eee ree WILD LIFE AND THE CAMERA A.RADCLYFFE DUGMORE LABORATORY OF ORNITHOLOGY LIBRARY cr FY off of : Enethe , WWac boo G CORNELL UNIVERSITY LIBRARY Cornell University Library DATE DUE 159 Sapsucker Woods Road Cornell University Jthaca, New York 14850 WILD LIFE AND THE CAMERA ag NR a er Wild- Mallard rising. The speed with which these birds rise is clearly shown by the water, which has uot subsided, although the bird is tive feet or more in the air, WILD LIFE AND THE CAMERA BY A. RADCLYFFE DUGMORE, F.R.G.S. ILLUSTRATED PuirapeLpHi1a: J. B. LIPPINCOTT COMPANY Lonpon: WILLIAM HEINEMANN MCMXII Printed in England. XII. XII. XIV. XV. XVI. XVII. XVIII. XIX. XX. XXII. XXII. CONTENTS Part I.—Brirp PHoTroGRAPHY Part II.—ANimaL PHOTOGRAPHY : Tue CarrBou MIGRATION IN NEWFOUNDLAND Tue Story oF 4 PorcuPINE Hunt. - BIRDS AND THE CAMERA “ Brugy ”: A TruE STorY OF THE VERY BEST PET Birp . 5 ‘ F My CuicaDEE FRIENDS . Toe WARBLER FAMILY THE VIREO AND THE COWBIRD Notes ON THE BREEDING HABITS OF THE AMERICAN Woopcock : : SHootinc Witp Ducks AND GEESE WITH THE CAMERA ‘ - : - THE WHISTLING SwaN OF CURRITUCK SounD . 3 3 5 Two ’PossUuMS AND SEVERAL MISTAKES A FisuHine Trip IN THE Hicu Srerras oF CALIFORNIA FOR GILBERT AND GOLDEN Trout A 3 : : ‘ é YELLOW TaiL FISHING OFF CATALINA IsLAND . . ‘ ‘ FISHING FOR SEA-TROUT IN New Hane. wick RIVERS . ‘ ‘ 3 My First Sarmon: A Fisnine Trip To NEWFOUNDLAND c ‘ ‘ SALMON FisHING IN NEWFOUNDLAND y ALONE UP MT. KaTAuHDIN . > THE Heart oF WINTER . ; More ABpoutT WINTER AND THE Ttekons OF THE ANIMALS IN THE SNOW . ; : THe Lire oF THE TRAPPER, THE MAN FOR wHoM CoLD WEATHER iS A SOURCE OF LIVELIHOOD : : P , CAMPING FOR ALL SEASONS < : : 307 LIST OF ILLUSTRATIONS WiLp MALLARD RISING . P ‘ . Frontispiece TO FACE PAGE Stupy oF Younc BIRDS AT THEIR MOST BECOMING AGE Woop Teeter ON Nay : NEWFOUNDLAND CARIBOU IN MIGRATION . : THIS HERD OF CARIBOU SWAM ACROSS THE RIVER DIRECTLY IN FRONT OF MY CAMP ' : EVENING ON SANDY RIvER. IN THE FOREGROUND ARE TWO CARIBOU WHICH HAVE JUST CROSSED ONCE IN A GREAT WHILE THE HERD IS LED BY A STAG : : r Stac CARIBOU, PHOTOGRAPHED AT A DISTANCE OF NOT MORE THAN NINE YARDS . THE PorcuPINE AND THE ABANDONED Gap IN THE SNOW. 3 ‘ ‘ THE PORCUPINE, THE Mex AND THE ee Duc-out . Tue Unruty Broop oF FLYCATCHERS THE SAME BROOD READY FOR Foop ‘ ; Tue TAMENESS OF A FAMILY OF CHIPPING Spiiows ; Younc RED-EYED VIREO ‘ 4 - : “ BLUEY” . ; : ; : ‘ : CHICADEE FLYING TO MY HAND, IN WHICH SIT THE Hunery Broop ‘ 3 . . ONE OF THE YOUNG Cuidinzes ; : ; 3 Tuer WorM-EATING WARBLER ON HER NEST . Tue Famity oF WoRM-EATING WARBLERS ; WorM-EATING WARBLER FEEDING HER YOUNG ON MY Hanp. 5 ; ‘ ‘ ; A WHITE-EYED VIREO, WHOSE DESIRE FOR ORNAMEN- TATION LED HER TO COVER HER BEAUTIFUL SEMI- PENSILE NEST WITH SMALL PIECES OF WOOD THAT HAD BEEN CUT BY A WOODPECKER . : ‘: W.L.C. b . 10 14 30 84 86 40 42 56 58 64 64 68 70 80 108 110 118 122 124 180 x LIST OF ILLUSTRATIONS TO FACE PAGE VIREO’S NEST, IN WHICH A COWBIRD HAS LAID ITS EGG THE SAME NEST CUT IN HALF TO SHOW RELATIVE POSITIONS OF COWBIRD’S AND VIREO’S EGGS : Woopcock SITTING On NEST . é Witp CANADA GEESE IN FLIGHT WHISTLING SWANS OFF THE VIRGINIA Coasr ‘“* A LONG NOSE PROTRUDED FROM THE NEST’ ’Possums. ‘‘ NEARER AND NEARER HE CAME UNTIL HIS NOSE WAS VISIBLE OVER THE EDGE OF THE LARGE KNOB”’. ; : ‘ : ‘ : Piayvinc ’Possum—“ ’Possum II. DECIDED TO HAVE A LOOK AND WITHOUT CHANGING HIS POSITION HE OPENED HIS ROUND DARK EYES”. : A THE OPEN PARK-LIKE DRY COUNTRY AT THE Foort- WILLS OF THE SIERRAS OF CALIFORNIA : : RIDING ALONG THE STEEP SLOPES ON THE WAY TO THE Kern RIver . ‘ z ‘ : j j Tur Kern River VALLEY . ; j : : FIsuInc IN THE KERN RIVER . : ; ‘ VoLcANO CREEK . ‘ ; : : 5 LANDING A LARGE GILBERT TROUT IN THE es River (CALIFORNIA) : 3 ; ; : Srs-TrouT Fisuine 1In NEw Brunswick Z : LEAPING SALMON . ‘ Ps F ; : 3 LEAPING SALMON; THE LINE IS FAINTLY VISIBLE. MENDING A CANOE WITH CARIBOU HIDES IN NEw- FOUNDLAND. ‘ ‘ ‘ ; : IN THE DENSE Woops BELOW KATAHDIN : ‘“THE NORTH-EAST SIDE OF THE MOUNTAIN IS AN ABRUPT PRECIPICE OF SOLID ROCK ABOUT 4,000 FEET HIGH” . 3 : F : : ‘ . Tue WINTER Woops . t ‘ ‘ . i TRACKS IN THE SNowW. THE DEEP FOOTPRINTS ARE THOSE OF A SQUIRREL WHICH WAS EVIDENTLY CAUGHT BY AN OWL OR A HAWK, WHOSE WING TRACKS ARE CLEARLY SHOWN . : . ; IN THE WINTER, WHEN EVERY TWIG IS COVERED WITH A GLISTENING COAT OF ICE ; ; 3 - 1382 132 142 152 158 168 170 172 180 182 184 188 190 192 214 240 240 244 260 ho bo f=) io) 280 282 LIST OF ILLUSTRATIONS xl TO FACE PAGE TRACKS IN THE SNOW SHOWING WHERE A Musk Rar HAS COME FROM AND RETURNED TO THE WATER . TRACKS IN THE SNOW SHOWING WHERE A MINK HAS cauGcut A Musk Rat AS IT EMERGED FROM A HOLE IN THE ICE. 3 : F : 5 : “ Jor,’ THE ONE-ARMED TRAPPER AND HIS CABIN . “ JOE,” THE ONE-ARMED TRAPPER . : ‘ , CAMPING IN WINTER WITH THE THERMOMETER 20° BELOW ZERO : ; : R , : WINTER CAMPING. CROSSING A SNOW-COVERED LAKE WINTER CAMPING IN FLORIDA ‘ ji , : BIRD PHOTOGRAPHY ANIMAL PHOTOGRAPHY CHAPTER I Part I Birp PHOTOGRAPHY Waite book-illustrating has changed continually since printing was first discovered, perhaps the greatest improvement has been made in pictures of birds and animals, and it is largely to the camera that we owe this great improvement. Until quite recently only drawings were used for illustrations, and with subjects such as birds “the personal equation ” played so prominent a part that one felt a certain sense of doubt as to the accuracy even of fairly good drawings. For my own part I had never been satisfied with drawings of birds; and therefore, giving up the pencil, I followed in the footsteps of those who were experimenting with bird photography. All my earlier attempts were with mounted specimens, at first without any accessories. But the photo- graphs seemed hard and unlifelike. Then I tried placing the mounted bird in natural surroundings, either out of doors or beneath a skylight. The pictures were fairly satisfactory, but still there was no disguising the fact that the bird was mounted. The eyes, and usually the legs, told the story. The pictures were unsympathetic ; it was as though B 2 4 WILD LIFE AND THE CAMERA one had photographed the wax model of a friend. The likeness was there, but the life was lacking. And there was another objection: although to the casual observer the specimen may appear well mounted, how rarely is shown the characteristic pose so subtle and delicate in its infinite variety. But few taxidermists are naturalists, and without endless study of living birds how can anyone expect to know the attitudes assumed by the different species? The human eye itself is scarcely quick enough to take note of these things, and so it is to the camera that we must turn, and use it as eye, notebook, and pencil. It was the realisation of this fact that led me finally to try the fascinating but difficult task of photographing the living bird. To begin with, only nestlings were my models, and I was delighted with the results—no glass eyes nor dried-up legs to mar the picture, but expressions as varied as they were beautiful, and positions entirely different from those seen in mounted specimens. ‘These successes led me, of course, to attempt photographing the adult bird, and I made many experiments with tame birds. It was necessary to have a place arranged so that there might be abundant light; and to avoid sameness in the arrangement of the lighting, the contrivance must be movable. I made a wooden platform (supported on two light wooden horses) about six feet long, and covered it with mosquito netting stretched on a light framework. The background was of wood, to which could be attached paper or cloth of any desired shade. The camera could be moved backward or forward and secured with a BIRD PHOTOGRAPHY 5 tripod screw. Into this portable cage the bird was to be put, and as there was only one perch—usually a stick or small branch of convenient shape and size—I fondly imagined that the bird would sit pretty nearly where I wished. But I was doomed to disappointment. When I put the bird in, any place and every place suited him better than the perch so carefully arranged for his special comfort. When a bird, no matter how tame he may be, is placed amid new and unusual surroundings, he is at first greatly frightened, and therefore quite unmanageable. It usually requires some time to prove to him that the new cage will not harm him. So I found my cage not altogether a success, but by patience I managed to obtain some satisfactory photographs. Tue Sport oF PHOTOGRAPHING WILD Birps It was not long before I was led to attempt the task of photographing the adult bird in its wild state and in its natural surroundings. It was then I began to appreciate the fascination of the work. Looked at from any one of several standpoints, the photographing of wild birds will be found equally satisfactory. As a sport it should take a high place, for undoubtedly the skill as well as the perseverance and the instinct of the hunter is a necessary requirement, and a successful shot with the camera is far more difficult to obtain than a correspondingly fortunate (on one side only) shot from a gun. Then, too, the accomplishment of one’s desire leaves behind it no disagreeable taste 6 WILD LIFE AND THE CAMERA to mar the pleasure. What sportsman is there (and I speak neither of pot hunters nor “ game hogs”) who, hearing the death-bleat of a deer, does not at heart wish his shot had miscarried? Then, as a means of really becoming acquainted with birds, the camera is without an equal, for to be even a moderately successful bird photographer, one must have an intimate knowledge of the subject; and the camera, in teaching us to know the birds, must of necessity stimulate our affection for these useful and defenceless creatures. As a recorder of facts it is of great scientific value, for it cannot lie, and it records in an unmistakable form every detail presented, whether it be the daily growth of a nestling or the exquisite detail of the bird’s nest. It is, however, to the keen pleasure that may be derived from this new sport that I would particu- larly call attention. Not only is there the delight in overcoming difficulties (and they will be found both numerous and varied), but there is the pleasure of being placed among surroundings that are inseparable from this pursuit. A rich harvest of interesting facts relating to the bird’s home life may be gathered by any observing person who spends much time along the hedge-rows or in the woods. He who would hunt birds with the camera will find that without doubt the breeding season is the time best suited to his purpose, for then the feathered housekeepers are restricted in their individual range to a comparatively limited area. Having learned the situation of their house, he may find them at home when he calls, engaged in BIRD PHOTOGRAPHY 7 attending to their various domestic duties. The first thing to do after the introduction, 2.e., learning their name, is to obtain their confidence, and, with birds as with people, there must be confidence if we wish friendship. How easily one may gain this confidence depends quite as much upon the individuality of the bird as upon the species. The fear of man is inherent in all birds, but by judicious management this fear can to some extent be allayed. WINNING THE CONFIDENCE OF Wuitp Brirps A great many instances have come before my notice of the change in a bird’s behaviour from extreme fear and distrust to a degree of confidence, which, to the inexperienced, seems almost incon- ceivable. The power to tame birds or animals is thought to belong peculiarly to certain persons. This may or may not be true, but from my own observations I am inclined to believe that tameness is a quality rather of the natural disposition of the individual, bird, or animal. With some birds I have spent days in trying to convince them that I intended no harm, yet they placed not the slightest confidence in me, and would not even feed their young if I were in sight. Others of the same species became accus- tomed to my presence after less than an hour, showing their confidence by coming to their young while I stood in plain sight, within a few feet of the nest. It is in the difficulty of familiarising the bird with ourselves and the camera that we 8 WILD LIFE AND THE CAMERA experience the greatest obstacle to photographing them. Of the many delightful birds I have had the good fortune to know, the worm-eating warbler family, whose portraits are shown elsewhere, have afforded me the greatest pleasure, for they became absolutely fearless of the camera, and they placed a degree of trust in me that was as unusual as it was delightful. To photograph the nest containing eggs is usually a comparatively easy matter, as a long exposure may be given. The best results are obtained when a grey day is chosen, as the light is softer and more diffused, so that all the details, both of nest and eggs, are clearly shown. A very different task is the photographing of the young in the nest, and the resulting pictures are seldom what one hopes for. The reasons for this are obvious. The young are never quiet even when asleep, owing to their rapid respiration. This precludes a time exposure, and this in turn pre- vents the use of anything but a large diaphragm ; therefore, as the distance from the near edge of the nest to the bird farthest away is several inches, only a small part can be in focus, while the rest is a blurred mass. If the light is sufficiently bright, the best results may be obtained when the nest- lings raise their heads for food, as each bird is then more clearly defined, instead of being a part of a shapeless, heaving mass. This applies more par- ticularly to the photographing of small birds, as the camera, with a lens of ordinary focal length, has to be placed very near the nest, with the BIRD PHOTOGRAPHY 9 consequent lack of depth of focus that is unfortu- nately inseparable from such conditions. To photograph the parent bird sitting is difficult or easy according to the disposition of the bird, which varies not only with the different species, but with individuals of the same species. Usually the brown thrasher, the wood thrush, or the catbird will sit close, and allow the camera to be placed within a few feet of them while they are on the nest; but I have seen exceptions, which go to prove that success depends largely upon the peculiar disposition of the bird itself. People, as a rule, think that, because a bird builds its nest in the immediate vicinity of a house, it is necessarily tamer than one that chooses the quiet seclusion of the woods. This has not been my experience, for the tamest birds I have ever known were those that nested in places comparatively remote from human habitation. When the fledglings leave their nest, the bird photographer should be on hand, for then it is that he can obtain the best pictures, as the youngsters may be put on any perch that best suits his fancy, and a place where there is sufficient light may be chosen. For the benefit of those who might wish to try their hand at this fascinating branch of photography I give the following suggestions :— Select a branch or briar of suitable shape and size—and young birds prefer a fairly thick perch. This should be arranged so that it will not be swayed by the wind, lest the branch move and the birds be out of focus. Bright sunlight is necessary, as the exposure must not exceed one-fiftieth of a 10 WILD LIFE AND THE CAMERA second. With such a short exposure the shadows are likely to be lacking in detail, so it is advisable to place beneath the birds a white cloth, and this should be tilted to such an angle that the reflected light shall strike those parts of the birds that are in shadow. If the natural background is not strongly sunlit, it will be an advantage to use a white or light- grey cloth as an artificial background, but it should be placed at a reasonable distance from the birds; from four to eight feet will answer. Now place the little fellows on the perch and arrange the camera, remembering --if you wish to photo- graph the parent bird with her young—to leave sufficient space between the young birds and the edge of the plate, so that no matter on which side the old one comes to feed them the camera will be in readiness. All that remains to be done is to attach a long rubber tube to the shutter. Then sit down in an inconspicuous place and wait patiently until the old birds have fully convinced themselves that no harm is intended. Then they will venture near the camera and feed their hungry young. Any one who uses the camera as a means of studying bird life will undoubtedly be surprised to find how marked is the individuality of birds. Not by casual observation does one discover this, but in the intimacy with the birds that one acquires when one watches for hours at a time the bird upon whose nest or young one may happen to have the instrument focused. A camera, to be rigid and sufficiently durable to stand several seasons of field work, must be ‘patq-4e,) B PUB sapolmg, 9o1q4- SUTUODAG JSOUL Mat] 4B spig SsunoX Jo Apuyg y Z BIRD PHOTOGRAPHY 11 fairly heavy, though not of necessity large. A sufficient size for most work is five by seven inches, while some even prefer one as small as four by five. This latter is of convenient size for those who wish to have lantern slides made from their negatives, and is certainly far better adapted to all whose enthusiasm is limited, and who do not wish to overburden themselves. For my own part I use the five by seven almost exclusively, and frequently I wish it were larger, particularly when the subject to be photographed is the parent bird feeding her young after they have left the nest. Place four or five fledglings on a branch, leaving sufficient space on either side to allow the old bird to stand, and reduce all this interesting material down to a five-inch space, and you will realise the advantage of even the extra two inches allowed by the five by seven. How many times has it happened to me to have the father or mother bird perch just outside the limits of my five by seven plate, and assume some attitude that I was most anxious to catch; and again how often has the plate through its limited size cut off part of the adult bird. In such cases I long for my larger camera which, on account of its weight, has been left behind. Of course, bird photographs have to be taken under widely different conditions. Some birds are far less shy of man, and incidentally of the camera, than others. It always seems surprising that a bird of such a nervous disposition as the wood thrush undoubtedly is, should be comparatively easy to photograph. 12 WILD LIFE AND THE CAMERA Thus far I have seldom found any that, while on the nest, would not, after a few attempts, allow the camera to be brought fairly near. For this reason, combined with the fact that they may be found so abundantly in the vicinity of dwellings, and that their nests are usually placed at a con- venient height, they are most useful to the bird photographer. The birds themselves are so hand- some and their markings so conspicuous that they show to the greatest advantage in a photograph, while such birds as the Baltimore oriole, the cardinal and others of equally brilliant plumage are very disappointing, as they lose greatly when shown in black and white. Take away their gorgeous colouring and we scarcely re- cognise them, while the wood thrush is unmis- takable, whether depicted in black and white or in colour. As an example of how a bird tries to conceal itself by means of its protective colouring, I will mention the case of a wood-thrush which I recently photographed. From the moment when she saw me coming towards her, armed with the camera, she never changed her position, but stood im- movable, as though she were part of the natural growth, evidently believing herself to be unseen. At a distance of about seven feet I placed the camera, and throughout all the movements inci- dental to the focussing and arranging of things, she never moved, and I was therefore able to give the fairly long exposure that was made necessary by the strong light and shade. During the many times I visited her, only this once BIRD PHOTOGRAPHY 13 did she assume this peculiar position of imaginary concealment. Another photograph was made in order to satisfy the doubtings of a disbelieving Thomas. The idea of attaching the camera to the higher branch of a tree and making the exposure with the aid of forty feet of rubber tubing was a story too far-fetched for my friend. To convince him that it could be done I selected a nest situated in a crotch of the upper branch of a maple and secured the camera to an adjoining branch about five feet from the nest. The conditions were entirely unfavourable for photography, as the mass of leaves cut off the light except in front of the camera. However, a photo- graph had to be made, and so, after arranging things as best I might, I set the shutter for a three seconds’ exposure. Then, descending the tree, I waited for the return of the mother thrush. She had through- out been watching the operations, with feelings closely akin to disgust, and when I removed my un- welcome presence to a little distance, she returned to the tree and abused the harmless camera as though it had been some frightful monster. Finding it did not retaliate in any way and that it remained absolutely quiet, the excited bird soon quieted down and turned her attention to the hungry brood who called loudly for food. Such calls are imperative, and Mrs. ‘Thrush went off in search of some desirable morsel. This she found after a very short time and with it she returned to the nest. Now was my opportunity and I pressed the bulb. Then, changing plates, I returned to the 14 WILD LIFE AND THE CAMERA dark room to develop what I hoped would turn out to be a good negative, but such was not to be; during the long exposure the bird had moved and so the plate was spoiled. Once more I returned to the tree, and after a short wait succeeded in making another exposure, this time with better results as shown in the accompanying illustration. Incident- ally I may remark that my friend was convinced. We will now turn our attention to photographing young birds being fed by their parents. This is, of course, no easy task, especially when the bird one wishes to portray is one like the Indigo bird, for the Indigo is not at all of a trusting nature. Man to them is an enemy to be avoided at all hazards. The gift of song together with the beautiful plumage of these small birds has been to them a living curse. Man, instead of being content to enjoy the presence of such ornaments amid their natural surroundings, must needs keep up a continual warfare against the harmless creatures, by catching them in traps, quite regardless of the law, and using them as an article of commerce. Years of such persecution have made them suspicious. Only in very excep- tional instances do we find one that is at all tame. Many times have I tried, and in vain, to secure a photograph of the sitting bird on her nest, while the idea of her feeding her young with the camera in close proximity seemed nothing more nor less than a wild dream. One day, however, by good fortune I met with a family of Indigo birds that would pose forme. The young, usually extremely wild, were perfectly well behaved and remained where- ever I chose to place them, but of the parents Wood Thrush on Nest. BIRD PHOTOGRAPHY 15 only the dull-coloured mother bird would venture within shot of the camera, while the father, puffed up with vanity, for he is most wonderfully clothed in various shades of intense blue, would sit on the topmost branches of the trees near by and spend his time in song. All endeavours to induce him to come near the camera were futile. His dusky mate proved somewhat more tractable, and as long as I kept at a respectful distance from the camera, she did not seriously object to feeding her young ones. But the overwhelming combination of man and camera was more than she could stand, so while I succeeded in securing a number of photographs, in nearly every case I had to conceal myself in the underbrush and make the exposure through the long tube already mentioned. Towards the end of the second day she became rather less shy, but still she showed little of the confidence displayed by some other of my bird friends. Spending so much time with birds affords one splendid opportunities for studying their habits, and with this interesting, if exclusive, family, the feature of their domestic arrangements that struck me most forcibly was, that not once did his lordship deign to carry food to any of his hungry offspring ; entirely to the industrious little mother were the youngsters beholden for their meals, and the number of grass- hoppers, spiders, and caterpillars that she had to catch was quite remarkable. ‘The only duties incumbent on her gaily bedecked lord, that I could discover, were firstly, that he must warn her of impending danger by uttering a sharp note of alarm; secondly, he must try, if the intruder 16 WILD LIFE AND THE CAMERA happens to be of the human kind, to lead him as far as possible from the nest, which is carefully hidden in the tangle of undergrowth ; thirdly, he must furnish amusement for the family by constant song. Surely his is the easier task. Part II ANIMAL PHOTOGRAPHY Ir was quite natural that, after having devoted many years to bird hunting with the camera, I should become more ambitious and try my luck with larger and, shall I say, more interesting game ? No; that would indeed be disloyal to the birds that first tempted me into what was then a virgin field. Fach phase of the sport has its own particular virtues and attractions, its obstacles to overcome and some- times its triumphs. Perhaps the chief difference between bird and animal work is that with birds, especially the smaller kinds, the great charm is in trying to overcome their natural fear of man in order to gain if possible their comparative if not complete confidence. No one who has not attempted this has any idea how much pleasure and satisfaction may be derived from the friendship of even the smallest and most common of wild birds. On the other hand, with animals there is seldom any question of friend- ship, except in rare instances and then usually only with the smaller species. The sportsman must be content with his joy in outwitting the keenly developed senses of the ever hunted, such as the deer, or of those equally alert, the hunters, the car- ANIMAL PHOTOGRAPHY 17 nivorous, great and small. You must match your intelligence, handicapped as it is by the somewhat dulled senses of seeing and hearing and the almost dead sense of smell, against those which have these three senses most keenly developed, and whose acute powers of reasoning should never be despised by the hunter. It is, as I have stated, difficult to say which pursuit affords the greater pleasure or keener excitement. Each is splendid and each will teach its many lessons to those who will but use their eyes intelligently and not jump to conclusions too hastily. Unfortunately this fault of hastiness is only too common, especially in two kinds of people, those who are too lazy to make their investigations without a sufficient degree of thoroughness, and those who by nature are impulsive and over- enthusiastic. By such people, if they have but the suggestion of a theory on which to work, all incidents and conditions will be made to fit this pre-established theory; their eyes are blinded to all else. Mbole-hills are turned into mountains and conclusions will be reached which have not the slightest foundation. No one has a much better opportunity to study wild animals in their native state than he who hunts with the camera. Unlike the man who shoots and so destroys the actual subject of his study, the camera-hunter is frequently forced to spend many, many hours of enforced inactivity whilst in the presence of the animals, waiting, perhaps, for them to come within range, to reach a place where stalking would be possible, or where the light will be good—waiting in fact for any of a dozen possible things to occur. W.L.C. Cc 18 WILD LIFE AND THE CAMERA It is during such times that the lessons are learnt, that the unexpected events take place. The actual photographing takes very little time, but the watching is never ended for those who really wish to observe and learn. “What sort of camera should I use?” How often have I been asked this question, and yet it is always equally difficult to give an adequate and comprehensive reply. (1) What sort of man or woman are you? (2) Where are you going to hunt? (3) What are the conditions? (4) And finally, what can you afford for the outfit? These are perhaps the principal questions, and the answers are determined by further questioning. (1) Are you lazy or painstaking? If lazy and still insist on hunting with the camera (though in this case it would be quite against my advice that you should engage in a task, or sport, that depends so much on energy and perseverance) I advise an ordinary hand, folding camera, using films. The pictures you will obtain won’t be worth much but they will be all you deserve. Are you painstaking? Then we shall have to answer the other questions first. (2) If you would hunt in the north, a telephoto lens of moderately high power need not be considered. If in a thickly-wooded country it is also of little or no use. Perhaps you are surprised that I should deal with the lens before speaking of the camera, but that is reasonable, for the camera must be of type suited to the lens or lenses you expect to use. (8) Is weight an important item? If it is, plates will have to be eliminated or practically so. Are you going to work from a horse or from a ANIMAL PHOTOGRAPHY 19 canoe, from a blind or by stalking? On the consideration of all these points depends the selection of a proper outfit. Generally speaking, the reflex type of camera is almost a necessity when good results are desired. Its size must depend on what you can use under the existing conditions. A four by five, or even a quarter plate size when light weight is called for. The five by seven, or the half plate, ifit can be managed. These larger sizes are far more satisfactory, but are, of course, more expensive, more bulky and much heavier, and stalking with them is made very much more difficult. The very rapid lenses, that is, those working with an aperture of F. 4.5, or thereabouts, have so little depth of focus that it nearly always means cutting them down to about F. 6 in order to obtain even fair depth. So the extra weight is being carried to very little purpose, such as a quite occasional exposure under poor light conditions. F. 6 is quite large enough for most practical pur- poses. The new types of low and usually single- powered telephoto lenses promise great things. They are being changed so frequently that before this appears in print some new device may be invented which will completely revolutionise everything. The chief (and almost only) advantage possessed by these types is that with a camera having only a short draw (of bellows) you can use a lens which has approximately an equivalent focus of twice the length of bellows. Against this, if they work at an aperture of F.5 or 6, there is the disadvan- tage of size, both in diameter and length, which makes them somewhat cumbersome. If you can c2 20 WILD LIFE AND THE CAMERA use a convertible lens of 2 foci, it is advisable, for though the single combination is slow it often enables you to obtain satisfactory pictures of animals entirely out of range for the ordinary short focus lens. But don’t lose sight of the fact that the single combination means double the draw of bellows required for the complete lens. It is well to employ a lens, especially if it be a cheap one, made to cover a plate one size larger than you are using, so that there is no question of the entire plate being clean cut. The ordinary lenses supplied with cameras are usually too slow for animal work, their aperture being as a rule about F. 8. How- ever, they will do quite well under favourable conditions, but don’t forget that favourable con- ditions are the exception rather than the rule, ex- cept in such countries as Africa, or in the middle western states of North America. It is nearly always poor economy to buy cheap outfits. They too frequently lead to disappointment, and when you consider how much a trip costs, is it worth while for the sake of saving a very small amount to sacrifice the entire results, when by having a good reliable outfit you may secure pictures which will pay a part, if not all, of the expenses of your outing? Should you wish to go in for telephoto work remember that the positive lens should be of very great rapidity, not less than F. 4.5, otherwise the possibility of instantaneous exposure would be limited to one or two magnifications. Never buy the two elements separately, but let the manufac- turer supply you with the complete lenses, positive and negative elements properly adjusted. It is ANIMAL PHOTOGRAPHY 21 essential that the camera for telephoto work should be very rigid, as the slightest vibration is greatly magnified. Before touching on the practical use of the camera there are several details to be dealt with—small ones, but nevertheless important. Let the camera be in every way as simple as possible, free from complicated adjustments and all its parts easily accessible in case of anything getting out of order. Let there be as little outside machinery as possible. Kvery projection offers a chance for trouble; a slight blow, and perhaps the whole outfit may be rendered useless. All parts should work easily and with as little noise as possible. One of the great objections to the focal plane shutter is the noise it makes. The ideal camera could be reflex with both focal plane and lens shutter, the former for very rapid work such as birds in flight, and the latter for slower exposures where silence is all important. There is at present a reflex with a lens shutter, but it unfor- tunately does not allow much variation of lenses, so that its usefulness is greatly curtailed. The reflex camera should be so arranged that the focussing hood admits of use from above and from the back. The advantage of this is that it allows the camera to be held level with the eyes so that the immediate fore- ground is not shown in the picture. When you are in a canoe you can operate this camera with greater freedom and safety as it will not be necessary to stand up or even to kneel in order to clear the adja- cent water or the canoe bow which so often obtrudes itself in such pictures. Good plate holders are of the utmost importance ; not only must they be abso- 22 WILD LIFE AND THE CAMERA lutely safe, and allow the plates to be easily put in and securely held in place, but they should be fitted with a device which precludes all possibility of double exposures, that béte noir, so common when one works under conditions of keen excitement and haste. In saying that plate holders should be loaded without difficulty, it must be borne in mind that when in camp you have no dark room, but usually a simple dark changing bag, which means manipulation by sense of touch alone, so it will be seen that any complications add greatly to one’s troubles. Many prefer to use films instead of plates. There is no question at all of the advantage the former possess in point of weight and simplicity, but the results are not as satisfactory as when plates are used, especially so with the larger sizes. A five by seven or half plate film is very apt not to lie flat ; in dry climates this is not so noticeable, but in damp, muggy weather they are more than likely - to wrinkle, which means that with a very rapid lens (2.e., one that has little depth of focus) parts of the picture will be sharp while other parts on the same plane will be entirely out of focus. Then again, films are more inclined to have scratches. They do not keep so well, and, finally, they are not so easy of manipulation. Let me suggest that a soft, portable case be carried for the camera, made of some good strong but light waterproof material, so that in case of showers the camera will not suffer. The strong, stiff travelling case may be made of compressed paper, kept thoroughly varnished. It is better than leather, being lighter, stronger and more rigid, besides which it will not ANIMAL PHOTOGRAPHY 23 become water-soaked. Cases for plate holders should be made of the same material but covered with waterproofed leather so as to be less noisy. A small case of soft leather to hold three plate holders will be found very useful for carrying a temporary supply while you are actually stalking. The foregoing is but a brief outline of the most important parts of the outfit necessary for animal photography. Each person who attempts the sport will, as he advances, develop his own ideas on what will best suit his methods. What has been said here is simply a general guide for those who are unfamiliar with the subject, so that they may have a basis on which to work when the outfit is to be bought. It is seldom that the dealer is able to offer much help in the way of advice regarding any special class of work. It is, indeed, scarcely to be expected of him, when we consider how difficult it is for the man who has spent years at the work to give advice that will be of much real value. Expe- rience is the only trustworthy teacher, and she is so slow and usually so expensive that she is likely to discourage those whose heart is not thoroughly in the work they wish to do. I make no mention of flashlight work because no device that I have yet seen or made is worthy of being recommended. THE CARIBOU MIGRATION IN NEWFOUNDLAND CHAPTER II THE CARIBOU MIGRATION IN NEWFOUNDLAND’ [The result of six seasons’ work, when patience was at last rewarded and the big herds came before the stags had shed their antlers.] OcToBER 24TH, 1911. Once more I find myself in Newfoundland watching from my blind for the elusive Caribou, and, judging from indications, I shall not have long to wait. The day before yesterday while paddling up the river I saw several small lots of Caribou, and this morning while cooking my solitary breakfast, a herd of fifteen swam across the river and landed on the bank directly opposite my camp ; so it looks as though the migration for which I have long waited had really begun, and that I would at last have some luck. Yesterday I repaired the blinds which I have used each year, and built a couple of new ones on very promising leads, so I feel that I am ready for my friends when they come. Armed with camera, plates, and warm clothing I left camp soon after the sun had risen. After showing itself for a few minutes it retired behind the deep grey clouds. I circled around the river to my blind so as to leave no scent along the Caribou leads, for unless pressed by bad weather, these animals will not cross a fresh human trail, and even if the scent be almost cold 1 First published in Country Life. 23 WILD LIFE AND THE CAMERA their suspicions will be aroused and the chance of securing pictures greatly reduced. It is only when they are absolutely off their guard and unsuspicious that one has any chance with them. To-day the wind is favourable but bitterly cold. Unfortunately the light is bad, but then that seems to be the rule at this time of the year in Newfoundland, bright days being rather the exception. My blind, or gaze, as the Newfoundlanders call it, is a simple affair composed of about a dozen small fir trees stuck securely into the bog, arranged in a circle open at the southern end; on the north side, facing the leads, the branches are cut away, leaving an opening through which the camera protrudes. The selection of a desirable site for the blind is of the greatest importance; it should control as many leads as possible, the prevailing direction of the wind must be considered, the sun must be from the back, the background should compose well, and there should be no obstructions in the foreground. Inside the blind everything should be arranged so that no dry twigs will rub against one’s clothing, for the slightest noise may cause the loss of a picture. A number of well-worn leads or paths pass on each side of the blind I have made, some only a few feet away, others two or three hundred feet. All the conditions are such that if the Caribou come I shall be almost certain to get pictures. The day wears on, but not a Caribou appears. I have been doing some sketching, but the cold wind makes the work very trying. The afternoon is particularly dark and unpleasant, and as it is nearly four o'clock I shall head for camp without having THE CARIBOU MIGRATION 29 used a single plate. On my way down the river two small herds crossed far ahead of me. Another day. Since eight o’clock this morning I have been in the same blind but without accomplish- ing anything. In the distance I have heard the splashing of animals crossing the river ; why it is none come along these fine leads it is difficult to under- stand. Before returning to my camp I shall examine the banks and find out what leads are being used. The result of yesterday’s search showed that the Caribou are using the leads below my camp, quite a number having crossed the river during the past few days, so this morning finds me in a new blind on the south side of the river. Unfortunately the wind is blowing so hard that it is impossible to hear any animals entering the water. Therefore it is all the more necessary to keep my eyes open. For two hours I have been waiting, and my hands and feet are becoming numb, so I must get up and start the blood circulating ; but wait, there is a Caribou. It proves to be only a doe and her fawn, a beautiful pair almost entirely clothed in their winter coat of silvery white. They came along at a quick walk, heading directly toward me, closer and closer, until within forty feet or so. Owing to the lack of light it was impossible to make a picture of them walking, so that as soon as everything was ready, I gave a sudden shout. They stopped immediately, and as they looked about with a surprised expression, the shutter clicked with a noise that revealed my position, and off the pair went at full gallop. This little excitement warmed me upa trifle, but the cold is getting more and more intense and the sky 30 WILD LIFE AND THE CAMERA becomes still more heavily obscured with cold lead- coloured clouds. Bad weather is coming without doubt. If only it would snow there would be no lack of Caribou. Even while I am writing, occasional snowflakes fly past, stinging my face. Further writing is impossible to-day. At intervals during the night flurries of hard snow blew against my tent, yet altogether there was scarcely enough to whiten the ground. The day broke dull and grey, but before nine o’clock the sun came out. Now if the Caribou would only come, the light is good and there is so little wind that any animals crossing the river can be easily heard. A Canada jay is sitting upon a twig above my head. He seems to be watching the pencil with wondering eyes. Down he comes ; now he is not more than a foot or so from my head. Who’sthere? Well, that certainly beats anything I have ever known for impertinence. Evidently it was my glasses that fascinated the bird, for he suddenly darted at them and had them in his bill before I realised his intentions. Throwing up my hands, I frightened the rascal, and he dropped the glasses Before I could replace them the stillness of the morning was broken by repeated sounds of splashing in the river. Caribou had crossed and landed close to where my canoe was hidden. Fortunately they kept clear of my trail. It was only a small herd, but they came within range and I made two exposures. Scarcely had I reloaded the camera than another and larger herd came into view. What a superb sight they presented as they walked with quick steps along the lead which would give me the best chance with the camera! ‘SUOTIIPUOD oTqeqIns Toy Surzrea quaiyed yo saved xis—gad 04 savef xIs ueye} svy ommgjord sty, ‘pley ay} spor dop w sasi ‘SOLINFI99 TOF pos Udeq savy yey} syed do spol wtoOM-TJaaM oy Suope org [suis ut yeavry ATTensn Loy “WONRASTUL UT Noga puvppanozAare yy oul ‘dojjes v som 4¥ Io 4or1} Bursutas Io ‘ypuA yomb v ye Suton r THE CARIBOU MIGRATION 31 So quiet was the morning that the curious clicking of their feet sounded unusually clearly. Here was the chance for which I had been waiting six long years. The combination that I knew was bound to come some time; good light, and a large enough herd of absolutely unsuspicious Caribou. It was really worth waiting for, and my heart beat so hard with excitement that it seemed as though the approaching animals must hear it. With almost feverish haste each part of the camera was carefully examined to see that the shutter was set correctly, the proper diaphragm in place, the slide drawn, and so forth. All of this occupied but a second or two. However, the animals were almost in range by the time I had made sure that everything was in readi- ness. If only a stag had been leading! But that seldom happens. In fact, only three times have I seen it! First came a doe and her fawn, then three young stags and another doe followed by a fair stag, but the largest one was, of course, the last of the line ; that is the rule and that is why it is so difficult to photograph them. On they came, and I watched them closely as they grew larger and larger on the ground glass of the camera, but at the moment when they almost covered the entire plate, I pressed the shutter release, the picture was made and the herd had gone before another plate could be put into position. Now once more I settle down to watch and think with pleasure of the good luck that has come my way. It has been a satisfactory day’s work, even if I get nothing more, but apparently there is more to come, for at this moment I hear splashes. What is to be? There 32 WILD LIFE AND THE CAMERA comes a head through the fringe of alders which line the river bank, another, and yet another. This is surely my lucky day. Among that small herd was a stag, a real stag of the kind one reads about, but seldom sees. How many points? youask. Well! I don’t know. I didn’t have time to count them, but it looked like forty-five or fifty, and the photo- graph shows a full forty-five. He followed close behind the small band of does and came within fifty feet of me before I made the exposure. Startled by the sound of the shutter, the big fellow jumped directly towards me, stopping about twenty-five feet away. Excited to a painful degree, I tried to put in another plate and reset the shutter so that I might make a picture of the stag alone. But just as I was drawing the slide, he galloped off. I had secured one picture of the magnificent specimen, so I had no right to com- plain. Yet I did regret not having succeeded in getting the picture of him alone, when he would have shown to much better advantage. It is afternoon and the sky is dull. So far nothing has happened since the big stag came. Several Caribou are feeding on the marsh a few hundred yards away. One small herd is working in this direction. ‘They are feeding slowly along. Now they are not more than one hundred and fifty yards away. They have stopped feeding, and one after the other they are lying down. The stag, a fine big one, stands sentry for some time, but he too wants to rest, so he too liesdown. For over an hour they sleep quietly. One old doe looks up occasionally, but they are unaware of the fact that their arch- THE CARIBOU MIGRATION 33 enemy, man, is so near. Suddenly, however, three does came along so quietly that I neither saw nor heard them until they were within about twenty feet, and without having seen them, I moved. Of course they bolted, giving, as they went, the alarm- call which aroused the sleeping herd and caused them to take to their heels. This is a morning of mornings. The whole country is a fairy land, glistening and sparkling with a wonderful covering of iridescent hoar-frost. The dark, oily water of the river seems doubly dark as it glides along the white avenue. The edges are coated with frost-covered ice, and small clusters of frozen froth float slowly and silently down the river. The overpowering silence is broken now and then by the harsh croak of a raven or the whistling of a passing duck. It is on a morning like this that one appreciates to the fullest the joy of being entirely alone, and yet people so often ask me if I am not lonely on these solitary trips. On such a day as this, loneliness is impossible. The barrens surround- ing my blinds are particularly and wonderfully beautiful this morning. In one part the yellow grass gives a curious golden hue to the frosty covering. In another the colour is pinkish-purple, as richly coloured leaves shine through the frost. Look which way you will the effect is different, yet equally beautiful. But it is too good to last. A cold wind is getting up, dark clouds are gathering on the horizon, bad weather is threatening. It is about noon, and even now large drops of rain are spattering the paper, so I must stop writing. Yesterday brought no luck. The weather became W.L.C. D 34 WILD LIFE AND THE CAMERA unbearable, and at 3 o'clock I gave up and returned to camp. By 5 o’clock it was snowing hard, and all night the soft flakes pattered gently on the tent, each one adding to my hopes. When I got up this morning at 5.30 the moon was setting in a clear sky. The country looked as beautiful as it always must when the evergreens are snow- covered. Not a breath of wind stirred the trees, and everything was so exquisitely quiet that it seemed an act of sacrilege to break the stillness with the sound of the axe. This snow was bound to bring the Caribou, and I hurried through breakfast, scarcely waiting even to share my porridge with my favourite Canada jay. With disgust I saw the sky becoming overcast, and before I left the camp a film of grey had hidden the blue. Now I am once more in the whitened blind, wish~ ing the sun would come out to make the snow sparkle and help me with my photographic work. There! I hear a splash in the river not four hundred yards away. Another and another, in quick succession. It is Caribou, and they are evidently going to land at the leads which I am watching. Everything is ready but the light, which is pitifully bad. They arecoming. Whata herd that was! Fully seventy- five, with many good stags, but they came so fast, as though impelled with the fear of bad weather, that a quick exposure was impossible. Nothing could stop the maddened herd and they rushed past me within a few feet, the band separating as they reached the blind, going so close that I could put out my hand and touch them as they pass. Excit- ing! It certainly was. It was exhilarating, and Lins (ya Jt ye Sut ota SOT} ofA apeur sea yey 2 U5} dU] pate < 1PLe : AU JO JUOAP UL ATPaItp ABALT vyp s try Jo pa THE CARIBOU MIGRATION 35 even though I got only one very poor picture, the experience was one long to be remembered. What would I not have given for a gleam of sunshine. Then I could have shown people what a herd of frenzied Caribou look like. Wait! There is another splash. It was only a single stag, a rather small one with poor antlers, but he came very close, and as he was travelling slowly, I managed to secure a fair picture. ‘The wind is rising and blow- ing away the snow from the more exposed situations. This is bad, as it makes it still more difficult to use the camera for quick work. Once more I hear a terrific splashing in the river, but it sounds a little below my leads. Minutes are going by. Still I see no sign of the animals. They have evidently gone along another lead further to the westward. Yes, I can see them crossing the big marsh. A superb herd of one hundred and twenty or more. What a pity they are too far away to photograph ! It is such a beautiful sight, that long, quickly moving line of white and grey, its colour being in perfect harmony with the snow-mottled marsh where the colours range from the deepest crimsons and yellows to cold blue and lemon greys of the Caribou moss. There again is the promising sound of splashing in the water, repeated at short intervals as animal after animal takes to the river. The wind makes so much noise that it is impossible to get any idea of the number in the herd, but I shall probably see them, as they appear to be coming this way. Yes, there they are. The herd was a big one, but it divided and only thirty or forty passed me, and not a stag in the lot. For some unknown reason the D2 36 WILD LIFE AND THE CAMERA big part of that herd with several fine stags turned off from the main lead soon after leaving the river bank, so the picture of the does was all I could get. It is surely hard luck to see so many Caribou and not be able to make satisfactory pictures. But, after all, that is the peculiarity of animal photo- graphy. There is always some obstacle in the way of making good pictures. It is these difficulties and disappointments which make the sport so fascinating. How much more difficult it is than shooting! Here this morning I could have shot several fine stags, but not a single good picture of one could I secure. Several hours have gone by and many Caribou have passed, large and small herds. But most have gone so quickly that with the poor light I could not photograph them. A few came more quietly, and with these I had fair luck. Now it is too dark to do anything more. In point of numbers this has been the best day I have ever known, over five hundred having passed within sight, but the results pictorially have been very unsatisfactory. Before leaving camp this morning three herds of Caribou crossed the river, one lot crossing by my camp, but though the light was weak, I managed to make a long enough exposure to secure a rather satisfactory picture. No sooner had I reached my blind than a large herd came by, going too fast to be photographed. Later on several herds crossed further below, but they did not come within range of the camera. The day is very dull so I have small hopes of doing much, especially as most of the herds are working further to the westward. One small company led by a fairly good AL] AAV PUMOIBaLo] of} UPL AOAQT Spoty uo Surtiaagy Od ysull BALTL OTUs oq THE CARIBOU MIGRATION 37 stag came within reach, but the weak light made it impossible to make a satisfactory picture. Towards noon the day warmed up, and the Caribou, after crossing the river, entered the big marsh and stopped there to feed and rest. Atone time I could count eight separate herds all within three-quarters of a mile. About three hundred yards away there were three large stags, and I attempted to stalk them. Unfortunately I had not seen a doe that evidently belonged to the party, and just before I got within range, she warned the stags and off they went. About three o’clock I went back to the river to try my luck there, and soon found one of the much used crossings. A few minutes after I had hidden myself among some tall grass, a single doe swam the river and landed immediately in front of me; with the bright golden light stream- ing through the clouds it was very beautiful, but exasperating, as it was not in good position for the camera. JI made an exposure and the animal passed me within twenty feet without even sus- pecting my presence. A few minutes later a doe and a fawn landed at the same place, and I could not resist the temptation to use another plate. To-day I tried working along the river in the hopes of getting photographs of the Caribou entering and leaving the water. Hiding among the tall grass as I had done yesterday, I did not have long to wait before a large herd appeared on the opposite bank. After hesitating for a moment or two, they broke through the thin sheet of ice and entered the river, following closely one behind the other till there were forty in the water, but 38 WILD LIFE AND THE CAMERA they headed down stream, far below where I was until suddenly, without any apparent reason, they turned and came straight toward me. ‘he sun was still so low that the fir trees cast a shadow far across the river, but as that could not be helped, I had to make the best of it. The herd landed about forty feet from me and I made two exposures before they realised what was happening. Then what a scattering there was! Mud flew in all directions and many rushed past, only a few feet away. After this I crossed the river to the sun-lit side; putting the canoe behind a partly sub- merged log, I waited, and pretty soon a doe and fawn came down the bank and, entering the river, swam across without seeing me. Soon another pair posed for me. Then a little later there was a great commotion as a large herd came crashing down the bank through the thick fringe of trees. Now the question was when to take the picture. Of course, I wanted a big stag as the centre of the picture. Does and small stags came in abundance, and finally I thought the last had come, and even though it was only a doe I pressed the button as she rushed down the bank. No sooner had I done this than an immense stag came immediately behind her, hesitated a moment in a _ perfect position, looking directly at me, but before I could re-set the shut, he had scrambled up the bank and disappeared. For the rest of the day I had no further luck. Many Caribou crossed the river, but all went below or above where I happened to be. Nevertheless, the day has been one of great interest. It is seldom that one has a chance to see so many THE CARIBOU MIGRATION 39 wild animals, and while watching them the wonder of this great migration was constantly before my mind. Every autumn, following the first heavy snow that comes after October 20th, the northern Caribou commenced the southerly journey; con- verging from their various summer haunts, they pass between Sandy River and Gaff-topsails, scattering again soon after they cross the railroad line to grass. The winters are spent toward the centre of the island. Then, as spring approaches, the great herd return to their summer homes. In watching the southerly migration one is surprised at the great number of does, perhaps as many as fifteen or twenty to each stag. In fact there are often large herds with no stags at all. This in- equality is not as great as it seems, for toward the end of the migration there are many great herds which contain only stags, but then they are mostly without antlers. As early as November 3rd some of the stags drop their horns, very few carrying them into December. At what age the Caribou carry their best heads is not known, but probably the largest horns are found on the stags ranging from seven to ten years of age. Unlike most deer the does of the Newfoundland Caribou usually have horns. They are for the most part small and without beauty, though occasionally a very fair head is seen; in form it is more like the antlers of the Virginia deer, and lacks the characteristic brow paddle, which the stags almost always have. The Caribou’s colour varies with the individual and with the season. In general they are white in the winter and a soft brown or grey mouse colour 40 WILD LIFE AND THE CAMERA during the summer. The cause of the migration is presumably the search for food, but there is so little data on the subject that one is scarcely justi- fied in making any definite statements. We know that by no means all the northern Caribou come south, many remaining in the extreme north of the peninsula; while quite as many stay in the southern part of the island during the summer. There is no apparent reason why those animals which spend the winter in the middle of the island on the high plains and rolling hills should not stay there during the summer. Evidently there is some condition of which we know nothing, something which causes the vast herds to endure the hard- ships of the long trips of the autumn and spring, when they often have to fight their way through the thick ice of the frozen rivers and lakes. They travel easily and rapidly under almost all conditions, gliding over the soft, quaking bogs as readily as over the hard, rocky hills. Through the dense fir forests they break their way almost without noise. They take to the water like ducks, their heavy coats of air-containing hair making them so buoyant that they swim with several inches of the entire length of their body showing; but though they swim with ease and rapidity, they do not relish enter- ing the very cold water. I have often watched them hesitate for quite a long time before plunging in. The leads or roads which they follow have been in use year after year, perhaps for hundreds or thou- sands of years, for in many places deep furrows are worn in the rocks by the hoofs of countless thou- sands of Caribou. Travelling, at least in the autumn, fz a 4 j arly L av yh cas fate aS bo vee ~ + a3 “4S a Le Vv = a ia _ = pec s taes, € es Tn thus ynreture the difference of dis My or ig. ist uspiclous and alert than th AVS Lore 's being alway “Onee in a ereat while the herd is led by hown, the doe 8 THE CARIBOU MIGRATION 41 is done almost entirely by daylight, chiefly before 10 in the morning and after 3 in the afternoon ; only during very bad weather, when the snow is becoming dangerously deep, or when extreme cold threatens to freeze and so close the rivers, do they move much at night. One of the sights which I live in hopes of seeing is that of the south-bound animals crashing through the frozen rivers in a driving snowstorm, for then they have no fear of man and would be easy targets for the camera. Their one idea at such times is to reach their southern destination where they can, by constant work, procure sufficient nourishment from the snow-bound country. This winter they will soon be there, for the greater part of the migration has already passed, perhaps the largest migration that has occurred for many years. Fully two thousand have passed within my sight during the two weeks that I have been on Sandy River. They have treated me well, and if the weather had only been brighter, I should have had excellent pictures to show. This is the sixth consecutive year that I have spent at least part of the southerly migration season along Sandy River in the hopes of opportu- nity to photograph these beautiful creatures. But hitherto luck has always been against me. ‘Two years ago, I spent six long weeks watching and hoping day by day that the migration would begin, but something had gone wrong with it, and it was not until well into December that the great herds of south-bound animals came along, and by that time, of course, the stags had shed their horns. Other times 1 have spent two to four weeks watching 42 WILD LIFE AND THE CAMERA the leads but without success. Why, you may ask, am I so anxious to picture the Caribou, that I should devote myself year after year to the effort ? Surely there are many other animals to portray with camera, brush and pen, animals, too, that are easier to find perhaps? That is, of course, true, but they are for the most part animals far better known, of which more or less truthful pictures have been made, but the Caribou of Newfoundland have scarcely been fairly pictured. Paintings of them are usually grotesque caricatures of the graceful creatures. Look at almost all the pictures that have been made, and what do you see? A lean, sad, miserable creature with ungainly legs, exagge- rated knee-joints and a hang-dog expression that in no waysresemble the wild Caribou. How it comes that these animals are not more faithfully pictured is probably because the usual zoo specimens from which the studies are made are not in normal con- dition. They almost always suffer from a disease which changes their entire appearance; the poor creature survives but a short time in captivity, succumbing before it reaches maturity to an illness which apparently is unpreventable. Thus it is that we see so few Caribou in captivity. The change of food, probably more than the change of living, is the cause of this. But whatever it may be, we never see a captive Caribou which resembles the animal in its natural haunts. To my mind there is no more graceful, beautiful animal than the Newfoundland Caribou, beautiful in form and wonderful in colour; yet the question of indivi- duality among these creatures must be considered. Stay Caribou, photographed at a distance of not more than nine varts. THE CARIBOU MIGRATION 43 You will find magnificent stags which resemble the majestic elk; then again there are many large stags whose ugliness and ungainliness are such that they are almost comical. So also with the does and fawns. People, asa rule, fail to realise this marked individuality in wild creatures, both as to appear- ance and character. Yet I believe it to be as great as, if not greater than, with the human being. The pictures which accompany this article, though they do not do justice to the originals, at least give some slight suggestion of their beauty, and I hope they will help to correct the common idea that the animals are always ungainly and unlovely. If so, I shall feel even more fully repaid than I have already been by the joy of doing the work itself. As to the pleasure of doing this work, I have no words at my command which will give any idea of it. There is in it a peculiar fascination, almost impossible to describe. A fascination and pleasure which obli- terates all traces of the hardships, yes, and even sufferings with which the work is often attended. To give some sort of a reality to this work, I feel that the writing should be done on the spot, for it has been said by the wise ones that a man should be in the environment of which he is writing. Surely I am in the proper environment, even though the © conditions scarcely favour writing, for while I see the pencil moving in a somewhat erratic manner over the paper, my hands are so benumbed by cold that I can feel nothing. How different from writing in an attic, where bare walls stare insolently and each step on the rickety stairs suggests the postman coming with manuscripts “ returned with 44 WILD LIFE AND THE CAMERA thanks!” Different, too, from a cozy studio or warm, snug library with all its comforts. Among no such limiting surroundings am I writing, but out on the bare and bleak yet beautiful barrens, where a carpet of richly-coloured mosses fights with the sombre greys for supremacy. No painted ceiling presses on my head, the great limitless, blue vault is above me, or the sun is at any rate shining with seductive warmth above the leaden-grey clouds which so persistently hide its beauty. Often the snowflakes, driven by an ill-tempered and keen- cutting wind, chase each other across the paper and play hide-and-seek with the pencil point. My eyes, besides being on my work, are also constantly scan- ning the country, for one can never tell at what minute a mighty stag or a silver-hued line of Caribou may come in sight. They seem to spring from nowhere, and almost before the camera can be pointed at them they have come and gone, leaving, perhaps, nothing more substantial than a mental picture. To have any chance of success, one must be keenly and constantly alert. Hours and even days may pass without the sign of a Caribou, but it seems as soon as one relaxes for a moment, the animals come. For this year, I must bid good- bye to these Caribou of Newfoundland. Perhaps next season we may meet again, when I may be better able to prove the beauty of the reindeer of the western world. With keen regret I roll up the tent. My only companion, the fluffy jay, sits by my side and we share our farewell meal. He knows Iam going and murmurs softly as he watches me pack the canoe and start down the river. No THE CARIBOU MIGRATION 45 tangled mass of orange-coloured antlers breaks the graceful line of the canoe; my trophies, as yet invisible and of unknown quality, are packed in a tiny waterproof case, awaiting the magic touch of the chemicals which will discover whether or not my aim has been true. If true, I shall have pictures to show. If not, the many memories of the trip must suffice, and they will live and improve as the years go by. THE STORY OF A PORCUPINE HUNT CHAPTER III THE STORY OF A PORCUPINE HUNT * How a series of photographs were made directly from the wild animal for the purpose of illustrating a story. Probably the first time that wild animals were ever made to pose in this way before the camera. In the month of April, 1901, a telegram from a New York publisher came to me as I was about to start off for a day’s bird work: “Come in immediately, have splendid story to illustrate.” The story proved to be about the Canadian porcu- pine—an animal I had not yet seen in its wild state. Would I undertake to make the pictures entirely with the camera, so as to give a touch of realism more convincing than if the work were done by hand ? Somewhat reluctantly I promised not only to make the set, but undertook to have it completed by June 10th. Having made this rather rash promise, the next step was to find out where to look for the porcupines—without having to go too far for them. Inquiries among my naturalist friends resulted in information which was not very hopeful. The opinion was that the shortness of time would make it practically impossible. Being blessed with a decidedly optimistic dis position, I hoped for the best, packed up an outfit of cameras and warm clothes, and started for the Adirondacks. Inquiries among the residents * Not previously published. W.L.c. E 50 WILD LIFE AND THE CAMERA of a very small village where the train dropped me one cold, rainy morning led me to hire a “rig” and drive many miles over roads which were roads in little more than name. For the long winter frost, coming out of the ground, had con- verted the road into a regular mire in which the wheels sank nearly to the hubs and frequently stuck in a most alarming way. Twice the decrepit harness gave way under the unusual strain. The prospects of ever reaching the little mountain farm were at times anything but promising, but by dint of much coaxing, picturesquely intermixed with a fair amount of “cussing” and a great deal of good luck, we finally drew up at a small log house of neat appearance. Now came the seemingly impos- sible task of making a backwoodsman understand that I wanted his help in connection with hunt- ing for porcupines, and photographing the queer beasts so as to fit the story. This meant bringing in two characters, a man and a boy. The man proved most intelligent, and even though he regarded me for some time as a mild lunatic who might without risk be humoured in his strange whims and fancies, he promised all the help I needed. One of his sons was about the age of the boy in the story, so it only remained for us to find the most important member—the porcupine. Now the finding of these animals is easy enough in the regions where they abound, but finding them and handling them are by no means the same. The porky has been said to have more good points than any other animal, a sad but very true joke, which can only be thoroughly appreciated by those STORY OF A PORCUPINE HUNT 51 who have attempted to control the creatures. It unfortunately happens that they are almost entirely nocturnal in their habits, coming out towards dusk and returning to their sleeping quarters about dawn. As the photographic work could not be done at night it was necessary for us to secure our would-be, or perhaps I should say our would-not-be models during their nightly wanderings and keep them till morning, all of which sounds easy, but was none the less the cause of many tribulations and dis- appointments ; for, be it remembered, a porcupine can climb almost anything and if enclosed in a box will eat his way out within a few hours. We decided a sack would be the thing, so when on the first night we caught a fine animal which was prowling about seeking what he might devour in the way of spade handles or other wooden articles used by men, we put him in a sack, tied it up, and put it in a barrel. When morning came we carried our victim to a place where the setting coincided with that of the story. The camera was carefully arranged, and the bag opened, and out rolled an animal which possessed not a single point, good or otherwise. All the quills had been transferred to the sack, and we beheld a rough, hairy and very sad-looking model utterly unsuited to our purposes. This was most unfortunate, because the picture de- manded snow. And this small patch, hidden in a sheltered nook, a last remnant of the winter, was the only snow in the region. The day was warm and springlike, so that in a few hours this too would be melted and our chance gone for the year. There was nothing to be done for this day, E 2 52 WILD LIFE AND THE CAMERA so after releasing our moulted friend we returned to the farmhouse sadder and wiser men. During the afternoon we made an enclosure which would safely contain our next victim, and when night came we went out to hunt. Before long the dogs began a furious barking; they had discovered two porkies behind the chicken house, fortunately not far from the new enclosure. With the aid of the dogs and by much pushing we managed to get the prickly creatures inside and left them there till morning. Soon after breakfast we started for the dwindling snow patch—a curious procession. One of the porcupines was slung from a pole, secured by all four legs; in this way the man and the boy carried him, while I followed armed witha camera, tripod, and other paraphernalia. All went well till we came to the river, which had to be crossed in a very small, frail, low-sided punt. The river was a raging torrent owing to the recently melted snow, and the prospects ofreaching the opposite bank were not at all cheerful. Two of us got into the punt with the porky, who was very well behaved until we were nearly half way over, when a lot of water rushed over the side, soaking the poor beast, who immediately began to squirm so vigorously that he got his feet out of the slip knots, and, finding himself free, made straight for the end of the boat where the man was devoting all his attention to paddling and steering. As a very close companion a porcupine is scarcely to be recommended, especially in a small and very frail boat in very rough water. The man had on heavy boots, and with these he pushed and pushed the STORY OF A PORCUPINE HUNT 53 determined animal. But the more he pushed the more determined did the animal become. Finally he took the paddle and with it managed to shove the creature back; but with very nearly disastrous results, for the punt swung broadside to the yellow curling ripples, and only by good luck and prompt action were we able to avert a capsize. Finally we landed, a sadly bedraggled trio. The man’s feet looked much like pincushions, so full were they of the porky’s quills. It took us about an hour to drive that animal to the snow patch and another hour to persuade the obstinate bunch of quills to pose as required by the story. Finally, however, the picture was made, and as the animal had lost so many of his quills we released him as being of no further use. On returning to the farm we found that the second one, which we had imagined so securely imprisoned, had taken French leave, and we were left without a model for to-morrow. That night and several more we hunted in vain for another suitable porky ; we found several, but all were of most disreputable appearance. At length the man suggested that we go to some woods five or six miles away. There not only should we find an abundance of the animals we sought, but the conditions would be thoroughly satisfactory for the setting. All this sounded so hopeful that we packed up, and with blankets, cameras, and food supplies for five or six days we made an early start, each of us carrying pur loads of about sixty-five pounds. It was a delightful walk through those mixed forests; at times we made our way among the dark spruces and hemlocks, walking on the soft, 54 WILD LIFE AND THE CAMERA spongy moss and climbing over the frequent windfalls. Then there would be hardwood ridges where the gleaming silver-and-white of the beeches and birches reflected all the tender tints of the delicate spring leaves and bursting buds. Many of the early arriving warblers darted among the lace- like foliage searching for unwary insects. It was all beautiful, but the hills were many and steep and the loads heavy, and, worst of all, the mosquitoes and black flies, those terrors of the otherwise perfect north-woods, were wakened to unwonted activity by the warmth of the spring sun. The edge of the lake was reached at last; here we made camp in simple fashion. No tent from the city outfitters. Itwas not needed in the land of birch-bark. In less than an hour we had peeled off great slabs of glisten- ing bark, enough to cover our lean-to and render it proof against the most severe rains. Before the sun set we visited the lake and caught a few trout for supper. Strange it is how much one enjoys a meal cooked out of doors, where the smell of burning wood permeates everything. The simplest food, badly cooked though it may be, and usually is, tastes better far than the best of indoor cooking. A few rashers of bacon curled and smoked over the glowing embers, eaten with hot soda biscuits (often called scones) baked in the tin oven, is good enough for any man out in the woods, yet the same man would scorn such a dinner served on delicate china in a well-appointed dining-room. Why is it? Just as for the fisherman it is not the fish but the conditions. under which they are caught that gives the pleasure; so it is with the STORY OF A PORCUPINE HUNT 55 food. It is not the food itself, but the sur- roundings, the environment, which give it such a zest. Werolled ourselves in our blankets on our springy beds of spruce boughs and watched the crackling fire, fascinated as one always is by the ruddy smoke as it swept upward toward the twinkling stars, faintly illuminating the dark branches of the sur- rounding trees. As we watched we listened— listened for the sound of a wandering porcupine which, attracted by the smell of bacon, might be tempted to approach our camp. While watching we often dozed, for we were tired with the healthy tiredness of outdoor life. It was, perhaps, ten o’clock, the fire had died down to a few smouldering logs which sent up fitful flames of tiny sparks and blue wreaths of smoky plumes, when we were awakened by the faint, shrill call of porcupines, several of which were evidently nearby. We listened for some time until we thought we knew where the nearest one was. Then, slipping on our boots and taking torches of birch-bark, we quietly made our way towards the sound. On we went, further and further, making our way with great difficulty over the fallen trees, among the upturned roots and the tangle of underbrush. Suddenly the flaring torch showed us a porky not twenty-five feet away. The light striking the polished ends of the quills gave him a most peculiar appearance. For a moment he watched us, surprised at the strange sight, then, deciding that we would look better from a greater distance, he started away with all of us after him. Never have I taken part in a stranger chase. We 56 WILD LIFE AND THE CAMERA floundered in mudholes, tumbled over tree trunks, caught our feet in the hidden moss-covered roots as we tried to dodge this way and that after the elusive creature who seemed not to know which way to go. First this way, then that way, sometimes with a sudden change of mind back he would head, dodg- ing right between us, just as we were mixed up in various obstructions in the strange light cast by the three torches, our dancing shadows chasing each other like dark phantoms. On and on we went, paying no attention to our direction, till at last we cornered the bewildered beast between the root knees of a large cedar. With considerable difficulty we fastened a stout line around one hind leg of the indignant creature, and with still greater difficulty drove him to where we thought the camp should be. Apparently we had been going in circles while stumbling through the woods, and though not more than a few hundred yards from the starting-point, we were so bewildered that none of us could say where the camp was. Finally, after many false directions and signs had been followed, we were surprised by a thin column of smoke and sparks rising only a few yards away from where we were holding a consultation. Had it not been for that smoke we might have wandered till daylight. On arriving at the camp we were much surprised and amused to see a fine big porcupine hurrying away. Therascal had been stealing our bacon and we came in time to save only a small part of it. Hastily securing our captive to a tree stump, we proceeded to catch the retreating thief. Soon we had him tied by the hind legs to a convenient tree, The Porcupine aud the Abandoned Camp in the Snow, STORY OF A PORCUPINE HUNT 57 and we returned to the camp to secure more thoroughly the first-caught porky. To our utter disappointment we discovered nothing but the end of the cord, which he had evidently bitten through. It is scarcely necessary to say that we were utterly disgusted at our bad luck, or carelessness, whichever you like to call it. We had learned our lesson however, and immediately took precautions against the escape of our last victim. Then we all crawled into the lean-to for a few hours’ sleep. The night was warm, so we had allowed the fire to die down, and we arranged our blankets in the dark. A shout of surprise and pain from the man caused me to quickly strike a match and by its flickering light I saw a most amusing sight. ‘The escaped porcu- pine had retreated to the inner part of the lean-to, and finding the blankets very much to his liking, had decided to make his bed there and then. The man in moving the blankets had come into contact with the animated pincushion and had received a full dose of quills into his hands, with the result that he entirely failed to see the funny side of the situation. Of course he was powerless to do any- thing with his fingers in that condition, so after lighting a torch I extracted all the quills, a painful and very tedious task. The boy in the meantime kept his eye on the porky. Eventually all the quills were removed, and then the porky was fastened to a tree to await the morning’s work. After a few hours of refreshing sleep we were up, and by the time the sun was high enough we began the photographic work. One of the pictures called for a lake shore setting; this required my 58 WILD LIFE AND THE CAMERA going into the ice-cold water with the camera, and a more miserable half-hour I have seldom spent, for apart from the cold, and the water was well above my knees, the air was filled with thousands of detestable black flies and “ no-see-ems,” whose poisonous stinging bite nearly drives a man crazy. It was no fun, but really hard work, and I could not help thinking that sitting in a comfortable studio making drawings was far easier than making photographic illustrations of wild animals. One of the subjects was a porcupine sitting among the topmost branches of a hemlock tree. How I blessed the author of the story for choosing such a tree with its bending branches. We cut down a vigorous-looking tree, took off the top and stuck it firmly in the ground. The next question was, how could we induce the porky to climb it ? Apparently there was no question about it so far as the animal was concerned, he simply refused point blank, and nothing that we could do had the slightest effect on his determination. With any other small creature it would have been an easy matter to place him exactly where we wished, but unfortunately one cannot handle these prickly customers. Finally we tied the perverse beast to a stout pole, hoisted him up, and when he grasped the branch we cut the cord, whereupon he promptly fell to the ground, and we had to repeat this operation several times before he at last decided to hold on and the picture was quickly made. Another illustration required a dug-out canoe. The man said he knew where there used to be an old one, which we might be able to find in a certain The Porcupine, the Man, and the Half Dug-out. STORY OF A PORCUPINE HUNT 59 tangled swamp. On our way to the place we found a fine porky sitting asleep on the branch of a tall spruce. Surely an excellent opportunity for securing a model with very little trouble. Simply cut down the tree and we would have him, so thought we. Porky thought differently, As we cut, up he went till he reached the topmost branches. The tree swung slowly as the last strokes of the axe cut through, then with gradually increasing speed it heeled over, grazing another tree as it fell. The porky took advantage of the situation to scramble off the fallen tree on to the standing one, and there he’ stayed, smiling, I imagine, at our discomfiture. To cut down the second tree was the work of only a few minutes, and we began, but before half a dozen white chips had flown from the keen edge of the axe the clever creature decided that it was moving time, and he left the vibrating tree and climbed into the branches of another one. The pursuit was hopeless, so we gave up and continued our search for the dug-out, which we eventually discovered in a long aban- doned beaver canal leading from the swamp to the lake. When I say we found the dug-out, I should more properly say we found half of it, for that was all that remained of the rough-hewn craft. Of course itwould not float ; we therefore placed it in very shallow water so that it rested on the bottom, with the broken end on a tussock, and when we brought the necessary porcupine the following morning we were able, with very slight trouble, to make the picture just as it was described in the story. The camera was placed so that the broken 60 WILD LIFE AND THE CAMERA part of the canoe came against the edge of the plate. We had many other interesting and some- times tiring experiences before the series of pictures was completed, and it was with great pleasure that I sent in the result two days ahead of the appointed time. This was probably the first animal story ever illustrated entirely with the camera in which a really wild or, I should say, many wild animals were used and every detail of the described scenes rendered as accurately as though done with the brush. Whether the results justify the labour is a question. Apart from the fact that they give a touch of realism and so make the story appear more true, I should be inclined to answer it in the negative. Such pictures are not easy to procure, but there is in the making of them an element of sport which is a reward for all of the hardships, and further than that it takes one into the woods where there is unlimited opportunity to learn something of the great out of doors, where Nature has always something new to tell us if we will but use our ears and our eyes. And when at the end of each day’s work in the woods we roll ourselves up in our blankets, we sleep—sleep that delicious refreshing sleep of the kind unknown to the man who works only in the studio. BIRDS AND THE CAMERA CHAPTER IV BIRDS AND THE CAMERA Nowapays, when the camera forms a necessary part of the nature-interviewer’s and pleasure-seeker’s outfit, no creature, human or otherwise, is safe from the press-the-button brigade. Nearly every person who can afford one, and many who cannot, possess or hope to possess a camera, and with these every imaginable object, animate or inanimate, is por- trayed. Comparatively few, however, of the great army ever direct their energies to the photographing of birds. It is difficult to account for this lack of interest in such a fascinating branch of camera work ; perhaps it is because so few people know or care for the feathered tribes, while even those who really do interest themselves in these useful mem- bers of creation fear the many difficulties to be met with in bird photography. Not many people are possessed of a sufficient amount of patience to watch quietly through the long hot hours of a summer’s day in the hopes of perhaps securing a single photograph of a live bird. Without this patience no one need hope to succeed. True, an occasional “snapshot” when conditions happen to be favourable may, and sometimes does, result in the obtaining of a good picture, but he who would interview a bird with the camera must be prepared for endless disappointments; and, should weeks 64 WILD LIFE AND THE CAMERA pass by and no good photographs be secured, he must not be discouraged. Birds are somewhat uncertain in their moods, and years of persecu- tion by man have had the effect of instilling in them a very natural feeling of fear and distrust, which can only be changed by kindness and patience. My chapter on the worm-eating warbler and her family offers a good example of what patience and fair treatment can accomplish with birds. It must not be imagined that this comparatively rare bird would come so near the camera when first we met ; that would have been expecting too much. Only after she—for I presume it was a female—had learned to know me, and realised that I intended no harm, did she place such confidence in one whom she had probably considered her natural enemy. Let one of these warblers be seen by a collector, and what is its fate? Death, with Science as the threadbare and usually valueless excuse. Would that more of the so-called collectors (I do not refer to those who are really working upon a scientific basis and with a knowledge of their subject that enables them to do the good expected of them) might more often exchange the gun for the camera ! If that could be, photographers as well as the birds would be the gainers, so that from a selfish stand- point, if for no other reason, I would recommend the harmless camera. ‘Take for example the accom- panying pictures of a family of young crested fly- catchers. Surely theyare more likely to give pleasure in this form than if they were a set of the most perfectly made “skins,” arranged with infinite care The same Brood ready for Pood. BIRDS AND THE CAMERA 65 ina fancy cabinet. These fly-catchers I had watched ever since their arrival into the world. Their nursery, so carefully made, was placed inside the dead branch of an old apple tree. With full consideration for the comfort of the prospective family of six, the parents had gathered a quantity of pine needles, and of these entirely was the actual nest made; a few feathers were added as a lining that would keep the nestlings warm in their earliest babyhood. During the first few days of their lives the youngsters were by no means objects of beauty ; rather were they grotesque, with their large heads and small pinkish bodies, loosely covered with wrinkled skin, and entirely innocent of feathers or any other covering whatever. Watching their extremely rapid growth, I decided that by July 4th some, if not all of them, would be nearly ready to be launched out into the great world of many enemies ; so it was on that day the family posed for me. It usually happens that in a brood of birds there is a weakling, so I was not surprised to find upon close examination that one of these fly-catchers was smaller than he really should have been; and not only was small, but much undeveloped. While the others were almost able to fly, he could not even keep his balance, so for that reason I was unable to place him on the apple branch that formed the perch for his brothers and sisters. They were strong and well developed, but of unmanageable dispositions. Though perfectly able to sit on the branch, it was a long while before I could induce them to do so. W.L.C. F 66 WILD LIFE AND THE CAMERA One in particular aggravated me beyond words. Instead of using his feet for what nature intended them, he insisted on clutching tightly hold of his wings, as though that were of the slightest use. If I disengaged the unruly members and placed his toes as they should be—around the branch—he would roll off, either backward or forward, exactly as a mounted bird would do if the leg wires were not secured. For fully fifteen minutes this perform- ance was kept up, varied only in its tiresome monotony by the other four nestlings. Every little while they would simultaneously follow the bad example of the little seamp—who, by the way, was about the largest and strongest of the brood—and with one accord, as though they had been released from their support by the pressing of an electric button, they would all drop off. It is quite probable that most people who were so unfortunate as to have been anywhere in the vicinity of New York will remember with unpleasant distinctness the heat of the national holiday—July 4th, 1900. In the apple orchard where the fly-catchers had their nest, and which was in a hollow entirely surrounded by hills, the heat was intense, for the breezes did not venture near. On the higher ground the trees might be seen lazily waving their topmost branches, as though wishing to inform the world of the fact that up there, at least, the soft summer winds deigned to live; and I devoutly wished my friends the fly- catchers had not chosen for their nestling place this orchard, which seemed as though it had been transplanted from the tropics. BIRDS AND THE CAMERA 67 With the perspiration dripping from every pore, and the horse-flies trying persistently to make their dinner off my neck, is it to be wondered at that my stock of patience was soon nearly exhausted? Yet there was something decidedly amusing in the beha- viour of my little models, their peculiar objection to the business of posing and the aggravating manner in which they expressed their disapproval of the whole proceeding. Many times I would succeed in putting three or even four on. And then, just as I was picking up the last of the unruly crew, the first and then the second would fall limply to the ground. When these were restored to their perch the others would drop off one by one. It really was quite enough to try the patience of a saint. Suddenly, and with no apparent reason, the young rascals became possessed of a better spirit, and sat as quiet as models should. I was greatly relieved at this welcome change, but how was it to be accounted for? Apparently the conditions had not altered, so I was forced to believe that a note, which one of the parents had just uttered, was a command to the young ; perhaps he had discovered that I meant no harm, and therefore wished his children to behave them- selves. Whatever was the cause I was thankful for it, and immediately arranged the camera, so that in a few minutes all the Masters and Misses Fly- catcher were secured by the dry plate ready to be handed down to, we hope, an admiring posterity. No sooner had I made the exposure, than Mrs. Fly-catcher arrived ; till then she had not shown very much anxiety for her youngsters, but now she appeared with some kind of insect in her capacious F 2 68 WILD LIFE AND THE CAMERA beak, and with a peculiar note she conveyed to the little ones the news that there was food near by. It is quite in accordance with the rules and regulations of bird life that when food is brought to the nest, each member of the hungry (and to be a young bird is to be hungry) family shall open his or her beak to its greatest extent. When there are six such mouths open, and each head, held on high, trembles violently in pleasurable anticipation of the hoped-for morsel, we cannot help wondering how by any possibility the parent bird can decide which shall have the food. She appears, however, to waste no time in considering the difficult problem, but instantly drops the insect, or whatever it may be, into one of the many mouths. Then, after remaining for a few seconds to see that the nursery is as clean as it should be, she hurries away in quest of a further supply of food. Now the five young birds before me understood full well the significance of their mother’s call, and one after another they opened their mouths, but in a half-hearted way that was most ridiculous. Evidently they realised the fact that things were not quite as they should have been, and that perhaps, after all, they were not going to befed. At any rate it was better to be fully prepared, and so it was that, as each one sat with a silly expression on his face and his beak partly open, I made the picture of which the accompanying is a reproduc- tion. After taking another photograph, showing the entire brood on the stump that contained their cozy home, I left them in possession of the orchard, and sought for myself a place where the breezes “GAO 5 2 Bake smMorreda surddty; jo ATIMBT B FO ssoneMIVy, sip, = 1eT BIRDS AND THE CAMERA 69 blew, there to rest from the arduous, though interesting, labour of photographing recalcitrant fly-catchers under the direct rays of the hot July sun. On such a trying day the open fields and scrub lands offered but slight inducement for bird hunting, and so I chose by preference the woods and thickets that bordered the stream. It was a likely place for birds, but the heat was great, and I wandered in that aimless way which seldom leads to finding anything. Here and there beneath the kindly shadow of a heavily foliaged tree I noticed birds, but they showed little animation, and sat quietly with beaks open as though gasping for breath. Birds suffer greatly from heat, so that on days when the temperature is high they move about but little, excepting during the earlier and later hours of the day, preferrmg rather some secluded and shady place where they may rest undisturbed during the hours of the greatest heat. Not finding anything new, I remembered the beautiful basket-like nest of the Red-eyed Vireo, in which, but twelve days ago, I had seen two eggs and two tiny naked bodies that had so recently left the cramped quarters of their imprisoning shell. Probably by now they would have abandoned their nest and be hiding in the dense tangle of vines that grew beneath the hanging cradle. It would be difficult to find them, but fortune is often kind, and I would try her once more. The nest as I drew near bore the semblance of a deserted house, and indeed it proved to be empty, but even in its emptiness it was an object of interest. I noticed for the first time that it was 70 WILD LIFE AND THE CAMERA largely composed of strips of the paper hornet’s nest. These were held in place by numerous threads of caterpillar silk and decorated with tufts of white material, probably cocoons’ or spiders’ nests. The entire structure was wonderfully fashioned and was a good example of the extra- ordinary skill of the little architects. While I was examining all these exquisite details, my attention was attracted by a bird-like sound in the thicket near by. Was it the note of a young bird? I waited anxiously for a repetition of the sound. For a few minutes all was quiet, only a wood-thrush sang its rich, sad song, and in the distance a woodpecker tapped the trunk of a dead tree. Then another sound came from the undergrowth, only the faint peep-peep of a young bird, but it delighted me, for on a careful approach, among the leaves I discovered, sitting there on the lower branch of the silky corel, one of the most beautiful young birds I have ever met, fit indeed to have been cradled in the marvellous nest I had been admiring, for it was a young Red-eyed Vireo—twelve days old—the age when its beauty is more conspicuous than at any other period of its life. There was no gaudy colouring to this little ball of fluff that it did not need. Nothing could enhance the beauty of this softly coloured bird ; almost might it be called a living symphony in grey, for the breast was very pale grey, pearly in its extreme delicacy; the head was of various shades of soft grey, while the back was of a delicate grey or olive-green that harmonised most perfectly with the other subtle shades. Young Red-eyed Vireo. BIRDS AND THE CAMERA 71 As a rule, when young birds are discovered shortly after they have left the nest, they first of all sit absolutely still with beak pointed upwards, and think themselves unseen. As soon, however, as they know they have been detected, they drop down among the leaves and undergrowth and are instantly lost to view. My little friend followed no such line of action. The moment I placed my finger near him, he hopped on to it in a most confiding manner. He seemed quite tame and rather tired, and I imagined he had been having his first lesson in flying and was therefore exhausted. Whatever may have been the cause I know not, but it was not very long before he nestled himself down, and gradually closing his eyes, went fast asleep, quite regardless of his strange perch. In this way he remained until a call from one of his parents awakened him; he carefully stretched his small self and then looked about him, with an expression of “ Where am I?” Fearing lest he should become too lively, I replaced him on his natural perch and made ready the camera. His wakefulness was, however, only temporary, and before I had made a third exposure he was fast asleep again. SoI left the sleeping atom to be watched over by those who, for but a few short weeks, would be his instructors and guardians, and went to pay a visit to an ovenbird whose beauti- ful dome-shaped nest was hidden among the dead leaves in the woods near by. She was at home when I called, so I decided to photograph her. Unfortunately the roof of the arched nest cut off the light so that under existing circumstances a 72 WILD LIFE AND THE CAMERA good picture could scarcely be hoped for. A small looking-glass, however, served to alter things, by throwing the sunlight into the nest, so that only a very short exposure was necessary. My mind was fully made up to make the further acquaintance of this little thrush-like warbler after the arrival of her brood, for it is only then that one can really get to know a bird. The day arrived, and the four little trembling pink bodies had taken the place of the speckled eggs. They were too small to photograph then, so I left them for two days and then made one photograph, thinking that later on, as they grew stronger, I should be able to photograph them at different stages of their growth. But this was not to be. As I approached the domed nursery I was greeted by the pitiful complaining note of the pair of ovenbirds. This was not the way in which they usually greeted me. I feared the worst, and my fears were realised. In place of the nest there was only a tangled and shattered heap of weed stems and dry leaves—the materials that but a few hours before had constituted a beautiful example of bird architecture. In the soft earth, within thirty inches of the ruins, was the print of a cat’s foot. Sick at heart, I left the scene of misery and desolation, vowing an awful vengeance against cats in general. “ BLUEY ” CHAPTER V ‘“ BLUEY ”: * A TRUE STORY OF THE VERY BEST PET BIRD THE scene was laid in an abandoned apple orchard, situated in a snug little valley, surrounded on all but the southern side by heavily timbered hills; these kept constant guard, ever ready to check the advance of the cold north wind, that enemy of the spring vegetation. Here it was that the sun’s rays were held captive during the many hours of the steadily lengthening days, so that birds flocked in great numbers, in quest of the many insects that were brought to life by the generous warmth ; here also the first buds were to be found. They peeped out as though frightened, and the birds took advantage of these delicacies and ate liberally of the supply so easily procured. With one exception all the birds were spending the long, bright days (many celebrating their return from Southern quarters) in flying about, singing, and enjoying the Heaven-sent sunshine of spring— the power that was coaxing the leaves from their protecting sheaths, to clothe the woods once more in a rich green covering, the covering that must protect the more delicate flowers from the scorching heat of the midsummer sun. All nature seemed to be rejoicing in the death of * Never published before. 76 WILD LIFE AND THE CAMERA winter with its hard, relentless fury, that had smitten the woods and hedgerows as though with a poison breath, and bared all trees save the sturdy ever- greens, alone able to withstand its furious onslaught without striking their colours. It was the middle of April. Here and there in the woods, where the sun’s rays had not yet penetrated, might be found small patches of snow, the gravestones of the departed winter ; near these the bloodroot, white as though born of the melting snow, lifted its leaf-encircled stem, and the Dutch- man’s breeches, with its lace-like leaf and rows of queer little nodding flowers, sprang from the rich, leafy mould. These, with the many tinted hepatica, whose hardy leaves withstand the coldest winter, were the harbingers of spring, sharing together the honour of announcing to other plants that ‘twas time to rise and make ready, for the season was advancing, and the country must be decorated for the coming gala months so near at hand. Among the birds who came to the old apple orchard so sheltered from the wintry fierceness of the north winds that insects hatched out earliest here and the buds first opened and offered delicious morsels to the Bluebirds, were the many visitors who would tarry but a few short days before once more resuming the journey to their northern breeding grounds. From these they would return in a few months, accompanied by one or more broods of fully grown youngsters all joining in the great procession that would later on be journeying southward—when the nights began to be cold, and the trees (by changing their dress from green to colours that “ BLUEY ” 77 in their brilliancy and variety would outrival the tints of the setting sun) began to give warning that autumn had come, and cold weather might soon be expected. While many of the birds, as we have already noticed, were only visitors, by far the greater number were old friends that had come once more to build their nests, rear their young, and fill the woodlands with song. What would the woods be without the soft melody of the feathered choristers ? The early morning and the evening, too, would be robbed of their greatest charm. Notwithstanding all the attractions offered by nature in such profusion, at this, her happiest season, Mrs. Bluebird, who had taken up her quarters in a soft nest of grass snugly arranged in a dark warm cavity in the dead branch of an apple tree, now sat there true to her trust day after day, imparting her life-impelling warmth to her five pale green treasures, smooth and round and more precious than the richest jewels. For nearly two long weeks sat this expectant mother, a model of patience and constancy, never for a moment leaving her charge except when it became necessary to satisfy her hunger. No less constant was her mate, who kept his watch near by and sang soft love songs to his patient little wife. He too was awaiting the time when the longed-for young would emerge from their shells. The great day came at last, the day of days. The soft winds of spring murmured as they carried the sweet perfume of the early flowers through the orchard. Mrs. Bluebird felt a delicate trembling sensation beneath her feathered breast, 78 WILD LIFE AND THE CAMERA an egg moved, a tiny atom had outgrown its con- fining shell, its bill already protruded when the mother glanced among the feathers to see that all was progressing favourably. Who shall say what were her sensations when she saw that first sign of life, the reward of her long vigil to which she had been so untiringly faithful? Can we ask whether she realised what was happening, this great mystery of life which was being enacted in that branch of the apple tree ? Did she take it all as a matter of course, just an episode in the day’s work? Perhaps so, but it was none the less important to the new mother. Should you doubt this statement, call to mind, if you can, seeing a bird interrupted at this crisis, what anguish is displayed, actually heart- rending in its pitiful intensity, and doubt if you will whether or not there is an appreciation of the over- whelming importance of this family event. Even after the young are partly grown the parents have their welfare so deeply at heart that they will risk, yes, and even court disaster to themselves rather than allow any harm to befall the precious young- sters. What is more pathetic than the bird that pretends to be disabled in order to coax the intruder to follow her, that her young may have time and opportunity to hide themselves. With seemingly broken wings or broken legs dragging painfully behind her she flutters along a few yards ahead of the pursuer, until in some unknown way she is assured that her young are in safety. Then what a change! Off she flies and is soon lost to view. All of this demonstrates how seriously birds regard the responsibilities of parentage. Let “ BLUEY ” 19 us peep into the Bluebirds’ nest as one by one the eggs open. For many days these tiny creatures will have but two ideas, eating and sleeping. These to them represent life, and they respond with wonderful rapidity to their inspiration. Now that the hatch- ing has come at last, great indeed is the excitement while the industrious parents keep up a steady search for insects with which to feed their ever hungry brood. With the first light of day they are out, searching diligently for the early insects in the dew-laden grass, and not until long after the sun has disappeared behind the western hill do the hungry youngsters stop crying for food. At first the fledglings were anything but beauti- ful—small, fat, shapeless, naked bodies with long slender necks, and heads so much too large, and with closed eyes that but added to their grotesque appearance. At the slightest sound all their heads would be instantly elevated, and with sundry squeaks their mouths would open so wide that it looked as if they could swallow themselves. If no food was forthcoming, the heads, after swaying unsteadily for a few moments, would one by one drop, and once more form part of that hot, heaving, shapeless mass. Rapidly these youngsters grew, assuming shape and gathering strength; feathers, too, began to appear, and by the time they were a few days old their eyes were open, and the naked bodies were partly clothed. It does not take long for young birds to attain their full size; each day makes a difference in their appearance that must be seen to be realised. What pleasure must the change Laboratory of Oriitholouy (159 Sapsucker Woods Road Cornell University Ithaca, New York 14850 80 WILD LIFE AND THE CAMERA have given to Mrs. Bluebird! How proud of her family must she have been! That is, if we can judge the bird’s point of view from what our own would be under similar conditions. Perhaps to do so is entirely wrong. And yet, after close study of birds and animals one is forced to realise that the differ- ence between theirs and human characteristics is not so great as many would suppose. For, jealousy, individual likes and dislikes, selfishness, generosity, the sense of common responsibility—all of these are to be found in even the smallest of birds. It was on the fourteenth day that two of the brood, being somewhat stronger and larger than their companions, climbed to the entrance of the nest and took a general survey of the surroundings. What thoughts were theirs as they saw for the first time the beauty of the great world! They balanced themselves with considerable uncertainty, standing with much of their weight on the tarsus (heel), for their feet were still very weak, but owing to the extreme sharpness of their toe-nails, they were able to hold securely to the rough bark. It was at this time that we came into the story. While strolling through the orchard in search of material for bird photographs and study, we saw the two young birds at the entrance of their nest. Here was the chance I had been looking for—a young Bluebird that could be pictured periodically to show its growth and development. The fact was very evident that if we wanted one of this brood for a pet, and an object for study, there was no time to lose, for within a few hours they would all be leaving the nest ; accordingly we selected one “ BLUEY ” 81 that seemed tame and tractable, and carried him home that very day. The parents did not appear to notice the theft, for the kidnapped bird uttered no sound as we carried him off. From the very beginning he bore promise of having a somewhat unusual disposition; tame, confiding, affectionate and full of little tricks that were an endless source of pleasure to us all. Knowing what his colour would be in the near future, though at present he was spotted with tints of bluish gray, we by common consent bestowed the name of “ Bluey ” on our pet, and it was not long before he feathered himself to suit his name. Of course all young birds require feeding by hand until after they reach their full size, and Bluey was no exception to the rule, but, unlike other fledglings, he was by no means content to sit on his perch and be fed in the regular way. He demanded far more attention and, if you please, must needs have a person’s finger upon which to stand, while he received mouthful after mouthful of mashed potato and egg. The quantity he ate was out of all proportion to his diminutive size ; in less than two days he would consume an amount of food about equal to his own bulk. As he grew older less food would satisfy him, but still his appetite remained most excellent. Looked at from the standpoint of an orthodox cage bird, Bluey, during the first few months, could not be considered a success; in fact, he objected thoroughly to being confined to a cage, and fought continually; this, however, was our own fault, as we allowed him so much freedom W.L.C. G 82 WILD LIFE AND THE CAMERA that he was a regular spoiled child. His cage, with several others, was hung in a large wire enclosure, and of this domain Bluey considered himself absolute monarch; he would go into his cage only for food and water, or to drive out some intruder, for he was cock-of-the-walk, and the other birds gave way to him, even those that were larger and stronger; Fluff and She, the pair of rose- breasted Grosbeaks, were frightened into a state of abject terror when Bluey threatened them, and this he did quite frequently, seeming to enjoy their complete discomfiture. Any attention which we might pay to other birds called forth an angry remonstrance from this little autocrat. He even objected to any bird sitting on one’s shoulder— a perch he considered his own right and privilege, and one that he fully intended no other bird should share. At times it became necessary to shut him in his cage, and he would then content himself for a few moments by giving vent to his displeasure in repeated calls—sharp, impatient notes that always showed his lordship was angry. If no one paid attention to him, cage fighting would begin, and he would bang his head against the wires. It was not long before he had torn out all the forehead feathers, and with his little bald head he was not an object of beauty. After taking a bath, which he did once or twice each day, his appearance was positively ludicrous. His mind, however, was far above such things as personal looks, and he became more and more affectionate and companionable, always happy if only allowed to nestle snugly in “ BLUEY ” 83 a person’s partly closed hand. Then he would go to sleep as peacefully as a child in its mother’s arms, uttering a peculiar little chirp as he cozied himself into a comfortable position. He was very particular never to sit in a hand except with his head towards the fingers; occasionally by mistake he got in facing the wrist, but he would immediately hop out, and, turning round, assume his regular position. When in a particularly affectionate mood he liked to rub his beak repeatedly on one’s fingers, before going to sleep. This seemed to be a mark of endearment, somewhat after the manner in which a dog rubs his nose against his master’s hand. It must be an unusual habit, for in all my experience with small birds I have known of no similar case. At times, but by no means often, Bluey per- formed a little trick that was as remarkable as it was beautiful. Ifone of us held up a hand (and no stranger need apply) and called .him by name, he would immediately fly down, and after hovering for some seconds, singing the while, alight and rub his bill several times, usually on the first finger. It was noticeable that he always perched so as to face the fingers, and never, even by accident, departed from this rule. Why this should be was a constant source of speculation, and one that I fear must for ever remain among the many mysteries of bird-life. We try, generally in vain, to discover the reasons for the actions of birds, but it is difficult, as we have but our own experiences to go by, and, while birds do most undoubtedly think, they probably do so in a totally different manner from ourselves. When Bluey saw his bath G 2 84 WILD LIFE AND THE CAMERA being made ready he knew perfectly well what it meant, for he would sit on my sleeve as soon as the large glass tray was taken, and there wait while it was washed and filled with water. The moment it was full of clean water, and even before it was placed on the ground, he would jump in and immediately splash the water in all directions—for he bathed most vigorously, so much so, indeed, that at frequent intervals he had to pause to regain his breath. Our other birds seemed more or less suspicious of the bath, hopping round about it in an undecided manner and getting in and out in a way most aggravating to us who had taken the trouble to give them the pleasure. One bird will never take his bath in the presence of an onlooker, while another always requires to be sprinkled before he ventures in. But then Bluey had more sense than any bird 1 have ever known; he seemed almost human as he looked into one’s eyes, as though he could read one’s very thoughts. When called by name he always answered with a chirp, and when a certain note was whistled he knew full well that it was to him we called, and he would reply with a short song of four or five notes, accompanied by a quick flapping of one wing. That Bluey had within him a soul for music there can be no doubt. The piano in particular appealed to him, for whenever it was played he would sit either on the top of the instrument, on the keys, or sometimes on the arm of the player. No amount of banging disconcerted him. There he sat, with feet widespread and head tilted slightly to one side, as though in thorough “BLUEY ” 85 enjoyment of the music. We were never able to discover whether he had a preference for any particular class of music— Wagner or Mendelssohn or ragtime seemed to suit him equally well. All birds are more or less observant, and Bluey, being highly developed, noticed most things. Any unusual change in the dress of those he knew was instantly observed and carefully scrutinised ; even a necktie of unusual colour required investigation, while the wearing of a thimble, or a glove, might and usually did arouse suspicion, and he would not venture near the hand thus adorned. Many birds object seriously to any shades of red, but Bluey, so far as we know, had no such prejudices. During the summer, when kept in the large wire enclosure, it often happened, through the door being inadvertently left open, that Bluey would get out; but so tame was he, that after a short fly about the grounds—where the wild birds chased him, according to their usual habit when a cage bird escapes—he would return to any one he knew. As summer drew to a close (the end of August) Bluey moulted ; his spots, which were the signs of his youth, disappeared, and in their place came a fine coat of feathers coloured and patterned like the mature Bluebird. The blue on the head and back was at first bright in colour, but as the year waned there appeared rusty edgings to the feathers, and these somewhat marred the beauty of the blue. His throat, breast, and sides were coloured like terra-cotta, which bordered on the white of the under parts. Towards the end of autumn we had a severe 86 WILD LIFE AND THE CAMERA fright on our pet’s account, and that day will be ever memorable to us, for we thought the end had come. Bluey’s death would have been a real blow, for he had so endeared himself to every member of the family that the loss would have been well nigh irreparable. What had happened no one at the time knew, but Bluey was found on the ground, limp and dazed, apparently in a dying condition. At first we thought he had struck himself against something, and that he was stunned. A little diluted whisky was adminis- tered, and he gradually recovered, but for some hours he remained very quiet, sleeping peacefully in the hand of his mistress. When night came, and it was time for him to go to roost, it was with great difficulty he was induced to leave her hand, for he clung to it, as though disliking the idea of being alone. The following day Bluey seemed to have quite recovered, and he was, as usual, allowed the freedom of the house. It was not long before he repeated the performance of the previous day: while in the act of flying, he dropped down in a fit, and again we thought him dying, for he lay on his back with feet upturned and beak wide open, gasping for breath, his eyes shut. Lifting him gently, we tried to do something; but we soon gave up all hope of his recovery. After a little while, how- ever, his little heart began beating with greater strength ; he opened his eyes, and to our great relief and astonishment he yawned, shook his feathers, nestled in my hand, and went fast asleep. The next day passed and he seemed perfectly “BLUEY ” 87 well, and we congratulated ourselves upon what seemed to be his complete recovery. But our hearts sank when during the following morning the poor little chap had two further attacks. In despair we consulted a bird fancier, who told us that it was no uncommon occurrence with soft-billed birds. This was some small consolation, but the remedy recom- mended did not at allappeal to us. Rush of blood to the head was, he said, the cause, and the cure was to let out some blood by cutting the toe. Needless to say this was an operation the per- formance of which we dreaded, but then Bluey must be cured at any cost, and if this was necessary, as the bird man declared, it must be done—and done it was the very next day. The patient did not seem to object at all at the time, although the next day his foot was slightly inflamed. To us the most painful part was that he was not cured, for on both the following days he had fits, proving absolutely that the operation had been in vain. In giving these unpleasant details, it is with the hope that if any one reads these pages, and chances to have a pet bird that is subject to fits, he, or she, will not adopt the above method in trying to effect a cure. We next tried giving Bluey a complete change of diet ; hitherto he had had moist “ mockingbird food,” which is very rich; now we tried the dry preparation freely mixed with grated carrot, and from that day he was perfectly well and happy, to the infinite relief of all his friends, for he was looked upon quite as a member of the family. For some months all went well. Bluey was himself again, a healthy, affectionate, and lovable 88 WILD LIFE AND THE CAMERA hird, but another mishap was in store, and it was one that very nearly proved fatal. He had been allowed the free run of the house, and spent his time in flying about from room to room, investi- gating everything, devouring any stray flies, crawling in each nook and cranny and nestling for a few moments in places that were to his fancy, —and no one could tell what places he might choose. Those that had been most carefully arranged with special reference to his supposed wants were so entirely ignored that we came to the conclusion that we understood not his whims and fancies. But this capriciousness had nothing to do with the accident that occurred when he was flying through the hall one morning, with the evident intention of joining us at the breakfast table. Someone banged the door just as Bluey was about to enter ; he was struck in mid-air and uttered such a piercing cry that we all thought he had been killed. By sheer good luck, however, the door had only bruised the side of his head, thereby changing its shape completely and distorting his beak, so that his whole appearance was altered. For many days he kept very quiet, neither singing nor caring to be petted ; but gradually the swelling went down as weeks passed by, and his head resumed its natural size and shape. The result of the accident was shown by his no longer being able to snap his bill (the points not coming quite together) as he used to do when eating. He took his food quietly ; even a fly would be caught without the loud snap so characteristic of the bluebird when feeding. Bluebirds being almost entirely insectivorous, we had to keep Bluey well supplied with various kinds “«“BLUEY” 89 of insects. Flies, grasshoppers, beetles, and small moths seemed to be most in demand. Flies he would catch with wonderful dexterity. They were swallowed instantly, often before being killed. Grasshoppers we caught and let loose in the enclosure, and it was extremely interesting to watch the systematic way in which he went about the work of eating them. If several were let loose at once, he would instantly pounce down on them, and deliberately kill one after another by ham- mering them with his beak. When quite satisfied that they were all hors de combat, he would shake off the legs of each one in turn and swallow the bodies, each at a gulp. Finally he would gather up and eat all the legs; not one would escape his keen eye. The number of grasshoppers he could devour at a meal was out of all proportion to his size. I have known no less than eight to disappear down that beautiful throat within a few minutes. His method of disposing of a large number of hopping insects shows a great amount of reasoning power (though birds are not supposed to reason). He knew full well that were they not all killed in the shortest possible time some would surely escape. Curiously enough this was not the result of long experience, for when he was but a few weeks old we gave him several grasshoppers, and when he saw their powers of jumping, he then and there made up his mind they would get away ifnot immediately killed ; and he promptly proceeded to kill. Two years after Bluey’s arrival we moved to a house that we had built near a delightful 909 WILD LIFE AND THE CAMERA little village fifty miles from New York. It was in April, when the bluebirds had just arrived from their southern winter trip. As usual Bluey was allowed his freedom, and greatly did he enjoy flying about the apple orchard, searching with his keen eyes for insects which were to his taste. One day while on an outing he met a little Miss Bluebird. Need more be said? When we called him he simply laughed at us, laughed and scolded as he sat with his bride on the roof of an old barn. There was nothing for us to do but submit to the inevitable. Love had conquered, as it always will, and so we lost our pet— the dearest of little companions whose song had so often cheered us and whose delightful ways had been a constant source of pleasure during the two years he had been with us. P.S.—Nearly a year has gone by since the fore- going was written. A strange thing has happened. In a bird box fastened outside my studio a pair of bluebirds have taken up their quarters. While watching them as they sat on the branch of a dog- wood tree that grew near by I called as I used to call Bluey. To my surprise there came the familiar reply and the fluttering of the wing. Was it our old pet? I believe so, for surely no other bird would have answered as he did. For two summers he stayed with us, and whenever I called he would nearly always answer, but we were less to him than his mate. He had tasted freedom, and he liked it better than the restriction we had imposed on his wilful spirit. He was living the life for which he was made, and we could not find it in our hearts to quarrel with his choice, MY CHICADEE FRIENDS CHAPTER VI MY CHICADEE FRIENDS * A true account of an experience with a chicadee family. CHICADEE, chicadee, chicadee-dee-dee came from among the branches of the swaying silver birch. The same note was echoed from another tree near by. This was in the woods where the ground was dark and damp from the rains of early spring, there was as yet but scanty vegetation, which might be seen trying to force its way through the thickly matted leaves of the year that had gone for ever. The ground was so entirely covered with these reminders of the departed year that one wondered whether this budding spring would have the power to hide the numerous dying skeletons. The trees were in all the tender glory of their new green covering, each one vying with its neighbour in its effort to shade the ground, and to keep the ever- increasing heat of the sun from burning the delicate plants that were coming into life in the soil formed by endless years of dying leaves. In all things was the inevitable sign of life. The birds’ songs filled the air to the accompaniment of the soft rustling of the leaves. Again came the sweet call of the chicadee, with the tenderest of answers—“ Dee-dee’’—and through the interlacing branches flew a small ball of black, * First published in Hverybody’s Magazine. 94 WILD LIFE AND THE CAMERA white, and grey, that perched here and there on the twigs until he came to his mate. They were as alike as two peas in a pod, yet from their actions one could tell, without question, which was which. The one demanded instant waiting on and attention ; that was Mrs. Chicadee. The other attended to her every want, and this was Mr. Chicadee. They had evidently been mated for but a short time, for as yet no nest had been built, but then the year was young and there was ample time, so why hurry? Already other birds had young, some were even building their second nest, but were they any better off for all that hurry? Some had had their nests destroyed by the frequent rains, and the chicadees, perhaps, wondered why these birds persisted in building their nests on the ground when the woods were full of trees in which holes of almost any size might be found; and was not a hole in a tree a much safer and more comfortable place for a home than a nest on the ground, no matter how well it might be built? So thought the chicadees as they busied themselves hunting among the many partly decayed birch trees, searching for a suitable hole. At last one was found that appeared to answer all the requirements of our house- hunting couple. Perhaps it had not “ all modern improvements,” but what care birds for such things ? Enough that the entrance was of the proper size (about two and a half inches in diameter) and inside, with a very little excavating, there would be room for the expected family of seven. The hole was rather deep, running down from the entrance nearly eighteen inches, but by the time the nest MY CHICADEE FRIENDS 95 was built it would be about right. Also the stump was a trifle low, being not more than four and a half feet high, but it is better not to be too particular: he who would search until he finds perfection dies while he is yet searching. As arule no bird likes to build its nest while a human being looks on, for well do they know by past experience, that is but too sad, what danger lurks in the human form. How many tales of desolation and misery could they tell if speech was in their power ; tales of hopes blasted at the moment when all seemed most promising, of wholesale death, of entire families wiped out by the thoughtless act of some human creature. Surely is it safer to have little trust and faith in both man and beast. The man will destroy without object or reason, while the beast at least has the excuse that he does so for food! It was, therefore, a surprise to me when Chicadee and his mate began their building operations. After hopping about on the thinly-leaved bushes, and occasionally coming within a few feet of my head, always replying to the call note that I whistled by way of an introduction, they set to work. “ Dee-dee” I had called, and “ chicadee-dee-dee ” was the answer. So we were introduced, and they might now get to work, for there was much to be done and only four short days before the first egg would be laid, and a fitting nest must at all costs be made ready. The sky was clouding over and there was the possibility of rain, which would delay the nest-building, as by making the materials wet it would unfit them for a Chicadee’s nest, that should above all things be 96 WILD LIFE AND THE CAMERA dry. So the pair began work, and to watch them was a pleasure that cannot be expressed in words. Such devotion, such patience, such untiring energy, and withal such intelligence, would have com- manded the respect and attention of even the most cold-hearted and indifferent person who claims to care for nothing in nature besides man and his works. Many birds have I had the good fortune to watch during their nest building, some- times surreptitiously and sometimes openly, but never was I impressed as I was by the Chicadees. Evidently moss was considered a most excellent material with which to lay the foundation of the nest. So Dee-dee, as I call Mrs. Chicadee (for it was in that way she so often replied to her mate), flew to the foot of a partly dead maple tree, whose exposed roots were well covered with a thick coat of short, curly and nearly dry moss. Then with her entire energy and strength she commenced gathering pieces of the moss in her tiny beak. When she had as much as she could carry, she flew to the nest hole, and, without hesitation, dis- appeared through the entrance, to reappear after a few moments, when she flew directly to the moss- covered roots and once more began gathering material. Just then Chicadee (her mate), who had been absent for some minutes, arrived, carrying in his beak a small greenish caterpillar. Seeing his mate he called, ‘“‘ Chicadee, chicadee-dee-dee.” ‘ Dee-dee,” in the softest of tones, came from the bird at the foot of the partly dead maple, and he flew down to tell her that he had brought food. She already had several tufts of moss in her beak, and could not MY CHICADEE FRIENDS 97 therefore accept the proffered morsel, rather must she continue her work, for the clouds were gathering in dark masses that promised at least a heavy shower when her moss-gathering must cease. In vain did Chicadee coax ; it was all to no purpose ! she must work. Her beak full, she flew to the nest, remained there as before a few minutes and then reappeared. This was Chicadee’s opportunity, and he hurried to her before she had a chance to gather any more of the much desired moss. With the most delicate manner imaginable he once more offered the dainty morsel, and she accepted it with a graceful flutter, just as a young girl might on accepting a gift from her lover. So many writers and others criticise in a severe manner the growing tendency towards seeing, or making believe to see, habits in birds that bear re- semblance to our own. In other words, they object to what they call the Awman side of birds. They consider the claim for it absurd, without foundation, and existing only in minds inclined towards senti- mentality. That the tendency may, like all tenden- cies, be carried too far, beyond the bounds of reason, is quite true, but, Mr. Critic, have you ever observed birds, whether at large or in captivity? If so, you must surely have little powers of observation, or perhaps you see through the spectacles of prejudice, for otherwise you could scarcely fail to find in birds counterparts of both our faults and our better qualities. Jealousy is nearly as strong in birds as it is with us, and we find it shown in exactly the same ways. Anger, good-nature, suspicion, confi- dence, constancy, inconstancy, hatred, love, selfish- W.L.C. H 98 WILD LIFE AND THE CAMERA ness, generosity, all these we see in the most humble of birds. There are, in fact, but few traits in man’s character that have not their counterpart in birds, and yet you object to what you term with derision “the human side of birds.” Watch birds during the spring season, and see how the male bird tries by every way in his power to make himself attractive to the object of his affec- tions. If occasion demands—and frequently he will search diligently for an occasion—he deems it his duty to fight, and thus show off his superior power and strength, just as in the days gone by, men, dressed in all the finery of knighthood, threw down the glove and fought for the maid, whose hand they hoped to win. Watch the male bird’s gentleness and gallantry as he offers his partner any chance tit-bit that he may find, and notice well that seldom, if ever, does the one of the gentler sex make any advance. Perhaps you may call attention to the fact that, with birds as with animals, it is the male that has the greater beauty. It is he who makes the show and display. Quite true, but it is not so very long ago that with the human race it was the man who used to adorn his person and endeavour to make himself an object of beauty, and the woman that lacked the adornments. You will still find it so among some of the bar- barous tribes. There must be reason for the male bird having the fine colours; were the female as conspicuous as the male she would be in greater danger from her enemies, especially during the period of incubation. This alone would be suffi- cient reason for her more quiet dress. But to MY CHICADEE FRIENDS 99 return to our Chicadees. No sooner had Dee-dee swallowed the morsel of food and wiped her beak on a twig, than she began again to gather moss, while her attentive mate, after watching her in an admiring way for a few seconds, flew off in search of further dainties for her who worked so hard. Throughout the two hours or more before the rain came he would continually bring caterpillars and other delicacies and, when he found her busy, would with admirable patience wait near by until she was at liberty to accept them. Never once did he eat the food, even though at times she kept him waiting as much as five minutes while she gathered moss and arranged it to her satisfaction in the dark hollow of the stump. At the end of these two hours, large drops of rain fell, gently at first, then gradually faster and faster, until from each green leaf the drops hung like clear round crystals, that were shaken off whenever the cooling breezes passed by and moved the gem-laden branches. It was no time for nest building, and Chicadee and his mate flew off among the trees and were immediately lost to view. The next day was bright and clear after the rain, and the Chicadees had resumed their interrupted labour long before I arrived. More moss had been gathered and placed in the hollow of the decayed birch stump, and on the top of the moss was placed a thick layer of a strange material, nothing less than the silver grey hair of the possum,* stolen, no doubt, from some * All the chicadees’ nests that I found in this locality (South Orange, N.J.) contained quantities of opossum hair. It is curious, because "possums are by no means common in the vicinity. H 2 100 WILD LIFE AND THE CAMERA mother ’possum’s nest in the hollow of a tree or among the rocks. Wherever obtained, it seemed to be exactly what Mrs. Chicadee wanted, judging from the number of loads she had brought. In all it took four days to build the Chicadee’s nest, and when completed it was the softest and coziest of homes. Some sheep’s wool and some soft, silky plant-down had been used with which to finish it. It was a suitable receptacle for the tiny, speckled, pinky eggs that were placed in it, seven of them being hidden in the soft bed of wool and down. Onthese the old birds sat by day and by night, seldom absenting themselves from the self- imposed task that must at best have been tedious. Whenever I visited Dee-dee as she sat in the dark obscurity of the hollow stump, she would look up in an inquiring way, her whole appearance seeming to beg that I should not disturb or injure her. Was she not, in the performance of her duty, carrying out the great law of the propagation of species? _Know- ing full well how helpless she was, penned up in the partly decayed stump, she placed herself and her precious eggs entirely at my mercy. Needless to say she was not disturbed in any way. On holidays, when thoughtless boys roamed the wood, bent only on having what they considered “ a good time,” sparing nothing that came their way, I would stay within sight of the Chicadee’s nest to see that no harm should come to it. No boys would have been likely to discover the nest, simply because they would think it improbable that any bird would build in such a decayed, fungus-covered stump, but in passing they might have pushed MY CHICADEE FRIENDS 101 against it, and that would have been the end of one brood of these cheerful little acrobats of the summer and winter woods, and by just so much would the world have been the poorer. Days passed. Days of sunshine and days of showers, all helping in the fulfilment of the promises of spring. The trees became more thickly covered with leaves, and on the ground the dead leaves were almost hidden by the new growth that was daily becoming more abundant. The earliest flowers had come and gone, and in their place were the drying seeds, on which the flowers must depend for their continuance. Another year must we wait before the many-hued hepatica, the snow-white blood root and the nodding yellow bells of the adder-tongue would again grace the woods. The violets were now flowering in all the glory of their royal colours, and here and there might yet be found clusters of pink azalea scenting the woods with their delicious perfume. In the damp, woody swamps the fragrant clammy azalea was just about to burst into bloom, to give the summer foliage the appearance of having received a slight fall of snow, so white were its flowers. Birds were busy carrying food to their different broods, pausing between whiles to sing each one its own particular song of exultation, from the soul-stirring chant of the wood-thrush to the jerky notes of the red-eyed vireo ; each doing what lay in his power to ring up the echoes of the summer woods. Among all the songs the small but exquisite note of the Chicadees sounded as they searched dili- gently among the leaves for food. A newly-arrived 102 WILD LIFE AND THE CAMERA brood had at last rewarded their long patience. Backwards and forwards flew these devoted parents, giving no heed to anything save feeding and watch- ing over their young. What else was there to think of? For nearly a month they would do nothing else. All would be devoted to the rearing of their off- spring ; everything sacrificed, and apparently with pleasure, too, to their welfare. The young Chicadees grew apace as is the habit of young birds. From tiny grey atoms, large- headed, blind and naked, having in them but the one instinct—that of raising their heads at the slightest sound and opening their mouths for the frequent meals, they gradually turned into small, open-eyed, down-covered balls of fat. Then pin feathers began to cover their growing bodies in lines that ran lengthways, leaving bare places between. Then the pin feathers opened, and from them emerged the soft young feathers. Hour by hour showed the covering up of the bare places by the spreading of the feathers ; and the small bodies were clothed. The young birds were growing very large for the snug nest and without doubt must soon be thinking of seeking the wide world, where there was room and to spare. Day by day I had watched them as they grew, and my watching was very nearly the cause of a most unfortunate accident. In my endeavours to see inside the nest I, quite uninten- tionally, broke off a large piece of the decayed bark, thereby exposing the nest and its valuable contents, very much to my own and the Chicadees’ disgust. Loudly did they express their feelings as they flew about my head. Evidently they expected to see MY CHICADEE FRIENDS 103 me devour their entire brood. To mend the nest was the next step. It was easily accomplished, for all the necessary materials were close at hand. A large piece of birch bark was peeled from a tree that had been blown down during a recent gale. This I put on the stump, sleeve-fashion, lacing it, on the side furthest from the opening, with a piece of wild smilax vine. After cutting a hole in the birch bark patch and inserting a few broken twigs here and there, and generally making the new patch look as much as possible like the bark on the decayed stump, I retreated to a little distance that I might watch the effect. There was, however, but little to watch. Both Mr. and Mrs. Chicadee, first one and then the other, entered the repaired nest after only a casual glance. Evidently they _had no objection to the change, and so once more things went on as usual, though it was only for a few more days; the time was drawing near when I was to prove whether or not I had gained the confidence of my Chicadee friends. The day came at last, a fine, bright, sunny day, though intensely hot, and the young birds were to make their bow to the great world. I had brought with me all the necessary photographic paraphernalia with the hope and expectation of obtaining portraits of the Chicadee family. Hitherto I had only secured photographs of the parent birds going in and out of their nest, and these, though interesting, were as nothing compared with what I imagined I should get. It is well to be sanguine, to hope for things that never will be, for otherwise even our greatest enthusiasm would be short-lived and our successes 104 WILD LIFE AND THE CAMERA would be even fewer than they are now—so my hopes were placed on the topmost rung of the ladder. Chicadee and his mate were both present when I unfastened the birch bark sleeve that I might see if the youngsters were, as I fully believed, ready to leave their warm nest. Not for long was I left in doubt. As I placed my finger gently beneath one of the small living balls of fluff there was a quick movement, a fluttering of small untried wings, and seven tiny Chicadees were instantly scattered among the surrounding bushes. Such an excite- ment as there was! “ Chicadee ! Chicadee ! Chica- dee-dee-dee!” called the parent birds as they flew backward and forward, up and down, from bush to bush, from twig to twig, up in the trees, then down on the ground, urging the young birds to greater efforts, helping the weaker with emphatic bird- words of advice. All was confusion. All the birds in the neighbourhood arrived, each one willing but powerless to offer any assistance. The yellow- breasted chat, whose nest was in the huckleberry bush near by, let her young go hungry for a time, while she came carrying their meal in her beak, adding her cries to the many that filled the air. From all sides could be heard the distressed calls of the birds ; vireos, cat-birds, tanagers, warblers of many kinds, blue-jays, wood-thrushes and many others, each one excited and trying to outdo his neighbour in vocal remonstrance. Suddenly, and with no apparent reason, the Chicadees quieted down, when immediately all the other birds became silent, and one by one returned to their homes and their duties. MY CHICADEE FRIENDS 105 Now it was that my work began. In vain had I attempted to follow the various courses of the fledgelings, but nature had allowed me only two eyes, a number quite insufficient to keep up with the vagaries of seven Chicadees, young and inex- perienced though they were. ‘There was nothing to do but to institute a long and careful search, a test of patience against instinct, the former gaining the day, for in about an hour I found all of the seven youngsters. It is curious that, once found, these Chicadees no longer seem to entertain that keen desire to get away which characterises most young birds under similar conditions. On the contrary, they behaved most admirably, being quite content to sit on my hand or on any branch I might select, provided only they were shaded from the fierce glare of the sun; and just here lay my greatest difficulty, for instantaneous photographs are not made in the shade, and the movement of birds is so rapid that one twenty-fifth of a second is about as much exposure as one may safely indulge in. This means that the subject must be well lighted, a condition which my little Chicadees thoroughly objected to. IfI placed them, one or all, on my knee, and my knee happened to be in the sunlight, without a moment’s hesitation they would scramble to the nearest shade, even should it be but a fold in my clothes. Both Dee-dee and Chicadee seemed somewhat astonished to see their young ones sitting so com- placently on my knee, and doubtless they wondered what next would happen. So far they had seen no reason to fear me, for I had done them no harm, 106 WILD LIFE AND THE CAMERA but now that I had their young so clearly in my power it might be different ; at any rate, they were determined to watch me, and for this purpose they stayed very near, calling occasionally “ Chicadee, chicadee-dee-dee,” to which the youngsters in quaint imitation would reply, but “ Chica-chica-dee ”—or about as near as they could get to it—seemed to please the old birds. It required some time to prepare for the photographic work, but at last, everything being ready, I had only to wait for the parent Chicadees (who by this time had become quite used to the very novel situation) to come on to my knee, for that was the sort of picture I wished. It is needless to say that I was surprised to find how little coaxing was required. Only one call from the young, and Dee-dee replied in person by coming on to my knee, where her children were bunched together, just as though it was the most natural thing in the world for her to do. She brought no food with her, however, so the seven youngsters fluttered, chirped, and opened their yellow-lined mouths in vain. Evidently Dee-dee came with the single idea of satisfying herself of their complete safety ; this being assured, she flew away to receive from her mate a caterpillar of that kind commonly known as the inch worm. This she prepared by eating both the ends, which are armed with feet. Scarcely a minute being required for this, she came directly to theimpatient brood still wonder- ing in expressive tones at the unusual delay of their meal-time. Perching on my knee, she singled out one of the seven, apparently without any particular reason, while the remaining six looked on with MY CHICADEE FRIENDS 107 quaintly dismal and dejected expressions. ‘To silence and satisfy the entire brood seemed now the one thing necessary, a fact which appeared to be thoroughly appreciated by both the old birds, for they worked as though their lives de- pended on it. Over and under each branch they climbed, examining both sides of every leaf, and woe to the caterpillar or spider that tried to hide from their bead-like eyes, for instantly he was seized and brought to appease the young hungries, until, one at a time, they were all filled and asleep, for with young birds sleep follows food just as surely as summer follows spring. I had secured several photographs of the family on my knee, and now I wanted some that would show them on my hand, so after allowing my “young charges ten minutes’ sleep I began by placing one of them on my hand, at the same time holding the bulb (that released the shutter of the lens) in the same hand, but before I could pick up a second fledgeling, Mrs. Chicadee came, with- out food, and perched on the nozzle of the bulb, so, not wishing to lose the opportunity, I pressed the bulb and secured a photograph of the unique situation. So far neither of the parent birds had actually perched on my hand, but judging from their former behaviour I felt not the slightest doubt that they would do so. Dee-dee, seeing that the little one sitting on my finger was in that chronic state of hunger so peculiar to young birds, left with the evident intention of finding something with which to satisfy him. Chicadee had, however, anticipated 108 WILD LIFE AND THE CAMERA her, and brought an insect suited to the needs of a fledgeling. Dee-dee approached him, fluttering her partly closed wings just as the fledgelings did when they wanted food.* She was evidently begging the food from him, and he, being of an unselfish turn of mind, gave it to her with a flutter and a soft note which seemed to say, “It is yours, do what you wish with it,” and he followed her almost to my hand, as she came flying in response to the calls of the handful of fledgelings. Seeing her approach, each one struggled to be nearest to the promised morsel. Just before she perched on my hand, I pressed the bulb with the result shown in illustration. Having delivered herself of the food to the great satisfaction of only one of the young- sters, she stood still a moment and looked up at me with a quizzical expression, and then flew off. Scarcely had I changed the plate in the camera when she came back again and remained on my hand for some time. After having once come to me, and finding nothing to fear, she came often, and so did Chicadee. Sometimes they sat together on my shoulder or my hat, and whether I moved about or remained quiet made no difference to them. Sitting there in the clearing that adjoimed the woods in which was the nest of this interesting family of Chicadees ; surrounded by sweet-scented myrtle and the huckleberries, whose tiny green fruit was hanging in small clusters; at my feet the exquisite waxlike balls of the stagger bush, than which there are few more dainty or beautiful flowers, * This is a rather peculiar habitiof the adult chicadee, which may be noticed during the spring and summer months.—A. R. D. Chicadee flyine to my hand, in which sit the Hungry Brood. MY CHICADEE FRIENDS 109 I thought that for once at least I must be fairly close to nature in one of its happiest moods, and in all the splendour of the fullness of summer. For there were birds, both young and old, trusting me with confidence, the old ones flying about as though thoroughly agreeing to this strange friendship; now on my hand, now on my shoulder, sitting so close to my face that I could with my cheek stroke both Chicadee and his confiding mate. Their soft feathers against my skin, and their small warm feet on my fingers gave a thrill that went through my system, leaving a glow of pleasure such as one seldom has the good fortune to experience. What was it that gave this pleasure? Only the immediate presence of some very small birds, birds that so many people know not even by name. What was there in this to give that strange thrill ? Each time a bird comes to me of its own accord I feel it, and am repaid a hundredfold for any hard- ships I may have encountered in trymg to make them realise my friendly intentions. At first, as a bird comes near, inquiry showing in its every move, one’s heart throbs with the great pleasure of anticipation, that pleasure which is so often the end of our dearest hopes. Nearer and nearer comes our would-be friend, and harder and harder does the heart beat, until we dread that its throbbing may frighten away the bird, and we hold the breath and wish the heart would make less noise. There is a choking sensation in the throat, such as one feels when listening to beautiful music, as the bird finally comes on one’s hand, and the realisation of a thing accomplished seems to release the heart, 110 WILD LIFE AND THE CAMERA and breath comes freely. The bird has touched one’s hand and—well, what more is needed ? ‘The day had been a fortunate one, and one that I would always remember with the greatest pleasure, for it had seen the culmination of the most delight- ful friendship I have ever had with any birds, and besides that I had secured some interesting photo- graphs that would prove to my sceptical friends how tame the birds had become. Before leaving the Chicadees I had replaced the youngsters in their nest, in the hopes of finding them there on the following day. How long they remained in their comfortable quarters I never knew, for early next morning when I visited the nest it was empty. Was it possible that any accident had happened to them? If so, perhaps I was to blame. While thinking this over and regretting having fallen into the temptation of making friends with these birds a small clear voice from a tree near by called “ Chicadee-chicadee- dee-dee,” and there was one of the old birds, and with her on the same branch sat two of the young ones; that the others were not far off I felt sure, and a little searching soon discovered them. They were all safe and very busy, for they had much to learn, and I watched them during many hours as they climbed among the branches, learning from their parents all the acrobatic feats of their kind, but eating nothing except what was given them. It would be a couple of weeks or more before they fed themselves, and long before that time they would be full grown and exact counterparts of their parents. Judging from the fact that Chicadees are 4 One of the Young Chicadees. MY CHICADEE FRIENDS 111 so often found in small flocks of seven or eight, it seems more than likely that each family remains united until the approach of spring and the nesting season. The last I saw of my Chicadee friends was towards the end of summer, when the glory of the year was passing. The leaves on the trees had lost their fresh green colour, and most of the plants had finished growing. Insects were searching for places where they might safely hide their eggs until the following spring should come, and the Chicadees, as they hunted for these insects and their eggs, were doing their part in the great order of the things of nature. e cert ’ Pi a » - ee 6 - - Se el _ uF i as — aor 7 oa) wo a) ‘sw a xe i ras) ay ye: e a i] . y > > : oe a * * > > 4 PEt eee : joan, eee rege o “nA my "i oo 74 WA Tier paciey BP eh ~~ ay iM we ay cee > ~ a ey mse ‘ re rt a My Soros Seah a - » Ry y ae . eae Bp oat alte ra a > ~ 6 a. } “2 Pate ie 7 ri - 7 - H b J a - ® > - 7 _ 7 re ea er whee eee ron 7 co ie aes , - ; ms Le | THE WARBLER FAMILY W.L.C. CHAPTER VII THE WARBLER FAMILY A hitherto only partly published account of my first intimate friendship with a wild bird; the photographs being probably the first ever made showing the extreme tameness of these shy birds (1900). To form a friendship with any bird, no matter how common a bird it happens to be, is a privilege that unfortunately but few of us human beings enjoy. But when the object of one’s friendship is a bird that may be considered rare, that is unknown except to the comparatively few who are directly interested in bird life, the privilege is greater and therefore much more to be appreciated. So it was with my little friends the pair of worm-eating warblers (can we pardon science for having bestowed such a name on this graceful bird ?), who, with their family of four, lived not more than a few hundred yards from our home. It was entirely by chance, as is usual, they say, with important discoveries, that I had the good fortune to meet these birds. They have no song with which to fill the wood- lands and attract the attention of the casual passer- by, only a chirp that is no louder than that of the grasshopper ; in fact, it might easily be mistaken for that insect’s peculiar note. Neither are they arrayed in “crimson and gold.” Their dress is quiet and inconspicuous, yet delicate and beautiful in the extreme: olive-green back, buff-coloured breast, while the head is light buff with very dark stripes. Is it to be wondered, then, that a bird of 12 116 WILD LIFE AND THE CAMERA. such subdued colouring and quiet habits should be practically unknown? ‘The way I chanced to find them was this : While walking slowly through the woods I heard the note of a downy woodpecker. ‘The note was repeated with such frequency that I half suspected a brood of young were starting out on their life of tree-climbing. On the chance of seeing so interest- ing a sight I made my way quietly through the underbrush with which the hillside was covered. As I came near to where the woodpeckers kept up their steady calling, my attention was arrested by a lisping note repeated at regular intervals; that it was the alarm note of a warbler I had no doubt, and I determined to discover which one of that large and varied family it might be. The heavy foliage of the trees served well to hide ' so small a bird from view, and it was some time before I finally detected a worm - eating warbler perched on a branch within a few feet of my head. From his manner, which showed great excitement, I judged that either there was a nest near by or that some youngsters were hiding in the underbrush at no great distance. So, removing my evidently unwelcome presence to a point of vantage, I quietly observed the behaviour of these uncommon birds. After watching for a short time, another bird appeared, evidently the mate of the one I had seen. The two consulted together, and after a few more chirps one began descending, hopping from branch to branch, each time getting nearer to the ground, then suddenly she dropped among the weeds and was hidden from view. THE WARBLER FAMILY 117 Carefully marking the place, I hastened towards it, but scarcely had I taken half a dozen steps when up she flew, and once more gave voice to the note of alarm. Thinking that of course I should ex- perience not the slightest difficulty in finding the nest, for that there was one I felt convinced, I went straight to the place from which she had flown, but no nest was there—at least I could find none—so once more [ retired from the scene, this time taking greater care to conceal my presence. Evidently the warblers thought I had taken my departure, for after a lapse of about ten minutes one of them flew down and, alighting on a weed stalk, carefully surveyed the surroundings; things seeming to her entire satisfaction, she made straight for her nest, but it was not within several yards of where she had tried to mislead me into believing it was. This time, however, I waited to make perfectly sure, and as she did not appear again I felt there could be no doubt about it, so I approached quietly, and much to my delight discovered my cunning little friend (that was to be) sitting on her carefully concealed nest. Not moving a muscle, she allowed me to examine her minutely, and I wondered at her cleverness in taking such advantage of the surroundings. The nest was placed in a slight depression—whether made by the bird or nature could not be known— beneath the partly-exposed roots of a shrub. No rain could possibly enter the nest, as the earth formed a mound above and shed the water as it trickled down the steep incline. A more perfect pro- tection could not have been devised. Not wishing 118 WILD LIFE AND THE CAMERA to disturb the confiding and patient little creature, I retired in ignorance of what she was guarding so carefully. The fact of not having seen either of the birds carrying food led me to suppose she had eggs. If so, it was to be expected that the following morning by 8 or 9 o'clock the sun’s rays would creep through openings between the tree tops, and, keep- ing the eggs warm, would allow the small bird a short rest from that self-imposed but surely tedious task of incubating, and then I could get a glimpse at her treasure, whatever it might be. And so it happened, for when I returned in the morning the sun had taken the mother bird’s task in keep- ing warm the four pinky-white bespeckled eggs. Taking one out of its casket I examined it with transmitted light. Through the thin shell I could clearly see that it would be but a matter of hours, or at most one day, before the young would arrive. The parents both seriously objected, I fear, to this act of what I trust was pardonable curiosity, so I quickly returned the frail egg to its proper place, and stepping back a few paces watched the excited birds; nor had I long to wait, for they, knowing full well that their home was discovered, made no attempt at concealment. One of them—we must suppose it was the female, but as they do not show any difference in colouring or marking I could only surmise—made straight for the nest and, after looking carefully at each egg to see that no ill had befallen it, arranged herself comfortably with feathers fluffed out, so that she appeared nearly double her proper size. ‘Then she as Qi 7 Aa The Worm-eating Warbler on her Nest. THE WARBLER FAMILY 119 sat watching my every move in an interested, but somewhat suspicious way. Of course I must have a photograph of her as she sat guarding her home and eggs. ‘The greatest care had to be observed in manipulating the camera so as to avoid making any sudden move- ment, for that will usually frighten a sitting bird, even when she is not of a naturally timid nature. Certain weeds and leaves had to be removed in order that the bird might be clearly shown. Evidently she was beginning to place confidence in me, for she allowed a twig to be broken off that was within a few inches of the nest. The camera was finally arranged in proper position, and who will say what she thought of the strange, three- legged monster that stared at her with its large single eye? She watched it mtently, and I was able to make an exposure of three seconds, for I was using the single combination of the lens, as the sunlight had crept slowly away from the nest, leaving it in the shadow of the tall trees. After making still another exposure I took the camera away, and returning, took a seat quite close to the nest. This I did that the bird might be accustomed to me, as I had in mind the time when I should want to photograph her youngsters. So long as I remained she never left the nest, but going to sleep, showed plainly that she no longer had fear of me. All this time her mate stayed near by, hunting incessantly among the leaves for his insect food. Sometimes, as though to vary his fare, he would devote his attention to the bark of the trees, creeping up and down somewhat after 120 WILD LIFE AND THE CAMERA the manner of a woodpecker, searching each crevice in the hope of finding concealed some insect that was especially to his taste, and so I watched for an hour or so, never tiring of perform- ances so interesting. Then, bidding them a tem- porary farewell, I went off to call on other of my bird friends. Owing to an unfortunate combination of circum- stances, many days passed before I was again able to visit my friend of the hillside. It was a disap- pointment, as I should like to have seen the young when they first arrived. As it was, I found them pretty well grown, for nestlings, and I knew that in a day or two they would be strong enough to brave the great world under the able guardianship of their parents. They seemed to be a fine healthy brood, each bird being of about equal size. I mention this fact because it very frequently hap- pens that there is a weakling among the family, one that for some cause or other does not grow as fast as his brothers; whether it is that he does not get his proper share of food, or that he was hatched a day or so later than the others of the brood, I have never been able to ascertain. But here was a case where all had happened as it should in a well-regulated family, and I was glad that it was so. The parent birds were not much disturbed when they saw me examining their family, but when I took one out, that I might the better note his bud- ding feathers, the anxious mother instantly flew to my feet, and with spreading wings and tail she tried to lure me from the nest by pretending some mishap THE WARBLER FAMILY 121 had befallen her. It did not take her long to discover that she had failed in her ruse—that ruse, time-honoured, yet always new in its pathetic simplicity—and she tried new tactics; but these also failed owing to the youngster not being sufficiently developed. She tried calling him away from my hand, as though she were going to feed him, but the little fellow was not yet strong enough to balance himself on my finger, let alone fly to her. To ease her mind, I placed him back in his nest, that the family had already almost out- grown, and as I did so, I wondered whether by chance the egg I had held in my hand was the one from which this bird had come. He seemed well satisfied to be with his brothers and sisters, and soon nestled himself amongst them, forming his part of the heaving mass of down and feathers. The next time I visited the nest the warblers made no objection, and I imagined they recognised me and realised that I meant no harm either to themselves or to their young, for these had hatched out since my first visit. Day by day I came to watch the little fellows, and they grew rapidly, as all young birds do. Finally, they were ready to make their first venture into the great world that, should no accident befall them, was to be their feeding- ground for many years to come. As I looked into the nest the family of fledgelings scrambled out as though they had been scattered by some invisible hand, so nearly simultaneous was their action, and in less time than it takes to tell it each little mite of down and rust-coloured feathers 122 WILD LIFE AND THE CAMERA was hidden among the dead, crackling leaves with which the ground was strewn. Though I had tried my best to watch where each bird concealed itself, it was some time before I collected them all preparatory to photographing them. Of course the parents were greatly excited—birds always are when their young first leave the nest—and when they saw the entire brood captured by one whom they had considered a friend, they seemed to regret having placed so much confidence in me. But only for a very short time did their doubts continue. As soon as I placed the youngsters on a suitable perch they both ceased to utter that lisping note of anxious protestation, and to show that they no longer feared me they hopped about on the camera while I was arranging it. When young birds (before they can fly) are placed on a perch they invariably fall off almost as fast as they are put on, and there is usually a bad one in the lot who positively refuses to sit anywhere he may be placed. Not only does he fall off, but if possible he grabs one or two of his small com- panions, and down they go together. These young warblers were no exception, and off they went, one after another. The bad one proved to be very bad indeed, and he is shown in only two of the many photographs I made of the family. While the pictures were being taken one of the parent birds stayed near by to watch over her youngsters, while the other went off in search of food, for which they called continually, and though I was not more than three or four feet distant, she fed them without troubling herself at all about SHOTGI SUTPLE-ULLIO AL JO ATR OTL, THE WARBLER FAMILY 123 my presence. Once she even perched on my hat and used the camera as a half-way house, resting on it each time she went back and forth to supply the fledgelings with food. Unfortunately the light was not very good for instantaneous photography, but such an opportunity for securing pictures of this comparatively rare bird was not to be missed, so I made many exposures on her and her young, with fair results. From a photographic standpoint they were faulty, but the subject was sufficiently interesting to warrant one’s overlooking the shortcomings. The light had grown so weak by the time I had made about fifteen exposures that I was forced to abandon any further attempts with the camera for that day. Sitting down on the ground, I placed the young warblers on my lap to examine them carefully. Imagine my surprise when both the parent birds came on my knee, first without and then with food for the youngsters. It was quite a novel sensation, and one that was more than enjoyable. It was positively thrilling. Knowing from past experience how sceptical people are when told of anything that they them- selves have not seen, I made up my mind then and there to pay my warbler friends another visit early the following day, and photograph the old one on my hand. ‘The day was fine, and I was fortunate enough to find one of the young ones, who could now fly a little, perched on the low branch of a small bush. One of the old birds was hunting busily for insects. Seeing me pick up her baby, she flew toward me, but did not object in the least 124 WILD LIFE AND THE CAMERA to my taking temporary possession of it. So I felt sure that she recognised her friend of the previous day. A few moments sufficed to arrange the camera in a place where the light was bright, and when all was ready to my satisfaction, I took the little fellow, who had been quietly sleeping in the warm sunlight, and set him on my finger. Soon he called lustily for food, and it was strange to see how quickly his parent heard and understood. In a minute or two she came hurry- ing along, carrying in her beak a daddy-long-legs, and, after pausing on the camera to see that all was right, she flew on my hand, and calmly fed her hungry little one. With my disengaged hand, I pressed the bulb, and a picture was secured. The daddy-long-legs served only to whet the appetite of my small friend, who cried out eagerly for more. Again the industrious provider went oft in search of other and larger insects. She was away for some time, but what she brought back fully compensated for the long wait—of perhaps four minutes. It was nothing more nor less than a huge brown grasshopper, nearly as long as the small bird himself. Again was the camera used as a halting-place, and again did she fly on my hand. Hungry though the little fellow may have been, he was unable to swallow so large a mouthful, and he dropped the grasshopper into my partly closed hand. Unfortunately I had just pressed the bulb and was therefore unable to take a photograph of the interesting proceeding that followed. Quite naturally the mother bird was anxious that so bountiful a supply of food should not ‘puvy ATE UO SUNO | lay SUIpady TaTqav Ay SUIZrA-TLLO Ay THE WARBLER FAMILY 125 be wasted, and she stood on my thumb and, bending down, so that her head was inside my hand, extricated the prize. Then she proceeded to break it into pieces of suitable size, and with these she fed her quivering and impatient little offspring. During the morning I secured a few more photo- graphs of these interesting birds, and then return- ing the youngster to the bush whence I had taken him, I left the pair in possession of their hillside estate and returned to my home with abundant proof of the tameness of my warbler friends. THE VIREO AND THE COWBIRD CHAPTER VIII THE VIREO AND THE COWBIRD Tue following account of a first-hand observation with a red-eyed vireo, though not by any means extraordinary, is nevertheless interesting, as demon- strating the birds’ powers of reasoning in dealing with what is not in any way a regular occurrence in the daily life. To argue that the birds’ actions were entirely according to natural instinct would seem scarcely fair to the little feathered creatures who acted with such far-sighted intelligence. In mentally attempting to deprive them of their reasoning power we might question the wisdom of their action. From an economic point of view, would it not have been better to have built a new nest rather than change the first one? But would the result have been any different? It probably required no more time to make the change than to have constructed an entirely new nest. When birds build their nests they appear to have certain well-defined objects in view. The nest must be well concealed or out of reach of many enemies, and due care must be observed that its contents shall be protected from the elements. It must be sheltered from the rain, and, if the young are to remain in it for any length of time, shaded from the sun. In taking these precautions the bird may be said to be simply following out the habits W.L.C. K 130 WILD LIFE AND THE CAMERA of its nature, so that it does come under the heading of that much-abused word “instinct.” But at times birds are forced to resort to remarkable expedien ts thattheir eggs and young may be pro- tected. Then it is that we see a display of what can only be termed intelligence: a careful weighing of existing conditions and formulating of plans to outwit enemies. One of the most common and at the same time the most interesting example of this is afforded by the way in which birds seek to rid themselves of the burden of fostering the cowbird’s young. Much has been written on this subject, and yet people in general do not realise how clever the birds are. ‘The accompanying set of photographs made directly from nature may help the reader to appreciate the truth of the following account of how a red-eyed vireo rid herself of a cowbird’s spurious egg. The cowbird, like the European cuckoo, is parasitic in her habits, that is to say, she relies on other birds to incubate her eggs and watch over and feed her young. And it is quite customary to condemn the poor cowbird for such behaviour, no thought being given to the reason why. Everything in nature has a reason, if we would but stop to inquire into it, and anything so far from the natural order of things as a highly developed creature refusing to care for its own young must, without doubt, have a very strong and sufficient reason. Presumably the cowbird cannot lay her eggs on consecutive days, four or five days being, I believe, the interval between lay- ings. Now it stands to reason that if she built her own nest and laid, let us say, three or four eggs, the A White-eyed Vireo, whose desire for ornamentation led her to cover her heautiful semi-pensile Nest with sinall pieces of Wood that had been cut by a Wood-pecker. THE VIREO AND THE COWBIRD 131 first egg might spoil before the last one was laid. So the families would be very small, and the inevitable result would be a speedy extermination of this useful bird. To avoid this, the bird lays her eggs in the nests of other birds, usually choosing the homes of birds rather smaller than herself, so that her young shall be under no disadvantage in point of size. Sometimes she deposits her egg in the nest before the rightful owner has commenced laying. In such cases they are seldom allowed to hatch, but more often the cowbird watches her opportunity and places her eggs in a nest that already contains one or more. ‘Then it is hatched with the others, and the young cowbird, being nearly always larger than his companion nestlings, manages to secure the greater share of the food and thrives accordingly, while the rightful owners sometimes die (so I am told) in the nest, or are forced out of itto die on the ground. All this is done by the cowbird in self-defence, and we should hesitate before condemning the bird for its seem- ingly strange behaviour. A few years ago I had an opportunity of watch- ing a pair of red-eyed vireos who had selected a tree near our house for their nesting site. The nest I had watched from its very beginning—a few beakfuls of dry grass and fine bark woven about the fork of a horizontal branch. Day by day the nest grew until after five days the beautiful semi-pensile structure was complete. It was a simple basket-like nest, supported by its upper edges being led to the forked branch. There was no attempt at decoration of any kind such as we K 2 132 WILD LIFE AND THE CAMERA often find in similar nests, pieces of lichen, webs, cocoons, small pieces of broken wood, and such like substances, being fastened to the outside by means of webbing. On the day when the final touch was given, and the nest was in readiness to receive the first eggs, a cowbird came when the vireos were absent and deposited her grey speckled egg in the newly-finished nest ; having done this she departed as silently as she came. What were her thoughts as she thus silently deposited her precious burden in this strange cradle ? How was she fulfilling this greatest of nature’s laws, the perpetuation of her kind? Did she realise that there was some peculiar, and to our limited know- ledge of things, apparently unnatural reason for not being able to take care of her own offspring? Why was she, of so many thousand species, selected to be denied the cares and joys of motherhood ? Who can answer ? Did she think at all on the subject as she searched the woods and fields for a suitable home for the young she would never see ? Had she surreptitiously watched these vireos building their nest, knowing that when it was completed she would make use of it? Who shall say? Perhaps even it was all a matter of chance, though that is not according to nature’s method. Had she suddenly realised that the moment was come when the egg must be deposited, and so chosen the first available nest from which the rightful owners were absent? None of these simple questions can we answer. Our surmises may be right or they may be wrong. We cannot know. Nature hides well her secrets, and so what are apparently the simplest - Varoge . SGOT pti FP MOyoOq ye) Bsa Ss pata STOPMAINIE oT] AAO AOY V paoezpel svip aoteao ppp SLe UA ; : Ee) i iS ant [ NAY a! TL aaguypar awonsx oF FPR UL YM. JsxoX auees alpT, ayy SFM spr prep syMyE PU avoyy ve ypOTepAL ut sa s oom’, THE VIREO AND THE COWBIRD 1383 problems must often prove on investigation to be the most difficult of solution. How often do we settle questions off hand and to our entire satisfaction, only to discover later on that our theories are utterly groundless and ridiculous? We have only our own experience on which to work, and so we endeavour to reason only from one point of view, forgetting too frequently that other creatures living under totally different conditions must base their actions on equally different premises. When the vireos returned I was attracted by the noise they made, and, visiting the nest, dis- covered the cause of the disturbance. Such excite- ment there was, chattering and commotion. Now and then plaintive notes could be heard, as though they were bewailing their misfortune. Many other birds joined with them in their lamentations. The wood-thrush, whose nest was in the near-by maple, repeatedly uttered her loud single note of distress, as though in sympathy with the poor little vireos. But wherefore all this uproar? Why not cast out the spurious egg, destroy it, for, after all, had it any right to be there? Once more, who shall say? To us it would certainly seem far easier to throw it out. But, strange to say, that is seldom, if ever, done. Anything but that. Even let it hatch and allow the sturdy parasite to devour by far the greater share of the food brought by the industrious owners of the nest, so that the rightful occupants shall go hungry—yes, and even starve—for that often happens. But these vireos had no intention of letting the big, dull-coloured egg hatch. Soon the excitement died away and they fell to work 134 WILD LIFE AND THE CAMERA with a will, and in a few hours the unwelcome egg had almost vanished from sight. It had been forced into the bottom of the nest, and a new floor was being laid over it. Nearly two days passed before the results were to the satisfaction of the imposed-upon birds, and then the mother bird laid one egg—a white egg with shell so thin that the yolk tinged it with a delicate pinkish hue; about its larger end were eight or nine tiny dark specks, which served to accentuate the purity of the white. The following morning the bird commenced incubating this solitary egg, and after the regular time had elapsed a small, helpless, pink bird took the place of the egg. Not having any others with whom to share its food it received more than usually falls to the lot of a young bird, and therefore grew with wonderful rapidity. In six days rows of pin feathers covered its fat little body ; in two more days these feathers had broken from their envelopes and partly covered the bare places. ‘The youngster was evidently thinking of leaving his comfortable home, for I found him on the ninth day sitting on the edge of the nest taking in the general appearance of things. The next day he felt sufficient confidence in his strength to make his bow to the great world of trees, and sunshine, and caterpillars, and all other things that must be of interest toa fledgeling. By instinct he knew of enemies and would remain motionless in the presence of danger, trusting in his delicate pearly white and soft greenish-brown colours not to betray him to the enemy, human or otherwise. Instinct, too, told him how to fly, but THE VIREO AND THE COWBIRD 135 for the two or three weeks after leaving the nest he relied entirely on his parents for his food. They taught him what insects to eat and when and how to find them, how to look on the underside of a leaf for the small green caterpillars, how to dart quickly at any insect which had wings, and so many other things about which we know absolutely nothing. For there is much that a bird must know if he would win his way through life. Let him be slow to learn and his life will be a short one. For nature’s law is, and always will be, “the survival otf the fittest.” NOTES ON THE BREEDING HABITS OF THE AMERICAN WOODCOCK CHAPTER IX NOTES ON THE BREEDING HABITS OF THE AMERICAN WOODCOCK Wuen the low damp swale has thawed and there is but little chance of another snowfall, the woodcock return from their winter quarters in the north to their breeding grounds of the previous year. As soon as the male bird has won a mate with his extraordinary system of courtship, which consists chiefly of spiral gyrations in mid-air, he, together with his chosen partner, at once examines the country for a favourable nesting site. This is an important matter, and the selection shows how the birds weigh the advantages of different likely places. There are several points to be considered: first of all, the actual site of the nest must be dry and in the immediate vicinity of a good feeding ground, but above all things must be considered the safety of the nest from the many enemies that threaten it. To insure this the clever birds depend not so much upon the dense tangle of underbrush, which one would naturally suppose to be the safest method of protection, as upon the colouring of the material with which the ground is strewn, for herein they show their reliance on their own protective colour- ing and marking which matches so nearly the dead leaves, weeds, and sticks. The reason that the nest is so seldom placed in the midst of a dense tangle 140 WILD LIFE AND THE CAMERA is presumably the desire for warmth from the sun. Every nest found by the writer has been situated so that during the greater part of the day it had the benefit of the sun’s rays ; but whether the warmth is desired by the bird itself or for her eggs, or in order that the ground immediately surrounding the nest should be kept dry, it would be difficult to say. As has been said, the colour of the bird is pre-eminently protective, so much so that even when we know within a few feet where she is sitting, it requires keen and observant eyes to discover her. Were it not for this fact the number of woodcock in the country would rapidly decrease, for their enemies are many. Boys would take the eggs, and the hawks, apparently numerous in the early spring, keep up such an incessant search that they would have little difficulty in detecting the sitting bird during this bleak season of the year. Few birds are more devoted to the cares of incubation, both the male and female taking part in that painfully patient duty, and it is seldom indeed that the eggs are left exposed to view. The coldness of the season may possibly have something to do with this, for the eggs would quickly spoil were they not kept constantly warm. When, however, it happens that the old bird is flushed, we notice how nature has pro- vided for the safety of the eggs by tinting them with a drab colour freely blotched with dull brownish marks; thus is the egg rendered inconspicuous, as its colours blend to perfection with the immediate surroundings. ‘The nest itself does not betray its precious burden, for in the strict sense of the word there is no nest, that is to say, none is built. ‘The HABITS OF AMERICAN WOODCOCK 141 dead leaves are pressed down so that the eggs will have no tendency to roll away—perhaps some down or a few feathers are added and the nest is complete; simplicity itself, yet most admirably adapted to its purpose. In the vicinity of New York the eggs are laid about the first week in April, and as the period of incubation occupies eighteen days or thereabouts, it will be seen that the young arrive while the ground, which till so recently was covered with snow, is still naked, for the spring plants have not yet ventured from their mouldy cradles, so that protection must be found among the crackling dead leaves, and it is interesting to observe how very closely their colouring coincides with that of the dry leaves. Owing to the fact that the youngsters leave the nest almost immediately after they are hatched, we see how very important it is that they should be protectively coloured. Young woodcock obey the great law that governs fledgelings after they leave the nest, which says that when an enemy approaches no movement must be made. Sitting absolutely still, these little balls of russet fluff are safe from discovery, and even after the threatening danger has passed they remain motionless until a call from the parent bird informs them that there is no longer need of concealment. How well the adult woodcock is protected by its markings and coloration is well indicated in the accompanying illustration, which is a faithful reproduction of a photograph taken directly from life. To insure accuracy as to colour values (which is, of course, a most important item, and one beyond the capacity of the ordinary plate to 142 WILD LIFE AND THE CAMERA deal with) isochromatic plates were used, together with a ray filter. So itis reasonable to suppose that the relative value of the birds’ colouring and that of the leaves is faithfully shown. ‘This and other photographs were taken on three consecutive days, and it is curious to note that in every case the bird had its bill beneath the twigs. This renders her even less conspicuous than she would otherwise have been. Her brilliant dark eye is almost the only thing that betrays her presence, even in the photograph, where she is sharply in focus, while the surroundings are more or less blurred. It has been said that if once a woodcock has been frightened from its nest by a person, it will not again allow of a human being’s near approach, but will glide off silently while the intruder is yet many feet away. The bird here portrayed, though frightened (accidentally, of course) from her nest when first discovered, grew more and more tame and con- fiding with each successive visit, and finally allowed the camera to be placed within less than three feet of her. In order to show the position of the eye (which allows the bird to keep a sharp look-out even when its bill is deep in the damp earth, searching for worms) and the peculiar form of the head, the camera was placed about seven inches off the ground on two stones, brought there while the bird was sitting. Further than that, she allowed the writer’s hand to come within three inches of her head and remove a twig which would have interfered with the picture. That the reader may fully realise how motionless the bird remained, it is only necessary to say that owing to the fact that ‘Tal Jo Joop ooatpy HYP PASO |PE ays JUG, sua os Stunde atyy [sex uo suTyts TOO AL HABITS OF AMERICAN WOODCOCK 143 the photograph was made on a dark day during a shower, the ray filter (which trebles the length of exposure), and the smallest diaphragm were used, and that an exposure of ninety seconds was given. Yet there is no sign of movement. The question has been frequently asked, “ Did she know that she was discovered?” It is probable that she did, for even with her knowledge of her protective colora- tion it is doubtful whether she carried her belief in it for quite such a length; but why did she sit so absolutely still ? SHOOTING WILD DUCKS AND GEESE WITH THE CAMERA W.L.C. L CHAPTER X SHOOTING WILD DUCKS AND GEESE WITH THE CAMERA Tue clock in the big club-room had just struck eight, the hour when all the members and guests of the . . . Shooting Club were wont to foregather and draw for blinds and men to pole their canoes. On the selection of a good blind must usually depend the day’s sport, and a satisfactory man adds not a little to one’s comfort and pleasure. As a guest I was to draw in my turn, when one of the members remarked that “any blind would be good enough for me, as I was only going to photograph, while the others intended to shoot.” This was the point of view of probably most of the veteran sportsmen present. They failed to see how it mattered whether I had opportunities to photograph the ducks or not, while it was of the utmost importance that those who used the gun should have the surest chance of killmg the limit. I do not mention this as a criticism, but simply to show how little idea these men had of the sporting possibilities which the camera offers to the hunter. For to hunt with a camera requires infinitely more skill than shooting with a gun, and the number of successful photographic shots must inevitably be very much smaller. A keenness and alertness undreamed of by those who shoot is absolutely L2 148 WILD LIFE AND THE CAMERA necessary, and even then only under the most favourable conditions can one hope to secure satisfactory results. Generally speaking, ducks decoy well only on overcast days, and in the early morning and late evening, when, of course, photographing is out of the question. The brightest light is none too good for making exposures of from one to two thousandths of a second, and anything slower than that will not catch the rapid action of a duck in flight. So it will be seen that in my form of hunting I at least wanted as good a chance as the other sportsmen, and after I had explained my point of view I was allowed to draw a blind. The following morning, just as the sun was creep- ing over the mist-hidden tops of the cypress trees, we started. Mymanseemed amused at my photo- graphic battery, and evidently looked on me as a mild lunatic. Why I carried no gun was beyond his power of comprehension, and he poled the flat- bottomed canoe through the sluggish Arkansas stream in a listless way which revealed more eloquently than words his utter contempt of my dea of sport. The other canoes passed us, and the men in them jokingly taunted my unhappy negro. Long years of experience with unenthusiastic guides had hardened my feelings, and I was no longer sen- sitive to anyone’s ideas regarding camera hunting. Eventually we arrived at our blind and put out the decoys, both live and wooden ones, and then I made ready for work by clearing a small opening in the brush through which I could operate the camera. This is a very important thing to do WILD DUCKS AND GEESE 149 properly. Many a good opportunity may be lost through the intervening of a small twig between the lens and the birds. Our blind was between two cypress trees at the edge of a swamp facing a large lake. For several hours we remained quiet, the only interruption being the snores of the guide, who lay fast asleep in the bottom of the boat. Several times ducks passed us, but always out of range, anything over a hundred feet being practically too far for the camera, even with a long-focus lens. At last a slight splashing among the cypresses attracted my attention. There, swimming along not sixty yards away, was a solitary goose. Un- fortunately I had not counted on anything in that direction, and therefore had not prepared a peep- hole; so I stood up, hoping to be able to get the camera above the brush. Quiet as I was, the bird heard me and immediately swam away, much to my disgust. About half-an-hour later, while watching a pair of pintails that seemed inclined to come our way, with the corner of my eye I caught sight of some- thing moving quite close to the blind. My surprise may be imagined when I say that this something proved to be the goose, not ten feet away. Here was the chance of a lifetime, and with trembling fingers I drew the slide from the plate-holder so as to be ready when the bird should pass the place where I had made the opening in the blind. At that moment the wretched guide moved his foot and made just enough noise to alarm the goose, and off it flew, without giving me a chance to 150 WILD LIFE AND THE CAMERA photograph it, owing to the intervening brush. No words can express my disappointment, for prob- ably never again shall I have another opportunity to photograph a goose at such a close range. I was mentally cursing my luck when Dame Fortune smiled on me, and I forgave her the trick she had just played.