Grateful Dead Live at Rosemont Horizon on 1989-04-11
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- Publication date
- 1989-04-11 ( check for other copies)
- Topics
- Audience, Mike Darby, Keo, 24 bit
- Collection
- GratefulDead
- Band/Artist
- Grateful Dead
- Resource
- DeadLists Project
Shakedown Street, Little Red Rooster, Friend Of The Devil, Victim Or The Crime, Built To Last, We Can Run But We Can't Hide, Memphis Blues, Deal
Set 2
Samson & Delilah, Crazy Fingers, Playin' In The Band-> Terrapin Station-> Drums-> Jam-> Gimme Some Lovin'-> Standing On the Moon, Throwing Stones-> Not Fade Away, E: U.S. Blues
Related Music question-dark
Versions - Different performances of the song by the same artist
Compilations - Other albums which feature this performance of the song
Covers - Performances of a song with the same name by different artists
Song Title | Versions | Compilations | Covers |
---|---|---|---|
Crowd/Tuning | |||
Shakedown Street | |||
Little Red Rooster | |||
Friend Of The Devil | |||
Victim Or The Crime | |||
Built To Last | |||
We Can Run | |||
Memphis Blues> | |||
Deal, Set Break | |||
Tuning | |||
Samson And Delilah> | |||
Crazy Fingers> | |||
Playing In The Band> | |||
Terrapin Station> | |||
Drums> | |||
Space> | |||
Gimme Some Lovin'> | |||
Standing On The Moon> | |||
Throwing Stones> | |||
Not Fade Away,NFA Chant,Encore Break | |||
U.S. Blues |
Notes
Comments:Another Huge Huge Thanks out to Mr. Darby
for recording and sharing his sources from this run
of shows from the Rosemont Horizon!Another excellent
recording and share from the Darby collection of
recorded master Grateful Dead audience sources!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!
- Addeddate
- 2012-05-26 13:07:44
- Identifier
- gd1989-04-11.AKG451.Darby.120302.Flac2448
- Location
- Rosemont, IL
- Taped by
- Mike Darby
- Transferred by
- Keo
- Type
- sound
- Venue
- Rosemont Horizon
- Year
- 1989
comment
Reviews
Subject: -
A great first set is somewhat interrupted by three new tunes that are not fully worked up yet, but at least the renditions of these aren't terrible (I actually like Victim and BTL a lot, but I NEVER heard well-played versions of them in '89; a lot of this year's new material actually took about 3 years to fully crystalize, IMO).
Second set starts out noisy & sloppy, but kinks are worked out by the time we're a little way into Crazy Fingers, which is sublime. The suite is excellent all the way through. Killer show, & audience energy is high.
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