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SONGS  OF  THE  GAEL 

FIRST  SERIES 

A   Collection  of  Anglo- 
Irish   Songs  and   Ballads 

WEDDED  TO  OLD  TRADITIONAL  IRISH  AIRS 


BY 

An  U-AUA1U  pAT>ntii     btieAttiAc 


EDITOR  OF  "  ceCt  An  slnse^n,"  -jlc. 


REVISED   AND    ENLARGED 


BROWNE    AND    NOLAN,   LIMITED 

DUBLIN     .     BELFAST     .    CORK     .     WATERFORD 
1922 

All  Rights  Reserved. 


"ceOt    An    sinseAn" 


gceol 


Each  Complete  in  One  Volume,  bound  in 
Cloth,  and  Gold  Lettering, 

2s.    6d. 


FOREWORD 

F  collecting  and  editing  the  Irish  songs  and  airs  contained 
in  the  little  volume  entitled  "  puirm  TIA  Smot,"  which  was 
ublished  by  Messrs.  Browne  and  Nolan  in  1913,  I  became 
acquainted  with  many  beautiful  airs  and  versions  of  airs  which 
are  known  and  sung  in  the  Irish-speaking  districts  of  Cork, 
Waterford,  and  Kerry.  It  occurred  to  me  that  I  would  be 
rendering  a  valuable  service  to  the  cause  of  Irish  music  if  I 
could  bring  the  knowledge  of  these  bits  of  traditional  music 
home  to  those  who  do  not  understand  Irish  sufficiently  well 
to  sing  an  Irish  song.  With  that  object  in  view  I  have  tried 
to  select  suitable  Anglo-Irish  songs  to  match  the  traditional 
airs  wrhich  have  been  taken  down  from  living  Irish  singers. 
Another  thought  guided  me  in  this  compilation.  In  looking 
through  other  published  collections  of  Irish  music  with  songs, 
I  was  forcibly  struck  by  the  fact  that  we  have  a  large  number 
of  most  beautiful  songs  which  have  never  been  wedded  to 
Irish  airs.  I  have  matched  several  gongs  of  this  class  with  airs. 
In  addition,  I  have  collected  into  this  volume  a  number  of 
beautiful  songs  with  their  airs  which  are  scattered  in  various 
collections.  Promoters  of  Concerts  and  Feiseana,  teachers  and 
pupils  and  singers  alike,  will  thus  have  at  hand  a  cheap  and 
accessible  collection  of  songs  that  breathe  the  true  spirit  of 
Irish  nationality  and  Irish  home-life  and  Irish  sentiment. 

I  have  to  say  in  reference  to  the  airs  here  found  that  I 
have  jealously  excluded  from  their  number  all  modern  com- 
positions. I  have  admitted  nothing  to  these  pages  but  genuine 
old  traditional  Irish  airs.  I  calculate  that  tkere  are  in  this 
volume  about  forty-five  old  traditional  airs,  taken  down  from 


IV 

living  singers,  which  are  here  linked  to  Anglo-Irish  songs  and 
ballads  for  the  first  time.  Other  traditional  airs  which  I 
have  used  are  taken  from  PC  trie  and  Joyce.  A  few  were 
given  to  me  by  Mr.  McCall. 

As  to  the  songs — I  have  aimed  at  selecting  those  which 
have  in  them  the  true  national  ring.  We  want  in  the  Ireland 
of  to-day  an  antidote  to  the  spirit  of  Anglicisation  which  is 
abroad.  I  know  no  more  effective  barrier  against  the  encroach- 
ment of  that  spirit,  next  to  the  Irish  Language  and  Irish  Song, 
than  the  general  singing  at  concerts  and  gatherings  of  good 
Anglo-Irish  ballads  and  songs.  The  music  hall  and  concert 
room  may  be  made  a  very  powerful  agency  in  de-nationalising 
and  even'in  debasing  our  people.  From  a  national  and  moral 
point  of  view  what  effect  can  empty,  vulgar,  mawkishly 
sentimental  songs  have  ?  And  such  songs  are  only  toe  often 
heard  at  our  so-called  Irish  Concerts.  Or  the  song  whose 
lewd  allusions  are  thinly  veiled  ?  Or  the  songs  that  ignore 
and  deliberately  eschew  the  glories  and  noble  deeds  and  sacri- 
fices of  our  past  heroes — what  effect  can  such  songs  as  these 
have  on  Irish  youth  ?  It  has  been  truly  said  that  in  a 
nation's  ballads  we  find  the  history  of  its  struggles  and  pro- 
gress and  triumph.  A  nation's  habits,  too,  and  its  traditions 
and  recollections  are  enshrined  in  its  ballads.  The  wandering 
bards  and  minstrels  became  the  keepers  of  the  records  of  the 
nation ;  and  hence  they  were  hunted  down  by  the  oppressors. 

A  well-known  collector  of  Irish  ballads  claims  for  Ireland 
as  high  a  rank  in  ballad  literature  as  that  of  any  other  nation. 
In  this  collection  which  I  now  give  to  the  public,  Irish  men 
and  women  will  find  songs  which  are  all  racy  of  the  soil. 

There  are  nearly  two  hundred  songs  in  the  twelve  penny 
numbers  of  this  collection.  I  would  remark  that  of  these" 
I  have  here  set  to  old  Irish  airs  nearly  a  hundred  songs  which 
are  not  found  wedded  to  music  in  any  collection  that  I  know. 
Of  the  remainder  about  thirty-five  were  written  for  certain 
airs  by  their  authors,  but  in  these  cases  mention  only  of  the 


air  was  made.  The  airs  themselves  were  not  given.  The  words 
and  airs  have  never  appeared  together  until  now.  There 
are  a  dozen  additional  songs  which  I  found  already  wedded  to 
airs,  but  these  airs  I  have  not  adopted  ;  I  have  changed  them 
for  others.  One  reason  that  weighed  with  me  for  doing  so  was 
that  I  found  in  some  cases  that  the  songs  were  sung  by  the 
people  to  the  airs  which  I  have  here  selected,  Kickham's 
beautiful  song,  "  She  lived  beside  the  Anner,"  is  one  such. 

Another  remark  I  would  like  to  make  is  this.  I  have  ex- 
cluded all  hackneyed  songs  and  songs  which  can  otherwise 
be  easily  got,  such  as  Moore's.  Of  his  I  have  put  in  about 
half  a  dozen  which  are  looked  upon  as  the  most  popular.  My 
entire  selection  has  been  guided  by  the  principle  which  may 
be  expressed  in  the  words  of  Gavan  Duffy  in  his  "  Ballad 
Poetry  "  :  "  The  ordinary  effect  of  native  poetry  is  to  cherish 
love  of  home  and  homely  associations,  which,  elevated  and 
spiritualized,  becomes  love  of  country." 

The  love  of  home  and  country ;  the  struggles,  the  sacri- 
fices, and  the  glories  of  the  past ;  the  purity  of  Irish  love,  as 
expressed  in  the  sentimental  songs  of  our  ballad  writers — these 
things  will,  I  feel,  be  found  worthily  reflected  in  the  pages  of 
this  collection. 

In  making  up  this  collection  I  have  selected  gems  from  our 
best  song  and  ballad  writers  of  the  last  and  present  century. 
Here  is  a  list  of  names  :  Allingham ;  Banim ;  Barry,  M.  J.  ; 
Boyle,  John  ;  Browne,  Frances  ;  Callanan ;  "  Carroll  Malone :> ; 
Casey  ("  Leo  ")  ;  Collins,  Wm. ;  Davis,  F. ;  Davis,  Th. ; 
Doheny;  Bowling,  Jer.  J.;  Duffy;  "Eva";  "Fermoy"; 
Furlong,  T. ;  Griffin ;  Hogan,  M. ;  Joyce,  Robt.  P. ;  Kscgan ; 
Kickham ;  Lane,  Denny ;  Locke,  John  ;  Lover  ;  MacCarthy, 
D.  F. ;  McGee,  T.  D. ;  McKeown ;  Magennis  ;  Moore ;  Murphy, 
M.  J.;  O'Donovan  Rossa ;  Ogle;  Petrie;  "  Prout,  Father"; 
Rooney,  William  ;  Scanlan,  Ml. ;  Sullivan,  T.  D. ;  "Tiny"; 
Waller;  Walsh;  E. ;  Walsh,  John.  The  collection  will  show 
that  there  is  no  dying  out  of  the  poetic  spirit  and  the  art 


VI 

of  song  and  ballad  writing  in  Ireland.  The  following  names 
of  living  writers  will  bear  out  further  this  remark: 
Sigerson,  Dr. — dare  et  venerabile  nomen;  McCall,  P.  J.,  and 
Fahy,  Frank — our  two  raciest  song- writers ;  O'Higgins,  Brian, 
and  Kehoe,  P. — our  youngest  song- writers.  All  these  are 
represented  in  this  collection.  They  show  that  Ireland  can 
still  produce  men  who  sing  worthily  of  their  land,  whether  in 
strains  joyful,  sad,  or  humorous. 

I  acknowledge  with  gratitude  my  indebtedness  to  the 
following  for  permission  to  use  songs  or  music :  Mrs.  W. 
Allingham,  Dr.  Sigerson,  P.  J.  McCall,  Frank  Fahy,  Arthur 
Griffith,  Dr.  G.  Joyce,  Alfred  P.  Graves,  P.  Kehoe,  Brian 
O'Higgins,  Messrs.  Whelan  &  Son,  and,  in  a  very  special  way, 
I  am  indebted  to  Miss  Annie  O'Reilly,  of  Macroom,  for  valuable 
help  in  supplying  me  with  some  exquisite  airs.  Jeremiah 
O'Connor,  of  Cork,  gave  me  several  fine  versions  of  old  airs. 

There  are  in  this  volume  perhaps  about  a  dozen  songs 
which  were  written  by  anonymous  authors.  They  arc 
productions  of  considerable  literary  merit,  whilst  some  of  them 
rank  highly  from  a  literary  point  of  view.  For  this  reason  I 
was  anxious  to  identify  the  writers.  Up  to  the  time  of  going 
to  press  I  had  not  been  able  to  do  so,  but  since  then  I  have 
succeeded  in  identifying  a  few  of  them  as  follows;—- 

John  Boyle  is  the  author  of  the  two  songs  signed  "  Mylo  " 
and  "  Pontiac."  He  Was  born  in  King's  Co.  in  1822,  went  to 
America  in  1842,  and  died  in  New  York,  in  January,  1885. 

The  writer  who  signed  herself  "Tiny"  (p.  116),  was 
Mrs.  Mary  C.  F.  Munster,  wife  of  Alfred  M.  Munster,  Danish 
Consul  for  Ireland.  She  was  daughter  of  Richard  Monck  of 
Banagher,  Kings  Co.  She  was  born  in  1835  and  died  in  1892 
at  Holywood,  near  Belfast.  I  p.m  indebted  to  D.  J.  Donoghue's 
Lives  of  Irish  Poets  for  the  information  here  given. 

In  reference  to  the  Ballad  en  p.  184  to  which  I  have  given 
the  title  "A  Fenian  Ballad,"  I  have  it  on  very  good  authority 
— those  who  knew  the  author  personally — that  the  writer  of  it 


was  O'Donovan  Rossa,  the  famous  Fenian  chief.  I  was 
hoping  to  get  the  missing  lines  of  the  last  verse,  but  I  have 
failed  to  do  so, 

The  song  on  p.  192  is  sung  to  the  air  af  the  previous  song. 
The  song  on  p.  46  is  sung  to  Ike  air  found  on  p.  44. 
I  have  to  say  that  there  is  no  transition  from  one  key  to  another 
in  any  song  of  the  collection.  This  remark  is  necessary 
inasmuch  as  I  have  heard  that  some  teachers  have  taken 
grace  notes  in  the  music  for  marks  of  transition. 

I  venture  to  hope  that  the  songs  here  collected  will  be 
widely  known  and  sung.  As  Dr.  Sigerson  remarks,  in  an 
encouraging  letter  with  which  he  favoured  me,  the  singing 
and  whistling  and  lilting  of  those  beautiful  old  airs  will  be 
like  voices  from  Ui^  TIA  ti-0$. 

This  collection  of  songs  was  first  published  in  12  penny 
numbers.     These  penny  numbers  are  no  longer  issued  as  such, 
owing  to    increased  cost  of  paper,  labour,  and  accounting 
Henceforth  the  "  Songs  of  the  Gael,"  of  which  there  are  four 
series,  can  only  be  had  in  book  form.     The  Editor  claims  the 
song  known  as  "The  Exile  of  Erin"  as  the  work  of  an  Irish 
poet,  Reynolds.     It  will  be  found  in  the  Second  Series  of  this 
collection.       A  pamphlet   has  been  issued  proving   Reynolds' 
title  to  the  song,  and  disproving  that  of   Thomas  Campbell. 
Its  title  is  "  The  Exile  of  Erin,"  published  by  Fallon  Bros. 


PHIBSBOKO',  DUBLIN. 


CONTENTS 


I 


A  Ballad  of  Irish  Freedom 

Adieu  to  Erin        .... 

A  Fenian  Ballad  .... 

A  Legend  of  the  Shannon 

Alley  Kelly  O        . 

A  Message  o'er  the  Sea    . 

Among  the  Heather 

A  Mother's  Lament 

An  Old  Irish  Hill  in  the  Morning 

An  Old  Irish  Jig  ... 

Arthur  McCoy       .... 

As  I  Walked  the  Road  to  Sligo  . 

A  Song  for  the  Irish  Volunteers  . 

A  Song  for  Rozheen  Dhu 

Asthore  Machree  .... 

Asthoreen  Machree 

At  Early  Dawn     .... 

At  the  Yellow  Boreen 

Avenging  and  Bright 

Beautiful  Ireland 

Bells  of  Shandon,  The      . 

Blarismoor  Tragedy,  The 

Blind  Mary  .... 

Bold  Phelim  Brady,  the  Bard  of  Armagh 

Boochaleen  Bawn 

Bouchaleen  Bawn 

Bouchaleen  Dhoun 

Boys  of  Wexford,  The      . 

Bridge  of  Glanwillian,  The 

topi-Din   t>Ati  mo  Sc6|i 

Brigade's  Hurling  Match,  The 

Cahal  the  Hunter 

Cannon,  The          .... 

Caoch  O'Leary      .... 

Christmas  Eve       .... 

Christmas  Song     .... 

Claddagh  Boatman,  The  . 

Colleen  Dhas  Croothe  Na  M6 

Colleen  Rua,  The 

Come,  rest  in  this  Bosom 

Comical  Boy,  The 


PAGE 

228 

22 
184 
170 
132 
308 
173 
346 
158 
330 

66 
300 

10 
380 
336 
375 
161 

78 
285 

328 
242 
286 
257 
198 
344 
146 
72 
76 
110 
101 
212 

88 
370 
126 
378 
296 
232 
168 
278 
384 
S76 


X  CONTENTS 

Coming  Bridal,  The  .  .  .  .  .  .70 

Convict  of  Clonmel,  The  .... 

Croppy  Boy,  The 

Dark  "Maid  of  the  Valley,  The         .....       252 

Dawn  is  in  the  Sky,  The  .....       289 

Dear  Irish  Boy,  The          ......       366 

Dear  Land  of  the  Shamrock         .    •  .  .  .28 

Deirdre's  Farewell  to  Alba  .  .  .  .  .354 

Dhreenaun  Dhoun,  The    ......       104 

Diarmid  M6r          .  .  .  .  .  .  .102 

Drihaureen  O  Machree      .  .  .  .  .  .24 

Driman  Dhoun  Dheelish  .  .  .  .  .  .42 

Driman  Dhoun  Dheelish  ......       208 

Eileen  O  Brin       .......  186 

Ensign  and  His  Banner,  The        .....  206 

Erin  Asthore          .......  274 

Erin  Free  .......  382 

Faded  Hopes         .......       317 

Fair-haired  Maid,  The       ......        266 

Fair  Kate  of  Glenanner    ......       320 

Fanny        ........         96 

Far  Away  .......       332 

Feagh  MacHugh   .  .  .  .  .  .  .150 

Fiddler,  The  .......         98 

Fineen  O'Driscoll  the  Rover         .  .  .  .  .       176 

Flag  that  Floats  Above  Us,  The  ....       200 

Flower  of  Finae,  The        .  .  .  .  .  .114 

Follow  Me  Up  to  Carlow  .....        120 

For  God  and  Ireland        ......       348 

Gallant  Men  of  '98,  The  ......          26 

Galway  Bay  .......          60 

Girl  of  Dunbwy,  The         ......          65 

Gra  Gal  Machree  .  .  .  .  .  .210 

Grade  6g  Machree  ......  6 

Green  Flag,  The   .......       350 

Green  Linnet,  The  .  .  .  .  .  .314 

Green  Woods  of  Slew,  The  .....       238 

Has  Sorrow  Thy  Young  Days  Shaded  ?  .  .  .  .300 

Haste  to  the  Wedding      .  .  .  .  .       294 


CONTENTS  XI 

PAGE 

Heather  Glen         .  .  .  .  .  .  .106 

Herself  and  Myself  ......        322 

"  Holly  and  Ivy  "  Girl,  The  .  .  202 

How  d'you  like  Her  for  Your  Wife  ?  .  .  .        374 

How  Pleasant  Sweet  Birdies          .  21 

I  Built  Me  a  Bower          ......         86 

Innishowen  .......        276 

I  Rambled  Down  the  Woodland  Path  .  .  .268 

Ireland's  Hurling  Men       .  .  .  272 

' '  Ireland  Over  All  "  .  .  ...        218 

Irish  Maiden's  Lament,  The  .  .  .  .  .156 

Irish  Molly  O  !      .  .  .  .  .  .  .56 

Irish  Reaper's  Harvest  Hymn,  The  ...  40 

Irish  Volunteers,  The         .  .  .  .  .  .372 

I've  Come  unto  my  Home  Again  .  .  .  .138 

I  Would  I  Were  on  Yonder  Hill  .'  ,  .  .214 

Jackets  Green        .  .  .  .  .  .  .16 

Johnnie  Dunlea     .  .  .  .  .  .  .19 

John  O'Dwyer  of  the  Glen  .  .  .  .254 

Kate  o'  Belashanny  .  .  .  .  .  .148 

Kate  of  Kenmare  .  .  .  .  .  .92 

Kathleen  Maehree  .  .  .  .  .  .240 

Kelly  of  Killann   .......       262 

Kitty  Neil  .......        340 

Kitty  O'Hea          .  .  .       362 

Lament  for  the  Milesians  .....        222 

Lament  of  Garodh  Earla  ..... 

Lament  of  the  Irish  Mother 

Let  Erin  Remember  .... 

Little  House  Under  the  Hill,  The 

Little  Mary  Cassidy            .  .               .               .               .               .326 

Little  Red  Fox,  The          .  .              .              .              .              .342 

Linnet,  The            ......  36 

Ma  Chreeveen  Eeving  Auling  6    .  .  .  .  .74 

Ma  Cholleeii  Dhas  Dhoun  .... 

Ma  Sthoreen  Oge 

Ma  Vannacht  Lath  (mo  beAtitiAcc  teac) 

Maid  of  Slievenamon,  The  .... 

Maire  Dhoon  Asthore        ..... 

Mary  the  Pride  of  the  West          . 


Xll  CONTENTS 

PAGB 

Mary's  Sweetheart  .  ....       304 


Maureed  Bawn 
Men  of  the  West,  The 
Molly  Ma  Sthore  . 
Mountains,  The 
Mountain  Altar,  The 
Mountain  Men.  The 


310 
194 
30 
118 
264 
298 


Mountains  of  Pomeroy,  The         ....  250 

Munster  War-Song,  The  ...  97 

Music  in  the  Street  '.....  52 

My  Boat  .  .  .  .  .  .  .244 

My  Carroll  Bawn  ......       246 

My  Ceallaigh  Dhu  Asthore  .  .  .  .62 

My  First  Love       .......       356 

My  Gentle  Colleen  Ruadh  .....  8 

My  Heart  of  Hearts  ...  38 

My  Love  is  on  the  River  .  .  .  .  .189 

My  Nial  Bawn      .......         44 

Native  Swords       .  .  58 

Ned  of  the  Hill    .  .....       136 

O'DonneH  Aboo    .......  368 

O'Donovan's  Daughter      ......  192 

Oh,  Come  with  Me,  My  Irish  Girl             ....  338 

Oh!   Limerick  is  Beautiful             .....  5O 

Old  Cork  Beside  the  Lee               .....  32 

On  Cnoc  tiA  SiT>e                ......  293 

O'Neill's  Vow        .......  334 

O's  and  the  Mac's,  The    ......  154 

Our  Flag  of  Green             ......  360 

Our  Native  Land               ......  216 

Our  Own  Little  Isle          .              .              .              .  2 

Outlaw  of  Kilmore,  The  ......  94 

Over  the  Morning  Dew     ......  345 

Patriot  Maid,  The  "  .  .  .  .  .  .84 

Patriot  Mother,  The  ......       124 

Paustteen  Fiunn,  The       ......       140 

'pe  n-eitAitin  1  !      .  .  .  .  .  .  •       112 

Pretty  Girl  Milking  her  Cow,  The  ....       166 

Red  Lusrnore,  The  .  .  .  .  .  .165 

Redmond  O'Hanlon  .  .  .  .  .  .220 

Remember  Thee    .......         55 

Return  from  Fingal,  The  .....       226 


CONTENTS  Xlii 

PAGE 

Rose  of  Knockmany          .  .  .  .  .  .39 

Rosemary  Crown,  The       ......        144 

Rover,  The  .......        162 

Rozheen  Dhu         .......         82 

Sack  of  Baltimore,  The    ......  173 

Saddest  Breeze,  The  .  .  .  .  .  .197 

Sailing  in  the  Lowlands  Low        .  .  .  .  .80- 

She  Lived  Beside  the  Anner          .....  25& 

Sheer  Smueenthe  (siojt  Snmince)                ....  134 

Siege  of  Limerick,  The     ......  282 

Slaun  Beo               .......  353 

Snowy-breasted  Pearl,  The             .....  231 

Song  of  Golden-Headed  Niav        .....  290 

Songs  of  Our  Land            ......  4 

Song  of  Sarsfield's  Trooper            .              .              .              .              .  324 

Spinning  Wheel,  The         ......  14 

Stormy  Sea  Shall  Flow  In,  The  .....  142: 

Summer  in  Erin    .......  90- 

Summer  is  Coming,  The  ......  302 

Sweet  Glengariff's  Water                .....  316 

Sweet  Words  said  to  Me,  The      .              .              .              .              .  339 

There  is  a  Stream  'mid  Houra's  Dells      ....       130 

There  is  a  Tree  in  Darra's  Wood  ....       364 

Thief  of  the  World,  The  ......       260 

Thou  art  net  Conquered  yet  Dear  Land  .  .  .190 

Though  the  Last  Glimpse  of  Erin  .  .  .  .       312 

Three  Thousand  Miles  Away         .  .  .  .  .34 

To-morrow,  Comrades,  We  .....       204 

Twilight  Music      .  .  .  .  .  .  .       234 

Twilight  on  a  Tipperary  Hillside  ....       318 

Unfurling  the  Flag  ......       236 

You're  a  Dear  Land  to  Me  .....       358 

Welcome  Home  to  You    .  .  .  .  .  .321 

Wexford  Insurgent,  The   ......       152 

Wexford  Massacre,  The     .  .  .  .  .  .12 

When  Cool  Winds  are  Blowing     .  .  .  .  .246 

When  the  Praties  are  Dug  .  .  .  .       280 

Willy  ReiHy  .....         47 

Winny  .......        180 

Work  of  God,  The  224 


SONGS  OF  THE  GAEL 


OUR  OWN  LITTLE  ISLE. 

KEY  E.     Vivace.  *  Air :  "  The 

m/. 


d     :-     :- 

|r     : 

d 

:r 

m.l:-     : 

1 

|1      :s 

:f     ) 

Oh! 

i  - 

rish 

-  men 

never 

for 

-  get—  'Tis 

a     f 

m     :  r     :  m 

Id     : 

m 

:  r 

d     :-.!,: 

1, 

11,    :- 

:s,    > 

jo    -  reign  -  er'a 

farm  —  • 

your 

own        lit 

-tie 

isle  ; 

' 

|  d     :  (d)  :  (d) 

1  Oh! 

|r     : 
i  - 

d 

rish 

:r 

-  men 

n     :  1     : 

when  will 

1 

you 

|1     :    .s 

Some) 

get 

m     :  r     :  m 

Id     : 

n 

:r 

r     :-.d  : 

d 

Id     :- 

! 

life      in     your 

hearts 

for 

your     poor       lit  - 

tie 

isle  ? 

i 

Id'':-     :- 

|  Yes  ! 

Id'     : 

Yes! 

-     rd'.t 

—  we've  a 

1      :s     : 

dear  lit  - 

f 

tie 

|  PI     *  r 

spot    of 

:d     > 

it!    ) 

i 

d'    :-     :- 

1  Oh! 

Yes!- 

- 

:t 

a 

1      :s     : 

sweet  lit  - 

n 

tie 

Is      :- 

isle  ! 

1  —       * 

Id'    :-     :- 

1  Yes! 

yes  ! 



:t 
if 

1      :s     : 

I  -  rish  - 

f     |N     :r 

men  thought  of 

:d     1 

it,     i 

rit. 

D.C. 

PI     i  —  .r  i  PI 

Id 

;- 

:PIT 

d     :-.!, 

•  1| 

11,    :- 

'Twould  bo  a 

dear 

little 

,  sweet     lit 

-tie 

isle  ! 

2.  Thm,  come  on  and  rise,  ev'ry  man  of  you — 

Now  is  the  time  for  a  stir  to  be  made  ; 
Ho  t  Pat  !  who  made  such  a  lamb  of  you  ! 
Life  to  your  soul,  boy,  and  strength  to  your 


Yes  !  yes  ! — a  dear  little  spot  of  it  ! 

Oh  !  yes  ! — a  sweet  little  isle  ! 
Yes  !  yes  ! — if  Irishmen  thought  of  it, 

Erin  once  more  is  our  own  little  isle  ! 

3.  Rise  !  heartily  !  shoulder  to  shoulder — 

We'll  show  'em  strength  with  good  humour 
Rise  !  rise  !  show  each  foreign  beholder 

We've  not  lost  our  love  to  thee,  Erin  asthore  ! 
For  oh  !  yes  ! — 'tis  a  dear  little  spot  of  it  ! 

Yes  !  yes  ! — a  sweet  little  isle  ! 
Yes  !  yes  !  the  Irish  have  thought  of  it ; 
Erin  for  ever — our  own  little  isle  ! 

4.  Never  forget  what  your  forefathers  fought  for,  O  ! 

When  to  "  O'Neill  "  or  "  O'Donnell  Abqo  " 
Sasanachs  ev'rywhere  sunk  in  the  slaughter,  O  ! 
Vengeance  for  insult,  dear  Erin,  to  you  ! 
For  oh  !  yes  ! — a  dear  little  spot  of  it  ! 

Yes  !  yes  ! — a  sweet  little  isle  ; 
Yes  !  yes  ! — if  Irishmen  thought  of  it, 
Erin  once  more  is  our  own  little  isle  ! 

6.  Yes,  we  have  strength  to  make  Irishmen  free  again  j 

Only  UNITE — and  we'll  conquer  our  foe  ; 
And  never  on  earth  shall  a  foreigner  see  again 
Erin  a  province — though  lately  so  low. 

For  oh  !  yes  ! — we've  a  dear  little  spot  of  it  ! 

Yes  !  yes  ! — a  sweet  little  isle  ! 
Yes  !  yes  ! — the  Irish  have  thought  of  it ; 
Erin  for  ever — OUR  OWN  little  isle  ! 

JOHN  EDWARD  PIGOT  ("  Ferrnoy. 


This  stirring  song  is  from  the  pen  of  the  eldest  son  of  the  Lord  Chief 
Baron  of  the  Exchequer  (Ireland).  He  was  born  at  Kilworth,  Co.  Cork, 
in  1822,  and  died  in  Dublin  in  1871.  He  was  one  of  the  Young  Ireland 
group  and  wrote  a  few  poems  which  are  amongst  the  most  stirring  that 
appeared  in  The  Nation  (1842-48).  He  was  a  great  collector  of  Irish  airs, 
some  of  which  have  been  published  by  Dr.  P.  W.  Joyce.  .The  last  four 
lines  of  each  verse  are  repeated  and  should  be  choroaed  by  the  audience. 


SONGS  OF  OUR  LAND. 


Air  :   "  Cuifle  mo 


KEY  G.     Moderately. 

(:(s,)   is,     :-.l,:ta,   |s,    :  s,  :s,    Id    :  t,    :d    |  m    :r    :ro) 

(  I  Songs     of     our    land,  ye  are     'with    us     for      ev  -  er :  The) 

f|s     :f     :r     |d    :t,    :  s.  If,    :  m,    :ii,    |m,    :-     :f 

(power and     the    splen-dour      of  Ithronespass  a    -   way;        But 


:  -.1,  :  ta,  |  s,  :-.s,  :  s, 

urs      is      the      might  of     some 


(is     :f       :r     |d    :t,     :  s, 

([sum  -  mer's  bright  ro   -  ses,     or 

fir    :m      :f     |r:s     :s 

(Itrea  -  sure     each  voice   of     the 


d     :-.t,  :d 


:r     :m 


far    flow  -  ing       riv  -    er,    Thro') 


-     :d 


:d    ) 

Ye     ) 


:r     |f    :r     :t, 

((truth,  which  time  wri  -  teth     on 


au-  tumn's  de  -  cay. 

s     :  -.f  :  ni  |  PI     :  r  :  d    \ 

swift  -  pass-ing      a    -    ges,  And) 

d     :  -.t,  :  s,  I  f ,    :  n,  :  f ,    j 

leaves      or    on       sand,  Ye     ) 


i    :-«l|  '  ta,  |  s,   :-s,  :s.    Id     :-.t,:d     |i*i     :r     :ro    ) 

ing     us      the  bright  thoughts  of]  po    -    ets  and      sa  -  ges,     And  ) 


.bring 

s     :f 


:r 


p  them      a-mongst  us,       old 


s 


S,     :- 


songs   of      our     land ! 


The  bards  may  go  down  to  the  place  of  their  slumbers  ; 

The  lyre  of  the  charmer  be  hushed  in  the  grave  ; 
But  far  in  the  future  the  power  of  their  numbers 

Shall  kindle  the  hearts  of  our  faithful  and  brave. 
It  will  waken  an  echo  in  souls  deep  and  lonely, 

Like  voices  of  reeds  by  the  summer  breeze  fanned  j 
It  will  call  up  a  spirit  of  freedom,  when  only 

Her  breathings  are  heard  in  the  songs  of  our  land. 


3k  For  they  keep  a  record  of  those*,  the  true-hearted, 

Who  fell  with  the  cause  they  had  vowed  to  maintain  ; 
They  show  us  bright  shadows  of  glory  departed, 

Of  the  love  that  grew  cold,  and  the  hope  that  was  vain. 
The  page  may  be  lost  and  the  pen  long  forsaken, 

And  weeds  may  grow  wild  o'er  the  brave  heart  and  hand  ; 
But  ye  are  still  left  when  all  else  hath  been  taken, 

Like  streams  in  the  desert,  sweet  songs  of  our  land  ! 


4.  Songs  of  our  land  !  ye  have  followed  the  stranger 

With  power  over  ocean  and  desert  afar, 
Ye  have  gone  with  our  wand'rers  thro'  distance  and  danger, 

And  gladdened  their  path  like  a  home-guiding  star  ; 
With  the  breath  of  our  mountains  in  summers  long  vanished, 

And  visions  that  passed  like  a  wave  from  the  strand  ; 
With  hope  for  their  country  and  joy  from  her  banished, 

Ye  come  to  us  ever,  sweet  songs  of  our  land  ! 


5*  The  spring-time  may  come  with  the  song  of  her  glory, 

To  bid  the  green  heart  of  the  forest  rejoice  ; 
But  the  pine  of  the  mountain,  tho'  blasted  and  hoary, 

And  rock  in  the  desert  can  send  forth  a  voice. 
It  is  thus  in  their  triumphs  for  deep  desolations, 

While  ocean  waves  roll,  or  the  mountains  shall  stand, 
Still  hearts  that  are  bravest  and  best  of  the  nation, 

Shall  glory  and  live  in  the  songs  of  our  land. 

FRANCES  BROWNE. 


The  above  air  is  a  West-Cork  version  of  a  sweet  and  well-known  air. 
I  link  it  with  the  fine  song  of  the  "  Blind  Poetess  of  Donegal,"  and  hope 
it  will  be  often  heard  in  schools  and  concerts.  It  is  a  fitting  introduction 
to  tho  fine  collection  that  follows. 


GRACIE  OG  MACHREE. 


KEY 
•  1| 

E. 

1.   :-    :t,   Id 

placed       the    sil 

Air 

:-    :r     m    : 

ver    in 

:  "  Coif  LAOI  HA  y 

-    :1    |1    :- 

her    palm, 

peAb  " 

:t  \ 

By  ) 

1     :- 

iln       - 

:s     |m     :- 

ny's    smi 

:r      ro     :1| 

:-     1-    :- 

And) 

ling     tide, 

Id     :- 

vowed, 

:t,    |d     :- 

ere     sum 

:  r      m     :  - 

mer     time 

:f     |m     :- 

came  on, 

^o      } 

r     :d     :t|.t,|cf    :- 

claim  her    as  a    bride. 

But    when 

:t,    |d     :- 

the     sum 

:r     ) 

mer  > 

m     :- 

time 

came  on 

:t       1     :- 

I          dwelt 

IS       |  M       I  ~ 
be  -   yond 

the     > 

:-     1-     :- 

:t,     d     :- 

Yet     still 

:t,    Id     :- 

my     heart 

:r      ^ 

is       ) 

sea; 

N    :- 

ev 

:f     |n     :- 

er       true 

:r      r     :d 

To       Gra  -  cie 

:t,.t,|d     :- 

6g  Ma-chree. 

!•    i 

110       ) 

1     :- 

bon      - 

:s     11     :- 

nie      are 

:t      d1    :- 

the      woods 

:t     |t     :d'    :t      ) 

of        Targ,  And             ) 

1   •- 

green 

:  t     |d'    :  - 

thy     hills, 

:t       1     :m 

:-     1-     :- 

And) 

Rath-    more, 

|  soft 

:s     |1     :- 

the     sun 

:t     id1    :- 

light)  ev 

:t     |t     :- 

er        falls 

:t      ) 

On    ) 

|  Dar      . 

:1     |1     :- 

re's     slop 

:  s     i  1     :  - 

ing  j  shore  ; 

:-     1-     :- 

:s      ) 

And  > 

1      : 

there 

s     :• 

ev 

d     :- 
i 

fir     :• 

llGra 


8 

the 

H    ;- 

eyes 

:t 
i 

d1    :- 

love 

:t 

in 

It      :- 

tears 

Shine) 

1 

|m     :- 

:  r      m     :  1  , 

:  — 

1-     :- 

:t,     i 

er 

mourn 

-     ful      ly, 

While) 

t| 

Id     :- 

:r 

m     :- 

:f 

|m     :- 

:r      > 

am 

far, 

and 

far 

a 

-    way 

From) 

d 

It,    :- 

•  t| 

d     :- 

j  - 

1-     :-* 

II 

cie 

6g 

Ma- 

chree. 

il 

When  battle  steeds  were  neighing  loud, 

With  bright  blades  in  the  air, 
Next  to  my  inmost  heart  I  wore 

A  bright  tress  of  her  hair. 
When  stirrup  cups  were  lifted  up 

To  lips,  with  soldier  glee, 
One  toast  I  always  fondly  pledged, 

'Twas  Gracie  6g  Machree. 
O  !  I  may  never,  never  clasp 

Again,  her  lily  hand, 
And  I  may  find  a  soldier's  grave 

Upon  a  foreign  strand  ; 
But  when  the  heart  pulse  beats  the  last, 

And  death  takes  hold  of  me, 
One  word  shall  part  my  dying  lips, 

Thy  name,  Asthore  Machree. 


„, 


JOHN   K.    CASEY. 


This  air  is  a  very  sweet  one.  It  is  given  here  as  sung  by  the  traditional 
singers  at  Ring,  Co.  Waterford.  It  was  taken  down  by  Annie  O'Reilly, 
Macroom.  I  think  it  will  be  admitted  that  air  and  song,  now  linked  for 

e  first  time,  make  a  thing  of  beauty  that  will  be  a  joy  for  ever. 


*  The  musical  phrase  on  page  6,  lines  4  and  7,   |  r      :  d      :  t,  .t,  |  d 
should  be  printed  as  the  same  phrase  in  last  line  of  song. 


8 


MY  GENTLE  COLLEEN  RUADH. 


KEY  D. 

Air:  "  A  CuniAti 

CAJ\  64At).J> 

(My~      fai      - 

:r 

ry 

|m  .r 

:n  .s 

1 
dar 

:  s 

-    ling 

Id'     , 

girl,           f 

my 

<  :t  .d1 

1 

I 

:  s  .m 

|r 

near 

:r 

thee 

d 

now, 

;  — 

1         } 

i  if 

were 

<:s  .n 

r 

sun    - 

:r 

light 

|m  .r 

:H  .s 

1 

eyes 

:  s 

would 

Id'          , 

chase           \ 

(     The 

of 

your 

j:t  .d1 

1 

:  s   .m 

|r 

:r 

r 

:_ 

1         i 

(  The 

sor 

row 

from 

my 

brow 

; 

; 

j:l  .t 

d1 

:n 

Is 

:lit  «d 

r1 

:t 

Id1          ) 

(  Your 

lips 

would 

whis 

-     per 

o'er 

and 

o'er          ' 

f  :t  .d1 

"(     The 

1 

words 

:  s    .m 

so 

|r 

fond 

:r 

and 

d 

true, 

:- 

1     } 

<:s  .m 

r 

:r 

|m  .r 

:m  .s 

1 

:-  .s 

Id1          i 

1  They 

whis 

-     pered 

long 

and 

long 

a 

-    go.            > 

€  :t  .d1 

(  "My 

1 

gen 

:s   .in 

-      tie 

|r 

Col     - 

:r 

leen 

r        :- 

Ruadh. 

1    1 

2.  No  more  by  Inny's  bank  I  sit, 

Or  rove  the  meadows  brown 
But  count  the  weary  hours  away 

Pent  in  this  dismal  town  ; 
I  cannot  breathe  the  pasture  air, 

My  father's  homestead  view, 
Or  see  another  face  like  thine, 

My  gentle  Colleen  Ruadh. 


9 


3.  Thy  laugh  was  like  the  echo  sent 

From  Oonagh's  crystal  hall ; 
Thy  eyes  the  moonlight's  flashing  glance 

Upon  a  waterfall ; 
Thy  hair  the  amber  clouds  at  eve, 

When  lovers  haste  to  woo  ; 
Thy  teeth  Killarney's  snowy  pearls, 

My  gentle  Colleen  Ruadh. 


4.  But  drearily  and  wearily 

The  snow  is  drifting  by, 
And  drearily  and  wearily" 

It  bears  my  lonely  sigh  ; 
Far  from  this  lonely  Connaught  town, 

To  Irniy's  wave  of  blue, 
To  the  homestead  in  the  fairy  glen, 

And  gentle  Colleen  Ruadh. 


J.  K    CASEY  ("  Leo  "). 


This  is  a  fine  air  and  a  high-class  love  song.  As  a  combination  I  think 
I  am  right  in  saying  that  air  and  song  have  never  appeared  in  print  till 
now. 


10 


A  SONG  FOR  THE  IRISH  VOLUNTEERS. 

KEY  G.     Mofarato.  Air  :  "  Tho  Peacock." 


<:** 

<  The 

d        : 

tri      - 

t,       |1,       :l,.t,    d        :d 

June's  tongue    and      po     -     et's 

Ir 

pen 

:d.r 

May 

51 

in 

:  PI 

|  PI  .r 

:d  .r 

Pi         :  s. 

Is, 

:  PI  .r 

il 

sow 

the 

seed 

in 

pros  -  trat? 

men  ; 

But 

j| 

d 

:t,  ..1, 

H. 

:-  .t, 

d        :  -    .m 

Ir 

:d  .r 

(I 

'tis 

the 

sol     - 

dier's 

sword            a  - 

lone 

Can 

51 

PI 

:  1 

|s  ,m 

:  r    m 

d        :  1, 

1  1| 

•  in     f 

11 

reap 

the 

crop 

so 

brave  -  ly 

sown  ! 

No 

5| 

S 

:-    .1 

Is 

:  m  .s 

1    .S    :P1    .f 

Is 

:  1   .s 

il 

more 

I'll 

sing 

nor 

i         -      dly 

pine, 

But 

s 

f 

:  Pi 

Ir 

:d_.r 

PI         :  s, 

Is, 

:  m  .r 

il 

train 

my 

soul 

to 

lead          a 

line— 

A 

i 

d 

sol      - 

:  Wi 
dier'fe 

111 

life's 

the 

d        :  -  .PI 

life                for 

Ir 

me  — 

:d   .r 

A 

1 

PI 

:  1 

|  S    .PI 

:  r    .PI 

d        :1, 

H. 

II       ' 

( 

dier's 

death, 

'so 

Ire     -     land's 

free  ! 

I 

2.  No  foe  would  fear  your  thunder  words 
If  'twere  not  for  our  lightning  swords  — 
If  tyrants  yield  when  millions  pray, 
'Tis  lest  they  link  in  war  array  ; 
Not  peace  itself  is  safe,  but  when 
The  sword  is  sheathed  by  fighting  men. 
A  soldier's  life's  the  life  for  me — 
A  soldier's  death,  so  Ireland's  free  I 


11 


3.  The  rifle  brown  and  sabre  bright 
Can  freely  speak  and  nobly  write — 
What  prophets  preached  the  truth  so  well 
As  Hofer,  Brian,  Bruce,  and  Tell  ? 
God  guard  the  creed  these  heroes  taught, — 
That  blood-bought  Freedom's  cheaply  bought, 
A  soldier's  life's  the  life  for  me — 
A  soldier's  death,  so  Ireland's  free  ! 


Then,  welcome  be  the  bivouac, 
The  hardy  stand  and  fierce  attack, 
Where  pikes  will  tame  their  carbineers, 
And  rifles  thin  their  bay'neteers, 
And  every  field  the  island  through 
Will  show  "  what  Irishmen  can  do  !  " 
A  soldier's  life's  the  life  for  me — 
A  soldier's  death,  so  Ireland's  free  ! 


6.  Yet,  'tis  not  strength,  and  'tis  not  steel 
Alone  can  make  the  foeman  reel ; 
But  wisdom  working  day  by  day, 
Till  comes  the  time  for  passion's  sway — 
The  patient  dint,  and  powder  shock, 
Can  blast  an  empire  like  a  rock. 
A  soldier's  life's  the  life  for  me — 
A  soldier's  death,  so  Ireland's  free  ! 


8.  The  tribune's  tongue  and  poet's  pen 
May  sow  the  seed  in  slavish  men  ; 
But  'tis  the  soldier's  sword  alone 
Can  reap  the  harvest  when  'tis  grown. 
No  more  I'll  sing,  no  more  I'll  pine, 
But  train  my  soul  to  lead  a  line — 
A  soldier's  life's  the  life  for  me — 
A  soldier's  death,  so  Ireland's  free  ! 


THOMAS  DAVIS. 


This  is  one  of  Davis's  fine  songs.  In  the  title  I  changed  "  Militia  "  to 
"  Volunteers."  I  hope  the  Volunteers  of  1914  will  make  it  a  rallying  song. 
It  is  a  fine,  bold,  manly  air 


KEY  P. 


12 
THE  WEXFORD  MASSACRE. 

1649. 

Air  :  "  The  Maid  of  Wicklow." 


(       :  d  .r 

m 

:  m 

.,f   :m  .r     m 

:  1   .1    : 

d    .r 

\ 

(     1.     They 

knelt 

a 

-     round  the    Cross 

di  -  vine—  The        f 

( 

PI 

:  m    . 

,f 

:  m    .r 

r          : 

: 

d    .r 

) 

1 

ma 

tron 

and  the 

maid  ; 

They 

i 

( 

m 

:  m    . 

,f 

:m    .r 

m          : 

1    .1     : 

1      .t 

) 

1 

bowed 

be 

- 

fore  Re- 

demp    - 

tion's  sign,  And          ) 

/ 

d1 

:  t    . 

1 

:R    .t 

1           : 

_ 

1      .t 

) 

I 

fer 

vent 

- 

ly      they 

prayed  ; 

Three 

1 

( 

d' 

:t    . 

,1 

:s    .t 

1    .s     : 

N 

1    ,,t 

) 

i 

him 

-      dred 

fair    and 

help,  less 

ones, 

Whose 

> 

d1 

:  t    . 

,1 

:s    .t 

1           : 

_ 

1     .,t 

, 

crime 

was 

this  a  - 

lone  — 

Their 

[ 

! 

d1 

vali 

:  t    . 

1 

:  R    .t 

1    .s     : 

sires  and 

m          : 

sons 

d    .r 

1 

ant 

hus  bands, 

Had 

{ 

m 

bat 

:  r    . 

d 

:  t,  .,d 

for  their 

1,          : 

own. 

-    1 

tied 

Had  battled  bravely,  but  in  vain — 

The  Saxon  won  the  fight ; 
The  Irish  corses  strewed  the  plain 

Where  Valour  slept  with  Right. 
And  now  that  man  of  demon  guilt 

To  fated  Wexford  flew — 
The  red  blood  reeking  on  his  hilt, 

Of  hearts  to  Erin  true. 


13 


3.  He  found  them  there — the  young,  the  old, 

The  maiden,  and  the  wife : 
Their  guardians  brave  in  death  were  cold 

Who  dared  for  them  the  strife. 
They  prayed  for  mercy — God  on  high  I 

Before  Thy  cross  they  prayed, 
And  ruthless  Cromwell  bade  them  die 

To  glut  the  Saxon  blade  1 


4.  Three  hundred  fell — the  stifled  prayer 

Was  quenched  in  woman's  blood  ; 
Nor  youth  nor  age  could  move  to  spare 

From  slaughter's  crimson  flood. 
But  nations  keep  a  stern  account 

Of  deeds  that  tyrants  do  ; 
And  guiltless  blood  to  Heaven  will  mount, 

And  Heaven  avenge  it,  too  ! 

M.  J.  BARRY. 

This  is  a  beautiful  and  pathetic  air  and  an  equally  pathetic  ballad. 
Even  in  this  matter-of-fact,  materialistic  age  there  will  be  found  few 
dry  eyes  in  any  audience  where  this  ballad  shall  be  well  sung. 


14 


THE  SPINNING  WHEEL. 


\ 

KEY    C. 

Lively 

• 

Air: 

a  | 

lAicineAC  A  beAti  "beAg." 

(:d'  -d' 

d1 

Mel 

:t  .t    | 

-    low  the 

1        :  s  .,s 

moonlight  to 

d' 

shine 

:  t 

is 

.t 

be 

in 

-  gin  - 

1 
ning, 

'"'} 

» 

llClose 

.  t 

by 

•t     | 

the 

1          :s  .S    11 

win-dow  young  |Ei] 

:  1 

-     een 

.1 

is 

H 

spinn 

:  1    . 

-  ing; 

1  5 

t  .t   |  1        : s  .s 

o'er  the  fire      her  blind 


d1 


:t   .t    |d'        :r' 


grand-mother,       sit    -      ting, 


r   .  r 


:  s  .  s 


m1 

croon  -  ing  and  moan   -    ing,  and 
CHORUS. 

in        :  1   . 1    J  1         :  t  .  1 

Mer  -     ri  -  ly,     cheer    -    i  -  ly, 


:  1    .1    I  1 


(jSwings  the  wheel,  spins  the  wheel,  while      the  foot's  stir   -  ring  ; 


m 


:  1    .  1    |  1         :  t   .  1 


:  s   .  m   1  s 


m         :  1   .1    !  1        :  1    .1 

Thrills  the  sweet  voice    of    the 


t  .d1  :  t   .  s      1 


:  1 


drow   -  si  -  ly     knit    -    ting  :— 


:  s   .  i  '  i   |  s         :  s 


s 


noise  -  less  -  ly      whir    -   ring, 


im   .1    :  1          I  1  .1     :  1          it         :  t    .s    |  1         :  1 


:  s 


(j  Spright-ly,    and  bright  -  ly    and  (air      -      i    -    ly      ring     -     i 


ng 


si 


young    maid-en    sing     -     ing. 


2.  "  Eileen,  A  6apA,  I  hear  borne  one  tapping." 

'  'Tis  the  ivy,  dear  mother,  against  the  glass  flapping." 
"  Eily,  I  surely  Tiear  somebody  sighing." 
'  Tis  the  sound,  mother  dear,  of  the  summer  wind  dying.'* 

CHORUS. 


15 


3.   "  What's  that  noise  that  I  hear  at  the  window,  I  wonder  ? 
'  'Tis  the  little  birds  chirping  the  holly-bush  under." 
"  What  makes  you  be  shoving  and  moving  your  stool  on, 
And  singing,  all  wrong,  that  old  song  of  '  The  Coulin  '  ?  " 

CHORUS. 


There's  a  form  at  the  casement — the  form  of  her  true  love — 
And  he  whispers  with  face  bent,  "  I'm  waiting  for  yow.  love ; 
Get  up  on  the  stool,  through  the  lattice  step  lightly, 
We'll  rove  in  the  grove  while  the  moon's  shining  brightly." 

CHORUS. 


6.  The  maid  shakes  her  head,  on  her  lips  lay  her  fingers, 
Steals  up  from  the  seat — longs  to  go,  and  yet  lingers  : 
A  frightened  glance  turns  to  her  drowsy  grandmother, 
Puts  one  foot  on  the  stool,  spins  the  wheel  with  the  other. 

CHORUS. 

6.  Lazily,  easily,  swings  now  the  wheel  round, 
Slowly  and  lowly  is  heard  now  the  reel's  sound  ; 
Noiseless  and  light  to  the  lattice  above  her 
The  maid  steps — then  leaps  to  the  arms  of  her  lover. 

CHORUS. 

Slower — and  slower — and  slower  the  wheel  swings  ; 
Lower — and  lower — and  lower  the  reel  rings  ; 
Ere  the  reel  and  the  wheel  stopped  their  ringing  and  moving  ; 
Through  the  grove  the  young  lovers  by  moonlight  are  roving. 

JOHN  FRANCIS  WALLER,  LL.D. 

This  air  is  extensively  known  through  Kerry.  With  Waller's  delightful 
ballad  it  is  sure  to  be  a  great  favourite.  It  makes  a  very  striking  contrast 
to  the  anglicised  music-hall  rubbish  so  commonly  cheered  at  many  of  our 
present-day  Irish  concerts. 

Some  notes  in  first  three  lines  of  music  are  required  for  verses  othor 
than  the  first.  They  are  found  without  words  in  first  verse. 


16 
JACKETS     GREEN. 


:d  .r 

When 

ta,.s, 

I 

:d  .t, 

S          |f_ 
was  a   ma 

,P1     '  T 

i    •    de 

S  i 

.t,  ;d 

a       ifai 
S| 

.t,  :  SL.J 

r         and 
•  ~*           1 

young,  On  the) 

:d   .r    ) 

plea    - 

m 

sant 

:  s 

banks 

|  f  .m    : 

of 

r  .t, 

Lee, 

d  .t. 

:  s,  .f,  | 

No         J 

Si        :s,  .1,  ) 

bird 

ta,.8| 

that 

:d  .t, 

in 

Is,       : 

the 

3| 

green 
S| 

wood 

:-        1 

sung        Was       i 

:s,  .1,  > 

half 

ta, 

heart 

r 

so 

:-  .s, 

ne 

:  s 

blithe 

|ta,d  : 

'er  beat 

|  fe.s    : 

and 

r  .m 

with 

1  .fe 

free. 

f 
I    .M 

fly~- 
s 

:d_Jt,  | 

ing 

:-       1 

My       > 
d         :d          > 

feet,         No          > 

:s    .f    ) 

love 

m 

sang 

:-  .d 

me 

I  f  .m    : 

her 

r  .t, 

queen, 

d  .t, 

:  s,  .f,  1 

Till          > 

«i        :B,   .1,   ) 

down 

1  ta,.s, 

th 

e    glen 
1  S| 

rode 

Sars    - 
S, 

field's 

:         1 

men,       And  they/ 

II 

I  wore 

the 

jackets 

green. 

II 

2.  Young  Donal  sat  on  his  gallant  grey 

Like  a  king  on  a  royal  seat, 
And  my  heart  leaped  out  on  his  regal  way, 

To  worship  at  his  feet. 
Oh  !  love,  had  you  come  in  those  colours  dressed, 

And  wooed  with  a  soldier's  mien, 
I'd  have  laid  my  head  on  your  throbbing  breast 

For  the  sake  of  your  jacket  green. 


17 


3.  No  hoarded  wealth  did  my  love  own, 

Save  the  good  sword  that  he  bore, 
But  I  loved  him  for  himself  alone, 

And  the  colour  bright  he  wore  ; 
For  had  he  come  in  England's  red, 

To  make  me  England's  queen, 
I'd  rove  the  high  green  hills  instead, 

For  the  sake  of  the  Irish  green. 


4.  When  William  stormed  with  shot  and  shell, 

At  the  walls  of  Garryowen, 
In  the  breach  of  death  my  Donal  fell, 

And  he  sleeps  near  the  Treaty  Stone  ; 
That  breach  the  foeman  never  crossed, 

While  he  swung  his  broadsword  keen 
But  I  do  not  weep  my  darling  lost, 

For  he  fell  in  his  jacket  green. 


5.  When  Sarsfield  sailed  away  I  wept 

As  I  heard  the  wild  ocon, 
I  felt,  then,  dead  as  the  men  who  slept 

'Neath  the  fields  of  Garryowen — 
While  Ireland  held  my  Donal  blessed, 

And  no  wild  sea  rolled  between, 
Till  I  would  fold  him  to  my  breast, 

All  robed  in  his  Irish  green. 


6.  My  soul  has  sobbed  like  waves  of  woe, 

That  sad  o'er  tombstones  break, 
For  I  buried  my  heart  in  his  grave  below, 

For  his  and  for  Ireland's  sake. 
And  I  cry,  "  Make  way  for  the  soldier's  bride, 

In  your  halls  of  death,  snd  queen," 
For  I  long  to  rest  by  my  true  love's  side, 

And  wrapped  in  the  folds  of  green. 


18 


7.  I  saw  the  Shannon's  purple  tide 

Roll  by  the  Irish  town, 
As  I  stood  in  the  breach  by  DonaFs  side- 
When  England's  flag  went  down. 
And  now  it  glowers  as  it  seeks  the  skies, 

Like  a  blood-red  curse  between, 
I  weep,  but  'tis  not  women's  sighs 
That  will  raise  the  Irish  Green. 

8.  Oh  !  Ireland,  sad  is  thy  lonely  soul, 

And  loud  beats  the  winter  sea, 
But  sadder  and  higher  the  wild  waves  roll 

From  the  hearts  that  break  for  thee. 
Yet  grief  shall  come  to  our  heartless  foes, 

And  their  thrones  in  the  dust  be  seen, 
So  Irish  maids  love  none  but  those 

Who  wear  the  jackets  green. 

MICHAEL  SCANLAN. 

This  delig  tful  ballad,  w  th  its  equally  delightful  plaintive,  sweet  air 
is  already  a  prime  favourite  in  Gaelic  League  circles  in  London  I'm 
not  sure  that  it  always  gets  its  proper  setting.  I  have  heard  it  simcr  to  a 
very  inferior  mus^-,Jia.1111  «/•  The  above  air  is  the  true  one.  I  am  in- 
debted  to  Annie  O'Reilly  for  it. 


KEY  D. 


19 
JOHNNIE  DUNLEA, 

Air  :  " 


:s.,s|d' 

:t 

:s     | 

f 

:r 

: 

m 

d     :d 

:d 

|m     :- 

lere'sal  tree 

in 

the 

green-wood 

I 

love    best 

of 

all— 

t, 

in.f 

s 

:f 

:m     | 

f 

:r 

i 

d 

t|      I  S| 

:  1, 

1  f    :- 

it 

stands  by 

the 

side 

of 

Eas- 

more's  haunt-ed 

fall; 

r  r 

d 

:  r 

:d     | 

d 

:t, 

: 

d 

r     :m 

:m 

™t  :- 

or  be- 

side 

it 

while 

sun 

-  set 

shone 

bright  far 

a    - 

way, 

rit. 

:r' 

d1 

:t 

:s    | 

f 

:r 

t, 

d     :d 

:d 

Id     :- 

i 

met 

for 

the 

last 

time 

my 

John-nie 

Dun 

-lea. 

2.  He  stood  by  my  side,  and  the  love-smile  he  wore 
Still  brightens  my  heart,  tho'  'twill  beam  nevermore  ; 
'Twas  to  have  but  farewell,  then  speed  to  the  fray 
'Twas  a  farewell  for  ever — my  Johnnie  Dunlea. 


3.  For  the  red  Saxon  soldiers  lay  hid  in  the  dell 
And  burst  on  our  meeting  with  loud  savage  yell « 
But  their  leader's  red  life-blood  I  saw  that  sad  day, 
And  it  stained  the  good  sword  of  my  Johnnie  Dunlea. 


4.  My  curse  on  the  traitors,  my  curse  on  the  ball 

That  stretched  my  true  love  by  Easmore's  haunted  fall ; 
The  blood  of  his  brave  heart  ebbed  quickly  away 
And  he  died  in  my  arms  there — my  Johnnie  Dunlea. 


R.  D.  JOYCE,  M.D. 


This  pretty  traditional  air  was  taken  down  from  the  singing  of  Mary 
[allissy,  a  girl  who  lives  a  mile  or  two  west  of  Macroom  on  the  Bally- 
ourney  road.  I  link  it  with  Robert  Joyce's  sweet  song.  Pronounce, 
Dunlea,"  as  if  it  were  spelled  "Dunlay." 


20 
MA  CHOLLEEN  DHAS  DHOUN. 

KEY  C.     Quick,  but  not  too  much  so.  Air  :  "  CAiliti  -oe^f  j\«A-6." 


<:  m.f  s    :  s    :  s    |  f 

(  I've  looked  on  fair  maid 

:  -    :  s  .f     m    :  -    : 

ens  a      many 

f    |r    : 

with  calm 

d    :d  i 

,  list-less) 

(Id    :- 

:-    1-    : 

:d 

n     :  d     :  d 

|m     :f 

:sj> 

i|  eye; 

* 

Nor 
,  rail. 

ev  -  en       a 

thought 

of     their) 

5]ta  :s 

:f     |s     :d 

\ 

['    :  t 

d1    :-    :- 

1-     : 

:d     ) 

> 

(|  charms 

hath    cost  me.      a 

sigh  ; 

Heart) 

A  tempo 

rail  ^ 

r  :~ 

(|  whole 

:  d.d  |  m     :  - 

-f  :s.l 

ta    :  -.s  :  f 

life      free     of 

|S     :d' 
sorrows 

:r'     l 

had     ^ 

and  un-car    • 

ing  my 

A  tempo 

i 

\\  'I      :  ~ 

:r'.d'  |  d1     : 

-    :t,s 

f      :-    :s.f 

|n     :- 

:f.f) 

i\  run, 

Till  I     gazed 

on  your 

lips,          row-an  rud 

dy,  Ma) 

jlr    :d    :d     |d     :- 

(\  Choi  -  leen  D^as     Dhoun. 

2.  The  year  blooms  in  springtime  ;  the  summer  brings  blooms  brighter 

still  ; 

And  autumn's  wild  tints  lend  fresh  glories  to  valley  and  hill ; 
But  winter  chills  all,  save  my  heart,  where  love's  ne'er  setting  sun 
Keeps  your  charms  abloom  thro'  all  seasons,  Ma  Cholleen  Dhas  Dhoun.. 

3.  Thy  voice,  like  the  stream  in  the  forest,  is  music  and  joy, 
Nor  distance  nor  time  can  the  bliss  of  that  moment  destroy, 
When  I  poured  out  my  tale  ;  your  eyes'  gentle  light  told  I'd  won, 
My  own  little  beaker  of  honey,  Ma  Cholleen  Dhas  Dhoun. 

WILLIAM  ROONEY. 

This  air,  and  the  Irish  song  to  which  it  is  wedded  (see  "  £uimi  iiASmot," 
No.  ft),  is  a  prime  favourite  at  Ballingeary  Irish  College.  The  air  is  here 
wedded  to  one  of  Rooney's  sweetest  songs.  William  Rooney,  whose  death 
at  an  early  age,  like  that  of  Davis,  was  a  grievous  loss  to  his  country,  was 
one  of  Ireland's  most  promising  sons.  He  was  a.  man  of  genius,  deep 
learning,  and  ardent  patriotism. 


21 
HOW  PLEASANT,  SWEET  BIRDIES. 

KEY  C.  Air:  "Lovely  Willy." 


.s    d1     :  t       :  1         s       :m     :m  .s 

f. 
11 

wake    in 

the       > 

!ow  pleas  -  ant,      sweet  bird  -   ies,          To 

d       :-       :d'.r' 

m        :  d1        :  f  .m1 

r1       :s 

true       loves 

:m.s  } 

dawn,                   And 

sing        to            your 

The     ) 

d1        :  d1       :  r1  .t 

same     bough      up- 

d1       :-        :  d1  .r'  PI'       :d' 

on  ;                   Ah  !  not|  thus      can 

:  f  .m1  > 

~TJ 

r1       :s        :m  .s 

whis  -  per         To 

d1       :d'       rr'.t 

my         dar     -     ling 

d1       :- 

one, 

:m  .s  ^ 

'Tia    > 

d1       :  t        :  1 

far         from       each 

S        :  m        :m   .s 
o      -      ther        We 

f        :m 

wake     in 

:r      ) 

the      ) 

d       :-       I! 

dawn. 

;    . 


2  She's  whiter  than  lily, 

More  fair  to  gaze  on  ; 
She's  more  sweet  than  the  violin, 

More  bright  than  the  sun  ! 
But  better  than  all,  is 

Her  mind  high  and  free — 
And,  O  Lord  !  in  the  heaven  ! 

Take  anguish  from  me  ! 

Translated  from  the  Irish  by  DR.  SIQERSON. 

This  lovely  air  is  one  of  the  sweet  bits  of  music  which  I  picked  up  in 
the  Macroom  district.  I  here  wed  it  for  the  first  time  to  Dr.  Sigerson'g 
fine  translation  of  a  charming  Irish  song. 


KEY  C. 


22 
ADIEU  TO  ERIN. 

Air  :  "  An  beinpn  t«AC]\A." 


<:s    .d1, 

r'lm1 

:  r1  .m1  | 

f1  .m1  :r  .m1 

d1       :-. 

t   |s 

:-  .1   ) 

U    - 

dioa, 

my 

own        green 

E 

rin, 

Re-  J 

<ta 

:-  .1 

Id1  .,r' 

:  m1  .d1 

d1  .t    :s   .f 

Is 

:     .s     ) 

(i  ceive 

my 

last, 

my 

fond           a 

dieu  ; 

i     ) 

(in1 

:r'    m1 

If1    in' 
X        .11 

g         I               1 

d1 

:t 

|s  .f 

:m  .d     > 

<|go, 

but 

with 

me 

bear 

- 

ing 

A          j 

51  ta 

:d' 

|d'  .t 

:s  .f 

m 

:d 

Id 

II        -In      I 

<J  heart 

that 

still 

is 

true 

to 

you. 

{     The     \ 

J|f 

:-   .m 

If   .,s 

:1  .f    Is 

•  ~  ' 

Is 

:-   .1     > 

<!  charma        that 

iia 

ture)  gave 

thee 

With     > 

51  ta 

:-   .1 

1  d1  .,r 

1  :  m'  .d1 

d1  . 

t   :  s  .f 

Is 

:s   .d',r') 

<!  la       - 

vish 

hand 

shall 

cease         to 

smile, 

And   the) 

<i* 

0    ROUl 

:r'  .m' 

I  f  •  .m' 

•  r»l     Ml' 

d1 

:t 

Is  .f 

:m  .d     > 

of 

beau 

-     ty 

leave 

thee 

Ere          > 

.<  ta 

:d' 

I  d1  .t 

:s  .f 

m 

:d 

Id 

II 

for 

get 

my 

own 

green 

Isle. 

1 

2. 

Ye  fields  where  heroes 

bounded 

To  meet  the  foes  of  liberty, 
Ye  hills  that  oft  resounded 

The  joyfttl  shout  of  victory- 
Obscured  is  all  your  glory, 

Forgotten  all  your  fame  ; 
Ami  the  minstrel's  mournful  story 

Alone  shall  tell  the  hero's  name. 


23 

3.  But  yet  the  day  may  brighten, 

When  those  tears   shall  cease  to  flow, 
And  the  sun  of  freedom  lighten 

Those  spirits  now  so  drooping  low. 
Then  should  the  glad  breeze  blowing 

Convey  the  echo  o'er  the  sea, 
My  heart  with  rapture  glowing 

Shall  bless  the  hand  that  set  thee  free. 

CALLANAN. 

This  beautiful  air  was  well  known  to  the  writers  of  Irish  songs  who 
lived  in  the  eighteenth  century.  A  magnificent  Irish  song  to  this  air  is  to 
be  found  in  "  £uirm  HA  SinoL,"  No.  4,  from  the  pen  of  Eoghan  Ruadh. 
This  particular  version  of  the  air  was  given  to  the  Editor  by  T.  D.  Sullivan. 
The  air  and  Callanan's  words  mako  a  beautiful  combination.  They  were 
apparently  linked  together,  even  in  Callanan's  time,  as  T.  D.  S.  sang  them 
over  sixty  years  ago. 


DRIHAUREEN    O    MACHREE. 


KEY  E^-     Fairly  slow. 


Air  :  "  Jimmy  mo  iiiil/e 


:,,,,; 

d       :r      :PI        in      :d'      :t  .1 

grieve  when      I           think    on         the 

s       :  1 

dear     hap 

»  PI                 ^ 

-  py     > 

r 

days 

:-        :d 

of 

d        :-        :s        Id1       :m 

youth,                When   |all          the 

:PI.     I 

bright  ) 

8 

dreams 

of        this 

d1       :-        ir'.d'itl 

1        :- 

:s<ni,n 

faith            -            less  |  world 

seemed) 

truth  ; 

:-        is.l.tld1       :n        :m 

When  I|  strayed  through    the 

s        :  1 

green    wood 

"-  f 

d' 
gay 

:  r'  d'«t 

as    a 

1        :  -        :  stm,r 

mid          -         sum  mer| 

Pi         :- 
bee, 

:ljt,  ) 

111        > 

bro 

:-  .r   :  PI 

ther-ly 

in        :  d1        :  t  .  1 

love        with        my 

8    1    :- 

Dhrihau   - 

:n      , 

-  rcen     ) 

t; 

:-       :d 

Ala  - 

d       :-        || 

chrcc. 

2.  Together  we  lay  in  the  sweet-scented  fields  to  rest, 
Together  we  watched  the  gay  lark  as  ho  sang  o'er  his  nest, 
Together  we  plucked  the  red  fruit  of  the  fragrant  haw- tree, 
And  I  loved  as  a  sweetheart  my  Dhrihaureen  O  Machree. 

3.  His  form  was  straight  as  the  hazel  that  grows  in  the  glen, 
Hie  m  Miners  were  courteous,  and  social,  and  gay  amongst  men  ; 
His  bosom  was  white  as  the  lily  on  summer's  green  lea — 

His  God's  brightest  image  was  Dhrihaureen  O  Machree  \ 


25 

Oh  !  sweet  were  his  words  as  the  honey  that  falls  in  the  Bight, 
And  his  young  smiling  face  like  the  May-bloom  was  fresh  and  as  bright ; 
His  eyes  were  like  dew  on  the  flower  of  the  sweet  apple-tree  ; 
My  heart's  spriv^g  and  summer  was  Dhrihaureen  0  Machree  I 

He  went  to  the  wars  when  proud  England  united  with  France  ; 
His  regiment  was  first  in  the  red  battle  charge  to  advance  ; 
But  when  night  drew  its  veil  o'er  the  gory  and  life-wasting  fray, 
Pale,  bleeding  and  cold  lay  my  Dhrihaureen  0  Machree  ! 

].  Oh  !  if  I  were  there  I'd  watch  over  my  darling's  last  breath  ! 
I'd  wipe  his  cold  brow,  and  I'd  soften  his  pillow  of  death  ; 
I'd  pour  the  hot  tears  of  my  heart's  melting  anguish  o'er  thee  ! 
Oh  !  blossom  of  beauty  !  my  Dhrihaureen  O  Machree  ! 

Perhaps  in  his  death-pangs  he  wished  that  his  loved  one  were  near, 
To  clasp  his  cold  hand  with  a  fond-breathing  prayer,  and  a  tear  ! 
As  he  gasped  all  neglected,  with  none  but  his  Maker  to  see, 
And  pity,  my  poor  dying  Dhrihaureen  O  Machree  I 

8.  Now  I'm  left  to  weep  like  the  sorrowful  of  night, 

This  earth  and  its  pleasures  no  more  shall  afford  me  delight ; 

Ihe  dark  narrow  grave  is  the  only  sad  refuge  for  me, 

Since  I  lost  my  heart's  darling,  my  Dhrihaureen  0  Machree  I 

).  My  soul  has  exhausted  its  treasure  of  tears  for  my  love  ! 
He  comes  to  my  dreams  from  his  home  in  the  regions  above  ; 
I  long  for  the  hour  when  my  grief -worn  spirit  is  free, 
To  meet  in  those  regions  my  Dhrihaureen  O  Machree  ! 

MICHAEL  HOGAN. 
(«•  The  Bard  of  Thomond.") 

Dhrihaureen  =  A  little  brother. 

This  lovely  air,  first  published  by  Dr.  Joyce,  is  commonly  found  amongst 
the  traditional  Singers  of  Munster.  Singers  will  please  note  that  the 
syllable  "  hau  "  of  the  word  "  Dhri-hau-reen  "  is  the  accented  syllable. 
Consequently  the  first  syllable  "  Dhri  "  must  be  sung  on  the  grace  note, 
"soh,"  just  as  I  have  printed  it.  It  must  be  sung  quickly  as  a  grace  note. 


56 


THE  GALLANT  MEN  OF  NINETY-EIGHT. 

KEY  C.     Spiritedly.  Air  :  "  Leather  away  the  Wattle  O." 


spir-it 


of    our 


d1   .d1    rdr'.m'r'   .d1    :t    .d' 


fa-thers  bright  In  spires  our  hearts  to 


jn'.f     :m'    .f     Is1    .m1 

firm  un    -    ite,  And    (strike  a 


} 


:f    .r1     Id1     .,d'    :s     .in     {_ 

-    gain  for      |God     and     right,  As    ) 


Ns.lJJis     .f 

id       the    men  of 


5  If    .,f    :f    .r1 

\  |Ross    could  tell,  And 


m     .d      :d     .d',r' 

Nine-ty-Eight.  When 

m1    .m1     :m'    .s',s' 

Tub  -  ber-  neer-ing  and 


man-y  a       Sax -on 


:f    .r1      d1   .,d'     :s     .m 


in 

sol 


:-     .d 


dier, 


foe  -  man   fell,    And 


too  ! 


i        _j  I         ji 

in1    .m     i  in    •  Q    > 

Wex-ford      and    New  ) 

f jn'     :r'    .tn^f> 

Car       -       new,  Where) 

fo     1     t    •  a         f       \ 
,8   . i  <u    .  S       .1        > 

rnan-y  an   Ir  -   ish     ) 


f'noRus. 

<:   -d',r' 


<:  .d',r'    m1   ,m'   :  m1   .d1 

'       Hur  -    rah,  brave  boys,  we| 


f    .f    :f    .r 


vow   to    stand  To- 


m1   .in1  :n'    .s1  > 

geth-er       for     our) 


fl  f     m1      :  r1    .in',f  j  s1    ,n«     :  f    .r'     I  d1    .,d'    :  s    .in     | 

t  fa  -  tlu-r  -  land,  As      |  did     the        bold  de     '  vo  -  ted    band,  The) 


<|  f,s  .] I,  jb  :  s     ,f 

(  gal  -  lant      nu-n  of 


Nine 


.d        |d 

ty-      !  Eight. 


27 


2.  Their  altars  and  their  homes  they  rose 

To  guard  from  ruthless  tyrant  foes, 
Who  reeled  beneath  the  vengeful  blows 

For  freedom  dealt  in  Ninety-Eight. 
The  patriots'  blood  that  reddened  deep 

The  soil  where  fell  they  in  their  gore, 
Their  mem'ry  green  and  fresh  shall  keep 

Within  our  bosoms'  inmost  core. 


CHORUS- 


3.  Then,  let  us  here  give  three  times  three, 

For  those  who  fought  for  liberty, 
As  slaves  could  never  bend  the  knee 

The  free-born  men  of  Ninety-Eight  ! 
Not  they  that  bondsmen's  yoke  could  bear, 

While  one  stout  pike  could  deal  a  blow, 
Then  by  their  memory  let  us  swear 

To  meet  once  more  the  hated  foe  ! 


CHORUS. 

B.  MAGENNIS. 


This  rousing  song  I  here  link  for  the  first  time  to  the  fine  spirited  air 
BO  well  known  to  Irish  singers.  1  have  never  heard  the  air  sung  to  an 
Anglo -Irish  song.  This  is  a  marching  song  for  the  Volunteers.  It  will 
Uot  be  long  until  song  and  air  become  favourites. 


28 


DEAR    LAND    OF    THE    SHAMROCK. 

Ki.v   D. 


(      :  d1   I  s     :-  .m  :  m 


m 


:  r    :  m 


Dear  land        of    the     sham-rock  and 


s    :  ro    :  m    |  m    :  - 

sweet-smell-ing  briar, 


:d' 

Deai 


:m    |  m     :  r    :m    Id    :-. 


scenes    of     my  child-hood,  which!  nev  -  er     could  tire  1 


:  d'.d'l  s     :-  .m  :  m    |  m     :  r    :  n 

When  a|  boy         I  picked  beech  nuts  in 

(      :  d'.d'j  s     :  in     :  n    |  m     :  r    :  n 

(  Oh  !  my|  heart's  in     old      Ire  -  land  wher 


s    :  m    :  m 

wild  Glen  -  a 


ev  -  er 


t    I  d1    :  d1    :  d1    |  r1    :  d1   .  r'l  m1    :  d1   :  1 

Yetjthough  far      a   -    way  from  that|  dear  be  -  lov' 


d 

I 

dy 

To 


d1    :-  .t  :  d1    |  r1    :  d1   :  r1 

of     -     fer     up      prayers  to  my 

m1    :-'.r' :d'   |  r1    :  d1   :  t 

chase      from  her  borcl  -  ers    the 


ni1   :  d'   :  J 

co  un-  try's 


|  n    :  - 

boe  — 

II,   :- 

go. 

I  s_Mn 

d  sod, 

1    :  - 

God, 


d1    :  t    :  1    |  s    :m 

base  for  -  eign    foe ; 


1      :  d.d j  r     :-  .d  :  r    |  m     :  ro    :  r    Id 

t    For  in y|  heart's  in    old      Ire  -  land  wher|  ev 


1,   :  -.lil  1,   : 

er          I     go  1 


2.  And  often  I  drank  out-  of  Barranane's  well, 

In  whose  mirror  of  waters  there  lurks  a  bright  spell ; 
Tn'  afflicted  go  there  to  find  ease  from  their  woe — 
My  heart's  in  old  Ireland  wherever  I  go. 


29 

And  often  I  swam  in  the  Blackwater  tide  , 
And  roamed  the  sweet  woodlands  around  Castle  Hyde, 
Where  thro'  the  wild  woodlands  the  Blackwaters  flow — 
Oh  !  my  heart's  in  old  Ireland  wherever  I  go. 


3.  In  childhood  I  played  in  its  pastures  of  green, 
Where  sweet  crimson  daisies  can  always  be  seen  ! 
And  wild-flowers  whose  moss-banks  and  shelters  I  kno'w- 
Oh  !  my  heart's  in  old  Ireland  wherever  I  go. 
Ah  !  now  to  my  sad  heart  what  exquisite  joy, 
To  stand  once  again  on  the  bridge  of  Fermoy, 
To  look  on  the  Blackwater  rolling  below — 
Oh  !  my  heart's  in  old  Ireland  wherever  I  go  !      . 


But  all  my  sad  wanderings  soon  will  be  o'er, 

And  the  land  of  my  love  I  will  never  leave  more  ; 

Though  dark  is  her  sorrow,  and  bitter  her  woe — 

My  heart's  in  old  Ireland  wherever  I  go. 

And  though  far  away  from  that  dear  belov'd  sod, 

I  offer  my  prayers  to  my  country's  God, 

To  chase  from  her  borders  the  base  foreign  foe — • 

For  my  heart's  in  old  Ireland  wherever  I  go. 

ANON. 


The  words  of  this  song  were  given  to  me  by  my  friend,  Jack  O'Reilly, 
of  Macroom.     Words  and  air  make  a  fine,  rattling  air. 


30 
MOLLY  MA  STHORE. 


(  :d    li 

I      As    d, 


KEY  D. 

:d    Is     :- 

As    [down 

s  .m  :- 

ev-en- 
d1  :- 
lit 

1  .r1  :- 


One 

:s 

The 

:  s 


Made 


vo-cal 


(    :s    Id'     :- 

(  They  Isung 

5    :s    il.r':-      :- 

^  They  I  sung  them 

(    :d    Is      :-      : 

\    Ah  !  I  Gra 

s.m:-      ; 

Molly 


Air  :  "  5] 

1 

m      :-       :s 

l.r':-       :- 

i>y 

Bann     -     a's 

banks  I 

r     :-      :ro 

d     :-      :- 

ing              in 

May, 

d1 

m1    :-      :r' 

d1     :-      :  C 

tie 

birds,            in 

blith       -     e 

- 

d1    :-      :1 

s      :-      :- 

ev        -        'ry 

spray  ; 

d1 

mi    •-      :  r1 

d1    :-      :d 

their|  lit         -          tie 

notes               ( 

;- 

d1    :-      :1 

s     :-      :- 

o'er              and 

o'er. 

.  1 

m     :-      :  s 

1  .r1:-      :- 

Ma- 

chree            ma 

Cholleen 

;- 

r     :—      '.  ro 

d     :-      :- 

veg              Ma- 

sthore. 

mo  6j\oix>e, 

d1     :- 

strayed, 


1      :- 

notes, 


of     |  love, 

d1     : 

Oge, 


2.  The  daisy  pied,  and  all  the  sweets 

The  dawn  of  nature  yields  — 
The  primrose  pale,  and  violet  blue, 

Lay  scattered  o'er  the  fields  ; 
Such  fragrance  in  the  bosom  lies 

Of  her  whom  I  adore, 
Ah  !  Gra  Machree,  etc. 

3.  I  laid  me  down  upon  a  bank, 

Bewailing  my  sad  fate, 
That  doomed  me  thus  the  slave  of  love 

And  cruel  Molly's  hate  ; 
How  can  she  break  the  honest  heart 

That  wears  her  in  its  core  ? 
Ah  1  Gra  Machree,  etc. 


'S  t. 


31 


4.  You  said  you  loved  me,  Molly  dear  ! 

Ah  !  why  did  I  believe  ? 
Yet  who  could  think  such  tender  words 

Were  meant  but  to  deceive  ? 
That  love  was  all  I  asked  on  earth — 

Nay,  heaven  could  give  no  more, 
Ah  !  Gra  Machree,  etc. 


6.  Oh  !  had  I  all  the  flocks  that  graze 

On  yonder  yellow  hill, 
Or  lowed  for  me  the  numerous  herds 

That  yon  green  pasture  fill — 
With  her  I  love  I'd  gladly  share 

My  kine  and  fleecy  store, 
Ah  !  Gra  Machree,  etc. 


6.  Two  turtle  doves,  above  my  head, 

Sat  courting  on  a  bough  ; 
I  envied  them  their  happiness, 

To  see  them  bill  and  coo. 
Such  fondness  once  for  me  was  shown, 

But  now,  alas  !  'tis  o'er. 
Ah  !  Gra  Machree,  etc. 

7.  Then  fare  thee  well,  my  Molly  dear  ! 

Thy  loss  I  e'er  shall  moan  ; 
Whilst  life  remains  in  my  poor  heart, 

'Twill  beat  for  thee  alone  : 
Though  thoa  art  false,  may  heaven  on  thee 

Its  choicest  blessings  pour, 
Ah  !  Gra  Machree,  etc. 

GEORGE  OGLE. 

In  reference  to  this  version  of  the  well  known  air,  I  would  like  to  say 
that  I  got  it  from  the  Rev.  T.  Darcy,  who  was  for  many  years  stationed 
in  Sunday's  Well,  Cork.  He  took  down  the  version  fifty  years  ago  from  the 
singing  of  an  old  woman  in  Co.  Carlow,  who  was  then  nearly  a  hundred 
years  old.  She  had  learned  the  version  from  her  grandmother.  We  can 
thus  trace  back  the  version  nearly  two  hundred  years.  It  is  much 
superior  to  the  version  usually  sung. 


32 


OLD    CORK    BESIDE    THE    LEE. 

KEY  P.     Slowly  and  tenderly.  A:r  :  "  The  Irish  Hautboy.1 

f:d  .1|  |S|.,l|:d  .r   |m       :d  ,r,m  f       :ni  .r   |m  .,d  :!,. 

(State-ly  I  cit-ies  rise  in  spier  dour  o-ei  the    land      where  -  in     I     dwell, 

f     .li,li |S|.,1|  :d  .r  |m       :s  ,m,m  r  .,ro  :r  .d   |d 

(  And  they  |  wa-kon  foelings  ten-der  in  the    hearts  that  love  them  well— 


:d  .1,    s,  .,1,  :d  .r   |m       :d  .r,m 

Frisco's  Golden  Gate  way,  Soiye 


f       :m  .r   |m  .,d  :  1,.     \ 

Bos  -  ton  or      Jiew  York,     i 


(    But'l 


mf. 
j  :  s  .8 

(Yes,  their 


f        .S,,S, 

/FromwhL-li 


8i.,li.'d  .r  |n       :s  .nini  r  .,n  :r  .d  |d 


vow  I'd  have  them  straightway  Fora 


glimpse  of  dear  old  Cork  ! 


:d'  .1,1  is  ,,f  :m  .r   |d  .1,  :1|. 


d'.,t  :1  .s   11 

glories  I'd  ft    -    ban-don, oncea  |  gain  the  soil  to  s  tand 


djj  :!,.     ) 

j  tand     on         ) 


d'.,t  :1  .s   |Kt   :d'.l,l 

rise  the  walls  of  Shan-don  nearly 


s  ,n  :r  .d  |d 

known  in  youth  to  me, 


:d  .1,  |S|.  l,:d  .r   |n       :d  T,II  f  .,f  :PI  .r  |tn  ttd  :!,. 

tOr>cc  a    IgAHl  toaee  the   Ci   -    ty  wUerethe    boys  are  brave  and 'wit 


5     -l,,l, 

(And  the 


8|.,l(:d  .r   |  m       :»  .n,m|r  m  :r  .d   |d 

gtria  are  iweet  andpret  -  ty  In  old  |  Cork  beside  the  Lee  ! 


33 


2.    Stately  cities  r:'se  in  splendour 

O'er  tho  world  from  pole  to  pole- 
But  I  never  will  surrender 
That  old  city  of  my  soul  ; 
She  is  neither  Rome  nor  Venice, 

Neither  Boston  nor  New  York, 

But  where'er  my  voico  or  pen  is 

Still  I  sing  the  praise  of  Cork! 

Yes,  wherever  I  may  wander 
I  can  feel  my  heart  grow  fonder 
Of  that  old  town  over  yonder 

Far  across  the  spreadirg  sea, 
Of  that  famous  Irish  city, 
Whore  the-  boys  are  brave  and  witty 
And  the  girls  are  s wee  t  and  pre  tty* 
In  old  Cork  beside  the  Lee  1 


3.   Shou'd  our  land  again  in  splendour, 

From  her  lowly  state  arise, 
Flinging  forth — may  God  defend  her  ! — 

Her  green  banner  to  the  skies. 
Exiles  homeward  would  be   thronging, 

Back  from  Boston  and  New  York, 
Just  to  satisfy  their  longing 
For  a  sight  of  dear  old  Cork ! 

Ah,  there  would  be  no  delaying, 
Those  who  had  for  years  bee  a  praying 
On  the  Mardyke  to  go  straying 

As  in  days  of  youth  and  glee, 
In  that  charming  Irish  city 
Where  the  boys  are  brave  ard  witty 
And  the  girls  are  sweet  and  pretty, 
Dear  old  Cork  beside  the  Lee  1 

DENIS  A.  MCCARTHY. 

Tin's  sweet  and  tender  air  is  taken  from  Petrie.  The  words  have  never 
been  published  in  any  song  book  and  have  never  been  lin  ked  to  any  air 
till  now,  as  far  as  I  know. 

1-3 


THREE  THOUSAND  MILES  AWAY. 


KEY  C.     Moderately  quick. 


Air:  "An 


f    :n     In    :n 

:  1     I 

1     :s 

:  1 

d1    :- 

t       1         1  ..-I        t 

•si.  "A       song?  ''  cries  eaeh 

bright     - 

eyed 

fel 

•    -        low, 

(2.  We'll  |3ing    of 

the 

great 

de- 

part     - 

-         ed, 

f    :m'.n' 

r'    :- 

,_       | 

rl    :  n1 

:rl 

t     :- 

:r'    |s     : 

•j       Now 

what 

shall 

we 

sing 

a    -    bout 

I   And  the 

val 

- 

leys 

where 

they  lie  —  • 

^    :s.s|n     :1 

:1     | 

1      :  s 

:1 

d>    :- 

:  r'     |  m1    : 

•j  Shall  we  sing    of 

the 

bound     - 

ing 

bil 

lows, 

'      The     |brave  and 

the 

fear     - 

less 

heart 

-    '     ed, 

5:r' 

d1    :t 

:1     | 

t     :1 

:s 

1     :- 

:-     1- 

Of 

bat      - 

ties 

or 

of 

rout  ? 

Who 

taught 

men 

how 

to        die  : 

c  :  i 

tn1    :-. 

:n':  | 

r1     :  m1 

.rl 

d1    :- 

:d'    |t     : 

0, 

for       - 

eign 

fields 

where 

Free      - 

dom      wielc 

C     And 

ev 

'ry 

man, 

of 

ev 

'ry        clan, 

f    :t 

1     :- 

:-     I 

1     :t 

:1 

1     :- 

:  s     |  m     : 

Her 

sword 

in 

the 

dead      - 

ly         fray  ' 

<     We'll     guard 

his 

mem 

o     -     ry, 

i     :r.r 

tn     :  1 

:1     1 

1     ;s 

:1     Id'    :- 

:r'    In1    : 

•JNo,  we'll  sing 

of 

thee, 

dear  Ire 

land, 

(     Who 

died    on 

the 

green 

hills|  fight 

ing 

<    :r'      d'    :t 

:1 

t  |J. 

:s 

1      :- 

:-     l~     : 

Three 

thou 

sand 

miles 

a  - 

way. 

\     For         Iro 

land's  lib 

er  - 

ty. 

35 

3.  We'll  sing  of  the  sunny  meadows, 

And  we'll  sing  of  the  flowing  streams  j 
Of  the  glens  that  sleep  in  shadows 

That  haunt  us  in  OUF  dreams  ; 
Of  the  dancing  rills,  and  the  high  green  hills, 

And  the  fields  we  ne'er  may  see. 
Then  here's  to  the  fields  of  Ireland, 

With  a  hearty  three  times  three. 

4.  Let  your  voices  ring  out  cheering, 

And  drain  your  goblets  dry, 
To  the  men  who  died  for  Erin, 

And  to  those  who  yet  will  die. 
'Neath  prison  bars,  or  'neath  the  stars, 

In  camp  or  garden  gay, 
We'll  sing  of  thee,  gr&  geal  machree, 

Three  thousand  miles  away. 

MICHAEL  SCAN LAN. 

This  ia  an  Irish-American  song.  It  is  *  bright,  stirring  one.  I  link  it 
frith  the  "  c6ifj\e  "  air  and  feel  sure  that  it  will  become  a  favourite. 
The  air  was  got  in  Co.  Cork  amongst  the  traditional  singers. 


36 


THE    LINNET. 


KEY  E.     Quick. 

1  :  S  "f      H  :|11 

(     I've        found     a 


lin     -     net 


Air  from  Petrie. 


|m  .,r  ;  d   .in 

com    -    rade 


5  :  s  •»? 

(     Wo 

f  :s  .ta 

(     My 


hold        sweet       con 

1    .,s:m  .d    |r 


heart,     my  ram 


:s  .1 

He 


crs. 

ta 

sits 


Id' 

on 


the 


ta.,1  :  s  <  m  <  r|  m 

bios    -    somed      spray 


With- 


ta      :  1 ,  s  ,  nil  d1 


rail. 

f 


in 


the 


:s_,,f  in 

And        ov 


hoi     -     low 

I   Hi  %»          /I 

song    -    note 


haunt 


ed      dell, 


s        :-  .1    1  ta.,1 


;  s  .ta 

That 


wild        bird          knows 


and 


loves      me 


d 

well. 


CHORUS. 

crcs. 

'     ta 

Sweet 


:s 

-     net, 


Id' 

still 


:5_!»1    |taj  rs^rlm        , 

sing        Imer     -    ri  ly,         ) 


:s  .1 

Be- 


ta 

side 


Li_i_i5l d' 

the          glit 


t'ring 


rail. 
f 
stream 


:-  -Mfs        > 

-     let's  shore,  ) 


For 


f  :  s  .ta 

1   of  • 


37 
PI        :  ni         |  ro_.,r  :d __.ro 

love    -    bright     dreams   thou 

1_^!i:|lL^    Ir        :"  -d 

Ros     -     a       -       leen  for 


s         :-  .1  |ta.»l 

bring'st  to      me 

d        :d  |d 

ev     -      er       -       more. 


I 


2.  As  I  lie  in  my  waking  dreams, 

And  dreamy  thoughts  successive  rise, 
Down  from  the  blooming  bough  he  seems 

To  look  on  me  with  human  eyes  ; 
And  then  he  sings, — ah,  such  a  song 

Will  ne'er  be  heard  while  seasons  roll, 
Save  Rosaleen's  voice,  that  all  day  long 

In  memory  charms  my  heart  and  soul. 

CHORUS. 
Sweet  linnet,  still  sing  merrily 

Beside  the  haunted  streamlet's  shore, 
For  many  a  dream  thou  bring'st  to  me 

Of  Rosaleen  for  evermore. 

3.  If  souls  e'er  visit  earth  again, 

With  one  my  little  friend's  possessed  ; 
Each  dulcet  wild  Elysian  strain 

Springs  so  divinely  from  his  breast. 
Those  fairy  songs — that  earnest  look — 

Some  minstrel's  sprite  it  sure  must  be, — 
Anacreon's  soul  or  hers  who  took 

The  love-leap  by  the  Grecian  Sea.* 

CHORUS. 
Sweet  linnet,  still  sing  merrily 

Beside  the  murmuring  streamlet's  shore, 
For  happy  dreams  thou  bring'st  to  me 
Of  Rosaleen  for  evermore. 

R.  D.  JOYCE,  M.D. 
*  Sappho,  the  Greek  poetess. 


This  beautiful  air  is  taken  from  Petrie.  Tenderness  is  the  characteristic 
quality  of  the  melody,  owing  to  the  recurrence  of  the  note  "  ta."  Old 
Irish  singers  used  to  repeat  the  last  portion  of  the  air.  This  song  gives 
me  an  opportunity  of  doing  this.  I  repeat  the  second  part  of  the  melody 
as  a  chorus.  The  song  will  be  found  to  be  a  very  suitable  selection  for  the 
air.  The  Rev.  E.  Gaynor  some  years  ago  made  a  different  selection  in 
the  following  song  of  T.  D.  Sullivan. 


38 


MY    HEART  OF   HEARTS. 

1.  Come  on,  come  on,  my  heart  of  hearts, 

Come  fondly  nigh  to  me; 
Our  hearth  is  bright  this  winter  night, 

Howe'er  the  skies  may  be. 
Dark  clouds  have  cloaked  our  darling  moon, 

There's  not  a  star  to  see  ; 
My  moon,  my  star,  my  sun  you  are, 

And  more  than  all  to  me. 


2.  Life's  storms  may  bring  us  icy  words, 

And  looks  as  cold  as  snow — 
They'll  melt  before  our  cottage  door, 

We'll  thaw  them  where  we  go. 
They  cannot  touch  our  hearts  of  fire, 

Or  dim  those  eyes  of  blue, 

Or  e'er  unfold  the  clasp  I  hold 

My  heart  ol  hearts  of  you. 


3.  Or  let  the  winter  last  for  aye, 

Let  its  rain  be  hail ; 
Let  clouds  the  worst  around  us  burst, 

And  wild  words  load  the  gale. 
I  still  shall  have  a  summer  bright, 

A  flpwer  of  fairest  hue, 
And  light  and  heat,  and  fruitage  sweet, 
My  heart  of  hearts,  in  you. 

T.  D.  SULLIVAN. 


39 


ROSE   OF   KNOCKMANY. 


EY  F|>     Cheerfully,                                                       Air  from 

Petrie. 

:s  .f  in    :r    :m    |d    :r    :m     f    :m    :f    |  s.s  :  - 

-  :d'   > 

Oh  !    sure  'tis     some  fai  -  ry      has    set     me     con-  trary, 

No  > 

f     :f     :r     |  in     :m     :d 

f    :f    :r    |r     :- 

:fL_f) 

more  blithe  and  air  -  y        I 

sing   as      I         go  ; 

No  > 

m     :  r     :  in     |  d     :  r     :  in 

f            •   ,,,           .    f           1    q      «    . 

1         •II       •  1        |  D  *0  •  * 

•  ^       \ 

long-er       in        clov-er,      a 

free  -  heart-ed     rover 

I      > 

t     :-,t:s     |f     :f     :r 

in     :-.d:d    |d     :- 

:m.r  ) 

lilt          a     light  dit   -  ty      or 

shake    a     loose  toe. 

In      > 

d     :  in     :  s     |  d1    :  t     :  d1 

?    :d'    :t    |d'    :d' 

:1      ) 

Lein-ster     and    Ul-ster,      thro' 

Con  -  nacht  and  Munster, 

'Twas> 

s     :  s     :  f     |  m     :  r     :  in 

f    :f     :r    |r    :- 

:_s  .f  ) 

I         made  the     fun    stir  wher- 

ev  -  er        I         strayed  ; 

And  a) 

1  in    :r    :m     |d     :r     :m    If    :in     :f    |s.s:- 

•  d'     ) 

;  jov  -  ial  -   ler      fel  -  low,  whilel'so  -   ber     or      mellow, 

Ne'er) 

t     :t     :s     |f     :f     :r 

tn    :-  .d  :  d    |  d    :  — 

tossed  off     a         jor  -  um     or 

wooed     a     fair  maid. 

2.  Till  once  in  the  Maytime,  the  tuneful  and  gay  time — 

I  fear  'twas  the  fay  time  from  eve  to  the  dawn — - 
I  played  for  a  maiden,  with  hair  simply  braiden, 

With  eyes  of  soft  lustre  and  grace  like  a  fawn. 
Those  eyes  while  she  listened,  thro'  dewy  drops  glistened, 

Or  sparkled  like  gems  in  the  light  of  the  moon  ; 
Some  witchcraft  was  in  it  !  for  since  that  bless'd  minute, 

I'm  like  poor  young  Johnnie  who  played  but  one  tune. 

3.  For  whether  I'm  strolling  where  billows  are  rolling, 

Or  sweet  bells  are  tolling  o'er  Shannon  or  Lee  ; 
My  wild  harp  when  sweeping,  where  fountains  are  leaping, 

At  lone  Gougane  Barra,  or  storied  Lough  Neagh — 
To  priest  or  to  peasant,  no  matter  who's  present, 

In  sad  hours  or  pleasant,  by  mountain  or  stream, 
To  the  careless  or  cannie,  to  colleen  or  granny, — - 

Young  Rose  of  Knockmany  is  ever  my  theme. 

CHARLES  J.  KICKHAM. 


40 


THE  IRISH  REAPER'S  HARVEST  HYMN. 

KEY  D.     Moderately.  Air  :  "  fte*it>  cnoc  tmiA 


1    All" 


d1     :t      : 
hail  !  Ho  - 


{:r      |m  s  :s     :  t 
Smile  (down,  bless  -  ed 


J:BJI 

(    Who 
l~& 


d     :  d     :  Pi.,d 

wan  -  ders      a- 


t     ;  1  .s  :m.r 

Ma   -   ry!    be 


REFRAIN. 


(  :s  .m 

I    "Be 

j:jrLd| 

(     But 


d     : d     :  nud 

with   me,      O 


PI     :d     :sjn 

Ma  -  rv,     our 


1     :  s     :  -  .m 

Queen !  on       the 

r     :d     :m.s 

way  from    his 

PI     :  d     :  s.m 

with    me    wher- 


r     :d     :  m  .s 

Ma  -  ry  !     For- 


t     :  1  ,s  :m.r  (PI     :d     :  s  .m 


guide  me      and  (guard  me     wher- 


r     :  d     id 

hope  and     our 


r     :PI     :s.l 

poor  Ir     -     ish 


1     :  t     :  r1 

dear   be  -  loved 


r     :d     :d 


ev  -  er 


1     :t     :r' 

sake  me      not, 


r     :d     :d 

ev  -    er         I 


joy! 

S 

boy 

d1 


home  ; 


d      :- 

roam. 


d1     :- 

Ma      - 


.HI  ) 


r;,! 


go. 


2.  From  the  home  of  my  fathers  in  anguish  I  go, 
To  toil  for  the  dark-livered,  cold-hearted  foe, 
Who  mocks  me,  and  hates  me,  and  calls  me  a  slave, 
An  alien,  a  savage — all  names  but  a  knave. 

But  blessed  be  Mary  ! 

My  sweet,  holy  Mary  ! 
The  bo-oAc  he  never  dare  call  me  a  knave. 


41 

3.  From  my  mother's  mud  sheeling  an  outcast  I  fly, 
With  a  cloud  on  my  heart  and  a  tear  in  my  eye  ; 
Oh  !  I  burn  as  I  think  that  if  Someone  would  say, 
"  Revenge  on  your  tyrants  !  "  but,  Mary  I  pray 

From  my  soul's  depths,  O  Mary  ! 
And  hear  me,  sweet  Mary  ! 
For  union  and  peace  to  old  Ireland  I  pray. 

4.  The  land  that  I  fly  from  is  fertile  and  fair, 
Arid  more  than  I  ask  or  I  wish  for  is  there, 

But  I  must  not  taste  the  good  things  that  I  see — 
There's  nothing  but  rags  and  green  rushes  for  me. 

O  mild  Virgin  Mary  ! 

O  sweet  Mother  Mary  ! 
Who  keeps  my  rough  hand  from  red   murder  but  thee  ? 

5.  JBut  sure  in  the  end  our  dear  freedom  we'll  gain, 
And  wipe  from  the  green  flag  each  SAf AIIAC  stain, 
And  oh  !  holy  Mary,  your  blessing  we  crave  ! 
Give  hearts  to  the  timid,  and  hands  to  the  brave  ; 

And  then,  Mother  Mary  ! 
Our  own  blessed  Mary  ! 
Light  liberty's  flame  in  the  hut  of  the  slave  ! 

JOHN  KEEGAN. 


This  beautiful  song  of  Keegari's  has  till  now  been  unfortunately  wedded 
to  what  is  simply  a  music-hall  modern  air.  I  link  it  now  to  an  air  worthy 
of  it,  which  is  a  traditional  one,  taken  down  from  the  singing  of  Mrs. 
Danny  Warren,  of  Toames,  near  Macroom.  She  is,  in  my  opinion,  the 
sweetest  traditional  singer  I  met.  As  there  are  six  lines  in  the  verses  of 
the  song  I  repeat  for  the  last  two  lines  the  second  portion  of  the  air. 
This  repatition  waa  a  usual  thing  with  old  Irish  singers. 


DHRIMAN    DHOUN    DHEELISH, 


KEY  C.     With  feeling. 

Air: 

"  T)y\uiinponn  t)onn  "oiLif. 

f    -m.,f! 

s.d1:-      :d' 

.t    d'.r':- 

; 

r'.,t 

d1 

:-.t  :s.l  > 

<     ~o7' 

Dhrim-an     dlu 

jun  dheelish  f 

the 

land 

-  lord  has    ) 

i 

s       : 

come, 

Like  a 

fouf    blast 

- 

of 

t       : 

death 

d1      :r'.,t) 

has        he         ) 

I 

/Ts 

d'  .,t 

swept 

^\ 

s  .f  :ni,,f 

r      :-      :d« 

home  ;           He 

-,t 

has 

s       : 

with  - 

1       :r.,t,) 

o'er      our 

ered      our      ) 

! 

d 

roof  - 

r      :-  .m 

tree    —    be- 

f      :-.s: 

neath        the 

1 
cold 

r      : 

sky, 

rd1.,^) 

Toor,  ) 

/•s 

/CN 

( 

1 

•  r1  d1  •  I1)1  r1 

d1   t  •  s   f  * 

n 

,f 

r      : 

d      :-  .d  ) 

i 

house 

-  less,      and 

home  -  less, 

to 

- 

night 

must         we  ) 

j 

d 

:-      II 

•s 

1 

lie. 

II 

2.  My  heart  it  is  cold  as  the  white  winter's  snow ; 
My  brain  is  on  fire,  and  my  blood's  in  a  glow. 

0  !  Dhriman  dhoun  dheelish  I  'tis  hard  to  forgive 
When  a  robber  denies  us  the  right  we  should  live. 

3.  With  my  health  and  my  strength,  with  hard  labour  and  toil, 

1  dried  the  wet  marsh  and  I  tilled  the  hard  soil ; 

I  moiled  the  long  day  through,  from  morn  till  even, 
And  I  thought  in  my  heart  I'd  a  foretaste  of  heaven. 

4.  The  summer  shone  round  us  above  and  below, 
The  beautiful  summer  that  makes  the  flowers  blow ; 
O  !  'tis  hard  to  forget,  it,  and  think  I  must  bear 
That  strangers  shall  reap  the  reward  of  my  care. 


43 

6.  Your  limbs  they  were  plump  then — your  coat  it  was  silk, 
And  never  was  wanted  the  mether  of  milk  ; 
For  freely  it  came  in  the  calm  summer's  noon, 
While  you  munched  to  the  time  of  the  old  milking  croon. 


6.  How  often  you  left  the  green  side  of  the  hill, 
To  stretch  in  the  shade,  and  to  drink  of  the  rill  ! 
And  often  I  freed  you  before  the  grey  dawn, 
From  your  snug  little  pen  at  the  edge  of  the  bawn. 


7.  But  they  racked  and  they  ground  me  with  tax  and  with  rent, 
Till  my  heart  it  was  sore,  and  my  life-blood  was  spent  : 
To-day  they  have  finished,  and  on  the  wide  world, 
With  the  mocking  of  fiends  from  my  home  wai  I  hurled. 


8.  I  knelt  down  three  times  for  to  utter  a  prayer, 

But  my  heart  it  was  seared,  and  the  words  were  not  there  ; 
O  !  wild  were  the  thoughts  thro'  my  dizzy  head  came, 
Like  the  rushing  of  wind  through  a  forest  of  flame. 


9.  I  bid  you,  old  comrade,  a  long  last  farewell, 

For  the  gaunt  hand  of  famine  has  clutched  us  too  well ; 
It  severed  the  master  and  you,  my  good  cow, 
With  a  blight  on  his  life,  and  a  brand  on  his  brow. 

JOHN  WALSH. 


The  title  of  this  moving  ballad  is  generally  applied  allegorical ly  to 
Ireland.  Here  it  is  used  in  its  literal  sense  as  the  favourite  name  in  Ire- 
land for  a  cow.  The  ballad  enshrines  one  of  the  saddest  social  facts  of 
our  history  and  deserves  a  place  in  any  collection  of  folk-songs  which  have 
any  pretensions  to  be  racy  of  the  soil. 


The  writer  of  this  ballad  was  a  Cappoquin  man 


MY  NIAL  BAWN. 


KEY  A.     Tenderly. 


Old  Traditional  Air. 


5  •  HI  .S| 

i. 

111 

Hi 

:s,.l,|d        : 

d 

|r 

) 

<      "He" 

has 

no 

gold 

but  the|  gold      that 

shines  j 

j  :d_.r    In 

:r  .d 

Hi 

:  8|  .m,  1  s,       : 

•i 

I 

I 

*   In  those]  bright 

,  those 

clus    - 

ter  -  ing|  tress    - 

es; 

' 

5  :  n,  .s, 

i, 

il. 

Hi 

:  8|.1| 

d       : 

d 

|r 

I 

*  There's 

nei     - 

ther 

rank 

nor 

power  for 

him 

' 

<:d.r    in 

:r  .d 

Hi 

:l. 

1,       : 

1, 

1 

\ 

nVhom  this|  fond 

heart 

wild 

-   ly 

bless  - 

e». 

} 

\   :P1 

S 

:  m 

l« 

:r  .d 

p       : 

r 

|r 

\ 

<    But, 

oh! 

there's  truth, 

and 

power, 

and 

love 

) 

5  :  d  .r 

t  For  my 

m 

Ni     - 

:r  .d 

al's 

Hi 

king 

:  s,  .m, 

s,       : 

dower  ; 

— 

i 

} 

-   iy 

f  :«VS| 

1, 

'll 

Hi 

ISj^l, 

d        : 

d 

If 

I 

<      And 

ne'er 

was 

King 

so 

»     • 

dol 

-    ised 

} 

(  :d  .r 

m 

:r  .d 

H, 

:1, 

1.       : 

- 

1 

\\ 

(     fn  the 

day 

of  his 

high 

-    est 

power. 

II 

2.  To  have  no  hope  in  the  wide,  wide  world 

But  all  that's  round  him  clinging ; 
There's  neither  life  nor  joy  for  me 

Unless  from  his  fondness  springing. 
I  never  think  of  pain  or  woe, 

For  life  can  bring  no  trial, 
Which  angels  e'en  could  guard  me  thro' 

More  tenderly  than  Nial. 


45 

3.  His  soul  is  soft  as  a  morn  of  May 

But  strong  as  the  deep,  deep  ocean — • 
With  passions  wild  as  the  storm  and  flamo, 

For  deeds  of  high  devotion. 
Oh  !  fierce  and  brave  is  my  own  dear  love, 

The  wrong  and  the  foe  defying  ; 
But  his  voice  is  low  and  sweet  to  me 

As  winds  in  the  springtime  sighing. 

4.  Bright  blessings  fall  on  my  Nial  Bawn  ! 

I  know  his  love  outpouring  ; 
And  there's  no  joy  on  earth  for  me 

Like  the  joy  of  thus  adoring. 
Oh  !  my  heart  has  love — such  deep,  deep  love  ! 

To  falf  in  refreshing  shower?, 
That  all  around  will  look  bright  and  green 

Thro1  our  life's  long  golden  hours  ! 

"  EVA  "  of  the  Nation. 
(Miss  MARY  EVA  KELLY.) 

This  is  a  woman's  song.  The  air  above  printed  is  a  very  well-known  one 
in  the  South  of  Ireland.  I  have  heard  three  versions  of  it,  but  they  differ 
little  from  one  another.  It  is  in  the  "gapped"  scale,  having  neither 
the  note  "  fah  "  nor  "  £."  This  is,  according  to  authorities  on  Irish 
music,  the  oldest  form  of  the  gapped  scale.  I  have  heard  this  air  called 
"  Slievenamon."  The  only  reason  why  it  should  be  so  called  is  because 
the  Rev.  E.  Gaynor  selected  for  it  years  ago  a  song  of  Kickham's  which 
I  give  below. 


THE  MAID  OF  SLIEVENAMON. 

Alone,  all  alone,  by  the  wave-wash'd  strand, 

And  alone  in  the  crowded  hall ; 
The  hall  it  is  gay,  and  the  waves  are  grand, 

But  my  heart  is  not  here  at  all  : 
It  flies  far  away,  by  night  and  by  day, 

To  the  times  and  the  joys  that  are  gone ; 
And  I  never  can  torget  the  Maid  I  met 

In  the  valley  near  Slievenamon. 


2.  It  was  not  the  grace  of  her  queenly  air, 

Nor  her  cheek  of  the  rose's  glow, 
Nor  her  soft  black  eyes,  nor  her  flowing  hair, 

Nor  was  it  her  lily-white  brow. 
'Twas  the  soul  of  truth,  and  of  melting  ruth, 

And  the  smile  like  a  summer  dawn, 
That  stole  my  heart  away,  one  soft  summer  day, 

In  the  valley  near  Slievenamon. 

3.  In  the  festive  hall,  by  the  star-watch'd  shore, 
-    My  restless  spirit  cries  : 

"  My  love,  oh  my  love,  shall  I  ne'er  see  you  more ; 

And,  my  land,  will  you  ne'er  uprise  ?  " 
By  night  and  by  day,  I  ever,  ever  pray, 

While  lonely  my  life  flows  on, 
To  see  our  flag  unrolled,  and  my  love  to  enfold, 

In  the  valley  near  Slievenamon. 

CHARLES  J.  KICKHAM. 


KEY  Q. 


WILLY  REILLY. 


:d 


Oh  ! 


m  .,m  :d  .,1,  |r        :  d  .,1, 

rise  up    Wil  -  ly  Reil     -    ly,    and 


s,  .,1,  :d  .,d    |d 

come  along  with  me 


,5 


m  .,r  :  m  ,,s   |  1         :  s   .,1 

mean  for  to   go      with       you, 


.,d   :r  ,,d    I  1,  ) 

e  this  counter  -  ie,  ) 


d  ., 

and  leave  this  counter 


To 


m  .,r  :m  .,s    [1         :  s  .,1 

leave  my  father's  dwell  -  ing,    his 


d  .,d   :  r  .,d    |  1 

houses  and  free  land ' 


:d.,r 

And  a    - 


m  .,m  :d  .,1,  |  r        :d    .,1,1  s,  ,,1,  :  d  ,,d    |  d  II 

way  goes  Wil-ly     Reil     -     ly    and'  his  dear  Col-leen  Bawn.\\ 


2.  They  go  by  hills  and  mountains,  and  by  yon  lonesome  plain, 
Through  shady  groves  and  valleys  all  dangers  to  refrain  ; 
But  her  father  followed  after  with  a  well-arm'd  band, 

And  taken  was  poor  Reilly  and  his  dear  Colleen  Bawn. 

3.  It's  home  then  she  was  taken,  and  in  her  closet  bound, 
Poor  Roilly  all  in  Sligo  jail  lay  on  the  stony  ground, 
'Till  at  the  bar  of  justice  before  the  Judge  he'd  stand, 
For  nothing  but  the  stealing  of  his  dear  Colleen  Bawn. 

4.  "  Now  in  the  cold,  cold  iron  my  hands  and  feet  are  bound, 
I'm  handcuffed  like  a  murderer,  and  tied  unto  the  ground, 
But  all  the  toil  and  slavery  I'm  willing  for  to  stand, 

Still  hoping  to  be  succoured  by  my  dear  Colleen  Bawn." 

5.  The  jailor's  son  to  Reilly  goes,  and  thus  to  him  did  say, 
"  Oh  !  get  up,  Willy  Reilly,  you  must  appear  this  day, 
For  great  Squire  Foill-ard's  anger  you  never  can  withstand, 
I'm  afeer'd  you'll  suffer  sorely  for  your  dear  Colleen  Bawn» 


48 

'  This  is  the  news,  young  Reilly,  last  night  that  I  did  hear, 
The  lady's  oath  will  hang  you  or  else  will  set  you  clear." 
"  If  that  be  so,"  says  Reilly,  "  her  pleasure  I  will  stand, 
Still  hoping  to  be  succoured  by  my  dear  Colleen  Bawn." 


7.  Now  Willy's  drest  from  top  to  toe  all  in  a  suit  of  green, 
His  hair  hangs  o'er  his  shoulders  most  glorious  to  be  seen  ; 
He's  tall,  and  straight,  and  comely  as  any  could  be  found, 
He's  fit  for  Foillard's  daughter,  was  she  heiress  to  a  crown. 


8.  The  Judge  he  said,  "  This  lady  being  in  her  tender  youth, 
If  Reilly  has  deluded  her  she  will  declare  tho  truth  "  ;         . 
Then,  like  a  moving  beauty  bright,  before  him  she  did  stand, 
"  You're  welcome  there,  my  heart's  delight,  and  dear  Colleen  Bawn. 


9.  *'  Oh,  gentlemen,"  Squire  Foillard  said,  "  with  pity  look  on  mo, 
This  villain  came  amongst  us  to  disgrace  our  family, 
And  by  his  base  contrivances  this  villainy  was  planned, 
If  I  don't  get  satisfaction  I'll  quit  this  Irish  land." 


10.  The  lady  with  a  tear  began,  and  thus  replied  she  : 

"The  fault  is  none  of  Reilly's,  the  blame  lies  all  on  me  ; 
I  forced  him  for  to  leave  his  place  and  come  along  with  me, 
I  loved  him  out  of  measure,  which  wrought  our  destiny." 

11.  Out  bespoke  the  noble  Fox,  at  the  table  he  stood  by, 
"  Oh,  gentlemen,  consider  on  this  extremity ; 
To  hang  a  man  for  love  is  a  murder  you  may  see, 
So  spare  the  life  of  Reilly,  let  him  leave  this  counterie." 


12.       Good,  my  lord,  h.3  stole  from  h?r  her  diamonds  and  her  rings, 
.old  watch  and  silver  buckles,  and  many  precious  things, 
Which  cost  me  in  bright  guineas  more  than  five  hundred  pounds— 
1 11  have  the  life  of  Reilly  should  I  lose  ten  thousand  pounds." 


13.   "  Good,  my  lord,  I  gave  th^m  a<3  a  token  of  true  love, 
And  when  we  are  a-parting  I  will  them  all  remove, 
If  you  have  got  them,  Ileilly,  pray  send  them  home  to  me." 
"  I  will,  my  loving  lady,  with  many  thanks  to  thee." 


14.   "  Thore  is  a  ring  among  them  I  allow  yourself  to  wear, 
With  thirty  locket  diamonds  well  set  in  silver   fair, 
And  as  a  true-love  token  wear  it  on  your  right  hand, 
That  you'll  think  on  my  poor  broken  heart  when  you're  in  foreign 
lands." 


15.  Then  out  spoke  noble  Fox  :  "  You  may  let  the  prisoner  go, 
The  lady's  oath  has  cleared  him,  as  the  Jury  all  may  know  ; 
She  has  released  her  own  true  love,  she  has  renewed  his  name, 
May  her  honour  bright  gain  high  estate  and  her  offspring  rise  to 
fame." 


This  is  a  very  sweet,  quaint  old  air.  I  got  it  from  the  Rev.  T.  Darcy, 
but  I  often  heard  it  in  my  youth.  It  is  in  the  "  two-strain  "  form,  and  in 
the  oldest  form  of  the  "  gapped  "  scale,  having  neither  "  fah  "  nor  "  t  " 
note.  The  song  is  a  North  of  Ireland  one.  I  heard  it  sung  by  a  little 
girl  in  Co.  Fermanagh  last  year  (1913),  but  not  to  its  proper  air. 


50 


OH  !  LIMERICK  IS  BEAUTIFUL, 

KEY  C.     Moderately  and  affectionately. 


(  td    ir 

M    :  -    i-  .w  1  H 

:-.r:m     s    :-    :t 

U    s--»:n   I 

1    Oh! 

Lira       -       e  -  rick            is     beau     -     ti 

.  ful             Aa   ) 

eld     :- 

:r     |d     :- 

•  ^i 

d     :-     :- 

1       :       :B     I 

lev'     -     - 

ry-      bod 

y 

knows, 

And  ) 

fby   ^ 

:1      |1      :s 

:m 

y 

d'    :-     :r' 

of               my 

Id'    ;t     :1    > 

heart           How) 

that     cit     -     - 

ils     :- 

:m     |m      :r 

:d 

r     :  -     :•- 

|       :       :s    > 

(|  proud 

old       Shan     - 

non 

flows  1 

it    > 

ll1       ;" 

:  1     1  1     :  s 

:m 

d1     :-     rr1 

Id1    :  t     :  1     ) 

(j  sweeps 

down      by 

the 

brave          old 

town           As     ) 

1|S       S- 

:m     |n     :-.r 

:d 

r     :-     :- 

|       :       :d.r| 

^1  pure 

in         depth 

and 

tone 

As  when) 

JL:: 

:m     |m     :r 

:n 

the 

s     ;-     :t 

Sax      -      ons 

Jl     :s     :m     ) 

field     swept 

from           Tho  V 

<|d     :- 

:r     |d     :- 

:t,    Id     :-     :- 

I 

C  walls 

of       Gar    - 

ry-    |  owen. 

1 

2.  'Tis  not  for  Limerick  that  I  sigh — 

Though  I  love  her  in  my  soul, — 
Though  times  will  change  and  friends  will  die, 

And  man  will  not  control ; 
No,  not  for  friends  long  passed  away, 

Or  days  for  ever  flown, 
But  that  the  maiden  I  adore 

Is  sad  in  Garryoweu. 


51 


3.  Oh  !  she  T  love  is  beautiful, 

And  world-wide  is  her  fame  ; 
She  dwells  down  by  the  rushing  tide, 

And  &\]\e  is  her  name  ; 
And  dearer  than  my  very  life 

Her  glances  are  to  me, 
The  light  that  guides  my  weary  soul 
Across  life's  stormy  sea. 


4.  I  loved  her  in  my  boyhood, 

And  now  in  manhood's  noon, 
The  vision  of  my  life  is  still 

To  dry  thy  tears,  arooh  ; 
I'd  sing  unto  the  tomb,  or  danco 

Beneath  the  gallows  tree. 
To  see  her  on  the  hills  once  more 

Proud,  passionate,  and  free. 


MICHAEL  SOANLA.N. 


There  is  another  song  of  this  name  which  ia  much  inferior  to  this 
beautiful  song  of  Scanlan's.  The  writer  of  this  song  is  an  Irish-American, 
and  is  one  of  our  best  song- writers.  The  air  ia  a  vary  pretty  version  of 
"  Iri^h  Molly  O." 


52 


MUSIC  IN  THE  STREET. 

KEY  C.     A  little  slow  and  pathetic.          Air  :  "  UACA 


41 


{" 


.f 

f     .m 

:d     .,r     |n 

:  s      .tn  ,s  > 

It 

rose   up  - 

on        the      sor    • 

did  street,       A  ) 

f       .m 

:d 

.,d       Id 

:         .d       ) 

ca    -    dence     sweet 

and        lone  ; 

Through  ) 

m       .f 

:s 

.d1       |  d1      .,r' 

:£'      .,8       I 

all        the        vul    - 

gar        din         it 

pierced,  That  > 

1          .1 

:ta 

.1  tails 

:         .d        ) 

low      me     -    lo     - 

dious      tone. 

it      I 

PI         »I 

:  s 

.d1       |d'      .,r' 

:ff-     .,d«      > 

thrilled  on          my 

a      -      wak  -  en'd 

ear          A         ) 

1       .d1 

;ta 

.ltal|s       .,f 

:m       .s        ^ 

mid      the          noi 

sy          mart, 

Its                ) 

f      .m 

:d 

.d        |  m       .,d' 

:s        .m  ,s   ) 

mu  -  sic 

0      - 

ver          ev     -     'ry 

sound     Vi  -     ) 

f       .m 

:d 

,d       |d 

: 

bra  -  ted 

in 

my        heart. 

2.  I've  heard  full  oft  a  grander  strain 

Through  lofty  arches  roll, 
That  bore  on  the  triumphant  tide 

The  rapt  and  captive  soul. 
In  this  the  breath  of  my  own  hills 

Blew  o'er  me  soft  and  warm, 
And  shook  my  spirit  as  the  leaves 

Are  shaken  by  the  storm. 

3.  As  sounds  the  distant  ocean  wave 

Within  a  hollow  shell, 
I  heard  within  this  far-off  strain 
Ube  gentle  waters  swell 


53 


Around  my  distant  island  shore, 

And  glancing  through  the  rocks, 
While  o'er  their  full  and  gliding  wave 

The  sea-birds  wheeled  in  flocks. 
4.  There,  through  the  long  delicious  eves 

Of  that  old  haunted  land 
The  Naiads,  in  their  floating  hair, 

Yet  dance  upon  the  strand  ; 
Till  near  and  nearer  came  the  sound, 

And  swelled  upon  the  air, 
And  still  strange  echoes  trembled  through 

The  magic  music  there. 
6.  It  rose  above  the  ceaseless  din, 

It  filled  the  dusty  street, 
As  some  cool  breeze  of  freshness  blows 

Across  the  desert's  heat. 
It  shook  their  squalid  attic  homes — • 

Pale  exiles  of  our  race — 
And  drew  to  dingy  window  panes 

Full  many  a  faded  face. 

6.  And  eyes  whose  deep  and  lustrous  light 

Flashed  strangely,  lonely  there, 
And  many  a  young  and  wistful  brow 

Beneath  its  soft  brown  hair  ; 
And  other  eyes  of  fiercer  fire, 

And  faces  rough  and  dark — 
Brave  souls  !  that  bore  thro'  all  their  lives 

The  tempests  on  their  bark. 

7.  In  through  the  narrow  room  it  poured, 

That  music  sweeping  on, 
And  perfumed  all  the  heavy  air 

With  flowers  of  summers  gone, 
With  waters  sparkling  to  the  lips, 

With  many  a  summer  breeze, 
That  woke  into  one  rippling  song 

The  shaken  summer  trees. 

8.  In  it,  along  the  sloping  hills, 

The  blue  flax  blossoms  bent ; 
In  it,  above  the  shining  streams, 

The  "  Fairy  Fingers  "  leant ; 
In  it,  upon  the  soft  green  Rath, 

There  bloomed  the  Fairy  Thorn  j 
In  their  tired  feet  they  felt  the  dew 

Of  many  a  harvest  mom. 


54 

9.  In  it,  the  ripe  and  golden  corn 

Bent  down  its  heavy  head  ; 
In  it,  the  grass  waved  long  and  sweet 

Above  their  kindred  dead  ; 
In  it,  the  voices  of  the  loved, 

They  might  no  more  behold, 
Came  back  and  spoke  the  tender  words 

And  sang  the  songs  of  old. 

10.  Sometimes  there  trembled  through  the  strain 

A  song  like  falling  tears, 
And  then  it  rose  and  burst  again 

Like  sudden  clashing  spears  ; 
And  still  the  faces  in  the  street, 

And  at  the  window  panes, 
Would  cloud  or  lighten,  gloom  or  flash, 

With  all  its  changing  strains. 

11.  But,  ah  !  too  soon  it  swept  away, 

That  pageantry  of  sound, 
Again  the  parted  tide  of  life 

Closed  darkly  all  around. 
As  in  the  wake  of  some  white  bark, 

In  sunshine  speeding  on, 
Close  in  the  dark  and  sullen  waves, 

The  darker  where  it  shone. 

12.  The  faces  faded  from  my  view, 

Like  faces  in  a  dream  ; 
To  its  dull  channel  back  again 

Crept  the  subsiding  stream. 
And  I,  too,  starting  like  the  rest, 

Cast  all  the  spell  aside, 
And  let  the  fading  music  go — 

A  blossom  down  the  tide. 

ANONYMOUS. 

The  above  air  is  one  of  the  sweet  old  traditional  bits  of  music  which  I 
picked  up  in  the  Macroom  district,  Co.  Cork.  It  starts  off  in  a  very  un- 
usual way.  The  song  was  suggested  by  hearing  "  Patrick's  Day  "  and 
44  Garryowen  "  played  on  the  4th  of  July  by  the  band  of  the  60th  Regiment 
in  the  streets  of  New  York.  I  don't  know  the  author,  but  he  was  a  poet 
of  no  mean  order. 


55 


REMEMBER     THEE. 


KEY  C. 

f:s.,l    d1 

:-  .r':m'  .r1  d1      :-  .t  :1  .s 

s       :  1 

(    Re-      mem 

-    ber   thee!    yes,       while  there's 

3    life        in 

(Id'       :- 

(  1  heart 

:s  .,1 

It  shall 

d1       :~  .r1  :  PI'  .r1   |d'      :t 

nev      -       er        for  -  I  get      theo, 

(is       :H 

<  1  lorn       as 

i  r  .,d 

d       :  -       :  d  .,r 

art,                      More 

PI       :s 

dear      in 

thou 

(  1  1  .  s    :  PI 

:d  .r 

PI       :  s        :  1  .,ta 

1       :- 

(  1  Bor  -  row, 

thy 

g'oom  and           thy 

show'rs, 

(id1         '—  .r'    t  Pi'  .r' 

d1       :  t       :  1 

s       :PI 

(|          rest 

of  the 

world    in         their 

eun    -    ni 

,|d       :- 

(  1  hours. 

:  d1      ) 

this       > 


all 


.,ta 


i 

thy    > 

the) 

••*•>*} 

-      est    ) 


Than 


2.  Wert  thou  all  that  I  w:'sh  thee,  great,  glorious,  and  free — 
First  flower  of  the  earth,  and  first  gem  of  the  sea, 
I  might  hail  thee  with  prouder,  with  happier  brow, 
But,  oh  !  could  I  love  thee  more  deeply  than  now  ? 


3.  No,  thy  chains  as  they  rankle,  thy  blood  as  it  rune, 
But  make  thee  more  painfully  dear  to  thy  sons, — 
Whose  hearts,  like  the  young  of  the  desert-bird's  nost, 
Drink  love  in  each  life-drop  that  flews  from  thy  breast. 


THOMAS  MOORE. 


56 


IRISH  MOLLY.   O! 

KEY  Eb-     Moderately  and  Quietly. 


<  :  m    1  r    :  -    :  d    |  r    :  -    :  n     1    :  -    :  s    I  m    :       :  n    ) 

(    Oh  !  1  fair      -      er        than           the    HI        -       y        tall,              and) 

<|r    :-    :d     |  1,    :-     :  1, 

"ill  sweet     -      er       than                the* 

1,  :-  :-  1-  :-  :1  ) 

rose,  As  ) 

1|1     :-    :t    Id1    :-     :t 

<|  mod       -      est      as                  the 

1  :-  :s  |s  :-  :1  ) 

vi  -  o  -  let  in  ) 

<|m    :-     :r     |  d     :-     :r 

(jdew       -      y          dell             that 

m  :-  :-  |-.:-  :1  ) 

blows  ;  With) 

<\l     :-     :t     |d'    :-     :t 

1|  heart            as         warm           as 

1  :-  :s  |s  :-  :1  > 

&um  -  mer  noon,  and  ) 

<||ti     :-     :r     |d     :-     :r 

(j  pure              as        win       •       ter 

m  :-  :  -  |-  :--:m  ) 

snow  —  The  ) 

dp     :  -     :d     |r     :-    :m     11     :-     :s     |  in     :-     :m     > 

^|  pride             of         E         -         rin'sj  isle                 is        she,             dear  ) 

<ir    :-     :d     |1,    :-     :  1, 

)|  I         -          rish    Jlol        -       ly 

1,  :-  :-  1-  :-  1 

0! 

2.  No  linnet  of  the  hazel  grove  than  she  more  sweetly  sang, 

No  sorrow  could  be  resting  where  her  guileless  laughter  rang, 
No  hall  of  light  could  half  so  bright  as  that  poor  cabin  glow 
Where  Shone  the  face  of  love  and  grace  of  Irish  Molly  (> 


67 

5.  But  fever's  breath  struck  down  in  death  her  father  strong  and  bravo 
And  who  should  now  his  little  ones  from  want  and  sorrow  save  2 

"  Oh  !  never  fear,  my  mother  dear,  across  the  seas  I'll  go, 
And  win  for  ye  a  new  home  there,"  said  Irish  Molly  O. 

4.  And  far  away  'mid  strangers  cold  she  toiled  for  many  a  year, 
And  no  one  heard  the  heart-wrung  sigh  or  saw  the  silent  tear, 
But  letters  fond  the  seas  beyond  would  kind  and  constant  go, 
With  gold  won  dear,  and  words  of  cheer,  from  Irish  Molly  O. 

6.  And  one  by  one  she  sent  for  all  the  loved  ones  o'er  the  foam, 
And  one  by  one  she  welcomed  them  to  her  fond  heart  and  home, 
And  last  and  best  her  arms  caressed  the  aged  head  of  snow — 

"  Oh,  mother,  we'll  be  happy  now  !  "  said  Irish  Molly  O. 

6.  Alas,  long  years  of  toil  and  teais  had  chilled  her  young  heart's  glow, 
And  grief  and  care  had  blanched  her  hair  and  stilled  her  pulses  flow, 
And  when  the  spring  bade  wild  birds  sing  and  buds  in  beauty  blow — 
They  made  your  grave  where  willows  wave,  poor  Irish  Molly  O. 

FKANCIS  A.  FAHY. 


This  is  one  of  several,  which  I  intend  to  give,  of  Frank  Fahy's  charming 
songs.  Some  of  his  songs  are  copyright  in  London  Publishers  with  whom 
I  cannot  afford  to  deal,  and  who  have  set  some,  at  least,  of  Mr.  Fahy's  songs 
to  airs  which  are  anything  but  Irish. 


58 


KEY  0. 


NATIVE  SWORDS. 

Air  :  "  The  Boyne  Water." 


(    We' 


We've 


bent      too      long      to 


s 


(  If       ;m  .r   |1  .s   :f  .m 

(  I  force      our        prayers    de- 


rid 


m       |d       :r.m  > 

brag  -  gart       wrong,  While' 

;-  .d    |  1,       :  s 

-      ed ;         We've 


(II       1'ljsM'*      :t*L  |i_Lf  :rl_£   'd        :  r  -m  > 

(  I  fought     too        long,       our     -|  selves      a      -      mong,      By  > 

"8  \ 

U     -  ) 


f       :  m  .r  |  1  .s   :  f  .m 

knaves    and        clans      di     - 


|r 

ded. 


(II        :  l^1  |  r'      :  -  .m1 

(  |  ni      -    ted          now,  no 


:1  .r1  |rLd'  :  r'  .m1 

dis- 


1 

fao     -     tion         we 

d1       :  d«       |d'      :  1 

now        thank     God  !      our 


:  -  .d1  |  1        :  s 

we'll  bow,       Foul 

:  -  .d1  |  1        :  t 


i 


card 


it; 


And 


s_._f    :  s  .PI    |d        :  r  .PI    ^ 

na     -     tive       sod         Has       > 


f        :  m  .r    |  1  ^  :  f  .m 

Na     -     tive         Swords  to 


r 

guard 


|r 

it. 


59 

2.  Like  rivers  which,  o'er  valleys  rich, 

Bring  ruin  in  their  water, 
On  native  land,  a  native  hand 

Flung  foreign  fraud   and  slaughter. 
From  Dermod's  crime  to  Tudor 's  time 

Our  clans  were  our  perdition  ; 
Religion's  name,  s"ince  then,  became 

Our  pretext  for  division. 

3.  But,  worse  than  all,  with  Lim'ricks  fall 

Our  valour  seem'd  to  perish  ; 
Or  o'er  the  main,  in  France  and  Spain, 

For  bootless  vengeance  flourish. 
The  peasant,  here,  grew  pale  for  fear 

He'd  suffer  for  our  glory, 
While  France  sang  joy  for  Fontenoy, 

And  Europe  hymned  our  story. 

4.  But  now,  no  clan,  no;  factious  plan, 

The  East  and  West  can  sunder — 
Why  Ulster  e'er  should  Munster  fear, 

Can  only  wake  our  wonder. 
Religion's  crost,  when  union's  lost, 

And  "  royal  gifts  "  retard  it ; 
But  now,  thank  God  !  our  native  sod 

Has  Native  Swords  to  guard  it. 

THOMAS  DAVIS. 

This  fine  air  has  too  long  been  left  to  the  monopoly  of  an  Orange  faction. 
Let  ib  be  sung  henceforth  in  every  parish  thro'  the  land  to  Davis's  stirring 
words.  It  is  also  now  fortunately  wedded  to  one  of  the  finest  songs  ever 
written  in  the  Irish  language.  This  song  may  be  found  in  No.  1  of  the 
series  entitled  "  t?ui""  HA  Srn6l,"  which  I  published  in  1913.  "  Tlofc 
CACA  tiA  tttuiviAn  "  is  the  name  of  the  song. 


60 
GAL  WAY  BAY. 


KEY  E^.     Plaintively. 


Air  :  "  Irish  Molly  O." 


{  '"is 

r    :  -    : 

far 

a  -  way 

-    :  PI     .1    :  -    :  s 

I      am              to 

|m    :- 

-  day 

:d    ) 

From) 

(I  r     :  -     id 

I)  scenes           I 

*l      •  " 
roamed 

a 

1,  :-  :- 

boy, 

1-    :- 

And) 

<|1     : 

11  long 

.t 
a    - 

Id'    :- 

g° 

:  t 

the 

1  :-  :t 

hour  I 

|s     :- 

know 

",} 

H  fii^T 

s     :  m 

saw 

Id     i- 

ii 

:  -.r 

in  - 

ois  ; 

l-x'- 

But> 

t|  Time 

:  t 

nor 

Tide 

:t 

nor 

1  :-  :  t 

wa  -  ters 

|s    :- 

wide 

Can) 

(11     :  -,s  : 

<|  wean 


1     :  -,s  :m     |d     : 

my     heart. 


er    true 

d     |1|    : 

dear  Gal 


it 


way, 


flies 


s 

to 


you, 


1,    11,    :- 

way!  Bay. 


m    > 

For  > 


d  \ 

My   J 


2.  My  chosen  bride  is  by  my  side,  her  brown  hair  silver-grey, 
Her  daughter  Rose,  as  like  her  grows  as  April  dawn  to  day  ; 
Our  eldest  boy,  his  mother's  joy,  his  father's  pride  and  stay — • 
With  gifts  like  these  I'd  live  at  case  were  I  near  Galway  Bay. 


61 

3.  A  prouder  man  I'd  walk  the  land  in  health  and  peace  of  mind, 
If  I  might  toil  and  strive  and  moil,  nor  cast  one  thought  behind  ; 
But  what  would  be  the  world  to  me,  its  rank  and  rich  array, 
If  memory  I  lost  of  thee,  my  poor  old  Galway  Bay. 


4.  Oh,  grey  and  bleak,  by  shore  and  creek,  the  rugged  rocks  abound, 
But  sweeter  green  the  grass  between  than  grows  on  Irish  ground, 
So  friendship  fond,  all  wealth  beyond,  and  love  that  lives  alway, 
Bless  each  poor  home  beside  your  foam,  my  dear  old  Galway  Bay. 


6.  Had  I  youth's  blood  and  hopeful  mood  and  heart  of  fire  once  more, 
For  all  the  gold  the  earth  might  hold  I'd  never  quit  your  shore  ; 
I'd  live  content  whate'er  God  sent,  with  neighbours  old  and  grey, 
And  lay  my  bones  'neath  churchyard  stones  beside  you,  Galway  Bay. 


6.  The  blessings  of  a  poor  old  man  be  with  you  night  and  day, 
The  blessings  of  a  lonely  man  whose  heart  will  soon  be  clay  ; 
'Tis  all  the  Heaven  I'd  ask  of  God  upon  my  dying  day — 
My  soul  to  soar  for  evermore  above  you,  Galway  Bay. 

FRANCIS  A.  FAHY. 


This  air  is  "  Irish  Molly  O."  Compare  it  with  the  song  of  that  name 
on  p.  56.  It  will  be  observed  that  this  version  has  some  beautiful  turns 
which  make  it  a  delightful  song  and  give  it  a  character  of  its  own. 


62 


MY  CEALLAIGH  DHU  ASTHORE. 

KEY  F.  Air:  "  cSic  ni  -O 


11 


:m  .r 

d       :1,      | 

S|.l,  :t,  .s,   d       :-  .t, 

|d.r 

:  m  .d 

A  - 

gain       the 

flow'    -    ry        feet             of 

June 

Have 

f 

:  m  .r    I  d  .1( 

'a,,!,*,!!,       :-        1 

; 

m  .r 

tracked    our        cot 

tagej  side  ; 

And 

d 

:1,        |8,.l, 

:t,.s, 

d        :-  .t,  | 

d  .r 

n  -f 

o'er 

the          waves      the 

tim       -        id 

moon 

Steals 

3 

:-  .1    |n 

:  r 

d        :-  .t,  I 

d    •• 

m  .s 

mi 

- 

ling 

Iik3               a 

bride  : 

But 

|i 

:f       |r 

:n  .f 

s        :  -  .s    | 

PI 

:d 

1  what 

were       June 

or 

flowers          to 

me, 

Or 

(If        :m_j;    |d  .1,  ;8,«l,.t,|  1,    . 

(  I  waves,     or  moon,  orl  more, 


T    Id  .1,   ;8,«l,.t,|l.        :-        | 


PI    .8       ) 

But        > 


m  .r    ) 

ir  > 


il 


d 

rail. 
"CeaT 


nng 


1,    itr^B, 
and 


came 


d        :-  .t,  |d_.r    ;  w  -f 

brought        not    thee,          My 


:-  .1    |m 


:r 


laigh 


:  -  .t,  |d 


Dhu 


sthore. 


2.  Let  others  prize  their  lordly  lands, 
And  sceptres  gemmed  with  blood, 
More  dear  to  me  the  honest  hands 
That  earn  my  babes  their  food. 


63 

And  little  reck  we  queens  or  kings 
When  daily  labour's  o'er  ; 

And  by  the  ev'ning  embers  sings 
My  Ceallaigh  Dhu  asthofe. 


3.  And  when  he  sings,  his  every  song 

Is  sacred  freedom's  own  ; 
And  like  his  voice  his  arm  is  strong, 

For  labour  nursed  the  bone  : 
And  then  his  step,  and  such  an  eye  1 

Ah,  fancy  !  touch  no  more 
My  spirit  swims  in  holy  joy 

O'er  Ceallaigh  Dhu  asthore  ! 


4.  His  voice  is  firm,  his  knee  is  proud 

When  pomp's  imperious  tone 
Would  have  the  free-born  spirit  bowed, 

That  right  should  bow  alone  ; 
For  well  does  Ceallaigh  know  his  due, 

Nor  ever  seeks  he  more  ; 
Would  heaven  mankind  were  all  like  you, 

My  Ceallaigh  Dhu  asthore  ! 


5.  And  Ceallaigh  is  an  Irishman 

In  sinew,  soul,  and  bone; 
Not  e'en  the  veins  of  old  Slieveban 

Are  purer  than  his  own  : 
The  wing  of  woe  has  swept  our  skies, 

The  foreign  foe  our  shore, 
But  stain  or  change  thy  race  defies, 

My  Ceallaigh  Dhu  asthore  ! 


6.  What  wonder,  then,  each  word  he  said 

Fell  o'er  my  maiden  day, 
Like  breathings  o'er  the  cradle-bed 

Where  mothers  kiss  and  pray. 
Though  dear  your  form,  your  cheek,  and  ey€f, 

I  loved  those  virtues  more, 
Whose  bloom  nor  ills  nor  years  destroy, 

My  Ceallaigh  Dhu  asthore. 


7.  Oh,  could  this  heart,  this  throbbing  thing, 

Be  made  a  regal  chair, 
I'd  rend  its  every  swelling  string, 

To  seat  you,  Ceallaigh,  there  : 
And  oh,   if  honest  worth  alone 

The  kingly  bauble  bore, 
No  slave  wert  thou,  my  blood,  my  bone, 

My  Ceallaigh  Dhu  asthore. 


FRANCIS  DAVTS. 
(The  Belfast  Poet.) 


This  sweet  air  is  well  known  to  students  of  the  Munster  Irish  College 
ftt  Ballingeary.  I  link  it  for  the  first  time  with  the  fine  song  of  Francis 
Davis. 


65 


THE    GIRL    OF    DUNBWY. 


KEY  C.     Andante. 


:     .s 

'TIS 

d^r'id'.t 

pret  -  ty  to 

1       :j3  .s     d'.,t  :d'.r'  |n' 

see             the         girl      of  Dun-bwy 

Id'  .,r' 

:d'  .t    1  1 

ping  the  moun 

:s   .s  ' 

1        :t   .t   |d' 

state     -     li      -      ly, 

I    Step- 

-    tain 

f    .,1 

:s  .f   |m 

ged  her  gown, 

:  f   ,m,r 

d  .,r  :n  .s    |1 

rag  - 

and 

na  -  ked  her  feet, 

d'  .,r' 

im'r'.dMU   .,1 

t  :d'  .f 

-  land  to 

in  .,f  :r  .d   |d 

match  her  is    meet. 

I      la    - 

dy     in        Ire 

:jn   .ra 

Tho~ 

:  s    .s     ) 

"No"      > 


2.  Poor  is  her  diet,  and  hardly  she  lies — 

Yet  a  monarch  might  kneel  for  a  glance  of  her  eyes  ; 
The  child  of  a  peasant — yet  England's  proud  queen 
Has  loss  rank  in  her  heart,  and  less  grace  in  her  mien. 

3.  Her  brow  'neath  her  raven  hair  gleams  just  as  if 
A  breaker  spread  white  'neath  a  shadowy  cliff — 
And  love,  and  devotion,  and  energy  speak 

From  her  beauty-proud  eye,  and  passion-pale  cheek. 

4.  But  pale  as  her  cheek  is,  there's  fruit  on  her  lip, 

And  her  teeth  flash  as  white  as  the  crescent  moon's  tip, 
And  her  form  and  her  step,  like  the  red  deer's,  go  past — 
As  lightsome,  as  lovely,  as  haughty,  as  fast. 

5.  I  saw  her  but  once,  and  I  looked  in  her  eye, 

Anc^  she  knew  that  I  worshipped  in  passing  her  by  ; 
The  saint  of  the  wayside — she  granted  my  prayer, 
Though  wo  spoke  not  a  word,  for  her  mother  was  there. 

THOMAS  DAVIS. 


1—4. 


66 


ARTHUR  M'COY. 

1798. 
Aj?.     Sweetly  and  fairly  slow.       Air:  '*  Aj\  OijMnti 


j:d.r 

t  While  the 

m       : 

snow  - 

1| 

flakes 

of 

d       : 

win    - 

f 

ter 

are 

m       : 

fall    - 

'"     1 

mg        ) 

f    "  ^' 

t,       : 

i. 

:B, 

d        : 

t, 

:d 

I"          l 

-           , 

1      On 

moun  - 

tain, 

and 

house  - 

top. 

and 

tree, 

> 

<  :d  .r 

PI       : 

i, 

:  t| 

d       : 

f 

!  r         J-P1          : 

m       ) 

(     Come 

old    - 

en 

weird  voi     - 

ces 

re-       1  call    - 

ing        ) 

pi. 

t,       : 

i, 

:0i 

t,       : 

d 

:-  .t, 

d       : 

-     , 

^    The 

homes 

of 

Hy- 

Fa    - 

iy 

to 

me. 

> 

K?Lf 

<     The 

T 

s        :1        : 

ram  -    bio 

n  -T 

~by~ 

d       : 

riv    - 

t, 

er 

and 

1,       : 

wild 

11    -I 

wooa,) 

<:*.* 

}     The 

s       : 

le      - 

ll 

gends 

of 

d        : 

moun  - 

f 

tain 

:r 

and 

m 

glen, 

-          I 

1  :d  .r 

m       : 

i, 

:t, 

d        : 

f 

:r 

m       : 

m       | 

<  When  the 

bright, 

ma     - 

gic 

mir    - 

ror 

of 

child  - 

hood    j 

t     Made 

t,       : 

he     - 

i, 

roes 

and 

t.       : 

d 

ants 

:-  .t, 

of 

d 

men.  1 

67 


2.  Then  I  had  my  dreamings  ideal, 

My  prophets  and  heroes  sublime, 
Yet  I  found  one,  true,  living,  and  real, 

Surpass  all  the  fictions  of  time  : 
Whose  voice   thrilled  my  heart  to  its  centre, 

Whose  form  tranced  my  soul  and  my  eye  ; 
A  temple  no  treason  could  enter — 

My  hero  was  Arthur  M'Coy. 


3.  For  Arthur  M'Coy  was  no  bragger, 

No   bibber,  nor  blustering  clown, 
'Fore  the  club  of  an  alehouse  to  swagger, 

Or  drag  his  coat-tail  through  the  town  : 
But  a  veteran,  stern  and  steady, 

Who  felt  for  his  land  and  her  ills  ; 
In  the  hour  of  her  need  ever  ready 

To  shoulder  a  pike  for  the  hills. 


4.  As   the   strong  mountain   tower  spreads  its   arms. 

Dark,  shadowy,  silent,  and  tall, 
In  our  tithe-raids  and  midnight  alarms, 

His  bosom  gave  refuge  to  all. 
If  a  mind  clear,  aad  calm,  and  expanded, 

A  soul  ever  soaring  and  high, 
'Mid  a  host — gave  a  right  to  command  it — 

A  hero  was  Arthur  M'Coy. 


5.  While  he  knelt,  with  a  Christian  demeanour, 

To  his  priest,  or  his  Maker,  alone, 
He  scorned  the  vile  slave,  or  retainer, 

That  crouched  round  the  castle,  or  throne, 
The  Tudor — The  G-uelph,  The  Pretender, 

Were  tyrants,  alike^  branch  and  stem  ; 
But  who'd  free  our  fair  land,  amd  defend  her, 

A  nation,  were  monarchs  to  him. 


6.  And  this  faith  in  good  works  he  attested, 

When  Tone  linked  the  true  hearts  and  brave, 
Every  billow  of  danger  he  breasted — • 
His  sword-flash,  the  crest  of  its  wave  • 


68 


A  standard  he  captured  in  Gorey, 

A  sword-cut  and  ball  through  the  thigh, 

Were  among  the  mementoes  of  glory 
Recorded  of  A:i>hur  M'Coy. 


7.  And  he  died  for  his  love — I  remember, 

On  a  mound  by  the  Shannon's  blue  wave, 
On  a  dark,  snowy  eve  in  December, 

I  knelt  at  the  patriot's  grave. 
The  aged  were  all  heavy-hearted — 

No  cheek  in  the  churchyard  was  dry  : 
The  Sun  of  our  hills  had  departed — 

God  rest  you,  old  Arthur  M'Coy  ! 

JOHN  BOYLE  ("  PONTIAC  "). 

This  music  is  a  "  Barony  "  (near  Youghal)  version  of  the  widely-known 
air.  Of  the  half-dozen  versions  which  I  know  this  is  the  sweetest,  after  the 
Ring  version.  Tho  latter  may  be  found  in  "  £uinn  HA  StnoL,"  No.  4. 
The  air  suits  the  above  '98  ballad  admirably.  The  ballad  is  a  splendid 
specimen  of  what  a  ballad  should  be.  When  will  Irishmen  learn  to  appre- 
ciate the  work  of  their  own  countrymen  and  taboo  the  inanities  of  the 
Anglicised  concert  hall  ? 


69 
MARY,  THE  PRIDE  OF  THE  WEST. 

Air:  "Aj\  eijMtin  ni  ' 

1.  The  summer  shines  bright  from  the  plain 

To  the  hills  where  the  clear  rocks  are  piled  ; 
The  birds  sing  a  clear,  joyous  strain, 

And  the  flowers  are  in  bloom  o'er  the  wild — 
Bub  a  flower,  all  these  fair  flowers  above 

In  sweetness,  blooms  deep  in  my  breast ; 
'Tis  the  lone  flower  of  kindness  and  love 

For  Mary,  the  Pride  of  the  West. 

2.  There's  an  ash-tree  that  blooms  light  and  fair, 

Where  the  linnets  in  May  make  their  bower  ; 
There's  a  rose-bush  beyond  all  compare, 

By  the  walls  of  the  grey  mountain  tower — 
But  how  lovely  soe'er  that  lone  tree, 

And  the  bush  all  in  white  blossoms  drest, 
As  fair  and  as  lovely  is  she 

My  Mary,  the  Pride  of  the  West. 

3.  When  she  goes  from  the  wild  hills  among 

To  the  town  on  the  verge  of  the  plain, 
Could  you  see  her  sweet  face  'mid  the  throng, 

You  ne'er  would  forget  it  again  ; 
And  the  gallants  who  pass,  when  they  see, 

And  the  crowd,  think  her  brightest  and  best, 
And  they  ask  who  such  fair  maid  can  be, 

My  Mary,  the  Pride  of  the  West  ! 

4.  When  each  night  at  her  father's  broad  hearth 

I  sit  near  my  love  by  the  fire, 
I  have  all  that  my  heart  or*  this  Earth 

Can  love,  and  desire,  and  admire  : 
Then  her  eyes,  like  two  clear  stars  above, 

With  their  kind  looks  on  me  often  rest, 
Till  I'm  wild,  wild  with  fondness  and  love, 

For  Mary,  the  Pride  of  the  West  ! 

ROBERT  DWYER  JOYCE,  M.D. 
For  the  music  see  last  song,  page.  66. 


70 


THE    COMING    BRIDAL. 

KEY  P.     Fairly  slow. 


JJ 

(  ] 

i 

i 

i 

i 

! 

i.r 

m      :  d1      :  t 

1       :  t  .1 

:  s  .1* 

i  1  1  .,  s  :m 

:  m  .r  ) 

Where  the) 

'.  V}  »T    ) 
Where  the) 

And  the  ' 

:n.p  ) 

Vty        home    stands  bj 

d       :r       :^_-l, 

broom  bios  -   soms 

m       id1       :t 

green    beech  -  es 

d       :m  .r   :d  .1, 

r        Fun  -  shion's  brig 

d       :r       :ro  .fe 

shine    in             the 

1        :  t  .1    :  s  .m 

ntj  riv   -  er, 

s       :- 

spring, 

mur  -  mur        and 

t,       :1,       :1, 

cool        branch-es 

d       :r       :m  .fe 

quiv  -  er, 

1,  <,:- 

sing; 

s        :m 

blue      in 

s       :- 

dells, 

1  .,3  :m 

birds     'mid 

d       :r 

there,    where 

*3  \ 

stream  as 

m       :d' 

down    by 

d       :  ni  .r 

love        in 

their 

:dj, 

the 

:t 

it 

:t 

the 

:d  .1, 

her 

And    > 
The"    > 

:d.r   , 

sky        gleams 

1        :t  .1   : 

so 

s  .m 

winds    thro; 

1        :t_J.   : 

old         cas    - 

t,       :1,       : 

white     cot    - 

the 

s  .m^ 

tie 
tage 

A-      1 

:l,.t,) 

ru     -     in, 
dwells. 

My    > 

2.  The  black  whortle  shines  mid'  the  heather, 

Where  the  wild  deer  in  brown  autumn  rove, 
And  dark  is  the  strong  raven's  feather, 
But  darker  the  locks  of  my  love. 


71 

% 
Two  trees  by  the  Fort  of  the  Fairy, 

A  red  rose"  and  white  sweetly  grow  ; 
Oh,  the  lips  and  the  brow  of  my  Mary 

Outshine  their  pure  crimson  and  snow. 

3.  No  flocks  hath  she  down  by  the  island, 

No  red  gold  her  coffers  illume, 
No  herds  on  the  brown  moor  or  highland, 

No  meads  where  the  sweet  flowers  may  bloom  ; 
The  old  dame  has  herds  by  the  wildwood  ; 

She'd  give  me  green  meads,  herds,  and  gold, 
But  the  young  heart  that  loved  me  since  childhood 

Shall  find  me  in  manhood  unsold. 

4.  Next  Sunday  the  fires  will  be  blazing 

For  the  Baal-feast  o'er  mountain  and  plain  ; 
That  morn  village  crowds  will  be  gazing 

With  joy  on  our  gay  bridal  train  : 
Could  love  half  so  blest  ever  falter, 

When  placed  'mid  the  throng  side  by  side, 
When  there,  at  the  old  chapel  altar, 

The  good  priest  will  make  her  my  bride  ? 

R.  D.  JOYCE,  M.D. 

I  have  seen  three  versions  of  this  beautiful  air.  One  of  these  I  gave  in 
No.  4  of  my  Collection  of  Irish  Songs,  1st  Ed.  I  got  that  version  from  an 
old  lady  in  Cork,  a  traditional  singer.  I  reprint  it  below.  The  above  version 
was  taken  down  from  another  traditional  singer. 

KEY  E[?. — \-time. 

:l,.t,  |d  :t,  :1,       |t,.n  :-  .r    :1,  |t,  :1,  } 

:d  .r     m  :d'  :t        |1   .t  :-  .1    :n.f  |s  :-  } 

:d  .r     m  :d'  :t        1 1   .t  :-  .1    :m  .1  |m  :in  .r  } 

:d  .1,  |P.  .r  :d.l,  :t,.l,  |1,  :1,       :1,  |1,  :-  } 


72 


.r  |d 
.r  |m 
.r  |m 

:r  .t,  :1, 
:d'       :t 
:d'       :t 

It,       :r 

1  1  ,t  :  -  .1 

:m 
I    :n  -f 

s 
s 
tn 

:m       } 

:-       ) 
:m  .r  } 

|1  .t  :-  . 

L   :m<f<s 

.1,  |n  .r   :d  .1,  :t  .,1 


,     , 


BOUCHALEEN  DHOUN. 

KEY  P.    Moderate.  Air  :  " 'OjxoiceA'o  HA  UUAii\e." 

j:d^r|m      :1      :s      II      :d      :rj?|li     •  s(     :d.r 

(      My   I  true    love    he      Idwells  on        the    Imoun-tains,  Like  £ 


, Like  a) 


rim      :s       ;  m  .,d  I  r       :d       :d       Id      :-       :d.r| 

(  |  war   -  ea    -      gle    I  fear   -   less       and     '  free,  By  the) 


(  n. 

(     side 

of 

:s 

the 

1 

low 

:d 

tun 

:r  .d 

-    ing 

i, 

foun 

-  tains  That  > 

I  " 

(     wan 

:  s 

-  der 

:m  .,d 

thro' 

r 

wide 

:d 

An 

:d 

-   na- 

lee. 

.-      :d.p) 

His     > 

Jl" 

(  I  soul 

:  s 

has 

:1  .t 

more 

d1 

va    - 

:t 

lour 

:s  .,t 

and 

1 

hon  - 

:s      :s,U| 

our     Than  a  ) 

if* 

(  Iking 

:m 

with 

:r 

a 

d 

pal    - 

ace 

:  s 

and 

11 

:-       :«,l,t, 

crown  ;          Fo^  the£ 

73 


d1  .  :  l_/b 

blood      of 


1*1 

veins 


of 


:1 

of 

r        :d      :d 

Bou  -   cha   -  leen 


1. 

Con 

d       :- 

Dhoun. 


5,      :d.r> 

nor  Fills  the) 


2.  Soft  "  cead  mile  fdilthe  "  I  give  him 

When  he  comes  every  Sunday  to  me  ; 
And  what  can  I  do  but  believe  him 

When  he  whispers — "  A  Chuisle  Machree  " 
For  the  look  is  so  truthful  and  tender 

Of  his  bright  roving  eyes  of  dark  brown, 
That  I'm  sure  e'en  a  lady  in  splendour 

Would  be  coaxed  by  my  Bouchaleen  Dhoun. 


3.  My  father  has  riches  in  plenty, 

And  suitors  for  me  in  his  eye  ; 
But,  oh  !  let  my  age  come  to  twenty — 

If  I  don't  give  them  all  the  good-by. 
For  I  sigh  for  a  life  on  the  mountains 

Far  away  from  the  dust  of  the  town, 
With  the  song  of  the  soft-tuning  fountains 

And  the  love  of  my  Bouchaleen  Dhoun. 


J.  K.  CASEY  ("  Leo  "). 


The  above  is  the  air  to  which  this  song  is  sung  in  Co.  Cork.  I  have  seen 
the  words  linked  to  aiother  air,  a  version  of  which  I  gave  with  the  last 
song,  "  The  Coming  jLiridal." 


MA  CHREEVEEN  EEVING  AULING  O. 


KEY  C. 

- 

f:d'.r' 

(    Ye 

m1      :-  .r1  |d'       :t 

dark  -  haired  youth      and 

1    .t 

el     - 

;d'.t 

ders 

hoar 

:n      > 
-  y       I 

II3 
(  |  List 

:  m  .m 

to     the 

r 

wand' 

:  m  .s 

1         : 

harp 

-    .t 

er's 

H 
song; 

:  d1  .r1  | 

-  ring 

My       ) 

{ 

m1 

claur 

:  -  .r1  | 

-     shoch 

d1 

weeps 

:  t 

my 

1  .t    : 

true 

d1  .t 

love's 

1   .S 

:  m  .m    > 

ry  In     ) 

sto     - 

I 

S 

my 

:  m        | 

true 

r 

I  I11    .S 

1 

na 

. 

tive 

1 

tongue 

She's     ) 

love's 

m     =-.t  i 

(  1  bound           and 

d1 

bleed 

:-  .r1 

-      ing 

m1        : 

'neath 

d1 

th'  op  - 

r' 

press 

-  or,          ) 

! 

Few 

her 

d1 

friends 

:t 

and 

1         : 

fierce 

-  .r 

her 

In 

foe, 

:  d1  .r1  > 

And       > 

! 

m1 

brave 

:  -  .r1  |  d1 

hearts  cold 

:  t 

who 

1 

.t    : 

d1  .t 

11  .s 

:  m  -PI    > 

her,  Ma  ) 

would 

re 

dress 

{ 

S 
chree 

:m       | 

-  veen 

r 

eev      - 

:  m  .s 

ing 

1        : 

au 

ling 

1 
O. 

| 

2.  My  love  had  riches  once,  and  beauty, 
Till  want  and  sorrow  paled  her  cheek  ; 

And  stalwart  hearts  for  honour's  duty 

They  crouching  now  like  cravens  sleek. 


75 


Oh,  Heaven  !  that  e'er  this  day  of  rigour 
Saw  sons  of  heroes  abject,  low — 

And  blood  and  tears  thy  face  disfigure, 
Ma  chreeveen  eeving  auling  O. 


3.  I  see  young  virgins  step  the  mountains 

As  graceful  as  the  bounding  fawn, 
With  cheeks  like  heath-flower  by  the  fonintain, 

And  breasts  like  downy  canawaun. 
Shall  bondsmen  share  those  beauties  ample  ? 

Shall  their  pure  bosoms'  current  flow 
To  nurse  new  slaves  for  them  that  trample 

Ma  chreeveen  eeving  auling  O  ? 


4.  Around  my  claurshoch's  speaking  measures 

Men,  like  their  fathers  tall,  arise, 
Their  heart  the  same  deep  hatred  treasures — • 

I  read  it  in  their  kindling  eyes  ! 
The  same  proud  brow  to  frown  at  danger 

The  same  long  coulin's  graceful  flow, 
The  same  dear  tongue  to  curse  the  stranger 

Ma  chreeveen  eeving  auling  O. 


6.  I'd  sing  ye  more,  but  age  is  stealing 

Along  my  pulse  and  tuneful  fires  ; 
For  bolder  woke  my  chord  appealing 

For  craven  Sheeamus  to  your  sires. 
Arouse  to  vengeance,  men  of  brav'ry, 

For  broken  oaths,  for  altars  low, 
For  bonds  that  bind  in  bitter  slav'ry. 

Ma  chreeveen  eeving  auling  O. 

EDWARD  WALSH. 


The  above  is  the  air  to  which  traditional  singers  in  Co.  Cork  sing 
Edward  Walsh's  fine  song,  it  is  a  grand  setting  and  much  finer  than  the 
printed  setting  which  is  so  well  known.  This  version  was  printed  for  the 
first  time  by  me  in  my  collection  of  Irish  songs,  "£uinti  HA  Smol." 
I  am  indebted  to  Miss  Annie  O'Reilly  for  it.  She  writes  to  me  as  follows  : 
"  I  have  been  listening  to  this  all  my  life.  I  have  never  seen  it  in  print," 


7G 


THE    BOYS    OF    WEXFORD. 


[The  following  version  of  the  "  Boys  of  Wexford  "  is  an  improvement 
on  the  old  song  by  Dr.  Robert  Dwyer  Joyce.  It  has  been  altered  by 
Mr.  Edmund  Leamy,  B.L.,  and  will,  we  anticipate,  meet  with  universal 
approval.] 

KEY  P. 


rs 

d       :-.r    |d_.t,  :IL_ 

.s,    s       :-.!  |s       :f       | 

comes        the    cap    -    tain's     daugh       -       ter,         The     ) 

,  . 

(       cap 

:-  .d    |m  .r    :d  .t, 

1.  :-  1-  :t,  | 

Yeos,  .  Saying*) 

tain  of             the 

I   d 

\      "  Brav 

:-  .r    |d  .t,  :1,  .s, 

s  :-  .1  |s  :f  , 

I  -  -  rish  Man,  We'll  ) 

9        U   -  ni             ted 

<     m 

(       ne'er 

:r        |d  .r    :m  .fe 

s  :-  |-  :s  > 

foes.  A  > 

a      -       gain        be 

(       thou 

sand  pounds  I'll 

s  :-  .f  |m  :s  i 

bring  if  you  Will  > 

(      fly 

:m        |r        :d 

from        home      with 

1,  :-  1-  :t,  ^ 

me,  And  ) 

I  d 

(       dress 

:-  .r   |d  .t,  :lj_.s, 

my  -self           in 

s  :-  .1  |s  :f  l 

man's  at  -  tire,  And  } 

5     n, 

\       fight 

:d        |m  .r    ;d   .tt 

for          lib      -      er 

d  :-  |- 

ty." 

77 


CHORUS  —  • 

(    :s 

1        : 

-•f     1 

d1 

:  1 

s        :-.f\m 

:s        ^ 

(        We 

arc 

the 

boys 

of 

Wex                   ford, 

Who    } 

, 

f 

:m 

|r 

:d 

i, 

:-         1- 

:t,       > 

> 

( 

fought 

with 

heart 

and 

hand 

To         ) 

/ 

d 

:-  .r 

|d    .t, 

:1,  . 

S| 

S 

:-  .1    |s 

:f           1 

| 

burst 

in 

twain 

the 

gall-               ing   chain, 

And      > 

rail. 

( 

m 

:d 

1  ro  .r 

:d   , 

1 

d 

:-         1- 

( 

free 

our 

na 

tive 

land. 

2.  "I  want  no  gold,  my  maiden  fair, 

To  fly  from  home  with  thee  ; 
Your  shining  eyes   will   be  my  prize — 

More  dear  than  gold  to  me. 
I  want  no  gold  to  nerve  my  arm 

To  do  a  true  man's  part — 
To    free   my   land    I'd    gladly   give 

The  red  drops  from  my  heart." 

CHORUS. 

3.  And  when  we  left  our  cabins,  boys, 

We  left  with  right  good  will, 
To  see  our  friends  and  neighbours 

That  were  at   Vinegar  Hill  ! 
A  young  man  from  our  ranks 

A  cannon  he  let  go  ; 
He  slapt  it  into  Lord  Mount  joy — 

A  tyrant  he  laid  low  ! 

CHORUS. 

4.  We  bravely  fought  and  conquered 

At  Ross  and  Wexford  town  ; 
Three  Bullet  Gate  for  years  to  come 

Will  speak  for  our  renown  ; 
Through  Walpole's  horse  and  Walpole's  foot 

On  Tubberneering's  day, 
Depending  on  the  long,  bright  pike, 

We  cut  our  gory  way. 

CHORUS. 


78 


5.  And  Oulart's  name  shall  be  their  shame, 

Whose  steel  we  ne'er  did  fear, 
For  every  man  could  do  his  part 

Like  Forth  and  Shelmalier  ! 
And  if,  for  want  of  leaders, 

We  lost  at  Vinegar  Hill, 
We're  ready  for  another  fight, 

And  love  our  country  still  ! 

CHORUS. 


No  collection  of  National  Anglo-Irish  ballads  can  be  regarded  as  satis- 
factory which  does  not  include  this  fine  air  and  song.  There  are  three 
airs  which  may  well  compete  for  the  honour  of  being  an  Irish  National 
Anfhem  :  "  The  Boys  ©f  Wexford,"  "  Let  JErin  Remember,"  and 
"  Tho  Boyne  Water."  In  this  collection  I  give  four  or  five  ballads  dealing 
with  the  glorious  struggle  of  1798  against  unbearable  tyranny  and  diaboli- 
cal outrages.  I  know  of  no  book  which  will  give  the  young  people  of 
Ireland  of  every  generation  a  truer  and  a  more  vivid  account  of  the 
bravery  of  the  days  of  '98  than  the  Memoirs  of  Myles  O'Byrrw,  who  fought 
through  the  campaign. 


AT  THE  YELLOW  BOREEN. 

KEY  C.     Moderate.  Air;  "1-oeAti 

c:t    :1    js    :-.ro:m    |m    :-.f:n    jr    :r    :r    |r    :-    :r    > 

(  At     the  lyel  -  low  bo  -  reen,     Is  my  Iheart's  se-cret  queen,        A-    ) 

II 


m     :ro     :m     |  s     :-  .1  :  t 

lona  on      hor      soft        bed  a- 


:       ) 

Each 


s     :s     :m     |m     :-.f:m     ir     :r     :r     |r     :-     :r 

tress  of      her      hair,     Than  the' King's  gold  more  fair,  The 


79 


s     : 

dew 

s     : 

man 


1     :t     1 1     :  s     :  1     is     :-     :  -     |  s     :  - 

from  the    grass  might  be     sweep       -      -       ing. 


r.rt 

I'm  a) 


s     :1     |t     :t     :d' 

of     Teige's  race,  Who  has 


r1    :r"    :t     |1     :-.s:s     ) 

watch'd  her  fair  face  ;      And  a-    j 


S       I 
way 

S       ! 
oh, 


:s     |s 


:t     id1    :- 


from  her     ev    -  er       I'm     sigh 


|t 

ing, 


And, 


m     :  m     |  m     :  f     :  m 

my  heart's  store,  Be      not 


r     :  r     :  r     |  r     :  -  .r  :  r     ) 

mev'd  ev  -  er    -   more,     That  for) 


grev 


s     :1     :t     |1     :s     :1 

you     a      young  man  should  be 


s     :-     :-     |s 

dy  ing.  |j 


•2.  Should  my  love  with  me  come, 
I  would  build  her  a  home, 

The  finest  e'er  told  of  in  Erin  ; 
And  'tis  then  she  would  shine, 
And  her  fame  ne'er  decline, 

For  bounty  o'er  all  the  palm  bearing. 
For  in  your  bosom  bright 
Shines  the  pure  sunny  light, 

As  in  your  smooth  brow  grateful  ever ; 
And,  oh,  could  I  say 
You're  my  own  from  this  day, 

Death's  contest  would  frighten  me  never. 

TR.  FROM  THE  IRISH  BY  DR.  PETRIE. 


This  nice  air  I  got  from  that  home  of  Irish  melody,  the  Macroom  district 
in  Co.  Cork. 


80 


SAILING  IN  THE  LOWLANDS  LOW. 

KEY  P.     Moderate. 


Dun  -  more  we   quitted, 


.t 


.s     :m   .s 


Cow  -  hides  and  wool,       and  live 


d         :m  .d    |1, 

Twen  -  ty  young  Wild 


1    .s    :n   .d    |r 

Sailing  for    the    Low 
REFRAIN — 


Geese 

:r 

lands 


d  ,r    :n  .f    |s 

Michaelmas  gone  by, 

1         :-.        |s 

car        -         -        go  ! 

d  .r    :m  .f    |s 

Rea-dy  fledged  to  fly  ! 


d 

Low. 


:  s 

The 


1        :1        Is 

Low  -  lands  Low, 


:-  .m  If       :f       |m 

The]  Low  -  lands    Low, 


ling 


:m  .d    |r         :r 

for  the    Low     -     lands 


d 

Low. 


2.  Shaun  Paor's  the  skipper, 

From  the  church  of  Crook — - 
Piery  keeps  log  for  his  father  ! 
Crew  all  from  Bannow, 

Fethard  and  the  Hook — 
Sailing  in  the  Lowlands  Low  ! 

REFRAIN- 

3.  These  twenty  Wild  Geese 

Gave  Queen  Anne  the  slip, 
Crossing  to  Lewey  in  Flanders  : 
He  and  Jack  Malbrook 

Both  are  in  a  grip, 
Fighting  in  the  Lowlands  Low  ! 

REFRAIN- 


81 


4.  Close  lay  a  rover 

Off  the  Isle  of  Wight, 
Either  a  Salee  or  Saxon  ! 
Out  through  a  sea  mist 

We  bade  them  good  night, 
Sailing  for  the  Lowlands  Low  ! 

REFRAIN 


5.  Ready  with  priming 

We'd  our  galliot  gun  : 
Muskets  and  pikes  in  good  order  ! 
We  should   be  riddled— 

Captives  would  be  none  ! 
Death  !  or  else  the  Lowlands  Low  ! 

REFRAIN- 


6.  Pray,  holy  Brendan, 
Turk   or   Algerine, 

Dutchman  nor  Saxon  may  sink  us  ! 
We'll  bring  Geneva 

Rack  and   Rhenish  wine 
Safely  from  the  Lowlands  Low  ! 

REFRAIN — 


P.    J.    M'CALt. 


This  is  one  of  the  ballads  of  a  writer  from  whose  treasures  I  hope  to 
draw  more  largely,  and  some  of  whose  songs  it  would  be  hard  to  surpass. 
They  are  all  racy  of  the  soil.  The  above  version  of  the  air,  which  differs 
a  little  from  Joyce's,  was  got  in  West  Cork.  I  have  added  a  refrain  which 
Mr.  M'Call  kindly  sent  me,  and  which,  he  says,  he  used  hear  his  mother 
sing.  I  agree  that  "  it  rounds  off  the  tune  admirably." 


82 


ROZHEEN  DHU. 


KEY  fib- 

:f,s, 


Air  :  "  1l6ij*in    "Dub." 


sweet   lit     -     tie 


r  .m  :d       :-  .UJs, 


rose      cease 


to     pine 


for  the) 


I       ' 
(Oh! 

<    f ,      : -       :dLr ,n If       : n       :r  .d  1 1,**-1'  :  s,       :Jj  ^d > 

(      past,  For  the|  friends  that      came    {east    -    ward      Shall   ) 


{ 

r 

:-  .m 

:r  nr 

thee  at 

d 

last; 

:  -       :  d  <r  «ni 

f       :n 

:r  , 

see 

• 

They  bring|  bless  -  ings         an 

( 

l,ta,., 

* 

:1|<ti<d 

X 

:  -  .m  :  r  mr 

d       :- 

:f, 

i 

fa    - 

vours 

the 

past 

ne-ver 

knew 

i 

I 

1, 

pour 

* 

:si 

forth 

:d 

in 

r  .n 

glad 

:d_jM  :!,.!, 

-    ness     on  my 

s,       :-i,^ 

R6     -     zhe 

•  in, 

-   in 

, 

f, 

•  — 

1 

1 

Dhu 

Breath. 


2.  Long,  long,  with  my  dearest,  thro'  strange  scenes  I've  gone, 
O'er  mountains  and  broad  valleys  I  still  have  toiled  on  ; 
O'er  the  Erne  I  have  sailed  as  the  rough  gales  blew, 
While  the  harp  poured  its  music  for  my  R6-zhe-in  Dhu. 


3.  Tho'  wearied,  oh  !  my  fair  one,  do  not  slight  my  song, 
For  my  heart  dearly  loves  thee,  and  hath  loved  thee  long  ; 
In  sadness  and  in  sorrow  I  shall  still  be  true, 
And  cling  with  wild  fondness  round  my  R6-zh£-in  Dhu. 


83 

4.  There's  no  flower  that  e'er  bloomed  can  my  rose  excel, 
There's  no  tongue  that  e'er  moved  half  my  love  can  tell ; 
Had  I  strength,  had  I  skill  the  wide  world  to  subdue, 
Oh  !  the  queen  of  that  wide  world  should  be  R6-zhi-in  Dhu. 


5.  Had  I  power,  oh  !  my  loved  one,  but  to  plead  thy  right, 
I  should  speak  out  in  boldness  for  my  heart's  delight ; 
I  would  tell  to  all  round  mo  how  my  fondness  grew 
And  bid  them  bless  the  beauty  of  my  R6-zhe-in  Dhd. 


6.  The  mountains,  high  and  misty,  thro'  the  moors  must  go, 
The  rivers  shall  run  backwards,  and  the  lakes  overflow  ; 
And  the  wild  waves  of  old  ocean  wear  a  crimson  hue, 
E'er  the  world  sees  the  ruin  of  my  R6-zhe-in  Dhu. 

THOMAS  FURLONG. 


This  version  of  the  air  is  the  traditional  one  that  is  found  in  Ring,  Co. 

Vaterford.  It  is  a  very  sweet  air.  The  words  are  a  worthy  translation 
of  a  famous  old  Irish  ballad,  composed  in  the  1 7th  century.  It  is  allegorical. 
Roseen  Dhu  is  Ireland,  and  the  famous  Irish  hero,  Red  Hugh  O'Donnell, 
addresses  his  native  land  as  an  anxious  lover  might  his  bride.  The  air  has 

)een  pronounced  by  a  competent  judge  as  the  sweetest  and  best  version 

Published.        Pronounce   the   *  z  '   of   Rozheen  with  a  thick  '  h  '  sound, 
have  put  breath  marks  where  the  traditional  singers  took  breath.     In 
singing  '  Rozheen  '  make  the  word  three  syllables,  the  second  syllable 
seing  sung  on  the  grace  notes. 


THE    PATRIOT    MAID. 


KEY  C. 


Air:  "  A]\  truitun   rnoc." 


<    :  m  .s   1 1        : 1  .i 

(       An      j  I     -     rish 


:1  .s   |d'       :-  .m  |f       :  s  .1    |  s 


girl 


heart     and        soul 


:m  .r  •> 
,     I        > 


(Id 

•  lM      «i 

Id 

:d         |d 

i           :d'  .r1 

% 

(|  love 

the 

dear 

old           land  ; 

i 

> 

(K 

•  ml 

in 

:d' 

m'        :r' 

Id1        :s 

(I  hon    - 

our 

those 

who 

i»             her 

'cause       Lift 

f 

\  1  voice, 

:t    .s 

or 

Id' 

pen, 

or 

d1 

hand. 

I            :d'  .r1 

\ 

And 

M 

(1  may 

1 

I 

live 

to 

m1         •  r1 

see           her 

Id1        :s 

free          From 

I 

> 

II  — 
(Ifor     - 

:t    .s 

Id' 

lord 

and 

d' 

knave  ; 

1           :m  .s 

} 

eign 

But 

HI 

:  1    .s 

Id' 

:n 

f         :s   .1 

|s         :m  .r 

(1  Heav 

-   en    for 

-bid 

I'd 

ev     -      er 

be             The 

1 

<ld 

i  ro    r 

Id 

:d 

d 

1        || 

('  mo     - 

ther 

of 

a 

slave, 

II 

85 


God  bless  the  men  who  take  their  stand 

In  Ireland's  patriot  host  ; 
I'd  give  the  youth  my  heart  and  hand 

Who  serves  his  country  most  ; 
And  if  he  fell,  I'd  rather  lie 

Beside  him  in  the  grave, 
Than  wed  a  wealthy  loon,  and  be 

The  mother  of  a  slave. 


3.  Thro'  many  a  blood-red  age  of  woe 

Our  Nation's  heart  has  bled  ; 
But  still  she  makes  her  tyrants  know 

Her  spirit  is  not  dead. 
God  bless  the  men  who  for  her  sake 

Their  blood  and  genius  gave  ; 
God  bless  the  mothers  of  those  sons 

Who  nurst  no  dastard  slave  ! 


4.  Some  on  the  scaffold  place  of  doom 

For  loving  Ireland  died  ; 
And  others,  to  the  dungeon-gloom, 

Are  torn  from  our  side  ; 
But  God  the  Just,  who  ne'er  designed 

His  image  for  a  slave, 
Will  give  our  country  might  and  mind 

To  raise  the  true  and  brave. 


Betsy  Gray  was  a  County  Down  lady  of  remarkable  beauty  and  talents. 
She  joined  the  Insurgent  force  under  General  Henry  Munroe  on  the  Hill 
of  Ednavady  in  June,  1798.  Magnificently  mounted  she  inspired  the  pike- 
men  by  her  daring  and  enthusiasm.  A  ballad  descriptive  of  her  bravery 
and  heroic  death  will  be  found  in  the  Wolfe  Tone  Song  Sheet.  At  a  meeting 
of  United  Men  she  was  urged  by  her  lover,  Willie  Boal,  not  to  actively 
participate  in  the  struggle,  and  give  expression  to  the  sentiments  im- 
mortalised by  an  unknown  poet  in  these  lines.  Wolfe  Tone  Song  Sheet 
is  to  be  had  from  Ryan  &  Co.,  50  Middle  Abbey  Street,  Dublin. 


86 
I  BUILT  ME  A  BOWER. 

KEY  B)?.     Moderate.  Air  :  «'  An  jAifiAm  jeAt  b&n." 


{•«.£ 

d 

built 

me 

& 

f  i       s,_f,  : 

bower    in 

m,       If,  '     :s,       ^ 

life's    (green  -  wood,  j 

<  :     -d 

r 

:m       : 

d  .t. 

i,    j 

•1,  : 

f, 

s,       :-        1 

1          A 

pal- 

ace 

of 

blooms 

for 

my 

soul, 

(:n  T 

d 

:s, 

:1| 

f,       : 

s,  -f,  : 

ni( 

f  ,       :  s,       } 

I     And 

there 

on 

the 

maids 

all 

un    - 

seen      would  ^ 

rail 

pp. 

f:d       Ir 

<      I         [dream 

:m 

'neath 

:d_J, 

S| 
bliss 

-.f,  : 

-      ful 

MI 

con- 

f,      :-       ] 

trol, 

love's 

con  spirito. 

J  ;«,-*« 

S| 

:d 

:d 

n 

r       : 

m 

f       :s        - 

<    Till  I      set 

up 

the          im     - 

age 

of          Al     -     ice 

<  :d 

r 

:m 

:d  .t, 

Si      : 

-  -S| 

f,         S,        :  - 

^     Su- 

preme  on 

my 

heart's 

burn-ing 

throne  ; 

(:«_* 

d 

!S, 

=  1, 

f,       : 

s,.f. 

«l 

f,       :s, 

(     Then       long 

in 

my        flow'r 

wov  • 

en 

pal     -     ace 

rail.       pp. 

5  :     >d 

r 

:m 

id    t, 

S,        : 

-  .f, 

:mi 

1  1         I  — 

*         I 

bowed  to 

that 

im      - 

age 

a  - 

lone. 

8? 


2.  Oh  !  fair  was  my  bird  of  the  mountains, 

Oh  !  sweet  as  the  thorn's  scented  spray, 
Oh  !  pure  as  the  light  of  the  fountains 

That  dance  down  the  green  hills  in  May. 
A  chapter  of  joy- woven  story, 

A  voyage  o'er  bright  fairy  sea, 
A  May-tide  of  bloom  and  of  glory, 

Were  the  days  of  our  love-time  to  me. 


3.  But  the  chapter  oft  ends  in  sorrow, 

The  voyage  has  its  tempests  and  gloom, 
And  the  May-tide,  though  bright  be  each  morrow, 

Must  pass,  like  our  lives,  to  the  tomb  ; — 
Oh  !  the  dreams  of  my  love-time  are  humbled, 

The  blooms  from  my  green  bow'r  are  fled, 
My  idol  lies  shattered  and  crumbled, 

My  Alice,  my  sweet  flow'r,  is  dead  ! 

EGBERT  DWYER  JOYCE,  M.D. 


This  version  of  the  beautiful  old  air  is  the  one  which  is  well-known  and 
sung  around  the  Ballingeary  district,  Co.  Cork.  It  ends  in  a  very  peculiar 
way  on  a  "  fan." 


88 


CAHAL    THE    HUNTER. 

KEY  F.     Smoothly.  Air  :  "  UAim-fe  Am  60-0^-6." 

• 

j  :     .,d  I  d  ..r  :  m  .,f  I  s  _.,  1  :  t  .,1    s  ..f  :  r  .,t,  |  d^t, :  s,  .,s, ) 

(          The!  hoarse  Autumn  wind  down  the  val    -    ley    was  sweep-ing,  The> 


f  In        :r 

(  |  leaves    of 


:r  .d    |r,s.-  :f<r«t 

the    forest      hung 


d         :r  .r    1m         :m  .r 

high       on   its      wing,       The 


\ 


<|d  .,r  :m  .,f  |s   .,1   :t  .,1   Is   .,f  :r  .,t,  |d  .,t|  ;s,  .,s,  > 

(  jtor  -   rents    sur- charged   from  the)  moun- tains  came  leap  -  ing    To  ) 


m        :r  .d    Jr^s.-  :f ^<t| 

join       the  fierce  raid          of  the 
thunder  clouds   burst    .   o'er  the 


(|t_*  :r'., 

t  I  lightning  she 


I'          It     .,1 

lightning  shaft    shiv    -  er'd  the 


d        :-  .t,   |d        :     .,d  £ 

dark  Storm-king.  The) 

breast     of  Lough  Swil  -    ly,  The) 

s   .,f  :r  .,t,  |d  .,r  :d  .t,t  ^ 

oak         on    its      shore,    And  the) 


t  .d'  : 


:t  .,1 


ech  -  oes    a  -  wak    -    ened  a 


s  .,f   :r  ,,t,  |d  Mt| 

fit     -     ful     re-  veill  - 


Andy 


m        :r  .d   |r,s. 

died        far  a  -   way 


_«| 

in  the 


d         :t,  .t,  |d 

hills         of     Ross-core. 


89 

2.  Young  Eily  sat  lone  in  her  ivy-crowned  bower. 

For  Cahal,  the  chief,  of  the  dark-flowing  hair  ; 
But  the  pulse  of  her  heart  had  out-counted  the  hour 

That  told  of  their  meeting  ;  no  Hunter  was  there  : 
The  big  pearly  tears  on  her  dark  eyelids  glisten, 

The  throb  of  her  bosom  rose  loud  o'er  the  breath, 
As  she  bends  by  fast-fading  embers  to  listen, 

When  the  tramp  of  his  charger  is  heard  on  the  hearth. 

3.  She  flies  thro'  the  night.     It  roars  hoarser  and  higher, 

She  hears  the  deep  bay  of  his  dog  o'er  its  swell ; 
When  riderless,  foaming,  his  dark  steed  sweeps  by  her — 

The  chief  that  bestrode  lies  stretched  in  the  dell ! 
His  last  gush  of  life  tinged  the  foam  of  the  fountain, 
A  spear-shaft  still  drank  at  the  source  of  its  tide  ; 
And  his  own,  that  oft  pierced  the  red  deer  of  the  mountain, 
Lay  shivered,  and  told  that  not  tamely  he  died. 

4.  A  hunter  of  Eire,  was  Cahal  O'Connor  : 

The  Lord  of  the  valley  sought  Eily  O'Moore  ; 
He  sought  her  in  guile,  but  ere  stoop  to  dishonour, 

She  wandered  a  huntress  on  mountain  and  shore. 
And  Cahal,  thus  doomed,  was  the  friend  of  her  childhood, 

And  the  wand,  as  the  sceptre,  had  passed  from  his  race, 
No  castle  was  his,  but  a  cot  by  the  wildwood, 

A  wolf-dog,  a  steed,  and  a  spear  for  the  chase. 

5.  The  stormwraith,  still,  thro'  the  valley  went  sighing, 

The  wolf-dog  lay  crouched  on  the  rocks  at  his  head, 
When  the  dawning  disclosed  where  the  Hunter  was  lying, 

And  the  bride  of  his  bosom,  young  Eily,  was  dead  ! 
The  death-wail  was  chanted,  the  mourners  arrayed  them, 

And  laid  them  to  rest  in  a  cloister  so  grey  ; 
But  the  walls  of  that  shrine  and  the  yew  trees  that  shade  them 

Like  the  race  of  the  island  bow  down  to  decay. 

JOHN   BOYLE  ("  MYLO  "). 

1822- J  885. 

There  are  ten  verses  in  this  ballad.  It  is  found  in  Hayes's  Ballads,  Vol. 
II.  The  air  is  one  of  the  best  known  amongst  the  traditional  singers  of 
Munster.  This  version  should  be  sung  smoothly  and  flowingly  and  feelingly. 
It  is  a  most  sweet  and  beautiful  air  if  properly  sung. 


90 


SUMMER  IN  ERIN. 


KEY  Ab 

.S|    :d  .t,   II,        :  s,  .1,    :d  .t, 

The  hills  are]  glow-ing  with  bloom  and 


li        :  S|  .,f|  :ni|  .S|  | 

bios  -  som,  The  trees  are) 


And    not   a     cloud  shows  its    snow-y     bos    -    om    A-gainst  the 


B.C. 


.f      :m     .r 

the 
the 


1, 

sway-ing 
arch  of 


:d    .t. 

d 

sun    is 

high, 

sum-mer      sk$r  ; 

s  .,1     :s     .f      :n     .d 

na  -    turo  lifts    her      soul    in 

d  :t,    .d      :1,     .1, 

ad        -        vent  of        peer  -  less 


(If     .r      :m,f.s,f:m     .d 


( |bur-thened  with  grief       and 


1, 

glad 

•l 

May, 

1, 

sad 


(II,    .f      :m     .,r     :d     .t.     Id 

(|  hea-vy          and  far        a     -|  way. 


d  ,r  :  m     .f 

All 


S|    .  PI ,t  :  s     .HI 

ness    To     greet  the 

;-     .nnfis     .n 

Yet     I        am 


.,f,    :m,     .s,     > 

3,  My     heart  is      ) 


2.  Yea  ;  far  away  where  the  sun  is  tipping 

The  fleecy  fringe  of  a  mountain  mist, 
Where  ferns  wave  and  the  streams  go  tripping 

With  plumes  of  amber  and  amethyst. 
I  love  the  sun,  but  this  cloudless  glory 

Falls  on  my  heart,  and  I  long  again 
To  see  the  sky  growing  grey  before  me 

And  hear  the  rain  in  an  Irish  glen. 


91 

3.  My  heart,  my  heart,  o'er  the  waves  goes  rushing 

To  where  the  whin  with  a  crown  of  gold 
Decks  all  the  knolls  and  the  heather's  flushing 

On  every  mountain  and  glen's  unrolled. 
And  all  the  bushes  with  blooms  are  bending, 

And  th'  air  is  full  of  the  fragrant  hay, 
And  every  river  its  voice  is  lending 

To  swell  the  chorus  that  welcomes  May. 


4.  I've  heard  the  music  of  cities  pouring 

In  praise  to  God,  but  my  memory  told 
Of  notes  of  joy  to  the  Maker  soaring, 

More  sweet  than  ever  their  organs  rolled. 
I  mind  me  still  of  the  smoilin's  singing, 

I'm  hearing  ever  the  blackbird's  tune, 
And  the  lark's  full  hymn  in  my  ear  is  ringing 

In  mirth  or  misery,  night  or  noon. 


6.  Oh  !  God,  who  gave  me  these  thoughts  to  brighten, 

The  hours  of  toil  will,  I  know,  restore 
Some  day  these  joys  of  my  youth  to  lighten 

My  heart,  and  bring  me  content  once  more. 
Oh,  none  can  know  what  it  is  to  treasure, 

In  far-off  lands  all  an  exile's  pain, 
And  naught  can  picture  his  heart's  full  pleasure 

To  feel  his  feet  on  his  land  again. 

WILLIAM  ROONEY. 
This  is  a  beautiful  song  for  schools — words  and  air  equally  sweet. 


92 


KATE  OF  KENMARE. 

KEY  G.     Bright.  Air  :  "  Tatter  Jack  Walsh.' 


0! 


in     :  r     :  m     I  d     :  m     :  d 

man-y         bright  eyes  full     of 


1  :d.d  Id     :t,    :s,    |f,    :in,    :f, 

(Where  the!  pure  soul  looks  out    and     the 


t,    :S|    :  1|    I  ta,  :ta,  ) 

good-ness    and  glad  -  ness,) 

s,    :d     :d     |  ms   :-     I 

heart  loves  to      shine,         ) 


:s 

And 


<  :d.d 

1  Have  I 


m     :r 


:d 


,  : 

( 


:d 

And 


man-y       checks  pale  with  the 

d     :  t,    :  S|    I  f  i    :i'i|    :  f| 

wor-shipped  in    si    -    lence  and 

d     :  m     :  s     |  s     :  m     :  d 

hope  in     its     gleam-ings,  or 


ta  :  ta 


soft  hue  *  of       sad 


:  ta,  ) 

-  ness,  ) 


s,    :d     :d    Id     :- 

felt    them  di    -  vine  ! 


:  s     ) 

ins  ) 


:s      If     :f     :f     |m     IT     :d 


<  :s      I 

1      Ne'er] 


fash-ioned   a       being 


d     :  m     :  s     |  s 

love  in       its     dreamings, 


t,    :d     :r     \m 

fault-less     and     fair 


:f.f  In     :r 


|d 


:d 


As  thej  lil    -    y-cheekod  beau-ty,       the 


I  ta,  :  ta,  > 


rose    of        the    Ruachtach) 


The 


m, 


Is,    :d     :d     |d     :- 


fawn  of        the     val  -  ley,  sweet)  Kate  of      Ken  -  mare  ! 

2.  It  was  all  but  a  moment,  her  radiant  existence, 

Her  presence,  her  absence,  all  crowded  on  me  ; 
But  time  has  not  ages,  and  earth  has  not  distance, 
To  sever,  sweet  vision,  my  spirit  from  thee  ! 


Again  am  I  straying  where  children  are  playing, 
Bright  is  the  sunshine  and  balmy  the  air, 

Mountains  are  heathy,  and  there  do  I  see  thee, 

Sweet  fawn  of  the  valley,  young  Kate  of  Kenmare  ! 

3.  Thy  own  bright  arbutus  hath  many  a  cluster 

Of  white,  flaxen  blossoms,  like  lilies  in  air, 
But,  O  !  thy  pale  cheek  hath  a  delicate  lustre 

No  blossom  can  rival,  no  lily  doth  wear. 
To  that  soft  cheek  flushing,  to  thy  lip  brightly  blushing, 

O  !  what  are  the  berries  that  bright  tree  doth  bear  ? 
Peerless  in  beauty,  the  rose  of  the  Ruachtach, 

That  fawn  of  the  valley,  sweet  Kate  of  Kenmare  ! 

4.  O  beauty  !  some  spell  from  kind  nature  thou  bearest, 

Some  magic  of  tone  or  enchantment  of  eye, 
That  hearts  that  are  hardest  from  forms  that  are  fairest 

Receive  such  impressions  a 3  never  can  die. 
The  foot  of  the  fairy,  though  lightsome  and  airy, 

Can  stamp  on  the  hard  rock  the  shape  it  doth  wear  ; 
Art  cannot  trace  it,  nor  ages  efface  it — 

And  such  are  thy  glances,  sweet  Kate  of  Kenmare  ! 

D.    F.    MCCARTHY. 


There  are  seven  verses  in  this  song.  They  may  be  found  in  the  author's 
works.  This  bright  air  should  make  the  song  a  favourite.  The  song  itself 
is  one  of  MacCarthy's  happiest  bits  of  verse. 


THE  OUTLAW  OF  KILMORE. 

KEY  G-     Smoothly  and  sweetly.          Air  :  "  A 11  CiA]\AijeAc 


{ 

d     :t,    : 

Far     in 

S| 
the 

t|    :  tj    : 

moun-tains 

d 

with 

r     :-     : 

you, 

my 

r     : 

E  - 

m 

vc 

-   loen,) 

, 

s     :  s     : 

S 

f     :s     : 

f 

m     :-     : 

r.d 

t,    : 

•l 

:f.    > 

* 

I       would 

be 

ten  -  der 

and 

true, 

my 

E  - 

vo 

-  leen  ;> 

1 

s,    :-     : 

Then 

- 

t,    :-     : 

climb 

d 

the 

::  m     : 
oun-tains 

r 

with 

d     : 

me. 

- 

:"  ! 

x 

cres. 

t 

r     :  t,    : 

d 

r     :  m     : 

f 

s     :-    ": 

1 

t     : 

1 

:s     ) 

\ 

Long  have 

I 

dwelt  by 

the 

for 

est 

riv 

- 

er  side,/ 

dim. 

J 

f     :-     : 

m 

f     :s     : 

f 

m     :-     : 

r.d 

t,    : 

S| 

:  s,    ) 

1 

Where 

the 

bright  rip  - 

pies 

flash 

and      quiv-er 

wide  ;) 

(    f     :-     : 

m      f     :s     : 

f 

n     :-     : 

r.d 

t,    : 

s, 

:fi    1 

1 

There 

the 

fleet  hours 

shall 

bliss      - 

ful 

ev  - 

01 

glide) 

p- 

rit. 

\ 

s,    :-     : 

O'er 

— 

t,    :-     :d 

us,              sweet 

r     :  it)     : 

Gra    Gal 

r 

Ma- 

d     : 

chree 

— 

:"        [ 

2.  There  on  my  rocky  throne,  my  Eveleen, 
Ever,  ever  alone,  my  Eveleen, 

I  sit  dreaming  of  thee  ; 
High  on  the  fern-clad  rocks  reclining  there, 
Though  the  sweet  birds  their  songs  are  twining  there, 
Thee  I  hear,  and  I  see  thy  shining  hair, 

Still,  still,  sweet  Gra  Qal  Machiee. 


95 

3.  Hunted  and  banned  I've  been,  my  Eveleen, 
But  my  long  sword  is  keen,  my  Eveleen, 

To  keep  all  danger  from  thee  ; 
The  flash  of  this  sword  is  my  foeman's  warning  light, 
And  I  Hve  'mid  the  wild  hills  scorning  might, 
While  my  love  grows  eve  and  morning  bright 

For  you,  sweet  Gra  Gal  Machree. 

4.  Deeply  in  broad  Kilmore,*  my  Eveleen, 
Down  by  the  clear  stream's  shore,  my  Eveleen, 

I've  made  a  sweet  home  for  thee ; 
Yellow  and  bright  like  thy  long,  long  flowing  hair, 
Flowers  the  fairest  are  ever  blowing  there — 
Fairer  still  with  thy  blue  eyes  glowing  there, 

Brightly,  sweet  Gra  Gal  Machree. 

5.  Then  come  away,  away,  my  Eveleen  ; 
We  will  spend  each  day,  my  Eveleen, 

Blissful  and  loving  and  free. 

Come  to  the  woods  where  the  streams  are  pouring  blue, 
Where  the  eagle  is  ever  soaring  through  ; 
I'll  grow  fonder  each  day  adoring  you 

There,   there,   sweet   Gra   Gal  Machree. 

ROBERT  DWYEB  JOYCE,  M.D. 
*  Kilmore,  a  district  near  Mallow  and  Buttevant,  Co.  Cork. 

This  air,  a  most  sweet  one,  is  taken  from  Dr.  Joyce's  Ancient  Irish 
Music.  The  words  were  written  for  it  by  his  brother,  one  of  our  best 
ballad  writers.  The  cause  of  Irish  music  has  suffered  a  great  loss  in  the 
death  of  Dr.  Joyce,  which  took  place  recently.  I  recall  with  gratitude  to 
his  memory  how  willingly  he  granted  me  permission  to  utilize  and  publish 
this  and  others  of  his  airs. 


96 
FANNY. 


KEY  C. 

Air  :  "  The  Wind 

that  Shakes  the 

Barley.'' 

<   :d'   Id1 

j 

:-    :1     |l_i 

s    :n      d1    :- 

:1     I  1    :s 

:n    ) 

(Where  ^An 

-     -     ner      flows        by       fai 

ry       rath 

And) 

J      S       :- 

:n     |s     :- 

:  1     is     :  - 

•  _         1  pj        ;_ 

<S     I 

(      tower 

and     grey 

rocks|  man 

y. 

One    ) 

(     d1    :- 

:t     |d'    :- 

:r'     ro1    :- 

:  n1     fn?    :  - 

:r'  > 

(.       Sun      - 

day      noon 

in       wood     - 

land     path 

I   \ 

(     d1    :- 

:1     |t     :1 

:s     11     :- 

:-     H     :- 

:t    ) 

(       met 

my     blithe 

some'  Fan 

'     n^ 

Her     ) 

(   Id'    :- 

:t     |d'    :- 

:  r1     m 

:  ni1     |n'     :  - 

:r'  > 

(    I  hair 

was    like 

the      yel 

low      blooms 

That) 

(     d1     :- 

:t     |d'    :- 

:r'     ro     :- 

:-     IK  :- 

:t    ) 

(       deck 

the     mea 

dows  ear 

-       ly; 

Her) 

1    d'    :- 

<       eyes 

:t     |d'    :- 

like     heav'n, 

:r-    In     :- 

when)  spring 

/7% 

:  m1    |  m1    :  - 

il    -  lumes, 

They) 

(    d'    :- 

:1     |t     :1 

:s      1     :- 

:-     |1     :- 

II 

(      shone 

so          kind 

and     clear 

!| 

2.  We  sat  to  hear  the  river's  tune 

'Neath  trees  all  mossed  and  olden, 
And  talked  and  laughed  that  autumn  noon 

With  thoughts  full  sweet  and  golden  ; 
I  built  a  palace  in  my  brain, 

As  fond  I  gazed  upon  her, 
And  in  its  bright  halls  she  did  reign, 

My  queen  of  love  and  honour  ! 

3.  The  palace  towers  may  all  depart, 

And  cruel  fate  may  sever, 
But  in  my  brain  and  in  my  heart 

Her  form  shall  live  for  ever  ; 
At  beauty's  shrine  the  worshippers 

Judge  fond  and  rash  and  blindly  ; 
Yet  ne'er  was  form  more  fair  than  her's, 

And  ne'er  beat  heart  more  kindly. 

ROBERT  DWYER  JOYCE,  M.D. 


97 


THE     MUNSTER     WAR-SONG. 

KEY  C.     Moderate:  Air  :   A  Derry  air   (Pigot  Coll  ) 

£   \ 


(Can  the 

(:  m  .m 

(Thatyou 

J'L* 

(    To 


depths  of    the        o 


coan  af- 


d1    :t 


_  _  _ 

ford  you    not       graves, 


come     thus  to      per     -    ish    a 


far   o'er     the  waves  ; 


d1     :t     :d'    |r' 

red  -  den     and    swell 


the  wild 


m1    :-.r':dU|l 

tor  -  rents  that 


:s 


flow 


d1     :t     :1     |s     :ro     :ro     im     :1     :1     |1     : 

val  -  ley      of      ven-geance,  the   |  dark  A  -  her  -  low  ? 

2 

The    clangour   of    conflict   o'erburdens    the    breeze, 
From  the  stormy  Slieve  Bloom  to  the  stately  Galtees  ; 
Your  caverns  and  torrents  are  purple  with  gore, 
Slievenamon,  Glencoloe,  and  sublime   Galtymore  I 


The  Sun-burst  that  slumbered  embalmed  in  our  tears, 
Tipperary  !  shall  wave  o'er  thy  tall  mountaineers  I 
And  the  dark  hill  shall  bristle  with  sabre  and  spear, 
While  one  tyrant  remains  to  forge  manacles  here. 


The  riderless  war-steed  careers  o'er  the  plain, 
With  a  shaft  in  hia  flank  and  a  blood -drip  ping  mane, 
His  gallant  breast  labours,  and  glare  his  wi'.d  eyes  ; 
He    plunges   in    torture — falls — shivers — and   dies. 


Let  tho  trumpet  ring  triumph  !  the  tyrant  is  slain, 
He  reels  o'er  his  charger  deep-pierced  through  the  brain  ; 
And  his  myriads  are  flying  like  leaves  on  the  gale, 
But,  who  shall  escape  from  our  hills  with  the  tale  ? 

Ji.  P.   WILLIAMS. 


98 
THE  FIDDLER. 

KEY  C.     Pleasantly.  Air  :   "  Among  the  Heather." 


(  :        .n 

r     .1 

j  1 

.t       Id1            :m     .r 

(              My 

name  is 

Mick 

Mol  -  loy,                     In 

(    d       .t, 

:d 

•n        I 

s        .m         :r  -d 

(       clear    and 

clou    - 

<*y 

wea    -    ther,             My 

(  |r       .1 

:  1 

.t 

d1                  :d"  .r1 

(  1  fid    -  .die, 

kit, 

and 

I                              Roam 

(In'       .r' 

(  |  Ire    -    land 

round 

.1 

to     - 

|t       .1        :          -s 

ge      -      ther.                       And 

(Is       .s        :  s 

(  1  wel    -    come      warm 

.1    ,t 

we 

meet                        Where     - 

(    1       .r1 

:  r1 

.m1 

|p>       .d1        :l  ^ 

(     e'er        we 

may 

be 

chan    -  cing,           CeAt> 

rim       .d' 

(  1  mi     -    U 

:  t 

.d1 

-    ce 

|  1                   :  s  .m 

sweet                         And 

5    r       .1 

:  s 

.1 

|m       .r        :          .11 

(     dan   -    cing 

,        dan 

-    cing, 

. 

dan     -  cing. 

CHORUS— 

(  :         .s 

S       ..S 

:  s 

.1    ,t  |  d1      :  1       .s 

\                 Come 

»,   joy  -    ful     -  heart  -  ed         boy,         Come, 

(11       .r' 

(  I  maid     with 

blue 

eye 

|  r1        .d1        :  1        .8 

glan    -    cing,             A     - 

n  n       .d1 

:t 

.d1 

|  1                   :  s        .n 

(  1  round     poor        Mick 

Mol 

-     loy                              Go 

(ir        .1        :8 

(  1  dan    -    cing,       dan 

.1 

-  cing, 

|m         .r        :          .|| 

dan    -    cing. 

99 


2.  My  fiddle  can  speak  so  well 

There's  none  need  miss  its  manin', 
I'm  never  when  by  mysel' 

Of  want  of  friends  complainin', 
I've  but  to  touch  a  string 

With  nimble  finger  glancing, 
And  off  on  airy  wing 

My  heart  flies  dancing,  dancing. 

CHORUS. 


There's  no  ould  ancient  tune 

Of  bird,  or  bard,  or  fairy, 
But  I  can  lilt  or  croon 

With  dreamy  touch  or  airy. 
And  while  the  gay  notes  swell, 

And  rise  or  fall  entrancing, 
All  own  their  magic  spell 

By  dancing,  dancing,  dancing. 

CHORUS. 


The  lady  from  her  hall, 

The  farmer  from  his  farming, 
The  neighbours  one  and  all, — 

As  at  a  wizard's  charming — • 
When  down  I  draw  my  bow — 

Retiring  and  advancing, 
Ply  nimble  heel  and  toe, 

All  dancing,  dancing,  dancing. 

CHORUS. 


Let  foreigners  brag  and  crow 

That  dancing's  their  devotion, 
'Tis  little  the  creatures  know 

Of  poetry  of  motion. 
Their  polkas  and  quadrilles 

Are  nothing  else  but  prancing, 
An  Irish  jig's  and  reel's 

The  king  and  queen  of  dancing. 

CHORUS. 


100 

6.  Sure,  fretting's  a  mistake,- 

And  trouble — who  need  feel  it  ? 
There's  not  a  pain  or  ache 

That  music  would  not  heal  it ; 
A  cure  for  every  ill — 

Life's  brightest  joys  enhancing  ; 
Oh  !  nothing  care  can  kill 

Like  dancing,  dancing,  dancing. 

CHORUS. 


7.  Oh  !  Love's  a  vision  vain, 

That  flies  you  while  you  follow  ; 
And  wealth's  the  way  to  Pain  ; 

And  Fame's  a  bubble  hollow  ; 
And  Rank's  the  root  of  strife  ; 

And  politics  romancing — 
There's  no  delight  in  life 

To  equal  dancing,  dancing. 

CHORUS. 


8.  And  now  I'll  end  my  song, 

They're  wanting  me  in  Munster, 
Arid  Connaught's  waiting  long, 

And  hearts  are  low  in  Ulster ; 
But  ere  the  round  year  rolls 

I'll  here  again  be  chancing, 
To  cheer  your  hearts  and  souls 

With  dancing,  dancing,  dancing. 


CHORUS. 

F.  A.  FAHY. 


101 


bni'oin  bAn  ino  suou. 


Air  :  "  Billy  Byrne  of  Ballymanus." 

1.  I  am  a  wandering  minstrel  man 

And  Love  my  only  theme, 
I've  strayed  beside  the  pleasant  Barm, 

And  eke  the  Shannon's  stream  ; 
I've  piped  and  played  to  wife  and  maid 

By  Barrow,  Suir,  and  Nore, 
But  never  met  a  maiden  yet 

Like  bjAi-oin  ban  wo  fc6p. 


2.  My  girl  hath  ringlets  rich  and  rare, 

By  Nature's  fingers  wove — 
Loch-Carra's  swan  is  not  so  fair 

As  is  her  breast  of  love  ; 
And  when  she  moves  in  Sunday  sheen, 

Beyond  our  cottage  door, 
I'd  scorn  the  high-born  Saxon  queen 

For  "bi\it>in  bAti  mo  fc6j\. 


3.  It  is  not  that  thy  smile  is  sweet, 

And  soft  thy  voice  of  song — 
It  is  not  that  thou  fliest  to  meet 

My  comings  lone  and  long  ! 
But  that  doth  rest  beneath  thy  breast 

A  heart  of  purest  core, 
Whose  pulse  is  known  to  me  alone, 
toAix>in  bAti  tno 


EDWARD  WALSH. 


For  air  see  following  song. 


102 


DIARMID  MOR 

KEY  C-     Quickly.  Air  :  "  Billy  Byrne  of  Ballymanus.'* 


In1 


.r1 


The 


d' 


:f 


win  -  try        sun        with 


f  .m    :j-  jn    |d         :d 

Lira     -    er-ick's   bat     -     tered 


d         : 

towers, 


:  r 


cheer  -  less  gleam  Gilds 


:n..f 


And 


s  :  s 

far  a 

d1  .,t  :  s   . 

cloud         of 

s  :  s 


Id' 

way 


:-  .r1 

down 


Is  .1    :t  . 

dark     - 


Id1 


m1         ;  f '  .m1    |r' 

Shari    -    non's      stream 

d1        :-         | 

lowers  ; 


:  m1  .r1  | 

~A~      I 


:n  .f 


And 


:-  .r1 


there        they         glide 


up- 


(id 


;s   .f    |B         :t  . 


d1 


;f  .m1   |r»        :m'  .r'  ) 

the          tide.  The       > 


.r 


ships         that 

bear 

him 

o'er 

d'        :d> 

In 

:f 

S 

storm  -  y 

wave 

with 

Sars 

The 


:-  .f 


field     brave,       My 


rail. 

L_m.    :r   -PI   Id         :d 

gal     -      lant         Diar    -    mid 


Mor. 


103 

2.  One  summer  eve,  long,  long  ago, 

He  said  by  wandering  Lee, 
Its  rushing  waves  should  backward  flow 

Ero  he  should  part  with  me  ; 
But  war  came  down  with  sullen  frown, 

And — called  from  Shannon's  shore 
He  left  his  bride  that  eventide — 

My  gallant  Diarmid  Mor. 

3.  He  heard  its  call  and  sped  away 

To  aid  his  native  land  ; 
Can  Aughrim's  field  or  Limerick  say 

They  saw  a  truer  hand  ? 
Heart,  arm,  and  glaive  he  freely  gave, 

As  did  his  sires  before  ; 
And  now  he  flees  across  the  seas 

My  gallant  Diarmid  M6r. 


4.  By  Lee's  green  banks  the  flowers  shall  bloom, 

When  summer  decks  the  grove  ; 
But  when  unto  my  heart  shall  come 

The  smiles  of  my  true  love  ? 
O,  oft  and  drear  shall  flow  the  tear, 

Till  some  glad  bark  has  bore 
My  love  again  back  o'er  the  main, 

My  gallant  Diarmid  M6r. 

ROBERT  DWYEB  JOYCE,  M.D. 


This  is  a  very  fine  and  a  very  popular  air.  Billy  Byrne  was  a  country 
gentleman  who  threw  in  his  lot  with  his  down-trodden  peasant  country^ 
men  in  the  Wexford  Rebellion  of  1798.  The  atrocities  of  the  English 
"  garrison  "  and,  later  on,  of  the  yeomen,  was  more  than  his  generous 
nature  could  stand.  His  home  still  stands,  occupied  by  a  fine  worthy  family 
who  hail  from  the  Glen  of  Imaal.  Over  the  hall-door  is  a  slab  recording 
Billy  Byrne's  fate.  It  is  worth  a  visit.  It  stands  on  the  road  between 
Aughrim  and  John  Redmond's  mountain  home  at  Aughavanna,  Co. 
Wicklow. 


104 


THE  DHREENAUN  DHOUN. 

KEY  D.    Slowly. 


:n  .,r    d   .,r   :m  .s    :1 

.t     d1  .,1    :  s    >ni    :  ni   .yd) 

Oh,  my       love          he             is 

|p    .,m    :r    .d      :d 

fair    -    er               than  a  £ 

d  :-  :s  .1,H 

soft             sum      -      mer 

Iji                        ji             1               1          ji 

day,  His  > 

r1  .d',1  :s  ,m^  :r<m<  st 

breath         is                 far 

11           :1            :t    .,1 

sweet  -  er  than  ) 

s  :-  rs.l.tl 

new      .  -             .             mown 

Id'          i  d'     r'   •  w'     d' 

hay,  His  > 

r1  .d',1  :  s  .m  :  r  <  m  <  s  \ 

hair              shines        like 

11          :  1          ;t   ..1 

|  vived          by                the 

d    .,r    :  n    .s      :  1    .t 

gold  when  re  -  > 

s  :-  :n  .r  > 

sun,  And  the  > 

d1  .,1  :  s  .m  :  m  .,d  ) 

name            that             they 

IP    MM     :r    .d     :- 

call  him's  the  > 

d  :-  || 

1  Dhree     -    naun 

Dhoun. 

105 

2.  My  boy  he  is  gone   to   cross   over  the  main, 
May  God  send  him  safe  to  his  true  love  again, 
For  I  wander  all  day,  until  night-time  comes  on, 
And  I  sleep  on  the  leaves  of  the  Dhreenaun  Dhoun. 


3.  If  I  had  a  small  boat  on  the  ocean  to  row, 
I  would  follow  my  darling  wherever  he'd  go, 
I  'd  rather  have  my  true  love  to  sport  and  to  play 
Than  all  the  gold  treasures  on  the  land  or  the  sea. 


4.  Impatient  I'd  wait  for  my  love  to  return, 

And  for  his  long  absence  I  ne'er  cease  to  mourn  ; 

I  will  join  with  the  small  birds  when  the  summer  comes  on 

To  welcome  the  blossom  of  the  Dhreenaun  Dhoun. 


I  may  explain  that  the  Dhreenaun  Dhoun  means  the  sloe-bush.  In  full 
bloom  it  is  a  lovely  sight  and  a  beautiful  natural  figure  of  purity  and 
beauty.  This  version  of  the  air  is  the  best  I  have  seen.  It  should  be 
sung  sweetly  and  tenderly. 


106 


THE     HEATHER     GLEN. 


EY   P. 

Modera 
.S, 

fo. 

d      .,d 

:n 

Air  :  "  An  SmACcin   cjion." 

.d       |n      .s       :-      .s,      > 

There 

blooms  a       bon 

-  nie        flow  -  er 

r 

^ 

[Up 

the 

:n 

hea     - 

.r  ,d 

ther 

It,        .r         :  - 

.r         ) 

Tho'        ) 

glen; 

ld 

|  bnght 

,d 

in 

:n 

sun, 

.d 

in 

In         .s         :  - 

show    -    er 

4          } 

1 

.s    ,n 

:d 

.r 

Id                   :, 

.S,           ) 

just 

as 

bright 

a 

gain. 

I            [ 

11CV       - 

er 

:m 

can 

.d 

pass 

In         .s         :- 

by            it. 

.S,           ) 

i     ; 

nev     - 

.,d 

er 

:n 

dar' 

.r    ,d 

go 

It,        .r         :- 

nigh         it, 

.r         ) 

My            j 

d 
heart 

,d 

it 

:n 

won't 

.d 

ba 

IN        .s         :- 

qui     -     et 

•        } 

| 

CHORUS. 

Up 

.s    ,n 

the 

:d 

hea    - 

.r 

ther 

Id                   : 

glen. 

II  Sing   } 

d1 

0! 

.t 

the 

bloom  - 

.t 

ing 

H         .s         :- 

hea    -    ther, 

I 

107 

fid' 

.t 

:1 

.t 

|1         .s 

llO! 

the 

hea    - 

ther 

glen, 

(id1 

.,t 

:1 

.,s 

|m         .1 

(  |  fair     - 

est 

fai     - 

riea 

gath    -    er 

Jl  lure 

.ro 

in 

:d 

mor    - 

.r 

tal 

Id 

men  ; 

(id1 

(|nev     - 

er 

can 

.t 
pa:s 

|1            .3 

by           it; 

<,d' 

(  |  nev     - 

.t 

er 

dar' 

.t 

go 

|1            .S 

nigh           it, 

LI 

(  1  heart 

it 

won't 

be 

|m         .1 

qui     •      et 

HUP 

.m 

the 

:d 

hea   - 

.r 

ther 

Id 

glen. 

,t 


Where 

.1 

To 


.S 
I 

.1      ,t 

My 


•I 


2.  There  sings  a  bonnie  linnet, 

Up  the  heather  glen  ; 
The  voice  has  magic  in  it 

Too  sweet  for  mortal  men  ! 
It  brings  joy  doon  before  us, 

Wi'  winsome,  mellow  chorus 
But  flies  far,  too  far,  o'er  us 

Up  the  heather  glen. 

CHORUS— Sing  O! 


3.  O  might  I  pull  the  flower 

That's  blooming  in  that  glen, 
Nae  sorrows  that  could  lower 

Would  make  me  sad  again  ! 
And  might  I  catch  that  linnet, 

My  heart, — my  hopes  are  in  it  • 
O  heav'n  itself,  I'd  win  it, 

Up  the  heather  glen. 

CHORUS — Sing  O  ! 

DR.  GEORGE  SIGERSON. 


KEY  Q.     With  feeling 

(     :s,    m    :- 

1"  Good 


108 
THE    CROPPY    BOY. 

Air  :  *'  CAilin  65  A 

m    |m    :-    :r.m|f    :-    :m    |r    :- 

and   true  !     in  this  house        who  dwell, 


r     :-     :r     |r     :d     :r 

strang     -    er        bou  -  chal,  I 


m    :f 


pray 


m     |r     :- 

you     tell 


il 

II 


PI     :f 

priest 

s,    :- 

speak 


:s 
at 

:d 


To  a) 

:  s,.s,  > 

Is  the) 


|s     :-     :n.d|t,    :-     :  1|    1 1,    :-     :t,.d 


home  ?     or  mayj  he 


be      seen?       I  would) 


|d ^r     :m    |r :ji     :r 

word  with!  Fa       -        tl 


Id    :- 

ther     Green." 


2.  "  The  Priest's  at  home,  boy,  and  may  be  seen  ; 
'Tis  easy  speaking  with  Father  Green ; 
But  you  must  wait  till  I  go  and  see 
If  the  holy  father  alone  may  be." 


3.  The  youth  has  entered  an  empty  hall — 
What  a  lonely  sound  has  his  light  foot-fall  ! 
And  the  gloomy  chamber's  chill  and  bare, 
With  a  vested  Priest  in  a  lonely  chair. 

4.  The  youth  has  knelt  to  tell  his  sins  ; 
"  Nomine  Dei,"  the  youth  begins  : 
At  "  mea  culpa  "  he  beats  his  breast, 

And  in  broken  murmurs  he  speaks  the  rest. 

6.  "  I  cursed  three  times  since  last  Easter  day — • 
At  Mass-time  once  I  went  to  play ; 
I  passed  the  churchyard  one  day  in  haste, 
And  forgot  to  pray  for  my  mother's  rest. 


109 


6.  "  At  the  siege  of  Ross  did  my  father  fall, 
And  at  Gorey  my  loving  brothers  all, 

I  alone  am  left  of  my  name  and  race, 

I  will  go  to  Wexford  and  take  their  place. 

7.  I  bear  no  hate  against  living  thing  ; 
But  I  love  my  country  above  the  King. 
Now,  Father  !  bless  me,  and  let  me  go 
To  die,  if  God  has  ordained  it  so." 

8.  The  Priest  said  naught,  but  a  rustling  noise 
Made  the  youth  look  above  in  wild  surprise  t 
The  robes  were  off,  and  in  scarlet  there 

Sat  a  yeoman  captain  with  fiery  glare. 

9.  With  fiery  glare  and  with  fury  hoarse, 
Instead  of  a  blessing  he  breathed  a  curse  : — 

'  'Twas  a  good  thought,  boy,  to  come  here  and  shrive, 
For  one  short  hour  is  your  time  to  live. 

10.  "  Upon  yon  river  three  tenders  float, 
The  Priest's  in  one,  if  he  isn't  shob — 
We  hold  this  house  for  our  Lord  the  King, 
And,  amen,  say  I,  may  all  traitors  swing  ! " 

11.  At  Geneva  Barrack  that  young  man  died, 
And  at  Passage  they  have  his  body  laid. 
Good  people  who  live  in  peace  and  joy, 
Breathe  a  prayer  and  a  tear  for  the  croppy  boy. 

CARROLL  MALONE. 


110 


THE  BRIDGE  OF  GLANWILLIAN. 

KEY     E.  Air  :  "Ce6  t)pAoit>eAccA." 


<:n.f|s      :f      :±J 

<rho'the|lin    -    nets    sing 


II 


m     :f     :  rtmtr  I  d      :t,     :m     > 

sweet   from  the    1  wild-wood,  Young) 


Kath   -    leen  no 

s       :f      :s.,f 

warm      wind     that 

s      :-.f  :m.f 

ne'er        dry    her 


r<n«r :  d       :  -  .d  |  d      : 

blithe    war  -  bling  '  hears, 


:n.,f) 

And  the) 


m       :f      :rAr|d      :t,     :n.,f ) 

plays    o'er        the     '  moor  -  land     Can    ) 


I 


rtntr:d      :-,d 

fast    -  fall      -     ing 


:-      :d 


tears ; 


And 


m 

though 

m 

heart 

s  .d1 

:  f       :  s  .d1 

gay      laughs  the 

•P                           1 

is     alT 

:-  .t  :s.f 

d1      jr'jd'.MisJ.mJIrwr  :d 

:d.d, 

Still  her) 

:n.f  ) 
As  she) 

:  m  .f  > 

sun  -    light        a  - 

ta      :-d':d' 

sad             and  for  - 

n       :f      :r,n4r 

'round   her, 

d1      :- 

lorn 

d       :t, 

a      -     ra 

d      :- 

turn. 

d      :t, 

kin  -  dred, 

d      :- 

Mourne. 

sits 
S 

by  the 

:-  -f  :n  .f 

ford      of          Glen  - 

r«n«r  :  d      :  -  .d 

Der  -  mot's      re- 
1  m         .  *• 

n       it       :  r<n<r 

|  fray      with     his 

r«n«r:d       :-.d 

A  .; 

lin  .f  ) 

||  For  he'  a' 

:n  .f  > 

wait 

s.d' 

ing  her 

:-  .t   :s  .f 

gone 
1  hard 

to  the 

:-  ,f  :n  .f 

The    > 

II 

-    rid  -  ing 

clans  -  men        of 

m 

2.  "  There  I  rode  side  by  side  on  the  causeway, 

With  your  true-love  so  gallant  and  leal, 
As  he  charged  'mongst  the  foremost  and  bravest 

In  his  morion  and  bright  jack  of  steel. 
I  could  hear  the  loud  clang  of  his  horse-hoofs, 

As  he  swept  o'er  the  red  bridge's  crown, 
And  many  a  bold  Saxon  trooper 

'Neath  the  sweep  of  his  long  sword  went  down. 
This  day  for  thy  Dermot  of  Mourne 

Is  a  bright  day  of  deathless  renown. 


3.  "  Then  weep  not,  fair  maid,  by  Glenara  ; 

In  triumph  thy  love  will  return, 
His  plume  waved    to-day  '  midst  the  foremost 

Of  the  hard-riding  clansmen  of  Mourne. 
His  name  shall  be  sacred  amongst  us 

And  a  watchword  in  foray  and  fray  !  " 
Then  that  fierce  clansman  glared  o'er  the  moorland, 

As  the  wolf  looketh  out  for  his  prey, 
And  he  dashed  through  the  ford  like  an  arrow 

On  the  track  of  his  foeman  away. 

ROBERT  DWYER  JOYCE,  M.D. 


This  ia  a  very  beautiful  traditional  version  of  a  sweet  air.  I  got  it  in 
the  Macroom  district  of  Co.  Cork.  It  should  *be  sung  fairly  slowly  and 
with  expression  and  feeling.  As  the  verses  are  ten-line  ones  I  have  repeated 
the  music  of  the  seventh  and  eighth  lines  for  the  ninth  and  tenth.  This 
conforms  to  the  practice  of  old  Irish  singers. 


112 


'pe  n-emnin  i! 


KEY  E. 

P 

<:     .3,  Id        :d  ,,r   |n         :s 

(         In  I  Dru    -    id  vale         a 


m        :r 

lone         I 


d 

lay, 


crcs. 
j:s  ,1 
<  Op  - 


ta 


:  l.s.m    |r         :m_ 

with        care,        to 


ta       :  1         |s 

weep        the          day — 


f    ' 


My 


s         :m 

death      I 


d1        ;t  .d1 

owed        one 


1         ;  s,m  r    |m         \ 

sylph  -  like  she,         ) 


:-  .d    |d        :-  .r 


'pe 


m  !d,l|.S|     |1|  ) 

n     •      eminn      \  i          ) 


2.  The  spouse  of  Naisi,  Erin's  woe ; 

The  dame  that  laid  proud  Ilium  low — 
Their  charms  would  fade,  their  fame  would  flee, 
Matched  with  my  fair,  'pe  n-eipinn  i  1 
'p6  n-eijMnn  i  I 


3.  Behold  her  tresses,  unconfined, 
In  wanton  ringlets  woo  the  wind, 
Or  sweep  the  sparkling  dew-drops  free, 
My  heart's  dear  maid,  'pe"  n-eijMnn  i  1 
.  'pe"  11  eipinn  i  1 


113 

4.  Fierce  passion's  slave,  from  hope  exiled, 
Weak,  wounded,  weary,  woeful,  wild — 
Some  magic  spell  she  wove  for  me, 
That  peerless  maid,  'pe"  n  eijMtin  i  ! 
'pe  n-6ijMtin  i ! 


6.  But  O  !  one  noon  I  climb  a  hill 
To  sigh  alone — to  weep  my  fill, 
And  there  Heaven's  mercy  brought  to  me 
My  treasure  rare,  'p6  n-6ij\inn  i  ! 
'p6  ti-6ij\inti  i  ! 


EDWARD  WALSH. 


This  is  a  most  sweet  and  beautiful  melody.  The  words  are  an  excellent 
translation  of  a  famous  song  in  Irish  by  "  Liam  Dall,"  or  "  Blind  William," 
one  of  our  best  Irish  poets.  The  air  is  taken,  by  permission,  from  Dr. 
Joyce's  collection. 


114 
THE    FLOWER    OF    FINAE. 


KEY!. 


t|         I  S| 
Sheel  -  in, 


il 

(Is       :f  .r  :d  .,r 

(.  I  moun    tains      is 


Air  :  "  An  cuninn  IOAC  Ati  oi-6ce  u-o." 


d     :d       _ 

Brightl  red      is         the 


t,     :  d      :  r«m«f 


sun      on 


the 


d       :d       : r  .d 

cool       gen   "    tie 

d       :- 

stealing, 


s      :jr  :.,|| 

waves  of      Lough) 


:d 


*i 

breeze  from      the 


IIs 


:  s 


While  fair        round  its 


f       : 

f 

:s  .f 

m 

:r 

:d 

t,      : 

s, 

is     - 

lets 

the 

small 

rip 

-    pies 

play, 

fair    - 

d 

er 

:r.d 

than 

t, 
all 

:d 

is 

:r.ni 

f 

s       : 

Flow'r 

f 

the 

of 

But 


nae. 


2.  Her  hair  is  like  night  and  her  eyes  like  grey  morning, 
She  trips  on  the  heather  as  if  its  touch  scorning, 

Yet  her  heart  and  her  lips  are  as  mild  as  May  day, 
Sweet  Eily  Mac  Mahon,  the  Flow'r  of  Finae. 

3.  But  who  down  the  hillside  than  red  deer  runs  fleeter  ? 
And  who  on  the  lakeside  is  hastening  to  greet  her  ? 
Who  but  Fergus  O'Farrell,  the  fiery  and  gay, 

The  darling  and  pride  of  the  Flow'r  of  Finae. 

4.  One  kiss  and  one  clasp,  and  one  wild  look  of  gladness  ; 
Ah  !  why  do  they  change  on  a  sudden  to  sadness — 
He  has  told  his  hard  fortune  nor  mote  can  he  say, 

He  must  leave  his  poor  Eily,  the  Flow'r  of  Finae. 


115 

5.  For  Fergus  O'Farrell  was  true  to  his  sire-land, 

And  the  dark  hand  of  tyranny  drove  him  from  Ireland  ; 

He  joins  the  Brigade,  in  the  wars  far  away, 

But  he  vows  he'll  come  back  to  the  Flow'r  of  Finae. 


6.  He  fought  at  Cremona — she  hears  of  his  story ; 
He  fought  at  Cassano — she's  proud  of  his  glory ; 
Yet  sadly  she  sings  "  Shule  Aroon  "  all  the  day, 
"  Oh  !  come,  come,  my  darling,  come  home  to  Finae.". 


7.  Eight  long  years  have  passed,  till  she's  nigh  broken-hearted, 
Her  reel  and  her  rock  and  her  flax  she  has  parted  ; 
She  sails  with  the  "  Wild  Geese  "  to  Flanders  away, 
And  leaves  her  sad  parents  alone  in  Finae. 


8.  Lord  Clare  on  the  field  of  Ramilies  is  charging — 
Before  him  the  Sasanach  squadrons  enlarging — 
Behind  him  the  Cravats  their  sections  display — 
Beside  him  rides  Fergus  and  shouts  for  Finae. 


9.  On  the  slopes  of  La  Judoigne  the  Frenchmen  are  flying, 
Lord  Clare  and  his  squadrons  the  foe  still  defying, 
Outnumbered  and  wounded,  retreat  in  array ; 
And  bleeding  rides  Fergus  and  thinks  of  Finae. 

10.  In  the  cloisters  of  Ypres  a  banner  is  swaying, 
And  by  it  a  pale  weeping  maiden  is  praying  ; 
That  flags  the  sole  trophy  of  Ramilies'  fray  ; 
This  nun  is  poor  Eily,  the  Flow'r  of  Finae. 

THOMAS  DAVIS. 


116 
LAMENT  OF  THE  IRISH  MOTHER. 

KEY  C.  Slowly.  Air  :  "  A  SpAilpin  A  JMIII.' 


jid'.ta 

1      :ta     :-.!  Is 

why    did           you|  go 

:-.!   '.t 

when  the 

d1       :- 

flowers 

:m      , 

were  ) 

(    Oh! 

f    If 

:m       :m  .f 

S 

.  1  tal    .  e    f 

•    1                   t    D      '  A 

ni.ni  :  - 

fn!r         , 

(    (spring  -  ing         And 

win     • 

ter's       wild 

tempest 

had     ) 

r'd' 

I 

d       :-       :d 

vanished             a- 

d 

way, 

:-       rd'.ta 

When  the 

1       :- 

swal     - 

.ta:l        ) 

low  was      > 

I 

S 

come 

:-.!   :t 

and  the 

d1 

sweet 

:  -       :  m  .m  1  f       :  m 

lark  was)  sing  -  ing 

:m  ,f  ) 

,   From  the) 

( 

S 

:ftal:s  .f 

PI 

:-  fm  :r 

d      ?- 

.d  :d       ) 

i 

morn    to          the 

eve 

of  the 

beau 

ti  -  ful       > 

( 

d 

:-       :n.f 

S 

:d'       :-.r' 

m'.d1:?' 

:  m1  .m1  . 

1 

day  ?                  Oh  ! 

why 

did             you 

g° 

when  the  ) 

/^ 

i 

r1 

sum 

-  mer           was 

t  .,1 

:s        :m  .f 

ing,  And  the 

s  .d1  :  - 

heaven 

:rl     , 

was      ) 

com  - 

( 

m1 

:-.r'  id'.t 

d1 

:  -       :  d1  .d1 

d1       :- 

:s  .1   ) 

i 

blue 

as  your 

own 

sunny 

eye, 

W.  en  the  j 

, 

ta 

:ta      :-.! 

S 

:-  .1   :t 

d1       :- 

.m  :m       ) 

1 

bee 

on              the 

bios 

som  was 

drow     - 

si  -   ly        \ 

i 

f  .m  :-       ;m  .f 

humming  —      Ma 

S 
voor 

:  ltal   :  s  .f 

m  .m  :- 

voor  neen, 

tn  :r          * 
Oh!    > 

-  neen,     ma 

\ 

d 

:-  .d  :d 

d 

:~          II 

( 

why 

did  you 

die  ? 

II 

117 

2.  My  hot  tears  are  falling  in  agony  o'er  you. 

My  heart  was  bound  up  in  the  life  that  is  gone  ; 
Oh  !  why  did  you  go  from  the  mother  that  bore  you, 

A  chara  ma  chuishle  !  why  leave  me  alone  ? 
The  primrose  each  hedgerow  and  dingle  is  studding  ; 

The  violet's  breath  is  on  each  breeze's  sigh, 
And  the  woodbine  you  loved  round  your  window  is  budding 

Oh  !  Maurye  ma  voorneen  !  why,  why,  did  you  die  ? 

3.  The  barebell  is  missing  your  step  on  the  mountain, 

The  sweet-brier  droops  for  the  hand  that  it  loved, 
And  the  hazel's  pale  tassels  hang  over  the  fountain 

That  springs  in  the  copse  where  so  often  you  roved. 
The  hawthorn  pearls  fall  as  though  they  were  weeping, 

Upon  the  low  grave  where  your  cold  form  doth  lie, 
And  the  soft  dews  of  evening  there  longest  lie  sleeping — 

Ma  voorneen,  ma  voorneen,  oh  !  why  did  you  die  ? 

4.  A  Chara  Machree,  you  are  ever  before  me — 

I  scarce  see  the  heaven  to  which  you  are  gone, 
So  dark  are  the  clouds  of  despair  which  lie  o'er  me, 

Oh,  pray  for  me  !  pray  at  the  Almighty's  throne  ! 
Oh,  pray  that  the  chain  of  my  bondage  may  sever, 

That  to  thee  and  our  Father  my  freed  soul  may  fly, 
Or  the  cry  of  my  spirit  for  ever  and  ever, 

Shall  be — "  Oh,  ma  voorneen,  why,  why  did  you  die  ?  " 

MBS.  MARY  C.  F.  MUNSTEB  ("  TINY  "). 
1835-1892. 

This  is  one  of  our  most  beautiful  airs.  It  was  taken  down  from  the  sing- 
ing of  a  traditional  singer  at  Ring,  Co.  Waterford,  by  Miss  O'Reilly,  of  Mac- 
room.  It  finds  a  fit  partner  in  this  moving  ballad.  They  are  here  linked 
for  the  first  time.  It  is  only  in  an  island  of  faith  and  love  and  poetry 
one  could  expect  an  elevating  ballad  of  this  kind.  How  different  from  the 
Imported  English  effusions  !  There  are  three  more  verses  which  may  bfl 
found  in  Hayes's  ballads. 


118 
THE  MOUNTAINS. 

KEY  p.    Briskly.  Air  :  "  The  Rapparees.' 


<:d 

d    :-    : 

m    |m    : 

-    :  s 

s    :  - 

:f 

r     :- 

:t,   > 

1    My 

spurs 

are    rusted^       my 

coat 

is 

rent, 

Myy 

(Id    :-     :* 

(  1  plume          is 

Is     :- 

dank 

:s 

with 

s     :-     :-     | 

rain  ; 

;  M     i  ro     ^ 

And    the  ) 

1  1  this 

:-    :f 

-      tie 

|r     :-.r:r 

down      and  the 

m     :- 

bar 

ley 

d     :- 

beard 

Are  > 

(If     :-    :r 

(  1  thick  on      my 

Id     :- 

hor 

:»i 

se's 

d     :-     :-     I 

mane; 

:s     :s    > 

But     my   ) 

(Is    :-    :H 

(  1  rifle's           as 

bright 

:t.t 

as  my 

1     :- 

sweet     - 

:1     |s,:- 

heart's  eye 

And  my  ) 

(|  arm 

is 

strong 

:t 

and 

free, 

What) 

JIB     :-     :n     |d'    :- 

1  1  care            have    I 

it.tll     :- 

for  your]  King 

:1     1 

and 

s     :- 

laws, 

:m.m> 

I'm  an) 

l  1  out 

:-     :d     |r     :- 

lawed  rap 

:m 

pa- 

s     :-     :-     | 

^"\. 

n     :- 

Click,  > 

ree. 

f  Id 

I  Si      :  — 

1  1|      *~ 

:  t 

d     :- 

:d     | 

d     :- 

:d     ) 

\  \  click  your 

glass 

-       es, 

friends, 

with 

mine, 

And) 

(In 

:r     jd 

|r     :- 

:r 

to 

r     :-     :- 

me; 

I' 

m-    I 

(  1  give              your  grasp 

411 

:s     :m 

|d'    :  t 

I'm 

] 

••     :  d1 

:1 

land's 

s     :m 

:r     i 

Click,) 

(  |  Eng       -      land's  foe, 

Ire 

friend, 

lid    :s,    :B, 

(  |  click,  I'm  a 

Id     :- 

rap      - 

:d 

pa  - 

d     :-     :-     |       : 

ree. 

119 

The  mountain  cavern  is  my  home, 

High  up  in  the  crystal  air, 
My  bed  is  the  limestone,  iron-ribbed, 

And  the  brown  heath  smelling  fair. 
Let  George  or  William  only  send 

His  troops  to  burn  or  shoot, 
We'll  meet  them  upon  equal  ground 

And  fight  them  foot  to  foot. 
Click,  click  your  glasses,  friends,  with  mine, 

The  midnight's  made  for  glee ; 

Stout  hearts  beat  fast  for  Ireland  yet, 

Yes — I'm  a  rapparee. 


3.  Hunted  from  out  our  fathers'  home, 

Pursued  with  steel  and  shot, 
A  bloody  warfare  we  must  wage, 

Or  the  gibbet  be  our  lot. 
Hurrah  !  the  war  is  welcome  work, 

The  hated  outlaw  knows, 
He  steps  unto  his  country's  love 

O'er  the  corpses  of  his  foes. 
Click,  click  your  glasses,  friends,   with  mine, 

In  the  coming  days  I  see 
Stern  labours  for  our  country's  weal, 

Yes. — I'm  a  rapparee. 


This  is  a  fine,  bold,  rousing  air  and  a  defiant  song.  The  Rapparoes' 
deeds  of  daring  are  entwined  in  our  country's  history,  and  so  the  song 
commemorates  another  "  fact  "  in  the  story  of  our  native  land.  I  am 
obliged  to  the  friend,  already  mentioned,  who  gave  me  an  opportunity 
of  putting  on  record  this  type  of  a  class. 


FOLLOW    ME  UP    TO    CARLOW. 


KEY  F.     Lively. 


r     :- 

:r     |p     :- 

:d 

1,    :- 

:t,    Id     :- 

»-   I 

Lift 

Mac    Ca 

hir 

Oge, 

your  face, 

> 

Grey 

said    vict 

o    - 

iy 

was    sure  — 

r     :- 

:r     |f     :- 

:s 

1     :- 

:s     If     :- 

:n     ) 

Brood     - 

ing      o'er 

the 

old 

dis  -  grace, 

That) 

Soon 

The     Fire 

brand  he'd 

se   -    cure  ; 

Un    - 

|r     :- 

|  black 

:r     |p     :- 

Fitz  -  will      - 

:d 

iam 

1,    :- 

stormed 

:t,    Id     :- 

your  place, 

:n     > 

And) 

til 

he       met 

at 

Glen      - 

ma  -  lure, 

D.C. 

|r     :- 

|  drove 

:r     |m     :- 

you    to 

:d 

the 

r     :- 

fer 

n! 

:       II 

Feagh 

Mac  Hugh 

0' 

Byrne  ! 

CHORUS  — 

ill     :- 

1  Curse 

:t     |d'    :- 

and     swear, 

• 

1     :- 

Lord 

:t     |d'    :- 

Kil  -  dare  ! 

!     \ 

[In     :- 

1  1  Feagh 

:H     In    :- 

will    do 

:r     ,d     :- 

what]  Feagh 

:r     |m     :- 

:s     > 

will    dare:  — 

f 

i|  Now, 

Fitz  -  will       - 

:t 

iam 

I1     '- 

,\  have 

it       |  d      I  •" 

a         care  —  • 

1       } 

rim     :- 

11  Fall. 

:  m     |  m     :  - 

en       is 

:d 

you 

|r     :- 

r|  star, 

:-     1r     :- 

low! 

!       \ 

121 


1     :- 


H 
On 


51 

1 1  Feng! 

il 


t     |d'    :- 

with   hal 

;  n     |n     :  - 

we       go ; 

:t     |d'    :- 

Mac    Hugh 


bert, 


for 


has 


out 


ro     :  n     :  n 

Fol  -  low    me 


In     :- 

up 


:d 


to 


by 
r1    :- 

given 


Car 


with  sword  ! 

:r     |m     :-     ;a 

the      Lord  ! 
the      word — 

:-     |r     :-     : 

low! 


2.  See  the  swords  of  Glen  Imayle 
Flashing  o'er  the  English  Pale  ! 
See  all  the  children  of  the  Gael 

Beneath  O'Byrne's  banners  ! 
Rooster  of  a  fighting  stock, 
Would  you  let  a  Saxon  cock 
Crow  out  upon  an  Irish  rock  ? 

Fly  up  and  teach  him  manners  ! 
CHORUS. 

2.  From  Tassagart  to  Clonmore, 
Flows  a  stream  of  Saxon  gore  ! 
Och,  great  is  Rory  Oge  O'More 
At  sending  loons  to  Hades  ! 
White  is  sick  and  Lane  is  fled  ! 
'Now  for  black  Fitzwilliam's  head — • 
We'll  send  it  over  dripping  red 
To  'Liza*  and  her  ladies  ! 

CHORUS. 


Queen  Elizabeth. 


P.  J.  M'CALL. 


I  am  indebted  to  Mr.  M'Call  for  this  fine  version  of  the  air,  which  ia 
the  one  to  which  he  wrote  his  song.  I  append  his  note  on  the  song  : — "  It 
is  a  tradition  that  this  air  was  first  performed  by  the  pipers  of  Feagh 
Mao  Hugh  as  he  marched  to  attack  Carlow  after  his  victory  over  Lord 
Deputy  Grey  at  Glenmalure  (A.D.  1580).  Cahir  Ogue  was  Brian  Mac  Cahir 
Cavanagh,  whom  Fitzwilliam  had  driven  out  of  his  possessions," 


122 


LAMENT   OF 

KEY  B[?.     Fairly  slow. 

(  The    night  ii 


GARQDH    EARLA. 


Air: 


Uo-tfioc. 


I 


:d    .r 


-,r,   |r 


•dniy  f  i  .1, 

With  thun-ders 


com      -     ing,  with  black  clouds]  loom 

li  *>f|   :1|  -S|    :  f  i   .,f|  |fi 

boom     -    ing,   and  wild  winds]  moan  ; 


x>m     -     ing.  ) 


1  »f|,S| 

(  The 


|  -r    |r 

The  fierce  wolfs!  yell 


:d 


c          .M 

(  Our 


ing     from  Cor-rin 


I      '  1        S        "  I         I 

Our  fate  seems]  tell      -      ing     with  mourn-f ul 


.djfflf,  .1,    I 


swell     -     ing 


, 

tone  ; 


I  di     .) 

-     iner.  ) 

' 


.f^s,:!,   .1,    If 

The     dark  cave's)  o'er 

.r     :r    .d     11^ 

With  mad-d'ning|  cho 

Yet  love  beams!  clear 

fe'l    -ll     |lL_J 

On     death's  brink]  near     -     Iy,      by      Mul  -  la's|  shore  ! 


:m    .,r    :r    .r 

us,     deep  floods  be- 


•s, 


rus    down  rough  rocks 


:d    .r     :f,    .r, 

-     ly,      tho'  we    sit 


•8 


d    .,r 

fore 


pour. 


rl  •  ^1     •! 

drear     -     Iy,     > 


123 


2.  What  dreams  were  mine,  love,  ere  hope's  decline,  love, 

In  war  to  shine,  love,  for  Innisfail  ; 
Aye,  to  defend  her  from  those  that  rend  her, 

And  cloud  the  splendour  of  the  dauntless  Gael  ; — 
I  reared  each  castle,  I  roused  each  vassal 

From  sloth  and  wassail,  to  grasp  the  spear, 
And  aye  through  gory  red  fields  of  glory 

Bright  triumph  bore  me  for  many  a  year. 


3.  And,  oh  !  I  quailed  not  while  true  hearts  failed  not, 

But  blood  availed  not  to  set  her  free, 
For  those  whose  might,  love,  should  still  e'en  smite,  love, 

Grew  faint  in  flight,  love,  and  false  to  me  ; — 
My  power  is  broken,  and  each  proud  token 

Of  Erin  woken  has  died  away  ; 
For  each  endeavour  will  fail  for  ever, 

While  brave  hearts  sever,  and  friends  betray  ! 


4.  We've  now  for  vassal  and  lordly  castle, 

And  blithe  friends'  wassail,  this  cave  of  gloom, 
With  cold  winds  sighing  round  the  embers  dying ; 

Yet  still  defying,  we'll  meet  our  doom. 
One  joy  will  nourish,  though  power  may  perish, 

That  joy  we'll  cherish — we'll  love  the  more, 
And  love  beams  clearly,  though  we  sit  drearly, 

On  death's  brink  nearly,  by  Mulla's  shore  ! 

ROBERT  DWYER  JOYCE,  M.D. 


I  am  glad  to  have  found,  after  much  searching,  a  song  to  match  this 
quaint  old  sweet  Irish  air,  which  was  taken  down  from  the  singing  of 
Bridgie  Cronin,  a  young  girl  who  lives  at  Toames,  near  Macroom.  I  wed 
the  air  to  a  very  good  classical  Irish  song  in  No.  4,  p.  29,  of  my  "  £uinn  HA 
Smol"  series. 


124 


THE    PATRIOT    MOTHER. 


KEY  G. 


Come, 


s,   .m    :m    .m     :-    .r,r|r    .d     :d    .d     :-     .d    > 

tell  us       the    name       of  the]  reb-  el  -   ly      crew  Who) 


lift  -  ed      the    pike    on     the 


II 


:d     .d 


Cur  -  ragh  with  you  ;        Come 


.s,     I 

ome,  > 


s,    ,m     :m     .m     :-     .r,rir     .d     :d     .d     :-     ,d,d) 

tell    us      the      trea    -    son,  and|  then  you'll  be    free,          Or  right) 


.,1,    :  s,    .S| 


.t 


quick-ly      you'll  swing  on    the 


r     .,d     :d     .d 

high  gal  -  lows  tree. 


<|s    ,f    : 

(  |  lean  -  av  ! 


:f    .f 


lean    -     av  !  the  shad-ow 


m     .m      :• 

of       shame 


"A 

.r 

Has 


d     .m 

nev-er 
S,     ,,N 


s     .sls  :f     an 

yet    fall  -  en       on 


one 


:m 


:r     .r 


oh  !    may    the    food    from  my 


:r     .r      :r     ,S|     > 

of      your  name  ;  And) 

r     .,d     :d     .d      :-     .d,d) 

bos  -  om      you    drew,      In  your) 


II 


t,    .,1,    :s,    .s,     :1|    .t,,t,|r     .,d     :d 

veins  turn  to      pois  -  on,  if  you)  turn  un   -   true. 


2.  "  The  foul  words — oh  !  let  them  not  blacken  your  tongue, 
That  would  prove  to  your  friends  and  your  country  a  wrong  ; 
Or  the  curse  of  a  mother,  so  bitter  and  dread 
With  the  wrath  of  the  Lord— may  they  fall  on  your  head  I 


125 

I  have  no  one  but  you  in  the  whole  world  wide, 

Yet  false  to  your  pledge,  you'd  ne'er  stand  at  my  side  : 

If  a  traitor  you  lived,  you'd  be  farther  away 

From  my  heart  than,  if  true,  you  were  wrapp'd  in  the  clay* 


"  Oh  !  deeper  and  darker  the  mourning  would  be 

For  your  falsehood  so  base,  than  your  death  proud  and  free. 

Dearer,  far  dearer,  than  ever  to  me, 

My  darling,  you'll  be  on  the  brave  gallows  tree. 

'Tis  holy,  a  ghrau,  from  the  bravest  and  best — 

Go  !  go  !  from  my  heart,  and  be  join'd  with  the  rest. 

A  leanav,  machree  !  A  leanav  machree  ! 

Sure  a  '  stag  *  and  a  traitor  you  never  will  be." 


4.  There's  no  look  of  a  traitor  upon  the  young  brow 
That's  raised  to  the  tempters  so  haughtily  now  ; 
No  traitor  e'er  held  up  the  firm  head  so  high, 
No  traitor  e'er  show'd  such  a  proud  flashing  eye. 
On  the  high  gallows  tree  !  on  the  brave  gallows  tree  ! 
Where  smil'd  leaves  and  blossoms,  his  sad  doom  met  he  ! 
But  it  never  bore  blossom  so  pure  or  so  fair, 
As  the  heart  of  the  martyr  that  hangs  from  it  there. 

MBS.  KEVIN  IZOD  O'DOHERTY. 

("EVA.") 

The  above  air  is  one  that  some  people  sing  to  Denny  Lane's  song  "  On 
Carrighoun,"  instead  of  its  proper  air,  "  The  Foggy  Dew."  I  have  a  note 
on  the  subject  in  its  proper  place.  This  present  song  and  the  air  match 
each  other  well,  and  are  linked  together  by  the  old  singers  of  Co.  Cork. 
"  Eva  "  of  The  Nation  was  born  at  Kelly's  Mills,  Co.  Galway,  about  four 
miles  from  Portumna.  She  died  about  1910,  at  an  advanced  age.  Miss 
Kelly  was  Jier  name. 


CAOCH  O'LEARY. 

KEY  C.     Plaintively.         Air  :  "  The  Wind  that  Shakes  the  Barley." 


id1   Id1    :- 

One'  win 

-    :1     |1    :s    :m     d1    :-    :1     I  1   :s 

:m 

Wher 

ter's  day,          long,    long           a    -    go, 

I  was 

m     |s     :-     :1 

a        lit        -        tie 

s  :-  :-  |m  :- 

fel  -  -  low 

:s 
A 

d1  :-  : 

pi 

t     Id1    :-     :r' 

per     came            un  - 

n1  :  -  :  m1  |  ni1  :  - 

to  our  door, 

Grey- 

d1  :-  : 

head 

1     |t     :1     :s 

1  :-  :-  |1  :- 

yel  -  -  low, 

it 

And 

ed,      blind,          and 

d1  :-  : 

oh! 

how   glad             was 

/T\ 

ro  :  -  :  ro1  |  ni1  *.  - 

my  young  heart, 

Tho 

d'  :-  : 

earth 

t     |d'    :-     :r'    |n'    :-     :-     U     :- 

and     sky           looked  drear           -           y, 

:t 

To 

d1  :-  : 

see 

t     |d'    :-     :r' 

the       strang    -    er 

m  :-  :m'  |ro'  :- 

and  his  dog  — 

:r' 

Pooi 

d'  :-  : 

Pinch 

1     |t     :1     :s 

1  :-  :-  |1  :- 

Lear  -  y. 

II 

and    Caoch          O' 

2.  And  when  he  stowed  away  his  bag, 

Cross-barred  with  green  and  yellow, 
I  thought  and  said,  "  In  Ireland's  ground, 

There's  not  so  fine  a  fellow." 
And  Fineen  Burke,  and  Shaun  Magee, 

And  Eily,  Kate,  and  Mary, 
Rushed  in,  with  panting  haste,  to  see 

And  welcome  Caach  O'Leary. 


127 

3    O  God  be  with  those  happy  times  ! 

O  God  be  with  my  childhood  ; 
When  I  bare-headed,  roamed  all  day — 

Bird-nesting  in  the  wild-wood. 
I'll  not  forget  those  sunny  hours, 

However  years  may  vary  ; 
I'll  not  forget  my  early  friends, 

Nor  honest  Caoch  O'Leary. 

4.  Poor  Caoch  and  Pinch  slept  well  that  night, 

And  in  the  morning  early 
He  called  me  up  to  hear  him  play 

"  The  Wind  that  Shakes  the  Barley  "  ; 
And  then  he  stroked  my  flaxen  hair, 

And  cried,  "  God  mark  my  deary  !  " 
And  how  I  wept  when  he  said  "  Farewell, 

And  think  of  Caoch  O'Leary  !  " 

6.  The  seasons  came  and  went,  and  still 

Old  Caoch  was  not  forgotten, 
Although  we  thought  him  dead  and  gone 

And  in  the  cold  grave  rotten  ; 
And  often,  when  I  walked  and  talked 

With  Eily,  Kate,  and  Mary, 
We  thought  of  childhood's  rosy  hours, 

And  prayed  for  Caoch  O'Leary. 

6.  Well — twenty  summers  had  gone  past, 

And  June's  red  sun  was  sinking, 
When  I,  a  man,  sat  by  my  door, 

Of  twenty  sad  things  thinking. 
A  little  dog  came  up  the  way, 

His  gait  was  slow  and  weary, 
And  at  his  tail  a  lame  man  limped — 

'Twas  Pinch  and  Caoch  O'Leary. 

7.  Old  Caoch,  but,  oh,  how  woe-begone ! 

His  form  is  bowed  and  bending, 
His  fleshless  hands  are  stiff  and  wan, 

Ay — Time  is  even  blending 
The  colours  of  his  thread-bare  bag — 

And  Pinch  is  twice  as  hairy 
And  thin-spare  as  when,  first  I  saw 

Himself  and  Caoch  O'Leary. 


123 

"  God's  blessing  here  !  "  the  wanderer  cried, 

"  Far,  far  be  hell's  black  viper  ; 
Does  anybody  hereabouts 

Remember  Caoch  the  Piper  ?  " 
With  swelling  heart  I  grasped  his  hand  ; 

The  old  man  murmured,  "  Deary, 
Are  you  the  silky-headed  child 

That  loved  poor  Caoch  O'Leary  ?  " 


9.  "  Yes,  yes,"  I  said — the  wanderer  wept 

As  if  his  heart  was  breaking — 
"  And  where,  a  vie  machree  !  "  he  sobbed, 

"Is  all  the  merry-making 
I  found  here  twenty  years  ago  ?  " 

"  My  tale,"  I  sighed,  "  might  weary  ; 
Enough  to  say — there's  none  but  me 

To  welcome  Caoch  O'Leary." 


10.  "  Vo,  vo,  vo  !  "  the  old  man  cried, 

And  wrung  his  hands  in  sorrow, 
"  Pray  let  me  in,  a  sthore  machree, 

And  I'll  '  go  home  '  to-morrow. 
My  peace  is  made  ;  I'll  calmly  leave 

This  world  so  cold  and  dreary ; 
And  you  shall  keep  my  pipes  and  dog, 

And  pray  for  Caoch  O'Leary." 


1 1 .  With  Pinch  I  watched  his  bed  that  night ; 

Next  day  his  wish  was  granted  ; 
He  died,  and  Father  James  was  brought, 

And  the  Requiem  Mass  was  chanted. 
The  neighbours  came  ;  we  dug  his  grave 

Near  Eily,  Kate,  and  Mary, 
And  there  he  sleeps  his  last  sweet  sleep. 

God  rest  you  ',  Caoch  O'Leary. 


KEEGAN. 


129 
MAIRE  DHOON  ASTHORE. 


Air  :  "  5j\A-6  mo  6]Aoi-oe.> 


In  valleys  l®ne  I  plucked  the  flowers 

And  wove  them  in  her  hair, 
And  never  in  the  greenwood  bowers, 

Looked  forest  queen  as  fair. 
She  gave  one  silent  glance  at  me, 

With  love-light  flowing  o'er — 
Oh  !  well  that  love's  returned  to  theo, 

My  Maire  Dhoon  Asthore. 


2.  The  sloethorn  woos  tfce  poplar  brown, 

Where  shines  the  sunlit  hill — • 
Its  blossoms  waft  an  odour  down 

O'er  meadow-slope,  and  rill. 
Her  hand  is  as  that  blossom  white, 

As  pure  her  bosom's  core  ; 
My  well  of  joy,  my  life's  delight, 

My  Maire  Dhoon  Asthore. 


3.  I've  strung  my  harp  to  many  a  lay, 

With  soothing  magic  sound — 
I've  sung  to  lords  and  ladies  gay, 

Throughout  old  Ireland's  ground. 
But  now  I  find  the  tones  are  vain, 

The  ancient  songs  to  pour 
Thy  name  alone  that  fills  the  strain, 

My  Maire  Dhoon  Asthore. 

J.  K.  CASEY  ("  Leo.") 
N.B. — For  air  see  page  30. 


1-6 


130 


THERE  IS  A  STREAM. 

KEY  C.    Stately  Air:  "  C&itin  HA 


:     .d 

There 

is 

m  .f  |  s      ':  -  .m 

a            stream     'mid 

d1       :t  .s   |1 

Hou  -  ra's         dells 

That  ) 

r 

1  dan    - 

:s 

I-  -f 

:n  .f 

r         :d         | 

fleet    -    ly, 

:d        ) 

That     > 

ces 

down-ward 

Id  .r 

:m  .f 

rors 

Is 

rocks 

:-  .ro 

and 

d1 

:t   .s  11 

:-  .r   , 

And) 

1  mir    - 

hea    -    ther     -    bells 

|  sings 

:s  .f 

by 

IN 
wild 

:-  .r 

woods 

d         :d         | 

sweet  -  ly, 

j  d'       ) 

With     ) 

id' 

:t  .d1 

/r\ 

|r' 

:t  .r1 

d1 

:t  .s    |1 

:-  .r 

1  droop 

-  ing 

birch 

and 

Dri 

-     naun       Dhun 

Its     f 

r 

:s 

I-  -f 

:m  .f 

r 

:d         1 

:d        } 

ver 

nal 

banks  a- 

dorn     -    ing, 

And      | 

Id   .r 

*  ni  .f 

Is 

love 

:-  .m 

with 

d' 

:t   .s   11 

:-  .r  , 

MyJ 

there 

my 

sweet      smiles       won 

lr   .•_ 

:- 

1-     -f 

*  r  jn 

d 

:d        1 

II 

|  fond  heart 

in  the 

morn  -  ing. 

131 

2.  God  bless  the  May  that  brought  to  me 

The  love  that  nought  can  sunder  ! 
God  bless  the  odorous  Drinaun  tree 

That  we  sat  fondly  under  ! 
The  skies  were  blue,  the  clouds  were  bright, 

The  valleys  shade  and  splendour, 
And  Annie's  eyes  were  filled  with  light 

Of  love  all  true  and  tender. 


3.  And  oft  within  that  valley  lone 

We  met  on  May-days  after, 
While  aye  the  stream  went  murmuring  on 

With  sounds  like  fairy  laughter ; 
'Tis  there  a  rill,  but  far  below 

It  winds,  a  calm  bright  river, — 
Thus  may  our  firm  love  forward  go, 

Increasing  on  for  ever  ? 

ROBERT  DWYER  JOYCE,  M.D. 


The  above  is  a  most  sweet  and  peculiar  air.  It  was  taken  down  from 
the  singing  of  Kate  Cronin  who  lives  at  CUI|AIN  nA  tx>bAp,  near 
Inchigeela,  Co.  Cork.  It  is  an  air  altogether  out  of  the  common  run 
of  airs.  I  found  it  very  hard  to  match  it  with  a  song.  The  Irish  song 
for  it  is  found  in  "  ]Tuinn  IIA  Sinol,"  No.  3,  p.  11. 


132 
ALLEY    KELLY    O  ! 

KEY  F.     Lively.  Air:  "  Up  the  Foggy  Mountain.'* 

clr     :-     :r     |r     :d :r 

(  I  Up  the      fog  -  gy 

d 


f     :-     :-     |f     :-     :s     > 

moun  -  tain,  With-) 


the     air 


valley 


:-     |d     :-     :d 


O! 


Be 


-     :r     |r     :d rj* 

the     sum    -  mer 


(  |  side 

:-    :s     |f     :-     : 


f     :-     :r     |f     :-     :s 


foun 


:-     :s     > 

tain  I       > 


met 


my     Al 


ley 


Kelly 


(  |  neck  than  wood      -      rose 


whi 


O  ! 


ter, 


Her) 


Is     '-     :ro      d     :-     :-     |d     :-     :r    > 


the       glow      -      ing 


cherry 


O! 


You'd) 


clr    :-     :r 

(  I  find  n 


r     :d     :r 


no       maid-en 


t    ••-     =r     |f     :-     :s     , 


bright 


er 


FromT 


Shav 


s     If     :-     :r     ir    :-     :-     |r     :-     ;- 

na  -  mon  to    1  Kerry  O  1 


133 

2.  Her  hair  in  streams  of  glory 

Fell  curling  down  so  grandly  O  ! 
When   by  that   mountain  hoary 

My  love  stood  smiling  blandly  O  ! 
I  thought  the  Queen  of  Faery 

That  highland  valley  haunted  O  ! 
When  'neath  the  green  trees  airy. 

I  sat  me  down  enchanted  O  ! 


3.  My  heart  was  flaming  wildly, 

My  voice  with  love  was  trembling  O  ! 
Her  words  came  low  and  mildly, 

The  heart's  sweet  tone  resembling  O  ! 
I  told  her  by  the  water 

While  sang  the  wild  birds  clearly  O  1 
That  up  the  hills  I  sought  her 

And  that  I  loved  her  dearly  O  ! 


4.  Within  my  heart  I  blessed  her, 

She  looked  so  fondly  smiling  O  ! 
And  earnestly  I  pressed  her 

To  be  my  own  beguiling  O  ! 
And  still  to  that  dear  fountain 

Within  the  airy  valley  O  ! 
I  oft  stray  o'er  the  mountain 

To  meet  my  Alley  Kelly  O  ! 

ROBERT  DWYER  JOYCE,  M.D. 


131 
SHEER  SMUEENTHE.* 

KEY  C-     Easily.  Air:   "Emir's  Farewell." 


<|    -t,  :d.r 

N.        •- 

,r  |  m  .1  :  s  .m 

r  .d  : 

li      |     .d  :ni  .f  ) 

(         I  shed  no 

tear 

and     I     sing  no 

sor    - 

row,           I  pass  my) 

(is         :-  .1 

|s  .m 

;  d  »PI 

r 

noise, 

:- 

I      .t,  :d  .r   > 

([days 

'mid  the     ci  -  ty's 

But  I'm        ) 

(In        :-  .r 

(  I  him      -    g'ri 

|m  .1 

ng  ev  -  er 

:  S   .PI 

r  .d 

•'  li  >s 

the 

|1,  .t,    :d  .r  > 

to 

greet 

mor  -  row  That) 

rail. 

m/.     A  tempo. 

(in        :-  .f 

(|  bears             n 

|m  .r 

:d  .r 

to     the 

d 

old    - 

:d 

en 

Id  .s    :1   .t   > 

joys.  Here  friends  are) 

ae    back 

rid'        :-   .t    |t  .1 

(  I  kind               and    the 

:  3  .m 

world  is 

s  .m 

pleas 

:d 

-  ant, 

I     .s    :1  .t   ) 

But  day  and  ) 

{Id-        :-  .1 

(lev'        -       n 

,     It    .1 

:  s  .m 

long  a- 

r 

gain 

:- 

]      .s    :s  .s    > 

To     fly  a-  > 

ing    I 

Mt        :-  .r 

(|   way                f 

1   Ir'.d' 

bu  -sy 

—  -  — 
.  

s    m 

r—  —  • 

:d 

-    ent 

1-  .t,   :d.r  > 

rom  the 

pres 

And             ) 

^=r:      rail 

•^^ 

j|n  .1    :s_jt,    |r  .d 

(|  press      the          turf 

of  my 

d 

na 

:d 

tive 

Id    .|| 
glen.  II 

135 

'Tis  a  lonely  place  that  comes  up  before  me, 

A  place  of  ferny  hills  and  streams  ; 
I  feel  the  breath  of  its  breezes  o'er  me, 

I  hear  its  echoes  in  all  my  dreams. 
'Tis  calling,  calling  when  summer's  reigning. 

In  springtime's  promise,  in  autumn's  prime, 
Or  icy's  winter's  rough  hand  is   chaining 

The  river's  rush,  still  I  hear  its  chime. 


3.  Old  tunes  come  stealing,  with  memory  laden, 

Old  songs  I  heard  in  the  far-off  days 
That  call  back  many  a  boy  and  maiden 

Whose  lives  are  running  in  sundered  ways. 
They  make  me  sad,  but  not  all  the  pleasure 

Of  earth  could  e'er  be  so  dear  to  me 
As  the  thoughts  that  pulse  through  each  mellow  measure 

Of  those  snatches  of  olden  melody. 


4.  Like  a  prisoned  bird  I  am  always  thinking 

Of  the  myriad  places  I  knew  of  yore, 
I  long  to  look  on  the  day  god  sinking 

O'er  Ard-na-gaoithe  and  Cuan-an-6ir. 
Speed  sun  and  moon,  and  the  glad  hour  bring  me 

That  gives  me  back  all  my  heart  holds  best, 
My  childhood's  mountains  once  more  to  ring  me 

And  the  sounding  streams  of  my  own  dear  West. 

WILLIAM  ROONEY. 


136 
NED    OF    THE    HILL. 

KEY  E|?.     Smoothly  and  feelingly*  Air:  "e&tnotiti  A'  Cntnc.'-' 


f  :m 

d 

:-       :l|-t| 

d       :-       :d  .r 

m  .d1  :  t       j 

(     Oh! 

dark 

is  the 

ev'         -          ning  and 

si  -  lent  the     ) 

( 

1 

;- 

:- 

S 

:m  .r  Id       : 

:  r  .ro  > 

* 

hour, 

Who 

is   the)  min 

strel  by) 

I 

f 

yon 

;  — 

der  lone)    tower 

:m 

?             His 

d       : 

harp 

all  so  ) 

r 

d 

;- 

:d  .r 

m 

d'       :t 

1        : 

:t  .1 

' 

ten 

- 

der  -  ly 

touch 

-  ing        with 

skill  ; 

OhT    ) 

(Is       : 

(   |  who 

m 

should 

:  r 

it 

d       : 

be 

-       :r.n|?      : 

but  young)  Ned 

:d.r  ) 

of  the) 

! 

d       : 

Hill! 

- 

:s 

Who 

T       ; 

sings, 

ft  1 
:  QI 

'La    -    dy 

s       : 

love 

m       :s       ) 

won't    you      ) 

i 

1       : 

come 

t 

with 

:-  .1 

me 

s       : 

now, 

IS 
Oh! 

s       : 

come 

-.n  :r       , 

and  live     ) 

<|d       : 

(   1  mer 

- 

i  T  jn 

ri  -  ly 

un 

deTthe 

bough, 

:n.r  > 
.  Andl'llf 

5  Id      :-      :l,.t,|d 

(   Ipil 


•  u  .r  jm        :a'        :  t        > 
low  thyl  head  .where  the|  light      fai     -     ries      j 


tread,  If 

r       :  -       :  d  .r 

Ned  of  the 


d 

Hill.' 


137 


s        :  m       :  r 

thou       wilt       but 


d        :  -        :  r  .ni 


wed 


r  .m  ) 

with     )" 


2.  Young  Ned  of  the  Hill  has  no  castle  or  hall, 

Nor  spearsmen  nor  bowmen  to  come  at  his  call  ; 
But  one  little  archer  of  exquisite  skill, 
Has  shot  a  bright  shaft  for  Ned  of  the  Hill, 
Who  sings,   "  Lady  love,  won't  you  come  with  me  now  ? 
Oh  !  come  and  live  merrily  under  the  bough, 
And  I'll  pillow  thy  head  where  the  light  fairies  tread, 
If  thou  wilt  but  wed  with  Ned  of  the  Hill." 


3.  'Tis  hard  to  escape  that  fair  lady's  bower, 

For  high  is  the  window  and  guarded  the  tower  ; 
"  But  where  there's  a  way  there  is  always  a  will" 
So  Eileen  is  off  with  young  Ned  of  the  Hill  ! 
Who  sings,   "  Lady  love,  thou  art  mine,  mine  now  ? 
Oh  !  we  will  live  merrily  under  the  bough. 
And  I'll  pillow  thy  head  where  the  light  fairies  tread, 
For  Eileen  is  wed  to  young  Ned  of  the  Hill !  " 

SAMUEL  LOVER. 


The  above  is  the  traditional  version  of  the  air  as  sung  in  my  native 
County  of  Waterford.     It  is  a  beautiful  bit  of  Irish  music. 


138 


I'VE  COME  UNTO  MY  HOME  AGAIN. 

KEY  G.     Moderalo.  Air  :  «'  A|\eip  A'|-  tne  £ 


•             »S  | 
I've 

m      .,r 

come     un 

-  to 

•f       |  in      .,r 

my       home     a 

:  m      .d 

-     gain,     and 

t,     .,1, 

•  sl 

•i. 

It, 

:?       .,r 

find         my 

-    self 

a 

lone 

The 

piu  lento. 

id      ,t, 

1  friends    I 

:  s, 

.f|    ,H1| 

If,     ,f, 

qui     -    et 

there       are 

left 

in 

d        .,d 

:d 

.,d 

Id 

:         .s, 

per    -    ished      all 

and 

gone; 

My 

1  iii 

:m 

.,f 

|m        .r 

t                              *       1 

'  fa       -     ther's     house 

is 

ten    -    ant      - 

less,       my 

td       .t, 

ear     -    ly 

love 

•A 

lies 

It,  .d 

low, 

But 

jiu  lento 

d      .,t, 

one          re 

:s, 

.fi    ,ni| 

of 

If,       .,s, 

all           that 

:  S|       ,t| 

made     my 

-     mains 

d       .t, 

youth  -  ful 

:d 

spir    - 

it 

Id 

glow. 

1              ^ 
II               My 

d        .d 

:  m 

of 

Is        .,s 

:s  ISN  .PI 

love      liea 

in 

the 

blush  -  ing 

west,     drest 

139 


II 


m        .,r 

pleas  -   ant 
piu  lento. 

d        .t, 

know     her 


II 


m 

wild 

d 

dis 

d 

is 

d 

own, 


winds 

•t, 

tant 

.,t, 

my 

.t, 

my 


:f 

robe 

:m 

wa 


.S 
of 

.f 

-     tors 


»l  .»»| 

for  their 


:m 

fan 

IS, 
bil 

:  s, 

last 

:d 

is 


.f 

her 

.1, 

lows 


land 


|f        .m 

And 

} 

green, 

|  in        ,r 

sing        to 

•  j-mrt, 
her 

•t, 
and 

! 

Is, 

queen, 

: 

•s, 

The 

} 

In        ->r 

face         that 

:  rmrti 

o'er 

.t, 

the 

1 

It, 

:d 

She 

} 

come  ; 

1  f,      ,f, 

main  -  ing 

love, 

<t, 
my 

} 

Id      .| 

home  !     II 

2.  And  when  I  lift  my  voice  and  sing  unto  thy  silent  shades, 
And  echo   wakens  merrily  in  all  thy  drowsy  shades, 
There's  not  a  rill,  a  vale,  a  hill,  a  wild  wood  or  still  grove, 
But  gives  again  the  bursting  strain,  and  yields  me  love  for  love. 
Oh  !  I  have  seen  the  maiden  of  my  bosom  pine  and  die, 
And  I  have  seen  my  bosom  friend  look  on  me  doubtingly, 
And  long,  oh  !  long,  have  all  my  young  affections  found  a  tomb, 
Yet  thou  art  all  in  all  to  me,  my  own,  my  island  home  ! 

GERALD  GRIFFIN. 

There  is  not  in  this  or  in  any  other  collection  a  sweeter  air  than  this. 
It  was  taken  down  from  the  singing  of  Diarmuid  O  Lehane,  a  young 
man  who  lives  at  Ballingeary,  Co.  Cork  (1906).  He  has  a  fine  traditional 
method  of  singing.  This  air,  in  spirit  and  swing,  fits  admirably  into 
Gerald  Griffin's  beautiful  song  to  which  it  is  here  linked  for  the  first 
time. 


140 


PAUSTHEEN    FIUNN. 


KEY  Bp.    Pleasantly. 


My 

:m.r 

My 


s,    :-  :d.d|d.t,:- 

Paus    .-  theen    Fiunn  is 

d     :-  :r_.dJd.S|:- 

heart  laughs  out  in 


:d 

my 


. 

her 


m    :-  : r.  d  |  r    :- 

soul's  de   -    light — 

t,   :-  :d      |s,  :- 

blue  eyes     bright 


The 

m.r 

Her 


CHORUS — 


I 


0! 


S|    :-.d : d      | d.t, : -    :d 

bloom    of  the       ap-ple          her 

d     :-.t,:s,     |f,     :-.r,:s, 

neck      like  the     March  swan's  in 


m    :- 

bo       - 

d,   :- 

white 


m,    :-.f,:s,     |d.s,:-    :s. 

you        are  my      dear,  my  |  dear, 


:r.d|r    :- 

som      white, 

:-     Id,  :- 


f,     |s,  PI,:- 

my      dear, 


f     :d,     m,    :-.f,:s,     1 1,     :-.d:r 

(         O  !     vou         are  mv     dear.       and  i 


i  i-  —  i       i  - 1 

you         are  my     dear,       and  my 


You 


d    :-    :-      |d    :-  > 

fair  love  ;  ) 

m,    :-.f,:s,     1 1,     :-.s,:f,     s,   :-.d:r      |n    :-  > 

are         my  own     dear,      and  my  fond  -  est  hope    here  ;  ) 


(    :r      d     :-.t,:s,     |  f ,     r-.r.is,   Id,   :-    :- 

(        And   O  t        that  my     cot  -  tage  you'dl  share, 


Id,  :- 

love  1 


141 


2.  Love  of  my  bosom,  my  fair  Paustheen 
Whose  cheek  is  reel  like  the  rose's  sheen  ; 
My  thoughts  of  the  maiden  are  pure,  I  ween, 
Save  toasting  her  health  in  my  lightness. 


CHORUS; 


3.  Were  I  in  our  village  where  sports  prevail, 
Between  two  barrels  of  brave  brown  ale, 
My  fair  little  sister  to  list  my  tale, 

How  jovial  and  happy  I'd  make  me  ! 


CHORUS. 


4.  In  fever  for  nine  long  nights  I've  lain 

From  lying  in  the  hedge-row  beneath  the  rain, 
While,  "gift  of  my  bosom  !  I  hoped  in  vain 
Some  whistle  or  call  might  awake  ye  ! 


CHORUS. 


From  kinsfolk  and  friends,  my  fair,  I'd  flee, 
And  all  the  beautiful  maids  that  be, 
But  never  I'll  leave  sweet  gra  machree, 
Till  death  in  your  service  o'ertake  me  ! 


CHORUS. 
EDWARD  WALSH. 


This  is  the  most  singable  version  of  the  air  that  I  have  seen.  It  is 
the  version  sung  by  the  traditional  singers  of  the  Co.  Waterford.  The 
translation  by  Walsh  is  also  the  most  singable  of  those  made,  as  well 
as  the  simplest. 


142 


THE  STORMY  SEA  SHALL  FLOW  IN. 

Moderate  Air  :  "  Soipcin  6|\nAn." 


f: 

( 

Mr 

(  I  hi 


.,s, 

The 


t,     .d 

storm-y 


:r 


.m 


|f       .       :s      .f 


<  I 

(  I 


high 

r 

I, 

s 


.1,        :tj  _  J, 

land 


sea      shall      flow 

|s,       ,s, 

val    -    ley 


in,       Our 

:s,       .r 

through,  Ero 


.r 

my 


false 


:s        .,s 

faith  -  ful 


.r 

to 


\T 


Ow 

fe  «  1  <  fe  : 


d'  ,t   .l__,,t 

en.         Trove 


love 


and     you,       My 


) 

> 


(Ir        .r 

(  I  heart     w 


:s 


(I 

(  I 


wea 


sad        and 

_L          'r 

ry 


lone 


^       ;d'  ,t    .  1  ,t    ) 

ly,  Each     > 


I  f  e  <   1   t  fe  :  s        .,s, 

night  and    day,       Till 


> 

> 


.d 


:  r 


.m 


.1 


our       kind 


chase 


ac     -     cents         on 


:s 

iy 


.f 

Have 


my 


|s,       .s, 

grief       a 


way. 


H3 

2.  For  my  dear  mother  left  me — • 

Cold,  cold  in  death  she  lies — 
Ah,  how  drear  fortune  reft  me 

Of  all  my  heart  could  prize  ! 
My  father  far  would  wander 

Unto  some  foreign  zone, 
And  I  was  left  to  ponder 

Upon  my  grief  alone. 


3.  Then  came  a  sure  sweet  token 

Such  sorrows  might,  not  last : 
In  joy  you  ne'er  had  spoken, 

You  spoke  when  joy  had  passed. 
Then  the  stormy  sea  shall  flow  in, 

Our  highland  valleys  through, 
Ere  I,  my  faithful  Owen, 

Prove  false  to  love  and  you. 


ROBERT  D.  JOYCE>  M.D. 


This  is  the  traditional  version  of  the  air  as  taken  down  from  Danny 
Warren,  who  is  perhaps  the  best  traditional  singer  of  Co.  Cork.  I  link 
it  for  the  first  time  with  Dr.  Joyce's  nice  song.  It  is  a  lovely  air. 


THE  ROSEMARY  CROWN. 

KEY  F.     Moderate.  Air  :  "  cill 


:  mr 


d    :1,   :1,    |d    :r    :n 

Wait-  ing    in     sor  -  row     and 


ing — 


m    :  m  :  n    |  m    :  r    :  d 

ait-ing  thro'  gloom-i  -  est 

d    :1,  :1,   |d    :r    :  m 

Clad  in      the     robe     of     the 


m    :  d    :r    |d    :d    :d 

Crav-ing    for    beau-  ty    and 

m    :  r    :  m    |  s    :  1    :  t 

Cen  -  tti  -  ries    lift  -  ed      the 

1    : 1    : 1    |  s    :  m    :  r 

hurl-ed  wrong's  pin  -  na  -  cles 

d    :1,   :1,  |d    :r    :  m 

still    ho  -  ly     Ire  -  land     is 

m    :d    :r    |d    :d    :d 

wear-ing     the  Rose  -  ma  -  ry 


r    :-    :-    |- 

night, 


:  -  |  s MI 

cy  press — 

d    :-    :-  |-    :- 

light ; 

d1   :-    :-  |t    :1 

na 


down — 


1 
wait 


-    :  -      s 


ng, 


m.r ) 

~{ 

•'i 


tions,        And) 


And) 


Crown. 


2.  Oh,  the  fullness  of  joy  in  the  hoping 

The  rich  light  which  fancy  had  dreamed, 
When  once,  for  the  lapse  of  a  moment, 
The  sunlight  of  Liberty  streamed. 


145 

How  we  planted  the  flag  on  our  towers 
And  waved  it  o'er  mountain  and  town  ; 

But  alas  !  still  the  cypress  was  blooming — 
Alas  !  for  the  Rosemary  Crown. 

3.  And  lonely,  and  lonely,  and  lonely, 

A  watcher  still  sat  by  the  sea, 
With  face  as  the  white  marble  pallid, 

And  eyes  gazing  mournfully  ; 
With  hands  lifted  up  in  appealing 

That  God  would  His  mercy  send  down, 
And  the  leaves  of  the  laurel  be  shining, 

Where  rested  the  Rosemary  Crown. 

4.  Wo  gave  her  the  song  of  the  poet, 

We  gave  her  the  work  of  the  brain, 
Cast  the  glory  of  heaven  around  her, 

Yet  still  all  our  work  was  inane. 
*'  She  is  dead,"  said  the  scoff  of  the  stranger, 

A  laugh  for  the  cynic  and  clown  ; 
Ah  !  little  he  knew  the  wild  passion 

Long  hid  in  the  Rosemary  Crown. 

6.  Now,  the  love  and  the  hope  of  a  world, 

Daar  Mother  !  thy  children  have  brought, 
The  hard-handed  strength  of  the  soldier, 

The  blade  of  the  mind  full  of  thought. 
The  earnestness  martyrs  have  taught  uo, 

The  strength  of  their  glorious  renown — • 
To  the  graves  of  the  dead  .shall  be  borne 

The  leaves  of  the  Rosemary  Crown. 

6.  Weep  not  !  'tis  the  hour  of  the  dawning — • 

Weep  not  !  we  are  ready  to  save — 
Nor  reck  of  a  newer  heart  broken, 

Nor  reck  of  another  fresh  grave. 
O'er  the  graves  we  have  marched  in  the  past  time, 

Still  praying  the  dew  to  fall  down, 
Till  the  leaves  of  the  bay  shine  as  fairly — 

As  darkly  the  Rosemary  Crown. 

J.  K.  CASEY  ("Leo"). 


146 


BOUCHALEEN    BAWN. 


KEY  E.     Moderate. 


<:s 

(   Oh, 

f      :s_.f  imjc    d       :s, 

pray     have    you       heard    of 

:  d  .PI    r 

my        Bou 

:d 

-  cha 

:d      > 

-    leen  ) 

i\A       '^ 

(  1  Bawn  ? 

:  ni  .PI 

Can  you 

S 
tell 

me 

;ta.l 

at 

S 
all 

:P1 

of 

my       ) 

(  1  i  ou 

:f 

-    cha 

-    leen 

S 
Bawn 

:- 

Have  you 

S 

come 

by 

:ta.l    ) 

the      ) 

(Is       :n 

(  \  "  rath  "  on 

:r  -d 

f 

hill 

:f 

of 

Knock- 

S 

awn  : 

:- 

:s       ) 

Or      i 

the 

Jlf       :s_f 

I  I  what      can 

:  PI  .r 

you 

d 

tell 

of 

:d  .PI 

my 

r 

Bou 

:d 

-  cha 

:d       > 

-    leen     ) 

•: 


2.  The  pulse  of  my  heart  was  my  Bouchaleen  Bawn  ; 
The  light  of  my  eyes  was  my  Bouchaleen  Bawn. 
From  Drinan's  rei  wave  to  the  tower  of  Kilvawn, 
You'd  not  meet  the  like  of  my  Bouchaleen  Bawn. 

3.  The  first  time  I  saw  my  own  Bouchaleen  Bawn, 
'Twas  a  midsummer  eve  on  the  fair  green  of  Bawn, 
He  danced  at  the  "  Baal-fire  " — as  light  as  a  fawn, 


And  away  went  my  heart  with  my  Bouchaleen  Bawn. 

4.  I  loved  him  as  dear  as  I  loved  my  own  life  ; 

And  he  vowed  on  his  knees  he  would  make  me  his  wife, 

I  looked  in  his  eyes,  flashing  bright  as  the  dawn, 

And  drank  love  from  the  lips  of  my  Bouchaleen  Bawn. 


147 

5.  But,  Christ  save  the  hearers  !  his  angel  forsook  him — 
My  curse  on  the  Queen  of  the  fairies — she  took  him  ! 

•   Last  All-Hallow's  Eve  as  he  came  by  Knock-awn, 
She  saw — loved,  and  "struck"  my  poor  Bouchaleen  Bawn. 


8.  Like  the  primrose,  when  April  her  last  sigh  has  breathed, 
My  Bouchaleen  drooped  and  his  young  beauty  faded  ; 
He  died — and  his  white  limbs  were  stretched  in  Kilvawn, 
And  I  wept  by  the  grave  of  my  Bouchaleen  Bawn. 


7.  I  said  to  myself,  sure  it  cannot  be  harm, 
To  go  to  a  wise  man,  and  ask  for  a  charm ; 
'Twill  cost  but  a  crown,  and  my  heart's  blood  I'd  pawn 
To  purchase  from  bondage  my  Bouchaleen  Bawn. 


8.  I  went  to  the  priest,  and  he  spoke  about  heaven  : 
And  said  that  my  failings  would  not  be  forgiven, 
If  ever  I'd  cross  the  grey  fairy-man's  bawn, 
And  try  his  weird  spells  for  my  Bouchaleen  Bawn. 


9.  I'll  take  his  advice,  tho'  God  knows  my  heart's  breaking, 
I  start  in  my  sleep  and  I  weep  when  I'm  waking, 
Oh,  I  long  for  the  blush  of  eternity's  dawn 
When  again  I  shall  meet  my  Bouchaleen  Bawn  ! 

JOHN  KEEGAN. 


This  is  a  tender  charming  air  and  ballad.     They  are  linked  for  the 
first  time. 


148 


KATE  O'  BELASHANNY. 


KEY  P. 

<:        .1 

(              Seek 

s     .,d 

up      and 

:m      .,d      | 

down,  both 

s      .,d      :f      .,1      > 

fair     and   brown,  We've) 

1  Is       .,d 

1  |  pur    -    ty 

:  m 

lass    - 

,,d        |r 

es            ma    - 

ny 

:f 

0; 

,1    > 

But       ) 

(    s       .,d 

:m 

,,d        |  m 

,,S 

:d' 

.,S          ) 

(     brown    or 

fair, 

one          girl 

most 

rare, 

The      > 

J  1  1          -,f 

:  r 

,s        |m 

.,d 

:d 

.3           ) 

(.  \  Flow'r   of 

Bel 

a      -      shan  - 

ny 

0. 

M          > 

||d'  .  "s 

(  |  straight  is 

she 

.,s        1  d' 

as             pop 

.,s 

-    lar 

:  m 

-     tree, 

.,3          ) 
Tho'   > 

1  d'     ... 

(    not        as 

:  m 

ai     - 

.,3           |f 

sy             sha 

-    ken 

:  r 

o, 

And     > 

(  1  d1      .,t 

:1 

-,s        11 

.,t 

:d' 

.,1      i 

(.  |  walks    so 

proud 

a      -       mong 

the 

crowd 

,  For      > 

(IS         ,f 

(  |  queen    she 

:m 

might 

be             ta     - 

ken 

:d 
o. 

1 

CHORUS  — 

r  -1 

(               From 

s     ,,d 

top      to 

toe,      wher  - 

S        ., 
e'er 

d      :f 

you     go, 

,1  i 

The   > 

(Is       .,d        :  m 

(  |  love   -   liest        girl 

.,d        |  r 

of            a      - 

ny 

:f 

0,— 

i-i 

(Is       .,d       :n 

(  |  chone  !  your       mind 

•,d         |  PI 

I               find 

un 

-     kind, 

Sweet  ) 

511      ,f 

(  |  Kate    of 

:r 

Bel    - 

•,s        J  m 

a      -      shan 

-,d 

-  ny 

:d 

O! 

11 

149 


2.  One  summer  day  the  banks  were  gay, 

The   Erne   in  sunshine   glancin'   there, 
The  big  cascade  its  music  played 

And  set   the  salmon   dancin'   there. 
Along  the  green  my  joy  was  seen  ; 

Some  goddess  bright  I  thought  her  there  • 
The  fishes,  too,  swam  close,  to  view 

Her  image  in  the  water  there. 

CHORUS. 

3.  My  dear,  give  ear  ! — the  river's  near, 

'And  if  you  think  I'm  shammin'  now, 
To  end  my  grief  I'll  seek  relief 

Among  "the  trout  and  salmon,  now  ; 
For  shrimps  and  sharks  to  make  their  marks, 

And  other  watery  vermin  there  ; 
Unless  a  mermaid  saves  my  life, — 

My  wife,  and  me  her  merman  there. 

CHORUS. 

4.  'Tis  all  in  vain  that  I  complain  ; 

No  use  to  coax  or  chide  her  there  ; 
As  far  away  from  me  as  Spain, 

Although  I  stand  beside  her  there. 
O  cruel  Kate  !  since  that's  my  fate, 

I'll  look  for  love  no  more  in  you  ; 
The  seagull's  screech  as  soon  would  reach 

Your  heart,  as  me  implorin'  you. 

CHORUS. 

Tho'  fair  you  are,  and  rare  you  are, 
The  loveliest  flow'r  of  any  O, — 

Too  proud  and  high, — good-bye,  say  I, 
To  Kate  o'  Belashanny  O  ! 


WILLIAM  ALLINGHAM. 


150 


FEAGH   MAC  HUGH. 


LEY  E(?.    Lively. 

:m      Im    "  :r_     :d      |d      :  1, 

Feagh              Mac  -  Hugh    of 

:d 

the 

moun 

:s, 

tain, 

\ 

.  Or      (seek     you     the        Lif 

-    fey       or 

Dod 

- 

der, 

) 

1         : 

r 

:d 

|d       : 

1, 

:d 

|r 

._ 

r  .r 

\ 

Feagh 

Mac    - 

Hugh 

of 

the 

glen— 

WTho's  notf 

Ask       in 

the 

bawns 

of 

the 

Pale, 

) 

m       : 

r 

:d 

|d        : 

1, 

:d 

Id 

:r       : 

m 

) 

heard 

of 

the 

Glen  - 

ma    - 

lure 

Chief 

And 

the 

Ask 

them 

whose 

cat     - 

tie 

they 

fod    - 

der, 

Who 

) 

f       : 

m 

:  r 

|r       : 

d 

:  1( 

1*1 

:_          I' 

f 

) 

feats 

of 

his 

hard  - 

rid     - 

ing 

men  ? 

1 

Or 

drinks 

with  - 

out 

fee 

of 

their 

ale. 

From 

) 

m       : 

S 

:  s 

Is       : 

1 

:  s 

Is 

:n       : 

d 

^ 

came 

you 

the 

sea     - 

side 

from 

Car    - 

men, 

Or 

Ard    - 

da    - 

mine 

north 

to 

Kil     - 

main  - 

ham, 

He 

> 

m       : 

S 

:  s 

U        : 

S 

:n 

|r 

•  _ 

r  .r 

) 

crossed 

you 

the 

plains 

from 

the 

west  — 

No 

rules,    like         a 

king, 

of 

few 

words, 

And  the 

) 

m       : 

S 

:  s 

Is        : 

1 

:s 

Is 

.,,,      .    » 

d 

\ 

rhym  - 

er 

you 

met 

but 

could 

tell 

you, 

Of 

March 

-  men 

of 

sev    • 

en 

score 

cas    - 

ties 

Keep 

1 

f       : 

m 

:r 

|r        : 

d 

;1, 

Is, 

;  — 

Lein  - 

ster 

men, 

who 

is 

the 

best. 

watch 

for 

the 

sheen 

of 

his 

swords. 

J51 


CHORUS  

m       :r 

:d 

Id       : 

1, 

:  1, 

1  1,       :S| 

Feagh 

Mac    - 

Hugh 

of 

the 

moun  -  tain, 

ni       :  r 

:d 

Id       : 

1, 

:d 

|r        :- 

Feagh 

Mac    - 

Hugh 

of 

the 

glen  — 

11        :  r 

:d 

Id       : 

1, 

:d 

Id       :r 

heard     of 

the 

Glen  - 

ma 

-     lure 

chief      And 

/TN 

rit. 

f       :m 

:r 

|r       : 

d 

:  1| 

Is,       :- 

feats     of 

his 

hard  - 

rid 

-     ing 

men  ? 

:r.r) 

lo's  not-* 


Who's  not 


3.  The  vales  of  Kilmantan  are  spacious — 

The  hills  of  Kilmantan  are  high — • 
But  the  horn  of  the  Chieftain  finds  echoes, 

From  the  waterside  up  to  the  sky. 
The  lakes  of  Kilmantan  are  gloomy, 

Yet  bright  rivers  stream  from  them  all — - 
So  dark  is  our  Chieftain  in  battle, 

So  gay  in  the  camp  or  the  hall. 

CHORUS. 

4.  The  plains  of  Clan  Saxon  are  fertile, 

Their  Chiefs  and  their  Tanists  are  brave, 
But  the  first  step  they  take  o'er  the  border, 

Just  measures  the  length  of  a  grave  ; 
Thirty  score  of  them  forayed  to  Arklow, 

Southampton  and  Essex  their  van — 
Our  Chief  crossed  their  way,  and  he  left  of 

Each  score  of  them,  living  a  man. 

CHORUS. 

6.  Oh,  many  the  tales  that  they  cherish, 

In  the  glens  of  Kilmantan  to-day, 
And  though  church,  rath,  and  native  speech  perish, 

His  glory's  untouched  by  decay  ; 
Feagh  MacHugh  of  the  mountain, 

Feagh  MacHugh  of  the  glen — • 
Who  has  not  heard  of  the  Glenmalure  Chief 
And  the  feats  of  his  hard-riding  men  ? 

CHORUS. 

T.  D.  : 


Kilmantan  is  the  Irish  name  for  Wicklow.     Feagh  MacHugh  was  a 
celebrated  Wicklow  Chief  of  the  sixteenth  nentnrv. 


152 


THE  WEXFORD  INSURGENT. 

KEY  D.     Boldly. 

(  :d'   Is    :-.m:m    |m    :r    :m     Is    :s    :m    |  m    :-    rd'dS 

(       The|  he  -   roes  of       Wex-ford  havej  burst  thro'  their  chains,  And  the) 


{Is     :  -  m  :  m     I  m     :  r     :  m 

fl  voice       of  the      free  -  man   is 


loud 


i—  .li  :  li     1 1|     '.—     id'    ) 

o'er  the     plains,         The  ) 


<is     :-.m:m     |m     :r     :ro     Is     :s     :m     |m     :-     :d'd') 

(|  Sas  -  nachs  are      bro  -  ken,  their)  horse-men    have  fled,        And  the) 


s     :m     :in     |m     :r 

pride  of       their  host    on 


tld' 


the 


:r 


<  roused  is      the     blood  of        the 


pride      of  the      con  -  flict  when 
ho    -    roes  of        Bar  -  gy      and 


,        ,        , 

moun-tain     lie       dead. 


n1    id1 


bold     Shil  -  ma  -  leer 


For  ) 

:d 


jn     :d     ) 

The  ) 

foe   -  men   are     near ;      And  the) 


d1    :t 


Ban  -  try      are      there,         In  the) 


|s 


r     :-.:r     |  m     :  m     :r 

shock      ev-er        fore  -  most,  in 


flight  in 


the  rere. 


2.  Oh  !  soon  will  the  hearths  of  the  traitors  be  lone, 

And  their  halls  but  re-echo  the  shriek  and  the  groan, 
And  the  red  flame  shall  burst  thro'  their  roofs  to  the  sky, 
For  the  hour  of  our  freedom  and  vengeance  is  nigh. 
The  men  of  the  mountain  are  down  in  the  valo, 
And  the  flags  of  Shelburny  are  loose  to  the  gale — 
And  tho'  gentle  the  Forth,  yet  her  sons  never  slight, 
For  the  mildest  in  peace  are  oft  boldest  in  fight". 


153 

3.  The  cold-blooded  Sasnach  is  low  on  the  hill, 
Like  red  rock  he  presses,  as  lone  and  as  chill — 
There  pulseless  and  cold,  the  pale  beams  of  the  moon 
Show  the  deep-riven  breast  of   the  fallen  dragoon. 
And  low  lies  his  charger,  his  bosom  all  torn. 
And  from  the  dark  helmet  the  horse-hair  is  shorn, 
And  the  hearts  of  the  great,  and  the  brave,  and  the  proud, 
Have  been  trampled  in  death  when  the  battle  was  loud. 


4.  Oh  !  long  in  fair  England  each  maiden  may  mourn — • 
The  pride  of  her  bosom  will  never  return  ; 
His  heart's  blood  is  scattered — his  last  prayer  is  said — 
And  the  dark  raven  flaps  his  wild  wings  o'er  the  dead. 
Yes,  long  she  may  call  him  from  battle  in  vain — 
The  sight  of  her  lover  she  ne'er  shall  regain  ; 
All  cold  is  his  bosom,  and  crimson  his  brow, 
And  the  night  wind  is  sighing  its  dirge  o'er  him  now. 


THE  O'S  AND  THE  MAC'S, 

KEY  F.     Allegretto.  Air  :  "  The  Priest  in  his  Boots. 


5  :d.r  In    :m    :m     |m    :-.m:m 

^  They  may  |  talk  as      they  please    of  their 


m    :f    :r    |  d  :t,    :  1,   ) 

men  eel  -  e   -     bra-  ted,  Whose) 


:r  :r     |f     :-.m:r 

eeds  are  re    -    la     -     ted  in 

m     :m  :ro     |m     :m     :m 

mer  -  its  in  -  fla    -    ted     and 


d     :1,    :d     |  m     :-     :  d.r  > 

ev  -  er  -    y         tongue,   Whose) 


m     :f     :r     |d 

worth  ov  -  er     -    ra 


:t,    :1,  » 

-    ted     In    ) 


5     r     :m     :r     |f     :s     :1 

(       sto  -  ries    are     told,  and     in 

s     :  m     :d     |r     :- 

ep  -  ics        are     sung. 

**i 

But) 

f     1     :1     :f     |s     :s     :n 

t       E    -  rin       has    sons    who   have 

f     :f     :r     |d     :  t, 

an    -  nals    more  fa  -   mo  us 

And) 

(     r     :r     :r     |f     :m     :r 

(       rec  -  ords  of      deeds  more  sup- 

d     :1,    :d     |m     :-     : 

port  -  ed     by       facts, 

An"d) 

(     1     :1     :f     |s     :s     :n 

(       lit  -    tie      the     brag    of      the 

f     :r     :r     |d     :  t,    :1,    > 

a    -    lien    need  shame  us,  While) 

f     r     :.m:r     |f     :s     ;1 

(      proud  -  ly    we       boast  of       our 

s     :ro     :r     |d     :-     I 

O's     and     our     Mac's.        | 

CHORUS  — 

j    :  d.r  m    :  m    :  m    |  m    :  m    ;  m 

(Oh,hur-  rah    for     the    land  that  su 

m    :f    :r    |d    :t, 

3h  he  -  roes  can    nour-ish, 

11  1 

God) 

155 


r     :  r     :  r     |  f     :  -  JM  :  r 

send  her      the     com  -  fort   that 


d 

sad 


iy 


:d 

she 


|PI     : 

lacks, 


Arid) 


Pi      M11     :  Pi     I  PI     '.  Pi      '  Pi 
ne'er  may   the     Mac's  and   the 


m     :f     :r     |d     :  t,    iM,) 

O's      cease  to      flour-ish  Till  they) 


r     :-.ro  :r     |f     :s 

raise        a    new    stock  of 


the 


s     :m     :r     |  d 

O's     and     the     Mac' 


2.  Their  origin's  lost  in  the  midst  of  past  ages  ; 

Their  prowess  the  pages  of  history  fills  ; 
They  ranked  high  as  poets  and  statesmen  and  sages, 

When  Britons  ran  naked  and  wild  on  the  hills. 
And  when  over  Europe,  by  pagans  victorious, 

Faith's  light  was  put  out  like  a  taper  of  wax, 
Who  made  it  once  more  shine  unsullied  and  glorious 

But  the  monks  and  the  nuns  of  the  O's  and  the  Mac's? 

CHORUS. 

3.  When  the  nations  bowed  down  to  the  Danish  marauder, 

And  groaned  'neath  his  taxes  and  shrank  from  his  blows, 
In  Erin  alone  he  got  little  soft  sawder, 

But  sweeping  hard  knocks  from  the  Mac's  and  the  O's. 
And  when  the  false  Saxon  would  injure  and  scorn  her, 

They  routed  his  hosts,  and  repulsed  his  attacks, 
And  for  three  hundred  years  crushed  him  up  in  a  corner, 

To  beg  for  bare  life  from  the  O's  and  the  Mac's. 

CHORUS. 

4.  Alas  for  poor  Erin  !  'twas  trusting  betrayed  her, 

Or  else  they  had  made  but  short  work  of  the  foe, 
And  never  had  stooped  to  a  heartless  invader, 

Whose  reign  has  been  ruin,  whose  smile  has  been  woe. 
But  shot  down  in  valley,  and  hunted  in  highland, 

And  thinned  by  the  bullet,  the  gibbet,  and  axe, 
Still  vainly  'twas  sought  from  the  homes  of  our  island 

To  root  out  the  stock  of  the  O's  and  the  Mac's. 

CHORUS. 


156 


5.  And  when  cruel  laws  through  the  worldwide  nations, 

As  exiles  and  wanderers  forced  them  to  roam, 
Their  genius  soon  won  them  the  loftiest  stations, 

And  riches  and  honours  denied  them  at  home. 
And  often  in  joy  'mid  the  cannon's  loud  rattle, 

They  laid  their  old  foes  on  the  broad  of  their  back5!, 
While*  high  o'er  the  rush  and  the  roar  of  the  battle 

Rang  out  the  wild  yell  of  the  O's  and  the  Mac's. 

CHORUS. 

6.  They're  scattered  to-day  to  the  ends  of  creation, 

But  their  faces  are  lifted,  their  hope  soaring  free — • 
To  raise  the  old  land  from  her  deep  degradation, 

And  crown  her  once  more  fairest  queen  of  the  sea. 
Oh  !  God  speed  the  day  when  they'll  meet  the  invader, 

And  make  him  his  grip  of  poor  Erin  relax  ; 
No  longer  to  crush,  and  no  more  to  degrade  her, 

While  lives  the  old  stock  of  the  O's  and  the  Mac's. 


CHORUS. 

F.  A.  FAHY. 


THE  IRISH  MAIDEN'S  LAMENT. 


KEY  P.     Fairly  quick. 


Air:  "The  Foggy  Dew. 


On 
And 


cres. 

:1  .t 

The 


d 

Cor    - 
many 


d  .r 


ng 
a 


N 

:  d1  .t 

1 

:  s  .m 

Dhoun 

the 

heath 

is 

stream 

comes     rush    - 

ing 

q  .r    |m         ;  a*  .t     i         ;  s  .m    |r        ) 

rig  Dhoun      the         heath       is  brown, ) 


|r 

brown, 
down 


d  .r 

m  .r 

:  in  .d 

H,  -d 

:t,.r 

d 

Aurd 
Ow 

:d 

na 
-     na 

D.C. 
Id 

Lee, 
-     bwee. 

The 
To 

clouds 
swell 

are 
the 

dark 
an 

o'er 

gry 

5  ;d  -r     rc  -i 

(     The         clou< 


d' 

moan 


:d'.t 

-    ing 


H 
blast 


t  .d1 

is 


r1  .d1   :t_.l     | 

sweep  -  ing 


fast 


157 


dim. 

J  :m  .se 

(    Thro' 


1         :-  .t   |d'  .t    :  1  .se 

many  a      leaf       -       less 


1 
tree, 


And 


d 

I'm 


:  d  .r  |m 

a     -     lone 


;d'.t 

for 


1 
he 


:  s 


is 


gone      ) 


:d   .r 

My 


m  .r  :  PI  .d  1 1,  .d    ;  t|  .r 

hawk      has       flown,         o  - 


d         :d         |d 

chone      ma      -      chree. 


2.  The  heath  was  green  on  Corrig  Dhoun, 

Bright  shone  the  sun  on  Aurd  na  Lee, 
The  dark  green  trees  bent  trembling  down, 

To   kiss   the   slumb'ring   Ownabwee ; 
That  happy  day,  'twas  but  last  May, 

'Tis  like  a  dream  to  me, 
When  D6nal  swore,  ay,  o'er  and  o'er, 

We'd  part  no  more,  asthore  machree. 

3.  Soft  April  showers  and  bright  May  flow'rs 

Will  bring  the  summer  back  again, 
But  will  they  bring  me  back  the  hours 

I  spent  with  my  brave  Donal  then  ? 
'Tis  but  a  chance,  for  he's  gone  to  France 

To  wear  the  fleur-de-lis  ; 
But  I'll  follow  you,  mo  D6nal  Dhu, 

For  still  I'm  true  to  you,  machree. 


DENNY  LANE. 


We  have  Denny  Lane's  authority  for  the  fact  that  he  wrote  this  sweet 
song  to  the  air  of  "  The  Foggy  Dew,"  and  to  none  other.  It  is  hardly 
fair  to  sing  his  song  to  another  air,  when  that  other  air  is  certainly  much 
inferior  in  merit  to  "  The  Foggy  Dew."  I  knew  Denny  Lane  and  his 
family  very  well,  and  I  hope  that  by  drawing  attention  to  the  above 
fact  I  may  induce  people  to  sing  this  pretty  song  to  its  correct  air.  The 
other  air  to  which  I  refer  may  be  found  on  page  124,  wedded  to  a  song, 
«vhich  suits  it  very  well. 


158 


AN   OLD  IRISH  HILL  IN  THE  MORNING 


Air  :    '  Cuifle  mo 


(  :s,.S| 

s,    : 

-  .1,:  tai 

Is,    : 

s,    : 

B| 

d     : 

t,    : 

d 

I  PI     :  r 

) 

(    I  am 

wea 

-     ry  and 

sick 

of 

the 

sights  of 

the 

town, 

> 

CPI     Is     : 

f     :r 

|d     : 

t,    : 

B| 

f,    : 

PI,    : 

PI, 

1  m,    :  - 

V 

(    Tho'l  haugh-ty     its 

man- 

sions 

and 

high 

its 

re 

-   nown, 

> 

f.:f| 

S|     : 

-.l,:ta. 

Is,    : 

-.s,: 

S| 

d     : 

-.t,: 

d 

I  hi          *  T* 

I 

1     Oh, 

if 

some  good  fai  - 

ry  would 

but 

set 

me 

down 

\ 

(  :  PI  .PI 

s     : 

f     :r 

Id     . 

t,    : 

S| 

s,    : 

: 

- 

Is,    :- 

(  On  an 

old 

Ir  -  ish 

hill 

in 

the 

morn 

ing! 

\  '.  d 

r     : 

PI     :f 

Ir     : 

s     : 

s 

s     : 

-.f: 

PI 

|  PI     :  r 

J 

<      My 

soul 

ev   -   er 

sighs 

for 

a 

sight 

of 

the 

sea, 

) 

i  *  d 

t,    : 

d     :r 

If     : 

r     : 

t, 

d     : 

-.t,: 

sl 

If 

} 

(     By 

dear 

old      Kin 

-  var  - 

a, 

or 

down 

by 

Kil 

-  kee, 

) 

i:for 

where     Mo-her's  cliffs 

-.s,:s,    Id     : 

in  their|  ma 

-.t,:d 

-     jes-ty 

|  PI     ;  r 

\ 

free 

<:n     is     : 

(  Flingl  back 

f    :r 

o    -    cean 

Id     : 

bil  - 

ti    : 

lows 

S| 
in 

s,     : 

scorn 

-     : 

• 

'y 

CHORUS— 

<:d 

r     : 

Pi     :f 

Ir     : 

s     : 

S 

s     : 

-.f: 

PI 

|  PI     :  r 

) 

<     An 

old 

Ir  -    ish 

hill 

where  the 

crag 

is 

so 

steep, 

> 

159 


f    •  f\ 

t,    :d 

:r 

If     : 

r     :t, 

d     : 

-.t,:s. 

\     The 

air       is 

so 

sweet 

,  and  the 

hea  - 

ther  so 

(     Oh, 

s,    :-. 

glad    - 

l,:ta, 

ly  I'd 

Is,    : 

la    - 

bour  and 

d     : 

sound 

-.t,:d 

-  ly    I'd 

(  On  an|  old      Ir 

:r 

-    ish 

hill 

t,     :s, 

in        the 

S,     : 
morn 

-     :- 

deep, 


m  _  IT: 

sleep 


ing  I 


These  Saxons  are  hard,  and  their  senses  are  cold, 

And  all  that  they  care  for,  or  think  of,  is  gold, 

What  will  cover  their  backs,  or  their  stomachs  will  hold, 

Or  what  their  shrunk  shanks  is   adorning. 
I  miss  the  glad  look  and  the  grip  of  the  hand, 
The  heart  on  the  lips,  and  the  welcome  so  bland, 
The  C6ad  mile  fdilte,  and  best  in  the  land, 

On  an  old  Irish  hill  in  the  morning. 

CHORUS — 

An  old  Irish  hill  where  the  torrents  that  leap 
Are  types  of  the  hearts  that  a  vigil  there  keep — 
Oh,  light  be  their  labour,  and  sound  be  their  sleep 
On  an  old  Irish  hill  in  the  morning  ! 


3.  Some  day  when  the  summer-clouds  swim  in  the  sky, 
I'll  bid  the  stiff  Saxon  a  merry  good-bye, 
And  blithe  over  ocean  and  land  I  shall  fly, 

To  the  green  pleasant  land  I  was  born  in  ; 
I'll  give  the  go-by  to  all  sorrow  and  strife, 
I'll  take  from  the  valley  a  rosy-cheeked  wife. 
And  whistle  "  Moll  Roe  "  for  the  rest  of  my  life, 

On  an  old  Irish  hill  in  the  morning. 

CHORUS — 

An  old  Irish  hill  where  the  dreamy  mists  creep, 
A  cabin  of  love  'mid  the  heather  to  peep — 
Oh,  gladly  I'd  labour  and  soundly  I'd  sleep 
On  an  old  Irish  hill  in  the  morning  ! 


160 

4.  But  if  the  day  come  for  the  bold  mountaineer 

To  strike  for  the  hearths  and  the  homes  we  hold  dear, 
And  ringing  on  high  on  the  startled  air  clear, 

The  blast  of  the  bugle  gives  warning — 
Oh,  where  could  our  boys  make  a  sturdier  stand, 
To  strike  a  stout  blow  for  the  cause  of  our  land, 
Than  massed  in  their  might  on  the  sides  green  and  grand 

Of  an  old  Irish  hill  in  the  morning  ! 


CHOBUS— 

From  an  old  Irish  hill — oh  !  like  eagles  we'd  sweep, 
And  chase  the  false  foe  through  the  valley  like  sheep, — . 
Oh,  a  harvest  of  hope  for  our  Erin  we'd  reap, 
Oa  an  old  Irish  hill  in  the  morning  ! 

v  P.  A.  FAHY, 


161 


AT     EARLY     DAWN. 


F. 


.d,r 

At 


PI      .PI 

ear-ly 


:  PI    ,r_, 

dawn     I 


Air 

s    .s  ":  1    .s,m 

once  hf  d  been  Wliere 


An  IAO." 

.r    :d      .d  ) 


j?Ainno 

d 

Leno'e  b'ue  wa-tf  rs) 


d 

:       .s 

1    : 

flow, 

When 

sum-i 

S       .,P1 

:d'    .PI 

r 

lamp  of 

light     to 

glow- 

II 


PI     .,r     :d     .PI 

town,  and  tower,  And 

PI     .PI      :PI     .r,m 

met  a      ma,id  in  the 


.S        :  1       .d1 
bid     the 

:        .s 

As 

s     .,PI     :d'    .in 

wide-spread  fields  I 

s     .s      :  1     .s  ,n 

green- wood  shade,  At  the 


PI     .,r    :d      .m 

groves  be  green,  The 


.S 

by 


:1      .d1 

bower,  and 


* 

stray, 


d     .r     :d     .d 

dawn -ing    of      the 


day! 


2.  Her  feet  and  beauteous  head  were  bare, 

No  mantle  fair  she  wore, 
But  down  her  waist  fell  golden  hair 

That  swept  the  tall  grass  o'er; 
With  milking-pail  she  sought  the  vale, 

And  bright  her  charms'  display, 
Outshining  far  the  morning  star, 

At  the  dawning  of  the  day  ! 

3.  Be  s'de  me  sat  that  ma'd  divine, 

Whore  grassy  banks  outspread — 
"  Oh,  let  me  call  thee  ever  mine, 

Dear  maid,"  I  sportive  said. 
"  False  man,  for  shame,  why  bring  me  blame  ?  " 

She  cried,  and  burst  away — • 
The  sun's  first  light  pursued  her  flight, 

At  the  dawning  of  the  day  1 

WALSH. 


1-7. 


162 


TH£  ROVER. 

KEY  D.     Pretty  quick.  Air:  "  Ati  SpAilpIn  FA 


:  d'  ., 


(  :  Q 

(        N 


No 


I'll 

:  d1  ,,t 

Nor  on 

:  d  .r 


1  .,t  :  1  .s    |  n       :r  .f 


more  —  no        more        in 


n       :  d 

Cash  -  el 


d  . 


|d  .r    :n  .f 


Nor 


f  '** 

(  There, 

<  IB 

<  To 

(       But 


sell        my  health     a    - 

1  .,t  ;  1    .s  |n       ;  r  .f 

days        of  fairs       rove 

n       :n  |r       :r 

join         the  mer    -    ry 

n       :  -  .n  |  d1       :  d1  .t 

mount     -    ed  farm    -    ers 


rak 


n 

up 

d 

ma 


1 


II,  I 

town  > 

:"      'T  I 

mg,  > 


:d 


,     l 

' 


and        down, 

,} 


id 

king. 


.s   |n 


:  1  .s 


:  r 


seek        and         hire         me 


l_^t  :  l_.s    |  n  -     :  r  .f 

now       I'm         hired,  and  my 


came        in  throngs) 

d1      :-  |t       , 

o  ver,      > 

n        :d  I  1, 

jour    -    ney's  long, 


:  d  .r  In       :  n       |  r        : r 

The     I  jour   •   ney        of  the 


Ho 


Id 
ver  I 


163 

2.  I've  found,  what  Rovers  often  do, 

I  trod  my  health  down  fairly  ; 
And  that  wand'ring  out  on  morning  dew 

Will  gather  fevers  early. 
No  more  shall  flail  swing  o'er  my  head, 

Nor  my  hand  a  spade-shaft  cover, 
But  the  Banner  of  France  will  float,  instead, 

And  the  Pike  stand  by  the  Rover  ! 


3.  When  to  Callan  once,  with  hook  in  hand, 

I'd  go  for  early  shearing, 
Or  to  Dublin  town — the  news  was  grand 

That  the  "  Rover  gay  "  was  nearing. 
And  soon  with  good  gold  home  I'd  go, 

And  my  mother's  field  dig  over, 
But  no  more — no  more  this  land  shall  know 

My  name  as  the  "  Merry  Rover  !  " 


4.  Five  hundred  farewells  to  Fatherland  ! 

To  my  loved  and  lovely  Island  ! 
,  And  to  Culach  boys — they'd  better  stand 

Her  guards  by  glen  and  highland. 
But  now  that  I  am  poor  and  lone, 

A  wand'rer — not  in  clover — 
My  heart  it  sinks  with  bitter  moan 
To  have  ever  lived  a  Rover. 


6.  In  pleasant  Kerry  lives  a  girl, 

A  girl  whom  I  love  dearly  ; 
Her  cheek's  a  rose,  her  brow's  a  pearl, 

And  her  blue  eyes  shine  so  clearly  ! 
Her  long  fair  locks  fall  curling  down 

O'er  a  breast  untouched  by  lover — 
More  dear  than  dames  with  a  hundred  poun* 

Is  she  unto  the  Rover  ! 


6.  Ah,  well  I  mind,  my  own  men  drove 

My  cattle  in  no  small  way  ; 

With  cows,  with  sheep,  with  calves,  they'd  move, 
With  steeds,  too,  west  to  Galway. 


164 

Heaven  willed  I'd  lose  each  horse  and  cow, 

And  my  health  but  half  recover — 
It  breaks  my  heart,  for  her  sake,  now 

That  I'm  only  a  sorry  Rover. 

7.  But  when  once  the  French  come  o'er  the  main, 

With  stout  camps  in  each  valley, 
With  Buck  O'Grady  back  again, 

And  poor  brave  Tadhg  O'Dalaigh — 
Oh,  the  Royal  Barracks  in  dust  shall  lie, 

The  yeomen  we'll  chase  over  ; 
And  the  English  clan  be  forced  to  fly — 

'Tis  the  sole  hope  of  the  Rover  ! 

Peasant  Ballad,   1797. 
Translated  by  DR.  GEO.  SIGERSON. 

This  version  of  the  air  is,  I  think,  the  best.  It  was  taken  down  by 
Jer.  O'Connor,  Cork,  from  the  singing  of  O'Connor  Kelly,  a  native  speaker 
and  an  excellent  tenor  traditional  singer  from  Ballyvourney,  Co.  Cork. 


1G5 


THE  RED  LUSMORE.* 


CEY  D. 

Lively. 

Air:  "The 

Blooming  Meadows." 

5  '    ' 

s,   :- 

:d 

Id    : 

-    :r     m    :- 

:  s 

|f    :r 

-:d    i 

(  The 

snow 

is 

on 

the    moun   - 

tain 

high, 

The) 

( 

t 

:  - 

:s,   1 

s,    :  1 

,   :  S| 

t,   :-    : 

-      1 

t,    :1, 

:  s,  \ 

1 

bloom 

is 

on 

the 

hea 

- 

ther  ; 

But) 

< 

S 

:d 

:d    1 

d    :- 

:  r 

m    :  r    : 

d    1 

r    :  m 

:  f    , 

1 

laugh     - 

ing 

Spring 

will 

soon 

be 

nigh, 

And  ) 

I 

s    :  - 

Sum     - 

:m    |f_j_r 

mer's    gold 

-    en 

d    :-    : 

wea 

-     1 

d    :- 

ther. 

:*, 

Then  ) 

f 

d 

:  - 

:  s    | 

s    :  1 

:  t 

d1   :-    : 

r1   1 

in1   :r' 

i  d'  ) 

i 

man     - 

y  a 

vale 

we'd 

wan 

der 

o'er 

Whose) 

5 

t 

:  - 

:  s    | 

s    :  1 

:  s 

t    :  -    : 

d1   1 

r1   :t 

:  s    | 

i 

streams 

leap 

glad 

and 

fleet 

- 

ly, 

And  ) 

f 

V  :-    :s    | 

s    :  1 

:  t 

d1   :-    : 

r1   1 

in1   :  r1 

:  d1   ) 

t 

1 

ir  an     - 

y  a 

glen 

of 

red 

lus 

-  more 

That* 

j 

t 

:  1 

:s    I 

f    :r 

•  ^1 

d    :-    : 

-  1 

d    :- 

II 

1 

sh»nes 

in 

June 

so 

sweet 

- 

iy. 

1 

2.  What  makes  me  love  the  lusmore  gay, 

With  all  their  bright  bells  round  them  T 
My  dear  one's  lips  are  red  as  they, 

And  sweet  as  bee  e'er  found  them  ; 
And,  oh  !  it  shines  by  torrents  hoar, 

In  haunts  of  sprite  and  fairy, 
Where  many  an  hour  in  days  of  yore, 

I  dreamt  of  one  like  Mary. 
3.  While  purple  decks  its  gorgeous  bells 

I'll  never  seek  a  new  love  ; 
In  Summertime,  where'er  it  dwells, 

I'll  wander  with  my  true  love ; 
And  I  will  tell  her  o'er  and  o'er 

Of  vows,  my  fond  vows,  meetly, 
In  fairy  glens  of  red  lusmore, 

That  shines  in  June  so  sweetly. 
'  Foxglove.  ROBERT  DWYER  JOYCE,  M.D. 


166 


THE    PRETTY    GIRL    MILKING    HER    COW. 


KEY  D. 

Air  :  " 

CAilin  x>eAp  c^ufoce  nA  mbo." 

P- 

<:r_,m 

(  'Twas 

f 

eve, 

:1        :f 

and       tho 

m 

star^ 

:s 

be     - 

:m 

gan 

r       :d       ) 

peep  -  ing,       ) 

(:  r  .m 

(  Though 

f 

suo 

:1        :f 

•    set        still 

I'l 
crjn  - 

:s 

soncd 

:m 

the 

r       :  -       > 

west,                ) 

<  :  r  .ro 

(  When 

f 

sounds 

:1        :f 

through  tho 

m       :s   .f 

hushed    ar 

:  PI  .,r  I  r       :  d       ) 

camo    ]  creep  -  ing,       ) 

1   That 

f 

ruf 

:  -  .m  :  r 

-     fled     the 

i, 

poaoo 

:  r 

of 

:  r   .i1! 

my 

r       :-       ) 

breast.              ) 

cres. 

i'-LS 

I      My 

f 

form 

:  s        ;1    .t 

in              the 

d1 

twi  - 

.  1 

:  i 

light 

con    - 

r'       :r       ) 

ceal  -  ing         ) 

r:r  ,m 

f 

sat 

:s        :1   .t 

d1 

down 

on 

my 

r'       :-       ) 

plough,              ) 

<     i 

ray     -      so:f 

pm'.r1 

d1 

sang, 

:1  .,t  :d! 

f 

sad    - 

:fl  ,f 

:m  .,r 

r        :d       , 

feel  -  ing,        ) 

j  While 

full      of 

ness 

and 

i:¥ 

f 

pret 

:  -  .n  :  r 

-      ty  girl 

i, 

milk  - 

:  r 

ing 

.'  r  .,ni 

cow. 

her 

167 


2.  "  Swoet  land,  that  my  forefathers  bled  for, 

When  strangers  to  trample  thee  thought ; 
Ah  !  what  was  their  valiant  blood  shed  for  ? 

Far  better  they  never  had  fought. 
Thy  sons  think  no  more  on  thy  glory, 

Like  slaves  to  the  tyrants  they  bow ; 
And  I  can  but  weep  at  thy  story, 

And  sing  it  while  milking  my  cow. 

3.  "  It  is  not  that  riches  I  sigh  for — 

I  only  repine  at  thy  shame — 
Thy  glory  and  freedom  I'd  die  for, 

And  smile  upon  Death  as  he  came. 
I'd  prize  the  bold  hand  that  would  right  theo, 

And  spurn  him  with  diadem'd  brow 
Whose  base  heart  would  injure  and  slight  thee, 

Though  a  poor  maiden  milking  her  cow. 

4.  "  Oh  !  blest  be  the  sons  of  the  stranger, 

Who,  nursed  on  thy  beautiful  breast, 
With  thine  shared  the  strife  and  the  danger 

For  thee,  bleeding  isle  of  the  west ! 
When  the  child  of  thy  foe  would  befriend  thoe 

Nor  wrong  to  thy  bosom  allow, 
Why  should  not  the  blessing  attend  thee, 

Of  the  poor  girl  milking  her  cow  ?  " 
6.     She  ceased  as  the  shadows  fell  deeper, 

And  homeward  returned  with  her  pail, 
But  I  felt  like  some  strangely- waked  sleeper 

At  the  tones  of  that  eloquent  wail. 
Oh  !  sure  if  thy  sons  but  relented 

Sweet  land,  'twere  not  late,  even  now, 
To  wash  out  the  woes  so  lamented 

By  the  fair  maiden  milking  her  cow. 

M.  J.  BARRY. 


168 


COLLEEN  DHAS  CROOTHE  NA  MO. 


KEY 

D. 

P 

(IT 

jn    f      :1       :f 

m      :s 

:m       r      :d      :r  n  > 

{    Tl 

ie     gold      rain       of 

eve       was       de  -     scend  -  ing  ;  Bright) 

•If        :1         :f 

1  1  pur    -    pie        robed 

m       :s       : 

moun  -  tain 

m 

and 

r       :-       :r  .m  * 

tree,                     As       > 

<    f 

:1        :f 

m 

:  s  .,f  : 

M  .,F 

r       :d       :  1  .,s  > 

I    I 

through  Glen 

Mor  -  neen 

wa*> 

wend  -  ing,           A      ) 

ores. 

,|f       :-.m  :r 

(  1  wan     -      d're*  from 

i, 

:r 

T  .m 

r       :-       |r.m  > 

Sea.                         H'Twasthe) 

o'er       the 

blue 

III 

:  s       :  1  .t 

3        of            a 

d1       :1        : 

west   -  look    - 

ing 

r       :r        :r  .m  > 

moun  -  tain,      Its       ) 

ill 

:s       :1  .t 

d1       :1        : 

bright  with 

the 

r       :  -       :  nH.r'  ) 

glow,                 Where  ) 

>od  -  y           slope 

jjd1 

:1  .,t  :d' 

f 

:s  ..f  : 

in  .,r 

r       :  d       :  1  .,s  ) 

(  1  sang       by          a 

mur    -     mur  - 

ing        foun  -   tain         An      ) 

llf      :-.m:r 

<  1  col       -        leen  dhas 

li      :r       : 

croo  -  the 

T  .,tn 

na 

mo. 

2.  Dark  clouds  where  a  gold  tinge  reposes 

But  picture  her  brown  wavy  hair ; 
And  her  teeth  looked  as  if  in  a  rose's 
Red  bosom  a  snowflake  gleamed    fair. 


169 

As  her  tones  clown  the  green  dell  went  ringing, 

The  list'ning  thrush  mimicked  them  low, 
And  the  brooklet  harped  soft  to  the  singing 

Of  cAitin  -oeAf  cptn-oce  11  A  mbo. 

3.  "  At  last,  o'er  thy  long  night,  dear  Erin, 

Dawns  the  bright  Sun  of  Freedom  !  "  sang  she; 
"  But  thy  mountaineers  still  are  despairing — 

Ah  !  he  who  'mid  bondsmen  was  free  ; 
Ah,  my  T)iAfvmuit>  the  patriot-hearted, 

Who  would  fill  them  with  hope  for  the  blow, 
Far,  Erin,  from  thee  is  he  parted, 

Far  from  CAiUn  -oeAf  cjAtn'oce  IIA  mbo  " 

4.  Her  tears  on  a  sudden  brimmed  over, 

Her  voice  trembled  low  and  less  clear ; 
To  listen,  I  stepped  from  my  cover, 

But  the  bough-rustle  broke  on  her  ear  ; 
She  started — she  redden'd — "  A  fcoif\in  ! 

My  'OiAfvmui'o  !     Oh,  can  it  be  so  ?  " 
And  I  clasped  to  my  glad  heart  sweet  tttAipin, 

171  o  6Ailin  -oeAf  cj\ui-6ce  HA  mbo. 

DR.  SIGERSON. 

There  are  several  versions  of  this  air.  I  printed  an  East  Cork  version 
in  "  Vuinn  n&  Stnol."  Perhaps  the  worst  version  is  the  one  that  is  gener- 
ally linked  with  the  song  "Terence's  Farewell."  The  version  which  I 
give  here  is  the  one  I  used  to  hear  my  parents  sing  fifty  years  ngo.  It 
is  the  one  that  was  whistled  by  all  the  boys  and  lilted 'by  all  the  girls 
when  I  was  a  youngster  in  the  Co.  Waterford. 


KEY  D. 


170 


A  LEGEND  OF  THE  SHANNON. 

Air  :  "  Cold  and  rough  the  North  Wind  blows." 


:   .s 

1    :-    :1    |s    : 

-    :.l      f    :-    :r    |d    :- 

:d    ) 

On 

Shan     -     non's  fair 

ma-  jest      -      ic       tide 

The) 

r     :- 

:r     Id     :t, 

:d 

r     :-     :-     |f     :- 

:  s     ) 

moon 

with  queen     - 

iy 

splen       -         -       dour, 

Looks) 

1     :- 

down 

:1     |s     :- 

in       her 

:1 

me- 

f     :-     :r     |d     :- 

rid        -        ian      pride, 

•  ^      ^ 

While) 

Ir     :- 

:r     |d     :t, 

:d 

r     :-     :-     |r     -.- 

:1'     I 

vas 

sal      stars 

at- 

tend                         her  ; 

Light) 

r     :- 

:m     |f     :- 

:  s 

1     :-     :s     |f     :- 

:  s     ) 

ze 

phyrs  danc 

ing 

o'er               the     wave 

Scarce) 

I1    :" 

1  break 

its       peace 

:d' 

ful 

r1    :-     :-     |1     :- 

slum            -            bcrs, 

i  d'    ) 

Whik) 

Iri    :- 

:1     Is     :- 

:1 

f     :-     :r     |d     :- 

:d    > 

IE   - 

-    cho     from 

each 

rock              and     cave 

Sings) 

r     :- 

:r     |d     it. 

:d 

r     :-     :-     |r    :- 

|| 

forth 

her    mag 

ic 

num    -              -     bers. 

II 

2    But  why  doth  yon  frail  shallop  bear 

Across  the  Shannon  water, 
At  such  an  hour,  Teresa  fair, 
De  Burgo's  only  daughter  ? 


171 

Why  flies  she  thus,  alone  and  free,- 
From  home  and  kindred  speeding  ? 

Why  seeing,  sigh,  yet,  sigh  to  see 
Portumna's  tower  receding  ? 


Ah  !  sure  'tis  love  alone  could  teach 

The  maiden  thus  to  wander  ; 
Yes  !  see  upon  the  moonlit  beach 

A  youth  awaits  her  yonder ; 
With  bounding  heart  and  eager  glance 

He  views  Clanrickarde's  daughter 
Like  some  aerial  being  dance 

Across  the  rippling  water. 


The  brave  O' Carroll,  he  for  years 

Had  dared  the  Saxon  power, 
And  taught  the  force  of  Irish  spears 

On  battlefield  and  tower  ; 
But  one  sad  day  saw  fall  his  best 

And  bravest  kerns  around  him—- 
Insatiate for  revenge,  the  next 

'Mid  Burgo's  clansmen  found  him 


5.  'Twas  then  Teresa's  soft    blue  eye 

First  wrought  its  magic  power ; 
Teresa's  love  now  bids  them  fly 

For  aye  from  yonder  tower. 
"  Now,  hie  thee,  love,"  O'Carroll  cried, 

"  By  yon  fair  moon  I  swear  thee, 
Far,  far  away  from  Shannon's  tide 

This  faithful  steed  shall  bear  thee." 


"  For  this  I  braved  thy  father's  wrath, 

He  swore  my  heart  should  sheen  thee 
But  I  had  plighted  thee  my  troth 

And  I  had  died  or  won  thee. 
Then  hie  " — but,  hark  !  Teresa  fair, 

What  peril  now  hath  found  her  ? 
Oh  !  see,  'mid  shrieks  of  wild  despair, 

The  waters  close  around  her. 


172 

7.  As  to  the  serpent's  witching  eye 

The  victim  bird  is  borne — 
Quick  as  from  out  the  warring  sky 

The  lightning  flash  is  torn, 
So  dashed  into  the  dark  cold  wave 

Teresa's  frantic  lover ; 
But  while  with  hands  outstretched  to  save 

The  tide  rose  calm  above  her  ! 


8.  Though  Time  has  since  flown  fast  away 

The  Shannon  roJJs  as  ever ; 
And  oft  upon  a  moonlit  bay 

That  hems  the  noble  river, 
The  midnight  wanderer  has  espied 

A  steed,  while  o'er  the  water 
The  tiny  bark  is  seen  to  glide 

That  wafted  Burgo's  daughter. 


B.  0. 


173 


AMONG    THE    HEATHER. 


KEY  C.     Moderate. 


<:s         d1       :s        |1        :t 

(     One       ev'     -     ning      walk  -  ing 

d1       :- 

out, 

Is 

i 

o'er  -  } 

I 

d'ta   :1         |s         : 

took         a              mo 

f 

dest 

r 

col 

:d 

leen, 

I-        :s  .d'   , 

When  thef 

I 

d1        :s         |1         : 

wind         was         blow    - 

t 
ing 

d1        :- 

cool, 

Is 

And 

the        > 

j 

d'ta   :1         |s        : 

f 

r 

:d 

1- 

:  s  .d1   | 

( 

liar     -     vest         leaves 

were 

fall 

ing  ; 

"  Is  our) 

1 

d1        :s         |1         : 

t 

d1 

t  "~ 

|s 

:1         , 

1 

way         by             chance 

the 

same  ? 

Might 

we        f 

, 

d'ta   :1         |s         : 

f 

r 

:d 

1- 

:  m  .f    > 

< 

tra     -      vel          on 

to    - 

ge 

-      ther  ? 

" 

"  Oh,  I    f 

i 

s        :  -.1    |s        : 

keep               the     moun  - 

PI 

tain 

s        :- 

side," 

Id 

She 

:n       , 

re     -     ) 

f    r        :m        If        : 

S 

m 

:d 

II 

1 

plied,      "a     -     mong 

the 

hea     -     ther." 

At  the  request  of  Mrs.  W.  Allingham  I  give  above  the  .air  as  found 
in  William  Allingham's  published  book,  Irish  Songs  and  Poems.  I  prefei 
the  traditional  version,  which  I  give  on  next  page.  It  is  a  very  pretty 
air,  Singers  can  take  their  choice. 


174: 


AMONG   THE    HEATHER. 

KEY  C-     Pleasantly. 


{  :  • 

PI 

One 

r      .1       :  1      ,t       | 

ev'    -  ning      walk-ing 

d' 

out, 

I 

.r 

o'er 

.1 

i 

d 

took 

a 

:d 

mod   - 

.PI 

est 

Is 

col    - 

.PI 

leen, 

:r        .d 

When     the 

i 

1 

wind 

.1 

was 

blow  - 

•*. 

ing 

Id1 

cool 

:  d1       .r1 

And        the 

\ 

I 

PI1 

har    - 

.r1 

vest 

leaves 

.1 

were 

It 

fall    - 

.1 

ing: 

:s        .s 

"  Is         our 

! 

5      s 

.S 

:B 

.1     ,t 

Id1 

:  1        .s        > 

(         way 

by 

chance 

the 

same  ? 

Might    we         > 

! 

1 
tra    - 

.r1 

vel 

on 

.PI1 
to 

If 

geth    - 

er?" 

:  1        .s 

"O,       I 

I 

I 

PI 

Ikeep 

.d1 

the 

:t 

moun  - 

.d! 

tain 

U 

side," 

:s        .PI 

She       ro    - 

} 

< 

r 

.1 

:  s 

.1 

In 

.r 

. 

\      i  plied, 

"a 

mong 

the 

hea    - 

ther." 

2.  "  Your  mountain  air  is  sweet 

When  the  days  are  long  and  sunny, 
When. the  grass  grows  round  the  rocks, 
And  the  whin-blooin  smells  like  honey  j 


175 

But  the  winter's  coming  fast, 
With  its  foggy,  snowy  weather, 

And  you'll  find  it  bleak  and  chill 
On  your  hill,  among  the  heather." 


3.  She  praised  her  mountain  home, 

And  I'll  praise  it,  too,  with  reason, 
For  where  Molly  is,  there's  sunshine 

And  flow'rs  at  every  season, 
Be  the  moorland  black  or  white, 

Does  it  signify  a  feather, 
Now  I  know  the  way  by  heart, 

Every  part,  among  the  heather  1 


4.  The  sun  goes  down  in  haste, 

And  the  night  falls  thick  and  stormy  ; 
Yet  I'd  travel  twenty  miles 

To  the  welcome  that's  before  me  ; 
Singing  hi  for  Eskydun, 

In  the  teeth  of  wind  and  weather  ! 
Love'll  warm  me  as  I  go 

Through  the  snow  among  the  heather. 


WILLIAM  ALLINGHAM. 


The  above  air,  which  is  very  sweet  and  beautiful,  was  taken  down 
from  the  singing  of  Kate  Coakly,  who  lives  at  Rahalisk,  five  miles  from 
Macroom. 


176 


FINEEN  O'DRISCOLL  THE  ROVER. 

KEY  C.  Air  :  "  The  Groves  of  Blackpool." 


(    An 


s 


old      cas    -  tie 


:f      |N      :f 


:r 


Id 


:r 


towers  o'er     the       bil    -     lows      That 


:m      > 

That  > 


s       :  m       :  d 

thun  -  der       by 


|d      :  m 


s       :  1       :  f       |  m       :  f 

there      dwelt  as          gal    -    lant 

s      :  m      :  d      |  d      :  m 

ev    -     er          grasp' d  hilt       in 

d1      :t       :d'      I  r1      :  d1 

Eight    state  -  ly         tow'rs     of 


:  t       :  d!      |  r' 


:  s 

green 

H       :- 

land, 

And 

i 

:  r 

Id      :,r 

:  m 

I 

a 

ro     -     ver 

As 

* 

:  o 

|1_    :- 

:  t 

t 

the 

hand. 

i 

:  t 

I  1       :  s 

:  m 

* 

the 

wa    -    ters 

Lie 

f 

:t 

H       :- 

:  d'  .r' 

, 

more 

Bay, 

"And 

* 

XTs 

:  t 

I  1  ,d'  :  - 

:  1 

> 

(:d! 
1  Th 


an    -    chor'd  in          Bal    -    ti 

m1      :  d1      :  m1      |  r1      :  d1 

o      -      ver        their       twen  -  ty          score     sailors  Bold 

s       :m      :d       |d       :m       :s       |1 

Fin    -    een       the         Ro     -     vor        held       sway. 
Cnonus — 

s :_!       :  f       | m       :  f       .- r       Id :_r       : m 

Then         ho  !  for        Fin   -    een       the  i'vo      -       ver 


177 


s       :ro 

Finn  -  een 


:d 

O' 


I  d       :  m 

Dris    -    coll 


:  s 

the 


U 

free, 


As 


s       :  1       :  f 

straight  as         the 


s       :  m 

strong  as 


:d      I 


in       :f 

mast       of 

d       :  m 

wave     of 


:  r       |  d    '  :  r       :  m 

his         gal    -     ley         And 


:  s 

the 


H 


sea  ! 


2.  The  Saxons  of  Cork  and  Moyallo, 

They  harried  his  lands  with  their  powers  ; 
He  gave  them  a  taste  of  his  cannon, 

And  drove  them  like  wolves  from  his  towers  ; 
The  men  of  Clan  London  brought  over 

Their  strong  fleet  to  make  him  a  slave  ; 
They  met  him  by  Mizen's  wild  headland, 

And  the  sharks  gnawed  their  bones  'neath  the  wave. 
Then  ho  !  for  Fineen  the  Rover  ! 

Fineen  O'Driscoll  the  free ; 
With  step  like  the  red  stag  of  Beara, 
And  voice  like  the  bold-sounding  sea  ! 


3.  Long  time  in  that  old  battered  castle, 

Or  out  on  the  waves  with  his  clan, 
He  feasted  and  ventured  and  conquered, 

But  ne'er  struck  his  colours  to  man. 
In  a  fight  'gainst  the  foes  of  his  country 

He  died  as  a  bravo  man  should  die, 
And  he  sleeps  'neath  the  waters  of  Cleena, 
Where  the  waves  sing  his  cAoine  to  the  sky. 
Then  ho  !  for  Fineen  the  Rover  ! 

Fineen  O'Driscoll  the  free  ; 
With  eye  like  the  osproy's  at  morning, 
And  smile  like  the  sun  on  the  sea  ! 


ROBERT  DWYEB  JOYCE,  M.D. 


178 


THE    SACK    OF    BALTIMORE. 


KEY  E. 


Air  :  "  Ccnp  IAOI  nA  Sj\eAO." 


•  ll 

The 

1,   :-    :t,    Id 

Sum     -      mer  sun 

:-    :r     n    :-    :1    1  1    :  - 

is       fall       -      ing    soft 

:t     I 

On   ) 

1     '- 

Car 

:  s     |m     :- 

bry's  hun 

:r 

dred 

isles. 

1-     :- 

The) 

d     :- 

Sum 

:t,    |d     :- 

mer    sun 

:r 

is 

m     :-     :f 

gleam      -     ing 

still 

Thro') 

r     :d     :t,.t,|d     :- 

Ga-briel's  rough  de-files. 

Old 

1,    :-     :t, 

In         -         ish 

Id     :- 

-  er 

:r    > 

kin's) 

crum 

bled  fane 

:t 

Looks 

1     :-     :s 

like               a 

|m     :- 

moult 

ing) 

in     :1 

.    :-     1-     :- 

And 

d     :-     :t, 

in                   a 

Id     :- 

calm 

and  ) 

bird; 

II 

I! 


m     :-  :f  |m     : 

sleep      -  y  swell 

1     :-  :  s  1 1 

hook      •  era  lie 


:r      r     :d     :t,t,|d     :-     II  s     ) 


The 


cean  tide  is  heard. 


-     :t      d1    :-     :t     |t     :- 

up  -  on  the    beach  ; 


:-     :t     |d'    :-     :t      1     :rn 


chil 


dren  cease 


their  play ; 


The  ) 

Th"e) 
The  ) 


179 


i! 


t     :- 

house 

1     : 

full 


s     | 

sips     leav  _, 

1     H     : 

holds  kneel 


of        love, 


-    :t 


s  :- 

dai 

:  1  |  m  : 

ly       la 

- 

d  :- 

on 

:t,  Id  : 

that  co 

- 

r  :d 

town  of 

:t,.t,|d  : 

Bal-ti-more. 

- 

their 

I  3 
to 

:t 

and 

;r 

bour 

;r 
«y. 


d1    :- 
lit 

1     :- 

pray— 

d1    :- 

peace, 


o  er — 

m     :-. 

creek 


:t     |t     :- 

tie       inn 


:-     :t     j 

The  ) 


:t     |t     :- 

and     rest — 


:f     In     :- 

there  lay 


The 


2.  A  deeper  rest,  a  starry  trance,  has  come  with  midnight  there ; 
No  sound,  except  that  throbbing  wave,  in  earth,  or  sea,  or  air. 
The  massive  capes  and  ruined    towers,  seem  conscious  of  the  calm  ; 
The  fibrous  sod  and  stunted  trees  are  breathing  heavy  balm. 

So  still  the  night,  these  two  long  barques  round  Dunashad  that  glide, 
Must  trust  their  oars — methinks  not  few — against  the  ebbing  tide ; 
Oh  !  some  sweet  mission  of  true  love  must  urge  them  to  the  shore — 
They  bring  some  lover  to  his  bride  who  sighs  in  Baltimore  ! 

3.  All,  all  asleep  within  each  roof  along  that  rocky  street, 

And  these  must  be  the  lover's  friends,  with  gently  gliding  feet — 

A  stifled  gasp  !  a  dreamy  noise  !  "  the  roof  is  in  a   flame  "  ! 

From  out  their  beds,  and  to  their  doors,  rush  maid  and  sire  and  dame 

And  meet,  upon  the  threshold  stone,  the  gleaming  sabre  fall, 

And  o'er  each  black  and  bearded  face  the  white  or  crimson  shawl — 

The  yell  of  "  Allah  I  "  breaks  above  the  pray'r,  and  shriek,  and  roar— 

O  blessed  God  !  the  Algerine  is  lord  of  Baltimore  ! 

THOMAS  DAVIS. 


180 


WIN  NY. 

KEY  G.  Air  :  "  Moll  Roe." 


Her 


d      :  -  .d  :  d      |  r      :  m      :  d      |  t,     :  d      :  r 

blue         eyes  they    beam     and      they      twin  -  kle,      Her 


il 


m       :  -  .d  :  d       |  f       :  r       :  m        |  f       :  -       :  1 

lips  they  make     smi    •   ling        more      fair ;  On 


m 

check 

:-  .d  :d 

and  on 

Ir 

brow 

there's 

d 

no 

it, 

wrin 

:d 

kle, 

:  r 

But 

I 

R 

thou 

-     sands  of 

If 

curls 

:r       : 

in 

t, 

her 

Id 

hair. 

:- 

:s 

She's 

} 

S 

:-  .m  ;n 

If 

:r        : 

d 

It, 

:d 

^:r 

> 

lit 

tie,    you 

don' 

t    wish 

her 

tall    - 

er, 

Just 

> 

Is 

1  half 

j  —  .in  *  ni 

thro'  her 

If 
teens 

:r 

is 

m 

her 

If 
age; 

:- 

And 

} 

I" 
|la- 

dy    or 

If 

ba 

:  -  .r  : 

-        by 

d 

to 

It, 
call 

:d 

her, 

:r 

Were 

f 

In 

|  some 

:m       :m 

-  thing     to 

If 

puz 

:r 

-    zle 

a 

Id 

sage. 

:- 

! 

2.  Her  walk  is  far  better  than  dancing ; 
She  speaks  as  another  might  sing  : 
And  all  by  an  innocent  chancing, 

Like  lambkins  and  birds  in  the  Spring. 


181 

Unskill'd  in  the  airs  of  the  city 
She's  perfect  in  natural  grace  ; 

She's  gentle,  and  truthful,  and  witty, 
And  ne'er  spends  a  thought  on  her  face.' 


3.  Her  face,  with  the  fine  glow  that's  in  it, 

As  fresh  as  an  apple-tree  bloom — 
And,  oh  !  when  she  comes,  in  a  minute, 

Like  sunbeams  she  brightens  the  room. 
As  taking  in  mind  as  in  feature, 

How  many  will  sigh  for  her  sake  ! 
I  wonder,  the  sweet  little  creature, 

What  sort  of  a  wile  she  would  make. 


WILLIAM  ALLINGHAM. 


On  giving  me  permission  to  use  her  husband's  copyright  songs,  Mrs. 
William  Allingham  requested  me  to  use  the  airs  which  he  published  with 
them.  I  have  done  so.  In  one  case,  namely,  in  the  song,  "  Among  the 
Heather"  (p.  174)  I  have  given  an  alternative  version,  as  I  considered 
it  a  better  one  than  William  Allingham 's.  For  the  song  "  Winny  "  I 
would  hava  preferred  to  use  the  air  "An  ^AiriAin  geAt  bAn,"  which  is 
iound  on  p.  86  of  this  series. 


182 


THE  CONVICT  OF  CLONMEL. 


KEY  P. 


n 

S|il|it, 

d      :d      :- 

hard     is 

my 

t,.d  :-      :r 

for-tune,          And 

m      :-      :d.r) 

vain               my  re-) 

How 

1 

t. 
pin 

-     ing  ! 

The 

d       :  d       :-  .s( 

strong   rope              of 

t,       :d       :-.r) 

fate        For          this  > 

mrd 

{ 

n       :-       : 

young 

d  .r 

neck  is 

Id 

:-       :m  .f 

s       :  -  .f  :  PI      ) 

strength     is     de-      ) 

\  twining,               My 

I 

f 

part 

:  s       : 

-  ed, 

-  .f 

My 

m       :r       :-  .drd|  t,       :  s,      :s,«l|«t,) 

cheek     sunk           and)  sal     -     low,   While  I) 

/o 

/ 

d 

:d       : 

"  *sl 

t, 

:s        :-  .f 

mfm    :  d       :-  .r  ) 

- 

Ian     - 

guish 

in 

chains  In              the 

gaol       of        Cluain-j 

I 

d        :- 

meala. 

2.  No  boy  in  the  village 

Was  ever  yet  milder, 
I'd  play  with  a  child 

And  my  sport  would  be  wilder. 
I'd  dance  without  tiring 

From  morning  till  even, 
And  the  goal-ball  I'd  strike 

To  the  lightning  of  Heaven. 


183 

3.  At  my  bed-foot  decaying, 

My  hurl  bat  is  lying, 
Through  the  boys  of  the  village 

My  goal-ball  is  flying  ; 
My  horse  'mong  the  neighbours 

Neglected  may  fallow, — 
While  I  pine  in  my  chains 

In  the  gaol  of  Cluainmeala. 

4.  Next   Sunday  the   "  pattern " 

At  home  will  be  keeping, 
And  the  young  active  hurlers 

The  field  will  be  sweeping. 
With  the  dance  of  fair  maidens 

The  evening  they'll  hallow, 
While  this  heart,  once  so  gay, 

Shall  be  cold  in  Cluainmeala. 

J.  J.  CALLAISTAN. 

Convicts  have  been  peculiar  objects  of  sympathy  in  Ireland.  They 
often  suffered  for  faith  and  fatherland.  This  air  is  the  one  to  which  the 
song  is  wedded  amongst  the  old  singers  in  Co.  Cork. 


184 


A  FENIAN  BALLAD. 


KEY  F.     Slow. 


f  :       >r 

(            Come 

d      .t, 

all       ye 

:s(     .,1|     t,     .,d      :r      .,t,     ) 

brave     U  -   ni    -    ted     Men,  Who'd) 

(   d       .,t|       :  S| 

(      right       your      ooun 

-  try's 

s,               :          .11        | 

wrong  ;                             I'll        ) 

f     f          .,P1 
(     sing       to 

:f 

you 

a 

s       .f        :r       .,t,      ) 

verse     or          two      which    ) 

f  d       .,d 

(     won't     de 

:f 

-     tain 

you 

r                 :         .ro        ) 

long.                                  In         > 

<    f       ,m       :f 

t     old         Ive    -    lea    - 

ry    - 

s      .,f        :r      ,t,       » 

by     -    the     -    Hills     my       > 

1    d       .,d       :f 

1  1  youth  -  ful         days 

passed 

r                 :          .r       ) 

by  ;                                    The     > 

(   d       .t,       :s, 

(     Fam  -  ine         came 

-i, 

and 

t,       .,d        :  r       .,t,       > 

fills        the        Gills*—  I          > 

fid       ,t,      :s, 

(  j  saw        my         fa     - 

.S, 
ther 

s,               :         .11 

die. 

2.  The  bailiff  with  the  "  notice  "  came — the  bit  of  ground  was  gone — 
I  saw  the  roof-tree  in  a  flame — the  crow-bar  work  was  done. 
With  neither  house  nor  bed  nor  bread,  the  Workhouse  was  my  doom, 
And  on  my  jacket  soon  I  read  :  "  The  Union  of  Macroom." 

*  Cills,  i.e.,  churchyards. 


185 

3.  My  mother  died  of  broken  heart ;  my  uncle   from  the  town 
Brought  for  her  a  horse  and  cart  and  buried  her  in  Gleown. 

I  joined  the  "  Red-Coats  "  then — mo  leir  !  what  would  my  father  say  ? 
And  I  was  sent  in  one  short  year  on  service  to  Bombay. 

4.  I  thought  to  be  a  pauper  was  the  greatest  human  curse, 
But  fighting  in  a  robber's  cause — I  felt  it  ten  times  worse  : 

I  helped  to  plunder  and  enslave  those  tribes  of  India's  sons, 
And  I  spent  many  a  sultry  day  blowing  Sepoys  from  our  guns. 

5.  I  told  those  sins  to  Father  Ned — the  murder  and  the  booty  ; 
They  were  no  sins  for  me,  he  said,  I  only  did  my  duty. 

And  when  that  "  duty  "  here  was  done  a  journey  home  I  made  ; 
I  found  my  friends  all  dead  and  gone — I  joined  the  Pope's  Brigade. 

6.  I  got  but  medals  on  my  breast  for  serving  in  this  campaign  ; 
And  next — I'm  found  in  the  far  West  a  soldiering  again — 
With  famous  Captain  Billy  O,  I  joined  the 'Fenian  band, 
And  swore,  one  day,  to  strike  a  blow  to  free  my  Native  Land. 

7.  Back  in  this  sinking  isle  again,  where  vultures  drink  our  blood, 
Friends  are  scattered,  starved,  or  slain — I'm  told  I'm  cursed  by  God, 
That  I  could  swear  my  life-long  days  to  serve  from  Pole  to  Pole 

In  any  other  cause  but  this  with  safety  to  my  soul. 

How  can  it  be  by  God's  decree  I'm  cursed,  outlawed,  and  banned 

Because  I  swore,  one  day,  to  free  my  trampled  Native  Land  ? 

O 'DONOVAN  ROSSA. 


I  link  this  excellent  ballad  to  a  very  sweet  variant  of  the  air,  "  RACA 
bfieAj;  mo  cum."  The  ballad  enshrines  another  "  fact  "  of  Irish  history  of 
the  last  century.  The  fifth  and  sixth  lines  of  verse  7  may  be  sung  to  the 
same  part  of  the  air  as  the  third  and  fourth  lines.  The  air  should  be 
taken  somewhat  slowly. 


186 


EILEEN  O  BRIN 


KEY 


Air  :   "  Ui  mo  S^A-O  f  o  Ap  AH  At>Ainn." 


p  * 

:  S|  .f  |  j  i'i|  .f  i  :  S, .1,  I  taj     :  1|  .1)  [  s\       :  m  .,r  > 

She  is    I  gone,     she  is    gone.whereshalllDer  -  mod  find  rest     From  the) 


I    She  is 


i! 


d  .ta, :  s,  .f.   I  nil  .ft    :  Si  .d 


grief      of  his  '  spir     -    it,    the 


rage          of     his 


:  s,  .s,  ) 

renst?    Since  the) 


!l 


B|  .  &j   .1| 

child        of  his 


"i  -f|  :s,  .1, 

chief   -•  tain  no 


ta,       :l|.l, 

more       may  ho 


8| 

view 


:JH  •>*  i 

As       ' 


: 


d  .ta,  :s.  .f 


fair       as  the 


PI  i  -f|  :  S|  .thd 

morn  -  ing  and 


dim. 

r         :  m  ,,r 

pure        as  its 


d        :_d_  .d_ 

dew.        She  is 


dim. 


m  ,,f  :  s  .f   Im         :  r   .d     t,        :  s,  .f6| Is,        :  m_  ,n_  •> 

gone  !      Now  at|  eve,         by  the      Lif    -  fey's  gay|tide,     Who  shall) 


II 


m_.,f  :  s  .f 

lead      the  aged 


m        :r    .d 

war    -    rior  and 


t,  .d   :r  .,m 

watch      by  his 


d 

side  ? 


Oh 


187 


hate 


:s,  .f, 

to  thee, 


Tyr    - 


s,  ,1) 

rell,  for 


black       is 


•i 

thy 


| 
sin, 


•'ill  •!    I 

Who  hast) 


Id  . 


.f 


nipped     in  its 


rail. 

MI  .f  i  :  s,  Uhd 

bloom-hood  the 


r         :m  -,r  Id 

flow'r       of    O'   Brin. 


2.  Young  Armoric  loved  her,  and  once  as  she  hung 

O'er  her  harp,  and  the  wrongs  of  green  Erin  she  sung, 
He  vowed  by  her  beauty,  the  strength  of  the  land 
He  would  marshal  for  freedom,  or  forfeit  her  hand. 
Poor  Eileen  was  silent ;  still  trembling  she  played, 
While  the  tears  in  her  dark  eye  her  bosom  betrayed  : 
Ah,  madd'ning  the  thought  !  that  the  foes  of  her  kin, 
And  her  country,  should  rob  us  of  Eileen  O'Brin. 


3.  As  here  in  the  depths  of  the  dark  tangled  wood, 

When  the  throstle,  sweet  bird,  rears  his  promising  brood, 
The  spoiler,  to  mark  them,  is  oft  wont  to  come 
Ere  he,  merciless,  plunders  their  moss-covered  home ; 
So  Tyrrell,  while  ruin  his  heart  had  long  planned, 
Watched  Eileen,  to  see  all  her  beauties  expand, 
Then,  fiend-like,  that  heart  which  he  never  could  win 
He  tore  from  the  homestead  of  Torlogh  O'Brin. 


How  smooth  was  the  Liffey- — how  blooming  the  lawn ! 
When  she  went  forth  as  playful  and  light  as  a  fawn  ; 
Young  Armoric  greets  her — no  more  could  he  say, 
The  ambush  are  on  him — he  falls — she's  away  ! 
We  missed  her  at  twilight,  and  swift  in  her  track 
Our  kerns  rush  fiercely  to  conquer  her  back ; 
But  in  vain — she's  secured  the  strong  castle   within, 
And  the  accents  of  woe  fill  the  home  of  O'Brin. 


6.  We  trusted  the  stranger — we've  dwelt  on  his  plain  ; 
Our  safeguard  his  honour — 'tis  black  with  a  stain ; 
Yet  he  recks  not,  but  laughs  in  the  face  of  our  wail, 
For  they  wrong,  then  insult  us,  those  lords  of  the  Pale. 


188 

Glendalough  !     Oh,  thy  deep  sunny  valleys  for  me, 
And  thy  mountains  that  watch  o'er  the  homes  of  the  free, 
Where  chieftains  as  brave  as  e'er  battle  did  win 
Would  bow  to  the  beauty  of  Eileen  O'Brin. 

6.  But  we've  lost  her — up  Cuallane— thy  warriors  awake  ! 
Glenduff,  send  thy  bravest  to  fight  for  her  sake — 
O'Brin  !  see  your  name  is  dishonoured — repay 
The  tyrant  whose  minions  forced  Eileen  away ; 
O'Tooles  and  O'Dempseys  your  weapons  unsheath — 
Come  down,  let  your  war-cry  be  "  Vengeance  or  death," 
Nor  cease  ye  one  moment,  when  once  ye  begin, 
Till  the  life-blood  of  Tyrrell  atone  to  O'Brin. 

MLRO. 

This  air  is  taken  from  Petrie.  He  says  of  it :  "  It  is  a  beautiful  arid 
most  ancient  melody."  It  is  one  of  the  fine  airs  which  Petrie  got  from 
James  Fogarty,  an  intelligent  farmer,  of  more  than  ordinary  cultivation 
of  mind,  who  resided  at  Tibroughney,  Co.  Kilkenny,  near  Carrick-on-Suir. 
Fogarty  said  that  the  song  sung  to  it  was  a  beautiful  love-song  for  a  person 
crossing  the  seas.  As  he  also  believed  that  it  had  a  political  tinge  ;  in  all 
probability  it  was  a  Jacobite  ballad.  Fogarty  lived  in  Tibroughney  up 
to  1852  when  he  had  to  emigrate.  This  beautiful  song,  to  which  I  link  it 
for  the  first  time,  will  be  found  worthy  of  it.  I  do  not  know  the  author 
of  it. 


189 
MY  LOVE  IS  ON   THE    RIVER 

Air  :  "  CA  mo  5j\At>  fo  AJ\  A  11 


1.  Sliav  Gua's  highlands  shade  meadow  and 

And  guard  the  green  islands  of  the  golde'a  Suir  ; 

The  Tur  brightly  sallies  from  their  coomj,  wild  and  fleet, 

And  sings  thro'  the  valleys  that  blooir.  at  their  feet. 

More  bright  to-day  than  they  e'er  g'none  before, 

Shine  castle  grey,  and  green  heigko,  and  shore — 

Oh  !  the  splendours  that  quiver  o'er  wildwood  and  lea, 

While  my  love  is  on  the  rivet  in  his  light  boat  with  me. 


2.  Swift  as  foot  of  the  beagle  from  the  hills  doth  he  hie ; 
Bright  as  glance  of  the  eagle,  the  glance  of  his  eye  ; 
When  the  Green  Flag's  unfurled  he  is  straight  as  the  tree ; 
Never  heart  in  the  world  could  be  fonder  of  me. 
Outlawed  and  lone  lived  he  many  a  day, 
In  his  cold  cave  of  stone  'mid  the  hills  far  away ; 
But  truth  conquers  ever  and  my  love  he  is  free 
On  the  Suir's  golden  river  in  his  light  boat  with  me. 


3.  Sweet  songs  are  ringing  from  the  birds  of  the  grove, 
But  sweeter  the  singing  of  my  own  gallant  love  ; 
Oh  !  his  brave  words  first  found  in  me  sadness  and  pain, 
But  they  soon  strewed  around  me  bright  flowers  again. 
And  he  never  more  from  my  arms  shall  be  torn  : 
The  fair  chapel  door  shall  receive  us  next  morn  ; 
And  the  green  woods  shall  quiver  to  our  bridal  bell's  glee, 
For  my  love  is  on  the  river  in  his  light  boat  with  me. 

ROBERT  DWYER  JOYCE,  M.D. 


For  air  see  previous  song,  p.  1 86,  the  title  of  which  is  also  the  title 
)f  this  song.     R.  D.  Joyce  wrote  the  song  for  this  air. 


190 


THOU  ART  NOT  CONQUERED  YET. 

KEY  Eb«    Passionately.  Air  :  From  Petrie, 

P 


(   :  s, 

d  .,r  :  PI  .f 

|s       :  f  .r 

d  .t|    :  S|          |  S| 

1 

(      Thou 

art         not 

con  -  quered 

yet,       dear       land, 

> 

5  '  si 

d  .,r  :  PI  .f 

I  s  .1    :  f  .r 

d        :-        |- 

} 

t    Though 

pale       thy 

once    -  bright 

cheek, 

' 

(  :s, 

d  ,,r  :  PI  .f 

|s     '   :  f  .r 

d  ,t|    :  S(         |  S| 

, 

(      Al  - 

though  thy 

lips           of 

gold  -    en          song 

> 

j    •  S| 

d  .,r  :  n  .f 

|  s  .1    :  f  .r 

d       :-       |- 

) 

<      Now 

mourn  -  ful    • 

ly          do 

speak. 

> 

cres. 

X         .     HI         f 
\          .     PI      .1 

s        :  s  .1 

|  ta      :  ta  .d1 

ta       :  s  jn    |  f 

I 

i  AI  - 

though  thine 

eyes       have 

dimmed  their      hue, 

) 

(  :  PI  .f 

s       i  d' 

|  d1  .,m!  :  r1  .t 

d1       :  -  .t    [  s 

. 

i      And 

with      cold 

tears       are 

wet, 

j 

mj 

dim. 

(  ;B  .1 

ta      :  ta.d1 

|  ta     :  1  .s 

f        :  r  .,d  1  t, 

j 

\       Yes, 

mo  -    ther,  thy  heart      beats 

proud  -  ly           still 

I 

P 

<     Thou 

d  .,r  :  PI  .f 

I  s  .1  :  f  .r 

d       :-       |- 

yet. 

1 

art        not 

con  -  quered 

191 

2.  Thy  limbs  are  bound  in  fetters  strong, 

Thy  heart  is  beating  fast ; 
For,  oh  !  the  gloomy  pall  of  death 

Is  ever  round  thee  cast. 
The  stars  bring  thee  no  light,  asthore, 

Thy  glorious  sun  is  set ; 
Yet,  darling,  hold  thy  flagstaff  firm  : 

Thou  art  not  conquered  yet. 

3.  Seven  centuries  a  stranger's  hoof 

Has  trod  thy  beauty  down, 
His  hand  has  torn  with  ruffian  grasp 

From  thy  fair  head  its  crown. 
But  crownlees  as  thou  art  to-day, 

Yet  never  can  forget 
How  bravely  you  have  borne  the  past 

Thou  art  not  conquered  yet. 

4.  The  poet  brought  unto  thy  feet 

His  gift  of  precious  song, 
And  round  thee  in  a  haloed  ring 

How  thick  thy  martyrs  throng. 
Two  nations  at  thy  fallen  throne 

In  bonds  of  love  have  met, 
Thy  flashing  eyes  unto  them  speak  : 

Thou  art  not  conquered  yet. 

6.  Now,  in  thy  proud  mute  eloquence 

The  wide  earth  well  may  know, 
The  river  of  thy  oenturied  thought, 

Its  caravel  of  woe. 
But  we  who  cling  to  thee,  dear  love, 

No  tears  our  eyelids  wet — 
We  only  swear,  before  high  Heaven, 

Thou  art  not  conquered  yet. 

J.  K.  CASEY  ("LEO") 

This  fine  air  from  Petrie  is  full  of  pathos  and  passion.     Its  strains 
find  fit  expression  in  "  Leo's  "  splendid  ballad. 


192 


O'DONOVAN'S    DAUGHTER. 

KEY  A.     Lively.  Air  :  "The  Ju!co  of  the  Barley.1 

Mi  I  HI,    :f,    :s,    |d     :-r:d 

One  I  mid-sum-mer's     eve,     when  the  ' 


f:m.f 

I And  the 


s     :ro     :s     |f     :m     :f 

bag  -  p'  -  per's     tone  call'd  the 


t,    :s,     :1, 

Bel  -  fires  were 

|s,  :PI, 

light  -  ed, 

1 

m     :  -  .PI  :  r 

maid  -  ens  de    - 

|  r  :r 

light-ed, 

I 

f:m.f 


s     :m     :s     |f     :ro     :f 

joined  a   gay       group  by    the 


r     :t,    :s,    |  s,    :m,    \ 

Ar  -  a  -  gl'n's     wa  -  ter    > 


.f 

And 


m     :r     :d     1 1,    :d     :r 

iiunced  till    the.     dawn   with  O' 


d     :s,    :d     |d     :d 

Don  -  o  -  van's     Daugh-ter 


2.  Have  you  seen  the  ripe  monadan  glisten   in  Kerry, 
Have  you  mark'd  on  the  Galtees  the  black  whortleberry, 
Or  ceanabhan  wave  by  the  wells  of  Backwater  ? 
They're  the  cheek,  eye,  and  neck  of  O'Donovan's  Daughter. 


3.  Have  you  seen  a  gay  kidling  on  Claragh's  round  mountain, 
The  swan's  arching  glory  on  Sheeling's  blue  fountain, 
'Heard  a  weird  woman  chant  what  the  fairy  choir  taught  her  ? 
They've  the  step,  grace,  and  tone  of  O'Donovan's  Daughter  1 


4.  Have  you  marked  in  its  flight  the  black  wing  of  the  raven, 
The  rosebuds  that  breathe  in  the  summer  breeze  waven, 
The  pearls  that  lie  under  Lene's  magic  water  ? 
They're  the  teeth,  lip,  and  hair  of  O'Donovan's  Daughter  1 


193 


5.  Ere  the  Bel-fire  was  dimmed  or  the  dancers  departed, 
I  taught  her  a  song  of  some  maid  broken-hearted. 
And  that  group,  and  that  dance,  and  that  love-song  I  taught  her 
Haunt  my  slumbers  at  night  with  O'Donovan's  Daughter. 


6.  God  grant  'tis  no  fay  from  Cnoc-Firinn  that  woos  me, 
God  grant  'tis  not  Cliodhna  the  queen  that  pursues  me, 
That  my  soul  lost  and  lone  has  no  witchery  wrought  her, 
While  I  dream  of  dark  groves  and  O'Danovan's  Daughter  ! 


7.  If,  spell-bound,  I  pine  with  an  airy  disorder, 

Saint  Gobnate  has  sway  over  Musgry's  wide  border  } 

She'll  scare  from  my  couch,  when  with  prayer  I've  besought  her, 

That  br.ght  airy  sprite  like  O'Donovan's  Daughter. 

EDWARD  WALSH. 


194 


THE  MEN  OF  THE  WEST. 

KEY  F.     Boldly  and  proudly.  Air  :  "  eoJAti  coip." 


(    :S|.S||d    :d    :d    |ro    :r    :d     m    :- 

(while  we]  hon  -  «ur  in      song  and  in      sto 

:-    Is    :- 

The  > 

5 

s     :  m    :  d    J  d     :  r     :  m 

1.    ••- 

:-    1       : 

S|     I 

i 

names  of      our    pa  -  tri  -  ot 

men  ; 

Whose  ) 

5 

d     :d     :d     |  m    :r     :d 

val   -  our    has    cov  -  ered   with 

s     :- 

glo 

:-     11     :-    : 

-       ry 

d'      ) 
Full  ) 

, 

s     :m    :d     |  r    :d     :  r 

d     :- 

._      |           . 

S     ) 

\ 

man  -  y       a      moun  -  tain  and 

glen. 

For-) 

CHOBUS  — 

I 

< 

s     :  m    :  s     |  s     :  m     :  s 

get      not     the     boys  of        the 

d1    :- 

:1     |d«    :- 

Who  > 

hea 

ther, 

give     you  "The    gal  -  lant  old     West," 

boys, 

Where 

(    Is    :  m    :d    |d    :r     :m 

(     |mar-shalled  their  bra  -  vest  and 

1,    :- 

best, 

:-    1       :       :s,  > 

When) 

ral   -   lied      our    bra  -  vest  and    best, 

When 

I 

d     :  d     :  d     |  m     :  r     :  d 

Eir  -  e        was     bro  -  ken     in 

SI 
• 

Wex       - 

:-     11     :- 

-       ford, 

And  > 

Ire  -  land  was      bro  -  ken    and    bleed 

ing, 

Hur- 

( 

s     :ro    :d     |  r     :d    :  r 

d     :- 

:-    1       : 

|| 

1 

looked  for    pe  -  venge  to      the 

West  ! 

1 

rah     for     the     men    of      the     West  I 

195 

2.  The  hill  tops  with  glory  were  glowing, 

'Twas  th'  eve  of  a  bright  harvest  day, 
When  the  ships  we'd  been  wearily  waiting, 

Sailed  into  Killala's  broad  bay  ; 
And  over  the  hills  went  the  slogan ; 

To  waken  in  every  breast 
The  fire  that  has  never  been  quenched,  boys, 

Among  the  true  hearts  of  the  West. 

CHORUS. 


3.  Killala  was  ours  ere  the  midnight, 

And  high  over  Ballina  town, 
Our  banners  in  triumph  were  waving 

Before  the  next  sun  had  gone  down  ; 
We  gathered  to  speed  the  good  work,  boys, 

The  true  men  anear  and  afar  ; 
And  history  can  tell  how  we  routed 

The  redcoats  through  old  Castlebar. 

CHORUS. 


4.  And  pledge  me,  "  The  stout  sons  of  France,"  boys, 

Bold  Humbert  and  all  his  brave  men, 
Whose  tramp,  like  the  trumpet  of  battle 

Brought  hope  to  the  drooping  again. 
Since  Eire  has  caught  to  her  bosom 

On  many  a  mountain  and  hill 
The  gallants  who  fell  so  they're  here,  boys, 

To  cheer  us  to  victory  still. 

CHORUS. 


5.  Though  all  the  bright  dreamings  we  cherished 

Went  down  in  disaster  and  woe, 
The  spirit  of  old  still  is  with  us 

That  never  would  bend  to  the  foe  ; 
And  Connacht  is  ready  whenever 

The  loud  rolling  tuck  of  the  drum 
Rings  out  to  awaken  the  echoes 

And  tell  us — the  morning  has  come. 


196 


CHORDS. 

So  here's  to  the  gallant  old  West,  boys, 
Which  rallied  her  bravest  and  best, 

When  Ireland  was  broken  and  bleeding, 
Hurrah,  boys  !    Hurrah  for  the  West. 


WILLIAM  ROONE?. 


If  Rooney  had  left  after  him  no  song  but  this  it  would  immortalize  his 
name.  It  stamps  him  as  a  man  of  true  poetic  talent  and  patriotic  soul. 
Words  and  air  make  a  magnificent  rallying  song  which  every  rising  genera- 
tion of  Irish  children  ought  to  be  taught.  I  believe  I  am  correct  in  saying 
that  the  great  John  McHale,  Archbishop  of  Tuam,  was  fond  of  singing  this 
air  at  every  social  gathering  of  his  priests  to  Irish  words,  known  as  "  Got  AH 
C6ij\." 


19? 


THE  SADDEST  BREEZE. 

KEY  F.     Plaintively. 


d  -r 

in        :s 

If. 

in   :r  .t,   d  .tj  :s, 

•f, 

Is,       :s,.l,  > 

The 

sad    -  dest        breeze       in          all         the 

land,      It       j> 

ta,  .s 

:d  .t, 

Is,        : 

•i 

s,       :- 

| 

:d   .r    1 

blew 

a 

cross 

the 

sea  ; 

It      > 

HI 

:  s 

|  f  -in    : 

r  .t, 

d  .t,  ;  s,  .f, 

1 

s,        :s,  .1,  > 

drove 

a 

brave 

ship 

from        the 

strand,     And     ) 

ta,  .s 

:d  .t. 

is,       : 

B| 

s,        :- 

1 

:BI  .1,  ) 

bore 

my 

Hugh 

from 

me; 

And      \ 

ta, 

:-  .s, 

I  ta,._d  : 

r  .m 

f  .in   :d  .t 

1 

d        :d        i 

long 

i 

sat 

be    -     side           the 

rill          To          ) 

r 

:  s 

I  fe  .s  : 

1  .fe 

s        :- 

1 

:s.f    > 

weep 

my 

fate 

a 

lone, 

Till       i 

in 

:-  .d 

|f  .m  : 

r  .t, 

d  .t,  :  s,  .f 

,    1 

m,       :s,  1,   ) 

leaf 

and 

flower 

from 

wood       and 

hill       With      i 

ta,  .s 

,  :d  .t, 

Is,       : 

•l 

s,       :- 

1 

II 

sum 

-     mer 

beams 

were 

flown. 

II 

2.  The  gladdest  breeze  e'er  swept  the  vales 

To-day  blew  from  the  sea  ; 
It  swelled  a  good  ship's  snowy  sails, 

And  brought  him  back  to  me  ; 
And  now  'tis  rushing  wildly  past 

With  wintry  sleet  and  rain, 
Yet  e'en  I  love  the  cold,  cold  blast 

That  brought  my  Hugh  again  ! 


198 


BOLD  PHELIM  BRADY,  THE  BARD  OF  ARMAGH. 

KEY  B|>.     Plaintively. 

:-  .d     |r         :s          :-  .f 

the      lay 


(        Oh  ! 


d 

list 


:  I'l 
to 


:s 

of 


i»i     :r     :d     1 1,    :s,    :- 

poor  I    -    rish    harp  -  er,       And]  scorn  not 


d|  r     :  s 

the  strains  of 


'- , } 

'  his    ) 


m     :d     :r     |d     :-     :s, 

old      with-ered  hand,       But  re- 


mem-ber          the  fin  -  gers  could) 


m     :r     :d     1 


:  n     :  d  .d  |  r 

To|  raise  the     merry  strains  of 


:s     :-.f) 

ins  of        his) 


il 


m     :d     :r     |d     :-     :m.f.|s.s:m     :s     |f     :m     :r     ) 

dear  na  -   tive    land;         It  was)  long  be-fore  the     sham-rock   our' 


d.ro:-     rr^dlt,    :  s,    :-.s, 

green  isle's  loved  em  -  blem  Was 

m,m:d     ; r  .m \  f     :-     :n.f 

Saxon  li    -    on's    paw  I  was 


vil  -  lage    and     val  -  ley 


'  |  m     :  d     :  r     |  d     : 

I  Bard  of      Ar   -   magh. 


_A\r     :.     :f.f> 

crushed  in  its        beau-ty  'neath  the) 

S-  -   in  •  Q       If       •m       •i*r\ 
.     .PI  .  s      1 1      .  m     .  r  .r} 

called     by  the     col  -  leens  of  the) 

d     :  -     :  r<m<d|  r     :  s     :  -  .f ) 

Bold         PheTlim  Bra  -  dy,        the) 


*> 


199 

How  I  long  for  to  muse  on  the  days  of  my  boyhood, 

Though  four  score  and  three  years  have  flitted  since  then, 
Still  it  gives  sweet  reflections,  as  every  young  joy  should, 

That  merry-hearted  boys  make  the  best  of  old  men. 
At  a  pattern  or  fair  I  could  twist  my  shillela 

Or  trip  through  a  jig  with  my  brogues  bound  with  straw, 
Whilst  all  the  pretty  maidens  around  me  assembled 

Loved  bold  Phelim  Brady,  the  Bard  of  Armagh. 


3.  Although  I  have  travelled  this  wide  world  over, 

Yet  Erin's  my  home  and  a  parent  to  me, 
Then  oh,  let  the  ground  that  my  old  bones  shall  cover 

Be  cub  from  the  soil  that  is  trod  by  the  free. 
And  when  sergeant  death  in  his  cold  arms  shall  embrace  me, 

O  lull  me  to  sleep  with  sweet  Erin  go  bragh, 
By  the  side  of  my  Kathleen,  my  young  wife,  O  place  me, 

Then  forget  Phelim  Brady,  the  Bard  of  Armagh. 


This  lovely  old  ballad  may  be  heard  to-day  on  the  streets  of  Dublin. 
It  is  a  very  sweet  bit  of  music.  It  should  be  sung  with  feeling  and  smoothly 
and  at  moderate  rate.  The  two  notes  in  parenthesis  are  required  for  the 
last  lines  of  second  and  third  verses,  i.e.,  the  word  Loved  and  the  syllables 
Then  /or(-get). 


200 


THE  FLAG  THAT  FLOATS  ABOVE  US. 


KEY  D. 

Lightly. 

5  :  s  .m 

d      :m 

.f    |S 

:  1  .t     d1  .r1 

:  m1  .d1  |  r1      :  d1  .1 

} 

(    The 

slave    may      bend         in          ab 

-     ject        fear,     And 

IIs 

(I  hug 

:s  .1 

S 

chains 

:  m  .s 

that 

s  .1    : 

d1       |  -        :  s  .ro 

him  •                        The 

i 

the 

bind 

I!' 

(  |  COW 

:m  .f 

-     ard 

Is 

run 

:1  .t 

his 

d'.r1  : 

base 

in1  .d1  |  r1       :  d1  .1 

i 

ca     -    reer,        Nor 

rail. 

(  1  light 

:s  .1 

Is 

free    • 

:m  .d 

r 

find 

d1      |  -       :  s  .ni 

\ 

of 

•     dom 

him.                     But 

IIs— 

M  while 

:  d1  .r' 

bove 

:  r'  .n' 

us 

f       : 

floats 

m1       |  r1       :  d'.r1 

the        flag            of 

} 

a     - 

f  m' 

:  r1 

Id'.l 

:s  .1 

S    .1     ! 

d1       |  -       :  s  .m 

i 

(    green 

and 

or 

ange 

blend  - 

ed,                        No 

> 

(Id 

:m  .f 

Is 

:  1  .t 

d'.r' 

:  m1  .  d'  |  r1      :  d1  .1 

^ 

\\   ty 

-     rant 

knave 

its 

folds 

shall       drag,  While 

> 

rail. 

II" 

(  |  our 

stout 

Is 

arms 

:  m  .d 

r 

fend 

:d        1-        I, 

it. 

de     - 

2.  We  ask  for  nought  but  what's  our  own, 

From  friend  or  foreign  foeman, 

We're  one  in  love,  in  blood  or  bone, 

And  yield  or  bend  to  no  man  : 


201 

We  fight  the  fight  our  father*  fought, 
Beneath  the  same  old  standard, 

They  nobly  died  as  brave  men  ought, 
While  leading  freedom's  vanguard 


3.  Gaze  on  our  standard  as  it  flies, 

By  freemen's   hands  supported, 
A  prouder  yet  'neath  heaven's  skies, 

A  fairer  never  floated  ; 
It  waved  o'er  Brian  and  O'Neill, 

O'er  Sarsfield,  Tone  and  Emmet, 
It  oft  has  braved  the  foeman's  steel, 

And  foemen's  blood  begem  it. 


4.  No  hireling  servile  slaves  are  we, 

To  bend  with  meek  submission 
To  the  alien's  grinding  tyranny, 

Or  despot's  fierce  ambition  ; 
But  for  our  own,  our  suffering  land, 

Our  foreign  foes  defying, 
We'll  strike  while  we  can  raise  a  hand 

And  keep  that  banner  flying. 


6.  A  living  rampart  round  it  throng, 

Ten  thousand  hands  are  ready 
To  strike  a  blow  for  motherland, 

Calm,  patient,  firm  and  steady  ! 
Then  shout  it  out  to  foe  or  friend, 

To  those  who  hate  or  love  us, 
While  life  remains  we  will  defend 

The  flag  that  floats  above  us. 


WILLIAM  COLLINS. 


202 


KEY  P. 


THE  "HOLLY  AND  IVY"   GIRL. 


Air  :  "  The  Maid  of  Wicklow." 


f  :  d   .r      m          :  m   .,f    :  i'i   .r    In          :  1 

:  d   .r    > 

and  my  ) 

d     .r      > 

(  "  Come,       buy             my         nice,  fresh!  I         -       vy, 

j   m            :m     .,f     :m     .r       r            :-            : 

I     Hoi         -         ly            sprigs  so 

<  m            :m     .,f     :m     .r 

green  ; 

\ 
branch     -   es 

1           :- 

seen. 

1     .s      :  m 

Chris      -      tians, 

1            :- 

pray, 

1     .s      :m 

Christ  -mas   Times, 

|ii        I- 

i          [ 
1     .t      > 

that         ) 
I       .t        ) 

i     have              the            fin  -  cst 

j   d1            :t     .,1     :s     .t 

i     ev                   er              yet     were 

<   d1            :t     .,1     :s     .t 

Come        ) 

:1     .,t     ) 

(     buy              from            me,    good 

<    d1            :t     ..1     :s     .t 

and         ) 
And     I'll  I 

:d     .r     > 

and    a      j 

(     let                    me            home,  I 

5  d1           :t     .,1     :s     .t 

f   wish                  you           *  Mer-ry 

(In            :r     .d     :t,    .,d 

(  1  Hap        -        py           New  Year's]  Day.'  " 

2.  "  Ah  !  won't  you  take  my  Ivy  ?  t!ie  loveliest  ever  seen  ! 

Ah  !  won't  you  have  my  Holly  boughs? — all  you  who  love  the  Green  • 

Do  !  take  a  little  bunch  of  each,  and  on  my  knees  I  11  pray, 

That  God  may  bless  your  Christmas,  and  be  with  you  New  Year's  Day 


203 

3.  "  This  wind  is  black  and  bitter,  and  the  hailstones  do  not  spare 

My  shivering  form,  my  bleeding  feet,  and  stiff  entangled  hair  ; 
Then,  when  the  skies  are  pitiless,  be  merciful  I  say — • 
So    Heaven    will  light  your  Christmas  and  the  coming  New  Year  s 
Day." 

4.  'Twas  thus  a  dying  maiden  sung,  whilst  the  cold  hail  rattled  down, 
And  fierce  winds  whistled  mournfully  o'er  Dublin's  dreary  town  ; — • 
One  stiff  hand  clutched  her  Ivy  sprigs  and  Holly  boughs  so  fair, 
With  the  other  she  kept  brushing  the  hail-drops  from  her  hair. 

5.  So  grim  and  statue-like  she  seemed,  'twas  evident  that  Death 
Was  lurking  in  her  footsteps — whilst  her  hot,  impeded  breath 
Too  plainly  told  her  early  doom — though  the  burden  of  her  lay 
Was  still  of  life,  and  Christmas  joys,  and  a  Happy  New  Year's  Day. 

6.  'Twas  in  that  broad,  bleak  Thomas  Street,  I  heard  the  wanderer  sing  ; 
I  stood  a  moment  in  the  mire,  beyond  the  ragged  ring — • 

My  heart  felt  cold  and  lonely,  and  my  thoughts  were  far  away, 
Where  I  was,  many  a  Christmas-tide,  and  Happy  New  Year's  Day. 

7.  I  dreamed  of  wanderings  in  the  woods  amongst  the  Holly  green  ; 
I  dreamed  of  my  own  native  cot,  and  porch  with  Ivy  screen  ; 

I  dreamed  of  lights  for  ever  dimmed — of  hopes  that  can't  return — 
And  dropped  a  bear  on  Christmas  fires,  that  never  more  can  burn. 

8.  The  ghost-like  singer  still  sung  on,  but  no  one  came  to  buy, 
The  hurrying  crowd  passed  to  and  fro,  but  did  not  heed  her  cry  : 
She  uttered  one  low,  piercing  moan — then  cast  her  boughs  away — 
And  smiling,  cried — "  I'll  rest  with  God  before  the  New  Year's  Day." 

9.  On  New  Year's  Day  I  said  my  prayers  above  a  new-made  grave, 
Dug  decently  in  sacred  soil,  by  Li  Hey 's  murmuring  wave  : 

The  Minstrel  maid  from  Earth  to  Heaven  has  winged  her  happy  way, 
And  now  enjoys,  with  sister-saints,  an  endless  New  Year's  Day. 

J.  KEEQAN. 


Keegan  was  born  in  Queen's  Co.,  and  died  in  1849.  His  poems  are 
thoroughly  Irish  in  feeling  and  sentiment,  as  they  are  full  of  purity  and 
tenderness  (Hayes).  The  air  is  a  sweet,  tender  bit  of  music. 


204 
TO-MORROW,  COMRADES,  WE. 


KEY  Eb- 


f  :       -1|       r     ,,d      :  r     .m        f             :  f     ,,f     > 

<              To     -    mor  -  row,    com  -  rades,  we                   On       the     $ 

(  m  ,d   .-        :d       ,,d 

(     battle                  plain      must 

d                 i  ti       .,d        ^ 

ba,                         There     to         ) 

<   1,       .r        :r        .in 

f                 :  m       .r        | 

(  1      con         -         quer      or 

both                         lift                   ) 

(   1,       .         :ta, 

(     low,                      lie 

1,               :         .d'      i 

low  f                                   The      i 

(    d1       .,1        :f       .1 

C     morn  -  ing           star        is 

d1                 :ta     .1        ^ 

up,                         But     there's  ) 

f    s        .,m       :d       .m 

(     wine        still        in           the 

s                  :f       .,s       > 

cup,                      And      we'll    ) 

5|1        -,f        :s  ,f  .- 

(  I  take        a      -      nother 

1,                 :r       .d        > 

quaff,                   Ere        we         ) 

llr                  :n 

(  1  go»                         boys, 

f                 :f       .s       i- 

go,                            We'll              ) 

(     1           .,1           :S  ,f    .- 

(     take        a      -       nother 

d1                 :d       .,d       ) 

quaff                  Ere        we        ) 

205 

2.  'Tis  true  in  manliest  eyes  a  passing  tear  will  rise, 
When  we  think  on  the  friends  we  leave  alone, 
But  what  can  wailing  do  !  see,  our  goblet's  weeping,  too, 
With  its  tears  we'll  chase  away  our  own,  boys,  our  own, 
With  its  tears  we'll  chase  away  our  own. 


3.  But  daylight  stealing  on — the  last  that  o'er  us  shone, 
Saw  our  children  around  us  play, 

The  next — oh  !  where  will  we  and  those  rosy  urchins  be  ? 
But  no  matter — grasp  thy  sword,  and  away,  boys,  away, 
But  no  matter — grasp  thy  sword  and  away. 


A.  Let  those  who  brook  the  chain  of  Saxon  or  of  Dane, 
Ignobly  by  their  fireside  stay, 

One  sigh  to  home  be  given,  and  one  heartfelt  prayer  to  Heaven, 
Then  for  Eire  and  her  cause,  boys,  hurrah  !  hurrah  !  hurrah! 
Then  lor  Eire  and  her  cause,  boy,  hurrah  !     * 

•  THOMAS  MOORE. 


206 


THE 

ENSIGN    AND    HIS    BANNER. 

KEY  C- 

Air:  "  Se6tA>6  riA  115 

AlilMA.' 

• 

(      They 

1 

said 

I 

Id1      :1         s       :m       |d 

was         too        young    to           seek 

:  r  .PI 

For 

} 

\  fame 

m  .r 

1  1   .s 

:  f  .ro 

r         :-  .d    |1,        : 

They 

} 

or 

mar 

-     tial 

glo         -         -         ry; 

li  said 

1    .,t 

Id' 

was 

:ta.l 

s  .f    :m  .r    |d         : 

r  .m 

} 

I 

too 

slight       and         weak 

To 

f      : 

(j  brave 

m  .r 

the* 

|1  .s 

tfjtl 

-     tie 

r         :-         |p         : 

go         -         -          ry; 

But 

} 

bat 

<|  years 

1    .d' 

have 

in 

passe 

• 
d,          and 

r1        :-  ,d'  |1         : 

I                     have  got 

S 
A 

} 

!L,  .  : 

1   .r' 

jr1  .d 

:r'  .m1 

r1        :-  .d1   |1         : 

t 

And 

} 

dier's 

mien 

and 

man                         ner, 

sir      •. 

v|  borne 

d1 

thro' 

Id1 

man 

-    ya 

s  .f    :s  .1*1    |d         : 

storm       of             shot 

r  .ro 

My 

} 

t|  con     - 

ro  .r 

quering 

|1    .S 

•  f      m 

r        :-        IP        || 

ban            -            ner.       || 

I       - 

rish 

2.  The  bloody  breach  of  strong  Namur, 

It  was  the  first  I  mounted — 
And  many  a  comrade's  corse  be  sure 

Within  that  breach  we  counted  ; 
There  placed  we  high  the  Fleur  de  lys, 

And  Bill,  th'  old  Dutch  trepanner, 
As  fast  he  fled,  looked  back  on  thee, 

Far  higher  still,  my  banner  I 


207 


3.  And  since  that  mighty  day  of  death, 

With  honour  still  I've  borne  it  : 
It  waved  in  many  a  battle's  breath, 

And  many  a  shot  has  torn  it  : 
It  saw  on  Steinkirk's  fiery  plain 

Bravo  Sarsfield  beat  the  planner 
Of  all  our  woe,  Dutch  Bill,  again, 

My  glorious  Irish  banner. 


I  had  a  sweetheart  in  Ireland 

Before  I  crossed  the  water  : 
My  comrades  say  some  Saxon  band 

Has  drenched  her  home  in  slaughter  ; 
Ah,  cold  she  sleeps — God  rest  her  soul ! — • 

Beside  the  Banks  of  Anner, 
And  now  I've  naught,  as  seasons  roll, 

To  love,  but  my  green  banner. 


6.  And  now  where'er  my  banner  wave, 

I'll  think  on  that  sad  river, 
Where  lies  my  true  love's  gory  grave, 

And  fight  for  vengeance  ever ; — 
With  Ireland's  woes  in  memory, 

Some  brave  revenge  I'll  plan  her, 
And  when  I  fall,  my  shroud  shall  be 

My  glorious  Irish  banner  ! 


ROBERT  DWYEB  JOYCE,  M.D. 


203 


DRIMAN    DHOUN  DHEELISH. 


Ki 

{ 
i 

i 

I 

:Y  C- 

:m.,f  s  .d1  :  -      :_d 

O         say,  my       bro 

s       :-       :s  .,1 

kine,                Where, 

/"^               /O\ 

d1  .,t  :  s  .f  :  m  .,f 

I'.t  Id'.r'  ;-      :r'.,t  d1      :-  .t  :  s  .1  \ 

wn    |Drim-in,           tho 

t_M.l  :s       :-.! 

where    ar@              thy 

r       :  -       :  d1  .t 

a      silk             of    the    ) 

t        :  d1       :  r1  ,t  > 

strong    ones,      last     > 

s       :1        :r  .,t,  ) 

hope       of           thy 

d       :  r       :-  .PI 

long      is                the 

line  ?                   Too 

f       :-  .s   :1 

slum      -     ber  they 

d'.,t  :s  .f  :m  .f 

deep      and          too     ) 

r       :  -       :  d1  .,r'  ^ 

take,                   At  th@) 

r       :d       :-  ,d  ) 

don't      they           a-  > 

loud        call         of 
wake  ? 

free  -  dom         why 

2.  My  strong  ones  have  fallen — from  the  bright  eye  of  day 
All  darkly  they  sleep  in  their  dwelling  of  clay  ; 
The  cold  turf  is  o'er  them — they  hear  not  my  cries, 
And  since  Louis  no  aid  gives,  I  cannot  arise. 


3.  O  !  where  art  thou,  Louis  ?  our  eyes  are  on  thee — • 
Are  thy  lofty  ships  walking  in  strength  o'er  the  sea  ? 
In  freedom's  last  strife,  if  you  linger  or  quail, 
No  morn  e'er  shall  break  on  th«  night  of  the  Gael. 


209 

But  should  the  King's  son,  now  bereft  of  his  right, 
Come  proud  in  his  strength  for  his  Country  to  fight ; 
Like  leaves  on  the  trees,  will  new  people  arise, 
And  deep  from  the  mountains  shout  back  to  my  cries. 


5.  When  the  Prince,  now  an  exile,  shall  come  for  his  own, 
The  Isles  of  his  father,  his  rights,  and  his  throne, 
My  people  in  battle  the  Saxons  will  meet, 
And  kick  them  before,  like  old  shoes  from  their  feet. 


6.  O'er  mountains  and  valleys  they'll  press  on  their  rout, 
The  five  ends  of  Erin  shall  ring  to  their  shout ; 
My  sons  all  united,  shall  bless  the  glad  day 
When  the  flint-hearted  Saxon  they've  chased  far  away. 

J.  J.  CALLANAN. 


This  magnificent  rendering  of  the  Irish  song  by  Callanan  is  far  more 
virile  and  enthusiastic  than  Ferguson's  version.  The  fine  air  and  words 
make  a  grand  song.  The  Commissioners  of  "National"  Education  in 
Ireland  were  once  asked  to  sanction  for  use  in  Irish  schools  my  booklets, 
entitled  "  Vuinti  HA  Stnol."  They  refused,  on  account  of  this  song. 
If  this  song  were  eliminated  they  promised  their  sanction.  I  refused 
to  eliminate  it.  The  Commissioners  knew  no  Irish.  I  wonder  who  was 
their  Mentor  and  Censor  of  Irish  literature  ?  Irish  children  evidently 
can't  be  trusted  that  they  won't  become  rebels,  if  they  are  allowed  to 
sing  a  Jacobite  song  in  Irish. 


210 


KEY  A. 


GRA    GAL    MACHREE 

Air:  <:  Paddy's  Green  Island." 


When 


m    :d    :d    |r    :d    :d    I  1,   :d    :  1,   |  s,   :n,   :  f ,  > 

morn-ing  dis  -  clo  -  ses     its    I  light  on       the    ro  -   ses,    Up-) 


s,    :d     :d     |m     :r     :d     It,    :r     :r     |r ^    :-.f) 

on      them  re  -    po    -  ses      the  '  sweet  hon  -  ey      v  dew  ;          Like) 


m     :  d     :  d     |  r     :  d     :  d 


nm     :a     : 

(  I  buds  of 


their  fair  -  est,     thy 


5  IB,    :• 

(  I  hon    - 


:s     :m     |r     :d     :-. 


hon    -  ey    the    ra    -    rest      to 


d     :  m     :  s     |  s     :  m     :  d 

eyes  they    are      bright-er      than 


1,    :-.d  :1,    |s,     :m,     :  f ,    ) 

lips,      O,     my    dear- est,     Have) 

m     :d     Id     |d     :-   II  n.r  ) 

sweet-en      them  too.          || Thine) 

d     :  m     :  s     | s     :  m     :d     > 

stars   of      the      night,  or      Than) 

t,    :r     :m     |f     :s.f:- 


gems  of        the      sea  ;  Thy 


•«J>   I 

;  Thy  > 


(  if     :s     :1     |s     :m     :( 

(  I  A    -  pril   skies'  light,  or      tl 

(In     :d     :d     |r     :d     :d     |l,.d:-  :  1,    |  s,    :m,    :  f ,    ) 

(  [neck's  like  th'  il-  him  -  ing  bright|  lil-y  as  -    sum-ing      Its    ) 


I 


s,    :s 


|r     :d 


:d     :d     |d     :- 


first    H*n-der      bloom-ing,  sweet  Gra    Gal    Ma  -  chree. 


211 

2.  I  went  to  the  greenwood,  where  streamlets  serene  would 

Make  music  and  sheen  would  enliven  me  more  ; 
Sweet  visions  they  wrought  me,  sweet  mem'ries  they  brought  me, 

Of  thee  who  first  taught  me  love's  passion  and  lore. 
The  birds  round  me  winging,  their  carols  were  singing, 

Their  voices  outringing  with  rapture  and  glee  ; 
My  heart  then  enchanted,  by  dearer  tones  haunted, 
For  thy  loved  words  panted,  sweet  Gra  Gal  Machree. 

3.  O  Love,  I  am  thinking  of  thee  from  the  blinking 

Of  morn  till  the  sinking  of  day  in  the  west ; 
And  thus  each  fair  creature,  each  bright  blooming  feature 

And  aspect  of  nature  brings  joy  to  my  breast ; 
Each  night  through  the  airy  sweet  dreamland  of  fairy, 

My  soul  still  unweary  is  wandering  to  thee  ; 
And  dream  or  reflection  is  one  recollection 

Of  thy  fond  affection,  sweet  Gra  Gal  Machree. 

ROBERT  DWYER  JOYCE,  M.D. 

I  am  indebted  to  Dr.  P.   W.   Joyce's  collection  for  this  air.     Air  and 
ttords  make  a  very  sweet  and  pleasant  song. 


212 


THE  BRIGADE'S  HURLING  MATCH. 

KEY  F.     Lively.  Air  :"  The  game  played  in  Erin  50  bj\A£." 


j   Lr—  m 

(  In"the|Soi 


|n     :s     :t. 


ejSouth's  bloom-ing  val  -  leys   they 


(   :J._t|d'    :t 

(By  their  vine  -  s 


r  vine  -  sha-ded 


|t 

cots 


at 


:s 

the 


:Ll|t     :1     :s     |1     :s     :n 

But  a  '  game  like    our      own   the      I 


t,    :1.    :1.    Hi    :- 

sing     and    they    play 

ro     :fe   :s     |1     :- 

close  of        the     day  : 

r     :d     :t,    |d     :- 

tal  -    ians   ne'er  saw — 


The 


m     :  1|    :1|    |m     :s     :t, 

wild  sweep-ing    hur  -   lings  of 


t,    :1, 

E    -    rin 


II, 


50 


2.  Our  tents  they  were  pitched  upon  Lombardy's  plain  ; 
Ten  days  nigh  the  foemen  our  army  had  lain  ; 
But  ne'er  through  their  walls  made  we  passage  or  flaw, 
Till  we  showed  them  the  game  played  in  Erin  50 


3.  Our  sabres  were  sharp  and  a  forest  was  nigh  ; 

There  our  hurleys  we  fashioned  ere  morning  rose  high  ; 
With  the  goal  ball  young  Mahon  had  brought  from  Dunlawe, 
We  showed  them  the  game  played  in  Erin  50  bjvac. 

4.  Our  captain  stood  out  with  the  ball  in  his  hand  ; 
Our  colonel  he  gave  us  the  word  of  command  ; 

Then  we  dashed  it  and  chased  it  o'er  eskir*  and  scragh-f, 
While  we  showed  them  the  game  played  in  Erin  50  bpAc. 

5.  The  enemy  stood  on  their  walls  high  and  strong, 
While  we  raced  it  and  chased  it  and  dashed  it  along  ; 
They  opened  their  gates  as  we  nearer  did  draw, 

To  see  the  wild  game  played  in  Erin  jo  bj\A£. 

*  Eskir,  a  low  little  sand-hill.         |  Scragh  [scraw]  ,  a  grassy  surface. 


213 

6.  On  a  sudden  we  turned  from  the  ball's  swift  career  ; 

And  rushed  through  the  gate  with  a  grand  ringing  cheer  ; 
Ah,  they  ne'er  through  our  bright  dauntless  stratagem  saw, 
While  we  showed  them  the  game  played  in  Erin  50  b|\A£. 

7.  Their  swords  clashed  around  us,  their  balls  raked  so  sore, 
But  with  hurleys  we  paid  them  in  hard  knocks  galore  ; 
For  their  bullets  and  sabres  we  cared  not  a  straw, 
While  we  showed  them  the  game  played  in  Erin  50  bj\A£. 

8.  The  fortress  is  taken  !  our  wild  shouts  arife  ; 

For  our  land  and  King  Louis  they  swell  to  the  skies. 
Ah,  he  laughed  as  he  told  us  a  game  he  ne'er  saw 
Like  the  wild  sweeping  hurlings  of  Erin  50  bjv&fc  ! 

ROBERT  DWYKB  JOYCE,  M.D. 

"  The  story  embodied  in  this  ballad  was  told  among  the  people  of  Cork 
and  Limerick  sixty  years  ago  (1850  A.D.) — how  a  company  of  the  Irish 
Brigade  in  the  service  of  France  captured  a  town  in  the  manner  related." — - 
(Dr.  Joyce).  The  above  air  is  printed  as  I  always  heard  it  sung.  It  differs 
in  two  notes  from  Dr.  Joyce's  version. 


I  WOULD    I  WERE  ON  YONDER  HILL. 


KEY  BJ?. 


Air  :  "  SiubAl,  A  j\un." 


:d     d    :-    : 

I        would 

s,    :-     :PI, 

there          I'd 

P1|     I  —      I  Pl| 

ev'         -       ry 

dh6     thoo  ma- 

HORUS. 

d     t,   :-    :t 

I      were            o 

d     :-     :t, 

sit                 and 
tear          would 

d  .ti    :  s,  .t| 

1,   :-    :PI, 

n     yon      -       dei 

1,    :-     :r, 

cry                my 

1,    :-.t,  :d.r 

pii    :  -    :  S|  | 

hill,            'Tis  ) 

T|    :  —     !  FI    > 

fill,                And) 

PI     :-.f,m:r.m  ^ 

turn           a 

1,    :-     :- 

slaun. 

1,  rjn,    :-.ri| 

Shule               a- 

d    :  t,    :  s,.Pi| 

shule          go 

1,   :-.t,:d.r 

mill      Iss  go) 

m,    :-     :-     > 

roon                     ' 

r,:    -     :-     I 

kewn, 

rr\ 
PI      !  —  .IjPI  '•  T  -PI  ) 

voor     -     neen 

Shule, 

d     :-     :r 

Shule           go 
Shule     go  dheen 

"d     ft,    :-.!, 

dh6    thoo    ma 

Shule, 

m     :  m     :  r  .r 

sue  -  cir     ag-us 
dur  -  rus    'gus 

d  .m    :s,  .t, 

e                  lig 

1.    :-     :-' 

slaun. 

Hum,          Iss  go) 

voor      -     neen 

2.  I'll  sell  my  rock,  I'll  sell  my  reel, 
I'll  sell  my  only  spinning-wheel, 
To  buy  for  my  love  a  sword  of  steel, 
Iss  go  dhe  thoo  mavgurneen  slaun. 


CHORUS. 


215 

3.  I'll  dye  my  petticoats,  I'll  dye  them  red, 
And  round  the  world  I'll  beg  my  bread, 
Until  my  parents  shall  wish  me  dead, 
Iss  go  dhe  thoo  mavourneen  slaun. 


CHORUS. 


4.  I  wish,  I  wish,  I  wish  in  vain, 
I  wish  I  had  my  heart  again, 
And  vainly  think  I'd  not  complain, 
Iss  go  dhe  thoo  mavourneen  slaun. 


CHORUS. 


5.  But  now  my  love  has  gone  to  France, 
To  try  his  fortune  to  advance  ; 
If  he  e'er  come  back  'tis  but  a  chance, 
Iss  go  dhe  thoo  mavourneen  slaun. 


CHORUS. 


This  setting  of  the  air  is  by  Father  Brennan,  native  of  Cahirciveen 
("  Oisin").  Singers  will  please  note  the  change  of  time  in  two  passages, 
namely,  in  the  4th  and  8th  lines  of  the  music.  The  song  and  air  are  both 
beautiful.  What  a  contrast  to  the  mawkishly  sentimental  songs  of  the 
modern  concert  hall  !  Gavan  Duffy  says  : — "  The  inexpressible  tenderness 
of  the  air  and  the  deep  feeling  and  simplicity  of  the  words  have  made  tho 
ballad  a  popular  favourite." 


216 


KEY 


OUR  NATIVE  LAND 

Air  :  "  An 


r  :     .U:  d  .t, 

i  The  day  is 


:d  .r    :m«ba<se 

dy    -   ing  The  eve   is 


l^-d'  :  t  .1    :  s  .l,s 

sigh-ing,  Our  barque  is 


(  I ro     .,r     :  d     .ro     :  r  <  d  <  t,  lf          :      .  li.tj:  d    .t|      > 

1  I      fly      -       ing    bo  -     fore  the     wind ;  The    sun  -  set's) 


.,t|    :d     .r     :m«ba«se  1    .d1    :  t    .l^s:m     .r      ) 

-     derv    Up  -  on      the  ) 


splen    -  dour  Falls  soft  and 


ten 


ii 


d     .1,     :t,    .Mt,:l,  .1,    II, 


Up 

,.|r^W 


groen 


flow     - 


hills  we     leave  be-  '  hind. 


|Our     tears  are 


:t     .1     :1    .s 

ing  The  while  we'i 

d     .r,m:r    .t,    ll, 


.d1    :t    .1     :s    .1  ,s 

go     -  -  ing,  For    love     is 


show      -     ing     the  moun-tainsl  grand  ; 


i,t,:d    .t, 

The  glens  and 


m 


il 


.,t|    :  d     .r 


mead    -     ows     In    lights  and 


1    .d1    :t    ,l,s:m    .r 

sha  -  dows  And  the  plea-sant 


d    .1,     :t,    .tjdt,:!,   .1,   II, 

val      -      leys    of  our  Na-  tivel  Land. 


2.  Oh  !  akies,  grow  brighter  ! 
Oh  !   winds,   blow   lighter  ! 
Let  not  the  night  or  the  deep  sea  hide 
From  our  fond  vision 
That  dream  Elysian 


217 

That  flings  its  beauty  across  the  tide. 

Ah  !  poor  hearts,  beating, 
There's  no  retreating  ; 
The  winds  are  cheating  with  whispers  bland  ; 

The  hills  are  sinking  ;  . 

Our  souls  are  drinking 
The  last  sweet  vision  of  Our  Native  Land. 


3.  They  say  the  gold  land 

Is  a  brave  and  bold  land — 
Alas  !  the  Old  Land  is  sad  and  low — • 

And  the  winds  that  fan  her 

Bright  starry  banner 
Are  never  freighted  with  her  children's  woe. 

We've  read  her  story 

Of  light  and  glory 
'Neath  ruins  hoary,  antique  and  grand  ; 

And  we  will  prove  her 

That  we  can  love  her, 
And  still  be  true  to  Our  Native  Land. 


4.  Each  thought  we  knew,  love, 

Was  but  for  you,  love, 
And  so,  old  true  love,  a  fond  adieu  ; 

While  night  is  shading, 

We  see  thee  fading, 
Like  sea  nymph  dipping  'neath  ocean  blue. 

But  love  has  painted 

Thy  face,  sweet,  sainted, 
In  hues  all  tinted  with  heaven's  own  hand  ; 

And  in  our  spirit 

We'll  proudly  wear  it ; 
And  so  be  true  to  Our  Native  Land. 

MICHAEL  SCANLAN. 


This  version  of  the  air  was  taken  down  from  the  singing  of  a  traditional 
singer  in  Cork,  Miss  Lynch. 


218 
"IRELAND    OVER    ALL.' 

KEY  F.     Boldly  and  spiritedly.  Air  :  "  The  Irish  Champion." 


f: 

S| 

PI,        .,S, 

:d      .,«      jr      .,t, 

:s,      .1, 

< 

Come 

should-er, 

boys,  to        i  should-er 

now,  The 

|t, 

.r 

:d 

.,t, 

d                  : 

.d 

l|  dawn 

is 

red 

d'ning 

o'er 

The 

f 

-,r 

:m 

,,f 

s         .,tn         : 

f            .S 

<|  hills 

that 

cir 

cle 

Ire     «     land's 

brow,      The 

(In 

.d 

si, 

,1, 

s,                 : 

•s, 

(|  seas 

that 

ring 

her 

shore. 

And 

<|m 

1|  hark 

from 

:m 

out 

.f 

the 

s         .,ni         '. 

death  -  less 

f            .8 

past        Our 

i:  - 

.d 

thers 

voi    - 

.1, 

ces     . 

s,                  : 

call- 

f! 

For 

Hi. 

land 

:f 

first, 

.8 

and 

Ire     -      land 

S,           .1, 

last  —     And 

it. 

.r 

land 

:d 

o 

ver 

d                  : 

all! 

1 

2.  Old  Ireland  claims  our  loyalty 

And  none  but  her  alone 
Will  ever  reign,  will  ever  be 

High  crowned  upon  a  throne. 
Then  send  your  slogan  on  the  blast, 

Whatever  may  befal, 
"  Here's  Ireland  first,  and  Ireland  last — 

And  Ireland  over  all  1  " 


219 

3.  For  this  dear  land  our  fathers  fought, 

For  her  our  martyrs  died, 
And  could  we  gain  the  goal  they  sought 

We'd  freely  die  with  pride. 
Then  what  tho'  skies  be  overcast 

Ring  out  your  slogan  call : 
"  Old  Ireland  first,  and  Ireland  last— 

And  Ireland   over  all  1  " 


Oh,  were  Lord  Edward  here  to-day, 
And  Fearless  Father  John,* 

Their  spirits  to  our  souls  would  say — 
"  Keep  fighting,  fighting  on." 

Unfurl  your  banner  to  the  blast 
And  let  your  slogan  call 

Be  "  Ireland  first  and  Ireland  last, 
And  Ireland  over  all !  " 


6.  Then,  shoulder,  boys,  to  shoulder  still 

As  through  the  weary  night, 
We'll  stand  till  Freedom's  banner  will, 

In  glory  and  in  might, 
Float  proudly  in  each  mountain  blast, 

Though  we  around  it  fall, 
Here's  Ireland  first,  and  Ireland  last — 

And  Ireland  over  all. 


P.  KEHOB. 


The  writer  of  this  song,  P.  Kehoe,  Riversdale,  Enniscorthy,  applies  to 
Ireland  the  motto  of  the  Americans  :  "  America  first,  last,and  all  the  time." 
The  song  is  a  very  fine  one.  In  spirit  and  poetic  merit  it  fcrirgs  us  back 
to  the  Young  Ireland  period.  We  hope  to  soon  see  other  productions 
from  the  author's  pen.  On  the  recommendation  of  friends  whose  musical 
and  Irish  taste  is  unquestioned  I  have  wedded  the  song  to  one  of  our  noble, 
spirited  airs — one  which  is  well-known.  In  singing  it  let  the  jiggy  style 
be  carefully  avoided. 

*  Father  John  Murphy, who  nobly  and  skilfully  led  the  «'  Rebels"  of 
1798  to  many  a  victory. 


220 


REDMOND 


KEY  A. 


O'HANLON. 

Air  :  "  Moll  Roe." 


:    .s,    d      :-.d  :d      I 

r      :  -  .n  : 

It,     :-. 

a  :r     ) 

A      shep    -    herd  that 

lives          on 

Slieve  Gul    -    lion  Came) 

in       :-  .d  :d       |f       : 

down           to     the        Coun 

-  .r   :n 

-     ty     Ty 

1?      :- 

-     rone, 

And     > 

d       :-  .d   :d       |r       : 

told             us     how       Red    - 

n       :d 

mond     O' 

It,       :d 

Han  •   Ion 

.  Won't) 

In       :  -  .n  :  n       |  f       : 
let               the    rich        Sax    - 

r       :t, 

ons         a 

Id      .:- 

lone  ! 

:    .s  , 

He) 

s       :  -  .n  :  n       |  f       : 

rides            o  -   ver         moor 

-  .r   :d 

land  and 

It,       :d 

moun-  tain, 

By       > 

Is       :  -  .in  :  n       |  f       : 
night,          till    a            stran 

-  ,r  :n 

-      ger   is 

If       :- 

found, 

:r.r  > 

Say-ing  > 

Is       :  -  .in  :  n       |  f       : 

1  "  Take        your  own      choice 

-  .r   :d 

to      be 

It,       :d 

lod     -     ging 

Right) 

In       :  -  .n  :  n       If       : 
o        •       ver,  or           uri 

-  .r  :  t, 

der  the 

Id       :- 

ground  !  " 

•      .11 

2.  If  you  whistle  out  Whoa  !  like  a  native, 

He  leaves  you  the  way  to  go  clear  ; 
If  you  squeeze  out  a  Hew  !  like  a  Scotchman, 

You'll  pay  him  a  guinea  a  year. 
But  if  you  cry  Haw  !  like  a  Saxon, 

Och,  then,  'tis  your  life  or  your  gold  ! 
By  stages  Count  Redmond  O'Hanlon 

Gets  back  what  they  pilfered  of  old  1 


221 

Old  Coote  of  Cootehill  is  heart-broken ; 

And  Johnston  beyond  in  the  Fews 
Has  wasted  eight  barrels  of  powder 

Upon  him,  but  all  to  no  use  ! 
Although  there's  four  hundred  pounds  sterling 

If  Redmond  you'd  put  out  of  sight ; 
Mind,  if  the  heart's  dark  in  your  body, 

'Tis  Redmond  will  let  in  the  light ! 


The  great  Duke  of  Ormond  is  frantic — 

His  soldiers  got  up  with  the  lark 
To  catch  this  bold  Redmond  by  daylight ; 

But  Redmond  caught  them  in  the  dark. 
Says  he,  when  he  stripped  them  and  bound  them — 

"  Take  back  my  best  thanks  to  his  Grace 
For  all  the  fine  pistols  and  powder 

He  sent  to  this  desolate  place  !  " 


5.  Then  here's  to  you,  Redmond  O'Hanlon  ! 

Long  may  your  excellency  reign, 
High  ranger  of  woods  and  of  rivers  ! 
Surveyor  of  mountains  and  plain  ! 
Examiner-chief  of  all  traitors  ! 

Protector  of  all  that  are  true — 
Henceforward,  King  Charlie  of  England 
May  take  what  he  gets,  after  you  ! 


P.   J.    McCALL. 


This  is  one  of  P.  J.  McCall's  delightful  folk-songs  taken,  by  permission, 
from  his  Songs  of  Erinn.  I  append  the  -interesting  note  with  which 
he  prefaces  this  song  in  his  little  book  :  "  Redmond  O'Hanlon  of  Orior, 
for  over  a  quarter  of  a  century,  kept  the  authorities  of  Ulster  at  bay. 
The  titles  enumerated  in  the  concluding  stanza  were  assumed  by  him  in 
derision  of  those  borne  by  the  Duke  of  Ormond,  who  often  proclaimed 
him.  His  degree  of  Count  was  a  real  one,  having  been  conferred  on  him 
whili?  serving  in  the  armies  of  France,  1653-6.  He  was  assassinated  iu  1681, 
having  been  shot  through  the  heart  when  lying  asleep." 


222 


LAMENT    FOR    THE    MILESIANS. 


KEY. 
mf. 


<:d.r 

m     :- 

.f  : 

m.r 

Id    : 

s     : 

-,m 

r     : 

-A: 

i, 

Is,   :- 

(    Oh! 

proud    were  the  chieftains 

of 

green 

In- 

nis 

-    fail, 

P 

fim.r 

d     :- 

.t,: 

1, 

Is,    : 

m,    : 

B| 

li    : 

: 

- 

H,    :- 

I     Iss 

throo  - 

a 

gon 

eer 

ria 

vor 

- 

- 

ra! 

mf. 

^ 

<:d.r 

in     :- 

,f: 

m.r 

Id    : 

-.s  : 

in 

r     : 

-.d: 

1, 

Is,    :- 

(    The 

stars 

of 

our 

sky 

and  the 

salt 

of 

our 

soil, 

(:m.r 

d     :- 

.t,: 

i, 

l«Li 

HI    : 

S| 

1,    : 

-     : 

- 

11,    =- 

(    Iss 

throo  - 

a 

gon 

eer 

na 

vor 

- 

- 

ra. 

<:l,.t, 

d     :- 

.t,: 

1, 

Id    : 

r     : 

n 

s     : 

-.1: 

S 

In     :- 

(  Their 

hearts 

were  as 

light 

as 

a 

child 

in 

the 

lap, 

mf. 

<:r 

d    :- 

.tiJ 

1, 

Id    : 

r     : 

in 

1     : 

-     : 

- 

Is     :- 

<    Yet 

they  were 

"the 

men 

in      the 

gap" 

T- 

dm. 

(  And 

f    :- 

now 

.f  :f 

that  the 

|m    : 

cold 

s    : 

clay 

m     1  r     :  -  .d  : 

theirl  limbs  doth 

1, 
en 

Is,     :- 

-  wrap. 

<:m.r 

d    :- 

ti 

1| 

Is,    : 

ni|    i 

B| 

1,    : 

-     : 

- 

Hi    :- 

v  *Iss 

throo 

-  a 

gon 

eer 

na 

vor 

- 

- 

ra! 

*  1f  CJ\UA§  JAM  oi-6i]>  'HA  bpA]\]\A-6,  i.e.,  What   a  pity  there  is  no 
of  their  company. 


hei) 


223 

'Gainst   England  long  battling,  at  length  they  went  down, 

Iss  throoa  gon  eer  na  vorra  ! 
But  they've  left  their  deep  tracks  on  the  road  of  renown, 

Iss  throoa  gon  eer  na  vorra  ! 

We  are  heirs  of  their  fame,  if  we're  not  of  their  race, 
And  deadly  and  deep  our  disgrace, 
If  we  live  o'er  their  sepulchres,  abject  and  base, 

Iss  throoa  gon  eer  na  vorra  ! 


3.  Oh  !  sweet  were  the  minstrels  of  kind  Innisfail  ! 

Iss  throoa  gon  eer  na  vorra  ! 
Whose  music  nor  ages  nor  sorrow  can  spoil ; 

Iss  throoa  gon  eer  na  vorra  ! 

But  their  sad,  stifled  notes  are  like  streams  flowing  hid, 
Their  caoine  and  their  pibroch*  were  chid, 
And  their  language,  "  that  welts  unto  music,"  forbid  ; 

Iss  throoa  gon  eer  na  vorra  ! 


4.  How  fair  were  the  maidens  of  fair  Innisfail  ! 

Iss  throoa  gon  eer  na  vorra  ! 
As  fresh  and  as  free  as  the  sea-breeze  from  soil, 

Iss  throoa  gon  eer  na  vorra  ! 
Oh  !  are  not  our  maidens  as  fair  and  as  pure  ? 
Can  our  music  no  longer  allure  ? 
And  can  we  but  sob  as  such  wrongs  we  endure  ? 

Iss  throoa  gon  eer  na  vorra  ! 


Their  famous,  their  holy,  their  dear  Innisfail ! 

Iss  throoa  gon  eer  na  vorra  ! 
Shall  it  still  be  a  prey  to  the  stranger  to  spoil  ? 

Iss  throoa  gon  eer  na  vorra  ! 

Sure,  brave  men  would  labour  by  night  and  by  day, 
To  banish  that  stranger  away ; 
Or  dying  for  Ireland,  the  future  would  say — • 
Iss  throoa  gon  eer  na  vorra  ! 

i.e.,  piobpeA6c,  pipe-music. 


224 


8.  Oh  !  shame — for  unchanged  is  the  face  of  our  isle  • 

Iss  throoa  gon  eer  na  vorra  ! 
That  taught  them  to  battle,  to  sing,  and  to  smile  ; 

Iss  throoa  gon  eer  na  vorra  ! 

We  are  heirs  of  their  rivers,  their  sea,  and  their  land, — 
Our  sky  and  our  mountains  as  grand — 
We  are  heirs — oh  !  we're  not — of  their  heart  and  their  hand  ; 

Iss  throoa  gon  eer  na  vorra  ! 

THOMAS  DAVIS. 


These  words  and  air  are  grand  and  noble.  It  is  one  of  those  songs  which 
enthuse  a  nation  and  inspire  people  with  the  spirit  of  sacrifice  and  emula- 
tion in  showing  their  love  for  their  native  land. 


THE    WORK    OF    GOD. 


KEY  C.     Moderate. 


The 


illn 
{|£ 


.r 

the 


.d' 

hope   goes 


Air  :  tl  CAim  fe  Ajt  An  mbAilo  re®-" 

:s,f    .n     |f    .,r         :s      .t,      ) 


d        .« 

smile    that    breaks    up  -   |  on    our 


:d 

world 


.d 

is 


Id 

I  drear, 


path  When 


.3 

When 


down      'nea.th 


t       .t      :r.       .,n 

for  -  time's  frown,      And 


225 


f  ,3  .  -          :t  .d'.t  .1 

nought 


but  woo     seems 


s 

near  ; 


.s 

When 


d1         .d1        :1          .d1 

from         a          grief  -  charged 


:  r 


.m 


heart  wo       sigh  For 


s 

trod  ; 


.d 

That 


of 


f     .,r      :s  .t, 

pass  -  ing      by.    —    That 


d 

God. 


2.  That  word  so  softly,  gently  said, 

That  one  wee  word  alone, 
When  joys  that  shone  in  days  long  gone 

For  evermore  have  flown  ; 
When  not  a  friend  at  all  is  nigh 

To  break  the  scourging  rod, 
That  word  from  some  one  passing  by — 

That  is  the  Work  of  God. 


3.  And  oh  !  in  every  kindly  deed 

His  holy  Hand  has  part. 
Each  act  we  do  to  ease  life's  rue 

Makes  g'ad  His  Sacred  Heart : 
Then  let  us  labour — you  and  I — 

As  up  the  hill  we  plod 
To  comfort  some  one  passing  by- 

And  share  the  work  of  God. 


O'HioaiNs. 


I- 


226 


THE  RETURN  -FROM  FINGAL. 


KEYC. 


{ 

ro 

Moan 

:  d  .t, 

1  Ir.t,  : 

d  .r 

ro 

cav     - 

:d  .t, 

Hi       :- 

call— 

} 

ye 

winds, 

ye 

erns 

1 

r  .d 

"Or 

-    ro, 

Is        : 

or 

r 

ro  !" 

ro 

to 

:r 

OUT 

I  ro  .fe  :  s  .i 

1 

sor     -      row, 

{ 

m 

WhHe 

:d  .t, 

1  1.  -t,  : 

d  .r 

m 

one 

:d  .t, 

H,      :- 

pall 

} 

we 

bear       ' 

neath 

black 

i 

r  .d 

Brian 

and 

Is        : 

Mur    - 

r  .t, 

rough 

from 

Fin    - 

11,       :- 

gal. 

} 

{ 

t 

Still, 

:- 

I  1  .1    : 

s  .fe 

ro 

wast    - 

:r 

ed, 

Is        :r 

wea    -    ry, 

} 

tho'  \vound-ed, 

{ 

m 

On, 

:  r 

Dal    - 

Is        : 

cass    - 

r 

ians  ! 

ro 

to 

:r 

your 

I  ro  .fe  :  s  ,1 

ey    -       rie, 

I 

1 

t 
Ea 

:  - 

|1  .1    : 

gles,  cry 

s  .fe 

ro 

from 

:r 

your 

|s        :- 

crag, 

} 

-  ing 

I 

r  .d 

:t,  .r 

have 

Is        : 

rent 

t, 

the 

*j 

Ra    - 

ven's 

Hi       :- 

flag." 

1 

"We 

2.  How  O'Brien's  banshee  cried, 

Wailing,  warning,  ere  that"  morning, 
When  the  Lochlan  in  his  pride 
Whitened  all  the  ocean  side. 


227 

Sea-kings  stern  from  Norway's  highlands, 
Pirate  chiefs  from  Orkney's  Islands, 

Lords  of  Leinster,  Britain,  Wales, 
By  the  shore  a  thousand  sails  ! 


3.  "  On  this  day,"  great  Brian  cried 

To  the  foeman,  "  Jew  and  Roman, 
Christ,  our  Saviour,  crucified. 

Hold  we  truce  till  Easter- tide  !" 
Loud  rang  back  their  impious  laughter, 

"  Fight  comes  first,  thanksgiving  after  !  " 
*'  Perish  then,  with  shameful  loss, 

Howling  fiends  before  the  Cross  !  " 


4.  Plait  and  Donnell,  brand  to  brand, 

First  in  raging  wrath  engaging, 
Heart  pierced  by  each  other's  hand, 

Fell  together  on  the  strand. 
Then  before  the  sword  of  Murrough 

Fled  the  Dane  ;  till  to  our  sorrow, 
Anrud,  Norman's  champion  dread, 

Murrough  met — and  both  lay  dead. 


5.  But  our  rallying  cry  awoke, 

"  Kian,  Kian,  Desmond's  lion  !  " 
And  at  Kian's  dreadful  stroke, 

Reeled  the  Lochlan  ranks  and  broke. 
"  Now  with  strains  of  martial  glory 

To  the  King  to  tell  our  story," 
But  we  found  great  Brian  low ; 

Och,  ochone  !  och  ullalo  ! 


ALFRED  PEBCIVAL  GRAVES. 


This  is  a  fine  air  and  song,  as  yet  but  little  known.  It  is  sure  to 
become  a  prime  favourite.  The  song  is  a  splendid  marching  song,  and 
should  be  sung  in  marching  time.  I  am  indebted  to  Mr.  Graves  for 
permission  to  include  it  in  my  collection. 


228 


A  BALLAD  OF  IRISH  FREEDOM. 


KEY  C.     Majestically. 

Air  :  "  CAC  ceim  Ati  fiA-d." 

l!i 

.,m 

d 

sing 

.r 

a 

:d 

song 

.d 

of 

Id 

Thral 

.d    * 

-  dom, 

f 

i    i 

r: 

.r 

m 

.8 

:1 

.t 

|r! 

.d1 

1 

1 

Of 

men 

in 

sla    - 

v'ry 

sleep 

-   ing; 

> 

,: 
* 

.1 

S 

,1 

:m 

•,m 

|r 

.  ?     * 

) 
* 

Of 

a 

lien 

rob     - 

bers 

reap 

-  ing 

,. 

.m 

S 

.8 

:1 

.m 

Is' 

.lsm 

> 

« 

The 

harv  - 

est 

of 

the 

years  ; 

J 

c 

.,n 

d 

.r 

:d 

.d 

Id  ,d 

* 

, 

1 

Of           plea  - 

sant 

hearths 

do      - 

sertec 

• 

> 

{'• 

.r 

Of 

m 

ruins 

.8 
a 

vig    - 

.t 
il 

in 

keep 

.d1 

-  ing; 

f 

{: 
r 


Of 

.r 

And 

.8 
And 


rail.  ^ 

s        .1         :m        .r         |m        .r 

grey  -  haired      poo    -    pie  weep  -  ing, 


|d        .d  :d 

I  chil    -    dren  pale 
accel. 

s   «   1    •   t  :d'        .,1 

not              a  ray        to 


d        |d 

with         fears. 


1 1       .4" 

break      their 


229 


i  :  r'        .t 

d1 

.,1 

:t 

•,s 

|1   *   t   ,   d1 

I 

v    grief,       And 

none 

to 

braid 

the 

raid    -      ing 

i 

(  :  r1        .t 

(     thief,     But 

d1 

all 

.,1 

pro    - 

It 

pared 

to 

H      .1 

crave      re- 

} 

^ 

a  fem,f.o 

• 

5:  t  ,1    .s    ,m 

S 

.1          : 

t 

.r1 

id1 

l 

(lief  From  him  who'd  lash 

them 

in 

their 

chains. 

s 

,. 

n 

.,d        : 

r 

.d 

|d        .d    * 

> 

< 

God 

for    - 

give 

the 

bondslaves 

1 

<    Who 

crouch 

.s         : 

be      - 

1 

neath 

,t 

the 

I  r1        .r1 

ty    -    rant's 

f 

^                           rail. 

j:d'        .,1 

S 

,1        : 

m 

,r 

Hi 

1 

(  heel,         And 

nev    - 

er 

feel 

one 

free 

> 

<:r 

d 

>d        : 

d 

.d 

Id 

• 

(     Thrill 

cours  - 

ing 

through  their 

veins. 

|J 

*  Where  the  traditional  singer  took  breath. 

2.  I  sing  a  song  of  Waking  ; 

Of  friends,  long-severed,  meeting  ; 
Of  baffled  foes  retreating 
In  terror  and  amaze  ; 
Of  hands,  long-parted,  clasping ; 
Of  voices  raised  in  greeting  ; 
Of  hearts  in  concord  beating 
With  hope  of  future  days. 


230 

Of  men  who  strive  as  Brian  strove, 

To  place  their  Isle  all  strife  above, 

Of  men  who  bind  their  minds,  their  love, 

To  her — their  Mother  and  their  Queen— 
Caitlin  Ni  Uallachain — 
Who  long  has  trod  the  ways  of  pain, 
But  who  shall  reign  as  fair 

A  one  as  eyes  have  ever  seen  I 


3.  I  sing  a  song  of  Freedom — 
Of  swords  in  battle  clashing  ; 
Of  Gaels  to  victory  dashing ; 

Of  broken  Saxon  pride  ; 
Of  vengeance  on  the  spoiler, 
The  gleam  of  pikeheads  flashing  ; 
The  shouts,  like  wild  winds  crashing, 

Of  men  too  long  defied. 
On  they  pour,  with  gory  steel, 
The  fire  of  old  once  more  they  feel ; 
A  thundering  roar  ! — the  foomen  reel, 

And  then — the  centuried  War  is  o'er  I 
Victory  on  the  mountains  ! 
Victory  in  the  valleys  green  ! 
And  Caitlin  Ni  Uallachain 

Free  for  evermore  ! 

BRIAN  O'HiaaiNS. 


This  is  a  grand  air,  worthy  of  the  magnificent  Irish  song  composed 
by  the  famous  West  Cork  poetess,  tTlAipe  tiui-oe.  This  fine  Anglo-Irish 
song  was  composed  for  it  by  Brian  Na  Banban.  The  strength,  and  spirit, 
and  dignity  of  the  air  is  very  striking.  The  Irish  song  is  to  be  found  in 
"  puinn  tiA  Stn6l,,"  No.  4.  Brian  Na  Banban's  song  appears  in  Signal 
Fires,  published  by  Messrs.  Whelan  &  Son,  Ormond  Quay,  Dublin,  to 
whom  I  am  very  grateful  for  the  permission  given  to  use  it  for  my 
collection.  To  Brian  O'Higgins  I  here  express  my  indebtedness  for 
this  and  other  songs  of  his  which  are  to  follow. 


231 


THE  SNOWY-BREASTED  PEARL. 

KEY  Eb-     Tenderly. 


(   :s  .l,t 

d'.t    :1  .s    |d'       :-  .1 

col-leen  fair  as    May,      For  a 

s  .s    :m  .d    |  f  .m    :r  .,d 

sought  by  ev'ry  way,  Her  heart  to 

s  ,ro    :r  .d    |r 

year  and  for  a       day 

d        :-        |- 

gain. 

(There's   a 

f   :n.f 

<      I  have 

(   :s  J,t 

(There's  no 

d'.t    :1  .s    |d'        :-  .1    Is  .m    :r  .d    |r 

art   Of  tongue   or  eye,            Fond   [youths  with    maidens        try, 

f   :m  .f    Is  .s    :PI  .d    |  f  .m    :r  .,d 

(   But  I've  [tried  with  ceaseless  sigh,  Yet  tried  in 

d        :-        |- 

vain. 

:s  .f 

If    to 

.S 
To 

:s  .l,t 

And 

:m   -f 

May  the 


m  .s    :  1  .d1   1  1 


:-  .s     d'.t 


|s 


France  or  far-off  Spain,        She'd  cross  the  wa-t'ry  main, 


.S     I 

i  I'd| 


1  .t    :d'.m'  |r'.d'  :t 

see  her  face  a-gain,  The  seas 

d'.t    :1  .s    |d'        :-  .1 

if  'tis  heaven's  de-cree,       That 


s         :-         |- 

brave  ; 

s  .m    :  r  .d    |  r 

mine  she  may  not  be, 


s  .s 


.d 

Son  of  Ma  -  ry 


f  .m    :r  .,d  Id 

me,  In    mer-cyj  save. 


2.  O  thou  blooming  milk-white  dove, 
To  whom  I've  giv'n  true  love, 
Do  not  ever  thus  reprove 

My  constancy. 

There  are  maidens  would  be  mine, 
With  wealth  in  land  and  kine, 
If  my  heart  would  but  incline 
To  turn  from  thes. 


But  a  kiss  with  welcome  bland, 
And  touch  of  thy  fair  hand, 
Are  all  that  I  demand — 

Would  st  thou  not  spurn. 
For  if  not  mine,  dear  girl, 
Oh,  Snowy-breasted  Pearl  ! 
May  I  never  from  the  Fair — 

With  life  return. 


Translated  from  the  Irish  by  DR.  PETRIE. 


232 


THE  CLADDAGH  BOATMAN. 

KEY  D.     Lively.  Air  :  "  The  Blooming  Meadows." 


f  is. 

S  |     !  —      * 

d    |d    : 

-    :r      m    :-    :s    |1 

r    :r    :d    | 

<  * 

am 

a         Clad 

-  dagh       boat     -       man 

bold,      And  > 

(1*1 

:-     :s, 

1     1     *    1 

1 

t|    :—     :-     1  1^ 

_ili    -s.    1 

(  |  hum 

-       ble 

is 

my 

call         -        -        ing;          From) 

j|  s« 

:d     :d 

Id     :- 

:r 

n     :r     :d     |r 

:m     :f     > 

1     morn           to 

night, 

from 

dark           to         light,         In      > 

}|s 

(|  Gal 

way 

If     :r 

.    X 

I'm 

d     :-     :-     |d     :-     :  d'    ) 

traw           -           ling.                I      > 

Bay 

<d' 

:-     :s 

|S      :1 

:t 

d1    ;-     :r"    |m! 

*           *           (. 

(  1  care 

not 

for 

the 

great         man's     frown,          I       > 

Jl* 

(1    ask 

:-     :  s 

not 

Is     :1 

:  s 

bis 

t     :-     :d'    |r' 

:  t     :s     | 

for 

Pi 

ty  ;          My     ( 

(Id'    :-     :s 

1  1  wants          are 

Is     :1 

:t 

my 

d     :-     :r!    |m' 

:r'    :d'    ) 

few, 

heart             is           true,            I       ) 

l|L_ll  ':s 

(  |      sing           a 

iL-:-r   :ti 

boat-       man's 

d     :-     :-     |d 

dit                          ty. 

:  - 

233 

2.  I  have  a  fair  and  gentle  wife, 

Her  name  is  Eily  Holway ; 
With  many  a  wile,  and  joke,  and  smile, 

I  won  the  pride  of  Galway. 
For  twenty  years,  'mid  hope  and  fears, 

With  her  I've  faithful  tarried  ; 
Her  heart  to-night  is  young  and  light 

As  when  we  first  were  married. 

3.  I  have  a  son,  a  gallant  boy, 

Unstained  by  spot  or  speckle  ; 
He  pulls  and  hawls,  and  mends  the  trawls, 

And  minds  the  other  tackle. 
His  mother  says  the  boy,  like  me, 

Loves  truth  and  hates  all  blarney  ; 
The  neighbours  swear  in  Galway  Bay 

There's  not  the  like  of  Barney. 

4.  Thank  God,  I  have  another  child, 

Like  Eily,  lithe  and  slender  ; 
She  clasps  my  knee  and  kisses  me 

With  love  so  true  and  tender. 
Though  oft  will  rage  the  howling  blast 

Upon  the  angry  water, 
I  ne'er  complain  of  wind  or  rain, 

For  I  think  of  my  little  daughter. 

JEREMIAH  J.  BOWLING,  M.D. 

This  is  a  bright  air.  Many  a  time  I  saw  the  lads  and  lasses  knocking 
music  out  of  the  boards — "the  stage" — to  its  measures.  Over  fifty 
years  ago  there  was  a  trysting  place  for  dancers  near  my  native  spot  at 
the  Bridge,  Millvale,  Carrick-on-Suir.  For  years,  every  Sunday,  we  looked 
on  delighted  at  splendid  dancers — Denny  Foley,  Norry^  Walsh,  Hogan 
and  others — who  enthused  us  with  their  feats  of  Irish  dancing.  We  had 
a  grand  old  piper.  Ned  Hurley,  who  made  us  familiar  with  a  big  selection 
of  Irish  music.  During  a  visit  to  my  native  place  this  year  I  was  pleased 
to  learn  that  Irish  dancing  and  Irish  music  is  as  much  to  the  fore,  and  the 
performers  as  good  as  ever,  though  the  centre  of  attraction  has  been 
shifted  to  a  neighbouring  parish  where  the  population  is  thicker. 


234 


TWILIGHT  MUSIC. 


KEY 


i  The 


m   .,f    :  in   .d 

win-ter  moon  is 


-i^t,  :d,  -r 

shin    -  ing,  The 


m   .f 

pal 


.f     :r   .,t,  > 

o   blue  air    is     ) 


.d  ,r 


still, 


PI     .,f     :m     .r 

bright-eyed  star  is 


dd'    .r'     :t     ,t 

( I  yond  lone     Ar-dagh's 


hill, 


.d  ,r 

And 


II 


m .1 

dis 


S 


strain  of        sil  -  v'ry 


:1     .t 

tance,  A 

:m,r  .d,t. 


d1    ., 

cross 

PI1 
the 

:  r',d' 

.t  ,d' 

1       .,1 

fros 

-  ty 

lea, 

PI      .1  I  1       .t 

peep      -  ing     Bo- 
Pi     .,f  :  m     .r 

from  the  far  -off 


TM 


i__.-Ai    :d     -r      \m     ->f     :  PI  ,r  .d  ,t 

mu      -     sic     Floats  hith  -  er  -  ward    to 


me. 


2.  How  softly,  oh  !  how  softly, 

The  memories  wander  on, 
Of  faithful  hearts  long  scattered, 

Young  friendships  dead  and  gone — 
Of  eyes  of  laughing  hazel, 

And  cheeks  of  sunny  sheen, 
The  bright  love  of  my  boyhood, 

My  dark-haired  Kathaleen. 

3.  A  pathway  through  the  woodland 

Lit  by  the  August  moon, 
The  long  grass  dancing  softly, 
The  river's  whispering  tune— 


235 

A  form  beside  the  trellis, 
Soft  lips  that  welcome  me, 

Now  resting  with  the  shadows 
Far  down  beneath  the  sea. 


4.  Float  on,  sweet  twilight  music  ! 

Calm  as  a  meadow  stream, 
You  bear  the  withered  flowers 

Of  many  a  broken  dream. 
Again  the  moon  shines  brightly, 

The  sycamores  are  green, 
And  I  sit  beside  the  doorway 

With  dark-haired  Kathaleen. 


J.  K.  CASEY  ("LEO"). 


This  sweet  Munster  air  has  been  published  more  than  once.  This 
version  differs  little  from  the  others.  It  has  a  pathetic  tone.  I  link  it 
with  "  Leo's  "  sweet  song. 


236 


UNFURLING  THE  FLAG. 


KEY 

p.                                   Air  :  "  tHo  flAti  cun  CAjx^Aig  HA  ^cAet-feAp." 

!<: 

3,)  d    :d    :d    |d    :r    :m      1    :-    :-    |s    :-    :s    > 

Dar  -  ling,  in      sor  -  row  and   mourn         -        ing,       We've  > 

<  1  m     :  f     :  s     1  1     :  1     :  s 

(  |  wait-ed        for     year      up  -  on 

1      :-     =-     1-     :        :1,    I 

year,                                           With' 

(      i 

,    :1,    :1,     |d     :r     :n 

ione  to       look    down  on      our 

1  ,:-     :-     |s     :n     :r     ) 

la                     -        hour,        With  > 

(In     :d     :r     |d     :d     :  t, 

(  1  none  to       wipe  off      the     dark 

d     :-     :-     I-     :       :s     ) 

tear.                                           The  f 

(Is     :s     :s     |s     :1     :t 

(  1  still  -  ness  of       death  was     a  - 

d1    :-     :-     |t     :-     :t     > 

round                     thee,             The  ) 

<il     :  t     :  d1    1  1     :  1     :  s 

(.  1  grave-light  en  -  cir  -  eled     thy 

1    :-     :-     1-    :1,   :1,     I 

face,                                   And  the   > 

(11,    :1,    :1,    Id     :r     :m 

(  1  Flag    in       your  hand  draped  in 

1     :-     :-     |s     :n    :r    ) 

mourn                      ing           Could  ' 

r 

n     :d     :r     |d     :d     :  t, 

tell     the      sad    tale    of       our 

d     =-     :-     1-     :        II 

race. 

237 

2.  And  drifted  away  into  silence 

The  glorious  passion  of  old, 
Till  the  pulse  that  was  hot  as  the  lava 

In  weakness  grew  frozen  and  cold. 
Thy  home  was  where  urns  were  resting, 

Thy  children  were  crying  for  bread, 
There  was  nought  but  the  night  cloud  above  thee, 

No  sound  but  the  tramp  of  the  dead. 

3.  But  God  who  looked  forth  from  the  heavens 

In  pity  smiled  kindly  at  last, 
And  the  green  land  grew  bright  with  His  glory, 

Soft  dew  on  thy  bosom  was  cast ; 
A  trumpet  call  gathered  the  scattered, 

The  urns  stood  alone  on  the  plain, 
By  the  sea  wave  with  face  turned  Westward 

You  lifted  the  banner  again. 

4.  And  called  for  the  chains  to  be  broken — 

Not  quailing  with  cowardly  fear, 

But  proud  in  the  power  of  defiance, 

And  loud  that  the  wide  Earth  might  hear ; 

And  the  ends  of  the  Earth,  how  they  answered—- 
Go ask  of  the  tyrant  and  knave, 

Go  ask  of  the  dust  that  is  lying 
All  cold  on  the  patriot's  grave. 

6.  And  we  who  are  gathered  around  thee 

Are  firm  in  the  truth  of  our  faith, 
And  shall  stand  'neath  the  folds  of  that  banner, 

Nor  care  for  the  torture  or  scathe  ; 
Though  the  scoffer  may  sneeringly  mutter 

Thy  beauty  is  now  on  the  wane, 
The  gauntlet  flung  down  by  our  fathers, 

By  Heavens  !  we'll  fling  it  again. 

6.  Not  recklessly,  aimlessly  striving, 

Not  lifting  with  weak  strength  the  wand, 
But  patiently  biding  the  moment 

That  shall  give  us  a  sweep  for  our  hand. 
Wave  proudly  the  Flag,  dearest  Mother, 

The  true  hearts  are  still  by  thy  side, 
Till  we  deck  thee  in  queenliest  beauty, 
As  Liberty's  queenliest  bride. 

J.  K.  CASEY. 


238 


THE  GREEN  WOODS  OF  SLEW. 


KEY  F.     Slow  and  plaintive. 


[n  the| 

heart 

d  .r  :m  .s 

of        the 

1       :1 

for    -    est 

:d'.l    s       :s  .m 

a          thrush  'gan 

to     > 

sing 

:- 

:  s,  .s, 

d 

:d  .r   : 

m  .s 

1        :1 

sor     -     est, 

:s  .n  | 

Of 

loss     -  '  es 

the 

the    ) 

death 

:1  .s 

•  PI    •  5 

1 

•  —             ; 

S  .,1 

d1      :d'.l 

:s.l  \ 

of 

a 

king! 

Soon 

to            his 

bough  ) 

leaf    - 

:m 

less, 

:r 

my 

d. 

s,  :d  .r  : 

m  .s 

1       :- 

flew; 

:».      I 

For    > 

sym    -  pa     - 

thy 

d 
i, 

:d  .r 

too, 

:m  .s 

roamed 

1       :1       : 

chief  -  less 

in  the 

s       :s  .m 

:r  -m  > 

of       J 

Green  Woods 

II 

(  1 


d 

Slew! 


2.  He,  high  'bove  the  heather,  I,  low  'mong  the  fern, 
Mourned  sadly  together — a  bird  and  a  kerne  ! 
Cried  he,  the  sky- winger  :  "  A  hawking  cuckoo 
Has  slain  the  chief  singer  of  the  Green  Woods  of  Slew  !  " 


3.  Like  his,  was  my  story  :  **  Our  glory  is  o'er, 
For  dead  lies  young  Rory — the  valiant  O'More. 
The  scourge  of  the  stranger,  he  chased  the  false  crew, 
Like  a  wolfhound  of  danger,  in  the  Green  Woods  of  Slew  I  M 


239 

4.  "  My  curse  chill  your  castle,  Gilla  Patrick  the  base  I 
No  Saxon  Queen's  vassal  was  Rory  of  Leix  ! 
The  Palesmen  he  vanquished  :  they  parleyed  with  you  ; 
And  I  am  left  anguished  in  the  Green  Woods  of  Slew  1 ' 


6.  "  Smile,  Sydney  and  Perrot ! — the  gold,  that  oft  failed — 
Wise  weasel,  fierce  ferret  ! — on  the  Gaelga  prevailed  : 
The  friend  of  his  bosom  proved  faint  and  untrue, 
,    And  left  me  heart-woesome  in  the  Green  Woods  of  Slew  !  " 


6.  To  joy  turned  our  singing  ;  for  free  from  its  nest, 
A  fledgling  came  winging  with  many  a  rest  : 

The  gold  its  crest  tins'ling,  like  dawn  o'er  the  blue — 
Another  plumed  princeling  for  the  Green  Woods  of  Slew  1 

7.  Away,  sorrow  blinding  ! — -leave  to  women  the  dead — 
Far  better  be  grinding  the  grey  axe,  instead  : 

For  soon,  brave  and  bonny,  from  the  hand  of  MacHugh, 
Shall  fly  little  Owny,  to  the  Green  Woods  of  Slew  ! 

P.  J.  M'CALL. 

I  am  indebted  to  Mr.  M'Call  for  this  sweet,  plaintive  air,  which,  as  far 
as  he  knows,  has  never  been  published  till  now.  He  tells  me  that  he  used 
to  hear  his  mother  sing  it.  The  song,  which  is  found  in  Irish  Noinins, 
was  written  by  him  for  the  air.  It  is  prefaced  by  the  following  note  : 
"A  lament  for  Rory  Oge  O'More,  assassinated  by  MacGilla  Patrick, 
June  30,  1578.  Owny,  mentioned  in  the  concluding  stanza,  was  Rory's 
son." 


KATHALEEN  MACHREE. 

KEY  Q.  Slow  and  with  expression.  Air:  "  Good  Night  and  Joy  be  with  you  all.  • 


5  :       «w  »r 

d    .t, 

sweet-ly 

:  in  T 

in 

.d   ,r 

.l,,t, 

|d      .d      :  r 

.d  ,r  ^ 

1              Oh, 

<  i  in       .m 

1  1  mid  -  nigh 

5   d       .t]_L 

1     mel     -     o 

\\m     'l 

t  1  wea    -  ry 

|    s       .,1 

(      soft    -  ly 

<|f     .* 

(  |  Shan  -  noi 

eld       .t,, 

St. 

In 

fai 

Id 

lull 

Id 
by 

lov 

In 

lay 

Id 

still 

Id 

-  leen 

John's  old      keep,   At    ' 

.3,       ;s,       .in    ,r  > 

t      sings 

-    dies, 
I  3   ,I11 

the 

•t, 

that 

.r   ,m 

sant 
a 

.d   ,r 

a 

.1,  ,t, 

-    ry           choir 

.,in      :  r 

to         sleep 

.1,       :1, 

the          fire  ; 

•in  ,f  :  s 

-    er's        dream 

•S|         I  S| 
for        me, 

•«ni 

I             deem 

.1,        :1, 

Ma    -  chree. 

Low    ) 

.d  ,r   , 

The      > 

II  "A^d    } 
"The"    [ 
BuT    > 

•  d  ,r  ) 

pea    - 

:s 

as 

:r 

i       wakes 

1   :1, 

1  I  sweet  -  er, 

\\*     -l 

(  |  voice    of 

soft 

:s  ,n 

-     er 

•r  ,in 

The    > 

Ml 

Kath    -    a 

241 

Oh  !  brightly  falls  the  summer  light 

Upon  Roscommon's  hills  at  eve, 
And  wildly  in  the  witching  night 

Their  golden  web  the  moonbeams  weave. 
And  mountain  berries  cluster  fair, 

And  heather  bells  are  sweet  to  see  : 
But  richer,  brighter  are  the  hair 

And  lips  of  Kathaleen  Machree. 


3.  Oh  !  gently  now  the  twilight  breeze 

Wafts  fragrance  from  the  meadow  side  : 
But  gentler  waved  the  poplar  trees 

The  eve  she  said  she'd  be  my  bride. 
How  wearily,  from  day  to  day 

The  lagging  moments  come  and  flee  ! 
And  how  I  long  for  sunny  May 

To  wed  my  Kathaleen  Machree. 


J.  K.  CASEY  ("LEO"). 


242 


KEY  F. 


THE  BELLS  OF  SHANDON. 

Air  :  "  The  Groves  of  Blarney.' 


(  :      .d    :  d  „ 

1          With  deep 


th  deep  af - 


n        :  d1  .t    :  1  .,s 

fee     -     tion  and  re  -  col- 


s        :m  .d    :d  .r    > 

lec    -    tion,  I      of  -  ten  ) 


II 


think 
wild 

n 

era 


:s     .11      :  r     ., 

of     those   Shan-don 


would,  in       days    of 


bells, 


:  -     .d      :  d 

Whose  sounds  so 


:d     .,r     > 

^  armtirlc  an        * 


:sf  . 


:r 


•        die  their    mag  -  ic 


pon      -      der,    wher  -  e'er  I 


s  :m     .d      :d     .,r     I 

child    -    hood,  Fling  round  my 


d  :  -     .s  :  s     .n 

spells ;  On  this     I 

s  :  m     .s  :  1     .m 

wan       •  der,  And  thus  grow 


d1 


.t 


se 


fond     -      er,    sweet  Cork,  of 


m  :d'    .d1     :t     .1 

Shan  -     don,  that  sound  so 

m  :  s     .PI  ,d  :  r    .,d 

wa  -      ters    of  the  Riv  -  er 


1     .,t     :  d1    .d  ,d  :  d 


thee  ;        With  thy  bells  of 


:d     .r     > 

v  bells  of      ) 


grand 


Lee. 


:  m     .d     :  d 

on     The   plea  -  sant 


:d     .r      > 

nlea  -  sant     ) 


2.  I've  heard  bells  chiming  full  many  a  clime  in, 

Tolling  sublime  in  cathedral  shrine  ; 
While  at  a  glib  rate  brass  tongues  would  vibrate, 
But  all  their  music  spoke  not  like  thine. 


243 

For  memory  dwelling  on  each  proud  swelling 
Of  thy  belfry  knelling  its  bold  notes  free, 

Made  the  bells  of  Shandon  sound  far  more  grand  on 
The  pleasant  waters  of  the  River  Lee. 


3.  I've  heard  bells  tolling  "  old  Adrian's  Mole  "  in, 

Their  thunder  rolling  from  the  Vatican, 
And  cymbals  glorious,  swinging  uproartbus 

In  the  gorgeous  turrets  of  Notre  Dame. 
But  thy  sounds  were  sweeter  than  the  dome  of  Peter 

Flings  o'er  the  Tiber,  pealing  solemnly. 
Oh  !  the  bells  of  Shandon  sound  far  more  grand  on 

The  pleasant  waters  of  the  River  Lee. 


There's  a  bell  in  Moscow,  while  on  tower  and  kiosko 

In  Saint  Sophia  the  Turkman  gets, 
And  loud  in  air  calls  men  to  prayer 

From  the  tapering  summit  of  tall  minarets. 
Such  empty  phantom  I  freely  grant  them ; 

But  there's  an  anthem  more  dear  to  me — 
It's  the  bells  of  Shandon  that  sound  so  grand  on 

The  pleasant  waters  of  the  River  Lee. 

"FATHER  PROUT.' 


244 


KEY  C-     Moderate. 


MY  BOAT. 

Air:  "UAirrufe  AJA  AH  mbAile  feo.'* 


.d    Id    .m    :s,f.r 


My  1  boat  is      like  the 


f    .,r    :s    .t, 

sea-gull  white  That 


r    .r     :d    .t,    > 

skims  o'er  strand  and  > 


d 

swell 


.S 
It 


ijf,s.-  :t*'*.l 

(  (stems  the      tide  so 

t     .t  :r     .m 

out  its      sail    And 


d1    .d1     : 1     .d1 

looks  so      bright  and 


s  :      .s 

well ;  The 

f     .s      :td'U 

wafts  it  towards  the  I  sea, 


t    .t 

sails  so 

d1    .d1 

soft    wild 

S 

sea, 

:r     ,m     > 

light  And  ) 

:  1     .d1     > 

gale  fills  > 

:-     .d     > 

And  f 

d     ,,ni     :s,f  .n      If     -,r     :s     .t,      r     .r      :d     .,t,    > 

floats  me  down  from|  Cork's  fair  town  Up  -   on      the     plea  -  sant  > 


d 

Lee. 


2.  I  sit  within  that  bonnie  boat 

When  love  o'er  me  has  power, 
When  sea-birds  float  with  shrilly  note 

At  sunset's  golden  hour  ; 
Then  from  the  shore  green  towering  o'er 

Love  seems  to  pilot  me, 
To  muse  alone  on  my  loved  one 

Upon  the  pleasant  Lee. 


245 

3.  When  first  my  boat  upon  the  tide 

A  thing  of  life  out  came, 
With  conscious  pride  upon  its  side 

I  placed  my  true  love's  name  ; 
And  since,  each  day,  that  name  the  spray 

Has  washed  full  wild  and  free, 
But  still  each  line  undimmed  doth  shine, 

Upon  the  pleasant  Lee. 

4.  A  trim  new  sail  my  boat  shall  have 

When  summer's  days  come  on, 
And  swift  and  brave  she'll  walk  the  wave, 

More  stately  than  the  swan  ; 
For  then  my  bloom-bright  maid  shall  come 

With  love  and  joy  to  me, 
And  side  by  side  we  oft  shall  glide 

Upon  the  pleasant  Lee. 

ROBERT  DWYEB  JOYCE,  M.D. 

This  is  a  very  sweet,  pleasant  air  sent  to  me  by  Miss  O'Reilly,  of  Macroom. 
it  is  another  proof  of  the  claim  of  the  district  to  be  called  a  home  of  Irish 
melody.  I  wad  it  to  Dr.  Joyce's  pleasant  song. 


246 


WHEN  COOL  WINDS  ARE  BLOWING. 

KEY  E|>.     Cheerfully.  Air  from  Petrie, 


(:s.f  I  m    :  r    :  m    |  d    :  r    :  m 

(When|  cool  winds  are  blowing,       I 


f    :  m    :  f  •  |  s.s  :  -    :  d1   \ 

love  to       be     rowing        My  ) 


If     :f     :r     |m     :m     :d     If     :f     :r     |r     :-     rs.f  » 

mer  -  ry      boat  down  to     where|  sweet  Gra  -  oie      dwells,  When  the) 


m     :  r     :  m     |  d     :  r     :  m 

for  -  osts    are     ring  -  ing     with 


f     :m     :f     |s.s:- 

laughter       and  singing, 


t     :-.t  :s     |f     :f     :r     in     :-,d  :d    |d     :- 

sweet     bri-ers       scent  Bal  -  ly-     |  mul  -  vy's  lone  dells. 

d     :m     :s     |d'    :t     :d' 

blue  leap  -  ing    riv  -  er       I'd 

s     :  s     :  f     |  m     :  r     :  ro 

catch  the    fresh     light  of    my 

m     :r     :m     |d     :r     :m 

yel  -  low    locks  shin  -  ing,  with 


t     :t 


f     :f     :r 


splen-dour  en  -  crown-ing     with 


2.  How  pleasant  to  meet  her,  how  joyous  to  greet  her, 

Her  lips  blushing  soft  as  she  welcomes  me  in  ; 
The  wheel  ever  humming  soon  stops  at  my  coming, 
For  Gracie  gets  weary  of  trying  to  spin. 


:d>    , 

And  > 


The 


sail    on 

:t 

for 

ever 

:U 

f     :f 

Col  -leen's 

:r     |r     :-     ; 

young  face, 

s-f, 

And  > 

f     :m 

white   HI 

:f     1 

-  ies 

C    «•-        .  d1        \ 

S.S.          .Q       ) 
twining,      Their  ) 

ro     :  -.d 

beau  -  ty 

i  d 

and 

d     :- 

grace. 

247 

We  sit  in  the  bow«r  beside  the  grey  tower, 

Where  the  tall  beechen  trees  whisper  tales  to  the  moon. 

Such  bright  dreams  they  bring  me,  the  sweet  lays  sjie  singa  me, 
That  my  poor  throbbing  heart  beats  in  time  to  the  tune. 


3.  A-down  the  blue  river  my  boat's  sailing  ever, 

Since  we  lit  the  bealtin  on  the  ovo  of  St.  John. 
We  joined  in  the  sporting,  the  dancing  and  courting — 

My  young  heart  was  stolen,  and  Grade's  I  won. 
That  night  I  was  dreaming,  with  fairy-like  seeming, 

I  sat  on  the  grey  walls  by  Inny's  green  side  : 
The  music  was  sounding,  the  dancers  were  bounding, 

And  Gracie  beside  me,  my  own  wedded  bride. 


Oh  !  if  some  kind  fairy,  on  winds  free  and  airy, 

Would  steal  her  away  to  my  home  on  the  hill, 
I'd  hide  in  my  bosom  my  tender  young  blossom, 

As  the  ash-tree  the  violet  by  Shaskan's  dark  rill. 
When  the  evening  shades  quiver,  we'd  sail  down  the  river, 

By  the  old  mossy  weir  where  flossy  crests  run, 
And  the  gloom  of  the  winter  no  longer  could  enter 

The  hearth  that  was  blessed  by  my  Colleen  Dhas  Dhun. 

J.  K.  CASEY. 


218 


MY  CARROLL   BAWN. 


EY    D. 

:d 
'Twas 

r       :-  .r   | 

in                 the 

r        :-  .11    s        :- 

town            of     Wex 

sen 

:  -  .r    |d 

tenced  him 

:-  -t, 

to 

d        :- 

die, 

m 

in 

:  -  .m   |  n 

the     town 

:  -  .11 

of 

n         :  d1 

Wex     -     ford 

S 

built 

:  -  .m    |  r 

the  gal 

:d 

lows 

r        :  - 

high 

in 

there 

:  -  .11    1  11 

one    sum 

:  m 

-     mer 

m        :  d1 

morn    -    ing 

Is        :  -  .m   |  r 

1  beamed        the     gen 

:-  .d 

tie 

r        :  - 

dawn 

1   on 

:  -  .r   |  r 

that  cur 

:  m 

-     sed 

s         :  1 

gal     -     lows 

lr 

1  hung 

:-  .r  Id 

my     Car 

-     roll 

d        :- 

Bawn. 

d       :  -  .M  > 

ford         they ) 

:r         i 

'Twas     \ 


1  - 


they  > 

:r  > 

And  } 

when  ) 

:d  > 

UP  -  ; 

:t,  > 

they  > 


2.  Oh  !  he  was  true  and  loyal, 

Oh  !  he  was  proud  and  fair, 
And  only  nineteen  summers 

Shone  on  his  golden  hair  ; 
And  when  his  gallant  brothers 

Had  grasped  the  pike  in  hand, 
Where  the  green  flag  streamed  the  fairest, 

He  stood  for  native  land. 


249 

3.  I  saw  him  cross  the  heather 

With  his  bold  companie, 
And  from  the  rising  hill-side 

He  waved  his  hand  to  me  ; 
Then  on  my  wild  heart  settled 

A  load  of  woe  and  pain 
mavrone  !  its  throbbings  told  me 

We'd  never  meet  again. 

4.  They  fought  the  Saxon  foemen 

By  Slaney's  glancing  wave  ; 
But  brutal  strength  o'erpowered 

The  gallant  and  the  brave. 
And  in  the  flight  which  followed 

That  day  of  misery 
Sore  wounded  he  was  taken, 

My  Carroll  Bawn  Machree. 
6.  Oh,  foreer  gair  !  that  ever 

I  Baw  the  dreadful  sight, 
His  locks  all  damply  hanging, 

His  cheeks  so  deadly  white. 
What  wonder  if  my  ringlets 

Were  changed  from  dark  to  grey, 
Or  if  the  blessed  hand  of  God 

Had  ta'en  my  life  away. 

6.  'Twas  in  the  town  of  Wexford 

They  sentenced  him  to  die  ; 
'Twas  in  the  town  of  Wexford 

They  built  the  gallows  high. 
With  form  erect  and  manly, 

And  look  of  scornful  pride, 
For  Ireland's  faith  and  freedom 

My  true  love  nobly  died. 

7.  The  meadow  path  is  lonely, 

The  hearth  is  cold  and  dim, 
And  the  silent  churchyard  blossom 

Blooms  softly  over  him  ; 
And  my  heart  is  ever  yearning 

For  the  calm  rest  coming  on, 
When  its  weary  pulse  lies  sleeping 

Beside  my  Carroll  Bawn. 

J.  K.  CASEY. 

This  is  the  air  to  which  the  song  is  sung  in  the  South  of  Ireland.     It  is 
a  simple,  sweet  air  in  the  "  gapped  scale  "  and  two-strain  form. 


250 


THE  MOUNTAINS  OF  POMEROY. 


KEY  G. 

•j     The 
(  1  lark 
1  1  maid 
(1  blithe 

11" 

(1  who, 
(  1  wait 

ii* 

(  1  who 
(  1  moun- 
(  1  out     - 

(  |  scorne 
(|  kept 
1       on 

With  spirit. 
S         :  I'l         |  S 

.f  :m  .r    d       :-  .r   |  1|        :d  .1( 

morn     was      break   -  in 

:  1,  .d    |d         :  r  .m 

y       bright         and  fair,           The 

f         :-        1           :n.f 

sky,                                   When  the 

d        :r         |  1,        :d  .1, 

gold     -  en           hair,         With  a 

d        :-         |           :d  .r 

sang         in 

:  m        |  s  .f 

the 

:m  .r 

she        bound 

:li  .d   |d 

glance       in 

:-  .r    |d 

be  -  yond 

:m        |d 

-  ing           her 

:  m  .m  |  s  .f 

but  her    gal 

:1,  -1,  Id 

tains  of      Pom 

:r        |d 

lawed      man 

:-   .m  |d 

d          to       turn 

:n        |  s   .f 

her 

:-  .d 

her 
'.  r    .1*1 

eye  ;                                          For 

f        :  s         |s        :  d1  .1 

gay          green  -  wood,      Was  a- 

f        :-         |           ;  in  .f 

joy  ?                                         Oh, 

d        :r         |1,       :d.l, 

Ren    -    ar       -      dine        On  the 
CHORUS. 

d        :  -         |            i  d  .r 

the     s 

:  r  .m 

with 

:  m  .r 

-    lant 

:-  .d 

e  - 

t  r  .ni 

in     a 

j  r  .m 

roy  !                                       |     An 

f         :  s         |s         :  d1  .1 

land         for     -     lorn,           He 

r      :-        |            :n   f 

and 

:  ni  .r 

fly                                                 But 

d        :r        |1,        :d.l, 

the     .      cause 

:-  .1,  Id 

t.Vifi       mrmn 

of 

:d 

-    fn.inst 

free     -     dom        safe         Up  - 

?-,    :"      '        1 

in  .f    ) 

Oh,      J 


251 

I .   Full  often  in  the  dawning  hour, 

Full  often  in  the  twilight  brown, 
He  met  the  maid  in  the  woodland  bow'r, 

Where  the  stream  comes  foaming  down. 
For  they  were  faithful  in  a  love 

No  wars  could  e'er  destroy ; 
No  tyrant's  law  touched  Renardine, 

On  the  mountains  of  Pomeroy  ! 

CHORUS. 

3.  "  Dear  love,"  she  said,  "  I'm  sore  afraid, 

For  the  foeman's  force  and  you  ! 
They've  tracked  you  in  the  lowland  plain, 

And  all  the  valley- through. 
My  kinsmen  frown  when  you  are  named, 

Your  life  they  would  destroy  ! 
*  Beware,'  they  say,  '  of  Renardine,' 

On  the  mountains  of  Pomeroy.' " 

CHORUS. 

4.  "  Fear  not,  fear  not,  sweetheart !  "  he  cried, 

**  Fear  not  the  foe  for  me  ! 
No  chain  shall  fall,  whate'er  betide, 

On  the  arm  which  will  be  free  ! 
Oh,  leave  your  cruel  kin,  and  come, 

When  the  lark  is  in  the  sky ; 
And  it's  with  my  gun  I'll  guard  you, 

On  the  mountains  of  Pomeroy." 
CHORUS. 

6.  The  morn  has  come,  she  rose  and  fled 

From  her  cruel  kin  and  home ; 
.  And  bright  the  wood,  and  rosy  red, 
And  the  tumbling  torrent's  foam. 
But  the  mist  came  down,  and  the  tempest  roared, 

And  did  all  around  destroy ; 
And  a  pale,  drowned  bride  met  Renardine, 
On  the  mountains  of  Pomeroy. 
CHORUS. 

DR.  GEORGE  SIQERSON. 


252 


THE  DARK  MAID  OF  THE  VALLEY. 

KEY  C.     Moderate.  Air  :  "  beAti  "Oub  A' 


<  :d  ,r 

(    On  the 


<  :  r  ., 

(     Since  a 


m  .,r  :  r  .,d  |rm        :  d  .d 

hill  I    have  a     cow,      And  have 


1        :  s  .in    |  in 

fair        maiden    stole 


:  d  .r    I  m  .,r  :  r  ,,d  |rm 

I         I  led  her  to    and  fro, 


my 


:-  .d 

Wher- 


:  r1  .d' 

Till  the 


1 


:  s  .,s  |  r  .m   :  -  .,r 


sun       shines  at  noon-tide       in 


r  .,111  :  s  .,1   |  d! 

herded     it    till    now, 

r        :d        | 

rea     -    son. 

r  ,,m  :  s    ,1   |  d1 

ev  -  er    winds      blow, 

r 


:r        | 

son. 


.S 
My 


:  t 

|glancea-bove  a-far,  Where  my 

1        :-  .s  |  in   m    :  -  .r,r 

spir       -        it  sinks,  hard  -  ly  to 


d'.,t  i 


true  love  shines  a  star 


r        :d        | 

ral      -      ly 


-f 


:     .r 
o, 

;  r1  .d1 

To 


in  .r    :  r  .,d  |rm       :  -  .d 

mighty  King  and  Lord,        Thy 

1   .,1  :  s        |  -  .r    :  in  -,r 


r  .,m  :  s  .,1  |  d1 

help  to    me    ac  -cord, 


win  the  dark 


maid  of  the 


r        :  r 

val     -     ley ! 


2.  Dark  Maiden,  first  and  best, 

Who  hast  robbed  me  of  my  rest, 

O,  maiden,  most  beautiful  and  tender ; 


253 

With  swan-like  neck  so  bright, 
With  bosom  snowy  white, 

With  waist  so  delicate  and  slender,-— 
Not  a  youth  from  Dublin  town 
Unto  Galway  of  renown, 

Or  thence  to  Toomevara,  but  is  laden 
On  steeds  bounding  free, 
With  love -gifts  to  thee, 

My  loveliest,  my  Dark  own  Maiden  ! 

3.  In  Momonia  I  could  find 
Many  damsels  to  my  mind, 

And  in  Leinster— nay,  England,  a  manyp 
One  from  Georgey,  without  art, 
Who  would  clasp  me  to  her  heart, 

And  a  beauty  is  the  lass  among  many. 
The  daughter  of  the  Earl, 
Who  walks  in  silk  and  pearl, 

Would  fain  have  me  netted  in  her  thrall  yet, 
But  could  I  have  my  choice, 
How  much  would  I  rejoice 

To  wed  thee,  my  Dark  Maiden,  of  all  yet  I 

4.  My  hut  may  stand  unseen, 

But  'tis  thatched  with  rushes  green, 

And  around  it  the  bee  is  a  hummer, 
And  it  shines  day  by  day, 
In  the  glory  and  the  ray 

Of  the  Eire-loving  sunlight  of  Summer. 
But  when  maidens  grow  old, 
They  are  viewed  with  glances  cold, 

And  we  choose,  then,  the  gay  and  youthful-hearted. 
Thou  hast  left  me,  blooming  Oower, 
In  a  dark  and  evil  hour, 

But  I  mourn  thee  as  one  who  has  departed. 

This  song  is  remarkable  for  its  simplicity  of  style  and  composition. 
The  translation  is  excellent.  The  air  is  the  best  traditional  version  I 
have  seen  and  is  a  great  favourite. 


254 


JOHN  CTDWYER  OF  THE  GLEN. 


KEY  P.     Slow  and  sad. 


:r 

.m 

f                 m 

seen,       full 

:f 

man  - 

s         :f        .rn 

y  a          May    -   time, 

1 

I  Ve 

1  Suns 

lead 

:r 

on 

.m 

the 

:f 

day 

.m 

time, 

} 

I1' 

1  Horns 

ring 

:d 

in 

•ii 

that 

:r    ,d 

.1,    ,fe,) 

time  With) 

gay 

1         birds 

ii'i 

mel 

•1. 
low 

call, 

.  (r  ,n  ] 

I 

1  Bad 

-     gers 

:f 

tiee 

.S 

be       - 

:f 

fore 

US, 

} 

Wood 

«)d           i  r 

-    cocks          star    - 

.ro 

tie 

:f 

o'er 

US, 

\ 

I1' 

1  Guns 

make          plea 

•1, 

sant 

cho 

.1.     ,fe, 

rus,     A  - 

} 

Is, 

1  mid 

the 

ech 

oes 

all. 

1     The" 

} 

id 

I  fox 

.d    ,] 

,      :d    ,r 

,m     ,fe 

:s 

high      - 

.m 

er, 

I 

run 

high 

and 

1 

,1 

:  1     ,s 

.fe    ,s 

:  1 

.r     ,n 

I 

Horse 

-    men 

shout 

-     ing 

nigh     - 

er,     The 

r 

f 

poa 

sant 

mourn    - 

.S 
ing 

:f 

by 

.m     ,r 

i 

her 

fr 

Fowl 

that 

man     - 

.1, 

gled 

be. 

.r     ,m 

s 

255 


f 

Now, 

they 

1 
fell 

.S 

the 

r 

.d 

r 

,P1 

Fare 

-    well    — 

home 

of 

i, 

,,t,           : 

d 

•1. 

Shaun 

0' 

Dwyer 

an 

ll 

.1.     ,1.    : 

1, 

.1, 

Joy 

is        not 

for 

thee. 

:r 

Glean 


na, 


2.  It  is  my  sorrow  sorest, 
Woe — the  falling  forest ! 
The  north  wind  gives  me  no  rest, 

And  death's  in  the  sky  j 
My  faithful  hound's  tied  tightly, 
Never  sporting  lightly, 
Who  once  could,  day  or  nightly, 

Win  grief  *rom  the  eye. 
The  antlored,  noble-hearted 
Stags  are  never  started, 
Never  chased  nor  parted 

From  the  furzy  hills. 
If  Peace  came,  but  a  small  way, 
I'd  journey  down  to  Gal  way, 
And  leave,  tho'  not  for  alway, 

My  Erin  of  ills. 


3.  The  Land  of  streamy  valleys, 
Hath  no  Head  nor  rallies — 
In  city,  camp,  or  palace 

They  never  toast  her  name  ? 
Alas  !  no  warrior  column, 
From  Cloyne  to  Stuaic  naov  Colam- 
O'er  plains  now  waste  and  solemn, 

The  hares  may  rove  tame. 
Oh,  when  shall  come  the  routing, 
The  English  flight  and  flouting, 
We  hear  no  joyous  shouting 

From  the  Blackbird  yet, 


256 

But  more  warlike  glooms  the  omen- 
Justice  comes  to  no  men, 
Priests  must  flee  the  foemen 
To  hilly  caves  and  wet. 


4.  It  is  my  daily  ruin, 

That  a  sinless  death's  undoing 
Came  not,  ere  came  the  strewing 

Of  all  my  bright  hopes. 
Ah,  many  a  pleasant  day-time 
I've  watched  in  Erin's  May-time, 
The  sweet  fruits  scent  that  gay  tim9, 

And  dew  on  oak  and  slopes. 
Now,  my  lands  are  plunder, 
Far  my  friends  asunder, 
/  must  hide  me  under 

Heath  and  bramble  screen. 
If  soon  I  cannot  save  me 
By  flight  from  foes  that  crave  me, 
O  Death  !  at  last  I'll  seek  thee, 
Our  bitter  foes  between  ! 


This  version  of  the  air  is  Dr.  Joyce's.  No  song  was  more  popular  in 
Munster  than  this.  The  fine  translation  by  Dr.  Sigerson  is  most  singable. 
The  **  Glen  "  is  the  Glen  of  Aherlow,  Co.  Tipperary.  Shaun  was  a  native 
chief  who  fought  bravely  against  the  Cromwellians.  His  deeds  of  bravery 
made  the  "  Glen  "  famous.  The  song  enshrines  a  "  fact  "  of  Irish  history 
— the  ruin  that  followed  the  attempted  extermination  of  a  noble  and 
ancient  race.  Of  the  country  before  the  eighteenth  century,  Lecky 
(History  of  Ireland,  vol  i.)  says  :  "  The  pictures  of  the  condition  of  Ireland 
at  this  time  are  a*  terrible  as  anything  in  human  history." 


257 


BLIND    MARY. 


KEY  C    Slow. 


(    Th< 


B 

There 


flows  from  her   spir  -  it  such 


Air  :  "  Blind  Mary.'» 

g.,1   :g  ,m  |r      r-.ro.f  ) 

love   and  de  -  light  That  the) 


Jrf  :m'.,r'  |d|^l   :s 

face      of  blind    Ma    -    ry 


(  I  gleam  from  a     home -stead  thro' 


.r  |d 

ra  -  diant  with  light, 


d*.,d   :d 


As  the) 


:-  ,s,f 


dark  -  ness  will   show,          Or  the] 


m  .,f  :  s  .m1   Ijn^r1 :  d1  .dtr 

moon  glim-mer  sofF"  thro'  the 


m  Mf    :m  .r   |d 

fast  fall  -  ing      snow. 


2.  Yet  there's  a  keen  sorrow  comes  o'er  her  at  t'mos, 
As  an  Indian  might  feel  in  our  northerly  climes  ! 
And  ehe  talks  of  the  sunset,  like  parting  of  friends, 
And  the  starlight,  as  lovo,  that  nor  changes  nor  ends. 

3.  Ah  !  grieve  not,  sweet  maiden,  for  star  or  for  sun, 
For  the  mountains  that  tower  or  the  rivers  that  run — 
For  beauty  and  grandeur,  and  glory,  and  light, 

Are  seen  by  the  spirit  and  not  by  the  sight. 


In  vain  for  the  thoughtless  are  sunburst  and  shade, 
In  vain  for  the  heartless  flowers  blossom  and  fade  ; 
While  the  darkness  that  seems  your  sweet  being  to  bound 
Is  one  of  the  guardians,  an  Eden  around  1 

THOMAS  DAVIS, 


I— 10. 


258 


SHE  LIVED  BESIDE  THE  ANNER. 

KEY  Bb.     Slow  and  patfietic. 


(  ;tt  .f 

(I     She 


s  .1    :f  .s.f  Im  .d    :r  .d 

lived  be-side  the    An-ner     At  the 


t,  .s,  :d  .d    |d 

foot  of  Slieve-na-mon, 


5  : 

.AT 

m  .f    :s  .1    1  ta.s    :  d1  Mta 

1 

A 

gen-tie    Ir-ish       col  -  leen  With 

IS 

,,dr 

m  .f    :  s  .1    |  ta.s    :  d1  .,ta 

I 

Her 

lips  were  dew-y  rose-buds,  Her 

1  .f   :ta.l    |s      ' 

mild  eyes  like  the  dawn; 

1  .f    :ta.l    |s 

teeth  were  pearls  rare, 


:n  ,f 

And  a 


s  .1    :  f  . 

si.cw-drift    'neath 


JT  |  PI  .d 

a      beechen 


:  r  .d 

bough  Her 


t|  .S|  :d  ,d    |d 

neck  and  nut-brown  hair. 


2.  How  pleasant  'twas  to  see  her 

On  a  Sunday  when  the  bell 
Was  filling  with  its  mellow  tones 

Lone  wood  and  grassy  dell  ! 
And  when  at  eve  young  maidens 

Strayed  the  river  bank  along, 
The  widow's  brown-haired  daughter 

Was  the  loveliest  of  the  throng. 

3.  O  brave,  brave  Irish  girls  ! 

We  well  may  call  you  brave — 
Sure  the  least  of  all  your  perils 

Is  the  stormy  ocean  wave 
When  you  leave  your  quiet  valleys, 

And  cross  th'  Atlantic  foam, 
To  hoard  your  hard- won  earnings 
For  the  helpless  one  at  home. 


259 

4.  "  Write  word  to  my  own  dear  mother; 

Say  we'll  meet  with  God  above ; 
And  tell  rny  little  brothers 

I  send  them  all  my  love  ; 
May  angels  ever  guard  them 

Is  their  dying  sister's  prayer  " — 
And  folded  in  the  letter 

Was  a  braid  of  nut-brown  hair. 

6.  Ah,  cold  and  well-nigh  callous 

This  weary  heart  has  grown 
For  thy  helpless  fate,  dear  Ireland 

And  for  sorrows  of  my  own  ; 
Yet  a  tear  my  eye  will  moisten, 

When  by  the  Anner  side  I  stray ,, 
For  the  lily  of  the  mountain  foot 

That  withered  far  away. 

CHARLES  J.  KICKHAM. 

'  ".  '  .          ,.•-•".'; 

.  Michael  Doheny,  who  himself  wrote  two  or  three  of  our  best  and  most 
splendid  ballads,  pronounced  this  ballad  of  Kickham's  to  be  one  of  the 
best  ever  written.  I  have  seen  it  stated  that  it  remained  without  a 
musical  setting  until  about  thirteen  years  ago.  That  is  hot  so.  It  has 
had  from  the  time  it  was  written  the  musical  setting  which  I  here  give. 
It  has  been  sung  to  other  airs.  One  air  which  I  have  heard  was  modern 
and  musical  rubbish.  Another  air  to  which  I  saw  the  song  wedded  is  a 
very  pretty  Munster  air,  which  is  found  in  this  series,  p.  234.  I  think 
the  present  musical  setting  suits  the  air  best.  Anyhow  it  is  the  one 
which  has  been  for  a  long  time  current  amongst  the  traditional  singers 
in  Munster.  It  feels  like  a  bit  of  the  sweet,  enchanting  music  from 
UIJA  MA  11-65.  Two  friends  supplied  me  simultaneously  with  a  copy  of 
the  music — Miss  S.  Black,  a  musical  member  of  the  Keating  Branch"  of 
the  Gaelic  League  in  Dublin,  and  Mr.  Phil  O'Neill,  of  Kinsale,  an  en- 
thusiastic lover  of  Irish  and  of  Irish  songs  and  airs.  The  air,  with 
Kickham's  song,  has  been  sung  in  Mr.  O'Neill's  family  ever  since  the 
song  was  written. 


260 


THE    THIEF    OF    THE    WORLD. 

KEY  C.     Moderate.  Air:  "An  SCAICIH  O|MIAW." 

<:sil<t  d'.r>  :d'.t   1 1  .m  :m  .r  In  .d   :l,.t,  |d  .r  :m  £  > 

(  What's  the  use  of      Govern  -  ment,and|  what  do     we    pay    peelers     for?       ' 

{1  .d'  1 1  .s    1 1  .ro    :  ro  .r    In  .ro    :  1  .,1  1 1         :  s  « 1 « tt 
What's  the  use  of    soldiers   to  be    I  standing  at  their  ease  ?      What  f 


d'.r'  rd'.t    1 1  .m    :n  .r   |m  .d   :  1,  .t,  |d  .r    :n  .s    > 

do  they  seize  po  -  teen    stills  and|  hunt  the  highway  squealer  f  or,Wh'n> 


1  .d1  :  t  .3    1  1  .m   :  m  .r 

rogues  can  roam  the  highroad  and  go 


m  .s    :1  .t    |d' 

thief  of  all  the     world  ! 


m  .d    :  1,  .t,  |d        llr  .r    > 

robbing  all  they  please  ?||  Oh,  the  ) 


but 


r'.d'  :1  .t 

sure  the  sorrow  mend  my 


.r'  •#£  ) 

id  mv-self-The) 


r'  .t    :d'.,l    |s  .m    :n  .r 

two  blue,  coaxing  eyes  of  her,  the 

d1  .r'  :d'  .t    1 1  .m    :n  .r 

stole  the    heart  right  out  of  me,  be  - 

1  .d1  :  t  .s    1 1  .m    :  m  .r 

fell  in  -  to  that  dimple  and  I 


n.,1    :!.,!    |1        ;s«l«n 

dimple   on    her  chin  !        They    ) 


n  .d    :  1,  .t,  |d  .r    :m  .s    > 

fore  I     could  de-fend  my  self — I  ) 


m  .d    :  1,  .t,  |d 

can't  got  out  a  -  gain. 


261 

2.  She  was  sitting  at  the  door,  and  nobody  but  the  cat  with  her, 

When  in  I  stepped  to  light  my  pipe  and  pass  the  time  of  day  ; 
And  I  never  felt  the  time  while  I  talked  of  this  and  that  with  her, 

And  sure  'twas  mostly  evening  when  I  rose  to  go  away. 
Oh,  the  thief  of  the  world  !  when  up  at  last  I  got  to  go 

My  heart  was  gone,  my  head  was  gone,  my  peace  of  mind  likewise, 
But  wasn't  I  the  omadhaun,  and  she  pretending  not  to  know, 

And  all  the  while  the  mischief  in  the  corner  of  her  eyes  ! 

3.  But  I'll  have  her  up  to  court,  and  I'll  charge  her  with  the  felony, 

And  if  she  pleads  not  guilty,  'twill  be  only  waste  of  breath  ; 
For  I'll  set  my  face  against  her,  and  condemn  her  for  her  villainy 

To  be  locked  up  in  my  arms  till  the  day  of  her  de'ath. 
Oh,  the  thief  of  the  world  !  there's  no  use  in  being  kind  to  her — 

Around  my  neck  she'll  have  to  hang  until  her  dying  day, 
As  a  warning  to  all  schemers  that  the  same  way  are  inclined  as  heir, 

To  go  about  their  business  and  not  set  poor  boys  astray. 

F.  A.  FAHY. 


My  attention  was  directed  to  this  song  by  a  musical  and  poetic  friend, 
several  of  whose  pieces  I  have  included  in  my  collection.  He  is  one  who 
is  no  mean  judge  of  the  value  of  a  fine  song.  He  writes  me  as  follows  : 
"  Get  it  into  your  book.  It  is  one  of  Frank  Fahy's  happiest  and  Irishiest 
efforts.  Don't  let  it  escape  your  eye."  Every  one,  I  think,  will  endorse 
that  encomium.  I  am  much  indebted  to  Mr.  Fahy  for  sending  me  this 
and  others  of  his  songs.  The  above  setting  of  the  fine  air  is,  in  my  opinion, 
the  best  and  most  singable.  The  three  first  notes  of  the  music  are  re- 
quired for  the  second  and  third  verses. 


262 


KELLY  OF  KILLANN. 

A  '98  SONG. 


KEY  D.     Spirited. 

(  :  d  .,m  I  s         :  s 


,s  |d'        rd'.l 


(What's  thejnews?  What's  the  news  ?     O  my 


|  :d.r 

(With  your 

(  :d  .,m 

(  Say  what 

,  :d.r 

With  a 


:s  ,,s 

"  Good-ly 


m        :r  .m    |  s  .m    :r  ,d 

long     barrelled     gun         of  the 


s         :s  .,s  |  :.    . 

wind      from  the  sun      blows  his 


m        :r  .m    |  s  .m    :r  .d 

hymn      of  the    dawn       for  the 
news  !    Good-ly     news,       do  I 


:m  .,d  I  1, 

bold       Shel-ma  -  Her, 


sea  ? 


s 


:  m 


mes    -    sen-  ger    here, 


free  ?  " 


s 


|s 


bring,  Youth  of  Forth 


,1 


:s  .,s 

Good-ly 

:d  .,m 

For  the 


1 


:  f  .,f  |  d1 


news  •  shall  you  hear,       Bar-gy 


S 
Man  ! 


s 


:s 


Boys  march  at    morn     from  the 


:n 


South     to     the  North, 


:d  .,r 

Led  by 


m 


:r 


|s  .,m  :r 


Kel    -    ly,  the     Boy      fromKil- 


lann  ! 


2.  "  Tell  me  who  is  that  giant  with  gold  curling  hair — • 

He  who  rides  at  the  head  of  your  band  ? 
Seven  feet  is  his  height,  with  some  inches  to  spare, 
And  he  looks  like  a  king  in  command  !  " — 


263 

"  Ah,  my  lads,  that's  the  Pride  of  the  Bold  Shelmaliers, 
^  |Mong  our  greatest  of  heroes,  a  Man  ! — 
Fling  your  beavers  aloft  and  give  three  ringing  cheers 
For  John  Kelly,  the  Boy  from  Killann  !  " 

3.  Etiniscorthy's  in  flames  and  old  Wexford  is  won, 

And  the  Barrow  to-morrow  we'll  cross  ! 
On  a  hill  o'er  the  Town  we  have  planted  a  gun 

That  will  batter  the  gateways  of  Ross  ! 
All  the  Forth  men  and  Bargy  men  march  o'er  the  heath, 

With  brave  Harvey  to  lead  on  the  van  ; 
But  the  foremost  of  all  in  the  grim  gap  of  Death 

Will  be  Kelly,  the  Boy  from  Killann  ! 

4.  But  the  gold  sun  of  Freedom  grew  darkened  at  Ross, 

And  it  set  by  the  Slaney's  red  waves  ; 
And  poor  Wexford,  stripped  naked,  hung  high  on  a  cross, 

And  her  heart  pierced  by  traitors  and  slaves  ! 
Glory  O  !  Glory  O  !  to  her  brave  sons  who  died 

For  the  cause  of  long  down-trodden  man  ! 
Glory  O  !  to  Mount  Leinster's  own  darling  and  pride — • 

Dauntless  Kelly,  the  Boy  from  Killann  ! 

P.   J. 


I  draw  the  attention  of  our  young  Irishmen  to  this  patriotic  and  splendid 
ballad.  I  venture  to  hope  that  it  will  be  often  heard  from  our  concert 
platforms.  It  is  taken,  by  permission,  from  the  author's  Irish  Fireside 
Songs  (Dublin  :  Gill  &  Son).  Mr.  M'Call  also  kindly  supplied  me  with  the 
air.  He  is  of  opinion  that  this  version  of  the  air  has  never  before  been 
published. 


264 

THE    MOUNTAIN    ALTAR. 

KEY  A.     Tenderly. 

Air  :  Old 

Traditional  Air. 

fin,  .s, 

i  A  . 

i. 

round 

:!,.!,   1 

it     the 

1, 
furze 

:s,  .1, 

d 

hills 

:d         |r        > 

a       -      rise       > 

-    clad 

1    Like 

m 

guar    - 

:r  .d    | 

dians 

i, 

strong 

:s,  .PI, 

S| 
brave, 

'-   '    } 

and 

(     As      |if 

:1,  .1,  1 

from  the 

i, 

world 

's     un    - 

d 

feel     - 

:d         |r        > 

ing           hand    > 

<    Its" 

m 

sto     - 

:r  .d    | 

ry    to 

i, 

shield 

=  1, 

and 

1, 

save. 

:-    '    J 

j:m  .n 

S 

:m         | 

tn 

:r  .d 

r 

:r         |r       > 

(And  they'll 

guard 

it 

there, 

with  a 

king     - 

ly              pride,  > 

5:  d  .r    1  m 

(Tho'  the]  skies 

:r  .d    | 

i. 

smile 

:  s,  .PI, 

S| 
weep, 

:-   '    } 

may 

or 

j:  MI-SI 

(  Those 

1, 

brave 

old 

i, 

hills 

with  a 

d 

ten 

:d         |r        ) 

der          care      ) 

(  Their 

m 

vig     - 

:r  .d    | 

il     of 

love 

111 

will 

i, 

keep. 

•  "~            1 

2.  The  ivy  clings  to  the  moss-grown  stones 

With  a  loving,  unchanging  clasp, 
As  if  to  shelter  the  friend  of  its  youth 

From  the  plunderer's  ruthless  grasp ; 
And  it  weaves  a  canopy  o'erhead, 

Where  the  breeze  in  summer  sighs, 
And  the  tender  raindrops  filter  through, 

Like  tears  from  the  weeping  skies. 


265 

3.  When  our  Faith  was  banned  by  a  tyrant  law, 

And  our  Altars  in  ruin  lay  ; 
When  the  blighting  gloom  of  the  Penal  night 

Fell  dark  over  Freedom's  day; 
Oil  this  ledge  the  Sacred  Host  was  laid, 

And  the  hunted  soggarth  here 
Offered  up  to  Heaven  the  Holy  Mass, 

While  the  hounds  of  the  law  were  near. 

4.  There  has  it  stood  thro'  the  changing  years, 

Unstirred  by  the  howling  gale  ; 
Unbending,  stern,  and  dark,  and  proud, 

Like  a  knight  in  his  kingly  mail ; 
Around  it  the  wintry  winds  have  swept, 

And  the  croon  of  the  summer  breeze 
Has  often  rustled  its  ivied  robe  : 

But  'tis  little  it  cares  for  these. 

6.  It  has  conquered  all  that  would  crush  it  down 

In  the  reckless  flight  of  years, 
Since  first  the  moss  on  the  soft,  green  sod 

Was  moistened  with  sorrowing  tears 
For  the  home  destroyed  and  the  Altar  wrecked, 

And  the  true  and  the  brave  laid  low 
By  the  iron  hand  of  a  bigot  hate, 

In  the  days  of  a  nation's  woe. 

6.  In  those  grey  old  ruins  of  our  native  land, 

There  are  memories  sad  and  proud  ; 
They  tell  of  the  patriot's  noble  fight, 

And  they  speak  of  the  martyr's  shroud. 
Oh,  guard  them  more  from  careless  hands 

Than  you  would  from  the  winter  blast ; 
They  were  left  to  the  children  of  Patrick's  race 

To  tell  of  a  glorious  past. 


BRIAN  O'HIGGINS. 


This  song  is  worthy  of  a  foremost  place  even  amongst  the  gems  of 
this  collection.  I  link  it  with  a  very  sweet  old  melody,  and  hope  that 
it  will  be  often  heard  at  Irish  firesides. 


266 


THE  FAIR-HAIRED  MAID. 

KEY  P.  Tenderly  and  fairly  quick.  Air  :  "  Dobbin's  Flowery  Vale." 


1 

:  s  .s 

'Tis  my 

f  .r 

bit-ter 

:d  .t,    |d 

grief  that  we, 

:r  .t, 

Love,  to- 

d  .r 

gether 

:f  .s 

cannot 

|ta 

be 

1 

i 

:s<l  it 

In  some 

d'.,t 

:  s  .PI 

leaf-y 

If    .N 

:r  .d 

in  Lough 

ta, 

E      - 

:- 

.d 

er 

|r 

-  no, 

1 

green, 

isle 

I 

:d  .t, 

Or  with- 

s,  .d 

in  the 

:d  .t,  |d         :r  .t,  Id  -r    :f  .s    |  ta      > 

dark  wood's  breast,  Where  the|song-bird  makes  his  nest      ' 

i 

:  s<l  <  t 

1  d'  .,t 

:  s  .PI 

If  -r 

'mid 

.r 

the 

d 

fern. 

:- 

l(d) 

1 

And  thelgrouso  whirrs  a 

-  loud 

i 

:d«r<m 

f        HI 

:f  .s 

|ta 

:  s 

.t 

d'.,t 

:  c 

.1 

|ta 

, 

< 

Or  by 

some  deep-bo-somed  bay    Where 

the 

cuckoo's  merry 

lay 

> 

t  :  s<l,t 

(  Thrills  all 

d'.,t 

:s  .PI 

and  the 

|f  .m 

:r  .d 

swells  a 

ta,      : 

_ 

.d 

|r 

rus, 

I 

day 

sea 

cho 

- 

p 

I 

:d  .t, 

Side  by 

s,  .d 

side  to 

:d  .t, 

wander 

Id 

on, 

rr'.t,  Id  .r    :  f  .s    |  ta       ) 

Till  our  Ishare  of  days  are  gone,      ) 

1 

:s  .d1 

Love  to 

d1  .,t  :  s  .m 

fill  with  lasting 

If  -r 

joy  the 

time 

r 

be- 

d        : 

fore 

- 

Id 

US. 

1 

2.  'Tis  my  bitter  grief  that  I 

Did  not  by  my  kindred  lie 
Stiff  and  cold,  or  on  some  bleak  height  have  my  dwelling, 

Ere  ever  in  my  way 

Came  your  presence,  bright  as  day, 
And  your  rowan-red  lips  love-compelling. 


267 

Alas  !  that  it  is  so  ! 

Woman's  love  is  like  the  snow 
Or  a  gust  of  wind  that  comes  to  go  for  ever 

Oh  !  a  storheen,  not  for  gold 

Let  my  soul's  full  trust  be  sold, 
Nor  your  own  dear  heart  from  happiness  sever  J 


3.  I  have  searched  our  island  o'er 

From  Cork's  resounding  shore 
To  where  the  Reek  looks  o'er  Clew's  waters, 

And  thence  to  the  wild  flow 

That  sweeps  o'er  Assaroe 
In  hope  that  I  might  find  among  the  daughters 

Whose  beauty  crowns  each  place 

Some  tidings  of  the  face 
Of  her  whom  every  maid  for  Queen  confesses, 

And  to  whom  I  bade  adieu 

At  the  ford  of  Killaloe, 
She's  the  Girl  of  the  Fair-Flowing  Tresses  ! 


WILLIAM  ROONEY. 


Dr.  P.  W.  Joyce  says  of  this  air  :  "  There  are  few  tunes  better  known 
all  over  Munster  ;  and  a  number  of  songs  are  sung  to  it."  The  air  is  a 
charming  one.  The  recurrence  of  the  accented  note  ta  gives  the  music 
a  peculiar  tenderness.  I  link  the  air  with  Rooney's  fine  translation  of  a 
celebrated  old  Munster  ballad.  Of  the  other  songs  that  suit  the  air  I 
mention  specially  P.  J.  M'Call's  charming  song,  "  Bouchaleen  na  Gruaga 
Dhowna  "  (Songs  of  Erin,  p.  34). 


268 


I  RAMBLED  DOWN  THE  WOODLAND  PATH. 

KEY  G.     Lively.  Air  :  "  Saddle  the  Pony." 


:l,.t, 

d    :- 

ram 

-     :r 

day 
met 
en 
-      ti 

:  -  .d  |  d    : 

r    :m     r    :t 

n    :r    |r    :d 

:r    ) 

One) 
And  ) 

so~~  > 
:t     ) 

My  ) 
That) 

i 
m     : 

Sun 

Id1    : 
i 

Id     : 

maid 

Id'    : 

|  beau 

Id1 

1  your 

id' 

1  calle 

Id  • 

|  maic 

bled  down        1 

|ro     :f     :s 

ev   -   e    -    ning 

It     :1     :s 

he     wood 

1     :- 

late      - 

1     :- 

maid 

1,    :- 

state 

1     :- 

seemed 

s     :- 

joyful 

1     :- 

bawn 
state 

-     land    path 

:-     11     :- 
-     iy, 

:s     |m     :- 

en       fair, 

:-     11,    :- 
-    iy; 

:  s     |  m 

to       me, 

:-     |s     :1 

there 

|r     :d 

a 

and 

:  s 

she 

proud 

It     :1 

-      ful 

It     :r' 

ig         heart  throbbed 

:-     :1     |t     :1 

right 

:  s 

grd 
and 

:  s     |  m     :  - 

ma   -  chree, 

:-     H,    :- 

d          her 

-     :m 

1      -    en 

my 

|r     :d 

proud 

2.  The  May-wind  kissed  her  flowing  hair, 

Like  summer  sun-rays  twining, 
And,  oh  !  her  face  of  loving  grace, 
An  apple-blossom  shining. 


269 

Her  lips  were  red  as  Keenagh's  rose, 
Her  feet  as  light  as  mountain  doe's, 

Her  voice  the  fairy's  song  which  flowa 
When  starlit  eves  are  shining. 


3.  And  many  a  time  I've  walked  that  path 

Those  Sunday  evenings  lately, 
Still  meeting  there  that  maiden  fair, 

With  head  erect  and  stately. 
She  never  gives  a  smile  to  me, 

But  my  young  heart  throbs  joyfulty, 
For  she  is  my  grd  gal  machree, 

That  maiden  proud  and  stately  ! 


J.  K.  CASEY. 


270 


THE  LITTLE  HOUSE  UNDER  THE    HILL. 

KEY  D. 

:1 


I've 


s    :f    :tn    |s    :f    :m    Is    :f    :  m    |  s    :-    :1    > 

•earned  and  I've  ram-bled  the  |earth  far  and  wide,     Thro'       ) 


! 

s     :f 

man  -y    • 

:m 

a 

s     :f 

man-sion 

:m 

and 

f 

pal 

:r 

-  ace 

:tn 

of 

If     :- 

pride, 

But) 

i 

s     : 

flies 

f 

my 

:m 

fond 

Is     :f 

heart  to 

:m 

the 

s     :f 

green  is  • 

:m 

land 

|s     :1 

:t      I 

still, 

( 

jid'  n 

(  \  Back  to 

the 

Is     :f 

lit  -  tie 

:  m 

house 

f 

un 

:r 

-  der 

:m 

the 

If     :- 

hill. 

'-   1 

1 

d'    : 

Hi 

m 

for 

:n 

it  ! 

Is 

Ho 

:m 

for 

:m 

it  ! 

d1 

Hi 

:n 

for 

:m 

it 

|s     :- 

still  ! 

'"I 

I 

d1    : 

Hi 

m 

for 

:m 

the 

Is 

lit 

:ro 

-  tie 

:n 

house 

f 

un 

:r 

-  der 

:m 

the 

If     :- 

hill! 

:(.)} 

{ 

d1    : 

Had 

m 
i 

:m 

the 

S 

way 

:m 

now 

i  ni 

,  •  as 

d1 
i 

:n     :ro 

have    the 

I  s     :  1 

7,  } 

will, 

( 

d1    : 

1.  1 

rd'.l 

Is 

:f 

:m     If 

:r 

:m 

If     :- 

II 

i 

fly 

to 

the 

lit 

-  tie 

house)   un 

-  der 

the 

hill. 

1 

2.  Oh,  how  the  little  house  comes  to  my  mind — 
Face  to  the  sunlight  and  back  to  the  wind  ! 
The  hum  of  the  bee  and  the  ripple  of  rill 
Made  glee  for  the  little  house  under  the  hill. 

Hi  for  it  !     Ho  for  it  !     Hi  for  it  still  ! 

Hi  for  the  little  house  under  the  hill  ! 

I  listen  in  dreams  while  the  thrush's  wild  thrill 

Wakes  joy  round  the  little  house  under  the  hill. 


271 

3.  Humble  the  roof  was  and  covered  the  thatch, 
But  stranger  in  vain  never  lifted  the  latch — 
Greeting  and  welcome  that  care  could  not  kill 
Were  found  in  the  little  house  under  the  hill. 

Hi  for  it  !     Ho  for  it  !     Hi  for  it  still ! 
Hi  for  the  little  house  under  the  hill ! 
Hearts  that  not  trouble  or  sorrow  could  chill 
Beat  high  in  the  little  house  under  the  hill. 

4.  'Twas  gay  when  the  Spring  came  with  flowers  and  leaves, 
With  buds  on  the  bushes  and  birds  on  the  eaves  ; 

And  gayer  when  soft  light  of  Summer  would  fill 
Each  nook  in  the  little  house  under  the  hill. 

Hi  for  it !     Ho  for  it  !     Hi  for  it  still ! 

Hi  for  the  little  house  under  the  hill  ! 

Sweeter  than  roses  that  bloomed  on  the  sill 

Lived  love  in  the  little  house  under  the  hill. 

6.  The  fading  of  flowers,  the  fall  of  the  leaf, 

Never  brought  to  the  hearts  in  the  little  house  grief, 
For  round  the  fireside  when  the  Winter  blew  shrill 
We  drew,  in  the  little  house  under  the  hill, 

Hi  for  it  !  Ho  for  it !  Hi  for  it  still  ! 

Hi  for  the  little  house  under  the  hill ! 

With  song  to  enliven  and  story  to  thrill, 

We  laughed  in  the  little  house  under  the  hill. 

6.  Souls  loving  dear  Erin  and  hating  her  foes, 
Eyes  gay  for  her  gladness  or  weeping  her  woes, 
Hearts  willing  their  blood  for  her  freeing  to  spill, 
Found  home  in  the  little  house  under  the  hill. 

Hi  for  it  !  Ho  for  it  !  Hi  for  it  still  ! 
Hi  for  the  little  house  under  the  hill ! 
For  one  day  of  daring  our  vows  to  fulfil 
We  longed  in  the  little  house  under  the  hill. 

7.  Hi  for  the  little  house  under  the  hill ! 

And  Hi  for  the  true  hearts  that  linger  there  still  ! 
I'm  praying  for  ever,  through  good  and  through  ill, 
To  die  in  the  little  house  under  the  hill, 

Hi  for  it  !  Ho  for  it  !  Hi  for  it  still ! 

Hi  for  the  little  house  under  the  hill ! 

Mad  I  the  way  now,  as  I  have  the  will, 

I'd  flv  to  the  little  house  under  the  hill. 

F.  A.  FAHY. 


272 


IRELAND'S    HURLING    MEN. 

KEY  A.     With  spirit.  Air  :  "  Vive  la." 


f 


•81  ,f  | 
Who 


M 


.Si 


say      our        conn  -  try's 


d      ,,r      :d 

soul      has       fled  ? 


•S,         > 
Who    f 


.ro 


say    our      coun-  try's 


marching    tread  Of 


m    .s      :r     ,m 

hold  the      hopes  of 


heart  is     dead?Come, 


s     .d 


.f 


twice  five     thousand 


d     .,r     :m     .d 

by  -  gone  years,  They 


PI,     .S,       IS,     .1, 
let      them  hear  the 

m     .r      :  d    .11  r     ) 

Hurling       Men.||  They) 


m     .s      :r     .n 

love  the      past — its 


ii  f  ,mr,d:  lt    .d,r  m     .s      :r     .m      Id 

(I smiles  and  tears;  But  qua-v'ring  doubts  and)  shrinking 

CHORUS. 

N| 
-ing    Men  !   Hur- 


inking     fears  Are  ) 


ils     .d     :1,    .f     In    .r      :d    . 

(  I  far    from  Ire  -  land's)  Hurl-ing    Men  ! 

<|d    .,r    :d    . 

(|  stout  CA  -  in  AW, 

{I 


s, 

Not 


Ml     .S|       !  S|     .1| 
rah  !  the      arms  of 


(in     .r     :d     .1 

( 'flame  a    -    glow  I 


m,    .s,     :s,    .n 

ScAin-in's     steel  can 

d     .,r     :m     .,f 

might  and  brawn,And 


:  S|       .,1| 
rah!  Hur  -  rah  !    the 

f ,  m.r ,  d  .*  li     .MI 


{ 


match  its    blow  ;  Hur 


s     .d      :d 


> 


hearts  with  Freedom's 


273 

2.  They  sing  the  songs  their  fathers  sung, 
When  to  the  breeze  the  Green  they  flung — 
They  speak  their  own  sweet  Gaelic  tongue 

That  fires  the  blood  of  fighting  men. 
When  all  around  was  dark  as  night 
With  scarce  a  gleam  of  cheering  light, 
When  traitors  fled  their  country's  fight- 
She  still  had  hope  in  Hurling  Men. 

CHORUS. 

3.  On  Irish  fields  when  heroes  died, 
And  foemen  thronged  on  every  side, 
Our  leaders'  joy,  their  hope  and  pride. 

Were  gleaming  pikes — and  Hurling  Men  ! 
And  if  God  wills  that  war's  red  train 
Shall  sweep  once  more  o'er  hill  and  plain, 
Our  land  shall  call — and  not  in  vain — 

For  fighting  lines  of  Hurling  Men. 

CHORUS. 

4.  But,  meanwhile,  let  each  true  heart  toil 
The  foeman's  every  plan  to  foil, 

And  raise,  like  strong  plants  from  the  soil, 

New  hosts  of  Irish  Hurling  Men. 
To  guard  their  name  and  love  their  land, 
With  her  thro'  gloom  and  joy  to  stand, 
And  each  one's  gift — a  heart  and  hand 

And  will  to  strive  with  Irish  Men. 

CHORUS. 

6.  When  comes  the  day— as  come  it  must— 
That  SeAimn's  rule  of  greed  and  lust 
Shall  lie,  all  broken,  in  the  dust, 

We'll  still  have  Irish  Hurling  Men. 
Then  here's  to  her,  the  land  we  love, 
Each  grand  old  hill,  and  glen,  and  grove- 
Her  plains  below,  her  skies  above — 
And.  besfc  of  all,  her  Hurling  Men  ! 

^  CHORUS. 


BRIAN  O'HiaciNS. 


KEY  Bb- 


274 
ERIN    ASTHORE. 

Air  :  "  Top  of  Cork  Road." 


!l 


Na  -  ture  in 


Id.  :t,    :d 

Scat  -  ters    her 


U|       .  l'l|       .  b| 
man  -  y         a 

r     :n     :f 

trea  -  sures  in 


1,    :r     :d     1 1, 

fa  -  voured  lo  -    ca 

3     :m     :d     It, 


:1,    :B,    ) 

-    li     -    ty    > 


:  s. 


rich     pro  -  di    -    ga  -  li    -    ty : 


But    I'll     main 


| d|    : ni|    : S|    1 1|    :r     :d     1 1(    :  1|    :  s(    > 

i-tain    it,      with-|  out      par  -  ti    -     a  -    li   -   ty,    > 


d     :t,    :d 

You    have  the 

ni     :  d     :  HI 

!  Moun-tains  of 

d     :t,    :d 

Val  -  leys     of 


Jr 


:f 


pick     of     them, 

m     :  d     :  ro 

pride  where  the 


1,    :r     :d 

joy     where  the 


m     :d     :d     |d     :-     :- 

E    -    rin      a    -    sthore  ! 


:r     |r 


wild    tor  -  rent 


:t|  ;r     > 

falls  ;  ) 

t,    :s,    :s,    !s,    :-  :-    > 

mel  -  low    thrush  calls  ;  > 


(11,    :f,    :1, 

(  I  Woodland    and 


d     :  t,    :d 

Isles  where  the 


CHORUS. 

m     :d 


li    id     :  1|    I S|    : pi|    i  S|    |d,    'W\    i$\    ) 

ha  -  zel      dell  ;|  Baths  where  the  f ai  -  ries  dwell ;) 


r     :m     :f 

an  -  gels  might 


m     :r     :r 

rest    ev  -    er 


-    more  !  ) 


|m     :d 

Health  and  sue  -  cess     to 


you, 


r     :t,    :r     |r 

E    -    rin      a     • 


sthore  I 


275 


d     :t,    :d     1 1,    :r     :d 

Free-dom    il    -    lu  -  mine  your 


t,    :s,    :s,    |s,    :- 

val  -  leys     once     more ! 


<|1,    :f,    :1 

(  I  Com  -  fort    a 


Hi    :d 


and     ease  to        you. 


d     :t,    :d     |r     :m     :f 

Glo  -  ry       in    -  crease  to       you, 


s 


Pow-er        and     peace  to       you, 


PI     :  r     :  r     |  r     :  - 

E    -   rin      a    -    sthore  ! 


2.  Sons  you  have,  Erin,  of  strength  and  capacity, 
Famed  in  all  ages  for  wit  and  vivacity, 
Beating  the  nations  in  deeds  of  audacity 

In  every  land  that  lies  under  the  sun ; 
Colleens  whose  souls  in  their  love-lighting  eyes 
Shine  pure  as  stars  in  thy  midsummer  skies  ; 

True  hearts  unaltering  ; 

Faith  never  faltering ; 
C6ad  mile  jdilthe  for  every  one. 

CHORUS. 

3.  Sad  is  your  lot  to  be  lying  in  slavery, 

After  long  years  of  hard  fighting  and  bravery, 
Wrecked  by  oppression  and  plundered  by  knavery, 

Crushed  'neath  the  yoke  of  the  foreigner's  laws  ; 
But  there  are  friends  for  you,  Erin  asthore, 
Hopeful  and  wakeiul  the  wide  world  o'er, 
Spreading  the  light  for  you, 
Striving  for  right  for  you, 
Willing  to  fight  for  your  long-stricken  cause. 

CHORUS. 
FRANCIS  A.  FAHY. 


276 


INISHOWEN. 


KEY  D.     Spiritedly. 


God 


s    :  -.m  : 


ro    :  r 


bless    the  grey  raoun-tains  of 


s    :s 

dark  Don 


i  -  e  -  gal,  God  ) 


s     :  -,ro  :  m 


m     :  r     :  n 


bless     Roy-al      Ail-each,     the 

s     :  -.m  :  m     |  m     :  r     :  m 

sits        ev  -  er  -  more  like     a 


d     :-.!,:!,    1  1,    :-  :d'.d'» 

pride     of    them  all  ;  For  she) 

s     :  s     :  PI     I  m     :  -  :  d1 

queen  on     her     throne 


:  -     :       \ 

e,        And  > 


s 


:m 


:r 


smiles  on     the     val  -  leys      of 


II 


Green  In   -  ish  -  owen. 


\ 

Andi 


fair    are     the      val  -  leys     of 


hard    -  y     the     fish  -  ers     that 


s 


:m     :d     ) 

>n,         And  ) 


Green  In  -  ish   -  owen 


call    them  their  own —          A    > 


n1    :-.r':d'    |r»    :d'    :t 

race      that  nor    trait  -  or      nor 


d1    :t 


|s     :ro     :d 


cow  -  ard     have  known 


, 

-> 


joy 


.:r     |ro     :  ro     :r 

the  fair    val  -  leys     of 


Green  In    -    ish  -  owen. 


2.  Oh  !  simple  and  bold  are  the  bosoms  they  bear, 

Like  the  hills  that  with  silence  and  nature  they  share ; 
For  our  God,  who  hath  planted  their  home  near  His  own, 
Breath'd  His  spirit  abroad  upon  fair  Inishowen. 


277 

Then  praise  to  our  Father  for  wild  Inishowen, 
Where  fiercely  for  ever  the  surges  are  thrown — 
Nor  weather  nor  fortune  a  tempest  hath  blown 
Could 'shake  the  strong  bosoms  of  brave  Inishowen. 

3.  See  the  bountiful  Couldah  careering  along — 

A  type  of  their  manhood  so  stately  and  strong — 
On  the  weary  for  ever  its  tide  is  bestown, 
So  they  share  with  the  stranger  in  fair  Inishowen. 
God  guard  the  kind  homesteads  of  fair  Inishowen, 
Which  manhood  and  virtue  have  chosen  their  own ; 
Not  long  shall  that  nation  in  slavery  groan, 
That  rears  the  tall  peasants  of  fair  Inishowen. 

4.  Like  that  oak  of  St.  Bride  which  nor  Devil  nor  Dane, 
Nor  Saxon  nor  Dutchman  could  rend  from  her  fane, 
They  have  clung  by  the  creed  and  the  cause  of  their  own 
Through  the  midnight  of  danger  in  true  Inishowen. 

Then  shout  for  the  glories  of  old  Inishowen, 
The  stronghold  that  foemen  have  never  o'erthrown — 
The  soul  and  the  spirit,  the  blood  and  the  bone, 
That  guard  the  green  valleys  of  true  Inishowen. 

5.  Nor  purer  of  old  was  the  tongue  of  the  Gael, 
When  the  charging  aboo  made  the  foreigner  quail  j 
Than  it  gladdens  the  stranger  in  welcome's  soft  tone, 
In  the  home-loving  cabins  of  kind  Inishowen. 

Oh  !  flourish  ye  homesteads  of  kind  Inishowen, 
Where  seeds  of  a  people's  redemption  are  sown  ; 
Right  soon  shall  the  fruit  of  that  sowing  have  grown, 
To  bless  the  kind  homesteads  of  green  Inishowen. 

6.  When  they  tell  us  the  tale  of  a  spell-stricken  band 

All  entranced,  with  their  bridles  and  broadswords  in  hand, 
Who  await  but  the  word  to  give  Erin  her  own, 
They  can  read  you  that  riddle  in  proud  Inishowen. 
Hurrah  for  the  Spaemen  of  proud  Inishowen  ! — 
Long  live  the  wild  Seers  of  stout  Inishowen  ! 
May  Mary,  our  Mother,  be  deaf  to  their  moan, 
Who  love  not  the  promise  of  proud  Inishowen  I 

CHARLES  GAVAN  DUFFY. 


278 


THE  COLLEEN  RUA. 


KEY  AfV     Smoothly  and  with  feeling. 


il 

(  1 


:     .s,   :d  .t. 

When  first  I 

1,       :s,  .1,  :d  .t, 

sought    her  by  Cash-  in' 

i,  .f 

brought 

:ro     .r     :d     .t, 

her,     fond     love  I 

d 

told; 

I, 

cli 

•  S  |     • 
ning 

1,     :d     .t, 

I       found  her 

1, 
twi       « 

1,     .f 

shi 

S       .,1 

:m     .r      :d     .t, 

ning   like      red,    red 

:s     .f      :m    .d 

d 

gold. 

i, 

prise 

eyes 

then,  in        sweet  sur- 

|  wise 

:t,    .d     :1,    .1, 

then  such  eyes    to 

s, 

view  ! 

f    .r 

:n,f  . 

s  ,f  :  HI     .d 

i, 

bound 

found 

me, 

but      fast  they 

|i,    f 

I  round  me 

:n    ., 

for 

r     :d     *t| 

my      Col  -  leen 

d 

Rua. 

1,       :  s,.f,  :m,.s, 

wa    -    ter,  Fond  love  I 
At       days  de  - 

:s,    .f,     :m,    .s,     > 

ning     Her  bright  locks' 

:-     .d  ,r ;  m     .f     ) 

She    raised  her  r 


:  s,    .PI  ,f  :  s     .m 

then — Ah  !     how  un 


-     .m  ,f  :  s     .m     ^ 

For    free    they  ) 

:s,    .,f|    :n,    .s,     ) 

me,  Love's  chains  a-     J 


2.  Fair  flowers  were  blooming,  the  meads  illuming, 

All  fast  assuming  rich  summer's  pride, 
And  we  were  roving,  truth's  rapture  proving, 
Ah  !  fondly  loving  by  Cashm's  side ; 


279 


Oh  !  love  may  wander,  but  ne'er  could  sunder 
Our  hearts  that  fonder  each  moment  grew, 

Till  friends  delighted  such  love  requited, 

And  my  hand  was  plighted  to  my  Colleen  Rua, 

3.  Ere  May's  bright  weather  o'er  hill  and  heather, 

Sweet  tuned  together  rang  our  bridal  bell; 
But  at  May's  dying,  on  fate  relying, 

Fate  left  us  sighing  by  Cashin's  dell  j 
Oh  !  sadly  perished  the  bliss  we  cherished  ! 

But  far  lands  flourished  o'er  the  ocean  blue, 
So  as  June  came  burning  I  left  Erin,  mourning, 

No  more  returning  with  my  Colleen  Rua. 

4.  Our  ship  went  sailing  with  course  unfailing, 

But  black  clouds  trailing  lowered  o'er  the  main, 
And  its  wild  dirge  singing,  came  the  storm  out  springing, 

That  good  ship  flinging  back,  back  again  ! 
A  sharp  rock  under  tore  her  planks  asunder, 

While  the  sea  in  thunder  swallowed  wreck  and  crew  ; 
One  dark  wave  bore  me  where  the  coast  towered  o'er  me, 

But  dead  before  me  lay  my  Colleen  Rua  I 

ROBERT  DWYER  JOYCE,  M.D. 


280 


WHEN  THE  PRATIES  ARE  DUG. 

KEY  G.     Brightly.  Air  :  Old  air  of  above  title. 


t     |  - 


d    :-.r:m    |r    :-.d:-. 


the'  pra  -  ties  are    dug,      and  the    frost    is      all 


s,    :1,    :f 


m,  :- 

o 


When  the    trees   bud, 


and 


1,    :r     :r 

seed  -  lings  ad 


|r     :- 

-  vance 


ver, 


:B,    > 
rn  f 


d     :.r     :m     |r     :d     :  1,     s,    :  1,    :f, 


take  my     old  fid  -  die     from 

MI     :  S|     :  S|  |  S|     :  ni|     :s\ 

send  you     all  word  of         a 

In     :f     :s  |s     :-.f  :n 

I  sing     of       the  Black-bird  that 

In     :f     :s  |s     :-.f:n 

[Thrush  in      the  Bush,     and  the 

n     :  f     :  s  |  s     :  -  .f  :  n 

Hare  in        the      Corn,    and  the 


m     :r     :d     |r     :s     :  f 

Girl    that  met     Bar  -  ney     at 


out     of      its        cov  -  er,      And ) 

1,    :d     :d     |d     :-     lid     ) 

song  and     a        dance.      ||  We'll) 


f     :s     :1 


-.s  :f    > 


whis-tled    for      Char  -  lie    The  > 

f     :m     :f     |r     :-     :r     . 

Lark  m       the       Air;  The) 


f     :  s     :  1 


:-.s  :s.f  > 


Wind  in       the      Bar-ley,  And  the) 


m 


:  -  .d  :d     |d     :- 

don    Fair  ! 


Ban 


2.  And  when  toe  and  heel  impatient  go  tingling, 

With  jig  and  reel  we'll  hammer  the  floor  ! 
Across  and  a-through  we'll  go  mixing  and  minglin 
Till  daylight's  white  arm  shall  open  the  door  ! 


281 

We'll  dance  Morgan  Rattler,  and  Sweet  Judy  Brallaghan, 
Tatther  Jack  Walsh,  and  young  Moll  in  the  Wad, 

How  are  you  now,  Kitty  ?  and,  Pat,  won't  you  call  again  ? 
And  end  with  the  Humours  of  Ballinafad  ! 


3.  And  faith  won't  I  startle  the  larks  in  the  morning, 

A-playing  my  fiddle  right  over  their  nest  ! 
Sure,  the  hen-bird  will  think  that,  without  word  of  warning, 

The  sun  has  dropped  down  with  a  choir  on  his  breast  1 
I'll  play  soft  and  easy  the  golden-haired  Coolin, 

I'm  now  in  my  sleep,  and  the  Brink  of  the  Rocks ; 
The  Little  Black  Rose,  and  the  Sword  of  Cuchullin  : 

And  I'll  leave  them  in  peace  with  the  Death  of  the  Fox  ! 

P.   J.    M'CALL. 


This  is  the  kind  of  charming  folk-song  which  one  would  like  to  hear 
commonly  sung  by  our  Irish  people.  Mr.  M'Call  has  given  us  quite  a 
goodly  number  of  these  excellent  songs.  The  air  is  a  bright,  taking  one, 
which  is  sure  to  be  popular. 


282 


THE 

KEY  E(?.    Spiritedly. 


SIEGE   OF   LIMERICK. 

Air:  "An  SpAitpin  £A 


By 


Will    -    iam        led  the'  Eng    -    !ish          sped,   J 


.,t,[d  .t, 
WTith  mus 


l,.t|   |d  .r    :m  .f 

ket,       sword,      and 


S 

can 


H 


non.     ) 


:d'  .,t 

1  .t 

sweep 

:1  .s 

IM 

all 

To 

us 

:d 


And 


:d 


But 


in 

drown 


W 


m 

us 


|r 

in 

Id' 


:-  .r 

fro 

:r 

the 

:d' 


Id        :t,       11, 

•m|  Lire    -    'risk's     wall.. 


d 

Shan 


we          bo     -     thought   how 


d 

non. 
3 


well         they        fought, 


:s        II 

Our     I  fa 


d1        |t        :  s 

thers       there      be     - 


:-.t    |d' 


fore 


! 


.t 


We 


Kt    :1  .s 

raised       on 


high 


5     :dr 

(          And 


m 


PI 


:m  .r 


our 


:  r 


d        :t,       |1,       i 

charg  -   ing          cry       ) 


flung       our  green      flag 


o'er 


Id 

US. 


283 

2.  For  days  on  days  their  cannon  blaze 

Flashed  by  the  blood-stained  water ; 
The  breach  is  done,  and  up  they  run, 

Five  hundred  to  the  slaughter; 
They  crossed  the  breach  beyond  our  reach, 

New  foes  fresh  work  supply  us — 
Our  women  brave,  their  homes  to  save, 

Soon  slew  them  all  inside  us  ! 


Though  through  the  smoke  their  army  broke, 

With  cannons  booming  solemn, 
We  would  not  flinch,  but  inch  for  inch 

Opposed  each  bristling  column. 
Three  times  we  dashed  them  back  and  smashed 

Their  lines  with  shot  and  sabre, 
And  nought  had  they  at  close  of  day 

But  thinned  ranks  for  their  labour. 


4.  With  angry  word  then  said  their  lord, 

"  Our  foes  are  better,  braver  !  " 
Then  fled  he  straight  from  Limerick's  gate, 

For  he  could  not  enslave  her ; 
Then  raised  we  high  our  triumph  cry, 

Where  battle's  chances  found  us, 
With  corse  and  gun,  and  rent  flags  strewn 

And  blood  and  ruin  around  us. 


ROBERT  DWYER  JOYCE,  M.D. 


I  have  wedded  this  fine  song  to  the  well-known  and  equally  fine  air, 
which  must  be  sung  with  spirit.  It  is  sung  so  by  the  people.  I  have 
heard  it  sung  on  a  few  occasions  in  a  lachrymose  sort  of  way,  but  I  cannot 
agree  that  this  is  the  proper  way  of  rendering  it. 


MA  STHOREEN  OGE. 


KEY  F.     Moderate  and  with  feeling. 


Air  :  "  CA^A-O  AN 


! 

:      .d 
I 

I*,H1  —      !  S 
met  her      in 

.S 
a 

*W 

.d    1  1  ,    ..d     !d     ..d    :  d     ..a     ^ 

moun-tain!  glen  when  skies  were  f  air,Her   > 

{ 
I 

1,7.-     :d'    .1      : 

presence        filled  with 

1,1.-     :d'    .1      : 

cheeks  were  brighter 

S 

light 

S 

than 

.drro 

f     ,,r     :n,r.d,l,:r     ,,s     | 

and 

.drro 

the 

joy     all       Na  -  ture    there.  Her  ) 

bloom  that    scents   the  May,  And» 

I 

r     .ni 

oh  !   in 

:s      .s      : 

bonds  of 

m 

love 

my 

1,    .d      :d     .d      :d    .11 

heart  she     bore  a    -     way.  II 

2.  Oh  !  maids  there  are  in  Dublin  town  and  love  to  gain  ; 
But  all  their  arts  have  not  availed  my  heart  to  chain  ; 
For  whispers  of  a  far-off  voice  and  many  a  warmer  glow 
Recall  the  first  sweet  hour  I  met  ma  sthdreen  O  ! 

3.  How  happy  for  the  little  birds  whose  songs  can  rise 
From  off  one  bough  when  ruddy  dawn  lights  up  the  skies  ; 
Not  so  can  we,  my  loved  of  loves,  our  lot  is  grief  and  pain 
We  ope  our  eyes  and  Ireland  lies  between  us  twain. 

4.  Yet  tho'  the  winter  clouds  our  hopes,  ma  sihdreen  dil, 
Some  rays  of  joy  into  my  heart  will  often  steal, 
And  tell  of  evenings  yet  to  be  and  fair  as  when 

I  heard  your  first  shy  welcoming  in  Dowra's  Glen. 

WILLIAM  ROONEY. 

This  is  the  traditional  version  of  a  beautiful  air,  as  found  in  West  Cork. 
It  should  be  sung  with  feeling  and  sweetness.  The  air  was  taken  down 
from  the  singing  of  Danny  Warren  and  his  wife— two  of  the  best  traditional 
singers  I  met. 


285 


AVENGING  AND  BRIGHT. 

KEY  D.     Boldly.  Air  :  "  C|\UA6An  HA  £e*ititie.' 


:m        1       :  1  .t  :  d'-l 

t      :  ni 

1     :  -  .r1 

d1 

:  1 

:1 

{ 

A  -       ven  -  ging      and 

bright  falls        the 

swift    sword  of 

I 

s        JIM        :  m 

1 

:1  .t 

:d':l 

t 

in' 

:  _ 

r') 

E    -     rin.         On 

him,       who 

the 

brave 

sons 

of  f 

d1       :1        :*'t      1 

,  _ 

lit 

d 

. 

d'.r' 

:m'. 

d1  > 

Uis    -    ne          be  - 

trayed  ! 

11  For 

ev      - 

'ry 

"fond     j" 

t       :  s       :  n 

f 

:f  .1 

:s  .f 

n 

: 

d 

:  s 

I 

eye        which    he 

wa 

-  kened 

a 

tear 

in, 

A 

I 

(Id1       :d'.r 

(  I  drop    from 


d1       ;d'.r'  :in'.d' 

drop    from        his 


t          :  S          :  PI 

heart  -  wounds  shall 


tjn  :  r  .d1  :d^U 

weep       o'er        her 


1       :- 

blade. 

2.  By  the  red  cloud  that  hung  over  Conor's  dark  dwelling, 

When  Uladh's  three  champions  lay  sleeping  in  gore — 
By  the  billows  of  war,  which  so  often,  high  swelling, 
Have  wafted  these  heroes  to  victory's  shore — 

3.  We  swear  to  avenge  them  ! — no  joy  shall  be  tasted, 

The  harp  shall  be  silent,  the  maiden  unwed, 
Our  halls  shall  be  mute  and  our  fields  shall  lie  wasted, 
Till  vengeance  is  wreaked  on  the  murderer's  head  ! 

4.  Yes,  monarch  !  though  sweet  are  our  home  recollections, 

Though  sweet  are  the  tears  that  from  tenderness  fall ; 
Though  sweet  are  our  friendships,  our  hopes,  our  affections, 
Revenge  on  a  tyrant  is  sweetest  of  all ! 

THOMAS  MOORE. 


THE  BLARISMOOR  TRAGEDY 


KEY  G. 


(  :  sl 

d      :- 

•  .r  |d       :  t,        1,      :-       |  s, 

I       .S     ) 

I      Ye 

Muse, 

grant  me        di  -       rect          •          ion, 

To   f 

1     sing 

this 

|  1  .s    :  f  .r 

n        :-  .d    |1, 

Which  ) 

foul         trans- 

ac                            tion 

<  |d 

:-   .t, 

Id        :r 

m        :d        |1 

:s        | 

I  I  cau 

ses    sad         re     - 

flee        -         -      tion 

Late    ) 

J     f 

:  m 

Id        :r 

d        :-        1 

:          , 

<      done 

at 

Blar    -  .  is     - 

moor, 

> 

p 

(i 

:t  .m 

wick-ed 

11            •  + 
|  1             •  v 

Colo    -    nel 

d        :-        |s 

Bar       -        -       ber, 

i  d'       ) 

Should  I 

m 

rd'.t 

|  1  .s    :  1  .t 

1        :  -  .s    |  m 

And      > 

pro     - 

ceed       much 

far       -        -        ther 

cres. 

I  \  call 

his 

H        :t 

con     -     duct 

d       :-        |s 

mur        -      -        der 

*  d        ) 

'Twere  ) 

P 

—  =^HH 

ff 

f     t 

:d'  .t 

|  1  .s    :  1  .t 

1        :-        1 

II  d  <  m  <  S) 

(     trea 

-    son 

I              am 

sure. 

II     By      > 

,     I 

:ri 

|  1  .d1  :  t.r' 

d1       :  -        |s 

:d'  .t    > 

(.     wick 

-    ed 

Colo     -     nel 

Bar      -         -      ber, 

Should    > 

call 

f 

trea 


287 

:  s        | 

f 

:  m 

m        :-  .d 

Mi 

pro 

ceed 

much 

far      - 

ther 

rit. 

:  -  .t,  | 

d 

:r 

PI        i  d 

H 

his 

con 

-     duct 

mur 

der 

:n        1 

d 

:r 

d        :- 

1 

son 

i 

am 

sure. 

And 


'Twore 


Belfast  may  well  remember 
When  tyrants  in  their  splendour, 
In  all  their  pomp  and  grandeur, 

They  hoist  them  on  a  car  ; 
While  cavalry  were  prancing 
And  infantry  advancing 
And  glittering  armour  glancing 

All  in  the  pomp  of  war. 


3.  They  were  of  good  behaviour, 
No  heroes  e'er  were  br"aver, 
But  a  perjured  base  deceiver 

He  swore  their  lives  away  j 
For  the  sake  of  golden  store 
This  villain  falsely  swore, 
And  the  crime  we  now  deplore 

In  sorrow  and  dismay. 


4.  Amidst  a  hollow  square 
Well  guarded  front  and  rere, 
With  guns  and  bayonets  there 

Their  constancy  to  move — • 
When  they  received  their  sentence 
Their  hearts  felt  no  relentings 
They  bowed  to  each  acquaintance 

And  kneeled  to  God  above. 


288 

6.  Their  foes  held  consultation 
To  find  out  combination, 
And  then  this  exhortation 

Curs'd  Barber  did  propose — . 
"  Arise  from  your  devotion, 
Take  pardon  and  promotion, 
Or  death  will  be  your  portion 

Unless  you  now  disclose." 

6.  Some  moments  then  they  mused, 
For  their  senses  were  confused 
Bufy  smiling,  they  refused 

And  made  him  this  reply — • 
"  We  own  we  are  United, 
Of  death  we're  not  affrighted, 
.And  hope  to  be  requited 

By  Him  who  rules  on  high." 

7.  The  guns  were  then  presented, 
The  balls  their  bosoms  entered, 
While  multitudes  lamented 

The  shocking  sight  to  see. 
Those  youthful  martyrs  four 
Lay  weltering  in  their  gore, 
And  the  plain  besprinkled  o'er 

With  the  blood  of  liberty. 
» 

8.  In  coffins  they  were  hurried, 
From  Blarismoor  were  carried, 
And  hastily  were  buried, 

While  thousands  sank  with  grief, 
Crying,  "  Grania,  we  much  wonder 
You  rise  not  from  your  slumber, 
With  voice  as  loud  as  thunder 

To  grant  us  some  relief  !  " 

A  '98  ballad  ;  author's  name  unknown.  I  got  music  and  words  from 
T.  D.  Sullivan.  He  wrote  me  thus  :  "  I  never  heard  the  melody  sung 
or  played  by  any  one  except  my  father  and  his  children,  to  whom  he 
taught  it."  He  told  me  that  the  last  four  lines  of  each  verse  should  bo 
repeated  and  sung  in  a  thunderous  voice.  "  You  will  find  them  very 
effective."  The  execution  took  place  on  17th  May,  1797.  There  ia 
extant  another  poem  on  the  subject,  written  by  a  Councillor  Sampson 
l^r.  Joyce  has  three  other  versions  of  the  air. 


289 


THE     DAWN     IS     IN     THE    SKY. 

Air  :  "  The  Rising  of  the  Moon." 

1.   O,  the  night  was  long  and  weary, 

Looming  o'er  vis  cloud  on  cloud, 
Closing  round   our  faltering  footsteps 

Like  a  mighty,  fearsome  shroud.'  - 
But  'tis  gone  —  pray  God  for  over, 

And  a  brighter  time  is  r.igh  : 
Wo  have  left  the  gloom  behind  us, 

And  the  dawn  is  in  the  sky  I 

CHORUS. 
O,  the  dawn  is  in  the  sky  ; 

Dry  the  tear  and  hide  the  sigh  ; 
Let  us  climb  the  path  to  Freedom 

While  the  dawn  is  in  the  sky  ! 

2.  Upward,  upward,  men  of  Erinn, 

Raise  each  drooping  heart  and  head  ; 
There's  a  mire  for  slaves  to  crawl  in, 

There's  a  path  for  men  to  tread. 
Tho'  there's  many  a  frowning  hill  crest 

Out  before  ye,  "dark  and  high, 
There  is  hope  to  cheer  ye  onward, 

And  the  dawn  is  in  the  sky. 

CHORUS. 
O,  the  dawn  is  in  the  sky  ; 

Dry  the  tear  and  hide  the  sigh  ; 
There  is  hope   to  cheer  ye  onward, 

And  the  dawn  is  in  the  sky  1 

3.  Duty's  ways  are  rough  and  thorny, 

But  our  hearts  are  strong  and  brave  ; 
There's  a  goal  beyond  the  mountains, 

There's  a  country's  eoul  to  save. 
"  Ajt  foti  eitteAnti  !  AJI  fon  feipcAtin  !  ' 

Let  it  be  no  senseless  cry  ; 
There  is  work  for  men  this  morning 
While  the  dawn  is  in  the  sky  1 

CHORUS. 
O,  the  dawn  is  in  the  sky  ; 

Dry  the  tear  and  hide  the  sigh  • 
And  we'll  climb  the  path  to  Freedom 
While  the  dawn  is  in  the  sky  I 

t?ttu\n  6 


290 


SONG  OF  GOLDEN-HEADED   NIAV. 

KEY  D.    Brightly.  Air:  "b [\ir-oin 


:  s, 

d    :- 

:r    |n 

:-    :f     s    :-    :d'   |t    :s 

:f    ) 

Oh! 

come 

-   with  me 

to      Tir      -      na  -  nog, 

There) 

s     :1 

:s 

Is     :- 

:f 

n     :  -     :  s     |  f     :  r 

:t|    ) 

fruit 

and 

bloa      - 

soms 

bend             each     tree, 

Red) 

Id     :- 

:r 

|m     :- 

:f 

s     :-     :d'    |t     :s 

:f      I 

1  spar 

kling  wine 

and 

ho       -         ney      flow, 

And  > 

In    :- 

1  beau 

:  s 

-      ty 

|f    :r 

from 

d     :r     :d     |d     :- 

ld  I 

lYourf 

smiles 

sea            to       sea. 

Id-    :- 

[flow 

:  F1 

•      ing 

1         1 

locks 

will 

r1    :-     :d!    |t     :s     ; 

No    > 

ne'er            turn    grey, 

s     :  1 

:  s 

Is     :- 

:f 

in     :-     :s     |f     :r     :d    > 

wrin 

-     kles 

on 

your 

fore      -     head     come  ; 

Nor  ( 

Id'    :- 

:r' 

|m'    :- 

:d' 

r'    :-     :d'    |t     :s     : 

f      ) 

1  burn 

•      ing 

pain 

nor 

grim            de     -     cay, 

A-     > 

CHORUS 

In    :- 

1  cross 

:s 

the 

If    :r 

hold 

d     :-     :d     |d     :- 

of                 your  home. 

n     > 

So     f 

thres     - 

s     :- 

:f 

|m     :  r 

:d 

s     :-     :f     |m     :f     : 

S       > 

haste 

a    - 

way 

to 

Tir       -      na    -    n6g, 

My  > 

II 


291 
1 tt     :d'    |s :_f     :m     |r     ;n     :r     |r     :- 

white          steed    waits          in      I     gold      -     en      sheen ; 


s     :-     :f     |m [r     :d 

di  -    a    -    dem          shall 


s     :-     :f     |m :_f    :s     ) 

crown          thy      brow,        And  ) 


1     :t     :d'    |s     :-     :m    Id     :r     :d     |d    :-     II 

I  will        be  thy    I      bri    -     -  dal    queen.       II 

2.  The  feast  is  spread,  within  the  hall 

Flash  drinking  cups  with  gold  encrowned ; 
The  harp  leans  lightly  'gainst  the  wall 
To  strike  for  thee  the  welcome  sound. 
A  hundred  sword-blades  for  thy  hand, 

A  hundred  of  the  swiftest  steeds, 
A  hundred  hounds,  a  matchless  band 
Where'er  the  hunted  quarry  leads. 

CHORUS. 


3.  A  hundred  robes  of  precious  silk, 

And  gems  from  an  enchanted  mine ; 
A  hundred  kine  of  sweetest  milk, 

And  armour  of  the  brightest  shine. 
And  thou  shalt  wear  that  wondrous  sword 

Of  keenest  edge,  whose  flash  is  death : 
The  summer  wind  will  hear  thy  word, 
And  gently  pour  its  tender  breath. 

CHORUS. 


4.  Young  virgins,  sweetest  ia  the  song, 
And  beauteous  as  the  morning  sun, 
Around  thy  noble  steps  will  throng 
To  make  thy  path  a  joyous  one. 
And  heroes,  in  the  combat  stem, 

In  speed  and  boldness  unsurpassed, 
Before  whose  prowess  Fionn  would  learn 
To  bow  his  haughty  head  at  last. 

CHORUO. 


292 

6.  O  Oisin  of  the  powerful  hand  ! 

First  in  the  chase,  first  in  the  war ; 
Over  our  sweot  and  glorious  land 

Thy  gallant  deeds  were  borne  afar. 
Loch  Lein  is  deep,  but  deeper  still 

In  Niav's  soul  thy  imago  dwells  ; 
Then  turn  thee  westward  from  this  hill 

To  where  the  sun-hued  billow  swells. 

CHORUS — Oh  !  haste,  etc. 
J.  K.  CASEY. 

This  is  a  beautiful  air,  and  both  air  and  song  will  be  found  to  be  some- 
thing out  of  the  ordinary  run.  There  are  some  delightful  turns  in  this 
air.  Song  and  air  transport  us  in  spirit  $o  G<{v  HA  11-65. 


293 

ON  cnoc  VIA  si-oe. 

KEY  G.     Moderate.  Air  :  "UAim-fe  AJ\  An  mb^ite  feo.' 


! 

.d    l  d   .in    :s,f.m 

In     dreams  it  all  comes 

f   .,r     :  s   .t,     r   .r 

back  to       me,  Thatjglorious, 

:d    .d     1 

gladsome) 

( 

d            :  s     ,s 

day              On     the 

d1     .d1     :1     .d1 

heath-clad  side   of 

t  .t  : 

Cnoc  IIA 

r     .,11    > 

Si-oe.  A-    f 

i 

f.s.-.s^'U 

bove      the  sil  -  v'ry 

s            :       .s 

bay  ;                      The 

d1  .d1  : 

earth  so 

1     .d1     > 

fair    be-    ) 

i 

t    nt     :  r     .m 

neathour    feet,  The 

f     .s      :t*'*.l 

sky    a    -    bove  so 

blue, 

.d    > 

And  ) 

! 

d    .,ro     :  s  ,f  .in 

one  heart    find  -  ing 

f     Mr     :s     .t,,t, 

bliss  com-plete   In  the 

r  .,r  : 

sun  -  ny 

d     .,t,    ) 

smile  of    ) 

i 

d          :-    Jl 

you. 

• 

2.  O  !  for  a  day  on  Cnoc  tiA  Si-oc, 

For  another  joyous  day, 
To  light  the  lonely  heart  of  me, 

And  chase  its  grief  away  ; 
Your  hand  again  to  clasp  in  mine, 

Your  voice  to  thrill  me  through, 
And  O,  to  see  the  love-light  shine 

In  the  dreamy  eyes  of  you. 


3.  O  !  for  a  day  on  Cnoc 

And  you  beside  me  there, 
No  cloud  on  earth,  or  sky,  or  sea, 

But  all  things  bright  and  fair ; 
Ah  !  then  to  whisper  in  your  ear, 

To  tell  my  story  true, 
And,  filled  with  holy  joy,  to  hear 

One  word  of  love  from  you. 


BRIAN  O'HIGGINS. 


294 


KEY  G. 


HASTE  TO  THE  WEDDING. 

Old  air  as  in  title. 


I'd 


s,   :m,   :  f ,   |  s,   :d    :-.m|r    :d    :  r 


:d    :-. 


polished      the    pew  -  ther,  I'd]   tidied        the  kitchen, 


il 
il 


s,    :1,    :s,    |s,    :-.d  :m, 

dress  -  or    looked  white   as  a 

S|    :  m,    :  f  i    |  s,    :d     : -.m 

here    by     the      win  -  dow  my 

S|     :  1|    :  S|     |  ni     :  s     :  IM 

I'm    ver  -  y        neat    with  a 


'l      :T| 


stack  in 

the 

snow; 

And) 

r     :d     : 

r 

|  ro     :d 

:-.!,  > 

skirt    I 

was 

stichin*, 

For  ) 

d     :  -.r  : 

d 

Id     :- 

II3      1 

nee    -  die 

to 

sew. 

\\  Said) 

CHORUS  —  'Twas 

i! 


:  -.m  :  s 


s 


I,  "  What's  the    use          o'    mo 
Haste     to    the    Wed  -  din' ;  and    Haste      to  the     Wed  -  din',  I 


1     :-.f:l 

mend  -  in'  my     fi 


:  -.f : 


(is     si     : 

(  |  Till     it 

S 

is 

Is 

fit 

:f     :m 

for      a 

f 

que 

sang  as 

I 

sat 

at      the       win 

il  V  : 

- 

dear 

:-     :m 

!         there 

r 

is 

vrone, 

0! 

'twas  oft 

J|s,    :1,    : 

(  |  Got  -  tin' 

sl 
a 

In 

man 

:  -.s  :  -.ro 

and   a 

d 

pla 

not      get 

a 

man 

with  a      pla 

:-.n:f     |r     :-.n:f    > 

queen    on    her  throne  ?  For  it's  ) 


:d     :r     |n    :-.d:l, 

is    -     n't      the     sign        o'  me 
was    dread  -  in'  I'd 


:  -.r  : d     Id 


o     my    own. 


295 

2.  'Twas  nearly  made  up  once  between  me  and  Larry, 

That  lives  o'er  the  Mountain  o'  Forth,  by  the  bounds, 
With  forty-five  acres  o'  land  and  a  quarry — 

He'd  take  me,  and  welcome,  with  ninety-five  pounds. 
When  he  couldn't  get  it,  he  said  we'd  regret  it, 

And  then  he  got  wed  to  a  widow  in  town ; 
And  it's  oh,  dear,  I  lost  Larry  Petit, 

A  sensible  man  with  a  house  of  his  own. 

CHORUS. 

3.  I  found  in  my  first  cup  o'  tea  the  next  Monday, 

A  lucky  red  tea-leaf — some  stranger  to  call ; 
I  tried  seven  times,  and  he  travelled  on  Sunday, 

I  wondered  who  was  it  was  coming  at  all. 
Who  was  it  but  Lanty,  last  Sunday  for  Nancy — • 

He  buried  his  mother  last  May  in  Kilcone  ; 
And  it's  now,  dear,  I'll  marry  my  fancy — 

The  boy  o'  my  heart  with  a  place  of  his  own. 

CHORUS — 

'Tis  Haste  to  the  Weddin' ;  and  Haste  to  the  Weddin', 
Not  long  I'll  be  sittin'  and  singin'  alone ; 

For  soon,  dear,  with  young  Lanty  Reddin, 
I'll  reign  like  a  queen  in  a  house  o'  my  own. 

P.  J.  M'CALL. 


This  is  one  of  Mr.  M'Call's  delightful  songs,  taken  by  permission  from 
Vis  Songs  of  Erinn.  With  songs  like  this  in  our  Irish  repertoire  it  is 
amazing  that  Irish  men  and  women  can  sit  down  in  concert  rooms  to 
listen  to  worthless,  aye,  poisonous  anglicising  rubbish  from  low  music 
halls,  which  ought  to  be  hooted  from  Irish  concerts.  The  above  air  is 
too-well-known  a  favourite  to  call  for  any  remark. 


296 


CHRISTMAS   SONG. 

KEY  C.     Cheerily  and  animated.      Air  :  "  The  Groves  of  Blackpool." 

1       :f      |m      :f 


(  :  d1 

|     Oh! 
C  I  bright - 


s 

round 


s      :l  :l  IN      it       :r      |d 

bright -ly  the       em    -    bers     are       blaz  -   ing 

PI       :d  |d       :n       :s        |1        : 

ly          the  fes  -     tive        cups       shine ; 


1        :f       |PI       :f       :r 

the         board     soft        eyes       are 


:r      :n.      » 

-   ing,     And    > 


And 


I 


ni 


:d       |r 


3 

spark  -  ling        and         radi   -   ant 


:s 


Id 

gaz    - 

U 

wine. 

:r 

ing, 

And     > 

1*     \ 

While) 

ild'       : 

1|fa     - 


t        :d'       |r'       :d'       :t 

ces         long      pale        now       are 


1       is       i  PI 

beam  -  ing,       With 


d1       : 

laugh  - 


<im' 
lU 


clouds 


t        id1       |r'       id1       :t        |1        :-       id'.r'  j 

ter          and        lov    -    ing          de     -     light  ;  And    J 

long      im     -     bro    -     ken        are         gleaming  With   ) 


s 

flash  - 


m       :  d 

es  of 


|d          I  PI          IS 

rnoon  -  light     to 


U 

night. 


£97 


CHORUS— 

:t 

Here's 

d1      :t 

cead     mi    - 

Ic          fail 

-   the, 

:t 

old 

I  1       :  s 

Christ  -mas  ! 

:n      ) 

While) 

d1 

mer    - 

:t       :d' 

ri     -     ly 

|r«       :d!       : 

dings     the 

t 

wild 

x-^s 

chime  ; 

Here's) 

n1 

Cead 

mi    -     le 

|r'       : 

fail    - 

d1       : 

the, 

t 

old 

x—  s 

1  1  .d1  :  - 

Christmas  ! 

Hur-  > 

<  s        :  in        :  d        |  d  .     :  m       :  s        1 1 

(   rah         for          the        brave    Christ  -  mas       time  ! 


2.  Yes — silent  the  mill-wheel  of  labour, 

And  silent  the  office  and  mart — 
The  soldier  has  sheathed  his  sabre, 

The  student  is  merry  at  heart. 
And  over  the  snow-misted  heather 

The  cottages  mantle  with  light 
While  we  sit  toasting  together 

The  pleasures  and  hopes  of  the  night. 


CHORUS. 


3.  Then  here's  to  the  brave  men  of  Ireland, 

At  home  and  in  exile  away  ; 
And  here's  to  the  hopes  of  our  sireland, 

That  never  will  rust  in  decay. 
To  every  brave,  down-trodden  nation 

Here's  liberty,  glorious  and  bright, 
But,  oh  !  let  our  country's  salvation 

Be  toasted  the  warmest  to-night. 


CHORUS. 

J.  K.  CASEY. 


298 
THE  MOUNTAIN  MEN. 


KEY  A.     Lively. 
(Did  you 


d      :-.d  :-.d  |r      :-.m  :d      I  t,.d  :- 

mark          e'er      a      smoke-  drift  go         sailing 


m 

while 

:d 

a    - 

:d 

go 

if 

down 

:-  .r   : 

by 

n 

yon 

If       :- 

wood  ? 

Did  youj 

d 

hear 

:-  .d 

in 

:d 

the 

Ir 

glen 

:-  .m  : 

the 

d 

wind 

|t,.d  :- 

wailing 

:r.r   , 

Where  a) 

r 

|  bar 

-    rack 

a 

If 

week 

:-  .r  :t, 

a    -  go 

Id       :- 

stood  ? 

I!  S   .S    ^ 
llDidyou) 

s 

hear 

:m 

the 

:n 

Yeos 

if 

boast 

:-  .r  : 

-    ing 

d 

to 

It,       :d 

trap      us, 

:r        > 

And      ) 

S 

hang 

:m 

us 

like 

if 

dogs 

:r        : 

to 

a 

1*7      :- 

tree  ? 

Why,    ) 

then 

we're 

not 

If 

stran  • 

:r 

gers 

d 

and 

It,       :d 

may  -    be 

You'll  ) 

join 

in 

:m 

this 

if 

cho    - 

:r       : 

rus 

with 

Id       :- 

me. 

\ 

CHORUS — 
S,  d  : 
Sing  ho  I  for  the  boys  of  the  Moun-tain  And 


j:s,       d      :-.d  :d      |r      :  -  .m  :  d      1 1,     :d      :r 


il 


299 
in       :  -  .d  :  d       |  f       :  -  .r  ;  m       |  f       :  -       :  r 

hey !  for    the          boys  of     the         Glen  !  Who 

d       :d       :d       |r       :-  .ni  :d       |t,       :d       :r 

ne     -    ver          show    heel  to    the        so  jers,      Here's 

m       :-  .m  :ro       |f       :-  .r  :t,       |d       :- 

slaun      -     the    to  Dwyer        and   his         men  I 

2.  We're  not  given  much  to  parading  ; 

There's  not  many  guns  in  the  throng  ; 
But  he  that  comes  spying  our  quarthcrs 

Won't  bother  the  world  for  a-long. 
The  throopers  come  seeking  us  daily, 

To  drive  us  to  hell,  so  they  say  ; 
But  the  road's  a  bit  long,  so  we  send  them 

Before  us  to  show  us  the  way. 

CHORUS. 

3.  There's  many  a  white-livered  villain 

That  dreads  to  awaken  our  ire, 
And  tries  to  be  civil,  for  treason 

We  visit  with  steel,  lead,  and  fire. 
The  people  all  bless  us  for  many 

A  cabin's  left  safe  and  secure 
For  fear  of  the  men  of  the  mountain 

Whose  guns  are  the  guard  of  the  poor. 

CHORUS. 

4.  We  laugh  at  their  offers  of  money 

And  scorn  their  power.     If  we  fail 
It  won't  be  the  sojers  or  thraitors 

Who'll  bring  us  to  grief  I'll  go  bail. 
We're  only  a  few,  but  the  valleys 

And  mountains  are  ours,  every  hill, 
And  while  God  laves  the  strength  in  our  sinews 

We'll  keep  the  old  cause  living  still. 

CHORUS. 

WILLIAM  ROONEY. 


300 


HAS     SORROW    THY    YOUNG    DAYS    SHADED. 

Air  :  "  Sly  Patrick." 


KEY  F. 
P 


r    :  d    : 


(.   Has  |sor  -  row     thy   young     days 


jld     :  r     :  m     |  f     :  -     :  m 

( Jclouds  o'er    the      morn     -     ing 


s,   :  - 

sha 


fleet 


1,   :-    :d    I 

^ed,  As  » 

Too") 


ded, 

r     :- 


n     :-.r:d     |_r ^d     :  1, 

fast     have  those  young        days 


d     :  -  .r  :  n 


il 
II 
II 

,il     :s     :n 

(  |  feel  -  ing     tl 

II 


:-     :-     |1,    :-     :d 


fa 


ded 


,r:-     :d 


:-     :a    , 

That  > 
mf 


ven  in     sorrow 


:t 


Time,  with  his        cold          wing 


:r     :d 


that      once 


was 


m     :-,r  :d     |r     :d     :  1, 

child     of      mis  -  for  -  tun$,  come 
rit. 

:d 

for 


sweet. 


d1    : 


dear  ? 


hi 


Does  } 


11      I 
ther          Each  \ 


Then, 

-     Hi    :-     :d 

ther,  I'll 


(Id     :-.r:m     |jn  _  ^r     : 

(  I  weep  with  thee     tear 


d     :-     :-     |-     :- 


tear. 


2.  Has  love  to  that  seal,  so  tender, 
Been  like  a  Lagenian  mine, 
Where   sparkles    of    golden   splendour 
All  over  the  surface  shine  ? 


301 

But,  if  in  pursuit  we  go  deopor, 

Allured  by  the  gleam  that  shone, 

Ah  !  false  as  the  dream  of  the  sleeper, 
Like  Love,  the  bright  ore  is  gone. 

3.  Has  Hope,  like  the  bird  in  the  story, 

That  flitted  from  tree  to  tree 
With  the  talisman's  glittering  glory — 

Has  Hope  been  that  bird  to  thee  ? 
On  branch  after  branch  alighting, 

The  gem  did  she  still  display, 
And,  when  nearest  and  most  inviting, 

Then  waft  the  fair  gem  away. 

4.  If  thus  the  young  hours  have  fleeted, 

When  sorrow  itself  looked  bright  j 
If  thus  the  fair  hope  hath  cheated, 

That  led  thee  along  so  light ; 
If  thus  the  cold  world  now  wither 

Each  feeling  that  once  was  dear  : 
Come,  child  of  misfortune,  come  hither, 

I'll  weep  with  thee,  tear  for  tear. 


THOMAS  MOORE. 


302 


KEY  A. 


THE  SUMMER  IS  COMING. 

Air  :  "  Paddy's  Green  Island.' 


:s.,f 


Oh 


m    :  d    :  d    |  r    :  d    :  d 


sum-mer    is 


:d    :d    II,    :d    :1,    |  s,    :m,    :f,   ) 

-  ing  with!  sun-shine  and  glad-ness,  With  ) 


II 
II 


s     :d     :d 


:r     :d 


>i 

flowers  for  the    mea-dows    and 

m     :d     :d     |r     :d     :d 

heart  that  pined  long  in       a 


s,    :s     :ro     |r     :d     : 

know  all     the     ioy      that 


t,    :r     :r     |r     :s     :-.f> 

light  for    the  streams,  When  the) 

1,    :-.d:l,    |s,    :m,    :  f ,    > 

win    -  ter   of      sad  -  ness  Shall  > 


m     :  d     :  d 

felt     but     in 


Id     : 

dreams: 


rc.r) 

Forf 


d     :n     :s     |s     :m     :d      d     :  m     :s     |s     :m     :d 


II 


then   I'll    be       go   -  ing     o'er 

f     :s     :1     Is     :m     :d 

see    the      old     land     to       my 


bright  wa  -  ters   flow  -  ing    To  ) 

/T> 

t,    :r     :n     |f     :s     :-.f> 

mem-o     -    ry     dear — Oh,     I'd  ) 
day       in    old     Ire  -  land  Than) 


11     :d     :d     |d     :- 

thou-sand  years  here. 


2.  'Tis  many  long  years  since  I  saw  the  green  island, 

And  bade  her  farewell  with  a  heart  full  of  care, 
And  far  have  I  roamed  since  in  valley  and  highland 
Where  nature  has  lavished  her  favours  most  rare. 


( 

PI         I 

d     : 

d 

|r     : 

d 

:d 

J 

( 

ra    - 

ther 

live 

poor 

for 

one 

{ 

s,    :.     : 

rich  -  es 

en  - 

r     : 

joy 

d 

for 

a 

303 

But  gay  as  the  bowers,  and  fair  as  the  flowers, 

That  bloom  in  strange  lands  where,  an  exile,  I  rove— 
Still  dearest  and  rarest  and  nearest  and  fairest, 
Shall  be  the  dear  scenes  of  the  land  of  my  love. 


3.  I'll  roam  through  the  fields  so  endeared  to  my  childhood, 

When  life  was  all  summer,  and  friends  did  not  fail ; 
I'll  hear  the  wild  birds  singing  sweet  in  the  wildwood, 

And  lambs  bleating  low  in  the  daisy-clad  vale. 
I'll  see  her  blue  mountains,  her  bright,  laughing  fountains, 

And  wander  at  eve  by  her  ocean-kissed  shore  ; 
And  kind  friends  will  meet  me  and  old  friends  will  greet  me, 

With  a  c^A-o  mile  f  Alice  a  thousand  times  o'er. 


4.  Oh,  summer  wind  !  hasten  o'er  land  and  o'er  ocean, 

And  linger  no  longer  where  orange  trees  blow, 
But  bring  me  the  hour  when  with  fervent  devotion 

I'll  seek  the  dear  shores  that  I  left  long  ago. 
Then  farewell,  ye  bowers,  ye  fair  English  flowers, 

Though  fragrant  ye  bloom  in  the  noon  of  the  year, 
I'd  rather  live  poor  for  one  day  in  old  Ireland 

Than  riches  enjoy  for  a  thousand  years  here. 

FBANCIS  A.  FAHY. 


304 


MARY'S  SWEETHEART. 

D.     Pretty  quick. 


•  r1 

The 

1 

knew 

r 

1   next 

m1 

1        :  s  .m   |  r        :  ni 

d       :  -  ,r   |  m       :  s 

saw           my     love,       I 

r         :-        |            :s  .m 

mine,                                        The 

r1        :—        Id1        :  r1 

saw                          him         I 

d1        :  -        |           :  s   .m 

vine  ;                                     For  he 

r1        :-        |d'        :r' 

ro                             ver,           and 

d'        :-        |           :r' 

pine,                                      And 

d         ?  -  .r    |  m        :  s 

first       time       that       I 

:  s    -Pi    |  r         :  r 

his          heart       was 

:r  .m    |s         :1 

time         that         I 

thought    he           was         di     - 

r         ;r  .m    |  s        :  1 

said           he           was         no 

n1         :  r1  .d1    1  1         :  r1 

would 

oh! 

1 
this 

ne'er        leave        to 

:s   .m    |r        :m 

my         heart       is 

:  s   .m    |  r         :  r 

hap       -        -         py           With 

r         :-        1          || 

mine. 

true     -     love         of 

2.  I  met  him  at  the  "  pattern  "  by  St.  Molagga's  Tree, 

Where  at  the  dance  and  hurling  the  boldest,  best  was  he  ; 
•  Oh  !  my  heart  was  very  happy  on  that  blissful  holiday, 

And  I  learned  to  love  him  dearly  while  we  danced  the  hours  away, 


305 

3.  My  Brian  Bawn  is  clothed  in  garments  of  ^the  frieze  ; 

But  'tis  not  costly  garments  or  hoarded  wealth  I  priz^  ; 
Tis  the  truthful  heart  he  gave  mo,  'tis  the  glance  of  his  kind  <*/03, 
And  the  loving  tales  he  tells  me  while  the  golden  daylight  dies. 

4.  A  bravo  heart's  in  his  bosom,  yet  he's  gentle  as  a  child  : 

He  tells  me  pleasant  stories  till  with  laughter  I  am  wild  ; 
He'll  oft  times  change  to  sadness,  and  make  me  sob  and  cry, 
Then  kiss  my  bitter  tears  away,  till  none  so  glad  as  I  ! 

5.  Oh  !  he  was  scarce  a  stripling  when  he  banded  with  the  men 

That  wanted  Ireland's  freedom,  but  could  not  got  it  then  ; 
And  long  a  gallant  outlaw  he  kept  the  mountain  glen  ; 
But  for  old  Ireland's  freedom  he'd  venture  more  again. 

6.  And  now  he  sits  beside  mo  in  the  greenest  doll  of  dolls, 

And  the  sweetest  of  all  stories  my  fond,  fond  darling  tells, 
That  he  loves  me  with  a  constant  love,  that  never  can  decay, 
Till  we  sleep  beneath  the  green  grass  in  Molagga's  churchyard 
grey  ! 

7.  On  lands  and  money  hoarded  my  father  sets  great  store, 

Tho'  'gainst  the  poor  and  needy  he  never  shut  his  door ; 

But  my  Brian  owns  a  ploughland,  and  my  father  asks  no  more, 

So  we  are  to  be  married  when  the  Easter  days  are  o'er  ! 

ROBERT  DVVYER  JOYCE,  M.Dj 

This  is  a  very  beautiful  air  in  the  "  Bay  "  Mode — a  perfect  specimen 
of  the  very  old,  two-strain  Irish  melody  in  the  "  gapped  "  scale,  having 
only  five  notes.  It  has  neither  "  fah  "  nor  "  t."  I  link  it  for  the  first  time 
with  Dr.  Joyce's  fine  ballad.  The  air  is  sometimes  sung  to  the  ballad, 
"  Willy  Reilly." 


306 


AS  I  WALKED  ON  THE  ROAD  TO  SLIGO. 

KEY  C.     Playfully. 


:  1,.1|  r    :  -    :  n.m  |  f    :  -    :  s 

As  I     walked     on  the  road            1 

r1    :-     :r     |s     :-     :f 

(Rise           my       heart,         just 

r     :-     :m     |f     :-     :s 

lilt       -        ed        up                a 

r'    :n'    :  f  '    |m'    :r'    :d' 

learn-ed       from  Trav  -  el  -  ling 

f    :-     :r'    |m'    :-     :d' 

like               the     May              sun 

d1    :-     :1     |s     :-     :f 

'twas            the     top            o'  the 

r     :-     :m     |f     :-     :s 

heart       climbed  up           Love's 

d1    :t     :1     |s     :-     :m 

morn  on      the     road              to 

j      1     :-    :t 

|  d1    :  t 

:  d1   } 

bo            Sli 

m     :  s     :  in 

go, 

Id     :- 

day!) 
lay 

|r'    : 

0! 

H     :- 

free, 

Id     :- 

me  ; 

/Cl 

tree 

r     :  - 

go  J 

] 

:1vt 

rr'.tn1) 

like             the 

1     :-     :t 

lov         •       er's 

r1    :-     :- 

Teigue 

r1    :-     :d' 

mount     -     ing 

m     :  s     :m 

And  ) 

:t     ) 

Och!> 
My   ) 

:m'.r'l 

morn          with 

1     :t     :d' 

ro       -      sy 

r     :-     :-     | 

Sli 

That  ) 

2.  As  I  came  to  the  town  of  Sligo — 

(Weep  my  heart,  just  like  the  day  !  ) 
The  rain  came  down  like  ocean  spray — 
Och  !  why  on  earth  diA  I  go! 


307 

The  little  girl  I  hoped  to  meet 
I  could  not  see  on  lane  or  street ; 
My  heart  and  soul  were  drenched  complete 
At  noon  in  the  town  of  Sligo  ! 

3.  As  I  roved  through  the  town  of  Sligo — • 

(Smile  my  heart,  just  like  the  day  !) 

The  sun  let  fall  a  sudden  ray, 
Like  wink  from  Mat  Mulleigue  O  ! 

And  there,  just  at  the  end  of  town, 

I  spied  a  head  with  tresses  brown — - 

My  heart  shone  like  a  silver  crown 
On  the  slippery  streets  of  Sligo  ! 

4.  I  flew  to  meet  my  girl  in  Sligo 

(Sink  my  heart,  just  like  the  day  !) 
It  was  her  sister  cold  as  clay, 

And  miserly  husband,  Poig  O  ! 
So  with  the  sun  sunk  in  the  west, 
And  cranes  and  crows  in  watery  nest, 
My  heart  lay  bogged  within  my  breast 

That  night  on  the  road  from  Sligo  ! 

P.    J.    M'CALL. 

This  is  a  good  specimen  of  a  humorous  song  from  P.  J.  M'Call's  fine 
collection — Irish  Fireside  Songs.     The  air  is  playful  and  pretty. 


308 


A   MESSAGE   O'ER   THE  SEA. 

KEY  F.     Pretty  quick — well  marked.  Air:  "An  cnuicin 


.f,S 

The 


1     ,,1 


fields  are     fair   in 


.s 


:  m    .,PI 

rin,  the 


r    ,,r    :PI    .PI    ) 

birds  are    sing-ing  ' 


r  .,d  :  1,  .t,    d  Mr  :d  .,1, 

gai    -    ly,  But     O,  my  heart  is 


s,        :l,.d 

\vail     -    ing  for 


r  .,r  :m  .,m    ) 

one  beyond    the  > 


•f,s  1   .,1    :1   .s 


sea ;        For  'tis 


on  -  ly  you,  a  - 


f         :  PI  ,,PI 

voor  -  neen,  can 


r  ,,r  :PI  .in 

stay  the  silent 


\ 


r  .,d 

ing,  Can 

d  .,r  :d  .1, 

ease  the  end-less 

S| 
mourn  - 

ing,  and 

r         :  PI  .,PI   > 

set          sor-row  ) 

burn  - 

rail. 

rail. 

1  free. 

•1. 
0, 

r  .,r  :  fe.s    1  1         : 

come  to  me,  comej  home,  lov 

1    .8,8 

e,  o'er  the 

1   .,ta:  1   .s    > 

drear-y    foam,     ) 

rail. 

I8 
1  love, 

The 

1   .,ta:  1  .s 

brighter    days  shall 

f 

dawn 

:  PI  •  .PI 

yet  for 

r  .d    :l,«s,il|) 

you  and       for     > 

Id 

1  me; 

:-  .f,s  1  .,1  :  1   .s 

My  heart  is    al-ways 

f 

pray    - 

:  PI  .,PI 

ing,  my 

r  ,,r  :n  .,m  > 

lips  are  always  ) 

r  .,d 

say  - 

ing  "  Groc 

d  .,r  :d  .,1, 

send  you  safe  to 

•l 

•     J.  |     *)v* 

rin,  a- 

r         :  PI  .,ni    > 

voor  -  neen,  Ma.-/ 

1 1  chree!"       || 


809 

2.  Since  we  parted,  'sthoreen,  that  evening  in  the  bohereen, 

My  days  have  all  been  lonely,  and  sad  for  want  of  you  ; 
The  songs  that  used  to  cheer  me,  when  world- worn  and  weary, 

Come  only  in  my  dreaming,  like  a  rose  'mid  the  rue. 
O,  come  to  me,  come  home,  love,  o'er  the  dreary  foam,  love, 

The  brighter  days  shall  dawn  yet  for  you  and  for  me ; 
My  heart  is  always  praying,  my  lips  are  always  saying, 

"  God  send  you  safe  to  Erin,  A  voorneen  Machree  !  " 

3.  The  birds  are  calling  sweetly,  the  winds  are  bearing  fleetly 

A  message  o'er  the  sea-waves  to  you,  A  s^At),  from  me  : 
To  tell  of  hopes  unfading,  of  joys  that  we'll  be  sharing, 

Of  love  that  lives  1  tieijvmn,  and  dear  days  to  be. 
O,  come  to  me,  come  home,  love,  o'er  the  dreary  foam,  love, 

The  brighter  days  shall  dawn  yet  for  you  and  for  me  ; 
My  heart  is  always  praying,  my  lips  are  always  saying, 

"  God  send  you  safe  to  Erin,  A  voorneen  Machree  !  " 

BRIAN  O'HiGGiNS. 

This  fine  air  is  well  known  all  over  the  country,  and  was  always  a 
popular  one  amongst  the  people.  This  traditional  version  has  a  smooth, 
easy,  swinging  movement  which  makes  it  easy  to  sing  and  pleasant  to 
listen  to.  The  words  are  worthy  of  it  and  will  command  popularity. 
They  are  taken  from  the  author's  At  the  Hill  o'  the  Road. 


310 


MAUREED    BAWN. 

KEY  C.     Animated.  Air  :  "  The  Old  Astrologer." 


:m  .f   Is  .s    :s   .f    |  s  .ro    :d    .,d' 


{•••Li  i 

(      My      |w 


lid  heart's  love,  my  woodland     dove,  The 


d1  .t    :  s   .m 

tender      and  the  true 


rue,   > 


:m  .f   |s   .s    :s  .f    |s   .1    :  t   .s 

side    n    blue  stream  tide,  That 


( :m  .f   I  s   .s    :  s 

(     She       [dwells  be  -  si-. 


<:     .s    Is  .f   :n'  .r1   |  d1 

(      Thro'  |ev'  -  ry  ch-mge  her    love' 


.t    :s   ., 

love's  the    same, 


s   .d1   :d'  .d'    |d' 


bo  unds  thro1  wild  Glen  -  rua 


s  .f  '   :  m1  .d1   |  r 

long  bright  summer    dawn 


f 

:,} 


.s   Id1  .d1   :d'  .t    |d'  .,r'  :n«  .d1 

A    |gen-tle  flame,— and    O,      her    name  Is 


{''    '"? 


s   .s    :s   .f    |s   .1    :t   .s 

joy,    that   on      her      paths  I    came,  My 


t   .s 

love-ly 


:f  .m    |f 

Mau-reed    Sawn 


> 

,   ) 


s  .d1   :d«  ,d'   Id1 

love  -  ly      Mau-reed   Bawn. 


2.  When  winter  hoar  comes  freezing  o'er 

The  mountains  wild  and  grey, 
Her  neck  is  white  as  snow-wreaths  bright 

Upon  thy  crags,  Knockea ; 
Her  lips  are  red  as  roses  sweet 

On  Darra's  flowery  lawn ; 
Her  fairy  feet  are  light  and  fleet, 

My  gentle  Maureed  Bawn  ; 
And  O,  her  steps  I  love  to  meet, 

My  own  dear  Maureed  Bawn  ! 

3.  When  silence  creeps  o'er  Houra's  steeps, 

As  blue  eve  ends  its  reign, 
Her  long  locks'  fold  is  like  the  gold 
That  gleams  o'er  sky  and  main. 


311 

My  heart's  dark  sorrow  fled  away 

Like  night  before  the  dawn, 
When  one  spring  day  I  went  astray, 

And  met  my  Maureed  Bawn, 
And  felt  her  blue  eyes'  witching  ray, 

My  lovely  Maureed  Bawn. 

4.  One  summer  noon,  to  hear  the  tune 

Of  wild  birds  in  the  wood, 
Where  murmuring  streams  flashed  back  the  beams, 

All  rapt  in  bliss  I  stood ; 
The  birds  sang  from  the  fairy  moat, 

From  greenwood,  brake,  and  lawn ; 
But  never  throat  could  chant  a  note 

So  sweet  as  Maureed  Bawn, 
As  through  the  vales  her  wild  songs  float, 

My  lovely  Maureed  Bawn. 

5.  O,  would  that  we  for  love  could  flee 

To  some  far  valley  green, 
Where  never  more  by  rock,  or  shore, 

Dark  sorrow  could  be  seen. 
I  know  a  valley,  wildly  fair, 

From  strife  far,  far  withdrawn ; 
And  ever  there  the  loving  air 

Of  gentle  Maureed  Bawn 
Would  keep  this  fond  heart  free  from  care, 

My  lovely  Maureed  Bawn. 

ROBEET   DWYEB   JOYCE,    M.D. 

This  is  a  lively,  catching  song  which  ought  soon  to  become  a  favourite 
on  concert  platforms.  I  am  indebted  to  Dr.  Joyce's  collection — Ancient 
Irish  Music — for  the  air. 


312 
THOUGH  THE  LAST   GLIMPSE  OF 

KEY  Eb.  Air  :  "  The  Coolin." 

:  d  t  m  t  s 


:s    .l,t  d1         :d'         :  r1 

Tho'  the    last           glimpse         of 

d1    ,,t     :  d1,!*1.!']1     :  r1    .,d' 

.,t     d'          :n 

E        -      rin 

d1            :t 

sor      -        row                I 

1            :-     .t.d'ir'.d'.t.l 

see, 

s            :  m    .s 

ev      -                      -        er  thou 

t,l  .s  ,f  :  m     .,d     :  r    -,d 

art                 shall 

d 

E         -      rin                 to 
quicker                                     cres. 

!ni    .,r    :  d     .,r     :  ni     .,fe 

mo. 

s     ,fe  :s     .,1 

ex       -         ile                   thy 

bo       -      som 

d1            :t 

still                be                my 

1           :  -     .t  ,d'  J  r'.d'.t  ,1 

home 

s            :  m    ,s 

eyes                       make  my 
dim.                        rail. 

t,l.s,f:n     .,d     :r     .,d 

cli        -        mate 

d           :- 

e        -       ver                we          1 

roam. 

with 
dim. 

Yet  wher- 

:  d1   .s 

seem 
P 

:s    .,f 


t 

shall 
dim. 

li 


I     :J       '1?       I 

shall  > 


And  thine 

d1    .s 

wher    - 


2.  To  the  gloom  of  some  desert,  or  cold  rocky  shore, 
Where  the  eye  of  the  stranger  can  haunt  us  no  more, 
I  will  fly  with  my  Coolin,  and  think  the  rough  wind 
Less  rude  than  the  foes  we  leave  frowning  behind  : 

3.  And  I'll  gaze  on  thy  gold  hair,  as  graceful  it  wreathes, 
And  hang  o'er  thy  soft  harp,  as  wildly  it  breathes  ; 
Nor  dread  that  the  cold-hearted  Saxon  will  tear 

One  chord  from  that  harp,  or  one  lock  from  that  hair. 


THOMAS  MOORE. 


313 


MA  VANNACHT  LATH  (IT1O  beAtltlACU 


£EY 

E. 

Air  :  "  The  Eagle 

s  Whistle." 

,d 

A  - 

m    ,m     :  s,m  .  r,d 

long  the  ways  that 

PI 

you 

.m 

have 

:Sjn.p,d 

gone,  My 

PI    .r    :  r 

thoughts  arc  al 

.m,d) 

-  ways) 

m 

go 

.r 

i  F     .PI  jd 

ing;  The 

PI    .in 

love  -  light 

in 

your 

m     ,PI 

eyes  that 

:  s^i  .r  ,d  ) 

shone   In   ) 

1, 

all 

.d      :  d     .,r 

my    dreams  is 

i,  .d 

:d 

ing. 

To 

you    in 

ev' 

•  s,m  i 

-ry     f 

glow 

- 

s,r 

1  .S  , 

i1  :  s     .PI  ,r 

s     .d1 

heart  is 

:  S,PI 

ev   - 

.r,d 

er 

ni     .r 

turn 

:r 

ing, 

,i»i,d  ^ 

One    \ 

thoughtless  throng,  My 

Is 

5   .1  , 

t  :  1     .s  ,m 

S,P1  . 

s,d' 

:  s 

.m,r 

m 

.d',1 

:  s,m 

.r.d  ) 

prayer  I       pray,  the   '  whole  day 

long, 

"Ma 

van-nacht  lath,    a      > 

i, 

.d 

:d     ,,|| 

neen  !  "l| 

voor    - 

|    M 

(     pra.^ 


2.  Asthore  Machree  !  my  light  of  life  ! 

When  other  lights  are  paling, 
My  comrade  in  the  stress  and  strife, 

My  love,  my  friend,  unfailing ; 
O,  may  God  grant  that  soon  I'll  sco 

The  hour  of  your  returning, 
And,  till  that  time,  where'er  you  be — 

Ma  vannacht  lath,  a  vourneen  ! 

BRIAN  O'HiGoura. 

This  sweet  simple  song  is  taken  by  permission  from  the  author's  little 
book,  At  the  Hill  o'  the  Road,  published  by  M.  H.  Gill  &  Son.  Tho  air  is 
said  to  have  been  the  marching  tune  of  the  (TDonovan's  of  the  County 
Limerick — chiefs  of  the  territory  lying  west  of  the  River  Maig.  The 
legend  tells  us  that  the  tune  is  the  one  with  which  the  eagle  whistles  his 
young  to  rest.  Words  and  air  match  admirably,  and  make  a  very  pretty 
song. 


314 


THE  GREEN  LINNET. 

KEY  G.     tilowly  and  feelingly.          Air  :  "  FA^TA  bj\eA§  AC^AC  AH  ceoiV 


young 


J    "  S|<l  |<l|      U     .)!*     I   Pi    •;  t)  I      II*     if  VI   *  ll  •*8| 

K       -LJ      •        !_  '      I  '     '     ' 

(  Cu  -  ri-i     os    -    it  -  v     led     a  voung 


fit,        :s,.t,  |  1,        :S|.,s, 

(  I    view       the  gay  banks     of    th< 


S|.t,  :  r  ,m   |  f       : s  .,d 

na  -  tive  of      E     -    rin  To 


B| 

Rhine, 


There  an  ) 


Where 


d  .,r  :  m  ,,t,  |  r  .,t,  :  1,  .,s,  1  s,  .t,  :  r  .n    |  f  .s    :  -  ,d 

em    -  press  he    saw,       and  the  I  robe        she  was  wearing        All 


.t 


-     ver  with  dia  -  monds  did 


shine  ; 


:r 

No 


jlrji 

<l    god 


II 
II 
il 


£1   :  s  .,s   |  s  .m    :  r  .,t,    r  .m   :  s  ,,s    |  s  :S|«l,<t, 

god  -  dess  in    splen  -  dour  was     ev    -     er    yet    seen  To 

sl*l|     :  sl  "sl    I  sl 

mild       and  se  -  rene,  In    softf 

S|  .t|  :r  .,ro   |  f,s,-  :-  .d    > 


.r    :r  ., 


d  .r   :  m  ,,m 

e     -     qualthis  fair  maid  so 

d  .r    :m  .,t,  |  r  Mtt  :  1,  .s, 

mur  -  murs  she  cried,  "  O  my 

t,       :s,  .t,  |T,  :s,  .s.  Is, 

Boney,  will  I      ne'er  see  you     more  ? 


Lin    -    net  so  green,         Sweet  ) 


2.  "  The  cold  frosty  Alps  you  freely  passed  over, 

Which  nature  had  placed  in  your  way  : 
At  Marengo  Bellona  around  you  did  hover; 
All  Paris  rejoiced  the  next  Hay. 


315 

It  grieved  me  the  hardships  that  you  did  undergo, 
The  mountains  you  traversed  all  covered  with  snow, 

And  the  balance  of  power  your  courage  laid  low  : 
Sweet  Boney,  will  I  ne'er  see  you  more  ?  " 

3.  "  The  crowned  heads  of  Europe  they  were  in  great  splendour, 

And  swore  they  would  have  you  submit ; 
But  the  goddess  of  freedom  soon  made  them  surrender, 

And  lowered  their  standards  to  your  wit. 
Old  Frederick's  colours  to  France  he  did  bring ; 

His  offspring  found  shelter  under  your  wing ; 
That  year  at  Vienna  you  sweetly  did  sing : 

Sweet  Boney,  will  I  ne'er  see  you  more  ? 

4.  "What  numbers  of  men  there  were  eager  to  slay  you  ! 

Their  malice  you  viewed  with  a  smile ; 
Their  gold  through  all  Europe  was  found  to  betray  you ; 

They  joined  with  the  Mamelukes  on  the  Nile. 
Like  ravenous  vultures  their  vile  passions  did  burn ; 

The  orphans  they  slew  and  caused  widows  to  mourn ; 
But  my  Linnet  is  gone,  and  he  ne'er  will  return : 

Sweet  Boney,  will  I  ne'er  see  you  more  ? 

6.  "  I  ranged  through  the  deserts  of  wild  Abyssinia, 

And  could  yet  find  no  cure  for  my  pain ; 
I  will  go  and  inquire  at  the  isle  of  St.  Helena, 

But  soft  murmurs  whisper  '  'Tis  vain '  ! 
Come,  tell  me,  ye  critics,  come  tell  me  in  time, 

What  nations  I'll  rove  my  green  Linnet  to  find  ; 
Was  he  slain  at  Waterloo,  in  Spain,  or  on  the  Rhine  ? 

No,  he's  dead  on  St.  Helena's  bleak  shore." 

Nearly  a  hundred  years  ago  this  ballad  was  very  popular  in  Munster, 
where  Bonaparte  was  a  great  favourite.  I  give  it  as  a  good  specimen  of 
old  street  ballads  and  for  the  sake  of  the  air,  which  is  extremely  swoet 
and  tender.  I  got  this  version  of  the  air  in  West  Cork. 


316 


SWEET  GLENGARIFF'S  WATER. 

KEY  D.     Pleasantly. 


.sll    : 

-     :1     |s     :- 

:1      f     :- 

:r     |d     :- 

:d    > 

Vhcrelwild 

fowl  swim 

up-   on 

the    lake 

At  ; 

r     : 

:r     |d     :t, 

:d 

r     :- 

:-     If     :- 

:  s     ^ 

morn 

ing's       ear 

ly 

Shi       - 

-     ning, 

I'm  > 

1    =- 

:1     |s     :- 

:1 

f     :- 

:r     |d     :- 

:d     > 

sure, 

I'm      sure 

my 

heart 

will    break 

With) 

r     :- 

:r     |d     :t, 

:d 

r     :- 

:-     |r     :- 

:  ^'     I 

sad        - 

ness        and 

re  - 

pin     - 

•     ing, 

As     \ 

r     :- 

:n     |f     :- 

:s 

1     :- 

:s     |f     :- 

:s     ) 

y 

I 

went   out 

one 

morn 

ing      sweet, 

I       } 

1     :- 

:r'    |  r1    :ro" 

:d' 

r1    :- 

:-     H     :- 

:d'    ) 

met 

a            farm     - 

er's 

daugh     - 

-     ter 

With) 

r1    :- 

:1     |s     :- 

;  I 

f     :- 

:r     |d     :- 

:  d     > 

gown 

of       blue 

and 

milk      - 

white  feet, 

By  \ 

r     :- 

:r     |d     :t. 

•  d 

r     :- 

:-     |r     :- 

sweet 

Glen  -  gar 

iff's 

wa 

-      ter. 

2.  Her  jet-black  locks  with  wavy  shine 

Fell  sweetly  on  her  shoulder, 
And,  oh  !  they  make  my  heart  repine 

Till  I  again  behold  her ; 
She  smiled  and  passed  me  strangely  by, 

Though  fondly  I  besought  her ; 
And  long  I'll  rue  her  laughing  eye 

By  sweet  Glengariff's  water. 

3.  Where  wild-fowl  swim  upon  the  lake 

At  morning's  early  splendour, 
Each  day  my  lonely  path  I'll  take, 

With  thoughts  full  sad  and  tender  ; 
I'll  greet  my  love,  and  sure  she'll  stay 

To  hear  the  tale  I've  brought  her — - 
To  marry  me  this  merry  May 

By  sweet  Glengariff's  water. 

ROBERT  DWYEB  JOYCE, 


M.D. 


317 


FADED    HOPES. 


KEY  F.     Fairly 

Quick. 

Air:  " 

The  Foggy  Dew." 

f:li  .t, 

d 

:d  .r 

In 

:d!  .t     I 

:s   .in 

|r 

\       A     - 

roon  ! 

A     - 

roon 

the 

hopes 

and 

dreams 

('A  .r    |in  .r 

:ro  .d 

H,.d 

:t,  .r 

d 

:d 

Id 

(     of 

by    - 

gone 

days 

are 

end 

-     ed 

lio\v  ; 

<:1,  «t, 

d 

:d   .r 

In 

:d'  .t 

1 

:  s  .in 

1  r        ) 

\      And 

stand 

-    ing 

where 

no 

love 

-     light 

gleams, 

(  :d  .r 

in  .r 

:  in  .d 

Hi  -d 

:t,.r 

d 

:d 

Id 

(     Be  - 

neath 

my 

grief 

i 

mock 

-  ly 

bow. 

<:1   .t 

d1 

:d'.t 

H 

:t  .d1 

r1  .d1 

:t   .1 

Is        ) 

1      Of 

all 

my 

love, 

but 

God 

a     - 

bovo      j 

(:m  .se 

1 

:-  .t 

Id1  .t 

:  1  .se 

1 

:  - 

1-            j 

(      And 

I 

shall     e 

-     ver 

know, 

] 

P 

5:1.  .t, 

d 

:d  .r 

|m 

:d'  .t 

1 

:  s    .m 

|r         t 

(     'Till 

joys 

a 

rise 

for 

wea 

-      ry 

eyes,      ) 

5  :  d  .r      in  .r 

:  in  ,d 

Hi  -d 

:t,  .r 

d 

:d 

Id 

<      Be  - 

yond 

the 

skies, 

a 

voor 

-    neon 

0!        i 

2.  Aroon  !  Aroon  !  when  thoughts  retrace 

The  olden  ways,  the  tears  will  start, 
And  in  the  throng  a  smiling  face 

May  often  hide  an  aching  heart ; 
But  I  shall  pray,  by  night  and  day, 

God  keep  you  free  from  woe 
Till  joys  arise  for  weary  eyes, 

Beyond  the  skies,  a  voorneen  0  ! 


BRIAN  O'HIGGINS. 


318 
TWILIGHT  ON  A  TIPPERARY  HILLSIDE. 

KKY  C. 


:m  .s 

Twasa 

1        :  1        1  1        :-  ,m,m|s        :m  .r   |  d 

:-.r  > 

And  ) 

balm  -  y           eve           in  the]  sweet  Spring     time, 

r 

1  up 

:  r  .PI    |  r        :  r 

on    the    moun  -  tain 

r        :-        1- 

side 

;m  .m  > 

Not  a  ) 

S 

mur 

:  -  .m    |  s         :  1   .d1 

mur    rose     o'er  the 

r1        :  r1        |  r1        :  m1  .r1  ) 

ho       -     ly               calm,  Save  the  > 

d' 

splash 

:-.!,!  IB        :  -  .1 

of  the  An       -        ner 

d1        :-         |  -        :m  .m    ) 

tide  ;                                    And  the  > 

S 
lone 

:  -  .m    |s        :  1  .d1 

ly         wail        of     a 

rl           .  rl            j  rl 

wist    -    ful            maid, 

rni'.r1  ) 

Who     > 

id' 

sat 

:-  .1,1  |s        :-  ,1 

in  the  ev'     -     ning's 

d'       :-         |- 

glow, 

:     ,t) 

And} 

1         :  1    .1    |  1         :  -  .n,n 

|  poured    from  the  depths       of  her 

s         :  m  .r    |  d 

sor  -    rowing        soul, 

:-.r    ) 

One  > 

In 

long 

:  r  .m    |  r        :  r 

lone        tale          of 

r        :-         1- 

woe. 

[ 

2.  "  Now  Summer  may  come  with  its  verdant  blooms, 

And  the  forest's  deep  echoes  ring 
With  the  blackbird's  note  and  the  cuckoo's  call, 

And  the  flowers  redundant  spring ; 
The  apple-tree  blossoms  may  peep  from  the  glade, 

To  meet  the  first  kiss  of  day; 
But  the  sorrow  now  camped  in  my  aching  breast. 

Shall  nevermore  pass  away. 


319 

3.  "  Cold,  cold  as  the  snows  on  an  Alpine  height, 

And  sad  as  the  wild  wind's  moan, 
And  dark  as  the  moon  of  the  coal-black  night, 

This  weary  heart  has  grown ; 
I  had  no  hopes  in  the  wide,  wide  world 

But  all  that  around  him  clung; 
I  joyed  to  roam  round  the  fairy  raths, 

And  the  hamlets  of  which  he  sung. 

4.  "  And  to  think  and  think  thro'  the  long  dark  night 

Of  the  maid  of  the  Aimer's  stream — 
Of  Tipperary's  forests  and  breezy  hills, 

Or  whate'er  his  fancy's  theme. 
Ah  !  now  I  see  nought  in  my  midnight  dreams, 

But  shackles  his  dungeon  round, 
And  the  felon's  cords  in  one  hundred  coils 

All  over  his  white  limbs  wound. 

6.  "  Ah  !  my  heart  I  know,  'neath  this  weight  of  woe, 

Will  soon  forget  to  beat  ; 
And  my  spirit  will  droop  like  a  faded  flower, 

In  the  midst  of  the  Summer  heat ; 
This  shadowy  form,  once  light  and  warm, 

Shall  soon  in  the  churchyard  sleep; 
And  the  winds  shall  rave  'round  my  early  grave, 

And  the  willow  trees  o'er  it  weep. 

6.  "  Adieu  !  adieu  !  and  a  fond  farewell 

To  all  ye  woods  and  streams, 
Which  Charles  sang  in  the  sweeting  strains, 

And  saw  in  the  brightest  dreams ; 
Some  wandering  minstrel  yet  may  come, 

With  his  harp  in  the  eventide, 
And  tell  of  how  Charles  loved  his  land, 

And  how  Annie,  his  sister,  died  !  " 

JOHN  LOCKE. 

Written  to  commemorate  the  death  of  Miss  Annie  Kickham.  The 
air  is  a  very  distinctive  Irish  air  in  the  "  Ray  "  mode.  It  has  all  the 
marks  of  a  very  old  air — two-strain,  gapped  scale,  and  ending  in  the 
three-fold  repetition  of  "  Ray."  It  has  not  the  "  fah  "  note,  whilst  the 
note  "  t "  occurs  only  once,  and  that  in  a  passing,  very  rapid  and  un- 
accentuated  way.  I  am  indebted  for  the  air  to  UotnAf  A$AJ*  (Ashe), 
the  Gaelic  League  Delegate  to  the  United  States  in  1913.  He  is  a  fine 
exponent  of  Irish  music,  particularly  Kerry  songs. 


320 


FAIR    KATE    OF    GLENANNER. 

A.     Sloiu  and  tender. 


( •  l|»tt||  d     :  t ,    :  1 1    1 1 1    :  s i    : 

(    The  I  sun  -  light  is         sleep-ing 


on 


s,    :  s 


Com-  ragh's  wild  mountain, 


f:l,.,tj!d     :t|    :1|    1 1,    :m     :  lj.sM    :-     :1|.1||1|    :  1| 

7.  And   I  gay    shine  the    blossoms        by    j  din       -       gle  and  fountain ; 


5:l±,t, 

(  Sweet 


d.y.d  .r  : m .fe |  s     : m     :  r 

mur-murs    the  streams  where  the 


m  .r  : 


soft  breez-es       fan  her, 


(:l,..t  ;d     :r  .d;  t|.lt|  t\    :ni     :  l|.s, 

1  And    j  bright  at      my     side    sits     fair 


Kate 


of  Glen-an-nor. 


2.  The  boughs  of  the  elms  in  the  cool  breeze  are  swaying 
With  the  clear  waves  beneath  towards  the  wide  ocean  playing, 
And  the  tall  ferns  wave  like  a  green  sunlit  banner, 

While  I  whisper  my  love  to  fair  Kate  of  Glenanner. 

3.  She  smiles  as  she  points  at  the  sunny  wave  near  mo, 
And  I  wish  for  a  boat  with  its  white  sail  to  bear  mo 

From  that  spot,  from  the  stream  where  the  grey  arches  span  her, 
To  some  green  isle  of  love  with  fair  Kate  of  Glenanner. 

ROBERT  DWYEB  JOYCE,  M.D. 


This  is  a  sweet,  tender  bit  of  music.     It  suits  the  above  song  whirl  i 
appeared  in  the  first  edition  of  the  author's  songs  and  ballads,  publishc 
in  Boston  about  sixty  years  ago, 


321 


(:  rn.se 
(~A~ 

IP 

( I  come 


WELCOME     HOME    TO    YOU. 


Andante. 

hun  -  dred  thou-sand 


Air  :  "Lough  Sheeling.' 


s       :  m      :  d  r,m 

wel-comes,  and  'tis 


t'mo    for      you 


From  the 


1        :_ 

far          land    of  the 


coun    -    try  ard  your 


home. 


s       :m  :d  .d  > 

for  -  eigner,  to  your) 

:ni  .r  Id       :d  .r  :ro  .d  > 

Oh  !    I  long        as  we  are  f 


11 

11 

II 

r 

part 

1 

nev 

i, 

day. 

:d 

-ed, 

:1  .t 

-    er 

:  d  <r  «ni 

ev  -  er 
passed  a 

1! 

f 

s'nce 

S 
dream 

:f 

you 

:m 

-IfSS 

went 

:d 

night, 

.r 

a  - 

.d 

or 

ro 

way, 


2.  Do  you  think  I  would  reproach  you  with  tho  sorrows  that  I  bore  J 
Sure  the  sorrow  is  all  over,  now  I  have  you  here  once  more — 
And  there's  nothing  but  the  gladness  and  the  love  within  my  heart, 
And  the  hope,  so  sweot  and  certain,  that  again  we'll  never  part. 

3.  You'll  never  part  me,  darling — there's  a  promise  in  your  eye  ; 

T  may  tend  you  while  I'm  living — you  will  watch  mo  when  Id'e; 
And  "if  death  but  k:ndly  Jf  ad  me  to  the  blessed  home  on  high, 
What  a  hundred  thousand  welcomes  shall  await  you  in  the  sky  ! 


MARY. 


322 


KEY  F. 


HERSELF    AND    MYSELF. 

Air  :  "  The  Seasons." 


(  :  m.f 

('Twas  be 


s    :  f    :  s     |  in    :  d    :  m 

-yond  at      Ma  -  cred-din,    at 


s    :f 


|r 


> 


Ow  -  en  Doyle's  wed-ding  ,  The> 


II 


:t,     :d     |r     :d     :r 

boys    got    the     pair    of      us 


in     :  d     :  in 

out    for      a 


r     :  -  .m:f 

reel.        Says 


s     :  f     :  s     |  in     :d     :m     is     :  f     :in     |  r     :  t,    :  S|    ) 

It     "Boys,  ex  -  cuse  us."  Says'they,  "Don't  re  -  fuse    us."  "I'll* 


:d 


:  in     :  f      PI     :  s     :  PI     |  d     :  - 


play    nice  an'      ai  -    sy,"  says  r  Lar  -  ry        O'Neill. 


S.f> 

So   f 


m     :  f     :  m     |  r     :  PI     :  f      in     :  s     :  f     I  in     :  r     :  d.in  > 


!  off      we     went  trip  -  pin'     it, 


up    and  down  step  -  pin'  it — Her-) 


!i 


in     :  f     :  in     |  r     :  in     :  f 

self    and    My  -  self      on       the 


in     :  s 

back  of 


:-     :^f> 

-e;         Till  f 


d     :-     :s.f 

doore 


PI      :  f      :  PI 


:  in     :  f 


Mol  -  ly  —  God    bless  her  !— fell 


d1    :  s     :  in     |  r     :  in     ;  f 

I       tumbled         o    -    vcr      a 


PI     :  f     :  in     |  r     :  in     :  f 

self     to       My  -  self,  "  We're  as 


in     :  s     :  f     |  in     :  r     :  d     > 

in    -   to        the     dresser,      An'    > 


CHORUS 

in     :  s     :  in     |  d    :  -    !'  s  .f 

child  on       the     flocre. 


it 


in 


:  f     I  PIT  :  d     :  s.f 


good  as   thtbfsto 


IT  :  d     :  s.l  ) 

'  them,  "  Says  My-) 


323 


in     :f 

self    to 

in     :f 

self    to 


:  in     |  r 

Herself, 


:n     :f 

'  Shure  we're 


in     :s     :m     |d     :-     :s.f) 

bet  -  ter  than  gold."      Says  ll*-r-i 


i»i     |  r     :  PI     :  f 

My  -  self,  "  We're  as 


n     :  s     :  f     |  m.r  :  d 

young  as       the     re«to' 


:s.f 


:        :s.? 

them."    SajiMy) 


in     :f     :in     |r     :m     :f     Is     :1     :t    |d'    :-     I! 

self    to      Her -self,  "  Troth,  we'll!  nev  -  er      grow  old." 

2.  As  down  the  lane  goin',  I  felt  my  heart  growin' 

As  young  as  it  was  forty-five  years  ago. 
'Twas  here  in  the  boreen  I  first  kissed  my  stoireen — • 

A  sweet  little  colleen  with  skin  like  the  snow. 
I  looked  at  my  woman — a  song  she  was  hummin' 

As  old  as  the  hills,  so  I  gave  her  a  pogue — 
'Twas  like  our  old  courtin',  half  sarious,  half  sportin', 

When  Molly  was  young,  an'  when  hoops  were  in  vogue. 


When  she'd  say  to  Myself,  "  You  can  coort  with  the  best  o'  them." 
When  I'd  say  to  Herself,  "  Sure  I'm  betther  than  gold." 

When  she'd  say  to  Myself,  "  You're  as  wild  as  the  rest  o'  them." 
And  I'd  say  to  Herself,  "  Troth,  I'm  time  enough  old." 

P.  J.  McCALL. 


In  sending  mo  this  air  Mr.  McCall  informed  me  that  he  took  it  down 
from  the  singing  of  a  Wexford  labourer  over  30  years  ago.  It  should  be- 
come very  popular.  The  song,  like  many  of  the  author's,  is  delightfully 
racy  of  the  soil. 


324 


SONG    OF    SARSFIELD'S    TROOPER. 

KEY  F. — Bold.  Air  :  "  Ye  Natives  of  this  Nation." 


.s,m|  d  .d  :  d  .d   |  d  .,r  :  m  .f 


The  night  fell  dark  on     Limerick  and 


f  .,f  :f  .f    |n  .s    :f  .m 

'or     the  foe  in      am  -  bush  we 

d         :  d  .d    |  d  .,r  :  in  .f 

patient  -  ly  we      wait   -    ed     to 

f   .s    :  1  .f    |  m   .s    :  m  ,d 

no-ble  Sarsfield     at    our  head  be 


.,l  |s 


s  .s 


all  the  land  was  still 


As  ) 

m  .,r  :  r    .r    |  ms       :  PI  .r    j 

lay  be  -  side  the    hill ;      Long  im-j 

:-   .,n  ) 

WTith  > 

:    1s  \ 

From» 


s  .s    :d'  .1    |s 

rush  up  -  on    our    prey, 

f  .r    :d   ,t,    |d 

fore  the  break  of    day. 


:s  .s 


.,1   |1   .s    :s   .,s    |s 


:  -   .t 

(.Dublin  came  the  foe  -    man,  withj  deadly  warlike     store    —  Huge 


rid1  .t  :  1  .s    |m_._s    :f  -m   |r    ,d  :r    in    |  ms.,f    :m  .r 

('guns  with  tons  of  pow   -     der  andkhund' ring  balls  50 


d  .d    :d  .d    |d  .,r   :  m  .f    I  s  .s    :d'  .1     |s 

little      was  he     dream  -  ing  thati  there  to  work  his  bale 


We'd  ) 


Jlf  .s    :  1  .f    |n  -s    :n  .d     f  .r    :d  .t,    |d         :-  .11 

\come  with    our  com    •  maiulcr    bold    frosi  dark  Sliav  Felim's  Vale. 

At  the  lonely  hour  of  midnight  each  man  leaped  on  his  steed, 
Down  moor  and  vale  to  Cullen  we  dashed  with  lightning  speed  ; 
Then  eagerly  we  galloped  to  Ballyneety's  wall, 
Where  lay  our  foe's  encampment  with  guns  and  stores  and  all. 


825 

"  Give  the  word  !  " — "  The  word  is  Sarsfield  and  Sarsfield  is  the  man  : 
And  here  I  am  !  "  our  General  cried,  as  down  on  them  we  ran ; 
Then  God  he  cleared  the  firmament,  the  moon  and  stars  gave  light, 
And  for  the  battle  of  the  Boyne  we  had  revenge  that  night. 

3.  When  the  convoy  all  were  scattered  we  took  their  mighty  store, 
Pontoons  and  carts  and  powder  casks  and  cannons  by  the  score  ; 
And  hastily  with  eager  hands  we  piled  them  up  on  high, 
Laid  down  the  fuse — applied  the  match — and  blew  them  to  the  sky  ! 
How  pleasant  laughed  our  General  as  fast  we  rode  away ; 
And  many  a  health  we  drank  to  him  in  Limerick  next  day  ; 
Here's  another  health  to  Sarsfield,  who  in  that  midnight  hour, 
Destroyed  the  foe's  artillery  by  Ballyneety's  tower. 

ROBERT  DWYEB  JOYCE,  M.D. 


This  is  a  fine,  bold  air,  and,  needless  to  say,  a  grand  song,  whoso  subject 
matter  will  fire  the  blood  of  everyone  who  deserves  the  name  of  Irishman 
and  is  proud  of  the  deeds  of  Sarsfield.  I  am  indebted  to  Dr.  Joyce's 
collection  of  Irish  Folk  Music  for  the  air. 


326 


LITTLE   MARY  CASSIDY. 


KEY  C.  Moderate. 


Air  :  "  An 


6|MiAti." 


(    Oh, 'tis 


d1  .r1    :  d1  .t    |  1  ,n    :  in  .r 

lit  -  tie    Ma-ry       Cas-si  -  dy's  the 


<  :m  .s 

(    ry,  T 


s    i  1   .d1  :  t  .s    |  1  .m    :  in  .r 


The     rai-son  that  I       am  not  now  the 


(  :s< 1 <t 

(    Oh,  she 

(  :  in  .s 

(  ry,  Sure 

<:r  .r 

(,   Trav-el 

,:«'.f 

^     Fairer 

(   '  S 1 1  <  t 
I    OhTl'd 


:  m  .s 

dy  Than 


d1  .r1  :  d1  .t    |  l_.m_  :  in  .r 

bates  the  beau-  ties  all       that  we 


in  .d    :  1, 

cause  of  all  my  mis  -  e 

in  ,m    :  1  .,1   |  1 

boy  I      used  to     bo  ; 

in  .d    :  1,  ,t|  I  d  .r 

read  a-  bout  in      his 


.t,  Id  .r   > 

mv  mis  -  e-     J 


.r   > 

is  -  to-) 


1    .d1  :t'  .s    |  1  .in 

half  the  coun  -  try    side 

in  <s    :1    .t    |d' 

Ire-land  up  and    down    -  hill, 


m  .r 

is    as 

l<t<d' 


in  .d    :  1,  .t,  |d 

lost  for  her  as      me. 

r1  .d1  : 1  .t    |d'  .r1 

vil-lage,  vale  and 


q*  .r    > 

town — ) 


r1  .t   :  d1  .,1    |s  .m  :  in  .r     m  -,1  :  1  .,1   I  1 

than  the  Col-hen  Dhoun  you'll  be   look-ing   for   in    vain 


> 

) 


d1  .r1  :  d1  .t    |  1  .m  :  in  .r 

ra-ther    live  in    pov-er  -  ty  with 

1   .d1  :  t  .s     |  1  .in  :  m  .r 

em  -  per  -  or  with  -out  her  be  o'er 


in  .d   :  1|  .ti  |  d  .r 

lit-tle    Ma  -  ry  Cas  -  si 

m  .d   :  1,  .t,  |d 

Ger-ma-ny,  or     Spain. 


2.  'Twas  at  the  dance  at  Darmody's  that  first  I  caught  a  sight  of  her., 

And  heard  her  sing  the  •Opa.ijpiedti  t)onn,  till  the  tears  came  in  my  eyes, 
And  ever  since  that  blessed  hour  I'm  dreaming  day  and  night  of  her  ; 
The  divil  a  wink  of  sleep  at  all  I  got  from  bed  to  rise. 


327 


Checks  like  the  rose  in  June,  song  like  the  lark  in  tuno, 

Working-,  resting,  night  or  noon,  she  never  leaves  my  mind  • 

Oh,  till  sing-ing  by  my  cabin  fire  sits  little  Mary  Cassidy, 
'Tis  little  aise  or  happiness  I'm  sure  I'll  over  find. 


.3.  What  is  wealth,  what  is  fame,  what  is  all  that  people  tight  about, 

To  a  kind  word  from  her  lips  or  a  love-glance  from  her  eye  ? 
Oh,  though  troubles  throng  my  breast,  sure  they'd  soon  go  to  the  right 

about, 

If  I  thought  the  curly  head  of  her  would  be  resting  there  by-an'-byo. 
Take  all  I  own  to-day — kith,  kin,  and  care  away, 

Ship  them  across  the  say,  or  to  the  frozen  zone ; 
Lave  me  an  orphan  bare — but  lave  me  Mary  Cassidy, 
I  never  would  feel  lonely  with  the  two  of  us  alone. 

F.  A.  FAHY. 


This  version  of  the  air  is  that  taken  down  from  Paddy  Conneely,  tho 
famous  Galway  piper.  It  is  found  in  the  Forde  collection  and  is  pro- 
nounced by  Dr.  Joyce  to  be  finest  of  all  tho  versions.  With  Frank 
tFahy'a  words  it  makes  a  beautiful  song. 


328 


BEAUTIFUL    IRELAND. 


KEY  G.  Lightly. 
P> 

fou  may 

m      :r      :d      |d      :1,      :d      |d      :1, 

speak  of          the       land      where   the       toil  -   er 

•    W  | 

Can 

} 

build 

:r 

up 

:d 

a 

Id       : 

free 

i. 

hap    - 

:d 

py 

|r       :- 

home, 

:r  .r 

The 

} 

m 

:r 

:d 

Id        : 

1, 

:d 

|d       :r 

:m  .in 

I 

land 

ne     - 

ver 

cursed 

by 

the 

spoil  -    er, 

> 

II. 

:m 

ver 

:r 

the 

|r       : 

white 

d 

o 

:  *l 

cean 

Is,      :- 

foam. 

II  Oh, 

} 

m 

dear 

:  s 

-   est 

:  s 

to 

Is       : 

me 

1 

is 

:  s 

my 

|  s       :  in 

sire    -    land 

:d 

The 

} 

m 

:s 

:s 

11       : 

S 

:m 

|r       :- 

:r 

, 

em    - 

e 

raid 

gem 

of 

the 

sea, 

My 

I 

beau 

:  s 

-  ti      - 

:  s 

ful, 

Is        : 

beau  - 

1 

ti     - 

:s 
fui 

I  s       :m 

Ire    -    land, 

:d 

Oh! 

} 

f     :n 

would,  would 

:r 

that 

|r       : 

Ire    - 

d 

land 

:  *i 

was 

Is,       :- 

free. 

| 

CHORUS. 

I"1 

1  Beau 

:r 

-  ti     - 

:d 

fui, 

Id       : 

beau  - 

1. 

ti      - 

:d 

ful 

Id        :1, 

Ire    -     land, 

My 

\ 

il 


329 

:d        |d       :1,  ;d  |r        :- 

beats     on     -     ly  for          thee, 

m        :r        :d        |d       :1,  :d  |d       :r        :m 

Beau  -  ti     -     ful,         beau  -  ti  -     ful  Ire    -    land,      Oh ! 

f        :m       :r       |r       :d  :  1,  |  s,      :- 

will,       will      it           ev     -     er  be  free  ? 


2.  Ah,  where  is  the  land  can  compare  her  ? 

Oh  !  show  me  her  lakes  or  her  strands, 
You  may  travel  the  world  thro'  and  show  me 

A  more  beauteous  and  lovelier  land. 
Oh  !  dearest  to  me  is  my  sireland 

The  emerald  gem  of  the  sea ; 
I'll  cling  to  my  home  in  old  Ireland, 

Oh  !  would,  would  that  Ireland  was  froc  ! 


CHORUS. 


3.  They  say  that  they're  going  to  free  her 

Although  her  heart  it  lies  low, 
Ah,  see  how  her  enemies  greet  her, 

Run  down  and  oppressed  by  her  foe. 
My  beautiful,  beautiful  Ireland, 

My  heart  it  beats  only  for  thee, 
I'll  cling  to  my  home  in  old  Ireland, 

And  wish  and  pray  Ireland  were  free  ! 


CHORUS. 


I  link  this  song  with  the  pretty,  pleasant  air  above,  which  is  well-known. 
It  will  be  found  to  be  a  very  nice  school  song. 


KEY  D.  Lively. 


330 


AN  OLD  IRISH  JIG. 

Air  :  "  Drops  of  Brandy." 


f  :    .s 

s       : 

s      : 

in      |  in 

:d 

;  [I] 

ii-i 

:d 

:  in      > 

<        My 

bless  - 

ing 

be         on        you,      old      15 

-    rin, 

My    > 

< 
* 

S 

:  s 

:m 

> 

:d 

:m 

If 

:- 

r         \ 

own 

land 

of 

fro    - 

lie 

and 

fun, 

For      } 

{ 

mf  s      j  _ 
all  sorts 

of 

mirth 

d 

and 

:m 

di    - 

In 

ver    - 

:d 

sion 

in       ) 

Your  > 

flf 

(  |  like 

:m 

is 

:f 

not 

|r 

un 

:  in  -in  |  f        :  - 

der  the  sun 

in  .r  i 

Bo-    > 

CHORUS  :  —  Then  a 

x 

d 

he     - 

mia 

:  s 

may 

Id'      : 

boast 

8 
of 

her 

Id1 

pol     - 

:s 

ka, 

HI         ) 
And    > 

fig 

for 

your 

new   - 

fash  - 

ioned 

wait  - 

zes, 

Ira- 

( 

d 

:in 

:s 

Id1       : 

S 

:m 

If 

.  _ 

r       > 

} 

Spain 

of 

her 

wait  - 

zes 

talk 

big, 

Och,    f 

port 

-  ed 

from 

Spain 

and 

from 

France, 

And  a 

I 

d 

sure 

:m 

they 

:  s 

are 

no     - 

•  s 

thing 

:m 

but 

limp  - 

:s 

ing 

'  '^          ) 

Com-    V 

fig 

for 

the 

thing 

called    the 

pol    - 

ka, 

Our 

f 

f 

:m 

:f 

|r 

§  — 

:m  .in 

If 

•  — 

:'-l 

( 

pared 

to 

an 

old 

Irish 

jig. 

I 

own 

I  - 

rish 

jig 

we  will 

dance. 

331 

2.  I've  heard  how  the  jig  came  in  fashion, 

And  believe  that  the  story  is  true, 
By  Adam  and  Eve  'twas  invented, 

The  reason  was — partners  were  fo\v. 
And  though  they  could  both  dance  the  polka, 

Eve  thought  that  it  was  not  quite  chaste, 
Sho  preferred  our  old  jig  to  bo  dancing, 

And  faith  I  approve  of  her  taste. 

CHORUS. 

3.  The  light-hearted  daughters  of  Erin, 

Like  the  wild  mountain  deer,  they  can  bound, 
Their  feet  never  touch  the  Green  Island 

But  music  is  struck  from  the  ground. 
And  oft  in  the  glens  and  green  meadows, 
The  old  jig  they  dance  with  such  grace, 
That  even  the  daisies  they  tread  on, 

Look  up  with  delight  in  their  face. 

CHORUS. 

4.  An  old  Irish  jig,  too,  was  danced  by 

Kings  and  by  great  men  of  yore, — • 
King  O'Toole,  himself,  could  well  foot  it 

To  a  tune  they  call  Rory  O'More. 
And  oft  in  the  great  hall  of  Tara, 

Our  famous  King  Brian  Boru, 
Danced  an  old  Irish  jig  with  his  nobles, 

And  played  his  own  harp  to  them,  too. 

CHORUS. 

JAMES   McKcowN. 

This  air  and  the  song  are  as  light-hearted  as  the  daughters  of  Erin. 
It  will  be  heard  at  many  a  concert  and  fireside.  The  "  Kerry  dances  " 
won't  be  in  it  with  it.  I  hope  that  between  them  they'll  give  a  bad  time 
to  the  polkas  ! 


KEY  F.  Lively. 


332 
FAR  AWAY. 

Air  :  "  Up  the  Heathery  Mountain.'* 


:r      r    :-    :  r    1  r    :  d    :  r 

f    :-    :-    |f    :-    :s    ) 

ig     riv           -           er             The  > 

d     :-     :-     |-     :-     :d     > 

blow;                                        The  > 

f     :-     :r     |f     :-     :s     > 

A  -     long            the       wind    -    ir 

1     :-     :s     |f     :-     :r 

win       -       try       tern      -      pests 

r     :-     :r     |r     :d     :r 

sere            leaves  glance          and 

1     :-     :s     |f     :-     :r 

in                  the      wave          be  - 

1     :-     :r'     |  r1    :-     :d' 

sun                 is        red       -        ly 

quiv                        er               With-  ) 

r     :-     :-     |-     :-     :^> 

low  ;                                             The  > 

sink         -         ing                 Be-  ) 

s     :-     :1     |f     :-     :r      d     :- 

yond  the     moun    -    tains     grey, 


(I 


:r 

And 


r 

am 


r 

er 


f     :- 


think- 


If     :- 

ing 


1     s-     :s     |f     :- 

her  that's  far 


r     : 

way. 


333 

2.  Her  eyes  are  like  the  violets 

In   some   green   summer   dell ; 
The  rose  of  Lene's  bright  islets 

Her  lips  can  ne'er  excel — • 
That  wild  lake  of  the  mountain, 

Its  depth  no  man  can  say ; 
My  love's  as  deep  a  fountain 

For  her  that's  far  away. 


Oh  !  were  I  like  the  Earls 

That  reigned  o'er  Desmond's  towers, 
Her  hair  should  shine  with  pearls 

Instead  of  fading  flowers, 
And  robes  of  queenly  splendour 

Her  fair  form  should  array, 
My  love's  so  true  and  tender 

"For  her  that's  far  away. 


4.  Oh  !  would  you  see  her  golden 

Bright  looks    and  form  so  fine, 
You'd  think  some  goddess  olden 

Had  witched  those  eyes  of  thine  ; 
And  while  the  sun  is  sinking, 

I'm  spell-bound  day  by  day, 
For  oh  !  I'm  ever  thinking 

Of  her  that's  far  away. 


HUBERT  DVVYER  JOYCE,  M.D. 


334 


KEY  C. 


O'NEILL'S  VOW.* 

Air  :  "  The  Boyne  Water." 


:  r 

How 

f 

cir      • 

1 

first 

f 

plight 

still 

1 
per 

d1 

Sax     - 
hand 

1       : 

man  - 

:  m  .r 

1   .,t   |l 

year,    in 

:f  .m 

S 
fleet 

r         : 

black 

s  .f    : 

:m       |d 

ca     -    reer, 
ened  strand, 

m  .r    |  d 

:  r  .ni  ) 

Has    f 

:s        , 

Since    ) 

:  r  .n    ) 

y      a 
|1    .S 

cled 

;1   .t 

that 

:  m  .r 

o'er 

Id' 

VOW, 

|1   .s 

its 

rta.l 

for  - 

:f  .m 

got    - 
na 

r1        : 

those 

r1        : 

hour 

s    .f   : 

ten          now, 

r        |p 

tive         land  ? 

-  .d1  1  1 

dark  times 

-  .d1  |1 

by     hour, 

s  .m    |  d 

Was    \ 

s     \ 

And      \ 

:  s         > 

Are        J 

*      \ 

And      > 

r  .m    > 

-  ed 

:  1  .d1 

to           our 

I  r1        :  -  .m1 

crimes          of 

|  r1  .d1  :  r1  .m1 

the 

:  1  .r1 

•      pe 
on 

'  PI  .r 

-     tra 

fraud, 
|  1    .S 

-     ted 

:1 

by 

:f   .m 

God 

r         : 

Sax     - 

un    -    awed, 

r         |r 

on          power  ! 

Goes       ( 

I 

in 

hand 

with 

*  "  Quamdiu  vita  adcrit,  ipsos  impugnabimus  pro  nostri  juris  defen- 
sione." — Letter  of  Domknal  O'Neill  to  Pope  John  XXII.  (ob.  1334).  "  So 
long  as  we  shall  live,  we  will  fight  them  in  defence  of  our  rights." 


335 

2.  This  lesson  stern  thoifst  loft  to  learn, 

Oft  baffled,  but  unyielding  King, 
45  In  peace  or  strife,  in  death  or  life, 

The  Saxon  bears  a  poison'd  sting. 
Then  weal  or  woe,  strike  home  the  blow, 

And  shun  at  least  the  coward's  fate, 
And  far  on  high  your  destiny 

Shall  rank  with  stars  of  loftiest  state. 


3.  Domhnal  O'Neill  swears  on  his  steel 

While  throbs  one  pulse,  or  heaves  one  breath, 
To  meet  thy  hand  with  whetted  brand, 

Invading  brigand    to  the  death. 
Nor  length  of  years,  nor  blood,  nor  tears, 

Defeat, .  disaster,  nor  distress, 
Shall  mar  the  word,  pledged  on  the  sword 

He  clutches  for  the  merciless." 

MICHAEL  DOHENY. 


This,  and  another  song  of  Doheny's.  "  A  Cuishlo  Gal  Machroe,"  stamp 
him  as  a  first-class  song-writer.  The  author  of  The  Felon's  Track  got 
his  poetic  inspiration,  not  in  well-furnished  drawing-rooms,  b»t  amidst 
Glengariff's  wild  and  splendid  mountain  scenery,  where  he  was  "  on  his 
keep,"  after  the  failure  of  the  Rebellion  in  1848. 


335 


ASTHORE    MACHREE. 

KEY  Q.  Pretty  quick.  Air:  "  bjxuAc  HA  CA|\]AAije  b^ine." 


{":. 


1 1    :  -    :  1 ,    |  d-r  :  -    :  m 

sthore        Ma  -  chree  !       when 


r     :t,    :1,    |s,    :  1,    :  t, 

you're  far    a   -   way  From  the 


I 


d     :t,    :1,    |s,    :n,    :s. 


fid     :t,    :1, 

( I  home  that  you'll 

II 


be 


leav 


man  -  y 


time,       thro1  the 


night  and    the     day,  That    your 


i    :-     sii    ) 

ing  ;  'Tis  j 


s 


:  t 


d     :  t|    :  1|    |  S|    :  ni|    :  s( 

heart  will   be          sore     -       ly 

1,    :-     :t,    |d     :r     :m 

stran    -      ger's   land   may  be 


II 


(11,    :1,    :.Mj 

( I  rich    in         its 


f     :-     :f 

pine,  I 


griev      -        -  mg. 
rr\ 

s     :1     :-  |1, 

bright  and  fair, 


The 


And) 


:  r     :  in 


trea    -    sures 
I       :  PI       :  PI 


1     :-     :-     |s     :-     :!.!> 

gold        -  en ;      But  you'll} 


r     ;t,    :1,    I  s, 

know,  for      the  |     long  a     -     go 


,     And    the  > 


d     :  t|     :  1|     |  8|     :  Pi|     :  S| 

love    that    was        ne       -     ver 


1,    :-     :-     |1, 

old         -         -        en. 


2.  Asthore  Machree  !  in  the  stranger's  land 
There  is  plenty  of  wealth  and  wailing ; 
Where  gems  adorn  the  great  and  grand, 
There  are  faces  with  hunger  paling. 


837 

When  the  road  is  toilsome  and  hard  to  tread, 
When  the  lights  of  their  cities  blind  you  ; 

O,  turn,  Asthore,  to  the  East'rn  shore, 
And  the  ones  that  you  leave  behind  you. 


3.  Asthore  Machree  !  when  the  evening  mist 

O'er  mountain  and  sea  is  falling ; 
Then  turn  away  from  the  throng,  and  list, 

And  maybe  you'll  hear  me  calling — 
For  the  sound  of  a  voice  that  I'll  sorely  miss, 

For  somebody's  quick  returning  ; 
Aroon,  aroon,  O,  come  back  soon, 

To  the  love  that  is  always  burning. 

BRIAN  O'HIGGINS. 


This  song  is  taken,  by  permission,  from  The  Voice  of  Banba.  I 
hope  it  will  turn  many  an  intending  emigrant  from  his  or  her  purpose  of 
quitting  their  native  land.  The  version  of  the  air  is  the  traditional  one 
sent  to  me  by  Annie  O'Reilly,  Professor  of  Traditional  Singing  at  Ballin- 
geary  Irish  College. 


338 
OH,   COME  WITH  ME   MY  IRISH  GIRL. 

KEY  A.  Sweetly. 


:      .s,    d       :-  .r   |m       :s 

Oh,     come          with  me,       mj 

s,        :l,.,t,|d          :d 

ta,     :-  .d   |s,.f 

i  :  NI  -f  i  I 

r           I      -     -      rish,  girl 

d       :-        1 

sea; 

s        :-  .m    |f 

bright     -      est    pearl 

s,        :-        1 
s         :  s  .m    |  f 

To      f 

For        > 
IB    .f    ) 

1  climes       be    -     yond 

In        :d         |m         : 

1  oh,          thou        art 

I1"      :r       Id  j-1,  i 

\  my         heart's       trea    - 

m        :d         |m 

may        re      -       gret 

Im        :r         |d  .,t,   : 

the 

f 

the 

S,   .f, 

su    - 

f 

my 

s,  .f, 

In        J 

:  d  .r  > 
:s.f    > 

na       -     tive         isle, 

s,        :-        1 

riven  ; 

ta,       :d   .,t|  |  s,  .f| 

And      > 

ties        as              yet 

d        :-  .r    1m         : 

oh,               wher  -  e'er 

s,        :  1,  .,t,  |  d 

be             my         home, 

un     - 
thy 

d 

my 

But    f 

:i»i,  .f,  > 

gra      -      oes        smile 

d         :-        1 

heaven. 

Shall    > 

2.  And  thou  wilt  soothe  me  with  thy  sighs, 

Should  sickness  cloud  my  brow  ; 
And  bless  me  with  those  angel  eyes, 

Should  fate  my  spirit  bow. 
And  I  will  cling  till  death  to  thee, 

In  weal,  or  woe,  or  peril, 
And  bless  my  lot,  whate'er  it  be, 
With  my  sweet  Irish  girl. 

ANONYMOUS. 

The  above  is  a  beautiful  and  sweet  air.  Singers  will  notice  what  a 
peculiarly  tender  effect  the  prolonged  and  accented  note  ta  lends  to  the 
•first  strain  of  the  music. 


339 


THE  SWEET  WORDS  SAID  TO   ME, 

(For  air  see  previous  song,  page  338.) 

1.  Sing  on,  O  darling  little  bird 

Upon   that  shining  spray ; 
My  heart  is  singing  since  I  heard 

Some  sweet,  fond  words  to-day. 
Sing  gaily  on,  O  best  of  birds  1 

Your  glad  notes  seem  to  be 
The  music  of  the  happy  words 

That  late  were  said  to  me. 


2.  Bloom   on  beneath   the  summer  skies, 

O  bright  and  fragrant  flower  ! 
Lit  by  the  light  of  radiant  eyes, 

So  blooms  my  heart  this  hour. 
Sweet  are  the  perfumed  airs  that  rise 

From  off  your  blossomed  tree — 
As  sweet  the  breath  that  spoke  in  sighs 

The  fond  words  said  to  me. 


3.  O  darling  bird,  the  winter  hoar 

Will  hush  your  merry  tune  ; 
O  blooming  leaves  and  fragrant  core, 

You'll  fade  and  drop  too  soon. 
But  joy  is  mine  for  evermore — 

A  life  from  sorrow  free  ; 
For  I  shall  hear  them  o'er  and  o'er — 

The  sweet  words  said  to  me. 

T.  D.  SULLIVAN. 


340 


KEY  G.  Lively. 


KITTY   NEIL. 

Air  :  "  Tatther  Jack  Walsh." 


("Ah, 


I! 


m    :  r    :  m    |  d :_m    :  d 

sweet  Kit  -  ty       Neil,         rise 


t,   :  s,   :  1,   |  ta,  :-    :jd.d> 

up      from  that  wheel  —  Your) 


:  s, 


neat  lit   -   tie      foot   will     be 


m     :  r     :  PI     |  d     :  n     :  d 

trip    down  with  me       to        the 


s,    :d     :d  ,  jms 

wear  -  y       with  spinning  ;     Come) 

t,     :s,    :1,     |  ta,  ;-     :d.d 

syc  -  a   -   more  tree,       Half  the 


U 
il 


II 


:s,    |f,    :m,    : 


s,    :d     :d     |d     :d 


) 


dance  is       be  -  gin  -  ning.||  The) 


:m     :  s 


s 


full    har  -  vest    moon         Shines} 


-  ish    is        there  and     the 


d     :  m     :  s     |  s     :  m     :  d 

sun     is         gone  down,  but    the 

f     :f     :f     |m     :r     :d 

sweet-ly      and     cool     in      the 

PI     :  r     :  m     |  d     :  m     :  d 

all       the    air       rings  with   the 


lit  -  tie       bird    sings  in       the 


2.  With  a  blush  and  a  smile,  Kitty  rose  up  the  while, 

Her  eye  in  the  glass,  as  she  bound  her  hair,  glancing ; 
'Tis  hard  to  refuse  when  a  young  lover  sues — 
So  she  couldn't  but  choose  to  go  <*ff  to  the  dancing. 


t«.  :d 

dew  -  whi 

:r     |  rm  :-     :f     > 

-  toned  valley  ;  While  > 

t, 

soft 

lov 

:  1| 
-  ing 

|ta,  :- 

things, 

:d     j 

Each) 

S,     :d 

gi'een  sha 

:d 

-  ded 

Id 

al  - 

:d 

ley." 

341 

And  now  on  the  green,  the  glad  groups  are  seen — 
Each  gay-hearted  lad  with  the  lass  of  his  choosing, 

And  Pat,  without  fail,  leads  out  sweet  Kitty  Neil — 
Somehow  when  he  asked,  she  ne'er  thought  of  refusing. 

3.  Now  Felix  Magee  puts  his  pipes  to  his  knee, 

And  with  flourish  so  free  sets  each  couple  in  motion ; 
With  a  cheer  and  a  bound  the  lads  patter  the  ground — 

The  maids  move  around  just  like  swans  on  the  ocean. 
Cheeks  bright  as  the  rose — feet  light  as  the  doe's, 

Now  coyly  retiring,  now  boldly  advancing — 
Search  the  world  around,  from  the  sky  to  the  ground, 

No  such  sight  can  be  found  as  an  Irish  lass  dancing  ! 

4.  Sweet  Kate  !  who  could  view  your  bright  eyes  of  deep  blue 

Beaming  humidly  through  their  daik  lashes  as  mildly, — 
Your  fair-turned  arm,  heaving  breast,  rounded  form, 

Nor  feel  his  heart  warm,  and  his  pulse  throb  wildly  ? 
Young  Pat  feels  his  heart,  as  he  gazes,  depart, 

Subdued  by  the  smart  of  such  painful  yet  sweet  love  ; 
The  sight  leaves  his  eye,"  as  he  cries  with  a  sigh, 

"  Dance  light,  for  my  heart  it  lies  under  your  feet,  love." 

JOHN  F.  WALLER,  LL.D^ 

This  bright  song  and  air  should  soon  become  favourites.  The  air  is  a 
traditional  version,  taken  down  from  the  singing  of  Danny  Warren  of 
Toames,  near  Macioom.  In  the  second  and  sixth  lines  of  music  there  is  a 
grace  note,  on  which  should  be  sung  quickly  the  first  syllable  of  the  word 
underneath. 


342 


THE   LITTLE   RED   FOX. 


KEY  Ep.  Lively. 


:  s  .,m 

d        : 

PI         1  8 

:s  .,s    s  .] 

[    :  s  .m   |  s 

:  s  .s 

) 

The 

Little 

Red        Fox       is      a  |  raid 

-     er        sly, 

In  the 

f 

d 

:  m 

Is         : 

n 

r        : 

Id 

:  s  .,s 

v 

mis     - 

ty 

moon   - 

light 

creep 

-    ing  ; 

With  a 

1 

d1  .d1 

mor-se] 

:d'  .d1  |t         : 

to    his    taste 

-   .1 

he 

s   .1    : 

hurries 

s  .m   |  r 

off  in      haste, 

:d  .1,  , 

While  thej- 

d   .r 

:ro  .d 

|r         : 

sound  - 

I 

d        : 

sleep 

Id 

•     ing. 

|l  "  A" 

I 

farm  - 

yard's 

CHORUS 

:—  Oh  ! 

d   .r 

:m  .f 

Is        : 

S 

s   .1    : 

s  .m    |  s 

;  |l)     tY 

} 

duck," 

says 

he, 

"  has 

charms 

for         me, 

Like  - 

) 

Lit-tle 

Red 

Fox, 

Red       Fox, 

Red       Fox, 

Oh! 

d   .r 

:m   .f 

Is        : 

young 

ni  .d 

r         : 

crow 

Id 

ing  ; 

:s   .,s 

But  a 

} 

wise 

a 

cock 

Lit-tle 

Red 

Fox, 

none       bold 

er, 

Lit  tie 

id' 

|  fine 

:d'  .1 

It        : 

goose 

is 

s  .1    : 

most 

s  .m    |r 

:d   .1, 

To    a 

I 

fat 

of          use, 

Red 

Fox, 

creep    - 

ing         through 

the       rocks, 

With  a 

d  .r 

:m  .d 

|r         : 

-  .r 

d        : 

Id 

1 

fa  -mi 

-  ly 

young 

and 

grow 

ing." 

! 

fat 

goose 

o'er 

his      should 

er. 

343 

2.  The  Little  Red  Fox  is  a  family  rnan, 

By  his  own  fireside  reposing, 

Till  the  cry  of  the  hound  shows  his  lair  is  found — 
There's  no  time  left  for  dozing. 
I'm  off,"  says  he,  "  don't  wait  for  me, 
There's  a  long,  long  road  before  me, 
But  home  I'll  be  in  time  for  tea, 
When  I  put  this  trial  o'er  me.'' 

CHORUS — 
Oh  !  Little  Bed  Fox,  Red  Fox,  Red  For, 

Oh  !  Little  Red  Fox,  low  keeping ; 
Little  Red  Fox,  stealing  through  the  rocks, 

And  the  tips  of  his  two  ears  peeping. 

3.  The  Little  Red  Fox  is  a  hero  bold, 

And  he  rates  his  foes  but  meanly, 
With  a  turn,  twist  and  wind,  they're  left  far  behind, 

And  he  rests  on  the  hill  serenely. 
"  I  like,"  says  he,  "  the  breeze  from  the  sea, 

And  the  view  up  here  is  glorious," 
And  sweet  from  below  comes  the  merry  "  Tally-ho," 

And  the  hounds'  melodious  chorus. 

•  CHORUS  — 
Oh  !  Little  Red  Fox,  Red  Fox,  Red  Fox, 

Oh  !  Little  Red  Fox,  swift  leaping ; 
Little  Red  Fox  flying  o'er  the  rocks, 

And  his  brush  through  the  keen  air  sweeping. 

4.  The  Little  Red  Fox  is  a  gallant  knight, 

"When  the  hour  of  stress  has  found  him, 
He  crouches  at  the  feet  of  the  beauty  of  the  meet, 

While  yelping  foes  surround  him. 
"  Fair  maid,"  says  he,  "  were  it  not  for  thee, 

Some  sport  I'd  show  them  daily, 
But  my  brush  I  yield  to  the  fairest  of  the  field, 
And  I  die  at  hor  dear  feet  gaily." 

CHORUS — 
Oh  !  Little  Red  Fox,  Red  Fox,  Red  Fox, 

Oh  !   Little  Red  Fox,  low  lying; 
Little  Red  Fox  taken  'mong  the  rocks, 
For  the  love  of  two  bright  eyes  dying. 

F.  A.  FAUY, 


BOOCHALEEN  BAWN. 


KEY  C. 


:d 

And 


m    :  -,m :  d    |  s    :  s    :  f 

where  are  you  go  -  ing    ma 


m    :-. 


|d    :-    :d.d> 

voo   -  cha-leen   vawn.       From) 


fa 


.r  :  r 


ther  and    mo   -  ther  so 


ear     -    ly  at       dawn  ? 


:_s  .s ) 

Och  !) 


d1     :-.d': 


d1     :t 


ra    -    ther  run    i    -    die     from 


Q       •  -  f • m       If       •  •  G       \ 

b  •        »1    .  I'l  |    1  .  ~  .    S  ) 

ev'  -  ning  till      morn  Than  > 


dark  -  en  their     thres-hold  ma 


ni     :  -.r  :  r     |  r     :  - 

v  oo   -   cha  -  leen  vawn  ! 


2.  For  there  they  would  tell  you,  ma  voochaleen  vaipn, 

That  the  mother  whose  milk  to  your  heart  you  have  drawn, 
And  the  father  who  prays  for  you,  evening  and  dawn, 
Can  never  be  heard  for  you,  boochaleen  bawn. 

3.  That  the  faith  we  have  bled  for,  from  father  to  son, 
Since  first  by  a  lie  our  fair  valleys  were  won, 

And  which  oft  in  the  desert,  our  knees  to  the  sod, 
We  kept  from  them  all,  for  our  sons  and  our  God. 

4.  That  this  was  idolatry,  heartless  and  cold, 

And  now  grown  more  heartless  because  it  is  old  ; 
And  for  something  that's  newer  they'd  ask  you  to  pawn 
The  creed  of  your  fathers,  ma  voochaleen  vawn  I 

5.  And  now  will  you  go  to  them,  boochaleen  bawn, 
From  father  and  mother,  so  early  at  dawn  ? 

Och  !  the  cloud  from  your  mind  let  it  never  be  drawn, 
But  cross  not  their  threshold,  ma  voochaleen  vawn  I 


JOHN  BANIM. 


345 
OVER  THE  MORNING  DEW. 

KEY  G.  Pleasantly.          Air:  "1f  cjuiAg  gan  peACArn 


:      .,s 

m    .d     :d    .r 

m    .f      : 

BIM 
•  )l  1 

1     .f 

:  s 

.m 

it 

is    the    sweet-est 

hour  for  love  :  The 

sun  is 

o'er 

the 

f     .1 

:  s     .,f     in     .d      :  d 

r 

m 

.f 

:s 

,m 

eas  -tern  grove,  And;  nought  is    heard 

but 

coo    of 

dove 

And 

CHORUS. 

1       .f 

:  s     .m 

f 

:s 

Id 

:t,     - 

B| 

wild  streams  in     the 

green 

-     wood 

;      l|0 

- 

ver 

the 

i,  .f, 

:f, 

s,    .d      :  d     .r 

m 

.f 

:  s     . 

,m 

morn-ing 

dew, 

0 

ver 

the 

morn-ing 

dew, 

d     .d 

:t,    .s, 

1.    -f,     :fi 

•>1| 

B| 

•1, 

•  *i 

S| 

Come  with  me  young 

Grra  Ma  -  chree,  Un- 

to 

the 

leaf  - 

y 

d 

:  d     .,|| 

green    - 

wood.  l| 

2.  With  flowers  that  bloom  so  sweetly  there 
I'll  deck  thy  dress  and  golden  hair, 

And  thou  hast  never  looked  so  fair, 
As  there  in  that  wild  greenwood. 

CHORUS. 

3.  There  rears  the  Rath  its  lonely  height, 
Where  fairies  dance  at  noon  of  night, 
And  there  my  faith  I'll  fondly  plight, 

To  thee  in  that  wild  greenwood. 


4.  Oh  !  fear  not  here  to  stay  with  mo  ; 
You  know  me  from  your  infancy; 
I'll  ask  but  look  of  love  from  thee, 
And  fond  word  in  the  greenwood. 


CHORUS. 


CHORUS. 


ROBERT  DWYER  JOYCE,  M.D 


346 
A    MOTHER'S    LAMENT. 


KEY  G.   With 

feeling. 

Air  :  '  '  C  A 

tin  65  A  fcop 

»» 

\  :  S| 

PI     : 

- 

:  PI  .PI 

In     :• 

:  r  .m 

f     :- 

:n     |r     : 

- 

(    A       voo 

-     dial  Ma-chree, 

on  the 

moun 

-     tain    side, 

<:s,.s 

r     : 

- 

:r.r 

|r     :d 

:r 

PI     :f 

:PI     |r     : 

_ 

(You  arc 

iy 

• 

ing  to 

-  night    — 

-    but 

not 

a    -    lone, 

(IS, 

PI     : 

f 

:  s 

Is     :- 

:  m.d 

U  |          I  ~~ 

:1.    Hi    : 

- 

(     For 

round 

you    are 

gathered 

the 

men 

who    died, 

f:t,.d 

s,    : 

— 

:d 

|d     :r 

:n 

r     :d 

:r     |d     : 

_ 

(  And 

left 

us 

lone  -  Iy, 

o  - 

66ti, 

o    -    ton. 

2.  Your  father  fell  at  our  cabin  door, 

I  fled  in  fear  from  the  brutal  Yeos  ; 
And  you  were  gone  with  the  rest,  Asthoro, 
Where  Eire  called  you  to  meet  her  foes. 

3.  And  you  fought — they  told  me — as  heroes  fight, 

Who  feel  and  know  that  their  Cause  is  just; 
And  many  a  Sasanach  pale  with  fright, 
You  paid  full  well  for  his  greed  and  lust. 

4.  Sleep  well,  you're  weary,  avoorneen  O, 

Your  young  heart's  blood  has  not  flowed  in  vain  ; 
The  high  and  haughty  shall  yet  be  low, 
The  land  you  loved  shall  be  free  again. 

6.  A  voochal  Machree  when  I  hear  them  tell, 

Of  Yeomen  routed  and  battles  won, 
When  tears  are  shed  for  the  ones  who  fell. 
'Tis  I  will  be  proud  of  my  noble  son. 


BRIAN  O'HIGOINS, 


347 
LET  ERIN   REMEMBER. 


KEY  F.     Martially. 
ml 


l'»l 

(    Let 

d       :  d  .,r  |  m       :  m  ,,f  [  s        ;  s 

E    -     rin    re  -  mem  -  ber  the]  days      of 

If 

old 

:«.,f  ) 

Ere  her) 

(I" 

<  \  faith 

:-  .1    |m         :d 

less  sons         be     - 

r        :- 

trayed 

Id 

her, 

When  > 

(Id 

:d  .r    |m        :m  .f 

s    .s    :  s 

If 

:m  .f  ) 

1|Ma    - 

la  -  chy  wore        the 

col  -lar   of 

gold, 

Which  he  > 

(|S 

:s  .1     |PI         :d 

r        :- 

Id 

:s  .s    * 

(  I  won 

from  the  proud       in    - 

va 

der  ; 

When  her  ) 

dim. 

cjd| 

(  |  kings 

:d'        |t         :1   .s 

with      stan   -    dard  of 

1         :s  .m 

Is 

furl'd 

:m  .r    j 

Led  the  ) 

green        un    - 

/Id 

:r  .m   |r        :d 

d         :- 

Id 

:  s  ,s    ) 

(  |  Red      Branch     Knights  to 

dan 

Ere  the  ) 

dim. 

x—« 

P 

(Id1 

:d'        |t        :1  -s 

1         :s  .PI 

Is 

:m  .r    ^ 

(  |  em'     - 

raid        gem         of    the 

west     -    ern 

world 

Was      ) 

jld 

:  r  .m    |  r        :  d  .m 

r         :- 

id 

M 

(  1  set 

in  the     crown    of    a 

stran 

ger. 

II 

2.  On  Lough  Neagii's  banks,  as  the  fisherman  strays, 

When  the  clear  cold  eve's  declining, 
He  sees  the  round  towers  of  other  days 

In  the  wave  beneath  him  shining. 
Thus  shall  memory  often  in  dreams  sublime 

Catch  a  glimpse  of  the  days  that  are  over; 
And,  sighing,  look  through  the  waves  of  time 
For  the  long-faded  glories  they  cover. 

THOMAS  MOORE. 

I  remarked  in  a  note  elsewhere  that  this  fine  air  is  one  of  three  which 
may  justly  claim  to  b  3  selected  as  our  Irish  National  Anthem.  It  has 
a  grand,  noble,  martial  swing  about  it. 


348 


"FOR  GOD  AND  IRELAND." 

KEY  C.     With  spirit.  Air  :  "  The  Boyne 


( 

:  r 

1 

:  1    t 

Id' 

:  1 

s        :m 

Id 

1 

( 

For 

thee 

we 

stand 

,   o 

Na    -    tive 

Land, 

< 

:  r  .m 

f 

:  in  .r 

|  1    .S 

•  f      m 

r        :-  .d 

111 

i 

To 

thee 

we 

pledge 

de  - 

vo 

tion  : 

j 

:  s 

1 

:1  .,t 

Id1 

:ta.l 

s  .f    :  in  .r 

Id 

( 

Our 

love 

for 

thee 

will 

ev       -    er 

be 

J 

:  r  .in 

f 

:  in  .r 

|1  ,s 

:  f  .in 

r        :  - 

Ir 

I 

As 

bound 

-  less 

as 

the 

0 

cean; 

I 

:  s 

For 

1 
a 

:1  .d' 

past, 

with 

r1        :  -  .d1 

voi         -       ces 

11 

massed, 

ges 

CHORUS.  — 

Then,      for      - 

ward 

!     for 

the      hour              is 

come 

i 

:  s 

Have 

1 
po       - 

1    r1 

|  r1  .d1 

hymned 

:  r1  .m1 

thy 

r'       :  -  ,d' 

U      i 

ry        J 

ets 

sto 

To           free 

our 

fet       - 

tered       sire 

land  ; 

I 

:  t 

But 

d1 

sol    - 

diers 

id' 

now, 

up     - 

s  ,f   :  s  .in 

Id      ) 

brow   ) 

on           thy 

To          can 

non 

boom 

and           roll           of 

drum 

| 

:  r  .m 

f 

in  .r 

|  1    .3 

f  .in     |r        :- 

Ir 

1 

Shall 

poise 

a 

crown 

of          Iglo 

ry. 

We'll        strike  ! 

For 

God 

and        Ire 

land  ! 

349 

2.  What  matter  if  the  foe  be  st.rong, 

Our  country  we'll  defend,  boys, 
What  matter  if  the  road  be  long 

We'll  tread  it  to  the  end  boys  ! 
The  star  of  Hope  illumes  the  way 

Our  fathers  trod  before  us  : 
God  send  the  sun  of  Freedom's  Day 

To  flame  in  splendour  o'er  us. 

CHORUS. 


3.  Lo  !  yonder  leap  the  beacon  fires 

That  guide  us  from  the  valley ; 
Around  us  throng  our  martyred  if 

To  hearten  and  to  rally. 
Draw  blade  !  for  God  and  Ireland  now  ! 

Strike  home  !  for  all  we  treasure  ! 
And  if  the  foeman  drink,  we  vow 

To  give  him  brimming  measure. 


CHORUS. 
P.  KEHOE. 


This  song  was  specially  written  for  this  series  and  to  this  fine  rousing 
air  by  the  author  of  "  Ireland  over  All,"  see  page  218.  The  present  song 
enhances  still  further  the  writer's  reputation  as  a  song-writer. 


350 


THE  GREEN  FLAG. 

KEY  A.  Spiritedly.  Air  :  "  Vive  La." 


The 


m, 


raised,  and 


d      ,,r       :  d 

neath   its        fold 


.s,      > 

The     ) 


nil    .s,     :s,    ,m 

flash  -  ing      hue    of 


PI 


.8       IS       .1 


green  and    gold-,  So     j  as        our    fa  -  thers 


.,r     :m     ., 

stood  we'll  stand  For 


in     .s      :r     .in 

by     that    ban  -  ner 


.d 


.f 


in     .r      :d    .' r    > 


Y 

thee    our      own  dear    mo  -  ther  -  land.  ||  Stand) 


d     ,,r     :m     .d      I  in     .s      :r     .in 


* 


f  ,m  .r  ,d  :  s    .d  ,r 

in     .s      :  r     .m 

while  a         tat  -  ter 

in     .r      :d     .| 

I    -   rish   skies.  II 

rope  and  steel,  Stand 

s     .d      :1,    .f 

neath   the  light  of 

true  and    leal,  'Gainst  fraud  and  force  'Gainst) 


.,r     :m     .,      £ 

proudly       flies     Be-  ) 


CHORUS : — 


.W, 

The 


.S, 


:  s 


,1. 


raised      and 


:d 


'neath  its        fold      The     > 


m     .s 


.in 


flash  -  ing    hue     of 


d     .,r     :m     .,f 

stood  we'll  stand  For 


jUL'Ejd  •  ^i    >mi 

green  and     gold  ;  So 


in 


.s,     :s,    .1 


as     our      fa-thers 


s     .d      :  d     ,,f      in     .r      :  d     .1 

thee  our     own    dear  jmo  -  ther  -  land.) 


351 

2.  Wo  raised  it  up — no  foot  shall  back 
A  step  upon  the  forward  track, 

For  'tis  not  in  the  days  of  wrath, 

When  woe  and  darkness  haunt  our  path — 

It  is  not  when  the  gallows  tree 

Is  decked  with  fruits  of  liberty — 

That  we  should  bend  the  knee  or  pull 

Thee  down,  our  banner  beautiful. 

CHORUS. 

3.  Blessings  upon  thee  shining  there, 
The  storm  is  louring  in  the  air, 
And  faithful  hearts  are  underneath 

To  face  the  brunt  unto  the  death. 
No  faces  pale  with  coward  fear 
Because  the  treacherous  foe  is  near, 
No  hearts  quail  at  the  tempest  strong, 
We've  borne  its  deadly  brunt  too  long. 

CHORUS. 


4.  But  now,  thank  God,  from  sea  to  sea, 
United  in  our  strength  are  we — 
From  West  to  East,  from  South  to  North, 
The  millions  rush  in  gladness  forth. 
In  power  and  strength  a  mighty  host, 
To  claim  the  rights  their  fathers  lost, 
To  win  the  gold  for  which  they  toil, 
To  have  and  hold  their  native  soil. 


CHORUS. 


5.  Six  centuries  of  wrong  and  hate 
Have  left  our  island  desolate  ; 
But  year  by  year  the  seed  was  sown, 
Until  the  blossom  true  had  blown. 
And  now  that  blossoming  has  come 
We  wait  to  bear  the  harvest  home, 
And  every  hand  and  every  heart 
Know  how  to  act  the  reaper's  part. 


CHORUS, 


352 

6.  Chained,  trampled,  weakened  by  the  force 
Of  treason's  ancient  deadly  curse — 
We  still  can  show  a  gallant  face 
To  fire  the  old  heart  of  our  race. 
And  young  and  old  will  feel  that  fire, 
Whose  burning  flame  can  ne'er  expire, 
Till  strong  and  weak  alike  can  claim 
An  equal  share,  the  patriot's  name. 

CHORUS. 


7.  Hurra  !  hurra  !  God  bless  the  sword 
That  rids  us  from  this  foreign  horde — • 
Hurra  !  hurra  !  the  fields  of  France 
Are  lit  by  Freedom's  sunny  glance. 
Old  Tyranny  has  lost  its  sway, 
The  lord  who  ruled  must  now  obey — 
Man  stands  up  in  his  dignity, 
And  so,  in  time — by  Heaven — shall  we. 

CHORUS. 
J.  K.  CASEY  ("  LEO"). 


353 


SLAUN  BEO. 
KEY  F.    Slow. 

f:d  .r   PI      :  1,      :t        d      :-       ;m  .1 

(     My      grief      and      my       woo  !                I  mu 

Air:  "  sUn  be6." 

*  s  :  -  :  m  .d  i 

st  go  to  some) 

<    r       :d 

(      far          dis 

:d 

-     tant 

d       :  -        :  d  .r 

m  :d  :r  > 

way  o'er  the  ) 

part,                       A  - 

M"d'     :- 

(    1     foam 

:  t  .d1 

from  my 

1        :-       :1  ,s 

home                 and  the 

m  :d  :r  > 

wife  of  my  > 

(  In       :- 

(   Iheart  ! 

'  PI  iF 
From  the 

m       :  d        :  r 

chil    -    dren       I 

"d1  :-  :t.d'| 

love  —  God  a-  ) 

r    1        :- 

(     bove  ! 

:1  .s 

must  I 

PI        :d       :r 

bow       to           Thy 

m  :-  :m  .d  ) 

will  ;  If  > 

1    r       :1, 

(     so,          ere 

It, 

I 

d       :-  .r   :n  .f 

s  :-  :PI  .d  > 

Be6  with  the) 

go  —  •              Slaun 

<    r       :d 

'     House   on 

:d 

the 

d       :-       j. 

Hill! 

2.  As  I  gaze  on  the  spot  where  my  lot  with  my  darling  was  cast, 
I  think  of  the  day  hid  away  in  the  folds  of  the  past, 

When  the  joy  of  my  life,  my  young  wife,  passed  in  like  the  dawn- 
Once  more,  ere  I  go — Slaun  Beo  with  thee,  Vourineen  Bawn  ! 

3.  How  changed,  och  ochone  !  and  how  lone  seems  the  same  place  to-day, 
A  heart  there  is  sad  that  was  glad  as  the  meadows  in  May  ! 

A  heart  there  is  dark  where  a  lark  ev'ry  morning  would  trill ! 
Once  more,  ere  I  go — Slaun  Beo  with  the  House  on  the  Hill ! 

I- 13 


354 


4.  Take  courage,  my  dear,  do  not  fear,  but  be  trusting  and  brave  ! 
With  God's  blessing  above,  soon,  my  love,  I  will  cross  o'er  the  wavey 
With  silver  and  gold,  and  the  old  happy  mornings  will  dawn — 
One  kiss  and  I  go — Slaun  Beo  with  thee,  Vourineen  Bawn  ! 


P.  J.  McCALL. 


This  is  a  beautiful  old  air  and  a  sweet  song.  Mr.  McCall  gives  us  here 
one  of  his  happiest  and  most  Irish  pieces  in  which  he  scores  an  admirable 
success  by  his  imitation  of  the  vowel  assonance  for  which  the  Irish  poets 
are  so  famous.  I  hope  the  song  will  be  often  heard.  I  have  spelt  the 
second  last  word  of  the  song  exactly  as  the  notes  require  it. 


DEIRDRE'S    FAREWELL    TO    ALBA. 


KEY  A|?.     Slow  and  with  pathos. 


<:m_.,f 

I  Fare  - 


s       :-  .1  :f  .s  |m 

well  to  Al-ba's  Isle— 


ta,     : 

glens  ! 


:d.,r 

Sweet 


:-,t,  : 


seat 


s,       :-  .d  :d  .r  Irt*      : 

hunt     -     ers  o'er  the  benns  ! 


Air:  "SUn  be6  UAC." 

:-      :r       d      :-  .t,:s,.l,) 

Its       pleas  -  ant  ports  and) 

f  I      ff  f  V 

li#ii|  i,      :-       ,ni|  .1,  ) 

of    Us-na's|  sons,  Strong  ) 

s       :-  .1   :f  .s 


:f.s  ) 

i    of  a     ) 


(  n  :- 

(  day 

:r 

They 

d          I  —  tt,   '.  S, 
feast  -        ed      in 

(  d  :- 

(  daught  - 

er      of  the 

Boon                   St 
*  or,  doh. 

ta, 

lios. 


,d  :  d  .,r  I 

The  Earl's> 


s,       :-  .d  :d  .r  > 

Nais      -     i's     se-cret) 


355 


d 

kiss  ! 


S 
maid 

n 

bow'r 

S 
heard 

ta, 

woe  : 


piu  moto 


||Hebe- 

d       :- 

stowed 

.r   :  n  .f  I  s 

a      gen-tlel  fawn 

.1    :s«f«n 

ress; 

:m  .f 

S 

ling 

for  her  ca- 

And 

:r.r 

From  the 

d        :- 

hosts 

.t|   :  S|.,f| 
of    In-ver- 

S| 
ness  ! 

.1   :f  .s   |m       :- 

this  jealous!  tale, 

:r 

My 

d 

heart 

:d  .,r 

d 

launched 

.t,  :s,<f,<n 

f 

i 

an  oar-less|  boat 

=f,f) 

On  the} 


ered  in  her) 
A  tempo 

When  I) 

•'-  -ti  :s,  .1,) 

was  filled  with) 
rail 


On  the 


s,       :-  .d   :d  .,r  Id       :- 

o    -     cean's  west'ringl  flow  ! 

2.  Lo,  Annla  and  Ardan  swift  followed  on  my  track  ; 

And  these  hero  brothers  brought  the  lovelorn  wand'rer  back  ! 
My  Naisi  pledged  his  faith,  thrice  sworn,  with  whispered  breath, 
I  never  should  see  grief  till  I  saw  his  face  in  death. 
Earls'  daughter  could  you  know  of  Naisi  'neath  the  clay, 
You  would  weep  as  I  shall  weep  for  a  twelve-month  and  a  day  ! 
Farewell  to  Alba's  hills — to  days  now  past  and  gone, 
When  Naisi's  smile  of  love  brought  to  my  heart  the  dawn  ! 

P.  J.  MCCALL. 

The  above  is  a  metrical  rendering  of  an  ancient  Irish  piece  of  poetry. 
It  is  on  the  whole  fairly  literal  and  retains  the  simplicity  of  the  original. 
It  was  done  by  Mr.  McCall  at  the  request  of  the  editor.  The  air  was 
sent  to  me  by  Miss  Annie  O'Reilly,  of  Macroom,  who  wedded  it  to  the  old 
Irish  lyric  named  at  the  top  of  the  music.  It  was  found  in  O'Neill's 
collection  of  Irish  music,  but  we  have  changed  the  key,  time,  and  some  of 
the  phrasing.  I  think  those  who  are  lovers  of  old  traditional  Irish  music 
will  agree  with  Miss  O'Reilly's  remark  that  the  air  is  a  gem  of  its  kind. 
It  is  one  of  those  airs  that  keep  haunting  the  memory.  Words  and  air 
make  a  very  beautiful  song. 


356 


MY    FIRST    LOVE. 


KEY  F. 

:  m«f  <se 

Slow. 

1        :  -  .t   |  d1       :  t 

towers        the    rock      a 

:-  .t,   |d        :r 

bells  bloom  -  ing 

:-  .t    |d'        :t 

the     fern         in 

:r  .t,   |1,        :1, 

1       :-  .s   |  in       :r  .t, 

Where 

1, 

heath 

waves 

Iin 
shines 

d 

wood 

1, 

sit 

|i 

!  love 

r 

|  one 

bove            the  trees,     With  c 

in  :-  1-  :ni  > 

o'er,  Where  ) 

1  :-  .s  |m  :r  .t,  L 

sum  -  mer  breeze,  And  '-* 

1,  :-  |-  nm  .r  > 

the 
:d 

»ed           lus  - 
Id         :t,  .1, 

more.  |j  In  ) 

t,  :t,  It,  .  :  1,  se,> 

-  land        nook         be  - 

:-  .t,    |d        :r 

and  sad     -     ly 

:-  .t     |d'        :t 

I        nursed  in 

:r  .t,   |1,        :1, 

side  the  brook,  I  ) 

m  :-  I-  :m  > 

pore  On  ) 

1  :s  |in  :r  .t,  ^ 

boy  -  hood  first  For  ) 

1,  :-  1-  J 

more. 

I'll 

ne'er        see 

2.  How  fair,  when  shines  the  summer  beam 

Upon  the  hillside  warm, 
The  lady  fern  beside  the  stream  : 
So  fair  my  Margaret's  form; 


357 

The   snow-white    crystals   shine    beneath, 

The  red  lusmores  above  : 
Ah  !  such  the  bright  bright  laughing  teeth 

And  lips  of  my  first  love. 


3.  The  gorse  flowers  Ullair's  dells  illume, 

One  sea  of  golden  light ; 
My  Margaret's  hair  was  like  their  bloom, 

As  yellow  and  as  bright. 
'Twill  haunt  me  still  through  joy  or  ill, 

Till  death  shail  end  my  care, 
The  wondrous  grace  of  her  fair  face 

Beneath  that  golden  hair. 


4.  I  loved  her  with  a  burning  love 

That  matched  my  boyhood  well, 
And  brilliant  were  the  dreams  I  wove 

While  tranced  in  that  sweet  spell ; 
And  in  my  breast  she'll  ueign  and  rest 

Each  eve  while  sad  I  pore, 
Where  ferns  are  green  the  rock  between. 

And  shines  the  red  lusmore. 


ROBERT  DWYER  JOYCE,  M.D. 


This  fine  melody  is  from  Dr.  Joyce's  "Ancient  Irish  Music,"  where  he 
gives  one  verse  of  a  song.  It  may  be  said  that  until  now  it  has  remained 
unwedded  to  words  accessible  to  the  public.  The  song  to  which  I  now 
link  it  is  as  fine  as  the  melody  itself. 


358 


YOU'RE  A  DEAR  LAND  TO  ME. 

KEY  Ab»  Air  :  "  An  ton-cub. 

s,  Mf,   :j^.ta^|d__Mt,  :  d 


| 

(There's  a 


stream      in   Glen- 


ra  whose)    sil 


fi,S|.f|,m,:d|     .dhr||pi,    .f,     :s, 

foun    -    tain  Leaps'      up  ir 


fi,S|.f,,Pi|:d,     .d.     Id, 

hea    -    ther  bells  I  bloom 


life 


ve  -  ry 

t|   :S|,f,  .P1|,S,> 
where    the  ) 


,  f, ,  s, 


moor     -     land    and 


.f, 


ii 


laugh 

d, 

gloom. 
.,m 


ing       in 


«l,<t, 


And 


.s 


That 

d    Mt,    :d.ta,fS|,Pi| 

winds        round    the 

d     t>ta|  :  S;,f  i.tinSj 

sun    -     light  now 

d     .,r     :m     .f 

by     its      mer  -  ry 

:d     .s 


, 


:ta,.l, 


.d,,r 


moun    -    tain  Now 


f|,S|.f,,m,  : 


weep 


.f 


:  d,    .d,     ) 

-    ing     in      ) 


ru   -  ral       sight  en  -     tran  cing,  From 


dan 

d 


ing 

:PI      .s 

cing,      a 

:  in     .f     ) 


out   the  green  wood  ) 


s  _  ^f     :m     .s 

glan      -     cing,  my 


f     .?m     :d     .d      Id  :-     .n  ,f 

home  you  once   could|  see  ;  Now  an 


s 

ex 


;m,f  -s  ,m 

ile     far  a  - 


f     .,1     :s,f 


way 


from   that 


ta,   .s,,!,: 

home 


.d,r 


359 

d,r  .m  ,f  :  s     .mi  ,f  ,1  s,    .,f  |    :v^ 

sigh  and      say,     O     |green-hilled  plea  -  sant|      E 


5|d,r 

v  I  sig 

il 


:  d  ,ta,  .s,,nv 

rin  you're  a  ) 


i    .»Pi|    :  d,    ,d| 

dear          land     to 


me. 


2.  There's  a  tree  by  that  streamlet  in  bright  beauty  shining, 

With  green  leaves  and  blossoms  all  brilliant  and  gay, 
With  the  birds  on  its  branches  wild  melodies  twining, 

Where  I  sat  with  my  friends  on  each  blithe  summer  day, 
When  the  sunset  clouds  were  glowing  and  the  gentle  kine  were  lowing, 

And  the  perfumed  airs  were  blowing  around  that  blooming  tree  ; 
Tree  or  friends  I'll  ne'er  see  more  by  that  murmuring  streamlet's  shore, 

O,  green-hilled  pleasant  Erin,  you're  a  dear  land  to  me. 

ROBERT  DWYER  JOYCE,  M.D. 


This  air — "  The  Blackbird  " — has  been  always  a  favourite  in  Monster. 
It  was  commonly  whistled  in  my  native  county  when  I  was  young. 
The  best  version  of  it  that  I  heard  was  that  which  my  brother  used  to 
whistle  and  which  he  learned  from  my  mother.  The  air  and  Dr.  Joyce's 
words  make  a  lovely  song  and  I  hope  they  will  be  often  heard  at  social 
gatherings. 


360 


OUR  FLAG  OF  GREEN. 


KEY  A.     Moderate. 


S| 
Boys, 

:s,  .1,  |d 

fill  your  glass 

:d 

-  es, 

r 

Each 

:r   .,PI   |p 

hour  that  pass 

:d 

-    es 

i, 

Steals 

:f 

,    it 

|m  .f 

may  be 

:  s  .PI 

,    on  our 

d 

last 

:d  .r 

|PI  .r 

:d  .1 

night's 

cheer  ; 

I*' 
1  Day 

:s,  .1,  |d 

soon  shall  come 

:d 

boys, 

r 

With 

:  r   .PI 

fife  and 

Ir 

drum, 

:d 

boys, 

I1' 
1  Break 

:f 

-  ing 

If 
PI    .1 

shril  -  ly 

:  s  .PI 

on  the 

d 

sol    - 

:d    .r 

d 

•  _ 

dier's      ear, 

m 

Drink, 

:-  .f 

the 

Is 

faith  - 

ful 

f 

hearts 

that 

Ir 

love 

:d 

us  — 

In, 

|  'Mid 

:-  .f 

to 

Is 

-  mor    - 

row's 

r 

thick 

:t, 

-  est 

s, 

fight, 

:- 

m 

While 

:-  .f 

our 

Is 

green 

flag 

f 

floats 

:m         | 

a 

r 

bove 

:d 

us, 

I1' 

Think, 

:f 

boys, 

|  PI    .f 

:  s  .m 

d 

them 

we 

d 

smite. 

:- 

'tis 

for 

REFRAIN.  — 

s,        :s,  .1,  |d 

Down  with  each  mean 

:d 

flag, 

r 

None 

:r  .PI 

but  the 

r 

green 

:d 

flag 

361 


1.  :f 

Shall  in 

IM1          f               n 
n  »i    :s  .PI 

tri-umph  be  a  - 

d        :d  .r 

bovo        us 

s,  is, 

think  of 

.l,|d         :d 

its  glo     -      ry, 

r        :r  .m 

Long  shrined  i 

11,  :f 

1  Charge  for 

|m  .f   :s  .m 

ei-|\e     and  her 

d        :d   .r 

Flag        of 

2. 

Think  on  old  Brian, 

IN  .r :_&  .1|  ) 

seen :        Oh  !> 

|r         :d        ) 

sto     -       ry, 

Id         :- 

Green. 


War's  mighty  lion, 
'Neath  that  banner  'twas  he  smote  the  Dane, 

The  Northman  and  Saxon 

Oft  turned  their  backs  on 
Those  who  bore  it  o'er  each  crimsoned  plain. 
Beal  an  a-ha  Bwee  beheld  it 
Bagenal's  fiery  onset  curb, 
Scotch  Munroe  would  fain  have  felled  it ; 
We,  boys,  followed  him  from  red  Benburb. 

Down  with  each  mean  flag, 

None  but  the  green  flag 
Shall  above  us  in  triumph  be  seen ; 

Oh  !  think  of  its  glory, 

Long  shrined  in  story, 
Charge  with  Eoghan  for  our  Flag  of  Green  t 

And  if  at  eve,  boys, 

Comrades  shall  grieve,  boys, 
O'er  our  corses,  let  it  be  with  pride', 

When  thinking  that  each,  boys, 

On  that  red  beach,  boys, 
Lies  the  flood-mark  of  the  battle's  tide. 
See — the  first  faint  ray  of  morning 
Gilds  the  east  with  yellow  light ; 
Hark !  the  bugle  note  gives  warning — • 
One  full  bumper  to  old  friends  to-night. 

Down  with  each  mean  flag, 

None  but  the  green  flag 
Shall  above  us  be  in  triumph  seen  ; 

Oh  !  think  on  its  glory, 

Long  shrined  in  story, 
Fall  or  conquer  for  our  Flag  of  Grecm  1 

M.  J.  BARRY. 


362 
KITTY   O'HEA. 


KEY  C. 


Now 

1       : 

Kit   - 

r1      :r'      |1       :t       :d>    |t       :1       :s      > 

ty         O'           Hea,     dar   -   ling     jew  -   el,          I         ) 

Let 

ro     - 

ses       be          jeal  -    ous,      no 

mat  -  ter  I       The 

1 

wish 

you'd 

con    - 

sid    - 

1 
er 

:t 

my 

Id1      :-       :1       > 

case  1                  Oh,      > 

sun    - 

shine's  in 

love 

with 

your 

cheek  ;                What 

1 

.  pi 

.rl 

H        : 

t 

:d' 

|t        :1        :s       > 

who 

could 

be     - 

lieve 

you 

so 

cru    -    el           To       > 

sing   - 

ing 

bird 

would 

n't 

I 

flat    -    ter         To 

D.C. 

look 

:s 

in 

your 

|r       : 

beau  - 

in 

ti     - 

:  s 

ful 

H       :-       I! 

face  ?                 1 

say. 

it's 

her 

voice 

when 

you 

speak  ? 

CHORUS. 

. 

r       : 

in      : 

s      11 

•  _ 

:t 

Id'     :-      :       ^ 

Kit  - 

ty 

O'         Hea, 

0' 

Hea,                          > 

in 

IKit   - 

:  s 
ty, 

give 

Is        : 

ear 

f 

to 

my 

|r       :-       :         > 

song,                              ) 

r 

:n 

:  s 

H       : 

_ 

:ro 

Id'      :-       :         ) 

Kit    - 

ty 

0' 

Hea, 

0' 

Hea,                               ) 

m 

:1 

:1 

Is        : 

m 

:d 

|r       :-       I 

Kit    - 

ty 

I'm 

court  - 

ing 

you 

long. 

363 

2.  My  thoughts  I  can  never  keep  steady, 

No  more  nor  a  man  in  a  dream, 
They  caper  like  straws  in  an  eddy, 

In  place  of  pursuing  the  stream. 
Amusement  or  meat  I  don't  care  for, 

I  moan  like  a  cow  gone  astray  ; 
Myself  knows  the  why  and  the  wherefore,-— 

I'm  thinking  of  Kitty  O'Hea. 


CHORUS. 


3.  I  never  objected  in  reason,, 

To  bear  with  a  slight  or  a  scoff, 
But  snow  isn't  always  in  season, 

And  Lent  isn't  very  far  off. 
Shrove  Tuesday's  the  tune  for  to  shake  one, 

And  single  I'll  not  pass  the  day, 
Young,  old,  maid  or  widow,  I'll  take  one, — 

So  mind  yourself,  Kitty  O'Hea, 

CHORUS. 
WILLIAM  ALLINGHAM. 


The  above  air,  which  is  racy  and  pretty,  is  the  air  to  which  the  author 
wrote  the  song.  If  it  be  objected  that  the  repetition  of  the  air  for  the 
second  four  lines  of  each  verse  makes  for  monotony,  I  suggest  that  the 
verses  may  be  made  four  line  verses  and  the  Chorus  repeated  after  each. 
Another  air  that  suits  the  song  well  is  found  on  page  328  of  this  series, 
No.  XI. 


364 


THERE  IS  A  TREE  IN  DARRA'S  WOOD. 

KEY  D.     Bright.  Air  :  "  Barrack  Hill.' 


:1      1    :  -    :  r    |  r    :  -    :  m      1    :  -    :  s    |  m    :  - 

"here    is                 a       tree            in      Dar     -      ra's   wood 

:s    I 

That) 

1     :-     :r     |r     :-     :n 

bears           the      rose       -      red 

d     :-     :r     |m     :- 

•s    i 

rhere  ) 

ber      -          ry,           \\ 

11     :-     :r     |r     :-     :m 

sweet     -     ly       sings             the 

1     :-     :s     |m     :-     :s     ^ 

fai        -      ry        flood          With  } 

!1     :-     :s     |d'    :-     :ro 
ca        -        dence  wild             and 

r     :-     :-     |r     :- 

mer       -        -        ry; 

ij 

1     :-     :s     |1     :t     :d' 

of                that    tree, 

Thy  ) 

love,            like        ber    -       ries 

s     :-     :m     |s     :-     :1 

red               lips     smile            so 

s     :-     :ro     |  s     :- 

And  ) 

dear       -        ly, 

11     :-     :s     |1     :t     :d' 

min       -       strel  -  sy 

Thy  j 

1  like              the    streams         glad 

Is     :-     :m     Id1    :-     :m 

|  laugh           rings    soft              and 

r     :-     :-     |r     :- 

clear       -                ly! 

1 

KEFBAIN. 

:1      1    :-    :s    |  1    :t    :d'      r1    :  -    :m'    |d'   :  - 

so  r 

So           clear      -           ly,          so             clear      -      ly, 

365 


^|s     -~     :w     Is     :-     :1     _s :-     :rn     |s     :-     :d'    > 

( I  witch     -     ing,    soft  and  clear       -        lv.  That  > 


:s     |1 j_t     :d'    I  r1    :-     -in1    |d'    :-     :1 

er    -    more          I      I  must  a     -    dore  And 


Jl 


s     :-     :in     |d'    :-     :m 

love  thee,  true  love, 


r     :-     :-     |r 

dear  -  ly ! 


2.  Beneath  that  tree  I've  built  a  bower, 

Its  roof  with  love-knots  twining, 
And  there  the  snowy  shamrock  flower 

And  blue-bells  gay  are  shining, — 
I've  built  a  bower  within  my  breast 

And  placed  thee  on  its  throne,  love, 
And  ever  there  I'll  love  thee  best 
My  dark-eyed  Grace,  my  own  love  ! 
My  own  love,  my  own  love, 

I  have  placed  thee  on  its  throne,  love, 
And  day  and  night,  for  ever  bright, 
There  you  shall  reign,  my  own  love  ! 


3.  'Mid  Darra's  wood  a  castle  tall 

Stands  wrecked  with  age  and  hoary ; 
A  white  rose  tree  hangs  from  its  wall 

With  bloom  of  star-like  glory ; — 
Thy  fair  brow  hath  that  rose's  hue, 

Kind  nature's  own  adorning  ; 
Thy  heart  is  stainless  as  the  dew 
That  gems  its  leaves  at  morning  : — 
At  morning,  at  morning, 

When  dew  that  flower's  adorning 
When  out  I  rove  thro'  Darra's  grove 
To  think  on  thee  at  morning. 


4.  Oh  !  still  may  wane  the  summer  moon, 

The  gay  flowers  follow  after  ; 
The  merry  birds  may  hush  their  tune, 
And  glad  streams  cease  their  laughter ; 


366 

The  leaves  may  wither  on  the  tree, 

All  things  grow  cold  and  drear,  love  ! 
But  that  sweet  bower  I've  built  for  thee 
Shall  ever  bloom,  my  dear  love  ! 
My  dear  love,  my  dear  love, 

You'll  reign  without  a  peer,  love, 

That  bower  within,  the  glorious  queen 

Of  my  fond  heart,  my  dear  love  ! 


ROBERT  D.  JOYCE,  M.D. 


THE  DEAR  IRISH  BOY. 


KEY  G.    Slow. 


f  lt!*l 
I    My 


d    :t,   :1,   1 1,   :m  :r,,t 

Con  -  nor,  his    cheeks    are  as 


rud   -    dy    as      morn-ing,   The 


ild     :t,    :1,    |t,    :m     :rvt 

1|  bright-est     of      pearls  do      but 


:-.d  :  t^l  1,    :-     :l,.t,) 


mi    -    mic    his      teeth, 


While) 


d     :t|    :1,    |  tj    :'n     :r_._tj 

na  -  ture    with    ring  -  lets    his 


mild  brows     a  -  dorn  -  ing,     His  ) 


:r     :  m 


.  1     :  m     :  -  .r 

hair  Cu  -  pid's  bow-strings,  and 
REFRAIN. 

,11     :n     :-.r|l_L!!L    :--r 

(I  Smi  -  ling,       be  -  gui     -     ling, 


ro    -    ses      his       cheeks. 


d     :  t, 

cheer-ing, 


.,  1    ,    :s,    :m 

en  -  dear  -  ing,   To 


1     :  m     :  -.r  1 1     :  m     :  -.r  [  m     :  ba    :  se    1 1 


! 


-  ther      how  oft     o'er     the    moun-tains    we  strayed 


:1     :t     , 

I,  By   each  ) 


367 


d1    :t 

o    -    ther  de  -  light  -  ed       and 


fond    -  ly        u    -  ni    -  ted,  Ihave> 


:r     :m 


:  m     :  -.: 


lis  -  tened  all     day    to         my 


dear    I      -    rish  Boy. 


2.  No  roebuck  more  swift  could  fly  over  the  mountain, 

No  veteran  bolder  meet  danger  or  scars  ; 
He's  sightly,  he's  sprightly,  he's  clear  as  the  fountain, 
His  eyes  twinkle  love — oh,  he's  gone  to  the  wars. 
REFRAIN — Smiling,  etc. 

3.  The  soft  tuneful  lark,  his  notes  changed  to  mourning, 

The  dark  screaming  owl  impedes  my  night's  sleep, 
While  lonely  I  walk  in  the  shade  of  the  evening, 
Till  my  Connor's  return  I  will  ne'er  cease  to  weep. 
REFRAIN — Smiling,  etc.- 

4.  The  war  being  over,  and  he  not  returned, 

I  fear  that  some  dark,  envious  plot  has  been  laid, 
Or  that  some  cruel  goddess  has  him  captivated, 
And  left  here  to  mourn  his  dear  Irish  maid. 
REFRAIN — Smiling,  etc, 


O'DONNELL  ABOO. 

A.D.   1597. 
KEY  C.     In  Marching  Time. 


11 
i 


d        :  in  ,,f    |  s         :  s   .,s 

Proud  -  ly    the    note        of  the 


.,1   |s 


:f  .m 


trum    -  pet   is      sound  -  ing, 


:  r  ., 


:  m  .r 


Jl 

si 

11 


Loud  -  ly    the     war  -   cries  a  - 

d  :  m  .,f    I  s        :  s  .,s 

Fleet  -  ly    the    steed    by  Lough 

r  :  r1  .d1  |t  .s    :  1    .t 

join  the  thick  squad-rons    in 

m1  :m'  .,r'|d'.l    :s 

On,  ev'-ry    mountain-eer, 

f  :f  ,,f  |  in        :s    .m 

Rush       to     the  stan  -  dard    of 


d         :d  .r    |m 

rise         on    the    gale, 

m1        :d!  .,1    |s 


:f  . 


Swil    -  ly       is      bound -ing  To 
Sai  -  mear's  green  vale. 

d1        :d'  .1    |  s  ,,n  :d 

Stran  -  gers  to  flight  and  fear ; 


r         :  r   .,in  I  r 

daunt  -  less  Red  Hugh  ! 

i        :n  .f    |  s  .1    :s         |m'        :d'  .,1   |  s  ,f    :f  .in 

Bon  -  nacht  and  Gallow  -  glass     [Throng  from  each  mountain  pass  ! 


r        :  r1  .d1  |t    .s    :  1    .t 

On          for  old      E     -     rin  !  O' 


d1        :d'  .,d'  Id1        : 

Don    -    nell  A  -  boo  ! 


2.  Princely  O'Neill  to  our  aid  is  advancing 

With  many  a  chieftain  and  warrior  clan  ; 
A  thousand  proud  steeds  in  his  vanguard  are  prancing 
'Neath  the  borderers  brave  from  the  banks  of  the  Bann  : 


369 

Many  a  heart  shall  quail  under  its  coat  of  mail ; 

Deeply  the  merciless  foeman  shall  rue 
When  on  his  ear  shall  ring,  borne  on  the  breeze's  wing, 
v        Tir-Conaill's  dread  war-cry — O'Donnell  Aboo  ! 

3.  Wildly  o'er  Desmond  the  war-wolf  is  howling, 

Fearless  the  eagle  sweeps  over  the  plain, 
The  fox  in  the  streets  of  the  city  is  prowling — 

All,  all  who  would  scare  them  are  banished  or  slain  ! 
Grasp  every  stalwart  hand,  hackbut  and  battle-brand — • 

Pay  them  all  back  the  deep  debt  so  long  due, 
Norris  and  Clifford  well  can  of  Tir-Conaill  tell — 

Onward  to  glory — O'Donnell  Aboo  1 


4.  Sacred  the  cause  that  Clann-Conaill's  defending — 

The  altars  we  kneel  at  and  homes  of  our  sires  : 
Ruthless  the  ruin  the  foe  is  extending — 

Midnight  is  red  with  the  plunderer's  fires  ! 
On  with  O'Donnell  then,  fight  the  old  fight  again, 

Sons  of  Tir-Conaill  all  valiant  and  true  ! 
Make  the  false  Saxon  feel  Erin's  avenging  steel  ! 

Strike  for  your  country  ! — O'Donnell  Aboo  ! 

M.   J.   McCANN. 


This  magnificent  song  and  air  will  not,  I  hope,  be  the  less  appreciated 
because  people  often  hear  it.  May  I  suggest  to  the  enthusiasts  of  our 
hurling  and  football  fields  that  they  would  do  well  to  drop  expressions 
like  "  Up,  Kerry  "  ;  "  Up,  Wexford  "  ;  and  adopt  the  war-cries  of  their 
ancestors — "  Kerry  Aboo  "  ;  "  Wexford  Aboo,"  etc. 


370 
THE  CANNON. 

KEY  G.     Not  so  quick  as  Jig  Time. 


I:  8, 

d    :m    : 

d    1  1, 

-    :  d    |S|    :  m,   :  s, 

!  s,   r  - 

:  *l     I 

l    We 

are 

a      lov 

ing    j     com    -     pa 

-  ny 

Of] 

IB,    : 

|  sol 

diers  brave 

:  r 

and 

m     :-     :s 

f     :m 

We   > 

hear 

ty  ; 

|d.r: 

m     :d 

M     :  ~ 

fought 

:d 

for 

S|      :  PI,      :  S, 

s,     :- 

fee, 

For  (" 

|  ne 

-     ver 

gold      -      en 

Is,    : 

-     :f 

m     :f 

:r 

d     :-     :-     | 

d     :- 

Si     ) 

I  fac 

tion 

or 

for 

par 

ty; 

The) 

d     : 

-     :m     | 

s     :- 

:m 

1     :-     :f     I 

s     :- 

•m    > 

will 

to 

make 

old 

Ire       -        land 

free,            That  ) 

Id     : 

|  set 

-     :  11     |s     :  - 

each  daunt 

:  n 

less 

f     :-     :r 

1     :f 

And  \ 

man 

on, 

d     : 

-     :m     | 

s     :  -  .f 

:n 

f     :s     :1     | 

is    :-     : 

f      | 

ban 

ished 

us 

be- 

yond          the 

sea           With    f 

CHORUS. 

m     :d     :1,    | 

s,    :d 

:r 

m     :d     :  s     | 

f     :n 

r     I 

our 

brave 

i 

ron 

can 

non. 

And  > 

im     : 

d     :1,    1 

1.    :- 

gal        - 

:d 

lant 

s,    :n,    :S|    | 

s,    :-     :1,    | 

ny               That  > 

|  here's           the 

com      -     pa  - 

Is'  : 

:1.    1 

d     :- 

:r 

m     :-     :  s     | 

f         •  m 

r    i 

fough 

it        by 

Boyne 

and 

Shan 

non          That  f 

371 


With 


|    > 

> 


2.  Come  fill  me  up  a  pint  of  wine, 

Until  'tis  brimming  o'er,  boys, 
Our  gun  is  set  in  proper  line, 

And  we  have  balls  galore,  boys, — 
Now  here's  a  health  to  good  Lord  Clare, 

Who'll  lead  us  on  to-morrow, 
When  through  the  foe  our  balls  will  tear 

And  work  them  death  and  sorrow. 

CHORUS:      And  here's  the  gallant  company 

That  always  forward  ran  on 
So  boldly  on  the  enemy 

With  our  brave  iron  cannon  ! 

3.  I've  brought  a  wreath  of  shamrocks  here, 

In  memory  of  our  own  land, — 
'Tis  withered  like  that  island  drear, 

That  sorrowful  and  lone  land  ; 
I'll  hang  it  nigh  our  cannon's  mouth, 

To  whet  our  memories  fairly, 
And  there's  no  flower  in  all  the  south 

Could  deck  that  gun  so  rarely. 

CHORUS  :      And  here's  the  gallant  company 

That  soon  shall  rush  each  man  on, 
And  plough  the  Saxon  enemy 
With  our  brave  iron  cannon  ! 

4.    At  Limerick  how  it  made  them  run, 

The  Dutchman  and  his  crew,  boys  j 
'Twas  then  I  made  this  gallant  gun 

To  plough  them  through  and  through,  boys  ; 
And  since  that  day  in  foreign  lands, 

It  roared  triumphant  ever — 
It  blazed  away,  yet  here  it  stands, 
Where  foeman's  foot  shall  never  ! 


372 

CHORUS  :     And  here's  the  gallant  company 

That  soon  shall  rush  each  man  ony 
And  break  and  strew  the  enemy 
With  our  brave  iron  cannon  ! 

5.  The  dinted  well  from  mouth  to  breach 

With  many  a  battle  furrow  ; 
A  fitting  sermon  it  will  preach 

At  Fontenoy  to-morrow. 
Then  never  let  your  spirits  sink, 

But  stand  around  each  man  on 
This  foreign  slope,  and  we  will  drink 

One  brave  health  to  our  cannon  1 

CHORUS  :     And  here's  the  gallant  company 

That  soon  shall  rush  each  man  on, 
And  plough  the  Saxon  enemy 
With  our  brave  iron  cannon  ! 

ROBERT  DWYER  JOYCE,  M.D. 

"  This  air  is  a  very  fine  old  Irish  melody,"  says  Dr.  Joyce.  It  is  the 
one  that  is  sung  at  the  yearly  celebration  of  the  shutting  and  opening  of 
the  gates  of  Derry  and  is  probably  much  older  than  the  siege.  It  is 
printed  in  the  "  Ordnance  Memoir  of  Londonderry."  To  lift  it  out  of 
the  hands  of  a  faction  and  make  it  a  national  tune  is  the  object  I  have  in 
view  in  linking  it  with  this  fine,  rousing  ballad. 


THE  IRISH  VOLUNTEERS. 

KEY  P.  Moderate.  Air:  "An  ftriAcrin  cpon." 

(    :  .s,      Id      .,d      :ro  .d       |m      .s  :-       .s      > 

(                             1  Hear    it         on  the      moun  -  tain,  O         ) 

fid  .,d        :m         .r  ,d    It, .r         :-  .r         > 

!|Hear        it             in               the  glen,  ) 

(Id  .,d        :m        .d  |m         .s         :-  ,s         > 

( I  Hear        it             in          the  cities —  The          ) 


373 


D.C. 


(  |  tramp 

•  S    ,1 

^1     id 
march 

.r 

-  ing 

of 

nd' 

(I  light 

.t 

the 

way 

.8 

they're 

/Id'       ,t 

(  j  give    them 

strength 

.t 
and 

(id' 

(  j  str:ke 

.,t 
a 

blow 

for 

HI. 

.m 

rish 

:d 

Vol 

.r 

-     un     - 

CHORUS. 
Sit] 
God  j 


To       ) 


Id  : 

men. 

11         .a         :-        .s 

far     -    icg !  God 

Is  :1 

da  .  ring 

In         .1         :-         .1 

E      -      rin,  The 

D.C. 

Id  :- 

teers. 


2.  A  hundred  years  of  waiting, 

Of  sorrow  and  of  pain, 
And  now  the  heart  of  Eireann 

Beats  high  with  hope  again.          Chorus 

3.  Lift  up  the  flag  of  Freedom, 

And  be  your  marching  song 
The  music  of  the  rifle — 

'Tis  clear  and  sweet  and  strong  ! 

CHORUS  :     God  light  the  way  you're  faring  ! 
God  give  you  strength  and  daring 
To  strike  a  blow  for  Eirinn, 
O  Irish  Volunteers  ! 

4.  Close  ranks  !  too  long  they're  broken, 

Wipe  out  the  wasted  years  ; 
March  on,  march  on  to  Freedom 

With  Ireland's  Volunteers  !  CHORUS. 

BRIAN  O'HIGGINS. 

The  words  and  music  are  so  short  that  I  recommend  that  each  verse 
be  repeated  before  taking  up  the  chorus,  and  this  might  itself  be  repeated. 
The  song  is  a  very  fine  one.  I  hope  it  will  be  often  heard. 


374; 


HOW  D'YOU    LIKE   HER  FOR  YOUR  WIFE? 

KEY  A.     Spirited. 


s,  .d  :d  .d    1 1,  .d    :  r 

'How  d' you  likelier    for  your  wife, 

Pi  .d    :  d  .d    |  t|  .d    :  r 

wedded  mate  and  true  for     life, 

s  ,s    :  s  .m    I  f        :  r  .f 


fit  to 

d 

Rap  - 

be  my      wife, 

:t,  .,d  |r 

pa  -  ree  troop 

As  my 

:s    -,f 

-     er, 

:f 


:  s 


;•!} 


Rov-ing  Brian  O'Con    -    nell  ? 

s  .,s  :  s  .,m  |  f        :  HI  .m,f  > 

Roving  Brian  O'Con-nell  ?"  "  she's  as) 

n  .r    :d  .t,  |  s,        :  s,  ,,t,  ) 


sword  is   for  the  strife,"    Said  the 

n  ,d    :n  .r    |d        :d        II 

Roving  Brian  O'Con      -      nell! 


2.  "  Never  man  my  child  will  take,  Roving  Brian  O'Connell. 
Save  him  who'd  die  for  Ireland's  sake,  Roving  Brian  O'Connell." 

"  O,  I'd  die  for  Ireland's  sake 

And  her  bonds  we  soon  will  break"  ; 
Said  the  Rapparee  trooper,  Roving  Brian  O'Connell, 

3.  "  How  will  you  your  young  bride  keep,  Roving  Brian  O'Connell  ? 
The  foeman's  bands  are  ne'er  asleep,  Roving  Brian  O'Connell." 

"  In  our  hold  by  Connaill's  steep, 

Who  dare  make  my  Mabel  weep  !  " 
Said  the  Rapparee  trooper,  Roving  Brian  O'Connell. 

4.  "  Ne'er  to  Mabel  prove  untrue,  Roving  Brian  O'Connell, 
For  O,  she'd  die  for  love  of  you,  Roving  Brian  O'Connell." 

"  O,  my  wild  heart  never  knew 

A  love  so  warm  and  constant  too," 
Said  the  Rapparee  trooper,  Roving  Brian  O'Connell. 

6.  "  This  day  in  ruined  church  you  stand,  Roving  Brian  O'Connell, 
To  take  your  young  bride's  priceless  hand,  Roving  Brian  O'Connell." 
"  O,  my  heart,  my  arm,  and  brand, 

Are  for  her  and  our  dear  land," 
Said  the  Rapparee  trooper,  Roving  Brian  O'Connell. 

ROBERT  DWYER  JOYCE,  M.D, 


ASTHOREEN  MACHREE. 


KEY  F.     Slow. 

II,    i^dr 


{ 

II 

II 

<|>     :-.t:Li 

(  |  dark       ty-rant 


jSpring  with  its 

s     :  s     :  1 

Streams  thro'  the 

d1    :t     :1 

'scaped  from  my 


in 


gay  flowers  the 


fields  was    a  - 


s     :  in     :  r     I  m     :  1 

wild-wood  sang  |sweet-ly 


s     : - .t  :l.s 

cell          at    the 

f     :  m     :  r 

scorn-ing,    A  - 


f     :m 

dawn  of 


and 


the 


dorn-ing, 

1     :-     :l.t 

free,  As 


\\ 


m     :d     :d.,r 

stho  -reen  Ma- 


1,    :1,    :-.s> 

morn-ing,     My ) 

d     :-     :-    I 

chree. 


2.  O,  in  that  prison  my  heart  was  all  sadness  ; 

The  long  days  fell  gloomy  and  heavy  on  me, 
Still  thinking  I  never  might  see  thee  in  gladness, 
Still  brooding  in  madness,  Asthoreen  Machree. 

3.  Now,  I've  escaped,  but  such  darkness  was  never ; 

How  could  the  brightness  arise  save  from  thee  ? 
Black  woe  and  despair,  they  have  crossed  my  endeavour ; 
Thou  art  sleeping  for  ever,  Asthoreen  Machree. 

4.  Out  in  the  forest  the  branches  are  shaking ; 

There  the  lone  Banshee  is  wailing  for  me  ; 
From  the  wide-spreading  trees  the  boughs  she  is  taking, 
My  bier  she  is  making,  Asthoreen  Machree. 

6.  Soon  we  shall  meet  in  the  grave's  silent  dwelling ; 

O,  but  'tis  joy  thus  to  slumber  with  thee  ; 
Soon,  soon  shall  the  caoiners  my  hard  fate  be  telling, 
And  my  death-bell  be  knelling,  Asthoreen  Machree. 

ROBERT  DWYEB  JOYCE,  M.D. 

This  air  is  taken  from  Ancient  Irish  Music,  by  Dr.  Joyce,  who  noted 
it  down  from  the  whistling  of  a  native  of  Orossmolina,  Co.  Mayo,  in  1852. 


376 


THE  COMICAL  BOY. 

KEY  P.     Lively,  Air  :  "  The  Swaggering  Jig." 


<  :f 

rcoijx 

:r       :d       |1,      :d       :d       1  1,      :d       :d     > 

-in,         O,         how       can      you       tease,    When  you    j 

CHORUS.    And           O,          H6iy  -  in,        A 

fcoif\  -  in,       No 

rift 

:r 

:d 

U, 

:d 

:d 

|r       :- 

:f  .f 

(  1  know 

that 

I'm 

faith 

-  fill 

and 

true  ; 

Sure  my) 

pa    - 

lace 

or 

cas 

-  tie 

for 

me  ; 

I'd 

j  1  ni 

\  1  heart 

:r 

is 

:d 

as 

U, 

light 

:d 

as 

:d 

the 

11,.  :d 

breeze 

:d       , 

When-  > 

ra    - 

ther 

a 

cot 

in 

a 

boic   -  tAin 

With 

ir 

(1  ev     - 

:r 

er 

:d 
I'm 

ii, 

look 

:d 

-  ing 

at 

Is,      :- 
you. 

ir  \ 

||There  > 

you 

in 

it, 

'rco,r 

-  in 

mo 

c|xoix>e. 

IIV. 

:f 

n't 

:  s 

a 

Is 

land 

or 

:  S 
a 

throne, 

:n      | 

Or      ) 

ii'.. 

:s 

-     thing 

U 

un     - 

:t 

der 

the 

U        :- 

sun, 

:t  .t  } 

But  I'd) 

it* 

I  |  give 

:t 

for 

one 

U 

jew    - 

:s 

el 

:f 

a 

|m       :- 

lone  — 

:r  .d  ) 

A      > 

(  1  jew    - 

:d 

ei 

:r 

that's 

In 

hard 

:d 

to 

•'I, 
be 

U,       :- 

won. 

II 

377 

2.  You  give  me  a  glance  of  your  eye — 

I  dance  in  the  height  of  my  joy ; 
Then  you  say  with  a  sort  of  a  sigh, 

"rhaife  now,  you're  a  comical  boy." 
You  frown — and  I  wish  I  were  dead  ; 

You  smile — and  I'm  anxious  to  live; 
Sure  I'd  rather  one  hair  of  your  head 

Than  the  riches  the  world  can  give. 

CHORUS. 

3.  I'm  wasted  to  nothing — or  less — 

With  the  weight  of  my  grief  and  my  woe. 
I  want  you  to  answer  me  "  Yes," 

And  you're  constantly  answering  "  No  !  " 
As  you  trip  with  a  laugh  through  the  dance, 

I  sit  in  a  corner  and  pine, 
A-dreaming,  like  one  in  a  trance, 

That  maybe  some  day  you'll  be  mine. 

CHORUS. 

1.  A  fc6ipiti,  I'll  wait  for  the  word, 

I  know  that  you'll  speak  it  some  day; 
And  then,  with  a  heart  like  a  bird, 

I'll  bear  you  in  triumph  away : 
And  there  won't  be  a  happier  pair 

From  far-away  Foyle  to  Fermoy, 
When  your  beautiful  self  is  my  share 

And  yours  is — the  "  comical  boy." 

CHORUS. 

And  O,  Uoipti,  A  fc6i|\^ti, 
No  king  will  be  equal  to  me, 

When  I  come  to  that  cot  in  the  b6itpiti 
With  you  in  it,  'fcotpin  nio  6|\oi-6e. 


BRIAN  O'HiaaiNS 


378 


CHRISTMAS    EVE. 

KEY  C.     Andantino.  Air  :  "  An  buACAit  CAot  -cub." 

•d  ,r  :m      .f       Is      .d1      ;t      .s 


i: 


the  snow 

dim. 


:  ''HI        I 

now         is         > 


p 


O'er      I     -     rish     |     hills 

1[nr   .d,t,:d     .s,     :d     .r      m .s      ;f,r  .d  tt,;r     .,d  > 

<•  I           fall                 ing,     Float-ing      calm         -         ly,            gent-ly  ) 

:t     .s      :f     .in  > 


d 

down  ; 


ores. 

.d.r;n    .f 

Bree  -    zes, 


II 


J[n,r  .d,t,:d    .s,     :d    .r 

v  I          call    -     -     ing,  Croon  a  - 


{ 

il 


soft 


an  -  gels' 


mg, 
cres 

d  :-    ,slt:d'    .r1 

brown  ;  Moon  -  beams 

glo      -      ry,          O       -       ver 

r1  :-     .r1  ,d' :  t    .s 

land —  Heir         to 


x^x«  dim  p 

m .s     :  f  ,r  .d  ,t, :  r    .d 

bove  the  hea-ther 


} 


n1 

rest, 

in1 

all 


like 


;r'     .d1 

that 


robes     of 


:n'    .r1     I 

fair  briht  ) 


fair  bright 


M'-r'^:  t     .s      :  f 

sor-  row —         rich 


m,r.d,t|:d     .s,     :d     .r 


| 

sto     -  ry, 

d  ;        .11 

hand. 


E   -  ver 


^  dim 

m    .'s     :  f  ,r  .d  ,t|  : 


blest 


by 


H  f 


p  , 

:r     .d     > 

Na-tiire's  ) 


379 

2.  Far  away,  the  bells  are  pealing 

O'er  the  cities  grand  and  bright, 
Here  are  humble  people  kneeling 

By  the  log-fires'  flickering  light, 
Pouring  forth  their  hearts'  devotion, 

Full  of  trusting,  tender  love, 
Fraught  with  every  pure  emotion 

That  can  throb  for  Him  above. 

3.  Some  have  borne  their  load  of  sorrow, 

And  have  felt  the  pangs  of  care, 
But  to-night  their  old  hearts  borrow 

From  the  young  ones  gathered  there 
Hope  and  joy  and  peace  and  gladness, 

And  their  eyes  with  pleasure  gleam, 
While  the  weary  look  of  sadness 

Passes  like  a  changing  dream. 

4.  There  are  others — bright,  glad  faces, 

Hearts  unclouded  yet  by  woe, 
Minds  undimmed  by  suffering's  traces, 

Cheeks  that  yet  bear  childhood's  glow, 
And  their  souls  are  raised  in  pleading 

To  that  Babe  they  love  on  High, 
That  His  Word  may  be  their  leading 

As  the  stormy  years  pass  by. 

6.  May  the  King  of  Kings  watch  o'er  them, 

Fresh  and  faded — old  and  young — 
May  He  guard  the  land  that  bore  them, 

Where  His  praise  is  ever  sung ; 
Where  the  humble  ones  are  kneeling 

To  that  Saviour  Babe  to  pray, 
For  whose  Birth  the  bells  are  pealing 
In  the  cities  far  away. 

BRIAN  O'HIGGINS. 

The  above  air  is  taken  from  Petrie's  collection.  He  says  of  it : — "  It  is 
strange  that  the  air  commonly  escaped  the  notice  of  former  collectors, 
as  there  is  not,  perhaps,  in  the  whole  range  of  Irish  melody,  an  air  more 
generally  known  throughout  Ireland,  or  one  more  admired  for  its  flowing 
beauty."  "  O' Curry  says  that  in  Munster  it  ranks  as  one  of  the  finest  tunes 
they  possess,  if  not  the  very  finest  one."  Petrie  is  "disposed  to  concur  in 
this  opinion.  Petrie  had  some  forty  or  fifty  settings,  from  which  he 
selected  three  as  the  best.  Two  of  the  three  are  Munster  settings,  of  which 
the  above  is  one.  They  appeared  to  him  the  most  beautiful.  The  above 
version  was  given  to  Petrie  by  Thomas  Davis. 


380 


A  SONG  OF  ROZHEEN   DHU. 


KEY  G.     With  spirit. 


(    The 

d 

song 

:d 

I 

U, 

sing 

is  a 

s        :  -  .s    I  s 

song               of      home, 

i  :n  .8 

1 
song 

•  s  .ni 

Id 

R6      - 

:  r 

zheen 

1,       :-        1 

Dhu 

1       A 

of 

i:s, 

<     Of 

d 

glade 

:d 

and 

Hi 

glen, 

:s,       Is        :-  .s    |s 

of         j  ford                and  fen, 

f  :ro    .s 

1 
lake 

:  *  .n 

and  of 

Id 

moun 

:d 

-   tain 

d        :           1 

blue! 

(       Of 

(  :m  .s 

\    Of  the 

1 

signs 

that 

stand 

:  s  .PI 

o  -  ver 

s         :-  .s    |  s 

all                   the    land 

<:m   .s 

1 

tell 

:  s   .n 

of   the 

Id 

long 

:r 

a  - 

1.       :-        1 

1      To 

<  :_s,  _.s, 

v  Let  your 

d 

voi     - 

:d 

ces 

Hi 

ring 

•    O             O 

.  S|    .b| 
in    the 

s        :-  .s    |  s 

song              I        sing  — 

rail. 

(  :  m   .s 

1 

!  S      I'l 

Id 

:d 

d        :-        |. 

t>e6  ! 

CHORUS. 

<  :ro   .s 

1 

:  1 

|  1 

:  s  .m 

s        :-        |s 

}    Hur  - 

rah! 

the 

night 

is 

end        -               ed  ! 

381 


j :  m    .s 

<      We 


the 


:r 

dawn's    red 


i, 

glow, 


O! 

:m   .s 

SeAtiA- 


d        :d 

shout      it 


:s   .s 


1, 

high,       'tis    a 


:s    .n   |d         :d 

|\e    HA  nSAe-DCAL  50 


S 
free 

d 

•oeo  ! 


•8     |S  ) 

man's  cry — ) 


2.  I  sing  of  every  wood  and  stream, 

Of  tower,  and  vale,  and  town, 
Where  brave  men  died,  where  brave  men  tried 

To  tear  the  red  rag  down ; 
From   CiA|\pAige  brave  to  the  widest  wave 

Where  Lagan's  waters  flow, 
From  UeAtriAi|\  nA  Hi 05  to  the  winding  Lee — 

SeAtiA-ei|\e  tiA  nSAe-oeAl  50  -oeo  ! 


CHORUS. 


3.  I  raise  a  rann  for  the  ones  who  tread 

The  path  to  the  dawning  day, 
Who  will  pause  no  more  till  their  native  shore 

Is  free  from  the  Saxon  sway  ; 
Till  from  ev'ry  hill  and  from  ev'ry  rill, 

The  freedom-cry  shall  go, 
From  old  and  young,  in  the  Gaelic  Tongue  — 
SeAtiA-6ipe  HA  n^Ae-oeAl  50  -006  ! 


CHORUS. 
BRIAN  O'HIGGINS. 

This  fine  air  was,  unfortunately,  associated  for  a  long  time  with  a 
vulgar  music  hall  ditty.  I  don't  know  the  Irish  name  for  the  air.  I 
leave  it  without  a  name  rather  than  give  it  the  name  of  the  said  vulgar 
song  by  which  it  was  known.  The  air  has  all  the  marks  of  a  very  old 
Irish  air  —  two-strain,  gapped  scale  and  threefold  repetition  of  final  note. 
Brian  O'Higgin's  fine  song  will  lift  it  to  a  higher  plane  than  it  was  accus- 
tomed to  occupy. 


382 


ERIN    FREE. 


KEY  D.     Lightly. 

P 

(  *  ri 
' 

d     : 

r     : 

PI 

In    : 

r 

:n    (d     : 

m    : 

s     1 

1     :- 

(  Last 

night 

as 

I 

poii-dered 

in     i  sor  - 

row 

and 

dole, 

J  :  s 

d1    : 

t     : 

1 

|s     : 

f 

:  PI 

m     : 

r     : 

r     1 

r    :  - 

(    A  - 

griev-ing 

for 

E    - 

rin, 

her 

thral-dom 

and 

pains, 

<  :  Pi.r 

d     : 

r     : 

PI 

|n     : 

r 

:  m 

d    : 

m     : 

s     1 

1     :- 

(      A 

vis  - 

ion 

of 

glo  - 

ry 

stole 

0      - 

ver 

my 

soul  — 

cres. 

<:* 

r1    : 

t     : 

s 

If     : 

m 

:r 

PI     : 

d     : 

d     1 

d     :- 

(       I 

thought  she 

was 

free 

and 

no 

long- 

er 

in 

chains. 

(  :  (BJ 

s     : 

1     : 

t 

Id'    : 

t 

:« 

r'    : 

d1    : 

t       I 

1     :s 

< 

Past 

was 

the 

night 

of 

her 

bon 

iage 

and 

woe, 

< :  PI    Id1    :  t     :  1     |  s     :  f     :  m     In     :  r     :  r     |  r     :  -    ) 

(  And    (dawned had  the     mor  -  row  we're]  long  -  ing    to       see;  ) 


( ;  nt. 

(    All 


:  n.r 

d     : 

r 

:  m 

I1!      : 

r 

:  m 

d 

:  m 

:  s 

11 

All 

na  - 

ture 

re    - 

joiced 

in 

the 

fall 

of 

her 

foe 

cres. 

:d" 

y»l       • 

t 

:s     | 

f     : 

PI 

:  r 

PI 

:d 

:d 

Id 

And 

birds 

in 

the 

bush-es 

sang 

"E 

-  rin 

is 

free 

2.  I  looked  down  the  valley  where  want  used  to  reign 

In  ruin  and  grief  through  the  desolate  years  ; 

And  happy  homes  smiled  amid  fields  of  ripe  grain, 

And  laughter  and  song  floated  up  to  my  ears. 


383 

The  bonfires  were  blazing  along  the  hillside, 

And  the  boys  and  the  colleens  were  dancing  in  glee. 

And  tho  old  people  weeping  with  gladness  and  pride, 
That  Heaven  had  spared  them  till  Erin  was  free. 


3.  I  looked  on  the  hill  for  the  castle  that  frowned 

Through  ages  of  hate  on  the  serfs  of  the  land  ; 
Its  halls  were  all  lonely,  and  echoed  no  sound, 

Its  haughty  and  mighty  were  humbled  and  banned* 
Afar  on  the  ocean  a  thousand  white  sail 

Were  bearing  glad  exiles  from  over  the  sea, 
The  hymn  of  their  triumph  rose  high  on  the  gale — 

"  Be  glad,  O  ye  nations  !  our  Erin  is  free  !  " 


4.  And  oh  !  my  heart  leaped  when  I  saw  down  the  glen 

An  army  of  valour  pour  into  the  plain ; 
And  proud  in  their  van  rode  the  leader  of  men, 

Whose  bright  sword  had  riven  her  fetters  in  twain 
"  O,  Erin  !  "  I  cried,  "  how  thy  sons  must  rejoice 

This  hour  of  thy  pride  and  thy  glory  to  see  !  " 
But  the  bright  vision  fled  at  the  sound  of  my  voice, 

And  ah  !  'twas  a  dream  that  my  Erin  was  free  ! 


6.  O  sea-severed  sons  of  our  sorrowing  land, 

If  surely  you  wish  that  my  dream  should  come  true, 
Vow  now  in  her  service  brave  heart  and  strong  hand, 

And  all  things  for  Erin  to  dare  and  to  do. 
Her  glory,  the  theme  of  your  hopes  and  your  sighs  ; 

Her  freedom,  the  aim  of  your  lives  ever  be — 
And  soon  from  her  slumber  of  ages  she'll  rise, 

And  stand  'mid  the  nations,  unfettered  and  free. 

FRANCIS  A.  FAH? 


384 


COME    REST     IN     THIS    BOSOM. 


KEY  C. 

j:  rc.se 

(  Come 

1 

rest 

Air;  "Lough 

:l.t   :d'  .1    s      :in       :dir«n  If      : 

Sheoling." 

f      :rc.rl 

in         this      bo  -  som,         my      |  own  strick   -    en  ) 

<|m 

(  1  deer  ! 

:- 

:m  .se 

Tho'  the 

herd      have        fled 

O               til 

from  thee 

:d       ) 

,      thy          { 

ir 

(  1  home 

is      still 

1,       :-       ;n    .r 

here;                   Here 

d       :d_ 

still         is 

.r  :m  .d  ^ 

the     i 

m 

(1    r     :d 

(  1  smile  that 

:  d  «r  «n 

f        :f       ;n  .r 

cloud    can           o'er  - 

m       :- 

cast, 

:rc  .se) 

And  the) 

no 

5|i     • 

(  |  heart 

1    .t 

and 

:d'   .1 

s       :n       :d 

hand    all         thy 

r  .,d  :1, 

:li       I 

the       ) 

the 

own      to 

II1' 
I]  last  1 

:- 

I' 

Oh  !  what  was  love  made  for,  if  'tis  not  the  same 

Through  joy  and  through  torment,  through  glory  and  shame  7 

I  know  not,  I  ask  not,  if  guilt's  in  that  heart, 

But  I  know  that  I  love  thee,  whatever  thou  art. 


3.  Thou  hast  called  me  thy  angel  in  moments  of  bliss, 
And  thv  angel  I'll  be,  'mid  the  horrors  of  this, 
Through  the  furnace,  unshrinking,  thy  steps  to  pursue, 
And  shield  thee,  and  save  thee,  or  perish  there  too. 


THOMAS  MOORE. 


PR 
8860 

W35 
1922 


Walsh,   Patrick 

Songs  of  the  Gael 
Rev.   and  enl. 


PLEASE  DO  NOT  REMOVE 
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