MT
on 26 cts. per copy. $20.00 per 100 copies.
^ oONGS IN SOL-FA:
IT'
UC NRLF
B M ^^D bis
il, Dan ^G5ooUiid Ringing ^cliool,
• NlAININt.; A
BRIEF COURSE OF INSTRUCTION, AND A GRADED SELECTION OF SONGS
TDNIC SCL-FA SYSTEM
T. F. SEWARD ^^^ B. C. UNSELD.
BIGLOW ^ MAIN, Puslishbi^s,
76 Kiiwt Ninth Stit>et
NEW YORK.
SI K:iMa<.L)>h StJ'c-et,
CHICAGO.
MAY BE ORDERED THROUGH ANY BOOKSELLER OR MUSIC DEALER.
v>^ ..^
^
K^
on
\^'
LIBRARY
OF THE
University of California.
OIF^T OK
t/Jccession
mSM... Class
757 i;
^'AJ^.
SONGS IN SOL-FA:
^uqdaij ^cljool, Dai| ^cljool ^i Ringing ^cljool,
CONTAINING A
BRIEF COURSE OF INSTRUCTION, AND A GRADED SELECTION OF SONGS
TDNIC SDL-FA SYSTEM
T. F. SEWARD .*^'B. C. UNSELD.
BI6L0W ^ MAIN, Publishbi^s,
76 Ka.-it Ninth Street, I 81 Randolph Street,
NB-W YOB.K. I CHICAGO.
MAY BE ORDERED THROUGH ANY BOOKSELLER OR MUSIC DEALER.
Copyright, 1SS2, by Bioi.ow .t M:
r
MT3 0
Copyright, 1882, by Biglow & Main.
ia:o"v\r TO XJSE] this :oooi^.
This book has been prepared in response to an urgent call for a work that could be made useful in the
Sunday School, as well as in the day school, and in singing classes. It contains also a brief course of in-
struction in tlie Tonic Sol-fa notation, and a variety of exercises and secular songs for practice. It can,
therefore, be made available in three different ways, as follows:
1. As a text book for teaching the system.
In this case, as the course of instruction is necessarily much condensed, the teacher should be supplied
with a copy of the Tonic Sol-fa Music Header (sent by mail for 35 cents), from which additional exercises
may be written on the blackboard as needed.
2. For institutes and short courses of instruction, which are now so often held by teachers in this
country. It was especially to meet this demand that the book was first planned, but it is hoped that it
will be found equally useful for the other purposes mentioned.
3. For u.se in Sunday Schools where only rote singing is practised. When employed in such schools,
the following plan is strongly recommended in place of the ordinary method of mere imitation, in which
children are taught as parrots might be taught, leaving them at the end of any number of years of prac-
tice no more musically intelligent than at the beginning :
Hang up a modulator in plain view of the whole school. Let the teacher, or leader (at first only using
the easier tunes), sing a short plirase of the tune to the syllables, pointing on the modulator as he sings.
Pupils repeat the phrase, the teacher pointing as they sing. Let this be done several times, or until the
phrase is somewhat familiar. Teach the next phrase in the same way ; then sing the two in connection,
and so on, until the whole tunc can be sung by the syllables, the teacher still pointing on the modulator.
Then turn to the book, and sing the tune to the syllables. If the pupils fail at any point, return to
the modulator and practice the ditficult passage as before. When the tune is learned, call attention to the
words, tlieir meaning, the sentiment, etc., and then sing the tune to the words. When the practice is
conducted in this way, it will not be long until the most difficult tunes can be easily taught. Not only
that, but after a time, the tones will become so familiar that the modulator can be dispensed with, and the
tunes taught at once from the book by syllable.
Observe tliat the teacher does not sing with the pupils. They listen and look while he sings and
points. He points and listens while they sing. One hour's training of this kind is more effective than
five hours spent in singing with the teacher.
The advantage of teaching the tunes by the syllables, instead of the ordinary method of teaching the
words and tune together, may be easily stated. First — It avoids the hurtful effect of using sacred words
for mere practice. They are not introduced till they can be properly explained and impressed. Second —
The syllables possess a wonderful cumulative mnemonic power. Each tune that is learned is a help to the
next one. The ear becomes accustomed to certain progressions in connection with certain syllables, and
thus gradually gains a practical knowledge of all relations. This is the case even where no time is spent
in positive elementary instruction. It is needless to say that we by no means intend to countenance the
neglect of such instruction, when it can possibly be given. It is our hope and belief that many who begin
by using the syllables as above described, will be led by the delightful simplicity of this new notation
and way of teaching to devote some time to more thorough study. It is the universal experience, where
the Tonic Sol-fa system is introduced, that pupils are led by the ease and naturalness of the method to
follow the study of music much farther than they are luclmed to do when they begin with the staff.
This IS the invariable result where the Tonic Sol-fa system is introduced. It diffuses musical intelligence
among the people ; it leads to the appreciation and use of a higher order of music, and gradually substi-
tutes ready sight-reading for tlie mere imitation, or rote singing, which usually prevails in this country.
SONGS m SOL-FA
INSTRUCTIONS AND EXERCISES.
FIRST STEP.
To recognize and produce the tones Don, Me, Soh, the upper octave of Boh and the lower octave of Soh ;
^frong aivJ ireak acccnta ; the Fulae, the Ilalf-pMlne; two-puhe measure and three-pulse-measure.
>fOTK.— The teacher will need for his instruction and
irection a copy of The Tonic Sol-fa Music Jteader. Not
nly the facts as in this book, but tlie method of teaching
i therein presented, with cuts of the Hand-siiins and Fin-
ersiftus, and many, illustrations and sugsestionswith re-
ard to points tliii uiacher needs to know. A Modulator,
Lining-fork and iilack-l)oard ai-e the necessary apparatus.*
TUNE.
1. The three principal tones in mu-
ic — the first to be learned — are Doh,
^/e. Soh.
2. Of these, doh is the lowest, mf
he next higher and soh the highest.
3. These three tones combined form
he chord of Doh. or To7iic Chord.
4. The relative position of the tones
3 of less importance than their char-
cters or mental eflFects.
5. Of the mental effects of these
hree tones, one is a strong, firm tone,
SOH
ME
DOH
another is a calm, gentle tone, and another is a
clear, bright tone.
Note. — The pupils must determine the characters of the
tones for themselves, after hearing suitable illustrations
from the teacher.
6. As a means of practice the tones are indica-
ted by Hand-signs representing their mental ef-
fects.
7. The strong, firm tone is represented by the
closed hand; the clear, bright tone by the open
hand thumb upwards; the calm, gentle tone by
the open hand palm downward.
8. In the Tonic Sol-Fa Notation the initials of
the syllables are used as "notes"— d for doh, sfor
soh and n for me.
Note. A narrower tvpe and somewhat altered form is
given the letter m (tn) for convenience in printing. After
the tones have been well practiced from the toacher'spat-
tems, from the Modulator, Hand-si^ns etc., the following
exercises may be sung from the book or black-board.
1.
KEY D.
d n
KEY F.
PI s
3.
KF.Y E.
n d
• Moduhitors of various sizes costing from 10 cents to 80 cents may be obtained from the P"Wi8l>«rs ° Va/alo"u6«
any of the books, music apparatus &c.. published by Messrs. John Curwen & Sons, London, Eng. Catalogues
Iso
urnished on request.
03841
FIEST STEP.
9. The tones next to be learned are
the upper octave of doh, and the low-
er octave of soh.
10. In the notation the upper doh
is distinguished by the figure 1 placed
at the top of the letter thus — d' and
is called One-Doh.
11. Its mental effect is the same as
doh, only more positive. Its Hand-
sign is the same as for doh with the
hand held higher.
SOH
ME
DOH
12. The lower soh is distinguished by the fig-
ure 1 placed at the bottom of the letter thus— s,
and is called Soh-One.
13. Its mental effect is the same as soh, only
somewhat subdued. Its Hand-sign is the same as
for soh with the hand lowered.
Note. — After sufficient drill by pattern from the Modu-
lator, Hand-signs etc., the following exercises may be
practiced.
KEV D.
d PI
KEY C.
s n
O. KEY F,
d s, d
KEY A.
d m
TIME AND RHYTHM.
14. Time in music is measured by regularly re-
curring accents.
15. The most easily perceived degrees of ac-
cent are the steong and the weak.
16. The time from one strong accent to the next
is called a Meascke.
17. The time from any accent to the next is
called a Pulse.
18. Different arrangements of the order of ac-
cents makes different kinds of measure.
19. A measure consisting of two pulses, one
strong and one weak, is caUed Two-pulse meas-
ure.
20. A measure consisting of three pulses, one
strong and two weak, is called Three-pulse meas-
ure.
21. When the measure begins with the strong
accent it is called the primary form of the meas-
ure.
22. When the measure begins with a weak ac-
cent, it is called a Secondary form.
FIRST STEP.
23. The Tonic Sol-fa Method makes use of a
iystem of time-names to aid in the study of time.
24. The pulse is the unit of measurement, and
I tone one pulse long is named Taa, pron. Tah.
25. The strong accent may be indicated, when
lecessary, by the letter E, thus — Tbaa.
'2(3. The strong accent is indicated in the nota-
ion by a long heavy bar; the weak accent by a
;olon (:).
27. The note following a long bar is to be sung
with the strong accent, and a note following a co-
lon is to be sung with the weak accent.
28. The accent marks are placed at equal dis-
tances of space and thus represent the equal di-
visions of time.
29. The space from one accent mark to the next
represents the time of a pulse, and the space be-
tween the bars represents the time of a measure.
30. The end of an exercise is indicated by a
Double Bar.
d
TAA
:d
TAA
d
T.\A
TWO-PULSE MEASURE
PlUMAUV.
;d Id :d ii j :d Id
TAA I TAA T.VA II I TAA I TAA
Skcosdaby.
:d I
TAA
d
TAA
:d
TAA
THREE-PULSE MEASURE.
Pkimabt.
Sf.conuaky.
^
d
:d
:d d :d
:d
1
:d
d
:d
:d d
:d
:d
d
:d
}
TAA
TAA
TAA TAA TAA
TAA
TAA
TAA
TAA
TAA TAA
TAA
TAA
TAA
TAA
31. The continuation of a tone through more
hiva one pulse is indicated by a dash, and the
ime-name is obtained by dropping the consonant
bus— ^
w
TAA TAA • TAA - AA
TAA - AA - I AA
32. A pulse divided into halves — half-pulse
ones — is named taatai, and is indicated in the
notation by a dot in the middle of the pulse-space
d .d :
TAA-TAI
thus
Note.— The finger-signs for time may be introduced
here; the teacher will find full illustrations in the "Kcad-
er." The teacher will consult the "Reader" lor susges-
tions as to Modulator voluntaries, Ear exercises, Mental
effects, Writing exercises, Pointing and writingfrom mem-
ory, questions for examination, certificates, etc.
J««. KEY C.
FIEST
STEP.
O. KEY I
d :d
).
m
rm
s
:s
m
t
d' :d'
d :d
d
:d
d
:d
d
:-
d :d
lO. ketD.
J.
d :m
s
:m
s
:rn
d'
T
d' :s
d :d
d;
:-
n
:m
n
:-
PI :pi
11. KEY I
d : —
d' :-
PI :m
in Is
:d Id
3 :m
d :d
d : —
d : —
d :-
d : —
IS. ketD.
d :d :d
PI
:m :pi
d :m :s
d'
d :d :d
d
:- :-
PI :n :n
PI
13. ketC.
t
d :d :d
PI
PI :m :pi
s
d :-:d
d
-:-
d :- :d
PI
14. KEY C.
d :d
n
:d
s .s :pi.s
d'
d :d.d
d
:d.d
n.pirm.Pi
PI
1^. KEY D. Round in four parts.
d' :d' :d'
n :n :n
PI :— :— I n
d' :-
I'
:pi.n
d'.s :m.s
PI :pi .Pi
d' :d' :d'
PI :— :pi
d' :s
PI :s
:pi
:pi
3 :s :s id :— :—
PI :— : PI d :— :—
d'
:pi
s :s
d
:-
d
:d.d
pi.pi :s .s
d
-
jld :d |pi :pi Is :
( I Come, then | comrades, | join c
S
join our
:— Id' .s :n .s Id' .s :pi .s In
r '■" II
I song, IMerrily, yes, I merrily we'll I tramp a - I long. j|
For additional exercises.in this Step see tunes Oreat and Oood page 10, Blessed Rain p. 32, and The Happy Scholar p. 20
Id' .3 :n .3 In :d
merrily we'll I tramp a
SECOND STEP.
The tones Eat and Te. The medium accent,
nd-a-half tones and quarter-pulse tones.
33. The tones to be learned next
.re Ray and Te.
Note. — Their octaves, r' a'i<l t, au<l "' 1
ther tones above and below the iiiiniarkfil
clave cau easilj- be taught from iheModii-
3-t. As to the mental effects of these
lew tones, one is a sharp, piercing
one, and the other is a hopeful, rous-
ag tone.
See Note after paragraph 5.
3'). The Hand-sign for the sharp,
liercing tone is the fore-finger point-
ag upward and the sign for the hope-
ul tone is the open hand tingors up-
•ard, palm outward.
te, ray combined
o/i, or Dominant
36. The tones soh.
arm the chord of ;
^ord.
Note. — After preparatory practice of the
ew tones by pattern, from the Modulator,
land-signs etc., the following exercises may
e studied.
The teacher will give such instruction in
reathing and expre.ssion as may be needed
:om time to tmo. The words in italics are
J be sung softly ; those in small cviTfAi-s
re to besung loudly, and those in the com-
lon type are to bo sung with a medium de-
ree of power. See "Reader," p. 18.
ll>. KEV A.
d :d
Lilt- is
While we're
d :d
t, :d
like u
safe from
Si :ni
r :t,
ship in
PI'
r'
d'
TE
SOH
ME
RAY
DOH
S| :d
mo - tion,
show - er ,
Si :ni
R
ur-pulse and six-pulse measures
TUNE.
1<>. KEY C.
(dm s
:— s
( r' :t s
:d' s
\^. KEY F.
j d :s PI
:d s,
SUent pulse, pidse-
i|d
1«, KEY C.
Id :r
lOnward
I loid a
:pi
the
d'
ay and
:t
Men and
r
and
t :d'
night we
d' :s
maidens
PI :d
young all
:r
- lent
ir' :d'
I wend our
PI :m
wander
t, :t,
pass a -
riv - e
t :•
way;
d : —
way.
d :d
Sometimes
Waft-ed
PI, tn.
t, :d
high and
by the
S, :d
r :n
sometimes
gen - tie
t, :d
r :-
low;
gales;
PI :r
PI :r
d :t,
d :s,
d :d
t, :d
PI :r
d :-
i:v - 'ry
one must
brave the
0 - cean,
What-8o -
ev - er
wind may
blow.
Seize tlie
pres - ent
pass - ing
hour,
To the
breeze un -
furl the
sails.
d :t,
d :8,
d :s,
PI, :pi,
PI, :pi,
s, :d
Si :s,
d : —
For additionl exercises see tunes liwell the Anthem. Mrs. Robin's Lullaby p. Of., Longings p. 49, Be Content p. 21.
SECOND STEP.
TIME.
37. In addition to the strong and weak accents
there is also a Medium accent.
38. The medium accent changes two two-pulse
measures into a four-pulse measure, andtwothree-
I)ulse measures into a six-pulse measure.
39. In four-pulse measure the order of accents
is STEONG, weak, medium, weak.
40. In six-pulse measure the order of accents ia
STRONG, weak, weak, medium, weak, weak.
41. The medium accent is indicated in the no-
tation by a short, thin bar.
ir
FOUR-PULSE. MEASURE.
bECOXDAKY.
:d
d Id
SIX-PULSE MEASURE.
Pkimakv. Skcondakt.
Id :d :d |d :d :d Id :d :d [d :d :d 1| ( :d Id :d :d [d :d :d jd :d :d !d :d
and indicated thus-
42. A Silent pulse (Rest) is named SAA, and is
indicated in the notation by the absence of any
notes in the pulse-space, i. e. vacant space.
43. A tone continued through the first half of the
next pulse — a pulse-and-a-half tone — is named
Id :- .d
I TAA-AA-TAI
each half-pulse, thus-
{I
SO. KEY Et?. Round in three parts.
44. A pulse divided into quarters is named ia/a-
tefv, and is indicated by a comma in the middle of
'd ,d .d ,d :
ta-fa - te - fe.
Id
May.
s :s jm :d t, :S| jd : —
r
:t,
Id
:ni
r
:r
Ev - er bloom-ing, ev - er gay,
ev -
er
wel
- come
love
■ly
SI. KEY F. Round in four parts.
s n :in |n :r d :d |d
:t,
d
:s,
Id
:r
in
Now we are met let mirth a - bound,
And
lot
the
catch
and
gi
:v\ |m
lee go round. Ijl
SS. KEY C. Round in four pai-ts.
|r :— Id :n |s
I let's lau^h, I come let's sing.
jlpi :m
( I Come let
- Id'
|t.d':r' .tid'
..t
Win - ter shall as merry| be as Spring.
f
SECOND STEP.
23. KEY C. Hound in two parts.
id : d : d | m :m : m I s :— :— | d' :— :— 1 1
[Mer-ri - ly. mer-ri - ly | dan
Is :— :— Id' :— :-it :t :t |r' :r' :r' Id' :— :- Is :— :-
I (lane ing, | Mer-ri - ly, nier-ri-ly I glaiic - - iu^,
I
Im :pi :n |d :d :d Im :— :— |n :— :— Is :s :s |t :t :t Id' :— :— [— :- :—
IComethebriglitdaysof thel morn - - ing, I Filling all hearts with ile -| light.
Vl-i. KKv D. Round in four parts.
Id :d :d |d :d :d In :— :r |d :— : - In :n : n |n : m : n Is : - :s In :— :—
I.Mei-ri - ly. mer-ri - ly Uound the born, Iciieeri - ly, cheeri - ly I o'er the lawn;
— :s is :— :— jd' :— :— |s :— :— id' :— :— |s :— :—
On - - ward, | On - - ward.
:r in :n |r :r id : | ]
O I haste, do not de - | lay, )
id :d |t| :t| id : | ii
j Yes, I will a - wav.
s :— :s is :
— :s
s :—
-:s Is :■
— :--
Let it ring
now
loud
and long
;
•^.-». KEY G.
:s, d :
Kound in tw
i :d
,'0 parts.
r
1
C) haste.
o
haste,
In
7
s :s
Is
Yes. I
will,
Yes, I
will,
M<;. Kiv F.
s :- .s 1
iloun
s
d in th
:- .S
ree parts.
in .r :
;d .t,
P u.
d :— in :-.n|n :-.r
Sing we 'now a ' merry, merry I lay, | Let iis jail be J
d .t| :d .r In :— Id :d Id :d is, :s, Id :— ,
happy while wel may, I As we jjour - ney | on our I way. |
viT'. KEY F. Kound in four parts.
d.d.d.d:'^ -^ |r .r :n |n,n.n,n:s .s |t, .t, :d ^
iMerrily the bells are I ringing near; 'Cheerily the birds are j sing-in g here. }
Is ,s .s ,s :s .s Is ,s .s ,s :s |d,d.d,d:d .d Is, ,S| .s, ,s, :d 11
1 Listen to the belle! how I merrily they ring! iListen to the birds! how I cheerily they sing. ||
For additional exercises see tnnea The 2IHloio Horn. p. 22; A Mothers Lullaby, p. 54; Hear oar Evening Prayer.
M ; Evening U Falling, p. 20; Round and Uound, p. Z'i ; Ding Dong, p. 9.
hj
THIRD STEP.
The tones Fah and Lah, completing the Scale. The Standard Scale.
Silence. Various combinations of Quarter-pxdses.
To pitch tunes. The Balf-pulse
TUNE.
45. The tones next to be learned
are Fah and Lah, and their octaves.
46. Of the mental effects of these
two tones, Lah is a sad, weeping tone,
and Fah a serious, solemn, desolate
tone.
47. The Hand-sign for the sad,
weeping tone is the hand hanging
loosely from the wrist; the sign for the
serious, desolate tone is the forefinger
pointing downward.
48. The tones Fah, Lah, Doh, com-
bined, form the chord of Fah, or Sub-
Dominant.
49. The series of tones from d to d',
represented in the Modulator, is called
the Scale.
50. Each tone of the scale differs
from the others in pitch.
By "pitch" is meant the highness orlow-
ness of tones.
51. The eighth tone above or below
any given tone has the same mental
effect and the same name. They are
Replicates or Octaves one of the other.
52. The first octave above any tone is
indicated by the figure 1 placed at the
top of the letter, the second octave by
the figure 2 and so on, thus— d d' d^
named doh, one-doh, two-doh, etc. The
octaves below are indicated by the fig-
ure placed at the bottom of the letter,
thus — B 8, 8, named soh, soh-one, soh-
two.
DOH>
IE
LA
SOH
FAH
ME
RAY
DOH
t,
1.
S|
53. The tones doh, me, soh are the strong, bold
tones of the scale, and ray, fah, la and te are the
leaning tones.
54. The tones te and fah have the strongest lean-
ing or leading tendency, te leading upward to doh
and fah leading downward to me.
55. The most important tone of the scale, the
strongest, the governing tone is called the Key-tone.
56. A key-tone with the tones related to it, or
belonging to it, is called a Key.
57. A distinction is made between "key" and
"scale " — a key is a family of related tones, consist-
ing of a key-tone with six related tones and their
replicates. A scale is the tones of a key arranged
in successive order ascending or descending. The
intervals (steps and half-steps) are indicated by the
spaces.
58. Any degree of pitch may be taken as the
key-tone.
59. One scale is chosen as the Stand-
ard Scale from which all the others are
reckoned.
60. The particular degree of pitch
which is taken as the key-tone of the
Standard Scale is named C, Ray is D,
Me is E, and so on.
61. The correct pitch of this scale,
for ordinary vocal purposes, may be H
obtained Irom a C tuning fork, or one «t)
of its tones may be fixed on the mem- §
ory- P
62. Any tone of the Standard Scale ^
may be taken as a. key-tone. «
63. A scale or key is named from §
the name of the pitch taken as the h
key-tone.
64. The different keys are indica-
ted in the notation by the signature
"key C," "key G," and so on.
Note.— The pupils shouW learn to pitch
the key-tone. Take C ' from the fork and
sing down to the tone wanted, this tone
the pupil will dwell upon a little and repeat
to the syllable doh, and then sing the chord
of DOH to oonflrm the key.
d'— C
t-B
1-A
s— G
n-
r— D
d-0
SS. KEY C.
d :pi Is : m
d' : s I n
THIRD STEP,
f
:1
d'
:1 8 :t
|r
d'
:1
If
:1 |d< :s
It
11
I-
SO. KEY A.
d rn :d
d :- :-
(|d
;1, f,
C$0. KEY C. Round in four parts.
(IS Id' :d' |r' :r' In' :m' jd'
( If I bap -pi • nes3 has I not her home, And Icen-tre in the I breast,
1 It :t
d' :- 1-
:f If :f
ay be wise or
in :s
rich or
C$1. KEY D. Kouud in two parts.
ud :r :n if :—
( I Who sows jfood I seed
Id' :s |1 :f
great; But I nev - er
bear
:d'
with
joy
: — :s
the
fruit
f
bar
|r
can
:r
vest
d :- 1-
blest.
d' :-
loam,
d
lioine.
:s
Shall
II
3^i. KEY D. Hound in three parts.
:d' .d' n .1 :s .:
Hark ! how | pleas - ant, the 1 merry cbimiug | of the bells,
Sweet - ly
33. KEY E.
n jd' :1 Is :n |d' :1
Ik'Us are ringing, voices singing,
Id :d Id :d Id :d jd :d
- Is :-
ver, —
- Id :-
f :f |n :n
Come,then, friend &
1, :1, Id :d
s :n !s :n
Happy, bap - pv
d :d Id :d
r :- Is :-
neigh - bor,
f :- Id :-
r :f In :—
liol - i - day ;
t, :s, Id :—
d' :d' |n :n
Greet we now the
d :d Id :d
s : n
I peal - ing.
f :f |n :n
Labor now is
1, :1, Id :d
s :s jd :—
festive day.
t, :s, !d :—
For tunes suitable at this stage see Teacher'* Index.
12
THIED STEP.
TIME.
65. The Half-ptilse Silence is named SAA on
the first half of the pulse and SAI on the second
half, and is indicated by the blank space between
Id . : .d
\txaSAISAAtai
the dot and the accent mark.
66. A pulse divided into two quarters and a
d,d.d :
ta fa TAi
half is named tafaTAi.
67. A pulse divided into a half and two quar-
ers is named TAAtefe.
Id
TAA
.d ,d
te fe
68. A pulse divided into a three quarter pulse
tone and a quarter is named TAAefe. _ 'A
69. Syncopation i8 the anticipation of accent.
It reqiiires an accent to be struck before its regu-
larly recurring time, changing a weak pulse or
weak part of a pulse into a strong one, and the
immediately following strong pulse into a weak
3-i. KEY D. Bound in two parts.
d' .d' :di .
I Mer - ry May,
II
d .d :d
Mer - ry May,
t .t
:t
mer-ry
May,
r .r
:r
mer - ry
May,
d' .t
:1
.3
1 .t
:d'
How I
love
the
mer - ry
May
m
:rn
f .f
:n
Yes,
yes.
mer - ry
May.
II
3^. KEY F. Round in four parts.
d .r :m .r id .t, :d
All to - geth - er , | let us sing.
@
PI .,f ;s .,f im .r :m
We will make the j wel - kin ring
II
s ,s .s :s ,s .s IS ,s .3 :s
Gentlemen, gentlemen, | gentlemen, sing,
d ,d ,d :d .d Is, .s, ,S| :d
Sing, ladies, sing, now I sing, ladies, sing.
lICo
30. KEY C. Bound in two parts.
d' !d' :- .t 11 T :- .s
Come now, O I come now, Or
II
m .PI :pi If .f :f .pi
No, no, no, | no, no, no. And
For tnnes saitable at this stage see Teacher's Index .
f
.PI
:r
.f
PI
we
shall
be
too
late;
r
.d'
•_
•t
d'
you
, too.
must
wait
13
FOURTH STEP.
The Intervals if the scale. Transition to the First Sharp and First Flat keys. Chromatic tones. Si-
lent quarter-pulse. Thirds of a pulse.
THE MODULATOR.
doh'
;
.
te
;
m
f
ta
le
I^
la
lah
se
, r
r
-
soh
-
- d
sa
ba
fe
ti
d -
~
fah
-
t, -
ma
me
re
- 1,
1, '
ra
ray
de
" s,
8| -
-
doh
-
- f.
t,
- m
f,
Pl|
r,
-
1,
-
. d,
70. The difference of pitch between any two tones is called
an Interval.
71. The intervals between the tones of the scale are com-
monly known as Steps and Half-steps.
72. The Half-steps occur between me and fah and te and doh;
all the others are steps.
Note. — The above is the commonly accepted doctrine of the scale-in-
terviUa anil agrees with the tomperod-scale as Riven by the Piano or Or-
gan. The Tonic Sol-fa theory of intervals, which is based upon tlie doc-
tiiiio of just intonation, teaches that the steps between d r. f s, and 1 t
ai c> Greater Steps; the steps between r m and s 1 are Smaller Stepg, and
Ihiiso between m f and t d are TAttle Steps. The difference between a
Greater and a Smaller step is called a Koinina; a Greater step cousistino;
of nine kommas, a Smaller step of eight kommas and a Little step of
five kommas.
73. Intervals are also named Seconds, Thirds, Fourths,
Fifths, etc.
74. The interval from any tone to the next in the scale is
called a Second; to the third tone a Third, and so on.
75. A Second that is equal to a Step is called a Major Sec-
ond. A Second that is equal to a half-step is called a Minor
Second.
76. A Major Third is equal to two steps; a Minor Third is
eq-ual to a step and a half.
77. The tones Te and Fah are separated by a peculiar inter-
val, called theTri-tone — equal to three full Steps — the only one
found in the Scale. Thus f and t become the most character-
istic tones of the scale.
78. From their mental effects t may be called the sharp tone
of the scale, and f iheflat tone.
79. The whole aspect of the scale changes when f is omitted
and a new t put in its place, or when t is omitted and a new
f is taken instead.
80. During the course of a tune the music may pass into a
different key from the one in which it begins.
81. The "passing over" of the music into a different key
is called Transition.
82. Transition is produced by omitting certain tones from
the old key, and using one or more new tones instead.
83. The commonest form of transition is when soh is taken
as the new doh.
14
FOURTH STEP.
84. This transition is made by omlting fah and
taking /e in its place.
85. Thus/f becomes the distinguishing tone of the
new key. It has the eflfect of a new te, and all the
other tones change their mental effects accordingly.
86. The new key is called the " Soh-key " or (on
account of the sharp effect of its distinguishing
tone), the First Sharp-key.
87. Another common form of transition is when
fah is taken as the new doh.
88. This transition is made by omitting te and
taking to in its place.
89. Thus ta becomes the distinguishing tone of
this new key, it has the effect of a uevf fah, and all
the other tones change their mental effects to cor-
respond.
90. This new key is called the "Fah key," or
(on account of the fiat effect of its distinguishing
tone) the First Flat key.
91. These transitions are called transitions of one
remove because only one change is made in the
pitch-tones used.
92. When soh becomes doh the music is said to
go into fhe first sharp key, or key of the Dominant.
93. When fah becomes doh the music is said to
go into the jirst fiat key, or key of the Sub-Domin-
ant.
Note. — Eighty per cent of all the transitions in mnsio
are to one or the other of these two keys, and that to the
Dominant is the one most used. Transitions of two, three
and four removes rarely occur .^ simple music and need
not he explained in this work.
94. The tone on which the change is made from
one key into another is called a Bridge-tone.
95. Bridge-tones are indicated in the notation
by double notes, called Bridge-notes, thus: sd, Ir,
»n, (pronounced s' doh, 1' ray, t' me), the small note
on the left giving the name of the tone in the old
key and the large note its name in the new key.
96. This is called the "proper" or "perfect"
way of indicating transition.
97. When the transition is very brief, less than
two measures long, it is more convenient not to al-
ter the names of the tones.
98. This is called the "improper" or imperfect
way of indicating transition.
99. In addition to the bridge-note transition is
indicated by the signature of the new key.
100. The distinguishing tone of the new key is
indicated in the signature by a small letter (t) on
the nght for the first sharp key, and (f) on theleft
for the first fiat key, thus — G. t., or f. F. — by this
the singer is warned to expect a new te oinevf fah.
101. The tones fe and ia are frequently intro-
duced iu such a way as 7wt to produce transition.
102. When thus used they are called chromatic
tones.
103. Chromatic tones may also be introduced
between any two tones of the scale which form the
interval of a Step.
104. These intermediate tones are named from
the scale-tone below by changing the vowel into
"e" — as doh, de, ray, re, etc.; or from the scale -
tone above by changing the vowel into "a" — as te
ia, lah la, etc.
Note.— The cnstomary prononnciation of the vowel "a"
in America is "ay" as m "Bay," in England it is pro-
nounced "aw."
Eor further instructions with regard to pitching tunes,
see "Keader," p. 79.
105. The silent quarter-pulse is indicated like
the other silences by a vacant space among the
pulse divisions. It is named sa on the accented
and se on the unaccented part of a pulse.
106. Thirds of a pulse are indicated by commas
turned to the right and named taataixee.
The teacher will examine the " Eeader," page 78, for the best way of practicing these exercises.
37^. KEY C. G. t f. C.
Id :m Is :d' jt :1 |s :— |sd :d it, :d | pi :r |d :— jds :1 Is :in If
:1
FOURTH STEP.
:$?^. Ki.v C. G. t. f. c.
m :r Id :m Is :f I n :— hi, :t, id :n|r :r id :— Id3:3 11 :1 Is :f In
31>. KEY C. G. t. f. C.
d :r In :d If :m [r : - |rs, :!, Is, :d Id :t| Id :— Ids :r in :f In :r Id
-to. KEY C. G. t. f, C.
n :f IS :di Ir' .-d' It :— |tn :f In :r Id :t| Id :— Ha :d' Is :n ir :f |n
I I I It :d' It :1 Is :fe Is :— I I |
-il. KKY C. G. t. t C.
s :f In :s Id' :t 11 :- |lr :n If :r Id :t, id :— Us :n If :r id :t, Id
15
1 :t |d' :1 Is :fe [a :— I
~L*~i. KKY C. G. t. f. C.
n :f Is :s 11 :t Id' :— Id'f :f m :d 11, :t, Id :— Ids :s If :f |n:r Id :—
^ti. KKY C. G. t. f. C.
d :n Is :n Ir :n If :— |fet,:d In :r Id tt. Id :— Ids id' 11 :f Ir :3 id :— il
Kxtenileil TransitiDii to the tirst flat key seldom occurs, so that it is not necessary to give more than one or two
examples of it.
-i-t. KEY C. f. F. C. t
s :f In :s Id' :t il :- |in :f In :r Id :t, Id :— |df :f In :s 11 :t id :—
AS. KEY D. Chromatic fe.
d :n Is :fe |s :f in :— In rs jfe :8 If :r |d :—
16
FOUETH — FIFTH STEP.
46.
:fe
KEY F.
f :pi
t| :ta| 11, :t|
4'7'. KEY C. Kound in two parts.
staccato.
d' :d' It .le :t l
Trip. trip,
PI .re : n
stars so bright,
fair - ies light,
r
Here
:f I m .re : m
la la la la,
|1
I Dane
Id
there,
:1
la
:1
ing
Is .fe :s
all the night,
f :a
La la
t
La
I'
I'Neath
|r .de
la la
T. F.
:f
the
:r
la,
4S. KEY C. Konnd in three parts.
II
d' :d'
Ring, ring,
birds are
: t 4 ',r' Id' : s
beautiful I chimes are
Taataitee.
Is
ring
ing,
sing - mg,
Per - fumes sweet buds
For tunes suitable at this stage see Teacher' a Index.
®
m
Sing,
sing.
s :d'
broad are
In
sing.
Id'
fling
T. F. S.
:r<rn(f )
cheeiily J
FIFTH STEP.
The Modes. The Modern Minor. Expression.
107. Thus far in our studies doh has been the
key-tone or point of repose.
108. Any tone of the scale may be made to pre-
dominate in a tune so as to have the character of
a key-tone and to give something of its own pecu-
liar mental effect to the music.
109. A mode of using the common scale which
makes Ray the most prominent tone is called the
Bay Mode.
110. A mode which makes Ldh predominant is
caUed the Lah Mode.
111. Tunes in the Bay and Lah Modes have a
sad, plaintive effect.
112. Tunes in the Doh Mode are more or less
bright and joyous.
113. The Doh Mode, on account of its Major
Third is called the Major Mode.
114. The Bay and Lah Modes, having Minor
Thirds are called Minor Modes.
115. Of the minor modes, the Lah Mode is the
one most used at the present day.
116. To give Lah the importance of a key-tone
modem harmony requires a leading tone (se) hav-
ing the same relation to it that ie has to doh.
117. Occasionly, also, another tone is intro-
duced a full step below se, called hah (written 6a).
FIFTH STEP.
17
1 1 S. Modulation is a claange of mode, as from
miijor to minor, or minor to major.
XOTK. — The word "modulation" rs commonly nsetl to
ninaii change of key; in the Tonic Sol-fa method change
of key is called Transition— change of mode, modulation.
119. Transitional modulation is a change of
both key and mode, as from the Doh key to the
relative minor of the first flat key, or to the rela-
tive minor of the first sharp key.
-iO. KEY C. Ray is D. Ray Mode.
'\ Their
If :r 11 :f I pi :r 1 :1 Id' :1 |t :r' 11
Iblood a - I bout Je - I ni - e» - llem, Like I wa - tor I thoy have jshed;
1 And
1 :di It :s \\ .-m
them, When I they were I. slain ami
S»0. KEY G. Ray is A. Ray Mode.
(2.
1,
r :—
If :r
n :—
|r
:—
.'Tis
sweet
to re -
mem -
- her
. But
now
all are
past.
and
r :- If
:r
m : —
ir
:1,
pm-e is
the
foun
tain
of
sweet
yet
how
sa
d,
are
the
1, :r Id :r
cherished scenes of
dear ones have gone
|r
tn :d It, :1,
childhood, Oh. how
with them. Oh, how
hap - pi -
pen - sive thoughts they I bring.
:d Ir
they I bring.
31. KF.Y C. Lah is A. Lah Mode.
This tune may be sung in the Modern minor by singing Se in the place of every Soh.
:1 11 :t Id :t 11 :1 ^ :d' Imi :r'
My I friends thou I hast put I far from I me. And I hira that
:d' jm' :r' Id' :t ll :1 \T :d' It :1
j And I tho.se that I my
quaintance I were, To
t*,.:
^%i. KEY A. Lah is Fit. Modern Minor.
n, 11, :d |ti :1, Ise, :se, |1, :t, h
r In :r Id :t| Id :t, |1, :se, l
darkness
Id
d' :t
d'
did 7ne
llove;
1 :s
1
didat re -
move.
18
FIFTH STEP.
il
53. KEY A. Lali is Ff.
d :8, U, :t, Id :r |d :t, 11, :n, |ba, tse, II, :t, |1,
l|d .
Id :d It, :1, 11, :!, |se, :ba, Ise, : n, jl, :d it, :se, |1,
See Teacher's Index for appropriate I
EXPRESSION.
The following table shows the names of the
different degrees of power; the abbreviations and
marks by which they are known, and their defini-
tions. The teacher will explain these topics, as
may be required, at convenient points in his
course of lessons.
Name.
Pronounced.
Marked. Meaning.
Pianissimo -
- Pe-ah-nissimo
• pp Very Soft.
Piano - - -
- Pe-aA-no - - -
-p Soft.
Mezzo - -
- Met-zo - - -
- m Medium.
Forte - - -
- i^bwr-tay - - -
-/ Loud.
FOETISSIMO -
- Four-iissimo -
- // Very Loud.
Crescendo -
- Gve-shen-Ao - -
- ores, or -< - - - Increase.
Diminuendo
■ Dim-in-oo-e?i-do
- dim. or >^ - - Diminish.
Swell - - -
- ^==rr==
— - Increase and Diminish.
Sforzando -
Sfort-zan-do - -
- sf. or/z. or >- - Explosive.
Leoato - -
- "L&Y-gah-io -
- Smooth, Connected.
Staccato -
Stack-fcaA-to -
- » f 1 - Short, Detached.
The Hold /t\> indicates that the tone is to be
prolonged at the option of the leader.
Da Capo,
ginning.
D. C, means repeat from the be-
Dal Segno, or D. S., means repeat from the]'^
sign 'S.-
Pine indicates the place to end after a D. 0.
or D. S.
Ket D.
AUTUMN HYMN.
19
:d
n :r Id :r
d :1, Is, :t,
Sabbath of the
long the sun - set
scenes each vis - ion
8 :f Im :8
d :f, Is, :8,
m :—
d :-
year,
skies,
brings,
8 :—
d :-
1- :m
i- :d
While
Their
Of
|— :8
1- :d
s :s If
d :d It,
evening shades
glo - ries meet
beau - ty and
s :s is
PI :pi |r
: R
:d
de -
in
do -
:s
:d
m :— |r
:d
1. Sweet
2. A -
3. Thy
m
:d
d :- It,
cay,
shade,
cay,
s :- 1-
8, :- 1-
:d
r :pi
t, :d
part-iug
like the
vain and
f :s
f :ni
If :s
|r :ni
steps me -
things wo
earth - ly
Is :d'
|r :d
1 :t
f :f
thinks I
fond - ly
fad - ed
d' :8
f :r
|d^ :1
|P1 :f
hear, Steal
prize, Seem
things,Too
Is :di
Id :d
s :8 If
PI ;pi Ir
from the world
love - lier as
ex - quis - ito
d' :di Is
d :d It,
:pi
:d
a -
they
to
:s
:d
r :- Id
:d
Thy
And
Of
:pi
:d
t, :- Id
way.
fade,
stay.
f " :- In
s, :- Id
KetD.
DING DONG.
L. 0. Emekson, by per.
PI .n :n .d s .s :s .m r .r :m .r
1. Hark, I hear the sweet bells ringing, liinging on the
2.Ring ye bells your sweetest measure, How I love your
d .m ;s
evening air;
tones to hear ;
PI .m :pi .d
Sweetest tho'ts to
And my heart is
s .8 :8 .m
meiu'ry bringing,
full of pleasure.
r .r :s .s
Ever joy - ous
As they fall up -
PI .8 :di
fresh and fair,
on my ear.
Chorus.
Id' :s m :d
Ding dong, ding dong,
s .8 :pi .d
ding doug merry
s :—
bells;
Is .8 :s .d' PI .m :ni
1 Sing the strain, the old re - frain.
.8 d .d :d .PI
the song we lov'd in
rn .r :r
ear - ly time ;
n .d,in:s
Ruig merry bells,
8 .PI ,8 :d'
ring merry bells.
d' .8 :m .8 d' .t :di
ring, 0 ring your sweetest chime.
KeyD.
d :d
Great an
lYeea an(
1
i
m :n
good is
birds and
8 :s
God 01
flow'rs d
ir
le-
GREAT A
d' :8
Fa - thcr,
clare Him
\D GOOI
d' :s
Great an
Great an
).
PI :—
1 good,
1 good,
PI :s d :—
great and good.
great and good.
20 Kez F.
n :tt
d :d
1. Evening
2. Now all
3. Sleep till
the
tlie
m
EVENING IS FALLING.
: m
:d
d
fall - ing
flow - era
flow - era
S :s
d
:d
:d
:d
to
have
shall
:rn
:d
t, :s,
sleep in
gone to
o - - pen
s :r
:d
:d
the
re ■
once
rtn
pose,
more,
s :— :—
8 :r
t, :t,
Lull - ing
AU the
Sleep till
r :s
S| :S|
:t,
the
Sweet
Key C.
d .d :n .n
1. In the win - ter
2. When the robin
3.N0W our school-life
s .8 :m .d
school seems longer,
school with pleasure
haat-en hith - er,
d :S|
d :p1|
gold - en
per - fume
lark in
m :d
d
sle^p,
:ni,
bright
cups
the
:d
meadows
grace - ful
morn - ing
"PP
:t,
:S|
to
ly
shall
:r
:Si
THE HAPPY SCHOLAR.
8 .8 :m .d
when it furies,
chants his dit-ty,
is a pleasure.
m .m :s .s
All the while the
For it seems so
And the way seems
n .PI :s .8
In the win - ter
And the spring, sweet
And we cheer it
m .8 :d'
cold wind blows ;
ver - y near ;
nev-er long;
d :— :—
S|
rest,
close,
soar.
in
r :—
:n
d
t, :-
Sweet
8 :—
-ly
:s
d
sleep
8, :—
:s,
d
:: : )
n .8 :d'
when it snows ;
spring is here ;
with a song:
d' .d' :8 .m
All the while the
For it seems so
And the way seems
d' .d' :8 .PI
Then the way to
Then we haste to
With 8 weet smiles we
s .8 :d
cold wind blows,
ver - y near,
nev- er long.
BE CONTENT.
TvetG.
s, .s,
:8|
■S|
d .d
:d
tn, .m.
:nii
.n,
s, .s,
:s,
1. Be con
• tent with
what you
have.
2. Do not
think
your
fate is
liai<l
3. Try to
do
some
act of
love.
d .d
:d
.d
PI .n
: n
d .d
:d
.d
d .d
:d
:d
.t,
t, .t, :d
Life at best is
Cheerless like De
Try some heart to
d
shad
cem
slad
21
E. P. A.
den;
:pi
:d
ri| .Hi :n| .ni|
S, .S|
:S|
Seek the sun - shine
while it
lasts
Some one's lot is
hard - er
yet,
While that heart you're
cheering
up,
d .d :d .d
PI .PI
:tn
t, .t, :d .t,
t,
:d
Ere its light is
fad -
ed.
Al - ways that re -
mem -
- ber.
Your's will nev - er
sad
- lion.
Chorus, Repeat.
r .r :r
t, .t| :t,
Be con - tent.
PI .ni : PI ,Pi
d .d :d .d
bo con - tent, The
s .s :s .s
d .d :d .d
t| .t, :t, .t,
skies will brighten
s .3 :r .r
d
o'er
you;
d
pii .pii :p1| .pIi
Be con - tent with
d .d :d .d
d .d :d .d
s, .S| :s, .S|
what you have, There's
PI .PI : m .m
t| t,
brighter
m .r
d .t,
days be
t|
fore
:d
:d
yon.
22
Key G.
THE MELLOW HORN.
L. O. Emerson, by per.
: nil
l.How
2. A -
3. Witl
:d
:d
^ Borne
But
)And
:d
:d
m :r
Id :s,
PI :r
Id :d
r
:r Id :r
pi :—
1 —
s, :S|
1 ^\ ■ mi
S| :s,
•In, :pi,
S|
:S| |S| :S|
s, :—
1
sweet to
hear, when
i-inging
clear, At
eve
or ear - ly
mom;
lone (loth , float the
cuckoo p
note, Oer
fields of -wav - ing
com;
flowers
sweet, the
gay re
- treat. Kind
na
ture doth a -
dom;
d :t,
Id :d
d :t,
id :d
t,
:t, Id :t,
d :-
1-
d :s,
Id :d
•d :s,
Id :d
S|
:s, |pi| :S|
d :-
1-
rn :r
|d :s,
m :r
Id :m
s :—
1- :ni
s
. 1
:pi
s, :s,
\m, rn.
s, :S|
in, :S|
d :-
1— :S|
d
. 1
:d
on the breeze thro' |
rustling
trees, TIic
mel
- - low,
mel
.
low
sweeter
still, o'er
vale and hill Re -
sounds
the
mel
.
low
oft we
come, when
la - bo.-s .
one. To
hear
the
mel
.
low
d :t,
Id :d
d :t,
id :d
PI :—
I- :d
m
:— |—
:d
d :s,
|d :d
d :s,
Id :d
d
:—
1- :d
d
:— |—
:d
t,
horn,
r
:d
Pi :
:d
d :-
the
mel
:pi
s :-
:d
d :-
:d
PI
:- 1
:S|
d
:- i-
low.
mel
- -
:n
S
:- 1-
:d
s,
:- 1-
:t|
low
horn.
PI
I-
Mrs. Mary MAa?ES Dodge, by per.
Key G.
BYE, BABY, BYE.
Hubert P. Main, by per.
Si
:1, .s,
d .r
:pi .S
1 .s
:s .PI
PI ,r .d
:1, .S,
l.Bve,
2. Bye,
3. Bye,
ba - by,
ba -by,
ba -by,
day is
birds are
mother
o - ver,
sleep-ing ;
loves thee ;
Bees are
One by
Lo\'ing
droning
one the
ten - der
in the
stars are
care en -
clo - ver, /
peep- ing; C
folds thee; )
d .,r
:pi .pi
r
:-
S| .s,
:1, .s,
d .r
:pi .8
Bye,
Bye,
Bye,
ba - by,
ba - by,
ba - by.
bye!
bye!
bye!
Now the
In the
An - gels
sun to
far - off
in thy
bed is
sky they
dreams ca
glid - ing, /
twin -kle, f
- ress thee; )
1 .S
:s .PI
PI ,r .d
:1, .s,
d
:d .PI ,r.
d
•~ • It
All the
\Vhilethe
Thro' the
pret-ty
cows come
darkness
flow'rsare hid - ing,
tin - kle, tin - kle,
guard and bless thee.
Bye,
Bye,
Bye,
ba - by,
ba - by,
ba - by.
bye.
bye.
bye.
1
Copyright. 1876, by Biglow & Main.
Key G.
DON'T STOP THERE.
23
.s,
l.As
'2.Som(
1 3. Our
,n
.d
m .m :r .r
d .d :t, .t|
ou the path of
i - die hub - it,
fel - low trav - 'lors
PI .m
d .d
.r
.t,
if not care - ful,
make U8 stum - ble
when they reach some
s .s :s .s
d .d :s, .S|
m .r
:d
.r
d .t,
:d
•t,
life we
tread
We
word, or
tho't,
Some
ou the
road,
We'll
S .S
:s
.S
d .S,
: m|
•S|
m .r :d .r
d .t| :d .t,
we may fall, And
in the path. And
dang'roua spot, We'll
s .s :s .s
d .s, :Ri .Si
n .m :f .m
d .d :r .d
come to many a
sin, how - ev - er
watch with anxious
S .S :s .S
d .d :t, .d
PI .3 :n .r
d .d :d .t,
sink in - to dis -
stumblinj?, we may
warn them, "don't stop
s .m :s .f
d .d :s, .s,
E.
P. Andrews.
r
:-
•d
t,
place,
small,
care ;
.S|
Where
May
And
S
:-
• PI
Si
:-
.d
d
._
d
:-
,
grace
fall.
there.
m
:-
.
d
:-
.
r .r : r
t, .t, :t,
Don't stop there,
d .d :d
Don't stop there,
S .s :s
d .d :d
d
Don't
:8,
stop
n
:r
:s,
there.
n
11
M. C. S.
Ket F,
1. Why,
2. Zz,
lit - tie
hear him
fly,
buzz,
WHY, LITTLE FLY.
:n .PI
tell me
did you
why you sit
know that is
there
the
n .f
like a
way he
T. F.sS.
drone,
sings t
II
S
Why,
Zz,
:pi .n
lit - tie
this he
fly,
does
are you
with his
f .f :r .r Id .pi
left by all your I friends a
:d
- lone?
tie I rainbow wings;
r .r :r .r
Don't you know the
Spiders have their
S :P1 .PI
hie, lit - tie
Ut - Ue
hie,
r .n
:f .r
PI .PI
:pi .pi
winter's
cold will
soon the
bus • y
ta - ble
spread, and
snug-ly
make their
S
:n .PI
f .f
:r .r
fly
to some
warmer
nook or
fly.
do not
en - ter
there or
.PI
n .f
earth en - fold, Then ^
nice warm bed, But )
d .PI :d
you will die.
you will die.
24
t Kev. W. 0.
Gushing. FAIR IS THE MORNING LAND
Key Bb.
HuBEUT P. Main, hy pe
,
s, rm,
•fi
s, .d :d
PI
:d
.1|
Si
: —
S|
: m, .f,
/
n, :d,
•ri
Hi .n, :m|
S|
:s,
.fi
Dl
: —
ni,
:d, .r,
\
1. Fair is
the
morning land,
Bright
is
the
shore;
Where
all the
/
2. There in
the
morning land.
Sweet -
ly
they
sing;
Je - -
sus its
)
3. There in
the
morning land.
AU,
aU
is
fair:
This
is the
f
d :s,
•S|
d .s, :s,
d
:d
.d
d
: —
d
:S| .S,
d, :d,
.d,
d, .d, :d,
d,
:ni,
•f,
d,
: —
d,
:d, .d,
F. t. Choeus.
/
s, .d :d
r :m .,r
d
: —
rs
:n .f
s .,1
:s
(
Hi .ni| : ni|
f. :s, .,fi
m.
: —
s.d
:d .d
d .,d
:d
\
saints of God
Dwell ev - er -
more.
1
glo - ry is,
Je - - BUS our
King.
Come
to the
shining
land;
)
joy they feel,
Je - - sus is
there.
d .s, :S|
t, :t, .,t,
d
: —
t,n
:s .1
n .,f
:pi
\
d| .d| :d|
S| :S| .,S|
d,
: —
s.d
:d .d
d .,d
:d
r
:m .,f
t,
Come,
S
:d .,r
come a -
:s .,S
S|
:s, .,S|
d
way;
d
Come
m
:d .d
with the
:s .1
:d .d
s .,1 :s
d .,d :d
an - gel band,
PI .,f :pi
d .,d :d
m .,n :f .r \
d .,d :r .t, /
Beaiiti - fill as ^
fill as
.f
jds, :-
S|
:pi.
•fi
ds,
PI,
:d,
•ri
they
Come,
lit
tie
mt, :-
d
:s.
•S|
ds, :-
d.
:d.
•d,
s, .d ;d
PI, .PI, :pi,
children, come,
d .S| :S|
d, .d, :d.
PI .,r :d .1,
s, .,s, :1| .f,
Hear the angels
d .,d :d .d
d, .,ni| :f| -fi
PI,
say;
d
f,
Come
d
f.
d .1,
1, .f,
to the
d .d
f, .f,
s, .d
PI, .PI,
shining
d .s,
land,
:d
d, .d, :d.
r :1| .t,
f, :f, .f,
Come, come a - -
t| :r .r
S| :s, .s.
PI,
way.
d
d|
Copyright, i88o, by Biglow & Main.
S. C. B.
Kkv G.
PI : — :m in : — :m
dT^:d Id :-:d
out, boys, look
one who tells a
children, if you'd
d :— :d Id :- :d
• l.LooU
I2.TI1C
3. Now.
:d
1| :—
many a wrong you
make it seem quite
nev - ei" bn tor-
d :- :d Id :- :d
n : — : rn I m : — :pi
d :— :d |d :— :d
if you'd climb the
thus they keep in -
have a name far
d :— :d |d :— :d
NEVER TELL A LIE
-:— IS :— :S|
n :—
out,
false
pros
d :-;
— |Pi :— :s,
gills. There's
hood To
per, And
-Id :— :p1|
1, :-:l, 11, :-:l,
f, :-:f, If, :— :f,
many a foo to
comrade, friend or
keep your conscionco
fi :— :f, If, :— :f,
T. F. Sewakd. 25
d :d :-!-:_ :1,
1,1, :-|-:-:^
shun, There's'
brother, To
clear. And
f, :f, :-|-:-:f,
a :— :r |m :— :n
rn,:— :f, |s, :— :d
must a - void, And
truth - ful. Will
ment - - ed With
d :— :d Id :— :d
PI : — : PI I PI : — : s,
hOl of fame. So
creas - ing. In
bet - - ter Than
m.
;d Id
f :— :f |n ;:— :pi
r ;- :r |d :- :d
vie - 'try to bo
of - ten tell an -
self - ac - ens - ing
t, :-:t. Id :- :d
1, :-:l, II, :- :1,
f, :- :f. If, :- :f,
glo - rious and so
col - or, shape, or
sil - vcr or than
f, :-:f. If, :- :f,
r :r
t, :t.
won ;
other :
fear.
d :
li :
high,
.size,
gold,
I-
1, :-
:s.
|s, :— :s.
f, :-
:pi.
|n, :— :p1|
on
its
sum - mit
soon
an
ug - -ly
close
to
truth's pure
d :-
:d
Id :- :d
d :— :r | pi :— :f
write your name, Why
crew they are. This
gar - - - ments, And
d :— :d |d :— :f,
nev -
com ■
don't
pa
re ■
s, :— :s.
Girls.
r.i
;d
lA
r : —
r :—
white
Boys.
' t,
t,
|r
:-:d
|r
:-:d
lie.
a
1
: :—
AIL
:s
:t,
No
:Si
t| :t, :-
matter.
jr :-
If. :-
tell
ny
lease
Is, :-
|r :
It, :■
'tis
Is, :-
:r
[:f.
a
of
your
:s,
■:f
■ :r
the
d :-
PI, :-
lie.
lies,
hold
d,
: — :s.
And
And
And
:— :d
:— :1,
:— :f.
And
Till
Cling
:-:f,
- I-:
-I- :
PI : —
d :—
r :— :r |r :- :d
t, :— :t, !t| :— rl,
a lie my
:s. Is, :— :s,
lie's
t, :— :d |r :— :f
s, :- :1, |t| :— :r
boys and girls, What-
s, :— :S| |S| : — :;
PI :—
:pi
|r
:—
:r
d :-
:—
1- :
d :-
:d
it.
:—
:t.
d :-
:—
|— :
ev
er
be
its
name.
s, :—
:s,
Is,
:—
:s.
d, :-
:—
1- :
26 T. B. AiDEiOH.
Key F.
IN THE OLD CHURCH TOWER.
.d.r
:d .d
il.Inthe
^S.Iuthe
\3. lu the
/4. In the
:m.f
\:d .d
Im rtn .r
Id :t, .t|
n :m
d :d
old church tower hau^s the
okl church tower hangs the
ohl church tower hangs the
okl church tower hangs the
d :d Is,
:s .f
:s, .s,
d :- 1- :d.d
d :S| .S| |d :d .d
bell; hangs thebell. And a-
bell ; You can
bell ; Deep and
bell ; A quaint
n :— |— im.m
d :— I— :d.d
E. P. Andeews.
r :r jd :r
t, ;t, Id :t|
bove it on the
hear its gieat heart
sol - emn, hark, a -
friend that seems to
s :s |s :s
s, :f, In, :s,
m
d :-
vane,
gain,
know
- I-
,:d .d
:d .d
I In the
/Ah, so
•< Ah, what
/a11 our
:tn .m
:d ,d
jd :r
Id :t,
and the
loud, and mild, and
pas - sion and what
joy, and all our
s :s |s :s
s, :f, |m, :s,
PI :—
d :-
rain,
sweet,
pain,
woe;
j— :m.Pi
I— :d .d
Cut in
As the
With her
It is
d :- I-
s :s |s :in
R :n in :d
gold St. Pe - ter
par - son says his
hands up - on her
glad when we are
tn :- I-
stands.
prayer,
breast,
1: PI .PI
:d .d
With the
/ O - ver
jSomepoor
/it is
:m
:d
hia
hap - py lev - era
soul has gone to
sad when we are
n : PI |m
two keys in
t, :-
hands,
there,
rest,
dead,
:d
PI
:—
1-
:r
d
:d
d
:—
1—
_rt,
d
And
all
is
well
And
all
is
well
And
all
is
well
And
all
is
well.
is
well
:pi
S
:—
I—
:f
PI
:d
d
:S|
Id
:S|
d,
BiGLOW
&M
AIN.
:- I-
:- i-
:- I-
:- I-
Key D.
EVENING HYMN.
Daniei
s :-.f jpi.f :s .1
s :-
- If
.
f :- .n |r .m :f .s
PI :—
m :- .r jd .r :n .f
Daylijjht from the sky has
Flow'rs amid the calm of
Babes their trustful eyelids
n :-
fad
ev
clos
- Ir
- ed,
-en,
- ing,
r :- .d It, .d :r .t,
Shadows fall on land and
Lift their heads refreshed with
Slum - ber on their mother's
d :-
sea;
dew;
breast ;
d' :-.d'|s .s :d'.d'
1 :-
- |1
:—
s :-.s |s .s :s .s
s :—
d :-.d Id .d :d .d
de :-
- lir
:—
S| :-.S| |S|.s,:S|.S|
d :-
:- I-
EVENING HYMN. Concluded.
27
s :-.f Im.f :s .1
8 :—
11
tn :-.r |d .r :m.f
Ere in sleep our eyes are
Weary hearts look up to
Lit-tle birds In peace re-
d' :-.d'|s .s :di.d'
PI :—
sliad -
heav -
pos - -
d' :-
|m
ed,
en,
• ing
Id'
d :-.d Id .d :d.d
d :-
11.
f :-.n ir .n :f .s
r :-.d|t| .d :r .t,
Take not tliou thy lij;ht a-
Thus wethirst lorthee,0
Whith - er shall thy children
s :-.s |s .3 :s .s
S| :-.s, |S| .s, :S| .s,
s :-.f im.f :s .1
n :-.r |d .r :ri .f
Fathei, let thy presence
Cleanse and pardon and re-
Thou wilt watch while in thy
d' :-.d' Is .s :d' .d'
d :-.d Id .d :d .d
In
r :— Id
way,
Lord !
flee,
S .— I-
s, :1| .t| I d
s :n'
|r'
'3
:t .1
m :s
If
:f
cheer
store
keep
d' :-
|1
us,
us,
:r'.d
t :- .d' It .1 :s .fe
r :- ,r |r .r :r .d
Lord, we raise our hearts to
There to find their strc-n^th a
Un-derparentwin<j;s Hiul
s :-.l Is .di:t .1
r :- .r |r .r :r .r
d :— If :f
CVe.s- ------
r :-.de jr .m :f .fe
1, :-.l| 11, .1, :r .d
Fair-er than the lij^lit of
Let thy grace on us bo
Heavenly Father, but to
1 :-.s If .1 :1 .1
f :-.ni lr.de:r .r
s :-.l |t .d' :r .n
n :-.f If .PI :r'.d
Darkness flies whefi thou art
Shed the dew of blessing
Calm and peaceful we nn-
d' :-.d' |s .s :1 .s
d :-.d Ir.n :f .rn
Key Bk.
m .d :m .d
1. Ripple, ripple
2. Carol carol,
Blossonijblossom,
t| .r :S|
little brook,
bonny bird,
lovely flowr's,
RIPPLE, LITTLE BROOK
m .d :pi .d
All your pleasant
On the bough so
Pink and purple.
t| .r :S|
way along,
blithe and free;
white and blue,
S| .S
Rocky dell and
Sweetest voice I
In your winsome
T. F. Sewaed.
1, .1, t, .t| :d
simny
ever heard,
liiddenbow'rs;
ll
r .r :r .d t.
How I love your
Sing your gladdest
I have loved and
nier - ry
notes to
watched for
song.
me.
you.
PI .d :m .d
Ril>ple, ripple,
Carol, carol,
Blossom, blossom,
t| .r :S|
little brook ;
bonny bird,
lovely flowers,
PI .d :pi .d
I will listen
Voice of song with'
In the sunshi
r\
t, .r :s,
I will look ;
out a -word ;
in the show'rs.
s, .s, :1, .1,
I will lis - ten,
Voice of song with
In the sunshine.
t, .t| :d .f
I will look, ()
out a word, O
in the show'rs, O
PI .n :r .r
ripple lit - tie
carol, bonny
blossom, love-ly
d
brook.
bird.
flow'rs.
28
MOUNTAINEER'S SONG.
Key C.
d
1. Oh,
2. Up
I 8. Oil
:d'
:d
in :n
we are
:di
:s
mer - ry
ris - ing ■with the
who would leave the
s :d' Id' :d'
d :d Id :m
rU':t_j Is :s
f :f In :s
mountain-eers, And
ear - ly morn, We
mountain's brow,The
1 :r|^'|di :d'
f :f Id :n
sj :t^di|r'
f :f.n|f
have no vex - ing
wind the mel - low
scenes so bright and
t.d':r'.di|t :r'
E. P. Andbews.
d' :-
n :—
cares ;
horn;
fair]
d' :—
d :—
:s
d' :s |m' :d'
r'.d':t .1 Is
:s
s.lct.d'lr' :t
d'
:n
n :n js :s
f :f In
:s
f :f .n If :f
n
We
dwell be-neath the
dark, blue sky,
'Mid
scenes that nev - er
die.
Then
with the shepherd -
maid-ens fair.
We
to the fields re -
pair.
No
life in towns how -
ev - er great.
Can
with our homes com -
pare.
:d'
s :di Id' :di
1 :r'.d'|d'
:d'
t.d'cri.d'lt :r'
d'
:d
d :d |d :n
f :f Id
:n
s :s |s :s
d
Chokus.
:d'.t
:d.r
lau|
: 1
;h and joke,
:n .r
we
n :f |s
laugh and jok
: 1
:di'.t
d' :r' In
n
:s Id'
: 1
:d'.t
:d .r
: 1
dance and sing,
:n .r
we
n :f
dance and
: 1
:d'.t
d' :r'
n : s Id'
:
:
r'.n'
f :n' |r' :d'
t :1
Is :s
sj :t_^'|r'
:t
d' .—
s
s :s If :n
s :f
|n :s
f :f_jTi|f
:f
n :—
And
make with mirth the
wel-Mn
ring. And
make the wel -
kin
ring.
t .d'
r' :d' It :d'
d' :d'
Id' :d'
t^':r^d'|t
:r'
d' :-
S
s :s Is :1
n :f
Copyright
Id :n
, l8Sz, BY BiGLO
s :s js
w &. Main.
:s
d .-
r )
Key
':s,
:mi
M. A
)2. He
'3. A
:d,
JOSEPH REE.
29
S| :ni :fi |S| :■
n, :d| .Ti |ni| :•
right merry chap
ceases not long
gay lit - tie spouse
Id, :-
d, :d.
rn
s, :s,
Jo - - seph Ece,
ca - rol his song
Joseph I ween,
d, :d, :d, |d,
d :~ :d .d
m, : — :pi, .pi.
He
Till the
For his
:d, .d.
T. F. Seward.
r :r :r |r :d rt,
f, :f, :f, If, :f, :f,
revels at morn in the
close of the bright sun - ny
sweet lit
S, : S.
the bright sun - ny (
tie wile and her \
s, |s, :s, :s, )
d :-
PI) :—
dew,
day,
brood
:- f-
:- I-
:in.
He
But
Are
I- :- :d,
s, :ni, :t, |s, :s, :d
n, :d| rr, |rn, rm, :ni
sings from the bough of some
■wlustles and flut - ters the
not 80 far off in the
d, :d, :d, |d.
:d.
m : — :r
s, :- :f,
swing - ing
flow'rs a -
May-grass so
d, :— :d,
Id :— :d .d
In, : — :R,.Fn|
tree, While hel
mong, While he/
green, But theyl
Id,
:d, .d,
r :r :r |r :r :r
s, :s, :s, jfe, :s, :1,
seems to be say - ing to
catches the in - cense of
hear what he boasts from the
ta 2X3 ita |r.
:ri
r :-
t, :-
vou:
May:
wood ;
:- h
g, :_ :_ |_ :_
Joe
Joe
Joe
d :—
n, :—
Reel
Kee!
Ree!
: n I d :— :s, .s,
:s, |n, :— :s, .s, 1
Joe Ree ! I've a f
Joe Reel Just /
Joe Ree! While V
: I : :s, .,s, /
s, :s, :s. Is,
:—
:r
t,
— :r It, :— :s, .s.
S, rs,
:s.
Is, :— :s, .8,
s, :s, :s. Is,
:- :fi
ri
- :f, |r, :- :s, .s.
s, :s.
:s.
Is, :— :s, .8 1 j
wife do you see,
list - en to me,
I'm in this tree,
Joe
Joe
Joe
Ree!
Ree!
Ree!
Joe Ree! I've a
Joe Ree ! Juat
Joe Ree! While
wife do
list - en
I'm in
you
to
this
see. Such a) /
me. My (
tree. There's j
s, :s, :s. Is,
• — '•
■ 1 •' •S|..-.Si
s, :s.
:s,
Is, :— :s, .s,/
1
d :— :— Im, :—
:^
s, :—
•
|-:-:s,.s,
f :f :f If :n
:r
d :- :- I- :
d :— :— |m, :—
:f.
s, :—
:—
1— :— :s,.S|
s, :s, :S| Is, :s,
:f.
m, :- :- |- :
dear lit - ■
dear lit - -
noth ing
tie
tie
to
wife,
wife
fear,
But that's
Tastes the
There's
nothing, that's nothing
sweetness, the sweetness
nothing to fear in
to
of
the
.you.
May.
wood.
,
d :- :- Im, :-
:fi
s, :—
:—
I— :— :S| .s,
3, :s, :s, |s, :s.
:s.
d. :-:-!-:
/
0- thJ' >'^
\ ^f^^VERsiTY
30
COME, MAY,
KbtEJz.
:n
s :n Id :d'
d' :-
- 11 :1
s :m |r :s
m :—
:d
PI :d Id :d
d :-
- If :f
m :d It, :t,
d :-
l.Come,
May, thou love - ly
lin -
- g'rer. And
deck the groves a -
gain,
2. True,
wiu - ter days have
ma -
- ny. And
many a dear de -
light ;
3. But
oh, when comes the
sea -
- son. For
mer - ry birds to
sing.
:s
d' :s |m :s
1 :-
- Id' :d'
d' :s Is :s
s :—
:d
d :d |d :m
f :-
- If :f
d :d |s, :s,
d :-
E. P. Andbews.
:n
:d
And
Wo
How '
1- :d
s :m
Id :d'
d' :-
11
:1
n :d
Id :d
d :-
If
:f
let thy
sil - v'ry
stream
- lets
Me
frol - ic
in the
snow -
drifts
And
sweet to
roam the
mead -
ows,
And
d' :s
|m :s
1 :-
Id'
:d'
d :d
Id :n
f :-
If
:f
f :s Im :f
m :—
|r ,
:s
r :t, Id :r
d :-
It,
:t,
long once more to
gath -
- er
The
round the fire we
clus
ter.
Nor
come, sweet May, and
bring
us
1
The
s :d' It :1
m :pi |r :d
an - der thro' the
then, on win - ter
drink the breeze of
d' :d' Is :fe
d :1, |r :r
r :t, Id :d
flow-' rets fresh and
heed the whist - tling
flow -'rets fresh and)
t, :-
plain,
night,
spring.
r :-
t| :-
fair;
storm ;
fair;
;; )
We /
A - V
Then
:d
Sweet
When
We
s :m
Id
:d'
d' :- 11
:1
s :d' In :r
d :-
n :d
Id
:d
d :- If
:f
m :d Id :t.
d :-
May, once
more
to
wan - - der,
And
breathe the balm - y
air.
aU with
out
is
drear - - y,
Our
hearts are bright and
warm.
long once
more
to
wan - - der,
And
breathe the balm - y
air.
d' :s
|m
:s
1 :- Id'
:d'
d' :s Is :s_^f
m :—
d :d
Id
:n
f :- If
Copyright,
:f
i382, BY Big
d :pi |s :s,
LOW & Main.
d :-
I-
I-
W. A. Bdtleb.
Key Eb.
SOIVIEBODY.
8 .S
:n .m
1 1. There's a
;2. Oar
h. It 18
4. Now
d .d
PI :m rn |n :n :rn
meddlesome " Somebod - y "
young folks at home, at all
"Somebody" breaks all the
if those hijjh crimes of "Some
d :d :d |d :d :d
go - ing a - bout,
seasons and times,
pitchers and plates,
bod - y" don't cease,
f, :f, :f, If, :- :f| .f,
:1 .1
:f .f
And
Are re
And
We
T. F. Sewabd, by per. 31
s :1 :8 Is :f :n
m :f :m |m :r :d
playing his pranks but -we
hearsing the long roll of
hides the boys' knives andruns
must summon iu the do -
s, :s, :s, |s, :s, :S|
Id :-
Id :-
can't lind him out;
" Somebody's" crimes;
off with their slates;
tec - tive po - lice ;
Si :si :si id :—
:m
He's
Or,
And
And
:d
up stairs
fast as
turns on
:s |s :s :s
:n |m :u\ :s
and down stairs from
heir feet or their
the wa - ter, and
they, in their wis - dom, at
d :d :d |d :d :d
il.l
f.f
morning till night, And I
tongues can well run, Come toj
tumbles the beds, And
once -nnll make known The
f, :f, :f, If, :- :f,.f,
s :1 :s |s :f : m
R : f : m | m : r : d
al - ways in mis - chief, but
tell the last deed the sly
steals all the pins and melts
cul - prit be - longs to no
s, :s, :S| |s, :S| :s.
s :1 :t Id' :— :d
song or in tale, Are
knife, "one will say; And
thump of a head. An -
all, to be true, The
r :Fn :r |d :—
t, :t, :t, Id :— 1
nev - er in sight. 12
mischief has done; 3
all the dolls' heads. 4,
house but our own.
s, :s, :s, !d :—
All the voices in unison.
The
'"Tis
One
Then
d :r :m |f rs :1
rogues I have read of, in
' Somebody's ' gone with my
night the dull sound like the
should it turn out, af - ter
PI If :s :1
caught at the end and con]
"Somebody's' carried my
nounced that one youngster was
young folks of our house are
s :1 :t Id' :—
ducted to jail.
pen-cU a - way." ^■
out of his bed. ~-
"Somebody" too. •^*
4.
Chorus.
:s
:pi
But
And
And
How
Oh!
;d
i' :d' :d'
PI :pi :m
'Somebody's'
'Soniobody's
said, half a-
queer it would
' Somebod V,'
d :d :d
,!t :t :t
r :r :r
, tracks are all
gone & thrown
sleep when ask'd
work if we
Somebod - y,'
X :r :r
d' :di :d' |1-:— :1
d :d :d Id :— :f
covered so well. He
down all the blocks;" And
what it meant, " 'Some-
saw them all go Marched
who will lind out t I'm
PI :pi :pi If :— :f
s :1 :s |s :f
PI :f :n |P1 :r
never has seen the
"'Somebody' ate all
bod-y' is push-ing
off to
:d
the
me
the sta - tion - house,
sure we can catch hitn. he's
3 :s :3 |S| :s, :s.
D. S. for Chorus.
r :n :r |d :—
t, :t, :t, |d :—
side of a cell,
cakes in the box!"
out of the tent."
six in a row!
always a - bout.
s, :s, :S| |d —
32
Key E|2.
n :pi
d :d
Id :d .d
l.Sweetly chimes thro' the
2. Sweetly sound - ing a -
s :s |n :n.rn
d :d Id :d .d
SWEETLY CHIMES THE BELL.
f :f In :m .m
r :r |d :d .d
Bells so clear, and the
Hear the tones of the
s :s |s :s .s
s, :si Is, :si .s,
1 :s
|n
d :d
Id
evening
air.
long the
deU
f :n
Is
d :d
Id
•I. J.
r
•Tklley, by per.
: s Is :—
sky so
evening
It,
fair.
beU.
Is
::)
m :n |S :s .s
d :d Id :d.d
Calls the wea - ry from
Rest from la - bor its
s :s |n :m .m
d :d Id :d .d
n
i :s in
d :d Id :d
toU and care, The
numbers tell. Its
f :s |s :s
d :d Id :d
r :t
t| :r
wea - ry
chiming
s :s
It :1
|r :d
from their
uum - bers
Is :fe
ti
care;
tell;
t :t It :1 .t
r :r |r :f .f
Cheerful smiles wait the
Loud - er now o'er the
s :s Is :s .s
It,
home.
a' : m
n :d
trav'ler
hill and bay,
s :s {s
d :d is.
t :t It :1 .t
r :r |r :f .f
Glad hejM-ts bound as his
Come the tones of its
s :s |s :s .s
S| t S| I S| ' S| .S|
tt' : n I s
n :d It,
footsteps come :
morning lay,
s :s |s
:|
Is,
R :n |s
:s .s
1 :s
|n :—
r :f.f|n
:r
d
d :d Id
:d.d
d :d
Id :ta,
1, :r.r |d
:t,
d
Rest is sweet
to the
wea - ry
soul,
Rest to the wea
- ry
soul.
Bounding joy
ous, it
seems to
say.
" Hail to the new
-born
day.
s :s |n
:n.n
f :n
Is :-
f :1.1 Is
:s .f
n
d :d Id
:d.d
d :d
Id :-
f :f.f|s
:S|
d
KetG.
d :d :d
I. Beautiful
This blissful
3. His tender
:4.Helple.ss&
n :n :n
Come ye to
Our God can
Our barns are
In- to his
BLESSED RAIN.
:d
drops of
thought ye
love doth
weak, we
s :— :n
bless our
ne'er for -
tilled with
shelt'ring
S| :— :s,
d :-:-
d :d :d
n :— :n
s :— :s
n :—
bless - ed
bring to
nev"- er
children.
rain,
me,
wane. «
call,
Tapping a -
From distant
He sends the
On our dear
gainst my
mounts, and
ear - ly,
Fa - ther,
win - dow
far, blue
and late
bless - ing
pane;
sea,
rain;
all;
d :— :n
s :-:-
d :d :d
n :-:d
S| :— :S|
d :-
earth a -
get - fill
gold - en
arms we
if''
grain,
fall.
Beautiful
This blissful
His tender
Helpless &
drops of
thought ve
love doth
weak, we
bless - ed
bring to
nev - er
chil - dren
rain?
me.
wane,
call.
KeyG.
From the "Chautumiuan.'
1:s, d :— :d |d :r :n
rm, n,:— :pi||ni:f| rs,
l.Tbe Sim gets up iu the
2.Tlie sun gets up iu the
[:d d :- :d |d :d :d
\:d d :- :d |d :d :d
AWAKEI
r :-:-|d
fi :-:-|n
morn - - in
morn - - iii^
t, :— :— Id :— : PI
s, :-:-|d :-:d
■ :d
:d
Aud
Aud
r :— :r |r
t| :— :t, It
lifta
80 must cbil - drcu
s :— :s |s :— :s
S| :— : s, I s, ;— : S|
his state
E. P. Andkews.
PJ :- :- I- :- :
d :- :- I- :- :
head ;
too ;
33
s :s :s IS : — : n
d :d :d |d :— :d
Open your eyes, my
How d:iro you keep so
PI : PI : PI I R : — : s
d :d :d |d :— :d
s :— :s |r :— :f
t, :— :t| |t, :— :r
nioou is ver - • y
all the buds aud
r :— :r |s :— :s
f :— :pi |r :— :d
r :— :d It, :— :1,
sleep - y sides, The
fast a - sleep, The
s :— :s Is :— :pi
Is, :— :d
;r |!
:fe
:s, Is, :— :S|
PI :n :— |-
d :d :- |-
timid,
blossoms
s :s : — |-
d :d
:d
She
Your
— : — :s
— :— :d
S| :— :t, |t, :— :1,
sun is out of
sun is call - - iug
r :— :s Ir :— :r
r :— :r [r :— :r
f :-:f is :— :pi
r :— :r |pi :— :d
daro not meet the
mer - ry voio - - es
s :— :s |s :— :m
t| :—
bed;
you !
r : —
s, :—
t, :— :—
sun,
:t|
The
'Mid
:r
- :t
With
With
- :s
:si
m
— :d If
— :r
s :- :d 11
:- :1
s :pi :d |pi :—
:r
d :-
d
- :d it,
:- :t.
d :- :d Id
:- :d
d :d :s, |s, :—
:fi
PI, :—
oh,
heigh-ho,
the
stars must go.
And
hide themselves one
by
one.
ah.
hurrah !
how
glad wo are,
We
have a bright sun
to
])raise.
S
— : PI |s
— :s
s :- :s If
:— :f
PI :s :pi |d :—
:t,
d :—
d
- :d |r
— :r
PI :— :pi |f
Copyright
:- :f,
18S2, BY B
S| :s, :s, Is, :—
GLOW &, Main.
:s,
d, :-
Key G.
ROUND AND ROUND.
c
R .d :r .t|
d :- .d
PI .d :r .t.
d
:- .d
r .r :r .r
PI .s :s .PI
rolling wheel That .
\
l.UoiiudS: round it
goes ! As
fast as wa - ter
flows;
The
dripping.dropping
i
2.Turning all the
day, It
never stops to
phiy,
The
dropping, dropping
rolling wheel; But
flashing wheel That
(
S.SparklingintUe
sun. The
merry wa • ters run.
Up.
on the foaming.
; r .r :r .r
J nirns the noisy,
PI .s :s
8 .8 :r .r
PI
.
PI .d :r .t.
d :-
dusly luill ;
Ki>uiid&.ioniidit
goes,
Koundi round it
;;oc8.
. keeps on grinding
golden meal.
Turning all tlie
day.
Turning all tlie
day.
(
laughs aluud, but
worketh still ;
Sparkling iu the
sun,
Sparkling ip the
sun.
3^
: Maet a. Lathbtjet.
Key F.
s :— :— In :— :
s :—
BOAT SONG.
:— |r :— : |s :1 :s |f : m :r
T. F, Seward.
d :-:pi Is :- :-
1
d :- :- Id :- :
t, :-
:- It, :- :
n :f :n |r :d :t.
d :— :d |d :— :—
1. Float - mg,
■2. Float - ing,
3. Float - ing,
B.C. Float -i7>g,
float
float
float
flout
- - ing,
■ - mg,
■ - ing,
Gai - ly sing - ing
Thi-o' the shad - ows
See the moon a -
Gai ■ ly sing - ing
as we row,
soft and deep,
bove the lake,
as we roiv,
1
m :— :— |s :— :
s :—
:— |s :— :
s :— :s Is :- :f
PI :— :s |P1 :— :—
d :- :- Id :- :
s, :—
:- Is, :- :
s, :— :s, |s, :— :s.
d :-:d |d :- :-
s :— :— 1 PI :— :
s :—
:- |r :- :
s :1 :s |f :pi :r
Fns
d :- :- 1- :- :
d :-:- Id :-:
t, :-
:- It, :- :
n :f :pi |r :d rt.
d :- :- 1- :_ :
1
<
1
Rock - - ing.
Rock - - ing.
Rock - - iug.
Hock - - ing,
rock
rock
rock
rock
- - ing.
- - ing,
- - ing,
In the Sim - set
With the waves to
In her sil - Tcr
In the sun - set.
glow,
sleep,
wake.
gloiv.
PI :— :— |s :— :
s :—
:— -s : — :
s :-:s Is :- :f
m :- :- |- :- :
\
d :-:- Id :-:
s, :~
;- Is, :- :
s, :— :s. Is, :— rs.
d :- :- 1- :- :
d :-:- |1 :-:
s ' -
:-|Pi :- :
s :— :r |r : m :f
PI :- :r |d :- :
(
1, :-:- Id :-:
d :-
:- Id :- :
t, :-:t, It, :d :r
d :-:t. Id :- :
j
Soft - ly
Dav is
Drift - ing,
steal
end
drift
- - ing,
- - mg.
- - ing
O'er the wa - ters
Star - ry eyes a -
From the shad - ow -
far a -way;
bove us beam;
haunt -ed land;
1
f :- :- If :- :
PI :—
:- Is :- :
s :— :s Is :— :s
s :— :f |n :— ;
^
f, :-:- If, :-:
d :—
:- Id :- :
s, :— :s. Is, :— :s.
d :-:d Id :- :
C. t.
,
d :-:-|l :-:
s :—
:-|m :- :
rs :— :s |s :1 :t
d' :— :di |ri : pi' :r'
1
1, :-:- Id :-:
d :—
:- Id :- :
tiPi :— :pi |f :— :f
PI :— : PI 1 f :— : f
Bells are
All hearts
Drift - - iug,
peal -
blend
drift
• ing
- -ing
- - ing
For the dy - - ing
In a hap - py
In - to fair - - y
day, the dy - - ing
dream, a hap - py
laud, to fair - y
/
f :— :— |f :— :
PI :—
:- Is :- :
sdi:-:d' |ri :- :r'
d' :-:d' It :- :t
f, :-:-|f, :-:
d :-
f. F. -
:- Id :- :
rs :— :s |s :— :s
d :— :d \s :— :s
- - — .mtard. D
d' :— :d' |r' :pi' :r'
PI :— :m |f^^ :f
day, the dy - -ing
dream, a hap - py
laud, to fair - - y
d':— :di |t :— :t
d :— :d |s :— :s
d's:-
:— 1— :— :—
— :— :-
- I— :— :—
— :—
nit, :—
. 1 d : :—
r :— :-
_ M : :
t, :-
day,
dream,
laud,
is :—
the
a
to
:_ 1 p, :_ :_
dy -
hap
fair
f :— :-
ing
py
y
day.
dream.
land.
r :—
:-|s, :-:-
S| :— :-
- Is, :- :-
s, :—
BY BiGLOw & Main.
SCORED SELECTIOlsrS.
35
Key G.
JESUS IS MINE.
E. P. Andbews.
n :d .r |n .f :in
S| rm, .f| lS| .1, :S|
1. Fade, fade eacli earthly joy;
'2. Tempt uot my soul a - way;
3. Farewell mortal - i - ty ;
d :d .d Id .d :d
d :d .d Id .d :d
r
:d
.r |m
f,
:ni,
.S| Is,
Je
BUS
is mine.
Jo
8U8
is mine.
Je
sua
ia mine.
t,
:d
•t, Id
S|
:1,
.s, jd
n :d .r In .f :pi
s, :in| .f, |s, .1, :S|
Break every tender tie;
Here would I ev - er stay;
Wei - come, e - ter - ni - ty;
d :d .d jd .d :d
d :d .d Id .d :d
r :n
.r
Id
:—
r
:r .m
If .rn :r
tn
:tn .f \
li :s,
.fi
Im,
: —
S|
:s, .s.
•|s, .s, :s.
S|
:s, .s, 1
.lo - - sus
is
mine.
Dark
is the
wil - dcrucss.
Earth
has no [
Jo - - sus
is
mine.
Per -
isli - inji
things of clay.
Born
but for )
Je - - sua
is
mine.
Wei -
come, O
loved and blest,
Wei -
come, sweet (
d :d
•t,
Id
:—
t,
:t, .d
|r .d :t,
d
:d .r \
f, :s,
•S|
Id,
:—
S|
:s, .s.
Is, .s, :s,
d
:d .d /
s .f :m
s
:s
.s
If .tn
:r
d :rn
.r
Id
^_
s, .s, :s
s,
:s.
.S|
11. .s,
:fi
n, :s.
.fi
itn.
:
reat-ing place,
Je -
sua
a -
lone can
bless,
Je - - sus
is
mine.
one brief day,
Pass
from
my
heart a
way.
Jo - - sus
is
mine.
scenes of rest,
Wei -
come,
my
Saviour's
breast,
Je - - sus
is
mine.
m .r :d
d
:d
.d
Id .d
:t.
d :d
•t.
Id
:—
d .d :d
Pll
:p1|
.R,
If, .d.
:s.
1, :s,
.s.
Id,
:—
Key a.
JESUS, MEEK AND GENTLE.
F. L. KOBERTSHAW.
tn :r |d :t
s, :f, Im, :s,
1. Jc-sus, meek and
J. Lead us on our
d :t. Id :d
d :s, II, : m.
1, :-
- |r
fi :-
- Ife,
gen -
- -tie,
jour
- ney
d :-
- |r
s, :in. If, :f,
Son of God most
Be . Thy - self the
t, :d |r ;t,
:3i
s, :- I-
in, :- 1-
High,
way,
d :- I-
d :- I-
JESUS, MEEK AND GENTLE. Concluded.
PI :r |d
s, :t, 11,
Pitying, lev
Thro' ter - res
d :f |m
d :s, II,
ing
trial
li :-
f :—
Sav
dark
d :—
|r
Ife,
lour,
ness
Ir
d :t| Hi :t,
s, :f, If, :f,
Hear Thy cbil - dren
To ce - les - tial
PI :r |r :r
S| ;s, Is, :si
cry.
day.
d
I-
I-
Give us ho - ly
Je - sus, meek and
r :pi |f :pi
Si :Si I Si :d
f :—
S| :—
free
gen
r :—
t, :—
dom,
tie,
d :r
S| :t.
Fill our
Son of
d :s
Fli 'Si
|P1 :f
Id :d
hearts with
God most
Is :f
Id :1,
s :—
1-
:f
t, :-
|d
:r
High;
r :—
Is
: —
s :—
11.
:t.
n :r
Id
:t,
Ij '~
- ir :-
d :t, |1, :t,
d
d :t,
Draw us,
Pity-ing,
s :f
Id
ho -
lov -
|P1
:S|
ly
ing
:r
fi :-
Je
Sav -
d :-
- Ife, :-
sus,
iour
- Ir :-
s :f, If, :f,
To the realms a -
Hear Thy chil - dren's
PI :r jr :r
PI,
hove.
cry.
d
d :s,
Hi
:m,
f. :-
- |r, :-
s, :s, Is, :s,
d, :
I-
j. m. scuddeb.
Key a.
SING, MY SOUL.
:d.,r
:Pi,.,f,
1 There's a
In that
I If to
:d .,d
:d .,d
PI :n .,f |n ;d .r
s, :s, .,l,|s, :M"i
land that is fair and
land is a gold - en
Je - sus we're faith-ful
d :d .,d!d :d
d :d .,d|d :d
n
:- .f |Pi
:ni .,r
' :s, .,f|
Half its
s.
:- .1, Is,
gold
- - en,
cit
- - y.
With its
ev
- - er,
We shall
d
:- id
:d .,t,
d
.— Id
:d .,s,
d :d .,d|r :r .,d
n, :p1| .,pi,|f, :fe, .,fe
beauties will nev-er be
walls built of costli -est
see all these glories un
d :1, .,1, |1, :1 .,r
1, :1, .,1, |r, :r, .,r.
E. P. And^ws.
t, :- 1-
s, :- 1-
told;
stone ;
- told,
r :— |—
s, :- 1-
SING, MY SOUL. Concluded.
37
:d .,r
:ri,,f,
I In its
iVuiijIit on
lAndsliall
:d .,d
:d .,d
tn :m.,f|ni :d .r
R
-.f In
S| :S|.,1||S| .:ni|.f|
grandeur aud glo - ry
foUl
- - eu,
earth compare with its
gaze ou their God-liUo
d :d.,dld :d
d :d..d|d :d
n.,f
:S| .,S|
I so
beau - - ty, With that
Rjileu - dor, Which oiii
d :- Id :d .,t
d :- |d :d|.,r
s :d .,r Im :(n .,r d :—
S| :ni|.,f||S| :s, .,f, m, :—
long this fair land to be- hold,
fair, goldeji heavenly throne.
"earth-sight" can iiev - er be- hold.
d :d.,did :t, .,t, d :-
nil :1, .,1| |s, :S| .,s, d, :—
I-
i:Si .,86,
'III that
d :—
1, :-
d :d .,r
1, :1, .,1,
and so fair aud
:ni.,rn|ni :
:1,.,1,|1,
In that laud,
PI :n
:pi .,v
se, :se| ] — :se|.,&ei
golden, 'Tis the
:pi .,m \p\ .,pi :
:pii.,Pi|iPi|.,Pi|:
fair and gohlen,
d :- |-.,d:d.,de
1, :- 1-.,1, :l,..s,
sto - ry sweet and
:pi .,m!pi.,pi :
'Tis the story,
r :r |—
fi :fi I-
old - en,
:f .,f |r .,r
:r,.,r,|r,..r,
sweet and olden,
:r.,d
:f,.,f ,
'Tis the
:r.,r
:ri.,r.
t| .,t|:d.,r In :n .,r
S| .,s,:S|.,S||S| :S| .,f|
theme of angel bands, In thost
r .,r :d.,ti|d :d.,t|
S| .,f|:n|.,rild| :d.,Si
d.
n,
,d :r .,nif :n.,f
,n|:S|.,S||l| :S|.,S|
y— t'olden lands. Sing my
,d:t|.,did :d.,t|
,1. :s,,d|f. :d,.,r,
s :d
S| :n|
In
Is,
glo
d
1,
soul,
d :-
n, :1,
sino
Id
Is,
d :
n, :
rnen.
d :
Key A\i. Lab is F.
d
1,
CLAY TO CLAY.
n :r
li :se|
l.Clay to
■J.Nev-er
3. In the
d :n
1, :t,
n
1,
clay and
more shall
grave we
n :d
d :L
r :d
1, :1|
dust to
midnight's
lay thee
f :n
f, :1,
se, :—
dust,
damp,
low,
n :—
n, :—
n
d
li :1,
Let them
Dark-en
Sleep the
n :d
1, :li
f :r
1, :1,
min-gle,
round this
sleep we
d :d
fi :f,
E. P. Andeews.
d :r
1, :1,
for they
nior - tal
all must
d :1,
f, :f.
n :—
se, :—
must.
lamp ;
know ;
t, :-
n, :—
n
1,
(jive
Xev ■
And
d
1,
d :n
1, :1,
earth tlie
more shall
wak - ing
n :d
d :1,
r :d
t, -.1,
earth-ly
noon-day
from thy
n :n
se, :1;
f :-
1, :-
clod,
glance
rest,
r :
n :r
d :r
d :t.
1| :
1, rse.
1, :li
1, :se,
1, :■
For the
spir - it
is with
God.
Kiss the
mor - tal
coun - te
nance.
Mav we
meet thee
with the
blest.
d rt,
1, :f
n :r
d :-
n, : n.
f, :r,
n, :n;
li :-
38 Old Elizabethan Carol.
CHRIS
>TMAS
CAROL.
Key Ei2.
M
i«s T. D.
LOCKWOOD.
/ :m
n :1 |1 :s
s :—
Im
:tn
r :r |f
:f
m :—
1- :m
:d
d :n |n :r
R :—
Id
:d
r :r |r
:r
t, :-
1- :t,
\l. As
Jo - seph was a
walk -
-ing,
He
heard an an -
gel
sing,
This
)2. He
neith-er shall be
rock -
- ed
In
sil - ver nor
in
gold,
But
\3. He
neith-er shall be
cloth -
ed
In
pur - pie nor
in
pall.
But
U. As
Jo - seph was a
walk -
- ing.
Thus
did the an
- gel
sing,
And
I '^
s :d' Id' :s
s :—
Is
:s
1 :1 11
:1
se :—
1— :se
\:d
d :1, 11, :t,
d :-
Id
:d
f :f |r
:r
rn :—
|— :ri
t. Bl7.
f. Eb.
m :1 |1 :d'
d :d Id :m
night shall be the
in the wood - en
in the fair white
Ma - ry's son at
1 :m In :1
1, :1, II. :li
In :nil|
|t| :t:rti
t :—
PI : — I LI ." i-ii
birth - night Of
man - - ger That
lin - - en That
mid - - night Was
s : — |s :sd
PI :— |pi :"li
d :t|J[| |ti :pi
li :p1| |se, :se,
Christ our heavenly
li - eth in the
us - ed ba - bies
born to be our
PI :r .d |t| :t|
Pii : Pii |P1| : Pi|
1, :- 1-
- :lP)
1, :- 1-
- :lm
King.
His
mold.
He
all.
His
King.
Then
d :- h
- :i.m
1. :- 1-
- :lR
f :s
It
:1
s
:-
- |pi :pi
1
:d'
It
:se
1 :
- 1—
:1
t, :t, If
birth-place shall
nei - ther shall
birth-place shall
be you glad,
s :s |s
:f
be
be
be
good
:t
PI :-
nei -
wash
nei -
peo -
d' :-
- Id :d
- ther In
- en With
- ther In
- pie. At
- |s :s
d :pi |pi
houses nor
white wine nor
houses nor
this time of
1 :1 |se
:pi .r
in
with
in
the
:t
d :-
hall,
red,
hall,
year,
:d
Nor
But
Nor
And
:1
r :r
Is,
:S|
d :-
- Id :d
1. :1.
im
:pi
1. :
1
:1,
1 :1
Id'
:1
s
:-.n Id
:pi
s
:f .m
ir •:
s
d :-
r
d :d
id
:f
PI
:-.d Id
:d
PI
:r.d
It, :
t,
d :-
I-
in the
with the
in the
light you
1 :1
plac€
fair
place
up
|1
of
sprii
of
youi
:d'
g
Par
wa
Par
can
d'
- a-dise,
ter
- a - dise,
- dies,
:-.s iPi
But
That
But
For
:s
in
on
in
his
s
the
you
the
star
:s
ox - €
shall
ox - (
shin- (
Is :
n s
be
m's
th
f
staU.
shed,
stall,
clear.
n :—
•1-
f. :f.
If.
:f.
d
:-.d Id
:d
s.
:s,
Is, :
s,
d . :-
(—
Copyright, 1882. b
Y Big
LOW & Main.
Rev. J. D. Wilson.
Key Bk.
S| :pi :r id :t
:d
- .-m,
our
no
oh
in
. BRIGHTLY BREAKS.
r :1, :t, |d :- :-
f, :- :f, In, :- :-
Chri.st - mas moru,
crown of thorn,
ran - somed earth,
bond - age lying,
F. L. ROBEHTSHAW. 39
s, :1, ;s. It, :d :r
m, :— :m| In, :-
1. Bright - ly breaks
,'. On his head
3. Lift thy voice,
1. Zi - on, long
tn, :- :m, |f, :- :f, \
Night and sad - - uesa /
t)n his face no (
Glad - ly tell of )
Cap - - tive and for (
s, :— :s, is, :— :S|
d, :- :d. Id, :- :d,
s, :— :S|
s, :— :s,
is, :- :-
Id, :- :-
Si :— :S| Is, :1, :t, )
d, :— :d, is, :- : s, '
d :t| :1, Is, :— :—
d :- :d
11, :- :1,
r :- :t it, :d :r \
fe, :— :fe, |s, :— :—
m, :f, :s,
if, :- :f,
fe, :s, :1, |s, :— :8, J
now are gone,
sor - row worn,
Je - bus' bii'th.
res - cue crying,
d :- :d It, :- :-
Uu - to
Not yet his
Morn - ing
Cease thy
d :- :d
us a
sa - cred
stars re -
tears, with-
d :- :d
child is born, /
bod - y torn, I
peat your mirth. /
hold thy sigh - - ing, I
r :- :r |r :- :t, j
r, :- :r, is, :— :—
d| :r, :ri.
If, :-' :f,
r, :ni, :fe, |s, :— :s, /
n :— :— 1 m :— :—
tn : — : —
? :- :-
m :— : PI in :— : m \
s, :- :- |1, :- :-
(ilad we •
Comes the
.\8 of
Break thy
se, :- :-
_s, :- :-
S| :— :S| Ise, :— ise, J
sing ;
See the sky with /
Cher - ubs, pause ye I
He by whom our '
Lord;
old;
chains;
From thy walls the I
d :- :- Id :- :-
t, :- :-
— :— :—
d :- :d ir :- :r )
d :- :- 11, :- :-
R, :— :—
r, :— :—
d, :— :d |t, :— :t, '
PI :— :r Id :— :
f :-:
f If :- :f
f :":m ir :
s :— :f im :— :r
1, :-:se,|l, :- :
glo - ry riven,
in yoii'r flight,
i-ace is freed,
foe is hurl'd,
d :-:t, 11, :-:
1, : :
Back tl
Fold yo
He wh
Be thj
r :— :
1, 11, :- :1a,
e hosts of
ir wings, ye
ose mer - its
ban - - ners
r |r :— :r
s, :- :s, Is, :
hell are drive
ser - aphs brig
man may pleti
wide uu - lurl
r :-:d jt, :
n,
ht,
»1,
id,
ta,:-:l, is, :- :t, \
Un - to us a /
God descends from (
He is come, the /
Tell it to an \
d .— :d id :- :f )
1, :-:ni, f, :- :
d :-:t, 11, :-:f
1, :- :se, il, :- :1,
Son is giv - - en,
hcav - en's height, Th'iu-
l>rom -ised seed,
.a - ger world,
m :— :r |d :— :d
r :-:
rn :— :-
s, :— :-
Christ
car
Long
Je
d :-:
r ir :- :d
t| :— :d is, :
r :- :- i- :
f, :- :- H :
nate
fore
sus
d:-:- It, :
— '• —
n, :— :f, is, :— :se.
King.
told! *
reigns.
- 1- :- :-
- -
1, :-:rn, jf, :- :r,
s, :— :-
- 1- :- :-
s, :— :— 1— :
— :—
d, :-:-!- :- :-
COPyRlGHT, 1882, BY BiGLOW & MaIN.
40
ALWAYS CHEERFUL.
KetEIz.
Rev. E
. Lownr, by pei
n :n |pi
:s
s :fjnlf
:r
r :r |r .n :f .s
1
:s |s :—
d :d In
:n
n :r .d |r
:t,
t, :t, |£d rfTm
f
: n 1 n :—
1. Let our hearts
be
al - ways cheer
-ful;
Why should murm'ring
en -
ter there,
2. With his gen -
tie
hand to lead
us,
Should the powers of
sin
as - sail,
3. When we turn
a -
side from du -
tj,
Comes the pain of
do-
ing wrong;
d. Oh! the good
are
al - ways hap -
VJ,
And their path is
ev -
er bright ;
s :s js
:d'
d' :s Is
:s
s :s Is :t
d'
:d' Id' :—
d :d Id
:d
d :d Is,
:s,
s, :s, Is, :s.
d
:d Id :-
n :n |n :s
s :f.n|f
:r
r.n :f .3 |1 :s
d :-
d :d Id :n
n :r.d ir
:t,
t,.d:r.nlf :t,
d :—
When our kind and
lov - lug Fa -
ther
Makes us children of his
care!
He has prom - ised
grace to help
us,
Never can his promise
fail.
And a shad - ow
creep-iug o'er
us.
Checks theraptureof our
song.
Let us heed the
bless - ed coun -
sel,
Shun the wrong & love the
right.
s :s is :d'
d' :s Is
:s
s.s :s.s |s :3
PI :—
d :d Id :d
d :d Is,
:s,
s,.s, :s,.s, Is, :s,
d :-
I-
I-
1 :1 jKt :d|_J
f :f |f\s :l_^f
Al - ways cheer - ful,
d' :d' Id' :d'
f :f If :f
s :s |3 :pi
n :n |n :d
al - ways cheer - ful I
d' :d' Id' :s
d :d Id :d
r :r |r .m :f .s
t, :t, it|_^d :r.n
Sunshine all a -
s :s |s :t
s, :s. Is, :S|
f :n jn
round we see ;
d' :d' Id'
d :d Id
1 :1
|1 .t :d' .1
s :s
Is
:n
r.n :f .s |1 :s
d
f :f
If .s :1 .f
n :n
In
:d
t,.d:r.nif :t,
d
Full of
beauty is the
path of
du -
ty
Cheerful we may always
be.
d' :d'
|d'.d':d'.d'
d' :d'
id-
:s
s .s :s .s Is :s
n
f :f
If .f :f .f
d :d
Id
:d
s,.s, :s,.s, Is, :s.
d
Copyright, 1873, bv Biglow & Main.
:- h-
MILMAN.
41
Key C.
n :n |r :u\
d :t| Id :d
l.\\Tien our heads are
2. When the heart is
3. When our eyes grow
s :s |s :s
d :d Is, :d
K Redhead
f :-.f In :—
3 :s Id' :1
fe :-.fe |s :—
d :-.d|d :-
m :r |d : n
r :-.r |r :-
bow'd with woe,
When our bit - ter
tears o'er-flow ;
sad with-iu,
V/ith the thought of
all its sin ;
dim in death,
When we draw the
part - ing breath ;
1 :-.l Is :-
d' :r' |m' :d'
1 :-.l It :-
f, :-.f, Id :-
d :t, H :1,
r :-.r Is :-
s :s |s :f
de :r |m :r
When we mourn the
When our epir - it
When our sol - emn
ta :ta jta :1
n :r |de :r
r :- .r I rn : —
t, :-.t. Id :-
lost, the dear,
shrinks with fear,
doom is near,
s :-.s Is :—
8, :-.8, Id :—
n :n |r :n
d :d It, :d
Gracious Sav - lour,
Gracious Sav - lour,
Gracious Sav - iour,
s :s |s :s
d :d |8, :d
f :- .f I rn
d :-.d|d
hear, O hear,
hear, O hear,
hear, O hear.
1 :-.l Is
f, :-.f, id
KetAIz.
TARRY WITH ME.
E. P. Andm
s, :d
It, :1,
8, :d It, :1,
s, :s,
Id :d
r :n |r
n, :s,
I.Tar-ry
2.Deeper,
3.Tar-ry
d :d
Is, :f,
with me,
deep - er
with me.
Id :d
m, :8, Is, :f,
O my Sav - iour,
grow the shad - ows,
O my Sav - iour,
d :d Id :d
R, rn.
For the
Pal - er
Lay my
d :d
In, :n,
day is
now the
head up -
Id :d
S| : S| 1 s,
pass-ing by ;
glowing west;
on thy breast
t, :d It,
d| in.
ifi :f.
d, :n, If, :f,
d. :n,
11. :1.
8, :d, Is, :
rn :s |f :n
r :f
|m
:r
d :t, 11,
:r
d :t.
Id
S| :s, Is, :s.
See, the shades of
Swift the night of
Till the mom -ing,
d :n |r :d
8, :8,
evening
death ad
then a -
t, :r
Is,
gath -
- van -
wake
Id
:f|
er,
ces,
me,
t,
n, :S| |f|
And the night
Shall it be
Morning of
d :d Id
:1,
is
the
e -
:f
s, :f,
drawing
night of
ter - nal
m :r
|m,
nigh,
rest?
rest.
Id
d :d It, :d
8, :s,
Is,
:s.
1, in. If,
Jr,
s, :s,
Id,
42
Key a.
AWAY WITH THE WINE.
1 1. There's
2. There's
'3. A -
:d
:d
m :ri :r |d :d :d
S| :S| :f| Im, :p1| :p1|
woe in the wine cup, There's
death in the wine cup, The
rise, friends of temp'rance And
d :d :t, Id :d :d
d :d :s, 11, :!, :d
PI :m :r |d :— :d
s, :S| :fi |ni| : — :mi
death in the bowl. The'
tempter may smUe, And
strike for the right, In
d :d :t, |d :— :d
d :d :S| 11, :— :d
E. P. Andrews.
r :r :r |r :d :r
S| :S| :S| |S| :S| :S|
brightly it sparkles aud
seem for a while half di -
faith hope and love all com-
t| :t| :t| |t| :d :t|
S| :S| :S| |S| :m, :S|
PI :—
s, :—
shines ;
vine,
bine,
d :—
d :—
:- I-
I-
- :d
— :pi
.d
.pii
There's
a
But there's]
Free
the
- :d
.d
- :d
.d
n :n :r |d :d :d
S| :si :f| iPi| :p1| :p1|
serpent with - in that will
nothing on earth half so
land that we love, from the
d :d :t| Id :d :d
d :d :s, |1, :1, :d
;n
Id
:d .d
S| :S| :fi I Pii :— :Pi|.mi
strike at the soul. Then a-
fiendish and vile As the>
di-am-sell - ers blight. From the)
jd :— :d .d
|1, :- :d .d
d :d
d :d
|r :pi
Is, :s,
S| :S| :s,
way, then a
serpent that lurks in
demon that dwells in
t, :t, :t
way with the
the
the
t, :d
is,
:t.
wine
wine
wine.
- :- I-
Repeat Choeus.
;m .PI
Then a-
:— I— :— :pi.mi
Then a-
:t|.t,|d :— :
Then away,
:r .r |m :— :
:S|.s, |d :— :
way,
:t|.t||d
Then away,
:r.r|pi
:s,.s,|d
|— :— :n.m
Then a-
- :d.d
Then a
:— :d.d
s :pi :d |s :pi :d
way,
d :d :d |d :d :d
way,then a - way with the
m :s :pi Im :s :pi
d :d :d |d :d :d
ti :-
wine;
r :-
:- :- I-
- :pi.pi
Thenar
:- I- :-
I- :-
:se|.sei
Then a- 1
:t, .t, '
:p1i.p1i >
1— :- :d.d
Then a-
11, :— :
^way,
'id :- :
^11. :- :
PI :-
way.
:se|.seilli
Then away,
:t, .t, Id
:mi.mi|li
:- :d .d
:— :p1|.pi
Then a-
:— :d .d
:— :d .d
r :r |r :pi :r
S| :S| |s, :S| :f|
then a - way with the
t| :t, |t| :d :t|
S| :S| |S| :S| :S|
pii
wine.
d
d,
Copyright, 18S2. by Biglow &. Main.
Bev. I. Baxtzeu..
Key A.
:d .d id
:s, .s,
s, :S| .f| im.
rm, .S|
1. When the
2. The
3. When the
4.When
5. When the
storm in its I'li -
storui could not bur
epii- - it is brok -
ileiitb is at hand,
riv - er is past,
ry on
- y that
ei\ with
and this
and the
:d .r
m :n .r |d
:d .d
=.^i. .-d,
d| :d| .d| 1 d|
:d, .d,
IT IS I.
.m
S| :s, .S| I S|
Gal - li - lee fell,
word in the wave,
sor - row and care,
bod - y (if clay
glo -
t,
:m .f
And
Twas
And
Is
[•ies un - known, Burst
:t| .d |t| :d .r
:S| .S| |S| :d
A. S. KiEFFEK, by per. 43
:s .n Id :d .PI y
:d .d |S| :s, .s, j
d
lift - ed its wa - ters on
tau};htthro' the tempest to
com - fort is read - y to
left with a trciu - u - lous
forth on the won
:m .m
:d .d
er - mg \
rn .d /
:d, .d,
high,
riv;
die;
sigh;
eye;
t,
:d .i
cried "Fear ye not,
"Be not a - fraid,
life - liv - ing word
"Be not a - fraid,
"Be not a - fraid,
m :m .d Id
:d, .d,
.fi
:ni
.r
:S|
.s,
And the |
It
sliall
Then the |
The
He
will
:d
.r
:rn .r
:s, .f,
it is
it is
'It is
it is
it is
:d .t,
:m .1
:S|
Fear
:— I— :d .r
:- I- :d,
:n .r
d :d .1, Is,
ri| :P1| .f, I m, :s, .f|
midst of the storm, in the
d :d .did :d .d
d :d .d I d :d| .d,
d :d .d Id :d .pi
S| :s, .f, I PI, :pi, .s,
faith -less dis - ci - pies were
reach his dis - ci - pies iu
dark - ness shall pass, and the
gra • cious lie - deem - er will
wel • come, en - cour - age, and
PI :pi .r |d
d, :d, .d. Id,
:- I-
:- I-
d :d .d Id
S| :s, .s, |s,
not, trembling one,
PI :pi .PI |pi
d, :d| .d, I PI,
:Pl.f
d :d .1, Is,
m, :P1, .f, I PI, :s,
midst of the gloom," Fear
s, :s, .1, Id :d .r
d. :d, .d, I d, :d
bound iu the spell,
ev - e - ry clime,
sun - shine ap - pear,
light ail the way,
com - fort his > own,
:pi .f
Jesus
Saying
By the
Saying
Saying
:d .r
:d .d
:pi .r
:s, .f,
it is
:d .r
PI
:—
Id
:d
:s,
•t.
:d .d
d
:—
1-
.s, '
:t, .d
r
;
1—
:m
.r V
:s, .3,
t,
:—
1-
:S|
•f.
it is
I."
In
the A
:f .PI
r
:—
1—
:d
.d (
:r, .d,
S|
•*—
1-
:d
.d /
s :S .PI |d
:pi .r
d
— 1
d :d.s, |1,
:S, .f.
PI,
■— 1
_
not, trembling one
it is
i;
PI :P1.d |d
:d .t,
d
:— |-
-
d :d,.d.
If,
:S, .8,
di
:- 1-
- 1
44 OiiA RuD.
Key Bl2.
ANGELS OF DREAMLAND.
J. M. JoiiLET.
-.t, :1,
m :-.r :d |d
s, :-.f, :n, 11, :-.s, :f|
I. Beautiful au - gels of
2. Beautiful an - gels of
3. Beautiful au
d :-.d:d |d
d, :-.d,:d, |f,
jels of
;-.d :d
:-.f, :f,
1, :— :— Is, :— :s,
f, :— :— In,:—: n,
dream - land Tliat
dream - land, Saj^
dream - land, O
d :-:- Id :— :d
d, :— :— Id, :— :d,
m :-.r :d |d r-.t, il.
1. :-
:— Is,
:— :s,
S| :-.f, :pi, |1, :-.s, ':f.
f. :-
:-|ni,
— rm.
SootLing to rest by your
vis -
-ions
And
Wlieu the fair morning is
wak
- ing,
0
Comfort and peace over -
flow -
• ing,
Be-
d :-.d:d Id :-.d;d
d :-
:-ld
- :d
d, :-.d,:d, If, :-.f, :f.
.r :d
F. t.
rs :-.f :m |n
ad :-.d :d |t, r-.t, :d
Calling with mag - ical
Gently as dew from the
Teaching the high dtthe
fcn:-.l :s |s :-.f :m
ad:-.d :d |s, :-.s, :s,
d, :-.— Id, :— :d.
t, :— :— Id
:— :rn
:— :d
In
You
To
:— :s
:— Id :— :d
sweet - ness,
heav - ens,
low - - ly
r :— :— 'iPi
3i :d :pi \u\ :-.r :d
m, rm, rs, |s, r-.s, :s,
hover a - bout me by
where isyourhomeinthe
sweet is your mission be-
d :d :d |d :-.t, :d
d| :d| :d, Id, :-.r, rtn.
s, :d :n |r :-.d rt,
nil :p1| :s, If, :-.m,:f,
filling ray heart with de-
why do you hasten a -
stowing on all as you
d :d :d |t, :-.d :r
d, :d, :d, Is, :-.s, :s.
r :s :s |fe :-.s :1
t, :t, :t, Hi :-.t|:d
tones of soft mel - o - dy
float when the eventide
strive for a spir ■ it of
s :r :r |r :-.r :r
s, :s, :s. Ir, :-.r, :r.
r :— :—
night,
day?
low;
s, :— :—
d •-:—
PI) :— :—
light ;
way?
go;
d :— :—
d, :— :-
t, :-
rare ;
Fine.
love;
r : —
s, :—
f.B]?.
s :-.f :m |ni :-.r :d
t| :-
:-|f :- :f
m :f :n Ir :-.Pi :r
ds, :-
d :-.d :d |t, :-.t, :d
S| :—
:- It, :- :t.
d :d:d It, :-.t|:t,
ds, :-
Dreams of my far-away
loved
ones. And
banishing sor - row and
care.
Then with the light of the
morn
- - ing You
soar, and away to your
home
Teaching us all to bow
hum •
- bly. And
prav for a liome up a -
bove.
m :-.l :s |s :-.f :n
r :—
:— |s :— :s
s a :s If :-.s :f
Pit, :-
d :-.d :d |s, :-.s, :s.
s, :—
:— is, :— :S|
Copyright, 1883,
d :d :d |s, :-.s, :S|
3Y BiGLow & Maim.
ds, :-
D.r
Key A.
s, :- .S| |1| .S| :1| .d
rii :- .^1 |f| .S| :f, .m,
1. O I how woud'ious is tbo
2. O ! what love is liere a -
3. Who will slight his tender
d :- .d Id .d :d .d
d :- .d, |f| .rn, :r, .d,
THE WOND'ROUS STORY.
45
r :d
fi im,
sto - ry I
bound - ing !
plead - ing?
t, :d
Si :d,
I-
0. R. IlAJiROWS.
s :
- .1
|s .n :r .d
d :
- .d
|d .S| :f| .n,
How
the
matchless son of
How
it
human love tran-
Who
re
sist such melting
PI :
- .f
|pi .d :t| .d
d :
- .d
Id .d :s, .1,
ll
f,
God,
sceuds 1
love i
d
f.
I-
m,
Left
Je -
Come,
d
d,
:- .S| |1, .s, :1| .d
:- .n, |f| .m, tf, .s,
his home of hcav'nly
- - sus dies to bring his
ac - cei)t his free and
:- .d |d .d :d .n
:- .d, |d| .d| :d| .d,
r .d :1| .t| Id .r :n .f
li .1, :f| .f, is, .S| :s, .s,
glory and for us, He in - tcr
en - e - niifs to God, To rec - on-
full salvation now, And then we'll
f .f :d .r Id .t, :d .r
f, ,f, :f| .f, |n, .s, :d .d
posed
cile
reign
n
d
.n |r .d
.s, |f| .m,
his i)ro -
and make
with liim
.d Is, .d
.d. Is,
r .PI
f, .s,
cious
us
a
t|
S|
d
m,
blood.
friends.
bove.
d
d.
s
d
Glo
.1
Is
.n
:r
.d
d
Id
•S|
:f,
.PI
iT>
glo
i'.y
hal
- le
f
IP1
.d
:d
.d
d
Id
.d
:d
.d
:d
PI .f
fi :li I— :s, .t,
lu - jah, To the
■lu-jah, lial-le - lu-jah,
d .d :d .d |d .d :d .r
f, .f, :f, .f, if, .f, :p1|.S|
s :- .1 |s .PI :r .d
d :- .d Id .d :s, .d
Lamb once slain up - on the
PI :- .f |Pi .s :f .PI
d :- .d Id .d :d .d
r :- 1— :
t, .t, :t, .t, |t, .1, :s, .f,
tree, And now he pleads before the ^
s :- I- :
,n :r
s, :- .d |d .d :S| .s.
Now he pleads be-fore his
throne,
PI :- .f In .s :f .n
1, .s, :1, .t. Id .r :pi .f
f, .f| :f, .f, |s, .s, :S| .s.
Father's throne above, And inter
f .d :d .r |d .t, :d .r
f, .f, :f| .f, |m, .s, :d .d
:- .PI |r .d :r .m
:- .s, |f| .m, :f, .s,
cedes for you and
PI :- .d |s, .d :t,
d :- .d. Is, :s,
dH-
Pi,:-|-
me.
d:-|-
d,:-|-
Copyright, 1873, by Biclow & Main, in "New York Musical Gazbttk."
WATCH AND PRAY.
KeyC.
wi n 1 uii n
iiiy r iiHii ,
T. F. Sewabd.
1
m ;m.f|s :d'
d' :t |r' :—
m'.r':d' |d'.t :1
s .f :pi |r :— \
d :d .r 1 n : m
PI :r If :—
s^-.m |Ks :f
n_^ :d |t| :— I
, ].WTieulheblu8li of
morning light.
Paints the gold - en
east - em skies, f
2. From the sul - try
noontide beams
Wouldst thou find a
calm re treat? V
\ 3. When the eve - ning
shades de - scend
Tranquil o'er the
earth and sea ; ,
/ 4. Watch with Je- sus
all the night,
TiU the shad-ows
glide a - way; V
s :s Id' :s
s :s Is :-
s :d' |d' :d'
d' :s Is :-
d :d Id :d
s :s Is :-
d :d If :f
d :d Is, :- '
G. t.
f. C
PI :m.f |s :d'
d' :t |r' :—
r's.f :m |Pi .r :d
r :t, Ids :-
'
d :d.r |n :pi
n :r |s :—
sd :d |s, :S|
S| :S| |s,r :—
From the balm - y
sleep of night,
Lift to God thy
wak-ing eyes.
Dost thou pant for
cool-ing streams ?
Eest thee at the
mer-cy - seat.
do, thj Sav - iour
and thy Friend
Holds a pre - cious
gift for thee.
Watch till comes the
morning light,
Wea - ry pil - grim,
watch and pray.
s :s Id' :s
s :s It :-
tn.r:d |s.f:m
f :r rt :—
d :d Id :d
s :s |s :—
sd :d Id :d
s, :s, |ds :—
Chobus.
s :- .s |s .s :
s .s
r' :- 1- :-
d' :
- .d' Id' .t :d' .r' X
: 1 :
f :- .f If .f :f .f
n :
- .PI |m .r :pi .f )
Trav - 'ler on the hea
v'nward
way,
Trav - 'ler on the heav'nward
Je - -
way,
sus bids thee watch and (
{
: 1 :
t :- .t It .t :t .t
d'
- 1 : \ i
: 1 :
s :- .s Is .s :s .s
d' :
- 1 : /
rn' :- |-
_
m'.r' :d' Id' .t :1
r' .d' :
t .1 Is :- .
s :- 1-
—
s .f :n 11 .s :f
f .1 :
s .f jPi :- 1.
pray,
Trav - 'ler on thy
heav'n -
ward wav, (
Je - - - sus bids thee W£
itch and
pray, Trav - 'ler
on thy heav'nward way, ( 1
d' :- .d' Id' .d'
d' .d'
d' :- Id' :d'
d' .d' :
d' .d' Id' :- V 1
d :- .d Id .d
d .d
d :- If :f
f .f :
f .f Id :- / 1
m .f :s Is
d'
d' :- It :-
d' :
1 ;
d .r :ni |in :
m
m :- |r :f
m :
- 1- :
Je - sus bids t
hee
watch and
pray.
s :d' Id' :
s
s :— Is :—
S
- 1- :
d :d jd :
d
Si :— Is, :—
Copyright, 1882, by Biglow & Main.
d :
- 1- :
THE MORNING LIGHT.
47
Kky Et2.
d
A. S. KiEFFER, by per.
:n
.r
:d
.d
1.0 the
2.0 the
What a
:s
.f
:d
.d
:d Id
,:pi .r
:d .d
UVben Iho
/() tho
)When the
:s .f
:d.d
r.n
.r
(:d
.d
hve
are
]:s
.f
\:d
.d
r .n
d :s, |S| :d .d
night of time soon sliall
ha}> - py day that shall
joy - ful time when tho
m : m |m :s .s
d :d Id :d.d
d :d |d :r.m
d :s, |S| :d.d
pilgiiiu statf shall be
liai)-py hearts that shall
saints shall slug un-to
n :n | n :s.s
d :d id :d.d
d :d' Id' :d'.t
d :n In :m .m
watching now for the
m :s Is :d' .d'
d :d Id :d .d
r :r ir :pi .f
s :- .1 Is .1 :s .,n
r :—
t, :t, It, :d .r
pass a - way, And the
gild the hills.When the
earth shall gleam In the
n :- .f |n.f :rn.,d
hap - py golden day will
Lord sh.ill come to earth a-
light of an c - ter-nal
t, :-
dawn,
gain !
Jay,
s :s js :s .3
d' :- .d'd'.d':s .,s
s :—
S| :s, js, :d .d
d :- .d;d.d:d.,d
s, :—
r :r |r :pi .f
t| :t| It, :d .r
laid a - side, And the
welcome bini. When he
Christ their King, In their
s :s js :s .s
:s,
:d'
Is, :d .d
:t .1
s :-.d' |pi
:r
d
m :-.d ]d
:t,
d
king - ly crown
pnt
on.
comes once more
to
rei-.
gold - en. glad
ar -
ray
d' :-.s Is
:f
rn
d r-.n |s
:s,
d
f :f If :f .f
morning light, For the
d' :1 11 :di.di
If
:f .f
3 :-.l |s .1 :s .,rn
n :-.f |pi .f :m.,d
new Jo - ru - sa-lem to
d' :-.d' |d'.d':3 .,3
:-.d Id .d:d.,d
come
:rn .r
d :di
|d'
:d' .t
:d .d
d :r
|pi
:m .n
We are
waiting
still
for the
:s .f
n :3
Is
:di .d'
:d .d
d :d
Id
:d .d
1 :di Id' :d'.,l
f :f if :f .,f
Sa'iour, Christ, Who shall
d' :1 II :di.,d'
f :f If :f .,f
s
:-.d'|ni
:r
d :
m
:-.ni |d
:t,
d :
call
his cliil
- dreu
home.
d'
:-.8 Is
:f
Fl :
s
:-.3 Is,
:s.
d :
48 KeyEIl
m
:n
Is
:pi
d
:d
In
:d
l.A - ny
2. Where we
3.AU a -
lit -
pitcli
long
tie
our
the
S
:s
is
:s
d
:d
Id
:d
m :r |r
d :t, It,
cor - ner, Lord,
night-ly tent,
wil - der - ness,
s :s |s
s, :s, Is,
ANYWHERE.
f :f
:r
B.
r
In thy vine - yard
Sure-ly mat - ters
Let us keep our
Is, :s,
rn :—
d :-
wide;
not;
sight ;
s :—
d :—
C. Unseld.
I— :
I-
I-
s :s |1 :s
n :pi |f :n
Wh're thoubid'st me
If the aay for
On the mov - ing
d' :d' id' :d'
d :d Id :d
s :in |r :-
tn :d It, :-
work for thee,
thee is spent,
pil - lar fixed,
d' :s Is :-
d :d Is, :-
r :s It :1
t, :r |r :d
There I would a
Blessed is the
Constant day and
s :s |s :fe
S| :t, |r :r
t, :- I
bide;
spot;
night,
8 :- I'
s, :- i
s :s |1 :d'
d :d Id :d
Mir - a - cle of
Quickly we our
Then the heart will
m :n |f :1
d :d If :f
d' :1 Is
d :d Id
saving grace,
tent may fold
make its home,
;f In
;f Id
s :s |1 :d'
d :d Id :d
That thou givest
Cheerful march thro'
Willing led by
n :n jf :1
d :d If :f
d' :1 Is :n
d :d Id :-
me a place
storm and cold,
thee to roam,
1 :f In ;s
f :f Id :-
s :n |r :-
n :d It, :-
A - ny - where,
With thy care,
A - ny - where,
s :s |s :-
d :d Is, :-
n :r |d
t, :t, Id
A - ny - where
With thy care
A - ny - where
s :f |n
s, :s. Id
Key D.
d' :— :t Id' :— :1
n :— :r In :— :f
l.Seek the ten - der
2.He will light your
3.Yoa will find the
r :— : s 1 1 :— : s
t, :— :t, |r :— :t,
If you've not al -
Through dark wood and
Up - ward, till the
SEEK THE TENDER SHEPHERD.
s :n :— I— :— :
n :d :- |- :- :
Shepherd,
pathway,
Shepherd,
r :— :s |t :— :s
t, :— :t, |r, :— :t,
read - y found him,
thorn - y bri • - ar,
light grows clear - er,
Maky C. Sewakd.
1 :-:l 11
:- :1
S :-:-!
f :-:f If
:- :f
n :- :- 1
Seek it. lit
Wand'ring lit
Hap - py lit
- -tie
- -tie
- -tie
lamb,
lamb,
lamb,
d' :- :t |r' :d' :1
s :— :—
1—
n :— : r | f : n : d
t, :- :-
\-
Seek him, lit - - tie
lamb:
Wand'ring lit - - tie
lamb;
Hap - py lit - - tie
lamb;
n :— :s |d' :— :s
n :— :s
|d'
d :— : n 1 n :— : n
d :-:n
In :
Seek the star whose
rays have
3rown
On - ward, up - ward,
ev - er
high
Fold and Shcp - herd
near - er.
dear
d':-:s If :n :r
d :-:-
1-
n :— :n |r :d :t,
d :-:-
|—
Seek it, lit - -tie
lamb.
Wand'ring lit - -tie
lamb.
Hap - py lit - -tie
lamb.
LONGINGS.
49
Key Eb.
PI .PI :d
,n
d .d :d .d
(.Pur-er yet and
2.Calmer yet and
J.Qiiioker yet and
s .8 :pi .d
d .d :d .d
d
pur -
calm
quick
m
B.
C. Unseu)
r .r
:d
.r
m
:—
t, .t,
:d
•t,
d
:_
I would
be
in
uiind,
Tri - al
bear
and
pain,
Ev -er
on -
ward
preaa,
8 .8
:P1
.8
8
: —
n .n
:d .n
8
:m
r .r
:ni
•r
d
d .d
:d .d
d
:d
t, .t,
:t,
•t,
d
Dearer
yet and
dear
er
Ev- Yy
du
-ty
find;
Sur - er
yet and
sur
er
Peace at
last
to
gain;
Firm-er
yet and
firm
- er
Step as
I
pro -
gress
8 .8
rm .d
Fl
:8
8 .8
:s
.8
m
d .d
:d .d
d
:d
8, .8,
:b,
.8,
d
r .r :t, .r
t, .t| :S| .t,
Hoping still and
Suft'-'ring still and
Oft these earn - est
3 .8 :r .r
S' .8. :8i .8i
tl
trust
do
long
r
:t,
ing
•ing,
ings,
m .m :d
.n
8
d .d :d
.d
t.
God with - out
a
fear,
To Ms will
re -
signed.
Swell with - in
my
breast,
8 .8 :m
.d
r
.d :d .d
t, .t,
:8|
.t,
t,
:t,
Pa - tient
-ly
be -
liev
ing
And to
God
sub -
du -
ing
Yet their
in -
ner
mean
- ing
8 .8
:r
.r
r
:8
8, .8,
:b,
.8,
8,
:8,
.n
:r
.r
d .d :t, .t,
He will make all
Heart, and will, and
Ne'er can bo ex -
8 .8 :8 .8
d .d
:8,
d
clear,
mind,
pressed.
m
0
KetF.
LOl MY SHEPHERD'S HAl
C.t.
SD.
ti.
d :r
PI : m
f :pi
r :—
rs :1
s :d'
d' :t
d' :-
d :t,
l.Lo! my
■2. When I
3.He my
4.Tho' the
n :s
d :d
Shepherd's
faint with
soul a -
drear-y
s :s
r :d
hand di -
summers
new shall
vale I •
s :s
t, :-
vine!
heat,
frame,
tread,
s :—
tn :f
Want shall
He shall
And his
By the
sd' :d'
s :f
nev - er
lead my
mer-cies
shades of
d' :1
tn :r
more be
wea - ry
to pro -
death o'er -
s :s
PI :—
mine;
feet
claim,
spread,
s :—
d :s,
d :d
t, :d
s, :—
5d :f
n :f
s :s,
d :-
f. F.
d's :f
m :m
f :ni
r :—
s :f
PI :r
d :t,
d :-
mt| :r
In a
To the
When thro'
There I
d :d
pasture
strei!.ms that
de - vious
walk from
d :d
fair and
still and
paths I
ter - ror
t, :-
large,
slow,
stray,
free.
d :t,
He shall
Thro' the
Teach my
Still pro -
d :1,
feed his
ver - dant
steps the
tect - ed
S| :S|
hap - py
meadows
bet - ter
Lord, by
charge,
flow,
way.
thee.
sr :s
s :s
1 :s
s :—
s :s
s :f
m :r
PI :—
ds, :t,
d :d
d :d
s :f
m :r
d :f,
S| :s,
d :-
KetG
HARKIHARKIMY SOUL.
H.
Beney.
PI :— :
— |Pi :r :pi
d :-
- 1- :- :s,
PI :— : PI 1 PI : r : R
s : —
:-|f
:— :—
d :-:
— |d :t| :d
S| :—
- 1- :- :s,
d :-:d Id :t, :d
d :-
:- It,
:— :—
l.Hark !
hark! my
soul ;
an -
gel - ie -songs are
swell
- ing
2. On -
- ward we
go,
for
still we hear them
sing
- iug,
i.Far,
far a -
way.
like
bells at eve - ning
peal
ing.
4.Rest
comes at
length.
tho'
life be long and
drear
V,
s :— :
-Is :f :s
PI : —
: — 1 — : — : PI
s :— :s |s :f :s
PI :—
:- |r
: — :—
d :-:
- id :- :d
d :-
:- 1- :- :d
d :-:d Id :- :d
s, :—
:— Is,
:— :—
f :-
li :-
O'er
-If :pi :r
- Is, :- :f,
earth's green
li :-
fi :-
fields.
:- 1- :- :t,
:- 1- :- :s,
and
d :-:d Id :r : pi
S| :— :s, |fe,:— :1,
o - cean's wave - beat
r :—
. I
:— :s.
t, :-
:— :s.
shore :
" Come,
wea - ry
souls.
for
Je - sus bids you
come :
The
voice of
Je
- sus
sounds o'er all the
sea ;
The
day must
dawn.
and
dark - some night be
past;
r :—
r, :—
- |de:-:r
— Hi :- :li
r :—
:- 1- :- :r
:- 1- :- :f,
d :- :d |1, :- :r
pii :— : Pi| Ir, :— ife.
r :—
: — 1 —
:— :r
s, :—
:— 1—
:- :t.
HARKI HARKl MY SOUL Concluded.
51
m :—
:— I PI : r : m
d .-:-|- :- :8,
rn :— :m | pi :r
:pi
s :— :—
If :-
: —
d :—
:- Id :t, :d
s, :— :— 1— :— :s,
d :-:d Id :t.
:d
d :-:-
t, :-
; —
How
sweet tlie
truth those
bless - ed strains
are
tell -
ing
And
through the
dark its
ech - oes sweet -
ly
ring
i"K,
Aud
la - den
souls, by
thous - ands meek
-ly
steal -
i^a,
Faith'f
jour - nev
ends in
wel - come to
the
wea
ry.
s :—
:-|s :f :s
m :— :— j— :— : tn
s :— :8 |s :f
:s
PI :— :—
r :—
: —
d :-
:- Id :- :d
d :-:-|- :- :d
d :-:d Id :-
:d
8, :— :—
Is, :—
:—
f :—
:-- |f :n :r
1, :-:-|- :- :t,
d :-:d |Pi :-
:r
d :-:-
li :-
:- Is, :-:f,
f, :- :- 1- :- :f,
PI,:— :1, jd :—
:t.
d :- :-
;
;
Of
that new
life when
sin shall be
no
more.
The
mil - sic
of the
gos - pel leads
us
home.
Kind
Shepherd,
turn their
wea - ry steps
to
thee.
And
heav'n, the
heart's true
home, will come
at
last.
r :—
:- |de :- :r
r :— :— |— :— :r
d :-:f Is :-
:f
PI :— :—
1— :—
:—
h :—
:-|l. :-:l.
r, :— :— |— :— :s,
1. :-:l, Is, :-
:s.
d :-:-
— :—
:—
8 :—
:— In :— :d
r :— :n |r :— :—
s :_:_ In :-
:d
r :— :—
_,_
S| :—
An
:-|s, :-:s,
- gels of
8, :— :— |8, :— :—
Je - BUS,
s, :— :— Is, :—
An - gels
:d
of
d :-:-
t, :-
:—
light,
d :-
PI, :—
:— Id :— :d
:- Id, :-:pi.
t, :-:d Id :- :-
d :-:- Id :-
PI,:— :— Id, :-
:s
;Pi,
fe :- :-
8 :—
~s, :—
:—
1, :- :-
:—
n :—
:— Im :f :s
1, :f :- 1- :- :1
8 :— :s |f :pi
:r
PI :— :—
d :-
:- Ita, :- :ta,
1, :1, :- !- :- :d
d :— :d |t, :d
:t.
d :— :—
— :—
:—
Sing
- ing to
welcome the
pil - grims of
the
night.
s :—
:— |8 :— :n
f :d :- 1- :- :re
PI : — : n |r : m
:f
n :— :—
— :—
:—
d :-
:- Id :-:d
f, :f, :- !- :- :fe,
8, :— :s. Is, :—
:s.
d :-:-
— :—
:—
rn :—
— |m :f :s
1, :f :- 1- :- :1
8 :— :s If :pi
:r
d :- :- 1
.
,_
d :-
:- Ita, :- :ta,
1, :1, :- I- :- :d
d :-:d It, :d
:t,
d :- :- 1
— :—
:—
Sing
ing to
welcome the
pil - grims of
the
night.
8 :—
— Is :— :pi
f :d :- 1- :- :re
PI ;— : PI i r : rn
:f
PI :- :- 1
— :—
:—
d :-
- Id :-:d
f, :f, :- 1- :- :fe,
8, :— :8, Is, :—
:8,
d, :— :— 1
— :—
:—
52
Key D.
:m .,in
il.Let us
JS.HewUl
)3.To a
:s .,S
:d .,d
d' :t |1 :s
n :s |f :n
work for God and
give us strength, our
glo - rious work He
d' :t |1 :s
m :s If :n
WE SHALL REST.
1 .,1 :s .,f |m :r .,n
f .,f :pi.,r Id :t|.,d
follow His command With a
vigor to re - new, He will
calleth us a-way. Let us
1 .,1 :s .,f |n :s .,s
f .,f :m.,r id :s .,s
B. C. U
NSELD.
f
:ri
It
:r'
r
:f
|r
:f
cheer
ful
heart
and
grant
us
grace
that
hear
the
heat
and
d' .,t :1 .,t |d'
n .,r :d .,r |n
ov - er - willing hand ;
falleth like the dew,
bur-den of the day ;
S .,S :s .,S 's
S| .,s, :s, .,S| |d
:m .,m
In the
And the
'Tis the
:s .,s
:d .,d
n
field
seeds
faith ■
d'
n
:t
:s
of
of
ful
:t
|1
If
Ufe
love
souls
11
If
1 .,1 :s .,f |m
f .,f :m.,r |d
joicing ev - cry day,
mortal fruit shall hear,
reap the bright reward,
1 .,1 :s .,f In
f .,f :ni.,r |d
:s .,m
:n .,d
Let us
Ev
At
;d ..d
the (
.S )
:t
t, :r
|r
:d
t,
work, and
trust.
and
pray.
guard - ed
by
His
care.
com - ing
of
the
Lord.
s :s
Is
:fe
S
Chorus.
:m .,f
We shall
:pi .,n \m
We shall rest
:s .,s {s
:d.,d Id
:d'.,t
by and
— I- :r' .,di
f .,f If :fe.,fe
by and by. Sweetly
1 .,1 11 :1 .,1
f ..f if :r .,r
t .,1
,d' It
s .,s :s .,n |r
rest when earthly toil
S .,s :s .,S |s
s .,s :s .,d |r
:1
s :
:d
t, :
is
o'er,
:fe
s :
:r
s, :
I-
I-
I-
I-
:n .,f \
In a 1
s :- 1- :d'.,t
1 :r' 1- :r'.,d'
t.,t:t.,t|l :t
d'
land, bright and
fair,
:n.,n|m :
:f.,f|f .■f.,f
f.,f:f.,f|f :f
ni
In a land
bright and fair, We shall
rest when earthly toil is
o'er.
:s .,s |s :
:1.,1|1 :1.,1
s.,s :s.,s |s :s
s
:d„did :
:f.,f|f :f.,f
s.,s :s.,s |S| :s,
d
Copyright, 1882, by Bic
;low & Main.
SUMMER SUNS ARE GLOWING.
53
KetC.
F. L.
ROBERT.SHAW.
n :-.n |s
:s
d' :- .1
If
:m
r .-1 Is :f
PI :—
1- :-
d :-.d |n
:r
f :-
Id
:—
d :d It, :r
d :-
l.Sumiuei- smis
are
glow - -
ill-
0 - ver land and
Rca,
2. Lord, up - ou
our
blind -
ness
Tlij' pure ra - diance
pour.
J. Wo will nov
-er
doubt
thee,
Tlio'thou veil thy
light.
s :-.s Id'
:t
1 :—
11
:s
f :r |r :s
s :—
1 — : —
d :-.d |d
:d
d :-
Id
:—
f, :fe, Is, :s,
d :-
1- :-
r
-.r In
:fe
s
-.1 It :-
d' :- .1 Is .fe :t .1
s :—
t,
-.t, Id
:r
r
- ir :-
m :- .m |r :d
t, :-
Hap
- py light
IS
How
ing,
Bonn - ti - ful and
free ;
For
thy lov -
ing
kind
ncss
Makes us love thee
more;
Life
is dark
with -
out
theo.
D(!ath Avith thee is
bright ;
s
- .s Is
■-.s, Id
:1
:d
s
-.fe|s :-
s :- .1 It .1 :s .fe
d :-.d |r :r
s :—
S|
t,
-.1,1s, :-
s, :—
s :ri
Id' .t :1 .t
d' :-
Is
:—
s :r'
Id'.trl.t
d' .
f :f
If :f
PI :s
If
:tn
f :f
If :f
n :
Ev - cry
thing re -
joic -
es
In the
mel - low
rays,
And when
clouds are
drift -
ing
Dark a -
cross our
skv,
Light of
light shine
o'er
us
On our
pil - grim
way.
s :s
Is :s
s :-T-
It
:d'
r' :s
Is :s
s :
t, :s,
|r :s,
d :n
ir
2d
t, :s,
|r :s,
d :
d' :-.d'|t :d'
n'
:- |r'
:—
d' :n'.r|d'
:t
d' :-
f :-.s If :pi
1
- 11
:—
•s :1 Is
:f
PI :-
All earth's thousand
voio
- es
Swell the psalm
of
praise
Thou the veil up -
lift
- ing,
Fa - ther, be
thou
nigh.
Go thonstiU be -
fore
ua
To the end -
less
day.
1 : .s Is :d'
d'
- Ir'
:—
PI' :f' |P1'
:r'
d' :-
f :-.Pilr :d
f
:- If
.•fe
s :s Is,
BiGLOw Si. Main.
:s.
d :-
Coi'VRIGHT
i88j, uv
54
HEAR OUR EVENING PRAYER.
Key F.
m
n |m
m
d :d Id :d
l.Hear us, heav'n-]y
S.Bless us, heav'n-ly
s :s |s :s
d :d Id :d
in
Id
ther,
ther,
Is :-
Id :-
r :r |r :r
t| :t, It, :t,
Lis - ten to our
Guide and guard us
s :s |s :s
S| :S| |s, :s,
A. L. Cowley.
d :r |P1
d :t, Id
evening prayer
with thy might ;
m :s Is
s, :s, Id
PI :pi
\m
:d
t, :-
In the
dark
-ness
shield
Bless us,
gra -
clous
Fa
d :d
Id
:s
s :-
Id :d
d :r |m :s
d :t, Id :d
Thou for all man
Bless thy chil - dren
s :s |s :s
ri :r |d in.
:r
Id
t, :t| Id
kind doth care,
here to - night,
s :s |P1
::)
s :—
m
ni :— Id :d
Hear us, O
Keep us, O
: I :
: I :
hear
PI
d :d It, :t,
Hear our eve - ning
Till the morn-ing
d :pi |s :s
S| :S| |S| :S|
d :- I-
d :- I-
prayer.
light.
PI :— i—
i- :-
KeyF. a MOTHER'S lullaby.
;S| d;d:dld:— :dr:r:r|r:— :r Pi:— :r|d:— :Pir
1. There
^ <2.Then
S.Then
U.That
Cometh a dove on
kneel at my side, your
ask him to-night when
beauti - ful dove so
beauti-ful wings, As
lit - tie hands fold. And
you are a - sleep To
gentle and pure .Has
white as snow - flakes
say this prayer with
give you peace - ful
spread its pin - ions
are;
me;
rest;
fair,
]And
(Dear
JAml
And
r :r :r |r :— :r
tender-ly now it
Jesus look down, and
if you should die be -
up to the throne of
PI : pj : PI I PI : — : pi
listens to hear, My
make me so good. That
fore you a - wake To
Je-sus a - bove Has
s :— : PI I r :d : r
ba - by's eve - ning
I thy child may
fold you on his
borne my dar - ling's
d :- :- I-
prayer.
be.
breast.
KeyG.
SWELL THE ANTHEM.
d
:d
d
:s,
S|
:S|
Si
: PI,
1. Swell
tho
au -
- them,
■-'.Hark!
the
voice
of
rn
: PI
PI
:d
d
:d
d
:d
;d
the
song;
siii'is,
t|
Prais
Praia
r
55
s
:d
d
:d
to
our
to
th(!
PI
: PI
:d
(iocl be
Kins of
s : PI
"I
Saints
Let
PI
3|
:ni
an -
- Jicl.s
.join
the
PI
:d
d
:d
d
: n
s :—
s
.•s
s
: PI
r :r
d
S|
:d
t, :-
t,
:t,
d
:d
d :t,
d
Join
to
sing
Piais
- es
to
onr
heav'n - ly
Kin
clior
al
song.
An.l
the
grate
fill
notes pro -
loni.
S
: R
r :—
r
:r
PI
:s
s :s
PI
PI
:d
Si :—
Si
:s,
d
:d
s, :s,
d
Ket Eiz.
THE ROBIN'S LULLABY.
R :—
-:r I
1. Close be - 1
•J.I
will
:3.Xes
tie,
R :— :r
neath thy
guard thee,
ues - tie
r :-:d
moth - er's
(lid I
gent - ly
wing,
say?
down,
r :—
:r
Hir -
die
Let
me
Close thinel
lay
then
:r
thy
that
to
R :— :s
lit - tie
word re
sleep my
call;
dear.
R :— :r
I will
God will
Safe be -
watch thy
guard U3
neath our
slumbers,
both, mv
love,
:r
will
guard thy
lone pro-
You and I I
hav(
r :- : d
down - y
tects us
naught to
bed.
all.
fear.
1 A. S. KlEFFER.
KeyG.
m :s
ir
:rn
d
• 1|
Is,
d :s,
|S|
:s,
n.
:fi
In,
1. Look be
-yond
my
eoul,
and
see
2. L<., thy
Cap-
tain,
Je -
8U8,
leads
s :pi
|r
:t,
d
:d
Id
d :d
It,
:t,
1,
:f,
Id,
LOOK BEYOND.
B. C. Unbeld.
n :s
d :d
Zi - on's
Forth to
|1 .8 :n
Id :d
cit -y
realms of
t, :- 1- :
fair;
rest;
s : n
If .in:s
8 :- 1- :
d :d
Id :d
s, :- 1- :
m :s |r :n
d :1,
Is, :—
1, :d
jn .r :d .t
d :-
d :s. Is, :s,
m, :f.
1 n, :—
f. :f,
Is, :s, .f,
m, :-
Gleaming ra - diant
Vic - tor's wreaths shall
as the
bind thy
sun,
brow.
Free from
In his
grief and
man - sions
care,
blest
s :n |r it.
d td
Id :-
d :d
|d .t, :ni .r
d :-
d :d It, :t,
1, :f,
Id, :-
f, :1,
Is, :s.
d, :-
h-
D. t
f.G.
rs :d' 11 :r'
s
:f .r|n
:s
s :d' 11 :r'
s :1 .t Id's :—
ad :n |f :f
m
:r.t,|d
: n
m :pi If :f
m :f ht, :-
Lo, the race is
al
- most run !
Life's fierce strife will
soon be done!
There with saints and
an
- gels fair,
Free from ev - ery
earth-bom care,
tpi :s |f :1
S
:8 |s
i_d'
d' :d' Id' :1
s :s |Br :s
ad :d If :f
8
:8, Id
:—
d :d If :f
8 :s, |ds, :—
n : 8 I r
:m
d tl.
Is, t-
1, :d In .r :d .t.
d t-
d :S| Is,
:s,
m, tf.
|m, :-
f, :f, Is, ts^f.
rn, t-
Glorious rest
will
soon be
won!
Yield not to des -
pair.
Thou Shalt end -
less
pleasure
share,
On his lov - ing
breast.
s tin |r
:t,
d td
Id t-
d td |d .t|tpi.r
d t-
d td It,
:t,
1, :f,
|d, :-
Copyright, 1882, e
f, :1, Is, :s,
Y BiGLOW St Main.
d, t-
CHRIST, WHOSE GLORY.
57
Kkv E.
d :d |r :m
f :-.f In :-
8, :8, It, :d
1. Christ, wLoso glo - ry
2. Dark and cheer - loss
3. Vis - it, then, this
d :-.d|d :-
fills tlio skies,
is the morn,
eoiil of mine,
n : m |s :s
1 :-.l Is :-
d :d Is, :d
f, :- .f, 1 d :-
d :m !s :s
1 :1 Is :-
d :d !r :m
d : r In :—
Siiu of rijjht - eons -
.Toy - less is the
Fill lue, ra - diant
ness, a - rise,
day's re - turn,
Sun di - vine.
rn :1 |t :d'
d' :t Id' :-
d :1, Is, :d
f :f Id :-
R. Redhead
d :d
|r
: n
r
:r Id :-
3, :1, It, :d
Christ, the true, the
If thy light ia
Pierce the Rloom of
d
on
hid
sin
:t. Id :-
- ly ligbt;
from me;
and Rrief,
n : n
Is
:s
1
: 8 In :-
d :1,
Is,
:d
f,
:s, Id :-
d :n
Is
:s
1
:-.l|s :-
d :d
Triumph
Till thy
Scat -ter
|r
o'er
mcr -
aU
:t.
the
cy'8
my
n :r .d It, :—
shades of night :
beams I see,
nn - be - lief.
s :s
Is
:s
s
:-.fe|s :-
n :d
It,
: n
d
:-.r|s, :-
|r
n
d :d It, :d
Day-spring from on
Till they in - ward
More and more thy -
s :s If :s
n
n
|r :d
f :-.f In
d :-.d Id
high, bo near,
light im-part,
self dis-play,
1 :-.l Is
.f. Id. :-
d :t, Id :1,
Day-star, in my
Glad my eyes and
Shining to the
s :s |s :f
n :r |d :f.
d :t, Id :-
S| :S| Is, :—
heart ap - pear,
warm my heart.
per - feet day.
n :r |n : —
S| :S| |d :—
KetF.
LITTLE EYES,
d :r In :-
r :n id :—
r :n
If :s
f :r |r
I. Little eyes,
lit - tie eyes,
0 - pen
wide with
morning light,
y. Little heart,
lit - tie heart.
Full of
laugh-ter
full of glee.
3. Little hands,
lit - tie hands,
l$u8-y
with the
kite or doll.
4. Little feet,
lit - tie feet,
Soft your
pat - ter,
light your load.
d :r jn :—
r : n i d :—
r :n
If :r
d :t. Id
Up - ward look.
up - ward look,
Heaven's
morn is
al - ways bright.
Beat with love.
beat with lovo.
For the
Lord who
bless - es me.
Le^im yo may,
work or play,
Dai - ly
to do
good to all.
Do not stray.
keep the way,
Walk the straight and
uar - row roa<L
58
Key G.
;s,
:S|
il.In
|2.WLer-
IS.Green
m :— :n [t, td :r
s, :— :s, Is, :— :1
heayenly love a -
ev - er he may
jias - tures are be -
d :— :d |f :m :r
d, :- :d| Ir, :ni,:f|
HEAVENLY LOVE.
1, Is,
B. C. Unseld.
1. :-:f, is.
:-:S|
No
No
Which
S| :— :s, Is, :— :S|
change my heart shall
want shall tiu-n me
yet I have not
S| :-
bid - ing,
guide me,
lore me.
fear,
back
seen
f :- :- i m
•— : PI
r :— :n |f :— :s
n :—
f, :-:-|d,
-:d,
s, :— :s, |s, :— rs.
d :-
:s.
m :— : m 1 1| : d : r
d :-:l, Is,
:-:d
r :— :r | n :— :r
r :—
:S|
S| :— :S| |s, :— :1|
1, :-:f| !si
:— :s.
t, :-:t, |1, :-:l,
t, :-
And
safe is such con -
fid - ing.
For
noth - ing chang - es
here.
My
Shep-herd is be -
side me,
And
noth - ing can I
lack.
Bright
skies will soon be
o'er me,
Where
dark - est clouds have
been.
:S|
d :— :d |f : n :r
f :-:-|rn
:— :m
s :— : s |fe :— :fe
s :—
:s.
d, :— :d, Ir, :m,:f,
f, :-:-|d,
:-:d
s, :— :S| |r, :— :r.
s, :—
:S,
:S,
The
His
I My
S :— :s |S :— :s
S| :— :s, |S| :— :S|
storm may roar with
wis - dom ev - er
hope I can - not
t, :- :d |r :- :f
S, :- :1, It, :- :r
S :— :— Im :— :n
S, ••— :— |S, :— :d
out me ; j\Iy
wak - - eth ; His
meas - - ure, My
PI :— :— |d :— : m
d :- :-|d :- :d
1 .—
:s If :-
••Pl
f :-
:P1 |r :-
:d
heart
may low
be
sight
IS nev -
er
path
to life
is
1 :-
:s If :-
••pl
f :-
: PI Ir :—
:d
r :-
t, :-
laid;
dim;
free ;
r :-
:r
m :— : Pl 1 Pl :—
:P1
1 :—
:-|f
— :r
d:-
:d |r :-
:t,
d:-:-
:s,
S, :- :se,|l, :-
:ta,
1, =-
'■- |1|
-=1,
S, :-
•S, |S| :—
:S,
S, :— :—
But
God is round
a -
bout
me.
And
can
I be
dis-
mayed?
He
knows the way
he
tak
- eth.
And
I
will walk
with
him.
My
Sav - iouris
my
treas
- - ure,
And
he
will walk
with
me.
:t,
d :-:r Id :-
:d
d :-
:-|r
— :f
Pl :—
:n|f :-
:f
Pl :— :—
:S|
d :- :t, 11, :-
:s.
f, :-
=-!f,
- :fi
S| :-
:S, |S, :-
:S|
d,:-:-
Copyright, 1882, by Biglow & Main
\
JosEHiNE Pollard.
JOY-BELLS.
Key C.
Henry Tucker.
s :s 11 .s :fe.s
d' :s |1 .s :fe.s
s :f If
:rn
m :r |r :—
m : ni | f . m :re . m
m :m if.pirre.m
m :r |r
:d
d :t, It, :-
I.Joy -bells ring - iiig,
Children siug - iug,
Fill the air
with
uiu - sic sweet;
•-'.Joy-bells ring - ing.
Children siug - iug,
Hark! their voic
- e.s.
loud and clear ;
3. Earth seems brighter,
Hearts grow light-er,
As the jo -
cund
uiel - o - dy
1. Joy-bells near - er
Sound, and clear-er.
When the heart
is
free from care;
d' :d' Id' :d'
s :d' Id' :d'
d' :s Is
:s
s :s Is :—
d :d Id :d
d :d Id :d
d :t, It,
:d
s, :s, Is, :—
59
R :s |1 .s :fe .s
d' :s
|1 .s :fe.s
d' :-.d' |r'
:r'
d' :t Id'
d :m |f.ni:re.ni
m :pi
|f .m :re.R
m :-.s If
:1
s :f |m
Jo - cund meas - ure.
Breaking o'er us.
Charms our sad - ness,
Skies are cheer - ing,
s :d' jd' :d'
Guileless
Like a
In - to
And we're
s :d'
pleas - ure,
cho - rus,
glad - ness,
hear - iug
Id' :d'
Make the chain
From a pur -
Peal - iug, peal
Joy - bells ring -
s :-.d' |1
of
er,
-ing,
ing
:f'
soug com - plete.
hap - pier si)here
joy - ful - ly.
ev - ery - whore.
n' :r' |d'
d :d Id :d
d :d
Id :d
d :-.rn |f
:f
s :s |d
s :-
- Id' :-
r' :-
- In' :-
r'
-.d' It
:1
s :f |R
n :-
Jov -
Chil -
d' :-
- |m :-
- bells!
- (hen !
-is :-
s :—
Jov -
Cliil -
t :-
- |s :—
- bells!
- dren!
- Id' :-
f
Nev
Nev
t
-.PI If
- er, nev -
- er, nev -
-.d' |r'
:f
er
er
:t
PI :r Id
cease your ring
cease your sing
d' :s Is
d :-
- jd :-
s :-
- Id' :-
S
-.s Is
:s
d :d Id
D.S.
s.
n :
If
: .f
List,
list.
the
d' :
It
: .t
IPI
song that swells,
t :r' Id' :—
Id
PI
Joy
t
bells !
Id' :-
- Id'
'Brightest Jc Best," by perm'ission.
f
Joy
t
In
bells!
Id'
\d
D.S.
BRINGING IN THE SHEAVES.
Key Ah.
A. J. Showalteb, by per.
m .m :pi
•,r
d :S|
d .d :d
•>r
PI :r
PI .m :n .,r
S| .S| :s,
I. So wing in
2.Sowing in
3. Go, then, ev
d .d :d
•,fi
the
the
- en
•A
m, :p1|
mom - ing,
sun - - shine,
weep - ing,
d :d
PI, .PI, :S|
Sowing seeds
Sowing in
Sowing for
d .d :d
.,s,
of
the
the
.,t,
s, :S|
kind - uess,
shad - ows,
Mas - ter,
d :t,
s, .S| :s, .,f,
Sowing in the
Fearing neither
Tho' the loss sus
d .d :d .,d
d| .d, :d,
.,d,
d, :d,
d| .d, rn.
.,S,
d :s.
d| .d, :d, .,d.
d :s,
s, .,d :t,
.1.
S| :—
s, .d :d .,m
f :pi
ni, :mi
noon - tide
clouds nor
tained our
d :d
PI, .,s, :S|
and the dew
winter's chill
spir - it oft
d .,Pi :r
.fe,
- y
ing
en
.d
s, :—
eve;
breeze ;
grieves ;
t, :-
PI, .pi| :p1| .,S|
Waiting for the
By and by the
When our weeping's
d .d :d .,d
1, :s,
har - vest,
har - vest,
0 - - ver,
d :d
d, :d,
d| .,d, :r,
•r,
Si :—
d| .d, :d, .,d.
d, :d,
d .d :d .
^
PI
:r
PI .n :pi .,r
d
.
s, .d :n
,r
d :-
m, .m, :s, .,s,
and the time of
and the la - bor
He will bid us
d .d :d .,t,
S|
re
en
w
d
:S|
ap - ing,
d - ed,
jl - come,
s, .s, :s, .,se,
We shall come re-
We shall coraere-
VVe shall comere-
d .d :d .,t|
1, :fi
joic - ing,
joic - ing,
joic • ing,
1, :d
Pi,.S| :s,
Bringing iu
Bringing in
Bringing in
d .PI :s
,s,
the
the
the
,f
s, :—
sheaves,
sheaves,
sheaves.
PI :—
d| .d| : pi| .
A
d
:s,
d| .d, :d| .,P1,
f,
:
f,
s, .s, :s,
,s,
d, :-■
m .,m :m
.,rn
PI :—
f .,f :f
',f
f :-
r .,r :r .,r
s, .,s, :s,
.,s,
s, :—
1. .,1. :1.
.,1.
1.
Si .,Si :s, .,s.
Bringing in
Bringing in
the
the
sheaves,
golden sheav
3S,
Bringing in
Bringing in
the
the
sheaves,
golden sheaves,
We shall come re
d .,d :d
.,d
d .,d :d
d .,d :d
.,d
d .,d :d
t, .,t, :t, .,t.
d, .,d, :d,
.,d,
d, .,d, :d,
f, .,f, :f,
.,f.
f. .,f. :f.
s, .,S| :S| .,S|
r :s
s .,Pi :pi
.,d
r :—
PI .,Pi :pi .,pi
PI :—
s, :t,
d .,d :d
.,d
t, :-
s, .,s, :s, .,s,
s, :—
joic ing,
t, :r
Bringing in
PI .,s :s
the
.,S
sheaves,
S :—
Bringing in the
Bringing in the
d .,d :d .,d
sheaves,
golden sheaves,
d .,d :d
8, :S|
d .,d :d
.,ni,
s, :-
-
d .,d
:d .,d
d
,d :d
BRINGING IN THE SHEAVES. Concluded.
61
f .,f :f .,f
f :-
r .,r :r .,r
r
:s
s .,in :pi .,r
d
1, .,1. :li .,1,
1, :—
S| .,S| :S| .,S|
Sl
:t,
d .,S| :S| .,S|
Sl
Bringing in tho
sheaves,
Wo shall come re-
joio -
ing.
Bringing in tho
^h
Bringing in tho
goUlcn sheaves,
d .,d :d .,d
d.,d :d
t, .,t, :t, .,t,
t,
:r
ni.,s :s .,f
PI
f, .,f. :fi ..fi
f, .,f, :f.
s, .,s, :S| .,s,
S|
:s,
S|.,S| :s, .,S|
d,
^heaves.
Key A.
REJOICE AND BE GLAD.
E. r. Andkews
:s,
d :d
:d .PI
r :—
:S| .s,
r :r :r .f
PI :—
:Pi.f
s :f :pi
:m,
m, : PI,
:p1i.s,
s, :—
:S| .s,
S| :s, :s,
s, :—
:S|
s, :S| :S|
il.Ro -
jdice and
bo
glad.
the Ko -
dccnier is
como.
Go
look on his
^.lie -
joice and
be
glad,
it is
sunshine at
last,
Tho
clouds have de
\:$.Ito -
joicc and
be
glad,
for the
bloodbath been
shed.
Re -
deniption is
/l.Re ■
joice and
be
glad.
for the
Lamb that was
slain
O'er
death is tri
:d
d :d
:d
t, :-
:t, .t,
t, :t, :t,.r
d :-
:d
d :t, :d
:d,
d, :d,
:d
S| :—
:S| .S|
s, :S| :S|
d :-
:d| .r.
PI, :r, :d|
r :d :1,
s, :pi :r
d
f, :1, :f,
PI, :s, :f,
m.
era - die, his
cross, and his
tomb
part - ed, tho
shad - ows are
past.
tin - ished, the
price hath been
paid.
mnphant, and
liv - eth a -
gain.
1, :d :d
d :d :t,
d
f, :f, :f,
s, :s, :s,
d,
f
.d
S|
.Sl
Sound his
PI
.n
d
.d
dj;, :t, :r.r
S| :S| :f|.f|
prais - es, tell the
pi.r :r
S| :s,
:t,.t|
r .d :d
fi.piirni :s, \
sto - ry of (
:d :d
:d, :d.
/T\
PI .r :r
:fe
s :— :s .3
3 .PI :m :pi .PI
Pi.d:d
:li
3.
:pi
:r
d :-
feTrfe,
:d
t, :- :d.d
d.S|:S| :S|.s,
S| .Pi|:f|
:f.
Pl|
:S|
:f,
PI, :—
him -who
■was
slain, Sound his
praises, tell with
gladness,
ho
liv
eth
a -
gain.
d.t,:l,
:r
r :— :pi.pi
pi.d :d :d .d
d :1,
:d
d
:d
:t,
d :-
r, :r|
:ri
s, :- :d.d
d :d :d,.d,
d, :f,
:fi
Sl
:S|
:S|
d, :-
A. S. KlEFFEB.
NEARER HOME.
A. J. Showaltee, by per.
Key G,
-:s, .d
|:s, .S|
; Day by
^Earthly
y On our
jrn .PI
':d .d
n :- .s :f .n
d . :-.d :t|.d
in til is land of
(lay life's path grows
friend - ships oft de -
jour - ney may we
s :- .n :r .d
d :-.d :s,.l.
f .d :-
:t, .d
r
1. .1. :-
:f, .n,
s,
sorrow,
Day by
(lay
drearer —
Earthly
joy 3
ceive us
Beaming
with
nev - er
Faint nor
fal
d .f :-
:r .d
t,
f, .f, :-
:s, .s,
Si
- .r
:d .,r
-.3,
:S| .,s,
we
jonrney
pass
swiftly
in -
constant
ter
by the
-.t,
:d .,t,
-.S|
:n|.,S|
on;
And each
by;
But the
ray;
But the
way;
In the
d :-
- :n .n
d :-
- :d .d
m :- .s :f .m
d :- .d :t| .d
fast succeed - iug
thought of heav'n grows
Sa,v - lour ne'er will
glo - rious, glad for-
s :- .PI :r .d
d :-.d :s, .1,
f.d :-
:t, .,d
r
:-.f
: n .,r
d
l,.l, :-
••fi .,m,
Si
:-.s,
:s, .,f,
Pii
morrow
Finds our
life -
work
near-er
done.
dearer.
As our
hopes
and
pleasures
die.
leave us
In the
dark
and
drear - y
way.
ev - er
We shall
rest
in
end - less
day.
d.f :-
:r .,d
t,
:- .r
:d .,t,
d
f, .f, :-
:S| .,S|
Si
:-.S|
:s, .,S|
d,
PI .f
d .d
Nearer }
d
d .d
■:)
s
:- .3
:f .PI
d
:- .d
:t, .d
home!
yes.
blessed
R
:- .PI
:r .d
d
:-.d
:s, .li
f .f
f, .f.
f .f
1, .1, :-
:li .1,
Saviour,
Nearer
d .d :-
:d .d
f, .f,
PI
:r .d
r
Si
:s, .1,
ti
a
Father's
love
PI
:3 .fe
S
.d :t| .1,
Nearer
PI .PI
d .d
d :- .d
S| :- .S|
heav'ns e
PI :- .PI
:pi
.3
f .1,
:-
:li .li
:s,
.ta,
1, .f,
:—
:f, .f,
ter
nal
portal,
Neai-er
:d
.d
d .d
:—
:d .d
:d
.PI,
f, .f,
:—
:fi .f,
Si
:- .d
:n .,r
d
PI,
:- .Pi|
:s, .,f,
m.
to
our
home a
bove
d
:- .d
:t, .,t,
d
Si
:- .3,
:S| .,3,
di
MOURNER, CEASE THY WEEPING.
63
Key Bb.
Si :s, |1|
:li
S| :-
Id :- .
t, :d Ir
m, im, |f|
:fi
n, :—
Is, :-
S| :S| Is,
1. Mourner, cease
3.Raise thine eyes
d :d Id
thy
to
:d
weep -
heav -
d :-
- ing,
• en.
In :—
Wipe the fall
Wlicu thy spir
r :m |f
d| : d, 1 d,
:d,
d, :-
Id, :-
S| :s, Is,
B. C. Unseld.
:t.
d :
:S|
S| :-
ing
tear ;
its
quail
:r
PI :-
:s.
d, :
s, :s, 11, :1,
s, :—
Im :—
r
:r Id
:d
t,
n, :m, |f, :f.
m, :—
Is, :-
S|
:S| Im,
:S|
s.
God his watch is
keep -
-ins,
TIk
)" none else
is
near
When by tempests
driv - -
en,
lie
irt and cour -
ajre
fail.
d :d Id :d
d :-
Id :-
t|
:t| Id
: m
r
d, :d. Id, :d.
d, :-
Id, :-
S|
:s, Is,
:s,
s.
:t|
He will nev
He will ev
Id
Im,
Is, :-
S| :— |m,
leave thee,
hold
n
d,
thee,
Id
Id,
t, :t, Id :d
r, :s, |S| :s,
All thy wants he
All thy bur - dens
t, : r I m : d
s, :si Id, :m,
knows,
share,
t, :-
m
: m
s,
:s,
li :-
If :-
n :r |d
:t,
d :-
S|
:s.
im,
:n.
fi :—
If. :-
s, :1, Is,
:f.
m, :-
Fee
s the
Iiain
that
grieves
thee,
Sees thy cares
and
woes.
In
his
arms
he'll
fold
thee,
Safe from ev -
ery
snare
d
:d
Id
:d
d :-
|r :—
d :f Im
:r
d :-
d,
:d.
Id,
:d,
f. :-
|r, :-
m, :f. Is,
:S|
d, :-
— )
:::)
Copyright, 1882, by Biglow it Main.
TEACHERS' INDEX.
FIRST STEP.
THIRD STEP— Continued.
Blessed Rain,
Great and Good,
The Happ7 Scholar,
PAGE
32
19
20
SECOND STEP.
A Mothers Lullabv, .
. 54
Be Content.
21
Ding Dong, ....
. 19
Evening is Falling,
20
Hear our Evening Prayer,
. 54
Longings,
49
Round and Round,
3.^
Swell the Anthem,
55
The Robin's Lullaby, .
55
The Mellow Horn,
22
THIRD STEP.
Always Cheerful.
Autumn Hymn,
Bye, Baby, Bye,
Don't Stop There, .
In the Old Church Tower,
It is I
Jesus is Mine,
Little Eyes, . . . .
Mountaineer's Song, .
Mourner, Cease thy Weeping,
Never tell a Lie, .
Ripple, Little Brook,
Seek the Tender Shepherd,
Somebody, . . . .
Tarry with Me, .
The Morning Light,
The Wondrous Story,
Why, Little Fly,
FOURTH STEP
Angels of Dreamland,
Anywhere, .
Awake, ....
Boat Song, .
Bringing in the Sheaves,
Christ, whose Glory, .
Come, May,
Evening Hymn, .
Fair is the Morning Land,
Hark! hark! my Soul,
Heavenly Love,
Jesus, Meek and Gentle.
Joseph Ree, .
Joy Bells, .
Lo! my Shepherd's Hand,
Look Beyond,
Milman, .
Nearer Home, .
Rejoice and bo Glad,
Summer Suns are glowing,
Sweetly chimes the bell.
Watch and Pray,
We shall Rest,
FIFTH STEP.
Away with the Wine. .
Brightly Breaks,
Christmas Carol,
Clay to Clay
Sing, my Soul,
PAGB
45
23
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