CORNELL UNIVERSITY LIBRARY FROM TT, Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924031230711 FREDERICK WARNE AND CO. BEDFORD STREET, COVENT GARDEN. TOUR ROUND MY GARDEN. a gees FROM THE FRENCH Oe ALPHONSE KARR. Rebised and Gbdited & BY THE REV. Jef*¥OOD, M.A, PLS. &. ry AUTHOR OF THE ILLUSTRATED NATURAL HISTORY. A NEW EDITION. WITH ONE HUNDRED AND SEVENTEEN ILLUSTRATIONS BY WILLIAM HARVEY. LONDON : FREDERICK WARNE AND CO. BEDFORD STREET, COVENT GARDEN. NEW YORK : SCRIBNER, WELFORD AND CO. GUREELL UNIVER ET PREFACE. WHILE so many foreign authors are enjoying an English reputation scarcely inferior to that by which they are distin- guished in their own land, it is rather remarkable that the works of Alphonse Karr should be so little known in this country. There are few writers who have shewn such keen perception of character, such true delicacy of feeling, and such real originality of thought, as are to be found in every page of this charming author. Through all his works there runs a vein of the gentlest feelings towards mankind, an apprecia- tion of everything that is good and noble, and a sympathy with every kindly affection of our nature, rendered more piquant by a slight spice of genial misanthropy. His lively wit is directed lightly against the ordinary failings of mankind; and there is but one class of men for whom he has no mercy. He treats a sham much as an American Indian treats an enemy—he tomahawks him with an argument, scalps him with an epigram, and triumphantly despoils him of his borrowed plumes. Vili PREFACE. In the translation of the Work, it has been an object to preserve, as far as possible, that originality which adds so much to the power of a book; and for this reason the allusions to French customs and manners have been left untouched. Wherever practicable, the plants and other ob- jects of natural history have been designated by their English titles; but, as many of them are not British, their French names have necessarily been retained. In order to make the present volume more worthy of the public notice, it has been copiously illustrated with Wood- cuts by Witu1am Harvey, and the BrotHers DawziE.. Merton CoLLEGcE, Dee. 1854, CONTENTS. —— PAGE : LETTER I. FORUUCRON 6 Se a a a eo a ee we gy ew ee we OF LETTER II. The Loves of the Spiders—The Tour—Comparisons. . . .... 6 LETTER III. The Two Carpets—The Glories of Nature always within our Reach—In the Journey of Life are many Promises of Happiness—Our Play- things are but changed in Name . . 2. 2. 2 2 2 ee eee LETTER IV. The Start—Costume—The Wren—The Mason Bee—The Chrysis— Marie Antoinette. 2. 2. 6 2 2 ee ww ee we we ews : LETTER V. Varied Colours of the Rose—Its Progress from a Wild Flower, or Eglan- tine, to its present Perfection—The Cetonia, the Enemy of the Rose—The Aphis Rose—Extraordinary Fecundity of an Aphis— The Lady-bird—Nature’s Provision to preserve a Balance—The generative Principle in Flowers—Grafted Rose . .....-. LETTER VI. Savants—The Reseda or Mignonette—The Marsh-mallow and the ORDA ee Re a te el RR LETTER VII. Nut-tree—Nut-Weevil—What is Property? . 1. 2 2 2 se we LETTER VIII. The Lily—The Ichneumon-fily—The Poppy . 2. » «ee ee © « LETTER IX. Awakening of Creation—The Lupin—Night—~—The Sleep of Creation— The Glowworm—The Death's-head Moth—Respiration of Plants . 10 7 23 36 41 48 59 x CONTENTS. PAGE LETTER X. ' What is Happiness? — Recollections and Regrets— Universality of Death—Who are mad, and who sanef . . . «© «© ee ee LETTER XI. Upon my Back . . 2. 2. © 2 © we ee eee wo we ww we LETTER XII. Colours. 2. 2 2 ee te ee ew ee ee ee we LETTER XIII. On my Face . . . 2 ee © ee ew we we ee ay een LETTER XIV. The Violet-—Ants—The Power of Love—Miracles . . . 2. . 2 + LETTER XV. The Tulips, and their Story . . 2 2 6 © © © © ee se eee LETTER XVI. Quasi Maritime. 2. 2 6 2 6 0 © ee we wo we we ww LETTER XVII. The Metamorphosed Rivulet 5. . 2 2 2 2 2 ee ee eee LE?TER XVIII. The Anthropophagi . 1. 2 2 6 5 © © © we ww we we ww LETTER XIX. The Caddis—Aspects of Death—Flowing Water—Dress—The Leaf- cutter Bee . 2 1 6 ew we tt ww we ee tht . LETTER XX. Flowers and their Memories . . . 2 2 se ew es we we ew ewe LETTER XXI. Music—Dragon-flies—The Water-lily and the Vallisneria . . . . LETTER XXII. Memories of the Dead. we ee we ew ee eh et we LETTER XXIII. The Golden-crested Wren—Amateurs of Flowers—The Peony .. . LETTER XXIV. The poor Travellers—The Castle of Chillon . . . . 2. ee» wee LETTER XXV. An Amateur finds fault with an Auricula, . . 2. 2 2 ee wwe LETTER XXVI. AnOld Wal... .. SG Sele pS el ES a OR LETTER XXVII. The childish Theft—Retribution « . ,» 2 2 ee ee ee wee 79 86 93 102 117 123 126 131 141 144 150 153 158 165 168 174 CONTENTS. LETTER XXVIII. The Pipe and the Snuffbox- ......... te Ser aah LETTER XXIX. Quasi Apiarian . 2. 2... 1. SO Qe S SS Be LETTER XXX. Bees Gal ine LES Sab tak Neil See seu Gat Gey Sierra UG Tg deh ey “Wh Of sha SP ek BS LETTER XXXI. Virgil again—The Hyacinth—The Larkspur . A ee ati SE at ae LETTER XXXII. False Gods) og wee ee a LETTER XXXIII. The Mantis—The Orchis—The Gall Insect—Cochineal—Value of SCATICC. se. Sige Se Sa eS Re a ee ee LETTER XXXIV. The little Causes of great Events—The Fraxinella—The Nigella— LETTER XXXV. The enriched Woodman. . . 6 1 1 we te ee te LETTER XXXVI. Fennel--The encroaching Visitor. . ah abe tay ae ee Sn fae Se LETTER XXXVII. The encroaching Visitor. . ... Cee ie Re o LETTER XXXVIIIL. Wonders of Travel—Scientific N Natare: 6 sec eye es Si LETTER XXXIX. Wild Flowers in Gardens—The Shower . . . . . + 2 e+ we ee LETTER XL. After the Shower . . Se 8 a tae aes Aes eS ES Tae ae tee LETTER XLL The Clothes Moth—An incredulous Man does not believe in the Sausage- €LEGr ei ae ar ee a A) Neto ok LETTER XLII. Flax—The discomfited Florists . . Bo Bee =) Ss a LETTER XLIII. A Modern Deity—A Philosophical and Theological History of Hemp and Flax, with their various Fortunes from their Birth to their Apotheosis . . . wo nee oa oe hae Beas cigs 190 199 203 207 216 218 225 228 232 235 239 246 258 xii CONTENTS. PAGE LETTER XLIV. The Tendrils of Plants—The Purple of the Ancients—The March of the Orchis . ...... Cae ats $ Bris LETTER XLV. Nature’s Sympathy less sublime than its Indifference iS es A ORS LETTER XLVI. The Connoisseur is deceived . . «2 2 + 6 we et te eh ee LETTER XLVII. ATaleof Youth . . 1. 1. 1 ee ee ee ee te LETTER XLVIII. De: VAG? b..ae SSe ce y pas vies es RR a cree ae ce GRR a ee a LETTER XLIX. L’Herbe au Chantre—Racine—Boileau—Sorcerera— Pliny— Homer— and Yellow Garlick. . . . . St ay hed Sal, ay Tete U8: LETTER L. Virtuessof Plante: 5° as. gp le Ae et a a a Qe ee ae LETTER LI. The Tulip under incognito . 2. 1. we ee ee ee ee LETTER LII. Each Plant has its own Type, but Men try to form themselves on one single Type. . . ... «ee 8 oe LETTER LIIl. Man the Monarch of Creation—The Violet and its Proprietors . LETTER LIV. Flowers and their Proprietors . . 2. 2... 2. eee ee ee LETTER LV. The Groundsel—Laurels—Liberty, Fraternity, and Equality . . . . LETTER LVI. Dreamland. 5 le. seve: vas es See ey se Ge tw ea tee ew LETTER LVII. Aromatic Plants—Scientific Nomenclature . ....... LETTER LVIII. The Yellow Roses. . ..... ey ao Geel SE xen oe LETTER LIX. Origin and Properties of certain Plants—Their Colours only compara- tive—End ofthe Tour . . . we ee Age car IS se we 257 260 264 271 281 286 290 294 299 305 308 314 317 322 330 LETTER IL INTRODUCTION. Do you remember, my friend, the day on which you set out for that long and delightful tour, the preparations for which had so long engrossed your time and attention ? I called in the morning, to pass a few minutes with you, as I had been accustomed to do, but not being aware that it was the day fixed on for your departure, I was surprised at the unusual, state of your house: everybody appeared un- settled and busy, and the servants were running up and down stairs unceasingly. An elegant travelling carriage, with the horses harnessed, was standing in the court-yard. At the moment I entered, the postilion had already placed one of his huge boots in the stirrup, and one of your servants, B 2 A TOUR ROUND MY GARDEN. mounted as a courier to prepare relays, was teazing his horse, which curvetted beneath him. On my arrival, I found you absent and preoccupied ; it was an effort for you to answer my questions, and address a few words to me; you seemed as agitated as a bird about to take wing. You bade me adieu with a warm and friendly squeeze of the hand, and sprang into the carriage; Arthur, your valet de chambre, got up behind, you waved your hand, and the courier set off at full gallop. In the meanwhile, the postilion drove out of the court-yard, cracked his whip as a signal of departure; this brought the neighbours to their windows, the passers-by stopped, you waved me one more adieu, and bid the postilion, “Go on!” The horses were off at a gallop, and all soon disappeared at the turning of the street. : As for me, I stood looking after you, bewildered, stupified, sad, dissatisfied, humiliated, without knowing precisely why. The neighbours reclosed their windows; the passers-by continued their way; your porter closed the gate of the court-yard, the hinges giving forth their inharmonious gra- ting: and yet there I stood motionless in the street, not knowing what to do, what was to become of me, or where I should go; it appeared to me that the only road in the world was that which you were pursuing, and that you had taken it away with you. ; Nevertheless, I began to perceive that people looked at me with astonishment, and I took at random—for the sake of moving rather than with a view of going anywhere—the oppo- site direction to that by which you had departed. It was not long before it occurred to me to ask myself where [ was going; and this question, to a certain point, embarrassed me; the public walks appeared dull—the people out of spirits—I determined to return home. As I walked along, I began to think of you in not the very best of humours. I could not help fancying that your air was almost disdainful; you seemed flattered by the attention your departure and your equipage excited; you appeared to leave your street, your house, and your old friend, as we leave things that are worn out, and with which we have no longer anything to do. INTRODUCTION. 3 Gradually, I allowed feelings almost amounting to ill-will towards you to creep into my heart; but, happily, I soon stifled them, when I found, upon examination, that they owed their birth to nothing but envy. Every happiness excites jealousy. When we see others in the enjoyment of it, we endeavour to persuade ourselves that they have injured us in some serious manner; and then we try to dignify that mean sentiment.of envy with a nobler name, and call it just resentment, proper pride, or wounded dignity. When once I recognised my weakness, I quickly triumphed over it, and justified you; but it was not so easy a matter te justify myself to my own conscience. ; Truly the evil one would have very little hold of us if he presented the baits he lays for us under their proper names. When I returned to my home I could not refrain from enyying your happiness, but you I no longer envied; you again appeared the same excellent friend, as soon as I ceased to seek in you those chimerical qualities that are imposed upon a poor Pylades, although we never examine if we our- selves are for another what we require another. should be for us; in a word, every one is anxious to have a friend, without taking any particular pains to be one himself. But, as my ill-humour towards you faded away, it seized upon myself, and I complained bitterly that my scanty fortune would not permit me, like you, to see other countries, other men, other climates; and I became painfully aware of the poverty to which I had hitherto given but little attention. What! said I to myself, shall I be always, then, like that poor goat which I see fastened to a post in a field yonder? She has already cropped all the grass which grew within the circle its cord allowed it to traverse, and she must recom- mence by nibbling the herbage which she has already eaten down as close as velvet. Whilst thus soliloquizing, I stood upon the balcony of a low window which opened on to my garden, looking out mechanically upon the scene before me; the sun was setting; at first my eyes, and afterwards my soul, were enthralled 4 A TOUR ROUND MY GARDEN, and engrossed by the magnificent spectacle which presented itself. High up in the ieavens, towards the west, were three strips of clouds: the highest was formed of a kind of foamy flakes, grey and rose-coloured; the second was in long tints of a darkish blue, slightly tinged with saffron yellow; the third was composed of grey clouds, over which floated a clear yellow vapour: beneath was a vast lake of bright, pure, and limpid blue, while under this was stretched a long grey cloud, with a fringe of pale fire, and lower down was another lake of a rather paler blue; when again floated a narrow cloud, of a grey colour, like that of the burned ashes of a volcano, and under this was a fresh lake of a somewhat greenish blue, like some turquoises, but deep and limpid as the others; and then, beneath all, were masses of cloud, whose upper part was white, glistening with pale fires, and the under part of a sombre grey, with a fringe of the most brilliant flames. There, in a thick orange-coloured vapour, sank the sun, of which only a blood-red point was visible. Then, when the sun had totally disappeared, all that had been yellow in the picture assumed corresponding shades of red; the pale blue or faint green became a more full and dark azure. And all nature seemed, as I did, to admire these eternal beauties. The breeze had ceased to agitate the leaves of the trees; the birds no longer disputed for their roosts under the thick foliage; not even an insect was heard to buzz in the air; the very flowers had closed their rich blossoms, and there was nothing to occupy or distract the senses. Then I reflected that, at many miles: distance, you, in your caléche, with your courier and your postilion before, your valet behind, could not possibly behold a more splendid spectacle than that which was spread before my eyes and that, probably such a one would awaken in you less con- templation, and consequently less delight. And I thought of all the riches which God has given to the poor; of the earth, with its mossy and verdant carpets, its trees, its flowers, its perfumes; of the heavens, with aspects so various and so magnificent; and of all those eternal splen- dours which the rich man has no power to augment, and which so far transcend all he is able to buy. INTRODUCTION. 5 I thought of the exquisite delicacy of my senses, which en- ables me to enjoy these noble and pure delights, in all their plenitude. I also remembered how few and simple were my wants and desires ;— the richest, most secure and most indepen- dent of fortunes. And,with joined and clasped hands, with eyes raised towards the gradually darkening heavens, with a heart filled with joy, serenity, and thankfulness, I implored pardon of God for my murmurings and my ingratitude, and offered up my grateful thanks for all the enjoyments he had lavished upon me. And as I sunk to sleep that night, my spirit was filled with pity for those poor rich. : WN = BS Se os BAA SSA 8 LETTER Il. THE LOVES OF THE SPIDERS—THE TOUR—COMPARISONS. As I stood at my window the next morning, I perceived in a corner a spider's web. The hunter, who had spread his nets, was busy in repairing the rents caused, either the evening before or that morning, by some prey of an unexpected size, or a desperate resistance. When all was repaired, the spider, which was twice as big and as heavy as the largest fly, ran along the web without breaking a single mesh, and went to conceal itself in an obscure corner, whence it might watch. Tobserved it for a long time. Two or three flies floating heedlessly about were taken in these perfidious toils, and struggled in vain; the implacable Nimrod darted upon its captives, and sucked them without mercy; after which it repaired one or two damaged threads, and returned to its hiding-place. But behold! another spider of a smaller size. Why has it left its nets and its ambush? Ha! ha! it isa male, and a male in love; he thinks no longer of the chase, he is like the son of Theseus— “My bow, my darts, my car, invite in vain.” He approaches, and he draws back—he loves, he fears. There THE SPIDERS, 7 he is, upon the first thread of the web of her whom he loves; terrified at his own audacity, he recoils and flies away, but only quickly to return. He makes one step, then another, then stops. Gentle reader, you have seen timid lovers, you have been one yourself if you have ever really loved. You have trembled with terror beneath the pure and innccent glance of a young girl; you have felt your voice fail when near her; and certain words which you wished to utter, but durst not, have seemed to fill your throat to strangulation. But never have you seen a lover so timid as this—and not without good reasons. The female spider is much larger than the male, and this is almost generally the case with insects. If, at the moment at which the lover presents himself, her heart speaks to her, she yields, like all other beings, to the sweet influence of love; she softens as the panther does, she gives herself up to the delight of loving and being beloved, and ventures to evince it; she. encourages her timid lover, and her web becomes for that beloved lover the silken ladder of our romances. But if she is insensible, if her hour has not yet come, she nevertheless advances slowly to meet the trembling Hippo- lytus, who seeks in vain to read in Ker features whether he is to hope or to fear; then, when‘at a few paces from the amorous youth, she darts upon him*-seizes him—and eats him! True it is then that the most ancient and most ridiculous metaphors invented by lovers cease to be metaphors, and assume a real and terrifying sense. Here is certainly a lover who has reason to complain of the hard-heartedness of his beloved. Here is a lover who will not be accused of exagge- ration, if, into the avowal of his sentiments\he should allow to glide the often-abused question, “Am I tq live or die?” or even this sentence. “If you repulse my love, it will be my death-warrant.” My friend, however, was more fortunate, | for the belle advanced towards him, whilst he waited for |her in visible anxiety; but whether he perceived in her behaviour any unsatisfactory sign, or whether the coquette had not sufficient skill to compose her countenance, which I could not dis- tinguish from the smallness of its proportions, or whether she 8 A TOUR ROUND MY GARDEN. permitted to appear in her air more hunger than love, or whether, in short, the lover was not struck with one of those intense flames which brave all dangers, he took to flight with such rapidity that I lost sight of him, as doubtless did his inhuman mistress, for she returned tranquilly to her ambus- cade, to wait for other victims. I had before been present at similar scenes; for I have passed a great part of my life in the country, and had much studied the habits of insects; but this time, the little drama of which I had been a spectator made a particular impression upon me, and my thoughts reverted to you. Truly, said I to myself, this must be a singular restlessness of spirit, this love of travelling, and travellers are strange beings to go to great distances, and at great expense, to see new things, without having taken the trouble to look at their feet or over their heads, where as many extraordinary and unknown things are passing as they can possibly desire to know. There he is, gone, continued I, still thinking of you; and he may make the tour of the whole world without meeting with so strange a love affair as I have just been a witness of from my window. Under whatever part of the heavens they may dwell, in whatever fashion they may dress, or not dress at all, men live upon four or five passions, which are always the same, which do not vary in their depths, and very little in their forms. Love nowhere presents so singular a drama as that which has just passed before my eyes. In yonder tuft of moss, green as an emerald, wavy as velvet, and as large as the palm of my hand, there are loves, hatreds, combats, transformations, and miracles, going on, which are perfectly unknown to us, and which we have never looked after. And further, in great things, particularly such as concern man, nature appears to have restricted herself to rules almost invariable, whilst among flowers and insects, she seems to have abandoned herself to the most strange and delightful fantasies. A whimsical mania is that which makes men close their eyes against all surrounding objects, and only deign to open them at five hundred miles from home. “Well!” cried I to myself, “T also will make a voyage; I THE TOUR. 9 will see new and extraordinary things; I also will have something to tell.” Make you the tour of the world, I WILL MAKE THE TOUR OF MY GARDEN. I will wait for you here, my friend; you will find me under my fig-tree, or under one of the honeysuckles, and I will make you avow that there is a great and terrible punish- ment for travellers as for inconstant lovers :—for travellers, arrival; for inconstants, success; for they then find how much all countries and all women are alike. What are you going to see abroad? How proud you will be in your first letter, if, by chance, you should’ ever think of writing to me at all, to tell me you have seen women tattooed and painted in divers colours, with rings in their noses. And I will answer you: Well, my good friend, what occa- sion was there for going so far?) Why did you go further than two streets from your own house? There was nothing to prevent your looking at your sister-in-law, who, after the example of a hundred other women you are acquainted with, and each of whom is at once painter, original, and portrait, puts pearl white and rouge upon her brow and cheeks, black upon her eyelids, blue to increase the apparent fulness of her veins, and passes rings through her ears in the same manner that savage women pass them throngh their noses. Pray, why is it more strange to pierce one cartilage than another! Can the difference be worth going so far to see? I know very well you will meet with sharpers and cheats ; with the imbecile, the hypocritical, the proud, the egotistical, the envious, the mendicant ; but have you not remarked that there area few of these to be equally found here? Is it so difficult, in this country, to experience hunger or thirst—too much heat, or too much cold, that you think it worth while to go so far for these unpleasant sensations? Is there any plague, or any fever, or any leprosy unknown in our country that you feel a wish to take? Or, are you so weary of the common house-flies which annoy you here in the summer, that you travel two thousand miles for the pleasure of being stung by musquitoes? LETTER III. THE TWO CARPETS—THE GLORIES OF NATURE ALWAYS WITHIN OUR REACH— IN THE JOURNEY OF LIFE ARE MANY PROMISES OF HAPPINESS—OUR PLAY- THINGS ARE BUT CHANGED IN NAME. TuRovenout the night, my thoughts have been upon you my absent friend, of you and your travels——and I com- prehend you less than ever. Are you, well acquainted with these flies that shine and buzz around you; with those flowers which bloom and perfume the air; with those birds that sing so sweetly ; with these leaves that tremble—with that water which murmurs? Have you contemplated them, each once only, and the various parts that compose them? Have you followed them from their birth to their death? Have you seen their loves and their marriages, before going so far to see things you have not seen? As for me, this morning I had a great treat, of which I hasten to give you a share. About three years ago I purchased an old carpet to place in my studio, as I call an apartment tolerably well furnished, THE TWO CARPETS. 11 in’ which I sometimes shut myself up, to prevent interruption whilst I am doing nothing. This carpet represents foliage of a sombre green, strewed over with large red flowers. Yes- terday my eyes fell upon my carpet, and I perceived that the colours were becoming very faint, that the green was getting of a very dingy hue, that the red was faded in a deplorable manner, and that the wool was worn off, and showed the string over the whole space that led from the door to the window, and from the window to my arm-chair in the chimney corner. That is not all; whilst moving an enormous and heavy table of carved wood, I made a rent iu the carpet, All this disturbed me so much, that I imme- diately had the rent repaired, but I could neither restore freshness to the leaves nor brilliancy to the red flowers. But this morning, whilst walking round my garden, I stopped before the grass-plot which is nearly in the centre of it. Now here, said I, is just such a carpet as I like, always fresh, always handsome, always rich. It cost me sixty pounds of grass seeds, at twopence halfpenny the pound, that is to say, twelve shillings, and it is about the same age as that in my closet, which cost me twelve pounds ten shillings. That. which cost twelve pounds ten shillings has undergone sad changes; it is now poor, and becoming poorer every day, in its tarnished splendour, threadbare, disgraceful and patched ; whilst this before me becomes every year more beautiful, . more green, more tufted. And with what profuseness of beauty it changes and renews itself! In spring it is of a pale green, strewed over with small white daisies and a few violets. Shortly after, the green becomes deeper, and the daisies are replaced by glossy buttercups. To the buttercups succeed red and white trefoil. In the autumn, my carpet assumes a yellower tint, and instead of the red and white trefoil, it is sprinkled with colchicums, which spring from the earth like little violet-coloured lilies. In winter its white snow dazzles the eyes, as it has been danced and walked over. Then although in the spring, as well as the autumn, it isa little worn and ragged, it puts itself to rights in such a manner, that we cannot perceive its wounds, or even its scars: whilst my other carpet remains there with its eternal red flowers, which 12 A TOUR ROUND MY GARDEN. become more ugly every day, and with its badly-mended rents.—How rich then I am! Will you write to me as you promised? On my part, I will write you an account of my journey; I do not well know whither to direct my letters, but yours will tell me when and where. Rut what do you expect to see yonder which you could not see here? I will endeavour to describe, as if it were done by yourself, some distant country. Let us see: “The sky is grey, like a heavy leaden cupola; the earth is covered with a sheet of snow; the trees bend their black skeleton forms to the sharp winds; at their feet venomous toad-stools spring and flourish, the flowers are dead; the frozen water is motionless between its herbless banks. Those who persist in calling fountains mirrors, in which shepherd- esses contemplate their simple, pretty features, and arrange their modest dress; those who only see in nature what they have first read in books, are obliged to admit that their poetical mirrors are turned silver side uppermost. Some firs, “in their melancholy, sombre foliage, afford asylum to only a few mute birds, with their feathers standing on end with cold, and which, pressed with hunger, fight for the scanty fruit left upon the leafless trees; the purple berries of the whitethorn, the scarlet berries of the service-tree; the orange berries of the cranberry, the black berries of the privet, or the blue ones of the,laurustinus. : “There is in the air neither the song of birds nor the buzzing of insects, nor the perfume of flowers. The sun only remains every day for a few hours above the horizon; he rises and sets in pale and dull splendour.” What country is this? If it were you, my dear friend, who were writing these lines, you would call this dismal climate Norway, with its snows and ice. For myself, this country is my winter garden; in six months it will be so. I have only to wait. I need not go and seek, midst a thousand dangers—and, what is still worse, midst a thousand cares— the rich countries where the sun is the object of adoration. I will wait a few days, and the sun will make me seek a friendly shade of balmy coolness. There are times when the flowers languish with heat: there are times when one only hears among the parched herbs, the THE GLORIES OF NATURE. 13 monotonous cry of the grasshopper, when one sees nothing. stirring abioad but the lizards.) The nights are cool, sweet, THE LIZARD. and fragrant; the flowering trees are filled with nightingales, exhaling perfumes and celestial melody; and the grass is brilliant with the glow-worms gliding about with their violet flames. You will in this manner, describe to me some far-off country ; J will thus delineate what my garden affords. The seasons, as they pass away, are climates which travel round the globe, and come to seek me. Your long voyages are nothing but fatiguing visits, which you go to pay to the seasons which would themselves have come to you. But there is still another land, a delightful country, which would in vain be sought for on the waves of the sea, or across the lofty mountains. In that country, the flowers not only exhale sweet perfumes, but intoxicating thoughts of love. There every tree, every Plant breathes, in a language more noble than poetry, and more sweet than music, things of which no human tongue can give an idea. The sand of the roads is gold and precious stones; the air is filled with songs, compared to which those of the nightingales and thrushes, which I now listen to, are no better than the croaking of frogs in their reedy marshes. Man in that land is good, great, noble, and generous, 14 A TOUR ROUND MY GARDEN. There all things are the reverse of those which we see every day; all the treasures of the earth, all dignities crowded together, would be but objects of ridicule, if there offered in exchange for a faded flower, or . old glove, left in a honey- suckle arbour. But why do { talk about honeysuckles? Why I am forced to give the names of flowers you know to the flowers of these charming regions? In this country no one believes in the existence of perfidy, inconstancy, old age, death, or forgetfulness, which is the death of the heart. Man there requires neither sleep nor food; an old wooden bench is there a thousand times more soft than eider-down else- where; slumbers are there more calm and delieious, constantly attended by blissfulydreams. The sour sloe of the hedges, the insipid fruit of the bramble, there acquire a flavour so delicious that it would be absurd to compare them to the pine-apple of other régions. Life is there more mildly happy than dreams can aspire to be in other countries. Go, then, and seek these poetic isles! Alas! in reality, it was but a poor little garden, in a mean suburb, when I was eighteen, in love, and when she would steal thither for an instant, at sunset! So loved I a little shut-up garden. After all, is this life anything but a terrible journey, without repose, and with but one common end in view? Is it anything more than arriving successively at various ages, and taking or leaving something at each? Does not all that surrounds us change every year? Is not every age a different country? You were a child; you are a young man; you may become an old man. Do you believe you shall find as much difference between two persons, however remote from each other they may be, as between you a child and you an old man? You are in childhood ;—the man is there with his fair hair, his bold, limpid glance, and his light and joyous heart; he loves every one, and every one seems to love him; everything gives him something, and everything promises him still much more. There is nothing which does not pay him a tribute of joy, nothing which, for him, is not a plaything. The butter- flies in the air, the bluebottles in the corn-fields, the sand of the sea-shore, the herbage of the meadows, the green alleys of THE JOURNEY OF LIFE. 15 the forest—all give him pleasure, all whisper to him promises of mystic happiness. You arrive at youth; the body is active and strong, the heart noble and disinterested.. There, you violently break the playthings of your childhood, and smile at the importance you once attached to them, because you have found some fresh play-things, with which you are as much in earnest as you were with your tops and balls; now is the turn of friend- ship, love, heroism, and devotedness,—you have all these within you, and you look for them in others. But these are flowers that fade, and do not flourish at the same time in every heart. With this one, they are only in bud; with that, they have long since passed away. You ask aloud the accomplishment of your desires, as you would ask holy promises. There is not a flower or a tree that does not appear to have betrayed you. But here we now are, arrived at old age ; we then have grey or white hairs—or a wig. The beautiful flowers of which we were speaking yield fruit but little expected,— incredulity, egotism, mistrust, avarice, irony, gluttony. You laugh at the play- things of your youth, because you still meet with others to which you attach yourself more seriously, places, medals, ribbons of different orders, honours, and dignities. “Tt nothing boots that man, by doom, grows old, He gains each stage, still ignorant and new ;— On our last winters, on our age extinct, Wisdom bestows but pale and sickly light, Like the fair moon’s, whose mild and opal rays Fall on night’s hours, when nothing more is done.” Days and years are darts which Death launches at us, it reserves the most penetrating for old age; the early ones have destroyed successively your faiths, your passions, your virtues, your happiness. Now it pours in grape-shot!—it has shot away your hair, and your teeth, it has wounded and weakened your muscles, it has touched your memory, it aims at the heart, it aims at life. Then everything becomes your enemy: in youth, the beautiful nights of summer brought you perfumes, remembrances, and delicious ‘reveries; they yield you nothing now but coughs, rheumatism, and pleurisies. You hate those who are younger than yourself, because they will inherit your money; they are already the heirs of 16 A TOUR ROUND MY GARDEN. your youth, your hopes, your visions, of all which is aireaay dead in you— «Few men the secret learn of growing old; Like certain fruits, they rot, but ripen not.” Tell me, are we to-day that which we were yesterday, or shall be to-morrow? Have we not cause to make singular observations upon ourselves daily? Do we not present a curious spectacle to ourselves? Well, I will decide to commence my journey to-morrow, or perhaps I shall finish by finding that it is.too great an exer- tion, even to make the tour of one’s garden. THE WREN,. LETTER IV. THE START—COSTUME—THE WREN—THE MASON BEE—THE CHRYSIS—MARIE ANTOINETTE. T wave started, my dear friend, and two things already em- barrass me. In the first place, I do not know at what precise distance from the point of departure we must be, to entitle us to employ in our recitals the emphatic pretext which gives so much importance to travellers— We set out, we sailed, we saw, we noticed, we drank, and so forth. Have I any right to make use of this, the true travelling language? And if I do not, will my journey be a reai journey ? My second difficulty is—in the accounts you no doubt pre- pare for me, at the same time that I am inditing a description of my journey, you have an inappreciable advantage over me. If, upon reading some narration, @ little extraordinary, or a description somewhat supernatural, I indulge in an “ Ah! ah !” or a gesture of incredulity, or even of admiration min- gled with doubt, you will answer me: “Go andsee it!” It is only three thousand miles off. But if, on the contrary, I astonish you by anything unusual or prodigious, I have not the same resource ; I can only say'to you—* Look for your- c 1 s 18 A TOUR ROUND MY GARDEN. self ; it ig on your right hand or your left ; it is on the rose- bush at the end of the walk, or upon the periwinkle at your feet ;” or, “Step a little on one side; that which I am de- scribing is in the moss you are treading upon: you may destroy my proof.” I have nothing then to do but to tell you the truth; whilst you, satisfied that it is a general belief that travellers at least exaggerate, will not be restrained by a virtue which will bring you no honour, but will simply cause you to be accused of dryness and poverty of imagination. I saw your travelling costume, my dear friend; I owe you a description of mine: it is an old dressing gown of black velvet, with which you are well acquainted ; a cap to match, and a pair of yellow morocco slippers—I do, not carry fire- arms. I leave my study at a quarter before six: the sun is already high above the horizon ; his rays sparkle like fire-dust through the leaves of the great service trees, and shining on my house impart to it a rose and saffron-tinted hue. I go down three steps. Here we are in China! Youstop meat my first word with a smile of disdain. My house is entirely covered by a wistaria: the wistaria is a creeping, branching plant, with a foliage somewhat resembling that of the acacia, and from which hang numberless large bunches of flowers of a pale blue colour, which exhale the sweetest odour. This magnificent plant comes from China: perhaps you are admiring it there whilst I contemplate it here. I do not believe I exaggerate, even with you, when I declare that I think this a thousand times more beautiful than the richest palaces—this house of wood, all green, all blossoming, all perfumed, which every year increases in ver- dure, blossoms, and sweet odours. Under the projecting roof is the nest of a wren, quite a little bird, or rather a pinch of brown and grey feathers, like those of a partridge ; it runs along old walls, and makes a nest of moss and grass, in the shape of a bottle. I salute thee, my little bird, thou wilt be my guest for this year! Thou art welcome to my house and to my garden. Tend and bring up thy numerous family. I promise thee peace and tranquillity ; thy repose, but more particularly thy confidence, shall be respected. There is moss yonder, near the fountain, and THE WREN, 19 plenty of dried herbage in the walks, from the newly-mown grass-plat. There she is on the edge of her nest; she looks at me earnestly with her beautiful black eyes. She is rather frightened, but does not fly away. The little wren ig not the only guest at my old house. You perceive between the joists, the intervals are filled up with rough stones and plaster. On the front, which is ex- posed to the south, there is a hole into which you could not thrust a goose-quill; and yet it is a dwelling: there is a nest within it, belonging to a sort of bee, who lives a solitary life.* Look at her, returning home with her provisions; her hind feet are loaded with a yellow dust, which she has taken from the stamens of flowers: she goes into the hole; when she comes out again there will be no pollen on her feet ; with honey, which she has brought, she will make a savoury paste of it at the bottom of her nest. This is, perhaps, her tenth journey to-day, and she shows no inclination to rest. All these cares are for one egg which she has laid; for a single egg which she will never see hatched; besides, that which will issue from that egg, will not be a fly like herself, but a worm, which will not be metamorphosed into a fly for some time afterwards. She has, however, hidden it in that hole, and knows precisely how much nourishment it will require before it arrives at the state which ushers in its transformation into a fly. This nourishment she goes to seek, and she seasons and prepares it. There, she is gone again! But what is this other brilliant little fly which is walking upon the house wall? Her breast is green, and her abdomen is of a purple red; but these two colours are so brilliant, that I am really at a loss to find words splendid enough to express them, but the names of an emerald and a ruby joined together. That pretty fly—that living jewel—is the “chrysis.” I scarcely dare breathe, for fear of making it fly away. I should like to take it in my hands, that I might have sufficient time to examine it more closely.t This likewise is the mother of a family; she also has an egg to lay, from which will issue a * Anthophora retusa.—Epb. + Chrysis ignita.—Ep, 20 A TOUR ROUND MY GARDEN. fly like herself, but which she will never see. She also knows how much nourishment her offspring will require; but, more richly clothed than the bee, she does not, like her, know how to gather the pollen from flowers, or to make a paste of it with honey. She has but one resource, and that resource she is deter- mined to employ—she will neither recoil from roguery nor theft to secure the subsistence of her offspring; she has THE CHRYSIS. recognised the solitary bee, and she is going to lay her egg in her nest: it will hatch sooner than that of the true pro- prietor; then the intruder will eat the provisions so painfully collected for the legitimate child, who, when it is hatched in its turn, will have nothing to do but to die of hunger. There she is at the edge of the hole—she hesitates—she decides—she enters, This insect interests me, she is so beautiful! The other likewise interests me, she is so industrious! But, here she comes back through the air: one would think her a warrior covered with chased armour and a golden cuirass; she buzzes as she comes along. The chrysis has heard the buzzing, which is for her the terrible sound of a war trumpet. She THE CHRYSIS. 21 wishes to fly; she comes out; but the other, justly irritated, pounces upon the daring intruder, beating it with her head. She bruises and tears the brilliant gauze of her wings, and beats her down to the dust, where she falls stupified and inanimate. The bee then enters into her nest, and deposits and prepares her provisions; but, still agitated with her combat and her victory, she sets out again through the air. I follow her with my eyes for a long time, and at last she disappears. The poor chrysis is not, however, dead: she gets up again, shakes herself, flutters, and attempts to fly; but her lacerated wings will no longer support her. What can she do to escape the fury of her enemy? It is not her business to fly away; her business is to deposit her egg in the bee’s nest, and to secure future provision for her offspring, but the bee came back too soon. She ascends, climbing painfully: at times her strength seems to fail her; she is forced to stop, but at last she arrives—she enters—she is in! This time the interest is for her. Just now she was only beautiful, now she is very unfortunate. Iam aware that a long plea might be made for the other. I should not like to be appointed judge between them. Ah! she is out agam—she flies away! But oh, how happy she is to have succeeded! Now I begin to feel for the bee. The poor bee continues to bring provisions for its young, which, nevertheless will die of hunger: she makes fresh journeys to the flowers she loves; she places herself on the catkins of the willow, upon the white flowers of the arbutus, that beautiful evergreen tree, whose blossoms q f : resemble those of the lily of the valley, and whose fruits are like strawberries; she stops also on the berries of the yew, Unt that poor tree, so tormented in our gardens, by being tor- tured into globes, squares, vases, swans, peacocks—a good, kind tree, which lends itself to everything, and is naturally abused. Were I to watch, one after the other, all the flies which shine in the sun upon my house, the insects which conceal themselves in the flowers of the wistaria, to suck honey from them, and the insects which insinuate themselves to eat those honey suckers; the caterpillars which crawl upon the leaves, and the enemies of those caterpillars and those butterflies— 22 A TOUR ROUND MY GARDEN. if I were to describe to you their birth, their loves, their combats, their metamorphoses—perhaps you would have returned from your tour before I had proceeded a single step ; but I am determined, in this journey, to stop only at things which strike my eyes, without research, without labour, without study. Let us quit the old wooden house then, and follow at random this tortuous path. Here is the white julienne, with its long branches of flowers; to enjoy its perfume, you must stoop down to it; it is only in the evening that it exhales its sweets to a distance. This was one of the favourite flowers of the unfortunate queen Marie Antoinette, She was confined in the vilest chamber of the prison of the Conciergerie. In the same apartment, ‘separated from her only by a screen, was a gendarme, who quitted her neither night nor day. The queen’s whole wardrobe consisted of an old black gown and stockings, which she took off to mend herself, remaining with her feet bare. Iam not sure that I should have loved Marie Antoinette, but how is it possible to avoid admiring so much misery and misfortune! A woman,—her name is not sufficiently known —a good and an excellent woman, discovered a blessing and a luxury to bestow upon her whom it was forbidden to name otherwise than as the widow Capet. Madame Richard, a keeper of the prison, brought her every day bouquets of the flowers she loved; pinks, juliennes, and tuberoses. She thus exchanged perfumes for the putrid miasmas of the prison. The poor queen had something to look at besides the humid walls of her dungeon. Madame Richard was denounced, arrested, and put into prison, but they did not dare to perse- cute her further, and shortly they released her. At a later period, Danton exclaimed in his dungeon: “Oh, if I could but see a tree!” The julienne remains the flower of Marie Antoinette. The great Condé, when confined at Vincennes, cultivated pinks. . LETTER V. VARIED COLOUKS OF THE ROSE—ITS PROGRESS FROM A WILD FLOWER, OR EGLANTINE, TO ITS PRESENT PERFECTION—THE CETONIA, THE ENEMY OF THE ROSE—THE APHIS ROSEH—EXTRAORDINARY FECUNDITY OF AN APHIS—THE LADY-BIRD—NATURE’S PROVISION TO PRESERVE A BALANCE—THE GENERATIVE ‘PRINCIPLE IN FLOWERS—GRAFTED ROSE. { was very near passing by this rose-tree: I am passionately fond of roses, but I don’t like to talk about them. The poor roses have been so abused! The Greeks said five or six pretty things about them; the Latins translated these, and added tc them three or four of their own. From that time, the poets of all countries and all ages have translated, copied, and imitated that which the Greeks and Latins said, without at all heightening our love of the flower by any fresh colouring. They have even continued to call the month of May the month of Roses, without reflecting that roses blossom earlier in Greece and Italy than in our lands, where almost all roses wait for the suns of June to expand their beauties. Are you not wearied, as I am, with the eternal loves of the butterfly and the rose; loves, by-the-bye, which have no existence? Butterflies light upon roses as upon other flowers, 24 A TOUR ROUND MY GARDEN. but the rose is far from being one of the flowers they prefer. Are you not wearied, as I am, with the tints of the lily and the rose, with which all women are bedaubed, and which, in reality, would be as hideous as diamonds or coals for eyes, genuine pearls for teeth, or eatable cherries for lips? Are you not wearied, as I am, at having all our beauties roses; in a word, with all the insipidities and sillinesses for which these poor roses are the pretext? I think it disgraceful that our poets are not better acquainted with nature and all the eternal splendours with which God has endowed our abode. I scarcely know one who has not proved by the manner in which he speaks of flowers, trees, and herbage, that he has never taken the pains to look at them. Only listen to them! they confine themselves within three or four trivial gene- ralities, which they have read, and which they repeat like synonymes. They are meadows enamelled with flowers. With what flowers? of what colours are they? And in spring and autumn it is just the same; violets and roses always bloom together in verse, though never in nature. Some, more bold than the rest, say that these flowers are of a thousand colours. The flowery banks of rivulets! Are they the same flowers that enamel the meadows? They know no more about them. Zephyr who sports in the groves; which same zephyr is very fond of kissing a half-blown rose. They who write in verse are only acquainted with la rose, d demi éclose (the half-blown rose), on account of the rhyme. An innovator, about four hundred years ago, ventured upon Sraiche éclose (newly blown), but they stopped there. But, look yonder; see, springing from its beautiful foliage, sharp pointed as swords, a stem bearing only on one side a spike of lovely rose-coloured or white flowers; that is a gladiolus. The poets speak of it sometimes, but they only know one thing about it, and that is, that it rhymes with tilleul (a linden-tree). They never fail to bring them together, placing the glaieul under the ¢illeul—a thing I would not do in my garden for the world; my poor gladiolus would fare but badly in such a situation. It is very fortunate they don’t sometimes put the tilleul under the glaiewl (the linden-tree under the gladiolus): it would rhyme quite as well. THE ROSE. 25 But let us return to our rose. We will not call it the Queen of Flowers; we will avoid all the common-places of which it has-been the subject, and over which it has triumphed. Let us look at it only, and say what we see. There is no country without roses; from Sweden to the Coasts of Africa, from Kamtschatka to Bengal, or on the Mountains of Mexico, the rose flourishes in all climates andin all soils; it is one of the grand prodigalities of nature. The rose-tree before which we now stop is covered with white blossoms. Others bear flowers, varying from the palest rose to the deepest crimson and purple, from the most delicate straw colour, to the most brilliant yellow. Blue is the only colour nature has refused it. There are very few blue flowers. A Pure blue is a privilege which, with some few exceptions, nature only grants to the flowers of the fields and meadows. She is parsimonious in blue: blue is the colour of the heavens, and she only gives it to the poor, whom she loves above all others. Botanists, who take no account of either colours or per- fumes, pretend that double roses are monsters. What shall we call the botanists? We will exchange a few words with the botanists before we come to the end of this journey. This rose-tree was once a wild rose, or eglantine, which, ia some obscure corner of a wood, decked itself with little simple roses, each composed of five petals. One day, its head and its arms were cut off; and then the skin of one of the stumps which it was allowed to retain was opened, and between the bark and the wood, a little morsel of the bark of another rose-tree was insinuated, upon which was a scarcely perceptible bud. From that day all its strength, all its sap, all its life, have been consecrated to the nourishment of this bud. The wound is closed, but the cicatrice may still be seen. This eglantine bears no flowers of its own: it is a slave, who works for a haughty master. That beautiful tuft of leaves and flowers are not its flowers or its leaves. But observe! there is, upon the green stem, just below the graft, a rose-bud, which begins to peep out. That bud will become a branch; that branch will belong to it. Oh, then nature will resume her rights: the tyrant above, the beautiful 26 A TOUR ROUND MY GARDEN, rose-tree, the cultivated rose-tree, will wait in vain for the tribute hitherto paid to him; the sap will no longer ascend to him—it will all be kept for this dear scion; there is. not too much for it. But the gardener has perceived this attempt at rebellion: he has cut off the pretender, and all is restored toorder. A few days, however, after this, the rose-tree again appeared to languish; the brilliancy of the monarch was diminished; the foliage looked yellow and faded; and yet the stem of the eglantine was shining andsmooth. Seek for the cause. The poor slave is ingenious and obstinate: he has caused a shoot to glide along under the earth, and only allowed it to see the day at a distance from its parent. Go back two or three steps, and behind that gilly-flower you will see a little rose-bush, growing in shadeand silence. It is like what its father was; like him it has flexible branches and narrow leaves. Wait a year, and it will become an eglantine. Rub its leaves, and you will find they exhale a pine-apple odour, peculiar to one species of eglantine. Such was its father when he had branches and leaves of his own. Here it is in bud; here it is in blossom. But the despot we left yonder is dead, and died of a horrible death: he died of hunger. The revolted slave who supported him, has, for a length of time, conducted under ground, all his sap to his well-beloved offspring. That beautiful crown of double flowers is withered: he himself, the poor slave, is sick, and will soon die; for he has kept nothing for himself. But he dies free: he dies avenged. He leaves a strong, young, and vigorous offspring upon which the little eglantine blossoms of the woods will burst forth next year. Our white rose-tree is not in this situation. The eglantine which bears and nourishes it appears to be resigned to its fate; indeed, we might even say it is proud of its slavery. There are other slaves in the world who have no wish to break their chains when they are well gilded. Our eglantine seems to take pride in its beautiful crown. But what emerald is that concealed in the heart of that rose? The emerald is living: it is a cetonia;* it is a flat, square insect, with hard wings, like those of a cockchaffer, * Cetonia aurata.—Ep. THE APHIS. 27 and brilliant as a precious stone. Turn it up: its under side is of a still more beautiful colour; it is another precious stone, more violet than the ruby, more red than the amethyst. The cetonia, or rose-beetle, lives scarcely anywhere but in roses. A rose is its house and its bed. It feeds on roses. When it has eaten its house, it flies away in search of another, but it prefers white roses to all the rest. If by chance you find it upon another rose, which is rarely the case, neither its abode nor its bed are to its mind. It would inspire you with the same pity that you would feel for a ruined banker, obliged to dwell in the fourth story, and to eat soup and bouilli, as his only banquet. It feels sad and humiliated by it; but still, breathing creatures must live. There are people who resign themselves to a worse fate than this. Twenty flies of different species and colours, are to be found upon different parts of the rose-tree; but I pay no attention to them—they are there by chance. They travel as you do; they trifle as I do. I only take heed of the natives of the country: I shall meet with the others elsewhere. We are not yet ready to quit our rose-tree; for strange things are going on in it at this moment. Where are you, my dear friend? I have no idea where; but I very much doubt if the country in which you are sojourning be as smiling as my rose-tree; and, particularly, whether the inhabitants be as handsome, brilliant, and happy as the inhabitants of my rose-tree. And is it nothing to see living beings happy? But, to a certainty, you are viewing nothing so extraordinary as that which I see at this mo- ment. At the extremities of the young shoots of the rose-tree are myriads of very small insects, of a reddish green, which en- tirely cover the branch, and seem motionless: they are aphides or vine-fretters, which are born within a line or two of the place where they now are, and which never venture to travel one inch in the course of their lives. They have a little proboscis, which they plunge into the epidermis of the branch, and by means of which they suck certain juices which nourish them. They will not eat the rose-tree. There are more than five hundred assembled upon one inch of the branch, and neither foliage nor branch seems to suffer much. 28 A TOUR ROUND MY GARDEN. Almost every plant is inhabited by aphides differing from those of others. Those of the elder are of a velvety black ; those of the apricot are of a glossy black; those of the oak are of a bronze colour; those of gooseberry-trees are like mother-of-pearl; upon the absynthe they are spotted white and brown: on the field-sorrel, black and green; upon the birch, black, and another shade of green; upon the privet, of a yellowish green; and upon the pear-tree, coffee-coloured. All enjoy a life sufficiently calm. You scarcely ever see an insect of this kind who is vagabond enough to pass from one branch to another. They sometimes go so far as to make the tour of the branch they dwell upon; but everything leaves us to believe that this is only done in the effervescence of ill-regulated youth, or under the empire of some passion. These outbreaks are extremely rare: i Some of these aphides, however, have | wings; but these wings only come at a ripe age, and they do not abuse THE AP UIS: them. The only serious care that seems to occupy the life of the aphis, is the changing of its clothes, It changes its skin, in fact, four times before it becomes a perfect aphis; something like us men who try on two or three characters before we fix upon one, although in general, we preserve three during our whole lives :—one which we exhibit ; one which we fancy we have; and another which we really have. When the aphides have finished changing their skins, there only remains one duty to fulfil, which is to multiply their species; but they take very little heed about that: they have not, as quadrupeds have, to suckle their young—as birds, to hatch their eggs—or, as other insects, to enclose them in a cavern with necessary aliments. The aphis produces its little ones whilst sucking its branch; and it never turns round to look at the offspring it has given birth to. If the mother shows but little anxiety for the little one, the little one only returns the same amount of filial Jove that it has received of maternal love. It sets out, descends below the s THE APHIDES. . 29 rest, takes its rank, and plunges its little trunk into the green skin of the rose-tree. There issue thus about a hundred from a single mother, who all fallin regularly below their predecessors, and begin to eat. In ten or eleven days they change their skins four times; on the twelfth day, in their turn, they begin to produce little ones who take their rank, and themselves become prolific towards the twelfth day from their birth. The aphides of the poppy are more pre- cocious; in seven or eight days they have changed their vestments four times, and enjoyed what I should call the happiness-of being parents, if they were not quite indifferent about the matter. But, my good friend, you will say, upon reading this’ passage of my journey, there is an important deficiency here: you profess to describe the lives of these aphides, and you don’t say a word of their loves or their nuptials. I have here, you will add, an immense advantage over you. I relate to you, of every nation, a thousand whimsical or curious ceremonies connected with marriage. Yes, my excellent friend, I may answer, I could remind you of the loves of those two spiders, which, when starting for my journey, I fell in with in the corner of my window; but my present business is only with aphides. Aphides are acquainted with neither love nor hymeneals: aphides eat and make little ones, exactly in the manner of Mother Gigogne, who so delighted our childhood. Nature has taken the fancy to free herself, with regard to aphides, from the general law of reproduction, Don’t, however, imagine that she shrinks from the difficulty on account of the smallness of these animals. There are other animals which can only be distinguished with the assis- tance of a microscope, which, in this respect, come within the general rule. Notwithstanding the admiration which the study of insects must create, you must not let this admiration be exercised upon their greater or smaller size. Great and small are only such with relation to ourselves; and when we express astonishment at seeing a perfection in the organs of the invisible cheese-mite, equal to those of the ox or the elephant, it is a false feeling, arising from a false idea. One of these aphides will produce nearly twenty young ones 30 A TOUR. ROUND MY GARDEN. in the course of a day; that is to say, a volume ten or twelve times equal to its own body. A single aphis which, at the beginning of the warm weather, would bring into the world ninety aphides, which ninety, twelve days after, would each produce ninety more, would be, in the fifth generation, author of five billions, nine hundred and four millions, nine thousand aphides—which is a tolerable amount. Now, one aphis is, in a year, the source of twenty generations. I very much doubt whether there would be room for them upon all the-trees and all the plants in the world. The whole earth would be given up to aphides; but this fecundity, of which there are so many examples in nature, need not alarm us. ‘One poppy plant produces thirty-two thousand seeds, one tobacco plant, three hundred and sixty thousand; each of these seeds producing in its turn thirty-two thousand, or three hundred thousand—would you not think that, at the end of five years the earth would be entirely covered with tobacco and poppies? A carp lays three hundred and fifty THE CARP thousand eggs at once. But life and death are nothing but transformations. Death isthe aliment of life. These aphides are the game that nourishes other insects, which in turn form the food of the birds we eat. Then we are returned to the elements, and serve as manure to the grass and the flowers, which will produce and feed other aphides. We need not go far to seek for the enemies of the aphides. THE LADY-BIRD. 3l Look! here, quite at his ease, on a rose-bud, is a little insect well known to children: it is shaped like a tortoise, and is about the size of a pea. Naturalists call it a “coccinella,” and children know it as the lady-bird. It is now innocent enough ; but it has not always been so. Before it became possessed of its pretty form, and its polished shell of orange, yellow, black, or red, sprinkled with black or brown specks, it was a large, flat worm, with six feet, and of a dirty grey colour, marked with a few yellow spots. These worms, which issue from amber-coloured eggs, deposited by the female upon leaves, are no sooner born than they set out in search of aphides. When they have found a branch covered with game, they establish themselves in the midst of it, and are in want of no food till ‘ the moment they feel they are about SHEARS BLED: to be transformed; then they attach themselves to some solitary leaf, and wait, in abstinence, till they become veritable lady-birds. There would still be a superabundance of aphides if the lady-birds were their only enemies. But do you not see, hovering over one of the roses, a fly,* whose two wings move so rapidly that it appears motionless? You would not care to catch it, it so much resembles a bee, or rather a wasp. Tts body is striped with yellow and black, but instead of being round like the two insects you dread, it is remarkably flat ; besides this, it has only two wings, and I do not believe that any two-winged fly has a sting. It does not seem to take any notice of the aphides which cover the branch near to it. It is a parvenu. It has forgotten the humility of its youth, when it had not its rich yellow and black vest- ments, or, more particularly, its wings. It was formerly a sort of shapeless worm, of a colour not at all striking, a dirty green, with a yellow stripe the whole length of its body * Scaeva pyrastri.—Ep. 32 A TOUR ROUND MY GARDEN. Placing itself upon a bed of game, this worm seizes the aphides, one after another, with a sort of hollow trident, through which it sucks them, taking particular care to reject the empty dry skin every time. One of these worms eats nearly an aphis a minute; asregards the aphides, the matter appears to be perfectly indifferent to them, not one of them is ever seen to make the least effort to avoid being eaten. A Roman emperor, who found his end approaching, cried out, in allusion to the custom of decreeing an apotheosis to dead emperors: “I feel that I am becoming a god!” So there isa moment at which this worm feels that it is becoming a fly: and, like the lady-bird, it seeks a solitary place to pre- pare for this metamorphosis. Here is a branch on which the aphides are only on one side; to-morrow there will be none at all; tbe reason of this is, that they are attacked by their most redoubtable enemy, an enemy which the learned and witty Reaumur called the Lion of the Pucerons. This is, like the others, flat in form, and is of a cinnamon colour with citron-yellow stripes; it is much more voracious than the two other species of which we have spoken. If one of these worms, by mistake, happens to seize one of his brethren instead of an aphis so much the worse for his brother—it will eat him. It would be losing precious time to replace it upon a branch, and take an aphis instead of it. One can afford very little leisure for so much ceremony, when one has but a fortnight to eat all these fat aphides in! In fact, at the end of a fortnight, it forgets its appetite, and retires into a corner, shuts itself up in a shell of white silk, as large as a pea, which it spins in a very short time. Three weeks afterwards, the shell opens, and there issues from it the most beautiful little creature you ever saw. It is a sort of large fly* of a gay green colour, covered, when it is settled, by long and large wings, of so fine a texture, that its body can be plainly seen through them. These wings, which are of a very pale green, present to the eye fibres, as it were, of a deeper green, which form a network more charming than that of the richest lace; on each side of the head is an eye of a fiery red colour, the splendour of which far surpasses that of precious stones. * Chrysopa reticulata,—Ep. NATURE’S PROVISION TO PRESERVE A BALANCE, 33 The learned formerly found little bunches upon leaves, which excited their attention; these were stems as fine as hairs, supporting a small bud, white like themselves; at other times the buds were found open, like the chalice of a flower; the thing was declared to be a plant by the learned. The learned, however, were wrong; Reaumur made it clear. that they were the eggs of that pretty fly of which we have just spoken, before and after the birth of the worm which was afterwards to be transformed into a fly. T was afraid but now, of seeing the aphides invade the whole earth ; I at present begin to fear that there will not be aphides enough to feed all the insects to which they are assigned as game. Nature appears to have partaken of this second fear, and for this reason has suppressed the delays and formalities, ordinarily reputed necessary ; aphides must be born, eat, and be eaten in a very few days. But what is that black animal which is ascending the stem of the rose-tree? It is an ant; it climbs spirally, to avoid the thorns; there it is upon the branch that is covered by the aphides. Is this another enemy? Why, La Fontaine told you it fed upon worms and insects; there, it is upon them, but it does not devour them. As aphides eat, they secrete a sweet liquor of which ants are very fond, and this one is come to regale itself—it is a little black milkmaid, who comes to milk some little green cows, which pasture in a meadow of the size of a rose-leaf. There is a bee which has glided into a rose; it is not long before it comes out again, and flies away; its hind feet are loaded with a yellow dust, which it has abstracted from the heart of the flower. That yellow dust, mixed with the honey which it disgorges, will be the paste destined for the worms which are to become young bees. Do not fancy, however, that this dust has no other destination. It is now time to speak of the loves of the roses. We will abstain from allusions to, as we said before, the apocryphal loves of the Rose and the Butterfly. The but- terfly who lights upon a rose, seldom comes there for any other purpose than to deposit eggs, which will become cater- pillars that will eat the rose. The loves, then, of which I will speak are real loves, and are the most charming in the D ne =— 384 A TOUR ROUND MY GARDEN, world. Figure to yourself that all those roses which bloom in the garden, pale purple or purple violet, yellow or nastur- tium colour, white, or mixed with purple and white, conceal from your eyes numbers of innocent loves. The ancients placed dryads and hamadryads in trees; there are nymphs quite as charming in roses. Let us go back to the rose-tree of the woods. Its flower is composed of five leaves or five petals: in the middle are some delicate threads, supporting little yellow masses, these are the stamens; these threads surround a sort of little green egg, which is called an ovary, which contains the seed or grains; the grains are eggs, which the plants leave for the earth and the sun to hatch, as turtles do, when they deposit their eggs in the sand. The mass which surmounts the stamens is covered with that yellow dust with which the bee that has just disappeared over the wall had loaded its feet. Every grain of that dust is a skin which contains a much finer dust, which fecundates the pistil, When once the pistil fecundates, the nuptial bed is taken down—the leaves of the rose fade and fall, one by one; the stamens become dry, and disappear. The ovary enlarges, and becomes an oblong fruit of the shape of an olive, green at first, then yellow, then orange, then scarlet; then, some day, the fruit bursts, and grains of a gold colour, containing eternal generations of rose-trees, fall upon the earth,and there germinate. The little nymph who inhabits the rose has from fifteen to twenty lovers; but all the inhabi- tants of flowers have not a similar harem: that of the pink has but ten husbands; the fair inhabitant of the tulip is obliged to be content with six; the nymph of the Iris has only three; that of the lilac two; of the red Valerian only one; she who has chosen for a retreat the sumptuous poppy, has around her no less than a hundred eager lovers. And don’t believe, my good friend, that these are lovers invented by versifiers, Cut off the stamens of a rose, and isolate it; you will see the petals lose their splendid colour, become rusty, and fall; but far from enlarging, and being brighter in colour, the pistil also will sink barren. The hangings of the nuptial bed will serve it for a winding-sheet; the rose will die without leaving any posterity. The double rose is a coquette ofan entirely unique species; you have read fairy tales, LOVES OF THE ROSES. 35 in which a magician changes into trees or flowers her rejected lovers; have we not, besides, in mythology, Daphne changed into a laurel, Clytie into a sunflower? Did not Narcissus and Adonis become flowers, to which they left their names? Well, every one of the rose-leaves (beyond five) which sur- round the nymph who dwells in the double rose, is one of these lovers—each of the petals is made of one of the stamens that she had. Certain roses are so double that they have not one stamen left, and then they never have any seeds, Our white rose, which has but five rows of petals, has pre- served a few of its lovers. Then we left the white rose-tree; and, taking three steps, we found ourselves in a hostelry, which has the advantage of being our own home. And you, my friend, where are you going to dine? or, rather, where do you not dine? Where do you sleep? or rather, where do you not sleep? Ancient robbers upon the highways observed that they were often imprisoned, that they were sometimes hung, and they found it necessary to introduce some modification into one of the most ancient professions; they discarded those brown vests, those red pantaloons, those pistol bedecked girdles, which are only met with in melodramas, and they assumed a cotton cap and a white apron ; they took out the licence of an aubergiste, and continue to plunder upon the high roads, the theatre of their ancient exploits, but now under the immediate protection of their ancient enemies, the authorities and gendarmes. In which of these caverns are you this evening—if even you are happy enough to have reached: one? What suspicious food is presented to your appetite? Do you think you are certain the sheets of your bed have never been used by any one else? And with what insects are you about to share your couch? ition a, LETTER VI. SAVANTS—THE RESEDA OR MIGNONETTE—THE MARSH-MALLOW AND THE BAOBAB. Savants are men, who, in their greatest success, only contrive to get deeper into the mud than other people.—Language of Science, and the L of Old Associati guag A BRISK shower having driven me in from the garden, I sit me down quietly then in my study, and amuse myself with a species as curious as any of those we shall have opportunities of observing in either your voyage or mine. I propose saying a little about savants. You cannot but remember that smiling portion of your life, full of gaiety, sports, and affections—I mean childhood; that childhood always too soon given up to pedants, who aggravate children for ten years, in order to render them aggravating for the rest of their lives. SAVANTS, 37 Represent to yourself one of our school play-hours: all those open, ingenuous, cheerful countenances; these engaged in running and jumping, those with their kites, others in throwing and catching balls, and others, again, skilfully striking marbles with other marbles from a great distance. Recreation is the true education that belongs to this age; by it we become healthy, vigorous, active, and brave. But the fatal hour has struck. A man, with black clothes and a yellow visage, appears in the court. Everything becomes silent, everything stops, everything is sad. The sports of boyhood must all cease. And why? No doubt, for the sake of learning a trade, an occupation, to assure beforehand the independence of the whole of their lives. Not at all. There are amusements for a riper age as well as for childhood. Youth has no amusements: it despises them, it does not want them—it requires happiness. Childhood in nowise desires other ages to partake of its amusements. Youth would be furious if others wished to take away a portion of its felicity. But mature age insists upon having partakers of its amusements; which arises from the circumstance of these amusements being very tiresome. In fact, these said amusements consist in nothing but reading and re-reading, for the hundredth time, the same Latin and Greek books. For my part, I cannot see why each age should not be left in the free enjoyment of its own pleasures, or why children should be tormented during the whole of their joyous age, by being taught a game which may amuse them at an age they are not certain of attaining. I cannot see why they should be forced to admire what they don’t understand; why an entirely literary education should be given to people who are destined to be dispersed through all the conditions of human life; or why literary studies should be confined, during ten years, to the learning of the only two languages that are never spoken. Jean Jacques Rousseau knew but very little Latin. I have no need to tell you why Homer did not understand Latin at all. That which savants do with regard to children, they do 38 A TOUR ROUND MY GARDEN. with regard to everything they come near. They render everything wearisome, dry, stiff, and pretentious. They cannot leave flowers alone—they put them in starch. See a savant enter a smiling meadow or a perfumed, blooming garden; listen to him: you would take a disgust for both meadow and garden. They began by forming for those graceful things called flowers, three barbarous languages, which they afterwards mixed, in order to compound one still more barbarous; then every savant brought his little contributions of new bar- barisms, as was done among the ancients to those heaps of stones placed by the road-sides, to which every traveller was obliged to add a pebble at least. I was about to write, at hazard, such of the words of this language made by these gentlemen as occur,to me. But you would not only say, is it not sad work to see flowers thus treated, that festival of the sight, as the ancient Greeks called them. But Iam sure you would not read two lines of them; therefore, I will let you off with halfa-dozen— Mesocarps, quinqueloculars, infundibuliform, squammiflora, guttiferas, monocotyledons, &c. dsc. &c. * Have you enough? You will never make a botanist; you would have to store your memory with an endless no- menclature like the above, with the satisfaction of knowing that the learned are adding to it daily, and that when acquired you had not gained the name of a single flower. As to the names of flowers, look, at the foot of that wall, at these bunches of mignonette, or reseda. Linnzeus, who fully played his part in the barbarisms, but who considered flowers in a friendly light, and who, of all savants, has least ill-treated them—Linnzus said that the odour of the reseda was ambrosia. Contemplate while you can its green and fawn-coloured spikes, inhale its sweet odour; for here comes a savant—there comes another—the reseda is about to be transformed! In the first place, there is no such thing as odour. Botanists do not admit of odour. For them, odour signifies nothing, nothing more than colour does. Colour and odour are two luxuries; two superfluities of which the learned have deprived flowers. * In the original, more than a page is filled with botanical terms. — Ep. THE RESEDA. 39 Our savants are desirous that all flowers should resemble those which they dry in their herbals—horrible cemeteries, in which flowers are buried with ostentatious epitaphs. One of these savants looks at the plant, and says, “ That is a capparis, of the family of the capparides, without stipule. The petals of the corolla alternate with the sepals of the chalice ; the filaments are hypogenous ; the pistil is stipitated, and formed of the union of three carpels, the ovules attached to the three trophosperms; its seeds are often reniform, and have an endospermis——" “Gently! gently!” cries the other savant; “ the reseda is not a capparis. The reseda is an euphorbia, according to Mr. Lindley, and a cistus, in my opinion. The chalice is a common involucrum; the ovary globular, seldom unilocu- lar; the seeds are enveloped in a fleshy endospermis.” “T admit the endospermis,” replies the other savant, “and Tallow that it is fleshy; but I maintain that the reseda belongs to the capparides. I will further say, that it shows but little of a botanist to make an euphorbiaceous plant of it.” But let us stop! We should tear our sweet mignonette to tatters. Listen to a savant upon another subject. He is speaking of the guimauve, or marsh-mallow, a little creeping plant, with round leaves and rose-coloured blossoms, that you will have great trouble to find in the grass, Listen! «The chalice is monocephalous; the anthers are reniform and unilocular; the pistil is composed of several carpels, often verticillated; the fruits form a plurilocular capsule, which opens in as many valves as there are monosperm, or polysperm cells; the seeds are generally without endospermis, with foliaceous cotyledons.” You understand nothing of this, though, perhaps, if you have an extraordinary verbal memory, you may retain some of the words. Then request the savant to tell you something about the baobab. The Baobab, or Adansonia, is the largest tree in the world ; it may be taken at a distance for a forest; its trunk is often a bundred feet in circumference; it is asserted that some exist in Senegal that are five thousand years old. Hear the savant give a description of a baobab :— 40 A TOUR ROUND MY GARDEN. “The chalice monocephalous; the anthers are reniform and unilocular; the pistil is composed of several carpels, often verticillated; the fruits form a plurilocular capsule, which opens in as many valves as there are monosperm and poly- sperm cells id You stop the savant. “TI beg your pardon, learned sir ; it is of the marsh-mallow you are speaking, or, at least, you said just the same of the marsh-mallow but an instant ago.” “ Marsh-mallow or baobab,” replies the savant, “it is, for us, absolutely the same thing; we do not observe those differences which strike the vulgar, of which the dignity of science will not allow us to take notice.” Savants acknowledge neither size, odour, colour, nor flavour: with them the plum-tree is a cherry-tree, the apricot is a plum: these very men, who, in other cases, give ten names to the same plant, call all these prunus; the almond- tree and the peach-tree have but one name between them— amygdalus. And then you know what charming names the pretty flowers of our fields have received, no one knows whence, except from their own sweet nature: they know nothing of paquerettes (Easter daisy); marguerites (the prettiest name for daisies) ; vergiss-meinnicht (forget-me-not). Marguerites and paquerettes are asters; and the pretty forget-me-not, with all its delightful associations, is loaded with the name of myosotis occipioides. Can you imagine what a rage you would have been in, my dear friend, if some godfather had insisted upon calling your pretty little Mathilde, Petronedia, or Rosalba ? The rain has ceased, the sun has dispersed the clouds, and makes the drops on the leaves glitter like so many diamonds; the drooping branches recover their natural position; a linnet sings in a hawthorn. The savants may settle their disputes by themselves, LETTER VII. NUT-TREE—NUT-WEEVIL—WHAT IS PROPERTY? Tue ardour of the sun drives us to the friendly shade of the trees; and here, on the verge of the thicket, is a nut-tree which arrests our steps for a few minutes. ‘T have told you, my friend, of the little nymphs to whom roses and other flowers are as a grotto or a nuptial bed, wherein their loves are concealed by rich purple curtains. All do not enjoy the same facilities; all do not find their lover and their husband in the same chalice, under the same leaves; it is evident that roses, and a vast number of other flowers which thus unite the two sexes in the same corolla, are like the Guébres, who contracted marriages among bro- thers and sisters; if you were travelling that way, you would be mighty proud to meet with some rude monument which might recal the memory of this now forgotten usage. The nut-tree is not thus constituted; the male and female flowers are not united in one corolla, but they are both born 42 A TOUR ROUND MY GARDEN. upon the same tree. The male flowers appear the first, gene- rally about the beginning of February, a long time before the females venture forth, They are long catkins of a pale yellow, in the form of little close clusters, which hang from the upper extremities of the branches; shivering through the dreary season, they await the coming of the female flowers; some wither, die with cold, and fall off, before these deign to show themselves; but the male flowers are much the more numerous. ‘The female flowers, placed beneath the catkins, begin to appear; these are green, scaly buds, termi- nated by a very small tip of beautiful crimson red; it is this little bunch or tuft which receives and retains the yellow dust that falls from the catkins; and that is the way nuts are made, The hazel reminds us of four pretty verses of Virgil— “ Populus Alcide gratissima, vitis Iaccho, Formose myrtus Veneri, sua laurea Phoebo. Phyllis amat corylos, illas dim Phyllis amabit, Nec myrtus vincet corylos nec laurea Pheebi.” “Hercules loves the poplar, and Bacchus the branches of the vine; the myrtle is consecrated to Venus, and the laurel is cherished by Apollo. But Phyllis loves nut-trees, and, while she loves them, nut-trees shall triumph over both the myrtle of Venus and the laurel of Apollo.” Great virtues were for a long time attributed, nay, still are attributed in the provinces, to a hazel-branch ; it is pretended that a wand of a nut-tree, cut in a certain season, with certain ceremonies, and in the hands of a man purified after certain methods, points of itself to a part of the earth in which is concealed either a mine or a spring. However far off you may be, you will not easily find a more singular belief than that. Upon the nut-tree, as well as upon the trees which sur- round it, I can see countless numbers of insects, without reckoning those which, by their small size, escape my sight ; there are some upon the leaves, some under the leaves, and some in the leaves, that is to say, in the thickness of the leaves. Between the two membranes of the leaves of the nut-tree, little caterpillars live, eat, attain their growth, and spin a small web rather larger than a grain of millet seed. Almost NUT-TREE. 43 all trees, almost all plants, have insects which thus live in the interior of their leaves. A worm which insinuates itself into the leaves of the white lungwort, comes out in his day, meta- morphosed into a little beetle of a whitish colour, in the form of a weevil; the one which escapes from the thickness of the leaves of the mallow, after having lived and been meta- morphosed there, is of a violet colour; another worm feeds upon the parenchyma between the two membranes of the leaves of the henbane, which is a violent poison, and comes out transformed into a fly. But let us return to the caterpillar which dwells in the leaves of the nut-tree. A little moth has laid one egg on each leaf of the nut-tree; from this egg a caterpillar issues, which, urmed with good teeth, makes in the epidermis of the leaf a wound by means of which it introduces itself into its thickness; when once there, it advances, eating right and left; until there remains so little of the leaf, that, by holding it up to the sun, we can plainly perceive the miner. When it has attained its full growth, it shuts itself up in a.web of silk, from which it issues at a later period, a moth: this insect, smaller than an ordinary gnat, when seen through a micro- scope, appears to be the most richly clad, perhaps, of all the moths known; its head is ornamented with two small white tufts, its two upper wings are striped each with seven little bands, alternately of gold and silver. All their species do not travel in their leaf in the same manner; the worm which lives only in the leaves of thistles, eats straight before it ; therefore its road has the appearance of a gallery, very narrow at the beginning, and widening in proportion as it is itself developed. The worms of the leaves of the lilac live in society in the same leaf. Some of the fruits of the nut-tree, in spite of their cuirass of wood, are inhabited as well as the leaves; the flower is not yet faded when an insect* comes and deposits one of its eggs in it; the worm which issues from this egg, easily introduces itself into the fruit, which is scarcely formed and quite soft ; there it feeds upon the kernel, which grows as fast as it grows, and enlarges in proportion as it enlarges; but in the meantime the shell is formed, and hardens so as sometimes * Balaninus Nucum.—Ep. 44 A TOUR ROUND MY GARDEN. to brave the teeth of man. This El Dorado, in which the worm, sheltered from the inclemency of the seasons, had enjoyed at discretion the food which best suited it, has become a prison: it must get out, for it is in the earth that its metamorphosis must take place; nature has given it, at the age it has then attained, teeth which enable it to make a perfectly round hole in the walls of its prison, by which it effects its escape. When you see a nut with a hole thus made, you may be sure that the worm which inhabited it has either left it or is about to leave it; the hole by which it entered is long since cicatrised. When we examine thus the lives of these little creatures, divided into two such distinct ages, we abandon ourselves to singular reveries. At first, it is a worm of an ugly shape, condemned to an humble, obscure, and laborious life, and sur- rounded by enemies. It soon ceases to eat; it spins itself a winding-sheet of silk, and encloses itself in it. There it is, as far as our eyes can convince us, as dead as it can be; but wait a few days, and it issues from the winding-sheet clothed in the richest colours, with brilliant wings which enable it to fly above that earth upon which it had seemed painfully to crawl. It finds in the sweet air a female beautiful and happy as ‘itself, and their loves terminate only with their existence. This life which we lead upon earth, is it really our perfect state? Is that which we call death really the end of life? fave we not also to hope for celestial wings, with which to hover about the sun and beautiful stars—above the miseries, passions, and wants, of a first existence? Bernardin de St. Pierre, who really loved flowers and trees, and who often speaks of them very delightfully, adopted a point of view which, necessarily, often led him to describe things very differently from what they really are: he thought that man was the centre and the object of the entire creation; that everything had been made for him. Sometimes, things presented themselves which he found it very difficult to recon- cile with this system so generally adopted—and I don’t know why. He somewhere says that nature has only placed odori- ferous flowers in the grass upon low stems, or upon shrubs, but that not one bloomed upon a lofty tree. Bernardin de St. Pierre forgot the acacia, which often rises to a height of WHAT IS PROPERTY ? 45 sixty or eighty feet. It was this same system that made him say, “At the sight of men, animals are struck with love or Jear.” He left out a third impression, which many animals experience at the sight of man—hunger, and a great desire to eat him. Ask the first passer-by, provided he be of the country, to whom that fine acacia belongs? He will answer you, without hesitation, “That acacia belongs to M. Stephen.” In fact, I have agreements, in due form, that this acacia is mine. Now, is notthis a cruel sarcasm? This tree is more than a hun- dred years old, and has preserved all its vigour and its youth ; whilst I—I am thirty-six years of age, or rather there are already of the mysterious number of years which have been granted me, or inflicted upon me, thirty-six which I have spent, and which I no longer have. I have already begun to die: I have lost two teeth; and lengthened vigils fatigue me. This tree has seen three generations born and die beneath its shade: if I become very aged, if I escape accidents and diseases, if I die from having lived, I shall see it flourish thirty times more; and then, some of the children who are now playing at marbles, and whom we are teaching Latin in spite of themselves, whom we now coax with sugared bread and butter, but who will then be men, will shut me up in a deal box, and place me by the side of others under the earth, in order to make more room for those who are upon it, until another generation which they have brought up for that purpose, shall squeeze them into similar boxes, and place them beside us. And I call this tree mine! Ten more generations will live and die beneath its shade; and yet I call this tree mine. And I can neither reach nor see that nest which a bird has built upon one of its highest branches. I call this tree mine, and I cannot gather one of its blossoms; and yet I call this tree mine! Mine! There is scarcely anything which I call mine which will not last much longer than I shall: there is not a single button of my gaiters that is not destined to survive me many ears. z What a strange thing is this property of which meu are so 46 A TOUR ROUND MY GARDEN. envious! When I had nothing of my own, I had forests and meadows, and the sea, and the sky with all its stars; since I purchased this old house and this garden, I have no longer anything but this house and this garden. Property is a contract by which you renounce everything that is not contained within four certain walls. I remember an old wood near to the house in which I was born: what days have I passed under its thick shade, in its green alleys; what violets I have gathered in it in the month of March, and what lilies of the valley in the month of May ; what strawberries, blackberries, and nuts, I have eaten in it; what butterflies and lizards I have chased and caught there; what nests I have discovered; how I have there admired the stars which in an evening used to appear to blossom in the tops of the lofty trees, and in the morning the sun which glided in golden dust through that thick dome of foliage! What sweet perfumes, and what still sweeter reve- ries, have I there inhaled! what verses have I there made! how I have there read and re-read her letters! How often have I gone thither at the close of day, to recline upon a little knoll covered with trees, to see the glorious sun set, his oblique rays colouring with red and gold the white trunks of the birch-trees which surround me! This wood was not mine: it belonged to an old bedridden marquis, who had, perhaps, never been in it in his life—and yet it belonged to him! Far from being the master of nature, as so many philoso- phers, poets, and moralists pretend, man is her assiduous slave; property is one of the baits by means of which he burdens himself with a crowd of singular taxes. Look yonder at that man cutting his bay, how tired he is: the sweat pours from his brow! He 1s eutting his hay for his horse—he is proud and happy. Man is appointed by nature to harvest her grain, and to sow it again in suitable soils, and to dig the earth round the foot of trees in order that they may receive the sweet and salutary influences of sun and rain. The poor man has, in every moderately inhabited city, a public library, and consequently has at his command from fifteen to twenty thousand volumes; should be become rich, WHAT IS PROPERTY ? 47 he will purchase a library of books for himself; that is to say, he will only have five or six hundred, but what joy and pride will arise from the possession of them! You are poor—the sea is yours with its solemn noises, the grand voices of its winds, the aspect of its imposing rage, and of its still more imposing calms; it is yours, but it like- wise belongs to others: at some future period, when, by dint of labour, mental exertion, perhaps baseness, you shall have become more or less rich, you will have a little marble basin constructed in your garden, or at least you will be eager to buy and keep in your house a vase containing a couple of gold fish. There are moments at which I ask myself whether by chance our minds may not be so turned that we call poverty that which is splendour and riches, and opulence that which is misery and destitution. “LETTER VIII. LILY—ICHNEUMON-FLY—THE POPPY, I BELIEVE it is not satisfactorily known what kind of bulbous roots were deified among the Egyptians. Lilies, hyacinths, and tulips, appear to me to have much greater rights to these honours than the garlick and onions of our kitchens. The Latins, however, thought that it was to the latter this ele- vated rank belonged. “0 sanctas gentes, quibus hec nascuntur in hortis Numina.” “ People holy and happy enough to see their gods spring up in their gardens.” The white lily has many enemies; the poets have misused it equally with the rose. I do not know who first thought of degrading it by rendering it a political or party symbol, LILIES—THE CRIOCERIS. 49 It would indeed be difficult to say how many governments and revolutions there have been in France since that tuft of lilies was planted in my garden, how many systems rae been lauded to the skies, and dragged through the irt. The lilies in the arms of France were not taken from the lilies of our gardens: they bear no resemblance to them. Some authors who have written volumes on this subject, say that they are the yellow iris of the marshes; others, that the Jfleurs de lis were originally bees; while, again, others contend that they were lance heads. Nevertheless, the lilies have not escaped the fate of other political flowers, such as the violet, the imperial, and the red pink; all have been, by turns, proscribed and rezalled, multiplied to excess or pitilessly rooted up, in the flower-beds of the Tuileries, and generally placed under the watchful care of the police, considered as suspicious, hostile to power, and mixed up with several conspiracies. The parties and the men who planted and proscribed them are long since dead, and almost forgotten. And yet, every spring, these poor flowers, returned to private life, continue to bloom again in their proper seasons. One insect alone appears to have taken possession of the lily, and established its abode in it. It is a little beetle, whose form is of an elongated square, with black body and claws, and hard elytra, or wings, of a brilliant scarlet. There is no lily that is not an asylum for some of these. They are called Crioceres. When you have hold of one, press it in your hand, and you will hear a creaking noise, which you may at first take for a cry, but which is nothing but the rubbing of its lower rings against the sheaths of its wings. It did not always. wear this brilliant costume—this cos- tume under which it scarcely eats, and that very daintily —this costume under which it appears to have nothing to do but to strut about and make love. It was at first a sort of flat worm, with six feet, of a kind of yellow mixed with brown, which dwelt likewise then upon the leaves of the lily, but which then led a very different life. It was then as greedy and gluttonous as it is now abstemious and delicate. But that was because it had two powerful reasons for eating. The E 50 A TOUR ROUND MY GARDEN. leaves of the lily which it has eaten issue from its body almost without alteration, as if they had been crushed in a mortar. By a particular disposition of its body, this paste of leaves falls upon it, and forms for it a house, or a cuirass, which conceals it entirely. There comes, however, a day which brings other cares. Spring, and its season, will soon return. It is pleasing neither in form nor colour. It ceases to eat, shakes its strange vestment, walks about in an agitated manner, descends and buries itself in the earth. Some months after, it comes out shining, lustrous, as brilliant as you now see it, richly clothed in the most beautiful gloss of China. Full of confidence in themselves, the males and females seek each other, and soon meet. Then the males die. The females have still something to do: they lay their eggs—which at first are of a reddish colour, but afterwards brown—and fasten them to the under- side of the leaves of the lily; then they, in their turn, die. When born, their children will find abundance of the food that is necessary for them. What! already withered leaves! I stoop to pick up these three or four dead ones. The leaves move, and—fly away! But there is no wind to carry them away thus. These leaves are a moth,* to which nature has given the form, the colour, the disposition, the perfect figure, of three or four dried leaves, with their shades and their fibres. Under its first form, it is a pretty large caterpillar, of a dark colour, grey and brown, with brown hairs, and a fleshy brown horn at the extremity of its body. Apropos of caterpillars, Pliny says that the Romans ate a sort of large white worm,t found in the trunks of old oak- trees; and that they formed a very highly esteemed dish. They were fattened for some time on meal before they were served up to the sumptuous tables of the wealthy Romans. ‘This must have been a horrible ragodt-—if, by-the-bye, people who, like you and me, eat oysters, have any right to deem anything disgusting. Here is a caterpillar which seems to have set out on its * Gastropacha quereifolia.—Ep. + Probably the larva of the Goat-moth, (Co. ligni; 1 Pi kieran » (Cossus ligniperda,) or the Stag-beetle, THE ICHNEUMON. 51 travels; in fact, it is not at home here. I recognise it now: it is striped with pale blue and yellow, ‘spotted with black. It comes from the kitchen garden yonder, behind that screen of poplars; for there is nothing here that suits it. It lives upon the leaves of the cabbage tribe, which it shares with other green caterpillars, which are metamorphosed into those white butterflies so common in our gardens and fields. I do not know what sort of a butterfly this becomes. I will catch it, and imprison it, to witness its metamorphosis.* But what is going on now? A little fly,t of a reddish-brown colour, whose body seems to be attached to its corselet by a slender thread only, has pounced upon the caterpillar, which’appears to be not at all inconvenienced by it, but keeps on its way. It is most likely breakfast time, and it is in search of a cabbage. But what is the fly about? What does it want? Ts it a fly of prey? Does it mean, like a little eagle, to carry off the caterpillar as a meal for itself and its young ones? The caterpillar weighs twenty times as much as it does—that is impossible. But the fly is armed with a sting twice as long as its whole body, and as fine asahair. It isan enemy. It is going to kill the caterpillar with that formid- able weapon, and, without doubt, eat it. It raises its sting, .and this slender hair separates into three parts, in its whole length: two are hollow, and are the halves of a sheath for the third, which is a sharp, toothed wimble. It darts it into the body of the caterpillar, which appears to perceive or know nothing of the matter. It soon withdraws its sword, returns it to the scabbard, flies off, and disappears. The caterpillar did not stop; nor does it stop. It is going to find its cloth laid, and an excellent breakfast ready. In a few days, it will descend into the earth to go through its metamorphosis; but if I do not shut it up, in order to ascertain what sort of a butterfly it becomes, my expectations would be disappointed. The fly which stung it, and which naturalists call the ichneu- mon, has only laid an egg in its body. That swerd, the * It is transformed into one of those white butterflies that are so common in this country as well as in France.—Ep. + The ichneumon that generally attacks the cabbage caterpillar, is Microgaster glomeratus, The author, however, describes an entirely different insect, Pimpla manifestata, and it has accordingly been figured.—Ep. 52 A TOUR ROUND MY GARDEN. third part of a hair, is hollow, and has deposited an egg in an interior part of the caterpillar, where this operation does it no harm. From this egg issues a worm, which consumes the caterpillar very slowly. The latter feels ill at ease, loses its appetite, and makes its cocoon; but, in its cocoon, its troublesome guest never ceases to devour it, till, in its turn, it is metamorphosed, and becomes a fly similar to that which we saw lay the egg. It pierces the cocoon of the caterpillar, and flies away in search of a male, and after that of a cater- pillar, in which it may deposit its eggs. The males are without the long, sting-looking wimble. Among the parasites whom you meet with yonder, as you might have done here, my friend, do you think you shall find any so extraordinary in their manner of living upon the world? Each species of ichneumon, of those which lay in cater- pillars, has its favourite caterpillar. There are some so small that they lay in an egg of a butterfly, into which they insinuate their wimble. The worm is born in the egg, and there finds plenty of nourishment—until, changed into a fly, it breaks the shell of it to take flight. There are in our gardens, and among those who pretend to love them, good sorts of folks, who are a little like you, my friend. Their estimation of a flower rises in proportion with its rarity, and the distance from which it has been brought. I have often met with these curiosity-seekers and amateurs, people who find in possession no other pleasure but that des- picable one of knowing that others do not possess—people who have flowers, not for the sake of looking at them, but showing them. Their most cherished flowers—those which were shown me with the most ostentation—those which served as a pretext for the most disdainful tone towards me— were scarce plants, it is true, but of so little brilliancy in themselves, and so completely effaced by other more common plants, that I consider myself, a man—good, excellent, and full of mildness and benignity—not to have yielded, except in one single instance, to the temptation of saying to their ostentatious owner— “Ts that plant very scarce, sir?” “Oh yes, extremely scarce, sir,” iene RARITY NO BEAUTY—FOLDS IN BUDS. 53 “Well, I am very glad to hear that, however.” “ Why so, sir?” “Do you fancy that you alone possess it, sir?” “Yes, sir, I am satisfied of that; nobody has one but myself.” ‘T am enchanted to hear you say so.” “You are polite; but why do you say so, sir?” “ Because, sir, it affords me the assurance that I shall not meet with it often.” Here is a beautiful, rich, and majestic plant: it is the poppy; how finely cut are its sea-green leaves, how straight and flexible is its stalk; the buds of its flowers incline lan- guishingly towards the earth, but a day or two before they burst, they will raise themselves gradually, and present their beautiful, rich cup to the heavens; we may then say of them, with much more truth than of man, that the sign of its nobility is that it naturally looks towards heaven, which is not true as regards man. A man who should take a fancy to keep up the dignity attributed to him by Ovid— “Qs homini sublime dedit, ccelumque tueri Jussit, et erectos ad sidera tollere vultus ; —that man would get a horrible stiff neck, and would give up the sublime position in a quarter of an hour. There is a bud which has risen; tear open its green en- velope, and see how its splendid petals are enclosed in it, ragged and without order; you might say it was the carpet- bag of a careless student, setting out for the vacation. How can nature treat such fine, such rich stuff with so little care? Is there not a little affected disdain for the purple in this? I only know the flower of the pomegranate, which is also red, whose petals are as ragged-looking in their envelope as the petals of the poppy. But, make yourself easy; scarcely is the flower blown, when a mild, genial air smooths the petals of both the pomegranate and the poppy, and renders them as even as those of other flowers. Different flowers have different manners of arranging them- selves in their buds, in which they are compelled to occupy so small a space. The petals of roses cover each other by a portion of their sides; the bindweed is rolled and folded like 54 A TOUR ROUND MY GARDEN. paper filtres. It is the same with leaves in the bud; those of the syringa are folded long-wise, half upon half; those of the aconite are doubled in their width, from bottom to top, several times over themselves; those of the gooseberry are folded like a fan; those of the apricot are rolled over each other. It is a curious sight to see plants issuing from the earth at the commencement of the Spring; many long-lived plants seem to yield to winter and death, they give up their summer leaves to them, and bury themselves deeply in the earth. But a soft rain and a mild air warns them that the beau- tiful festival of Spring is about to commence, and every plant must prepare itself to go upon the stage and play its part. Some are quite dead; but, before they died, they confided their seeds to the earth—little prolific eggs which the first rays of the sun of March hatch—and which are eager to burst forth; others have various processes for piercing the earth, hardened over them by cold, drought, and wind; such as have firm and sharp leaves, like those of the hyacinth, the gladiolus, and the narcissus, unite them into close points, and make themselves a passage easily; the narcissus and the gladiolus place two of them one over the other, and come out in a flattened blade; the hyacinths enclose their flower, already formed, in three sharp leaves, hollowed in grooves, whose union only forms a single point; others, like the peony, envelope their first buds in a sheath, which falls as soon as they get above ground. But what will the anemones do, whose large leaves are deeply cut, and without consistency? They make the tail of each leaf ascend, bent in two in the middle; it is a rounded elbow, which undertakes to break through the earth,and comes out iike the half of a ring; then, whilst one of the sides is retained by the root, the other, to which the folded leaf holds, is drawn up without being rubbed the least in the world; once out, it develops itself, and expands. But let us return to our poppy. There are red ones of all shades, white, some streaked white and red, and violet coloured; there are no yellow ones, nor blue ones, nor green ones; I don’t even know any that are streaked with white and violet. Notwithstanding the numerous varieties of flowers ahi TRAVELLING WITHOUT MOVING. 55 which are believed to be discovered every day, each has its fixed and infrangible limits; during the last twenty years, forty leagues, perhaps, have been sown with the seeds of dahlias, without one blue one ever being produced, although violet ones are common enough. I will not venture to say what has been done to procure a blue rose. The rose has the advantage of the poppy, there being many beautiful yellow roses. One poppy stem produces more than thirty thousand seeds; they are always contained in the red, the white, and the violet. Many gardeners talk of green roses, produced by grafting the rose upon the holly; and of black roses made by grafting upon the black currant: these are nothing but absurd tales; there are no black flowers, and very few green ones, particularly of a bright green: I know scarcely any of them that are really pretty, except the daphne-laurel, which grows in the woods, and bears charming green odoriferous flowers, the centre of which is occupied by stamens of a fine orange-yellow; it blossoms in the month of February; the berries of it, when ripe, are a deep purplish-black. Now, here is a delightful journey I am taking, my friend, without changing my place. When you are in a boat, it seems that the boat is motionless, and that the two banks fly on each side of you, unrolling, as it were, a panorama of their shores, their poplars, their willows, and the various flowers and the houses which border them; this is a thing that has been remarked a hundred times; but people are so determined to see only that which they have read, that T have never seen it set down anywhere that if the banks of the river appear to pass in a contrary direction to that of the boat, this illusion only extends to a certain distance, and that if there are, nearer to the horizon, other trees and other buildings, the latter seem, on the contrary, to take the direc- tion of the boat, and that these two lines of trees and houses cross with a simultaneous passage in opposite directions. It appears to me that I am the sport of ar illusion similar to that which we experience in a boat, when I see the flowers appear, each in its turn, around me; I almost fancy I am travelling; it would appear, in fact, that I changed my place” as often as I see the decorations, the actors, and the scene 56 A TOUR ROUND MY GARDEN. change, however small or confined it may please me to choose it tobe. There is not an actor that appears before his turn ; they seem every one to issue from the earth, or. their en- velope, at a signal, or as an answer given to the signal,—Sit down and travel. The sharp wind of the winter has swept away the leaves; the despoiled trunks and branches of the trees present various colours: the wood of the cornel-tree is of a brilliant: red; that of the golden ash is yellow; the branches of the Spanish broom are of emerald-green ; the trunk of the birch is white ; the branches which have shot from the linden-tree during the summer are of violet-red; there is a raspberry, which the gardeners call blue-wood, and which is of a splendid violet ; some maples have their branches green; the American walnut is black. But the mosses vegetate and flourish, and at the foot of a tree, the Christmas rose, the black hellebore, opens its flowers, like simple roses, white or pale rose-colour ; the sweet-smelling coltsfoot, the winter heliotrope, displays from the bosom of its large round foliage, its grey and rose- coloured tufts which shed around a sweet vanilla odour. But December is gone; these two actors disappear at the first signal given by the frost; here is January, covering the éarth with snow; the frost splits the trees; it is a new scene: the redbreast comes nearer to our dwelling; the calycanthus of Japan opens, upon such of its naked branches as are seen through the snow, little pale flowers, yellow and violet, which exhale a sweet perfume, recalling at once the odour of the jasmine and that of the hyacinth. This is a long monologue; it is the only flower that blows in the open air during severe cold: the flowers soon wither and fall—its grey branches remain naked—the leaves will not show themselves before spring. What is going to appear with the month of February? The nut-trees suspend their long yellow catkins, and expand their little carmine tips; the daphne-laurel, of which I spoke to you but now, is soon followed by another daphne, which is called gentle wood (bois gentil), and which bears flowers like its own, but which are lilac, rose-coloured, or white; the “hepatica opens its little double, rose-coloured, or deep blue roses, this is a sort of first act, an exposition in which tha SUCCESSION OF FLOWERS. 57 personages present themselves almost one by one, or at most, two by two. But in March, the fruit-trees begin to display their rich clothing ; the almond is covered with flowers of a rosy-white, the apricot with white blossoms, the peach with rose-coloured : near the water, the crowfoot opens its golden tufts; primroses blossom on the banks, and yellow gillyflowers 6n the walls; crocuses spring up in the grass, among the white stars of the early daisy, like little lilies, with their yellow corollas, violet, or striped with violet and white; some few violets peep forth from under the dead leaves which fell from the trees in the A ie then all this disappears as if by the waving of a wand, The bluebell opens its violet blue spikes of blossoms, and all the flowers that have preceded it recognise the signal and disappear; their part is played—they will come on again next year for a fresh representation. Look at them well, admire their various forms, their fresh or brilliant colours, inhale their various perfumes, you will, perhaps, never see them again; if fortunate, you have, at most, twenty or thirty similar ,epresentations to behold. But you see them depart without regret—they are re- placed by so many others. In fact, flowers will soon be so numerous it will be impossible to count them; everything blossoms, or seems to blossom—trees, herbs, butterflies ; but each has its day, each has its hour—none come before, none exceed the prescribed moment. Spring and summer pass away—the crowd gets thinner : the queen Marguerites, the true flower of autumn, are replaced by the dahlias, the dahlias by the asters, and the asters themselves fade away at the appearance of the Indian chrysanthemums. There is a variety of chrysanthemums with small yellow flowers, which appears the last of all, and closes the gay procession. ; And with every leaf, with every flower, are born and die the insects which inhabit them, and feed upon them, and likewise those which eat these insects themselves: the flowers sow their seeds, which are their eggs; the insects lay their eggs, which are their seeds; after which the hellebores and the coltsfoot re-bloom, and hatch the insects which belong to 58 A TOUR ROUND MY GARDEN. these plants. A flower which is born and dies, is a world with its inhabitants. But if you are not willing to wait all the year, or if your memory serves you badly, remain there only one day, and see how everything passes before you; see how everything travels to show you new objects. My letter*is long. To-morrow I will only make the journey of the day, as I have just made that of the year. LETTER IX. AWAKENING OF CREATION— THE LUPIN—NIGUT—THE SLEEP OF CREATION—THE GLOWWORM—THE DEATH’S-HEAD MOTH—RESPIRATION OF PLANTS. Tue sun is not yet above the horizon, but thé shadows of night begin to disperse ; *« Night folds her robes about her, and departs.” How many fatiguing and wnwholesome pleasures we pur- chase at their weight in gold, when we have it in our power to enjoy the most solemn and magnificent spectacle—the creation of the world! for nothing. Night had deprived every object of form and colour; day restores them all. In the garden, the yellow and white flowers are the first to receive their colouring. Such as are rose-coloured, red, and blue, are still invisible, and exist not for the eye; the foliage 60 A TOUR ROUND MY GARDEN. begins to show its form;-but it is black. The rose-colours begin to appear, then the red, lastly the blue,—all the forms are distinct. Already the hemerocallis, a sort of yellow lily, closed during the night, re-opens its corolla, and begins to spread around a sweet jonquil odour. The dandelion, with its golden flower, had spread forth its numberless rays in the grass, even before the hemerocallis; whilst the Easter-daisies, still shut up, keep their little silver spikes gathered together in close sheaves, of which they only expose the under part, which is of a beautiful rose-colour. The birds awaken, and begin their morning song. The heavens assume a rosy tint; the grey clouds become of a clear lilac; the east expands into a luminous yellow; the cherry-trees planted in the west receive upon their grey bark a rosy tint, from the first ray which the sun launches ob- liquely at them. ‘There is the star of day! the star of life, ascending in all his glory and majesty—a vast globe of fire mounting from the horizon. All the plants now awake,—the acacia, with its leaves folded and placed one over the other. See, they separate, and exhibit their graceful forms. The blue lupin, which has leaves of a dusky green, shaped like hands, had closed its fingers, and let its arms fall against its stalk ;—-now the leaves spread, and rise to their proper position. The lupin has caused many pages to be written by the learned. Virgil has somewhere said, tristis lupinus. Why did Virgil call the lupin sad? The kind of which we are speaking is of a charming appearance; the flower is of an agreeable shape, and a beautiful colour; other kinds afford a sweet perfume. Why did Virgil say that the lupin was sad? A vast number of reasons have been assigned by the learned for it; many volumes have been perpetrated, as well by learned botanists as by learned commentators upon this subject, and yet they have never agreed. I remember a question which puzzled us at college, and remains as undecided as that of the tristis lupinus. “Why,” asked one scholar of another— why is the salmon the most hypocritical of fishes?” His companion reflected for some time, but as he was not a savant by profession, he said, “I don’t know.” A savant never says, “I don’t know;” NIGHT. 61 he prefers error to ignorance. “I don’t know,” said the scholar, looking at the other for the solving word of the enigma. “No more do I,” replied the other; “if I had known, I should not have asked you.” The only reason, however, for Virgil’s calling the lupin sad was, that he stood in need, for the measure of his verse, of two long syllables, which the word tristis supplied him with. This is not an uncommon thing with the Latin poets, whom I love to a Féasonable extent, but whom I do not choose to raise to the clouds, in order to give a rational colouring to any degree of envy or malice that I may have towards my contem- poraries. 2 But let us continue to watch the awakening of the plants. The balsam, which had drooped its leaves towards the earth, now again raises them towards the heavens. The primrose, which, on the contrary, had raised its leaves, and embraced its stalk with them, spreads them abroad, and allows them to hang down a little. The insects begin to buzz; the souci-pluvial opens its flower, which is a violet disc surrounded by rays, white at top, and pale violet underneath ; the white water-lily, which yesterday evening closed its flowers, blooms afresh; whilst the convolvulus, which climbs in garlands, loaded with flowers, rose, violet, white, and striped, closes its flowers, which have been open during the night. The day-lilies, in their turn, expand their blue and yellow flowers. Each plant blows at the hour that has been appointed for it: the sun, which forces one to expand, obliges another to close; and yet to the eye, there is no difference in them. Insects, butterflies, and flies of all kinds and colours, are busy everywhere. But the dandelion closes its petals about three o’clock in the afternoon ; the souct-pluvial is not long in following its example, unless the weather be rainy, for then it would have closed much sooner. The daisy, which had spread its little bosom out to the sun, gathers itself together, and becomes pink. Gradually the leaves of the acacia are folded, as are those of the other trees, whose waking we this morning witnessed; the day-lily closes; the sun is about to set; the white blossom of the water-lily gathers its petals together, 62 A TOUR ROUND MY GARDEN. and shuts up closely. The birds have ceased to sing, and quarrel for the snuggest places under the leaves; you may see the colours you admired in the morning reappear in the heavens; but they have assumed severer and deeper shades, The rose-colour of the morning is red in the evening; the yellow is orange, the lilac has become violet ; the globe of fire descends, and disappears in a red fog, which looks like the lighted ashes of a voleano. The trees in the east, in their turn, receive the adieu and last look of the sun, as the trees in the west received his “good morning,” and his earliest ray. The beetle kind fly heavily about; the horned and rhinoceros beetles issue from the hollows of the oaks, the blue and white stercoraires, more richly clothed than kings, rise from the cow-dung, It is night. But the night has its birds, its flowers, and its insects, which sleep during the day, and which awake while the others sleep. The moon is their sun. The nightshade has opened its little purple, yellow, or white horns. One variety, whose white flower is supported by a long tube, has a centre of a rich violet, and exhales a sweet odour. The evening primrose expands its beautiful perfumed yellow cups. The convolvulus will wait till the middle of the night. The stars glitter forth in the heavens. In the grass the female glowworms* begin to shine with a green, phosphorio light ; it is only the lower ‘ extremity of their body, ix, and the under part, WX WS, which is so luminous. a \ The glowworm is, in the Waw\ \ day time, a flat insect, dragging itself along upon six feeble feet. You know the history of Hero and Leander: THE GLOWWokM. they were two lovers, separated by a branch of the sea. Every night Leander * Lampyris noctiluca.—Ep v HUMMING-BIRD MOTH. 63 Swam across this strait, to go and pass a few minutes with Hero. I don’t know whether Hero was very beautiful, but with the first comer and a few obstacles, a passion is easily kindled. Ovid says she was “beautiful exceedingly,” and I will take Ovid’s word. One night a tempest arose, whilst Leander, guided by the torch which his lover lighted every evening, was endeavouring in vain to gain the opposite shore. The poet puts a very touching prayer into his mouth: he implores the tempest not to drown him till his return; the tempest was deaf, and the unhappy Hero beheld the body of her lover cast by the waves at her feet. The glowworm on‘y fires her torch, and takes so much pains to show it, because it may serve as a guide to a crowd of little vagabond Leanders, to whom nature has granted wings. The males of the glowworms are much smaller than the females, and, I should think, much more numerous, for there are seldom less than three or four around one female. They are not luminous. * While, following the example of Diogenes, but from another motive, the glowworm bears her lantern, a large moth t passes close to me, its wings making a noise almost as loud as those of a” small bird; in fact, it is much larger than some humming- birds. It passes by the sleeping flowers, it is in search of something; it knows that in those beau- tiful garnet and topaz cups . of the nightshade and ceno- Ose e eee theras, a sweet nectar is prepared for it. There it is over an cenothera; it hovers over without touching the flower, its wings appear motionless, so quickly does it move them. Then it unrolls a trunk coiled beneath its head, which escaped my sight, but which is longer than the whole insect; that trunk separates in two; each of the two is a perfect trunk, by * The author is not quite correct here. The male glowworm does give out some light, but it is very faint.—Ep. + Sphinz ligustri.—Ep, 64 A TOUR ROUND MY GARDEN. means of which it sucks from the depths of the flowers the honey they contain. We must not believe that because it only flies by night, this butterfly, which naturalists call a sphinx, neglects its dress. Its wings are of a grey, shaded with various browns and blacks; its body is painted with white, rose-coloured, and black rings, separated along its whole length by a grey stripe. Here comes another, still more richly clothed; its body and its wings are of two colours—rose, and olive-green. But what plaintive cry do I hear upon that jasmine? Is it that great sphinx * which has lighted there, and takes it DEATH’S-HEAD MOTH. into his head to moan thus? If the cry it utters is lament- able, its aspect is not a bit more exhilarating. Its upper wings are shaded with dark colours, the inferior are of pale tarnished orange, with black bands. Its body is striped with black rings, and with that same dull orange; but it is on its corselet that nature has indulged ina singular fancy; orange and black spots form, in a perfectly distinct manner, the figure of a death’s head. * Acherontia atropos.—Ep. DEATH'S-HEAD MOTH. 65 In 1730 there appeared in Brittany a great number of these moths; their cry and their singular appearance spread terror in every mind. Curés spoke of them in the pulpit, and pronounced their appearance an evident sign of the anger of heaven. Imaginations were affected in the highest degree ; many persons made public confession; one curé wrote a homily upon this subject, which was inserted in “ Le Mercure de France.” ‘The most incredulous’said that this prodigy announced a pestilence. M. de Pontchartrain, then Secretary of the Marine, demanded of the Academy if any of these alarms were well founded. The Academy, having answered negatively, was strongly blamed by the Church; the fathers of Trevoux proclaimed in their journal, that it was very wrong to disabuse the people concerning a salutary terror. “ The public,” said they, “has always reason to be alarmed, because it is always guilty, and everything which can re- mind it of the anger of an avenging God, is always to be respected.” The kind of cry which emanates from this sphinx, so justly named Atropos, is produced by the rubbing of its trunk against the partitions which inclose it. It has been a large yellow and green caterpillar. The convolvulus does not expand its flowers till the night is pretty far advanced. There is a little ugly enough cater- pillar, which lives upon the convolvulus, and which becomes a very pretty and singular moth ;* the caterpillar is of a whitish green, rather velvety. The moth is of a dazzling whiteness: its wings appear as if made of ten little feathers _ of extreme fineness. Each of the upper wings is divided into two; each of the inferior wings is divided into three cut parts in such a manner, that it is only with the aid of a microscope we can discover they are not real feathers, much more white than those of the swan, much more delicately fringed than those of the ostrich. ; Night is the time in which trees breathe the oxygen which. is as necessary for their existence as it is for ours. In the day time they will expire and return to the air much more * Plerophorus pentadactylus.—Ep. F 66 A TOUR ROUND MY GARDEN. of it than they have taken; the action of the sun decom- posing the carbonic acid gas. These two phenomena explain the danger there is in keeping vegetables during’the night in a close chamber, for then the vegetables absorb a part of the oxygen, and diminish the quantity of respirable air. This quantity, necessary for every man, is more considerable than is generally imagined. A man consumes per hour at least six cubic meres of air. Most of our pleasures taken in common,—as balls, svirées, theatres, assemblies,—begin by considerably diminishing this indispensable ration. It is difficult ina rout or soirée, as they are now-a-days given, for each person to have for his part more than a metre and a half of respirable air. You would not easily determine to enjoy any of these pleasures if you were obliged ‘to buy them at the price of the privation of two-thirds of your food. The privation of air produces effects less immediate; but it is probable that it engen- ders great part of the diseases peculiar to the inhabitants of cities. Besides that, vegetables shut up in a chamber absorb a part of the oxygen, they expire an equal portion of carbonic acid gas, which is a mortal poison when mixed in too strong a proportion with the air we breathe, and of which it is nevertheless one of the elements. This equally explains the pleasure we experience in the day time under trees, a happi- ness which is not to be attributed merely to the freshness and shade. You see, my friend, that without its being necessary to change our place, it is sufficient to look around us to see new and surprising things pass, without ceasing, before our eyes. Not one of the plants, not one of the insects, of which I have spoken to you in this and the preceding letters, blossoms, shows itself, shuts up, is transformed, or dies, either before or after the epoch, the day, the hour as- signed it, The dandelion always open its rays of gold before the daisy displays its rays of silver; the cenothera never develops its corolla before the water-lily has folded up its petals. The blackbird whistles in the morning; the nightingale sings THE FROG. 67 through the night; the grasshopper, in the grass, chirps hoarsely during the burning heat of the sun, a kind -of croaking like that of frogs in a marsh, when the sun is sinking. Every moment has its interest, its spectacle, its riches, its splendour! THE FROG, LETTER X. WHAT I8 HAPPINESS!—RECOLLECTIONS AND REGRETS—UNIVERSALITY OF DEATH —WHO ARE MAD, AND WHO SANE. Wuen I endeavour to remember all the happinesses of my life, I find there is scarcely one I had anticipated that I secured in the end. Happinesses are like game: when we aim at them too far off, we miss them. Most of those which recur to my memory have come unexpectedly. For many people, happiness is a gross, imaginary and compact thing, which they wish to find all in a piece; it is a diamond as large as a house, which they pass their lives in seeking and pursuing at all hazards. They are like a horticulturist of my acquaintance, whe dreams of nothing but meeting with a blue rose, a rose which I have sought after a little myself, and which it is more unreasonable to hope for than the diamond of which I spoke ‘WHAT IS HAPPINESS ? 69 to you just now. Since this fancy seized the poor man’s brains, other flowers have had ‘neither splendour nor perfume for him. Happiness is not a blue rose,—it is the grass of the men- dows, the bindweed of the fields, the wild rose of the hedges, a word, a song, a no matter what. It is not a diamond as large as the house: it is a mosaic of little stones, each one of which often has no separate value of itself. This large diamond, this blue rose, this great happiness, this monolith, is a dream. Every happiness I can recal, I neither pursued long, nor sought for; they have shot up and blossomed under my feet like the daisies on my grassplot. I have ever found my greatest happiness in a garden over which I could have jumped—in a chamber in which I could not take three paces. That chamber, I remember it still; I have but to shut my eyes to see it; it appears to me that I see it in my heart. It was furnished with chairs covered with yellow Utrecht velvet, with a table near the chimney, and an old piano between the two windows. One day she endeavoured to teach me to play with one finger, an air which she sometimes sang, and which I passionately admired. Her father was seated in the chimney-corner reading his newspaper. First, she played the air for me, then she bade me try. I could not get over more than the first three notes; she played it more slowly—but I succeeded no better. She laughed at my want of skill, Then she took my hand to make me strike the notes with my finger: it was the first time our hands had met. I trembled: she ceased to laugh, and withdrew her hand, and we remained both silent. The day was closing, and mixed a profound meditation with our emotions. Our looks met: it appeared to me that I became her, and that she be- came me; that our blood mingled in our veins—our thoughts in our souls. Two large tears fell from her eyes, and rolled down her cheeks as two shining pearls of dew in the sweet morning on a rose. Then her father, whom, with all the rest of the world, we had forgotten, let the paper fall which he could no longer see to read, and told his daughter to light the lamp. “And.you cannot see any more than I can,” he added, “for it is some time since I heard the piano.” 70 A TOUR ROUND MY GARDEN. Well! to obtain this happiness—and I remember no other so great in my life—I had but to descend a flight of about fourteen steps, and come from my own chamber into that of the yellow chairs. And my chamber, so small, so poorly furnished, what joys it has contained! It was there that I made for her ten thousand verses, not one of which she ever saw; it was there I wrote to her so many letters; it was there that I re-read so many times the few letters she ever wrote me, that the Alexandrian library itself could not have supplied me with more reading. And that staircase—those fourteen steps which separated us—how many times have I descended it and ascended it to meet her, to meet her father or their servant, to see her door, to see the bell she had touched, the rush mat upon which she had placed her feet! and all in the hope that she would recognise my step, that she would hear me ascend and descend, that she might say, ‘ There he is!” I travelled three hundred leagues on that staircase, my friend, and at each step met with a happiness, or, at least, an emotion. How beautiful were the flowers of the spring of our life, and how they have faded! how many things are dead within us, for which we never dream of wearing mourning! so far from that, we mistake our mutilations for useful retrench- ments, we take pride from our losses, we call our infirmities virtues; the stomach no longer digests properly, and we call ourselves sober; our blood is chilled, and we say we have left off loving, when, actually, love has left us; our hair, our teeth die, and yet we seldom think that we must soon die altogether. We worry, we torment ourselves for a future which everything tells us we shall never see. I knew a man of eighty years of age, who frequently said—* Well, I really must set about thinking of my future!” And yet we are not without warnings; everything speaks of death. This house we live in was built for a man long since dead, by masons who are likewise dead. These trees, under whose shade we indulge in our reveries, were planted by gardeners who are dead. The painters who created the pictures on our walls are dead. Our clothes, our shoes, are made from WHO ARE MAD, AND WHO SANE, 71 the wool and the hides of dead animals. The boat in which we glide between the river’s green banks—why, it was a dead tree that supplied the planks for it. This fire before which we chat, is fed by the members of carcases of trees, Your joyous festivals, your every day repasts, present to your eyes and your appetites portions of dead animals, This wine, of which you boast the age, reminds you that he who gathered the vintage, he who made the corks, that he who bottled it, and all who were then living, are dead. And in the evening, when you go to the theatre to see Cinna or Mithridates repre- sented, those personages you look upon, are they not the shades of the dead whom you evoke that they may come and gambol before you and amuse you? When these thoughts come over me, I am sewed with a profound horror for all trouble, anxiety, and agitation; I only think of living quietly, without a care for the present or the future, and I wonder at the extravagance of all those men who, having but two hours to sleep, pass those two hours in making and turning over their bed. It appears to me that I then see all these people who are elbowing each other, in order to attain I don’t know what, to be furious madmen ; and I became of the opinion of that philosopher, who pre- tended to have discovered the true reason for there being, in all great cities, a lunatic asylum: it is, that by shutting up some poor creatures under the name of madmen, strangers might believe that all who are out of that hospital are sane. ma ae Aga Fee LETTER XI. UPON MY BACK. I am, at this moment, stretched upon a grassy bank sprinkled with violets, beneath a great oak which shelters me from the sun; I cannot imagine any change sufficiently agreeable to induce me to quit this position. JI am upon my back, more than half buried in grass; my two arms, crossed behind my head, elevate it a little; the thick foliage of the oak forms a green transparent tent over me; between certain branches T catch blue patches of the heavens, I hear a thousand noises in the air, a chaffinch twitters at the summit of the tree, bees buzz around me, some soft puffs of a cooling wind just stir the trees; I listen, and I look around me. Across the blue heavens pass long flocks of silk, whiter than anything we are acquainted with, and which float languidly in the air, sinking and rising; this is what the country people call the Virgin’s thread; saying that they are threads escaped from the distaff LOVE AMONG FLOWERS. 73 of the Virgin Mary. I love not to have such associations destroyed, and it was by no means a pleasurable discovery to me, when I one day ascertained that these threads were pro- duced by a species of spider.. A grain of groundsel sur- mounted by a little downy parachute, sails over me through’ the air, to go and sow itself at a distance; a seed of the wall- flower, flat and light, is carried by the wind to the top of an old wall, or into the fissures of the tower of the church, to decorate them with its golden stars. There is a bee just gone by, with its feet laden with the yellow dust it has collected: from the stamens of flowers; and the wind blows the yellow dust about in all directions. I have seen flowers which contain in their corollas both the husband and wife; I have seen others which bear them sepa- rated, but upon the same plant; there are, however, trees and flowers which only produce separately, males or females, and these are frequently planted by chance at a great distance from each other; there would be no loves, no marriages, no reproduction, but the air takes upon it the charge of bearing the caresses of the husband to his spouse, in the form of those little yellow bags, which contain a fructifying powder. Bees and other insects which fly from flower to flower, are little messengers who carry perfumed kisses from the bride- groom to the bride; it is thus they repay the hospitality they receive in the rich corollas and nectaries filled with delicious honey, and thus the wife receives in her bosom the message of her absent husband. The facility which nature has accorded to plants to corre- spond thus intimately through the track of the air, and by the means of insects, bears with it consequences of which certainly we ought not to complain; but which, nevertheless, in a human point of view, must appear as a means of diseases. I will show you in what its consequences consist, There is a white pink, which, if left to the regular course of nature, would only bear white pinks; but frequently, by the intervention of bees or other insects, the white pinks become red, or white spotted with red. It is to such errors, if errors they can be called, which produce such beautiful effects, that we owe the numerous varieties of flowers with which our gardens are ornamented. 74 A TOUR ROUND MY GARDEN, This, besides, has not the same inconveniences as among men; in the first place, love among flowers is not selfish ; they are happy in loving and blooming, and are perfectly unacquainted with jealousy, that degrading feeling composed of avarice, pride, and angry love. It is not likewise as in the poor human families called rich, in which one child, who happens to come first or be a favourite, is a disinheritor of the others ; the riches which flowers leave to their children are immense and eternal; they consist of the earth, the sun, the air, the shower and the dew; there is nothing to dread, there will always be plenty for every one. Here passes in its turn an ichneumon, similar in form to that which I saw depositing its eggs in the body of a cater- pillar; only this is much larger. It also will deposit its eggs in the body of another insect. This insect is a worm destined to become a tolerably large beetle. This beetle knows that its little ones have enemies; therefore, it is in a place which appears inaccessible that it takes care to conceal its eggs. It deposits them under the bark of trees. Alas! useless pre- caution, fruitless cares! There is the ichneumon, prowling around the oak beneath which I recline ; it alights and searches the trunk of the tree; it stops. The wimble which it bears at the extremity of its body divides into three parts, of which two form the sheath of the third; it plunges its naked weapon, finer than a hair, into the bark. The task is long and wearisome, but it finishes by succeeding. It remains motionless for some seconds, and slowly withdraws its saw. If I pleased, I could lay hold of it with my fingers; it isa fortunate thing that no bird surprises it whilst thus engaged. But the wimble is withdrawn and returned to its case. The ichneumon flies away. By an unknown art, by a wonderful instinct, it has been able, through the thick bark of the oak, to ascertain the spot where the beetle had concealed its egg, which is become a worm; and the ichneumon, in its turn, has deposited its egg in the body of this worm, which will serve it for pasture. Butterflies of all colours pass before my eyes, sporting about in the air. I see the Red Admiral,* which is black, and bears upon its wings bands or stripes of a fiery red. When * Vanessa atalanta.—Ep. : JEWISH TRADITION. 7 it was a caterpillar, it was brown, marked with a line of yellow spots on each side, and covered with hairs. It lived then upon the nettle, and delighted in leaves which it no longer cares about, but which it will take care to return to when the time shall come for it to lay its eggs, in order that the little caterpillars which issue from them may find at their birth a home and food that will suit them. How is it possible to paint all that I see passing before me, all that moves in the air, and also all that I cannot see ? Through a little space between the leaves of the oak, the sun darts a white, brilliant ray, and myriads of little flying creatures sport in that ray. They are so small that they are no longer visible if a cloud for a moment obscures the sun and extinguishes its beam. Myriads of animals have been discovered in a drop of water, by means of the microscope, because a drop of water can be kept steady under the glass of the lens. If we were able, in a similar manner, to isolate a drop of air, it is more than probable we should perceive thousands of insects which escape our sight. There are ichneumons,—we have seen them,— which lay their egg in the egg of a butterfly. Who can venture to say that the egg of the ichneumon is not pierced in its turn by another insect which we do not see? We should have been wrong, before the invention of the microscope, in denying the existence of all the otherwise im- perceptible insects which have been revealed by its means. I would not dare to assert that there are not other tribes which the microscope even cannot show us. Who knows if those maladies which regularly prevail in certain seasons, or which affect us irregularly at distant periods, as plagues and epidemics, are not caused by insects which we respire in the air? We find it related in an old collection of Jewish traditions, that Titus boasted of having conquered the God of the Jews, at Jerusalem. ‘Then a terrible voice was heard, which said: “Wretched man, the smallest of my creatures shall triumph over thee.” A fly or gnat glided into the nostril of the emperor, and penetrated to his brain. There, during seven years, it fed upon the brain ; no art, no medicine could dislodge it. After horrible sufferings Titus died. His head was 76 A TOUR ROUND MY GARDEN. opened to ascertain what the disease could be which had baffled the efforts of all his physicians, and the insect was found, but amazingly enlarged. Whilst allowing my eyes to wander amidst the leaves of the oak, I perceive singular fruits and very strange flowers. There are little green apples marked with a rosy tinge on one side, like the red-streak apple. There are upon other leaves little red berries. These fruits have an insect for kernel, the seed of these flowers are the eggs of insects. They are dwellings produced upon the leaves by the puncture of little flies which lay their eggs in the interior of the leaf. This puncture produces the same effects upon the leaf as the sting of certain insects produces upon us; the leaf becomes in- flamed, swells in a round form, and produces a ball, in which the little worm which comes from the egg, and which is to become a fly, grows and feeds up to the moment of its trans- formation. Other flies also sometimes come to lay in the inte- rior of these galls, as these excrescences are called, after they are formed, although their offspring do not feed upon the leaves of the oak. So far from that, they will become carnivorous flies; and it is the first inhabitant, the one for whom the retreat was created, which will serve them for food. After having eaten it, they inherit the house, are then transformed into real flies, as the proprietor would have been, pierce the gall, and go to seek females who, like themselves, have been laid in other galls, have eaten the inhabitants of them, and seek a male in the plains of air. Almost all plants give birth to different galls, in which various insects grow, and are transformed, eat or are eaten. Upon the leaves of the viburnum arise galls, from which issues a little beetle of a cinnamon colour. The red-tinted galls of the leaves of the willow contain a sort of caterpillar, which escapes from them at a certain moment, because it is not in the gall that it is to be transformed ; it-will bury itself in the earth, until it issues from its shell in the form of a four-winged fly. The wild rose has sometimes a gall covered with a sort of reddish-green hair, of a very singular ap- pearance. If we keep some of these galls shut up, we shall see flies of three or four different species issue from them. We must not, however, believe that they have rights, if equal, WHAT ARE STARS? 77 at least not similar ones to the proprietorship of this domicile. Some occupy the gall by right of birth; it was their mother who formed it by a puncture, and who deposited the egg in it, from which proceeds the worm which they have been before they were flies. These are little big-bellied, hump- backed flies; the male is quite black, the female has a black corslet, and a chestnut-coloured abdomen. These are the legitimate possessors ; the others to a quasi birthright, add the right of conquest. This is the manner in which the thing falls out: two roundish eggs are deposited in the hairy gall of the rose-tree ; a black and chestnut fly, the cynips of the rose, has in the first place laid its egg, and by its puncture causes the gall to grow; an ichneumon has laid the second ; these two eggs remain for some time together, are hatched, and become two worms. The first eats the interior of the gall, which grows and enlarges in proportion; the second sucks the first, which is renewed as fast as the other eats it, like Prometheus under the vulture, which consumed his liver, “dmmortale jecur.” In fact, a carnivorous worm would soon die with hunger if he took it into his head to devour the worm which is shut up with him at once. A man would not live long if he had only one sheep to eat. But there is the sun declining ; day departs. Absorbed in a sweet reverie, which is increased by the sound of the church clock, announcing the evening hour, I had forgotten to look at objects, or looked vacantly. The first stars appear through the foliage; what are these stars? The most learned astro- nomers tell us at what distance the planets are from our earth ; they know which move, and what route they pursue; but that is the boundary of their science. Suppose we should be told, England is situated under such a degree of latitude, it is an island, we believe we can distinguish the mountains of it. We should not believe we were very well acquainted with England; but that, nevertheless, is the point to which our astronomical knowledge extends; and what labours, cares, inventions, watchings, calculations have been necessary in order to attain that. These globes of fire, are they worlds like ours? Oh! then, my friend, what a joke is travelling! what does it signify to journey more or less miles in one of the globes, more nume- 78 A TOUR ROUND MY GARDEN. rous, perhaps, than the sands of the sea, which gravitate round the sun? You will be very proud when you have made the tour of our world; and there are above us more worlds than you will in your voyages shake grains of sand from your feet, and all these worlds are unalterable by you; there are some of these worlds so distant, that each of them forms in our eyes nothing but an impalpable grain of luminous dust. There are probably some so distant from us that their light has not yet reached us since the creation of our world, although light travels four millions of leagues in a minute. Now, these are what I call voyages and distances; what signify the two or three thousand leagues you will have travelled when you return? Truly, the advantage is not equal to the trouble and danger. These worlds, are they destined to receive the souls of those who die? is death the commencement of immortality? at that awful moment do the wings of our soul develop themselves like the wings of the butterfly which issues from the winding-sheet it has spun for itself when a caterpillar? The wind brings me, in soft breatnings, delicious odours and distant sounds. From afar I can catch the notes of a horn, almost lost in the rustling of the trees; the air becomes fresh, I will go to my nest. Have you, in the course of your day’s journey, seen as many singular things as I have perceived, without changing my place, reclining on my back on the grass? To-morrow I shall stretch myself on my face. LETTER XII. coLOURS,. Te learned, who have invented so many words, ought to have imagined some that might give us an exact idea of: colours and their shades. I confess that this embarrasses me more than anything else in the account of my journey. There are but very few words to designate colours, and even they are taken at hazard from ideas that are very far removed from each other. This annoys me the more, because colours have for me harmonies as ravishing as those of music, because they awaken in my mind thoughts perfectly strict and indi- vidual, and their influence acts powerfully on my imagination. I was once put in prison; well, the walls themselves were not half so disagreeable to me as a certain chocolate colour with which they were clothed; I recognised, to a certain point, the right which society has to put a man in prison, but I could not admit the right of surrounding him with this horrible colour. One of the things most disagreeable to me in travelling, is the manner in which the chambers of inns are decorated : yellow curtains and red fringe, chairs with red covers and yellow fringe; these colours so generally and so barbarously ey 80 A TOUR ROUND MY GARDEN. brought together by upholsterers, produce, with me, the most disagreeable impressions. It often happens, even in houses in which I am not very much at home, that I rise in the midst of a conversation to go and separate two inimical colours, which some unlucky chance has brought into conjunction upon one piece of furni- ture. There are, for me, between colours and their shades, discords as strong as those that can possibly exist between certain notes of music. There are no false colours except in the nomenclature of our marchandes des modes; but there are assemblages of colours as false as the notes of any one who had never had a bow in his hand, but took up a violin and scraped away at random. I remember two persons who were always disagreeable to me on account of the colours they persisted in weexing: the first was a certain large woman, who always appeared in green dresses and yellow bonnets; the other, a man who decked himself out in staring red waistcoats and bright blue cravats. I endeavoured to contend against the prejudices inspired by such disfigurements; I have reason to repent of them: I have since had much to complain of in my relations with these two persons. There are at least as many people with a false sight as with a false ear, without speaking of painters, some of whom see yellow, and others blue or grey, as if they looked at objects through spectacles of these colours. © It is remarkable that country people seem to acknowledge no colour but red, the domain of which, for them, embraces rose-colour and orange, and all the shades comprised within these two colours :—yellow, but only certain shades; when it is pale, they call it white; when deeper, it is red ;—blue, which begins at amaranth and embraces all the shades of violet, except pure blue, which they sometimes confound with green. They know green pretty well; white is applied to all pale shades, black to all deep shades. Being one day on the sea-shore, I walked over a track completely covered with little withered flowers, and so close together, that I thought, if viewed from a distance at the time of their blowing, the entire hill must have appeared of their colour. Well, not a soul in the country could tell me COLOURS OF FLOWERS, 81 what was the colour of this flower 3; I was not able to procure two answers sufficiently alike to give me a definite notion of them. Country people in general trouble themselves but little with the poetical side of nature: idylls and eclogues are falsehoods. I only remember two appreciations which I heard made in the same day by two peasants: one concerned a young elm which, planted among older elms, had hastened to attain their height, in order to enjoy its share of the air and the sun. Jt had a stem straighter and more tapering than that of a poplar; it waved its green luxuriant head at the least wind. “What a misfortune it is,” said one of my neighbours, “that you have not another tree like that!” “Why?” “Because they would make such a superb ladder.”} As in the spring time I was looking at the blossoms of the peach-trees, which began to show their rosy tips, another said to me,—“ You see the crop begins to promise.”? I once heard a gardener ask his master, who was one of my friends, permission to sleep for the future in the stable. “There is no possibility of sleeping in the chamber behind the greenhouse, Sir,” said he in support of his request; “there are nightingales there, which do nothing but guggle and keep up a noise all night.” Whilst endeavouring to describe to you the colours of cer- tain flowers or insects, I have remarked that I was likely to make myself better understood by employing, to designate these colours, certain names of precious stones. It is very singular that most people are better acquainted with the stones which inhabit the depths of the earth at a thousand jieagues from them, or the pearls and corals which must be fetched from the bottom of the sea, than with the flies which fly against our windows, or with the flowers which spring up under our feet, which surround us on all sides, and are before our eyes from our earliest infancy; this is because vanity has attached a singular value to precious stones, and has neglected (1) We doubt the accuracy of this remark, as a ladder is invariably made of a single tree, the holes for the steps being first bored through the entire substance, and the tree then sawn longitudinally.—Ep. : (2) Both these instances are excelled by the old English story of the poetical traveller pointing out to his friend the pretty lambs frolicking in a meadow. “Ay,” rejoined the other, “‘ only think of a quarter of one of them, with asparagus and mint sauce!” 82 A TOUR ROUND MY GARDEN. to notice common riches which nature has spread with such profusion over the surface of the earth. Truly, there are some precious stones which are singularly agreeable to my sight, but there is not one whose colours may not be found upon some flower or some insect. Is not the chrysis a living jewel, composed of an emerald and a ruby? Do you know a sapphire of so pure a blue as the corn-bottle of the fields, as brilliant as the sage called Salvia patens, as the Delphinium vivace, which flourish in our gardens? Seek then among stones for the scarlet of certain geraniums, and of the little red verbena, which eclipses the geranium itself. Are these emeralds endued with the transparency of the leaves of the oak under which I reclined yesterday, when the sun was above it? Is there a diamond which has the fire and the colours of drops of dew in the sun? Is not a garden a living jewel-case, full of jewels which fly, and others that blossom and spread around their perfume? But precious stones are dear, all the world cannot have them, and that is the reason all the world wishes for them. The matter, besides, is not to see or to have precious stones, the object is to show them. What I tell you is neither a paradox nor a jest. What do you admire in precious stones? Is it the colour? You have but to look around you; flowers and in- sects have more beautiful colours than they have. Is it their hardness? The sand of your garden is very hard, the iron baleony of your window is very hard, and yet you take no pride in them: it must be then the value, it must then be money! Besides, all precious stones are so closely imitated in glass, that few persons can distinguish them. Many women exhibit their real jewels only occasionally, and habitually wear false diamonds mounted in the same manner, to avoid thefts and accidents. Truly, these latter have as much brilliancy, and render the women who wear them as attractive, otherwise, . you may be assured that not one of them would resign her- self to such a sacrifice. What then is the use of the others, the true ones, shut up in their case? They have them, others know that they have them, and are acquainted with their value—that is all. But let us return to colours. Many colours have taken DESIGNATIONS. 83 their denomination from certain precious stones. Well, these denominations have no meaning, because the same stones vary singularly in their shades, and even in their colour. Ask a mineralogist. The ruby is of a brilliant red, or rather softened with violet, but there are rubies which are of an orange red, and rubies of a rose colour. The emerald pos- sesses all the tones of green, from the palest to the darkest. There are likewise white emeralds and yellow emeralds. The topaz you think must be yellow, for want of a word to specify a colour, and of all possible yellows, from that nearly white to a deep orange; but there are white topazes, green-tinted topazes, and others almost blue. The garnet is of a kind of deep crimson ; inquire again of the mineralogists, and they will tell you that there are also orange garnets, green garnets, and black garnets. ' Now, if there were anything we ought to be perfectly acquainted with, it would be the plants and the flowers upon which we have trodden from our infancy. By their means, then, if men would only deign to look at them sometimes, we should have, for the purpose of designating colours, a complete gamut, which would be wanting in no tone or the fraction of a tone, and a language exact and well arranged, inasmuch as the words would have a fixed meaning, invariable and the same for all. Some names of colours have been borrowed from flowers; and everybody, when they pronounce them, knows perfectly what they mean: capucine, lilac, violet, amaranth, bouton d'or (buttercup), feuille morte (filemot), rose. The names of colours borrowed from fruits are equally intelligible —orange, lemon, plum, apricot, apple-green ; but there is a crowd of these whose denomination is absolutely worth nothing, because it is drawn from objects which we have seldom before our eyes, or which are conventional with- out any existing type, such as Prussian blue, Royal blue, French blue, &c. Naples yellow, Chrome yellow, Gold yellow. In addition to these words, which convey nothing fixed or clear to the mind, there are between the shades of yellow and blue which they designate, more than fifty intermediate shades which there are no means of expressing. It is very plain that blue signifies almost nothing, since an object may have, at least, fifty different manners of being blue. We 84 A TOUR ROUND MY GARDEN. have bestowed upon each colour two demi-tones, as we have to each note of music; we say deep blue and clear blue, as we say A sharp, or B flat. I don’t know whether musicians are satisfied with these divisions, but, toa certainty, colourists are not, There are thirty different clear blues, and as many deep blues. Besides, how can we hit upon the right note? What, in colours, is the blue natural, the true blue, the natural blue? It becomes clear, then, that colours can only be expressed by comparisons, and the most limited capacity can comprehend that these comparisons ought to be taken from objects which are most familiar to us, and which vary the least. Flowers present us with these two advantages, and, in addition, that of containing in the same order of things and ideas all colours and all possible shades. Red strikes man more than any of the other colours; it is admired by children and savages. Some of its different shades have, consequently, been distinguished, and names given to them; there is no other colour for which ordinary language furnishes s0 many,—crimson, scarlet, carmine, purple, carna- tion, vermilion, and several others; but even these denomi- nations convey a vague idea to the mind, and it is difficult to make three persons agree as to the precise meaning of them. Ask the learned what was the precise shade of the purple of the ancients, There are numberless shades that have no names at all. Let us take for example the least common colour among flowers, blue, and let us begin our gamut. Certain hyacinths will first give you a white scarcely tinged with blue; the Parma violet is of an extremely pale lapis blue; then comes the blue geranium of the meadows, then the Chinese, Wistaria, then the blossom of the flax; then come in order of shades the Forget-me-not, Borage, Bugloss, Sage, the Cornflower, the Nemophylla, the Anagallis Morelli, the Plumbago Car- pentz ; the long-leaved Larkspur, with single flowers, and then with double ones, which is of a metallic blue; and at last, as the deepest shade of dark blue, almost black, the berries of the Laurustinus. If these designations were in use, they would give im- mutable ideas of colours, by means of a language for which no word has to be imagined, or a barbarism created: at a VARIETIES OF COLOURS. 85 thousand leagues, at a thousand years’ distance, we could speak of these colours with rigid precision, because every one would have his gamut-type before his eyes, You have already borrowed from flowers the -word rose; but you have no words to express the shades of the rose. Well, you may find them at once in the different varieties of roses: the hundred-leaved rose, the rose of the four seasons, the Bengal rose, are not of the same rose colour, and the blossom of the peach-tree and that of the hyacinth have each particular shades. And white, now; how can you express the shades of white? Look out of the window, a good way off; there are four trees covered with white blossoms,—a cherry-tree, a plum-tree, an apricot, and an almond-tree: I declare to you, that far as T am from them—a distance at which their form is invisible and at which their colours alone can be perceived—I should never confound these four trees with others whose blossoms are white, although of a very different shade. Give me, in the same way, an exact tint of a rose-colour or white, and I will tell you to what flower it belongs; but to do so, it must not be a strange thing to meet with a man who has deigned to pay some attention to the magnificence with which the earth is covered. Language is at least equally poor in its attempts to express scents; but there I am at a pause; I am not nearly so well up in sweet smells as in colours. Now here, my friend, is a letter which must have been very ennuyante, for readers to whom nature has not given, with regard to colours, a susceptibility equal to mine. LETTER XIII. ON MY FACE. CimB mountains, my dear friend, cross torrents, descend precipices, be drawn by horses, asses, mules, reindeer, camels, or dogs, according to the country in which you are. Here am I, returned again to my oak, once more reclining on the grass, but this time with my face downwards, somé few inches from the ground, and it appears to me not at all unlikely that I shall be as fortunate as you in our common ardour in search of that which is new. After we have viewed small things closely and attentively, we gradually lose the feeling of their dimensions; this green moss appears to me to be trees, and the insects which wander over its velvet surface, assume in my eyes an importance equal to that of the deer and stags of a park. Moss is in- teresting in more than one respect; in addition to the charm of its wavy, changeable colour, it is one of Nature’s important agents. The Great Worker who constructed our abode, has established things in it in such a manner, that everything VEGETABLE MOULD—LICHENS, 87 lives, dies, and renews itself; and it seems as if He has arranged everything so completely, as to require Him to take no further heed of it. The life and death of vegetables, like the life and death of men, are but transitions. Death is the nourisher of life. A thing does not perish that it may no longer exist, but that another may exist in its turn; and when a certain circle is completed, the last production of this circle dies in its turn to resuscitate the first. Look at a naked rock, it is at first covered with rounded yellow patches ; these patches are already springing into vegetation. Mould of all kinds, for which we entertain a great repug- nance, presents to the eye armed with a microscope charming vegetations, little forests which abound in their peculiar animals, Mushrooms, which are a species of mould, cover arid spots with their whimsical forms and various colours, which in some kinds are even brilliant. The orange is of a capucin colour; the false orange is of the same colour, spotted with white; the red agaric is carnation, the viscous agaric is orange ; others present all the shades of purple and brown, or are marbled with various colours. These first vegetables die, and with their remains leave upon the rock or upon the barren grit a small quantity of a sort of mould, very small, but just large enough to allow certain lichens, which scarcely require any aid, yet cannot de quite without, to shoot up and vegetate in their turn. The mould which you see upon bread, preserves, &c. bears at the extremity of the filaments, little heads which burst for the escape of a productive dust, by means of which they are re- produced. Upon a pot of preserves may be found a great number of species of these small vegetations, differing from each other in form and fructification. There is a particular kind of mould which attacks the seed of wheat, which is simply a parasitical plant. The lichens die in their turn, and augment with their remains the layer of vegetable earth, in order that, succes- sively, other species of stronger lichens may extend and in- crease that layer of earth on dying. In this manner, plants, to which a multitude of names have been given, succeed each other, until that layer of earth acquires sufficient thickness 88 A TOUR ROUND MY GARDEN. and condition to allow mosses to spring up and spread their velvety carpet. ; Ancient medicine used and abused certain lichens greatly, particularly one, which was a lichen that grows upon the skulls of the dead, and which was called “ usnée du crane humain,” (muscus é cranio humano). There is a book bearing date 1684, published at Paris, but written by Sir Kenelm Digby, an Englishman of the time of Elizabeth, entitled,—“ Sovereign Remedies and Secret Ex- periments, by Sir Kenelm Digby, Chancellor of the Queen of England. With many other secrets and curious perfumes for the preservation of the beauty of Ladies.” This book, among other curious things, contains secret remedies which were then, as they are now-a-days, heaps of secrets which death teaches the doctors. The true receipt for the making of the Orvietan is among them. I copy it. The true composition of the Orvietan or Antidotary Compo- sition, more excellent than the Theriaca. Honey, one pound. Syrup of lemon, four drachms. Fine sugar, half-a-pound. Theriacal water, 1 pound. Roots of angelica, one ounce. Of coral, tormentil, scorsenia, rhaphane, white ditany and pyrethrum, each one ounce, except the tormentilla, of which there should only be half an ounce. These roots are to be pounded and sifted: twenty-one others which follow, and of which I will spare you the names, are to be pounded, but not sifted. Ten kinds of seeds are then added, with one ounce of the first horn of a stag (from the right hand branch); 1 drachm of the heart of a stag, pounded; half an ‘ounce of pounded pearls, a hare’s heart dried in an oven; the heart and liver of two vipers; half an ounce of white coral, and of the scrapings of a human skull, only half an ounce. I cannot forbear quoting two different remedies against epilepsy. The first is excellent, but still not better than most of those the book contains; it is announced without particular recommendation: the patient is only required to swallow as much of the dung of a peacock as will lie on a fifteen-sous piece, and he will be cured. Now here is a consideration which never presented itself to the minds of financiers, who have since that time expelled from the coinage and proscribed fifteen-sous pieces; and now there are no fifteen-sous pieces, how is it possible to ascertain how much of the peacock’s dung ought to be swallowed? Happily, at page 19, another still superior receipt presents itself. MOSSES AND FERNS. 89 “ Remedy for epilepsy or falling sickness, tried by M. Digby, which cured the son of a minister at Frankfort in Germany, in the year 1659 :—Take of polypode of oak, well dried and reduced to a subtle powder—of the moss grown on a human skull of a person who has suffered a violent death—of the parings of human nails of the hands and the feet, of each two drachms; of the root of dried peony, half an ounce; and of true oak mistletoe, half an ounce. This last must be gathered in the decline of the moon,” &c. But let us return to our mosses: the moss perishes in its turn, after having allowed to escape from its little urns a fecundating dust, which it confides to the winds, and which will reproduce it at a distance. We easily recognise the males and females in the mosses, sometimes, and in certain species, united on the same stalk, and separated in other species; the male bears little buds, the female little urns, covered with an operculum or lid, which detaches itself when the seeds are ripe, to allow them to fly away without obstacle. Civilization is proscribing in the country a very charming thing: the thatched roofs of cottages covered with moss, and surmounted by the iris, with its sharp leaves and rich violet- coloured flowers. The tiles and slates that flatter the pride of the owners are far from flattering our eyes to an equal degree. To the dead mosses succeed ferns. Ferns have large feathery leaves, which have altogether the appearance of the wings of birds. The fructification of the ferns is very singular: under the leaves, or rather on the under side of the leaves, you may see, regularly ranged, several lines of brown-coloured rings; these rings are formed by the seeds, which are as if glued upon the inferior epidermis of the leaf. In some species, these seeds are enclosed in a membrane which opens. The Jearned have taken possession of the ferns; they call the seeds spores;—pray, don’t ask me why. The little packets of seeds have received the name of spores ; others call them sporanges; the ring which surrounds them, and which very properly has been called simply a ring, in the same manner as they might have called the seeds seeds, and the packets of seeds packets of seeds—the ring was first callec 90 A TOUR ROUND MY GARDEN. gyrus; but other savants arose, and have decked it with the name of symplokium. The membrane which covers the seeds was at first called cridusium, then involucrum, then tegu- mentum, then perisperangium;—I don’t think they ever thought of calling it a membrane. There is a species of fern called Ophioglossum, which had the reputation of being a cure for the bite of serpents; at a later period it was proved to be of no avail against the bite of serpents, but was excellent in promoting the growth of hair; it is in reality good for nothing but to make mattrasses for children, and form, by its decayed parts, earth in which larger vegetables may grow. The learned, a long time ago, classed the ophioglosse, and pronounced that it was an Osmond, but this fern has since been unmasked by other men of science; it has been turned out from among the Osmonds as an intruder; it is now nothing but a Bostrichium. Oh, kind Heaven! hast thou permitted these learned ones thus to persecute the plants which are spread over the earth, and to annoy and weary those who do really love them to such a degree as almost to make them hateful to them? Behold in all parts of the grass, the margeline and the white chickweed, which present to the little birds, all the year round, a well-furnished table; and, in order that they may never want, the chickweed is endowed with a fecundity that no other plant possesses: in the course of one year, the chickweed has time to germinate, to shed its seed, and bear others, seven or eight times. Seven or eight generations of chickweed cover the earth every year: it occupies the field naturally, and invades our gardens; it is almost impossible to destroy it; besides, of all the herbs naturally inhabiting the earth, which dispute the soil with the usurpers we in- troduce, the chickweed is that which injures our cultivation the least; one would say that it wished to be tolerated, it scarcely has any hold on the earth, with its few fine slender roots. It is a very curious thing to observe with what promptness autochtonous plants, as the historians say,—that is to say, aborigines of the soil,—return to the charge in gardens that are neglected. WEEDS AND BRAMBLES. 91 Leave your garden, make a journey, and return after a year’s absence. Certain little running trefoils, dog-grass, nettles, and chick- weed cover the earth in such profusion in a few weeks, that they seem to wish to devour all the substance, in order that there may be none left for the strangers; they starve and smother the low plants; the trees which we have imposed upon the soil appear to brave their efforts, but the ivy climbs slowly from their feet to their summit, embraces them closely, and dominates over them triumphantly with its green gar- lands. From that time the tree is conquered, it must suc- cumb; there comes a season in which trees have lost their leaves ; it is the season in which high winds begin to prevail ; in general their naked branches resist, because they afford little hold for the wind, but the close leaves of the ivy form a sail which receives it, makes the tree bend, and. frequently breaks it; lichens have helped it, they have covered the trunk and the branches of the tree with a cuirass that has deprived it of the mild influences of the rain and the sun; it has lost much of its strength, when the ivy, by means of the winds, brings it down upon the grass. Brambles, on their part, armed with sharp points, spring up to the assault of the shrubs. Like that giant, the son of Tellus, who fought with Hercules, and recovered his strength every time he touched the earth, the bramble takes root at every point of its long branches that comes in contact with the soil; it forms arches and inextricable nets; it embraces and strangles them. This is not all: the revolt is propagated among the plants which we believed to be our allies, or the most faithful and submissive of our slaves. The wild rose has caused the king we imposed upon him to die with hunger, and insolently raises his thorny branches around the withered and crownless head of the dethroned monarch. The almond-tree upon which we had grafted the peach, has denied his sap to the usurper; the peach branch is dead, but the almond has thrown out numerous shoots, its own children, which it nourishes with the affection of a parent. The piece of water is become a marsh filled with frogs; 92 A TOUR ROUND MY GARDEN, the grass has disjointed the marble of the basin; the walks you had traced, covered with gravel, and rolled so many, many times, are now hidden by a thick coat of grass; whilst the grass plats, which you kept so smooth, so free from foreign weeds, these grass plats are invaded by the wild tre- foil, moss, and all sorts of plants and mushrooms. Everything is changed, everything is destroyed, the exiles have returned, the slaves have broken their chains, the usurpers and tyrants are destroyed, your garden is more wild than the most neglected field. There is a terrible reaction against man: the indigenous plants are in the effervescence of triumph, they give themselves up to saturnalia, to the orgies of vegetation and liberty. LETTER XIV. THE VIOLET—-ANTS~—THE POWER OF LOVE—MIRACLES. My turf is full of violets of all the known sorts. Nowhere is another flower that has had great difficulty in triumphing over the insipidities and the common places of the little versifiers who have “babbled” about it upon hearsay, and all one after the other. No one will accuse me of ill-will towards the violet, I who have made an entire plat of it! and see what care I have taken of them, see how I have shaded them with trees in order that the sun’s rays may be softened before they reach them! The black American walnut, the yellow-wooded ash, acacias, with their rose-coloured and white blossoms, the white poplar, whose leaves are lined with silver, the service-tree, with its branches of coral, the ebony with ‘its golden clusters, the red chestnut-tree, with its great rosy thyrses, the beech with its purple foliage, are all only there 94 A TOUR ROUND MY GARDEN. to afford a salutary shade to my violets during the heats of summer.- Well! I must unveil the hitherto misunderstood violet ; I love it, but I know that it is the sign of invincible passions ; I cannot be undeceived, since I know it, and I love it as it is, All versifiers, all romance writers, poets of the shepherd's pipe or the reed, are about to rise up in insurrection against me, against me who have already taught them that they can- not dance at all upon fern, aa with great difficulty under nut-trees, two things under pretext of which there have been three thousand verses made, at least! The violet is not modest! Why did you say that the violet was modest? because it conceals itself under the grass. The violet does not conceal itself under the grass, it is concealed there by nature. No one is modest from being born in an humble and obscure situation. Why don’t you say that gold is modest; gold which con- ceals itself in the bowels of the earth, and which, even when found, frequently disguises itself in some mineral which has very little the air of being gold! Why don’t you say diamonds are modest; diamonds that are concealed in the earth even more secretly than gold, and which must be broken and cut to bring out their splendour? Why don’t you say pearls are modest; pearls which are only found in the depths of the ocean? ° But the violet! the violet is born in the grass, it is true ;, but what stratagems does it employ to get out of it! besides the colours which it affects, and which make it easily dis- tinguished, does it not exhale that delicious perfume which would reveal it even to a blind man? The modest violet, indeed! do you see to what it has attained? It has covered the heads of the Church, the bishops and the archbishops, with its livery; black is the mourning of all the world, violet has become the black of kings, and the mourning of the purple—the modest violet! But observe its allurements, its cdquetries: kere it is white, there it is as double as a little rose, white, violet, grey, and rose-coloured ! When the world thought proper to mix it up with politics, THE VIOLET. 95 far from stealing away from the orations that were prepared for it, it had the charlatanism to exhibit itself tri-colour! Look at this one; its outward corolla is violet, its internal petals are blue and rose-coloured; disguised thus, the gar- deners call it the “violette de Bruneau.” The violet modest! it has been proscribed, persecuted, exiled,—all which is nothing but so many coquetries. The violet modest! Go to the opera, two hundred women have bouquets of violets in their hands. How well it avenges itself for being born in the shade! But I must reveal to you another ruse which it employs to retain our admiration ; other flowers permit their perfumes to be preserved in essences; perfumers sell us in the winter odour of roses, odour of jasmine, odour of heliotropes, and of a dozen other flowers. The violet alone refuses to separate its odour from itself, it is to be met with nowhere but in its own corolla; perfumers are obliged to make, with the root of the Iris of Florence, a certain false and acrid violet odour, of which every returning spring compels us to acknowledge the insufficiency. “You wish to inhale the odour of violets, my sweet, fair friend,” says the violet to a lady very fond of its perfume,— “wait till I return; inhale the scent of roses, or of jasmine, there is no need of roses and jasmines to procure you that pleasure, perfumers put their odours into bottles; but for me, my dear, you must wait.”—And this is the modest violet! The violet is a sort of Cincinnatus, such as modern times produce, who only retire to their country and turn their hands to the plough, upon condition that they shall be there sought for in order to be made consuls, generals, or dictators. The ancient poets pretend that when Jupiter had meta- morphosed Io into a heifer, he gave birth to the violet, in order to present her with herbage worthy of her; it was this that made me form the idea of having a plat entirely com- posed of violets. There often exhales from certain flowers something more and even better than perfumes; I mean certain circumstances of life with which they were associated, and with which they inseparably dwell in the mind, or rather in the heart, as the hamadryads were not able to quit their oaks! And may 96 A TOUR ROUND MY GARDEN. there not exist some such cause for my extreme partiality for the violet? Perhaps—but no;—there are some memories too holy for friendship even—we are travelling round a gar- den—not laying bare scarcely cicatrised wounds. Upon a stalk of groundsel there is a caterpillar formed of black and yellow rings, dining with an apparently good appe- tite ; I will catch it: on putting my finger to it, it falls to the ground rolled up into a ball, and lies quite motionless. It will not be long before it spins a thin cocoon, from which it will not come out in less than a year, in the form of a little moth, as richly clothed as it was in its first shape, but it will be of a very different colour. Its head, its corselet, and its body will be of a beautiful black; its upper wings will be of a grey black, upon which will be marked a line of a bright carmine, with a spot of the same colour underneath, forming on each wing a kind of point of admiration. The inferior wings, and the under part of the butterfly, will be of this same carmine. It carries its wings in the form of a roof. Ants are marching through the grass as we would march through a thick forest; there are for them, between these closely growing blades, routes, roads, and foot-paths. Many tales have been told about ants, many fables imagined and invented; falsehoods have been heaped upon falsehoods, and yet in the accounts of the false wonders related, the nar- rators have stopped far short of the real marvels. Ants have no granaries in which, during summer, they store provisions for the coming winter. La Fontaine said so:—but La Fontaine was mistaken. La Fontaine had as much wit and bonhommie as any man; but he was not perfectly acquainted with all the actors he brought upon the stage. A crow could not carry a cheese, nor would a fox covet it, if it could. La Fontaine, in this respect, re- sembles translators, who, although well acquainted with Latin, translate excellent Latin into very bad English, They may be fairly reminded, that, in order to translate, it is not suffi- cient to take something away from one language, they must know how to convey it skilfully into another. La Fontaine was well acquainted with men, but had but little knowledge (1) Callimorpha Jacobea, It is one of the very few Lepidoptera whose wings are alike on both sides,—Ep. ANTS. 97 . the animals under whose forms he wished to represent them. Let us watch that ant. Do you remember we have already met with the ant under the leaves of a white rose-tree, when it was tickling the aphides, in order to make them yield a saccharine liquid of which ants are very fond? Here they are in great numbers; we must be near the ant-hill. Three sorts of ants dwell in this little subterraneous city ; the females, the males, and the people; the people have no sex, and do the work of the community, the males and females do no labour. Their subterraneous abode is constructed with much art; little galleries terminate, at intervals, in more extensive places, supported by pillars; all this is done with earth and a sort of slime, by means of which the working ants make a mortar. This is the busy period of their lives. Both males and females have wings, for they must leave the earth, as it is in the air their nuptials are accomplished. They soon descend from the clouds, as many other lovers do; the males soon die : but the females have many cares; in the first place, as they stand in no more need of their wings, they tear them off themselves, if they do not happen to prefer having it done by the workers, who would not fail to deprive them of them quickly. In fact, the time for frivolous adornments and pleasures is over ; they have entered upon the serious busi- ness of life; they must remain upon the ground. The females then wander about through their grotto, and let fall, at hazard, their little eggs,* of which nightingales are so fond, the workers pick them up and gather them together in heaps in the places which separate the galleries. The larve are soon hatched, and are not long before they spin themselves little cocoons: when the moment comes for their issuing from their confinement, the workers tear the cocoons, and thus facilitate the operation ; then they carefully extend and smooth the wings of the males and females. From these eggs are born, in fact, not only ants of both sexes, but the workers also, who have no wings: during several days food is brought to the newly born, and then they are allowed to go out. * M. Karr is in errcr here. The “eggs” which the nightingales eat are really the cocoons in which the pupa attains its perfect state.—Ep, H 98 A TOUR ROUND MY GARDEN. There are several species of ants which seldom quit their dwelling, but these are like pastoral nations, they dig their ant-hill beneath the roots of certain herbs or grasses much relished by aphides, when they transport thither those little green cows, which find in the roots, laid bare by the ants, a nourishment which they transmit to what may be called the cow-keepers, in the form of a saccharine liquor. Whither are those ants going in such close battalion? I will not say with Virgil: nigrum it campis agmen, a black bat- talion marches across the fields. These are of a different species, they are of a red or russet colour, and are on their way to attack a hill of black ants. We may fancy we see the Cimbri and the Teutons with their fair hair, invading the countries of the south. They have discovered the fort of their enemy, and descend to the assault, spreading death and terror. Becoming im- mediately acquainted with the place, they bear away the eges and the larvee of the black ants in triumph to their own re- treats. There they will see them born, and bring them up in obedience and in ignorance of their true family. These black ants become the Helots, the slaves, of the red ants, who make them work with them for their own profit. If, my friend, you have got rid of the habit of measuring the importance of things by the size of those who perform them, you will readily confess that there is no difference be- tween these insects which live under the grass and men who walk upon it. Ifthe size be of such vast importance, horses, oxen, camels and elephants are much above man. Can you find me, in the annals of the military glory of man, a battle which can be otherwise described than that of these ants before our eyes? And when we think that the Sovereign Creator and Master of men and ants beholds them from on high, can we convince ourselves that the one can have really so much more importance in His eyes than the others? How many men there are who would smile at seeing us look- ing at ants, and who think that God has his eyes constantly upon them, and passes his eternity in observing what they think of him! Have we not, as these ants have, wings which we unfold at the period at which love raises us to the heavens; these REALITY MORE WONDERFUL THAN FICTION. 99 wings, are they not, sooner or later, torn from us by the necessities of the human condition, by other people who, strangers to the ravishing poetries of love, bring us back to the flat realities of their existence, and chain us down to the earth among them, to employ ourselves there with vile cal- culations and shameful lucre? Seriously, are you not surprised at the wonders which sur- round man, and which he does not take the pains to look at? Are you not ashamed of the distance you may have travelled, of all the fatigues you have undergone, of all the dangers you have encountered, when you compare the accounts you are able to give with those which I describe without leaving my home? It is in vain that you reckon, in order to re- establish the equilibrium, upon the embellishments which every traveller adds to his canvass; I tell you nothing but truths; but truths that you could not have invented. False- hood is always obliged to submit to the perplexing care of resembling truth; truth holds on its march unimpeded by this mean, embarrassing consideration. This reminds me of one of the most amusing fairy tales I ever read :—and I have read many, for I loved them dearly in by-gone days. Three princes were sent by the king, their father, to bring back wonders from distant countries: the one whose present should be the most extraordinary was to succeed him on the throne. The youngest, whom the tale-teller evidently favours, brought back a walnut, and his brothers smiled disdainfully. The walnut was cracked, and there came out of it a hazel-nut, the hazel-nut contained a pea, the pea a grain of hemp seed, the grain of hemp seed a grain of millet; the grain of millet ‘was opened, and a piece of cloth was drawn from it twenty ells long. When I read greedily so many beautiful stories, when I saw so many genii, enchanters, fairies, beautiful princesses and loving and brave princes, many times was I wont, at the end of the volume, to sit and carry on the vision in my thoughts ; then I awoke, and wept with grief at only living in life, in- stead of living in fairy tales; but I very early discovered that real life contains a hundred times more wonders than these charming fables:—and I became reconciled to my fate. 100 A TOUR ROUND MY GARDEN. When in love, I felt myself covered with the enchanted armour which rendered knights invulnerable. My strength appeared to me invincible, and my courage above my strength. The thought of her I loved was a talisman; her name, a magic word which triumphed over obstacles and rendered everything powerless before me. One day, I plunged into the water to endeavour to save an unfortunate man who was drowning; he seized me, and clung around me like a serpent; I was on the point of perishing with him—lI pronounced the name of Magdeleine, and, animated by a supernatural strength, I regained the surface of the water, bearing the drowning man with one arm, and swimming with the other. At another time I wrote to her :— “They want to marry you; that happiness which another promises you I will give you. Do you wish for riches, gold? —I shall have them ; speak, what do you wish for?—there is nothing above me or my powers. Do you wish for palaces of marble, or gold, to tread under your feet? Do you wish for honours? Do you wish to be a queen? Magdeleine, everything is yours! everything the world contains; for, I feel it, no one will be able to dispute with me that by which I may attain you. Wait a year, wait a month, wait a day, and I will bestow a crown upon you.” .. . And I was true; I felt that I had the power to do all this, And, another day, when she had told me that she loved me, I left her abode 80 exalted, so lofty, that I stooped as I went for fear of unhooking some star, or setting fire to my hair; and I endeavoured to avoid running against the persons I met with, for fear of breaking them to shivers like glass. The flowers began to talk to me: the white rose had nothing but perfumes for others; for me it had soft words which it breathed into my heart; the honeysuckle had for my lips sweet kisses, and exhaled for me alone, not its ordi- nary perfume, but the odour of the breath of her I loved. The winds even brought me soft and mysterious voices. And then, all at once, I don’t know what wicked enchanter intruded himself among so many miracles. Magdeleine’ be- came a woman very like other women ; and I,—I was changed into I don’t know what stupid animal. Flowers were nothing DISENCHANTMENT. 101 but flowers for me as well as for other people. I could make nothing out of the whisperings of the winds in the tree-tops. The honeysuckle only offered me the same odour which it presented to every vulgar nose. From that time I have dis- covered nothing marvellous in myself; my early years, like prodigal mothers, ruined and disinherited my latter ones. But I became a spectator in life, and I looked about me. Then, by observing others, I found that I had blossomed as the flowers blossom, that my soul had bloomed, and had exhaled its perfume, which is love; then my rich corolla had withered and fallen off; that this was all to be so; that I had finished my part, and had acted wisely in sitting down as comfortably as I could, to look on and observe other men. From that I proceeded to the observation of nature, and T again met with all the wonders of my beloved fairy tales ; and I happened to recollect the grain of millet and the famous piece of cloth; and I said to myself—* Well! what is there so extraordinary in that?” Tn fact, here is a little grain much smaller than that of the millet; here is the seed of the cenothera. Put it in the earth; there will spring up from ’it a tall and beautiful plant, with leaves and flowers and a delicious odour, yielding five or six hundred seeds, from which will come five or six hundred plants. This single little grain contains infinite generations of similar plants, with their leaves, their flowers, and their perfumes. ' You put it in the earth to-day: well! all the men who now cover the globe shall be dead, and there will still continue to issue from it other flowers, and other seeds which will engender other flowers. What has become of your false miracle, and your wretched twenty ells of cloth? Why do you put twenty ells of cloth in your grain of millet? It contained much more than that; it contained beautiful stalks with long pendent ears; it contained that which might cover the earth in less than ten years. Who can count the number of birds that might be fed from the pro- duce of that millet seed? LETTER XY. THE TULIPS, AND THEIR STORY, I KNEW a man who had always been happy until the moment when some one sent him a present of a dozen tulip roots. I never saw but one man more embarrassed, and that was a merchant of Marseilles, to whom an African prince sent two tigers and a panther, begging him to keep them for his sake. The poor man asked some one if tulips would grow in water ona chimney, as hyacinths do, and was assured they would not. He went to see a friend who was a great amateur of tulips, and offered him his twelve bulbs. His friend answered somewhat haughtily, that he sometimes gave away tulips, but that he never accepted any; not caring to see his flower-beds dishonoured by any flower without a name or of base extrac- tion ; besides, those which he possessed had been sown and cultivated by himself ; it was a sort of family into which he was not willing to admit strangers. THE TULIPS, 103 Our friend was a bachelor, and spent not more than an eighth part of his income. “Peter,” said he to his servant, “M. Réault will have nothing to do with my tulips; to whom can I give them?” Peter said that the yard in which the dog was allowed to run had originally been a little garden, for two lilacs and an acacia proved it; that they had only to turn up the earth to have a hundred times more room than could be wanted for twelve tulips; and that on the morrow he would set about it. Accordingly, Peter rose early and began to dig. He had bought a spade and a rake for eight francs, and his master began to think the tulips dear, and that it was really a pity M. Réault would not accept them. The follow- ing night the dog, which till that time had been allowed to be loose in the yard, revenged himself for his captivity by frightful howlings. Next day Peter said to his master—Sir, T have turned up earth enough to plant a thousand tulips, but there is one thing that stops me; I don’t know at what depth they should be planted.-—“Oh! you must take your chance; they are sure to come up some time or other.” —“ But, Sir, I have a cousin who is a gardener, and I have told him to come this morning. Monsieur will only have to pay him for half-a-day’s work, and the tulips will be planted properly.” At a house at which he called in the course of the day, a lady said to him—“TI am told you are planting a garden.” “No,” said he, “I am simply putting in the earth twelve tulip roots which M. Bernard sent me.” “Oh, then, they are most likely something beautiful ; he is considered a great amateur; besides, people don’t make a present of a dozen tulip roots, unless they are rare and valuable plants.” “T really know nothing about the matter.” “How is it that you have not had a garden before this time?” “T never thought of it.” “Mr. Delarue has a charming garden; I and my sister went to see it the day before yesterday.” “Ah! if I had a garden, then you would come and see it?” “Very probably we might.” Arnold returned home with his mind very much pre- occupied; he had remarked this lady for some time _past, 104 A TOUR ROUND MY GARDEN. but the disagreeable sensation he had felt upon hearing of her visit to Mr. Delarue, warned him that he took more interest in her than he had been aware of. The gardener was preparing the holes for the tulips, when Arnold stopped him, and said, “Do you think a good garden could be made of this yard?” “Tmpossible, Sir; your yard is not larger than my hand.” “That is true; I should like, however, to have a beautiful garden.” “Give me the ground, Sir, and I will soon provide you with that.” “T have but this yard.” “Why, then, Sir, don’t you buy that large piece of ground which separates Monsieur’s house from that of M. Durut, and. which M. Durut wishes to sell? It is said it can be bought for a mere nothing.” “Let us look at the piece of ground.” The enclosure was large; some parts of it even were already planted; a handsome screen of poplars separated it from the garden of M. Durut. Application was made to the notary; the thing was to be sold cheap. Arnold purchased, paid down the money, and the gardener was set to work. The poor dog, which during three nights had not for one minute ceased howling, was reinstated in the yard. “Shall I really have a handsome garden?” frequently asked M. Arnold. ; “Certainly, Sir,” replied the gardener; “you shall have such things as are seen nowhere else; you shall have green roses, black roses, and blue roses.” “Indeed.” “ Yes, Sir; I have the receipt to make them, in an old book of my father’s.” “And is it very desirable to have green, blue, and black roses 2” “Yes, Sir; nobody else has any.” Arnold never quitted his garden or the gardener; he planted and took up again; everything must be ready by the follow- ing spring. M. Durut, the vendor of the enclosure, paid him first one visit, then another; and soon, whenever he perceived M. Arnold in his garden he joined him. “Fortunately,” thought Arnold, “when the poplars are in leaf, he will not be able to THE TULIPS. 105 see Tam here.” M. Durut was a man of fifty years of age, invariably dressed in an old great-coat and a shabby hat, who was at war with the whole neighbourhood, and was ruining himself with lawsuits, one brought on by another. As he was very much engaged with his lawsuits, he was talking of them incessantly, and adorned the accounts he gave of them with all sorts of invectives and maledictions against his adversaries; in addition to which disadvantage, he never seemed to remember that he had sold his enclosure. When he spoke of it, he always said my garden, and found fault with everything that was done in it; it was much better managed in his time. “What do you take up this for? What do you plant that for? Youare spoiling everything.” Arnold was a mild man, but the annoyance made him savage. One day, when M. Durut had given him a rather stronger dose than common, he said to Peter, “When M. Durut comes again, I will not be at home.” The next day M. Durut perceived Arnold through the window, and came and rang at his bell. Peter, according to his master’s orders, told him he was gone out.—“ Gone out ! gone out! why I this moment saw him in my garden— and in M. Durut went. Arnold was furious, and could scarcely restrain himself. This time he did not put himself out of the way, and by means of an oratorical precaution, consisting of a “Permit me,” he continued to assist the gardener, although the latter had six or seven journeymen round him. When M. Durut was gone, Arnold said to Peter,— “ What did I tell you?—did not I desire you not to let M. Durut in?” “ Certainly, Sir, but he saw you in the garden, and would come in, in spite of me.” “That was one reason the more why he should not have persisted ; he ought to understand that I wish to be alone. If you let him in again, I will discharge you.” “ But then, Sir, you must not show yourself in the garden.” Arnold then broke forth into an eloquent invective. “What the deuce! did I buy this garden of this old rogue to have no free enjoyment of it? Who could have dreamt that the pro- perty was subject to the intolerable nuisance of his presence? The garden is mine—I have paid for it—and I will not pay 106 A TOUR ROUND MY GARDEN. for it over again, at a thousand times higher price than the first, by enduring the annoyance which this eternal litigator inflicts upon me daily. I did hope to have the patience to wait till the poplars were in leaf; but, do you hear, Peter, I will not see him again.” M. Durut presented himself the next day. The same answer from Peter; the same persistence on the part of M. Durut. “ But, Peter, I am sure he is at home; I only this moment saw him in my garden.” “Very likely, Sir; but master told me himself that he was not at home.” “ Then, Peter, go and tell him I am here.” “ It’s of no use, Sir ; there is nobody at home.” “ Ah, that’s all very well,—go, I say, and tell him J am here.” ; “ No, Sir, I shall not go; master would discharge me.” M. Durut returned home, and called to Arnold out of his window — “ Hilloa! neighbour!” Arnold pretended to be very busy, and made no reply; but M. Durut was not dis- couraged by such a trifle as that. “Hilloa! neighbour!” cried he; “ Monsieur Arnold!” Arnold could have thrashed him well with all his heart. “ Hilloa! gardener; tell M. Arnold I am calling him.” Arnold left the garden. “The leaves are very backward!” sighed he. The next day M. Durut returned to the charge, met with the same repulse from Peter, and went again to his window to call Arnold. The latter for a time affected deafness, but his patience was at length overcome. “ Well, Sir, I hear you plainly enough!” replied he.: “ That’s well,” cried M. Durut. “Why, Peter persisted in saying you were not at home, although I told him I saw you in my garden; he would not admit me!” “ Peter was right, Sir; I am not at home.” “ How, neighbour? what does that mean?” “ That means, Sir, that there are moments in which I wish to be alone; and if we are to continue good neighbours, we must not incommode each other.” “That is to say, Sir, that your door is shut against me.” “ That is only to say, Sir, thac you will do me great plea- 17? THE TULIPS. 107 sure by coming to see me occasionally ; but that each of us must be at liberty in his own home.” “ Oh, I understand you, Sir; I will not inconvenience you again |” “ That is all I require, Sir.” “ Very well, Sir.” And M. Durut shut his window violently. Arnold fancied himself happily delivered from annoyance; but from that day all the stale vegetables, bones of meat, and other refuse from the house of Durut, were thrown over the wall into Arnold’s garden. I will not venture to mention all that was done in this way. At first, Arnold had them removed without com- plaining; but one day, when the nuisance had been more serious than usual, he perceived M. Durut at his window, and called him. M. Durut took no notice. Arnold called a second time ; M. Durut then condescended to hear him, and answered— “ T am not at home, Sir.” “ Come, come, Sir; I am not now disposed to joke.” « Oh, Sir, every one ought to be at liberty in his own home!” “ Certainly, Sir; but Linsist upon your not throwing your refuse, in the manner you do, into my garden.” “Ta, ta, ta, ta, ta!” And M. Durut left the window. Arnold ordered his ser- vants to throw everything back, for the future, that should come over the wall from M. Durut’s. M. Durut had a com- plaint before the mayor, that M. Arnold threw refuse over into his garden. The mayor summoned Arnold, and repri- manded him, Arnold replied that he only returned that which had been thrown into his garden. The mayor did not believe him. Arnold grew angry, and, by some hasty expres- sions, prejudiced the mayor against him, Three days after- wards, a summons was brought by an officer to Arnold’s house. The king, according to the formula employed by officers, who thus attribute to the king strange words and strange things, commanded Arnold, within twenty-four hours at the utmost, to cut down the poplars which formed a screen between the two properties, the document being embellished with the most formidable threats in the event of its not being obeyed. Arnold was astounded, and went to consult his man of business. The 108 A TOUR ROUND MY GARDEN. latter came and looked at the trees, and said, “They must be cut down; the law is precise. The trees must not be less than six feet from the party-wall; and there are but four feet between them and the wall.” “ But he planted them himself!” “No matter; the two properties were then his own. They must be cut down.” « And suppose I do not cut them down?” “ You will be compelled.” The poplars were magnificent ; covered with their young leaves of a transparent green, they made the most beautiful green curtain imaginable. Arnold was in despair. Ske for whom he had made the garden had promised to come and see it as soon as the tulips should be in bloom, which could not be many days later. If this screen were cut down, the whole effect of his garden would be destroyed. He called the gardener, and asked him if it were possible to remove the poplars to a distance of six feet from the wall. “ Certainly, Sir.” “« And will they live?” “No; because it is not the season for transplanting. A month ago there would have been no difficulty.” He repaired again to the office of his man of business. “ Make the matter up as well as you can: I must keep my poplars.” “ That depends upon your neighbour.” “ Go and see him: offer him money.” The man of business was very ill received, and M. Durut only replied to his proposals by a fresh summons. Arnold arried it to his man of business. “Can you, by any chicanery, preserve my poplars for a ortnight?” “Yes, by opposing the summons, and by citing your adversary to prove the fact. We, on our part, will maintain before the tribunal, that the trees are six feet and a half from the wall; the tribunal will appoint proper persons to ascer- tain the truth; these persons will make their report ; and we shall gain by that means a good fortnight. But it will cost you very dear ; you will have all the expenses to pay, and will be obliged to cut down the trees at last.” THE TULIPS. 109 “ Well, never mind; they must not be cut down till after a fortnight.” The man of business carried on the contest, and it fell out exactly as he had foreseen it would: only the weather became colder, the tulips were not open, and the tulips alone were the object of all these cares: he was obliged to cut down the poplars. Some one advised Arnold to have trees painted on the wall; that was ugly enough, to be sure, but at this season of the year there was no such thing as planting. Mademoiselle Aglaé was to come two days after, the twelve tulips were fully out, the weather was magnificent, the garden was filled with all the flowers of the season. Arnold went to call upon M. Réault, for Mademoiselle Aglaé had said, “ We will bring two or three of our friends with us; but nevertheless have somebody there ; it will be more proper.” M. Réault, he who had declined the roots, was in company with several others who came to see his tulips. He had a wand in his hand, and exhibited them with an emphasis which none can conceive but those who have seen in this situation an amateur of tulips among his blooming flowers. The party was assembled under a tent, between two beds of tulips planted in regular rows. M. Réault stopped for a moment to see who came in, and when he perceived it was only one of the profane, he bade him “ Good morning,” with a nod, and, without quitting his serious tone and manner, re- sumed his demonstration; he was then before a tulip of a white ground, streaked with violet. “ Gentlemen,” said he, “this is Vandaél; it is a pearl of the kind; it is not in all its beauty; the month of April was cruel for our plants, and March was perfidious.” “This is Joseph Deschiens; we know nothing to be com- pared to this superb plant; the ground is white, and the stripes violet.” “ But,” interrupted Arnold, “was not that which you de- scribed just now, and which you called Vandaél, likewise white and violet?” M. Réault smiled disdainfully, looked at the other spectators, and, without condescending to reply to Arnold, continued,— “ Here is Gluck, white and violet, a magnificent plant of seventh line.” 110 A TOUR ROUND MY GARDEN, “ Your pardon!” again interrupted Arnold; “but Vandaél and Joseph Deschiens are likewise white and violet.” This time M. Réault shrugged his shoulders with a move- ment of impatience; one of the spectators replied to him by a nearly similar sign, but which, however, had this particular shade, that it exhorted M. Réault to have pity on the profane, and exercise his patience. This gentleman remained a little behind with Arnold, and said in a low voice, “You are not an amateur, Sir?” “ Not yet, Sir; I have only twelve tulips.” “ Ah! that’s very few indeed ; there are eighteen hundred here, and all different.” “ But, Sir, I have only yet looked at three, and they ap- peared to me perfectly alike.” “ Ah, Sir! these three plants are no more alike than day and night; for experienced eyes, there is no resemblance between them.” “ No resemblance! that appears rather strong, Sir.” “ Tt is you, Sir, who are not strong upon the subject of tulips. All three are violet and white, it is true; the ground of all three is white, and the streaks are violet; but the violet is not the same.” “ Ah, I perceive!—thank you, Sir.” “ Don’t name it, Sir.” Both rejoined M. Réault; he was pointing with his wand to a white and rose-coloured tulip. “ Czartertski, gentlemen, a flower of fifth line; allow me to point out the whiteness of the onglets; and what a carriage | Gentlemen, what a carriage!” And whilst saying these words, M. Réault pressed his wand against the green stalk of the tulip, and appeared to make the greatest efforts to bend it, without, however, suc- ceeding. “It is a rod, gentleman ; it is a bar of iron.” “ Sir,” said Arnold to him who had already had compassion on him, and afforded him a charitable explanation, “do you believe that M. Réault really presses so hard with his wand upon the tulip?—and is it also a great advantage that the stalk of such a light flower should be a bar of iron, as he says it is?” THE TULIPS. 111 “ Yes, certainly, Sir; that is a condition without which we never admit a tulip into our flower-beds.” “Napoleon 1st,” said M. Réault, before a white and rose- coloured tulip; “that isa plant I strongly recommend to your attention.” “ Well, Sir,” said Arnold to the complaisant amateur, “ if it were not for what you have told me, I should venture to say a strange thing. The rose colour of these tulips is pro- bably not the same shade of rose colour; but if I had come here alone, I should have fancied I saw two tulips, each mul- tiplied nine hundred times, the one white and violet, the other white and rose.” “ Zounds! Sir; when a person knows nothing ” The demonstration was here stopt for a moment. The other amateur was seized with admiration, absolutely over- come before the Incomparable Purple. “ Ah, Sir,” said he to M. Réault, “permit me to stop here! Friend,” cried he to an under-gardener, “please to bring me a chair.” The chair being brought, he sat down, with his two hands placed upon the top of his cane, and his chin upon his two hands; thus he remained without speaking, his eyes fixed and his mouth half open. The other left Arnold, and came to esctacise also behind his companion. As for M. Réault, he stood motionless, with a most ineffable smile playing on his lips. Arnold saw nothing in the Incomparable Purple but a white and red-coloured tulip, the shades of which appeared to him to be exactly repeated in four or five hundred others, before which they had passed in silence, or to which they had only accorded compliments called for by politeness. At length the enthusiast arose, and said— “ Monsieur Réault, I do not wish to trespass on the time of these gentlemen; but I shall request you to grant me permission to come alone, and pass an hour seated before your tulip.” “ Sir, you do it too much honour.” “ Sir, I only pay it the honour it merits.” “Tt must be allowed, Sir; for in such a case I do not pre tend to any false modesty—it is a plant of great merit!” “ Sir, it is a jewel !” “M, Réault,” said Arnold, “I request your pardon; and 112 A TOUR ROUND MY GARDEN. yours likewise, gentlemen. Permit me to say a ‘word to M. Réault, and to leave you; I am waited for upon an affair of consequence.” He took M. Réault aside, and said— “To-morrow some friends mean to do me the honour to come and see my tulips.” “ Your tulips!—What do you mean by your tulips?” “ Faith! only the twelve roots I offered to you, and which you refused.” “ Ab! ah!” Will you do me the pleasure of coming?” “ What, to see your twelve roots?” “To see me, and breakfast with me, with three or four other persons; at the same time, you can tell me if my tulips are good for anything; but I can tell you beforehand, you have not one of the twelve.” “ Indeed !” “ It is true, I assure you.” “ T should like to see that. At what hour?” “ Eleven.” “J will be punctual.” “ To-morrow ?” “ To-morrow.” The next day Mademoiselle Aglaé and her sister came a little after eleven o'clock, but Arnold was disagreeably sur- prised to find they were accompanied by M. Dulaurier ; M. Réault entered almost at the same instant. He and M. Dulaurier were acquainted, and made mutual excuses for not having yet been to see each other’s tulips. “Ah, Sir!” said the one, “the month of March did me great injury.” “ Monsieur,” said the other, “I must request your indul- gence; the month of April has treated me sadly.” Breakfast was announced ; the ladies were surprised, declared they could eat nothing, and finished by becoming humanised. Durin breakfast, Arnold visibly lost his spirits: he could not help fan- cying he saw signs of intelligence pass between Mademoiselle Aglaé and M. Dulaurier, which rendered him a prey to horrible misgivings; but the sister of Mademoiselle Aglaé removed all doubts, by taking an early opportunity of announcing to him that her sister and M. Dulaurier were to be married in three weeks. Arnold then became aware that “uncertainty is the “rn THE TULIPS. 113 worst of evils, until the moment in which reality comes to make us regret uncertainty.” Arnold was stupefied by the blow; sometimes he remained sad and silent; and then he gave himself up to flights of very little probable and ill- sustained gaiety. He was joked about his painted wall, and his trees in oil, and at length they came to the tulips—the dozen tulips! They were tulips taken at hazard, and.differ- ing widely from each other. One was entirely of a beautiful yellow ; another opened its calyx with so brilliant a red that the eye could not dwell upon it; this had a yellow ground, and upon this yellow ground were spread brown and black stripes ; two of them had a white ground, like thoseof M. Réault, and of these two, one was streaked with violet, and the other with rose colour. M. Réault and M. Dulaurier looked at each other. M. Dulaurier smiled; but M. Réault, after several ill- repressed efforts, finished by giviug vent to most violent explosions of laughter. The two ladies and Arnold looked at each other with some inquietude, fearing that he was seized with an attack of insanity; but, after five or six minutes, he recovered the power of speaking, although his words were interrupted by fresh peals of laughter,—“ Ah, my dear Arnold, Tam laughing too much, it makes me ill!—You call these?” “ Parbleu! why, tulips!” “Tulips, my dear Sir! you will choke me, parole dhonneur,” and off he went with a fresh fit of laughter. Arnold, who had, for other reasons, so much anger rankling in his heart, was but too happy to have an opportunity of showing ill- humour to some one; he only regretted that this same one was not M. Dulaurier. For want of a better subject, however, he coldly asked M. Réault if he would be kind enough, when his fit was over, to explain to him the subject of it. “Oh, my dear Sir, don’t be angry with me; really it 1s not my fault. I should be vexed beyond measure to offend you ; but really this is too droll! particularly if you could but have. seen yourself, when you told me that you called these tulips.” “ But you, Sir; what name do you give these flowers?” “What name! my dear Sir ; I don’t give them any name; they do not deserve one. Listen ; Monsieur Dulaurier, speak— give your opinion; for I am anxious that M. Arnold should know that it ig not I alone who consider his tulips rather I 114 A TOUR ROUND MY GARDEN. droll. Oh! la, la, la,—no more laughing—it makes one unwell to laugh in such a manner.” M. Dulaurier, who was more calm, explained to Arnold that about fifty years ago the amateurs of tulips had only tulips with a yellow ground, streaked with red and brown; that every tulip with a white ground was then rejected from all collections, At this period, as all imaginable follies had been exhausted for tulips with a yellow ground, the amateurs took it into their heads to begin again with an entirely new series of tulips with a white ground. After long debates among the revolutionists and the partisans of the ancient tulips, the white grounds prevailed, and the yellow grounds were expelled with disgrace from flower-beds, and publicly treated in books and pamphlets as disgusting flowers. Such as persisted in letting them bloom in their gardens, acquired the names of flewrichons and curiolets. As regards tulips of a single colour, they have never been admitted by the above-mentioned amateurs—either the partisans of the yellow grounds, or those of the white grounds; and as for your two tulips with the white ground, they are absurd, the petals being pointed. Then a conversation was commenced between M. Dulaurier and M. Réault. “ How singular,” said the latter, “was the taste of our fathers! here is d¢zarre noir, which our ancestors considered cheap at ten crowns, and which I would not have at any price, even in my poultry-yard, among my hens.” “ But,” said M. Dulaurier, “is not this the tulipe de Maés- tricht, which made such a noise in 1811 and 1812?” “ Yes, it is quite pitiable! Say no more about it.” At length the visit terminated, to the great joy of the un- fortunate Arnold, who was able, when once alone, to give himself up to his grief and his anger. From that day everything went on from bad to worse. Neighbour Durut kept a wound constantly open in his heart, memorem tram. In the space of four months, he brought five actions against Arnold, Under pretence that the party-wall required repairs, he had it pulled down and rebuilt at their joint expense. In the midst of the fine season, he sent the brick- layers into Arnold’s garden, which they demolished. Arnold made a basin to receive rain water. M. Durut found out that the “Customs of Paris,” article 217, does not permit sewers THE TULIPS, 115 or cesspools to be made within the distance of six feet from the party-wall, and this basin was only five feet and a third removed from it. This time Arnold’s man of business did not agree with M. Durut. He answered, “that a basin was not necessarily a cesspool, and that several legislators had made that distinction ; among others, Goupi, who observes, ‘ that the “ Customs of Paris,” by prescribing this distance of six feet, has not had it in view to obviate the damage that the filtration of waters might cause, since it does not require it for wells, although the same danger of filtration is encountered with regard to them; besides, at whatever distance may be the wells and cesspools, he who constructs them is always re- sponsible for the damage which may be caused by filtration. The principal reason,’” says Goupi, as likewise said Arnold’s man of business, “ ‘is only to remove from neighbours’ houses the bad odour which certain watery ditches and cesspools ex- hale.’” But, and here Degodets, another lawyer, is in accord with Goupi, the disposition of article 217 of the “ Customs of Paris” cannot extend to the draining wells and ditches receiv- ing rain water, which does not exhale a bad odour. The “ Cus- toms of Orleans,” article 245, equally establishes this distinc- tion, as Pelhier does positively, in his treatise of the “ Contract de Société,” article 5, upon the community of party-walls. M. Durut replied ; the man of business replied to him. The tribunals were appealed to, to judge the question: they granted that the man of business was right in his distinction, which was affirmed in appeal and in cassation. But Durut was not the man to be beaten by trifles ; he commenced a fresh suit. In his new conclusions he admitted the definition and the distinction adopted by the tribunal; he demanded to prove that Arnold’s basin merited the name of cesspool, and consequently came within the application of article 217 of the “ Customs of Paris,” and article 245 of the “Customs of Or- leans.” Experienced persons were named to go to the spot and enlighten the tribunal. Now, in the night which preceded the examination, Durut had thrown over the wall so much refuse, with impure water and filth, into the basin, that it was metamorphosed into an infectious pool, and consequently so declared to be by the examiners; which produced a condem- nation with expenses against Arnold, obliging him to destroy 116 A TOUR ROUND MY GARDEN. his basin. Another process compelled him to eat his pigeons, which were devouring the house of his neighbour. At length one day, in a fit of passion, he went so far as, I don’t know how, to threaten to shoot M. Durut. The latter commenced a criminal action, which Arnold had no other.means of stop- ping, but by. purchasing, in a friendly way, and at a third more than its value, the property of M. Durut. In a word, at the end of two years, the twelve tulip roots cost Arnold the sum of 300,000 francs ! For my part, my friend, I cultivate flowers only for the sake of seeing them, and not for the pride of showing them. I have but about fifty tulips of all colours. I never reject any that will do me the honour to bloom in my garden, not even those according to the hearts of the great amateurs, and I have no neighbour, which reminds me of two remarkable aphorisms of some buffoon or other : “ Never have any neighbours; if you wish to live at peace with them.” ; “Never give anything to your children, if you wish they should entertain gratitude towards you equal to the benefit.” There are many philosophers who have written large books, without saying anything so reasonable. LETTER XVI. QUASI MARITIME. WE are now on the bank of a rivulet, which crosses the garden at its broadest part, and falls into a pool almost con- cealed by willows and reeds. We passed along the banks of this nameless river, which takes its rise in a hill covered with furze, a little above the old wood house. The rivulet steals along over a pebbly bed, and between verdant banks; plants delighting in freshness and moisture ornamenting both sides of its passage. The view is bounded by surrounding trees, beneath which a verdant bank arises, now decked with daisies and buttercups. On one of the banks is a white poplar, a tree formerly con- secrated to Hercules. ‘‘ Herculea bicolor, cum populus umbra.” The upper part of its large leaves, as deeply cut as those of a vine, is of a dark shining green, whilst the under part is 118 A TOUR ROUND MY GARDEN. of a velvety white. The Romans made bucklers of the wood of this tree, on account of its lightness, and covered them with ox-hides. Of this tree Pliny says, populus apta scutis. In certain northern countries, it is said that a white poplar, in good soil, increases a shilling in value every year. They are generally cut down at the age of twenty years, as they are then supposed to have attained their full growth. This cir- cumstance has given birth to a very interesting custom. When a daughter is born in the family of a respectable farmer, the father, as soon as the season will permit, plants a thousand young Ypréaux,* which are to constitute the dowry of the maiden, which grow as she grows, increasing in height and value as her virtues and beauty increase. In the stem of the poplar is concealed a nest, the exterior of which is formed of moss and slender roots, and the interior delicately lined with hair and feathers. In it four or five white eggs, striped and spotted with brown, are carefully sat upon by a water-wagtail. Whilst the male bird is in search of game, we may see him walking along the bank of the rivulet, grace- fully balancing his long tail, of ten black and two white feathers, the latter forming the edge or border; the top of his head and the under part of his neck are black; he wears a kind of white half-mask; the rest of his body is clothed in clouded grey and pearl grey. You may go close to him; if he flies away, it is only to return almost immediately; but it is more than probable he will only walk away, without disturb- ing his lively and graceful carriage. His purpose is to catch on the wing all sorts of flies, gnats, and tipule,t which have, as I have no doubt we shall soon discover, excellent reasons for flitting about over the surface of rivulets. The little female so sedulously employed at home, only differs from her mate in having a brown head, and in not wearing a plastron above the neck. Nearer the water are large tufts of Iris of different sorts, shooting forth, from the bosom of their pointed leaves, stalks loaded with blossoms. Some are yellow; others violet ; these entirely white, or white with a blue fringe; those yellow and brown ; others yellow and blue; and a few pale blue. * A sort of broad-leafed elm, apparently peculiar to the neighbourhood of Ypres. + A kind of gnat. NATURAL ARCHITECTURE. 119 The Iris delights only in the banks of waters. There is a species of it which is one of the great bounties of God, one of the greatest luxuries He has made for the poor. I have seen the Colonnade of the Louvre, my good friend ; I have seen the Palace of Versailles, and three or four other palaces in other countries, to which chance and the weariness of the places I quitted, rather than a wish to see those I visited, have led me. I here declare I have seen nothing so beautiful, nothing so rich as yonder little house, inhabited by poor woodmen, which I can perceive at a distance, through the trees and over the wall of my garden. In the front are four magnificent columns, four large beech- trees, whose bark is as smooth as marble; their living capital is formed of branches and leaves, which yield a shelter from the sun, and delight the eye with colours as rich and more varied than those of the emerald. Birds have established their nests in them, and there sing. Linnets are the ordinary musicians of the poor; they sing to them upon a beautiful stage, amidst splendid decorations, by the light of a magni- ficent rising sun, a music always fresh, always young, which appears to float down from heaven; and nothing sad is mingled with their song. These charming actors sing because the sun shines, because they are young, because they are beautiful, because they love, because they are happy; whilst those whom the rich pay so extravagantly, sing because they are envious of each other, because they are avaricious, and because they are paid. We must confess that if columns of stone and marble did not cost a great deal of money, they would be far from having the beauty of these columns, which live and which sing, where the capital changes its colour three or four times in every year, and which let fall such melodious sounds. Architecture, in its greatest magnificence, invented the Corinthian capital, which is nothing but an imperfect imita- tion of five or six leaves of the acanthus. How is it we pay so dearly for the imitation of that which costs nothing? It is only from the principle I have before named: we only love to possess things, to humiliate those who possess them not. Itis this that creates the value of diamonds—it extends J20 A TOUR ROUND MY GARDEN. to our ideas of heaven itself, and sullies our hopes of hap- piness—it is the secret of the most shameful feelings of man. From the foot of one of these beeches springs an ivy, which embraces it like a serpent with its powerful folds, and dominates over its head with its shining leaves and bunches of little green and black fruit, which is such favourite food with the thrush and the blackbird. And I—did not I one day buy a little table supported by a column of carved wood? That column represented the trunk of a tree, around which turned an ivy: it was beauti- fully done as wood-carving, but the perfection of the arts is disgusting coarseness by the side of nature. Well, I paid ten pounds for this !—ten pounds, painfully gained by writing in obscurity, in my chamber,—useless, hate-breeding things,— when I might, for nothing, have seen such beautiful ivies ascend real sunlit trees, beneath the bright sky, with a heart full of joy, kindness, and love ! Behind these beautiful columns rises, and yet rises but little, a small house, covered with a thatch that extends on “both sides considerably over the walls. In summer, a vine gpreads its magnificent green, and in autumn, its purple tapestry over the whole front of the house. But here is developed a luxury, enough to make the rich and the powerful burst with envy. A velvet, a thousand times more fine, more brilliant, more wavy, more rich, than that which is displayed with so much economy in the interior of palaces, of which such care is taken, lest it be rubbed or spoilt,—a green velvet entirely covers the thatch of the house, and that is a true and a beautiful luxury. The owners do not tremble on account of it; they are neither the slaves nor the victims of it; they allow it to be exposed to the wind and the rain—they cannot spoil it: when this shall no longer be fresh, others will come. This velvet is moss. Then along the crest.of the roof, from amidst their blade- like leaves, spring bunches of violet-coloured iris, bathing their gay blossoms in the air and the sun. And none of these splendours wear out or become thread- bare, as happens to factitious riches. Next year, the moss will be thicker—next year the irises will have still more violet THE FORGET-ME-NOT. 121 flowers—next year the columns before the house will be taller and larger. And what is the use of this velvet? Of no other use but to preserve from the rain, which glides over its silk, the poor straw of the poor inhabitants of that poor house! There is a luxury! Oh, yes! God loves the poor! Unfortunately, man is very stupid; he disdains gratuitous riches, in order to wear out his life in the pursuit of expensive poverties. Certainly, the man who would live alone in a desert iéle, would not trouble himself about rich clothes or sumptuous furniture. Then it is in order to exhibit them to others that we procure for ourselves, often with so much pain, and some- times with so much infamy, all that can be called luxury. Well, and what effect does this magnificent exhibition pro- duce upon others? No other but to inspire them with envy and hatred, and set them on the watch for your vices and your follies. Let us return to the banks of our rivulet—traveller, and at the same time sedentary that I am! With its foot in the water, the forget-me-not presents to us its spikes of little blue flowers. This pretty plant has received pretty names from unknown godfathers and godmothers,— from young godfathers, no doubt, from godfathers in love, and from charming and beloved godmothers too. The Ger- mans call it, Vergiss-mein-nicht; the French, Ne m’oubliez pas; and the English, Forget-me-not. I have related to you, my friend, a long time ago, that two lovers, who were to be married the next day, were walking at sunset on the banks of the Danube. The maiden perceived a bunch of Vergiss-mein-nicht, and wished to have it, to keep as a memorial of that beautiful and happy evening. The lover, in endeavouring to obtain it, fell into the river, and feeling his strength fail him—oppressed, stifled by the water— he threw to the bank the bunch of flowers, which he had pulled up in his efforts to save himself; he then sunk beneath the waves for ever. This adieu has been translated into the words which have from that time been the name of the flower, Vergiss-mein-nicht, or Ne moubliez pas. ; Cattle which graze where it grows, are exceedingly fond of it, 122 A TOUR ROUND MY GARDEN. and eat it down closely; but this injury only serves to make it bloom again in the autumn, which it would not otherwise have done. The learned are worse than the cattle; they it, and flatten it down in their herbals, and called it, Myosotis scorpioides—Scorpion-shaped mouses ear! They have been reproached for giving it this name by a brother savant, named Charles Nodier, but who, as well as being learned, was a man of wit and sense. oT LETTER XVIL. THE METAMORPHOSED RIVULET. Tue rivulet which passes through my garden, and issues from the side of a hill covered with gorse, has been for a long time a very happy rivulet. It crossed meadows, where all sorts of charming wild-flowers bathed and admired themselves in its tiny waves; then it entered my garden, where I had expected it, and prepared verdant banks for its reception. I planted upon its sides, and in its stream, all the plants which in the whole world blossom in the bosom or on the banks of pure waters. It crossed my garden, singing its melancholy song; and then, all perfumed with my flowers, issued out, crossed another meadow, and precipitated itself into the sea, over the abrupt sides of a rock, which it covers with foam. It was a happy rivulet; it had absolutely nothing to do but what I have told you—to flow, to glide on, to be limpid, to murmur, between flowers and perfumes, 124 A TOUR ROUND MY GARDEN. It led just the life I have chosen, marked out for myself, and which I follow,—when the world will have the kindness to let me alone—when the wicked, the intriguing, the rogues and the fools, do not force me to return to the combat—me, the most pacific and the most irascible man in the world! But heaven and earth are envious of happiness and delicious idleness. My dear brother Eugene, and the skilful engineer Sauvage, the inventor of helices, were one day chattering on the banks of this poor rivulet, and spoke very ill of it. “ Now is not this,” said my brother, “a pretty do-nothing of a rivulet, which goes merrily on, idling without shame, flowing in the sunshine, or creeping among the grass, instead of working, and paying for the ground it occupies, as an honest rivulet ought todo. Could it not grind coffee and pepper?” “ And sharpen tools?” answered Sauvage. “ And saw wood?” said my brother. And I trembled for the rivulet; and I interrupted the con- versation by crying very loudly, that these envious beings, these tyrants, would in the next place trample down my Vergiss-mein-nicht! Alas! I was only able to protect it against them. It was not long before a rascal came into the country, whom I frequently saw prowling along its green banks, on the side where it leaps into the sea. This man did not appear to me to have the air of one who came there to seek for rhymes, or awaken sweet remembrances, or even to let his thoughts fall asleep to the murmur of the water. “My friend,” said he to the rivulet, “you glide along, you affect a quiet air, and you sing in a manner to create envy in your hearer, whilst I work and toil beyond my strength. It appears to me you could help me a bit; it is not a labour you are acquainted with, but I will teach you; you shall soon be in working condition. You must be very tired of leading such an idle life; it will amuse you to make files and sharpen knives.” Shortly afterwards a wheel, machinery, and mill- stone, were brought to the rivulet. From that time it works; it turns a great wheel, which turns a smaller one, which turns the millstone. It sings still, but it is not that same softly monotonous and happily melancholy song it used to sing. There are cries and passion in the song of to-day; it bounds, THE METAMORPHOSED RIVULET. 125 it foams, it labours—it sharpens knives. It still crosses the meadow and my garden, then the other meadow; but at the end of it the man is there, who waits for it, and makes it work. I have only been able to do one thing for it: I have dug a fresh bed for it in my garden, so that it may wind about longer, and go out later; but it nevertheless finishes by going to sharpen knives. Poor rivulet! thou didst not suf- ficiently conceal thy happiness in the grass; thou hast mur- mured thy sweet song too loudly! LETTER XVIII. THE ANTHROPOPHAGI. You would be very vain, my dear friend, if you could, with- out sinning outrageously against truth, entitle one of your letters thus: “The Anthropophagi!” It exalts a traveller much in his own esteem and in the admiration of his con- temporaries, to have seen the spit prepared, upon which it was intended he should be roasted! Our vestments, under the pretence of honest modesty, only conceal ill-made legs, meagre thighs, and other defects. Women, in particular, make a singular abuse of clothing ; far from employing it to conceal their shapes, they employ it to exhibit ostentatiously much more of those shapes than they really possess. Thanks to the falsehoods of our clothes, we scarcely know where to stop; and we have become lovers of clothes, to be enchanted by wool, and passionately enamoured of silk. But it is an advantageous attestation to be able to THE ANTHROPOPHAGI. 127 establish the fact, that such a nation of epicures has pronounced you fat, plump, and tender—has thought you would make ex- cellent food—and has decided in privy council that you should not be boiled and seasoned with rice, like an old hen; not cooked en ragott, and your flavour heightened with violent, highly seasoned condiments, like insipid, tasteless meat, but be honourably put upon the spit or the gridiron, and be served up au cresson, or simply in your own gravy. , I am every day in fear, my dear friend, of receiving a letter from some companion of your travels, which may say :— * MonsIEuR, The 12th of August, 1852, the King of the isle of having given a grand dinner on the occasion of his nuptials with the Princess , of the isle of , L have the grief of announcing to you that our unfortunate friend figured in it as the centre dish. If these details can bring any relief to your sorrow, I may say that the savages found him excellent, as we always found him, alas! before this fatal catastrophe, dsc. &e.” But there are now scarcely any anthropophagi ; men have given over eating one another. They kill one another, it is true, for a yes or a no, in the form of a duel; they kill one another without knowing why, as military men, and under the pretext of glory; they ruin one another, they imprison one another, they deprive one another of bread, air, liberty, &c. From these observations, and a thousand others that could be made, it appears that if they no longer eat each other, it is not from any feeling of charity or neighbourly love, but simply because it is now acknowledged and esta- blished that man is a food, more than mediocre, hard to digest, and of a disagreeable flavour. T have no great reason then, my friends, to fear that you should be on the spit at the time I am writing these lines ; if you were, I should grieve, both on your account and that of these unhappy savages, to think that unless you have acquired a little embonpoint in your peregrinations, they would make but a bad dinner. I am at this moment in the midst of a nation of real 128 A TOUR ROUND MY GARDEN. anthropophagi, who, on account of their size, are not able to eat up a man at a single repast, but who, nevertheless, feed greedily upon his blood. I am in the midst of them, and remain quietly; I examine them; I study their manners; I sacrifice myself for the instruction of other men! I speak of a kind of ferocious beast, which flies and pounces down upon man with the velocity of lightning, seizes and fastens upon his naked flesh, and plunges an instrument into him of which this is the agreeable nature. From an étuz, or case situated on his head, there issue five or six weapons, some dentillated and barbed, others pointed or trenchant. When he has sufficiently scarified our flesh with each of these blades, which are all hollow, he proceeds to suck as much of our blood as his intestines can contain, which he takes care, the while, to free from all that could occupy room or cause incon- venience. This animal is known under the general name of gnat, and it requires a very strong microscope to see and ascertain the - forms of its weapons; but if we consider the injury it does us, not relatively to the pain we suffer, but proportionally to its size, relatively to the manner in which it proceeds, to its voracity, which leads it to expose itself to death, without an effort to shun it, when it has once tasted our blood, and until it can contain no more, until it is swelled like a wine skin, and not to be recognised; if we consider also the cruel shape of its weapons, which, in addition, are all poisoned, as is proved by the irritation and tumours which their wounds cause—it must be confessed that we do not know in nature any animal so ferocious and sanguinary. Reclined upon the grass, and leaning over a part of the rivulet which has overflowed its banks a little upon the turf, and has left a strip of stagnant water, my attention is attracted by some singular little fish; they have something of the shape, and are about the size of a strong pin, of which, with its head, two-thirds of its length have been cut off; or rather they are little fish resembling the dolphins of fable, the dol- phins of painters, the dolphins of Arion, but reduced to the size of a large pin’s head. They are remarkably vivacious. When in repose, they allow themselves to float on the surface of the water, with their heads downwards, because the con- THE ANTHROPOPHAGI. 129 duit through which they breathe is placed at the extremity of the tail. If they are the least disturbed, they roll themselves up, Swim with the greatest rapidity, dart down, and disappear. They feed, most probably, upon the imperceptible insects which they find in the water, or upon certain parts of earth or slime. But this is the most important moment of the life of our little dolphins. You may see them change their position; their head is no longer under the water; it floats on the sur- face, it swells, and its brown skin splits and opens. Then from that split issues a head, soon followed by a body; you recognise the gnat, which has accomplished the phases of its first existence, and which is about to enter into a new life. The cast-off dress it has quitted—its ancient skin—becomes for it a little boat which carries it upon the water; for this insect, which but now lived in the water, and would have died at the end of two or three seconds if you had taken it out of it, has now nothing so much to fear as water ; it would inevitably perish if it touched it. Then it is placed upright upon its ancient skin, like a rower in his boat. The least breath of air is for it, as you may imagine, a fearful tempest, considering the mortal dangers the water would make it run, and the shallowness of its boat. The boat floats here and there at hazard, whilst it completes its endeavours to extricate itself; then, if it achieves this result without being wetted, it flies away, and carries on its pursuit of man, till the day at which the care for its posterity shall bring it back to the edge of some pool or other stagnant water. There, crouched close upon the verve, it gives to the water little parcels of eggs, which leave the dry ground, and float about upon the surface. At the end of a few days, by an opening in the bottom of the eggs, little dolphins escape, which find themselves thus born in the water, where they are to live till the time of their transformation. It is that which just now drew that pretty water-wagtail to the bank of the rivulet, that which made her determine to place her nest at the root of the white poplar, where I dis- covered it. Gnats form the principal food of swallows, and it is probable that they take their migratory flight when there are no more gnats to be found. K 180 A TOUR ROUND MY GARDEN. In the same strip of water there are some elongated worms, of a beautiful red colour; they pass their lives in making movements so rapid, that they might be pronounced figures of eight. There will come a moment in which they will be metamorphosed into tipule—a sort of innocent gnat, which eats nobody, that I know of, but is confounded with gnats in the same penalty and the same food by birds. These trans- formations are very curious spectacles, and we have only to stoop a little toenjoy them. During the whole summer, from mid-day to four o'clock, we cannot stand over a pool of stag- nant water without’ seeing, in a quarter of an hour, twenty or thirty dolphins restore captive gnats to the sun and air, absolutely just as the whale cast Jonah upon the shore. Nowithstanding our just cause of complaint against gnats, we must acknowledge that they are prettier insects than they at first appear to be. They have in the fore-part of their heads antennee, in rich tufts ; and their eyes, which in certain aspects look like little emeralds, become, when seen in another hght, very sparkling rubies. I have been stung more than ten times to-day, whilst studying the arms of these anthropophagi, upon which I could now, if I did not pride myself above all things upon being an ignoramus, and preserving the reputation of one, write a special treatise de armis. LETTER XIX. THE CADDIS—ASPECTS OF DEATH—FLOWING WATER—DRESS—THE LEAF-CUTTER BEE. Ar the bottom of the rivulet are little morsels of reeds, little sticks of a few lines in length, which have nothing left but the bark. They are houses, in which the phryganes,* suffi- ciently ugly greyish cocoons, feed upon aquatic herbs, and await the moment of issuing from the water in the form of little butterflies—your pardon, savants!—of little noctuelle, which only fly by night. Previously to this transformation, there comes a moment at which they fall asleep grubs, to awake flies. They know that during the time in which they take no food, they have enemies who have no notion of such abstinence themselves, and to whom, during their sleep, they could oppose no resistance. They know. how to spin, and they employ themselves in closing up the two ends of their mansion. It has often been said, as an example of an invincible argu- * Phryganea grandis, the Caddis-fly.—Ep. 182 A TOUR ROUND MY GARDEN. ment, that a door must be either open or shut. Our logicians forget that a door may be left ajar. If the phryganea were to close up its dwelling tightly at both ends, it would no longer be in the water; or at least the water, which would be confined with it, being never renewed, would in a short time lose the qualities necessary for supporting life. It spins a little grating at the two extremities of its habitation, aad then a cable, which it fastens to some blades of grass upon the bank ; this dene, it sleeps in tranquillity, awaiting a more happy and a more brilliant life: it falls asleep in the water, to awake in the sunshine and the beautiful blue of the air. Here, with its roots almost in the water, is a tussilage, vulgarly called colt’s foot, doubtless on account of the form and size of its leaves. Its leaves, which are round and as large as the palm of the hand, will not appear before summer; at present it only shows its blossoms. It is the earliest of aquatic flowers; it is a marguerite of a brilliant yellow, the rays of which are as fine and slender as hairs. Ancient medicine, with Hippocrates at its head, for a long time at- tributed to this flower a salutary influence upon the lungs ; its name, tussilage, implies that it would remove cough. It was by its means that coughs and catarrhal affections were treated, till science, never stopping in its progress, discovered that it produced no effect, either upon the lungs or their diseases, and that it was good for nothing but to adorn the banks of rivulets in the spring— quite a sufficient merit too. Unfortunately, it was not till the end of about a thousand years that science arrived at a conviction upon this point. Nevertheless we still find, in almost all medical laboratories, a large bottle with a red and gold label, upon which is written Tussilago farfara. It is but one bottle the more, and forms part of the decoration of the laboratory. Most doctors—I say most, in order to except justly some whom I love with all my heart—most doctors are like sorcerers, who prefer telling you what is being done at that same moment by the great Mogul in his court, to informing you what it is o'clock by the watch they have in their pockets. Physicians cure the plague, of which some deny the exist- ence, and which is unknown in our climates—leprosy, which no longer exists but in the Hast and in books; but they ASPECTS OF DEATH. 183 oer cure a corn on your toe, and never a cold in the ead. But it appears here as if some gnome were launching arrows which spring from the earth, but are held by their feathered extremity. It is the Sagittarius, so common on the banks of tranquil waters; the leaves are formed exactly like the iron head of a lance, and are supported by a long, straight, and stiff foot-stalk, which represents the shaft of the arrow. From the bosom of its leaves springs a stalk which bears a spike of white flowers, composed of three rounded petals, the base of which is of reddish-violet colour. The top of the flower is occupied by male blossoms, loaded with yellow stamens, which, with the white and violet of the flower, form a delightful harmony of colours. Underneath are the female blossoms, which have no stamens. The stalks of this plant contain a species of pith of a very agreeable flavour. A kind of cress with little round shining leaves, grows along the edge of the water, and even into the water; it is ornamented with little flowers of a beautiful dark blue. But here is the queen of the meadows. She does not creep; not she! Amidst the other plants, she proudly raises her head from a rich and tufted foliage, of deep green above, and inclined to white beneath. This stalk bears triumphantly a beautiful thyrsus of charming little white flowers; bloom- ing at the bottom of the thyrsus, they present at the top buds, whose form reminds us of the bud of the orange blossom ; its flowers, whose odour is sweet and delicate, mixed with wine, give it the aroma of Malmsey wine, which renders one doubtful as to the following fact :— It is known that a duke of Clarence, brother of a king of England, when condemned to death, as an only favour, re- quested to be drowned in a butt of Malmsey wine. There are moments in a man’s life in which he desires death. It is the dying only that is disagreeable; the aspect of death, therefore, changes much, according to circumstances. Death is not that great invariable skeleton which is gene- rally presented to us; it has all sorts of forms and figures, and in the number there are many that seem much less disagreeable than others. ; Contemplate it in war. It is accompanied by the noise of 134 A TOUR ROUND MY GARDEN. trumpets and drums, surrounded by smoke and the stupifying smell of powder. Glorious and noble, promising honours, ribbons, rank, with the sweet rewards of love and admiration, it invites you to follow it, and intoxicated man throws himself willingly into its arms. Contemplate it in a bed. The wretched being who awaits it ‘does not breathe the exciting odour of powder, but the debi- ‘litating odour of drugs and plasters. He dies in detail; he dies weak, fearful, idiotical, clinging with all his soul to life, and with his nails to the clothes and curtains of his bed, and to the sheets which will serve for his shroud. Who can assure us that the wine in which Clarence died was true Malmsey wine? Certainly, the man who had chosen this sort of death, must have felt a last and a bitter pang, if he perceived, at the critical moment, that he had been de- ceived in the quality-of the wine contained in the butt which was to be his coffin. Certain little round insects with hard wings, like those of beetles, are amusing themselves on the water in a singular fashion: they form circles with a rapidity that fatigues the eye. This must be a movement that has its charms, since they are not the only people who make a practice of it; but it isa religious ceremony. The insect is called whirligig *—the priests are styled dervishes. Another, larger and of an elliptic shape, is an hydrophilus ; it has six feet, the hinder ones of which are formed like oars, and permit it to come to the surface of the water, from which it takes flight, and to descend to the bottom, where it finds its subsistence. It lays its eggs in a silken bag, which it fastens to the under part of the leaf of an aquatic plant, which it closes when they are laid. The larva, that is to say, the insect, which bears a different form, and which will, at a later period, become a hydrophilus, comes out of the water when it is born, goes to bury itself in the earth, a little above the water, in a hole, from which it will come out at a future time a perfect hydrophilus. When I was speaking about the cress, I forgot to name a circumstance which, perhaps, you would never guess; it is that, with botanists, the cress of the fountain, which grows in * Gyrinus natator.—Ep, FLOWING WATER. 135 the water, which they call Sisymbrium nasturtium, and the yellow gillyflower, which grows on old walls, are, excepting in some very trifling details; one and the same thing: the de- scription they give of the two plants is almost identical. There is an indefinable charm in the aspect and the noise of waters. There are people who pretend to be serious, because they go through their follies with a frowning air, and in clothes of certain colours,—who pretend exclusively to be grave, because their childishnesses only cause others to laugh. These people consider it a sign of idiocy to look at and watch flowing water. I here declare that it is an occupation that has a singular attraction for me, and is one of those to which I abandon myself with the greatest ardour. Flowing water is at once a picture and a music, which causes to flow at the same time from my brain, like a limpid and murmuring rivulet, sweet thoughts, charming reveries, and melancholy remembrances. There are not so many watchers of flowing waters as is generally imagined. Such a one passes an hour with his elbow on the parapet of a bridge, and watches an angler, looks at the horses which draw a barge, or both looks at and listens to the pretty washing-maidens singing. But to recline, buried in deep grass in bloom, under the blue-leafed willows, follow with the eye a river or a rivulet, look at the reeds it bends in its course, and the grass it bears away with it, the green dragon-flies which alight upon the rosy blossoms of the flowering reed, or on the white or violet flowers of the sagittarius, or on the little white anemones, blooming over a large carpet of verdure,—verdure like the green hair of a naiad,—and to see nothing but that; to listen to the brushing of their gauze wings, and the murmuring of the water against the banks, and the noise of a breathing of wind among the leaves of the willows, and hear nothing but that; to forget everything else, to feel one’s heart filled with unspeakable joy, to feel one’s soul expand and blossom in the sun, like the little blue flowers of the forget-me-not and the rosy blossoms of the flowering reed; to be sensible of no desire and of no fear but that of seeing a large white cloud, which is rolling up from the horizon, ascend in the heavens and conceal the sun for a time ;—that is what I call looking at flowing water, 136 A TOUR ROUND MY GARDEN, —that is not a pleasure, it is a happiness, which I reckon among the greatest that it has been given to me to taste in the course of my life. I spoke to you just now of the washing-maidens, who sing as they prosecute their classical occupation, without a thought, I dare say, of Homer, on the banks of rivers. I heard one— ay, and a pretty one too—sing the following song, which I shall never forget :— ‘* Les hommes sont trompeurs, La chose est bien certaine; Sont-ils auprés de vous: Mademoiselle, je vous aime! *«Sont-ils auprés de vous, Mademoiselle, je vous aime! En sont-ils éloignés, Ne disent plus de méme. “(En sont-ils éloignés, Ne disent plus de méme. Rencontrent-ils leurs amis: Connais-tu Mamzelle telle? “ Rencontrent-ils leurs amis: Connais-tu Mamzelle telle? Elle croit, de bonne foi, Que je suis amoureux d’elle. “ Elle croit, de bonne foi, Que je suis amoureux d’elle. Pour lui fair’ voir que non, J’ fais amour prés d’ chez elle. “ Pour lui fair’ voir que non, J’ fais l'amour prés d’ chez elle. Cherchez un autre amant, J’ai une autre maitresse. ** Cherchez un autre amant, J'ai une autre maitresse.” ** —Je n’en chercherai pas, J’en ai a Ja douzaine. “« Je n’en chercherai pas, J’en ai a la douzaine, Et de ce que j’aimais, Vous faisiez le treiziéme.” As I was seated beneath a large ash, a musk-beetle* fell from it; and, in spite of its odour, which, without being extremely bad, is insupportable on account of its strength, I held it some time in my hand to admire the brilliant green colour, shot with gold, in which it is clothed. Many * Cerambyax moschatus.—ED. DRESS, 137 ‘insects owe their magnificence to their wings alone,—the musk-beetle is all over of the same colour and the same splendour. THE MUSK-BEETLE. This reminds me of the adornments of which men are often so proud, and which both sexes so laboriously employ to please and seduce each other. I can easily understand that an insect, which glitters in the sun with the richest colours, should be proud of its dress,—I could pardon the bird, which in the morning shakes itself in the earliest ray of the dawn, and, on finding itself richly clothed, should be a little vain of its plumage,—because the wings of the but- terfly aud the feathers of the bird belong to them, and -are parts of them; but is there anything that ought to render them more humble than the toilette of a man or a woman? Is it not, in the first place, 2 melancholy admission, that our -- body is a carcase which we can only embellish by concealing it, an object for which we employ means the most violent and extraordinary? That ring, now,—that ring of gold, set off by a large pearl, worth, perhaps, a thousand crowns,—has been dug from the bowels of the earth, and raked from the abyss of the sea! and its only object is to conceal a very small part of the hand, which appears to you less beautiful than a little metal and the secretion of an oyster; for women who are quite satisfied with their hands never wear rings. And all the rest of your dress is composed of the cast-off 138 A TOUR ROUND MY GARDEN. apparel of animals which browse in the meadows, or of insects that crawl beneath your feet; there is scarcely one from which you do not borrow a portion of its covering. Your grandest and most splendid attire is composed of the shreds you steal from one or another, from sheep and from silk-worms. Observe that woman now passing: yesterday she was mild and good, to-day you see she is haughty and insolent. What has created this change in her? Nothing, only she has upon her head a feather plucked from the tail of an ostrich! How proud that ostrich ought to be, which has so many more, and all its own ! But it will be even worse to-morrow, when she will envelop herself in a shawl made of the hair of certain goats from Thibet—goats which I have seen, and which really do not appear anything like so proud of this hair as the ladies are who borrow it of them. And that robe, the great value of which produces such disdainful glances from other women, is nothing but the web in which a large worm, called a silk-worm, enveloped itself—a web which it abandoned with disdain as soon as it had become a white and plain moth ! It is a singular thing to associate this humility, which leads man to conceal his real figure, and adorn himself with the superfluities of insects and animals, with the superiority which he attributes to himself over all nature. It must be further confessed, that a man who should unite in himself the facul- ties of certain insects,—who could, like the hydrophilus, fly in the air, and plunge to the depths of the waters,—would only have to pass for a god among other men, by not opposing himself too strongly to the natural servility which is the portion of most men, even of those who talk most loudly about liberty and independence. Read history: a tyrant has never been overthrown, but for the benefit, more cr less immediate, of another tyrant. To-day, when we pride our- selves upon no longer saluting a king, we unharness the horses of dancers, singers, and courtesans—harness ourselves in their places—and take a pride in dragging their carriage in triumph ! We were speaking of insects splendidly clothed. Follow with : LEAF-CUTTER BEE. 139 your eye that which has just lighted on a red poppy: it is not richly dressed—yellow and brown are the colours of its costume ; but it is in possession of another luxury well worth the luxury of clothes. In the middle of a walk there is a little hole, of the size of the quill of a pen; that is the entrance to the house which that sort of bee makes itself in the earth, by carrying the soil away from its little cavern, grain by grain. It is not chance that leads it to the poppy; it is about to cut a sheet of crimson tapestry, with which to decorate its home. See, it*has cut with its teeth, from the edge of one of the petals of the flower, a little piece, which forms very regularly the half of an oval ; it seizes the piece, folds it in its claws, and bears it away to its abode. The entrance is narrow, and nearly three inches deep. The piece of red satin is a little ragged, but it applies it to the partition, and stretches it properly: it will require twenty pieces to cover the chamber. But you will pardon this luxury when I tell you that that apartment, so richly hung, is the cradle of the child it will soon bring into the world. The tapestry is fitted, and it sets out again. It is not sufficient that the future inhabitant of the pretty cell should be well lodged; it must have abundance of food provided, for its mother will not be able to bring it any: she will be dead before the egg from which it is to issue shall be hatched. It brings in its feet the dust of the stamens of flowers, which it mingles with honey, and of which it makes a little heap. Then, and not until then, it lays a little egg near the heap, from which, at a later period, will issue a worm destined to become a bee. But this is not all: if the house were left open, some ichneu- mon might come as an enemy, or ants might devour the honey. The bee then takes down the hangings of the peri- style of her house,—that is to say, the little quill-shaped con- duit which leads to the apartment, and which, like the rest, was covered with poppy-leaves; it then pushes this part of the tapestry to the entrance of the chamber, after which it fills the passage with earth so completely, that it is almost im- possible to discover any trace of it. : Let us return to the banks of my rivulet, from which this little bee has lured us. Here is a shrub whose branches are of a beautiful yellow; it is the willow, whose young branches 140 A TOUR ROUND MY GARDEN, are known by the name of osiers. These flowers attract a great number of bees. A vast deal is said of willows by the ancients. The Psalmist relates that the Israelite slaves suspended their musical instruments from thé willows of Babylon. Virgil describes Galatea hiding herself behind the willows: ‘*Malo me Galatea petit, lasciva puella, Et fugit ad salices et se cupit ante videri.” He speaks in a hundred places of the bitter willows upon which the goats browse, and of the willows of a blue green, which bees are fond of. The satined white stem of the birch shoots up without knots to a great height, and gives to the wind, upon branches of extreme delicacy, its light foliage which trembles at the least breath. It was the birch that had the honour of sup- plying our ancient universities with rods. The Finlanders substitute the leaves of birch for those of the tea-plant; the Swedes extract a syrup from the sap, of which they make a spirituous liquor. In London, they make champagne of it. The most virtuous uses to which it is applied, are brooms and wooden shoes. Pliny speaks of the birch and of the rods: “ Betula, terribilis magistratuum virgis,”” The dwarf-elder spreads in the sun, at about three feet from the ground, its rich umbels of white flowers, each umbel as large as my two hands; its black berries are full of a violet- coloured juice, with which, according to Virgil, the god Pan had his face smeared, in compliance with a whimsical custom of the ancient Romans, who painted their gods on solemn occasions. And here my rivulet disappears under the grass, under the yellow-blossomed Iris, under a crowd of aquatic plants and trees, which love coolness and moisture. It is necessary to make the tour of a group of trees, if we wish to meet with it again at the spot where it throws itself into a sort of large pool, surrounded by willows, reeds, and Iris. Nia sow LETTER XX. FLOWERS, AND THEIR MEMORIES. A ToucHING sentiment has consecrated certain plants and certain trees to those who have departed this life: the cypress, which elevates its black foliage like a pyramid; the weeping willow, which envelopes a tomb with its pendent branches; the honeysuckle, which grows in cemeteries more beautifully and vigorously than elsewhere, and which spreads a sweet odour, that seems to be the soul of the dead exhaling and ascepding to heaven; the periwinkle, with its dark green foliage and blossoms of lapis blue, so fresh and so charm- 142 A TOUR ROUND MY GARDEN. ing, and which the peasantry call the violet of the dead. But there are other flowers which associate themselves with certain joys, and certain dead griefs likewise ; for forgetfulness is the death of things which no longer live but in the heart. These flowers return every year, at a fixed period, like anniversaries, to repeat to me many recitals of the past, of perished trust and dead hope, of which nothing more remains than that which remains of the beloved dead—a tender sad- ness, and a melancholy which softens the heart. These ideas come back to me on seeing these forget-me- nots, these pretty little blue flowers, creeping almost into the water. Perhaps to all the world but me this large lime-tree is a magnificent tent of transparent green; you see birds hop about in its branches, and butterflies, which love silence and shade, flirt among the leaves like nymphs and fauns, and you inhale the sweet odour of its flowers. But for me, it seems that the wind which agitates these leaves, repeats to me all the things I have said and heard at the foot of another lime- tree, in far bygone times; the shade of the leaves of the tree, and the rays of the sun which they break, form for me images which I can only see there; that odour intoxicates me, troubles my reason, and plunges me into ecstasies and visions. The Pythoness of old saw the future at the moment of inspi- ration; J behold the past again, but not as past; I tread over again every one of the steps I have made in life, every- thing lives again for me, with the colours of the vestments, the words that were spoken and the sound of the voice. I do not forget the least circumstance of a single instant; by re- calling a word, I see again a thousand details which I did not know I had remarked; I behold the folds of her robe and the reflection of her hair; I see how the sun and the shade played upon her countenance, and what flowers blossomed in the grass, and what odours were exhaled in the air, and what distant noise was heard; I see, I breathe, I hear all this! If my eyes fall upon one of those ravenelles, of those gilly- flowers which blossom on the walls, if I breathe its balsamic perfume, I become the prey of an enchantment. I am twenty years old; I find myself no longer in this garden; I ascend a flight of stone steps, green with moss, in the crevices of FLOWERS, AND THEIR, MEMORIES. 143 which blossom gillyflowers, and my heart beats as if I were about to find her in the garden. That convolvulus, those beautiful violets, white, rose-coloured, streaked bells, which climb up trees and shrubs, tell me on what day it was we sowed some of its seeds together, and at what hour of the day, and what was the form at that instant of the white clouds in the blue heavens, and how, on rising up, as we had stooped to put the seeds in the ground, our hair touched; and my hair again seems to communicate an electric shock to my heart. And, afterwards, how both arose early to see owr con- volvulus, whose flowers close and fade as soon as they are touched by the sun. I still know which of the plants bloomed first ; it was a large bell of a beautiful dark blue, passing to violet by insensible gradations as the eye approached the bottom of the flower, which was white. There were some white ones, divided by a rose-coloured, faint blue, or violet cross ; others of a pale rose, with a deeper-coloured cross ; some striped with white, rose, and violet. And the large Passe-Roses, with their noble and majestic port, like that of Italian poplars. There were lime-trees in the garden, a tuft of yellow blossoms always filled with bees, black and orange drones, and large black flies with violet wings. It appears to me when I here see the yellow Passe- Roses, and black flies with violet wings, and bees, and brown and orange drones, it appears to me that these things, like those of another time, draw other circumstances after them, like the beads of a rosary. Blossom, blossom! graceful monuments which I have raised to my beloved dead, to all that I have believed, to all that I have loved, to all that I have hoped, to all that which like thee has blossomed in my heart, to all that has faded, but for ever, whilst every summer ye return with your beauty, your youth, and your perfume! \/ NS Far =a 3 LETTER XXI. MUSIC—DRAGON-FLIES—THE WATER-LILY AND THE VALLISNERIA, Tur alders, willows of different sorts, and poplars of three or four kinds, separate us from a little road, which leads to a pool, surrounded by reeds and rushes. There, through the cool, limpid water, we can plainly discern the shining pebbles, the sand, and the fish. There is a vast distance between the reed, one of the first musical instruments of the ancients, and the piano, the flute, the bassoon, the harp, and the violin; and yet it is to be observed that the miracles of music are to be referred to the MUSIC. 145 period at which great musicians piped on straws or reeds, or struck three chords stretched over the shell of a tortoise. “Tile ego qui quondam gracili modulatus avena.” ‘Orpheus viduos sonor4, solabatur testudine amores.” Music then was able to appease the fury of wild beasts, to persuade stones to collect themselves into a wall, and cleave solidly to one another, and, when breathed through a flute, to lull Argus himself to sleep. Now-a-days, when so many instruments have been invented and perfected,—now-a-days, when not only the musicians of past ages are despised, but even, and particularly, those of yesterday,—now-a-days, so far from building cities, appeasing lions, or saddling dolphins, men are with great difficulty brought together to listen to music at all. At the opera now, to induce people to be present, whilst some instruments are blown through, and others beaten upon, it is found necessary to exhibit to them objects of every description to attract the eye, because they know that many men come rather to see dancers than to hear music. All sorts of means must be had recourse to, all kinds of falsehoods invented, to persuade people that all the world goes there: without that delusion, no one would go at all. Are you aware how many degradations the poor fellows who give concerts are reduced to, in order to persuade people to give them a few shillings, under the pretence of hearing pieces which they hear sixty times over every winter? Do you know what sad baits they must lay, what humiliations they must endure, what follies they must submit to ? Midas preferred the flute of Marsyas to the lyre of Apollo. The flute of Marsyas was composed of seven oaten straws, or reeds; the lyre of Apollo was a tortoise-shell, over which three strings were stretched. Apollo was angry, and he was less in the wrong than angry people generally are. In fact, the two instruments must have been equally tiresome to listen to—perfectly insupportable; there was no choice to make, and the sentence of superiority of the oaten straws over the tortoise-shell, pronounced by King Midas, must have arisen from malice. L 146 A TOUR ROUND MY GARDEN. Apollo acted then exactly as many pianists would do. if they dared ;—he skinned his rival, and crowned his judge with ass’s ears. King Midas concealed his ears as well as he was able, but he was obliged to confide the secret to his barber, who, being unable to keep it, dug a hole in the earth, and when the secret was choking him, he went and relieved his throat by putting his head into the hole, and saying: “ Midas—King Midas has ass’s ears.” Some reeds grew in this hole, and when they were agitated by the wind, instead of simply murmur- ing, as others do, and as honest reeds ought to do, they said: “ Midas—King Midas has ass’s ears.” The reed (calamus) was the first pen invented. Of reeds, arrows and canes were made :— “TLethalis arundo.”—Vire. “ Equitare in arundine longa.”—Hor, A sort of grub, of a greenish grey colour, crawls out of the mud, leaves the water at the bottom of which it has hitherto lived, and fastens itself to a small reed; it then sticks into the bark of the reed two little very sharp claws which it has on each foot. After a few minutes of immobility, you may perceive its eyes become brilliant, and its back split and open; then a head appears through the opening; after this head come the body and wings of a libellule, or demoiselle, The wings are folded and shapeless; the body is soft, and all ina heap. It waits till the air without, and life within, may put all in proper condition; at the end of half-an-hour, it shakes itself, and flies away, light, slender, and richly adorned with the colours of the emerald and the turquoise, and at least as brilliant as either. I now see a crowd of them sporting in the air, or lighted upon the reeds; some of them dart away, and disappear on the wing, but return a few minutes afterwards, They live on prey, and devour the insects of the air, as they ate those of the water, when in their first shape. Among all insects, in these, perhaps, there is the least resemblance between the males and females. Contrary to what is observed in all other insects, the male is at first much larger than the female, and their vestments are quite different. DRAGON-FLIES. 147 I can see some which are big; they are striped with yellow and green-tinted black. Their males are generally of a slate- colour; some few males, however, are yellow as well as the females. Some are of a dark and shining blue, with black spots at the extremities of the wings; their females are of a beautiful golden green. Their manner of making love is singular for insects, al- though by no means uncommon with men. It is by per- severance, and the annoyance they cause by an almost hostile assiduity, that the males succeed in seducing the beauty that has won their hearts, generally from the middle of September till the middle of October. We shall not be long before we see an example, for there is a green and gold female just alighted on a rose-flowered reed. She glitters coquettishly in the sun: a blue male perceives her; he rushes towards her, seizes her by the throat, and carries her off through the air, and will not let her go till she has consented to crown his flame. The waters and their banks have their trees, their flowers, and their butterflies; the last of which are these libellules, There is another kind of libellule, or demoiselle, which, to you or me, singularly resembles that we have just been looking at, but between which naturalists discover great differences. We shall not meet with them here: they have not lived under water, as the others have done; on the con- trary, it was in the sand, and beneath the most ardent sun, that they went through their first state. It is more than probable we may fall in with them in the course of our journey. Upon the surface of the water are spread some large round and shining leaves, of a sombre green colour; upon these leaves bloom beautiful double white roses. It is the water-lily of our ponds. As long as there is any cold to be dreaded, it keeps its leaves rolled up under the water; but as soon as fine weather seems certain, it elongates the stalks of its leaves, and they rise and spread themselves upon the surface of the water; the flowers soon spring from the water as buds, and then blow: at night they close their petals, and resume the form of buds. When the flower is fecundated, it no longer requires either air or sun; it again descends beneath the 148 A TOUR ROUND MY GARDEN. surface, and does not rise again. It is there the fruit is formed and ripened, and the seed it contains will be sown in the earth at the bottom of the pool. In another corner is the yellow-blossomed water-lily, whose flower is simple, but whose habits are exactly the same as the other. There is another plant which lives equally in the waters, but which is not to be found in our gardens; it is the vallis- neria, It has not, as the water-lily, the male and female united in the same corolla; they are upon two different flowers, as we have already seen in the case with some other plants; but here the separation appears more cruel and more invincible. The female flowers are placed upon a long spiral footstalk, by means of which they bloom on the surface, like those of the water-lily; whilst the male flowers are retained VALLISNERIA. at the bottom, and at a great depth, by a very short stalk, But at the proper season, the male flower detaches itself, ascends in a state of freedom to the surface, lavishes his caresses, and is carried away by the current. The female flower then returns under water, to mature and sow its seed. Here the openogeton dystachion, a white flower, with black stamens, exhales a sweet odour of vanilla from its corolla, which resembles a shell; whilst the menyanthus, which lives PLANTS AND THEIR SEEDS. 149 near it, appears to be made of white feathers; and the ponte- deria cordata lifts its large leaves and blue flowers high out of the water. Let us leave for a moment the edge of my pool, to go and seek in another corner of the garden the cyclamen, which has for its seed, cases analogous to those of the water-lily and the vallisneria, Its root is a large shapeless tubercle, from which first issue the leaves, which are of the consistency and some- what of the shape of those of certain ivies, but are agreeably streaked with white and clear green. These leaves form a circle in several rows, leaving in the middle of them a round space where the earth is bare; from this space, at a later period, rise buds of flowers upon peduncules, rolled spirally in the form of a corkscrew, which unbend gradually, and bear, at an elevation of some inches, white or purplish flowers, the centre of which is inclined towards the ground, and the under extremity of the petals pointing upwards. When the flower is withered, when the petals are dry, there remains nothing but an ovary enlarged by fecundation, and a little capsule of reddish green, which contains the seed. The cyclamen has not the same confidence in the air that other plants have; it contracts its spiral again, and brings back its capsule under the ground, where its seeds will ripen and be ready sown. In a very different manner we have seen the scorsonerias and the dandelions give to the winds their seeds crowned with, an aigrette in the form of a feather, Most plants allow their seeds to fall at their feet. The balsam launches its seed to a distance. You know the balsam, with its beautiful flowers, red, white, flesh-colour, violet, streaked with white and violet, or white and red; when its seeds are ripe, it splits the capsule which contains them, and launches them to a distance of several feet; they thus frequently escape the hands of the gardener who wishes to preserve them. LETTER XXII. MEMORIES OF THE DEAD. WE now arrive at a group of old elms surrounded by ivy, which, meeting at their tops, form a lofty vaulted canopy, and “forbid the sun to enter.” Under this thick shade, how- ever, syringas and honeysuckles flourish; syringas, whose white blossoms partake of the odour of those of the orange; the honeysuckle has taken possession of such of the trees as have been forgotten by the ivy, and springs up with asto- nishingly rapid growth, sending forth in all directions flowers exhaling one’ of the sweetest perfumes. The honeysuckle is a plant that seems to devote itself to the tomb, the most magnificent of them being found in cemeteries. We all know the effect produced upon the imagination, if not upon the mind, by the burning of incense in churches, whilst the organ fills the vault of the temple with its powerful voice; but there is something more religious, more powerful, more solemn, than the harmonious voices of the choristers, or the swelling MEMORIES OF THE DEAD. 151 peal of the organ :—it is the silence of the tombs. There is a perfume more exciting, more religious even than that of incense; it is that of the honeysuckles which grow over tombs upon which grass has sprung up thick and tufted with them, as quickly as forgetfulness has taken possession of the hearts of the survivors. Tn an evening, when the sun has set,—when, alone in a cemetery, we begin to shiver at the sound of our own steps,— when we breathe this odour of the honeysuckle, it appears that whilst the body is transformed, and become the flowers which cover the tomb, the blue periwinkle (the violet of the dead) and the honeysuckle, it seems as if the immortal soul was escaping, exhaling in celestial perfume, and ascending above the clouds. Many poets have spoken of the worms which devour the dead. This is a horrible image, particularly horrible for those who have consigned to the earth the remains of beloved objects. This worm of the tomb has been invented by these poets, and exists nowhere but in their imaginations; the bodies of those we have loved are not exposed to this insult, this profanation. Learned men—that is to say, really learned and scientific men—will tell you that it is not true that cor- ruption engenders worms; certain flies must have laid eggs from which such worms could issue, and these flies have not the power of penetrating into the earth below a certain depth. Tite is much changed since the day on which we have deposited in the earth the body of a fondly-loved person. How many things disturb you of which you had not even dreamed! It is an image that does not remain with you at all times, but which arises before you all at once, at the most unexpected moments, and which comes to freeze you in the midst of pleasure or of festivity, which checks and dissipates a smile which was about to play upon your lips. Nothing more is required to evoke it, and make it appear, than a word which was familiar to the dead, than a sound, than a voice, than an air sung at a distance, and of which the wind brings you a faint note or two ;—nothing more is required than the sight or the odour of a flower, instantly to revive before you that sad yet cherished image, and, as with a freshly sharpened 152 A TOUR ROUND MY GARDEN. weapon, inflict upon your heart anew the pangs of the adieux and the eternal separation. From that day, there is a portion of ourselves in the tomb ; from that day, we only give ourselves up to the world and its distractions by escaping from ourselves, at the risk of being at every instant reseized, and brought back to the cemetery. In short, we have buried in their tomb all we once loved with them ; flowers cultivated with them, airs sung together, griefs endured together, pleasures enjoyed together, —all things which recal the dead, and speak to you of them. T had in a solitary corner of my garden three hyacinths, which my father had planted, and which death did not allow him to see bloom. Every year, the period of their flowering was for me a solemnity, a funereal and religious festival ; it was a melancholy remembrance, which revived and reblos- somed every year, and exhaled certain thoughts with its per- fume. The roots are dead now, and nothing lives of this dear association but in my own heart. But what a dear, yet sad, privilege man possesses above all created beings, in being thus able, by memory and thought, to follow those whom he has loved to the tomb, and there shut himself up living with the dead! What a melancholy privilege! And yet where is there one among us who would lose it? Who is he who would willingly forget all? THE LINNET. LETTER XXIII. THE GOLDEN-CRESTED WREN—AMATEURS OF FLOWERS—THE PEONY. THERE is a little bird flitting about under the great elms, which is most likely to place its nest in some angle of a wall, where we shall easily find it: that is a wren, the regulus cris- tatus; not the same as the one that dwells in a corner of my old house. The other is called troglodytes parvulus, or wren. This one, which, like the other, could escape through the wires of a cage without rumpling its feathers, is of an olive cast ; but the male’ bears on his head a little tuft of a brilliant gold: the tuft on the head of the female is of a citron colour. Their nest is lined with moss, spiders’ webs, and the down which covers the seeds of certain plants. The hen lays six eggs in it, white, tinged with rose-colour, and about as large as peas. But what sweet and enchanting melody appears to flow from the sharply pointed leaves of that bushy holly! A little linnet, with its brown head, is there sitting upon its five reddish eggs, spotted with chestnut, in a nest of grass and hair, which she has placed upon one of the lowest branches. Upon a bough, a little more elevated, sits her mate, whose head is black, singing, to divert her during the tediousness of incubation. He only breaks off in his song to go and seek 154 A TOUR ROUND MY GARDEN. insects, which he brings to her upon the nest. I will not go near it: the linnet has not so much confidence in man as the wren has; it would abandon its nest and its eggs, if it saw me many times prowling about near the holly. Here and there flit butterflies, shaded with fawn-colour, and a yellow like withered leaves; these are sylphs and fawns, which seldom leave the shade. In the hollows of oaks, the great stag-beetle, the rhinoceros, and other beetles, await the hour of evening to leave their solitude, and buzz about the world. A large black butterfly, with a border of a beautiful yellow at the outward edge of its wings, rises to the very tops of the trees. That is the morto. Here is another, which attracts attention by its size, and by its magnificent colour of carmine, striped with black. In order to see it nearer, you pursue it, and attempt to catch it; but it escapes, and you lose sight of it. You believe it has flown to a distance, as the splendour of its costume would betray it if it were near; but you are deceived—there it is, close to you, on the trunk of a birch. It is only its under wings that are so splendid; when it is pursued, it conceals them under the upper ones, which are grey, and are easily confounded with the bark of the trees upon which it loves to settle. In the grass, and under the thickest shade, primroses, some pale violets, and the lily of the valley, blossom. The flower of the last has the shape and beauty of a pearl, but of a per- fumed pearl. Many women prefer lilies of the valley to pearls, but all would prefer having pearls given to them; very few of them are influenced by avarice in this preference. Women are, T repeat, like the gods, who were most flattered when fat heifers were sacrificed to them, or when offerings were made to them of massive gold: they did not eat the heifers—they had no need of the gold; but these more valuable presents manifested, on the part of those who offered them, a greater and proportionate veneration. The cuckoo-fruit blossoms likewise in the shade, with its green horn, followed by a spike of scarlet fruit; and the wood anemone is a pretty white flower, tinged with violet. This is AMATEURS OF FLOWERS. 155 the original of an anemone which we shall find in another part of the garden; there, its foliage forms a beautiful rich green turf, from which spring simple rose-shaped anemones, red, scarlet, purple, blue, violet, white-—or streaked with all these various colours. A bed of these is one of the richest and most magnificent sights imaginable. The anemone is one of the plants called florists’ flowers. There are people, sober in their pleasures, who concentrate their cares upon a single flower. There are amateurs of tulips; for them there is no other flower in the world but tulips— other flowers are weeds; and still further, among tulips, there is only the tulip with the white ground, and among tulips with the white ground, there is only the tulip with the rounded petals. The year begins for them on the 15th of May, and finishes on the 28th of the same month. There are amateurs of roses, there are amateurs of auriculas, there are amateurs of pinks, there are amateurs of dahlias, there are amateurs of camellias, there are amateurs of ranunculuses, there are amateurs of anemones: these are the only flowers— others are called bouquets; and you should see with what a tone and manner they pronounce the word bouquet! So with sportsmen, there are some animals that are game, and others that are not. Of all this race, the amateurs of tulips are the most ferocious; not that the others, however, are remarkably mild, or that I advise any one to approach them without due precaution. It sometimes happens that the ama- teurs of anemones cultivate ranunculuses simultaneously, but they expose themselves to being treated as fleurichons, or dabblers, by the more severe amateurs. I knew a tulip-fancier, who, at the season for planting his tulips, made every year two composts: one of maiden earth, sand, and leaf mould; the other of clay, pigeons’ dung, and animal mould. In the first, which is favourable to tulips, he planted his own roots; in the other, which combined all the contrary conditions, he placed such as he had received as presents, or in exchange. If he thinks his cares insuffi- cient, he waters them with soap-suds. Then, at the period of their blooming, after having made you admire his own plants, he leads you to the others, and tells you, in a delight- fully self-sufficient tone—*“ These are plants which distin- 156 A TOUR ROUND MY GARDEN. guished amateurs have been kind enough to offer me in exchange for mine !” To return to anemones,—they were brought into France from the East Indies, more than two centuries ago, by a Monsieur Bachelier, who was ten years before he would give a single one to anybody. A magistrate went to see him in his robes, and purposely making their folds drag over the anemones in seed, contrived to carry away a few of them, which adhered to the wool of his robe. Never speak to an amateur of anemones, of anything else but his anemones; if you say to him: “I have a beautiful pink,” he will ask you what sort of an anemone that is? But do not imagine that the amateurs of flowers love flowers better than the learned do: the learned do not acknowledge the cultivated anemone, they say that it is a monster, or they dry it, paste it on paper, and write barbarous words under it. Amateurs content themselves with requiring difficult con- ditions of anemones; thus there is a sort of green calyx, which ought to be placed just at one-third from the flower, and two-thirds from the earth, and without this the anemone may display the richest colours in vain—it will be dismissed from the bed, and declared nothing but bouguet/ I spare you a dozen more or less singular conditions which are required of these poor flowers. Here is a peony, a sort of gigantic rose, of the most beauti- ful red. There are no amateurs of peonies, unless it be the tree-peony, because that is perhaps less beautiful, more diffi- cult to cultivate, but more scarce. The ordinary peony, red, rose-coloured or white, is held in no esteem. But it is socommon! Thanks, O Lord, for all that thou has created common! thanks for the blue heavens, the sun, the stars, murmuring waters, and the shade of embowering oaks,—thanks for the corn-flowers of the fields and the gilly- flowers of the walls,—thanks for the songs of the linnet and the hymns of the nightingale,—thanks for the perfumes of the air and the sighing of the winds among the trees,—thanks for the magnificent clouds gilded by the sun at its setting and rising,—thanks for love, the most common sentiment of all,— thanks for all the beautiful things thy praretone bounty has made common ! THE PEONY. 157 The peony was formerly, however, much celebrated: it drove away tempests, broke enchantments, defeated witch- craft, and now and then cured epilepsy. Its name, poonia, came from Poon, a celebrated physician, who employed it to cure Pluto, when wounded by Hercules. The root of the peony, therefore, was not taken lightly; it was at a certain hour of the night, and during a certain phase of the moon; and still further, it was necessary to take care not to be observed by the woodpecker, whilst digging it; whoever was observed by the woodpecker became blind. The peony is no longer anything but a beautiful and splendid flower, despised by amateurs, and seldom seen but in poor gardens, LETTER XXIV. THE POOR TRAVELLERS—THE CASTLE OF CHILLON. You must not imagine, my friend, that I also have never travelled ; there has been a time when I wrote, in a few words, every evening, the result of my impressions of the day. Here are some lines of this Journal. “Litte—I went to the midnight mass; some old women were praying and preparing a supper called a reveillon or medianoche; from time to time they drew from under their petticoats a small chafing-dish, upon which were cooking two or three herrings ; they turned the herrings, put the chafing- dish back in its place, and resumed their prayers. “In Picardy I was treated with tarts made of leeks; which would be horrible, if it were possible to eat them. “ Lausanne.—I have been angling here in the Lake of Geneva; but I have caught no fish; a circumstance that has happened to me in the various rivers, lakes, and streams, in which I have made a similar experiment. But*here I am in Switzerland, though. THE POOR TRAVELLERS. 159 “When I used to say: ‘There is a beautiful tree, a limpid stream, a fine sheet of snow, or a lovely greensward, I was silenced with: ‘Bah, you have not been in Switzerland! —‘ No.’— Then never say anything about greensward, snow, limpid waters, trees, or anything else in the world.’ “One day I set out for Switzerland, not so much for the sake of seeing Switzerland, as to be able to say I had been there, and to be allowed to speak when I pleased, about trees, grass, water, and snow. “T set out, then, but my dislike for travelling accompanied ime, and exposed me to singular accidents. I had money and time for three weeks, and I discovered, one evening, that I had been fishing eight days for mullets in the little lake of Mantua, believing myself to be in Switzerland ; it was very beautiful, though. I loved that half-circular mountaia, crowned with snow; below the snow, firs with their black foliage ; below the firs, fine poplars edged the water, and cast over it the reflection of their lofty tops. “One day, as I was looking at the travellers who were stopped at the douane, I found out that I was still in France, and, therefore, immediately passed the frontier. I arrived at Geneva, but whilst travelling thither, I experienced a regret and a remorse, of which the following was the subject :— “Whilst I was on board the boat which conveyed me by the Saéne from Chalons to Lyons, my attention was very much taken up by a woman accompanied by two children; the first was about twelve years of age, she held the second in her arms. There was in the appearance of this woman a mixture of dis- tinction and misfortune which affected me to the highest degree. Her costume was not a travelling costume, but a heterogeneous composition of divers pieces of divers toilettes. All was faded, and the more sad from its being plainly to be seen that it had once been rich and elegant. She had a green bonnet, but faded, with torn flowers ; a tartan mantle of red and black check; a torn glove on one hand, the other, uncovered, was white and handsome, her fingers slender, her nails very nice, but not one ring, not even a wedding-ring—it was the left hand that was uncovered. I have been poor, and I have preserved a wonderful tact for discerning poverty in others, with a glance, through the noble falsehoods of pride, through. 160 A TOUR ROUND MY GARDEN. the touching mancuvres of shame. The elder of the two children was dressed with all attention to cleanliness; but hig clothes, which had become short and tight, and his hair, that was too long and dry, showed that his mother took all the care possible of him that did not require money. I cannot tell what it was that saddened me when near this woman ; her countenance was handsome, calm, and dignified ; but I sur- prised a look gently raised towards heaven, and then falling back upon her two children, a sort of mute and furtive prayer. A slight, but cold and disagreeable mist was falling. All the women descended successively into the cabins ; some men only remained upon deck ; she was seated between her two children. She folded the plaid over the younger one. I would have given anything in the world to have detained the last woman that descended to the cabin ; for I had seen what it was kept the poor mother on deck. Between her wrist and her glove I had seen the end of a yellow paper, which was the ticket given her in exchange for the price of her passage: mine was red, and designated the first place, she, therefore, had only taken second places ; upon deck this was of no consequence, but if she wanted shelter, she must go down into a cabin in which were assembled all the travellers of the second class, workmen and meanly dressed women. I put up a prayer from the bottom of my heart that the rain might cease. A few minutes afterwards, a ray of sunshine dissipated the clouds ; I believed that I had been heard, and I thanked God as earnestly as I had prayed. “ As we were leaving Trevoux on the left, all the travellers remarked a terraced garden on the Sadne, shaded by a row of beautiful trees; these were the trees of Judea, whose blossoms, closely clinging to the branches, looked like a thick rose-coloured bower. A ray of the sun illuminated this smiling decoration. The boy directed his mother’s attention to it. This drew a smile for her child from the bottom of her heart—but the smile faded away, and froze upon her lips. I could not remove my eyes from these three beings, and it appeared to me that a malignant fairy took delight in expos- ing to me, and making me guess, one by one, all the poverties they concealed. Some one asked what o’clock it was; the boy felt in his pocket, and my heart was oppressed with hope THE POOR TRAVELLERS. 161 and expectation ; I would have given all the money I had to see him pull out a watch. In that moment of uncertainty, a thousand things passed in my mind. Perhaps I am deceived ; she does not wear rings, but many women do not wear them. Perhaps she does not like jewels. I know an extremely rich lady who never will admit one in her dress. Alas! the boy only pulled out a pocket handkerchief. “A man then answered the person who had asked what o'clock it was. He was a short man, rather thick-built than fat. He appeared to be about fifty years old, and wore his own grey hair. He was dressed in a surtout, with a waistcoat and trowsers of black cloth. It was plain that this man attached no idea to any colour, and had no partiality for one more than another ; but that he was rich, and black, he had been told, looked proper on all occasions. His boots were large, the straps of his trowsers were not blacked ; his head was wrapped in a large shirt collar, standing on end with starch ; he had cotton in his ears; his ears had been pierced, but he wore no earrings. He displayed a large diamond in his shirt, and another on his finger; his two hands were almost constantly in the pockets of his trowsers; everything pronounced him a low-minded man become rich. If he answered the man who asked what the hour was, it was only because it gavé him a reasonable occasion to pull out a large gold watch, with an immense bunch of seals; the watch being pulled out, he made it strike close to his ear to show it was a repeater. “The boy drew near and looked at the watch, whilst he looked at the child, and perceived, as quickly as I had done, his short and tight clothes. ‘Well! said he in a harsh tone, ‘you will know me again, shan’t you? you stare at me enough.’ “Two other men laughed at this coarse pleasantry. The child became as red as fire. His mother called him with a soft but sad voice; first she scolded him a little, and then she kissed him. She preferred telling him that he was wrong to telling him he was poor. “T walked to the side as if to look at something, and with a shove of the elbow turned the parvenu watch-owner round on his centre. He grumbled a little; I looked him full in M 162 A TOUR ROUND MY GARDEN. the face, and he crossed over to the other side of the boat. I longed to chat with that woman, but I feared to offend her by addressing her; perhaps she might fancy I was more bold with her than with others. The boy came and leant upon the side of the boat; I spoke to him, but I found myself absolutely timid with this child of twelve years old; I could almost have thanked him for having the kindness to answer me. I believed I beheld in this poverty the most respectable thing I had ever contemplated in my life. I should very much have liked to ‘know whether the mother saw me talking with interest with her child, but I did not dare to look towards her. I swear that there was not the least personal thought in all this, for I had at that time in both my heart and my head as much love for another as they could reason- ably contain; but I had perceived how this woman’s feelings had been wounded by the rudeness of that wretched fellow. I hoped to efface this impression by a contrary one. I took pleasure in answering the questions of the boy, who was more bold with me than I was with him; and I likewise took pleasure in imagining the series of thoughts my attention to the child might create in the bosom of the mother. In the first place, she would perceive that her boy was not destined to be repulsed by everybody because he was poor ; then she might think that his questions and language in- terested a man, and she might say to herself, ‘He must be intelligent for that gentleman to take such notice of him— he will become a clever man—some day he will attain to honours.’ She beckoned him to her with a sign; she drew from a kind of flat basket, concealed under her mantle, a piece of bread and two apples, which she gave him. There are whimsical things to be met with, that perhaps very few persons would comprehend. I had never seen this woman, and yet it appeared to me that there existed a mysterious tie between us. I heard within me a voice which said to her, ‘Thou art unhappy, I will console thee; thou art poor, I will work for thee.’ As I have proved, it was not love, but it was a warm, pious charity, full of respectful tender- ness,—perhaps it was a kind of love; however that might be, if she had deigned to speak to me, I know my heart would have melted with joy. THE POOR TRAVELLERS. 163 “ At length we arrived. The day was declining; the tra- vellers got together their luggage; she had nothing but a band-box, which she kept close by her side. I conjured up a thousand romances. What can she be going to do at Lyons? Will she be more rich or more happy there? Now the porters called to us from the quays, recommending hotels to us: this tumult, these voices, all awakened me as from a dream. I began to fancy there was a kind of folly in the sentiments that had taken such strong hold of me. It is strange how soon we become reasonable; that is to say, less great, less noble, less generous, as we draw near to the cities of men, I determined, however, to do one thing. “T divided my money into two parts. I put in one as much as would carry me back home again, without con- tinuing my journey, and in the other what remained. My intention was to give it to the boy, in the midst of the con- fusion of leaving the boat, to avoid all possibility of refusal or thanks, to pass the night at an hotel, and return home on the morrow. But I went to look for my little portmanteau when the boat was moored at the quay, and when I returned could find neither mother nor children. I sought for them in the crowd; but I have reproached myself with thinking, that if my search had been as earnest as were my subsequent regrets, I should have found them. This noise, this crowd, these voices, all appeared to dissipate a sort of intoxication ; it was necessary to take care of my portmanteau, and look for an hotel. “ By what a fine thread are held the few good or great thoughts that a man has in the course of his life, if it is to be broken by such petty shocks, such petty things, and such petty interests ! “T continued my route, dissatisfied with all I met with or saw, and what was still worse, dissatisfied with myself. “T have retained another impression from this journey, still more unpleasant, perhaps, from being more hateful As I followed, in fact, the shore of the lake of Geneva, I came to the castle of Chillon, between Clarens and Villeneuve, which is at the extremity of the lake. I was shown a subterranean vault, fifteen feet below the surface of the water, into which only a small quantity of light entered by an aperture that 164 A TOUR ROUND MY GARDEN. has been much enlarged since the place ceased to be a prison. There I saw iron rings attached to the pillars; and, horrible to contemplate! deeply imprinted in the rock the steps of a prisoner who passed many years in the dungeon. I touched one of the rings, and as it fell back from my hand against the stone pillar it returned a sound so melancholy that it resounded in my heart. I could hear the lake growling over my head; I could scarcely breathe, and I hastened to re- ascend in order to gain a little fresh air, and remove some of the fearfully oppressive weight from my mind; but all the rest of the day I was a prey to a sort of delirium—TI ex- perienced all the sensations of despair and rage. It appeared as if. my being was severed in two, and that half of it re- mained in that awful dungeon. “T regretted bitterly the childishness which led me to write my name with the point of a knife upon one of the pillars, amidst a hundred other names, in order that the painters who had induced me to visit Switzerland might find a trace of my passage, and a proof that I had been there. T experienced a pain from the recollection-that my name was in this horrible place; a false shame restrained me, or else I should have returned and have effaced it. Even now, when this impression has lost much of its strength, I should feel much better satisfied if my name were not there. «“T remained a few days at Lausanne, when, one morning, perceiving that I was at the end of my time, and likewise of my money, I returned home.” LETTER XXV. AN AMATEUR FINDS FAULT WITH AN AURICULA. One of the pet flowers of amateurs is the Auricula. Happy the flowers which have escaped savants and amateurs ; they have not received ridiculous names; they are not tormented, distorted, or subjected to a thousand whimsical exigencies ; they blossom in peace. The learned require that the auricula should be yellow; if -it presents itself clothed in any other colour, it is pronounced a monster, as double roses are. Amateurs grant it permission to wear what colours it pleases; but this is only an appearance of liberty. I once saw an amateur in a state of fury. Some auriculas had been sent to him from I don’t know what country: he had culti- vated them with care; he had tormented them after the methods most approved of by amateurs; he had deprived them of water, and more particularly of sun and earth, by placing them in a pot, and as I went into his house he was 166 A TOUR ROUND MY GARDEN. tearing them up, one by one, and trampling them under his feet. I understood, from his broken exclamations, that the auriculas had avenged themselves for the ill treatment they had received, by not fulfilling the conditions he required and had hoped for. I, however, ventured a few questions, to assure myself of the ‘fact, and at the same time to learn what horrible offence could have been committed by these poor flowers, which appeared to me to be decked with the richest colours, and to be in perfection. He continued his execution, pronouncing upon every one his motives of judgment and condemnation, before he crushed it under his feet, I will place you in a condition to do as I did, and to derive instruction; that is to say, to learn what are the duties of the auricula towards its cultivator, and how it transgresses them. He took up one of a beautiful velvety blue. Its stalk is too short, said he, and he crushed it. To this succeeded another of a rich velvet brown, with a white circle which is called the eye; its stalk is too long—crushed. A velvet orange; the flower is not exactly round—crushed. A deep purple velvet; the bouquet has only eight flowers, it ought to have twelve—crushed. A velvet olive; the eye slimy (that is to say, it is slightly tinged with the olive colour) —crushed. A velvet yellow; the eye does not occupy a third of the circumference of the flower; that is the least it ought possibly to do; I have a friend who requires half— Iam more indulgent, but I cannot admit this—crushed. A velvet pale violet; the eye is not exactly round—crushed. A deep violet velvet; eh! what do you do here? your clow exceeds your patilettes, a pretty thing that ! Here I stopped the judge and executioner to request an explanation. Auricula fanciers call the pistils the clow, and the stamens the paillettes. The stamens ought to extend beyond the pistils, and appear alone; it is a very serious thing when the contrary happens to be the case. Whatever xoay be the colour or the splendour of the flower, a true amateur would scorn to keep such a one in his collection. A hundred charming flowers were thus sacrificed before my eyes, I in vain endeavoured to save them by begging AURICULAS. 167 .that he would make me a present of them; my entreaty was rejected. “Not at all, not at all; I will give you some others.” “But these please me very much.” “Nonsense; you are joking!” “ Not at all, I assure you.” “TI cannot consent that such flowers should come from me; if it were known that I had given them I should subject either my collection or my friendship to animadversion.” He was inflexible. Do not imagine that I invent or exaggerate; seek for an amateur of auriculas, and read to him this passage of my letters. I can assure you beforehand that he will not smile, that he will see nothing ridiculous in it, that he will say his brother amateur was right, perhaps even a little too indul- gent. In addition to the florist’s lesson, this is a chapter to add to the rights of man. You now know what are the duties of auriculas, and I hope you will see how to make them perform them. ; LETTER XXVI. AN OLD WALL. I po not dislike walls; it is sometimes a good and con- soling reflection to be in a well-secured enclosure, alone with perfumes, flowers, trees, the heavens, the air, the sun, stars, remembrances and reveries, and to know that nobody can come and disturb you. I like walls, but I don’t like white walls; I like nothing but old walls. I have one here, along which the course of my journey brings me, and which pleases me exceedingly. It is just as old as it ought to be; if it were a little older it would be given up to the mercies of the bricklayers, who would introduce all sorts of new bricks or white stones. As it is, it is grey and black, and is covered with twenty species of mosses and lichens. In the crevices of its top extends an absolute crown of yellow wallflowers and ferns. At its foot vegetate pellitory and nettles, in all their beautiful green; little crevices serve as an asylum for the lizards which run over the wall. Among the nettles live many caterpillars, which there spin brilliant webs and come forth butterflies. Let us examine the nettles. The flowers of the nettle have the male and female blossom separate. The stamens of the males, in the season, perform an evolution which throws out a little shower of dust upon the female flowers. The hairs which cover nettles have at their base a little gland, in which is formed, by a portion of its sap, a caustic juice; THE ANT-LION. 169 it is in the same manner that vipers bite, although peasants persist in saying that they sting. There are many persons who eat young nettles cooked like spinach, as we are taught by a verse of Horace, and another of Persius. It was well worth the trouble to become masters of the world! One of the inhabitants of the nettle is a thorny caterpillar, of a velvety black, marked with three white points. When its time is arrived, it hangs itself by the feet to the leaf of a nettle. Ata later period it becomes a magnificent butterfly, black and red-brown, with an eye upon each wing; in which blue, violet, red, white and yellow, emulate the splendour of the eyes in the feathers of the tail of a peacock; whence this butterfly is called the peacock butterfly. The atalunta, with which we have already met as a cater- pillar, lived upon the nettle. The butterfly called the tor- toiseshell has been previously a green and brown striped caterpillar upon the nettle, and then a striped chrysalis. The painted-lady is also a guest of the nettle. There is a time at which the old wall changes its appear- ance. Then it is green and rose-coloured. Bengal rose-trees hang like a tapestry over it up to the very top, so as to con- ceal it entirely. The roses are as numerous as the leaves; that palisade of ten paces in length does not exhibit less than from a thousand to twelve hundred roses in bloom at once,