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THE 


n  o  &  a 


UNIVERSAL    PSALM  O  D  I  S  T. 

CONTAINING,  K      L>        ,    I  ^  7  . 

I.  A  Compleat  Introduction  to  Pfalmody ;  or,  The  Art  of  Singing  Pfalms,  &c.  Interfperfed  with  many  ufeful 
Scales  and  Examples,  carefully  laid  down  and  explained,  in  a  familiar  Dialogue  between  Matter  and  Scholar. 

II.  A  choice  and  valuable  Colleftion  of  Pfalm  and  Hymn  Tunes,  Canons  and  Anthems,  many  of  which  were  never; 
before  publifhed ;  alfo  the.  Tunes,  Anthems,  &c.  fung  at  the  Magdalene  and  Foundling  Chapels,  and  other  public 
Places  in  and  about  London,  with  Words  adapted  to  each  Tune. 

The  Whole  compofed  in  a  New  and  Eafy  Tafte, 

For  Two,  Three,  and  Four,  but  generally  for  Four  Voices,  in  the  mod  familiar  Keys  and  Cliffs,  according  to  the  Adv  ice 
and  Direction  of  the  moft  eminent  Matters  in  London.  Calculated  to  promote  and  improve  this  moft  excellent  l'art  of  Social 
Worfhip,  and  thereby  render  it  both  ufeful  and  delightful  in  all  Country  Choirs,  as  well  as  in  the  Congregations  and  other 
Religious  Societies  in  London*~and  Weftminfter. 


By   A.  W  I  L  L  1  A  M  S,  Teacher  of  Psalmody  in  London. 


LONDON: 
Printed  for  Joseph  Johnson,  at  Mead's  Head,  oppofite  the  Monument.  1763, 


London ,  Jan.  io,  1763. 

In  the  Prefsy  and  will  be  publijhed  in  a  few  Days, 

I  The  Second  Part  of  the  Golden  Treafury  for  the  Children  of  God  whofe  Treafure  is  in  Heaven. 
Confifting  of  Seled  Texts  of  the  Bible,  with  practical  Refledions  in  Profe  and  Verfe  for  every  Day  «, 
the  Year.    By  C.  H.  v.  Rogatzky,  Author  of  the  Firft  Volume. 

II.  Twelve  Sermons  on  important  Subjefts.  By  the  Hon.  and  Rev.  Walter  Shirley,  A.  B.  The  Second 
Edition,  corrected.    Price  2  s. 


R  E 


A 


G  E. 


To  all  Lovers  of  Psalmody. 


A  IVINE  Mufic  is  undoubtedly  the  moft  noble 
I  of  all  arts,  being  more  immediately  appointed 
JL-^  to  fet  forth  the  glory  and  praife  of  the  great  Cre- 
ator of  all  things     and  when  otherwife  employed  is 
greatly  profaned  and  abufed. 

Many  and  wonderful  are  the  productions  of  this  inex- 
hauftible  fountain,  whofe  beauty  and  excellence  is  greatly 
illuftrated  by  the  fmallnefs  of  the  fpring  which  having 
furnifhed  the  ingenious  with  fuch  a  grand  and  pleafing 
variety,  is  ftill  as  full  a?  ever,  and  its  depth  unfathom- 
able •,  yet,  however  great  and  myfterious  this  art  may  be, 
fo  much  of  it  as  is  fufficient  for  our  delight  and  amufe- 
ment  is  more  eafily  attained,  than  many  people  imagine  ; 
and  I  cannot  help  thinking,  that  every  one  who  has  any 
ear  for  mufic,  (which  fome  few  have  not),  and  have 
heard  it  rightly  performed,  would  be  glad  to  learn  it,  if 
they  knew  where  or  how.  I  alfo  believe,  that  many 
young  people,  either  by  reading  obfcure  authors,  or  by 
hearing  people  talk  of  Mufic  in  a  dark  and  round-about 
way,  have  been  kept  back  from  learning  the  delightful 
art  of  Singing,  under  a  falfe  notion,  that  it  was  too  hard 


for  them.  This  induced  me  to  offer  my  afliftance  ;  and 
I  hope  the  plainnefs  I  have  aimed  at  in  my  Introduction 
will  have  the  defired  effect:,  namely,  to  promote  the  glory 
of  God,  and  the  comfort  and  delight  of  my  fellow- 
creatures. 

Pfalmody,  or  the  Singing  of  Pfalms,  &c.  if  performed 
with  due  reverence,  is  moft  certainly  one  of  the  grandeft 
employments  that  a  Chriftian  can  be  found  in,  as  it 
not  only  bears  a  refemblance  to  the  noble  worfhip  of  Hea- 
ven, but  conveys  to  us  the  ftrongeft  ideas  we  can  have  of 
the  employment  of  Angels  and  glorified  Saints.  I  think 
this  is  abundantly  evident  from  Scripture,  efpecially  the 
Revelations,  which  abounds  with  heavenly  anthems,  where 
we  are  told,  that  the  Angels  and  Archangels  join  in  ring- 
ing Hallelujahs,  &c.  to  Him  that  fits  on  the  throne,  and 
to  the  Lamb  for  ever  and  ever.  And  mall  we  be  fliame- 
fully  filent  ?  Should  we  not  join  in  the  Chorus,  as  we  term 
it,  or  rather  imitate  their  ftrains,  by  joining  to  fing  the 
praifes  of  Almighty  G,od,  for  his  wonderful  works  of 
creation  and  providence,  but,  above  all,  for  the  great 
work  of  redemption,  which  far  exceeds  our  highefl:  praife, 

A  2  as 


iv  P    R    E  F 

as  Dr.  "Watts  beautifully  expreffes  it  in  the  fecond  verfe  of 
his  Paraphrafe  on  the  1 50th  Pfalm. 

Let  all  your  facred  paflions  move, 

While  you  rehearfe  his  deeds  ; 
But  the  great  work  of  faving  love 

Your  higbeft  praife  exceeds. 

The  fame  author  has  another  verfe  very  pertinent  to 
this  in  one  of  his  hymns : 

Let  mortals  ne'er  refufe  to  take 

Th'  Hofanna  on  their  tongues, 

Left  rocks  and  ftones  mould  rife  and  break 
Their  filence  into  fongs. 

We  are  told  that  eternity  will  be  too  fliort  for  this  de- 
lightful work  ;  furely  then  it  is  time  to  begin  and  tho\ 
we  cannot  fufficiently  praife  him  here  below,  yet  we  mould 
improve  the  talents  we  have,  by  endeavouring  to  fet  forth 
his  praife  in  one  glorious  Trio  of  heart,  lip,  and  life  ;  for 
with  fuch  facrifices  God  is  wel*»pleafed. 

How  far  the  life  of  Mufic  is  abufcd,  is  not  fo  much  my 
prefent  bufinefs  to  mew,  but  rather  as  much  as  pofiible, 
to  prevent  a  farther  fpread  of  it.  And  here  I  would  only 
mention  one  thing,  than  which,  perhaps,  nothing  has  given 
more  caufe  for  the  abufe  of  Mufic  j  I  mean,  the  lhameful 


ACE. 

neglect  of  it  in  our  churches,  infomuch,  that  if  it  was  not 
for  a  few  young  people  afibciated  together,  there  would 
in  many  of  our  churches  be  very  little,  and  in  fome,  (I 
am  inclined  to  believe),  no  finging  at  all. 

Some  exclaim  much  againft  a  regular  method  of  finging 
in  time  of  Divine  fervice  •,  but  neverthelefs,  I  think  thofe 
little  country  focieties,  the  defign  of  which  is  to  promote 
it,  are  very  juftifiable,  for  the  reafons  juft  mentioned ; 
and  it  is  certain,  that  if  the  congregation  would  take  the 
trouble  to  learn  as  they  do,  they  might  fing  with  them 
with  great  pleafure  and  delight. 

I  flatter  myfelf  I  could  propofe  fome  methods,  which, 
if  purfued,  would  in  a  lhort  time  greatly  improve  our 
method  of  finging,  and  in  a  few  years  render  it  univerfal. 
I  mall  mention  but  two,  which,  tho'  not  new,  yet  are  the 
principal  ones.  And,  firft,  let  it  be  made  a  part  of  our 
fcholaftical  learning,  in  all  our  proteftant  fchools :  I  mean 
not  as  it  is  taught  in  fome  of  our  charity-fchools,  which, 
in  the  opinion  of  many,  had  better  be  quite  omitted ; 
but  that  children  be  taught  the  theoretical  and  practical 
part,  (according  to  their  capacities)  as  well  as  the  active 
or  mechanical  part  •,  which,  when  they  were  eftablifhed 
in,  they  would  no  more  forget,  than  the  reading  of  their 
books,  &c.  Secondly,  let  it  be  promoted  by  the  heads, 
of  all  worftiipping  afiemblies,  according  to  their  abilities, 


PRE 

by  giving  books  to  fuch  as  cannot  afford  to  purchafe,  and 
otherwife  encouraging  them  to  learn  ;  which,  by  chufing 
proper  clerks  to  lead  the  worlhip,  would  doubtlels  make 
it  both  eafy  and  pleafant  to  every  lover  of  devotion,  and 
more  acceptable  to  God.  It  might  alio  fave  our  churches 
much  expence  in  buying  organs,  &c.  which  are  now  very 
convenient  to  drown  the  hideous  cries  of  the  people.  It 
might  alfo  draw  many  young  people  to  attend  the  church, 
who  are  miferable  on  the  Sunday,  knowing  not  how  to 
fpend  their  time.  Such  perfons,  by  attending  the  pools 
of  Divine  Inftitution,  are  more  likely  to  be  caught  in  the 
Gofpel  net  •,  how  pleafing  the  thought  ?  but  how  much 
more  fo  would  thefe  practices  really  be  to  every  fober 
Chriftian  ?  to  fee  full  churches  and  thin  play-houfes,  finging 
focieties  inftead  of  riotous  clubs  and  drinking  bouts,  &c. 

I  expect  not  to  live  to  fee  all  thefe  my  wifhes  fulfilled  ; 
tho'  perhaps  there  never  was  a  more  favourable  opportuni- 
ty than  at  this  day,  when  the  fpirit  of  Harmony  feems  to 
revive,  and  many  young  perfons  are  feeking  the  knowledge 
of  Mufic  by  forming  themfelves  into  focieties  both  in  town 
and  country ;  and  this  I  hope  is  a  fufficient  apology  for 
prefenting  the  world  with  the  following  pages,  being  cal- 
culated as  well  for  the  instruction  of  thofe  who  are  defirous 
to  learn,  as  to  entertain  thofe  who  have  already  learned. 

To  the  firft  of  thefe  I  recommend  the  Introduction,  as 


'ACE.  v 

worthy  their  perufal  and  for  fuch  as  have  not  leifure  to 
ftudy  the  particulars  at  large,  I  have  fummed  up  the  whole, 
and  explained  it  in  two  or  three  fcales,  &c.  at  the  latter  end. 

To  the  fecond  I  need  fay  but  little,  they  being  able  to 
judge  for  themfelves  ;  only  that  I  have  been  careful  to 
have  the  Mufic  as  correct  as  pofllble.  As  to  the  new 
Tunes,  which  are  all  marked  with  a  {tar  in  the  Index,  I 
have  kept  the  air  of  every  part  as  fmooth  and  pleafant  as 
the  rules  would  admit.  As  for  the  old  Tunes,  where  I 
have  altered,  (which  is  very  little)  I  hope  I  have  improved. 
Some  few  of  the  old,  and  many  of  the  modern  Tunes, 
which  were  before  in  few  parts,  (and  fome  of  thofe  very 
unfit  for  the  voice)  I  have  greatly  altered,  and  added  more 
parts  for  the  ufe  of  mufical  focieties,  whom  I  would  ever 
ftudy  to  oblige. 

I  have  alfo  added  four  full  and  eafy  Anthems,  which 
were  all  I  had  room  for  in  this  work  ;  one  of  which  was 
never  before  publifhed,  but  has  been  fung  and  approved 
by  feveral  of  my  mufical  friends. 

Upon  the  whole,  I  have  been  at  great  expence  and  un- 
fpeakable  labour,  to  render  the  Universal  Psalmo!dist 
as  compleat  and  extenfivcly  ufeful  as  pofllble,  and  now 
recommend  it  to  the  candid  world.  If  any  thing  has  efca- 
ped  my  fight,  I  fliall  think  him  my  friend  who  lets  me 
know  it,  rather  than  indulge  an  envious  fpite,  in  imputing 

thofe 


PREFACE. 


vi 

thofc  errors  to  ignorance  or  conceit,  which  may  be  owing 
to  overfight.  But,  left  I  mould  keep  you  too  long  in  the 
Preface,  (tho'  too  much  cannot  be  faid  to  recommend  fo 
laudable  an  exercife)  'I  will  here  break  off,  as  your  time 
will  be  better  fpent  in  perufing  the  work  ;  and  that  a  blef- 
fing  may  attend  this,  and  every  undertaking  for  promoting 

N.  B.  In  the  following  work  the  initial  letters  at  the  top  of  the  page  direct  to  the  different  Authors  from  whence 
the  words  were  taken,  and  the  meafure  of  the  verfe,  &c.  viz.  Dr.  W.  for  Dr.  Watts'' 's  Verjion  ;  O.  V.  Old  Verfion  ; 
N.  V.  New  Verfion  •,  G.  W.  the  Rev.  George  Whitfield's;  J.  M.  Mr.  James  Maxwell,  L.  M.  Long  Metre  ;  C.  M. 
Common  Metre  ;  S.  M.  Short  Metre ;  P.  M.  Particular  Metre.  When  a  D.  is  added,  it  fignifies  that  the  Tune  is  dou- 
bled, or  includes  two  verfes,  &c. 


the  knowledge  and  practice  of  Divine  Pfalmody,  is  the 
hearty  prayer  of, 

Gentlemen, 

Your  moft  devoted  Servant, 
Lond.  Jan.  6.  1 7 63 .  A.  WILLIAM S. 


ADVERTISEMENT. 

IF  this  Work  meets  with  encouragement,  the  Author  having  in  his  pofTefTion  a  large  and  valuable  Col- 
lection of  Anthems,  fome  of  which  are  his  own  compofition,  propofes  to  offer  them  to  the  Public  in  a 
very  fhort  time,  under  the  infpection  of  a  very  eminent  mafter ;  of  which  public  notice  will  be  given,  and 
the  price  fixed,  as  foon  as  a  proper  eftirhate  can  be  made.  The  whole  to  be  neatly  engraved,  and  printed 
on  a  fine  paper,  according  to  a  fpecimen  intended  to  be  given. 

Snch  Mufical  Gentlemen  as  are  inclined  to  encourage  this  Work  are  requeued  to  fend  their  names  and 
places  of  abode  to  Mr.  Johnfon,  oppofite  the  Monument,  London. 
No  money  will  be  required  till  the  Work  is  finished. 

Any  perfon,  who  is  defirous  to  learn  Pfalmody  under  the  Author's  direction,  may  hear  of  him  by  ap- 
plying to  Mr.  Johnfon,  as  above,  where  letters  (poft  paid)  for  the  Author  will  be  received. 


'    A  L  P  H   A  B  E 


N.  B.  The  Tunes  which 


Tunes  Names. 


'A 


A. 


Iloffe-Street 
Aylelbury 
Aithlone  ■ — ■ 
Alderney  — 
Alcefter  — 
Amfterdam 
Angel's  Song 
Arlington  — 

B. 

Barnet  — 
Bath  — 
*Beconsfield 
Bedford  — 
Bethefda  - 
Bexley  — 
Bletchingly 
Blewbury  — 
►Bloflbm  — 
Bofton  — 
Bray  — 
*Brentford  — 
*Bi  ighthelmftone 


Page. 

43 
66 

90 

65 
71 

74 
95 
97 


102 

73 
131 

123 

60 
108 
64 
98 
128 
136 
*  no 

49 
106 


Tunes  Names. 
*Britannia 
Buckingham 
*Burnham 


Cambridge  new 
Canon  — 
*Charlotte 
Chatham 
*Chelhunt 
Colchefter 
Crowle  — 
Cumberland 


D. 


♦Dalflon 
*Derby 
Down 
Drefden 


Eagle- Street 
Lafter  Hymn 
*£gham  — 


C  A   L  INDEX 


with  a  Star,  were  never  before  printed. 


Tunes  Names. 
Elcnborough 
Evening  Hymn 


Fairfax  — 
Farnham  — 
Foundlings 
•Funeral  Thought 


G. 


Goodman's 
Grantham      .  — 
Great  Milton 
Green's  ico 

H. 

Hallifax  — 
Hanover  — 
Harlow  — 
Havan  — 
Hereford  — 
*Holbom  — 
I. 

Iflington  — 


Page. 
117 
109 


90 
121 
108 
127 

108 
77 
5i 

132 


130 
;lo7 
86 
89 

124 

111 


Tunes  Names. 

Kingfbridge 
Kettering 


K. 


L. 


Page. 

106 
80 


Leeds         —  — 
*Little  Marlborough 
*Littleton  — 
Low  Dutch  — 

M. 

Magdalane  — < 
Maryland  — 
Monmouth  — 

Namure       —  — 
Newbury      .  4r-y5p» 
Newcaflie      t  •'*<9|£ 
New  Eagle-flreet  — 
New  50th  wra^^H 
Norfolk     .  —  ' 
Norwich,  or  Dr.  Green's 
148th  — 


75 

92 

85 
44 


109 
109 
118 


123 
117 
121 
100 
82 
107 

70 
Old 


Vlll 


Tunes  Names.  Page. 
O. 

Old  50th           —  69 

Old  81ft          —  139 

Old  100th          —  116 

Old  148th  .  —  83 
Orange       —        —  57 


Parendon      *    —  78 

*Penbury  102 

*Plaftow        —  100 

Plymouth          —  106 

Prefect       —        —  71 

*Putney       —       —  99 

R. 

♦Rickmerfworth       —  93 

Rineton       —       —  126 

Ripon       —  — -  73 

Rochford       —       —  67 

Rochefter          —  66 

S. 

*Savoy      —       —  1 


Tunes  Names.  " 
St.  Alban's 
St.  Ann's 
*St.  Clement' 
St.  George's 
*St.  Giles's 
St.  Hellen's 
St.  James's 
St.  Matthew's 
*St.  Martin's 
Sydenham 
Southwel 
Stafford  — 
*Staines 
Stebbing 
Stortford 
*Strawbery 
Stroud  — 
Stroud  water 
Sutton  — 


*Thorley 
*Troy  — 
Trumpet 


N  D 


E  X. 

Tunes  Names. 
*Twyford  — 

V. 

Virginia       —  — 


Page. 
59 


W. 


*Wakefield 

*Walbrook 

Walney  — 

Wallingford 

Walfal  — 

Wantage 

WareWm 

Warwick 

Watling  - 

Wells  — 

Welfh  — 

Wenlock 

*Weftminfter 

Weflon  Favel 

Wefterham 

Wickham 

Winchefter 

Windi'or 


92 

128 

62 

62 

44 

53 
68 

133 
79 
54 

110 

101 
46 

120 

63 
129 

134 
53 


Tunes  Names. 
Workfop 


Pap 
*~  4 


Y. 


Yarmouth  -— > 
*York-ftreet  — 

CANONS. 

Awake  my  Soul,  &c. 
Bleft  is  the  Man, 
Hail  !  glorious  Day, 
Hafte  thee,  O  Lord, 
I  nothing  am,  — 
Non  nobis,  — 

0  Lord  Almighty,  — 
*Praife  God,  from  whom, 
*To  Father,  — 

To  God,  — 

ANTHEMS. 

1  heard  a  Voice,  — 
*I  was  glad,  — 

O  praife  the  Lord, 
Sing,  ling  unto  the  Lord, 


11 

9 

*3 
9 
1 1 

15 
5 

10 
11 


14 
J4 
J5 
H 


An  Introduction  to  psalmody.  i 

Shewing  all  that     r.eoefsary.fnr  the  attainment  of  that  Nohle  and  delightful  Art. 
'iff*':  A"M««^.^th«rV.«l.M  (rfUuth  founded  on  the  fame  PrincipIes,and  fo  ElWiv,'] 

lore thre ;:no,n  -° : vn'"*. "hirh lt **tri* - «* b ^ *L 

hat.t  i,  ,«j,.6,Ue  for  aV  oneto  Sing  „  Pl^  t*  an,  degree  of  perfection  with„ot  it,  therefore  T  „„,  >,frc 

Iratinthpnr/  ^  W^MS,  G.  all  above  t>ie{e  are  only  the  fame  repeated  over  again 

4^21^  '        ^™th"^  and  Sonnd.Vi.G.and  0,mahe  fo 

'the "  1  i   t   o       d    f  "i      "  "        *"**"*»  ^  >»  «»•<<  «««*.  .  U..  two  Sounds  in  „,,e. 

fi^elinei     e  not  ^  ^  "~  «"  dl'd  a  Staff;  hot 

not  futt.cent  to  .nfwer  ,,,  c^paf,  of  the  Voice.therefore  the  following  Scale  is  extended 


1  .  A  *V«>.  times  with  the  action  of  a  fourth  £,w>ich  makes 

t5  Fleven  line  ,,and  the  Seven  Letters  are  "P^^^cnff,  which  are  all  regularly  placed  as  th<y 
Two  and  Twenty  Notes  or  three  Octave  ^together  with  the  three  Witt 


ftand  on  any  Tune  . 

The  Gamut  or  Scale  of  Mufick 

Gfolreut  in  Alt 
Ffaut 
fc  la 
I)  lafol 
Gfolfa'« 

\\  frabemi- 
A  lamire 
C.  folreut 

F  faut 

K  1  a  m  i 

Dlafolre 

C  folfaut  Cliff 

B  fab  em  i- 
A  lamire 
G  folreut 
F  faut 
Y.  lnmi- 
P  folre 
C  faut 

D  mi- 
A  re 

Gamut 


K*pUnation  of  the  for.  going  Sc.le . 
Thi.  Scale  >.  i»«  three  part,.which  are  aiftingnifhd 

^'A' Wa'ch  part  including  five  line  >.» .are 
ftld  tho,,the  uppermoft  five  «... ^onta.n  O,.  T e 
eft  five  line,  the  Baf,.and  the  middle  f.ve.wh.eh  mclnde,  two 
of  the  Treble  and  two  of  the  B»fs,i,  theTenor,or  Co«ntr*Ten. 

*  t,fo  that  *  this  Scaled  p 
in  one  part  correfpond  with  the  Note,  m  another.,for  m 
ftan^Note  on  the  loweftlin.  oi  ' 
Sree  of  Sonnd  with  a  Mete  on  fte  higheftl.nebnt  on.  of  the 
lenor.fo  likwifc  "he  tMrft  line  of  the  Tenor  ,. 
hieheft  Note  hot  one  of  (he  B.,i-,,hich  i.  very  neceftarv  to  he 
rememnred. 

SIH,Thus  far  lunderftand^ou  very  well,but  I  muft  | 
beg  a"  further  explanation  if  .you  pleafe  . 

This  I  will  readily  do  in  the  beft  manner  I  can,and 
firft  obferve  that  the  Letters  are  placed  in  their  order  onthe 
Lines  and  Spaces  as  thej,  ftand  on  any  Tune,the  Scale  being 
divided  into  three  fives.as  I  mentioned  be f ore. where  jou 


have  the  proper  Name  of  every  Line  and  Space^thejr  being  a  whole  or  half  Tone  diftantfrom  each  other.and 
joumuft  calljrour  Notes  in  any  Tune  according  to  the  Lines. or  Spaces.where  on  thejr  ftand.and  allNotes^ 

afcend  above  Ffant  in  the  Treble^are  eall'd  in  Altfand  all  that  defcend  below  Gamut  in  the  Bafs,are  called 
Doubles^as  Double  Ffaut,Double  Elami  ,D  folre  .fc$c  . 

c/ »  SIR.  I  thank jrou  for  this  Example  which  is  fo  plain,that  I  doubtnot,but  I  fhall  foon  learn  it  and 
be  ready  for^your  further  Inftructions .but  pray  Sir^multthole  hard  Names  be  learn't  too  • 

tylb  .     Thofe  hard  Names,Vi7^Gamut,Aref  Bmi,l$c,are  more  for  Antiquity  than  ufe,thejrbeingmorecommon 
yexprefs'dbythe  innitial  Letters, G,A,B  ,  «,c,but  to  thefe  there  are  Syllables  annexed/Vriz ,  Sol, La, Mi  >vjc, 
which  are  generally  ufed  in  Vocal  Mufick,be in g  eafier  to  found,by  which  alfo.jou  may  fee  more  diftinctly  j 
exact  agreement  that  their  is  between  every  Eighth,or  Octave.for  in  the  Original,the  Eighth  from  Gamut  is 
G  folreut,but  here  they  are  both  Sol;and  when  founded  to^ather.are  fcarce  to  be  diftinguifh'd  from  one  fin. 
gle  Sound.but  I  {hall  here  fet  down  the  Scale  in  a  more  ea{y  Method,and  the  Notes  in  their  proper  places, 
with  the  Syllables  under  them.and  the  Letters  at  top. as  thus. 

Obferve  likewife.that  if  a  Note  afcends  higher  than  the  Space  above  the  upper  line, 
or  defcends  lower  t*ian  the  Space  below  the  loweft  line.a  fhortline  is  added  to  the  Staff 
as  thus,  -e-or  thus. £l.  which  is  calld  a  Ledger  line. 
The  Scale  of  Mufick  divided.and  Set  on  the  five. lines  .in  the  three  ufual  Cliffs. 


(Bafs  ) 
C   D  E. 


(Tenor,  or  Counta.) 
A    B,    C    D  E, 


Treble 
A   By  C    D  E 


soi~LT3Tr; 


Fa  Sci  Ld» 


F 

-0- 


G: 


Sol  1  *  Wi> 


^  In  the  compafs  of thefe  Eight  Note  sphere  are  two  called  Semi  or  half  Tonesjwhich  Ihave  diftinguifhed  by  a 
bar^drawn  bet-ween  them,Vi7,from  Mi  to  Fa,  and  from  La  to  Fa,afcending,and  from  Fa  to  La,and  from  Fa  to  M 
defcending,which  are  ftill  but  two  half  Tones.and  majrbe  underftood  thus,ifyou  fuppofe.a  whole  Tone  to  be  an 
Inch,then  the  half  Tone  is  buthalf  an  Inch,which  is  a  Mathematical  demonftration.  N^.That  thefe  Syllables 
Vi7,SolyLa.Mi,'bSc.are  removeable  by  Flats  and  Sharps.which  Ifhall  explain  in  their  order. 

This  appears  fo  eafjr,that  with  a  \jttle  Inftruction  I  hope  foon  to  become  Mafter  of  it  • 

This  muft  come  by  practice, therefore  diligence  is  better  than  Conceit,and  I  wonld  advifejrou  fix 
to  learn  that  part,which  b  eft  fuits  jour  Voice^and  whenjou  have  learn*d  one  part  perfectly,jrou,ll  find  it  no 
difficulty  to  learn  the  reft  . 

*6    1  Of  the  three  Cliffs  and  their  ufe  . 

In  the  Scale  of  Muficlc  there  are  three  feveral  marl<s,or  Characters,calld  Cliffs,or  Claves,that 
is  to  fajr,        Ist   there  is  the  Ffaut  or  Bafs  Cliff, which  is  ge'neraly  fet  on  £he  higheftbut  one  of  the  five 
lines.thus.         '  \  fometimesjou  maj  find  it  placed  on  other  lines  tho^very  feldomfbut  where  ever  it  is 
found,it  gives  its  place  the  Name  of  F, and  when  Sung  muft  be  call*d  Fa,  unlefs  contradicted  by  a  Flat  or  a  j 
Sharp  at  the  begining  of  a  Tune,  (of  which^in  its  placejand  all  other  Notes  above  and  below  are  guided  by  itJ 


2djj  ^Yie  Contra  ,Ten  or,  or  Cfolfaut  Cliff,is  fet  on  any  one  of  the  five  lines,  .as  thus,       U  |j 


■"udoives  its  place  the  Name  of  C,and  when  Sung  muft  be  calld  Fa.unlefs  c cntrad icted  as  above. this1  was 
-  Cliff.but  is  now  almoft  out  of  ufe. except  fometimes  in  the  Contra  . 


and  -5 


vmdLaftly,theTreble,or  Gfolrent  Cliff,is  placed  on  the  Second  line  from  the  bottom,thus, 
Jives  its  place  the  Hame  of  (j,  and  when  Sung  muft  he  calld  Sol/mlefs  contradicted  as  above,this  Cliff  is  now  ap_ 
|  vlied  to  theTenor,and  Sung  in  the  Eighth  below,  i,e7  an  Eighth  below  the  Natural Trehle>and  is  thebeft  (illffnow 
m  ufe,either  for  Voice  or  Inftrument. 

(*^P .       I  thankjou  Sir,but  piajr  why  was  the  Cfolfaut  CHS  fo  much  ufed  formerly,and  fo  little  now^ 
nd,whv  is  the   Gfolreut    Cliff  ufed  in  its  ftead  . 

The  Cfolfaut  Cliff  was  ufed  moft  formerly  becanfe  it  was  moveable  at  the  CompoferVpleafure, 
to  bring  his  Kejs  into  the  compafs  of  the  five  lines.and  becaufe  thejr  did  not  then  know  the  right  ufe  of  Flat- 
II  ind  Sharps,whirh  anfwer  the  fame  end,and  being  now  fully  known, the  C  Cliff,becomes  almoft  uftlefs,  (e\_ 
cept  when  any     one  of  the  Inner  Parts"  of  a  Tune  lies  very  high  or.  very  low, it  may  ferve  to  bring  them 
wi  thi  n  the  compafs  of  the  five  lines)  and  the  Treble  Cliff  takes  its  place  being  lefs  moveable^with  which,by 
the  he|p  of  Flats,and  Sharps,our  Kejs  are  properly  founded,and  is  of  more  eafe  and  certainty  to^y  Performer. 

.      Rut  pray  Sir,  why  are  thofe  Characters  calld  Cliffs,  Clave s ,  tyc. 

tsft?.     The  word  Cliff,is  derived  from  a  Latin  word  Clave,or  Clavis^and  fignifies  to  open, as  a  Key 
*^et  i 


to*%f'    Jrtich  openeth  to  us  the  Kejrs  of  all  Mufick. 


Could  not  a  Tune  be  prickMdown  as  well  without  a  Cliff  as  with  . 

No^for  if  there  was  no  Cliff  ufed^how  could  1  know  the  true  Names  of  any  of  the  Notes,! 


might  fuppofe  it  to  be  Tener,or  Bafs,tbe  Key  Flat.or  Sharp,but  I  could  not  be  certain  which,therefore  to  ' 
preven*fuch  uncertainties  the  Gfolreut.or  Treble  Cliff, is  placed  on  the  Second  line  from  the  bottomjby  which 
I  can  eafily  find  out  all  other  Nctes^abcve  and  below. 


SIR,  I  thank  you  for  thus  much  of  jour  afsiftance,  which  I  hope  foon  to.  he  perfect  iri,b-it 

pray  Sir^what  muft  T  learn  next  . 

t-^Hj,    W  The  next  thing  to  he  learnt  is  the  Names  and  rneafures  of  the  Notes,which  I  fhall  deferr 

till  our  next  meetings  this  being  fufficient  for  the  prefsent . 

CHAP.   2?  | 

Of  the  Names  and  Number  of  Notes,with  their  Refts, ufe  and  Proportion  of  Time  . 

^V:.  Kopeing  by  this  time  jrou  are  perfect  in  the  Gamut,!  now  come  to  the  next  thing  propofed/Namely, 
to  explain  to  jou  the  Names  and  Meafures  of  the  Notes,with  their  Refts,  ^c. which  I  fhall  do  with  all  the 

Brevity  and  plainefs  that  I  can. by  givein£  jon   Firft  . 

I       A  Table  of  the  Names  and  Meafures  of  Notes, with  their  Refts,ufe  and  Proportion  of  Time  . 


Notes 
Names , 
Propor- 
tions • 

Refts  . 


A 

,ar< 
8  Bars 


Laroe  . 
o 


A 
Long 
4  Bars 


A 

Breve . 
2  Bars 


A   Semi  J 
breve. 
I  Bar 


mini 


2 


A 

Crotchet . 

H 


A 

Quaver. 


A 

Semiquaver. 


Demifemiquaver. 
heja 


I 


■  4 


5  o-  7  g  sP  / 

Kxplanation  . 

This  Table  comprehends  the  feveral  Notes  ufed  in,  Muficl<,with  their  Refts  under  them,and  their  Names 


7 

tnd  Proportions  at  top;  Obferve  that  the  Three  Fixft  of  thefe  Viz. The  Larjje.  the  Longhand  the  Breve- 
Which  were  formerly'  uled  as  Notes. are  now  only  ufed  as  Refts,or  Notes  of  Silence,  (except  fometimes  at  the 
Clofe  of  a  Grave  piece  of  Mufick,) therefore  I  fhall  call  them  Refts.and  explain  them  accordingly. 
Firft.    You  have  the  Large.which  contains  Eight  Semibreves.  and  fignifies  thatjnu  are  to  Reft,or  keep 

Silence^during the  time  of  Eight  Semibreves,or  Eight  whole  Bars  in  Common  Time. 
2  The  Long,which  contains  Four  Semibreves^and  fignifies  that  jron  mnft  Reft  the  length  of  Four  . 

Semibreves,  or  Four  whole  Bars  in  Common  Time  . 
3^.ly       The  Breve, which  contains  Two  Semibreves^and  fignifies  thatjrou  muft  Reft  the  length  of  Two 
Semibreves,  or  Two  whole  Bars  t£c  .  . 

You  have  the  Semibreve, which  is  the  longeft  Note  now  in  ufe,  tho  formerly  it  was  the  fhorteft, 
whofe  length  and  Proportion  of  Time  is  as  long  as  jov  can  leifurly  tell  1.2.3.4 .^your  beft  guide 
in  this  will  he  the  Pendulum  of  a  large  Chamber  Clock,which  will  foon  teach  jou  the  true  mea  - 
fure  of  any  Note  in  Common  Time. 

The  Minim, which  is  half  the  length  of  the  Semibreve,  and  has  a  Tail  to  it. 
6-thly  Crotcliet^  js  ^a|f  t-he  length  of  the  Minim. with  a  black  head  and  Tail  . 

The  Quaver,is  half  the  length  of  the  Crotchet, with  a  Tail  turnd  up. 

The  Semiquaver,  is  half  the  length  of  the  Quaver,  with  two  Tails  turnd  up. 

The  Demi-femiquaver,is  half  the  length  of  the  Semiquaver, with  three  Tails  turnd  up,which 

is  the  fhorteft  Note  ufed  in  Pfalmody. 

N3  .  Thefe  Six  laft,have  their  proper  Refts  under  them,and  whenever  thejr  occur  in  Mufick,fignify 
that  vou  muft  Reft  or  keep  Silence  as  long  as  jou  would  be  founding  one  of  thofe  Notes  to  which  they 


8   belong,but  the  better  to  underftand  the  true  Proportion  of  all  Notes^obferve  the  following  Example  . 

A  Scale  of  the  Notes, and  their  Proportions. 


1  Semi  breve  -  -   -  - 
contains 

2  Minims  - 


4-  Crotchets  -  -  -  >  ■  *   ^ 

ts  w  n  u 


8  Quavers  —  -  - 
I<T  Semiquavers  _ 
-  53  Demifem 

quavers  - 


to  mm 


HOT 


Explanation  . 

In  this  Scale  the  Semibreve  which  is  the 
meafure  Note,includes  each  of  the  fhorter 
Notes  to  its  meafure. i.e.  one  Minim  is 
half  a  Semibreve,one  Crotchet  /4,  a  Qua_ 
verH, a  Semiquaver1^ <j;a  Demifemiquaver 
H2tpart  of  the  Semibreve- 


CHAP.  3? 

Of  all  other  Characters  t^c.  ufed  in  Mufick^and  their  ufe 
3.  4,  _5,  (T,  7,  %, 


IO> 


A  Elat,  A  Sharp,  A  Natural*  A  Repeat,  A  Tye      A  Single    A  Double  A  Direct  ,   A  A 

or  Slur,      Bar,  Bar,  Fore-Fall, Back -Fall 


'J' 


m 


r<5"> 


17  . 


A  Beat,  A  Turn,  A  Shake  and  Turn,  The  plain  Mote  US  Shake,  A  Trill  or  Shake,  A  Hold,  A  Clofe 

Zstb.      You  have  here  difplay'd.the  feveral  Characters  \gc.nfed  in  Mufick.and  I  fh all  now  proceed 

to  fhew  you  their  ufe.  betfinnino  Firft  with  the  Flat  . 
^  o  o 

st 

I.    The  true  ufe   of  a    Flat  is  to  fink  any  Note  before  which  it  ftands,half  a  Tone  lower  than  its 

original  found,as  if  a  whole  Tone  be  an  Inch,a  Flat  before  it  will   reduce  it  to  half  an  Inch:     Flats  are 

Ifo  ufed  to  regulate  the  Mi.  in  Tranfpofition.and  when  fet  at  the  beginning  of  any  Tune.caufes  all  the 

tes  to  he  Flat  on  the  line  or  fpace  where  on  it  Stands,  (unlefs  contradicted  by  an  accidental  Sharp  or  Natur 
d  al.) 
The  true  ufe  of   a    Sharp,is  contrary  to  that  of  a  Flaf,as  a  Flat  finks  the  Note  half  a  Tone  lower, 

•  \  he  Sharp  raifes  it  half  a  Tone  higher  than  its  natural  lound;Sharps  are  alfo  ufed  to  regulate  theMi  h 
Tranfpofitioil  of  Keys, and  when  fet  at  the  beginning  of  a  Tune,ferves  to  Sharp  all  the  Notes  on  theline* 
ice«  where  on  thej-  ftand;  (unlefs  contradicted  by  an  accidental  Flat,or  Natural.) 

N3.That  a  Flat,Sharp,or  Natural,^,  fet  before, under.or  over  a  Note  in  the  middle  of 
a  Tune      .  ferves  only  for  that  Note. to  which  it  is  placed  . 
A  Natural,  or  Proper.is  fometimes  fet  before  a  Note  that  was  made  Flat.or  Sharp. at  the  beginning  of 
a  Tunc  which  reduces  it  to  it'sr  Primitive  found,but  Flats  and  Sharps, anfwe^r  much  the  fame  purpofe  and  an 
y^.pften  jfed.   .  SxjtL- 


4  ;       A  RePeat'is  «™  *  Performer,what  part  of  the  Mufick  muft  be  Sung  orplavWa^in. 

thm  Character  U  alfo  ufed  in  Cannon?,to  direct  the  following  part,  to  fall"  in  . 

I*       4  S1"r-  "  "  f°rm  1Ike  3  ^  *™«  ^  T,o/Three,or  more  Note.,fignifie.  that  they 

muft  all  he  Sung  to  One  and  the  fame  Sellable. 

^       A  fin§le  Bar.ferv"  to  divide  the  time  in  Mufick,  accord ing  to  iu  Meafure. 
7  .        A  double  Bar.  fignifie,  the  end  of  a  Strain,and  if  dotted  on  one  or  both  fi^  tWfltf|«l 
fies  that  fuch  a  Strain  muft  be   repeated  .  II     5  ~ 

A  Direct.i,  fet  at  the  end  of  a  Staff,*,  direct  the  Performer,*  the  firft  Note  in  the  next  Staff 
The  feven  following  Character,,  as  under  the  figure,  j>.  io.  „.  are  the  feveral  grace,  «fe<Hn 

Mufick,which  Ifhall  here  after  explain  in  their  order. 

1<T*    A  Hold.fignifie,  thatvou  muft  hold  the  Note  over  which  it  i.  P1aced,fomething  longer  than  it'* 
proportion  of  Time  .  ° 

r" ^  A  CWM.  Three  Fonr,.r  more  Bars  together,  Set  after  .  pi.ee  of  Mufick,.nieh  fi^ifl..  .  ..„clu 
n«n,or  the  clofing  of  all  the  Part«,in  .  proper  fty,. 

■y.      SIH.I  tha-Voo  for  thefe  plain  InU,  uc,ion,,bnt  J  have  „,t,n  obfcrved  .  littl.  D„t,o„  the  right 

*"«  "*  a  Note^whofe  Name  and  ttfe  I  fhonld  be  glad  to  kno.v„ 

o^M't  ThU,D^l'  th:         MH  ,0  '    -"•"*'*«*  ■»  *»«  Frtck  of  perfection  or  point 

of  Add,ton,and  add.  to  the  ,o«-„d  of  a  Not.  „.«  as  WDeh  as  it  ...  before,,,  wh.n  f.t  before  .  Lib, 


>rev« 


it  miuft  be  held  as  long  as  three.  Minims,and  fo  of  the  reft,but  I  will  here  givejrou 

An  Example  of  Prick'd  Notes. 
Minims.     3  CJrotchets.  3  Quavers.  5  Semi.Qnavers.  3  D em i .fern i  Quavers  . 


II 


^inims.  3 


ft  r 1  r  r  r  ■  g  g  f  '  g  p  r  '  g  g'  e 


N8.  Youll  fometimes  meet  with  a  point  at  the  beginning  of  a  Bar, which  belongs  to  the  found  of  the  laft 
Note,  in  the  foregoing  Bar,  and  is  generaly  tied  with  a  Slur,  as  for 


Example . 


the  fame  bjr  Notes. 


1. 3.X4.  1.2.3.4.  1. 3.  3.  4.   1.2.3.4.  1.2.3.4.       1.2.3.4.    1.2. 3. 4-.    I.  2.3.4.    I.    2.  3^4.  1.2,3.4. 

</       d,  u,  6%  d, u,  1      d,'    U>       d,  u,  d,u,      a,   u,'      d»      u,  I  u,     d,  u, 

Thefe  are  caltfl  Notes  of  Syncopation. or  driving  of  Notes;of  which  I  fhall  fay  more  in  the  next  Chapter. 

I  thankjrou  SIR, and  am  always  ready  to  give  attention. 

CHAP.  4** 

S 

Of  Time  in  its  various  Moods, and  how  to  beat  them. 

Timers  fo  necefsary  to  be  underftood  in  Mufick,that  no  Perfon  can  ever  Sing  or  Play,  fo  as  to  pleafe  himfelf 
or  others  without  .i  du«  obfervation  of  it,and  when  rightly  underftood,will  enable  the  Performers,in  all  MufirV 
to  fall  in  with, or  alter  each  other^according  to  the  real  intention  of  the  Compofer. 

hould  be  verv  glad  to  hearyou  explain  the  different  Moods,and  Meafures  of  Time- if  vouple.m 


.    Time  is  divided  into  feveral  parts  or  branch es,which  are  diftrngui{h*d  by  Moo,ds.or  Cli  <<•■;.. 
all  which  may  be  reduced.to  thefe  two.  Viz.  Common. and  Triple  Time.which  arc  rneafur'd  by  an  even  or  odd 
Number  of  Notes. as  4,or  5, that  is  fach  a  Quantity  of  Notes  to  be  included  in  each  Bar,  But  I  fhal!  ft 
r:r{t,of  the  Meafures  and  Proportions  of  Common  Time  and  their  Moods. 

Common  Time  is  meafured  by  even  Numbers, as  2,4,8,  Uc.each  Bar  including  fuch  a  Quantity  of  Notes.as  will 

amount  to  one  Semibreve  which  is  a  whole  Time. or  the  Time  Note. and  guideth  all  the  reft.In  CommonTime 

there  are  three  different  Moods  or  Chavacters.by  which  the  different  meafures  are  diftin^uifhM,each being nean=; 

Quick  r.gain  as  the  other.'the  Firft  Mood  is  marled  thus,  C  which  denotes  a  very  flow  movement,the  Second  is 

marked  thus,^  which  fignifies  a  quicker  or  lively  movementfthe  Third  is  mark'd  thus,^  which  fignifies  a  ftill 

quicker  or  very  quick  movement^ nd  is  generalj  beat  with  the  hand  or  foot  once  down,and  once  up  in  every  Bar.  * 

.        Pray  SIR,  fhall  I  be$  an  Example  of  thefe  feveral  Moods  Kc  . 

L.SIZ) <      Nothing  fhali  be  wantingthat  is  in  my  power.to  render  this  work  as  ufefuUnd  plain  as  pofsible:h,  vC 
ing  a  defire  to  promote,  this  delightful  Science;therefore  I  will  here  givejrou  an  Example  of  the  feveral  Moo  as 
•  r.  Common  Time,in  the  Tenor,or  Treble  and  Bafs  Cliffs;with  a  d,for  down^and  u,for  up,uvider  each  Bar/arith 
the  figures  at  top  fhewinghow  many  Beats  is  required  in  each  Bar.witliyproperName^movementofeachMoodithu? 


I,  (Actagio)  or  very  Slow. 
1.2.3.4.  1.2.  3.4.  1.2.3.4.  1.2.3.4. 


2,U  ar5o)  a  little  quicker* 
1.2.3.4.  1.2.3.4.  j. 2.3.4.1.2.3.4. 

O  |4- 


3,  (Allegro)  or  very  quick 
I.  2.    i°.  2.         I-  2.  1.2- 


,-<,       — .         orr,**r-  "U.dtW,".  <Tr<l.tr,  .  rr 

1.2.3.4.  1^2.  3/K  i;2.3.4.  i]  2.3.4.       1.2. 3.4.  1^2. 3,4.  i/  2 . 5A  1.2.3.4.         r.  fl.  I, 


I»2.  1.2. 


I 


In  this  Fxamplej/mhave  the  three  f-vcral  Moods  of  Common  time  with  their  properNames  and  Me  . 
Iv  You  have  the  (Adagio.)or  very  Slow  m«vement,how  thi-  Time  fhould  he  neat  has  been  already  explain'd.t. 
proportion  of  the  Semihreve.the  beginning  of  the  Second  Chapter. 
21!    The  Second  is  the(Fargo.)Mood, being  a  little  Quicker,  or  a  lively  Mood. 

3^  The  Third  is  the  (Allegro.)  or  very  quick  Movement,  this  is  call'd  the  Retorted  Mood,or  Retorta Tin  t , 
and  is  fometimes  exprefs'd  by  a  large  Figure  of  twi,thus,  Q.  as  In  the  Rafs.and  fometimes  contains  bnt  two  Crc' 
c.hets  in  a  Bar.  NR,the  Double  d^,  u^fignifies  thatjour  Hand  or  Foot  muft  be  twice  down  at  the  beginning.,! 
*wic.e  up  at  the  latter  end  of  each  Bar,as  in  the  two  firft  Examples, the  third  haveing  one  d,at  the  beginning, 
and  one  u  at  the  endyflgnifies  t°  beat  once  down  and  once  up  in  each  Ba^fo  that  Vou  may  ufe  either  Letters  or 
Hgures  asyou  pleafe,  hy  the  help  of  this  F.xample,you  may  be  able  to  beat  in  any  Lefson  of  Common  Time  let  y 
Notes  be  of  what  fo  ever  fort  or  kind,by  takeing  care  to  divide  them  into  two,  or  four>eqnal  parts  . 

Syncopation,or  driveing  of  Notes,is  one  of  the  hardeft  Lefsons  fnrj'oung  beginners,becaufe  the  Hand 
or  Foot  is  moved  up  or  down  in  the  middle  of,  or  while  the  Note  is  founding^but  the  foregoing  FxamrH  vN  ,v 
due  attention  are  fufficient^forjrour  afsiftance  bjr  telling  1,2,  with  the  Hand  down,an<l  3,  4,  with  tl.    H  nd  iip. 
as  markd  over  the  ftotes.But  I  come  next  to.fpeak  of  the  Meafure  and  proportion  o{  Tripola/>r  Trip!  ':' 

nnJ  its  vcrious  Moo  us-  . 

Tripola,or  Triple  Time^is  meaiurd  by  odd  Numbers,as  3,  <f^J>,  and  each  Bar  including  tht 
Quantity  of  3  Minims,  3  Crotchets,or  3  Quavers, two  of  which  muft  be  Sung  with  the  Hand  or  Foot  Jov.  i , 
and  one  with  it  up,fo  that  jour  Hand  or  Foot  muft  beju(t  as  long  again  down,as  up.  ObUrve^herc^that  tlv1 
Sloweft  movement  in  Triple  Time  is  one  fourth  quicker  in  every  Bar, than  the  meafure  of  th--  Semibreve, 
as  if  a  Bar  fhould  contaiitthe  quantity  of  3  Minims,  they  mult  be  Sung  or  play*d  to  the  meaiure  of  3  Crotchets 


and  fo  of  the  rcft  . 


C    L  of  the  the*  proportions  in  Triple  Time  . 
j  1    ••n  0:ve  vou  a  Scale  ot  tne  n 

14 But  hefore  I  proceed.1       8"  J  „  Tril>le  Tim,  .  s 

A    Scale  of  the  proportion  of  Notes  n  | 

4-  Tlmi 


1  he  Moods 

1  Prided  Semihreve 
roivtains 

?    Minims  Q 


in  Triple 
I  Piiclcd  Minim 


Time  • 
1  PricWd  Crotchet 
contains 

5  Qnavers 


<5~  Crotchets 
12  Qnavers 


contains  <^m~~^m~ 
3  Crotchets    #  JL— X< 

^-  ~  1  m  — 1  *  • »    *~  Semiquavers 

<T  Quavers  •  •   "~T  T-r, 


fjnrr> 


J  J  f  f  1 J 

•'"^  .       ;r«-„,,T,<h,dhv  their  varionsMoods.V.* -if.  ^W'J 

TM,  SCe  is  IMM  into  three  *****  «.  dift.njo  ^ *  ;Firft  . 

>         .Wftand  the  trne  meafure  and  proportion  of  Triple  ,  a         e  mea 

•on  may  e.tiljr  underltana  tne  c^niaUera  T>reportion,or  Three  to  l*ro, 

,*   The  ffrft  and  SWft  «••»,■•  «" 4 . S 'J 1  «**"      '    P,n4  ftollM  1,  S«»S  or  pla/din  the  fam .Tim.. 

r    v  i;v<>  votes. in  Common  lime, ana  o  „  .     «,hich  is  mark  <i 

of  *.hr,e  K.t«.,t.  t«  fuch  hhe  ,  ftcMike  quantity  of  other  Kotes.«h,c 

■„s  v.,„din.loi.s  three  Minims,,  prick    .  the  meaf-,re  of  three  Crotchets. 

.1       is         Three  to  T»o  ana  r.cVo  ^     he  „  ,„  former,and  is  marhd  thus 

The  Second  fort,is  call'd  Three  "^"'t^*1      *  tity  of   other  Kotes. 

^  three  Crotchets,  one  prichd  M,i™ £     ^cV  a.ain  af  that  of  Three  toFonvnaismarhdthns.  . 

,d      The  Third  fort.is  call'd  Three  to <  „    ,  fwM,kt  ^..ntit,  tf         **« . 

..     „,  incWin,  three  ^  ,e,t,„ith  the  Hand  or  Foot  t,ice  do.n  at  the  ^     ,  • 

nhf.rve.that  .thefe  three  f.T.r.1  forts  of  Time,m 


and  once  np,  at  the  latter  end  of  every  Bar, as  in  the  following  Example  . 


Three  to  Two. 
I ,  a; 5.  i,  2;  S.  I,  2;  5.1, 3;*. 


Three  to  Four  . 
1,2;  S.  1,  2;  3.  1,2;  5. 


Three  to  Eight 
1,2;  J.  1,2;  J.  1,2;  3.  1,2;  5. 


d,d;u.  d,d;  d.  d,d>  \i.  d,d;u.  v      d,d;  u.  d,d;  u.  d,d;  u.  d,d;  n. 
"Ml.Thefe  feveral  Moods,are  fometimes  Sung  Slower  or  quickei>as  the  words  may  require,which is  generaly 
directed  by  the  Compofer,  (by  a  Latin  or  other  word  fet  over  the  part  to  he  fo  Sungjthd*  this  is  fometimes  left 
to  the  Judgment  of  the  Performer. 

SIR,  I  thank  j'OU,but  are  thefe  all  the  Moods  in  Triple  Time. 

oft.       There  are  feveral  others ,but  as  they  are  not  uftd  in  Pfalmody  I  fhall  omitthem.as  unnecessary  in 
this  work,hut  as  they  are  all  deduced  from  thofe  all  ready  fet  down,the  Ground  work  may  he  known  hy  only  looking 
on  the  figures^and  the  fuhdivifion  made  accordinfily,I  will  here  fet  them  down  in  Score,thus 
3  .  .  .  tf".  .  .  <T..  .  <T.  .._£>.. .  _p.~_P  ..  .  I2...I2...I2 
I  6* .  .  •  4  if.  •  .  4 • ••  8«»«I(T...4  •••8...I(T 

Ohferve  that  the  lower  figures,  2,4,8,  "i$c,  in  all  the  foremention'd  Moods, denote  the  Compofition  to  hetc 
the  meafure  of  fuchlike  Notes^as  will  make  one  Bar  in  CommonTime.  IB.whenvou  fee  three  Notes  of  any 
kind  with  a  Figure  of  three^and  «  Slur  fet  over  them^as  thnsjggi^you  muft  Singthem  in  the  Time  of  Two  of 
the  like  fort.  *\ 

CHAP.  5.* 

Of  Tuning  the  Voice;  and  feveral  other  Grace t'  ufed  in  Mufick. 


The  Flrft  thing  to  be  obfervM  by  a  Vocal  Performer,  is  to  have^ycur  Voire  as  dear  as  pofsiblc; 
neither  forceing  the  Sound  through  j-our  Nofe,nor  blowingjom  Breach  thrcn'ghjrour  Teetl^ithjrottr  month  (hut; 
(as  is  the  fault  of  too  man)')  which  is  very  offenfive  to  a  Mnfical  E  arjl  <  '-  iveingjrottr  Voice  in  good  order,Pro  — 
ceed  to  fome  fhort  Lefson,  takeing  the  part  which  b eft  faitiQVb  ice/but  I  wjll  hei  e  givejrou  a  LefsOn  of  the  Eight 
Nctes^which  is  the  firft  that  is  commonljv  taught,in  two  pa^s  in  Retps  b  -1  Timejwhich  is  two  Beats  in  a  Bar,with 
a  Star  placed  over  the  Note  that  rifeth,or  fallethhalf  a  Tone,  that  island  f>  :.fsct-nding,and  E,and  B,defseend^£. 
ing,as  for  Example  • 

The  Eight  Notes  afcending  and  defending.      LESSON  I. 
Tenor*  .  * 


Fa     Sol;     Sol  Fa  La 


SIB,  I  underftand  this  Lefson  very  well,  but  I  cannot  Sing  it  in  Tune  . 

The  true  and  exact  Tuneing  of  this  Lefson, is  to  obferve  the  two  Semi,or  half  Tones. Vi 
from  Mi  to  Fa,and  La  to  Fa  afcending,and  from  Fa  to  La, and  Fa  to  Mi  defcending. ' '  -  whirh 

aie  Stii  but  two     '  Semitones,and  all  the  reft  are  whole  Tones,fo  that  an  Octave  confiits  of  five 
Toms  or  whole  Notes,  and  two  Semitoncs,or  half  Notes,  whofe  order  differs  according  to  the  Key  they  are 
computed  from. But  forjrour  better  Inftruction  in  this,obferve  the  following  Scale,which  is, 


A  Mathematical  Scale  of  all  the  .Semitones  included  in  an  8^  or  Octave,with  the  Concords  ard  Difcords 
fignr'd,and  the  Notes  on  the  Lines  and  Spaces^bv  way  of  Inches. 


Flat     Sharp  Fl  at  Uc. 

Chords  Names.  Unifon.^     ft  2$      |?3d  5™      b^n  i?7th    ^th  8^ 

Bv  Flats 


Proper  Names  o 


By  Sharps 

Semitones 

Notes  on  the 
five  Lines 


X3- 


a- 

*3~ 


o<* 


>4 


_P  IO  II 


12 


BE 


EC 


m 


This  Scale  which  is  drawn  according  to  the  Keys  of  the  Organ  %c.  fhews  that  an  Octave  or  Eighth  may  be 
divided  into  Twelve  Semi^or  half  Tones;.  N3.  G,Sharp>and  A,Flat,are  XJnifonto  each  other,  and  fo  are  all 
the  reft  which  are  flur'd^as  the  above  Scale  does  dernonftrate;the  proper  Notes  being  Semibreves^nd  the  o_ 
thers  flur'd  Minims  . 

The  Fight  Notes,  with  the  true  Proof  of  every  Interval  or  Diftance  comprehended  in.  an  Ort.v 
in  the  G  Cliff.  LESSON  2d. 


!3  Intervals  afcend in g,  „  4tn.s  „  T  2  5  „  -5-l)ls,  r  ^*  ^'V^-J' 
7*       Hm,   f  m,    (lAt,f  Hm]Ff;ft  t.    f,l  m  f  f  1    f  1,  fl 


The  fame  defcending 


lfl,fl.    ff  1  f,  f  f.  fflf  f,  f  f.    fflffrn,fm.  fflffml, 


_  8ths 

1  2  ?4  5<rZi/r.  Jj- 


mf  f  I  f  ff,  flmff!  f  L  f,  f. 


I2XA  1 


ff  1  ff 


is 


if, 


to  count  their  Diftance; and  their 
true  diftance  between  any  two  or 


By.  obfervingthis  Lelsonjou  may  eafily  find  the  true  Diftance  of  any  two  or  more  Notes,to  the 
Created  extent  'n  any  of  the  Parts^asyou  have  already  been  fhe\vn,the  con  nection  they  have  with  each  other, 
and  to  make  it  ftill  plainer, I  have  frt  Figures^over  the  Notes,which  ferve 
M  mes  at  bottom  which  found  beft  in  Ringing.  Now^if  you  woud  learn  thf 

more  Notes^firft  found  the  H!gh*0  oi  lowtft  Note,and  call  it  f : then  Afcend  or  Defcend  gradually ,tell  ing 
12  5.  y^c  .  (obferving  jour  Semitones  ^tilljrpn  come  to  the  Note  whofe  diftancejrou  would  know.this  is  th« 
beft  method  that  I  can  lay  down,and  I  think, quite  fuffieient  for  the  purpofe.I  come  now  to  fpeak 

^  Of  the  Several  Graces  ufed  in  Mufick 
.       Yvzy  SIR, what  are  Graces* 
C>/6.       A  Grace  is  a  Shake,  turgor  humour  of  the  \rnke,or  Inftrtrment^which  when  rightly  performed, 
is  the  perfection  of  Harmony.but  of  thele  there  are  feveral  fort*;of  which  I  fh all  fpeak  in  their  order.and  firft 
I'!1  the  Fore-fall,  is  a  Grace  mark'd  thus;  /to  do  which,S  ing  firft  the  Note  next  under  the  Note  fo  mark*d,to 
half  +he  length  of  the  Time  of  the  mark'd  Note-and  then  the  mr.rk*d  Note  it  felf  to  the  other  half  of  the 

°  X 
"Iime^as  for  Example, 


A  Fore-fall,    ExplainM  . 


■}j  The  Back-fal1,marka  thus;  \  differs  from  the  Fore_fall  in  this  onlj-thnt^rifteadof  rileingfromthe  Note  next 
'V0"  fall  from  the  Note  next,  ahove  to  the  markM  Note#thtrs;  izg 


P 


Back-fall  Evplaind 

5        The  Appoggiatura,a  word,to  which  the  Englifh  Language  has  not  an  Equivalent^  fignifies  a  prepare,  lead> 
or  carriage  Note;this  Grace  anfwers  the  fame  end  as  the  two  former,and  is  now  oftener  ufed;it  ferves  for  the  ar_ 
riving  more  gracefully  to  the  following  Note,either  rifing  or  falling,and  muft  he  dwelt  on  according  to  theva 
lue,or  length  of  the  Note^the  fame  is  fometimes  ufed  as  a  preparation  to  a  Shake, ^c. and  is  exprefs'd  hy  inter 

mfJUtt  No,"'as  thus-       tjt*  ■  |  Jo  •  [■'  |  U  |  J...  ||  |  ■  ["'  l^fcrtperf^^fS^ 


.  J  The  Turn,mark'd  thus^0^  fignifies  thatjou  muft  begin  with  the  marVd  Note,then  rife  one  degree, then 
fall  to  the  mark'd  Note,next  defcending  one  degree,and  laftly  rife  to  the  mark'd  Note,thus;  -ft- 


-thly  i  •  the  lurn.fcxplaind. 

5  .  J  lhe  plain  Note,and  Shake,«is  markd  thus/  It  and  fignifies  that  you  muft  found  one  half  of  the  mark 'd  Note 
.plain, and  the  other  half  Shake,as  thus; 


^-thly  T,     _  .  Explain'd 

The  Trill  and  Turn,is  mark'd  thus;^  and  fignifies  thatjrou  muft  Shake  firft,and  then  turn  from  the 
Note  next  below  the  mark'd  Note,  as  for  Example  ~t|'      |  l    I  I  )  I  I  I  I  I  . _ 

J    \iTTMU}±\\  . 


■  thly   Tv    t»       j.r-r-  Explain'd* 

ihe  Heat,drffers  hut  little  from  the  Trill,  only  in  this,  thatJnftead  of  Shakeing(  from  the  Notenext  a  - 


hove  that  mark'd  kyou  muft  heat  from  the  Note  next  helo 


Plain  the  Peat  ~ 


20 


The  Trill ;TriIlo,or  Shakers  mark'd  thus;k  this  is  the  Capital  Grace,and  maybe  either  open  or 
clofe,F..g.  if  the  Note  next  above  the  Note  to  be  Shaken  (from  whence  the  Shake  is  always  hegun)be  a  whole 
Tone,it  is  an  open  Shake,but  if  it  be  but  a  Semitone  diftant,it  is  a  clofe  Shake.this  Grace  is  perform'd  by  Shale- 
ingjour  Voice  diftinctly  on  one  Note  or  Syllable,the  diftance  of  a  whole  or  half  Tone  thus  . 


hr 

P  n  ■ 

Trill 

Trill 

The 

open  Shake 

The  cl 

ifrrrfiiiTr'^-1 " 

ofe  Shake 

If^you  would  learn  this  Grace^you  muft  firft  move  flow, then  fafter  by  degrees^and  with  diligence jou  may 
foon  get  the  perfection  of  it.  Obferve,thatjou  muft  move  as  quick  as  pofsibl e, -while  the  length  of  the  Note 
(which jrou  are  to  Shake)  is  peforming,tho  fometimes  for  variety, the  Note  before  a  clofe  is  held  longer  than 
its  Time^according  to  the  Judgment  of  the  performer.  TO.This  Trill^is  very  agreeable  (  and  fhould  be  ufed) 
on  all  defcending  prick'd  Notesjand  always  before  a  clofe; likewife  on  all  defcending  fharp'd  Notes,and  Semi. 
tones.if  not  fhorter  than     Crotchets.  But  I  will  add  another  Example,with  a  k.over  the  Notes^youare  to  Shal 


s 


1 


i 


33: 


_pthly  Another  Grace  which  is  very  Ornamental^ when  well  perform^  is  call'd  Tranfition  i.e. to  flur 
or  break  a  Note^to  foften  the  roughnefs  of  a  leap^of  which  fee  the  following  Examplejof  Tranfition^  or 
breaking  of  Notes  . 


21 


:o:nIy  The  Swell,is  a  CJrace  fometimes  ufe.d  when  a  found  is  to  he  continued  to  an  extraordinary  length, 
%^in.i  (HotiW  he  performed  thus;  f"p pofe  the  Time  of  the  continued  found  divided  into  four  equal  parts^begin 

i\v{\  part  Soft, then  Swell  graduallyyfo  that  the  latter  end  of  the  fecond  part  and  the  beginning  of  the 
"ih'ad  may  be  the  loudeft;then  derreafe  the  found, in  the  fame  mrmer  asjrou  increas'd  it,fo  will  the  letter 
end*of  the  fourth  part,he  no  louder  than  th*»  beginning  of  the  firft:this  Grace  is  fometimes  ufed  in  th^ 
middle  of  a  piece  of  Mufick,when  one  cr  more  Notes  of  the  fanve  found^bave  a  hold  placed  over  them,as  thus* 


I 


fingfing  fing-^c. 


when^yoxr  meet  with  tw  rM  hree^  or  more  Notes,  with  a  plain  ftroke  over  them, 


diilinct,and  Kmphatick  as  pofsible*/  There  is  yet  two  ~Cral-.es, which,tho' they  are  1  aft  mentionM,ou£ht 
.  to  ht  flrft  learnd,  Namely^the  Accent^ar. r1,  Propriety  of  Exprefsion  .for  tillyou  havelearn*d  thefejrou  cann.-t 
'inrt  the  others  true.   And  Firft. 


i — 0  i  ■ 


I 


it  denotes  that  they  muft  be  Sunr 


2,2  jst  n[-y,r  Accent;  to- perform  which,  obferve,  that  if  a  Bar  of  Commoii-Time  fce  divided  into  foure^'ugl 
parts^and  a  Bar  of  Triple  Time  into  three;  the  firft  and  third  parts  of  a  B*r  of  Common  Time, and  the  Rfft 
of  Triple  Time,ouc|ht  to  he  adapted  to  the  Accent  of  the  wordsjthnS'n  fomc  Compofitions,it  is  not  always  fo) 
but  if  any  part  be  Sung  louder  than  the  reft,it  muft  be  that  on  which  the  Accent  is  placed  which  is,(nr  ought 
to  be^the  Firft  and  Third  parts  of  a  Bar, People  fhouid  not  Sing  as  loud  as  they  can^leaft  their  Voice  he  _ 
comes  rough  and  unpleaf in£,except  in  fome  particular  cafes;  as  when  they  Sing  the  words^Strong, Strength, 
MightyNoife/Thunder^c.  when  the  words, Soft^Mild^Meek^Weak^coccur^they  fhouid  be  Sung  Soft. 

2^}y  Propriety  of  Hxprefsion.The  words  in  Singing  fhouid  not  always  he  pronounced  as  they  are  fpell'd, 
but  rather,  as  they  are  exprefs'd  by  the  beft  Mafters  of  Language;  words  ending  in  en,of  more  than  one  Sylla 
Me,  fhouid  be  pronounced  without  the  laft  E,as  Chosen  t  Fros'n  Of  t'n,  Soft  nUc.fc^almoft  all  words  ending  with 
■Y,  fhouid  be  pronounced  as  if  they  ended  in  E,as  Lofte,  Mighte, Eternalle, ty"c.  If  my,comes  twice  in  f»n.e  [en  . 
tence,call  the  Second, me, <>r  m'as,my  hand  and  me,or  m1  heart -To^fhould  he  pronounced  as  tu,or  toojfo^Peo 
ple,not  Pepel,but  P<  <  p  i*   "c  but  the  Mufick  muft  fometimes  guide  in  this  Cafe,as  experience  will  teach 
jrou;for  the  words  mutt  eon*'  rm  to  the  Mufick, and  not  the  Mufick  to  the  words. 

chap.  6.th 

1  Of  the  feveral  Key  s,  and  of  Ti  anfpofi  t  i  on  . 

In  Mufick  there  are  but  two  Natural,or  Primitive  Keys,  Viz,  C  fatit,the  Sharp  or  chearfi'l 
Key;and.  Are,the  Flat  or  Melancholy  Key/and  no  Time  can  he  form'd  on  any  other  Key.withoutptjaceinj 
either  Flats  or  Sharps  at  the  beginning  of  the  five  Lines,which  brings  them  to  the  fame  effect  as  the  two 
Natural  Keys  . 


23 


qjP.        What  is  a  Key;  «r  what  is  here  meant  J/  Keys; 
.    A  Key,  or  Key  Note,is  the  laf*  Note  of  the  Bafs,and  contains  the  Air  and  Judgment  of  the 
whole  Tune,heing  the  Foundation  of  all  other  Parts. But  I  will  firft  give  yon 

An  Fxample  of  the  two  Natural  Keys  . 


-S— 9: 


I 


^=3 


32: 


I 


C_y.       priy  SIP,  why  is  one  of  thofe  Keys  call'd  Finland  the  other  Sharp. 
o/6.     The  firft  is  call'd  A,the  Natural,or  Flat  Key,becaufe  it  hath  the  Lefser  Third, Sixth,and  Seventh 
above  its  Key>or  Key  Note  . 

The  Second  is  call'd  C  the  Natural  Sharp  Key, having  the  greater  Third^Sixth^nd  Seventh  ah ove  its  Key^v/hirh 
is  half  a  lone  Sharper  in  the  very  firit  Third,and  is  therefore  properly  Sharp.^c.Butl  come  next  to  fpeak  , 

Of  Tranipol  '.t'<on  of  Keys. 
C^it?.  To  Tranfpofe  fignifies  to  remove.from  one  place  to  another,in  order  to  this,  the  firft  thing  to  be 
confidered  is  the  Mi,  which  is  the  Mafter  Notejand  cuideth  all  other  Notes  both  above. and  below; and  alfo 
bihigeth  all  other.  Artificial  Kejrs  to  the  fame  Nature,as  the  two  Natural  Keys;the  Mi, being  next  abfcvethaj 


....  ,5  a  Fla   on  t  1""ri>0f't'0n  »  »«*~«  V  Mi.whioh  is  f  Sharp  Not^W  firft  " 

Fourth  ,ho.e,or  F.fth  helow,aSJo»  rayr  f«  in  the  fofog^  e—,,.. 
B  orooer         ^  TranfP°fition  of  th*  M*»       FIa's  h  the  two  Cliff, . 


Mi,  Ml.  m; 


Mi, 


m 


Trarfpofition  Jy  Sharps.)*  contrary  to  that  of  FUt„.»n  alwa^'a  Fifth  ahove'oV  FouVth  b>,„.  its 

*«  M1  ^  °f  Space  with  the  Sharp  Uft,«^„ 

Of  Tranfpofition  of  the  Mi^  bj  Sharps  in  the  two  Cliffs 
B^pioper.  r|  |  #  N.  B.  That  the  Mi  cannot 

■        *~'ff  °»*  ^lii  A.#  __B,  proper.  be  brought  on  to 

"  «ny  of  the  Artificial 

Keys  by  Flats  nor  p., 
to  any  of  theXatur 
al  Keys  by  Sharps  . 


Mi, 


Mi,         M  i  j 


i 


Mi,  Mi, 
-0- 


rrr— 


i 


H«e  tt<  tutt  Shsrj,  is  folded  on  r. 

,„ithi,.a„„ot   fce   brougK  ''^^    *«  ™  «~y  Semitone  in  the    Oct**.  R 

»  Sir,  „*y  „„„„,  ,he  ^  . 

«...  or  Step  co„M  be  "         K7'""  •*«  »  *•   o*„.  SemitoneS. 

F^.rly  hc  „H,M  on  »„  trf!on   „        .      MM  "  m"!l  t   °<   done,  but  no  more    Flat,    or  Sk 

.      Fr,,,  {.ir.Cr  what   rcafons.  \ 
, L-     Becai"";',f  ^n  add  a„„,Ker  Pla,  r.  c  '  — * 

tJ    ^*»*«  of  TranflJ0fiti0n.Md  ,     .  ~'™.-)°»U,  find  by  exarai„ing  fuch  a  Leffi,,.. 

"w*  »,  ,  MtfeV,both  Plat,  and  Sharp:  and  f^,  ,,r'!a'n 
W  Hie    feveral  Flat  K-y    hi   ,k  , 

*e7s>ra   the  lame  effect  »  a  il  n  .  , 

»  At  the  Natural   Flat  Ker 


e     c    •♦        n  tW  Octave  except  D  Sharp,  or  E  Plat,(wlikh  is  'he  fame)  00 
Shar^KeyC       .    .  »LjL_  "  "  


E 


Mi  In  B  —  ■  1         I  §11 


 d4 


H 


■ 


Here  we    hare  a  Sharp  Key   foundd   on  every  Semitone  in'the  Octave ,  except   F  Sharp/)*  G  Flat,^Mch  is  tht 
fame^on  which  no  Sharp  Key  can  be   Set,  for  the  reafons  aforfaid.In  this    example, I  have  taken  the  four  laf t 
Notes  of  S*  Hellens  Tune,  and  have  raifed  them  gradually,  as  io  the  former  example  of  11  at   Keys.    Obferve,  that 
thefe   Keys,  though  22  in  Number,are  imeffect  but  l4*,becaufe,8  of  them  hare  both  af?,and-a#  Key  founded  on  them,  viz.  A, 
B(>,B,C,D,E,F,G;  add  to  fhefeF#G#e*C#,the  other  3  \p.  Kej$tt  D^Etfc  At,  )  othejt3  #  Xtys,which  compleatsTralpofion.-and  li< 
evervarious   your  Airs  may  be, they  will  all  Terminate  in  fome  of  thefe  forementioned  Keys,  efpecially  the  Bafs;the 
.  laft  Note  of  which, is  ia  Standing  Rule,  to  determin   the  Key  in  all  MuficV. See,  page  23.  You  may  lixwife  ob 
-icr:e,that  in  fome  o  f  the  forgoing  examples, the  Key  Note,  is  brought  onto  the  fame  line,  and  fpace by  Flats,as  i 
lit  is  by  Sharps, for  Inftance;  the  iecond  and  third  Bars  of  the  Flat  Keys, where  the  Key  Notes, are  both  bri 
the  line  B;but,that  by  Flats, is  on  b[>  and  that  by  Sharps  is  on  B  Natural;  whic  h  is  a  Semitone  higher.-The 
lame  maybe   wderftood  of  the  fecond,*r.d  third  Bars.of  the  Sharp,  KCys,and  of  all  the  reft  , which  occur 
-h-  manner:  for  ^hatbyFlats,  will  beaSemitone  lo  we  r,  quite  th  rough  the  Octave  tfca*  tfcftt   by  Sharps-See  the 


following  examples 


Tn-f-f— J~ 


1   f    f  '  

Mi  in  D  Natural. 


N.B.If  anv 


Mi     in    D  Sharp. 


( 


of  the  forementicned  Kevs  f«m  dificult,you  ma;  Tranfpofe  them  on  to  any  other,bT  obferringtl.e-  Rules  laid do* 

I  haYc,fome  timei,  obferted  Tunes,  fet  on  fome  ot  the  Artificial  KeYo,  which  were  not  diftinguifhed  by  Flats  ar. 
Sharps, according  to -your  Rules , -which  I  fhould  beglad  to  hate  explained.  : 
^JvL.  Many  Inftances  of  this  kind  might  bep reduced, but, I  fhali  only  mention  two  ot  three;  which  may  f err e  tot 
-pin in  all  the  reft;and  f£ft,you  may  fome  times  find  a  Flat  Key  fet  on  G,nith  only  one  Flat, at  the  beginiug; but  it  if  ft 
pofed  to  be  in  two  Flats, and  if  any  Notes  occur  on  E,theymoft  be  Fiated;  unlefs,the  Arrreqnires  them  to  hare*:  '- 
natural  Sound, which  is  oftrn  the  cafe, in  fuch  Tunes :  fome  times  a  Sharp  Key  on  G, with  out  a  Sharp  at  the.  beg'mi'. 
but  it  is  fuppofed  to  be  in  one  .sharp, and  fhould  beperfo rmed  accordingly; fo,aTune~on  Cwith  two  Flats  jfhould  be 
performed  as  if  it  had  three;  liVewife,a  Tune  on  l),with  one  Sharp,  as  if  it  had  two, and  aTune  on  Aswith  two  Sharps 


as  if  it  had  three;  and  fo  of  the  reft:  but  the  better 


Example  1 . 


the  fame. 


to  underftand  this,  See  the  following  example*.     ,  - 


the  fame.  ^ 


By  Sharps,  ^th. 


j 'i  nf 11 'in  nil"  i 


the  fame. 


the  fame. 


Br  theft  examples  it'appears,  that,  a  Tune  maybeSeton  any  Key  without  either  Flat,or  Sharp*  at  the  beginin,. 
and  only  add  them  as  the  Notes  occur*or  as  the  Air  may  require  which;will  ftand  good  in.  Inftrumcntal  Muhc 


but  is  not  convenient  in  Pfalmodv,on  account  of  the  Mi'whofe  place ,  fhould  alwajs  be  made  known  to  direct 
Learners  to  Sol,  Fa,  fee c.  iy 

Pray    Sir,  why  do   Authors   fet  Tunes    in  this  manner. 

^JVL .       The    reafons   are  fuch  as  thefe,*  either  becaufe    very  few    Notes  fall  upon  thofe  Keys ,  or  becaufc  the 
Air'    rerjmrt-s   them   to  have    their  natural  Sound!  fex.But,  as  thefe.  things^  tend  rather  to   puzzle,  then  In  ftrucf,  they 
ere    carefully  avoided, in  the  following  Work. 

3  i  ,  I  thank .  jou  ,  for  thefe   plain    Inftructions  *,  which  appear  to    me  very  ufefull. 
at.     rhefe  things   are  necefsary  to  be  known,  by  every  one,  who  defires  to  make  any  progrefs  in  Muf  ick*,bv  ■ 
there    is   an    eafier  method  often  ufed   in   finging  ,  for    Inftance", fuppofe  you  have  aTune  fet  in  A, and  you  would 
have   it  aSemitone    higher, then  found   B^,*.  and  call   that  your     Key  ,  founding  all  the   other  Notes  accord  b^ 
-ly',  and    then  your   Tune   is  properly  Tranfpofed  in  effect ,  though  the  Notes  keep   their  places;  by   this  metho< 
you.  may  raife  or  fall  a  Tune  to  any  degree , without   moveing  a  Note. 

Some  Inflrument  is  very  ne"ce.fsary  to  givejou  the  true  found  of  any  Key, Sec.  A  Pitch  Pipe,  which  you  maj  ha\e"J 
.   \jit  the  Mufick  Shops, is  the  cheapeft,and  moft  ufeful  for  Learners.  .   ^  ^  j 

I  have  fometimes    obferved  two  Notes,  Stand  one  over  the  other, as    thus  r^— ^~~or  thus  ,        . » m'F -pTn 
Mhich  lhave   not  heard  you    explain.  *      j  p2C*^ 

-  Cz/i L-  .  thefe  we  commonly  call   Chufeing   Notes,  and  when    they     occur    in    any     Tune,   or    peice  of 
Mufick,  they  fignify    that    the     Performer    may    in  fuch    a    cafe,  fing    or     play ,  which    he     pleafes,  . 


pleales^and  omit  the  other,without  fpoiling  the  Air, or  if  there  he  Voices 'fejc.enough^hey  maj  tal<e  them  botKfoi 
thoHhey  are  two  in  found^yet/tn  time  they  are  hut  one,-for,they  do  not  add  to  the  time  but  onlytothe  variety. 

':-      •  '  '  f  v        chap  .       .,  - 1 '  ■ ; - -  ^ ^ 'H: 

Of  INTONATION:   or  fome  uieful  directions  concerning  the  right  found  or  pitch  of  the  Keys^ 
in  Vocal  Mufick. 

*lA&>,    There  is  nothing  more  necefsary  to  he  underftood  by  the  Vocal  performer,then  the  true  pitch  or 
found  of  the  Key  Note, for  unlefs  a  Tune  he  founded  on  a  proper  found,it  can  never  give  any  pleafure  to  the 
y>  rformtr  or  hearer,  in  order  to  this,Firft  view  all  the  parts  and  prove  their  compafs  from  the  Key  Note  in  the 
ftnfs  both  above  and  below,(if  any  there  be  below^next  try  jrour  Voice  or  Voices,fo  that^ou  may  perform  all 
parts  clear  and  ftrpng, without  fqueaking  above. or  grumbling  below,  when  this  is  done  the  Time  may  he  faid  to 
be  pitched  in  a  proper  Key .  Suppofejrour  Key  he  in  A  Natural^andjrour  Tenor  rife  a  Fifth  above  the  Key, 
and  the  Bafs  reach  to  A  below,  which  is  twelve  Notes,  then  prove  it  thus.^ 
T.'  t  the  Bafs  give  the  found  firft,the  Tenor  next y,c.  and  let  there  be  one 
leader  to  each  part,(the  tenor  leading  the  whole  Song  in  true  time,)  and 
i>  me^hodyou  may  £ive  the  true  pitch  to  any  Key  whatfoever  . 


bv  th 


i 


1 


CHAT. 

Of   the  feveral  Concords  and  D  ifcordsjboth  Perfect  and  Imperfectjand  of  Figures/ifed  in ThoroughBaf? 

ZAb.  Th  ere  i:.  but  four  Concords  in  Muficlc,Viz,the  Unifon, Third,  Fifth^and  Sixth,  their  Octaves  are 
alfo  meant,. The  Vnifon  is  call'd  a  perfect  Cord;anS  fH  ;-  "the  Fifth,but  the  Fifth  may  be  made  imperfect, 


Th,  Difcorf.  are  a  Secord,a  Fourth.and  a  Seventh,and  their  Octaves,tho'  fomet.me,  the  jreaterFour.h  be  . 
comes  an  imperfect  Fifth  .  Concords.  Difcords. 

But  I  will  giye^on  an  Ksample  of  the  feveral  Concords, 
and  Difcords.with  their  Octaves  under  them  thus  . 


r 

5 

their 

2 

7 

8 

IO 

12 

r? 

tights. 

_P 

rr 

14 

15 

17 

u> 

20 

Iff 

18  • 

1  21 

22 

24- 

2T 

27 

23 

- 

25 

28 

NVThat  if  a  Voice  or  Inftrument  could  reach  a  thoufand 
Octaves.they  are  {till  the  fame  as  one^in  Nature.  :      _  % 

But  I  will  gUr«  another  Example  of  all  the  Concords  and  Difcords,b„th  perfect  and  .mperfect.  Major  or 
Minor,  as  the,  ftand  in  order:their  Interval  or  diftance  being  counted  between  Tenor  and  Bars . 

ii  ,  i  Difcords.       .  \ 

,ths||  2ds        |  4.1)15  7*.'s 

m 


Concords . 
5ths 


«     v  i  r    v       rn,inir^  and  Difrords  are  made  *reater,or  lefsor,(perfect.or  impf.rf  rt,; 

By  this  kxamplevou  may  fee  how  Co-nrords  ana  uncoiu     i  6  ,  rL^rr;„nnrc-frrnr1fArt 


3^2 


-<ed,,h,fe  ^   l-.Qltr.        rl>f"Ve   ,ha*  *"  "-^  afi»«k  *>*.<»  .ft*  „ 

•*  ".I;  Uv  16  ;»,r„JuM   c,lmmoll  Concords    h"         7  -    k».C«UA  are  D;rcordo  arc  m„ 

^-T^^^S^>./U-=X  )   The  fan,e,w,t„  fh    Sharfr  a(       fc  B,n;n^ 


^^^^^^^ 


n             !    Leffon  3^ 

L  ■ 

Treble 

mm 

a  Tett  o  r 

Leffon  4  . 

B=1l>-- 

—  --  ■  i 

r  r  r  r H"- 

i 

#M  (»*■!  H-U- 

 = 

Tenor  i 

K-| 

r^J  J II"- 

!  — H — l-^ — — —  — 

i 

1-H-'  "''ML 

In  this  LefTon,  the  intermediate  Notes, ferve  as  fteps, 
to  lead  you  to  the  right  Sound  of  the  next  Note.and 
when  you  have  learned  them,leave  out  the  intermediate 
Notes, and  only  fiQjg  the  extreams  thus. 


Twill  npyt  flivp  vnil  a  T.nffriYi  in  flia  vanntio  ruffe.  .  ^      . , J         .",     -        el''t,  „th, 


)C1'  >v 


IwiU  next  give  you  a  Leffon  in  the  various  Cliffs.  ■      The  6  middle  octaves  {g  ^  fame^Treblean8  above|Eafsa 


.th 


34        Leffon  5.    or,      Some  eafy  Lefsons.in  the  two  ufual  Cliffs?  Tenor  and  Baft. 


|   I  *  *      *      1     X  1  1 


f  1  nM'   f  1  f  f    f  f  i  f   f  m  i  f 


Intervals 


  ■  I  ,    ,  Thirds   rifinc5  aad  Seconds  fafl    3d.S  felling  k  2  ?s  rif ing 


4T  rif^'arfall? 


7f.hs  &  ff*F 


The  method  ofTuneing  thefe  btenab.ii  explained  Page  33,  but  more  at  large.Page  18.A*  for  any  tHng  farther,} 
wouldjrefcrr  jou  to  fome  eafy  Pfalm  Tune,which,by  chufing  the  Part  that  heft  fait,  your  Voice  will  become  a, 
eafy  as  an;  Leffon  that  canbe  given.  I  fhall  next  fhew  yon,how  to  compare  one  Part  of  Mufick.with  an, .,„ 


The  Interval  or  diftance  between  3%S£U  and  their  octaves  are  called  Concords  and  the  others  Difcoi J 


Bat  1  will  draw  eleven  Lines  according  to  the  Gamut  andplacethe  Cliffs  in  their  order  by  which  you  may  count 
the  true  diftance  of  all  Intervals. 

The  Parts  fep  era  ted  .  The  fame  tny  G  Cliff. 

#10  22  IQ  ?  K#Io  15       jfloK  Jo 


Scale  of  all  the  Four  Parts. 


5^  L—Jfc—  -       ,q  a  ,  q  "  ,-t,f„Thr  CI  oil 


J?  8  J2 


Thr  CI  oik. 

Jtzfcr 


theGClifi 


it=t= 


in|i-iT^iiif; 


^fJffFffTMfefl'|fl|f  UKV- 


By  this  Scale  youmay  fee  the  true  Diftance, 
and  aifo  the  places  of  all  the  Feu  Parts 
<ȣ Afufir>,according  to  the  Gamut.  '/'SL, 


Thefe  Four  Parts  are  taken  out 
of  the  Scale,and  fet  down  in 
their  order  as  they  proceed 
from  the  Bafs. 

N.B.  If  any,  through  inatention,or  want  of  leifure,fhonld  think  this 
Scale  dificult; the  following  Table  is  aanore  expeditious  method. 


Here  the  two  midle  Parts  are 
fet  in  the  G  Cliff,and  fung  in 
the  eighth  beIow,the  TenorVbict 
being  an  eighth  below  the  Treble 


3* 


A  Table,  fhewing  the  true  diftance  between  Two  or  more  Notes,  in  all.pr  an>  of  the  Tour  Parts  of  Muftck. 


A  lamire  i"  Alt 

G  folreut  in  Alt 

F  faut 

E  la 

1)  lafol 

C  folfa 

B  fabemi 

A  lamire 

G  folreut— Cliff 

F  faut 

E  lami 

I)  lafolre 

C  folfaut 

B  fabemi 

A  lamire 

G  folreut 

F  faut  — Cliff-O; 

E  lami 

D  folre 

C  faut 

E  mi- 

A  rc 

G  amut 
FF&at 


tHl!9  ac>jai|22b  \  Key  the  Note 


Explanation, 


ltaiirls,*he-,i  gvVv 

you  - Eye  directly 

v  '.along  the  Line  or; 

3 '  .-  ! 

'kSpace'tiij  you  | 

come  to  the  Fi 
.SVgure  Oue,ic  then 


J\jafcend  ordefcena 
'till  you  come  to 
-J  the  Key  on  which 
the  other  Note 
ftands^nd  there 
ou  wiU  find  the 
pq/  number  of  the 
diftanqe  fi.-tdnv.u 


The  C  CliffbeLng  now  but  little  ufed,and  not  at  all  in  the  following  work,  it  may  not  be  amifs,to  fhew  you  t 


between  the  Bafs,and  theTe0or,in  the  G  Cliff.     ,  qaBCDEFG 
pie  is  fttficicnt  to  fhew  how  you  may  count  from 
in  the  Bafs,to  it's  oppofiteNote  in  the  Tenor. 


-<~r 


C  D  E  F  G  A  zQri  77 

-f-f   *  *  7 


A  B  CD  R  PGA  37 
n  Q  This  exam 


any  Ko  te 


N.  B.Th at 

voice 


:  mil  fi  voice 

it  this  Octave  is  fungby  a  Boy,or  Woman  it  is  then*  a  proper  Treble;  their  Voices  being  an  8-  abore  a  Tenor,orMan; 

J.  Sir,  I  humbly  thank,  you  for  your  Inftructions, which  appear  fo  plain, that  I  hope  foon  to  become  a  Maftef  of 
this  delightful  exercife. 

.  1  hate  !    en  careful  to  lay  every  thing  down  in  the  plaineft  manaer;and  I  prefume,  that, if  duly  attended  to,fJie. 
Kulef;   laid   down^will  fully  anfwer  the  end  propofedlBut  yet, you  will  find  the  help  of  a  Mafter,or  fonie  Skilful 
Voice,  very  ufefull  to    guide  you   in  fonie  things;  fuch  as  the  true  Sound  of  a  Tone,  or   Semitone  ,&c. which  is    Im— .. 
-pofsible  to  fet  down  fo  plain,  as  may  be  exprefsed  by  a  good  Voice  ,  or    Inftrumeut.Thelre  are  li  kewife,  fonie-  thing 
very  proper  to  be  kept  in  the    Memory,  fuch  as    the    removal  of  the  Mi,  by    Flats   and   S harps;  fcee  .  which  have 
been   •:  explained  at  large,but  the  better*°f  ur  nifh  the  memory,  obferve  the  follow  ing  things. 
If  no  Flat, or  Sharp  be  fet  at  the  beginigof  a  Tune, kc.  then  Mi  is  in  B. 


L(lf  Bhlon,  hasta>Fjai,Mi  is  in   -  E. 

iOf  B,andE  have) Flats  ,Mi  is  in   A. 

J  (If  B,E,and  A  have)Flats,Mi  is  in  D. 

*(If  B,E,A,andI)  have)Flats,Mi  is  in  G. 

5(If  B,EA,D,andG  have)Flats,Mi  is  in-C. 


lClfF  alone  has  a)  Sharp, Mi    is  in  F  (#  ) 

2Clf  F, and  C  have)S  harps,  Mi  is  in-  -  C  (#) 

3Clf  F,C,and  G  have)S  harps,  Mi  is  in  G 

4(1  f  F,C,G,and  T)  have)Sharps,Mi  is  in  1)  (#) 

5(lf  F,C,G,D,and  A  have)S  harps,Mi  is  in  A 


'I  hus ,  h  a  v  t  1 1  a  fow  n>  i 
tht-  Mi  ajl  y  Notes 
abdve  and  belowj" 
are  y  fame  as  in , 
y  Natnral  Key. 


Abqvj  the  Mi,twice  Fa  Sol  La;and  under  Mi,twiceLa  Sol  Fa;andthen  comes  Mi,  in  either  way;as  iny  followingTable, 


38 


The  Gamut  or  Scale  of  Mufic  fhiewing  at  one  veiw  the  Ufe  of  Flats  and  Sharps  in  the  three  Cliffs 


7         By  y  help  of  thij 
Scale  )ou  may  readily 
Sol  Fa  a  Tune  with  any 
number  of  Flats  or  Shar 
in  y  3  Cliffs  by  looking  t< 
Columne  w-y  fame  number  mad 
at  j  Top 


p 

A  Table  fhewiuo  how  all  the  Cliffs  may  be  reduced  to  the  Treble  or   Gfolreut  Cliff 


3iy 
o 


3 E n  ^  c  A  f  r,  B  G     y  „t  f  f  1  f  U 


HEX 


B 


n    d    n  g 


-RH- 


i  II  ||P  Mil 


E 

is*-"* 


°"llu  MH'y^ 

mill  5        nllln  tt  mT 

D      1  B  G 


* 


3Tt 


TT 


IP 


— O  '  '  ?^-f-r^ 
Iff1 


-Q. 


cr-e 


-m- 


B  C  A      y  j  m  t  1  1 


-B—  G  E      9  f  1   f  *  1 


s y  f  i r 


j         In  the  cqjpafs  of  every  Octave,there  are  12  feveral  degrees  of  Soundhead! Degree  having  a  proper  Name  fromthe 


49  loweft  Note,  which  are  called  Greater  or  Lefser, Perfect  or  imperfect;which  are  here  fet  dowu,with  their  Compounds^ 


12  A  Diapafon,or  S*]1  or  Octave,  ^ 
77TA  Semidiapafon,or  Defective  S  .  J 
\\   §ept.  Major, or  Greater  -  J  .J 

lO  A   Sept.  Minor,  or  Lef  er-  -  7^ 
9  A  Hexachord  Major  or,Greater  6"  . 
8  A  Hexachord  Minor,or  Lefser  6"^ 

7   A   Diapente, or  Perfect  5  ^ 

fA  Semidiapente,or  Imperfect  5*iM 
|a    Tritone,or  Greater  4^J 


6 

5  "A 
4  A 
3  A 
2  A 
1  A 


Diatefsaron,or  Perfect  - 
Ditone,or  Geater*  -  --  -3 


Semiditone,or  Lefser  —  -  3 


4™ 
d 

d 


-2<? 


Tone,or  Greater 
Semitone, or  Lefser  2? 


contains 


Semitones 


((Compounded  of  a) 
JPiftk  and  Pourthicc-  - 

Fifth  and  #  Third  

Fifth  and  p  Third  

Third  and  Fourth  

Fourth  and  b  Third  .  

Two  Thirds]?  and#,  

3 ^  Major  and ToneMajoi 
3^  Major  kToneMinor— 
3*  MinorScToneMinor - 
2. Major  andToneMiin 

Two  Tone  Major  

One  Tone  Minor  


(la  the  Scale} 
G. 

P#or 
F.  — 
K.  — 
D#orEb« 
D.   

C^orDb. 
C. 

B.  — 
A#orB#. 

A.  - 
G#orAb. 
G;  — 


H  h  That  thePxrticfl 
Scmi,":P  iS'emidiapafol 
&cc.fi(jnij\es  that  the! 
want  a  Semitoneof  I 
their  Ferfection.Anj 
that  the  defective 
and  greater 7, th an 
both  o  f  one  Interval 
Alfo  the  greater  4  V 
and  lefser    'i1  1 


A    Unifon,is  one  Sound,tho' performed  by  feveral  Voices,  or  Inftrnments  together. 

Thns  have  I  gone  throngh  what  I  propofcd;I  could  have  been  fhorter,or  Icouldhave  kept  y.  n  '.  :  r ,  b  n  t  I  wo r. Id  a 
-vend  extreams,yet, have  been  carefnl  to  omit  nothing  that  appeared  to  me  necefsary,to  promote  the  k  i  -Jgp  of  this  D 
-vine  exercife.  What  remains  then,  but ,  that  you  ufe  I)illigence,and  beg  that  the  Lord, would  acconp  wvh  his  Blef: 
-ing,what  I  am  now  recomending  to  your  Study  and  Practife;  that  while  we  attempt  to  fing  his  Prnifes  here  below:  v.  e 

may  have  a  happy  foretafte  of  thofe  Sublime  Ioyes, which  fhall  be  revealed  hereafter. So  that, whether  Living, or  Dying; 

we  may  be  found  in  Chrift, giving  Glory  to  Fathef,Son, and  Holy  Ghoft, who  Liveth,and  Reigneth  one  GOD, World  wit 

out  P.nd,  Amen.   ^ 


4' 


Savor. 


Pfclm  41. 


th 


t>:  w. 


c. 


XX 


u  n  1  l1.  in:  1 1  u  m 


XE 


M. 

m 


1 


3m 


i 


41 


I 


n  1  r,  Q 


1    O     Fo-r     a    Shout    of     fac  — -red  Joy     To    God      the    love  — reign  King!  Let  er' — rj     Land  their 


3 — Q 


i 


xz 


^  # 


XI 


1 


^=x 


1:1  II  r, 


I 


u  c 


m 

Jngue 

s  em 

iploj  And 

Hymn 

j  of 

Tri  — umph 

fing. 

-i<-1 

3 

in  '  ft  ! 

Rehearfe  his  Praife  with  Awe  profound, 

- 

Let  Knowledge  lead  the  Song, 
Nor  mock,  him  with  a  folemn  Sound 
Upon  a  thoughtlefs  Tongue . 


M. 


LET  the  old  Heathens  tune  their  Song  Of  Great  "Diana  and  of  Jove  But  the  fweet  Theme  that  moves  my  Tongue"*.  Is  the 


-  —  ble  And  the  Spirit  that  is  Tex  -  ed1  err1-  eth  un  -  to  thee 


Stanes.  ; 


VMm^Su:  DT  W.  CM.  ^^,4s 


1  li-ihiH  li^i  m 


n  n  .n  n 


IS 


TO  thine  Almighty  Arm  we  owe  The  Triumphs  oftheDaj  Thy  Terrors  Lord  confound  the  Foe  And  melt  their£trengh  aw 


i 


Z3 


-3t 


-a 


a 


Egham . 


Pfalm 


Dr.  W. 


C.  M. 


I 


C|1'J|L||^  q|'|,l|^y 


C4r 


q — c 


3= 


Q 


3 


a 


Si 


f3 


I 


"'TIS  by  thine  Aid  ourTroops  preTail,And  break,  united  Pow'rs,Orburn  thei'rboafted  Fleets  or  fcale  The  prou  deft  ofthcirfow'ra  - 


Weftmirifter. 


C.  M. 


THE  King, O    Lord,with  So-^ 


ii^ngs  of  Praife   Rh all  in  thv  Strength  re-ioice;  And  bleft  with  th 


[■[,      I  JOT  J  J  I  o  II  '  1  f 


m 


Lit 


! 


E 


rirfrnfxcfJfici^ 


j?#  n  nnoio ?  »  iq^.i  ciiq  r  P. 


J  J  i  J 'Oik 


-1^1°  lid 

q  

-  Q      Ql  O  HQ 


ii^  r  f  1°) ^ji c ii^  f  ^' n  ^h^i °iici  r  r i  ° 

e  To  Heav'n  his  chearful  Voice.  And  bleft  with  thy  Sal-vation  raife  ToHeav'n  his  chea-   -  rTfulVoi 

ii^r  ri^i-iin  |  j  i)  m  ,i  ii]  i  www 


Sal-vation  raife  To 

m 


P 


5 


E+ 


iipiiqr  JirHijioirif  r i r r 


3 


I'd'  ■ 


WHEN  I  with  pleafinWonder  ftand,And  all  my  Fbune  furvey;Lonl',tis  thyWork.1  oirnthy  Hand  Thus  tuilt  my  humble  Cla 

^-L  ~.  .  ■  .  J     ^\  Y  L  I  Y    ^\Un  \ 


'i  fi'ifi'ifiniifrnfp'  iirnri'iri'irhif 


i 


I 


i 


Burnham.      Pfalm    11*  *h  W. 


c. 


M. 


p 


j 


33 


EX 


rr-r 


O  q  iu 


m 


u  11  um 


1 


WHAT  {hall  I  render  to  mj  God  For  all  his  kindnefs  fhewn  Mj  Feet  fhall  vi— fit  thine  Abode  Mj  S  n-_  ad 

|<jl'  '7  I?  jloll  Ql'p).  lld/a  1  ,  II  flfp  )c|l^  llfo  ||o||<j  ifj^cCT1 ) 


ft: 


i?niitii?ry'i.iii"  '|irfi|ifiii-  i|irrrrr(^ 


as 


JSC 


-cr»-rn 


i 


TO 


32 


3D: 


i 


23 


m 


drefsthj  Throne.    Hal-le  — lu -j ah    Hal — lelujah  Ha 

♦cm 


—  le  -  -  lu, -  -  -  jah. 


32 


30: 


32 


31 


XX 


33zj 


t.  To  be  fung  with,  or 
withotthe  Hallelujahs. 


HI 


Brentford. 


Hymn 


th 


B.  1? 


TV.  W. 


C.  M. 


NOW  fhall  my  in^ward  Joys  a -rife  And  bu  -rft  in  to  a-Song  Almigh  ty  Lore   infpires  my  Heart     And  Plea  -  - 


And  blefs  hiswond'rous  Grnce. 


i 


m 


Lift  up  jour  hands  bj  Morninglight, 

And  fend  jour  Souls  on  high; 
Raife  your  admiring  Thoughts  by  Night  V 
AboTe  the  Starry  Sky.   A  bore  Sic. 

The  God   of  lion  cheare  our  Jiearts 

With  Rajs  of  quicltning  Grace; 
The  God  that  ff  read  the  Hearts  abroad, 
And  rules  the  fuelling  Seat.  And  kc. 


N.B.  I  have  altere 

'.  e  „  vt 
or 3  Notes  in y  B 

k  Treble  of  thisT 


but,  I  h 
left  j  old  Notes 
ing:*hic^mav  b 

when  ?  Countei 

left  out. 


1 


3 


]  JOYto  the  World  theLord  is  come  Let  Earth  1 


^7 


Great    Milton.  Pfalm   58?  pi     W.  ,  C.   M.  ,^    ■  <  5y 


]  JO  Yto  the  World  theLord  is  come  Let  Earth  receive  herKmg  Let 


re  ceive  h  e  r  King  Let  ev '  ryHea  rt  p  rep  are  him  Ro  o  m  And  He  av'n  an  d  Nature  f  ing 


St 


i^Vlrni 

L^lHl'ni'lU 

r 

IS 


Q  m  k  ^ 





i 


Ll 


(Joy  to  the  Earth  the  Saviour  reigns  Let  Men  their  Songs  employ  "WhileFeildskFloodsRocksHills&cPlains  Repeat  the  founding  Joy. 


t  ,  T  ^ 


i 


52 

out! 

PnrH 
uru.  • 

P-Mt 

•n  51** 

11       D  x  » 

Dl 

w. 

F 

C. 

M. 

■-e — r- 

1— d 

--©-el 

■4 

ri 

P 


O  God  of  Mercy  hearmy  Call  My  Loads  of  Guild  remove  Break  down  this  feparat-  ingWall  That  bars  me  from  tfrv  ^l0Ye* 


II- Ma  tjl'j "I  S 


I 


Colchefter. 


Dl  W. 

3 


C.  M. 


XZ33 


a 


g 


Size 


i 


i 

Wl 


MY  Heart  and  Hefticrjr  out  for  Thee  While  far  ]  from  thine  Abode  When  fh all  I  tread  thy  Courts  and  fee  My  SaYionr  and  my  Goc 


ii'1  W 


ii'ii'utjt  'if?  'I- »'i f  'iir?''i  I 


I 


Windfor. 


Pfalm     115  V 


th 


11*  ?\ 


Dr.    W.  CM. 


53 


1 


I 


2k 


n— r, 


6 


xj 


m 


n-if)  'Hi1  ii "ft 


O  that  theLordwould  guide  my  Wavs  To  keep  his  Statutes  ft-ill  O  that myGod would  grantme  Grace  To  knowand  do  his  Will. 


I  ■■ll^lliih  HUH 


£5 


1 


1 


=£3 


X2ZS 


TT 


run 


3 


Wantage. 


Pfalm    8.9  f.h 


Dr.  W. 


C.  M. 


o  j|  q 


1 


xx 


ii 


Ul  O 


I 


It 


St 


XXX 


ft 


^ th 

WITH  ReVrence  let  the  Skints  appear  And  bow  before  the  Lord  His  high  Commands  w  Rev'renceftear  And  tremble  at  his  Word. 


m 


•e- 


I 


g 


ESxS 


xx 


ex 


f 

low  terrible  thy  Glories  be !  How  bright  thine  Armies  fhine '.Where  is  the  Power  that  vies  with  TheePOr  Tru'hcompar'd  to  thine? 


5*      Wells.  Pfalm  ll4\h    -        D?      W.  L.  M. 


■T  4  1 

 h 

d  1 

~f~f — ^~ 

#  r! — 

a  T  J 

rH  H 

-0— - 

c: 

o  11  1 

-4— 

n  II  u  *■ 

J 

— h 

When 
J  

Ifreal^frpec 

U — 1  (J 

IfiomPharah's 

i  r  r  <!-■ 

HandjLeft 

y  prov 

""f~T" 

ldTyr 

— e- 

ant<j 

)Land,TheTi 

arfclll 

^oma 

t— ry 

ge  own  Their  Ki 

>  ■  - 

M= 

* — 

+- 

9 — 

— H — 

— 1—1 

°  II  i  - 

 H^c- 

-ffh 

i 

 H-^ — F 

-  -  ILa  -■ 

■ 

— 1 

i 

.  t 

:s:  Dr< 

Bfdei 

■ 

A 

-L- © 
H 

IP  ' 

y  mil  o 

n  the  D 

eath 

=*= 

=t 
of 

Chri 

tl  1— " 

ft. 

fa 

j    ^  L- 

if »  . 

P 

1 

,  i .  r  r  , 

»  

I  J 

L 

■ 

/       and Ju 

dahwashis 
p  f  r 

Throne.  /  ^         5fe  di'eS*th 
\     .a.    On  my.  poo 

— ■■■  1  Pl  ^ — 'A— 

e  heav'nli 
r  Heart  S 

fe 

bin 

ver 

g*:d 

dies.  Tl 

sephelle 

1 1  i  1  l  i 

\e  Tidings  ftrike  a  d 
s In  the  cold,  Caverns 

ojetu 

ofth 

1  Soundj 

e  Ground 
—  

pi 

1 — © — i 

p/fp-  — 

J  J  .o. 

■  » 

3 1 J  J  J-  f  I* 

■ — J- 

1  L 

m 

11  'EU' 

 4 — - — J^-i 

Hymn  continued 


55 


# — » 


pp 


»  r  r 


Co  me  Saints  and  drop  aTearor  two^On  the  dearBofomof  yourGod^Hefhed  athoufand  drops  foryou,A  thoufand  drops  of 


T 


5i 


»  I  0    0  P 


-jiJ J  iirirJir  J  r  f  lilrJ|r J 


w 


p 


Here's  Love  and  Grief  b eyond  degree 
TheLORD  of  Glory  dies  for  Men! 

But  lo,  what  fudden  Joys  I  fee  I 
JESXJS  thedead  revives  again. 


The  rifing  GOD  forfakes  the  Tomb, 

Up  to  his  Father"^  Court  he  fliesj 
Cherubic  Legions  guard  him  home, 

And  fhout  Him  welcome  to  the  Skies. 


Yarmouth. 


A,   Hymn  by     I,  S 


1 


m 


at 


14     Years  of  Age 


i 


Q — e 


5 


xx 


n 


1 


R  Lord  thy  faving  Grace  make  known  Take  me  a  Sinner  for  thine  own  Lord  let  me  thy  Salvation  feel   And  1 


IT  -1 1  '■  ll'm^'Uklr/LH-'INllTlllfte 


m 


it  my  defeafes  heal. 


m 


mm 


Lord  Jefus  let  me  Tafte  thy  Love,*! 
It's  faving  Inftn'nce  from  above; 
Keep  me  in  thy  appointed  Way, 
Leaft  I  fhould  from  thy  Precepts  Stray 


O  help  me  Lord  in  all  my  Wavs, 
To  glorify  and  give  thee  Praife: 
Wafh  me  from  all  my  filthy  ftains, 
E'enev'ry  Sin  that  in  me  reigns. 

Eternal    Majefty  Divine, 
My  Nature  by  thy  Grace  refine; 
Tho'  by  affli&ion  it'fhould  be, 
So  it  from  Sin  doth  fet  me  free. 


"Southwell. 


Pfalm  5o;h 


T)r.  W. 


S.  M. 


57 


LORD  what  afeeble  Piece    Is  this  our  mortal  Frame?OurLife  how  poor  a  Trifle'tis  That  fcarce  defenes  fheNamel 


■IJ  HQ    116   MI^II-^IM   Ql  I    llo'lUILllQ  Ml  1   ^hi.  II,- 


fhe 

i 


W.1  S.   M.  • 


33 


PS 


Let     Sinners  taVe  their  Cuurfe  And  chufe  theRoad  to  Death  But  in  theWorfliip  of  myGod  I'l 
r>  1  f%  ■  ■  ■  r>        ■  ■     -.     1. . .       ■  Q   , .  ■      ■■      ,r>  ■  ■  ■  l~^rr.  ■  r>  ■     — — 


Ipend  my  dailyBreath. 


5S- 

/—Q — 3 — I 

Burfc 

)rd. 

Pfal 

iq  27 

th 

T. 

G. 

M. 

1 

n  r 

 *— - 

-i — 1 — 

i 

1 

c>  c 

1 

■ 

'  i 

i 

a  c 

a 
a 

Lord  of 

Glory  i 

s  my 

Light^An 

dmy  Sal 

vatioi 

ltooj  God 

^= 

is  my 

ftrengthnoi 
-n  e— 

r will  I 

Hi 

fearWha 

tallm^ 

foescar 

ide 

/ 

% 

'  I 

1 

>s 

ft 

n  c 

■£-*: "  q 

c: 

i 

\  

.   ,<J . 

- — c 

# 

2.  One  Priviledge  my  Heart  defires;  Ograntmean  abode  Among  theChurchesof  thy  Saints/TheTemplsof  my  God  . 


A  C 

0'*'.i      J  ] 

anon  ,of  4 

in  One 

• 

ri  1 

y  d 

-d — n— 

-- e — r- 

^=4 

EiiAISE 

GOD,from  wl 

i'om  all  Ble 

m 

ffings  flow, 

Prafe  hii 

n  all  Creatures  hearbeloir;  Praifehim  above  ye  * 

heav'n  -ly 

Hoft.,  Praii 

e  Fa  — ther, 

Son,  and 

Ho-Iy 

■  II  ' 

Ghoft. 

Twyford.    Hymn   48l.h     B.  2A.       DF  W.  C.       M.    Th  ™, 

ftrn  m  in  fiw  nr  inii|^rnrirrnnrnrir'g 

*^    How  vain  h  i  e  allthingshe  rebelow  Howfalfe,andyethowfair  Each  PleafurehasitsPoifon  too;  Andev^ry  Swe^t  ft 

flu  J 1 1  epimni  JirWh-i^W 

gvJM  ritrU  JniUn  JiJ^ijiiJiJ  rf^TnTilli  Hn|  ?  ij 

f/inrn  ril  ri'ifrniinifii      i'i  i  iiriHriiifiW^g  I; 

Snare.Thebrighteft  things  below  y  Sky  GivebutanattringLight^Vefh0ni^fufpectfomedangernighWherewepoffefs  De  - 


5°  M  Bethefda. 

■ ./  XT 


PfSm  Mr*    Df  W. 


M. 


Lord  of  the  Worlds  a  bove  How  Pleafant  and  how  Pair  The  dwellings  of  thy  Love  Thy  Earthly  Temples 


J 


f  rir|drr 


^  Jll  J 

tew 

i 



P — 9- 

-m  0 — 

are  To^  t] 

line  A-bode  nvv 

r  Heart 

ifpin 

f=Ff= 

is  With  v 

arm  de — 1 

'ires  to  fee  my 

God 

J  rllii  ■■ 



llppl 

— '  1 

4 

■ 


S1.   Hellens.'   or  New  IB*    Pfafcn  146-*    Dr  W.         P.     MY  ' 

J i  -  ni.1;  Hi..  J i  .  in  J  l    n  in  II    q  i  n-ir 


i 


km 

T7  L" 

o 

"T' 

-  n    C|  | 

-n  ^- 

— U — ^ 

-© — 9- 

M 

I 


31 


21 


•c —  


i 


zx 


5 


zz 


XT 


3 


XE 


XT 


XT 


I 


XT 


XE 


1 


-e— e 


fctzt 


XT 


ti-rfinii1r  filfrn 


Pow'rs  My  Days  of  Praifeihall  ne'er  Jbe  paft  While  Life  and  Thought  and  being  laft  Or  Immortal -i-ty 

  n  |  O  v  


endures. 

I 


J  c  M  .  •  Pfalm  27  .  DT 


W. 


cM  d  [""if1-1  Idrldld  m  lo||u  l"d 


C.     M . 


Z2 


XT 


-e — a 


nam  o  1. 


WHEN  ,»  Troubles  rife  and  Storms  a^pearTheremay  fcisChJld-renhideGod  hasji  a  bi 


pear  ineremay  s^sUiiia-reniucietjoa  Has  a  1 

J1J  l^llt'|oHJ|llf| 


•cHemaK.es  my  6  oul  a  1 


Pi 


XL 


i 


xx 


IX 


XX 


Walingford  .       Pfalm  27.' 


C.  M 


XX 


XX 


§=xx 


XXX 


1lnll1  r  1f 


-CX 


u  q  I  'xxq 


I 


XX 


XX 


NOWfhallmyHeadbe  lifted  high  Abovemy  Foes  around  And  Sojigs  of  Joy  and  Vic-tor-y  Within  thy  Temple  fouh 


lj')|Q  ^||f|^|M|fg 


m 


XX 


IX 


IX 


xxatx 


XT 


TT 


(§3 

Weft 

-U-Q 

erham. 

Pfalm  1 

as? 

-U-Q- 

C. 

VI. 

6 

3 

•TT" 

T5  <^ 

■ — r 

iii 

a 

Eg 

-U — 

-H  1  Mil 

— ^ — H- 

— n — r  "i 

1  11 

^  .a — c. 

#1 

ILp_L 

'  1  'II  vS: 

u 

/r  o 

to 

*  i 

7  Man  whc 

>fe  Sou 

1  is  i 

thZeal  and  r 

-  i.O  1  i 

er'rent 

Awe  His 

lips  1 
ft 

o  Go 

rHono 

ure  yield  His  Life 

adorasf] 

llrr/j  # 

r-r-e  

,  Q  x- 

5% 

j  ■■  o 

 r 

— Q- 

St  . 

Simons . 



Pfal 

— ^  — ■  ■ — 

m  25. 

m 

—V 

w 

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v» 

n 

— K- 

s. 

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M. 

n  |J|o 

mm 

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I"  Mm) 

 "  1 

w   U- 

VII 

Wheri 

1  fhall  the 

=*=*=: 

Manb< 

& 

!  found  That 

fear  t'c 

iffendl 

lis  God  Thai 

loves  the  C 

Jofpe 

ound  Andtreml 

lies  at  the 

Rod 

1  |_i 

i  \  r 

n  r 

u  11  d  .'o 

—H  .,  1  

c 

1 

1 —  1 

■ 

St   Iamet'g.    Pfalm  34^.^         JX  ■  ■    W  C      .  M.  ^        ^        ^  fe 


I 


DEPART  from  Milehief  practice  lore  Pcrfney  woifa  of  Peace  So  fhally.Lorajrourwaysapp  roTc  And  fetj  So^Js  at  Eale 


^  r  r  JiWr 


Qi    I  iC.  p^  M  ^  i  n 

<0| 


rr  rirr  T  JirN  rijiinT^ 


rr  ■ri|l-p 


Alderney.      Pfalm  81? 

^jij  jij  j i j ■■  j i J  r i r?,J f ■  J ii r i ^ i J i  °i  rMriiiiri1riJj 


DC  W. 


S.  M. 


m 


l#.'t-J_= 

ej  ||  jo 

"    Sing  i 

to  the  I 

ord  a 

loud  And  i 

SB 

m 

nake  8 

joyful] 

ioife  Go 

m 

d  is  our 

Strenoth  onrSariour 

1 1  i  i 

God  Let 

!  Ifrae] 

m 

hear  his 

Voice. 

If    all  ■■  gl 

m 

m 

5* 

t  From  vile  Idola.try  PreferTe  my.  Worfhip  clean:Iam  the  Lord  who  fetJthejt  Free  from  Slavery  find  Sin 


66     Rochefter.  ,     Pfalm    73  £ 


DC  W. 


Cy-  M. 


J  l^lr  J^ll^^llilll  J  JUqU.  ill-j  j 


I'lcftil'ii'i 


GOD  my  Supporter  and  mjHojie  My  Help  for  ever  near  Thine  Arm  cfMercy  held  me  up  Whenfinking  in  Pefp 

^ui^Ji-ij  j  ii^  r  ri7|Fih  r  >nctirri|Mci.J  J'rr 


elpair. 


si 


5 


Alelburj 


Pfalm  234 


r  riii^i;iirri'i  ^i"iijiirr  firr.^  rl!Hll!l1' 


S.i  1^ 


PTT«I   T.  _     j     „_    CI  1  1    »'        »     /l    .11  I   11  J\  1-.»J     O  *  6  V-    !  •  IT-  1_  •       -1MTL  L»  I   _  »    t  I       J  _ 


THE  Lord  my  Shepherd  is  I  fhall  be  well  fupply'd  Since  he  is  mine  and  I  am  his'  What  can  I  want  befide . 

h  ^        I'r-crr-  llTTTTT  1  111  ,1k  I  1  rf-rrf'fo-ffr  II  i  J  .  In  '  ■  il,  = 


m 


as 


i,j  r  i'j  'ii  nil' 


Rochford,     Pfalm  li7l.h       DT  W. 


,ii  Rochlw         i  ;  i      i . 

&rijjJl>j  Ji,iJiJiiriirnrT|Ji1iirjJ|liricf^MiiJij 


Et,  M, 


.5" 


a 


FROM  all  that  dwell  below  theSkiet  Let  theCreatort  Praife arife  Let  t^Ffedeemers  Nainje  bj^uncr^hro'eYVYL  and  by  eytylbn 


If.lBS 


-  ^^IKG  to  AeLordwithjoyfnlVoiceLeteY^LandhityameadoreTheBritiflilflesfliallfend  theNbife  Acrofsy  Ocean  to  the  She  re 

;pjNJh  rWrijJij  juTPPhfi^fi1  r  I  ii 


'lUmiiiUji-'iiji 


IV 


?8     .    Wareham.-     Pfalm    19 .    .  Dr.  W. 


L.  M. 


ir'frnjjrwri'i  riiiiuiiiiii|iiT  'i  i  'Li' 
urn fir?rir7riiiri'i ri  1  r^  minr>n^^ 


'rHEHeavnsdedarethyGIory  Lord  In  .eV— ryStar  thyWifdoihfliinesBut  w  .  ounEjes  behold  thy  WoidWereadtfiyNamein  fairer  Lir. 

Jirir?i'rifrijirii^ 


iiiiJigrriryrrhiirifrrir^r  ir: J  uirirft  f  i  iirta 


^nW  rn  mi  nun  m-nii 


yOW  let  our  Hp3withho— lx  Fear  Andmoran-fallPleafurefingTheSuffnngpof  ourgreatHi^prieftTSorroTO  of    our  King 

I  —  I  i — ^\   I  1  Ml  ■  "">»  1     i^-*^./    I  I  1—  1 — *~  I  I   ^    ~~*     _  I  ^  ■■  1  — I— I  1  f   *   I  ^  1  1  I  <S~\  .  ill 


4t¥Mr0tt^\  icii  'ijjfi'  if  in  H 1  ci  1 1 1 1 1 1,  iiij  i  ii  1 1 1  'i 
InrriM'rn  inn'1  ^ririnWri  wrirTfrn 


fffM  rMTi i  frffri1ifii^(iLTfj|i  fin 


Old  50^''  -  Pfalm  5o?h        p\       W.      {  P.  M. 


Pfalm  5o!h         DF  W. 


THEGodof  Glory  fendsfosSunmmsforlhCaUs^SouthN^tions  and  awakes  the  North  Fniml^fttoWeftltH'efavfoign  Orders  fprefl'd  Thro 


m 


fig;  Iff 


is 


JfrrijTiiV'rrinirr^fjJJii'iijrrffjT^ 


3»; 


HI 


!frrn  n  j  r  r  rr» 


"^TniirriiiftrrrniiiH. 


"Hell 


» — j> 


lunds^trem  ble 


diftant  "Worlds  and  Regions  of  the  Dead   The  Trumpet  founds^trem  ble.sHww^ejoices    Lift  up  y.  Headsve^intsw.Aearrul  Vo  ices 


m 


7"      Norwich-  or  DF  Greens  *  Pfalm  136"^   D.r  W. 


sens  l4&?     Pfalm  I3g?   D.r  W.  P.    M.  , 


GIVE  Thanks  to  Godmofthigh  The  un^erfalLordThefoVrignKingof  Kings  And  be  his  Grace  ado rtl  His  PowV  and  Grace  ' 

r  Ml  llllln^TtjH  II  Hi!  'Mi, 'I  ll|  i  if^i 

J  r>n  ,iriiffji4ni,iTrnJi"i»irrh--ii  irl  r  r\M 


nrrHf  'loLu^iaJr  rif|i..ii'i 


i-iirrirj#rr 


Are  ftill  the  fame  And  let  his  Name  Hate  endlefs  Praife. 


rr  Jifrrrh  'i  irni"""" 


2X2 


How  mighty  is  his  Hand, 
What  Wonders  hath  hedewie$ 
He  form'd^thc  Earth  a«d  Seas, 
And  fpresd  the  Heav'ns  alone: 
Thy  Mercy  Lord, 
Shall  ftill  endure, 
And  ever  fure 
Abides  thy  Word. 


rreicot. 

TO 

TVT_  1  ift 

Plalm  IV 

.  V. 

C.  M. 

72 

f     f     r     (P  | 

miHYrn 

-f-J  d  ||  Mil  ■  ■■ 

f 

nHKManis 

bleft  that  hath  not! 

,  m  j  J  1 

lent  To  i 
otto" 

wicked  men  his 
-    1  f  ilm 

Ear  Nor  led  his  Life  as 

Sinners  do  Nor  fat  in  i 

-p  fl  q  .  

=~  IIP" 

5 corner^  Chair 
 II  ■■, .  

f  r J  j  1 

hi  iirJ  r  n 

J    ■     d  III! 

V  IT     a  i  r 

Alcel 

r^~|* — T — 

ter.  1 

■ 

A  Do 

xoigy. 

p.  •> 

1 — h-H 



II"  "  ' 

-II    -      m    -  — 

pi  p  # 

mi 

w  p  r 

#^ 

SlNGw 

e  to  our  Gc 

)d  above 

IS* 

Praife  e-te 

rnalashisi 

=m=t= 

Love  Prail 

=1=a= 

e  him  all  < 

ire  heav'nly 

41 

Ho  ft  Fathe 

F=fc=£= 

r  Sdniand 

Bfll 

HolvGl 

lOft 

m 

f  = 

We 

^  u 

^-H  1 — 

M 

72  ^      Sydenham.       Pfalm  92d. 


C.  M. 


-no  with 

one  accord  Am 

i  to  thy 

Name.0 

#p 

thonmol 

i — — m- 

rthigh  To 

fi          ,  i  i  -no  with 

ijfflffiftri 

one  ac-cc 

>rd. 

m 

IP 

d*  w. 


L.  M. 


Leeds.    Pfalm  lo3«*     DF  W. 


S.  M. 


Hhtl  .11.1  JklhHl  '|N  .HoHili'iHl  ^I'll 


75 


H 


a — e 


H 


EE 


n — r 


:THB  Lo  rd  the  Sov  reign  King  Hath  fix'd  his  Throne  on  high  O'er  all  the  heav^v  World  he  rulesAnd  all  beneath  theSky. 


e  on  nignu'er  ail 


a — a 


■  I  q 


Q  Q 


3 


St  Albans.       Pfalm  134*  W.       O.  ,  V. 


S.  M. 


1 1 


BHHODlD&haYeregardYefervantsoftheLordWhoinhishoufeby  night  do  watch  Praife  him  with  one  accord. 


ui'ifijHjnrinhiurijh  fnrhiirn  i  i1  iijii  ■ 


Lift-apyour  hands  onhigh  UntoEis  holy  place  And  give  the  Lord  his  praifets  due  His  benefits  embrace 


76  u  S1 

ffff 

Pfalm  55? 

»  Q  =  

rr r  ri 

w. 

ni'rifcr 

c. 

Mi 

1  q|i  r  1  q  r 

— f~' 

Sis 

-U—  1  L 

r>  m  ^ 

II  L, 

1 1  i  - 1 1 

H" 1 1 1  > 

— 1 — 
1 

& 

II 

Sing 

^  '  v 

to  the 

Lo  rd  . 

[e— hovah^sJJ 

ameAnd  in-  hi 

s  Strengths 

a 

'joiceW  his  Sal- 

1  1 

ration 

is 

ourTh 

erne 

4fe 

=■  : 

 «— - 

 ''  

<a  f* 

'»p  pp  1  • 

1*  p 

-0-9 

m 

^                  ..  . 

II 

1 J ,  1  Jli" 

P 

Ex- 

al  

■It— cd 

be  our"\ 

fa  ice. 

Halle4u-iah 

v  AAA 

:? 

tt 

I* 

:tt 

sip 

Hallelu-iah 

d  ir^  r  r  r  f  i 

With  Thanks  approach  his  awfiill  Sight,  And  Pfalms  of  Honour  fing; 

l 

The  Lord's  a  God  of  boundlefs  Might,  The  whole  Creation's  King . 


Grantham.       Pfalm   24?  W.  9 


fa 


L.  M.' 


77 


3 


- 


u in  pi u 


\  ^    THIS  fpacieusEarth  is  all  the  Lords  AndMenk^mis^eaftsKBirds  ^ralfciy  BundlngQri  theSeas  And  gave  it  for  their 


KUl|yl|il#ll''irg^ 


turds  He  rait  a  y  cuucring  on  the  seas  J\na  gave  i 


•  O   Q  i 

5=p 

~1  1" 

d — *J- 

--r-r— 

-  .iii'i  .3 

F444 

-U   II  1    1  1  - 

■rrf 

■  — ^ 

» m  i 

■  V 

n 

■Q  

f 

{place  But  theirs  a 

3  lighter 

Wbrlc 
"Pi1 

lonh 

f — 

.ghThy 

J&lac 

etfd 

.  abcrv 

jj — i  — i 

cy.SltvWhoihalla 

(bendy  bk 

ItAbodeAndd 

well  fo  i 

ies  rhisJ 

VT>ik-er 

God  " 

— 1 — H 

-a— 

Pi 

•   •  ■- 

■d — a 

— 

—9- 

1 

'i'l-o"" 

Parindon. 


Pfalm    3.9  th'   Dl  W. 


C.  M. 


TEACHj^ethe  Meafure  <^C-^  m7  DapThou  Maker  of  my  Frame  I  wqt^  fur-ve^  Lifes  narjrowSpaceAnd  lea  


#  cJ  I  "  11     Stortford.      Pfalm  9  9*     DI  W. 


1Q_ 


I  BO.W 


rn  how  frail  I  am 


)rley .     H/mn  l1/ .  B .  IV     D£  W.    C.  M 

J|J]jj|j^JjUUU^ 


SI 


I 


• — • 


* 


i 


i 


urn  r  r i ' i 'j 


# — » 


# — * 


# — *■ 


idsHarp of folemnScund.  V      1 1  BEHOLD  the  Glories  o-  ^--f  the  Lamb  A  -  midft    ^his  Father^Ihrone  Pre  — 


ULcUtne  Clones  o-  r--r  tne  i<amD  a  —  miait     ^-.nis  iatflersinrone 


1 


ire  ne> 

v  Honours 

for        his  H 

^nie  Pre- 

■e — *- 

-pa  re  new  Ror 

i  —  ours  for  his] 

•fame  And 

SO  -= 

 ng. 

ibefureun  - 

-KllOWn 

L  f*" 

 p-r 

^  

- — . 

— s— Tf 

— a  P  ' 

^=^1 

P.  M. 


1*«  li '  "NOTto  ourNamesthouonlvJuftandTrue  Not  to  ourworthlefsNaraes  is  Glory  due  ThyPowV&Grace  thy  Truth  and  Juftioe  claim  Im 

;,fi-jir  r  r  r  iff  J  ji.ji-jij  J  jJiJjf  r  J|°'H|JJ  r  r'r  ^ 


wr  ,j;jj|jjJfi°n-1iJjrrirJJ3fiui»iiir.Pf^ 


5 


i 


w~w 


y  r  f.rrir  r  r  r  i-VHf  r  r'r  if?r?,  n°iHircr  Effrr  fti  q  ii 


tH-tf  r  rr  i  rr  r?r  rnpr^Tf  r?  r 


-  mortalHonours  to  thy  fov'reign  Name  Shine  thro'  ^EarthfromHeav'n  thy  bleft  Abode  Nor  let  y  Heathens  fay,'And  where'sy.God 


rrNrr'ri°iMirrr  Mr  J  >W-jrfrirtrr 


■■'rf.rfif 


Old  148.       Pfalm   148.       DI  W. 


P.  M. 


83 


,1  1,1  ||„H-.1|3^U.1ICIM.I  ill'i  il  B 


£3 


3  0 


11 


3 


Q  1 9  a  I  a 


O ■■  Q  i  O 


Hill  'i  If  II  -tt 


YE  Tribes  of  Adam  join  With  Heaven  and  Earth  andSeas  And  offer  Kotes  dWine  To  y  our  Creators  Praife 


r-, 


i 


"i — 3 


m 


m 


XL 


i 1  « 


Ye.  ho  1  j  Throng    Of  Angels  bright  In    World!   of  Light    IBegin     the  -  Song 


-T--^  


XT 


5i 


^  U  i- 


■M-l- 


II  I 


8A,         Giles's.         Pfalm  133?  W.  or  lz2d.  ,    ,  tO.  V,  ,  ^  P.  M,. 


« — © 


m 


3: 


or  122?  ,    ,  tQ.  V.  ^  P.  .   M,  k  ^ 

,ii3iiJ|jjj,ri^ii^^ 


pleafant   'tis  to  fee    Kindred  and  friends  agree,  Each  i_n  their  pijo— per   Sta       -jtiotvpiov  z 


How 


1    2  0 


iLH'll "  j 


3 


f  JUJ  JljjjjJkllH^JlJ^  ,H»ll.)lj,hlj,l       vT  1 0  Hi 


■&1  I c  IP 


1 


# 


1 


5 


5 


And  each  fulfill  their  Part  With  fympathi  — 


Littleton.       A      Hjmn,    Pag  ltf4. 


G.  W. 


P.  M. 


'HTrffir  rJrir'F 


if  rJrir'r 


w— w 


rrcrrcrr^irTtjlA,l"J  JjJ|r  r  JJ'J  r 

LO  he  coraeth  countlefsTrumpetsclow  before^  bloody  Sign  Midft  ten  thoufandSaintsN.  Angels   See  the  Cru  ci 


i  "i  ir,  i  ^  i 


1 


II  «  ' 


^    -fi-edfhine  Hal  le-lu  -iah  •"-  *-   *•  *-»   


.*//;         Hal— le— lu-iah  Wei -come  wel—  —come  bleeding  Lamb. 


3B^ 


Saints, who  Lne  him,view  his  Plory,  Shining  in  his  bruifed  FacejHis  dear  Perfon  on  the  Rain-bow,  ■  

|Jie  comes.  ■ 

Now  his  People's  head  fhall  raife.  Hap pv  Mourners  ,  happy  Mourners,  happy  Moumers,Lo!in Clouds, he  con 


Hallifax .        Hymn  50  l*       G .  W. 


M. 


3 


J      ..YE  Servals  of  Gc 


5 


act 


I 


=*3 


1 


3 


IP 


YE  Serves 

of  GodYo ur  Ma fter  proclaim  And  publifh  abroad  His  wonderful  Name  The  Name  al]  v|cto#ous  Of  JVfus 


5 


-4 — i-l 


'Wrrrir7rirrrffl^ 


la 


4- 


iirigrr?ic?f 


J  /J  J  .in 


f 


1  I  I 


1=t 


it* 

ex—  to  1  His. Kingdom-is  glor'ous  And  rules ov-er    aJJ . 


m 


1 


-1— r 


s 


ii 


God  ruleth  on  high. 

Almighty  to  fave; 
And  ftill  he  is  nigh, 

His  preience  we  have. 
The  great  Concregation 
.  'His  Triumph  fhalifing,. 
Afcribing  Salvation 
To  Iefus  our  King  • 


8  8        Buckingham.       Pfalm  12*  V. 


C. 


M. 


/  ft-  ->  r- 

-    "  Q 

LI    .  [ 

O  IT. 

5 


XT 


^HF>L"P  iord  for  goodfc-God-lyMen  X)o  perifh  and     de-cay  And  Faith  and  Truth  fromwo  rid  ly  Men  Is  part— ed  cleana 

a  i  q      ■  o  n  ^"n  q  ,  ■■  ■  o  ■  1 1  i  I     ■  ■■  .  o      ■      1 1       ii     1 1  <Tq  n  .~r*» 


■iiMiTiihiini.il  <\\nf  ^i-jiq"  \imm 


Virginia.        ,  Hymn  14$.        DF     W.        .    .  L.y-  M.  /^r^  

i^ji^iL'irrnii^jiiiiJjriLJ^jiJtiJiiJi^ra^au 

/"-J      GO  worfhip  at    Im-manuel's  Feet  See        his  Face  what  wonders  meet  Earth  is      too  nar-row  to       t  f .  exi 

^rirTrh|  ri  i  jifirfrnft  r^  Jnirifffrirrritff  n 


His  worth  his  Glo  ry    or        hisGraceHis  worth  his  Glo  ry  or 


his  Grace. 


Dalfton.     Pl'alm      12}*  D.r  W. 


P.  ,M. 


91 


■hit  r  rr  i°n-i 


p—p 


m — w 


O— Q 


I 


How  p  leafed  and  Me  ft  was  I  To  hear  thepeople  Cry  Come  let  us  Seekour  Godrto  Day  ,  Yes  with  a  Chearfull 


i 


j-^ii-'iir  rr  rr'T^rtrrn 


3 


U  ji  JlnlHU  J-J-J 

=  oih-  = 

1  

J  r 

0    p    0  F 


Q  Q 


Zeal  We  hafte  to  Zions  Hill  And  there  our  Vows  and  Honow  Pay. 

in**- 


3 


i 


3 


jtzm 


I 


i — y 


v 


1 — I" 


¥0  L' 

ttle  Ma 

ribrou 

Ji.  2. 

5*j 

^  p- 

-  E  C  

=t=< 

 ft- 

i 

w 

•         » i- 

ffm 

 m%4- 

— iq  ■ 

W.lc 

ome  fwee 

i  i 

r  

tDay  o 

Ml 

'hat  fa 

■w  the 

Lo  rd 

■e  i 

arife^V 

felc 

ometo  this 

reviving  ] 

Jreaft,Andtr 

'   •  \ 

lefe  rejoicing 

« 

P+5  =  : 

4  II 



1  1 

— ' — r 

iketield 

PS 

M 

i>2.d 

-4- 

c  —  -ft 

1 

s 

 f- 



--d — i 
-i — ^- 

1  i 

^ — J—  -d— 

—  Jo 

pip 

llWifdon 

l cry  alo 

ud^Anc 

i not  he 

:% 

r  Speechbe 

heard/I 

 1 

oice  of  Go 

daeternal 

Word^Pefer 

ves  it  no  Re£ 

[ard.  r 

1 

1  . 

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q=t=i= 

4—- 
l 

1 

r    1  c 

IP: 

/• 

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=^ 

— I  d- 

4^ 

?1 

Rjcmanfworth.        Pfalm   8  4 


th 


I 


ex  on  Earth    Exceeds  a  thoufandDays  of  Mirth 


Might  I  enjoy  the  meaneft  Place 
r         Within  thine  Houfe,0  God  of  Grace, 


Not  Tents  of  E  a  fe,n  o  r  Thrones  of  Power 
Shold  temptc-iy  Feet  to  leavethy  Door. 


94-  Strawburry. 


 <-»"'  -T-ii  V,  a  1  aV«nurs  fh 


whof«arstheLord>knd  Jalk-j^ 


|    ill  nu   —  |         ■»  -,- 

-  »-'"- -his  Day*.  ^ 


^T^abo^fh.llrewa,^  Honoarand  reacefhallcrownfu^y 


Angels  Song. 


Pfalm  S6 


A.    Canon  in  .the  TJnifon. 


pmein  thia  timeofneed^  Sonldotf 


fcSrceIycryHelpmeOLord,helpmeOLirdore"jfe'ldI 


I 


uwnanW  die. 


SSEagle Street.^  f>mn  '  lioT     D.r  ,W.,  .     B.    1 lx.  P.  , 


b.  if: 


M. 


I 


i 


JOIN  all     the     fiIo  r — io  us  Names  Of  Wifdom^Lo  ve,tnd  Fow'r    That  e  —ver       Mortalsknew^ That  i 


Pfalm  I2<Sl.h 


Arlington.  ,  ,   Pfalm   12<^-h       D^,  ,W.       _^      ,  G.     M. ,  ,   '    ,  J>7 

Mm^\\J  M*o  llJlJj    'I  iff    J  I  ii  III  In  '||dj,||^^ 


m 


s 


WHEN  God  revealed  his  gracious  Name,  And  changed  my  mo  urn  full  State  My  Rapture  feem'd  a  p  leafing 


i*t  n 


23 


ii  rnii-  ii. 


|l  I'""  T-  I'll  1 


Dream.  The  Grace  appear-3  fo  great, 

Egg 


The  World  beheld  the  glorious  Change^ 

And  did  thy  Hand  confefs; 
My  Tongue  broke  out  in  unknown  Strains 

And  Sung  furprixing  Grac«. 


g5 


m 


VP 


■ 


S8 


i 


th 


BlewWy.  ,     Pfalm    61  zt 


D.r  W. 


m 


m 


M. 


3 


22 


i 


5 


SHINE  mighty  God  on  Britain  fhine  With  Beams  of  heavenly  GracejRe  veal  thy  Power  thro^allourCoaft 


i 


Reveal  thi 

& 


m 


5 


3 


ii 


i 


g==o 


— & 


q    o  \—& 


m 


Andfhewthy  fmiling  Face. 


Amidft  our  lfle   exalted  high 

Do  thou  our  Glory  ftand^  t 
And  like  a  Wall  of  Gaurdia  n-Fire 
S  urround  the  Favourite  Land. 


th 


-  Putney.      Hymn,  14-6.  B.  2?       DT  W. 


L.   ,  M. 


S3 


I 


3=q 


o  q 


»    n  i  g 


q  m 


i 


q  i  p 


I 


MANhas  a  Soul  of  vaft  Defire,  He  burns  within  with  reftlefs  FiresjToft  to  and  fro  his  Paffions  fly 


i 


3 


i 


O'  Q 


331 


S 


f-i- 


Prom  Vani — ty     to  Va  — ni- — ty 


1 


i 


In  vain  on  Earth  we  hope  to  find 

Some  folid  Good  to  fill  the  Mind: 
We  try  new  Pleafures^but  we  feel 

The  inward  Thirft  and  Torment  f till. 
4 

Great  God.  fubdue  this  vicious  Thirft^ 
This  Love  to  Vanity  and  Duft; 
Cure  tht  vile  Fever  of  the  Mind^ 
And  feed  our  Souls  with  Jo  ys  refined. 


loo     Kew  Eagle  Street. 


Hymn   14^  B.  2? 


DT  W-  S.  M. 

imji.iiiriJjji 


i-our  triumphantSonosTo  an  immortal  Tune.  Letth 


I 


3—0- 


1 

3s  C< 


S 


^   R  ^ISEv^urtriumphantSonosTo  an  lmmortalTune.LetthewideEarthrefoundtheDeeds  Celef-tialGracehafs don< 

? 1JU  rll?JhllrlWW.I  til  fff%lfMUa 


ill?  I  'H  " '  I1-"1 


Plaftow. 


Pfalm  83? 


D.r  W. 
■ 


S,  M. 


AND  will  the  God  of  Grace  Perpetualfilencekeep^TheGodofJufticehpldhisPeace^Andlet  hisVengance  fleep . 

y la.  * '  — i -  -  i  j* — lct  * 


2   B  ehold,wh  at  curfed  Snares  TheMenofMifcheif  fpread;TheMen  that  hate  thy  Saints  andThee  Lift  up  their  threatViing 

Head 


i.  laXIIl 

— Q  a 

lie/.      10  • 

■Tart. 

nr 

W 

M. 

•  lai 

j^*q=) 

ft 

My 

'Soul  lies 
■  m  r 

cleav— ing 

to  thel 

)uft  Lord  g 

ive  me 

±4 

Life 

divi 

pi 

ne    From  \ 

/-\  1 1  /-\ 

a  in  de— 

fires  and 

r^rnT 

ev— ry 

Luft 

-  "  "  q 

^= 

— r-2 

-    v  ■■ 
.11 

-e — a—- 

:    t=  : 

Q  11  II 

#^ 

1 

->  ^ 

-H- 

--Q— 

■■  ir«   

Tarn 

TV.,  1?  ri 

of  thefe 

i.  0  q 

Eyes  of 
-  <>     i  i 

mine  turn 

'T,  itq 

of  thefe 
■^■Q— n  

Eves 

turn 

of 

thefe 

Eyes     of  m 

IMI'"   = 

ine 

— ^ 

m4± 

-  II  II   = 

A  Canon  of  Four  in  One. 


It)  Fath-er  Son  and  Ho — lj  Ghoft  OneGo — d  whom  we  a-dore  Be  Glory  as  it  was  is  nowAnd  fha — 11  be  ever -more 


102  Barnet. 


Pfalm  i45t 


th 


Jrir?rifrnr~rrhi 


BX  W* 


C.  M. 


PI 


LONG  as  I  live  111 blefsthvNameMp King  mj  God  ofLoveMji) 


Joy  fhall  be  the  fame  In  thebrightWorld  a- bore. 


*  i~  • 


EE 


Ears      A  fov'reignBalm  for  ev.  'ry    Wound    for  ev 

0  J  m 


  'ry  Wound  A  Cor  dial    for    our  Fears, 


I 


i 


EF 


:s: 

m 


A  fov'reignBalm  for      .  ev  —  'ry  Wound 


ev  —  'ry  wound 


q  •  m 


:s: 

m 


A  fov'reignBalm  for  ev  — 'ry  Wound  A  Cof  dial    for  ourFears^ 


^ 


1 


-I 

BE 


A  fof^eignBalm  for   ev  — 'ry  Wound  for    ev  -'ry  Wound 

Armly.         Pfalm   2^     DI    W.  L.  M. 


HTTF 


I 


B 


M  M  Ti. 


fn^flTflJ^pLllll.^|r^|Jlll|lVir'^n-(lllll  ffli'un 

JTTir  Jljg    T  .  ,,L^  „1  „  •     *T.        D„  TL  _  D  '  L_  O   1  ^1™.  A       !„  A?,  T  d  A   •  tj,,,  ■>   rr!„jr  A  „J   *^  J.A^. 


WHY  Jew  proclaim  their  fta8e ^he  Bomans  why^eir  SwordsemployAgah^  L^l 


heirPowrsem 


i    r       •  ~ 
Hisd.  Anomt-ed  to  deftroy. 


Jo4 


Elenbo  rough 


Pfalm  42. 


Dr 


w. 


C  ^M. 


ook   So  pantsthe  hunt-ed  Hart   to  find  fo  pants  th 

oll-ql'l    1  iff'lh    '1  H  Jftlf'^ 


~   1  ^/    '    '  1  '   1  I    I  ■#"    '  1  "  1 1   I    I    1    1  I    |    |  I  ■  |  I    I    |  ly   I  9 

WITH  earneft  Longings  of  theMind   My  God  to    thee  I  Look  So  pantsthe  hunt-ed  Hart   to  find  fo  panfa 


as 


m 


1 


[_)  t,„Jf    Sf4      Barf  ♦  /-»  f«f  ^  VK 


W  i|0||ii 


ii  1 1 


hunt  Njd  Hart  to  find  And  taf  :e  ftie  cooling  Brook  and  tafte  the  cooling  Brook- 
.  ^  /T>  «  ^  ■  rTW   i*^  i*"!*" 


-0  • 


Continued. 


l0,§ 


1 


E 


Q-1 


£1 


e?  f  j?  i  jyjjri  f  o  j  j  i^uj  i  n  u  'tin 


Heart  lift  upyoujVoiceRejoice  again  I     fay    rejoice   re-joice^  re— joice      ^  ji^-gain    I  fay  rejoice 


$  Q  r 


i 


2 


mi 


TO 


Down.      Hymn  6.    B.    2?  Df       W.  C.  M. 


C.  M. 


ONCE  more  my  Soul      the    rif  ing  Day    Sal— utes      thy  waking  Eyes  Once  more    my  Voice    ^  Once  mo 


Once  more       my  Voice      thy  Tri  butepaythyTribute     pay  To  him  Sec 


DL  W. 


L.  M. 


lo*       Kin^sbridge.  Pfalm24. 

J%jiJ|'°i.yiijiLiiiinijliiiiiiiiHihii^la^ 


Re-joiceje  fhining  Worlds  on  high      Be-hold  the  King  of  Glory  nighWhp  c^LthisKing  of  Glory   be  Themigh-ty 

Q  =-i  Urn  ■    Q  1  mi  i-^l  1  1—  1  ,    ■■■  P,  rfmf~,*    Urn  ■  Q  ■  mm  r-^=>  


i'rn  j  i  i  nr?|ii|ini.iPTiiin fh 


^I'liff  in' 


Brighthelmftoiie.        Hymn  69  Book  1 . 

site 


L.  M. 


XT- 


Saviour's  he.  ^  "      (  The\foiceof  my   be-love^— ed  founds  Owe  r y  Rockskrif  ing  Ground  OerHills  of  Guilt  &.  Seas  of 


sup 

#4 

<  ^  Grief*  O  er 

Hills  of  G 
-#  

-uiltfc 

^= 

.  Seas  ofC 

rriefHele 

aps  he  f 
-0  r 

ies  He  le 

m 

lies     He  le 

flies    to  i 

ny  Re  — 

lief. 

1 — i   II  — 

— f  cll.llit 

-■  — 

mm  . 

IV  - 

4  II  — 

Plymouth.  Hymn  3&.Pag^  i44f  G;W.K.M .  . 
Children  of  y  Heay'nly  Kino  As  yejourney  fweetlyfinfl  Sinay  I 


i 


nrrity/Nii"" 


Childrenofy  Heay'nly  King  As  ye  Journey  fweetlyfing  Sing  j  S  ay  i  out's  worthy  PraifeGlor'ousinhisworfcj&.Ways. 


"Norfolk. 


3 


Pfalm  { 


si. 


N.  V. 


L.  M. 

i(irfiiiifffifi%nrnri|jri  rfpyf 


10': 


1 1  ^i°iic 


O  co u?e" An them  s  let    us  fing  Loudthanksto'cmAJmighUy  Kmg  Fo rweouffijiees  hjgh  ihouldiaiieWbu^ahfations  Rockwe  Praifi 


XT 


|  «/         couie^Antnems  let    us  ling  ljOuatnaiiKstoourAimign-ty  mng  i-orweourvoices  mgn  inomaraiterrourp>ajv 

Harlow.  A     Hymn  bvMS    I.  S.     at  l4   Years  of  Age.     L.    M.  For  Sunday 


t)  1  Singtoj^ordw  AeajMVoice^SonsMenrejoioereioice/rhis  is  our  Saviours  gloj^ous  Day*  "Wherin   he  madeHell'sTroopg^prey  • 

^jaljJ  JjU  f ir^!  i-|  ■■'  J^rir*^r^h|-i"i  prpf i^i  1 1 7 )  ,   iT' 1 


W 


2  TbDajjS  aviourfromonhigh,  lhviteshisownd'Qiildre^^omeWbrfipnowbe  fore  his  Face,  And taftey  fweetnefs  of  his  Grace 


CTrrririgrrnrrrfirir hJiffri^  rrrnrrfrirr J? if  fa 

^B  3^  Mav  nought  b  ut  Grace  now  ft]  1  ou  rTon  gue  s,  O  r  b  e  J  fubiect  of  our  Songs«,S  ince  ought  befides  thyNam4moftriigh^emtinefs&!Vamty.  ; 


Q  n  »  0 


ffii'iiJJiJ  jit  r1'1""" 


4rTay  ev'ry  thing  on Earthgite place  Unto  y  wordof  Truth,icGrace;0  KingofGlorr,en^r  in,Andturn  outerVj  Thought  unclean 


108   Goodman's.    Pfalm   2  3.    O.  V.  CM. 


sap 

<        My  ihej 

)herd  is  the 

liv  —  ing  Lord  Nothii 

ig  therefore  I  need  In 

Paftures 

falrjiea 

rplea-lantStreamsHeietteth  m 

-^J  JllJlfrfl 

to  feed 

Foundli] 

 #- 

Pfalm  27.  O. 

V.            or  to 

the  ] 

Hi! 

ing-s   Hymn . 

\  TheLord 

is  bothmyhe 

r. 

'alth&LightShJVTanmatem 

e  afraid  SinceGoddoth 

givemeSt 

renotnM 

-*>    9  m^J  ' — ^r  - 

ightWhylhouldl  be 

afraid. 

Bexley 

,  Pfalm 

mm 

84.  Dr 

w.  c 

m. 

m 

<          My  He? 

irtkFlefhci 

7  out  forTheeWhilefarfr 

1        n  • 

omthineAbodeWfhall  I 

tread  thy 

Courts 

fee  My  Saviour  and  my  < 

.Ok     #     ^s,  Os 

rrfir?riftj 

Sod.  Bkj 

TheSparrowbuildsherfelf  a  Neft,  And  fuffers  no  remove;  O  mateme,likethe  Sparrows,bleft,To  dwell  but  where  I  Love. 
To  fit  one  Day  beneath  thine  Eye,  And  hear  thy  gracious  Voice,  Exceeds  a  whole  Eternity  Employ'd  in  carnal  Joys. 


Maryland.        Pfalm     lo4.      Bl    W.  L.  M. 

5 1  -ryi  -jajm  JfPgirar  r  iJifc  i  jJtj  i>rr  HrTBiSagprriT  i  if^r  r  ijjj 


lo 


MY  Soul  thy  Great  Cre-at     or  Praife W.  clo  ath'd  in  his  Ce-lef  rial  Rajs  He  infullMaiefty      appears     Andli — 


m 


rfftnrffji ° ii-^i rrirrrm  Ti^riTiifrrjio  inir? 


Magdalene.      Pfalm  18.       O.  V. 


C.  M. 


juir-iJJi^Jij 


lis  Glo 


tea   Ro^hisQlory  wears  "\  ^      O  Godmy^Fjt  Fortitude  Of  forceIAlovetheeThouartmjCaftle^efenceInmjNeeefsit^" 


*joamy6tFK.i-ortituae  ui  rorceiAlovetneein 

jjjiJrrHijjjjjiliig 


Evening  Hymn. 


or    to    a    Morning  Hymn.        Awake  ^c. 


^W^ircf)ififfrhrrjiiiiTii|i|ih  7ti  ■■ 


th  '  fweet  t 

leep downy Sleep^plo femyEyes  Tir dw  beholding  vanU-i  — ty  Welcom j^p  y  dm^ ajvay   The  ToUs^tc  Foil ies   of  the  Day 


13 


thy  foftBofomlet  me  lie,Forgety  Worldklearn  toDie:0  Ifrael's  watchfulShepherdfpreadThy  guardian  Angels  roundmyHe  J. 
not^  Spirits  ofyAir,"Whilft  I  repofemySoul  infnare,But  guard  thy Supliant£reeitvdmharms,Clalp'd in  thyeverlafting  Arms. 


110 


Welfh.         Av    Hymn      Page  145. 


vpT)ivTne  all  Love  exelhnq  Joyo: 


G.  ^_ 


it 


Love  thou  art 


ffit  ttfvith  thy  Salvation  L^r^^Ue  m  b  lingHeart . 


Bray.  Hymn 


5 


Awake  my  He  a..  _ 


-cere       When  fhall   I    wake  when,  fhall     I    wake  and  find  me  there. 


m 


.0  glorious  Hour,  O  bleft  A  bode, 
If]  all  be  near  and  like  my  God; 
•And  Flefh  and  Sin  no  morecontroul 
The  facred  Pleafures  of  the  Soul.  ■ 


My  Flefh  fhall  flumber  in  the  Ground,  Till  the  laft  Trumpets  jo y full  found*, 
Then  burft  the  chains  with' fweet  furprize;  And  in  mj  Saviours  Image  rife. 


Bdtania.       Halm'  115\h ,  "Lift  ver.     Dl  W. 


P.  M 


•       •  •  •  i  • 

J  [J  J  J[cl  n|  o  |1  J 


e-e- 


i 


■e--€r 


O  Britain  truft  the 


Vll-I.l?   qlq^|qqT|/&^i»qrh,Fl',|  ■  I  I  '  I 


Foesinvain  Attempt  thy  Ruin  and  oppofe  hisReiqn  R^ad  they  prevail'd  Darltnefs.  had 


3S 


E 


m 


f  o  q 


i        clof'd  our  Days  A*nd  "Death  and  Silence  had  forbid  his  Praife  But  we  are  fa\'d  and  live  let  Songs  arife  And  Britain 


3 


1   i  Continued. 


V   -  Canon    of    ^  in  One. 


Womb  of  Night 


S. 

I 


m 

0  QU  Q 

3#EE 

-2  

Mi 
ifl  | 

r  God  my 

Life  my 

LoTe  To 

thee  to 

thee  I 

'-fa 

call  I 

canno 
i 

 p 

t lire  if 

- 

thou  re 

more  For 

thou  ar 

t  all  in 

all. 

1  a  o 

-  U  C| 

Cj-U 

a  l 

a  c 

— hi, — 

— a  

m 

— e- 

1  1^0,^ — - 

'Itt  Chefliunt. 


P.  M. 


Then  only  believe, 
And  truft  in  his  name, 

He  will  not  deceive, 
Nor  putjrou  to  fhame, 


But  fully  fupply  jou 
With  all  things  in  ftc 

Nor  will  he  deny  you 
Becaufe  jou  are  poo 


Derby.  ,  '  Hymn  35  Ih    B.  2^  I 


Dr.  W. 


C.  M. 


.115  » 


ce  But  our  loud  Sona  fhallftill  record  The  Wonders  c 


4. 


I 


LKT  them  negleft  thy  Glory  Lord  Who  never  knew  thy  Grace  But  ourloud  Songfhallft  ill  record  The  Wonders  o- — -  f  thy  Praife.  . 
Ct     A„U  I       ti  J  r^th d       ^d "      t\X        w 1 


I 


Ann's. 


Hymn  S^t 


B.  24 


w. 


C.  M. 


;iii|N^)Jkii^i^|iV^|ffriiL|fpi^a 


"IVAv-   r» —  j_  .  t  -km..     '  _  i_A!  *n    ti  '  •c-.^i.- •   l«rJ  *_  _i   <-\  .til  tj_h 


.  MY  God  my  Portion  and  my  Love  My  ever  lafting  All  I've  none  buttheein  Heav'n  ab  ove  Or  on  this  earthly  Ball. 


What  empty  Things  are  all  the  Skies,And  this  inferior  Clod?  There's  nothing  here  deferves  mj  Joys,There^s  nothing  like  my  God. 


ft 

ft 

as 

— ^ 

1 

i — e 

.   ■       Q  ' 


YE  Nation  round  the  Earth  rejoyce  Before  theLord  the  fov'reign  King  Serve  him  with  cherful  Heart  and  Voice  Wi/h  all  jo 


'mm 


e- 


13 


■hidiji'i'ih 


I 


m 


5 


3 


its 


yi  violin-  Ally | 

'    .Tongues  his  Glory  fing.  *    R  TO  God  th 


CANON  of    4    in  One. 


3 


TO  God  the  Father, God  the  Son,  And  God  the  Spirit, Three  in  One, 


Cj     '  1  |  J     C  |  q  ||  II 


3=X 


XT 


I 


n 


Be  Honour, Praife,k  Glory  giv'n^     Bv   all  on  Earth,and  all  in  Heav'n. 


L  1    HOWawfiil  13  thy  chaft'aingRod [May  thx____pwn  children  fay  TheGreaty  Wife>  the  dreadfulGod 


TO  r-l 


-_    r   -  t-miureu  ia^f    ineoreaty  nqe    tne  areaaruHJOd   

irifOTrivHoiiT7rirFrjiyii0ii]  r"! 


err1'1  ^'h^Jh  1i..i,irnrrfrirrii°ir- 


 Chatham.  Page  ISO.  G.  W.     P.  M. 


How  ho  ly    is  his  Way. 


A  To.,  hiiiii  that  was  flain  The  fcorn'dNazarene 


Howho  — __— ly    is    his  Way 


-h_   is  his 


War  how 


rrlrrrJh  sl^h  ll-ll'^'-v^rl^ 

o  L  ^  jg!  |,is  Way  howho  1v  is  1  his  Wa> 


—  ly  |   is    his  Way 


Be  Glory  and  Honour  let  all  fay  A  — men. 


How  ho  —  • 


118  Mo 


th 


a      th      th      th  d     t\T    yj  ) 

.  23?  24,  2J,  28.  (or    33.    D.  ; 





Continued. 


J  J  f  p  |JJ  Jl.imiJ.JiJ  p^rU-^j-^ 


•  m 


r  rfl  nr  mh  ^ir  r  r  r  n  ^i^p 


fhall  he  ne'er  be  quite  oppreft  yet  fhall  he  ne'er  be  quite  oppreft  For  God  for  God  upholds  him  for  God  uphold-shi 

zr 


mm* 


as 


1 


A    Canon  of   4    in   One . 

IS! 


with   his  Hand. 


'-4  *  * 


33: 


Is 


In  '1  ■  ■    •  But   that  my 


I     Nothing    am,  I    Nothing   have,      I    Nothing   can,    I    Nothing  crave, 


i 


ft=m 


XE 


H  l|  I  1  I'M  1  1  J 


But   that  my    JBSUS      I  may  fee,     And  that  he  may     be  all  to  me. 


KO    Wefton    Flavel.       Hyinn  6"2d         B .  I1! 


it 


C.  M. 


■6i 


OMElet    us  Join  our  chearful  Songs  With,       _ gels  roundthe Throne  Ten-thouffjnd  thoufand  are^  their  Tongues  B 


? ongs  With  An  — 


rounotne  throne  len-thouland  thouland  are  their  longaies 


C5 


i  q 


HfU  fH'I'l  HT|M'|llf 


-a 


^-  I  I     I,  I 

rrJh»r|{i 


"r h  r'rfw^  "J  'lJ  JU  JIJI INI" 
nrfl  nfl  rir^ri^  hni  rifrr|r  y^u* 


all 

their 

roys  are 

ft 

one  Tei 

i-thou 

fand 

thoufand 

ire  theii 

r  Tongues  But 

all  but 

all  their 

Jo^jr 

e  one  • 

r — ' 

» ■ 

~~f~=l 

7+1- 

■=*— T 

Hp 

-7^  

•*>    *  ''■4 

■  _ 

 4- 

gf! 

2  - 


1  GREAT  U  the  Lord  our  God  And  let.  his  ftaif  b 


He  mates  his  Churches  Ins  A  bode  His  moft  de  Holjful  Seat. 

    .  ^ 


our  Nature  Place,  And  Bulwark?  of  our  land. 


4 


A   Parap"hrafe  on  the  23  d.  Pfalm.;s: 

 —  ■      ■  -ri-  ■     i  ■  1  ~I  "  --  -    I  IB- 


THELORDnlyP^'ture^llpre^Andfeed  me  with  a  Sh^erd*  Care;  My  No  or,  ^ay  Walks  he 
!S.Hia  pre -fence  fhallmyWantsfup^ly.An^na^  ^  ■  njfc 


Tho'in  the  Paths  of  Death  I  tread, 
With  gloomy   Horror  orerfpread, 
My  fteadfaft  Heart  fhall  fear  no  111, 
For  Thou  O  LORD,  art  with  me  ftili; 
Thy  friendly  Crook  fhall  gireme  Aid, 
And  guide  me  thro' the  dreadful  fhade. 


Bedford . 


Pfalm     84  . 


th 


DF  w. 


=5— E 


~rr 


Q   I  O     -  Q    i  O 


fTJ* '  'I  A  Nil' 


C.  M. 


123 


llJL'|l(?  "lUllr 


q  i  o   q  eg 


3^ 


My  Soul  haw  lovely  is  thePlacelcK-whichthyGod  reforts^Tis  Heaven  to  feehisfm  11  in  gFace/Tho'inhis  earthly  Courts 


3 


i 


i 


-O- 


rrp^[iTi^ijr,a?i 


-3-a 


Namure. 


Pfalm  84*.h 


DF  W. 


G.    M . 


JlJ  J|J  JlJllj^J-jMllJlJ    JlJ  JllJllllJlJ 


1 


4  i. 


3=5 


Q     P  -3  


ThereygreatMonarchoftheSkiesHisfavingPowl  difplays^AndLightbreaksinuponoiirEyesw.kind^quickningKay 


i 


124  Holborn. 

k 


The    Chriftian  SOLDIER 


P.  M. 


at* 


a — rr 


frp  r  rH^Yr1^  r  r  |Cirr 1  r  r  r  c£r 1  r  r  r  rift 


4 


SOLDIERS  of  CHRIST  arife,Andput  jour  Armour  on,Strong  in  the  Strength  uhich  God  fupplies,Thro'his  Etrnal  Son; 


i 


T7" 


f+fttf  Jffl.l  r  rirgJ^r  J IJ  f  J  J  |J  iihnjJUM 

^rrrgicirri^r?fnrrirr  r  rirr?rirr  m^ 


m 


Strongin,  theLORD  ofHofts  Andin  his  mighty  Pow'rWho  in  the  Strength  of  Jefus  ttufts  Is  more  than  Conquorer. 


he  LORD  o 

mm 


rffircrfri|l|,firJ  J  J|Jrr  t\\  & 

f  i f  f i  ■  if  i    i  if  ^  1 1 1  *  i 


ate 


v  f  tj  r  r  r  r  r 


Pi 

1  Lontinnw 


,  Hymn  4of 
j     [     |  |- 

K 

Continued. 

G. 

w. 

|H  125 

— b 

^-J — J—i 
mm? — m- 

— =  P- 

i.  .  »  r 

to 

r  ^ j — j  ^ 

.      Stand  t 

t  r  r  f 

hen  in  his  ore) 

J  ,  .  ] 

it  Might, With 
a  p- 

all    niQ  Rtr^r. 
nil   11  Lj  OllclJ 

nth  An 

_ 

du'd,And 

take  to  ai 

rm  you 
1 

111  = 

for  the  Fight  Th 

in  ii 

e  Panoclv  o f 

1=1= 

God; 

:4) — •—  - 

tTVJH  - 

\  r  J  . 

r  r 

T        ^  ~ 

•  1 

=F 
i 

■•el — 

■  • 

-#— '  

,  p  p  J  J  i 

=U=M= 

lQr  J|j 

=1= 

=k= 

=h= 

y — 

m 

jftff 

r  r  J 1 

°[~   *  l>- 
qr  f  T 

1  1  1  ■ 

-q  r  o  - 

Hn 

That  ha 

f*ff 

.r  i  ■  n 

Ting  all  things 
1 

done„And  all 

your  conflifl 

s  part 

=^ 

;Y0U 

may  o'erct 

#^ 

)me  thro'Ch 

rift  al^ne,  And  f 
Hm    P  P  

and  fecureat  1 

ift.  : 
— Hr 

1  J  J  j  1 
|  J  .  | 

 ^ 

i  »  r  p  Ti 



PI 

p  Q 

Mr1 

4=^M 

*# 

 P— 

1 

m 

126  Rineton. 


ton.  Pfalm        h  11S:D   ,  W.      .  CM. 

JU  Jiiii^i-i^iijji  iiJJJij  ji.l  J)J.rifj)jjy  Mm 


HiTfii7'in  li  'H 


Q   •  P 


THE  Lord  appears  my  helper  now  Nor  is  my  Faith  afraid  What  all  the  Sons  of  Earth  can  do  SinceEvav'n  affords  his  Aid. 

^  1  -r-  1   \^    -  ,  i    I  I     i  1     ■■     I      I      I  ,  1..     .   ,  -  .  ^  ^,  U 


'  r  r  i  ■  i  h qI1  i Tirr1  ii, I  jigii1  i  r  r  r  i '  ih 1 1 h  ■  r uJJ Jh 


b 


it 


llJ  J  J I J  '-lid  J|,|  Jl^'ph  J  |^| 


II 


-a 


^    ^jj'Tis  fafer  Lord  to  hope  inThee  And  hare  my  <^od  my  Friend  Than  truft  in  Men  of  high  Degree  And  on  tl^eir  Truth  depend 


my  yoamyirnena  in 

i#pi| 

|I.NI"I!'I 


on  their 

m 


m 


5 


Or 


SB 


-e-»j — k 


A      Funeral  Thought.        Hymn  63^  Dl       W.         .       C.     M.        .  ^  12? 

p'i  rip,f  riiLii&cr'iriiHi^i  ric- c  'riHiip cpsi 

HARK  ffomtheTombs  a  doleful  Sound  My  Ears  attend  the  Crj>  Ye  living  Men  <x>me  view  the  GroundWherevoumuftfhortly  lie'. 

^^^u^  ■  rlli) li'iT  1 I'HsjS p 1 1  H  r  J 1  I'll-1 1  If 

Sutton.'  Pfali   is*1      '  Dl      W.  1  1        ^  ".   'm.  1  ■     ^  1  1 


p=4 

r-^  \- 

fa 

Tr-1^ 

-©-— £r 

[O    f  \ 

......  fa 

in 

Bfj 

TOLD  th 

sloft) 

Sky  De 

as 

clares  his 

HP 

# 

Make 

r  God,  And 

all  the 

Stafn 
rO  

•  Works  o 

n  high  Pr 

j claim  h: 

m 

s  Pow'r 

abroad , 

II' 

rjrn 

L^ — \- 

"  ■«- 

J  

 H  r- 

12S       Blpfom.      Pfalm  S5li 


th 


w. 


c. 


m 


m 


C7 


Clv41..l.T.„jTT1tIAV.T^W„  *        1.       1.      ft  '        •      •        t.rt.  1-      n-1   ....  •       .  Tl[_.tx    J    L  .   V 


to  theLord  JEHOVAH'S  Name  And  in  his  ftrength  reioice-^Tienhis  Salvation  isour  Theme,  Exalted  be  ourVbice ; 


<;"ti'.l  I1  1111 1 '  1 1  y  1 1  n  llg  IT  1 1 1  ^  1 0  m&\  V 1 1 1  jl  o  II^IT  |1 1  {[I  pi 


mm 


3 


5 


Wallbrook . 


iouk  .        Pfalm '    $5  »  u .       tt .  N"  1V1* 


t 


3  M  I  t. 


ffi  i:ir:i  li°ii^f?Pr    fi  1 ,j  irir1  ^  i° tt^ 


WITH  thanks  approach  his  awfoll Sight,  And  iPfalms  of  HonourfingTheLord's  a  God  of  boundlefsMight,ThewholeCreatiorisKi 


5* 


Wickham . 


Pfalm  6>?? 


i 


C.    M.  ,129 


o no  c 


3     COMB  fee  the  Won  -  ^  -  ders    of   our  God    How  glor'ous    a  -  —  re    his   Wavs!  In  Mofes  Hand  he 


mm 


=  5 


-e 


F 


I 


ii 


JlflDJlfcJU  JUTE 


He  made  the  ebbing  Channel  dry, 
While  If rael  p  afs'd  the  Flo  o  d ; 


pVs  his    Rod  And     cl^ga^  the  frighted  Sea  —  s  j^dcleavesthe  frighted  Seas.      There  did  the  Church  begin  their  Jov> 
|     ''1  I  °lt    °\   f^\f  P  |**l^jj5i  °\  I  ^  jj"  1  ^    ''1  lo  II1         And  triumph  in  their  God. 


13  o 


Hanover . 


Pfalm  67:11  T.  B  . 


P,  M. 


I 


■XT 


5 


n  r 


^  r4 


-e 


PI 


a 


n 


33 


q  [-|  q 


1 


OUR  God  blefs  us  all  with  Mercy  and  Love  The  cherifhing  Beams  of  Fav-our  be  ftow  That  Earth  his  juu  Dealin 


hU'  i 


3 


33 


1^ 


g    Q  f. 


„inTTrir  .fM.^appg 


i 


Z33C 


ii 


I 


m 


a  o  f- 


a 


33 


(.1  r>  L 


33 


in  ay  fee  and  approve  His  healing  Sal-va-tion  all  People  may  Xnow. 

— ^  C*^  1 —  I  —   '   — .  — - — - 


inyjrii-ulyih  y\\\<\%\  -  in 

^rt^q  inn,,  |ft  u  q  im  ,,    |m  _  m  M. 


PS 


  7-—. 


Ik  of  all  thy  Truth  at  Night 


Sweet  is  the  Da;  of  f acred  Reft, 
—  •        No  mo  rtal  Cares  fhall  feize  my  Breaft; 

r: 

— ;  O  ma;        Heart  in  Tune  be  found 

Lite  Davids  Harp  pf  folem'n  Sound. 


m 


\ 


Warwick . 


Pftlm    S4?     N.  V. 


i 


C.  M. 

1 


133 


O  Godot  Hofts  OGod  of  Hofts  themighty  Lord  How  lovely  is  how  lovely  is  the  Place  Where  thou  enfhron'd  v.  herethou  enthron'i  qp 


Gloryfhew'ft  Thebrightnefs  of  the  brightness  of  thy  Face. the  brightnefs  of  the  bright  nefs  of  thj  Face 

■u  1  ■ii#rJif firjrW"^  r  nr fin? r  iy  h  - »' 


fag 


ii 

—J- 

IrrV* 

=Tttr 

134     Winch  efter. 


Pfalm  l4l? 

m 


Dr.  W. 


L.  M. 


a: 


-e 


3^: 


a 


1 


33 


I 


ii 


2 


3=r 


-2- 


MYGod  accept  my  early  Vows  Like  Morning  Incenfein  thine  Houfe  And  let  my  nightlyWorftiiprife  Sweet  as  the Fv^ui 


P 


E 


fid 


I 


n: 


5 


-A 


A     Canon  of  Six  in  One, 


EE 


1 


3 


For  E after 


33. 


Daj. 


i 


f 


Sacrifice. 


PI 


HAILGlor'ous  Day  on  which  th'Almicjhty  gave  To  this  NewWorld  the  Firft  Fruits  of  the  Gra 


hty  gave  To 


32 


1 


Hail    Glor'ous  Day  in  thy      Jl  -luftr^usLjght  What  Faith  °°u^  frarrebelieve  appear'd  in  Sigi 


■e — a 


-QTT. 


Hail   thou  moft  Glor'ous  Day      it  was  on  thee  Death  loft  his  Sting  the  Grave  its  Vic  -  tory 


S'.  Mat 
,||  . 

hews . 
~n — t 

Pi 

k 

aim 

» 

C.  M. 
J  ||JU 

rf  Q    Li  II 

1  f 

J-a- 

—Li 

i-e- 

d  d 

* — X=FP 

:  Wn 

— 1 — 4= 

H  Songs  an 

tFF=f 

d  Honoui 
-TT—f 

■s  foundi 

L-n— 

— 4f 

ngloud  / 

r~n-ff 

i  i 

^ddrefs  the 
■  i  ^  

Lord  on 
I — |  '^7  i 

ii  "r  rri 

high  Over  the  H< 
-IU  -  It 

1 

:ax  ns  hq 

i — 

 i 

;ads  his  ( 

r  ii  r  1 1 1 

31oud  And Wat« 

D  II J | ,  ■ 

— u  H- 

;rs  vail  the  Sky . 

r#=P 

=M=± 

=M=f 

i 

i  i 

1=*= 

i 

N=|=t 

I 

^Jfet — 

*-+-■ 

l  1 

■TZrv 

— w — 

=_erf 

rhHh 

i  J 

§ — J- 

i 

=Fr= 

> 

-  &  ||  J  - 

*=f— 44- 
rrd  -tt 

frr 

:.  .  ■  c 

=H 

 PL. 

r::--  ■ 

Q — fn 

1  1 

•-- 

= — H^i 

Hjif  r 

j  P  ^  d  d  II 

i  ql'lll 

"  Hei 

"ends  his  Sh 

— f- 

owrs  of] 

1=tF 

-i — 

31effing  c 

lown  To 

4ttr 

cheer  the! 

Plains  be 

1   n  1 

p 

Low  He  i 

nakes  th 

e  Grafs  1 

:he] 

VTountai 

i 1  nr  i 

ns  crown  AndC 
r  n||Jr 

orn  in  Valleys  grow 

j — ■_. 

J-  n 

— Htt 

'  1 

4.'"  *  1 
## 

-j — ■ 

■■^ — ( 



i  nr  Ti'/" 

■1"  ■  1  1   ■  - 

5=^ 

c  ■ 

— lS-: 

Old  81? 


Pfalm  145* 


C.  M. 


thy  Name  Mv  Kino  mvGod  of  Love  My  Work  and  Joy  fhall  be  the  fame  In  the  briahtWorld  above . 


13.9 


a-prfg)  pit  i  f 


LONG  as  I  live  I'll  blefs  thy  Name  Mv  King  mvGod  of  Love  Mv  Work  andjoy fhallbe  thefame  In  the  brightWorld  above. 


ip 


-e- 


M-itf-r5)  nr  m  i^iim  ri^  r  i'/  ri'/ urn 


|  Great  is  theLord  his  Pow'r  unknown  And  let  his  Praifebe  great  I'll  fing  the  Honours  of  thy  Throne  Thy  Works  of  Grace  repeat 


unknown  And  let  his  iTaile  be  great  lilting  tne  Honours  ot  thy  Ihrone  lhy 


I 


<k=* 


9- 


240 :  Stxoudwate'p, 


Pfalm  l45l.h 


dt  w. 


A 


\\y  ^pficii 


C.  M. 


3 


0  1"°    OIO  i 


.q 


-G 


■e- 


-e-G 


1 


SVEET  is  the  Mem'ry  of  thy  Graoe  My  God  my  Heav'nlyKing  Let  Age  to  Age  thy  Righteoufnefs  In  Sounds  of  Glory  fing 


1 


m 


I 


2=3 


m 


-e 


1 


SSEE 


I 


a 


i 


ex 


'  Pfalm 


-G 


Canon.       '        '   "     Pfalm  113*  ^      Dl  ~  W. 

^]jrrirrfrirrrrirr?jiii^^j: 


rV 


j#t^jjjirrjjijjT#^^JiJjj^ 


YE  Servants  of  th'AImighty  King  In  ev'ry  Age  his  Fraifes  fingWhere  e^er  theSun  (hall  rife  or  fet  TheNations  fhall  his  Praife  repea 


1  o  O  1  1 


v37 


An   ANTHEM,  taken  out  of  the  £6"PSALM.  Verfe  1,2,3,4. 


raife  his  Name  Sino  untotheLord  Sino  unto 


4-t- 


lino  unto 


3  a 


2 


Sing  fing  unto  the  Lord     Sing  fing  unto  the  Lord  arid  praHe  his  Name  Sing  untotneLord   Sing  unto  the 


p=* 


m 


XT 


P   p  p  Pig 


pppp 


Sing  firig unto  the  Lord    Sing  fing  unto  the  Lord  arid  praife  his  Name   Singuntothe  Lord  Sing  unto  the 


p-# 


•rlJ  JJJlTr 


P    P  • 


xr 


p  p  p 


Lord  and  praife  his  Name  be  telling  of  his  Salvation  be  telling  of  his  Salvation  from  Day  to  Day  Day 


Q    I  □ 


Lord  ana  praife  his  Name  be  telling  of  his  Sanation  be  telling  of  his  Salvation  from  Day  to  Day  Day 
t  i — n — i  r— I  1 — I  K — N —     I  i    — -  s—i  1  r— Q  1 — *  — . 


p  p,  p  p 


r  rr?i'|^iii:F:,  n 


^Loi 


y  i42  Treble^r,    Tenor  k  Bafs 


^  '-irpVi-i  n 

<e/      Declarehis  Honour  di 


96  Pfalm  Continue 


dec! 


:lare 

#1 


inued. 


lisHonourhisHonour  his  Honour  un  to  the  Heathen  an 


d  his  wonders  his  wonders  his 


M'in.i-ifi  d^ni!  Ti  i  |  in  mi  1 1 


6 


HP  \ 


un  to   th*  Pe 


XT 


O — Q 


<y  Pvi  A*0   nders  un  to   thi  People    and  his  wonders  his  wo  .-.nders  u 


nders  un  to   the  People.  Sing  fing  kc 


1 


LLC 


jT  t— 


:i  nr.r'rr  rni  m 


For  the  Lord  the  Lord  is  creat  for  the  Lord  the  Lord  is  creat  and  cannot  cannot  worthily  be  Draifed  be  uraifed 

Q  1  m 


i 


m 


lot  wnrtAily  DeDrailec 


3 


P 


5 


IX 


-o 


lore  to  be  tear 


tiore  to  be  fe 


Jt~TX 


he  is  more  to  be  feared  than  adGods  he  ii  more  to  be  feared  than  all  Gods  is  more  to  be  feared  than  all  Gods . 


3   P  f 

— n 

r 

— Q- 

0 

— 1 

r9 — 

p— P 

rH — 

Chorous    to  ,$6  Pfalm. 


^^m^n^  J  Vr  f  r  nr^r 1 J 

Hallelujah  till  .    .Ml:    _     .^IvL    _        III:  Hal 


m 


p  p  p  p  L»-p. 


rnrrf  nrfn 


Hal — le — lu — jah  . 


o  I  a 


fc^4JirfrJirrrnrrrnrrrrff^rf 

/       Hallelujah        ill:  ;||:  :||%   .     ^  :U:  Sf IT 


IP 


■ — ■ 


Hal— le — lu  jah, 


p — m 


MM 


An   ANTHEM     taken  out  of  the     14.  Chap. of    Revelations  Verfe  13. 


i 


I  heard  a  voice  from  he  av'n  fayingun  to  me  faying un-to  me  write  from  henceforth  write  from  henceforth 


P=P 


^  i  °  i-p  ri^r^f 


6^ 


P 


I^eard  a  voice  from  heav'n  faying  un  to  me  fayingun  to  me  write  from  henceforth  write  from  henceforth 


heard  a  voi 

MM 


un  to  me  la 

mi 


m 


m 


A 144 


14  Chap.  ,  Rev 


3 


1  -j      blWedaretheDeadwhWieintheLord:  ev-en  fo  ev^en  fo  faith y Spirit-, 


they 

* — P— 


tor  they  reft  from  their  lab  ours,from  their 


r1-  E 


1    "       ,  .  .  ,             v  from  their  laboursfromtheirlabourefromtheirlabou 

ft     from  their   labours,from  their  lab  ours,  they         relt   Tromtneir       ^  Q    O  *  fr-L^Tf 


labours,  they 


from  their  labours,   they    reft  fromtheirlabour^mtheirlabou^frprntheirlabou 


laboukfrom  their  labours,    they  re 


=fc 


tfromtheir  lab  ours,from  their  lab  ours,  they 


»m  thrir  laboun>,fronitheirlabou 


from  their  labours/romtheir  labours,  they  reft 


from  their  labours/rom  their  labours/romtheirlabou 


An   Anthem,  taken  out -of  the  1224  Psalm. 


14o 


mm 

3^= 

I    was  Or 

ladwas 

Gla 

was  Gli 

f£=f 

id  whenthei 

mm 

ffaid  unto 

a 

m  e 

T  . 

I  was  Gladwas 


Wewill  go 


Wewillgo     Wewill  oj)^  in-to  the  houfe of theLord 


Wewill  go    Wewill  oo    intothehoufeofy  Lord 


■  

■— ^~ 

fi 

ft 

We  w: 

) 

iv  * 

— C" 

Our  ] 

-eet  fhall 

ftand  i 

n_  t 

hy  Gate 

sO 

lrrf 

j 

e- 

ru-fa- 

-lem . 

.  .. "    .                .  __ 

H — ^ 

Our  Feet  fhall  ftand 


122^    Pfal  m  continued. 


1H  ,  122?    Pfal  m  con 

*  e/  .  Je-ru^alem  isbuiltas  a  Ci-ty  thatis  at  un-rt-ty  in  it  felf 


si 


ru^Hiera  is  Duutas  a  L-i-ty  tnatis  at  un-rt-ty  in  ltleir 

^rirwflrf  PFg|gp^g|Tr|rrrn  rp  n;i  ffP  Off 


For  thither  go  theTribes  the  tribes  even^  tribes  Of 


Je-ru-fa-!em  isbuiltas  a  Ci-ty  thatis  at  un-i-ty  in  it  felf 

JA>J  Ijtf  if  f^^  ' 


toteftifie  un-td  If-ra-el       to  tefti-fie  un-tolfira-e. 


«/  Lord  .c. 


5 


efti-fie  un-to  Ifra_el       to  tefti-: 


Lord  To  tefti-fie  un-to  Ifd—el       to  tefti-fie  unto  If ra -el 

0-0-0 


12  24    P/alj^gis:  continued. 


Tenor  N.  h-  Is  . 


Hi 


T-t- 


•  m 


3 


nks  un-to   the  name  of  y  Lord.  Lord.      Counter  alone 


l-ro  tne  nameor  y  L.o 

m  nrf  M 


d.  Lord.      Counter  alone  '^Tr^        \  *J  even  the  Seat 


± 


XE 


nks        give  thanksun-to 


1 


ame  of  y 


1 


2  *J-*/  /■j  Forthere  is  y  Seatof  Judgment 


I 


1  rni  ) 

at  ofthe  houfe  of 


thanks  give  thanks  un-to  the  name  of  y  Lord.  Lord.  <  d    eventheSeat  even  the,  Seat  of  the  houfe  of  Da  — v'id 

i — -^,2    i  -Q-  _  -e-   ■  J 


p 


tha  -— <_  nks   un-to  Chorous. 


tot 


»*rn.r  f  p 


?ace  be  with  in  thyWalls' 


0  0  9 


4 


O  pray  for  thePeace    O  pray  for  the  Peace  O  pray  fo r  thePeace  o  f  Je-ru —fa —lem .  .  Peace  be  with  in  thy  Walls 


V — m 


i  r  cc|Tr|i  r  g  cj  iff  f  fp'pi "  ije 


■ » ■ » 


BE 


Slot 


J  pray  for  the  Peace  O  uravforthe 


.  Slow 


O  prayfor  the  Peace  O  pray  for  the  Peace   Op  ray  for  the  Peace  of  Je-ru  -  fa -km    •  Peace  bewithnith>  Walls 


Trr 


ra  ■   a  a: 


j  «  »  «  * 


12  2d.    Pfalm  continued.  bri 


3= 


1 


i  Peacebewithin  thv  Walls  Peacebe  within  thy  Wails  Peacebewithin  tHy  Walls  and  plenteoufnefs  and  p  lenteoufnef;  wit 
I— A  ,  l  t  m  m  — Q  ,  •   ft   v  Pi  Q  •  i — 0  ,  0  0  0  ft.  ,«   .    -  ■  ■ — - —  -  r0  ft  •_•  m 


De  witnin  tny  wails  rcaceDewitnin  tny 


ft  ft 


bnllc 


a  ft  ft 


»  ft  ft  » 


Peacebewithin  thy  Walls  Pe acebe  witfiin  thy Walls  Pe  a  cebe  within  thy  Walls  and  plenteoufnefs  »nd  plenteoufnefs  with 


tenteoufnefs  w 


:Sti 


Counter  it  Bafs. 


ft  n 


in  thy  Pal4c-es.:Sl\  " 
P  ~r  0%-m  L_ 


Formy  Brethren  and  Companions  faltes 


t  *J  in  thy  Palac-es       ,      Formy  Brethren  and  Companions  faTces 


I  will  wifhtheeprof* 


IE 


/ — ^  i  Will  WUH 

S3 


i  <J  in  thy  Palac-es. 


Iwill  wifh  thee  profperity  Iwill  wifh  thee  pro fperity 

M^.fti  „  —fir 


E 

perity  Iwill 


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