Sivaparinayah; a poem in the Kashmiri language by Krsna Rajanaka, Razdan. With a Chaya of gloss in Sanskrit by Mahamahopadhyaya Mukundarama Sastri. Edited by George A. Grierson

SHASTRI INDO-CANADIAN INSTITUTE

156 Golf Links,
New Delhi-3, India

BIBLIOTHECA INDICA.
WORK No. 224.

PAR1NAYAH.
KASHMIRI TEXT WITH SANSKRIT GLOSS.

BIBLIOTHECA INDICA:

A

ECTIOK OF ORIENTAL WORKS

PUBLISHED BY THE

ASIATIC SOCIETY OF BENGAL.

NEW SERIEF ..No. 1286.

i
SIVA-P: KINAYAH

A POEM IN THE KASHMIRI LANGUAGE

[SIR-WILL* AMJQNES

MDCCXLVl-MDCCXCIV

BY

YA OR GLOSS IN SA

V AHAMAHOPADHYAYA MUKUNDARAMA

SIR (JEORGE A. GRIERSON, K.C.I.E.. l'H.L>.( JXLiTT.,
Honorary Fellou- of the Asiatic Society of Bengal ; Honorary Member o/
the Naga-' Pracarinl Sabha, of the American Oriental Soc>-ty. and of
the Socii'ti I<'inno-Ougrienne ; ^ore-ujn Associate Mem1
Societi Asiatique de Paris Corresponding Membf

Konigliche <7c.9r77.tr?- n't der Wiasenscha.fen zu Qottingen.

CALC

. PR.
Rli

i RBI: ;

PK

PKELIMINARY NOTE (AD INTERIM).

With the few exceptions noted below, the Kashmiri
port ion of this' work follows the system of spelling employed
by 1'Svara Kauila in his Kdsmira-sdbdamrta, and by me in my
Essu ys on Kdpriwri Grammar.

Attention r,nay be called to the extremely frequent use
by t he author <pf the emphatic suffix y, often employed
pleon astically mtftri causa. In the first four chapters this
y is regularly represented in the Sanskrit chdya by the
wore eva; but fyrom the 5th Chapter on, I have exercised
my c iscretion aai editor, in omitting the eva, when the suffix
is merely pleonastic. By that time the reader will be ac-
nusto Tiid tc> its appearance in this otiose character, and
will n ot be tempted to confuse it with other forms.

/Iccording to the Kdsmira-sabddmrta (II, iii, 21; cf.
Essa ys, p. 92), when this y is added to a word ending
Ui t consonant, u-mdtrd is used as a junction vowel.
Ihu s qw«ra kardn^y (kardn + t/), doing indeed. In the

pr^ ient work a is often used instead of u-mdtrd, as in

i

kantnay (^rri^). This is hardly more than a variation of
speWing. We may also note that the author frequently
employs present participles ending in -an instead of the.-i?i
proscribed by the grammars Thus in verse 418 we have
ll^f^ gdlan instead of gdldn JTT^T^T. With emphatic y, we
haVe W«ra«r wananay instead of <T«n«lc*J wandwy in verse 408,
and1 so on. The conjunctive participle of verbs whose roots
contain the letter a, according to the Essays, takes the form
karith. Here, however, the author generally writes
kaf,r*th. Thus, he writes 4fr«Tx in v. 24. He similarly

P /• Note.

../ites the accusative-dative of the second declension v
i-mdtrd. Thiis ^tjsrf're nethanq^s, instead of *qv&f
nethananis, in v. 88. He often, /• -.-a, changes a fi

i to e, as in »T% garake for »Tf* ff.ara.ki (v. 22) and *
karane for *<f«f karani (v. 126). In other respects 1
grammar closely follows the system of Tsva.ra Kaula
explained in ray Essay*.

The Sanskrit chdyd is an extremely literal, word for
word, translation, prepared under my supervision by M aha-
niahopadhyaya Mnkundarama ^'astri. In ec\iting it f o r th
press I have freely relaxed the usual rides of Sa ?/
In this I have not studied consistency, my sole aim t eing
to assist the reader in disentangling the correspon
Kashmiri words from the suffixes with which they
encumbered. As originally prepared, the c/iao/a was ii
linear, each Sanskrit word being written undor the cor-
responding Kashmiri word. Practical conside.cri/ion s
typography have led me, against the intention of its ai
to print it separately on the page facing the correspoi

I fully admit that, from the point of view of the
Sanskrit scholar, in this condition it strongly reseni 3!^
a-jalpana. owever, printed solely with tue

object of a^- rudents of Kashmiri, and not

specimen of ( -anski't.

A. G.'

PREFACE.

WITH ranch regret, I record the death of that excellent scholar
Mahamahopadhyaya Mukundarama Sastri, which occurred in
the year \'.)'2\, while this work was passing through the press.
His knowledge of the Kashmiri language, ancient and modern,
was, I believe, unique. I owe much to his teaching and to the
help he gave me in the preparation of the chaya printed in the
following pages and of the m .,s which formed the basis of the
Ivistimlrl dictionary now being published by the Society.

In regard to other points I have nothing to add to the ad
interim Preliminary Note issued with the first fasciculus of tin,,
\VCKK, except to express my regret that in the earlier pages, a
•v-ishmirl types have broken off in the course of
printing. These, so far as I have noted them, are entered in
the List of Errata and explain its length. In the later pages,
the printers have overcome this difficulty with some success.
The spelling of certain Kashmiri words is doubtful, and till I
had worked several tim through the text, I did not always
succeeu in pi educing a«j this respeci On this ac-

count, after the List oi ^ a L t a list of pi - rable spell-
ings of certain words vuirh .sou,} TV eyes whe,i correcting
the proofs None c cLese are of importance, but, in the
interests of uniformity. T give ..hem fo" t^e benefit of students
of the language.

I 'must also offer :ny tLinkr to Professor Jules Bloch, who
was kind enough to read through the proofs of th( earlier
fasciculi. The outbreak of the War called him forth to the
defence of his country, and prohibited me from troubling him
further with my doubts or difficulties ; but I cannot refrain
from putting on record my gratitude for his valuable help.

G. A. GRIERSON.

CAMBERLRY ,

•23r<i June, 1924.

ERRATA.

Preliminary Note. p. iii. last

Page 44, line 1, read
line. Readq^zn.
Page 2, line lO,rmrf^re:iTC*ft. 3,

(N

,, 4, page heading For ,, .. heading of Chapter

2, '-cad 1. 10, read giVA.

Page 6, page heading. For Page 44, line 3, from bottom,

1, read 2.
Page 9, line 2, read

„ 11, „ 11, „

„ 16, „ .. ..

„ n i2, „

„ 22, „ 11. „
23, 15:

read

^ i ;

Page 46, line 3, read ^Nf .

a *

» ,, „ 6, „

26, „ 5,

27, ,, 2, „
,, 29, ,, 6, ,, q\f(«j
„ 30. „ 15, „

„ ,, last line, „
,, 33, line 16, transfer the

comma to after «rf^ .

Page 34, line 2, read

36, ,, 3, „

37, ,, 8, ,,

M 48, ., 3, ., £

.. lines 6, 10,14,18,1^.
read M«ffaq .

Page 48, line 8. read
'

49, » 13, ., ^^i .

50, insert 11, fee/ore
heading.

Page 50, lines 4, 8, 12, 1 6, 20,

read M«ff«f<{ .
Page 50, line 6. read

„ 52, „ 21, ,.

,, 56, ,, 20, ,,
,, 57, ,, 9, insert Jiy-
phen after srajii .
Page 60, ,, 4, read ^ .
„ 64, , 23. ., f^r.
,, 66, head of Chapter 18,

„ 38, „ 3, „

„ ,> „ 13, „

>j

,, 42, page heading, and

also in heading of Chapter 9, read

read&ivA. Page 68, line 3, read*

Page 43, line 2. read W >• 70. „ 12, ,,

vm

ERRATA.

Page 120. line 6. read n^fsn? .

j j -

Page 72. line 1, readies. '• Page ,, line 11, read ^FYA.
., 74, ,, faf^ra- „ 118 frr»ni bottom,

transfer
) to the end of line

Page 82, last line but one.

For ^f«£ WT51, compare aote

to verse 1876. I

Page 88. line 16, read,

»> 90, ,, D, ,,

„ 95, ,, 5. from bottom.

read ^i»jf?T^ .
Page 97, line 3, ,, ,,

read

Page 98, 6rst line of text of
Chapter 30, read ^f

123,

124,

4. ,,

13, „
10, ,.
5, from bottom.

read

Page 102, line 9, from bottom,
read ^f

Page 128. line 3. of text of

Chapter 37, read *T3^. .
Page 129, line 7. of text of

Chapter 37. read ^TSIT .
Page 129, line 9. of text of

Page 104, line 9; read^^. Chapter 37 ; insert comma,

» 106' » 7> •• ^fl- after
„ 108, „ 6, „ Tnfsr^. Page 130, line 7,

,, ,, ,, 2, from bottom.
,, 109, ., 2, from bottom.

read

Page 110, line 9,
read gfa^ .

Page 110, last line, read
Page 114. line 2, read ^$

Page 131. ,, 7, read

,- 132, „ 16, .

„ 136, „ 9,

„ „ „ 16, M

,, ,, ,, 17, „

„ „ „ 19; „

^- I, i4u, „ ;j, „

» " " 1:j » *&• „ 141, „ 3, ,,

„ ,, ., 3, from bottom, , ^7^ .

read ^ . „ 142, ;. 8, from bottom,

Page 116, lines 2. 6, 10, read \ readurn^.

i&3 . Page 143, line 6, read W*nn .

ERRATA.

IX

Page 144, line 11, read ^ .

„ 148, ,, 3, from bottom,

read ^r<J;'^*r .
Page 154, line 3, read W$-

,, 156, „ 5, „ ^.

,, 160, ,, 7. ,,
„ 15, ,,

.. 162, ... 7, from bottom,

read *3^3\ .
Page 162, line 4, ,, ,,

read fj^HrTT^ .

<N

Page 170, lines 1 and 5 read

^4«f ^4, respectively.
Page 170, line 3, read

„ 172, „ 5, „

,, 175, last line, „

„ 176; line 5, „

., ,, ,, 2, from bottom,

read ^.4 .
Page 178, line 6, read GLORIOUS

,, ,, ,, 1, of text of

Chapter 12, read ^fiTfc?T .
Page 178, line 4, of text of

Chapter 12, read *r«r«ra .
Page 178, line 11, of text of

Chapter 12, read ^$ .
Page 181, line 11. insert srf?r

after t^t .
Page 183, line 9, read f^^ .

„ „ „ 10, „ TOT .

,, „ last line, ,,

Page 192. line 4, from bottom,
read

Page 184, line 1, ,.

Page 184, line 11, „
,, 191, ., 3, from bottom,
read

Page 197, line 13, read

^^^ur .
Page 197. ., 17. ,, T&W for

STCW.
Page 202, ,, 5, from bottom,

read ^^T^IJ .
Page 208, last line read

,, 216. line 9, read

,, 218*, ,, 13, „

for ^Tt^'«m .
Page 226, „ 5, ,,

,, 228, ,, 6, „

„ 230, ,, 2, from bottom,

read «|i|^'<s(T^ .
Page 232, line 3, read 3rf%*i .

„ 240, ,,

„ 241, ,, 18, insert

before ^STJrffl'sjfH .
Page 257, line 11, read ifg .

„ 261, „ 2, „ *%.

,, 267, ,, 4, from bottom,

read ^?ref?j: .
Page'274, line 3, ,,

read «ifa .
Page 276, line 11, read <zr3 .

„ 276 and 277, line I2*add,

in each case «t^i. II at end of

line.
Page 278 and 279,'line 10, add,

in each case (t^0 II at end of

line.
Page 278, line 13. read

„ 280, „ 2, „

,, ,, ., 2, from bottom

of text, read

ERRATA.

Page 285, line 2, read

and omit marks of paren-
thesis before w and after ^ .

Page 290, line 7, read

,, 292, ,, 4, from bottom,

read t?

Page 294, line 2, read

„ 304, ,, 1, ,. T

„ 308, „ 5, jrfr."

• ' j ' * ' y '

,, 315, „ 2, from bottom,
read

Page 318, in page heading, for

9, read 49
Page 320, line 4, from bottom,

read

Page 346, line 4, read

Page 354, ,, 11, ,,
,, :) ,. 2, from bottom,
read

Page 456. line 8, read

PREFERABLE SPELLINGS OF KASHMIRI WORDS.

Page 4, line 9, read smfsPT Page 70, line 13, read

,, „ 11, „ f^- „ 80, „ 5, „ fta.

nTr-a-srr £ft 7

; jj H TJ 1 V . * » OO, . . t . , -

„ „ 21, ,, ^fTfi . .. 90, „ 16, .,

„ 12, „ 2, „ *^-<wr^ „ 92, ., 19, .,

„ 14, „ 19, „ W^t. „ H4, „ 3, „

» 20, „ 3, „ ^. „ 118, „ 9, „

„ 22, „ 1, „ «Rrrw. ,. 132, „ 12, „

j ) j 5 , , *"3 J J W^fT^ . ) J •* »5O j ; . O ) . .

fl^T. ,, 160, last line, „ tt* .

28, ,, 14, ., WT^f«i^. „ 166. lines 7 and 6 from

,, 30, ,, 20, ,, jrfjr^f . bottom, read tft'^i and m«^

,, 34, ,, 11, ,, Tr^jfs^ . respectively.

42, ,, 5, ., ^f^t . Page 166, line 3 from bottom,

>? j, 6, ,, ft«[ . read UflT^fsTO.

» 46, ,, 2. .. w^sf^ . Page 178, line 2 of text of

•I ,> 18, ., ^«T*FT . Chapter 12, read fjflif^'T.

•)2, ., 10. ., ^njsrreT- and so in the 4th line of

WK:. . each verse on pp. 17S. 180,

Ml vr?~ia- 1&9

5 - ,j ,, -*-^5 )> iK^S^GLlN . lO— .

ii ^6, ., 1. ,, w^5ffl[ . Page 180, line 12, read

., 62, „ 18, „ ma . 228, „ 15, ,.

6 4, ,, 16, ., ^?i-r?r?T. . ,. .. 17, j.

., 68, ,, 17, ,, $>« . „ 296: ,, 8, „

In several places the word ^4 has wrongly appeared as ^,
and the. word ^ ( ^ ^q^s etc ) as -^XR ( -^q, ^^^ etc.). 1
believe that I have entered all instances of this in the Errata,
but, if any have escaped my notice, they should be corrected
accordingly.

CONTENTS.

Page

Preface v

Errata vii

Preferable Spellings of Kashmiri words. xi

Preliminary Note (ad interim) iii

Sanskrit Preface v
PART I.

1. Invocation to Gane^a . . . . . . 2

2. Invocation to the Guru . . . . . . 6

3. The creation of the universe, and birth of Uma. Her

marriage to Siva. .. .. .. ..12

4. Daksa, rejoicing over Uma's marriage with Siva, addresses

his relations . . . . . . . . 16

5. The wedding-journey ;of Siva and Uma to Kaiiasa .. 20

6. Daksa visits Siva and the gods in Kailasa, and is not

received by Siva with the respect which he considers to be
his due. Daksa's wrath. He determines to invite all the
gods except Siva to his sacrifice . . . . 24

7. The gods come to Daksa's sacrifice. Devi goes to it without

invitation and asks why Siva is not invited. Daksa gives

an insulting treply. She casts herself into the sacrificial fire 30

8. Praise of Devl.under the form of Jwala . . 36

9. Praise of Devi, as one with Siva . . . . 42

10. Nandin goes to Kailasa and tells Siva that Devi has

become Satl. Creation of VIrabhadra. . . . 44

11. VIrabhadra arrives at Daksa's sacrifice. He slays Daksa.

He routs and slays the gods present. The gods, in order to
pacify Siva, sing his praises . . . . 48

12. Krsna's hymn in honour of Siva. The 12th chapter is in

Hindi, and is here omitted-, (vv. 133-143) . . 52

13. Brahma's hymn in honour of Siva . . . . 52

14. Dharmaraja's (Yama's) hymn in honour *of Siva . . 52

15. Indra's hymn in honour of Siva. The loth chapter is in

Hindi, and is here omitted (vv. 172-177) . . 64

16. Varuna's hymn in honour of Siva .. .. ..64

17. Citragupta's hymn in honour of- Siva. The 17th chapter is

in Hindi, and is here omitted (vv. 183-186) . . 66

18. The Gandharvas' hymn in^honour of Siva .. ..66

19. The Sun-god's hymn in honour of :- Siva . . 68

20. The Moon-god's. hymn< in honour of Siva. The 20th chapter

is in Hindi, and is here omitted (vv. 216-223) .. ..76

21. The joint hymn of Laksmi and Sarasvati in(honour of Siva . 76

22. Hymn of the planet Mars in, honour; of Siva .. .. 80

23. Hymn of the planet Mercury in honour of Siva . . 82

XIV CONTENTS.

Payc

24. Hymn of the planet Jupiter in honour of Siva . . 84

26. Hymn of the planet Venus in honour of Siva . . 88

26. Hymn of the planet Saturn in honour of Siva. The 26th

chapter is in Hindi, and is here omitted (vv. 258-265) . . 90

27. Narada's hymn in honour of Siva . . . . 90

28. Hymn sung jointly by all the gods in honour of Siva. The

28th chapter is in Hindi, and is here omitted (vv. 2S8-299) . . 98

29. Siva acknowledges the preceding hymn. He is pacified, and

expresses himself as pleased with their devotion (Bhakti).
He cares not for eating or drinking and has no pleasure
in sacrifices. He longs for Bhakti and for nothing else.
Chapter 29 is in Hindi, and is here omitted (vv. 300-304) . 98

30. The author's praise of Siva. Account of the gods' intercession

on behalf of Daksa. . . . . . . 98

31. Daksa is brought to life. His head having been reduced to

ashes, he is given a goat's head . . . . . . 102

32. Dakga's hymn describing how he has become freed from

worldly desires .. .. .. .. 106

33. Another hymn of Daksa on the same subject . . 1US

34. Daksa's self-abasement .. .. .. ..114

35 Daksa sings a hymn in praise of Siva, and asks pardon. This

is granted . . . . . . . . ..116

36. Another hymn of Daksa . . . . . . 1 18

37. Having finished his praises of Siva, Dak*a again commences

his sacrifice. Having pacified Siva the gods obtain permis-
sion to depart, and repair to their respective abodes . . IJ>

38. The sacrifice being completed, Narada commences a triumph-

song in praise of Siva as the latter departs for Kailasa . . 132

:!!i. Xarada's triumph-song. The 39lh chapter is in Hindi, and /*

here omitted (vv. 397-^07) .. .. ..134

In. Another triumph-song of Narada. He prophesies the mar-
riage with Parvati . . . . . . 134

41. Epilogue of the author in praise of Siva, as an introduction to

the second part . . . . . . ..13s

PART II.

1. Birth of Parvati. Her youth and upbringing. Her desire tor
Siva as her husband. She wanders in the forest calling
tor him . . . . . . . . 142

•2. Parvati has memories of her former birth as srtt! and utters

praises of Siva .. .. .. ..14^

:>. Remembering Siva's comely appearance and liis lovable dis-
position. Parvati laments her absence from him and
addresses him in prayer. The 3rd chapter ^s in Hindi, and

<-re omittfj 165) 152

t. i "iit inuation of the foregoing. She claims identity with Siva. . 152
Description of Parvati in the forest. The beauty of the forest
blessed by her presence. She enters a lake and, standing
in the water, invokes Siva |r.<>

CONTENTS. XV

Page,

6. Parvati sings a hymn of praise to Siva, alluding to each day

of the lunar fortnight . . . . . . . . 164

7. Siva disguises himself as an ascetic, and comes to Parvati to

test her. He urges her to worship Rama, not Siva . . 170

8. Continuation of fie foregoing. Siva, in his character of an

ascetic, advises P5r vati to devote herself to RSma, Laksml,
and Krsna. The, Sth chapter is in Hindi, and is here omitted
(vv. 54d-552) .. .. ... ..174

!>. Parvati's reply. She tells the disguised ascetic to go to the
Dandaka forest, where he will find that Siva alone is to he
worshipped .. .. .. .. ..171

10. ParvatI continues her advice to the ascetic to go to the

Dandaka forest. He will there find that Siva is all in all.
that he alone exists, that he is Brahma, Bhagavat, all the
gods, and all creation, and that there is no duality. The
10th chapter is in Hindi, and is here omitted (vv. 560-570) . . 170

11. Siva's reply. He praises Parvati's beauty, and argues that

so lovely a person as she, should not undertake such ascetic
practices . . . . . . . . . . 176

12. Continuation of the foregoing. He advises her to go home.

Siva is not a householder. He is not so glorious as the Sun.
so gracious as Visnu, or so righteous as Brahma. She
should worship them . . . . . . . . 178

13. Parvati angrily reproaches the disguised Siva, and assures

him that he is attempting an impossible task in appealing

to her . . . . . . . . . . 182

14. Continuation / of Parvati's speech. She threatens him and

proclaims Siva as the one objeci of worship . . . . 182

15. Siva, pleased with Parvati's constancy reveals himself in his

proper form, and praises the virtues of constancy and
devotion . . . . . . 18t>

16. Description of the glorious appearance of Siva as he revealed

himself to ParvatT. The 16th chapter is in Hindi, and is
here omitted (vv. 607-617) . . .. . . . . 188

17. ParvatI sees Siva in his proper form, and begins to sing his

praises . . . . . . . . . . 188

18. Parvati's hymn in praise and awe of Siva. She entreats him

to take her for his spouse. He promises to grant her peti-
tion, and tells her to go home and wait for Narada . . 188

19. Siva comforts the awe stricken PSrvati. He promises to

marry her in her father's house, and return to KailaSa . . 192

20. ParvatI leaves the forest of her austerities, and returns home.

Her reception by her people . . . . . . 196

21. Himalaya and Menaka praise ParvatI .. .. .. 198

22. Praj er and praise addressed to ParvatI by the whole universe 200

23. The legend of the Asura Taraka. He oppresses the gods.

Siva tells Low Brahma has explained to them that he can
only be conquered by Siva's son, and sends ArundhatI and
the seven Rsis and others to Himalaya to ask him and his
wife to give their daughter U> Siva in marriage. They
consent. ArundhatI, etc.. return to Benares and inform
Siva. He is pleased, and directs Narada to summon
Brahma, Visnu, and the other gods. . . . . . 202

xvi PONTKNTS.

Page

.' t Narada ;_r», -s to Visnu, and. after praising him, informs him
of Siva's intended marriage

2.~> Ybnu. pleased, dispatches Narada to call Brahma and the
other gods. They all approach Siva. Siva dispatches
Narada to warn Himalaya, who notifies the approaching
nedding. Narada informs Siva of this. The wedding
procession is formed and starts. Visnu leads the other gods 214

L't'i. The Oandharvas praise Vismi .. .. ..218

:.'7. The author explains that ho cannot describe the glory of Siva's

i<lintr. which even the gods are unable to praise . . 222

The author again expresses his inability and unworthiness . . 222

2!>. The rejoicing in the homo of Himalaya at the approaching
arrival of Siva. Xarada identifies to Menaka the members
of the procession, as from a high tower she watches the
approach. Her lamentations on Siva, in his ascetic form,
being pointed out to her. She refuses to be comforted.
Parvatl. on the other hand, is enraptured, and consoles
her mother . . . . . . . . . 230

.'in. PiirvatT describes Siva's virtues to her mother . . . . 242

31. Menaka scolds Parvatl for thus speaking well of the horrible
bridegroom. Parvatl justifies herself. Nfirada reports the
state of affairs to Siva . . . . . . 2.">n

.'!2. Narada praises Siva, and asks him to abandon his horrible

form . . . . . . . . . 252

Siva takes a beautiful and adorned form. Menaka's wonder
Menaka, seeing Siva in a form of unearthly beauty, praises him 262
\l«-naka's satisfaction. .

36. Menaka calls upon the bridesmaids to sing in honour of Siva

:>7. The bridesmaids sing praises of Visnu. who leads the procession 27o
The women assemble to watch the bridegroom . . . . 274

They sing the wedding soi . . . . . . 274

IH The bridesmaids praise Siva in a sons accompanied by drums 2sn

41. A song in praise of Visnu

A prayer of the author, under the form of a song of the

bridesmaids . . . . . . . . . . -'M4

A prayer of the author, under the form of a ~-m\^ sung by
M> ' . . . . . . . . :;IHI

U \ hymn l.y tiio author in his o\\ n name, under Hie form of a

,_' by the women . . . . ..804

\nother hymn of praise by the author, under the form of the

a Sarikft bird

• if the means of salvation in tlv- form of a hymn in
praise of the Rasa Ilia .. .. .. :{|n

17 lY.u- l.\ th.- uuth, ,r un.ler the form of a n irable sunu by

ilvation . . . . . . :M4

48. The asHflinblir. \v,«ddiinr party. They

then coiiim.-n.-e the Worship of the <ieit> ..f t'iie i :<lli

49. The song of the women of the wedding party at this worship "Is

The uedding dinner .. 322

CONTENTS. XV11

.">!. A further description of the wedding dinner .. ..

52. The joyful song of Menaka . . . . . . . . .'{Jii

53. The gods and Brahmans recite vedic hymns . . . . .">:!"
f>4. Song for the Pu.spa-pujs, describing the var'ous forms under

which PSrvati chose oiva .. .. .. .. 332

.">.">, Song in praise of Siva sung at the Puspa pfija . . . . 338

56. Praise of Siva at the Puspa-puja, including a list of holy places 342

57. The procedure at the Puspa-puja . . . . . . 352

5S. A rapturous song of the faithful at the Pu§pa-piija in honour

of Siva . . . . . . . . . . 352

")'.). Song on putting on the wedding garland . . . . 358

(in. The women complain that the bride has no ornaments. Siva

creates gold, and it is showered like snow upon the bride . . 366

61. Song of praise to Siva, on account of the shower of golden

snow . . . . . . . . .368

62. The guests decide to climb on to the roofs of the houses . . .'!T2

• >:'>. The people shovel the golden snow from the roofs, and find
that the roads are blocked up with it. They lament the
inconvenience of the universal wealth and Indra recommends
them to ask Siva to stop the fall . . . . . . 372

64. The Earth finds the weight of the gold inconvenient . 374

65 The Earth implores Siva, to stop the fall of gold .. .. 374

(iti. The gods, distracted by the immense mass of the golden snow,
praise Siva, and confess that they have more than they
require. . . . . . . . . . . . 378

67. The people pray to Siva for the cessation of the shower of gold 38:?

68. Mahadeva asks them why they are frightened. They reply

that the earth is covered with gold and will not produce
fruit. Moreover, there will be no longer any distinction of
rich and poor. He directs the wind-god to collect the gold
in a heap. This is done and the world is restored to its
former condition . . . . . . . . 386

69. The author praises Siva the omnipotent .. .. 3'.>U

70. Himalaya's joy and gratitude to Visnu for being Siva's bc~t

man.. .. ". . .. .. 3»i'

71. Himalaya praises Visnu for his mercy and for his incarnations.

especially that of Krana. . .. .. .. 3!) 4

72. Visnu is pleased. Led by Narada, all unite in praising him . :>!is

73. Himalaya again praisos NSrayana .. .. .. 4oo

74. Siva gives religious instruction to Narada. recommending

inward asceticism while living outwardly a \vordly life .. '<>-

75. The guests prepare to depart. Gratitude of all. including

Visnu for this instruction . . . . . . . 4<Mi

76. Menaka's song of gratitude .. .. . . ..406

77. The author praises Vi§nu, who stands as father of the

bridegroom .. .. .. .. .. l"s

78. Another song of MenakS in praise of Visnu. detailing the

exploits of the youthful Krsna .. .. ..414

xviii i «HTS.

Page

". ~ •- .-xt the parting embrace between

Visnu and Siva, explains that Visnu and Siva are one . . 422

80. The author addresses praises to Siva and Visnu as one . . 422

si. Praise of the Antaryamin XSrayana as one with Siva . . 426

Himalaya praises Krsna. ... .. .. .. 432

83. The women-folk dance the Rasa dance as Gopis, and praise

Krsna . . . . . . . . . . 438

84. A metaphorical prayer to Krsna under the form of a song

sung at the Rasa dance . . . . . . . . 448

The salutation of ParvatT as she mounted the wedding car . . 456

Praise of ParvatT as Sarika . . . . . . . . 458

s7. Praise of ParvatT as Maha-'ajnT . . . . . . 464

88. A prayer of the author to Siva . - . . . . 470

s'J. Praise of Visnu as one with Siva . . . . . . 474

On. Hymn in praise of the Siva-rntri festival . . . . 476

Hi. Hymn in honour of Siva .. .. .. .. 478

Praise of Vi§nu as one with Siva . . . . . . 484

:':; Prayer and praise directed to Siva . . . . 486

94. Prayer and praise directed to Siva . . . . . . 4! in

!»f> Prayer and praise directed to Siva . . . . 49-

96. Impossibility of describing Siva . . . . . . 49t>

!I7. Praise of Siva on his departure for the forest . . . . 496

Die author and Menaka proclaim devotion on Siva's departure 49fi

What Menaka and the people said to each other when Siva

departed.. .. .. .. .. .V)u

I IMI Lamentation of Menaka on Siva's departure .. .. 502

In!. Praise of and prayer to Hari-hara . . . . 506

Praise of and prayer to Hari-hara . . . . . 510

lit.! Kxhortation by the author to attain salvation by means of

i practices . . . . . . . . ~>14

l<>4 Tin- women, as Gopis, sing Krsna's praises . . . . 516

In.", 'The author calls upon his hearers to worship Kpsna

106- Song of a woman seeking for Siva . . . . . . 522

|i>7. I h. i Himalaya's relations on the departure of Siva 530

i by the author. He praises the Kali-Yuga . . 530

I he author praises Siva, using words of Saraswati . . -Vis

I in. l'rai»e of one who has taken refuge with Siva . . . . 544

111. Praynr and praise by the same .. .. ">4i>

n tli.- mvsi i.- syllable 6«
he Hyllablf OM . .

Praiae of the good .. .. .. .. .~>iii;

tod with praise to Rama. .

•\plains the source of his own power . . . . ~>~n

> i tation a* to the unreality of the world . . .. ">7>

' >n . . . . 592

CO NT I'. NTS. XIX

Page

119. He eloquently praises &iva for his gift of knowledge of the

means of salvation . . . . . . . . filM,

120. The author's devotion .. .. .. .. <;00

121. Prayer for increase in knowledge of God . . . . 604

122. Prayer for acceptance, as Abhinavagupta was accepted . . 008

123. Prayer for the three great blessings . . . . . . 612

124. The Power of Diva's name . . 614

trrpn *fffa n i n

HT^TH

WITT II

^TT?T^Tf5fOIT}

;

, ^srrefsrarr nffr

nfmr? ^f

: ?frT II

ERRATA LIST FOR FASC. 1 OF S'lVA PARINAYAH.

CORRECTIONS.

Page 3, line 18, read

», 7» »» 5, ,,

.5 9, ,, 2, ,,

,, 11, „ 11, „

„ 16, „ 11, „

„ 22, „ 1, „

„ 23, „ 15, „

„ 30, „ 20, „

,, 33, ,, 16, transfer the comma to after

,, 37, ,, 8, read

,, 44, ,, 13, ,, &IVA.

», ^*'*» » *"> »»

„ 46, ,-, 2, ,,

» 48, ,, 8, ,,

., 49, „ 13, „

,. 52, „ 21, ,,

„ 56, „ 1, „

» 57, ,, 9, ,,

,, 64, ,, last, ,,

W12

> » l*> tt

II ^fif

«m: ii

PAET I.

1. INVOCATION TO GANtSA.

-^1: 'HIHIrl.

ii ii

2. INVOCATION TO GANE^A.

I

I I

—ii]

1. INVOCATION OP THE OtTETT.

•_'. IN VOCATION OF THE OUBtT.

M 1 II

—16]

: D

t) o ii

-•TRI-

2. INVOCATION OF THE GUBU. [17 —

51

U
lf^ ^iT »T?[

-22]

t ^?do ii

10 2. INVOCATION OF THE GUBU.

TIT

"

-27]

12 3. THE BIRTH OF UMA, &C. [28 —

^1.
I

TTHll

3. THE CREATION OF THE UNIVERSE, AND BIRTH OF UMA.
HER MARRIAGE TO §IVA.

WIT

—32] 3*?T*JT: *f=gm

t ^^fto II * II

II o II

:o II

14 3. THE BIRTH OF UMA, &O. [33 —

f ??:

I
I

*

n

X

38] ^vw- *ninfar ^T^farf^fwroir ii ^H 16

: STTtTr: fT^T

iff ;m:o ii

(m)

: «r

5TW.O II 3* II

feart

If) 4. DAKSA ADDRESSES HIS REI<ATIONS.

f?TO

i!

I?R:

4. UAXgA, REJOICING OVl i: I'MV'S MARRIAGE WITH
ADDRESSES HIS RELATIONS.

ii g 3 ii

-43 1 ^^ft% ^T*fafW Ufa I! B U 17

if:

: VTrSIT
II

8° ii

(w)

H^rf

A

is o

t TIT

II 8 II

: II 8 II

4. DAKSA ADDBESSES HIS BELATIONS, [44—

I I

V X

f f(

35^

rf 5f5? II 8 II

V « X \

r

n su ii

^gr ^r sr^nsr fgw^rr

Nj

«fffel-HWT:

5 ^ W-^oT

20 5. WBDDINQ-JOUBNEY OF MVA AND UMA TO KAILASA. ( 50-

11

6. THE WEDDING-JOURNEY OF §IVA AND TTMA TO KAIt.ASA«

—64]

f Sffa STfislfa: || «. II 21

II 8 II

n y$ n

: (fa1)

5. WEDDING-JOURNEY OF SIVA AND TTMl TO KAILASA. {65 —

—60]

23

: JTH

n «y 11

life ^^TTif f^T(?T

3lf?gT

24

6. DAKSA'S VISIT TO SIVA'S HEAVEN,

[61—

pi

6. DAKS A VISITS SIVA AND THE CtODS IN" KAILASA, AND IS NOT

RECEIVED BY £lVA WITH THE RESPECT WHICH HE

CONSIDERS TO BE HIS DUE. DAKSA's WRATH.

HE DETERMINES TO INVITE ALL THE GODS

EXCEPT £lVA TO HIS SACRIFICE.

ra ^>^ ^^R

TO

—65]

ii 30

3T^5T^f?f II II

ITcT? I

? trw \

26

6. DAKSA'S VISIT TO SIVA'S HEAVEN. [66—

^RT

'x x

II « o ||

—70] 5IFff»srt% %3W\ *IHrfaHT*ITfoWT* II < II 27

fIrr^»T-fTOT »T

3d Mi

nwsn

28 6. DAKSA'S VISIT TO SIVA'S HEAVEN. [71—

f?IJR ?W ^T^

ift »rf?c

»RIR iff

—76]

29

( fargw )

30

7. DAKSA'S SACRIFICE.

[76-

7. THE GODS COME TO DAKSA'S SACRIFICE. DEVI GOES TO IT

'VITHOUT INVITATION AND ASKS WHY SlVA IS NOT INVITED.

DAKSA GIVES AN INSULTING REPLY. SHE CASTS

HERSELF INTO THE SACRIFICIAL FIRE.

—si]

3l

II ^> II

n o$ u

ITc

5 rff-^
:o n

P^ff :

32 ?• DAKSA'S SACRIFICE. [82—

*: K s ii 33

^fsrarnr

JTHT

miTT

TIT:

.o n cij ii
ITHT, ^TW^T nftr

34 7. DAKSA'S SACRIFICE. [87 —

v» ^

l<~ I

lif^r

inr ^3? qf?i*j

•

36

: ? i

(uw)
:e n

wrofii ^^

:o n

36 8 1'iuusB or JwlLi uBvt [93—

84 PKAISE OF DKVi UMDER THE FORM OF JWAXtlJ

V

> fi

^ >•

ii ^y ii

T'.o ti

: H

8. PRAISE OF JWALA. DfiVi. [98 -

—102]

(TIT)

n *oo

|JHT:

40 8- PRAISE o* JWiijl DlTU 1103 —

i
T

—107]

WrfiRt

:o n

^

6

9, PRAISE OF D£Vi, AS ONE WITH SIVA. [108 —

S v

9. PBAISE OP DBVi, AS ONE WITH 8IVA«

5J€T

-112]

43

TJTT rrorr

UTinfsT

T: u q^o n

nftr ^'TI^T-^'
(%) Tjftin^fcT ^n^ ^nr: u 1 1 q n

44 10' CREATION OF ViBABHADRA. [H3 —

n

NX

|| ^ 1 ||

10. NANDIX GOES TO KAILASA AND TELLS SIVA THAT DEVI HAS
BECOME SATI. CREATION OP VIBABHADRA.

! II \0 II

-^-S' 3*: ^tTTf?HT-?ta
cjHWMI ^

n tt H ii

J?f?f

u 11$ 11

cI. rTOT

-.o u

*ymifflji*H*<iTW

46 10. OBJECTION OF ViBABHADKA* [118—

ft^r ^ 5^5?

—122]

II 1^0 II

: II 1 o

48 11. DESTBUCTION OF DAKSA*S SACRIFICE. [12.'>

11. VIBABHADBA ABRIVES AT DAKSA's SACBIFICE. HE SLAYS
DAKSA. HE BOUTS AND SLAYS THE GODS PBESENT.
THE GODS, IN OBDEB TO PACIFY SIVA,
SING HIS PBAISES.

—127]

49

lrf%'ff-^T-rrer

W)

50 DESTRUCTION OF DAKPA'S SACRIFICE. [128 —

s s s

sifa: II

^^ ^tfosf ^f%^T 5ftT II ? 9

^X. N S S

3^5?

9 »

-132]

51

: rT^T

: 5f

:O n

, HrT: :

52 12- KKPXA'S HTMN. [133—

12. KRSNA'S HYMN IN HONOUR OF SIVA.
The 12th chapter is in Hindi, and is here omitted (vv. 133 — 143).

13. BRAHMA'S HYMX IN HONOUR or SIVA.

The first eight verses (144 — 151) of this chapter, which consist merely

of a string of Sanskrit titles of S'iva, are here omitted. After

these titles, which are all in the Sanskrit vocative case,

the text proceeds as follows.

14. HUM, (YAJIv's) JIYJ1X IN HONOUR OF 6lVA.

1T5R?: w 11

-155]

53

nft

fW *ft II

s (%) 11 ^u^ n

(lit TO: ftraTii ?f?r)

54

14. YAMA'S HYMN.

IT^f

fro TO?: lint

—159]

n \ a

55

*sni>

56 14- YAMA'S HYMN. [100 —

•5* ^

TOT

162] W*T5TlicTT ^fa: || \8 B 51

(%)

n i$o u

d'HIfJd ^ft3T5TT

58 !*•• YAMA'S HYMN. [163 —

?r

35(1

fire i

flR IJ

lint n
m. ^»?

-165] whcT5T«aT ^fa: H \8 0 59

fTdtTMJ

"gsri ^pl
IR:

TJ ^ WTO?

: ITHT:

60 14. YAMA'S HYMN. [166—

ffa ^T Wl" \\\

fira ii^[ wt

S S

'x x

-168]

r: n \e 11

II qH II

Tsnn*3(rTt

^wTa':
IT'^ f^rft^f

: rrar

61

62 14. YAKA'S HYMN. [169—

fire

<* ft

V S

* I

II

i^T TOffr || ^ 8 II

—171] ^ukpsracTT igjfa: ||8 I 63

rjk4irzfi:

(rT?) *a*a

II <18 M

64 16- VARUNA'S HYMN. [172 —

15. INDRA'S HYMN IN HONOUR OF SIVA.
The 15th chapter is in Hindi, and is here omitted (vv. 172 — 177).

16. VARUNA'S HYMN IN HONOUR OF SIVA.

'X N st

fim

-181] ^fll^fa: h $ II 65

(¥ITJ5Tt) stenficT-Wt: m^ift: cT% II 19= II

cTcT

fsrtfa 1

9

66 18. THE GANDHABVAS' HYMN. [182—

17. CITBAGUPTA'S HYMN IN HONOUR OF SIVA.
IVie 17</» Chapter is in Hindi, and is here omitted (Vv. 183 — 186).

18. THE OANDHABVAS' HYMN IN HONOUB OF SIVA.

n * n

H \* \\

n \* \\

«n^r n «ico u

«TTIT I

it

68

19. THE StrN-GOD's HYMN.

[190 —

i3r ?f

N \J N

ig ^w wta

19. THE SUN-GOD'S HYMN IN HONOUR OF SIVA.

u if i w y «/ -(^TWT^-H ftrgr

, %-fwg

fiUI^HI xJ^grt-»TTO rT^l ff I

u 1= n

n i< n

70 19. THE STTN-QOD'S HYMN. [196 —

ii i n

II

ft 1

^rfft

* s

XXX

x x

j H 9 o o

X *

200] 33K9I ^fa: II \£ II 71

rfcr trnrrfsr
ro H

UMHT

era1

tT rToT

nar

2 ^5 w:

II ^00 ||

72 19. THE SUN-GOD'S HYMN. [201 —

X. X S X X

5^5

xx

•v x x

55^

X X

55^ ^PW =gr ^r^ ii 9

* v

X X

X X •>

—206]

II «L D

73

fsTTrfi:

fsra"

o n

74 19. THE SUN-GOD'S HYMN. [207 —

XX X

5R

X X

II * ? o II

X X

v *

f?f

— 211]

= I I,*. II

75

I l*LiO (I

-^, ?ufw ff

?T IlffT

ii ^10 ii

TTHT:

76 21. HYMN OP LAK?MI AND 6ARASVATI. [212

XX

fire

XXX

XX X

X X X X X X

ft^ cUf?f 5!

XX

i]*

Cll

20. THE MOON-COD'S HYMN IN HONOUR OF SIVA.
T/M #)th Cliapter w m Hindi, and is here omitted (Vv. 216 — 223).

21. THE JOINT HYMN OF LAKP.Ml AND SARASVATi
IN HONOUR OF SIVA.

| o P y ||
* The passage enclosed in brackets is wanting in the best MSS.

—224]

11

: f

fern'-

78 '2\. HVMN OF LAKSMI AND SABASVATI. [225

N. X

IT «r ii

X X

* I' ••, hero to the end of the chapter, the language is a mixture
udiand Kashmiri

—230]

: rfcT

f f§:)-f ^r^ fiww^f

ii ^^tt n

(f ^)

80 22. HYMN OF THE PLANET MABS. [231 —

W ii * 3 o

v v

«

V N

22. HYMN OF THE PLANET MARS IN HONOTTB OF SlVA.

-236] HlT^fa: II ^ I 81

^ wisnr

(^rfw) e
it 5i n

11

82 23. HYMN OF THE PLANET MERCURY. [236 —

v»

%

23. HYMN OF THE PLANET MERCUBY IN HONOUB OF &IVA.

S V V

—240]

(t) rdyu irarro: ( ii«m#d. ) wwr

:o II 511 II

II ii

n ^^» n

84

24. HYMN OF THE PLANET JUPITEK.

[241 —

II 8 o I!

JT^-URI

n n

24. HYMN OF THE PIANET JtrrrrEE IN HONOUR OF (UVA.

8 II

.•>4.~»1 _i • jjifagyfa"* n au it O«

vrrorar

11 ^ « $ n

(lj«lr!Hl)

86 24. HYMN OF THK PLANET JUPITER.

1TTT if ^ *I?T\

tfa

^rtefr

^ V V S

I

V N ^ S V

I ^ 8 II

V N

—249]

I) *8H II

.'">. HYMN OF THK PLANET VENUS. . [250—

25. HYMN OF THK PLANET VENUS IN HONOUR OF ItVA.

^TU,

ii

TTH,

, qfq

TO iff «f ^TU, flI5|5TT^

x x * x x

-257] { 89

: i1

) wrxn^t

n

WGTOT -an
ro n

rlt),

90 27. NABADJk'S HYMN. [258 —

26. HYMN OF THE PLANET SATURN IN HONOTTB OF §IVA.

The 26th Chapter is in Hindi and ia here omitted (vv. 258 — 265).
27. NABADA'S HYMN IN HONOTTB OF SIVA.

si*

mart n

if

—271] Jl^fwiwn ^fcr: | ^s || 91

arort 11 5 e$ n

( ^refowfti e^ )

M

faitfawfa

n

- ( fern? )

) i

92 -7- NAKADA'S HYMN. [272 —

u^ft

-276]

93

n ^BH n

rf^JTT

94 27. NABADA'S HYMN. [277—

fff

s s •

-282

) 4tD

II ^ = 0 ||

. JTftSl

^fv ^ 5 ) ^i^q wa^nj1 ^%H-^ ?ar
( ^% )
nr^« n

( ^f ) WW

W ) HfH: ^T^T: ( ?^ )

urer

96 27. NARADA'S HYMN. [283 —

ask

n H

— 287 j

( inn )

^ ) ¥g^wg" cTHT^r era"

tmro-^nw-ui

13

30. THE AUTHOR'S FRAME OF SIVA. [288 —

28. HYMN SUNG JOINTLY BY ALL THE GODS IN HONOUR OF SIVA.
The 28th Chapter is in Hindi and is here omitted (w. 288 — 299).

29. SIVA ACKNOWLEDGES THE PRECEDING HYMNS. HE IS PACIFIED,

AND EXPRESSES HIMSELF AS PLEASED WITH THEIR DEVOTION*

(SHAKTl:. HE i ARES NOT FOR EATING OR DRINKING

AND HAS NO PLEASURE IN SACRIFICES. HE LONGS

FOR SHAKTI AND FOR NOTHING ELSE.

Chapter 29 is in Hindi and is here omitted (w. 300-304).

30. THE AUTHOR'S PRAISE OF SIVA. ACCOUNT OF THE GODS'
INTERCESSION ON BEHALF OF DAKSA.

rf

-309J gSfid: fa: u a- n 99

n «^ n

: ^u»uf?i flf^ft n ^ <

^v'^Oi ( g^?r ) tm,

T: II Oit II

: f rft

w^i7r i See

note to Stein's translation of the RajatamAyini, i, 31,

100 30. THE AUTHOR'S PRAISE OF SIVA. [310 —

ITIT

ftn^ iff ^ ^

5iftfri-^r

ii

-314] SfSJlicf: ^fcT: j ^« t 101

: (ua:) <ma>g<«nfrnr grwiuT

: wrsft ( ^t^i^ ) i

wr«f

ITH;

n o n

1Q2 :il- DAKSA IS BROUGHT TO LIFE.

31. DAKSA IS BROUGHT TO LIFE. HIS HEAD HAVING BEEN REDUCED
TO ASHES, HE IS GIVEN A GOAT'S HEAD.

TO
TO 5fi^*T Tf^ram II

*

rf??

V

V V V

cTffT

x x x

n

fro

xxx

I

XX X X

-320] g*rni%: *R55f5W I I 103

TO

N irf?f
3 ^H

) siT?rfT-wfTBnfjcr ^

Q

ii ivi ii

imrf ^^T ( W^T: ^^ )
:0 II

o ii

( fgg-TTRife )

5TOI

104

31. DAKBA IS BROUGHT TO LIFE. [321 —

S

^t ft

n n

-324]

105

nfn ( f^t^f )

H

106 32. DAKBA'S HYMN. [325—

32. DAKSA'S HYMN DESCRIBING HOW HE HAS BECOME FBEED
FROM WORLDLY PESIBES.

f ?I

— 329J

: n

•rf? *sd«frt W-JHT, TF?'- •rf^g1

TW

( ^r

r: II

II S* II

33. ANOTHER HYMN OJ1 DAK.SA. [330 -

33. ANOTHER HYMN OF DAKPA. ON THE SAME SUBJECT.

* V \J

^^ ?T

-334]

(cT?)

*-- ^=» l! 109

n ii

frrf%crf*T3 ^, inn ^

r: i

HO 33. ANOTHKB HYMN OF DAKsA. [335 —

s

«^i n 3 ^ •*, n

I g I

I I

V N *

TO ^ ^qre ^T ^rt-^ft ii

V v V ^

TO ^ ^qi^v ^n: ^ft-^ft n

T& «l ^IT^ ^ ^ft-ift II

-340]

li II

(IT?) wisPt

II

nfsrsr 5ftwic*(»fJ

n

m

112 33. ANOTHEB HYMN OF DAKSA, [341 —

3 *TR TO

«far

S X X

X S »N S

I

7

H 9 y y II

_;$4f>]

TTSJT

n $8° H

n 8«4 II

15

34. DAKSA'S SELF-ABASEMENT.

[346 —

r^ f 5

TO

-JTsT fft%

34. DAKSA'S SELF-ABASEMENT.

t

*ll\flc«l«r:

f%?T9frai

wan

ii 59 n

116

35. DAKBA'S PABDON. [352 —

tf II

35. DAK6A SINGS A HYMN IN PRAISE OF SIVA, AND ASKS PABDON.
THIS IS GRANTED.

v N s v.

?

—365] «n4n€H?r wvrfrrit ^^fa: i ^ ii 117

: f ^r-srm ( f ^rrfrj )
snfarft-*nn nmrrrw ( ^rsn WWTHTCWITT ) i

N

H,

( tnri ) TJ%*T

VTV

: n ^^ \\

118

36. ANOTHEB HYMN OF UAKpA.

II M II

S X

36. ANOTHEK HYMN Or DAK8A.

-360] <?^T ^ft: ^Tf^gilfcnH II ^< || 119

TTTT

VS v3

Jo n

HT

iftrKT

! HUjf1(*nn)-rTO, "J^T^ (rPIT) WTlfTI WrFW (fTinTTCM^r ) TIT
:o n u n

( ^dii^ir )

30. ANOTHEB HYMN OF DAKSA. [36J —

\ s ^ s

—366]

fare: irfa

ii 5^H ii

16

122 36. ANOTHER HYMN OF DAK' [367—

r

) n^rw arnzi safe
ll

123

( w^f^H ) tnzrwnt-inft: (

124 36. ANOTHER HYMN OF DAKPA. [372—

3TT?:

—377]

125

(3^

felff

n au n

126 36. ANOTHER HYMN OF DAK6A.

-382] ?T3w iffrfcf: vrfTOrnfaram n ?$ » 12?

fgr^i, tnn

ffg^Tf arwrfa

srinf

II

Wlf<I

1 28 ST. DAKSA AGAIN COMMENCES HIS SACRIFICE. [383 —

37. HAVING FINISHED HIS PRAISES OF SlVA, DAKSA AGAIN COMMENCES

HIS SACRIFICE. HAVING PACIFIED SIVA THE GODS OBTAIN

PERMISSION TO DEPART, AND REPAIR TO THEIR

RESPECTIVE ABODES.

* Tliis and most of the following lines are in Hindi,

-387] <^^T SI^NlW II II 129

: fTOJTW *t) TjT*m

ii ^^ n

flJTO

U ^ II

: n 5=8 ii

H7TT

17

130 37. DAKSA AGAIN COMMENCES HIS SACRIFICE. [388—

flT^-U^T

fro;

T || 3

N N

—391 ]

»

131

:0 M

:o n

o n ^<«o n

( ^^Tfn!i )

132 38. TRIUMPH-SONG OF NARAD A AS SIVA DEPARTS. [392 —

38. THE SACRIFICE BEING COMPLETED, NARADA COMMENCES A

TRIUMPH-SONG IN PRAISE OF SIVA AS THE LATTER

DEPARTS FOR KAILASA.

9 < 5?

CM,

X

—396]

133

II 3 II

: effort ^f-^T II ^* II

ufrr i

?fl^TT«fT

( wfrFlftH )

II ^= II

134 40. ANOTHER TRIUMPH-SONG OP NARADA. [397 —

39. NARADA'S TRIUMPH-SONG.
The 39th Chapter is in Hindi, and is here omitted (vv. 397 — 407).

40. ANOTHER TRIUMPH-SONG OF NARADA. HE PROPHESIES THE
MARRIAGE WITH PARVATI.

^T-WT II 8
I

-r n 8

s T-T II

-412.]

'- II 8«

135

II 8 * II

?rm 11 « °= n

810

136 40. ANOTHER TBIUMPH-SONG OF NARADA.. [413 —

.

f^rf

%r-ir

%r-tr

ii s «

417]

: || 80

137

( era:, ) 9^ ( If5 )

io || go M

18

138 41. EPILOGUE OF THE AUTHOK IN PRAISE OF SIVA. r.418 —

41. EPILOGUE OP THi: AI'TUOR IN PRAISE OF 6lVA, AS AN
l\ PRODUCTION TO THE SECOND PART.

5*3
5*3 *s*

TO

vi S

fffl qm'T II

3 TT1I

9lf»T qm II 8 o

sifi? m^r 11

-423J

n 8 n

*fff%-ccir

ftG4l'«?W**UiliR

140 41. EPILOGUE OF THB AUTHOR IN PRAISE OF SlVA. [4^4—

, i^

?rf»r m n g ^ t n

-426]

TIW TIT

f r

PAKT II.

1. B1BTH OF PAKVATl. HER YOUTH AND UPBRINGING. HER DESIRE
FOR SIVA AS HER HUSBAND. SHE WANDKRS IN THE FOREST
CALLING FOR HIM.

ri

N X

II 89 o ||

fl*?T<«raiTf

^- f ^-

tnTT

r ?unf: (IT:)

IR^ n » ^» n
TT^TT

144 1. BilUH OF PABV.VTI, KTC, [432 —

-437J

145

19

146 2. PARVATI PRAISES SlVA. [438 -

X • X

X »N X

S N X

X«N X

2. PARVATI HAS MEMORIES OF HER FORMER BIRTH AS SATi, AND
UTTERS PRAISES OF §IVA.

88

-442] stoian: are^s^u^T n R 11 147

( ^rgnl^ ), fg^fTcT^rm WTHT

n 88 o n

HUIcl»T^I

148

2. PARVATi PRAISES

[445-

TO

• XX X

TO ^^ TO TO

• x x --S x .x v o v

13

XX ^ X ' ,x X -i X

9 1 II

—447]

I 's II

149

( ^ftgicqT )

irftr

n 88H II

150 2. PARVAT! PRAISES £IVA. [448 —

-j V ^

T II 8 H, o II

mi

-452]

fHf,

wt)

152 4. PAKVATJ CLAIMS IDENTITY WITH SIVA. [453—

3. REMKMBEBING SIVA*S COMELY APPEARANCE AND HIS LOVABLE
DISPOSITION, PARVATI LAMENTS HER ABSENCE FROM HIM
AND ADDRESSES HIM IN PRAYER.

The third chapter is in Hindi, and is here omitted (vv. 453 — 465).

4. CONTINUATION OF THE FOREGOING. SHE CLAIMS IDENTITY WITH

SlVA.

ITI m n a ii

—469]

|| 8 II 153

f^rr

S B

20

154 4. PARVATl CLAIMS IDENTITY WITH §IVA. [470—

X N

X S

ftir i

XX

?

X X X X

— 474]

I 890

lifer

M

STTrUT «!I

*

B

4. PABVATI CLAIMS IIHCNTITY WITH SIVA. [475 —

-480]

: || 8 II 157

aftw^r

4. PARVATt CLAIMS I'.iKNTlTV WlTH SIVA. [481 —

II 8 * o II

-485]

|| 8 |! 159

8=0

(t)

zni

c^T
II 8=^ II

160

5, PAttVATl IN THE FOREST.

mi

X »N --5 X

n s n

5. DRSCRtrTION OF PAIlVATi IN THK FOKE9T. THK HEATJTY OF THK
FOREST BLESSED BY HER PRESENCE. sill. i:\TERS A LAKE
AND, STANDING IN THE WATER, INVnkKS SIVA.

— 491 j sfj-UllfaT^nissreaTW || 4JI 161

IPS 5j^TO n

II 8 II

n ^ n
f w-nwrr^a

21

162

5. PARVATl IX THK FOItKST.

[492—

n a CM, n

fTf??

XV

XX

x x

—502]

*TrlT

( 3rF* ^ w^tfw ) H^T SR^T

TJTSRTrTT waruft VlrS^ sg^^fTTSZTfH II
ITT^tc^ f^mi («Q?T'5TrfTtjT)

rim TJ^JT XITIT
ITT^T

srfij HT HT^T ff^gT n

. re

n a oo

VTTT n

164 6. PARVATi'.S HYMN MI illi: LUNAR FORTNIGHT. [503—

inn:

N*

TO

• XX X

UT^

X ^

ii. I'\KV.\Ti BQTOS v HYMN OF I'UAISB TO §IVA, ALLUDING TO EACH
DAY OF THE LUNAH FORTNIGHT.

n t ii

—512] JjftHRrar ^llf^fal^fa: II < I! Jf>5

? n

-rT ^tfsrsf,
sFTnrJtr: ?gT
fa cjsj Trillin ^

t VTJTdi:

: u

o n H n

: THF?

166 6. PARVATl's HYMN OF THE LUNAR FORTNIGHT.

1*3

"3 S

Hfll

517] sTJTfUT 95JT;f^l3^reT: H 4 H

m:) SST-Ta life1 W^a ^f^T-^ %a*I-?firT
: 0 II

.

wronrr

-^ Ha

168 6. PARVATl's HYMN OF THK LUNAR FORTNIGHT. [518 —

X N X X

X V

x xx

sift; s'f?;

^

'TO

-r>2»i

: R <

169

22

O M tt*0 M

era1
Iran
( rrf^My^Twnw )

r?a

170

?• SlVA COMES TO TEST PAKVATI.

[524 —

&IVA. DISGUISES HIMSELF AS AN ASCETIC, AND COMES TO
PARVATt TO TEST HKU. HK URGES HER TO WORSHIP
RAMA, NOT 6lVA.

5»f»r

~528i

ii « n

«jjf%

o ii

II \ II

^[ n y^= n

172

7. 6lV V rOMKS TO TKST PAR VAT I.

[529 -

N. V

V .XX X

N V X

* From here to l,e second half of .-ach lino

173

: IW, TT^f%1iZ5rTftl-rTT^ II M^o II

w? nt% ? i

fTT nfrT II

SR^T-WW ^rfr-srm ^nrmfH ? i
TUT: ? 'H^ir ?F ^r f^/Mify ?

t \

(

fo ) 5ft?^
nwrF %arr, ?r

5HT-RT

174 9. PARV ATI'S REPLY. [540—

II i 8

H. CONTINUATION OF THE FOREGOING. SIVA, IN HIS CHARACTER OF

AN ASCETIC, ADVISES PARV ATI TO DEVOTE HERSELF TO RAMA

LAKSMI AND KRSNA

The 8th chapter is in Hindi, and is here omitted (vv. 545-552).

9. PARVATi'S REPLY. SHE TELLS THE DISGUISED ASCETIC TO GO TO

THH: DANIJAKA FOREST, WHERE HE WILL FIND THAT SIVA ALONE

IS TO BE WORSHIPPED.

« 1 9 Ii

-555] ^-rq^grTf^ ^1* sftilTWP II £ II l75

?ro: ^r

*-*g ^ro%-t snfas vngsn^ n y «o n

^51 ftfT Tlf^f^^ H?lTW TjftTT^fk I
Tr*< «Tff

nr-^m gnnr-%

M a n

H
ufrT

73 n tin « n

170 11. SIVA'S REI-I.V. [550 —

X V

%

5R5T

rf

S

10. PARVATl CONTINUES HEK ADVICE TO THE ASCETIC TO GO TO THE

DANDAKA FOREST. HE WILL THERE FIND THAT &IVA. IS ALL IN ALL,

THAT HE ALONE EXISTS, THAT HE IS BRAHMA, BHAGAVAT,

ALL THE GODS, AND ALL CREATION, AND THAT THERE

IS NO DUALITY.

The 10th chapter is in Hindi, and is here omitted (vv. 560-570).

l\. SIVA'S REPLY. HE PRAISES PARVATl'S BEAUTY, AND ARGUES THAT

S3 LOVELY A PERSON AS SHE SHOULD NOT UNDERTAKE

SUCH ASCETIC PRACTICES.

.A I

* From here to the end of the section, tli. >.•••,. nd half of <«noh li^
MI Hindi.

—574]

: 6 V i!

177

:, •erf? H ^r

: II «» II

: n ^ »

W^ffT ^ ^?ET: II U»1 II

f ^T

-t fgj,

f ?T- ito-it

13

178

1-- ^IVA ADVISES PARVATt.

[575 -

W 5^3? T^

* X «X X

X X

12. CONTINUATION OF THE FOREGOING. HE ADVISES HER TO GO

HOME. SlVA IS NOT A HOUSEHOLDER. HE IS N> T SO GLORI US

AS THE SUN, SO GRACIOUS AS VISNU, OR SO RIGHTEOUS AS

BRAHMA. SHE SHOULD WORSHIP THEM.

XX

T

X J X x

-581 J

Ra

179

tTT-fefll

II U®9 II

fcft

ii «=o ii

( ^r: ) -^faricr: ( ^ft )

M usy ii

111

|gQ I '2. SIVA ADVISKS PABVATI.

'

^q q^r

X -

SN X

I'

X X X

XX X X »N

^t: 4

-58«]

: r,

j Differ

«5ff£J

fSTlTJT,
( f
f ^
^f

Y|T

) fr!f ,

( ^t )

n ^ey n

182 l;> I'AKVA'i i:.Ki'i:o \CMK.S M\ \ [58? —

13. PARVATl ANGRILY REPROAC'HKS THK DISGUISED 6lVA, AND

ASSURES HIM THAT HE IS ATTKMPTLNG AN IMPOSSIBLE

TASK IN APPEALING TO HER.

-XX X'

if

^ ^^^ ^ IT^^-^ 3RT«Ix r«s || ^ 3

14. CONTINUATION OF PARVATl'S SPEECH. SHE THREATENS HIM
AND PROCLAIMS SIVA AS THE ONE OBJECT OF WORSHIP.

183

( * )
?¥ IT^O II 15 II

.sr: vrg- i

11 « cc n

ITH

u u<5o

^'tlT^m ) 5JlfH II 1 ^ II

II < 8 II

irift ^ ^

: («rT:) II U^Si II

) TTTlf

H, ?niT ^WifTIzi ^T^g ( ?^S^ ) I

r ii

184 I*- PARVATl KKI'KO VIIKS .SIVA.

X s» X V

rf

vCvj

ur-ftgr

—509 j 144 <A 4 Tprirfa ^MicfcH H ^s H 185

H ( f5T3 )

'TRTlftlT: H-'jg'

M

WTtTT

fntffi afwr

186 15. SIVA PLEASED REVEALS HIMSELF. [600

15. SlVA, PLEASED WITH PARVATl's CONSTANCY REVEALS HIMSELF IN

HIS PROPER FORM, AND PRAISES THE VIRTUES OF

CONSTANCY AND DEVOTION.

n ^ o o ii

'

f?i qrqi ?? ^u^r THI n

ITif II

—605]

187

n q8 n

: HTf Tta1 ^3:

: ;TTO
^'m^: f'f

II ^00 II

n q y n

188 16. 17. 18. PARV ATI'S HYMN IN PRAISE AND AWE OF SIVA. [007 —

16. DESCRIPTION OP THE GLORIOUS APPEARANCE OF SIVA AS HE RE-
VEALED HIMSELF TO PABV ATI.

The 16th chapter is in Hindi, and is here omitted (vv. 607-617).

17. PARVATI SEES SIVA IN HIS PROPER FORM, AND BEGINS TO SING
HIS PRAISES.

18. PARV ATI'S HYMN IN PRAISE AND AWE OF SIVA. SHE ENTREATS

HIM TO TAKE HER FOR HIS SPOUSE. HE PROMISES TO GRANT
HEB PETITION, AND TELLS HER TO GO HOME AND WAIT FOR NARADA.

IT^R;

n ^ n

-623]

189

fag

II II

T ||

) wtt ^vr (

II f 1= II

( ^^ ) cRtrer f^-^ ( ^ ) i

^r ) fnn ( mi-aiT ) voi

: n ^0 IMO n

': II 1 H

inir u

190 18. PARV ATI's HYMN IN PRAISE AND AWE OF SIVA. [624 —

*J TO R3f rf ^ TO

•^"» ^ V X .Xx ^ V

TO q^ ?f

^ X ^

-628] «?lfi«.ei

191

firm

( gfanfftl )

: ) t ¥T (

T«

( cmr )

( wi^gf H )

192 19. SlVA COMFORTS THE AWE-STRICKEN PARVATI. [629

V X • N

19. &TVA COMFORTS THE AWE-STRICKEN PARVATI. HE PROMISES
TO MARRY HER IN HER FATHER'S HOUSE, AND RETURNS TO KAILASA.

n

s

-634] rFrenraRs^ frr? r ^^ n \t n 193
: ( g*: ) gw *ni€$:-3 ( n^rorra ) t-

f qt

II
wfrfi:

_ I

II 1= II

?ni: i

n ^ n

sn? n

QK

194 19. SlVA COMFORTS THE AWE-STRICKEN PARVATI. [635 —

rffa $JfT

f*Hsl I

ftra nf%-^q 3rtf?re

TOT

8 o

V X

II 8

—645] rR^TW^1 **^K^ *^cT || £ || 195

n ^u n

( 3 ) ^tf cfq I

( a?fHfr^i: ) n

( ^TT^ ) u

: nt ^i^f ^r^ffT ( ^vm ^rarnftr «f

:) II ^80 ||

lifer ftig: srfTfi^nr ( wfw^fwg^iffK: )
f ( ifri

f FT fjii^ uT^if: ^a^ n

r^fv (
n

fTW ^^I^lT^ ^^5 ( f :isI5fr5Tg ) I
5 H ufH II ^ 8* II

20. PABVATI LEAVES THE FOREST AND RETURNS HOME. [646—

X X ^» X

u

20. PABVATI LEAVES THE FOREST OF HER AUSTERITIES, AND RETURNS
HOME. HER BECEPTION BY HEB PEOPLE.

tffa ^^ftW rf9 ^^ f^HTf 1

f«!«

X X *X

rffj?

sr

—655] *T|jf|4if: fraftwTJra cT^-prfej *rfw n ^o H 197

JTTO

JTHgisr

f wr n^mr ( grfii ) fsf^^ ^HT: ( ?ffr ) n

ftTHT ^ H «H II

II 5? • II

WTITHT

II ^H° II

( zr^ri'- )

( sfrT )

rrTO: ^w

ii

f HT^ff ^T W^T^ ( Hsfas?^ ) II

) ffcr: ^grurmftr $^JT w^r^r H^ HHTW: i

, % jftft, t-TRTfTTTfT, ifffe ^T^JTiraTT: ( ^n5TrT: ) II ^HU ll

198 21. HIMALAYA AND MENAKA PRAISE PARVATI. [656 —

v f

UT3TU
X

I

21. HIMALAYA AND MENAKA PRAISE PARVATI.

rfNffa

rar

m

-662] :j5TR?2rr ^l<i*d^cWtfN«l| || || 199

II ^0 (I

rrar

erf rnnfSTWt ) ^|T ^^WT ( SR^ ) ^TJ^T 3JJf?Jni

: ( fdcTT ) ^ ^Jr^' ( HH^: ) «T*p fTWT: w£* H3TOT^ ) II

: HOT:

( ^ )

) n

200 22. THE UNIVERSE PRAISES PARVATI. [663 —

I

V

i ^^Ti II ^ ?

sss V »

22. PRAYER AND PRAISE ADDRESSED TO PARVATI BY THE WHOLE

UNIVERSE.

W

IffcT *T<T srarcTt ^jf ^t^ II ^ II 201

( SET ?jg- )

( fig1 ) WrFT^t

'O II

iifw

( f* ) Wf^?: H3 WrfiRt WT^JWrfsSlrTT II ^9 II

•Q

II ^ $ 8

) ^

202 23. TEE LEGEND OP TARAKA. [668 —

S. X

23. THE LEGEND OF THE ASTTRA TARAKA. HE OPPRESSES THE GODS.

SlVA TELLS HOW BRAHMA HAS EXPLAINED TO THEM THAT HE
CAN ONLY BE CONQUERED BY SlVA'S SON, AND SENDS ARUNDHATI AND

THE SEVEN RSIS AND OTHERS TO HIMALAYA TO ASK HIM AND
HIS WIFE TO GIVE THEIR DAUGHTER TO glVA IN MARRIAGE. THEY CON-

SENT. ARUNDHATI, ETC., RETURN TO BENARES AND INFORM &IVA.

HE IS PLEASED, AND DIRECT NARADA TO SUMMON BRAHMA, VISNU, AND

THE OTHER GODS.

rTfrT

-675] m\cT^rl<*^l«1<*^^M^H || ^ H 203

anift ( miforeiT ) W3T^ ntte *

n ** n

( STUFT: ) ^c

) f^t^T: W^T^ rrafCTTm*rr

HTI ^ n
. -q-: rr

11 QU n

204 23. THE LEGEND OF TARAKA [676 —

X *>

II c • II

X ^ N V

fire IJ

A. x

—686] y*d<iTl<tiq (Wfa^W*! H ^ II 205

( gfeTjfa^T-rftFhaft ) ( ^ ) ^ s

' II

( fv )

( fr )

^S-H^^Tf ^f«rl Ha: HF f^iTnlT: II

\ \3 ^

f% ^rf5i •^ti-^rwi ??^3- i

TTT^i IlffT ^tf ^FtfTia't II

: ( ^f ) ^tf^rarer ^r^ajf^ ^fxnzrg i

: TTOT ( ^ ) ^-^3 H^'SllH (

II $ = 0 II

nai^

: n

: n

II c« II

: I!

206 23. THE LEGEND OF TARAKA. [687 —

••x v -J x

s s

X v X

ITfjf ^

^» x x x x x

—697] HficT^TTSfrsTTST* fa ^-M 4Uflx II ^ II 207

( ^1^ ) II

) f^Tf 5P fsr^T: fsraiw: f?nT«TT: ( ^ ) I
T H'ST cFlT*: ^ H^T ^TlVi: f?TT^^mw: ( ^rfel ) II

r ( wf ^ti: H: ) i

11 ^e« n

ire^r irt^TT m ^iuHi-? n

: n

JWTHTH^fT H^TS

) w^r^giir ^fzirf-^: t

ii «y ii

: 5TR?: ^T: II

W f^f? 5t^f ( ^^ ) I

far^nt ?wt gi^ gr n

208 24. NARADA GOES TO VI^NTJ. [698 —

<£*r TO

-1^ 3[^^l^^ ^f^^-^? || 9 8

VV vJC^V VvXXN

24. NARAD A GOES TO VI§NTT, AND, AFTER PRAISING HIM, INFORMS
HIM OF SIVA'S INTENDED MARRIAGE.

x x

X ^> X

73

i

XXX

X X X

7041

209

ii ^ n

II 8

f f:

210 24. NARAD A PRAISES VI§VtT. [704 —

fa

1

X X

f

N. V X N.

X X

|??I ^^1 TO

xx xx x

X • X

211

( ^i911 *3 ) ^^ (

f rTT-

soy

( ^fwrnj ) fg^jr: ITWT ^F^^TT mfv?n-€iTr:

: WOJ

n

212 24. NARAD A PRAISES VISNU. [710 —

X S, N X

si

-715] 5fTt || ^8 H 213

$ nf TTT:

II 910 II

WTtf^T

)
: ) gwrfuaT: ( UTFT: ) i

"

214 25. VISNTJ'S REPLY AND WHAT FOLLOWS. [715 —

& 5* OT n M i m 8 n

25. VISNTT, PLEASED, DISPATCHES NARADA TO CALL BRAHMA AND THE

OTHER GODS. THEY ALL APPROACH SlVA. &IVA DISPATCHES
NARADA TO WARN HIMALAYA, WHO NOTIFIES THE APPROACHING WED-
DING. NARADA INFORMS glVA OF THIS. THE WEDDING PROCESSION
IS FORMED AND STARTS. VISNU LEADS THE OTHER GODS.

T^ «lf9TO ^\

N ^. x

I

g^tft

^

f<nft*nr <T^TW n ^ 11 215

TJ?t-*TTfsigr: (

( w^ ) ar^f ( w^ ) vmfnvrm: ( -fw )

95T-;rrw

mm

) SffaHT-ftsT ^-sTgT^ «^T ( U^%: ),
( ^TT7; rf

f?HT

: II

fffTT

: n

216 25. VI^NU'S BEPLY AND WHAT FOLLOWS.

f\

rl^rfft

f^U 5TTT

TO ^T^ II

217

ii e^y ii

I ( -

( * ) II

II ae n

* a n

218 26. THE QANDHABVAS PRAISE VIS.NIJ. |"734—

26. THE GANDHARVAS PRAISE

II « 8

ii « ^ »i ii

—737]

219

II 98 II

220

26. THE QANDHARVAS PRAISE VISNtT. [738 —

fere

8 •

-740]

221

ferai ^ra^^r eif siFt

c?5T

(

( fsraf ) xTTf

f HTp?f

n ego

27. 28. THE AUTHOR'S TTNWOBTHINESS. [741-

27. THE AUTHOR EXPLAINS THAT HE CANNOT DESCRIBE THE

GLORY OF SIVA'S WEDDING, WHICH EVEN THE GODS

ARE UNABLE TO PRAISE.

?lf*? ^f W II *> 8 II

HI

q^JT ^ ^J^I *?5I rf

e\ s

28. THE AUTHOR AGAIN EXPRKSSES HIS INABILITY AND UNWORTH I NKS.-.

=\

xv -oC

-749]

223

: f^R

II 981 II
( 5JT^?3TT: ) I

: 11

f^F

n e«u n

( ?g )

II * a II

224

28. THE AUTHOR'S UN WORTHINESS.

[750 —

f *T*

S ^3 S N. •O V.

s

T

13

V X

* «r
•r

-759] 5T3ra«h>*«l<«UT || V= (I 225

*fjt;r fifft-sf^r ^ vr^^a: n
a^ifar

n

sm H($ar i
gtorr 3^g-%$r;n ^jfer-w ^tvr 11% n

i

i: ?T

226

28. THE AUTHOR'S UNAVORTHINESS. [760 —

X X ^ X

X N

f 5

s* x X

n ^ o 0 \\

-770] S3WPtonW?[ II ^= II 227

RT TJW wi^cf ufa,* %

f?: fa)

: II

un*
ari^

TTTT ^TTiff ^- ^w^H H4i3r: II

HT U^T m^g irffT, %-^iTT^m gut ^ i

T nfcT, ?^t 5^ u

II 990 ||

228 28. THE AUTHOR'S UNWORTHI.VESS [771 —

X J X J X

X N» X

X X s» X X XX

X T'x.X X

X X s» X

II ^> ^ 4,

X ^ X X *

X X J X s» X

X » X .» X X

I

-780] ^srarts^rfaj^fr ii v= II 229

: II
llfa

2RTTIT3 sgf^T-^t !gftrT-H VTTg-^g TffffT: II

: ) i

n

: II

II 99* II

:. fTJ<[W: HT^WfTqr %W ^^TWIT: II

SCO || ^C |

230 29. THE WEDDING PROCESSION APPROACHES. [781 —

29. THE REJOICING IN THE HOME OF HIMALAYA AT THE APPROACHING

ARRIVAL OF SlVA. NARADA IDENTIFIES TO MENAKA THE MEMBERS

OF THE PROCESSION, AS FROM A HIGH TOWER SHE WATCHES THE

APPROACH. ' HER LAMENTATIONS ON SIVA, IN HIS ASCETIC

FORM, BEING POINTED OUT TO HER. SHE REFUSES TO

BE COMFORTED. PARVATI, ON THE OTHER HAND,

IS ENRAPTURED, AND CONSOLES HER MOTHER.

XXX

^

XX X

XXX

f ^

X X X

X XXV X XX

X X

-789] WcT^rWcTcT || ^ || 231

: m?rr:

«5jfrrsm?r

, nnir:

lIWTtr) ^T^tW-c!^ TOOT*: II 9=1 II
HrT

far?:

nw

232 29. THE WEDDING PROCESSION APPROACHES. [790 —

Jjf^f rf* 3 ^ %

NX

too

—800] WcT^fWcTcT II ^<L II 233

f«fxnsr

30

(rfcSiT%)
T-(^rTT-

^J: llf^T H?sfa-$ ftra-STT: II

234 29. THE WEDDING PROCESSION APPROACHES. [801 —

X s» X

1^ ^ I

*S

X - S

II « o 1 II

*

-81 1J

235

: II

II =»* II

: n

(TUT)

w* n ci° n

: "!iftf5rg: n

236 29. THE WEDDING PROCESSION APPROACHES [812 —

X X

n ^= e n

"

237

'iiftsT

: II

: II

f ^T

J €1: iwft ^ ^WT^: II

: *fff<6T firw^r^ n =^o n

f

:: II

238 29. THE WEDDING PROCESSION APPROACHES. [823 —

X s» X

XX

X

-J x x

: n

fT9r JftT- II

239

n =** n

ITHT: wrg; n^wq»w: n c^o n

TT|[T
U^rTJ HTT ^laf^H1 eft f%WT5T!T: II

«unrH:

240 29. THE WEDDING PROCESSION APPROACHES. [834 —

fira

ff^? ?fk %

S

N S

N N S

1T T

v ^ II ^ 8

* v J'

—844] ^*d*TWdci II ^»L (I 241

agr-^ fis^r it

n

UTT

wi (3) irftfr-31

(^raw:) n

t u* $«n suftf! ^^r^9 vtmn

'fff^H

H?T: qmmk ^rircT: n

3TJTHT

*
31

30. PABVATl DESCRIBES SlVA's VIBTUES. (846-

x x X

V •

f?f

y

30. PABVATl DESCBIBES DIVA'S VIRTUES TO HEB MOTHER.

t

—852]

243

HT

( ^flrf )

: gr:

n «=8« n

ar

: u

II 9 <> II

244

30. PABVATl DESOBIBES SlVA's VIBTTTBS.

[853 —

S V

S V

iftf^l

—868] Mlc|cff ^?tfy|.«H^ <^«Ji«q<!J«(f<i U ^<> II 245

! n

H5T1T

: n

?TTIIT^ fgww ( tgif t^r: ) i

: II

30. PABVATl DBSOBIBES SlVA'S -VIRTUES. |S;V,»-

%

t

V N.

II « 1 • II

%

t

N x

t

—863] TTT^t ^f^=R5l *DT5*nr^TfcT || o || "247

f gram* TJ

STIT: sg ^tmrr: u

UT^ ^J

: 11 =^o n

: n

: II

- ( i[ain? )

: ii

248

30. PARVATI DESCRIBES SlVA's VlR'ftTES. [864 —

N >•

i^?: %

S. V

t

ii •

32

d || B o || 249

: n

: n =$ H n

T:

: n 5 °

250 31. MENAKA'S REPLY TO FARVATI.

31. MENAKA SCOLDS PARVATI FOB THUS SPEAKING WELL OP THE

HORRIBLE BRIDEGROOM. PARVATI JUSTIFIES HERSELF. NARADA

REPORTS THE STATE OF AFFAIRS TO SIVA,

3J* 3JS

rl* f^T ^^1 ^TT^T^ TOJ

ii ^^ i ii

Hft

-878] SRTZTT: «fcHi«: II ^\ II 251

II II

: far ( iffa-ftffm )

II = II

HUT ( WT^T ) ?T

ii =90 it

irer W^FT n cay n

: ( W^: ) II

Tj: STT^TfrT ^T^ T ( STTOfa: ) II

252 32. NABADA'S BEQUEST TO SIVA. [879 —

fair

ft*

I

32. NABADA PBAISES &IVA, AND ASKS HIM TO ABANDON
HIS HORBIBLE FOBM.

X fiy

253

: f m-

ceo n

: n 51 n

*?tfW

( q^T^gr^H!^ ) srm fisr

254 32. NARABA*S REQUEST TO SIVA. [888

-892]

255

Ha1

n c«so n

IT?TT:

256 32. NABADA'S REQUEST TO SIVA. [893 —

?

^

\* V.

l-^JT ?f ^-mn c

\ ^

3STTSH3EJTO

- ^

f^r! ^^

257

fig

c^t

n =<5« n

cTTpf

ff m ( gwr )

33

258 33. SIVA TAKES A BEAUTIFUL AND ADORNED FORM. [889

33. SlVA TAKES A BEAUTIFUL AND ADORNED FORM. MKNAK.v's
WONDER.

e\

NX

x x x

4, II

x x •

x x x

250

cT ( ^Rffff ) t 3«T^C II c«S«5 II

( f* ) ^-g^g gi^ H^ vn ?Ji^fifTg i

H«T5f WTOI ??%5 ^5Hl^ ^rRT »^T ^ II ^ 0 o ||

if snrfawifa f^fj sfff^fT T?W gr^r ^Rtr i

^ra^fashrw "i ^wl^ n

1 ff : ^TT^fTOT H^rfT I

JT^T^JT WTmiTjr ^^TIT n^fsLirTT u

WTIJT ^t Hg^f^ fgg^TITWJTfafrT I

M

Hct

: n

260 33. DIVA'S CHANGE OF APPEARANCE. [U08 —

rffa

V X X X

V »S

rf

XX

f?re

«^y v

TOR q^fa ^f»T TO

- \

—918] fy^eH^ <^T*Tl«il<yi$n*.ife^«i*Tt*!k II ^ II -'»!

U^fTSJ : I

T ?nf ??f

H»?f

Tf §T T: WBprni, 9TO STTrl. rTTf^ TI^IW: II

fti Jrfrwfti1 era:

t ^ ftH f^^TR^ II

11 <s« 11

are?; *rerar: (v: f^f t- ) n

2()2 34. MENAKA PRAISES SlVA. [919—

I II C 9

X

\

Xs V

TO

s v.

.'54. MENAKA, SEEING SIVA IN A FORM OF UNEARTHLY BEAUTY,

PBAISKS HIM.

X V

-927] TTiRfT t || ^8 || 263

^WTITrT

u <»*o u

BUTT

II «U^ II II

n «^^^ n

f H-W*TT

n

204 34. MKNAKA PRAISES SlVA. [928 —

^

X X X X

-933] fcirr fa n a n 265

sgrof?ra:

HTTU

11

f«r*9i?r )

34

266

34. MENAKA PRAISES §IVA.

[934—

f?!

II 3 8 II

—938]

26?

5I«Ei: WIT

HOT

?r: )

n » ii

268

:i5. MENAKA'S SATISFACTION.

[i)39

35. MENAKA'S SATISFACTION.
I* I I

8 ° II

36. MENAKA CALLS UPON THE BRIDESMAIDS TO SING
IN HONOtTR OF &IVA..

f5?

Xs3. «s

I

X N

t

N. X

-945] so-r^j ^M^f^ *FTT*rT ^€rW II ^ H 269

TT*

»nf«T

«fffar

' \

M ^H II

( ^^f^f )

270 37. THE BRIDESMAID'S SONG TO vigisru. [946 —

t

t

f

37. THE BRIDESMAIDS SING PRAISES OF VISNIT, WHO LEADS
THE PROCESSION.

—950] ^Uy ^Twr5ff a14j|4: || 9 || 271

-( sfer )

11

: 5ffTJTrT: sflfgrt

II <589 II

fin:

272 37. THE BBIDESMAID'S SONG TO VX§NTJ. [951 —

f?r

*» • N

(I 273

35

274 38. THE WOMEN ASSEMBLE TO WATCH THE BKIDEGBOOM. F956-

fire

> V

ii 9 *> n

38. THE WOMEN ASSEMBLE TO WATCH THE BRIDEGROOM.

II 9 c II

30. THEY SING THE WEDDING SONG.

-962] WSirerf *f<HdrtH || ^ || 275

II 9 II

: n <ua n

X3

1 ff : TT5riv«n ^fl : ( W ) *?T3^ uf^T^-Hlfw: I
^: ^XT5rf^TtTT«ITf«: II

I

gr?5ir ^^mr-ciTw^ gsraaTR-gTOi 11

c ii

5 ) fv«n*ra-vshTO

39. THE WEDDING SONG. [963 —

f 3P

-967]

277

TTW

f Tlf?IrT

( g- )

) n

278 39. THE WEDDING SONG. [968 —

^f ITT^T

5513?

*s

T^f

X x X

X X

-973] euqmi Jrpra ii ^i n 279

( SRIT: ) xmwnt ( H*T )

( 5J^f^qi«rT^Tr«?T: ) TTlTlhp

Wf T3T: TI«T-f Wlff SJIITIH: ( ^ft^g ) II

) $%% TT^TSTT:: ^TF-.* ^f^JT ^ihr sftarf sr-

: TT^T-^ITT^f ^ffTJIcT: ( arf^q ) II

( irfmrrfH ) i
:
: TT^T-^ wiff WITH: ( ^ft^g ) n

: Trar-$<T1?f ^ETTITfT: ( ^ft^ ) II

280 40. THE BRIDESMAIDS PRAISE SlVA. [974

40. THE BRIDESMAIDS PBAISE S*IVA IN A SONG
ACCOMPANIED BY DRUMS.*

N X N

^«f ^f rfi

X X X X

fifi

X X X

itf^r

* In each line of this song, the passage beginning with the mark
should be read twice. The verses contain a varying number of lines
and, at the end of each verse, verse 976 is to be repeated.

II 8° II 281

: ) % fr

n?* mug

282

40. THE BRIDESMAIDS PRAISE SlVA. [073 —

i «r«f«i

x x

ir^r

X x x • x

f ^ ^1 ^«T

^ x x x

• ^tlt ^^^ <TO

\ XX

x «x

N XX X

XX

X XX

TO 1* ^ rW H

^ v x xx

-983] ^TOH: ^T^tl jm || 8 o || 283

5?: i*

o ii <«eo

HTI^T T TO1

t

284 40. THE BRIDESMAIDS PRAISE SIVA. [983 —

T- o -

v. X

X X X

I
I

VJ ^ X % X X

-987]

285

fsra ( *fa ^rw )

( OU!JTi*?;TT ) (

tfrflfal ^ )

[ 0 II
i ) giHSfTIT ofET

f* oTSH^t tT ( fa^Wclt )

Tt rT3

o n ^e^ n

f%TT

286 41- A SONG IN PRAISE OF VISNU. [987 —

^r ?r«i

S S

Serf?! 5fts

II 8 » II

41. A SONG IN PRAISE OF VISNU.

XX

"faff

8 \ II 287

O ||
fTCOTTW* ( WUT )

TIITI^T
II 80 II

^TTH ^-Sg

5 ( H^ )

JTTTf'rl O

( ^wi: )

( ^TJ 3T )

) sroufnT o

n 8 ^ II

: II «<=£ II

41. A SONG IN FBA.ISE OF VI§NU.

[992 —

*ft*3

I I

X v« X

fff

X * X

x x

-007 TJftfW^I JTT^ff || 8 II 280

) gnrtrf^ro n
sale*?? ( ^ainft ) ifi-trg ( ?w )

fTTf W^^ 5TTTT (

)

fiHT

ummt ( ^fn ) ^gf^ ( *far )

) WWgSrff (

) frT

II

H^T
rT^I

290 41. SONO TN PRAISE OF VI^Nti. |"998 —

v -^ x x

XX

X X

—1003] Tjftfsrsirew^T JIN fa ii a\ n 291

JT

|| qooo (I

)

292

41. SOKd IN ru\is|.' ;ii.- visvu.

[1003 —

»N X

-flf^

xx

XX

X ^ X X X

293

( SIT^^I ) ^TTlffTfT ( £cT )

(
53

(wr) WJTITI?

n

w)

204 42. SONG Of THE BRIDESMAIDS. [1009 —

rf

X X ^3 X

42. A PRAYER OF THE AUTHOR, UNDER THE FORM OF A SONQ
OF THE BRIDESMAIDS.

f«ra

-ioi3]

^rthrfa 11 8^ » 295

m-^' 3im<

?TCT ) usmiihr (

)

: SHcf

n qoq o n

n 8 ?

( f^rrg^^ )

296

42.

far! *

W3 m;

V ^3 v v

fT U'WT

farf

-1018] :*i"«?jt7n«T^TTT 5gsifu*^f srNi'srfh' n s^ n 297

Tnnfir 5^ ^f fa
M

38

298 42. SONO OF TTIR BRIDESMAIDS. [1019 —

Tf % Tf ^l

3 fa f^?f «B

f ft ^31^ W^ ?!!?[

• N.

fif^f ^1" tfr
-N

| 8 V

>

i -*i%?l JTTT^T^T nara^r srrthrfa 11 a^ H 299

%-smrt

fcTf

f»T*JSlfff ^^ rT«[T JTrf-

300 13. SONG OF MfiNAKA. [1024

43. A PRAYER OF THE AUTHOR. UNDER THE FORM OF A 3OJIO
SUNG BY MflVAKA.

\ • ^ 8

I*

N V

— 1029 *R3RT3TT5TTRT ^Si^T fa II 8 II 301

» II

n 10*8 n

n i°«u ii

ii

(

) I

302 43. A SONG OF MENAKA. [1029—

4 in*ft

34] *5T3RTJrrsren:T ??Sm f^T || 8 || 303

n qo^o it

nun?

t-'smft

) I

tl ) I

304 14 SONG OF THK WOMEN. [1035 —

rlt?f

t^r

44. A HYMN BY THE AUTHOR IN HIS OWN NAME, UNDER THB
FORM OP A SONG SUNG BY THE WOMEN.

V X

i| wTT-^ft || 9 o a

88

?riar ( ^*rw )

ii » ^

suf;r-;?ro ( f^f^^rfw )

39

( fr^TTH^ ) (

( clrK S^Ht ) 5TTU

^

srm N 9099 it

TUT I

(irei) WT«:
H

;}Q(J 44. SONO OF THE WOMEN.

?ft3

88

307

;rm

n 1030 n

ii 88 II

45. ADDRESS OF THE WOMEN TO PARVATI. [104(5

45. ANOTHER HYMN OF PRAISE BY THE AUTHOR, UNDER THE FORM
OF THE WOMEN ADDRESSING PARVATI AS A &ARIKA BIRD.

\\ \ - a

sift

*ip* ii \ •

-1051]

11 ay. 11 309

n 81

31)

ai)

( Tif?rf5ai ai )

( trf^fl!! 5T )

( tjfafaT arr)

310 41). SONG IN PRAISE OF RASA-LILA. [1051 —

g y

111. PARABLE OF THK, MEANS OF SALVATION IN THE FORM OF
A HYMN IN PRAISE OF THE RASA-LILA.

~

v X v

I I

^f •! ?!

( ufoftr gr ) $3
urm:

WTOUIT?*

5

( f?STT )

Tig^rt ^t^g JT
srro n

II 311

f?9!TTW-IT

( ^f^rfw arr ) $*> grti^rfsEj^fTi^ u . u n

( H ^rtr: ) ^fW wxnf gg; <f
5 ?n«r n i o y ^ n

312 -tO. SONG IN PRATSK OF RASA-LTLA. [1057 -

rf

rf

rf ^r-^ i

^
rf Wt-rft1 ||

rf ^ft-^ft
rf ^ft-llt !

rf nV
r?

V S

rf *ft-*ft II

rT ^Tt
rf *

s

rf ^f>-^t
3J1 ?f rf

X X X ^ V

rf wt-«> II

f?I rf

S ** X • X X

?f «>-^ft

?T
rf W|-

8< H 313

firf

: VJriiT^t
II

H

srro 11

( 5«ff ai UTJT )

.Q

jT 5T1W II S f^o II 8^ II

47. SONG OF SALVATION. [1061 —

47. PRAISE BY THE AUTHOR UNDKR THE FORM OF A PARABLE
SUNG BY THOSE DESIROUS OF SALVATION.

aw ^ &% TiT

^ X «v sS S

f*mT*f

315

%<Rrctmn:

) f W-

%-si wft ti 10^1 ii

: %-aroft ii

: t-aiwt n
) ^f m

316

48. WELCOME TO THE GUEST ;.

-^ OTt
qf% "TO

a*

48. THE ASSEMBLING AND FEASTING OF THE V^jIDDING PARTY. THEY
THEN COMMENCE THE WORSHIP OF THE DEITY OF THE HOtJSE-DOOR.

ftf? II

-107!]

317

: ( ?3 ) f ^

TJ^l

: ( ^%5i )

( wif in^^rffr )

) f unH^rm ( ^ )

1090

fgi-^m ( ^ ^?

II 89 II

318 -9. SONG OF THE WOMEN-GUESTS. [1071 —

49. THE SONG OF THE WOMEN OF THE WEDDING PARTY
AT THIS WORSHIP.

S

- H

•f ft?

-107I.J

UITTr

( WHf i: ) WtT^T:
( H^WltJTJTH^T )

: II 8«= II

909* M

49 SONG OF THE WOMEN-GUESTS. [1076 —

e\\>

ii

"

—1081] cTo^rra 'T^^pfaTwrT*! fa^^ 11 at 11 321

: irftftirr: worn HTJT:

41

( ^g %^Vq^R: )
II

f^fcTf

322 5^- THE WEDDING DINNEB. [1082—

X ^ X X

50. THE ARRIVAL OF MAHADEVA HIMSELF. THE WEDDING

X X

X X

X ^ X -

^^ ^^ U*T t^fTT TO

e\ v ^s»

xx XX

N X XX X J

f)l. A FURTHER DESCRIITIOX OF THF. \VKI'

.1089 cf^ *w<l<^TJlTR€TfJT || y^o || y || 323

II 8<5 II

) ^WT VTTcRt

VTrS

fgr

(

II HO ||

JT ( w^i^i^ )
?^n»r mfxm-^hi n

324

51. THE WEDTUNG DINNER.

[1082—

-it«94] cTC^ jTTT^^Nwrerwj » yj^ H 325

)

amwmrn mT-TT: n ien»o n

JTfft

^H p^

5fiT-sTT*r ^^IT ( TJI )

W.
fff 5 ( q^ )

iran^r n

II «JO<*y II

I

Tffff: I
II

326

52. SONG OF MENA.

ufflr ^ff

V N v

N

^l ..-. ^x,
x x ^^ x

%

52. THE JOYFUL SONG OF MKNA.

—1107] srjrerw TR-RTf JTT*T?T I!

- 327

m )

: ii IROO ii

f Uf xfT
^W?7m
: ) 5TITft«ST: ^fT^If^r ^ wl: ufgft-^ U H 1

II 9 ley ||

( ^f^r^f )

*t TKfarf-^ o II

328

52. SONG OF MENA.

[1108—

rf?f

iffar-<5i<a

13

V X

V X X

— 1113J

329

i ( fro ) q-^-^

••3 €t

fat

0 II

STTrf^ (

o n

o n

330 53. THE GODS AND BRAHMANS RECITE VEDIO HYMNS. [1113 —

53. THE GODS AND BRAHMANS RECITE VEDIC HYMNS.

II ^ < 8

1

X \ x N

i 122] ?& ^rtffijftfcTfo^H nsffTfr froiftfo

f f^ftfrf II 1 II

TlrT ^:

O

5nTTTT!I?!i:

332

. SONG FOR THE PU?PAPUJA.

[1123—^

x x

W3

^ x x

Till II U

x xx

fi II

xx s

X X X XX

II ^ 9

, I 9ONG 'it :iii-. ; ; - i , IUO0S FOi;

UNDKi: WIIH 11 I'AKVAT'l

X ^ X

Wtrft^Hlcfl^T

—1132] umiMm ^tcT' || "i 8 || 333

: Wi»ar:

f ?!T

^??ir ^rfi wW ( im^f ) ?ITT

) n

) f ^

: it ^ a n

: II

334

64. SONG FOR THE PU§PAPUJA.

[1132 —

fa %

I

-11371

335

JTTrf

( TTTcTan )

^TJT

: o n

: <> n

: o
( Ef^pgrifteTW )

x3

Hf^rf ^ ??^T^n% ?T^rrfw ( ^m )

) ^m: ffrT: (sjpSTTfa: ) ( ?T^ )

) •?fterwT$3Tc*rT ( fwcj; )

: o n

f H'- w^^t^?!! ( fsri* ) ^^FTT^T T^TIITTS (IT?)

336

54. SON« FOR THE PUSPAPTTJS

t

%

f^s

-1 14:51

: || 18 ||
t f ?rr ( few% )

337

: 0 II

: o I) 1180 II

: 0

H tM w vfl | q I*. 0 II

43

338 55. SONO IN PRAISE OF SlYA. [1143—

I I

[TW3 3

i

% ^to H t 8

55. SONG IN PRAISE OF &IVA 81TNG AT THE PUSPA PUJA ,

JIT II \ \ 9 1 II

S " V

1148] JiamnpTcn' ^tMjft^ wtfa II YJJJI 339

: o II

: firft fraiT: ( ^H- )
: o II U 8 II

n 498y n

cJHH^UHl

o II

o n

340 55- SONG IN PRAISE OF SlVA. [1148 —

JIT I!

—1153] swnprT: at: s ii 4,4, n

0 II

0 II

0

o II <iqtio II

o n
: ^r ci^d 1-^*1 -rr^ft

0 II

342 50. PRAISE OF SiVA AND A LIST OF HOLY PLACES. [1154 —

turn

rf

ll i in

56. PRAISE OF SIVA AT THE PUSPA-FUJA, INCLUDING A
LIST OF HOLY PLACES.

fan

-1159]

343

0 II 91 ^H II

( HJ^H^TJ ) ^iTi 1W- T?HT«?TIM ^T
•C

II HU II

( fgipn ) n ^ quo n

344 ~'r' PRAISE OF §IVA AND A LIST OF HOLY PLACES. [1159—

xfru

— 1104]

345

: ^rf^FT

44

346 56. PRAISE OF 4lVA AND A LIST OF HOLY PLACES. fllli.'i —

f t-

?r
?r

XX

347

: ( Tan: ) 3*TTOT: ( rTr^r^r )
( TT?IT )

( H'-jft^iy )

348 56. PRAISE OF SIVA AND A LIST OF HOLY PLACES. [1170 —

f ft-ft^ qfa

W q>U-^flT II

q>U-g?TT II ? ^ «>H II

1175] ^: 3*TC ^PWT^ II 1«( II 349

n qqs>o 11

( •dtjiiUllTl ^[^T )

=h M S

II <J19Vi II

350 56 PRAISE OF SIVA AND A LIST OF HOLYT l'LA<T;~. H7<

X V V.

-1181] W3^: STTq SWJiJSTTSW: II «i< || 351

j I fa « *I1 Qd fri

( ^rfrraiTfa )

) I

352 58. SONH OF THK FAITHFfl, AT THK PtT^PA-PUJA. [1181 —

57. THE PROCEDURE AT THE PUSPA-PUJA.

*ff»r

flI5f-ffI^

XX

x e\ x

68. A RAlTI'Kol s S^NC OK THE KAITMTIM, AT THK PUSI'A :
IN HONOK OK SIVA.

-1188!

353

frtrt ( H )

1lf*jH

fcRJTH

ufn ( ^r )

nt?in

) I

: n us n

354

SONQ OF THE FAITHFUL AT THE PUSPA-PDJA. [1188 —

fl^T

' V V

-1193J

355

o II

o n ii«so n

rT^T

o n

0 II

356 58. SONG OF THE FAITHFUI, AT THE PtT^PA-PUJA.

?

351

o n

o II

o II

358 •r>!)- SONG ON PUTTING ON THE WEDDING OAKLAND [III)!) —

I i

ffTTf

51). SONG ON PUTTING ON THE WKDMING (.\IM.\M)

-flT^I* II U ° «

N v

—1204] tjzjqjTT^rriWijcT jro H <i£ H 35y

0 II

) -g-^i^-g^r fgwrw (

i o n 1^00 n

141*4 "-

o n

( tn )

r^«ti ( ^ )

0 M

: )

o n y=

360 •"'•'• ^ONG ON PUTTfNO ON THIC \VMDDINr, O-VRI, WD. [1205 —

X X

1*55^

sirf«f 3r

X

^ it* I

X N

V X

-I .MO! ^sqJTT^FRJTlt JTT? || <i<£_ || 361

0 II <UO« II

- M ifn «i o ii

0 II
tj >af1d!t*JI )

( ^gr )

. 0 II

%-'4?)«<i!irn«j,

46

( ^r^ fciyr^ ) i

362 59. SONG ON PUTTING ON THE WEDDING GARLAND. [1210 —

m;

«\ V X

n

X N

^ N J X

N X

1215] OT*rn?TT«Ri*nfT irncr » *£ H 363

( ^?W^^ ^ )

rT f^nr^r (

0 II

<*r<ysi

0 II

•0

JTrT

o ii

: ( fei'5H: )
- *<* I fa < o II

( arrer^g^^r ^ ) ^r^g wirHfijHniTT ( Trn

?

( w^j ) fa'

? ( grfairH^^T cfl ) I

364 59. SONG ON PUTTING ON THE WEDDING GARLAND. [121G —

X X

XX X

— 12211

o it

o II

( ^^f ^ )

o it

O II RS^O II

f?*n^rtni3H:

365

366 60. THE GOLDEN SNOWFALL [1221 —

60. THE WOMEN ('OMl'LAIN THAT THE UKIDE IIAs Ml i >I!N AGENTS
\ CKE'AIES GOLLt, AND IT IS SHOWEKED LIKE SNOW
UPON THE BRIDE.

fqf^j

JT^5?

X *S

V X

XXV

x xx

rf?J

XVx

B228

0 II Vt«S II

II 1^^ II

: ( 1% )

•C

368 ft'- PRAISE TO AlVA FOR THE GOLDEN SNOWFALL

5fiiT ?! W*

«J UT^ ?f T^T^ ^5? ^«J ^^51 013 It). 9 9 °

v X * X X

iq«f it

X

5|tftf5|^ TTfffi^T^ II i ° II

61. SONG OF PRAISE TO SIVA, ON ACCOUNT OF THE
SHOWER OF GOLDEN SNOW.

W;

•x .<X

]f '

* ' <K

—1236]

369

rlfT'-

* II

II

) II

n <u8 n

47

370 61. PRAISE TO .4lVA FOR THE GOLDEN SNOWFALL. [12,'57—

-1242J *flf*T5nfJ!T3;T! j^W IT || < H 371

|ittnMeM*.y

372 63. THE GOLDEN SNOW-DRIFTS. [1242—

62. THE GUESTS DECIDE TO CLIMB ON TO THE ROOFS OF THE HOUSES

tl 8

5e}51 ^f^ ^^«^ JT^^ II 4

»X V ^ N^

63. THE PEOPLE SHOVEL THE GOLDEN SNOW FROM THE ROOFS, AND

FIND THAT THE ROADS ARE BLOCKED UP WITH IT. THEY

LAMENT THE INCONVENIENCE OF THE UNIVERSAL

WEALTH AND INDRA RECOMMENDS THEM

TO ASK $IVA TO STOP THE FALL.

a i ii

site

373

II II

) ^i^^i-'tW r»(Ud«l 'JJT^iil *4r«Bd«?!T^ II 1^8^ II

: ^IrTT- WrTT

: II 9 il

0 II

0 II

374 fi5- EARTH IMPLORES SIVA TO STOP THE FALL OF GOLD. [1248 —

*

x N X

qiT

\ * i o ii f£

04. THE EARTH FINDS THE WEIGHT OF THE GOLD INCONVENIENT.

i

f it ^ y, MI

M 8 II

65. THE EAKII1 IMTLDKIC-i -IN \ I" 8TOF I H K KALI, OK (i

-1253]

375

( ^fJeJT?*? ) *fif*ri ulriri ( JTT ) ^Iglfa (

o ||

o II

eh ij flirt

H^rTT

: fll?

« II

n 3 8 "

II 1 II

( ^f^«i )

376 6'- EARTH IMPLORES SlVA TO STOT THE FALL OF GOLD. I 1254 —

f 3

tfi

5fiii«i

( ^^^|[H )

48

fif). THE GODS PRAISE AlVA [1259 —

11 « 11

66. THE GODS, DISTRACTED BY THK IMMENSE MASS OF THE GOLDEN

SNOW PRAISE SIVA, AND CONFESS THAT THEY HAVE

MORE THAN THEY REQUIRE.

<rf;-itf^« ii ii

I I I

fr? I

II 9^^ II

380 66. THE GODS PRAISE SIVA. [1266 —

\
n

^I^ TO ^fft^ft* II ^ ^ 1, II

381

( f^T^cm^ )

II 1!*9O II

- c«i fy n

inir

07.

PRAYEH FOR < 'Kss ATI ON OF SHOWER OF GOLD. [1277-

wsft

67. THE PEOPLE PRAY TO SIVA FOR THE CESSATION OF THE
SHOWKK OK (iOLD.

gftsf t%^^:q

vj ^

?T 1Z?*?* || ?

Tf?r

—1285] ~rhfiU3:ffra*rrr^TT || <« || 383

i'W fyq«rw

^3 <-M frf TCI kTM3i n '• ^ w -e K I *T%*I- c^ftT II

^ « si : ^TT= o3

: II 9^ = 0 II

oc

HJI^H n

-Q

( ^^T 3TT ) ^ 'Ui*?)^ ( ^TOlrl. )

( ^?Ud^*l ) II 9^ = 8 II

^T ^t ( ^r )
n «j^=y n

384 67. PRAYER FOR CESSATION OF SHOWER OF GOLD. [1280—

V V X

X V V

x x

Xxx

x x

%- facial ftTH UW;[: W3, W ( ^ )

(arww) ?r%ri, sfhi

U <L

•C1

W^ ( ^wrgn: ) ^rf^r ^3W n»r ^T: ^rf^r ^^, ( ^pnij ) i

Vit*i»f: |^%^ra ^T^TT ^rf^T 'UuUriyT^ (

49

386 08. RESTORATION OF WORLD TO FORMER CONDITION. [1291-

xxx

G8. MAHADEVA ASKS THEM WHY THEY ARE FRIGHTENED. THEY REPLY

THAT THE EARTH IS COVERED WITH GOLD AND WILL NOT PRODUCE

FRUIT. MOREOVER, THERE WILL BE NO LONGER ANY DISTINCTION

OF RICH AND POOR. HE DIRECTS THE WIND-GOD TO COLLECT

THE GOLD IN A HEAP. THIS IS DONE AND THE WORLD IS

RESTORED TO ITS FORMER CONDITION.

5^5?

»r1%

387

r : vrer

II

II ^9 II

( Wtft^TO: ) I

388 C8. KESTORATION OF WORLD TO FORMER CONDITION, [1298—

swf?r fire

XX X

» 3

\

X X

-1307J JTfT^J «T ITcT |) ^ || 389

rTH*

( ^TTfeltc^»iH )

rHia ( Hr^iT^rg ) ^1*151!^ ^TH^TT^ :JiarlfCr| ( ^^ai«T-

II 1^00 II

rUcj-*ii-=i

n ioy u

T ( ^rffg^ ^ )
Hm Frt : «fi

( ^^ ) ^.ur^l

390 69. THE AUTHOR PRAISES 3lVA THE OMNIPOTENT. 1 1 308-

69. THE AUTHOR PRA1SKS SIVA THE OMNIPOTENT.

|| ? 3 9

X x ^

?;T?I

— 13131

39 1

( ^T^iiitrM^M )

*H^lTr*l=»ilTcaTJ!MI:

II 1310 II

392

70. HIMALAYA'S GRATITUDE TO VISNTT.

[1313

70. HIMALAYA'S JOY AND ORATITUDE TO VISNU FOR BEING
SIVA'S BEST MAX.

rffr?

II ^o

mo]

: <iriq<H

M ^<£ II

(
(g ) u

( awforf 5T W^tfw ) rl^ STftiRT ^ ^ (

•o N
^•T )

t ( cJ^U^LJ^ ITyT^f: )

: t

TTTIW nf?T II
f H-WJT rlt

50

394 7J. HIMALAYA PRAISES VISNTT. [1320-

71. HIMALAYA PRAISES VISNTT FOR HIS MERCY AND FOR HIS
INCARNATIONS, ESPECIALLY THAT OF KRSNA.

395

( H^d )

396 71. HIMALAYA PRAISES VISVtT. [1325 —

-1330] ^fdJimTfa: ff*m*nr: f || 3 || 397

( gijT ) 5^: wtwr

( T ITrT? ) H^ ^"TclTWT

II tO II

39H

72. LED BY NARADA, ALL PRAISE VISNU. [1331 —

\ ^3 N.

72. VI^ISTU IS PLEASED. LED BY NARADA, ALL UNITE IN
PRAISING HIM.

—1337]

399

-ri ^ ( W3 ) fgf%rt
( rTrgTT% ) TR^f

) II

?-^ irar? ^ ^rfw

400 73. HIMALAYA AGAIN PRAISES NARAYAXA. [1338

73. HIMALAYA AGAIN PRAISES NARAYAVA.

V V

? 8 « II

^

X X

•>> x

XX

fiw-wr

—1343]

40 1

II 1^80 II

rTT^R ^T:

^io n

r ( ^T^vng1 )

) i

51

402 74. DIVA'S RELIGIOUS INSTRUCTION TO NARAD A. [1344 —

V X

n ^ a
fl^il ^

74. SIVA GIVES RELIGIOUS INSTRUCTION TO NARAD A, RECOMMENDING
INWARD ASCETICISM WHILE LIVING OUTWARDLY A WORDILY LIFE.

H^ff^f wi «i ^T li^rm^

V V V V v

ffa II ? 9 « d ||

— 1349J

HH*

( ^

(fa^k)

IPJf ^^T SrTT ficT-?I5T-rt-nfH VTD^qy II

n i««j n

404 74. SIVA'S RELIGIOUS INSTRUCTION- TO VARADA [1350—

fftfrl

iff v

X X X

XX

X X

-l:if>.,j

405

( f^STTt W3 ^r )
( ^JTSTSTcTrt ) ^

o II

H-ZirfTI

t TJI^rff )

406 70. MENAKA'S SONG OF GRATITUDE. 1. ",."."> —

ii i a i M it ^ a

x

75. THE GUESTS PREPARE TO DEPART. GRATITUDE OF ALL,
INCLUDING VISNU FOR THIS INSTRUCTION.

V " X XX

TTU

76. MfiNAKA's SONG OF GRATITUDE.

II ° II

—1362] %*r^tWit jftfcT^T^f Wtfa || S<( || 407

o II 1$** II 98 II

HT

: ^if^Irf

^rtt

n q u ^ n

II 95i II

) ^ ( f*^HI ) II
*$$0 II

%-fsiarJTni

408 77. THE AUTHOR PRAISES VISXU. [ I 362—

V V

77 THE AUTHOR PRAISES VI81JU, WHO STANDS AS FATHER
OF THE BRIDEGROOM.

400

^t^mT Wl'
:o II

iT ajaj^T T^JT 'fl»jTT

a i «in * m M i : o II

* ^^T^fTT rT5?TWTTO^l^I^:'Z^ fTm^t^T^^m «?T 3W5T It
f ^fTT^T^T ^fttfirnwl ^T^t Tl^f ^e^f^T II

j «wf%^tasi^NF«iftNrT*38w«!wf^

52

410 77. THE AUTHOR PRAISKS VI§NU. [1368 —

*ft-lft

N v

41 1

( Hct.)

T ( ^T )

,.?!
iy l

M 190 II

412 77. THE AUTHOR PRAISE* Vl$Nl [1373-

ftp ?

N Ov X

Tffr ^rapfiT^ ii

-1377J W&TW fcfB!WfHH*ftl\r5r ^fa II «« II 413

; ) tntpnfnn: tf ( H 13 )

*t MIMI '0 II

t ) T(T ^ ^rf^T u*iar

II q9li II

•114 78. ANOTHER 3ONCJ OF MKN\K\ IN PR\ISK OF VI^NU. [1377 —

1 Wt-WT

«f-?f
fits?

78. ANOTHER SONG OF MKNAKA IN PRAISE OB' VISNU, DETAILINC
THE EXPLOITS OF THE YOUTHFUL KRSNA.

X »N

?IT1

415

f?nin!r-=rf?T
o ii

(
Hlrt4IM'?

n as n

U U

416 78. ANOTIIKI; SONC; OF MBNAKA. IN PRAISE OF viSNrrr. [1383 -

X

»?fr

X »N

ift-^t

417

M <=u n

* ^
63

418 78. ANOTHER SONCl OF MKNAKA IN PRATSE OF VI§NU. [1388 —

n c o n

V .\ v

—1393]

419

( jiwwi ^rn )

420 78. ANOTHER SONG OF MENAKA IN PBAISE OF VI§^TJ. [1394—

II ^ «£A II

—1399] ^ffrf 3fttf5nf^T UTfcT || S^ || 421

) ( rFBT ) n

( HT )

•C «C

) Trf'Uc^l ( *^IHHm ) frjTO- ( rT^^^ni ) ^TTTW (

( ^rwrfirj; ^ )

%-feJHjri fggmcreT ( rT^^raifT: ) IT^W

422 80. THE AUTHOR PRAISES SIVA AND VI§NU AS ONE. [1399—

79. THE AUTHOR TAKING AS HIS TEXT THE PARTING EMBHACK

BETWEEN VISNU AND SIVA, EXPLAINS THAT VISNU AND

SIVA ARE ONE.

II \ 8 o o ||

VJ V

80. THE AUTHOR ADDRESSES PRAISES TO SIVA AN'D VISNTU AS ONB.

—1405]

423

*IWo II 9= II

( ownt^" ) ^T^ ^TT^q" ( 1
: ) H

-mucien-«ti

II 1800

HTZT II 180^ II

( ^?Ni ) fT

424 80. THE AUTHOR PRAISKS SIVA AND VJBNTJ AS ONE. [14'>!i —

rffa

t fugr t

rPt3

1411] TC[Tll^W ITTRn rf || ^° || 425

inirilF gTOTjTzm^rr ( fd-^VHl ^ ) c=J+id

gro n

cTH

II 1810 II

54

i

426 81. PRAISE OK NARAYANA AS ONE WITH SIVA. [1411-

?-?!t%

N.

tit

^

81. PBAISB OF THE ANTABYAMIN NARAYANA AS ONE WITH SlVA.

II 8^8 II

II 8

—14 16] Tc{^W srncnra *tcT || ^=\ II 427

H ( fein^T ) ^Hrl-rcHUsM^Nr WSJ I

) H

II =0 II

u « i H# Ujjl H i -•r^r-wt : u 1818 n

428 81. PRAISE OF NARAYANA AS ONE WITH SIVA [1417 —

II

1 ^tm 55I?T
^

« ° H

— I422J

PO II
fel^JM1**!

:o II 18^0 II

lrf?T

.

430 S|. I'

1'KAISK OF .\\KAYA\A A- ONE WITH &IVA. [1422—

II ^ 8

431

n o II

432 SL\ HIM \TjAVA I'KAISJCS KKSNA. [1428—

8 °

82. HIMALAYA PHA1SKS

V S »N V

II ^ 8

* Hindi.

•R II 433

?T?mT ofT

nar

:o n

rT^of

: HST

tio n 18^0 ii

( *r ) ^i n^sm fcraarmff (

fwfo

434 32 HIMALAYA PR-USE-^ KRSV\. [1433 -

»5f?T

n ^ 8

* Hindi.

—1436] THTSnr: Sra II c^ II 435

n waif ( g<taT«TfafTi )

.
HT

*4 y\ <4 1 -

II SBy II

: iHUMI (

436 82. HIMALAYA PRAISES KRStfA. [1437

I
51 ?3

X x 7*. x

x x

X *» x ^ X X

rR

-f ?!

-1440]

WT

win

( HT^ )

: U*(i1«T5 I

^rr wg ^^Fwg. ^r^r ^r^iir ( ^ )

'S «ixf)<rio II

( ^ITfjJWJT ) ^i

: Tjrfi'* HcT

(

438 83. THE WOMEN-FOLK PRAISE K^S^A, [144U —

B B

V V

83. THE WOMEN-FOLK DANCE THE RASA DANCE AS GOPIS,
AND PKAISE K?SNA.

II ^ 8 8

V * V

*=? H i:;(»

II 188o II

H

, ^7T if u«i-;

II 188^ II

) 4riM)«liI<4'

« OM I *Tl -T-f^F (

: ) I

S3. THE WOMKN-FOLK I'RA ISE K?9^A. [1445 -

8 8

if

?T

S

—U50] «TO%*T: inm*W^T JTref'fl B II 441

II 188* II

XTFT

n <uyo u
56

442 83. THE WOMEN FOLK PRAISE Kt^NTA. [1451—

X X

8 ** ii

X X

-1456] <5T^f%nr: UWgW^ TTPTfsrT M ^ H 443

JTrTt ( Slf ) ^5^f ^T?

t ( ^ ) I

n
( ^rwn: ) air fffrr ^^^^ (

T
II

aj'<jnT?TTT

444

.83. THE WOMEN-FOLK PRAISE K^^NA. [1456—

V V.

n

^8^0 ||

S. V

—1461]

445

( ^^T^m: ) wfcr-^nsi ( iiD^mi*.u )

( wf^t ) TOT ( ^gfxi )

^ftirei ^rf^T ( ^JTJ )
( »TtlTT^ )

11 qg^o 11

446 83. THE WOMEN-FOLK PRAISE K^SIjrA. [1462 —

II

n

r ^T^i^

V N.

TT^T T^ || * 8 i

V N *

q?f

-1467]

447

TTct

5 ^^: ( "UTHH^iaj^TclTcI. ) dU

448 84. A METAPHORICAL PBAYEB TO KRSiyA. [1467 —

84. A METAPHORICAL PRAYER TO KRSNA UNDER THE FORM OF
A SONG SUNG AT THE RASA DANCE.*

8 II

*rf4-

* In each line of this aong, the passage beginning with th« mark
should be read twio».

-1472] TsftSTHJT *nl?*lHr TTRfa || ^8 II 449

: ccjl*jd

( ^l^H^T )

( ^^ ) ^i^JT*

VFfin'- ( ceJ«T)l|IMT: )
ft WITT

450

84. A METAPHORICAL PRAYER TO KR^HA. [1473—

8 « i

I I -*>

ftf-

-1478] ?f\WIS *TgW^<* JTT5TPT || *=8 j| 451

'JJIJIHT

ii t89^ ii

'HUTCH

452 84. A METAPHORICAL PRAYER TO KKSN-.Y. [1478 —

^ft-^ft

I

'1483I *yil *TJJW%oT JTTqfrT || *=8 || 453

( H ) *rw w

ITIT

u^sjy

454 84. A METAPHORICAL PRAYER TO KR§NA. [1484 —

ll l a

f?i

- o

1489] Ts&m *nM<y( TRfrT || ^8 || 455

*«Hn»T?MriMi

rim«\g<$4

cmisj

II 18=V( II

: ITrTT'

HlflfTi:

456 85. THE SALUTATTON OF PARVATK [1489 —

?- ° mi

85. THE SALUTATION OF V MtVATl AS SIIK MOr\TKI> THK WEDDING CAB.

flfz ^i^r^r ^tft u t 8 c 9

V X v x

-1494]

457

: ( ^«h*iyiH^ )

(% rd^<t^lfT gr) f^nir: ( 1%^^?^^ gr )

( "H^^^ym ) Y

II C8 II

58

458

86. PRAISE OF PARVATl AS §ARIKA. [149'" —

.86. PRAISE OF PARVATl AS SARIKi.

R ^]T3T

• •^

f « « «

v^

—1502] ^^TTT^T^iTT ^TcfcfT ^tfcT || ^< || 469

( uUj^n?! )
?rer

: HT

armzn

?£pbnfi:% n qyoo n

HWUH-

460 86. PBAISE OF PABVAT! AS &ABIKA. 1503 —

S

'Rf

— 15081 TsfoufTSfiT^Tt tJRcff ^fcf R

trfa

II 1UOU II

^-'ra ( 5nHf<amciit*4: )

461

faijf%
UIUT^T WTTT^

M lA*^ 0 II

*H I*S1 ^|i|->3f M-etlK-

( T^J 'ggfehrsr^Trtffefw^ )

Uf WJIM

462 86. PRAISE OK PARVATI AS 3ARIKA.

Tltfa ^

x

te II
*rtfV 3?^

i 'i ••

u1,:;

it qyto ii

464

87.

87

. PRAISE OF PARVATI AS

-15101 :35?fcr¥T*7:3ft:KTTt "qrffff *^fa || ^3 || 405

'ft Til*?) ^rfj

( HJ^aiiiTTT )
wrenfa

59

87 PRAISE OK PAHVATI \S T AHAU AJ \ I.

n i ^ • ii

V N. X X S

1524] ^staTTTTst^Tt TTr«f ffT || ^=3 n H;

J ( ^ffti )

M swift

tT «J5i: ( Wlf^T: )

"ca IwilH^ II

468

87. PRAISE OF PARVATl AS MAHARXjSI. [1525—

XXV

-1530] JTTTrrt^n wi ffa 11 ^=s> n 469

: ftTHT WTHT

ii tu^H ii

3IHTrTT:

r^Far^JT (

470 88. A PRAYER 01' THE AUTHOR TO !§1VA. [1530—

>

88. A l•^;A^KK OK TMI: ACTHUK m si\ AJ

-I535|

471

nrrrni! o n

( ^^rT^TW^ )

=9 II

irfw

?rr

472 SS. \ PRAYKR OF THIC \UTHOR TO 4lVA. [1636

473

( ^jv7T%?r )

60

474 SH. PRAISE OF VISNU AS ONE WITH SIVA.

89. PRAISE OF VISN-U AS ONE WITH SlVA.

8 «? II

XX

I I

1546] ncWTT ftw 1% || *=<«. || 475

IWTH-( ^rcreiTST- ) wv ( fsra )

476 90. HYMN IN PRAISE OF THE SIVA-ltATRI KKST1VAL. [1547 —

TO ite

V V V

90. HYMN IN PRAISE OF THE S1VA-RATRI FESTIVAL

8 <. II

—1552]

477

) ^jT^rfjT ( wnre^ )

H^^n: ) F^cjtJ ^rf^T-H

ii q«iio n

) i

478 91. HYMN IN HONOUR OF SlVA. [1552 —

rf ftft

!t|. m.MN IN Ili'Ndi; ,/l SIVA.

-1557]

i MT.f?T

479

( Hranffc: ) m^ ( wmr ) nnwjtH ( ifsr )

f?rilf% ( ^ )

TlfrT 5T^-lTt ITT

ii lyvtu ii

c ii

n syya n

01. HYMN IN HONOUR OF f$TVA. [1.558 —

1HT

»TIIT

3t?:

1563] Tsrrtvnr ^Ttcr n *A « M

n

( ^rHTT ) rjUDMT HJIr^l

-Vifd on Tri

61

-^ fcj «4 fn

482 91- HYMN IN HONOUR OF SlVA [1503-

f fH Slfa

v • ^

* WU^TW-lCCtJ '*" ftl TTTTCmYVZT I

-1568J ? I) £ II 483

II
ffrft-STf ^rf^T *fp£Tfr*T3R*TT ^RT?^m ( ^TlUHItO^W ) I

«l«»i<«i »T%rI.

II

3TT

n in^y 11

484 92' PRAISE OF VISISItT AS ONE WITH SIVA. [1569 —

92. PRAISE OF VI^U AS ONE WITH SIVA.

-1574]

185

n i y ^ <s n

( 5f'f isrj^WT^: ) rT?!

) rf3T

) II

480 93. PRAYER AND PRAISE DIRECTED TO £lVA. [1574

93. PRAYER AND PRAISE DIRECTED TO SlVA.

%*

-I578J ^^fq reRrsns& ^tftr^ *fa 11 *.^ 11 187

II 1^9^ II
UlUlf?! *H*Hl«ti WT

488 93. PRAYER AND PRAISE DIRECTED TO SlVA. [1578 —

N V

5^3?

I

-1582J ^Sf^fTT ^ST^in1^ ^ftftre fa || <L II 489

«H.

r _ '1

TcJrflT|r«^y«

f TIT I

*
62

-190 !>i- PRAYER AXD PRAISE DIRECTED TO SlVA. [1582—

94. PRAYER AND PRAISE DIRECTED TO SlVA.

%

V V • V

-1587J ^; HTFT *jfa II «L« II 491

r ( =fitwT 4s! a «< i -?j

n iy=^ n

: Ira^iifH ( ^ ) % f^

-rf ( tic?: )

«^TTlc«lT ^ f^q?mc«TT (

492 95. PKAYEK AND PRAISE DIRECTED TO 3lVA. [1587—

TO

95. PRAYER AND PRAISE DIRECTED TO SIVA.

II ^ iX ° II

ft

fT

t^ 11 493

( ^ ) ?ra wi • %-^TJT*«rr f

( ir ) ^q^j^-^rm %-

II ^8 II

wrar f^r n 4u^o u

UHI^'H

494 95. PRAYER AND PRAISE DIRECTED TO SIVA. [1593 —

TO

ft

»Tf

Tl1

f fq ^l«l rf^l f^T^T srfif%

<LI ii 495

fHTT

406 98. PROCLAMATION OF DEVOTION ON StVA's DEPARTURE. [1598 —

w f >r

96 IMPOSSIBILITY OF DESCRIBING

97. PRAISE OF SIVA ON HIS DEPARTURE FOR THE FOREST.

THE AI7THOR AND MfiNA PROCLAIM DEVOTION ON SlVA*S DEPART I

-1606]

*jrf*rT-r1W

) f'sTR1?; II 1^00 II

) II

n c c II

( fHTWSI ) ^

-H %-Hify* n

63

498 98. PROCLAMATION OF DEVOTION ON SlVA's DEPARTURE. [1607

rffiR ^

5^5? ^frf

u

r rTUfq-RTfrT-3 ( sffa ^fanrfrT ) Tf^Uimfjlftq
F-rTO II

firf

) ^T^wfri TJTTW^T
'o II

IW ( *<=M<^im!H!fri*( ) ^trt

|-rf 0 II

( nfkw^n^T^ ) ( fa^n ) ^rfer-^f ^TCT-TIT
rt o n 1^10 ii

( XUWSir^i ) I

500 99. SAYINGS OF MEN A ON SlVA's DEPARTURE. [1612

ft?!

99. WHAT MfiNA AND THE PEOPLE SAID TO KAOH OTHER WIIKN
SIVA DEPARTED.

" *f?T

-16I7J

It 501

n q^9U n

502 100- LAMENTATION OF MENA ON SlVA's DEPARTURE. [ItilS-

100. LAMENTATION OF MENA ON £lVA*S DEPARTURE.

%-lTHT

—1626] *PTRT ^Ffi || oo || 503

( sj^ft«hl^*i ) II
II

: ^r TTc?t-^r ^TTw^rm; n 1^0

ITHT-^

W )

II 1^^ (I
H JIUHI3

; n « n

504 100. LAMENTATION OF MKNA ON SlVA's DEPARTURE. [1626—

XV

xx x

Wwjn

< a

\ \

X X

ITT
II

f »T ( ^ftct ^ SlrfiT

JIH*:ccio

II

^T1^ ^TT^IT (
TJrR" ( ^ )

( ^jftlcl*!! )

JM<;ccjO II q^O II

fdHl ^?:

64

605

'">06 101. PRAISE OF AND PRAYER TO KARI-HARX. [1632 —

IT

ft5? Tl'

%-iiWt ii \ 33 *

101. PRAISE OF AND PRAYER TO HARI-HARA.

X s» X

fTtTM *njw^r ^m<r || \o^ ||

-™w

(

ITT

-H ( it ) 15^r nnnzf (
ii ify n qoo ii

rPr ) ^re f^-srm 4iUmifa ¥?i^* n «j ^ ^ n
f«?ufHcJ'-

508 101. PRAISE OK AND PRAYER TO HAR1-HA.RA. [1637-

X V

affr II

S N

n

V

— 1642J

509

n 1^80 M

inn •? H*

II

510 102 PKA1SK OF AND PRAYER TO HARI-flARA. [1643 -

N x X

XXX

x x

102. PRAISE OF AND PRAYER TO HAR1-HARA.
f«l?|

-iota] ^rafir urikfa ii *o^ ii 511

-^^-W ( tTm*!

( f^TTrTTTT )

II 1^8^ II
( WIT )

f^R-5TTWo II 101 II

( dSu'l^i*} )

) (

512 102. PRAI8K OF AND PRAYER TO HARI-HARA. [1648 -

^^J 3T

S V N

( ^ ) 3?TTfirKrf?T

^TTT ^cfifanjf ^T f ^ tfffrT ( a&T^ ) I

ift^i tmt vm ( ^r )
) -a

ii 10* n

103. KXIInilT \TION IIY THE AUTHOR. | 1(354 —

103. EXHORTATFON BY THE AUTHOR TO ATTAIN * \LV \TTOX BY
OF YOGA PRACTICi

II M 8

«ftl

V N

X N

: II \ o 9

^TIT:O n i^yu n

( ^unc^ )

W&-1T

) 5lfl»!^i^TqT (

uf%^qT )

o ii

( ^TWITTfHR^iT ) ^^rprft (

515

) unrfi7TZTf??-c3i mrr: TTI^MTJ^M^I n i^as n

516 104. THE WOMEN. AS GoPIS, SING KRSNA's PRAISES. [1 1)59 —

X X

104. THE WOMEN, AS GOPIS, SING KRSyA^S PRA1SI-1.-.

x • x

rf
TTT'T

itrclt

«Ht**1T

t jfrir: o n q^o ii 10$ n

517

^?T

)

518 105. THE AUTHOR'S CALL TO WORSHIP KK§NA. [1064-

WTTTT

ID.".. TIIK VUTII.II: i ILLS rmN HIS UK \ I:KI;X T(l \\OKSIIIP

— llili'.ll

«-f«4 t 0

CTT:

II 908 U

( 'H'tnirHT ) ITHTST ( *T5[fwT|f7TfH )

II 9 ^ <? II

520 105.

THK ATTHOR'S: TALT, TO WORSHIP

flfi70 —

V N X V

51-rJ

if

3 fa f*m ??5! ^swftn wt-wt ii

-1675] T{iTTf!T frapfq^ra? ^ntffrT: || \ cy || 521

II R^OO II

in ^nfw*?

i

r«*iMti* (

*TT ^roara i

5TTIT

) i
66

522 lUti. SONG OF A WOMAN SEEKING FOB SIVA. ( 1<>75—

n ^ ^1 ii

llil). SONG OF A WOMAN SEEKING FOR SIVA.

II * $ c o II

-108DJ fin:=rT*irTg*rTfT«lt^: II \°$ II 523

u q^ay n

n qot* n

?=^TT irfmrw (war)

n q^=o n

524 106. SONG OF A WOMAN SEEKING FOR SIVA.

X V.

- x s

IJHt

: || \o€ || 525

|»l in 14 1 <*n \ g TTT»T rf JTT-JTi +< y I H u " aj *« •yjJT-

^ 1 5T l

( ^T^T )
)
'nr^ Tn w^ i T*4 -^rt o u

u q^=y n

526 106. SONG OF A WOMAN SEEKING FOB $IVA. [1686-

V V X

rf

X X

*J*ft II ? < C o ||

f???T

-1691] msqWT^TTrilTt^cT'- || *< ||

frj- ^t o n

) I
) Hlut.cjiT*< TrfCfqTrmfjH ( UM1dfi|K/lfa )

a »u si if* sir ( *(»<ifr*?*i )

528 Inf. 9ONG OF \ \VO\t\X SEEKIXD FOR -ilVA. [1692 —

ft?:

S. X X

• N X, X

II ^ i 1 II

-!ti97| TT5?njJtTTSJ*rTlTflTt^fc? ||*o£ R

•0

»j ^ i u u v*i rfpR^ri ( ^^frr ) ^ ^g^ ( ^

tJ^J | fa - c^T 0 II

H ( ^tli'Slfq^ ) Tj:

%-'aiwt
)*

ag^iTr^T

! f«etJceJl

mm?

530 1«S. \VAKNJM, OIVKN \UTHOR. 697—

107. THK i Hours OF HIMALAYA'S RELATIONS ox THE

DKl'AKTCHK OF SIVA.

II ?

rf

108. WARNING GIVEX nv THK AVTHOli. HE PRATSKS THE KALl-\

ft

i704j v&m* -w*w\fw n ^ ii 53)

n <io£ n

nfH Pi^miiw^f*!: in • « n

1900 II

II 109 II

( sgfti ) w-w-

T ITT
( ^rftl ) WT-Wt:

ffWT=

632 IDS. WABN1NG GIVEN BY THK AUTHOR. [1704 —

H r^> ° ^ \\

x • x

x x

xx

X XX

fefau

X X

X XX

x • x x

*ft ^jsr H

1 4. F*l 3

(^nrftr)

^Qr TI^SPT (
o II

( ^tfv ) ^TT-*rr:

( f^TcfiTST )

( ^jfr )

534 1<IS \V\KMNi: (JIVEN BY THE AU'I [1710 -

N ^ * N X V

srr-*rn

n 'js)'}') n

rf 1T5T:

( ^rftr )

) ^ITRT ^r^T *T&J

)

10$. WARNING OIVKN UN THK \«'THOK. ("1715 —

XXx

S -5 V x X »N X

X X

X X

XX N XX

I

II t « P

V A \

( ^ ) ^TW

t ( ^rfn ) *n-tfr: ufrrznro n <i9iy n

(

t ( ^rfTCI ) w-W>

( ^rfxi ) wr-irr-

i ( ^gfti ) «T-WT: Tifr^gro n i^^o n
68

109 PRAISE OF 3lVA IN WORDS OF SARASViTi. [1721 —

V fix.

NX X XX

ICQ. THE AUTHOR PRAISES SlVA, USING THE WORDS OF SARASVATI.

ir^: 11 ^ ^ ^ n

17241 ^teKT USfficT ffcT || \c«f. II

•C

' *si*JsFlvt )

n 10= n

nfrT (

uffT ( ^WTW3T )
^ ( dcchl^l Tlfgirn )

( ^•^TTOT^ )

'S *« *1 1 3i 'ft^T^ ( ^'^fHH^Trl. ) I

( ^rrfcT ) ^:

540 109. PR.AlSE OF 6lVA IN WOKDS OK SABASVATI.

^fa-rim

N

N X -'• N

s s

x x x

x x

X X X

XX

-1728] ^ER^IRT ST3Jl\cT * II I °£. |]

( djiy^irTTTT: )

t Ilf?T ccJcHIW<dj ««m?TTT|f %-

«Ti»rirTm

(
rT^

f ( ing

( HT ) ^mt

c^t nfk canwTWff^t ) w^TTTrrn^ %- fd wi d fw- waft n

)

o42 109. PRAISE OF SIVA IN WORDS OF SARASVAT'I. [1728-

XX X

S S X

N J S S S

xx

-mi]

afte

raer n <>««. n

543

^r ufn (
( 1% )

( ccl*!!**!^ )

: ( ^fgw*. )

T ^Tljf ( ^^w^TH )

fro (

nfn ( ccjcHiiwi^ )

«>44

110. PRAISE OF \ REFUflKK \VITII SIVA

1732 —

110. PKA! !•: WHO HAS TAKEN KKIUOE WITH SIN A

S X

X X XX

I

r! ^

x x x

-17371

II ^ » . ° !l

( ^ )

: (

) n i^^^ n

Ho M 993* n
%-rnauTVrT ^rf^r-'fr rrirar

( ^T )

5ri-s«nitj

69

546 111. PBAYER AMD PRAISE BY THE SAME. [1738--

S S X

?T rfTT

X X

111. PRAYER AND PRAISE BY THE SAME.

TO> II ^ « 8 « II

iq

-1742] ^jn|stK«1«3cTfT*T Sre II I' 547

( TJrFtjftJ )

o n

'MdHIT

f «n*T

ITT wmrnmo n
-^ igf

1980

548

111. PRAYER AND PRAISE BY THE SAME 171- —

TWT

X ^ X X

^srcr

X X

n • «

i*n

-1740] SrcroTsfK^ y?r I! l ||

SJHOITIHO n

•

ITT

550

HI. PRAYER AND PRAISE BY THE SAMB. [1746—

lT»rt

f?-fr

lint ii

X X

XX

-17401 -9UroT^ir«frTr^ ireprfl || ^ n 551

STWTt

T TJTOTT I

f^ffltT

'5TWTT
IT SJUBUlrlo II

( w^" ) 3irnT-«r: ( tj-^iifc?^ )
-T5 ( it?if?^ ) I

TTT 9I4.4LIUIHO II

•'•>- 112.

PRAISE OF THE -MYSTIC SYLLABLE t>Vl. 7 •<> —

112. PRAYER FOR QUIDANCK AND FBAISE OF THE
MYSTIC SYLLABLE <~M.

X XX

X X

XX

XXX

\ X

^ffqf^ ^
rf Vf ^3: 5^5?

'

XX XX

'"•-'I

n

70

554 1111. PRAISE OF THK MVSTIC SYLLABLE nM. [17

X -» X

5ft

N * * V

^ T^T^JfT ^J^

>» v x - x

X X X X

ol

on<mni

1765] vzOTOTTOtflTTOIfa SWTfa || ^, || 555

) I

H Wif^TH ( ^T )

'H*JI<?I*+IIC*JI-W^!H:

C

( ricinFtr )
n

556 112. PRAISE OF THE MYSTIC SYLLABLE nM.

flW

V

II ^ H, 4, II

X »N X X

s» s X

sm

X ' X X

XX X X

X X X

-«Tt%

TsTH

1757] ^TfcnnTfa«nT3OT5rT^fa mfiHT II ll II

( U^ ) TT

n isvu n

) i

558 111' PRAISE OF THE MYSTIC SYLLABLE OM. LI 757 —

v» i?

-17-v.H ^tfVy^rf^^TOTTr^cT Ssfiwer H ^i=> i

( f% ) ^rvr ( T^RT ) 3^: ^w (

'HM'?'n««i

: ( fJT^np ) ( ^ni^TT )
«T ^[^T ( ^ )

560

lo. PI! VISE OF THE SYLLAHLK "M.

[1759—

ffff

v\x

f?f*[

TO

113. PRAISE OF THE SYLLABLE OM.

TBV si^O

x O N «

( ^iw*?7Tfa )

: H-^^ ITHT: ( ^ITrn: ) 3^ ( ^WTj^frarfp'q ) I

^ff fsrarfa^^r (

=F

' ft d^i^ci ( ^STj|f^: ^gfa^TJT Hfff sTTOH ) I
^ ' ) ^TJ ( ft ) ^ft^iTT ^ «Tl «

«l «t I

: n

*
71

562

113. PRAISE OF THE SYLLABLE OM.

[1762 —

X X - X

iro

-J x

X X X X

X X XX

x x x

X X ^ X

X ^ X X X X

X X

: TO q n ? « «

X ^5 X X >

XXX X

fH

x x -J x

x ^ x x x

X X X X X

x x

X X ^ X

: H ^ H 563

rc

HJH-H

) I

11.3. PRAISE OF THE SYLLABLE OM. [1768 —

ffr

X XX

I

X XX

X X X

S X ^ X

U?f

x x x

X X X

X X X

\J X ^3 X X »N

«f

x x -s x

x x

l^r

?f?

x x

-1773J 3T*H3: || ||

) I

( rma ) ^TTTw^-^ro ^r wmgwr: ^fer-% ( H^T ) i

II S990 II
) «Tf^TlJ15: ^f^T HRU3T

114. PBAISE OF THE GOOD WAY.

[1773 —

. PRAISE OF THE GOOD WAY

TO ^^

"

f ^

?

IT

f ^

N N

—1778] ^rta*?? *n^T*lTTJT •g^tfrf || ?» B ||

ii q<i 11

n «i998 n

i: u*isj: ^ i

ITrT- ( ^^ ) ^T<? ^? ^t?HT:
198 VI II

?^ ferTT ) ^TWlf:?1*1 ^

568 115. THE SAME, UNITED WITH PRAISE TO RAMA. [177^

115. THE SAME, UNITED WITH PRAISE TO RAMA.

«c

-1784] FTJ? ufa srHrsm^ *atfa 11 i\y n 569

II «}OCo II ^ «l 8 II

Hf?f JTT^T 'gff! II 1 II

72

570 116. POET EXPLAINS THE SOURCE OF HIS OWN POWER. [1784 —

? ?

116. POET EXPLAINS THE SOURCE OF HIS OWN POWER.

?TTT

t qrqfawifrl n 11 it ii

WTZJ fd-<4Uy li

5«2 116. POET EXPLAINS THE SOURCE OF HIS OWN POWER.

• v x.

aw*

^rf

f ^

—1792] ^tfT^^r^J-irfe^fr || ^ || .-,7:1

( H )

nn.«yw

ii qa«?o n

) ( ^ft^R ^f ^ ) I

574 116. POET EXPLAINS THE SOURCE OF HIS OWN POWEB. [J7SW —

S(9T

X X

X X

X X* * X XX

-1701)]

Wl TJ I r+J

( 3 ) f^* THT: FT TSI.

TTTrRTTJ

-^mMT«llc|*eqi

II 1»<JU II

576 116. POKT EXPLAINS THE SOURCE OF HIS OWN POWER. [1796 —

N S S

S X " X

S X

XX

XX

II ? ^ II

"-77

*IUM

W&I

7THT WM'^d f^^^THT^H: ( ftr^: Ulfj^T: )

.0 .0

n 91$ n

73

578 117. EXHORTATION AS TO UNREALITY OF THE WORLD. [1800 —

117. EXHORTATION AS TO THE UNREALITY OF THE WORLD.

xx

X X

^fal ^fTff^i^ qq^ir 515 II

XXX

— 1805J

\\ *> \\

: ffrT ^WTT* fJTWTT: ( ^ ill M fid ) f^TH' ( ^Tr?:

%rRTH:o

WT %fi*flrl' II

%H^TH:o II

II ^Coo II

O80 ll7. EXHORTATION AS TO UNREALITY OF THE WORLD. [1805-

|| ^ r: o

S. . N N

S S S

-1810]

*TT %H^TrT:o II 4 = 0* II

) ^TMf^j mjrff

farat (

wr

582 117. EXHORTATION AS TO UNREALITY OF THE WORLD. [ISll —

V N

%FRTrT:o II

ulcdi ^

g WT %cRTrTJo II

fcj SJ ij ' -fsfi "U

^rtiiT ( ^ ) ^

: 0 II

%rRTH:o II

f)S4 117. EXHORTATION AS TO UNREALITY OF THE WORLD.

\ X

ft?:

XXX

TTH

*TT

HH)nif<-*j*mi

n qc^0 n

^ IT ^rRTH'O II
74

586 117. EXHORTATION AS TO UXKEALITY OF THE WORLD. [18:22 —

N x X

ITtlT

S V

X X X

-J827] ^i^r<*N^iy<^TT**Mr«yj.fd 11 *> n 587

^H«TTrT-0 II

r ( ^r^^y )

%rRTH:o II

TTf^TT-

588 117. EXHORTATION AS TO UNREALITY OF THE WORLD. [1827 —

X X

f^fa ^f^i-^^ ^i ^H

V * > XX *XN

xxx

X XX

XX

XX

XX

X X X

X "S X

X X

XXX X X

*Tfaf?J

w

x x

— IS32J ^T^T^w^np^ H s> H 589

: ITHT: r*Mti'. ( ^rew ) i

%fRTH:o n

(

%rRTH!o II

590 117. EXHORTATION AS TO UNREALITY OF THE WORLD. [1833 —

13

V X X

II \ « 5

X

XXV

qf -

X X

sfMI ( dUiHT ) I

3T ^ffe 5Pt: Wcfiir^ HT^T ( ^T )

i

w^ ITT %HHIH:O n

( wFd«/fn )

%H^TrTo M qc^U II

%H«Tid!o II

%rRTHJo II

in rf*Hlrt.

592 118. THE POET DESCRIBES HIS O\\ X I'OXmTION. [1838—

X -3 X «, X

XXX

c 8 o II?

^

X XX

1 18. THE POET DESCRIBES HIS OWN CONDITION.

8 ^ H

-18441 ^rrrot ^tnrH H < H

*pfjT jTai-JlflfH *T*T (
'O II

M* ( tsfrT )

*ror-sfa

%rRTH:o II

) fiUHKeM HrT ( H: )

%H^TH:0 II 1 = 8 o II q«}9 II

wrfw ( •sr^rr^ ) ?ri

: ( T^ )

II 9 = 81 II

i (

n

FWHTfT-'t c^^t^t ^WT^rT: ITO

75

594 118. THE POET DESCRIBES HIS OWN CONDITION. f!844 —

^ff

rft^JT

V X.

( fgrfH-^niT )
n t=8* n
) ^TT ^jigy^it ( ^r^y^ui: )

%-fT I

596 119. PRAISE OF SIVA FOR HIS GIFT OF KNOWLEDGE. [1850 —

(?JT»T

X V.

f 5v TI fi^TO t^l^T

119. HE ELOQUENTLY PRAISES SIVA FOR HIS GIFT OF KNOWLEDGE OF
THE MEANS OF SALVATION.

N V

-1855]

n ^d. u

( ^T^ )

t rrirar

3^1 RH

rr^r (

\\ ^ ii

•

f ( ^nnu )

598 119. PRAISE OF 3lVA FOR HIS GIFT OF KNOWLEDGE. [1855 —

V X X N x X

H ^ *A II

x x

X *x x x

^?J riTU fri^ f1»T ^^ET || » ^ tf

X X J X X X

I860]

( ^f^f )

0 II

f^TST*

600 120. THE AUTHOR'S DEVOTION. [1861—

X s> X

X X s» X

sj ^

xx

n ? ?

X J X X X

1:20. THE AUTHOR'S DEVOTION.

c 8

NT

I

t *
76

=*i*liFu ( sj^fei^T )

II

fiH

0 II

( ^rgRTf^^w ^f ) ^a trf5ra«^T-»Tro-rt •ngsn

II 1 = ^8 II
W!Jlf1 1

602 120. THE AUTHOR'S DEVOTION. [1866 —

TTf

n

-1871] ^TrflflTT^ t II V II 603

( jnre; ) ( HWIdtHJI TJ^ )
) qfrtl II

Ud^lr^

II 1=90 II

604 121. PRAYER FOR INCREASE IN KNOWLEDGE OF GOD. I STl.' -

ii

fflfif

n ^ « n

121. PRAYER FOR INCREASE IN KNOWLEDGK 0

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606 121. PRAYER FOR INCREASE IN KNOWLEDGE OF GOD. f!876 —

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607

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60S 122. PRAYER FOR ACORPTAXCF

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123. PRAYER KOli TIIK IIIKKK (JIUCAT HLESSINQSi

-1898]

613

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614

124. THE POWER OB' SIVA's NAME. [1890 —

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1^4. THE I'ONVEK O\ -IV\'s NAMK.

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124. THI v VME.

[1908 —

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124. THE POWJSK OF SIVA'.S NAME [1914 —

N ^ X

XV

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baptist Mission Press, Calcutta.

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1913