DATE DUE GAYLORO Cornell University Library The habitat groups of North American bir AMERICAN MUSEUM OF NATURAL HISTORY THE HABITAT GROUPS OF NORTH AMERICAN BIRDS By FRANK M. CHAPMAN CURATOR OF ORNITHOLOGY GUIDE LEAFLET No. 28 SECOND EDITION The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www. archive.org/details/cu31924000424626 the Century Co. FLAMINGOES AND YOUNG e of many studies made by Dr. Chapman for the Flamingo Group THE HABITAT GROUPS OF NORTH AMERICAN BIRDS IN THE AMERICAN MUSEUM OF NATURAL HISTORY By FRANK M. CHAPMAN CURATOR OF ORNITHOLOGY GUIDE LEAFLET SERIES No. 28 PUBLISHED BY THE MUSEUM NEW YORK, MAY, 1916 SECOND EDITION, REVISED AND ENLARGED CAMP AT PTARMIGAN PASS, CANADIAN ROCKIES THE HABITAT GROUPS OF NORTH AMERICAN BIRDS IN THE AMERICAN, ,MUSEUM OF NATURAL HISTORY By Frank M. CHapMan Curator of Ornithology HESE groups of birds are designed to illustrate not only the T habits but also the haunts or “habitats” of the species shown. Each group usually includes the nest, eggs and young, besides the adult bird or birds, with a reproduction of from 60 to 160 square feet of the nest’s immediate surroundings. To this accurate and realistic representation of the home of the species is added a painting from nature of its habitat, the real foreground being connected with the painted background in such a manner that one often does not at first see where the former ends and the latter begins. The whole, therefore, gives an adequate conception of the nature of the country the birds inhabit and the conditions under which they live. It should be clearly understood that these backgrounds are not more or less fanciful sketches of the haunts of the birds associated with them, but they are careful studies from nature of definite localities, and there- fore possess a geographical as well as an ornithological value. When selecting subjects for treatment, an effort was made to include the birds of widely diversified types of country, in order that the series, as a whole, should portray not only the habitats of certain American birds, but America as well. From the Bahamas to Hudson Bay, from the Atlantic to the Pacific, localities are represented which show at least the more characteristic phases of our landscape, and it is hoped that a tour through this hall of Habitat Groups will not only yield information in regard to North American birds, but also give one some conception of the appear- ance of the land in which they live. Some subjects were in nearby places and were easily visited; others were in remote regions and were reached with more or less difficulty.! It is estimated that about 75,000 miles have been traveled to secure the material on which the groups are based. 1. The narrative of many of these expeditions is contained in ‘Camps and Cruises of an Ornithologist,”’ by Frank M. Chapman. 3 Each group in the series, beginning with Bird Rock in the Gulf of St. Lawrence, in 1898, is the result of a special Museum expedition in charge of the Curator of Ornithology, usually accompanied by a prepara- tor, and one of the artists whose names appear in connection with the backgrounds they have painted. After arriving, before securing specimens, the birds were first studied and photographed at short range from an especially constructed umbrella-blind. This was sometimes placed in the very heart of the bird community, as, for instance, with the Flamingoes and Pelicans; or even in the tree-tops as with the Egrets. At the same time the artist made studies on which to base the final background, as well as detailed color sketches of leaf and blossom, while the preparator collected the needed accessories, making casts or preserving vegetation in various solutions as occasion required. When the field-work was concluded, the crates of branches, carefully packed boxes of foliage, nests, birds and photc- eraphic plates, sacks of earth and other material, according to the nature of the subject, were shipped to the Museum, subsequently to be prepared in the laboratories. The vegetation, by Mr. J. D. Figgins, Mr. A. E. Butler and other members of the Department of Preparation, has been reproduced in wax, either from plaster molds of the original, or by careful duplication of the original itself. The color has been applied with an air-brush or atomizer, by which the most delicate tints and textures are faithfully rendered. Each group has demanded its own special treatment, and, in the construction of the series, the many novel problems encountered have resulted in the development of original methods. This is particularly true of the manner of installation and illumination of the groups at the sides of the hall. Here, it will be observed, the background is curved, with the front opening so reduced in size that at the proper distance, or “‘correct viewpoint,” neither the ends nor the top of the group can be seen. By thus leaving the actual limits of the group to the imagination, the illusion of space and distance is greatly heightened. The groups are illuminated from above by diffused light: electric light being employed when daylight fails, but, in either case, the ravs strike the group from the same diffusing surface. The Museum owes this series of Bird Groups primarily to the generosity of a number of its members, without whose contributions the collection and preparation of the material would not have been undertaken. For this valuable coéperation the Museum is indebted chiefly to Mr. John L. Cadwalader and to Mrs. Morris K. Jesup, Mrs. Philip 4 Schuyler, Mrs. John B. Trevor, Mrs. Robert Winthrop, Mr. F. Augus- tus Schermerhorn, Mr. H. B. Hollins, Mr. Henry Clay Pierce, Mr. Henry W. Poor, Mr. Courtenay Brandreth, and Mr. James C. Carter. = SUCRE ICO tS Wyo 1901201101 170 400 150 120 110 100 MAP. Klamath Lake, Oregon-California dary San Joaquin Valley, California Brandt's Cormorant, Monterey, California California Condor, Piru Cafion, California Ptarmigan Lakes, Alberta Canada Goose and Grebes (two groups), Crane Lake, Saskatchewan Golden Eagle, Bates’s Hole, Wyoming Sage Grouse, Medicine Bow, Wyoming Cactus Desert, Tucson, Arizona Whistling Swan, Southampton Island, Hudson Bay Whooping Crane, Heron Lake, Minnesota Prairie Hen, Halsey, Nebraska Bird Rock, Magdalen Islands, Gulf of St. Lawrence Loon, Lake Umbagog, New Hampshire- Maine boundary boun- INDICATING LOCALITIES REPRESENTED BY THE GROUPS 15. Duck Hawk, Palisades at Englewood N.J Hackensack Meadows, N. J. Wild Turkey, mountains of West Virginia key Vulture, Plummer’s Island, near Washington, D.C. Cobb's Island, Virginia American Egret, near Charleston, South Carolina Brown Pelican, Indian River, Florida Sandhill Crane, Kissimmee Prairies, Florida Anhinga and Ward’s Heron (two groups), near St. Lucie, Florida Cuthbert Rookery, Florida Flamingo, Bahamas Booby and Man-o'-war-bird, Cay Verde, Bahamas Mount Orizaba, Vera Cruz, Mexico WNesN]] ULOLIOUTY ot} UL sdnody pale JVPUV]T oy} JO 4satyy oT, M90Y GYId THE BIRD ROCK GROUP A Srupy or an IsLhanp COLONY To the preserving influence of island-life we owe the continued exis- tence of many birds that have long ceased to live, or, at least, to nest, on the mainland. In every instance, however, whether the island be a thousand square miles or one square foot (as a Grebe’s floating nest) in extent, it owes the preservation of its bird-life to the same cause—the entire or comparative absence of bird enemies, terrestrial mammals in particular. Bird Rock, withitsneighbor, Little Bird Rock, belongs tothe Magdalen Group in the Gulf of St. Lawrence. It is 351 yards long, from 50 to 140 yards wide, and rises abruptly from the sea to a height of from 80 to 140 feet. Its vertical rocky walls are weathered into innumerable ridges, shelves and crevices—fit sites for the nests of the sea-birds that for centuries have made the Rock their home. The birds, furthermore, have found an abundance of food (chiefly fish), in the surrounding waters. The Bird Rock was not definitely planned as a “habitat group,” but rather as a picture of part of a famous and impressive bird colony and a permanent record of a characteristic phase of island-life and, owing to circumstances, it was not even installed as originally planned. The material for the group was collected in July, 1898, and for many years the group marked the highest point reached in the presentation of bird-life. The group includes examples of the various species that breed—one can hardly say nest—on the rock, the most noteworthy and noticeable being the great white Gannets. Then come the Murres, Razorbills and Puffins, the graceful Kittiwake, and, last and least, Leach’s Petrel, seldom seen because it nests in little burrows like rat- holes and comes and goes at night. The Bird Rocks are of interest alike to naturalist and historian, for their story begins with the discovery of these little islets by Jacques Cartier in June, 1534. He records his visit as follows: ‘These islands were as full of birds as any meadow is of grass, which there do make their nests, and in the greatest of them there was a great and infinite number of that that we called Margaulx that are white and bigger than any geese, which were severed in one part. In the other were only Godetz and Great Apponatz, like to those of that island that we above have mentioned. We went down to the lowest part of the least islands, where we killed above a thousand of those Godetz and Apponatz. We put into our boats as many as we pleased, for in less than an hour we might have filled thirty such boats of them. We named them the islands of the Margaulx.”’ 8 Three centuries later, Audubon, whose energy in exploration no ornithologist has ever surpassed, visited this colony and was duly im- pressed with its wonders, though the freshening wind prevented him from landing on the rock itself. Then evil days fell upon this bird metropolis; fishermen commenced to visit it to obtain birds and eggs for food and to obtain birds for bait; then a lighthouse waserected and, withinten years, the Gannet population of 100,000, which, seen from a distance, had caused Audubon to think that this rock was covered with snow, was swept from the top of the rock. To-day, though still one of the ornithological wonders of our Atlantic coast, the colony is but a shadow of its former self, and unless more effective protection is given than now prevails, in time only a fraction of even the present numbers will be left. BIRD ROCK FROM THE SOUTHWEST Distance about one-half a mile (From “Bird Studies with a Camera,’’ by permission of D. Appleton & Co.) “POMIYST] TYE AL puv woany AULT Aq spugq ‘[[RJsaoyy oonrgr Aq punos«syorg RQRZUIQ JUNOPY OF “RIF PRoIdos, oY} LOAO ‘RoUNTE ONT oy) FO Ao[[LA ot} ssosow AULyooy st JMAIOSqO OIL, dNOYS VaVZINO J3HL THE ORIZABA GROUP A Stupy OF THE INFLUENCE OF ALTITUDE ON THE DISTRIBUTION OF LIFE ROM the dense tropical forests, at the base of Mount Orizaba in i Vera Cruz, one may look upward toward the equally grand forests of pines and spruces which, 10,000 feet higher, cover the sides of the mountain. In the luxuriant vegetation about one are Parrots, Toucans, Trogons, Motmots, and many other tropical birds; and from their home one may see the zone where Crossbills, Evening Grosbeaks, Juncos, Brown Creepers, and other boreal birds are nesting. Owing to differences in altitude, which are the equivalent of differences in latitude, the three great Life Zones which go to make up the faunal regions of North America are thus represented in this one group, which may be said to epitomize all the other groups contained in this hall. The studies for this view of Mount Orizaba were made at Cordova (altitude 3,500 feet), at the upper border of the Tropical Zone. The primeval tropical forest having long since been cut off in this region, it was necessary to descend to a level of about 1,000 feet, near Motzor- ongo, to secure studies for the forest depicted. The accompanying view of the Rio Blanca was also made near this point, from which Mount Orizaba may be seen in the same relation in which it is here painted. The birds contained in this group are representative species of the tropical portions of the State of Vera Cruz. They have been selected to show the tropical character of the bird-life of this region, rather than the bird-life of any particular part of it; and represent but a small part of the avifauna of several hundred species. ll A GLIMPSE OF COBB'S ISLAND Background by Walter Cox. Birds by H. C. Denslow. SUMMER BIRD-LIFE OF COBB’S ISLAND, VIRGINIA SHELL-STREWN sand-bar seven miles long and about the same distance from the mainland, Cobb’s Island, off eastern Virginia, is an ideal resort for sea-birds. Here they are beyond the reach of most bird enemies, while the surrounding waters furnish an unfail- ing supply of food. The home of the birds has little or no value as ‘veal estate’’; they themselves are unfit for food, and it might have been supposed that their continued existence was assured. But about twenty- five years ago they suddenly acquired a commercial value. Their plum- age became fashionable for millinery purposes. As a result, thousands of birds were slaughtered on their nesting-grounds, and within a few seasons some of the most abundant species were practically exterminated. At no place were more birds killed than on Cobb’s Island and the islands immediately adjoining it. In a single day, 1,200 Least Terns were shot on Cobb’s Island; in three days three baymen killed 2,800 Terns in the same locality; at the end of two seasons the Least Terns, for which there was especial demand, no longer existed in this region, and the Common Terns were greatly reduced in numbers. Fortunately the State of Virginia passed a law prohibiting the killing of these birds, and for several years the National Association of Audubon Societies provided a warden to enforce this law during the nesting season. In response to this protection the birds began increasing in numbers, and in time may become as abundant as they formerly were. The Least Terns have not reappeared, there being no stock to begin with, but the Common Terns are yearly becoming more numerous, several hundred pairs having nested on the island even in the summer of 1902. Besides the Common Terns, Skimmers, Gull-billed Terns, Oyster- catchers and Wilson’s Plovers now nest on the beach of Cobb’s Island; while in the marshes which flank the beach on the bay, or west side, numerous Laughing Gulls, a few Forster’s Terns and many Clapper Rails, or Marsh Hens, make their nests. 13 “AVTMOY, UYyor Aq sparg | “S[OWDINN WAeqOPF, AQ punoasyoug sdavshWd SHL NO YMVH MONG AHL THE DUCK HAWK ON THE PALISADES Peregrine Falcon, from which it differs but slightly in color and not at all in general habits. By falconers the Peregrine was esteemed only second to the Arctic Gyrfalcons. The latter could be owned and flown only by members of the royal family, while no one of lower rank than an earl was per- mitted to use a Peregrine. Possibly the restrictions imposed on the owning of Gyrfalcons arose rather from the difficulty with which the birds were obtained than from their superiority as hunters. In this respect the Peregrine, or Duck Hawk, is probably not excelled by any other bird of prey. Its speed enables it to overhaul with ease the swiftest-flying ducks, while it has sufficient strength to strike and kill them in the air and bear them away without visible effort. The Duck Hawk is fearless in pursuit of its prey and will dash down and capture a wounded bird within reach of the sportsman’s arm; and will repeat the attempt even if fired at and missed. Peregrines in slightly varying forms are found throughout the greater part of the world. The Duck Hawk, the American form, breeds locally throughout most of the United States, and migrates as far south as Chile. When migrating, it is sometimes not uncommon along our coasts, since it travels with the flocks of wild fowl on which it preys, but when nesting it is generally rare. In the vicinity of New York City the Duck Hawk is known to nest only on the Palisades of the Hudson, where they are unfortunately mo- lested by egg-collectors, and among the hills and mountains to the northward. It is believed that, in the spring of 1908, three pairs were nesting on the Palisades. In this region Duck Hawks begin to lay in March. They build no nest, but lay their eggs, as may be observed, on the bare rock. The material for the present group was collected by R. B. Potter on Hook Mountain, near Nyack, N. Y., but it is here shown against a background representing the Palisades, northward from the “Gorge”’ at Englewood. |" Duck Hawk is the American representative of the Old World 15 Birds by Te. w Ss ie) fal < w = x s) —? Ww 2 i x s)