(logo)
(navigation image)
Home American Libraries | Canadian Libraries | Universal Library | Open Source Books | Project Gutenberg | Biodiversity Heritage Library | Children's Library | Additional Collections

Search: Advanced Search

Anonymous User (login or join us)Upload
See other formats

Full text of "Seven short plays"


yl 



I) 



' 



Seven Short Plays 



By 

Lady Gregory 



G. P. Putnam's Sons 
New York and London 




COPYRIGHT, 1903, BY LADY AUGUSTA GREGORY 
COPYRIGHT, 1904, BY LADY GREGORY 
COPYRIGHT, 1905, BY LADY GREGORY 
COPYRIGHT, 1906, BY LADY GREGORY 
COPYRIGHT, 1909, BY LADY GREGORY 

These plays have been copyrighted and published simul- 
taneously in the United States and Great Britain. 

All rights reserved, including that of translation into foreign 
languages. 

All acting rights, both professional and amateur, are reserved 
in the United States, Great Britain, and all countries of the 
Copyright Union, by the author. Performances forbidden and 
right of presentation reserved. 

Application for the right of performing these plays or reading 
them in public should be made to Samuel French, 28 West 
38th St., New York City, or 26 South Hampton St., Strand, 
London. 



Made in the United States of America 



DEDICATION 

To you, W. B. YEATS, good praiser, wholesome 
dispraiser, heavy-handed judge, open-handed helper 
of us all, I offer a play of my plays for every night 
of the week, because you like them, and because you 
have taught me my trade. 

AUGUSTA GREGORY 
Abbey Theatre. 



CONTENTS 

PAGE 

SPREADING THE NEWS i 

HYACINTH HALVEY ..... 29 

THE RISING OF THE MOON .... 75 

THE JACKDAW ...... 93 

THE WORKHOUSE WARD .... 137 

THE TRAVELLING MAN . . . .155 

THE GAOL GATE 173 

MUSIC FOR THE SONGS IN THE PLAYS . .189 
NOTES, &c. 196 



SPREADING THE NEWS 



PERSONS 

Bartley Fallon. 

Mrs. Fallon. 

Jack Smith. 

Shawn Early. 

Tim Casey. 

James Ryan. 

Mrs. Tarpey. 

Mrs. Tully. 

A Policeman (Jo MULDOON). 

A Removable Magistrate. 



SPREADING THE NEWS 

Scene: The outskirts of a Fair. An Apple Statt. 
Mrs. Tarpey sitting at it. Magistrate and 
Policeman enter. 

Magistrate: So that is the Fair Green. Cattle 
and sheep and mud. No system. What a re- 
pulsive sight! 

Policeman: That is so, indeed. 

Magistrate: I suppose there is a good deal of 
disorder in this place? 

Policeman: There is. 

Magistrate: Common assault? 

Policeman: It's common enough. 

Magistrate: Agrarian crime, no doubt? 

Policeman: That is so. 

Magistrate: Boycotting? Maiming of cattle? 
Firing into houses? 

Policeman: There was one time, and there 
might be again. 

Magistrate: That is bad. Does it go any far- 
ther than that? 

Policeman: Far enough, indeed. 



4 Spreading the News 

Magistrate: Homicide, then ! This district has 
been shamefully neglected ! I will change all that. 
When I was in the Andaman Islands, my system 
never failed. Yes, yes, I will change all that. 
What has that woman on her stall? 

Policeman: Apples mostly and sweets. 

Magistrate: Just see if there are any unlicensed 
goods underneath spirits or the like. We had 
evasions of the salt tax in the Andaman Islands. 

Policeman: (Sniffing cautiously and upsetting 
a heap of apples.} J see no spirits here or 
salt. 

Magistrate: (To Mrs. Tarpey.) Do you know 
this town well, my good woman? 

Mrs. Tarpey: (Holding out some apples.) A 
penny the half-dozen, your honour. 

Policeman: (Shouting.) The gentleman is ask- 
ing do you know the town! He's the new magis- 
trate ! 

Mrs. Tarpey: (Rising and ducking.) Do I know 
the town? I do, to be sure. 

Magistrate: (Shouting.) What is its chief busi- 
ness? 

Mrs. Tarpey: Business, is it? What business 
would the people here have but to be minding 
one another's business? 

Magistrate: I mean what trade have they? 

Mrs. Tarpey: Not a trade. No trade at all 
but to be talking. 



Spreading the News 5 

Magistrate: I shall learn nothing here. 

(James Ryan conies in, pipe in mouth. See- 
ing Magistrate he retreats quickly, taking 
pipe from mouth.) 

Magistrate: The smoke from that man's pipe 
had a greenish look; he may be growing unlicensed 
tobacco at home. I wish I had brought my tele- 
scope to this district. Come to the post-office, I 
will telegraph for it. I found it very useful in the 
Andaman Islands. 

(Magistrate and Policeman go out left.) 
Mrs. Tarpey: Bad luck to Jo Muldoon, knock- 
ing my apples this way and that way. (Begins 
arranging them.) Showing off he was to the new 
magistrate. 

(Enter Bartley Fallon and Mrs. Fallon.) 
Bartley: Indeed it's a poor country and a 
scarce country to be living in. But I'm thinking 
if I went to America it's long ago the day I'd be 
dead! 

Mrs. Fallon: So you might, indeed. 

(She puts her basket on a barrel and begins 
putting parcels in it, taking them from 
under her cloak.} 

Bartley: And it's a great expense for a poor 
man to be buried in America. 

Mrs. Fallon: Never fear, Bartley Fallon, but 
I'll give you a good burying the day you'll die. 
Bartley: Maybe it's yourself will be buried in 



6 Spreading the News 

the graveyard of Cloonmara before me, Mary 
Fallen, and I myself that will be dying unbe- 
knownst some night, and no one a-near me. 
And the cat itself may be gone straying through 
the country, and the mice squealing over the quilt. 

Mrs. Fallon: Leave off talking of dying. It 
might be twenty years you'll be living yet. 

Bartley: (With a deep sigh.) I'm thinking if I'll 
be living at the end of twenty years, it's a very 
old man I'll be then ! 

Mrs. Tarpey: (Turns and sees them.) Good mor- 
row, Bartley Fallon; good morrow, Mrs. Fallon. 
Well, Bartley, you'll find no cause for complaining 
to-day ; they are all saying it was a good fair. 

Bartley: (Raising his voice.) It was not a good 
fair, Mrs. Tarpey. It was a scattered sort of a 
fair. If we didn't expect more, we got less. 
That's the way with me always ; whatever I have 
to sell goes down and whatever I have to buy goes 
up. If there's ever any misfortune coming to this 
world, it's on myself it pitches, like a flock of 
crows on seed potatoes. 

Mrs. Fallon: Leave off talking of misfortunes, 
and listen to Jack Smith that is coming the way, 
and he singing. 

(Voice of Jack Smith heard singing:) 
I thought, my first love, 

There* d be but one house between you and me, 
And I thought I would find 



Spreading the News 7 

Yourself coaxing my child on your knee. 
Over the tide 

I would leap with the leap of a swan, 
Till I came to the side 

Of the wife of the Red-haired man! 

(Jack Smith conies in; he is a red-haired man, 
and is carrying a hayfork.) 

Mrs. Tarpey: That should be a good song if 
I had my hearing. 

Mrs. Fatton: (Shouting.) It's "The Red-haired 
Man's Wife." 

Mrs. Tarpey: I know it well. That's the song 
that has a skin on it! 

(She turns her back to them and goes on ar- 
ranging her apples.) 

Mrs. Fallon: Where's herself, Jack Smith? 

Jack Smith: She was delayed with her wash- 
ing; bleaching the clothes on the hedge she is, 
and she daren't leave them, with all the tinkers 
that do be passing to the fair. It isn't to the fair I 
came myself, but up to the Five Acre Meadow I'm 
going, where I have a contract for the hay. We'll 
get a share of it into tramps to-day. (He lays 
down hayfork and lights his pipe.} 

Bartley: You will not get it into tramps to-day. 
The rain will be down on it by evening, and on 
myself too. It's seldom I ever started on a journey 
but the rain would come down on me before I'd 
find any place of shelter. 



8 Spreading the News 

Jack Smith: If it didn't itself, Bartley, it is 
my belief you would carry a leaky pail on your 
head in place of a hat, the way you'd not be 
without some cause of complaining. 

(A wice heard, "Go on, now, go on out o 1 
that. Go on I say. 11 ) 

Jack Smith: Look at that young mare of Pat 
Ryan's that is backing into Shaughnessy's bul- 
locks with the dint of the crowd! Don't be 
daunted, Pat, I'll give you a hand with her. 
(He goes out, leaving his hayfork.) 

Mrs. Fallon: It's time for ourselves to be 
going home. I have all I bought put in the basket. 
Look at there, Jack Smith's hayfork he left after 
him! He'll be wanting it. (Calls.) Jack Smith! 
Jack Smith! He's gone through the crowd hurry 
after him, Bartley, he'll be wanting it. 

Bartley: I'll do that. This is no safe place to 
be leaving it. (He takes up fork awkwardly and 
upsets the basket.) Look at that now! If there 
is any basket in the fair upset, it must be our own 
basket ! (He goes out to right.) 

Mrs. Fallon: Get out of that! It is your own 
fault, it is. Talk of misfortunes and misfortunes 
will come. Glory be! Look at my new egg-cups 
rolling in every part and my two pound of 
sugar with the paper broke 

Mrs.Tarpey: (Turning from stall.) God help us, 
Mrs. Fallen, what happened your basket? 



Spreading the News 9 

Mrs. Fallon: It's himself that knocked it down, 
bad manners to him. (Putting things up.) My 
grand sugar that's destroyed, and he '11 not drink 
his tea without it. I had best go back to the shop 
for more, much good may it do him! 
(Enter Tim Casey.) 

Tim Casey: Where is Bartley Fallon, Mrs. 
Fallon? I want a word with him before he'll 
leave the fair. I was afraid he might have gone 
home by this, for he's a temperate man. 

Mrs. Fallon: I wish he did go home! It'd be 
best for me if he went home straight from the 
fair green, or if he never came with me at all! 
Where is he, is it? He's gone up the road (jerks 
elbow) following Jack Smith with a hayfork. 
(She goes out to left.) 

Tim Casey: Following Jack Smith with a hay- 
fork! Did ever any one hear the like of that. 
(Shouts.) Did you hear that news, Mrs. Tarpey? 

Mrs. Tarpey: I heard no news at all. 

Tim Casey: Some dispute I suppose it was that 
rose between Jack Smith and Bartley Fallon, and 
it seems Jack made off, and Bartley is following 
him with a hayfork ! 

Mrs. Tarpey: Is he now? Well, that was quick 
work! It's not ten minutes since the two of them 
were here, Bartley going home and Jack going to 
the Five Acre Meadow; and I had my apples to 
settle up, that Jo Muldoon of the police had 



io Spreading the News 

scattered, and when I looked round again Jack 
Smith was gone, and Bartley Fallon was gone, and 
Mrs. Fallen's basket upset, and all in it strewed 
upon the ground the tea here the two pound 
of sugar there the egg-cups there Look, now, 
what a great hardship the deafness puts upon me, 
that I didn't hear the commincement of the fight! 
Wait till I tell James Ryan that I see below; he is 
a neighbour of Bartley's, it would be a pity if he 
wouldn't hear the news ! 

(She goes out. Enter Shawn Early and 
Mrs. Tully.) 

Tim Casey: Listen, Shawn Early! Listen, 
Mrs. Tully, to the news ! Jack Smith and Bartley 
Fallon had a falling out, and Jack knocked Mrs. 
Fallon's basket into the road, and Bartley made an 
attack on him with a hayfork, and away with Jack, 
and Bartley after him. Look at the sugar here 
yet on the road! 

Shawn Early: Do you tell me so? Well, that's 
a queer thing, and Bartley Fallon so quiet a 
man! 

Mrs. Tully: I wouldn't wonder at all. I would 
never think well of a man that would have that 
sort of a mouldering look. It's likely he has over- 
taken Jack by this. 

(Enter James Ryan and Mrs. Tarpey.) 

James Ryan: That is great news Mrs. Tarpey 
was telling me! I suppose that's what brought 



Spreading the News n 

the police and the magistrate up this way. I was 
wondering to see them in it a while ago. 

Shawn Early: The police after them? Bartley 
Fallon must have injured Jack so. They wouldn't 
meddle in a fight that was only for show! 

Mrs. Tully: Why wouldn't he injure him? 
There was many a man killed with no more of a 
weapon than a hayfork. 

James Ryan: Wait till I run north as far as 
Kelly's bar to spread the news ! (He goes out.) 

Tim Casey: I'll go tell Jack Smith's first 
cousin that is standing there south of the church 
after selling his lambs. (Goes out.) 

Mrs. Tully: I'll go telling a few of the neigh- 
bours I see beyond to the west. (Goes out.) 

Shawn Early: I'll give word of it beyond at 
the east of the green. 

(Is going out when Mrs. Tarpey seizes hold 
of him.) 

Mrs. Tarpey: Stop a minute, Shawn Early, 
and tell me did you see red Jack Smith's wife, 
Kitty Keary, in any place? 

Shawn Early: I did. At her own house she 
was, drying clothes on the hedge as I passed. 

Mrs. Tarpey: What did you say she was 
doing? 

Shawn Early: (Breaking away.) Laying out a 
sheet on the hedge. (He goes) 

Mrs. Tarpey: Laying out a sheet for the dead ! 



12 Spreading the News 

The Lord have mercy on us! Jack Smith dead, 
and his wife laying out a sheet for his burying! 
(Calls out.} Why didn't you tell me that before, 
Shawn Early? Isn't the deafness the great hard- 
ship? Half the world might be dead without me 
knowing of it or getting word of it at all! (She 
sits down and rocks herself.') O my poor Jack 
Smith! To be going to his work so nice and so 
hearty, and to be left stretched on the ground in 
the full light of the day! 
(Enter Tim Casey.} 

Tim Casey: What is it, Mrs. Tarpey? What 
happened since? 

Mrs. Tarpey: O my poor Jack Smith! 

Tim Casey: Did Bartley overtake him? 

Mrs. Tarpey: the poor man ! 

Tim Casey: Is it killed he is? 

Mrs. Tarpey: Stretched in the Five Acre 
Meadow! 

Tim Casey: The Lord have mercy on us! Is 
that a fact? 

Mrs. Tarpey: Without the rites of the Church 
or a ha'porth! 

Tim Casey: Who was telling you? 

Mrs. Tarpey: And the wife laying out a sheet 
for his corpse. (Sits up and wipes her eyes.} I 
suppose they'll wake him the same as another? 

(Enter Mrs. Tutty, Shawn Early, and James 
Ryan.} 



Spreading the News 13 

Mrs. Tully: There is great talk about this 
work in every quarter of the fair. 

Mrs. Tarpey: Ochone! cold and dead. And 
myself maybe the last he was speaking to ! 

James Ryan: The Lord save us ! Is it dead he is? 

Tim Casey: Dead surely, and the wife getting 
provision for the wake. 

Shawn Early: Well, now, hadn't Hartley Fal- 
lon great venom in him? 

Mrs. Tully: You may be sure he had some 
cause. Why would he have made an end of him 
if he had not? (To Mrs. Tarpey, raising her voice.) 
What was it rose the dispute at all, Mrs. Tarpey? 

Mrs. Tarpey: Not a one of me knows. The 
last I saw of them, Jack Smith was standing there, 
and Bartley Fallen was standing there, quiet and 
easy, and he listening to "The Red-haired Man's 
Wife." 

Mrs. Tully: Do you hear that, Tim Casey? 
Do you hear that, Shawn Early and James Ryan? 
Bartley Fallon was here this morning listening 
to red Jack Smith's wife, Kitty Keary that was! 
Listening to her and whispering with her! It was 
she started the fight so! 

Shawn Early: She must have followed him 
from her own house. It is likely some person 
roused him. 

Tim Casey: I never knew, before, Bartley 
Fallon was great with Jack Smith's wife. 



14 Spreading the News 

Mrs. Tully: How would you know it? Sure 
it's not in the streets they would be calling it. 
If Mrs. Fallen didn't know of it, and if I that 
have the next house to them didn't know of it, 
and if Jack Smith himself didn't know of it, it is 
not likely you would know of it, Tim Casey. 

Shawn Early: Let Bartley Fallen take charge 
of her from this out so, and let him provide for 
her. It is little pity she will get from any person 
in this parish. 

Tim Casey: How can he take charge of her? 
Sure he has a wife of his own. Sure you don't 
think he'd turn souper and marry her in a Pro- 
testant church? 

James Ryan: It would be easy for him to 
marry her if he brought her to America. 

Shawn Early: With or without Kitty Keary, 
believe me it is for America he's making at this 
minute. I saw the new magistrate and Jo Mul- 
doon of the police going into the post-office as I 
came up there was hurry on them you may 
be sure it was to telegraph they went, the way he'll 
be stopped in the docks at Queenstown ! 

Mrs. Tully: It's likely Kitty Keary is gone with 
him, and not minding a sheet or a wake at all. The 
poor man, to be deserted by his own wife, and the 
breath hardly gone out yet from his body that is 
lying bloody in the field ! 

(Enter Mrs. Fallon.) 



Spreading the News 15 

Mrs. Fallon: What is it the whole of the town 
is talking about? And what is it you yourselves 
are talking about? Is it about my man Bartley 
Fallon you are talking? Is it lies about him you 
are telling, saying that he went killing Jack Smith? 
My grief that ever he came into this place at all! 

James Ryan: Be easy now, Mrs. Fallon. Sure 
there is no one at all in the whole fair but is sorry 
for you! 

Mrs. Fallon: Sorry for me, is it? Why would 
any one be sorry for me? Let you be sorry for 
yourselves, and that there may be shame on you 
for ever and at the day of judgment, for the words 
you are saying and the lies you are telling to take 
away the character of my poor man, and to take 
the good name off of him, and to drive him to 
destruction ! That is what you are doing! 

Shawn Early: Take comfort now, Mrs. Fallon. 
The police are not so smart as they think. Sure 
he might give them the slip yet, the same as 
Lynchehaun. 

Mrs. Tutty: If they do get him, and if they do 
put a rope around his neck, there is no one can 
say he does not deserve it! 

Mrs. Fallon: Is that what you are saying, 
Bridget Tully, and is that what you think? I 
tell you it's too much talk you have, making 
yourself out to be such a great one, and to be run- 
ning down every respectable person ! A rope, is it? 



1 6 Spreading the News 

It isn't much of a rope was needed to tie up your 
own furniture the day you came into Martin 
Tully's house, and you never bringing as much as a 
blanket, or a penny, or a suit of clothes with you 
and I myself bringing seventy pounds and two 
feather beds. And now you are stiffer than a 
woman would have a hundred pounds! It is too 
much talk the whole of you have. A rope is it? 
I tell you the whole of this town is full of liars and 
schemers that would hang you up for half a glass 
of whiskey. (Turning to go.} People they are 
you wouldn't believe as much as daylight from 
without you'd get up to have a look at it yourself. 
Killing Jack Smith indeed ! Where are you at all, 
Bartley, till I bring you out of this? My nice 
quiet little man! My decent comrade! He that 
is as kind and as harmless as an innocent beast of 
the field! He'll be doing no harm at all if he'll 
shed the blood of some of you after this day's 
work! That much would be no harm at all. 
(Calls out.} Bartley! Bartley Fallen! Where 
are you? (Going out.} Did any one see Bartley 
Fallon? 

(All turn to look after her.} 
James Ryan: It is hard for her to believe 
any such a thing, God help her! 

(Enter Bartley Fallon from right, carrying 

hayfork.} 
Bartley: It is what I often said to myself, if 



Spreading the News 17 

there is ever any misfortune coming to this world 
it is on myself it is sure to come ! 

(All turn round and face him.') 

Bartley: To be going about with this fork 
and to find no one to take it, and no place to 
leave it down, and I wanting to be gone out of this 
Is that you, Shawn Early? (Holds out fork.) 
It's well I met you. You have no call to be 
leaving the fair for a while the way I have, and 
how can I go till I'm rid of this fork? Will 
you take it and keep it until such time as Jack 
Smith 

Shawn Early: (Backing.) I will not take 
it, Bartley Fallon, I'm very thankful to you! 

Bartley: (Turning to apple stall.) Look at it now, 
Mrs. Tarpey, it was here I got it; let me thrust 
it in under the stall. It will lie there safe enough, 
and no one will take notice of it until such time 
as Jack Smith 

Mrs. Tarpey: Take your fork out of that ! Is 
it to put trouble on me and to destroy me you 
want? putting it there for the police to be rooting 
it out maybe. (Thrusts him back.) 

Bartley: That is a very unneighbourly thing 
for you to do, Mrs. Tarpey. Hadn't I enough 
care on me with that fork before this, running 
up and down with it like the swinging of a clock, 
and afeard to lay it down in any place! I wish 
I never touched it or meddled with it at all! 



1 8 Spreading the News 

James Ryan: It is a pity, indeed, you ever did. 

Bartley: Will you yourself take it, James 
Ryan? You were always a neighbourly man. 

James Ryan: (Backing.} There is many a thing 
I would do for you, Bartley Fallon, but I won't 
do that! 

Shawn Early: I tell you there is no man will 
give you any help or any encouragement for this 
day's work. If it was something agrarian now 

Bartley: If no one at all will take it, maybe 
it's best to give it up to the police. 

Tim Casey: There'd be a welcome for it with 
them surely ! (Laughter.} 

Mrs. Tully: And it is to the police Kitty 
Keary herself will be brought. 

Mrs. Tarpey: (Rocking to and fro.} I wonder 
now who will take the expense of the wake for 
poor Jack Smith? 

Bartley: The wake for Jack Smith! 

Tim Casey: Why wouldn't he get a wake as well 
as another? Would you begrudge him that much? 

Bartley: Red Jack Smith dead! Who was 
telling you? 

Shawn Early: The whole town knows of it by this. 

Bartley: Do they say what way did he die? 

James Ryan: You don't know that yourself, 
I suppose, Bartley Fallon? You don't know he 
was followed and that he wa laid dead with 
stab of a hayfork? 



Spreading the News 19 

Bartley: The stab of a hayfork! 

Shawn Early: You don't know, I suppose, 
tnat the body was found in the Five Acre Meadow? 

Bartley: The Five Acre Meadow! 

Tim Casey: It is likely you don't know that the 
police are after the man that did it? 

Bartley: The man that did it ! 

Mrs. Tully: You don't know, maybe, that he 
was made away with for the sake of Kitty Keary, 
his wife? 

Bartley: Kitty Keary, his wife! 
(Sits down bewildered.} 

Mrs. Tully: And what have you to say now, 
Bartley Fallen? 

Bartley: (Crossing himself.} I to bring that fork 
here, and to find that news before me! It is 
much if I can ever stir from this place at all, or 
reach as far as the road! 

Tim Casey: Look, boys, at the new magistrate, 
and Jo Muldoon along with him! It's best for 
us to quit this. 

Shawn Early: That is so. It is best not to be 
mixed in this business at all. 

James Ryan: Bad as he is, I wouldn't like to 
be an informer against any man. 

(All hurry away except Mrs. Tarpey, who 
remains behind her stall. Enter magis- 
trate and policeman.} 

Magistrate: I knew the district was in a bad 



2O Spreading the News 

state, but I did not expect to be confronted with 
a murder at the first fair I came to. 

Policeman: I am sure you did not, indeed. 

Magistrate: It was well I had not gone home. 
I caught a few words here and there that roused 
my suspicions. 

Policeman: So they would, too. 

Magistrate: You heard the same story from 
everyone you asked? 

Policeman: The same story or if it was not 
altogether the same, anyway it was no less than 
the first story. 

Magistrate: What is that man doing? He is 
sitting alone with a hayfork. He has a guilty 
look. The murder was done with a hayfork! 

Policeman: (In a whisper.} That's the very 
man they say did the act; Bartley Fallon himself! 

Magistrate: He must have found escape diffi- 
cult he is trying to brazen it out. A convict 
in the Andaman Islands tried the same game, but 
he could not escape my system! Stand aside 
Don't go far have the handcuffs ready. (He 
walks up to Bartley, folds his arms, and stands before 
him.) Here, my man, do you know anything of 
John Smith? 

Bartley: Of John Smith! Who is he, now? 

Policeman: Jack Smith, sir Red Jack Smith! 

Magistrate: (Coming a step nearer and tapping 
him on the shoulder.} Where is Jack Smith? 



Spreading the News 21 

Bartley: (With a deep sigh, and shaking his head 
slowly.} Where is he, indeed? 

Magistrate: What have you to tell? 

Bartley: It is where he was this morning, 
standing in this spot, singing his share of songs 
no, but lighting his pipe scraping a match on the 
sole of his shoe 

Magistrate: I ask you, for the third time, where 
is he? 

Bartley: I wouldn't like to say that. It is a 
great mystery, and it is hard to say of any man, 
did he earn hatred or love. 

Magistrate: Tell me all you know. 

Bartley: All that I know Well, there are 
the three estates; there is Limbo, and there is 
Purgatory, and there is 

Magistrate: Nonsense! This is trifling! Get 
to the point. 

Bartley: Maybe you don't hold with the 
clergy so? That is the teaching of the clergy. 
Maybe you hold with the old people. It is what 
they do be saying, that the shadow goes wandering, 
and the soul is tired, and the body is taking a rest 
The shadow! (Starts up.} I was nearly sure I 
saw Jack Smith not ten minutes ago at the corner 
of the forge, and I lost him again Was it 
his ghost I saw, do you think? 

Magistrate: (To policeman.} Conscience-struck! 
He will confess all now ! 



22 Spreading the News 

Bartley: His ghost to come before me! It is 
likely it was on account of the fork! I to have 
it and he to have no way to defend himself the 
time he met with his death! 

Magistrate: (To policeman.') I must note down 
his words. (Takes out notebook.} (To Bartley:) 
I warn you that your words are being noted. 

Bartley: If I had ha' run faster in the beginning, 
this terror would not be on me at the latter end! 
Maybe he will cast it up against me at the day of 
judgment I wouldn't wonder at all at that. 

Magistrate: (Writing.) At the day of judg- 
ment 

Bartley: It was soon for his ghost to appear to 
me is it coming after me always by day it 
will be, and stripping the clothes off in the night 
time? I wouldn't wonder at all at that, being 
as I am an unfortunate man ! 

Magistrate: (Sternly.) Tell me this truly. What 
was the motive of this crime? 

Bartley: The motive, is it? 

Magistrate: Yes; the motive; the cause. 

Bartley: I'd sooner not say that. 

Magistrate: You had better tell me truly. 
Was it money? 

Bartley: Not at all! What did poor Jack 
Smith ever have in his pockets unless it might 
be his hands that would be in them? 

Magistrate: Any dispute about land? 



Spreading the News 23 

Bartley: (Indignantly.} Not at all! He never 
was a grabber or grabbed from any one! 

Magistrate: You will find it better for you if 
you tell me at once. 

Bartley: I tell you I wouldn't for the whole 
world wish to say what it was it is a thing I 
would not like to be talking about. 

Magistrate: There is no use in hiding it. It 
will be discovered in the end. 

Bartley: Well, I suppose it will, seeing that 
mostly everybody knows it before. Whisper here 
now. I will tell no lie; where would be the use? 
(Puts his hand to his mouth, and Magistrate stoops.) 
Don't be putting the blame on the parish, for such 
a thing was never done in the parish before it was 
done for the sake of Kitty Keary, Jack Smith's wife. 

Magistrate: (To policeman.) Put on the hand- 
cuffs. We have been saved some trouble. I knew 
he would confess if taken in the right way. 
(Policeman puts on handcuffs. 

Bartley: Handcuffs now! Glory be! I always 

said, if there was ever any misfortune coming to 

this place it was on myself it would fall. I to 

be in handcuffs ! There's no wonder at all in that. 

(Enter Mrs. Fallon, followed by the rest. 

She is looking back at them as she speaks.) 

Mrs. Fallon: Telling lies the whole of the people 
of this town are; telling lies, telling lies as fast as 
a dog will trot ! Speaking against my poor respect- 



24 Spreading the News 

able man ! Saying he made an end of Jack Smith! 
My decent comrade ! There is no better man and 
no kinder man in the whole of the five parishes ! 
It's little annoyance he ever gave to any one! 
(Turns and sees him.} What in the earthly world 
do I see before me? Bartley Fallen in charge of 
the police! Handcuffs on him! Bartley, what 
did you do at all at all? 

Bartley: O Mary, there has a great misfortune 
come upon me! It is what I always said, that 
if there is ever any misfortune 

Mrs. Fallon: What did he do at all, or is it 
bewitched I am? 

Magistrate: This man has been arrested on a 
charge of murder. 

Mrs. Fallon: Whose charge is that? Don't 
believe them! They are all liars in this place! 
Give me back my man ! 

Magistrate. It is natural you should take his 
part, but you have no cause of complaint against 
your neighbours. He has been arrested for the 
murder of John Smith, on his own confession. 

Mrs. Fallon: The saints of heaven protect us! 
And what did he want killing Jack Smith? 

Magistrate: It is best you should know all. He 
did it on account of a love affair with the murdered 
man's wife. 

Mrs. Fallon: (Sitting down.} With Jack Smith's 
wife ! With Kitty Keary ! Ochone, the traitor ! 



Spreading the News 25 

The Crowd: A great shame, indeed. He is a 
traitor, indeed. 

Mrs. Tully: To America he was bringing her, 
Mrs. Fallen. 

Hartley: What are you saying, Mary? I tell 
you 

Mrs. Fallen: Don't say a word ! I won't listen 
to any word you'll say ! (Stops her ears.} O, isn't 
he the treacherous villain? Ohone go deo! 

Bartley: Be quiet till I speak! Listen to 
what I say! 

Mrs. Fallon: Sitting beside me on the ass car 
coming to the town, so quiet and so respectable, 
and treachery like that in his heart! 

Bartley: Is it your wits you have lost or is it 
I myself that have lost my wits? 

Mrs. Fallon: And it's hard I earned you, slav- 
ing, slaving and you grumbling, and sighing, 
and coughing, and discontented, and the priest 
wore out anointing you, with all the times you 
threatened to die! 

Bartley: Let you be quiet till I tell you ! 

Mrs. Fallon: You to bring such a disgrace into 
the parish. A thing that was never heard of 
before! 

Bartley: Will you shut your mouth and hear 
me speaking? 

Mrs. Fallon: And if it was for any sort of a 
fine handsome woman, but for a little fistful of a 



26 Spreading the News 

woman like Kitty Keary, that's not four feet high 
hardly, and not three teeth in her head unless she 
got new ones! May God reward you, Bartley 
Fallon, for the black treachery in your heart and 
the wickedness in your mind, and the red blood of 
poor Jack Smith that is wet upon your hand ! 
(Voice of Jack Smith heard singing.) 

The sea shall be dry, 

The earth under mourning and ban! 
Then loud shall he cry 

For the wife of the red-haired man! 

Bartley: It's Jack Smith's voice I never 
knew a ghost to sing before . It is after myself 
and the fork he is coming! (Goes back. Enter 
Jack Smith.) Let one of you give him the fork 
and I will be clear of him now and for eternity ! 

Mrs. Tarpey: The Lord have mercy on us! 
Red Jack Smith! The man that was going to be 
waked! 

James Ryan: Is it back from the grave you are 
come? 

Shawn Early: Is it alive you are, or is it dead 
you are? 

Tim Casey: Is it yourself at all that's in it? 

Mrs. Tully. Is it letting on you were to be 
dead? 

Mrs. Fallon: Dead or alive, let you stop Kitty 



Spreading the News 27 

Keary, your wife, from bringing my man away 
with her to America! 

Jack Smith: It is what I think, the wits are 
gone astray on the whole of you. What would my 
wife want bringing Bartley Fallon to America? 

Mrs. Fallon: To leave yourself, and to get quit 
of you she wants, Jack Smith, and to bring him 
away from myself. That's what the two of them 
had settled together. 

Jack Smith: I'll break the head of any man 
that says that! Who is it says it? (To Tim 
Casey:} Was it you said it? (To Shawn Early:) 
Was it you? 

All together: (Backing and shaking their heads.) 
It wasn't I said it! 

Jack Smith: Tell me the name of any man that 
said it! 

All together: (Pointing to Bartley.) It was him 
that said it ! 

Jack Smith: Let me at him till I break his 
head! 

(Bartley backs in terror. Neighbours hold 
Jack Smith back.) 

Jack Smith: (Trying to free himself.) Let me at 
him! Isn't he the pleasant sort of a scarecrow 
for any woman to be crossing the ocean with! 
It's back from the docks of New York he'd be 
turned (trying to rush at him again), with a lie in 
his mouth and treachery in his heart, and another 



28 Spreading the News 

man's wife by his side, and he passing her off as 
his own! Let me at him can't you. 

(Makes another rush, but is held back.) 

Magistrate: (Pointing to Jack Smith.) Policeman, 
put the handcuffs on this man. I see it all now. 
A case of false impersonation, a conspiracy to 
defeat the ends of justice. There was a case in 
the Andaman Islands, a murderer of the Mopsa 
tribe, a religious enthusiast 

Policeman: So he might be, too. 

Magistrate: We must take both these men to 
the scene of the murder. We must confront them 
with the body of the real Jack Smith. 

Jack Smith: I'll break the head of any man 
that will find my dead body! 

Magistrate: I'll call more help from the bar- 
racks. (Blows Policeman j s whistle.) 

Bartley: It is what I am thinking, if myself 
and Jack Smith are put together in the one cell 
for the night, the handcuffs will be taken off him, 
and his hands will be free, and murder will be done 
that time surely ! 

Magistrate: Come on ! (They turn to the right.) 



HYACINTH HALVEY 



PERSONS 

Hyacinth Halvey. 

James Quirke, a butcher. 

Fardy Farrell, a telegraph boy. 

Sergeant Garden. 

Mrs. Delane, Postmistress at Cloon. 

Miss Joyce, the Priest's House-keepef* 



HYACINTH HALVEY 

Scene: Outside the Post Office at the little town of 
Cloon. Mrs. Delane at Post Office door. Mr. 
Quirke sitting on a chair at butcher's door. A 
dead sheep hanging beside it, and a thrush in a 
cage above. Fardy Farrell playing on a mouth 
organ. Train whistle heard. 

Mrs. Delane: There is the four o'clock train, 
Mr. Quirke. 

Mr. Quirke: Is it now, Mrs. Delane, and I 
not long after rising? It makes a man drowsy 
to be doing the half of his work in the night time. 
Going about the country, looking for little stags of 
sheep, striving to knock a few shillings together. 
That contract for the soldiers gives me a great deal 
to attend to. 

Mrs. Delane: I suppose so. It's hard enough 
on myself to be down ready for the mail car in the 
morning, sorting letters in the half dark. It's 
often I haven't time to look who are the letters 
from or the cards. 

Mr. Quirke: It would be a pity you not to 
know any little news might be knocking about. 
If you did not have information of what is going 

31 



32 Hyacinth Halvey 

on who should have it? Was it you, ma'am, was 
telling me that the new Sub-Sanitary Inspector 
would be arriving to-day? 

Mrs. Delane: To-day it is he is coming, and 
it's likely he was in that train. There was a card 
about him to Sergeant Garden this morning. 

Mr. Quirke: A young chap from Carrow they 
were saying he was. 

Mrs. Delane: So he is, one Hyacinth Halvey; 
and indeed if all that is said of him is true, or if a 
quarter of it is true, he will be a credit to this town. 

Mr. Quirke: Is that so? 

Mrs. Delane: Testimonials he has by the score. 
To Father Gregan they were sent. Registered 
they were coming and going. Would you believe 
me telling you that they weighed up to three 
pounds? 

Mr. Quirke: There must be great bulk in 
them indeed. 

Mrs. Delane: It is no wonder he to get the 
job. He must have a great character so many 
persons to write for him as what there did. 

Fardy: It would be a great thing to have a 
character like that. 

Mrs. Delane: Indeed I am thinking it will be 
long before you will get the like of it, Fardy Farrell. 

Fardy: If I had the like of that of a character 
it is not here carrying messages I would be. It's 
in Noonan's Hotel I would be, driving cars. 



Hyacinth Halvey 33 

Mr, Quirke: Here is the priest's housekeeper 
coming. 

Mrs. Delane: So she is; and there is the Ser- 
geant a little while after her. 
(Enter Miss Joyce.} 

Mrs. Delane: Good-evening to you, Miss 
Joyce. What way is his Reverence to-day? Did 
he get any ease from the cough? 

Miss Joyce: He did not indeed, Mrs. Delane. 
He has it sticking to him yet. Smothering he 
is in the night time. The most thing he comes 
short in is the voice. 

Mrs. Delane: I am sorry, now, to hear that. 
He should mind himself well. 

Miss Joyce: It's easy to say let him mind 
himself. What do you say to him going to the 
meeting to-night? (Sergeant comes in.} It's for 
his Reverence's Freeman I am come, Mrs. Delane. 

Mrs. Delane: Here it is ready. I was just 
throwing an eye on it to see was there any news. 
Good-evening, Sergeant. 

Sergeant: (Holding up a placard} I brought this 
notice, Mrs. Delane, the announcement of the 
meeting to be held to-night in the Courthouse. 
You might put it up here convenient to the window. 
I hope you are coming to it yourself? 

Mrs. Delane: I will come, and welcome. I 
would do more than that for you, Sergeant. 

Sergeant: And you, Mr. Quirke. 



34 Hyacinth Halvey 

Mr. Quirke: I'll come, to be sure. I forget 
what's this the meeting is about. 

Sergeant: The Department of Agriculture is 
sending round a lecturer in furtherance of the 
moral development of the rural classes. (Reads.) 
"A lecture will be given this evening in Cloon 
Courthouse, illustrated by magic lantern slides " 
Those will not be in it; I am informed they were 
all broken in the first journey, the railway company 
taking them to be eggs. The subject of the lecture 
is "The Building of Character. " 

Mrs. Delane: Very nice, indeed. I knew a 
girl lost her character, and she washed her feet 
in a blessed well after, and it dried up on the 
minute. 

Sergeant: The arrangements have all been 
left to me, the Archdeacon being away. He 
knows I have a good intellect for things of the 
sort. But the loss of those slides puts a man out. 
The thing people will not see it is not likely it 
is the thing they will believe. I saw what they 
call tableaux standing pictures, you know one 
time in Dundrum 

Mrs. Delane: Miss Joyce was saying Father 
Gregan is supporting you. 

Sergeant: I am accepting his assistance. No 
bigotry about me when there is a question of 
the welfare of any fellow-creatures. Orange and 
green will stand together to-night. I myself 



Hyacinth Halvey 35 

and the station-master on the one side; your 
parish priest in the chair. 

Miss Joyce: If his Reverence would mind me 
he would not quit the house to-night. He is 
no more fit to go speak at a meeting than (pointing 
to the one hanging outside Quirke's door} that sheep. 

Sergeant: I am willing to take the responsi- 
bility. He will have no speaking to do at all, 
unless it might be to bid them give the lecturer 
a hearing. The loss of those slides now is a great 
annoyance to me and no time for anything. 
The lecturer will be coming by the next train. 

Miss Joyce: Who is this coming up the street, 
Mrs. Delane? 

Mrs. Delane: I wouldn't doubt it to be the 
new Sub-Sanitary Inspector. Was I telling you 
of the weight of the testimonials he got, Miss 
Joyce? 

Miss Joyce: Sure I heard the curate reading 
them to his Reverence. He must be a wonder 
for principles. 

Mrs. Delane: Indeed it is what I was saying to 
myself, he must be a very saintly young man. 

(Enter Hyacinth Halvey. He carries a small 
bag and a large brown paper parcel. He 
stops and nods bashfully.} 

Hyacinth: Good-evening to you. I was bid 
to come to the post office 

Sergeant: I suppose you are Hyacinth Halvey? 



36 Hyacinth Halvey 

I had a letter about you from the Resident Magis- 
trate. 

Hyacinth: I heard he was writing. It was my 
mother got a friend he deals with to ask him. 

Sergeant: He gives you a very high character. 

Hyacinth: It is very kind of him indeed, and 
he not knowing me at all. But indeed all the 
neighbours were very friendly. Anything any 
one could do to help me they did it. 

Mrs. Delane: I'll engage it is the testimonals 
you have in your parcel? I know the wrapping 
paper, but they grew in bulk since I handled 
them. 

Hyacinth: Indeed I was getting them to the 
last. There was not one refused me. It is what 
my mother was saying, a good character is no 
burden. 

Fardy: I would believe that indeed. 

Sergeant: Let us have a look at the testimonials. 
(Hyacinth Halvey opens parcel, and a large number 
of envelopes fall out.} 

Sergeant: (Opening and reading one by one). 
"He possesses the fire of the Gael, the strength 
of the Norman, the vigour of the Dane, the stolid- 
ity of the Saxon" 

Hyacinth: It was the Chairman of the Poor 
Law Guardians wrote that. 

Sergeant: "A magnificent example to old and 
young" 



Hyacinth Halvey 37 

Hyacinth: That was the Secretary of the De 
Wet Hurling Club 

Sergeant: "A shining example of the value 
conferred by an eminently careful and high class 
education " 

Hyacinth: That was the National School- 
master. 

Sergeant: "Devoted to the highest ideals of 
his Mother-land to such an extent as is com- 
patible with a hitherto non-parliamentary ca- 

^*C*T* 
iCCI 

Hyacinth: That was the Member for Carrow. 

Sergeant: "A splendid exponent of the purity 
of the race" 

Hyacinth: The Editor of the Carrow Champion. 

Sergeant: "Admirably adapted for the efficient 
discharge of all possible duties that may in future 
be laid upon him" 

Hyacinth: The new Station-master. 

Sergeant: "A champion of every cause that 

can legitimately benefit his fellow-creatures" 

Why, look here, my man, you are the very one 
to come to our assistance to-night. 

Hyacinth: I would be glad to do that. What 
way can I do it ? 

Sergeant: You are a newcomer your example 
would carry weight you must stand up as a liv- 
ing proof of the beneficial effect of a high char- 
acter, moral fibre, temperance there is something 



38 Hyacinth Halvey 

about it here I am sure (Looks.} I am sure I 
saw "unparalleled temperance" in some place 

Hyacinth: It was my mother's cousin wrote 
that I am no drinker, but I haven't the pledge 
taken 

Sergeant: You might take it for the purpose. 

Mr. Quirke: (Eagerly.) Here is an anti-treating 
button. I was made a present of it by one of my 
customers I'll give it to you (sticks it in Hya- 
cinth's coat) and welcome. 

Sergeant: That is it. You can wear the button 
on the platform or a bit of blue ribbon hundreds 
will follow your example I know the boys from the 
Workhouse will 

Hyacinth: I am in no way wishful to be an 
example 

Sergeant: I will read extracts from the testi- 
monials. "There he is," I will say, "an example 
of one in early life who by his own unaided efforts 
and his high character has obtained a profitable 
situation" (Slaps his side.) I know what I'll 
do. I'll engage a few corner-boys from Noonan's 
bar, just as they are, greasy and sodden, to stand 
in a group there will be the contrast The 
sight will deter others from a similar fate 
That's the way to do a tableau I knew I could 
turn out a success. 

Hyacinth: I wouldn't like to be a contrast 

Sergeant: (Puts testimonials in his pocket.) I 



Hyacinth Halvey 39 

will go now and engage those lads sixpence 
each, and well worth it Nothing like an ex- 
ample for the rural classes. 

(Goes off, Hyacinth feebly trying to detain 
him.) 

Mrs. Delane: A very nice man indeed. A little 
high up in himself, may be. I'm not one that 
blames the police. Sure they have their own 
bread to earn like every other one. And indeed it 
is often they will let a thing pass. 

Mr. Quirke: (Gloomily.) Sometimes they will, 
and more times they will not. 

Miss Joyce: And where will you be finding a 
lodging, Mr. Halvey? 

Hyacinth: I was going to ask that myself, 
ma'am. I don't know the town. 

Miss Joyce: I know of a good lodging, but it 
is only a very good man would be taken into it. 

Mrs. Delane: Sure there could be no objec- 
tion there to Mr. Halvey. There is no appear- 
ance on him but what is good, and the Sergeant 
after taking him up the way he is doing. 

Miss Joyce: You will be near to the Sergeant 
in the lodging I speak of. The house is convenient 
to the barracks. 

Hyacinth: (Doubtfully.) To the barracks? 

Miss Joyce: Alongside of it and the barrack 
yard behind. And that's not all. It is opposite 
to the priest's house. 



4O Hyacinth Halvey 

Hyacinth: Opposite, is it ? 

Miss Joyce: A very respectable place, indeed, 
and a very clean room you will get. I know it 
well. The curate can see into it from his window. 

Hyacinth: Can he now? 

Fardy: There was a good many, I am thinking, 
went into that lodging and left it after. 

Miss Joyce: (Sharply} It is a lodging you will 
never be let into or let stop in, Fardy. If they 
did go they were a good riddance. 

Fardy: John Hart, the plumber, left it 

Miss Joyce: If he did it was because he dared 
not pass the police coming in, as he used, with a 
rabbit he was after snaring in his hand. 

Fardy: The schoolmaster himself left it. 

Miss Joyce: He needn't have left it if he hadn't 
taken to card-playing. What way could you say 
your prayers, and shadows shuffling and dealing 
before you on the blind? 

Hyacinth: I think maybe I'd best look around 
a bit before I'll settle in a lodging 

Miss Joyce: Not at all. You won't be want- 
ing to pull down the blind. 

Mrs. Delane: It is not likely you will be snaring 
rabbits. 

Miss Joyce: Or bringing in a bottle and taking 
an odd glass the way James Kelly did. 

Mrs. Delane: Or writing threatening notices, 
and the police taking a view of you from the rear. 



Hyacinth Halvey 41 

Miss Joyce: Or going to roadside dances, or 
running after good-for-nothing young girls 

Hyacinth: I give you my word I'm not so 
harmless as you think. 

Mrs. Delane: Would you be putting a lie on 
these, Mr. Halvey? (Touching testimonials.) I 
know well the way you will be spending the even- 
ings, writing letters to your relations 

Miss Joyce: Learning O'Growney's exercises 

Mrs. Delane: Sticking post cards in an album 
for the convent bazaar. 

Miss Joyce: Reading the Catholic Young 
Man 

Mrs. Delane: Playing the melodies on a 
melodeon 

Miss Joyce: Looking at the pictures in the 
Lives of the Saints. I'll hurry on and engage 
the room for you. 

Hyacinth: Wait. Wait a minute 

Miss Joyce: No trouble at all. I told you it 
was just opposite. (Goes.) 

Mr. Quirke: I suppose I must go upstairs 
and ready myself for the meeting. If it wasn't 
for the contract I have for the soldiers' barracks 
and the Sergeant's good word, I wouldn't go 
anear it. (Goes into shop.) 

Mrs. Delane: I should be making myself ready 
too. I must be in good time to see you being 
made an example of, Mr. Halvey. It is I myself 



42 Hyacinth Halvey 

was the first to say it; you will be a credit to the 
town. (Goes.) 

Hyacinth: (In a tone of agony.) I wish I had 
never seen Cloon. 

Fardy: What is on you? 

Hyacinth: I wish I had never left Carrow. 
I wish I had been drowned the first day I thought 
of it, and I'd be better off. 

Fardy: What is it ails you? 

Hyacinth: I wouldn't for the best pound ever 
I had be in this place to-day. 

Fardy: I don't know what you are talking about. 

Hyacinth: To have left Carrow, if it was a 
poor place, where I had my comrades, and an 
odd spree, and a game of cards and a coursing 
match coming on, and I promised a new grey- 
hound from the city of Cork. I'll die in this place, 
the way I am. I'll be too much closed in. 

Fardy: Sure it mightn't be as bad as what you 
think. 

Hyacinth: Will you tell me, I ask you, what 
way can I undo it? 

Fardy: What is it you are wanting to undo? 

Hyacinth: Will you tell me what way can I 
get rid of my character? 

Fardy: To get rid of it, is it? 

Hyacinth: That is what I said. Aren't you 
after hearing the great character they are after 
putting on me? 



Hyacinth Halvey 43 

Fardy: That is a good thing to have. 

Hyacinth: It is not. It's the worst in the 
world. If I hadn't it, I wouldn't be like a prize 
mangold at a show with every person praising 
me. 

Fardy: If I had it, I wouldn't be like a head 
in a barrel, with every person making hits at me. 

Hyacinth: If I hadn't it, I wouldn't be shoved 
into a room with all the clergy watching me and 
the police in the back yard. 

Fardy: If I had it, I wouldn't be but a message- 
carrier now, and a clapper scaring birds in the 
summer time. 

Hyacinth: If I hadn't it, I wouldn't be wearing 
this button and brought up for an example at 
the meeting. 

Fardy: (Whistles.) Maybe you're not, so, what 
those papers make you out to be? 

Hyacinth: How would I be what they make 
me out to be? Was there ever any person of that 
sort since the world was a world, unless it might 
be Saint Antony of Padua looking down from the 
chapel wall? If it is like that I was, isn't it in 
Mount Melleray I would be, or with the Friars 
at Esker? Why would I be living in the world at 
all, or doing the world's work? 

Fardy: (Taking up parcel.} Who would think, 
now, there would be so much lies in a small place 
like Cairo w? 



44 Hyacinth Halvey 

Hyacinth: It was my mother's cousin did it. 
He said I was not reared for labouring he gave 
me a new suit and bid me never to come back 
again. I daren't go back to face him the neigh- 
bours knew my mother had a long family bad 
luck to them the day they gave me these. (Tears 
letters and scatters them.} I'm done with testimo- 
nials. They won't be here to bear witness against 
me. 

Fardy: The Sergeant thought them to be 
great. Sure he has the samples of them in his 
pocket. There's not one in the town but will 
know before morning that you are the next thing 
to an earthly saint. 

Hyacinth: (Stamping.} I'll stop their mouths. 
I'll show them I can be a terror for badness. I'll 
do some injury. I'll commit some crime. The 
first thing I'll do I'll go and get drunk. If I never 
did it before I'll do it now. I'll get drunk then 
I'll make an assault I tell you I'd think as little 
of taking a life as of blowing out a candle. 

Fardy: If you get drunk you are done for. 
Sure that will be held up after as an excuse for 
any breaking of the law. 

Hyacinth: I will break the law. Drunk or 
sober I'll break it. I'll do something that will 
have no excuse. What would you say is the worst 
crime that any man can do? 

Fardy: I don't know. I heard the Sergeant 



Hyacinth Halvey 45 

saying one time it was to obstruct the police in 
the discharge of their duty 

Hyacinth: That won't do. It's a patriot I 
would be then, worse than before, with my picture 
in the weeklies. It's a red crime I must commit 
that will make all respectable people quit minding 
me. What can I do? Search your mind now. 

Fardy: It's what I heard the old people saying 
there could be no worse crime than to steal a 
sheep 

Hyacinth: I'll steal a sheep or a cow or a 
horse if that will leave me the way I was before. 

Fardy: It's maybe in gaol it will leave you. 

Hyacinth: I don't care I'll confess I'll tell why 
I did it I give you my word I would as soon be 
picking oakum or breaking stones as to be perched 
in the daylight the same as that bird, and all the 
town chirruping to me or bidding me chirrup 

Fardy: There is reason in that, now. 

Hyacinth: Help me, will you? 

Fardy: Well, if it is to steal a sheep you want, 
you haven't far to go. 

Hyacinth: (Looking round wildly.} Where is it? 
I see no sheep. 

Fardy: Look around you. 

Hyacinth: I see no living thing but that 
thrush 

Fardy: Did I say it was living? What is that 
hanging on Quirke's rack? 



46 Hyacinth Halvey 

Hyacinth: It's (fingers if) a sheep, sure 
enough 

Fardy: Well, what ails you that you can't 
bring it away? 

Hyacinth: It's a dead one 

Fardy: What matter if it is? 

Hyacinth: If it was living I could drive it 
before me 

Fardy: You could. Is it to your own lodging 
you would drive it? Sure everyone would take 
it to be a pet you brought from Carrow. 

Hyacinth: I suppose they might. 

Fardy: Miss Joyce sending in for news of it 
and it bleating behind the bed. 

Hyacinth: (Distracted). Stop! stop! 

Mrs. Delane: (From upper window.} Fardy! 
Are you there, Fardy Farrell? 

Fardy: I am, ma'am. 

Mrs. Delane: (From window.} Look and tell me 
is that the telegraph I hear ticking? 

Fardy: (Looking in at door.} It is, ma'am. 

Mrs. Delane: Then botheration to it, and I 
not dressed or undressed. Wouldn't you say, 
now, it's to annoy me it is calling me down. I'm 
coming! I'm coming! (Disappears.} 

Fardy: Hurry on, now! hurry! She'll be 
coming out on you. If you are going to do it, 
do it, and if you are not, let it alone. 

Hyacinth: I'll do it! I'll do it! 



Hyacinth Halvey 47 

Fardy: (Lifting the sheep on his back.) I'll give 
you a hand with it. 

Hyacinth: (Goes a step or two and turns round.) 
You told me no place where I could hide it. 

Fardy: You needn't go far. There is the 
church beyond at the side of the Square. Go 
round to the ditch behind the wall there's 
nettles in it. 

Hyacinth: That'll do. 

Fardy: She's coming out run! run! 

Hyacinth: (Runs a step or two.) It's slipping! 

Fardy: Hoist it up! I'll give it a hoist! (Hal- 
vey runs out.) 

Mrs. Delane: (Catting out.) What are you doing 
Fardy Farrell? Is it idling you are? 

Fardy: Waiting I am, ma'am, for the mes- 
sage 

Mrs. Delane: Never mind the message yet. 
Who said it was ready? (Going to door.) Go ask 
for the loan of no, but ask news of Here, now 
go bring that bag of Mr. Halvey's to the lodging 
Miss Joyce has taken 

Fardy: I will, ma'am. (Takes bag and goes out.) 

Mrs. Delane: (Coming out with a telegram in her 
hand.) Nobody here? (Looks round and calls 
cautiously.) Mr. Quirke! Mr. Quirke! James 
Quirke! 

Mr. Quirke: (Looking out of his upper window 
with soap-suddy face). What is it, Mrs. Delane? 



48 Hyacinth Halvey 

Mrs. Delane: (Beckoning.) Come down here 
till I tell you. 

Mr. Quirke: I cannot do that. I'm not fully 
shaved. 

Mrs. Delane: You'd come if you knew the 
news I have: 

Mr. Quirke: Tell it to me now. I'm not so 
supple as I was. 

Mrs. Delane: Whisper now, have you an 
enemy in any place? 

Mr. Quirke: It's likely I may have. A man 
in business 

Mrs. Delane: I was thinking you had one. 

Mr. Quirke: Why would you think that at this 
time more than any other time? 

Mrs. Delane: If you could know what is in 
this envelope you would know that, James Quirke. 

Mr. Quirke: Is that so? And what, now, is 
there in it? 

Mrs. Delane: Who do you think now is it 
addressed to? 

Mr. Quirke: How would I know that, and I 
not seeing it? 

Mrs. Delane: That is true. Well, it is a mes- 
sage from Dublin Castle to the Sergeant of Police! 

Mr. Quirke: To Sergeant Garden, is it? 

Mrs. Delane: It is. And it concerns yourself. 

Mr. Quirke: Myself, is it? What accusation can 
they be bringing against me ? I'm a peaceable man. 



Hyacinth Halvey 49 

Mrs. Delane: Wait till you hear. 

Mr. Quirke: Maybe they think I was in that 
moonlighting case 

Mrs. Delane: That is not it 

Mr. Quirke: I was not in it I was but in the 
neighbouring field cutting up a dead cow, that 
those never had a hand in 

Mrs. Delane: You're out of it 

Mr. Quirke: They had their faces blackened. 
There is no man can say I recognized them. 

Mrs. Delane: That's not what they're say- 
ing 

Mr. Quirke: I'll swear I did not hear their 
voices or know them if I did hear them. 

Mrs. Delane: I tell you it has nothing to do 
with that. It might be better for you if it had. 

Mr. Quirke: What is it, so? 

Mrs. Delane: It is an order to the Sergeant 
bidding him immediately to seize all suspicious 
meat in your house. There is an officer coming 
down. There are complaints from the Shannon 
Fort Barracks. 

Mr. Quirke: I'll engage it was that pork. 

Mrs. Delane: What ailed it for them to find 
fault? 

Mr. Quirke: People are so hard to please 
nowadays, and I recommended them to salt it. 

Mrs. Delane: They had a right to have minded 
your advice. 



50 Hyacinth Halvey 

Mr. Quirke: There was nothing on that pig 
at all but that it went mad on poor O'Grady 
that owned it. 

Mrs. Delane: So I heard, and went killing all 
before it. 

Mr. Quirke: Sure it's only in the brain madness 
can be. I heard the doctor saying that. 

Mrs. Delane: He should know. 

Mr. Quirke: I give you my word I cut the 
head off it. I went to the loss of it, throwing 
it to the eels in the river. If they had salted the 
meat, as I advised them, what harm would it 
have done to any person on earth? 

Mrs. Delane: I hope no harm will come on 
poor Mrs. Quirke and the family. 

Mr. Quirke: Maybe it wasn't that but some 
other thing 

Mrs. Delane: Here is Fardy. I must send the 
message to the Sergeant. Well, Mr. Quirke, 
I'm glad I had the time to give you a warning. 

Mr. Quirke: I'm obliged to you, indeed. You 
were always very neighbourly, Mrs. Delane. Don't 
be too quick now sending the message. There is 
just one article I would like to put away out of the 
house before the Sergeant will come. (Enter Fardy.) 

Mrs. Delane: Here now, Fardy that's not 
the way you're going to the barracks. Anyone 
would think you were scaring birds yet. Put on 
your uniform. (Fardy goes into office.} You 



Hyacinth Halvey 51 

have this message to bring to the Sergeant of 
Police. Get your cap now, it's under the counter. 
(Fardy reappears, and she gives him tele- 
gram.} 

Fardy: I'll bring it to the station. It's there 
he was going. 

Mrs. Delane: You will not, but to the barracks. 
It can wait for him there. 

(Fardy goes off. Mr. Quirke has appeared 
at door.') 

Mr. Quirke: It was indeed a very neighbourly 
act, Mrs. Delane, and I'm obliged to you. There 
is just one article to put out of the way. The 
Sergeant may look about him then and welcome. 
It's well I cleared the premises on yesterday. A 
consignment to Birmingham I sent. The Lord 
be praised isn't England a terrible country with all 
it consumes? 

Mrs. Delane: Indeed you always treat the 
neighbours very decent, Mr. Quirke, not asking 
them to buy from you. 

Mr. Quirke: Just one article. (Turns to rack.) 
That sheep I brought in last night. It was for 
a charity indeed I bought it from the widow 
woman at Kiltartan Cross. Where would the 
poor make a profit out of their dead meat without 
me? Where now is it? Well, now, I could have 
swore that that sheep was hanging there on the 
tack when I went in 



52 Hyacinth Halvey 

Mrs. Delane: You must have put it in some 
other place. 

Mr. Quirke: (Going in and searching and coming 
out.} I did not; there is no other place for me to 
put it. Is it gone blind I am, or is it not in it, 
it is? 

Mrs. Delane: It's not there now anyway. 

Mr. Quirke: Didn't you take notice of it 
there yourself this morning? 

Mrs. Delane: I have it in my mind that I did; 
but it's not there now. 

Mr. Quirke: There was no one here could 
bring it away? 

Mrs. Delane: Is it me myself you suspect of 
taking it, James Quirke? 

Mr. Quirke: Where is it at all? It is certain 
it was not of itself it walked away. It was dead, 
and very dead, the time I bought it. 

Mrs. Delane: I have a pleasant neighbour 
indeed that accuses me that I took his sheep. 
I wonder, indeed, you to say a thing like that! 
I to steal your sheep or your rack or anything 
that belongs to you or to your trade! Thank 
you, James Quirke. I am much obliged to you 
indeed. 

Mr. Quirke: Ah, be quiet, woman; be quiet 

Mrs. Delane: And let me tell you, James 
Quirke, that I would sooner starve and see every- 
one belonging to me starve than to eat the size 



Hyacinth Halvey 53 

of a thimble of any joint that ever was on your 
rack or that ever will be on it, whatever the soldiers 
may eat that have no other thing to get, or the 
English that devour all sorts, or the poor ravenous 
people that's down by the sea! (She turns to go 
into shop.) 

Mr. Quirke: (Stopping her.) Don't be talking 
foolishness, woman. Who said you took my meat ? 
Give heed to me now. There must some other 
message have come. The Sergeant must have got 
some other message. 

Mrs. Delane: (Sulkily.) If there is any way for a 
message to come that is quicker than to come by 
the wires, tell me what it is and I'll be obliged to 
you. 

Mr. Quirke: The Sergeant was up here making 
an excuse he was sticking up that notice. What 
was he doing here, I ask you? 

Mrs. Delane: How would I know what brought 
him? 

Mr. Quirke: It is what he did; he made as if 
to go away he turned back again and I shaving 
he brought away the sheep he will have it for 
evidence against me 

Mrs. Delane: (Interested.) That might be so. 

Mr. Quirke: I would sooner it to have been 
any other beast nearly ever I had upon the rack. 

Mrs. Delane: Is that so? 

Mr. Quirke: I bade the Widow Early to kill 



54 Hyacinth Halvey 

it a fortnight ago but she would not, she was 
that covetous! 

Mrs. Delane: What was on it? 

Mr. Quirke: How would I know what was on 
it? Whatever was on it, it was the will of God 
put it upon it wasted it was, and shivering and 
refusing its share. 

Mrs. Delane: The poor thing. 

Mr. Quirke: Gone all to nothing wore away 
like a flock of thread. It did not weigh as much 
as a lamb of two months. 

Mrs. Delane: It is likely the Inspector will 
bring it to Dublin? 

Mr. Quirke: The ribs of it streaky with the 
dint of patent medicines 

Mrs. Delane: I wonder is it to the Petty 
Sessions you'll be brought or is it to the Assizes? 

Mr. Quirke: I'll speak up to them. I'll make 
my defence. What can the Army expect at 
fippence a pound? 

Mrs. Delane: It is likely there will be no bail 
allowed? 

Mr. Quirke: Would they be wanting me to 
give them good quality meat out of my own 
pocket? Is it to encourage them to fight the 
poor Indians and Africans they would have me? 
It's the Anti-Enlisting Societies should pay the 
fine for me. 

Mrs. Delane: It's not a fine will be put on you, 



Hyacinth Halvey 55 

I'm afraid. It's five years in gaol you will be 
apt to be getting. Well, I'll try and be a good 
neighbour to poor Mrs. Quirke. 

(Mr. Quirke, who has been stamping up and 
down, sits down and weeps. Halvey 
comes in and stands on one side.) 

Mr. Quirke: Hadn't I heart-scalding enough 
before, striving to rear five weak children? 

Mrs. Delane: I suppose they will be sent to 
the Industrial Schools? 

Mr. Quirke: My poor wife 

Mrs. Delane: I'm afraid the workhouse 

Mr. Quirke: And she out in an ass-car at this 
minute helping me to follow my trade. 

Mrs. De ane: I hope they will not arrest her 
along with you. 

Mr. Quirke: I'll give myself up to justice. I'll 
plead guilty! I'll be recommended to mercy! 

Mrs. Delane: It might be best for you. 

Mr. Quirke: Who would think so great a 
misfortune could come upon a family through the 
bringing away of one sheep! 

Hyacinth: (Coming forward.) Let you make 
yourself easy. 

Mr. Quirke: Easy! It's easy to say let you 
make yourself easy, 

Hyacinth: I can tell you where it is. 

Mr. Quirke: Where what is? 

Hyacinth: The sheep you are fretting after. 



56 Hyacinth Halvey 

Mr. -Quirke: What do you know about it? 

Hyacinth: I know everything about it. 

Mr. Quirke: I suppose the Sergeant told you? 

Hyacinth: He told me nothing. 

Mr. Quirke: I suppose the whole town knows 
it, so? 

Hyacinth: No one knows it, as yet. 

Mr. Quirke: And the Sergeant didn't see it? 

Hyacinth: No one saw it or brought it away 
but myself. 

Mr. Quirke: Where did you put it at all? 

Hyacinth: In the ditch behind the church wall. 
In among the nettles it is. Look at the way they 
have me stung. (Holds out hands.) 

Mr. Quirke: In the ditch! The best hiding 
place in the town. 

Hyacinth: I never thought it would bring 
such great trouble upon you. You can't say 
anyway I did not tell you. 

Mr. Quirke: You yourself that brought it 
away and that hid it! I suppose it was coming 
in the train you got information about the message 
to the police. 

Hyacinth: What now do you say to me? 

Mr. Quirke: Say! I say I am as glad to hear 
what you said as if it was the Lord telling me I'd 
be in heaven this minute. 

Hyacinth: What are you going to do to me? 

Mr. Quirke: Do, is it? (Grasps his hand.) 



Hyacinth Halvey 57 

Any earthly thing you would wish me to do, I 
will do it. 

Hyacinth: I suppose you will tell 

Mr. Quirke: Tell! It's I that will tell when 
all is quiet. It is I will give you the good name 
through the town! 

Hyacinth: I don't well understand. 

Mr. Quirke: (Embracing him.) The man that 
preserved me! 

Hyacinth: That preserved you? 

Mr. Quirke: That kept me from ruin ! 

Hyacinth: From ruin? 

Mr. Quirke: That saved me from disgrace! 

Hyacinth: (To Mrs. Delane.) What is he saying 
at all? 

Mr. Quirke: From the Inspector! 

Hyacinth: What is he talking about? 

Mr. Quirke: From the magistrates ! 

Hyacinth: He is making some mistake. 

Mr. Quirke: From the Winter Assizes! 

Hyacinth: Is he out of his wits? 

Mr. Quirke: Five years in gaol! 

Hyacinth: Hasn't he the queer talk? 

Mr. Quirke: The loss of the contract! 

Hyacinth: Are my own wits gone astray? 

Mr. Quirke: What way can I repay you? 

Hyacinth: (Shouting.) I tell you I took the 
sheep 

Mr. Quirke: You did, God reward you! 



58 Hyacinth Halvey 

Hyacinth: I stole away with it 

Mr. Quirke: The blessing of the poor on you! 

Hyacinth: I put it out of sight 

Mr. Quirke: The blessing of my five chil- 
dren 

Hyacinth: I may as well say nothing 

Mrs. Delane: Let you be quiet now, Quirke. 

Here's the Sergeant coming to search the shop 

(Sergeant comes in: Quirke leaves go of 
Halvey, who arranges his hat, etc.) 

Sergeant: The Department to blazes! 

Mrs. Delane: What is it is putting you out? 

Sergeant: To go to the train to meet the lec- 
turer, and there to get a message through the 
guard that he was unavoidably detained in the 
South, holding an inquest on the remains of a 
drake. 

Mrs. Delane: The lecturer, is it? 

Sergeant: To be sure. What else would I be 
talking of? The lecturer has failed me, and where 
am I to go looking for a person that I would think 
fitting to take his place? 

Mrs. Delane: And that's all? And you didn't 
get any message but the one? 

Sergeant: Is that all? I am surprised at you, 
Mrs. Delane. Isn't it enough to upset a man, 
within three quarters of an hour of the time of 
the meeting? Where, I would ask you, am I to 
find a man that has education enough and wit 



Hyacinth Halvey 59 

enough and character enough to put up speaking 
on the platform on the minute? 

Mr. Quirke: (Jumps up.) It is I myself will 
tell you that. 

Sergeant: You! 

Mr. Quirke: (Slapping Halvey on the back.) 
Look at here, Sergeant. There is not one word 
was said in all those papers about this young man 
before you but it is true. And there could be no 
good thing said of him that would be too good for 
him. 

Sergeant: It might not be a bad idea. 

Mr. Quirke: Whatever the paper said about 
him, Sergeant, I can say more again. It has come 
to my knowledge by chance that since he came 
to this town that young man has saved a whole 
family from destruction. 

Sergeant: That is much to his credit helping 
the rural classes 

Mr. Quirke: A family and a long family, big 
and little, like sods of turf and they depending 
on a on one that might be on his way to dark 
trouble at this minute if it was not for his assist- 
ance. Believe me, he is the most sensible man, and 
the wittiest, and the kindest, and the best helper of 
the poor that ever stood before you in this square. 
Is not that so, Mrs. Delane? 

Mrs. Delane: It is true indeed. Where he gets 
his wisdom and his wit and his information from 



60 Hyacinth Halvey 

I don't know, unless it might be that he is gifted 
from above. 

Sergeant: Well, Mrs. Delane, I think we have 
settled that question. Mr. Halvey, you will be 
the speaker at the meeting. The lecturer sent 
these notes you can lengthen them into a 
speech. You can call to the people of Cloon to 
stand out, to begin the building of their character. 
I saw a lecturer do it one time at Dundrum. 
"Come up here, " he said, "Dare to be a Daniel, " 
he said 

Hyacinth: I can't I won't 

Sergeant: (Looking at papers and thrusting 
them into his hand.} You will find it quite easy. 
I will conduct you to the platform these papers 
before you and a glass of water That's settled. 
(Turns to go.} Follow me on to the Courthouse 
in half an hour I must go to the barracks first 
I heard there was a telegram (Calls back as 
he goes.} Don't be late, Mrs. Delane. Mind, 
Quirke, you promised to come. 

Mrs. Delane: Well, it's time for me to make 
an end of settling myself and indeed, Mr. 
Quirke, you'd best do the same. 

Mr. Quirke: (Rubbing his cheek.} I suppose 
so. I had best keep on good terms with him for 
the present. (Turns.} Well, now, I had a great 
escape this day. 

(Both go in as Fardy reappears whistling.} 



Hyacinth Halvey 61 

Hyacinth: (Sitting down.} I don't know in the 
world what has come upon the world that the half 
of the people of it should be cracked ! 

Fardy: Weren't you found out yet? 

Hyacinth: Found out, is it? I don't know 
what you mean by being found out. 

Fardy: Didn't he miss the sheep? 

Hyacinth: He did, and I told him it was I 
took it and what happened I declare to good- 
ness I don't know Will you look at these? 
(Holds out notes.} 

Fardy: Papers! Are they more testimonials? 

Hyacinth: They are what is worse. (Gives a 
hoarse laugh.} Will you come and see me on the 
platform these in my hand and I speaking 
giving out advice. (Fardy whistles} Why didn't 
you tell me, the time you advised me to steal a 
sheep, that in this town it would qualify a man 
to go preaching, and the priest in the chair looking 
on. 

Fardy: The time I took a few apples that had 
fallen off a stall, they did not ask me to hold a 
meeting. They welted me well. 

Hyacinth: (Looking round.} I would take apples 
if I could see them. I wish I had broke my neck 
before I left Carrow and I'd be better off! I 
wish I had got six months the time I was caught 
setting snares I wish I had robbed a church. 

Fardy: Would a Protestant church do? 



62 Hyacinth Halvey 

Hyacinth : I suppose it wouldn't be so great a 
sin. 

Fardy: It's likely the Sergeant would think 
worse of it Anyway, if you want to rob one, it's 
the Protestant church is the handiest. 

Hyacinth: (Getting up.} Show me what way to 
doit? 

Fardy: (Pointing.) I was going around it a few 
minutes ago, to see might there be e'er a dog 
scenting the sheep, and I noticed the window being 
out. 

Hyacinth: Out, out and out? 

Fardy: It was, where they are putting coloured 
glass in it for the distiller 

Hyacinth: What good does that do me? 

Fardy: Every good. You could go in by that 
window if you had some person to give you a 
hoist. Whatever riches there is to get in it then, 
you'll get them. 

Hyacinth: I don't want riches. I'll give you 
all I will find if you will come and hoist me. 

Fardy: Here is Miss Joyce coming to bring 
you to your lodging. Sure I brought your bag 
to it, the time you were away with the sheep 

Hyacinth: Run ! Run ! 

(They go off. Enter Miss Joyce.) 

Miss Joyce: Are you here, Mrs. Delane? 
Where, can you tell me, is Mr. Halvey? 

Mrs. Delane: (Coming out dressed.) It's likely he 



Hyacinth Halvey 63 

is gone on to the Courthouse. Did you hear he 
is to be in the chair and to make an address to 
the meeting? 

Miss Joyce: He is getting on fast. His Rever- 
ence says he will be a good help in the parish. 
Who would think, now, there would be such a godly 
young man in a little place like Carrow! 

(Enter Sergeant in a hurry, with telegram.) 

Sergeant: What time did this telegram arrive, 
Mrs. Delane? 

Mrs. Delane: I couldn't be rightly sure, Ser- 
geant. But sure it's marked on it, unless the clock 
I have is gone wrong. 

Sergeant: It is marked on it. And I have the 
time I got it marked on my own watch. 

Mrs. Delane: Well, now, I wonder none 
of the police would have followed you with it 
from the barracks and they with so little to 

Sergeant: (Looking in at Quirke's shop.) Well, 
I am sorry to do what I have to do, but duty is 
duty. 

(He ransacks shop. Mrs. Delane looks on. 
Mr. Quirke puts his head out of window.) 

Mr. Quirke: What is that going on inside? 
(No answer.) Is there any one inside, I ask? (No 
answer.) It must be that dog of Tannian's 
wait till I get at him. 

Mrs. Delane: It is Sergeant Garden, Mr. 



64 Hyacinth Halvey 

Quirke. He would seem to be looking' for some- 
thing 

(Mr. Quirke appears in shop. Sergeant 
comes out, makes another dive, taking 
up sacks, etc.) 

Mr. Quirke: I'm greatly afraid I am just out 
of meat, Sergeant and I'm sorry now to dis- 
oblige you, and you not being in the habit of 
dealing with me 

Sergeant: I should think not, indeed. 

Mr. Quirke: Looking for a tender little bit of 
lamb, I suppose you are, for Mrs. Garden and 
the youngsters? 

Sergeant: I am not. 

Mr. Quirke: If I had it now, I'd be proud to 
offer it to you, and make no charge. I'll be kill- 
ing a good kid to-morrow. Mrs. Garden might 
fancy a bit of it 

Sergeant: I have had orders to search your 
establishment for unwholesome meat, and I am 
come here to do it. 

Mr. Quirke: (Sitting down with a smite.) Is 
that so ? Well, isn't it a wonder the schemers does 
be in the world. 

Sergeant: It is not the first time there have 
been complaints. 

Mr. Quirke: I suppose not. Well, it is on 
their own head it will fall at the last ! 

Sergeant: I have found nothing so far. 



Hyacinth Halvey 65 

Mr. Quirke: I suppose not, indeed. What i3 
there you could find, and it not in it ? 

Sergeant: Have you no meat at all upon the 
premises ? 

Mr. Quirke: I have, indeed, a nice barrel of 
bacon. 

Sergeant: What way did it die? 

Mr. Quirke: It would be hard for me to say 
that. American it is. How would I know what 
way they do be killing the pigs oat there? 
Machinery, I suppose, they have steam ham- 
mers 

Sergeant: Is there nothing else here at all? 

Mr. Quirke: I give you my word, there is 
no meat living or dead in this place, but yourself 
and myself and that bird above in the cage. 

Sergeant: Well, I must tell the Inspector I 
could find nothing. But mind yourself for the 
future. 

Mr. Quirke: Thank you, Sergeant. I will do 
that. (Enter Fardy. He stops short.} 

Sergeant: It was you delayed that message to 
me, I suppose? You'd best mend your ways or 
I'll have something to say to you. (Seizes and 
shakes him.} 

Fardy: That's the way everyone does be 
faulting me. (Whimpers.} 

(The Sergeant gives him another shake. A 
half-crown falls out of his pocket.} 



66 Hyacinth Halvey 

Miss Joyce: (Picking it up.} A half-a-crown! 
Where, now, did you get that much, Fardy? 

Fardy: Where did I get it, is it ! 

Miss Joyce: I'll engage it was in no honest 
way you got it. 

Fardy: I picked it up in the street 

Miss Joyce: If you did, why didn't you bring 
it to the Sergeant or to his Reverence? 

Mrs. Delane: And some poor person, may be, 
being at the loss of it. 

Miss Joyce: I'd best bring it to his Reverence. 
Gome with me, Fardy, till he will question you 
about it. 

Fardy: It was not altogether in the street J[ 
found it 

Miss Joyce: There, now! I knew you got it 
in no good way ! Tell me, now. 

Fardy: It was playing pitch and toss I won it 

Miss Joyce: And who would play for half- 
crowns with the like of you, Fardy Farrell? Who 
was it, now? 

Fardy: It was a stranger 

Miss Joyce: Do you hear that? A stranger! 
Did you see e'er a stranger in this town, Mrs. 
Delane, or Sergeant Garden, or Mr. Quirke? 

Mr. Quirke: Not a one. 

Sergeant: There was no stranger here. 

Mrs. Delane: There could not be one here 
without me knowing it. 



Hyacinth Halvey 67 

Fardy: I tell you there was. 

Miss Joyce: Come on, then, and tell who was 
he to his Reverence. 

Sergeant: (Taking other arm.} Or to the bench. 

Fardy: I did get it, I tell you, from a stranger. 

Sergeant: Where is he, so? 

Fardy: He's in some place not far away. 

Sergeant: Bring me to him. 

Fardy: He'll be coming here. 

Sergeant: Tell me the truth and it will be better 
for you. 

Fardy: (Weeping.} Let me go and I will. 

Sergeant: (Letting go.) Now who did you 
get it from? 

Fardy: From that young chap came to-day, 
Mr. Halvey. 

All: Mr. Halvey! 

Mr. Quirke: (Indignantly.} What are you say- 
ing, you young ruffian you? Hyacinth Halvey 
to be playing pitch and toss with the like of you! 

Fardy: I didn't say that. 

Miss Joyce: You did say it. You said it now. 

Mr. Quirke: Hyacinth Halvey! The best man 
that ever came into this town! 

Miss Joyce: Well, what lies he has! 

Mr. Quirke: It's my belief the half-crown is 
a bad one. May be it's to pass it off it was given 
to him. There were tinkers in the town at the 
time of the fair. Give it here to me. (Bites it.) 



6fc Hyacinth Halvey 

No, indeed, it's sound enough. Here, Sergeant, 
it's best for you take it. 

(Gives it to Sergeant, who examines it.) 

Sergeant: Can it be? Can it be what I think 
it to be? 

Mr. Quirke: What is it? What do you take 
it to be? 

Sergeant: It is, it is. I know it. I know this 
half-crown 

Mr. Quirke: That is a queer thing, now. 

Sergeant: I know it well. I have been hand- 
ling it in the church for the last twelvemonth 

Mr. Quirke: Is that so? 

Sergeant: It is the nest-egg half-crown we 
hand round in the collection plate every Sunday 
morning. I know it by the dint on the Queen's 
temples and the crooked scratch under her nose. 

Mr. Quirke: (Examining it.} So there is, too. 

Sergeant: This is a bad business. It has been 
stolen from the church. 

All: O!0!O! 

Sergeant: (Seizing Fardy.) You have robbed 
the church ! 

Fardy: (Terrified.) I tell you I never did! 

Sergeant: I have the proof of it. 

Fardy: Say what you like! I never put a foot 
in it! 

Sergeant: How did you get this, so? 

Miss Joyce: I suppose from the stranger? 



Hyacinth Halvey 69 

Mrs. Delane: I suppose it was Hyacinth Halvey 
gave it to you, now? 

Fardy: It was so. 

Sergeant: I suppose it was he robbed the 
church? 

Fardy: (Sobs.) You will not believe me if J 
say it. 

Mr. Quirke: O! the young vagabond! Let me 
get at him ! 

Mrs. Delane: Here he is himself now! 

(Hyacinth comes in. Fardy releases himself 
and creeps behind him.} 

Mrs. Delane: It is time you to come, Mr. Hal- 
vey, and shut the mouth of this young schemer. 

Miss Joyce: I would like you to hear what he 
says of you, Mr. Halvey. Pitch and toss, he 
says. 

Mr. Quirke: Robbery, he says. 

Mrs. Delane: Robbery of a church. 

Sergeant: He has had a bad name long enough. 
Let him go to a reformatory now. 

Fardy: (Clinging to Hyacinth.} Save me, save 
me! I'm a poor boy trying to knock out a way 
of living; I'll be destroyed if I go to a reforma- 
tory. (Kneels and clings to Hyacinth's knees.) 

Hyacinth: I'll save you easy enough. 

Fardy: Don't let me be gaoled! 

Hyacinth: I am going to tell them. 

Fardy: I'm a poor orphan 



7o Hyacinth Halvey 

Hyacinth: Will you let me speak? 

Fardy: I'll get no more chance in the world 

Hyacinth: Sure I'm trying to free you 

Fardy: It will be tasked to me always. 

Hyacinth: Be quiet, can't you. 

Fardy: Don't you desert me! 

Hyacinth: Will you be silent? 

Fardy: Take it on yourself. 

Hyacinth: I will if you'll let me. 

Fardy: Tell them you did it. 

Hyacinth: I am going to do that. 

Fardy: Tell them it was you got in at the 
window. 

Hyacinth: I will! I will! 

Fardy: Say it was you robbed the box. 

Hyacinth: 1 11 say it! I '11 say it! 

Fardy: It being open ! 

Hyacinth: Let me tell, let me tell. 

Fardy: Of all that was in it. 

Hyacinth: I'll tell them that. 

Fardy: And gave it to me. 

Hyacinth: (Putting hand on his mouth and drag- 
ging him up.) Will you stop and let me speak ? 

Sergeant: We can't be wasting time. Give 
him here to me. 

Hyacinth: I can't do that. He must be let 
alone. 

Sergeant: (Seizing him.) He'll be let alone in 
the lock-up. 



Hyacinth Halvey 71 

Hyacinth: He must not be brought there. 

Sergeant: I'll let no man get him off. 

Hyacinth: I will get him off. 

Sergeant: You will not! 

Hyacinth: I will. 

Sergeant: Do you think to buy him off? 

Hyacinth: I will buy him off with my own 
confession. 

Sergeant: And what will that be? 

Hyacinth: It was I robbed the church. 

Sergeant: That is likely indeed ! 

Hyacinth: Let him go, and take me. I tell 
you I did it. 

Sergeant: It would take witnesses to prove 
that. 

Hyacinth: (Pointing to Party.) He will be 
witness. 

Fardy: O! Mr. Halvey, I would not wish to 
do that. Get me off and I will say nothing. 

Hyacinth: Sure you must. You will be put 
on oath in the court. 

Fardy: I will not ! I will not ! All the world 
knows I don't understand the nature of an oath ! 

Mr. Quirke: (Coming forward.} Is it blind ye 
all are? 

Mrs. Delane: What are you talking about? 

Mr. Quirke: Is it fools ye all are? 

Miss Joyce: Speak for yourself. 

Mr. Quirke: Is it idiots ye all are? 



72 Hyacinth Halvey 

Sergeant: Mind who you're talking to. 

Mr. Quirke: (Seizing Hyacinth's hands.) Can't 
you see? Can't you hear? Where are your wits? 
Was ever such a thing seen in this town? 

Mrs. Delane: Say out what you have to say. 

Mr. Quirke: A walking saint he is! 

Mrs. Delane: Maybe so. 

Mr. Quirke: The preserver of the poor! Talk 
of the holy martyrs! They are nothing at all to 
what he is ! Will you look at him ! To save that 
poor boy he is going! To take the blame on 
himself he is going! To say he himself did the 
robbery he is going! Before the magistrate he is 
going! To gaol he is going! Taking the blame 
on his own head! Putting the sin on his own 
shoulders! Letting on to have done a robbery! 
Telling a lie that it may be forgiven him to 
his own injury ! Doing all that I tell you to save 
the character of a miserable slack lad, that rose 
in poverty. 

(Murmur of admiration from all.) 

Mr. Quirke: Now, what do you say? 

Sergeant: (Pressing his hand.) Mr. Halvey, you 
have given us all a lesson. To please you, I will 
make no information against the boy. (Shakes 
him and helps him up.) I will put back the half- 
crown in the poor-box next Sunday. (To Fardy.) 
What have you to say to your benefactor? 

Fardy: I'm obliged to you, Mr. Halvey. You 



Hyacinth Halvey 73 

behaved very decent to me, very decent indeed. 
I'll never let a word be said against you if I live 
to be a hundred years. 

Sergeant: (Wiping eyes with a blue handkerchief.) 
I will tell it at the meeting. It will be a great 
encouragement to them to build up their char- 
acter. I'll tell it to the priest and he taking the 
chair 

Hyacinth: stop, will you 

Mr. Quirke: The chair. It's in the chair he 
himself should be. It's in a chair we will put him 
now. It's to chair him through the streets we will. 
Sure he'll be an example and a blessing to the whole 
of the town. (Seizes Halvey and seats him in chair.) 
Now, Sergeant, give a hand. Here, Fardy. 

(They all lift the chair with Hakey in it, 
wildly protesting.} 

Mr. Quirke: Come along now to the Court- 
house. Three cheers for Hyacinth Halvey ! Hip ! 
hip ! hoora ! 

(Cheers heard in the distance as the curtain 
drops.") 



THE RISING OF THE MOON 



PERSONS 
Sergeant. 
Policeman X. 
Policeman B. 
A Ragged Man. 



THE RISING OF THE MOON 

Scene: Side of a quay in a seaport town. Some 
posts and chains. A large barrel. Enter three 
policemen. Moonlight. 

(Sergeant, who is older than the others, crosses 
the stage to right and looks down steps. 
The others put down a pastepot and un- 
roll a bundle of placards.} 

Policeman B: I think this would be a good 
place to put up a notice. (He points to barrel.) 
Policeman X: Better ask him. (Calls to Sergt.) 
Will this be a good place for a placard? 

(No answer.) 

Policeman B: Will we put up a notice here on 
the barrel? (No answer.) 

Sergeant: There's a flight of steps here that 
leads to the water. This is a place that should be 
minded well. If he got down here, his friends 
might have a boat to meet him; they might send 
it in here from outside. 

Policeman B: Would the barrel be a good place 
to put a notice up? 

Sergeant: It might; you can put it there. 
(They paste the notice up.) 



78 The Rising of the Moon 

Sergeant: (Reading it.) Dark hair dark eyes, 
smooth face, height five feet five there's not much 
to take hold of in that It's a pity I had no chance 
of seeing him before he broke out of gaol. They 
say he's a wonder, that it's he makes all the plans 
for the whole organization. There isn't another 
man in Ireland would have broken gaol the way 
he did. He must have some friends among the 
gaolers. 

Policeman B: A hundred pounds is little enough 
for the Government to offer for him. You may 
be sure any man in the force that takes him will get 
promotion. 

Sergeant: I'll mind this place myself. I 
wouldn't wonder at all if he came this way. He 
might come slipping along there (points to side of 
quay), and his friends might be waiting for him 
there (points down steps'), and once he got away 
it's little chance we'd have of finding him; it's 
maybe under a load of kelp he'd be in a fishing 
boat, and not one to help a married man that wants 
it to the reward. 

Policeman X: And if we get him itself, nothing 
but abuse on our heads for it from the people, and 
maybe from our own relations. 

Sergeant: Well, we have to do our duty in the 
force. Haven't we the whole country depending 
on us to keep law and order? It's those that are 
down would be up and those that are up would be 



The Rising of the Moon 79 

down, if it wasn't for us. Well, hurry on, you have 
plenty of other places to placard yet, and come 
back here then to me. You can take the lantern. 
Don't be too long now. It's very lonesome here 
with nothing but the moon. 

Policeman B: It's a pity we can't stop with 

you. The Government should have brought 

more police into the town, with him in gaol, and at 

assize time too. Well, good luck to your watch. 

(They go out.} 

Sergeant: (Walks up and down once or twice and 
looks at placard.) A hundred pounds and pro- 
motion sure. There must be a great deal of 
spending in a hundred pounds. It's a pity some 
honest man not to be the better of that. 

(A ragged man appears at left and tries to 
slip past. Sergeant suddenly turns.) 

Sergeant: Where are you going? 

Man: I'm a poor ballad-singer, your honour. 
I thought to sell some of these (holds out bundle 
of ballads) to the sailors. (He goes on.) 

Sergeant: Stop! Didn't I tell you to stop? 
You can't go on there. 

Man: Oh, very well. It's a hard thing to be 
poor. All the world's against the poor! 

Sergeant: Who are you? 

Man: You'd be as wise as myself if I told you, 
but I don't mind. I'm one Jimmy Walsh, a 
ballad-singer. 



8o The Rising of the Moon 

Sergeant: Jimmy Walsh? I don't know that 
name. 

Man: Ah, sure, they know it well enough in 
Ennis. Were you ever in Ennis, sergeant ? 

Sergeant: What brought you here? 

Man: Sure, it's to the assizes I came, thinking 
I might make a few shillings here or there. It's 
in the one train with the judges I came. 

Sergeant: Well, if you came so far, you may as 
well go farther, for you'll walk out of this. 

Man: I will, I will; I'll just go on where I was 
going. (Goes towards steps.) 

Sergeant: Come back from those steps; no 
one has leave to pass down them to-night. 

Man: I'll just sit on the top of the steps till 
I see will some sailor buy a ballad off me that 
would give me my supper. They do be late going 
back to the ship. It's often I saw them in Cork 
carried down the quay in a hand-cart. 

Sergeant: Move on, I tell you. I won't have 
any one lingering about the quay to-night. 

Man: Well, I'll go. It's the poor have the 
hard life! Maybe yourself might like one, ser- 
geant. Here's a good sheet now. (Turns one 
over.) "Content and a pipe" that's not much. 
"The Peeler and the goat" you wouldn't like 
that. "Johnny Hart" that's a lovely song. 

Sergeant: Move on. 

Man: Ah, wait till you hear it. (Sings:) 



The Rising of the Moon 81 

There was a rich farmer's daughter lived near 

the town of Ross; 
She courted a Highland soldier, his name was 

Johnny Hart ; 

Says the mother to her daughter, "I'll go dis- 
tracted mad 
If you marry that Highland soldier dressed 

up in Highland plaid." 
Sergeant: Stop that noise. 

(Man wraps up his ballads and shuffles to- 
wards the steps.} 

Sergeant: Where are you going? 
Man: Sure you told me to be going, and I 
am going. 

Sergeant: Don't be a fool. I didn't tell you 
to go that way; I told you to go back to the town. 
Man: Back to the town, is it? 
Sergeant: (Taking him by the shoulder and shov- 
ing him before him.} Here, I'll show you the way. 
Be off with you. What are you stopping for? 

Man: (Who has been keeping his eye on the notice, 
points to it.} I think I know what you're waiting 
for, sergeant. 

Sergeant: What's that to you? 
Man: And I know well the man you're waiting 
for I know him well I'll be going. 

(He shuffles on.} 

Sergeant: You know him? Come back here. 
What sort is he? 



82 The Rising of the Moon 

Man: Come back is it, sergeant? Do you 
want to have me killed? 

Sergeant: Why do you say that? 

Man: Never mind. I'm going. I wouldn't 
be in your shoes if the reward was ten times as 
much. (Goes on off stage to left). Not if it was 
ten times as much. 

Sergeant: (Rushing after him.) Come back 
here, come back. (Drags him back.) What sort 
is he? Where did you see him? 

Man: I saw him in my own place, in the 
County Clare. I tell you you wouldn't like to 
be looking at him. You'd be afraid to be in the 
one place with him. There isn't a weapon he 
doesn't know the use of, and as to strength, his 
muscles are as hard as that board (slaps barrel). 

Sergeant: Is he as bad as that? 

Man: He is then. 

Sergeant: Do you tell me so? 

Man: There was a poor man in our place, a 
sergeant from Ballyvaughan. It was with a 
lump of stone he did it. 

Sergeant: I never heard of that. 

Man: And you wouldn't, sergeant. It's not 
everything that happens gets into the papers. 
And there was a policeman in plain clothes, too 
... It is in Limerick he was. ... It was 
after the time of the attack on the police barrack 
at Kilmallock .... Moonlight . . . just tike 



The Rising of the Moon 83 

this . . . waterside. . . . Nothing was known 
for certain. 

Sergeant: Do you say so? It's a terrible 
county to belong to. 

Man: That's so, indeed ! You might be stand- 
ing there, looking out that way, thinking you saw 
him coming up this side of the quay (points'), and 
he might be coming up this other side (points), and 
he'd be on you before you knew where you were. 

Sergeant: It's a whole troop of police they 
ought to put here to stop a man like that. 

Man: But if you'd like me to stop with you, I 
could be looking down this side. I could be sitting 
tip here on this barrel. 

Sergeant: And you know him well, too? 

Man: I'd know him a mile off, sergeant. 

Sergeant: But you wouldn't want to share the 
reward? 

Man: Is it a poor man like me, that has to be 
going the roads and singing in fairs, to have the 
name on him that he took a reward? But you 
don't want me. I'll be safer in the town. 

Sergeant: Well, you can stop. 

Man: (Getting up on barrel.) All right, sergeant. 
I wonder, now, you're not tired out, sergeant, 
walking up and down the way you are. 

Sergeant: If I'm tired I'm used to it. 

Man: You might have hard work before you 
to-night yet. Take it easy while you can. There's 



84 The Rising of the Moon 

plenty of room up here on the barrel, and you see 
farther when you're higher up. 

Sergeant: Maybe so. (Gets up beside him on 
barrel, facing right. They sit back to back, looking 
different ways.} You made me feel a bit queer 
with the way you talked. 

Man: Give me a match,^ sergeant (he gives it 
and man lights pipe) ; take a draw yourself? It'll 
quiet you. Wait now till I give you a light, but 
you needn't turn round. Don't take your eye 
off the quay for the life of you. 

Sergeant: Never fear, I won't. (Lights pipe. 
They both smoke.) Indeed it's a hard thing to be 
in the force, out at night and no thanks for it, for 
all the danger we're in. And it's little we get but 
abuse from the people, and no choice but to obey 
our orders, and never asked when a man is sent 
into danger, if you are a married man with a family. 
Man: (Sings) 

As through the hills I walked to view the hills 

and shamrock plain, 
I stood awhile where nature smiles to view the 

rocks and streams, 
On a matron fair I fixed my eyes beneath a 

fertile vale, 
As she sang her song it was on the wrong of 

poor old Granuaile. 

Sergeant: Stop that; that's no song to be 
singing in these times. 



The Rising of the Moon 85 

Ah, sergeant, I was only singing to keep 
my heart up. It sinks when I think of him. To 
think of us two sitting here, and he creeping up the 
quay, maybe, to get to us. 

Sergeant: Are you keeping a good lookout? 
Man: I am; and for no reward too. Amn't 
I the foolish man? But when I saw a man in 
trouble, I never could help trying to get him 
out of it. What's that? Did something hit 
me? 

(Rubs his heart.} 

Sergeant: (Patting him on the shoulder.") You 
will get your reward in heaven. 

Man: I know that, I know that, sergeant, but 
life is precious. 

Sergeant: Well, you can sing if it gives you 
more courage. 
Man: (Sings') 

Her head was bare, her hands and feet with 

iron bands were bound, 
Her pensive strain and plaintive wail mingles 

with the evening gale, 
And the song she sang with mournful air, I am 

old Granuaile. 

Her lips so sweet that monarchs kissed . . . 
Sergeant: That's not it. ... "Her gown 
she wore was stained with gore." . . . That's 
it you missed that. 

Man: You're right, sergeant, so it is; I missed 



86 The Rising of the Moon 

it. (Repeats line.} But to think of a man like 
you knowing a song like that. 

Sergeant: There's many a thing a man might 
know and might not have any wish for. 

Man: Now, I daresay, sergeant, in your youth, 
you used to be sitting up on a wall, the way you are 
sitting up on this barrel now, and the other lads be- 
side you, and you singing "Granuaile"? . . . 

Sergeant: I did then. 

Man: And the "Shan Bhean Bhocht"? . . . 

Sergeant: I did then. 

Man: And the ' ' Green on the Cape ? " 

Sergeant: That was one of them. 

Man: And maybe the man you are watching 
for to-night used to be sitting on the wall, when 
he was young, and singing those same songs. . . . 
It's a queer world .... 

Sergeant: Whisht ! . . . I think I see some- 
thing coming .... It's only a dog. 

Man: And isn't it a queer world? . . . 
Maybe it's one of the boys you used to be singing 
with that time you will be arresting to-day or to- 
morrow, and sending into the dock. . . . 

Sergeant: That's true indeed. 

Man: And maybe one night, after you had 
been singing, if the other boys had told you some 
plan they had, some plan to free the country, you 
might have joined with them . . . and maybe 
it is you might be in trouble now. 



The Rising of the Moon 87 

Sergeant: Well, who knows but I might? I 
had a great spirit in those days. 

Man: It's a queer world, sergeant, and it's 
little any mother knows when she sees her child 
creeping on the floor what might happen to it 
before it has gone through its life, or who will be 
who in the end. 

Sergeant: That's a queer thought now, and a 
true thought. Wait now till I think it out . . . . 
If it wasn't for the sense I have, and for my wife 
and family, and for me joining the force the time 
I did, it might be myself now would be after 
breaking gaol and hiding in the dark, and it might 
be him that's hiding in the dark and that got out of 
gaol would be sitting up where I am on this barrel. 
. . . And it might be myself would be creeping 
up trying to make my escape from himself, and 
it might be himself would be keeping the law, and 
myself would be breaking it, and myself would be 
trying maybe to put a bullet in his head, or to take 
up a lump of a stone the way you said he did . . . 
no, that myself did. ... Oh! (Gasps. After a 
pause.) What's that? (Grasps man's arm.) 

Man: (Jumps off barrel and listens, looking out 
over water.) It's nothing, sergeant. 

Sergeant: I thought it might be a boat. I had 
a notion there might be friends of his coming 
about the quays with a boat. 

Man: Sergeant, I am thinking it was with the? 



88 The Rising of the Moon 

people you were, and not with the law you were, 
when you were a young man. 

Sergeant: Well, if I was foolish then, that 
time's gone. 

Man: Maybe, sergeant, it comes into your 
head sometimes, in spite of your belt and your 
tunic, that it might have been as well for you to 
have followed Granuaile. 

Sergeant: It's no business of yours what I think. 
Man: Maybe, sergeant, you'll be on the side of 
the country yet. 

Sergeant: (Gets off barrel.} Don't talk to me 
like that. I have my duties and I know them. 
(Looks round.} That was a boat ; I hear the oars. 

(Goes to the steps and looks down.) 
Man: (Sings] 

O, then, tell me, Shawn O'Farrell, 

Where the gathering is to be. 
In the old spot by the river 

Right well known to you and me! 
Sergeant: Stop that! Stop that, I tell you! 
Man: (Sings louder) 

One word more, for signal token, 
Whistle up the marching tune, 
With your pike upon your shoulder, 

At the Rising of the Moon. 
Sergeant: If you don't stop that, I'll arrest you. 
(A whistle from below answers, repeating the 
air.) 



The Rising of the Moon 89 

Sergeant: That's a signal. (Stands between him 
and steps.} You must not pass this way. . . . 
Step farther back. . . . Who are you? You 
are no ballad-singer. 

Man: You needn't ask who I am ; that placard 
will tell you. (Points to placard.} 

Sergeant: You are the man I am looking 
for. 

Man: (Takes off hat and wig. Sergeant seizes 
them.} I am. There's a hundred pounds on my 
head. There is a friend of mine below in a boat. 
He knows a safe place to bring me to. 

Sergeant: (Looking still at hat and wig.} It's a 
pity ! It's a pity. You deceived me. You de- 
ceived me well. 

Man: I am a friend of Granuaile. There is 
a hundred pounds on my head. 

Sergeant It's a pity, it's a pity! 

Man: Will you let me pass, or must I make you 
let me? 

Sergeant: I am in the force. I will not let you 
pass. 

Man: I thought to do it with my tongue. (Puts 
hand in breast.} What is that? 

(Voice of Policeman X outside:} Here, this is 
where we left him. 

Sergeant: It's my comrades coming. 

Man: You won't betray me ... the friend 
of Granuaile. (Slips behind barrel.} 



90 The Rising of the Moon 

( Voice of Policeman B :) That was the last of the 
placards. 

Policeman X: (As they come in.} If he makes 
his escape it won't be unknown he'll make it. 

(Sergeant puts hat and wig behind his back.) 

Policeman B: Did any one come this way? 

Sergeant: (After a pause.} No one. 

Policeman B: No one at all ? 

Sergeant: No one at all. 

Policeman B: We had no orders to go back to 
the station; we can stop along with you. 

Sergeant: I don't want you. There is nothing 
for you to do here. 

Policeman B: You bade us to come back here 
and keep watch with you. 

Sergeant: I'd sooner be alone. Would any 
man come this way and you making all that 
talk? It is better the place to be quiet. 

Policeman B: Well, we'll leave you the lantern 
anyhow. (Hands it to him.) 

Sergeant: I don't want it. Bring it with you. 

Policeman B: You might want it. There are 
clouds coming up and you have the darkness of 
the night before you yet. I'll leave it over here 
on the barrel. (Goes to barrel.) 

Sergeant: Bring it with you I tell you. No 
more talk. 

Policeman B: Well, I thought it might be a 
comfort to you. I often think when I have it in 



The Rising of the Moon 91 

my hand and can be flashing it about into every 
dark corner (doing so) that it's the same as being 
beside the fire at home, and the bits of bogwood 
blazing up now and again. 

(Flashes it about, now on the barrel, now on 

Sergeant.) 

Sergeant: (Furious.) Be off the two of you, 
yourselves and your lantern ! 

(They go out. Man comes from behind bar- 
rel. He and Sergeant stand looking at 
one another.) 

Sergeant: What are you waiting for? 
Man: For my hat, of course, and my wig. 
You wouldn't wish me to get my death of cold? 

(Sergeant gives them.) 

Man: (Going towards steps.) Well, good-night, 
comrade, and thank you. You did me a good 
turn to-night, and I'm obliged to you. Maybe 
I'll be able to do as much for you when the small 
rise up and the big fall down . . . when we all 
change places at the Rising (waves his hand and 
disappears) of the Moon. 

Sergeant: (Turning his back to audience and 
reading placard.) A hundred pounds reward! 
A hundred pounds! (Turns towards audience.) 
I wonder, now, am I as great a fool as I think 
I am? 

Curtain, 



THE JACKDAW 



PERSONS 
JOSEPH NESTOR 
MICHAEL COONEY 
MRS. BRODERICK 
TOMMY NALLY 
SIBBY FAHY 
TIMOTHY WARD 



An Army Pensioner. 

A Farmer. 

A Small Shopkeeper* 

A Pauper. 

An Orange Seller. 

A Process Server. 



THE JACKDAW 

Scene: Interior of a small general shop at Cloon. 
Mrs. Broderick sitting down. Tommy Natty 
sitting eating an orange Sibby has given him. 
Sibby, with basket on her arm, is looking out of 
door. 

Sibby: The people are gathering to the door 
of the Court. The Magistrates will be coming 
there before long. Here is Timothy Ward coming 
up the street. 

Timothy Ward: (Coming to door.} Did you get 
that summons I left here for you ere yesterday, 
Mrs. Broderick? 

Mrs. Broderick: I believe it's there in under the 
canister. (Takes it out.} It had my mind tossed 
looking at it there before me. I know well what 
is in it if I made no fist of reading it itself. It's 
no wonder with all I had to go through if the read- 
ing and writing got scattered on me. 

Ward: You know it is on this day you have 
to appear in the Court? 

Mrs. Broderick: It isn't easy forget that, 
though indeed it is hard for me to be keeping 
anything in my head these times, but maybe 

95 



96 The Jackdaw 

remembering to-morrow the thing I was saying 
to-day. 

Ward: Up to one o'clock the magistrates will 
be able to attend to you, ma'am, before they will 
go out eating their meal. 

Mrs. Broderick: Haven't I the mean, begrudging 
creditors now that would put me into the Court? 
Sure it's a terrible thing to go in it and to be 
bound to speak nothing but the truth. When 
people would meet with you after, they would re- 
member your face in the Court. What way would 
they be certain was it in or outside of the dock? 

Ward: It is not in the dock you will be put 
this time. And there will be no bodily harm done 
to you, but to seize your furniture and your goods. 
It's best for me to be going there myself and not 
to be wasting my time. (Goes out.) 

Mrs. Broderick: Many a one taking my goods 
on credit and I seeing their face no more. But 
nothing would satisfy the people of this district. 
Sure the great God Himself when He came down 
couldn't please everybody. 

Sibby: I am thinking you were talking of 
some friend, ma'am, might be apt to be coming 
to your aid. 

Mrs. Broderick: Well able he is to do it if the 
Lord would but put it in his mind. Isn't it a 
strange thing the goods of this world to shut up 
the heart of a brother from his own, the same as 



The Jackdaw 97 

Esau and Jacob, and he having a good farm of land 
in the County Limerick. It is what I heard that 
in that place the grass does be as thick as grease. 

Sibby: I suppose, ma'am, you wrote giving him 
an account of your case? 

Mrs. Broderick: Sure, Mr. Nestor, the dear 
man, has his fingers wore away writing for me, and 
I telling him all he had or had not to say. At 
Christmas I wrote, and at Little Christmas, and 
at St. Brigit's Day, and on the Feast of St. Patrick, 
and after that again such time as I had news of the 
summons being about to be served. And you may 
ask Mrs. Delane at the Post Office am I telling any 
lie saying I got no word or answer at all . . . . 
It's long since I saw him, but it is the way he used 
to be, his eyes on kippeens and some way suspi- 
cious in his heart ; a dark weighty tempered man. 

Sibby: A person to be crabbed and he young, 
it is not likely he will grow kind at the latter end. 

Tommy Nolly: That is no less than true now. 
There are crabbed people and suspicious people 
to be met with in every place. It is much that 
I got a pass from the Workhouse this day, the 
Master making sure when I asked it that I had in 
my pocket the means of getting drink. 

Mrs. Broderick: It would maybe be best to 
go join you in the Workhouse, Tommy Nally, 
when I am out of this, than to go walking the 
world from end to end. 



98 The Jackdaw 

Ttmmy Nolly: Ah, don't be saying that, 
ma'am ; sure you couldn't be happy within those 
walls if you had the whole world. Clean outside, 
but very hard within. No rank but all mixed to- 
gether, the good, the middling and the bad, the 
well reared and the rough. 

Mrs. Broderick: Sure I'm not asking to go in 
it. You could never be as stiff in any place as in 
any sort of little cabin of your own. 

Tommy Natty: The tea boiled in a boiler, you 
should close your eyes drinking it, and ne'er a 
bit of sugar hardly in it at all. And our curses 
on them that boil the eggs too hard! What use 
is an egg that is hard to any person on earth? 
And as to the dinner, what way would a tasty 
person eat it not having a knife or a fork? 

Mrs. Broderick: That I may live to be in no 
one's way, but to have some little corner of my 
own! 

Tommy Nolly: And to come to your end in it, 
ma'am! If you were the Lady Mayor herself 
you'd be brought out to the deadhouse if it was 
ten o'clock at night, and not a wash unless it was 
just a Scotch lick, and nobody to wake you at all! 

Mrs. Broderick: I will not go in it! I would 
sooner make any shift and die by the side of the 
wall. Sure heaven is the best place, heaven and 
this world we're in now! 

Sibby: Don't be giving up now, ma'am. Here 



The Jackdaw 99 

is Mr. Nestor coming, and if any one will give 
you an advice he is the one will do it. Why 
wouldn't he, he being, as he is, an educated man, 
and such a great one to be reading books. 

Mrs. Broderick: So he is too, and keeps it in 
his mind after. It's a wonder to me a man that 
does be reading to keep any memory at all. 

Natty: It's easy for him to carry things light, 
and his pension paid regular at springtime and 
harvest. 

(Nestor comes in reading "Tit-Bits.'") 

Nestor: There was a servant girl in Austria 
cut off her finger slicing cabbage. . . . 

A II: The poor thing ! 

Nestor: And her master stuck it on again with 
glue. That now was a very foolish thing to do. 
What use would a finger be stuck with glue that 
might melt off at any time, and she to be stirring 
the pot? 

Sibby: That is true indeed. 

Nestor: Now, if I myself had been there, it is 
what I would have advised . . . 

Sibby: That's what I was saying, Mr. Nestor. 
It is you are the grand adviser. What now will 
you say to poor Mrs. Broderick that has a sum- 
mons out against her this day for up to ten pounds? 

Nestor: It is what I am often saying, it is a 
very foolish thing to be getting into debt. 

Mrs. Broderick: Sure what way could I help 



ioo The Jackdaw 

it? It's a very done-up town to be striving to 
make a living in. 

Nestor: It would be a right thing to be 
showing a good example. 

Mrs. Broderick: They would want that indeed. 
There are more die with debts on them in this 
place than die free from debt. 

Nestor: Many a poor soul has had to suffer 
from the weight of the debts on him, finding no 
rest or peace after death. 

Sibby: The Magistrates are gone into the 
Courthouse, Mrs. Broderick. Why now wouldn't 
you go up to the bank and ask would the manager 
advance you a loan? 

Mrs. Broderick: It is likely he would not do it. 
But maybe it's as good for me go as to be sitting 
here waiting for the end. 

(Puts on hat and shawl.} 

Nestor: I now will take charge of the shop for 
you, Mrs. Broderick. 

Mrs. Broderick: It's little call there'll be to 
it. The time a person is sunk that's the time 
the custom will go from her. (She goes out.} 

Nolly: I'll be taking a ramble into the Court 
to see what are the lads doing. (Goes out.) 

Sibby: (Following them.) I might chance some 
customers there myself. 

(Goes out calling oranges, good oranges.) 

Nestor: (Taking a paper from his pocket, sitting 



The Jackdaw 101 

down, and beginning to read.} "Romantic elope- 
ment in high life. A young lady at Aberdeen, 
Missouri, U.S.A., having been left by her father 
an immense fortune . . . " 

(Stops to wipe his spectacles, puts them on 
again and looks for place, which he has 
lost. Cooney puts his head in at door 
and draws it out again.} 

Nestor: Come in, come in ! 

Cooney: (Coming in cautiously and looking round.) 
Whose house now might this be? 

Nestor: To the Widow Broderick it belongs. 
She is out in the town presently. 

Cooney: I saw her name up over the door. 

Nestor: On business of her own she is gone. 
It is I am minding the place for her. 

Cooney: So I see. I suppose now you have 
good cause to be minding it ? 

Nestor: It would be a pity any of her goods 
to go to loss. 

Cooney: I suppose so. Is it to auction them 
you will or to sell them in bulk? 

Nestor: Not at all. I can sell you any article 
you will require. 

Cooney: It would be no profit to herself now, 
I suppose, if you did? 

Nestor: What do you mean saying that ? Do 
you think I would defraud her from her due in 
anything I would sell for her at all? 



IO2 The Jackdaw 

Cooney: You are not the bailiff so? 

Nestor: Not at all. I wonder any person to 
take me for a bailiff ! 

Cooney: You are maybe one of the creditors ? 

Nestor: I am not. I am not a man to have a 
debt upon me to any person on earth. 

Cooney: I wonder what it is you are at so, 
if you have no claim on the goods. Is it any 
harm now to ask what's this your name is? 

Nestor: One Joseph Nestor I am, there are 
few in the district but know me. Indeed they 
all have a great opinion of me. Travelled I did 
in the army, and attended school and I young, 
and slept in the one bed with two boys that were 
learning Greek. 

Cooney: What way now can I be rightly sure 
that you are Joseph Nestor? 

Nestor: (Pulling out envelope.") There is my 
pension docket. You will maybe believe that. 

Cooney: (Examining it.} I suppose you may be 
him so. I saw your name often before this. 

Nestor: Did you now? I suppose it may have 
travelled a good distance. 

Cooney: It travelled as far as myself anyway 
at the bottom of letters that were written asking 
relief for the owner of this house. 

Nestor: I suppose you are her brother so, 
Michael Cooney ? 

Cooney: If I am, there are some questions that 



The Jackdaw 103 

I want to put and to get answers to before my 
mind will be satisfied. Tell me this now. Is it a 
fact Mary Broderick to be living at all? 

Nestor: What would make you think her not 
to be living and she sending letters to you through 
the post ? 

Cooney: I was saying to myself with myself, 
there was maybe some other one personating her 
and asking me to send relief for their own ends. 

Nestor: I am in no want of any relief. That is 
a queer thing to say and a very queer thing. 
There are many worse off than myself, the Lord 
be praised ! 

Cooney: Don't be so quick now starting up to 
take offence. It is hard to believe the half the 
things you hear or that will be told to you. 

Nestor: That may be so indeed; unless it is 
things that would be printed on the papers. But 
I would think you might trust one of your own 
blood. 

Cooney: I might or I might not. I had it in 
my mind this long time to come hither and to 
look around for myself. There are seven genera- 
tions of the Cooneys trusted nobody living or 
dead. 

Nestor: Indeed I was reading in some history 
of one Ulysses that came back from a journey 
and sent no word before him but slipped in un- 
known to all but the house dog to see was his wife 



104 The Jackdaw 

minding the place, or was she, as she was, scatter- 
ing his means. 

Cooney: So she would be too. If Mary Brod- 
erick is in need of relief I will relieve her, but if she 
is not, I will bring away what I brought with me 
to its own place again. 

Nestor: Sure here is the summons. You can 
read that, and if you will look out the door you 
can see by the stir the Magistrates are sitting in 
the Court. It is a great welcome she will have 
before you, and the relief coming at the very 
nick of time. 

Cooney: It is too good a welcome she will give 
me I am thinking. It is what I am in dread of 
now, if she thinks I brought her the money so 
soft and so easy, she will never be leaving me 
alone, but dragging all I have out of me by little 
and little. 

Nestor: Maybe you might let her have but the 
lend of it. 

Cooney: Where's the use of calling it a lend 
when I may be sure I never will see it again? It 
might be as well for me to earn the value of a 
charity. 

Nestor: You might do that and not repent of it. 

Cooney: It is likely I'll be annoyed with her to 
the end of my lifetime if she knows I have as 
much as that to part with. It might be she would 
be following me to Limerick. 



The Jackdaw 105 

Nestor: Wait now a minute till I will give you 
an advice. 

Cooney: It is likely my own advice is the best. 
Look over your own shoulder and do the thing you 
think right. How can any other person know the 
reasons I have in my mind? 

Nestor: I will know what is in your mind if 
you will tell it to me. 

Cooney: It would suit me best, she to get the 
money and not to know at the present time where 
did it come from. The next time she will write 
wanting help from me, I will task her with it and 
ask her to give me an account. 

Nestor: That now would take a great deal of 
strategy. . . . Wait now till I think . ... I 
have it in my mind I was reading in a penny 
novel ... no but on the "Gael" . . . about 
a boy of Kilbecanty that saved his old sweetheart 
from being evicted. 

Cooney: I never heard my sister had any old 
sweetheart. 

Nestor: It was playing Twenty-five he did it. 
Played with the husband he did, letting him win 
up to fifty pounds. 

Cooney: Mary Broderick was no cardplayer. 
And if she was itself she would know me. And 
it's not fifty pounds I am going to leave with her, 
or twenty pounds, or a penny more than is needful 
to free her from the summons to-day. 



106 The Jackdaw 

Nestor: (Excited.} I will make up a plan! I 
am sure I will think of a good one. It is given 
in to me there is no person so good at making up 
a plan as myself on this side of the world, not on 
this side of the world ! I will manage all. Leave 
here what you have for her before she will come 
in. I will give it to her in some secret way. 

Cooney: I don't know. I will not give it to 
you before I will get a receipt for it ... and 
I'll not leave the town till I'll see did she get it 
straight and fair. Into the Court I'll go to see her 
paying it. 

(Sits down and writes out receipt} 

Nestor: I was reading on "Home Chat" about 
a woman put a note for five pounds into her son's 
prayer book and he going a voyage. And when 
he came back and was in the church with her it 
fell out, he never having turned a leaf of the book 
at all. 

Cooney: Let you sign this and you may put it 

in the prayer book so long as she will get it safe. 

(Nestor signs. Cooney looks suspiciously at 

signature and compares it with a letter 

and then gives notes} 

Nestor: (Signing.} Joseph Nestor. 

Cooney: Let me see now is it the same hand- 
writing I used to be getting on the letters. It is. 
I have the notes here. 

Nestor: Wait now till I see is there a prayer 



The Jackdaw 107 

book. . . . (Looks on shelf). Treacle, castor 
oil, marmalade. ... I see no books at all. 

Cooney: Hurry on now, she will be coming in 
and finding me. 

Nestor: Here is what will do as well .... 
"Old Moore's Almanac." I will put it here 
between the leaves. I will ask her the prophecy 
for the month. You can come back here after 
she finding it. 

Cooney: Amn't I after telling you I wouldn't 
wish her to have sight of me here at all? What 
are you at now, I wonder, saying that. I will 
take my own way to know does she pay the money. 
It is not my intention to be made a fool of. 
(Goes out.} 

Nestor: You will be satisfied and well satisfied. 
Let me see now where are the predictions for the 
month. (Reads.} "The angry appearance of 
Scorpio and the position of the pale Venus and 
Jupiter presage much danger for England. The 
heretofore obsequious Orangemen will refuse 
to respond to the tocsin of landlordism. The 
scales are beginning to fall from their eyes. " 

(Mrs. Broderick comes in without his no- 
ticing her. She gives a groan. He 
drops book and stuffs notes into his 
pocket.} 

Mrs. Broderick: Here I am back again and no 
addition to me since I went. 



io8 The Jackdaw 

Nestor: You gave me a start coming in so 
noiseless. 

Mrs. Broderick: It is time for me go to the 
Court, and I give you my word I'd be better 
pleased going to my burying at the Seven Churches. 
A nice slab I have there waiting for me, though the 
man that put it over me I never saw him at all, and 
he a far off cousin of my own. 

Nestor: Who knows now, Mrs. Broderick, but 
things might turn out better than you think. 

Mrs. Broderick: What way could they turn 
out better between this and one o'clock? 

Nestor: (Scratching his head.} I suppose now 
you wouldn't care to play a game of Twenty-five? 

Mrs. Broderick: I am surprised at you, Mr. 
Nestor, asking me to go cardplaying on such a day 
and at such an hour as this. 

Nestor: I wonder might some person come in 
and give an order for ten pounds' worth of the 
stock? 

Mrs. Broderick: Much good it would do me. 
Sure I have the most of it on credit. 

Nestor: Well, there is no knowing. Some well- 
to-do person now passing the street might have 
seen you and taken a liking to you and be willing 
to make an advance or a loan. 

Mrs. Broderick: Ah, who would be taking a 
liking to me as they might to a young girl in 
her bloom. 



The Jackdaw 109 

Nestor. Oh, it's a sort of thing might happen. 
Sure age didn't catch on to you yet ; you are clean 
and fresh and sound. What's this I was reading 
in "Answers." (Looks at it.} "Romantic elope- 
ment ..." 

Mrs. Broderick: I know of no one would be 
thinking of me for a wife . . . unless it might 
be yourself, Mr. Nestor .... 

Nestor: (Jumping up and speaking fast and run- 
ning finger up and down paper.) ' ' Performance of 
Dick Whittington. " . . . There now, there is 
a story that I read in my reading, it was called 
Whittington and the Cat. It was the cat led to 
his fortune. There might some person take a 
fancy to your cat .... 

Mrs. Broderick: Ah, let you have done now. 
I have no cat this good while. I banished it on 
the head of it threatening the jackdaw. 

Nestor: The jackdaw? 

Mrs. Broderick: (Fetches cage from inner room.) 
Sure I reared it since the time it fell down the 
chimney and I going into my bed. It is often 
you should have seen it, in or out of its cage. 
Hero his name is. Come out now, Hero. 
(Opens cage) 

Nestor: (Slapping his side.) That is it . . . 
that's the very thing. Listen to me now, Mrs. 
Broderick, there are some might give a good price 
for that bird. (Sitting down to the work.) It 



no The Jackdaw 

chances now there is a friend of mine in South 
Africa. A mine owner he is . . . very rich . . . 
but it is down in the mine he has to live by reason 
of the Kaffirs . . . it is hard to keep a watch 
upon them in the half dark, they being black. 

Mrs. Broderick: I suppose. . . . 

Nestor: He does be lonesome now and again, 
and he is longing for a bird to put him in mind of 
old Ireland . . . but he is in dread it would die 
in the darkness . . . and it came to his mind that 
it is a custom with jackdaws to be living in chim- 
neys, and that if any birds would bear the confine- 
ment it is they that should do it. 

Mrs. Broderick: And is it to buy jackdaws he 
is going? 

Nestor: Isn't that what I am coming to. (He 
putts out notes.) Here now is ten pounds I have 
to lay out for him. Take them now and good 
luck go with them, and give me the bird. 

Mrs. Broderick: Notes is it? Is it waking or 
dreaming I am and I standing up on the floor? 

Nestor: Good notes and ten of them. Look 
at them! National Bank they are. . . . Count 
them now, according to your fingers, and see did 
I tell any lie. 

Mrs. Broderick: (Counting.) They are in it sure 
enough ... so long as they are good ones and 
I not made a hare of before the magistrates. 

Nestor: Go out now to the Court and show 



The Jackdaw in 

them to Timothy Ward, and see does he say are 
they good. Pay them over then, and its likely 
you will be let off the costs. 

Mrs. Broderick: (Taking shawl.) I will go, I will 
go. Well, you are a great man and a kind man, 
Joseph Nestor, and that you may live a thousand 
years for this good deed. 

Nestor: Look here now, ma'am, I wouldn't 
wish you to be mentioning my name in this busi- 
ness or saying I had any hand in it at all. 

Mrs. Broderick: I will not so long as it's not 
pleasing to you. Well, it is yourself took a great 
load off me this day ! (She goes out.} 

Nestor: (Calling after her.} I might as well be 
putting the jackdaw back into the cage to be 
ready for the journey. (Comes into shop.} I hope 
now he will be well treated by the sailors and he 
travelling over the sea. . . . Where is he 
now. . . . (Chirrups.} Here now, come here 
to me, what's this your name is. ... Nero! 
Nero! (Makes pounces behind counter.} Ah, 
bad manners to you, is it under the counter you 
are gone! 

(Lies flat on the floor chirruping and calling, 
Nero! Nero! Natty comes in and 
watches him curiously} 

Natty: Is it catching blackbeetles you are, 
Mr. Nestor? Where are they and I will give 
you a hand .... 



H2 The Jackdaw 

Nestor: (Getting up annoyed.} It's that bird I 
was striving to catch a hold of for to put him back 
in the cage. 

Tommy Nolly: (Making a pounce.} There he 
is now. (Puts bird in cage.} Wait now till I'll 
fasten the gate. 

Nestor: Just putting everything straight and 
handy for the widow woman I am before she will 
come back from the settlement she is making in 
the Court. 

Nolly: What way will she be able to do that ? 

Nestor: I gave her advice. A thought I had, 
something that came from my reading. (Taps 
paper.} Education and reading and going in the 
army through the kingdoms of the world; that 
is what fits a man now to be giving out advice. 

Tommy: Indeed, it's good for them to have 
you, all the poor ignorant people of this town. 

Cooney: (Coming in hurriedly and knocking 
against Natty as he goes out.) What, now, would 
you say to be the best nesting place in this town. 
Nests of jackdaws I should say. 

Nestor: There is the old mill should be a good 
place. To the west of the station it is. Chimneys 
there are in it. Middling high they are. Wait 
now till I'll tell you of the great plan I made 
up. ... 

Cooney: What are you asking for tnose rakes 
in the corner? It's no matter, I'll take one on 



The Jackdaw 113 

credit, or maybe it is only the lend of it I'll take. 
... I'll be coming back immediately. 
(He goes out with rake.} 

Sibby: (Coming in excitedly.') If you went bird- 
catching, Mr. Nestor, tell me what way would you 
go doing it? 

Nestor: It is not long since I was reading some 
account of that . . . lads that made a trade of 
it ... nets they had and they used to be 
spreading them in the swamps where the plover 
do be feeding. . . . 

Sibby: Ah, sure where's the use of a plover! 

Nestor: And snares they had for putting along 
the drains where the snipe do be picking up 
worms. . . . But if I myself saw any person 
going after things of the sort, it is what I would 
advise them to stick to the net. 

Sibby: What now is the price of that net in the 
corner? 

Nestor: (Taking it down.} It is but a little bag 
that is, suitable for carrying small articles; it 
would become your oranges well. Twopence I 
believe, Sibby, is what I should charge you for 
that. 

Sibby: (Taking money out of handkerchief.} Give 
it to me so! Here I'll get the start of you, 
Timothy Ward, anyway. 

(She takes it and goes out, almost overturning 
Timothy Ward, who is rushing in.} 



H4 The Jackdaw 

Nestor: Well, Timothy, did you see the Widow 
Broderick in the Court ? 

Ward: I did see her. It is in it she is, now, 
looking as content as in the coffin, and she paying 
her debt. 

Nestor: Did she give you any account of 
herself? 

Ward: She did to be sure, and to the whole 
Court; but look here now, I have no time to be 
talking. I have to be back there when the 
magistrates will have their lunch taken. Now you 
being so clever a man, Mr. Nestor, what would 
you say is the surest way to go catching birds ? 

Nestor: It is a strange thing now, I was asked 
the same question not three minutes ago. I was 
just searching my mind. It seems to me I have 
read in some place it is a very good way to go 
calling to them with calls; made for the purpose 
they are. You have but to sit under a tree or 
whatever place they may perch and to whistle 
. . . suppose now it might be for a curlew .... 
(Whistles.} 

Timothy Ward: Are there any of those calls 
in the shop? 

Nestor: I would not say there are any made for 

the purpose, but there might be something might 

answer you all the same. Let me see now .... 

(Gets down a box of musical toys and turns 

them over.} 



The Jackdaw 115 

Ward: Is there anything now has a sound like 
the croaky screech of a jackdaw? 

Nestor: Here now is what we used to be calling 
a corncrake. . . . (Turns it.} Corncrake, 
corncrake . . . but it seems to me now that to 
give it but the one creak, this way . . . it is 
much like what you would hear in the chimney at 
the time of the making of the nests. 

Ward: Give it here to me! 

(Puts a penny on counter and runs out.} 

Tommy Nolly: (Coming in shaking with excite- 
ment.} For the love of God, Mr. Nestor, will 
you give me that live-trap on credit ! 

Nestor: A trap? Sure there is no temptation 
for rats to be settling themselves in the Workhouse. 

Nally: Or a snare itself ... or any sort of a 
thing that would make the makings of a crib. 

Nestor: What would you want, I wonder, going 
out fowling with a crib ? 

Nally: Why wouldn't I want it ? Why wouldn't 
I have leave to catch a bird the same as every other 
one? 

Nestor: And what would the likes of you be 
wanting with a bird ? 

Nally: What would I want with it, is it? 
Why wouldn't I be getting my own ten pounds? 

Nestor: Heaven help your poor head this day! 

Nally: Why wouldn't I get it the same as 
Mrs. Broderick got it ? 



n6 The Jackdaw 

Nestor: Well, listen to me now. You will not 
get it. 

Natty: Sure that man is buying them will have 
no objection they to come from one more than 
another. 

Nestor: Don't be arguing now. It is a queer 
thing for you, Tommy Nally, to be arguing with a 
man like myself. 

Nally: Think now all the good it would do me 
ten pound to be put in my hand! It is not you 
should be begrudging it to me, Mr. Nestor. Sure 
it would be a relief upon the rates. 

Nestor: I tell you you will not get ten pound 
or any pound at all. Can't you give attention to 
what I say? 

Nally: If I had but the price of the trap you 
wouldn't refuse it to me. Well, isn't there great 
hardship upon a man to be bet up and to have 
no credit in the town at all. 

Nestor: (Exasperated, and giving him the cage.) 
Look here now, I have a right to turn you out into 
the street. But, as you are silly like and with no 
great share of wits, I will make you a present of 
this bird till you try what will you get for it, and 
till you see will you get as much as will cover its 
diet for one day only. Go out now looking for 
customers and maybe you will believe what I 
say. 

Nally: (Seizing it.) That you may be doing the 



The Jackdaw 117 

same thing this day fifty years! My fortune's 
made now ! (Goes out with cage.) 

Nestor: (Sitting down.) My joy go with you, but 
I'm bothered with the whole of you. Everyone 
expecting me to do their business and to manage 
their affairs. That is the drawback of being an 
educated man! 

(Takes up paper to read.) 

Mrs. Broderick: (Coming in.) I declare I'm as 
comforted as Job coming free into the house from 
the Court! 

Nestor: Well, indeed, ma'am, I am well satis- 
fied to be able to do what I did for you, and for my 
friend from Africa as well, giving him so fine and 
so handsome a bird. 

Mrs. Broderick: Sure Finn himself that chewed 
his thumb had not your wisdom, or King Solomon 
that kept order over his kingdom and his own 
seven hundred wives. There is neither of them 
could be put beside you for settling the business 
of any person at a 1. 

(S bby comes in holding up her netted bag.) 

Nestor: What is it you have there, Sibby? 

Sibby: Look at them here, look at them here. 
... I wasn't long getting them. Warm they 
are yet; they will take no injury. 

Mrs. Broderick: What are they at. all ? 

Sibby: It is eggs they are . . . look at them 
Jackdaws' eggs. 



n8 The Jackdaw 

Nestor: (Suspiciously.') And what call have 
you now to be bringing in jackdaws' eggs? 

Sibby: Is it ten pound apiece I will get for 
them do you think, or is it but ten pound I will 
get for the whole of them? 

Nestor: Is it drink, or is it tea, or is it some 
change that js come upon the world that is fit- 
ting the people of this place for the asylum in 
Ballinasloe? 

Sibby: I know of a good clocking hen. I will 
put the eggs under her .... I will rear them 
when they'll be hatched out. 

Nestor: I suppose now, Mrs. Broderick, you 
went belling the case through the town? 

Mrs. Broderick: I did not, but to the Magis- 
trates upon the bench that I told it out of respect 
to, and I never mentioned your name in it at all. 

Sibby: Tell me now, Mrs. Broderick, who have 
I to apply to? 

Mrs. Broderick: What is it you are wanting 
to app'y about? 

Sibby: Will you tell me where is the man that 
is after buying your jackdaw? 

Mrs. Broderick: (Looking at Nestor.) What's 
that ? Where is he, is it ? 

Nestor: (Making signs of silence.) How would 
you know where he is? It is not in a broken 
little town of this sort such a man would be stop- 
ping, and he having his business finished. 



The Jackdaw 119 

Sibby: Sure he will have to be coming back 
here for the bird. I will stop till I'll see him 
drawing near. 

Nestor: It is more likely he will get it consigned 
to the shipping agent. Mind what I say now, it is 
best not be speaking of him at all. 

(Timothy Ward comes in triumphantly, 
croaking his toy. He has a bird in his 
hand.} 

Ward: I chanced on a starling. It was not 
with this I tempted him, but a little chap that had 
him in a crib. Would you say now, Mr. Nestor, 
would that do as well as a jackdaw ? Look now, 
it's as handsome every bit as the other. And 
anyway it is likely they will both die before they 
will reach to their journey's end. 

Nestor: (Lifting up his hands.} Of all the foolish- 
ness that ever came upon the world ! 

Ward: Hurry on now, Mrs. Broderick, tell 
me where will I bring it to the buyer you were 
speaking of. He is fluttering that hard it is much 
if I can keep him in my hand. Is it at Noonan's 
Royal Hotel he is or is it at Mack's? 

Nestor: (Shaking his head threateningly.} How 
can you tell that and you not knowing it yourself? 

Ward: Sure you have a right to know what 
way did he go, and he after going out of this. 

Mrs. Broderick: (Her eyes apprehensively on 
Nestor.} Ah, sure, my mind was tattered on me. 



I2O The Jackdaw 

I couldn't know did he go east or west. Standing 
here in this place I was, like a ghost that got a 
knock upon its head. 

Ward: If he is coming back for the bird it is 
here he will be coming, and if it is to be sent after 
him it is likely you will have his address. 

Mrs. Broderick: So I should, too, I suppose. 
Where now did I put it ? (She looks to Nestor for 
orders, but cannot understand his signs, and turns 
out pocket.} That's my specs . . . that's the 
key of the box . . . that's a bit of root liquorice. 
. . . Where now at all could I have left down 
that address? 

Ward: There has no train left since he was 
here. Sure what does it matter so long as he did 
not go out of this. I'll bring this bird to the rail- 
way. Tell me what sort was he till I'll know him. 

Mrs. Broderick: (Still looking at Nestor.} Well, 
he was middling tall . . . not very gross . . . 
about the figure now of Mr. Nestor. 

Ward: What aged man was he? 

Mrs. Broderick: I suppose up to sixty years. 
About the one age, you'd say, with Mr. Nestor. 

Ward: Give me some better account now; it 
is hardly I would make him out by that. 

Mrs. Broderick: A grey beard he has hanging 
down . . . and a bald poll, and grey hair like a 
fringe around it ... just for all the world like 
Mr. Nestor! 



The Jackdaw 121 

Nestor: (Jumping up.} There is nothing so dis- 
agreeable in the whole world as a woman that has 
too much talk. 

Mrs. Broderick: Well, let me alone. Where's 
the use of them all picking at me to say where did 
I get the money when I am under orders not to 
tell it? 

Ward: Under orders? 

Mrs. Broderick: I am, and strong orders. 

Ward: Whose orders are those? 

Mrs. Broderick: What's that to you, I ask you ? 

Ward: Isn't it a pity now a woman to be so 
unneighbourly and she after getting profit for 
herself? 

Mrs. Broderick: Look now, Mr. Nestor, the 
way they are going on at me, and you saying no 
word for me at all. 

Ward: How would he say any word when he 
hasn't it to say ? The only word could be said by 
any one is that you are a mean grasping person, 
gathering what you can for your own profit and 
keeping yourself so close and so compact. It is 
back to the Court I am going, and it's no good 
friend I'll be to you from this out, Mrs. Broderick! 

Mrs. Broderick: Amn't I telling you I was 
bidden not to tell? 

Sibby: You were. And is it likely it was you 
yourself bid yourself and gave you that advice, 
Mrs. Broderick? It is what I think the bird was 



122 The Jackdaw 

never bought at all. It is in some other way she 
got the money. Maybe in a way she does not like 
to be talking of. Light weights, light fingers! 
Let us go away so and leave her, herself and her 
money and her orders! (Timothy Ward goes out, 
but Sibby stops at door.} And much good may 
they do her. 

Mrs. Broderick: Listen to that, Mr. Nestor! 
Will you be listening to that, when one word 
from yourself would clear my character ! I leave 
it now between you and the hearers. Why would 
I be questioned this way and that way, the same 
as if I was on the green table before the judges? 
You have my heart broke between you. It's 
best for me to heat the kettle and wet a drop of 
tea. 

(Goes to inner room.) 

Sibby: Tell us the truth now, Mr. Nestor, if 
you know anything at all about it. 

Nestor: I know everything about it. It was 
to myself the notes were handed in the first place. 
I am willing to take my oath to you on that. It 
was a stranger, I said, came in. 

Sibby: I wish I could see him and know him if 
I did see him. 

Nestor: It is likely you would know a man of 
that sort if you did see him, Sibby Fahy. It is 
likely you never saw a man yet that owns riches 
would buy up the half of this town. 



The Jackdaw 123 

Sibby: It is not always them that has the 
most that makes the most show. But it is likely 
he will have a good dark suit anyway, and shining 
boots, and a gold chain hanging over his chest. 

Nestor: (Sarcastically.} He will, and gold rings 
and pins the same as the King of France or of 
Spain. 

(Enter Cooney, hatless, streaked with soot 
and lime, speechless but triumphant. 
He holds up a nest with nestlings) 

Nestor: What has happened you, Mr. Cooney, 
at all? 

Cooney: Look now, what I have got ! 

Nestor: A nest, is it? 

Cooney: Three young ones in it! 

Nestor: (Faintly.} Is it what you are going to 
say they are jackdaws! 

Cooney: I followed your directions. . . . 

Nestor: How do you make that out? 

Cooney: You said the mill chimneys were full 
of them .... 

Nes'or: What has that to do with it? 

Cooney: I left my rake after me broken in the 
loft . . . my hat went away in the millrace 
... I tore my coat on the stones . . . there 
has mortar got into my eye .... 

Nestor: The Lord bless and save us! 

Cooney: But there is no man can say I did 
not bring back the birds, sound and living and 



124 The Jackdaw 

in good health. Look now, the open mouths of 
them! (All gather round.) Three of them safe 
and living. ... I lost one climbing the wall. 
. . . Where now is the man is going to buy 
them? 

Sibby: (Pointing at Nestor.) It is he that can 
tell you that. 

Cooney: Make no delay bringing me to him. 
I'm in dread they might die on me first. 

Nestor: You should know well that no one 
is buying them. 

Sibby: No one ! Sure it was you yourself told 
us that there was ! 

Nestor: If I did itself there is no such a 
man. 

Sibby: It's not above two minutes he was tell- 
ing of the rings and the pins he wore. 

Nestor: He never was in it at all. 

Cooney: What plan is he making up now to 
defraud me and to rob me? 

Sibby: Question him yourself, and you will 
see what will he say. 

Cooney: How can I ask questions of a man 
that is telling lies? 

Nestor: I am telling no lies. I am well able 
to answer you and to tell you the truth. 

Cooney: Tell me where is the man that will 
give me cash for these birds, the same as he gave 
it to the woman of this house? 



The Jackdaw 125 

Sibby: That's it, that is it. Let him tell it 
out now. 

Cooney: Will you have me ask it as often as 
the hairs of my head? If I get vexed I will make 
you answer me. 

Nestor: It seems to me to have set fire to a 
rick, but I am well able to quench it after. 
There is no man in South Africa, or that came from 
South Africa, or that ever owned a mine there at 
all. Where is the man bought the bird, are you 
asking? There he is standing among us on this 
floor. (Points to Cooney.) That is himself, the 
very man ! 

Cooney: (Advancing a step.) What is that you 
are saying? 

Nestor: I say that no one came in here but 
yourself. 

Cooney: Did he say or not say there was a rich 
man came in? 

Sibby: He did, surely. 

Nestor: To make up a plan. . . . 

Cooney: I know well you have made up a plan. 

Nestor: To give it unknownst .... 

Cooney: It is to keep it unknownst you are 
wanting ! 

Nestor: The way she would not suspect .... 

Cooney: It is I myself suspect and have cause 
to suspect! Give me back my own ten pounds 
and I'll be satisfied. 



126 The Jackdaw 

Nestor: What way can I give it back? 

Cooney. The same way as you took it, in the 
palm of your hand. 

Nestor: Sure it is paid away and spent .... 

Cooney: If it is you'll repay it! I know as 
well as if I was inside you you are striving to make 
me your prey! But I'll sober you! It is into the 
Court I will drag you, and as far as the gaol ! 

Nestor: I tell you I gave it to the widow 
woman. . . . 

(Mrs. Broderick comes in.) 

Cooney: Let her say now did you. 

Mrs. Broderick: What is it at all? What is 
happening? Joseph Nestor threatened by a 
tinker or a tramp ! 

Nestor: I would think better of his behaviour 
if he was a tinker or a tramp. 

Mrs. Broderick: He has drink taken so. Isn't 
drink the terrible tempter, a man to see flames 
and punishment upon the one side and drink 
upon the other, and to turn his face towards 
the drink! 

Cooney: Will you stop your chat, Mary 
Broderick, till I will drag the truth out of this 
traitor? 

Mrs. Broderick: Who is that calling me by 
my name? Och! Is it Michael Cooney is in it? 
Michael Cooney, my brother! O Michael, what 
will they think of you coming into the town and 



The Jackdaw 127 

much like a rag on a stick would be scaring in the 
wheatfield through the day? 

Cooney: (Pointing at Nestor.) It was going up 
in the mill I destroyed myself, following the direc- 
tions of that ruffian ! 

Mrs. Broderick: And what call has a man that 
has drink taken to go climbing up a loft in a mill? 
A crooked mind you had always, and that's a 
sort of person drink doesn't suit. 

Cooney: I tell you I didn't take a glass over 
a counter this ten year. 

Mrs. Broderick: You would do well to go 
learn behaviour from Mr. Nestor. 

Cooney: The man that has me plundered and 
robbed! Tell me this now, if you can tell it. 
Did you find any pound notes in "Old Moore's 
Almanac"? 

Mrs. Broderick: I did not to be sure, or in 
any other place. 

Nestor: She came in at the door and I striving 
to put them into the book. 

Cooney: Look are they in it now, and I will 
say he is not tricky, but honest. 

Nestor: You needn't be looking. . . . 

Mrs. Broderick: ( Turning over the leaves.) Ne'er 
a thing at all in it but the things that will or will 
not happen, and the days of the changes of the 
moon. 

Cooney: (Seizing and shaking it.) Look at 



128 The Jackdaw 

that now ! (To Nestor.} Will you believe me now 
telling you that you are a rogue? 

Nestor: Will you listen to me, ma'am. . ; ;. 

Cooney: No, but listen to myself. I brought 
the money to you. 

Nestor: If he did he wouldn't trust you with 
it, ma'am. 

Cooney: I intended it for your relief. 

Nestor: In dread he was you would go follow 
him to Limerick. 

Mrs. Broderick: It is not likely I would be 
following the like of him to Limerick, a man 
that left me to the charity of strangers from 
Africa! 

Cooney: I gave the money to him. . . . 

Nestor: And I gave it to yourself paying for 
the jackdaw. Are you satisfied now, Mary 
Broderick? 

Mrs. Broderick: Satisfied, is it? It would be 
a queer thing indeed I to be satisfied. My 
brother to be spending money on birds, and his 
sister with a summons on her head. Michael 
Cooney to be passing himself off as a mine-owner, 
and I myself being the way I am! 

Cooney: What would I want doing that? I 
tell you I ask no birds, black, blue or white! 

Mrs. Broderick: I wonder at you now saying 
that, and you with that clutch on your arm! 
(Cooney indignantly /lings away nest.) Searching 



The Jackdaw 129 

out jackdaws and his sister without the price of 
a needle in the house! I tell you, Michael Cooney, 
it is yourself will be wandering after your burying, 
naked and perishing, through winds and through 
frosts, in satisfaction for the way you went 
wasting your money and your means on such 
vanities, and she that was reared on the one 
floor with you going knocking at the Work- 
house door! What good will jackdaws be to you 
that time? 

Cooney: It is what I would wish to know, 
what scheme are the whole of you at? It is 
long till I will trust any one but my own eyes 
again in the whole of the living world. 

(She wipes her eyes indignantly. Tommy 
Nally rushes in the bird and cage still in 
his hands.) 

Nally: Where is the bird buyer? It is here 
he is said to be. It is well for me get here the 
first. It is the whole of the town will be here 
within half an hour ; they have put a great scatter 
on themselves hunting and searching in every place, 
but I am the first! 

Nestor: What is it you are talking about? 

Nally: Not a house in the whole street but 
is deserted. It is much if the Magistrates them- 
selves didn't quit the bench for the pursuit, the 
way Tim Ward quitted the place he had a right to 
be! 



130 The Jackdaw 

Nestor: It is some curse in the air, or some 
scourge? 

Natty: Birds they are getting by the score! 
Old and young! Where is the bird-buyer? Who 
is it now will give me my price? 

(He holds up the cage.) 

Cooney: There is surely some root for all this. 
There must be some buyer after all. It's to 
keep him to themselves they are wanting. (Goes 
to door.) But I'll get my own profit in spite of 
them. 

(He goes outside door, looking up and down 
the street.) 

Mrs. Broderick: Look at what Tommy Nally 
has. That's my bird. 

Nally: It is not, it's my own ! 

Mrs. Broderick: That is my cage! 

Nally: It is not, it is mine! 

Mrs. Broderick: Wouldn't I know my own 
cage and my own bird? Don't be telling lies 
that way! 

Nally: It is no lie I am telling. The bird and 
the cage were made a present to me. 

Mrs. Broderick: Who would make a present 
to you of the things that belong to myself? 

Nally: It was Mr. Nestor gave them to me. 

Mrs. Broderick: Do you hear what he says, 
Joseph Nestor? What call have you to be giving 
a present of my bird? 



The Jackdaw 131 

Nestor: And wasn't I after buying it from 
you? 

Mrs. Broderick: If you were it was not for 
yourself you bought it, but for the poor man in 
South Africa you bought it, and you defrauding 
him now, giving it away to a man has no claim to 
it at all. Well, now, isn't it hard for any man to 
find a person he can trust? 

Nestor: Didn't you hear me saying I bought 
it for no person at all? 

Mrs. Broderick: Give it up now, Tommy Nally, 
or I'll have you in gaol on the head of it. 

Natty: Oh, you wouldn't do such a thing, 
ma'am, I am sure! 

Mrs. Broderick: Indeed and I will, and have 
you on the treadmill for a thief. 

Nally: Oh, oh, oh, look now, Mr. Nestor, the 
way you have made me a thief and to be lodged 
in the gaol! 

Nestor: I wish to God you were lodged in it, 
and we would have less annoyance in this place! 

Nally: Oh, that is a terrible thing for you to 
be saying! Sure the poorhouse itself is better 
than the gaol! The nuns preparing you for 
heaven and the Mass every morning of your 
life. ... 

Nestor: If you go on with your talk and your 
arguments it's to gaol you will surely go. 

Natty: Milk of a Wednesday and a Friday, 



132 The Jackdaw 

the potatoes steamed very good. . . . It's the 
skins of the potatoes they were telling me you do 
have to be eating in the gaol. It is what I am 
thinking, Mr. Nestor, that bird will lie heavy 
on you at the last ! 

Nestor: (Seizing cage and letting the bird out of 
the door.} Bad cess and a bad end to it, and that 
I may never see it or hear of it again! 

Mrs. Broderick: Look what he is after doing! 
Get it back for me! Give it here into my hands 
I say! Why wouldn't I sell it secondly to the 
buyer and he to be coming to the door? It is 
in my own pocket I will keep the price of it that 
time ! 

Natty: It would have been as good you to have 
left it with me as to be sending itself and the 
worth of it up into the skies ! 

Mrs. Broderick: (Taking Nestor's arm.} Get 
it back for me I tell you ! There it is above in the 
ash tree, and it flapping its wings on a bough! 

Nestor: Give me the cage, if that will content 
you, and I will strive to entice it to come in. 

Cooney: (Coming in.} Everyone running this 
way and that way. It is for birds they are look- 
ing sure enough. Why now would they go through 
such hardship if there was not a demand in some 
place? 

Nestor: (Pushing him away.} Let me go now 
before that bird will quit the branch where it is. 



The Jackdaw 133 

Cooney: (Seizing hold of him.) Is it striving 
to catch a bird for yourself you are now? 

Nestor: Let me pass if you please. I have 
nothing to say to you at all. 

Cooney: Laying down to me they were worth 
nothing! I knew well you had made up some 
plan! The grand adviser is it! It is to yourself 
you gave good advice that time! 

Nestor: Let me out I tell you before that up- 
roar you are making will drive it from its perch 
on the tree. 

Cooney: Is it to rob me of my own money you 
did and to be keeping me out of the money I 
earned along with it ! 

(Threatens Nestor with "Moore's Almanac, " 
which he has picked up.) 

Sibby: Take care would there be murder done 
in this place! 

(She seizes Nestor, Mrs. Broderick seizes 
Cooney. Tommy Nally wrings his 
hands.) 

Nestor: Tommy Nally, will you kindly go and 
call for the police. 

Cooney: Is it into a den of wild beasts I am 
come that must go calling out for the police? 

Nestor: A very unmannerly person indeed ! 

Cooney: Everyone thinking to take advan- 
tage of me and to make their own trap for my 
ruin. 



134 The Jackdaw 

Nestor: I don't know what cause has he at all to 
have taken any umbrage against me. 

Cooney: You that had your eye on my notes 
from the first like a goat in a cabbage garden! 

Nestor: Coming with a gift in the one hand 
and holding a dagger in the other! 

Cooney: If you say that again I will break 
your collar bone! 

Nestor: O, but you are the terrible wicked 
man! 

Cooney: I'll squeeze satisfaction out of you 
if I had to hang for it! I will be well satisfied 
if I'll kill you! 

(Flings "Moore's Almanac" at him.) 

Nestor: (Throwing his bundle of newspapers.) 
Oh, good jewel! 

Ward: (Coming in hastily.) Whist the whole 
of you, I tell you! The Magistrates are coming 
to the door! (Conies in and shuts it after him.) 

Mrs. Broderick: The Lord be between us 
and harm! What made them go quit the Court? 

Ward: The whole of the witnesses and of 
the prosecution made off bird-catching. The 
Magistrates sent to invite the great mine-owner 
to go lunch at Noonan's with themselves. 

Cooney: Horses of their own to stick him with 
they have. I wouldn't doubt them at all. 

Ward: He could not be found in any place. 
They are informed he was never seen leaving 



The Jackdaw 135 

this house. They are coming to make an investi- 
gation. 

Nestor: Don't be anyway uneasy. I will 
explain the whole case. 

Ward: The police along with them. . . . 
Cooney: Is the whole of this district turned 
into a trap? 

Ward: It is what they are thinking, that the 
stranger was made away with for his gold! 

Cooney: And if he was, as sure as you are 
living, it was done by that blackguard there! 

(Points at Nestor.) 

Ward: If he is not found they will arrest all 
they see upon the premises. . . . 
Cooney: It is best for me to quit this. 

(Goes to door.) 

Ward: Here they are at the door. Sergeant 
Garden along with them. Hide yourself, Mr. 
Nestor, if you've anyway to do it at all. 

(Sounds of feet and talking and knock at the 
door. Cooney hides under counter. 
Nestor lies down on top of bench, spreads 
his newspaper over him. Mrs. Broder- 
ick goes behind counter.) 

Nestor: (Raising paper from his face and looking 
out.) Tommy Nally, I will give you five shillings 
if you will draw "Tit-Bits" over my feet. 

Curtain 



THE WORKHOUSE WARD 



PERSONS 
Mike 

Michael Miskett 
Mrs. Donohoe, A COUNTRYWOMAN 



THE WORKHOUSE WARD 

Scene: A ward in Cloon Workhouse. The two 
old men in their beds. 

Michael Miskell: Isn't it a hard case, Mike 
Mclnerney, myself and yourself to be left here 
in the bed, and it the feast day of Saint Colman, 
and the rest of the ward attending on the Mass. 

Mike Mclnerney: Is it sitting up by the hearth 
you are wishful to be, Michael Miskell, with cold 
in the shoulders and with speckled shins? Let you 
rise up so, and you well able to do it, not like myself 
that has pains the same as tin-tacks within in my 
inside. 

Michael Miskell: If you have pains within in 
your inside there is no one can see it or know of 
it the way they can see my own knees that are 
swelled up with the rheumatism, and my hands 
that are twisted in ridges the same as an old 
cabbage stalk. It is easy to be talking about 
soreness and about pains, and they maybe not 
to be in it at all. 

Mike Mclnerney: To open me and to analyse 
me you would know what sort of a pain and a 

139 



140 



The Workhouse Ward 



soreness I have in my heart and in my chest. 
But I'm not one like yourself to be cursing and 
praying and tormenting the time the nuns are at 
hand, thinking to get a bigger share than myself 
of the nourishment and of the milk. 

Michael Miskell: That's the way you do 
picking at me and faulting me. I had a share 
and a good share in my early time, and it's well 
you know that, and the both of us reared in 
Skehanagh. 

Mike Mclnerney: You may say that, ind ed, 
we are both of us reared in Skehanagh. Little 
wonder you to have good nourishment the time 
we were both rising, and you bringing away my 
rabbits out of the snare. 

Michael Miskell: And you didn't bring away 
my own eels, I suppose, I was after spearing in 
the Turlough? Selling them to the nuns in the 
convent you did, and letting on they to be your 
own. For you were always a cheater and a 
schemer, grabbing every earthly thing for your 
own profit. 

Mike Mclnerney: And you were no grabber 
yourself, I suppose, till your land and all you 
had grabbed wore away from you! 

Michael Miskell: If I lost it itself, it was 
through the crosses I met with and I going through 
the world. I never was a rambler and a card- 
player like yourself, Mike Mclnerney, that ran 



The Workhouse Ward 141 

through all and lavished it unknown to your 
mother! 

Mike Mclnerney: Lavished it, is it? And if 
I did was it you yourself led me to lavish it or 
some other one? It is on my own floor I would 
be to-day and in the face of my family, but for the 
misfortune I had to be put with a bad next door 
neighbour that was yourself. What way did my 
means go from me is it? Spending on fencing, 
spending on walls, making up gates, putting up 
doors, that would keep your hens and your ducks 
from coming in through starvation on my floor, 
and every four footed beast you had from preying 
and trespassing on my oats and my mangolds and 
my little lock of hay! 

Michael Miskell: O to listen to you! And I 
striving to please you and to be kind to you and 
to close my ears to the abuse you would be calling 
and letting out of your mouth. To trespass on 
your crops is it? It's little temptation there was 
for my poor beasts to ask to cross the mering. 
My God Almighty! What had you but a little 
corner of a field! 

Mike Mclnerney: And what do you say to my 
garden that your two pigs had destroyed on me 
the year of the big tree being knocked, and they 
making gaps in the wall. 

Michael Miskell: Ah, there does be a great 
deal of gaps knocked in a twelvemonth. Why 



142 The Workhouse Ward 

wouldn't they be knocked by the thunder, the 
same as the tree, or some storm that came up 
from the west? 

Mike Mclnerney: It was the west wind, I 
suppose, that devoured my green cabbage? And 
that rooted up my Champion potatoes? And 
that ate the gooseberries themselves from off the 
bush? 

Michael Miskell: What are you saying? The 
two quietest pigs ever I had, no way wicked and 
well ringed. They were not ten minutes in it. 
It would be hard for them eat strawberries in that 
time, let alone gooseberries that's full of thorns. 

Mike Mclnerney: They were not quiet, but 
very ravenous pigs you had that time, as active 
as a fox they were, killing my young ducks. 
Once they had blood tasted you couldn't stop 
them. 

Michael Miskell: And what happened myself 
the fair day of Esserkelly, the time I was passing 
your door? Two brazened dogs that rushed out 
and took a piece of me. I never was the better 
of it or of the start I got, but wasting from then 
till now! 

Mike Mclnerney: Thinking you were a wild 
beast they did, that had made his escape out of 
the travelling show, with the red eyes of you and 
the ugly face of you, and the two crooked legs of 
you that wouldn't hardly stop a pig in a gap. 



The Workhouse Ward 143 

Sure any dog that had any life in it at all would 
be roused and stirred seeing the like of you going 
the road! 

Michael Miskell: I did well taking out a sum- 
mons against you that time. It is a great wonder 
you not to have been bound over through your 
lifetime, but the laws of England is queer. 

Mike Mclnerney: What ailed me that I did 
not summons yourself after you stealing away 
the clutch of eggs I had in the barrel, and I away in 
Ardrahan searching out a clocking hen. 

Michael Miskell: To steal your eggs is it? Is 
that what you are saying now? (Holds up his 
hands.'} The Lord is in heaven, and Peter and the 
saints, and yourself that was in Ardrahan that day 
put a hand on them as soon as myself! Isn't it 
a bad story for me to be wearing out my days 
beside you the same as a spancelled goat. Chained 
I am and tethered I am to a man that is ramsacking 
his mind for lies ! 

Mike Mclnerney: If it is a bad story for you, 
Michael Miskell, it is a worse story again for 
myself. A Miskell to be next and near me through 
the whole of the four quarters of the year. I never 
heard there to be any great name on the Miskells 
as there was on my own race and name. 

Michael Miskell: You didn't, is it? Well, you 
could hear it if you had but ears to hear it. Go 
across to Lisheen Crannagh and down to the 



144 The Workhouse Ward 

sea and to Newtown Lynch and the mills of 
Duras and you'll find a Miskell, and as far as 
Dublin! 

Mike Mclnerney: What signifies Crannagh 
and the mills of Duras? Look at all my own 
generations that are buried at the Seven Churches. 
And how many generations of the Miskells are 
buried in it? Answer me that! 

Michael Miskell: I tell you but for the wheat 
that was to be sowed there would be more side 
cars and more common cars at my father's funeral 
(God rest his soul!) than at any funeral ever left 
your own door. And as to my mother, she was a 
Cuffe from Claregalway, and it's she had the purer 
blood! 

Mike Mclnerney: And what do you say to the 
banshee? Isn't she apt to have knowledge of the 
ancient race? Was ever she heard to screech or to 
cry for the Miskells? Or for the Cuffes from 
Claregalway? She was not, but for the six 
families, the Hyneses, the Foxes, the Faheys, the 
Dooleys, the Mclnerneys. It is of the nature of 
the Mclnerneys she is I am thinking, crying them 
the same as a king's children. 

Michael Miskell: It is a pity the banshee not 
to be crying for yourself at this minute, and 
giving you a warning to quit your lies and your 
chat and your arguing and your contrary ways; 
for there is no one under the rising sun could stand 



The Workhouse Ward 145 

you. I tell you you are not behaving as in the 
presence of the Lord! 

Mike Mclnerney: Is it wishful for my death 
you are? Let it come and meet me now and wel- 
come so long as it will part me from yourself! 
And I say, and I would kiss the book on it, I to 
have one request only to be granted, and I leaving 
it in my will, it is what I would request, nine 
furrows of the field, nine ridges of the hills, nine 
waves of the ocean to be put between your grave 
and my own grave the time we will be laid in the 
ground ! 

Michael Miskell: Amen to that ! Nine ridges, 
is it? No, but let the whole ridge of the world 
separate us till the Day of Judgment ! I would not 
be laid anear you at the Seven Churches, I to get 
Ireland without a divide! 

Mike Mclnerney: And after that again! I'd 
sooner than ten pound in my hand, I to know 
that my shadow and my ghost will not be knocking 
about with your shadow and your ghost, and the 
both of us waiting our time. I'd sooner be de- 
layed in Purgatory! Now, have you anything to 
say? 

Michael Miskell: I have everything to say, if 
I had but the time to say it ! 

Mike Mclnerney: (Sitting up.} Let me up out 
of this till I'll choke you! 

Michael Miskell: You scolding pauper you! 



146 The Workhouse Ward 

Mike Mclnerney: (Shaking his fist at him.) 
Wait a while! 

Michael Miskett: (Shaking his fist.) Wait a 
while yourself! 

(Mrs. Donohoe comes in with a parcel. She 
is a countrywoman with a frilled cap and 
a shawl. She stands still a minute. 
The two old men lie down and compose 
themselves.) 

Mrs. Donohoe: They bade me come up here 
by the stair. I never was in this place at all. 
I don't know am I right. Which now of the two 
of ye is Mike Mclnerney? 

Mike Mclnerney: Who is it is calling me by my 
name? 

Mrs. Donohoe: Sure amn't I your sister, Honor 
Mclnerney that was, that is now Honor Donohoe. 

Mike Mclnerney: So you are, I believe. I 
didn't know you till you pushed anear me. It 
is time indeed for you to come see me, and I in 
this place five year or more. Thinking me to be 
no credit to you, I suppose, among that tribe of 
the Donohoes. I wonder they to give you leave 
to come ask am I living yet or dead? 

Mrs. Donohoe: Ah, sure, I buried the whole 
string of them. Himself was the last to go. 
(Wipes her eyes.) The Lord be praised he got a 
fine natural death. Sure we must go through our 
crosses. And he got a lovely funeral; it would 



The Workhouse Ward 147 

delight you to hear the priest reading the Mass. 
My poor John Donohoe ! A nice clean man, you 
couldn't but be fond of him. Very severe on 
the tobacco he was, but he wouldn't touch the 
drink. 

Mike Mclnerney: And is it in Curranroe you 
are living yet? 

Mrs. Donohoe: It is so. He left all to myself. 
But it is a lonesome thing the head of a house to 
have died! 

Mike Mclnerney: I hope that he has left you 
a nice way of living? 

Mrs. Donohoe: Fair enough, fair enough. A 
wide lovely house I have; a few acres of grass 
land . . . the grass does be very sweet that 
grows among the stones. And as to the sea, 
there is something from it every day of the year, 
a handful of periwinkles to make kitchen, or cockles 
maybe. There is many a thing in the sea is not 
decent, but cockles is fit to put before the Lord! 

Mike Mclnerney: You have all that! And 
you without ere a man in the house? 

Mrs. Donohoe: It is what I am thinking, your- 
self might come and keep me company. It is 
no credit to me a brother of my own to be in this 
place at all. 

Mike Mclnerney: I'H go with you! Let me 
out of this! It is the name of the Mclnerneys 
will be rising on every side! 



148 The Workhouse Ward 

Mrs. Donohoe: I don't know. I was ignorant 
of you being kept to the bed. 

Mike Mclnerney: I am not kept to it, but may- 
be an odd time when there is a colic rises up within 
me. My stomach always gets better the time 
there is a change in the moon. I'd like well to 
draw anear you. My heavy blessing on you, 
Honor Donohoe, for the hand you have held out 
to me this day. 

Mrs. Donohoe: Sure you could be keeping the 
fire in, and stirring the pot with the bit of Indian 
meal for the hens, and milking the goat and taking 
the tacklings off the donkey at the door; and 
maybe putting out the cabbage plants in their 
time. For when the old man died the garden 
died. 

Mike Mclnerney: I could to be sure, and be 
cutting the potatoes for seed. What luck could 
there be in a place and a man not to be in it? 
Is that now a suit of clothes you have brought with 
you? 

Mrs. Donohoe: It is so, the way you will be 
tasty coming in among the neighbours at Cur- 
ranroe. 

Mike Mclnerney: My joy you are! It is well 
you earned me.' Let me up out of this ! (He sits 
up and spreads out the clothes and tries on coat.) 
That now is a good frieze coat . . . and a hat 
in the fashion . . . (He puts on hat.) 



The Workhouse Ward 149 

Michael Miskell: (Alarmed.} And is it going 
out of this you are, Mike Mclnerney? 

Mike Mclnerney: Don't you hear I am going? 
To Curranroe I am going. Going I am to a place 
where I will get every good thing! 

Michael Miskell: And is it to leave me here 
after you you will? 

Mike Mclnerney: (In a rising chant.} Every 
good thing! The goat and the kid are there, the 
sheep and the lamb are there, the cow does be 
running and she coming to be milked ! Ploughing 
and seed sowing, blossom at Christmas time, the 
cuckoo speaking through the dark days of the year! 
Ah, what are you talking about? Wheat high in 
hedges, no talk about the rent! Salmon in the 
rivers as plenty as turf! Spending and getting 
and nothing scarce! Sport and pleasure, and 
music on the strings! Age will go from me and 
I will be young again. Geese and turkeys for the 
hundreds and drink for the whole world ! 

Michael Miskell: Ah, Mike, is it truth you are 
saying, you to go from me and to leave me with 
rude people and with townspeople, and with 
people of every parish in the union, and they 
having no respect for me or no wish for me at all ! 

Mike Mclnerney: Whist now and I'll leave 
you . . . my pipe (hands it over}; and I'll 
engage it is Honor Donohoe won't refuse to be 
sending you a few ounces of tobacco an odd time. 



150 The Workhouse Ward 

and neighbours coming to the fair in November 
or in the month of May. 

Michael Miskell: Ah, what signifies tobacco? 
All that I am craving is the talk. There to be 
no one at all to say out to whatever thought might 
be rising in my innate mind! To be lying here 
and no conversible person in it would be the 
abomination of misery! 

Mike Mclnerney: Look now, Honor. . . . 
It is what I often heard said, two to be better than 
one .... Sure if you had an old trouser was 
full of holes . . . or a skirt . . . wouldn't you 
put another in under it that might be as tattered 
as itself, and the two of them together would make 
some sort of a decent show? 

Mrs. Donohoe: Ah, what are you saying? 
There is no holes in that suit I brought you 
now, but as sound it is as the day I spun it for 
himself. 

Mike Mclnerney: It is what I am thinking, 
Honor . . . I do be weak an odd time . . . any 
load I would carry, it preys upon my side . . . 
and this man does be weak an odd time with the 
swelling in his knees . . . but the two of us 
together it's not likely it is at the one time we 
would fail. Bring the both of us with you, Honor, 
and the height of the castle of luck on you, and 
the both of us together will make one good hardy 
man! 



The Workhouse Ward 151 

Mrs. Donohoe: I'd like my job! Is it queer in 
the head you are grown asking me to bring in a 
stranger off the road? 

Midiael Miskell: I am not, ma'am, but an old 
neighbour I am. If I had forecasted this asking 
I would have asked it myself. Michael Miskell 
I am, that was in the next house to you in Ske- 
hanagh ! 

Mrs. Donohoe: For pity's sake ! Michael Mis- 
kell is it? That's worse again. Yourself and 
Mike that never left fighting and scolding and 
attacking one another! Sparring at one another 
like two young pups you were, and threatening one 
another after like two grown dogs! 

Mike Mclnerney: All the quarrelling was ever 
in the place it was myself did it. Sure his anger 
rises fast and goes away like the wind. Bring 
him out with myself now, Honor Donohoe, and 
God bless you. 

Mrs. Donohoe: Well, then, I will not bring him 
out, and I will not bring yourself out, and you not 
to learn better sense. Are you making yourself 
ready to come? 

Mike Mclnerney: I am thinking, maybe . . . 
it is a mean thing for a man that is shivering into 
seventy years to go changing from place to place. 

Mrs. Donohoe: Well, take your luck or leave it. 
All I asked was to save you from the hurt and the 
harm of the year. 



152 The Workhouse Ward 

Mike Mclnerney: Bring the both of us with you 
or I will not stir out of this. 

Mrs. Donohoe: Give me back my fine suit so 
(begins gathering up the clothes), till I'll go look 
for a man of my own ! 

Mike Mclnerney: Let you go so, as you are 
so unnatural and so disobliging, and look for some 
man of your own, God help him! For I will not 
go with you at all! 

Mrs. Donohoe: It is too much time I lost with 
you, and dark night waiting to overtake me on the 
road. Let the two of you stop together, and the 
back of my hand to you. It is I will leave you 
there the same as God left the Jews ! 

(She goes out. The old men lie down and are 
silent for a moment.) 

Michael Miskell: Maybe the house is not so 
wide as what she says. 

Mike Mclnerney: Why wouldn't it be wide? 

Michael Miskell: Ah, there does be a good deal 
of middling poor houses down by the sea. 

Mike Mclnerney: What would you know about 
wide houses? Whatever sort of a house you had 
yourself it was too wide for the provision you had 
into it. 

Michael Miskell: Whatever provision I had 
in my house it was wholesome provision and 
natural provision. Herself and her periwinkles! 
Periwinkles is a hungry sort of food. 



The Workhouse Ward 153 

Mike Mclnerney: Stop your impudence and 
your chat or it will be the worse for you. I'd 
bear with my own father and mother as long as 
any man would, but if they'd vex me I would give 
them the length of a rope as soon as another! 

Michael Miskell: I would never ask at all to go 
eating periwinkles. 

Mike Mclnerney: (Sitting up.} Have you 
anyone to fight me? 

Michael Miskell: (Whimpering.) I have not, 
only the Lord! 

Mike Mclnerney: Let you leave putting insults 
on me so, and death picking at you! 

Michael Miskell: Sure I am saying nothing at 
all to displease you. It is why I wouldn't go 
eating periwinkles, I'm in dread I might swallow 
the pin. 

Mike Mclnerney: Who in the world wide is 
asking you to eat them? You're as tricky as a 
fish in the full tide! 

Michael Miskell: Tricky is it! Oh, my curse 
and the curse of the four and twenty men upon 
you! 

Mike Mclnerney: That the worm may chew 
you from skin to marrow bone ! (Seizes his pillow.') 

Michael Miskell: (Seizing his own pillow.) I'll 
leave my death on you, you scheming vagabond 

Mike Mclnerney: By cripes! I'll pull out 
your pin feathers! (Throwing pillow.) 



154 The Workhouse Ward 

Michael Miskell: (Throwing pillow.) You ty- 
rant! You big bully you! 

Mike Mclnerney: (Throwing pillow and seizing 
mug.) Take this so, you stobbing ruffian you! 

(They throw all within their reach at one 
another, mugs, prayer books, pipes, etc.) 

Curtain 



THE TRAVELLING MAN 



PERSONS 
A Mother. 
A Child. 
A Travelling Man. 



THE TRAVELLING MAN 

A MIRACLE PLAY 

Scene: A cottage kitchen. A woman setting out 
a bowl and jug and board on the table for 
breadmaking. 

Child: What is it you are going to make, 
mother? 

Mother: I am going to make a grand cake 
with white flour. Seeds I will put in it. Maybe 
I'll make a little cake for yourself too. You can 
be baking it in the little pot while the big one will 
be baking in the big pot. 

Child: It is a pity daddy to be away at the 
fair on a Samhain night. 

Mother: I must make my feast all the same, 
for Samhain night is more to me than to any 
other one. It was on this night seven years I 
first came into this house. 

Child: You will be taking down those plates 
from the dresser so, those plates with flowers 
on them, and be putting them on the table. 

Mother: I will. I will set out the house to-day, 

157 



158 The Travelling Man 

and bring down the best delf, and put whatever 
thing is best on the table, because of the great 
thing that happened me seven years ago. 

Child: What great thing was that? 

Mother: I was after being driven out of the 
house where I was a serving girl. . . . 

Child: Where was that house? Tell me about 
it. 

Mother: (Sitting down and pointing southward.) 
It is over there I was living, in a farmer's house 
up on Slieve Echtge, near to Slieve na n-Or, the 
Golden Mountain. 

Child: The Golden Mountain! That must 
be a grand place. 

Mother: Not very grand indeed, but bare 
and cold enough at that time of the year. Anyway, 
I was driven out a Samhain day like this, because 
of some things that were said against me. 

Child: What did you do then? 

Mother: What had I to do but to go walking 
the bare bog road through the rough hills where 
there was no shelter to find, and the sharp wind 
going through me, and the red mud heavy on my 
shoes. I came to Kilbecanty. . . . 

Child: I know Kilbecanty. That is where 
the woman in the shop gave me sweets out of a 
bottle. 

Mother: So she might now, but that night her 
door was shut and all the doors were shut; and I 



The Travelling Man 159 

saw through the windows the boys and the girls 
sitting round the hearth and playing their games, 
and I had no courage to ask for shelter. In dread 
I was they might think some shameful thing of me, 
and I going the road alone in the night-time. 

Child: Did you come here after that? 

Mother: I went on down the hill in the darkness, 
and with the dint of my trouble and the length of 
the road my strength failed me, and I had like to 
fall. So I did fall at the last f meeting with a heap 
of broken stones by the roadside. 

Child: I hurt my knee one time I fell on the 
stones. 

Mother: It was then the great thing happened. 
I saw a stranger coming towards me, a very tall 
man, the best I ever saw, bright and shining that 
you could see him through the darkness; and I 
knew him to be no common man. 

Child: Who was he? 

Mother: It is what I thought, that he was the 
King of the World. 

Child: Had he a crown like a King? 

Mother: If he had, it was made of the twigs 
of a bare blackthorn; but in his hand he had a 
green branch, that never grew on a tree of this 
world. He took me by the hand, and he led me 
over the stepping-stones outside to this door, and 
he bade me to go in and I would find good shelter. 
I was kneeling down to thank him, but he raised 



160 The Travelling Man 

me up and he said, "I will come to see you some 
other time. And do not shut up your heart in the 
things I give you," he said, "but have a welcome 
before me." 

Child: Did he go away then? 

Mother: I saw him no more after that, but I 
did as he bade me. (She stands up and goes to 
the door.} I came in like this, and your father was 
sitting there by the hearth, a lonely man that was 
after losing his wife. He was alone and I was 
alone, and we married one another; and I never 
wanted since for shelter or safety. And a good 
wife I made him, and a good housekeeper. 

Child: Will the King come again to the house? 

Mother: I have his word for it he will come, 
but he did not come yet; it is often your father 
and myself looked out the door of a Samhain 
night, thinking to see him. 

Child: I hope he won't come in the night time, 
and I asleep. 

Mother: It is of him I do be thinking every 
year, and I setting out the house, and making a 
cake for the supper. 

Child: What will he do when he comes in? 

Mother: He will sit over there in the chair, 
and maybe he will taste a bit of the cake. I will 
call in all the neighbours; I will tell them he is 
here. They will not be keeping it in their mind 
against me then that I brought nothing, coming to 



The Travelling Man 161 

the house. They will know I am before any of 
them, the time they know who it is has come to 
visit me. They will all kneel down and ask for 
his blessing. But the best blessing will be on the 
house he came to of himself. 

Child: And are you going to make the cake 
now? 

Mother: I must make it now indeed, or I will 
be late with it. I am late as it is; I was expect- 
ing one of the neighbours to bring me white flour 
from the town. I'll wait no longer, I'll go borrow 
it in some place. There will be a wedding in the 
stonecutter's house Thursday, it's likely there will 
be flour in the house. 

Child: Let me go along with you 

Mother: It is best for you to stop here. Be 
a good child now, and don't be meddling with the 
things on the table. Sit down there by the hearth 
and break up those little sticks I am after bringing 
in. Make a little heap of them now before me, and 
we will make a good fire to bake the cake. See 
now how many will you break. Don't go out the 
door while I'm away, I would be in dread of you 
going near the river and it in flood. Behave your- 
self well now. Be counting the sticks as you break 
them. 

(She goes out.} 

Child: (Sitting down and breaking sticks across 
his knee.} One and two I can break this 



162 The Travelling Man 

one into a great many, one, two, three, four. This 
one is wet I don't like a wet one five, six that 
is a great heap. Let me try that great big one. 
That is too hard. I don't think mother could 
break that one. Daddy could break it. 

(Half-door is opened and a travelling man 

comes in. He wears a ragged white 

flannel shirt, and mud-stained trousers. 

He is bareheaded and barefooted, and 

carries a little branch in his hand.) 

Travelling Man: (Stooping over the child and 

taking the stick.) Give it here to me and hold this. 

(He puts the branch in the child's hand while 

he takes the stick and breaks it.) 

Child: That is a good branch, apples on it and 

flowers. The tree at the mill has apples yet, 

but all the flowers are gone. Where did you get 

this branch? 

Travelling Man: I got it in a garden a long 
way off. 

Child: Where is the garden? Where do you 
come from? 

Travelling Man: (Pointing southward.) I have 
come from beyond those hills. 

Child: Is it from the Golden Mountain you are 
come? From Slieve na n-Or? 

Travelling Man: That is where I come from 
surely, from the Golden Mountain. I would 
like to sit down and rest for a while. 



The Travelling Man 163 

Child: Sit down here beside me. We must 
not go near the table or touch anything, or mother 
will be angry. Mother is going to make a beauti- 
ful cake, a cake that will be fit for a King that 
might be coming in to our supper. 

Travelling Man: I will sit here with you on the 
floor. 

(Sits down.) 

Child: Tell me now about the Golden Mountain. 

Travelling Man: There is a garden in it, and 
there is a tree in the garden that has fruit and 
flowers at the one time. 

Child: Like this branch? 

Travelling Man: Just like that little branch. 

Child: What other things are in the garden? 

Travelling Man: There are birds of all colours 
that sing at every hour, the way the people will 
come to their prayers. And there is a high wall 
about the garden. 

Child: What way can the people get through 
the wall? 

Travelling Man: There are four gates in the 
wall: a gate of gold, and a gate of silver, and a 
gate of crystal, and a gate of white brass. 

Child: (Taking up the sticks.} I will make a 
garden. I will make a wall with these sticks. 

Travelling Man: This big stick will make the 
first wall. 

(They build a square watt with sticks.) 



164 The Travelling Man 

Child: (Taking up branch.} I will put this in 
the middle. This is the tree. I will get something 
to make it stand up. (Gets up and looks at dresser.) 
I can't reach it, get up and give me that shining 

(Travelling Man gets up and gives him the 



Travelling Man: Here it is for you. 

Child: (Puts it within the walls and sets the 
branch in it.) Tell me something else that is in 
the garden? 

Travelling Man: There are four wells of water 
in it, that are as clear as glass. 

Child: Get me down those cups, those flowery 
cups, we will put them for wells. (He hands 
them down.) Now I will make the gates, give me 
those plates for gates, not those ugly ones, those 
nice ones at the top. 

(He takes them down and they put them on 
the four sides for gates. The Child gets 
up and looks at it.) 

Travelling Man: There now, it is finished. 

Child: Is it as good as the other garden? 
How can we go to the Golden Mountain to see the 
other garden? 

Travelling Man: We can ride to it. 

Child: But we have no horse. 

Travelling Man: This form will be our horse. 
(He draws a form out of the corner, and sits down 



The Travelling Man 165 

astride on it, putting the child before him.} Now, 
off we go ! (Sings, the child repeating the refrain) 

Come ride and ride to the garden, 
Come ride and ride with a will : 

For the flower comes with the fruit there 
Beyond a hill and a hill. 

Refrain 

Come ride and ride to the garden, 
Come ride like the March wind; 

There's barley there, and water there, 
And stabling to your mind. 

Travelling Man: How did you like that ride, 
little horseman? 

Child: Go on again! I want another ride! 
Travelling Man (sings} 

The Archangels stand in a row there 

And all the garden bless, 
The Archangel Axel, Victor the angel 

Work at the cider press. 

Refrain 
Come ride and ride to the garden, &c. 

Child: We will soon be at the Golden Moun* 
tain now. Ride again. Sing another song. 



166 The Travelling Man 

Travelling Man (sings) 

O scent of the broken apples! 

O shuffling of holy shoes ! 
Beyond a hill and a hill there 

In the land that no one knows. 

Refrain 
Come ride and ride to the garden, &c. 

Child: Now another ride. 

Travelling Man: This will be the last. It 
will be a good ride. 

(The mother comes in. She stares for a 
second, then throws down her basket 
and snatches up the child.) 

Mother: Did ever anyone see the like of that! 
A common beggar, a travelling man off the roads, 
to be holding the child! To be leaving his ragged 
arms about him as if he was of his own sort ! Get 
out of that, whoever you are, and quit this house 
or I'll call to some that will make you quit it. 

Child: Do not send him out ! He is not a bad 
man; he is a good man ; he was playing horses with 
me. He has grand songs. 

Mother: Let him get away out of this now, 
himself and his share of songs. Look at the way 
he has your bib destroyed that I was after washing 
in the morning! 

Child: He was holding me on the, horse. We 



The Travelling Man 167 

were riding, I might have fallen. He held me. 

Mother: I give you my word you are done 
now with riding horses. Let him go on his road. 
I have no time to be cleaning the place after the 
like of him. 

Child: He is tired. Let him stop here till 
evening. 

Travelling Man: Let me rest here for a while, 
I have been travelling a long way. 

Mother: Where did you come from to-day? 

Travelling Man: I came over Slieve Echtge 
from Slieve na n-Or. I had no house to stop in. 
I walked the long bog road, the wind was going 
through me, there was no shelter to be got, the 
red mud of the road was heavy on my feet. I 
got no welcome in the villages, and so I came on 
to this place, to the rising of the river at Ballylee. 

Mother: It is best for you to go on to the town. 
It is not far for you to go. We will maybe have 
company coming in here. 

(She pours out flour into a bowl and begins 
mixing.} 

Travelling Man: Will you give me a bit of 
that dough to bring with me? I have gone a 
long time fasting. 

Mother: It is not often in the year I make 
bread like this. There are a few cold potatoes on 
the dresser, are they not good enough for you? 
There is many a one would be glad to get them. 



168 The Travelling Man 

Travelling Man: Whatever you will give me, 
I will take it. 

Mother: (Going to the dresser for the potatoes 
and looking at the shelves.} What in the earthly 
world has happened all the delf? Where are the 
jugs gone and the plates? They were all in it 
when I went out a while ago. 

Child: (Hanging his head.} We were making a 
garden with them. We were making that garden 
there in the corner. 

Mother: Is that what you were doing after I 
bidding you to sit still and to keep yourself quiet? 
It is to tie you in the chair I will another time! 
My grand jugs! (She picks them up and wipes 
them.} My plates that I bought the first time I 
ever went marketing into Gort. The best in the 
shop they were. (One slips from her hand and 
breaks.} Look at that now, look what you are 
after doing. 

(She gives a slap at the child.} 

Travelling Man: Do not blame the child. It 
was I myself took them down from the dresser. 

Mother: (Turning on him.} It was you took 
them! What business had you doing that? It's 
the last time a tramp or a tinker or a rogue of the 
roads will have a chance of laying his hand on 
anything in this house. It is jailed you should be! 
What did you want touching the dresser at all? Is 
it looking you were for what you could bring away? 



The Travelling Man 169 

Travelling Man: (Taking the child's hands.) 
I would not refuse these hands that were held out 
for them. If it was for the four winds of the world 
he had asked, I would have put their bridles into 
these innocent hands. 

Mother: (Taking up the jug and throwing the 
branch on the floor.) Get out of this! Get out 
of this I tell you! There is no shelter here for 
the like of you! Look at that mud on the floor? 
You are not fit to come into the house of any 
decent respectable person! 

(The room begins to darken.) 

Travelling Man: Indeed, I am more used to the 
roads than to the shelter of houses. It is often I 
have spent the night on the bare hills. 

Mother: No wonder in that! (She begins to 
sweep floor.) Go out of this now to whatever 
company you are best used to, whatever they are. 
The worst of people it is likely they are, thieves and 
drunkards and shameless women. 

Travelling Man: Maybe so. Drunkards and 
thieves and shameless women, stones that have 
fallen, that are trodden under foot, bodies that are 
spoiled with sores, bodies that are worn with 
fasting, minds that are broken with much sinning, 
the poor, the mad, the bad. . . . 

Mother: Get out with you! Go back to your 
friends, I say! 

Travelling Man: I will go. I will go back to 



170 The Travelling Man 

the high road that is walked by the bare feet of 
the poor, by the innocent bare feet of children. I 
will go back to the rocks and the wind, to the cries 
of the trees in the storm ! (He goes out.) 

Child: He has forgotten his branch! 

(Takes it and follows him.) 

Mother: (Still sweeping.) My good plates from 
the dresser, and dirty red mud on the floor, and 
the sticks all scattered in every place. (Stoops 
to pick them up.) Where is the child gone? 
(Goes to door.) I don't see him he couldn't have 
gone to the river it is getting dark the bank is 
slippy. Come back! Come back! Where are 
you? (Child runs in.) 

Mother: O where were you? I was in dread 
it was to the river you were gone, or into the 
river. 

Child: I went after him. He is gone over the 
river. 

Mother: He couldn't do that. He couldn't 
go through the flood. 

Child: He did go over it. He was as if walking 
on the water. There was a light before his feet. 

Mother: That could not be so. What put that 
thought in your mind? 

Child: I called to him to come back for the 
branch, and he turned where he was in the river, 
and he bade me to bring it back, and to show it 
to yourself. 



The Travelling Man 171 

Mother: (Taking the branch.} There are fruit 
and flowers on it. It is a branch that is not of 
any earthly tree. (Falls on her knees.) He is 
gone, he is gone, and I never knew him ! He was 
that stranger that gave me all! He is the King 
of the World! 



THE GAOL GATE 



ITS 



PERSONS 

Mary Cahel 
Mary Cushin 
The Gatekeeper 



. AN OLD WOMAN 

HER DAUGHTER-IN-LAW 



THE GAOL GATE 

Scene: Outside the gate of Galway Gaol. Two 
countrywomen, one in a long dark cloak, the 
other with a shawl over her head, have just come 
in. It is just before dawn. 

Mary Cahel: I am thinking we are come to 
our journey's end, and that this should be the gate 
of the gaol. 

Mary Cushin: It is certain it could be no other 
place. There was surely never in the world such 
a terrible great height of a wall. 

Mary Cahel: He that was used to the mountain 
to be closed up inside of that ! What call had he 
to go moonlighting or to bring himself into danger 
at all? 

Mary Cushin: It is no wonder a man to grow 
faint-hearted and he shut away from the light. 
I never would wonder at all at anything he might 
be driven to say. 

Mary Cahel: There were good men were gaoled 
before him never gave in to anyone at all. It is 
what I am thinking, Mary, he might not have 
done what they say. 

175 



176 The Gaol Gate 

Mary Cushin: Sure you heard what the neigh- 
bours were calling the time their own boys were 
brought away. "It is Denis Cahel," they were 
saying, "that informed against them in the gaol." 

Mary Cahel: There is nothing that is bad or 
is wicked but a woman will put it out of her 
mouth, and she seeing them that belong to her 
brought away from her sight and her home. 

Mary Cushin: Terry Fury's mother was saying 
it, and Pat Ruane's mother and his wife. They 
came out calling it after me, "It was Denis swore 
against them in the gaol!" The sergeant was 
boasting, they were telling me, the day he came 
searching Daire-caol, it was he himself got his 
confession with drink he had brought him in the 
gaol. 

Mary Cahel: They might have done that, the 
ruffians, and the boy have no blame on him at all. 
Why should it be cast up against him, and his 
wits being out of him with drink? 

Mary Cushin: If he did give their names up 
itself, there was maybe no wrong in it at all. 
Sure it's known to all the village it was Terry that 
fired the shot. 

Mary Cahel: Stop your mouth now and don't 
be talking. You haven't any sense worth while. 
Let the sergeant do his own business with no 
help from the neighbours at all. 

Mary Cushin: It was Pat Ruane that tempted 



The Gaol Gate 177 

them on account of some vengeance of his own. 
Every creature knows my poor Denis never 
handled a gun in his life. 

Mary Cahel: (Taking from under her cloak a 
long blue envelope.) I wish we could know what 
is in the letter they are after sending us through 
the post. Isn't it a great pity for the two of us 
to be without learning at all? 

Mary Cushin: There are some of the neigh- 
bours have learning, and you bade me not bring 
it anear them. It would maybe have told us 
what way he is or what time he will be quitting the 
gaol. 

Mary Cahel: There is wonder on me, Mary 
Cushin, that you would not be content with 
what I say. It might be they put down in the 
letter that Denis informed on the rest. 

Mary Cushin: I suppose it is all we have to 
do so, to stop here for the opening of the door. 
It's a terrible long road from Slieve Echtge we 
were travelling the whole of the night. 

Mary Cahel: There was no other thing for 
us to do but to come and to give him a warning. 
What way would he be facing the neighbours, 
and he to come back to Daire-caol? 

Mary Cushin: It is likely they will let him 
go free, Mary, before many days will be out. 
What call have they to be keeping him? It is 
certain they promised him his life. 



178 The Gaol Gate 

Mary Cahel: If they promised him his life, 
Mary Cushin, he must live it in some other place. 
Let him never see Daire-caol again, or Daroda or 
Druimdarod. 

Mary Cushin: O, Mary, what place will we 
bring him to, and we driven from the place that 
we know? What person that is sent among 
strangers can have one day's comfort on earth? 

Mary Cahel: It is only among strangers, I 
am thinking, he could be hiding his story at all. 
It is best for him to go to America, where the 
people are as thick as grass. 

Mary Cushin: What way could he go to Amer- 
ica and he having no means in his hand? There's 
himself and myself to make the voyage and the 
little one-een at home. 

Mary Cahel: I would sooner to sell the holding 
than to ask for the price paid for blood. There'll 
be money enough for the two of you to settle your 
debts and to go. 

Mary Cushin: And what would yourself be 
doing and we to go over the sea? It is not among 
the neighbours you would wish to be ending your 
days. 

Mary Cahel: I am thinking there is no one 
would know me in the workhouse at Oughterard. 
I wonder could I go in there, and I not to give 
them my name? 

Mary Cushin: Ah, don't be talking foolishness. 



The Gaol Gate 179 

What way could I bring the child? Sure he's 
hardly out of the cradle ; he'd be lost out there in 
the States. 

Mary Cahel: I could bring him into the work- 
house, I to give him some other name. You could 
send for him when you'd be settled or have some 
place of your own. 

Mary Cushin: It is very cold at the dawn. It 
is time for them open the door. I wish I had 
brought a potato or a bit of a cake or of bread. 

Mary Cahel: I'm in dread of it being opened 
and not knowing what will we hear. The night 
that Denis was taken he had a great cold and a 
cough. 

Mary Cushin: I think I hear some person com- 
ing. There's a sound like the rattling of keys. 
God and His Mother protect us ! I'm in dread of 
being found here at all! 

(The gate is opened, and the Gatekeeper is seen 
with a lantern in his hand.} 

Gatekeeper: What are you doing here, women? 
It's no place to be spending the night time. 

Mary Cahel: It is to speak with my son I am 
asking, that is gaoled these eight weeks and a 
day. 

Gatekeeper: If you have no order to visit him 
it's as good for you go away home. 

Mary Cahel: I got this letter ere yesterday. It 
might be it is giving me leave. 



i8o The Gaol Gate 

Gatekeeper: If that's so he should be under the 
doctor, or in the hospital ward. 

Mary Cahel: It's no wonder if he's down with 
the hardship, for he had a great cough and a cold. 

Gatekeeper: Give me here the letter to read it. 
Sure it never was opened at all. 

Mary Cahel: Myself and this woman have no 
learning. We were loth to trust any other one. 

Gatekeeper: It was posted in Galway the 
twentieth, and this is the last of the month. 

Mary Cahel: We never thought to call at the 
post office. It was chance brought it to us in the 
end. 

Gatekeeper: (Having read letter.} You poor 
unfortunate women, don't you know Denis Cahel 
is dead? You'd a right to come this time yester- 
day if you wished any last word at all. 

Mary Cahel: (Kneeling down.} God and His 
Mother protect us and have mercy on Denis's 
soul! 

Mary Cushin: What is the man after saying? 
Sure it cannot be Denis is dead? 

Gatekeeper: Dead since the dawn of yesterday, 
and another man now in his cell. I'll go see who 
has charge of his clothing if you're wanting to 
bring it away. 

(He goes in. The dawn has begun to break.) 

Mary Cahel: There is lasting kindness in 
[Heaven when no kindness is found upon earth. 



The Gaol Gate 181 

There will surely be mercy found for him, and 
not the hard judgment of men! But my boy 
that was best in the world, that never rose a hair 
of my head, to have died with his name under 
blemish, and left a great shame on his child! 
Better for him have killed the whole world than to 
give any witness at all ! Have you no word to say, 
Mary Cushin? Am I left here to keen him alone? 

Mary Cushin: (Who has sunk on to the step 
before the door, rocking herself and keening.) Oh, 
Denis, my heart is broken you to have died with 
the hard word upon you! My grief you to be 
alone now that spent so many nights in company! 

What way will I be going back through Gort 
and through Kilbecanty? The people will not be 
coming out keening you, they will say no prayer 
for the rest of your soul! 

What way will I be the Sunday and I going up 
the hill to the Mass? Every woman with her own 
comrade, and Mary Cushin to be walking her lone! 

What way will I be the Monday and the neigh- 
bours turning their heads from the house? The 
turf Denis cut lying on the bog, and no well-wisher 
to bring it to the hearth ! 

What way will I be in the night time, and none 
but the dog calling after you? Two women to 
be mixing a cake, and not a man in the house to 
break it! 

What way will I sow the field, and no man to 



182 The Gaol Gate 

drive the furrow? The sheaf to be scattered 
before springtime that was brought together at 
the harvest! 

I would not begrudge you, Denis, and you 
leaving praises after you. The neighbours keening 
along with me would be better to me than an 
estate. 

But my grief your name to be blackened in 
the time of the blackening of the rushes! Your 
name never to rise up again in the growing time 
of the year! (She ceases keening and turns towards 
the old woman.') But tell me, Mary, do you think 
would they give us the body of Denis? I would 
lay him out with myself only; I would hire some 
man to dig the grave. 

(The Gatekeeper opens the gate and hands 
out some clothes.') 

Gatekeeper: There now is all he brought in with 
him ; the flannels and the shirt and the shoes. It 
is little they are worth altogether; those moun- 
tainy boys do be poor. 

Mary Cushin: They had a right to give him 
time to ready himself the day they brought him 
to the magistrates. He to be wearing his Sunday 
coat, they would see he was a decent boy. Tell 
me where will they bury him, the way I can follow 
after him through the street? There is no other 
one to show respect to him but Mary Cahel, his 
mother, and myself. 



The Gaol Gate 183 

Gatekeeper: That is not to be done. He is 
buried since yesterday in the field that is belonging 
to the gaol. 

Mary Cushin: It is a great hardship that to 
have been done, and not one of his own there to 
follow after him at all. 

Gatekeeper: Those that break the law must be 
made an example of. Why would they be laid 
out like a well behaved man? A long rope and a 
short burying, that is the order for a man that is 
hanged. 

Mary Cushin: A man that was hanged! 
Denis, was it they that made an end of you and not 
the great God at all? His curse and my own 
curse upon them that did not let you die on the 
pillow! The curse of God be fulfilled that was 
on them before they were born ! My curse upon 
them that brought harm on you, and on Terry 
Fury that fired the shot! 

Mary Cahel: (Standing up.) And the other 
boys, did they hang them along with him, Terry 
Fury and Pat Ruane that were brought from 
Daire-caol? 

Gatekeeper: They did not, but set them free 
twelve hours ago. It is likely you may have 
passed them in the night time. 

Mary Cushin: Set free is it, and Denis made 
an end of? What justice is there in the world 
at all? 



184 The Gaol Gate 

Gatekeeper: He was taken near the house. They 
knew his footmark. There was no witness given 
against the rest worth while. 

Mary Cahel: Then the sergeant was lying 
and the people were lying when they said Denis 
Cahel had informed in the gaol? 

Gatekeeper: I have no time to be stopping here 
talking. The judge got no evidence and the law 
set them free. 

(He goes in and shuts gate after him.) 

Mary Cahel: (Holding out her hands.) Are 
there any people in the streets at all till I call on 
them to come hither? Did they ever hear in Gal- 
way such a thing to be done, a man to die for his 
neighbour? 

Tell it out in the streets for the people to hear, 
Denis Cahel from Slieve Echtge is dead. It was 
Denis Cahel from Daire-caol that died in the 
place of his neighbour! 

It is he was young and comely and strong, the 
best reaper and the best hurler. It was not a 
little thing for him to die, and he protecting his 
neighbour! 

Gather up, Mary Cushin, the clothes for your 
child; they'll be wanted by this one and that one. 
The boys crossing the sea in the springtime will be 
craving a thread for a memory. 

One word to the judge and Denis was free, they 
offered him all sorts of riches. They brought him 



The Gaol Gate 185 

drink in the gaol, and gold, to swear away tha 
life of his neighbour! 

Pat Ruane was no good friend to him at all, 
but a foolish, wild companion ; it was Terry Fury 
knocked a gap in the wall and sent in the calves to 
our meadow. 

Denis would not speak, he shut his mouth, he 
would never be an informer. It is no lie he would 
have said at all giving witness against Terry Fury. 

I will go through Gort and Kilbecanty and 
Druimdarod and Daroda ; I will call to the people 
and the singers at the fairs to make a great praise 
for Denis! 

The child he left in the house that is shook, 
it is great will be his boast in his father! All 
Ireland will have a welcome before him, and all the 
people in Boston. 

I to stoop on a stick through half a hundred 

years, I will never be tired with praising! Come 

hither, Mary Cushin, till we'll shout it through 

the roads, Denis Cahel died for his neighbour! 

(She goes off to the left, Mary Cushin following 

her.) 

Curtain 



MUSIC FOR THE 
SONGS IN THE PLAYS 

NOTES AND CASTS 



MUSIC FOR THE SONGS IN 
THE PLAYS 

THE RED-HAIRED MAN'S WIFE 

Spreading the News. 

I thought, my first love, there'd be but one house 



3 3 

be-tween you and me, And 1 thought 












I would find your self coax ing 






J 



my child on your knee. O ver the tide 

<t/"~ * 

X would leap with the leap of swan, 

J=JU 






^J-^J^L 



Till t came to the side 



of the wife of the red* haired man- 



189 



190 Music for the Songs 



GRANUAILE 

The Rising of the Moo*. 



^^^Jf-^f^^^ 



^p 



As through the bills I walked to view the 



bills and sham-rock plain, I stood a while where 



na ture smiles to view the rocks and 






Streams, On a tna-tron fair I fixed my eyes be- 



neatb a fer-tile vale, As she sang her song it \vas 



J J J i j 



00 the wrong of poor old Gran u aile. 



Music for the Songs 191 



a 



Her head was bare, her hands and feet with 






i ron bands were bound, Her pen sive strain and 




plain live wail mihg-les with the eve ning 






gale, And the song she sang with mourn-ful air, I 



gF^f 



am old Gran -u aile, Her lips so sweet that 



mon-archs kissed- 



192 Music for the Songs 



JOHNNY HART 

The Xtsing of the Moon. 



There was ' a rich Far mer's daugb ter lived 



near the town of Ross; She court-ed a High-land 




SOl dier, His name wasjohn-ny Hart; Says the 



motb-er to her daug-h-ter, "I'll go dis - tract ed 



1 



j 






mad If you mar ry that High land 



I 



I* K K 



F 



SoT'* dier <iressed up in bis High-land plaid.' 



Music for the Songs 193 



THE RISING OF THE MOON 



O, then, teO me, Shawn O' far reli, where the 









gath'ring is to be. In the Old spot by the 






ri ver. Right well known to you and me. 




One word more, for Sig nal to ken whis tie 



up 'the march-ing tune, With your pike up on your 



K 



should -er At the ris ing of the moon. 



194 Music for the Songs 



GAOL. GATE 



Caiont. 

Tempo, ad lib. 



j 






What way will I be the Sun clay 



And I go -Ing up the hill to the 

H . , '"*- -=_. 

Mass, E v' - ry wo mail with her own com - rade 





And Ma-ry Cush-in to be walk ing her lone. 
Spoken. Sin%s. 



5: 



What way drive th furrow? 



The 



sheaf to be scat-tered be - fore spring-time that 



Music for the Songs 195 



was brought to getb . er at the bar - vest ! 
Spoken. SingS, 



I would not an estate. But my 



grief your name to be black ened hi 



the time of the black -'ning of the rush - es 



Your 



jS ny3-jrt-^^M^E 

nev - er to rise op ft gain Jn the 







grow -ing- time- 



of the /ear. 



NOTES 



SPREADING THE NEWS 



THE idea of this play first came to me as a tragedy. 
I kept seeing as in a picture people sitting by the 
roadside, and a girl passing to the market, gay and 
fearless. And then I saw her passing by the same 
place at evening, her head hanging, the heads of 
others turned from her, because of some sudden 
story that had risen out of a chance word, and had 
snatched away her good name. 

But comedy and not tragedy was wanted at our 
theatre to put beside the high poetic work, The 
King's Threshold, The Shadowy Waters, On Bailees 
Strand, The Well of the Saints; and I let laughter 
have its way with the little play. I was delayed in 
beginning it for a while, because I could only think 
of Bartley Fallen as dull-witted or silly or ignorant, 
and the handcuffs seened too harsh a punishment. 
But one day by the sea at Duras a melancholy man 
who was telling me of the crosses he had gone through 
at home said "But I'm thinking if I went to 
America, its long ago to-day I'd be dead. And its 
a great expense for a poor man to be buried in 
America." Bartley was born at that moment, and, 

196 



Notes 197 

far from harshness, I felt I was providing him with 
a happy old age in giving him the lasting glory of 
that great and crowning day of misfortune. 

It has been acted very often by other companies 
as well as our own, and the Boers have done me the 
honour of translating and pirating it. 



HYACINTH HALVEY 

I WAS pointed out one evening a well-brushed, 
well-dressed man in the stalls, and was told gossip 
about him, perhaps not all true, which made me 
wonder if that appearance and behaviour as of 
extreme respectability might not now and again be 
felt a burden. 

After a while he translated himself in my mind 
into Hyacinth; and as one must set one's original 
a little way off to get a translation rather than a 
tracing, he found himself in Cloon, where, as in other 
parts of our country, "character" is built up or de- 
stroyed by a password or an emotion, rather than by 
experience and deliberation. 

The idea was more of a universal one than I knew 
at the first, and I have had but uneasy appreciation 
from some apparently blameless friends. 

THE RISING OF THE MOON 

When I was a child and came with my elders to 
Galway for their salmon fishing in the river that 



198 Notes 

rushes past the gaol, I used to look with awe at the 
window where men were hung, and the dark, closed 
gate. I used to wonder if ever a prisoner might by 
some means climb the high, buttressed wall and 
slip away in the darkness by the canal to the quays 
and find friends to hide him under a load of kelp in a 
fishing boat, as happens to my ballad-singing man. 
The play was considered offensive to some extreme 
Nationalists before it was acted, because it showed 
the police in too favourable a light, and a Unionist 
paper attacked it after it was acted because the police- 
man was represented "as a coward and a traitor"; 
but after the Belfast police strike that same paper 
praised its "insight into Irish character." After all 
these ups and downs it passes unchallenged on both 
sides of the Irish Sea. 

THE JACKDAW 

The first play I wrote was called "Twenty-five." 
It was played by our company in Dublin and London, 
and was adapted and translated into Irish and played 
in America. It was about "A boy of Kilbecanty 
that saved his old sweetheart from being evicted. 
It was playing Twenty-five he did it; played with 
the husband he did, letting him win up to 50. " 

It was rather sentimental and weak in construction, 
and for a long time it was an overflowing storehouse 
of examples of "the faults of my dramatic method." 
I have at last laid its ghost in "The Jackdaw, " and I 
have not been accused of sentimentality since the 
appearance of this. 



Notes 199 

THE WORKHOUSE WARD 

I heard of an old man in the workhouse who had 
been disabled many years before by, I think, a knife 
thrown at him by his wife in some passionate quarrel. 

One day I heard the wife had been brought in there, 
poor and sick. I wondered how they would meet, and 
if the old quarrel was still alive, or if they who knew 
the worst of each other would be better pleased with 
one another's company than with that of strangers. 

I wrote a scenario of the play, Dr. Douglas Hyde, 
getting in plot what he gave back in dialogue, for at 
that time we thought a dramatic movement in Irish 
would be helpful to our own as well as to the Gaelic 
League. Later I tried to rearrange it for our own 
theatre, and for three players only, but in doing this 
I found it necessary to write entirely new dialogue, 
the two old men in the original play obviously talking 
at an audience in the wards, which is no longer there. 

I sometimes think the two scolding paupers are a 
symbol of ourselves in Ireland 1p F^W imfeAr HA 
UAigneAf "it is better to be quarrelling than to be 
lonesome." The Rajputs, that great fighting race, 
when they were told they had been brought under 
the Pax Britannica and must give up war, gave 
themselves to opium in its place, but Connacht has 
not yet planted its poppy gardens. 

THE TRAVELLING MAN 
An old woman living in a cabin by a bog road on 



200 



Notes 



Slieve Echtge told me the legend on which this play 
is founded, and which I have already published in 
"Poets and Dreamers." 

"There was a poor girl walking the road one night 
with no place to stop, and the Saviour met her on the 
road, and He said 'Go up to the house you see a 
light in; there's a woman dead there, and they'll 
let you in. ' So she went, and she found the woman 
laid out, and the husband and other people; but she 
worked harder than they all, and she stopped in the 
house after; and after two quarters the man married 
her. And one day she was sitting outside the door, 
picking over a bag of wheat, and the Saviour came 
again, with the appearance of a poor man, and He 
asked her for a few grains of the wheat. And she 
said 'Wouldn't potatoes be good enough for you?' 
And she called to the girl within to bring out a few 
potatoes. But He took nine grains of the wheat in 
His hand and went away; and there wasn't a grain 
of wheat left in the bag, but all gone. So she ran 
after Him then to ask Him to forgive her; and she 
overtook Him on the road, and she asked forgiveness. 
And He said ' Don't you remember the time you had 
no house to go to, and I met you on the road, and sent 
you to a house where you'd live in plenty? And 
now you wouldn't give Me a few grains of wheat.' 
And she said ' But why didn't you give me a heart 
that would like to divide it ? ' That is how she came 
round on Him. And He said ' From this out, when- 
ever you have plenty in your hands, divide it freely 
for My sake.'" 



Notes 201 

And an old woman who sold sweets in a little shop 
in Galway, and whose son became a great Dominican 
preacher, used to say "Refuse not any, for one may 
be the Christ. " 

I owe the Rider's Song, and some of the rest, to 
W. B. Yeats. 



THE GAOL GATE 

I was told a story some one had heard, of a man 
who had gone to welcome his brother coming out 
of gaol, and heard he had died there before the gates 
had been opened for him. 

I was going to Galway, and at the Gort station I 
met two cloaked and shawled countrywomen from 
the slopes of Slieve Echtge, who were obliged to go 
and see some law official in Galway because of some 
money left them by a kinsman in Australia. They 
had never been in a train or to any place farther than 
a few miles from their own village, and they felt astray 
and terrified "like blind beasts in a bog" they said, 
and I took care of them through the day. 

An agent was fired at on the road from Athenry, and 
some men were taken up on suspicion. One of them 
was a young carpenter from my old home, and in a 
little time a rumour was put about that he had in- 
formed against the others in Galway gaol. When the 
prisoners were taken across the bridge to the court- 
house he was hooted by the crowd. But at the trial 
it was found that he had not informed, that no evi- 



202 



Notes 



dence had been given at all ; and bonfires were lighted 
for him as he went home. 

These three incidents coming within a few months 
wove themselves into this little play, and within 
three days it had written itself, or been written. I 
like it better than any in the volume, and I have 
never changed a word of it. 



FIRST PRODUCTIONS OF 
THE PLAYS 

SPREADING THE NEWS was produced for the first time 
at the opening of the Abbey Theatre, on Tuesday, 
27th December, 1904, with the following cast: 

Bartley Fallon W. G. FAY 

Mrs. Fallon ..... SARA ALGOOD 
Mrs. Tully ..... EMMA VERNON 
Mrs. Tarpey . . MAIRE Ni GHARBHAIGH 

Shawn Early . . . J. H. DUNNE 

Tim Casey .... GEORGE ROBERTS 
James Ryan .... ARTHUR SINCLAIR 
Jack Smith .... P. MAcSuiBHLAiGH 
A Policeman . . . . . R. S. NASH 
A Removable Magistrate . . . . F. J. FAY 

HYACINTH HALVEY was first produced at the Abbey 
Theatre on iQth February, 1906, with the following cast : 

Hyacinth Hahey . . . . . F. J. FAY 
James Quirke, a butcher . . . . W. G. FAY 
Fardy Farrell, a telegraph boy . ARTHUR SINCLAIR 
Sergeant Garden . . . WALTER MAGEE 
Mrs. Delane, Postmistress at Cloon . SARA ALLGOOD 
Miss Joyce, the Priest's House-keeper 

BRIGIT O'DEMPSEY 
203 



2O4 First Productions 

THE GAOL GATE was first produced at the Abbey 
Theatre, Dublin, on 2Oth October, 1906, with the 
following cast: 

Mary Cahel . . . . . SARA ALLGOOD 
Mary Cushin . . . . MAIRE O'NEILL 
The Gate Keeper . . . . F. J. FAY 

THE JACKDAW was first produced at the Abbey 
Theatre, Dublin, on 23rd February, 1907, with the 
following cast : 

Joseph Nestor . . . . F. J. FAY 

Michael Cooney .... W. G. FAY 

Mrs. Broderick .... SARA ALLGOOD 

Tommy Natty . . . ARTHUR SINCLAIR 

Sibby Fahy . ... . BRIGIT O'DEMPSEY 

Timothy Ward . . . J. M. KERRIGAN 

THE RISING OF THE MOON was first produced at the 
Abbey Theatre, Dublin, on 9th March, 1907, with 
the following cast : 

Sergeant .... ARTHUR SINCLAIR 

Policeman X. . . . J. A. O'ROURKE 

Policeman B. . . J. M. KERRIGAN 

Ballad Singer . . . . W. G. FAY 

WORKHOUSE WARD was first produced at the Abbey 
Theatre, Dublin, on 2oth April, 1908, with the fol- 
lowing cast: 

Mike M'Inerney . . . ARTHUR SINCLAIR 
Michael Miskett . . . FRED O' DONOVAN 
Mrs. Donahue MARIE O'NEILL