Thematic Index Of English Eighteenth-Century Overtures And Symphonies

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APPENDIX TO VOLUME LXXVIII
PROCEEDINGS OF

THE ROYAL MUSICAL ASSOCIATION

XMOJUBLIC LIBRARY.

THEMATIC INDEX

OF ENGLISH
EIGHTEENTH-CENTURY
OVERTURES AND SYMPHONIES

by C. L. Cudworth

London
THE ROYAL MUSICAL ASSOCIATION

1953

ALL RIGHTS RESERVED

Printed by BARNICOTTS LIMITED
at THE WESSEX PRESS, TAUNTON

PREFATORY NOTES

IT is now more than a year since my paper on The English
Symphonists of the Eighteenth Century was read before the Royal
Musical Association. In the meantime, the opportunity has
been taken of discussing various problems of dating, etc., with
other members of the Association also interested in the music
of the Georgian Period. Accordingly it will be found that
some of the dates given in the following lists differ slightly
from those quoted in the original paper, particularly those
associated with the collections of symphonies and overtures by
Doctors Arne, Boyce and Greene* These were all published
some time after the actual dates of composition of the indi-
vidual works.

The usual scoring of the earlier compositions in these lists
was for strings, oboes and bassoons, with very occasional use
of flutes, horns, trumpets and drums. The later works usually
included a pair of horns.

The two lists are not intended to be exhaustive but to give
some indication pf the main source material for the history of
the English symphony during the eighteenth century. Only
composers of British origin are included and in general only
their symphonic works; Overtures of the French type are for
the most part disregarded;, unless they have some special
significance, or form part of a set which also includes true
three-movement symphonies, as for example those of Arne
and Boyce. The one important exception is the set by Greene
which has been included because of the ambiguous nature of
its tempo markings.

LIST A

THIS is a finding-list, indicating the main titles and the
Libraries in which they may be found, as well as a description
(see Abbreviations : i. Classification).

Numbers in parentheses at the end of some of the entries
refer to the respective entries in the Thematic Index.

The abbreviation "etc." after the name of a library
Indicates that the work can be found in most British music
libraries.

LIST B

THIS is the thematic catalogue, listing works published after
1740, when the symphony was just beginning to assume
concert significance. Most of the works named were pub-
lished in sets of orchestral parts ; this in itself gives some idea
of which symphonies were considered likely to be popular
enough to risk the cost of printing for public performance.
The catalogue also includes a few symphony-overtures pub-
lished in the full scores of operas, odes, etc. At the end are
a few works which, although of some importance, were not, so
far as is known at present, actually published in full score or
orchestral parts. The thematic catalogue may seem a little
cramped but space is precious; if some of the themes seem
unduly short, it is hoped that they will still prove long enough
for identification.

I would like to take this opportunity of thanking the Council
of the Royal Musical Association for their generosity in making
possible the publication of these lists; also to record my
grateful thanks to Dr. Edith Schnapper, Dr. Eric Mackerness,
and especially to Mr. Gerald Finzi for kind assistance in
providing some of the data which follow,

C. L. GUDWORTH.

June 1953.

ABBREVIATIONS

i. Classification of Copies

MsFs. Manuscript Full Scores.

JVTsP. IVXanuscript Orchestral Parts.

PFs. Printed Full Scores.

PP. Printed Orchestral Parts

PVs. Printed Vocal Scores.

Hpd. Harpsichord Arrangements,

Pf. Pianoforte Arrangements.

Vn. Violin.

\CJ. .b'rencn ouverture,

S. Symphony.

M. Medley.

ii. Libraries.

OFW. Cambridge Fitzwiiliam IVEuseum.

GP. Cambridge, Pendlebury Library.

CR. Cambridge, Rowe Library.

GU. Cambridge, University Library.

ER. Edinburgh, Reid Library.

GE. Glasgow, Euing Library.

GU. Glasgow, University Library.

H. Hinchingbrooke House, Hunts.

LBM. London, British M/useum.

LRA. London, Royal Academy of Music.

LRG. London, Royal College of Music.

MHW. Manchester, Henry Watson Library.

OB. Oxford, Bodleian Library.

T. Tenbury, St. Michael's College.

LIST A

FINDING LIST

OF
SOURCE MATERIAL

SOURCE MATERIAL

This may be divided into the following categories:

MANUSCRIPTS These are not numerous, although large collections
must have existed at such centres as Vauxhall,
Ranelagh, the theatres, etc. Extant manuscripts
consist of the following types:

(a) Full scores of separate symphonies. [MsFs]

(b) Full scores of operas, masques, oratorios, odes, etc.,
which contain symphony-overtures. [MsFs]

(c) Orchestral parts. These are very rare, where English
symphonies are concerned, but there are a few
examples. [MsP]

PRINTED A larger source than the manuscripts. It consists

of four types:

(a) Printed full scores [PFs] of separate symphonies.
Although no example is at present known, it is possible
that such scores did exist in England, as England was
the first country to print full scores of concerti, etc.

(b) Printed full scores [PFs] of operas, oratorios, odes, etc.,
which contain symphony-overtures. These are fairly
numerous.

(c) Printed orchestral parts [PP]. These are by far the
largest source.

(d) Printed keyboard arrangements. Where both manu-
script and printed full scores or parts fail, or have
disappeared, it is often necessary to consult the key-
board adaptations of popular overtures and sym-
phonies published in the vocal scores^ of operas, etc.
[PVs] or in separate harpsichord or pianoforte copies
[Hpd., or Pf].

A few works in a(J) can be found in most music libraries. 2(c) is
best represented in the British Museum, the Henry Watson Library
at Manchester, the Bodleian, the Royal College of Music and the
Royal Academy of Music. z(d} is well represented in all British
music libraries.

IX

ARNE, Michael

Almena, Choice of Harlequin, etc.
Cymon (141)

Classifications Libraries

ARNE., Thomas Augustine

Eight Overtures in 8 parts, London,
Walsh [c. 1751] (1-8)

PVs. LBM., etc.
PVs. LBM., etc.

PP. LBM., LRC., LRA.,
HWM., CP., CR.

(Nos. 7 and 8, the overtures to Comus

and the Judgment of Paris, can also

be found in PFs. and PVs. of these

works) LBM., etc.

Four New Overtures or Symphonies in

8 and 10 parts, London, Johnston

[c. 17671(9-12) PP. LBM, H.

The Masque of Alfred, London, Walsh.

l>- 1755] (13) PFs * LBM., LRC.

Artaxerxes, London, Johnson [1762]

( I4 ) PFs. LBM., etc.

Artaxeixes, London, Longman [c. 1770! PP. LBM., etc.

The Cooper, London, Napier [1772]

( I5 ) ... .. !. PVs. LBM., etc.

The Cooper PP. OB., LRA., LRC.

Elfrida, London, Johnston [1772] (16) PVs. LBM., etc.

Elfrida, London, Johnston PP. ?

Eliza, London, Walsh [i 758] (17) - PFs. LBM., etc.
The Fairy Prince, London, Welcker

[1771] (18) PVs. LBM., etc.

The Fairy Prince PP. OB., ER.

The Guardian Outwitted, London,

Bremner[i764l(i9) PVs LBM., etc.

The Guardian Outwitted (Periodical

Overture, No. 27) [c. 1770] - - pp - LBM -
Judith, London, Walsh [i 764] (20) . . PFs. LBM., etc.
Judith, London, Walsh [c. 1 765] . - PP- LBM., etc.
King Arthur, London, Longman

[c- 1773] ( 2I ) but wit k overture in

Hpd am PFs. LBM., etc.

King Arthur PP. LBM., LRC.

Medley Overture, London, Walsh

[1760] (22) PP- LBM., LRA.

The Rose (in A Trip to Portsmouth),

London, Longman [i 773] (23) . . PVs. LBM., etc.
The Rose (in A Trip to Portsmouth),

London, Longman PP. ?

Thomas and Sally, London, Walsh

[1761] (24) PFs. LBM., etc.

Thomas and Salley, London, Walsh

[<?. 1765] PP- LBM., etc.

Classifications Libraries
ARNOLD, Samuel

Six Overtures in 8 parts, Op. 8, London,

Longman [c. 1775-1780] (25-30) .. PP. LBM.

The Agreeable Surprise, Op. 16, Lon-
don, Bland [<?. 1781] (142) . . . . PVs. LBM.

Many other opera overtures in PVs. . . LBM., etc.

ATTWOOD, Thomas

Several opera overtures in PVs

BARRETT, John

Mary Queen of Scots, London \c. 1701]
Suite, with symphonic introduction PP.

Tunbridge Walks, London \c. 1701].
Suite, etc PP.

BATES, William

The Jovial Crew, London, Johnston

[1760] PFs.

The Ladies' Frolick, London, Long-
man [1770] PVs.

Pharnaces, London, Welcker [1765]

(143) PVs.

Several other opera overtures in PVs.

BOYCE, William

Eight Symphonys in 8 parts, Op. 2,
London, Walsh [c. 1760] (31-38) . . PP.

LBM., etc.

LBM., LRC.
LBM, LRC.

LBM., CR.
LBM., etc.

LBM., CP.
LBM, etc.

LBM, LRA, LRC.,
CFW.

[Other sources for the above]
Symphony No. I (31); New Year's

Ode, 1756 MsFs. OB.

Symphony No. 2 (32) ; Birthday Ode,

1756 MsFs. OB.

Symphony Np. 3 (33) ; The Chaplet,

1 749 PFs. & PVs. LBM, etc.

Symphony No. 4 (34); Shepherd's

Lottery, 1 751 PFs. & PVs. LBM, etc.

Symphony No. 5 (35); Source not

known.
Symphony No. 6 (36); Solomon,

1743 PFs. & PVs. LBM, etc.

Symphony No. 7 (37) ; Pindaric Ode MsFs. OB.
Symphony No. 8 (38); Worcester

Festival Overture OB.

Twelve Overtures, privately printed,

1 770 (39-50) PP. LBM,MHW.

[both imperfect]

[Other sources for the Twelve Over-
tures]

Overture No. i; Birthday Ode,

1762 MsFs. OB.

Overture No. 2; Birthday Ode,

1765 MsFs. OB.

Classifications Libraries
Overture No. I (39) ; Birthday Ode,

1762 MsFs. OB.

Overture No. 2 (40) ; Birthday Ode,

1765 MsFs. OB.

Overture No. 3 (41); New Year's

Ode, 1763 MsFs, OB.

Overture No. 4 (42); 'Peace' Ode,

1763 MsFs. OB.

Overture No. 5 (43); New Year's

Ode, 1762 MsFs. OB.

Overture No. 6 (44); The Secular

Masque, ? 1 750 MsFs. LBM.

Overture No. 7 (45); New Year's

Ode, 1765 MsFs. OB.

Overture No. 8 (46) ; Birthday Ode,

1761 MsFs. OB.

Overture No. 9 (47); New Year's

Ode, 1768 MsFs. OB.

Overture No. 10 (48) ; Birthday Ode,

1764 MsFs. OB.

Overture No. 11 (49); Birthday

Ode, 1766 MsFs. OB.

Overture No. 12 (50); New Year's

Ode, 1766-7 MsFs. OB.

[There are also other symphony-over-
tures by Boyce in MsFs. in the
Bodleian, as for example his Ode for
St. Cecilia's Day]
The Cambridge Ode [London, 1749]

(5")

Note. The two other overtures edited by
C. Lambert in the Oxford Orchestral
Series (Pan and Syrinx, and The
Power of Music) are by John Stanley.

BRODERIP, Robert

Ode on the King's Recovery, London,

Longman [1788] Pf. LBM.

BRYAN, Cornelius

A new grand overture, Op. i , London,

Broderip and Wilkinson [c. 1800] . . Pf. & LBM.

Vn. arr.

BUSBY, Thomas

Joanna, A Tale of Mystery, and other

PFs. LBM., etc.

ystery, am
;.,inPVs.

opera overtures, etc,

BUTLER, Thomas Hamley

The Widow of Delphi [? 1 780] , . . . PVs.
Favorite New Medley Overture . . . . Pf.

CALLCOTT, John Wall

Two symphony-overtures in MsFs. . .

GARTER, Charles Thomas

The Rival Candidates, and other opera

overtures , PVs.

LBM., etc.

LBM., etc.
LBM.

LBM. (Add. 27636)

LBM., etc.

Classifications Libraries
CHARKE, Richard

Medley overture [No. 3 of 6 Medley

Overtures] (52) PP. LBM.,etc.

COLLETT, John

Six Simphonies or Overtures in 8 and
10 parts, Op. 2. London, Johnston,

etc. (53-58) PP. LRA.

\c. 1753-5] MHW.

Overture in The Hermit, or Harlequin

at Rhodes (59) MsFs LBM. (Add. 31576)

V y; [<M770] PP. OB.

CROFT, William

The Twinn Rivals, London [c. 1701].

Suite, with Symphony PP. LRC.

CROTCH, William

Overture in A major in MsFs. 1795

(144) . . LBM. (Add. 30393)

Various other orchestral works in MsFs

DIBDIN, Charles

Various symphony-overtures in MsFs. LBM (Add. 30950)

The Padlock, London, Johnston [1768]

(60) PVs. LBM., etc.

PP. LBM., MHW., OB.
The Blackamoor, London, Johnston

[1770] (62) PVs. LBM., etc.

PP. ?lost?
The Institution of the Garter, London,

Longman [1771] (61) PVs. LBM., etc.

Many other opera overtures in PVs. . . LBM., etc.

The Recruiting Sergeant, London,

Longman [c. 1770] PFs. LBM., GR.

ERSKINE, Thomas Alexander, Earl of Kelly
see KELLY

FISHER, John Abraham

Six Symphonies in 8 parts, London,

Longman [c. 1770] (63-68) . . . . PP.
Overture in The Syrens, London,

Portal [1777] (69) PP-

Symphony in E|j MsP.

Overture in The Golden Pippin.

1773(145) PVs.

LRC.

LBM.
L.B.M.
(RM. 21. d.5)

LBM., etc.
(RM.ai.d.5)

GREENE, Maurice

Six Overtures, in , 7 parts, London,

Walsh [c. 1745] (70-75) PP. LBM., MHW.

Hpd. LBM., T.
Florimel or Love's Revenge [ ? 1737]

(146) MsFs. LBM., LRG.

New Year's Odes. 1739, 1745, 1746

(147-8) MsFs. OB.

Classifications
HAIGH, Thomas

A Favorite Symphony in 9 parts,
London, Cahusac [c. 1790] (76) . . PP.

HAYES, Philip

Odes, masques, etc., in MsFs

HAYES, William

Circe, etc., Oxford, 1742 . . . .

PFs.

Libraries

LBM.
OB., T.
LBM., OB.

HOOK, James

The Lady of the Manor, Op.20,London,
Thompson [i74 8 l (77)

Many opera overtures in PVs

The Sacrifice of Iphigenia [i 766]
Later opera overtures (post- 1800) in

MsFs .. .-

Overture in the 'Antient style'

HORN, Charles Edward

Opera-overtures in PVs

HOWARD, Samuel

PVs.
PP.

Hpd.

MsFs.

LBM., etc.
HWM.
LBM., etc.
LBM., CU.

CU.

CU.

LBM, etc.

Wahh rf7/L4.1 (78)

PVs.

LBM., etc.

Overture, in 6 Medley Overtures
Overture, Separately printed . .

HUMBLE, MaximiUan

PP.
PP.

Pf. &

LBM., etc.
CP.

[Overture lost?]

JACKSON, William, of Exeter
Ode to Fancy, Op. 8, London [c, 1769]
(79)

Vn.
PFs.

LBM., etc.

The Lord of the Manor, Op. 12,
London, Preston [i 78 1]
The Metamorphosis, Op. 14, London,
Longman [1783]

PVs.

LBM., etc.
LBM.

JONES (?) t ^

Wagner and Abericock (Overture in
Hpd. arr., in The Lady's Banquet,
Bk. i,c. 1730) ..........

KELLY, Michael

Many opera overtures in PVs .....

KELLY, Thomas Alexander Erskine, Earl of
Six Overtures in 8 parts, Op. i, Lon-
don, Bremner [c. 1761-2] (80-85) pp -

Periodical Overtures, Nos. 13, 17, 25,
London, Bremner [c. 1766-70] (86-88)

Periodical Overture, No. 28, The Maid
of the Mill, London, Bremner
[Printed c. 1770] (89) .. .- .-

Six Simphonies in 4 parts by Stamitz,
his Pupil the Earl of Kelly and
others . . . London, Bremner
(Nos. i, 2, 3 and 5) [c. 1765] (90-93)

__
PP.

CR.
LBM., etc.

LBM., RCM., OB.,
GU., MHW., C.P.

LBM., MHW.
LBM., MHW.

LRC.

KING, Charles

Alexander's Feast

Classifications Libraries
.. MsFs. LRA.

LJNLEY, Thomas, The Elder

The Royal Merchant, London,

Welcker[i768](i49)

Many other opera overtures in PVs. . .

LINUEY, Thomas, The Xounger

The Duenna, London, Thompson
[17751(94)

The Cadi of Baghdad

The Triumph of Mirth, London,

PVs.

LBM., etc.
LBM,, etc.

Thomson [c. 1782]

MARSH, John

A Favorite Symphony, Nos. 1-6,

London, Culliford [c. 1 795]

No. i in Bj> (95'

No. 2 in B|? (96

No. 3 in D (97)

No. 4 in F (98)

No. 5 in ? (99)

No. 6 in D (100)

Three Overtures, Op. 37, arr. as

quintets, London, Goulding, Phipps

andDalmaine [after 1800] (101-3)

London,

PVs. LBM., etc.
PP. ?

[Modern score, etc., Augener]
MsFs. LBM. (Add. 29297)

PVs. LBM.

PP.

PLost

?Lost

PLost
LBM.,RM., 17. c. i

? Lost
[Flauto only in LBM.]

PP. MHW.

A Conversation Sinfonie,

Preston [c. 1 786] (105) ...... PP. MHW.

[Published under the name of J. Sharm]
Celebrated Overture, La Chasse,

London, Preston [c. 1795] (104) .. PP. MHW.
Three Overtures . . . composed after

the manner of the Ancient Masters,

London, Preston [after 1800] . . . . PP. MHW.

MAZZINGHI, Joseph

Magician no Conjuror, and other

opera overtures in PVs ....... LBM., etc.

Ramah Droog (Country Concerts No. i)

London, Goulding, Phipps and

D'Almaine [after 1800] (106) . . . . PP. MHW.

MOZE, Henry

The Overture to the Entertainment of
the Witches, or A Trip to Naples,
London, Thompson [c. 1770] (107)

PP.
Hpd.
NARES, James

The Royal Pastoral, London, Welcker
[c. 1769] ............ PFs.

LBM.

LBM., MHW.
LBM.

LBM., etc.

NORRIS, Thomas

Six Simphonies, in 8 parts, Op. i,
London, the Author [c. 1765] (108-
113) ..............

PP. LBM.,RCM.,HWM.

PARKE, William

Lock and Key, Netley Abbey

Classifications
. . PVs.

PR1NG, Jacob Cubitt

Overture, in Bland's Collection, I,
No. 7 Hpd.

Libraries
LBM., etc.

CR.

PURCELL, Daniel

The Judgment of Paris MsFs. GFW.

The Judgment of Paris, London,
Walsh [1701]

u-,--, PFs.

The Rival Queens, London [c. 1701] PP.

PURCELL, Henry (?)

Sonata for Trumpet and Strings

REEVE, William

The Turnpike Gate (Country Con-
certs, No. 5), London, Goulding,
Phipps and D'Almaine [after 1800]

LBM., etc.
LRC.

York Minster

(114)

PP.

HWM.

Pf.'&

LBM., etc.

PVs.

Harlequin and Oberon, London,

Wheatstone [>. 1800] (115)

PP.

HWM.

Pf.&

LBM, etc.

PVS.

Many other opera overtures in PVS.

Pf. arr.

LBM., etc.

LFE, John

An Overture, London [c. 1 795]

Hpd.

LBM.

RUSH, George

The Royal Shepherd, London,
Welcker[i764](u6)

The Capricious Lovers, London,

RUSH, G.]

Overture in G*

SHARM, H.

see MARSH, J.

PVs. LBM., etc.
PP. LRA., LRC., OB.,
ER.

PVs. LBM., etc.
PP. ? Lost

Hpd. LBM.

SHAW, Thomas

Cymon, London, Thompson [c, 1780]

("8) PVs.

PP.

The Island of St. Marguerite, London,
Thompson [c. 1789] (119) . .

The Mariners (Opera by Attwood) . .

SHIELD, William

Rosina. Many editions of PVs. (150)
Many opera overtures in PVs

1

PVs.

PP.

PVs.

LRC.
?Lost

LBM.
PLost
LBM., etc.

LBM., etc.
LBM., etc.

Classifications Libraries
SMETHERGELL, William

Six Overtures in 8 parts, Op. 2,
London, Longman, etc. [c. 1775]

(120-125) PP. LRA., MHW.

Six Overtures in 8 parts, Op. 5, A
Second Sett, London, Preston [?

1780-90] (126-132) . . ' PP. LBM., OB., MHW.,

GU.
STANLEY, John

Arcadia. Wedding Pastoral, 1761. MsFs. LRG.
The Power of Music; Pan and Syrinx MsFs. CR.

The Choice of Hercules MsFs. LBM.

Various French ouvertures in PFs. . . LBM., LRG.

STEVENS, Richard John Samuel

Emma MsFs. CFW.

The Mistake of a Minute, 1787 . . . . MsFs. GFW.

STORAGE, Stephen

No Song, no Supper MsFs. LRG.

Other opera overtures in PVs LBM., etc.

TAYLOR, Raynor, of Chelmsford

Buxom Joan, London, Longman [c.

1778] PVs. LBM., etc.

VALENTINE, John

Eight Easy Symphonies, Op. 6,
London, Bland [c 1785] (133-140) . . PP. LBM.

WESLEY, Samuel

Several symphonic works in MsFs

(151-157) LBM. (Add. 35008;

WOLTON, Charles Henry

Symphony in 8 parts, Liverpool, Pye

[c. 1795] PP. ?Lost

-WISEMAN, Charles

In 6 Sinfonie ... by Bernasconi, Bura-
nello, Jormnelli and Wiseman.
London [c. 1760] PP. H.

YARNOLD, Bernard

Six Overtures, London, The Author
[c. 1780] Hpd. CP.

YATES, William

The Choice of Apollo, 1 764 ( 1 58) . . MsFs. LRC.

SOME MODERN EDITIONS

ARNE, T. A.

Artaxerxes; ed. G. Warrack. Score and parts. Boosey & Hawkes.
Comus; ed. J. Herbage. Full score of masque in Musica Britannica,

Vol. III. Stainer & Bell.
Eight Overtures. No. 2 in A major; ed. J. Herbage. On hire only,

from Goodwin & Tabb.
Eight Overtures, No. 4 in F major; ed. A. Carse. Score and parts.

Augener.
Eight Overtures, No. 6 in B flat; ed. J. Herbage. On hire only, from

Goodwin & Tabb.
No. 8 in G (The Judgement of Paris) ; ed. A. Carse. Score and parts.

Augener.
May Day; ed. J. Herbage. On hire only, from Goodwin & Tabb.

BOYCE, W.

Eight Symphonies; ed. C. , Lambert. Score and parts. Oxford

University Press.
The Cambridge Ode; ed. Constant Lambert. Score and parts.

(Last movement omitted.) Oxford University Press.

LINLEY, T. ( Jimr,)

The Duenna; ed. A. Carse. Score and parts. Augener.

STANLEY,!.

Pan and Syrinx; ed. C. Lambert. Score and parts. Oxford Univer-
sity Press.

The Power of Music; ed. C. Lambert. Score and parts. Oxford
University Press.

STORAGE, S.

No Song, No Supper; arn D. Dalley. Score and parts. Augener.

LIST B

THEMATIC
INDEX

ARNE.T.A.

EI<*HT OVERTURES , c.wK?)

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