•'Ai* •''''■■■^■?vi:*' .•r-' .'r/.>-t AH ■ Cv'-l ^ . (•- . ■■**■» ,'■•1, rv * '•■.,■ ~ »', . J- ■ V. >;^' ■>;■ -»' %■■ r . . l.v« 'X ■*- t-v .^H'it TUFTS UNIVERSITY LIBRARIES 3 9090 014 532 515 r../-,A-'^^/:--- [;■ . ;^V'y-: ■■'■ .,' ' . " ■■■;> L .'"'•■■ •'; . ' -■■■ . is. ■-■;,■' I' -,>,■[* 1,^.. "".'t^x''' v'.-^,,;V .'^i ■,.'f-•.,■ m^' l;^''^ ^Br' ^- ,■ ^K.. *>. -.:-v ,,v ' ^' r I.-: . . ■'' .- ' ■- f«p'-' A?^ 77 Webster Family Library of Veterinary Medicine Curnrnings School of Veterinary Medicine at Tufts University 200 VVestboro Road Morih Grafton, MA 01 536 THE ARTISTIC ANATOMY OF ANIMALS ARTISTIC ANATOMY BY-EDOUARD-CUYER/SUPPLEMENTAKiP PROPOFANATOMVATTHE-SCHOOLtOF- FINEART-PARISyPROFOFANAlOMY ATTHE'SCHOOtOFFINE'ARTROUEN^ TRANSLATED aiEDITEDBY GEORGE'HAYWDOD LECTURERiONANArOMYATTHE'R^iAL COLIEGE-OFART-SOUTHKENSINGTONw , LONDON BAILLIERE TINDALL&COX 8-HENRIETTA-STCOVENTGARDEN&S ANNO-DOMINb MDCCCCV- All-rights RESVD' tsiC , o. PREFACE A FEW lines will suffice to explain why we have compiled the present volume, to what wants it responds, and what its sphere of usefulness may possibly embrace. In our teaching of plastic anatomy, especially at the Ecole des Beaux- Arts — where, for the past nine years, we have had the very great honour of supplementing the teaching of our distinguished master, Mathias Duval, after having been prosector for his course of lectures since 1881 — it is our practice to give, as a complement to the study of human anatomy, a certain number of lessons on the anatomy of those animals which artists might be called on to represent. Now, we were given to understand that the subject treated in our lectures interested our hearers, so much so that we were not surprised to learn that a certain number repeatedly expressed a desire to see these lectures united in book form. To us this idea was not new ; for many years the work in question had been in course of preparation, and we had collected materials for it, with the object of filling up a void of which the existence was to be regretted. But our many engagements prevented us from executing our pro- ject as early as we would have wished. It is this work which we publish to-day. Putting aside for a moment the wish expressed by our hearers, we feel ourselves in duty bound to inquire whether the utility of this publication is self-evident. Let it be clearly understood that we wish to express here our opinion M Q o -a w I H U. o S P u D \i < u 2 o H < 7. ~ a t; OS 2 5 ° J; U ^ w < < § » X o H U :^ C/2 (I. O z o H o a Q O OS o. w ■-JD fe :-- •.-V 'Z-.1- fVS^. Mwi^ai'^- <-J> V /^ ^ > //.,, 4f. ;-j?- »*-»*■■ ■^:; ST »\ y. ^- ,. aA- "^ (BHHI H .^Itl-I^B a ^!p^^ffi| H u,'"' O >• ttf ■ s ■c ! D CO ; M ] 1 tn & ^ J <: u S o H 1 < ;^. <^ 'i^ w s H W 73 fa D t- : °s z OS o w H 5 o o w a ^^ o o .J, "^ H ^ S< Bar AUX- -•'- '.xj^ , w ^^ §a ' ,^« S w •X J r>' CO o -^ u. o /^ o H o D Q O « a. M « o PREFACE XI whose ardent imagination was voluntarily subjected to the toil of study so profound. If the example of Barye, with whom we associate the names of other great modern painters of animals, can deter- mine the conviction which we seek to produce, we shall be sincerely glad. To contribute to the propagation of useful ideas, and to see them accepted, gives a feeling of satisfac- tion far too legitimate for us to hesitate to say what we should feel if our hope be realized in this instance. EDOUARD CUYER. ^4>^" H ■ ? O D "^.. .-I < u S o H < < s (I. c X H U w t »v:^ ig. r KO c-^-- 0.% ' sr ycv( \ ^ W X >• H OS a: b O X o H W C/3 o o E o c H