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PS  3505.H94S5  1933 

Ships  and  lovers  r  iL  « 


PS 

3505 

H94 

S5 

1933 


SHIPS  AND  LOVERS 


By  Thomas  Caldecot  Chubb 

SHIPS  AND  LOVERS 

THE  LIFE  OF  GIOVANNI  BOCCACCIO 

KYRDOON 

THE  WHITE  GOD,  AND  OTHER  POEMS 


SHIPS  and  LOVERS 


THOMAS     CALDECOT    CHUBB 


cc 


Poems  about  ships 
and  lovers  and  mag- 
nificent pirates" — 

WIFE     OF    THE     CENTAUR 


ALBERT    AND    CHARLES    BONI,  INC. 
NEW    YORK  H  H  H  1933 


COPYRIGHT,    1933,  BY 

THOMAS  CALDECOT  CHUBB 


PRINTED    IN    THE   UNITED    STATES   OF    AMERICA 


To 
CAROLINE 

With  Love 


ACKNOWLEDGMENTS 

Thanks  are   due   to   The  Bookman, 

Commonweal,  The  Nation,  Poetry:  A 
Magazine  of  Verse,  The  Reviewer  of 
Richmond,  S-4-N,  Scribner's  Magazine, 
Sea  Stories  and  Voices  for  permission  to 
reprint  certain  of  the  poems  included  in 
this  volume. 


CONTENTS 

I.    LOVERS  page 

Two  in  Sight  of  Florence 3 

Night  Song 5 

Ghosts 6 

Cartoon  for  a  Fete  Galante 11 

What  Does  the  Little  Josephine?     .    .    .    .  12 

Malmaison 16 

Portrait  of  the  God 21 

Song  Written  for  C.  P.  C 22 

II.    TIME    AND    PLACE 

For  a  Garden  Near  Florence 27 

For  a  Tuscan  Summer 28 

Bird  Fable 29 

Spring  in  Connecticut  .    . 31 

Wild  Duck  Song 33 

"Hills  Ruddy  with  Sumach" .  35 

The  Awakening  of  the  Year 37 

March 39 

July 41 

For  the  First  Day  of  Autumn  ......  42 

•  ix  • 


III.      SHIPS  PAGE 

For  a  Clipper-Ship  Seaport 45 

I.  Portrait  of  a  Sea  Captain    ....  45 

II.  A  Lost  Vessel 45 

III.  Legend 46 

IV.  An  Old  Story 47 

V.  The  Launching  of  a  Ship  ....  47 

VI.  Sailor's  Wife 48 

VII.  Portrait  of  a  Beachcomber  ....  48 

VIII.  A  Survival 49 

Pen  Drawing  of  a  Merchant  Seaman  ...  50 

Along  the  Docks 52 

At  the  Narrows 59 

Burial  at  Sea 60 

At  the  Edge  of  the  Bay 62 

Longshore 64 

Portrait  of  a  Sea-dog 66 

Romance 68 

IV.    FOFO,    THE    CLOWN 

Fofo,  the  Clown,   Comes  to  the  Gate  of 

Heaven 71 


V.    FOREIGN    TONGUES 

Rondeau    {Charles  d' Orleans) 79 

Portrait  of  the  Writer  (Cecco  Angiolari)  .    .      80 

•  x  • 


PAGE 

To  a  Friend  {Francis  Petrarch) 81 

Portrait  of  a  Lover  {Gaspara  Stampd)    .    .  82 

Quatrain  {Michelangelo  Buonarotti)  ...  83 

VI.    SATIRE    AND    ELATION 

We  Being  Young 87 

The  Swordsman 89 

The  Grasshopper  and  the  Ant 91 

The  Gray  Wolf  to  the  Dogs 92 

Primordial 93 

Truth 94 

The  Romancer 95 


XI 


7.    LOVERS 


TWO    IN    SIGHT    OF    FLORENCE 

The  stranger  with  the  lean  and  bitter  face, 

Sharp  nose,  ironic  lips  and  deep-set  eyes, 

Leaned  toward  the  other  guest,  a  red-cloaked  merchant 

With  a  soft  belly  and  a  flabby  jowl, 

And  said  to  him:  "You  want  not  love,  but  wine; 

Not  heavenly  love,  but  the  crushed  Tuscan  grape 

To  wash  down  a  fat  pasta,  garlic-sauced, 

Followed  by  a  mess  of  birdlets,  neatly-roasted 

After  being  smeared  with  greasy  olive  oil." 

The  stranger  with  the  lean  and  bitter  face, 

Harsh,  biting  voice,  uncompromising  jaw, 

Leaned  toward  the  other  guest:   "Not  love,  but  food, 

Fat  luxury,  soft  comfort,  a  hot  bed 

Whereon  to  take  your  sensuous  delight 

Bought  for  so  much  after  the  day  is  done." 

But  then  he  paused,  and  asked:  "Or  would  you  march 

Across  a  vale  of  flint  to  see  her  face 

And  have  no  more  reward  than  that  she  smiled 

And  offered  part  of  the  love  of  God  to  you? 

Would  you  walk  barefoot  on  ice  to  have  one  flower, 

Tossed  from  her  distant  hand  as  courtesy? 

Would  you  climb  to  heaven  only  to  hear  her  name 

Chimed  by  the  angels  like  a  sacred  tune, 

Or  walk  because  of  her,  fearless  through  hell?" 

He  rose,  and  his  wrists  tightened:   "I  have  done  this. 


I  have  gone  down  to  the  last  icy  circle 

Of  my  own  mind,  and  painted  what  I  saw. 

I  have  flown  higher  than  ever  a  song  flew 

Or  a  sun-seeking  lark  at  break  of  day. 

I  have  stood  before  the  pearly  throne  of  God 

And  touched  the  snaky  scales  of  the  Lord  of  111. 

And  all  because  one  time  I  saw  a  girl 

Walk  in  the  sunlight,  and  but  smile  at  me, — 

Once  as  a  boy,  once  very  long  ago. 

And  since  that  day  I  have  known  hate  and  exile, 

Rebuff,  self-question,  loneliness,  hurt  pride. 

I  have  been  a  wanderer  on  the  face  of  earth. 

I  have  been  a  beggar  at  the  feet  of  kings, 

And  yet  have  no  regret."    Saying  which  words, 

He  turned  and  crossed  the  inn-room,  and  he  stood 

For  a  moment,  like  a  proud  yet  fallen  angel, 

Half  prince,  yet  one  half  pitiable  as  he  looked 

With  something  far  too  pitiful  for  pride 

Across  the  valley  toward  a  gleaming  cluster 

Of  square,  brown  towers,  thick  walls,  and  reddish 

domes 
Where  Dante  Alighieri  who  would  be 
One  day  a  legend  like  a  prince  of  God 
Might  never  set  his  foot,  however  bitter 
An  exile's  bread,  how  steep  a  stranger's  stairs. 


NIGHT    SONG 

(Suggested  by  an  early  Italian  madrigal) 

Tonight,  O  kind  my  love,  let  me  come  to  your  bed; 

Tonight,  O  dear  my  love,  let  me  sleep  by  your  side. 

Fling  the  soft  coverlet  wide; 

Leave  but  your  white  breast  bare: 

Like  an  angel,  then,  will  you  seem  to  me  fair! 

And  say  to  me,  my  dear:  "Oh  blessed  thou  art!" 
And  then  move  your  cool,  small  hand  till  it  comes  to 

rest; 
After,  voice  this  request: 
"Art  thou  truly  my  love?" 
That  I  am,  I  swear  by  your  lips  half-parted; 
I  who  clomb  from  the  sward  below  am  your  lover; 
You  my  beloved,  who  watched  in  the  dusk  above. 

And  there,  my  dear,  let  me  rest  till  at  break  of  day 

The  noisy  swallows  awake  us,  saying:  "It  is  time! 

See  the  sun  climb!" 

O  false  swallows,  why  must  you  sing  that  song? 

Let  the  dear  night  be  only  one  hour  more  long! 

Do  not  disturb  my  slumber,  dark  and  perfumed  and 

deep! 
Sweet  it  is  at  the  side  of  my  love  to  sleep! 


GHOSTS 

Faint  whispers  of  old  perfume 
Fill  the  hush  of  the  little  room; 

Mignonette  faded,  that  long  ago 
Stirred  chords  in  her  to  music  so 

That  even  now  their  memory 
Wrings  from  her  heart  a  voiceless  cry. 

Outside  in  the  hall  the  tall  clock  ticks 

As  the  minutes  crawl  toward  seven  from  six, 

And  she  sits  there,  and  she  sits  there 
With  the  last  sunlight  dusting  her  hair 

To  a  silver  powder  that  seems  to  shine, 
As  she  waits  the  hour  when  she  must  dine. 

Upstairs,  unopened,  is  a  lacquer  box 
That  holds  the  last  of  her  golden  locks, 

A  small  memento  of  Clotho's  shears 
That  tells  the  flight  of  but  twenty  years. 

Twenty  years?    Ah,  their  robbery! 
Ah,  their  heartlessness  winging  by! 


She  dreams  of  her  vanished  loveliness 
With  a  wringing  tremor  of  bitterness. 

The  thought  carries  her  back  again, 
And  her  eyes  grow  hot  at  time's  refrain. 


"Madame,  may  I  the  favor  get 
To  dance  with  you  this  minuet?" 

His  bow  is  low  and  rings  he  wears 
Reflect  the  glint  of  the  chandeliers. 

His  heels  tap  the  polished  floor. 

"One  dance,  Marquis,  you  may  have  no  more! 

"Am  I  so  poor  and  unfavored  then, 

That  you  ma\e  me  uncontentest  of  men?" 

"The  poorness.  Marquis,  is  of  my  part. 
La,  I  am  frail,  I  must  guard  my  heart." 

iff  iff  iff  5Jf 

Under  the  window  verbena  twines, 

And  there  the  bees  drink  their  scented  wines. 

But  now  the  bees  are  winging  home 
As  the  cool  hours  of  evening  come, 

•  7  • 


And  the  west  gathers  a  splendid  blaze 
To  end  one  more  of  her  hollow  days. 

She  goes  to  the  spinet  and  touches  a  note, 
And  a  sweet  music  starts  from  her  throat, 

A  wistful,  stately,  tender  tune, 

Twenty  years  old,  that  they  played  that  June. 

"fr  "fF  w  '9r 

"Madame,  Lady  Terpsichore 

Would  dance  less  well  and  less  gracefully." 

"Marquis,  following  your  elegance, 
How  than  gracefully  could  I  dance?" 

The  music  ends  and  the  dancers  cease. 
The  Marquis  leads  her  to  her  place. 

The  tall  Marquis  leaves  her  there, 

But  he  bends  his  lips  to  her  deep  massed  hair. 

And  he  spea\s  softly  a  few  words, 
Her  hands  see\  him  li\e  fluttered  birds. 

"Hear\en — dont  start — meet  with  me 
On  the  East  terrace  presently, 


<< 


Where  I  have  words'/  he  presses  her  hand, 
God  grant  you  will  understand!' 

*7T  "fF  "rr  tRF 

Slowly  the  birds  turn  home  their  flight; 
The  garden  grows  soft  in  a  grayer  light. 

But  she  sits  there  with  her  memories, 

And  she  hardly  knows  that  one  more  day  dies, 

#        #        #        # 

Overhead  is  the  na\ed  s\y, 
Whereon  planets  go  marching  by, 

As  if  the  gods  had  conceded  them 
The  gesture  of  a  diadem. 

He  spea\s,  and  under  the  arching  pall 
His  words  seem  futile,  they  are  so  small. 

"Tonight,  Anne,  is  your  beauty  sold 
To  William  Clingoe,  for  so  much  gold. 

"He  sits  in  your  father  s  room  tonight 

With  his  fat  worn  purse,  and  the  deed  they  write. 

"Then  let  us  part — //  you  acquiesce 
To  live  this  life  of  loathsomeness. 


''But  Oh,  I  love  you!    Oh,  with  me  fly. 
1  swear  by  this  hand  he  shall  die!' 

In  the  half  dus\  behind  the  hill 

She  seems  to  see  strife  and  the  wrong  man  \UL 

So  she  cries:  "Though  you  shall  win  me  aid, 
Would  God  forgive  the  wor\  of  your  blade?" 

The  Marquis  laughs  to  the  stars  above. 
"What  is  God  to  me  if  I  have  your  love?" 

They  \iss,  \iss  and  the  timeless  night 
Silvers  them  with  its  frost  of  light. 


Still  that  odor  she  can't  forget, 
That  gray  garden  of  mignonette. 

The  dream  passes  like  run-out  sands, 
And  her  eyes  burn,  and  she  lifts  her  hands. 

And  she  cries  out:  "Oh  the  mockery 

To  have  had  all  this,  and  have  seen  it  die." 

Then  she  sits  to  wait  for  the  bawdy  din 

When  the  Marquis,  her  husband,  comes  reeling  in. 

•  10  • 


CARTOON    FOR    A    FETE    GALANTE 

First  the  lady  with  porcelain  color  as  smooth  as  velours 
Whose  powdered  hair  makes  her  resemble  the  Pompa- 
dour, 
Jauntily  with  splashing,  confident  strokes  paint  in: 
Show  the  poor,  hectic  pride  that  flushes  her  skin. 

Next,  her  lover,  small  though  pompous,  in  brocaded 

vest, 
A  spindle-legged  barncock,  strutting,  narrow  of  chest, 
With  oval  pale  face,  and  emphatic  gallantries. 

After  that,  outline  wide,  blue-shadowed  trees; 
Outline  marble  statues  of  cupids,  paint  in  cool, 
Close-cropped  dark-green  sward  that  slopes  to  a  pool; 
And  far  off,  for  a  touch  of  color,  silk-clad  and  gay, 
Two  shepherds  and  a  shepherdess  out  of  Arcadia. 

And  that  is  all,  unless  you  should  see,  by  some  chance, 
Fit  to  include  with  an  artist's  calm  arrogance, 
One  bent,  tired  peasant,  herding  lean  swine  up  a  hill, 
His  face  creased  with  sharp  hunger  that  would  eat 
those  swine's  swill. 


11 


WHAT    DOES    THE    LITTLE 
JOSEPHINE? 

What  does  the  little  Josephine 

Seek 

In  dream 

On  the  green 

Island  of  Martinique? 

What  does  she  look  for? 

What  fancies  gleam? 

Blown  by  warm  breeze 

Over  warm  seas 

Where  the  rich  oranges, 

Ripe  and  fragrant, 

Hang  from  the  trees, 

Like  to  the  heavy  golden  apples 

Of  the  Hesperides? 

What  thoughts  the  little  Josephine, 

Puzzle,  amaze, 

In  those  hot  Creole  days, 

Under  the  palms? 

Oncoming  charms? 

Distant  alarms? 

Years  she  can  blame  or  praise? 


12 


Does  she  see  France 

With  its  web  of  mischance  ? 

Gay  Beauharnais, 

Unfaithful  Beauharnais, 

Brave  Beauharnais, 

Foolish  Beauharnais, 

Playing  his  drawing  room  game  of  the  people. 

That  leads  to  the  sound 

On  the  sullen  ground 

Of  the  death  cart's  wheel, 

And  for  her  prison, 

Coldness  and  ignominy, 

And  the  whisper,  the  threat  not  fulfilled 

Of  stern  Madame  Guillotine's  steel  ? 

And  after  in  Tallien's  salon 

(The  friend  of  our  lady  of  Thermidor, 

The  friend  of  Barras,  her  lover) 

That  self-sure  and  sallow  young  man, 

Small  and  ugly  and  bitter, 

So  sudden  to  strike  and  to  plan 

And  to  think  and  to  act  alone 

Who  would  climb  to  the  peak  of  a  throne, 

Half  lift  her  there, 

Suspended  in  air, 

And  then  cast  her  loose  to  despair  ? 


13 


Or  better,  disregarding  the  prophecy 

Of  the  negress  who  said, 

Wearing  a  crimson  turban  about  her  head 

"One  day,  mademoiselle  shall  be  queen," 

Does  she  foresee 

Things  that  had  kinder  been? 

A  creole  lover 

Who  came  in  his  barge  to  Trois-Ilets  ? 

Marriage  ? 

Children? 

No  heartaches  ? 

No  lost  crowns  to  weep  ? 

Small  grandchildren 

Talking  the  island  patois  ? 

Peace  ? 

Ease  ? 

Dullness  ? 

After,  death's  sleep? 

What  does  the  little  Josephine 
Seek 

In  dream 
On  the  green 
Island  of  Martinique  ? 
What  does  she  look  for? 
What  fancies  gleam? 
Blown  by  warm  breeze 

•  14  • 


Over  warm  seas, 

Where  the  rich  oranges, 

Ripe  and  fragrant, 

Hang  on  the  trees, 

Like  to  the  heavy  golden  apples 

Of  the  Hesperides  ? 


15 


MALMAISON 

(Napoleon  Buonaparte — 1809) 

Come,  let  us  walk  awhile  beneath  the  trees, 
And  watch  a  great  white  moon  ride  up  the  sky, 
And  forget  that  the  night  as  well  as  the  day  must  die, 
And  that  tomorrow  will  know 
The  end  of  many  things  we  have  loved  so- 
Time  takes  them,  and  they  go. 

Faugh!    These  state  policies! 

And  that  young  fair-haired  Hapsburg  Marie-Louise! 

No  doubt  she  is  as  good  as  any  one, 

And  she  will  serve  for  spiting  of  the  Czar. 

And  I  must  have  a  son 

To  consummate  my  obvious  destinies. 

What  slaves  we  emperors  are! 

France  clamors  this,  and  I 

Dare  not  call  false  the  logic  of  her  cry, 

Though  it  be  swords  to  slash  and  sleets  to  freeze, 

For  she  has  bought  me  my  crown  with  her  poured 

blood, 
And  her  fine  sons  given  up  as  battle  food, 
And  thereby  has  won  over  me  command, 
The  waving  of  whose  hand 
Brings  half  of  Europe's  monarchs  to  their  knees. 


16 


Ah  well, 

There  is  a  coinage  that  we  owe  to  Hell 

(Or  Heaven  some  men  call  it!) 

For  magnifying  thus  our  potencies! 

But  suppose  chance  had  willed  it  otherwise; 

Suppose  that  I  had  even  now  remained 

The  morose  young  Corsican  ensign  who  unchained 

Hounds  of  artillery  at  the  St.  Roche  church, 

When  rabble-ridden  France  was  in  the  lurch; 

Then  disappeared  from  sight  beyond  all  search  ? 

Or  suppose  that  bitter  cadet  at  Brienne, 

Tortured  by  the  old  snobbery  and  disdain, 

Had  struck  the  face  of  one  of  them,  and  then 

Drawn  back  and  stopped  a  slug-shot  in  his  brain? 

The  old  star-strewn  skies, 

Would  they  not  remain? 

And  France  gradually  grown  wise, 

Shaking  off  the  mob  with  its  snarls  and  its  lies, 

In  the  end  suffer  less  pain? 

But  no,  that  could  not  be. 

An  insolent  and  terrible  unrest 

Had  its  course  to  burn  and  to  run 

Before  the  poison  was  done, 

As  you  know  best. 

And  before  that,  Fate  had  in  store  for  me 

•  77- 


Glory  and  agony — 

You,  Josephine! 

And  after  you,  with  your  light  cruelty 

And  my  young  madness,  inevitably  Italy. 

There  was  no  mean. 

Then  shot  by  shot  the  tale  was  as  if  told. 

The  shattering  bursts  of  cannon  fire  that  rolled 

Austria  back  at  Marengo  and  gave  the  kings 

A  sight  of  one  they  could  not  understand, 

Forewrote  upon  the  clouds  his  empery, 

Predestined  certainly 

Austerlitz  and  the  ruin  at  Friedland, 

And  Jena  that  showed  many  marvelous  things 

Was  sure  before  he  fled  to  Egypt's  sand. 

And  there  are  more  things  to  come. 

And  not  the  least  of  these, 

That  he  who  loved  his  home, 

And  the  hearth  he  has  rarely  known 

As  few  men  have  done, 

And  who  has  forgiven  infidelities, 

Remembering  the  weak  flesh  and  his  own, 

And  who  has  gained  a  companion  instead  of  a  lover, 

Must  give  all  over 

For  the  uncertain  fate 


.18 


Of  a  vision  that  may  not  last  his  days, 
To  his  dream  of  a  supreme  State, 
And  a  bewildered  people's  praise. 

Ma  chere  amie, 

Tomorrow  and  thereafter  we  shall  only  be  parted 

friends. 
Tonight  all  else  ends 
But  the  tumult  ahead  of  me. 
Well,  here  on  the  fateful  threshold, 
I  swear  I  would  not  alter  one  jot  of  it  all. 
I  would  not  recall 

One  bitterness.    For  whatever  dark  may  befall, 
It  has  been  written  my  life  has  seen  one  spark 
In  the  unlighted  void  of  the  years, 
One  comet  across  the  cold, 
Whether,  still 

Warring  against  the  jealousy  of  His  will, 
I  shape  to  something  enduring,  reach  to  my  vast 
Web  of  the  nations,  rise  to  my  dream  at  last, 
Or  whether,  bitter  with  disillusion  and  tears, 
In  the  clash  of  the  monarchies, 
I  go  down  to  the  dark 
Of  unattained  destinies. 


19 


Meanwhile,  it  is  a  lie,  my  queen,  that  I  do  not  love  you 

still, 
Or  that  this  is  my  will. 

And  it  is  not  yet  dawn.    We  have  two  hours  or  three 
Before  from  Austria  comes  my  destiny. 
Give  me  your  arm.    Walk  awhile  with  me. 


20 


PORTRAIT    OF    THE    GOD 

Love  is  not  an  enfant  terrible,  sophisticated  at  ten,  and 
gay: 

At  home  in  the  banter  of  fops  and  ladies  whose  repar- 
tee is  politely  risque; 

He  is  not  a  puffy-cheeked  marble  cupid  from  a  fete 
galante  by  Watteau; 

He  was  born  of  his  mother's  jade-green  seafoam  all  of 
the  years  ago. 

He  has  no  savor  of  well-bred  weddings  with  handsome 
ushers  in  cutaway  coats, 

And  stout  dowagers  in  the  family  pews  with  diamonds 
at  their  throats. 

He  has  no  tinkle  of  refined  gossip,  smooth  as  jammed 
scones  at  afternoon  teas; 

The  west  wind  has  lent  him  her  cool,  gray  swiftness, 
the  sunlight  its  warming  ecstasies. 

Fine  as  spun  gold  of  the  leaping  waves  that  lift  shore- 
ward and  topple  and  break; 

Free  as  the  sure-winged  poising  seamews  with  their 
course  in  the  light  to  take; 

He  has  the  truth  of  the  salty  wind  that  stings  the  dunes 
in  easterly  weather; 

He  has  the  splendor  of  two  bare  souls  touching  the 
stars  together. 


21 


SONG   WRITTEN  FOR  C.  P.  C. 

When  star  rushes  past  star 
In  the  deep,  black  gulf  of  space, 
They  say  that  huge  tides  race — 
Tides  made  of  lambent  flame — 
Upward  and  out  from  the  face 
Of  each  star  toward  the  other  star. 
Thus  universes  are  born, 
Moon,  and  planet,  and  sun, 
Sunset  and  pearly  morn, 
Midnight  and  noon — each  one 
From  the  tide  when  star  rushes  past  star. 
Oh  my  beloved,  was  not  like  this  the  birth 
Of  our  love  which  is  like  a  gem  of  most  precious 
worth  ? 

When  sun  rushes  past  sun 

(Each  sun  a  white  hot  sphere) 

In  the  cold  abyss  of  the  void, 

They  say  that  huge  tides  run, 

Surges  of  fire  deployed 

Into  leaping  cascade 

From  one  sun  to  the  other  sun. 

Thus  universes  are  made, 

Nebulas,  Milky  Ways 

That  foam  in  great  trails  of  light; 

•  22  • 


And  the  long-haired  comets  that  blaze — 
From  the  tide  when  sun  rushes  past  sun. 
Oh  my  dear  one,  was  it  not  in  this  way 
That  our  love  was  shaped  that  gleams  with  translucent 
ray? 

I  have  loved  you. 

(Must  I  say  more  than  this?) 

I  do  love  you. 

(Need  I  have  other  words?) 

I  will  love  you  always. 

When  I  first  saw  you. 

Now. 

And  forever. 

With  my  heart. 

With  my  soul. 

With  my  body. 

(Oh,  body  clinging  to  body  that  reminds  us  of  star 

birth, 
Of  planets  shaped  out  of  flames  leaping  up  incan- 
descent, 
Of  suns  being  formed, 
Moons  moulded  and  hardened! 
.  .  .  And  the  sweep  of  the  sea, 
And  the  sound  of  trees  talking  together, 
And  the  song  of  birds!) 

•  23  • 


//.    TIME    AND    PLACE 


FOR    A    GARDEN    NEAR    FLORENCE 

Here  are  bending  daisies  white, 
Gracious  tall  campanula  bells, 
Blue  forget-me-nots  and  bright 
Iris  fair  as  asphodels, 
Lavender,  pale  columbines, 
And  roses  climbing  up  like  vines. 

Here  morning  brings  soft  haze  to  soothe, 
And  fragrance  when  the  dew  is  wet; 
Here  are  paths  of  pebbles  smooth 
With  trellised  arches  over-set, 
Whereunder  like  a  fairy  glade 
Is  leopard-mottled  sun  and  shade. 

And  there's  an  ancient  stone  gray  pool 
Where  the  water-lily  glows, 
And  a  fountain  shivers,  cool. 
And  close  at  hand  a  river  flows. 
And  there  is  drowsiness  and  ease, 
Like  the  quiet  sound  of  bees. 

O  Time,  whose  halting  steps  can  crawl, 
Or  can  be  light  and  swift  and  gay, 
With  the  ringed  snails  on  the  wall, 
Linger  here  a  while  today, 
Not  like  a  lizard  silver-green, 
Flash  and  then  no  more  be  seen! 

-  27  - 


FOR    A    TUSCAN    SUMMER 

No  frowning  countenance,  tall  Ceres,  wear, 
O  grain-bringer,  who  in  these  late  June  days 
When  the  whole  valley  is  pale-blue  with  haze 
For  the  ensuing  winter  do  prepare, 
But  with  a  crimson  poppy  in  your  hair, 
Standing  among  the  silver  olive-trees, 
Strew  the  fine  largess  of  a  cooling  breeze 
On  all  your  servitors  who  labor  there. 
Yours  is  the  power  to  fling  down  fierce  heat 
Like  lances  on  the  brown-skinned  men  who  toil 
Among  the  trailing  vines  and  curving  wheat, 
But  it  is  also  in  your  power  to  bless 
With  days  as  fine  and  vigorous  as  oil, 
Making  an  end  of  noon's  hot  hatefulness. 


28 


BIRD    FABLE 

First  a  long  dark.    Then  one  day  suddenly 

All  that  I  knew  split  wide  into  a  flood 

Of  golden  glory  that  I  learned  was  light, 

And  there  I  lay  upon  an  easy  bed 

Of  interwoven  twigs  and  leaves  and  straw, 

To  which  a  swift  and  darting  flash  of  blue 

Came  back  from  time  to  time  to  cram  my  craw 

With  squirming  slugs  and  wriggling  fat  worms 

Endlessly,  though  I  always  cried  for  more. 

This  was  my  universe,  and  so  time  passed. 

Sometimes  it  rained,  and  the  blue  flash  lay  still, 

Covering  me  from  downward  slatting  arrows 

That   ruffed   her   sea-bright   coverts.    Sometimes    it 

shone, 
And  then  I  lay  and  basked.    Always  I  grew. 
At  last  one  morning  I  heard  a  sharp  new  note, 
Staccatoed  in  her  voice.    "Cuk,  cuk!"  it  said, 
"Cuk-cuk;  cuk,  cuk!"    She  always  had  a  croon 
Until  that  time,  and  so  I  started  up, 
Arched  my  young  plumes  and  straightway  found  my- 
self 
Peering  across  a  wide  and  swaying  world 
So  tall  it  made  me  dizzy.    "Cuk,  cuk,  cuk!" 
I  tried  to  follow,  and  a  limb  swung  up 
And  caught  me,  and  the  nest  was  far  behind. 

•  29  • 


So  there  I  stood,  afraid  and  teetering, 

Poised  in  a  windy  place  of  swishing  leaves 

And  tree-top  branches  moving  crazily. 

I  was  giddy  with  fear,  and  yet  could  not  go  back, 

And  still  I  heard  her  sharp  voice  call:  "Cuk,  cuk!" 

And  so  at  last  I  leapt.    Earth  hurtled  up, 

Swift  as  a  falling  star.    A  picket  fence 

Swung  close  and  thrust  its  white  and  painted  spears 

Right  at  my  heart.    A  thorn  bush  seemed  to  point 

Sharp  daggers  at  my  breast.    Then  all  at  once — 

I  don't  know  how  or  why — miraculously 

My  wings  began  to  beat.    That  was  the  way 

I  soared  for  the  first  time  into  the  sky. 


30 


SPRING    IN    CONNECTICUT 

Intensely  Spring  on  the  Connecticut  River,  without 
any  blare  of  bugles  or  roll  of  drums, 

Comes. 

It  comes  rather  as  a  slow  procession  of  lighter  and 
fragile  greens 

Among  the  dark  green  of  the  hemlocks, 

Covering  with  a  tenuous  veil  the  flinty,  hard  granite, 

Making  delicate  the  blue  hills. 

It  comes  as  the  sudden  effulgence  of  blossoming  shad- 
bush, 

As  the  beat  and  the  cry 

Of  ducks  like  a  print  on  the  sky. 

Winter  is  six  months  long 

Until  even  the  terse  Connecticut  speech  is  frozen 

Into  lips  that  are  frozen  and  blue. 

And  then  one  day  it  is  over. 

Forsythia  blooms  in  Saybrook; 

Magnolia  burgeons  in  Essex; 

And  back  from  the  marshes  now  tender  with  life 
immortal, 

The  frail  resurrection  that  mocks  us, 

Is  the  gold  of  marsh  marigold, 

The  spendthrift  gold  of  the  cowslips; 

And  the  shad  sweep  in  from  the  ocean, 

Urgent, 

•  31  • 


Relentless, 

Emphatic, 

Like  the  sea  themselves, 

Like  a  swelling  flood  tide  of  pure  silver, 

Like  life  immortal, 

The  frail  resurrection  that  mocks  us, 

Like  the  sweep  of  renewing  song. 


32 


WILD    DUCK    SONG 

Once  upon  a  time — once  in  Georgia- 

I  saw  a  great  horde 

Of  wild  duck  flying 

Like  the  lightning  of  the  Lord; 

I  saw  wild  duck  flying, 
I  heard  their  wings  beat 
With  a  noise  like  the  pistons 
Of  an  engine  running  sweet, 

With  a  sound  like  brooding  thunder, 
With  a  swift,  sure  thrum, 
With  a  throb  like  singing  pulse  beats, 
Or  a  strong,  rolled  drum. 

I  saw  them  flying 
Without  swerve  to  left  or  right. 
Their  necks  were  stretched  straight 
And  their  bellies  flashed  white; 

A  hundred,  a  thousand, 

In  a  great  dark  swarm 

Till  the  sky  was  streaked  and  smoky 

As  before  a  storm. 


33 


I  remember  the  place: 
A  wide,  shallow  lake 
Gleamed  in  the  sunlight 
Like  the  cast  skin  of  a  snake. 

There  were  lily  pads  as  brown 
As  an  old  felt  hat, 
And  tangled  sedgy  grasses. 
The  shores  were  low  and  flat. 

More  and  more  they  came, 
And  their  wings  beat  a  tune 
As  wild  as  any  saga, 
As  weird  as  any  rune, 

Scrawling  ancient  magic, 
And  then  they  had  swept  on. 
The  empty  sky  gulped  them. 
They  were  utterly  gone. 

And  there  followed  such  a  stillness 
You  could  hear  your  heart  stop, 
Or  a  dry  grass  blade  bend, 
Or  a  single  leaf  drop. 


-34 


"HILLS    RUDDY    WITH    SUMACH" 

Of  New  England, 

Men  who  have  never  been  there, 

Say  that  it  is  hard,  cold,  and  iron; 

Cold  as  the  pilgrim  forefathers, 

Hard  as  their  courage, 

Iron  as  the  discipline  of  their  hearts. 

Of  Massachusetts, 
Men  who  have  never  seen  it, 
Say  that  it  is  dour,  stern  and  rigid; 
Dour  as  the  conscience  of  a  Puritan, 
Rigid  as  the  mind  of  a  Puritan, 
Stern  as  his  uncompromising  will. 

They    have   never,    then,    gone    from    Plymouth    to 

Scituate  in  the  fragile  and  tender  springtime 
When  the  first  stars  of  the  wildflowers 
(Mayflowers — the  ship's  name  was  Mayflower — 
Violets,  anemones) 
Are  scattered  in  the  young  grass. 

They  can  never  have  tramped,  then,  blowing  Cape 

Cod  dunes  in  late  August, 
When  the  wind,  always  with  a  tang  of  salt,  ruffles  the 

white  daisies, 

•  35  • 


When  the  wind,  always  from  the  sea,  ruffles  the  Queen 

Anne's  lace  and  the  yarrow, 
Stirs  like  waves  the  wild  indigo,  the  yellow  sweet 

clover, 
Ripples  through  steeplebush,  mustard,  ragged  robin, 
Blowing  always  from  the  sea. 

They  can  never  have  breathed  deeply  the  sharp, 
harshly  fine  air  of  Duxbury  salt  marshes  in  the 
autumn 

(Behind,  hills  are  yellow  with  goldenrod,  purple  with 
asters, 

Behind,  hills  are  ruddy  with  sumach,  red  with  choke- 
cherry, 

And  the  grim  Rock  out  of  sight  around  the  corner) 

When  the  herring  gulls  dip  and  plunge,  shrieking 
discordantly  as  cymbals, 

When  the  great  herons  rise  slowly  and  leisurely  out  of 
the  bending  grasses, 

And  the  brant  pause,  turning  south. 


36 


THE    AWAKENING    OF    THE    YEAR 

First  from  the  southward  a  soft  breeze  came  and 

tattled 
Tales  of  warm  lush  lands  to  the  stripped  boughs  of  the 

trees; 
Then  all  the  brooks  broke  free  from  their  ice  and 

brattled 
Down  through  the  glens  with  awakening  melodies; 
And  the  brown  chill  earth  was  stirred  by  the  touch  of 

the  rain 
To  its  melodious  old  carol  "Spring,  spring  is  here 

again!" 
Crocuses  sprang  up,  blue,  yellow,  magenta,  all  over 

the  grass. 
Forsythia  flowered  and  willows  grew  fluflfy  green. 
Up  in  the  soft  cloudy  sky  the  first  swallow  was  seen, 
And  the  beat  of  his  wings  told  the  tale  how  hard  days 

must  pass. 
Then  the  winter-rusty  ploughs  were  brought  out  from 

the  barn, 
And  the  ploughman's  voice  was  a  song  to  assault  the 

air, 
As  he  drove  his  furrows  across  a  field  where  a  tarn 
Gleamed  silverly,  snow-freed,  like  steel  that  is  bare. 
Children  ran  in  the  sun.    From  the  steaming  byre, 
The  cattle  were  driven  forth  to  graze  on  the  hill. 

•  37  • 


Old  men's  hearts  were  stirred  with  intangible  desire 
Of  something  dear  and  illusive  that  lured  them  still. 
And  lovers  that  had  grown  cold  kissed,  saying:   "Let 

us  love  again!" 
Forgotten  in  one  brief  hour  was  the  winter's  chill  and 

disdain! 


38 


MARCH 

"Comes  in  li\e  a  lion:  goes  out  like  a  lamb" 

Madcap  March,  the  rebel  of  months,  the  buccaneer, 

Scarved  with  a  streaming  banner  of  torn  and  magnifi- 
cent cloud, 

Shouted  his  herding  challenge  to  the  frightened 
months  of  the  year, 

Cried  a  stormy  defiance,  terribly  proud: 

"Ho,  you  cringing  ones,  have  you  prancing  blood  in 

your  veins 
To  swashbuckle   a  bit   with   a   free   and   a   fearless 

outlaw?" 
Here  he  pelted  their  faces  with  the  coldest  of  freezing 

rains. 
"Dare  you  battle  with  me  till  the  steel  bites  raw?" 

So  most  insolently,  with  swelling  rhodomontade, 
This  swaggering  windy  braggart  strutted  the  town, 
And  he  backed  the  puff  of  his  words  with  the  rhetoric 

of  his  blade, 
And  he  laughed  at  the  timid  seasons  and  guyed  them 

down. 


39 


But  then  he  met  with  April,  that  dreamy  and  lovely 

girl 
With  the  grace  of  willows  about  her,  and  her  voice  the 

singing  of  birds, 
And  his  heart  became  made  soft,  and  his  tauntings  he 

ceased  to  skirl, 
And  he  put  on  unthought  of  tenderness  and  gentle 

words. 


,  •  40 


JULY 

Even  despite  the  heat, 

This  summer  day  is  sweet. 

Through  tall  and  waving  grass, 

The  booming  bees  pass, 

Each  one  seeking  with  thunder 

A  flower  to  plunder — 

Not  yellow  daffodil, 

Clear  as  a  bird's  trill, 

But  poppy  or  wild  rose: 

July  scatters  those. 

White  clouds,  massed  and  high, 

Are  poised  in  the  sky. 

Beyond  trees,  shadow-blue 

A  glimpse  of  sea  shows  through, 

While  near  at  hand  cows, 

Swishing  tails,  drowse. 

The  valley  is  soft  with  haze. 

Under  the  scorching  blaze, 

The  fields  lie  in  the  sun, 

Asleep  every  one. 


41 


FOR    THE    FIRST    DAY    OF    AUTUMN 

This  is  the  day  I  have  looked  for.    This  is  the  day 

When  the  untamed  spirit  of  the  ruining  world 

Has  decked  herself  in  colors  gleaming  and  gay, 

Has  put  on  the  array 

Of  a  false  festival  that  is  more  proud 

Now  that  she  faces  death 

Than  frail  spring  pageantry  and  summer  cloud. 

This  is  the  expected  day.    The  congealing  breath 

Of  winter  waits  to  seal  her  in  her  grave. 

All  sails  are  furled. 

All  ships  rest  near  the  shore. 

No  warm  seas  lave. 

Yet  she  is  brave 

In  a  resplendent  finery 

That  outwits  feeble  imagery 

And  makes  it  limp  when  it  would  wish  to  soar. 

This  is  the  longed-for  day. 

These  foam-white  asters,  those  asters  faintly  blue, 
And  the  dull  straw  of  withered  goldenrod, 
Which  mark  where  summer  trod, 
Passaging  like  a  king,  walking  as  kings  do, 
Are  now  the  plumes  that  an  old  beauty  wears 
When  the  sharp  dagger  cuts  into  her  mind, 
And  the  years  drop  away. 

<•  42  • 


///.    SHIPS 


FOR    A    CLIPPER-SHIP    SEAPORT 

(New  England — 1840-1850) 

I:  Portrait  of  a  Sea  Captain 

Up  the  high  hill  above  the  square,  white  spire 

That  lifts  above  a  hard,  austere  God's  home 

Where  daisies  flourish  thickly  from  the  loam 

And  yellow  buttercups  run  like  wildfire, 

Stands  a  plain  clapboard  house  as  sturdily 

As  any  ship  that  I  have  ever  known, 

Though  shaken  by  March  gales,  and  there,  alone, 

Lives  dark-browed  Captain  Salton,  retired  from  sea, 

Only  upon  the  Sabbath  he  descends 

To  listen  through  the  sermon's  long  two  hours 

And  as  he  hears  the  preacher's  scathing  twang, 

He  does  not  think  of  sin's  inglorious  ends, 

But  how  the  native  girls,  festooned  with  flowers, 

Made  tempting  the  soft  night  at  Samarang. 

II:  A  Lost  Vessel 

One  day  the  Mary  Elwell  left  this  port, 
And  that  was  all  they  ever  heard  of  her. 
Not  even  rumor,  evil's  harbinger, 
Brought  back  with  other  ships  a  dire  report 
Of  how  a  sea  gale  took  her  for  consort, 
Or  how  an  empty  lifeboat  washed  ashore. 

•  45  • 


With  royals  set  she  sailed.    Nor  any  more 

Was  any  news  of  her  of  any  sort. 

One  other  day  there  came  into  the  town 

A  crazed  sea  wanderer  who  wore  gold  rings 

And  babbled  of  far  lands  as  such  men  do 

And  lied  for  drinks  of  rum.    And  no  one  knew 

He  was  the  lost  ship's  mate,  returned  to  his  own, 

As  no  one  knows  so  very  many  things. 

■ 
III:  Legend 

Like  the  old  yarn  of  Vanderdecken's  ship, 

Sailing,  a  phantom  always,  down  the  seas, 

This  story  has  its  hint  of  mysteries 

And  ghostly  things  and  devil's  workmanship. 

A  lank,  unprosperous  farmer,  Southward  Gray, 

Strode  beachward  once  and  then  was  seen  no  more, 

But  whether  he  was  drowned  along  that  shore 

Or  under  alien  stars  no  man  can  say. 

Some  have  him  roaming  yet,  and  every  land, 

As  young  and  restless  now  as  he  was  then, 

A  symbol  of  that  race  of  restless  men, 

Although  he  should  long  since  be  dust  and  mold. 

But  that  is  what  has  never  yet  been  told, 

And  there  is  always  the  unanswering  sand. 


46 


IV:  An  Old  Story 

Because  he  found  small  measure  of  romance 

In  summing  clerkly  columns  day  by  day, 

He  sniffed  the  sou'west  breeze  and  learned  a  way 

To  lead  in  sequent  moons  a  sprightlier  dance, 

And  so  with  those  times'  marvelous  nonchalance, 

He  bid  the  granite  shores  a  swift  farewell 

To  have  a  seaman's  berth  on  the  gray  swell, 

A  topsail  reefing  time,  and  Cape  Horn's  chance. 

His  reward  was  an  eloquent  epitaph 

Over  a  grave  wherein  no  body  was: 

"Abdiel  Johnson,  20,  lost  at  sea," 

Commemorating  a  day  when  with  no  laugh, 

And  with  sick  thought  of  how  all  comrades  pass, 

The  forecastle  kept  its  watches  gloomily. 

V:  The  Launching  of  a  Ship 

The  stalwart  sound  of  mauls  all  winter  long 

Rang  sturdily  in  chorus  till  one  day, 

The  scaffolding  and  frames  were  stripped  away, 

And  there  she  stood  as  graceful  as  a  song, 

Yet  with  her  bluff  square  bows  less  graceful  than 

strong, 
Fanned  by  the  restless  breezes  of  late  May, 
Above  the  hush  of  an  anticipant  throng 
Poised  till  she  plunge  into  the  rustling  bay. 

•  47  • 


With  her  slow  pride  of  queenly  dignity 
At  last  she  started  down  the  sloping  ways, 
And  as  she  moved  there  came  a  shout  of  praise 
That  had  two  thousand  voices'  unity 
From  men  who  having  no  other  poetry 
Made  her  as  clear  a  hymn  as  men  need  raise. 

VI:  Sailor's  Wife 

As  often  as  the  dull  and  drenching  gray 

Of  the  thick,  offshore  fog,  that  deep  sea  beast, 

Let  you  look  past  the  sand  spit  and  the  bay 

To  the  last  buoy  slanting  in  the  east, 

She  sat  and  let  her  patient,  sad  eyes  feast 

On  what  to  some  was  merely  wind  and  wave 

As  empty  and  as  hopeless  as  a  grave, 

Yet  to  her  carried  hope  that  should  have  ceased. 

Ten  years  ago  his  ship  went  pluming  out, 

Yet  even  now  she  would  not  be  denied 

The  courage  to  deny  a  heartsick  doubt 

That  one  day  the  west  wind  would  bring  it  back, 

And  lay  him  at  her  feet  like  the  brown  wrack 

Cast  up  upon  the  beach  by  the  high  tide. 

VII:  Portrait  of  a  Beachcomber 

Down  to  the  place  where  steady  trade  winds  blow. 
By  Martinique,  St.  Lucia,  and  St.  Croix, 
When  he  was  little  older  than  a  boy, 

-.48  • 


He  ran  away  from  school  and  home  to  go. 
He  left  New  England  with  its  drifted  snow, 
Its  cold  commandments,  and  its  lack  of  joy, 
And  there  he  has  been  ever  since,  although 
Conscience  has  always  gnawed  with  her  annoy. 
Sometimes  he  thinks:  "Next  year,  I  will  go  home." 
Sometimes  he  longs  for  cool  Connecticut  breeze, 
But  then  he  pours  a  slow  glass  of  brown  rum, 
Stirs  it,  and  sees  the  pink  surf  break  to  foam, 
And  hears  the  scratching  rustle  of  palm  trees, 
And  then  there  is  another  year  to  come. 

VIII:  A  Survival 

Where  now  steam  tugs  and  ferries  squeal  a  rude 
Disturbance  of  a  venerability 
That  has  a  right  to  more  tranquillity 
Than  earth  these  days  can  offer  from  its  mad  mood, 
He  sits  and  seems  to  find  a  time  to  brood, 
Like  to  a  prophet  in  his  majesty, 
On  the  eternal  vigor  and  manhood 
And  the  eternal  wonder  of  the  sea; 
And  in  contempt  of  a  less  valiant  age, 
He  seems  to  smile  as  our  steel  ships  go  down 
Seaward — with  a  slow  scorn.    And  it  is  well. 
For  of  the  sea  whose  tolerance  made  the  town, 
Learned  in  deep  calm  or  in  the  gale's  white  rage 
Is  much  no  man  alive  but  he  can  tell. 

•  49  • 


PEN    DRAWING    OF    A    MERCHANT 

SEAMAN 

Wherever  there  are  towns  of  men,  or  bales  of  freight 

along  the  shores, 
His  feet  have  gone.    He  knows  this  earth  from  Taku 

Bay  to  Helsingfors. 
Wherever  there  are  heavy  crates  of  merchandise  on 

loaded  quays, 
Some  slugging  tramp  has  carried  him,  ploughing  the 

multicolored  seas. 

His  ships  have  sailed  the  chill  Black  Sea  along  the  path 
that  Jason  went, 

And  he  has  stood  in  Buenos  Aires,  pride  of  the  south- 
ern continent. 

He  has  seen  Dakar,  Singapore,  East  London,  and  the 
Spanish  Main. 

He  knows  the  way  the  monsoon  hits  Colombo  in  a 
wall  of  rain. 

Rich  Russian  wheat  has  filled  his  hold,  sweet  Smyrna 

figs,  Rosario  hides. 
Against  the  wharves  for  Chile  ore  his  ship  has  bumped 

her  storm-scarred  sides. 


50 


He  has  trekked  oil  from  Vera  Cruz,  cork  out  of  Lisbon, 

Cape  Town  gold, 
And  yet  he  is  a  small,  slight  man,  a  little  queer,  a  little 

old, 

Without  one  pride  of  lifted  brow,  without  one  glim- 
mer of  the  eye 

To  mark  the  pageant  he  has  seen  of  places  far,  and 
mystery; 

Without  one  trace  in  speech  or  walk  of  all  his  journeys 
to  far  lands 

That  have  set  wrinkles  on  his  face  and  calluses  upon 
his  hands. 


51 


ALONG    THE    DOCKS 

Black  hulks  of  ships  loom  large  against  the  sky, 

Skeleton  masts  reach  stark  toward  the  moon. 

There  is  a  wind.    Proud  clouds  are  marching  by. 

The  rigging  whines  a  slow  and  dreary  tune. 

Below,  along  the  darkness  of  the  piers 

Shoot  golden  splinters  where  a  ripple  breaks, 

Writhing,  then  twisting,  till  the  stream  appears 

Alive  with  thrashing  phosphorescent  snakes. 

The  hawsers  creak  and  saw  uncertainly, 

Losing  their  slackness  with  the  falling  tide. 

The  night  grows  very  lonely.    There  must  be 

Only  the  damp  sea  wind,  nothing  besides. 

Then  suddenly  a  grim  rat  pads  along. 

The  night  grows  dense.    The  sea  wind  ends  its  song. 

And  now  across  the  moon  large  heavy  clouds 
Blot  out  the  golden  glimmer  of  her  light. 
Deathly  and  still  they  muffle  her  in  shrouds. 
The  atmosphere  grows  very  tense.    The  night 
Seems  to  have  found  some  menace  for  the  world, 
Marshaling  her  battalions  overhead 
Into  great  somber  masses,  which  when  hurled 
Will  blast  a  way  with  lightning  hot  and  red. 
There  are  no  stars.    They  one  by  one  succumbed 
To  the  storm's  stealthy,  terrible  advance. 

•  52  • 


There  is  no  sky.    Only  the  dark  unplumbed 
From  which  the  unleashed  thunderbolts  will  glance. 
There  is  no  sound.    Then  suddenly  the  rain — 
Musical,  drenching.    Then  it  stops  again. 

And  in  the  second  stillness  you  can  hear 
The  yielding  of  the  boards  to  some  one's  feet. 
Some  one  is  moving,  drawing  near,  more  near, 
Advancing  with  the  grumbling  storm's  retreat. 
A  slippery  plank  slides  downward  from  its  pile 
And  startles  him.    He  stops.    No  sound  at  all. 
He  seems  to  halt  there  for  a  little  while, 
Thinking  to  detect  a  watcher  from  its  fall. 
But  then  again  his  cautious  step  begins 
Along  the  dock.   You  hear  his  scuffing  pace. 
And  you  half  see  him  where  the  obscurity  thins 
Just  where  full  darkness  finds  a  brighter  place. 
And  then  the  moon  clears.    And  the  shadows  run. 
And  he  steps  forth,  the  solitary  one. 

His  face  is  wracked  and  ruined  with  much  pain, 

And  there  is  not  a  known  infirmity 

That  has  not  smirched  his  features  with  the  stain 

Of  dissolute  outlawed  iniquity. 

His  cheeks  are  scarred.    His  limbs  are  rotten  through. 

Disease  has  slain  the  luster  of  his  eye. 


53 


And  so  he  has  but  one  thing  left  to  do, 
To  crawl  here  like  a  rat,  and  rat-like  die, 
Plunging  himself  to  oblivion  in  the  river 
That  took  him  to  destruction  long  ago, 
Using  this  lone  last  black  way  to  deliver 
The  sea  from  him,  and  him  from  too  much  woe. 
Ah,  had  you  seen  the  way  those  waves  he  eyed, 
Shaken  with  fear,  nor  strengthened  with  a  pride! 

Here  he  had  stood — it  was  ten  years  ago. 
Here  now  he  stands,  watching  the  oily  stream 
Eddying  seaward.    There  had  been  a  glow 
Upon  his  face,  and  he  had  dared  to  dream. 
But  now — well,  he  has  almost  quite  forgotten 
The  magic  of  his  first  glimpse  of  the  sea, 
The  ecstasy  and  ardor  he'd  begotten 
Seeing  the  tall  ships  moored  beside  the  quay; 
Seeing  the  masts,  hearing  the  chantymen, 
Hearing  the  chunking  of  some  freighter's  screw 
When  the  tugs  puffed  and  she  moved  out  again 
To  roam  awhile  where  seas  and  skies  were  blue; 
Seeing  the  lean  four-funneled  liners  move 
Outward  like  greyhounds  with  a  speed  to  prove. 

So  he  had  squandered  many  sunny  days, 
Learning  the  jargon  of  a  hundred  lands. 

-•  54  • 


And  men  had  told  him  of  the  sun's  good  blaze 

Upon  far  ports.    And  men  with  horny  hands 

Had  yarned  of  their  surpassing  idleness 

Lazying  down  the  coral  Caribbees, 

Or  picking  up  the  pilot  at  Dungeness 

When  Britain  showed  dark  gray  across  gray  seas. 

Or  other  times  when  sparkling  white  and  red 

Gleamed  Rio,  and  they  anchored  near  the  town, 

With  Southern  constellations  overhead, 

And  they  had  money  and  time  to  drink  it  down. 

"Aye!  the  Sea's  one  good  mistress!"  they  had  cried; 

"And  she  will  keep  you  well  until  you've  died!" 

And  then  they  told  of  riotous  brave  nights 
Along  the  Valparaiso  harbor  front; 
Of  burning  wines,  and  all  the  seductive  lights, 
And  things  that  men  will  do,  and  things  they  won't. 
They  shouted  of  the  ways  of  Southern  women 
When  their  hot  Spanish  blood  coursed  wantonly; 
They  told  of  murders  done  by  hands  inhuman 
Down  alleyways  where  God  forgot  to  be. 
And  all  the  while  he  seemed  to  hear  the  wind 
Shouting  among  the  masts  and  down  the  bay, 
While  all  his  inborn  romance  struck  him  blind 
And  he  must  wander,  why  he  could  not  say: 
Only  his  mad,  mad  heart  kept  urging  on. 
He  found  a  ship  and  signed.    The  sea  had  won. 

•  55  • 


The  sea  had  won.    And  this  had  been  her  gift: 

Disease,  and  harlotry,  and  drunkenness, 

Long  nights  of  loathing  when  he  scarce  made  shift 

To  live  until  the  dawn's  inert  caress, 

Hours  of  hell  in  stifling  boiler-rooms, 

Seasickness,  fainting,  choking  in  the  steam, 

Gasping  in  all  Inferno's  blackest  glooms 

Stabbed  only  by  the  red-hot  furnace  gleam. 

And  then  a  few  lust-maddened  days  ashore 

Where  the  wolf -women  lurked  like  beasts  of  prey 

Until  the  very  city's  thunderous  roar 

Seemed  to  be  snarling-pitiful  as  they. 

After,  more  days  at  sea,  black,  hateful,  grim, 

When  all  the  sea's  resentment  hounded  him. 

There  had  been  one  day — blacker  than  the  others. 
An  Irish  fog  had  met  them  off  the  coast 
(One  of  those  deathly  fogs  that  blinds  and  smothers) 
Just  where  the  Scillies  are,  and  ships  are  lost. 
And  they  had  served  the  fog  and  rammed  a  ship, 
Wounding  her  helpless  bulwarks  heartlessly, 
And  seen  the  lifeless  waters  mouth  and  lip, 
And  the  proud  thing  devoured  by  the  sea; 
And  seen  the  insatiate  waters  close  again, 
And  watched  the  gurgling  bubbles  rise  and  break 
Until  the  ocean  smoothed  into  a  plain, 
And  then  steamed  on  the  course  they  had  to  make. 

>*  56  • 


He  was  off  watch.    All  he  remembered  now 
Was  moving  up  the  Thames  with  crumpled  bow. 

There  had  been  one  night — under  more  ardent  stars, 

When  he  had  almost  thought  the  sea  was  heaven. 

Across  a  moon  the  yardarms  stretched  their  bars. 

The  wind  was  soft.    The  vessel's  keel  was  even. 

There  was  no  sound,  only  the  ripple  of  seas 

The  gliding  clipper  hardly  splashed  aside, 

And  in  the  shrouds  the  strumming  of  the  breeze. 

Above,  sails  mounted  tier  on  tier  in  pride. 

All  night  he  lay  there,  while  the  moon  he  watched, 

Trailing  a  wake,  move  westward  in  the  sky, 

Until  he  knew  that  this  could  not  be  matched 

And  he  would  lie  here  gladly  till  he  die, 

Resting  forever  in  the  memory 

Of  present  glory  that  had  come  to  be. 

But  after  that  a  dawn  broke  gray  and  mean. 
A  smoky  wind  smote  hard.    They  had  to  reef. 
The  hissing  waves  spat  spindrift.    There  had  been 
A  sudden  change  of  mood  beyond  belief. 
Cursing  and  snarling  they  had  fought  along 
The  fragile  yards  in  perilous  high  places, 
Battling  above  there  where  the  wind  was  strong 
To  beat  the  shrieking  canvas  in  their  faces. 


57 


And  one  had  fallen  and  crushed  himself,  but  lived 

To  beg  along  the  docks  for  many  years. 

And  one  had  fallen  and  died,  but  no  one  grieved, 

Knowing  the  sea's  high  mockery  for  tears. 

And  then  a  mast  had  crashed,  and  five  were  drowned. 

So  the  storm  passed  triumphant,  victory  crowned. 

This  was  the  sea:  a  sort  of  fiendish  god 

Exacting  unrequited  servitude, 

Who  kept  men  treading  long  the  paths  they  trod 

For  her  vain  hope  of  unsubstantial  good; 

Cruel,  malevolent,  bitter  as  her  brine, 

Blinding  as  fog,  and  hateful  as  the  floe, 

Loathing  the  ships  and  shipmen,  able  to  divine 

Their  passage  and  to  wreck  them  ere  they  know. 

Yet  even  now  as  he  stands  shuddering, 

Part  of  her  spoil,  nor  daring  to  end  it  all, 

He  seems  to  be  surrounded  by  a  ring 

Of  sparkling  sea  on  which  the  sunbeams  fall — 

Kindly,  bright,  lucent — where  he  has  not  yet  gone — 

Calling  him  on,  forever  calling  him  on! 


58 


AT    THE    NARROWS 

Four  liners  lay  at  anchor  off  Quarantine  under  a  pew- 
ter gray  sky. 

Their  funnels  are  red  and  black,  tan  and  black,  blue 
and  white,  and  plain  yellow. 

As  it  is  near  dusk  the  faint  gold  of  light  comes  filtering 
through  their  portholes. 

It  reflects  from  the  water. 

A  strong  tide  runs  and  the  bay  is  choppy,  yet  they  lie 
there  as  motionless  as  enchanted  castles. 

Within,  a  sleeping  giant,  is  the  power  of  steam  and 
steel. 


59 


BURIAL    AT    SEA 

He  always  said  he  wanted  to  rest  at  sea, 

With  the  great  waves  slapping  forever  above  his  head; 

— Well,  Life  who  was  otherwise  harsh  said  that  this 

could  be, 
And  now  he  is  dead! 

He  died  at  dawn.  We  were  driving  before  the  Trades. 
And  the  cloudlike  sails  were  straining  among  the  spars, 
Suffused  with  that  haloish  glow  which  always  pervades 
When  a  soul  seeks  the  stars. 

We  were  driving  before  the  Trades.    And  the  hull  was 

creaking. 
He  had  not  the  respite  of  silence  as  he  went  to  his 

place. 
And  yet  when  Life  finished,  for  him,  her  clamorous 

speaking 
There  was  peace  on  his  face. 

Topsails  aback  we  hove  to;  and  the  rollers  moved  us 
To  curvet  and  dip  like  a  general's  horse  on  review; 
And  the  shrieking  sea-birds  wheeled  overhead  and 

reproved  us 
With  their  harrowing  mew. 


60 


Then  the  captain  read  solemn  words.    Then  he  sig- 
naled morosely, 
And  the  weighted  body  slipped  like  a  shot  overside, 
And  after,  a  ghost  of  gray  gull  followed  us  closely,— 
The  day  that  he  died! 


61 


AT    THE    EDGE    OF    THE    BAY 

What!    After  your  six-month  drowsing  and  indolent 

sleeping, 
The  old  blood  beats  fast  again? 
And  all  because  of  April  and  the  warm  weeping 
Of  her  slow  rain  ? 

You  had  been  content  enough  all  winter  long 
To  dream  of  old  seafarers  valiant  in  song, 
But  now  you  cry  for  a  way  through  the  restless  foam- 
ing, 
The  quest  of  a  lifting  prow  toward  misty  shores, 
And  foreign  roadsteads  at  the  end  of  an  earth-wide 

roaming 
To  the  creak  on  tholes  of  your  oars. 

Now  you  walk  by  the  shipyards  and  each  tall  mast 
Moves  a  longing  for  the  blue  of  the  offshore  swell, 
And  you  find  your  love  for  the  ocean  and  all  of  its 

vast 
Expanse  in  the  disquiet  of  each  ebb-tide  smell. 

Ever  since  men  launched  the  Argo,  this  has  been  so. 
Men  in  this  cool-breeze  season  have  known  as  high 
Anguish  of  dream  birth  as  ever  a  poet  will  know, 
Considering  how  this  line  will  let  waves  slip  by, 

\62  • 


And  how  that  sheer  will  give  grace,  and  how  spars  will 

show, 
Black  against  the  same  moon  in  an  unsame  sky. 


63 


LONGSHORE 

Oh,  I  am  tired  to  death  of  the  drab  wharf  miles! 
I  should  like  to  sweep  with  the  drift  of  the  ebb  to  sea, 
Past  all  this  rotting  of  ships  moored  to  weedy  piles. 
Rather  a  cruddled  waste  where  the  waves  move  free! 

Beaten  gold  on  a  thousand  spires  of  flame, 
Voices  that  clamor  and  surge  from  a  bitter  heart, 
All  of  man's  pent  up  restlessness,  all  of  man's  shame; 
I  am  sick  of  these,  I  would  have  gray  space  for  my 
part! 

There  is  not  a  vehemence  here  that  the  sea  has  not 

known. 
All  of  this  strife  is  a  little  thing  to  the  sea's. 
What  is  the  longshore  love  to  the  sea's  love  for  its 

own? 
What  is  its  ease  to  the  ocean's  passion  for  ease  ? 

The  floe  is  smudgy  with  dirt;  the  ferries  squeal; 
There  are  grimy  things  small  men  can  worship  before; 
But  I  have  only  one  God  who  can  bid  me  to  kneel; 
I  worship  a  manly  God  out  of  sight  of  the  shore! 


64 


Perhaps  this  is  but  unease?    Well,  unease  has  spoken, 
Though  inarticulately,  at  all  longshore  things: 
Send  me  a  low  gray  space  by  dark  land  unbroken, 
A  wild  space  where  wet  waves  break  and  a  wet  wind 
stings! 


65 


PORTRAIT    OF    A    SEA-DOG 

I. 

He  sailed  with  Essex  when  he  flouted  Spain, 
Singeing  the  beard  of  His  Catholic  Majesty. 
He  saw  the  great  Armada  swept  to  sea. 
And  after  that  he  roamed  the  earth  in  vain 
Search  for  an  equal  adventure.    Some  say  plain 
That  when  he  saw  that  this  could  never  be 
He  flung  him  against  odds  outrageously, 
And  so  felt  once  the  Inquisition's  pain. 

Thus  for  some  years.    Until  Elizabeth 

Went  the  queen's  way  and  hind's  way.    Then  when 

poor 
Shifty  and  craven  James  came  to  the  throne, 
He  left  the  sea,  settling  down  ashore 
To  wait  for  the  dear,  blessed  choke  of  death, 
Knowing  that  England's  heart  as  well  was  gone. 

II. 

Thereafter  once  or  twice  you  heard  his  name, 

And  his  inn's  gorgeous  name — The  Golden  Fleece — 

As  a  brave  place  where  seafarers  found  ease 

And  honor  in  the  days  of  honor's  shame. 

There  was  a  pot  of  ale  for  each  who  came, 

And  he  could  warm  his  hands  the  fire  before, 

•'66  • 


If  he  would  only  talk  of  some  bright  shore 
Where  courage  still,  and  valiance,  was  a  flame. 

In  some  such  wise,  bulwarking  with  the  past, 
He  made  his  hollow  present  tolerable, 
And  always  had  a  laugh  for  each  loud  jest, 
Until  you  came  to  think  these  days  were  best 
Because  he  bore  so  bravely  to  the  last, 
Unless — as  few — you  knew  him  very  well. 

III. 

Then  at  fourscore  he  died,  erect  as  when 
He  stormed  some  flaming  deck  at  twenty  years. 
Even  at  the  end  he  did  not  yield  to  fears, 
But  to  the  fight  went  valiantly  again. 
White-haired  and  wrinkle-skinned  as  he  was  then, 
You  would  have  sworn  his  heart  had  not  grown  old, 
Seeing  the  way  death's  angel  found  him  bold, 
A  giant  in  the  time  of  giant  men. 

When  he  was  gone  the  neighboring  countryside, 

Suddenly  found  its  little  world  more  dim, 

And  realized  the  things  that  death  can  take. 

So,  for  the  while  their  memory  of  him 

Lasted,  they  told  his  tale  with  a  high  pride, 

And  spoke  his  name  with  Raleigh  and  Francis  Drake. 


67 


ROMANCE 

Deep-chested  seamen  roll  and  swagger  where 
Cutlasses  clank.    Lean  fingers  itch  for  dice. 
Gruff  salty  oaths  are  mouthed,  and  once  or  twice 
I  find  myself  breathing  a  desperate  prayer. 
Outside  there  should  be  wind  and  wave  and  air 
With  a  ship's  deck  yellow  beneath  the  moon, 
And  overhead  black  spars.    And  swinging  there 
Hanged  prisoners  dancing  a  rigadoon. 

.  .  .  Old  friend  of  mine  who  read  so  desperately, 

Under  whose  pirate  ensign  did  you  sail 

To  have  caught  this  outlaw  spirit  of  the  sea? 

For  when  I  hear  you  read  that  slashing  tale, 

Twenty  unstifled  buccaneers  in  me 

Work  seaward  a  lean  schooner,  crowding  the  rail. 


68 


•   n/t    • 


IV.    FOFO,    THE    CLOWN 


FOFO,    THE    CLOWN,    COMES    TO 
THE    GATE    OF    HEAVEN 

Down  in  the  circus  where  all  was  dark, 
Grief  stalked  on  the  soft  tanbark. 

Down  in  the  circus  where  once  was  laugher, 
Grief  clung  to  an  iron  rafter. 

And  the  men  were  solemn,  the  women  crying, 
For  Fofo,  Fofo  the  clown,  was  dying. 

He  had  made  them  laugh  till  his  own  heart  bled 
And  now  he  lay  on  a  crumpled  bed. 

He  had  given  them  mirth  he  could  coin  or  borrow, 
And  now  his  own  reward  was  sorrow. 

No  mother  was  by  him,  no  brother  near  him. 
There  was  not  even  a  priest  to  hear  him. 

But  as  his  minutes  ran  out  like  sand, 

A  freak  from  the  side  show  held  his  hand, — 

Zit,  the  fat  man,  till  his  face  was  even, 

And  his  soul  rushed  out  to  the  gates  of  heaven, 

Till  his  soul  rushed  out  to  the  pearly  gates 
Where  bearded  Saint  Peter  forever  waits, 

•  71  • 


There  he  took  oflf  his  cap  and  he  bowed  him  down, 
And  he  said:  "Let  me  in.    I  am  Fofo,  the  clown." 

He  said:  "Let  me  in.    I  have  done  no  wrong, 
But  to  laugh  laughter  and  sing  song." 

He  said:  "Let  me  in  to  heaven's  sheen. 
I  can  beat  my  hymns  on  a  tambourine." 

Saint  Peter's  face  was  like  snow  that's  driven. 
He    said:     "Have    you    gone    to    church    and    been 
shriven?" 

Saint  Peter's  face  was  as  blue  as  the  west. 

He  said :  "Have  you  gone  to  church  and  confessed  ? 

"Have  you  drunk  the  wine?     Have  you  broken  the 

bread?" 
"I  have  done  neither,"  Fofo  said. 

"I  was  too  busy  for  helps  and  handles, 
"What  would  I  know  of  masses  and  candles  ? 

"I  was  too  busy  slaying  hells. 

"Where  would  I  get  me  priests  and  bells?" 

Saint  Peter's  face  was  as  blank  as  a  cod. 
He  said:  "I  will  lay  your  case  before  God." 

-  72  - 


Then  he  went  and  stood  by  the  jacinth  throne 
Where  God  was  a  figure  of  carven  stone. 

He  went  and  stood  by  the  Lord's  footstool. 
He  said:  "Outside  there  awaits  a  fool. 

"He  knows  nothing  of  faith  and  religion, 
"Yet  he's  come  here  like  a  homing  pigeon. 

"No  priest  or  bishop  has  given  him  quittance, 

"Yet  he  knocks  at  the  gate  and  demands  admittance. 

"He  knocks  at  the  gate.    The  world  is  through  with 

him. 
"Tell  me,  God,  what  on  earth  shall  I  do  with  him?" 

God  was  weary  with  too  much  thinking 

Which  is  worse  for  the  head  than  too  much  drinking. 

God  was  tired  of  creating  hourly 
Addled  worlds  that  turned  out  sourly: 

Hills  and  valleys  and  rolling  plain, 
Waving  forest  and  rippling  grain, 

Rushing  rivers  and  bubbling  fountains, 
Sea-strewn  islands  and  jagged  mountains, 

•  73  • 


But  whereon  men  who  were  made  for  beauty 
Did  ugly  things  in  the  name  of  duty, 

Slaying  each  other,  hurting  each  other, 
Father  and  son,  brother  and  brother. 

God  was  tired  and  his  sick  heart  ailed 
Like  an  aging  poet  whose  verse  has  failed, 

But  he  said  to  Saint  Peter:   "Nothing  can  bore  me, 
"Bring  this  man  you  speak  of  before  me!" 

So  unto  God's  most  terrible  frown, 
Two  junior  angels  led  Fofo,  the  clown: 

Two  junior  angels,  with  his  hands  behind  him, 
And  the  awe  of  the  Lord  like  rope  to  bind  him; 

They  set  him  before  the  jacinth  throne, 
And  suddenly  he  and  God  were  alone, 

And  God's  face  was  as  drawn  and  white 
As  his  make-up  paint  on  a  circus  night, 

And  God's  face  was  as  drawn  and  long 
As  his  face  was  when  his  jokes  went  wrong, 

And  he  suddenly  knew  that  God  was  lonely 
As  a  clown  can  be,  and  a  clown  can  only, 

•  74  • 


And  he  suddenly  knew  that  God  was  weary: 
His  fear  left  him;  he  became  cheery. 

God  frowned  one  of  his  fiercest  faces: 

"What  can  you  do?"    "I  can  make  grimaces." 

God  said:  "Tell  me  who  you  are." 

"I  am  Fofo,  the  clown,  who  can  juggle  a  star. 

"I  am  Fofo,  the  clown,  whose  gay  voice  chings 
"From  the  moon's  mountains  to  Saturn's  rings. 

"Clear  and  clean  till  it  wakens  your  wits 
"And  your  jaws  ache  and  your  side  splits." 

His  words  rang  sweet  as  a  dulcimer. 
He  did  a  back  tumble  to  Jupiter. 

In  his  hand  he  picked  up  the  moon 
And  tossed  it  in  air  like  a  bright  balloon. 

Then  he  leapt  toward  a  comet's  blazing  trail 
And  rode,  making  faces,  on  its  tail, 

And  after  he'd  finished  his  sudden  joke, 
He  turned  to  God  and  to  God  he  spoke: 

"Except  ye  be  as  a  little  child." 
God  cupped  his  face  in  his  hand  and  smiled. 

•  75- 


Freed  from  care  by  the  wine  of  laughter, 
God's  sides  shook  and  the  roar  came  after. 

Cleansed  by  mirth  from  all  grief  for  sin, 
God  said  to  Saint  Peter:  "Let  him  in. 

"Give  him  a  harp,  give  him  a  crown, 
"Find  a  throne  for  Fofo,  the  clown. 

"Find  him  a  throne  of  porphyry, 
"For  he  is  the  first  to  conquer  me. 

"I  thought  I  was  wise,  and  deeply  wiled, 
"And  Fofo  showed  me  I'd  never  smiled. 

"I  thought  that  I  was  omnipotent. 
"He  found  me  bored  and  indifferent. 

"Let  joy  rise  like  bread  that's  leaven, 

"The  trump  of  the  angels  be  ringing,  ringing, 

"As  Fofo,  the  clown,  enters  heaven, 

"The  seraphs  be  shouting,  the  cherubs  singing. 

"And  clad  in  a  robe  as  soft  as  down, 
"Fine  of  weave,  of  texture  even, 
"Let  Fofo  forever  make  fun  of  my  frown, 
"Lord  of  the  Lord  of  heaven." 


76 


V.    FOREIGN    TONGUES 


RONDEAU 

(From  the  French  of  Charles  d'Orleans) 

The  sky  hath  laid  aside  her  cloak 
Of  wind  and  chill  and  stinging  rain, 
And  now  in  cramoisie  again 
She  vests,  of  sun  and  clouds  like  smoke. 
And  that  hath  neither  sung  nor  spoke, 
Of  bird  or  beast  doth  none  remain! 
The  sky  hath  laid  aside  her  cloak 
Of  wind  and  chill  and  stinging  rain! 
Rivers  and  streamlets  have  awoke 
From  beastly  winter's  grip  of  pain 
To  flash  like  golden  net  made  plain. 
Spring  her  new  powers  doth  invoke. 
The  sky  hath  laid  aside  her  cloak 
Of  wind  and  chill  and  stinging  rain ! 


79 


PORTRAIT    OF    THE    WRITER 
(From  the  Italian  of  Cecco  Angiolari) 

If  I  were  fire,  I  would  burn  up  the  world; 

If  I  were  wind,  with  storms  I  would  it  sweep; 

If  I  were  water,  I  would  drown  it  deep; 

If  I  were  God,  to  hell  it  would  be  hurled; 

If  I  were  Pope  of  Christians  good  and  true, 

I  would  rejoice  because  I  fooled  them  shiftily; 

If  I  were  king,  do  you  know  what  I  would  do  ? 

I'd  order  all  beheaded  very  swiftly. 

If  I  were  dead,  I'd  flee  before  my  sire; 

If  I  were  living,  I'd  run  from  him  in  shame, 

And  from  my  mother  I  would  do  the  same; 

If  I  were  Cecco,  as  I  was  and  am, 

I'd  love  all  pretty  girls  as  fair  as  fire, 

And  for  the  ugly  ones  give  not  a  damn. 


80 


TO    A    FRIEND 

(From  the  Italian  of  Francis  Petrarch) 

Sloth,  gluttony,  and  lazy  lassitude 
Have  from  the  world  stolen  all  virtue  away; 
Hence  from  its  rightful  course  has  gone  astray 
Our  nature,  bound  in  chains  by  habitude; 
And  so  far  spent  is  every  kindly  ray 
Of  heaven  that  gives  us  its  beatitude 
That  he  is  held  with  madness  nigh  endued, 
Who  by  the  Muses'  fountain  longs  to  stray. 

Who  wishes  laurel?    Who  myrtle  on  his  brow? 
"In  rags  and  naked,  go,  philosophy!" 
Says  the  vile  crowd,  intent  on  thoughts  of  gain. 
Few  comrades  will  you  have  to  cheer  you  now. 
Therefore,  I  pray  you  the  more  fervently, 
Lay  not  aside  your  noble  task  as  vain. 


81 


PORTRAIT    OF    A    LOVER 
(From  the  Italian  of  Gaspara  Stampa) 

Ladies,  if  you  would  know  my  sovereign  lord, 
Think  of  a  man  of  sweet  and  kind  aspect, 
Youthful  in  years  but  old  in  intellect, 
Of  honor  and  of  worth  the  perfect  word; 
Fair  in  his  hair,  as  gleaming  as  a  sword, 
In  person  tall,  in  walk  and  mien  erect, 
And  finally,  who  has  not  one  defect, 
Save  that  with  love,  alas,  he  is  not  stored. 
But  if  you  would  know  me,  consider  then 
A  woman  who  both  is  and  seems  to  be 
An  image  of  the  pale  and  martyred  dead; 
One  who  although  an  inn  of  constancy 
Cannot  make  him  she  loves  above  all  men 
Turn  for  her  many  tears  his  cruel  head. 


82 


QUATRAIN 
(From  the  Italian  of  Michelangelo  Buonarotti) 

Oh,  I  am  glad  I  sleep,  and  am  of  stone, 
While  arrogance  and  evil  unvexed  go; 
Neither  to  see  nor  hear,  I  fortune  own; 
Therefore  disturb  me  not.    Speak  low,  speak  low! 


83 


VI.   SATIRE   AND    ELATION 


WE    BEING    YOUNG  .  .  . 

Lord,  let  us  sound  our  trumpets  now 
That  we  are  young,  that  we  are  young; 
And  turn  our  long-boat's  flashing  prow 
Toward  seas  unkenned  and  fame  unsung; 

And  bend  upon  our  gleaming  spars 
The  power  of  great  silken  sails; 
— We  must  beat  out  against  the  stars, 
We  must  adventure  till  life  fails! — 

And  find,  beyond  the  gold  and  blue 
Of  sunset  on  the  troubling  sea, 
Something  undreamed  of,  something  new, 
Some  tall  proud  land,  some  iron  lee, 

Some  soily  valley,  dark  and  old, 
Where  men  can  sow  for  winnowing, 
Or,  rich  with  carven  jade  and  gold, 
The  dwelling  of  a  moldered  king. 

For  one  dark  day,  for  one  black  hour, 
The  bindweed  will  entwine  the  stone 
That  skullface,  jealous  of  our  power, 
Has  given  us  to  keep  alone. 


87 


Then  wine  will  be  a  bitter  drink, 
And  love  a  thing  we  know  no  more, 
And  light  a  faint  shaft  through  the  chink 
Of  a  forever  bolted  door, 

And  song  a  thin  remembering 
That  drones  like  madness  in  our  ears, 
— How  should  we  have  the  mood  to  sing, 
Having  no  passions,  having  no  fears  ? — 

And  bright  adventure  and  high  zest, 
Like  calming  gales  that  no  more  blow, 
Forgotten  in  this  rotting  rest 
Where  no  dreams  stir  and  no  tides  flow. 


88 


THE    SWORDSMAN 

Holding  it  just  as  sure  that  death  must  be 

The  end  of  all,  as  anything  in  time, 

He  did  not  seek  a  reason  or  a  rhyme 

For  what  he  was,  nor  a  philosophy 

To  bolster  up  his  days  more  comfortably, 

To  varnish  scratchy  places,  and  make  plain 

What  never  explanation  could  explain: 

Why  born  things  meet  a  doom  inevitably, 

And  why  the  common  end  of  men  and  roses 

In  whom  so  much  of  beauty  and  of  grace 

Finds  for  a  little  while  abiding  place 

Is  only  this — and  nothing  more  nor  less — 

That  when  their  measured  span  of  living  closes, 

They  must  go  down  to  dusk  and  nothingness. 

Instead,  he  took  his  life  for  what  it  was, 
And  only  let  his  conscience  so  encroach 
As  saved  him  the  unease  of  self-reproach, 
And  let  the  days  swiftly  or  slowly  pass 
Without  a  single  "Heigho"  or  "Alas" 
For  all  their  fleeting  fervors,  though  he  knew 
That  when  his  last  had  left  him,  he — he  too — 
Must  wither  as  the  autumn- withered  grass; 
And  found  in  the  unending  flight  of  days, 
In  Aprils  and  Octobers  that  went  by, 

•  89  • 


A  wonder  and  a  splendor  he  could  praise, 
Not,  as  some  found,  eternal  mockery, 
But  life  and  the  fine  dreams  that  it  can  raise, 
The  single  solace  of  man  who  is  to  die. 

Much  as  a  swordsman,  though  he  surely  know 
The  certain  and  dark  fate  against  him  stored 
And  the  old  awful  wisdom  of  the  Lord 
That  he  who  takes  the  sword  must  perish  so; 
Yet  in  the  swift  exchange  of  blow  for  blow 
Forgets  that  one  shall  shortly  be  his  end, 
When  he  shall  get  a  hurt  no  skill  can  mend, 
And  learn  the  bitterness  of  overthrow, 
And  in  the  clash  of  blades  sees  only  this, 
Another  moment  won,  and  beaten  back 
Another  moment's  adversary  in  shame. 
So,  as  his  life  hangs  chancewise,  hit  or  miss, 
He  joys  to  see  his  blade  cleave  down  its  track, 
And  through  his  muscles  feels  exultant  flame. 


90 


THE    GRASSHOPPER    AND    THE    ANT 
(A  Revised  Version) 

The  busy  ant  all  summer  long 
Worked  hard  and  stored  much  grain. 
The  grasshopper  stored  nothing  but  song. 
(Thus  far  the  moral's  plain!) 

So  when  the  winter  came,  the  ant 
(Ants  certainly  love  to!) 
Said:  "Ha,  you  wasteful  dilettante, 
You'll  starve — I  hope  you  do!" 

But  here's  where  the  ant  met  a  mighty  rout. 
(As  a  critic  he  was  a  ringer.) 
A  publisher  brought  the  grasshopper  out 
As  a  truly  original  singer. 

And  now  the  ant's  aesthetic  son 
(Oh,  strange  are  life's  conditions) 
Spends  all  his  father's  grain  hard  won 
On  the  grasshopper's  first  editions. 


91 


THE    GRAY    WOLF    TO    THE    DOGS 

O  happy  fools,  who  are  content  to  beat 
Year  after  year  the  selfsame  way  around; 
Who,  so  your  meals  be  fat,  your  sleep  be  sound, 
Find  life  a  lease  of  heaven  and  very  sweet; 
Dull  dogs  of  sloth  content,  not  indiscreet 
Enough  to  taste  one  blooded  valiancy; 
House-broken,  schooled  to  dull  monotony 
Whereof  will  death  be  found  the  only  mete; 
Lift  up  your  heads,  bark  thanks  that  you  are  not 
Swift  padders  of  the  stark  wold,  rank  on  rank, 
Scurf -furred  and  toughish,  scrawny  as  a  rune; 
Free  ?    Aye,  to  mate  your  own  kind,  lean  of  flank, 
To  miss  your  quarry  when  the  chase  is  hot, 
And  bay  your  tearing  hunger  to  the  moon. 


92 


PRIMORDIAL 

Although  we  are  grown  up  and  very  proud, 
Wearing  our  arrogances  like  a  crown, 
And  shut  our  hearts  up  in  some  stuffy  town 
Protected  from  the  rain  and  wind  and  cloud, 
Yet  have  we  never  lifted  ourselves  far 
From  the  blind  beast  that  lurks  in  each  of  us, 
Red  eyed  and  very  lustful,  ravenous, 
To  tear  us  sorely,  civil  as  we  are. 

Look!    Hunger  stirs  a  wolf  in  that  lean  face, 
And  the  sleek  tiger  shows  with  each  desire 
Padding  lasciviously  down  jungle  paths. 
But  most  of  all  fear  tames  our  lion  wraths 
To  jackal  skulking,  banned  from  every  place, 
Snuffing  and  whining,  and  afraid  of  fire. 


93 


TRUTH 

Seek  as  you  will,  and  she  eludes  you  yet. 
Delve  deep  and  analyze.    You  will  not  find. 
There  is  a  limit  to  the  curious  mind. 
There  is  a  goal  to  which  it  cannot  get. 
There  is  an  end  which  will  not  ever  be  met. 
There  is  a  sight  to  which  all  vision  is  blind. 
There  is  a  place  to  which  no  pathways  wind, 
The  immortal  place  wherein  her  rule  is  set. 
Not  though  with  keenest  eye  you  penetrate 
The  secrets  of  the  atoms,  and  unfold 
The  changes  which  make  iron  or  lead  or  gold, 
Or  the  warm  palpitance  of  the  human  heart. 
There  is  no  science  to  win  her,  or  no  art. 
She  is  aloof.    She  is  inviolate. 


94 


THE    ROMANCER 

From  common  things  and  blatant  light  of  day, 

And  trough-like  wallows  where  the  swine-folk  swill, 

Suddenly  and  impatient  he  turns  away 

To  silver  horns  that  blare  beyond  the  hill, 

And  with  an  exaltation  they  know  not 

Sees  in  the  clouds,  as  light  upon  them  shone, 

The  distant  shining  roofs  of  Camelot, 

The  far  sea-hidden  isle  of  Avalon. 

Say  he  evades  life's  issue:  must  all  be 
The  chroniclers  of  dust-encumbered  things? 
He  dares  to  drink  full  draught  of  poetry, 
And  scorns  drab  sober  prose;  no  Puritan, 
Relishes  dreams,  the  finest  gold  for  man; 
Nor  fears  the  ache  of  dull  awakenings. 


95 


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