Good Sound especially like the vocals!

… Well, its eight o'clock in Boise, Idaho
I'll find my limo driver
Mister, take us to the show
I done made some plans for later on tonight
I'll find a little queen
And I know I can treat her right
… What's your name, little girl?
What's your name?
Shootin' you straight, little girl?
Won't you do the same?
… Back at the hotel
Lord we got such a mess
It seems that one of the crew
Had a go with one of the guests, oh yes
Well, the police said we can't drink in the bar, what a shame
Won't you come upstairs girl
And have a drink of champagne
… What's your name, little girl?
What's your name?
Shootin' you straight, little girl?
For there ain't no shame
… What's your name, little girl?
What's your name?
Shootin' you straight, little girl?
Won't you do the same? Awh yeah
… What's your name, little girl?
What's your name?
Shootin' you straight, little girl?
Won't you do the same?
… Nine o'clock the next day
And I'm ready to go
I got six hundred miles to ride
To do one more show, oh no
Can I get you a taxi home
It sure was grand
When I come back here next year
I want to see you again
… What was your name, little girl?
What's your name?
Shootin' you straight, little girl?
Well there ain't no shame
What was your name, little girl?
What's your name?
Shootin' you straight, little girl?
Won't you do the same? Woo
Source: LyricFind
Songwriters: Gary Robert Rossington / Ronnie Van Zant

Dig Garcias backing vocals
Wang Dang Doodle

This is some tight jams Bob throws down the Jack Straw coda lyrics like a surfer dropping in on a curling wave..

IBig River never ceases to amaze me how Garcia finds that riff

B.E. Women- so many years after the fact but I never will forget Garcia telling this story to me and the faithful all over the country.
One of the few tunes that I experienced in real time that was even usually more intense then the tapes and records i had heard.
This is a fine version, early jam very hot , smooth in the middle
Brent getting in some nice oh's and ah's

Minglewood- slide right out of the gate

That's it for me on the review side
wrote this on a computer
can't stand the i-phone for writing
but sweet for delivering a pizza

What a smokin' Minglewood! I don't really know if anyone else calls it this, but I tend to refer to the 1980-1984 shows as their "blues" period. To be sure, they played blues before and after, but their sound during this time seems to be absolutely tightest when playing more traditional blues numbers like Minglewood, Little Red Rooster, Deal, Big Railroad, et cetera. The Minglewood and Big Railroad here are excellent examples of what I am trying to convey.

The matrix makes this sound incredible, and I am so grateful for the archive!

Nice Matrix..I always look for Hunter Seamons work~! Here is another solid performance of this 83 September run..great song selection in 1st set..I love the entire 2nd set with flubs and all~Whichever way your pleasure tends... Give It A Whirl>Forever Grateful>Forever Dead~> if you plant ice your gonna harvest wind

Once again, Hunter has taken a mediocre SBD and a decent AUD and brought out the best in both. A stand out show with an almost perfect Help>Slip>Franlin's. Too bad Phil rushes the transition into Slipknot and the band crumbles in one of those classic Grateful Dead ways—they get back up and tear through Slipknot like nothing happened. The Estimated jam is EXTRA jazzy on this night. (~):-}

Thanks for making this show sound so good Hunter!

I jumped on this short tour in Red Rocks and they were still talking about this show. I have to first say that these matrixs' really are the thing for '83 shows. Healy was using the old beta tapes and they always sounded way too hissy for my taste, this is the perfect marriage.

As for the show I think it has moments of brilliance and some rough spots.
I have to say that the RRB is KILLER!!! It may be one of the best ever. They are just styling on it and it sounds great, Phil is driving it along so well. The LL Rain is epic and then a ragin' Deal is a sweet ending.

The Help> Slip> Franklin's is aliitle messy to start and the Slip knot! is ok compared to other versions they played this year. They seem to regroup by the final chorus of Franklin's and really end the song strongly.
The one they played two nights later is WAY more happening!
The Estimated> Eyes is a real high light and played very well.I think the Eyes is the better of the two.
Post space the Black Peter> GDTRFB is HUGE and as mention before the Sugar Mag ending is a big opps but they do recover for SSDD.

The Baby Blue, like so many they played this year, is simply stunning. It ranks up there as one of the best they played. My personal all time favorite is 4/22/83

Hunter I would love to see the follwoing shows added to your list of future matrixs'.
4/23/83
4/12/83
6/18/83
9/6/83
10/22/83

This Love Each Other has always been one of the trophy Garcia Solo's that epitomizes his style and ability to punch through the rythmn. I'll never forget watching him do this guitar work and standing opened mouthed at amazement during this show.

this show rocks, every song seems to find a jam or two

phil is on basting the audience with bombs and
Jerry playing is unique, extended and bluesey jams.

wang dang is jammed out
one of the finer jack straws (see 11-25-79)
minglewood is a highlight
brown eyed women is super fast


this beyer audence has been a wonderful fob audience source which I found a 1st gen cassette long long ago. I played the tape out to be honest and just always loved this show.

It just got better with this matrix
thanks hunter

namaste

This matrix improves on its two sources, the fob gives life to the flat sbd and the sbd dampens the pavilion-echo of the fob and enhances instrument separation.

One of the better shows of 1983, Garcia is on fire from beginning to end as the rest of the band try to keep up. The pace is frantic and the playing is edgy and reckless. Some typical 1983 sloppiness does come through, the most glaring is the end of the Sugar Mag jam when the break is mistimed resulting in an unfortunate train wreck. Notwithstanding this, if you like your Dead full speed, kicking-ass, this show and this recording will hand your brain matter back to you on a platter.

One of the high pinots of a long touring career. Place was half empty and my buddy got thrown out during the 3rd song, but had a great time anyway. Truly great playing for the era.