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SIX TEMPLES AT THEBES.
1896.
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BY
W. M. FLINDERS PETRIE, D.C.L., LL.D., Ph.D.,
EDWARDS PROFESSOR OF EGYPTOLOGY, UNIVERSITY COLLEGE, LONDON ;
VICE-PRESIDENT OF THE ROYAL ARCHiEOLOGICAL INSTITUTE, LONDON;
MEMBER OF THE IMPERIAL GERMAN ARCH^OLOGICAL INSTITUTE;
CORRES. MEMBER SOCIETY OF ANTHROPOLOGY, BERLIN ;
MEMBER OF THE SOCIETY OF NORTHERN ANTIQUARIES.
WITH A CHAPTER BY
WILHELM SPIEGELBERG, Ph.D.,
OF STRASSBURG UNIVERSITY.
.S.
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A
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LONDON:
BERNARD QUARITCH, 15, PICCADILLY, W.
1897.
LONDON:
PRINTED BY WILLIAM CLOWES AND SONS, Limitko,
STAMFORD STREET AND CHARING CROSS.
CONTENTS.
INTRODUCTION.
SECT.
PAGE
I. The produce of excava
tions ....
I
2. Site of the work .
I
3. The workmen .
2
4. A retrospect .
2
5. My fellow-workers
2
CHAPTER I.
The Chapel of Uazmes, etc.
6. Excavation in the chapel 3
7. Works of the early
XVIIIth dynasty . . 3
CHAPTER II.
The Temple of Amenhotep II.
8. History of the site . . 4
9. Arrangement of temple . 4
10. Foundation deposits, etc. 5
11. Stele of Duaui-er-neheh . 5
12. Jar of 26th year, and
pottery 5
13. Building by Amenhotep
III 6
14. Chapel of the white queen 6
CHAPTER III.
The Temple of Tahutmes IV.
15. Condition of the site . . 7
16. Forecourt of temple . . 7
17. Burial of workmen . . 7
SECT. PAGE
18. Plan of the temple . . 8
19. Sculptures found ... 9
CHAPTER IV.
The Work of Amenhotep III.
20. Destruction of his temple 9
21. Avenue of jackals . . 9
22. Statues 10
23. Limestone stele . . .10
24. Black granite stele . . 10
CHAPTER V.
The Temple of Merenptah.
25. Foundations . . . . 11
26. Arrangement of temple . 1 1
27. The altars in temples . 12
28. Brick store chambers . . 12
29. Black granite stele, and
statues 13
CHAPTER VI.
The Temple of Tausert.
30. Site and plan , . . . 13
31. Foundation deposits . . 14
32. Description of plates XVI,
XVII 14
33. Relation of Tausert to
Siptah 15
CHAPTER VII.
The Temple of Siptah.
34. Site and plan ....
35. Foundation deposits .
16
16
CHAPTER VIII.
Later Objects and Plan.
36. Drawings 17
37. Tomb of Khonsuardus . 18
38. Scarp behind Tausert . 18
39. Helmet and tools ... 18
40. Description of iron tools . 18
41. Relations of temples , . 19
CHAPTER IX.
The Inscriptions.
By Dr. W. Spiegelberg.
42. Inscriptions of PI. I . . 20
43- » „ II . . 21
44- ,. Pls.V,VIII 21
45- » PI. IX .21
46. Limestone stele of Amen-
hotep III, PI. X . . 23
47. Granite stele of Amenho-
tep III, Pis. XI, XII . 23
48. Granite stele of Meren-
ptah, Pis. XIII, XIV . 26
49. Stele of Duaui-er-neheh,
Pi. XV 28
50. Wine jars, etc., Pis. XVI-
XX 29
51. Note on Israel stele . . 30
CHAPTER X.
Shells Used by the
Egyptians.
52. List of shells
30
\
iv CONTENTS.
LIST OF PLATES.
Platb. page
1. Reliefs of XVIIIth dynasty 3, 4, 9, 20
2. Statuettes of XVIIIth dynasty 4, S, 21
3. Foundation deposits and small objects, XVIIIth dynasty . . . . . S, 7, 9, 13, 21
4. Pottery from deposits, early XVIIIth dynasty . . . . . . . . 3, 4, 5
5. Pottery of Amenhotep II and III 5,21
6. Portraits of kings. {PhotograpJi) . . . , . . . . . .6, 9, lo, 13, 17,22
7. Pottery of Tahutmes IV 8
8. Steles of XVII Ith-XXth dynasty 6,9,17,18,21
9. Inscriptions of XVIIIth dynasty, etc. . . . . . . , . . 4, 6, 9, 2 1, 22
la Limestone stele of Amenhotep III triumphing. {Photograph) . . . . . . 10, 23
11. Black granite stele of Amenhotep III. {Photograph) . . . . . . . . 10, 23
12. Inscription of same .............. 23
13. Black granite stele of Merenptah. (Photograph) . . . . . . . . . 13, 26
14. Inscription of same .............. 26
15. Stele of Duaui-er-neheh. {Photograph) . . . . . . . . . . 5, 28
16. Deposit of Tausert, small objects. . . . . . . . . . . . 14, 29
17. Deposit of Tausert and Siptah, pottery . . . . . . . . 14, 15, 16, 17
18. Deposit of Siptah, small objects . . . . . . . . . , . . 16, 29
19. Ostraka of Tausert and of Siptah ........... 29
20. Ostraka from Amenhotep II to Merenptah . . . . . . . . . . 9, 29
21. Helmet, bowl, and tools. {Photograph) . . . . . . . . . . 18, 19
22. General plan of temples . . . . . . . . . . . . 7, 13, 19
23. Plan of temples of Amenhotep II and white queen ........ 4
24. Plan of temple of Tahutmes IV ........... . 7
25. Plan of temple of Merenptah ............ 11
26. Plans of temples of Uazmes, Tausert, Siptah, and Khonsuardus 3, 13 16, 18
INTRODUCTION.
I. Repeatedly ransacked as the region of Thebes
has been in all past times, there yet remain a few
parts which have been little examined, if at all. The
cemetery has been turned over and over by every
plunderer, from the old Egyptian down to the Coptic
dealer of last year ; but the temple sites, from their
wide extent and the paucity of small objects to be
found in them, have been but little searched. It was
accordingly on these temple sites that we spent our
work in 1 896 ; and though the results were less in
some ways than I had hoped, yet in others they far
exceeded what could have been expected.
On looking back over past years of work, the
general result altogether is that out of any ten great
results that were anticipated and worked for, only
five will be successfully attained ; but ten other
results wholly unexpected will be found in the course
of the work. Thus if on the one hand we only get
half of what we expect, on the other hand our un-
imagined results are equal to all that we looked for.
Another general conclusion is that following definite
clues produces but a small proportion of the suc-
cesses ; much more than half of the discoveries pro-
ceed from making very extensive and thorough
clearances, acres in extent, and yards deep to the very
bottom, on ground which is likely to contain important
material. While in cemeteries, only one tomb in ten
repays the work ; and it is the rare one tomb in a
hundred that compensates for the ninety blanks and
nine scanty results.
2. The region of the work was about half a mile
long, and a furlong wide, along the desert edge of the
western shore of Thebes. This ground reached from
behind the Kom el Hettan to near the temple of
Tahutmes III. When I went there in December,
1895, the temples already known in this ground were
those of Tahutmes IV, and Ramessu II, and between
them the chapel of Uazmes, discovered in 1887 ;
while the ruins behind the Kom el Hettan were
attributed to Amenhotep III. The result of my
work was to fix the last-named ruin as the temple of
Merenptah, and to discover the sites of the temples of
Amenhotep II, Tausert, and Siptah ; at the same
time the sites of Tahutmes IV and of Uazmes were
fully cleared and planned. Meanwhile Mr. Quibell
cleared the Ramesseum and the great buildings around
that, working for the Egyptian Research Account.
To excavate in this place, we settled in the brick
galleries, which formed the store-chambers and
barracks of Ramessu II around the Ramesseum.
Most of these galleries or tunnels have fallen in during
the slow decay of thirty centuries, but some of them
are yet complete enough to give all the shelter that is
needed in such a climate. We picked up loose bricks
in the ruins, and built dry walls to divide the long
space into rooms. Each gallery is about thirteen feet
wide and high, and the remaining portions are, some
of them, about eighty feet long. One shorter gallery
served for my room and store for antiquities ; the
next, which was a long one, was divided up for Mr.
and Miss Quibell, two spare rooms for some time
occupied by Miss Pirie and Miss Paget while they
were copying paintings, our dining-room and the
kitchen ; the next gallery contained about sixty
workmen and boys, with very often half a dozen
donkeys and an occasional camel ; and another short
gallery served for my best man Ali and his family,
and the mother of another of the men. We thus
formed a compact community in what was almost a
fortification, as I had cleared out a deep trench
around the dwellings so as to prevent any outsiders
coming about the place or getting on our roof ; while
on the top of the brick arches of the galleries was a
wide level space, which served for spreading things in
the sun. Very soon we had to enclose a space in
front of the galleries to hold our collections of
pottery, pieces of sculpture, and stacks of ushabtis.
INTRODUCTION.
3. At first I brought up some of our best men from
Koptos, and took on many of the Qurneh people for
the work. But as soon as we began to find anti-
quities, it was evident that the previous engagements
of these local workers to the various dealers of Thebes
took precedence of their engagement to me. Thus^
half or more of what they found was abstracted for
their old friends, although I was paying them so well
for things that I even bought back from dealers part
of what had been taken, at the same rate that I paid
the workmen. It was not a case of greater gain to
them, but of obliging their dealer friends with stock
for trade. This system was quickly defeated by dis-
missing all the local workers, excepting a few boys
and negroes, and bringing in a far larger garrison
from Koptos, while also drawing many from the
villages around. Thus, for two months, we completely
defeated the endless machinations of the Luxor and
Qurneh dealers, and the petty terrorism which they
tried to exercise. So long as I had Qurneh men, I
heard within twenty-four hours of what was stolen,
through reports sent to me from Luxor ; so soon as I
dismissed them, I never heard of anything else going
astray, nor had my good and honest old friend
Muhammed Mohassib at Luxor any knowledge of any-
thing reaching there. So for the first time excavations
at Thebes were carried on clear of the incessant
pilfering and loss which had been hitherto supposed
inevitable. Nothing short of a good garrison of
trained workers from a distance, entrenched upon the
work, kept in hand day and night with good esprit de
corps, prohibited under pain of dismissal from going
to the villages around, or from buying or borrowing
anything from the neighbours, together with continual
watchfulness and a free use of fire-arms at night —
nothing short of this will suffice for excavations at
Thebes. With this system we had the satisfaction of
digging up scarabs and other good things a few inches
below where the enraged Qurnawis had been walking
all their lives, without their being able to touch a
single piece. My man Ali Suefi was even more
valuable than before, as he was not only proof against
all the blandishments of the local rascals — the Abd er
Ra.suls and others — but harassed them in any attempt
to get at the other workers, and saved us a large part
of our results. Of course I put him on to all the best
places, and he got about half of ali the bakhshish of
the season as his reward. When you have an honest
man, make it worth his while to continue so.
4. The whole of my work in this season here
described was, as in past years, carried on with the
assistance of my constant friends, , Mr. Jesse
Haworth and Mr. Martyn Kennard. After nine
years of this association a change has come, by my
working for the Egypt Exploration Fund ; but a
change which leaves much regret in closing — at least
for the present — the most cordial and pleasant rela-
tions which have cheered my work for so long a time.
But for the ready help of these friends in providing
for excavations, to whatever extent seemed required,
it would have been impossible for us now to look back
on the portraits of Hawara, which restored to us the
Greco-Roman art of painting ; the pyramids of
Amenemhat IH, and Usertesen II, the first that
were shown to be of the Xllth dynasty ; the towns
of Kahun and Gurob, with the insight into the Xllth
and XVIIIth dynasties that they gave us ; the Xllth
dynasty papyri, and the Ptolemaic papyri ; the
clearing of Medum, which fixed the pottery and
the hieroglyphs of the beginning of history ; the
painting and other arts of the naturalistic age of Tell
el Amarna ; the prehistoric works of Koptos ; the
opening of an entirely new position by the history of
the New Race at Naqada ; and lastly, the Theban
temples and the great stele naming the Israelite War.
All of these results are due to the public spirit of the
two friends who have been ever ready to let me draw
on their purses for such work. My best thanks, and
those of the public are due to them, for thus assisting
in filling up our knowledge of ancient Egypt. How
much this means we may feel by just trying to
imagine what our views would now be without this
insight, at almost every age, into the civilization and
works of that country.
5. In the preparation of this volume, Dr. Spiegel-
berg has rendered much assistance in undertaking the
editing of the inscriptions. While I was excavating,
he was staying at Thebes for studying the graffiti of
the Ramesside age, and as his researches lay specially
in that period, it seemed most fitting that he should
proceed to work over the ostraka and other hieratic
inscriptions that I found. Subsequently the great prize
of the Israel inscription — one of the longest and most
complete that is known — was brought to light ; and
Dr. Spiegelberg copied it, worked over my squeeze
of it, and published the text in the " Zeitschrift." His
contribution to the present volume will show how
fully he has laboured at the material which we
collected, first in Egypt, and afterwards in England
and Germany. The drawings here given are my own ;
THE CHAPEL OF UAZMES, AND THE EARLY XVHITH DYNASTY.
and for the photographs reproduced, I have to thank
Mr. Frank Haes for those taken in England, and
Brugsch Bey for those of the steles kept at the
Ghizeh Museum. Continually I have had the benefit
of Mr. Quibell's help, both in finishing my affairs in
Egypt, and in working over the materials brought
away. So this year, as before, many friends make
short work.
I should add that although the general direction of
these temples is facing south-east, yet for convenience
they are assumed to face east, in accord with the
general north to south direction of the Nile Valley,
and all directions are described in accord with the
temples facing east and backing west. It will be
noticed that the plans of buildings are all to a uniform
scale, so that they can be compared together.
CHAPTER I.
THE CHAPEL OF UAZMES, AND THE EARLY
XVniTH DYNASTY.
6. This chapel or small temple lies immediately
beyond the road south of the Ramesseum. It was
discovered and cleared out by M. Daressy in 1887 ;
and a plan of it was published as PL. IV in " Le
Musee Egyptien," of which only "Tom. I, Liv. I,
Fasc. I " ever appeared, so that the promised text
which was to come in Fascicule II has not been
published. As this exploration bared the whole site
it might seem needless to say more about it ; but a
small further excavation gave important results.
The present state of the chapel is given in PL.
XXVI, where the solid black shows the remaining
brick walls, the open outlines at the doorways show
the stonework, and the open outline of walls show what
has disappeared since the uncovering in 1887. Several
details shown on the earlier plan cannot now be traced
out ; but in one respect — the skew of the south side
of the forecourt — the later plan is the more accurate.
This skew was specially noticed as affecting the
question of estimating the mean axis of the building.
Some few matters yet waited to be examined. At
A the sandstone sill of the entrance pylon remains
in place. The two lines crossing it show where the
sides of the doorway stood. On tunnelling beneath
it there was found a blue glazed ring of Amenhotep
III of a fine colour (PL. Ill, 26). From the position
it does not seem at all likely that this can have been
introduced after the building, and hence we must
attribute a restoration of this chapel to Amenhotep
III. What his object was in thus working here we
may guess when we see that he took the temple of
Amenhotep II, and largely altered it for a temple
in honour of the Princess Sitamen, daughter of
Amenhotep III. Probably therefore he made a
similar re-appropriation of this chapel for some
divinity or for some other princess of his family. At
B, at the head of the low steps leading to the court, at
28 inches deep, upon the gravel, were seventeen little
dumps of blue glazed pottery, about 4- inch across.
At C was found a fine green scarab of Amenhotep II
(Pl. Ill, 25) apparently beneath the brickwork of the
door sill. And at D were three more blue glazed
dumps and a flower, rather like that of Merenptah's
foundations (PL. Ill, 30). Along the west side of
the building is a thick bed of rubbish and pottery,
and on digging through part of that a piece of a blue
glazed bowl was found (Pl. Ill, 27) which is broken
at a tantalising point after the title of the " Divine
wife of Amen," so that the name is just lost. The
colour and drawing of this piece are like works of
Amenhotep III, but very different to the earlier style
of Hatshepsut. So this again shows that the activities
at this place belong to the later date.
On looking at the sculptures found here in 1887,
and published in Pls. I, II, III, V, VI, of " Le Musee
Egyptien," about half of them belong to the earlier
age, down to Tahutmes III (Pls. I, II, V A, VI B, D) ;
while others are of the later part of the XVIII dynasty
(III, VI C) and probably early XIX dynasty (V B, C ;
VI a). The official of the cemetery Pa-shed who
adores Uazmes on the stele of Pl. Ill is very probably
the same as the cemetery official Pa-shed of the
Belmore altar No. 8, and the tablets 261, 262, 264,
282, 341 of the British Museum. (The numbers here
given are those in the Synopsis of 1850, the only
available list of that Museum). It seems therefore
that this chapel was in use for the adoration of
Uazmes, and perhaps of other persons, down to the
XlXth dynasty ; and that it was largely restored
under Amenhotep III.
7. Some other remains of the early part of the
XVIIIth dynasty were found in various sites : we
here notice them in the order of the drawings.
In the temple of Tahutmes IV blocks of earlier
sculpture had been freely used up : some of these
appear to have been from tombs, as they bear figures
of servants (PL. I, i, 2). The date is shown by the
B 2
THE TEMPLE OF AMENHOTEP II.
cartouche of Tahutmes I and the name Aa-kheper-
ka-ra-senb. These slabs are of coaise brown sandstone
painted in body colour, without any sculpturing.
A tablet (PL. I, 3) of limestone shows a woman
named Bakt, making a meat offering and a drink
offering to the cow of Hahtor, for the benefit of her
husband, the engraver of Amen, named Amenemhat.
The three hollows at the top are apparently for two
ears, and perhaps the sign of a hide ; it seems as if
some inlaid objects had been inserted, of glass or
metal.
A portion of an altar (PL. I, 4) of sandstone
dedicated by a chief priest of Tahutmes III named
Ra, was found in the temple ruins of Amenhotep II.
This priest was the husband of the nurse of Amen-
hotep II, and his tomb is one of the finest in Qurneh,
published partly in Lepsius "Denkmaler" III, 62,
and Prisse "Art," where the glass and stone vases
are figured.
A large wooden ushabti (PL. II, i) was found in
a high heap of ashes upon the top of the brick
galleries behind the Ramesseum : how it can have
come into such a position cannot be traced. It
belonged to the tomb of the great viceroy of the
Sudan under Tahutmes III, named Nehi ; he built
the temple in the island of Sai, and carved the
S. grotto of Ibrim. The work of this ushabti shows
the taste of that time in the slender, delicately carved,
and finely formed hieroglyphs.
A limestone Osiride figure (PL. II, 2) of Tahutmes I
was found in the ruins of the temple of Amenhotep
II ; the work however seems to belong to the time of
the earlier king, and it seems as if it might well have
been brought from his tomb, and be an early type of
royal ushabti.
Behind the temenos of the temple of Mercnptah,
we found at the base of the wall a patch of sand with
small vases (PL. IV, 1-8) of rough pottery ; and it
appears that these belonged to the foundation deposit
of some earlier building, which was cleared away by
Merenptah. These seem on the whole to be rather
earlier in type than the vases of Amenhotep II,
figured next below them : but no positive date can
be assigned to them.
On clearing a building in the outer court of
Tahutmes IV, a part of an earlier stele was found
used up in the threshold (PL. IX, i). It represents
a man named Min-mes, making offerings to his father
Athu-usir ; and from the work it is probably of about
the reign of Tahutmes III.
These comprise all the remains earlier than Amen-
hotep II which were found in the course of the
excavations. The later remains we shall notice in
dealing with the temples of their respective periods in
the following chapters.
CHAPTER II.
THE TEMPLE OF AMENHOTEP IL
8. To the north of the Ramesseum was a space of
ground covered with chips of stone, and with a few
brick walls .showing upon it When examined this
proved to be a confused mass of structures of four
different ages. First of all there had been some
brick buildings, askew to the later plan ; these had
traces of colour on them, and were probably chapels
of some tombs. A piece of this wall is shown on the
north side of the plan, Pl. XXIII, at A. The next
building was the temple of Amenhotep II; and the
occurrence of his name here cannot be due merely to
his materials being brought from some other site at a
later date, as five foundation deposits of his were found
quite undisturbed in the rock.
Next Amenhotep III largely altered this temple.
Sculptured blocks of Amenhotep II are found re-used,
buried in the foundations of the colonnade of the
portico ; this re-use was before Amenhotep IV, as
the name of Amen is not erased upon them, while it
is erased on all the sculptures left above ground.
Thus we are limited to Tahutmes IV or Amenhotep
III in our ascription of the rebuilding; and it is
fixed to the latter king by the many pieces of glazed
pottery tubes, from some furniture, bearing his name.
Probably to this time, or a little laterj belong the
many pieces of limestone with trial sculptures of some
students, who seem to have used the temple as a
school.
The last use of this site was for tombs of about the
XXIInd dynasty. The walls of these are shown by
mottled black and white on the plan. Within the
enclosures were three tomb pits, marked here by
diagonal lines. So much for the history of the site.
9. Turning now to the details of the te .ipic of
Amenhotep II, the only parts that we can be certain
are original are the bases of the columns (as the
deposits are undisturbed beneath them), and the stone
foundations of walls which are built like the bases.
The court was not so large as that of Tahutmes IV,
and had only a single line of columns around it, the
whole being about 140 feet wide, and 120 feet long.
THE TEMPLE OF AMENHOTEP II.
The position of the back wall is shown by the great
door sill B. At C was the grey granite statue of
Amenhotep II, swathed in osiride manner, and holding
the crook and flail — a type unusual in a seated statue
such as this. The head was broken off, and could not
be found anywhere in the whole site. From the
position it seems that the statue was one of a pair on
either side of the entrance to the temple beyond the
court. Such was also the position of the statues of
Ramessu and of Merenptah in their temples. Beyond
this there are fragments of foundations left, but not
enough to indicate a plan. The proportion of the
front court to the length of the site behind it is more
like that of Tahutmes IV than like the longer temples
of the XI Xth dynasty.
10. The foundation deposits were of two classes.
There were the usual pits in the rock, containing
rough alabaster vases, inscribed in ink with the
cartouche (PL. Ill, 5), corn grinders (III, i) of sand-
stone, oval pieces of alabaster (III, 2, 3, 4), copper
models of adzes (III, 6), chisels (III, 8, 9), axes (7),
and knives (10) ; with these were a large quantity of
rough pottery vases (IV, 9-29). These deposits are
marked D in the plan, and it is remarkable how they
are scattered about the site, and not in the usual
positions ; the three under the line of column bases
are strangely close together. The other class of
deposits were the small limestone tablets with the
cartouches (III, 11, 12) ; these were found in pairs,
face to face, on the ground surface under the ruins.
Of miscellaneous objects found here were some
bronze rosettes, gilt, and pierced with holes for sewing
on to a garment (III, 17). Many pieces of finely-
carved statuettes of wood were scattered about, and a
headless kneeling figure of alabaster (II, 3), probably
of Amenhotep II, as other figures in this attitude are
known of him at Paris, Berlin, and Turin, and are
drawn in a tomb at Qurneh. The portion of an
osiride statuette of Tahutmes I (II, 2) is most
unexpected in such a position ; it seems more likely
to have come from his temple or tomb.
11. The broken altar of Ra, high priest of
Tahutmes III (I, 4), was found in the ruins (see
"History" II, 162, 163), as also the large unfinished
stele of Duaui-er-neheh, reproduced in photograph
Pl. XV. This man cannot be the same as Duaui-
neheh of Qurneh, tomb 22 (in Champollion, Notices, I,
515, 844), whose mother was Tarounet (" the virgin "),
as this man's mother was Mesut. But as both men
have the same hereditary titles, and each has a brother,
a uab priest, named Neb-mes, it seems likely that this
man was grandson of the owner of the Qurneh tomb,
son he cannot be, as his father was Benaa. We
might therefore restore the family thus : —
;r=Tarounet
Erpa-ha, Ifai-sahufl t-» •'
c«,i^.«„ A., 1 Duauii
smer-tMf &'c.
neheh [/aS Neb-mes
Benaa^Mesut
I
£ria-/ui,iat-saiut Uai User-aah Ra Nefert Sen- Ruti Nefer- Anni Aahmes
Uuaui-er-neheh Neb-mes senb reupit
This would agree well in date. The Qurneh tomb
bears the names of Hatshepsut and Tahutmes III,
about 1500 or 1490 B.C.; and this tablet was left
unfinished and used in the building of Amenhotep II,
about 1440 B.C., thus leaving 50 or 60 years between
the two for the two generations that elapsed. The
main interest of the stele is its unfinished condition.
The position of all the figures and signs has been first
sketched in red ; then the final outlines have been
drawn in delicate black line over all the figures and
the inscription at the top, the names of the brothers
and the first line of lower inscription being in solid
black. Lastly a beginning of cutting has been made
between the seated figures, just to show which part
was to be sunk. The mode of writing the hieroglyphs
is instructive, as a lesson in such writing, apart from
hieratic forms. The exact formation of the strokes
has been carefully copied and published by Miss
Murray, in 'Proc. Soc. Bib. Arch.,' xix. yj. The
discussion of the inscription is given in Dr. Spiegel-
berg's chapter here. The stele is now at University
College, London.
12. Beside the pottery in the foundation deposits
(IV 9-29), there were also found some jars lying in
the ruins. One of these is of great value historically
(V, 3), as it bears the name of Amenhotep II (V, 5),
and a date of the twenty-sixth year (V, 6), with the
name of the vine-dresser, Panehsi 'the negro,' who
stored the wine. Hitherto no date of this king
above the fifth year had been known, and the assign-
ment of 25 years 10 months to this reign by Manetho
was generally discredited. The latest writer, Maspero,
asserts that the " reign was a short one, lasting ten
years at most," (" Struggle of the Nations," 292). Yet
from the generations in the royal genealogies, and the
finishing of the Lateran obelisk after 35 years of
abandonment, it seemed that Manetho's period must
be correct (" History" ii. 153). Now there is absolute
evidence for the whole length of reign named by
Manetho, in this date of the 26th year, and we have
a wholesome warning against rejecting his statements,
except under the strongest pressure. Some other jars
THE TEMPLE OF AMENHOTEP 11.
were also found, the style of which agrees well with
what we know of this period otherwise (V, I, 2, 4).
In the space to the north of the line of approach,
close to the east of the portico, was an extensive
levelling up of the ground with broken pottery.
Among this pottery were many painted pieces, of
which some are shown on PL. V, 7-12. The shading
on these is upright for red, and horizontal for blue.
The date of this filling up of the ground is not certain,
for though it would seem probable that Amenhotep II
would have required to level the ground, yet the bases
of the columns here were all built by Amenhotep III
from the ground upward for four courses. Hence it
would be more likely that the material piled against
the retaining wall of these foundations would also
belong to the later king. The presence of much blue
colouring on the pottery is in accord with this, for —
.so far as is yet known — this use of blue was introduced
by Amenhotep III. A curious kind of pottery, not
known otherwise, is incised with lines and spots,
coloured white in alternate sections, and dabbed with
white on the brown clay (III, 13).
13. The work of Amenhotep III on this site
appears to have been an extensive remodelling. The
whole of the portico was entirely built by him, as the
foundation piers of the columns consist of pieces of
sculpture of Amenhotep II, including a long lintel of
sandstone broken in two. The sculptures in the
temple were also due to him, for among the fragments
is a relief of a princess, whose cartouche ends in si
(VI. 6), which cannot be any known person but
Sitamen, daughter of Amenhotep III. Another block
bore the figures of a row of Libyans, and the work
appears much more like that of the Ilird than of the
llnd Amenhotep. Many glazed tubes of pottery
were found (III, 14, 15, 16, 18, 19, 20), coloured light
blue, dark violet, and yellow, with inlays of dark blue
and light green. These all bear the name of Amen-
hotep III, and refer to the festivals in which they
were probably dedicated as part of some furniture.
A beautiful bust from a small group in limestone,
which was found here, appears from the hair to belong
also to this age. A kneeling figure in grey syenite
bears a tablet with adoration by a royal scribe, Sesh
(VIII, 4), but as the head is lost, the reign cannot be
assigned. In this region was also found a seal carved
in pottery under Akhenaten, with the inscription
"Aten temple" (III, 24).
The last use of this site was for a tomb chapel of
about the XXIIIrd dynasty. The walls are shown
in mottled black and white, and three tomb pits
marked by diagonal lines. These pits were cleared
out, but contained only very poor beads, and a bronze
statue of a queen about eight inches high ; this figure
is apparently nude, with a circular crown, a short
close wig (like the statue of Takushet in Athens), and
wide flat sandals. Other figures of the same class are
known. Some work was done here in Greek times,
as a vase of Saitic period was found by the wall of
this chapel, and with it an iron chisel and adze.
14. Behind the temple of Amenhotep II, toward
the Ramesseum, stood another funerary chapel,
which is shown on the plan PL. XXIII. The only
object found in it is a bust of a queen in hard white
limestone (VI, 2, 3), and hence this is called the
White Queen's chapel. Unfortunately the name is
lost, and only some priestly titles remain on the back
of the bust (IX, 2). The date is quite unfixed ; there
is no very close parallel to the work, and only general
considerations are available. Some points would lead
to an early period, the locality just behind the temple
of Amenhotep II and III, the hard white limestone
just like that used by Amenhotep III, and the
rosette on the breast, which is like that on the statue
of Tua, wife of Sety I, in the Villa Verospi (Monu-
menti Inediti dall' Instituto, ii, 40). Dr. Spiegelberg
remarks that he would place it to the XlXth dynasty,
and calls attention to the wrinkle in the neck, which,
so far as he has observed, is a peculiarity of the artist
of the time of Sety I, and Ramessu II.
The double uraeus on the head is not decisive, as
it occurs on Queen Tyi at Soleb, and on a later statue
(of XXV dyn. ?) at Berlin ; while a triple uraeus is
on the head of Amenardus. The ear stud belongs
equally to the XVIIIth and XXVth dynasties. But
other points indicate a later date, of about the XXVth
or XXVIth dynasties. The mention of Sais on the
back would point to the XXVIth dynasty ; though
concentration of so many priesthoods into the queen's
hands points also to the priestly character of the high
priestesses of Amen. And the elaborate treatment
of the hair seems quite as late as the XXVIth
dynasty, and almost more like Ptolemaic work. On
the whole I should be inclined to see in this one of
the queens of the XXVIth dynasty, who held Thebes
as being a ruler of the sacerdotal line.
The bust was found lying in the northern long
chamber ; it is now in the Cairo Museum. A few
small fragments of coloured stucco were also found,
but nothing distinct as to date ; one piece reads,
/
THE TEMPLE OF TAHUTMES IV.
"kan mes suten kemt." If this should be read as
" ka . n born of the royal wife," there is only
one known person to whom it could refer, namely,
Psamtek III. Ka . ankh . ka . n born of the royal
wife Tentkheta. The difficulty in this, however, is
that there is no determination after the . . . . ka . n,
and, moreover, this being the throne name of Psamtek,
it could only occur after he was king, and yet the
. . . ka . n . is not in a cartouche. It more likely
refers then to some unknown prince, if it is a personal
name at all. The whole chapel is much denuded.
Of the north wall hardly anything remains above the
floor, and it is only visible as being above the ground
outside of it. The central chamber is about three or
four feet high. But the back wall is entirely gone,
and is here only restored at a guess.
CHAPTER III.
THE TEMPLE OF TAHUTMES IV.
15. The site of this temple was on a slight spur of
the desert edge next south of the chapel of Uazmes
and the Ramesseum (see PL. XXII). When we
began work there was an area of about two hundred
feet across, strewn with chips of sandstone and dust,
while east of it, lower down at the edge of the
cultivated land, were the worn down bases of
brick walls and pylons. The site has been identified
by Lepsius as belonging to Tahutmes IV., from the
cartouches stamped on the bricks, and the pylons are
marked on the map in the Denkmaler. But no attempt
to clear the temple site had yet been undertaken.
On Pl. XXIV will be seen the plan of all the
existing remains. In some parts the sandstone
foundations of the walls and bases of the columns
were still in place. In far the larger part of the
building only the hollows in the rock cut for laying
the foundations could be traced ; or, still worse, only
the hollow left by abstracting the stone from its bed
in the midst of clean rubble-filling, the hollow being
filled with stray rubbish. In these parts then it was
needful to notice the difference between old rubble
and later rubbish as the work went on. A few pieces
of original outer surface were left ; as the granite
door sill of the peristyle court, marked G, two patches
of pavement in the inner part, marked P, .nd one
block of wall base with faces to it at the S. L. corner
of the court, marked B. ' iie brick wallinj could be
traced around most of lie site, thougu entirely
removed and denuded at the S.E. corner and along
the N. side.
16. Beginning with the entrance (see PL. XXIV),
at the east face there are parts of two massive
pylons, about 28 feet thick, which in a rounded state
are still about 10 feet high. The outer corners of the
terraces in front are almost entirely gone, but the bricks
can still be seen in the ground of the present road,
which runs just inside the outer pylons. Near the
north-west corner of the temenos are some brick build-
ings which are probably of Tahutmes IV, or Amen-
hotep III, judging by the pottery found in them.
Beyond this the rock is cut away in two hollows, one
on either side of the axis, so as to make a level court,
bounded by a rock face on the western side. The
axial roadway was dressed in a slope which ran up to
the top of the court and so led to the next terrace ;
the arrangement being much like that of Deir el
Bahri. On the next terrace was a lesser pylon of
brickwork, about 68 feet (40 cubits) wide on either
side, and 18 feet thick. Behind this was another
court, levelled by being partly cut into the rock, so
that it was bounded on the west by a rock face, the
breadth of the latter of which is marked and shaded
with vertical shade lines. The rock on this western
side was faced over with a brick wall, and a stone
facing in front of that on the southern half This
stone face is in line with the brick face of the northern
half, which therefore seems not to have any stone
face ; if so, it was probably finished off last of all, and
time saved by putting only brickwork on the north,
to match the stone face on the south.
At the north end of this court the ground is higher,
and is occupied with a group of buildings, which were
divided into two parts, one of five rooms and a stair-
way, the other of eight rooms. The only object found
here was a rudely-cut stamp of limestone for seaUng
wine jars (PL. Ill, 23).
17. In the south-west chamber of this building the
floor was found to rest upon made earth, and not on
the rock. On digging down here a rock scarp was
found facing the east, the slope of it being marked on
the plan by vertical shade lines. Below this scarp an
entrance was found, leading into a passage running
west : at the end of this passage a doorway admits to
a chamber cut in the rock, in which is a pit descending
to a lower level, and giving access to another passage
running east, with a tomb-chamber at the end of it.
The upper level passage and chamber are marked
on the plan with broken lines, the lower level passage
and chamber with dotted lines.
8
THE TEMPLE OF TAHUTMES IV.
It is evident that this was a tomb considerably
older than the temple ; for when we opened it there
was no trace of the original interment, but the upper
passage and chamber was closely filled with at least
two layers of bodies, over eighty being packed into it.
And there was nothing in the lower passage and
chamber. These bodies were scarcely to be called
mummies, as they seemed to have been buried in
wrappings without any attempt at preserving the
flesh by resin, oil, or salts. Hence there was only a
confused mass of bones amid a deep soft heap of
brown dust. This burial-place cannot have been used
later than the building of these chambers belonging
to the temple, as the entrance was deeply covered
with rubbish-filling to level the ground, and the walls
rested on the rubbish. At the same time we cannot
suppose such a common burial-ground to have been
standing open for long before it was closed up for the
temple building, as the bodies were quite undisturbed.
Hence it seems probable that this was an older and
plundered tomb, used as a common burying-place —
perhaps for the workmen — during the reign of
Tahutmes IV, or possibly Amenhotep H.
The only things found here with the bodies were
plain vases of pottery. These were all collected, and
the forms are shown on PL. VH. The types are
coarser and worse than some known to belong to
Tahutmes HI ; compare Nos. 4, 8, 12, 13, and 18
with those from the Maket tomb at Kahun, in
"Illahun" Pl. XXVII, Nos. 47, 34, 42, 40, and 49.
There is also a type. No. 12, almost exactly like that
found in the temple of Amenhotep II (PL V, i). All
of the skulls from this tomb were brought to England,
and some of the bones. There is a great diversity in the
forms of the skulls, some being remarkably round,
and others long. Had I realised their variation at
first, I would have preserved the whole skeletons along
with each ; but presuming that they would be much
of one type, being all of one place and date, I did not
think it needful to do more than sample the skeletons.
This great diversity suggests that these people were
not natives of Thebes, but were probably foreign
captives employed in the public works, and collected
from all over Syria.
18. Passing now up the main axis, from the second
court we reach a second terrace on which stood the
portico of the temple. This must have been a fine
structure, being 100 cubits wide (172 ft.), and having
a double colonnade of fourteen columns. The width
is the same as the temple of Sety I at Qurneh, but the
columns were more slender and closer, being fourteen
in place of ten. On the other hand, the depth of the
double colonnade must have given an effect more
like that of Deir el Baheri, where also the spacing of
the columns is the same as here, though twenty or
twenty-two are used in the front of that sumptuous
temple as against fourteen here. Of these columns
portions of only six basements remain, and mere
hollows indicate the places of most of the others,
though of nine of them no evidence was found and
they are only shown by dotted outlines.
The great gate to the peristyle court of this temple
had a threshold of red granite (marked G on the
plan), of which the main part still remains. The
square outline at the soutli end of it is the position of
the jamb which can still be traced. At the south end
of this front wall one stone yet remains above the
foundation level, showing the dressed faces.
The peristyle court is unique in having a triple
colonnade along the back and both sides. As only
three out of eight columns have left any traces of
foundation in the first two rows, it might seem not
impossible that this might have been a hypostyle
hall, of which all the central part had left no trace.
But the northern half is so far complete in its
evidences, not only the foundation, but the actual
circular bases remaining, that we can hardly suppose
it to have continued southward without leaving some
sign either of stone or of rock cutting. It seems then
that this is a unique piece of architecture in having a
triple colonnade, and is also unusual in the number of
columns. Here there are 14 X 9 ; the double
colonnade of Luxor is 12 X 12, of the Ramesseun
8 X 10, and of Khonsu 6x6; while the great hall of
Karnak (which is hypostyle), has the same number of
columns as here, with a central avenue of larger ones
in addition. There appears to have been a doorway
on the south side with a porch over it, judging from
the foundations. This is analogous to the doorway
south of the forecourts of the temples of Ramessu II,
Merenptah, and l^amessu III ; it is probable there-
fore that it had a fixed ceremonial purpose, as it is
repeated in four temples.
Of the shrine and back of the temple very little can
be determined. There was a second columnar space,
probably a shallow hall of six columns wide, and two
or perhaps three deep. At each side of this there
must have been a narrow chamber or passage : and
behind this a row of small chambers, of which some
foundati.ins remain at the south-west. The ground
along the gouth slopes is deeper to the west, so that the
south-wes. corner is very low, lying in a small ravine
THE WORK OF AMENHOTEP III.
that slopes across that corner of the temenos. Hence
the foundations needed to be built to a considerable
height ; and to retain the chip filling around them
brick walls were placed between the stone foundations,
of which three are marked in solid black on the
plan.
The temenos wall is cut across in the middle of the
south side by a small ravine, so that the east end is
north of the ravine and the west end and south-west
corner is south of the ravine, isolated thus from the
temple. The south-west corner is well preserved
to a considerable depth, being buried in a deep bed
of chips which formed the artificial levelling up of the
ground at this part.
19. The sculptures found in the temple were but
very few considering how much must have existed
here. A slab of sandstone with a figure of Amen-
Min in relief and painted, was found in the back part
of the temple, and several coloured fragments which
showed how the shrine had been decorated. Several
large statues of Tahutmes IV were carved in lime-
stone and painted ; of these a few fragments were
found, mostly ears. The lower part of one face
is of value as a portrait (Pl. VI, 4), and agrees
closely with a relief of the king found also in this
temple (Pl. VI, 5).
A few tablets remained here. One mentioning a
campaign to Ethiopia (PL. I. 8) ; another naming a
fort in Syria called after the king (Pl. I, 7). A
fragment of a very rudely carved tablet may have
been made by some Syrian workman ; it represented
Tahutmes IV adoring the goddess Asit, riding on
horseback, armed with spear and shield as usual
(PL. VIII, I).
Within the temple area were found a plummet of
green quartzose stone (PL. Ill, 21) ; and a part of a
sistrum in blue glazed pottery (PL. Ill, 22).
Some rough hieratic quarrymarks were noted on
the blocks of the foundation, of which three examples
are given on Pl. IX, 11-13. Nos. 11 and 12 mark
the stones as for the building of the temple in the
southern capital for his majesty ; and No. 13 has the
words " good years," which may be the personal name
of a workman. On a piece of a large vase, found in
the north-east buildings, were figured a pair of sandals
and a bronze razor (PL. XX, 4) ; it seems not
improbable that this was the price by barter of the
jar of wine or oil on which they are marked. Two
other pieces of hieratic inscriptions (Pl. XX, 6, 7), are
described by Dr. Spiegelberg.
CHAPTER IV.
THE WORK OF AMENHOTEP IIL
20. On applying for permission to excavate at
Thebes, M. de Morgan informed me that he reserved
the site of the great funerary temple of Amenhotep III
for his own work. The site of it is now largely under
the high Nile level, as the water rises fourteen feet above
the bases of the great colossi, and has deposited Nile
mud to a height of eight feet above the bases. Hence
the ground is now mainly cultivated, and expropriation
of the cultivators is needful before working on the
temple. The required ground had been already
bought for the Government, as I was informed, and
that site was, therefore, reserved. It happened, how-
ever, that, as I was allowed to work upon the desert
the temple behind it, which I found to have been built
by Merenptah, I there discovered a large amount of
sculpture which had belonged to the temple of
Amenhotep III, as that had been plundered for
material by Merenptah. Hence, though I did not
touch the great temple of Amenhotep III, I found
what are very probably the most valuable remains of
it. These are noticed here in the order in which they
would have stood in the temple. I also found that
Amenhotep III had largely re-arranged the temple
built by Amenhotep II, in order to provide for the
worship of his daughter Sitamen.
21. Many portions of gigantic couchant jackals
were found, carved in soft sandstone. They had been
split up into slices along the horizontal bedding of
the stone, and laid in the foundations of Merenptah.
The most complete that I measured was, from the
tail, 52 inches to the toes of the hind foot, 92 to the
elbow of the fore leg, 102 to the chest, and 1 14 to the
broken stump of the paw : according to this the
whole figure would have been about 135 inches long,
and have needed, therefore, a base at least lij feet
long. The width across the hind paws is 43 inches, and
45 at the fore legs. These jackals were couched upon
bases of sandstone, having a torus and cavetto
moulding round the top, a line of inscription below
that, and a border of dad and thet girdle-tie alternately
beneath the inscription. The lines of inscription are
copied in Pl. IX, 3 to 9. On the front end of these
bases was some projecting mass ; and as pieces of
statues of Amenhotep III (see Pl. VI, 9) of the same
work and material are constantly found associated
with these pieces, it seems most likely that the statues
stood backing against the pedestals of the jackals.
c
lO
THE WORK OF AMENHOTEP III.
The pedestals are i6 inches wide on either side of the
statue, and allowing about 14 inches more for the
width of the statue, the whole would be about 46
inches wide, or just suited for the jackals, which are
43 and 45 inches across the base.
Hence we may restore the avenue of approach to
the temple of Amenhotep as being between the two
lines of statues of the king in Osiride form, with
ankh in each hand ; the' statues backed against high
pedestals about 4 feet wide and \\\ feet long ; upon
which lay gigantic couchant jackals, the emblem of
Anubis, under whose protection the dead king was
placed. Upon the pedestals were also figures of a
young priest wearing the panther's skin, who is stated
to be the king's son, and probably is, therefore,
Amenhotep IV — Akhenaten — in his boyhood.
22. Besides these jackals there were also limestone
sphinxes, with the royal head. These were not so
large, the bases being 65 X 19 inches. The head is
not detailed, but merely blocked out and probably
intended to be coloured (see PL. VI, 7). But the
portraiture shows closely the same expression as in
other heads of the king. Two of these sphinxes were
dropped into a hole on their sides, head to tail, back
to back, beneath one of the pillars. The limestone
had somewhat swelled and cracked, so that the head
of the perfect sphinx was loose, and I removed it
therefore, leaving behind the body, and the other
headless body.
Of statues, a face in black granite (see PL. VI, 8)
was found, without any other parts of the figure. It
is clearly a very careful piece of work, and probably
one of the best portraits of the king, being in such a
laboriously wrought material. It accords very closely
with the expression of the other heads here, and the
portraits elsewhere.
A body of a statue in limestone, painted about life
size, was found in the southern foundations of the
first court of Merenptah. On the western side of that
court, in the foundations, are fragments of a colossal
group of the king and a god, carved in very hard
white crystalline limestone with exquisite finish ; a
fragment of the hieroglyphs is copied in PL. I, 5.
On the northern side of the second court, in the
foundations, is a head of a colossal statue in the same
limestone, 50 inches through and 48 inches high.
This would imply that it was 24 feet high, if a seated
figure. Another head of the same limestone, near
that, belonged to a sphinx ; it is 60 inches from the
chin to the back, which would imply a length of 21
feet The head of a jackal in limestone, also near
there, is 62 inches long. All these colossal heads of
the king are battered and broken so much that they are
not worth removal : but they, at least, show us how
magnificent was the sculpture in material, execution,
and size, which adorned the temple. Several blocks
of limestone from the Amenhotep temple were used
up ; in particular, an enormous one in the N.W.
corner of the first court of Merenptah lies face down.
We tunnelled beneath it, and found a fine and perfectly
preserved scene of offering, the carving of which
retains its colouring intact.
23. Of the portable works of Amenhotep, two of
special interest were found. The foundation of one
column of Merenptah was formed of the two pieces of
the limestone stele of PL. X, laid face down on the
sand bed. The upper part of the stele shows Amen-
hotep making offerings to Amen : on the one side
presenting Maat, the goddess of truth, on the other
side presenting wine. The figures and names of
Amen had been entirely erased from the stele, doubt-
less by Akhenaten, and have been re-sculptured on
the erased surface by Sety I, who adds a line, saying :
" Monumental restoration made by the son of the sun
Mer-en-ptah Sety for his father Amen." Below this
are two scenes : on the right hand the king in his
chariot driving over the Negroes, on the left hand the
king driving over the Syrians. Probably the stele
was placed with its face westwards, so that the people
of the north and the south looked to their respective
sides ; just as in the pylons of Tahutmes III and of
Taharqa the northern people are north of the axis,
and the southerners are to the south. At the base
we read of the subjugation of all peoples, of Naharaina,
and Kush, the miserable Reten, and the Upper Retenu
under the feet of this good god, like the sun, for ever.
The large size of this tablet, 6 feet high and 31^ feet
wide, and the very delicate and finished style of its
sculpture, makes it one of the finest works of this
age.
24. The other stele is shown on plates XI, XII.
It is a block of dark grey syenite, infiltrated with
quartz veins : it is 10 feet 3 inches high, 5 feet 4 inches
wide, and 13 inches thick; the condition is perfect
with the exception of a small chip on one edge. The
colouring is complete in the scene of Merenptah on
the back of it ; and some of the yellow colour remains
in the scene of Amenhotep III.
The inscription and scene of Amenhotep III. has
been largely erased by Akhenaten ; the figures of
Amen were removed, and all the inscription down to
within a few lines of the bottom. The original face
I
THE TEMPLE OF MERENPTAH.
II
is still left at the bottom, along the edges, and around
the figures of Amenhotep III ; and these parts can
be distinguished by the difference of reflection in the
photograph. This erasure had not been complete
enough to prevent the inscription being traceable, for
the re-engraving of it under Sety I. had followed
exactly the old lines, as is proved by a deeper bit of
erasure occurring where the name of Amen comes in
the re-engraving. And had it been re-engraved from
a written copy preserved in the archives, there would
not be certain mistakes in the text of one sign in
place of another like it. Hence we conclude that
Akhenaten had erased the inscription lightly, and
only destroyed completely the names and figures of
Amen.
After this, Sety I restored the whole inscription and
figures, as he had done on the limestone tablet noticed
above. He recorded his restoration in a column of
deeply-cut signs, " Monumental restoration made by
the king Maat-men-ra for his father Amen-Ra, king
of all the gods." The translation of the inscription
will be seen in Dr. Spiegelberg's chapter. The re-use
of the stele by Merenptah is noticed in the next
chapter.
In the brickwork of the long chambers north of
Merenptah's temple, many of the bricks bear stamps
of Amenhotep HI., and not one was found of Me-
renptah. It appears, then, that the later king even
obtained all his bricks by plundering the earlier
temple.
The other works of Amenhotep HI. have been
described : the rearrangement of the temple of
Amenhotep II., apparently to fit it for the worship
of his daughter Sitamen, whose figure was found on
one block ; and the rebuilding of part of the chapel
of Uazmes, as shown by the ring beneath the
threshold.
CHAPTER V.
THE TEMPLE OF MERENPTAH.
25. As we have just noticed, in the previous chapter,
the temple of Merenptah was constructed out of the
materials of that of Amenhotep III. In this chapter,
therefore, we shall ignore the details of the re-use of
material and consider solely the work of Merenptah.
The plan of the temple is given in PL. XXV,
which may be usefully compared with that of the
Ramesseum. The great pylon in front has been
entirely removed, and the only proof of it is the deep
sand bed, bounded by brick walling above, and the
sides of the pit cut in native marly Nile mud below-
The levels from the water in February 1 896 are :
Brick wall 1 74 inches
Native marl, or old Nile mud . . 105 „
Native sand . . . . . 20 „
Water ...... o ,,
This native mud is a thick bed of old Nile mud,
deposited in prehistoric times when the Nile was
subsiding from the far higher level which it had
occupied. These high-level mud-beds are found in
many parts of the country, such as on the plain by
Kom Ombo, and on the plain of Tell el Amarna.
Here, at Thebes, they are overlaid by very coarse
gravels, as may be seen in the great scarp on the west
of Tausert's temple. This shows that the Nile had
subsided and run dry enough to deposit its mud,
owing to lack of rainfall ; and then had again risen
with torrential rains which enabled it to carry down
twenty feet thick of large gravels, many of the flints
of which weigh several pounds. The section above
exhibits this old Nile mud resting on native sand.
The foundation pit is a great work, being 7 feet deep
in native mud, with 6 feet more of walling above that,
in all 1 3 feet deep, 208 feet long, and 37 feet wide ;
allowing about 15 or 20 inches of space around the
stones, this would show a pylon base of I20 X 20
cubits. The Ramesseum pylon was 132 x 20 cubits.
The sides were traced all along to the bottom, and
the north quarter was completely turned over down
to the native sand, in search of foundation deposits ;
but we found nothing. The passage-way leading to
it at the north end between brick walls was evidently
the entrance to the stairway of the pylon leading to
the top ; this stair is similarly at the north end of the
Ramesseum pylon.
26. Passing the pylon we enter the front court,
which had a colonnade of six pillars on either side ;
this was about two-thirds of the size of the Ramesseum
court in each direction. It had an entrance in the south
side, with two halls of four columns, and chambers at
the side. The similar entrance in the Ramesseum
had pillars of the same size, but twice as many in
each direction. The perpendicular shading here on
the east side of the wall of this entrance indicates a
sloping foot to the wall at about 45° ; the object of
this was to prevent any use of the space between the
wall and the pylon.
The second court appears to have had colonnades
only on the front and back, and not at the sides.
The bases for Osiride pillars remain along the west
C 2
12
THE TEMPLE OF MERENPTAH.
back-, and a lai^e square base on the north side
appears as if it were for a statue.
From behind the row of Osiride pillars an exit in
the south side led down steps to the great tank.
This tank had probably been lined with stone, though
now only the hole cut in the old Nile mud stratum
remains. It was filled with washed-in earth, and,
though we went down to water-level, we could not
reach the bottom. The other tanks or sacred lakes
are south of the temple at Karnak, and north of that
at Koptos. None have been observed in connection
with other funerary temples.
The third court was a hypostyle hall of twelve
columns. Behind that was another hypostyle of eight
columns, and chambers lay at the back of this and on
either side.
27. The altar chamber was found at the N.W.
corner. The base of the altar was not quite square,
being in width 62- 6N, 65 •4E, 63-55, 63 vW. The
edge of the basement of it was 73 '5, 76 "6, 74*7, and
77*6 on corresponding sides. The sloping way up to
it was 30*6 wide and 92*2 long, with a basement
39*4 wide. The angle of slope was indicated by the
base line of a row of hieroglyphs remaining, with part
of the signs ne/ie/i, showing that the inscription read
down the slope ; the angle was i on 4, giving a rise
of 23 inches, which, with a step of about 10 inches at
the lower end, would show a height of 33 inches for
the altar. The slope was therefore merely formal,
and was not actually used to ascend the altar.
This may be compared with the altar at Deir el
Bahri, which is similarly in the N.W. corner of the
site with a chamber behind it, a precisely analogous
arrangement. The steps also slope up from the west.
The steps at Deir el Bahri are 41 wide and 180 long,
against 30-6 wide and 92 long here; they therefore
served for actual ascent to the altar. The altar itself
at Deir el Bahri was 193 x 153 inches, instead of
only 63 inches square as here. Finding that in two
temples, one of the earliest and one of the latest of
this class, the altar is in the same position, we may
look to the plans of other temples in search of the
same feature. In the Ramesseum the large chamber
Q of Lepsius, north of the hall E of Baedecker, might
have been an altar court. In the temple of Sety at
Qumeh a hall of columns on the north side has
apparently in the middle of it two blocks of stone
forming a square of 131 inches, which may well be
the base of an altar (Denkmaler I, 86) ; and at
Medinet Habu is a large hall in an analogous
position, which might have contained an altar. It
will be a point of investigation, in all future clearing
of temples, to search for the altar chamber.
28. The mass of brick store-chambers on the north
of the temple are preserved to a height of four or
five feet in the middle, but are entirely denuded
away at the N.W. corner. The long narrow space
at the south side of this block was doubtless for a
stairway, of which a few steps of brickwork yet
remain. The columns in the hall which gives access
to the western part of the block are 27*4 to 29-3 in
diameter, some being slightly oval. A square abacus
was found, 27-0 X 27-2 x 10 inches high. The
distance between the abaci was 70 inches, according
to the spacing on the architraves, which were 26 '7
wide and 33 "8 deep. This depth of the architrave
was to allow of its appearing square beneath the arch
of brickwork that rested on it. The spacing was
thus : —
Top of architrave . . , . . 33*8
Butment of brickwork . . . . 28 'o
Inscription borders . . . . / ^
\to 3-9
Lower edge ...... o
Thus, after 5 • 8 inches of the top were covered by the
spring of the brick arch, the architrave appeared square
in section, and with the inscription having an equal
border above and below it. The roofing between the
architraves was by brick arching, of which a fallen mass
was found in the hall, three courses thick. From the
measurements taken the inner diameter of this brick
arch would have been 68 inches, and the thickness of
the three courses is 28 inches. The breadth of the
spaces between the architraves being 72, 56, and
68 inches, agrees to this width of arch.
Another piece of an architrave from this temple
varies in size, being only 24*5 wide, but 39*0 deep.
The spacing was thus : —
Top of architrave 39*0
(Brickwork 30' S)?
Inscription l)order { ■
Lower edge ...... o
This was a wider band of inscription, and can
hardly have belonged to this hall, but yet it is too
narrow an architrave for any other columns that are
known here. That it belonged to Merenptah appears
from the hieroglyphs being exactly in the same style
as his, and coloured dull blue in the same manner ;
but it was found in the Ramesseum as a re-used
block in a restoration by Ramessu III. The line of
brick butment is inserted on the supposition of
leaving an equal border above and below the in-
THE TEMPLE OF TAUSERT.
13
scription, and that this architrave was designed to
cariy a brick arch appears from the extra height
above the inscription. The bases of the columns are
49-7 across the top, 54*7 in the middle, and 15 high ;
they contract equally to the top and bottom. The
inner lengths of these store galleries was evidently
the designed part, as they are 610, 823, 418, 427
inches, or 30, 40, 20, 20 cubits of 20 "3, 20-57, 20*9,
21*3 inches respectively. This gradual lengthening
out of the cubit from west to east is curious. The
widths of the galleries are 3 and 6 cubits of 20 '6.
The circle at the S.E. of the brick building is a
granary. Nothing whatever was found in these
galleries, not even any fallen roofing ; hence it
appears probable that they had wooden roofs, which
were all removed for material in a short time.
At the southern entrance to the first court a capital
still remains, of the bell or papyrus form. It is 27
inches wide at top, 18 -7 at base, and the column
17 '4 thick, while the height is 22 inches. This
cannot have belonged to the columns remaining
there, which are 33 thick on bases Jj wide in the
inner vestibule, while the bases are (^ wide in the
outer vestibule. There must therefore have been
some smaller columns in this region.
Foundation deposits were searched for in the
corners of the pylon site, under the corners of the
foundations, and along most of the length of the
foundations, and at the back corners of the temenos.
Only a few blue beads, mostly wasters, from a factory,
were found, and a few objects in coloured glaze, blue,
red, and white (III, 28-34), with two small objects of
sheet bronze (III, 35, 37). Most of these were in the
trench west of the hall of eight columns, apparently
at the entrance to the cella.
29. The greatest discovery in the temple was that
of the black granite stele of Merenptah, engraved on
the back of the stele of Amenhotep III, which lay in
the S.W. corner of the first court. It had evidently
stood against the south wall in the corner, and been
overthrown forwards. It rested on the base of the
column at its east side. This stele has been described
among the works of Amenhotep III, and its inscrip-
tion, which is of the greatest value, not only for the
Israel campaign, but also for the other places named
in Syria and for the Libyan war, is fully treated by
Dr. Spiegelberg in this volume. The photograph of
the inscription is given on PL. XIII, and the facsimile
copy of the inscription on PL. XIV.
Portions of two colossal seated statues of Merenptah
in black granite were found at the back of the second
court. They had probably stood on pedestals, one
on each side of the axis. The lower part of one was
found, and this was left in place ; but the upper part
of the other statue was brought away to the Cairo
Museum. It gives the best portrait known of Me-
renptah (PL. VI, 10, 11). The colour is still fresh
upon it, yellow on the head-dress, red on the lips,
white and black in the eyes. This was, next to the
Israel inscription, the greatest prize of the year.
In the ruins of the first court was also found a
small tablet of limestone with fresh colouring on it,
representing Pen-rannut adoring an official named
Ptah-hes. A few ostraka with inscriptions were
found, mainly at the south entrance to the first court
(XX, 8-13) ; and some hieratic quarry marks are
found upon the blocks of stone in the foundations
(IX, 14-23). Both of these classes are discussed by
Ur. Spiegelberg.
CHAPTER VI.
THE TEMPLE OF TAUSERT.
30. The site of this temple is in a levelled area,
which has been cut into the sloping mass of Nile
gravels, leaving a steep scarp along the north and
west sides of the area. This area was levelled for
some other purpose earlier than this temple, as the
temple is not square with it, and a part of the west
scarp has been cut away to admit of the N.W. corner
of the temple. See General Plan, PL. XXII, and
Wall Plan, PL. XXVI.
Of the building of the temple only a few stones of
the foundation remained, between the deposits marked
II and VIII on the Plan, PL. XXVI ; otherwise the
only evidences of it were the foundation trenches cut in
the gravel and marl ground, to a depth of about five
feet, and filled with clean sand. These trenches were all
cleared in search of foundation deposits, except a part
at the back of the cella, which was deep in accumulated
dust and chips from tombs cut in the scarp above it.
The general plan of the temple is much like
Merenptah's. There is the thick pylon, which here
seems to have been hollow, so that no foundation was
cut in the middle of it. This pylon would have been
no X 20 or 24 cubits, against I20 X 20 in Me-
renptah's, or 1 32 X 20 in the Ramesseum. Next is the
first court, which was here 75 X 50 cubits, just the same
size as that of Merenptah. In place, however, of a
second large court and two hypostyle halls, there are
here only three small halls, not as large as the smallest
«4
THE TEMPLE OF TAUSERT.
of those of Merenptah. Behind these is the cella and
chambers on either side of it. Owing to the greater
number of small chambers (in lieu of the brick store-
rooms of Merenptah), the actual area of stone building
of Tausert is, however, equal to that of Merenptah.
31. The foundation deposits were the most valuable
result attained here. They were placed at the two back
comers (V and VI, PL. XXVI), along the side walls
(III and IV), and at the main cross wall (I and II),
and under the doorways (VII and VIII). No system
or order was traceable in the positions of the objects.
In general it seems that the large block of stone with
cartouches was laid down in the trench upon a wide
mat, sometimes with the copper models of tools beneath
it, and a heap of small glazed objects were poured out
over it The region of each deposit was indicated by
blue glazed beads scattered in the sand around.
The numbers of each object found in the deposits,
with references to the Plates, are as follow : —
h
h
1^-
q"
Q
'h
1-
•a
PL. XVL
1 . .
2 . .
3 . •
4 . .
i : :
7 . .
8 . .
9 . .
10 . .
11 . .
12 . .
13 . .
14 . .
'S • •
„ plain.
16 . .
17 . .
18 . .
19 . .
ao, 21 .
22 . .
»i ' '
24 . .
U : :
27 . .
28-30 .
31 . .
3
2
9
oval
>3
I
9
3*
5
«S
22
33
i
4
17
9
9
16
4
'3
2
*6
'i
4
2
20
2
16
14
22
8
7
I
3
7
5
15
4
I
6
2
3
4
3
2
16
27
I
'S
7
16
3
'7
t
4
II
30
16
8
oval
42
52
I
42
12
S3
I
1
4
4
37
26
I
4
'3
17
23
30
7
I
14
'&
21
3
16
«9
14
S
10
'S
49
24
3
29
7
27
I
I
4
2
6
13
16
13
7
21
16
7
34
31
7
14
52
7
'e
I
21
6
II
7
7
14
4
6
7
3
6
S
I
6
10
7
9
2
'6
10
10
23
2
IS
9
48
I
1
29
9
37
I
I
I
I
4
I
Si
S3
59
4
68
55
165
247
29
163
146
236
8
23
16
12
75
33
67
159
43
106
2
I
I
4
6
I
9
7
I
8
«9
I
I
3
I
I
5
32 . .
33 • •
34 . .
li: :
5 : :
39 . .
40 • .
Pu XVIL
1 . .
2 . .
I
I
Incom|>>ete.
' 1
Of these deposits the first three are incompletely
recorded, owing to the thefts by the local workmen.
After I had discharged them, and used men and
boys from a distance, I believe nothing whatever
was abstracted. Unfortunately these thefts vitiate
any conclusions about the total quantities of each
type. From what I saw afterwards I suppose that
the first three deposits were about of the same
average richness as the others. One point is pretty
clear, that there were an equal number of the bulls'
heads and haunches of the full type (8, 12), and
probably equal numbers of the full type of sacrificed
ox (10), the flat type of bull's head (11), and the
flower (19). But it is obvious in the complete
deposits that no precise numbers were set aside for
each, though in some cases there is roughly the same
proportion of different objects. This looks as if all
the glazed objects had been put in a basket, mixed
together, and then turned out by the handful at the
ceremony of the foundation. Many of the objects
having been broken anciently when buried shows
that they had been roughly treated.
32. Some notes may be made upon the objects drawn
here. In PL. XVI. the scarabs Nos. i and 7 are all
moulded and not worked by hand ; they are made
in two pieces, a thick back in which a groove is made
for a hole from end to end, and a thin face which
in several cases has split off the back. The colour
has in all cases been blue ; but those in damper
parts of the site at the west end, where the ground
was deeper, are more or less whitened and decomposed.
The square plaques, Nos. 2, 4, 6, are also moulded
in two pieces stamped on both sides, with a groove in
one piece to provide a hole from end to end. The
colour of all of these, and of the scarabs, is a very
brilliant indigo blue, when in good preservation.
The long plaques, 3 and 5, are plain on the back
being simply pressed in a mould ; they are white,
blue, and dark violet. The cartouches are also found
on some figures of fish, 15, of ox haunches, 14, and
on rings, 21. The models of ox heads (11, 12).
haunches (8, 13, 14), and bound oxen (9, 10) are
of two kinds : some in high relief, well rounded
(8, 10, 12), others flat in form and marked out with
mere lines (9, li, 13, 14). The tied-up birds (18) are
like those at Tell el Amarna : some examples are of
blue glaze, others white, and some violet. The same
variety of colour is found in the examples of the
lotus flower, 16. The flower 19 has been supposed
to be a hand, but the earlier type in the Ramesseum
and Merenptah's deposits shows it to be a flower.
THE TEMPLE OF TAUSERT.
15
Turning to the metal objects, they are all made
in thin sheet copper, to judge by their softness and
absence of corrosion. The piece 23 looks as if it
were a model ingot, cast in that form for convenience
of lifting it and of securing it on animals in travelling ;
the four lugs serve as handles by which two or four
men could lift it, and also for securing it by rope
lashing. The same form is known in the ingot of tin
found at Falmouth, weighing 158 lbs. and therefore
needing four men to lift it about readily {Evans,
Ancient Bronze, fig. 514). No actual ingots have
been yet found in Egypt, so far as I remember. The
two handled dishes 24, 25, probably represent mortar
trays. The long slips, 26, 27, seem to be crowbars,
as several were uniformly bent up at one end ; these
show then the only crowbars yet known from Egypt.
The hoes, 28, 29, 30, are of the type well known in
later Egyptian bronze, where the flat sheet of metal
is wrapped round the handle. The axe, 31, is of the
usual type ; as are also the adze, 32, and knife, 33.
The knife with a spur on it, 34, is a new form, the
meaning of which is obscure. The mortise chisel, 35
and flat chisel, 36, are of the usual forms. The
ebony cramp, 37, is a model of the wooden cramps
used for linking together the stones of a building,
and bears the cartouche with the title Neb taut. The
two model corn grinders of yellow quartzite have the
nefer signs and a border line painted on in black. A
piece of red glass, 39, is partly decomposed to yellow ;
what it represents is unknown.
Besides these small objects there were also in five
of the deposits a block of sandstone (XVII, 2)
bearing the two cartouches of Tausert carefully
engraved. And in one deposit a brick of coarse
mortar (XVII, i) which has been stamped with the
cartouche ; it has been laid in the hole while soft,
and pressed out of shape, and further trodden upon.
Many jars were found, as fig. 5, and some bowls and
pans, figs. 8, 9, lo ; a large number of little cups,
figs. 4, 6, were in most of the deposits ; and a few
handles of jars are also drawn here, for the sake of
dated types. Some of the potsherds bear inscriptions,
which were written on them as datings of wine, when
the jars were in use (XIX, 1-4). Of animal offerings
there was a calf s haunch in deposits I, 4, and 6 ; and
a call's head in deposits 4 and 6 ; a pigeon's head in
deposit 6, and a pigeon in deposit i. In deposit 7
was a thick bed of leaves of a tree mixed with beads
above the glazed objects, and the copper models of
tools lay on the top of the leaves.
We now turn to consider the name and position of
the builder of this temple. At first the resemblance
of the cartouches to those of Ramessu II led us to
think that they were variants of that king ; but it
seemed plain when examined that these names
belong to a queen, for on XVI, I, 2, 5, and XVII, 2,
we have clearly sit, not si ra. And on the cartouche in
XVI, 3, 6, 7 and XVII, 2 there is clearly t and not ra
at the top, and over the sotep ; and the seated figure
has not the feather of Maat but the double crown of
Mut ; hence it cannot be attributed to Ramessu II.
The date of this deposit is nearly fixed by the wine
jar inscriptions found in it being of Sety II ; and
hence it is almost certainly a very short time after
that reign. Now the important queen Tausert comes
next after Sety II, as queen of Siptah ; and we can
hardly refuse to read here therefore in the cartouches,
Ta-user-t : sotep-n-Mut : sit-ra : mery-amen. The
form of the cartouches is manifestly copied from those
of Ramessu II, and ingeniously adapted as a parody
or imitation of what was already so utterly familiar to
the eyes of every Egyptian in those times. Now
that this new cartouche is definitely established
by all these instances, we can see that a few other
examples of it may have been previously misplaced
as being of Ramessu II, one for certain from Gurob
(" Kahun " XXIII, 50).
33. Here we may well observe the question of the
relation of the reign of this queen to that of Siptah
her husband. Here in this temple there is no
evidence of Siptah; nor can the objects have "been
made at the same time as the foundation deposits of
Siptah, as there are differences throughout in the
colour and form of every class of object. Was then
her independent reign, and this temple, before or
after that of Siptah? There is most conclusive
evidence in the 4th deposit of Siptah, as there was
found a scarab of Tausert, like XVI, 7, different in
fabric and colour from those scarabs of Siptah, but
like those of Tausert. It is evident that this is a stray
scarab of the large batch made for the Tausert
temple. Unless then we imagine that Siptah's
deposit was opened beneath his walls to insert a
later scarab, or that Tausert's scarabs were made in a
different style by anticipation and kept for subsequent
use in her temple — either of which suppositions
would be very wild and forced — we must grant that
a stray scarab of the earlier batch made for Tausert
had been left over at the factory or office of works
and was put in with the later batch made for Siptah.
The style of the Tausert deposits is moreover
certainly intermediate between those of Ramessu II,
i6
THE TEMPLE OF SIPTAH.
and those of Siptah, and therefore probably before
the latter.
We are led therefore to see that Tausert reigned
alone as an independent queen, and that later on the
chief seal-bearer Bay elevated Siptah, who married
Tausert to legitimate his position. There are three
scarabs known of Tausert as queen, one in Turin
(mis-read as Ta isit, owing to being broken, Hist.
Scarabs, 1998), one in Mr. MacGregor's collection,
and one which I exchanged thence to my own series.
The whole question of the history of the changes
shown in the successive usurpations of tomb XIV in
the Tombs of the Kings will have to be re-studied with
this new evidence in hand. If, as is stated, it is there
shown that Tausert alone (in the form there shown)
succeeded Siptah we should have to arrange the
history thus, ist Tausert alone, copying Ramessu II.
2nd Tausert, wife of Siptah. 3rd Tausert alone, as
royal wife. The strange cartouche given in Lepsius'
Denkmaler iii 206 b should also be re-examined. If
it is much restored by Lepsius it is possible that it
reads, Sit-ra; A men merysit {ie. Mery-amen, sit-amen) ;
the latter part being like the second cartouche on
the block here (XVII, 2). Or possibly it might be
copied from Siptah and x^zA, AkJiet-ra ; Amen-mery
{Ra) sit.
CHAPTER VII.
THE TEMPLE OF SIPTAH.
34. To the north of the temple of Amenhotep II,
between that and the temple of Tahutmes III, is a
small temple site of closely the same character as
that of Tausert. As I walked over the ground I
eyed the long foundation trenches cut in the gravel,
and filled with sand ; and so soon as we had finished
the site of Amenhotep II, we attacked this. It
proved to be a little temple of just the same work as
that of Tausert, but much smaller. The foundation
deposits proved it to be of Siptah, her husband.
In plan, Pl. XXVI, the temple appears not to have
had any thick pylon, only a front wall. Inside there
were apparently two hypostyle halls. The first
40 X 25 cubits, had four rows of three columns each ;
the second two ranks of four columns. A few store
chambers stood at the sides. Behind this was the
cella, and some small chambers round it. The whole
was on a very modest scale, as compared with the
earlier temples ; and it can hardly have been more im-
posing than the chapels of Uazmes or the white queen.
35. The foundation deposits were found at eight
places, analogous to those of Tausert ; and, like those,
there were none found to the east of the main cross
wall, across the middle of the temple. The objects,
shown on Pls. XVII, 13-23, and XVIII, were not so
irregularly placed as those of Tausert. Some definite
rules could be fixed as to the positions of the blocks
of stone with cartouches of the king and those with
the name of the Chancellor Bay. These blocks
were always face up, side by side, with bases to the
east and tops west ; and Siptah's was nearest to the
corner, with Bay next to it away from the corner.
The calf's head was placed on or off the stones, any
way ; the haunch was on or off the stones, any way ;
the mortars were always upright, and close around
the stones. The large pans of pottery were at a
higher level and put on the inner side of the stones.
The small glazed objects were poured out upon the
stones and had run down at the side.
The glazing is much poorer than that of Tausert,
and is of a dull pea-green, instead of the brilliant
indigo blue. The workmanship is also rougher and
more careless. The plaques (XVIII, i, 2) are made in
two pieces like those of Tausert ; the scarab, 3, and
the square-ended scarab, 4, are also made with the
back and face separately. Thin gold-foil plaques also
bear the cartouches of the king (8, 9). Rings are far
commoner here than they are with Tausert ; they
bear the cartouches of Siptah (5, 6), the motto
" established for all years " (7), the wish " Amen open
a good new year" (14), and a multitude of figures of
gods and emblems ij- 3S). Besides Siptah, the
great Chancellor Bay also appears in these deposits ;
thin gold foil plaques impressed with his name are
found (10), also rings of his (11, 12) and .square-ended
scarabs of his (13). The ox haunch and head (36, 38)
and the bound ox for sacrifice (37) appear here, as
with Tausert ; but there are none of the fishes, ducks,
and flowers which were made before. The models of
tools are much the same as those of Tausert (42-57) ;
pieces of a blue glazed vase (39) bear the name of
Siptah, like the larger blue vases with the Ramesside
names in the Louvre. The hemidisc of alabaster (41)
is of a form known in other deposits. A similar but
larger piece was produced by the diggers as having
been found between deposits III and VI in the
foundations of Tausert : as it bore the cartouche of
Ramessu II in black ink I felt some doubt as to
their good faith, and have not included it among
Tausert's deposits.
In the corners of Siptah's foundations were placed
LATER OBJECTS AND GENERAL PLAN.
17
pairs of blocks of sandstone (XVII, li, 12) bearing
the cartouches of Siptah, and the titles and name of
the Chancellor Bay, whose importance at this period is
already well known from other monuments. Here we
find him acting as coequal with the king in the
founding of the royal temple. The deposit VIII,
which had been exposed by denudation and scattered,
is doubtless the source of the block of Siptah which
is in the Marseille museum, described by Maspero in
his catalogue (1889) as No. 36 ; in size, material, and
workmanship it is identical with the blocks from the
temple. In the deposits were many rough mortars
and pestles of sandstone (15), pairs of corn grinders
(13, 14), rough red-brown pottery jars (18), dishes
(19, 20), and little cups (16, 17). Tall stands for
supporting trays (21, 22) were in some deposits, and
most of the deposits had one large wine jar (23) with
inscription.
The actual numbers of objects found are as
follows : —
Pl. XVIII
I
2
3
4
5
6
7
8
Silver
9
10
II, 12
t3
14
15, 16
17-20
21
22 .
23 •
24, 25
26 .
27 .
28 .
29 ,
30, 31. 32
33
34
35
36
37
38
39
40
41 .
42,43
44 •
45 •
46, 47, 48
49 ■ •
3. 27
6,2s
I
II
4
2
II
3
II
16
3
I
92
84
93
2
3
I
7
II
II
2
10
45
31
36
10
3
4
14
I
5
4
II
19
10
2
2
28
31
23
§.>
a
3
3
4
6
«9
15
I
I
4
3
I
31
21
24
I?
3
3
10
12
37
28
5
4
lb
5
I
14
I
I
10
I
4
I
68
52
71
agate
lime-
stone
7
6
■3?
's?
••
40?
18?
18
'i?
4?
2?
/rings
I 95
rings
37
26
26
31
47
36
agate
quartz
2
92
23
40
206
126
41
12
I
rings
262
337
283
314
I
I
2
II
3
4
14
^
.s
^
^
^
^
^
¥
1^
i>
|>
1^
i
1°
Q
a
Q
Q
A
Q
Q
PL. XVIII.—
continued : —
50 . . .
2
I
. .
4
I
8
51 . . .
5
2
7
52 . . .
9
18
H
10
5ii
53 • . •
8
3
3
3
4
21
54. 55 . •
2
2
I
7
56 . . .
I
57 • • .
I
I
..
2
Pl. XVII. :—
II . . .
, ,
I
I
I
I
6
12 . . .
, ,
I
I
I
I
6
13. 14 . •
. .
8
12
10
n.
4
n.
SO?
15 . . .
, ,
8
10
10
n.
4
n.
SO.'
18 , . .
5
3
2
3
20 . . ,
4
I
. .
2
23 . . .
I
I
I
I
5
Pl. XVI :—
23 . . .
••
••
••
••
••
I
I
2
There were also many silver foil plaques, as 8 to 10,
indistinct (11 in, I, i in II, 8 in IV, and 4 in V) ; 4 in-
distinct gold foils, and a copper foil in I. A few types
of rings are not drawn, as the scorpion, frog, crocodile,
and uaz sceptre ; in IV there was a scarab of Tausert,
and some hundreds of rough chipped beadsof carnelian.
The depositVIII was all broken up and scattered many
years ago, and the block of Siptah from that is now at
Marseille. There does not appear to be any regularity
in the numbers of various objects in each deposit, and
it is probable therefore that the glazed things were all
put in a basket, and some handfuls of the mixed
varieties were poured out on the cartouche stones.
CHAPTER VIII.
LATER OBJECTS AND GENERAL PLAN.
36. As all the temples which have been here
described were destroyed soon after they were built,
very few objects of later date were found in them.
This history was different from that of the Rames-
seum, which for stores and for funeral chapels
continued in use for many centuries. A small altar
of offerings came from the Ramesseum (VIII, 2)
dedicated to Osiris for Du-se-nub. The lower square
of inscription is on the edge of the slab.
Some excellent drawings on pottery were left
behind by a school of artists in the Ramesseum brick
galleries. A girl's head has been very carefully
drawn (VI, 14) and finished off with red cheeks ; but
a rival student took it up and added, with a different
brush, the dog scratching her nose. A good head of
a king below appears to be that of Ramessu IV ; and
the head of a royal sphinx is probably of the same
D
I8
LATER OBJECTS AND GENERAL PLAN.
king. Another admirable piece of rough drawing
was found in the brick chambers north of the pylon
of Tahutmes IV (VI, 17) ; it shows a young peasant
going out on his way in the world, with his swag on
his back, the delightful gauche rusticity of his up-
turned face and lank hair is one of the best sketches of
character that has been found.
37. One of the most prominent landmarks of the
western side of Thebes is a piece of brick wall that
stands on the hill between the temple of Tahutmes
IV and the great scarp around the temple of Tausert.
This wall is part of the back of the forecourt of a
large private tomb, the plan of which is shewn on
Pl. XXVI as the tomb of Khonsuardus. The
three tomb wells shown in the three back chambers
were cleared out In them were some pieces of
painted coffins. The better and earlier was finely
written, and covered with clear dark-brown varnish ;
from the fragments I could recover the name of
Khonsuardus, goldsmith of the temple of Amen. The
other coffin was coarsely painted without any varnish,
in the cold, hard style of the early XXVIth dynasty,
and bore the name of Psamtek. It seems, then, that
Khonsuardus was the temple jeweller at the close of
the XXVth or beginning of the XXVIth dynasty,
and a son of his was buried here also in the XXVIth
dynasty. Probably the wells were for separate
graves ; but the chambers have been all broken
through below, and the contents broken up and
mixed together.
38. The scarp behind the temple of Tausert is cut
through the thick bed of coarse Nile gravels, down to
the level of a bed of ancient Nile mud below them.
While that mud was still soft, the gravel bed has slid
down several feet toward the Nile, making a great
slickenside beneath the gravels, and leaving large gaps
between them and the mud below. This place
offered a most tempting position to excavate tombs,
and most of the mud bed has been removed, so that
the upper gravel bed has very little support left.
These tombs vary from single small chambers, to
three or four chambers with an outer court wall. The
most important of them had a long flight of steps,
going 171 inches horizontally, and steeply inclined, a
doorway at the bottom opened into a chamber
114 X 86 inches, from which opened out another
chamber 104 x 92 inches. We cleared out nearly all
of these tombs, but only found a few amulets and a
poor set of canopic jars of about the XXIIIrd
dynasty. One tomb was filled with bones of oxen.
39. Just below the scarp north of Tausert's temple,
not far from the corner, were remains of a brick
chamber built against the face of the cutting. In this
were found many iron tools and some bronze objects.
Beside those shewn in the photograph, PL. XXI, an
important piece was stolen by the finder, which I can
only describe from the sight of it which a friend of
mine had at Thebes. I had hoped that perhaps the
inspector of the Department of Antiquities, whom we
had to pay, might have been of some use to preserve
things ; but, on the contrary, he was on the most
cordial terms with the dealers, and never prevented
anything being stolen. The trumpet which was
taken had an inscription on it, " Asar-hapi gives life to
Pekh-ar-Khonsu, son of Du-amen-neb-nest-taui, son
of Hor." This inscription gives the best indication
that we have as to the date of these things. Hor
and Du-amen-neb-nest-taui are both pretty common
names during two or three centuries before the
XXVIth dynasty. The other name gives a still
closer indication, as it is not so common ; it occurs in
this form (excepting the duck/ for the mat/) in a
husband of a woman Shep mut (stele Turin, Lieblein,
Diet. Nom., 1294) ; and it occurs with the mat/, as
here, on a bronze vase in the Louvre, where the man is
son of a Psemthek (Pierret, Inscr. Louvre, II, 121) ; but
in no case has the name the seated lioness determina-
tive to pekh, as here. These instances point to the
end of the XXVth dynasty (Shep-mut), or the close of
the reign of Psemthek I. As the name Du-amen-
neb-nest-taui seems hardly so late as the XXVIth
dynasty, we might put this trumpet to somewhere
between 680 and 630 B.C., or possibly anywhere
within the Vllth century.
Turning now to the photograph Pl. XXI, it will be
seen that the largest object is a bronze helmet, the
form of which is wholly un-Egyptian. But such a
helmet is constantly found on the Assyrian sculptures
of the Vlllth century B.C. And we are led therefore
to look to the Assyrian occupation of Thebes by
Esarhaddon between 672 and 670 B.C. ; the later
invasion by Nebuchadnezzar a century afterwards in
572 B.C. is too late for the style of names which here
occur. The bronze bowl below the helmet is of a
usual form, and shows nothing further.
40. This foreign origin for these things is confirmed
when we look at the iron tools and see that they are
mostly of forms which were unknown to the
Egyptians. Large quantities of iron tools were
found at Khorsabad, and were therefore probably of
about 700 B.C., or the first half of the Vllth century,
which would agree to the common use of iron tools.
LATER OBJECTS AND GENERAL PLAN.
19
as here indicated about 670 B.C., by the Assyrian
army. When we remember that the Chalybes in the
highlands of Armenia lived by iron-working in the
time of Xenophon, and continue still to make iron to
the present day, it seems that we there see the most
likely direction for the supply of the iron so
abundantly used in Assyria, when as yet it seems to
have been unknown to the Egyptians. We will now
notice the forms of these tools in detail.
The sickle, at the top left hand, has two rivet-holes
for a handle.
The mortise chisel, below that, has a slope on
either face, the edge view being shown here ; it was
evidently for use with a mallet, as there is a wide stop
or flange on both faces to prevent it being driven too
deep into the handle ; and one of the ferrules seems
by the size to belong to this.
The file, between the chisel and sickle, is shaped
like a very thick-backed knife, hatched all over both
sides by cuts from a chisel. It must evidently have
been used as a file, as there is no edge for it to cut
with as a knife ; but it is the earliest stage of the
triangular saw-file, when only two faces were hatched
across, and the third had not widened out equal to the
others.
The rasp at the bottom left hand is made precisely
like a modern rasp except in the irregularity of the
punching ; the fiat form, thinning out to the end, with
a good tang, but no flange, and squared-up sides and
end, shows that the best type was already fixed on
in this earliest example.
The crank pieces next to that are both made with
the long ends squared to fit into wood, and the short
ends finished to a conical point. As there are several
brace-bits here, it is evident that some kind of a brace
was probably in use ; and these crank pieces seem
certainly to have been fittings for a brace of some kind.
How it was arranged we cannot yet see, in the
absence of any of the woodwork.
The centre-bits next to these are not far from the
types of modern times, and are almost exactly what
are now used by the Algerians. The two edges are
alike in form, both being scrapers, and are not differ-
enced as a cutter on one side and a scraper on the
other, as they are in modern tools. The square
shank is evidently for fitting them interchangeably
into a handle, or more probably a brace.
The scoop cutter between them and the bowl is an
admirable tool for drilling hard wood ; the twisted
S-shaped section of it turns the edge on each side
forward in the direction of cutting. This shows that
a negative rotation was used in work ; the same is
shown by the smaller centre-bit, while the larger
centre-bit was for positive rotation, as modern tools.
On the right-hand side of the plate are two chisels.
The wide one has an equal slope on each side ; the
large oblong ferrule placed with it, clearly can only
belong to it, and proves that it had a wooden handle,
and was not a hard edge for an anvil, which it
resembles. The smaller chisel has the slope all on
one side, like a modern chisel ; and it is narrow in
proportion to its depth, like a mortising chisel. The
ferrule, placed above, does not clearly fit any of the
tools here ; it might have gone on either the rasp or
the sickle handle. At the top right hand is a small
punch.
The saws are of the Eastern type, to cut when
pulling and not when pushing. There is no appreci-
able set in the teeth to alternate sides in order to clear
the way in cutting-; but the rake of the teeth toward
the handle is obvious in the longest saw, implying
the pulling cut.
As an approximate test of the softness of the iron,
the question of magnetisation was tried, using a
powerful electro-magnet, and giving a blow to the tool
when on it, and again when off it, before testing by a
compass needle. The result was that the two crank
pieces were quite soft iron. The very wide chisel
was soft at the tang and the greater part of the
length, but magnetised at the edge. The rasp and
sickle were slightly magnetised, and moderately
hard. The three saws, the two mortise chisels, the
file, the two centre-bits, the scoop drill, and the little
punch, proved to be all of them permanently
magnetised, even after repeated blows in different
directions.
41. The general plan, Pl. XXII, shows the relative
positions of all of the temples described here. As
the exact details are given in the larger plans of each
site separately, the small plans in this plate have been
freely restored, where the symmetry of parts showed
what must have existed. These are therefore the
best plans for comparison together to observe ques-
tions of arrangements and size. The exact bearing
of each temple was a special point of observation.
To ascertain this, a long line was adopted running
N. and S., defined by marks on a brick vault of the
Ramesseum, the E. face of the high wall of Khon-
suardus, and a wall face standing up against the sky
line at Medinet Habu. Then a theodolite was set up
at each temple site exactly in this sight line, and the
angle between the sight line and the best defined line
D 2
20
THE INSCRIPTIONS.
of the temple ruin was obser\*ed. In the evening of
the same day, Polaris and Canopus were observed, to
ascertain the true bearing of the sight line. First
taking Polaris twice, and Canopus as a time star
between the two ; and then reversing every part of
the theodolite (which was not a transit), and repeating
these three observations. This gave a result safe
within 2', and much more exact than the fixing of
the temple axes. The magnetic variation thus
observed was 4° 55' W. of N. on 16 Feb., 1897.
The observed axes of the temples have all had
corrections applied to them to reduce from the
observed line to the best mean axis in each case, as
measured from the plans. The results are as follows,
arranging them in the order of the azimuths : 123°
here means, 123° from true N. round by E., or 33°
S. of E.
Merenptah .... about 1200 B.C. 123° 24' ± 15'
Tausert „ liSo ,, 124° 7' ± 20'
TahutmesIV 1420 ,, 129° 55' ± 15'
Siptah , 1180 „ 130° 57' ±30'
Scarp of rock ... ? 131° 8' ± 30'
Khonsoardos ... „ 680 „ 131° 15' ± 30'
Uazmes , 1550 „ 131° 32' ± 10'
Ramessu II „ 1280 „ 132° 27' ± 5'
White queen .... ? 133° o' ± l°
Ramessu III 1180 „ 137° 25' ± 15'
Amenhotep II. . . . ,, 1440 ,, 139° 19' ± 20'
These have a very great value for the question of
any astronomical reference in the axes of temples.
Here is a group of ten temples and chapels, all for
one purpose, and therefore to be expected to point to
one star ; all with the same distant horizon, so that
uncertainties cannot come in from that cause, and all
built by one school of architects. If ever we could
expect to find the astronomical reference in any case,
it should be in such a series of connected buildings.
Yet there seems no trace of a sequence of change in
direction along with the time. The dates here given
go to and fro in the most indifferent fashion, and
show no connection whatever with the changes of
direction.
CHAPTER IX.
THE INSCRIPTIONS.
By Dr. Wilhelm Spiegelbbro.
42. Plate I, XVIIIth Dynasty. Fig. i. The
signs above the front figure probably give his name,
Aa . kheper . ka . ra . teku, and the title hen . ka
" the ka priest " ; but this is not quite certain in the
present broken state. Perhaps Uku may be separate
from the king's name, and on comparison with Fig. 2,
where the compounded royal name has no cartouche,
this is the more likely. It might be asked if teku is
not a mistake for tekenu, the human sacrifice discussed
with much insight by M. Maspero in the tomb of
Mentuhikhopeshef (Mem. Miss. Arch. Fr. V 438 f.f ).
Unfortunately there is not enough of the scene to
show if it was one of human sacrifice. Fig. 2 shows a
priest of Amen, and a man named Aa . kheper . ka .
ra . senb. Both pieces are evidently from one tomb
of the time of Tahutmes I, which had been broken up
for building material under Tahutmes IV.
Fig. 3. A tablet showing a woman, Baket, sacrificing
to " Hathor lady of heaven, mistress of the two
lands." Below is the dedication, with some ortho-
graphic blunders, to " Hathor, lady of heaven, mistress
of the gods, that she may give milk, oxen, geese, and
all good and pure things to the ka of the engraver of
Amen, Amen . em. . Jiet. His beloved wife, the
mistress of the house, Baket"
Fig. 4. Part of an altar inscribed " The first prophet
of Tahutmes III, Ra says, 'Hail to thee Ra in thy
rising, hidden in thy setting. Beautiful in thy shining
... on the back of thy mother. Thou shinest as
king of the cycle of nine gods. Thou makest {dry
\k ?]) [life ?] to every one (her neb ?). The goddess of
truth embraces thee always. Thou courseth through
{nemtak) the heaven, thy heart being glad. The sea
of the two swords has become his arms
' " The prophet named here is known also
by another inscription (L.D. iii, 62b), where he has the
titles "high priest of Amen in the tomb-temple of
Tahutmes III, Ra" (see Spiegelberg in Rec. Trav.
xix, ?,7).
Fig. 5. A fragment of the splendid hard limestone
colossus of Amenhotep in, reading "lord of the lands
in . . . ."
Fig. 6. Part of a limestone tablet with figures of
" The lady of the house, Nefret . dri," " His daughter
" " The son Pendua," " His son Nen," " His son
Pendeh\ii\et" The latter name means " the man of
the goddess Dehnet" who is a form of the goddess of
the Theban necropolis, Meritsegret.
Fig. 7. A sandstone tablet with Tahutmes IV
before a god, probably Amen. The end of inscrip-
tion remaining is reddt mu " giving water," showing
that the king was offering water. Below is, " For I
have settled {gerget na) the fortress of Tahutmes IV
among the tribes of Palestine [with everything] his
majesty took in the town of Qaza " Perhaps
" Tahutmes IV among the tribes of Palestine " is the
THE INSCRIPTIONS.
21
proper name of the fortress, like one names " Tahut-
mes III the encloser of the Sati " (Annals, L.D. iii, 32,
line 21). The name Qaza . . . might be conjectur-
ally restored, Qa-za-ua-da-na (Miiller, Asien tmd
Europa, 335), a vassal land of the king of the Khita ;
here it might be a town of the land of Qa-za-ua-
da-na, the well-known " town of the Kanaan " is a
parallel to this.
Fig. 8. Sandstone tablet of " The good god
Tahutmes IV endowed with life" before "Amen-Ra
lord of heaven " offering bread. Amen says, " I have
settled the vile Kush, I have guided his majesty in
his victories." If the construction of these parallel
inscriptions is treated aright here, these tablets were
dedicated in the temple of Tahutmes IV in honour of
his victories in Syria and Ethiopia.
43. Plate II, Fig. i. Wooden ushabti of Nehi,
the well-known viceroy of Ethiopia, under Tahutmes
III, with the usual text, " O, thou figure, if the viceroy
of Ethiopia Nehi is ordered to do works that are done
there in the nether world as it is his duty (?), to
cultivate the fields, to irrigate the banks, to carry the
sand of the east to the west, [say] I am here ! "
Fig. 2. Part of an ushabti figure (?) inscribed,
" [Lord] of the two lands, Tahutmes I, beloved of
Amen of Karnak."
Fig. 3 is an alabaster figure of Amenhotep II from
his temple.
Plate III, Figs, i, 2, 3, 5. "The good god Amen-
hotep II, beloved of Amen."
Fig. 4. "The good god Amenhotep II, endowed
with life."
Fig. 19. Part ot a glazed tube gives to Amen-
hotep III the title, " beloved of the cycle of nine
gods of the royal jubilees." This jubilee is named
also on Figs. 14 ("great in jubilees"), 15 ("rich in
jubilees"), and 16, 18.
Fig. 23. Wine stamp of limestone, reading, " Wine
of the west river," that is, the Canopic branch of the
Nile. (Brugsch. Geog. 88).
Fig. 24. A stamp cut in pottery reading, " House
of Aten."
Fig. 25. "Aa . kheperu . ra shining upon the throne
of Ra." This scarab was probably made in honour of
the coronation day of Amenhotep II, for kha seems
— amongst other meanings — to be used for the
enthronement of a king.
Fig. 26. Prenomen of Amenhotep III.
Fig. 27. " The divine wife of Amon . . ."
44. Plate V. Fig. 5. "Amenhotep 11." Fig. 6.
" Year 26, Vine dresser Pinehas."
Plate VIII. Fig. i. Piece of a rude stele, with
" the good god Tahutmes IV " adoring a Syrian war
goddess on horseback. I should be inclined to think,
from existing indications, that this is the goddess
Asit (Miiller, Asien iind Europa, 316).
Fig. 2. Table of offerings. Left hand, " Offering
which the king gives to Osiris Khentamenti, the
Great God, Lord of Abydos, that he may give all
offerings, all provisions, all good and pure things to the
Osiris Tas-nub, the deceased." Right hand, " Offering
which the king gives to Osiris Un-nefer the Great
God, the Prince of Eternity, that he may give all
offerings, all provisions, and all good and pure things
to the ka of the Osiris Tas-nub the deceased." Below
is the full title, " The Osiris, singer of the harim {hes
khenu) Tas-nub." Usually the title is singer of the
harim of Amen, and that might be lost in the erasure,
if written with n in an oval. As this title only occurs
in this orthography between the XXIInd and XXVIth
dynasty, so fjar as I know, it would give an approxi-
mate age for the tablet.
Fig. 3. A tablet, found in the temple of Merenptah,
" made by the watchman of the temple of millions of
years (the Ramesseum) Pen-rannut, the deceased, of
Thebes," who adores "the able spirit of Ptah-hes"
who is seated before him.
Fig. 4. Tablet held by a kneeling figure, in grey
granite, " Praise to Ra in [his] rising . . . till his setting
in the west, [by] the royal scribe Sesh (or Nai), the
deceased. [I] come to thee, praised be thy beauties
(read nefruk) . . . praised be thy soul always
(r tend), grant [me] to be in the nether world
every day."
45. Plate IX. Fig. i. Limestone tablet, reused in
the buildings of the forecourt of Tahutmes IV. " An
offering which the king gives to Osiris Khentamenti,
the Great God, Lord of the Necropolis, that he may
give the funeral sacrifice of bread, beer, oxen, geese,
linen cloths, vegetables, oil, thousands of all good
and pure things, offerings, provisions, liquids, and all
vegetables, which the heaven gives, the earth creates,
and the Nile brings out of his source ; [that he may
give] the sweet wind of the north, and the drink from
the whirlpool (?) of the river to the ka of the follower
of his word on water and on land, in the foreign lands
of the south and of the north. The fighter against
the lands of the barbarians, who chastises every one
who is revolting against the king in the land of the
Retenu, filling the heart of the Good God, Athu-usir.
He says, ' O, you living ones on earth, every priest,
every scribe, every reciter who beholds this statue, tlie
23
THE INSCRIPTIONS.
image of my body upon earth, remember . . .' " The
text ceasing here may have been continued on the
lost part below, with perhaps the meaning " remember
my name, and say the dedicatory formula of
offerings." A rather similar address occurred at
Koptos (see " Koptos " PL. XVIII, 3. p. 17). The
inscription of the lesser figure shows that the stele
was dedicated to Athu-asar " by his beloved son, who
makes his name to live, the stable-master of the Lord
of the two lands Min-mes, renewing the life, the
vassal of Osiris." The style of the work, which
retains the traditions of the middle kingdom, gives
the date as being early in the XVIIIth dynasty.
Fig. 2. The inscription from the back of the white
bust of the queen (PL. VI, 3, 4) refers in the first line
to several dignities in the harim of some gods. These
offices are denoted by the names of instruments, as is
shown by the title sesheshy\i\ en Mut, " the player of
the sistrum of Mut." (This title " shesh shyt " occurs
among those of queen Titi, see De B.ouge, Inscr.
Hist 249). Probably therefore the other titles are of
similar nature. With sesheshet are sometimes named
other instruments, menat and sekliem (Erman, Pap.
Westcar, p. 61), though the latter reading is doubtful,
but based on the demotic papyrus of Leiden I, 384
8132. The men at the close of the first line may
have been menyt, and the title before Amen-Ra may
have been the office composed with the sekhem. So
I should translate —
"The .... playeress of Amen Ra, the sistrum
playeress of Mut, the menat playeress of [Khonsu]
.... Sais, the danceress (aheb[et]) of Horus . . . ."
If this view of the reconstruction of the text is right,
the queen had among other titles those of a lady of
the harim of the Theban Triad. Unfortunately there
is nothing in the inscription to reveal the name of the
queen.
Fig. 3. This, and the following up to Fig. 20,
depend upon Prof. Petrie's hand copies, as I have not
seen the originals. Figs. 3 to 9 are inscriptions upon
the bases of the colossal jackals which formed the
avenue of approach to the temple of Amenhotcp III.
Fig. 3 reads " .... his inheritance, his kingdom
[and] his throne, realising what he was doing in the
land. His companion as king of the living. The
two lands of Horus are under the direction (' plan '
or ' design ') of the Lord of the two lands Neb-maat-
ra . . . . slaying the tribes of the Sati, the good God
the brilliant image of Ra, shining like the sun's disc,
Horus of the gods (or ' amongst the gods,' but this
orthography of nuter would be very unujual at this
time) with variegated feathers (?), for he has embraced
the two lands with his wings, the son of Ra, Lord of
the sword, Amenhotep prince of Thebes . . . ."
Fig. 4, " Great (?) in knowledge, there is nothing
he does not know in heaven and earth, giving rule to
the Spirits, who go forth at the sign of his eyes
(? reading semed n drtif[t]) the king of Upper and
Lower Egypt Neb-maat-[ra] .... The golden
Horus, great by the sword, slaying the Sati. The
southerners are coming to him on their bellies, the
northerners on account of the power of his spirits.
No land stays behind him (ignores him ?). The son
of Ra, Amenhotep. . . ."
Fig. 5. "... . great in vigour he has made [it] by
his arms like the Lord of Thebes (Amen) ....
slaying the Sati, not . . . ."
Fig. 6. " [Neb] maat [Ra], heir of Ra, beloved of
Amen Ra, endowed with life."
Fig. 7. ". . . . fluid of life, firmness, purity (?),
health, gladness."
Fig. 8. ". . . . in placing his fear amongst the
hidden .... his terror is going through the lands,
acting by his arms, making the two lands know the
king of Upper and Lower Egypt, Lord of the sword,
Neb-maat-ra .... slaying the Sati, overthrowing
in all lands those who rebel against him, making
foreign lands to be heaps of corpses, wounding (?)
them, the terror of him is amongst all foreign lands,
the son of Ra, Amen[hotep]."
Fig. 9. " [Neb] maat [Ra], image of Ra, beloved
of Amen, endowed with life." " Amenhotep, prince
of Thebes, beloved of Amen in eternity." " The fluid
of life, firmness, purity, health, and gladness supports
him like Ra every day in eternity." ". . . . son of
Ra, beloved, endowed with life." ". . . , beloved of
[Nehbet]-kau (?) like Ra."
Figs. 10-24. These graffiti are painted on the
blocks of building stone, as masons' marks ; they are
not all comprehensible, and I only state what seems
to me fairly clear. Figs. 11, 12, bear the name of
a building of "the town" or "the south city"
(Thebes) ; with ani/i uas added, which elsewhere
means the king's palace (Rec. Trav. xix. 89, 3). The
first two signs may be the name of the building,
perhaps of the temple of Tahutmes IV, where this
was found. Fig. 1 3 reads nefer renplt, " good years,"
which I noticed also on blocks of the temple at Deir
El Babri. It may be the name of a man. Fig. 24
reads " position of filling," that is, the level of the
sand filling of the foundation. It was written on a
large pebble in the side of the foundation trench
THE INSCRIPTIONS.
23
of Tausert's temple ; a longer example of such
inscription will appear amongst the ostraca of the
Ramesseum.
Figs. 14 to 18, 21, and unnumbered piece 25.
These are the most interesting of the graffiti, and the
latter ones give the key to the others. They read
" the great one of the mercenaries of the right hand
Huy." We know from the papyrus of Tanis that
there was a separation of troops into right {unami)
and left {semhi) classes ; and there it is very likely,
as Horrack (Rev. Arch. 1862 ii, 268) and Brugsch
(Acgyptologie 221) have observed, that a remem-
brance of this organization is implied by Herodotos
when he states (II, 30) that Asmakh (or Askham)
means " those that stand at the left hand of the
king." This division into right and left appears also
in the organization of the workmen of the Theban
necropolis (e.g. Pap. Turin VII, 10), and is shown
here by the title in the graffiti 14 to 18. It seems
quite possible that the marks unami, right, and semhi,
left, refer also to this military organization. In the
fig. 20 the dates have been added " 12th of 4th month
of inundation " and 10 + x of the same ; the black
lines are written upside down to the red. To under-
stand these graffiti we must remember that the
necropolis of Thebes had several forts with garrisons,
such are often named in business papers (Spiegelberg,
Arbeiter .... unter den Ramessiden). These
garrisons may well have been near the funerary
temples, which we know had their troops. May then
these marks " right " and " left " have indicated the
place of the soldiers, in the temple fortifications of the
funerary temple of Merenptah, where they were found ?
46. Plate X, Limestone Stele of Amen-
HOTEP III. This sculpture has been intentionally
defaced in all parts relating to the god Amen, and
then subsequently restored by Sety I. At the top
under the solar disc, with wings and uraei, is twice
repeated "The god of Edfu (Horus) the great god,
he gives life and purity." Between the uraei is the
cartouche Neb-maat-ra. Below this the whole is
divided into two scenes, each with a standing figure
of " Amen-ra, lord of heaven, he gives all life and all
health," who receives the offerings of the king. On
the right side the incised inscription (restored) states
" Restoring of the monument made by the son of Ra
Sety Merenptah (Sety I) for his father Amen." The
restored parts are the figures of Amen, the names of
Amen, the cartouches of Amenhotep in the lower
.scenes, and the restoration inscription. The names
of offerings before the king are probably original.
Right Side. Above the king is "The good god,
lord of the two lands, Neb-maat-ra son of Ra, his
beloved [Amenhotep, prince of Thebes] gifted with
life like Ra." Below is " Offering of wine to Amen ;
may he give the gift of life."
Left Side. Above the king is " The Good God, lord
of the two lands Neb-maat-ra son of Ra, of his body
[Amenhotep, prince of Thebes] lord of the diadems,
beloved of Ra." Below is " Giving truth to the lord
of the gift of life (?)."
Lower Part. Right Side. Amenhotep triumphing
in his chariot over the negroes. "The Good God
[Lord of the foreigners] master of the sword, strong
in binding them, who ruins the offspring of the vile
Kush, guiding her chiefs as living prisoners by the
power of his father Amen." There are some curious
forms of signs (as seger and sar), and a brevity of
orthography caused by the short space available.
Left Hand. Amenhotep triumphing in his chariot
over the Syrians. "The Good God, the golden
Horus, shining in truth, beautiful (?) like the sunrise,
great in power, mighty in terror, firm of heart like
he who is in Thebes (Amen) prostrating Nehereni
with his victorious sword." If it be correct to give
the sign of the horse the value nefer, which it has in
Ptolemaic times, it would be of interest to find it
thus early under Amenhotep III. We know that
the germs of the Ptolemaic system are to be found
long before their development, as in the writing of
mesdemt in the Ebers papyrus (26, 18).
At the base ". ... all foreign (?) lands, all men
{rekhyt), all beings {hnememet), Nehreni, the vile
Kush, the Upper and Lower Rethenu, are at the feet
of this good god like Ra in eternity."
47. Plates XI, XII, Great Stele of Amen-
hotep III. At the top is the solar disc with wings
and uraei, and on either side "The god of Edfu
(Horus), the great god, lord of heaven." Between the
uraei is the cartouche of Neb-maat-ra. Down the
middle is " Restoring of the monument made by the
king of Upper and Lower Egypt Men-maat-ra
(Sety I) for his father Amen-ra king of all gods." This
p/oves the restoration by Sety after the erasures of
Amen by Akhenaten. The restored parts are the
figures and names of Amen, the whole of the first 21
lines, parts of 7 lines lower, and the names of Amen
in the lowest 3 lines.
Right Hand. The king is standing, " Offering
libation to Amen that he may give the gift of life."
Above is "The Good God, lord of the two lands,
Neb-maat-ra, Son of Ra, lord of the diadems, Amen-
24
THE INSCRIPTIONS.
hotep prince of Thebes. Great [by his] monuments,
multiplying wonders, beloved by Amen, gifted with
life." Over Amen is " I have given to thee all
life and purity which is with me ; I have given to
thee all joy of heart which is with me, Amen Ra,
lord of heaven."
Left Hand. The king is standing, " Offering wine
to Amen, that he may give the gift of life." Above
is " The Good God, Lord of the two lands, Neb-maat-
ra : son of Ra, lord of the diadems, Amenhotep prince
of Thebes ; Image of Ra in the two lands, elected by
himself, beloved of Amen, gifted with life." Over
Amen is " I have given to thee all health which is in
me ; I have given to thee all vigour which is in me,
Amen-Ra, prince of Thebes."
Below this is the long inscription here translated.
As the text and commentary will soon be published
in the Recueil des Travaux, only the simple translation
is here given.
Introduction (Protocol, Lines 1-2).
I' Horus lives, the strong bull, brilliant with truth,
the Unifier of both diadems, he who establishes the
laws and calms both lands, the Golden-Horus, great
in power, he who smites the Asiatics, the King of
Upper and Lower Egypt, Neb-maat-Ra, the Son of
the Sun Amenlwtep tlie Prince of Thebes, beloved by
Amon of Kamak, the chief god in Apet, gifted with
life, whose heart rejoices, ruling both lands like Ra
for ever |" the gracious god, the lord of joy of heart,
he who watches over him who formed him, Amen,
the king of the gods, he who makes his house great,
he who makes his beauty content by doing what his
ka loves. Thus his Majesty deigned to make very
great monuments. Never occurred the like since the
creation of the world.
Tlie Temple of Amenhotep III upon the West Bank
of Thebes (lines 3-10).
He made them |3 as his monument for his father
Amen, the Lord of Karnak, making him a glorious
house of the gods in the west of Thebes, a fortress
of Eternity for eternity, of beautiful light-coloured
sandstone, adorned (?) all over with gold ; its floor is
inlaid with silver, |* all its doors with electron, large
and very great, splendid for ever, and ornamented
with this very great monument, with many royal
statues of granite from Elephantine, of wonderful
stones, and all kinds of precious |5 stones, finished as
works of eternity. Its height shines up to the
heaven, its rays fall into the faces as the Sun when
he shines in the early morning. It (i.e., the temple)
is provided with a Stele of the King, which is adorned
with gold and many precious stones. The |* masts
are erected before it adorned with electron. It is
like the horizon of the sky when Ra rises in it. Its
sea is full like the high Nile, the Lord of the fish and
the birds pure in . . . , its store-house is full of male
and feniale slaves |' of the children of the princes of
all lands, which his Majesty has captured. Its store-
houses contain beauties without number. Its maga-
zines are surrounded by Syrian settlements, which
are settled by the children of princes. Its cattle are
I* like the sand on the seashore, its black oxen are
millions from South and North Egypt. (?) There his
Majesty took counsel with himself Q) like Ptah, with
skilful mind, like him in the Southwall, planning
favours for his father Amen-ra king of the gods, since
he made him |9 a very great Pylon before the face of
Amon. His beautiful name, which his majesty had
given, is " Amon has received his bark of the gods "
[All this is] a resting-place of the Lord of the Gods
at the valley festival at the procession of Amon in
the West, when he looks upon the gods of the West,
that he may reward |'° his Majesty with life and
purity.
The Temple of Luxor (lines 10-16).
King Amenhotep III who awakens (?) content-
ment with the works of his father Amen Ra, the
Lord of Karnak in the southern Apet, made of
beautiful light-coloured sandstone, large and very
great, |" increasing its beauty. Its walls are of
electron, its floor of silver, all doors are adorned
with . . . , its pylons reach to the sky, they join
themselves with the stars. When men see them, |"
they praise his Majesty. The King Neb-maat-Ra
has appeased the heart of his father Amen of Karnak.
To him every land is delivered, the Son of the sun
Amenhotep, the ruler of Thebes, the splendour of
Ra. . . . His majesty made another monument for
his father Amen, he made him a castle (?) as an
offering before the face of the southern Apet, |'' a
place of recreation for my father at his beautiful
festival. I have erected {saha) a great temple in its
interior (?) {khenu), like Ra when he rises in the
mountain of the Sun. It (i.e., the temple) is planted
with all kinds of beautiful flowers. Nu is in its lake
at all seasons |'^ It has more wine than water, even
as the Nile flows, the son of the lord of eternity
(i.e., Osiris), who is rich, the seat which receives the
C
THE INSCRIPTIONS.
25
tributes (?) of all lands, many gifts are brought before
my father as tribute of all lands. He has given to
me the lords of the lands of the south, |'5 the inhabi-
tants of the south, and those of the north. Each is
joined to his' neighbour. Their silver, their gold,
their cattle, and all kinds of precious stones of their
lands are in millions, hundreds of thousands, tens of
thousands, and thousands. I have made it for my
begetter in loyalty of heart (?) even as |"* he made
me the Sun of the peoples of the Nine Bows (bar-
barians), the King of Upper and Lower Egypt, Neb-
maat-ra, the image of the Sun, the Son of the Sun,
Amenhotep the Prince of Thebes.
Temple of Karnak (lines 16-23).
I built another monument for my begetter Amon
Ra in Karnak, who is firm on his throne, making him
a great bark on the stream (with the name) " Amen
Ra is in the User-hat," [even a] bark of new |'7
cypress wood which his Majesty had felled {shad) in
the land of the god, and which has been drawn by
the princes of all lands from the mountains of
Retennu, very large and great. Never was anything
like (it) done. Its body (i*) is inlaid with silver, and
adorned |'^ all over with gold. The holy of holies
(Naos) is of electron, and fills the whole earth. Its
bows .... they unite the great atf crowns. Its
snakes are on its sides. They are furnished with
talismans behind themselves |'9. The masts are made
firm opposite it (i.e., the holy of holies), adorned
with electron, two great obelisks stand between them.
It is altogether beautiful. The spirits of Pe exult
before it, the spirits of Nechen praise it. The gods
of the inundation of the north and south |^° embrace
its beauty. Nu causes its bow to shine as the sun's
disk shines in heaven, in order to make its beautiful
procession at his (i.e., Amen's) festival of Apet, at
its procession to the west of millions of millions of
years. The King Amenhotep III |^' who watches over
the glory of the King (lit. " to seek the brightness of
the King "), has built another monument of Amen,
making a very large pylon for him, before the face of
Amen Ra of Karnak, adorned all over with gold.
The shadow of the god is like a ram (?) set with real
lapislazuli, adorned with gold, and with many precious
stones. Never was the like made |^^ Its floor is
inlaid with silver, the gates opposite it stand firm.
The steles are of lapislazuli, one on each side. Its
pylons reach up to the sky, and the four pillars of
the sky. Its flag-masts shine up to the sky ^^ adorned
with electron. His majesty brought the gold for it
from the land of Karoi, during his first victorious
campaign, when he beat the wretched Ethiopian, the
King of Upper and Lower Egypt, Neb maat Ra, the
favourite of Ra, the Son of the Sun, Amen-hotep, the
Prince of Thebes.
Temple of Soleb (lines 23-25).
I built other monuments for Amen. Its |'-» like has
not been made. I built thee thy house of millions of
years on the estate (?) of Amon Ra of Karnak, Kha-
em-maat, the sublime of electron, the place of repose
of my father at all of his festivals, which is excellently
made of beautiful light-coloured sandstone, orna-
mented all over with gold |=s. The ornaments of its
floor are of silver, all its gates of gold. Two great
obelisks are erected, one on each side, between which
my father rises. I am in his suite |**. I have sacri-
ficed to him thousands of oxen .... thighs.
Speech of Amen : (lines 26-31).
Speech of Amen-ra king of the gods : My Son out
of my body, my favourite Neb-maat-ra, my living
image, created by my limbs, born of Mut the Lady
of Ashru in Thebes, the Lady of the peoples of the
Nine Bows, who bred thee |^' as the only lord of men.
My heart is greatly rejoiced when I see thy beauties.
I do wonders for thy Majesty:
Thou becomest young again,
I have made thee the Sun of the Two Lands.
I turn my face towards the SOUTH,
(And) I do wonders 1=^ for thee :
(For) I make the lords of Ethiopia hasten to thee
With all their tributes on their backs.
I turn my face towards the NORTH;
(And) I do wonders for thee :
(For) I make the lands come from the ends of Asia
With all their tributes on their backs.
They dedicate themselves to thee |»9 with their chil-
dren.
They come (lit. " one comes ") that thou mayest
give them in return the breath of life.
I turn my face towards the WEST,
(And) I do wonders for thee :
(For) I make thee seize the Tahenu (Libyans),
They remember not,
E
26
THE INSCRIPTIONS.
They build this fortress in the name of |3° thy
("njy") Majesty
Surrounded by a great wall,
WTiich towers to the sky,
Settled with the children of the princes of the Nu-
bian Troglodytes.
I turn my face towards the SUNRISE
(And) I do wonders for thee :
(For) I make the lands of Punt come to thee
With all kinds |3» of pleasant spices of their lands.
To beg peace of thee.
And to breathe the breath, which thou givest.
King of Upper and Lower Egypt, Prince
Of the peoples of the Nine Bows, Lord of the two
Lands,
Neb-maat-Ra, Son of the Sun, his favourite,
Amenhotep, Prince of Thebes ; content
Is the heart of the gods with his monuments —
He is gifted with life, stability,
Purity (?) and health. His heart
Rejoices like the Sun for ever.
48. Plates XIH, XIV. Great stele of Me-
RENPTAH. This has been engraved on the rough
back of the stele of Amenhotep III., which was
removed from his temple, and placed back outward,
against the wall, in the forecourt of the temple of
Merenptah. Owing to the rough surface, and the
poor cutting, the readings in many places require
careful examination. For this, there have been used
(l) a hand copy by myself, taken at a disadvantage, as
it lay face downward ; (2) a paper squeeze, made by
Prof. Petrie ; (3) photographs of the stele, and of
squeezes of it, made by E. Brugsch Bey, on a larger
scale.
The scene at the top retains its original colouring
of yellow, red, and blue. Amen is shewn giving a
sword to the king, who is backed by Mut on one side
and by Khonsu on the other. Of the inscription a
copy was published in the Zeitschrift f Ae. Sp. 1896
p. I., with commentary by me. Hence only a plain
translation is given here.
The Triumphal Song of Merenptah.
/. Protocol.
" In the year V., on the third day of the third
month of the period of inundation, under the Majesty
of Horus Ra, the strong bull, high in (?) truth, the
King of Upper and Lower Egypt Banera Meriamen,
son of Ra, Merenptali-Hetephermaat the increaser of
power, raising the victorious sword of Horus-Ra, the
strong bull, smiting the Nine Bows (foreigners) whose
name endures to all eternity."
II. Merenptah Triumphator.
{a) Introduction.
" Report of his |= triumph in all lands, proclama-
tion to all lands together in order that may be known
the glory of the deeds of victory of King Merenptah,
the bull, the Lord of power.
Slaughtering his enemies.
Beautiful in the field of victory.
His attack is the sun,
Which frightens away the clouds that stand over
Egypt.
He causes Egypt to see the sunbeams,
And overthrows the brazen mountain.
From the neck of the people ;
He gives freedom to men who languish in imprison-
ment.
He avenges Memphis upon its enemies.
He causes Ptah Totunen to rejoice over his foes.
He opens the gates of the City of Walls (Memphis)
which were closed,
He causes the temples to receive again their meal
offerings,
King Merenptah, he who makes firm the hearts of
hundreds of thousands and of millions."
[fi) The Defeat of Libya.
" At the sight of him the breath of life enters their
nostrils,
The land of Temehu (Libyan tribe) stands open
during his lifetime.
Eternal terror is laid in the heart of the Masha-
washa (Libyan tribe)
He makes the tribe of the Lehu withdraw, having
invaded Egypt.
Great fear of Egypt is in their hearts.
They were come their face in front (?)
They were turned backward (?)
Their legs did not stay firm, but fled.
Their archers threw their bows away.
Their runners were weary of (?) marching.
They unbound their skins
And threw them to the ground.
Their sacks (?) were taken and poured out (?)
The wretched conquered Prince of Libya fled,
Under the protection of the night.
Alone, without the plume on his head.
THE INSCRIPTIONS.
27
His feet failed (?)
His women were taken away before his face,
The provisions (?) of his store (?) were plundered,
He had no water skin for his sustenance,
His brothers plotted his murder,
His officers fought with one another,
Their camp was burned, made to ashes (?)
His whole property became a booty of the soldiers.
Arriving in his country he lamented,
Every one in his country was ashamed to receive
him (?)
Punished prince, evil fate, ' feather ' ! (?)
Called him all the inhabitants of his city.
He is in the power of the gods, the Lords of
Memphis.
The ruler of Egypt has cursed his name,
Mauroy is an abomination to Memphis,
With every descendant of his family forever ;
Barter a- Meriainun pursues his children,
Merneptali-Hetepherntaat is sent to him as a Fate,
He is become a proverb (?) for Libya.
The young men tell each other of his victories:
Since the time of Ra such has never happened to
us! (?)
All old men tell to their sons :
Woe (?) over Libya !
One can no longer go pleasantly in the fields.
In a single day our walking has been made im-
possible,
In one year the Tehenu have been burned.
Sutech has turned his back to their princes.
Their settlements are wasted on account of him (.?)
In those days one did not carry baskets, (.')
It was best to hide one's self.
One is safe (only) in the citadel (?).
The great ruler of Egypt,
Might and strength belong to him.
Who dares to fight, knowing his step !
A wretched and mad one is he who resists him.
He who transgresses his command.
Does not see the next day.
For Egypt is called since the reign of the gods.
The only daughter of Ra,
His son sitting upon the throne of Shu, the sun of
Ra.
His heart is not forbearing (.?) towards him.
Who outrages his inhabitants.
The eye of every god pursues him
Who abuses the
It brings up the most distant foes —
Thus they speak (sc. the old men)
The seers of the stars (i*)
Who know their meaning observing them say: (?)
A great wonder has come to pass in Egypt,
He has made him whom his hand reached,
A living prisoner.
The divine King triumphs (.') over his enemies before
Ra.
Mauroy, the evil doer, is dashed down (?) by every
god of Memphis.
He (sc. Ra) judges him in Heliopolis,
And the assembly of the gods declares him guilty
of his crimes.
The Lord of the All says :
Give the sword of victory.
To my true-hearted, good and mild son Merenptah,
Who cares for Memphis (?)
And defends Heliopolis (?)
The cities closed shall be opened again.
He shall free many enchained in each district (?)
And give sacrifices to the temples (again).
He shall bring incense before the god again.
He shall bring back (?) again to the great their
property,
And let the poor return (?) into their cities. —
The Lords of Heliopolis say to their son Merenptah :
May a long lifetime be his lot,
For he has defended the oppressed (?) of every
foreign land.
Egypt shall be given to him as the heritage (?)
Of him, who has placed him (?)
As administrator for himself forever (?).
(For) his strength is its people.
Behold one is sitting safe in the time of the strong (?)
The breeze of life is on his arms (?)
The following is told :
Mauroy the wretched conquered prince of Libya
came.
To attack the walls of the Prince (Memphis),
And [of] every (god) (?) who lets his son be brilliant
upon his seat.
The King of Upper and Lower Egypt Merenptah. —
Ptah speaks to the prince of Libya :
All his crimes shall be collected.
And shall fall back upon his head ;
He shall be given into the hand of Merenptah,
That he may cause him to spit out.
What he has swallowed as a crocodile.
As the hastener brings up the hastening (?),
The Lord {i.e. Pharoah) shall seize him,
2 E
X
38
THE INSCRIPTIONS.
That he may know (?) his power.
Amon shall bind him with his hand,
And give him over to his Ka in Hermonthis,
King of Upper and Lower Egypt Merenptah. —
Great joy shall rule in Ketnet,
Exultation shall rush forth from the cities of
Tamera ;
They shall tell of the victories,
Which Merenptah has won over the Tehenu, crying :
How dear is he the prince of the victory !
How great is the king among the gods !
How happy is he the Lord who commands !
One is talking :
Come far out upon the roads,
There is no fear in the heart of men.
The castles are abandoned . . .
The wells opened (again),
The messengers return home {})
The battlements lie calm in the sun (?)
Until their guards awake.
The soldiers lie in sleep
The Nawt and the Tektina are in the marsh they
like,
The cattle are let on the pasture (?) (again).
No one fears (.') to go on the high Nile.
By night resounds not the cry : (?)
Stop ! or come, come ! (?) in the mouth of the
people.
One goes with singing (?)
There is no more the lament of sighing man.
The villages are settled anew.
He who has tilled his crop will eat it."
(c) Tlte Defeat of the other Enemies of Egypt.
" (For) Ra has turned himself again to Egypt ;
He is bom to avenge it,
The King of Upper and Lower Egypt Banera
Meriamen, sun of Ra Merenptah-Hetephermaat.
The princes bend down, saying ' Hail ! ' (oi^b')
Not one raises his head among the Nine'^ows.
Devastated is Tehenu, ^
Kheta is quieted,
Seized is t]ie Kanaan with every evil,
Led away is Askelon,
Taken is Gezer,
Yenoam is brought to nought,
The people of Israel is laid waste, — their crops are
not,
Khor (Palestine) has become as a widow for Egypt,
All lands together — they are in peace.
Every one who roamed about
Is punished by King Merenptah, gifted with life,
like the sun every day."
49. Plate XV. Stele of Duaui-er-neheh.
This unfinished stele of limestone was found in the
ruins of the temple of Amenhotep II. The following
is the transliteration :
Top, Left Hand. Ari patiu hdti semer da n merut.
Mer peruer Dudin-er-neheh, dtef Benda, inntef Mesutd.
Top, Right Hand. Uden dkhet neb nefret udbet n
mer per [uer Dudin-er-neheh].
Long Inscription. Ari patiu hdti . . . ti bdti teken
em setni nd res tep (?) her neb em bek Iter held dakhut
en nebf set hen n setni her menkh dbf er drt mekru
thesutf; mer per uer Diidui-er-neheli mad-kheru. Hak
drf em hetep dd setni dkhet neb nefret nezmet sekhep
udb her heteptek shemst{u)k an kauk er sutk udbet r
setk ent Ra-kreret em lietep em hetep kher neter da, vier
per uer Dudui-er-neheh mad-kheru. Ezdef kher remthet
unenyu ezdd enthen khepret nd her drind em s/tems
dty shemsnd su her mu her ta khet khaset resit mehtit
en du sepd em setp-sa drnd zedet-nef menkh{a) sekhent
kud er mdtd neb erddkud em hdt semeruf ddnd da er
net neheh drnd mereret remthet heseset enteru send ta
em sdh neb hesyu en neter nefer kdhnd tet her rensen
dru nd hetep dd setni md nu drnd tep ta dnuk sdh
en drtnef zed nefret uhem mereret nefer pu drt her
dry{u)t.
Translation. "The hereditary prince, the most
beloved friend, the great major-domo Duaui-er-neheh.
His father Benaa. His mother Mesut. Offering of
all good and pure things for the [great] major-domo
[Duaui-er-neheh.]
I' The hereditary prince, the treasurer of the king
of Upper and Lower Egypt, who approaches the king
of Upper Egypt, the only one who watches while all
else are tired of seeking the glory of his Lord, )' whom
the king has raised up by reason of the ability of his
heart to care for his levy(?), the great major-domo
Duaui-er-neheh, the deceased. Thou art going down
|3 with the royal offering, consisting of all good and
sweet things, the sacred linen (?) is brought to thy sacri-
fices, thou art followed by thy kas to thy pure places,
to thy places of Ra-kreret, |* in peace, in peace, with
the great god, the great major-domo Duaui-er-neheh,
the deceeised. He speaks to the men who are living :
I tell you what happened |5 to me when I was follower
of the king. I followed him by water and by land,
through the countries both south and north. There
/
X
THE INSCRIPTIONS.
29
was no reproach |* against me coming to the palace.
I did what he said in an excellent manner (?). I was
raised above every equal, and was put at the head of
his friends. [Now]. I am coming \> to the city of
eternity (the other world). I have done what mankind
loves, and the gods praise. I am buried like every
noble distinguished by the Good God. Stretch forth
to me (your) hand in their name, make |^ for me the
^iep da setni (recital of royal offering) according to
what I did upon earth. I am a noble by what he
made me, telling those things that are good, repeating
those things that are dear, (for) it is good to reward a
man according to his works."
I. 2. " levy," see Griffith, Kahun papyri i. 2.
1. 3. Uab may be the same as the word determined
by cloth in " Tomb of Paheri " (IX. 4).
1. 3. Ra-kreret is especially the necropolis of Siut.
50. Plate XVI. The foundation deposits give
the two names of the wife of Siptah called Te-usret-
sotpet-ne-Mut and Sit-Ra-meri[t]-Amen, of whom
scarabs are also known. There are some other
instances of the article being merely written as t in
the XlXth dynasty : see in Brit. Mus.. stele 132, and
palette 12,778.
Plate XVIII. No. XIV. reads "may Ra and
Amen open a good year." No. 7., "firm (steady)
every year." No. 1 3., " chief treasurer of the whole
land, chief Bay."
Plate XIX. Among the vases of the foundation
deposits of Tausert and Siptah there are two complete
copies of a text, 6 and 10, with a piece 9, and perhaps
other pieces, 7 and 8 : it is remarkable for the very
cursive handwriting, especially in the form of the
article. It reads :
" Year IV. Wine of the third day of the garden in
the Lake of the Whole Land, which is in ... on the
western bank, by the chief vintner Pra-hotpe, who is
under the land steward Pi-besa."
The other complete piece, No. 5, reads :
" Year III. Wine of the third day of the garden of
the temple of Sety Merenptah (Sety II) in the house
of Amen, which is the farm (?) of Tum, by the chief
vintner . . . Anana." For this reading of the " third
day," see the full transcription which will appear in
the volume on the Ostraca of the Ramesseum.
No. 4 may be restored thus : —
[Year x, wine of the] " garden of the house of Sety
Merenptah (Sety 11), in the house of Amen, [by the
chief] vintner Pa-mer-shunet."
No. 3 again mentions " the garden of the house of
Sety II."
No. I is part of an inscription naming the wine of
the garden of the " temple of millions of years," of a
place (perhaps "the water of Amen") "on the west
of Thebes."
No. 2 is one of the most important fragments,
reading: "[Year x\ wine of the 21st day . . . queen
of Upper and Lower Egypt, Sit-ra-merit-Amen. . . ."
Though it is not clear in what connection the name
of queen Tausert occurs here, yet this gives the
full and clear reading of the name. The queen here
has the title of the king setni ebyoti, whose feminine
form did not exist. (See Sethe U titer siichungen,
i, 27).
Plate XX. Here are also some other fragments
of wine jars, but not from foundation deposits. No. 8
reads : —
" [Year jr, wine] ofthe temple of millions of [years . . .
in the house of] Amen, which is in the north of the pro-
perty of Ramesgu II ... by the chief vintner . . . ."
No. 12. " . . . the garden of Merenptah Hetep-
her-maat . . . Puah."
No. 13. " ... wine of the fourth day of the . . .
west by Puah."
No. 10. "... wine ... by the vintner (?) Su-ne-
[ra?]"
No. 1 1 names a " prophet Sety," who is also known
by another piece found in the excavations.
Of the other fragments. No. i seems, so far as can
be seen, to be a piece of a business letter ; all that is
legible is " The prince is standing over the work, one
is . . . his au let . . . "
No. 2 reads : " The men of the farm (?, qaht) who
one will
" arrest (?) {ataic T)
" [Pa] ur, his mother Henut
"... tny, his mother Atef-res
" . . . , his mother Hent-Ty (?)
" son of Tent-nub."
No. 3. In this fragment, only the beginning of the
name of Amenhotep II is clear.
No. 4. A razor and a pair of sandals ; perhaps, as
Prof. Petrie suggests very ingeniously, a bill of ex-
change.
No. 7. Duplicate of the beginning of the " Nile
hymn " (Pap. Sail. II, ii, 6-7 = Anast VII, vii, 7-8).
The variant s/iems for seshm is to be noted.
No. 6. "Third month of the sowing season, 13th
day of delivering (?) the bread to the vinedressers by
Hui and Pay. Prs (?) cake, 100 deben daily. Re-
ceived from him in the third month of the sowing
season, at the temple of Tahutmes III {sic) life, health
30
SHELLS USED BY THE EGYPTIANS.
..." This is an account of provisions for the
vinedressers : in ancient times the Theban western
canal was rich in vineyards.
No. 5. The group bek zed is written twice with a
thick reed, as a pupil's exercise.
[51. I should add that Dr. Spiegelberg has very
kindly used here the transliteration with which English
readers are perhaps most familiar ; but this is without
any prejudice to his personal preference for a different
method.
I may add here some considerations on the
mention of the name Israel in the inscription of
Merenptah. This subject was opened in an article
on "Egypt and Israel" which I published in the
"Contemporary Review," May, 1896. The principal
considerations are on the five different views that
may be taken about the presence of "people of
Israel " in wars of Merenptah.
(a) It might be taken to refer to the oppression
of the Biblical Israelites in Egypt. As Merenptah
is usually thought to be the Pharaoh of the Exodus,
Israel being spoiled so that it had no seed might be
taken as a reference to the slaughter of the male
children. But on the contrary this statement is put
between the naming of Ycnuamu (or Yanuh near
Tyre), and of Khal or Palestine. Hence it should
refer to spoiling some Israelites in Palestine.
(b) It might be supposed to refer to the Biblical
Israelites in Palestine after the Exodus. But as
there is no trace of any Egyptian invasion of Pales-
tine in the various wars and turmoils recorded in the
book of Judges, we can hirdly refer this to the
Israelite history that we know. As moreover there
is no trace of the campaigns of Ramessu III in the
book of Judges, the Biblical Israelites can hardly
have been in Palestine even as late as that I have
shown in the Proceedings of the Society of Biblical
Archaeology, xviii, 243 ; Dec. 1 896 ; how the lists of
generations, and the division of the history of Judges
into three series of different regions, agree to the
Israelites not entering Palestine till after the last
campaign of Ramessu III.
(f) It is very possible that some portion of "the
people of Israel" remained in Palestine when the
others went into Egypt. And this might be the
people attacked by Merenptah. Such a view seems
to me to be perhaps less unlikely than any other.
(d) Some Israelites may have gone back to Pales-
tine directly the famine was over in Canaan. That
they readily might travel there is shewn by the
burial of Jacob at Machpelah (Gen. i. 13) ; and there
is absolutely no evidence that they all remained in
Egypt until the Exodus. A continuity of tradition
about the family sepulchres is shewn by the recog-
nition of the cave at Machpelah, and of the burial
place at Shechem. And this implies that some
members of the clan continuously lived in the country-
{e) Another possibility is that immediately after
the Exodus some Israelites may have made their
way into Palestine, as they prospected in the land,
wishing to occupy it, and even defeated the Canaan-
ites in the south (Num. xxi, 3) in what appears to be
another version of the conflict soon after the Exodus
(Num. xiv. 45).
Neither the hypothesis a nor b seem likely, when
we look at the order of the inscription here, and the
complete silence about Egyptian invasions in Judges.
If we then resort to one of the hypotheses of a
divided body of Israelites, the hypothesis a seems
more probable than the others, as these " people of
Israel " seem to have been in the north of Palestine,
and are less likely therefore to have gone into Egypt
or to have come out again.
It may be noted that a duplicate of this inscription
existed at Karnak, of which Duemichen has published
the remaining fragment in Historische Inschriften I c.
His line i ends at near the end of line 1 1 here ; 2 at
mid line 12 ; 3 mid line 13 ; 4 early in line 14; 5
late in line 14 ; and so on, evidently omitting a line
between 8 and 9, until his last line, 19, ends at one
third along line 27 here. There were therefore 34
lines in the Karnak copy, 12 lost at the beginning,
20 of which the ends remain (one omitted by D.) and
2 lost at the end. One difference may be noted in the
texts, the present version attributes the divine speech
to Ptah (1. 19), while the Karnak version names
Amen (1. 10), W. M. F. Petrie.]
CHAPTER X.
SHELLS USED BY THE EGYPTIANS.
52. In earlier excavations at Koptos, Ballas, and
Naqada, many specimens of shells were collected ;
and these have now been identified by the care of
Mr. Edgar A. Smith of the British Museum (Natural
History). To this list I have added those names
which are given by M. de Morgan as belonging to
the remains of the New Race, in " Recherches sur les
Origines de I'Egypte," pp. 145-6. In the column of
region, R.S. = Red Sea and Indian Ocean ; M. =
SHELLS USED BY THE EGYPTIANS.
31
Mediterranean ; N. = Nile ; E. = Egypt (land). In
the column of locality, B. = Ballas, with the number
of the tomb ; N. = Naqada, with the tomb number ;
Z. = Zowaydeh ; the numbers in loops are the number
of examples. K. = Koptos, and such are not dated.
All of the others are of the New Race period.
.(Etheria Cailliaudi . .
Firus.
N.
(De Morgan.)
,, elliplica
Lamk.
N.
B. 65 ; B. 760 ; K.
Area (Anadara) antiquata
. Linn.
R.S.
K. (2).
Cadium pomum
. Linn.
R.S.
(De Morgan.)
Cardium edule .
. Linn.
M.
B. 519 (6).
Cassis nodulosa var.
Gmel.
R.S.
B. 207.
Cleopatra bulimoides .
. Oliv.
N.
fB. 672 (78); B. 590;
(De Morgan).
Columbella ligula .
. Rid.
R.S.
N. 1234 (10).
Conus ceylanensis .
Hwass.
R.S.
Z. 23 (4), K.
,, pusillus .
Chemn.
R.S.
(De Morgan).
,, strialus .
. Linn.
R.S.
N. 1503.
,, tessellatus . . .
. Born.
R.S.
K.
,, textile var. .
, Linn.
R.S.
/B. ; N. 1684; South
\ Town ; K.
,. sp
.
R.S.
B. 65s (4).
Cypraea annulus
. Linn.
R.S.
K.
„ arabica
. Linn.
R.S.
K.
„ (reticulata)
...
R.S.
(De Morgan.)
,, carneola . .
. Linn.
R.S.
B.
„ caurica
. Linn.
R.S.
B. ?
„ erosa . . . .
. Linn.
R.S.
B.
„ pantherina
. Solan.
R.S.
N. South Town (2).
Engina mendicaria .
. Lamk.
R.S.
K. (3).
Helix desertorum .
. Forsk.
E.
N. 1615 (2).
„ melanostoma .
Drap. 1
E.
K.
Heterocentrotus mammilatus (spine)
Limnea, stagnalis var. .
Lotorium tritonis
Mamilla maura .
Mitra maculosa .
,, (Strigatella) literata
Nerita crassilabrum ,
polita
,. sp
Oliva sp
Osilinus sp
Ovula ovum ....
Pectunculus violacescens
„ sp. . . .
Polinices mamilla .
Pterocera bryonia .
Purpura tuberculata
Rostellaria curvirostris .
Sistrum anaxares . ,
Spatha Cailliaudi ,
,, rubens .
„ sp. . . . .
Strombus fasciatus , .
,, tricornis .
Terebra caerulescens .
,, consobrina .
,, maculata . .
Turbo sp. ? (opercula) .
Unio Aegyptiacus .
„ dembeae
,, teretiusculus
Vivipara unicolor . .
Linn.
Lamk. 1
Reeve
Lamk.
Smith 1
Linn.
Linn.
Lamk.
Linn.
Gmel.
Blain.
Lamk.
Duel.
Lamk.
Born.
Lamk.
Lamk.
Desk.
Linn.
Caill.
Reeve
Phil.
Oliv.
N.
R.S.
R.S.
R.S.
R.S.
R.S.
R.S.
R.S.
R.S.
M.
M.
R.S.
R.S.
R.S.
R.S.
R.S.
N.
N.
N.
R.S.
R.S.
R.S.
R.S.
R.S.
R.S.
N.
N.
N.
N.
K.
(De Morgan )
K.
B.
B. (22).
K.
N. 1429.
K. (2) ; B. (2) ; (De
Morgan).
■B. 28 (14); B. 580;
B. 6SS (7) ; N. 1567.
N. 1567; K.
B. 580.
B. 519(2).
B. S19 (40).
N. 1684.
B. 572 ; K.
K. (3).
(De Morgan.)
K.
(De Morgan.)
(De Morgan.)
B. 456, 471, 568.
K.
(De Morgan.)
K. (young).
N. 1567.
N. 1567 ; K.
K. (5).
K. (2).
fB. 191,760, 767. (De
\ Morgan.)
B. 522.
(De Morgan.)
(B. 672 (47); (De
[ Morgan).
( 32 )
INDEX,
PAGB
Aahmes, on stele .... S
Akhenaten, erasures by 4, lO, li
Altars of temples . . . . 12
Amen, erasure of . . . 10, 1 1
Amenemhat, stele of . . 4, 20
Amenhotep II, dated jar of . 5
„ scarab of . 3, 21
„ temple of 3, 4-6
„ statue of . . s
„ statuette of 5, 21
„ length of reign 5
„ altar in ruins 4
Amenhotep III, restores
chapel of Uazmes . . 3, 1 1
Amenhotep III, ring of . . 3
„ re-works tem-
ple of Amenhotep II 4, 6, 9, 1 1
Amenhotep III, temple of, re-
served 9
Amenhotep III, temple W. of
Thebes 24
Amenhotep III, temple of
Luxor 24
Amenhotep III, temple of
Kamak 25
Amenhotep III, temple of
Soleb 25
Amenhotep III, sculptures of
9-1 1, 20, 23-28
Amenhotep III, inscriptions of
21-28
Amenhotep IV, figure of . . 10
Anni, on stele 5
Architraves 12
Asar-hapi invoked . . .18
Asit, Syrian goddess . . 9, 21
Askelon 28
Assyrian helmet and tools 18, 19
Aten-temple seal . . . 6, 21
PAGE
Athu-asir, stele of . . 4, 21
Avenue of couchant jackals . 10
Azimuths of temples ... 20
4, 20
16
17
5
6
19
Bakt, stele of ... ,
Bay, chancellor
Beads, rough carnelian
Benaa, on stele
Blue-painted pottery .
Brace cranks (?)
Brickwork arching on stone
architraves ....
Brickwork store chambers of
Merenptah .
Brickwork tunnels of Rames
seum
Bronze statuette of a queen
„ helmet and bowl
Capital of column
Centre-bits, iron
Chalybes, iron-workers
Chisels, iron , . . .
Colonnade, triple .
Cubit lengths ... 7,
12
12
I
6
8,19
13
19
19
19
8
I. 13
Dealers of Thebes .... 2
Dehnet, goddess .... 20
Deir el Bahri, plan of . 7, 8, 12
Doorway south of temples . 8
Drawing trials . . . . 4, 17
Duaui-er-neheh, stele of . 5, 28
Dusenub, altar of ... , 17,21
Excavations, success in . . i
File, iron 19
Foundation deposits, Uazmes 3
,, „ early . 4
PAGE
Foundation deposits, Amen-
hotep II 5
Foundation deposits, Meren-
ptah 13
Foundation deposits, Tausert, 14, 15
„ „ Siptah, 16, 17
„ „ inscrip-
tions 29
Foundation trenches, 11, 13, 16, 22
Gezer ....
Gravels of high Nile
Haworth, Mr. Jesse
Helmet, bronze
Hieroglyphs, mode of
Huy ....
Ingot model
Iron tools .
Israel inscription
writing
28
II
2
18
5
23
IS
18, 19
.2,28, 30
Jackals, couchant, avenue of .
Jar with date of Amenhotep II
Kanaan ....
Kennard, Mr. Martyn
Kheta
Khonsuardus, tomb of
Khor (Palestine) .
Lateran obelisk
Lebu
Level of water .
Libyans, figures of
„ defeat of
Magnetic variation
Maket tomb, Kahun .
9
5
28
2
28
18
28
5
26
II
6
26-28
. 20
. 8
INDEX.
33
Manetho vindicated
Mashawasha
Merenptah destroys
Amenhotep III, 9
by, 1 1 ; temple of,
granite stele of, 13;
Mesut, on stele
Min-mes, stele of .
Model tools . .
Mud beds, ancient
Murray, Miss, publishes h
glyphs . .
PAGE
5
26
temple of
bricks used
1-13 ; black
statues of, 13
• 5
4, 22
IS, 16
II, 18
lero-
5
Nebmes, on stele .
Nefer-renpit, on stele
Nefret, on stele
Nefret-ari, on stele
Nehi, ushabti of
Nen, on stele .
Nile-mud, beds of .
Osiride figures
Osiride pillars .
Ostraka
Panehesi, vine-dresser
Pashed, steles of •
Pekh-ar-Khonsu .
Pendehnet, on stele
Pendua, on stele
Pen-rannut, stele of
Plan of temples
Plummet of stone .
Pottery, drawings on
„ spotted
„ blue .
„ of Tahutmes
Psamtek III . .
„ tomb of .
Ptah-hes, stele of .
Qazauadana
Quarry marks .
Queen, bronze statuette of
IV
5.
• 5
• 5
• S
. 20
4, 21
. 20
II, 18
• 4- 5
II, 12
. 29
5.21
• 3
. 18
. 20
. 20
13. 21
19, 20
• 9
• 17
. 6
. 6
. 7
. 18
13. 21
PAGE
Queen, unknown, chapel of . 6
„ „ statue of . 22
Quibell.Mr., attheRamesseum i
Ra, priest of Tahutmes 111,4;
Ra, on stele
Ramesseum, living in .
Ramessu IV, drawing of
Rasp, iron ....
Red outlines of drawing
Results from wide clearances
„ of past excavations
Rosettes for dress .
Ruti, on stele ....
5,20
5
I
17
19
5
I
2
5
5
. 21
9, 22
Sandals and razor marked on
jar 9
Saws, iron 19
Scarp, in gravels . . . 13, 18
Scoop cutter, iron . . . . 19
Sensenb, on stele .... 5
Sesh, royal scribe . . . 6, 21
Sety I, restorations by 10, 11, 23
Sety II, garden of . . . .29
Shells used by Egyptians . 30
Sickle, iron 19
Siptah, relation to Tausert . i S
„ temple of . . . 16, 17
Sistrum, blue glazed ... 9
Sitamen, temple of . 3, 6, 9, 1 1
Sphinxes of Amenhotep III 10
Spiegelberg, Dr. W. . .2, 20, 30
Stamp for wine jars . . 7,21
Statues of Amenhotep II, S ; of
Tahutmes IV, 9 ; of Amenhotep
III, 10; of Merenptah, 13
Statuettes of wood . . . 4, 5
Steles of Athu-asir, 4 ; of Tahut-
mes IV, 9, 20 ; of Amenhotep
III, limestone, 10, 23 ; black
granite, 10, 11, 23; of Meren-
ptah, 13, 26; Pen-rannut, 13, 21
PAGE
Taharqa, pylon of . . . . 10
Tahutmes I, cartouche of 4, 20
„ ushabti of (?), 4, 5, 21
„ III, priest of . 4, 5, 20
IV, temple of . 3, j-g
„ portraits of . 9
Takushet, statue .... 6
Tank of temple .... 12
Tas-nub 17, 21
Tausert, temple of . 13-16,23
„ cartouches of . 15, 29
„ history of ... 1 5
Tehenu 27, 28
Temehu ...... 26
Temples (see kings' names).
„ plan of . . . 19, 20
Tombs, fragments of, 3, 20 ; under
temple of Tahutmes IV, 7, 8 ; of
XXIInd dynasty, 4 ; of XXIIIrd
dynasty, 18
Trenches of foundations, 11, 13, 16
Trial pieces of drawings . . 4
Troops, organization of . . 23
Tua, statue of 6
Tubes of glazed pottery . . 6
Uazmes, chapel of ... 3
User-aah, on stele .... S
Ushabti of Nehi . . . 4,21
White queen, chapel of . . 6
„ „ bust of . . .22
Wine-jar ostraka .... 29
Work, expected and unex-
pected I
Work, site of I
Workmen from Koptos . . 2
„ Theban ... 2
Writing of hieroglyphs on stele 5
Yenoam
28
LONDON:
PRINTED BY WILLIAM CLOWES AND SONS, Limited,
STAMFORD STRKET ANO CHARING CROSS.
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WHITE QUEEN
RAMESSU II.
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THEBES. TEMPLE OF MERENPTAH.
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THEBES. TEMPLES AND CHAPELS.
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