xv. p. 161 ; c/, Tib. iv. 1 . 100.

* quod tu, // {not 5) ; so Vollmer.

* plures, II (plurae JR).

» After the defeat of Brutus at Philippi Horace withdrew
from the Republican cause, unlike Pompeius Varus and
other friends, who kept up the struggle under Sextus Pom-
peius. Cf. Odes ii. 7. 15. The poet's estate at Venusia was
doubtless confiscated.

"" Cf. Sat. ii. 1.7. " Such as Horace's Epodes.

428

EPISTLES. II. II. 47-71

strife flung me, a novice in war, amid weapons that
were to be no match for the strong arms of Caesar
Augustus. Soon as Philippi gave me discharge"
therefrom, brought low with wings clipped and
beggared of paternal home and estate, barefaced
poverty drove me to writing verses. But now that I
have sufficient store, what doses of hemlock could
ever suffice to cleanse my blood, if I were not to think
it better to slumber *• than to scribble verses ?

^ The years, as they pass, plunder us of all joys,
one by one. They have stripped me of mirth, love,
feasting, play ; they are striving to wrest from me
my poems. What would you have me do ? After
all, men have not all the same tastes and likes.
Lyric song is your delight, our neighbour here takes
pleasure in iambics,* the one yonder in Bion's satires,
with their caustic wit.** 'Tis, I fancy, much like
three guests who disagree ; their tastes vary, and
they call for widely different dishes. What am I to
put before them ? what not ? You refuse what
your neighbour orders : what you crave is, to be
sure, sour and distasteful to the other two.

^^ Besides all else, do you think I can write verses
at Rome amid all my cares and all my toils ? One
calls me to be surety, another, to leave all my duties
and listen to his writings. One hes sick on the
Quirinal hill, another on the Aventine's far side ; I
must visit both. The distances, you see, are com-
fortably convenient ! " Yes, but the streets are
clear, so that nothing need hinder you in conning

** Bion.an Athenian philosopher of the early third cent, b.c,
was famous for his biting wit. His name represents Satire
in general, including Horace's own Sermones or Satires,
which contain but a minimum of the sal niger referred to.

429

HORACE

festinat calidus mulis gerulisque redemptor,
torquet nunc lapidem, nunc ingens machina tignum,
tristia robustis luctantur funera plaustris,
hac rabiosa fugit canis, hac lutulenta ruit sus : 76
i nunc et versus tecum naeditare canoros.
scriptorum chorus omnis amat nemus et fugit urbem,^
rite cliens Bacchi somno gaudentis et umbra :
tu me inter strepitus nocturnes atque diurnos
vis canere et contracta^ sequi vestigia vatum ? 80
ingenium, sibi quod vacuas desumpsit Athenas
et studiis annos septem dedit insenuitque
libris et curis, statua taciturnius exit
plerumque et risu populum quatit : hie ego rerum
fluctibus in mediis et tempestatibus urbis 85

verba lyrae motura sonum conectere digner ?
Frater erat Romae consulti rhetor, ut^ alter
alterius sermone meros audiret honores,
Gracchus ut hie illi, foret huic ut Mucius ille.*
qui minus argutos vexat furor iste poetas ? 90

carmina compono, hie elegos. mirabile visu
caelatumque novem Musis opus 1 adspice primum,
quanto cum fastu, quanto molimine circum-
spectemus vacuam Romanis vatibus aedem !

^ urbes, //.

2 contracta E, knoton to Porph. : contacta mss., Porph.,

adopted by Orelli and others : cantata Vi non tacta Bentley.

' et, II {not S). Bentley read pactus {for frater) and consulto,

* huic . . . ille Lambinus, Bentley, all editors : hie . . .
illi M8S.

" Hie, i.e. in Rome, where it is even more difficult to
devote oneself to study than in Athens.

* Under such conditions self-respect would prevent him
from writing. This is further illustrated in the next
paragraph. See p. 422.

' Both the Gracchi, Tiberius and Gaius, were orators.
There were three well-known jurists named Mucius Scaevola.

430

EPISTLES, II. 11. 72-94

verses." In hot haste rushes a contractor with mules
and porters ; a huge crane is lioisting now a stone
and now a beam ; mournful funerals jostle massive
wagons ; this way runs a mad dog : that way rushes
a mud-bespattered sow. Now go, and thoughtfully
con melodious verses. The whole chorus of poets
loves the grove and flees the town, duly loyal to
Bacchus, who finds joy in sleep and shade. Would
you wish me, amid noises by night and noises by
day, to sing and pursue the minstrels' narrow path-
way ? A gifted man, that has chosen for home
sequestered Athens, that has given seven years to his
studies and grown grey over his books and medi-
tations, when he walks abroad is often more mute
than a statue and makes the people shake with
laughter : and here^ amid the waves of Ufe, amid
the tempests of the town, am I to deign '' to weave
together words which shall awake the music of the
lyre ?

®' Two brothers at Rome, a lawyer and a pleader,
were on such terms that nothing but compliments
would each hear from the other's lips : the one was
Gracchus to the other, the other Mucins to him.''
And our singer poets — how does this madness trouble
them any the less ? I compose lyrics, my friend
elegiacs : " 'Tis wondrous to behold ! A work of
art, engraven by the Muses nine ! " Mark you
first, with what pride, with what importance, our
contemplative gaze wanders o'er the temple, now
open to Roman bards.** And by and by, if haply

'' The temple of Apollo on the Palatine, with -which was
associated a famous library in two sections, one for Greek,
the other for Latin books. On the walls were medallions
of famous authors. Of. EpUt. ii. 1. 216.

431

HORACE

mox etiam, si forte vacas/ sequere et procul audi, 95

quid ferat et qua re sibi nectat uterque eoronam.

caedimur et totidem plagis consumimus hostem

lento Samnites ad lumina prima duello.

discedo Alcaeus puncto illius ; ille meo quis ?

quis nisi Callimachus ? si plus adposcere visus, 100

fit Mimnermus et optivo cognomine crescit.

multa fero, ut placem genus irritabile vatum,

cum scribo et supplex populi suffragia capto ;

idem finitis studiis et mente recepta

obturem patulas impune legentibus auris. 105

Ridentur mala qui componunt carmina ; verum
gaudent scribentes et se venerantur et ultro,
si taceas, laudant quidquid scripsere beati.
at qui legitimum cupiet fecisse poema,
cum tabulis animum censoris sumet honesti ; 110

audebit, quaecumque parum splendoris habebunt
et sine pondere erunt et honore indigna ferentur,^
verba movere loco, quamvis invita recedant
et versentur adhuc intra^ penetralia Vestae ;

* vacat. ^ feruntur, /, 5. ' inter Mss.

" The two poets, indulging in mutual compliments, and
inflicting their compositions on each other, are humorously
compared to a pair of those heavy-armed gladiators known
as Samnites, who would engage in a wearisome, though
harmless fight, till night put an end to the contest.

* It is commonly supposed that in this whole scene the
second poet referred to by Horace is Propertius, the elegiac
writer (c/. 1. 91) who called himself "the Roman Calli-
machus." Callimachus, an Alexandrian poet of the third
cent. B.C., was commonly held to be the greatest of Greek
elegists. For Mimnermus cf. Epist. i. 6. 65. He lived in
the latter half of the seventh cent. B.C., and was the first to
make elegy a vehicle for love-sentiment.

432

EPISTLES, II. II. 95-114

you have time, follow, and draw close to hear what
each has to offer, and with what he weaves for
himself a chaplet. We belabour each other, and
with tit for tat use up our foe, hke Samnites, in a
long-drawn bout, till the first lamps are lighted."
By his vote I come off an Alcaeus. What is he by
mine ? What, but a CalUmachus ! If he seems to
claim more, he becomes a Mimnermus, and is glorified
with the title of his choice.* Much do I endure,
to soothe the fretful tribe of bards, so long as I am
scribbling, and humbly suing for public favour ; but
now that my studies are ended and my \nts recovered,
I would, without fear of requital, stop up my open
ears when they recite."

106 Xhose who vrrite poor verses are a jest ; yet
they rejoice in the ^^Titing and revere themselves ;
and, should you say nothing, they themselves praise
whatever they have produced — happy souls ! But
the man whose aim is to have WTOught a poem true
to Art's rules, when he takes his tablets, will take also
the spirit of an honest censor.** He wll have the
courage, if words fall short in dignity, lack weight, or
be deemed unworthy of rank, to remove them from
their place, albeit they are loth to ^vithdraw, and
still hnger within Vesta's precincts.* Terms long

* Horace means that if he does not write, he need not
listen. Others prefer to connect impune with legentibus.
The others recite vdthout fear of his retaliating.

** These lines were used by Dr. Johnson as the motto for
his Dictionary.

* The allusion is obscure. Vesta perhaps stands for the
most sacred traditions of Rome, so that the words rejected
by the poet still remain in common use. Keller thinks that
Horace uses a quotation from Ennius or some other early
poet.

2p 433

HORACE

obscurata diu populo bonus eruet atque 118

proferet in lucem speciosa vocabula rerum,
quae priscis memorata Catonibus atque Cethegis
nunc situs informis premit et deserta vetustas ;
adsciscet nova, quae genitor produxerit usus.
vemens et liquidus^ puroque simillimus amni 120

fundet opes Latiumque beabit divite lingua ;
luxuriantia compescet, nimis aspera sano
levabit cultu, virtute carentia^ toilet,
ludentis speciem dabit et torquebitur, ut qui
nunc Satyrum, nunc agrestem Cyclopa movetur. 125

Praetulerim scriptor delirus inersque videri,
dum mea delectent mala me vel denique fallant,
quam sapere et ringi. fuit baud ignobilis Argis,'
qui se credebat miros audire tragoedos
in vacuo laetus sessor plausorque theatre ; 130

cetera qui vitae servaret munia recto
more, bonus sane vicinus, amabilis hospes,
comis in uxorem, posset qui ignoscere servis
et signo laeso non insanire lagoenae,
posset qui rupem et puteum vitare patentem.* 135
hie ubi cognatorum opibus curisque refect us
expulit elleboro morbum bilemque meraco,
et redit ad sese : " pol, me occidistis, amici,
non servastis," ait, " cui sic extorta voluptas
et demptus per vim mentis gratissimus error." 140

* vehemens mss. : et vehemens liquidus D.
* carentia D^lf : calentia Va.
• Argus. * parentem, II.

• Cf. Ars Poetica, 50. * Cf. Ars Poetica, 71, 72.

* Those who dance most easily do so as the result of hard
training ; cf. Pope :

As those move easiest who have learn 'd to dance.

' Ringi means literally " to show one's teeth like a snarling

434

EPISTLES, II. n. 115-140

lost in darkness the good poet will unearth for the
people's use and bring into the light — picturesque
terms which, though once spoken by a Cato and a
Cethegus of old.** now lie low through unseemly
neglect and dreary age. New ones he will adopt
which Use has fathered and brought forth.'' Strong
and clear, and truly like a crystal river, he will pour
forth wealth and bless Latium with richness of
speech ; he will prune down rankness of growth,
smooth with wholesome refinement what is rough,
sweep away what lacks force — wear the look of being
at play, and yet be on the rack, hke a dancer who
plays now a Satyr, and now a clownish Cyclops."

^^ I should prefer to be thought a foolish and
clumsy scribbler, if only my failings please, or at
least escape me, rather than be wise and unhappy .**
Once at Argos there w^as a man of some rank, who
used to fancy that he was listening to wonderful
tragic actors, while he sat happy and applauded
in the empty theatre — a man who would correctly
perform all other duties of hfe, a most worthy
neighbour, an amiable host, kind to his wife, one
that could excuse his slaves, and not get frantic
if the seal of a flask were broken, one that could
avoid a precipice or an open well. This man was
cured by his kinsmen's help and care, but when with
strong hellebore he had driven out the malady and
its bile, and had come to himself again, he cried :
" Egad ! you have killed me, my friends, not saved
me ; for thus you have robbed me of a pleasure and
taken away perforce the dearest illusion of my heart."

dog," and is used here of the unhappy, self-critical poet who
is never content with what he produces, in contrast with the
contented, self-complacent writer.

435

HORACE

Nimirum sapere est abiectis utile nugis,
et tempestivum pueris concedere ludum,
ac non verba sequi fidibus modulanda Latinis,
sed verae numerosque modosque ediscere vitae.
quocirca mecum loquor haec tacitusque recorder : 145

Si tibi nulla sitim finiret copia lymphae,
narrares medicis : quod, quanto plura parasti,
tan to plura cupis, nulline faterier audes ?
si volnus tibi monstrata radice vel herba
non fieret levius, fugeres radice vel herba 150

proficiente nihil curarier : audieras, cui
rem di donarent, illi decedere pravam
stultitiam ; et cum sis nihilo sapientior ex quo
plenior es, tamen uteris monitoribus isdem ?

At si divitiae prudentem reddere possent, 155

si cupidum timidumque minus te, nempe ruberes,
viveret in terris te si quis avarior uno.
si proprium est, quod quis libra mercatus^ et acre est,^
quaedam, si credis consultis, mancipat usus ;
qui te pascit ager tuus est, et vilicus Orbi, 160

cum segetes occat tibi mox frumenta daturas,^
te dominum sentit. das nummos, accipis uvam,
pullos, ova, cadum temeti : nempe modo isto
paulatim mercaris agrum, fortasse trecentis
aut etiam supra nummorum milibus emptum. 165
quid refert, vivas numerato nuper an olim ?

^ mercatus, 7, w. mercatur, II: est omitted, II.
2 daturas V, II: daturus, I.

" A reference to the common mode of conveying ownership
in property, viz. by a symboHc sale, in which a balance,
held by a third party, was struck by the purchaser with
a copper coin.

'' Usucapio, legal possession, uninterrupted and continued
for a certain time, resulted in ownership (dominium). But
perhaps Horace jocularly refers to matrimony, where in

4'36

EPISTLES, II. 11. 141-166

^*^ In truth it is profitable to cast aside toys and
to learn wisdom ; to leave to lads the sport that fits
their age, and not to search out words that will fit
the music of the Latin lyre, but to master the
rhythms and measures of a genuine life. There-
fore I talk thus to myself and silently recall these
precepts :

If no amount of water could quench your thirst,
you would tell your story to the doctor : seeing that
the more you get, the more you want, do you not
dare to make confession to any man ? If your
wound were not relieved by the root or herb pre-
scribed, you would give up being treated >vith the
root or herb that did you no good : you had perhaps
been told that perverse folly flees from him to whom
the gods had given wealth ; but though you are no
wiser since you became richer, do you still follow
the same counsellors ?

1^ But surely if wealth could make you wise, if
less wedded to desires and fears, you would blush if
there hved upon earth a greater miser than you. If
that is a man's own which he buys with bronze and
balance," there are some things, if you trust the
lawyers, which use ^ conveys ; the farm which gives
you food is yours, and the bailiff of Orbius, when he
harrows the corn-land which is shortly to give you
grain, feels you to be his master. You give your
coin ; you receive grapes, poultry, eggs, ajar of wine :
in that way, mark you ! you are buying bit by bit
the farm once purchased for three hundred thousand
sesterces, or perhaps even more. What does it matter,
whether you live on what was paid out lately or

certain cases manus might result from usus. So PoUuck,
C.R. xxxi. (1917).

437

HORACE

emptor Aricini quondam^ Veientis et arvi

emptum cenat holus, quamvis aliter putat ; emptis

sub noctem gelidam lignis calefactat aenum ;

sed vocat usque suum, qua^ populus adsita certis 170

limitibus vicina refugit^ iurgia ; tamquam

sit proprium quicquam, puncto quod mobilis horae

nunc prece, nunc pretio, nunc vi, nunc morte suprema

permutet dominos et cedat in altera iura.

sic* quia perpetuus nulli datur usus, et heres 176

heredem alterius^ velut unda supervenit undam,

quid vici prosunt aut horrea ? quidve Calabris

saltibus adiecti Lucani, si metit Orcus

grandia cum parvis, non exorabilis auro ?

Gemmas, marmor, ebur, Tyrrhena sigilla, tabellas,
argentum, vestes Gaetulo murice tinctas 181

sunt qui non habeant, est qui non curat habere,
cur alter fratrum cessare et ludere et ungui
praeferat Herodis palmetis pinguibus, alter
dives et importunus ad umbram lucis ab ortu 185

silvestrem flammis et ferro mitiget agrum,
scit Genius, natale comes qui temperat astrum,
naturae deus humanae, mortalis in unum
quodque caput, voltu mutabilis, albus et ater.
utar et ex modico, quantum res poscet, acervo 190
tollam, nee metuam quid de me iudicet heres,
quod non plura datis invenerit ; et tamen idem
scire volam, quantum simplex hilarisque nepoti

^ quondam tt* : quoniam V, most uss.

* quia EB : quod ir. * refigit.

• sic E^M' : si uss., Porph. * alternis Bentley.

" Ownership may be transferred by donation in response
to an appeal (prece), and by confiscation {vi), as well as by
purchase and inheritance.

438

EPISTLES, II. II. 167-193

some time ago ? The man who once bought a farm
at Aricia or Veii bought the greens for his dinner,
though he thinks otherwise ; he bought the logs
with which he boils the kettle in the chill of nightfall.
Yet he calls it all his own, up to where the poplars,
planted beside fixed boundaries, prevent the wranghng
of neighbours: just as though anything were one 'sown,
which in a moment of flitting time, now by prayer,*
now by purchase, now by force, now — at the last — by
death, changes owners and passes under the power of
another. Thus since to none is granted lasting use,
and heir follows another's heir as wave follows wave,
what avail estates or granaries — what avail Lucanian
forests joined to Calabrian, if Death reaps great and
small — Death who never can be won over with gold ?
^^° Gems, marble, ivory, Tuscan vases, paintings,
plate, robes dyed in GaetuHan purple — there are
those who have not ; there is one who cares not to
have. Of two brothers one prefers, above Herod's
rich palm-groves,* idhng and playing and the anoint-
ing of himself ; the other, wealthy and untiring, from
dawn to shady eve subdues his woodland farm with
flames and iron plough. Why so, the Genius alone
knows — that companion who rules our star of birth,
the god of human nature, though mortal for each
single life, and changing in countenance, white or
black." I shall use and from my modest heap take
what need requires, nor shall I fear what my heii
will think of me, because he does not find more than
1 have given him. And yet, withal, I shall wish to
know how much the frank and cheerful giver is
distinct from the spendthrift, how much the frugal

* Herod the Great had famous groves of date-palms near
Jericho. • Cf. Epist. ii. 1. 144.

439

HORACE

discrepet et quantum discordet parcus avaro. 194

distat enim, spargas tua prodigus, an neque sumptum
invitus facias neque plura parare labores,
ac potius, puer ut festis Quinquatribus olim,
exiguo gratoque fruaris tempore raptim.
pauperies immunda domus^ procul absit^ : ego, utrum
nave ferar magna an parva, ferar unus et idem. 200
non agimur tumidis velis Aquilone secundo :
non tamen adversis aetatem ducimus Austris,
viribus, ingenio, specie, virtute, loco, re^
extremi primorum, extremis usque priores. 204

Non es avarus : abi. quid ? cetera iam simul isto
cum vitio fugere^ ? caret tibi pectus inani
ambitione ? caret mortis formidine et ira ?
somnia, terrores magicos, miracula, sagas,
nocturnos lemures portentaque Thessala rides ?
natalis grate numeras ? ignoscis amicis ? 210

lenior et melior fis* accedente senecta ?
quid te exempta iuvat^ spinis de pluribus una ?
vivere si recte nescis, decede peritis.
lusisti satis, edisti satis atque bibisti :
tempus abire tibi est, ne potum largius aequo 215
rideat et pulset lasciva decentius^ aetas.

^ domus and absit omitted, II {only absit omitted in R).
Hence procul procul absit Bentley.

* loco re, /, R : colore, II.

» fugere i), //: fuge rite aEM.

* sis E. * iuvit D : levat. • licentius ir*.

° The Quinquatnis, or festival of Minerva, was a school-
vacation of five days, from March 19 to March 23.

* ForThessalian witchcraft cf. Epod. v. 45 ; Odes, i. 27. 21.

440

EPISTLES, II. II. 194-216

is at variance with the miserly. For it does differ
whether you scatter your money lavishly, or whether,
while neither reluctant to spend, nor eager to add
to yoiu- store, you snatch enjoyment of the brief and
pleasant hour, hke a schoolboy in the spring hohdays."
Far from me be squahd want at home : yet, be my
vessel large or small, I, the passenger aboard, shall
remain one and the same. Not with swelling sails
are we borne before a favouring north wind, yet we
drag not out our hfe struggling with southern gales ;
in strength, in wit, in person, in virtue, in station, in
fortune, behind the foremost, ever before the last.

^^ You are no miser. Good ! What then ? Have
all the other \'ices taken to flight with that ? Is
your heart free from vain ambition ? Is it free from
alarm and anger at death ? Dreams, terrors of
magic, marvels, witches, ghosts of night, Thessahan
portents ** — do you laugh at these ? Do you count
your birthdays thankfully ? Do you forgive your
friends ? Do you grow gentler and better, as old
age draws near ? What good does it do you to
pluck out a single one of many thorns ? If you
know not how to hve aright, make way for those
who do. You have played enough, have eaten and
drunk enough. 'Tis time to quit the feast," lest,
when you have drunk too freely, youth mock and
jostle you, playing the wanton >\ith better grace.

* C/. Sat. i. 1. 118, where, as here, Horace has in mind
the famous passage in Lucretius, De rerum nat. iii. 938,

cur non ut plenus vitae conviva recedis ?

441

ARS POETICA

OR EPISTLE TO THE PISOS

Tins, the longest of Horace's poems, is found in
nearly all mss. under the title Ars Poetica, which is
also the name assigned to it by QuintiUan and used
by the commentator Porphyrio. Yet the composi-
tion is a letter rather than a formal treatise, and it
is hard to believe that Horace himself is responsible
for the conventional title. It has the discursive and
occasionally personal tone of an Epistle, whereas it
lacks the completeness, precision, and logical order
of a well-constructed treatise. It must therefore be
judged by the same standards as the other Epistles
and Sermones, and must be regarded as an expression
of more or less random reflections, suggested by
special circumstances, upon an art which peculiarly
concerned one or more of the persons addressed.
These are a father and two sons of the Piso family,
but nobody knows with certainty what particular
Pisos — and there are many on record — they are.

Though the writer touches upon various kinds of
poetry, yet as fully one-third of the whole poem is
concerned with the drama, it is a plausible inference
that one at least of the Pisos — presumably the
elder son (1. 366) — was about to write a play, perhaps
one with an Homeric background (11. 128, 129), and
442

TIIE ART OF POETRY

possibly one conforming to the rules of the Greek
satyric drama (11. 220 fF.). Thus the special interests
of the Pisos may have determined Horace's choice
of topics.

The following is a brief outline of the main subjects
handled in the letter :

(a) A poem demands unity, to be secured by
harmony and proportion, as well as a wise choice of
subject and good diction. Metre and style must be
appropriate to theme and to character. A good
model will always be found in Homer (11. 1-152).

(b) Dramatic poetry calls for special care — as to
character drawing, propriety of representation, length
of a play, number of actors, use of the chorus and
its music, special features for the satyric type, verse-
forms, and employment of Greek models (11. 153-
294.).

(c) A poet's qualifications include common sense,
knowledge of character, adherence to high ideals,
combination of the dulce >vith the utile, intellectual
superiority, appreciation of the noble history and
lofty mission of poetry, and above all a wilHngness
to Usten to and profit by impartial criticism (11.
2.95-476).

The following is a more detailed analysis :
In poetry as in painting there must be unity and
simplicity (1-23). We poets must guard against
extremes, and while avoiding one error must not fall
into its opposite (24-31). A good sculptor pays careful
attention to details, but at the same time makes sure
that his work as a whole is successful (32-37).

A writer should confine himself to subjects within
his power. He will then be at no loss for words and
will follow a correct order, which will enable him to

442

HORACE

say the right thing at the right moment (38-4<5).
As to diction, he must be careful in his choice of
language. He can, by means of a skilful combina-
tion, give a fresh tone to familiar terms, and he may
even coin words in moderation as the old poets used
to do. Like all other mortal things, words change
and pass out of existence, for they are subject to
the caprice of fashion (46-72).

The metres most fitting for the several types of
verse were established by the great Greek poets,
and we must follow them (73-85). So with the tone
and style of the various kinds. In the drama, for
example, the tragic and the comic are distinct,
though occasionally they will overlap (86-98), for
above all things a play must appeal to the feehngs
of an audience, and the language must be adapted
to the characters impersonated. Where there is
lack of such agreement, everybody will laugh in
scorn (99-118).

Either follow tradition or invent a consistent story.
Achilles, Medea, Orestes, and so on must be portrayed
as tliey are known to us in Greek literature, while
new characters must be handled with a consistency
of their own (1 19-127). It is hard to deal with general
notions, such as anger, greed, and cowardice, so as
to individualize them for yourself and you, my friend
Piso, are quite right to dramatize some Homeric
theme, where the characters introduced have well-
known traits, rather than attempt something dis-
tinctly original. And yet, even in such public
property as the Homeric epics you may win private
rights by handling your material in an original
fashion. Make a simple beginning, like that of the
Odyssey, where the sequel becomes clearer and
4-U

THE ART OF POETRY

increases in brilliancy. Homer indulges in no lengthy
introduction, but hurries on ^\^th his narrative, omits
what he cannot adorn, and never loses the thread
of his story (128-152).

If you want your play to succeed, you must study
the " strange, eventful history " of human life, and
note the characteristics of the several ages of man,
so that the different periods may not be confused
(153-178). Events may be set forth in action or,
less preferably, in narrative. The latter method,
however, must be used in the case of revolting and
incredible incidents (179-188).

A play should be in five acts. The deus ex machina
should be employed only rarely, and there should
never be more than three characters on the stage at
one time (1 89-1 92). The Chorus should take a real
part in the action ; it should not sing anything
irrelevant, and should promote the cause of morality
and religion (193-201). As to the music, the flute was
once a simple instrument, which accompanied the
chorus, and was not expected to fill large theatres as
nowadays. With the growth of wealth and luxury
in the state, and the consequent deterioration in
the taste and character of the audience, the music
became more florid and sensational, the diction more
artificial, and the sentiments more obscure and
oracular (202-219).

The satyric dramn, \\ith its chorus of goat-footed
fauns, which was de\ised for spectators in their
lighter moods, naturally assumed a gay and frolic-
some tone as compared with the serious tragedy from
which it sprang, but this does not warrant a writer
in permitting his gods and heroes to use vulgar
speech, or on the other hand in allowing them to

445

HORACE

indulge in ranting. There should be a happy mean
between the language of tragedy and that of comedy.
I would aim at a familiar style, so that anyone might
think it easy to write in that fashion, but on trying
would find out his mistake. The rustic fauns must
not talk like city wits, nor yet use such coarse language
that they will give offence to the better part of an
audience (220-250).

As to metre, the iambic is strictly a rapid measure,
so that a senarius is counted as a trimeter. But
the older poets admitted the spondee so freely, that
it obscured the rhythm and made it heavy. In fact,
it is not every critic that can detect unmusical
verses, and too much freedom has been allowed our
native poets. Shall I presume on this or shall I
write with caution ? If I follow the latter course, I
may avoid criticism, but I shall not win praise. The
proper course is to study Greek models m'ght and
day. He who is conversant with them will see that
our fathers' admiration for the rhythms, as well as
the wit, of Plautus, was uncalled for (251-274).

Thespis, we are told, invented Tragedy, and Aes-
chylus perfected it. Old Attic Comedy, too, won
no little renown until its licence had to be checked
by law and its chorus was silenced (275-284). Our
Roman poets, besides following the Greeks, were bold
enough to invent forms of a national drama, and
might have rivalled their masters, had they taken
more pains. I beg you, my friends, to condemn
every poem which has not been subjected to the
finishing touch (285-294).

The idea that genius is allied to madness is carried
so far that many would-be poets are slovenly in
appearance and neglect their health. It is not worth
446

THE ART OF POETRY

while to compose poetry at the expense of your wits,
so, refraining from MTiting myself, I will teach the
art to others, even as a whetstone can sharpen
knives, though it cannot cut (295-308).

The first essential is wisdom. This you can
cultivate by study of the philosophers, and when
you have first learned from them valuable lessons of
life, you should apply yourself to hfe itself, and then
your personages will speak like real living beings.
Sometimes striking passages and characters properly
portrayed commend a mediocre play better than do
verses which lack substance, mere trifles, however
melodious (309-322).

The Greeks had genius, eloquence, and ambition ;
the Romans are too practical, even in their elementary
schooling. How can we expect a people thus trained
to develop poets ? Poetry aims at both instruction
and pleasure. In your didactic passages, be not
long-\vinded ; in your fiction, avoid extravagance.
Combine the utile with the dulce, for only thus will
you produce a book that will sell, and enjoy a wide
and lasting fame (323-346).

Absolute perfection, however, is not to be expected,
and we must allow for slight defects. When I come
across a good hne in a poor poem, I am surprised
and amused ; I am merely grieved if Homer now
and then nods (347-360). The critic must bear in
mind that poetry is hke painting. In each case the
aim in view is to be considered. A miniature should
bear close inspection ; a wall-painting is to be seen
from a distance. One thing which may be tolerated
in other fields, but which in the sphere of poetry,
whose aim is to give pleasure, is never allowed, is
mediocrity. I^ike the athlete, therefore, the poet

447

HORACE

needs training — a truth overlooked by many. But
you are too sensible to make a mistake here. You
will wi'ite only when Minerva is auspicious, and what
you write you will submit to a good critic. Even
then you mil be in no haste to publish (361-390).

Remember the glorious history of poetry, which —
as the stories of Orpheus and Amphion show — has
from the very infancy of the race promoted the
cause of civihzation. Then, from Homer on, it has
inspired valour, has taught wisdom, has won the
favour of princes, and has afforded relief after toil.
Never need you be ashamed of the Muse (391-407).

The question has been asked whether it is natural
ability or teaching that makes the poet. Both are
necessary. However much people may boast of their
gifts, ability without training will accomplish no more
in writing than in running a race or in flute-playing
(408-418).

It is easy for a rich poet to buy applause. Flatterers
are like hired mourners at a funeral, who feel no
grief, however much they may weep. So be not
deceived, but take a lesson from those kings, who,
acting on the adage in vino Veritas, make men disclose
the truth by plying them with wine (419-437).

Quintilius Varus was a frank and sincere critic,
and if you would not take his advice he would leave
you to your self-conceit. No honest man, for fear
of giving offence, will conceal his friend's faults from
him, for those faults may lead to serious consequences
(438-452).

And think of the danger of a crazy poet roaming
at large. First, there is danger for himself, for if,
as he goes about with upturned gaze, he fall into a
ditch, nobody will pull him out. Indeed, he may
4.48

THE ART OF POETRY

have gone in on purpose, like Empedocles, who,
thinking himself divine, once leaped into burning
Aetna. And secondly, there is danger for others,
for if he is so stark, staring mad as to be ever making
verses, he will become a public scourge, and if he
catches some poor wretch he will fasten on him like
a leech, and make him listen to his recitations until
he has bored him to death (i53-i76) !

The sketch of a crazy poet with which the poem
closes corresponds to that of the crazy painter with
which it opens. Both painter and poet are used to
impress upon readers the lesson that in poetry as in
other arts the main principle to be followed is
propriety. This idea of hterary propriety, which
runs through the whole epistle, is illustrated in
many ways, and may be said to give the Ars Poeiica
an artistic unity. (So Roy Kenneth Hack, " The
Doctrine of Literary Forms " in Harvard Studies in
Classical Philology, vol. xxvii., 1916.)

SG 449

DE ARTE POETICA*

Humano capiti^ cervicem pictor equinam
iungere si velit, et varias inducere plumas
undique collatis membris, iit turpiter atrum
desinat in piscem miilier formosa superne,
spectatum admissi^ risum teneatis, amici ? 6

credite, Pisones,* isti tabulae fore librum
persimilem, cuius, velut aegri^ somnia, vanae
fingentur^ species, ut nee pes nee caput uni
reddatur formae. " pictoribiis atque poetis
quidlibet" audendi® semper fuit aequa potestas." 10
scinius, et banc veniam petimusque daniusque

vicissim ;
sed non ut placidis coeant immitia, non ut
serpentes avibus geminentur, tigribus agni.

Inceptis gravibus plcrumque et magna professis
purpureus, late qui splendeat, unus et alter 15

adsuitur pannus, cum lucus et ara Dianae
et properantis aquae per amoenos ambitus agros
aut flumen Rlienum aut pluvius^ describitur arcus.
sed nunc non erat his locus, et fortasse cupressum
scis simulare : quid hoc, si fractis enatat exspes^** 20

^ For the Ars Poetica class I of the uss. includes aBCKM,
while class II includes R<fi-^5\lir.

• pectori B^. ^ missi EC. * pisonis, //. * aegris a^BIi.

• fungimtur B : fingentur or finguntur.

' quodlibet tt. * audiendi B.

• fluvius, //. " expers, //.

450

THE ART OF POETRY

If a painter chose to join a human head to the neck
of a horse, and to spread feathers of many a hue over
limbs picked up now here now there, so that what at
the top is a lovely woman ends below in a black and
ugly fish, could you, my friends, if favoured with a
private view, refrain from laughing ? Believe me,
dear Pisos, quite hke such pictures would be a book,
whose idle fancies shall be shaped like a sick man's
dreams, so that neither head nor foot can be assigned
to a single shape. " Painters and poets," you say,
" have always had an equal right in hazarding any-
thing." We know it : this licence we poets claim
and in our turn we grant the hke ; but not so far
that savage should mate with tame, or serpents
couple with birds, lambs ^^^th tigers.

1* Works with noble beginnings and grand promises
often have one or two purple patches so stitched on
as to ghtter far and wide, when Diana's grove and
altar, and

The winding stream a-speeding 'mid fair fields
or the river Rhine, or the rainbow is being described."
For such things there is a place, but not just now.
Perhaps, too, you can draw a cypress. But what of
that, if you are paid to paint a sailor swimming from

• These examples are doubtless taken from poems current
in Horace's day.

451

HORACE

navibus, aere dato qui pingitur ? amphora coepit

institui : currente rota cur urceus exit ?

denique sit quod vis,^ simplex dumtaxat et unum.

Maxima pars vatum, pater et iuvenes patre digni,
decipimur specie recti, brevis esse laboro, 25

obscurus fio ; sectantem levia^ nervi
deficiunt animique ; professus grandia turget ;
serpit humi tutus nimium timidusque procellae :
qui variare cupit rem prodigialiter unam,
delphinum silvis appingit, fluctibus aprum. 30

in vitium ducit culpae fuga, si caret arte.

Aemilium circa ludum faber imus^ et unguis
exprimet et mollis imitabitur aere capillos,
infelix operis summa, quia ponere totum
nesciet. hunc ego me/ si quid componere curem, 35
non magis esse velim, quam naso vivere pravo,^
spectandum nigris oculis nigroque^ capillo.

Sumite materiam vestris, qui scribitis, aequam
viribus et versate diu, quid ferre recusent,
quid valeant umeri. cui lecta potenter erit res, 40
nee facundia deseret hunc nee lucidus ordo.
ordinis haec virtus erit et venus, aut'' ego fallor,
ut* iam nunc dicat iam nunc debentia dici,

* quidvis K Bentley. * lenia Bentley.

3 unus 5^ Bentley. * egomet 8(p\p.

* parvo b\ir. ^ nigrove BCK.

' haut or haud BCK^ II (except w). * aut, //.

' One who has been saved from a shipwreck wants to
put a picture of the scene as a votive offering in a temple.
* So the schoUasts, imus being local amd meaning

452

THE ART OF POETRY, 21-43

his wrecked vessel in despair ? * That was a wine-
jar, when the moulding began : why, as the wheel
runs round, does it turn out a pitcher ? In short, be
the work what you will, let it at least be simple and
uniform.

** Most of us poets, O father and ye sons worthy
of the father, deceive ourselves by the semblance of
truth. Stri\ing to be brief, I become obsciure.
Aiming at smoothness, I fail in force and fire. One
promising grandeur, is bombastic ; another, over-
cautious and fearful of the gale, creeps along the
ground. The man who tries to vary a single subject
in monstrous fashion, is like a painter adding a
dolphin to the woods, a boar to the waves. Shunning
a fault may lead to error, if there be lack of art.

^ Near the Aemilian School, at the bottom of the
row,* there is a craftsman who in bronze will mould
nails and imitate wa\ing locks, "but is unhappy in
the total result, because he cannot represent a whole
figure. Now if I wanted to write something, I should
no more wish to be Hke him, than to hve with my
nose turned askew, though admired for my black
eyes and black hair.

^ Take a subject, ye writers, equal to your
strength ', and ponder long what your shoulders
refuse, and what they are able to bear. Whoever
shall choose a theme ^\ithin his range, neither speech
will fail him, nor clearness of order. Of order, this, if
I mistake not, will be the excellence and charm that
the author of the long-promised poem shall say at
the moment what at that moment should be said,

" the last " of a number of shops. Some, however, take
it in the sense of " humblest." Bentley's unus is to be taken
closel}' with exprimet, " mould better than any others."

458

HORACE

pleraque difFerat et praesens in tempus omittat,
hoc amet, hoc spernat^ promissi carminis auctor. 45

In verbis etiam tenuis cautusque serendis^
dixeris^ egregie, notum si calhda verbum
reddiderit iunctura novum, si forte necesse est
indiciis monstrare recentibus abdita rerum,*
fingere cinctutis non exaudita Cethegis 50

contingetj dabiturque hcentia sumpta pudenter :
et nova fictaque^ nuper habebunt verba fidem, si
Graeco fonte cadent^ parce detorta. quid autem
CaeciHo Plautoque dabit Romanus ademptum
Vergiho Varioque' ? ego cur, adquirere pauca 65
si possum, invideor, cum lingua Catonis et Enni
sermonem patrium ditaverit et nova rerum
nomina protulerit ? hcuit semperque hcebit
signatum praesente nota producere^ nomen.
ut silvae fohis^ pronos mutantur in annos, 60

prima cadunt ; ita verborum vetus interit aetas,
et iuvenum ritu florent modo nata vigentque.
debemur morti nos nostraque : sive receptus
terra Neptunus classes Aquilonibus arcet,
regis opus, sterilisve^" palus diu aptaque remis 65

^ spernet BC.

* Bentley transposed II. 45 and 46, and has been followed by
most editors. The scholiasts, however, had 1. 45 preceding 1. 46.
Servius, too, though he cites I. 45 three times {on Aeneid,
iv. 413, 415; Georgics, ii. 475) noichere applies it to diction.

^ dixerit B. * rerum et, //. * factaque.

* cadant a, Servius on Virg. Aen. vi. 34.

' \'aroque (t>^5. * procudere Bentley.

' folia in silvis Diomedes. " sterilisque, / {except a).

" Bentley's transposition of lines 45 and 46, making
hoc . . , hoc refer to verbis, seems unnecessary. The tradi-
tional order is retained by Wickham and Rolfe. Horace
deals first with the arrangement of argumentative material,

454

THE ART OF POETRY, 44-65

reserving and omitting much for the present, loving
this point and scorning that."

*'^ Moreover, with a nice taste and care in
weaving words together, you will express yoiuself
most happily, if a skilful setting makes a familiar
word new. If haply one must betoken abstruse
things by novel terms, you will have a chance
to fashion words never heard of by the kilted*
Cethegi, and licence will be granted, if used with
modesty : while words, though new and of recent
make, will win acceptance, if they spring from a
Greek fount and are drawn therefrom but sparingly.*'
Why indeed shall Romans grant this licence to
Caecihus and Plautus, and refuse it to Virgil and
Varius ? And why should I be grudged the right of
adding, if I can, my httle fund, when the tongue of
Cato and of Ennius has enriched oiur mother-speech
and brought to hght new terms for things ? It has
ever been, and ever ^\i\\ be, permitted to issue words
stamped with the mint-mark of the day. As forests
change their leaves with each year's decline, and the
earhest drop off ** : so with words, the old race dies,
and, hke the young of human kind, the new-born
bloom and thrive. We are doomed to death — we and
all things ours ; whether Neptune, welcomed within
the land, protects our fleets from northern gales — a
truly royal work — or a marsh, long a waste where oars
and in 1. 46 passes to diction (c/. Fiske, Lucilius and Horace,
p. 449 and note 50).

* The cinctus was a loin-cloth worn instead of the tunica
by the Romans in days of old.

« As Wickham has seen, the metaphor is taken from
irrigation ; " the sluices must be opened sparingly."

•^ In Italian woods, as in Californian, leaves may stay on
the trees two or even three years. Only the oldest {jprima) {|
drop off each autumn. ''

^^55

HORACE

vicinas urbes alit et grave sentit aratrum,
sen cursum mutavit iniquum frugibus aniiiis
doctus iter melius : mortalia facta peribunt,
nedum sermonum stet honos et gratia vivax.
multa renascentur quae iam cecidere, cadentque 70
quae nunc sunt in honore vocabula, si volet usus,
queni penes arbitrium est et ius et norma loquendi.

Res gestae regumque ducumque et tristia bella
quo scribi possent numero, monstravit Homerus.
versibus impariter iunctis querimonia primum, 75
post etiam inclusa est voti sententia compos ;
quis tamen exiguos elegos emiserit auctor,
grammatici certant et adhuc sub iudice lis est.
Archilochum proprio rabies armavit iambo :
hunc socci cepere pedem grandesque coturni 80

alternis aptum sermonibus et popularis
vincentem strepitus et natum rebus agendis.
musa dedit fidibus divos puerosque deorum
et pugilem victorem et equum certamine primum
et iuvenum curas et libera vina referre. 85

descriptas servare vices operumque color es

" Horace finds tliree illustrations of human achievement
in certain engineering works planned by Julius Caesar or
Augustus. These were: (1) the building of the Julian
Harbour on the Campanian coast, where, under Agrippa,
Lakes Avernus and Lucrinus were connected by a deep
channel, and the sandy strip between the Lucrine Lake
and the sea was pierced so as to admit ships from the
Tuscan Sea; c/. Virgil, Georgics, ii. 161 fF. ; (2) the draining
of the Pomptine marshes, planned by Julius Caesar and
perhaps executed by Augustus ; (3) the straightening of
the Tiber's course so as to protect Rome fnom floods.

" Cf. Epistles ii. 2. 119. " The dactylic hexameter.

"^ The elegiac couplet, made up of a hexameter and a
pentameter (hence impariter iunctis), was commonly used
in inscriptions associated with votive offerings and expressed

456

THE ART OF POETRY, 66-86

were plied, feeds neighbouring towns and feels the
weight of the plough ; or a river has changed the
course which brought ruin to corn-fields and has learnt
a better path " : all mortal things shall perish, much
less shall the glory and glamour of speech endure
and live. Many terms that have fallen out of use
shall be born again, and those shall fall that are now
in repute, if Usage so \^ill it, in whose hands lies the
judgement, the right and the rule of speech.*

'' In what measure the exploits of kings and
captains and the sorrows of war may be written,
Homer has shown.* Verses yoked unequally first
embraced lamentation, later also the sentiment of
granted prayer ^ : yet who first put forth humble
elegiacs, scholars dispute, and the case is still before
the court. Rage armed Archilochus with his own
iambus : this foot comic sock and high buskins alike
adopted, as suited to alternate speech, able to drown
the clamours of the pit, and by nature fit for action.*
To the l)Te the Muse granted tales of gods and
children of gods, of the victor in boxing, of the horse
first in the race, of the loves of swains, and of freedom
over wine.^ If I fail to keep and do not understand
these well-marked shifts and shades of poetic forms,"

in the form of epigrams. The earliest elegiacs, however,
were probably laments, such as those written by Archilochus
on the loss of friends at sea.

• The iambic trimeter was the measure used in dialogue,
both in comedies and tragedies. For Archilochus see
Epist. i. 19. 23 ff.

' Greek Ij-ric poetry embraced hymns to the gods and
heroes, odes commemorating victories in the games, love
poems, and drinking-songs. For Pindaric themes cf. Odes,
iv. 2. 10-24.

' From here on Horace deals especially with dramatic
poetry. Tone and style, diction and metre should all accord.

457

HORACE

cur ego si nequeo ignoroque poeta salutor ?

cur nescire pudens prave quam discere malo ?

versibus exponi tragicis res comica noii volt ;

indignatur item privatis ac prope socco 90

dignis carminibus narrari cena Thyestae.

singula quaeque locum teneant sortita decentem.'^

interdum tamen et vocem Comoedia tollit,

iratusque Chremes tumido delitigat ore ;

et tragicus plerumque dolet sermone pedestri 95

Telephus et Peleus, cum pauper et exsul uterque

proicit ampullas et sesquipedalia verba,

si curat^ cor spectantis tetigisse querella.

Non satis est pulchra esse poemata ; dulcia sunto
et quocumque volent^ animum auditoris agunto. 100
ut ridentibus arrident, ita flentibus adsunt^
humani voltus : si vis me flere, dolendum est
primum ipsi tibi : tunc^ tua me infortunia laedent,
Telephe vel Peleu ; male si mandata loqueris,
aut dormitabo aut ridebo. tristia maestum 105

voltum verba decent, iratum plena minarum,
ludentem lasciva, severum seria dictu.
format enim Natura prius nos intus ad omnem
fortunarum habitum ; iuvat aut impellit ad iram,
aut ad humum maerore gravi deducit et angit ; 110
post effert animi motus interprete lingua,
si dicentis erunt fortunis absona dicta,
Romani tollent equites peditesque cachinmim.
intererit multum, divusne® loquatur an heros,
maturusne senex an adhuc florente iuventa 116

^ decentem VBK: decenter aCM, II.
• curas. ' volunt, II.

* adsunt MSS. : adflent Bentley.
6 turn BGK. « Davusne R.

• Cf. Epist. i. 3. 14.
458

THE ART OF POETRY, 87-115

why am I hailed as poet ? Why through false shame
do I prefer to be ignorant rather than to learn ? A
theme for Comedy refuses to be set forth in verses
of Tragedy ; likewise the feast of Thyestes scorns to
be told in strains of daily life that well nigh befit the
comic sock. Let each style keep the becoming
place allotted it. Yet at times even Comedy
raises her voice, and an angry Chremes storms in
swelUng tones ; so, too, in Tragedy Telephus and
Peleus often grieve in the language of prose, when,
in poverty and exile, either hero throws aside his
bombast* and Brobdingnagian * words, should he
want his lament to touch the spectator's heart.

^ Not enough is it for poems to have beauty :
they must have charm, and lead the hearer's soul
where they >vill. As men's faces smile on those
who smile, so they respond to those who weep. If
you would have me weep, you must first feel grief
yourself: then, O Telephus or Peleus, will your
misfortunes hurt me : if the words you utter are ill
suited, I shall laugh or fall asleep. Sad tones befit the
face of sorrow ; blustering accents that of anger ; jests
become the merry, solemn words the grave. For
Nature first shapes us within to meet every change
of fortune : she brings joy or impels to anger, or
bows us to the ground and tortures us under a load
of grief ; then, with the tongue for interpreter, she
proclaims the emotions of the soul. If the speaker's
words sound discordant with his fortunes, the
Romans, in boxes and pit aUke, will raise a loud
guffaw. Vast difference will it make, whether a god
be speaking or a hero, a ripe old man or one still in

* Segfiuipedalia verba, lit. " words a foot and a half in
length."

459

HORACE

fervidus, et matrona potens an sedula nutrix,
mercatorne vagus cultorne virentis^ agelli,
Colchus an Assyrius, Thebis nutritus an Argis.

Aut famam sequere aut sibi convenientia finge.
scriptor honoratum^ si forte reponis Achillem, 120
impiger, iracundus, inexorabilis, acer,
iura neget sibi nata, nihil non arroget armis.
sit Medea ferox invictaque, flebilis Ino,
perfidus Ixion, lo vaga, tristis Orestes,
si quid inexpertum scaenae committis et audes 125
personam formare novam, servetur ad imum,
qualis ab incepto processerit, et sibi constet.

Difficile est proprie communia dicere ; tuque
rectius Iliacum carmen deducis in actus,
quam si proferres ignota indictaque primus. 130

publica materies privati iuris erit, si
non circa vilem patulumque moraberis orbem,
nee verbo verbum^ curabis reddere fidus
interpres, nee desilies imitator in artum,
unde pedem proferre pudor vetet aut operis lex. 135

^ vigentis M, II. * Homereum Bentley.

* verbum verbo C.

" The Assyrian would be effeminate, as compared with
the Colchian, but both would be barbarians. The Theban
Creon is a headstrong tyrant, while the Argive Agamemnon
shows reserve and dignity.

" In the Iliad Achilles was first scorned by Agamemnon
but in the sequel (Book IX, the embassy) highly honoured.
Bentley conjectured that honoratum was a corruption of
Homereum, " the Achilles of Homer," but we are dealing
with a not uncommon use of the participle. So Elmore in
G.R. xxxiii. (1919) p. 102 ; cf. Sat. i. 6. 126.

"' By publica materies Horace means Homer and the epic
field in general. A poet may make this his own by original-
ity in the handling. Commentators are divided as to
whether communia (1. 128) is identical with publica materies

4.60

THE ART OF POETRY, 116-135

the flower and fervour of youth, a dame of rank or a
bustling nurse, a roaming trader or the tiller of a
verdant field, a Colchian or an Assyrian, one bred at
Thebes or at Argos,"

^^ Either follow tradition or invent what is self-
consistent. If haply, when you write, you bring
back to the stage the honouring of Achilles,* let him
be impatient, passionate, ruthless, £erce ; let him
claim that laws are not for him, let him ever make
appeal to the sword. Let Medea be fierce and un-
yielding, Ino tearful, Ixion forsworn, lo a wanderer,
Orestes sorrowful. If it is an untried theme you
entrust to the stage, and if you boldly fashion a
fresh character, have it kept to the end even as it
came forth at the first, and have it self-consistent.

^^ It is hard to treat in your o^\^l way what is
common : and you are doing better in spinning into
acts a song of Troy than if, for the first time, you
were giving the world a theme unknown and unsung.
In ground open to all you will win private rights,"
if you do not linger along the easy and open pathway,
if you do not seek to render word for word as a
slavish translator, and if in your copying you do not
leap into the narrow well, out of which either shame
or the laws of yoiu- task will keep you from stirring

or not. The language is in the domain of law and as res
communes, things common to all mankind, as the air and
sea, differ from res publicae, things which belong to all
citizens of a state, as its roads and theatres, so here communia
covers a larger field than publico, and denotes characteristics
which are common among mankind. These may be com-
pared to the general truths {to. KadoXov) of Aristotle {Poet, ix.),
as distinguished from particular ones (ri Ka6' (KaoTov). In
Horace it is obvious that communia does not apply to
Iliacum carmen, which does, however, come under the
publico tnateries of the poet.

4^}

HORACE

nee sie ineipies ut scriptor cyclicus olim :
" fortunam Priami cantabo et nobile^ helium. "
quid dignum tanto feret hie promissor hiatu ?
parturient^ montes, nascetur ridiculus mus.
quanto rectius hie, qui nil molitur inepte : 140

" die mihi, Musa, virum, captae post tempora Troiae
qui^ mores hominum multorum vidit et urhes."
non fumum ex fulgore, sed ex fumo dare lucem
cogitat, ut speciosa dehinc miracula promat,
Antiphaten Scyllamque et cum Cyclope Charybdin.
nee reditum Diomedis ah interitu Meleagri, 146

nee gemino helium Troianum orditur ah ovo ;
semper ad eventum festinat et in medias res
non secus ac notas auditorem rapit, et quae
desperat tractata nitescere posse, relinquit, 150

atque ita mentitur. sic veris falsa remiscet,
primo ne medium, medio ne discrepet imum.

Tu quid ego et populus mecum desideret audi,
si plosoris* eges aulaea manentis et usque
sessuri,^ donee cantor " vos plaudite " dicat, 155

aetatis cuiusque notandi sunt tibi mores,
mobilibusque^ decor naturis dandus et annis.
reddere qui voces iam scit puer et pede certo
signat humum, gestit paribus colludere, et iram

^ cantarat nobile B. * parturiunt. ^ quis B.

* plosoris V, It plus oris, II: plausoris B^.

* sessori B. • nobilibusque B.

" Horace utilizes the fable of the goat that leapt into a
well, but has nothing to say about the fox who persuaded
him to do so.

* The opening of the Odyssey.

' Meleager was an uncle of Diomede, and therefore of
an older generation.

"* i.e. from the birth of Helen.

• The cantor was probably the young slave who stood

462

THE ART OF POETRY, 136-159

a step." And you are not to begin as the Cyclic
poet of old :

Of Priam's fate and famous war I'll sing.

What will this boaster produce in keeping with such
mouthing ? Mountains will labour, to birth will
come a laughter-rousing mouse ! How much better
he who makes no fooHsh effort :

Sing, Muse, for me the man who on Troy's fall
Saw the wide world, its ways and cities all."

Not smoke after flame does he plan to give, but
after smoke the hght, that then he may set forth
striking and wondrous tales — Antiphates, Scylla,
Charj'bdis, and the Cyclops. Nor does he begin
Diomede's return from the death of Meleager,*' or
the war of Troy from the twin eggs.** Ever he
hastens to the issue, and hurries his hearer into the
story's midst, as if already known, and what he fears
he cannot make attractive with his touch he aban-
dons ; and so skilfully does he invent, so closely
does he blend facts and fiction, that the middle is
not discordant with the beginning, nor the end with
the middle.

1^ Now hear what I, and with me the pubhc,
expect. If you want an approving hearer, one who
waits for the curtain, and will stay in his seat till
the singer * cries " Give your applause," you must
note the manners of each age, and give a befitting
tone to shifting natures and their years. The child,
who by now can utter words and set firm step upon
the ground, dehghts to play with his mates, flies

near the flute-player and sang the eantica of a play, while
the actor gesticulated. All the comedies of Plautus and
Terence close with plaudite or an equivalent phrase.

463

HORACE

colligit ac ponit temere et mutatur in horas. 160

imberbis^ iuvenis, tandem custode remote,
gaudet equis eanibusque et aprici gramine Campi,
cereus in vitium flecti, monitoribus asper,
utilium tardus provisor, prodigus aeris,
sublimis cupidusque et amata relinquere pernix. 165
conversis studiis aetas animusque virilis
quaerit opes et amicitias, inservit honori,
commisisse cavet quod mox mutare^ laboret.
multa senem circumveniunt incommoda, vel quod
quaerit et inventis miser abstinet ac timet uti, 170
vel quod res omnis timide gelideque ministrat,
dilator^ spe longus, iners avidusque futuri,
difficilis, queruius, laudator temporis acti
se puero, castigator censorque minorum.
multa ferunt anni venientes commoda secum, 175
multa recedentes adimunt. ne forte seniles
mandentur iuveni partes pueroque viriles,
semper in adiunctis aevoque morabimur* aptis.^

Aut agitur res in scaenis aut acta refertur.
segnius irritant animos demissa per aurem 180

quam quae sunt oculis subiecta fidelibus et quae
ipse sibi tradit spectator : non tamen intus
digna geri promes in scaenam, multaque tolles

1 imberbis aB: imberbus VCM; cf. Epist. ii. 1. 85.

* mox mutare] permutare. II. * delator B.

* morabitur B, II, Vollmer. » apti B.

" i.e. Campus Martius.

* Spe longus seems to be a translation of Aristotle's
SiVeXTTis {Rhet. ii. 12), hence Bentley conjectured lentus for
longus. It is, however, in view of Horace's spes longa
{Odes, i. 4. 15; i. 11. 6) taken by some as "far-reaching
in hope," the hope requiring a long time for fulfilment.
Wickham suggests " patient in hope," but the quality is here
one of the incommoda of age, not one of its blessings. The

4.64

THE ART OF POETRY, 160-183

into a passion and as lightly puts it aside, and
changes every hour. The beardless youth, freed at
last from his tutor, finds joy in horses and hounds
and the grass of the sunny Campus," soft as wax for
moulding to evil, peevish with his counsellors, slow
to make needful provision, lavish of money, spirited,
of strong desires, but swift to change his fancies.
With altered aims, the age and spirit of the man
seeks wealth and friends, becomes a slave to am-
bition, and is fearful of ha\ing done what soon it
will be eager to change. Many ills encompass an
old man, whether because he seeks gain, and then
miserably holds aloof from his store and fears to use
it, or because, in all that he does, he lacks fire and
courage, is dilatory and slow to form hopes,'' is
sluggish and greedy of a longer life, peevish, surly,
given to praising the days he spent as a boy, and to
repro\ing and condemning the young. Many bless-
ings do the advancing years bring -with them ; many,
as they retire, they take away. So, lest haply we
assign a youth the part of age, or a boy that of man-
hood, we shall ever linger over traits that are joined
and fitted to the age.

"^ Either an event is acted on the stage, or the
action is narrated. Less vividly is the mind stirred
by what finds entrance through the ears than by
what is brought before the trusty eyes, and what
the spectator can see for himself. Yet you will not
bring upon the stage what should be performed
beliind the scenes, and you will keep much from our

phrase is explanatory of dilator, even as avidus futuri
explains iners, for unlike the youth, who is absorbed in the
present, the old man fails to act promptly, because his heart
is in the future, however brief that is to be.

2h 465

HORACE

ex oculis, quae mox narret facundia praesens ;
ne pueros coram populo Medea trucidet, 185

aut humana palam coquat exta nefarius Atreus,
aut in avem Procne vertatur, Gadmus in anguem.
quodcumque ostendis mihi sic, incredulus. odi.

Neve minor neu sit quinto productior actu
fabula quae posci volt et spectata^ reponi. 190

nee deus intersit, nisi dignus vindice nodus
incident, nee quarta loqui persona laboret.

Actoris partis chorus officiumque virile
defendat, neu quid medios intercinat actus
quod non proposito conducat et haereat apte. 195
ille bonis faveatque et consilietur amice, ^
et regat iratos et amet peccare timentis^ ;
ille dapes laudet mensae brevis, ille salubi'em
iustitiam legesque et apertis otia portis ;
ille tegat commissa deosque precetur et oret 200

ut redeat miseris, abeat fortuna superbis.

Tibia non, ut nunc, orichalco vincta^ tubaeque
aemula, sed tenuis simplexque foramine pauco^
adspirare et adesse choris erat utilis atque
nondum spissa nimis complere sedilia flatu ; 205

quo sane populus numerabilis, utpote parvus,
et frugi castusque^ verecundusque coibat.
postquam coepit agros extendere victor et urbes
latior amplecti murus, vinoque diurno
placari Genius festis impune diebus, 210

accessit numerisque modisque licentia maior.

^ spectata SXlir : spectanda (exsp-JS/L) other mss. Both
known to scholiasts. The latter perhaps an early error,
due to Sat. i. 10. 39,

* amici(s), //. * pacare tumentes. * iuncta C'K.

* parvo, // {except w). • cautusque C : catusque ^t/-.

" The deus ex machina. As vindex, he is to deliver men
from difficulties seemingly insoluble.
4,66

THE ART OF POETRY, 184-211

eyes, which an actor's ready tongue will narrate anon
in our presence ; so that Medea is not to butcher her
boys before the people, nor impious Atreus cook
human flesh upon the stage, nor Procne be turned
into a bird, Cadmus into a snake. Whatever you
thus show me, I discredit and abhor.

^^' Let no play be either shorter or longer than
five acts, if when once seen it hopes to be called for
and brought back to the stage. And let no god"
intervene, unless a knot come worthy of such a
dehverer, nor let a fourth actor essay to speak.*

1^^ Let the Chorus sustain the part and strenuous
duty of an actor, and sing nothing between acts
which does not advance and fitly blend into the plot.
It should side with the good and give friendly counsel ;
sway the angry and cherish the righteous. It should
praise the fare of a modest board, praise wholesome
justice, law, and peace with her open gates ; should
keep secrets, and pray and beseech the gods that
fortune may return to the unhappy, and depart from
the proud.

2-2 The flute — not, as now, bound with brass and
a rival of the trmnpet, but shght and simple, with
few stops — was once of use to lead and aid the chorus
and to fill with its breath benches not yet too crowded,
where, to be sure, folk gathered, easy to count,
because few — sober folk, too. and chaste and modest.
But when a conquering race began to widen its
domain, and an ampler wall embraced its cities, and
when, on festal days, appeasing the Genius" by
daylight drinking brought no penalty, then both
time and tune won greater hcence. For what taste

* i.e. not more than three speaking characters are to be
on the stage at once. • Cf. Epistlet, ii. 1. 144.

467

HORACE

indoctus quid enim saperet liberque laborum
rusticus urbano confusus, turpis honesto ?
sic priscae motumque et luxuriem addidit arti
tibicen traxitque vagus per pulpita vestem ; 215

sic etiam fidibus voces crevere severis,
et tulit eloquium insolitum facundia praeceps,
utiliumque sagax rerum et divina futuri
sortilegis non discrepuit sententia Delphis.

Carmine qui tragico vilem certavit ob hircum, 220
mox etiam agrestis Satyros nudavit et asper
incolumi gravitate iocum^ temptavit, eo quod
illecebris erat et grata novitate morandus
spectator, functusque sacris et potus et exlex.
verum ita risores, ita commendare dicaces 225

conveniet Satyros, ita vertere seria ludo,
ne quicumque deus, quicumque adhibebitur heros,
regali conspectus in auro nuper et ostro,
migret in obscuras hximili sermone tabernas,
aut, dum vitat humum, nubes et inania captet. 230
efFutire levis indigna Tragoedia versus,
ut festis matrona moveri iussa diebus,
intererit Satyris paulum pudibunda protervis.
non ego inornata et dominantia nomina solum

^ locum BKSir.

' Horace seems to speak flippantly of the style of choruses
in Greek tragedy. He assumes that as the music became
more florid, both speech and thought also lost their simplicity,
the former becoming dithyrambic, the latter oracular and
obscure. It is probable, however, that he has in view the
post-classical drama.

* Tragedy or " goat-song " was supposed to take its
name from the prize of a goat. It was so called, however,
because the singers were satyrs, dressed in goat-skins.
Satyric drama, the subject of this passage, is closely con-
nected with tragedy, and must not be handled as comedy.

468

THE ART OF POETRY, 212-234

could you expect of an unlettered throng just freed
from toil, rustic mixed up with city folk, vulgar ^vith
nobly-born ? So to the early art the flute-player
added movement and display, and, strutting o'er the
stage, trailed a robe in train. So, too, to the sober
lyre new tones were given, and an impetuous style
brought in an unwonted diction ; and the thought,
full of wise saws and prophetic of the future, was
attuned to the oracles of Delphi."

^^ The poet who in tragic song first competed for
a paltry goat ^ soon also brought on unclad the
woodland Satyrs, and with no loss of dignity roughly
essayed jesting, for only the lure and charm of novelty
could hold the spectator, who, after observance of
the rites," was well drunken and in lawless mood.
But it will be fitting so to seek favour for your
laughing, bantering Satyrs, so to pass from grave to
gay, that no god, no hero, who shall be brought
upon the stage, and whom we have just beheld in
royal gold and purple, shall shift with vulgar speech
into dingy hovels, or, while shunning the ground,
catch at clouds and emptiness. Tragedy, scorning
to babble trivial verses, will, hke a matron bidden
to dance on festal days, take her place in the
saucy Satyrs' circle with some little shame. Not
mine shall it be, ye Pisos, if writing Satyric plays, to

It came as a fourth play after a tragic trilogy. Horace
treats this form as if it had developed out of traged j-, whereas
in fact tragedy is an offshoot from it (see e.g. Barnett,
The Greek Drama, p. 11). As for a Satjric drama in Latin,
little is known about it, but Pomponius, according to
Porphyrio on 1. 221, wrote three Satyrica, viz. Atalanta,
Sisyphus, and Ariadne.

* i.e. of Bacchus at the Dionysia, when plays were
performed.

469

HORACE

verbaque, Pisones, Satyrorum scriptor amabo, 235

nee sic enitar tragico difFerre colori,

ut nihil intersit, Davusne loquatur et audax^

Pythias, emuncto lucrata Simone talentum,

an custos famuhisque dei Silenus alumni.

ex noto fietum carmen sequar, ut sibi qui vis 240

speret idem, sudet multum frustraque laboret

ausus idem : tantum series iuncturaque pollet,

tantum de medio sumptis accedit honoris.

silvis deducti caveant me iudice Fauni,

ne velut innati triviis ac paene forenses 245

aut nimium teneris iuvenentur versibus umquam,

aut immunda crepent ignominiosaque dicta :

ofFenduntur enim, quibus est equus et pater et res,

nee, si quid fricti^ ciceris probat et nucis emptor,

acquis accipiunt animis donantve^ corona. 250

Syllaba longa brevi subiecta vocatur iambus,
pes citus ; unde etiam trimetris accrescere iussit
nomen iambeis, cum senos redderet ictus
primus ad extremum similis sibi. non ita pridem,

^ et audax VBCKi an audax a, II.

2 fricti aM(p^p : strict! C : fracti BK5-rr.

' donantque tt.

» For nomina verbaque cf. Sat. i. 3. 103. Plato {Cratylus,
431 b) uses prifiara and dvbfxara to cover the whole of
lanpfuage. The epithet dominantia translates Kvpia. Such
words are the common, ordinary ones, which are contrasted
with all that are in any way uncommon.

* Davus, Pythias and Simo are cited as names of typical
characters in comedy {cf. Sat. i. 10. 40). On the other hand,
Silenus, the jolly old philosopher, who was father of the
Satyrs and guardian of the youthful Dionysus, appeared in
Satyric dramas, e.g. the Cyclops of Euripides.

' By carmen Horace means poetic style, not plot, as some

4-70

THE ART OF POETRY, 235-254

affect only the plain nouns and verbs of established
use <* ; nor shall I strive so to part company with
tragic tone, that it matters not whether Davus be
speaking with shameless Pythias, who has won a
talent by bamboozling Simo, or Silenus, who guards
and serves his di\ine charge.^ My aim shall be
poetry," so moulded from the familiar that anybody
may hope for the same success, may sweat much
and yet toil in vain when attempting the same :
such is the power of order and connexion, such the
beauty that may crown the commonplace. When
the Fauns ^ are brought from the forest, they should,
methinks, beware of behaving as though born at the
crossways and almost as dwelling in the Forum,
plapng at times the young bloods with their mawkish
verses, or cracking their bawdy and shameless jokes.
For some take offence — knights, free-bom, and men
of substance — nor do they greet ^nth kindly feelings
or reward with a crown everything which the buyers
of roasted beans and chestnuts * approve.

^^ A long syllable following a short is called an
iambus — a hght foot ; hence it commanded that the
name of trimeters should attach itself to iambic lines,
though it pelded six beats, being from first to last
the same throughout.^ But not so long ago, that it

have taken it. Thus 11. 240-243 are in harmony with those
that precede and those that follow. The word Return
suggests that this style will look like a new creation. This
is to seem easy enough to tempt others to try it.

•* i.e. Sati,Ts. These wild creatures of the woods must
not speak as though they were natives of the city, whether
vulgar and coarse or refined and sentimental.

* These are still cheap and popular articles of food in
Italy.

' An iambic trimeter contains six feet, but it takes two
feet to make one metrum.

471

HORACE

tardior ut paulo graviorque veniret ad auris, 255

spondeos stabilis in iiira paterna recepit

commodus et patiens, non ut de sede secunda

cederet aut quarta socialiter. hie et in Acci

nobilibus trimetris apparet rarus, et Enni

in scaenam missos cum magno pondere versus 260

aut operae celeris nimium^ curaque carentis

aut ignoratae premit artis crimine turpi.

non quivis videt immodulata poemata iudex,

et data Romanis venia est indigna poetis.

idcircone vager scribamque licenter ? an omnis 265

visuros peccata putem mea, tutus et intra

spem veniae cautus ? vitavi denique culpam,

non laudem merui. vos exemplaria Graeca

nocturna versate manu, versate diurna.

at vestri proavi Plautinos et numeros et 270

laudavere sales, nimium patienter utrumque,

ne dicam stulte, mirati, si modo ego et vos

scimus inurbanum lepido seponere dicto

legitimumque sonum digitis callemus et aure.

Ignotum tragicae genus invenisse Camenae 275
dicitur et plaustris vexisse poemata Thespis,
quae eanerent agerentque peruncti faecibus ora.^
post hunc personae pallaeque repertor honestae
Aeschylus et modicis instravit pulpita tignis
et docuit magnumque loqui nitique cothurno. 280

1 nimium celeris o. * ora aKM, II: atris BC.

" The admission of spondees to the odd places in the
trimeter, though mentioned by Horace as recent, is really
very old. Pure iambic trimeters are occasionally used by
Catullus and by Horace {Epode xvi.).

* The epithet given by this poet's admirers. Cf. EpisL i.
19. 39. " See notes on Epist. ii. 1. 170-176.

•* Jesting from wagons (to. ef a/xd^rjs (TKun/jLara), in the
processions which formed a feature of the vintage celebration,

472

THE ART OF POETRY, 255-280

might reach the ears -sdth somewhat more slowness
and weight, it admitted the steady spondees to its
paternal rights ,<» being obhging and tolerant, but not
so much so as to give up the second and fourth places
in its friendly ranks. In the " noble " ^ trimeters of
Accius this iambus appears but seldom ; and on the
verses which Ennius hurled ponderously upon the
stage it lays the shameful charge either of hasty
and too careless work or of ignorance of the art.
Not every critic discerns unmusical verses, and so
undeserved indulgence has been granted our Roman
poets. Am I therefore to run loose and -WTite %\ith-
out restraint r Or^ supposing that all will see my
faults, shall I seek safety and take care to keep
within hope of pardon ? At the best I have escaped
censure, I have earned no praise. For yourselves,
handle Greek models by night, handle them by day.
Yet your forefathers, you say, praised both the
measures and the wit of Plautus.'U Too tolerant, not
to sav foolish, was their admiration of both, if you
and I but know how to distinguish coai-seness from
wit, and with fingers and ear can catch the lawful
rhythm.*

2"^ Thespis is said to have discovered the Tragic
Muse, a type unknown before, and to have carried
his pieces in wagons to be sung and acted by players
with faces smeared with M-ine-lees."* After him
Aeschylus, inventor of the mask and comely robe,
laid a stage of small planks, and taught a lofty speech
and stately gait on the buskin. To these succeeded

is associated, not with Tragedy, but with Comedy. Horace
seems to confuse the two. The words peruncti faecibus ora
are an allusion to rpvyifioia, a term used of comedy {cf.
Aristophanes, Achamians, 499, 500), and derived from t/w|,
** wine-lees."

473

HORACE

successit vetus his comoedia, non sine multa
laude ; sed in vitium libertas excidit et vim
dignam lege regi : lex est accepta chorusque
turpiter obticuit sublato iure nocendi.

Nil intemptatum nostri liquere poetae, 2S6

nee minimum meruere decus vestigia Graeca
ausi deserere et celebrare domestica facta,
vel qui praetextas vel qui docuere togatas.
nee virtute foret clarisve^ potentius armis
quam lingua Latium, si non ofFenderet unum 290
quemque poetarum limae labor et mora, vos, o
Pompilius sanguis, carmen reprehendite quod non
multa dies et multa litura coercuit atque
praesectum^ deciens non castigavit ad unguem.

Ingenium misera quia fortunatius arte 295

credit et excludit sanos Helicone poetas
Democritus, bona pars non unguis ponere curat,
non barbam,^ secreta petit loca, balnea vitat.
nanciscetur enim pretium nomenque poetae,
si tribus Anticyris caput insanabile numquam 300
tonsori Licino oommiserit. o ego laevus,
qui purgor bilem sub verni temporis horam !
non alius faceret meliora poemata : verum
nil tanti est, ergo fungar vice cotis, acutum
reddere quae ferrum valet, exsors ipsa* secandi ; 305

^ clarisque BCK.

* praesectum VBC: perspectum tt : perfectum a, //.

3 barbas B. * exsortita aBCMRir.

" Fahulae praetextae (or praetextatae) were tragedies with
Roman themes, so called because of the toga praetexta
worn by the actors. Similarly comedies, in which Roman
citizens appeared, were called togatae. Cf. Epist. ii. 1. 57,
and note e.
474

THE ART OF POETRY, 281-305

Old Comedy, and won no little credit, but its freedom
sank into excess and a \aolence deserving to be
checked by law. The law was obeyed, and the
chorus to its shame became mute, its right to injure
being withdrawn.

^^ Our own poets have left no style untried, nor
has least honour been earned when they have dared
to leave the footsteps of the Greeks and sing of
deeds at home, whether they have put native
tragedies or native comedies upon the stage." Nor
would Latium be more supreme in valour and glory
of arms than in letters, were it not that her poets,
one and all, cannot brook the toil and tedium of the
file. Do you, O sons of PompiUus,* condemn a
poem which many a day and many a blot has not
restrained and refined ten times over to the test of
the close-cut nail."

^^ Because Democritus believes that native talent
is a greater boon than wTctched art, and shuts out
from Hehcon poets in their sober senses, a goodly
nxunber take no pains to pare their nails or to shave
their beards ; they haunt lonely places and shun
the baths — for surely one will win the esteem and
name of poet if he never entrusts to the barber
Licinus a head that three Anticyras cannot cure.'*
Ah, fool that I am, who purge me of my bile as the
season of spring comes on ! Not another man would
compose better poems. Yet it's not worth while.*
So I'll play a whetstone's part, which makes steel
sharp, but of itself cannot cut. Though I write

* The Calpurnii are said to have been descended froni
Calpus, one of the sons of Numa Pompilius.

' A metaphor from sculpture ; cf. Sat. i. 5. 32.

" Cf. Sat. ii. 3. 82, 166.

' Viz. to write poetry and lose your wits.

475

HORACE

munus et officium, nil scribens ipse, docebo,
unde parentur opes, quid alat formetque poetam,
quid deceat,^ quid non, quo virtus, quo ferat error.

Scribendi recte sapere est et principium et fons.
rem tibi Socraticae poterunt ostendere chartae, 310
verbaque provisam rem non invita sequentur.
qui didicit patriae quid debeat et quid amicis,
quo sit amore parens, quo frater amandus et hospes,
quod sit conseripti, quod iudicis officium, quae
partes in bellum missi ducis, ille profecto 315

reddere personae scit convenientia cuique.
respicere exemplar vitae morumque iubebo
doctum imitatorem et vivas bine ducere voces,
interdum speciosa locis^ morataque recte
fabula nullius veneris, sine pondere et arte, 320

valdius oblectat populum meliusque moratur
quam versus inopes rerum nugaeque canorae.

Grais ingenium, Grais dedit ore rotundo
Musa loqui, praeter laudem nullius avaris.
Romani pueri longis rationibus assem 325

discunt in partis centum diducere. " dicat
filius Albani^ : si de quincunce remota est
uncia, quid superat? poteras* dixisse." " triens."

rem poteris servare tuam. redit uncia, quid fit ? "
"semis." an,^ haec animos aerugo et cura peculi 330

1 doceat aRd. * iocis K, II.

' Albini, //. * poterat o, //.

* an FjS: &daCMK,II.

" I take doctum as a repetition of qui didicit (1. 312).
The drama is an imitation of life, and the would-be dramatist
who has first learned about life from his studies should next
turn to real life and make his own observations.

*" Some take Iocis as equivalent to sententiis, moral reflec-
tions or commonplaces, which may be used anywhere.

476

THE ART OF POETRY, 306-330

naught myself, I will teach the poet's office and duty ;
whence he draws his stores ; what nurtures and
fashions him ; what befits him and what not ; whither
the right course leads and whither the ^vrong.

^^ Of good writing the source and fount is \\isdom.
Your matter the Socratic pages can set forth, and
when matter is in liand words will not be loath to
follow. He who has learned what he owes his country
and his friends, what love is due a parent, a brother,
and a guest, what is imposed on senator and judge,
what is the function of a general sent to war, he surely
knows how to give each character his fitting part.
I would ad\ise one who has learned the imitative
art to look to Ufe and manners for a model, and draw
from thence hving words." At times a play marked
by attractive passages '' and characters fitly sketched,
though lacking in charm, though without force and
art, gives the people more delight and holds them
better than verses void of thought, and sonorous
trifles.

^^ To the Greeks the Muse gave native wit, to
the Greeks she gave speech in well-rounded phrase * ;
they craved naught but glory. Our Romans, by
many a long sum, learn in childhood to divide the
as into a hundred parts. " Let the son of Albinus
answer.** If from five-twelfths one ounce be taken,
what remains ? You might have told me by now."
" A third." " Good ! you %\-ill be able to look after
your means. An ounce is added ; what's the result ? "
" A half." \Mien once this canker, this lust of petty

* Ore rotundo is here used of stjle, not utterance.

•* This is a school-lesson in arithmetic. The Romans used
a duodecimal system (their as being divided into twelve
ounces), and the children learn to reduce figures to decimals
{in partes centum).

HORACE

cum semel imbuerit, speramus^ carmina fingi
posse linenda cedro et levi servanda cupresso ?

Aut prodesse volunt aut delectare poetae
aut simul et iucunda et idonea dicere vitae.
quidquid praecipies, esto brevis, ut cito dicta 335
percipiant animi dociles teneantque fideles :
omne supervacuum pleno de pectore raanat.
ficta voluptatis causa sint proxima veris,
ne^ quodcumque velit^ poscat sibi fabula credi,
neu pransae Lamiae vivum puerum extrahat alvo. 340
centuriae seniorum agitant expertia frugis,
celsi praetereunt austera poemata Ramnes :
omne tulit punctum qui miscuit utile dulci,
lectorem delectando pariterque monendo.
hie meret aera* liber Sosiis, hie et mare transit 345
et longum noto scriptori prorogat aevum.

Sunt delicta tamen quibus ignovisse velimus :
nam neque chorda sonum reddit, quem volt manus

et mens,
poscentique gravem persaepe remittit acutum ;
nee semper feriet quodcumque minabitur arcus. 350
verum ubi plura nitent in carmine, non ego paucis
ofFendar maculis, quas aut incuria fudit
aut humana parum cavit natura. quid ergo est ?
ut scriptor si peccat idem librarius usque,
quamvis est monitus, venia caret, et^ citharoedus 355
ridetur, chorda qui semper oberrat* eadem :

1 speremiis, II. * nee BC. ' volet, //.

* aere C, // (but not ir). * ut. ^ oberret aM.

" Lamia was " a bugbear of the Greek nursery."

* An ancient classification of the citizens into seniores
and iuniores is here referred to. The former were between
the ages of forty-six and sixty. The terms Ramnes, Titles,
and Luceres were applied to the three centuries of equites

478

THE ART OF POETRY, 331-356

gain has stained the soul, can we hope for poems to
be fashioned, worthy to be smeared with cedar-oil,
and kept in polished cypress ?

^^ Poets aim either to benefit, or to amuse, or to
utter words at once both pleasing and helpful to hfe.
Whenever you instruct, be brief, so that what is
quickly said the mind may readily grasp and faith-
fully hold : every word in excess flows away from
the full mind. Fictions meant to please should be
close to the real, so that your play must not ask for
belief in anything it chooses, nor from the Ogress's "
belly, after dinner, draw forth a h\ing child. The
centuries of the elders chase from the stage what
is profitless ; the proud Ramnes disdain poems *
devoid of charms. He has won every vote who has
blended profit and pleasure, at once dehghting and
instructing the reader. That is the book to make
money for the Sosii" ; this the one to cross the sea
and extend to a distant day its author's fame.

^^ Yet faults there are which we can gladly
pardon ; for the string does not always yield the
sound which hand and heart intend, but when you
call for a flat often returns you a sharp ; nor will
the bow always hit whatever mark it threatens.
But when the beauties in a poem are more in number,
I shall not take offence at a few blots which a careless
hand has let drop, or human frailty has failed to
avert. What, then, is the truth ? As a copying
clerk is without excuse if, however much warned, he
always makes the same mistake, and a harper is
laughed at who always blunders on the same string :

formed by Romulus, so that " Ramnes " is here used for
the young aristocrats.

' For the Sosii, famous booksellers, cf. Epiat. i. 20. 2.

479

HORACE

sic mihi, qui multum cessat, fit Choerilus ille,
quern bis terve^ bonum cum risu miror ; et idem
indignor quandoque bonus dormitat Homerus,
verum operi^ longo fas est obrepere somnum. 360

Ut pictura poesis : erit quae, si propius stes,
te capiat magis, et quaedam, si longius abstes.
haec amat obscurum, volet haec sub luce videri,
iudicis argutum quae non formidat acumen ;
haec placuit semel, haec deciens repetita placebit. 365

O maior iuvenum, quamvis et voce paterna
fingeris ad rectum et per te sapis, hoc tibi dictum
tolle memor, certis medium et tolerabile rebus
recte concedi. consultus iuris et actor
causavum mediocris abest virtute diserti 370

Messallae, nee scit^ quantum Cascellius Aulus,
sed tamen in pretio est : mediocribus esse poetis
non homines, non di, non concessere column ae.
ut gratas inter mensas symphonia discors 374

et crassum unguentum et Sardo cum melle papaver
ofFendunt, poterat duci quia cena sine istis :
sic animis natum inventumque poema iuvandis,
si paulum summo decessit, vergit* ad imum.
ludere qui nescit, campestribus abstinet armis,
indoctusque pilae discive trochive quiescit, 380

ne spissae risum tollant impune coronae :
qui nescit versus tamen audet fingere. quidni ?
liber et ingenuus, praesertim census equestrem
summam nummorum vitioque remotus ab omni.

^ terque aCM. ^ opere 5: opere in aM.

* nee scit VB: nescit a C J/. * pergit £C.

" Dormitat — aitrowdTa^ei. Cf. iv eiriardK-Q yp6.\}/as . . .
dnovva-Tci^eLv rbv At) /j-oa 9 ivrjv (Plutarch, Cicero, 24).

* Poppy-seeds, when roasted and served with honey, were
considered a delicacy, but were spoilt if the honey had a
bitter flavour.
48U

THE ART OF POETRY, 357-384

so the poet who often defaults, becomes, methinks,
another Choerilus, whose one or two good lines cause
laughter and surprise ; and yet I also feel aggrieved,
whenever good Homer "nods,"" but when a work
is long, a drowsy mood may well creep over it.

^^ A poem is Uke a picture : one strikes your
fancy more, the nearer you stand ; another, the
farther away. This courts the shade, that will wish
to be seen in the Hght, and dreads not the critic
insight of the judge. This pleased but once ; that,
though ten times called for, will always please.

^^ O you elder youth, though wise yourself and
trained to right judgement by a father's voice, take
to heart and remember this sa\ing, that only some
things rightly brook the medium and the bearable.
A lawyer and pleader of middling rank falls short of
the merit of eloquent Messalla, and knows not as
much as Aulus Cascellius, yet he has a value. But
that poets be of middling rank, neither men nor gods
nor booksellers ever brooked. As at pleasant ban-
quets an orchestra out of tune, an unguent that is
thick, and poppy-seeds served with Sardinian honey,'
give offence, because the feast might have gone on
without them : so a poem, whose birth and creation
are for the soul's deUght, if in aught it falls short
of the top, sinks to the bottom. He who cannot
play a game, shuns the weapons of the Campus,''
and, if unskilled in ball or quoit or hoop, remains
aloof, lest the crowded circle break out in righteous
laughter. Yet the man who knows not how dares to
frame verses. WTiy not .'' He is free, even free-
born, nay, is rated at the fortune of a knight, and
stands clear from every blemish.

" The Campus Martius in Rome.

2 1 4,81

HORACE

Tu nihil invita dices faciesve^ Minerva ; 385

id tibi indicium est, ea mens, si quid tamen olim
scripseris, in Maeci descendat iudicis auris
et patris et nostras, nonumque prematur in annum,
membranis intus positis : delere licebit
quod non edideris ; nescit vox missa reverti. 390

Silvestris homines sacer interpresque deorum
caedibus et victu foedo deterruit Orpheus,
dictus ob hoc lenire tigris rabidosque^ leones.
dictus et Amphion, Thebanae conditor urbis,^
saxa movere sono testudinis et prece blanda 395

ducere quo vellet. fuit haec sapientia quondam,
pubhca privatis secernere, sacra profanis,
concubitu prohibere vago, dare iura maritis,
oppida moliri, leges incidere ligno.
sic honor et nomen divinis vatibus atque 400

carminibus venit. post hos insignis Homerus
Tyrtaeusque mares animos in Martia bella
versibus exacuit ; dictae per carmina sortes,
et vitae monstrata via est, et gratia regum
Pieriis temptata modis, ludusque repertus 405

et longorum operum finis : ne forte pudori
sit tibi Musa lyrae sollers et cantor Apollo.

1 faciesque aM. * rapidos aCM, II. ' arcis aM.

" The phrase invita Minerva is explained by Cicero,
De off. i. 31. 10, as meaning adversante et repugnante
natura x cf. " crassa Minerva," Sat. ii. 2. 3.

» Cf. Sat. i. 10. 38. ' Cf. Epist. i. 20. 6.

<* The laws of Solon were published thus.

« The first poets were inspired teachers.

f Tyrtaeus, who according to tradition was a lame Attic
schoolmaster, composed marching-songs and martial elegies
for the Spartans in the seventh century b.c.

482

THE ART OF POETRY, 385-407

2^ But you will say nothing and do nothing
against Minerv'a's will "» ; such is your judgement,
such your good sense. Yet if ever you do write
anything, let it enter the ears of some critical
Maecius,^ and your father's, and my ovra ; then put
your parchment in the closet and keep it back till
the ninth year. What you have not pubHshed you
can destroy ; the word once sent forth can never
come back.**

^^ While men still roamed the woods, Orpheus,
the holy prophet of the gods, made them shrink from
bloodshed and brutal h\ ing ; hence the fable that he
tamed tigers and ravening lions ; hence too the fable
that Amphion, builder ofThebes's citadel, moved stones
by the sound of his lyre, and led them whither he
would by his supphcating spell. In days of yore, this
was wisdom, to draw a hne between public and private '
rights, between things sacred and things common,
to check vagrant union, to give rules for wedded life,
to build towns, and grave laws on tables of wood<* ;
and so honour and fame fell to bards and their
songs, as divine.* After these Homer won his renown, \
and Tyrtaeus ^ with his verses fired manly hearts for
battles of Mars. In song oracles were given, and
the way of hfe was shown " ; the favour of kings
was sought in Pierian strains,^ and mirth was found
to close toil's long spell.' So you need not blush
for the Muse skilled in the lyre, and for Apollo, god
of song.

» In didactic poetry such as Hesiod's, and gnomic poetry
such as Solon's.

* A reference to Pindar, Simonides, and Bacchylides.

* The ludus is such festal mirth as was exhibited in the
dramatic performances of the Dionysia. Cf. Epist. ii. 1.
139 ff.

483

HORACE

Natura fieret laudabile carmen an arte,
quaesitum est : ego nee studium sine divite vena,
nee rude quid prosit^ video ingenium : alterius sic 410
altera poscit opem res et coniurat amice,
qui studet optatam cursu contingere metam,
multa tulit fecitque puer, sudavit et alsit,
abstinuit Venere et vino ; qui Pythia cantat
tibicen, didicit prius extimuitque magistrum. 415
nunc^ satis est^ dixisse: "ego mira poemata pango;
occupet extremum scabies ; mihi turpe relinqui est
et quod non didici sane nescire fateri."

Ut praeco, ad merces turbam qui cogit emendas,
adsentatoi-es iubet ad lucrum ire poeta 420

dives agris,* dives positis in faenore nummis.
si^ vero est, unctum qui recte ponere possit
et spondere levi pro paupere et eripere atris®
litibus implicitum, mirabor, si sciet inter-
noscere mendacem verumque beatus amicum. 425
tu seu donaris seu quid donare voles cui,'
nolito ad versus tibi factos ducere plenum
laetitiae : clamabit enim " pulchre ! bene ! recte ! "
pallescet super his, etiam stillabit amicis
ex oculis rorem, saliet, tundet pede terram. 430

ut qui conducti plorant in funere dicunt
et faciunt prope plura dolentibus ex animo, sic
derisor vero plus laudatore movetur.
reges dicuntur multis urgere culullis

^ possit. ^ nee. ^ et BC. * agri BC.

* sin Xtt. * artis : so Bentley. ' qui B : quoi V.

" An allusion to a game of tag, in which the children cried:
habeat scabiem quisquis ad me venerit novi'ssimus.
Horace means that people play at poetry like children. Cf,
Ep. i. 1. 59.

484

THE ART OF POETRY, 408-434

*** Often it is asked whether a praiseworthy poem
be due to Nature or to art. For my part, I do not
see of what avail is either study, when not enriched
by Nature's vein, or native \sit, if untrained ; so
truly does each claim the other's aid, and make with
it a friendly league. He who in the race-course
craves to reach the longed-for goal, has borne much
and done much as a boy, has sweated and shivered,
has kept aloof from •nine and women. The flautist
who plays at the Pythian games, has first learned
his lessons and been in awe of a master. To-day 'tis
enough to say : " I fashion wondrous poems : the
devil take the hindmost ! " 'Tis unseemly for me
to be left behind, and to confess that I really do not
know what I have never learned."

*^^ Like the crier, who gathers a crowd to the
auction of his wares, so the poet bids flatterers flock
to the call of gain, if he is rich in lands, and rich in
moneys put out at interest. But if he be one who
can fitly serve a dainty dinner, and be surety for a
poor man of httle credit, or can rescue one entangled
in gloomy suits-at-law, I shall wonder if the happy
fellow will be able to distinguish between a false
and a true friend. And you, if you have given or
mean to give a present to anyone, do not bring him,
in the fulness of his joy, to hear verses you have
wTitten. For he will call out " Fine ! good !
perfect ! " He will change colour over them ; he
\\i\\ even distil the dew from his friendly eyes, he
will dance and thump the ground with his foot. As
hired mourners at a funeral say and do almost more
than those who grieve at heart, so the man who
mocks is more moved than the true admirer. Kings,
we are told, ply with many a bumper and test witli

485

HORACE

et torquere mero, quem perspexisse laborent,^ 435
an sit amicitia dignus : si carmina condes,
numquam te fallent^ animi sub volpe latentes.

Quintilio si quid recitares, " corrige, sodes,
hoc," aiebat, " et hoc." melius te posse negares
bis terque expertum frustra, delere iubebat 440 ^

et male tornatos^ incudi reddere versus. |

si defendere delictum quam vertere malles, i

nullum ultra verbum aut operam insumebat inanem,
quin sine rivali teque et tua solus amares.
vir bonus et prudens versus reprehendet inertis, 445
culpabit duros, incomptis allinet atrum
transverso calamo signum, ambitiosa recidet
ornamenta, parum claris lucem dare coget,
arguet ambigue dictum, mutanda notabit,
fiet Aristarchus ; nee* dicet: " cur ego amicum 450
ofFendam in nugis ? " hae nugae seria ducent
in mala derisum semel exceptumque sinistre.

Ut mala quem scabies aut morbus regius urget
aut fanaticus error et iracunda Diana,
vesanum tetigisse timent fugientque^ poetam 455
qui sapiunt ; agitant pueri incautique sequuntur.
hie, dum sublimis versus ructatur et errat,

1 laborant, // {not <t>). * fallant <t>f8.

^ torquatos Ex ter natos Bentley. * non, II.

* fugientque a^ : fugentque M: fugiuntque K.

' In one of Aesop's fables, the crow, yielding to the fox's
flatterj% drops the cheese he has found.

* i.e. Quintilius Varus, whose death is lamented in Odes,
i. 24.

« The name of Aristarchus, famous as an Homeric scholar
of Alexandria in the second century B.C., had become pro-
verbial as that of a keen critic.

486

THE ART OF POETRY, 435-457

wine the man they are anxious to see through,
whether he be worthy of their friendship. If you
mean to fashion verses, never let the intent that
lurks beneath the fox ensnare you.<*

*^ If you ever read aught to Qiiintilius,' he would
say : " Pray correct this and this." If, after two or
three vain trials, you said you could not do better,
he would bid you blot it out, and return the ill-
shaped verses to the anvil. If vou preferred defend-
ing your mistake to amending it, he would waste
not a word more, would spend no fruitless toil, to
prevent your lo\ing yourself and your work alone
without a rival. An honest and sensible man will
censure Ufeless lines, he will find fault with harsh
ones ; if they are graceless, he will draw his pen
across and smear them with a black stroke ; he will
cut away pretentious ornament ; he wiU force you
to flood the obscure with light, \vill convict the doubt-
ful phrase, will mark what should be changed, will
prove an Aristarchus." He will not say, " WTiy should
I give offence to a friend about trifles ? " These
trifles will bring that friend into serious trouble,
if once he has been laughed dowm and given an
unlucky reception.

*^^ As when the accursed itch plagues a man, or
the disease of kings,** or a fit of frenzy and Diana's
wrath,' so men of sense fear to touch a crazy poet and
run away ; children tease and pursue him rashly. He,
with head upraised, splutters verses and off he strays;

•* The morbus regius, said to be so called because the
patient was treated with costly remedies, which only the
rich (reges) could afford, was our jaundice and was supposed
to be contagious.

« " Lunacy " was supposed to be caused by the moon,
and the moon-goddess was Diana.

487

HORACE

si* veliiti merulis intentus decidit auceps

in puteum foveamve, licet " succurrite " longuin

clamet " io cives ! " non sit qui tollere curet. 4G0

si curet quis opem ferre et demittere^ funem,

" qui scis, an prudens hue se deiecerit^ atque

servari nolit ? " dicam, Siculique poetae

narrabo interitum. deus immortalis haberi

dum cupit Empedocles, ardentem frigidus Aetnam

insiluit. sit ius liceatque perire poetis : 466

invitum qui servat, idem facit occidenti.

nee semel hoc fecit, nee, si retractus erit, iam

fiet homo et ponet famosae mortis amorem.

nee satis apparet, cur versus factitet, utrum 470

minxerit in patrios cineres, an triste bidental

moverit incestus : certe furit, ac velut ursus,

obiectos* caveae valuit si frangere clatros,

indoctum doctumque fugat recitator acerbus ;

quern vero arripuit, tenet occiditque legendo, 475

non missura cutem, nisi plena cruoris, hirudo.

1 si K8 : sic aEM. ^ dimittere most ms8.

' proiecerit, //. * obiectas E.

" So Thales is said to have fallen into a well while studying
the stars (Plato, Theaetetug, 174 a).

488

THE ART OF POETRY, 458-476

then if, like a fowler with his eyes upon blackbirds, he
fall into a well <* or pit, despite his far-reaching cry,
" Help, O fellow-citizens ! " not a soul will care to
pull him out. And if one should care to lend aid
and let do^^■n a rope, " How do you know," I'll say,
" but that he threw himself in on purpose, and does
not wish to be saved ? " and I'll tell the tale of the
Sicilian poet's end. Empedocles, eager to be thought
a god immortal, coolly leapt into burning Aetna.
Let poets have the right and power to destroy them-
selves. Who saves a man against his %\'ill does the
same as miu-der him. Not for the first time has he
done this, nor if he is pulled out will he at once
become a human being and lay aside his cra\ing for
a notable death. Nor is it very clear how he comes
to be a verse-monger. Has he defiled ancestral ashes
or in sacrilege disturbed a hallowed plot ** ? At any
rate he is mad, and, hke a bear, if he has had strength
to break the confining bars of his cage, he puts learned
and unlearned ahke to flight by the scourge of his
recitals. If he catches a man, he holds him fast and
reads him to death — a leech that will not let go the
skin, till gorged with blood.

* The hidental was a spot struck by lightning, which was
consecrated by a sacrifice of sheep {biderUet).

489

INDEX OF PROPER NAMES

The references are to books and lines in the Latin text. Abbreviatious :
A.P.=An Poetica; E. = Epistles; S.=Satires or Sermones; also adj.=
adjectiTe; a/. = alios; /em. = feminine ; pJur. = plural ; rin^. = singular ;
«iil»<. =sabst&ntiTe.

ACASEJTus, an old Athenian hero.

In a garden dedicated to him and

called Academia, Plato and his

successors taught. E. ii. 2. 45
Accius, Roman tragic poet, bom

170 ac, S. L 10. 53 ; E. u. 1. 56 ;

A. P. 258
Achilles, hero of the Iliad, S. L 7.

12 ; iL 3. 193 ; E. il 2. 42 ; A.P.

120. See Pelides
Achivi, the Greeks, S. ii 3. 194;

E. L 2. 14 ; ii. 1. 33
Actius, adj., of Actiiim, promon-
tory and town of Greece on the

Ambracian Gulf, where Octavius

defeated Antony in 31 &a, £. L

18. 61
Aegaeus, adj., Aegean, applied to

the sea between Greece and Asia

Minor, E. i. 11. 16
Aenulius,(td;.,ofAemilius(LepidusX

who, according to Porphyrio,

set up a gladiatorial school,

A.P. 32
Aeneas, the Trojan hero, son of

Anchises and Venus, S. ii. 5. 63
Aeschylus, Greek tragic poet, E.

U. 1. 163 ; A.P. 279
Aesopus, Roman tragic actor, S.

ii. 3. 239 ; E. ii. 1. 82
Aetna, the famous Mt. Etna in

SicUy, A.P. 465
Aetolus, adj., of Aetolia, in central

Greece, E. i. 18. 46
Afer, adj., African, S. ii. 4. 58 ;

ii. 8. 95
Atenius. a writer of comedies with

a Roman setting, known as
togatae, E. ii. 1. 57

Africa, i.e. Africa Provincia, the
Roman province of Africa, S.
ii. 3. 87

Agave, daughter of Cadmus, wife
of Echion, king of Thebes, who
in the madness of Bacchic rites
tore her son Pentheus to pieces,
S. ii. 3. 203

Agrippa, i.e. M. Vipsanius Agrippa,
S'jn-in-law of Augustus, aedile in
33 B.C., S. ii. 3. 185 ; erected the
Portico of Neptune in 27 b.c.,
B. i. 6. 26 ; had estates in Sicily,
E. L 12. 1 ; conquered the Can-
tabri in 20-19 B.C., E. i. 12. 26

Aiax, Greek hero, son of Telamon,
and brother of Teucer. In his
tragedy, the Ajax, Sophocles
represents Menelaus as forbid-
ding Teucer to burv the dead hero.
S. ii. 3. 187. 193, 201, 211

Albanns, adj., Alban, associated
with the Alban hills, or the
Alban Mount (now Monte Cavo)
near Rome, S. ii. 4. 72 ; B. L 7.
10 ; u. 1. 27

Albino%-anus, i.«. Celsus Albino-
vanus, E. i. H. 1, See Celsus

Albinus, probably a usurer, A.P. 327

Albins, (1) a man of expensive tastes,
S. i. 4. 28, 109; (2) the poet,
Albius TibuUus, E.i.i.\, possibly
son of (1)

Albucius, a name from Lucillns.
S. iL 1. 48 ; iL 2. 67

491

INDEX OF PROPER NAMES

Alcaeus, Lesbian poet, E. i. 19. 29 ;

ii. 2. 99
Alcinous, king of Pliaeacia and

host of Ulysses, E. i. 2. 28
Alcon, a Greek slave, S. ii. 8. 15
Alexander, i.e. Alexander the Great,

king of Macedon, E. ii. 1. 232, 241
Alfenus, a barber, who is said to

have become eminent in the law,

S. i. 3. 130
AUifanus, adj., of Allifae, a town

of Samnium, known for its

pottery, S. ii. 8. 39
Alpes, the Alps, S. ii. 5. 41
Alpinus, properly an adj., of the

Alps, a nickname given to M.

Furius Bibaculus, who wrote an

Aethiopis and a poem on Gaul, S. i.

10. 3(5. See also Furius
Amphion, son of Jupiter and

Antiope, mother of Zethus, and

famous player on the lyre. The

citadel of Thebes was built to the

accompaniment of his music. E.

i. 18. 41, 44 ; ^.P. 394. See Zethus
Aiieus, Ancus Marcius, fourth king

of Rome, E. i. 6. 27
Antenor, a Trojan chief, who pro-
posed to restore Helen to the

Greeks, E. 1. 2. 9
Anticyra, a town in Phocis on the

Corinthian gulf, famous for its

hellebore, S. ii. 3. 83, 106, A. P.

300
Antiphates, king of the Laestry-

gones (Homer, Od. x. 100 f.), A.P.

145
Antonius, (1) Marcus Antonius,

the triumvir, S. i. 6. 33; (2)

Antonius Musa, a freedman and

physician, who cured Augustus

by cold-water treatment, E. i.

15. 3
Anxur, the old name of Terracina,

originally built at the top of a

hill, but later rebuilt on the

plain below, S. i. 5. 26
Anytus, one of the accusers of

Socrates, S. ii. 4. 3
Apella, a Jewish freedman, S. i. 5.

100
Apelles, a famous Greek painter,

E. ii. 1. 239
Apollo, the god, S. 1. 8. 78 ; ii. 6.

492

60; E. i. 3. 17; i. 16. 59; 11. 1

216 ; A.P. 407
Appia (Via), Appian Way, S. i. 5. 6
Appius, i.e. Appius Claudius

Caecus, who in 312 B.C. built the

Appian Way and Aqueduct, E.

i. 6. 26; i. 18. 20. The Forum

Appi, 43 miles south of Rome, was

also named from him, S. i. 53.

The Appius mentioned in S. i. 6.

21 is perhaps Appius Claudius

Pulcher, who was censor in 50 b.o.
Apulia, a district of Italy, S. i. 5. 77
Apulus, adj., of Apulia, S. ii. 1.

34, 38
Aquarius, the water-bearer, a sign

of the Zodiac, S. i. 1. 86
Aquilo, the north wind, or the

North, S. ii. 6. 25; ii. 8. 56;

A.P. 64
Aquinas, adj., of Aquinum, a town

of Latium, E. i. 10. 27
Arabs, an Arab, E. i. 6. 6 ; i. 7. 36
Arbuscula, an actress or mima,

celebrated in Cicero's time (Ad

Att. iv. 15), S. i. 10. 77
Archiacus, adj., of Archias, a maker

of furniture, E. i. 5. 1
Archilochus, Greek iambic poet,

flourished about 650 B.O., S. ii. 3.

12; E. i. 19. 25, 28; A.P. 79
Arellius, a rich neighbour of Horace,

S. ii. 6. 78
Argi, city of Argos, in the Pelopon-
nesus, often representative of

Greece in general, S. ii. 3. 132 ;

E. ii. 2. 128; A.P. 118
Aricia, a town sixteen miles south

of Rome, S. i. 5. 1
Aricinus, adj., of Aricia, E. ii. 2. 167
Aristarchus, a great Homeric critic,

flourished at Alexandria about

180 B.C. ; A.P. 450
Aristippus, founder of the Cyrenaic

school of philosophy, S. ii. 3. 100 ;

E. i. 1. 18 ; i. 17. 14, 23
Aristius Fuscus, a friend of Horace,

S. i. 9. 61 ; i. 10. S3 ; E. i. 10. 1
Aristophanes, the most famous of

Attic writers of comedy, S. i. 4. 1
Armenius, adj., Armenian, E. i. 12.

27
Arrius, whose praenomen was Quin-

tus, and who gave a great funeral

INDEX OF PROPER NAMES

entertainment, mentioned by

Cicero (/n Vatinium, xii.), S. ii 3.

86, 243
Asia, the province of Asia, in Asia

Minor, 6\ i. 7. 19, 24 ; £. L 8. 6
Asina, cognomen of Vinius, E. 1.

IS. 8
Assyrius, adj., of Assyria, A. P. 118
Atabulus, a hot, dry wind, peculiar

to Apulia, the scirocco, S. i. 5. 78
Atacinus. See Varro
Athenae, Athens, 5. i. 1. 64 ; ii. 7.

13 ; E. ii. 1. 213 ; ii. 2. 43, 81
Atreus, son of Pelops, murdered

the children of Thyestes, his

brother, and served them as a

meal to their father, A.P. 1S6
Atrides, son of Atreus, Agamem-
non, .S. iL 3. 187; E. i. 2. 12;

Menelaus, E. i. 7. 43 ; plur. of

both sons, S. ii. 3. 203
Atta, i.e. T. Qnintius .\tt3, a writer

of togatae, who died in 78 B.C.,

E. ii. 1. 79
Attalicus, adj., of Attains, the

name of several kings of Pergamos.

The last of these left his enormous

wealth to the Roman people in

133 B.C., E. i. 11. 5
Atticus, adj., of Attica or Athens,

S. ii. 8. 13
Autidins, perhaps M. Aufldius

Lurco, the first to fatten pea-
cocks for sale, according to PUny

(N.H. X. 23. 20), S. ii. 4. 24
Aufldius Luscus, the "praefectns"

at Fundi, S. i. 5. 34
Autidus, a river of Apulia, now

Ofanto, S. i. 1. 58
Augustus, imperial title of Octaviiis

Caesar, E. i. 3. 2, 7 ; i. 16. 29 ;

ii. 2. 48. See Caesar
Aulis, a town of Boeotia, whence

the Greeks sailed for Troy, S.

ii. 3. 199
Aulus, son of Oppidius, S. ii. 3. 171.

See Cascellius
Auster, the south wind, S. i. 1. 6 ;

ii. 2. 41 ; ii. 6. 18 ; il. 8. 6 ; B. i.

11. 15
Avidienus, a miser, S. it 2. 55

Bacchius, n famous gladiator, S. 1.
7. 2a See Bithus

Bacchus, a god of wine and of poets,

S. L 3. 7 where some editors

read Bacchae, i.e. votaries of

Bacchus ; E. ii. 2. 78
Baiae, a town of Campania, a

favourite seaside resort of the

Romans, E. i. 1. 83 ; i. 15. 2, 12
Baianus, adj., of Baiae, S. ii. 4. 32
Baius, a certain poor man, S. i. 4. 1 10
Balatro, a parasite of Maecenas, S.
. iL S. 21, 33, 40, 83 (cf. S. i. 2. 2)
Balbinus, a person unknown, S.

i. 3. 40
Barbaria, a general term for all

countries not Greek, E. i. 2. 7
Barium, a town in Apulia, now

Bari, S. i. 5. 97. To-day steamers

go from Bari to ports in Albania,

Montenegro, and Dalmatia
Barrus, (1) a vain person, unknown,

S. i. 6. 30; (2) a foul-mouthed

person, S. i. 7. 8
Bellona, sister of Mars, and goddess

of war, S. ii. 3. 223
Beneveutum, a town of Samnium,

now Benevento, S. i. 5. 71
Bestius, probably a character in

Lucilins, E. i. 15. 37
Bibulus, prob;ibly C. Calpumiua

Bibulus, a step-scfh of Brutus .S.

i. 10. 86
Bioneus, adj. , of Bion, a philosopher,

bom in Scythia, who lived in

Athens in the third century B.a,

and was famous for his caustic

wit, E. ii. 2. 60
Birrius, a robber, S. i. 4. 69
Bithus, a gladiator. He and

Bacchius, after slaying many

opponents, finally killed each

other. S. i. 7. 20
Bithynus,a<y., of Bithynia, a Roman

province in Asia Minor, south of

the Euxine, E. i. 6. 33
Boeotus, adj., of Boeotia, a district

in Greece, north-west of Attica

E. ii. 1. 244
Bolanus, ahot-headed acquaintance

of Horace (the name was derived

from Bola, a town of the Aequi)

S. L 9. U
Brundisium, now Brindisi, famous

port of Calabria, S. L 6. 104 ; £

i. 17. 52 ; i. 18. 20

493

INDEX OF PROPER NAMES

Bnitus, i.e. M. Junius Brutus, who
slew Caesar. He was properly pro-
praetor of Macedonia, but after
the coalition of Octavian and M.
Antonius, and the murder of C.
Trebonius, proconsul of Asia, he
assumed the jurisdiction of that
province as well, S. i. 7. 18, 33

BuUatius, a friend of Horace, E. i.
11. 1

Butra, a friend of Torquatus, E. i.
5. 26

Byzantius, adj., of Byzantium,
centre of the tunny fishery of
the Black Sea, S. ii. 4. 66

Cadmus, (1) a public executioner,
S. i. 6. 39 : (2) founder of Thebes
in Boeotia. He and his wife
Harmonia were changed into
serpents (so Ovid, Met. iv. 563 ff.),
A.P. 187

Caecilius, Roman comic poet, older
contemporary of Terence, E. ii.
1. ."iQ ; A.P. 54

Caelius, a robber, S. i. 4. 69

Caeres, adj., belonging to Caere, an
old town of Etruiia, which had
a limited Roman franchise.
Whether thi% was given as a re-
ward or was due to punisliment
imposed, is uncertain, E. i. 6. 62

Caesar, a family name in the Julian
gens ; hence (1) C. Julius Caesar,
the famous statesman and dic-
tator, who left his gardens by his
will to the Roman people, S. i. 9.
18 ; (2) C. Julius Caesar Octavia-
iius, also called Augustus when
emperor, grandnephew of the
dictator, who adopted him as his
son and heir, S. i. 3. 4 ; ii. 1. 11, 19,
84; E. i. 5. 9; i. 12. 28; i. 13.18;
ii. 1. 4 ; ii. 2. 48. See Augustus

Calaber, adj., of Calabria, E. i. 7.
14 ; ii. 2. 177

Calliniachus, famous poet of Alex-
andria, flourished about 270 B.C.,
E. ii. 2. 100

Calvus, i.e. C. Liciniua Cahnis,
orator and poet, friend of Catul-
lus, S. i. 10. 19

Camena, pure Latin name of the
Grefk MoOcra, Muse, S. L 10.

494

45 ; B. i. I. 1; 1. 18. 47 ; L 19

5 ; A.P. 275
Caraillus, i.e. M. Furius Camillus,

who took Veil and freed Rome

from the Gauls, 390 B.C. , £. i. 1. 64
Campanus, adj., of Campania, S. i.

5. 45, 62 ; i. 6. 118 ; ii. 3. 144 ; ii.

8. 56
Campus, the Campus Martins or

Field of Mars, in Rome, S. i. 1.

90 ; i. 6. 126 ; ii. 6. 49 ; E. i. 7.

59 ; i. 18. 54
Canidia, a sorceress, S. 1, 8. 24, 48 ;

ii. 1. 48 ; ii. 8. 95
Canis, (1) the Dog-star, E. i. 10

16 ; (2) a nickname, S. ii. 2. 56
Cantaber, adj., of Cantabria, in

Spain, E. i. 12. 26
Caiitabricus, adj., of Cantabria,

E. i. 18. 55
Canusinus, adj., of Canusium, S.

i. 10, 30
Canusium, a place in Apulia, where

they spoke both Greek and Latin,

S. i. 5. 91 ; ii. 3. 168
Capito. See Fonteius'
Capitolinus. See Petillius
Cappadox, a Cappadocian, living in

Cappadocia, the most eastern

Asiatic province of the Romans,

E. i. 6. 39
Caprius, a public prosecutor, S. i.

4. 66

Capua, a town in Campania, & L
b. 47 ; E. i. 11. 11

Cascellius, with praenomen Aulus,
an eminent jurist, contemporary
of Cicero, but living into the
time of Augustus, A.P. 371

Cassius, (1) Btruscus, a poet, per-
haps same as (2), .<. i. 10. 62 ; (2)
Parmeusis, an elegiac poet, one
of the slayers of Caesar, E. i. 4. 3

Castor, (1) brother of Pollux and
Helen, S. ii. 1. 26 ; E. ii. 1. 5 ;
(2) a gladiator, E. i. 18. 19

Catia, a shameless woman, S. I. 2. 95

Catienus, an actor, S. ii. 3. 61

Catius, according to the scholiasts
either an Epicurean philosopher,
or a writer on the art of baking,

5. iL 4. 1, 88

Cato, (1) the famous censor, M.
Porcius Cato, S. i. 2. 32 ; E.

INDEX OF PROPER NAMES

H. S. 117 ; A.P. 56 ; (2) another
M. Porcius Cato, called Uticensis,
because he killed himself at
Utica, E. i. 19. 13, 14 ; (3) Valerius
Cato, a grammarian of the late
Republic, S. i. 10. 1* (interpo-
lated)

Catullus, the famous Roman poet,
87-54 B.C., S. i. 10. 19

Caudiam, a Samnite town at the
head of the famous Caudine
Forks, S. i. 5. 51

Celsus Albinovanns, a friend of
Horace, one of the staff of Tiberius
and his secretary, E. i. 3. 15 ; i.
8. 1, 17

Ceres, goddess of agriculture, 6'.
ii. 2. 124 ; ii. 8. 14

Cerinthus, a profligate, S. i. 2. 81

Cervius, (1) an informer, S. ii. 1.
47 ; (2) one of Horace's country
neighbours, S. ii. 6. 77

Cethegus, an orator of the old
Republic, consul in 204 B.C., E.
u. 2. 117 ; A.P. 50

Charybdis, a whirlpool in the
straits of Messina (see Homer,
Od. xii. 81 ff^.), A.P. 145

Chios, an island in the Aegean,
E. i. 11. 1, 21

Choerilns, a poet of lasos in Caria,
who followed in the train of
Alexander the Great and com-
posed epic verse upon his
victories, £. ii. 1. 233 ; ^.P. 357

Chremes, an old man figuring in
the Aniria and Heauton. of
Terence, and typical of his form
of comedy, S. i. 10. 40 ; A.P. 94

Chrysippus, a Stoic philosopher,
bom at Soli in Cilicia in 280 rc,
S. i. 3. 127 ; iL 3. 44, 287 ; E. i. 2. 4

Cibyraticus, oulj., of Cib3rra, a town
in southern Phrygia, centre of a
eonventus of twenty-five towns,
E. i. 6. 33

Cicirrhus Messins, an Oscan
("Cicirrhus" is a nickname,
meaning "a cock"X S. i. 5. 52,
66

Cicuta, a moneylender (the name
is probably a nickname, i.e.
"hemlock-poison"), S. iL 3. 69,
175. See PerelUua

Cinara, a girl who figures in Horace's

lyric poetry, E. I 7. 28 ; L 14.

33
Circe, a famous enchantress in

Homer's Odyssey (x. 230 ff.X E.

L 2. 23
Circeii, a promontory in lAtium,

S. ii. 4. 33
Claudius, t.e. Tiberius Claudius

Xero, son of Livia, and later

emperor, E. i. 3. 2; i. 12. 26
Clazomenae, a town in Asia Minor,

on the bay of Smyrna, S. i. 7. 5
Clusinus, adj., of Clusium, lu

Etruria, E. i. 15. 9
Cocceius, i.e. M. Cocceius Nerva,

consul 36 B.C., great-grandfather

of the emperor Kerva, S. L 5.

28, 50
Colchns, an inhabitant of Colchis

on the Black Sea, A.P. 118
Colophon, a city of Ionia, on the

coast of Lydia, E. L 11. 3
Copia, Abundance (a personifica-
tion), E. i. 12. 29
Coranus, a quinqnerir who became

a scriba, S. ii 5. 57, 64
Coriiithus, a city on the Isthmus

of Corinth, E. L 17. 36 ; ii. 1. 193
Corvinus, S. i. 10. 29. See Messalla
Corycius, adj., at Corycus in

Cilicia, S. ii. 4. 68
Cous, adj., of Cos, an island near

Halicarnassus in Caria, S. i. 2.

101 ; ii. 8. 9
Crantor, an Academic philosopher

and a voluminous writer, E. i. 2. 4
Craterus, a physician named in

Cicero's letters {Ad Att. xiL 13. 1 ;

xii. 14. 4), S. ii. 3. 161
Cratinus, a poet of the Old Attic

Comedy, S. i. 4. 1 ; B. L 19. 1
Crispinus, a Stoic writer, despised

by Horace, S. L 1. 120; i. 3. 139;

i. 4. 14 ; ii. 7. 45
Croesus, a wealthy king of Lydia,

E. i. 11. 2
Cumae, a town in Campania, B. L

15. 11
Cupiennius, i.e. C. C!npiennius

Libo of Cumae, a favourite of

Augustus, S. i. 2. 36
Curius, i.e. M. Curius Dentatus,

consul 290 sua, conqueror of the

495

INDEX OF PROPER NAMES

Samnites, Senones, and Pyrrhus,

E. i. 1. 64
Curtillus, unknown except from S.

ii. 8. 52
Cyclops, one of the Cyclopes, a

one-eyed race of giants, especially

the Cyclops Polyphemus, S. i. 5.

63 ; E. ii. 2. 125 ; A.P. 145
Cynicus, a Cynic philosopher, E.

i. 17. 18

Daods, adj., Dacian, of the Daci, a
people on the north bank of the
Danube, S. ii. 6. 53

Dama, a slave-name, S. i. 6. 38 ; ii.
5. 18, 101 ; ii. 7. 54

Damasippus, i.e. Junius Damas-
ippus, a man who figures in
Cicero's Letters as an agent in the
purchase of works of art and other
kinds of property (Ad Att. xii.
29. S3; Adfam. vii. 23). Horace
represents him as a convert to
Stoicism, S. ii. 3. 16, 64, 65, 824

Davus, (1) a slave character in
Comedy, S. 1. 10. 40 ; u. 5. 91 ;
A.P. 237; (2) a slave of Horace,
S. ii. 7. 2, 46, 100

December, the tenth month of the
Roman year, when the Saturnalia
were celebrated, S. ii. 7. 4 ; E.
I. 20. 27

Decius, i.e. P. Decius Mus, who
devoted himself to death in the
Latin War, was the first consul
of his family, the Decian gens
being plebeian, S. i. 6. 20

Delphi, seat of the oracle of Apollo,
A.P. 219

Demetrius, (1) a trainer of actresses
(mimae), S. i. 10. 79, 90, and
probably the simius of 1. 18 ; (2)
a Greek slave, E. i. 7. 52

Democritus, the Eleatic laughing
philosopher of Abdera in Thrace,
E. i. 12. 12; ii. 1. 194; A.P. 297

Diana, sister to Apollo, and goddess
of the Moon, A.P. 16, 454

Digentia, a small river in the Sabine
country, now the Licenza, E.
i. 18. 104

Diomede, or Diomedes, son of
Tydeus, who was famous as a
Greek hero at Troy and later was

496

said to have founded Cannsium

and other towns in Apulia, S. i.

5. 92; i. 7. 16; A.P. 146
Dionysius, a slave-name, S. i. 6. 38
Dolichos (al. Docilis), a gladiator,

E. i. 18. 19

EoERiA, a nymph of Latium who
became wife of Numa, S. i. 2. 126

Erapedocles, a philosopher, bom at
Agrigentum in Sicily, who wrote
a poem on Nature, E. i. 12. 20 ;
A.P. 465

Ennius, a famous Roman epic poet,
born at Rudiae, in Calabria,
240 B.C., author of the Annales,
S. 1. 10. 5i; E. I 19. 7 ; IL 1. 50 ;
A.P. 56, 259

Epicharmus, writer of Doric
comedy, born at Cos, but lived
most of his life in Sicily, E. ii. 1.
58

Epicurus, founder of the Epicurean
school of philosophy, E. i. 4. 16

Epidaurius, adj., of Epidaurus,
a city of Argolis in Greece,
dedicated to Aesculapius, whose
symbol was a serpent, S. i. 3. 27

Btruscus, adj., Etruscan, S. 1. 6.
1 ; i. 10. 61

Eupolis, a poet of the Old Attic
Comedy, S. i. 4. 1 ; ii. 8. 12

Eutrapelus, i.e. P. Volumnius Eu-
trapelus, a knight, and friend of
Antonius, to whom are addressed
two of Cicero's letters (Ad fam.
vii. 32. 33), E. i. 18. 31

Evander, the king of Pallanteum,
who welcomed Aeneas to his
home on the Palatine Hill, S.
i. 3. 91

Fabia, adj. (sc. tribus), the Fabian
tribe, of Roman citizens, E. i. 6. 52

Fabius, a Roman eqites, who wrote
on Stoic philosophy, 5. i. 1. 14 ;
i. 2. 134

Fabricius, adj., of Fabricius, who
in 62 B.C. built the bridge con-
necting the Insula Tiberina with
the left bank of the Tiber, S. ii.
3. 36

Fannius, a vain poet, S. L 4. 21 ;
L 10. 80

INDEX OF PROPER NAMES

Fanni, gods of the forests, identi-
fied with the Greek satyra, the
followers of Bacchus, £. i. 19. 4 ;
A.F. 244

Faiista, daughter of the dictator
Sulla, S. i. 2. 6i

Ferentinuni, a qniet hamlet in the
Alban district, wliere the mem-
bers of the Latin league once
assembled, E. L 17. S

Feronia, an Italian goddess, perhaps
Etrujscan, who had a shrine near
Tarracina, S. L 5. 24

Fescenninus, adj., Fescennine, of
doubtful origin. The Fescennina
carmiiux were coarse verses sung
at rustic festivals and at
weddings, E. iL 1. 145

Fidenae, a town on the Via Salaria,
five miles from Rome, E. i. 11. 8

Flaecus, S. ii. 1. 18. See Horatins

Flavius, a schoolmaster at Yenusia,
S. i. G. 72

Florus, i.e. Julius Floras, a friend
of Horace and of Tiberius, a
student of oratory and a writer
of satires, i. 3, 1 ; ii 2. 1

Fonteius Capito, consul suffectus in
30 B.C., 5. L 5. 32, 38

Fortuna, Fortune (personification),
S. ii. 2. 126 ; u. 6. 49 ; u. 8. 61 ; E.
L 1. 68

Forum Appi. See Appins

Fufidius, a money-lender of Arpi-
num, with whom Cicero had deal-
ings, 6'. i. 2. 12
tifius, an actor, S. ii. 3. 60

Fulvius, a gladiator, S. iL 7. 96

Fundanius, a writer of comedies,
S. i. 10. 42 ; ii. 8. 19

Fundi, a town in Latium on the
Appian Way, now Fondi, S. i.
5. 34

Furiae, goddesses of vengeance, S.
L 8. 45 ; ii. 3. 135 : the singular
Furia, S. ii. 3. 141

Furius, i.e. M. Fiirius Bibacnlus, a
poet of Cremona, whom Quintilian
classes with Catullus and Horace
as a writer of iambics (x. i. 96).
See also Alpinus, S. ii. 5. 41

Fumius, consul 17 B.C., a firiend of
Horace, S. i. 10. 86

Fuscus. See Aristius

Gabii, an old town of Latium,

between Rome and Praeneste,

£. i. 11. 7; L 15. 9; ii. 1. 25;

iL 2. 3
Gaetulus, adj., Gaetulian, African,

the Gaetuli bt-ing a people of

north-west Africa, E. iL 2. ISl
Galba, aJuriscon;<ult, but a man of

low morals, S. i. 2. 46
Galli, (1) priests of Cybele, S. i. 2.

121 ; (2) the Gauls, S. iL 1. 14
GaUina, a gladiator, S. iL 6. 44.

See Thrax
Gallonius, an epicure figuring in

Lucilius, S. iL 2. 47
Garganus, a mountain in Apulia,

now Monte di S. Angelo, E. u. 1.

202
Gargilius, a man who wanted to be

known as a huntsman, E. i. 6. 58
Gargonius, an unsavoury person,

5. i. 2. 27 ; i. 4. 92
Genius, guardian spirit, E. L 7.

94 ; iL 1. 144 ; iL 2. 187 ; A.P.

210
Glaucns, the Lycian hero who,

instead of fighting with Diomedes,

exchanged his golden armour for

the other's brazen (Homer, Iliad

vi.), S. L 7. 17
Glycon, a famous athlete, E. i. 1. 30
Gnatia, or Egnatia, a town of

Apulia, on the Adriatic coast, 5.

L 5. 97
Gracchus, an eloquent orator, like

the famous brothers Gaius and

Tiberius Gracchus, the re-
formers, E. iL 2. 89
Graecia, Greece, £. L 2. 7 ; ii. 1. 93,

156
Graecus, adj., Greek, S. L 5. 3 ; L 7,

32 ; L 10. 20, 31, 35, 66 ; iL 3. 100 ;

E. iL 1. 90, 161 ; ii. 2. 7; A.P. 53,

268, 286
Grains, adj., Greek, E. iL 1. 19, 28 ;

u. 2. 42 ; .4. P. 323
Grosphus, a Roman knight, living

in Sicily, where he owned a large

esUte, JS. L 12. 22

Hadria, the Adriatic, E. L 18. 63
Hagne, a woman loved by Balbinua,

5. i. 3. 40
Harpyia, a Harpy, a monster with

49-

INDEX OF PROPER NAMES

a human head, but the body of a

bird, .<?. ii. 2. 40
Hebrus, a river of Tlirace, now

Maritza, E. i. 3. 3 ; i. 16. 13
Hecate, a goddess of the lower

world, and sister of Latona,

identified with Diana on earth

and Luni in heaven, and tliere-

fore represented with three

heads, S. i. 8. 33
Hector, eldest son of Priam, chief

hero of Troy, slain by Achilles,

S. i. 7. 12
Helena, wife of Menelaus, carried

off by Paris to Troy, S. i. 3. 107
Helicon, famous mountain in

Boeotia, abode of the Muses, E.

ii. 1. 118 ; A. P. 296
Heliodonis, a rhetorician, known

only from S. i. 5. 2. See p. 63
Hellas, a girl murdered by her

lover Marius, S. ii. 3. 277
Hercules, son of Jupiter and

Alcmena, renowned for his

"Labours," E. i. 1. 5 ; sometimes,

like Mercury, regarded as a god

of gain, S. ii. 6. 13
Hermogenes Tigelliiis, a singer and

poet despised by Horace, S. i. 3.

129 ; i. 4. 72 ; i. 9. 25 ; i. 10. 18, SO,

90. See Tigellius and p. 54, note *>
Herodes, i.e. Herod the Great, who

derived a large revenue from the

palm-groves of Judaea, especially

about Jericho, E. ii. 2. 184
Hiberus, adj., Iberian, Spanish,

thepiscis Hiberus was the scom-
ber or mackerel, S. ii. 8. 46
Homerus, the Greek epic poet ; S.

i. 10. 52; E. i. 19. 6; ii. 1. 50;

A. P. 74, 359, 401 (c/. E. i. 2. 1)
Horatius, i.e. Quintus Horatius

Fiaccus, the poet, E. i. 14. 5. See

Flaccus and Quintus
Hydaspes, an Indian slave, named

from tlie river Hydaspes, now

Djelun, S. ii. 8. 14
Hydra, a seven-headed snake, killed

by Hercules, E. ii. 1. 10
Hymettius, adj., of Ilymettus, a

mountain of Attica, .S. ii. 2. 15
Hypsaea, a blind woman, who is

said to have also had tlie name

Plotia or Plautia, S. i. 2. 91

498

Ianus, a two-faced Italian deity,
god of beginnings, entrances, and
undertakings, whose temple, said
to have been built originally by
Numa, stood in the Argiletum,
north of ths Roman Forum. It
was opened on the declaration of
war, but kept closed in time of
peace. S. ii. 6. 20 ; E. i. 16. 59 ;
i. 20. 1 ; ii. 1. 255. Certain arches
in the Forum itself also went by
the name of Ianus, and were the
centre of the banking business of
Rome, S. ii. 3. 18; E. i. 1. 54

larbila, a Moor, E. 1. 19. 15

Iccius, a friend of Horace, pro-
curator of Agrippa's estates in
Sicily, E. i. 12. 1 (c/. Odes i. 29)

Idus, the Ides, the middle of the
Roman month, the fifteenth day
in March, May, July, October ;
the thirteenth in the other
months, .S. 1. 6. 75

Ilerda, atown in Spain, now Lerida,
E. i. 20. 13

Ilia, mother of Romulus and
Remus, S. 1. 2. 126

Iliacus, adj., of Ilion, Trojan; E.
i. 2. 16; A.P. 129

Iliona or Ilione, eldest daughter of
Priam, wifeof Polymnestor, king
of Thrace, wliose son Deiphilus
was killed by his father. This
furnished the subject of the
tragedy Ilione by Pacuwus. S.
ii. 3. 61

Indi, inhabitants of India, E. i. 1.
45 ; i. 6. 6

Ino, daughter of Cadmus and wife
of Athamas, who, after her hus-
band went mad and toie one of
her children to pieces, was
changed into a sea-goddess, A.P.
123

lo, daughter of Inachus, loved by
Jupiter and changed by Juno into
a heifer, A.P. 124

Italia, Italy, S. i. 6. 85; E. i. 12.
29

Italus, adj., Italian, S. i. 7. 82;
ii. 6. 56 ; E. 1. 18. 57 ; ii. 1. 2

Ithaca, Ithaca, an island off the
west coast of Greece, S. iL 5. 4;
B. i. 7. 41

INDEX OF PROPER NAMES

Ithacensb, adj., of Ithaca, E. L 6.

63
[adaena, adj., of Judaea, used a« a

noon, a Jew; pi. the Jews, S.

i. 4. 143 ; L 5. 100 ; L 9. 70
lolios, possibly a freedman of Julias

Caesar, & L 8. 39
lolios Floms. See Floras
lano, danghter of Satoin and wife

of Jupiter, & L 3. 11
lappiter, son of Saturn and king

of the gods, S. L 1. 20 ; L i 18 ;

a. 1. 43 ; iL 3. 288 ; £. i 1. 106 ;

i. 12. 3 : i. 16. 29 ; L 17. 34 ; i. 18.

Ill ; L 19. 43 ; iL L 16, 68. See

Diespiter
Ixion, king of the Lapithae and

&ther of Pirithous. Called per-

Jidtu, because, after being kindlj

treated by Jupiter, he tried to

dishonour Juno, A. P. 124

KAI.KXOAJC, first day of the month,
one of the regular days for the
settling of debts, S. L 3. 87

Earthago, Carthage, 5. ii. 1. 66

LiABEO, «.e. according to the

scholiasts, M. Antistins Labeo,

a Jniisconsult, 5. L 3. 82
Laberins, a Boman knight, who

composed mimes in the time of

Julius Caesar, S. L la 6
Laelius, «.«. C. Laelins Sapiens, a

friend of Scipio and Terence, S.

ii. 1. 65, 72
Laertiades, the son of Laertes, i.€.

Ulysses, S. iL 5. 59. See Ulixes
Laerinus, t.e. P. Valerias Laerinus,

a man of high birth but poor

character, S. L 6. 12, 19
Lamia, (1) a witch who preyed on

children, a vampire, A. P. 340;

(2) L. Aelins Lamia, a friend of

Horace, B. i. 14. 6 (see Odts iii.

17. 1 ff.)
Lares (also sing. Lar), tutelar d« ties

of the hearth, 5. L 5. 66 ; iL 3.

165 ; ii. 5. 14 ; iL 6. 66
Latinae(K. feriae), the Latin games,

the days for which wereappointed

annu^y by the consuls, E.i. 7.

76
Latin us, (1) Latinns, kingof Latinm,

whose danghter I.arinia became
the wife of Aeneas, S L iO. S7
(reading Latini) , (2) adj., ].atin,
S. L 10. 20 , E. i. 3. 12 ; L 19. 32 ;
iL 2. 143; adv. Latins, 5. L 10. S7

Latiom, the plain between tlie
lower Tiber and C^unpania, E.
L 19. 24; iL L 157; iL 2. 121;
^.P. 290

Laurens, adj., of Laurentum, capital
of latium, 5. IL 4. 42

Larema, goddess of thieves, B.
L 16. 60

Lebedu-s, a town of Ionia, neax
Colophon, in Asia Minor, de-
stroyed )>y Lysiroachus after the
battle of Ipsus (301 B.C.), B. L IL
6,7

Leo, constellation of the Lion,
E. L 10. 16

Lepidus, i.e. Q. Aemilius Lepidns,
one of the consuls of 21 B.a, E.
L 20. 28

Lepos, a fionous mime actor, &
ii. 6. 72

Lesbos, Uie island of Lesbos, in the
A^aaan, famous tat its beauty,
its climate, its wine, its art, and
its literature, E. L 11. 1

Liber, the same as 6acchn.s, 5. L 4.
89 ; £. i. 19. 4 ; ii. 1. 5

Libitina, goddess of death, S. iL flw
19 ; £. iL L 49

Libo, as in jmUal LibofiU, " Libo's
well," a well-head in the Forom,
near the Arch of Fabins, where a
tribunal was first set up by one
Libo, JB. L 19. 8 ; ef. S. ii. 6. 35

Libya, the northern part of Africa,
S. iL 3. 101

Libycns, adj., of Libya, E. L 10. 19

Licinns, a barber, A.P. SOI

Linns (Andronicus), who first
brought ont a play in Ri>me in
240 B.C., and translated the
Odgtteg into Satornian verse, E.
iL 1. 62, 69

Lollios, (1) i.«. IL Lollins, consul
in 21 B.a, £ L 20l 28; (2)

- Lollios Maximos, probably a
relative of the former, who served
under Augnstos in tiie Cantabrian
campaign, 25 B.C., & L L 1 ; L
18. 1

499

INDEX OF PROPER NAMES

Iiongarenus, unknown except from

S. i. 2. 67
Lacania, a district of lower Italy,

S. li. 1. 38
Lucanus, culj., of Lncania, S. ii. 1.

34 ; ii. 3. 234 ; ii. 8. 6 ; JS. i. 15. 21 ;

ii. 2. 178
Lucilius, i.e. C. Lucilius, friend of

Scipio, writer of satires, who

lived about 180 to 103 B.C., S. i.

4. 6, 57 ; i. 10. 1* (interpolated
lines) ; i. 10. 2, 53, 56, 64 ; ii. 1.
17, 29, 62, 75

Lncrinus, adj., of the Lucrine lake,
in Campania, S. ii. 4. 32

LucuUus, i.e. h. Licinius Lucullus,
general against Mithridates, ex-
tremely wealthy, E. i. 6. 40 ; ii.
2. 26

Lupus, i.e. L. Cornelius Lentuhig
Lupus, consul 156 B.C., who was
assailed by Lucilius, S. ii. 1. 68

LycAnibes, the father of Neobule,
who betrothed hertoArchilochus,
but later broke his word. The
poet's invectives caused Lycambes
to hang himself. E. i. 19."25. See
Epode vi. 13

Lydi, the Lydians, by whom Etruria
is said to have been settled, S.
1. 6. 1

Lymphae, nymphs of the springs,

5. i. 5. 97

Lynceus, one of the Argonauts, son
of Apliareus and brotlier of Ida,
possessed of very keen sight, S.
i. 2. 90 ; E. i. 1. 28

Lysippus, a famous Greek sculptor
of the fourth century b.c., E.
ii. 1. 240

Maecenas, a Roman knight, friend

of Augustus, and patron of

Horace, S. i. 1. 1 ; i. 3. 64 ; i. 6.

27, 31, 48; i. 6. 1 ; i. 9. 43; i. 10.

81 ; ii. 8. 312 ; ii. 6. 31, 38, 41 ; ii.

7. 33 ; ii. 8. 16, 22 ; E. i. 1. 3 ; i.

7. 5 ; i. 19. 1
Maecius, i.e. Spurius Maecius Tarpa,

a critic of the drama known to

Cicero (Ad fam. vii. 1), A.P. 387
Maenius, a spendthrift, who figured

in Lucilius, S. i. 3. 21 ; E. i. 15.

500

Maia, mother of Mercury, and
daughter of Atlas, S. ii. 6. 5

Maltinus(f<i.Malchinu8), an effemin-
ate person, S. i. 2. 25. See p. 17

Mamurra, a Roman knight of
Formiae, a favourite of Caesar's,
wlio amassed great wealth, S. i.
5. 37

Manes, the spirits of the departed,
the gods below, S. i. 8. 29 ; E.
ii. 1. 138

Marius, a man who murdered his
mistress and then committed
suicide, S. ii. 3. 277

Marsaeus, lover of Origo, S. i. 2. 56

Marsya, Marsyas, a satyr, who
challenged Apollo to a musical
contest and, being defeated, was
flayed alive. A statue of Marsyas
stood in the Forum near the
Rostra. Either the expression
of pain or the uplifted arm is re-
ferred to in S. i. 6. 120 f.

Martins, adj.; of Mars, the god of
war. A.P. 402

Matutinus, adj., belonging to the
morning, or used as a noun, god
of the morning, a term applied
to lanus, S. ii. 6. 20

Maximus, E. i. 2. 1. See Lollius

Medea, the sorceress, daughter of
Aeetes in Colchis, whence she
fled with Jason the Argonaut,
who afterwards deserted her.
She then slew their common
children. This is the subject of
the Med-ea of Euripides. A.P.
123, 185

Meleager, son of Oeneus and
Althaea, was the half-brother of
Tydeus (son of Periboea), father
or Diomedes. He was cursed by
his mother for the death of his
two brothers, and her Erinnys
pursued him to his death. A.P.
146

Memnon, son of Tithonus and
Aurora and king of the Ethi-
opians. His death at the hands
of Achilles was the subject of
the Aethiopis of Arctinus, a
cyclic poet. S. i. 10. 36

Mena, or Menas, a name contracted
from the Greek Menodorua. He

INDEX OF PROPER NAMES

was a freednian, and took the
Roman genti le name Voltt ivs from
his patron. B. L 7. 55, 61. See
Volteins

Menander, famous writer of the
New Attic Comedy, lived from
342 to 290 B.a, S. ii. 3. 11 ; E.
iL 1. 57

Menelaus, son of Atreus, brother of
Agamemnon, and husband of
Helen, S. ii. 3. 198. See Atrides

Menenius, a roadman, 5. ii. 3. 287

MercuriaUs, adj., of Mercury, the
god of gain, 5. ii. 3. 25

Mercurins. Mercury, son of Jupiter
and Maia, and messenger of the
gods, god of gain and good
luck, S. ii 3. 68 ((/. ii. 6. 5)

Uessalla, a name associated with
the aristocratic Valerian gens.
M. Valerius MessaUa Corvinus,
orator and historian, was consul
in 31 B.C., and triumphed over
the Aqoitani in 27 b.c. He had
a brother, L. Gelliiis Pnblicola,
who was consul in 36 b. a S.
L 6. 42; i. 10. 85; A. P. 371

Hessius, & i. 5. 52, 54. SeeCicirrhns

Metella, perhaps Caecilia Metella,
divorced wife of P. Comehns
Lentolns Spinther, 5. ii. 3. 239

Metellus, t.*. Q. Caecilius Metellns
Macedonicus, consul 143 b.c.,
political opponent of Scipio, S.
ii. 1. 67

Methynmaens, adj., of MethjTnna,
a town in Lesbos, S. ii. 8. 50

Miletus, a city of Ionia in Asia
Minor, E. i. 17. 30

Milonius, according to PorphjTio,
a seurra or parasite, S. ii. 1. 24

Himnennus, an elegiac poet of
Colophon, of the sixth century
B.C., E. i. 6. 65; ii. 2. 101

Minerva, goddess of wisdom, patro-
ness of arts and science, S. ii. 2.
3 ; A. P. 385

Mintumae, a town on the borders
of Latinm and Campania, at the
mouth of the Liris, £. i. 5. 5

Minucius, who gave his name to
the Via Minucia, which ran from
Bmndisiom to Beneventum, E.
L18.20

Misenom, a promontory of Cam
pania, north of the bay of Naples,
S. ii. 4. 33

Mitylene, capital of Lesbos, E. L
11. 17

Molossus, adj., of the Molossians,
who lived in Eastern Epims, 8.
ii. 6. 114

Moschus, a rhetorician from Per-
gamum, who was tried for poison-
ing, £. L 5. 9

Mucins, a famous lawyer, probably
P. Mucins Scaevola, consul in 133
B.a, or his son Q. Mucius
Scaevola, consul in 95 b.c., £. ii.
2. 89

Mulvius, a parasite, S. ii. 7. 36

Munatius, son of L. Munatina
Plancus, the consul of 42 B.&
(see Odes i. 7. 19 ; iiL 14. 28) ; E.
i. 3. 31

Mnrena, Cc. L. Licinins Mnrena,
brother-in-law of Maecenas, S. i,

5. 38

Mosa, (1) a Muse, S. L 5. 53 ; ii. 3.

105 ; ii. 6. 17 ; £. i. 3. 13 ; i. 8. 2;

i. 19. 2S ; ii. 1. 27, 133, 243 ; iL

2. 92; A.P. 83, 141, 324, 407;

(2) Musa Antonius. See Autonius
Mutns, unknown elsewhere, E. i,

6. 22

Nakvius, (1) * spendthrift, S. L 1.
101 ; S. ii. 2. i>8 (perhaps not the
same) ; (2) a poet from Campania
of the third century B.C. (he wrote
dramas and also an epic, the
BeUum Pvnicum, this last in
Satumian verse), E. ii. 1. 53

Nasica, a man who, being in debt
to Coranus, gave him his daughter
in marriage, S. ii. 5. 57, 65, 67

Kasidienus, Rufns (probably a
fictitious nameX a wealthy up-
start, S. U. 8, 1, 58, 75, 84

Natta, a stingy person, S. i. 6. 124

Xeptunus, Neptune, god of the sea,
E. i. 11. 10; A.P. 64

Nero, t.e. Tiberius Claudius Nero,
£. L 8. 2 ; i. 9. 4 ; L 12. 26 ; ii,
2. 1. See Claudius

Nestor, son of Neleus, king of
Pylu-s, oldest of the Greeks before
Troy, B.i.%n

2k2

501

INDEX OF PROPER NAMES

Nomentanus, (l)a spendthrift, who

figures in Lucilius, S. i. 1. 102 ;

18. U ; ii. 1. 22 ; ii. 3. 175, 224 ;

(2) a parasite, S. ii. 8. 23, 25, 60
Novius, a money-lender, one of two

brothers, S. i. 3. 21 ; i. 6. 40 ; i.

6. 121
Numa, i.e. Numa Pompilms,

second king of Rome, E. i. 6.

27 ; ii. 1. 86
Numicius, unknown, E. i. 6. 1

OcTAViua, a poet and historian,
friend of Horace, S. i. 10. 82

Ofellus, a country neighbour of
Horace's, S. ii. 2. 2, 53, 112, 133

Olympia, the Olympic games, cele-
brated every four years at Olym-
pia, in Elis, E. i. 1. 50

Opimius, a miser, S. ii. 3. 142

Oppidius, i.e. Servius Oppidius, a
man of Canusium who had two
sons, Aulus and Tiberius, S. ii.
3. 168, 171, 173

Orbilius, a native of Benevenlum,
who set up a school there, and
later in Rome, E. ii. 1. 71

Orbius, a rich landowner, E. ii. 2.
160

Orcus a god of the lower world.
Death, S. ii. 5. 49 ; E. ii. 2. 178

Orestes, son of Agamemnon and
Clytemnestra. He killed his
mother and was driven mad by
the Furies. S. ii. 3. 133, 137;
A.P. 124

Origo, a mima, or actress, S. i. 2.

55
Orpheus, a mythical bard of Thrace,
whose song charmed wild beasts,
A.P. 392
Oscus, adj., Oscan, of the Oscans,
a primitive people of Italy, S. i.

5. 54
Osiris, an Egyptian deity, husband
of Isis, E. i. 17. 60

Pacideianus, agladiator, " the best

that ever lived," according to

Lucilius, S. ii. 7. 97
Pacuvius, a famous writer of

tragedies, nephew of Eunius, E.

ii. 1. 56. See Ilione

502

Palatinus, adj., of the Palathie,
where Augustus in 28 b.c. dedi-
cated a temple to Apollo, with a
public library, E. i. 3. 17
Pantilius, unknown, S. i. 10. 78
Pantolabus, a parasite. The name
is probably coined for satire
{ttolv +\a^eii', " all-receiver "), S.
i. 8. 11 ; ii. 1. 22
Paris, son of Priam and Hecuba,
who carried off Helen, wife of
Menelaus, and so led to the Trojan
war, E. i. 2. 6, 10
Parius, adj., of Paros, an island of
the Cyclades in the Aegaean,
famous for its marble and as the
birtliplace of Archilochus, E. i.
19. 23
Parmensis. See Cassius
Parthus, a Parthian. TheParthians
lived north-east of the Caspian
Sea, S. ii. 1. 15 ; ii. 5. 62 ; E. i.
18. 66 ; ii. 1. 112, 256
Paulus, a cognomen of the Aemilian
gens, to which belonged L.
Aemilius Paulus, consul in 216
B.C. ; his son, the conqueror of
Perseus, and the younger Scipio
Africanus, the latter's son, S. i.
6. 41
Pausiacus, adj., of Pausias, a Greek
painter from Sicyon, contempor-
ary of Apelles in the fourth
century B.C., S. ii. 7. 95
Pedanus, adj., of Pedum, a town
between Xibur and Praeneste,
E. i. 4. 2
Pediatia, a feminine name given in
contempt to one Pediatius, a
Roman knight who had lost both
fortune and repute, S. i. 8. 39
Pedius, an orator, probably the son
of Q. Pedius, who was consul in
43 B.C., S. i. 10. 28
Peleus (the subject of a tragedy by
Sophocles), son of Aeacus, was
driven from Aegina for the murder
of his half-brother Phocus, A.P.
96, 104
Pelides, son of Peleus, Achilles, E.

i. 2. 12. See Achilles
Penates, the Penates, household
gods, S. ii. 3. 176 ; E. i. 7. 94
I Penelope, the faithful wife of

INDEX OF PROPER NAMES

Ulysses, 5. U. 5. 76, 81 ; £. i. 2.

Pentheus, king of Thebes, torn in
pieces by his mother Agave
because he had mocked at the
rites of Bacchus, E. i. 16. 73.
See Agave

Perellius, a banker, perhaps the
' same as Cicuta, 5. ii. 3. 75

Persius, a wealthy man of Clazo-
menae, bom of a Greek father and
a Roman mother, S. i. 7. 2, 4, 19,
33

Petillius Capitolinns, said to have
been accused of stealing the gold
crown from the statue of Jupiter
on the Capitol, and to have been
acquitted by Caesar. The story
is an exaggeration, because the
name Capitolinus, which is said
to have been given Petillius be-
cause of the charge, was a cogno-
men of the Petillia gens, and the
crime of stealing the crown of
Jupiter is proverbial in the plays
of Plautus. S. i. 4. 94 ; L 10. 26

Petrinus, a town in the Falemian
district, E. i. 5. 5

Phaeax, a Phaeacian. The Phae-
acians were mythic inhabitants
of Corcyra, subjects of Alcinous,
and living in luxury, E. 1. 15. 24

Philippi, a town of Macedonia,
now Filibi, where Brutus and
Cassius were defeated by Oc-
tavius and Antony, 42 b.c., E.
ii. 2. 49

Philippus, (1) L. Marcius Philip-
pus, consul 91 B.C., a distin-
gnished lawyer, £. i. 7. 46, 52,
64, 66, 78, 89, 90 ; (2) a gold coin,
the Macedonian stater, bearing
the head of Philip the Great,
worth rather more than one
guinea, or five dollars, E. ii. 1. 234

Philodemus, of Gadara, poet and
Epicurean philosopher, who lived
at Rome in the time of Cicero,
S. L 2. 121

Phraates, king of the Parthians,
who in 20-19 B.& restored to the
Romans the standards taken
from Crassos at Charrae, E. i.
IS. 37

Picenns, adj., of Picennm, a di»
trict of Italy on the Adriatic,
S. ii 3. 272 ; ii. 4. 70

Pieriu-s, adj., Pierian, Thessalian,
from Pieria in Thessaly, haunted
by the Muses, A. P. 405

Pindaricus, adj., of Pindar, from
Thebes in Boeotia, greatest of
the Greek lyric poets, £. i. 3.
10

Pisones or Pisos, a father and two
sons, to whom the Ars Poetica is
addressed. According to Por-
phyrio, the father was L. Cal-
pumius Piso, praefedus urbi in
A. V. 14. Others hold that he waa
Cn. Calpumius Piso, who, like
Horace, fought under Brutus
and Cassius at Philippi. He had
a son, Cneius, who was consul
7 B.C., and another Lucius, who
was consul in 1 b.c. A. P. 6, 235.
See Pompilius

Pitholeon, according to Bentley
the same as Pitholaus, who
libelled Julius Caesar in his
verses (Suetonius, ItUiiis, 75),
S. i. 10. 22

Plato, (1) the comic poet, repre-
sentative of Attic Middle
Comedy, S. ii. 3. 11 ; (2) cele-
brated Greek philosopher, dis-
ciple of Socrates, 5. ii. 4. 3

Plautinus, adj., of Plautus, A.P.
270

Plautus, Roman comic poet, who
died in 184 b.c. ; E. ii. 1. 58, 170 ;
A.P. 64

Plotius, i.e. Plotius Tucca, friend
of Virgil and Horace. He and
Varius were Virgil's literary
executors. S. i. 5. 40 ; 1. 10. 81

Polemon, a luxurious Athenian
youth, reformed by Xenocrates,
whom he succeeded as head of
the Academic school of philo-
sophy, 5. ii. 3. 254

PoUio, i.e. C. Asinius PoUio, dis-
tinguished as statesman, orator,
historian, and tragic poet, S.
i. 10. 42, 85

Pollux, twin brother of Castor,
E. ii. 1. 5 (c/. S. ii. L 26)

Pompeius Grosphns. See Orosphns

503

INDEX OF PROPER NAMES

Pompilius, adj., Pompilian. The
Calpurnian gens, to which the
Pisones belonged, claimed de-
scent from Numa Pompilius,
second king of Rome. A. P. 292

Pomponius, a dissolute youth, S.

1. 4. 52

Porcius, a parasite of Nasidienus.
Tlie name is probably fictitious
and chosen for its meaning
(porcus, a pig), S. ii. 8. 23

Praeneste, an ancient city of
Latium, now Palestrina, E. i.

2. 2

Praenestinus, adj., of Praeneste,

i.'. i. 7. 28
Priamides, son of Priam, Hector,

.«!. i. 7. 12
Priamus, Priam, king of Troy, S.

ii. 3. 195 ; A. P. 137
Priapus, god of gardens (his image

served as a kind of scarecrow),

S. i. 8. 2
Priscus, a changeable person, S.

ii. 7. 9
Procne, wife of Tereus and sister

of Philomela, changed into a

swallow, A. P. 1S7
Proserpina, daughter of Ceres and

wife of Pluto, S. ii. 5. 110
Proteus, a sea-god, who had the

power of changing himself into

all kinds of forms, S. ii. 3. 71 ;

E. i. 1. 90
Publicola, cognomen of Q. Pedius,

S. i. 10. 28, though some take it

there with Corvinus. See Mes-

salla
Publius, a praenomen, S. ii. 6. 32
Pupius, a tragic poet, E. 1. 1. 67
Pusilla, a pet name for a girl,

meaning " tiny," S. ii. 3. 216
Puteal. See Libo
Pylades, faithful friend of Orestes,

S. ii. 3. 139
Pyrria, a maid - servant who

figured in a togata of Titinius,

E. i. 13. 14
Pythagoras, a philosopher of Samos

of the sixth century b. c, who

believed in the transmigration of

souls, S. ii. 4. 3 ; ii. 6. 63
Pythagoreus, adj., of Pythagoras,

E. ii 1, 52

504

Pythia, the Pythian games, cele
brated every five years at Delphi
in honour of Apollo, A.P, 414

Pythias, a maid figuring as a char-
acter in a play of Caecilius, A.P.
238

QuiNCTios, unknown except firom B.
i. 16. 1

Quinquatrus, a festival of five days
in honour of Minerva, beginning
on March 19th, during which
school-boys had holidays, E. ii.
2. 197

Quintilius, i.e. Quintilius Varus, of
Cremona, a friend of Virgil and
Horace (see Odes i. 24), A.P. 438

Quintus, (1) Horace's own praeno-
men, S. ii. 6 37 ; (2) an ordinary
praenomen, S. ii. 8. 243 ; ii. 5. 32

Quirinus, i.e. Romulus, representa-
tive of the Roman people, S.
i. 10. 32

Quiris, a Roman citizen, E. i. 6. 7

Ramnes, one of the three centuries
of equites or knights established
by Romulus. They represent
the equites of Horace's day, and
stand for youngmen as contrasted
with old. ^.P. 342

Rex, i.e. Rupilius Rex, of Praeneste,
who served in Africa under Attius
Verus, became Praetor under
Julius Caesar, and later joined
the army of Brutus, S. i. 7. 1, 6,
6, 9, 19, 25, 35

Rhenus, the river Rhine, S. 1. 10.
37; A.P. 18

Rhodius, adj., of Rhodes, S.
i. 10. 22

Rhodos, the island of Rhodes, off
the south - west coast of Asia
Minor, E. i. 11. 17, 21

Roma, Rome, S. i. 5. 1 ; i. 6. 76 ;
ii. 1. 59 ; ii. 6. 23 ; ii. 7. 13, 2S ; E.
i. 2. 2 ; i. 7. 44 ; i. 8. 12 ; i. 11.
11, 21 ; i. 14. 17 ; i. 16. 18 ; i. 20.
10; ii. 1. 61, 103, 256; ii. 2. 41,
65, 87

Romanus, adj., Roman, S. i. 4.
85; i. 6. 48; ii. 1. 37; ii. 2. 10,
52; ii. 4. 10; ii. 7. 54; E. i. 1. 70;
1. 3. 9 ; 1. 12. 25 ; 1. 18. 49 ; IL 1.

INDEX OF PROPER NAMES

29; {£ 2. M; A.P. 54, 118, 264,
285, 325

Romulus, the mythical founder of
Rome, E. ii. 1. 5. See Quirinus

Roscius, (1) a person unknown, 5.
U. 6. 35 ; (2) the great actor, a
friend of Cicero, E. ii. 1. 82 ; (3)
adj., Roscian. The Roscian Law,
passed by L. Roscius Otho in
67 ac, gave the first fourteen
rows in the theatre to the equites,
who had to have a property
minimum of 400,000 sesterces, E.
i. 1. 62

Rnbi, now Ruvo, a town about
thirty miles from Canusium, S.
i. 5. 94

Rufa, a pet name for a girl ( = " red-
hi^ded "), 5. ii. 3. 216

Rutillus, an unknown fop, S. L 2.
27 ; i. 4. 92

Rufus. See Nasidienus

Ruso, i.e. Octavius Ruso, a money-
lender, who also wrote histories,
S. i. 3. 86

Rutuba, a gladiator, S. iL 7. 96

Sabbata, the Jewish Sabbath, S.

i. 9. 69
Sabellns, adj., Sabellian or Sabine,

of the Sabelli or Sabini, S. i. 9.

29 ; ii. 1. 36 ; K L 16. 49
Sabinus, (1) adj., Sabine, of the

Sabines, a people of Central Italy,

S. ii. 7. 118 ; E. i. 7. 77 ; ii. 1. 25 ;

(2) a friend of Torquatus, E. L 5. 27
Sagana, a witch, S. L 8. 25, 48
Salemum, a town in Campania,

now Salerno, E. L 15. 1
Saliaris, adj., of the Salii, the

twelve dancing priests of Mars,

E. ii. 1. 86
Sallnstius, t.e. C. Sallustius Cri.spus,

grand - nephew of the historian

Sallust (see Odes ii. 2), S. i. 2. 48
Samnites, the Samnites, living in

Central Italy, E. u. 2. 98
Samas, an island off the coast of

Asia Minor, now Samo, E. i. 11.

2, 21
Sappho, the famou.s poetess of

Lesbos, of the sixth century B.C.,

E. i. 19. 28
Sardis, capital of Lydia, E. i. U. 2

Sard OS, adj., from Sardinia, 5. i. 8
5; ^.P. 375

Sarraentu.s, a slave of M. Favonius,
of Etruscan birth, freed by Ma»
cenas, became a »criba in the
quaestor's department and sat
among the equiUs. When old he
was reduced to poverty, S. i. 5.
52, 55, 56

Satureianos, adj., of Saturium, the
district in which Tarentum in
southern Italy was founded, S. i-
6. 59

Saturnalia, a festival beginning on
the 17th December, during which
the Romans granted much licenca
to their slaves, S. ii. 3. 5

Satnmius (numerus), the Satumian
measure, a verse form native to
Italy, used by LiWus Audronicus
in his translation of the Odyssey,
and by Naevius in his epic on
the Punic War. It seems to have
been based on accent rather than
on quantity, E. iii. 1. 158

Satyrus, a satyr, a companion of
Bacchus, represented with the
ears and tail of a goat. Also
used in pi. of the Greek Satyric
drama, in which Satyrs formed
the chorus. E. i. 19. 4 ; ii. 2. 125 ;
A.P. 221, 226, 233, 235

Scaeva, (1) a spendthrift, who poi-
soned his mother, S. ii. 1. 53 ;
(2) the unknown person to whom
E. L 17 is addressed ; see p. 358

Scanrus, adj., "with swollen
ankles," perhaps a proper name
in S. i. 3. 48

Scetanus, a proftigate, S. L 4. 112

Scipiadas, one of the family of the
Scipios, a Scipio (the form was
used by Lucilius), S. ii. 1. 17, 72

Scylla, a sea-monster dwelling on
one side of the Straits of Messene,
A.P. 145. See Charybdis

September, adj., belonging to Sep-
tember, the seventh month of
the Roman year, E. i. 16. 16

Septicius, a friend of Torquatus, E.
i. 5. 26

Septimius, a friend of Horace, whom
the poet introdoces to Tiberius
in £. L e

505

INDEX OF PROPER NAMES

Servilius (Balatro). See Balatro

Servius, (1) perhaps the son of
Servius Sulpicius Rufus, a lawyer
and friend of Cicero, S. i. 10. 86 ;
(2) see Oppidius

Sextilis, the sixth month of the
Roman year, afterwards called
August, E. i. 7. 2 ; i. 11. 19

Siculus, adj., Sicilian, E. i. 2. 58;
i. 12. 1; ii. 1. 68; A. P. 403

Sidonius, adj., of Sidon, a city of
Phoenicia, Phoenician, E. i. 10.
26

Silenus, an old Satyr, chief attend-
ant of Bacchus, A.P. 239

Silvanus, an Italian god of forests
and the country, E. ii. 1. 143

Simo, an old man, figuring in a
comedy of Caecilius, A.P. 238

Sinuessa, a town of Latium, near
the modern Mondragone, S. i. 5.
40

Sinuessanus, adj., of or near Sinu-
essa, E. 1. 6. 6

Siren, a Siren. The Sirens were
fabulous creatures, half maiden,
half bird, living on rocky islands
near the Campanian coast, and
with their songs enticing sailors
to their destruction. See Homer,
Odyssey,xn. S. ii.3. 14 £.1.2.22

Sisenna, a foul-mouthed person, S.
i. 7. 8

Sisyphus, (1) a dwarf in the house
of M. Antonius, S. i. 3. 47 ; (2)
mythical founder of Corinth,
famous for its bronze, subject of
a Satyric drama of Aeschylus,
S. Ii. 3. 21

Smyrna, a famous city of Ionia, E.
i. 11. 3

Socraticus, adj., of Socrates, the
famous Atlienian philosopher,
A.P. 310

Sophocles, famous Greek tragic
poet of the 5th century B.C., E.
ii. 1. 163

Sosii, brothers, who were Horace's
booksellers, E. i. 20. 2 ; ^.P. 345

Staberius, a miser, S. ii. 3. 84, 89

Stertinius, (1) a philosopher, who
wrote 220 volumes on Stoicism ;
S. a 3. 33, 296 ; (2) adj., of Ster-
tinius, E. I 12. 20

506

Stoicus, a Stoic, S. Ii. 3. 160, 300

Suadela, the goddess of Persuasion,
a personification ( = Tlei0a)), E.
i. 6. 38

Sulcius, a public prosecutor, S.
i. 4. 65

Sulla, i.e. L. Cornelius SuUa, the
dictator, S. i. 2. 64

Surrentum, a city at the south end
of the Bay of Naples, now Sor-
rento, E. i. 17. 52

Syrus, (1) a common slave-name,

5. 1. 6. 38; (2) a gladiator, S. ii.

6. 44

Tanais, a freedman of Maecenas, a
eunuch, S. i. 1. 105

Tantalus, a Phrygian king, who
offered his own child as food for
the gods, and was punished in
Hades by a craving for food and
drink that escaped his reach, S.
i. 1. 68

Tarentinus, adj., of Tarentum,
where a famous purple dye was
produced, E. ii. 1. 207

Tarentum, a city of Calabria in
southern Italy, now Taranto, S.
i. 6. 105 ; u. 4. 34 ; E. i. 7. 45 ;
i. 16. 11

Tarpa, i.e. Spurius Maecius Tarpa,
S. i. 10. 38. See Maecius

Tarquinius, i.e. Tarquinius Super-
bus, last king of Rome, S. i. 6. 13

Taurus, i.e. T. Statilius Taurus,
who was consul for the second
time in 26 b.c, E. i. 5. 4

Teanum, i.e. Teanum Sidicinum, a
town in Campania, now Teano,
E. i. 1. 86

Telemachus, son of Ulysses and
Penelope, who visited Menelaus
in Sparta in quest of news of his
father (Homer. Odyssey iv.), E. L

7. 40

Telephus, son of Hercules, and king
of Mysia. He was wounded by
the spear of Achilles, but finally
healed by its rust. This was the
subject of a tragedy by Euri-
pides, A.P. 96, 104

Tellus, the goddess Earth, all-
nourishing, E. ii. 1. 143

Terentius, i.e. P. Terentius Afer^

INDEX OF PROPER NAMES

oomio poet, who lived 185-159
B-c, S. L 2. 20 ; li. 1. 59

Teucer, son of Telamon, king of
Salamis, and Hesione, and brother
of Ajax, 6". ii. 3. 204. See Aiax

Thebac, a city of Uoeotia, founded
by Cadmus with the help of Ani-
phion, birth-place of Pindar, 5.
ii. 5. 84 ; K. L 16. 74 ; ii 1. 213 ;
A.P. 118

Tbebanus, adj., of Thebes, B. i 3.
13 ; A.P. 394

Theoniuus, adj., of Theon, an un-
known person of a bitter tongue,
E. i. 18. 82

Thespis, of Icaria, who first exhi-
bited tragedies in Athens, E. ii

1. 163 ; A.P. 276

Thessalus, adj., of Thessaly, a
country of northern Greece,
famous for magic and drugs, E.
ii. 2. 209

Thraca, Thrace, a land north of
Greece, E. i 3. 3 ; i. 16. 13

Thrax, wJj., Thracian, or as subsL,
a Thracian, a name given to a
gladiator who was anued with
a Thi-acian buckler and short
sword, S. ii 6. 4 ; B. i. 18. 36

Thuriiius, adj., of Thurii, a town of
Lucania, on the Tarentine Gulf,
& ii. 8. 20

Thyestes, son of Pelops, brother of
Atreus, who placed before him for
food his own son, A.P. 91

Tiberinus, adj., of the Tiber, S. ii

2. 31 ; E. i 11. 4

Tiberis, the Tiber, river of Rome,
now Tevere ; S. i. 9. 18 ; ii 1. 8 ;
ii. 3. 292 ; E. i 11. 19

Tiberius, (1) i.«. Tiberius Claudius
Nero. See Claudius; (2) son of
Oppidius, S. ii. 3. 173

Tibur, ancient city of Latium, on
the Anio, now Tivoli, E. i. 7. 45 ;
i 8. 12 ; ii 2. 3

Tiburs, adj., of Tibur, Tiburtine,
S. i 6. 108 ; ii 4. 70

Tigellius, a freedman from Sar-
dinia, a favourite of Caesar and
of Cleopatra, a well-known mu-
sician, S. i 2. 3 ; i 3. 4 ; probably
the same as Hermogenes Tigel-
lioB. See Hermogenes

Tillius, probably a brother of Tillhw
Cimber, who was among Caesar's
assa-^ins. He was removed from
the senate by Caesar, but later
resumed his dignities and became
a tribune of the .soldiers, also, it
would seem, a praetor, S. L 6.
24, 107

Tiniagenes, a native of Alexandria,
was taken prisoner by A. Gabinius
and sold as a slave. In Rome,
where he received his freedom
through Faustns, son of Sulla,
he taught rhetoric, and won as
patrons, first Augustus and then
Asinius Pollio, with whom he
lived at Tusculum. E. i 19. 15

Tiresias, famous blind soothsayer
of Thebes, S. ii 5. 1

Tisiphone, one of the Furies, S.
i 8. 34

Titius, a young Roman who ven-
tured to present the Greek poet
Pindar in Latin dress, E. i. 3. 9

Torquatus, a friend of Horace, per-
haps the Aulus Torquatus who,
according to N'epos in his life of
Acticus (c. xi.), was with Brutus
and Cassiu-s at Philippi He is
addressed in Odes iv. 7 and E.
i. 5. 3

Transius, an unknown person, both
poor and extravagant, S. ii. 2. 99

Trebatius, i.e. C. Trebatius Testa,
a lawyer of distinction, a friend
of Cicero and of Caesar. From
Cicero's Letters (Ad fam. vii. 6-22)
addressed to him, we learn that
he was a good swimmer and a hard
drinker. S. ii 1. 4, 78

Trebouius, an adulterer, S. i. 4. 114

Triquetra, adj., " three-cornered,"
applied to .Sicily, S. ii 6. 55

Trivlcum, a town of Apulia, now
Trevico, S. i. 5. 79

Troia, Troy, S. ii 3. 191 ; a 5. 18 ;
E. i. 2. 19; A.P. 141

Troianus, adj., of Troy, £. L 8. 1 ;
A.P. 147

TuUius, i.e. Servius TuUius, sixth
king of Rome, born a slave, S. i
6.9

Turbo, a gladiator, of small stature
bat grntt courage, 5. ii 3. 310

507

INDEX OF PROPER NAMES

Turius, praetor in 76 B.C., 6'. ii. 1. 49

Tuscus, adj., of Etruria, Etruscan,
or Tuscan, applied to the Tiber,
whicli rises in Etruria, .S. ii. 2. 33 ;
to the Vicus Tuscus, a street
leading from the Forum to the
Velabrum, and perhaps named
from the Etruscan workmen who
once lived there, S. ii. 3. 228 ; to
the sea, south and west of Italy,
E. ii. 1. 202

Tyndaridae, children of Tyndarens
and Leda, including Castor and
Pollux, Helen and Clytemnestra,
the last of whom slew her hus-
band Agamemnon on his return
from Troy, S. i. 1. 100

Tyrius, adj. , of Tyre, a city of Phoe-
nicia famous for its purple, S. ii.
4. 84 ; E. i. 6. 18

Tyrrhenus, adj., of the Tyrrheni or
Etruscans, who were famous for
their bronze- work, E. ii. 2. 180

Tyrtaeus, a ^vTiter of elegiac verse,
said to be a native of Attica, who
with his songs aided the Spartans
in their Second Messenian War,
A.P. 402

Ulixes, Ulysses, the hero Odysseus

of the Odyssey, S. ii. 8. 197, 204 ;

IL 5. 100; E. i. 2. 18; i. 6. 63;

i. 7. 40. Cf. A.P. 141 and see

Laertiades
Ulubrae, a small town of Latium,

near the Pomptine marshes, E.

i. 11. 30
Umber, adj., Umbrian, of the

Umbri, a tribe of Northern Italy,

S. ii. 4. 40
Umbrenus, a veteran soldier, S. ii.

2. 133
Ummidius, a rich and mean man, S.

i. 1. 95
Utica, a town in Africa, north of

Carthage, E. i. 20. 13

Vacuna, a Sabine goddess, whose
name popular etymology associ-
ated with vacuus, "idle," E. i.
10. 49

Vala, probably Numonius Vala. a
friend of Horace, addressed in E.
i. 15

508

Valerius, i.e. P. Valerius PubUcola,
collea^rue of Brutus after the ex-
pulsion of the kings, S. i. 6. 12.
See Messalla
Valgius, i.e. C. Valgius Rufus, con-
sul 12 B.C., an elegiac poet, to
whom Od. ii. 9 is addressed, S.
i. 10. 82
Varia, a small town in the Sabine
territory, now Vico Varo, E. L
14. 3
Varius, i.e., L. Varius, tragic and
epic poet, friend of Virgil and
Horace, S. i. 5. 40, 93 ; L 6. 55 ;
i. 9. 23 ; i. 10. 44, 81 ; S. ii. 8. 21,
63 ; E. ii. 1. 247 ; A.P. 55. See
Plotius
Varro Atacinus, i.e. P. Terentius
Varro, called Atacinus from his
birth-place on the river Atax
(Aude) in Gallia Narbonensis.
He wrote Argonautica, and,
according to Horace, Satires, S.
i. 10. 46
Veianius, a retired gladiator, E. i.

1. 4
Veiens, of Veil, Veientine. Veii was
an old town in Etruria, destroyed
by Camillus, near Isola Farnese,
eleven miles north of Rome, E.
ii. 2. 167
Velia, a town of Lucania, also called
Elea, associated with the Eleatio
School of philosophy, E. i. 15. 1
Velina, a^j., with tribus "tribe"
understood. The Veline tribe
was one of the last of the thirty-
five tribes of Roman citizens to
be formed, E. i. 6. 52
Venafranus, adj., of Venafrum, S.

ii. 4. 69
Venafrum, now Venafro, the most
northern town of Campania,
celebrated for its olives, 6". ii. 8.
45
Veiiucula, name of a grape, S. ii.

4.71
Venus, daughter of Jupiter and
Dione, goddess of love and
beauty, E. i. 6. 38 ; L 18. 21
Venusinus, ailj., of Venusia, an
old Samnite town in Apulia, neai
which Horace was born, S. iL 1.
85

INDEX OF PROPER NAMES

Vergilius, ».«,, P. Vergiliiis Maro,
the great poet Virgil, S. i. 5. 40,
48 ; L & 55 ; i. 10. 45, 81 ; E. iL
1. 247 ; A.P. 55

Vertumnus, the god of the chang-
ing seasons, and the god of ex-
change (buying and selling). A
statue of the god stood at the
end of the Vicus Tuscus, where it
entered the Forum. S. ii 7. 14 ;
E. i. 20. 1

Vesta, goddess of the hearth and
household, emblem of family life.
The Temple of Vesta in Rome
stood at the east end of the
Forum. S. L 9. 35; £. ii. 2.
114

Via Sacra, oldest and most famous
street in Rome, running from the
Velia through the Forum along
the foot of the Palatine ; probably
called sacra because of the shrines
along its course, 5. i. 9. 1 (qf.
Epode iv. 7)

Vibidius, a parasite of Maecenas,
S. a 8. 22, 33, 40, 80

VilUns, perhaps Sextus Villius,
friend of Milo, 5. i. 2. 64

Vinius, the person addressed in B.
L 13. From L 8 it is inferred
that his cognomen was Asina,
or AseUns The fbruier is fouud

with the Cornelian gnu ; the
Uitter with the Annian and
Clandian gentes
Viscus and pL Visci. Nothing
certain is known of these men,
except that one, being called
Thurinus, doubtless came from
Thurii. The scholiast says that
the two mentioned in the tenth
satire. Book I., were brothers,
sons of Vibius Viscus, a rich
friend of Augustus, who remained
an etfues even after his sons had
become senators, £>. i. 9. 22 ; L 10.
83 ; ii. 8. 20
Visellius, unknown, S. i 1. 105
Volanerius, a parasite, S. ii. 7. 15
Volcanus, Vulcan, go<i of fire, S.

i. 5. 74
Volteius Mena, E. i. 7. 55, 64. 91-

See Mena
Voranns, a thief, S. L 8. 39

Zephyrcs, god of the west wind,
E. i. 7. 13

Zethus, brother of Amphion, whose
lyre he despised, being hioisflf a
shepherd and huntsman. The
story of the two was told in the
Antiopt of Euripides, and the
Aniiope of Pacuviug, X. L 18
4S, See AmphioD

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ARISTOTLE: HISTORY AND GENERATION OI

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DeWitt.

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S. AUGUSTINE : CITY OF GOD. J. H. Baxter.

[CICERO :] AD HERENNIUM. H. Caplan.

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CAELIO, DE PROVINCIIS CONSULARIBUS. PRl

BALBO. J. H. Freese and R. Gardner.
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Rolfe.
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DESCRIPTIVE PROSPECTUS ON APPLICATION

LONDON CAMBRIDGE, MASS.

WILLIAM HEINEMANN LTD HARVARD UNIV. PRESS

Cloth 108. Cloth 12.50

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Horace .

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Satires, Spistles, Ars 6393.'

.32
Poetica. (Loeb ed.)

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