WEBVTT 00:00.000 --> 00:03.000 Welcome to The Big Show! 00:15.000 --> 00:19.000 Hi everybody, this is Jimmy Wallington welcoming you to The Big Show. 00:19.000 --> 00:24.000 A star-studded extravaganza sent your way with the best wishes of each and every top name on the show. 00:24.000 --> 00:31.000 And here is your hostess for the next half hour, the glamorous, unpredictable, Tallulah Bankhead! 00:45.000 --> 00:50.000 You know, there are weeks when we have the most handsome divinemen on the show. 00:50.000 --> 00:54.000 And then again, there's this week. 00:54.000 --> 00:58.000 But we're always delighted to have with us a young comedian who really knows his job. 00:58.000 --> 01:01.000 When you give him a script, he gets the meat out of every line. 01:01.000 --> 01:03.000 He's always on the ball. 01:03.000 --> 01:07.000 What I'm trying to say is, he's a real meatball, Jack Cotton. 01:12.000 --> 01:15.000 Could I answer her if I was clever? 01:15.000 --> 01:18.000 If I was clever, I wouldn't be on this show. 01:18.000 --> 01:21.000 My, he's a big one, isn't he? How tall are you, Jack? 01:21.000 --> 01:23.000 Six feet three and my stocking feed. 01:23.000 --> 01:25.000 Oh, what are you without your stockings? 01:25.000 --> 01:27.000 Barefoot. 01:27.000 --> 01:29.000 No, how tall are you really, Jack? 01:29.000 --> 01:31.000 Well now, Tallulah, maybe this will explain it. 01:31.000 --> 01:33.000 Lana Turner only comes up to my shoulder. 01:33.000 --> 01:35.000 Ginger Rogers can only come up to my chin. 01:35.000 --> 01:37.000 How about me, darling? 01:37.000 --> 01:39.000 You can come up to my house. 01:39.000 --> 01:44.000 I'd rather die. 01:44.000 --> 01:46.000 Just do it. 01:48.000 --> 01:50.000 I don't know of a better way. 01:54.000 --> 01:56.000 Jack, were you always this tall? 01:56.000 --> 01:58.000 No, no, no. Not when I was born. 01:58.000 --> 02:02.000 Matter of fact, I was only a medium-sized child. 02:02.000 --> 02:05.000 When I was fifteen years old, I grew an extra foot. 02:05.000 --> 02:10.000 Well, that must have been pretty rough on your parents, buying free shoes at a time. 02:10.000 --> 02:12.000 Matter of fact, my parents were quite wealthy. 02:12.000 --> 02:15.000 Why, when I went to college, I didn't even go out for basketball. 02:15.000 --> 02:18.000 I didn't need the money. 02:22.000 --> 02:24.000 Now change the subject, Jack. 02:24.000 --> 02:28.000 But you sing, you dance, I'm surprised you've never been in a play on Broadway. 02:28.000 --> 02:30.000 You'd be just right for a musical. 02:30.000 --> 02:33.000 Musical? Not me. I've had plenty of offers. 02:33.000 --> 02:37.000 You know, some years ago, a couple of guys came to me about doing a musical. 02:37.000 --> 02:39.000 Silly idea for a show I ever heard of. 02:39.000 --> 02:42.000 The first place away was a cowboy story. 02:42.000 --> 02:46.000 Took place down in Texas or Wyoming or Oklahoma, I don't know. 02:46.000 --> 02:48.000 They didn't even have a chorus of girls to open up the show with. 02:48.000 --> 02:52.000 They wanted me to open the show and come out on the stage by myself with this cowboy outfit 02:52.000 --> 02:58.000 and sing something about, uh, oh, what a beautiful morning. 02:58.000 --> 03:00.000 Oh, what a beautiful day. 03:00.000 --> 03:04.000 No stage, no stage, no chorus or anything. Isn't that rich? 03:04.000 --> 03:07.000 Yes, they are. 03:07.000 --> 03:11.000 That musical ran seven years. 03:11.000 --> 03:14.000 Seven years? 03:14.000 --> 03:18.000 Oh, what a beautiful morning. 03:18.000 --> 03:20.000 But darling, darling, think of it another way. 03:20.000 --> 03:24.000 With you in it, it wouldn't have run at all. 03:24.000 --> 03:28.000 Oh, well thank you for the life. That makes me feel much better. 03:28.000 --> 03:30.000 That's it. Now take it easy. 03:30.000 --> 03:32.000 May I borrow your hanky? 03:32.000 --> 03:34.000 Well, of course, darling. Here you are there now. Blow. 03:34.000 --> 03:36.000 Thank you, Tallulah. Goodbye. 03:36.000 --> 03:41.000 Now come back here. Why don't you put yourself together and sing us a medley of some of the hit songs 03:41.000 --> 03:43.000 from some of the hit shows you've turned down. 03:43.000 --> 03:45.000 I know you're making fun of me. 03:45.000 --> 03:49.000 But honestly, Tallulah, how can you tell if a song is going to be a hit or not? 03:49.000 --> 03:51.000 Especially when you examine the lyrics they write. 03:51.000 --> 03:58.000 Take an old standard song like, well, like Pegamai Heart. Listen to this. 03:58.000 --> 04:05.000 Pegamai Heart 04:05.000 --> 04:08.000 I love you 04:08.000 --> 04:11.000 Don't let us part 04:11.000 --> 04:13.000 I love you 04:13.000 --> 04:16.000 I always knew 04:16.000 --> 04:18.000 It would be you 04:18.000 --> 04:22.000 Since I heard your building laughter 04:22.000 --> 04:25.000 It's your Irish heart I'm after 04:25.000 --> 04:28.000 Pegamai Heart 04:28.000 --> 04:34.000 Your glances make my heart say 04:34.000 --> 04:39.000 House chances come be my own 04:39.000 --> 04:47.000 Come make your home in my heart 04:47.000 --> 04:54.000 Applause 04:54.000 --> 04:56.000 Well, Jack, that was very pleasant. 04:56.000 --> 04:59.000 Yeah, I know. I sing like a doll, but... 04:59.000 --> 05:02.000 Did you get a load of those lyrics? Listen to this. 05:02.000 --> 05:06.000 Pegamai Heart, come make your home in my heart. 05:06.000 --> 05:10.000 I know there's a housing shortage, but isn't that carrying things a little too far? 05:10.000 --> 05:14.000 Well, let's see if it is. Now, I'm Peg and I've just come to town from Alabama. 05:14.000 --> 05:18.000 I need a room. And I look in the classified section of the medical journals. 05:18.000 --> 05:22.000 I find your advertisement and I come knocking at your heart. 05:22.000 --> 05:26.000 Heart beating 05:26.000 --> 05:27.000 Yes, miss, what can I do for you? 05:27.000 --> 05:31.000 Well, I saw your ad in the paper. Is your heart still for rent? 05:31.000 --> 05:32.000 What's your name? 05:32.000 --> 05:33.000 Peg. 05:33.000 --> 05:35.000 Oh, sure. Here, come on in. 05:35.000 --> 05:38.000 Well, I want to look around first and see if I like it. How many rooms are there? 05:38.000 --> 05:43.000 Four. Left oracle, right oracle, left ventricle, right oracle. 05:43.000 --> 05:47.000 Well, it's kind of a large apartment for me. 05:47.000 --> 05:49.000 Well, it's a six foot three story building. 05:49.000 --> 05:54.000 Well, all I really need is two oracles and a valve. 05:54.000 --> 05:57.000 There's a valve right down the coronary. 05:57.000 --> 06:02.000 But no, all I need is the two oracles. I have no use for the ventricles. 06:02.000 --> 06:06.000 Well, I need them. If it wasn't for them, the building would fall down. 06:06.000 --> 06:08.000 Well, is it centrally located? 06:08.000 --> 06:11.000 Right on the main artery. 06:11.000 --> 06:18.000 And there's a wonderful view of the East liver. 06:18.000 --> 06:23.000 But it seems rather stuffy in here. Don't you have cross ventriculation? 06:23.000 --> 06:27.000 Well, it's airy enough. You just follow the rules. No drinking. 06:27.000 --> 06:30.000 I never touch it, sir. 06:30.000 --> 06:34.000 I don't care if you touch it. Just don't drink it. 06:34.000 --> 06:36.000 It gives me a heartburn. 06:36.000 --> 06:37.000 Well, I hope it's quiet in here. 06:37.000 --> 06:43.000 Oh, sure, sure. It's a very quiet neighborhood. There's only a couple of kiddies that live back there. 06:43.000 --> 06:46.000 They just float around. 06:46.000 --> 06:50.000 Well, is this the only apartment you have? I mean, how about that penthouse up in your head? 06:50.000 --> 06:55.000 That's empty, isn't it? 06:55.000 --> 07:10.000 Yes, but I don't want a tenant like you in my hair. Goodbye. 07:10.000 --> 07:15.000 And now, darlings, I want you to meet two tenants who moved into my heart a long time ago. 07:15.000 --> 07:29.000 James Mason, the distinguished actor of the British cinema and more recently Hollywood, and his talented wife, Pamela. 07:29.000 --> 07:33.000 Seldom does a short story outlive the span of the magazine issue in which it is printed. 07:33.000 --> 07:38.000 But occasionally one comes along that has the power and force which make it timeless. 07:38.000 --> 07:42.000 We have such a story tonight. So, without further ado, 07:42.000 --> 07:57.000 Mr. and Mrs. James Mason will bring us the Samuel Blass classic, Revenge. 07:57.000 --> 08:05.000 It's done. I killed as any man would have killed. I run as any man would run. 08:05.000 --> 08:14.000 Beside me, Elsa stares straight ahead at the highway. Her lips are blue and swollen, her face battered. 08:14.000 --> 08:23.000 Her expression is grave, almost serene, almost dead. 08:23.000 --> 08:30.000 How long ago was this morning? How many miles back to the glade where the breakfast she had cooked in the trailer 08:30.000 --> 08:36.000 had mingled its rich smells with the even richer smells of autumn? 08:36.000 --> 08:40.000 Look out there, dear. Have you ever seen anything so beautiful? 08:40.000 --> 08:41.000 Only you. 08:41.000 --> 08:42.000 You still think so? 08:42.000 --> 08:47.000 I've never thought anything else since the first day you entered my literature class eight years ago. 08:47.000 --> 08:53.000 Oh, you looked so stern, so forbidding, so unapproachable. I thought you'd have a foul temper. 08:53.000 --> 08:56.000 Aye. Were you disappointed? 08:56.000 --> 08:59.000 No. I'm glad we had that tar puncture last night. 08:59.000 --> 09:01.000 That's a strange thing to be glad about. 09:01.000 --> 09:08.000 Only because it stranded us out here like this, away from the trailer camps, away from everybody and everything. 09:08.000 --> 09:12.000 In two more days we'll be home again and you'll have your classes and I'll have the children again. 09:12.000 --> 09:15.000 I'm very grateful for these few hours, just the two of us. 09:15.000 --> 09:22.000 And I'm very grateful for you, Elsa. There'll be other days like this for us, other years, other vacations. 09:22.000 --> 09:26.000 Now, if you don't go and get that puncture repaired, is there a town nearby? 09:26.000 --> 09:31.000 A place named Campbellton on the map. I think it should be about twelve miles. 09:31.000 --> 09:35.000 Good. By the time you get back, I'll have the dishes done and everything in order. 09:35.000 --> 09:36.000 You're not going to ride in with me? 09:36.000 --> 09:42.000 I'll wait around a messy service station. I have work to do, my good man, and it's such a beautiful spot. 09:42.000 --> 09:44.000 But you'll be here alone. 09:44.000 --> 09:48.000 I've been alone before, silly. What could possibly happen to me? 09:48.000 --> 09:53.000 What could possibly happen? It seemed that nothing could then. 09:53.000 --> 09:59.000 An hour out of the space of a lifetime, an hour to repair a tire. Only an hour. 09:59.000 --> 10:04.000 But when I drove back from the town, she wasn't outside the trailer waiting for me. 10:04.000 --> 10:10.000 And I knew with a terrible certainty that she'd be there unless something was wrong. 10:10.000 --> 10:23.000 Elsa? Elsa, I'm back! Elsa! Elsa! Can't you hear me? Elsa! You hiding in here? Where? 10:23.000 --> 10:25.000 Elsa. 10:27.000 --> 10:29.000 She was there. 10:29.000 --> 10:40.000 Huddled on the floor in the corner. She was crying without a sound, the tears mingling with the blood on her bruised and beaten face. 10:40.000 --> 10:45.000 She stared at me, dully, like a beaten animal. And then she started to wimp. 10:45.000 --> 10:48.000 He killed me. 10:48.000 --> 10:59.000 He killed me. What happened? Good heavens, Elsa. What happened to you? Don't touch me. Don't hurt me. Elsa, it's me. Me, Philip. What happened? 10:59.000 --> 11:07.000 Philip. He killed me, Philip. While you were gone, he killed me. Oh, Elsa. 11:07.000 --> 11:25.000 Who did it, Elsa? Who did it? Salesman. Said he was a salesman. Elsa, get up. Let me carry you to the car. To a doctor. No. No. No doctor. He's called police. Newspaper. The children. 11:25.000 --> 11:27.000 Where is the man? 11:27.000 --> 11:45.000 Who was he? Salesman. Are you sure? Did he carry a sample case? A display? Yes. Case. He was passing on his way to town. He saw the trailer. I told him we didn't need anything. 11:45.000 --> 12:01.000 Then he hit me, Philip. He wouldn't stop. He killed me. 12:01.000 --> 12:16.000 I washed her face the way I'd washed the face of a child. She stared at me blankly as though all feeling had stopped. As though the world had stopped for both of us. 12:16.000 --> 12:28.000 I changed the trailer tire and she stood there watching me with those same leaden eyes. When I finished, I took the thick, heavy jack handle and slipped it under the waistband of my trousers. 12:28.000 --> 12:38.000 I knew what I was going to do. What I had to do. 12:38.000 --> 12:44.000 We'll drive slowly through the town. Do you understand that? Yes. 12:44.000 --> 12:54.000 We'll go up and down every street. Every street. Every alley. Every road. You'll see him. Keep watching and you'll see him. 12:54.000 --> 13:05.000 He'll hurt me, Philip. He'll never hurt anybody again. Just watch. Watch. 13:05.000 --> 13:25.000 Faces passed and merged into a red haze. I wanted to scream like an animal. Consumed with hatred from a man I'd never seen. A man I was only going to see once. Endless hours and endless streets went by. And then... 13:25.000 --> 13:36.000 A man? Where? Bad man? You're sure? Bad man. 13:36.000 --> 13:46.000 He carried a sample case and he moved into the lobby of a cheap hotel. I followed him into the elevator. I saw the room number on the tag of the key in his hand. 13:46.000 --> 13:57.000 He looked at me once and I smiled at him. When he got off I rode up one more floor and walked down. I found the number of his room. 13:57.000 --> 14:09.000 Yeah? May I come in? Sure. You a local merchant? No. I see you're a salesman. That's right. What's your line? 14:09.000 --> 14:21.000 I'm an instructor. A father. A husband. Hey. What's the matter with you, fella? What are you going to do with that thing? 14:21.000 --> 14:29.000 I'm going to kill you. Kill you. Kill you. Kill you. 14:29.000 --> 14:48.000 Elsa knows. But she sits in the car staring straight ahead. The motor hums in a vast silence. Square yellow signs blaze out of the darkness. 14:48.000 --> 15:04.000 Danger. Sharp curve ahead. The revenge is behind now. Hours behind. Two hundred miles behind. A dead face. Blood on a cheap rug. 15:04.000 --> 15:20.000 A moment for death. A lifetime from a remembrance. Clocks can't be turned back. Nothing can be stopped or undone. A red sign glares out of the night like anger. 15:20.000 --> 15:36.000 Like a flame. Gasoline. Why are we stopping, Philip? Gasoline, dear. Oh, gasoline. 15:36.000 --> 15:51.000 The attendant is inside making change for a customer. The man comes out stuffing a receipt into his briefcase. No. No. Batman, Philip. What? Batman with a briefcase. 15:51.000 --> 16:10.000 Elsa. He's the one, Philip. He did it. Batman. Elsa. My God. What have I done? Oh, my God. 16:21.000 --> 16:41.000 We can't go any further now without introducing a man we have on our show who is indispensable to any show he's on. Am I right? Right. 16:41.000 --> 16:55.000 You can't have a show without the ready. You've got to have the fabulous James. You can hear him high above the saxes and brass. That's the only way to give the brasses a clap. 16:55.000 --> 17:12.000 That's the way to give them what it feels to them. You've got to give Jimmy a go. Oh, Mr. You Ain't Got No Sto. 17:12.000 --> 17:27.000 You're so right. And we are not going to do without Durante any longer. For here he is singing in my strut away, the one and only Jimmy Durante. 17:27.000 --> 17:42.000 I just got back from Washington today. And really, folks, I've got a lot to say. Now while I was there, I met the adjutant general and what he told me put me in a daze. 17:42.000 --> 18:00.000 For days and days and days and days and days and days for a week. Wait a minute. Wait a minute. Wait a minute. There's a guy going on business for himself. 18:00.000 --> 18:16.000 The adjutant general says, Jimmy, you've been invited to entertain at the White House. He said it'll be a gala of the intelligentsia, the Heupeloid, the 400, the 500, the 600, the 700, the 800. 18:16.000 --> 18:20.000 Everywhere you go critics. 18:20.000 --> 18:35.000 Then he said, Jimmy, what do you do when you're called upon to entertain? I said, Mr. Adjutant General, what'll I do? I'll tell you. Why in the midst of festivities I'll get up, I'll get up and do my strut away. 18:35.000 --> 18:55.000 In my strut away, it's just a hop away, a slide away and a scram away. And then you skitter right down and you go to town with a twist away. Right when you strut away, this way it's a holiday. You know, I was dancing a strut away with a girl named Suzette when she accidentally backed into a hot radiator. 18:55.000 --> 19:15.000 Zip, wrap, Suzette. It's that dance that's gonna game-break me now. You know, I know a beautiful girl invited me up to her apartment to teach her this dance. I was in the apartment 10 minutes when who walks in? Her husband. Kind of perturbed. 19:15.000 --> 19:29.000 He said, what are you doing here? I said, I'm putting on my white tie. I'm putting on my top hat. I'm putting on my white tie. You're doing the strut away. Doing the strut away. 19:29.000 --> 19:46.000 Say did you ever have the feeling that you wanted to do the strut away, slide a hop away, the scram away. And then you skitter right down and you go to town doing the strut away, the hop away, the scram away. Once more. 19:46.000 --> 20:01.000 You know folks, I'm happy to tell you that I just bought a brand new convertible coupe. Boy, what a car and what an invention it's got. You push a button, the top stays where it is, but the bottom falls out. 20:01.000 --> 20:17.000 So what did I do? I did the crawl away, not the strut away. Did you ever have the feeling that you wanted to do the strut away, the hop away, the scram away. Once more. 20:17.000 --> 20:34.000 Now, now Jimmy. Now I ain't in the mood. Come on Jimmy, what's the matter? Every time I come on this show you always got some high class actor playing those dramatic parts. 20:34.000 --> 20:48.000 Like James Mason. What about me? I'm as good as them English actors. To mention a few, Robert Donuts, Charles Laften, Betty Grable. Jimmy, Betty Grable's not English. 20:48.000 --> 20:56.000 I know, but sometimes when you mention a product on radio, they send you a sample. 20:56.000 --> 21:10.000 Really? Well, well I didn't know that. Ft. Knox. He is too. I didn't know you were a dramatic actor, Jimmy. Why I've played in everything Shakespeare ever wrote. 21:10.000 --> 21:24.000 Come now Jimmy, not everything. Unless he's written something lately. Oh, I'd love to do a scene from Shakespeare with you, Jimmy. How about one of those warm, tender love scenes? Just you and I, darling. 21:24.000 --> 21:41.000 Okay. Come closer, closer, that's it. Go on Jimmy, look at me. Look at me darling and then you say. Is this a Dagmar which I see before me? 21:41.000 --> 21:59.000 How's that? Jalouse. Very good, Jimmy, but I don't seem to recognize the line in Shakespeare. You don't recognize that famous scene from Mack Truck? That's the famous Sylkwil. That's the famous Sykwil. 21:59.000 --> 22:17.000 Get me a doctor. I thought this was one show I could go right through with all the spit. Get me a doctor, I just split my parcival. Jimmy, I didn't know that you were so well versed in the classics. 22:17.000 --> 22:38.000 When they wanted somebody to play Cyrano the Beurger act, did they ask me? No, they get some guy named Josephine Ferrer. He's a phony, him and his nose. He wears a falsie. 22:38.000 --> 22:49.000 I know, I know just how you feel, Jimmy, about somebody playing a part that you know you're best suited for. Well, I was talking to Mrs. Mason about the same thing. 22:49.000 --> 23:01.000 Toulouse, if you and I teamed up and went to England, we'd have them rolling in the British Isles. We'd be the greatest stars they ever saw. Who knows, the King might even knight us. 23:01.000 --> 23:09.000 Well, well, Sir James Durante. Well, well, Sir Toulouse Bankett. 23:09.000 --> 23:20.000 Well, I'll tell you what, Jimmy, let you and I play that scene the Mason just played, that story called Revenge. But oh, we'll need an extra player to play the salesman. Oh, I know, maybe Jack Carson might apply. Jack, darling. 23:20.000 --> 23:26.000 Yes, Toulouse? Would you care to take a part in the play that we're going to do, the play the part of... I'll do it. 23:26.000 --> 23:34.000 Well, wait a minute. Let me tell you what the part is. Doesn't matter. I'll take it. I'm not turning down anything anymore. Sly will be a hit. 23:34.000 --> 23:46.000 All right, now, Jimmy, we're all set for Revenge. We're going to do the sequel. Our Venge, Son of Revenge. 23:46.000 --> 24:00.000 Meditate. Some music, if you please. 24:00.000 --> 24:10.000 It's done. I killed as any man would have killed with my embroidery scissors. 24:10.000 --> 24:18.000 It happened like this. We were riding along in a trailer. I was at the wheel. My wife was driving. 24:18.000 --> 24:26.000 It was dark out, but I could tell where we were going by following the black line in the middle of the white highway. 24:26.000 --> 24:31.000 It was a white highway for night driving. Suddenly there was a sound of a flat tire. 24:31.000 --> 24:36.000 Why don't you watch where you're driving, stupid? 24:36.000 --> 24:44.000 It was my flat tire speaking. I pulled over to the side of the road and jacked her up. 24:44.000 --> 24:51.000 Put me down, you fool. You'll have to go to town and get another car. What's the nearest town? 24:51.000 --> 24:56.000 Chelfer. I'll start now. Will you be all right here alone? 24:56.000 --> 25:01.000 Well, I hope so. Of course, if a burglar breaks in, it'll be quite a shock. 25:01.000 --> 25:06.000 Will you get over it? 25:06.000 --> 25:19.000 I'm off to Chelfer. How are you going to get there? I'll walk. It's only 400 miles. 25:19.000 --> 25:34.000 Well, give me the sign. 25:34.000 --> 25:45.000 Believe me, I didn't lose my place. What could possibly happen? I was only gone four weeks. 25:45.000 --> 25:53.000 Nothing could happen to her. She can lick any man her way. What a bitch on that gap. 25:53.000 --> 26:03.000 Four short weeks of fart-nit. Wait a minute. I was only gone half that time. A toot-nit. 26:03.000 --> 26:11.000 When I got back, everything was quiet. I called to her. Mabel. Mabel? No answer. 26:11.000 --> 26:16.000 Of course not. That's not her name. 26:16.000 --> 26:27.000 Geraldine. Selma. Jessica. Sam. Just in case a man answers. 26:27.000 --> 26:39.000 Yet I remembered her name. It was Elsie. Elsie. Elsie! 26:39.000 --> 26:45.000 There she was, lying on the floor, the tears streaming down her bruised and beaten face. 26:45.000 --> 26:54.000 Her lips blue and swollen, her eyes red and glazed. Gap! She looks awful in the morning without makeup. 26:54.000 --> 27:02.000 I spoke to her. Elsie, speak to me. Who done it? Tell me who done it. Speak to me, Elsie. 27:02.000 --> 27:12.000 She killed me. Phillip, she killed me. That ain't Elsie, that's the salesman. 27:12.000 --> 27:24.000 She gave me such a smash. She just utterly killed me. Why? Why did she do it? I do not know. 27:24.000 --> 27:33.000 I simply do not know. I rang the bell and she opened the door. And all I said was, 27:33.000 --> 27:45.000 I beg your pardon, is your wife home, sir? She killed me. She just utterly killed me. 27:45.000 --> 27:55.000 Would you recognize her, if you saw her? I do not know. I simply do not know. 27:55.000 --> 28:02.000 Listen, we're going to drive to Tulsa and find her. We're going to drive down every street, every alley, every road in Tulsa. 28:02.000 --> 28:23.000 You'll see her. We'll find her if we have to go to every town in Oklahoma. Oklahoma? Oh, no. Oh, what a beautiful morning. 28:23.000 --> 28:41.000 Good night, darlings, and Godspeed to our armed forces all over the world who hear these broadcasts each week. 28:41.000 --> 28:46.000 The big show with Kalula Bankhead and an all-star cast comes to you each week at this same time, 28:46.000 --> 28:49.000 and you are cordially invited to write the members of the cast. 28:49.000 --> 29:17.000 This is the United States Armed Forces Radio, Los Angeles, USA. This is Jimmy Wallington speaking. 29:17.000 --> 29:20.000 And this is the United States Armed Forces Radio sermon. 29:47.000 --> 30:02.000 The United States Armed Forces Radio. 30:02.000 --> 30:17.000 The United States Armed Forces Radio. 30:17.000 --> 30:37.000 The United States Armed Forces Radio.