Sree nae epoca Sie eoate en — —_— rote: : : ee See = LOS eae i bi pen ERTS aii ne RES iy ae ann) *' a, ae , eT av ’ ? ae pete eat + , eet ae ry? Hat, my, ey \\ % Si SY ° *y FLORAL BIOGRAPHY. sa Ci So WASLARDOM aAwOrT FLORAL BIOGRAPHY; OR CHAPTERS ON FLOWERS: BY OAS ee ELIZABETH. / wee PeSRD he as) FOURTH AMERICAN FROM THE SECOND LONDON EDITION. WHEW YORK: PUBLISHED BY M. W. DODD, BRICK CHURCH CHAPEL, CORNER OF PARK ROW AND SPRUCE STREETS. 1842. The Snow-Drop The Furze-Bush The Shamrock The Heart’s-Ease The Hawthorn The White Rose The Carnation é The Evening Primrose. . . ‘ : : . The Vine. ® ° The Heart’s-Ease The Lauristinus CONTENTS. Page. CHAPTER I. ° ° . e ° ° . . 7 CHAPTER II. ° e e e ° e ° 24 CHAPTER III, ; ° : . ‘ . : oe) CHAPTER IV. . . e ° ° ° e ° 53 CHAPTER V. ° . ° ° e ° 67 CHAPTER VI. : : : ‘ : ° : . 80 CHAPTER VII. ° ° : " 91 _ CHAPTER VIII. 102 CHAPTER IX. s ° e * s. e 113 CHAPTER X. . : ° . 125 CHAPTER XI. a a * . 138 ae vl CONTENTS. CHAPTER XII. The Holly-Bush 5 ese eed dee ee LO eat ee CHAPTER XIII. The Christmas Rose . 3 : B 3 ‘ oa Ge CHAPTER XIV. The Purple Crocus ah eee) aah gil, age 174 CHAPTER XV. The Hyacinth . . ; ier la ° . . 185 CHAPTER XVI The Heart’s-Ease . ; 2 , ‘ ‘ ~' 202 CHAPTER XVII. The Ranunculus - : : . " : 214 CHAPTER XVIII. The Garden . 3 s “ ‘ 4 é . .* a8 CHAPTER XIX. The Jessamine . ‘ 4 J P ; ps 3 241 CHAPTER XX The Passion Flower. . , : é é ; -) Rae CHAPTER XXI. The Lemon Plant : fe é a 5 . « "O65 CHAPTER XXII. The Pale Bell of the Heath a é < 4 . 279 CHAPTER XXIII. The Guernsey Lily : Pe eee ‘ o ® 293 CHAPTER XXIV. The Ivy * ° ° a ‘° o ° e e 307 CHAPTERS ON FLOWERS. CHAPTER I. THE SNOW-DROP. Botany is doubtless a very delightful study ; but a botanical treatise is one of the last things that I should be found engaged in. ‘Truth shall be told: my love of flowers—for each particular petal —is such, that no thirst after scientific knowledge could ever prevail with me to tear the beautiful objects in pieces. I love to see the bud bursting into maturity; I love to mark the deepening tints with which the beams of heaven paint the expand- ed flower; nay, with a melancholy sort of pleas- ure, I love to watch that progress towards decay, so endearingly bespeaking a fellowship in man’s transient glory, which, even at its height, is but as “the flower of grass.” I love to gaze upon these vegetable gems—to marvel and adore, that such relics of paradise are yet permitted to brighten a path where the iniquity of rebellious sinners has sown the thorn and the thistle, under the blighting 8 THE SNOW-DROP. curse of an offended God. Next after the blessed bible, a flower-garden is to me the most eloquent of books—a volume teeming with instruction, con- solation, and reproof, But there is yet another, and somewhat fancifnl view, that I delight to take of these fair things, my course has lain through a busy and a chequer- ed path; I have been subjected to many changes of place, and have encountered a great variety of characters, who have passed before me like visions of the night, leaving but the remembrance of what they were. I have frequently in my lonely rambles among the flowers, assimilated one and another of them to those unforgotten individuals, until they became almost identified; and my garden bears a nomenclature which no eye but mine can decypher. Yet if the reader be pleased to accompany me into this parterre, I will exhibit a specimen or two of what I am tempted to call floral, biography ; humbly trusting that He who commended to our consideration the growth of the lies, will be with us, to impart that blessing without which our walks, and words, and thoughts, must be alike unprofitably—sinfully vain. In glancing around the denuded garden, at this chilling season, we can scarsely fail to fix our re- gards upon the snow-prop, which bows its trem- bling head beneath the blast. Every body loves the delicate snow-drop; I will not stop to repeat THE SNOW-DROP. 9 what has been often said and sung concerning it, but proceed to that of which it is a characteristic memento. Merely premising that in this, and every subsequent sketch, I shall adhere most strictly to simple, unadorned truth. ‘The char- acters will be real, every incident a fact; and nothing but the names withheld. It was in dear Ireland, some years ago, that a pious clergyman, in reading a letter from a military correspondent, pronounced a name familiar to me —it was that of one who had been a beloved play- mate in my earliest years, of whom I have long lost all trace, and who was there represented as having died rejoicing in the Lord.