1
00:00:01,50 --> 00:00:01,54
The

2
00:00:01,55 --> 00:00:15,74
poor

3
00:00:32,29 --> 00:00:38,41
This was the scene of the crime in our
book it's murder same old story to begin

4
00:00:38,41 --> 00:00:43,76
with victim young good looking wanted to
get on television had everything it takes

5
00:00:43,76 --> 00:00:49,58
for a great career. Some place along the
line got mixed up with the wrong guy.

6
00:00:50,36 --> 00:00:54,22
You know wound up that.

7
00:00:57,93 --> 00:01:03,05
We don't know who did it or how and what
we're trying to find out about the body.

8
00:01:03,72 --> 00:01:08,82
Pretty beat up mutilated pretty bad
hard to believe anybody do a thing like

9
00:01:08,82 --> 00:01:15,50
that but if you've got a strong stomach.
Take a look alive and healthy a month ago.

10
00:01:15,64 --> 00:01:19,66
Now she's dead couldn't get
her through a projector.

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00:01:19,69 --> 00:01:22,44
If you could nobody could stand to look.

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Yes Speaking to morrow.

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But you tell me next week but you've got.

14
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Well I mean I'm not going
to happen then make up

15
00:02:16,63 --> 00:02:21,17
my mind who did it.

16
00:02:22,02 --> 00:02:27,64
We don't know all the gutter suspects.
There's a guy name of Jones left man.

17
00:02:27,82 --> 00:02:32,64
It makes prints of films he handled
this print at Brant was perfect.

18
00:02:32,76 --> 00:02:37,79
When she left me I had nothing to do
with Governor. And there's Smith.

19
00:02:37,98 --> 00:02:41,08
He's a film distributor he
sent the print to the station.

20
00:02:41,98 --> 00:02:44,16
Why would I do anything
to hurt her I loved her

21
00:02:44,16 --> 00:02:47,16
and Brown he's film
director at the station.

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00:02:47,25 --> 00:02:52,87
I know you're trying to make me the fall
guy. It will work. She was with me a lot.

23
00:02:53,03 --> 00:02:59,01
Sure but I was taking care over and
Harris projectionists at the station.

24
00:02:59,36 --> 00:03:02,40
I only had that print long
enough to thread or up.

25
00:03:02,91 --> 00:03:08,15
I couldn't have done or any harm
somebody did somebody murder my job.

26
00:03:08,73 --> 00:03:12,98
Find out who would question the
suspects got their stories.

27
00:03:13,83 --> 00:03:18,65
First this man Jones from film
opportunity. What do you pick on me far.

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00:03:18,97 --> 00:03:20,16
I never heard that brand.

29
00:03:20,20 --> 00:03:21,16
How do you figure

30
00:03:21,16 --> 00:03:26,09
that I know the kind of treatment film gets
air that's my business protecting film

31
00:03:26,09 --> 00:03:30,98
turning out perfect France. Why ask
me all these questions just routine.

32
00:03:31,32 --> 00:03:35,25
Well I've got nothing to hide. I'll
tell you how it was that France.

33
00:03:35,29 --> 00:03:36,73
Here's where she came from.

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First I saw her she was coming off this
processing machine brand new and perfect

35
00:03:42,14 --> 00:03:45,36
and we kept her that way to tell.

36
00:03:45,99 --> 00:03:52,28
Well figure out what's the biggest danger
to film dirt our right look around.

37
00:03:52,84 --> 00:03:57,89
No dirt in here. Even the air is filtered
not a chance for any dust or dirt

38
00:03:57,89 --> 00:03:59,39
or stuff to get to or.

39
00:04:00,00 --> 00:04:06,06
Go on another thing before she ever left
the machine before I ever touched her she

40
00:04:06,06 --> 00:04:12,08
was lubricated you boil or.
No no wax solution here.

41
00:04:12,33 --> 00:04:15,38
Film goes over this glass
cylinder that rotates

42
00:04:15,38 --> 00:04:18,76
and puts the lubricant on the
amounts inside. Lubricant.

43
00:04:19,41 --> 00:04:25,85
Yeah we make it up ourselves about a tenth
of a gram of Hercules be sixteen cents

44
00:04:25,85 --> 00:04:31,49
but why X. Two hundred grams of solvent
applied here dries almost instantly.

45
00:04:31,74 --> 00:04:37,35
What's the idea of protection against
scratches abrasion keeps the film from

46
00:04:37,35 --> 00:04:41,65
sticking on a projector gate for instance
you ever hear of people having trouble

47
00:04:41,65 --> 00:04:43,68
with Green Prince green print.

48
00:04:44,06 --> 00:04:46,79
Yeah that's a print that
hasn't been lubricated

49
00:04:46,79 --> 00:04:52,40
that Brushy Mountain gelatin is
only saw a little tacky sticky.

50
00:04:52,42 --> 00:04:53,35
Unless you lubricate

51
00:04:53,35 --> 00:04:57,40
that surface the first few times you try
to projected you're going to have trouble

52
00:04:57,40 --> 00:05:02,18
you get sticking little tiny particles
of that soft emulsion come off

53
00:05:02,18 --> 00:05:06,71
and pile up in the gate result
is generally picture not steady

54
00:05:12,61 --> 00:05:18,52
not only if it sticks bad the conflict too
much tension on the perforations maybe

55
00:05:18,52 --> 00:05:22,07
even terram or you can
lose a loop break the film

56
00:05:22,07 --> 00:05:25,30
or the film runs off in the
sprockets punch new hose.

57
00:05:25,87 --> 00:05:28,08
A green print will do that right.

58
00:05:28,42 --> 00:05:30,08
Another thing where

59
00:05:30,09 --> 00:05:35,25
that soft emotion piles up dirt
gets Man it drags against the film

60
00:05:35,25 --> 00:05:40,57
and you get abrasion shells like what
happened to this print no couldn't have

61
00:05:40,57 --> 00:05:42,55
because like I said she was over. K.

62
00:05:42,55 --> 00:05:43,72
To like all our friends

63
00:05:44,50 --> 00:05:48,79
that waxy coating prevents prints sticking
so don't blame Avery what happened to

64
00:05:48,79 --> 00:05:52,61
that brand guy you're looking for
must be. Never mind anybody else.

65
00:05:53,23 --> 00:05:55,47
What else did you do with her. What else.

66
00:05:56,62 --> 00:06:01,24
Well no Took the real off the machine
made a rag. Visual inspection.

67
00:06:01,35 --> 00:06:03,72
We do can only do fax if very very nanny

68
00:06:03,72 --> 00:06:09,64
and we're still working in clean filtered
air remember put her on a corner labelled

69
00:06:09,64 --> 00:06:14,31
or packaged Europe and shipped
Iraq. That's all. Yeah.

70
00:06:14,82 --> 00:06:16,52
So if I did all that took all

71
00:06:16,52 --> 00:06:22,11
that care how could I have heard
her wonder if you did all

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00:06:22,11 --> 00:06:29,40
that next.

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00:06:29,42 --> 00:06:34,74
We talked it was Smith works for this film
distribution outfit is story it was sure

74
00:06:34,74 --> 00:06:39,85
I remember she came to us from the lab on
a cooler we inspected her while rewinding

75
00:06:39,85 --> 00:06:42,16
her onto a real careful where you.

76
00:06:42,71 --> 00:06:49,50
Sure brand new real like always side
straight no burrs was she in good shape then

77
00:06:49,50 --> 00:06:53,42
perfect and then. Well she went
out to two or three stations.

78
00:06:53,64 --> 00:06:57,07
I could tell you which ones. No names. OK.

79
00:06:57,23 --> 00:07:01,68
Anyway the next I saw her she was still
in a one condition that was one morning

80
00:07:01,68 --> 00:07:04,04
when I got out of the rack
for timing and inspection.

81
00:07:04,32 --> 00:07:10,05
All in the sign this film of fire hazard.

82
00:07:11,43 --> 00:07:15,66
Was there all no it's all safety film the
point of no smoking is it helps keep the

83
00:07:15,66 --> 00:07:18,66
place clean. That's the first
rule in handling film.

84
00:07:18,81 --> 00:07:19,69
Don't let dirt

85
00:07:19,69 --> 00:07:24,21
and stuff get to it so they tell me you
can see for yourself how clean we keep it

86
00:07:24,21 --> 00:07:26,96
around here. There's no
windows to let the dirt

87
00:07:26,96 --> 00:07:29,60
and grime in from the outside tables.

88
00:07:29,89 --> 00:07:33,92
Nothe anonyma except what we need
to work with no chance for dirt

89
00:07:33,92 --> 00:07:36,96
or abrasive material to get to our film.

90
00:07:36,98 --> 00:07:40,49
This is the way it always is
show our films our business.

91
00:07:40,58 --> 00:07:43,76
You know how much it costs us
when a print get scratched up

92
00:07:43,76 --> 00:07:46,74
and has to be junked
plenty plenty is right.

93
00:07:46,86 --> 00:07:48,81
That's why I keep my
place looking like this.

94
00:07:49,95 --> 00:07:53,84
You never catch me doing like some people
let my table turn into a junk pile.

95
00:07:54,04 --> 00:07:57,23
That's murder on film but I
got more sense than that.

96
00:07:57,60 --> 00:07:59,25
I'll tell you some of the film.

97
00:08:01,44 --> 00:08:05,09
Whenever a film's been handled
mood other words wound

98
00:08:05,09 --> 00:08:09,53
and rewound it builds up static
electricity. It gets just like a magnet.

99
00:08:09,80 --> 00:08:14,82
It attracts particles of dirt stuff from
the air cigarette ashes dirt on the table.

100
00:08:14,83 --> 00:08:18,74
I have stuff gets ground into the
film and you've got scratches.

101
00:08:19,02 --> 00:08:24,20
But about this murder. You took this print
to your table for timing and inspection.

102
00:08:24,41 --> 00:08:29,05
Meaning what. Well to measure the
footage first using this counter.

103
00:08:29,40 --> 00:08:32,65
But that can hurt film providing you
don't pull it through too fast.

104
00:08:33,43 --> 00:08:37,88
Did you know took it slow
thing is while I was timing

105
00:08:37,88 --> 00:08:43,89
or I was checking for any damage in
the abrasions or scratches. Hell.

106
00:08:43,91 --> 00:08:44,44
How do I check.

107
00:08:45,04 --> 00:08:49,02
Helders all the light reflects off
the film any scratches I'd see him.

108
00:08:49,28 --> 00:08:55,75
Did you see any know what I should check
for in these places in the print.

109
00:08:56,06 --> 00:08:58,71
Is there been any bad
will side repair them.

110
00:08:59,18 --> 00:09:04,84
But there weren't look for any damage to
the perforations then a torn ones they

111
00:09:04,84 --> 00:09:07,74
were all OK. Anything else. Yeah.

112
00:09:08,08 --> 00:09:11,53
I made sure that the last station had
left in the commercials in the film

113
00:09:11,53 --> 00:09:16,71
and I checked for improper cue
marks what marks. Q marks.

114
00:09:16,97 --> 00:09:21,03
You know the little marks we put it
certain points in the film to signal the

115
00:09:21,03 --> 00:09:25,52
director of projectionists when the
switchover or when the films about over or

116
00:09:25,52 --> 00:09:30,42
when to bring in a commercial you know
I get you the reason I checked that.

117
00:09:30,65 --> 00:09:34,77
Well you should see some of the
films we get back rather the Q.

118
00:09:34,77 --> 00:09:39,82
Marks these jokers all think they've got
to have their own special cue mark set

119
00:09:39,82 --> 00:09:42,18
their own special places
and make them good

120
00:09:42,18 --> 00:09:46,11
and big so they can't miss them
looks awful ruins of print.

121
00:09:46,15 --> 00:09:51,39
I can understand why they don't use
a standard cue system. Believe me.

122
00:09:51,89 --> 00:09:57,18
OK but this print and a few marks
on her only the right ones I saw

123
00:09:58,24 --> 00:10:03,13
and the other injuries no. Like I
say she was in beautiful shape.

124
00:10:04,85 --> 00:10:07,94
Sure that sure anything
wrong. I reported it.

125
00:10:08,01 --> 00:10:14,31
But there wasn't a condition a one no scratches
no perforation damage everything OK.

126
00:10:14,61 --> 00:10:19,68
If you weren't gloves always don't catch
me getting fingerprints on a needle clean

127
00:10:19,68 --> 00:10:24,11
gloves. Yeah clean gloves change
them every day maybe oftener.

128
00:10:24,35 --> 00:10:25,43
Look I know what you're getting

129
00:10:25,43 --> 00:10:30,32
that gloves pick up dirt particles
while you work run film over the cloth

130
00:10:30,32 --> 00:10:33,49
and it acts just like sandpaper
only thing is I didn't do that.

131
00:10:33,83 --> 00:10:37,53
My gloves were clean. And I didn't
drag the film over the dry cloth.

132
00:10:37,80 --> 00:10:44,69
I held it by the edges like always so
then one well after inspection we rewound

133
00:10:44,69 --> 00:10:49,99
her and cleaned her at the same time
cleaned her hole with wax and saw

134
00:10:49,99 --> 00:10:54,08
that the same thing they use in
the labs lubricant is it. Yeah.

135
00:10:54,31 --> 00:10:58,73
Any time you clean film you ought to use
a lubricant to do it just makes sense to

136
00:10:58,73 --> 00:11:02,11
give it that protection.
This machine. It's safe.

137
00:11:02,28 --> 00:11:08,08
Sure they don't run through the scripts
of rain on plush so Lucian grips on the

138
00:11:08,08 --> 00:11:09,71
material keeps it moist.

139
00:11:10,12 --> 00:11:14,64
The precious chainsaw no dirt gets a
chance to pile up and scratch the film.

140
00:11:15,20 --> 00:11:16,56
Takes up on a real home.

141
00:11:16,73 --> 00:11:20,95
That's it no use to say that I
couldn't have hurt that print.

142
00:11:20,99 --> 00:11:24,08
She went right into the can and
the ship in case and left here.

143
00:11:24,38 --> 00:11:26,57
Like I say Condition A one.

144
00:11:26,84 --> 00:11:31,96
I swear it anything that happened to her
later I had nothing to do with it. I pass.

145
00:11:32,10 --> 00:11:36,62
Yeah I see what pass and the book

146
00:11:36,62 --> 00:11:43,03
that followed the thing a little farther
talk to this man Brown film director at

147
00:11:43,03 --> 00:11:47,21
the T.V. Station it minute he had
a lot to do with the victim.

148
00:11:47,22 --> 00:11:51,59
And there truly did I'm responsible
for all of them here at the station.

149
00:11:51,78 --> 00:11:54,33
Our own parents than the
ones we lease or rent.

150
00:11:54,62 --> 00:11:59,70
I make up the programs so that the films
time doesn't cleaned. But in commercials.

151
00:12:00,00 --> 00:12:04,78
Make repairs all that but I didn't hurt
that film. What did you do to her.

152
00:12:05,64 --> 00:12:10,05
Well the day she came in I got her out of
the rack to take her in for time human

153
00:12:10,05 --> 00:12:14,10
spectrum sciences no
smoking. I didn't smoke.

154
00:12:14,58 --> 00:12:17,93
We don't allow smoking where film
is being handled because I know

155
00:12:18,76 --> 00:12:24,48
that one took her in butter on the table
and started timing. Table pretty tame.

156
00:12:24,92 --> 00:12:30,86
Yeah clean sure look at it in the
time I know what dirt does the film.

157
00:12:30,91 --> 00:12:32,03
We're careful.

158
00:12:32,70 --> 00:12:38,02
Anyplace where handling film it's clean air
conditioned and that's all we do there.

159
00:12:38,17 --> 00:12:43,52
Just handle film don't get
touchy. You project this print.

160
00:12:43,97 --> 00:12:50,71
No Why not why I haven't got time to project
all the film we get in here hundreds

161
00:12:50,71 --> 00:12:56,02
of feet a day some stuff diaper ject
sure if there's a question about it

162
00:12:56,75 --> 00:13:02,40
but not this one. I don't think
you're not sure you know but if I had

163
00:13:02,40 --> 00:13:06,77
that wouldn't of heard or you can see our
preview projectors in real good shape.

164
00:13:07,87 --> 00:13:15,46
Why we clean the gate every other day I
know what a dirty projector can do to film.

165
00:13:19,94 --> 00:13:23,38
And I know what happens if you don't
try to project your right. Soul.

166
00:13:23,93 --> 00:13:29,41
So I'm careful about threading every
time but like I say this brand.

167
00:13:29,47 --> 00:13:30,97
I didn't project.

168
00:13:31,42 --> 00:13:34,69
All I did was time urns spectrum and

169
00:13:34,69 --> 00:13:37,64
but in the commercials
take it a step at a time.

170
00:13:38,69 --> 00:13:43,26
Well what I did was run her through the
footage counter at a good same speed to

171
00:13:44,07 --> 00:13:47,80
some guys pull him through so
fast they scream. Love not me.

172
00:13:48,04 --> 00:13:50,09
I've seen what that can do to film.

173
00:13:50,15 --> 00:13:55,29
So if you know I went slow means
I might check for scratches

174
00:13:55,29 --> 00:14:00,48
and damage preparations that the usual
things are and then by. Any damage.

175
00:14:01,08 --> 00:14:05,65
No it didn't. And you know I figure
distributed made a real thorough check

176
00:14:05,65 --> 00:14:06,55
and cleaned it.

177
00:14:06,99 --> 00:14:11,52
So there was no reason to think anything
was wrong he claims there was nothing

178
00:14:11,52 --> 00:14:17,77
wrong with it. OK well I couldn't
avert it either. Then what do you do.

179
00:14:18,32 --> 00:14:23,71
Splice then the commercials.
Like I always do.

180
00:14:23,72 --> 00:14:30,34
Listen I know how to make a splice Mr You
can watch me anytime right by the book

181
00:14:30,34 --> 00:14:37,20
put the film in carefully don't
jam it on the pans never use God

182
00:14:37,20 --> 00:14:40,61
stapler masking tape the
back up a splice I know

183
00:14:40,61 --> 00:14:46,87
that stuff gets cut in a projector gate.
All then eyes straight the emotion.

184
00:14:47,31 --> 00:14:51,58
And I use a scraper that's made for
it's great big wet the emotionless off.

185
00:14:52,27 --> 00:14:56,90
Take it all off without without
cutting down into the base.

186
00:15:02,88 --> 00:15:08,98
Then the cement. Put it on closer up
give a ten or fifteen seconds to dry.

187
00:15:09,01 --> 00:15:14,89
Well and I've got up perfect splice
but that's how I always do it

188
00:15:14,89 --> 00:15:19,99
and I keep my Spicer adjusted to so there's
no chance of the spices being crooked.

189
00:15:20,53 --> 00:15:26,48
OK after inspection what you clean is all
it did didn't need it the distributor

190
00:15:26,48 --> 00:15:28,85
always ever clean film here.

191
00:15:28,86 --> 00:15:34,73
Sure sure our own library prints or
any prints of needed. Use machine.

192
00:15:34,94 --> 00:15:36,54
Oh no we clean

193
00:15:36,54 --> 00:15:42,16
that by hand we run it through soft cotton
pads moistened with cleaning fluid.

194
00:15:42,40 --> 00:15:49,08
I say cleaned. We keep changing the claw
so dirt cam pile up and scratch the film.

195
00:15:49,51 --> 00:15:53,90
Cleaning fluid. Yeah solvent
with a little synthetic wax

196
00:15:53,90 --> 00:15:58,08
and at the lubricate the film makes
it move through the projector nice

197
00:15:58,08 --> 00:16:03,65
and smooth right. Now about this print
after inspection you rewound it.

198
00:16:03,79 --> 00:16:09,50
You know and I was careful there to first
place. My rewinds are lined up perfectly.

199
00:16:10,19 --> 00:16:13,49
No way a film can Greg against the sides

200
00:16:14,32 --> 00:16:17,15
and then I kept the constant
tension on the film.

201
00:16:17,22 --> 00:16:21,93
I'm not one of these wise guys when it
comes to rewind and film wise guys.

202
00:16:22,22 --> 00:16:26,81
Yeah you've seen them show off
building up speed then then coast

203
00:16:26,81 --> 00:16:28,91
and letting the film drag over the table.

204
00:16:29,12 --> 00:16:32,43
So it gets stretched cranking
it through with a jerk emotion.

205
00:16:32,55 --> 00:16:36,59
So you won't get a good snug roll
and none of that stuff for me.

206
00:16:37,72 --> 00:16:43,69
Steady speed constant tension when
I rewind. You know something else.

207
00:16:43,72 --> 00:16:49,80
I've seen guys do a sloppy job so the film's
loose on the real then they'll gig on

208
00:16:49,80 --> 00:16:55,07
the end of the film till it's fight worst
thing you can do any dirt particles on

209
00:16:55,07 --> 00:17:00,82
the film just get grounded along against
the emotion and the grooves thinks marks.

210
00:17:01,09 --> 00:17:03,23
You've seen them look like this.

211
00:17:06,21 --> 00:17:10,11
I've seen why I didn't
think the film never do.

212
00:17:11,29 --> 00:17:16,40
Rio under Gooden's not going to
good real no bad sides no burrs

213
00:17:18,34 --> 00:17:23,16
butterine with the next day's programmes.
That's all I did I didn't hurt but print.

214
00:17:23,21 --> 00:17:28,55
You can't prove I did. I'm
innocent. So help me. Funny thing.

215
00:17:29,44 --> 00:17:31,71
If you're going to send.
Why would you want to help

216
00:17:35,21 --> 00:17:38,87
that just with one more suspect
Harris projectionist at the T.V.

217
00:17:38,87 --> 00:17:40,97
Station had an answer to everything.

218
00:17:42,57 --> 00:17:45,00
I grant you a film can get
ruined in a projection.

219
00:17:45,28 --> 00:17:46,11
It happens

220
00:17:46,11 --> 00:17:50,05
but not of the film is in good shape
in the projector is working right now.

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That's my job. No boundary
old and I never spend

222
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that take up real after I'm
fretted up and I'll tell you now.

223
00:17:57,55 --> 00:18:03,10
My projector never harmed that.
Print out your bigger and out.

224
00:18:03,64 --> 00:18:07,56
I'm supposed to get a good picture
on the screen only way I can do

225
00:18:07,56 --> 00:18:09,37
that is to keep that project a clean.

226
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If I the gate gets dirty

227
00:18:11,56 --> 00:18:18,69
and the picture starts
jumping around like this.

228
00:18:20,10 --> 00:18:22,20
Or the sound scanning system gets dirty

229
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and the sound goes haywire like
this noisy you say it has friends

230
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or your approach drama drops it will
go for that you know I'm a flavor.

231
00:18:32,60 --> 00:18:38,70
I remember the organ drops are doubling
ridged now twice as effective if the hand

232
00:18:38,70 --> 00:18:42,15
found economy sized and
your neighborhood camel.

233
00:18:42,30 --> 00:18:48,53
So I don't let those things happen. I
work on that project or work on it all.

234
00:18:49,43 --> 00:18:53,32
Well take the gate every chance I
get I pull it out and clean it.

235
00:18:55,02 --> 00:18:59,40
Especially along these rails let
emotion are dirt pile up here

236
00:18:59,40 --> 00:19:04,37
and it's liable to scratch the film
particularly on the soundtrack area then you've

237
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got to know is the track.
Go on another thing.

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If the gates dirty the film can't move
through freely tends to stick on the

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Internet and pulls down
on the perforation now

240
00:19:17,27 --> 00:19:22,67
that extra strain can scar those perforations
Navan terram then you'll lose your

241
00:19:22,67 --> 00:19:27,47
loop get run off really chew up the
venom. That's what happened here.

242
00:19:27,71 --> 00:19:32,01
The victim know that's what
didn't happen because I cleaned

243
00:19:32,01 --> 00:19:34,47
that gate got the dust out of it and

244
00:19:34,47 --> 00:19:40,36
that isn't all I checked every film contact
point made sure the rowers were all

245
00:19:40,36 --> 00:19:45,13
really Rolen not stuck so the film was
Dragon overrun. Now that could happen.

246
00:19:46,31 --> 00:19:46,53
Did it.

247
00:19:47,61 --> 00:19:53,58
No I told you I checked it part of my
normal maintenance like checking the sound

248
00:19:53,58 --> 00:19:57,95
system all the time clean all the film
contact points to make sure we get the best

249
00:19:57,95 --> 00:19:59,75
sound quality and also.

250
00:20:00,16 --> 00:20:03,29
Make sure the film doesn't get
scratched when it goes over the drum.

251
00:20:07,74 --> 00:20:10,01
Main thing with the projector
is to keep it clean

252
00:20:10,01 --> 00:20:15,80
and lubricated right then it will never
damage film not of the film's OK to begin

253
00:20:15,80 --> 00:20:19,29
with. About threading. Well what about it.

254
00:20:20,25 --> 00:20:24,37
Listen I know my job I thread
that projector fifty times a day

255
00:20:24,37 --> 00:20:27,18
and I do it right as can
about it that tell you

256
00:20:27,96 --> 00:20:32,14
or you can watch me your sound
anything goes wrong during projection.

257
00:20:32,32 --> 00:20:36,38
It's because their band splice is
in the print or torn perforations

258
00:20:36,38 --> 00:20:38,03
or dirt on the film.

259
00:20:38,10 --> 00:20:42,12
I take care of this projector and
I thread it up the right way.

260
00:20:42,36 --> 00:20:47,77
Now that's all I can do. I projected
that print and I put her in the rack.

261
00:20:48,90 --> 00:20:54,25
That's the last I saw her not
quite what do you mean you see

262
00:20:54,25 --> 00:21:00,76
or no soul there it's a murder

263
00:21:00,76 --> 00:21:05,90
that everybody says could
have happened. We don't know.

264
00:21:05,92 --> 00:21:10,47
Did it all we know is this if all the
suspects had treated the victim like they say

265
00:21:10,47 --> 00:21:16,33
they did. She'd be alive today only
She's not somebody who's guilty.

266
00:21:17,27 --> 00:21:20,88
Maybe all of them together. But
if they stick to their stories.

267
00:21:21,06 --> 00:21:27,51
We're stuck with a perfect crime.
It happens more than you think.

268
00:21:32,31 --> 00:21:37,61
As for you. We figure innocent this
case you can go just one thing.

269
00:21:37,63 --> 00:21:39,87
You want to stay in the clear
and get this straight.

270
00:21:40,81 --> 00:21:43,88
Every time you handle film better
figure it's a matter of life

271
00:21:43,88 --> 00:21:46,93
or death because ideas
get a little careless

272
00:21:47,72 --> 00:21:59,32
and we may be after you
for murder on the screen.