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THE  URINE  DANCE 


OF   THE 


ZUNI  INDIANS  OF  NEW  MEXICO 


NOT  FOR  GENERAL  PERUSAL 


THE  URINE  DANCE 


OF  THE 


ZUNI  INDIANS  OF  NEW  MEXICO 

BY 

CAPTAIN  JOHN  G.  BOURKE 

THIRD  CAVALRY,  U.  S.  ARMY 
FROM  THE  ETHNOLOGICAL  NOTES  COLLECTED  BY  HIM 

UNDER  THE  DIRECTION   OF 

LIEUTENANT  GENERAL  P.  H.  SHERIDAN,  U.  S.  ARMY 

IN  1881. 


PRIVATELY  PRINTED 

1920 


/-— 


THE  URINE  DANCE  OF  THE  ZUNIS 

by 
JOHN  G.  BOURKE,  Captain,  Third  Cavalry,  U.  S.  Army 


On  the  evening  of  November  17,  1881,  during  my  stay  in 
the  village  of  Zuni,  New  Mexico,  the  Nehue-Cue,  one  of 
secret  orders  of  the  Zunis,  sent  word  to  Mr.  F.  Gushing 
(whose  guest  I  was)  that  they  would  do  us  the  unusual 
honor  of  coming  to  our  house  to  give  us  one  of  their  char 
acteristic  dances,  which,  Gushing  said,  was  unprecedented. 

The  squaws  of  the  Governor's  family  put  the  long  "living 
room"  to  rights,  sweeping  the  floor  and  sprinkling  it  with 
water  to  lay  the  dust.  Soon  after  dark  the  dancers  entered; 
they  were  twelve  in  number,  two  being  boys.  The  center 
men  were  naked  with  the  exception  of  black  breech-clouts  of 
archaic  style.  The  hair  was  worn  naturally  with  a  bunch 
of  wild  turkey  feathers  tied  in  front,  and  one  of  corn-husks 
over  each  ear.  White  bands  were  painted  across  the  face 
at  eyes  and  mouth.  Each  wore  a  collar  or  neckcloth  of 
black  woolen  stuff.  Broad  white  bands,  one  inch  wide, 
were  painted  around  the  body  at  the  navel,  around  the  arms, 
the  legs  at  mid-thighs  and  knees.  Tortoise-shell  rattles 
hung  from  the  right  knee.  Blue  woolen  footless  leggins 
were  worn  with  low-cut  moccasins,  and  in  the  right  hand 
each  waved  a  wand  made  of  an  ear  of  corn,  trimmed  with 
the  plumage  of  the  wild  turkey  and  macaw.  The  others 
were  arrayed  in  old  cast-off  American  army  clothing,  and 
all  wore  white  cotton  night-caps,  with  corn-husks  twisted 
into  the  hair  at  top  of  head  and  ears.  Several  wore,  in  addi 
tion  to  the  tortoise-shell  rattles,  strings  of  brass  sleigh-bells 
at  knees.  One  was  more  grotesquely  attired  than  the  rest  in 
a  long  India-rubber  gossamer  "over  all"  and  a  pair  of 
goggles,  painted  white,  over  his  eyes.  His  general  "get-up" 
was  a  spirited  take-off  upon  a  Mexican  priest.  Another 
was  a  very  good  counterfeit  of  a  young  woman. 

To  the  accompaniment  of  an  oblong  drum,  and  of  the 
rattles  and  bells  spoken  of,  they  shuffled  into  the  long  room, 
crammed  with  spectators  of  both  sexes,  and  of  all  sizes  and 


M261 150 


THE  URINE  DANCE  OF  THE 


ages.  Their  song  was  apparently  a  ludicrous  reference  to 
everything  and  everybody  in  sight,  Gushing,  Mendeleff,  and 
myself  receiving  special  attention,  to  the  uncontrolled  merri 
ment  of  the  red-skinned  listeners.  I  had  taken  my  station 
at  one  side  of  the  room,  seated  upon  the  banquette,  and 
having  in  front  of  me  a  rude  bench  or  table  upon  which 
was  a  small  coal-oil  lamp.  I  suppose  that  in  the  halo  dif 
fused  by  the  feeble  light  and  in  my  "stained-glass  attitude" 
I  must  have  borne  some  resemblance  to  the  pictures  of  saints 
hanging  upon  the  walls  of  old  Mexican  churches;  to  such  a 
fancied  resemblance  I  at  least  attribute  the  performance 
which  followed. 

The  dancers  suddenly  wheeled  into  line,  threw  themselves 
on  their  knees  before  my  table,  and  with  extravagant  beat 
ings  of  breast  began  an  outlandish  but  faithful  mockery  of  a 
Mexican  Catholic  congregation  at  vespers.  One  bawled 
out  a  parody  upon  the  Pater  Noster,  another  mumbled 
along  in  the  manner  of  an  old  man  reciting  the  rosary,  while 
the  fellow  with  the  India-rubber  coat  jumped  up  and  began 
a  passionate  exhortation  or  sermon,  which  for  mimetic 
fidelity  was  inimitable.  This  kept  the  audience  laughing 
with  sore  sides  for  some  moments,  until  at  a  signal  from  the 
leader  the  dancers  suddenly  countermarched  out  of  the 
room,  in  single  file,  as  they  had  entered. 

An  interlude  followed  of  ten  minutes,  during  which  the 
dusty  floor  was  sprinkled  by  men  who  spat  water  forcibly 
from  their  mouths.  The  Nehue-Cue  re-entered;  this  time 
two  of  their  number  were  stark  naked.  Their  singing  was 
very  peculiar  and  sounded  like  a  chorus  of  chimney-sweeps, 
and  their  dance  became  a  stiff-legged  jump,  with  heels  kept 
twelve  inches  apart.  After  they  had  ambled  around  the 
room  two  or  three  times,  Gushing  announced  in  the  Zuni 
language  that  a  "feast"  was  ready  for  them,  at  which  they 
loudly  roared  their  approbation  and  advanced  to  strike 
hands  with  the  munificent  "Americanos,"  addressing  us  in 
a  funny  gibberish  of  broken  Spanish,  English,  and  Zuni. 
They  then  squatted  upon  the  ground  and  consumed  with 
zest  large  "ollas"  full  of  tea,  and  dishes  of  hard  tack  and 


ZUNI  INDIANS  OF  NEW  MEXICO 


sugar.  As  they  were  about  finishing  this  a  squaw  entered, 
carrying  an  "olla"  of  urine,  of  which  the  filthy  brutes  drank 
heartily. 

I  refused  to  believe  the  evidence  of  my  senses,  and  asked 
Gushing  if  that  were  really  human  urine.  "Why,  certain 
ly,"  replied  he,  "and  here  comes  more  of  it."  This  time, 
it  was  a  large  tin  pail-full,  not  less  than  two  gallons.  I 
was  standing  by  the  squaw  as  she  offered  this  strange  and 
abominable  refreshment.  She  made  a  motion  with  her 
hand  to  indicate  to  me  that  it  was  urine,  and  one  of  the  old 
men  repeated  the  Spanish  word  mear  (to  urinate),  while 
my  sense  of  smell  demonstrated  the  truth  of  their  statements. 

The  dancers  swallowed  great  draughts,  smacked  their  lips, 
and,  amid  the  roaring  merriment  of  the  spectators,  remarked 
that  it  was  very,  very  good.  The  clowns  were  now  upon 
their  mettle,  each  trying  to  surpass  his  neighbors  in  feats  of 
nastiness.  One  swallowed  a  fragment  of  corn-husk,  saying 
he  thought  it  very  good  and  better  than  bread;  his  vis-a-vis 
attempted  to  chew  and  gulp  down  a  piece  of  filthy  rag. 
Another  expressed  regret  that  the  dance  had  not  been  held 
out  of  doors,  in  one  of  the  plazas;  there  they  could  show 
what  they  could  do.  There  they  always  made  it  a  point  of 
honor  to  eat  the  excrement  of  men  and  dogs. 

For  my  own  part  I  felt  satisfied  with  the  omission,  par 
ticularly  as  the  room,  stuffed  with  one  hundred  Zunis,  had 
become  so  foul  and  filthy  as  to  be  almost  unbearable.  The 
dance,  as  good  luck  would  have  it,  did  not  last  many  minutes, 
and  we  soon  had  a  chance  to  run  into  the  refreshing  night  air. 

To  this  outline  description  of  a  disgusting  rite  I  have  little 
to  add.  The  Zunis,  in  explanation,  stated  that  the  Nehue- 
Cue  were  a  Medicine  Order  which  held  these  dances  from 
time  to  time  to  inure  the  stomachs  of  members  to  any  kind  of 
food,  no  matter  how  revolting.  This  statement  may  seem 
plausible  enough  when  we  understand  that  religion  and 
medicine  among  primitive  races  are  almost  always  one  and 
the  same  thing,  or,  at  least,  so  closely  intertwined  that  it  is  a 
matter  of  difficulty  to  decide  where  one  begins  and  the  other 
ends. 


THE  URINE  DANCE  OF  THE 


Religion  in  its  dramatic  ceremonial  preserves,  to  some 
extent,  the  history  of  the  particular  race  in  which  it  dwells. 
Among  nations  of  high  development,  miracles,  moralities, 
and  passion  plays  have  taught,  down  to  our  own  day,  in 
object  lessons,  the  sacred  history  in  which  the  spectators  be 
lieved.  Some  analogous  purpose  may  have  been  held  in 
view  by  the  first  organizers  of  the  urine  dance.  In  their 
early  history,  the  Zunis  and  other  Pueblos  suffered  from 
constant  warfare  with  savage  antagonists  and  with  each 
other.  From  the  position  of  their  villages,  long  sieges  must 
of  necessity  have  been  sustained,  in  which  sieges  famine  and 
disease,  no  doubt,  were  the  allies  counted  upon  by  the  invest 
ing  forces.  We  may  have  in  this  abominable  dance  a  tradi 
tion  of  the  extremity  to  which  the  Zunis  of  the  long  ago  were 
reduced  at  some  unknown  period.  A  similar  catastrophe 
in  the  history  of  the  Jews  is  intimated  in  II  Kings,  xviii,  27: 
"But  Rab-shakeh  said  unto  them:  hath  my  master  sent  me 
to  thy  master,  and  to  thee  to  speak  these  words?  hath  he  not 
sent  me  to  the  men  which  sit  on  the  wall,  that  they  may  eat 
their  own  dung  and  drink  their  own  piss  with  you?"  In  the 
course  of  my  studies,  I  came  across  a  reference  to  a  very 
similar  dance,  occurring  among  one  of  the  fanatical  sects  of 
the  Arabian  Bedouins,  but  the  journal  in  which  it  was  re 
corded,  the  London  Lancet,  I  think,  was  unfortunately  mis 
laid. 

As  illustrative  of  the  tenacity  with  which  such  vile  cere 
monial,  once  adopted  by  a  sect,  will  adhere  to  it  and  become 
ingrafted  upon  its  life,  long  after  the  motives  which  have 
suggested  or  commended  it  have  vanished  in  oblivion,  let 
me  quote  a  few  lines  from  Max  Muller's  "Chips  from  a 
German  Workshop,"  "Essay  upon  the  Parsees,"  pp.  163, 
164,  Scribner's  edition,  1869: 

"The  Nirang  is  the  urine  of  cow,  ox,  or  she-goat,  and  the 
rubbing  of  it  over  the  face  and  hands  is  the  second  thing  a 
Parsee  does  after  getting  out  of  bed.  Either  before  apply 
ing  the  Nirang  to  the  face  and  hands,  or  while  it  remains  on 
the  hands  after  being  applied,  he  should  not  touch  anything 
directly  with  his  hands ;  but,  in  order  to  wash  out  the  Nirang, 


ZUNI  INDIANS  OF  NEW  MEXICO 


he  either  asks  somebody  else  to  pour  water  on  his  hands,  or 
resorts  to  the  device  of  taking  hold  of  the  pot  through  the 
intervention  of  a  piece  of  cloth,  such  as  a  handkerchief,  or 
his  sudra,  I.  e.,  his  blouse.  He  first  pours  water  on  his  hand, 
then  takes  the  pot  in  that  hand  and  washes  his  other  hand, 
face,  and  feet."  (Quoting  from  Dadabhai-Nadrosi's  De 
scription  of  the  Parsees.) 

Continuing,  Max  Muller  says:  "Strange  as  this  process 
of  purification  may  appear,  it  becomes  perfectly  disgusting 
when  we  are  told  that  women,  after  childbirth,  have  not 
only  to  undergo  this  sacred  ablution,  but  actually  to  drink  a 
little  of  the  Nirangj  and  that  the  same  rite  is  imposed  on 
children  at  the  time  of  their  investiture  with  the  Sudra  and 
Koshti,  the  badges  of  the  Zoroastrian  faith." 


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