WEBVTT 00:00.000 --> 00:01.620 as we watch this press conference across the board. 00:01.620 --> 00:03.940 Tell me someone who's interested to speak to you a little bit more. 00:03.940 --> 00:06.380 How der始 Swift Daele, 00:06.380 --> 00:10.080 who both were�면 passengers and flew both far, 00:10.080 --> 00:12.120 are so excited to go with션? 00:12.120 --> 00:08.160 Welcome to stirring snow in等Ну falling you know that's it 00:08.160 --> 00:09.440 well let's go. 00:12.160 --> 00:13.040 ą 00:24.120 --> 00:25.680 Go to a bright place where we 00:25.680 --> 00:27.680 Oh 00:55.680 --> 00:57.680 Oh 01:20.200 --> 01:21.880 And 01:21.880 --> 01:24.080 Now for the adventures of lightning Jim 01:24.080 --> 01:31.520 Late one night Hubert Butler owner of the Palmoli gold mine was weighing the bullion which was to be packed for shipment the following day 01:39.720 --> 01:41.720 Hey, who's that? What? 01:41.720 --> 01:43.720 Do not reach for that gun, sear Butler. 01:43.720 --> 01:47.720 Why you can't get away with this. There's three guards standing outside of here. 01:47.720 --> 01:52.720 But I managed to get in here sear. Perhaps I shall be able to get out as well. 01:52.720 --> 01:54.720 You try to get out carrying the gold is sure to get there. 01:54.720 --> 01:57.720 I do not want your filthy gold sear. 01:57.720 --> 02:01.720 You're doing that for the gold? Well, what do you want? 02:01.720 --> 02:04.720 You see what I hold in my hands sear Butler? 02:04.720 --> 02:08.720 Yeah sure, sure I see. The knife, the silver knife. 02:08.720 --> 02:15.720 You're right. It is a silver knife. And on the handle is carved a word. Muerto. 02:15.720 --> 02:18.720 Muerto? What? Why that's Spanish for death? 02:18.720 --> 02:25.720 Se se se señor. Muerto. And the blade. Can you see the blade se se? 02:25.720 --> 02:27.720 Yeah, yeah, yeah I see it. 02:27.720 --> 02:34.720 This blade also has carvings se se butler. Would you like to know what name is written on this blade? 02:34.720 --> 02:39.720 No, no, no, no. What do I care what name is carved on your filthy knife? Keep away from me. 02:39.720 --> 02:45.720 The name that is engraved on this blade se se se your own Hubert Butler. 02:45.720 --> 02:50.720 My name? You got my name on that knife? You ain't going to kill me are you? 02:50.720 --> 02:55.720 Here here take the gold. I'll order the guard to offer. I'll fix it so you can take it all. 02:55.720 --> 02:57.720 Oh god dammit. 03:03.720 --> 03:09.720 And late in that same month in the valley below the Pomerle load, Ernest Livingston, judge of the district court, 03:09.720 --> 03:15.720 fits up late reviewing the records of the day's hearings. 03:15.720 --> 03:17.720 Ernest, you know your leading sense? 03:17.720 --> 03:18.720 Well. 03:18.720 --> 03:19.720 What in tarnishing? 03:19.720 --> 03:20.720 Who? 03:20.720 --> 03:21.720 Stay where you are, sir. 03:21.720 --> 03:26.720 All right, all right. You got me covered. But you're wasting your time, mate. I haven't any cash in the house. 03:26.720 --> 03:30.720 I'm not interested in your cash, your leading sense. 03:30.720 --> 03:35.720 Not interested in cash? Well, what are you here for then? 03:35.720 --> 03:36.720 Why? 03:36.720 --> 03:42.720 You're here to get this from your butler. I am Carl Ellen Reto. 03:42.720 --> 03:43.720 Yes. 03:43.720 --> 03:46.720 You mean you're the low-boiled-up knife butler? 03:46.720 --> 03:47.720 Yes. 03:47.720 --> 03:50.720 Here's to your...Muerto. 03:50.720 --> 03:51.720 Yes. 03:51.720 --> 03:54.720 Hey. What's that? 03:54.720 --> 03:55.720 A knife. 03:55.720 --> 03:57.720 A silver knife. 03:57.720 --> 03:58.720 Yes. 03:58.720 --> 03:59.720 You ain't going to kill me? 03:59.720 --> 04:00.720 What? 04:00.720 --> 04:02.720 You're amazed, your dear Mr. Mett. 04:02.720 --> 04:09.720 I've been grazed on his bed. He could be taking away so much hard work, you know it, my dear. 04:09.720 --> 04:15.720 No. No. Don't tell me. I'll get the money. I'll get it tomorrow. 04:15.720 --> 04:16.720 Thank you. 04:16.720 --> 04:18.720 No. Don't do it. 04:18.720 --> 04:19.720 No. 04:19.720 --> 04:33.720 Two weeks later in his room at district headquarters, United States Marshal Herman Trudy tosses restlessly in his briefs. 04:40.720 --> 04:42.720 Wake up, my dear Trudy. 04:42.720 --> 04:45.720 Huh? What? Who was it? 04:45.720 --> 04:49.720 Elmo Reto. 04:49.720 --> 04:52.720 You were expecting me, were you not, your Marshal? 04:52.720 --> 04:59.720 Yes. Yes. Yes. I mean...I mean, no. No. Of course I wasn't expecting you. Why should I be expecting you? 04:59.720 --> 05:05.720 No lie, Marshal Trudy. You knew I would kill you if I appeared to your butler in good leading. 05:05.720 --> 05:06.720 No. No. 05:06.720 --> 05:09.720 As I leave to your cellar this afternoon, you are gone. 05:09.720 --> 05:10.720 No. No. No. 05:10.720 --> 05:19.720 I'm telling you. A knife. A silver knife. No. No. Don't do it. Don't kill me. I'll get the money. 05:19.720 --> 05:21.720 No. No. 05:28.720 --> 05:36.720 Hideous, sardonic laughter. The quick thrust of a silver knife beat into her throat. Elmo Reto has claimed another victim. 05:36.720 --> 05:42.720 Three lives have been forfeited to the rapacious vengeance of the unknown killer, the last, that of a United States Marshal. 05:42.720 --> 05:48.720 And Lightning Jim is sent down to southern territory to bring to justice this field of the borderline. 05:48.720 --> 05:58.720 Every ordeal, fifteen miles from our Yamante. And Mr. Dog gone hungry, I could eat a boiled dog, a cheddless and all by then. 05:58.720 --> 06:00.720 Your story is mysterious, Whitey. 06:00.720 --> 06:08.720 Mysterious? Well, let me tell you right now Lightning Jim, I don't see nothing mysterious about being hungry. I'd like to talk in the night. 06:08.720 --> 06:12.720 Hungry? Oh yeah, you were talking about being hungry earlier, Whitey. 06:12.720 --> 06:17.720 Well, of all things, you mustn't listen to King Iced-Head. 06:17.720 --> 06:27.720 I'm sorry, but I was just trying to figure out what possible connection there could be to the murder of a rich mine owner, a United States Marshal, and the judge of the district. 06:27.720 --> 06:33.720 Well, maybe this Wilmu Erso yesterday is a madman, that's right. Maybe there is no connection to the killing. 06:33.720 --> 06:39.720 Oh, if Wilmu Erso was just a mad killer, Whitey, why would he bother to go through the victim's papers every time? 06:39.720 --> 06:43.720 No, sir, I'd bet my bottom dollar that he is as sane as you or me. 06:43.720 --> 06:49.720 What more? I think that the things he finds out after he's murdered lead him to his next killer. 06:49.720 --> 06:55.720 Then you must think he's going to stick a knife into somebody else, since he knew eventually Marshal Toole is private. 06:55.720 --> 07:06.720 That's just what I think, Whitey. And the only link between these three men, Butler, Judge Livingston, and Marshal Toole, that we've been able to discover is the purchase of the Palmley Goldmine property. 07:06.720 --> 07:11.720 Well, let's see now. Butler got their land by buying up the mortgage from the bank, didn't he? 07:11.720 --> 07:16.720 Yes. The property originally belonged to a Mexican horseman named Manuel Madrigueras. 07:16.720 --> 07:21.720 He was hung for murdering his wife, so this property was sold at public auction. 07:21.720 --> 07:25.720 Oh, my dear, look who's riding this thing. Oh, boy, oh. 07:25.720 --> 07:32.720 Well, the very mid-dow. Hey, hey, mid-dow, you're old son of a gun. How are you? 07:32.720 --> 07:35.720 I'm good. Master of all. 07:35.720 --> 07:37.720 It's me, mid-dow, right there in the gym. 07:37.720 --> 07:39.720 Oh, lovely kid. 07:39.720 --> 07:42.720 Ah, ha. Sweetie. And Whitey, too. 07:42.720 --> 07:43.720 Oh, this is the bride. 07:43.720 --> 07:45.720 Oh, I'm happy again. 07:45.720 --> 07:53.720 Well, forgive me, I didn't recognize my so good friend. It's been a long time since we've met, your honor. I didn't look to see you this far at the time. 07:53.720 --> 07:56.720 Oh, and it was a surprise to see you too. 07:56.720 --> 07:57.720 Yes, I thought you was in the East. 07:57.720 --> 08:02.720 Oh, see, I am in the East for two years, your honor. I've much loved me, well, Capiton here. 08:02.720 --> 08:09.720 Now I come back to my home to get more horse-carriage, you see. But, but we, you know, we're down here to the border, huh? 08:09.720 --> 08:17.720 You know, the state's morsel went and got themselves carried here in the air a month ago, Miguel. See? And like me, it's coming for the rest for the children. 08:17.720 --> 08:19.720 El Muerto is called. 08:19.720 --> 08:20.720 Oh, El Muerto, huh? 08:20.720 --> 08:21.720 Yeah. 08:21.720 --> 08:23.720 Oh, you're on the tail of El Muerto. 08:23.720 --> 08:24.720 That is. 08:24.720 --> 08:30.720 Gee, I hear of El Muerto seeing you like these gyms. He has two others beside his morsel you speak of. No, Especay? 08:30.720 --> 08:35.720 Two others, Miguel. And I've got a hunch there'll be more. We don't nab the murder and lobo for long. 08:35.720 --> 08:39.720 Gee, how about talking all this over rather, East? 08:39.720 --> 08:46.720 Yeah, I could tuck away some food myself, Whitey. Come on, Miguel, we all ride into Iamonte and talk over old times while we eat, huh? 08:46.720 --> 08:51.720 Oh, I'm so sorry, but East is already nearly dark and I have an appointment to see if I can find horse-easy. 08:51.720 --> 08:52.720 Oh, it's too bad. 08:52.720 --> 08:54.720 Oh, maybe we'll need tomorrow, eh? 08:54.720 --> 08:57.720 Sure, Miguel, and I hope the horse is going to look. That turns out to be what you want. 08:57.720 --> 09:04.720 Well, he is the right color anyway for your... for a part of my world, if you'll settle that, Lee. The right color. 09:04.720 --> 09:09.720 You really want to buy just any color horse, Miguel? Even if it's plenty fast? 09:09.720 --> 09:13.720 Oh, I will buy any color, Whitey, so long as he is all one. 09:13.720 --> 09:16.720 Oh, go buy a horse that's got martens, is that it, Miguel? 09:16.720 --> 09:22.720 Yes, please. Oh, martens horses, they are like in my card. Both bad luck for Miguel, huh? 09:22.720 --> 09:29.720 Oh, you say like a little bit of something to that. Miguel's LCP10 is solid sorrel. 09:29.720 --> 09:34.720 Tondre's solid black, and my horse is all white and they were all locked. 09:34.720 --> 09:40.720 You better find out whether that works for dogs too, Whitey. If it does, your pup better start looking for a new home. 09:40.720 --> 09:45.720 Oh, if that's so, well, my puppy dog has the prettiest martens I ever saw. 09:45.720 --> 10:00.720 But I tell you, if he was spotted like a leopard, I still think he was the luckiest thing that ever happened to me, my darling. 10:00.720 --> 10:04.720 That night, after hashing and rehashing the evidence so far accumulated, 10:04.720 --> 10:12.720 Lightning Jim is forced to the conclusion that the only possible link between the murders of the judge, the United States Marshal, and the owner of the Palmerley Load 10:12.720 --> 10:15.720 must lie hidden beneath the event of the mine purchase. 10:15.720 --> 10:21.720 In desperation, the two marshals walk over to the home of Simon Russell, president of the Ayamonte Bank. 10:21.720 --> 10:31.720 A Mexican is saying for murder in his life. No LCP10 list it and a judge ownership for the public auction to pay off the mortgages. 10:31.720 --> 10:35.720 Yet we got the Yankie Preston over the bank at the midnight. 10:35.720 --> 10:45.720 Ah, it ain't Russell's sleep you're worrying about, Whitey, it's your own. But he's still awake. There are a few things I'd like to know about that mortgages on Manuel Madrigal's property. 10:45.720 --> 10:50.720 Ah, there ain't nothing to that, Lightning, but the mortgages in the flock, you know. 10:50.720 --> 10:56.720 Yeah? So lucky that two months later he can think a chap with a wicked vein of ore in the state of New Mexico. 10:56.720 --> 11:01.720 Dear Lightning, ain't this case no stopping now for us is finding more trouble. 11:01.720 --> 11:09.720 Hey, you sure ain't strong on brain diseases, are you, Whitey? Well, you will never be no more than just a deputy if you don't learn to do a little detective work. 11:09.720 --> 11:14.720 Even if United States marshals call for more than just liking to fight and being able to handle a six-ton, you know. 11:14.720 --> 11:22.720 Oh, maybe so. But knowing how to use a six-ton is going to come in handy when we meet up with the Elmoretto. 11:22.720 --> 11:29.720 Yes, here we are, Whitey. This is the Bank of House. Hmm, wonder what this force is doing tight out there this time in Ireland. 11:29.720 --> 11:32.720 Maybe what will hit company, Lightning? 11:32.720 --> 11:35.720 Yeah, ain't that horse that beef with the horse? 11:35.720 --> 11:36.720 Ah, boy, you know. 11:36.720 --> 11:37.720 Look at them legs now. 11:37.720 --> 11:39.720 Yeah, carry that boy now. 11:39.720 --> 11:41.720 Ooh, music boy, we ain't gonna have this. 11:41.720 --> 11:44.720 Boy, Lightning, I bet your horse can go like true blaze. 11:44.720 --> 11:45.720 Yeah, sure. 11:45.720 --> 11:47.720 Yeah, wouldn't Miguel like to own this boy? 11:47.720 --> 11:53.720 No, Miguel wouldn't. We have nothing to do with him, Whitey. Look at the white blaze on his face. Yeah, white to foot wide. 11:53.720 --> 11:56.720 Oh, that's right, Lightning. Miguel won't ride a horse just like that, Martin, son. 11:56.720 --> 11:59.720 No, so long, old fella. 11:59.720 --> 12:05.720 Come on, Whitey. You need to bother the Bank of Winter's Dutch Company, but our business is important. 12:05.720 --> 12:07.720 I can't wait. 12:07.720 --> 12:10.720 So, Lightning, the front door's already open? 12:10.720 --> 12:11.720 Yeah. 12:11.720 --> 12:12.720 Hey, hot stuff? 12:12.720 --> 12:16.720 Quick, Whitey, that's crazy things from over here. 12:16.720 --> 12:18.720 This door's locked. Do they have to break it down? 12:18.720 --> 12:20.720 Yeah, come on now. Both at once. 12:20.720 --> 12:21.720 Go! 12:21.720 --> 12:22.720 Again. 12:22.720 --> 12:24.720 Again, hot. 12:24.720 --> 12:26.720 There you are. 12:26.720 --> 12:27.720 See, the lights can put out. 12:27.720 --> 12:30.720 Yeah, that's our window, Whitey. It's open. 12:30.720 --> 12:31.720 There he goes. 12:31.720 --> 12:33.720 Hold on, hold on, Dino. You're shooting Whitey. It's out of range. 12:33.720 --> 12:36.720 Oh, he's got the way and the horse. They must have tied up, Whitey. 12:36.720 --> 12:38.720 Hey, do you think they must have El Mureto like him? 12:38.720 --> 12:42.720 I don't know, Whitey. There's a lamp. I light it and we can look around. 12:42.720 --> 12:46.720 Over in the corner, Whitey. I'm bored with them. They must be the bankers. 12:46.720 --> 12:50.720 Yeah, I reckon so, Whitey. That was El Mureto that got away all right. 12:50.720 --> 12:53.720 Look at the handle of this knife and the stuff that's stuck. 12:53.720 --> 12:56.720 Where are we standing, El Torquil, like this? 12:56.720 --> 12:59.720 Come on, let's get on the tail of that bird and pill. 12:59.720 --> 13:01.720 No, Whitey, that wouldn't do no good. 13:01.720 --> 13:03.720 Time we could make it back to headquarters and get our horses. 13:03.720 --> 13:05.720 El Mureto would be safely hidden back in the hills. 13:05.720 --> 13:07.720 Sure, where are we going to be next? 13:07.720 --> 13:09.720 I blasted it. Look at this knife. 13:09.720 --> 13:13.720 Why, Whitey, it's just like the others. And it's got rust with me and a blade, too. 13:13.720 --> 13:16.720 Come on, Whitey. We're going to bust open that private space in the corner there 13:16.720 --> 13:18.720 and have a look at the bankers' personal accounts. 13:18.720 --> 13:21.720 I'm going to catch this bloodthirsty sidewinder, El Mureto. 13:21.720 --> 13:23.720 It's the last thing I ever do. 13:37.720 --> 13:39.720 Look at the time, Whitey. 13:39.720 --> 13:43.720 3 a.m. You'll sure keep a good hour, Whitey. 13:43.720 --> 13:47.720 After all I told you about little boys eating their sleepers. 13:47.720 --> 13:50.720 What a great horn, too, Whitey. Listen to this. 13:50.720 --> 13:53.720 Mr. Simon Russell, et cetera. 13:53.720 --> 14:00.720 I want you to tell Butler he can take his cut out of the first yield of the Pomerle load 14:00.720 --> 14:04.720 and he can give you and the judge and marshal truly yours at the same time. 14:04.720 --> 14:06.720 You'll pay me. 14:06.720 --> 14:10.720 Buying the equipment to sink the shaft has taken all my cash, 14:10.720 --> 14:14.720 and I can't pay any of you till the mines start paying. 14:14.720 --> 14:16.720 Oh, now I'm paid. 14:16.720 --> 14:20.720 And with a little F-8. 14:20.720 --> 14:26.720 By golly, Slyton, that must mean that Butler wasn't a real owner of the Pomerle goldmine, is it? 14:26.720 --> 14:29.720 Yeah, judging from this letter, he was just a figurehead. 14:29.720 --> 14:31.720 Hmm, I wonder who has the little F-8. 14:31.720 --> 14:37.720 See, speaking of H's, Slyton, they tell me that Ransker answered to 430 years for the Pomerle goldmine. 14:37.720 --> 14:39.720 It's the biggest in the whole country. 14:39.720 --> 14:41.720 You know the ladder H, Svans. 14:41.720 --> 14:43.720 The ladder H? 14:43.720 --> 14:47.720 The man who owns the ladder H, Fritz Hoffman, F-8. 14:47.720 --> 14:50.720 He must be the real owner of the Pomerle mine. 14:50.720 --> 14:51.720 It's a... 14:51.720 --> 14:52.720 Where you asking, Olly? 14:52.720 --> 14:54.720 We're not here to hear from you, John. 14:54.720 --> 14:57.720 The big capitalist, it's El Muerto. 14:57.720 --> 15:00.720 All right, El Muerto, you got the drop on us. 15:00.720 --> 15:03.720 That is very interesting information, Mr. El Muerto. 15:03.720 --> 15:07.720 About Fritz Hoffman only the car of Pomerle goldmine I mean. 15:07.720 --> 15:10.720 Eh, he's a thing I did not know. 15:10.720 --> 15:14.720 So that's what you came back for, eh? To find the name of your next victim. 15:14.720 --> 15:16.720 Hey, and you have told you. 15:16.720 --> 15:18.720 It is Fior Hoffman. 15:18.720 --> 15:23.720 And perhaps I have come back to kill you as well, Senior Marshal. 15:23.720 --> 15:26.720 Why you dirty two-legged poor cat, you. 15:26.720 --> 15:28.720 Hasn't you got enough blood on your hands already? 15:28.720 --> 15:30.720 Don't worry, Olly. 15:30.720 --> 15:32.720 El Muerto ain't gonna kill us. 15:32.720 --> 15:36.720 Why he ain't had time to carve our names on his fancy knives? 15:36.720 --> 15:41.720 He wouldn't want to spoil his reputation by anything so ordinary as a cutie. 15:41.720 --> 15:43.720 Now, would you, El Muerto? 15:43.720 --> 15:48.720 You're a very brave man, Senior Marshal, to make joke when you are at the mercy of El Muerto. 15:48.720 --> 15:55.720 But if I am to say to kill you, that I have killed yours, I must get to work. 15:55.720 --> 15:57.720 Three knives. 15:57.720 --> 16:01.720 It will take time to engrave three knives. 16:01.720 --> 16:06.720 We are going to carve our names on your nice, very skinned, bayan hat you. 16:06.720 --> 16:08.720 Why not, Fior? 16:08.720 --> 16:12.720 Now, would you, on second thought, I believe I shall tie you up 16:12.720 --> 16:15.720 and place you in the closet which is just behind you. 16:15.720 --> 16:19.720 It will save me the trouble of keeping you covered while I work. 16:19.720 --> 16:23.720 Does El Muerto, the fiendish killer of poor men, really plan to murder Lightning Jim and Whitey 16:23.720 --> 16:26.720 as well as Fritz Hoffman, owner of the Ladder 8 ranch? 16:26.720 --> 16:50.720 The surprising climax of this Lightning Jim adventure follows immediately. 17:26.720 --> 17:30.720 And now for part two of the Lightning Jim adventure, the Vengeance of El Muerto. 17:30.720 --> 17:34.720 Having capped the two marshals, El Muerto has bound them tightly 17:34.720 --> 17:37.720 and locked them in a large closet at the home of the murdered bank president. 17:37.720 --> 17:40.720 For more than an hour, they struggle to free themselves. 17:40.720 --> 17:44.720 And finally, by a gigantic effort, Lightning Jim succeeds in loosening the rope about his wrist. 17:44.720 --> 17:31.100 When he has reached the end of the rope, he is able to pull the rope out of the 17:45.100 --> 17:46.720 and the rope is pulled out of the 17:46.720 --> 17:48.720 and the rope is pulled out of the 17:48.720 --> 17:50.720 and the rope is pulled out of the 17:50.720 --> 17:52.720 and the rope is pulled out of the 17:52.720 --> 17:57.720 When he has reached the end of the rope, he is able to pull the rope out of the 17:57.720 --> 18:20.900 And the two 18:20.900 --> 18:21.900 Where are you going? 18:21.900 --> 18:22.900 Yes, under. 18:22.900 --> 18:23.900 You need to go. 18:23.900 --> 18:24.900 What's up, buddy? 18:24.900 --> 18:26.900 Look at that girl down by the tree below. 18:26.900 --> 18:27.900 Yeah, I see. 18:27.900 --> 18:28.900 Over the bridge. 18:28.900 --> 18:29.900 Maybe that's El Muranto. 18:29.900 --> 18:30.900 Let me see, buddy. 18:30.900 --> 18:31.900 What are you doing to that horse? 18:31.900 --> 18:32.900 Tell me the spag to assist me. 18:32.900 --> 18:33.900 I can't see. 18:33.900 --> 18:34.900 But whatever he's doing, it's your working order to tell me. 18:34.900 --> 18:35.900 Hey, listen, buddy. 18:35.900 --> 18:36.900 If that's El Muranto, we don't want to take no chances on this different way. 18:36.900 --> 18:37.900 I'm going to challenge him from here. 18:37.900 --> 18:38.900 Brace for the sky, painter. 18:38.900 --> 18:39.900 Brace for the sky, painter. 18:39.900 --> 18:40.900 Caramo! 18:40.900 --> 18:41.900 Brace for the sky, painter. 18:41.900 --> 18:42.900 Miguel! 18:42.900 --> 18:43.900 Miguel! 18:43.900 --> 18:44.900 Miguel! 18:44.900 --> 18:45.900 Miguel! 18:45.900 --> 18:46.900 Miguel! 18:46.900 --> 18:47.900 Miguel! 18:47.900 --> 18:48.900 Miguel! 18:48.900 --> 18:49.900 Miguel! 18:49.900 --> 18:50.900 Immortal! 18:50.900 --> 18:51.900 Where the hell are you going? 18:51.900 --> 18:52.900 Demons all around the city. 18:52.900 --> 18:53.900 They're coming one moment! 18:53.900 --> 18:54.900 Make them shake! 18:54.900 --> 18:55.900 They're coming! 18:55.900 --> 19:09.220 Imma rem 19:09.220 --> 19:11.620 the rest! 19:11.620 --> 19:13.060 Oh! 19:13.060 --> 19:19.000 Shit, I'm not an Motorsport fan. 19:19.000 --> 19:22.240 But you see, I had a race with Mr. Hoffman's horse this morning, 19:22.240 --> 19:26.240 and we should give the Capiton plenty of time to rest on the ride out to the latter edge. 19:26.240 --> 19:30.640 Oh, but give this lot what you're doing to El Capiton when we go, don't you, Miguel? 19:30.640 --> 19:33.340 It looks like you're giving him a bath or something. 19:33.340 --> 19:38.460 Oh, no, no, no, Whitey, I'm just giving El Capiton a little water in my hand, 19:38.460 --> 19:40.860 so that he will not drink too heavy before the big race. 19:40.860 --> 19:44.800 Now, the decree's serious, if they satisfy Whitey, let's get going. 19:44.800 --> 19:47.060 Come on, Miguel, we're heading for the latter edge, too, 19:47.060 --> 19:49.060 and we can ride the rest of the way together, huh? 19:49.060 --> 19:51.160 Oh, see, see, can you order this fine idea? 19:51.160 --> 19:52.960 Oh, stay here, Capiton, go. 19:52.960 --> 19:54.660 Hey, hey, you're looking something, Miguel. 19:54.660 --> 19:57.660 That black thing that's about to fall out of your saddlebag. 19:57.660 --> 19:58.660 Yeah, they're good. 19:58.660 --> 20:00.160 Yeah, well, it's a cape, a black cape. 20:00.160 --> 20:01.560 Oh, that's what it is, all right. 20:01.560 --> 20:03.060 Where'd you get that cape, Miguel? 20:03.060 --> 20:05.260 Oh, I find him over there by the bridge. 20:05.260 --> 20:05.760 Yeah? 20:05.760 --> 20:07.460 See, he's all foiled up. 20:07.460 --> 20:08.960 He's fine cape, no? 20:08.960 --> 20:10.760 I'm lucky man, you know what I forgot? 20:10.760 --> 20:13.760 You think there is El Muerto's cape, Miguel? 20:13.760 --> 20:15.060 El Muerto? 20:15.060 --> 20:16.960 This cape belongs to El Muerto? 20:16.960 --> 20:18.760 Well, it can be sure, of course, but it 20:18.760 --> 20:21.760 looks like the one El Muerto was wearing last night riding up. 20:21.760 --> 20:22.760 Last night? 20:22.760 --> 20:25.160 You see El Muerto last night, you know it? 20:25.160 --> 20:28.060 Sure, and what's more, we saw a horse, too, Miguel. 20:28.060 --> 20:30.660 That's a dead ringer for El Capiton, 20:30.660 --> 20:34.660 except that it's got the big right blist on the front of the face. 20:34.660 --> 20:35.160 Horse? 20:35.160 --> 20:36.060 Where is it? 20:36.060 --> 20:38.660 There is not other horse like El Capiton, no horse. 20:38.660 --> 20:39.560 Ha, ha, ha. 20:39.560 --> 20:42.260 Well, I reckon we all feel that way about our own horses, Miguel. 20:42.260 --> 20:44.260 Yes, that gives me an idea. 20:44.260 --> 20:45.560 You do something for me, Miguel. 20:45.560 --> 20:47.460 Of course, certainly, see, you're right, it's you. 20:47.460 --> 20:47.960 Good. 20:47.960 --> 20:51.360 I want you to ride back to Iamonte and scout around for that horse. 20:51.360 --> 20:53.060 Why didn't he just describe to you? 20:53.060 --> 20:54.760 Yes, that's a good idea. 20:54.760 --> 20:56.960 Everyone knows that Miguel wants to buy a horse, 20:56.960 --> 21:00.660 and this way no one will suspect he's on the trail of El Muerto. 21:00.660 --> 21:04.860 But my race, señor, I've told El Muerto I will arrive by 9 o'clock. 21:04.860 --> 21:08.060 Yeah, well, I wouldn't worry about that race if I were you, Miguel. 21:08.060 --> 21:10.060 Unless I'm very much mistaken, 21:10.060 --> 21:12.760 this Hoffman is lying up at his ranch house 21:12.760 --> 21:15.960 that one of El Muerto's silver divers is picking in his gullet. 21:15.960 --> 21:18.260 Oh, yes, but he's incredible. 21:18.260 --> 21:21.460 This El Muerto, he is displace to my people. 21:21.460 --> 21:24.560 Here, I will try to find this horse for you pronto. 21:24.560 --> 21:27.160 All right, now get going and report back to my headquarters 21:27.160 --> 21:28.660 if you don't find no trace of him by noon. 21:28.660 --> 21:29.360 Si, señor. 21:29.360 --> 21:31.860 Oh, but the caper, I may have the caper. 21:31.860 --> 21:34.760 Ha, ha, try to take a little shine to that caper, ain't you? 21:34.760 --> 21:36.960 Sure, you can have it sorted to him, why not? 21:36.960 --> 21:40.060 Hey, look at that, there's something in the pocket there. 21:40.060 --> 21:43.460 My, my, see, that's an account book, an account book and some salt. 21:43.460 --> 21:44.760 Give me that notebook, Whitey. 21:44.760 --> 21:47.160 Notebook? Is it any art of notebook? 21:47.160 --> 21:51.760 Hmm, no, Miguel, this is Fritz Hoffman's private account book. 21:51.760 --> 21:54.360 Reckon this proves I was right about Hoffman being dead. 21:54.360 --> 21:57.260 He'll kill you, many like him, he's got to do something in a hurry. 21:57.260 --> 22:00.160 This blood-pasty coyote will kill everybody in the country 22:00.160 --> 22:01.260 if we don't get some sort of... 22:01.260 --> 22:03.160 That is so, señor, like he's in. 22:03.160 --> 22:05.760 But he can do nothing, he can do to stop me. 22:05.760 --> 22:08.260 Till you find any notations in the book 22:08.260 --> 22:10.960 that will help us track down these miserable goats of our village. 22:10.960 --> 22:12.560 Well, here's the funny thing. 22:12.560 --> 22:15.460 About the time of the purchase of the Parmily load, 22:15.460 --> 22:18.860 Hoffman paid a thousand dollars to Pedro Geronimo. 22:18.860 --> 22:19.960 Pedro Geronimo? 22:19.960 --> 22:20.460 Yeah. 22:20.460 --> 22:22.460 My, that's Black Pedro, and he owns the big game, 22:22.460 --> 22:23.960 and he went back and I am a pig. 22:23.960 --> 22:25.660 Yep, that's just what it is, Whitey. 22:25.660 --> 22:28.960 Now, where do you suppose a rat like Black Pedro comes into this picture? 22:28.960 --> 22:31.160 Hey, señor, I must be on my way. 22:31.160 --> 22:33.260 For every minute that these many artists lose, 22:33.260 --> 22:34.860 it's a danger to your reputation. 22:34.860 --> 22:37.260 And pity lies of our prominent village. 22:37.260 --> 22:38.360 Adios, my friend. 22:38.360 --> 22:39.560 Yeah, you're right, Miguel. 22:39.560 --> 22:40.360 Good luck to you. 22:40.360 --> 22:41.460 Good luck, Miguel. 22:41.460 --> 22:42.460 Goodbye. 22:43.160 --> 22:46.060 Come on, Thunder, get yourself a good long drink, old boy, 22:46.060 --> 22:47.760 and we'll head on for the latter eight. 22:47.760 --> 22:49.260 That's good idea, Lyson. 22:49.260 --> 22:50.960 We may never find out something else. 22:50.960 --> 22:52.560 By the way, where'd you be with that piece of chalk 22:52.560 --> 22:54.260 you found in the tree's pocket, Whitey? 22:54.260 --> 22:55.860 Oh, here it is, sir. 22:55.860 --> 22:58.260 Hey, Miguel went off without the tape, Lyson. 22:58.260 --> 23:00.560 He must have all the faulty leads over there, too. 23:00.560 --> 23:02.260 Well, he got tired, tired when he, 23:02.260 --> 23:04.260 when he found out a count book, Whitey. 23:04.260 --> 23:07.260 Well, don't just get started on the tail of this, uh... 23:07.260 --> 23:08.560 Holy mook. 23:08.560 --> 23:10.260 What's the trouble, Lyson? 23:10.260 --> 23:11.660 It's chalk, Whitey. 23:11.660 --> 23:12.960 It's got some horse hairs on it. 23:12.960 --> 23:13.660 Horse hairs? 23:13.660 --> 23:14.660 Well, Lyson... 23:14.660 --> 23:16.460 There's no time to explain now, Whitey. 23:16.460 --> 23:17.660 If we've got to ride like the wind, 23:17.660 --> 23:19.660 we're going to prevent another El Muriato murder. 23:19.660 --> 23:20.660 Let's go, Thunder! 23:31.660 --> 23:33.660 Come in, come in. 23:33.660 --> 23:35.660 Mother of the deus, El Muriato! 23:35.660 --> 23:38.460 Here, El Muriato. 23:38.460 --> 23:41.160 Then for your sins, Black Pedro, 23:41.160 --> 23:42.860 you are going to die. 23:42.860 --> 23:44.260 Die by these knives. 23:44.260 --> 23:45.760 Oh, the silver knife! 23:45.760 --> 23:46.660 Oh, no, no. 23:46.660 --> 23:47.960 I have not done anything. 23:47.960 --> 23:48.660 You cannot pull that thing. 23:48.660 --> 23:50.860 Put your hands down from your lines, 23:50.860 --> 23:51.960 throw two keys. 23:51.960 --> 23:52.460 I am... 23:52.460 --> 23:54.260 Oh, I still have the knife! 23:54.260 --> 23:55.460 You're a thief, you're a fool, 23:55.460 --> 23:57.960 you cannot kill Black Pedro! 23:57.960 --> 24:00.160 For your sins, I will give up. 24:00.160 --> 24:01.960 You are not to fight, eh? 24:01.960 --> 24:03.760 Oh, the end is near. 24:03.760 --> 24:05.960 The same thing will be over. 24:05.960 --> 24:06.960 That's it. 24:06.960 --> 24:08.460 That's all. 24:08.460 --> 24:09.460 That's it. 24:09.460 --> 24:10.460 No. 24:23.460 --> 24:23.960 Oh, come, guys. 24:23.960 --> 24:24.960 Oh, boy. 24:24.960 --> 24:25.960 This is Penny Boy. 24:25.960 --> 24:26.960 This is my buddy. 24:26.960 --> 24:28.960 Yes, we're a bit too late, my dear. 24:28.960 --> 24:29.960 Wait a minute. 24:29.960 --> 24:31.960 One of them is dead yet. 24:31.960 --> 24:32.960 My... 24:32.960 --> 24:34.460 My daddy is El Muriato. 24:34.460 --> 24:36.960 My daddy is Black Pedro, my dear. 24:36.960 --> 24:38.460 That's my dear. 24:38.460 --> 24:39.960 He's a fool. 24:39.960 --> 24:40.960 Oh, no, dear. 24:40.960 --> 24:43.960 Like anything, what's not wrong with him? 24:43.960 --> 24:44.960 Yes. 24:44.960 --> 24:47.460 You are El Muriato, my dear. 24:47.460 --> 24:48.460 Yes, my dear. 24:48.460 --> 24:49.960 The girl is El Muriato. 24:49.960 --> 24:51.960 But tell me, my friend, 24:51.960 --> 24:54.960 how did you discover Black Pedro? 24:54.960 --> 24:57.960 How did you discover that I was El Muriato? 24:57.960 --> 24:59.960 It was a piece of chalk Whitey found in the kitchen pocket 24:59.960 --> 25:01.960 that gave me the clue, Miguel. 25:01.960 --> 25:03.960 Soon as I saw the horse there still clinging to it, 25:03.960 --> 25:05.960 I got to thinking how El Muriato's horse 25:05.960 --> 25:07.960 was a dead ring up to your El Capitan. 25:07.960 --> 25:09.960 Except for the white blaze. 25:09.960 --> 25:10.960 No, I get it like that. 25:10.960 --> 25:12.960 Miguel, you saw the white blaze in El Capitan's, 25:12.960 --> 25:13.960 it's true. 25:13.960 --> 25:14.960 What's what it's called? 25:14.960 --> 25:15.960 That's it, Whitey. 25:15.960 --> 25:17.960 But what made you do it, Miguel? 25:17.960 --> 25:19.960 Murder all these men I mean. 25:19.960 --> 25:21.960 It got to do with him. 25:21.960 --> 25:23.960 I came back to my home and found 25:23.960 --> 25:25.960 that my mother had been murdered. 25:25.960 --> 25:28.960 And my father had yet been hung for the crime. 25:28.960 --> 25:34.960 But then you must be the son of Manuel Madrigal. 25:34.960 --> 25:36.960 Please, please, Miguel. 25:36.960 --> 25:38.960 Manuel, he was my father. 25:38.960 --> 25:39.960 He was Hoffman. 25:39.960 --> 25:41.960 He found out from him 25:41.960 --> 25:43.960 that there is gold on El Fata's land. 25:43.960 --> 25:47.960 So he hired Black Pedro to kill my mother. 25:47.960 --> 25:49.960 Hired Black Pedro to feed your mother, 25:49.960 --> 25:51.960 shoot a woman down in cold blood. 25:51.960 --> 25:53.960 I don't think so, Lord. 25:53.960 --> 25:56.960 But that is not all. 25:56.960 --> 25:58.960 Here are Hoffman. 25:58.960 --> 26:02.960 He's right to hate and to love him. 26:02.960 --> 26:08.960 But my father had seen a hidden joy. 26:08.960 --> 26:14.960 A hidden joy for a handful of gold, a hidden man. 26:14.960 --> 26:16.960 I really know what it is. 26:16.960 --> 26:18.960 But what about the bankers? 26:18.960 --> 26:20.960 You didn't do nothing but sell them all 26:20.960 --> 26:24.960 and then you have not got the gold to market the others. 26:24.960 --> 26:31.960 The CR does say he knows all about the problem. 26:31.960 --> 26:33.960 They all know. 26:33.960 --> 26:36.960 The people was so smart. 26:36.960 --> 26:38.960 Now I want to get to find out 26:38.960 --> 26:42.960 where the mysterious things are. 26:42.960 --> 26:47.960 I, it's right, I, I find out. 26:47.960 --> 26:50.960 I feel them. 26:50.960 --> 26:52.960 I feel them. 26:52.960 --> 26:55.960 I feel them. 26:55.960 --> 26:57.960 I feel them. 26:57.960 --> 27:00.960 Oh. 27:00.960 --> 27:02.960 He's gone, I think. 27:02.960 --> 27:03.960 He's dead. 27:03.960 --> 27:04.960 Yeah, buddy. 27:04.960 --> 27:06.960 The girl's dead. 27:06.960 --> 27:08.960 Yeah, man, certainly glad you lived long enough 27:08.960 --> 27:11.960 to tell us why you killed all those men like that. 27:11.960 --> 27:14.960 I saw what I hear to the think of McGarvey's 27:14.960 --> 27:17.960 cold-blooded killing like they've seen the first. 27:17.960 --> 27:19.960 Yes, lady, and I'm going to do my best to see to it 27:19.960 --> 27:23.960 that the next marital and judge who are appointed to this territory 27:23.960 --> 27:27.960 are men who can be trust to uphold the rights of Mexicans and Americans alike. 27:27.960 --> 27:42.960 And so ends another thrilling chapter 27:42.960 --> 27:45.960 in the adventures of Lightning Jim Whipple, United State Marshal, 27:45.960 --> 28:12.960 and his deputy, Whitey Lawson. 28:12.960 --> 28:15.960 Thank you.